(Eh? i. '£. Bill ffiibranj North (Carolina £tate Uninpraity Z. SMITH REYNOLDS FOUNDATION COLLECTION IN SCIENCE AND TECHNOLOGY Digitized by the Internet Archive in 2010 with funding from NCSU Libraries http://www.archive.org/details/bookofperfumesOOrimm 5 H 9 PREFACE. LTHOTJGH I am aware thai Prefaces are out of fashion, and that it is now custo- mary to plunge at once in media* res, I feel J/s^y^xQa l )0luu l i n this instance to deviate from the general rule, and to explain how I was led to emerge from the depths of my laboratory, and to appear thus before the public in an entirely new character. Four years ago, I had to prepare for the Society of Arts a paper on "The Art of Perfumery, its History and Commercial Development," and, to qualify myself for the task, I was forced to devour a huge pile of big book* in order to ascertain through what mysterious arts the Ancients ministered to the gratification of their olfac- tory sense, and to the embellishment of "the human face divine." Two years later, I was called upon to form part of the Jury at the Great Exhibition, and to draw up the official report of the Perfumer; class. The researches I had to make on the former occasion, and the observations I gathered on the latter, gave me a complete insight into the world of "sweet smells," both ancient and modern; and, thinking that the notes T had thus collected, combined with the Sit m^^^^m _=£o>W ■■■&- ' ' 1 results of my experience as a practical perfumer, and of my rambles in foreign lands, might prove in- teresting to some readers, and especially to ladies, I published in the "Englishwoman's Magazine" a series of articles on the " History of Perfumery and the Toilet." These few stray leaves having met witli a much more favourable reception than I had pre- sumed to anticipate, I have been induced to re-publish them in the shape of a book, adding thereto a great deal of fresh matter, and numerous illustrations. Many writers have already exercised their pen on the subject of Perfumery, from Aspasia, the wife of Pericles, to Mr. Charles Lilly, the Perfumer, of the Strand, at the corner of Beaufort Buildings, whose pre- mises I have now the honour of occupying, and whose name was immortalized in the "Tatler," and other magazines of the period. The list of these works would be long and tedious, and those that are worth noticing will be found chronicled in their proper place in the following juages. Modern books on Perfumery may be divided into two classes, some being simply books of recipes, laying claim to a useful purpose which, however, they do not fulfil, since they contain nothing but antiquated formulas long discarded by intelligent practitioners ; and others being what our neighbours call reclames, namely, works written in a high-flown style, but inva- riably terminating en queue dc poisson, with the praise of some preparation manufactured by the author. Besides these productions, articles on Perfumery ? &§m$k£ .;,: s :-,V. f '"-w- have occasionally appeared in periodicals ; but though some of them are handled with evident talent, the want of technical knowledge on the pari of the writers considerably impairs their value. I may mention as an instance an essay of that kind lately published by the "Grand Journal," in which a certain Parisian doctor gravely asserts that rouge is made of ver- milion, and commits numerous oilier blunders, which may pass unnoticed by the general public, bul which in the eye of a practical man, denote his utter igno- rance of the subject he attempted to treat. In writing this book, I have endeavoured to steer clear of these objections, by adopting the following plan, which will be found to differ entirely from those .■>f my prede cO B BOra . After devoting a few pages to the physiology of odours in general, I trace the his- tory of perfumes and cosmetics from the earliest times to the present period, and that is the principal feature of my work. I then briefly describe the various modes in use for extracting the aromas from plants and Bowers, and conclude with a summary of the principal fragrant materials used in our manufacture ; in true, I give all the information which I think likely to interest the general reader. The only recipes which I quote are those which I think, from their qoaintness, likely to amuse, but I abstain from giving modern formula?, for the following reasons, which I hope ina\ appear sutiicii nt : There was a time when ladies had a private still- room of their own, and personally superintended the ^~- • fit* ^tiSM@m&: ^ ^ ^S^ -"*— various " confections " used for their toilet ; but it was then almost a matter of necessity, since native perfumers were scarce, and exotic preparations ex- pensive and difficult to procure. Such is not the case now : good perfumers and good perfumes are abundant enough ; and, with the best recipes in the world, ladies would be unable to equal the productions of our laboratories, for how could they procure the various materials which we receive from all parts of the world ? And were they even to succeed in so doing, there would still be wanting the necessary utensils and the modus faciendi, which is not easily acquired. I understand the use of a cookery-book, for the culinary art is one that must be practised at home. but perfumery can always be bought much better and cheaper from dealers, than it could be manufac- tured privately by untutored persons. The recipes, therefore, admitting them to be genuine, would only be of use to those who follow the same pursuit as myself. But is it to be reasonably ex- pected that, after spending my life in perfecting my art, I am thus to throw away the result of my labours in a fit of Quixotic generosity ? Had I dis- covered some means of alleviating the sufferings of my fellow-creatures, I should think myself in duty bound to divulge my secret for the benefit of hu- manity at large; but I do not feel impelled by the same considerations to give to niy rivals in trade the benefit of my practical experience, for then, indeed, "Othello's occupation" would be "gone." This may be 3 MrV :+**? 1 :, though! by some a selfish way of reasoning ; but on due reflection, they will Hud thai I am only more sincere than those who appear to act differently. As a proof, I need but point out the inconsistency of a perfumer who claims some superiority for his art in compounding, and who, at the same time, explains by what means he attains that superiority. Is he not at once de- stroying his prestige if he professes to enable others to manufacture just as well as himself P The con- clusion of all this is, that the recipes given in books are never those actually used; and I say, therefore, cui bono ? If I have avoided recipes, 1 have also shunned any allusions to my personal trade. As a man of business, I do not underrate the value of advertisements; but I like everything in its place, and consider this hybrid mixture of literature and putt', an insult to the good sense of the reader. Before I close this brief address, I wish to acknow- ledge, with bed thanks, the aaaiBtance 1 have receiyed in the shape of very interesting notes, from many oi my friends and correspondents, among whom I max mention, Mr. Edward Greey, of the Royal West India Mail Company; Mr. Chapelie, of Tunis; Mr. Thnnot, of Tahiti; Mr. Schmidt, of Shang-llae; Mr. Ekingre, of Manilla; Professor Mnller, of Melbourne; Mr. Hannaford, of Madras; and last, not least, Mr. S. Henry Berthoud, the eminent French litterateur, who very kindly placed his unique museum at my disposal. I have also found some valuable information in thl m ■ •^-r; M ¥ v\ following books (besides others mentioned in the course of the work) : — Sir Gardner Wilkinson's " Ancient Egyptians;" Mr. Layard's "Xineveh;" Mr. Eastwiek's excellent translations of Sadi's " Gulistiiu," and the " AnTar-i SuhaiH;" Mr. Monier "Williams's no less admirable adaptation of " Sakoontala ; " Consul Pethe- rick's " Egypt, the Soudan, and Central Africa ;" Dr. Livingstone's "Travels," and Mr. Wright's " Domestic Manners and Sentiments During the Middle Ages." I have not the honour of knowing these authors, but I hope they will excuse me for having borrowed from them what belonged to my subject. In conclusion, I crave for this offspring of mv leisure hours (which are but few), the same indulgence which has been shown to the objects contained in the Work- men's Exhibitions lately held in various parts of the Metropolis, in which the labour and difficulty in pro- ducing an article is more taken into account than the actual merit of the production. Mine is a plain, un- varnished tale, without any literary pretension what- ever ; and if I have picked up a few gems on my way, and inserted them in my mosaic work, I claim but to be the humble cement which holds them together. EUGENE EIMMEL. 1= 96, Stra.vd, \oth Deefmber, 1864 J ~. 'V CHAPTER I. Physiology OP Pi Bl OKES. The sense of smell— Origin of Perfumery— The Perfumer"* art- Perfumea need al iir-t I -PI" ofthi* work— Nature ol odours— Moral cloak— < of odoorB— Influence of scent* ,,„ memorj— Kedicuial prop ' " perfnmeB by the -Flower* more injurioua than perrbmee— Natural in prefer pleasant odours CHAPTER II. Tin; EOSPTXANS. Perfumes applied to three distinct purposes in Egypt— Religious -The geared Lull, Apia— Ointment* , Bared to the gods— The Oasis— Pr bsubib— Kings anointed -'■ for .iiit.iihniim' the dead— Inoenaa and honors paid to mummies— raaae— Animal* embalmed— Modern mode of embaln its — The Brrf perfnmeBi— Cosmetic* oaed by ladie a— T he toilet of an Egyptian belle— Cleopatra and Mark Antony— Egyptian , ini ,,. .,- scene— The hair and beard— . — Ladies' head-dresses lj t 1 CHAPTER III. Noah'* sacrifice— Balm of Gilead— Altar of incense— Holy incense and anointing oil— Jewish knurs anointa d OUcto , onyohs, and gal- Ihiiiiiii rwltiM against oaing holy perfume* fat printe purposes— Purification of wameor-Eathei and a ha menu — Judith and II. I - ■VJ^S> CONTENTS. femes — Solomon's Song — Aromatics used by the Jews — Camphire — Spikenard — Saffron — Frankincense — Myrrh — Aloes — Clothes and beds perfumed— Aromatic plants abundant in Judaea — Anointing — Embalming — Soap not known by the Jews — Cosmetics and toilet implements — Jewish customs preserved in the Holy Land — Jewish ornaments — Mode of wearing the hair — King Solomon's pages ... 37 ■-? a ! 3 CHAPTER IV. The Ancient Asiatic Nations. The garden of Eden — Ancient authors and modern discoveries — Assyrian deities and worship — The temple of Belus — Nimrod's altar — Zoroaster — Origin of the sacred fire — Sardanapalus — Nineveh and Babylon — The hanging gardens — Babylonian perfumes and cos- metics — Parsondes and Nanarus — Astyages and Cyrus — The Persians — Darius and his perfume-chest — Antiochus Epiphanes — A "sweet" monarch — The Lydians — The hair and beard — Ladies' head-dresses — The marriage -market at Babylon — Mausolus, and his little specu- lation 59 CHAPTER V. The Greeks. Greek deities and sacrifices — Eleusinian mysteries — Juno's toilet — Pallas and Penelope — Phaon's transformation — Medea's renovating process — Origin of Greek perfumery — Diogenes' notions about scents — List of Greek perfumes — Athenian perfumers — Grecian entertain- ments — Socrates' horror of scents and baths — Milto — Greek cosmetics and hair dye — Lais and Myron — Funeral rites — Anaereon's wish — The toilet tribunal — Grecian ladies' head-dresses — Hair cut off in mourning , CHAPTER VI. The Romans. Early Roman sacrifices — Religious worship and funeral rites — Tieinus Menas — Lucius Plotius — The Roman emperors' taste for per- fumes — Roman baths — The Emperor Hadrian — Caracalla's laths — A matron at her toilette — Roman perfumes and cosmetics — Roman perfumers — Catullus and Martial — -A Roman beau — Poppnea's fifty asses — Ovid's book on cosmetics — Hair dyes — Modes of dressing the hair — Otho's wig — Phcebus's expedient 97 Jl Jr N ;v, • CHATTER VII. The Orikntals. Tho Eastern Empire — Tho Arabs— Avieenna — The invention of rose-water — Oriental courtesies — Censer and CuilaMan — -Mahomet's Paradise— Musky walls— Turkish baths— Scented clay used as soap— gadi'a " < Julist.in " — llatiz's love of flowers — Tanjtakh and Yezdijird — Turkisli Indira Tlist of Oriental ooametica ami mode of preparing them — Eastern modi' of wearing the hair — Tho king of Persia's barber 1'^ V CHATTER VIII. THE Far East. Perfumery us 'd in India 2000 years ago — Sakoontala — Sacred flioo Ointmenta — Banna-— The live Hindu heavens — Kama, the Indian Cupid— Religious ceremonies— Tibetan altar— O i hin-l sacrifices — Hindu marriages and funerals — Origin of otto of roses — Indian flowers and essences— Extracts from Indian poems relating to flowers and perfumes— Hindu perfumers and barbers— I noense n 1 by Mussulmans— Exorcisms— Cosm. 'lies— Origin of soorma— Indian mode of dressing the hair— Himalayan fashions— Chinese censers — Chinese funerals — Chinese perfumers and cosmetics — Chinese ill iwers— Three styles of coiffure used in China— Japanese perfumers and cos- metics—Japanese funerals— Style of hair-dressing in Japan . . . .139 CHATTER IX. Uncivii.izi.i) Nations. Savage modes of adornment — African ointments — Tola pomatum- Bridal toilet at Fernando To— African head-dresses: the cocked-hat, nimbus, and shoe-brush styles— The Ounyamon.-ii— King Radama's system of hair-cutting— Arab, Nubian, and Abyssinian coiffures— Tin- language of oyster-shells— A begging bridegroom— A pal on the head -A hath in a teacup— The enamelling process in Boodan— Fashions in Central ifrioa— The Neam-Xam and Oomo peasants Bine hair and red skin— The Tagall and l.oo-Choo Islander Macaulay's Now Zealander— Tattooing in New Zealand— The artist's song— Embalmed heads — Rainbow style of hair dyeing in Fec-jec — IWdcred beaux— White rrrru* black— Nooka-hiva and Tahiti— Terra del Fuego— South American Indians— Facial painting among the Redskins — Indian mourning .VJ -X 4* iip 3 ^ ~>£*7 CHAPTER X. From Ancient to Modekn Times. Gauls and Britons — The Druids — Roman conquest — Clovis — Char- lemagne — Sweet rushes — Embalming — The Crusades — Introduction of rose-water — The perfumers' charter — Mediaeval times — Hungary- water — The Renaissance — Venetian hair-dyes — Catherine de Medicis — The secrets of Master Alexis — Queen Elizabeth — Pomanders — The boat of foolish smells — Musk and civet — Casting-bottles — Perfumed ground — Aromatic fumigations — Sweet bellows — Bucklersbury in Shakespeare's time — Perfumery hawkers — Charles I. — The Common- wealth — Charles II. — Patches — Hair-powder — Louis XIV. — The Prince de Conde's snuff — Ancient recipes — Louis XV. — The Georges — English perfumers of the last century — French charlatans — The hair and beard — Ladies' head-dresses ISO CHAPTER XI. The Commercial Uses of Flowers and Plants. Countries whence perfumery materials are obtained — Proposed British flower-farms — Distillation, expression, maceration, and ab- sorption — Semeria's new system of enflairai/e — Fiver's pneumatic apparatus — Millon's percolating process — Quantities of flowers con- sumed — Manufacture of perfumery — London and Paris perfumers — Scents, toilet soaps, cosmetics, etc. — Glycerine — Volatilisation of per- fumes — A word of advice to ladies CHAPTER XII. Materials Used in Perfumery. The animal series, musk, civet, aud ambergris — The floral, herbal, andropogon, citrine, spicy, ligneous, radical, seminal, balmy, fruity, and artificial series — New materials — East India essences — Australian trees and flowers — Other aromatic products 241 FRONTISPIECE— The Siior of Rem:, the Perfumer, on Pont-au-Cha.nge, Pauls to face tin Till- . FRONTISPIECE TO CHAP. I.— The Floral Would to fact Initial A a primitive pl.efume altar Egyitian Princess Powdered Belle of the last century Annua Head-dress Lf.pcha Head-dress Fi.oiial Clock l.iNNKrs, the Botanist "The Young Arab" Perfumery and Toilet Attributes (Tail-piece) IK! i.N'TISPIECE TO CHAP. II.— An Egyptian Temple, to face Initial L Mi mmy Pit Kiiamsis III. Sac BOH INcj Ki.Yi-HAN OKU BHH8 (Tiro Illustrations) Offerings of Ointment (Tuo Illustrations) l'i:n sr Pouring Oil over a Mummy Kmhu.ming Mummies (Perfuming the Body) KMBALMnra Mi mmies (Binding the Body) Emuai mim, Mummies (Painting the Case) 1'iMKAi. Vase Mi mmy in a Cat Ai.AiiASTiii Vase containing Ointment oinimini BatXM (Four Illustrations) OlNTMEM BOS WITH f'.'MIWEI Ml \ ]- At OF ILLUSTRATION-. A Theban Lady's Dbessisg-case Kohl Bottles and Bodkin (Three Illustrations) Chinese Kohol Bottle An Egyptian Lady at her Toilet Egyptian Mirrors (Three Illustrations) Egyptian Mirror with Tyfhonlan Handle Egyptlin Comii Cleopatra on the Cydncs Slave Anointing Guest An Egyptian Banquet Egyptian Barbers (Two Illustrations) Egyptian Wig, from the Berlin Collection Egyptian AVig in the British Museum (back and front view] Beards (Three Illustrations) Egyptian Ladies' Head-dresses (Tu-o Illustrations) Egyptian Head-dress from a Mummy Case Head-dresses (Tail-piece) FRONTISPIECE TO CHAP. III.- Land -A Garden is the Holy to face Initial jk The Altar of Incense The High Priest Offering Incense Judith Preparing to Meet Holofernes Henna, or Camphire. with enlarged leaf and flower Spikenard Saffron Frankincense The Aloes Tree An Eastern Marriage Procession An Eastern Bride Jewish Captives at Babylon Jewish Censer (Tail-piice) FRONTISPIECE TO CHAP. IV.— The Death of Sardasapalus 59 Initial T Baal, or BklOS , astarte. the assyrian venus , Dagos, or the Fish-God Altar (Khorsabad) ^n -.'- Nimrod's Statue and Altaic Ai.tar on a High Place Assyrian Altak and Priests (Khorsahad) Sassanidk Medal Parser Altar Assyrian Ointment Boxes (Tito Illustration*) Assyrian Perfume Bottles, with cuneiform inscription (Ximroud) Tito Illustrations Babylonian Banquet IsVlNSE-BURNINO BEFORE A KlNG ( PeUSEPOL; Euro's Head-dress I'VKIS' III AD-DKESS ( Pi RSEPOLIS) A~-yeian Kar-rings (Three Illustrations) ... BABYLONIAN I. Aims Assyrian \Vi\(.ed Bill [TaH-fieee] FRONTISPIECE TO CHAP. V.— Venus" Toilet Initial X Private Altar Patera Incense Altar ('■reek Altar Alabaster Scent-bottle Public Washing Basin Ladies' Toilet Basin Greek Ladies at their Toilet Bun Girl Painting Funereal L'rns ( Tiro Illustrations) , Mitra Head-dri.ssls (Tline Illustrations) Sakkos Head-dress Korymbos Head-dress ... " Strophos Head-dresses (Three Illustrations) Ximiio Head-dresses (Three Illustrations) Kri.di.mnon Head-dress Tllnlll HeaD-DRESS 111. i.iK Censer (Tail-jiiici) FRONTISPIECE TO CHAP. VI.— A Roman Lady's Boudoir. Initial R K'lN-i Altar T T5^-' !^y .1ST OK ILLUSTRATIONS. 4 UAOIC Kukri; hit; DaWI I OR EXORCISM Minim Hi; ad-dri:-s Pocket Coxa I'sKii iiv Tiir. Mich TiiniK.s Statue of Providence wptb Bubntno Oepjsbe Chinese Censes at Tono-Ohoo-Foo Private [H0SH8B lii iini.i; (Kim -it: Maui C hum— Hbap-dbbbs (Teapot Sttlb) Chinese Baebeb Japanese Ladies at their Toilet Japanese ISi.u.i; Japanese Head-dress Japanese Pebfuxb Bobnbe (Tail-puce) PBOB nsriKi'K TO CHAP, ix.— Otahitian Dancees, to face I Ml 111. I A Bridegroom's Toicbt at Fernando Po lil-lllhi I mirn Head-dresses Londa Head-dress Ajbhxba Bbad-dbbss Head-SBESS OP tiii; Oinyamonezi Tr ires \kv-si\un Lady A3TS8INIAN Ami ii r Abyssinian Comiis African Anointing Feather Marquesas Hair-fin Marqfesas Ear-rings made of Fish-hones ('mm FROM Till Sol. mil in Islands Tattooed Head of a Ni \v Zi vi i\n Ciur.r (Tail-piece) FKiiMlslMKi IX TO CHAP. X.— A Strolling Vendor of Perfi'mi.ry ( iimi; or I.mis XV.) tofaa 1 Nil I VI. L A Last at her Toilet (18th centdrt) I. Mm. s Maki.ni. Garlands A Mi iii.EVAi. Pi in i mi.u's Shop i. a donra i iii si h i1iiimu i cafi i.i.i The Boat of Foolish Smells A Ladt with Patches, of the Tims of Charles ii Airi.MNO Hair PoWDBR in .if LOUIS XV.) LIST OF ILLUSTRATIONS. PAGE Comb of the 1"th century .. 210 Madame de Pompadour at Choisy 213 German Barber (16th century) ... 216 Caricature of the Horned Head-dress 218 Various Styles of Head-dresses Last Century' — Butterfly, Dove, Battery, Bride, Noble Simplicity - , Great Pretensions, Jardiniere, Tuilf.ries, Frigate, Capri- cious, Intercepted Looks, Union, Pilgrimage, Flower Girl, Shepherdess, Porcupine, Friendship, Victory (Eighteen Illustrations) 220-1 Modern Toilet Requisites (Tail-piece) 222 FRONTISPIECE TO CHAP. XI.— Interior of a Perfume Manufactory at Nice to face 223 Initial U ib. Steam Still 226 Oil and Pomade Frames 229 View of Grasse 230 View of Nice 231 Floral Vase (Tail-piece) 240 FRONTISPIECE TO CHAP. XII.— A Flower Garden and Distillery at Nice to face 241 Initial II jg. Musk-Deer 242 Musk-Deer Hunting 243 Musk-Pod (Natural size) 244 Civet Cat 246 Bigarrade Leaf 250 Tuberose 251 Cassie 252 Patchouli 255 Cloves 257 Nutmeg ib. Benzoin 258 Camphor a. Dipterix Odorata 259 Sassafras ,/,. Vanilla Plant 261 Flora (Tail-piece) 264 ^ feat""** &&& m < ^ THE BOOK OF PERFUMES. Who has not felt revived and cheered by the balmy fragrance of the luxuriant garden or the flowery mea- dow P Who lias not experienced the delightful sensa- tions caused by inhaling a fresh breeze loaded with the spoils of the flowery tribe? — that "sweet south," so beautifully described by Shakspeaiv as "Breathing o'er a bank of violets, Stealing and giving odour." An indescribable emotion then invades the whole being ; the soul becomes melted in sweet rapture, and silently offers up the homage of its gratitude to the Creator for the blessings showered upon us; whilst the tongue slowly murmurs with Thomson — " Soft roll your incense, herbs, and fruits, and flowers, In mingled clouds to Him whose sun exalts, Whose breath perfumes you, and whose pencil paints!" It is when nature awakes from her long slumbers, and shakes off the trammels of hoary Winter, at that delightful season which the Italian poet so charmingly hails as the "youth of the year," " Primavera, gioventii dell' anno ! " that the richest perfumes fill the atmosphere. The fair and fragile children of Spring begin to open one by one their bright corols, and to shed around their aromatic treasures : — " Fair-handed Spring unbosoms every grace ; Throws out the snowdrop and the crocus first; The daisy, primrose, violet darkly blue, And polyanthus of unnumber'd dyes ; Tin yellow wallflower, stained with iron-brown. And lavish stock that scents the garden round." But soon — too soon, alts ! — those joys are doomed to IYSIO] OOl "1 PERI I Ml s. y pass : 1 i 1< < % the maiden ripening into the matron, the Bower becomes a seed, and its fragrance would for ever be tost, had it not been treasured up in it-- prime by some mysterious arl which gives it Fresh and lasting life. "The rosea soon withered that hung o'er the rave, Hut some blossoms wire gathered while freshly they shone, And a den was distilled from their flowers th •' All tin; fragrance of summer whi n Bummer was Tims the sweei but evanescent aroma, which would otherwise be scattered to the winds of heaven, assumes a durable and tangible shape, and consoles us for the loss of flowers when Nature dons her mourning' garb, and the icy blasl howls round us. To minisf ir to these wants of a refined mind — to revive the joys of ethereal spring by carefully Baving its balmy treasures — con- stitutes the art of the perfumer. When 1 say "the art of the perfumer," let me ex- plain this phrase, which might otherwise appear ambi- tious. The first musician who tried to echo with a pierced reed the Bongs of the birds of the forest, the first painter who attempted to delineate on a polished surface the gorgeous Bcenes which he beheld around him, were both artists endeavouring to copy nature; and so the perfumer, with a limited number of materials at bis command, combines them like colours on a palette, and strives to imitate the fr agr an ce of all flowers which are rebellious to his skill, and refuse to yield op their essence. Is he not, thru, entitled to claim also the name of an artist, if he approaches even faintly the perfections of Ins charming models? --_. t 4 THE BOOK OF PERFUMES. The origin of perfumery, like that of all ancient arte, is shrouded in obscurity. .Some assert that it was tir-t discovered in Mesopotamia, the seat of earthly paradise, where, as Milton says, " Gentle gales, Fanning their odoriferous wings, dispense Native perfumes, and whisper whence they stole Those balmy spoils ;'* others that it originated in Arabia, which has long enjoyed, and still retains, the name of the "land of perfumes." "Whatever may be the true version, it is evident that when man first discovered " "What drops the myrrh, and what the balmy reed," his first idea was to offer up these fragrant treasures as a holocaust to the Deity. The word perfume (per, through, fttmum, smoke) indicates clearly that it was first obtained by burning aromatic gvuns and woods ; and it seems ae it' a mystic idea was connected with this mode of sacrifice, and as if men fondly believed thattheir prayers would sooner reach the realms of their gods by being wafted on the blue wreaths which slowly ascended to heaven and disappeared in the * -> atmosphere, whilst their intoxicating fumes threw (hem into religious ecstasies. Thus we find perfumes form b part of all primitive forms of worship. The altars of Zoroaster and of Confucius, the temples of Memphis and those of Jerusalem, all smoked alike with incense and aweet scented woods. Among the Greeks, perfumes were not only con- sidered as a homage due to their deities, but as a sign of their presence. Homer and other poets of that period never mention the apparition of a goddess without speaking of the ambrosial clouds which surround her. Thus is Cupid's fair mother described in the "Iliad" when she visits Achilles: — "Celestial Venus hovered tfei lii- heed, Ami roseate unguents heavenly fragrance shed And in one of Euripides' tragedies, Hippolites, dying, exclaims, " O Diana, sweet goddess, I know that thou art near me, for I have recognised thy balmy odour." The use of perfumes by the ancients was not long confined to sacred rites. From the earliest times of the Egyptian empire we find that they were adapted to private uses, and gradually became an actual necessary to those who laid any claim to refined taste and habits. We may Bay thai perfumery was studied and cherished by all the various nations which held in turn the sceptre of civilization. It Mas transmitted by the Egyptians to the .lews, then to the Assyrians, tile