University ’of Pennsylvania Library Circulation Department Please return this book as soon as you 1* "”d with it. In order to avoid a ” * 9:93 .3 52 ozaém Eaz zoEos. mz._._<_2um _,z._ general treatment of the subject forcibly reminds us of the pavement at Morton—occupying the central compartment, he is surrounded by figures such as the raising of Lazarus, Daniel and the Lions, Moses striking the Rock, and other scriptural subjects— but the adaptation of such a group to the purposes of Christian Art are more strikingly illustrated by a representation to be seen in the Catacombs of Callixtus. Upon a painting there, is a figure of Orpheus of the usual conventional type, but in place of the miscellaneous group of animals he is seen between two sheep only, typifying thereby to the Christian mind the Good Shepherd of the Gospels. In the relations which exist between early Christian and Pagan Art the Cavaliere de Rossi*‘6 discerns a strong connection between figures of Orpheus and the adoption of Christianity, he says that Eusebius and St. Augustine speak of him much in the same way as they speak of the Sibyls, as though he had made some sort of prophetic manifestation of the true God among the Gentiles. It is remarkable that when Alexander Severus placed pictures of Abraham and of Christ in his Lararium, he placed that of Orpheus also. His history enjoyed great popularity in the M * Consult De Rossi, Bulletin 1863, pp. 33 and 34, also Mr. Fortnum’s papers in the Journal of the Archaeological Institute vol. 26. p. 137, vol. 28, p. 266, vol. 29, p. 305, vol. 33, p. 111. CompareVilla at Frampton, Dorchcster, Lysons’ fol. 1808. 17 early ages of the Church, both in the East and West his figure is often repeated on Medals of Antoninus Pius and Marcus Aurelius which were struck at Alexandria. ‘ In an interesting collection of Finger Rings, Mr. C. D. E. Fortnum, F.S.A. has brought together some valuable gems of the early Christian period. On many the subjects clearly point to the new religion, on others the intention is not so marked. Among the latter however, we note a representation of Orpheus charming the animals with his music. It appears upon a bronze ring which is preserved in the Dressel collection at Rome. Mr. Fortnum assigns it to the latter half of the fourth century. The figure is seated fully draped and holding a lyre in the left hand which he is playing with the right. An ill- defined covering, probably the Phrygian cap, protects the head, in the field just above the left shoulder is a six pointed star, upon the right appeals a monkey, the position being treated, much 1n the same way as on the mosaic at Morton. Theie is also a lion, and a bull or goat, and in the left a reptile or fish, and a hare 0r rabbit. While the general arrangement is \such as we meet with on Pagan gems, the presence of the star Suggests a Christian significance. This mosaic is 8% feet wide by 9% feet broad, from the margin of the guilloche pattern northwards to the Medusa chamber is 21 feet, which together with the 21 feet of pavement on the south side, is arranged in squares of red and white tesserae, ‘ placed alternately. Beneath this pavement, in about the centre on the north side, 1s a stone subway 6 feet 8 B 18 inches long, 2 feet wide and 3 feet deep; which when discovered had a roof 'or covering of tiles and slabs of stone; this probably led to the furnace for heating the hypocaust beneath the chambers No. 9 and N o. 12, both of which may have suspended floors. In the debris of this subway a third brass coin of Constans A.D. 333-350 was found. Most of the wall on the eastern side of this chamber is wanting, and on the western side the wall is composed of rubble and irregular sized stones; above the floor is a string course of stone slabs, instead of the well known bonding tiles. A considerable quantity of Samian, Upchurch, Durobrivian and other pottery, bronze articles, glass, bones of pig and 0X, portions of human skull, jaw- bone and fibula, flint flakes, stone balls, marbles, objects in bone and in iron, likewise coins of Gallienus and Salonina A.D. 253-268, Victorinus A.D. 265-267, and Tetricus A.D.. 267 -272 were discovered. The wall paintings found lying face downwards on the pavements were of great beauty, one found by Captain Thorp having a bird of the parrot family represented, measuring 10% inches in length. CHAMBER N0. 7 .—This is a square room measuring ‘20 feet, the entrance to it being out of N o. 4. The pavement consists of tesserae of red and white arranged in squares, which are much injured by fire, especially at the eastern end. This chamber is intersected by the hedge. Very few antiquities of interest were found. . CHAMBER N0. 8.—-This measures 20 feet by 21 feet, it contains no tesserae, nor concrete floor. It was difficult to obtain accurate measurements, owing to the mcm<<>< _Z Oz>gwmw <_. 1111] mnoioz oz 0.0. ......................... mmodoz oz >.w. o m 5 no 1.. Flu—5‘. . 2:92 Omdzm Em_<_>_zm. Rubble 4% Pafiz'zg ' ‘ ‘ ' 'fi-fifl-is'suaszrjh‘rmszp £ '15. V‘ l‘ 21 o 5 NO Ga #6 mo NW0 HOD km & xx. Rhimxxm‘ mains. 19 hedge. Near the latter is a semicircular structure 4 feet 6 inches in' diameter, formed of Bembridge stone, and lined with salmon coloured mortar—indications of fire existed here, in such quantities as to lead us to . imagine that this place was used as a furnace for smelting or baking. On the west is a wall nearly 3 feet in thickness, which may be an outer wall, as most of the others do not exceed 27 inches. This chamber communicates with N o. 9. CHAMBER N o. 9.—This measures 19 feet 9 inches square, the border consists of 1 inch red and white tesserae ; very perfectly preserved. In the centre is a square, measuring 5 feet 10 inches, enclosing a diamond-shaped figure, with a central medallion of parti-coloured tesserae. There were two squared blocks of stone on the north side of this room, pro- bably used for supporting the wooden uprights for carrying the roof. Upon two sides the wall is thrown down, but upon the others remains of wall painting still exist. Several pieces of roof slabs, some with ‘ the iron nails still remaining, fragments of worked stone, animal bones, nails, and an iron object much like a strigil, were met with in clearing out this chamber. CHAMBER N0. 10.—The dimensions are 11 feet 6 inches by 10 feet 5 inches; the walls are 1 foot 9 inches in thickness. It has a raised bench or seat on ‘ the west side, 6 inches high by 1 foot wide, covered over with red plaster, and on the north side is another similar ledge, 2 feet 6 inches wide. There are a con- siderable number of flat red tiles upon the floor, measuring 14% inches by 11% inches, agreeing with 20 dimensions given by Pliny and Vitruvius. This room was originally wholly paved with red tiles—there were neither tesserae nor plaster upon the floor. Several pieces of pottery, roofing tiles, and stones covered with a green vitreous glaze, indicating that either the fusion of glass objects had so covered them, or that it was slag from a glass furnace. CHAMBER No. 11.—Is 15 feet by 5 feet, the walls are from 18 inches to 21 inches in thickness, and the floor is paved with rough concrete ; no objects worth mentioning were discovered here. CHAMBER N o. 12.—This is the largest room yet excavated, it measures 39 feet 6 inches from east to west by 19 feet in the western portion, 15% feet in the eastern portion, and 11 feet between the piers in the centre. These projections which divide the room are shown in the annexed diagram, they are in solid masonry and beautifully squared and cut, with but little, if any, mortar joints, they probably supported columns connected with the roof, or were thus con— structed in order to enable an aulcmom or curtain or some other means of separation to be fixed, so as to divide one portion of the chamber from the other. They were met with in the Roman Villa, near to Newton St. Loe, when constructing the line of the Great Western Railway between Bath and Bristol. Such a mode of separation has been also ob- served among discoveries on the Continent as well as in some of the villas existing at Pompeii“ The pavements in this room are of great beauty, that at the west end is almost square, its dimen- sions being 13 feet 6 inches by 13 feet 10 inches. PLATE 111. I AS [Morton neaxr Branding. \ \ ‘ > ' ' ,,mm)W~»»>WWg I ss~§\\\\\\\\\“\§\‘\\\§ ’I””"/””’I/””/’ «’s y'x’ '*‘rail/zIII/”IIIII/rrrill/(IlllrrroI’g \ .\..\\\.§.\\\\ \\\\\ \\\\\\&\\\\\S\s \s \\ \\ \\ § ~ s§s~v~ v\\\\\\ \ \\" I’I'O. tr zé'eauvl‘.) ““ ‘5 '3’32.‘}~\‘A‘ yvol .... \’ ~- -’~ ' ¢<{&\\\\\m\\\\\\’{<®3&é’a -;\\\\‘V\V\\\\\\\'\\\\\\\\\\\sxxx‘\s\\ ‘ . § 5 §\\\\\\.‘. , \Q §§§tsl§ ’3 ' , :\4>";\‘\\s “\““‘o ’III'IIO O O! O O 9 ““““ \‘V ooooolo ‘01 Iv (s\\\\\\\\, \\\\\\\\ \{\\\\\\\\\s\\\) MOSAIC PAVEM ENT-RO MAN VILLA. ,&:‘I:‘o§‘o‘o{{‘o 0‘:¢O’IO PLATE VI. 12. Bronze/stud. f 13. Bone ornament. ‘ 14. Bone ferrule. . . 15,16,17,18. Pottery with marks. ' ..-19- Socket of Sufi. ' 20, 21. Red pottery. 22.. Fragments of cement vase. Black pottery, University of Pennsylvania Library Circulation Department Please return this book as soon as you have finished with it. 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