FLORA HISTORICA: OR THE THREE SEASONS OF THE BRITISH PARTERRE HISTORICALLY AND BOTANICALLY TREATED: WITH OBSERVATIONS ON PLANTING, A REGULAR SUCCESSION OF FLOWERS FROM THE COMMENCEMENT OF SPRING TO THE END OF AUTUMN. BY HENRY PHILLIPS, F.H.S. AUTHOR OF " POMARIt'M BRITANNICUM," " HISTORY OF CULTIVATED VEGETABLES," AND " SYLVA FLORIFEKA." THE SECOND EDITION, REVISED, IN TWO VOLUMES. VOL. I. LONDON: E. LLOYD AND SON, HARLEY-STREET. U&DOHi Printed by W. CLOWES, Stamford Street. INTRODUCTION. Bring, Flora, bring thy treasures here, The pride of all the blooming year ; And let me thence a garland frame. SHENSTONE. THE interest which flowers have excited in the breast of man, from the earliest ages to the present day, has never been confined to any particular class of society, or quarter of the globe. Nature seems to have scattered them over the world as a medicine to the mind, to give cheerfulness to the earth, and furnish agreeable sensations to its inhabitants. The savage of the forests, in the joy of his heart, binds his brow with the native flowers of his woods, whilst their cultivation increases in every country in proportion as the bless- ings of civilization extend. From the most humble cottage-garden to the proudest parterre of the palace, nothing 2017268 INTRODUCTION. more conspicuously bespeaks the good taste of the possessor than a well-cultivated flower- garden; and it may generally be remarked, that when we see a neat cottage-court well stocked with plants, the inhabitant is respect- able, and possesses domestic comfort ; whilst, on the contrary, a neglected garden but too frequently marks the indolence, and bespeaks the unhappy state of the owner. Of all luxurious indulgences, that of flowers is the most innocent they are of all embel- lishments the most beautiful : and of all created beings, man alone seems capable of deriving enjoyment from them, which com- mences with his infancy, remains the delight of his youth, increases with his years, and becomes the quiet amusement of his age. Every rank of people seem equally to enjoy flowers as a gratification to the organs of sight and smell ; but to the botanist and the close observer of Nature, beauties are un- folded and wonders displayed that cannot be conceived by the careless attention of the mul- titude, who regard these ornaments of nature as wild or savage persons would do a watch ; INTRODUCTION. they are dazzled with the splendour of the case and the beauty of the appendages, but look no further, because they know not where to look. The artist, while he enjoys the exter- nal covering, looks into the interior, and as he regards the movements and learns their various uses, he is struck with admiration at the ingenuity of the mechanism. The bota- nist has the same delight when he looks into the blossoms of flowers ; for he there beholds the wonderful works of the Almighty with amazement there he sees movements and. regulations, with which all the combined ingenuity of man cannot compare. We may learn even from profane history how much the study of vegetable nature in- duces the mind to its proper sense of grati- tude, and how much it created in the breasts of the heathens themselves a veneration and religious awe for the Author of all things : for although they were not blessed with a knowledge of pure religion, they had too much good sense to suppose that vegetation was a matter of chance; and they there- fore attributed each gift of nature to some INTRODUCTION. peculiar god, their minds not being suffi- ciently expanded to conceive a just idea of the Deity, except, indeed, those master Minds who traced, in the regularity and uniformity displayed in all organised nature, the hand of one supreme Creator, and who adored him under the name of Pan, the universal spirit. The worship of Flora amongst the heathen nations may be traced up to very early days. She was an object of religious veneration among the Phocians and the Sabines, long before the foundation of Rome ; and the early Greeks worshipped her under the name of Chloris. The Romans instituted a festival in honour of Flora as early as the time of Ro- mulus, as a kind of rejoicing at the appear- ance of the blossoms, which they welcomed as the harbingers of fruits. The festival games of Floralia were not, however, regu- larly instituted until five hundred and sixteen years after the foundation of Rome, when, on consulting the celebrated books of the Sibyl, it was ordained that the feast should be annually kept on the 28th day of April, that INTRODUCTION. IX is, four days before the calends of May. These prophetic books had a college of priests appointed to undertake the charge of them, and were held in such reverence that they were never consulted but when the state seemed in danger, and then it was done with the greatest solemnity. From the writings of Pliny the Elder, we learn that the worship of this goddess had been greatly neglected, and that it was not until after some unfruitful seasons that the Sibylline books were consulted, which or- dained that the feast of Flora should be ce- lebrated with regularity so as to ensure the well flowering and kindly shedding of the blossoms of all species of plants. Let one great day To celebrate sports and floral play Be set aside. PRIOR. This festival was introduced into Britain by the Romans, as we have already noticed in the Sylva Florifera ; to which we shall add, that as late as the time of Henry VIII. it was so much the fashion for the citizens of London to keep up this ancient custom, by b 5 X INTRODUCTION. diverting themselves in the neighbouring woods and meadows on May-day, that in the year 1515 it engaged the attention of this bluff monarch, who, accompanied by his Queen, and attended by the court, rode a- maying from Greenwich to Shooter's-hill. When merry May first early calls the morn, With merry maids a-maying they do go. SIDNEY. In this morning's excursion, their Majesties were designedly met by two hundred yeomen, clad in green, with green hoods, and fur- nished with bows and arrows, the whole being under the direction of a captain, named Robin Hood, who invited his Majesty to stop and see his men shoot, which they performed with great dexterity at the sound of their captain's whistle. Their arrows were so contrived at the head, that, when flying through the air, they made a loud whistling noise, that greatly delighted the royal party, who were after- wards conducted to the greenwood, and en- tertained plentifully with wine and venison, under arbours formed of boughs, and deco- rated with flowers. Hall's Chronicle. INTRODUCTION. XI Shakspeare notices with what eagerness the pleasures of May-day morning were en- tered into in his time : Tis as much impossible, Unless we swept them from the door with cannons, To scatter 'em, as 'tis to make 'em sleep On May-day morning. Pope refers to the May-pole in London Amid the area wide she took her stand, Where the tall May-pole once o'erlook'd the Strand. Of these festivities we have so nearly lost all remains, that even the dance around the May-pole is now rarely seen in our villages ; and 'were it not for the garlands which the cottager's children bear from door to door, in modern dulness, we might outlive the memory of this ancient festival, whilst in the metropolis it is totally disregarded, excepting by the chimney-sweepers, who now usurp this holi- day as their exclusive right *. Poets of all ages have sung the joys of this flowery month. Milton exclaims, * It is related of the famous wit George Selwyn, that walking one May-day through the streets of London, and observing the chimney-sweepers bedizened in all their sooty finery, he observed to a friend, that " he had often heard talk of the Majesty of the people, and supposed these were some of the young princes." 2U1 INTRODUCTION. Hail! bounteous May, that doth inspire Mirth and youth, and warm desire ; Woods and groves are of thy dressing, Hill and dale doth boast thy blessing. In eastern nations flowers and perfumes have been considered as one of the indispen- sable enjoyments of the higher classes of society, from the remotest antiquity. From those nations the Romans appear to have borrowed this delicate refinement, and to have carried it to the utmost excess in their costly entertainments. They soon began to consider flowers as forming a very essential article in their festal preparations ; and it is the opinion of Baccius, that at their desserts the number of their flowers far exceeded that of their fruits. The odour of flowers was thought to arouse the fainting appetite, and they certainly must have added an ethereal enjoyment to the grosser pleasures of their banqueting boards. Flowers were not only used as a stimulus to the palate, or that two senses might be gratified at one time, but it was thought that certain plants and flowers facilitated the functions of the brain, and assisted mate- INTRODUCTION. xiii rially to neutralise the inebriating qualities of wine. Even the warriors did not hesitate to crown themselves with flowers during their principal repast. Horace, it seems,, could not sit down to his bachelor's glass of wine without his garland. His lively little ode at the end of his first book is thus well translated by Francis I tell thee, boy, that I detest The grandeur of a Persian feast ; Nor for me the Linden's rind Shall the flowery chaplet bind. Then search not where the curious Rose Beyond his season loitering grows ; But beneath the mantling vine, While I quaff the flowing wine, The Myrtle's wreath shall crown our brows, "While you shall wait and I carouse. The allusion to Persia in this Ode confirms our idea that the taste for flowers came to Rome from the East ; and garlands were sus- pended at the gates or in the temples where feasts or solemn rejoicings were held, and at all places where public joy and gaiety were desired. It was also the custom to place garlands and festoons of flowers on the heads of victims, in the ancient sacrifices, at which Xiy INTRODUCTION. the priests also appeared crowned with flowers. Cato, in his treatise on gardens,, directs that they should be planted and enriched with such flowers as are proper for chaplets and garlands. The most celebrated Parisian milliner is not more eagerly sought after in modern times than the plaiter of garlands was in the days of antiquity, if we may judge from the account which Pliny has handed down to us. He tells us that the Sicyonians were consi- dered to surpass all other people in the art of arranging the colours of their garlands, and giving them the most agreeable mixture of perfumes. These people, he informs us, derived their taste from Glycera, a woman of such great ingenuity in the art of composing garlands, as to win the affections of Pausias, the most eminent painter of his day, who took delight in copying the wreaths of flowers which his mistress had formed, whilst Gly- cera took equal pains to vary her garlands, so as to put the skill of her lover to the test. Pliny tells us that some of these paintings INTRODUCTION. were in existence in his time, particularly one of high estimation, which was a picture known by the name of Stephanoplocos, wherein the artist had painted the fair Gly- cera braiding- chaplets. This picture must then have been about 460 years old, from which we may infer that the art of painting was in considerable advancement as long back as 2300 years. The same author tells us that Mnestheus and Callimachus, two renowned Greek phy- sicians, compiled several books on the vir- tues of chaplets, enumerating such as were hurtful to the brain, and others that refreshed the spirits. We also learn from an anecdote related by Pliny, that it was a frequent custom among the ancients to mix the flowers of their chaplets in their wine, when they pledged the health of their friends. Notwithstanding the great pains which Cleopatra took to please and amuse Antony, it was a considerable time before she could gain his entire confidence, as it appears he would never eat or drink at her table without INTRODUCTION. causing his taster first to partake of every viand,, in order to discover if treachery lurked disguised in the midst of the luxuries of this subtle Queen. The jealousy of the Roman General seems to have increased about the time he was preparing his expedition against Augustus, when the artful beauty who had so captivated the warrior, took the following device to satisfy him of her true attachment, and at the same time to ridicule his mistrust and timid fears. The Queen had a chaplet of flowers prepared for Antony, the edges of which were dipped in the most deadly poison, whilst that which was formed for her own head; was as usual mixed with aromatic spices. At the banquet the General received his coronet of flowers, and when they had be- come cheerful through the aid of Bacchus, Cleopatra pledged him in wine, and taking off the garland of flowers from her head, and rubbing them into her goblet, drank off the contents. Antony was following her exam- ple, but just as he had got the fatal cup to his lip, the Queen seized his arm, exclaiming-, " Cure your jealous fears, and learn that I INTRODUCTION. xvii have not to seek the means of your destruc- tion, could I live without you ;'' on which she ordered a prisoner to be brought before them, who, on drinking the wine from the General's goblet, instantly expired in their presence. The fondness which the ancients evinced for flowers was carried to such an excess as to become almost a vice. When Antony supped with the far-famed Queen of Egypt, the floors of the apartments were generally covered with fragrant flowers ; and when Nero sat at banquet in his golden house, a shower of flowers and odorous essences fell upon him : but Heliogabalus turned these vegetable beauties into curses, for it was one of the pleasures of this monster to smother his courtiers with flowers. The Italians, who still retain some of the customs of the Romans, have artificers called Festaroli, whose office it is to make gar- lands or festoons of flowers, and other deco- rations for feasts. The Catholic church still continues the use of flowers in its religious ceremonies, as was particularly observed in Xviii INTRODUCTION. Rome on the 17th of January, 1798, when the Pope appointed a solemn procession of the three most celebrated relics in Rome, to appease the French government for an as- sault committed on their ambassador. These relics consisted of " the portrait of the most Holy Saviour, the miraculous picture of the Santa Maria in Portico, and the sacred chains wherewith the Prince of the Apostles was fettered." Previous to the procession, the streets were strewed with myrtles, and such flowers as could be obtained at that season of the year. The Chinese hold some particular kinds of flowers in great veneration, especially the Eukianthus, which they call Too Chong Fa : its flowers are deemed grateful to the gods ; and, accordingly, at the commencement of the Chinese new year, when the plant is generally in blossom, large branches with flowers are placed in all the temples as an acceptable new year's offering. We find that the admiration of these vege- table beauties was not confined to the inhabit- ants of the old world alone, for the Mexicans, INTRODUCTION. xix says the Abbe" Clavigero, have, from time immemorial, studied the cultivation of flowers and odoriferous plants, which they employed in the worship of the gods. And flowers have ever been the favourite embellishment of the fair in all ages and countries ; and that they have also afforded popular subjects to the poets, our copious extracts will prove. In all countries flowers have been made the happy accompaniment of bridal parties, as we have stated in the body of this work : they have likewise been made the representatives of regard to deceased friends thus ornament- ing alike the joyous altar and the silent tomb. The Brahma women, who burn themselves on their husbands' funeral piles, adorn their persons with chaplets and garlands of sweet- scented flowers ; and it is also the custom for them to present garlands of flowers to the young women who attend them at this terrible sacrifice. Flowers formed a principal feature in sym- bolical language, which is the most ancient as well as the most natural of all written lan- guages. We have therefore given their em- XX INTRODUCTION. blematical uses ; and, as a matter of amuse- ment to our fair readers, we have devised emblems for such flowers as were unknown in the eastern nations, or of which the allegori- cal relations have hitherto escaped our re- search. Having frequent occasion in this history of flowers to allude to the garland of Julia, it may not be improper to notice that this cele- brated manuscript was a piece of ingenious gallantry of the Duke de Montausier toward the beautiful Julia de Rambouillet. After he had gained the promise of his mistress's hand, he was, according to an ancient custom, (which in France is still observed,) to send every morning to his future bride, till the wed- ding day, a nosegay of the finest flowers of the season. But he did not stop here : he had painted on vellum by the best artists, in a folio volume magnificently bound, the finest cultivated flowers ; and all the most distin- guished poets of the day divided amongst themselves the task of making verses upon the flowers. The great Corneille wrote for the Orange Flower and the Everlasting. Julia, INTRODUCTION. xxi on the day of her marriage, found this pre- cious book on her toilet- table. The misfor- tunes of the French Revolution transported this interesting- monument of the gallantry of the seventeenth century to Hamburgh, where it was put up to sale in the year 1795; but the purchaser of this combination of poetry and painting is not known. The decorative parts of architecture were originally derived from flowers and plants. The Lotus flower presents us with a model of the principal embellishment of Indian build- ings, and the palm-tree seems to have given the first idea of columns to the ancients. Hiram ornamented the capitals of the cele- brated pillars which he wrought for Solomon with Lilies and Pomegranates. The Corin- thian capital is stated to have been first in- vented by Callimachus, a famous architect, who_, being engaged to make some pillars at Corinth, took the form of his enrichment from the following accidental circumstance : Pass- ing a basket, covered with a large tile, that had been placed on the ground over a root of Acanthus, the stalks and leaves of which INTRODUCTION. had burst forth, and spreading themselves on the outside of the basket, were bent back again at the top by the corners of the tile, the beautiful appearance of this combination so delighted Callimachus by its elegance and novelty, that he immediately adopted the form of the basket surrounded with the Acanthus, as a capital for his pillars. Repton observes, that the general forms of enrichments may be thus classed : " The Gothic are derived from the bud or germ, the Grecian from the leaf, and the Indian from the flower; a singular coincidence," says this British architect, ' c which seems to mark, that these three styles are and ought to be kept perfectly distinct. 5 ' The pagodas of the Chinese seem to us to have been modelled after the form of some species of pine-trees. Of the antiquity of pleasure-gardens we have already written in the Sylva Florifera ; but we must now observe, that the luxury of having them attached to our dwellings origi- nated with Epicurus, who first gave the idea to the Athenians, about two hundred and sixty years before the birth of Christ. INTRODUCTION. Plautus assigned the custody of gardens to Venus ; and Pliny observes that the labours of the garden formed one of the occupations of females in his time ; and that it was a com- mon observation in those days, when a gar- den was out of order,, and not well kept, that the mistress was a bad housewife. Horti- cultural pursuits were deemed so honourable amongst the Romans, that many of their dis- tinguished families derived their surnames from some species of fruit or vegetable which they were celebrated for cultivating. In mo- dern days we have reversed this order, and bestowed the surnames of our eminent bota- nists, or persons who have zealously occu- pied themselves in the introduction and cul- tivation of new plants, on the plants them- selves. Thus, with the unanimous consent of all Europe, the Banksia, a genus of plants procured from New Holland, will carry down the name of Banks to the end of time ; as Aitonia will that of the worthy author of the Hortus Kewensis. Indeed, were we to enu- merate all the plants which have been so named in gratitude, or through respect to INTRODUCTION. such persons,, it would form one of the most interesting nomenclatures that has ever ap- peared. We have, under the respective ar- ticles in the present work, named the earliest British cultivators of each separate species of flowers, as far as could be collected. The fondness for plants is natural to all men who possess the least sensibility ; and however their attention may be engaged by other pursuits, it generally happens that this predilection shows itself during some period of their lives. Nature seems to have de- signed men for the culture of her works, and to have ordained that we should be born gardeners, since our earliest inclinations lead us to the cultivation of flowers. The infant can no sooner walk, than its first em- ployment is to plant a flower in the earth, removing it ten times in an hour to wherever the sun seems to shine more favourably. The school-boy, in the care of his little plot of ground, lessens the anxious thoughts of the home he has left. In manhood our attention is generally demanded by more active and imperious duties ; but, as age obliges us to INTRODUCTION. XXV retire from public business, the love of gar- dening returns to soothe our declining years. The truth of this is daily made manifest to us, by the fact, that those persons devote them- selves to gardening, whose busy occupations in other pursuits we should have thought must have given a distate for this quiet em- ployment. We have lately seen a Kemble retire from the stage to amuse himself in a garden ; and it also formed a great part of the occupation of the banished Napoleon. Of the love of gardening, Cowley says, Methinks, I see great Dioclesian walk In the Salonian garden's noble shade, Which by his own imperial hands was made : I see him smile, methinks, as he does talk With the ambassadors, who come in vain To entice him to a throne again. " If I, my friends," said he, " should to you show All the delights which in these gardens grow, "Tis likelier much that you should with me stay, Than 'tis that you should carry me away. And trust me not, my friends ! if, every day, I walk not here with more delight Than ever, after the most happy sight, In triumph to the capitol I rode, To thank the gods, and to be thought myself almost a God." When the eastern nations were at the height of their glory, the art of gardening was VOL. i. c INTRODUCTION. by them carried to great perfection ; and Cyrus the younger was as celebrated for the pleasure-gardens which he had himself planted and cultivated in Lydia, as the elder Cyrus was for the famous palace which he con- structed at Persepolis. According to Chardin, the gardens in the vicinity of Babylon abound- ed with plants and flowers glowing with the most lovely dyes, and conspicuous for their dazzling brilliancy. Of the gardens of the ancient Israelites we have fewer accounts than of those of other eastern nations, and for the same reason that we have but few, if any, specimens of their sculpture handed down to us. The Hebrew nation being surrounded by idolaters on all sides, it was necessary to prohibit not only all familiar intercourse with the heathens, but to guard particularly against the introduction of their customs and habits, which must naturally have been very alluring and seductive to the idle and more profligate part of the Jewish community ; and, as the gardens or sacred groves of the heathen nations were generally the scenes of their obscene revellings, such INTRODUCTION. public plantations,, together with the erection of statues or images, were forbidden by the laws of the country. The Mahometan faith teaches the followers of the Prophet to believe that the blessings of a future state consist in dwelling in delightful gardens. The Koran expressly says, e ' Who- soever doth good works, either man or woman, and believeth, shall enter into Paradise. They shall enter gardens of pleasure,, together with those of their fathers or wives that have done good." Surat XI. v. 43, XIV. v. 95. The situation of Damascus, with its gar- dens and groves, is esteemed particularly de- k lightful ; and Mahomet looking down from an elevated spot upon that beautiful city, is said to have declared that it was the lot of no man to enjoy two Paradises, and that he should abstain from entering the terrestrial lest he should lose the celestial. Before we proceed to speak on the forma- tion and planting of flower-gardens in ge- neral, we shall notice some of the advantages which are derived from a fondness for this pursuit. First, it attaches men to their homes, C 2 INTRODUCTION. and on this account every encouragement should be given to increase a taste for gar- dening, in general, in country towns and vil- lages. It is a recreation which conduces materially to health, considerably promotes civilization, and softens the manners and tempers of men : it creates a love of the study of nature, which leads to a contemplation of the mysterious wonders that are displayed in the vegetable world around us ; and these cannot be investigated without bending the mind towards a just sense of religion, and a due acknowledgment of the narrow limits of our intelligence compared with the incompre- hensible power and wisdom of God. Addi- , son observes, that " it gives us a great in- sight into the contrivance and wisdom of Providence, and suggests innumerable sub- jects for meditation. I cannot," says he, " but think the very complacency and satis- faction which a man takes in these works of nature, to be a laudable, if not a virtuous, habit of mind." In the flower-garden, the student in che- mistry will find how imperfect is his art in INTRODUCTION. XXIX comparison with natural chemistry, which distils from the earth, and conveys by distinct channels in the smallest stem all that is ne- cessary to produce foliage, flowers, and fruit, together with colour, - smell, and taste, the most opposite fluids and liquids being sepa- rated only by divisions so delicate as scarcely to be deemed a substance. The research into the wonders displayed in vegetation may be entered into, without hurting the sensibi- lity of the most tender feelings, as plants and roots may be dissected without those dis- agreeable sensations which follow the dissec- tion of animals. Amongst the delights of the garden, the pleasure of presenting flowers to our friends is not the least. Bouquets of flowers may be safely presented to acknowledge obligations, or to shew respect, where, in many instances,, any other return for favours received would appear impertinent, or look like a desire to be discharged of the obligation conferred on us. They are a kind of present that may be made between equals and mutual friends to shew regard, and that may also be made by the XXX INTRODUCTION. poorest peasant girl to the richest peeress of the realm without fear of offence. To those who are confined to the metro- polis, or other large cities or towns, where they are debarred from the enjoyment of a garden, a basket of flowers of the season is received as one of the most agreeable pre- sents ; and when these are known to be the produce of the parterres over which we gam- bolled in our childhood, or presided in our youth, the gift becomes doubly acceptable : they picture to the imagination happy scenes of our younger days, and throw present cares aside, to recall to our " mind's eye" the mi- nutiae of the garden : each border seems to arise fresh to our ideas ; each clump of Pinks, each bower of Woodbines, and each bank of Violets are instantly portrayed to our memory, Which brings to mind her childhood's innocent day, And the dear fields and friendships far away. MOORE. These are frequently accompanied by other Recollections, which seem to present us with a momentary sight of some kind and benevolent friend, the good nurse of our infancy, or some INTRODUCTION. XXXI favourite domestic of our youth ; our fancy pictures them between the borders of their little plots. The well-known Lilac tree and the old Cabbage Rose-bush start up in the picture ; whilst the Quince-tree, or the wide- spreading- Medlar, presents itself to the memory as half hiding the well-repaired sty, which we ever wish to regard as forming the pride of the industrious cottager. These momentary visions bring the har- mony of the Poets to our recollection, and we are almost ready to exclaim, That hut is mine ; that cottage half-embower'd With modest Jessamine, and that sweet spot Of garden ground, where, ranged in neat array, Grew countless sweets, the Wallflower and the Pink, And the thick Thyme-bush even that is mine : And the old Mulberry that shades the court Has been my joy from very childhood up ! KIRKE WHITE. On this subject we may justly use the lines of Miss Mitford, who says 'Twere hard to sing thy varying charm, Thou cottage, mansion, village, farm, Thou beautiful epitome Of all that useful is and rare, Where comfort sits with smiling air, And laughing hospitality. INTRODUCTION. The institution of the National Horticul- tural Society, which has been established in London under the gracious patronage of his present Majesty, cannot fail in its object of enriching and beautifying the whole of the British empire. Plants are procured through the exertions of the members from every quarter of the globe, and distributed to all parts of the king- dom, together with directions for their suc- cessful cultivation. This must conduce very materially towards increasing a taste for plants in general ; but still a large proportion of intelligent persons, fond of Horticulture, remain unconnected with the Society, many of them residing at too considerable a dis- tance to attend the meetings in the metro- polis, and some wishing to avoid the annual expense. On this account we should wish to see local societies more generally esta- blished in country towns, for the purpose of exhibiting fruits and flowers, where the im- provements in the art of their- cultivation, and the transactions of the National Society, INTRODUCTION. would naturally form subjects of conversation, to the advantage of the country at large. At Ghent a Botanical Society was esta- blished in the year 1809, which continues to- hold annually two Floral festivals called the Salon d'Ete and the Salon d'Hiver. At these Salons } or Floral exhibitions, the amateur and professional cultivators of flowers assem- ble from all the towns and villages for a con- siderable distance round, almost every one contributing something towards the general 'show. The meetings are sanctioned and attended by the public authorities, who not only countenance but endeavour to support these rational assemblies. The plants exhibited are generally placed in boxes or pots, so that they arrive at the Salon in a fresh and growing state, where, by a little attention, their beauty is preserved during the three or four days which the ex- hibition lasts. At each of these meetings an honorary medal is awarded, and by an inge- nious fiction the flowers themselves and not the cultivators are regarded as the competi- tors, and the successful plant is said to be c 5 INTRODUCTION. crowned, by having a wreath hung over it. The crown is awarded to the plant that is pronounced the finest production of the Salon, which sometimes depends on its rarity or iiovelty, and sometimes on the size and splendour of a well-known flower, whose appearance indicates superior culture and treatment. These meetings have contributed mate- rially towards the perfection to which the Dutch florists have brought several genera of plants. The bouquets offered for sale at Ghent are both numerous and beautiful, it being a common practice there to carry a flower, not only on the promenade, but also to the church. As the world leads we follow. Fashion does not at present sanction any but coachmen in wearing nosegays in this country, yet it has not influence sufficient to banish flowers from the garden, since we notice that those who have only a small piece of land attached to their dwellings generally devote it to the sendee of Flora ; whilst others, who have larger plots, set some portion aside INTRODUCTION. for the same purpose, and such as have ample domains may be said to vie with each other in their devotions to the flowery goddess. So strongly is this love of natural beauties im- planted in the breast of man, that the greater part of those persons who have no allotment in this terrestrial globe, except what is con- fined in an earthen vase of some few inches in diameter, contrive to raise a plant, and thus peep at nature even within their brick- wall bounds. There the picture stands A fragment, and the spoutless tea-pot there ; Sad witnesses how close-pent man regrets The country, with what ardour he contrives A peep at nature, when he can no more. COWPER. Our observations on the formation of flower- gardens can only be general, so much depend- ing on extent and situation, that the best pos- sible directions for one spot would be absurd when put into practice in other sites. When we are too much confined for want of land to delight by the appearance of extent, we should endeavour to please by beauty ; and where the bounds are too limited to dis- INTRODUCTION. play taste on a large scale, elegance should be associated with neatness. Addison says there are as many kinds of gardening as of poetry ; the makers of par- terres and flower-gardens he styles the epi- grammatists and sonnetteers in the art ; con- trivers of bowers and grottos, treillages and cascades, he compares to romance writers ; whilst those who lay out extensive grounds, he honours by the title of heroic poets. Thus, to imitate the serpentine windings of large plantations in small gardens, is scarcely less ridiculous than it would be to use heroic strains in writing an epitaph on a cock robin ; and it discovers an equal want of judgment and good taste when we see large grounds frittered into the trifling minutiae of a parterre, displaying hearts and diamonds, where nature ought to appear as if at liberty to sport in all her gay, luxuriant frolics. Even in the choice of our plants we should take into consideration the extent of our grounds, for large plants in small gardens are like the use of high-flown language when im- properly selected for familiar subjects. INTRODUCTION. The all-wise Creator who raised the cedar, formed also the smallest moss ; but the former he planted on the mountains of Lebanon, whilst the latter was placed on a pebble. From this wise ordinance of nature, we should learn to select Flora's miniature beauties for the small parterre, leaving the towering and wide-spreading plants to ornament extensive grounds. Flowers never appear to so great advantage as when forming a foreground in the shrub- bery or to the borders of woods. In such situations they seem to have planted them- selves as if for the sake of shelter, whilst the boldness of the trees and shrubs add as much to the delicacy of their blossoms as the mass of foliage contributes to the brilliancy of their colours. The bolder flowers should be half- obscured by shrubs, for by being but partially seen their effect is materially heightened. The smaller flowers must occupy the slop- ing sides of banks, because they are then brought near to the eye, and they will gene- rally be found growing naturally in such si- tuations. A greater part of the earliest flower- INTRODUCTION. ing plants may be set under the branches of shrubs and trees, as they thus fill up spaces that would otherwise appear naked in the spring, and their decaying state is veiled over in the later season by the foliage of the boughs. The same arrangement should be made in small gardens, by covering the ground under Rose bushes and other shrubs which blossom in the summer, with the earliest flowers of the year, such as Snowdrops and Crocuses, &c., which are rather benefited than injured by the partial shelter ; and the space of ground which they would otherwise require in the parterre may be allotted to those plants that will not flourish in such situations. The error most frequently committed in planting the parterre, is the inattention shown to the succession of the flowering of plants ; but without a perfect knowledge and due re- gard to this material part of the art of gar- dening, the parterre will frequently become destitute of flowers at different seasons of the year ; whereas the desirable object of continuing an uninterrupted succession of gaiety in the flower-garden, may be attained INTRODUCTION. by attention in the selection and planting of flower-roots. Our first step in this case should be to col- lect a sufficient quantity of those that blossom earliest in the spring-, as at this time the number of species is not large, and each sort should therefore be planted in greater abundance, so as to give effect by a mass of colour. A want of attention to render the parterre gay at this period is the great defect of most gardeners. No flowers are more delicately beautiful than those which blossom at this season of the year, when they are received with a double welcome, because their appearance seems, in some degree, to banish the dreary months, and thus to prolong the duration of Flora's cheerful reign. A very essential part to be attended to is, to observe that the plants of the spring, such as the hardy and early kinds of Narcissus, Anemonies, Snowdrops, Crocuses, Double Daisies, &c., should be planted in consider- able quantities on one spot ; for when they are divided into little clumps they make no striking appearance, as we have noticed in Xl INTRODUCTION. the body of this work, under their respective histories. At this season also the ground under such as are not evergreen should be completely covered with Primroses, Harebells, and such other flowers as will flourish in tVse situa- tions, observing to contrast the colours as much as possible, but not to mix them indis- crimately. When this is accomplished, we may justly exclaim in the words of Cowley But with no sense the garden does comply, None courts or flatters, as it does the eye. Who would not chuse to be awake, While he's encompassed round with such delight To th' ear, the nose, the touch, the taste, and sight ? Who, that hath reason and his smell, Would not among Roses and Jasmine dwell, Rather than all his spirits choke With exhalations of dirt and smoke. We shall not be very minute in giving directions for the summer arrangements, that season being generally well and amply pro- vided for by Flora herself; but we have to speak of a very material part of the duties of those who, at a later period, undertake to INTRODUCTION. furnish the parterre with its beauties. For- merly, Flora took her departure from this island as soon as Ceres and Pomona made their appearance, as if the country was not sufficiently spacious to contain the three god- desses at one time ; but since we have natu- ralised the plants of China and Florida to our climate, we have the delight of seeing these three deities in perfect reconciliation, walking hand in hand, and continuing their embraces until driven by Boreas into tem- porary shelter. By this happy union, which has been brought to such perfection by the exertions of our indefatigable countrymen, the time of the flower season is so considerably lengthened, that what formed the dreary sea- son of our ancestors is now half expired be- fore we perceive its approach. The Vine is now seen suspending its purple clusters over the blushing petals of the China Rose ; the Barberry Bush hangs its crimson fruit over the variously-coloured Asters of China ; the Mountain Ash droops its clusters of coral ber- ries over the richly-painted Dahlias of the new world ; the Juniper mixes its blue-pow Xlii INTRODUCTION. dered berries as a contrast to the Golden Marigolds of Africa; the purple, and the sweet-scented white Clematis entwine their branches with the native Bramble, interweav- ing the happy gifts of Flora and Pomona on the same festoon; the Indian Chrysanthe- mum waits to decorate its branches in all the hues of Iris, so as to rival and succeed the mellow fruits of the orchard. Thus we now see the well-dressed parterre clothed in the various robes of distant climes, cheering the month of November, and daring the rigours of December, until its beauties are overtaken and hidden by the falling snow. Lo ! winter desolates the year ; The fields resign their latest bloom, No more their breezes waft perfume, No more the streams in music roll, But snows fall dark or rains resound, And while great Nature mourns around, Her griefs infect the human soul. AKENSIDE. The flowers of the autumn are generally of a larger size and richer colour than those of the spring or summer, consequently they are less delicate and more showy in appearance ; and as many of them, such as the Hollyhock, INTRODUCTION. xltii the Sunflower, and the Dahlia, &c., grow to a considerable height and size, their proper place is amongst shrubs ; for since there are but few trees or large shrubs that make a show at that time of the year, the plantation will be greatly enlivened by this arrange- ment. The Chrysanthemums are also better adapted to beautify the foreground of the shrubbery than to ornament the parterre ; and in planting them in such situations,, it should be observed to place them so that the shrubs may form a screen from the north, which will add considerably to their time of duration. It is also desirable to give as good a con- trast as possible to the colour of the blos- soms by the shade of the foliage before which they are planted, observing to place purple flowers before shrubs whose foliage is of a yellowish cast, as the common Laurel, &c., and those with white petals in front of the darkest foliage, giving the yellow or copper- coloured blossoms to the blue greens. Again, in planting the China Asters, where the co- lours are not ascertained, they should not be xliv INTRODUCTION. planted too near the Chrysanthemums, ex- cepting in front of the white variety, as the general colours of these two kinds of flowers are too similar to harmonize agreeably ; but where the Purple Aster can be planted near the Yellow Chrysanthemum, and vice versa, the effect of both colours is heightened. In planting flowers, an indiscriminate mix- ture of colours is generally bad, although [it may be admitted in some instances. Nature seldom confuses her colours, and we should, in arranging them, endeavour to imitate her operations, and let the dyes in bright suffusion flow, That now with gold empyreal seem to glow, Now in pellucid sapphires meet the view, And emulate the soft celestial hue : Now beam a flaming crimson to the eye, And now assume the purple's deeper dye ; But here description clouds each shining ray, What terms of art can nature's power display ? FALCONER. CONTENTS THE FIRST VOLUME. SPRING. Page Snowdrop. Galanthus nivalis ... 3 Hellebore. Helleborus . . . .15 Hepatica, or Noble Liverwort. Anemone Hepatica 24 Crocus. Crocus . .... . . 29 Daisy. Bellis ..... 34 Primrose. Primula .. . . . 48 Polyanthos . _- . . . ' 53 Violet. Viola odorata . . . ? > ' 60 Dog s Violet. Viola Canina . . .69 Pansy, or Heart's Ease. Viola tricolor . . 72 Wall-flower. Cheiranthus Cheiri . .77 Cowslip. Primula veris 4 . 84 Oxlip. Primula elatior . ' . ' * . 89 Narcissus. Narcissus . . ... 90 Daffodil " . ^. iA _. i . . ib. Narcissus. Narcissus . ; . . .94 Jonquil. Jonquilla . . / "' 10 * Anemone. Anemone . . . .103 The Garden Anemones . . 108 Xlvi CONTENTS. Page Hyacinth. Hyacinthus . . . . 116 Garden Hyacinth. Orientalis . 122 Tulip. Tulipa . . . 135 Lily of the Valley. Convallaria Majalis . . 153 Periwinkle. Vinca . .. : . . . 165 Ranunculus . . . 1 73 Iris . ... .' . . 187 Dwarf Iris. Pumila . *_. . .196 The Caledonian Iris. Susiana . *. 197 Auricula. Primula Auricula . . . 203 Orchis. Orchis, or Satyrion . . . 215 Fritillary. Fritillaria . " . . . 230 Persian Fritillary, or Persian Lily. Fritillaria Persica . . .240 Common Fritillary, or Chequered Lily. Fritil- laria Meleagris -.' . . 241 Gentian. Gentiana . . . .246 Virginian Cowslip. Dodecatheon Meadia . 252 Dog's Tooth Violet. Erythronium ' . . 257 Sessile Trillium. Trillium Sessile . . - 262 Saxifrage. Saxifraga '. , .265 London Pride, or None-so-pretty. Saxifraga umbrosa . ' . . . . 266 Star of Bethlehem. Ornithogalum . . 269 Yellow Star of Bethlehem. Ornithogalum Lu- teum . . . . 271 Honesty. Lunaria . . 273 Candy-Tuft. Jberis . ' . . 284 Sweet-scented Tussilage. Tussilago Fragrans . 289 Cyclamen, or Sow-Bread. Cyclamen . '" . 294 Arum and C alia. Arum . '.'" ' . . 298 Cuckoo Pint, or Wake Robin. Arum Maculatum 303 CONTENTS. Xlvii Page Cardamine. Nasturtium Pratense . . 308 Leopard's Bane. Doronicum Pardalianches . 311 Rocket. Hesperis . . . . 315 The Garden Rocket, or Dame's Violet. Hesperis Matronalis . . . .318 Mandrake. Atropa Mandragora . . . 324 SPRING. Here Spring appears, with flowery chaplets bound. Pride of the year, purpureal Spring ! attend, And in the cheek of these sweet innocents Behold your beauties pictured. MASON. Fresh Spring, the herald of love's mighty king, In whose cote-armour richly are display'd All sorts of flowres the which on earth do spring, In goodly colours gloriously array'd. SPENSER. When Spring begins the dewy scene, How sweet to walk the velvet green ; And hear the zephyr's languid sighs, As o'er the scented mead he flies ! MOORE'S Anacreon, Ode xli. VOL. I. ....-V SNOWDROP. Galanthus nivalis. Natural Order Spathaceee. Narcissi, Juss. A Genus of the Hexandria Monogynia Class. Fair-handed Spring unbosoms every grace, Throws out the Snowdrop and the Crocus first. THOMSON". As the dove was sent forth from the ark to learn whether the waters were abated, so does the Snow- drop seem selected by Flora to find whether the frost be mitigated, and as a herald to announce the arrival of her garland. It is the first flower that awakes from the repose of winter, and cheers u& with the assurance of the re-animation of nature ; and hence it has been made the emblem of con- solation. This delicate blossom was formerly held sacred to virgins ; and this may account for its being so generally found in the orchards and gardens at- tached to old monastic buildings. A flow'r that first in this sweet garden smiled, To virgins sacred, and the Snowdrop styled. TlCKELL. The Snowdrop stands in most of our late bo- tanical works as a native plant, but it appears to B 2 4 FLORA HISTORICA. us not to have been originally indigenous to the British soil, from its being so rarely found except- ing in spots that are known to have been the site of ancient gardens. It is unnoticed in the works of our oldest herbalists, and no allusions are made to it by our early poets. Gerard says, " These plants do grow wilde in, Italic and the places adjacent, notwithstanding our London gardens haue taken possession of them all, many yeeres past." This old author calls it Leu- coium Bulbosum prcecox, Timely-flowering Bulbous Violet. In a Dutch work on bulbous flowers, published in 1614, it is called Leucoium Bulbosum Triphyllon ; and it is there mentioned as growing common in Italy, whilst in Holland it was at that time very seldom found, excepting in the gardens of the curious. <( In Italia frequens est, hie nisi in hortis curi- osorum minime invenitur" The writer of the same work has pictured a second species of Snowdrop, with broader leaves and of a larger size, which is named Leucohim bulbosum Byzantinum prcecox, and which is stated to be odorous. This, we presume, is the viola alba et viola bulbosa of Theophrastus ; the Leucojum vernum of modern times, which Mr. Curtis named Snowflake, to distinguish it from the Snowdrop. The name of Galanthus, which is given to the SNOWDROP. 5 Snowdrop, is from 7X and avQor (milk and flower) on account of the milky whiteness of the corolla. The Italians call it Pianterella ; the Germans Schneegloechern, snowbell; and the French have named it Perce Neiye, because it often pierces through the snow. Their poet, Benserade, makes this flower say Sous un voile d' argent, la terre ensevelie, Me produit ; malgre sa fraicheur, I/a Neige conserve ma vie, Et me donnant son nom, me donne sa blancheur. The English name of Snowdrop is no less appro- priate for this delicate flower, which Mrs. Barbauld thus elegantly notices : Now the glad earth her frozen zone unbinds, And o'er her bosom breathe the western winds ; Already now the Snowdrop dares appear, The first pale blossom of th' unripen'd year ; As Flora's breath, by some transforming power, Had changed an icicle into a flower : Its name and hue the scentless plant retains, And winter lingers in its icy veins. This early blossom demands our particular attention to its formation, which is so admirably adapted to the days of north winds and the nights of hoar frost, that it is impossible to observe it without acknowledging with what infinite wisdom nature has formed her lowest works. The delicacy with which the corolla is attached to the flower- stalk enables it to move with the winds in every 6 FLORA HISTOR1CA. direction, without fear of snapping or suffering the air to defraud the stigma of its necessary part of the farina, whilst its modest and pendent position is calculated to throw off all superfluous moisture in order that the parts of fructification may be so secured as to replenish the earth with its seed. The pure white that is given to the petals of this flower, contributes, in a no less happy degree, to the perfecting of the pollen, as it causes them to act as reflectors to throw all the light and warmth on the anthers, which, at the chilling season of the year, when the Snowdrop flowers, is particularly necessary. The verses of our fair countrywomen will prove how attractive this early plant has been to their poetical imaginations. The Snowdrop, winter's timid child, Awakes to life, bedew'd with tears, And flings around its fragrance mild ; And where no rival flow'rets bloom, Amidst the bare and chilling gloom A beauteous gem appears ! All weak and wan, with head inclined, Its parent breast the drifted snow, It trembles, while the ruthless wind Bends its slim form ; the tempest lowers, Its emerald eye drops crystal showers On its cold bed below. Poor flow'r ! on thee the sunny beam No touch of genial warmth bestows ! Except to thaw the icy stream Whose little current purls along, Keeping a quiet undersong, And whelms thee as it flows. SNOWDROP. f The night breeze tears thy silky dress, Which deck'd with silv'ry lustre shone ; The moon returns, not thee to bless The gaudy Crocus flaunts its pride, And triumphs, where its rival died Unshelter'd and unknown ! Where'er I find thee, gentle flow'r, Thou still art sweet and dear to me ! F or I have known the cheerless hour, Have seen the sunbeams cold and pale, Have felt the chilling wintry gale, And wept and shrunk like thee ! MAR.Y ROBINSON. Less melancholy, but not less plaintive, are the lines of Mrs. Charlotte Smith, on this pale flower, which her pen thus pictures : Like pendent flakes of vegetating snow, The early herald of the infant year, Ere yet th' adventurous Crocus dares to blow, Beneath the orchard boughs thy buds appeal'. While still the cold north-east ungenial lowers, And scarce the hazel in the leafless copse, Or sallows show their downy powdered flowers. The grass is spangled with thy silver drops. Yet when those pallid blossoms shall give place To countless tribes, of richer hue and scent, Summer's gay blooms, and Autumn's yellow race, I shall thy pale, inodorous bells lament. So journeying onward in life's varying track, Even while warm youth its bright illusion lends, Fond memory often with regret looks back To childhood's pleasures, and to infant friends. Of this early flowering bulb, Cordelia Skeeles says, FLORA HISTORICA. Poets still, in graceful numbers, May the glowing Roses choose, But the Snowdrop's simple beauty Better suits an humble muse. Earliest bud that decks the garden, Fairest of the fragrant race, First-born child of vernal Flora, Seeking mild thy lowly place ; Though no warm or murmuring zephyr Fan thy leaves with balmy wing, Pleased we hail thee, spotless blossom, Herald of the infant spring. Through the cold and cheerless season, Soft thy tender form expands, Safe in unaspiring graces, Foremost of the bloomy bands. "VVhite-robed flow'r, in lonely beauty, Rising from a wintry bed : Chilling winds, and blasts ungenial, Rudely threat'iiing round thy head. Silv'ry bud, thy pensile foliage, Seems the angry blast to fear ; Yet secure, thy tender texture Ornaments the rising year. No warm tints or vivid colouring Paints thy bells with gaudy pride; JMildly charm'd, we seek thy fragrance, "Where no thorns insidious hide. 'Tis not thine with flaunting beauty To attract the roving sight, Nature, from her varied wardrobe, Chose thy vest of purest white. White as falls the fleecy show'r, Thy soft form in sweetness grows ; Not more fair the valley's treasure, Nor more sweet her Lily blows. SNOWDROP. 9 Drooping harbinger of Flora, Simply are thy blossoms dress'd ; Artless, as the gentle virtues Mansion'd in the blameless breast. In the natural history of plants, none deserve the attention of the curious more than those with bul- bous flowers, particularly such as the Snowdrop, and others that have a viviparous as well as ovipa- rous power of producing their species ; and we are in general less acquainted with the viviparous nature of plants than with their oviparous manner of increasing, although they do not vary more in the latter method of propagation than they do in the former. The phenomena in each case are equally wonderful, and deserving more attention than is in general bestowed on them. We know of no animal either of the earth or of the waters that has a double mode of increasing its species as the Snowdrop has ; of which, whilst its seeds are ripening in the air to multiply its kind after the manner of eggs, the parent bulb is throwing off perfect plants from its side into the earth. It is the nature of bulbs in general to die when they have once completely blossomed and produced seed ; but this does not appear to be exactly the case in respect to the Snowdrop, which, like the bulb of the Hyacinth, seems to have the power of forming a new germ in a different coat of the same bulb. In the month of August, 1824, we took from B 5 10 FLORA HISrORlCA. the earth some bulbs of the Snowdrop that had flowered in the spring, and on dissecting them care- fully we generally discovered two inner bulbs enclosed in several envelopes of coats, one of which was uniformly deficient in a germ, but which appeared as active in accumulating strength for a future germ, as the forward one was in sending forth its flower-stalk. The coats of the bulb are easily separated from the stool to which the germ is firmly attached, and from which the fibrous roots spring. Some of these fibres appear to enter be- tween the different coats of the bulb, and there form other bulbs, which as they become matured, sepa- rate themselves from the old bulb, when the fibres that enter the earth decay, which takes place as soon as the plant has completely perfected its seed. At this time the bulb is full and rich in glutinous moisture that nourishes the future flower for the plant : it does not lay in the dormant state that is generally imagined, but nature works so secretly and constantly in the bulb, and with such wonder- ful exactness, that we have frequently discovered a perfectly formed plant and flower within the small germ of this little root. If we could open and inbend our eye, We all, like Moses, should espy, Ev'n in a bush, the radiant Deity. COWLET. The common Snowdrop grows wild in some parts SNOWDROP. II of France, Switzerland, Austria, and Silesia. It has been known to flower in this country as early as the middle of January, when the season has been mild, but generally it does not appear before the beginning of February. Frequently it may be seen so immediately after the melting of the snow, that it gives the idea of some straggling flakes hanging undissolved on the blades of grass. The Snowdrop appears to greatest advantage when it is seen springing from the grassy banks of an orchard, or on the undisturbed turfy rising grounds of the garden ; for as it seldom flowers well if removed oftener than every third year, it is not calculated for borders that are annually turned over ; but in small gardens it may be planted under shrubs and trees, where it has a good effect, if planted in large irregular clumps, for when planted out singly, it makes no better appearance than a spot of chalk would do on the earth. In lawns and shrubberies, care sjiould be taken to place these flowers plentifully in the most favourable spots that are seen from the windows of the breakfast-room. When planted in the grass lawn they should have the appearance of growing wild, and therefore all formal clumps must be avoided, and they should be scattered as it were by chance, thick in some places, and thinly sprinkled in others, so as to con- nect the more important clumps into one irregular 12 FLORA HISTORICA. mass. As grass plots seldom require mowing until the time of the Snowdrop's flowering is over, it may in many instances be planted in such sites to great advantage. August is the proper month to plant these bulbs. They should be covered with about two inches of earth, and placed at from one to two inches apart. After the second year they increase rapidly ; when they become too thick, they should be taken out of the ground about Midsummer, and placed in a dry room, for a space not exceeding two months. The variety of Snowdrop with a double flower is now nearly as common in our gardens as that with single petals, whilst its more noble relative, the Spring Snowflake, Leucojum vernum, continues scarce even in the gardens of our best florists. This flower differs from the Snowdrop, in having a delightful fragrance, and a much larger corolla ; but the most marked difference is the want of the three-leaved nectary in the Leucnjum, which forms a great beauty in the Galanthus or Snowdrop. The Snowflake grows wild in moist woods and shady places, in many parts of Italy and Ger- many. It loves a north-east aspect, and a soil composed of bog-earth and loam. In such situa- tions it is propagated tolerably fast by offsets. It blossoms about a month later than the Snow- drop ; and this may account, in a great measure, SNOWDROP. 13 for its being more rarely cultivated at the pre- sent time than it appears to have been in the days of Queen Elizabeth, when Gerard wrote his Herbal. We have two other species of Leucojum, viz., jEstimim, Summer Snowflake ; and the Autumnale, Autumnal Snowflake. The latter is a native of Portugal, and flowers in the month of September. The former is an indigenous plant, that blossoms in May, but as it loves a moister soil than gardens in general afford, it is but seldom cultivated. It has been found wild in the Isle of Dogs, opposite Greenwich ; and Mr. Curtis also observed it grow- ing naturally, close by the Thames, on the south side between Woolwich and Greenwich. Mr. Gough found it in a small island in the river, about three miles south of Kendal, on the dam of the gunpowder mill. It grows in similar situa- tions in Austria, Hungary, Tuscany, Carniola, and Silesia. We shall conclude our history of the Snowdrop with the following contemplative lines : Haste, lovely stranger, venture forth, Fear not the wintry blast ; The keen and unrelenting North, With all his train, is past. Child of the spring, sweet Snowdrop, haste Thy bosom to unfold ; Ah ! dread the vernal hours to waste, For soon returns the cold. 14 FLORA HISTORICA. Go bid Eliza contemplate, Fair moralist, thy doom ; How soon, alas ! thy cruel fate Condemns thee to the tomb. Though clothed thou art in lilied vest, And delicate 's thy charm ; Though of a thousand sweets possest, Thou canst not Fate disarm. Then, Snowdrop, catch the fleeting gale, While zephyr gently woos ; And bid Eliza now bewail Her vernal prime to lose. Ah ! let her dread that season past, While youthful hours beguile ; Too soon, alas ! the winter's blast Will steal her dimpled smile. HELLEBORE. 15 HELLEBORE. Helleborus. Natural Order Multisiliquce. Hanunculacea, Juss. A Genus of the Polyandria Polygynia Class. L'Ellebore est la fleur des fous, On la dedie a maint poete. FEW plants have been more celebrated by the phy- sicians of antiquity than the Hellebore, and hence it made a conspicuous figure in the poetical fables of early writers ; but it seems to have been so en- tirely neglected by the bards of our own country as to leave this chapter without an English verse at the head. The Black Hellebore, Helleborus niger, demands our admiration, both from the early season of its flowering, and the beauty of its blossom. It is ge- nerally called the Christmas Rose, because it fre- quently expands its petals at that season, which, having a resemblance to the common Dog Rose of our hedges, has gained it this name. Our caution is equally demanded against the whole of the Hel- lebore family of plants, on account of the dangerous properties of their roots and leaves, which are known to possess a most virulent poison. ]6 FLORA HISTORIC.*. The name of this plant is derived from two Greek words, helein, to destroy, and bora, pasture, which indicate its pernicious qualities in such situa- tions. The species of this plant called Christmas Rose has been named Black Hellebore, from the black colour of its roots ; and Melampodium, in honour of Melampus, a celebrated physician, who flourished at Pylos, in Peloponnesus, about a hundred years after the time of Moses, or 1530 years, or there- abouts, before the birth of Christ. Melampus tra- velled into Egypt, which was the seat of science at that period, to study medicine. He afterwards cured the daughters of Prcetus, king of Argos, of mental derangement with Hellebore, and from this circumstance it became so celebrated a medicine for mad people, that naviga ad Anticyram was a com- mon proverb used to hypochondriacal persons, which meant " Sail to Anticyra," an island in the Gulf of Corinth, where the Hellebore flourished in great abundance. Melampus, it is said, became acquainted with the cathartic qualities of the Hellebore, by observing the effects it took upon his goats, which had eaten of this vegetable. Pliny mentions that the daugh- ters of Prcetus were restored to their senses by drinking the milk of goats which had fed upon Hellebore ; but the earlier writers state that these HELLEBORE. 17 princesses were ordered to bathe in a cold fountain after taking the Hellebore, and this is the first instance upon record of the use of cathartics and bathing with a medicinal view. Melampus gained still greater honour by correcting the defects of Iphiclus's constitution, prescribing to him to take the rust of iron in his wine for ten days succes- sively. Thus we find that the celebrated steel me- dicine of the present day was in use as long back as 3350 years. At that early period, the physicians were held as a sacred order of men, and Diodorus Siculus states that none durst profess physic in Egypt, without being admitted as a member of the College of Priests. They were also considered as soothsayers and prophets, from their pretending to be assisted by incantations and charms, the origin of which arts seems almost coeval with the inven- tion of physic itself; and these solemn mysteries were no doubt resorted to in order to create a ve- neration and faith in the minds of the patients for their physicians, which, however ridiculous it may appear to us, might have had great effect on the ininds of the vulgar, as it is an established opinion that the body is often influenced by the affections of the mind. We have made this digression to show the origin of many of the superstitious customs of the Greeks and Romans respecting plants. That these 18 FLORA HISTORICA. latter people should bring their superstitions to this country is natural, and, in many instances, we may still perceive the impression these customs made on the minds of the ignorant part of the po- pulation of our island. The Black Hellebore was used by the ancients to purify their houses, and to hallow their dwell- ings ; and they had a belief that by strewing or perfuming their apartments with this plant, they drove away evil spirits. This ceremony was performed with great devotion, and accompanied with the singing of solemn hymns. In the same manner they blessed their cattle with the Hellebore, to keep them free from the spells of the wicked. What magic has bewitched the woolly dams, ' And what ill eyes beheld the tender lambs. VIKGIL, Pastoral III. For these purposes it was dug up with many religious ceremonies, as that of first drawing a circle round the plant with a sword, and then, turn- ing to the east, an humble prayer was made by the devotee to Apollo and ^Esculapius, for leave to dig up the root ; and the flight of the eagle was particularly attended to during the ceremony, for when this bird approached near the spot during the celebration of the rites, it was considered so ominous as to predict the certain death of the per- son who took up the plant, in the course of the HELLEBORE. 19 year. In digging up the roots of some species of Hellebore it was thought necessary to eat garlic previously, to counteract the poisonous effluvia of the plant ; yet we find that the root was afterwards dried and pounded to dust, and sniffed up the nostrils in the manner of snuff; as it is related that when Carueades, the Cyrenaic philosopher, under- took to answer the books of Zeno, he sharpened his wit and quickened his spirit, by purging his head with powdered Hellebore*. In the year 1676, the author of c ' The Anatomy of Melancholy" adds the Hellebore to the other emblematical figures of his frontispiece, with the following lines : Borage and Hellebor fill two scenes, Soveraign plants to purge the veins Of melancholy, and cheer the heart Of those black fumes which make it smart ; To clear the brain of misty fogs, Which dull our senses, and soul clogs ; The best medicine that e'er God made For this malady, if well assaid. To these lines we add a cautionary verse from Dray ton : Here Henbane, Poppy, Hemlock here, Procuring deadly sleeping; Which I do minister with fear Not fit for each man's keeping. * Dioscorides, lib. 4, cap. 151. PLIXY, lib. 25, cap. 5. 20 FLORA HISTORICA. Notwithstanding the great reverence with which the ancients regarded this plant, it was considered by most of their writers as a rough medicine'; and as many country people are in the habit of giving the powder of Hellebore to their children for the worms, we shall show how dangerous an herb it is, by extracting an anecdote out of Martyn's Tour- nefort. t( Some years ago, when the ground was covered with a very deep snow, a flock of sheep, in Ox- mead, near Fulborn, in Cambridgeshire, finding nothing but this herb above the snow, ate plentifully of it. They soon appeared terribly out of order, and most of them died, a few being saved, by timely giving them some oil, which made them cast up this herb. Some of those which died, being opened, were found to have their stomachs greatly inflamed. This account I had from the man who attended them. He went with me to the very spot, and as he pointed out the herb which poisoned them, I found it to be the species of Hellebore called Niger foetidus." Formerly the Gauls never went to the chase without rubbing the points of their arrows with this herb, believing that it rendered all the game killed with them the more tender. This reputed specific for the cure of melancholy and madness, was an inmate of our gardens prior HELLEBORE. 21 to 1597, as Gerard tells us it was then growing in his garden. Like the Snowdrop, the Black Helle- bore should be planted in considerable quantities to give effect ; it loves a pure air, and will not therefore flourish within the precincts of London. The Winter Hellebore, Helleborus hyemalis, blossoms with a yellow flower in February, and is, therefore, a proper plant to give contrast to the snowdrop, either in wilderness walks or under trees in the shrubbery. It grows wild in mountainous situations in Lombardy, Italy, Austria, Silesia, and Switzerland. Our early writers call it Winter Wolf's-bane, Small Yellow Wolf's-bane, Yellow- Aconite, and Winter Aconite. It should never be allowed a place in the kitchen-garden, since fatal accidents have arisen from mistaking this root for that of horseradish. No Ion get back than the 3d of January, 1822, an inquest was held at Frodsham, Cheshire, on the body of Mrs. Gorst, who died in. consequence of eating this root, it having been brought to table for horseradish. Her brother-in- law was near falling a sacrifice at the same time. These early embellishers of the garden are propa- gated by parting the roots any time between the months of June and October. In the neighbourhood of Paris it is common to cultivate Hellebore in pots, as an ornament for the house. 22 FLORA HISTORICA. The Great Three-leaved, or Green Hellebore, Viridis, is a native of our woods, and produces a green flower in the month of April. The Bear's- foot, or Stinking Hellebore, is indigenous to our chalky pastures. We have also introduced one species from North America, called Trifolius, or small three-leaved Hellebore. With every desire to caution the ignorant against the use of these dangerous plants, we cannot avoid recommending the faculty to turn their serious attention to this medicinal herb, so celebrated by the Egyptian and Greek physicians of old as the most effectual remedy for the diseases of mania, apoplexy, epilepsy, dropsy, and gout. Mr. Waller tells us in his Domestic Herbal, that " he remem- bers, in the depot for French prisoners of war at Norman-cross, in the year 1806, that a peculiar disease, called Nyctalopia, was very prevalent among them. The symptoms which distinguish this disease are, that the patient becomes by degrees perfectly blind from the moment of sunset till|the re-appearance of the sun next morning. This disease affected a great number of the prisoners, who were obliged to be led about by their comrades immediately after sunset, and all of them, at the same time, were labouring under symptoms of ex- treme dyspepsia. After a variety of treatment ineffectually applied, the powder of Black Helle- HELLEBORE. 23 bore was given them as snuff. As they were most of them attached to the use of snuff, and had been for a long time deprived of it, they took the Helle- bore with avidity, and generally recovered from their nyctalopia in the course of a very few days, and the dyspeptic symptoms were at the same time greatly relieved. There is no doubt (says the same author) that in many other affections of the head the same treatment would be found extremely effi- cacious, and is well worthy of trial in many chronic diseases of the eyes, particularly in the early stage of gutta serena." Of this plant Juvenal sarcastically observes Danda est eltebori multo pars maxima avaris. IMisers need a double dose of Hellebore. 24 FLORA HISTORICA. HEPATICA, OR NOBLE LIVERWORT. Anemone Hepatica. Natural Order Multisiliqua. Ranunculaceee, Juss. A Genus of the Polyandria Polygynia Class. Here blushing Flora paints th' enamell'd ground, Where frosts have whiten' d all the naked groves. POPE. THIS charming little plant, which the florist has brought from the woods and shady mountains of Italy, Germany, and Sweden, to embellish our ver- nal parterres, offers its blossoms, with those of the Snowdrop, to form our earliest garland. Although it is of humble growth, the Hepatica shines as one of the greatest beauties of the spring, and induces us to exclaim with Mason, Stay, pitying Time ! prolong their vernal hliss. As no flower-garden ought to be without this hardy and early species of Anemone, and few pos- sess it so plentifully as to shew it to full advan- tage, we shall strongly recommend the careful in- crease of this favourite flower of February and March. It loves a strong loamy soil and an eastern aspect, but will flourish in almost any earth and HEPATICA. 25 situation where it can receive a pure air. The Hepatica should be planted in clumps of at least a dozen plants each, about six inches apart, and these should never be taken up or transplanted, except to form fresh clumps, as they frequently die after being removed, and never flower well until about the third year after they are planted. The double varieties are increased by parting the roots when in blossom, which is contrary to the general mode of planting flowers ; March is therefore the best time for forming clumps of these plants, which, like their relatives, seem to delight in the wind . And coy Anemone, that ne'er uncloses Her lips until they're blown on by the wind. H. SMITH'S Amarynihus. We have found these flowers to have the most agreeable effect when the different varieties have been kept in distinct clumps ; the Single Blue He- patica being divided by other early flowers from the red or white varieties; and as the Double Hepaticas blossom about a fortnight later, they should never be mixed with the single sorts, but in some situations they may form a mass, inter- mingled with the Yellow Hellebore and the White Snowdrop, giving the shrubbery the appearance of being fringed in Nature's native taste, The hillocks dropt in Nature's careless haste. BURNS. VOL. i. c 26 FLORA HISTORICA. The name of Hepatica for this plant is from the Greek word hepatikos, which signifies belonging to the liver, as the form of the leaf is supposed to resemble that of the liver. It was formerly called Trinity Herb. We con- clude this name was given to the plant on account of its leaf, which has the appearance of three leaves united into one. The Single Hepatica was cultivated in our gardens previous to the time of Gerard, who also notices the double varieties, but states that they are strangers to England, and it does not appear that the Dutch florists were in possession of the Double Hepaticas so late as 1614. In 1629, Par- kinson tells us from Clusius, that Alphonsus Pon- tius first sent them out of Italy, and Clusius further states that the Hepatica with double flowers was also found in the woods near the castle of Starnbey, in Austria. When flowers become double in their natural situation, which is but rarely the case, it is owing to some accidental circumstance analogous to cultivation, such as keeping the seed out of the earth beyond its due time, or its falling in situa- tions where it has not the power of perfecting its blossoms ; for a flower becomes more imperfect as it is more doubled, the stamens often becoming wholly converted into petals, as in the Double HEPATICA. 27 Hepatica, which is, therefore, not able to produce seed. Such plants necessarily require the hand of cultivation to prevent their becoming extinct. The change of colour in plants is principally owing to soil, and of this Mr. Bradley relates a remarkable circumstance. " Some roots of the Double Blue Hepatica were sent to Mr. Harrison, of Henley-upon-Thames, from Mr. Keys's garden, in Tothill-fields, whose soil was so different from, the ground they were planted in at Henley, that when they came to blossom there, they produced white flowers, and were, therefore, returned back to their first station, where they retook the blue colour they had at first." A few seasons ago,' a remarkable fine Hy- drangea was exhibited at a meeting of the London Horticultural Society, which had entirely changed its pink tints to a perfect blue colour on being planted in peat earth. We also recollect having seen a Blue Hydrangea some years back, at a cot- tage in Hampshire, cuttings from which we planted in common garden mould ; the consequence was a return to its natural pink hue. The Single Hepaticas produce seeds every year ; and by sowing them, new varieties may be obtained as in other plants. The time recommended for sowing the seed is the beginning of August. They should be sown in pots or boxes filled with light C 2 23 FLORA HISTORICA. earth ; these should be placed so as to receive only the morning sun until October, when they may be removed into a more general sunny situation. The young plants will appear about March, and it is desirable at that period to place them in a spot shaded from all but the morning sun. The young plants require watering in dry seasons, and may be transplanted to their proper situations in the fol- lowing August, observing to press the earth close to their roots, to prevent their being drawn out of the ground by worms. CROCUS. 29 CROCUS. Crocus. Natural Order Ensatee. Irides, Juss. A Genus of the Triandria Monogynia Class. Crocus and Smilax may be turn'd to flow'rs, And the Curetes spring from bounteous show'rs ; I pass a hundred legends stale as these, And with sweet novelty your taste will please. OVID, Book 4, Met. 4. FABULOUS history derives the name of this flower from a beautiful youth named Crocus, who was consumed by the ardency of his love for Smilax ; and afterwards metamorphosed into the plant which still bears his name. Others suppose it to be taken from Coriscus, a city and mountain of Cilicia. I is one of the flowers of which Homer has composed the genial couch of Jove and Juno. And sudden Hyacinths the turf bestrow, And flow'ry Crocus made the mountain glow. Iliad, Book 4. Say, what impels, amidst surrounding snow- Congeal' d, the Crocus' yellow bud to blow ? Say, what retards, amidst the summer blaze, Th' autumnal bulb, till pale, declining days ? The God of Seasons whose pervading power Controls the sun, or sheds the fleecy shower ; He bids each flower his quickening word obey, Or to each ling'ring bloom enjoins delay. WHITE. 30 FLORA HISTORICA. The Spring Crocus is one of the greatest enliveners of the flower-garden from February to April, and when its bulbs are planted in sufficient quantities to give effect, their gaiety is scarcely surpassed by any plant on the parterre ; but like the Snowdrop, it is generally too sparingly planted, or placed in rows on each side the walk, reminding us of street- lamps by night. Like the Hepatica, the different varieties should be kept in distinct clumps, but not in beds, like a nurseryman's garden, whose primary object is to increase his plants. In the borders of Flora, the hand of taste should be displayed, but not in forming fanciful stars or formal squares. Nature should be copied, who sprinkles her plants with that beautiful irregularity which the happiest art cannot surpass. Much must depend, in planting flowers, on the size and form of the garden ; but it will always be found that one rich cluster of Crocuses, like a large brilliant, has a more imposing effect than a hundred small diamonds. The Crocus bulbs should not be removed oftener than every third or fourth year, which is an addi- tional reason for planting them in large patches. They should be placed about two inches from each other ; but where banks are to be covered with them, they should be scattered much thinner at the edges. If the earth is of a cold or damp nature, the bulbs should not be covered more than about one CROCUS. 31 inch ; but where it is dry, light, or sandy, at least two inches should be given them. Crocuses will flower in water like Hyacinths and other bulbs ; but when intended for the house, it is preferable to plant them in pots of earth, which should be kept moderately moist, and in a sunny window ; but when in blossom, a more shady situa- tion will lengthen the duration of their flowers. The catalogues of modern florists mention nu- merous varieties of the Spring Crocus. The yellow is the most showy for the garden, and the purple the most beautiful ; the white the least conspicuous, and the striped the most curious, particularly the blue striped, and the yellow striped with black. Like the Tulip, new varieties with fanciful names, are annually imported from Holland, but they are seldom raised from seed in this country. The Spring Crocus is a native of Italy and Spain. In Switzerland it is found wild with white petals, having a little purple at the base; and Gesner found it with a yellow flower on the Glarus moun- tains. Both the purple and the white have been dis- covered as natives of Austria. The Crocus appears to have been first cultivated in our gardens during the reign of Queen Elizabeth, as Gerard observes that " That pleasant plant that bringeth forth yellow flowers, was sent unto me from Robinus of Paris." 32 FLORA HISTORICA. As it may greatly assist the cultivator of flowers to understand the physiology of plants, and more particularly of such bulbs as increase in the earth by their viviparous powers, we notice those of the most singular habits, which, we trust, will not be found uninteresting to the general reader ; as by want of attention to the time and mode of the in- crease of bulbs, many plants are naturally lost by the ignorant gardener, who frequently cuts off the leaves of Crocuses when past flowering, for the sake of neatness. This is a fatal error, as it weakens their power of perfecting the new bulb, and conse- quently of flowering the following year ; for whilst the fibrous roots assist by suction the nourishment of the future plant, the leaves contribute to it in a no less degree, by their means of absorption and exhalation for that gas forms a most vital principle in the vegetable kingdom, is clearly ascertained by the known quantity of carbonic acid which green leaves take in during the day, and the portion of oxygen they give out in a state of gas during the night. Thus the leaves of plants are to vegetables what the lungs are to the animal creation. The bulb is merely a body that protects the heart, or germ, from outward injury, whilst it receives and contains the necessary nourishment to form a new plant; and when it has filled its stores, the fibrous roots and the foliage have their communication CROCUS. 33 stopped and wither at the same time, and until this has taken place bulbs should never be removed. The Crocus bulb differs from that of the Snow- drop already described, by being a solid, instead of a coated body ; consequently, the germ of the Cro- cus is situated at the top instead of the bottom of the bulb, and hence it is that the new bulbs are thrown out at the top, instead of being separated at the bottom, as in the instance of the Galanthus. The Crocus frequently produces from three to five new bulbs, but the parent is quite exhausted in the nourishment it affords to its offspring and its flower, leaving no part of the original bulb but a dry outer skin or husk. Of the Autumna, or Saffron Crocus, we have written at large in the History of cultivated Vegetables 34 FLORA HISTORICA. DAISY. Bellis. Natural Order Cmpositce Discoidea. Corymbiferce, Juss. A Genus of the Syngenesia Polygamia Super- flua Class. By dimpled brook and fountain brim, The wood-nymphs, deck'd with Daisies trim, Their merry wakes and pastimes keep. MILTON'S Comus. THE Daisy has been made the emblem of Innocence, because it contributes more than any other flower to infantine amusement and the joys of childhood : in the spring and play-time of the year, That calls the unwonted villager abroad With all her little ones, a sportive train, To gather kingcups in the yellow mead, And prank their hair with Daisies. COWPER. Those who have passed their early days amongst Daisy-spangled meadows will forcibly feel the many sweet allusions made to this favourite plaything of infancy by the poet in manhood. The very name of this star of the fields seems to renovate the ima- gination, and carry us back to our earliest pleasures; and to shew that we are not the only people who sport in our youth with this pretty flower, we shall DAISY. 35 notice a French verse, and a game of their playful children, who, forming a circle, strip off a petal each from the single Daisy, repeating, II m'aime un pen, passionement, pas du tout, and so on to the last, fearing all the time to pronounce the word in which the circle should finish. La blanche et simple Paquerette, Que ton. cceur consulte sur tout, Dit : ton amant, tendre fillette, T'aime, un peu, beaucoup, point du tout. The French name this flower Marguerite as well as Paquerette. Thence St. Louis took for a device on his ring a Daisy and a Lily, in allusion to the name of the Queen, his wife, and to the arms of France, to which he added a sapphire, on which a crucifix was engraved, surrounded with this motto : " Hors cet annuel, pourrions-nous trouver amour ?" because, as this prince said, it was the emblem of all he held most dear religion, France, and his spouse. Lady Margaret, Countess of Richmond, bore three white Daisies (Marguerites) on a green turf. How much this little flower was regarded in the fourteenth century, by the father of English poetry, the frequent mention and high commendation of Chaucer will prove. of all the floures in the mede, Then love I most these floures white and rede, 36 FLORA HISTORICA. Such that men callen Daisies in our town : To them I have so great affectioun, As I sayd erst, when comen is the Maie, That in my bedde there dawneth me no dale, That I n'am up, and walking in the mede To seen this floure ayenst the sunne sprede. When it upriseth early by the morrow, That blissful sight softeneth my sorrow, So glad am I, when that I have presence Of it, to done it all reverence, As she that is of all floures the floure, Fulfilled of all vertue and honoure, And every ylike faire, and fresh of hewe, And ever I love it, and ever ylike newe, And ever shall, until mine herte die, All sweare I not, of this I woll not lie. There loved no wight hotter in his life, And when that it is eve I renne blithe, As soon as ever the sunne ginneth west, To seen this floure, how it woll go to rest, For fear of night, so hateth she darknesse ; Her chere is plainly spred in the brightnesse Of the sunne, for there it woll unclose. Shakspeare celebrates this flower in his favourite song to Spring. When Daisies pied, and violets blue, And lady-smocks all silver white, And cuckoo buds of yellow hue, Do paint the meadows with delight. Lore's Labour's Lost. The lines of Montgomery, as well as those of Burns, are too beautiful to have a verse omitted, as our " Meadows trim, with Daisies pied," are seen with additional interest when these poems are re- called to our memory. The former says DAISY. 37 There is a flower, a little flower With silver crest and golden eye, That welcomes every changing hour, And weathers every sky. The prouder beauties of the field In gay but quick succession shine ; Eace after race their honours yield, They nourish and decline. But this small flower, to nature dear, While moon and stars their courses run, Wreaths the whole circle of the year, Companion of the sun. It smiles upon the lap of May ; To sultry August spreads its charms ; Lights pale October on his way, And twines December's arms. The purple heath, and golden broom, On moory mountains catch the gale ; O'er lawns the lily sheds perfume, The violet in the vale. But this bold floweret climbs the hill, Hides in the forest, haunts the glen, Plays on the margin of the rill, Peeps round the fox's den. Within the garden's cultured round It shares the sweet carnation's bed ; And blooms on consecrated ground, In honour of the dead. The lambkin crops its crimson gem, The wild bee murmurs on its breast, The blue fly bends its pensile stem, That decks the skylark's nest. 'Tis Flora's page : in every place, In every season, fresh and fair, It opens with perennial grace, And blossoms every where. 38 FLORA HISTORICA. On waste and woodland, rock and plain, Its humble buds unheeded rise ; The rose has but a summer reign, The Daisy never dies. The Ayrshire ploughman thus regrets the death his ploughshare is giving to the Mountain Daisy. Small, modest, crimson-tipped flower, Thou'st met me in an evil hour, For I must crush among the stour Thy slender stem : To spare thee now is past my power, Thou bonny gem. Alas ! 'tis no' thy neighbour sweet, The bonny lark, companion meet, Bending thee 'mong the dewy weet, With speckled breast : When upward springing, blithe to greet The purpling east. Cold blew the bitter-biting North Upon thy humble birth, Yet cheerfully thou venturest forth. Amid the storm, Scarce rear'd above the parent-earth Thy tender form. The flaunting flowers our gardens yield, High-sheltering woods and walks must shield ; But thou between the random, bield Of clod or stone, Adorn' st the rugged stubble-field, Unseen, alone. There in thy scanty mantle clad, Thy snowy bosom sunward spread, Thou lift'st thy unassuming head In humble guise ; But now the share uptears thy bed, And low thou lies ! BURNS. DAISY. 39 Wordsworth and W. Browne seem to regard this native plant with no less affection than the foregoing poets ; and as it is a flower that we have so fre- quently gambled over in the sports of our infancy, reclined among in the idle moments of our youth, and trodden down in the days of our reflection, we therefore cull this poetical garland of Daisies with a view of reviving agreeable remembrances. The Daisy scattered on each meade and downe, A golden tufte within a silver croune ; Fayre fall that dainty flowre ! and may there be No shepherd graced that doth not honour thee ! In youth from rock to rock I went, From hill to hill, in discontent, Of pleasure high and turbulent, Most pleased when most uneasy ; But now my own delights I make, My thirst at every rill can slake, And gladly Nature's love partake Of thee, sweet Daisy ! When soothed awhile by milder airs, Thee Winter in the garland wears, That thinly shades his few gray hairs, Spring cannot shun thee ; W r hole summer fields are thine by right, And Autumn, melancholy wight, Doth in thy crimson head delight W r hen rains are on thee. In shoals and bands, a morrice train, Thou greet' st the traveller in the lane ; If welcomed once thou count'st it gain, FLORA HISTORICA. Thou art not daunted ; Nor carest if thou be set at nought ; And oft alone in nooks remote, We meet thee, like a pleasant thought, When such are wanted. Be Violets, in their secret mews, The flowers the wanton Zephyrs choose ; Proud be the Rose, with rains and dews Her head impearling : Thou liv'st with less ambitious aim, Yet hast not gone without thy fame ; Thou art indeed, by many a claim, The poet's darling. If to a rock from rains he fly, Or some bright day of April sky, Imprison'd by hot sunshine lie Near the green holly ; And wearily at length should fare, He need but look about, and there Thou art ! a friend at hand, to scare His melancholy. A hundred times, by rock or bower, Ere thus I have lain couch'd an hour, Have I derived from thy sweet power Some apprehension ; Some steady love, some brief delight, Some memory that had taken flight, Some chime of fancy, wrong or right, Or stray invention. If stately passions in me burn, And one chance look to thee should turn, I drink out of an humbler urn A lowlier pleasure ; The homely sympathy that heeds The common life our nature breeds, A wisdom fitted to the needs Of hearts at leisure. DAISY. 41 When, smitten by the morning ray, I see thee rise alert and gay, Then, cheerful flower ! my spirits play With kindred gladness ; And when, at dusk, by dews opprest Thou sink'st, the image of thy rest Hath often eased my pensive breast Of careful sadness. And all day long I number yet, All seasons through, another debt, Which I, wherever thou art met, To thee am owing ; An instinct call it, a blind sense, A happy genial influence, Coming one knows not how, nor whence, Nor whither going. Child of the year ! that round dost run Thy course, bold lover of the sun, And cheerful when the day's begun As morning leveret, Thy long-lost praise thou shalt regain, Dear shalt thou be to future men As in old time ; thou, not in vain, Art Nature's favourite. WORDSWORTH. This flowering weed of temperate climes cannot be made to flourish between the tropics, although it propagates itself on every patch of turf both in these islands, and on the northern parts of the con- tinent but, if we are correctly informed, ,it fails to spangle the fields of the south-east of Europe, where the arts were anciently so happily nurtured ; and hence it happens that we have no Greek name for this plant, which the Latins named Bellis, as 42 FLORA HISTORICA. some suppose from the adjective Bellus, pretty : whilst others are of opinion that it was called Bellis a bello, from its being found useful in the field of battle, to heal the wounds of the soldiers, on which account it has also been called Consolida. It was formerly esteemed an excellent traumatic plant ; the leaves and roots were used in wound drinks, and were accounted good to dissolve con- gealed and coagulated blood. Pliny tells us that in his time it was used, in conjunction with mug- wort, as a cataplasm to dissolve scrofulous tumours. The roots of Daisies boiled in milk were fre- quently given to little puppies to keep them of a diminutive size : but what effect this food would have on the growth of the canine species, we must leave to those who are curious in little dogs to discover. Fabulous history informs us that this plant is called Bellis because it owes its origin to Belides, a grand-daughter to Danaus, and one of the nymphs called Dryads, that presided over the meadows and pastures in ancient times. Belides is said to have encouraged the suit of Ephigeus, but whilst dancing on the grass with this rural Deity she attracted the admiration of Vertumnus, who just as he was about to seize her in his embrace, saw her transformed into the humble plant that now bears her name. DAISY. 43 An old astrological writer tells us that this plant is under the sign Cancer, and under the do- minion of Venus, and therefore good to cure all the pains caused by the fair goddess, particularly those of the breast ; we therefore recommend all the lack-a-daisy swains to hasten to the meadows, and there give thanks to nature for having scat- tered this plant so bountifully : it is a crop for which the farmer never prays, it being consi- dered a troublesome weed in pasture lands, where it occupies a large portion of ground to the exclu- sion of grass and other profitable herbs : its acrid taste is ungrateful to cattle, and it is even rejected on the common by the close-biting geese. The French name of Paquerette is given to this flower because it blossoms most at the approach of Pdques (Easter). The English name of Daisy is derived from a Saxon word, meaning Day's eye, in which way it is written by Ben Jonson ; and Chaucer calls it the " eie of the daie." Shakspeare writes daisies, and Howel calls them days-eyes, " the woods put forth their blossoms, the earth her primroses and days-eyes." We presume that this flower was called days-eye, from the nature of its blossom, which expands at the opening of day and closes at sunset. The little daizie, that at evening closes. SPENSEK. 44 FLORA HISTORICA. The most careless observer of plants must have noticed that the daisy not only closes its petals at night, but that they are also carefully folded over the yellow disk in rainy weather. It must likewise jhave struck the attention of the curious, that not only this flower, but most others which are natives of moist climates, have the power, we may almost say instinct, of securing their parts of fructification from the rains of the day or the dews of the night, whilst those of regular dry climates are quite desti- tute of this wise provision of Nature. The botanist would understand the nature of the Daisy by the class and order in which it is placed by Linnaeus, although he might not have seen it ; but as many of our readers may not pos- sess the same advantage, we shall describe the nature of the Daisy, and other plants in this class and order, in a familiar style, however it may offend botanical critics. The Daisy has been placed in the class Syn- genesia (which is so called from two Greek words which imply to generate together), because it is a compound flower, or rather it is composed of a number of small yellow florets placed on one com- mon receptacle, as so many small cups might be placed on one tray or salver ; for if the thumb or yellow disk of the common daisy is closely ex- amined, it will be found to be composed of about DAISY. 45 one hundred and fifty little florets, those in the centre being of a tubular shape and containing the anthers, whilst those near the margin are ligulate or of a flat shape, and to each of them is attached a stigma. The use of the petals which form a ray round these little yellow florets is to secure them, from the effects of inclement weather, until the pollen of the anthers is discharged on the stigmas so as to prepare seed for future plants ; and when this part of the economy of Nature is performed, the ray of the daisy remains expanded, and does not Shut when Titan goes to bed, l)ii t remains open until the petals decay. The single daisy, which was seized in the mea- dows and brought into the garden by Vertumnus, being placed out of its natural situation, has taken new habits, which prevent its propagating itself by seed, as the effect of transplanting and cultivation in richer soils has been that of transforming the yellow florets into petals, until the flower has be- come so completely doubled as to lose all appear- ance of the disk ; but, like the Double Hepatica, it is easily propagated by parting the roots almost at any season of the year, though the most favour- able time is from the middle of September to the middle of October, as they will then flower stronger in the spring than those plants which are divided in February. It is recommended to divide the 46 FLORA HISTORICA. roots every year, and transplant them, to prevent their degenerating, or rather returning, to their natural state. We have never observed this cir- cumstance take place, but have frequently known the plants decay altogether if left undisturbed for three or four years. The Double Daisy thrives best in a moist loam, that has no mixture of dung ; and the plants should have the advantage of the morning sun, and a shelter from the mid-day heat, by placing them on the south-east side of shrubs or trees, as in such situations the flowers are not only larger, but continue much longer in blossom than those that are exposed to the full sun. The mode of placing them depends much on the size and nature of the garden. In the gardens of the cot- tagers, the Double Daisy is generally employed as an edging to borders, and we infinitely prefer it to that of box for such situations ; but an edging of any description to the parterre of Flora shows a want of taste in the planter; and if these flowers are placed in patches of twenty or forty plants on a spot, about three inches apart, they give a most delightful effect either in the foreground of the shrubbery or the flower-garden. The varieties should be kept in distinct situations, and their colours so contrived as to be made sub- servient to other flowers, as by planting the red or scarlet variety near clumps of the Snowdrop or DAISY. 47 other white blossoms. The White Daisy in the neighbourhood of Yellow Crocuses or blue flowers, and the striped and variegated kinds, are seen to most advantage when surrounded only by the green foliage of flowers that blossom at a later season. The varieties of the Double Daisy are not confined to its different colours, as some of them, instead of being composed of flat petals, are entirely formed of a mass of fistular florets, or little pipes ; these are distinguished as Quilled Daisies. The most sin- gular variety is the Proliferous Daisy, commonly called the Childing or Hen and Chicken Daisy, because the flower is surrounded by a number of smaller flowers, which are produced from the sides of the principal flower, but out of one and the same calyx. These little secondary Daisies appear like satellites revolving round a nobler star ; and we, therefore, submit the name of Saturnia for this luxuriant variety, in preference to that of Hen and Chicken Daisy. 48 FLORA HISTORICA. PRIMROSE. Primala. Natural Order Prcciee. Lysimachice, Juss. A Genus of the Pentandria Monogynia Class. -And here's the meek And soft-eyed Primrose. HURDIS. Woods and groves are of thy dressing, Hill and dale doth boast thy blessing. Peinte des feux de 1'Orient, Ca Primevere offre, en modele, La coupe qu' Hebe souriant, Presente a la troupe immortelle. THIS delicately-perfumed, and modestly-coloured early blossom is considered the emblem of early youth, and represents the age between child and womanhood. Pale Primroses, That die unmarried, ere they can behold Bright Phoebus in his strength. IVirder's Tale. The generic name of this flower is derived from primus, it being one of the earliest flowers of the spring, and from thence the English name of Prim- rose, the French Primevere, and the Italian Prima- PRIMROSE. 49 vera. The German name Fruhlings blume has a similar signification. As we enumerate twenty distinct species of Primula, we shall notice them under various heads, first confining ourselves to the Primula vulgaris, or common Sulphur-coloured Primrose, which has lent its name to distinguish a delicate pale yellow colour slightly tinted with green. In tracing back the nativity of flowers, we are greatly assisted by the mythological writings of the ancients, for without these records we should have pronounced them all as being the children of Nature ; and the relationship which this favourite flower bears to the gods would have remained unknown, as well as the history of its origin. The Primrose was anciently called Paralisos, after the name of a beautiful youth who was the son of Priapus and Flora, and who died of grief for the loss of his betrothed Melicerta, but was preserved by his parents by being metamorphosed into this flower, which has since divided the favours of the poets with the Violet and the Rose. Clare says O, who can speak his joys when Spring's young morn From wood and pasture opened to his view ; When tender green buds blush upon the thorn, And the first primrose dips its leaves in dew. VOL. I. D FLORA HISTORICA. And while he pluck'd the Primrose in its pride, He pondered o'er its bloom 'tween joy and pain ; And a rude sonnet in its praise he tried, Where nature's simple way the aid of art supplied. I did the same in April time, And spoilt the Daisy's earliest prime ; Robb'd each Primrose-root I met, And ofttimes got the root to set ; And joyful home each nosegay bore, And felt as I shall feel no more. Village Minstrel. To crop the Primrose of the plains ! Does she not sweets in each fair valley find, Lost to the sons of pow'r, unknown to half mankind ! SHENSTOKE. Sur le gazon la tendre Primevere S'ouvre et jaunit, des le premier beau jour. And lanes in which the Primrose ere her time Peeps through the moss that clothes the hawthorn root, Deceive no student. Wisdom there and truth, Not shy, as in the world, and to be won By slow solicitation, sei ze at once The roving thought, and fix it on themselves. CowPEft. As some wayfaring man passing a wood Goes jogging on, and in his minde nought hath, But how the Primrose finely strow the path. W. BROWNE. There are some flowers that contribute to dispose us to a pensive or melancholy strain wherever we meet with them ; whilst others seem " equally to exhilarate the spirits and enliven the ideas. The colour and character of the flower may, in some degree, assist to make this impression ; but it must PRIMROSE. 51 principally be attributed to the remarks of the poets, as Bring the rathe Primrose that forsaken dies. Lycidas. Sweet as the Primrose peeps beneath the thorn. She is the rose, the glory of the day, And mine the Primrose in the lowly shade : Mine, oh ! not mine ; amisse I mine did say : Not mine, but his, which mine awhile her made ; Mine to be his, with him to be for aye. O that so fair a flowre so soon should fade, And through untimely tempest fall away ! She fell away in her first age's spring, Whilst yet her leafe was greene, and fresh her rinde, And whilst her branch fair blossomes foorth did bring, For age to dye is right, but youth is wrong ; She fell away like fruit blown with winde, Weep, Shepheard ! weep, to make my undersong. SPENSER. Shakspeare makes it a funeral flower for youth With fairest flowers, Whilst summer lasts, and I live here, Fidele, I'll sweeten thy sad grave : Thou shalt not lack The flower that's like thy face, pale Primrose. Cymleline. Although every lover of Nature hails with plea- sure the first appearance of the pale Primrose, seated on the hazel bank, surrounded by its puck- ered leaves, yet it fails to give those joyous sensa- tions which arise at the first sight of the meadow " S a J w i tn S au( ty Cowslips drest." The latter flower as forcibly brings to mind the frolics of our D 2 52 FLORA HISTORICA. childhood, as the former reminds us of past friends and rural walks ; for the soft tints of the Primrose, like the mild beams of the moon, seem to invite us on to moral reflections and quiet contemplation. The Primrose is a native of most parts of Eu- rope, always seeking the partial shade of hedge- rows, the banks of sheltered lanes, and the borders of woods or coppices, and is but seldom found spangling the open meadow like its relative the Cowslip. From this we should learn to place it on the banks of our wilderness walks, and to scatter it thickly beneath the trees of the shrubbery. It will grow in almost any soil, but thrives most on a clayey bank. When transplanted in the Spring, it receives a check to its flowering, which often causes it to blossom freely in the autumn. The variety of the common Primrose, with double flowers of a lilac colour, forms a most agreeable contrast with the pale Primrose of the woods. The common Sulphur-coloured Primrose fre- quently changes its colour into a pale dingy red by cultivation ; and we have sometimes met with it growing naturally of this colour, occasioned by some accidental circumstance analogous to culti- vation, as either by the seed falling on strong manure, or rich earth being scattered over the plant. PRIMROSE. 53 The medicinal properties of the Primrose being the same as that of the Cowslip, but of a weaker quality, we shall notice them under the head of the latter plant, and proceed to that beautiful and varied kind of Primrose so much esteemed in the gardens of florists under the name of POLYANTHOS. Polyantlios of unnumber'd dyes. THOMSON. THIS beautiful variety of Primula derives its name from the Greek words iroKvs, many or much, and av0or, a flower, as the Polyanthos, like the Auricula, produces an umbel of many flowers on one common scape or stem, and on this account we consider it to be rather a variety of the Primula elatior, Oxlip, than that of the common Primrose, although Linnaeus asserts that the peduncles in the common Primrose spring from a scape, which being so short is concealed among the leaves. Amongst a number of wild Primroses that were planted in Dr. Buxton's garden, at Maize Hill, near Greenwich, some of them produced flowers with a scape, and were thus transformed into Polyanthoses, retaining the colour of the Field Primrose. The author has been a frequent planter of this 34 FLORA HISTORICA. flower, but never observed this change, although the change of colour from the common sulphur to a red tint was frequent. It is probable that the Polyanthos may have sprung from both the Prim- rose and the Oxlip. Experience proves it to be a permanent variety ; for however nature sports with its tints, we have not known it return to either the common Primrose or the Oxlip. The Polyanthos, which has been so much im- proved by cultivation during the last century, may justly dispute the prize of beauty with any Euro- pean flower, when we take into account the variety and richness of its colouring, the grace and elegance of its form, its mild and agreeable odour that has never been known to offend : its easy propagation, hardy nature, and early time of flowering, make it a welcome inmate in every flower-garden, and in no part of the world is it so successfully cultivated as in England, particularly by the zealous florists of Lancashire and Cheshire, who have, in the in- stance of this flower, left the Dutch bloemist con- siderably in the background; The neighbourhood of Manchester and Macclesfield is justly celebrated for producing the finest specimens of this flower, and in these manufacturing districts the criterion of a fine Polyanthos is ascertained with as narrow a scrutiny as the sportsman regards his pointer or setter dog. PRIMROSE. 55 The stem of a perfect flower must be strong, erect, and elastic, and of sufficient height to sup- port the umbel or bunch of flowers above the puck- ered foliage of the plant. The footstalks of each separate flower should also be strong and elastic, and of a length proportioned to the size and quan- tity of the pipes ; which should not be less than seven in number, that the bunch may be round, close, and compact. Maddox says, " the tube of the corolla above the calyx should be short, well filled with the anthers or summits of the stamens, and terminate fluted, rather above the eye. The eye should be round, of a bright clear yellow, and distinct from the ground colour ; the proportions of a fine flower are, that the diameter of the tube be one part, the eye three, and the whole pip six, or nearly so. The ground colour is most admired when shaded with a light and dark rich crimson, resembling velvet, with one mark or stripe in the centre of each division of the limb, bold and dis- tinct, from the edging down to the eye, where it should terminate in a fine point. The pips should be large, quite flat, and as round as may be con- sistent with their peculiar beautiful figure, which is circular, excepting those small indentures between each division of the limb, which divide it into five heart-like segments. The edging should resemble a bright gold hue, bold, clear, and distinct, and so 56 FLORA HISTORICA. nearly of the same colour with the eye and stripes as scarcely to be distinguished ; in short, the Polyan- thos should possess a graceful elegance of form, a richness of colouring, and symmetry of parts, not to be found united in any other flower." A connoisseur in Polyanthoses scarce deigns a look of approbation on a pin-eyed flower, however brilliant its corolla. We think this distinction too refined, having frequently met with these outcasts of the garden that ought to have filled conspicuous situations from the gaiety of their colours. The difference of the Rose and the pin-eyed flower con- sists in the anthers of the former being fixed near the top of the tube, and the pistil being shorter than the tube, is therefore not seen ; whereas in the pin-eyed, the pistil is so long as to reach the top of the tube, and the anthers are attached to the mid- dle of the pipe, which swells out where the anthers are fixed. Polyanthoses are increased by dividing the roots, or by slips, which should be taken off in the autumn. Indeed at this season all the roots should be taken up, divided, and planted into fresh earth ; for, if suffered to remain over one or two years, they will degenerate and lose the greater part of their beauty. These favourite flowers of the Spring should be planted about six inches apart, and if about ten or twelve plants, all of the same variety, be placed in PRIMROSE. 57 each clump, the effect will be more agreeable than when they are either planted singly or in regular beds. The Polyanthos, from its hardy nature, will grow in almost any soil or situation ; but to in- crease the size of the flowers, which forms one of the great beauties of the plant, care should be taken to give them such a mixture of earth as is most adapted to force them. Mr. Hogg, who has grown these flowers in great perfection, says the Polyanthos requires a much greater portion of sandy loam than the Auricula, a very small quan- tity of rotten dung, and a little leaf mould, peat or heath-earth mixed with the loam. Justice recom- mends the following proportions : four parts of fine hazelly loam from a pasture, three parts of well- rotted cow-dung or two of leaves that have turned to mould, and one part of fine white sand, well mixed together. Maddock and Emmerton recommend the same compost for the Polyanthos as will be noticed under the Auricula, but with more loam. We recommend a border or situation in the gar- den for the Polyanthos that is shaded by shrubs from the afternoon sun : there let holes be dug about five inches deep, and of the size intended for the clumps, which should be filled up with the compost, and watered well the day before the roots are planted, so that it may not sink below 58 FLORA. HISTORICA. the level of the borders after the plants are put into the earth. It is observed that plants which are raised from seed, flower much better than those taken from old roots , therefore it is desirable to save the seeds annually from the finest plants and as it will be observed that some of the capsules ripen the seed much earlier than others, it is advisable to cut those off and preserve the seed in the capsule, in a shallow drawer, placed in a dry and sunny situation, until the whole is ripe, which is usually found to be about the end of June. This seed should be sown under a wall or hedge, in a north aspect, taking care not to cover it too deep with earth, and the young plants may be transplanted about the same time in the following year, giving them gentle wa- terings in dry seasons. Some florists prefer keep- ing the seed out of the ground until December, and then sowing it in boxes, which are placed in situa- tions to receive the morning sun only, and particu- larly when the young plants appear, as one whole day's sun would entirely destroy them. Snails and slugs commit great depredations on the Polyanthos plants during the spring months; they should therefore be carefully examined early in the morning, at the time these depredators make havock. But a more dangerous enemy often attacks this plant during the summer months, and from its PRIMROSE. 59 minuteness often destroys a whole plantation before the cause is ascertained. This is the little red spider Icarus, which forms its web on the under side of the leaves, where it multiplies with such rapidity as soon to devour and poison the whole plant, although the insect itself is scarcely visible without a magnifying glass. The first effect of its attack is observed by the leaves becoming yellow and spotted. When this is observed, the plants af- fected should be taken up, and soaked for two or three hours in a strong infusion of tobacco-water, and then replanted in a fresh soil, or compost, but by no means in the same situation, as there would be danger of there being many of these little spiders left on the ground, which would immediately return to the plants. Maddock observes that " the red spider seldom attacks such plants as are in a state of vigour, or when the weather is cold and wet ; it generally commences its depredations in the early part of summer, and continues them as long as the heat and dryness of the weather favour its existence : the juices also of the plants being then more viscous and saccharine, afford it more suitable nourishment than at any other season. 1 ' 60 FLORA HISTORICA. VIOLET. Viola odorata. Natural Order Campanacete. Cisti et Violeff, Juss. A : Genus of the Pentandria Monogynia Class. . Now gentle gales, Fanning their odoriferous wings, dispense Native perfumes, and whisper whence they stole These balmy spoils. MILTOX. Let the beauteous Violet Be planted, which, with purple and with gold Richly adorned, And that which creeps pale-coloured on the ground. COLUSIELLA. THE Violet that so beautifully embroiders the banks of our hedge-rows, and so sweetly perfumes the morning air of the Spring, is scarcely less a favour- ite than the Rose, which has, by universal consent j been made the emblem of Beauty, leaving the no less admirable quality of Modesty to be represented by the Violet, which is thus made to speak by the pen of Desmartes, in the garland of Julia de Ram- bouillet Tranche d'ambition, je me cache sous 1'herbe, Modeste en ma couleur, modeste en mon sejour ; Mais si sur votre front je puis me voir un jour, La plus humble des fleurs sera la plus superbe. VIOLET. 61 M. Boisjolin also notices this flower as the emblem of modesty L'obscure Violette, amante des gazons, Aux pleurs de leur rose entremelant ses dons, Semble vouloir cacher, sous leurs voiles propices, D'un prodigue parfum les discretes delices : C'est 1'embleme d'un co3ur qui repand en secret Sur le malheur timide un modeste bienfait. The Violet seems too humble a flower to have found a place in displays of Heraldry, yet it has been ingeniously given as a device to an amiable and witty lady, of a timid and reserved character, surrounded with the motto, II faut me chercher, " I must be sought after.'' The White Violet is also made the emblem of Innocence; and by some lines of a sonnet of the sixteenth century, the Violet appears to have been considered an emblem of faithfulness Violet is for faithfulnesse, Which in me shall abide ; Hoping likewise that from your heart You will not let it slide. The poets have coupled the most agreeable ideas with the fragrant flower. Milton makes Echo dwell amongst Violets Sweet Echo, sweetest nymph, that liv'st unseen By slow Meander's margent green, And in the Violet-embroider' d vale. 62 FLORA. HISTORICA. Shakspeare compares the soft strains of plaintive music to the perfume of Violets That strain again ; it had a dying fall : O, it came o'er my ear like the sweet south, That breathes upon a bank of Violets, Stealing, and giving odour. Twelfth Night. In the soliloquy which the same bard gives us through Belisarius, in Cymbeline, he is scarce less happy O, thou goddess, Thou divine Nature, how thyself thou blazon' st In these two princely boys ! They are as gentle As zephyrs, blowing below the Violet, Not wagging his sweet head. That the Violet was a favourite with Shakspeare is most evident, by the beautiful simile he makes Perdita deliver in the Winter's Tale Violets dim, But sweeter than the lids of Juno's eyes, Or Cytherea's breath. Mr. Barry Cornwall places the Violet even before the Rose, and we agree with him, in a moral point of view, that modesty is more desirable than beauty, but as florists we must always acknowledge the Rose as the Queen of flowers. Of the Violet, he VfOLET. 63 It has a scent as though Love, for its dower, Had on it all his odorous arrows tost ; For though the Rose has more perfuming power, The Violet (haply 'cause 'tis almost lost, And takes us so much trouble to discover) Stands first with most, but always with a lover. This poet, like most of his competitors, dwells upon the Blue Violet, overlooking the innocent and sweet flower altogether. And Violets, a blue profusion, sprung, Haunting the air. And Violets, whose looks are like the skies. Or when the blue-eyed Violet weeps upon Some sloping bank *. Virgil tells us The daughters of the flood have searched the mead. For Violets pale. This flower was in such high estimation with the ancients, that one of the prizes of the Floral games consisted of a Golden Violet, and we are told in their fables, that la, the daughter of Atlas, fleeing into the woods from the pursuit of Apollo, was, through the power of Diana, changed into a Violet, which still retains the bashful timidity of the nymph, by partially concealing itself from the gaze of Phoebus in its foliage. . The trembling Violet, which eyes The sun but once, and unrepining dies. H. SMITH. * The eye of the Violet is of an orange colour. 64 FLORA HISTORICA. Mythologists also tell us, that Proserpine was gathering Violets as well as Narcissuses when she was seized by Pluto. "lov, the Greek name for this flower, is said to have been given it because lo fed on Violets, when she was transformed by Jupiter into a heifer : others tell us that it was so called after some nymphs of Ionia, who first presented these flowers to the Fa- ther of the Gods. That the ancients were acquainted with ana- grams, we learn by Lycophron, who lived in the time of Ptolemy Philadelphus, about 280 years before Christ. This Greek grammarian found, in the name of Ptolemy, the Greek word for honey ; and in that of the Queen Arsinoe, Violet of Juno. It is through ancient anecdotes The piercing eye explores The manners and the pomp of ancient days, Whence culls the pensive bard his pictured stores : Nor rough, nor barren, are the winding ways Of hoar antiquity, hut strewed with flowers. T. WARTON. The sweet Violet, Viola odorata, when growing naturally, is found on banks where the soil is light, and where it has partial shade. It seems to love a mixture of chalk in the earth, as we have observed that it propagates itself most rapidly in such situa- tions, both by its runners, in the manner of straw- berries, and also by seed. VIOLET. 65 % In the spring of 1823, we found the banks be- tween Preston and Clayton, near Brighton, covered with Violets, principally white. The soil was a kind of chalky loam, and on some of the banks we found a considerable quantity of Sweet Violets, of a murrey or pale mulberry colour, and others of a dingy flesh colour, not unlike the tint of common blotting paper. Near these we uniformly discovered patches of White Violets on one side, and the purple variety on the other, which evinced the change to be principally owing to the accidental mixture of the farina of the two varieties, as we ob- served some of the White Violets had the edges of their petals tinged with purple, and the spur of the greater part were tinged with that colour with a reddish cast. We are inclined to think that the soil in some degree assisted in contributing to this unusual colour of the Sweet Violet, as on the same day we found on a grass-plot, near a very large yew tree, in the Rectory garden at Clayton, where the soil is a mixture of cold clay and chalk, Violets growing spontaneously, of a rich red plum colour, and as odorous as the White or Purple Violets. In dissecting the blossom of the Sweet Violet, the students of phytography will have clearly demon- strated to them the utility of the nectary to the parts of fructification. What is termed the spur 66 FLORA. HISTORICA. calcar of the Violet, wherein the honey is secreted, is a little bag formed by the lower petals, and this is distinguished from other nectaries by the appel- lation of nectarotheca. In carefully taking off the petals of the Violet, and splitting open the nectary with a pointed penknife^ it will be seen that the two lower anthers have a tongue or tube attached to them, which descends into the spur, evidently to draw up the nectareous juice for the invigoration of the anthers, or to assist in the decomposition of the farina. Nature has guarded the nectary of the Violet in a manner that must excite our warmest admiration, and which at the same time must strengthen the opinion, that this saccharine juice is of the most vital importance to the sexual parts of plants, as it is always attached to the flower under some shape or other, and more or less exposed to the intrusion of those insects which subsist on the honey of plants. As the Violet blossoms in a sea- son when there are but few plants in flower, Nature seems to have taken a double precaution to secure the entrance of the spur against intrusion. For this purpose the two side-petals are furnished with a kind of beard, which keeps out the smallest insect, at the same time it admits air, which appears to be necessary in the formation of the nectar or honey. The entrance of the spur is grooved on the under side, but this channel is occupied by the VIOLET. G7 stigma, which bends its hook into the groove, as if to partake of the effluvia of the nectar. The stigma of the Sweet Violet, when attached to the seed-vessel, is not unlike the Ostrich in shape, but when the corolla and the calyx are carefully removed, leaving only the parts of fructification, attached to the receptacle, a most beautiful miniature bird is represented; the stigma formed the head and beak, the anthers make a golden breast, whilst their tongues appear like a pair of green wings. It was the Violet which induced John Bertram, a quaker of Pennsylvania, to study plants. He had employed his time in agricultural pursuits without a knowledge of botany, but being in the field one day he gathered a Violet, examined its formation, and reflected upon it until he became so pre- possessed with the flower that he dreamed of it. This circumstance inspired him with a desire of becoming acquainted with plants; he therefore learned for that purpose as much Latin as was ne- cessary, and soon became the most learned Botanist of the new world. The Violet is the precursor of floral odours, which so successively follow each other after the departure of their sweet harbinger, as to lessen our regret for the loss of its fragrant blossoms. Both the White and the Purple Violet have had their flowers doubled by the art of cultivators, and they 68 FLORA HISTORICA. have been found wild, with this departure from nature. Double Violets are easily increased by parting the roots in the autumn, and as it is so uni- versal a favourite, no flower-garden should be with- out it, nor should any gardener omit to pot it for the use of the saloon. In Paris, notwithstanding the arbitrary regulations of Fashion, which reaches even to the sale of flowers, the Violet constantly holds its rank as a favourite, on which account the French florists check the early flowering of some of their plants, so as to secure blossoms in the height of summer, and we have frequently met with them at the celebrated MarcJie mix Fleurs in the months of August and September ; nor are les dames de la Halle, nor the admired Vendeuses de fleurs at Rouen, without a supply of Double Violets at that season of the year. Between her breasts, that never yet felt trouble, A bunch of Violets, full blown, and double, Serenely sleeps. KEATS. To wear Violets, in Paris, denotes the person to belong to the Liberal party. It is related of Mademoiselle Clairon, a cele- brated French actress, that being passionately fond of Violets, a friend cultivated them so as to give her a nosegay of these flowers every morning dur- ing their season. This fragrant offering lasted thirty years, and to lose nothing of a gift which DOG'S VIOLET. 69 friendship and constancy rendered so precious to her who received it, she stripped off the flower petals every evening, and took them in an infusion like tea. The growth of the Sweet Violet is not confined to Europe, it perfumes the palm groves in Barbary during winter, it flourishes in Palestine, and both Japan and China boast of this fragrant flower. Hasselquist tells us that it is one of the plants most esteemed in Syria, and particularly on account of its great use in making violet sugar, of which they make Sorbet. Tavernier says that the most esteemed sherbet of the Turks, and which is drunk by the Grand Seignior himself, is made of sugar and violets. DOG'S VIOLET. Viola canina. THE Violet without perfume has been named Dog's Violet, Viola canina, to express a degree of inferiority to that of the odorous kind. This species of Violets seems an intermediate kind be- tween the odorata and the tricolor Pansy, to which it nearly approaches in many of its characters. The Dog's Violet grows in more open and exposed situations than the Sweet Violet, often covering large spaces on heaths and downs with its fine blue 70 FLOHA HISTORICA. flowers, the petals of which are strongly marked with lines like those of the Pansy or Hearts-ease. On hilly, dry situations, the corolla of the Dog's Violet is considerably smaller than that of the odorous Purple Violet ; but in moist and sheltered situations, the flower is considerably larger than those of the sweet kind, and as it blossoms later than the odorous Violet, its time of flowering is of longer duration, and its colour a fine azure. It is on the whole one of the most ornamental of our creeping plants, yet it is seldom to be seen in the flower-garden, and is perhaps better adapted for the shrubbery or wilderness walks, as there the . garden painted o'er With Nature's hand, not Art's, should pleasure yield. C OWLET. This species of Violet, like that of the sweet kind, produces seed during the summer months without any expanded corolla. As it has been observed by Lord Bacon that sweet odours contribute to health, by refreshing the spirits and causing cheerfulness, we shall notice how the Sweet Violets will retain their fragrance the longest after being gathered for the saloon. Saucers should be filled with sea sand, or common sand mixed with salt and water. In this holes should be made with the back of a pen, and the fitalks of the Violets being first fresh cut at the DOG'S VIOLET. 71 -end, place two or three in each hole, so as to cover the sand entirely, keeping the flowers about half an inch above the sand, which should be pressed tight to the stalks. In this manner they may be preserved fresh for several days, and yield their delightful fragrance for the enjoyment of those who are not able to seek them in the fields, where Blows not a blossom on the breast of Spring, Breathes not a gale along the bending mead, Trills not a songster of the soaring wing, But fragrance, health, and melody succeed. LANGHORNE. The Sweet Violet was held in considerable esti- mation by the ancients for its medicinal properties ; and the petals of this flower are still used in medi- cine, principally as a cooling, emollient, and gentle cathartic. For this purpose they are made into a syrup by the following simple process : to one pound of fresh-gathered Sweet Violets, carefully picked, add two pints and a half of boiling water ; infuse them a whole day in a glass, or glazed china vessel ; then pour off the fluid, and strain it through muslin, avoiding all pressure; after which add dou- ble its weight of the finest sugar, and make it into a syrup, without letting it boil. This, with a small quantity of almond oil, is an excellent laxative medicine for young children, and is esteemed good for irritating coughs and sore 72 FLORA HISTORICA. throats. The seeds of the Violet are said to be strongly diuretic, and useful in gravel complaints. The Sweet Violet is highly valuable in chemistry to detect an acid or an alkali ; and this test is so delicate, that the smallest quantity of free acid or alkali in any mixture is immediately detected by the syrup of Violets, as acids turn the blue colour of it to a red, and alkalies to a green : for this purpose Violets are cultivated in large quantities at Stratford-upon-rAvon. PANSY, oil HEART'S EASE. Viola tricolor. And thou, so rich in gentle names, appealing To hearts that own our nature's common lot ; Thou styled by sportive fancy's better feeling, A Thought^ The Heart's Ease, or Forget me not. Who deck'st alike the peasant's garden plot, And castle's proud parterre ; with humble joy Proclaim afresh, by castle and by cot, Hopes which ought not, like things of time, to cloy, And feelings time itself shall deepen not destroy ! BARTON. Ye valleys low, Throw hither all your quaint enamell'd eyes, That on the green turf suck the honey'd showers And purple all the ground with vernal flowers. and the Pansy freakt with jet ; The glowing Violet. MiLToy. THE tints of this variable flower are scarce less numerous than the names that have been bestowed PANSY. 73 on it. That of Pansy is a corruption of the French name pensee, thought. In Shakspeare's Tragedy of Hamlet, Ophelia says and there are Pansies, that's for thoughts. In the floral language, as adopted by the French, this favourite flower means, " think of me," pensez a moi. The hieroglyphics of the ancient Egyptians abound in floral symbols, and from hence we may surmise that the Greeks became accustomed to this figurative language. Their poetical fables are full of the metamorphoses of their deities into plants ; indeed there was no flower to which their imagina- tions had not affixed some meaning : even to this day a young Arcadian is seldom seen without his turban full of flowers, presented to him by the beauty he admires, by the silent language of which his hopes are kept alive ; and it forms one of the great amusements of the Greek girls to drop these symbols of their esteem, or scorn, upon the various passengers who pass their latticed windows. Shakspeare notices the Heart' s-ease by the name of Love in Idleness, in his celebrated compliment to Queen Elizabeth, which he makes Oberon de- liver in the Midsummer Night's Dream : That very time I saw . . Flying betwixt the cold earth and the moon, VOL. I. E 74 FLORA HISTORICA. Cupid all arm'd : a certain aim he took At a fair vestal, throned by the west, And loosed his love-shaft smartly from his bow, As it would pierce a hundred thousand hearts : But I might see young Cupid's fiery shaft Quench'd in the chaste beams of the wat'ry moon ; And the imperial votaress pass'd on, In maiden meditation, fancy free. Yet mark'd I where the bolt of Cupid fell : It fell upon a little western flower, Before, milk-white, now purple with love's wound, And maidens call it Love-in-idleness. Spenser calls it the rature ; the top of each should be broad and well rounded, the ground colour of the flower at the bottom of the cup should be clear white, or yellow, and the various rich-coloured stripes, which are the principal ornament of a fine Tulip, should be regu- lar, bold, and distinct on the margin, and terminate in fine broken points, elegantly feathered, or pen- cilled. The centre of each leaf or petal should contain one or more bold blotches, or stripes, inter- mixed with small portions of the original, or breeder colour, abruptly broken into many irregular obtuse points. Some florists are of opinion that the cen- tral stripes, or blotches, do not contribute to the beauty and elegance of the Tulip, unless confined to a narrow stripe exactly down the centre, and that it should be perfectly free from any remains of the original, or breeder colour : it is certain that such appear very beautiful and delicate, especially when they have a regular narrow feathering at the edge ; but the greatest connoisseurs in this flower unanimously agree that it denotes superior merit when the Tulip abounds with rich colouring, dis- tributed in a distinct and regular manner throughout the flower, except in the bottom of the cup, which, it cannot be disputed, should be a clear bright white, or yellow, free from stain or tinge, in order to constitute a perfect flower."" H 2 148 FLORA HISTORICA. The Tulip, when raised from seed, differs so materially from the parent plant, that we can never expect to procure the same variety, but by its vivi- parous nature the kinds are propagated with all the character of the old bulb. Thus, whilst it runs into a thousand varieties by its oviparous powers, it remains steady when propagated by offsets. The natural history of the Tulip also differs materially from that of other bulbs, and is therefore worthy of more attention than we generally bestow upon those objects which do not continually present them- selves to the eye. The Tulip has what is termed a solid bulb, and sends its stem from the centre, but it does not possess the power of forming a germ in the old bulb like the coated bulb of the Hyacinth : for the bulb of the Tulip is entirely exhausted by the act of flowering and forming seed, and no part of the old bulb remains, excepting the dry outer husk, or coat; but the stem is attached to the stool of the bulb, to which is also fixed an entire new bulb, that contains the germ which holds the flower for the succeeding year. If this bulb be carefully dissected in the winter, the flower, which was destined to charm the admiring eye in the fol- lowing spring, will be perfectly seen in miniature. 'The offsets are weaker and smaller bulbs, that re- quire from two to four years before they produce flowers : these should be separated from the large TULIP. 149 bulb when taken out of the ground, but the small bulb that is formed under the husky coat, and which is the one that succeeds the flowering bulb> should not be removed or injured. The young physiologist cannot have a better example given him of the harmony and unity of the various parts of a plant in its process towards performing its destined duties to nature, which are to propagate its species, than the Tulip presents ; for the most indifferent observer must be struck with the wonderful security with which the parts of fructification are guarded from the night-air and tempestuous weather by the petals, which form themselves into the shape of an egg ; and so closely are they shut, that neither damp air nor wind can enter, to retard the formation of the pollen, for sooner shall the wind snap the stem than separate the petals, although they regularly open to admit the rays of the sun to mature the parts which are necessary to the formation of the seed. In cold and uncongenial seasons, the petals retain their concave shape, and act as so many reflectors to assist the ripening of the pollen ; whilst in dry and hot seasons the petals curl backwards, so as to throw off the too powerful rays of the sun, but continue to close towards sunset, until the impregnation of the stigma has taken place, after which the petals decay and fall off, leaving the capsule to benefit by all the 150 FLORA HISTORICA. nourishment the stem affords, and to enjoy the light and air uninterrupted. Florists who are careful of their choice Tulips, erect frames with awnings over their beds, as by this means they are sheltered from tempestuous weather, and also from the too great heat of the mid-day ; by this precaution, the ripening of the pollen is retarded, and consequently the corolla retains its beauty for a greater length of time, ex- cessive heat frequently causing the colours to run and intermix, so as to destroy the elegance and beauty of the flower. The Dutch florists treat their Tulips in a similar manner to what has already been observed of the Hyacinth, respecting the mode of planting and the nature of the soil, excepting that the Tulip is placed in the more tenacious soil of the two. Hogg recommends a fresh, rich, loamy soil, of rather a sandy nature, which should be dug at least twelve months before it is used, and to which a small portion of well-rotted dung should be added. He tells us, that an intelligent old Tulip- grower assured him that the best compost he had ever mixed for these bulbs t( was three-fourths rich yellow loam ; one-fourth leaf-mould ; one-sixth two years' old horse-dung; and one-eighth sea-sand, well incorporated, and laid in a bed or stratum for the plants, two feet deep." TULIP. 151 We have a decided objection to Tulip beds in pleasure gardens ; first, on account of the formality which long or square beds give to the general scene ; and next that these beds become blanks for the remainder of the year, which destroys the effect of other plants. Tulips, that are not of the first rate varieties, may be made to add greatly to the gaiety and beauty of the garden when they are judiciously planted in clumps of from six to eighteen in a spot. Situations that are sheltered from the winds should be chosen, as also where a partial shade is afforded from the afternoon sun. By this manner of plant- ing bulbous flowers, the patches of ground required are not larger than will be found necessary between the clumps of later flowering-plants, whose branches will occupy so much of the spot made vacant by the loss of the Tulip, as to be unperceived in the later season of the year. The Tulip bulbs should be so allotted to the grounds, as to embellish those spots that are most deficient in flowers at the season of their blooming, which is confined to the months of May and June, excepting the dwarf early-blow- ing Tulips, suaveolens, which usually flower in April. The proper time for committing these bulbs to the ground, is from the end of October to about the middle of November, but not later ; and a circu- lar spot of from two to three feet in diameter will 152 FLORA HISTORICA. be sufficient to plant about eighteen bulbs. Having prepared the spots, lay little patches of sand where each bulb is to be placed ; then gently cover them with sand, or a very light sandy soil, forming little pyramids over each bulb : after this lay the com- post gently over the clump, so as to cover the bulbs about three inches in depth ; and the spot should be rather higher than the general surface of the border, so that superfluous water may run off by the convex shape of the clump. The brown coat of the bulb should be carefully taken off when it is placed in the ground, but the root must not be injured in performing this operation. The time for taking up the bulbs will be shown by the decay of the stem and the leaves : they should then be placed in a dry, airy, shaded situa- tion, until the season for planting : their outer skins must by no means be disturbed until the moment they are to be covered with earth. The dwarf early-flowering Tulip is the kind used for forcing in pots, and these prosper better in earth than when placed on water, although the latter mode is frequently adopted, but the bulbs uniformly perish after having flowered in water. LILY OF THE VALLEY. 153 LILY OF THE VALLEY. Convallaria Majalis. Natural Order Sarmentaceee. Asparagi, Juss. A Genus of the Hexandria Monogynia Class. Sweet flower o' the valley, wi' blossoms of snow, And green leaves that turn the cauld blast frae their stems ^ Bright emblem o' innocence, thy beauties I lo'e, Aboon the king's coronet circled wi' gems ! There's nae tinsel ahint thee, to make thee mair bright,. Sweet Lily ! thy loveliness a' is thine ain, And thy bonny bells, danglin' sae pure and sae light, Proclaim thee the fairest o' Flora's bright train. J. I>. S. THE flowery month of May produces no plant of more exquisite fragrance, or more delicate form, than the Lily of the Valley. In floral language is is made to represent a Return of Happiness, because it announces by its elegance and its odour the happy season of the year. The graceful manner in which these perfumed bells are suspended on the stem, and the agreeable contrast which their broad leaves of bright green afford to the snowy corollas, could not escape the notice of our poets. Bernard Barton thus speaks of this flower : H 5 .154 FLORA HISTORICA. and sweetest to the vie? The Lily of the vale, whose virgin flower Trembles at every breeze beneath its leafy bower. Mr. Leigh Hunt calls them the nice-leaved lesser Lilies, Shading, like detected light, Their little green-tipt lamps of white. Keats says No flower amid the garden fairer grows Than the sweet Lily of the lowly vale, The queen of flowers. Hurdis moralizes on this flower that flourishes so well in the shade, where gayer plants would not exist : to the curious eve A little monitor presents her page Of choice instruction, with her snowy bells, The Lily of the Vale. She nor aifects The public walk, nor gaze of mid-day sun : She to no state or dignity aspires, But silent and alone puts on her suit, And sheds her lasting perfume, but for which We had not known there was a thing so sweet Hid in the gloomy shade. So when the blast Her sister tribes confounds, and to the earth Stoops their high heads, that vainly were exposed, She feels it not, but nourishes anew, Still shelter'd and secure. And as the storm, That makes the high elm couch, and rends the oak, The humble Lily spares, a thousand blows That shake the lofty monarch on his throne, We lesser folks feel not. Keen are the pains Advancement often brings. To be secure, Be humble ; to be happy, be content. When poets thus sweetly endeavour to reconcile LILY OF THE VALLEY. 155 us to humble stations, their works may be compared to Lilies of the Valley, which give pleasure to all that behold them, and can never be found offensive by any rank or station of men. Prior, after look- ing at this flower, wrote Why does one climate and one soil endue The blushing Poppy with a crimson hue, Yet leave the Lily pale, and tinge the Violet blue. These are reflections which flowers bring to our contemplation, and which must always end in our admiration of the infinite wisdom of the Creator, who formed man with mind, and the Lily with fragrance. Prior adds Take but the humblest Lily of the field ; And if our pride will to our reason yield, It must by sure comparison be shown, That on the regal seat great David's son, Array'd in all his robes and types of pow'r, Shines with less glory than that simple flow'r. This native flower did not fail to catch the atten- tion of our great dramatic bard, whose pen could not touch the humblest plant without portraying its character to the life, and his happiest similes are often taken from flowers. Shipwreck'd upon a kingdom, where no pity ! No friends ! no hope ! no kindred weep for me, Almost no grave allowed me ! like the Lily, That once was mistress of the field, and flourish'd, I'll hang my head and perish. The Lily, for its delicate whiteness, has been as 356 FLORA HISTORICA, frequently used as the pure snow, as a comparison for the complexion of our fair belles Oh ! had the monster seen those lily hands Tremble, like aspen leaves upon a lute, And make the silken strings delight to kiss them, He would not then have touched them for his life. Keats goes still farther, for, in his Endymion, he poetically paints Valley- Lilies, whiter still Than Leda's love. This elegantly modest plant formerly grew in our woods and valleys in great abundance, but the increase in the number of our gardens, and the high state of cultivation of the country in general, have rendered the plant rare in its natural state ; yet it is cherished in the garden by all the admirers of good flowers. Gerard tells us as late as 1597, that it then grew abundantly on Hampstead heath, also on " Bushie heath" now Bushy park, likewise near Lee in Essex, and it has been found in most coun- ties of England, and is indigenous to most parts of Europe from Italy to Lapland : it grows abundantly in the woods of France and Germany. In the latter country it is called Mcyen Blumlen, which is similar to the Low Dutch Mcyen Bloemkins, May- flower,' In French it is named Muyuet and Muguet de Mai, as well as Lis des vallecs. The Italians call it mughetfo, giglio convallio, and giglio delle convalli. In the time of Queen Elizabeth it was ULY OF THE VALLEY. J57 called " Conval Lilly, May Lillies, Lillie of the Vallie, and Liriconfancie." (Gerard., p. 333.) The name of Lily has been very improperly given to this species of Convallaria, as it has not the least affinity with the Lily either in its root, fruit, or flower. We presume that it was called a Lily from the purity of its white corolla, for even, at the present time, notwithstanding we have Orange and Scarlet Lilies, we attach an idea of delicacy to the very name of Lily. As it grows spontaneously in shady valleys, it is natural to call it the Lily of the valley. The name of Convallaria is derived from Convallis, a valley. It was called May Lily from the month in which it flowered. The proper situation for this plant in the garden Is the most rural and rustic part, where it is partially shaded by shrubs and trees ; and it flowers even better in a north aspect than when fully exposed to the noon-day sun. It will grow in almost any earth, but it produces most flowers in a loose sandy soil that is rather poor than otherwise ; for when planted in a rich garden mould the roots spread and multiply rapidly, but the plants give but few flowers, and like most other creeping rooted plants, it seldom produces seed where it can propagate itself so readily by the nature of its roots. From this economy of nature^ an observing gardener will 158 FLORA HISTORICA, be taught to transplant many kinds of his fruit- trees into poorer soil, when the richness of the earth forces the growth of the tree too rapidly to form its fruit. The Lily of the Valley is a desirable creeper for the shady banks of lakes and ornamental streams, and we love to meet its grateful fragrance beneath the pendulous branches of the Babylonian Willow, although Nymphs and shepherds dance no more By sandy Ladon's lilied banks. JMlLTOJT. The autumn is the proper season for placing these perennial fibrous roots in the ground, where they should be covered with about two inches of earth, and not be disturbed oftener than every third or fourth year, as they seldom flower strong or plentifully after being removed. The plants will require no other attention than that of keeping them free from weeds, and thinning the roots about once in three or four years, according to the nature of the soil and the increase of the plants. The Lily of the Valley is one of the flowers that bears forcing in pots, and as but few plants are more agreeable for the house in the months of March and April, this mode of flowering the Con- vallaria Majalis should never be omitted by the florist who has the opportunity of doing it; and LILY OF THE VALLEY. 159 we'strongly recommend the potting of these plants abundantly for the town, which at any reasonable price will never return unsold from the market, for it is w a flower worthy of Paradise, and Whoever a true epicure would be, May there find cheap and virtuous luxury. COWLEY. These plants are so numerous in the woods of Eileriede, in the neighbourhood of Hanover, that the ground in many places is completely covered with them, and the air scented for a considerable distance by their agreeable perfume. These woods are regularly visited on Whit-Monday by numerous parties from Hanover, who go to gather these May-flowers, and the forest on that day is a scene of rural festivity and mirth. Cottages are erected for the sale of coffee, and other refreshments, and neither the pleasures of tobacco nor the twirling waltz are omitted on that occasion. The roads leading to the forest are thronged by persons of all ages, from the earliest dawn to the closing of the day, and few are the houses in the city of Hanover that are not furnished with the Whitsuntide Bouquet of Lilies of the Valley. . And ye whose lowlier pride In sweet seclusion seems to shrink from view, You of the Valley nam'd, no longer hide Your blossoms meet to twine the brow of purest bride. BAK.TOW ]60 FLORA HISTORICA. The flowers of this plant possess not only an agreeable odour, but also a fragrance that^is refresh- ing and highly medicinal against nervous affections and many diseases of the head. The water distilled from these little corollas was formerly in such great repute that it was kept only in vessels of gold and silver, and hence Matthiolus calls it A qua aurea, golden water. It was esteemed as a preventive against all infectious distempers. Miller tells us, in his Bot. Off., that these flowers are of great service in all disorders of the head and nerves, as apoplexy, epilepsy, convulsions, vertigo, &c., &c. Geoffrey directs, for the distillation of the water^ that it should be prepared from the fresh-gathered flowers, whilst wet with the morning dew, in a water-bath, and that the water thus obtained be poured upon fresh flowers and distilled again, and repeated in the same way for several times, until it becomes very fragrant. In a similar manner also the spirit is directed to be made by Ettmuller ; macerating the flowers wet with the dew in good spirit of wine, and drawing off the same spirit by a water-bath from fresh flowers three or four times, by which means a most valuable spirit will be obtained, which he greatly extols in head-aches, nervous affections of all kinds, hysterics, and faint- ings, &c. In Germany it is common to make a wine of the LILY OF THE VALLEY. 161 flowers, by drying them in the summer, and, in the time of vintage, mixing them with grapes when pressed. This wine is prescribed in cephalic dis- orders ; and also as a cordial in the cardiac passions, and lipothymy. The flowers as well as the roots, when dried and pulverized, are a celebrated Ptarmic. Rail. His. Plant. Its errhine properties are held in estima- tion at the present day ; when snuffed up the nos trils it excites a discharge of mucus, and affords great relief in all affections of the head ; and its operation this way is gentle, though it sometimes induces sneezing. Ettmuller, a celebrated physi- cian and botanist of Leipsic, who flourished about the end of the seventeenth century, gives the follow- ing exellent formula for a cephalic snuff. " Of the dried flowers of the Lily of the Valley, and of the leaves of majoram, a drachm each, in powder, mix them well together with half a scruple of the essential oil of majoram, and use it as snuff." Of the virtues of the Lily of the Valley, Ettmuller goes so far as to say, Quod spetif.ce, armabit importenfes maritos ad bellum venentm. Dr. James says, " these flowers being analyzed, after a long maceration, yield several acid liquors, a good deal of concreted volatile salt, and a great quantity of oil. Thus we may believe they contain 162 FLORA HISTORICA. a good deal of sal ammoniac and sulphur, alloyed with a little earth." The English gardens now possess several varie- ties of the Lily of the Valley, amongst which is the white with double flowers, the single and double red, and a variety with larger corollas that are variegated with purple. This latter kind is greatly esteemed in Paris, from whence it was first brought to this country ; but as it does not increase so fast as the other varieties, it still remains more rare than we could wish to find it in the country in general. The Convallaria Japonica, Ophiopogon, or SnakeVbeard, was first brought to this country from Japan, in the year 1784, and although its cul- ture is as easy, and its nature as hardy as the indigenous Lily of the Valley, it has not yet become common. It flowers in September of a fine blue colour, and it is esteemed for its fruit, which is partly obscured by its foliage. We have also three other distinct species of Con- vallaria, that are natives of our woods, and which have been named Solomon's Seal, in English, and Sceau de Salomon and Signet de Salomon in French, and Sigillo di Sdlomonem Italian, because on cutting the root transversely, characters appear that have resemblance to a seal. Dioscorides says that the root of this plant pounded and laid on fresh wounds heals and seals them up, and it is on this account LILY OF THE VALLEY. 163 that Gerard considers its name to have originated. It appears to have been a plant of great medical celebrity in the reign of Elizabeth, for a medical author of her day gravely tells us, " The roots of Salomon's Scale, stamped while it is fresh and green e, and applied, taketh away in one night or two at the most, any bruse, blacke or blew spots gotten by fals, or woman's wilfulness, in stumbling vpon their hastie husband's fists, or such like." The same author adds, " Galen saith, that neither herb nor root hereof is to be giuen inwardly ; but note what experience has found out, and of late daies, especially among the vulgar sort of people of Hampshire, which Galen, Dioscorides, or any other that hath written of plants, haue not so much as dreamed of, which is : That if any, of what sexe or age soeuer, that chance to haue any bones broken, in what part of their bodies it be, their refuge is to stampe the rootes heereof, and giue it vnto the patient in ale to drinke, which soldereth and gleweth together the bones in very short space, and very strongely, -yea, although the bones be but slenderly and vnhandsomely wrapt vp. Moreover the said people do giue it in like manner vnto their cattle, if they chance to haue any bones broken, with good successe, which they do also stampe, and apply outwardly in manner of a pultis, as well vnto themselves as their cattle." He continues, (t That 164 FLORA HISTORICA. which might be written of this herbe, as touching the knitting of bones (and that truly), would seeme vnto some incredible, but common experience teach- eth, that in the worlde there is not to be found another herbe compareable to it for the 'purpose aforesaide." (Gerard,} The French Herbalists call it V herbe dela rupture, which insinuates that it was esteemed in that country for the same qualities, but we suspect that modern practice has discovered the in efficacy of the juices of this plant to the extent of the virtues given it by our forefathers, as we hear no more of its use in medicine, at present, than we do of its forming a substitute for bread, which it did in times of scarcity in ancient days. The Turks, who have neglected to improve their country by cultivation, continue to eat the roots of this plant as we eat asparagus. All the different species of these plants are of an elegant and rather singular shape, which entitles them to a situation in the shady parts of our gar- dens, but more particularly so in the grove, and amongst the shrubs of the wilderness walks ; they are of the same easy propagation as the Lily of the Valley. PERIWINKLE. 165 PERIWINKLE. Vinca. Natural Order Contortce. ApocinecR, Juss. A Genus of the Pentandria Monogynia Class. Nor are the plants which England calls her own Few, or unlovely. MASON. There sprange the Violet al newe, And fresh Pervinke, rich of hewe. CHAUCER. THE Father of English Poetry frequently notices this flower by a name that was evidently derived from the French Pervenche, and hence the modern name of Periwinkle is a corruption. There lacked no floure to my dome, Ne not so moche as floure of brome, Ne Violet, ne eke Pervinke, Ne flowre none that men can on thinke. CHAUCER'S Romaunt of the Rose. It [is the Vinca Pervinca of Pliny, from whence the Spanish call it Peruinqua, the Italians Per- vinca, and the French Pervenche, although it has in each country a variety of names given it by the vulgar, as Violette des sorciers, because the French considered it one of the plants which assisted the Sorcerers in their pretended magical operations ; they also call it Pucellage, Virgin Flower. The 166 FLORA HISTO RICA . Italians sometimes give it the name of Centocchio, Hundred Eyes ; but the peasants of Italy generally call it Fior di Morto, Death's Flower, because it is used by them to make garlands for their dead infants. The Greeks, who generally named plants from some character in their natural history, called the Periwinkle KXe/txa-nV Aatpvost^s, Clematis, from its creeping nature, and Daplmoides, from the re- semblance of the leaves to those of the Bay-tree. The Latin name of Vlnca is derived from vinco or vincio, because it subdues other plants by its creep- ing, or binds them by its runners. It is a plant to which our ancestors attributed many medicinal virtues, and attached many ridi- culous superstitions. Ray recommends it to fasten loose teeth, and as a remedy for the tooth-ach ; and most of the old writers extol its virtues as a gargle for a relaxation of the uvula and palate ; and we are assured that a strong decoction of it has been found, when applied externally, very efficacious in restraining profuse bleeding of the nose, or for any kind of haemorrhage. Lord Bacon observes that in his time it was common for people to wear bands of Green Periwinkle tied about the calf of the leg, to prevent the cramp ; and Coles says, in his history of this plant, printed 1657, " I knew a friend of mine, who was very vehemently tormented with the cramp, for a long while, which could be by no PERIWINKLE. 167 means eased, till he had wrapped some of the branches hereof about his legs and other parts that were affected." It was also a celebrated simple for restoring milk to the breasts of nurses, and was re- commended for that purpose by the most learned physicians of early days. Ray, who was so cele- brated as a botanist in the seventeenth century, and to whose memory Dr. Compton, Bishop of London, erected a monument in the churchyard of Black Notley, in Essex, tells us, in his His. Plant., that *' the fresh leaves of the Periwinkle, spread upon coarse and thick brown paper, and well matted and pressed together, then covered with combed flax and afterwards fumigated with frankincense, being, by the advice of an old woman, applied to a stru- mous swelling, discussed it in a short time, after it had been, for a whole year, under the treatment of a learned physician, without effect. The same old woman had, before this, with the same medicine, cured another whose case was reckoned desperate." We may probably be laughed at by modern practitioners for noticing the receipt of an old woman, but we shall give a laugh in return against one of their own body, who gravely tells us in 1681, " That the leaves of the Periwinkle, eaten by man and wife together, cause love between them." (Culpepper.) The admirers of Rousseau still hold this plant 168 FLORA HISTORIC.*. in high veneration ; for in France they have made it emblematical of the pleasures of memory, and of sincere friendship, from the circumstance of this author's saying, in one of his works, that as he was walking to Cbarmettes, accompanied by Madame Varence, she was struck by the appearance of these blue flowers in the hedge, and exclaimed, " Here is the Periwinkle still in blossom." Rousseau then tells us that he did not notice this flower again for near thirty years, but that being at dressier, in the year 1764, with his friend Peyron, as they were climbing a little hill, he found this plant in blossom among the bushes, which carried his recollection back so instantaneously to the time he was walking with Madame Varence, that he inadvertently ex- claimed in a cry of joy, "Ah, there is the Peri- winkle. 1 ' He relates this anecdote as an instance of the vivid recollection he had of every incident which occurred at a particular time of his life, and from hence this flower is made to represent " les doux souvenirs.'" Oh Memory, thou fond deceiver, Still importunate arid vain, To former joys recurring ever, And turning all the past to pain.' Thou, like the world, the opprest oppressing, Thy smiles increase the wretch's woe ; And he who wants each other blessing, In thee must ever find a foe. GOLDSMITH. PERIWINKLE. 169 The inharmonious name of Periwinkle we pre- sume is more the cause of this flower being so generally omitted in poetical writings, than any want of attraction in the flower itself. There is a delightful softness in the blue colour of the Periwinkle, and a quietness in the whole appearance of the flower, that seems to harmonize with the situation in which it flourishes ; for it rather seeks the shady banks of the grove than to meet the meridian sun in society of the gayer plants of the parterre. It is a pretty plant to cover the banks of hedge- rows and shrubbery grounds, and contrasts well, in such situations, with the Primrose, as the dark rich green foliage of the Finca forms as happy a mixture with the pale puckered leaves of the Primula, as the delicate yellow of the corollas of the latter plant do with the sky-blue of the former flower; and, although the opposition of the two colours is great, it is as mild as the effect of the silver stars in the blue atmosphere. They are both plants that should decorate rustic scenes and rural walks, rather than approach the gay parts of the garden ; they should thickly spangle both the wilderness part of the shrubbery and the woodland banks, where Milton says Wisdom's self Oft seeks to sweet retired solitude ; VOL. I. I 170 FLORA HISTORICA. Where, with her best nurse, Contemplation, She plumes her feathers, and lets grow her wings, That in the various bustle of resort Were all too ruffled, and sometimes impaired. Comus. The lesser Periwinkle, Vinca, Minor, is the most proper for the flower borders, and the variety of this species with double flowers is exceedingly orna- mental, as their fine blue colour is so desirable a mixture to the yellows and reds of other plants. There are some varieties of this plant with a white flower, but the most common is the pale blue and bluish purple. There is also a variety with varie- gated foliage. All these plants love rather a moist soil, and a south-east aspect, where they are shel- tered from the afternoon sun . The lesser Periwinkle, with a white flower, was first discovered by Mr. Woolgar, of Lewes, in Sussex, who found it at Chiltington, four miles from Lewes. The trailing stalks of these plants take root very freely, by which means they are easily propagated, as it is a rare circumstance for them to produce seed ; for like many other plants which run much at the root, they seldom produce their follicles. Mr. Curtis and Dr. Smith inform us that they have never seen them, and although we have minutely examined the large beds of them which \\e frequently meet with in the plantations of the PERIWINKLE. 171 Sussex coast, \ve have never found a single seed. Tournefoot says that he never saw any fruit in Provence or Languedoc, where the Periwinkle is very common, nor about Lisbon. Miller procured seeds by cutting off all the lateral shoots, and Cassalpinus obtained the fruit by setting the plant in a pot, with little earth. It would appear that nature wisely checked the formation of the seed of this plant, that propagates itself so rapidly by other means ; for was it as pro- ductive of seed as many other plants, it would soon occupy more space on the earth than seems destined for any one species of plant : yet we have never dissected a flower where the parts of fructification appear to be so admirably adapted to secure them- selves from the inclemency of the weather, or the intrusion of insects, as the parts of the Periwinkle flower. One of the striking beauties of this flower consists in the large pentagonal mouth of the tube, the angles of which point to the centre of the petals, or rather to the centre of each of the five segments of the corolla. To obviate the inconvenience of this large mouth, the tube lessens where the anthers are fixed, and each of the five anthers are termi- nated by a membrane, so shaped, that as they bend over at the top, they form a dome that effectually secludes every thing that might injure either the stigma or the anthers. The style of this flower is I 2 172 FLORA HISTORICA. pf a pale orange colour, bearing two distinct circular plates, the lower one of which is of a full orange colour, and the top one white, which may be compared to a shilling placed on a guinea; the lower one is thought to be the true stigma : on the top of the white plate there is a short green elevation, which is crowned with five white drooping feathery substances, that form a rosette, whose purpose seems to be that of confining down the overhanging parts of the anthers, without entirely excluding the air, which can pass through the feathery nature of this crown. The whole of this flower deserves the most curious investigation ; and when the internal parts are viewed through a micro- scope, we can scarcely do less than exclaim in the words of Delille Each secret spring, each organ let me trace, That mock the proudest arts of human race ; Completest toil ! from endless source that rose, Each worth a world ; for each the Godhead shows. RANUNCULUS. 173 RANUNCULUS. Natural Order MultisiliqucB. -Ranunculacea, Juss. A Genus of the Polyandria Polygynia Class Long worke it were Here to account the endlesse progeny Of all the weeds that hud and blossom there ; But so much as doth need must needs be counted here. SPENSER. THE gaily-coloured Ranunculus, that gives such splendour to our vernal parterres, is a species of Crowfoot, that grows naturally in Persia, and other eastern countries, from whence it has been brought to beautify this island, for The land which warlike Britons now possess, And therein have their mighty empire raysed, In antique times was salvage wilderness, Unpeopled, unmanured, unproved, unpraysed. SPEXSER. The Turks cultivated the Asiatic Ranunculus at Constantinople for several ages before it was gene- rally known in other parts of Europe. In their language it is called Tarobolos Catamarlale, and their account of it is, that a Vizier, named Cara Mustapha, who delighted to contemplate the beau- ties of nature in solitude, first observed, amongst 174 FLORA HISTORICA. the herbage of the fields, this hitherto neglected flower, and wishing to inspire the then reigning Sultan with a taste for plants similar to his own, he decorated the gardens of the seraglio with this new flower, which he soon found had attracted the notice of his sovereign, upon which he caused it to be brought from all parts of the East, where varieties could be found. But enclosed within the inacces- sible walls of the seraglio these flowers remained unseen by the rest of the world, until bribery, which surmounts the loftiest towers, and breaks the strongest bolts, entered the palace of the Sultan, and secured the roots of these highly-cherished plants, which soon afterwards flourished in every court in Europe. We are told (not in the land of Hibernia, but in France) that this fine flower was one of the fruits of the Crusades, and that St. Louis first brought it into that country. This would make its intro- duction into France as early as the middle of the thirteenth century, which was about one hundred years prior to the taking of Constantinople by the Turks. Admitting that Louis IX. brought it from. Palestine into France, there can be no doubt but that the plant was soon lost in that country, from the imperfect state of gardening at that period ; and we should have obtained it from thence instead RANUNCULUS. 175 of sending into the eastern parts of the world for these roots, which it is evident we did in the time of Queen Elizabeth, as Gerard tells us, in his herbal of that reign, that one kind of Ranunculus fi groweth naturally in and about Constantinople, and in Asia, on the further side of the Bosphorus, from whence there hath beene brought plants at diuers times, and by diuers persons, but they haue perished by reason of the long journey, and want of skill of the bringers, that haue suffered them to lie in a boxe, or such like, so long, that when we haue received them, they haue beene as dry as ginger ; notwithstanding, Clusius saith he receiued a plant fresh and greene, the which a domesticall theefe stole foorth of his garden : my lord and mas- ter, the Right Honourable the Lorde Treasurer, had diuers plants sent him from thence, which were drie before they came as aforesaide. The other groweth in Alepo and Tripolis in Syria naturally, from whence we haue received plants for our gardens, where they flourish as in their owne countrey." This unvarnished account fixes the time of the introduction of the Ranunculus into England, and at the same time is a pretty satisfactory assurance that it was not then growing in Paris, as Clusius would not have mentioned the receipt and loss of a single root, had it been common in the gardens of his country. 176 FLORA HISTORICA. The Dutch, who studied floriculture as an art connected with commerce, soon turned the cultiva- tion of the Ranunculus to a profitable account, and they still continue to export these roots in great quantities to every part of Europe, although the English are said to have raised a greater variety of them than any nation, as this flower was held in high estimation here from about the middle to the end of the last century. The varieties of this brilliant but heavy flower are such, that, in 1792, Maddock had upwards of eight hundred sorts ; and the catalogue of Mason's Ranunculuses for 1820 contains about four hundred names. Mad- dock is of opinion that there are more varieties of the Ranunculus than of any other flower ; and he observes that the seed in no instance ever produces two flowers alike, or one similar to the parent plant, so that the diversity of them may be carried to an amazing extent. The finest and most approved sorts are propagated by dividing the tubers, or by offsets from the tubers; for by this means they will retain all their original character for more than twenty years. The Garden Ranunculus was not sufficiently common to have been mentioned by Shakspeare, nor has it been much noticed by later poets. Thomson slightly mentions the African variety, which Miller calls R. Sanguineus. RANUNCULUS. 177 From the soft wing of vernal breezes shed, Anemonies, Auriculas, enrich'd With shining meal o'er all their velvet leaves ; And full Ranunculus, of glowing red. Notwithstanding this is one of the most hardy of the garden Ranunculuses, and makes the most bril- liant appearance by its vivid scarlet colour, it is almost lost in the country, or so little esteemed in comparison with the Persian Ranunculus, that it is seldom cultivated by the epicurean florist. We have sometimes met with this variety in the cottage- gardens which border the sandy commons of Sussex and Surrey, where, meeting with a congenial soil, it seems to linger like an expiring flame. The African Ranunculus differs from the Asiatic by having few but larger leaves, which are of a darker green than those of the latter kind. The stem seldom produces more than one flower, and never exceeds two ; but these are considerably larger than those of Persia, and very double, and a stem is frequently thrown up from the centre of the flower, bearing a second corolla of a smaller size. This is the flower which the French name Renoncule Pivoine and R. Peone. There are several varieties of this kind of Ranunculus, amongst which is one of the colour of the Jonquil, which the French call Seraphique iPAlyer, and another of the hue of the Golden Marigold, with a green heart, which is named Souci Dore, or Merveilleusc : i 5 178 FLORA HISTORTCA. but the variety most esteemed is of a fine red colour, spotted with yellow, called Turban Dore, Golden Turban. As these kinds of Ranunculuses are less susceptible of frost than those of Persia, the roots are generally left in the earth throughout the year; but this is a bad practice, as when the soil or season is wet, they are sure to return to their natural red colour, by which means the most beautiful varieties are frequently lost. The Ranunculus has not what is generally termed either a palmated or tuberous root, but consists of a fasciculus of tubers nearly approaching to the character of the Palmatum. When the plant be- gins to vegetate, there grows out of the part which surrounds the eye many thin white threads, that are of equal dimensions all their length till they have finished their growth ; they then swell out at the part adhering to the trunk, and form one or more claws above the old one, which, after having fur- nished the new ones with the nutritive juices which it contained, or enabled them to procure strength, the old tubers are decomposed, and consequently vegetate but one year, after the manner of many bulbs, or in a similar way to the buds of trees which throw out branches that form other buds, whilst the original is no more. The Ranunculus varies in its colours even more than the Tulip, running from a black down to white RANUNCULUS. 179 through all the shades of reds, yellows, browns ; and, indeed, all colours, excepting blue, may be found in these gaily-painted flowers the criterion of whose perfection is, that they should produce a strong stem, not less in height than from eight inches to a foot, and that they should bear a flower at least two inches in diameter, well filled with con- cave petals, that diminish in size as they approach the centre. The corolla should be of a hemispheri- cal form : its component petals should be imbricated in such a manner as neither to be too close and compact, nor too widely separated, but have rather more of a perpendicular than horizontal direction, to display their colours with better effect. The petals should be broad, and quite free from fringe or indentures at the edges : the beauty of their colouring consists in their being dark, clear, rich, or brilliant; either of one regular colour throughout, or otherwise variously diversified, on white, ash, pale yellow, gold, or fire-coloured ground, either in regular stripes or spots, or marble-mottled. The aspect most congenial to these plants is that of the east, where the situation is open, but free from draughts, and sheltered from the violent westerly winds that generally prevail during the early part of their growth. The soil recommended by Haddock, the greatest cultivator we have had of the Ranunculus, is a fresh, strong, rich, loamy 180 FLORA HISTORICA. earth. Hogg, in his treatise on this plant, advises fresh loam, with a considerable portion of rotten horse or cowdung. The Rev. W. Williamson, whose remarks on this subject are published in the London Horticultural Transactions, uses a stiff clayey loam, with a fourth part of rotten dung. An earth that cakes on the surface is the worst that can be used to cover the tubers ; and where the soil is of that nature, we should recommend a mixture of sand, more particularly as the fibres of the tubers do not depend on the surface-soil for nourishment, but run deep intqothe earth. On this account, in the beds or spots where the clumps of Ranunculuses are to be planted, the earth should be dug out nearly two feet deep, and at the bottom should be placed a stra- tum of six inches of well-rotted dung, such as has been taken from an old cucumber-bed; the hole of the clump or bed should then be filled up level with the surface, with well-pulverized earth that is quite free from dung : on this the tubers should be placed about four inches from each other, with their claws downwards ; and where the earth is of a cold or wet nature, a little sand should be placed beneath each plant, and the whole covered with a fine light soil, as nearly as possible one inch and a half in depth, which may be so much higher than the level of the border where they are planted in clumps. When the season is either too wet or cold to RANUNCULUS. 181 plant them in November, it must be deferred till the middle of January, but not later than the middle of February. The greatest danger these plants are in from being injured by frost is soon after they are committed to the ground, when they have swelled by the moisture which they have im- bibed, and have not actually begun to vegetate. Should severe frosts come on at that period, the spots where they are planted should be covered with loose moss or straw, which, however, should be removed at all favourable times, for covering them too much causes them to turn mouldy, which destroys the plants. When the plants appear above ground, if the earth is not of that fine crumbly nature to fill up the holes caused by the shoot of the plants, it should be compressed with the fingers quite close to the plants, which protects them from cold drying winds : and if a fine light moss be laid over the earth between each plant, it will greatly assist their growth, by keeping the ground moist, and not be offensive to the eye like straw ; and it also breaks the force of hasty showers, as well as that of artificial watering, which it is sometimes advisable to give the plants, when the months of April and May prove dry. About the end of June, or beginning of July, the foliage will be changed and partly decayed. The roots should then be taken out of the earth 182 FLORA HISTORICA. with care, so as not to break off the tubers. The stems should next be cut close off, and their claws well cleansed and separated, before they become dry and brittle. It is recommended, on taking them out of the ground, to put them into a sieve with a fine wire bottom, and then to work the sieve in a tub of water, by which means the earth will be washed from the claws without breaking or loosening the small and new-formed tubers ; but it must be ob- served not to let the water run over the top of the sieve. The tubers should then be placed in a dry, airy, but shaded room, until they are dry enough to be tied up in bags and suspended from the ceil- ing of a dry room. The offsets of the Ranunculus generally attain perfection in the season of their formation on the old plant, but where the offsets are few, and it is desirable to increase the number of a good variety, it may be done by carefully dividing the tubers with a sharp knife ; for, on closely examining the crown of these roots, several small protuberances will be found, from each of which a shoot will arise. When these plants are raised from seed, it should be procured from semi- double flowers, that grow on strong, tall stems, where the petals are of a clear and rich colour. The seed should remain on the plant until it has lost its verdure, and become RANUNCULUS. 183 dry and brown. The heads containing the seeds may then be cut off, and spread upon paper until all humidity is exhaled from them, when they may be preserved in a bag, in any warm, dry place, until the month of January, which is the best time for sowing them. The heads containing the seeds should then be put in a tea-tray, and placed before the fire till they are just warm ; the seeds will then easily scrape off with the assistance of a small knife, but care must be taken to avoid scraping them off in lumps, or suffering any pieces of the stalk or other extraneous matter to be mixed with them, which would create mouldiness when sown. When the seed is scraped in a proper manner, it will have much the appearance of clean, course bran, with a spot in the centre of each cuticle, which is the kernel. " When the seed is thus prepared, it should be sown in a shallow frame provided with sashes ; the soil should have been previously taken out three feet deep, and spread thin upon the ground till it has been perfectly frozen throughout, in order to destroy any vermin it may have contained, more particularly the common earth-worms. " When the pit is filled up again with the frozen lumps of earth, it should remain till the whole mass has thawed, and subsided to its pristine bulk, or nearly so. Its surface should then be made per- 184 FLORA HISTORICA. fectly smooth and even, and the seeds sown upon it with the utmost regularity, in such quantity as nearly to cover it. The glasses should be placed over it immediately, and the frame kept closely covered with them for two or three days, till the seed begins to swell and soften : a little light earth should then be sifted upon it, through a fine sieve, but not suffi- cient to cover it ; this should be repeated once or twice a week, till the greater part of the seed dis- appears. It is proper to remark that those seeds which happen to be covered deeper than the thick- ness of a half-crown piece will never vegetate, and must of course perish." It is necessary to keep the seed moderately moist, by gentle waterings with soft water that has been exposed to the sun ; and it must be given by a watering-pot that has a rose perforated with a great number of very small holes, that the streams may be very fine and regular. About the time that the plants begin to make their appearance, it is proper to stir the surface of the earth with a pin or bodkin, just sufficient to admit air, and give liberty to the young plants to pass easily through. This operation should be very carefully performed, to prevent breaking off" the fibres, or raising or leaving any of the plants out of the earth. When the sun shines very hot, it is necessary to admit some fresh air under the glasses- RANUNCULUS. 185 and shade the frame with mats ; but it should be closely shut up with the glasses at night, and when the air is cold. After the plants are all up, and their two interior leaves appear, more air must be given, and water supplied when the weather renders it necessary ; but fine warm showers of rain are always preferable when they happen in due time. The plants require this regular attention until the foliage is become perfectly dry and brown. The roots are then to be taken up, and the safest way ta do it is to pare off the earth with a trowel to about three inches deep, and put it into a sieve, as before recommended. Those roots that have two or three claws, will blow strong the following summer, if planted as already advised. Neither the Persian nor the African Ranunculus were known to the Romans in the time of Pliny,, who has described four kinds of these plants, with- out noticing the beauty of the flower. The Latins called these species of plants Ranunculus, from Rana, a frog, because they were observed to grow in places frequented by those animals. It was also called Strumea by the Latin herbalists, because it was used as a cure for a complaint similar to the KingVevil, which they termed Strumts. From its caustic and burning qualities, the green leaves were used to draw blisters, and take off marks in the skin, as also for the leprosy. Pliny 186 FLORA HISTORICA. tells us that the root was chewed as a cure for the tooth-ache, but if kept long in the mouth it de- stroyed the teeth. We are not aware that the garden Ranunculus has been used in medicine, and shall not in this place dwell further on the properties of our native species of this family of plants, than to observe that they contain virulent qualities, which affect both men and cattle, particularly sheep ; and that it was with one of the kinds of Ranunculus that the ancients poisoned the points of their arrows. Mons. C. Dubois gives us the following pretty moral verses on the dangerous nature of the Ranunculus of our fields, called Butter-cups. Vois, mon fils, ce bouton charmant Que Zephyr berce de son aile ; Comme il etale, en s'inclinant, L'or dont sa corolle 6tincelle ! Ce joli bouton satine', Qui soarit comme 1'innocence, Recele un sue empoisonn6, Et souvent blesse 1' imprudence. Des pieges d'un monde inconnu Apprends, mon fils, a te defendre ; Tel nous montre un front ingenu, Qui ne cherche qu'a nous surprendre. IRIS. 187 IRIS. Natural Order Ensatee. Irides, Juss. A Genus of the Triandria Monogynia Class. Iris, on saffron wings aray'd with dew Of various colours, through the sun-beams flew. VIRGIL. The various Iris, Juno sends with haste. Then clad in colours of a various dye, Junonian Iris breeds a new supply. OVID. THE ancients named this plant after the attendant of Juno, because its colours are the same as those which the poets and mythological writers have bestowed on the messenger of their goddess. Iris is generally depictured as descending from the rain- bow, and her arch is said not to vary more in its colours than the flower that has been honoured by her name. Columella observes in his tenth book Nor Iris, with her glorious rainbow clothed, So fulgent as the cheerful gardens shine With their bright offspring, when they're in their bloom. Milton distinguishes these flowers as " Iris, all hues." Every quarter of the world possesses the Iris, and, excepting the Rose, no flower has been 188 FLORA HISTORICA. more celebrated by the historian and the poet than this genus of plants, which so greatly embellishes both the land and the waters, and has at various periods contributed so much towards the sustenance, and added to the medicines of man. Bildad, in his remonstrance Avith Job, uses this plant as a simile. " Can the Rush grow up with- out mire ? Can the flag grow without water . ?r> Job viii. 11 ; which was thus versified, in the be- ginning of the seventeenth century, by G. Sandys : Can Bulrushes but by the river grow ? Can Flags there flourish where no waters flow ? The ancients used the Iris or Flag-flower as the symbol of eloquence ; and on this account it was, we presume, placed by the Egyptians on the brow of the Sphinx, as we have seen in the collection of antique statuary at the Louvre, in Paris, where there are three Sphinxes of great magnitude, Nos. 253, 373, and 375, all of which have the Iris flower sculptured on the brow. May not the Egyptians have represented Moses by the Sphinx, and placed the Flag-flower on the temple of this symbolical figure in allusion to the spot from which he was taken, for the daughter of Pharaoh dis- covered him in an ark of bulrushes ' ' laid in the flags by the river's brink? 1 " (Exod. ii. 3.) The History of France informs us that the national escutcheon of that country was strewed IRIS. 189 with an indefinite number of Fleurs-de-lis as early as the time of Clovis the First, about the end of the fifth century, previously to which time the em- blem of France had been either three toads or three diadems in champ d'argent others say three cres- cents, surrounded with a number of bees. About the middle of the twelfth century, Louis the Seventh of France, having been excommuni- cated by the Pope, and his kingdom laid under an interdict, was persuaded to take up the cross and join in the romantic expedition of the Crusaders, on which occasion he distinguished himself, as was the custom of those times, by a particular blazon, for which he chose the Iris flower, from that time called Fleur de Louis, Louis's flower, which was first contracted into fleur de Luce, and afterwards into fleur de Us, Lily flower, although it has no affinity to the Lily. The Iris flower soon became celebrated in France as the Fleur de Us, and was not only used in the arms of France, but employed in the decorative embellishments of the crown itself. The number of fleurs de lis used in emblazoning the arms of France was reduced to three in the reign of Charles the Sixth, about the year 1381, when that monarch added supporters to the shield of France which arose from the following circum- stance. This youthful Prince, whilst hunting in the forest of Senlis, roused an enormous stag, which 190 FLORA HISTORICA. would not suffer himself to be taken by the dogs, but being secured in the toils of the net, a collar of copper, gilt, was found fixed around the neck of the animal, with this Latin inscription, " Hoc mihi Caesar donavit." After this adventure the young king dreamed that he was carried through the air on a winged stag, from which time he added two winged stags for supporters of the arms of France. The north part of the mariner's compass was marked by its immortal author (Flavio Giovia, a native of Amalfi, in Naples) with this beautiful flower, in compliment to France, the Neapolitan monarch being a younger branch of the royal family then (1302) upon the throne of that king- dom. Edward the Third, Whose ripe manhood spread our fame so far, A sage in peace, a demi-god in war : Who, stern in fight, made echoing Cressy ring, And mild in conquest, served his captive king, TlCKELL, added the Fleurs de Luce to the arms of England. Gray calls him Great Edward, with the Lilies on his bro\v, From haughty Gallia torn. Phillips says Behold Third Edward's streamers blazing high On Gallia's hostile ground ! his right withheld, Awakens vengeance : O imprudent Gauls, 191 Relying on false hopes, thus to incense The warlike English ! Great Edward thus avenged, With golden Iris his broad shield emboss'd. The Fleur de Us has frequently been allowed to British subjects in heraldry. Queen Anne granted to Sir Cloudesly Shovel, for his arms, a chevron between two Fleur s de Us, and a crescent in the base, to denote three victories that he had gained two over the French, and one over the Turks. The Fleur de Us no longer occupies a place in the British arms, as, on the union of these king- doms on the 1st of January, 1800, it gave place to the Shamrock, which, being now united to the Rose, the Thistle, and the Harp, we could, in justice to our neighbours, do no less than restore to them the full possession of their ancient heraldic flower, which we hope to see flourishing by the Rose, each amicably striving to display their mas- tery in good qualities, rather than in strife and con- quest. That the Iris should be called by a French name in this country is not surprising, since it was won of them in battle, and worn in the British crown from that time until the coronation of his present Majesty, who has graciously dispensed with it. The Roses that emblazon the arms of England were not more a cause of bloodshed in this country than the Iris has proved to the inhabitants of France 192 FLORA HISTORICA. during the present age. It was proscribed during the Revolution, and hundreds of persons, found wearing it, were condemned to death by the revo- lutionary tribunal, whose revolting act of the 21st of January, 1793, rendered a line of our great bard on this subject so strikingly appropriate as almost to be considered prophetic : Cropp'd are the Flower de Luces in his arms. During this national frenzy, wherever the Fleur de Lis stood conspicuous in sculpture, it was defaced through the fury of the mob, who covered the obli- teration by their silly cap of liberty, which, in its turn, was obscured by the expanding wings of the imperial eagle. Napoleon substituted the bee for the Iris flower, and it would certainly appear a more rational emblem of an industrious nation than their ancient flower ; but both bee and eagle have taken their departure, and the Fleur de Lis is once more left to spangle the royal robes of France. Chaucer seems to confound the Lily with the Iris: His nekke was white as the Flour de Lis. Spenser, who, in most instances, preserved the old spelling with the greatest care, says Bring hither the pinke and purple Cullambine, With Gelliflowres ; Bring Coronations, and sops in wine, AVorue of paramours : IRIS. 193 Strowe mee the grounde with Daffadown-Dillies, And Cowslips, and Kingcups, and loved Lillies : The prettie Pawnee, And the Chevisaunce, Small match with the fayre Flowre Delice. Shep. CaL Dr. Turner says, in 1568, the Iris is called Floure de Lyce. Gerard and Parkinson write it Flower de Luce, which is continued by all who distinguish the Iris from the Lily. When Shaks- peare wrote Lilies of all kinds, The Flower-de-Luce being one, botanical arrangements had not then been suffi- ciently established to settle the natural affinities of plants. Martyn enumerates fifty distinct species of Iris in his edition of Miller, 1807, but Aiton regards but thirty-two species in the Hortus Kewensis. Of many of these species there are varieties, so that few flowers would contribute more to ornament our gardens were their culture as much attended to as their beauty demands. It is also a great recom- mendation to these plants, that, whilst some of the kinds blossom as early as March and April, others succeed them through every month until August and September. The easy propagation and hardy nature of the greater number of these plants renders it unnecessary to dwell upon their culture ; but we cannot leave the Iris of Flora, without strongly re- VOL. i. K 194 FLORA HISTORICA. commending it a more frequent situation in every pleasure-ground than it now occupies. It is a species of flower that our earliest gardeners seem to have cultivated with great delight, on account of its rich and varying colours ; for, whilst it equals the bow of Iris in the softness of the tints of some of its varieties, the petals of others excel in richness the celebrated purple of Tyre, whilst other kinds exhibit a colour so opposite, and of so vivid a dye, as to be made emblematical of flame. As our collectors have brought the Iris from every quarter of the globe, so would we see it flou- rish in every part of our grounds, and even in the waters ; for, Amid its waving swords, in flaming gold The Iris towers. CHARLOTTE SMITH. Where waves the bulrush as the waters glide, And yellow flag-flowers deck the sunny side. SCOTT. It is difficult to imagine an effect more agreeable to the eye than clumps of these yellow flowers re- flected in the blue waters of our winding streams and ornamental lakes. The embellishment of such situations, in general, is too little understood, and less attended to. We would not wish to see the banks of our rivers bearing visible marks of art, but the naked expanse of artificial lakes is unnatural a proportion of aquatic plants is necessary to keep IRIS. 195 up a harmony of colouring, and to soften the abruptness of the change which catches the eye when waters are too suddenly contrasted with the land. Where the waters are of sufficient size to maintain fish and aquatic birds, we should never fail to set aquatic plants, which Nature instructs us to be necessary for their shelter, food, and medicine. In situations where it may be desirable to keep the waters free from plants, there can be no objec- tion to the banks being beautified by the yellow and purple corollas of the Iris, provided they are so judiciously placed as not only to be doubled by reflection, but carry rather the appearance of grow- ing naturally on the spot, than of being placed there by the hand of art. Where the Yellow Iris is allowed to grow on the brink of waters, the purple or blue varieties should be planted on the banks as a contrast, but in no instance in such a manner as to give the idea of a border to the lake, but rather to add irregularity, and break uniformity, by large clusters of these plants ascending the banks. In the most embellished borders of the vernal season the dwarf species of Irises cannot fail to be attractive. The Persian Iris displays, on the same petal, nearly all the tints of " The dome's high arch," and, like it, E 2 196 FLORA HISTORICA. -^ the mingled blaze, Forms a rainbow of alternate rays. POPE. This species of Iris flowers as early as February and March, but it is of too tender a nature for the exposed border, excepting where the soil is naturally sandy, and the situation warm and sheltered : it prospers well, however, when planted in pots filled with sandy loam, or when the bulb is placed on water in the manner of Hyacinths. The fragrance of this plant is such, that a few flowers will perfume a large room ; and on this account, as well as the early season in which its finely-painted corollas open, it is a desirable plant for the house, as the DWARF IRIS, Pumila, is for the open garden, where it endures the in- clemency of our winters without injury, and pro- duces its rich purple flowers in almost any soil and situation, being a native of the open hills of Austria and Hungary. Its diminutive height is its protec- tion against the tempestuous season in which it flowers, which also adapts it as a neighbour to the Primrose, the early Narcissus, and other early- IRIS. 197 flowering plants that benefit by a purple contrast. There are varieties of this Iris with pale blue, and some with straw-coloured and bluish-coloured petals, but they are neither so common nor so desirable for the season of their flowering as those of the royal purple. Many of the later-blowing Irises are of a height that towers above dwarf shrubs, and they have an enchanting effect when planted amongst the bushes of the roseries, or between the tall shrubs and dwarf evergreens of the shrubbery ; the pale Turkey, the yellow, or the various-coloured, being planted in the vicinity of the purple rhododendron, and the blue and violet varieties of Iris, where white, yellow, or pink flowers abound THE CHALCEDONIAN IRIS, S-usiana, takes its name from Susa, in Persia. This species requires a drier soil and warmer situation than most other kinds, and has many qualities to recom- mend it to our care. Its corolla is the largest of all the species, the upper petals being as broad as a hand, and singular in their colours, being striped with black and white, whilst the falling petals are 198 FLORA HISTORICA. of so dark a hue as to have given rise to the name of Mourning Iris. This species of Iris was cul- tivated in this country previous to 1596, as Gerard then tells us that it flourished well in his garden, being planted in ground not over-wet. This old herbalist observes, " the whole flower is of the colour of a Ginnie hen ; a rare and beautiful flower to behold." We learn from Clusius that this superb Iris was first brought from Constantinople to Vienna and Holland, in the year 1573. The hardy sorts of Iris are easily propagated by parting their roots in the autumn ; and few flowers requiring so little attention, produce so fine an effect as these plants, particularly when their clumps are large. The roots should not be re- moved oftener than once in three or four years, as they seldom flower so abundantly the year after having been planted. The grea* bulbous-rooted Iris, Xiphioides, and the small bulbous-rooted Iris, Xiphium, are natives of Spain, and were cultivated in England as long back as the time of Gerard ; yet they continue rather rare than plentiful in most of our gardens, although no flower which we can bestow our atten- tion upon will be found more ornamental than these species of Iris, which vary so considerably in their corollas, that scarcely two plants produced from seed are painted in the same manner ; but IRIS. 199 the approved varieties are increased by offsets, which they abundantly produce. The bulbous- rooted Iris prospers best in a poor, light, sandy loam, where it is exposed to an eastern aspect. The seeds of these plants are generally ripe in August, when they should immediately be sown in slight drills, about six inches from each other. In the following spring the young plants appear above the earth, with a resemblance to young onions. In shis state they will require no other care than weeding. In August or September of the third year after sowing, they should be trans- planted into clumps or beds, at about eight inches apart each way : in two or three years from their removal most of them will blossom, and new varieties may be expected. In Africa the roots of the edulis Iris are esteemed as food after being boiled, and they are eagerly sought for in that quarter of the world by the monkeys. It is the Florentine Iris, Florentina, whose roots when dried give out that agreeable perfume so similar to the odour of Violets. This medicinal root, which is principally brought from Leghorn, was in great demand when hair- powder was more generally worn, as what was sold as violet-powder was nothing more than a propor- 200 FLORA HISTORICA. tion of the powder of this root mixed with common hair-powder. It is the Orris root of the shops, so frequently chewed by those who have a fetid breath : it was formerly much esteemed in medicine ; and old writers extol its virtues as an attenuant, emol- lient, and pectoral, and, therefore, as being good for the lungs. At present we believe it is only held valuable for the pleasantness of the flavour which it communicates to medicine. The Florentine Iris produced its white blossoms in English gardens previous to 1596, as we are in- formed by Gerard. One of the most curious species of this genus of plants that we have seen is the Iris dichotoma, Afternoon Iris, or Scissor plant. It has the slen- derest stem, and the smallest flower, of all the Irises, and the corolla never expands until after mid-day hence the trivial name. It is a native of Dauria, and is called Cheitschi (Scissors) in the Mogul language, from the form of the fork pro- duced by the two branches which support the flowers. It is not even " the flower of a day," for it never fails to collapse before night by a two-fold inflexion, rolling inwards at the limb or upper por- tion, and twisting spirally together at the ungues or lower. IRIS. 201 It was first introduced by Mr. John Bell, in 1784, but being lost, was again raised from seed sent from the Berlin garden to Messrs. Whitley and Co., of the Fulham nursery, where it flowered in August, 1817, and was found sufficiently hardy to stand in a sheltered border in the open ground. The root of our native Yellow Water-Flag, Iris Pseudo-Acorus, that flowers so abundantly in our fens and marshes during the month of June, had formerly a place in the " London Pharmacopoeia," under the name of Gladiolus luteus. It is much praised by Ettmuller, as a very certain and power- ful styptic in spitting and vomiting of blood. At present this acrid root is but little used in medi- cine. It is of so powerfully astringent a nature, that it may be employed as a substitute for galls in making ink. The common blue or purple Flower de Luce of our gardens, Iris Germanica, yields a most beauti- ful paint for water-colours, for which purpose the flower-petals are collected before they are fully expanded, " and pounded in a stone mortar with a stone-capped or wooden pestle then put into a glass, and placed for some days in a cellar or other moist place : after the space of about a fortnight, the mass, which is now become liquid, is to be set K5 202 FLORA HISTORICA. over the fire in a glass pot, till about a third part is consumed ; then some rock-alum is to be put into it, more or less, till it becomes clear, and ac- quires its fine blue colour ; after which it is poured into shells for use." Martyris Miller. The root of this Flower de Luce was formerly used to prevent beer becoming stale, by suspending it in the cask ; and it was in like manner suspended in casks of wine, to communicate both its taste and smell to the liquor. AURICULA. 203 AURICULA. Primula Auricula. Natural Order Preciee. A Genus of the Pentandria Monogynia Class. Auriculas, enrich'd With shining meal o'er all their velvet leaves. THOMSON. Queen of the snowy Alps, in glittering pride She rears her palace on the mountain's side ; There, as bright sun-beams light her spangled throne, Attendant sylphs the aerial empress own ; Expand their purple plumes, and raised in air, Wave their green banners to protect the fair ; Imperial beauty, with resistless sway, Tames the rude bears, and bids their tribes obey ; Roar round each crystall'd cliff and moss-girt plain, And guard in shaggy troops her bright domain. Delighted Boreas views her from afar, And drives in stormy state his ebon car ; Low at her feet the boist'rous monarch bows, And breathes his passion 'mid descending snows, While timid Zephyr flies through fields of air, Scarce daring to approach the hill-encircled fair. SHAW. THIS favourite offspring of vernal Flora is a native of the icy summits of the Alps, from whence the Flemish gardeners first procured it, and brought it into cultivation, before its beauties were known in other distant lands, or regarded in its native country. But when it was once ascertained to be a plant on 204 FLORA HtSTORICA. which Nature plays her frolics, and which she loves to paint in all the varieties of whimsicality and di- versity of rich hues, it was eagerly sought after by all the florists of Europe, and was soon brought to the highest state of perfection by the English culti- vators, who, in the flowering of the Auricula, have left even the Flemings far in the back-ground. At what exact period this Primula of the moun- tains was first brought to England is uncertain, but Gerard speaks of it as no stranger in 1597, and observes, " it do grow in our London gardens." This author calls it Beare's-eares, or Mountaine Cowslips, and Auricula Ursiflora. The leaves of this plant are thought to resemble the ears of the bear, on which account it received the Latin name of Auricula Ursi, and the French Oreille d'ours, as well as the Italian Orecchia d'orso. It is thought to be the Alisma of Dioscorides. Matthiolus and Pena call it Sanicula Alpina, from its character of healing wounds. It has also been named Paralytica by old herbalists, on account of its being esteemed a remedy for the palsy. When this plant was established as a favourite in the garden, it was sought for on most of the moun- tains of the continent. Carolus Clusius found it on the mountains of Germany, and it has since been discovered in Switzerland, Carniola, Savoy and Piedmont. AURICULA. 205 The art of floriculture has been so happily be- stowed upon the Auricula as to render it one of the flowers of highest esteem ; and it is deservedly admired for its rich velvet corollas, some of which are of the darkest purple, others of a fine blue, bright yellow, delicate lilac, olive brown, pure white, variegated, bordered or mottled as variously as the Tulip; and as it is a flower often exhibited for prizes at Auricula-shows, we shall give what is now considered as the criterion of a perfect and fine flower of this kind. ( The stem must be erect and strong, and of a height to carry the bunch of flowers above the foliage of the plant. The peduncles, or foot-stalks, of the flowers, should also be strong and elastic, and of a proportionable length to the size and quantity of pips, which should not be less than seven in number, that the bunch may be rather round, close, and compact. The component parts of the pip are the tube, (with its stamens and an- thers,) the eye, and the exterior circle, containing the ground colour, with its marginal edge : these three should be all well proportioned, which they are when the diameter of the tube be one part, the eye three, and the whole pip six, or nearly so. All the connoisseurs of the Auricula agree that the pips should be round, but this seldom happens ; and if they be so nearly round as not to deserve the ap- 206 FLORA HISTORICA. pellation of a starry flower, judges of this flower are content. The anthers, or summits of the stamens, must be large, bold, and fill the tube well, and the tube should terminate rather above the eye : the eye should be very white, smooth, and round, without any cracks, and distinct from the ground, or self-colour. The ground-colour must be bold and rich, and equal on every side of the eye; whether it be in one uniform circle, or in bright patches, it must be distinct at the eye, and only broken at the outward part into the edging. The favourite colours are a fine black, purple, or bright chesnut, a rich blue, or bright pink ; but the acme of the florist's ambition is to procure the Auricula of a glowing scarlet, or deep crimson, edged with a clear green. The green edge, or mar- gin, is the principal cause of the variegated appear- ance in this flower ; and it should be in proportion to the ground colour, that is, about one-half of each." Nature has guarded these delicate flowers from the scorching heat of the sun's rays by sprink- ling them with a fine powder, and the leaves of most of the kinds of Auricula are kept cool by the same wise precaution. The Auricula is generally observed to be brought to the highest perfection in the neighbourhood of manufacturing towns, where the mechanic leaves his labour to attend and admire the beauties of his AURICULA. 207 stage. In these towns a rivalship generally prevails as to who shall rear the finest specimen of this plant, which instead of dissension, produces social neigh- bourhood, and exchange of civilities, for it is A fair ambition, void of strife or guile, Or jealousy, or pain to be outdone. But great delight it gives to the happy cultivator who shows The earliest bloom, the sweetest, proudest charms Of Flora. ARMSTRONG. It is recorded in the history of this plant, that Mr. Henry Stow, a gardener near Colchester, reared, previously to the year 1768, some plants of Auricula that produced one hundred and thirty- three blossoms on one stem ; and in the year 1821, an extraordinary flower of this kind was gathered in the garden of Mr. Tanby, of Bath : it had eight distinct stalks, combined in one flat stem, completely incorporated together, and bearing a calyx contain- ing one hundred and seven petals ; but this would be considered rather a singular than a perfect flower. Lancashire is at present the most celebrated part of the country for fine Auriculas, and from thence most of the florists in the neighbourhood of London are supplied. About a century ago, when this flower was more in fashion in England than at pre- 208 FLORA HISTORICA. sent, the Dutch bloemists were supplied from this country ; but they afterwards obtained this part of the floral trade, and frequently before the late war returned to this kingdom the offspring of our own flowers. It is observed in a late French publication on flowers, that the Auricula is still the favourite flower of the English ; and the anonymous author tells us that it is made the terrible symbol of ambush. " I shall add," says the writer, " without being sus- pected of malignity, that the Bear's Ear is the favourite flower of the English." We may fairly surmise that the author alluded to has more malig- nity towards the English than knowledge of their country. The best season for propagating the approved sorts of the Auricula is about the end of July, or beginning of August, when the roots may be divided, or rooted slips taken off, and planted in pots filled with a good compost, which should be composed of a fresh loamy soil, and perfectly decomposed cow- dung, equal parts of each, adding to the mixture one- tenth of sea or river sand. Good leaf mould may be used instead of cow-dung, but the whole should be well mixed, and exposed to the frost the winter before it is used ; but, as Hogg observes, the cultivators of these flowers are not more nume- rous than their compost is various, and quackery, AURICULA. 209 even in the growing of flowers, has as many fol- lowers as in any other line. We are told by some growers of the Auricula, that sugar-bakers' scum, goose or pigeons' dung, sea-sand, rotten willow-trees, night-soil, dung steeped in butchers' blood, &c. &c., are all neces- sary to produce fine flowers ; but, from our own observation, all that is requisite seems to be a rich and light mixture that has been well frozen, and frequently turned over. Mr. S. Curtis tells us, that he has seen the strongest Auriculas produced from the following ingredients : two-thirds of the rotten dung from old hot-beds reduced to fine mould, one-third containing equal parts of coarse sand and peat, or bog-earth, such as is used in the culture of heaths, mixed well together by shifting or screen- ing, and suffered to be well aired by frequent turnings during the frosts of winter. Where it is desirable to plant Auriculas in the open ground, we recommend that a space sufficient for about eight or twelve plants should be fixed on in a situation sheltered from the heat of the mid- day sun, with either an east or north-east aspect ; that the earth should be taken out of the spot fixed on to about eight inches in depth, filling it up with a compost rather above the general surface of the border, so as to throw off superfluous moisture. As many of these clumps may be formed as the 210 FLORA HISTORICA. size of the garden and number of plants will admit, reserving the finest varieties for potting. The pots recommended by Emmerson for large blooming plants are those of about eight inches high, five and a half diameter at the top, and four and a half at the bottom, outside measure. Haddock recommends the Auricula to-be potted immediately after the bloom is over, and re-potted every year, to invigorate the plants by fresh earth. The Auricula is by no means a tender plant, and it loves a free air, rather cold than warm ; yet it is advisable to secure those in pots from severe frost, and a shed open to the north or east is preferable for blowing them, than either a south or west aspect; but, as a winter repository, they should have the advantage of a south aspect, and be kept very dry during the months of November, Decem- ber, and January, as in case of frost the weather has less power on the roots. In February it is ad- visable to top-dress the pots with fresh compost, and when the season is mild, to allow them to receive gentle showers : during the time of flower- ing, the pots should be moderately watered two or three times a week. Every admirer of these flowers should endeavour to raise new varieties from seed, which should be preserved from the strongest plants of the hand- somest kinds, and be kept separate from inferior AURICULA. 211 sorts, to prevent accidental impregnation. As the capsules ripen they should be cut off singly, and kept in a dry situation until the time of sowing, which is principally performed in the month of February. Orchis, from the form of the roots in many of the species, and this appellation is now generally adopted in most of the European languages. In addition to the Greek name, the Latins often called it Satyrion, because ORCHIS. 217 the early Romans believed it to be the food of the Satyrs, and that it excited them to those excesses to which fabulous history describes them as being so much addicted. In mythology, the Satyri are represented as demi-gods, who chiefly attended upon Bacchus ; but Pliny speaks of them, from report, as animals which inhabited a part of India (book vii. chap. 2) It is related by Pausanias, Plutarch, and other an- cient historians, that a Satyr was brought to Sylla, as that general returned from Thessaly ; the mon- ster was taken alive, and is stated to have answered in every degree to the descriptions given of the Satyrs by the painters and the poets. We read, also, that Sylla was so disgusted with the sight of the monster, that he ordered it to be instantly removed. The Orchis root being represented as the fa- vourite diet of the imaginary Satyrs, it naturally became celebrated as one of the most stimulating medicines known, and it is so described by all medical writers on simples, from Dioscorides down to the present day : but most of these accounts are too ridiculous and indelicate to transcribe, and we trust that they will be so far disregarded as not to shut this beautiful plant out of the gardens of this enlightened age ; nor would we debar the student in medicine from ascertaining the real VOL. I. L 218 FLORA HISTORICA. qualities of these bulbs, the juice of which is so strongly recommended as a cooling application to inflamed surfaces, and as a resolutive to accelerate the suppuration of indolent tumors, to say nothing of its powers in the electuary Diasatyrion. Fabulous history tells us that the Orchis owes its origin to the lascivious son of the Satyr Patella- nus, and the nymph Acolasia, who presided at the feasts celebrated in honour of Priapus. The youth being present at the celebration of the feast of Bacchus, laid violent hands on one of the priest- esses of that god, which so incensed the Baccha- nals against him, that they instantly tore him in pieces ; and all the remedy which his father could obtain from the gods was, that his mangled corpse should be transformed into a flower, which should retain his name of Orchis, as a blot upon his memory. The Persians and Turks call the roots of the Orchis Salop, and it is with these bulbs, as well as the pal mated roots of other species of Orchis, that they prepare their favourite drink of salop, which is made palatable by the addition of milk and ginger. This beverage is drunk hot, with the same opinion of its qualities that was entertained by the ancients. The salop powder was formerly brought over fromTurkey in considerable quantities; and we have had our salop rooms in London, as well ORCHIS. 219 as the Turks in Constantinople, or the Persians in Ispahan. And yet the wholesome herb neglected dies ; Though with the pure exhilarating soul Of nutriment and health, and vital powers, Beyond the search of art, 'tis copious blest. THOMSON. In the long list of the English names for this plant, as recorded by our early writers on plants, none are admissible before the time of Parkinson (1640), who adds to the nomenclature that of Standle-wort, which seems derived from one of the old German or Dutch names for the Orchis, the former being Stendelwurtz, and the latter Standle- cruyt. In 1657, Coles writes the name of King- fingers for this plant, in addition to those of the former herbalists. The florists have not proved more negligent in cultivating these curious plants than the botanists have been anxious to collect the different species of them from all quarters of the known world ; and from their exertions we now possess upwards of eighty distinct species, besides numerous varieties of several of the kinds. Modern arrangement divides this family of plants into different genera, under the heads of Orchis, Satyrium, Ophrys, Habenaria, Gymnadenia, Her- inirum, Aceras, Goodyera, Bartholina, Serapias, Disa, Pterygodium, Neottia, Ponthieva, Diuris, Thelymitra, Listera, Epipactis, Pogonia, Calade- L 2 220 FLORA HISTORICA. ma, Glossodia, Pterostylis, Calcya, Calopogon, Arethusa, Bletia, Geodorum, Calypso, Malaxis, Isochilus, Corallorrhiza, Stelis, Ornithedium, Cryp- tarrhena, Aerides, Limodorum, Pleurothallis, Oc- toraaeria. To describe all the varieties of these singular plants would require a separate volume, for which purpose we have already made many drawings, as the pencil can far better than the pen represent their various forms and colours. We shall, how- ever, not pass over the native tribes of the Orchi- de