^^^v /■ A=^cr A =^8 7 "1 ^ = =^ — THE VILLAGE ETC. THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES THE VILLAGE, '■'A /^/- ^'^^''''- ^^^^ AND ^;~-^-,^ OTHER POEMS. BY J. PEE-RY ' NATUKE, ENCHA^•TING NATtJEE, IN -WHOSE TOEM AND LINEAMENTS DHTNE I TRACE A HAND THAT ERRS NOT." CO"WPER. LONDON : SIMPKIN, MARSHALL, AND CO. cheltenham : printed by maey hadley, journ^vl office, queen's buildings. ENTERED AT STATIONERS' HALL. TO THE REV. J. F. S. GABB, M.A. THIS LITTLE VOLUME - IS (BY PERCUSSION) INSCRIBED, WITH GRATITUDE AND RESPECT, BY HIS OBLIGED SERVANT, FREDERIC J. PERRY. 922016 PREFACE. The Author of the following pages feels some timidity in submitting them to a discerning Public. An education, frequently interrupted by long periods of physical suffering, and abruptly terminated by adverse circumstances, may perhaps be an excuse for the absence, from his work, of that elegance and finish which happily appears in much of our Literature ; and when to this is added his present arduous position as Master of a School, he trusts his production will not be severely criticized. VI The principal Poem (The Village) was written, at intervals, amidst the beautiful scenery it attempts to de- scribe : the shorter pieces are a selection from manu- scripts, written from his fifteenth year to the present time. Chaelton Kings, A^ml, 1853. CONTENTS PAGE The Village 9 Notes 43 The Old Stone Bridge ... 45 Sunset by the Sea 54 The Two Swords 56 To-Morrow 59 The Slave Mother 61 The Farewell ... 65 ■\Vhat is Wealth 67 A Harvest Scene 69 To the Skylark 75 vm PAGE The Child's Question ... 78 Glad news from the Emerald Isle 81 Why sleeps the Harp of Erin ? ... 83 The Ocean of Life 85 Persevere 87 More Light 89 Why do we mourn ? 91 List of Subscribers 93 THE VILLAGE. I. Hail to thee, sea-girt Isle, -where beauty reigns ! Thou happy land, where peace and plenty blend In joyous harmony ! where right maintains O'er might the mastery, when conflicts end. Long may thy wooden walls thy shores defend ! Long may thy towers unmolested be By ruthless stranger ! Long raaj justice lend — With innate love of glorious Hberty — Its wrong-avenging arm to keep thy people free ! 10 II. Yes, hail dear England ! But I -svould not dwell On what has made, or will preserve thee free ; To abler hands that task ; — nor need I tell Why thou art Empress of the mighty sea. Ambitious pens have soared, but mine would flee Such lofty heights, and be content to write Of humbler things. The bush, the brake, the tree ; — Green hill, and valley ! — Sweetly all unite To form a pleasant theme, — a theme, if humble, bright ! III. Bright, because taken from the book of Nature ; That volume — ancient as Creation's birth ; Its first page stamped by Him who formed the creature With eyes to see, and hearts to feel its worth. From Chaos by Omnipotence call'd forth. It stands the test of all-destroying Time ; For though the Autumn passes, and the Earth In Winter garb appears, the Spring's sweet prime Returns again, to re-commence its reign sublime. 11 IV. Oh, Nature ! lovely still, althougli the fall Of thy great masterpiece beclouded thee ! Still is the heart held captive at thy call ! — Still thou art lovely — soul-entliralling — free — And all but changeless ! Gaze upon the sea ! Is it the same as when the Deluged land Bore its wild waters in their revelry. And groan'd beneath them, till th' Almighty hand Eecall'd, and they roll'd back at the Divine command ? V. It is ; — and so is Earth ; — its towering mountains — Its craggy steeps — endure from age to age. Its running brooks — its rolling streams — its fountains — Are still the same, save where volcanic rage Uptm-ns its surface, rends, and stains the page Which erst was calm and clear — serenely bright ! But this is not my theme ; much to engage The mind, and fill the bosom with delight, I find in things around me, and of these would wTite. 12 VI. Who has not seen a village 'midst the trees, Embower'd in pleasant green, and played upon Alike by tempest's wrath, and gentler breeze. Or faintest zephyr, when the glowing sun Rides high in heaven, and from his azure throne Pours his refulgent rays on all below ? — The white, or ivied wall ; — the moss-grown stone ; — The old church tower : — all revel in his glow ; Nor shrink, or languish, as his hot beams fiercer grow. VII. "Who has not gazed with pleasure on the scene, Enrich'd with fields of waving, golden grain ; Diversified with trees, and pastures green. And flocks that crop the herbage off the plain ? Who once has gazed, and would not gaze again. On such a landscape, with its trees and flowers ? Who would not linger where such beauties reign, Regardless of Time's quickly fleeting hours ; — Unheeding all but Nature, and her pleasing powers ? 13 Till. The humble dwelling, and the peasant's cot ; The modest villa, and the stately hall ; In time and place the wide view sweetly dot, Kising from earth with low or lofty wall. The latter, with their sculptured pillars tall. Bespeak the hand of taste — the home of Art : The former, unassuming, yet not all Devoid of beauty, gently win the heart By that simpKcity which no7ie would have depart. IX, Such is '' Our Village." Sure a sweeter one Cannot be found on Albion's fruitful isle ! Nature and Art both glitter in the sun ; Content, in rivalry, to share its smile. Oft will its pleasant scenes the heart beguile From keen anxiety, and make it glow "With love to all around. Full oft 'twill wile When friends are few, and distant ; and below None seem to heed, or cheer us, as we onward go. 14 All places have some spots of greater beauty Than those which meet the hasty, careless gaze. And here are some — so rich, they make it duty In us to give for them superior praise. We think, with gratitude, and rapt amaze. Of Him who clothes with green the liumhler sod ; We think " How good ! how wondrous are His ways ! What gorgeous gems surround us at His nod ! " Yet praise not Nature's self, but Nature's bounteous God. XI. Who in " Our Village " has escaped the feeling Which I would fain describe ? Who has not felt. Under its influence, a softness stealing Over the heart where harsh thoughts may have dwelt ? — Here God has richly with his creatures dealt ! Richly — that smiles may supersede the froAvn With which care cloud's the brow. Care's frost must melt 'Neath Nature's genial sunshine. I have known The time when grief has press'd ; — I've gazed and it has flown. 15 XII. Ravensgate, gentle Battledowx, Glen fall. Are ouis — or in " Our Village " — and we see Their many beauties. Beauty shines in all ; And all their beauties have a charm for me. I love each one : — but first a word for thee. Sweet Battledown ! I wonder that no song. In measured notes, or ruder minstrelsy, ■^ Has told the praises that to thee belong ! Surely — in passing thee — the Muse has done thee wrong !* XIII. I oft have stood upon a towering cliff. And gazed, enraptured, o'er the sunlit sea ; (A boundless view, save where some fairy skiff Upon the heaving waves rode cheerily) Its dancing waters — unconstrain'd and free — Lashing with gentle force the pebbly beach. Have always, in their music, seemed to me To breathe a language, though devoid of speech. And chant with ceaseless voice the lays they cannot teach. 16 XIV. And I have ponder'd by the moonlit ocean. Each time with kindlier feelings than before ; For its gem'd waters call for soft emotion. And stir within the breast a gentle awe. And as its waves have broke upon the shore. And glitter'd 'neath the silv'ry orb of night ; I've thought — " Sweet sea ! I may behold no more Thy broad, blue, heaving bosom ; yet no sight On earth beside can fill me with such cahn dehght." XV. But when, sweet Battledown, from thy fair brow I gaze — as oft I've gazed — I'm lost in love. My thoughts will fly to where earth's waters flow. And try if, by calm contrast, they may prove Which is the sweetest scene. Kow the eyes rove O'er emerald hills ; — now fancy paints the sea ; — It vanishes ; — and, lo ! the pleasing grove. Tree, shrub, and flower, in sweet reality Appear, and to decide would be a task to me. 17 XYI. The ocean may be more sublime, and yet Not bear the pahn for beauty. Were my lot NoTV on its broad breast cast, could I forget The scenes which once I loved ? Oh, no ! each spot Would haunt my slumbers ; — none would be forgot : Though lost to sight, my memory would dwell Familiarly on each ; and I would not Forbid it, though such retrospect might tell — "The sea is more sublime, yet not more beautiful.''' XVII. This is no paradox, if one it seems ; Beauty exists without sublimity : The last with grandeur dwells ; the former beams In all God's glorious works beneath the sky. The snow-topped mountain ranges, towering high ; The foaming torrent : these things are sublime : — Whilst every pencil'd petal, which the sigh Of the soft breeze scatters at even-time. Claims beatcty for its own, nor vainly claims its prime. B 18 XVIIT. But I digress ; the task I have begun Must be continued till it reach its end. And not an irksome, but a grateful one It is ; for, as my willing steps I wend Along the sloping path, all objects tend To make me love it more. On, on I go : Anxious to reach its summit, I ascend The path which leads to Battledown : and now The pleasing toil is past ; once more I gain its brow. XIX. I stand alone : a valley lies beneath By Nature's generous hand supremely blest. The rosy year has donned her summer wreath. And all around in beauty's garb is drest. Far spreads the vale, and bears upon its breast A luscious load of flower-gem'd, fruitful green : From Cotswold's barrier — stretching to the west — It gains the loftier Malvern's ; and, between, God's works appear in Nature : Man's in Art are seen. 19 XX. Art ! glorious offspring of the eye and mind ! Thou too art here ; for, lo ! beneath my feet. Thy works with Nature's beauties are combin'd ; A pleasing sight ; a combination meet For such a lovely spot. 'Tis truly sweet To contemplate thy triumphs. The mind's eye — In yonder Town — depicts its busy street ; Its many piles of noble masonry ; Raised, by the hand of Art, beneath a smiling sky. XXI. But let us glance into the stream of years : A century ago — was it the same ? No ; for where yon white, gHttering town appears, A few dark, straggling streets, unknown, to fame. Alone were seen. But England's Moxarch came ; (') Improvements followed Royalty ; and now It stands, the proud possessor of a name. Which even envious rivals must allow — ■ The " Queen of Watering Places" — all before it bow. R ^ X>