'J)./,. EDWARD WAVEKLEY. Wavkrlky, Frontis. The Waverley Novels By SIR WALTER ^COTT WAVERLEY OR 'TIS SIXTY YEARS SINCE ILLUSTRATED VOLUME ONE O NEW YORK PETER FENELON COLLIER & SON • MCM • » THE WAVERLEY NOVELS VOL. I List of Illustrations VOLUME ONE WAVERLEY Edward Waverley Frontispiece ■' The Haron . . . drank to the health and prosperity of Mac-Ivor" " The ardor of the poet seemed to ci^mmunicate itself to the audience " "The unfortunate man fell" " Fergus stood erect in the sledge, and . . . rc])lictl, ' (l() illustrations by leading artists of the day, each novel being exclusively in the hands of one artist, while tlic engraving and general superintendence of the illustrations luis been entrusted to iMr. J. J). Cooper of London. Another feature of this edition consists in the ample Glossa- EIE.S, explanatory of obscure words, phrases, and allusions, which have been sj)ecially ])re|)ared for it with considerable pains and mueh vabied iussistance. The publishers have tliought it not vnifitting, on this occa- > bee Note, next page. 6 PUBLISHERS' NOTICE. sion, to associate this edition with the name of Dryhurghf where in 1832 the remains of the illustrious Author " were laid by the side of his wife, in the sepulchre of his ancestors." A. & C. BLACK. London, October, 1892. Note. — The Copy of the Waverley Novels ahove referred to is thns de- scribed in the PnrticulnrK of the various editions of the Works of Sir Walter Scott, drawn up and circulated at the time of their sale in 1851: "The W^averley Novels, edition in 48 Vols. fcp. 8vo, the publication of which commenced on 1st June 1829, closed on 1st May 1833, had attached to it, New latrodxictionSy Notes, and Additions to the Text, by Sir Walter Scott, all as exhibited in a Copy Annotated by the Author in Demy Octavo, in the possession of the Vendors, which, as it sliows these additions, and consequently gives Forty-two Years' Copyright to all of them from the date of the publication of each of the 48 Vols, will be delivered to the pur- cliaser of the property, to be held as evidence of these Additions to the Copyright." ADVERTISEMENT AND GENERAL PREFACE TO THE WAVERLEY NOVELS. It has been the occasional occupation of the Author of "\Ya- vevley, for several years past, to revise and correct the volu- minous series of Novels which pass under that name, in order that, if they should ever appear as his avowed productions, he might render them in some degree deserving of a continuance of the public favour with which they have been honoui-ed ever since their lirst appearance. For a long period, however, it seemed likely tliat tlie improved and illustrati'd edition wliieh he meditated would be a posthumous i)viblication. l^ut the course of tlie events which occasioned the disclosure of the Author's name having, in a great measure, restored to him a sort of ])arental control over these Works, he is naturally in- duced to give them to the press in a correctcul, and, lu^ hopes, an improved form, while life and health ])»'rmit the task of re- vising and illustrating them. Simh being his pur])Ose, it is necessary to say a few words on the plan of the ])roposed Edition. In stating it t^) l)e revised and corrected, it is not to be in- ferrt'il that any attcmjit is made to altnr tlu; tenor of the stories, the character of the ax'Un-H, or the spirit of tlie dialogue. There is no donbt ample room for emendation in all these points, — but where the tree f.alls it must lie. Any attempt to obviate critif'isni, however just, by altering a work already in tlie hands of tln^ j)nblie, is generally unsu('(;essfnl. In the most improbable lictiou, the reader btill desires some air of vraisem- 8 ADVERTISEMENT AND GENERAL PREFACE TO hlonce, and does not relish that the incidents of a tale familiar to him should be altered to suit the taste of critics, or the caprice of tlie Author himself. This process of feeling is so natural, that it may be observed even in children, who cannot endure that a nursery story should be repeated to them differ- ently from the manner in which it was first told. But without altering, in the slightest degree, either the story or the mode of telling it, the Author has taken this op- portunity to correct errors of the press and slips of the pen. That such shoidd exist cannot be wondered at, when it is considered that the Publishers fouiiA it their interest to hurry through the press a succession of the early editions of the various Novels, and that the Author had not the usual op])or- tmiity of revision. It is hoped that the present edition will be found free from errors of that accidental kind. The Author has also ventured to make some emendations of a different character, which, Avithout being such ai)parent devia- tions from the original stories as to disturb the reader's old associations, will, he thinks, add something to the spirit of the dialogue, nai-rative, or description. These consist in occa- sional pruning where the language is redundant, compres- sion where the style is loose, infusion of vigour where it is languid, the exchange of less forcible for more appropriate epithets — slight alterations in short, like the last touches of an artist, which contribute to heighten and finish the picture, though an inexperienced eye can hardly detect in what they consist. The General Preface if) the new Edition, and the Introduc- tory Notices to each separate work, will contain an account of sucli circumstances attending the first publication of the Novels and Tales as may appear interesting in themselves, or proper to be commimicated to the public. The Author also proposes to j)uV>lish, on this occasion, the various legends, family tradi- tions, or oljscure historical facts which have formed the gi-ound- work of these Novels, and to give some account of the places where the scenes are laid, when these are altogether, or in part, real; a.s well as a statement of particular incidents founded on fact; together with a more copious Glossary, and THE WAVERLEY NOVELS. 9 Notes explanatory of the ancient customs and popular super- stitions referred to in the Romances. Upon the whole, it is hoped that the Waverley Novels, in their new di-ess, will not be found to have lost any part of their attractions in consequence of receiving illustrations by the Author, and undergoing his careful revisiou. AiiUOTSfOKD, Jaauary 1829, GENERAL PHEFACE. And must I ravel out My weavetl-up follies ? Richard IT. Act iv. Ha VINT, undertaken to give an Introductory Accoiuit of the compositions which are here offered to the public, with Notes and Illustrations, the Author, under whose name they are now for the first time collected, feels that he has the delicate task of speaking more of himself and his personal concerns than may perhaps be either graceful or prudent. In this i)articular he runs the risk of presenting himself to the public in the re- lation that the dumb wife in the jest-book held to her hus- band, when, having spent half of his fortune to obtain the cure of her imperfection, he was willing to have bestowed the other half to restore her to her former condition, liut this is a risk inseparaljle from the task Avhich the Author has mulcrtaken, and he can only promise to be as little of an egotist as the situation will permit. It is perhaps an indifferent sign of a disjKJsition to keep his word, that, having introduced himself in the third person singular, he proceeds in the scfoiid ])ara- graph to make use of the first. liut it a])pears to him that the seeming modesty connected with the former mode of writ- ing is overbalanced by the inconvenience of stiffness and affec- tation which attends it during a narrative of some length, and which may be observed less or nu)r(5 in every work in which the third j)erson is used, from the Comwrntnrvis of Cccsar to the Aiitohinffrriphy of Alexandor the Cnrrprtnr.^ I must refer to a very early period *)f my life, were I to ' A name a33umcMi'. John Ballantyne, bookseller in Edinburgh, under the name of- - Wf/rrr/n/, or 'fis F'lftii years si/irr^-n title afterwards altered to ' 7'is Sixty Years sinre, that the actual date! of jmh- lication might be made to correspond with tlie period in which the scene was laid. Having proceeded as far, I think, as the seventh chay)t('r, I showed my work to a critical friend, whoso opinion was mifavouralile; and having then souk^ jioetical reputation, 1 wa.s unwilling to risk the loss of it by attem])t- ing a new style of eoinposition. I thereff)r(5 threw aside the work T had coninienfied, withojit either reluctance or remon- strance. I f>ught to add that, thoiigli my ingenious friend's sentence was afterwards reversed on an a])])eal to the ])ublic, it cannot be considered a,s any imputation on his good taste; for the specimen subjected to his criticism did not extend 16 GENERAL PREFACE TO beyond tlie departure of the hero for Scotland, and conse- quently had not entered upon the part of the story which was finally found most interesting. Be that as it may, this portion of the manuscript was laid aside in the di-awers of an old writing-desk, which, on my first coming to reside at Abbotsford in 1811, was placed in a lumber garret and entirely forgotten. Thus, though I some- times, among other literary avocations, turned my thoughts to the continuation of the romance which I had commenced, yet, as I could not find what I had already written, after searching such rei)ositories as were within my reach, and was too indo- lent to attempt to write it anew from memory, I as often laid aside all thoughts of that nature. Two circumstances in particular recalled my recollection of the mislaid manuscript. The first was the extended and well- merited fame of Miss Edgeworth, whose Irish characters have gone so far to make the English familiar with the character of their gay and kind-hearted neiglil)ours of Ireland, that she may be truly said to have done more towards completing the Union than perhaps all the legislative enactments by which it has been followed up. Without being so jjresumptuous as to hope to emulate the rich humour, pathetic tenderness, and admirable tact whicli pervade the works of my ac(;omi)lished friend, I felt tliat something might be attempted for my own country, of the same kind with that which Miss Edgeworth so fortunately achieved for Ireland — something which might introduce her natives to those of the sister kingdom in a more favourable light than they had been placed hitherto, and tend to procure sympathy for their virtues and indulgence for their foibles. I thought also, that much of what I wanted in talent might be made up by the intimate acquaintance with the subject which I could lay claim to possess, as having travelled through most parts of Scotland, l)Oth Highland and Lowland, having been familiar with the elder as well as more modern race, and hav- ing had from my infancy free and imrestrained communication with all ranks of my countrymen, from the Scottish peer to the Scottish ploughman. Such ideas often occurred to me, and THE WAVERLEY NOVELS. 17 constituted an ambitious branch of my theory, however far short I may have fallen of it in practice. But it was not only the triumphs of Miss Edgeworth which waked in me emulation, and disturbed my indolence. I chanced actually to engage in a Avork which formed a sort of assay piece, and gave me hope that I might in time become free of the craft of romance-writing, and be esteemed a toler- able Avorkman. In the year 1807-8 I undertook, at the request of John INlur- ray, Esq., of Albenuuie Street, to arrange for publication some posthumous productions of the late Mr. Joseph Strutt, distin- guished as an artist and an antiquary, amongst which was an unfinished romance, entitled Queeii/ioo HalL The scene of the tale was laid in the reign of Henry VI., and the work was written to illustrate the uuuniers, customs, and language of the people of England during that period. The extensive ac- quaintance which Mr. Strutt had acquired with such subjects in compiling his laborious Hnrda Aiujel-Cijnnan, his Regal nvil Krrft's!tisf!r((l Jtifif/iiltit's, and his Essai/ on the Sjtorts and Pdsthiirx oftlia I'eople of KiKjldiid had rendered him familiar witli all tlie anticpiarian lore necessary for the purpose of com- posing the ])r()jected romance; and although the manuscript bore the marks of hurry and incoherence natural to the first rough draiiglit of the aiiMior, it evinced (in my ojjinion) considerable j)Owers of imagination. As the work was unfinished, I deemed it my duty, as editor, to supply such a h