Philistines V ■' ARLO BATES ">,# W^: :. i r- ;^^:s^>^- ;y;^ 'lVf=7f \' •■ »^ i': V -V-- iV ^> OF TWE UNIVERSITY THE PHILISTINES. BY THE SAME AUTHOR. THE PAGANS. Bound in Cloth, $i. In Ticknor's Paper Series, 50 cents. " It provoked a wide and bitter discussion. . . . These Pagans are young artists, musicians, and writers, heartsick of a sur- rounding deadwall of purely Boston conventionality and Philis- tinism." — Brooklyn Times. *' Good, conscientious, artistic, American work." — Boston Herald. " The novel is an unique one in both motive and execution. Its transcripts of what mav be called artistic life, or, rather, the life of people with the artistic temperament, are most interesting; and the choice beauty of its style, its delicate yet often keen satire, its refined feeling and forcible contrasts of individuality, characterize a novel that holds perennial interest." — Boston Traveller. PATTY'S PERVERSITIES. Bound in Cloth, $1. In Ticknor's Paper Series, 50 cents. *' The passages throughout the story are exceedingly bright, and are told in a manner enchantingly vivid ; there is no clause nor page of it that flags for a moment in interest; and the reader will cherish the book with pleasure for the pastime it has afforded him." — JVezu York Star. " The story is an exceedingly pleasant and readable one, full of real humor, bubbling over with the saucy talk of clever young people, presenting keen delineations of New England people and scenes." — Art hiterchange. " A captivating narrative. The plot is decidedly well woven, and finely wrought out, and there is a notable array of epigram- matic sayings, while Bathalina Clemens is one of the best New England delineations that we have ever met." — T. S, Collier. Sent, post paid, on receipt 0/ price, by the publishers. TICKNOR & CO., BOSTON. THE PHILISTINES BY ARLO BATES The web of our life is of a mingled yarn, good and ill together. All's Well that Ends Well; iv. — 3 BOSTON TICKNOR AND COMPANY 2X1 Crcmont Siixtti Copyright, 1888, by Arlo Bates. A II rigJits reserved. Electrotyped by C. J. Peters & Son, Boston, U. S. A. DEDICATION. To my three friends who, by generously acting as amanuenses, have made it possible that the book should be finished, I take pleasure in gratefully dedicating THE PHILISTINES. iw8t;304 " This is no square temple to the gate of which thou canst arrive precipitately ; this is no mosque to which thou canst come with tumult but without knowledge." Persian Religions Hymn, CONTENTS. Chapter Page I. In place and in account nothing . .' . . ii II. Some speech of marriage 19 III. In way of taste 29 IV. Now he is for the numbers 43 V. 'Twas wondrous pitiful 52 VI. The inly touch of love 60 VII. This deed unshapes me 70 VIII. A necessary evil 80 IX. This is not a boon 96 X. The bitter past 107 XI. The great assay of art 119 XII. Whom the fates have marked 131 XIII. This " would " changes 146 XIV. The shot of accident 156 XV. Like covered fire 170 XVI. Weighing delight and dole 185 XVII. The heavy middle of the night 197 XVIII. He speaks the mere contrary 210 XIX. How chances mock 219 XX. Voluble and sharp discourse 232 XXI. A mint of phrases in his brain 248 XXII. His pure heart's truth 260 XXIII. As false as stairs of sand 274 XXIV. There begins confusion 285 XXV. After such a pagan cut 298 XXVI. O, WICKED WIT AND GIFT 3IO 9 lO CONTENTS. Chapter Page XXVII, Upon a church bench 324 XXVIII. Bedecking ornaments of praise .... 336 XXIX. Cruel proof of this man's strength . . 346 XXX. The world is still deceived 359 XXXI. Parted our fellowship 369 XXXII. Heart-burning heat of duty 382 XXXIII. A bond of air 392 XXXIV, What time she chanted ....... 400 XXXV. Heartsick with thought 412 XXXVI. Farewell at once, for once, for all and ever . 422 XXXVII. A sympathy of woe . 436 THE PHILISTINES. IN PLACE AND IN ACCOUNT NOTHING. I Henry IV.; v. — i. WHEN Arthur Fenton, the most outspoken of all that band of protesting spirits who had been so well known in artistic Boston as the Pa- gans, married Edith Caldwell, there had been in his mind a purpose, secret but well defined, to turn to his own account his wife's connection with the Philistine art patrons of the town. Miss Cald- well was a niece of Peter Calvin, a wealthy and well-meaning man against whom but two grave charges could be made, — that he supposed the growth of art in this country to depend largely upon his patronage, and that he could never be persuaded not to take himself seriously. Mr. Cal- vin was regarded by Philistine circles in Boston as a sort of re-incarnation of Apollo, clothed upon with modern enlightenment, and properly arrayed in respectable raiment. Had it been pointed out that to make this theory probable it was necessary to conceive of the god as having undergone men- 11 12 THE PHILISTINES. tally much the same metamorphosis as that which had transformed his flowing vestments into trou- sers, his admirers would have received the remark as highly complimentary to Mr. Peter Calvin. To assume identity between their idol and Apollo would be immensely flattering to the son of Latona. Fenton understood perfectly the weight and ex- tent of Calvin's influence, yet, in determining to profit by it, he did not in the least deceive himself as to the nature of his own course. *' Honesty," he afterward confessed to his friend Helen Greyson, who scorned him for the admis- sion, " is doubtless a charming thing for digestive purposes, but it is a luxury too expensive for me. The gods in this country bid for shams, and shams I purpose giving them." So well did he carry out his intention, that in a few years he came to be the fashionable portrait- painter of the town ; the artist to whom people went who rated the worth of a picture by the amount they were required to pay for it, and the reputation of the painter in conventional circles ; the man to whom a Boston society woman inevita- bly turned when she wished the likeness of her charms preserved on canvas, and when no foreigner was for the moment in vogue and on hand. The steps by which Fenton attained to this proud eminence were obvious enough. In the first place, he persuaded Mr. Calvin to sit to him. Mr. Calvin always sat to the portrait painters IN PLACE AND IN ACCOUNT NOTHING. 13 whom he endorsed. This was a sort of official recognition, and the results, as seen in the need- lessly numerous likenesses of the gentleman which adorned his Beacon Hill mansion, would have afforded a cynic some amusement, and not a little food for reflection. Once launched under distin- guished patronage, Fenton was clever enough to make his way. He really was able to paint well when he chose, a fact which was, on the whole, of less importance in his artistic career than were the adroitness of his address, and his ready and persua- sive sympathy. The qualifications of a fashionable doctor, a fashionable clergyman, and a fashionable portrait-painter are much the same ; it is only in the man-milliner that skill is demanded in addition to the art of pleasing. As usually happens in such a case, Fenton's old friends avoided him, or found themselves left in the distance by his rapid strides toward fame and for- tune. Then such of them as still came in contact with him made his acquaintance in a new charac- ter, and learned to accept him as a wholly different man from the one they had supposed themselves to know in the days when he was never weary of pouring forth tirades against the Philistinism he had now embraced. They admired the skill with which he painted stuffs and gowns, but among themselves they agreed that the old-time vigor and sincerity were painfully lacking in his work ; and if they grumbled sometimes at the prices he got, 14 THE PHILISTINES. it is only just to believe that it was seldom with any real willingness to pay, in the sacrifice of con- victions and ideals, the equivalent which he had given for his popularity. Fenton was one morning painting, in his luxuri- ously appointed studio, the portrait of a man who was in the prime of life, and over whom vulgar prosperity had, in forming him, left everywhere her finger marks plainly to be seen. He was tall and robust, with light eyes and blonde whiskers, and a general air of insisting upon his immense superi- ority to all the world. That he secretly felt some doubts of the perfection of his social knowledge, there were indications in his manner, but on the whole the complacency of a portly bank account overcame all misgivings of this sort. His charac- ter might have been easily inferred from the man- ner in which he now set his broad shoulders ex- pansively back in the armchair in which he was posing, and regarded the artist with a patronizing air of condescending to be wonderfully entertained by his conversation. *' You are the frankest fellow I ever saw," he said, smiling broadly. " Oh, frank," Fenton responded ; ** I am too frank. It will be the ruin of me sooner or later. It all comes of being born with a habit of being too honest with myself." ** Honesty with yourself is generally held up as a cardinal virtue." IN PLACE AND IN ACCOUNT NOTHING. 5 " Nonsense. A man is a fool who is too frank with himself ; he is always sure to end by being too frank with everybody else, just from mere habit." Mr. Irons smiled more broadly still. He by no means followed all Fenton's vagaries of thought, but they tickled his mental cuticle agreeably. The artist had the name of being a clever talker, and with such a listener this was more than half the battle. The men who can distin- guish the real quality of talk are few and far to seek ; most people receive what is said as wit and wisdom, or the reverse, simply because they are assured it is the one or the other ; and Alfred Irons was of the majority in this. Fenton painted in silence a moment, inwardly possessed of a desire to caricature, or even to paint in all its ugliness, the vulgar mouth upon which he was working. The desire, however, was not sufficiently strong to restrain him from the judicious flattery of cleverly softening and refin- ing the coarse lips, and he was conscious of a faint amusement at the incongruity between his thought and his action. "And there is the added disadvantage," he continued the conversation as he glanced up and saw that his sitter's face was quickly, in the silence, falling into a heavy repose, '' that frankness be- gets frankness. My sitters are always telling me things which I do not want to know, just 1 6 THE PHILISTINES. because I am so beastly outspoken and sympa- thetic." " You must have an excellent chance to get pointers," responded the sitter, his pale eyes kin- dling with animation. " You've painted two or three men this winter that could have put you up to a good thing." *' That isn't the sort of line chat takes in a studio," Fenton returned, with a slight shrug. "It isn't business that men talk in a studio. That would be too incongruous." Irons sneered and laughed, with an air of conse- quence and superiority. '' I don't suppose many of you artist fellows would make much of a fist at business," he ob- served. " Modern business," laughed the other, amused by his own epigram, ** is chiefly the art of trans- posing one's debts. The thing to learn is how to pass the burden of your obligations from one man's shoulders to those of another often enough so that nobody who has them gets tired out, and drops them with a crash." His sitter grinned appreciatively. •' And they don't tell you how to do this t " '' Oh, no. The things my sitters tell me about are of a very different sort. They make to me confidences they want to get rid of ; things you'd rather not hear. Heavens ! I have all I can do to keep some men from treating me like a priest and confessing all their sins to me," A IN PLACE AND IN ACCOUNT NOTHING. ly Mr. Irons regarded the artist closely, with a curious narrowing of the eyes. *' That must give you a hold over a good many of them," he said. *' I shall be careful what I say." Fenton laughed, with a delightful sense of supe- riority. It amused him that his sitter should be betraying his nature at the very moment when he fancied himself particularly on his guard. '* You certainly have no crimes on your con- science that interfere with your digestion," was his reply; ''but in any case, you may make your- self easy; I am not a blackmailer by profession." *' Oh, I didn't mean that," Mr. Irons answered, easily ; " only of course you are a man who has his living to make. Every painter has to depend on his wits, and when you come in contact with men of another class professionally it would be natural enough to suppose you would take advantage of it." The '* lady's finger " in Fenton's cheek stood out white amid the sudden red, and his eyes flashed. *' Of course a sitter," he said in an even voice, which had somehow lost all its smooth sweetness, " is in a manner my guest, and the fact that his class was not up to mine, or that he wasn't a gentleman even, wouldn't excuse my taking ad- vantage of him." The other flushed in his turn. He felt the 1 3 THE PHILISTINES. keenness of the retort, but he was not dexterous enough to parry it, and he took refuge in coarse bullying. " Come, now, Fenton," he cried with a short, explosive laugh, "you talk like a gentleman." But the artist, knowing himself to have the bet- ter of the other, and not unmindful, moreover, of the fact that to offend Alfred Irons might mean a serious loss to his own pocket, declined to take offence. " Of course," he answered lightly, and with the air of one who appreciates an intended jest so subtile that only cleverness would have compre- hended it, " that is one of the advantages I have always found in being one. I think I needn't keep you tied down to that chair any longer to-day. Come here and see how you think we are getting on." And the sitter forgot quickly that he had been on the very verge of a quarrel. II SOME SPEECH OF MARPIAGE. Measure for Measure ; v. — i. WHEN dinner was announced that night, Mrs. Arthur Fenton had not appeared, but presently she came into the room with that guilty and anxious look which marks the consciousness of social misdemeanors. She was dressed in a gown of warm primrose plush, softened by draperies of silver-gray net. It was a costume which her hus- band had designed for her, and which set off beau- tifully her brown hair and creamy white skin. " I hope I have not kept you waiting long," she said, " but I wanted to dress for Mrs. Frostwinch's before dinner, and I was late about getting home." There was a certain wistfulness in her manner which betrayed her anxiety lest he should be vexed at the trifling delay. Arthur Fenton was too well bred to be often openly unkind to anybody, but none the less was his wife afraid of his displeasure. He was one of those men who have the power of making their disapproval felt from the simple fact that they feel it so strongly themselves. The most oppressive of domestic tyrants are by no means those who vent their ill-nature in open words. 19 20 THE PHILISTINES. The man who strenuously insists to himself upon his will, and cherishes in silence his dislike of what- ever is contrary to it, is oftener a harder man to live with than one who is violently outspoken. Fenton was hardly conscious of the absolute des- potism with which he ruled his home, but his wife was too susceptible to his moods not to feel keenly the unspoken protest with which he met any in- fringement upon his wishes or his pleasure. To- night he was in good humor, and his sense of beauty was touched by the loveliness of her ap- pearance. *' Oh, it is no matter," he answered lightly. '^ How stunning you look. That topaz," he con- tinued, walking toward her, and laying his finger upon the single jewel she wore fastened at the edge of the square-cut corsage of her gown, "is exactly right. It is so deep in color that it gives the one touch you need. It was uncommonly nice of your Uncle Peter to give it to you." *' And of you to design a dress to set it off," re- turned she, smiling with pleasure. ** I am glad you like me in it." *' You are stunning," her husband repeated, kiss- ing her with a faint shade of patronage in his manner. "Now come on before the dinner is as cold as a stone. A cold dinner is like a warmed- over love affair ; you accept it from a sense of duty, but there is no enjoyment in it." Mrs. Fenton smiled, more from pleasure at his SOME SPEECH OF MARRIAGE. 2 1 evident good nature than from any especial amuse- ment, and they went together into the pretty din- ing-room. Fenton acknowledged himself fond of the re- finements of life, and his sensitive, sensuous nature lost none of the delights of a well-appointed home. He lived in a quiet and elegant luxury which would have been beyond the attainment of most artists, and which indeed not infrequently taxed his re- sources to the utmost. The table at which the pair sat down was laid with exquisite damask and china, the dinner admirable and well served. The dishes came in hot, the maid was deft and comely in appear- ance, and the master of the house, who always kept watch, in a sort of involuntary self-con- sciousness, of all that went on about him, was pleasantly aware that the most fastidious of his friends could have found nothing amiss in the appointment or the service of his table. How much the perfect arrangement of domestic af- fairs demanded from his wife, Fenton found it more easy and comfortable not to inquire, but he at least appreciated the results of her man- agement. He never came to accept the smallest trifles of life without emotion. His pleasure or annoyance depended upon minute details, and things which people in general passed without notice were to him the most important facts of daily life. The responsibility for the comfort of so 22 . THE PHILISTINES. highly organized a creature, Edith had found to be anything but a light burden. Only a wife could have appreciated the pleasure she had in having the most delicate shades in her domestic manage- ment noted and enjoyed ; or the discomfort which arose from the same source. It was delightful to have her husband pleased by the smallest pains she took for his comfort ; to know that his eye never failed to discover the little refinements of dress or cookery or household adornment ; but wearing was the burden of understanding, too, that no flaw was too small to escape his sight. Mrs. Fenton's friends rallied her upon being a slave to her housekeeping ; few of them were astute enough to understand that, kind as was always his manner toward her, she was instead the slave of her husband. The room in which they were dining was one in which the artist took especial pleasure. He had panelled it with stamped leather, which he had picked up somewhere in Spain ; while the ceiling was covered with a novel and artistic arrangement of gilded matting. Among Edith's wedding gifts had been some exquisite jars of Moorish pottery, and these, with a few pieces of Algerian armor, were the only ornaments which the artist had admitted to the room. The simplicity and richness of the whole made an admirable setting for the dinner table, and as the host when he entertained was willino: to take the trouble of overlooking his SOME SPEECH OF MARRIAGE. 23 wife's arrangements, the Fentons' dinner parties were among the most picturesquely effective in Boston. " I have two big pieces of news for you," Mrs. Fenton said, when the soup had been removed. " I have been to call on Mrs. Stewart Hubbard this afternoon, and Mr. Hubbard is going to have you paint him. Isn't that good t " Her husband looked up in evident pleasure. " That isn't so bad," was his reply. " He'll make a stunning picture, and the Hubbards are precisely the sort of people one likes to have deal- ings with. Is he going at it soon } " *' He is coming to see you to-morrow, Mrs. Hubbard said. The picture is to be her birth- day present. I told her you were so busy I didn't know when you could begin." " I would stretch a point to please Mr. Hub- bard. I am almost done with Irons, vulgar old cad. I wish I dared paint him as bad as he really looks." '' But your artistic conscience won't let you } " she queried, smiling. " He is a dreadful old crea- ture ; but he means well." *' People who mean well are always worse than those who don't mean anything ; but I can make it up with Hubbard. He looks like Rubens' St. Simeon. I wish he wore the same sort of clothes." ** You might persuade him to, for the picture. 24 THE PHILISTINES. But my second piece of news is almost as good. Helen is coming home." " Helen Greyson ? " " Helen Greyson. I had a letter from her to- day, written in Paris. She had already got so far, and she ought to be here very soon." '' How long has she been in Rome "i " Fenton asked. He had suddenly become graver. He had been intimate with Mrs. Greyson, a sculptor of no mean talent, in the days when he had been a fervid opponent of people and of principles with whom he had later joined alliance, and the idea of her return brought up vividly his parting from her, when she had scornfully upbraided him for his apostasy from convictions which he had again and again declared to be dearer to him than life. '* It is six years," Mrs. Fenton answered. " Caldwell was born the March after she went, and he will be six in three weeks. Time goes fast. We are getting to be old people." Fenton stared at his plate absently, his thoughts busy with the past. '' Has Grant Herman been married six years ? " he asked, after a moment. " Grant Herman } Yes ; he was married just before she sailed ; but what of it } " Fenton laid down the fork with which he had been poking the bits of fish about on his plate. He folded his arms on the edge of the table, and regarded his wife. SOME SPEECH OF MARRIAGE. 25 " It is astonishing, Edith," he observed, " how well one may know a woman and yet be mistaken in her. For six years I have supposed you to be religiously avoiding any allusion to Helen's love for Grant Herman, and it seems you never knew it at all." It was Mrs. Fenton's turn to look up in sur- prise. " What do you mean } " she asked. Her husband laughed lightly, yet not very joy- ously. ** Nothing, if you will. Nobody ever told me they were in love with each other, but I am as sure that Helen made Herman marry Ninitta as if I had been on hand to see the operation." *' Made him marry her } Why should he marry her if he didn't want to } " ** Oh, well, I don't know anything about it. I know Ninitta followed Herman to America, for she told me so ; and I am sure he had no idea of marrying her when she got here. Anybody can put two and two together, I suppose, especially if you know what infernally Puritanical notions Helen had." " Puritanical .? " The artist leaned back in his chair and smiled at his wife in his superior and tantalizing fashion. " She thought she'd outgrown Puritanism," he returned, ''but really she was, in her way, as much of a Puritan as you are. The country is 26 THE PHILISTINES. full of people who don't understand that the essence of Puritanism is a slavish adherence to what they call principle, and who thinlc because they have got rid of a certain set of dogmas they are free from their theologic heritage. There never was greater rubbish than such an idea." , Mrs. Fenton was silent. She had long ago learned the futility of attempting any argument in ethics with Arthur, and she received in silence whatever flings at her beliefs he chose to indulge in. She had even come hardly to heed words which in the early days of her married life would have wounded her to the quick. She had read- justed her conception of her husband's character, and if she still cherished illusions in regard to him, she no longer believed in the possibility of changing his opinions by opposing them. Her thoughts were now, moreover, occupied with the personal problem which would in any case have appealed more strongly to the feminine mind than abstract theories, and she was consid- ering what he had told her of Mrs. Greyson and Grant Herman, a sculptor for whom she had a warm admiration, and a no less strong liking. However we busy ourselves with high aims, with learning, or art, or wisdom, or ethics, per- sonal human interests appeal to us more strongly than anything else. Human emotions respond instinctively and quickly to any hint of the emo- tional life of others. Nothing more strikingly SOME SPEECH OF MARRIAGE. 27 shows the essential unity of the race than the readiness with which all minds lay aside all con- cerns and ideas which they are accustomed to consider higher, to give attention to the trifling details of the intimate history of their fellows. Quite unconsciously, Edith had gathered up many facts, insignificant in themselves, concerning the relations of Mrs. Greyson and Herman, and she now found herself suddenly called upon to recon- sider whatever conclusions they had led her to in the light of this new development. The sculptor's marriage with an ex-model had always been a mystery to her, and she now endeavored to decide in her mind whether it were possible that her husband could be right in putting the responsibil- ity upon Helen Greyson. The form of his remark seemed to her to hint that the Italian's claim upon Herman had been of so grave a nature as to imply serious complications in their former relations ; but she strenuously rejected any suspicion of evil in the sculptor's conduct. **I am sure, Arthur," she said, hesitatingly, "there can have been nothing wrong between Mr. Herman and Ninitta. I have too much faith in him." "To put faith in man," was his answer, "is only less foolish than to beUeve in woman. I didn't, however, mean to imply anything very dreadful. The facts are enough, without specu- lating on what is nobody's business but theirs. I 28 THE PHILISTINES. wonder how he and Helen will get on together, now she is coming home ? Mrs. Herman is a jealous little thing, and could easily be roused up to do mischief." *'I do not believe Helen had anything to do with their marriage," Edith said, with conviction. '' It was a mistake from the outset." " Granted. That is what makes it so probable that Helen did it. Grant isn't the man to make a fool of himself without outside pressure, and in the end a sacrifice to principle is always some ridiculous tomfoolery that can't be come at in any other way. However, we shall see what we shall see. What time are you going to Mrs. Frost- winch's } " " I am going to the Browning Club at Mrs. Gore's first. Will you come 1 " "Thank you, no. I have too much respect for Browning to assist at his dismemberment. I'll meet you at Mrs. Frostwinch's about ten." Ill IN WAY OF TASTE. Troilus and Cressida ; iii. — 3. /^NE of the most curious of modern whims in ^ Bo^ston has been the study of the poems of Robert Browning. All at once there sprang up on every hand strange societies called Browning Clubs, and the libraries were ransacked for Brown- ing's works, and for the books of whoever has had the conceit or the hardihood to write about the great poet. Lovely girls at afternoon receptions propounded to each other abstruse conundrums concerning what they were pleased to regard as obscure passages, while little coteries gathered, with airs of supernatural gravity, to read and dis- cuss whatever bore his signature. A genuine, serious Boston Browning Club is as deliciously droll as any form of entertainment \ ever devised, provided one's sense of the ludicrous . \ be strong enough to overcome the natural indig- \ nation aroused by seeing genuine poetry, the high gift of the gods, thus abused. The clubs meet in richly furnished parlors, of which the chief fault is usually an over-abundance of bric-a-brac. The house of Mrs. Gore, for instance, where 29 so THE PHILISTINES. Edith was going this evening, was all that money could make it ; and jn^a.ssing it may be noted that Boston clubs are seldom of constitution!" sufficiently vigorous to endure unpleasant sur- roundings. The fair sex predominates at all these gatherings, and over them hangs an air of expectant solemnity, as if the celebration of some sacred mystery were forward. Conversation is carried on in subdued tones ; even the laughter is softened, and when the reader takes his seat, there falls upon the little company a hush so deep as to render distinctly audible the frou-frou of silken folds, and the tinkle of jet fringes, stirred by the swelling of ardent and aspiring bosoms. The reading is not infrequently a little dull, especially to the uninitiated, and there have not been wanting certain sinister suggestions that now and then, during the monotonous delivery of some of the longer poems, elderly and corpu- lent devotees listen only with the spiritual ear, the physical sense being obscured by an ab- straction not to be distinguished by an ordinary observer from slumber. The reader, however, is bound to assume that all are listening, and if some sleep and others consider their worldly concerns or speculate upon the affairs of their neighbors, it interrupts not at all the steady flow of the reading. Once this is finished, there is an end also of inattention, for the discussion begins. The cen- IN WAY OF TASTE. ^j j;ral and vital principle of all these clubs is that a poem by Robert Browning is a sort of prize en- igma, of which the solution is to be reached rather by wild and daring guessing than by any common- place process of reasoning. Although to an ordi- nary and uninspired intellect it may appear perfectly obvious that a lyric means simply and clearly what it says, the true Browningite is better informed. He is deeply aware that if the poet seems to say one thing, this is proof indisputable that another is intended. To take a work in straightforward fashion would at once rob the Browning Club of all excuse for existence, and while parlor chairs are easy, the air warm and perfumed, and it is the fashion for idle minds to concern themselves with that rococo humbug Philistines call culture, societies of this sort must continue. Once it is agreed that a poem means something not apparent, it is easy to make it mean anything and everything, especially if the discussion, as is usually the case, be interspersed with discursions of which the chief use is to give some clever per- son or other a chance to say smart things. When all else fails, moreover, the club can always fall back upon allegory. Commentators on the poets have always found much field for ingenious quib- bling and sounding speculation in the line of alle- gory. Let a poem be but considered an allegory, and there is no limit to the changes which may be 32 THE PHILISTINES. rung upon it, not even Mrs. Malaprop's banks of the Nile restraining the creature's headstrong ranging. Only a failure of the fancy of the inter- preter can afford a check, and as everybody reads fiction nowadays, few people are without a goodly supply of fancies, either original or acquired. Although Fenton had declined to go to Mrs. Gore's with his wife, he had finished his cigar when the carriage was announced, and decided to accompany her, after all. The parlors were filling when they arrived, and Arthur, who knew how to select good company, managed to secure a seat between Miss Elsie Dimmont, a young and rather gay society girl, and Mrs. Frederick Stagg- chase, a descendant of an old Boston family, who was called one of the cleverest women of her set. " Is Mr. Fenwick going to read t " he asked of the latter, glancing about to see who was present. " Yes," Mrs. Staggchase answered, turning toward him with her distinguished motion of the head and high-bred smile. " Don't you like him.?" " I never had the misfortune to hear him. I know he detests me, but then I fear, that like olives and caviare, I have to be an acquired taste." " Acquired tastes," she responded, with that air of being amused by herself which always enter- tained Fenton, '' are always the strongest." ** And generally least to a man's credit," he IN WAY OF TASTE. 33 retorted quickly. "■ What is he going to inflict upon us ? " "Really, I don't know. I seldom come to this sort ofthin^ Ldon't think it pays." " Oh, nothing pays, of course," was Fenton's reply, " but it is more or less amusing to see peo- ple make fools of themselves." The president of the club, atjthis moment, called the assembly to order, and announced that Mr. Fenwick had kindly consented — " Readers al- ways kindly consent," muttered Fenton aside to Mrs. Staggchase — to read. Bishop Blougrarns Apology, to which they would now listen. There was a rustle of people settling back into their chairs ; the reader brushed a lank black lock from his sallow brow, and with a tone of sepulchral earnestness began : " ' No more wine ? then we'll push back chairs, and talk.' " For something over an hour, the monotonous voice of the reader went dully on. Fenton drew out his tablets and amused himself and Miss Dimmont by drawing caricatures of the company, ending with a sketch of a handsome old dowager, who went so soundly to sleep that her jaw fell. Over this his companion laughed so heartily that Mrs. Staggchase leaned forward smilingly, and took his tablets away from him ; whereat he pro- duced an envelope from his pocket and was about to begin another sketch, when suddenly, and ap- 34 THE PHILISTINES. parently somewhat to the surprise of the reader, the poem came to an end. There was a joyful stir. The dowager awoke, and there was a perfunctory clapping of hands when Mr. Fenwick laid down his volume, and peo- ple were assured that there was no mistake about his being really quite through. A few murmurs of admiration were, heard, and then there was an awful pause, while the president, as usual, waited in the never-fulfiHed hope that the discussion would start itself without help on his part. " How cleverly you do sketch," Miss Dimmont said, under her breath ; " but it was horrid of you to make me laugh." " You are grateful," Fenton returned, in the same tone. " You know I kept you from being bored to death." *' I have a cousin, Miss Wainwright," pursued Miss Dimmont, " whose picture we want you to paint." " If she is as good a subject as hei- cousin," Fenton answered, '' I shall be delighted to do it." The president had, meantime, got somewhat ponderously upon his feet, half a century of good living not having tended to increase his natural agility, and remarked that the company were, he was sure, extremely grateful to Mr. Fenwick, for his very intelligent interpretation of the poem read. '' Did he interpret it } " Fenton whispered to Mrs. Staggchase. '' Why wasn't I told ? " IN WAY OF TASTE. 35 " Hush ! " she answered, " I will never let you sit by me again if you do not behave better." '' Sitting isn't my metier, you know," he re- torted. The president went on to say that the lines of thought opened by the poem were so various and so wide that they could scarcely hope to explore them all in one evening, but that he was sure there must be many who had thoughts or questions they wished to express, and to start the discussion he would call upon a gentleman whom he had ob- served taking notes during the reading, Mr. Fen- ton. **The old scaramouch!" Fenton muttered, under his breath. " I'll paint his portrait and send it to Punch!' Then with perfect coolness he got upon his feet and looked about the parlor. " I am so seldom able to come to these meet- ings," he said, " that I am not at all familiar with your methods, and I certainly had no idea of say- ing anything ; I was merely jotting down a few things to think over at home, and not making notes for a speech, as you would see if you exam- ined the paper." At this point Miss Dimmont gave a cough which had a sound strangely like a laugh strangled at its birth. "The poem is one so subtile," Fenton continued, unmoved; '*it is so clever in its knowledge of 36 THE PHILISTINES. human nature, that I always have to take a certain time after reading it to get myself out of the mood of merely admiring its technique, before I can think of it critically at all. Of course the bit about ' an artist whose religion is his art ' touches me keenly, for I have long held to the heresy that art is the highest thing in the world, and, as a matter of fact, the only thing one can depend upon. The clever sophistry of Bishop Blougram shows well enough how one can juggle with theol- ogy ; and, after all, theology is chiefly some one man's insistence that everybody else shall make the same mistakes that he does." Fenton felt that he was not taking the right direction in his talk, and that in his anxiety to extricate himself from a slight awkwardness he was rapidly getting himself into a worse one. It was one of those odd whimsicalities which always came as a surprise when committed by a man who usually displayed so much mental dexterity, that now, instead of endeavoring to get upon the right track, he simply broke off abruptly and sat down. His words had, however, the effect of calling out instantly a protest from the Rev. De Lancy Can- dish. Mr. Candish was the rector of the Church of the Nativity, the exceedingly ritualistic organ- ization with which Mrs. Fenton was connected. He was a tall and bony young man, with abundant auburn hair and freckles, the most ungainly feet and hands, and eyes of eager enthusiasm, which IN WAY OF TASTE. ^7 showed how the result of New England Puritanism had been to implant in his soul the true martyr spirit. Fenton was never weary of jeering at Mr. Candish's uncouthness, his jests serving as an out- let, not only for the irritation physical ugliness always begot in him, but for his feeling of opposi- tion to his wife's orthodoxy, in which he regarded the clergyman as upholding her. The rector's self-sacrificing devotion to truth, moreover, awakened in the artist a certain inner dis- comfort. To the keenly sensitive mind there is no rebuke more galling than the unconscious re- proof of a character which holds steadfastly to ideals which it has basely forsaken. Arthur said to himself that he hated Candish for his ungainly person. " He is so out of drawing," he once told his wife, *' that I always have a strong inclination to rub him out and make him over again." In that inmost chamber of his consciousness where he allowed himself the luxury of absolute frank- ness, however, the artist confessed that his ani- mosity to the young rector had other causes. As Fenton sank into his seat, Mrs. Staggchase leaned over to quote from the poem, — " ' For Blougram, he believed, say, half he spoke.* " The artist turned upon her a glance of compre- hension and amusement, but before he could reply, the rough, rather loud voice of Mr. Candish ar- rested his attention. 3S - THE PHILISTINES. " If the poem teaches anything," Mr. Candish said, speaking according to his custom, somewhat too warmly, *' it seems to me it is the sophistry of the sort of talk which puts art above religion. The thing that offends an honest man in Bishop Blougram is the fact that he looks at religion as if it were an art, and not a vital and eternal necessity, — a living truth that cannot be trifled with." ** Ah," Fenton's smooth and beautiful voice rejoined, " that is to confound art with the arti- ficial, which is an obvious error. Art is a pas- sion, an utter devotion to an ideal, an absolute lifting of man out of himself into that essential truth which is the only lasting bond by which mankind is united." Fenton's coolness always had a confusing and irritating effect upon Mr. Candish, who was too thoroughly honest and earnest to quibble, and far from possessing the dexterity needed to fence with the artist. He began confusedly to speak, but with the first word became aware that Mrs. Fen- ton had come to the rescue. Edith never sawi'a contest between her husband and the clergyman without interfering if she could, and now she in- stinctively spoke, without stopping to consider where she was. ** It is precisely for that reason," she said, "that art seems to me to fall below religion. Art can make man contented with life only by keeping his IN WAY OF TASTE. 39 attention fixed upon an ideal, while religion recon- ciles us to life as it really is." A murmur of assent showed Arthur how much against the feeling of those around him were the views he was advancing. " Oh, well," he said, in a droll sotto voce, " if it is coming down to a family difference we will con- tinue it in private." And he abandoned the discussion. **It seems to me," pursued Mr. Candish, only half conscious that Mrs. Fenton had come to his aid, "that Bishop Blougram represents the most dangerous spirit of the age. His paltering with truth is a form of casuistry of which we see al- together too much nowadays." " Do you think," asked a timid feminine voice, ** that Blougram was quite serious t That he really meant all he said, I mean t " The president looked at the speaker with de- spair in his glance ; but she was adorably pretty and of excellent social position, so that snubbing was not to be thought of. Moreover, he was thoroughly well trained in keeping his temper under the severest provocation, so he expressed his feelings merely by a deprecatory smile. "We have the poet's authority," he responded, in a softly patient voice, "for saying that he believed only half." There was a little rustle of leaves, as if people were looking over their books, in order to find the 40 THE PHILISTINES. passage to which he alluded. Then a young girl in the front row of chairs, a pretty creature, just on the edge of womanhood, looked up earnestly, her finger at a line on the page before her. *' I can't make out what this means," she an- nounced, knitting her girlish brow, — " * Here, we've got callous to the Virgin's winks That used to puzzle people wholesomely.' Of course he can't mean that the Madonna winks ; that would be too irreverent." There were little murmurs of satisfaction that the question had been asked, confusing explana- tions which evidently puzzled some who had not thought of being confused before ; and then an- other girl, ignoring the fact that the first difficulty had not been disposed of, propounded another. ''Isn't the phrase rather bold," she asked, '' where he speaks of ' blessed evil .'* ' " "Where is that } " some one asked. "On page io6, in my edition," was the reply; and a couple of moments were given to finding the place in the various books. " Oh, I see the line," said an old lady, at last. "It's one — two — three — five lines from the bottom of the page : " ' And that's what all the blessed evil's for.' " "You don't think," queried the first speaker, appealing personally to the president, " that Mr, /iV IFAV OF TASTE. ^i Browning can really have meant that evil is blessed, do you ? " The president regarded her with an affectionate and fatherly smile. "I think," he said, with an air of settling every- thing, "that the explanation of his meaning is to be found in the line which follows, — " ' It's use in Time is to environ us.' " " Heavens ! " whispered Fenton to Mrs. Stagg- chase ; "fancy that incarnate respectability en- vironed by ' blessed evil ! ' " " For my part," she returned, in the same tone, " I feel as if I were visiting a lunatic asylum." " Yes, that line does make it beautifully clear," observed the voice of Miss Catherine Penwick ; "and I think that's so beautiful about the exposed brain, and lidless eyes, and disemprisoned heart. The image is so exquisite when he speaks of their withering up at once," Fenton made a droll grimace for the benefit of his neighbor, and then observed with great appar- ent seriousness, — " The poem is most remarkable for the intimate knowledge it shows of human nature. Take a Ime like ' Men have outgrown the shame of being fools ; ' We can see such striking instances of its truth all about us." 42 THE PHILISTINES. *' How can you ? " exclaimed Elsie Dimmont, under her breath. Fenton had not been able wholly to keep out of his tone the mockery which he intended, and sev- eral people looked at him askance. Fortunately for him, a nice old gentleman who, being rather hard of hearing, had not caught what was said, now broke in with the inevitable question, which, sooner or later, was sure to come into every dis- cussion of the club : ** Isn't this poem to be most satisfactorily un- derstood when it is regarded as an allegory ? " The members, however, did not take kindly to this suggestion in the present instance. The question passed unnoticed, while a severe-faced woman inquired, with an air of vast superiority, — " I have understood that Bishop Blougram is intended as a portrait of Cardinal Wiseman ; can any one tell me if Gigadibs is also a portrait ? " "■ Oh, Lord ! " muttered Fenton, half audibly. " I can't stand any more of this." . And at that moment a servant came to tell him that his carriage was waiting. IV NOW HE IS FOR THE NUMBERS. Romeo and Juliet ; ii. — 4. WHEN Mr. and Mrs. Fenton were in the car- riage, driving from Mrs. Gore's to Mrs Frost- winch's, Arthur broke into a pleasant little laugh, as if a sudden thought had amused him. "Why in the world, Edith," he asked, "couldn't you let that moon-calf Candish fight his own battle to-night } He would have tied himself all up in two moments, with a little judicious help I should have been glad to give him." "I knew it," was her answer, "and that is pre- cisely why I wanted to stop things. What possi- ble amusement it can be to you to get the better of a man who is so little a match for you in argu- ment, I don't understand." " I never begin," Fenton responded. " Of course if he starts it I have to defend myself." The stopping of the carriage prevented further discussion, and the pair were soon involved in the crowd of people struggling toward the hostess across Mrs. Denton Frostwinch's handsome draw- ing-room, Mrs. Frostvvinch belonged, beyond the possibility of any cavilling doubt, to the most exclusive circle of fashionable Boston society. 43 44 THE PHILISTINES. Boston society is a complex and enigmatical thing, full of anomalies, bounded by wavering and uncertain lines, governed by no fixed standards, whether of wealth, birth, or culture, but at times apparently leaning a little toward each of these three great factors of American social standing. It is seldom wise to be sure that at any given Boston house whatever, one will not find a more or less strong dash of democratic flavor in general company, and there are those who discover in this fact evidences of an agreeable and lofty republi- canism. At Mrs. Frostwinch's one was less likely than in most houses to encounter socially doubt- ful characters, a fact which Arthur Fenton, who was secretly flattered to be invited here, had once remarked to his wife was an explanation of the dulness of these entertainments. For Mrs. Frostwinch's parties were apt to be anything but lively. One was morally elevated by being able to look on the comely and high-bred face of Mrs. Bodewin Ranger, but that fine old lady had a sort of religious scruple against saying anything in particular in company, a relic of the days of her girlhood, when cleverness was not the fashion in her sex and when she had been obliged to suppress herself lest she outshine the high- minded and courtly but dreadfully dull gentleman she married. One had here the pleasure of shaking one of the white fingers of Mr, Plant, the most exquisite NOW HE IS FOR THE NUMBERS. 45 gourmet in Boston, whose only daughter had made herself ridiculous by a romantic marriage with a country farmer. ,' The Stewart Hubbards, who were the finest and fiercest aristocrats in town, and whose ancestors had been possessed not only of influence but of wealth ever since early colonial days, were old and dear friends of Mrs. Frost- winch and always decorated her parlors on gala nights with their benign presence. Mr. Peter Calvin, the leader of art fashions, high priest of Boston conservatism, and author of numerous laboriously worthless books, seldom failed to diffuse the aroma of his patronizing personality through the handsome parlors of this hospitable mansion when there was any reasonable chance of his securing an audience to admire him ; and in general terms the company was what the news- papers call select and distinguished. For Mrs. Frostwinch was entitled to a leading place in society upon whichever of the three great principles it was based. She was descended from one of the best of American families, while her good-tempered if somewhat shadowy husband was of lineage quite as unexceptional as her own. She was possessed of abundant wealth, while in clever- ness and culture she was the peer of any of the brilliant people who frequented her house. She was moderately pretty, dressed beautifully, was sweet tempered, and possessed all good gifts and graces except repose and simplicity. She perhaps 46 THE PHILISTINES. worked too hard to keep abreast of the times in too many currents, and her mental weariness in- stead of showing itself by an irritable temper found a less disagreeable outlet in a certain nervous manner apt to seem artificial to those who did not know her well. She was a clever, even a brilliant woman, who assembled clever' and brilliant people about her, although as has been intimated, the result was by no means what might have been expected from such material and such opportunities. The truth is that there seems to be a fatal connection between exclusiveness and dulness. The people who assembled in Mrs. Frostwinch's handsome parlors usually seemed to be unconsciously laboring under the burden of their own respectability. They apparently felt that they had fulfilled their whole duty by simply being there ; and while the list of people present at one of Mrs. Frostwinch's evenings made those who were not there sigh with envy at thought of the delights they had missed, the reality was far from being as charming as their fancy. " I wish somebody would bring Amanda Welsh Sampson here," murmured Arthur in his wife's ear, as the Fentons made their way toward their hostess. " It would be too delicious to see how she'd stir things up, and how shocked the old tabby dowagers would be." But there were some social topics which were too serious to Edith to be jested upon. ATOfF HE IS FOR THE NUMBERS. 47 " Mrs. Sampson ! " she returned, with an ex- pression of being really shocked. " That dread- ful creature ! " The rooms were well filled ; the clatter of in- numerable tongues speaking English with that resonant dryness which reminds one of nothing else so much as of the clack of a negro minstrel's clappers indefinitely reduplicated, rang in the ears with confusing steadiness. An hour was spent in fragmentary conversations, which somehow were always interrupted at the instant the interesting point was reached. The men bestirred themselves with more or less alacrity, making their way about the room with a conscientious determination to speak to everybody whom duty called upon them to address, or more selfishly devoting themselves to finding out and chatting with the pretty girls. Fenton found time for the latter method while being far too politic to neglect the former. He was chatting in a corner with Ethel Mott, when Fred Rangely, whose successful novel had made him vastly the fashion that winter, joined them. " When wit and beauty get into a corner to- gether," was Rangely's salutation, " there is sure to be mischief brewing." " It isn't at all kind," Miss Mott retorted, " for you to emphasize the fact that Mr. Fenton has all the wit and I not any." " It is as kind," Fenton said, " as his touching upon the plainness of my personal appearance." 48 THE PHILISTINES. ''Your mutual modesty in appropriating wit and beauty," Rangely returned, ** goes well toward balancing the account." " One has to be modest when you appear, Mr. Rangely," Miss Mott declared, saucily, '' simply to keep up the average." "Come," Fenton said, *'this will serve as an excellent beginning for a quarrel. I will leave you to carry it on by yourselves. I have got too old for that sort of amusement." Rangely looked after the artist as the latter took himself off to join Mrs. Staggchase, who was holding court not far away. " You may follow if you want to," Ethel said, intercepting the glance. Rangely laughed, a trifle uneasily. " I don't want to," he replied, " if you will be good natured." " Good natured } I like that ! I am always good natured. You had better go than to stay and abuse me. But then, as you have been at Mrs. Staggchase's all the afternoon, you ought to be pretty well talked out." The young man turned toward her with an air of mingled surprise and impatience. " Who said I had been there .'' " he demanded. " It was in the evening papers," she returned, teasingly. " All your movements are chronicled now you have become a great man." " Humph ! I am glad you were interested in my whereabouts." A'OIV HE IS FOR THE NUMBERS. ^g " But I wasn't in the least." " Are you sparring as usual, Miss Mott ? " asked Mr. Stewart Hubbard, joining them. ''Good evening, Mr. Rangely." **0h, Mr. Hubbard," Miss Mott said, ignoring the question, " I want to know who is to make the statue of America. It is going to stand opposite our house, so that it will be the first thing I shall see when I look out of the window in the morn- ing, and naturally I am interested." ** Mr. Herman is making a study, and Mr. Irons has been put up to asking this new woman for a model. What is her name .'* The one whose Galatea made a stir last year." " Mrs. Greyson," Rangely answered. " I used to know her before she went to Rome." " Is she clever } " demanded Miss Mott, with a sort of girlish imperiousness which became her very well. " I can't have a statue put up unless it is very good indeed." " She might take Miss Mott as a model," Mr. Hubbard suggested, smiling. " For America } Oh, I am too little, and al- together too civilized. I'd do better for a model of Monaco, thank you." " There is always a good deal of chance about you," Rangely said in her ear, as Mr. Staggchase spoke to Mr. Hubbard and drew his attention away. Mr. Staggchase was a thin, wintry man, looking. 50 THE PHILISTINES. as Fenton once said, like the typical Yankee spoiled by civilization. He had always in a scene of this sort the air of being somewhat out of place, but of having brought his business with him, so that he was neither idle nor bored. It was upon business that he now spoke to Hubbard. " Did you see Lincoln to-day } " he asked. " He has got an ultimatum from those parties. They will sell all their rights for $70,000." **For $70,000," repeated Mr. Hubbard, thought- fully. " We can afford to give that if we are sure about the road ; but I don't know that we are. If Irons gets hold of any hint of what we are doing he can upset the whole thing." "But he won't. There is no fear of that." A movement in the crowd brought Edith Fen- ton at this moment to the side of Mr. Hubbard. She was radiant to-night in her primrose gown, and the gentleman, with whom she was always a favorite, turned toward her with evident pleasure. ** Isn't it a jam," she said. " I have ceased to have any control over my movements." ** That is unkind, when I fancied you allowed yourself to give me the pleasure of seeing you," returned he with elaborate courtesy. *' Let me take you in to the supper- room." *' Thank you," Edith replied, taking his arm. "I do not object to an ice, and I want to ask a favor. Haven't you some copying you can give a protegee of mine } She's a lovely girl, and she ArOPF HE IS FOR THE NUMBERS. 51 really writes very nicely. I assure you she needs the work, or I wouldn't bother you." They made their way into the hall before he an- swered. Then he asked, with some seriousness, — " Are you sure she is absolutely to be trusted.^ " "Trusted.? Why, of course. I'd trust her as absolutely as I would myself." " I asked because I do happen to have some copying I want done ; but it is of the most serious importance that it be kept secret. It is the prospectus of a big business scheme, and if a hint of it got on the air it would all be ruined." Edith looked up into his face and smiled. "Her name," she said, "is Melissa Blake, and you will find her Or, wait; what time shall I send her to your office to-morrow } " Her companion smiled in turn. They had reached the door of the supper-room, where the clatter of dishes, the popping of champagne corks, and the rattle of silver were added to the babble of conversation which filled the whole house. About the tables was going on a struggl.e which, however well-bred, was at least sufficiently vigorous. " You take a good deal for granted," he said. " However, it will do no harm for me to see the young woman. She may come at eleven. What shall I bring you .-^ " V 'TWAS WONDROUS PITIFUL. Othello; i. — 3. " jTjEAR JOHN, I will give it up any day you ^ say, and go back to Feltonville and live on the farm ; but you know " — Melissa Blake broke off and left her chair to take a seat on the corner of that on which her betrothed, John Stanton, was sitting, a proceeding which made it necessary for him to put his arm about her trig waist to support her. " Don't think I don't understand, dear," she said, nestling up to him, "how hard it is, and what a long drag it has been, but we should neither of us ever feel quite satisfied to give it up. We can hold on, can't we, as long as we are together." He kissed her fondly, but with a certain air of distraction which showed how full was his mind of the matter which troubled him. Two y^ears before, he had come to Boston, and obtained work as a carpenter, determined to pay the debts left by his dead father, before he would marry and settle down on the small farm which belonged to his betrothed, and which, while it might be made to yield a living, could by no means be looked to 52 'TIVAS WOiYDROUS PITIFUL. 53 for more. For the sake of being near him, Melissa had given up the school teaching of which she was fond, and come to the city also, and although she had found the difficulty of earning the means of support far greater than she had anticipated, she had still clung to the fortunes of her lover, to whom her steadfastness and unfailing cheer were of a value such as men realize only when it is lost. ** I got a letter to-day," John went on, while Melissa stroked his fingers fondly, " about the meadows. The time for redeeming them is up this month, and if I try to do it I can't pay any- thing on the debts this winter. The truth is " — Melissa sat up suddenly. **John!" she exclaimed. " Why, what — what is the matter } " She looked at him with wide open eyes, draw- ing in her under lip beneath her white teeth, with the air of profound meditation. Then she freed herself abruptly from his arms and went hastily to the table upon which were her writing materials. She had been at work copying when her lover came in, and her papers lay still open, with ink scarcely dry, where she had stopped to welcome him. She took one sheet up and studied it eagerly, and then turned toward him with shin- ing eyes, her whole face aglow. " Oh, John !" she exclaimed. He regarded her in puzzled silence. Then in an instant the glad light faded from her eyes, and 54 THE PHILISTINES. her lips lost their smile. An expression of pain and almost of terror replaced the look of joy. There had suddenly come to Melissa a sense of what she was doing. In the paper she held was written the plan of the formation of a syndicate to purchase the very range of meadows along the river in Feltonville of which those mentioned by John formed a part. At Mrs. Fenton's direction, Melissa had gone to see Mr. Hubbard, and had by him been employed to copy these papers for use at a meeting of the proposed stockholders, which was to take place in a few days. " Mrs. Fenton tells me," he had said, "that you are to be trusted. It is absolutely essential that you do not mention these plans to any living being. Perfect secrecy is expected from you, and it is only because Mrs. Fenton is your guarantee that I run the risk of putting them into your hands." " I think you can trust me," she had answered ; "even if," she had added, with the ghost of a smile, "there were anybody that I know who would be at all likely to be interested." And now the temptation had come to her in a way of which she had never dreamed. She had gone on with her copying, smiling to herself at the coincidence which put into the hands of a Feltonville girl this plan for the metamorphosis of the sleepy old village into a bustling manufac- turing town, but she had not considered that this 'TWAS WONDROUS PITIFUL. 55 scheme might have important bearing upon the fortunes of her lover. She knew that Stanton's father had owned meadows along the river where the new factories were to lie, and she knew also that when old Mr. Stanton died these had been sold with a condition of redemption, but until this moment she had not connected the facts. She did not understand business, and had been puz- zling her brain as she wrote, to understand what was meant by the statement that a certain com- pany would sell a "six months' option at seventy thousand dollars " on a water-power for two thou- sand dollars. She did understand now, however, that were John in possession of the secret of the syndicate's plans, he could redeem his father's meadows with the money he had saved toward the payment of the debts which had forced the old man into the bankruptcy that broke his heart, and once he owned these lands lying in the midst of the desirable tract, John could command his own price for them. She held in her hand the secret which would free her lover from the heavy burden of years, and bring quickly the wedding- day for which they had both waited and longed so patiently. The blood bounded so hotly in Melissa's veins as she realized all this, that she could scarcely breathe ; but like a lightning flash a thought fol- lowed which sent the tide surging back to her heart, and left her cold and faint. She remem- 56 THE PHILISTINES. bered that this knowledge was a trust. That she had given her word not to betray it. With instant recoil, she leaped to the thought that advising her lover to redeem these meadows was not betraying the secret. Like a swift shuttle flew her mind between argument and defence, between temptation and resistance, between love and duty. "■ Why, what is it, Milly } " John demanded, starting up and coming to her. '* What in the world makes you act so funny } Are you sick } Why don't you speak t " It is not easy to express the force of the strug- gle " which went on in poor Milly's mind. It seemed to her at that moment as if all the hopes of her life were set against her honesty. The material issues in any conflict between principle and inclination are of less importance than the desire which they represent. The few thousand dollars involved in the redemption of the Stanton meadows was little when compared to the magnifi- cent scheme of which this would be a mere trifling accident, but the sum represented all the desires of Milly Blake's life, while over against it stood all her faith, her honesty, and her religion. For an instant she wavered, standing as if by some spell suddenly arrested, with arms half extended. Then she flung down the paper and threw herself upon her lover's breast with a burst of tears. TIVAS WONDROUS PITIFUL. 57 "Why, Milly," he said, soothingly. '' Milly, Milly." He was unused to feminine vagaries. His be- trothed was of the outwardly quiet order of Women, and an outburst like this was incomprehensible to him. He could only hold the weeping girl in his strong embrace, soothing her in helpless mas- culine fashion, awkward, but exactly what she needed. " There, John," she cried at last, giving him a tumultuous hug, and looking up into his face through her tears, '• I always told you you were engaged to a fool, and this is a new proof of it." " But what in the world," Stanton asked, look- ing down into her eyes with mingled fondness and bewilderment, *' is it all about } What is the matter ? " *'It is nothing but my foolishness," she an- swered, leading him back to the chair from which he had risen. " I was going to show you some- thing in a paper I am copying, and just in time I remembered that I had particularly promised not to show it to anybody." He regarded her curiously. " But why," he asked, with a certain deliberate- ness which somehow made her uneasy, '' did you want to show it to me." " Because — because — " She could not equivocate, and her innocent soul had had little training in the arts of evasion. 58 THE PHILISTINES. " Because what ? " Stanton leaned back in his chair, holding her by the shoulders as she sat upon his knee, and searching her face with his strong brown eyes. Milly's glance drooped. " Don't ask me, John," she responded, putting her hand against his cheek, wistfully. '* Don't you see I couldn't tell you without letting you know what is in the paper, and that is precisely the thing I promised not to do." There are few men in whom a woman's open refusal to yield a point, no matter how trifling, does not arouse a tyrannous masculine impulse to compel obedience. Stanton had really no great curiosity about the secret, whatever it might be, but he instinctively felt that it was right to demand the telling because his betrothed refused to speak. His face grew more grave. The hands upon Milly's shoulders unconsciously tightened their hold. The girl intuitively felt that a struggle was coming, although even yet the signs were hardly tangible. She grew a little paler, putting her hand beneath her lover's bearded chin, and hold- ing his face up so that she could look straight into his fearless, honest eyes. ''Dear John," she said, wistfully, "you know I never have a secret of my own that I keep from you in all the world." " But why," demanded he, '' can it do any harm for you to give me some reason why you ever 'TWAS WONDROUS PITIFUL. 59 thought of telling me this ; and just at a time, too, when we were talking of business." " Because," she answered, thoughtlessly, '* it was about business." A new light came into Stanton's face. His lips subtly changed their expression. " It must have been a chance to make some money," he said. She grew deadly pale, but she did not answer him. He searched her face an instant, and then he lifted her in his strong arms, rising from the chair, and seating her in his place. He took a step forward, and stretched out his hand to take the paper she had thrown upon the table. With a cry of terror she sprang up and caught his arm. " John ! " she exclaimed. " Oh, for pity's sake, don't look at it." He turned and regarded her with a more un- kind glance than she had ever seen upon his face. ** Will you tell me .? " he asked. " I can't, I can't ! " she answered, half sobbing. He looked at the paper, and then at his sweet- heart. Then with a rough motion he shook off her fingers from his arm, and without a word went abruptly from the room. Milly looked toward the door which had closed after him as if she could not believe that he had really gone ; then she sank down to the floor, and, leaning her head upon a chair, she sobbed as if her heart were broken. VI THE INLY TOUCH OF LOVE. - Two Gentlemen of Verona ; ii. — 7. GRANT HERMAN looked across the breakfast table at his Italian wife thoughtfully a mo- ment, considering, as he often did, what was likely to be the effect of something he was about to say. In six years of married life he had not learned how to adapt himself to the narrower mind and more personal views of his wife. He perhaps fell into the error, so common to strong natures, of being unable to comprehend that by far the larger part of the principles which influ- ence broad minds do not for narrow ones exist at all. He continually tried to discover what pro- cess of reasoning led Ninitta to given results, but he was never able to appreciate the fact that often it was by no chain of logic whatever that certain conclusions had been arrived at. A mental habit of catching up opinions at haphazard, of acting simply from emotions, however transient, instead of from convictions, was wholly outside his mental experience, and equally unrealized in his compre- hension. He regarded Ninitta, whose foreign face and 60 THE IiVLY TOUCH OF LOVE. 5i beautiful figure looked as much out of place be- hind the coffee urn as would the faun of Praxiteles at an afternoon reception, and a smothered sigh rose to his lips with the thought how utterly he was at a loss to comprehend her. It happened in the present case, as it often did, that his failure to understand arose chiefly from the fact that there was nothing in particular to understand, and, when he spoke, Ninitta received his remark quite simply. *' Mrs. Greyson is at home again," he said. " Mrs. Greyson," she echoed, her dark eyes light- ing up with genuine pleasure. " Oh, that is in- deed good. Where is she.'* Have you seen her .'*" There shot through Herman's mind the reflec- tion that since his wife could not know that he married her out of love not for herself but for Helen Greyson, it was absurd to have fancied that Ninitta would be jealously displeased at Helen's return ; and the inevitable twinge of conscience at his wife's trusting ignorance followed. "I haven't seen her," he answered; "she only arrived yesterday. Mrs. Fenton told me when I met her at the Paint and Clay Exhibition last night." Ninitta folded her hands on the edge of the ta- ble, with a gesture of childish pleasure. *' I wonder what she will say to Nino," she said musingly, her voice taking a new softness. A sudden spasm contracted the sculptor's throat. His whole being was shaken by the return of the 62 THE PHILISTINES. woman to whom all the passionate devotion of his manhood was given, and he never heard that soft, maternal note with which his wife spoke of his boy without emotion. " She may say that the young rascal ought to be out of his bed in time for breakfast," he retorted with affected brusqueness. "■ He has all the Italian laziness in him." He pushed back his chair as he spoke, and rose from the table. He hesitated a moment, as if some sudden thought absorbed him, then he went to his wife and kissed her forehead. *' Good-by," he said. "I sha'n't come up for lunch. Don't coddle the boy too much." " But when," his wife persisted, as he turned away, " shall I see Mrs. Greyson ? I want to show her the bambino!' She always spoke in Italian to her husband and her child, and indeed her English had never been of the most fluent. " The bambino!' the father repeated, smiling. *' He will be a bambino to you when he is as big as I am, I suppose. I do not know about Mrs. Grey- son, but I will find out, if I can." He left the room and went to the chamber where his swarthy boy of five lay still luxuriously in his crib, although he was fully awake. Nino gave a soft cry of joy at the sight of his father, and greeted him rapturously. " Papa/' he asked in Italian, *' does the kitty THE INLY TOUCH OF LOVE. 63 know how much she hurts when she scratches ? she made a long place on my arm, and it hurt like fire." " Do you know how much you hurt her to make her do it ? " his father returned, smiling fondly. '' Oh, but she is so soft and so little, of course I don't hurt her," Nino answered, with boyish logic. " Anyway, she ought not to hurt me. I don't like to be hurt." The foolish, childish words came back to Her- man's mind a couple of hours later, as he waited in the boarding-house parlor for Helen Greyson. He smiled with bitterness to think how perfectly they represented his own state of mind. He said to himself that he was tired of being hurt, and rose at the moment to take in both his hands the hands of a beautiful woman, to his eyes no older and no less fair than when he had said good-by to her on his wedding morning, six years before. He tried to speak, but tears came instead of words ; choked and blinded, he turned away abruptly, struggling to regain his composure. The meeting after long years of those who have loved and been separated, may, for the moment, carry them back to the time of their parting so completely that all that lies between seems an- nihilated. The old emotion reasserts itself so strongly, the past lives again so vividly, that there seems to have been no break in feeling, and they stand in relation to one another as if the parting 64 THE PHIL IS TIiVES. were yet to come. When they had been together a little, the time which lay between them would once more become a reality ; but at the first touch of their hands those bitter days of loneliness ceased to exist, and they seemed to stand together again, as when they were saying good-by six years before. With her old time self-control, it was Helen w^ho spoke first, and her words recalled him from the past and its passion, to the present and its duty. '' Tell me how Ninitta is," she said, *' and the boy. I do so want to see that wonderful boy." The sculptor commanded his voice by a power- ful effort. ''They are both well," he answered. "The boy is a wonderful little fellow, although perhaps I am not an unprejudiced judge. Ninitta is crazy to show him to you. She has pretty nearly effaced herself since he came, and only lives for his benefit." '' She is a happy woman," Helen said, assuming that air of cheerfulness which is one of the first accomplishments that women are forced by life to learn. " I should know she would be devoted to her children." There were a few moments of silence. Both cast down their eyes, and then each raised them to study whatever changes ti-me might have made in the years that lay between them. Helen's heart was beating painfully, but she was deter- THE INLY TOUCH OF LOVE. 65 mined not to lose her self-control. She knew of old how completely she could rule the mood of her companion, and she felt that upon her calmness depended his. She had been schooling herself for this interview from the moment she began to con- sider whether she might return to America, and she was therefore less unprepared than was Her- man for the trying situation in which she now found herself ; yet it required all her strength of mind and of will not to give way to the tide of love and emotion which surged within her breast. Herman fixed his eyes resolutely on an un- gainly group in pinkish clay which represented an American commercial sculptor's idea of Romeo and Juliet at the moment when the Nurse sepa- rates them with a message from Lady Capulet. With artistic instinct he noted the stupidity of the composition, the vulgarity of the lines, the cheap ugliness of the group. In that singular abstrac- tion which comes so frequently in moments of high emotion, he let his glance wander to the pictures on the wall, the enormities in embroidery which adorned the chair backs, the garish hues of the rug lying before the open grate. Then it oc- curred to him, with a vague sense of amusement, how great was the incongruity between such a setting as this vulgar boarding-house reception- room, and the woman before him. The idea brought to his mind the contrast between the life to which Helen had come, and the life at Rome, 56 THE PHILISTINES. artistic, rich, and full of possibilities, which she had left. The thought of Rome recalled instantly the old da3^s there, almost a score of years ago, when he had first known Ninitta. So vivid were the memo- ries which awakened, that he seemed to see again the Roman studio, the fat old aunt, voluble and sharp eyed, who always accompanied her niece when the girl posed ; and most clearly of all did his inner vision perceive the fresh, silent maiden whose exquisite figure was at once the admiration and the despair of all the young artists in Rome. He remembered how Hoffmeir had discovered the girl drawing water from an old broken fountain he had gone out to sketch ; and the difficulties that had to be overcome before she could be persuaded to pose. The Capri maidens are brought up to be averse to posing, and Ninitta had not long enough breathed the air of Rome to have overcome the prejudices of her youth. He reflected, with a bit- terness rendered vague by a certain strange imper- sonality of his mood, how different would have been his life had Hoffmeir been unable to over- come the girl's scruples. He wondered whether the fat old aunt, and the greasy, good-natured little priest with whom she had taken counsel, would have urged Ninitta to take up the life of a model, could they have foreseen all the results to which this course was to lead in the end. Then, with a sudden stinging consciousness, the THE INLY TOUCH OF LOVE. 67 thouo:ht came of all that her decision had meant to his life. The old question whether he had done right in marrying Ninitta forced itself upon him as if it were some enemy springing up from ambush. He raised his eyes, and his glance met that of Mrs. Greyson. " It is no use, Helen," he broke out, impulsively, "■ we must talk frankly. It is idle to suppose that we can go on in an artificial pretence that we have nothing to say," She put up her hand appealingly. " Only do not drive me away again," she pleaded. " Don't say things that I have no right to hear ! " A dark red stained Herman's cheek, and the tears came into his eyes. *• No," he returned. ** if any one is to be driven away it shall not be you." ** But why need we trouble the things that are past," she went on, with wistful eagerness. '' Why cannot we accept it all in silence, and be friends." He looked at her with a passionate, penetrating glance. She felt a wild and foolish longing to fling herself upon the floor and embrace his feet ; but the old Puritan training, the resistant fibre inherited from sturdy ancestors, still did not fail her. " You have your wife," she hurried on, " your home, your boy. That is enough. That " — ''That is not enough," he interrupted, with an emphasis, which seemed stern. *' Helen, I shall 68 THE PHILISTINES. not talk love to you. I am another woman's hus. band, I made a ghastly mistake when I married Ninitta, but it is done. She loves me ; she is happy, and I love " — his voice faltered into a wonderful softness more eloquent than words, — ''I love Nino." She would not let him go on. She sprang up and ran to him, taking his hands in hers with a touch that made his blood rush tingling through his veins. **Yes," she cried, *'you love Nino! Think of that ! Think most of all that whatever you are, good or bad, you are for your son, for Nino ! Come ! There is safety for us in that. We will go and talk with Nino between us. Then we shall say nothing of which we can be ashamed or regret." There came to Herman a vision of his boy clasped in Helen's arms which made him feel as if suffocating with the excess of his emotion. He rose blindly, only half conscious of what he was doing ; and without giving time for objections Helen hastened to dress herself for the street, and in a few moments they were walking together toward the sculptor's house. To Herman's surprise, his wife was absent when he reached home. The maid did not know where she had gone. She often went out in the morning without saying where she was going, and of course the servant did not ask. THE INLY TOUCH OF LOVE. 69 ''That is odd," Herman said; ''but she has probably gone shopping or something of the sort. It is too bad, she had so set her heart on showing you the bambmo, as she calls him, herself." But it proved that Nino also was out, having been taken for a walk ; and so Helen, who returned home at once, saw neither of them. VII THIS DEED UNSHAPES ME. Measure for Measure ; iv. — 4. AJINITTA had not gone shopping. She was -'- ' posing for Arthur Fenton, at his studio. Even the presence of her boy could not wholly make up to the Italian for the loss of all the old interest and excitement of her life as a model. The boy was with his nurse or at the kindergarten for long hours during which Ninitta, who had few of the resources with which an educated woman would have filled her time, mingled longings for her old life with blissful gloatings over Nino's beauty and cleverness. Her husband was always kind, but since his marriage delicacy of sentiment had made him shrink from having his wife pose even for himself, while naturally no thought of her doing so for another would have been entertained for a moment. Ninitta had been so long in the life, to pose had been so large a part of her very existence, that she hardly knew how to do without the old-time flavor. Mrs. Fenton had perceived something of this with- out at all appreciating the strength of the feeling of the sculptor's wife, and she had at one time 70 THIS DEED UNS RAPES ME. 71 tried to interest Ninitta in what might perhaps be called missionary work among the models of Bos- ton, a class of whose calling Edith held views which her husband was not wholly wrong in call- ing absurdly narrow. She was met at once by the difficulty that it was impossible to make Ninitta see that missionary work was needed among the models, and the effort resulted in nothing except to convince Mrs. Fenton that she could do little with the Italian. Just how Arthur Fenton had persuaded her to pose without her husband's knowledge, Ninitta could not have told ; and the artist himself would have assured any investigator, even that specula- tive spirit which held the place left vacant by the dismissal of his conscience, that he had never delib- erately tried to entice her. He had talked to her of the picture he was painting for a national com- petitive exhibition, it is true, and dwelt upon the difficulty of procuring a proper model ; he had met her on the street one day and taken her into his studio to see it ; he had regretted that it was impossible to ask her ; and of a hundred apparently blameless and trivial things, the result was that this morning, while Helen and Herman were walking across the Common to find her, Ninitta was lying amid a heap of gorgeous stuffs and cushions in Fenton's studio, while he painted and talked after his fashion. It is as impossible to trace the beginnings of 72 THE PHILISTINES. any chain of events as it is to find the mystery of the growth of a seed. Whatever Arthur Fenton's faults, he certainly believed himself to be one who could not betray a friend. The ideal which he vaguely called honor, and which served him as that ultimate ethical standard which in one shape or another is necessary to every human being, for- bade his taking advantage of any one whose friend- ship he admitted. His instinct of self-indulgence had, how^ever, made him so expert a casuist that he was able to silence all inner misgivings by arguing that the demands of art were above all other laws. He reasoned that Ninitta's posing could do no possible harm to Grant Herman, while the success of his Fatiina depended upon it ; and since art was his religion, he came at last to feel as if he were nobly sacrificing his prejudices to his highest convictions in violating for the sake of art his principle which forbade his deceiving her husband. Least of all, in asking the Italian to pose, had Fenton been actuated by any intention of tempt- ing her to evil. He needed a model for the Fatima as he needed his canvas and brushes ; and his satisfaction at having induced Ninitta to serve his purpose was in kind much the same as his pleasure that his brushes and canvas were exactly what he wanted. But it is always difficult to tell to what an action may lead ; and most of all is it hard to foresee the THIS DEED UNSHAPES ME. 73 consequences which will follow from the violation of principle. Perhaps the air of secrecy with which Ninitta found it necessary to invest her coming, had an intoxicating effect upon the artist ; perhaps it was simply that his persistent egotism moved him to test his power. Men often feel the keenest curiosity in regard to the extent of their ability to commit crimes into which they have yet not the remotest intention of being betrayed ; and especially is this true in their relations to women. Men of a certain vanity are always eager to dis- cover how great an influence for evil they could exercise over women, even when they have not the nerve or the wickedness to exert it. A man must be morally great to be above finding pleas- ure in the belief that he could be a Don Juan if he chose ; and moral grandeur was not for Arthur Fenton. From whatever cause, the fact was, that as he painted this morning and reflected, with a compla- cency of which he was too keen an analyst not to know he should have been ashamed, how he had secured the model he desired despite her husband, the speculation came into his mind how far he could push his influence over Ninitta. At first a mere impersonal idea, the thought was instantly, by his habit of mental definiteness, realized so clearly that his cheek flushed, partly, it is to be said to his credit, with genuine shame. He looked at the beautiful model, and turned away his eyes. 74 THE PHILISTINES, Then, hardly conscious of what he was doing, he laid down his palette, and took a step forward. At that instant the studio bell rang sharply. He started with so terrible a sense of being dis- covered in a crime, that his jaw trembled and his knees almost failed under him. Then instantly he recovered his self-possession, although his heart was beating painfully, and looked up at the clock. "Heavens!" he exclaimed. "I had no idea how late it was ! It is that beastly Irons for his last sitting. I'd forgotten all about him." Ninitta rose from her position and hurried toward the screen behind which she dressed. "Don't let him in," she said. "He knows me." The bell rang again, as they stood looking at each other. " I will try to send him off," Arthur said. "Dress as quickly as you can." She retreated behind the screen while he went to the door and unlocked it. Instantly Irons stepped inside. "You must excuse me," the artist said. "I'll be ready for you in fifteen minutes. I have a model here, and got to painting so busily that I forgot the time. Come back in a quarter of an hour." "Oh, I don't mind," Irons said, advancing into the studio. " I'll look round until you are ready." " But I never admit sitters when I have a THIS DEED UNSHAPES ME. n model," Fenton protested, standing before him. ''I shall have to ask you to go." The other stopped and looked at the artist with suspicion in his eyes. '' What a fuss you make," he commented coarsely. *' No intrigue, I suppose } " A hot flush sprang into Fenton's face. He tried to assume a haughty air, but the conscious- ness of being entrapped in a misdemeanor had not left him. The need of getting Mrs. Herman out of the studio unseen would have been awkward at any time ; when to this was added the sense of guilt and shame which was begotten of the base impulse to which he had almost yielded, the situa- tion became for him painfully embarrassing " I am not in the habit of carrying on intrigues with my models," he replied, haughtily. " Or," he added, regaining self-possession, *' of discussing my affairs with others." Mr. Irons laughed in a significant way which made Arthur long to kill him on the spot, and, stepping past Fenton, he walked further into the studio. ''Don't put on airs with me," he said. "Your looks give you away. You've been up to some mischief." He paused an instant before the unfinished picture on the easel, then when the artist coolly took the canvas and placed it with its face to the wall, he turned with deliberate rudeness and 1^ THE PHILISTINES, craned his neck so that he could look behind the screen. A leering smile came over his coarse features. Without a word he went over to the most distant corner of the studio, where he ap- parently became absorbed in studying a sketch hanging on the wall. There was a dead silence of some moments. Fenton was literally speechless with rage, yet, too, his quick wit was busy devising some way of escape from the unpleasant predicament in which he found himself. He did not speak, nor did Mr. Irons turn until Ninitta had completed her toilet and slipped hastily out. As the door closed after her, Irons wheeled about and confronted the indignant artist with a smile of triumphant glee. " Sly dog ! " he said. Fenton advanced a step toward his tormentor with his clenched hand half raised as if he would strike. '' What do you mean } " he demanded. " Do you call yourself a gentleman 1 " "Oh, come, now," the other responded, with an easy wave of the hand, ''no heroics, if you please. They won't go down with me. She's a devilish fine woman, and I don't blame you." *' I tell you," began Fenton, "you" — " Oh, of course, of course. I know all that. But sit down while I say something to you." As if under the constraining influence of a nightmare, Fenton obeyed when Mr. Irons, having THIS DEED UNSHAPES ME. 77 seated himself in an easy chair, waved him into another with a commanding gesture. The artist felt himself to have lost his place as the stronger of the two, of which he had hitherto been proudly conscious, and he sat angrily gnawing his lip while his tormentor regarded him with smiling malice. ** Do you remember telling me one day," Irons asked, fixing his narrow eyes on the other's dis- turbed face, "that you could make your sitters tell you things V Fenton stared at his questioner in angry silence, but did not answer. "Now, if," continued Irons; "I say if, you observe, — if Stewart Hubbard should chance to tell you where the new syndicate mean to locate their mills, it might be a mighty good thing for you." Still Fenton said nothing, but his regard became each moment more wrathful. " Of course," the sitter continued, with an assumption of airy lightness which grated on every nerve of the hearer, " you are not in a posi- tion to turn such .knowledge to advantage; but I am, and I am always inclined to help a bright fellow like you when there is a good chance. So if you should come to me and say that the mills are to be so and so, I'd do all I could to make things pleasant for you. I happen to belong to a syndicate myself that has bought a mill privilege 78 THE PHILISTINES. at Wachusett, and it is important to us to have the new railroad go our way, and we'd like to know how far the other fellows' plans are danger- ous to our interests, don't you see." Still Fenton did not speak. He had grown very pale, and his lips were set firmly together. His hands clasped the arms of his chair so strongly that the blood had settled under the middle of the nails. Mr. Irons looked at him with narrow, piercing eyes. He paused a moment and then went on. *' You are perfectly capable of keeping a secret," he said in a hard, deliberate tone, " so I don't in the least mind telling you what we should do. Your sitters always tell you things, you know • and you are to be trusted. The case is here ; our syndicate stand in with the railroad corporation and ask the Railroad Commissioners for a certifi- cate of exigency, to authorize laying the new branch out through Wachusett. Now we have information that Staggchase and Stewart Hub- bard and that set, are planning to spring a petition asking for special legislation locating the road somewhere else. Of course, they'll have to get it in under a suspension of the rules, but they can work that easily enough. The Commissioners will have to hold on, then, until the Legislature finishes with that petition." He paused again, with an air which convinced the artist that he was going on with this elaborate THIS DEED UiYSHAPES ME. 79 explanation to cover his awkwardness. Fenton did not speak, and his visitor continued, — "The Commissioners might settle the matter now, but they won't, and we've got to have the fight, I suppose ; so, of course, you can see how it is for our interest to know just what we are fighting." He rose as he spoke, and with an air of delibera- tion, buttoned his overcoat, which he had not re- moved. " I don't think you feel like painting this morn- ing," he observed, " and I'll come in again. I'll leave you to think over what I have said." Fenton rose also, regarding him with fierce, level eyes. "And suppose," he said, "that I call you a damned scoundrel, and forbid you ever to set foot in my studio again ? " The other laughed, with the easy assurance of a bully who feels himself secure. " Oh, you won't," he repHed. " If you did, — well, I am on the committee for the new statue, and have to see Herman now and then you know, and I should, perhaps, ask him why his wife poses for you. Good morning." And with a chuckling laugh, he took himself out. VIII A NECESSARY EVIL. Julius Caesar ; ii. — 2. *'/^H, I assure you that my temper has been such ^ for a week that my family have threatened to have me sent to a nervine asylum," Ethel Mott observed to Fred Rangely, who was calling on her, ostensibly to inquire after her health, some trifling indisposition having kept her housed for a few days. " What with my cold and my vexation at losing things I wanted to go to, I have been posi- tively unendurable." " That's your way of looking at it," he re- sponded ; "but I hardly fancy that anybody else found it out. But what has there been to lose, except the Throgmorton ball ? " ''Well, first there was the concert Saturday night." " Do you care so much about the Symphonies, then ? I thought you were the one girl in Boston who doesn't pretend to care for music." " Oh, but we have lovely seats this year, and the nicest people all about us, you know. Thayer Kent and his mother are directly behind us." " Where he can lean forward and talk to you," interrupted Rangely, jealously. 80 A NECESSARY EVIL. 8l "Yes," she said, nodding with a gleam of mis- chievous laughter in her dark eyes. "And I do have a nice time at the Symphonies. Besides, I don't in the least object to the music, you know." Fred fixed his gaze on a large old-fashioned oil painting on the opposite wall, a copy from some of the innumerable pastorals which have been made in imitation of Nicholas Poussin. It was of no particular value, but it was surrounded by a beautiful carved Venetian frame, and was one of those things which confer an air of distinction upon a Boston parlor, because they are plainly the art purchases of a bygone generation. " But you have, of course, had no end of girls running in to see you," he observed. " Yes ; but, then, that didn't make up for the Throgmorton ball. You ask what else there was to lose ; I should think that was enough. Why, Janet Graham says she never had such a lovely time in her life." " Is Miss Graham engaged to Fred Gore } " Rangely asked. Ethel's gesture of dissent showed how little she would have approved of such a consummation. " No, indeed," she returned. " Fred Gore only wants Janet's money, anyway ; and she can't abide him, any more than I can." " Then, you have the correct horror of a mar- riage for money." " I think a girl is a fool to let a man marry her 82 THE PHILISTINES. for her money. She'd much better give him her fortune and keep herself back. Then she'd at least save something. I don't approve of people's marrying for money anyway ; although, of course," she added, with a twinkle in her eye, " I think it is wicked to marry without it." There shot through Rangely's mind the reflec- tion that Thayer Kent had not an over-abundance of this world's goods ; and to this followed the less pleasant thought that he was himself in the same predicament. " But Jack Gerrish hasn't anything," he said, aloud. " But Janet has enough, so she can marry any- body she wants to," was the reply ; " and Jack Gerrish is too perfectly lovely for anything." The visitor laughed, but he was evidently not at his ease. He was always uncomfortably conscious that Ethel had not the slightest possible scruple against laughing at him, and he w^as not a little afraid of her well-known propensity to tease. Ethel regarded him with secret amusement. A woman is seldom displeased at seeing a man dis- concerted by her presence, even when she pities him and would fain put him at his ease. It is a tribute to her powers too genuine to be disputed, and while she may labor to overcome the man's feeling, her vanity cannot but be gratified that he has it. " Did you ever know anything like the way Elsie A NECESSAJiY EVIL. 83 Dimmont is going on with Dr. Wilson ? " Ethel said, presently, by way of continuing the conversa- tion. " I can't see what she finds to like in him. He's as coarse as Fred Gore, only, of course, he's cleverer, and he isn't dissipated." " Wilson isn't a half bad fellow," Rangely re- plied, rather patronizingly. " Though, of course, I can understand that you wouldn't care for that kind of a man." " Am I so particular, then } " " Yes, I think you are." " Thank you for nothing." " Oh, I meant to be complimentary, I assure you. Isn't it a compliment to be thought particu- lar in your tastes t " ** That depends upon how you are told. Your manner was not at all calculated to flatter me. It said too plainly that you thought me cap- tious." " But I don't." " Of course you wouldn't own it," Ethel re- torted, playing with a tortoise-shell paper-cutter she had picked up from the table by which she sat; ''but your manner was not to be mistaken. It betrayed you in spite of yourself." Rangely knew how foolish he was to be affected by light banter like this, but for his life he could not have helped it. The fact that Ethel knew how easily she could tease him lent a tantalizing sparkle to her eyes. She smiled mockingly as he 84 THE PH/LIS TINES. vainly tried to keep the flush from rising in his cheeks. ** You are singularly fond of teasing," he ob- served, in a manner he endeavored to make cool and philosophical. ** Now you are calling me singular as well as captious." "The girl who is singular," returned he, in an endeavor to turn the talk by means of an epigram which only made miatters worse for him, '* the girl who is singular runs great risk of never becoming plural." Ethel laughed merrily, her glee arising chiefly from a sense of the chance he was giving her to work up one of those playful mock quarrels which amused her and so thoroughly teased her admirer. " Upon my word, Mr. Rangely," she said, as- suming an air of indignant surprise, ''is it your idea of making yourself agreeable to tell an unfor- tunate girl that she is destined to be an old maid } I could stand being one well enough, but to be told that I've got to be is by no means pleasant." He knew she w^as playing with him, but he could not on that account meet her on her own ground. He endeavored to protest. " You are trying to make me quarrel." "Make you quarrel.?" she echoed. "I like that ! Of course, though, to be so full of faults that you can't help abusing me is one way of making you quarrel." A NECESSARY EVIL. 85 "How you do twist things around !" exclaimed he, beginning to be thoroughly vexed. She pursed up her lips and regarded him with an expression more aggravating than words could have been. She had been for several days de- prived of the pleasure of teasing anybody, and her delight in vexing Rangely made his presence a temptation which she was seldom able to resist. She was unrestrained by any regard for the young author which should make her especially con- cerned how seriously she offended him ; and when she now changed the conversation abruptly, it was with a forbearing air which was anything but soothing to his nerves. ** Don't you think," she asked, "that Mr. Berry was absurd in the way he acted about playing at Mrs. West's .^ " " No, I can't say that I do," the caller retorted savagely. " Mrs. West gives out that she is going to give the neglected native musicians at last a chance to be heard, and then she invites them to play their compositions in her parlor. West- brooke Berry isn't the man to be patronized in any such way. Just think of her having the cheek to give to a man whose work has been brought out in Berlin an invitation which is equivalent to saying that he can't get a public hearing, but she'll help him out by asking her guests to listen to him. Heavens ! Mrs. West is a perfectly incred- ible woman." 86 THE PHILISTINES. Ethel smiled sweetly. In her secret heart she agreed with him ; but it did not suit her mood to show that she did so. " You seem bound to take the opposite view of everything to-day," she said, in tones as sweet as her smile ; " or perhaps it is only that my temper has been ruined by my cold. I told you it had been bad." He rose abruptly. *' If everything is to put us more at odds," he said, rather stiffly, *' the sooner I withdraw, the better. I am sorry I have fallen under your dis- pleasure ; it is generally my ill luck to annoy you." And in a few moments he was going down the street in a frame of mind not unusual to him after a call upon Miss Mott, from whose house he was apt to come away so ruffled and irritated that nothing short of a counteracting feminine influ- ence could restore his self-complacency. This office of comforter usually fell to the lot of Mrs. Frederick Staggchase. Indeed, his fondness for this lady was so marked as to give rise to some question among his intimates whether he were not more attached to her than to the avowed object of his affection. An hour after he had made his precipitate re- treat from Ethel's, he found himself sitting in the library at Mrs. Staggchase's, with his hostess comfortably enthroned in a great chair of carved A NECESSARY EVIL. 87 oak on the opposite side of the fire. The con- versation had somehow turned upon marriage. There is always a certain fascination, a piquant if faint sense of being upon the borderland of the forbidden, which makes such a discussion attrac- tive to a man and woman who are playing at mak- ing love when marriage stands between them. ''But, of course," Rangely had said, "two mar- ried people can't live at peace when one of them is in love with somebody else." Mrs. Staggchase clasped with her slender hand the ball at the end of the carved arm of the chair .in which she was sitting, looking absently at the rings which adorned her fingers. She possessed to perfection the art of being serious, and the air with which she now spoke was admirably calcu- lated to imply a deep interest in the subject under discussion. " I do not understand," she observed, thought- fully, " why a man and woman need quarrel be- cause they happen to be married to each other, when they had rather be married to somebody else. It wouldn't be considered good business policy to pull against a partner because one might do better with some other arrangement ; and it does seem as if people might be as sensible about their marriage relations as in their business." Her companion glanced at her, and then quickly resumed his intent regard of the fire beside which he sat. 88 THE PHILISTIXES. " But people are so unreasonable," he remarked. Mrs. Staggchase assented, with a characteristic bend of the head, and a movement of her flexible neck. She looked up with a smile. '* I think Fred and I are a model couple," she said. *.' Fred came into my room this noon, just as I had finished my morning letters. * Good- morning,' he said, ' I hope you weren't fright- ened.' — ' Frightened } ' I said, ' what at .^ ' — 'Do you mean to say you didn't know I was out all night V — 'I hadn't an idea of it,' said I. He'd been playing cards at the club all night, and had just come in. He says that the next time, he shan't take the trouble to expose himself." Rangely laughed in a somewhat perfunctory way. " But if that is a model fashion of living, what becomes of the old notions of kindred souls, and all that sort of thing } " he asked. " I shouldn't want my wife " — He paused, rather awkwardly, and Mrs. Stagg- chase took up the sentence with a smile of amuse- ment, in which there was no trace of annoyance. She was too well aware how com.pletely she was mistress of the situation, in dealing with Rangely, to be either vexed or embarrassea in talking with him. " To be as frank with another man as I am with you } " she finished for him. " Oh, very likely not. You have all the masculine jealousy which A NECESSARY EVIL. 89 is aroused in an instant by the idea that a woman should be at liberty to like more than one man. You are half a century behind us. Marriage as you conceiv^e it is the old-fashioned article, for the use of families in narrow circumstances intellect- ually as well as pecuniarily. Love in a cottage is necessary, because people under those conditions can't live unless they are extravagantly devoted to each other. Marriage with us is just what it ought to be, an arrangement of mutual conve- nience. Fred and I suit each other perfectly, and are sufficiently fond of each other ; but there are sides of his nature to which I do not answer, and of mine that he does not touch. He finds some- body who does ; I find somebody on my part. You, for instance." Rangely leaned back in his chair, and clasped his plump white fingers, regarding Mrs. Stagg- chase with a smile of amusement and admiration. '* You are so awfully clever," was his response, " that you could really never be uncommonly fond of anybody. You'd analyze the whole business too closely." She laughed slightly, and went on with what she was saying, without heeding his interruption. " Fred and I make good backgrounds for each other, and, after all, that is what is required. You answer to my need of companionship in another direction, and since that side of my na- ture is unintelligible to my husband, he is not QO THE PHILISTINES. defrauded, while I should be if I starved my desire for such friendship, to please an idea like yours, that a wife should find her all in her husband. Fortunately, Mr. Staggchase is a broader man than you are." " Thank you," Rangely retorted, with a faint tinge of annoyance visible, despite his air of jocu- larity. " Arthur Fenton says a broad man is one who can appreciate his own wife. If Mr. Stagg- chase does that " — " Come," interrupted Mrs. Staggchase, smiling with the air of one who has had quite enough of the topic, " don't you think the subject is getting to be unfortunately personal t I have a favor to ask of you." Rangely was too well aware of the uselessness of trying to direct the conversation to make any attempt to continue the talk, which, moreover, had taken a turn not at all to his liking. He settled himself in his chair, in an attitude of easy atten- tion. " I am always delighted to do you a favor," he said. " It isn't often I get a chance." The relations between these two were not easy to understand, unless one accepted the simplest possible theory of their friendship. It was, on the part of Mrs. Staggchase, only one of a succession of platonic intimacies with which her married life had been enriched. She found it necessary to her enjoyment that some man should be her devoted A N-ECESSARY EVIL. qI admirer, always quite outside the bounds of any possible love-making, albeit often enough she per- mitted matters to go to the exciting verge of a flirtation which might merit a name somewhat warmer than friendship. She was a brilliant and clever woman who allowed herself the luxury of gratifying her vanity by encouraging tha ardent attentions of some man, which, if they ever be- came too pressing, she knew how to check, or, if necessary, to stop altogether. She was fond of talking, and she frankly avowed her conviction that women were not worth talking to. She liked an appreciative masculine listener with whom she could converse, now in a strain of bewildering frankness, now in a purely impersonal and intel- lectual vein, and who, however he might at times delude himself by misconstruing her confidences into expressions of personal regard, was clever enough to comprehend the little corrective hints by which, when necessary, she chose to undeceive him. Analyzed to its last elements, her feeling, it must be confessed, was pretty nearly pure selfish- ness ; but she was able, without effort, and by half- unconscious art, to throw over it the air of being disinterested friendship. Such a nature is essen- tially false, but chiefly in that it gives to a passing mood the appearance of a permanent sentiment, and, while seeking only self-gratification, seems actuated by genuine desire to give pleasure to another. Q2 THE PHILISTINES. The attitude of Rangely toward Mrs. Staggchase was, perhaps, no more unselfish, and was certainly no more noble, but his sentiment was at least more genuine. He was flattered by her preference, and he was bewildered by her cleverness. He liked to believe himself capable of interesting her, and without in the most remote degree desiring or an- ticipating an intrigue, he was ready to go as far as she would allow in his devotion. He was con- stantly tormented by a vague phantom of conquest, which danced with will-o'-the-wisp fantasy before him, and from day to day he endeavored to dis- cover how deeply in love she was willing he should fall. He was really fond of her, a fact that did not prevent his entertaining a half-hearted passion for Ethel Mott, the result of this mixture of emo- tion being that he was the slave, albeit with a dif- ference, of either lady with whom he chanced to be. That he was the plaything of Mrs. Stagg- chase's fancy he was far from realizing, although from the nature of things he naturally regarded his fondness for Miss Mott as the permanent factor in the case. He even felt a certain compunction for the regret he supposed Mrs. Staggchase would feel when he should decide formally to transfer his allegiance to her rival ; a misgiving he might have spared himself had he been wise enough to appre- ciate the situation in all its bearings. The lady understood perfectly how matters stood, but Rangely was her junior, and, besides, no man in A NECESSARY' EVIL. ^3 such a case ever comprehends that he is being played with. ** It is in regard to the statue of America that I want you to be useful," Mrs. Staggchase said, re- plying to her visitor's proffer of service with a smile. " Do you know what the chances are in regard to the choice of a sculptor ? " " Why, I suppose Grant Herman will have the commission." ''But I think not." *' You think not } Who will then .? " *'That is just it. Mr. Hubbard has been back- ing Mr. Herman ; and Mr. Irons, who never will agree to anything that Mr. Hubbard wants, is put- ting up the claims of this new woman, just to be contrary." " What new woman } Mrs. Grey son } " '* Yes. Mrs. Frostwinch told me all about it yesterday. Now there is a young man that we are interested in " — " Who is ' we ' } " interrupted Rangely. " Oh, Mrs. Frostwinch, and Mrs. Bodewin Ran- ger, and a number of us." "■ But whom have you got on the committee } " " Mr. Calvin ; and don't you see that Mr. Cal- vin's name in a matter of art is worth a dozen of the other two." " Yes," Rangely assented, rather doubtfully, ** in the matter of giving commissions it certainly is." Mrs. Staggchase smiled indulgently, playing 94 THE PHILISTINES. with the ring in which blazed a splendid ruby, and which she was putting on and off her finger. " If you think," she said, '' that you are going to entrap me into a discussion of the merits of art and Philistinism, you are mistaken. I told you long ago that I was a Philistine of the Philistines, deliberately and avowedly. The true artistic soul which you delight to call Pagan is only the servant of Philistinism, and I own that I prefer to stand with the ruling party. As, indeed," she added, with a mischievous gleam in her eye, "do many who will not confess it." Rangely flushed. The thrust too closely re- sembled reproaches which in his more sensitive moments he received at the hand of his own inner consciousness, so to speak, not to make him wince. He felt himself, besides, becoming involved in a painful position. He had long been the intimate friend of Grant Herman, and felt that the sculptor had a right to expect whatever aid he could gi\'e him in a matter like this. "But who," he asked, "is yoMX protege f " His name," Mrs. Staggchase replied, " is Orin Stanton. He is a fellow of the greatest talent, and he has worked his way " — Rangely put up his hand in a gesture of impa- tience. "I know the fellow," he said. "He made a thing he called Hop Scotch^ of which Fenton said the title was far too modest, since he'd not only scotched the subject but killed it." A XECESSARY EVIL. 95 ** One never knew Mr. Fenton to waste the chance of saying a good thing simply for the sake of justice," Mrs. Staggchase observ^ed, with un- abated good humor. " But you are to help us in the Daily Observer, and there is to be no discus- sion about it. Since you know you are too good- natured not to oblige me in the end, why should you not do it gracefully and get the credit of being willing." And then, being a wise woman, she disregarded Rangely's muttered remonstrance and turned the conversation into a new channel. IX THIS IS NOT A BOON. Othello; iii. — 3. TF the old-time opinion that a woman whose ^ name is a jest with men has lost her claims to respect, Mrs. Amanda Welsh Sampson might be supposed to have little ground for the inner anger she felt at the scantness of the courtesy with which she was treated by Mr, Irons. That gen- tleman was calling upon her in her tiny suite of rooms at the top of one of those apartment hotels which stand upon the debatable ground between the select regions of Back Bay and the scorned precincts of the South End, and he was appar- ently as much at home as if the sofa upon which he lounged were in his own dwelling. The apartment of Mrs. Amanda Welsh Samp- son gave to the experienced eye evidences of a pathetic struggle to make scanty resources furnish at least an appearance of luxury. The walls were adorned with amateur china painting in the shape of dreadful placques and plates in livid hues ; there was abundance of embroidery that should have been impossible, in garish tints 96 THIS IS NOT A BOON. c)y and uneven stitches ; much shift had been made to produce an imposing appearance by means of cheap Japanese fans and the inexpensive wares of which the potteries at Kioto, corrupted by foreign in- fluence, turn out such vast quantities for the foreign market. Against the wall stood an upright piano — if a piano could be called upright which habi- tually destroyed the peace of the entire neighbor- hood — and over it was placed a scarf upon which apparently some boarding-school miss had taken her first lesson in painting wild flowers. The room was small, and so well filled with furniture that there seemed little space for the long limbs of Alfred Irons, who, however, had contrived to make himself comfortable by the aid of various cushions covered with bright- colored sateens. He had lighted a cigar without thinking it necessary to ask leave, and had even made himself more easy by putting one leg across a low chair. Mrs. Sampson was fully aware that in her strug- gles with life she had sometimes provoked laughter, often disapproval, and now and then given rise to positive scandal, yet she was still accustomed to at least a fair semblance of respect from the men who came to see her ; women, it is to be noted, being not often seen within her walls, since those who were willing to come she did not care to receive, and those whom she invited seldom set her name down on their calling lists. Among 98 THE PHILISTINES. themselves, at the clubs or elsewhere, the men speculated more or less coarsely and unfeelingly upon the foundations of the numerous scandals which had from time to time blossomed like brill- iant and life-sapping parasites upon the tree of Mrs. Sampson's reputation. Her name, either spoken boldly or too broadly hinted at to be mis- understood, adorned many a racy tale told in smoking-rooms after good dinners, or when the hours had grown small in more senses than one ; and her career was made to point more than one moral drawn for the benefit of the sisters and daughters of the men who joked and sneered con- cerning her. CMrs. Amanda Welsh Sampson was born of a good old Boston family, to which she clung with a desper- ate clutch which her relatives ignored so far as with dignity they were able. Her father had been a lawyer of reputation, and his portrait was still displayed prominently in the daughter's parlor, a circumstance which had given Chauncy Wilson opportunity for a jest rather clever than elegant concerning Judge Welsh's well-known fondness in life for watching the progress of criminal cases. Of her husband, the late Mr. Sampson, there was very little said, and not much was known beyond the fact that having run away from school to marry him, Amanda had shared a shady and it was whispered rather disreputable existence for three years, at the end of which she was fortu- THIS IS NOT A BOON 99 nately relieved from the matrimonial net by his timely decease ; an event of which she sometimes spoke to her more intimate male friends with un- disguised satisfaction. It might not have been easy to tell how far Mrs. Sampson's subsequent career was forced upon her by circumstances, and how far it was the result of her own choice. She always represented herself as the victim of a hard fate : but her relatives, one of whom was Mr. Staggchase, declared that Amanda had no capabilities of respectability in her composition. Mrs. Staggchase, upon whom marriage had conferred the privilege of expressing her mind with the freedom of one of the family, while it happily spared her from the responsibility of an actual relative, declared that everything had been done to keep Mrs. Sampson within the bounds of propriety, but all in vain. The income from the estate of the late Judge Welsh was not large, and as Mrs. Sampson's tastes, especially in dress, were somewhat expensive, it followed that she was often reduced to devices for increasing her bank account which were generally adroit and curious, but often not of a character to be openly boasted of. She had had some business transac- tions already with Irons, who was at this moment laying out the plan of work in a fresh operation where she might make herself useful. > "Of course," he said, "all the men from Wachusett way are on our side, and the men 100 THE PHILISTINES. from the other part of the county will be against us." " What other part of the county ? " Mrs. Samp- son inquired. She had laid down her sewing and was listening intently, with a look of keen intelligence, the tips of her long and rather large fingers pressed closely together. She hated Irons devoutl}^, but his scheme meant financial profit to her, and vari- ous bills were troublesomely overdue. " That's what we have to discover. When we find out, I'll let you know. The other syndicate have been deucedly close-mouthed about their plans, but of course they can't keep dark a great while longer ; and in any case I am on the track of the information." '^ And what," Mrs. Sampson asked, with an air of innocence too obviously artificial, '' am I ex- pected to do .'' " Irons glanced at her with a wink, taking in her plain, vivacious face with its sparkling eyes, her fine figure, and stylish, if somewhat too pro- nounced, presence. "The old game," he said. "■ Show a tender and sisterly interest in a few of the country members. There are one or two men from the western part of the state that we want to capture at once before the thing is started. Do you know anybody in that region } " " My father, Judge Welsh," she answered with THIS IS NOT A BOON. lOi an amusing touch amid her frankness of the air with which she always mentioned her ancestors in society, ''had numerous connections there." ''Ah, that is good," the visitor responded, with evident satisfaction. • He knocked the ashes from his cigar into a tiny bronze which Mrs. Sampson had put within his reach when he showed signs of throwing them upon the carpet, and then plunged into a discus- sion of the members of the State Legislature with whom it was possible for Mrs. Sampson to estab- lish an acquaintance, and whom she was likely to be able to influence. He drew from his pocket a list of men, and with quite as business-like an air his hostess produced a similar document from her desk ; the pair being soon deep in consultation over the schedules. Lobbying in Massachusetts is not by the public recognized as a well-organized business, and yet any one who desires to secure personal influence to aid or to hinder legislation is seldom at a loss to find people well experienced in such work. The lobby to the eyes of the public, moreover, consists entirely of men, if one excepts the group of foolish intriguers in favor of the vagaries of proposed law-making by which it is supposed the distinctions of sex may be abolished, l There are in the city, however, women who by no means lack experience in manipulating the votes of coun- try members, and who are but too willing to sell I02 THE PHILISTINES. their services to whoever can make it to their pecuniary interest to favor a bill. Mrs. Amanda Welsh Sampson was extremely adroit and careful in concealing her connection with ithe law-making of the State. She was in evidence in most public places ; at the theatres, the concert halls, the County Club races, and at every fashionable entertainment to which her cleverness could procure her admission, her con- spicuous figure, made more prominent by a cer- tain indefinable loudness of style, a marked dash of manner, and gowns in a taste rather daring than refined, was too conspicuous to be overlooked. Yet it is doubtful if she had ever been up the steps leading to the gilded-domed capitol in her life. She went about much ; and the unchaperoned life which in virtue of her widowhood and her love of freedom she chose to lead, the width of the circle over which her acquaintance extended, allowed her to carry on her work unobserved ; so that while a great variety of stories of one sort of queerness or another were told of Mrs. Sampson, this particular side of her career was almost un- known. ''There is Mr. Greenfield," Mrs. Sampson ob- served, tapping her teeth with her pencil. '* His wife was a cousin of my husband. I don't know them at all, but I could easily ask him to come and see me. It would be only proper to offer him the hospitality of the town, you know." THIS IS NOT A BOOX. IO3 " Good ! " cried Mr. Irons, slapping his open palm down on his knee. '* Greenfield's the hard- est nut we've got to crack in the whole business. He's the sort of man you can't talk to on a square business basis. You've got to mince things damned fine with him, and he's chairman of the Railroad Committee, you know. He'd have a tremendous amount of influence, anyway." " He's a little tin god at Fentonville, I've heard," Mrs. Sampson responded, laughing in the mechan- ical way which was her habit. '' When he's at home they say the sun doesn't rise there till he's given his permission." Irons in his excitement took his leg down from its supporting chair and sat up straight, dropping his list of members to the floor and clasping his knees with his heavy hands. •* Now look here, old lady," he said, '' here's a chance to show your mettle. If you'll manage Greenfield, I'll run the rest of the hayseed crowd, and I'll make it something handsomer than you ever had in your life." The woman smiled a smile of greed and cun- ning. "I'll take care of him," she said. "And he shall never know he has been taken care of either." Irons laughed with coarse jocoseness. "A man has very little chance that falls into your clutches," he observed, "but in this particu- 104 '^^^^ PHILISTImYES. lar case you've got a heavy contract on hand. Greenfield's got his price, of course, like every- body else, but I'm hanged if I know what it is. If you offered him tin he'd simply fiy out on the whole thing and nobody could hold him. There isn't any particular pull in politics on him. This new-fashioned independence has knocked all that to pieces ; and Greenfield is an Independent from the word go. I don't know what you're to bait your hook with, unless it's your lovely self." Mrs. Sampson began a laugh, and then recover- ing herself, she frowned. "Don't be personal," she said. "I won't stand it." She began to feel that the circumstances were such as to make her important to her caller's schemes, and her air by insensible degrees became more assured and less subservient. She knew her man, and she was prepared for his becoming proportionately more respectful. He dusted a little heap of ashes from the small table beside him and scattered them with, his foot, in a well- meant attempt to cover the traces of his previ- ous untidiness. She watched him with a covert si>.eer. ^'Even so difficult a problem as that," she said, with a slight toss of the head, a bit of antique coquetry which impressed him with a new sense of her thorough self-possession, and imposed itself upon his untrained mind as the air of a true THIS IS NOT A BOOX. jqc woman of the world ; \" I fancy I can solve. Leave him to me. I'll find out what can be done with him." "■ If he can be got hold of," Irons remarked, reflectively, '' he will carry the whole thing through. They'd believe him up at Feltonville if he told them it was right to walk backward and vote to give their incomes to the temperance cranks." He rose to go as he spoke, unconsciously assum- ing wdth the overcoat he put on that air of stiff- ness and immaculate propriety which he wore always in public. LHe seldom allowed himself the undignified freedom which marked his inter- course with Mrs. Sampson, and he liked the rest he found in being for a time his vulgar, ill-bred self with no restraints of artificial manner?^ "Well, good afternoon," he said, extending his large hand, into which she laid hers with a certain faint air of condescension. '* I've got to go to a meeting of the committee on the new statue. They've got a new fellow they are trying to push in, a young unlicked cub that Peter Cal- vin's running. I'll let you know anything that's for our advantage." When he was gone, Mrs. Sampson produced a brush and a dustpan from behind the books on a whatnot and carefully collected the scattered ashes of his cigar. "Vulgar old brute ! " she muttered. "To think I06 THE PHILISTINES. of my having to clean up after him ;Lhis mother was my grandmother's laundress."! Then she smiled contemptuously, and added by way of self-consolation, — ''But it will all count in the bill, Al Irons." X THE BITTER PAST. All's Well That Ends Well ; v. — 3. " T^O you see much of Mrs. Herman ? " Helen ^ Greyson asked of Edith Fenton, as they sat at luncheon together in the latter's pretty dining- room. " Why, no," was the somewhat hesitating an- swer. '* I really see very little of her. ^The fact is we have so little common ground to meet on. — You know Arthur says I am dreadfully narrow, and I am sometimes afraid he is right. I have tried to know her, but of course I couldn't take her into society. She wouldn't enjoy it, and she wouldn't feel at home, even if she'd go with me."^ Helen smiled with mingled amusement and wistfulness. r- "No," she responded. *Vx_ can't exactly fancy Ninitta in society. She'd be quite out of her element. > My master in Rome, Flammenti, had a way of saying a thing was like the pope at a dancing-party, and I fancy Ninitta at an afternoon tea would be hardly less out of place." "But she must be very lonely," Edith said, stir- ring her coffee meditatively. " She used to have 107 I08 THE PHILISTINES. a few Italians come to see her ; people she met that time she ran away, you remember, and we brought her home, but they don't come now." '' Why not ? " Edith smiled and raised her eyebrows. ^A question of caste, I believe." caste.-'" echoed Helen. *'What do you (iTof mean t " " When her son was born," Edith responded, " she told them that the bambino was born a gen- tleman, and couldn't associate with them." 3 Helen laughed lightly ; then her face clouded, and she sighed. "Poor Ninitta ! " she said. "There is some- thing infinitely pitiful in her devotion and faithful- ness to her youthful love." Edith's face assumed an expression of mingled perplexity and disquiet. With eyes downcast she seemed for a moment to be seeking a phrase in which properly to express some thought which troubled her. Then she looked up quickly. " I don't know that I ought to say it," she re- marked, " but I can't help feeling that Ninitta is not so fond of her husband as she used to be. Of course I may be mistaken, but either I overesti- mated her devotion before they were married, or she cares less for him now." An expression of pain contracted Helen's brow. "Isn't it possible," she suggested, "that her THE BITTER PAST. IO9 being more demonstrative in her love for the boy makes her seem cold toward her husband ? " " No," returned Edith, shaking her head, " it is more than that. I fancy sometimes that she un- consciously expected to be somehow transformed into his equal by marrying him ; and that the dis- appointment of being no more on a level with him when she became his wife than before, has made her somehow give him up, as if she concluded that she could never really belong to his life. Of course I don't mean," she added, "that Ninitta would reason this out, and very likely I am all wrong, anyway, but certainly something of this kind has happened." "Poor Ninitta," repeated Helen, "fate hasn't been kind to her." " But Mr. Herman t " Edith returned. " What do you say of him t I think his case is far harder. What a mistake his marriage was. I cannot con- ceive how he was ever betrayed into such a dics- alliatice. She cannot be a companion to him ; she does not understand him : she is only a child who has to be borne with, and who tries his patience and his endurance." Edith had forgotten her husband's suggestion that her companion was responsible for Grant Herman's marriage ; but Helen, who for six years had been questioning with herself whether she had done well in urging the sculptor to marry his model, heard this outburst with beating heart and I JO THE PHILISTINES. flushing cheek. Had Helen allowed Herman to break his early pledge to Ninitta, and marry his later love, it is probable that all her life would have been shadowed by a consciousness of guilt. The conscience bequeathed to her, as Fenton rightly said, by Puritan ancestors, would ever have reproached her with having come to happiness over the ruins of another woman's heart and hopes. Having in the supreme hour of temptation, how- ever, overcome herself and given him up, it was not perhaps strange that Helen unconsciously fell somewhat into the attitude of assuming that this sacrifice gave her not only the right to sit in judg- ment upon Ninitta, but also that of having done somewhat more than might justly have been de- manded of her. She had often found herself won- dering whether she had been wise ; whether her devotion to an ideal had not been overstrained ; and if she ought not to have considered rather the happiness of the man she loved than devotion to an abstract principle. It was also undoubtedly true, although Helen had not herself reflected upon this phase of the matter, that her half a dozen years' residence in Europe had softened and broadened her views. In the present age of the world there is no method possible by which one can resist the whole ten- dency of modern thought and prevent himself from moving forward with it, unless it be active and violent controversy. No man can be a fanatic THE BITTER PAST. lU without opposition, either real or vividly fancied, upon which to stay his resolution, and it is equally difficult to maintain a stand at any given point of faith unless one has steadily to fight with vigor for the right to possess it. It is probable that to-day Helen might have found it more difficult than six years before to urge Herman to marry Ninitta, since besides the self-sacrifice then involved would now be a doubt- fulness of purpose. She sat silent some moments, reflecting deeply, while her hostess watched her with a loving admiration which was growing very strongly upon her. " But what is to be done now," Helen asked slowly. " You would not have him cast her off .-^ " "Oh, no," returned Edith, in genuine conster- nation. " Now, it is six years too late." *' I am afraid I do not wholly agree with your point of view," answered Mrs. Greyson, roused by the doubt in her own mind to a need to combat the assumption that the marriage was a mistake. '* I certainly do not feel that the mere ceremony is the great point. See ! " she continued, becoming more animated, and half involuntarily saying aloud what she had so often said in her own mind ; *' a man makes a woman love him. As time goes on, he outgrows her. It is no fault of hers. Why should the fact that he has or has not come into the marriage relations affect her claims on him ? Isn't he in honor bound to marry her ? " 112 THE PHILISTINES. " But suppose," Edith returned, ** that he has not only outgrown her but made some other woman love him too ? " It was merely a chance shot of argument, but it smote Helen so that she trembled as she sat. " Is not that woman to be considered ? " Edith continued. '' Is the good of the man to count for nothing } Mr. Herman is sacrificed to an old mistake. Perhaps it is right that he should pay the price of his error ; and that in the end it will be overruled for his good, we may hope. But it is hard to have patience now with the state of things." Helen tapped her teaspoon nervously against her cup. "But what can be done.-*" " Nothing," Mrs. Fenton said, without the slightest hesitation. " You and I may think these things, but it would be a crime for Mr. Herman to think them." '' It might be cowardice to yield to them," re- sponded Helen ; " but how crime t And how can one help the thoughts from turning whithersoever they will } " Edith pushed back her plate, leaned forward with folded arms resting upon the edge of the table. She flushed a little, as she did sometimes when she felt it her duty to say something to her hus- band which it was hard to utter. " I do not think you and I agree in this," she THE BITTER FAST. U^ said, in a voice which her earnestness made some- what lower than before. " Marriage is to me a sacrament, and this very fact gives it a nature dif- ferent from ordinary promises. We promise to love until death do us part. To me that is as imperative as any vow I can make to God and man." *' But love," Helen urged, with a somewhat per- plexed air, *' is not a thing to be coerced." '* It must be," Edith returned, inflexibly. " Even if my husband ceased to love me, that does not absolve me. I must fulfil my promise and my duty." *' But," Helen responded, doubtfully and slowly, " it seems to me a sacrilege to live with a man after one has ceased to love him." " But I would love him," Edith broke in almost fiercely. "That is just the point. One must re- fuse to cease to love him." " But if he ceased to love her } " A flush came into Edith's clear cheek, and her eyes shone. Half unconsciously to herself, she was fighting with the doubts which would now and then rise in her own mind of her husband's affec- tion. ** Then," she said, in a low voice, *' one must still be worthy of his love ; one must do one's duty. Besides," she added, looking up with a gleam of hope, *' when one has made a solemn vow, as a wife vows to love her husband until 114 THE PHILISTINES. death part them, I firmly believe that strength to keep that vow will not be withheld." Helen was silent a moment. She by no means agreed to the position Edith took. She had no belief in those promises in virtue of which the sacraments of the church took on a peculiar sanc- tity ; she did not at all trust to any special help bestowed by higher powers. She did not, how- ever, care to argue upon these points, and she said more lightly, — '' You task womanhood pretty heavily." " A little woman who is a protegee of mine," Edith returned, in the same -manner, " said rather quaintly the other day, that women were made so there should be somebody to be patient with men. She's having trouble with her lover, I suspect, and takes it hardly." "But," Helen persisted more gravely, "it seems to me that you set before the unloved wife a task to which humanity is absolutely unequal." " You remember St. Theresa and her tw^o sous," Edith replied, her eyes shining with deep inner feeling ; " how she said, ' St. Theresa and two sous are nothing, but St. Theresa and two sous and God are everything.' I can't argue, but for myself, I could not live if I should give up my ideal of duty." As often it had happened before, Helen found herself so deeply moved by the fervor and the genuineness of Edith's faith, that she felt it im- THE BITTER PAST. 15 possible to go on with an argument which could convince only at the expense of weakening this rare trust. She brought the conversation back to its starting point. '' But about Ninitta," she said. "• I saw her yesterday, and she acted as if she had something on her mind. She somehow seemed to be trying to tell me something. I told her that the bam- bino, as she calls Nino, must keep her occupied most of the time, and she said the nurse stole him away half of the day ; she has the peasant instinct to take entire charge of her own child." '' If that is a peasant instinct," Edith rejoined laughing, " I am afraid I am a peasant." " Oh, but you are reasonable about it, and know that it is better for the boy to have change and so on. She acts as if she felt it to be a conspiracy between the nurse and her husband to steal the child's affections from her. Really, I felt as if she was coming to love Nino so fiercely that she had fits of almost hating her husband." The ringing of the door bell and the entrance of the servant with a card interrupted the conversa- tion, and Helen had only time to say, — " Of course on general principles you know I do not agree with you. Indeed, I should find it hard to justify what I consider the most meritorious acts of my life if I did. But I do want to say that, given your creed, your view of marriage seems to me the noble — indeed, the only one." Il6 THE PHILISTINES. As Helen walked home in the gray afternoon, sombre with a winter mist, she thought over the conversation and measured her life by its principles. ''If one accepts Edith's standard," she reflected, "■ it is impossible not to accept her conclusions. She is a St. Theresa, with her strict adherence to forms and her loyalty to her convictions. But surely one's own self has some claims. My first duty to whatever the highest power is, — the All, perhaps, — must be to do the best I can with my- self. It could not be my duty to go on living with Will " — She stopped, with a faint shudder, raising her eyes and looking abcut upon the wet and dreary landscape with an almost furtive glance, as if she were oppressed by the fear that the eyes of the husban 1 'v'th whom she had found it impossible to live, and v.ho for six years had been under the sod, dead by his own hand, might be watching her una- wares. It was one of those moments when a bygone emotion is so vividly revived, as if some long hidden landscape were revealed by a sudden lightning flash. The years had brought her immunity from the poignancy of the pain of old sorrows, but for one brief and bitter instant she cowed with the old fear, she trembled with the old- time agony. Then she smiled at the unreasonableness of her feeling, and dropping her eyes, walked on with slightly quickened steps. THE BITTER PAST. 117 " It cannot be a woman's duty to go on living with a man who is dragging her down, or even who prevents her from realizing her best ; and yet, there is the influence. That is a trick of my old Puritan training, of course, but after all it is right to con- sider. One must count influence as a factor if one believes in civilization, and I do believe in civiliza- tion ; certainly, I would not go back to barbarism. But is a woman to be tied down — oh ! how a woman is always tied down ! limitation — limitation — limitation ; that is the whole story of a woman's life ; and the harder she struggles to get away from her bonds the more she proves to herself by the pain of the wrist cut by the fetters how impos- sible it is to break them. Women contrive to deceive men sometimes into believing that they have overcome the limitations of their sex ; and they even deceive themselves ; but they never deceive each other. A woman may believe that she herself has accomplished the impossible, but she knows no one of her sisters has." She smiled sadly and yet humorously, pausing a moment on the curbstone before crossing the wet and icy street. Then as she went on and a coach- man pulled up his horses almost upon their haunches to let her pass, she took up the thread of her reflections once more, — " Yet surely women must not rebel against civil- ization. Civilization is after all quite as largely as anything else a determined ignoring and combat- Il8 THE PHILISTINES. ting on the part of mankind of the cruel disadvan- tages under which nature has put women. No ; we must look at it in the large ; we must hold to the conventional even, rather than fight against civiliza- tion, however wrong and illogical and heartless civilization may be. It is the best we have and we go to the wall without it." She had reached her boarding-house and fitted her latch-key into the lock. As she opened the door she looked back into the gathering dusk of the misty afternoon, and her thought was almost as if it were a last word flung to some presence to be left behind and shut out, a personality with whom she had argued, and who had logically defeated but not convinced her. "And yet," she said inwardly, with a sudden swelling of defiance and conviction, "not for all the universe could I have done it. I could not go on living with Will, — though," she added, a sud- den compunction seizing her, " I was fond of him in a way, poor fellow." And the door closed. XI THE GREAT ASSAY OF ART. Macbeth ; iv. — 3. r- I nPHE inner history of the effigies which in Boston V 1 do duty as statues would be most interesting reading, amusing or depressing as one felt obliged to take it. To know what causes led to the pro- duction and then to the erection of these monstros- ities could hardly fail to be instruct4¥ei although the knowledge might be rather dreary.^ ^ The subject has been too much discussed to make it easy to touch it, but all this examination has by no means resulted in general enlighten- ment, as was sufficiently evident at the meeting of the committee in charge of the new statue of America about to be erected in a properly select Back Bay location. The committee consisted of Stewart Hubbard, Alfred Irons, and Peter Calvin, three names which were seldom long absent from the columns of the leading Boston daily news- papers. Mr. Irons had been strongly objected to by both his associates, neither of whom felt quite disposed to assume even such equality as might seem to follow from joint membership of the com- mittee. That gentleman had, however, sufficient H9 I20 THE PHILISTINES. influence at City Hall to secure appointment, a whim which had seized him to pose as a patron of art being his obvious motive ; and neither Mr. Hubbard nor Mr. Calvin was prepared to go quite to the length of declining to serve with the obnox- ious parvenu. Y^Stewart Hubbard was a most admirable example of the best type of an American gentleman. Arthur Fenton once described him as *' a genuine old Beacon street, purple window-glass swell ; " a description expressive, if not especially elegant. Tall and well-built, with the patrician written in every line of his handsome face, his finely shaped head covered with short hair, snowy white although he had hardly passed middle age, his clear dark eyes straightforward and frank in their glances, he was a striking and pleasing figure in any company. He had graduated, like his ancestors for three or four generations, at Harvard ; and if he knew less about art than his place on the committee made desirable, he at least had a pretty fair idea of what authorities could be trusted. ^ Peter Calvin's place in Boston art matters has already been spoken of. He took himself very seriously, moving through life with a sunny-faced self-complacency so inoffensive and sincere as to be positively delightful. He was too good-natured and in all respects of character too little virile to meet Irons with anything but kindness, but as he was a trifle less sure of his social standing than THE GREAT ASSAY OF ART. 121 Hubbard, he was naturally more annoyed at the choice of the third member of the committeej He made not a few protests to his friends, and gently represented himself as a martyr to his devotion to the cause of art from having accepted the place \\^ held. \\Vhen one considered, however, the way in which committees upon art matters are made up at City Hall, it becomes evident that the wonder was not that the present body was no better, but that it should be so good. The truth was that the choice of Hubbard and Calvin had been considered a great concession to the unreasonable prejudices of the self-appointed arbitrators of art affairs in town. A short time before, a committee consisting of a butcher, a furniture dealer and a North End ward politician, had been sent to New York on a mat- ter connected with a public monument, and their action had been so egregiously absurd as to bring down upon their heads and upon the heads of those who appointed them such a torrent of ridicule that even the tough hide of City Hall could not withstand it. It was felt that the public was more alive on art matters than had been suspected ; and when a South Boston liquor-dealer manifested a singular but unmistakable desire to be appointed on the America committee, he had been promptly suppressed with the information that this was to be "a regular bang-up, silver-top committee," and was forced to soothe his disappointed ambition 122 THE PHILISTINES. with such consolation as lay in the promise that next time he should be counted in. , When the committee had been named, a hint was dropped in one or two newspaper offices that the powers which work darkly at City Hall ex- pected due credit for the self-sacrifice involved in putting on two men at least from whom no reward was to be expected. The journals improved the opportunity, and praised highly the choice of all three of the members. When this called out a protest from the artists, because no artist had been appointed, City Hall had no words adequate to the expression of its disgust. "That's what comes of trying to satisfy them fellows," one City Father observed, in an indignant and unstilted speech to his colleagues. " They ja^ant the earth, and nothing else will satisfy them, (^^hat if they ain't got no artist on the committee ; everybody knows that Peter Calvin's a man who's published a lot of books about art, and it stands to reason he's a bigger gun than a feller that just paints. '^3 The committee paid no attention to the discus- sion concerning their fitness, of which indeed they did not know a great deal, but came together in a matter-of-fact way, precisely as they would have assembled to transact any other business. " I don't know what you think," Mr. Irons ob- served, as the three gentlemen settled themselves in the easy-chairs of Mr. Hubbard's private office THE GREAT ASSAY OF AK7\ 123 and lighted their cigars, " but it seems to me we had better try to come to some reasonably definite idea of what we want this monument to be before we go any farther. It will be time enough to talk about who*^s to get the order when we've made up o^r minds what the order is to be." LBoth the words and the manner rasped the nerves of Mr. Calvin almost beyond endurance. He was accustomed to phrasing his views with elegance, and although in truth his ideas in the matter on hand were not widely different from those of Mr. Irons, the latter had stated the propo- sition with a boldness which made it impossible for him to agree with it. By^ birth, by instinct, and by lifelong training a faithful servant of the god Dagon, he yet seldom professed his allegiance frankly. He sheltered his slavish adherence to conventions under a decent show of following con- victions ; so that the pure and straightforward Philistinism which Mr. Irons professed from sim- ple lack of a knowledge of the secrets of what might perhaps be called the priestly cult of Phil- istia,* appeared to Peter Calvin shockingly crude and offensive. \ ** Perhaps," he said, with a smile which was hardly less sweet than usual, so well trained were the muscles of his face in producing it, " it can hardly be said that we can decide. The artist after all cannot be expected to accept too many limitations if he is to produce a work of art. His genius must have full play." 124 THE PHlLISTIiVES. Secretly, Irons had a most profound respect for the other's art knowledge, and he was too anxious to appear well in his capacity as a member of the statue committee to be willing to run any risks by attempting to controvert ^-ny aesthetic proposition laid down by Mr. Calvin. -He was by no mc . s fond of the man, however, and to his dislike his envy of Calvin's reputation, socially and aestheti- cally, added venom. ^He hastened now, with quite unnecessary vigor, to defend himself from the mildly implied attack. *' I suppose we have got to give an order — or a commission, if the word suits you better — of some sort ; and whatever it is to be it needs to be defined." His manner was so evidently belligerent that Mr. Hubbard hastened to interpose. "That is pretty well defined for us, isn't it.?" he said. *' We were directed to give a commission for a single figure representing America, to be executed in bronze and not to exceed a fixed sum in cost. That does not leave much latitude, so far as I can see, beyond the right of selecting or rejecting models shown us. For my own part, I may as well say at once, I am in favor of giving Mr. Herman whatever terms he wants to make a model, and trusting everything to him. Of course we should still have the right to veto the arrange- ment if the figure he made should not prove satis- factory." THE GREAT ASSAY OF ART. 125 Mr. Hubbard spoke with a certain elegant delib- eration and precisiorijvhich Irons supposed himself to regard^s affected, while secretly he thoroughly envied it. _3 ** Oh, we all know what Herman would do," Irons retorted. " He'd make one of those things that nobody could understand, and then say it was artistic. We want something to please folks." ijrons was more concerned about his popularity than even in regard to the reputation as an art patron he was laboriously striving to build up. He was an inordinately vain man, but he was an exceedingly shrewd one. His self-esteem was gratified by seeing his name among those of men influential in art matters ; he bought pictures largely for the pleasure of being talked of as a man who patronized the proper painters, and he was looked upon as likely at no distant day to be- come president of a club which Fenton dubbed the Discourager of Art ; but he realized that for a man who still had some political aspirations there was a substantial value in popular favor not to be found in any reputation for culture, however delightful the latter might be. He distinctly intended to please the public by his action in re- gard to the statue, a resolution which was rendered the more firm by the fact that he vastly over-esti- mated the interest which the public was likely to take in the matter. He trimmed the ashes from his cigar as he spoke, with an air which was in- 126 THE PHILISTINES. tended to convey the idea that he would stand no nonsense'.^ "Won't Mr. Herman enter a competitive trial ?" Calvin asked. " We might ask two or three others and then select the best model." "He won't go into a competition. He says it's beneath an artist's dignity." " Damned nonsense ! " blustered Irons, sitting up in his chair in excitement over such an extra- ordinary proposition. " Don't we all go into com- petitions whenever we send in sealed proposals.'' Beneath his dignity ! Great Scott ! The cocki- ness of artists is enough to take away a man's ^reath." i Mr. Hubbard, who was a lawyer chiefly occupied, as far as business went, in managing his own large property and certain trust funds, and Mr. Calvin, who had never in his life soiled his aristocratic hands with any business whatever, smiled in the mutual consciousness that " sealed proposals " were as much outside their experience as con^peti- tions were foreign to that of Grant Herman. \The thought, passing and trivial as it was, moved their sympathy a little toward the sculptor's view of the matter, although since secretly Mr. Calvin was determined that the commission should be given to Orin Stanton, the fact made little difference. " You evidently don't want to undergo the gen- eral condemnation that has fallen on whoever has had a share in the Boston statues thus far," Mr. THE GREAT ASSAY OF ART 27 Calvin observed, glancing at Irons with a genial smile. ** If you are going to set yourself to hit the popular taste and keep yourself clear of the claws of the critics at the same time, I fear you've a heavy task laid out." "The critics always pitch into everything," Irons responded with a growl. \M[t's the taste of the people I want to please. I believe in art as a popular educator, and people can't be educated by things they won't look at." ; "Oh, as to that," Stewart Hubbard rejoined, with a twinkle in his eye, " conventionality is after all the consensus of the taste of mankind." Peter Calvin was at a loss to tell whether his friend was in earnest or was only quizzing Irons, so he contented himself with an appreciative look, and a smile of dazzling warmth. Irons, on the other hand, looked toward the speaker with sus- picion. *Vl haven't much sympathy with a good deal of the stuff artists talk," he continued, following his own train of thought, f" It doesn't square very well with common sense and ain't much more than pure gassing, I think. The truth is, genius is mostly moonshine. The man I call a genius is the one that makes things work practically.") " In other words," said Calvin, spurred to emu- late Hubbard's epigram, and involuntarily glan- cing toward the latter for approval, " you think a genius is a man who is able to harness Pegasus to 128 THE PHILISTINES. the plough, and make him work without kicking things to pieces," *' That's about it," Irons assented ; " and I think Herman is too toploftical and full of cranky theories. They say Mrs. Greyson has hit the nail exactly on the head in that statue she showed in Paris last year. That pleased the critics and the public both, and that's exactly what we are after. I think we ought to ask her to make a design." Mr. Calvin saw and seized the opportunity easily to introduce his own especial candidate. " If each of you have a sculptor," he said, lightly, " I can hardly do less than to have one, too. There's an exceedingly clever fellow just home from Rome, that I want to see given a chance. He's done some very promising work, and I look upon him as the coming man." The two men regarded him with some interest, as one who has introduced a new element into a game. Mr. Hubbard leaned back in his chair, and sent a puff of cigar smoke floating upward, before he answered. " I can't enter my man for the triangular con- test," said he. *' He won't go into a competition unless he's paid for making the design. He says, in so many words, that he doesn't want the com- mission to make the statue unless he can do it in his own way. He will be unhindered, or he will let the whole thing- alone." THE GREAT ASSAY OF ART. 129 ^* For my part," Mr, Irons responded, settling himself in his chair, with a certain air of determi- nation, •' I don't take a great deal of stock in this letting an artist have his own way. He might put up a naked woman, or any rubbish he hap- pened to think of. The amount of the matter is that it isn't such a devilish smart thing to make a figure as they try to make out. Any man can do it that has learned the trade, and I haven't any great amount of patience with the fuss these fel- lows make over their statues." Neither of his companions felt inclined to enter into a general discussion of the principles under- lying art work, and, although neither agreed with this broad statement, there was no direct response offered. Calvin and Hubbard looked at each other, and the latter asked, — " Have you any notion what Mrs. Greyson would do .'^ " '* No, I have never talked with her." " Very likely she'd give us another figure like those that are stuck all over Boston, like pins in a pincushion," Hubbard objected. ** Some carpet- knight, with a face spread over with a grin as inane as that of Henry Clay on a cigar-box cover." Irons laughed contemptuously, and rose, throw- ing away his cigar stub. " Well, I must go," he announced. " We don't seem to be getting ahead very fast. I'll try and find out if she'll go into a competition, and you I30 THE PHILISTINES. two had better do the same with your folks. Then we shall at least have something to go upon. The Daily Observer has already begun to ask why something isn't done, and I'd like to get the thing finished up, myself.'* The two others rose also, and it was thereby manifest that this unproductive sitting of the committee was at an end. XII WHOM THE FATES HAVE MARKED. Comedy of Errors ; i. — i. NEVER was a man more utterly wretched than was Arthur Fenton, after the luckless day when Mr. Irons had lighted upon the presence of Mrs. Herman at the studio. He raged against himself, against chance, most of all against the unmannerly and coarse-minded fellow who had forced himself into the studio, and then persisted in imagining: evil which had never existed. He experienced all the acute anguish of finding him- self in the toils, and of the added sting from wounded vanity, since he felt that he had been wanting in adroitness and presence of mind. It is to be doubted if he did not suffer more than would have been the case had the injurious suspi- cions of Irons been correct. To a vain man, it is often harder to be entrapped through stupidity or awkwardness than throusfh crime. Fenton realized well enough how impossible it was now to correct the evil that had been done. He might have explained away the fact that Ninitta had been his model, but his own bearing 131 132 THE PHILISTINES. under the accusation had produced an impression not to be eradicated. The wavering before his eyes, for a single instant, of the will-o'-the-wisp fire of sudden temptation had blinded him, so that he had been guilty of a cursed piece of folly, which had put him at once in the power of Irons. He knew enough of the latter to be pretty sure that he was capable of keeping his threat to enlighten Herman concerning his wife's visit to the studio, and disgrace in the eyes of Herman meant more than Arthur dared to think. Sensitive to the last fibre of his being, the artist grew faint with exquisite pain at the thought of what he must endure from a scandal spread among his friends. An accusation without foundation would~ have been almost more than he could bear, but one supported by such circumstantial evidence as lay behind the story Irons would tell if he set himself to make trouble, — the bare idea drove Fenton wild. Fenton had always prided himself upon his superiority to public opinion, but without public respect he could not but be supremely miserable. It is true that he valued his own good opinion above that of the world. It was his theory that the ultimate appeal in matters of conduct was always to the man's inner consciousness, and in this highest court only the man himself could be present, all the world being shut out. It fol- lowed that a person's own opinion of his acts was ll^HOM THE FATES HAVE MARKED. 133 of infinitely more weight tlian that of any or all other people whosoever. **A11 standards are arbitrary," he was accus- tomed to say, " and all terms are relative. Every man must make his own ethical code, and nobody but the man himself can tell how far he lives up to it. Why should I care whether people who do not even know what my rules of conduct are, con- sider my course correct or not ? Very likely the things they condemn are the things it has cost me most struggle and self-denial to achieve. We have outgrown old ethical systems, because the world has become enlightened enough to perceive that every mind must make its own code ; to real- ize that what a man is must be his religion." / This course of reasoning was one shared by many of Fenton's friends, and indeed by a goodly company of nineteenth century thinkers. Fenton was in reality only going with the major- ity of liberalists in regarding sincerity to personal conviction as the highest of ethical laws ; and he was generally pretty logical in choosing the ap- proval of his inward knowledge to that of the world outside^) Yet his vanity was keenly sensi- tive to disapprobation, and when the censure of the world coincided with the condemnation of his own reason he suffered. To self-contempt was added a baffled sense of having been discovered ; and as his imagination now ran forward to picture the effects of Irons's disclosure, the suffering he endured was really pitiful. 134 THE PHILISTINES. " Nobody will understand," he said to himself one day, half in bitter self-contempt and half in self-defence, ''that I couldn't help doing as I did ; no cruelty surpasses that of holding weak and sensitive natures accountable for shortcomings they are born incapable of avoiding." And having accomplished an epigram at his own expense, he felt as if he had to some degree atoned for his fault, just as a flagellant looks upon his self-scourging as expiatory. How to act in the position in which he had been placed by Irons's insulting proposal was a question which he found more difTficult to answer than ac- cording to his theories, it should have been. When a man becomes his own highest law he is con- stantly exposed to the danger of finding his theories of conduct utterly confounded by a change in self- interest ; and Fenton began to have a most pain- ful sense of being ethically wholly at sea. He had not yielded to temptation, however. He had given Stewart Hubbard a couple of sittings, and so great had been his fear lest he should inadver- tently gather from his sitter some hint of the knowledge he had been urged to obtain, that he had half unconsciously been reserved and silent. The picture was going badly, and the sitter wondered what had come over the witty and vivacious artist. Besides these vexations the artist had, moreover, other causes for uneasiness at this time. His financial affairs were by no means in satisfactory WHOM THE FATES HAVE MARKED. 135 condition. He had been filling a good many orders and getting excellent prices for his work, yet somehow he had been all the year running behindhand. He lived beyond his means, priding himself upon being the one Boston artist who had been born, bred, and educated a gentleman, as he chose to put it to himself, and who was able to live as a man of the world should. His summer had been passed at Newport, a place which Edith by no means liked, and where her ideas of propriety and religion were constantly offended, especially in regard to the sanctity of marriage. He enter- tained sumptuously, spent money freely at the clubs, and, in a word, tried to be no less a man of fashion than an artist. The result was be2:innino- to be disastrous. Living pretty closely up to his income, a few losses and a speculation or two which turned out unlucky, were sufficient to embarrass him seri- ously. It was the old trite and dreary story of extravagance and its inevitable consequence ; and as Fenton had no talent for finance, his struggles rather made matters worse than bettered them, as the efforts of a fly to escape from the web, even although they may damage the net, are apt to end also in binding the victim more securely. The truth was that the painter, like many another man endowed with imaginative gifts, had little prac- tical knowledge of affairs beyond a talent for spend- ing money ; and it is amazing how stupid a clever l^ THE PHILISTINES. man can contrive to be when he is taken out of his sphere. For such men there is no safety save in keeping out of debt, and once the balance was on the wrong side of his account, Fenton, self-poised as he was, lost his head. It troubled and worried him to be in debt even when he could see his way clear to paying everything, and now that matters began to get too complicated to be settled by plain and obvious arithmetic, he was miserable. In the midst of these unhappy complications, he was one morning working upon the portrait of Miss Damaris Wainwright, whose cousin and aunts, the Dimmonts, had induced her to have it painted, although she was in deep mourning. He was interested in the lovely, melancholy girl, and he felt that he was doing some of the best work of his life in her portrait. He sometimes was proud of his skill, and at others he was unreasona- bly vexed that this picture should be so much better than that of Mr. Hubbard promised to be. He had been talking this morning half-absently, and merely for the sake of keeping his sitter inter- ested. He had not noticed that her whole being was keyed up to a pitch of intense feeling, and he had almost unconsciously accomplished the really difificult task of putting his sitter at her ease and making her ready to talk. Suddenly, after a brief silence, she said, — "You provoke confidences." Some note in her voice and the closeness of WHOM THE FATES HAVE MARKED. 137 connection between her words and the thought in his own mind that he certainly must be able to do what Irons asked, arrested Fenton's attention. " Yes," he returned, his air of sincerely mean- ing what he said being by no means wholly un- real ; ''that is because I am unworthy of them." Miss Wainwright smiled. The self-detraction seemed delicate, and the unexpectedness of the reply amused her. ** That is perhaps a modest thing to say, Mr. Fenton," she responded, " but the truth must be — if you'll pardon my saying anything so personal — that you are very sympathetic." The artist moved backward a step from his easel, regarding his work with that half-shutting of the eyes and turning of the head which seems to be an essential of professional inspection. ** Even so," persisted he, *' a sympathetic person is one whose emotions are fickle enough to give place to whatever others any sudden accident brings up ; and if one's feelings are so transient, how can he be worthy of confidence V "■ I can't argue with you," Damaris replied, smiling and shaking her head, "■ but all the same I don't agree with what you say." **Oh, I hoped you wouldn't when I said it," Fenton threw back lightly. He went on with his work, outwardly tranquil, as if he had no thought beyond the perfect shad- ing of the cheek he was painting ; but his mind 138 THE PHILISTINES. was in a tumult. He thought how easy it is to deceive ; how constantly, indeed, we do deceive whether we will or no ; how foolish it is to rule our lives by standards which rest so largely on mere seeming; how — Bah! Why should he pre- tend to himself ? He was not really concerned with generalities or great moral principles. He was trying to decide whether he should worm a secret out of Hubbard to throw as a sop to that vile cursed cad, Irons, to keep his foul mouth shut about Ninitta. Heavens ! What a tangle he had got into simply because he wanted a decent model for his picture ! The abominable prudery and hypocrisy of the time lay behind the whole matter. But this would never do. He must work now ; not think of these exciting things. It was hardly a brief moment before to his last words he added aloud, — "Did what you said mean that I was to be favored with a confidence .'* " A painful, deep problem v/as weighing upon her heart, wearing away her reason and her life alike. She had almost been ready to ask advice of the artist, although she by no means knew him well enough to render so intimate a conversation other than strange. " Not necessarily," was her reply to Fenton's question. She found it after all impossible to utter any- thing definite upon the subject which lay so near WHOM THE FATES HAVE MARKED. 130 her heart. She even felt a dim wonder whether she had really ever seriously contemplated speak- ing of it, even never so remotely. *' I was thinking," she continued, ''of the point the conversation had reached this mornins: when I left my friend at the door downstairs." " It was some great moral problem, I think you said," Fenton responded, trying to recall accu- rately what she had told him earlier in the sitting of a talk she had had with a friend on her way to the studio. "The object of life, or something of that sort. Well, the object of life is to endure life, I suppose, just as the object of time is to kill time." '* We had got so far in our talk as to decide," Miss Wainwright went on, too much absorbed in recalling the interview she was relating to notice the painter's words, " he decided, that is, not I — that the only thing to do is to enjoy the present and to let the future go ; but I object that one cannot help dreading what might come." She spoke, of course, solely with reference to her own inner experiences, but Fenton, with the egotism which is universal to humanity, received the words in their application to his own case. If he could but determine what would come, he might decide how to act in this hard present. Yet, what- ever that future might be, he must at any cost extricate himself from this coil which pressed so cruelly upon him. J 40 THE PHILISTINES. ''Even so he would be right," he answered her words. " Happiness in this world consists, at best, in a choice of evils, and at least one may make of the present a ^dMco^ pi quant e to cover the flavor of the dread of the future." " You take a more desperate view of the matter than my friend," Miss Wainwright said, sighing bitterly. " His only fear is that I shall lose every- thing by not making sure of whatever present happiness is possible." Fenton glanced at her curiously, aware no less from her tone and manner than from her words that the conversation was touching her as well as himself through some keen personal experience. A feeling of sharp and irritating remorse stung him from the thought that he, whose whole sensu- ous nature strove for selfish joyousness in life, was discussing this question from his own standpoint, while the pale, lovely girl before him was regard- ing the whole problem from the high plane of duty. Instinctively he set himself to justify his position against hers ; to demonstrate that his Pagan, selfish philosophy was the true guide. " Oh," he cried out with sudden vehemence, waving his palette with a gesture of supreme impatience, " I do take a desperate view ! Life is desperate, and the most absurd of all the multi- tudinous ways of making it worse is to waste the present in dreading the future. I've no patience with the notion that seems to be so many people's JVIIOM THE FATES HAVE MARKED. j^j creed, that we can do nothing nobler than to be as miserable as possible. It is a dreadful remain- der of that awful malady of Puritanism. Besides, where is the logic of supposing we shall be better prepared for any misfortune that may come if we can only contrive to dread it enough beforehand. Good heavens ! We all need whatever strength we can get from happiness whenever it comes, as much as a plant needs the sunshine while it lasts. You wouldn't prepare a delicate plant for cloudy days by keeping it in the shadow ; and I think one is simply an idiot who keeps in the shade to accustom himself to-day after to-morrow's storm." His excitement increased as he went on. He was arguing against the coward sense that he had deserved the troubles which had come upon him. He was saying in as plain language as the condi- tions of the conversation would allow, that he had been right in gratifying his desires ; in living as he wished without too closely considering the con- sequences which were likely to follow. He spoke with a bitter earnestness born of the intense strain under which he was laboring ; and he did not consider how his words miorht or mig^ht not affect his hearer. The thought came into his mind how he had deliberately sacrificed his con- victions in marrying Edith Caldwell and going over to Philistinism ; and he reflected that this decision had shaped his life. Already his course was determined ; it was idle to iornore the fact. 142 THE PHILISTINES. Why should he hesitate from squeamish scruples to do what Irons asked when to meet the conse- quences of the latter's anger would not only be supremely disagreeable but contrary to his whole theory of life ? It was one of Fenton's peculiarities that he never knowingly shrank from telling himself the truth about his thoughts and actions with the most brutal frankness. Indeed, it might not be too much to say that this self-honesty was a sort of fetish to which he made expiatory sacrifices in the shape of the most cruelly disagreeable admis- sions before his inner consciousness. He con- stantly settled his moral accounts by setting down on the credit side "■ Self-contempt to balance," a method of mental bookkeeping by no means rare, albeit seldom carried on in connection with such clear powers of moral discrimination as Fenton possessed when he chose to exercise them. " If you chance on ill-luck," he ran on, arguing aloud with himself concerning the possible conse- quences of betraying Mr. Hubbard's trust, ''you'll be glad you were happy while it was possible ; and if the fates make you the one person in a million, by letting you get through life decently, you surely can't think it would be better to spend it moping until you are incapable of enjoying anything." The form of his speech was still that of one talking simply from the point of view of his WHOM THE FA TES HA VE MARKED. 1 43 hearer. It did not for a moment occur to Damaris Wainwright that in all he had said there had been anything but a perfectly disinterested discussion of the principles involved in her own questions and in her own perplexities. Yet, as a matter of fact, his words were but the surface indications of the conflict going on in his own mind. He was arguing down his disinclination to accept the obvious and dishonorable means of escaping from an unpleasant position ; he was fighting against the better instincts of his nature, and trying to convince himself that the easy course was the one to be chosen, the one logically following from the conclusions forced upon him by his study of life. ^ " But duty ! " she interposed, rather timidly, as he paused. She was confused by his persistent ignoring of all the standards by which she was accustomed to judge, and she threw out the question as one in desperation brings forward a last argument, half foreseeinsT that it will be useless. " Duty ! " he echoed, fiercely. " Life is an out- rage, and what duty can take precedence of right- ing it as far as we can. That old fool of a Ruskin — I beg your pardon. Miss Wainwright, if you're fond of him — did manage to say a sensible thing when he told a boarding-school full of girls that their first duty was to want to dance. To allow that there is any duty above making the best of life is a species of moral suicide." 144 THE PHILISTINES. She looked at him with an expression of pro- foundest feeling. She was too little used to argu- ments of this sort to discern that the whole matter was involved in the definition one gave to the phrase "■ The best of life," and that to assume that this meant mere selfish or sensuous enjoy- ment, was to beg the whole question. She was carried away by the dramatic fashion in which he ended, dashing down his palette and throwing himself into a chair. "There ! " he exclaimed, with an air of whimsi- cal impatience. ''Now I've got so excited that I can't paint ! That's what comes of having con- victions." The struggle was over. He brushed all doubts and questions aside. There was but one thing to do, and, disagreeable as it might be, he must accept the situation. The mention of the word "duty" reminded him that he had long ago settled in his own mind the folly of being bound down by superstitions masquerading under grand names as ethical principles. The duty of self- preservation was above all others. He must defend himself, no matter if he did violate the principles by which fools allowed their lives to be narrowed and hampered. He would- set himself to work upon Hubbard to-morrow, and get this unpleasant thing over. His sitter came down from the dais upon which she had been sitting, and held out her hand. WHOM tub: fates have marked. 145 ** You have decided my life for me," she said, in a low voice, ** and I thank you." Those who knew her perplexities had argued with her in vain ; and this stranger, talking to his own inner self, had said the final word which had moved her to a conclusion they had not been able to force upon her. He looked up with a smile, as he pressed her hand, but he said nothing ; refraining from adding, as he might have done truthfully, — "And I have decided my own." XIII THIS "WOULD" CHANGES. Hamlet ; iv. — 7. ATELISSA BLAKE was growing paler in these ^^ days, worn with the ache of a hurt love. Since the night on which he had parted from her in anger, John had been to see her only on brief errands which he could not well avoid, and while he had made no allusion to the difference which separated them, it was evident that he still brooded over his fancied grievance. This phase of John's character, its least amia- ble characteristic, which mail^ed it amid many excellent qualities, was not wholly unknown to Melissa. She was by far the more clear-headed of the two, and she understood her lover with much greater acuteness than he was able to bring to the task of comprehending her. It was from intelligent perception and not merely from the feminine instinct for making excuses, that she said to herself that John was worn out with the strain of burdens long and uncomplainingly borne ; and she was, it might be added, near enough to the primitive savagery of the rustic New Englanders of the last generation, to find it 146 THIS ''IVOULD'' CHANGES. 147 perfectly a matter of course that a man should make of his womenfolk a sort of scapegoat upon whom to visit his wrath against the sins alike of fate and of his fellows. She waited for John to relent from his unjust anger, but she did not protest, and when he chose once more to be gracious unto his handmaiden he would be met only with faithful affection and with no reproaches. From the abstract standpoint, noth- ing could be farther astray than the fulness and freedom of Milly's forgivenesses ; practically, this illogical feminine weakness made life easier and happier, not alone for everybody about her, but for herself as well. Doubtless such a yielding dispo- sition tempted her lover to injustices he would never have ventured with a more spirited woman, but after all her forgiveness was so divine as almost to turn the transgression into a virtue for causing it. When the account of Milly's life was made up, there must be put into the record long, wordless stretches of uncomplaining and prayerful patience, hidden from the eyes of all mankind. The capa- bilities of women of this sort for quiet suffering are as infinitely pathetic as they are measureless ; and, although she was silent, the dark rings under her eyes and the lagging step told how her sorrow was wearing upon her. She went on faithfully with her work ; she held still to the faith that somehow help was sure to come ; and as only such 148 THE PHILISTINES. women can be, she was patient with the patience of a god. Milly was surprised one afternoon by a visit from Orin Stanton, the half brother of John. The sculptor had never before come to see her, and, although Milly was little given to censoriousness, she could not avoid the too-obvious reflection that, in one known to be so consistently self-seek- ing as was Orin, the probability was that some selfish motive lay behind the call. Orin had never been especially fond of Milly, and since his return from Europe, where he had been maintained by the liberality of an old lady, who, in a summer visit to Feltonville, had been attracted by his talent for modelling in clay, he had avoided as far as possible all intercourse with his townspeople. The old lady, who took much innocent pleasure in imagining herself the patroness of a future Phidias, died suddenly one day, leaving the will by which provision was made for young Stanton's future unhappily without signature ; a fact which ever after furnished him with definite grounds upon which to found his accusations against society and fate. It was largely in virtue of this interesting and pathetic story that Mrs. Frostwinch and Mrs. Bodewin Ranger had taken ijt upo^ themselves to better the fortunes of Stanton. ',^__Large-hearted ladies in Boston, as elsewhere in the world, find no difficulty in discovering signs of genius in a THIS ''WOULD'' CHANGES. j^q work of art where they deliberately look for it ; and being moved by the sculptor's history, — in which, to say sooth, there was nothing remarkable, and, save the disappointment in regard to the will, little that was even striking — his patronesses were not slow in coming to regard his productions with admiration curiously resembling momentary vener- ation. yThey in a mild way instituted a Stanton cult, as a minor interest in lives already richly full, and when more weighty matters did not interfere, Mrs. Frostwinch, in varying degrees of enthusiasm, could be charming in her praises of the sculptor, whom she designated as ''adorably ursine," and of his work, which in turn, she termed " irresisti- bly insistent," whatever that might mean. Bearish, Orin Stanton certainly was, whether one did or did not find the quality adorable. He was heavy in mould, with a face marked by none of the delicacy one expects in an artist and to which his small eyes and thick lips lent a sensual cast. Milly had always found his countenance repulsive, strongly as she strove not to be affected by mere outward appearances. He wore his hair long, its coarse, reddish masses showing conspicu- ously in a crowd, when he got to going about among such people as hunt lions in Boston. Mrs. Bodewin Ranger patronized him from afar, and could not be brought to invite him to her house. " Really, my dear," the beautiful old lady said to I^O ^■^^^' PHILISTINES. her husband ; "it seems to me that people are not wise in asking Mr. Stanton about so much./ It only unsettles him, and he should Us left to asso- ciate with persons in his own class. "^ " I quite agree with you," her husband replied, as he had replied to every proposition she had advanced for the half century of \)i^x married life. Mrs. Frostwinch was less rigid, [it is somewhat the fashion of the more exclusive of the younger circles of Boston to make a more or less marked display of a democracy which is far more apparent than real. Partly from the genuine and affected respect for culture and talent which is so charac- teristic of the town, and partly from some remnants of the foolish superstition that the persons who produce interesting w^orks of art must themselves be interesting, the social leaders of the town are, as a rule, not unwilling to receive into a sort of lay-brotherhood those who are gifted with talent or genius. No fashion of place or hour, however, can change the essential facts of life ; and it is perhaps quite as much the incompatibility of aim, of purpose in life, as any instinctive arrogance on either side, that makes any intimate union impossi- ble. It is inevitable that members of any exclusive circle shall regard others concerning whose admis- sion there has been question with some shade of more or less conscious patronage, and sensitive men of genius are very likely as conscious of ''the pale spectrum of the salt " as was Mrs. Brown- THIS ''WOULD'' CHAXGES. 151 ing's poet Bertram, invited into company where he did not belong, because it was socially too high and intellectually and humanely too low. The members of what is awkwardly called fashionable society are too thoroughly trained in the knowledge of the principles of birth, wealth, and mutual recognition upon which their order is founded, to be likely to lose sight of the fact that artists and authors and actors, not possessing, however great their clever- ness in other directions, these especial qualifica- tions, can only be received into the charmed ring on sufferance ; and nothing could be more absurd or illogical than to blame them for recognizing this Mrs. Frostwinch, at least, was in no danger of forgetting where she stood in relation to such lions as she invited to her house. She understood ac- curately how to be gracious and yet to keep them" ln_their place. Indeed, she did this instinctively, so thoroughly was she imbued with the spirit of her class. She did not open her doors to many people on the score of their talent, and least of all did she encourage lions of appearance so coarse and uncouth as Orin Stanton. She found the role of lady patroness amusing, however, and, al- though she would not have put the sculptor's name on the lists of guests for a dinner or an evening reception, she did invite him to a Friday afternoon, when sha-,knew Stewart Hubbard was likely to be present ; land a glowing knowledge of 52 THE PHILISTINES. this honor was in Orin's mind when he went to call on Melissa. "I've no doubt you're surprised to see me," Orin said, brusquely, as he seated himself, still in his overcoat. " The truth is, I don't run round a great deal, and if I do, it's where it will do me some good." Milly smiled to herself. She was not without a sense of humor. " Naturally, I don't expect you to waste your time on me," she answered. " You must be very busy, and I suppose you have lots of engage- ments." " Oh, of course," he returned, with an obvious thrill of self-satisfaction. *' The Boston women are always interested in art, and I could keep going all the time, if I had a mind to. I'm going to Mrs. Frostwinch's to-morrow. She wants to introduce me to Mr. Hubbard, one of the com- mittee on the new statue." To Orin's disappointment this fact seemed to make little impression upon Milly, who was far too ignorant of Boston's social distinctions to realize that an invitation to one of Mrs. Frostwinch's Fridays was an honor greatly to be coveted. " I am glad if people are interesting themselves in your work, Orin," she said, with a manner she tried not to make formal. She had never been able to like Orin, and since the time when he had not only utterly refused to THIS ''WOULD'' CHANGES. 153 share with John the burden of their father's debts but had scoffed at what he called his brother's "idiocy" in paying them, Milly had found comfort in having a definite and legitimate excuse for dis- liking him. She regarded him as greatly gifted ; in the eyes of Feltonville people, Orin's talents, since they had received the sanction of substantial patronage, had loomed into greatness somewhat absurdly disproportionate to their actual value. She was not insensible of the honor of being con- nected, as the betrothed of John, with so distin- guished a man as she felt Orin to be ; but she neither liked nor trusted him. '' Oh, there are some people in Boston who know a good thing when they see it," the young man responded, intuitively understanding that here he need not take the trouble to affect any artificial modesty. " It's about that that I came to talk to you." "About — I don't think I understand." " I want your help." " My help } How can I help you } " The sculptor tossed his hat into a chair, and leaned forward, tapping on one broad, thick palm with the fingers of the other hand. "They tell me," he said, "that you know Mrs. Fenton pretty well ; Arthur Fenton's wife, — he's an awful snob, I hate him." " Mrs. Fenton has been very kind to me," Milly responded, involuntarily shrinking a little, and speaking guardedly. 54 THE PHILISTINES. " Well, put it any way you like. If she's inter- ested in you, that's all I want," Stanton went on, in his rough way. '' You'll have a pull on her through the church racket, I suppose." Melissa looked at him with pain and disgust in her eyes. She always shrank from Orin's rough coarseness ; and she always felt helpless before him. She made no reply, but played nervously with the pen she had laid down upon his entrance. He regarded her curiously. " You see," he said, with a clumsy attempt at easy familiarity, '' Mrs. Fenton's a niece of Mr. Calvin, who is on the statue committee. Mrs. Frostwinch says Mr. Calvin's the man who has most influence in the committee, and it occurred to me that it would be a good thing if you'd put Mrs. Fenton up to taking my part with Calvin. You see," he continued, in an offhand manner, " artists don't get any show nowadays unless they keep their eyes open, and I mean to be wide awake. I'm ready to do a good turn, too, for any- body that helps me. John told me the other day that you and he had had a row, and if you can do me a good turn in this, I may be able to pay you by smoothing John down." Milly flushed painfully. Her delicacy was out- raged, but, too, her combative instinct was roused to defend her lover. ''John and I haven't quarrelled," she said, in a voice a little raised ; '' he is worried about the THIS ''WOULD'' CHANGES. 55 debts and that makes him out of sorts, sometimes, that is all." A look of shrewd cunning came into Orin's narrow eyes. He suspected the allusion to John's determination to clear his father's memory from dishonor to be a clever device to win a concession from him. He looked upon the remark as a state- ment from Milly of the price of her aid. " If I get this commission," he said, watching the effect of his words, '' I shall be in a position to help John pay off those debts, and I shall tell' him he has you to thank for my helping him out in his foolishness, — for it is foolishness to waste money on dead debts." A glad light sprang into Milly's face. She was too childlike to suspect the thought which led Orin to make this proffer, and the hope of having John aided at once and of being able to contribute to the bringing about of this result, made her heart beat joyfully. " You know how glad I shall be if I can help you," she said quickly. ** I will speak to Mrs. Fenton when I see her to-morrow ; though I do not see what good I can do you," her honesty forced her to add, with sudden self-distrust. ** Oh, you just put in and do your level best," Orin responded, with the smile which Mrs. Frost- winch had once called his *' deplorably Satanic grin," "and it is sure to come out all right. There are other wires being pulled." XIV THE SHOT OF ACCIDENT. Othello; iv. — i. IT was not often that Arthur Fenton permitted himself to be ill-tempered at home. He had too keen an appreciation of good taste to allow his dark humors to vent themselves upon the heads of those with whom he lived. ''A man is to be excused for being cross abroad," he was wont to observe, '' but only a brute is peevish at home." On the morning following his conversation with Damaris Wainwright, however, he was decidedly out of sorts, and proved but ill company for his wife at the breakfast table. She ventured some simple remark in relation to a plan which Mr. Candish had for the re-decoration of the Church of the Nativity, and her husband retorted with an open sneer. " Oh, don't talk about Mr. Candish to me," he said. *' He is that obsolete thing, a clergyman." "I supposed," Edith responded good-naturedly, " that a question of artistic decoration would inter- est you, even if it was connected with a church." ''I hate anything connected with a religion," 156 thp: shot of accident. T57 Fen ton observed savagely. *' A religion is simply an artificial scheme of life, to be followed at the expense of all harmony with nature." It was evident to Edith that her husband was nervous and irritable, and with wifely protective instinct she attributed his condition to overwork. She did not take up the challenge which he in a manner flung down. She seldom argued with him now ; she cast about in her mind for a safe topic of conversation, and, by ill-luck, hit upon the one least calculated to restore Arthur to good humor and a sane temper. " Helen was in last evening," she said. " She is troubled about Ninitta ; but I think it is because she isn't used to her ways." Fenton started guiltily. *' What about Ninitta '^. " he demanded. "Helen says she acts strangely, as if she had something on her mind ; and that she complains bitterly that her husband doesn't care for her." Arthur shrugged his shoulders. He was on his guard now, and perfectly self-possessed. " No .'* " he said, inquiringly. " Why should he } " " Why should he } " echoed his wife indignantly. Then she recovered herself, and let the question pass, saying simply : " That would lead us into one of our old discussions about right and wrong." "Those struggles and quibbles between right and wrong," Fenton retorted contemptuously. 158 THE PHILISTINES. "have ceased to amuse me. They were inter- esting when I was young enough for them to have novelty, but now I find grand passions and a strong will more entertaining than that form of amusement." Edith raised her clear eyes to his with a calm- ness which she had learned by years of patient struggle. "And yet," she answered, "the people whonT I have found most true, most helpful, and even most comfortable, have been those who believed these questions of right and wrong the most vital things in the universe." " Oh, certainly," was the reply. " A supersti- tion is an admirable thing in its place." He rose from the table as he spoke, and stood an instant with his hand upon the back of his chair, looking at her in apparent indecision. She saw that he was troubled, and she longed to help him, but she had learned that his will was definite and unmanageable, and she secretly feared that her inquiry would be fruitless when she asked, — "What is it that troubles you this morning, Arthur } Has anything gone wrong t " " Things are always wrong," replied he. Then, with seeming irrelevance, he added : " People are so illogical ! They so insist that a man shall think in the beaten rut. They are angry because I don't like the taste of life. Good Heavens ! Why haven't I the same right to dislike life that I have THE SHOT OF ACCIDENT 159 to hate sweet champagne ? If other people want to live and to drink Perrier Jouet, I am perfectly willing that they should, but, for my own part, I don't want one any more than the other." What he said sounded to Edith like one of the detached generalities he was fond of uttering, and if she had learned that beneath his seemingly ir- relevant words always lay a connecting thread of thought, she had learned also that she could sel- dom hope to discover what this cord might be. To understand his words, now, it would have been necessary for her to be aware of the net spread for him by Irons, the struggle in his mind as he talked with ]\Iiss Wainwright, and the effort he was now making to bring himself up to the firm- ness needed for the important interview with Mr. Hubbard which lay before him. In the sleepless hours of the night, Fenlpn had gone over the ground again and again ;[_he had painted to him- self the baseness of the thing he meant to do, and all his instincts of loyalty, of taste, of good-breed- ing, rose against it ;Jbut none the less did he cling doggedly to his determination. His purpose never wavered. His decision had been made, and this summing up of the cost did not shake him ; it only made him miserable by the keen appreciation it brought him of the bitter humiliation fate — for so he viewed it — was heaping upon his head. The strength and weakness which are often mingled in one character, like the iron and clay l6o THE PHILISTINES. in the image of the prophet's vision, make the most surprising of the many strange paradoxes of human life. Fenton was sensuous, selfish, yield- ing, yet he possessed a tenacity of purpose, a might of will, which nothing could shake. He looked across the table now, at his sweet-faced, clear-eyed wife, with a dreadful sense of her purity, her honor, her remoteness ; it cut him to the quick to think that the breach of trust he had in view would fill her mind with loathing ; yet the possi- bility of therefore abandoning his purpose did not occur to him. Indeed, such was his nature, that it might be said that the possibility of abandoning his deliberately formed intention, on this or on any other grounds, did not for him exist. It was one of the peculiarities which he shared with many sensitive and sensuous natures, that his first thought in any unpleasant situation was al- ways a reflection upon the bitterness of existence. He always thought of the laying down of life as the easiest method of escape from any disagreeable dilemma. He was infected with the distaste of life, that disease which is seldom fatal, yet which in time destroys all save life alone. He thought now how he hated living, and the inevitable reflec- tion came after, how easy it were to get out of the coil of humanity. A faint smile of bitterness curled his lips as he recalled a remark which Helen Greyson had once quoted to him as having been made of him by her dead husband. " He'll THE SHOT OF ACCIDENT. j^j want to kill himself, but he won't. He's too soft- hearted, and he'd never forget other people and their opinions." He had acknowledged to himself that this was true, and he wondered whether Mrs. Greyson appreciated its justice. The thought of Helen brought up the old days when he had been so frankly her friend that he had told her everything that was in his heart ex- cept those things which vanity bade him conceal lest he fall in her estimation. It was so long since he had known a friend on those intimate terms under which it makes no especial difference what is said, since even in silence the understanding is perfect, and the pleas- ure of talking depends chiefly on the exchange of the signs of complete mutual comprehension, that the old days appealed to him with wonderful power. There is an immeasurable and soothing restfulness in such intercourse, especially to a man like Fenton, in whom exists an inner neces- sity always to say something when he talks ; and as he recalled them now, something almost a sob rose in Arthur's throat. Many men suppose them- selves to be cultivating their intellect when they are only, by the gratification of their tastes, quick- ening their susceptibilities ; and Fenton's whole self-indulged existence had resulted chiefly in ren- dering him more sensitive to the discomforts of a universe in the making of which other things had been considered besides his pleasure. 1 62 THE PHILISTINES. He looked across the breakfast table at his wife. He noted with appreciation the beautiful line of her cheek outlined against the dark leather of the wall behind her. He felt a twinge of remorse for coming so far short of her ideal of him. He knew how resolutely she refused to see his worst side, and he reflected with philosophy half bitter and half contemptuous, that no woman ever lived who could wholly outgrow the feeling that to believe or to disbelieve a thing must in some occult way affect its truth. At least she had fulfilled all the unspoken promises, so much more important than vows put into words could be, with which she had married him. A remorseful feeling came over his mind, and instantly followed the instinctive self- excuse that she could never suffer as keenly as he suffered, no matter how greatly he disappointed her. ** People are to be envied or pitied," he said aloud, '* not for their circumstances, but for their temperaments." Edith looked up inquiringly. He went round to where she was sitting, smiling to think how far she must be from divining his thought. *' I stayed at the club too late last night," he said, stooping to kiss her smooth white forehead in an unenthusiastic, habitual way which always stung her. " Some of the fellows insisted upon my playing poker, and I got so excited that I didn't sleep when I did get to bed." THE SHOT OF ACCIDENT. 163 Edith sighed, but she made no useless remon- strances. Walking down to his studio, carefully dressed, faultlessly booted and gloved, and, as Tom Bently was accustomed to say, ** too confoundedly well groomed for an artist," Fenton tried in vain to determine how he should manage the important conversation with Mr. Hubbard. He had racked his brains in the night in vain attempts to solve this problem, but in the end he was forced to leave everything for chance or circumstances to decide. When Stewart Hubbard sat before him, Fenton was conscious of a tingling excitement in every vein, but outwardly he was only the more calm. A close observer might have noticed a nervous quickness in his movements, and a certain shrill- ness in his voice, but the sitter gave no heed to these tokens, which he would have regarded as of no importance had he seen them. The talk was at first rather rambling, and was not kept up with much briskness on either side. Fenton, indeed, was so absorbed in the task which lay before him that he hardly followed the other's remarks, and he suddenly became aware that he had lost the thread of conversation altogether, so that he could not possibly imagine what the connection was when Hubbard observed, — *' Yes, it is certainly the hardest thing in the world for one being to comprehend another." 1 64 THE PHILISTINES. Fenton rallied his wits quickly, and retorted with no apparent hesitation, — " It is so. Probably a cat couldn't possibly understand how a human mother can properly bring up a child when she has no tail for her off- spring to play with." ** That wasn't exactly what I meant," the other returned, laughing ; "■ but what a fellow you are to give an unexpected turn to things." " Do you think so } " the artist said. Then, with a painful feeling of tightness about the throat, and a soberness .of tone which he could not prevent, he added, — VlJThat is a reason why I have always felt that I was one of those compara- tively rare persons whom wealth would adorn, if somebody wpuld only show me an investment to get rich on."y " You are one of those still rarer persons who would adorn wealth," Mr. Hubbard retorted, ig- noring the latter part of the artist's remark. " Only that you are so astonishingly outspoken, that you might cause a revolution if you had Van- derbilt's millions to add weight to your words. It doesn't do to be too honest." The sigh which left Fenton's lips was almost one of relief, although he felt that this first at- tempt to turn the talk into financial channels had failed. " No," he replied. " Civilized honesty consists largely in making the truth convey a false impres- THE SHOT OF ACCIDF.XT. 65 sion, so that one is saved a lie in words while tell- ing one in effect." "■ It is strange how we cling to that old idea that as long as the letter of what we say is true it is no matter if the spirit be false," was Mr. Hub- bard's response. " I thought of it yesterday at the meeting of the committee on the statue, when we were all sitting there trying to get the better of each other by telling true falsehoods." " How does the statue business come on } " Fenton asked. " Not very fast. I am sure I wish I was out of it. America always was a trouble, and this time is no exception to the rule." "I hope," Arthur said, speaking with more seri- ousness, '' that Grant Herman will be given the commission. He's all and away the best man." He had secretly a feeling that he was putting an item on the credit side of his account with the sculptor in urging his fitness for this work. " It is hard to do anything with Calvin and Irons. I've always been for Herman, but I don't mind telling you in confidence that I stand alone on the committee." " Isn't there any way of helping things on .'* Wouldn't a petition from the artists do some good } " "■ It might. But if you get up one don't let me know. I'd rather be able to say that I had no knowledsfe of it if it came before us." 1 66 THE PHILISTINES. Fenton smiled and continued his painting. With a thrill half of triumph, half of rage, he became aware that he was this morning succeed- ing admirably in getting just the likeness he wanted in the sitter's portrait. He had feared lest his excitement should render him unfit for work, but it had, on the contrary, spurred him up to unusual effectiveness. The thought came into his mind of the price at which he was buying this skill, and it was characteristic that the reflection which followed was that at least, if he caused Hubbard to lose money by betraying the secret he hoped to get from him, he was, to a degree, repaying him by painting a portrait which could under no other circumstances be so good. It was no less characteristic of Fenton's mental habits that he looked upon himself as having com- mitted the crime against his sitter which had yet to be carried out. In his logic, the legitimate, however distorted, legacy from Puritan ancestors, the sin lay in the determination ; and he would have held himself almost as guilty had circum- stances at this moment freed him from the disa- greeable necessity of going on with his attempt. Doubtless in this fact lay in part the explanation of the firmness of his purpose. He would still have suffered in self-respect, since abandonment of his plan, even if voluntary, would not alter the fact that he had in intention been guilty. He would have said that theoretically there was no THE SHOT Of ACCIDENT. y67 difference between intention and commission, and however casuists might reason, he took a curious delight in being scrupulously exacting with him- self in his moral requirements, the fact that he held himself in his actions practically above such considerations naturally making this less difficult than it otherwise would have been. Every man has his private ethical methods, and this was the way in which Arthur Fenton's mind held itself in regard to that right of which he often denied the existence. " I suppose," he remarked at length, with delib- erate intent of entrapping Hubbard into some inadvertent betrayal of his secret, "that you busi- ness men have no sort of an idea how ignorant a man of my profession can be in regard to business. I had a note this morning from a broker whom I've been having help me a little in a sort of infantile attempt at stock gambling, and he ad- vises me to find a financial kindergarten and attend it." " I dare say he is right," the other returned, smiling. '* You had better beware of stock gam- bling, if you are not desirous of ending your days in a poorhouse." " But what can one do } It is only the men of large experience and so much capital that they do not need it who have a chance at safe invest- ments." He felt that he was bungling horribly, but he 1 68 THE PHILISTINES. knew no other way of getting on in his attempt. He was terrified by the openness of his tactics. It seemed to him that any man must be able to perceive what he was driving at, but he desper- ately assured himself that after all Hubbard could not possibly have any reason to suspect hiin of a design of pumping him. "Oh, there are plenty of safe investments," the sitter said, as if the matter were one of no great moment. Then, looking at his watch, he added, " I must go in fifteen minutes. I have an engage- ment." Fenton dared not risk another direct trial, but he skirted about the subject on which his thoughts were fixed. His attempts, however, though in- genious, were fruitless ; and he saw Hubbard step down from the dais where he posed, with a baffled sense of having failed utterly. *'The country is really beginning to look quite spring-like," he said, as he stood by while his sitter put on his overcoat. He spoke in utter carelessness, simply to avoid a silence which would perhaps seem a little awk- ward ; but the shot of accident hit the mark at which his careful aim had been vain. " Yes, it is," the other responded. " I was out of town with Staggchase yesterday, looking at some meadows we talk of buying for a factory site, and I was surprised to see how forward things are." Yesterday Mrs. Staggchase had casually men- THE SHOT OF ACCIDENT. 169 tioned to Fred Rangely that her husband had gone to Feltonville ; and at the St. Filipe Club in the evening, as they were playing poker, Rangely had excused the absence of Mr. Staggchase, who was to be of the party, by telling this fact. After Hubbard was gone, Fenton stood half dizzy with mingled exultation and shame. He exulted in his victory, but he felt as if he had committed murder. And that evening Mrs. Amanda Welsh Samp- son received a note from Mr. Irons, in which Fel- tonville was mentioned. XV LIKE COVERED FIRE. Much Ado about Nothing ; iii. — 2. MRS. AMANDA WELSH SAMPSON was playing a somewhat difficult game, and she was playing it well. She was entertaining Mr. Greenfield, the Feltonville member, and she had also as a casual guest for the evening, Mr. Erastus Snaffle, and successfully to work the one off against the other was a task from which the cleverest of society women might be excused for shrinking, even had it been presented to her in terms of her own circle. Greenfield was an honest, straightforward coun- tryman ; big, and rather burly, with a clear eye and a curling chestnut beard. He was a man at once of great force of character, and of singular simplicity. He exerted a vast influence in his country neighborhood in virtue of the respect inspired by his invincible integrity, a certain shrewdness which was the more effective at short range from the fact that it was really narrow in its spread, and perhaps most of all of his bluff, demonstrative kindliness. Tom Greenfield's hearty laugh and cordial handshake had won him more 170 LIKE COVERED FIRE. j^j votes than many a more able man has been able to secure by the most thorough acquaintance with the questions and interests with which election would make it the duty of a man to be concerned ; but it must be added that no man ever used his influence more disinterestedly and honestly, or more conscientiously fulfilled the duties of his position, as he understood them. Such a man was peculiarly likely to become the victim of a woman like Mrs. Sampson. The plea of relationship on which she had sought his ac- quaintance disarmed suspicion at the outset. His country manners were familiar with family ties as a genuine bond, and he had no reason whatever to suppose that any ulterior motive was possible to this woman who affected to be so ignorant of poli- tics and public business. In the weeks which had elapsed since her interview with Alfred Irons, Mrs. Sampson had been making the most of the fraction of the sea- son which remained to her. She had offered excuses which Greenfield's simple soul found sat- isfactory why she had not sought her cousin's acquaintance early in the winter, and the very irksomeness of the enforced absence from his country home which seized him as spring came on, made him the more susceptible to the blan- dishments of the mature siren who, with cunninji art, was meshing her nets about him. He had quite fallen into the habit of passing his 1/2 THE PHILISTINES. unoccupied evenings with the widow, and she in turn had denied herself to some of her familiar friends on occasions when she had reason to ex- pect him. Had she known he was likely to come this evening, she would have taken care to guard against his meeting with SnafBe ; but as that gen- tleman was first in the field, she had her choice between sending Greenfield away and seeing them together. Like the clever woman she was, she chose the latter alternative, and found, too, her account in so doing. j^Erastus Snaffle was more familiarly than favor- ably known in financial circles of Boston, as the man who had put afloat more wild-cat stocks than any other speculator on the street. It might be supposed that his connection with any scheme would be enough to wreck its prospects, yet what- ever he took hold of floated for a time. There was always a feeling among his victims that at length he had come to the place where he must connect himself with a respectable scheme for the sake of re-establishing his reputation ; but this hope was never realized. Perhaps whatever he touched ceased from that moment to be either reliable or respectable. However, since Snaffle was possessed of so inexhaustible a fund of plausi- bility that he never failed to find investors who placed confidence in his wildest statements, it after all made very little difference to him what his reputation or his financial standing might be.l LIKE COVERED FIRE. 173 By one of those singular compensations in which nature seems now and then to make a struggle to adjust the average of human charac- teristics with something approaching fairness, Snaffle was hardly less gullible than he was skil- ful in ensnaring others. He was continually mak- ing a fortune by launching some bogus stock or other, but it seemed always to be fated that he should lose it again in some equally wild scheme started by a brother sharper. Perhaps between his professional strokes he was obliged to practise at raising credulity in himself merely to keep his hand in ; perhaps it was simply that the habit of believing financial absurdities had become a sort of second nature in him ; or yet again is it possi- ble that he felt obliged to assume credulity in regard to the falsehoods of his fellow sharpers, as a sort of equivalent for the faith he so often demanded of them ; but, whatever may hav^e been the reason, it was at least a fact that his money went in much the same way it came. In person, Erastus Snaffle was not especially prepossessing. His face would have been more attractive had the first edition of his chin been larger and the succeeding ones smaller, while the days when he could still boast of a waist were so far in the irrevocable past that the imagination refused so long a flight as would be required to reach it. His eyes were small and heavy-lidded, but in them smouldered a dull gleam of cunning 74 THE 2UIILISTINES. that at times kindled into a pointed flame. His dress was in keeping with his person, and his manner quite as vulgar as either. He was sitting to-night in one corner of the sofa, his corpulent person heaped up in an un- shapely mass, talking with a fluency that now and then died away entirely, while he paused to specu- late what sort of a game his hostess might be playing with Mr. Greenfield. "The fact is," Mrs. Sampson was saying, as Snaffle recalled his attention from one of these fits of abstraction, ''that I don't know what I shall do this summer ; and I don't like to believe that sum- mer is so near that I must decide soon." "You were at Ashmont last year, weren't you } " Snaffle asked. " Why don't you go there again." Mrs. Sampson shot him a quick glance which Snaffle understood at once to mean that he was to second her in something she was attempting. He did not yet get his clew clearly enough to understand just how, but the look put him on the alert, as the hostess answered, — " Oh, it is all spoiled. The railroad has been put through and all the summer visitors are giving it up. I'm sure I don't know what will become of all the poverty-stricken widows that made their liv- ing out of taking boarders. That railroad has been an expensive job for Ashmont in every way." Greenfield smiled, his big, genial smile which had so much warmth in it. LIKE COVERED FIRE, 175 " That isn't usually the way people look at the effect of a railroad on a town." This time the look which Mrs. Sampson gave Snaffle told him so plainly what she wanted him to do that he spoke at once, her almost impercep- tible nod showing him that he was on the right track. "Oh, a railroad is always the ruin of a small town," he said, "unless it is its terminus. It sucks all the life out of the villages along the way. You go along any of the lines in Massachusetts, and you will find that while the towns have been helped by the road, the small villages have been knocked into a cocked hat. All the young people have left them ; all the folks in the neighborhood go to some city to do their trading, and the stuff- ing is knocked out of things generally." Mrs. Sampson looked at Snaffle with a thorough- ly gratified expression. " I don't know much about the business part of the question, of course," she said, " but I do know that a railroad takes all the young men out of a village. A woman I boarded with at Ashmont last year wrote to me the other day in the greatest distress because her only son had left her. She said it was all the railroad, and her letter was really pathetic." " Oh, that's a woman's way of looking at it," rejoined Greenfield, the greatest struggle of whose life, as Mrs. Sampson was perfectly well aware. 1/6 THE PHILISTINES. was to keep at home his only child, a youth just coming to manhood. " It is easy enough for boys to get away nowadays, and just having a railroad at the door wouldn't make any great difference." *' It does, though, make a mighty sight of dif- ference," Snaffle said, rolling his head and putting his plump white hands together. "■ Somehow or other, the having that train scooting by day in and day out unsettles the young fellows. The whistle stirs them up, and keeps reminding them how easy it is to go out West or somewhere or other. I've seen it time and again." "Well," Greenfield returned, a shadow over his genial face, " I have a youngster that's got the Western fever pretty bad without any railroads coming to Feltonville. But what you say is only one side of the question. When a railroad comes it always brings business in one way or another. The increase of transportation facilities is sure to build things up." " Oh, yes, it builds them up," Snaffle chuckled, as if the idea afforded him infinite amusement, " but how does it work. There are two or three men in the town who start market gardens and make something out of it. They sell their pro- duce in the city and they do their trading there ; they hire Irish laborers from outside the village ; and how much better off is the town, except that it can tax them a trifle more if it can get hold of the valuation of their property." LIKE COVERED FIRE. lyy *' Which it generally can't," interpolated Green- field grimly, with an inward reminder of certain experiences as assessor. '' Or somebody starts a factory," Snaffle went on, " and then the town is made, ain't it ? Outside capital is invested, outside operatives brought in to turn the place upside down and to bring in all the deviltries that have been invented, and all the town has to show in the long run is a little advance in real estate over the limited area where they want to build houses for the mill-hands. There's no end of rot talked about improving towns by putting up factories, but I can't see it myself." Snaffle sometimes said that he believed in noth- ing but making money, and there was never any reason to suppose he held an opinion because he expressed it. He said w^hat he felt to be politic, and a long and complicated experience enabled him to defend any view with more or less plausi- bility upon a moment's notice. He was clever enough to see that for some reason the widow wished him to pursue the line of talk he had taken, and he was ready enough to oblige her. He never took the trouble to inquire of himself what his opinions were, because that question was of so secondary importance ; he merely exerted himself to make the most of any points that presented themselves to his mind in favor of the side it was for his advantage to support. " 'Pon my word," Greenfield said, with a laugh, lyS THE PHILISTINES. " you talk like an old fogy of the first water. I wouldn't have suspected you of looking at things that way." " Mr. Snaffle is always surprising," Mrs. Samp- son said, with her most dazzling smile, ''but he is generally right." "Thank you. I can't help at any rate seeing that there are two sides to this thing, and I am too old a bird to be caught with the common chaff that people talk." Mr. Greenfield settled himself comfortably in his chair and laughed softly. The discussion was so purely theoretical that he could be amused without looking upon it seriously. " For my part," he remarked, his big hand playing with a paper-knife on one of the little tables, which, to a practised eye, suggested cards, "I am of the progressive paity, thank you. I believe in opening up the country and putting railroads where they will do the most good. A few people get their old prejudices run against, but on the whole it is for the interest of a town to have a railroad, and it is nonsense to talk any other way." Mrs. Amanda Welsh Sampson leaned forward to lay her fingers upon the speaker's arm. ''That is just it, Cousin Tom," she said, with a languishing glance. " You always look at things in so large a way. You never let the matter of per- sonal interest decide, but think of the public good," LIKE COVERED EIRE. i^q The flattery was somewhat gross, but men will swallow a good deal in the way of praise from women. They are generally slow to suspect the fair sex of sarcasm, and allow themselves the lux- ury of enjoying the pleasure of indulging their vanity untroubled by unpleasant doubts concern- ing the sincerity of compliments which from mas- culine lips would offend them. Greenfield laughed with a perceptible shade of awkwardness, but he was evidently not ill pleased. " Oh, well," he returned, '' that is because thus far it has happened that my personal interests and my convictions^have worked together so well. You might see a difference if they didn't pull in the same line." Mrs. Sampson considered a moment, and then rose, bringing out a decanter of sherry with a supply of glasses and of biscuit from a convenient closet in the bottom of a secretary. ''That's business," Snaffle said, joyously. *' Sherry ain't much for a man of my size, but it's better than nothing." *' It is a hint though," the hostess said, filling his glass. " A hint ! " he repeated. "Yes ; a hint that it is getting late, and that I am tired, and you must go home." ** Oh, ho ! " he laughed uproariously ; " now I won't let you in for that good thing on the Prince- ton Platinum stock. You'll wish you hadn't l8o THE PHILISTINES. turned me out of the house when you see that stock quoted at fifty per cent above par." "Ah, I know all about Princeton Platinum," she responded, showing her white teeth rather more than was absolutely demanded by the occa- sion ; *' besides, I've no money to put into any- thing." "What about Princeton Platinum.'*" Greenfield asked, turning toward the other a shrewd glance. ** I've heard a good deal of talk about it lately, but I didn't pay much attention to it." " Princeton Platinum," the hostess put in before Snaffle could speak, " is Mr. Snaffle's latest fairy story. It is a dream that people buy pieces of for good hard samoleons, and " — " Good wJiat ? " interrupted the country member. "Shekels, dollars, for cash under whatever name you choose to give it ; and then some fine morning they all wake up." "Well.''" demanded Snaffle, to whom the jest seemed not in the least distasteful. " And what then.?" " Oh, what is usually left of dreams when one wakes up in the morning "^ " The fat person of the speculator shook with appreciation of the wit of this sally, which did not seem to Greenfield so funny as from the laughter of the others he supposed it must really be. The latter rose when Snaffle did and prepared LIKE COVERED FIRE. jgi to say good-night, but Mrs. Sampson detained him. " I want to speak with you a moment," she said. '' Good-night, Mr. Snaffle. Bear us in mind when Princeton Platinum has made your fortune, and don't look down on us." " No fear," he returned. *' When that happens, I shall come to you for advice how to spend it." There was too much covetousness in her voice as she answered jocosely that she could tell him. The struggle of life made even a jesting supposi- tion of wealth excite her cupidity. She sighed as she turned back into the parlor and motioned Greenfield to a seat. Placing herself in a low, velvet-covered chair, she stretched out her feet before her, displaying the black silk stocking upon a neat instep as she crossed them upon a low stool. "I am sure I don't know how to say what I want to," she began, knitting her brows in a per- plexity that was only part assumed. ** Something has come to me in the strangest way, and I think I ought to tell you, although I haven't any inter- est in it, and it certainly isn't any of my busi- ness." Her companion was too blunt to be likely to help her much. He simply asked, in the most straightforward manner, — ''What is it.^" " It's about public business," she said. " Why ! " 1 82 THE PHILISTINES. she added, as if a sudden light had broken upon her. " I really believe I was going to be a lobby- ist. Fancy me lobbying ! What does a lobbyist do?" '' Nothing that you'd be likely to have any hand in," returned Greenfield, smiling at the absurdity of the proposition. " What is all this about ? " " I suppose I should not have thought of it but for the turn the talk took to-night," she re- turned with feminine indirectness. " It was odd, wasn't it, that we should get to talking of the harm railroads do, when it was about a railroad that I was going to talk." ** There's only one railroad scheme on foot this spring that I know anything about, and that's for a branch of the Massachusetts Outside Railroad through Wachusett. That isn't in the Legislature either." "That's the one. It's going to be in the Legis- lature. There's going to be an attempt to change the route." " Change the route '^. " "Yes, so it will go through — but will you promise not to tell this to a living mortal .^ " '-' Of couise." " I suppose," she said, regarding her slipper intently, "that I really ought not to tell you ; but I can't help it somehow. Your name is to be used." " My name t " LIKE COVERED EIRE. 183 "Yes, the men who are planning the thing say that it will be so evident that you'd want the road to go this new way, that if you vote with the Wachusett interest they'll swear you are bought." '* Swear I'm bought ? Pooh ! Tom Greenfield is too well known for that sort of talk to hold water." " But through your own town " — Mrs. Sampson regarded her companion closely as she slowly pronounced these words. They roused him like an electric shock. "Through Feltonville } " She nodded, compressing her lips, but saying nothing. " Phew ! This is a tough nut to crack. But are you sure that is to be tried } " " Yes ; there is a scheme for a few monopolists to buy up mill privileges and run factories at Feltonville ; and they mean to make the road serve them, instead of its being put where the public need it." "So that's what Lincoln's been raking up in Boston," Greenfield said to himself. " I knew he was up to some deviltry. Wants to sell off those meadows he's been gathering in on mortgages." " Of course you'll want to help your town," Mrs. Sampson said, regretfully. "The men that voted for you'll expect you to do it ; but it's help- ing on a sly scheme at the expense of the state. Pm sorry you've got to be on that side." " Got to be on that side } " he retorted, starting 1 84 THE PHILISriNES. up. " Who says I've got to be on that side ? we'll see about that before we get through. The men that voted for me expect me to do what is right, and I don't think they'll be disappointed just yet." And all things considered, Mrs. Amanda Welsh Sampson thought she had done a good evening's work. XVI WEIGHING DELIGHT AND DOLE. Hamlet; i. — 2. " f\H, this is completely captivating," Mrs. Frost- Vy winch said, as she sat down to luncheon in Edith Fenton's pretty dining-room, and looked at the large mound-like bouquet of richly tinted spring leaves which adorned the centre of the table. " That is the advantage of having brains. One always finds some delightful surprise or other at your house." ''Thank you," Edith returned, gayly ; "but at your house one always has a delightful surprise in the hostess, so you are not forced to resort to makeshifts." Helen Greyson, the third member of the party, smiled and shook her head. ** Really," she said, " is one expected to keep up to the level of elaborate compliment like that ? I fear I can only sit by in admiring silence while you two go on." *' Oh, no," the hostess responded. " Mrs. Frostwinch is to talk to you. That is what you people are here for. I am only to listen." 1S5 1 86 THE PHILISTINES. Edith had invited Helen and Mrs. Frostwinch to take luncheon with her, and she had really done it to bring these two more closely together. She was fond of them both, and the effect of her life in the world into which her marriage had intro- duced her had been to render her capable of judg- ing both these women broadly. She admired them both, and while her feeling of affection had by circumstances been more closely cemented with Helen, she felt that a strong friendship was possible between herself and Mrs. Frostwinch should the lines of their lives ever fall much to- gether. The modern woman, particularly if she be at all in society, has generally to accept the possibilities of friendship in place of that gracious boon itself. The busy round of life to-day gives ample oppor- tunity for judging of character, so that it is well nigh impossible not to feel that some are worthy of friendship, some especially gifted by nature with the power of inspiring it, while, on the other hand, there are those who repel or with whom the bond would be impossible. But friendship, how- ever much it be the result of eternal fitness and the inevitable consequence of the meeting of two harmonious natures, is a plant of slow growth, and few things which require time and tranquillity for their nourishment flourish greatly in this age of restlessness and intense mental activity. The radical and unfettered Bohemian, or such descend- WEICIIIKC DELIGHT AND DOLE. 187 ants of that famous race as may be supposed still to survive, attempts to leap over all obstacles, to create what must grow, and to turn comradeship into friendship simply because one naturally grows out of the other ; the more conservative and logi- cal Philistine recognizes the futility of this atti- tude, and in his too careful consistency sometimes needlessly brings about the very same failure by pursuing the opposite course. Edith was not of the women who naturally analyze their own feelings toward others over keenly, but one cannot live in a world without sharing its mental peculiarities. /The times are too introspective to allow any educated person to escape self-examination. The century which pro- duced that most appalling instance of spiritual ex- posure, the ^'Journal Intime,'' which it is impossi- ble to read without blushing that one thus looks upon the author's soul in its nakedness, leaves small chance for self-unconsciousness. \ Edith could not help examining her mentai"" attitude toward her companions, and it was perhaps a proof of the sweetness of her nature that she found in her thought nothing of that shortcoming in them, or reason for lack of fervor in friendship other than such as must come from lack of inter- course. Perhaps some train of thought not far removed from the foregoing made her say, as the luncheon progressed, — 1 88 THE PHILISTIXES. (J^Really, it seems to me as if life proceeded at a pace so rapid nowadays that one had not time even to be fond of anybody.""^ " It goes too fast for one to have much chance to show it," Helen responded ; " but one may surely be fond of one's friends, even without se&ing them." (^If you will swear not to tell the disgraceful fact," Mrs. Frostwinch said, " I'll confess that I abhor Wal^\Vhitman ; but tha^vone dreadful, dis- reputably slangy phrase of his/j_I loaf and invite my soul,' echoes through my brain like an invita- tion to Paradise." \ Edith smiled. "If Arthur were here," she returned, *'he would probably say that you think you mean that, but that really you don't." " My dear," Mrs. Frostwinch answered, with her beautiful smile and a characteristic undulation of the neck, " your husband, although he is clever to an extent which I consider positively immoral, is only a man, and he does not understand. Men do what they like ; women, what they can. There may be moral free will for women, although I've ceased to be sure of that even ; but socially no such thing exists. Do we wear the dreadful clothes we are tied up in because we want to } Do we order society, or our lives, or our manners, or our morals } Do we " — ''There, there," interrupted Helen, laughing and WEIGHIXG DELIGHT AXD DOLE. 89 putting up her hand. " I can't hear all this with- out a protest. If it is true I won't own it. I had rather concede that all women are fools " — " As indeed they are," interpolated Mrs. Frost- winch. *' Than that they are helpless manikins," con- tinued Helen. " In any other sense, that is," she added, " than men are." " My dear Mrs. Greyson," the other said, lean- ing toward her, " you take the single question of the relation of the sexes, and where are we } I wouldn't own it to a man for the world, but the truth is that men are governed by their will, and women are governed by men ; and, what is more, if it could all be changed to-morrow, we should be perfectly miserable until we got the old way back again ; and that's the most horribly humiliating part of it." " It is easy to see that you are not a woman suffragist," commented Edith. ** Woman suffrage," echoed the other, her voice never for an instant varied from its even and high- bred pitch ; '' woman suffrage must remain a practical impossibility until the idea can be eradi- cated from society that the initiative in passion is the province of man." ** Brava ! " cried the hostess. " Mr. Herman ought to hear that epigram. He asked me last night if he ought to put an inscription in favor of woman suffrag-e on the hem of the America he is modelling." TQO THE PHILISTI.KF.S. Helen turned toward her quickly. " Is Mr. Herman making a model of the Amer- ica ? " she asked. *' Has he the commission ? " ** He hasn't the commission, because nobody has it, but he has been asked by the committee to prepare a model." " That is " — began Helen, " Strange," she was going to say, but fortunately caught herself in time and substituted " capital. It is good to think that Boston will have one really fine statue." " Aren't you in that, Mrs. Greyson } " Mrs. Frostwinch asked. ** No," Helen answered. '' I am really doing little since I came home. I am waiting until the time serves, I suppose." She spoke without especial thought of what she was saying, desiring merely to cover any indications which might show the feeling aroused by what she had just heard and the decision she had just taken to have nothing to do with the contest for the statue of America, although she had begun a study for the figure. " I admire you for being able to make time serve you instead of serving time like the rest of us," Mrs. Frostwinch said. " I shouldn't hear another call you a time server without taking up the cudgels to defend you," re- sponded Edith. Mrs. Frostwinch smiled in reply to this. Then she turned again to Helen. WEIGHING DELIGHT AND DOLE. 19 ** To tell the truth, Mrs. Greyson," she observed, " I am glad you are not concerned in this statue, for I am myself one of a band of conspirators who are pushing the claims of a new man." *' Is there a new sculptor.?" Helen asked, smil- ing. ''That is wonderful news." "Yes; we think he is the coming man. His name is Stanton ; Orin Stanton." "Oh," responded Helen, with involuntary frank- ness in her accent. Mrs. Frostwinch laughed with perfect good nature. "You don't admire him.?" she commented. " Well, many don't. To say the truth, I do not think anybody alive, if you will pardon me, Mrs. Greyson, knows the truth about sculpture. Per- haps the Greeks did, but we don't, even when we are told. I know the Soldiers' Monument on the Common is hideous beyond words, because every- body says so ; but they didn't when it was put up. Only a few artists objected then." " And the fact that a few artists have brought everybody to their opinion," Edith asked, "doesn't make you feel that they must be right ; must have the truth behind them .? " " No ; frankly, I can't say that it does," Mrs. Frostwinch responded. She leaned back in her chair, a soft flush on her thin, high-bred face. Her figure, in a beautiful gown of beryl plush embroidered with gold, seemed 192 THE PHILISTINES. artistically designed for the carved, high-backed chair in which she sat, and both her companions were too appreciative to lose the grace of the pic- ture she made. " I cannot see that it is bad," she went on. *' Mr. Fenton has proved it to me, and even Mr. Herman, who seems, so far as I have seen him, the most charitable of men, when I asked him how he liked it, spoke with positive loathing of it. I can't manage to make myself unhappy over it, that's all. And I believe I am as appreciative as the average." To Helen there was somethi^ig at once fascinat- ing and repellent in this talk. v Sh e was attracted by Mrs. Frostwinch. The perfect breeding, the grace, the polish of the woman, won upon her strongly, while yet the subtile air of taking life conventionally, of lacking vital earnestness, was utterly at variance with the sculptor's temperament and methods of thought. She no sooner recog- nized this feeling than she rebuked herself for shallowness and a want of charity, yet even so the impression remained. To the artistic tempera-^ ment, enthusiasm is the only excuse for existence. \ "I think Mrs. Fenton is right," she said. *'The few form the correct judgment, and the many adopt it in the end because it is based on truth. It seems to me," she continued, thoughtfully, " that the prime condition of effectiveness is con- stancy, and only that opinion can be constant that WEIGHING DELIGHT AND DOLE 93 has truth for a foundation, because no other basis would remain to hold it up." ''That may be true," was the reply, " if you take matters in a sufficiently long range, but you seem to me to be viewing things from the standpoint of eternity." The smile with which she said these last words was so charming that Helen warmed toward her, and she smiled also in replying, — " Isn't that, after all, the only safe way to look at things ? " "What deep waters we are getting into," Edith commented. "And yet they say women are always frivolous." r'The Boston luncheon," returned Mrs. Frost- winch, "is a solemn assembly for the discussion of mighty themes. Yesterday, at Mrs. Bodewin Ran- ger's, we disposed of all the'4tnotty problems re- lating to the lower classes." Js * " I didn't know but it might be something about my house. The last time Mrs. Greyson lunched here we solemnly debated what a wife should do whose husband did not appreciate her." She spoke brightly, but there was in her tone, an undercurrent of feeling which touched Helen, and betrayed the fact that this return to the old theme was not wholly without a cause. Mrs. Greyson divined that Edith was not happy, and with the keenness of womanly instinct she divined also that there was not perfect harmony between 194 THE PHILISTINES. Mrs. Fenton and her husband. She looked up quickly, with an instinctive desire to turn the con- versation, but found no words ready. Edith had at the moment yielded to a woman's craving for sympathy. An incident which had happened that forenoon troubled and bewildered her. She had been down town, and remembering a matter of importance about which she had neg- lected to consult her husband in the morning, she had turned aside to visit his studio, a thing she seldom did in his working hours. She found him painting from a model, and she was kept waiting a moment while the latter retired from sight. She thought nothing of this, but as she stood talking with Arthur, her glance fell upon a wrap which she recognized as belonging to Mrs. Herman, and which had been carelessly left upon the back of a chair in sight. Even this might not have troubled her, had it not been that when she looked ques- tioningly from the garment to her husband, she caught a look of consternation in his eyes. His glance met hers and turned aside with that almost imperceptible wavering which shows the avoidance to be intentional ; and a pang of formless terror pierced her. All the way home she was tormented by the wonder how that wrap could have come in her husband's studio, and what reason he could have for being disturbed by her seeing it there. She was not a woman given to petty or vulgar jealousy, WEIGHING DELIGHT AND DOLE. iq? and she had from the first left the artist perfectly- free in his professional relations to be governed by the necessities or the conveniences of his profes- sion. She could not to-day, however, rid herself of the feeling that some mystery lay behind the incident of the morning. She began to frame excuses. She speculated whether it were possible that Arthur were secretly painting the portrait of his friend's wife, to produce it as a surprise to them all. She said to herself that Ninitta naturally knew models, and might easily have enough of a feeling of comradeship remaining from the time when she had been a model herself, to lend or give them articles of dress. Unfortunately, she knew how Ninitta kept herself aloof from her old asso- ciates since the birth of her child, and the expla- nation did not satisfy her. No faintest suspicion of positive evil entered Edith's mind. She was only vaguely troubled, the incident forming one more of the trifles which of late had made her very uneasy in regard to her husband. She told herself that she had confidence in Arthur ; but the woman who is forced to reflect that she has confidence in her husband has already begun, however unconsciously, to doubt him. "The question is profound enough," Mrs. Frost- winch answered Edith's words in her even tones, which somehow seemed to reduce everything to a well-bred abstraction. " Of course the thing for a woman to do is to remain determinedly ignorant 196 THE PHILISTINES. until it would be too palpably absurd to pretend any longer ; and then she must get away from him as quietly as possible. The evil in these things is, after all, the stir and the talk, and all the unpleas- ant and vulgar gossip which inevitably attends them." Poor Edith cringed as if she had received a blow, and to cover her emotion she gave the sig- nal for rising from the table. But as she did so, her eyes met those of Helen, and the truth leaped from one to the other in one of those glances in which the heart, taken unaware, reveals its joy or its woe with irresistible frankness. Whatever words Edith and Helen might or might not ex- change thereafter, the story of Mrs. Fenton's mar- ried life and of the anguish of her soul was told in that look ; and her friend understood it fully. XVII THE HEAVY iMIDDLE OF THE NIGHT. Measure for Measure ; iv. — lo. THE temper of clubs, like that of individuals, chancres from time to time, however constant I remains its temperament. -Those who reflected upon such matters noticed that at the St. Filipe Club, where a few years back there had been much talk of art and literature, and abstract principles, there had come to be a more worldly, perhaps a Philistine would say a more mature, flavor to the conversation. There were a good many stories told about its wide fireplaces, and there was much running comment on current topics, political and otherwise. There_was, perhaps, a more cosmopol- itan air to the talk. ) That the old-time flavor could sometimes reap- pear, however, was evident from the talk going on about nine o'clock on the evening of the day of Edith's luncheon. The approach of the time set for an exhibition of paintings in the gallery of the club turned the conversation toward art, and as several of the quondam Pagans were present, the old habits of speech reasserted themselves some- what. 197 198 THE PHILISTINES. " I understand Fenton's going to let us see his new picture," somebody said. ^* He is if he gets it done," Tom Bently an- swered. '* He's painting so many portraits nowa- days that he didn't get it finished for the New York exhibition." *' He must be making a lot of money," Fred Rangely observed. *' He needs to to keep his poker playing up," commented Ainsworth. " He's lucky if he makes money in these days when it's the swell thing to have some foreign duffer paint all the portraits," Bently said. " It makes me sick to see the way Englishmen rake in the dollars over here." " How would you feel," asked Rangely, " if you tried to get a living by writing novels, and found the market glutted with pirated English reprints } " ** Oh, novels," retorted Tom, " they are of no account any way. VjVlodern novels are like modern investments ; they are all principle and no in- terest. "\^ *' I like that," put in Ainsworth, " when most of them haven't any principle at all." " Neither have investments in the end," Bently returned. *'At least I know mine haven't." " If you were a writer you'd be spared that pain," was Rangely's reply, **' for want of anything to start an investment with." " I've about come to the conclusion," another THE HEAVY MIDDLE OF THE NIGHT. 199 member said, *' that a man may be excused for making literature his practice, but that he is a fool to make it his profession. It does very well as an amusement, but it's no good as a business." *' The idea is correct," Rangely replied, ringing the bell and ordering from the servant who re- sponded, " although it does not strike me as being either very fresh or very original." There was a digression for a moment or two while they waited for their drinks and imbibed them. And then Fred, with the air of one who utters a profound truth, and answers questions both spoken and unspoken, observed as he set down his glass, — ** There's one thing of which I am sure ; Ameri- can literature will never advance much until women are prevented from writing book reviews." ** Meaning," said Arthur Fenton, entering and with his usual quickness seizing the thread of con- versation at once, *' that some woman critic or other hit the weak spot in Fred's last book." *' Hallo, Fenton," called Bently, in his usual explosive fashion. "I haven't seen you this long time. I did not know whether you were dead or alive." '' Oh, as usual, occupying a middle ground between the two. Are you coming upstairs, Fred.?" A smile ran around the circle. "At it again, Fenton.?" Ainsworth asked. 200 THE PHILISTINES. *' You'll have to go West and be made a senator if you keep on playing poker every night." "If I don't have better luck than I've been having lately," Fenton rejoined, as he and Rangely left the room, '' I should have to have a subscription taken up to pay my travelling expenses." The card-rooms were upstairs, and Fenton and Rangely went to them without speaking. The artist was speculating whether a ruse he had just executed would be successful ; his companion was thinking of the news he had just had from New York, that a girl with whom he had flirted at the mountains last summer was about to visit Boston. Around a baize-covered table in the card-room sat three or four men, in one of whom Rangely recognized the corpulent and vulgar person of Mr. Erastus Snaffle. He nodded to him with an air of qualifying his recognition with certain mental reservations, while Fenton said as he took his place beside Chauncy Wilson, who moved to make room for him, — " Good evening, Mr. Snaffle. Have you come up to clean the club out again t " Mr. Snaffle looked up as if he did not fully comprehend, but he chuckled as he answered, — ** I should think it was time. I was never inside this club that I didn't get bled." The men laughed in a somewhat perfunctory way, and the cards having been dealt, the game THE HEAVY MIDDLE OE THE NIGHT. 2OI went on. They were all members of the club except Snaffle, and they all knew that this rather doubtful individual had no business there at all. There had of late been a good deal of feeling in the club because the rule that forbade the bring- inof of strano^ers into the house had been so often violated. The St. Filipe was engaged in the per- fectly fruitless endeavor to enforce the regulation that visitors might be admitted provided the same person was not brought into the rooms twice within a fixed period. Some of the members violated the rule unconsciously, since it was awk- ward to invite a friend into the club and to qual- ify the courtesy with the condition that he had not been asked by anybody else within the pre- scribed period, and it was easy to forget this ungracious preliminary. Some few of the mem- bers -t^since in every club th^e will be men who are gentlemen but by brevet,^y- deliberately took advantage of the uncertainty which always arises from so anomalous a regulation, and the result of deliberate and of involuntary breaches of the rule had been that the club house was made free with by outsiders to a most unpleasant extent. Not yet ready to do away with the by-law, since many members found it convenient and pleasant to take their friends into the club-house, the managers of the affairs of the St. Filipe were making a desperate effort to discover all offenders who were intentionally guilty of violating the 202 THE PHILISTINES. regulation. They had their eye on several out- siders who made free with the house, and it was understood that certain men were in danger of being requested not to continue their visits to a place where they had no right. Snaffle, who had been first brought to the club by Dr. Wilson to play poker, was one of these, and the men who sat playing with him to-night were secretly curious to know how he happened to be there on this particular occasion. He had come into the card- room alone, with the easy air of familiarity which usually distinguished him, and appearances seemed to point to his having taken the liberty of walking into the house in the same way. The men liked well enough to have him in the game, because he played recklessly and always left money at the table, but not one of them, even Dr. Wilson, who was more recklessly democratic in his habits and instincts than any of the rest, would have cared to be seen walking with Erastus Snaffle on the streets by daylight. When Snaffle entered the club house, the ser- vant whose duty it was to wait at the outer door, had gone for a moment to the coat-room adjoining the hall. Here Snaffle met him and offered him his coat and hat. The servant extended his hand mechanically, but he looked at the new-comer so pointedly that the latter muttered, by way of credentials, — "I came with Mr. Fenton." THE HE A VY MIDDLE OE THE NIGHT. 203 The servant made no comment, but as Mr. Snaffle went upstairs, he reported to the steward that the intruder was again in the house and had been introduced by Mr. Fenton. The steward in turn reported this to the Secretary, and before Arthur himself came in, a rod was already pre- paring for him in the shape of a complaint to be made before the Executive Committee. It was thus that precisely the thing happened which Fenton had with his usual cleverness en- deavored to guard against. Impudent as Mr. Snaffle was capable of being, he would never have ventured uninvited into the precincts of the St. Filipe Club, where even when introduced he found himself somewhat overpowered by the social standing and the lofty manners of those around him. This feeling of awe showed itself in two ways, had any one been clever enough to appreciate the fact. It rendered him unusually silent, and it induced him to play high, as if he felt under obligations to pay for his admission into company where he did not belong. It was to this last fact that he owed his invita- tion to be present on this particular evening. Arthur Fenton was going to the club to play poker, urged partly by the love of excitement and perhaps even more by the hope of raising a part or the whole of the fifty dollars of which he had pressing need, when he encountered Snaffle standing on a street corner. Fenton's acquaint- 204 THE PIIILISTIXES. ance with the man had been confined to their meetings in the card-room of the St. Filipe, but he had once or twice carried home in his pocket very substantial tokens of Snaffle's reckless play. Almost without being conscious of what he did, Fenton stopped and extended his hand. *'Good evening," he said. "What is up.? Are you ready for your revenge.?" '' Oh, I'm always ready for a good game," Snaffle answered. " I was going to see my best girl, but I don't mind taking a hand instead." Fenton smiled as the other turned and walked with him toward the club, but inwardly he loathed the fat, vulgar man at his side. His sense of the fitness of things was outraged by his being obliged to associate with such a creature, and that the obligation arose entirely from his own will, only showed to his mind how helpless he was in the hands of fate. He was outwardly gracious enough, but inwardly he nourished a bitter hatred against Erastus Snaffle for constraining him to go through this humiliation before he could win his money. As they neared the club, Fenton recalled the fact that there had been some talk about visitors, and that the presence of this very man had been especially objected to, and reflected that in any case he had no desire to be seen going in with him. As they entered the vestibule the door was not opened for them, and Fenton's quick wit appreciated the fact that the servant who should THE HEAVY MIDDLE OF THE NIGHT. 205 be sitting just inside, was not in his place. With an inward ejaculation of satisfaction at this good fortune, he put his hand to his breast pocket. ** Oh, pshaw ! " he exclaimed. " There are those confounded letters I promised to post. You go in, Mr. Snaffle, and I'll go back to the letter box on the corner. You know the way, and you'll find the fellows in the first card-room." He opened the door as he spoke, and as Snaffle entered and closed it after him, Fenton ran down the steps and walked to the next corner. He had no letters to mail, but it was characteristic of his dramatic way of doing things that he walked to the letter-box, raised the drop and went through the motion of slipping in an envelope. He was accustomed to say that when one played a part it could not be done too carefully, and it amused him to reflect that if he were watched his action would appear consistent with his words, while if he were timed he would be found to have been gone from the club house exactly long enough. Not that he supposed anybody was likely to take the trouble to do either of these things, but Fenton was an imaginative man and he found a humor- ous pleasure in finishing even his trickery in an artistic manner. It was Saturday night, and just before midnight a servant opened the card-room door. The room was full of smoke, empty glasses stood beside the players, and piles of red and blue and white 2o6 ^^-^ PHILISTINES. ''chips" were heaped in uneven distribution along the edges of the table. '' It is ten minutes of twelve, gentlemen," the servant said, and retired. "Jack-pots round," said Rangely, dealing rap- idly. " Look lively now." He and Fenton had been winning, the pile of blue counters beside the latter representing nearly thirty dollars, with enough red and white ones to cover his original investments. The first jack- pot and the second were played. Dr. Wilson win- ing one and Snaffle the other on the first hand. On the third, Fenton bet for a while, holding three aces against a full hand held by the fifth man. " It's all right," Fenton remarked, as Rangely chaffed him. "I am waiting for the *kittie-pot.' See what a pile there is to go into that. I always expect to gather in the ' kittie.' " The fourth pot was quickly passed, and then Wilson, who had been managing the " kittie," put upon the table the surplus, which to-night chanced to be unusually large. The cards were dealt and dealt three times again before the pot could be opened, and then Rangely started it. Arthur looked at his hand in disgust. He held the nine of hearts, the five, six, eight, and nine of spades, and as he said to himself he never had luck in drawing to either straight or flush. Still the stake was good, and he came in, discarding his heart. He drew the seven of spades. Rangely THE HEAVY MIDDLE OE THE XIGHT. 207 was betting on three aces, and Wilson on a full hand, so that the betting ran rather high. ** Twelve o'clock, gentlemen," the servant said at the door. And when Fenton began his Sunday by winning the pot on his straight flush, he found himself more than sixty dollars to the good on his even- ing's work. "You've regularly bled me, Fenton," Snaffle observed with much jocularity, as the players came out of the club house. " I've hardly got a car fare left to take me home. I'm afraid the St. Filipe is a den of thieves." " I don't mind lending you a car fare, Mr. Snaffle," the artist returned, endeavoring to speak as pleasantly as if he did not object to the famil- iarity of the other's address. '' But don't abuse the club." "• I think I'll go to church," Dr. Wilson said with a yawn. " It must be most time." ''Church-going," Fenton returned, sententiously, " is small beer for small souls." ''There, Fenton," retorted Rangely, as at this minute they came to the corner where they sepa- rated, " don't feel obliged to try to be clever. You can't do it at this time of night." Snaffle continued his walk with the artist almost to Fenton's door, although the latter suspected that it was out of his companion's way. Arthur was willing, however, to give the loser the com- 2o8 THE PIIJLISTINES, pensation of his society as a return for the green- backs in his pocket, and his natural acuteness was so far from being as active as usual that when he found Mr. Snaffle speaking of Princeton Platinum stock he did not suspect that he was being angled for in turn, and that the gambling for the evening was not yet completed. He listened at first with- out much attention, but the man to whom he list- ened was wily and clever, and after he was in bed that night the artist's brain was busy planning how to raise money to invest in Princeton Platinum. *' I never saw such luck as yours," Snaffle observed admiringly. '* The way you filled that spade flush on that last hand was a miracle. It is just that sort of luck that runs State street and Wall street." Fenton smiled to himself in the darkness, the proposition was so manifestly absurd, but he was already bitten by the mania for speculation, and when once this madness infects a man's brain the most improbable causes will increase the disease. Snaffle, of course, was too shrewd to ask his com- panion to buy Princeton Platinum stock, and indeed declared that although he had charge of putting it upon the market, he was reluctant to part with a single share of it. He added with magnanimous frankness, that all mining stock w^as dangerous, especially for one who did not thor- oughly^ understand it. But his negatives, as he intended, were more THE HE A VY MIDDLE OF THE NIGHT. 209 effective than affirmatives would have been, and the bait had been safely swallowed by the unlucky fish for whom the astute speculator angled. Fen- ton had invited him to the club to be eaten, but the wily visitor secretly regarded the money he lost at the poker table as a paying invest- ment, believing that in the end it was not the bones of plump Erastus Snaffle which were des- tined to be picked. XVIII HE SPEAKS THE MERE CONTRARY. Love's Labor's Lost; i. — i. MRS. AMANDA WELSH SAMPSON sat in her bower, enveloped in an unaccustomed air of respectability, and in a frame of mind exceed- ingly self-satisfied and serene. She had secured a visit from a New York relative, a distant cousin whose acquaintance she had made in the moun- tains the summer before, and she hoped from this circumstance to secure much social advantage. For at home Miss Frances Merrivale moved in ^:ircles such as her present hostess could only gaze at from afar with burning envy. In her own city. Miss Merrivale would certainly never have consented to know Mrs. Sampson, relationship or no relationship ; but she chanced to wish to get away from home for a week or two, she thought somewhat wistfully of the devotion of Fred Rangely at the mountains last summer, and she was not without a hope that if she once appeared in Boston, the Staggchases, who should have in- vited her to visit them long 'ago, she being as nearly related to Mr. Staggchase as to Mrs. Samp- HE SPEAKS THE MERE CONTRARY. 211 son, might be moved to ask her to come to stay with them. It cannot be said that Mrs. Amanda Welsh Sampson, dashing, vulgar social adventurer that she was, had much in common with her guest. Miss Merrivale, it is true, had the incurable dis- ease of social ambition as thoroughly as her host- ess Abut the girl had, at least, a recognized and very comfortable footing under her feet, while the unfortunate widow kept herself above the surface only by nimble but most tiresome leaps from one precarious floating bit to another. In these mat- ters, moreover, a few degrees make really an im- mense difference. There is all the inequality which exists between the soldier who wields his sword in a disastrous hollow, and one who strikes triumphant blows from the hillock above. The elevation is to be measured in inches, perhaps, but that range reaches from failure to success. Whether social ambition is proper pride or vulgar presumption depends not upon the feeling itself so much as upon the grade from which it is exer- cised, and Miss Merrivale very quickly understood that while she was placed upon one side of the dividing line between the two, herJio^tess was unhappily to be found upon the other. )>- Indeed Miss Frances had hardly recognized what Mrs. Sampson's surroundings were until she found herself established in the little apartment as a guest of that lady. Her newly found cousin 212 THE PHILISTINES. had at the mountains spoken of her father, the late judge, and of her own acquaintances among the great and well known of Boston, with an air which carried conviction to one who had not known her too long. She spoke with playful pathos of her poverty, it is true, but when a woman's gowns wdll pass muster, talk of poverty is not likely to be taken too seriously. Miss Mer- rivale knew, moreover, that the widow, like her- self, could boast a connection with the Staggchase family. Now she found herself at the top of an apartment house in a street of Nottingham lace curtains care- fully draped back to show the Rogers' groups on neat marble stands behind their precise folds. LThe awful gulf which yawned between this South End location and the region where abode those whom she counted her own kind socially, was apparent to her the moment she arrived and looked about her.\ Fred Rangely had called, but Mrs. Sampson had regaled her guest with such tales of his devotion to Mrs. Staggchase that Miss Merrivale received him with much coldness, and his call was not a success. Now she was impatiently v/aiting for the appearance of Mrs. Staggchase, who, it did not occui to her to doubt, would of course call. She was curious to see her relative, and her fondness for Rangely, such as it was, was marvellously quickened by the presence of a rival in the field. Instead of the appearance HE SPEAKS THE MERE COXTKARY 213 of Mrs. Staggchase, however, came a note asking Miss Merrivale to dine, whereat that young woman was angry, and her hostess, although she was too clever to show it, was secretly furious. This invitation was the result of a conversation between Mr. and Mrs. Richard Staggchase, which had begun by that gentleman's asking his wife at dinner when she was going to call upon Miss Merrivale. '*Not at all, my dear," Mrs. Staggchase an- swered, "as long as she is visiting that dreadful Mrs. Sampson. I'm not sure, Fred, but that if I had known that creature could claim a cousinship to you, I should have refused to marry you." " She is a dose," Mr. Staggchase admitted. *' I wonder where she lives now. Didn't Frances jVLe«ivale send her address .-* " /^She lives on Catawba Street, at the top of a speaking tube in one of those dreadful apartment houses where you shout up the tube and they open the door for you by electricity. I wonder how soon it will be, Fred, before you'll drop in a nickel at the door of an apartment house and the person you waijt to see will be slid out to you on a plat- form." Jl " Gad ! That wouldn't be a bad scheme," her husband returned, with an appreciative grin. " But, really now, what are you going to do about this girl. She's a sort of cousin, you know, and she's a great friend of the Livingstons." 214 '^^^^ PHILISTINES. *' We might ask her to come here after she gets through with that woman. I'll write her if you like." " Without calling } " Mr. Staggchase asked, lift- ing his eyebrows a little. " My dear," his wife responded, " I try to do my duty in that estate in life to which I have been appointed, and I am willing to made all possible exceptions to all known rules in favor of your family ; but Mrs. Sampson is an impossible ex- ception. I will do nothing that shows her that I am conscious of her existence." **But it will be awfully rude not to call." *' One can't be rude to such creatures as Mrs. Sampson," returned Mrs. Staggchase, with un- moved decision. " She is one of those dreadful women who watch for a recognition as a cat watches for a mouse. I've seen her at the theatre. She'd pick out one person and run him down with her great bold eyes until he had to bow to her, and then she'd stalk another in the same way. Call on her, indeed ! Why, Fred, she'd invite you to a dinner tete-a-tete to-day, if she fhought you'd go." Mr. Staggchase laughed rather sig;nificantly. " Gad ! that might be amusing. She is of the kittle cattle, my 4ear, but you must own that she's a well-built craft." > "Oh, certainly," replied his better half, who was too canny by far to show annoyance, if indeed she HE SPEAKS THE MERE CONTRARY. 215 felt any, when her husband praised another woman. " If everybody isn't aware of her good points, it isn't that she is averse to advertising them. She has taken up with young Stanton, the sculptor, just because some of us have been interested in him." " Is he o'oinsf to make the America statue 1 " " That is still uncertain, but for my part I half hope he won't, if that Sampson woman is his kind." Mr. Staggchase dipped his long fingers into his finger bowl, wiped them with great deliberation and then pushed his chair back from the table. It was very seldom that his wife denied a request he made her, but when she did he knew better than to con- tend in the matter. "Very well," he said, ''you may do whatever you please. Whether you women are so devilish hard on each other because you know your own sex is more than I should undertake to say." *' Are you going out t " '' Yes," he answered, " I have got to go to a meeting of the Executive Committee of the St. Filipe. There is some sort of a row ; I don't know what. How are you going to amuse yourself." " By doing my duty." " Do you find duty amusing then ; I shouldn't have suspected it." " Oh, duty's only another name for necessity. I'm going to the theatre with Fred Rangely. He wrote an article for the Observer in favor of that great booby Stanton's having the statue. It was 2i6 ^-^^ PHILISTINES. a very lukewarm plea, but I asked him to do it, and as a reward " — " He is allowed the inestimable boon of taking you to the theatre," finished her husband. " I must say, Dian, that you are, on the whole, the shrewdest woman I know." ''Thank you. I must be just, you know," she returned smiling as brilliantly as if her husband W£re to be won again. Y^It was not without reason that Mrs Staggchase had spoken of herself and her husband as a model couple. Given her theory of married life, nothing could be more satisfactory and consistent than the way in which she lived up to it. Her ideal of matrimony was a sort of mutual laisser faire, con- ducted with the utmost propriety and politeness. She made an especial point of being as attractive to her husband as to any other man ; and she had the immense advantage of never having been in love with anybody but herself and of being philo- sophical enough not to consider the good things of conversation wasted if they were said for his exclusive benefit. She had no children, and had once remarked in answer to the question whether she regretted this, "There must be some pleasure in having sons old enough to flirt wdth you ; but I don't know of anything else I have lost that I have reason to regret, y^ Her husband, thorough man of the world as he was, and indeed perhaps for that very reason, HE SPEAKS THE MERE CONTRARY 217 never outgrew a pleased surprise that he found his wife so perennially entertaining. He was not unwilling that she should exercise her fascinations on others when she chose, since he had no feeling toward her sufficiently warm to engender anything like jealousy ; but he appreciated her to the full.^ He rose from his seat and walked to the side- board, where he selected a cigar. " I must say," he observed, between the puffs as he lighted it, " that you are justice incarnate. You have always kept accounts squared with me most beautifully." Mrs. Staggchase laughed softly, toying with the tiny spoon of Swiss carved silver with which she had stirred her coffee. Her husband had expressed perfectly her theory of marital relations. She balanced accounts in her mind with the most scrupulous exactness, and was an admirable debtor if a somewhat unrelenting creditor. She had a definite standard by which she measured her obli- gations to Mr. Staggchase, and she never allowed herself to fall short in the measure she gave him. She was fond of him in a conveniently mild and reasonable fashion, and a marriage founded upon mutual tolerance, if it is likely never to be intensely happy, is also likely to be a pretty com- fortable one. Mrs. Staggchase paid to her hus- band all her tithes of mint and anise and cumin, and she even sometimes presented him with a propitiatory offering in excess of her strict debt ; 2i8 ^^^ PHILISTINES. only such a gift was always set down in her mental record as a gift and not as a tribute. '* This Stanton is an awful lout, Fred," she observed. llllPerhaps he can make a good statue of America, but if he can it will be because he is so thoroughly the embodiment of the vulgar and push- ing side of American characteri^ " Then why in the world are you pushing him } " " Oh, because Mrs. Ranger and Anna Frost- winch want him pushed. I don't know but they may believe in him. Mrs. Ranger does, of course, but the dear old soul knows no more about art than I do about Choctaw. As to the statues, I don't think it makes much difference, they are always laughed at, and I don't think anybody could make one in this age that wouldn't be found fault with." " Nobody nowadays knows enough about sculp- ture to criticise it intelligently," Staggchase remarked, somewhat oracularly, *'and the only safe thing left is to find fault." ** That is just about it, and so it may as well be this booby as anybody else that gets the commis- sion. It isn't respectable for the town not to have statues, of course." Mr. Staggchase moved toward the door. "Well," he said, "I don't know who's in the fight, but I'll bet on your side. Good night. I hope virtue will be its own reward." *' Oh, it always is," retorted his wife. '' I especially make it a point that it shall be." XIX HOW CHANCES MOCK. n Henry IV.; iii.— i. A MAN often creates his own strongest tempta- tions by dwelling upon possibilities of evil ; and it is equally true that nothing else renders a man so likely to break moral laws as the con- sciousness of having broken them already. The experience of Arthur Fenton was in these days affording a melancholy illustration of both of these propositions. The humiliating inner consciousness of having violated all the principles of honor of his fealty to which he had been secretly proud be- got in him an unreasonable and unreasoning im- pulse still further to transgress. When arraigned by his inner self for his betrayal of Hubbard, it was his instinct to defend himself by showing his superiority to all moral canons whatever. He felt a certain desperate inclination to trample all prin- ciples underfoot, as if by so doing he could destroy the standards by which he was being tried. Fenton was not of a mental fibre sufficiently robust to make this impulse likely to result in any violent outbreak, and, indeed, but for circum- stances it would doubtless have vapored itself away 219 220 '^^HE PHILISTINES. in words and vagrant fancies. He had once re- marked, embodying a truth in one of his frequent whimsically perverse statements, that the worst thing which could be said of him was that he was incapable of a great crime, and only the constant pressure of an annoyance, such as the threats of Irons in regard to Ninitta, or the presence of an equally constant temptation, such as that to which he was now succumbing in allowing his relations with Mrs. Herman to become more and more inti- mate, would have brought him to any marked transgression. In a nature such as that of Fenton there is, with the exception of vanity and the instinct of self-preservation, no trait stronger than curiosity. The artist was devoured by an eager, intellectual greed to know all things, to experience all sensa- tions, to taste all savors of life. He made no dis- tinction between good and bad ; his zeal for knowl- edge was too keen to allow of his being deterred by the line ordinarily drawn between pain and pleasure. His affections, his passions, his morals were all subordinate to this burning curiosity, and only his instinct of self-preservation subtly mak- ing itself felt in the guise of expediency, and his vanity prettily disguised as taste, held the thirst for knowledge in check. It was by far more the desire to learn whether he could bend Ninitta to his will than it was pas- sion which carried Fenton forward in the danger- HOIV CHAXCES MOCK. 221 ous path upon which he was now well advanced ; and it was perhaps more than either a half-un- conscious eagerness to taste a new experience. Even the double wickedness of betraying the wife of a friend and of enticing a woman to her fall had for Fenton, in his present mood, an un- holy fascination. He was too self-analytical to deceive himself into a supposition that he was in love with Ninitta, and even his passion was so much under the dominion of his head that he could have blown it out like a rushlight, had he really desired to be done with it. He looked at himself with mingled approbation, amusement, and horror, as he might have regarded a favorite and skilful actor in a vicious role ; and the man whose mind is to him merely an amphitheatre, where games are played for his amusement, is always dangerous. As for Ninitta, the processes of her mind were probably quite as complex as those of his, although they appeared more simple, in virtue of their being more remote. She had, in the first place, a curi- ous jealousy of her husband because of his pas- sionate fondness for Nino, and a dull resentment at the secret conviction that the father had the gifts and powers which were sure to win more love than the child would bestow upon her. She could better bear the thought that the boy should die, than that he should live to love anybody more than he loved her. 222 THE PHILISTINES. It was also true that Grant Herman, large- hearted and generous as he was, did not know how to make his wife happy. He was patient and chivalrous and tender ; but he was hardly able to go to her level, and as she could not come to his, the pair had little in common. He felt that some- how this must be his fault ; he told himself that, as the larger nature, it should be his place to make concessions, to master the situation, and to secure Ninitta's happiness, whatever came to him. He had even come to feel so much tenderness toward the mother of his child, the woman in whose behalf he had made the great sacrifice of his life, that a pale but steadfast glow of affection shone always in his heart for his wife. But his patience, his delicacy, his steadfastness counted for little with Ninitta. She had been separated from him for long years of betrothal, during which he had developed and changed utterly. She had clung to her love and faith, but her love and faith were given to an ardent youth glowing with a passion of which it was hardly possible to rekindle the faint embers in the bosom of the man she married. Even Ninitta, little given to analysis, could not fail to recognize that her husband was a very dif- ferent being from the lover she had known ten years before. One fervid blaze of the old love would have appealed more strongly to her peasant soul than all the patience and tender forbearance of years. HOW CHANCES MOCK. 223 Indeed, it is doubtful whether Ninitta might not have been better and happier had Herman been less kind. Had he made a slave of her, she would have accepted her lot as uncomplainingly as the women of her race had acquiesced in such a fate for stolid generations. She could have understood that. As it was, she felt always the strain of be- ing tried by standards which she did not and could not comprehend ; the misery of being in a place for which she was unfitted and which she could not fill, and the fact that no definite demands were made upon her increased her trouble by the double stress of putting her upon her own responsibility, and of leaving her ignorant in what her failures lay. There was, too, who knows what trace of hered- ity in the readiness with which Ninitta tacitly adopted the idea that infidelity to a husband was rather a matter of discretion and secrecy ; whereas faithfulness to her lover had been a point of the most rigorous honor. And Ninitta found Arthur Fenton's silken sympathy so insinuating, so sooth- ing ; the tempter, merely from his marvellous adaptability and faultless tact, so satisfied her womanly craving, and fostered her vanity ; she was so completely made to feel that she was under- stood ; she was tempted with a cunning the more infernal because Fenton kept himself always up to the level of sincerity by never admitting to himself that he intended any evil, that it was small won- der that the time came when her ardent Italian 224 THE PHILISTIXES. nature was so kindled that she became involunta- rily the tempter in her turn. It was one of the singular features of Fenton's present attitude that even he, with all his clear- sightedness, failed to see the error of supposing that his departure from the paths of rectitude was nothing but a temporary episode. He fully expected to take up again his former attitude toward life when he would have scorned such a contemptible action as the betrayal of Hubbard, or the m.ore trifling, but perhaps even more humili- ating act of smuggling Snaffle into the club that he might win his money. He even had a certain vague feeling that if he had any viciousness to get through he must do it at once, lest the resumption of his former respectability should deprive him of the opportunity. He maintained before the world, indeed, a perfect propriety of deportment, partly from the force of habit and partly from the instinct- ive cunning which always tried to preserve for him the means of retreat ; but so complete was his aban- donment, for the time being, to the enjoyment of evil, that he was constantly assailed with the temptation to -make some public demonstration of his state of feeling. He secretly longed to shock poeple with blasphemous or imprudent expres- sions ; to outrage all honor by stealing his host's spoons when he dined out ; his fancy rioted in whimsical evil of which, of course, he gave no out- ward sign. HO IV CHANCES MOCK'. 225 He had a scene with Alfred Irons, one morning, at his studio. Irons came in with a look on his face which secretly enraged the artist, who was almost rude in the coldness of his greeting, although the caller only grinned at this evidence of his host's irritation. ''Well, Fenton," he said, with bluff abruptness, " I suppose it is time for us to square accounts, isn't it ? " '' I was not aware that we had any accounts to square," the other returned, with his most icy manner. Irons laughed, and looked about the studio. '' That's your new picture, I suppose " he ob- served, settling himself back in his chair, with the determined mien of a man who recognizes the fact that he has a battle to fight, but is perfectly will- ing to join the fray. The significance of his air, as he nodded toward the big canvas on the easel, so plainly brought up the unfortunate hold which the Fatima had griven Irons over the artist, that Fenton flushed in spite of himself. '' It is a picture," he returned ; " and it is un- finished." Irons chuckled. "Very well," he said. ** We 'won't fence. I thought you might be interested to know that we've got our railroad business into first-rate shape ; and there's no doubt that the Wachusett 226 ^-^-^ PHILISTINES. route will carry the day. I tell you we had a hot time in the Senate yesterday," he went on, warm- ing with the excitement of his subject. " We made a pretty stiff fight in the Railroad Commit- tee to get them to report * not expedient ' on the Feltonville petition. I tell you Staggchase fought like a bull tiger at the hearing, and those fellows must have put in a pot of money. But we beat 'em. Thfen the fight came to get the report accepted in the Senate. Everybody said that Tom Greenfield would settle the thing with a big broadside in favor of his own town ; and I'll own that I was scared blue myself. But we haven't been cooking Tom Greenfield all this time for nothing. I don't mind telling you that your help in the matter was of the greatest value ; and when Greenfield got up in the Senate yesterday, and put in his best licks for the Wachusett route, you'd have thought they'd been struck by a cyclone. We got a vote to sustain that report that buries the Feltonville project out of sight ; and now there's no doubt that the Railroad Commissioners will give us our certificate without any more trouble." During this rather long and not wholly coherent speech, Fenton sat with his eyes coldly fixed upon his visitor, without giving the slightest sign of interest. " I am glad," he said, in a manner as distant as he could make it, " that your business is likely to succeed to your mind," >/OlV CHANCES MOCK. 227 " Oh, it must succeed. The Commissioners only suspended operations till the Legislature dis- posed of the question of special legislation. Now they're all ready to give us what we want." " And all this," Fenton said, " is of what inter- est to me } " Irons flushed angrily. ** You were good enough," he returned, drawing his lips down savagely, "■ to give us a bit of infor- mation which we found of value. Very likely we might have hit upon it somewhere else, but that's no matter, as long as we did get it through you. We've no inclination to shirk our debt. Now what's your price "i " Fenton rose from his chair, with an impulsive movement ; then he controlled himself and sat down again. He looked at his visitor with eyes of fire. *• I am not aware," he returned, " that I have ever been in the market, so that I have not been obliged to consider that question." Alfred Irons was silent for a moment. He felt somewhat as if he had received a dash of ice- water in the face. He wrinkled up his narrow eyes and studied the man before him. He could not understand what the other was driving at. He was little likely to be able to follow the subtile changes of Fenton's imaginative mind, and he could at present see no explanation of the way in which his advances were met, except the theory 228 THE PHILISTINES. that the artist was fencing to insure a larger reward for his treachery than might be given him if he accepted the first offer in silence. Fenton, on his part, was so filled with rage that it was with difficulty that he restrained himself. The length to which his intimacy with Ninitta had now gone, however, made it absolutely necessary that he should avoid a quarrel in which her name might be brought up ; and he had, moreover, put himself into the hands of Irons, by giving him the information in regard to the plans for Feltonville. " Oh, well," Irons said at length, rising with the air of one who cannot waste his time puzzling over trifles ; " have it your own way. It's only a mat- ter of words," He took out his pocket-book, and with delibera- tion turned over the papers it contained. He selected one, read it carefully, and then held it out to Fenton. " Our manufacturing corporation is practically on its legs now," he said, '' and the stock will be issued at once. That entitles you to ten shares. They will be issued at sixty, and ought to go to par by fall. Indeed, in a year's time, we'll make them worth double the buying price, or I am mistaken." Fenton looked at the paper as if he were read- ing it, but its letters swam before his eyes. He needed money sorely, and had this gift come in a shape more readily convertible into cash, he might I/O IV CHAXCES MOCK. 229 have found it impossible to resist it. As it was, he allowed himself to be fiercely angry. He was furious, but he was consciously so. He raised his eyes, flashing and distended, and fixed them upon the mean, hateful face before him. He paused an instant to let his gaze have its effect. *' And I understand," he said, with a slow, care- ful enunciation, ''that in consideration of the ser- vice I have done you, you give me your promise never to mention the fact that you saw a lady in my studio." " Certainly," Irons returned. Fenton's look made him uncomfortable. l^The artist .was^ reasserting- the. old superiority^.over him which the visitor had found so irritating, and it was Iron's instinct to meet this by an air of bluster. J " Very well," Arthur said. " We may then con- sider what you are pleased to call our account as closed." He walked forward deliberately and laid the paper he held on the heap of glowing coals in the grate. It curled and shrivelled, and before Irons could even compress his thick lips to whistle, nothing remained of the document but a quivering film. "Well," Irons commented, "you are a damned fool ; but then that's your own business." The artist bowed gravely. " Naturally," he replied. 230 THE PHILISTINES. He Stood waiting as if he expected his caller to go, and, despite himself, Irons felt that he was being bowed out of the studio. He took his leave awkwardly, feeling that he had somehow been beaten with trumps in his hand, and hating Fenton ten times more heartily than-£ver. [^"The confounded snob!"Jhe muttered under his breath, as he went down the stairs of Studio Building. *' He puts on damned high-headed airs ; but I'm not done with him yet." And Fenton meanwhile stood looking at that thin fluttering film on the red coals with despair in his heart. He had taken the money which he im- peratively needed to pay notes soon due, and in- vested in Princeton Platinum, with which the obliging Erastus Snaffle had supplied him out of pure generosity, if one could credit the seller's statements ; and he had been secretly depending for relief upon this very gift from Irons which he had destroyed. His affairs were every day becom- ing more inextricably involved, and Fenton, it has already been said, with all his cleverness, had no skill as a financier. **Well," he commented to himself, shrugging his shoulders, '* that is the end of that ; but I did make good play." The satisfaction of having well acted his part, and of having got the better of Irons, did much toward restoring the artist's naturally buoyant spirits. He fell to reckoning his resources, and by HOW CHANCES MOCK'. 231 dint of introducing into the account several pleas- ing but most improbable possibilities, he succeeded in building up between himself and ruin a fanciful barrier which for the moment satisfied him ; and beyond the moment he refused to look. XX VOLUBLE AND SHARP DISCOURSE. Comedy of Errors ; ii. — i. MRS AMANDA WELSH SAMPSON had in the course of a varied, if not always dignified career, learned many things. There are people who seem compelled by circumstances to waste much of their mental energy in attending to the trivial and sordid details of life, and the widow often r^epined that she was one of these unfortu- nates, j She secretly fretted not a little, for in- stance, over the fact that she was compelled to be gracious to servants, to butcher and baker and candlestick maker, from unmixed reasons of policy. To be gracious in the role of 2. grande dame wouldr^. have pleased her, but she resented the necessity \ — \ and she avenged herself upon fate by gloating upon the stupidity of that power in wasting her energies in these petty things, when results so brilliant might have been attained by a more wise utilization of her cleverness. This morning, for instance, when Mrs. Sampson chatted affably with the carpenter who had come to do an odd job in the china closet of her tiny dining-room, she really enjoyed the talk. She VOLUBLE AND SHARP DISCOURSE. ^33 was one of those women who cannot help liking to chat with a man, and John Stanton was both good looking enough and intelligent enough to make her willing to exert herself for his entertain- ment. This did not, however, prevent her being inwardly indignant that she felt herself compelled to converse with Stanton because experience had taught her that a little amiability properly exhib- ited was sure to increase the work and lessen the bill at the same time. She did not forego the pleasure of pitying herself because she chanced to find the task imposed upon her an agreeable one. There are few people in this world who are sufficiently just and sufficiently sane to deny themselves the luxury of self pity merely because the occasion does not justify that feeling. Stanton, with his coat off and his strong arms bare to the elbow, was planing down a shelf to make it fit into its place, and as he paused to shake the long creamy shavings out of his plane, he looked up to say apologetically, — ''I'm making an awful litter, ma'am, but I don't see how I can help it." Mrs. Sampson laughed. ** Oh, it isn't of the least consequence," she answered. " If I was inclined to complain it would be because after keeping me waiting for six weeks for this work, you come just when I have company staying with me, and gentlemen coming to dine." ''34 THE PHILISTINES. She had walked into the room with a not illy simulated air of having come with the intention of going out again immediately, and stood well posed, so that her fine figure came out in relief against a crimson Japanese screen. " I haven't anything to do with that, ma'am," Stanton replied. " The boss makes out the orders, and we go where we are sent." *'Well," the widow said, smiling brilliantly, and moving across the room to the table where the dishes taken from the closet were piled, "it can't be helped, I suppose ; but I hope you will let me get things cleared up in time for dinner." " Oh, I'll surely get through by eleven or half past." *' And I don't have dinner till half past six." The carpenter looked up questioningly. Then he went on with his work. " I never can get used to city ways," he observed. " I don't see how folks can get along without hav- ing dinner in the middle of the day when it's dinner time." Mrs. Sampson busied herself with the plates, arranging things on the sideboard ready for even- ing. Her guest. Miss Merrivale, was out driving with Fred Rangely, and the widow's resources in the way of servants were so limited that it was necessary that the hands of the mistress should attend to many of the details of the housekeeping. She enjoyed talking to this stalwart, vigorous VOLUBLE A. YD SHARP DISCOURSE. 035 fellow. She was alive to the last fibre of her being to the influence of masculine perfections, and Stanton was a splendidly built type of man- hood. She utilized the moments and secured an excuse for lingering by going on with her work while the carpenter continued his, carrying out her theory of getting the most out of a laborer by personal supervision, and withal gratifying her intense and instinctive fondness for the presence of a magnificent man. "You are not city bred, perhaps," she answered his last remark, for the sake of saying something. " Oh, no, ma'am," John answered. " I was raised at Feltonville." The widow became alert at once. *' Feltonville t " she repeated. ** Why, I have a cousin living there, the Hon. Thomas Green- field." " Oh, Tom Greenfield, Everybody knows Tom Greenfield," John said, his face lighting up. *' We call him * Honest Tom ' up our way. He's here in the Legislature now." *' Yes, I know he is. He's coming here to din- ner to-night." '' Is he } He's an awful smart man, and he's a good one, too, as ever walked. He's awful inter- ested in Orin's getting the job to make the new statue of America. Orin," he added in explanation, " Orin Stanton, he's the sculptor and he's my brother ; my half-brother, that is. You've heard of him } " 236 THE PHILISTINES. "Oh, of course," she answered, warmly. Mrs. Sampson knew little of Orin Stanton, but she did know that Alfred Irons was on the com- mittee having in charge the commission for the new statue, and the fact that Mr. Greenfield had an interest, however indirect, in the same matter, was a hint too valuable not to be acted upon. Despite the confidence with which he had spoken to Fenton, the railroad business was by no means settled. The Staggchase syndicate had rallied to raise objections to prevent the Railroad Commis- sioners from authorizing the other route. A hear- ing had been granted, and for it elaborate prepara- tions were being made. The Irons syndicate were extremely anxious that Greenfield should speak at this hearing, but there had been so much feeling aroused at Feltonville by his action in the Senate that he was not inclined to do so ; and Mrs. Samp- son, who had already proved so successful in influ- encing her relative, had been requested to continue her efforts. The widow had pondered deeply upon the tac- tics she should use, and it is to be noted that she set down the amount of the obligation incurred by Irons as the greater because she had really become in a way fond of Greenfield, and she was too clever not to understand the fact, to which the senator with singular perversity remained obsti- nately blind, that he could not but injure his political prestige by the course he was taking. VOLUBLE AXD SHARP DISCOURSE. 237 She had aroused his combativeness by telling him that if his convictions forced him to vote against the Feltonville interest, people would say he was bought. She knew that now this was said, and that openly; — indeed, despite all her shrewdness and knowledge of human nature, she had moments when she wondered whether the charge might not be true, so incomprehensible did it seem that a man should throw away his own advantage. She had no sentiment strong enough to make her hesi- tate about going on to sacrifice Greenfield to her own interests, but she distinctly disliked the fact that Irons should also profit by the senator's loss. All day the widow pondered deeply on the situa- tion, and the result of the chance disclosure of John Stanton was that when her guests arrived she made an opportunity to take Irons aside for a moment's confidential talk. The widow's dinner-party was a somewhat sing- ular one to give in compliment to a young girl, there being no one of the guests near Miss Merri- vale's own age except Fred Rangely. The widow's acquaintance among women whom she could ask to meet the New Yorker was limited, and having de- cided upon inviting Greenfield, Irons, and Rangely to dinner, the hostess sat gnawing her stylographic pen in despair a good half hour before she could decide upon a fourth guest. A woman she must have, and few women whom she wished to ask 238 '^^E PHILISTINES. would come to her house even to call. When she now and then gathered at an afternoon tea a hand- ful of people whose names she was proud to have reported in the society papers, she did it by secur- ing a lion of literary or of theatrical fame, whose unwary feet she entangled in her cunningly laid snares before he knew anything about social con- ditions in Boston. There were many people, moreover, who would go to see a celebrity at a house like that of Mrs. Sampson much as they would have gone to the theatre, when they would have received neither the guest of honor nor the hostess, the latter of whom, to their thinking, stood for the time being much in the position of stage manager. Mrs. Sampson never set herself to a problem like this without a feeling of bitterness. To con- sider what woman of any standing could be in- duced to eat her salt brought her true social posi- tion before her with painful vividness. She could not, in face of the facts which then forced them- selves upon her, shut her eyes to the truth that her painful struggles for position had been pretty nearly fruitless. She did now and then get an invitation to a crush in a desirable house, some over-sensitive woman who had been to stare at one of Mrs. Sampson's captures thus discharging her debt, and at the same time virtually wiping her hands of all intercourse with the dashing widow. As for asking her to their tables or going to hers, VOLUBLE AND SHARP DISCOURSE. 239 everybody understood that that was not to be thought of. With the cleverness born of desperation, Mrs. Sampson solved her difficulty by askings JVIiss Catherine Penwick to fill the vacant place. CjVliss Catherine Penwick was the last forlorn and flut- tering leaf on the bare branches of a lofty but expiring family tree. The Penwicks had come over in the Mayflower, or at a period yet more remote, and the acme of the prosperity and social distinction of the name was coincident with the second administration of President Washington. Since that time its decadence had been steady ; at first slow, but later with the accelerating motion common to falling bodies, until nothing remained of the family revenues, little but a tradition of the family greatness, and none of the race but this frostbitten old lady, poor and forsaken in her deso- late old age. \ Miss Penwick was one of the learned ladies of her generation, a^fact^ which counted for less in the erudite day into which it was her misfortune to linger than in those of her far-away youth. She struggled against the tide with pathetic bravery, endeavoring to eke out some sort of a livelihood by giving feeble lectures on Greek art, which no liv- ing being wished to hear, or could possibly be supposed to be any better for hearing, but to which the charitably disposed subscribed with spasmodic benevolence. The poor creature, with 240 THE PHILISTINES. her antique curls quivering about her face, yellow and wrinkled now, its high-bred expression sadly marred by the look of anxious eagerness which comes of watching, like the prophet, for the ravens to bring one's dinner, was but too glad to be in- vited to sit at any table where she could get a comfortable meal and be allowed to play for the moment at being the grand lady her ancestresses had been in reality. ** I hope you don't mind my asking Miss Pen- wick as the only lady," Mrs. Sampson said to her guest ; *' but she is such a dear old creature, and our family and hers have been intimate for centu- ries. She is getting old, poor dear, and she hasn't any money any more, just as I haven't. But you know she is wiser than Minerva's owl, and quite the fashion in Boston. One really is nobody who doesn't know Miss Penwick ; and she is so well bred." Miss Penwick, dear old soul, had a feeling that Mrs. Amanda Welsh Sampson was somehow too hopelessly modern for one of her generation ever to be really in sympathy with the widow ; but Mrs. Sampson had been born a Welsh, and Miss Catherine was too unworldly to be aware of all the gossip and even scandal which had made the name of the dashing adventuress of so evil savor in the nostrils of people like Mrs. Frederick Staggchase. And it must be confessed also, that to such petty economies was the last of the Penwicks reduced VOLUBLE AND SHARP DISCOURSE. ^4 by poverty that a dinner was an object to her. She could not afford to lose an opportunity of din- ing at the price of two horse-car tickets, and so promptly at the moment she presented herself in the dainty elegance of bits of real old lace, with family miniatures and locks of hair from the illus- trious heads of great-great-grandmothers and grand- fathers decorously framed in split pearls, the lustre of the jewels, like that of their wearer, tarnished by time. Miss Merrivale did feel that the company assem- bled was an odd one, although she lived too far away to appreciate the fact that none of the guests, with the possible exception of Rangely, were ex- actly what she would have been asked to dine with at home. A country member, a self-made vulgarian, an antiquated spinster, and a literateur who, after all, was received rather upon sufferance into such exclusive houses as he entered at all, made up a group of which Miss Merrivale, with feminine instinct, felt the inferiority, despite the fact that she had no means of placing the guests. Miss Penwick appreciated the social standing of her fellow-diners, but she had by a long course of social humiliations come to accept unpleasant con- ditions where getting a dinner was concerned ; and she was, moreover, somewhat relieved that at Mrs. Sampson's she was not obliged to meet any- body worse. Her instincts were keen enough, after all her melancholy experiences, to enable her 242 ^-^^ PHILISTINES. to recognize the fact that Tom Greenfield was the most truly a gentleman of the three men, and she was pleased that he should take her in to dinner. Mrs. Sampson, as she went in on the arm of Irons, contrived to let him know what she had heard that morning from young Stanton of Green- field's interest in the young sculptor ; adding a hint or two of the use to be made of this infor- mation. Rangely, just behind her, was chatting with Miss Frances in that half amorous badinage which some girls always provoke, perhaps because they expect and keenly relish it. " Oh, no," he observed, just as Mrs. Sampson was able to give an ear to what was being said by the young people. '^ I am not fickle. I am con- stancy itself, but when you are in New York and I am in Boston, you really can't expect me to sigh loud enough to be heard all that distance." " I know you too well to suppose you will sigh at all," she returned, with a coquettish air. " Es- pecially with the consolations I am given to un- derstand that you have near at hand." *' What consolations .'' " he asked, visibly discon- certed. " What has that confounded widow been telling her.'" he wondered inwardly. ''Is it Mrs. Stagg- chase or Ethel Mott she's aiming at '^. " Miss Merrivale tossed her head, as they paused in the doorway of the tiny dining-room a moment to give Mr. Irons opportunity to convey his un- VOLUBLE AND SHARP DISCOURSE. 243 gainly length into its proper niche. Her shot had been purely a random one and, unless one believes in telepathy, so was the question by which she abruptly changed the subject. "Do you know my cousin, Mrs. Frederick Staggchase .^ " He held himself in hand wonderfully. "Oh, yes," was his reply. ** I know Mrs. Staggchase very well, but I didn't know she was your cousin. All the good gifts of life seem to fall to her lot." " Thanks for nothing. She has not been to see me. She invited me to dine and I declined, and then she wrote and asked me to visit there when I finished my stay here." '' Shall you do it .? " The thought with which Rangely asked this question was one oddly mingled of regret and of hope. He had flirted too seriously with Miss Merrivale to wish to meet her at Mrs. Stagg- chase's, although he had never seriously cared for her ; and he reflected with a humorous sense of relief that if the pretty New Yorker should really visit her cousin, he was likely to be put in a position to give his undivided attention to woo- ing Miss Mott, a consummation for which he wished without having the strength of mind to bring it about. As she let his question pass in silence, he smiled to himself at the ignominious manner in which he must retreat from his attitude 244 THE PHILISTINES. as the devoted admirer of Mrs. Staggchase and of Miss Merrivale, feeling that to set about the earn- est attempt to win Ethel would be quite consola- tion enough to enable him to reconcile himself to even this. The comfort of having circumstances make for him a decision which he should make for himself, is often to a self-indulgent man of far more importance than the decision itself. As the dinner progressed, Miss Penwick, warm- ing with the good cheer — for Mrs. Sampson was too thoroughly a man's woman not to appreciate the value of palatable viands — become decidedly loquacious ; and at last, by a happy coincidence for which her hostess could have hugged her on the spot, she introduced the name of Orin Stanton. "■ I hear you are on the America committee, Mr. Irons," she said. '' We ladies are so much inter- ested in that just now. I called on Mrs. Bodewin Ranger yesterday, and she is really enthusiastic over this young Stanton that's going to make it. He is going to make it, isn't he t " Irons laughed his vulgar laugh, which Fenton once said was the laugh of a swineherd counting his pigs. '* It has not been decided," he answered. "Stanton seems to have a good many friends." " Oh, he has, indeed," responded Miss Penwick eagerly. ''He is a young man of extraordinary genius. I saw a beautiful notice of him in the Daily Observer the other morning, Mr. Rangely," VOLUBLE AXD SHARP DISCOURSE. 245 she continued, turning to Fred, "and Mrs. Frost- winch said she thought you wrote it. It was very appreciative." ** Yes, I wrote it," he responded, not very warmly. " Mr. Stanton is endorsed by Mr. Cal- vin, you know, Mr. Irons ; and Mr. Calvin is our tghest authority, I suppose." Of those present no one except the hostess was surprised at this admission, which marked the great change in Rangely's position since the days when, like Arthur Fenton, he was a pronounced Pagan and denounced Peter Calvin as the incarna- tion of Philistinism in art. On one occasion Rangely had boldly reproached his friend with having gone over to the camp of the Philistines ; and he had been met with the retort, — *' We have found it pleasant in the camp of Philistia, have we not } " '*We.^" Rangely had echoed, with an accent of indignation. " Yes," Arthur had replied, with cool scorn. " You Pagans pitched into me because I made my way over ; but I am not so stupid as not to see_ that there has been considerable §neakin^ after m_e/' " But at least," Fred had urged, " we fellows preserved the decency of a respect for the princi- ples we had professed." "Ah, bah! The principles we had professed^ were the impossible dreams of extreme youth._ ;46 THE PHILISTINES. Honesty is a weakness that is outgrown by any man who has brains enough to do his own think- ing. You still profess the principles, and betray them, while I boldly disavow them at the start." ''At least," Rangely had said, driven to his last defences, " if we have fallen off, we have done it unconsciously, and you " — " I," Fenton had flamed out in interruption, "have, at least, made it a point to be honest with myself, whether I was with anybody else or not. I find it easier to be mistaken than to be vague, and I had far rather be." j The thought of Fenton floated through Fred's mind as he endorsed Peter Calvin, and with no especial thought of what he was saying, he ob- served, — "• Arthur Fenton wants Grant Herman to have the commission, and I must say Herman would be sure to do it well." " If Fenton wants Herman," Irons returned, with an attempt at lightness which only served to emphasize the genuine bitterness which under- laid his words, "that settles my voting for him." "Don't you and Mr. Fenton agree.-*" the host- ess asked. " I supposed you were one of his ad- mirers or you wouldn't have had him paint your portrait." " I admire his works more than I do him," Irons answered, adding with clumsy jocularity " I am waiting for offers from the friends of candidates." VOLUBLE AXD SHARP D IS COURSE. 247 *' I am interested in young Stanton," Mr. Green- field said ; ** I might make you an offer." ** Oh, to obHge you," the other responded, ** I will consent to support him without money and without price." The talk meant little to any one save the hostess and Irons, but they both felt that this move in their game, slight as it seemed, was both well made and important. Later in the evening Irons took occasion to assure Greenfield that he would really support Stanton in the committee, adding that with the vote of Calvin this would settle the mat- ter. When a few days later Irons asked the deci- sion of Greenfield in regard to the railroad matter, he found that the attitude of the chairman of the committee was satisfactory. And honest Tom Greenfield had the satisfaction of believing that he had been instrumental in furthering the inter- ests of Orin Stanton, in whose success he felt the pride common to people in a country district when a genius has appeared among them and secured recognition from the outside world sufficient to assure them that they are not mistaken in their admiration. Nor was the mind of the country member disturbed by any suspicion that he had been managed and deceived, and that he had really played into the hands of that most unscrup- ulous corporation, the Wachusett Syndicate. XXI A MINT OF PHRASES IN HIS BRAIN. Love's Labor's Lost; i. — i. IT was a peculiarity which the St. Filipe shared with most other clubs the world over, that the doings of its committees in private session were always known within twenty-four hours and dis- cussed by the knot of habitues of the house who kept close watch upon its affairs. It did not long remain a secret therefore, that the Executive Com- mittee had taken a firm stand in regard to the troublesome matter of introducing strangers ille- gally, and that Fenton had been summoned to appear before them to answer to the charge of in- troducing Snaffle. The excitement was intense. Fenton was a man whose affairs always provoked comment, and while there was much discussion in regard to whcit would be done, there was quite as much as to how he would take it. The men who had been in the card-room on the night in question chanced not to be on hand to say that Snaffle had appeared alone, and the word of the servant was accepted as conclusive. ''Fenton's a queer fellow anyway," one man ob- 2