wMm- Wl GIFT or Mrs, V/. Barstow t y Digitized by the Internet Archive / in 2008 with funding from IVIicrosoft Corporation http://www.archive.org/details/completepoeticalOOhoodrich THE COMPLETE POETICAL WORKS THOMAS HOOD: % ^iognijjljiccil Slutclj, ani |loU5. EDITED BY EPES SARGENT. VOL. I. BOSTON: PHILLIPS, SAMPSON AND COMPANY. MDCCCLTII. U), Qdu'Mjr^J *^n'er';(? '%ccor(£ng to Act of Congress, in the year 13M, by ' -• EPES SARGENT, In Lbe Clerk's Office <3i thg^iisti-ict Court of the District of Massachusetts HOnART 9i KOBi;IXS, Hew England Tj;« aiJ S-crr^lJ ;j6 Tr.Vi'laj, BOSTOS. ')b^ l^Lin - "- - — - - i^-^ 1 — 1 1 1 i ! 1 i STANDARD BRITISH POETS. 1 ! j i i C^^ ^omn 0» i THOMAS HOOD. i i i 1 i i 1 ! i i 1 1 i i 1 1 i 1 ■^ POETICAL WORKS THOMAS li ]) ; % |Broqra|)ljita! flutcjj EDITED BT E p E s s A 1^ o r: X t . BOSTON: PHILLIPS, SA]MPSOX AND COMPANY. MDCCCLVII. PEEFACE. As confidently as any one of his contemporaries Thomas Hood may claim his place among the Standard Poets of Great Britain. The present edition of his poetical works contains all the poems included in the two volumes edited at his request, and published in I^ondon by Mr. Moxon. To these we have added a number of poems collected from other reliable sources, which were probably excluded from the ISIoxon edition by outstanding copyrights, with which their republication would interfere. This may therefore be regarded as the most complete collection of Hood's Poetical Works yet published. His friends assert that in the twenty years during which Hood was writing for the press he never penned a line intended to give pain to an individual, or which he might himself wi.^'h to blot. This is the praise which Lyttelton avvardod to the author of '•' The Seasons," and is almost too much to ascribe to any individual who, like Hood, was a raan of ardent feelings and exposed to strong temptations. It is cnougli that we are able to say of him, as Walter Scott said of Goldsmith — that his wreath is unsullied. A* X CONTENTS. LIFE OF nOOD, XI POEMS. The Plea of the Midsummer Fairiea, 3 Hero and Leander, 43 Lycus, the Centaur, 73 The Two Peacocks of Bedfont, 87 The Two Swans, 94 The Dream of Eugene Aram, 104 The Elm Tree : A Dream in the Woods, 112 The Haunted House, 129 The Bridge of Sighs, • 143 The Song of the Shirt, 147 The Lady's Dream, 150 The Workhouse Clock 154 The Lay of the Laborer, 157 Miscellaneous. Fair Ines, 163 The Departure of Summer, 165 Ode : Autumn, 170 Song, for Music, 172 BaUad, 172 Hymn to the Sun, 173 To a Cold Beauty, 174 Buth, 175 The Sea of Death, 176 Autumn, t • 177 Ballad, 177 I Remember, I Remember, i 178 BaUad, 179 The Water Lady 181 The Exile, 182 To an Absentee, i 183 Song, 183 L, VIU CONTENTS. Page Ode to the Moon, 184 To , 187 The Forsaken, 188 Autumn 183 Ode to Melancholy, 189 Sonnets. Written in a Volume of Shakspeare, 193 To Fancy, 194 ' ' To an Enthusiast, 194 " It is not death, that sometime in a sigh," 195 i " By every sweet tradition of true hearts," 195 1 1 On Receiving a Gift, 196 i ! SUence, 196 i " The curse of Adam, the old curse of all," 197 I " Love, dearest lady, such as I would speak," 197 jl " The Last Man," 198 I ; The Lee Shore, 205 I ; The Death-bed, 206 Lines on seeing my Wife and two Children sleeping in the same Chamber, . . . 207 ; To my Daughter, on her Birthday, 207 | ;' To a Child Embracing his Mother, 203 j ; Stanzas, 209 | j To a False Friend, 210 i , The Poet's Portion, 210 ! ; Song, 211 I ! Time, Hope, and Memory, 212 ! I Flowers, 213 | j To , 214 i ; To , 214 J To , 215 ! ] Serenade, 216 j i Verses in an Albmn, 216 j | Ballad, 217 1 i The Romance of Cologne, , 217 j i The Key : A Moorish Romance, 219 j I Sonnets. ! ; To the Ocean, 224 i ! Lear, 225 i i Sonnet to a Sonnet, 225 \ False Poets and True, 226 | ' To , 220 i ' For the Foiu'leenth of February, . . 227 To a Sleeping Child, 227 To a Sleeping Child, 228 " The world is with me, and its many cares," 223 \ ncMoncus. ' . Miss Kilmansegg and her Precious Leg, 231 i , A Mornhig Thought, 306 ! : A Tale of a Trumpet, 307 fr^ CONTENTS. ix I No : 332 The Irish Schoolmaster, 333 I l^pigrains. On the Art-Unions, 34I The Superiority of Machinery, 34I Tlie Forge : A Romance of the Iron Age, 342 To : Composed at Rotterdam, 357 The Season, 333 I^T*") • 358 Faithless Sally Brcnvn, 359 Bianca's Dream, 361 Over the Way, 37Q Epicurean Reminiscences of a Sentimentalist 374 The Carelesse Nurse JIayd, 376 Ode to Perry, the Inventor of the Patent Perryan Pen, 377 Number One, 383 Lines on the Celebration of Peace, 385 The Demon-ship, 386 Spring, 389 Faithless Nelly Gray, 391 ■The Flowrer, 393 The Sea-spe!l, 394 A Sailor's Apology for Bow-legs, 398 The Bachelor's Dream, ^qq The Wee Man, 403 Death's Ramble, 4q5 The Progress of Art, 407 A Fairy Tale, 4IO The Turtles, 414 The Desert-born, 419 Love Lane, , 427 Domestic Poems. I. Hymeneal Retrospections, 409 II. " The sun was slumbering in the west, my daily labors past,'" 430 m. A Parental Ode to my Son, 43I TV. A Serenade, 433 A Plain Direction, 434 Equestrian Courtship 436 An Open Question, 437 Morning Meditations, 440 A Black Jub, 444 Ode to Rae Wilson, Esquire, 45I A Table of Errata, 466 A Row at the Oxford Arms 47O Etching Moralized, 475 Ode on a Distant Prospect of Clapham Academy, 483 A Retrospective Review 437 LIFE OF THOMAS HOOD. Thomas Hood was born in London in 1798. His father was a native of Scotland, and was for many years a partner in the firm of Vernor, Hood and Sharp, booksellers and publishers. Of his early life he has given the public an outline in his Literary Reminiscences, in which he tells us that when but twelve years of age he lost his father and elder brother, and became thenceforth the chief care of an affectionate and bereaved mother. From a brief memoir by Mrs. S. C. Hall we learn that he was remarkable for great vivacity of spirits, and prone to astonish good citizens, guests at his father's, no less than his fellow-pupils when at school, by the shrewdness and brilliancy of his observations upon topics of which it was thought he knew nothing. At a high school to which he was sent he picked up some Latin, became a tolerable English grammarian, and so good a French scholar that he earned a few guineas — his first literary fee — by revising for the press a new edition of " Paul et Yirginie." A friend of the family, however, proposed to initiate him into the profitable mysteries of commerce, and young Hood found himself planted on a counting-house stool, where he remained long enough, at least, to collect materials for a sonnet, in which he records his mercantile experiences. " Time was, I sat upon a lofty stool. At lofty desk, and with a clerkly pen Began each morning, at the stroke of ten. To write in Bell and Co.'s commercial school; In Warnford Court, a shady nook and cool. XU LIFE OF UOOD. The favorite retreat of merchant men ; Yet would my pen turn vagrant even then. And take stray dips in the Castalian pool. Now double entry — now a flowery trope — Mingling poetic honey v/ith trade wax — Blogg, Brothers — JMilton — Grote and Prescott — Pope — Bristles — and Hogg — Glyn Mills and Ilalifax — Rogers — and Towgood — Hemp — the Bard of IIopo — Barilla — Byron — Tallow — Burns — and Flax ! " His health failing, he was " shipped as per advice, ia a Scotch smack, " to his father's relations in Dundee. There he made his first acquaintance with the press, an event of so much interest in the career of an author that no one can describe it but liimself. Among the temporary sojourners in his boarding-house at Dundee was a legal antiquary, who had been sent for from Edinburgh to make some researches among the civic records. " It was my humor to think," says Hood, " that, in Political as well as Domestic Economy, it must be better to sweep the Present than to dust the Past ; and certain new brooms were recommended to the Town Council in a quizzing letter, which the then editor of the Dundee Adccriiser or Chronicle thought fit to favor with a prominent place in his columns. ' 'Tis pleasant sure,' sings Lord Byron, ' to see one's self in print;' and according to the popular notion I ought to have been quite up in my stirrups, if not standing on the saddle, at thus seeing myself, for the first strange time, set up in type. INIemory recalls, however, but a very moderate share of exaltation, which was totally eclipsed, moreover, by the exuberant transports of an accessory before the fact, whom, uiethinks, I still see in my mind's eye, rushing out of the printing-office with the wet sheet steaming in his hand, and flut- tering all along the High Street, to announce breathlessly that ' we were in.' But G. was an indifferent scholar, even in English, and therefore thought the more highly of tliis literary feat. " The reception of my letter in the Dundee newspaper eneounxged me to forward a contribution to the Dundee Magazine, the editor of which was kind enough, as Winifred Jenkins says, to ' wrap my bit of nonsense under his Honor's Kiver,' without charging anything for its insertion. Here was success sufficient to turn a young author at once into ' a scribbling miller,' and make hun sell himself, body :-_-Jj LIFE OF HOOD. XIU and soul, after the German fashion, to that minor Mephistophiles, the printer's devil ! Nevertheless, it was not till years afterwards and the lapse of a term equal to an ordinary apprenticeship, that the Imp in question became really my Familiar. In the mean time, I continued to compose occasionally, and, like the literary perform- ances of Mr. Weller senior, my lucubrations were generally commit- tad to paper, not in what is commonly called written hand, but an imitation of print. Such a course hints suspiciously of type and antityjse, and a longing eye to the Row ; whereas it was adopted simply to make the reading more easy, and thus enable me the more readily to form a judgment of the effect of my little efforts. It is more difficult than may be supposed to decide on the value of a work in MS., and especially when the hand-writing presents only a swell mob of bad characters, that must be severally examined and re- examined to arrive at the merits or demerits of the case. Print set- tles it, as Coleridge used to say : and, to be candid, I have more than once reversed, or greatly modified, a previous verdict, on seeing a rough proof from the press. " My mental constitution, however weak my physical one, waa proof against that type-us fever which parches most scribblers till they are set up, done up, and maybe cut up, in print and boards. Perhaps I had read and trembled at the melancholy annals of those unfortunates, who, rashly undertaking to write for bread, had poi- soned themselves, like Chatterton, for want of it, or choked them- selves, like Otway, on obtaining it. Possibly, having learned to think humbly of myself, — there is nothing like early sickness and sorrow for ' taking the conceit ' out of one, — my vanity did not pre- sume to think, with certain juvenile Tracticians, that I ' had a call ' to hold forth in print for the edification of mankind. Perchance, the very deep reverence my reading had led me to entertain for our bards and sages deterred me from thrusting myself into the fellow- ship of beings that seemed only a little lower than the angels. How- ever, in spite of that very common excuse for publication, ' the advice of a friend,' who seriously recommended the submitting of my MSS. to a literary authority, with a view to his imprimatur, my slight acquaintance with the press was pushed no further." Hood resided two years at Dundee, when he returned to London, and, manifesting a great talent for drawing, was apprenticed to his B Xiv LIFE OF HOOD. uncle, Mr. Robert Sands, an engraver. He -was afterwards -with one of the Le Keux in the same pursuit ; but, though working in aqua fortis, as he tells us, he stiU played -with Castaly, now writing — all monkeys are imitators, and all young authors are monkeys — now j j writing a Bandit to match the Corsair, and now hatching a Lalla 1 1 Crow by way of companion to Lalla Rookh. We recur to his own \ j Reminiscences : " In the mean time, while thus playing with literature, an event was ripening which was to introduce me to authorship in earnest, and make the muse, with whom I had only flirted, my companion for life. .... In the beginning of the year 1821 a memorable duel, originat- ing in a pen-and-ink quarrel, took place at Chalk Farm, and termi- nated in the death of Mr. John Scott, the able editor of the London \ j Magazine. The melancholy result excited great interest, in which I !• fully participated, little dreaming that his catastrophe involved any j | consequences of importance to myself. But, on the loss of its con- I ! ductor, the periodical passed into other hands. The new proprietors [ ' were my friends ; they sent for me, and, after some preliminaries, I j i was duly installed as a sort of sub-editor of the London Magazine. j i " It would be affectation to say that engraving was resigned with |, regret. There is always something mechanical about the art ; more- over, it is as unwholesome as wearisome to sit copper-fastened to a board, with a cantle scooped out to accommodate your stomach, if you have one, painfully ruling, ruling, and still ruling lines straight or crooked by the long hundred to the sc^uare inch, at the doubly- hazardous risk, which Wordsworth so deprecates, of ' growing double. ' So, farewell Woollett ! Strange ! Bartolozzi ! I have said my vanity did not rashly plunge me into authorship ; but no sooner was there a < i legitimate opening than I jumped at it, a la Grimaldi, head foremost, |i and was speedily behind the scenes. j ! " To judge by my zeal and delight in my new pursuit, the bowl ' had at la^t found its natural bias. Not content with taking arti- cles, like candidates for holy orders, — with rejecting articles, like the Belgians, — I dreamt articles, thought articles, wrote articles, which I were all inserted by the editor, of course with the concurrence of hia deputy. The more irksome parts of authorship, such as the correc- tion of the press, were to me labors of love. I received a revise from j Mr. Baldwin's ^Mr. Parker, as if it had been a proof of his regard ; LIFE OF HOOD. XT forgave him all his slips, and really tliought thit printers' devils -n-ero not so black as they are painted. But my top-gallant glory vas in ' our contributors ' ! How I used to look forward to Elia ! and back- ward for Hazlitt, and all round for Edward Herberfe, and how I used to look up to Allan Cunningham ! for at that time the London had a goodly list of writers — a rare company. It is now defunct; and perhaps no ex-periodical might so appropriately be apostrophized Avith the Irish funereal question, ' Arrah, honey, why did you die? ' Had not you an editor, and elegant prose writers, and beautiful poets, and broths of boys for criticism and classics, and wits and humorists — Elia, Gary, Procter, Cunningham, BoANTing, Barton, Hazlitt, Elton, Hartley Coleridge, Talfourd, Soane, Horace Smith, Reyi\olds, Poole, Clare, and Thomas Benyon, with a power besides? Hadn't you Lions' Heads with Traditional Tales ? Had n't you an Opium Eater, and a Dwarf, and a Giant, and a Learned Lamb, and a Green Man? Hadn't you a regular Drama, and a Musical Report, and a Report of Agriculture, and an Obituary, and a Price Current, and a current price, of only half-a-crown ? Arrah, why did you die ? "Why, somehow, the contributors fell away, -the concern went into other hands — worst of all, a new editor tried to put the belles-lettres in utilitarian envelopes ; whereupon the circulation of the Miscel- lany, like that of poor LeFevre, got slower, slower, slower, and slower still — and then stopped forever ! It was a sorry scattering of those old Londoners ! Some went out of the country ; one (Clare) went into it. Lamb retreated to Colebrooke. Jlr. Cary presented himself to the British ^luseum. Reynolds and Barry took to engross- ing when they should pen a stanza, and Thomas Benyon gave up literature. '• It is with mingled feelings of pride, pleasure and pain, that I revert to tliosj old times, when the writers I had long known and admired in spirit Avere present to me in the flesh ; when I had the delight of listening to their wit and wisdom from their own lips, of gazing on their faces, and grasping their right hands. Familiar fig- ures rise before me, familiar voices ring in my ears, and, alas ! amongst them are shapes that I must never see, sounds that I can never hear, again. Before my departure from England, I was one of the few who saw the grave close over the remains of one whom to know as a friend Avas to love as a relation. Never did a better sou] XVI LIFE OF HOOD. go to a better world ! Never, perhaps (giving the lie direct to the common imputation of envy, malice and hatred, amongst the brother- hood), never did an author descend — to quote his favorite Sir T. Browne — into ' the land of the mole and the pismire ' so hung with golden opinions, and honored and regretted with such stacere eulogies and elegies, by his contemporaries. To him, the first of these, my reminiscences, is eminently due, for I lost in him not only a dear and kind friend, but an invaluable critic, — one whom, were such literary adoptions in modem use, I might well name, as Cotton called Walton, my ' father. ' " I was sitting, one morning, beside our editor, busily correcting proofs, when a visitor was announced, whose name, grumbled by a low, ventriloquial voice, like Tom Pipes calluig from the held through the hatchway, did not resound distinctly on my tympanum. How- ever, the door opened, and in came a stranger, a figure remarkable at a glance, with a fine head on a small, spare body, supported by two almost immaterial legs. He was clothed in sables, of a bygone fashion, but there was something wanting, or something present about him, that certified he was neither a divine, nor a physician, nor a schoolmaster ; from a certain neatness and sobriety in his dress, coupled with his sedate bearing, he might have been taken, but that such a costume would be anomalous, for a Quaker in black. He looked still more like (what he really was) a literary modern antique, a new-old author, a living anachronism, contemporaiy at once with Burton the elder and Colman the younger, ileanwhile, he advanced with rather a peculiar gait, his walk was planti- grade, and, with a cheerful 'How d'ye,' and one of the blandest, sweetest smiles that ever brightened a manly countenance, held out two fingers to the editor. The two gentlemen in black soon fell into discourse ; and, whilst they conferred, the Lavater principle within me set to work upon the interesting specimen thus presented to its speculations. It was a striking, intellectual face, full of wiry lines, physiognomical quips and cranks, that gave it great character. There was much earnestness about the brows, and a deal of specula- tion in the eyes, which were brown and bright, and ' quick in turn- ing ; ' the nose, a decided one, though of no established order ; and there was a handsome smartness about the mouth. Altogether, it was no common face — none of those wiUoio-pattern ones, which nature LIFE OF HOOD. XVU turns out by tlioasautls at her potteries ; — but more like a cliance Bpecimou of the Chinese ware, one to the set — unique, antique, quaint. No one who had once seen it could pretend not to know it again. It was no face to lend its countenance to any confusion of persons in a Comedy of Errors. You might have sworn to it piece- meal — a separate affida^-it for every feature. In short, his face was as original as his figure ; his figure, as his character ; his character, as his writings ; his writings, the most original of the age. After the literary' business had been settled, the editor invited his con- tributor to dinner, adding, ' We shall have a hare — ' ' And — and — and — and many friends ! ' " The hesitation in the speech, and the readiness of the allusion, were alike characteristic of the individual, whom his familiars will perchance have recognized already as the delightful essayist, the cap- ital critic, the jileasant wit and humorist, the delicate-minded and large-hearted Charles Lamb ! He was shy, like myself, with strang- ers; so that, despite my yearnings, our first meeting scarcely amounted to an introduction. We were both at dinner, amongst the hare's many friends ; but our acquaintance got no further, in spite of a desperate attempt on my part to attract his notice. His complaint of the Decay of Beggars presented another chance ; I wrote on coarse paper, and in ragged English, a letter of thanks to him, as if from one of his mendicant clients, but it produced no eflfect. I had given lip all hope, when, one night, sitting sick and sad in my bed-room, racked with the rhoumatism, the door was suddenly opened, the well-known quaint figure in black walked in without any formality, and, with a cheerful ' AVell, boy, how are you? ' and the bland, sweet smile, extended the two fingers. They were eagerly clutched, of course, and from that hour we were firm friends." In 1826 Hood made a collection of his contributions to the London Magazine, which, with some other pieces, was issued under the title of Whuns and Oddities. His first book had been published anony- mously. It was styled Odes and Addresses to Great People, and was written in conjunction with his brothei'-in-law, Mr. J. H. Reynolds. This work had introduced Hood to the public as a humorist of no common power ; a reputation which had been increased by his produc- tions in the Magazine — a journal of which the ^Ycst minster Rciieic xvni LIFE OF HOOD, said, with great truth, that it was during its short life cleverly sup- ported by a knot of men whom a too ardent love of the ancient and quaint and homely in literature, hurried into sundry faults of taste, which the sectarian influence of coterie intercourse confused into mannerism. Hood's National Tales appeared in 1827, and was followed by a volume containing The Plea of the Midsummer Fairies, Hero and Leander, Lycus the Centaur, and other poems. In 1S23 he comiiionccd the Comic Annual, which was continued for nine years. For one year he edited Tlie Gem, in Avhich The Dream of Eugene Aram first appeared ; afterwards, issued in a separate brochure, with designs by W. Harvey. In 1834 he published Tylncy Hall, a novel with which we remember to have been very much entertained, and which, we think, never enjoyed the favor to which it was entitled by its merits. In 183G he published a new edition of his Whims and Oddities in Prose and Verse ; and in 1838 a selection of his contributions to the Comic Annual, with new matter, in a series of monthly numbers, under the title of Hood's Own. Ill health now compelled Iiim to go to the continent to recruit ; and while in Belgium he published his pleasant little volume. Up the Rhine. During his absence an article on his works ajjpeared in the Westminster Review, from which we extract the following description of Hood as he appeared in social life: " TVe began by stating our conviction that few writers were so imperfectly understood as he of the ' Comic Annual ' is ; few, we may add, have been more sparingly known in the world of society. Hood has never sought the tinsel honors of Lionsliip. A shape of slight figure, witli pale and pensive countenance, may, indeed, have flitted through society occasionally, without causing any remark j none of the Lady Worrymores or Capel Loffcs, who make themselves ridiculous, and their literary protege's disrespectable, by their sense- less ecstasies, ^ even dreaming that that slight figure was moving to and fro to gather simples of humor and folly and absurdity, but not in the spirit of a Syeoras, — that the rarest conceit coukl tAvinkle through the sjjeetacles which give a decent gravity to those eyes, or that the most luxuriant whimsies and the most irresistible repartees could drop, rich as oil, if not always sweet as honey, from the corners of that impassive-looking mouth. But we know liettcr ; and, as tho LIFE OF HOOD. XIX so;i divides him from ns, may say as much •without any fear of our ni jud interposing to prevent ug. We have sat by his side through the ' small hours,' listening to tales of ghosts, rememberwj, improved or improvised, — such as night- watchers in the nineteenth century are rarely permitted to enjoy. "We haTe heard him — apart from the listening circle — accompany the long-winded tale of a traveller with such a running fire of notes and comments aside as the brethren of t;ie Row would give gold to gather and print. We have watched him so provoke the component members of a social rubljer in that moment of intense interest when the game hung on a card, that odd tri;-ks have been forgotten, tramps wasted, and all four hands thrown down, in an universal paroxysm. We have seen his Yorick spirit sending forth its sparkling bubbles, in despite of trial and vicissitude ; — for may we not allude to these, when in his preface to his last new undertaking our friend has himself pointed thereat? His education as an engraver has given him an eye of singular keenness, — his genius a fancy ever ready, and a wit rarely blunt, rarely indebted to others for its weapon ; and these are as much manifested in his daily intercourse with his friends as in his more ceremonious Commerce with the public. There is not a page in all his works more thor- oughly humorous than the account we once heard him deliver of a j hurried labor at the ' Comic Annual,' when, at the eleventh hour, like Mozart over the overture to Don Giovanni, he fell asleep, and continued (he declares) to dictate, for some good ten minutes, ere his amanuensis, who had been plying the pen for half an hour, her- self scarcely less somnolent, discerned the least change in his diction, the least abatement of his fluency. There is no dilemma recounted by Aire. Twigg, or Sirs. Jones, half so diverting as those with details of which his familiar lettere from the continent are filled. But with these the world will perhaps one day be edified ; and it would be un- fair, by attempting them in feebler phrase, to forestall the new ' Pil- grim of the Rhine.' " Mrs. S. C. Hall's reminiscences of the poet relate to about the same period of his life : " I remember the first time I met him was at one of the pleasant soirees of the painter Martin ; for a moment I turned away — as many have done — disappointed, for the countenance, in repose, was if melancholy rather than of mirth ; there was something calm, even XX LIFE OF HOOD. to solemnity, in the upper portion of the face, which, in public, was seldom relieved by the eloquent play of the mouth, or the occasional sparkle of the observant eye ; and it was a general remark among his acquaintances, that he was too quiet for 'the world.' There uio many wit-watchers to be founcrm society, who think there is nothing in a man, unless, like a sounding-board, he make a great noise at a small touch ; who consider themselves aggi-ieved, unless an ' author' open at once like a book, and speak as he writes ; this vulgar notion, like others of the same stamp, creeps into good society, or what is so considered, and I have seen both Hook and Hood ' set,' as a pointer sets a partridge, by persons who glitter in evanescent light simply by repeating what such men have said. Mr. Hook, perhaps, liked this celebrity, — this sitting and staring, this lion-hunt, — so different from the heart-worship paid to verita1)le greatness. Mr. Hood did not ; he was too sensitive, too refined, to endure it ; the dislike to being pointed at as the ' man who was funny ' kept him out of a crowd, where there were always numbers who really honored his genius, and loved him for his gentle and domestic virtues. It was only among his friends that his playful fancy flourished, or that he yielded to its influence; although, strictly speaking, ' social ' in all his feelings, he never sought to stimulate his wit by the false poison of draughts of wine ; nor was he ever more cheerful than when at his own fireside he enjoyed the companionship of his dear and devoted wife. He was playful as a child; and his imagination, pure as bright, frolicked with nature, whom he loved too well ever to outrage or insult by slight or misrepresentation. And yet he was city born, and city bred, — born in the unpoetic district of ' the Poultry,' — though born, as it were, to letters, for his father was a bookseller." On the return of Hood to England, he became editor of the New X Monthly Magazine, and, on retiring from it in 1843, he published X' the best of his writings in prose and verse in that journal, with some •^ additions, with the title of "Whimsicalities." In 1844 he started Hood's Mafjazine, his last periodical, and continued to contribute to its pages until within a month before his death. In his later days he was an occasional contributor to Punch, where his celebrated Song of the Shirt made its first appearance. Hood died on the third of May, 1845, leaving a widow and twc children. He died a poor man. He had no money-making faculty, LIFE OF UOOD. XXI lie could delight the world with his genius, but he did not make u good commercial use of it. With all his talents and fame, he did not manage to coin them into gold. Soon after his death a subscrip- tion was commenced for the benefit of his family. The project was communicated to the public in a single paragraph, which will be read Avith melancholy interest : " The late Thomas IIood. — This distinguished writer, who has, for upwards of twenty years, entertained the public with a constant succession of comic and humoristic works, in the whole range of ichich not a single line of immoral tendenx:y, or calculated to pain an indi- vidual, can he pointed out, whose poems and serious writings rank among the noblest modern contributions of our national literature, and whose pen was ever the ready and efficient advocate of the unfor- tunate and the oppressed (as recently, for instance, in the admirable ' Song of the Shirt,' which gave so remarkable an impulse to the movement on belialf of the distressed needlewomen), has left, by his death, a widow and two children in straitened and precarious cir cumstances, with no other means of subsistence than a small pension, terminable on t!ie failure of the widow's life, barely sufficient to sup- ply a family of three with common necessaries, and totally inadequate for the education and advancement of the orphan children. Even this scant}^ resource has been, of necessit}-, forestalled to a consider- able extent daring the last five months, in order to meet the heavy sick-room and funeral expenses. Under these circumstances, a sub- scription for the family has been set on foot. The admirers of Thomas Hood throughout the country will, it is hoped, take this opportunity of publicly testifying their recognition of his genius and their sense of his personal wortli." Of his latter days an affecting account was given in the Literary- Gazette, shortly after his death : " Thomas Hood died on Saturday morning. A spirit of true phi- lanthropy has departed from its earthly tenement ; the light of a curious and peculiar wit has been extinguished ; the feeling and pathos of a natural poet have descended into the grave ; and left those who knew, admired, and loved these qualities, to feel and de- XXll LIFE OF HOOD. plore the loss of him in whom they were so preeminently united. Yet we can hardly say that we lament his death. Poor Hood ! his sportive humor, like the rays from a crackling fire in a dilapidated building, had long played among the fractures of a ruined consti- tution, and flashed upon the world through the flaws and rents of a Bhattered wreck. Yet, infirm as was the fabric, the equal mind was never disturbed to the last. He contemplated the approach of de;ith with a composed philosophy, and a resigned soul. It had no terrors for him. A sliort while ago we sat for hours by his bed-side in gen- eral and cheerful conversation, as when in social and healthful inter- course. Then he spoke of the certain and unavoidable event about to take place with perfect unreserve, unrufiled calmness ; and the lesson and example how to die was never given in a more impressive and consolatory manner than by Thomas Hood. His bodily sufierings had made no change in his mental character. He was the same as in his publications, — at times lively and jocular, at times serious and affecting ; and upon the one great subject of a death-bed hope, he de- clared himself, as throughout life, opposed to canters and hypocrites, — a class he had always detested and written against; while he set the higliest price upon sincere Christianity, whose works of charity and mercy bore witness to the integrity and purity of the faith pro- fessed. ' Our common friend,' he said, ' Mrs. E , I love ; for she is truly religious, and not a fious, woman.' He seemed anxious that his sentiments on the momentous question should not be misrepre- sented ; and that his animosity against the pretended should not be misconstrued into a want of just estimation for the real. " Another subject upon which he dwelt with much earnestness and gratitude, was the grant of a pension of one hundred pounds a year to his wife. ' There is, after all,' he observed, ' much of good to counterbalance the bad in this world. I have now a better opinion of it than I once had, when pressed by wrongs and injuries.' Two autograph letters from Sir Robert Peel, relating to this pension, gave him intense gratification, and were indeed most honorable to tlic heart of the writer, whose warmth in the expression of personal solic- itude for himself and his family, and of admiration for his jM-oduc- tions (with which Sir Robert seemed to be well acquainted), we firmly believe imparted more delight to the dying man than even the pros- pect that those so dear to him would not be left destitute. In hj< LIFE OF nooD. xxiii answer to the minister's first communication, he had alluded to the tendency of his -writings ever being on the side of humanity and order, and not of the modern school, to separate society into two classes, the rich and poor, and to inflame hatred on the one side, and fear on the other. This avowal appeared, from the reply which acknowledged its truth, to have been very acceptable to the premier, from whom the gift had emanated." On the 18 til July, 1854, a monument was raised to the memory of Hood ; and in the sketch of the proceedings on this occasion, and the speech of Mr. Mouckton Milnes, which we copy from the London Times, we find a fit conclusion to this brief account of his life. Mr. Milnes observed : " I have been asked to come here to-day to say a few words before we open to your view the monument which has been erected to the memory of Hood. It is now some years since we laid our triend below us in this pleasant place, where he rests after a long iUness — after a life of noble struggle with much adversity, and of nothing but good to his fellow-men. It is now thought advisable that a few words should be said before that ceremony takes place. It is rather a habit of our neighbors the French than of ourselves, to make eulogistic orations at the tombs of our friends. I do not think the habit in general is pleasing to our taste ; but there are reasons why, on the present occasion, it may not be unbecoming. At the same time, it is very difficult to perform this duty, because we must feel that, if ever there was a character of simphcity and humility, it was that of the late ]Mr. Thomas Hood ; aud it would not become us, on the jjresent occa- sion, to indulge in eulogies which, if he were here himself, Avould be distasteful to him; for he was a man who -ever retired from the crowd, and who loved, as he has said in his o^m classical and beau- tiful language : ' To kneel remote upon the simple sod. And sue, in formci pauperU , to God.' Our German friends call a cemetery of this kind ' God's field,' and we must not desecrate it by vain and pompous eulogies over a fellow- mortal. All we can do is to commit him, with all his errors, to the mercy of God, and at the same time to keep his memory dear and fiis fame bright among us. This is the purpose of the friends of Mr. Thomas Hood who have raised this structure. Some of them were XXIV LIFE OF HOOD. familiar with him from his youth — the eyes of others never lit upon his person. It would be invidious to single out any of these frienda of the poet ; but I may mention the name of one lady who is Avell known to us all, Miss Eliza Cook, to whose exertions, in all quarters of society, the erection of this monument is very much OAving. Some, too, have contributed to it who did not appreciate him daring his lifetime ; — to them may be applicable his beautiful lines : 'Farewell ! we did not know thy worth ; But thou art gone, and now 'tis prized. So angels walked unknown on earth. But when they flew were recognized.' " He was a poet — a poet in the true sense of the vrord ; but at the same time I by no means think that his poetical powers were of so great and remarkable a character that his reputation would have become such as it is if it had been confined to his poetical works alone. By his poetical works I mean those developments of pure im- agination, which are more interesting to literary men than they can be to the world in general. In all these works we recognize not only the lyrical facilities which enable many a youth to throw out good poetry, but the refined taste and cultivated mind of mature years. But his fame — that for which he is chiefly known to us — belongs to him as an English humorist ; and, in using that word, I use no word inapplicable to the occasion or unworthy of his fame. It is the boast of our literature, as distinguished from that of all other nations, that from the earliest times of its history we find humoristic writers who delighted the age in which they lived and those which succeeded them. In that category we may place Shaks- peare himsalf, and we may draw, downwards, a long genealogical list of humorists, ending with the names of Charles Lamb, Sydney Smith, and Thomas Hood. I do not know whether my opinions in this matter may be peculiar ; but I have often thought that if I were to pray to Heaven for a gift to be given to any person in wliose moral and intellectual welfare I was especially interested, it would be that he might have the gift of humor. The gift of humor is, as it were, the balance of all the faculties. It enables a man to see the strong contrasts of life around him ; it prevents him being too much devoted to his own knowledge, and too proud of his own imagina- LIFE OF HOOD. XX^ don. and it also disposes him to suljmit, with a wise and pioua patience, to the vicissitudes of liis daily existence. It is thus that humorists, such as Hood has been, and as Dickens is now, are great benefactors of our species, not only on account of the amusement which they give us, but because they arc great moral teachers. The humorous writings of Mr. Tliomas Hood have instructed you many years, and will instruct your children after you. I should mention, however, tliat this combinatiuu of poetry and humor does not pro- duce, in all persons, the same blessed effects that it has produced here. In some cases it has degenerated into impatient satire and fierce revolt against the better feelings of humanity. In such a mind as that of Swift, it produced these evil effects ; but in such a mind as Hood's, it produced directly the contrary : it generated a noble and generous sympathy with the wants and desires of his fellow-creat- ures ; and it is for this combination of poetical genius and humor and earnest philanthropy, that his name has grown up to become, as it were, a proverb for great wit united with deep and solemn sympa- thies. We recognize, ladies and gentlemen, these rare merits of Mr. Thomas Hood in the productions of his mature life, such as ' The Bridge of Sighs,' and 'The Song of the Shirt,' — verses which appear occasionally, and only occasionally, in literature, and which seem like products of the acme of the human mind — such jwoducts as the prison-song of Lovelace, the elegy of Gray, the sea-songs of Campbell, ' The Burial of Sir John Moore,' and the ' May Queen' of Alfred Tennyson — poems which, though they cost their authors much less trouble than many of their less successful works, are, nev- ertheless, the anchors (so to speak) of their world-wide fame. These beautiful poems of Mr. Thomas Hood have had a deep moral effect on different classes of society. If there are among those poems, and others of ^'ilr. Thomas Hood, some expressions of stern indignation — if there are some passages which may seem almost exceptions to the general amiability of his character — it is that he wished to enforce the moral, that ' Evil is wrought by want of thought As well as want of heart.' I do not think, therefore, that there was any levity in his character because he was an humorist. I do not think, because you find in hia C XXVI LIFE OF HOOD. ■works that v.-hh Ins rich wit and his great possessions of language he delighted to play with words as if, almost, they were fireworks, there was a want of gravity or seriousness in his composition. In i poem of his which id a 2>erfect reportorium of wit and spirit, ht seems conscior.s of this himself, for he writes to the effect that — 'However critics may take offence, A double meaning gives double sense.' And there are, no doubt, certain subtile faculties about us which enable us to find such great pleasure in the combination of this ao-il- ity of diction with seriousness of purpose. Ladies and gentlemen who have raised this monument, I was informed by a friend of mine, and a dear friend of his, who remained with him to the last — Mr. Ward — that ^Mr. Thomas Hood was in very great disease and suffer- ing, that he was laboring under some pecuniary difficulties — that his mind was not easy on those points, and that it would be a great relief to him to obtain some assistance, if he could do so by any honorable moans, for he was determined to employ no other. I went on that occasion to Sir R. Peel, from whom I met witii the most per- fect sympathy as regarded the object I had in view ; and it was to me a most interesting fact that that great man, governing the desti- nies of this mighty nation, and engaged as he was in the gravest pursuits, could nevertheless be drawn, by the force of human sym- pathy, to take a deep interest in this simple man of letters. What was done on that occasion was sufficient for the pur^-iose. I will ask you, therefore, in looking upon this bast, to regard it as a memorial not only of the interest of his friends, but as a memorial of national interest for a national name. It consists, as you perceive, of a plain bust upon a pedestal. I have always thought that a man's bust is the best monument which could be raised to him ; it is that which ia most calculated to show people who come after him what he really was, and it is l!:!a3 dumb and less vacant than the monuments which we see mostly around us. It is perfectly true that, generally speak- ing, we find that basts represent the dead when we could wish they represented the li\dng ; it is perfectly true, also, that in our every- day walk among living busts we see men of genius, whom we do not recognize, and whose services and virtues we do not honor ; and, after all, this may, perhaps, be but a poor acknowledgment of tha LIFE OF HOOD. XXVll worth of the poet and humorist ; but still here it is, and we have raised it, and I trust all will feel that in so doing we liave not done honor to him, but to ourselves. I remember that at the time of his fatal illness I Avas very much haunted with the recollection of some lines of his, which, I dare say, some of you remember. They are contained in a little poem called The Death-bed — ' We watched her breathing through the night, Iler breathing soft and low. As in her breast the wave of life Kept heaving to and fro. ' So silently we seemed to speak, So slowly moved about. As we had lent her half our powers To eke her living out. * Our very hopes belied our fears. Our fears our hopes belied — We thought her dying when she slept. And sleeping when she died. ' For when the morn came dim and sad. And chill with early showers. Her quiet eyelids closed — she had Another morn than ours.' Thomas Hood haa now another morn than ours — may that mom have brightened into perfect day! May his spirit look down with gi'atification upon us who have raised this modest homage to him — may ho look down with pleasure on those he has loft behind him, and who inherit his honor and his name — and may we all bear home with us the consoling reflection, tliat the fiime of which a wise and honest man should bo ambitious is not that of acquiring wealth power, or even earning clamorous applause, but the attaming of such homage as we are now paying to one who among us was a brother and a friend — one Avho may make us at the same time thankful to the age in which it has pleased Providence to cast our lot, and grateful to the race and country of which we are common citizens and men." The monument consists of a large bronze bust of Hood, elevated on a handsome pedestal of polished red granite. On a slab beneath XXVm LIPE OF HOOD. the bust is his own self-inscribed epitaph — "He sang ' The Song of the Shirt' ;" and upon the projecting front of the pedestal the inscription is carved — "In memory of 2rf)oma(3 ?^ooiJ, born 23d of iMay, 1798 ; died 3d of May, 1845 ; erected by public subscrip- tion A.D. 1854." On the sides of the pedestal are medallions illus- trating " The Bridge of Sighs " and " The Dream of Eugene Aram." The monument is the work of Mr. Matthew Xoble. It is simple in design, and correctly executed, and looks well in the midst of the medley of monuments with which Kensal-green is filling. But, in- dependently of any consideration of that kind, this must ever l">9 one of the chief treasures of the olace. THE PLEA OF THE MIDSUMMER FAIUIES. i'O CHARLES LAMB. My dear Friend : I thank my literary fortune that I am not reduced, like many better wits, to barter dedications, for the hope or promise of patronage, with some nomi- nally great man ; but that where true affection points, and honest respect, I am free to gratify my head and heart by a sincere inscription. An intimacy and dearness, worthy of a much earlier date than our acquaintance can refer to, direct me at once to your name • and with this acknowledgment of your ever kind feeling towards me, I desire to record a respect and admiration for you as a writer, which no one acquainted with our literature, save Elia himself, will think disproportionate or misplaced. If I had not these better reasons to govern me, I should be guided to the same selection by your intense yet criti- cal relish for the works of our great Dramatist, and for that favorite play In particular which has furnished the subject of my verses. It is my design, in the following Poem, to celebrate by an allegory that immortality which Shakspeare has conferred on the Fairy mythology by his Midsummer Night's Dream. But for hhn, those pretty children of our childhood would leave barely their names to our maturer years ; they belong, as the mites upon the plum, to the bloom of fancy, a thing generally too frail and beautiful to withstand the rude handling of Time : but the Poet has made this most perishable part of the mind's creation equal to the most enduring ; he has so intertwined the Elfins with human sympathies, and linked them by 60 many delightful associations with the productions of nature, that they are as real to the mind's eye as their green magical circles to the outer sense. It would have been a pity for such a race to go e.xtinct, even though they were but as the butterflies that hover about the leaves and blossoms of the visible world. I am, my dear friend. Yours, most truly, T. Hood. THE PLEA OF THE MIDSUMMER FMRIES. 'T AVAS in that mellow season of the year "When the hot Sun singes the yellow leaves Till they be gold, and with a broader sphere The Moon looks down on Ceres and her sheaves ; When more abundantly the spider weaves, And the cold wind breathes from a chillier clime ; That forth I fared, on one of those still eves, Touched with the dewy sadness of the time, To think how the bright months had spent their prima So that, wherever I addressed my way, I seemed to track the melancholy feet Of him that is the Father of Decay, And spoils at once the sour weed and the sweet ; — Wherefore regretfully I made retreat To some unwasted regions of my brain, Charmed with the light of summer and the heat, And bade that bounteous season bloom again, And sprout fresh flowers in mine own domain. It was a shady and sequestered scene. Like those famed gardens of Boccaccio, Planted Avith his own laurels ever green, And roses that for endless summer blow ; THE PLEA OF THE MIDSUMMER FAIRIES. AnO THE PLEA OF THE MIDSUMMER FAIRIES. Meanwhile the bolt shatters some pine or ash — " Thou feeble, wanton, foolish, fickle thing ! Whom naught can frighten, sadden, or abash, — To hope my solemn countenance to wring To idiot smiles ! — but I will prune th j wing ! " Lo ! this most awful handle of my scythe Stood once a May-pole, with a flowery crown. Which rustics danced around, and maidens blithe, To wanton pipings ; — but I plucked it down, And robed the May Queen in a church-yard gown, Turning her buds to rosemary and rue ; And all their merry minstrelsy did drown, And laid each lusty leaper in the dew ; — So thou shalt fare — and every jovial crew ! " Here he lets go the struggling imp, to clutch His mortal engine with each grisly hand, Which frights the elfin progeny so much. They huddle in a heap, and trembling stand All round Titania, like the queen bee's band. With sighs and tears and very shrieks of woe ! — Meanwhile, some moving argument I planned. To make the stern Shade merciful, — when, lo ! He drops his fatal scythe without a blow ! For, just at need, a timely Apparition Steps in between, to bear the awful brunt ; INIaking him change his horrible position. To marvel at this comer, brave and blunt. That dares Time's irresistible affront, Whose strokes have scarred even the gods of old ; — Wliereas this seemed a mortal, at mere hunt For coneys, lighted by the moonshine cold, Or stalker of stray deer, stealthy and bold. THE PLEA OF THE MIDSUMMER FAIRIES. 81 Who, turning to the small assembled foys, Doffs to the lily queen his courteous cap, And holds her beauty for a while in gaze, With bright eyes kindling at this pleasant hap ; And thence upon the fair moon's silver map. As if in question of this magic chance. Laid like a dream upon the green earth's lap ; And then upon old Saturn turns askance, Exclaimmg, ^yith a glad and kmdly glance : — "0, these be Fancy's revellers by night ! Stealthy companions of the downy moth — Diana's motes, that flit in her pale light, Shunners of sunbeams in diurnal sloth : — These be the feasters on night's silver cloth, — The gnat with shrilly trump is their convener, Forth from their flowery chambers, nothing loth, With lulling tunes to charm the air serener. Or dance upon the grass to make it greener. ■ • These be the pretty genii of the flowers, Daintily fed with honey and pure dew — Midsummer's phantoms in her dreaming hours, King Oberon. and all his merry crew, The darling puppets of romance's view : Fairies, and sprites, and goblin elves, we call them, Famous for patronage of lovers true ; — Xo harm they act, neither shall harm befall them. So do not thus with crabbed frowns appall them." 0, what a cry was Saturn's then ! — it made The fairies quake. •'• What care I for their pranks, However they may lovers choose to aid. Or dance their roundelays on flowery banks ? — 32 THE PLEA OF THE MIDSUMMER FAIRIES. Long must thej dance before they earn my tlianlcs,- So step aside, to some far safer spot, Whilst with my hungry scythe I mo^Y their ranks, And leave them in the sun, like weeds, to rot, And with the next day's sun to be forgot." Anon, he raised afresh liis weapon keen ; But still the gracious Shade disarmed his aim, Stepping with brave alacrity between, And made his sere arm powerless and tame. His be perpetual glory, for the shame Of hoary Saturn in that grand defeat ! — But I must tell, how here Titania came With all her kneeling lieges, to entreat His kindly succor, in sad tones, but sweet. Saying, " Thou seest a wretched queen before thee, The fading power of a failing land. Who for her kingdom kneeleth to implore thee, Now menaced by this tyrant's spoiling hand ; No one but thee can hopefully withstand That crooked blade, he longeth so to lift. I pray thee blind him with his own vile sand, Which only times all ruins by its drift. Or prune his eagle wings that are so swift. *' Or take him by that sole and grizzled tuft. That hangs upon his bald and barren crown ; And we will sing to see him so rebuffed, And lend our little mights to pull him down, And make lu-ave sport of his malicious frown, For all his boastful mockery o'er men. For thou wast born, I know, for this renown, By my most magical and inward ken. That readeth even at Fate's forestalling pen. THE PLEA OF THE MIDSUMMER FAIRIES. 33 " Nay, by the golden lustre of thine eye, And by thy brow's most fair and ample span. Thought's glorious palace, framed for fancies high, And by thy cheek thus passionately wan, I know the signs of an immortal man, — Nature's chief darling, an illustrious mate, Destined to foil old Death's oblivious plan. And shine untarnished by the fogs of Fate, Time's famous rival till the final date ! " 0, shield us, then, from this usurping Time, And we will visit thee in moonlight dreams ; And teach thee tunes, to wed unto thy rhyme. And dance about thee in all midnight gleams. Giving thee glimpses of our magic schemes, » Such as no mortal's eye hath ever seen ; And, for thy love to us in our extremes, Will ever keep thy chaplet fresh and green, Such as no poet's wreath hath ever been ! " And we '11 distil thee aromatic dews. To charm thy sense, when there shall be no flowers : And flavored syrups in thy drinks infuse, And teach the nightingale to haunt thy bowers, And with our games divert thy weariest hours, With all that elfin wits can e'er devise. And, this churl dead, there '11 be no hasting hours To rob thee of thy joys, as now joy flies : " — Here she was stopped by Saturn's furious cries. Whom, therefore, the kind Shade rebukes anew, Saying, " Thou haggard Sin, go forth, and scoop Thy hollow coffin in some cliurch-yard yew. Or make the autumnal flowers turn pale, and droop 34 THE PLEA OF THE MIDSUMMER FAIRIES. Or fell the bearded corn, till gleaners stoop Under fat sheaves, — or blast the piny grove ; — But here thou shalt not harm this pretty group, Whose lives are not so frail and feebly v^oye, But leased on Nature's loveliness and love. " 'T is these that free the small entangled fly, Caught in the venomed spider's crafty snare ; — These be the petty surgeons that apply The healing balsams to the wounded hare, Bedded in bloody fern, no creature's care ! — These be providers for the orphan brood. Whose tender mother hath been slain in air. Quitting with gaping bill her darlings' food, Hard by the verge of her domestic wood. • " 'T is these befriend the timid trembling stag, When, with a bursting heart beset with fears, He feels his saving speed begin to flag ; For then they quench the fatal taint with tears, And prompt fresh shifts in his alarumed ears, So piteously they view all bloody morts ; Or if the gunner, with his arm, appears, Like noisy pyes and jays. vnth. harsh reports, They warn the wild fowl of his deadly sports. '•'For these are kindly ministers of nature, To soothe all covert hurts and dumb distress ; Pretty they be, and very small of stature, — For mercy still consorts with littleness ; — Wlierefore the sum of good is still the less. And mischief grossest in this world of wrong ; — • So do these charitable dwarfs redress The ten-fold ravages of giants strong, To whom great malice and great might belong. THE TLEA OF THE MIDSUMMER FAIRIES. 3« " Likewise to them are Poets much beholden For secret fovors in the midnight glooms ; Brave Spenser quaffed out of their goblets golden, And saw their tables spread of prompt mushrooms. And heard their horns of honeysuckle blooms Sounding upon the air most soothing soft, Like humming bees busy about the In-ooms.— And glanced this fair queen's witchery full oft, And in her magic wain soared far aloft. " Nay, I myself, though mortal, once was nursed By fau-y gossips, friendly at my birth, And in my childish ear glib Mab rehearsed Her breezy travels round our planet's girth, Telling me wonders of the moon and earth ; ^ My gramavye at her grave lap I conned, .Where Puck hath been convened to make me mirth ; I have had from Queen Titania tokens fond, And toyed with Oberon's permitted wand. •• With figs and plums and Persian dates they fed me And delicate cates after my sunset meal, And took me by my childish hand, and led me By craggy rocks crested with keeps of steel, WTiose awful bases deep dark woods conceal. Staining some dead lake with their verdant dyes : And when the West sparkled at Phoebus" wheel. With fairy euphrasy they purged mine eyes. To let me see their cities in the skies. '• "T was they first schooled my young imagination To take its flights like any new-fledged bird, And showed the span of winged meditation Stretched wider than things grossly seen or heard. 36 THE PLEA OF THE MIDSUMMER FAIRIES. With SAveet swift Aiiel how I soared and stii-red The fragrant blooms of spiritual bowers ! 'T was the J endeared what I have still preferred, Nature" s blest attributes and balmy powers, Her hills and vales and brooks, sweet birds and flowers " "Wherefore with all time loyalty and duty Will I regard them in my honoring rhyme. With love for love, and homages to Ijeauty, And magic thoughts gathered in night's cool clime, With studious verse trancing the dragon Time, Strong as old Merlin's necromantic spells ; So these dear monarchs of the summer's prime Shall live unstartled by his di'eadful yells, Till shi-ill larks warn them to their flowery cells." Look how a poisoned man turns livid black, Drugged with a cup of deadly hellebore, That sets his horrid features all at rack, — So seemed these words into the ear to pour Of ghastly Saturn, answering with a roar Of mortal pain and spite and utmost rage, Wherewith his grisly arm he raised once more, And bade the clustered sinews all engacre, As if at one fell stroke to wreck an age. Whereas the blade flashed on the dinted ground, Down through his steadfast foe. yet made no scai On that immortal Shade, or death-like wound ; But Time was long benumbed, and stood ajar, And then ^rith bafiied racre took fliorht afar. To weep his hurt in some Cimmerian gloom. Or meaner fames (like mine) to mock and mar, Or sharp his scythe for royal strokes of doom, Whetting its edo-e on some old Caesar's tomb. THE PLEA OP THE MIDSUMMER FAIRIES. 37 Ilowbeit he vanished in the forest shade, Distantly heard as if some grumbling pard, And, like Narcissus, to a sound decayed ; — Meanwhile the fays clustered the gracious Bard, The darling centre of their dear regard : Besides of sundry dances on the green, Never was mortal man so brightly starred. Or won such pretty homages, I ween. " Nod to him, "Elves ! " cries the melodious queen. " Nod to him. Elves, and flutter round about him, And quite enclose him with your pretty crowd, x\.nd touch him lovingly, for that, without him. The silk-worm now had spun our dreary shroud ; — But he hath all dispersed death's tearful cloud, And Time's dread effigy scared quite away : Bow to him, then, as though to me ye bowed, And his dear wishes prosper and obey Wherever love and wit can find a way ! " 'Noint him with fairy dews of magic savors, Shaken from orient buds still pearly wet, Roses and spicy pinks, — and, of all favors, Plant in his walks the purple violet. And meadow-sweet under the hedges set, To mingle breaths with dainty eglantine And honeysuckles sweet, — nor yet forget Some pastoral flowery chaplets to entwine, To vie the thoughts about his brow benign " Let no wild things astonish him or fear him, But tell them all how mild he is of heart, Till e'en the timid hares go frankly near him, And eke the dappled does, yet never start ; 38 THE PLEA OF THE MIDSUMMER FAIRIES. Nor shall tlieir fawns into the thickets dart, Nor wrens forsake their nests among the leaves, Nor speckled thrushes flutter far apart ; — But bid the sacred swallow haunt his eaves, To guard his roof from lightning and from thieves. " Or when he goes the nimble squirrel's visitor, Let the brown hermit bring his hoarded nuts, For, tell him, this is Nature's kind Inquisitor. — Though man keeps cautious doors that conscience shuts For conscious wrong all curious quest rebuts, — Nor yet shall bees uncase their jealous stings, HoAvever he may watch their straw-built huts ; — So let him learn the crafts of all small things. Which he will hint most aptly when he sings." Here she leaves off, and with a graceful hand Waves thrice three splendid circles round his head ; Which, though deserted by the radiant wand, Wears still the glory which her waving shed, Such 'as erst crowned the old Apostle's head ; To show the thoughts there harbored were divine. And on immortal contemplations fed : — Goodly it was to see that glory shine Around a brow so lofty and benign ! — Goodly it was to see the elfin brood Contend for kisses of his gentle hand. That had their mortal enemy withstood, And stayed their lives, fast ebbing with the sand. Long while this strife engaged the pretty band j But now bold Chanticleer, from farm to farm, Challenged the dawn creeping o'er eastern land, And well the fairies knew that shrill alarm. Which sounds the knell of every elfish charm. THE PLEA OF THE MIDSUMMER FAIRIES. 39 And soon the rolling mist, that 'gan arise From plashy mead and undiscovered stream, Earth's morning incense to the early skies, Crept o'er the failing landscape of my dream. Soon faded then the Phantom of my theme — A shapeless shade, that fancy disavowed, And shrank to nothing in the mist extreme. Then flew Titania,— and her little crowd, Like flocking linuets, vanished in a cloud. TO S. T. COLERIDGE. It is not with a hope mj feeble praise Can add one moment's honor to thy own, That with thy mighty name I grace these lays ; I seek to glorify myself alone : For that some precious favor thou hast shown To my endeavor in a bygone time, And by this token I would have it known Thou art my friend, and friendly to my rhyme! It is my dear ambition now to climb Still higher in thy thought, — if my bold pen May thrust on contemplations more sublime. — But I am thirsty for thy praise, for when We gain applauses from the great in name, We seem to be partakers of their fame. HERO AND LEANDER. Bards of old ! what sorrows have ye sung, And tragic stories, chronicled in stone, — Sad Philomel restored her ra^^shed tongue, And transformed Niobe in dumbness shown ; Sweet Sappho on her love forever calls. And Hero on the drowned Leander falls ! Was it that spectacles of sadder plights Should make our blisses rehsh the more high? Then all fair dames, and maidens, and true knigbis, Whose flourished fortunes prosper in Love's eye, Weep here, unto a tale of ancient grief. Traced from the course of an old bas-relief. There stands Abydos ! —here is Sestos' steep, Hard by the gusty margin of the sea, Where sprinkling waves continually do leap ; And that is where those famous lovers be, A builded gloom shot up into the gray, As if the fii'st tall watch-tower of the day. Lo ! how the lark soars upward and is gone ! Turning a spirit as he nears the sky. His voice is heard, though body there is none, And rain-like music scatters from on high ; But Love would follow with a falcon spite, To pluck the minstrel from his dewy height. 44 HERO AND LEANDER. For Love hath framed a ditty of regrets, Tuned to the hollow sobbings on the shore, A vexing sense, that with like music frets, And chimes this dismal burthen o'er and o'er Saying, Leander's joys are past and spent. Like stars extinguished in the firmament. For ere the golden crevices of morn Let in those regal luxuries of light. Which all the variable east adorn, And hang rich fringes on the skirts of night, Leander, weaning from sweet Hero's side. Must leave a widow where he found a bride. Hark ! how the billows beat upon the sand ! Like pawing steeds impatient of delay ; Meanwhile their rider, lingering on the land. Dallies with Love, and holds farewell at bay A too short span. — How tedious slow is grief! But parting renders time both sad and brief " Alas ! (he sighed) that this first glimpsing light, Which makes the wide world tenderly appear, • Should be the burning signal for my flight, From all the Avorld's best image, which is here ; Whose very shadoAv, in my fond compare. Shines far more bright than Beauty's self elsewhere. Their cheeks are white as blossoms of the dark, Whose leaves close up and show the outward pale, And those fair mirrors where their joys did spark. All dim and tarnished with a dreary veil. No more to kindle till the night's return. Like stars replenished at Joy's golden urn. HERO AND LEANDER. 45 Even thus they creep into the spectral gray, That cramps the landscape in its narrow brim, As when two shadows by old Lethe stray, He clasping her and she entwining him ; Like trees wind-parted that embrace anon. True love so often goes before 'tis gone. For what rich merchant but will pause in fear, To trust his wealth to the unsafe abyss 7 So Hero dotes upon her treasure here, And sums the loss with many an anxious kiss, Whilst her fond eyes grow dizzy in her head, Fear agsravatino; fear with shows of di'ead. CO* She thinks how many have been sunk and drowned, And spies their snow-white bones below the deep, Then calls huge congregated monsters round, And plants a rock wherever he would leap ; Anon she dwells on a fantastic dream, Which she interprets of that fatal stream. Saying, " That honeyed fly I saw was thee, Which lighted on a water-lily's cup, When, lo ! the flower, enamored of my bee. Closed on him suddenly and locked him up. And he was smothered in her drenching dew ; Therefore this day thy drowning I shall rue." But next, remembering her virgin flime, She clips him in her arms and bids him go, But seeing him break loose repents her shame, And plucks him back upon her bosom's snow; And tears unfix her iced resolve again, Aa steadfast frosts are thawed by showers of rain. 46 HERO AND LEAXDER. for a type of parting ! — Love to love Is like the fond attraction of two spheres, AYhich needs a godlike effort to remove, And then sink down their sunny atmospheres In rain and darkness on each ruined heart, Kor yet their melodies will sound apart. So brave Leander sunders from his bride ; The wrenching pang disparts his soul in twain , Half stays with her, half goes towards the tide, — And life must ache until they join again. Now wouldst thou know the wideness of the wound. Mete every step he takes upon the ground. And for the agony and bosom-throe, Let it be measured by the wide vast air, For that is infinite, and so is woe, Since parted lovers breathe it everywhere. Look how it heaves Leander" s laboring chest, Panting, at poise, upon a rocky crest ! From which he leaps into the scooping brine, That shocks his bosom with a double chill ; Because, all hours, till the slow sun's decline, That cold divorcer will betwixt them still ; Wherefore he likens it to Styx" foul tide, Where life grows death upon the other side. Then sadly he confronts his two-fold toil Against rude waves and an unwilling mind. Wishing, alas ! with the stout rower's toil, That like a rower he might gaze behind, And watch that lonely statue he hath left On her bleak summit, weeping and bereft ! HERO AND LEANDER. 47 Yet turning oft, he sees her troubled locks Pursue him still the furthest that they may ; Her marble arms that overstretch the rocks, And her pale passioned hands that seem to pray In dumb petition to the gods above : Love prays devoutly when it prays for love ! Then with deep sighs he blows away the wave, That hangs superfluous tears upon his cheek, And bans his labor like a hopeless slave. That, chained in hostile galley, faint and weak, Plies on despairing through the restless foam, Thoughtful of his lost love, and far-off home. The di-owsy mist before him chill and dank, Like a dull lethargy o'erleans the sea. When he rows on against the utter blank, Steering as if to dim eternity, — Like Love's frail ghost departing with the dawn ; A faihng shadow in the twilight drawn. And soon is gone, — or nothing but a faint And failing image in the eye of thought ; That mocks his model with an after-paint, And stains an atom like the shape she sought ; Then with her earnest vows she hopes to fee The old and hoary majesty of sea. " King of waves, and brother of high Jove, Preserve my sumless venture there afloat ; A woman's heart, and its whole wealth of love, Are all embarked upon that little boat ; Nay, but two loves, two lives, a double fate A perilous voyage for so dear a freight. 48 HERO AND LEANDER. "If impious mariners be stained with crime, Shake not in awful rage thy hoary locks ; Lay by thy storms until another time, Lest my frail bark be dashed against the rocks : Or rather smoothe thy deeps that he may fly Like Love himself, upon a seeming sky ! "Let all thy herded monsters sleep beneath. Nor gore him with crooked tusks, or wreathed horns ; Let no fierce sharks destroy him with their teeth, Nor spine-fish wound him with their venomed thorns But if he faint, and timely succor lack. Let ruthful dolphins rest him on their back. " Let no false dimpling whii-lpools suck him in. Nor slimy quicksands smother his sweet breath ; Let no jagged corals tear his tender skin. Nor mountain billows bury him in death ; " — And with that thought forestalling her own fears, She drowned his painted image in her tears. By this, the climbing sun, with rest repaired Looked through the gold embrasures of the sky. And asked the drowsy world how she had fared ; — The drowsy world shone brightened in reply ; And smiling off her fogs, his slanting beam Spied young Leander in the middle stream. His face was pallid, but the hectic morn Had hung a lying crimson on his cheeks. And slanderous sparkles in his eyes forlorn ; So death lies ambushed in consumptive streaks ; But inward grief was writhing o'er its task, As heart-sick jesters weep behind the mask. HERO AND LEANDER. He thought of Hero and the lost delight, Her last embracings, and the space between ; He thought of Hero and the future night, Her speechless rapture and enamored mien. When, lo ! before him, scarce two galleys' space, His thoughts confronted with another flxce ! Her aspect 's like a moon divinelj fliir. But makes the midnight darker that it Kes on ; "T is so beclouded with her coal-black hair That densely skirts her luminous horizon, Making her doubly fair, thus darkly set. As marble lies advantaged upon jet. She 's all too bright, too argent, and too pale, To be a woman ; — but a woman's double, Reflected on the wave so faint and frail, She tops the billows like an air-blown bubble ; Or dim creation of a mornino- dream, Fair as the wave-bleached lily of the stream. The very rumor strikes his seeing dead : Great beauty like great fear first stuns the sense : He knows not if her lips be blue or red, Nor of her eyes can give true evidence : Like murder's witness swooning in the court, His sight falls senseless by its own report. Anon resuming, it declares her eyes Ai'e tinct with azure, like two crystal wells That drink the blue complexion of the skies. Or pearls out-peeping from their silvery shells : Her pohshed brow, it is an ample plain. To lodge vast contemplations of the main. 5 49 50 HERO AND LEAXDER. Her lips might corals seem, but corals near, Stray through her hah' like blossoms on a bower ; And o'er the weaker red still domineer, And make it pale by tribute to more power ; Her rounded cheeks are of still paler hue. Touched by the bloom of water, tender blue. Thus he beholds her rocking on the water, Under the glossy umbrage of her hair, Like pearly Amphitrite's fairest daughter, Naiad, or Nereid, or Siren fair, Mislodging music in her pitiless breast, A nightingale within a falcon's nest. They say there be such maidens in the deep, Charming poor mariners, that all too near By mortal lullabies fall dead asleep, As drowsy men are poisoned through the ear ; Therefore Leander's fears begin to urge, This snowy swan is come to sing his du'ge. At which he falls into a deadly chill. And strains his eyes upon her lips apart : Fearing each breath to feel that prelude shrill, Pierce through his marrow, like a breath-blown dart Shot sudden from an Indian's hollow cane, With mortal venom fraught, and fiery pain. Here, then, poor wretch, how he begins to crowd A thousand thoughts Avithin a pulse's space ; There seemed so brief a pause of life allowed, His mind stretched universal, to embrace The whole wide world, in an extreme farewell - A moment's musino; — but an age to tell. HERO AND LEANDER. 51 For there stood Hero, widowed at a glance, The foreseen sum of many a tedious fact, Pale cheeks, dim eyes, and withered countenance, A Avasted ruin that no wasting lacked ; Time's tragic consequents ere time began, A world of sorrow in a tear-drop's span. A moment's thinking is an hour in words, — An hour of words is little for some woes ; Too little breathing a long life affords, For love to paint itself by perfect shows ; Then let his love and grief unwronged He dumb, Whilst Fear, and that it fears, together come. As when the crew, hard by some jutty cape, Struck pale and panicked by the billows' roar, Lay by all timely measures of escape. And let their bark go driving on the shore ; So frayed Leander, drifting to hfs wreck. Gazing on Scylla, falls upon her neck. For he hath all forgot the swimmer's art. The rower's cunning, and the pilot's skill, Letting his arms fall down in languid part, Swayed by the waves, and nothing by his will, Till soon he jars against that glossy skin, Solid like glass, though seemingly as thin. Lo ! how she startles at the warning shock And straightway girds him to her radiant breast, More like his safe smooth harbor than his rock ; Poor wretch, he is so faint and toil-opprest. He cannot loose him from his grappling foe, Whether for love or hate, she lets not go. 52 HERO AND LEANDER. His eyes are blinded with the sleety brine, His ears are deafened -vrith the wiMering noise ; He asks the purpose of her fell design. But foamy waves choke up his struggling voice ; Under the ponderous sea his body dips, And Hero's name dies bubbling on his lips. Look how a man is lowered to his grave ; A yearning hollow in the green earth's lap ; So he is sunk into the yawning wave, The plunging sea fills up the watery gap ; Anon he is all gone, and nothing seen, , But likeness of green turf and hillocks green. And where he swam the constant sun lies sleeping, Over the verdant plain that makes his bed ; And all the noisy waves go freshly leaping, Like gamesome boys over the church-yard dead ; The light in vain keeps looking for his face, Now screaming sea-fowl settle in his place. Yet weep and watch for him, though all in vain ! Ye moaning billows, seek him as ye wander ! Ye gazing sunbeams, look for him again ! Ye winds, grow hoarse with asking for Leander ! Ye did but spare him for more cruel rape, Sea-storm and ruin in a female shape ! She says "t is love hath bribed her to this deed, The glancing of his eyes did so bewitch her. bootless theft ! unprofitable meed ! Love's treasury is sacked, but she no richer ; The sparkles of his eyes are cold and dead. And all his golden looks are turned to lead ! HERO AND LEANDER. 53 She holds the casket, but her simple hand Hath spilled its dearest jewel by the way ; She hath life's empty garment at command, But her own death lies covert in the prey ; As if a thief should steal a tainted vest, Some dead man's spoil, and sicken of his pest. Now she compels him to her deeps below. Hiding his face beneath her plenteous hair, ^Yhich. jealously she shakes all round her brow. For di-ead of envy, though no eyes are there But seals', and all brute tenants of the deep. Which heedless through the wave their journeys keep, Down and still downward through the dusky green She bore him, murmuring with joyous haste In too rash ignorance, as he had been Born to the texture of that watery waste ; That which she breathed and sighed, the emerald wave, How could her pleasant home become his grave ! Down and still downward through the dusky green She bore her treasure, with a face too nigh To mark how life was altered in its mien, Or how the light grew torpid in his eye. Or how his pearly breath, unprisoned there, Flew up to join the universal air. She could not miss the throbbings of his heart, Whilst her own pulse so wantoned in its joy ; She could not guess he straggled to depart, And when he strove no more, the hapless boy ! She read his mortal stillness for content. Feeling no fear where only love was meant. 5* 54 HEEO AND LEAXDER Soon she alights upon her ocean-floor, And straight unjokes her arms from her fan* prize ; Then on his lovely face begins to pore, As if to glut her soul ; — her hungry ejes Have grown so jealous of her arms" delight : It seems, she hath no other sense but sit)-ht. But, 0, sad marvel ! 0, most bitter strange ! What dismal magic makes his cheek so pale ] Why will he not embrace, — why not exchange Her kindly kisses ; — wherefore not exhale Some odorous message from life's ruby gates, Where she his first sweet embassy awaits] Her eyes, poor watchers, fixed upon his looks, Are grappled with a wonder near to grief. As one, who pores on undeciphered books. Strains vain surmise, and dodges with belief; So she keeps gazing with a mazy thought, Framing a thousand doubts that end in naught. Too stern inscription for a page so young, The dark translation of his look was death ! But death was written in an alien tono-ue, And learning was not by to give it breath ; So one deep woe sleeps bui-ied in its seal, Which Time, untimely, hasteth to reveal. Meanwhile she sits unconscious of her hap, Nursing Death's marble effigy, which there With heavy head lies pillowed in her lap, And elbows all unhinged ; — his sleeking hair Creeps o'er her knees, and settles where his hand Leans with lax fingers crooked against the sand ; HERO AND LEAXDER. 55 And there lies spread in many an oozy trail, Like glossy weals hung from a chalky base, That shows no whiter than his brow is pale ; So soon the wintry death had bleached his face Into cold marble; — with blue chilly shades, Showing wherein the freezy bloot^l pervades. And o'er his steadfast cheek a furrowed pain Hath set, and stiffened like a storm in ice, Showing by drooping lines the deadly strain Of mortal anguish : — yet you might gaze twice Ere Death it seemed, and not his cousin. Sleep, That through those creviced lids did underpeep. But all that tender bloom about his eyes, Is Death's own ^•iolets, which his utmost rite It is to scatter when the red rose dies ; For blue is chilly, and akin to white : Also he leaves some tinges on his lips, Which he hath kissed with such cold fi'osty nips. " Surely," quoth she, "'he sleeps, the senseless things Oppressed and faint with toiling in the stream I " Therefore she will not mar his rest, but sing So low, her tune shall mingle with his dream ; Meanwhile, her lily fingers tasks to twine His uncrispt locks uncurling in the brine. " lovely boy ! "' — thus she attuned her voice, — '•"Welcome, thrice welcome, to a sea-maid's home. My love-mate thou shalt be. and true heart's choice ; How have I longed such a twin-self should come, — A lonely thing, till this sweet chance befell, My heart kept sighing like a hollow shell. 56 HERO AND LEAIS^DER. ' ' Here thou shalt live beneath this secret dome, An ocean-bower ; defended bj the shade Of quiet waters, a cool emerald gloom To lap thee all about. Nay, be not frayed. Those are but shady fishes that sail by Like antic clouds across my liquid sky ! ' • Look how the sunbeam burns upon their scales, And shows rich glimpses of their Tyrian skins ; They flash small lightnings from their vigorous tails, And winking stars are kindled at their fins : These shall divert thee in thy weariest mood, And seek thy hand for gamesomeness and food. "Lo ! those green pretty leaves with tassel bells, My flowerets those, that never pine for drowth ; Myself did plant them in the dappled shells, That di-ink the wave with such a rosy mouth, — Pearls wouldst thou have beside ? crystals to shine 1 I had such treasures once, — now they are thine. " Now, lay thine ear against this golden sand, And thou shalt hear the music of the sea. Those hollow tunes it plays against the land, — Is "t not a rich and wondrous melody ? I have lain hours, and fancied in its tone I heard the languages of ages gone ! " I too can sing when it shall please thy choice, And breathe soft tunes through a melodious shell. Though heretofore I have but set my voice To some long sighs, grief harmonized, to tell How desolate I fared ; — but this sweet change Will add new notes of gladness to my range ! HERO AND LEANDER. " Or bid me speak, and I will tell thee tales, Which I have framed out of the noise of waves ; Ere now, I have communed with senseless gales, And held vain colloquies with barren caves ; But I could talk to thee whole days and days. Only to word my love a thousand ways. " But if thy lips will bless me with their speech, Then ope, sweet oracles ! and I "11 be mute ; I was born ignorant for thee to teach, Nay, all love's lore to thy dear looks impute ; Then ope thine eyes, fair teachere, by whose light I saw to give away my heart aright ! " But cold and deaf the sullen creature lies. Over her knees, and with concealing clay Like hoarding Ararice locks up his eyes. And leaves her world impoverished of day ; Then at his cruel lips she bends to plead. But there the door is closed against her need. Surely he sleeps. — so her false wits infer ! Alas ! poor sluggard, ne'er to wake again ! Surely he sleeps, yet without any stir That might denote a vision in his brain ; Or if he does not sleep, he feigns too long. Twice she hath reached the ending of her song. Therefore, 't is time she tells him to uncover Those radiant jesters, and disperse her fears. Whereby her April face is shaded over. Like rainy clouds just ripe for showering tears ; Nay, if he will not wake, so poor she gets, Herself must rob those locked up cabmets. 67 68 HERO AND LEANDER. With that she stoops above his brow, and bids Her busj hands forsake his tangled haii^, And tenderly lift up those coffer-lids, That she may gaze upon the jewels there, Like babes that pluck an early bud apart, To know the dainty color of its heart. Now, picture one, soft creeping to a bed, Who slowly parts the fringe-hung canopies, And then starts back to find the sleeper dead ; So she looks in on his uncovered eyes, And seeing all within so drear and dark, Her own bright soul dies in her like a spark. Backward she falls, like a pale prophetess, Under the swoon of holy divination : And what had all surpassed her simple guess. She now resolves in this dark revelation ; Death's very mystery, — oblivious death ; — Long sleep,— deep night, and an entranced breath. Yet life, though wounded sore, not wholly slam. Merely obscured, and not extinguished, lies ; Her breath that stood at ebb, soon flows ao-ain Heaving her hollow breast with heavy sighs. And light comes in and kindles up the gloom, To light her spirit from its transient tomb. Then like the sun, awakened at new dawn. With pale bewildered face she peers about, And spies blurred images obscurely drawn. Uncertain shadows in a haze of doubt ; But her true grief grows shapely by degrees, A perished creature lying on her knees. HERO AND LEANDER. And now she knows how that old Murther preys, Whose quarry on her lap lies newly slain : How he roams all abroad and grimly slays, Like a lean tiger in Love's own domain ; Parting fond mates, — and oft in flowery lawns Bereaves mild mothers of their milky fawns. 0, too dear knowledge ! 0, pernicious earning ! Foul curse engraven upon beauty's page ! Even now the sorrow of that deadly learning Ploughs up her brow, like an untimely age. And on her cheek stamps verdict of death's truth By canker blights upon the bud of youth ! For as unwholesome winds decay the leaf, So her cheeks' rose is perished by her sighs, And withers in the sickly breath of grief; Whilst unacquainted rheum bedims her eyes, Tears, vu-gin tears, the first that ever leapt From those young lids, now plentifully wept. Whence being shed, the liquid crystalline Drops straightway down, refusing to partake In gross admixture with the baser brine. But shrinks and hardens into pearls opaque, Hereafter to be worn on arms and ears ; So one maid's trophy is another's tears ! 0, foul Arch-Shadow, thou old cloud of Night, (Thus in her frenzy she began to wail,) Thou blank oblivion — blotter out of light, Life's ruthless murderer, and dear Love's bale ! Why hast thou left thy havoc incomplete. Leaving me here, and slaying the more sweet 1 59 60 HERO AND LEAXDER. Lo ! what a lovely ruin thou hast made ! Alas ! alas' ! thou hast no eyes to see, And blindly slew'st him in misguided shade. ^Vould I had lent my doting sense to thee ! But now I turn to thee, a willing mark, Thine arrows miss me in the aimless dark ! " 0, doubly cruel ! ; — twice misdoing spite. But I will guide thee with my helping eyes. Or walk the wide world through, devoid of sight, Yet thou shalt know me by my many sighs. Kay, then thou shouldst have spared my rose, false Death, And known Love's flower by smelling his sweet breath ; " Or, when thy furious rage was round him dealing, Love should have grown from touching of his skin ; But like cold marble thou art all unfeelins:. And hast no ruddy springs of warmth within, And being but a shape of freezing bone, Thy touching only turned my love to stone ! " And here, alas ! he lies across my knees, With cheeks still colder than the stilly wave, The light beneath his eyelids seems to freeze ; Here then, since Love is dead and lacks a grave, 0, come and dig it in my sad heart's core — That wound will bring a balsam for its sore ! " For art thou not a sleep where sense of ill Lies stingless, like a sense benumbed with cold, Healing all hurts only with sleep's good-will 1 So shall I slumber, and perchance behold My living love in dreams, — 0, happy night, That lets me company his banished spright ! HERO AND LEAXDER. 61 «' 0, poppy death ! — sweet poisoner of sleep ; VfixeYQ shall I seek for thee, oblivious ckug, That I may steep thee in my di'ink, and creep Out of life's coil ? Look, Idol ! how I hug Thy dainty image in this strict embrace, And kiss this clay-cold model of thy face ! " Put out, put out these sun-consuming lamps ! I do but read my sorrows by their shine ; 0, come and quench them with thy oozy damps, And let my darkness intermix with thine ; Since love is blinded, wherefore should I see 7 Now love is death,— death will be love to me ' '■Away, away, this vain complaining breath, It does but stu- the troubles that I weep ; Let it be hushed and quieted, sweet Death ; The wind must settle ere the wave can sleep, — Since love is silent I would fain be mute ; 0, Death, be gracious to my dying suit ! " Thus far she pleads, but pleading naught avails her, For Death, her sullen bui-then, deigns no heed ; Then with dumb craving arms, since darkness fails her, She prays to heaven's fail- light, as if her need Inspired her there were gods to pity pain. Or end it. — but she lifts her arms in vain ! Poor gilded Grief ! the subtle light by this With mazy gold creeps through her watery mine, And, diving do^-nward through the green abyss, Lights up her palace with an amber shine ; There, falling on her arms, — the crystal skin Reveals the ruby tide that fares within. 6 D2 HERO AND LEAXDER. Look how the fulsome beam would hang a glorj On her dark hair, but the dark hairs repel it : Look how the perjured glow suborns a storj On her pale lips, but lips refuse to tell it ; Grief will not swerve from grief, however told On coral lips, or charactered in gold ; Or else, thou maid ! safe anchored on Love's neck. Listing the hapless doom of young Leander, Thou wouldst not shed a tear for that old wi-eck. Sitting secure where no wild surges wander ; Whereas the woe moves on with tragic pace, And shows its sad reflection in thy face. Thus having travelled on, and tracked the tale. Like the due course of an old bas-relief, Where Tragedy pursues her progress pale, Brood here a while upon that sea-maid's grief, And take a deeper imprint from the frieze Of that joung Fate, with Death upon her knees. Then whilst the melancholy Muse withal Resumes her music in a sadder tone, INIeanwhile the sunbeam strikes upon the wall, Conceive that lovely siren to live on, Even as Hope whispered, the Promethean light Would kindle up the dead Leander"s spright. '• 'Tis light," she says, '• that feeds the glittering stars, And those were stars set in his heavenly brow ; But this salt cloud, this cold sea- vapor, mars Their radiant breathing, and obscures them now ; Tlierefore I '11 lay him in the clear blue air. And see how these dull orbs will kindle there." HERO AND LEAXDER. 63 Swiftly as dolphins glide, or swifter yet, With dead Leander in her fond arms' fold, She cleaves the meshes of that radiant net The sun hath twined above of liquid gold, Xor slacks till on the margin of the land She lays his body on the glowing sand. There, like a pearly waif, just past the reach Of foamy billows he lies cast. Just then, Some listless fishers, straying doTvn the beach. Spy out this wonder. Thence the curious men, Low crouching, creep into a thicket brake. And watch her doings till their rude hearts ache. First she begms to chafe him till she faints, Then foils upon his mouth with kisses many, And sometimes pauses m her own complaints To list his breathing, but there is not any, — Then looks mto his eyes where no light dwells • Light makes no pictures in such muddy wells. The bot sun parches his discovered eyes, The hot sun beats on his discolored limbs, The sand is oozy whereupon he lies, Soiling his fairness ; — then away she swuns, Meaning to gather him a daintier bed, Plucking the cool fresh weeds, brown, green, and red. But, simple-witted thief, while she dives under Another robs her of her amorous theft ; The ambushed fishermen creep forth to plunder, And steal the unwatched treasure she has left ; Only his void impression dints the sands : Leander is purloined by stealthy hands ! 64 HERO AXD LEAXDER. Lo ! how she shudders off the beaded -waye ! Like Grief all over tears, and senseless falls, His void imprint seems hollowed for her grave ; Then, rising on her knees, looks round and calls On Hero ! Hero ! — having learned this name Of his last breath, she calls him bj the same. Then with her frantic hands she rends her hairs, And casts them forth, sad keepsakes, to the wind, As if in plucking those she plucked her cares ; But grief lies deeper, and remains behind Like a barbed arrow, rankling in her brain, Turning her very thoughts to throbs of pain. Anon her tangled locks are left alone, And down upon the sand she meekly sits, Hard by the foam, as humble as a stone. Like an enchanted maid beside her wits. That ponders with a look serene and tragic, Stunned by the mighty mystery of magic. Or think of Ariadne's utter trance. Crazed by the flight of that disloyal traitor, ^Yho left her gazing on the green expanse That swallowed up his track, — yet this would mate her Even in the cloudy sumanit of her woe, When o'er the far sea-brim she saw him go. For even so she bows, and bends her gaze O'er the eternal waste, as if to sum Its waves by weary thousands all her days. Dismally doomed ! meanwhile the billows come. And coldly dabble with her quiet feet, Like any bleaching stones they wont to greet. HERO AND LEANDER. 65 And thence into her lap have boldly sprung, Washing her weedy tresses to and fro, That round her crouching knees have darkly hung ; But she sits careless of waves' ebb and flow, Like a lone beacon on a desert coast, Showing where all her hope was wrecked and lost. Yet whether in the sea or vaulted sky, She knoweth not her love's abrupt resort, So like a shape of dreams he left her eye, Winking with doubt. Meanwhile, the churls' report Has thronged the beach with many a curious face, That peeps upon her j5.*om its hiding-place. And here a head, and there a brow half seen, Dodges behind a rock. Here on his hands A mariner his crumpled cheeks doth lean Over a rugged crest. Another stands, Holdinor bis harmful arrow at the head, Still checked by human caution and strange dread. One stops his ears, — another close beholder Wliispers unto the next his grave surmise ; This crouches down, — and just above liis shoulder, A woman's pity saddens in her eyes. And prompts her to befriend that lonely grief, With all sweet helps of sisterly relief And down the sunny beach she paces slowly. With many doubtful pauses by the way ; Grief hath an influence so hushed and holy, — Making her twice attempt, ere she can lay Her hand upon that sea-maid's shoulder white, Which makes her startle up in wild affright. 6* 66 HERO AXD LEANDER. And, like a seal, she leaps into the wave. That drowns the shrill remainder of her scream ; Anon the sea fills up the watery care, And seals her exit with a foamy seam, — Leaving those baffled gazers on the beach, Turning in uncouth wonder each to each. Some watch, some call, some see her head emerge. Wherever a brown weed falls thipugh the foam ; Some point to white eruptions of the surge : — But she is vanished to her shady home, Under the deep, inscrutable, — and there Weeps in a midnight made of her own hair. Now here the sighing winds, before unheard, Forth from their cloudy caves begin to blow, Till all the surface of the deep is stirred. Like to the panting grief it hides below ; And heaven is covered with a stormy rack Soiling the waters with its inky black. The screaming fowl resigns her finny prey. And labors shoreward with a bendincr -winar, Rowing against the wind her toilsome way ; Meanwhile, the curling billows chafe, and fling Their dewy frost still further on the stones. That answer to the wind with hollow groans. And here and there a fisher's far-off bark Flies with the sun's last glimpse upon its sail, Like a bright flame amid the waters dark, Watched with the hope and fear of maidens pale. And anxious mothers that upturn their brows. Freighting the gusty wind with frequent vows, HERO AND LEANDER. 61 For that the horrid deep has no sure track To guide love safe into his homely haven. And, lo ! the storm groTvs blacker in its wrath, O'er the dark billow brooding like a raven, That bodes of death and widow's sorrowing, Under the dusty covert of his wing. And so day ended. But no vesper spark Hung forth its heavenly sign ; but sheets of flame Played round the savage features of the dark, Making night horrible. That night, there came A weeping maiden to high Sestos' steep, And tore her hair and gazed upon the deep. And waved aloft her bright and ruddy torch, Whose flame the boastful wind so rudely fanned. That oft it would recoil, and basely scorch The tender covert of her sheltering hand ; Which yet, for love's dear sake, disdained retire, And, like a glorying martyr, braved the fire. For that was love's own sign and beacon guide Across the Hellespont's wide weary space. Wherein he nightly struggled with the tide ; Look what a red it forges on her face, As if she blushed at holding such a light. Even in the unseen presence of the night ! Whereas her tragic cheek is truly pale, And colder than the rude and ruffian air That howls into her ear a horrid tale Of storm, and wreck, and uttermost despair, Saying, '• Leander floats amid the surge, And those are dismal waves that sing his dirge." 68 HERO AND LEANDER. And, bark ! — a grieving voice, trembling and faint, Blends witb tbe bollow sobbings of the sea ; Like tbe sad music of a siren's plaint, But shriller than Leander's voice should be, Unless the wintry death had changed its tone, — Wherefore she thinks she hears his spirit moan. For now, upon each brief and breathless pause Made by the raging winds, it plainly calls On Hero ! Hero ! — whereupon she draws Close to the dizzy brink, that ne'er appalls Her brave and constant spirit to recoil, However the wild billows toss and toil. " ! dost thou live under the deep, deep sea ? I thought such love as .thine could never die ; If thou hast gained an immortality From the kind pitying sea-god, so will I ; And this false cruel tide, that used to sever Our hearts, shall be our common home forever ! " There we will sit and sport upon one billow, And sing our ocean-ditties all the day. And lie together on the same green pillow, That curls above us with its dewy spray ; And ever in one presence live and dwell, ■ Like two twin pearls within the self-same shell." One moment, then, upon the dizzy verge She stands ; — with face upturned against the sky ; A moment more, upon the foamy surge She gazes, with a calm despairing eye ; Feeling that awful pause of blood and breath Which life endures when it confronts with death ; — HERO AND LEANDER. 69 Then from the giddy steep she madly springs, Grasping her maiden robes, that vainly kept Panting abroad, like unavailing wings. To save her from her death. — The sea-maid wept, And in a crystal cave her corse enshrined ; No meaner sepulchre should Hero find ! LYCUS, THE CENTAUR. FROM AN UNKOLLED MANTSCRIPT OF APOLLONIUS CTRIUS. THE ARGUMENT. Lyous, detained by Circe in her magical dominion, is beloved by a Wate Nymph, who, desiring to render him immortal, has recourse to the Sorcer- ess. Circe gives her an incantation to pronounce, which should turn Lycus into a horse ; but the horrible effect of the charm causing her to break off in the midst, he becomes a Centaur. Who hath ever been lured and bound by a spell To wander, foredoomed, in that circle of hell Where Witchery works with her will like a god, Works more than the wonders of time at a nod, — At a word, — at a touch, — at a flash of the eye ; But each form is a cheat, and each sound is a lie. Things born of a wish — to endure for a thought, Or last for long ages — to vanish to naught. Or put on new semblance 7 Jove, I had given The throne of a kingdom to know if that heaven And the earth and its streams were of Circe, or whether They kept the world's birth-day and brightened together ! For I loved them in terror, and constantly dreaded That the earth where I trod, and the cave where I bedded, The flice I might dote on, should live out the lease Of the charm that created, and suddenly cease : And I gave me to slumber, as if from one dream To another — each horrid — and drank of the stream 7 74 LYCUS, THE CENTAUR. Like a first taste of blood, lest as water I quaffed Swift poison, and never should breathe from the draught, — Such drink as her own monarch-husband drained up When he pledged her, and Fate closed his ejes in the cup. And I plucked of the fruit with held breath, and a fear That the branch would start back and scream out in my car : For once, at my suppering, I plucked in the dusk An apple, juice-gushing and fragrant of musk ; But by daylight my fingers were crimsoned with gore, And the half-eaten fragment was flesh at the core ; And once — only once — for the love of its blush, I broke a bloom-bough, but there came such a gush On my hand, that it fainted away in weak fright, While the leaf-hidden woodpecker shrieked at the sight ; And, ! such an agony thrilled in that note, That my soul, startling up, beat its wings in my throat, As it longed to be free of a body Avhose hand Was doomed to work torments a Fury had planned ! There I stood without stir, yet how willing to flee, As if rooted and horror-turned into a tree, — ! for innocent death, — and, to suddenly win it, 1 drank of the stream, but no poison was in it ; I plunged in its waters, but ere I could sink Some invisible fate pulled me back to the brink ; I sprang from the rock, from its pinnacle height. But fell on the grass with a grasshopper's flight ; I ran at my fears — they were fears and no more. For the bear would not mangle my limbs, nor the boar. But moaned, — all their brutalized flesh could not smother The horrible truth, — we were kin to each other ! They were mournfully gentle, and grouped for relief. All foes in their skin, but all friends in their grief: LYCUS, THE CENTAUR. 70 The leopard was there, — baby-mild in its feature ; And the tiger, black-barred, Avith the gaze of a creature That knew gentle pity ; the bristle-backed boar. His innocent tusks stiiined with mulberry gore ; And the laughing hyena — but laughing no more ; And the snake, not with magical orbs to devise Strange death, but with woman's attraction of eyes ; The tall ugly ape, that still bore a dim shine Through his hairy eclipse of a manhood divine ; And the elephant stately, with more than its reason, How thoughtful in sadness ! but this is no season To reckon them up, from the lag-bellied toad To the mammoth, whose sobs shook his ponderous load. There were woes of all shapes, wretched forms, when I came^ That hung down their heads with a human-like shame ; The elephant hid in the boughs, and the bear Shed over his eyes the dark veil of his hair ; And the womanly soul, turning sick with disgust, Tried to vomit herself from her serpentine crust ; While all groaned their groans into one at their lot, As I brought them the image of what they were not. Then rose a wild sound of the human voice choking Through vile brutal organs — low tremulous croaking ; Cries swallowed abruptly — deep animal tones Attuned to strange passion, aud full-uttered groans ; All shuddering weaker, till hushed in a pause Of tongues in mute motion and wide-yaAvning jaws ; And I cfuessed that those horrors were meant to tell o'er The tale of their woes, but the silence told more Tliat writhed on their tongues ; and I knelt on the sod, And prayed with my voice to the cloud-stirring God, For the sad congregation of supplicants there. That upturned to his heaven brute faces of prayer ; 76 LTCUS, THE CENTAUR. And I ceased, and they uttered a moaning so deep, That I wept for my heart-ease, — but they could not weep, And gazed with red eyeballs, all wistfully dry, At the comfort of tears in a stag's human eye. Then I motioned them round, and, to soothe their distress, I caressed, and they bent them to meet my caress, Their necks to my arm, and their heads to my palm, And with poor grateful eyes suffered meekly and calm Those tokens of kindness, withheld by hard fate From returns that might cliill the warm pity to hate ; So they passively bowed — save the serpent, that leapt To my breast Hke a sister, and pressingly crept In embrace of my neck, and with close kisses blistered My lips in rash love, — then di'ew backward, and glistered Her eyes in my face, and, loud hissing affright, Dropt down, and swift started away from my sight ! This sorrow was theirs, but thrice wretched my lot, Turned brute in my soul, though my body was not When I fled from the sorrow of womanly faces, That shrouded their woe in the shade of lone places, And dashed off bright tears till their fingers were wet, And then wiped their lids with long tresses of jet : But I fled — though they stretched out then- hands, all entangled With hair, and blood-stained of the breasts they had man- gled,— Though they called — and perchance but to ask had I seen Their loves, or to tell the vile wrongs that had been : But I stayed not to hear, lest the story should hold Some hell-form of words, some enchantment, once told, Might translate me in flesh to a brute ; and I dreaded To gaze on their charms, lest my faith should be wedded LYCUS, THE CENTAUR. 77 With some pity, — and love in that pity perchance, — To a thing not all lovely ; for once at a glance Methought, where one sat, I descried a bright wonder That flowed like a long silver rivulet under The long fenny grass, with so lovely a breast, Could it be a snake-tail made the charm of the rest 7 So I roamed in that circle of Horrors, and Fear Walked with me, by hills, and in valleys, and near Clustered trees for their gloom — not to shelter from heat — But lest a brute shadow should grow at my feet ; And besides that full oft in the sunshiny place Dark shadows would gather like clouds on its face, In the horrible likeness of demons, (that none Could see, like invisible flames in the sun ;) But grew to one monster that seized on the light, Like the dragon that strangles the moon in the night ; Fierce sphinxes, long serpents, and asps of the South ; Wild birds of huge beak, and all horrors that drouth Engenders of slime in the land of the pest, Vile shapes without shape, and foul bats of the West, Bringing; Night on their wings : and the bodies wherein Great Brahma imprisons the spirits of sin, Many-handed, that blent in one phantom of fight Like a Titan, and threatfully warred with the light ; I have heard the Avild shriek that gave signal to close, When they rushed on that shadowy Python of foes, That met with sharp beaks and wide gaping of jaws, With flappings of wings, and fierce grasping of claws. And whirls of long tails : — I have seen the quick flutter Of fragments dissevered, — and necks stretched to utter Long screamings of pain, — the swift motion of blows, A.nd wrestling of arms — to the flight at the close, 7* 78 LYCUS. THE CEXTAUR. When the dust of the earth startled upward in rings, And flew on the whirlwind that followed their wmgs. Thus they fled — not forgotten — but often to grow Like fears in mj eyes, when I walked to and fro In the shadows, and felt from some beings unseen The warm touch of kisses, but clean or unclean I knew not. nor whether the love I had won Was of heaven or hell — till one day in the sun, In its very noon-blaze. I could fancy a thing Of beauty, but faint as the cloud-mirrors fling On the gaze of the shepherd that watches the sky, Half-seen, and half-dreamed in the soul of his eye. And when in my musings I gazed on the stream, In motionless trances of thought, there would seem A face like that face, looking upward through mine : With its eyes full of love, and the dim-droTs-ned shine Of limbs and fiir garments, like clouds in that blue Serene : — there I stood for long hours but to view Those fond earnest eyes that were ever uplifted Towards me, and winked as the water- weed drifted Between ; but the fish knew that presence, and plied Their long cnrvj tails, and swift darted aside. There I gazed for lost time, and forgot all the things That once had been wonders — the fishes with wino-s. And the glimmer of magnified eyes that looked up From the glooms of the bottom like pearls in a cup, And the huge endless serpent of silvery gleam, Slow windins; aloncr like a tide in the stream. Some maid of the waters, some Xaiad, methought Held me dear in the pearl of her eye — and I brought My wish to that fancy ; and often I dashed My limbs in the water, and suddenly splashed LYCUS, THE CENTAUR. 73 The cool drops around me, 3-et clung to the brink, Chilled by watery fears, how that Beauty might sink With my life in her arms to her garden, and bind me "With its long tangled grasses, or cruelly wind me In some eddy to hum out my life in her ear. Like a spider-caught bee, — and in aid of that fear Came the tardy remembrance — 0, falsest of men ! "Wliy was not that beauty remembered till then ] jMy love, my safe love, whose glad life would have run Into mine — like a drop — that our fate might be one. That now, even now, — may-be, — clasped in a dream, That form which I gave to some jilt of the stream. And gazed with fond eyes that her tears tried to smother On a mock of those eyes that I gave to another ! Then I rose from the stream, but the eyes of my mind, Still full of the tempter, kept gazing behind On her crystalline face, while I painfully leapt To the bank, and shook off the cursed waters, and wept With my brow in the reeds ; and the reeds to my ear Bowed; bent by no wind, and in whispers of fear. Growing small with large secrets, foretold me of one That loved me, — but to fly from her, and shun Her love like a pest — though her love was as true To mine as her stream to the heavenly blue : For why should I love her with love that would bring All misfortune, like Hate, on so joyous a thing 7 Because of her rival. — even Her whose witch-fiice I had slighted, and therefore was doomed in that place To roam, and had roamed, where all horrors grew rank, Nine days ere I wept with my brow on that bank : Her name be not named, but her spite would not fail To our love like a blight ; and they told me the tale 80 LYCUS, THE CENTAUR. Of Scylla, and Picus, imprisoned to speak His shrill-screaming woe through a woodpecker's beak. Then they ceased — I had heard as the voice of my star That told me the truth of my fortunes — thus far I had read of my sorrow, and lay in the hush Of deep meditation, — when, lo ! a light crush Of the reeds, and I turned and looked round in the night Of new sunshine, and saw, as I sipped of the light Narrow- winking, the realized nymph of the stream, Rising up from the wave with the bend and the gleam Of a fountain, and o'er her white arms she kept throwing Bright torrents of hair, that went flowing and flowing In falls to her feet, and the blue waters rolled Down her limbs like a garment, in many a fold, Sun-spangled, gold-broidered, and fled far behind, Like an infinite train. So she came and reclined In the reeds, and I hungered to see her unseal The buds of her eyes that would ope and reveal The blue that was in them ; and they oped and she raised Two orbs of pure crystal, and timidly gazed With her eyes on my eyes ; but their color and shine Was of that which they looked on, and mostly of mine — For she loved me, — except when she blushed, and they sank, Shame-huml)led, to number the stones on the bank, Or her play-idle fingers, while lisping she told me How she put on her veil, and in love to behold me AVould wing through the sun till she fainted away Like a mist, and then flew to her waters and lay In love-patience long hours, and sore dazzled her eyes In watching for mine 'gainst the midsummer skies. But now they were healed, — my heart, it still dances When I think of the charm of her changeable glances, LYCUS, THE CEXTAUR. 81 Ajid mj image how small when it sank in the deep Of her eyes where her soul was, — Alas ! now thej weep, And none knoweth where. In what stream do her eyes Shed mvisible tears ? Who beholds v.herc her sighs Flow in eddies, or see the ascents of the leaf She has plucked Avith her tresses 7 Who listens her giief Like a for fall of waters, or hears where her feet Grow emphatic among the loose pebbles, and beat Them together ] Ah ! surely her flowers float adown To the sea unaccepted, and little ones di'own For need of her mercy, — even he whose twin-brother Will miss him forever ; and the sorrowful mother Imploreth in vain for his body to kiss And cling to, all dripping and cold as it is, Because that soft pity is lost in hard pain ! We loved, — how we loved ! — for I thought not again Of the woes that were whispered like fears in that place If I gave me to beauty. Her foce was the face Far away, and her eyes were the eyes that were drowned For my absence, — her arms were the arms that sought round, And clasped me to naught : for I gazed and became Only true to my falsehood, and had but one name For two loves, and called ever on ^gle, sweet maid Of the sky-loAdng waters. — and was not afraid Of the sight of her skin : — for it never could be Her beauty and love were misfortunes to me ! Thus our bliss had endui'ed for a time-shortened space. Like a day made of three, and the smile of her foce Had been with me for joy, — when she told me indeed Her love was self-tasked with a work that would need Some sliort hours, for in truth " t was the veriest pity Our love should not last, and then sang me a ditty I 82 LTCUS, THE CENTAUR. Of one with warm lips that should love her. and love her When suns were burnt dim and long ages past over. So she fled with her voice, and I patiently nested My limbs in the reeds, in still quiet, and rested Till my thoughts grew extinct, and I sank in a sleep Of di-eams, — but their meaning was hidden too deep To be read what their woe was ; — but still it was woe That was writ on all faces that swam to and fro In that river of night ; — and the gaze of their eyes Was sad, — and the bend of their brows, — and their cries Were seen, but I heard not. The warm touch of tears Travelled down my cold cheeks, and I shook till my fears Awaked me, and, lo ! I was couched in a bower, The growth of long summers reared up in an hour ! Then I said, in the fear of my di-eam, I will fly From this magic, but could not, because that my eye Grew love-idle among the rich blooms ; and the earth Held me down with its coolness of touch, and the mirth Of some bird was above me, — who, even in fear. Would startle tlie thrush ? and methought there drew near A form as of 2Etg\e, — but it was not the face Hope made, and I knew the witch- Queen of that place. Even Circe the Cruel, that came like a Death Which I feared, and yet fled not, for want of my breath. There was thought in her face, and her eyes were not raised From the grass at her foot, but I saw. as I gazed, Her spite — and her countenance changed with her mind, As she planned how to thrall me with beauty, and bind My soul to her charms, — and her long tresses played From shade into shine and from shine into shade. Like a day in mid-autumn, — first fair, how fair ! With long snaky locks of the adder-black haii- LYCTTS, THE CENTAUR. 83 riifit clung round her neck, — those dark locks that I prize, For the sake of a maid that once loved me with eyes Of that fathomless hue, — but they changed as they rolled And brightened, and suddenly ))lazed into gold That she combed into flames, and the locks that fell down Turned dark as they fell, but I slighted their brown, Nor loved, till I saw the light ringlets shed wild, That innocence wears when she is but a child ; And her eyes, — 0, 1 ne'er had been witched with their shine, Had they been any other, my -^gle, than thine ! Then I gave me to magic, and gazed till I maddened In the full of their light, — but I saddened and saddened The deeper I looked, — till I sank on the snow Of her bosom, a thing made of terror and woe, And answered its throb with a shudder of fears. And hid my cold eyes from her eyes with my tears, And strained her white arms with the still languid weight Of a faintinsj distress. There she sat like the Fate That is nurse unto Death, and bent over in shame To hide me from her — the true 2Eg\e — that came With the words on her lips the fiilse witch had foregiven To make me immortal — for now I was even At the portals of Death, who but waited the hush Of world-sounds in my ear to cry welcome, and rush With my soul to the banks of his black-flowing river. 0, would it had flown from my body forever. Ere I listened those words, when I felt, with a start, The life-blood rush back in one throb to my heart. And saw the pale lips where the rest of that spell Had perished in horror — and heard the farewell Of that voice that was drowned in the dash of the stream ' How fain had I followed, and plunged with that scream 84 LYCUS, THE CENTAUR. Into death, but mj being indignantly lagged Through the brutalized flesh that I painfully dragged Behind me : — " 0, Circe ! 0, mother of spite ! Speak the last of that curse ! and imprison me quite In the husk of a brute, — that no pity may name The man that I was, — that no kindred may claim The monster I am ! Let me utterly be Brute-buried, and Nature's dishonor with me Uninscribed ! " — But she listened my prayer, that wag praise To her malice, with smiles, and advised me to gaze On the river for love, — and perchance she would make In pity a maid without eyes for my sake, And she left me like Scorn. Then I asked of the wave What monster I was ; and it trembled and gave The true shape of my grief, and I turned with my face From all waters forever, and fled through that place, Till with horror more strong than all magic I passed Its bounds, and the world was before me at last. There I wandered in sorrow, and shunned the abodes Of men, that stood up in the likeness of gods. But I saw from afar the warm shine of the sun On their cities, where man was a million, not one ; And I saw the white smoke of their altars ascending, That showed where the hearts of the many were blentling, And the wind in my face brought shrill voices that came From the trumpets that gathered whole bands in one fame As a chorus of man, — and they streamed from the gates Like a dusky libation poured out to the Fates. But at times there were gentler processions of peace. That I watched with my soul in my eyes till their cease, LTCUS, THE CENTAUR. 85 There were women ! there men ! but to me a third sex I saw them all dots — yet I loved them as specks : And oft, to assuage a sad yearning of eyes, I stole near the city, but stole covert-wise, Like a wild beast of love, and perchance to be smitten By some hand that I rather had wept on than bitten ! 0. I once had a haunt near a cot where a mother Daily sat in the shade with her child, and would smother Its eyelids in kisses, and then in its sleep Sang di'eams in its ear of its manhood, while deep In a thicket of willows I gazed o'er the brooks That murmured between us, and kissed them with looks ; But the willows unbosomed their secret, and never I returned to a spot I had startled forever, Though I oft longed to know, but could ask it of none, "Was the mother still fair, and how big was her son. For the haunters of fields they all shunned me by flight, The men in their horror, the women in fright ; None ever remained save a child once that sported Among the wild bluebells, and painfully couiied The breeze ; and beside him a speckled snake lay Tight strangled, because it had hissed him away From the flower at his finger ; he rose and drew near Like a Son of Immortals, one born to no fear, But with strength of black locks and with eyes azure bright To grow to large manhood of merciful might. He came, with his face of bold wonder, to feel The hair of my side, and to lift up my heel. And questioned my face with wide eyes ; but when under My lids he saw tears, — for I wept at his wonder. He stroked me, and uttered such kindliness then. That the once love of women, the friendship of men 86 LYCUS, THE CEXTArR. In past sorrow, no kindness e'er came like a kis3 On my heart in its desolate day such as this ; And I yearned at his cheeks in my love, and do\^^l hent. And lifted him up in my arms with intent To kiss him, — but he, cruel-kindly, alas I Held out to my lips a plucked handful of grass ! Then I di'opt him in horror, but felt as I fled The stone he indignantly hurled at my head. That dissevered my ear, but I felt not, whose fate Was to meet more distress in his love than his hate ! Thus I wandered, companioned of grief and forlorn, Till I wished for that land where my being was born ; But what was that land with its love, where my home Was self-shut against me ; for why should I come Like an after-distress to my gi-ay-bearded father, With a blight to the last of his sight 7 — let him rather Lament for me dead, and shed tears in the urn Where I was not, and still in fond memory turn To his son even such as he left him. 0, how Could I walk with the youth once my fellows, but now Like gods to my humbled estate ] — or how bear The steeds once the pride of my eyes and the care Of my hands 7 Then I turned me self-banished, and came Into Thessaly here, where I met with the same As myself. I have heard how they met by a sti'eam In games, and were suddenly changed by a scream That made wretches of many, as she rolled her wild eyes Against heaven, and so Aimished. — The gentle and wise Lose their thoughts in deep studies, and others their ill In the mirth of mankind where they mingle them still. THE TWO PEACOCKS OF BEDFONT. Alas ! that breathing Vanity should go Where PriJe is Ijuriecl, — like its very ghost, Uprisen from the naked bones below, In novel flesh, clad in the silent Iwast Of gaudy silk that flutters to and fro, Shedding its chilling superstition most On young and ignorant natures — as it wont To haunt the peaceful church-yard of Bedfont ! Each Sabbath morning, at the hour of prayer, Behold two maidens, up the quiet green Shining, far distant, in the summer air That flaunts their dewy robes and breathes between Their downy plumes, — sailing as if they were Two far-off ships, — until they brush between The church-yard's humble walls, and watch and wait On either side of the wide-opened gate. And there they stand — with haughty necks before God's holy house, that points towards the skies — Frowning reluctant duty from the poor, And tempting homage from unthoughtful eyes : And Youth looks lingering from the temple door, Breathing its wishes in unfruitful sighs. With pouting lips, — forgetful of the grace. Of health, and smiles, on the heart-conscious face j — THE TWO PEACOCKS OF BEDFOXT. Because that "Wealth, which has no bliss beside, i\Iay wear the happiness of rich attire ; And those two sisters, in their sillj pride, May change the soul's warm glances for the fii'e Of lifeless diamonds ; — and for health denied, — With art. that blushes at itself, inspire Their languid cheeks — and flourish in a glory That has no life in Life, nor after-story. The aged priest goes shaking his gray hair In meekest censuring, and turns his eye Earthward in grief, and heavenward in prayer, And sighs, and clasps his hands, and passes by. Good-hearted man ! what sullen soul would wear Thy sorrow for a garb, and constantly Put on thy censure, that might win the praise Of one so gray in goodness and in days 7 Also the solemn clerk partakes the shame Of this ungodly shine of human pride, And sadly blends his reverence and blame In one grave bow, and passes with a stride Impatient : — many a red-hooded dame Turns her pained head, but not her glance, aside From wanton dress, and marvels o'er ao^ain, That Heaven hath no wet judgments for the vain. " I have a lily in the bloom at home," Quoth one, '' and by the blessed Sabbath day I "11 pluck my lily in its pride, and come And read a lesson upon vain array : — And when stiff silks are rustling up, and some Give place, I'll shake it in proud eyes and say — Making my reverence, — ' Ladies, an you please, King Solomon 's not half so fine as these.' " THE TWO PEACOCKS OF BEDFONT. 89 Then her meek partner, vfho has nearly run His earthly course, — " Nay, Goody, let your text Gro\v in the garden. — We have only one — Who knows that these dim eyes may see the next 7 Summer -will come again, and summer sun. And lilies too, — but I were sorely vext To mar my garden, and cut short the blow Of the last lily I may live to grow." " The last ! " quoth she, " and though the last it were — Lo ! those two wantons, where they stand so proud, With waving plumes, and joAvels in their hair, And painted cheeks, like Dagons to be bowed And curtseyed too ! — last Sabbath, after prayer, I heard the little Tomkins ask aloud If they were angels — but I made him know God's bright ones better, with a bitter blow ! " So speaking they pursue the pebbly walk That leads to the white porch the Sunday throng, — Hand-coupled urchins in restrained talk, And anxious pedagogue that chastens wrong. And posied church-warden with solemn stalk. And gold-bedizened beadle flames along, And gentle peasant clad in buff and green. Like a meek cowslip in the spring serene ; And blushing maiden, — modestly arrayed In spotless white, — still conscious of the glass ; And she, the lonely widow, that hath made A sable covenant with grief, — alas ! She veils her tears under the deep, deep shade. While the poor kindly-hearted, as they pass, Bend to unclouded childhood, and caress Her boy, — so rosy ! — and so fiitherless ! 8* 90 THE TWO PEACOCKS OF BEDFONT. Thus, as good Christians ought, thej all draw near The fair white temple, to the tirnelj call Of pleasant bells that tremble in the ear. — Now the last frock, and scarlet hood, and shawl, Fade into dusk, in the dim atniosphere Of the low porch, and heaven has won them all, Saving those two, that turn aside and pass. In velvet blossom, where all flesh is grass. Ah me ! to see their silken manors trailed In purple luxuries — with restless gold, — Flaunting the grass where widowhood has wailed In blotted black, — over the heapj mould Panting wave-wantonly ! They never quailed How the warm vanity abused the cold ; Nor saw the solemn faces of the gone Sadly uplooking through transparent stone : But swept their dwellings with unquiet light, Shocking the awful presence of the dead ; Where gracious natures would their eyes benight. Nor wear their being with a lip too red, Nor move too rudely in the summer bright Of sun, but put staid sorrow in their tread, Meting it into steps, with inward breath, In very pity to bereaved death. Now in the church, time-sobered minds resign To solemn prayer, and the loud chanted hymn, — With glowing picturings of joys divine Painting the mist-light where the roof is dim ; But youth looks upward to the window shine, Warming with rose and purple and the swim Of gold, as if thought-tinted by the stains Of gorgeous light through many-colored panes ; THE TWO PEACOCKS OF BEDFONT. 91 Soiling the virgin snow wherein God hath Enrobed his angels, — and with absent eyes llearint^ of heaven, and its directed path, Thoughtful of slippers, — and the glorious skies Clouding with satin, — till the preacher's wrath Consumes his pity, and he glows, and cries With a deep voice that trembles in its might, And earnest eyes grown eloquent in light : "0, that the vacant eye would learn to look On very beauty, and the heart embrace True loveliness, and from this holy book Drink the Avarm-breathing tenderness and grace Of love indeed ! 0, that the young soul took Its vir'^in passion from the glorious face Of fair religion, and addressed its strife To wui the riches of eternal life ! " Doth the vain heart love glory that is none, And the poor excellence of vain attire 1 go, and drown your eyes against the sun, The visible ruler of the starry quire, Till boiling gold in giddy eddies run, Dazzling the brain with orbs of living fire ; And the famt soul down darkens into night, And dies a burning martyrdom to light. '' go, and gaze, — when the low winds of even Breathe hymns, and Nature's many forests nod Their gold-crowned heads ; and the rich blooms of heaven Sun-ripened give their blushes up to God ; And mountain-rocks and cloudy steeps are riven By founts of fire, as smitten by the rod Of heavenly Moses, — that your thirsty sense May quench its longings of magnificence ! 92 THE TWO PEACOCKS OF BEDFONT. " Yet suns shall perish — stars shall fade awaj — Daj into darkness — darkness into death — Death into silence ; the warm light of daj, The blooms of summer, the rich glowing breath Of even — all shall wither and decay, Like the frail furniture of dreams beneath The touch of morn — or bubbles of rich djes That break and vanish in the aching eyes." They hear, soul-blushing, and repentant shed Unwholesome thoughts in wholesome tears, and pour Their sin to earth, — and with low drooping head Receive the solemn blessing, and implore Its grace — then soberly, with chastened tread, They meekly press towards the gusty door, With humbled eyes that go to graze upon The lowly grass — like him of Babylon. The lowly grass ! — 0, water-constant mind ! Fast-ebbing holiness ! — soon-fading grace Of serious thought, as if the gushing v/ind Through the low porch had washed it from the face Forever ! — How they lift their eyes to find Old vanities ! — Pride wins the very place Of meekness, like a bird, and flutters now With idle wings on the curl-conscious brow ! And, lo ! with eager looks they seek the way Of old temptation at the lowly gate ; To feast on feathers, and on vain array, And painted cheeks, and the rich glistering state Of jewel-sprinkled locks. — But where are they. The graceless haughty ones that used to wait With lofty neck, and nods, and stiffened eye 7 — ■ None challenge the old homage bending by. THE TWO PEACOCKS OF BEDFONT. 93 In vain they look for the ungracious bloom Of rich apparel where it glowed before, — For vanity has faded all to gloom, And lofty Pride has stiffened to the core, For impious Life to tremble at its doom, — Set for a warning token evermore, "Whereon, as now, the giddy and the wise Shall gaze with lifted hands and wondering eyes. The aged priest goes on each Sabbath morn, But shakes not sorrow under his gray hau* ; The solemn clerk goes lavendered and shorn. Nor stoops his back to the ungodly pair : — And ancient lips, that puckered up in scorn. Go smoothly breathing to the house of prayer ; And in the garden-plot, from day to day. The lily blooms its long white life away. And where two haughty maidens used to be, In pride of plume, where plumy Death had trod, Trailing their gorgeous velvets wantonly. Most unmeet pall, over the holy sod ; — There, gentle stranger, thou may'st only see Two sombre Peacocks. Age, with sapient nod Marking the spot, still tarries to declare How they once lived, and wherefore they are there. THE TWO SWANS A FAIRY TALE. Immortal Imogen, crowned queen above The lilies of thy sex, vouchsafe to hear A fairy dream in honor of true love — True above ills, and frailty, and all fear — Perchance a shadow of his own career Whose youth was darkly prisoned and long twined By serpent-sorrow, till white Love drew near, And sweetly sang him free, and round his mind A bright horizon threw, wherein no grief may wind. I saw a tower builded on a lake. Mocked by its inverse shadow, dark and deep — That seemed a still intenser night to make. Wherein the quiet waters sunk to sleep, — And. whatsoe'er was prisoned in that keep, A monstrous Snake was warden : — round and round In sable ringlets I beheld him creep Blackest amid black shadows to the ground, Whilst his enormous head the topmost turret crowned. From whence he shot fierce light against the stars, Making the pale moon paler with affright ; And with his ruby eye out-threatened Mars — That blazed in the mid-heavens, hot and bright — THE TWO SWANS. 96 Nor slept, nor winked, but with a steadfast spite "Watched their wan looks and tremblings in the skies : And. that he might not slumber in the night, The curtain-lids were plucked from his large eyes, So he might never drowse, but watch his secret prize. Prince or princess in dismal durance pent, Victims of old Enchantment's love or hate. Their lives must all in painful sighs be spent, "Watching the lonely watei-s soon and late. And clouds that pass and leave them to their Me, Or company their grief with heavy tears : — Meanwhile that Hope can spy no golden gate For sweet escapement, but in darksome fears They weep and pine away as if immortal years. No gentle bird with gold upon its wing "Will perch upon the grate — the gentle bird Is safe in leafy dell, and will not bring Freedom's sweet key-note and commission word Learned of a fairy's lips, for pity stirred — Lest while he trembling sings, untimely guest ! "Watched by that cruel Snake and darkly heard, He leave a widow on her lonely nest, To press in silent grief the darlings of her breast. No sallant knight, adventurous, in his bark. "VSnil seek the fruitful perils of the place. To rouse with dipping oar the waters dark That bear the serpent-image on their face. And Love, brave Love ! though he attempt the base. Nerved to his loyal death, he may not win His captive lady from the strict embrace Of that foul Serpent, clasping her within His sable folds — like Eve enthralled by the old Sin. 96 THE TWO SWANS. But there is none — no knight in panoply, Nor Love, intrenched in his strong steelj coat : No Httle speck — no sail — no helper nigh, No sign — no whispering — no plash of boat : — The distant shores show dimlj and remote. Made of a deeper mist, — serene and gray, — And slow and mute the cloudy shadows float Over the gloomy wave, and pass away, Chased by the silver beams that on their marges play. And bright and silvery the willows sleep Over the shady verge — no mad winds tease Their hoary heads ; but quietly they weep There sprinkling leaves — half fountains and half trees There lilies be — and fairer than all these, A solitary Swan her breast of snow Launches against the wave that seems to freeze Into a chaste reflection, still below Twin-shadow of herself wherever she may go. And forth she paddles in the very noon Of solemn midnight like an elfin thing, Charmed into being by the argent moon — Whose silver light for love of her fair wino- Goes with her in the shade, still worshipping Her dainty plumage : — all around her grew A radiant circlet, like a fairy ring ; And all behind, a tiny little clue Of light, to guide her back across the waters blue. And sure she is no meaner than a fay, Redeemed from sleepy death, for beauty's sake, By old ordainment : — silent as she lay. Touched by a moonlight wand I saw her wake, TUE TWO SWANS. 97 And cut her leafy slough, and so forsake The verdant prison of her lily peers, That slept amidst the stars upon the lake — A breathing shape — restored to human fears, And new-born love and grief — self-conscious of her tears. And now she clasps her wings around her heart, And near that lonelj isle begins to glide Pale as her fears, and ofttimes with a start Turns her impatient head from side to side In universal teiTors — all too wide To watch ; and often to that mai-ble keep Upturns her pearly eyes, as if she spied Some foe, and crouches in the shadows steep That in the gloomy wave go diving fathoms deep. And well she may, to spy that fearfnl thing All down the dusky walls in circlets wound ! Alas ! for what rare prize, with many a ring Girding the marble casket round and round ? His folded tail, lost in the gloom profound, Terribly darkeneth the rocky base ; But on the top his monstrous head is crowned With prickly spears, and on his doubtful face Gleam his unwearied eyes, red watchers of the place. Alas ! of the hot fires that nightly fall, No one will scorch him in those orbs of spite, So he may never see beneath the wall That timid little creature, all too bright, That stretches her fair neck, slender and white. Invoking the pale moon, and vainly tries Her throbbing throat, as if to charm the night With song — but, hush — it perishes in sighs. And there will be no dirge, sad swelling though she dies ! 9 98 THE TWO SWANS. She droops — she sinks — she leans upon the lake. Fainting again into a lifeless flower ; But soon the chillj springs anoint and wake Her spirit from its death, and with new power She sheds her stifled sorrows in a shower Of tender song, timed to her falling tears — That wins the shady summit of that tower, - And, trembling all the sweeter for its fears, Fills with imploring moan that cruel monster's ears. And, lo ! the scaly beast is all deprest. Subdued like Argus by the might of sound — What time Apollo his sweet lute addrest To magic converse Avith the air, and bound The many monster eyes, all slumber-drowned : — So on the turret-top that watchful snake Pillows his giant head, and lists profound, As if his wrathful spite would never wake, Charmed into sudden sleep for Love and Beauty's sake ! His prickly crest lies prone upon his crown, And thirsty lip from lip disparted flies, To drink that dainty flood of music down — His scaly throat is big with pent-up sighs — And whilst his hollow ear entranced lies, His looks for envy of the charmed sense Are fain to listen, till his steadfast eyes, Stung into pain by their own impotence. Distil enormous tears into the lake immense. 0, tuneful Swan ! 0, melancholy bird ! Sweet was that midnight miracle. of song, Rich with ripe sorrow, needful of no word To tell of pain, and love, and love's deep wrong — THE TWO SWANS. 99 Hinting a piteous tale — perchance how long Thy unknown tears were mingled with the lake, What time disguised thy leafy mates among — And no eye knew what human love and ache Dwelt in those dewy leaves, and heart so nigh to brenk. Therefore no poet will ungently touch The water-lily, on whose eyelids dew Trembles like tears ; but ever hold it such As human pain may wander through and through, Turning the pale leaf paler in its hue — - Wherein life dwells, transfigured, not entombed, By magic spells. Alas ! who ever knew Sorrow in all its shapes, leafy and plumed, Or in gross husks of brutes eternally inhumed ? And now the wino;ed soncr has scaled the height Of that dark dwelling, builded for despair, And soon a little casement flashino- bright Widens self-opened into the cool air — That music like a bird may enter there And soothe the captive in his stony cage ; For there is naught of grief, or painful care, But plaintive song may happily engage Fi'om sense of its own ill, and tenderly assuage. And forth into the light, small and remote, A creature, like the fair son of a king. Draws to the lattice in his jewelled coat Against the silver moonlight glistening. And leans upon his white hand listening To that sweet music that with tenderer tone Salutes him, wt)ndering ^hat kindly thing Is come to soothe him with so tuneful moan, Singing beneath the walls as if for him alone ! 100 THE TWO SWAXS. And while he listens, the mysterious song, Woven with timid particles of speech, Twines into passionate words that grieve along The melancholy notes, and softly teach The secrets of true love, — that trembling reach His earnest ear, and through the shadows dun He missions like replies, and each to each Their silver voices mingle into one. Like blended streams that make one music as they run "' Ah ! Love, my hope is swooning in my heart, — Ay, sweet, my cage is strong and hung full high — Alas ! our lips are held so far apart. Thy words come faint, they have so far to fly ! — K I may only shun that serpent eye, — Ah me ! that serpent eye doth never sleep : — Then, nearer thee. Love's martyr, I will die ! — Alas, alas ! that word has made me weep ! For Pity's sake remain safe in thy marble keep ! " My marble keep ! it is my marble tomb — Nay, sweet ! but thou hast there thy living breath - - Aye to expend in sighs for this hard doom ; — But I will come to thee and sing beneath, And nightly so beguile this serpent wreath ; — Nay, I will find a path from these despairs. Ah. needs then thou must tread the back of death. Making his stony ribs thy stony stairs. — Behold his ruby eye, how fearfully it glares ! " Full sudden at these words the princely youth Leaps on the scaly back that slumbers, still Unconscious of his foot, yet not for ruth, But numbed to dulness by the fairy skill THE TWO SWANS. 101 Of that sweet music, (all more wild and shrill For intense fear,) that charmed him as he lay — Meanwhile the lover nerves his desperate will, Held some short throbs hj natural dismay, Then down, down the serpent-track begins his darksome way Now dimly seen — now toiling out of sight. Eclipsed and covered by the envious wall : Now fair and spangled in the sudden light, And clinging with wide arms for fear of fall ; Now dark and sheltered by a kindly pall Of dusky shadow from his wakeful foe ; Slowly he winds adown — dimly and small, "U^atched by the gentle swan that sings below, Her hope increasing, still, the larger he doth grow. But nine times nine the serpent folds embrace The marble walls about — which he must tread Before his -anxious foot may touch the base : Long is the dreary path, and must be sped ! But Love, that holds the mastery of di-ead, Braces his spirit, and with constant toil He wins his way, and now, with arms outspread, Impatient plunges from the last long coil : So may all gentle Love ungentle Malice foil. The song is hushed, the charm is all complete, And two fair Swans are swimming on the lake : But scarce their tender bills have time to meet. When fiercely drops adown that cruel Snake — His steely scales a fearful rustling make, Like autumn leaves that tremble and foretell The sable storm : — the plumy lovers quake — And feel the troubled waters pant and swell, Heaved by the giant bulk of their pursuer fell. 9* 102 THE TWO SWANS. His jaws, wide yawning like the gates of Death, Hiss horrible pursuit — his red eyes glare The waters into blood — his eager breath Grows hot upon their plumes : — now, minstrel fair ! She drops her ring into the waves, and there It widens all around, a fairy ring Wrought of the silver light — the fearful pair Swim in the very midst, and pant and cling The closer for their fears, and tremble wing to wing. Bending their course over the pale gray lake, Against the pallid East, wherein light played In tender flushes, still the baffled Snake Circled them round continually, and bayed Hoarsely and loud, forbidden to invade The sanctuary ring — his sahle mail Rolled darkly through the flood, and writhed and made A shining track over the waters pale, Lashed into boiling foam by his enormous tail. And so they sailed into the distance dim. Into the very distance — small and white, Like snowy blossoms of the spring that swim Over the brooklets — followed by the spite Of that huge Serpent, that with wild affright Worried them on their course, and sore annoy, Till on the grassy marge I saw them 'light, And change, anon, a gentle girl and boy. Locked in embrace of sweet unutterable joy I Then came the jSIorn, and with her pearly showers Wept on them, like a mother, in whose eyes Teal's are no grief; and from his rosy bowers The Oriental sun began to rise. THE TWO SWANS. 103 Chasing the darksome shadows from the skies ; Wherewith that sable Sei-j^ent far awaj Fled, like a part of night — delicious sighs From waking bosoms purified the day, And little birds were singing sweetly from each spray. \ THE DREAM OF EUGENE ARAM 'T WAS in the prime of summer time, An evening calm and cool, And four-and-twentj happy boys Came bounding out of school : There were some that i-an, and some that leapt, Like troutlets in a pool. Away they sped with gamesome minds, And souls untouched by sin ; To a level mead they came, and there They drave the wickets in : Pleasantly shone the setting sun Over the town of Lynn. Like sportive deer they coursed about. And shouted as they ran, — Turning to mirth all things of earth, As only boyhood can ; But the Usher sat remote from all, A melancholy man ! His hat was off, his vest apart, To catch heaven's blessed breeze ; For a burning thought was in his brow, And his bosom ill at ease : So he leaned his head on his hands, and read The book between his knees ! THE DREAM OF EUGENE ARAM. 105 Leaf after leaf he turned it o'er, Nor ever glanced aside, For the peace of his soul he read that book In the golden eventide : Much study had made him very lean, And pale, and leaden-eyed. At last he shut the ponderous tome. With a fast and fervent grasp He strained the dusky covers close, And fixed the brazen hasp : " 0, God ! could I so close my mind, And clasp it with a clasp ! " Then leaping on his feet upright, Some moody turns he took, — Now up the mead, then down the mead, And past a shady nook, — And, lo ! he saw a little boy That pored upon a book ! " My gentle lad, what is 't you read — Romance or fairy fable ? Or is it some historic page, Of kings and crowns unstable?" The young boy gave an upward glance, — " It is ' The Death of Abel.' " The Usher took six hasty strides. As smit with sudden pain, — Six hasty strides beyond the place. Then slowly back again ; And down he sat beside the lad, And talked with him of Cain ; 106 THE DREAM OF EUGENE ARAM. And, long since then, of bloody men, Whose deeds tradition saves ; Of lonely folk cut off unseen, And hid in sudden airaves ; Of horrid stabs in groves forlorn, And murders done in caves ; And how the sprites of injured men Shriek upward from the sod, — Ay, how the ghostly hand will point To show the burial clod ; And unknown facts of guilty acts Are seen in dreams from God ! He told how murderers walk the earth Beneath the curse of Cain, — ^ With crimson clouds before their eyes, And flames about their brain • For blood has left upon their souls Its everlasting stain ! " And well," quoth he, "I know, for truth, Their pangs must be extreme, — Woe, woe, unutterable woe, — Who spill life's sacred stream ! For why 7 Methought, last night, I wrought A murder, in a di-eam ! " One that had never done me wrong — A feeble man and old ; I led him to a lonely field, — The moon shone clear and cold : Now here, said I, this man shall die. And I will have his gold ! THE DREAM OF EUGENE ARAM. 107 " Two sudden blows with a ragged stick, And one with a heavy stone, One hurried gash with a hasty knife, — And then the deed was done : There was nothing lying at my foot But lifeless flesh and bone ! " Nothing but lifeless flesh and bone, That could not do me ill ; And yet I feared him all the more, For lying there so still : There was a manhood in his look, That murder could not kill ! " And, lo ! the universal air Seemed lit with ghastly flame ; — Ten thousand thousand dreadful eyes Were looking down in blame : I took the dead man by his hand, And called upon his name ! " 0, God ! it made me quake to see Such sense within the slain ! But when I touched the lifeless clay. The blood gushed out amain ! For every clot, a burning spot Was scorching in my brain ! "My head was like an ardent coal, My heart as solid ice ; My wretched, wretched soul, I knew, Was at tlie devil's price : A dozen times I groaned ; the dead Had never groaned but twice ! 108 THE DREAM OF EUGENE ARAM. "And now, from forth the frowning sky, From the heaven's topmost height, I heard a voice — the awful voice Of the blood-avenging sprite : — ' Thou guilty man ! take up thy dead r And hide it from my sight ! ' ' I took the dreary body up, And cast it in a stream, — A sluggish water, black as ink, The depth was so extreme : — , My gentle Boy, remember this .1" Is nothing but a dream ! " Down went the corse with a hollow plunge, And vanished in the pool ; Anon I cleansed my bloody hands, And washed my forehead cool. And sat among the urchins young, That evening, in the school. " 0, Heaven ! to think of their white souls, And mine so black and grim ! I could not share in childish prayer, Nor join in evening hymn : Like a devil of the pit I seemed, 'Mid holy cherubim ! " And peace went with them, one and all, And each calm pillow spread ; But Guilt was my grim chamberlain That lighted me to bed ; And drew my midnight curtains round, With fingers bloody red ! THE DREAM OF EUGENE ARAM. " All night I lay in agony, In anguish dark and deep ; My fevered eyes I dared not close, But stared aghast at Sleep : For Sin had rendered unto her The keys of hell to keep ! " All night I lay in agony, From weary chime to chime, With one besetting horrid hint, That racked me all the time ; A mighty yearning, like the first Fierce impulse unto crime ! ■ " One stern tyrannic thought, that made All other thoughts its slave ; Stronger and stronger every pulse Did that temptation crave, — Still urging me to go and see The Dead Man in his grave I " Heavily I rose up, as soon As light was in the sky, And sought the black accursed pool With a wild misgiving eye ; And I saw the Dead in the river bed, For the faithless stream was diy. " Merrily rose the lark, and shook The dew-drop from its wing ; But I never marked its morning flight, I never heard it sing : For I was stooping once again Under the horrid thing. 10 109 110 THE DREAM OF EUGEXE AKAM. " "With breathless speed, like a soul in chase, I took him up and ran ; — There was no time to dig a grave Before the day began : In a lonesome wood, with heaps of leaves, I hid the murdered man ! " And all that daj I read in school. But my thought was other where ; As soon as the mid-day task was done, In secret I was there : And a mighty wind had swept the leaves, And still the corse was bare ! " Then down I cast me on my face. And first began to weep, For I knew my secret then was one That earth refused to keep : Or land or sea, though he should be Ten thousand fathoms deep. " So wills the fierce avenging Sprite, Till blood for blood atones ! Ay, though he "s buried in a cave, And trodden down with stones, And years have rotted ofi" his flesh, — The world shall see his bones ! " 0, God ! that horrid, horrid dream Besets me now awake ! Again — again, with dizzy brain, The human life I take ; And my red right hand grows raging hot, Like Cranmer's at the stake. THE DREAM OF EUGENE ARAM. Ill " And still no peace for the restless clay Will wave or mould allow ; The horrid thing pursues my soul. — It stands hefore me now ! " The fearful Boy looked up, and saw Huge di-ops upon his brow. That very night, while gentle sleep The urchin eyelids kissed, Two stern-faced men set out from Lynn, Tlu'ough the cold and heavy mist : And Eugene Aram walked betwe-m, With gyves upon his wrist. THE ELM TREE A DRK.\.M IN THE lYOODS. "And this our life, exempt from public haunt. Finds tonjnies in trees." As You Like It. T WAS in a shaxiy avenue, "WTiere lofty elms abound — And from a tree There came to me A sad and solemn sound, That sometimes murmured overhead. And sometimes underground. Amongst the leaves it seemed to sigh, Amid the boughs to moan ; It muttered in the stem, and then The roots took up the tone ; As if beneath the dewy grass The dead began to groan. No breeze there was to stir the leaves : No bolts that tempests launch, To rend the trunk or rugged bark ; No gale to bend the branch ; No quake of earth to heave the roots, That stood so stiff and stanch. THE ELM TREE. 113 No bird was preening up aloft. To rustle with its wing ; No squirrel, in its sport or fear, From bough to bough to spring ; The solid bole Had ne'er a hole To hide a living thing ! No scooping hollow cell to lodge A furtive beast or fowl, The martin, bat. Or forest cat That nightly loves to prowl. Nor ivy nook so apt to shroud The moping, snoring owl. But still the sound was in my ear, A sad and solemn sound, That sometimes murmured overhead, And sometimes underground — 'T was in a shady avenue Where lofty elms abound. 0, hath the Dryad still a tongue In this ungenial clime? Have sylvan spirits still a voice As in the classic prime — To make the forest voluble. As in the olden time 1 The olden time is dead and gone ; Its years have filled their sum — And even in Greece — her native Greece — The sylvan nymph is dumb — From ash, and beech, and aged oak. No classic whispers come. 10* 114 THE ELM TREE. From poplar, pine, and drooping birch, And fragrant linden trees ; No living sound E'er hovers round, Unless the vagrant breeze, The music of the merry bird, Or hum of busy bees. But busy bees forsake the elm That bears no bloom aloft — The finch was in the hawthorn-bush, The blackbird in the croft ; And among the firs the brooding dove, That else might murmur soft. Yet still I heard that solemn sound, And sad it was to boot, From every overhanging bough, And each minuter shoot ; From rugged trunk and mossy rind, And from the twisted root. From these,* — a melancholy moan ; From those, — a dreary sigh ; As if the boughs were wintry bare, And wild winds sweeping by — Whereas the smallest fleecy cloud Was steadfast in the sky. No sign or touch of stirring air Could either sense observe — The zephyr had not breath enough The thistle-down to swerve, Or force the filmy gossamers To take another curve. THE ELM TREE. In still and silent slumber hushed All Nature seemed to be : From heaven above, or earth beneath. No whisper came to me — Except the solemn sound and sad From that Mysterious Tree ! A hollow, hollow, hollow sound, As is that dreamy roar When distant billows boil and bound Along a shingly shore — But the ocean brim was far aloof, A hundred miles or more. No murmur of the gusty sea,- No tumult of the beach, However they may foam and fret, The bounded sense could reach — INIethought the trees in mystic tongue Were talking each to each ! — Mayhap, rehearsing ancient tales Of greenwood love or guilt, Of whispered vows Beneath their boughs ; Or blood obscurely spilt ; Or of that near-hand mansion-house A royal Tudor built. Perchance, of booty won or shared Beneath the starry cope — Or where the suicidal wretch Hung up the fatal rope ; Or Beauty kept an evil tryste, Ensnared by Love and Hope. 116 116 THE ELM THEE. Of graves, perchance, untimely scooped At midnight dark and dank — And what is underneath the sod Whereon the grass is rank — Of old intrigues, And privy leagues, Tradition leaves in blank. Of traitor lips that muttered plots — Of kin who fought and fell — God knows the undiscovered schemes, The arts and acts of hell. Performed long generations since, K trees had tongues to tell ! With wary eyes, and ears alert, As one who walks afraid, I wandered down the dappled path Of mingled light and shade — How sweetly gleamed that arch of blue Beyond the green arcade ! How cheerly shone the glimpse of heaven Beyond that verdant aisle ! All overarched with lofty elms, That quenched the light, the while. As dim and chill As serves to fill Some old cathedral pile ! And many a gnarled trunk was there, That ages long had stood. Till Time had wrought them into shapes Like Pan's fantastic brood ; Or still more foul and hideous forms That pagans carve in wood ! THE ELM TREE. A crouching Satyi- lurking here — And there a Goblin grim — As staring full of demon life As Gothic sculptor's whim — A marvel it had scarcely been To hear a voice from him ! Some whisper from that horrid mouth Of strange, unearthly tone ; Or wild infernal laugh, to chill One's marrow in the bone. 5ut no it grins like rigid Death, And silent as a stone ! As silent as its fellows be, For all is mute with them — The branch that climbs the leafy roof - The rough and mossy stem — The crooked root, And tender shoot, Where hangs the dewy gem. One mystic tree alone there is. Of sad and solemn sound — That sometimes murmurs overhead, And sometimes underground — In all that shady avenue. Where lofty elms abound. in PART n. The scene is changed ! No green arcade. No trees all ranged a-row — il8 THE ELM TREE. But scattered like a beaten host, Dispersing to and fro ; With here and there a sjlvan corse, That fell before tlie fJe. The foe that down in yonder dell Pursues his dailj toil ; As witness many a prostrate trunk, Bereft of leafy spoil, Hard by its wooden stump, whereon The adder loves to coil. Alone he works — his ringing blows Have banished bh-d and beast ; The hind and fawn have cantered off A hundi'ed yards at least ; And on the maple's lofty top The linnet's song has ceased. No eye his labor overlooks. Or when he takes his rest ; Except the timid thrush that peeps Above her secret nest, Eorbid by love to leave the young Beneath her speckled breast. The woodman's heart is in his work. His axe is sharp and good : With sturdy arm and steady aim He smites the gaping wood ; From distant rocks His lusty knocks Reecho many a rood. THE ELM TREE. 119 His axe is keen, his arm is strong ; The muscles serve him well ; Ilis years have reached an extra span, The number none can tell ; But still his life-long task has beer The timber tree to fell. Through summer's parching sultriness, And "winter's freezing cold. From sapling youth To virile growth, And acre's ridd mould, His energetic axe hath rung "Within that forest old. Aloft, upon his poising steel The vivid sunbeams glance — About his head and round his feet The forest shadows dance ; And bounding from his russet coat The aeorn drops askance. His face is like a Druid's face, With wi'inkles furrowed deep, And tanned by scorching suns as brown As corn that "s ripe to reap ; But the hair on brow, and cheek, and chin, Is white as wool of sheep. His frame is like a giant's frame ; His leo;s are loniz; and stark : His arms like limbs of knotted yew ; His hands like rugged bark ; So he felleth still "With right good will, As if to build an ark ! 120 THE ELM TKEE. ! well within his fatal path The fearful tree might quake Through every fibre, twig, and leaf, With aspen tremor shake ; Through trunk and root, And branch and shoot, A low complaining make ! • ! well to him the tree might breathe A sad and solemn sound, A sigh that murmured overhead, And groans from underground ; As in that shady avenue Where lofty elms abound ! But calm and mute the maple stands, The plane, the ash, the fir, The elm, the beech, the drooping birch, Without the least demur ; And e"en the aspen's hoary leaf Makes no unusual stir. The pines — those old gigantic pines, That writhe — recalling soon The famous human group that writhes With snakes in wild festoon — In ramous wrestlings interlaced A forest Laocoon — Like Titans of primeval girth By tortures overcome, Their brown enormous limbs they twine, Bedewed with tears of gum — Fierce agonies that ought to yell, But, like the marble, dumb. THE ELM TREE. Nay, yonder blasted elm that stands So like a man of sin, Who, frantic, flings his arms abroad To feel the worm within — For all that gesture, so intense, It makes no sort of din ! An universal silence reigns In rugged bark or peel. Except that very trunk which rings Beneath the biting steel — Meanwhile the woodman plies his axe With unrelenting zeal ! No rustic song is on his tongue, No whistle on his lips ; But with a quiet thoughtfulness His trusty tool he grips, And, stroke on stroke, keeps hacking out The bright and flying chips. Stroke after stroke, with frequent dint He spreads the fatal gash ; Till, lo ! the remnant fibres rend, With harsh and sudden crash, And on the dull-resounding turf The jarring branches lash ! ! now the forest trees may sigh, The ash, the poplar tall. The elm, the birch, the drooping beech, The aspens — one and all. With solemn groan And hollow moan Lament a comrade's fall ! 11 121 122 THE ELM TREE. A goodly elm, of noble gii'tli, That, thrice the human span — While on their variegated course The constant seasons ran — Through gale, and hail, and fiery bolt, Haxi stood erect as man. But now, like mortal man himself, Struck down by hand of God, Or heathen idol tumbled prone Beneath the Eternal's nod, In all its giant bulk and length It lies along the sod ! Ay, now the forest trees may grieve And make a common moan Around that patriarchal trunk So newly overthrown ; And with a murmur recognize A doom to be their own ! The echo sleeps : the idle axe, A disregarded tool, Lies crushing with its passive weight The toad's reputed stool — The woodman wipes his dewy brow "Within the shadows cool. No zephyr stirs : the ear may catch The smallest insect-hum ; But on the disappointed sense No mystic whispers come ; No tone of sylvan sympathy. The forest trees are dumb. THE ELM TREE. 123 No leafy noise, nor inward voice, No sad and solemn sound, That sometimes murmurs overhead, And sometimes underground ; As in that shady avenue, Where lofty elms abound ! PART m. The deed is done : the tree is low That stood so long and firm ; The woodman and his axe are gone, His toil has found its term ; And where he wi'ought the speckled thrush Secui-ely hunts the worm. The cony from the sandy bank Has run a rapid race. Through thistle, bent, and tangled fern, To seek the open space ; And on its haunches sits erect To clean its furry face. The dappled fawn is close at hand, The hind is browsing near, — And on the larch's lowest bough The ousel whistles clear ; But checks the note Within its throat, As choked with sudden fear ! 124 THE ELM TREE. With sudden fear hei' wormy quest The thrush abruptly quits — Through thistle, bent, and tangled fern The startled cony flits ; And on the larch's lowest bough No more the ousel sits. With sudden fear The dappled deer Effect a swift escape ; But well might bolder creatures start, And fly, or stand agape, With rising hair and curdled blood, To see so grim a Shape ! The very sky turns pale above ; The earth grows dark beneath ; The human terror thrills with cold, And draws a shorter breath — An universal panic owns The dread approach of Death ! With silent pace, as shadows come, And dark as shadows be. The grisly phantom takes his stand Beside the fallen tree. And scans it with his gloomy eyes, And laughs with horrid glee A dreary laugh and desolate. Where mirth is void and null, As hollow as its echo sounds Within the hollow skull — " Whoever laid this tree along. His hatchet was not dull ! THE ELM TREE. " The human arm and human tool Have done their duty well ! But after sound of ringing axe Must sound the ringing knell ; When elm or oak Have felt the stroke My turn it is to fell ! " No passive unregarded tree, A senseless thing of wood, Wherein the sluggish sap ascends To swell the vernal bud — But conscious, moving, breathing trunks That throb with living blood ! " No forest monarch yearly clad In mantle green or brown ; That unrecorded lives, and falls By hand of rustic clown — But kings who don the purple robe, And wear the jewelled crown. " Ah ! little recks the royal mind. Within his banquet-hall. While tapers shine and music breathes And beauty leads the ball, — He little recks the oaken plank Shall be his palace wall ! " Ah, little dreams the haughty peer, The while his falcon flies — Or on the blood-bedabbled turf The antlered quarry dies — That in his own ancestral park The narrow dwelling lies 11* 125 126 THE ELM TREE. " But haughty peer and mighty king One doom shall overwhelm ! The oaken cell Shall lodge him well Whose sceptre ruled a realm — While he who never knew a home Shall find it in the elm ! " The tattered, lean, dejected wretch, Who begs from door to door, And dies within the cressy ditch, Or on the barren moor, The friendly elm shall lodge and clothe That houseless man and poor ! " Yea, this recumbent rugged trunk, That lies so long and prone, With many a fallen acorn-cup. And mast and firry cone — This rugged trunk shall hold its share Of mortal flesh and bone ! " A miser hoarding heaps of gold, But pale with ague-fears — A wife lamenting love's decay, With secret cruel tears. Distilling bitter, bitter drops From sweets of former years — •' A man within whose gloomy mind Ofience had darkly sunk. Who out of fierce Revenge's cup Hath madly, darkly drunk — Grief, Avarice, and Hate shall sleep Within this very trunk ! THE ELM TREE. 127 " This massy trunk that lies aloncr. And many more must foil — For the very knave "Who digs the grave, The man who spreads the pall, And he who tolls the funeral bell, The elm shall have them all ! " The tall abounding elm that grows In hedge-rows up and down : In field and forest, copse and park, And in the peopled town, With colonies of noisy rooks That nestle on its crown. " And well the abounding elm may grow In field and hedge so rife, In forest, copse, and wooded park, And 'mid the city's strife, For, every hour that passes by Shall end a human life ! " The phantom ends : the shade is gone ; The sky is clear and bright ; On turf, and moss, and fallen tree, There glows a ruddy light ; And bounding through the golden fern The rabbit comes to bite. The thrush's mate beside her sits And pipes a merry lay ; The dove is in the evergreens ; And on the larch's spray The fly-bird flutters up and down, To catch its tiny prey. 128 THE ELM TREE. The gentle hind and dappled fawn Are coming up the glade ; Each harmless furred and feathered thing Is glad, and not afraid — But on my saddened spirit still The shadow leaves a shade. A secret, vague, prophetic gloom, As though by certain mark I knew the fore-appointed tree, "Within whose rugged bark This warm and living frame shall find Its narrow house and dark. That mystic tree which breathed to me A sad and solemn sound, That sometimes murmured overhead, And sometimes underground ; Within that shady avenue Where lofty elms abound. THE HAUNTED HOUSE A ROMANCE. ' A jolly place," said he, " in times of old. But something ails it now : the place is curst." Hart-Leap Well, by Wordsworth. PART I. Some dreams we have are nothing else but dreams, Unnatural and full of contradictions ; Yet others of our most romantic schemes Are something more than fictions. It might be only on enchanted ground ; It might be merely by a thought's expansion ; But in the spirit, or the flesh, I found An old deserted mansion. A residence for woman, child, and man, A dwelling-place, — and yet no habitation ; A house, — but under some prodigious ban Of excommunication. Unhinged the iron gates half open hung. Jarred by the gusty gales of many Avinters, That from its crumbled pedestal had flung One marble globe in splinters. 130 THE HAUNTED HOUSE. No dog "svas at the threshold, great or small ; No pigeon on the roof — no household creature — No cat demurely dozing on the wall — Not one domestic feature. No human ficjure stirred, to go or come : No face looked forth from shut or open casement : No chimney smoked — there was no sign of home From parapet to basement. With shattered panes the grassy court was starred ; The time-worn coping-stone had tumbled after ; And through the ragged roof the sky shone, barred With naked beam and rafter. O'er all there hung a shadow and a fear ; A sense of mystery the spirit daunted, And said, as plain as whisper in the ear, The place is haunted ! The flower grew wild and rankly as the weed, Roses with thistles struggled for espial, And vagrant plants of parasitic breed Had overgrown the dial. But, gay or gloomy, steadfast or infirm. No heart was there to heed the hour's duration ; All times and tides were lost in one long term Of stagnant desolation. The wren had built within the porch, she found Its quiet loneliness so sure and thorough ; And on the lawn, — within its turfy mound, — The rabbit made his burrow. THE HAUNTED HOUSE. 131 The rabbit wild and gray, that flitted through The shrubby clumps, and frisked, and sat, and vanished But leisurely and bold, as if he knew His enemy -was banished. The wary crow, — the pheasant from the woods, — Lulled by the still and everlasting sameness. Close to the mansion, like domestic broods, Fed with a "shocking tameness." The coot was swimming in the reedy pond, Beside the water-hen, so soon aftrighted ; And in the weedy moat the heron, fond Of solitude, alighted. The moping heron, motionless and stiff, That on a stone, as silently and stilly, Stood, an apparent sentinel, as if To guard the water-lily. No sound was heard, except, from far away, The ringing of the whitwall's shrilly laughter. Or. now and then, the chatter of the jay, That Echo murmured after. But Echo never mocked the human tongue ; Some weighty crime, that Heaven could not pardon, A secret curse on that old building hung, And its deserted garden. The beds were all untouched by hand or tool ; No footstep marked the damp and mossy gravel. Each walk as green as is the mantled pool For want of human travel. 132 THE HAUNTED HOUSE. The vine unpruned, and tlie neglected peach, Drooped from the wall with which they used to grapple ; And on the cankered tree, in easy reach, Rotted the golden apple. But awfully the truant shunned the ground. The vagrant kept aloof, and daring poacher : In spite of gaps that through the fences round Invited the encroacher. For over all there hung a cloud of fear ; A sense of mystery the spirit daunted, And said, as plain as whisper in the ear, The place is haunted ! The pear and quince lay squandered on the grass ; The mould was purple with unheeded showers Of bloomy plums — a wilderness it was Of fruits, and weeds, and flowers ! The marigold amidst the nettles blew, The gourd embraced the rose-bush in its ramble, The thistle and the stock together grew. The hollyhock and bramble. The bear-bine with the lilac interlaced ; The sturdy burdock choked its slender neighbor. The spicy pink. All tokens were effaced Of human care and labor. The very yew formality had trained To such a rigid pyramidal stature, For want of trimming had almost regained The raggedness of nature. THE HAUNTED HOUSE. 135 The fountain was a-dry — neglect and time Had marred the work of artisan and mason, And efts and croaking frogs, begot of slime, Sprawled in the ruined basin. The statue, fallen from its marble base, Amidst the refuse leaves, and herbage rotten, Lay like the idol of some bygone race, Its name and rites forgotten. On every side the aspect was the same, All ruined, desolate, forlorn and savage : No hand or foot within the precinct came To rectify or ravage. For over all there hung a cloud of fear ; A sense of mystery the spirit daunted, And said, as plain as whisper in the ear, The place is haunted ! PART n. 0, very gloomy is the house of woe, WTiere tears are falling while the bell is knelling, With all the dark solemnities which show That Death is in the dwelling ! 0, very, very dreary is the room Where love, domestic love, no longer nestles. But, smitten by the common stroke of doom, The corpse lies on the trestles ! 12 134 THE HAUNTED HOUSE. But house of woe, and hearse, and sable pall, The narrow home of the departed mortal, Ne'er looked so gloomy as that ghostly hall. With its deserted portal ! The centipede along the threshold crept, The cobweb hung across in mazy tangle, And in its winding-sheet the maggot slept, At every nook and angle. . The keyhole lodged the earwig and her brood ; The emmets of the steps had old possession. And marched hi search of their diurnal food In undisturbed procession. As undisturbed as the prehensile cell Of moth or maggot, or the spider's tissue ; For never foot upon that threshold fell, To enter or to issue. O'er all there hung the shadow of a fear ; A sense of mystery the spirit daunted. And said, as plain as whisper in the ear, The place is haunted ! Howbeit, the door I pushed — or so I dreamed — Which slowly, slowly gaped, — the hinges creakino- With such a rusty eloquence, it seemed That Time himself was speaking. But Time was dumb within that mansion old, Or left his tale to the heraldic bannei-s That hung from the corroded walls, and told Of former men and manners. THE HAUNTED HOUSE. 135 Those tattered flags, that with the opened door Seemed the old wave of battle to remember, While fallen fragments danced upon the floor Like dead leaves in December. The startled bats flew out — bkd after bird — The screech-owl overhead began to flutter, And seemed to mock the cry that she had heard Some dying victim utter ! A shriek that echoed from the joisted roof. And up the staii', and further still and further, Till in some ringing chamber far aloof It ceased its tale of murther ! Meanwhile the rusty armor rattled round. The banner shuddered, and the racrsred streamer ; All things the horrid tenor of the sound Acknowledged with a tremor. The antlers, where the helmet hung and belt, Stirred as the tempest stirs the forest branches, Or as the stag had trembled when he felt The bloodhound at his haunches. The window jingled in its crumbled frame, And through its many gaps of destitution Dolorous moans and hollow sighings came, Like those of dissolution. The wood-louse dropped, and rolled into a ball, Touched by some impulse occult or mechanic ; And nameless beetles ran along the wall Li universal panic. 136 THE HAUNTED HOUSE. The subtle spider, that from overhead Hung like a spy on human guilt and error, Suddenly turned, and up its slender thread Ran with a nimble terror. The very stains and fractures on the wall, Assuming features solemn and terrific, Hinted some tragedy of that old hall, Locked up in hieroglyphic. Some tale that might, perchance, have solved the doubt, Wherefore amongst those flags so dull and livid The banner of the Bloody Hand shone out. So ominously vivid. Some key to that inscrutable appeal, Which made the very frame of Nature quiver, And every thrilling nerve and fibre feel So ague-like a shiver. For over all there hung a cloud of fear ; A sense of mystery the spirit daunted, And said, as plain as whisper in the ear, The place is haunted ! If but a rat had lingered in the house, To lure the thought into a social channel ! But not a rat remained, or tiny mouse. To squeak behind the panel. Huge drops rolled down the walls, as if they wept ; And where the cricket used to chirp so shrilly The toad was squatting, and the lizard crept On that damp hearth and chilly. THE HAUNTED HOUSE. 137 For years no cheerful blaze had sparkled there, Or glanced on coat of buff or knightly metal ; The slug was crawling on the vacant cliau', — The snail upon the settle. The floor was redolent of mould and must, The fungus in the rotten seams had quickened ; "While on the oaken table coats of dust Perennially had thickened. No mark of leathern jack or metal cann, No cup — no horn — no hospitable token, — All social ties between that board and man Had long ago been broken. There was so foul a rumor in the air. The shadow -of a presence so atrocious, No human creature could have feasted there, Even the most ferocious. For over all there hung a cloud of fear ; A sense of mystery the spirit daunted. And said, as plain as whisper in the ear, The place is haunted ! PART m. 'T is hard for human actions to account, Whether from reason or from impulse only — But some internal prompting bade me mount The gloomy stairs and lonely. 12* 138 THE HArXTED HOUSE. Those gloomy stairs, so dark, and damp, and cold. TVith odors as from bones and relics carnal, Deprived of rite, and consecrated mould, The chapel vault, or charnel. Those drearj stairs, where with the sounding stress Of every step so many echoes blended, The mind, with dark misgivings, feared to guess How many feet ascended. The tempest with its spoils had drifted in, Till each unwholesome stone was darkly spotted, As thickly as the leopard's dappled skin, "With leaves that rankly rotted. The air was thick — and in the upper gloom The bat — or something in its shape — was winging : And on the wall, as chilly as a tomb, The death's-head moth was clinging. That mystic moth, which, with a sense profooind Of all unholy presence, augurs truly ; And with a grim simificance flits round The taper burning bluely. Such omens in the place there seemed to be. At every crooked turn, or on the landing, The straining eyeball was prepared to see Some apparition standing. For over all there hung a cloud of fear ; A sense of mystery the spirit daunted, And said, as plain as whisper in the ear, The place is haunted ! THE HAUNTED HOUSE. 139 Yet no portentous shape the sight amazed ; Each object plain, and tangible, and valid ; But from their tarnished frames dark figures gazed, And faces spectre-pallid. Not merely with the mimic life that lies Within the compass of art's simulation ; Then- souls were looking through their painted eyes With awful speculation. On every lip a speechless horror dwelt ; On every brow the burthen of afiiiction ; The old ancestral spirits knew and felt The house's malediction. Such earnest woe their features overcast, They might have stirred, or sighed, or wept, or spoken. But, save the hollow moaning of the blast, The stillness was unbroken. No other sound or stu- of life was there, Except my steps in solitary clamber, From flight to flight, from humid stair to stair, From chamber into chamber. Deserted rooms of luxury and state, That old magnificence had richly furnished With pictures, cabinets of ancient date, And carvings gilt and burnished. Rich hangings, storied by the needle's art, With Scripture history, or classic fable ; But all had faded, save one ragged part, Where Cain was slaying Abel. 140 THE HAUNTED HOUSE. The silent waste of mildew and the moth Had marred the tissue with a partial ravage ; But undecajing frowned upon the cloth Each feature stern and savage. The sky was pale ; the cloud a thing of doubt ; Some hues were fresh, and some decayed and duller But still the Bloody Haxd shone strangely out With vehemence of color ! The Bloody Hand that with a lurid stam Shone on the dusty floor, a dismal token, Projected from the casement's painted pane, Where all beside was broken. The Bloody Hand significant of crime, That, glaring on the old heraldic banner, Had kept its crimson unimpaired by time, In such a wondrous manner ! O'er all there hung the shadow of a fear ; A sense of mystery the spirit daunted. And said, as plain as whisper in the ear, The place is haunted ! The death-watch ticked behind the panelled oak, Inexplicable tremors shook the arras, And echoes strange and mystical awoke. The fancy to embarrass. Prophetic hints that filled the soul with dread, But through one gloomy entrance pointing mostly, The while some secret inspiration said, That chamber is the ghostly ! THE HAUNTED HOUSE. 141 Across the door no gossamer festoon Swung pendulous — no web — no dusty fringes, No silky chrysalis or white cocoon About its nooks and hinges. The spider shunned the interdicted room, The moth, the beetle, and the fly were banished. And where the sunbeam fell athwart the gloom The very midge had vanished. One lonely ray that glanced upon a bed, As if with awful aim direct and certain, To show the Bloody Hand in burning red Embroidered on the curtain. And yet no gory stain was on the quilt — The pillow in its place had slowly rotted; The floor alone retained the trace of guilt, Those boards obscurely spotted. Obscurely spotted to the door, and thence With mazy doubles to the grated casement — 0, what a tale they told of fear intense, Of horror and amazement ! What human creature in the dead of night Had coursed like hunted hare that cruel distance 7 Had sought the door, the window, in his flight. Striving for dear existence 7 What shrieking spirit in that bloody room Its mortal frame had violently quitted 7 — Across the sunbeam, with a sudden gloom, A ghostly shadow flitted. 142 THE HAUNTED HOUSE. Across the sunbeam, and along the wall, But painted on the air so verj dimly, It hardlj veiled the tapestry at all. Or portrait frowning grimly. O'er all there hung the shadow of a fear ; A sense of mystery the spirit daunted. And said, as plain as whisper in the ear, The place is haunted ! THE BRIDGE OF SIGHS " Drowned ! drowned ! " — Hamlet. Ojie more unfortunate, Wearj of breath, Rashlj importunate, Gone to her death ! Take her up tenderly, Lift her with care ; Fashioned so slenderly, Young, and so fair ! Look at her garments Clinging like cerements ; Whilst the wave constantly Drips from her clothing ; Take her up instantly. Loving, not loathing. — Touch her not scornfully ; Think of her mournfully, Gently and humanly ; Not of the stains of her. All that remains of her Now is pure womanly. 144 THE BRIDGE OF SIGHS. Make no deep scrutiny Into her mutiny Kash and undutifal : Past all dishonor, Death has left on her Only the beautiful. Still, for all slips of hers, One of Eve"s family — Wipe those poor lips of hers Oozing so clammily. Loop up her tresses Escaped from the comb, Her fair auburn tresses ; Whilst "wonderment guesses Where was her home 1 Who was her father ? Who was her mother? Had she a sister ? Had she a brother? Or was there a dearer one Still, and a nearer one Yet, than all other? Alas for the rarity Of Christian charity Under the sun ! 0, it was pitiful ! Near a whole city full, Home she had none. Sisterly, brotherly, Fatherly, motherly THE BRIDGE OF SIGHS. 145 Feelings had changed : Love, by harsh evidence, Thrown from its eminence ; Even God's providence Seeming estranged. Where the lamps quiver- So far in the river, With many a light From window and casement, From garret to basement. She stood, with amazement, Houseless by night. The bleak wind of March Made her tremble and shiver; But not the dark arch. Or the black flowing river : Mad from life's history, Glad to death's mystery, Swift to be hurled — Anywhere, anywhere Out of the world ! In she plunged boldly, No matter how coldly The rough river ran, — Over the brink of it. Picture it — think of it, Dissolute man ! Lave in it, drink of it, Then, if you can ! Take her up tenderly, Lift her with care ; 13 146 THE BRIDGE OF SIGHS. Fashioned so slenderly, Young, and so fair ! Ere her limbs frigidly Stiffen too rigidly, Decently, — kindly, — Smooth, and compose them ; And her eyes, close them, Staring so blindly ! Dreadfully staring Through muddy impurity, As when with the daring Last look of despairing Fixed on futurity. Perishing gloomily, Spurred by contumely. Cold inhumanity, Burning insanity. Into her rest. — Cross her hands humbly, As if praying dumbly. Over her breast ! Owning her weakness. Her evil behavior, And leaving, with meekness Her sins to her Saviour ! THE SONG OF THE SHIRT, W^ITH fingei-s weary and worn, With eyelids heavy and red, A woman sat in unwomanly rags, Plying her needle and thread — Stitch ! stitch ! stitch ! In poverty, hunger, and dirt, And still with a voice of dolorous pitch She sang the " Song of the Shirt ! " " Work I work ! work ! While the cock is crowing aloof! And work — work — work, Till the stars shine through the roof! It "s ! to be a slave Along with the barbarous Turk, Where woman has never a soul to save. If this is Christian work ! '' Work — work — work Till the brain begins to swim ! Work — work — work Till the eyes are heavy and dim ! Seam, and gusset, and band, Band, and gusset, and seam. Till over the buttons I fall asleep, And sew them on in a dream ! L 148 THE SOXG OF THE SHIRT. "0, men, with sisters dear ! 0, men, with mothers and wives ! It is not linen you "re wearing out, But human creatures' lives ! Stitch — stitch — stitch, In poverty, hunger, and dirt, Sewing at once, with a double thread, A shroud as well as a shiii;. " But why do I talk of death ? That phantom of grisly bone, I hardly fear his terrible shape, It seems so like my own — It seems so like my own, Because of the fasts I keep ; 0, God ! that bread should be so dear. And flesh and blood so cheap ! " Work — work — work ! My labor never flags ; And what are its wages 7 A bed of straw, A crust of bread — and rags. That shattered roof — and this naked floor — A table — a broken chau' — And a wall so blank, my shadow I thank For sometimes falling there ! ' ' Work — work — work ! From weary chime to chime, Work — work — work. As prisoners work for crime ! Band, and gusset, and seam. Seam, and gusset, and band, Till the heart is sick, and the brain benumbed As well as the weary hand. THE SOXa OF THE SHIKT. 149 « ' "Work — work — work, In the dull December light, And work — work — work, When the Aveather is warm and bright — While underneath the eaves The brooding swallows cling, As if to show me their sunny backs, And twit me with the spring. " ! but to breathe the breath Of the cowslip and primrose sweet — With the sky above my head, And the grass beneath my feet, For only one short hour To feel as I used to feel. Before I knew the woes of want, And the walk that costs a meal ! " ! but for one short hour ! A respite however brief ! No blessed leisure for love or hope. But only time for grief ! A little weeping would ease my heart, But in their briny bed My tears must stop, for every drop Hinders needle and thread ! " With fingers weary and worn, With eyelids heavy and red, A woman sat in unwomanly rags. Plying her needle and thread — Stitch ! stitch ! stitch ! In poverty, hunger, and dirt, And still with a voice of dolorous pitch,— Would that its tone could reach the rich ! - She sang this " Song of the Shirt ! " 13* i THE LADY'S DREAM. The ladj lay in her bed, Her couch so warm and soft, But her sleep was restless and broken still ; For, turning often and oft From side to side, she muttered and moaned, And tossed her arms aloft. At last she startled up, And gazed on the vacant air. With a look of awe, as if she saw Some dreadful phantom there — And then in the pillow she buried her face From visions ill to bear. The very curtain shook, Her terror was so extreme ; And the light that fell on the broidered quilt Kept a tremulous gleam ; And her voice was hollow, and shook as she cried : ' • 0, me ! that awful dream ! " That wear J, wearj walk, In the church-yard's dismal ground ! And those horrible things, with shady wings, That came and flitted round, — Death, death, and nothing but death, In every sight and sound ! THE lady's dream. 151 " Ajid, ! those maidens young, Who wrought in that dreary room, With figures drooping and spectres thin. And cheeks -without a bloom ; — And the voice that cried, • For the pomp of pride, We haste to an early tomb ! " ' For the pomp and pleasure of pride, We toil like Afric slaves. And only to earn a home, at last. Where yonder cypress waves ; ' — And then they pointed — I never saw A ground so full of graves ! " And still the coffins came. With theii- sorrowful trains and slow ; Coffin after coffin stilL A sad and sickening show ; From grief exempt, I never had di'eamt Of such a world of woe ! " Qf the hearts that daily break, Of the tears that hourly fall, Of the many, many troubles of life, That grieve this earthly ball — Disease, and Hunger, and Pain, and Want, But now I di-eamt of them all ! " For the blind and the cripple were there, And the babe that pined for bread. And the houseless man, and the widow poor Who begged — to bury the dead ; The naked, alas ! that I might have clad. The famished I might have fed ! 152 THE lady's dream. " The sorrow I might have soothed, And the unregarded tears ; For manj a thronging shape was there, From long-forgotten years, — Ay, even the poor rejected Moor, Who raised my childish fears ! " Each pleading look, that long ago I scanned with a heedless eye, Each face was gazing as plainly there As when I passed it by : Woe, woe for me if the past should be Thus present when I die ! "No need of sulphureous lake. No need of fiery coal. But only that crowd of human kind Who wanted pity and dole — In everlasting retrospect — Will wring my sinful soul ! " Alas ! I have walked through life Too heedless where I trod ; Nay, helping to trample my fellow-worm, And fill the burial sod — Forgetting that even the sparrow falls Not unmarked of God ! '' I drank the richest draughts ; And ate whatever is sood — Fish, and flesh, and fowl, and fruit. Supplied my hungry mood ; But I never remembered the wretched ones That starve for want of food ! THE lady's dream. 153 " I dressed as the noble dress, In cloth of silver and gold, With silk, and satin, and costly furs, In many an ample fold ; But I never remembered the naked limbs That froze with winter's cold. '• The wounds I might have healed ! The human sorrow and smart ! And yet it never Avas in my soul To play so ill a part : But evil is wrought by want of thought, As well as want of heart ! " She clasped her fervent hands, And the tears began to stream ; Large, and bitter, and fast they fell; Remorse was so extreme ; And yet, 0, yet, that many a dame Would dream the Lady's Dream ! THE WORKHOUSE CLOCK AX ALLEGORY. There "s a murmur in the air, A noise in every street — The murmur of many tongues, The noise of numerous feet — While rouni the workhouse door The laboring classes flock. For why ] — the overseer of the poor Is setting the workhouse clock. Who does not hear the tramp Of thousands speeding along Of either sex and various stamp, Sickly, crippled, or strong. Walking, limping, creeping From court, and allev. and lane, But all in one direction sweeping, Like rivers that seek the main ? Who does not see them sally From mill, and garret, and room, Li lane, and court, and alley, From homes in poverty's lowest valley, Furnished with shuttle and loom — Poor slaves of Civilization's galley — And in the road and footways rally. As if for the day of doom ? THE WORKHOUSE CLOCK. Some, of hardly human form, Stunted, crooked, and crippled by toil ; Dino^y with smoke and dust and oil, And smirched besides -with vicious soil, Clustering, mustering, all in a swarm. Father, mother, and careful child, Looking as if it had never smiled — The seamstress, lean, and weary, and wan, "With only the ghosts of garments on — The weaver, her sallow neighbor. The grim and sooty artisan ; Every soul — child, woman, or man, Who lives — or dies — by labor. Stirred by an overwhelming zeal, And social impulse, a terrible throng ! Leaving shuttle, and neaile, and wheel. Furnace, and grindstone, spindle, and reel, Thread, and yarn, and iron, and steel — Yea. rest and the yet untasted meal — Gushing, rushing, crushing along, A very torrent of Man ! Urged by the sighs of sorrow and wrong, Grown at last to a hurricane sti'ong. Stop its course who can ! Stop who can its onward course And irresistible moral force ; ! vain and idle di-eam ! For surely as men are all akin, "Whether of fair or sable skin, According to Nature's scheme, That human movement contains within A blood-power stronger than steam. 155 156 THE -WOBKHOUSE CLOCK. Onward, onward, with hasty feet, ■ ■•'S«>5 Thej swarm — and westward still — " '"= Masses born to drink and eat. But starWng amidst WhitechapeFs meat, And famishing down Cornhill ! Through the Poultry — but still unfed — Christian charity, hang your head ! Hungry — passing the Street of Bread ; Thirsty — the Street of Milk ; Ragged — beside the Ludgate mart. So gorgeous, through mechanic art, With cotton, and wool, and silk ! At last, before that door That bears so many a knock Ere ever it opens to sick or poor. Like sheep they huddle and flock — And would that all the good and wise Could see the million of hollow eyes, With a gleam derived from hope and the skies, Upturned to the workhouse clock ! ! that the parish powers, Who regulate labor's hours, The daily amount of human trial. Weariness, pain, and self-denial. Would turn from the artificial dial That striketh ten or eleven, And go, for once, by that older one That stands in the light of Nature's sun, And takes its time from Heaven ! THE LAY OF THE LABORER, A SPADE ! a rake ! a hoe ! A pickaxe, or a bill ! A hook to reap, or a scythe to mow, A flail, or what ye will — And here 's a ready hand To ply the needful tool, And skilled enough, by lessons rough, In Labor's rugged school. To hedge, or dig the ditch. To lop or fell the tree. To lay the swarth on the sultry field, Or plough the stubborn lea ; The harvest stack to bind, The wheaten rick to thatch, And never fear in my pouch to find The tinder or the match. To a flaming barn or farm My fancies never roam; The fire I yeai-n to kindle and burn Is on the hearth of home ; Where children huddle and crouch Through dark long whiter days, 14 158 THE LAY OF THE LABORER. Where starving children huddle and crouch, To see the cheerful rays, A-glowing on the haggard cheek, And not in the haggard's blaze ! To Him -who sends a drought o To parch the fields forlorn. The rain to flood the meadows with mud, The blight to blast the corn. To Him I leave to guide The bolt in its crooked path, To strike the miser's rick, and show The skies blood-red with wrath. A spade ! a rake ! a hoe ! A pickaxe, or a bill ! A hook to reap, or a scythe to mow, A flail, or what je will — The corn to thrash, or the hedge to plash, The market-team to drive, Or mend the fence bj the cover-side, And leave the game alive. Ay, only give me work. And then you need not fear That I shall snare his worship's hare. Or kill his grace's deer ; Break into his lordship's house. To steal the plate so rich ; Or leave the yeoman that had a purse To welter in the ditch. Wherever Nature needs. Wherever Labor calls, THE LAY OF THE LABORER. 155 No job I '11 shirk of the hardest work, To shun the workhouse walls ; Where savage laws begrudge The pauper babe its breath, And doom a wife to a widow's life, Before her partner's death. Mj only claim is this, "With labor stiff and stark By lawful turn my living to earn. Between the light and dark ; My daily bread and nightly bed. My bacon, and drop of beer — But all from the hand that holds the land, And none from the overseer ! No parish money, or loaf, No pauper badges for me, — A son of the soil by right of toil Entitled to my fee. No alms I ask. give me my task ; Here are the arm. the leg, The strength, the sinews of a man, To work, and not to beg. Still one of Adam's heirs, Though doomed by chance of birth To dress so mean, and to eat the lean Instead of the fat of the earth : To make such humble meals As honest labor can, A bone and a crust, with a grace to God, And little thanks to man ! 160 THE LAY OE THE LABORER. A spade ! a rake ! a hoe ! A pickaxe, or a bill ! A hook to reap, or a scythe to mow, A flail, or what ye will — Whatever the tool to ply, Here is a willing di-udge, With muscle and limb, and woe to him Who does their pay begrudge ! Who every weekly score Docks labor's little mite, Bestows on the poor at the temple door, But robbed them over night. The very shilling he hoped to save. As health and morals fail, Shall visit me in the New Bastile The Spital, or the Gaol ! (r- MISCELLANEOUS POEMS. FAIR ENES. SAW ye not fair Ines ? She 's gone into the west. To dazzle when the sun is down, And rob the world of rest : She took our daylight with her, The smiles that we love best, With morning blushes on her cheek, And pearls upon her breast. turn again, fail* Ines, Before the fall of night, For fear the moon should shine alone, And stars unrivalled bright ; And blessed will the lover be That walks beneath their light, And breathes the love against thy cheek 1 dare not even write ! Would I had been, fair Ines, That gallant cavalier, Who rode so gayly by thy side, And whispered thee so near ! — 164 FAIR INES. Were there no bonny dames at home, Or no true lovers here, That he should cross the seas to win The dearest of the dear 1 I saw thee, lovely Ines, Descend along the shore. With bands of noble gentlemen, And banners waved before : And gentle youth and maidens gay. And snowy plumes they wore ; — It would have been a beauteous dream, — K it had been no more ! Alas, alas ! fair Ines, She went away with song. With music waiting on her steps. And shoutings of the throng ; But some were sad, and felt no mirth, But only music's wrong. In sounds that sang farewell, farewell, To her you 've loved so long. Farewell, farewell, fair Ines ! That vessel never bore So fair a lady on its deck, Nor danced so light before, — Alas for pleasure on the sea. And sorrow on the shore! The smile that blest one lover's heart Has broken many more ! THE DEPARTURE OF SUMMER. 165 THE DEPARTURE OF SOIMER. Summer is gone on swallows" wings, And earth has buried all her flowers : No more the lark, the linnet sings, But silence sits in faded bowers. There is a shadow on the plain Of "Winter ere he comes again, — There is in woods a solemn sound Of hollow warnings whispered round, As Echo in her deep recess For once had turned a prophetess. Shuddering Autumn stops to list, And breathes his fear in sudden sighs. With clouded face, and hazel ejes That quench themselves, and hide in mist. Yes. Summer 's gone like pageant bright ; Its glorious days of golden light Are gone — the mimic suns that quiver, Then melt in Time's dark-flowing river. Gone the sweetly-scented breeze That spoke in music to the trees ; Gone for damp and chilly breath, As if fresh blown o"er marble seas. Or newly from the lungs of Death. — Gone its virgin roses* blushes. Warm as when Aurora rushes Freshly from the god's embrace, With all her shame upon her face. Old Time hath laid them in the mould ; Sure he is blind as well as old, Whose hand relentless never spares Young cheeks so beauty-bright as theirs ! 166 THE DEPARTURE OF SUMMER. Gone are the flame-ejed lovers now From -where so blushing-blest they tarried Under the hawthorn's blossom-bough, Gone ; for Daj and Xight are married. All the light of love is fled : — Alas ! that negro breasts should hide The lips that were so rosy red, At morning and at even-tide ! Delicjhtful Summer ! then adieu Till thou shalt visit us anew : But who without regretful sigh Can say adieu, and see thee fly ? Not he that e'er hath felt thy power, His joy expanding like a flower That Cometh after rain and snow, Looks up at heaven, and learns to glow : — Not he that fled from Babel-strife To the green Sabbath-land of life, To dodge dull Care 'mid clustered trees, And cool his forehead in the breeze, — Whose spirit, weary- worn perchance, Shook from its wings a weight of grief, And perched upon an aspen-leaf, For every breath to make it dance. Farewell ! — on wings of sombre stain, That blacken in the last blue skies, Thou fly'st ; but thou wilt come again On the gay wings of butterflies. Spring at thy approach will sprout Her new Corinthian beauties out. Leaf-woven homes, where twitter-words Will grow to songs, and eggs to birds ; THE DEPARTURE OF SUMMER, 167 Ambitious buds shall swell to flowers, And April smiles to sunny hours. Bright days shall be, and gentle nights Full of soft breath and echo-lights, As if the god of sun-time kept His eyes half-open while he slept. Roses shall be where roses were, Not shadows, but reality ; As if they never perished there, But slept in immortality : Nature shall thrill with new delight, And Times relumined river run Warm as young blood, and dazzling bright As if its source were in the sun ! But say, hath Winter then no charms 'I Is there no joy, no gladness, warms His aged heart ? no happy wiles To cheat the hoary one to smiles 1 Onward he comes — the cruel North Pours his fiu'ious whirlwind forth Before him — and we breathe the breath Of famished bears that howl to death. Onward he comes from rocks that blanch O'er solid streams that never flow ; His tears all ice, his locks all snow, Just crept from some huge avalanche — A thing half-breathing and half-warm. As if one spark began to glow Within some statue's marble form. Or pilgrim stiffened in the storm. ! will not Mirth's light arrows fail To pierce that frozen coat of mail 1 168 THE DEPARTURE OF SUMMER. ! will not joy but strive in vain To light up those glazed eyes again 1 No ! take him in, and blaze the oak, And pour the wine, and warm the ale ; His sides shall shake to many a joke. His tongue shall thaw in many a tale, His eyes grow bright, his heart be gay, And even his palsy charmed away. "What heeds he then the boisterous shout Of angry winds that scold without, Like shrewish wives at tavern door 7 What heeds he then the wild uproar Of billows bursting on the shore 7 In dashing waves, in howling breeze, There is a music that can charm him ; When safe, and sheltered, and at ease. He hears the storm that cannot harm him. But hark ! those shouts ! that sudden din Of little hearts that laugh within. ! take him where the youngsters play, And he will grow as young as they ! They come ! they come ! each blue-eyed Sport, The Twelfth-Night King and all his court — 'T is iSIu-th- fresh crowned with mistletoe ! Music with her merry fiddles, Joy "on light fantastic toe," Wit with all his jests and riddles. Singing and dancing as they go. And Love, young Love, among the rest, A welcome — nor unbidden guest. But still for Summer dost thou grieve 7 Then read our poets — they shall weave THE DEPARTURE OF SUMMER. 163 A garden of green flmcies still, Where thy wish may rove at will. They have kept for after treats The essences of summer sweets, And echoes of its songs that wind In endless music through the mind : They have stamped in visible traces The " thoughts that breathe," in words that shine — The flights of soul in sunny places — To o-reet and company with thine. These shall wing thee on to flowers — The past or future that shall seem All the brighter in thy dream For blowing in such desert hours. The summer never shines so bright As thought of in a winter's night ; And the sweetest, loveliest rose Is in the bud before it blows ; The dear one of the lover's heart Is painted to his longing eyes. In charms she ne'er can realize — But when she turns again to part. Dream thou then, and bind thy brow With wreath of fancy roses now, And drink of summer in the cup Where the Muse hath mixed it up ; The " dance, and song, and sun-burnt mirth," With the warm nectar of the earth : Drink ! 't will glow in every vein, And thou shalt dream the wmter through : Then waken to the sun again, And find thy summer vision true ! 15 170 ODE: AUTUMN. ODE: AUTUMN. I SAW old Autumn in the misty morn Stand shadowless like silence, listening To silence, for no lonely bird would sing Into his hollow ear from woods forlorn, Nor lowly hedge nor solitary thorn ; — Shaking his languid locks all dewy bright With tangled gossamer that fell by night. Pearling his coronet of golden corn. Where are the songs of Summer 1 — With the sun, Oping the dusky eyelids of the South, Till shade and silence waken up as one, And Morning sings with a warm odorous mouth. Where are the merry birds ? — Away, away. On panting wings through the inclement skies, Lest owls should prey Undazzled at noon-day, And tear with horny beak their lustrous eyes. Where are the blooms of Summer ? — In the west. Blushing their last to the last sunny hours. When the mild Eve by sudden Xight is prest Like tearful Proserpine, snatched from her flowers To a most gloomy breast. Where is the pride of Summer, — the green prime, - The many, many leaves all twinkling ] — Three On the mossed elm ; three on the naked lime Trembling, — and one upon the old oak tree ! Where is the Dryad"s immortality 1 — Gone into mournful cypress and dark yew. Or wearing the long gloomy Winter thi'ough In the smooth holly's green eternity. ODE : AUTUMN. in The squirrel gloats on his accomplished hoard, The ants have brimmed their garners with ripe grain, And honey-bees have stored The sweets of summer in their luscious cells ; The swallows all have winged across the main ; But here the Autumn melancholy dwells. And sighs her tearful spells iVmongst the sunless shadows of the plain. Alone, alone, Upon a mossy stone, She sits and reckons up the dead and gone, With the last leaves for a love-rosary, Whilst all the withered world looks drearily, Like a dim picture of the diowned past In the hushed mind's mysterious far away. Doubtful what ghostly thing will steal the last Into that distance, gray upon the gray. 0, go and sit with her. and be o'ershaded Under the languid downfall of her hair : She wears a coronal of flowers fiided Upon her forehead, and a face of care ; — There is enough of withered everywhere To make her bower, — and enough of gloom ; There is enough of sadness to invite. If only for the rose that died. — whose doom Is Beauty's, — she that with the living bloom Of conscious cheeks most beautifies the light ; — There is enough of sorrowing, and quite Enough of bitter fruits the earth doth bear, — Enough of chilly droppings for her bowl ; Enough of fear and shadowy despair. To frame her cloudy prison for the soul ! 172 SONG. — BALLAD. SONG. FOR MUSIC. A LAKE and a fairy boat To sail in the moonlight clear, — And merrily we would float From the dragons that watch us here ! Thy gown should be snow-white silk ; And strings of orient pearls, Like gossamers dipped in milk, Should twine with thy raven curls ! Red rubies should deck thy hands, And diamonds should be thy dower — But fairies have broke their wands, And wishing has lost its power ! BALLAD. Spring it is cheery, Winter is dreary. Green leaves hang, but the brown must fly ; When he 's forsaken, AVithered and shaken, What can an old man do but die 7 Love will not clip him. Maids will not lip him, Maud and Marian pass him by ; Youth it is sunny, Age has no honey, — What can an old man do but die 1 HYMN TO THE SUN. June it was jolly, for its folly ! A dancing leg and a laughing eye ; Youth may be silly, Wisdom is chilly, — What can an old man do but die 7 Friends they are scanty, Beggars are plenty, If he has followers, I know why ; Gold 's in his clutches, (Buying him crutches !) — What can an old man do but die 7 m HYiMN TO THE SUN. Giver of glowing light ! Though but a god of other days, The kings and sages Of wiser ages Still live and gladden in thy genial rays. King of the tuneful lyre, Still poets' hymns to thee belong ; Though lips are cold Whereon of old Thy beams all turned to worshipping and song ! Lord of the dreadful bow. None triumph now for Python's death ; But thou dost save From hungry grave The life that hangs upon a summer breath. 15* 17-4 TO A COLD BEAUTY. Father of rosj day, No more th j clouds of incense rise ; But waking flowers At morning liours Give out their sweets to meet thee in the skies, God of the Delphic fane, No more thou listenest to hymns sublime ; But they will leave On winds at eve A solemn echo to the end of time. TO A COLD BEAUTY. Lady, wouldst thou heiress be To "Winter's cold and cruel part? When he sets the rivers free, Thou dost still lock up thy heart ; — Thou that shouldst outlast the snow But in the whiteness of thy brow 7 Scorn and cold neglect are made For winter gloom and winter wind, But thou wilt wrong the summer air, Breathing it to words unkind, — Breath which only should belong To love, to sunlight, and to song ! When the little buds unclose. Red, and white, and pied, and blue, And that virgin flower, the rose. Opes her heart to hold the dew. Wilt thou lock thy bosom up With no jewel in its cup 7 BUTH. Let not cold December sit Thus in Love's peculiar throne; — Brooklets are not prisoned now, But crystal frosts are all agone, And that which hangs upon the spray, It is no snow, but flower of May! ITo RUTH. c5he stood breast-high amid the corn, Clasped by the golden light of morn, Like the sweetheart of the sun. Who many a glowing kiss had won. On her cheek an autumn flush. Deeply ripened ; — such a blush In the midst of brown was born, Like red poppies grown with corn. Round her eyes her tresses fell ; Which were blackest none could tell, But long lashes veiled a light That had else been all too bright. And her hat, with shady brim. Made her tressy forehead dim ; — Thus she stood amid the stocks, Praising God with sweetest looks : — Sure, I said, Heaven did not mean Where I reap thou shouldst but glean ; Lay thy sheaf adown and come, Share my harvest and my home. 176 THE SEA OF DEATH. THE SEA OF DEATH. A FRAGMENT. Methought I saw Life swiftly treading over endless space ; And, at her foot-print, but a bygone pace, The ocean-past, -which, with increasing wave, Swallowed her steps like a pursuing grave. Sad were my thoughts that anchored silently On the dead waters of that passionless sea. Unstirred by any touch of living breath : Silence hung over it, and drowsy Death, Like a gorged sea-bird, slept with folded wings On crowded carcasses — sad passive things That wore the thin gray surface like a veil Over the calmness of their features pale. And there were spring-faced cherubs that did sleep Like water-lilies on that motionless deep. How beautiful ! with bright unruffled hair On sleek unfretted brows, and eyes that were Buried in marble tombs, a pale eclipse ! And smile-bedimpled cheeks, and pleasant lips, iSIeekly apart, as if the soul intense Spake out in dreams of its own innocence : And so they lay in loveliness, and kept The birth-night of their peace, that Life even wept With very envy of their happy fronts ; For there were neighbor brows scarred by the brunts Of strife and sorrowing — where Care had set His crooked autograph, and marred the jet Of glossy locks, with hollow eyes forlorn. And lips that curled in bitterness and scorn — AUTUMN. — BALLAD. 177 Wretched, — as tbey had breathed of this world's pain, And so bequeathed it to the world again, Through the beholder's heart, in heavy sighs. So laj they garmented in torpid light, Under the pall of a transparent night, Like solemn apparitions lulled sublime To everlasting rest, — tind with them Time Slept, as he sleeps upon the silent face Of a dark dial in a sunless place. AUTHMX. The autumn skies are flushed with gold, And fair and bright the rivers run : These are but streams of winter cold, And painted mists that quench the sun. In secret boughs no sweet bii-ds sing, In secret boughs no bird can shroud ; These are but leaves that take to wing, And wintry winds that pipe so loud, *T is not trees' shade, but cloudy glooms That on the cheerless valleys foil : The flowers are in their grassy tombs, And tears of dew are on them all. BALLAD. She 's up and gone, the graceless girl ! And robbed my faihng years ; ^ly blood before was thin and cold. But now t is turned to tears ■ — 178 I REMEMBER, I REMEMBER. M J shadow falls upon my grave ; So near the brink I stand, She might have staid a little yet, And led me by the hand ! Ay, call her on the barren moor, And call her on the hill, — 'Tis nothing but the heron's cry, And plover's answer shrill; My child is flown on wilder wings Than they have ever spread, And I may even walk a waste That widened when she fled. Full many a thankless child has been, But never one like mine ; Her meat was served on plates of gold, | Her drink was rosy wine ; But now she '11 share the robin's food. And sup the common rill. Before her feet will turn again To meet her father's will ! I RE]SIE\rBER, I REMEMBER. I REMEMBER. I remember The house where I was bom, The little window where the sun Came peeping in at morn : He never came a wink too soon, Nor brought too long a day, But now I often wish the night Had borne my breath away ' BALLAD. 179 I remember, I remember The roses red and white, The violets, and the lilj-cups, Those flowers made of light ! The lilacs where the robin built, And where my brother set The laburnum on his birth-daj, — The tree is living jet ! I remember, I remember Where I was used to swinsr. And thought the air- must rush as fresh To swallows on the wine ; My spirit flew in feathers then. That is so heavy now, And summer pools could hardly cool The fever on my brow ! I remember, I remember The fir-trees dark and high : I used to think their slender tops Were close against the sky : It was a childish ignorance, But now 'tis little joy To know I 'm further oflf from heaven Than when I was a boy. BALLAD. Sigh on. sad heart, for Love's eclipse And Beauty's fairest queen, Though 't is not for my peasant lips To soil her name between : 180 BALLAD. A king might lay his sceptre down, But I am poor and naught, The brow should wear a golden crown That wears her in its thought. The diamonds glancing in her hair, ^ Whose sudden beams surprise, Might bid such humble hopes beware The glancing of her eyes ; Yet looking once. I looked too long, And if my love is sin. Death follows on the heels of wrong. And kills the crime within. Her dress seemed wove of lily leaves, It was so pure and fine, lofty wears, and lowly weaves. But hoddan gray is mine ; And homely hose must step apart, Where gartered princes stand. But may he wear my love at heart That wins her lily hand I Alas! there "s far from russet frize To silks and satin gowns. But I doubt if God made like degrees In courtly hearts and clowns. My father wronged a maiden's mirth, And brought her cheeks to blame, And all that "s lordly of my birth Is my reproach and shame ! "Tis vain to weep. — 't is vain to sigh, 'Tis vain this idle speech. For where her happy pearls do lie My tears may never reach ; THE WATER LADY. 18 1 Yet when I 'm gone, e'en lofty pride May say of what has been, His love was nobly born and died, Though all the rest was mean ! My speech is rude, — but speech is weak Such love as mine to tell, Yet had I words, I dare not speak, So, lady, fare thee well ; I will not wish thy better state Was one of low degree. But I must weep that partial fate Made such a chm-1 of me. THE WATER LADY. Alas ! the moon should ever beam To show what man should never see ! ■ I saw a maiden on a stream, And fair was she ! I staid a while, to see her throw Her tresses back, that all beset The fair horizon of her brow With clouds of jet. I staid a little while to view Her cheek, that wore in place of red The bloom of water, tender blue, Daintily spread. I staid to watch, a little space, Her parted lips if she would sing ; The watei-s closed above her face With many a ring. 16 182 THE EXILE. And still I staid a little more ; Alas ! she never comes again ! I throw my flowers from the shore, And watch in vain. I know my life will fade away, I know that I must vainly pine ; For I am made of mortal clay, But she 's divine ! THE EXILE. The swallow with summer Will wing o'er the seas, The wind that I sigh to Will visit thy trees, The ship that it hastens Thy ports will contain, But me — I must never See England again ! There 's many that weep there^ But one weeps alone, For the tears that are fjilling So far from her own ; So far from thy own, lov6, We know not our pain ; K death is between us, Or only the main. When the white cloud reclines On the verge of the sea, I fancy the white cliffs, And di-eam upon thee ; TO AN ABSENTEE. SONG. 183 But the cloud spread its wings To the blue heaven and flies. We never shall meet, love, Except in the skies ! TO AN ABSENTEE. O'er hill, and dale, and distant sea. Through all the miles that stretch between, My thought must fly to rest on thee, And would, though worlds should intervene. Nay, thou art now so dear, methinks The further we are forced apart, Aflbction's firm elastic links But bind the closer round the heart. For now we sever each from each, I learn what I have lost in thee ; Alas ! that nothing less could teach How great indeed my love should be ! Farewell ! I did not know thy worth ; But thou art gone, and now 'tis prized: So angels walked unknown on earth. But when they flew were recognized ! SONG. The stars are with the voyager Wherever he may sail ; The moon is constant to her time ; The sun will never fail ; 184 ODE TO THE MOON. But follow, follow round the world, The gi-een earth and the sea : So love is with the lover's heart, Wherever he may be. THierever he may be. the stars Must daily lose their light ; The moon will veil her in the shade ; The sun will set at night. The sun may set, but constant love Will shine when he 's away ; So that dull night is never night, And day is brighter day. ODE TO THE MOON. MOTHEK of light ! how fairly dost thou go Over those hoary crests, divinely led ! — Art thou that huntress of the silver bow Fabled of old 1 Or rather dost thou tread Those cloudy summits thence to gaze below, Like the wild chamois from her Alpine snow, Where hunter never climbed, — secure from dread ] How many antique fancies have I read Of that mild pr^ence ! and how many wrought ! Wondi'ous and bright, Upon the silver light. Chasing fair figures with the artist, Thought ! What art thou like ? — sometimes I see thee ride A far-bound galley on its perilous way, Whilst breezy waves toss up their silvery spray : — Sometimes behold thee glide, ODE TO THE MOON. 18o Clustered by all thy family of stars, Like a lone widow, through the welkin wide, Whose pallid cheek the midnight sorrow mars ; — Sometimes I watch thee ou from steep to steep, Timidly lighted by thy vestal torch, Till in some Latmian cave I see thee creep, To catch the young Endymion asleep, — Leaving thy splendor at the jagged porch ! — 0, thou art beautiful, howe'er it be ! Huntress, or Dian, or whatever named ; And he, the veriest Pagan, that first framed A silver idol, and ne"er worshipped thee ! — It is too late, or thou shouldst have my knee ; Too late now for the old Ephesiau vows, And not divine the crescent on thy brows ! — Yet, call thee nothing but the mere mild moon, Behind those chestnut boughs. Casting their dappled shadows at my feet ; I will be grateful for that simple boon, In many a thoughtful verse and anthem sweet, And bless thy dainty face whene'er we meet. In nights far gone,— ay, far away and dead,— Before Care-fretted with a lidless eye,— I was thy wooer on my little bed. Letting the early houi's of rest go by, To see°thee flood the heaven with milky light, And feed thy snow-white swans, before I slept ; For thou wert then purveyor of my dreams,— Thou wert the fairies' armorer, that kept Their burnished helms, and crowns, and corselets bright; Their spears and glittering mails ; 16* 186 ODE TO THE MOON. And ever thou didst spill in winding streams Sparkles and midnight gleams, For fishes to new gloss their argent scales ! — Why sighs ? — why creeping tears 7 — why clasped hands 7 - Is it to count the boy's expended dower 7 That fairies since have broke their gifted wands 7 That young Delight, like any o'erblown flower. Gave, one by one, its sweet leaves to the gi'ound 7 — Why then, fair Moon, for all thou mark'st no hour, Thou art a sadder dial to old Time Than ever I have found On sunny garden-plot, or moss-grown tower, Mottoed with stern and melancholy rhyme. Why should I grieve for this 7 — 1 must yearn, Whilst Time, conspirator with Memory, Keeps his cold ashes in an ancient urn. Richly embossed with childhood's revelry, With leaves and clustered fruits, and flowers eterne^ — (Eternal to the world, though not to me,) Aye there will those brave sports and blossoms be, The deathless wreath, and undecayed festoon. When I am hearsed within, — Less than the pallid primrose to the moon, That now she watches through a vapor thin. So let it be : — Before I lived to sigh. Thou wert in Avon, and a thousand rills, Beautiful orb ! and so, whene'er I lie Trodden, thou wilt be gazing from thy hills. Blest be thy loving light, where'er it spills, And blessed thy fail- face, mother mild ! Still shine, the soul of rivers as they run, ir TO tm Still lend thy lonely lamp to lovers fond, And blend their plighted shadows into one : — Still smile at even ou the bedded child, And close his eyelids with thy silver wand ! TO Welcome, dear heart, and a most kind good-morrow , The day is gloomy, but our looks shall shuie : — Flowers I have none to give thee, but I borrow Their sweetness in a verse to speak for thine. Here are red roses, gathered at thy cheeks, — The white were all too happy to look white : For love the rose, for faith the lily speaks ; It withers in false hands, but here 'tis bright ! Dost love sweet hyacinth 1 Its scented leaf Curls manifold,— all love's delights blow double : 'T is said this floweret is inscribed with grief, — But let that hint of a forgotten trouble. I plucked the primrose at night's dewy noon ; Like Hope, it showed its blossoms in the night ; — 'T was like Endymion, watching for the moon ! And here are sunflowers, amorous of light ! These golden buttercups are April's seal, — The daisy stars her constellations be : These grew so lowly, I was forced to kneel, Therefore I pluck no daisies but for thee ! Here 's daisies for the morn, primrose for gloom, Pansies and roses for the noontide hours : — A wight once made a dial of their bloom, — So may thy life be measured out by flowers ! 188 THE FORSAKEN. — AUTUMN. THE FORSAKEN. The dead are in their silent graves, And the dew is cold above, And the living weep and sigh Over dust that once was love. Once I only wept the dead, But now the living cause my pain : How couldst thou steal me from my tears, To leave me to my tears again 1 My mother rests beneath the sod, — Her rest is calm and very deep : I wished that she could see our loves, — But now I gladden in her sleep. Last night unbound my raven locks. The morning saw them turned to gray. Once they were black and well beloved, But thou art changed, — and so are they ! The useless lock I gave thee once. To gaze upon and think of me, Was ta'en with smiles, — but this was torn In sorrow that I send to thee. AUTUMN. The Autumn is old, The sere leaves are flying ; He hath gathered up gold, And now he is dying ; — Old age, begin sighing ! ODE TO MELANCHOLY. 189 The vintage is ripe, The harvest is heaping ; — But some that have sowed Have no riches for reaping ; — Poor wretch, fall a weeping ! The year 's in the wane, There is nothing adorning, The night has no eve, And the day has no morning ; — Cold winter gives warning. The rivers run chill, The red sun is sinking. And I am grown old, And life is fast shrinking ; — Here 's enow for sad thinking ! ODE TO MELANCHOLY. Come, let us set our careful breasts, Like Philomel, against the thorn, To aggravate the inward grief. That makes her accents so forlorn ; The world h;\3 many cruel points. Whereby our bosoms have been torn. And there are dainty themes of grief, In sadness to outlast the morn, — True honor's dearth, affection's death. Neglectful pride, and cankering scorn, With all the piteous tales that tears Have watered since the world was l^orn. 190 ODE TO MELANCHOLY. The ■world ! — it is a mlderness, Where tears are hung on every tree ; For thus my gloomy fantasy Makes all things weep with me ! Come let us sit and watch the sky, And fency clouds where no clouds be ; Grief is enough to blot the eye, And make heaven black with misery. Why should birds sing such merry notes, Unless they were more blest than we 7 No sorrow ever chokes their throats, Except sweet nightingale ; for she Was born to pain our hearts the more With her sad melody. Why shines the sun. except that he Makes gloomy nooks for Grief to hide, And pensive shades for [Melancholy, When all the earth is bright beside 1 Let clay wear smiles, and green grass wavCj Mirth shall not win us back again. Whilst man is made of his own grave, And fairest clouds but gilded rain ! I saw my mother in her shroud. Her cheek was cold and very pale ; And ever since I ve looked on all As creatures doomed to fail ! Why do buds ope, except to die ? Ay, let us watch the roses wither, And think of our loves' cheeks ; And, 0. how quickly time doth fly To bring death's winter hither ! Minutes, hours, days, and weeks. ODE TO MELANCHOLY. 191 Months, years, and ages, shrink to naught ; An age past is but a thought ! Ay, let us think of him a while, That, with a coflBn for a boat. Rows daily o'er the Stygian moat, And for our table choose a tomb : There 's dark enough in any skull To charge with black a raven plume ; And for the saddest funeral thoughts A winding-sheet hath ample room, Where Death, with his keen-pointed style, Hath writ the common doom. How wide the yew-tree spreads its gloom, And o'er the dead lets fill its dew, As if in tears it wept for them, The many human fiimilies That sleep around its stem ! How cold the dead have made these stones, With natural di-ops kept ever wet ! Lo ! here the best, the worst, the world Doth now remember or forget, Ai*e in one common ruin hurled, And love and hate are calmly met ; The loveliest eyes that ever shone, The fairest hands, and locks of jet. Is 't not enough to vex our souls. And fill our eyes, that we have set Our love upon a rose's leaf. Our hearts upon a violet ? Blue eyes, red cheeks, are frailer yet; And, sometimes, at their swift decay Beforehand we must fret : The roses bud and bloom again ; 192 ODE TO MELAXCHOLT. But love may haunt the grave of love, And vratch the mould in vain. clasp me, sweet, whilst thou art mine, And do not take my tears amiss ; For tears must flow to wash away A thought that shows so stern as this : Forgive, if somewhile I forget. In woe to come, the present hliss. As frighted Proserpine let fall Her flowers at the sight of Dis, Even so the dark and bright will kiss. The sunniest things throw sternest shade, And there is even a happiness That makes the heart afraid ! Now let us with a spell invoke The full-orbed moon to grieve our eyes ; Not bright, not bright, but, with a cloud Lapped all about her, let her rise All pale and dim. as if ffom rest The ghost of the late buried sun Had crept into the skies. The moon ! she is the source of sighs, The very face to make us sad ; If but to think in other times The same calm quiet look she had. As if the world held nothincr base, Of vile and mean, of fierce and bad ; The same fair light that shone in streams, The fairy lamp that charmed the lad ; For so it is, with spent delights She taunts men's brains, and makes them mad. All things are touched with melancholy. Born of the secret souls mistrust, SONNETS. 195 To feel her fair ethereal wings Weighed down with vile deorraded dust ; Even the bright extremes of joy Bring on conclusions of disgust, Like the sAveet blossoms of the May, Whose fragrance ends in must. 0, give her, then, her tribute just, Her sighs and tears, and musings holy ! There is no music in the life That sounds with idiot laughter solely ; There 's not a string attuned to mirth, But has its chord in Melancholy. SONNETS. WKITTEN IN A VOLUME OF SHAKSPEARE, How bravely Autumn paints upon the sky The gorgeous fame of Summer which is fled ! Hues of all flowers that in their ashes lie, Trophied in that fair light whereon they fed, Tulip, and hyacinth, and sweet rose red, — Like exhalations from the leafy mould, Look here how honor glorifies the dead, And warms their scutcheons with a glance of gold Such is the memory of poets old. Who on Parnassus' hill have bloomed elate ; Now they are laid under their marbles cold, And turned to clay, whereof they were create ; But god Apollo hath them all enrolled. And blazoned on the very clouds of fate ! 17 194 SONNETS. TO FANCY. Most delicate Ariel ! submissive thing, Won by the mind's high magic to its hest, — Invisible embassy, or secret guest, — Weighing the light air on a lighter wing ; — Whether into the midnight moon, to bring Illuminate visions to the eye of rest, — Or rich romances from the florid West, — Or to the sea, for mystic whispering, — Still by thy charmed allegiance to the will The fruitful wishes prosper in the brain, As by the fingering of fairy skill, — Moonlight, and waters, and soft music's strain, Odors, and blooms, and my Miranda's smile, Making this dull world an enchanted isle. TO AN ENTHUSIAST. Young ardent soul, graced with fair Nature's truth, Spring warmth of heart, and fervency of mind. And still a large late love of all thy kind. Spite of the world's cold practice and Time's tooth, For all these gifts, I know not, in fair sooth, Whether to give thee joy, or bid thee blind Thine eyes with tears, — that thou hast not resigned The passionate fire and freshness of thy youth : For as the current of thy life shall flow. Gilded by shine of sun or shadow-stained, Through flowery valley or unwholesome fen, Thrice blessed in thy joy, or in thy woe Thrice cursed of thy race, — thou art ordained To share beyond the lot of common men. SONNETS. 196 It is not death, that sometime in a sigh This eloquent breath shall take its speechless flight ; That sometime these bi'ight stars, that now reply In sunlio;ht to the sun. shall set in nio-ht : That this warm conscious flesh shall perish quite, And all life's ruddj springs forget to flow ; That thoughts shall cease, and the immortal spright Be lapped in alien clay and laid below ; It is not death to know this, — but to know That pious thoughts, which visit at new graves In tender pilgrimage, will cease to go So duly and so oft, — and when grass waves Over the past-away, there may be then No resurrection in the minds of men. By every sweet tradition of true hearts, Graven by Time, in love with his own lore ; By all old martyrdoms and antique smarts, Wherein Love died to be alive the more ; Yea, by the sad impression on the shore Left by the drowned Leander, to endear That coast forever, where the billows' roar Moaneth for pity in the poet's ear ; By Hero's faith, and the foreboding tear That quenched her brand's last twinkle in its fall ; By Sappho's leap, and the low rustling fear That sighed around her flight ; I swear by all, The world shall find such pattern in my act, As if Love's great examples still were lacked. LL ^ 196 SONNETS. ON RECEIVINa A GIFT. Look how the golden ocean shines above Its pebbly stones, and magnifies their girth : So does the bright and blessed light of love Its own things glorify, and raise their worth. As weeds seem flowers beneath the flattering brine, And stones like gems, and gems as gems indeed, Even so our tokens shine ; nay, they outshine Pebbles and pearls, and gems and coral weed ; For where be ocean waves but half so clear. So calmly constant, and so kindly warm, As Love's most mild and glowing atmosphere, That hath no dregs to be upturned by storm 7 Thus, sweet, thy gracious gifts are gifts of price, And more than gold to doting Avarice. SILENCE. There is a silence where hath been no sound There is a silence where no sound may be. In the cold grave — under the deep, deep sea. Or in wide desert where no life is found, Which hath been mute, and still must sleep profound , No voice is hushed — no life treads silently, But clouds and cloudy shadows wander free, That never spoke, over the idle ground : But in green ruins, in the desolate^alls Of antique palaces, where Man hath been, Though the dun fox, or wild hyena, calls, And owls, that flit continually between. Shriek to the echo, and the low winds moan, There the true Silence is, self-conscious and alone. SONNETS. 19t The curse of Adam, the old curse of all Though I inherit in this feverish life Of worldly toil, vain wishes, and hard strife, And fruitless thought, in Care"s eternal thrall. Yet more sweet honey than of bittei' gall I taste, through thee, my Eva, my sweet wife. Then what was Plan's lost Paradise ! — how rife Of bliss, since love is with him in his fall ! Such as our own pure passion still might frame, Of this fair earth, and its delightful bowers, If no fell sorrow, like the serpent, came To trail its venom o'er the sweetest flowers : — But, ! as many and such tears are ours, As only should be shed for guilt and shame ! Love, dearest lady, such as I would speak, Lives not within the humor of the eye ; — Not being but an outward fantasy. That skims the surface of a tinted cheek — Else it would wane with beauty, and grow weak, As if the rose made summer, — and so lie Amongst the perishable things that die, Unlike the love which I would give and seek, • Whose healtk is of no hue — to feel decay With cheeks' decay, that have a rosy prime. Love is its own great loveliness alway, And takes new lustre from the touch of time ; Its bough owns no December and no May, But bears its blossom into Winter's clime. 17* 198 THE LAST MAN. " THE LAST MAN." 'T WAS in the year two thousand and one, A pleasant morning of May, I sat on the gallows-ti'ee all alone; A chanting a merry lay. — To think how the pest had spared my life, To sing with the lai-ks that day ! When up the heath came a jolly knave. Like a scarecrow, all in rags : It made me crow to see his old duds All abroad in the wind, like flags : — So up he came to the timbers" foot And pitched down his greasy bags. — Good Lord ! how blithe the old beggar was At pulling out his scraps, — The very sight of his broken orts Made a work in his wi'inkled chaps : '• Come down," says he, "you Newgate-bird, And have a taste of my snaps ! '' Then down the rope, like a tai" from the mast, I slided, and by him stood ; But I wished myself on the gallows again When I smelt that beggar's food. — A foul beef-bone and a mouldy crust ; — '• ! " quoth he. '■ the heavens are good ! " Then after this gi-ace he cast him down. Says I. " You "11 get sweeter air A pace or two off, on the windward side," — For the felons' bones lay there. — But he only laughed at the empty skulls, And offered them part of his fai-e. THE LAST MAN. 199 '• I never liarmed them, and they Avon't harm me : Let the proud and the rich be cravens ! " I did not like that strancre beo-^ar man, He looked so up at the heavens. Anon he shook out his empty old poke ; '• There "s the crumbs/' saith he, '• for the ravens ! " It made me angiy to see his face, It had such a jesting look ; But -^vhile I made up my mind to speak, A small case-bottle he took ; Quoth he, " Though I gather the green water-cress, My (.h-iuk is not of the brook ! '' Full manners-like he tendered the dram : 0, it came of a dainty cask ! But, whenever it came to his turn to pull, ' ■ Your leave, good sir, I must ask ; But I always wipe the brim with my sleeve, When a hangman sups at my flask ! " And then he laughed so loudly and lonof, The churl was quite out of breath ; I thought the very Old One was come To mock me before my death. And wished I had buried the dead men's bones That were lying about the heath ! But the beggar gave me a jolly clap — " Come, let us pledge each other, For all the wide world is dead beside. And we are brother and brother — I 've a yearning for thee in my heart. As if we had come of one mother. 200 THE LAST MAN. '• I 've a yearning for thee in my heart, That almost makes me weep, For as I passed from town to town The folks were all stone-asleep, — But when I saw thee sitting aloft, It made me both laugh and leap ! " Now a curse (I thought) be on his love, And a curse upon his mirth, — An' it were not for that beggar man I 'd be the king of the earth, — But I promised myself an hour should oome To make him rue his birth ! — So down we sat and boused again Till the sun was in mid-sky. When, just when the gentle west- wind came, We hearkened a dismal cry ; "Up, up, on the tree," quoth the beggar man, " Till these horrible dogs go by ! " And, lo ! from the forest's far-off skirts They came all yelling for gore, A hundred hounds pursuing at once, And a panting hart before, Till he sunk adown at the gallows' foot, And there his haunches they tore ! His haunches they tore, without a horn To tell when the chase was done ; And there was not a single scarlet coat To flaunt it in the sun ! — I turned, and looked at the beggar man. And his tears dropt one by one ! THE LAST MAN. 201 And with curses sore he chid at the hounds, Till the last dropt out of sight ; Anon, saith he, '' Let "s down again, And ramble for our delight, For the world 's all free, and we may choose A right cose J barn for to-night ! " With that, he set up his staff on end, And it fell with the point due west ; So we fared that way to a city great Where the folks had died of the pest — It was fine to enter in house and hall, Wherever it liked me best ; — For the porters all were stiff and cold, And could not lift their heads ; And when he came where their masters lay, The rats leapt out of the beds : — The grandest palaces in the land Were as free as workhouse sheds. But the beggar man made a mumping face, And knocked at every gate : It made me curse to hear how he whined ; So our fellowship turned to hate, And I bade him walk the world by himself, For I scorned so humble a mate ! So he turned right and / turned left, As if we had never met ; And I chose a fair stone house for myself, For the city was all to let ; And for three brave holidays drank my fill Of the choicest that I could get. 202 THE LAST MAN. And because my jerkin was coarse and worn, I got me a properer vest ; It was purple velvet, stitched o'er with gold, And a shining star at the breast, — 'T was enough to fetch old Joan from her grave To see me so purely drest ! — But Joan was dead and under the mould, And every buxom lass ; In vain I watched at the window-pane, For a Christian soul to pass ; — But sheep and kine wandered up the street. And browsed on the new-come grass. — When, lo ! I spied the old beggar man, And lustily he did sing ! — His rags were lapped in a scarlet cloak, And a crown he had like a king ; So he stept right up before my gate And danced me a saucy fling ! Heaven mend us all ! — but, within my mind I had killed him then and there ; To see him lording so braggart-like That was born to his beggar's fare, And how he had stolen the royal crown His betters were meant to wear. But God forbid that a thief should die, Without his share of the laws ! So I nimbly whipt my tackle out, And soon tied up his claws, — I was judge myself, and jury, and all. And solemnly tried the cause. r THE LAST MAN. 203 But the beggar man would not plead, but cried Like a babe without its corals, For he knew how hard it is apt to go When the law and a thief have quarrels, — There was not a Christian soul alive To speak a word for his morals. 0, how gayly I doffed mj costly gear, And put on my work-day clothes ; I was tired of such a long Sunday life, — And never was one of the sloths ; But the beggar man grumbled a weary deal, And made many crooked mouths. So I hauled him off to the gallows' foot. And blinded him in his bags ; 'T was a weary job to heave him up, For a doomed man always lags ; But by ten of the clock he was off his legs In the wind, and airino; his rags ! So there he hung, and there I stood. The last man left alive, To have my own will of all the earth : Quoth I, now I shall thrive ! But when was ever honey made With one bee in a hive 7 My conscience began to gnaw my heart. Before the day was done, For the other men's lives had all gone out, Like candles in the sun ! — But it seemed as if I had broke, at last, A thousand necks in one ! 204 THE LAST MAN. So I went and cut his body down, To bury it decently ; — God send there were any good soul alive To do the like by me ! But the wild dogs came with terrible speed, And bayed me up the tree ! My sight was like a drunkard's sight, And my head began to swim, To see their* jaws all white with foam, Like the ravenous ocean-brim : — But when the wild dogs trotted away Their jaws were bloody and grim ! Their jaws were bloody and grim, good Lord ! But the beggar man, where was he 7 — There was naught of him but some ribbons of raga Below the gallows-tree ! — I know the devil, when I am dead, Will send his hounds for me ! — I 've buried my babies one by one. And dug the deep hole for Joan, And covered the faces of kith and kin, And felt the old church-yard stone Go cold to my heart, full many a time, But I never felt so lone ! For the lion and Adam were company, And the tiger him beguiled ; But the simple kine are foes to my life, And the household brutes are wild. If the veriest cur would lick my hand, I could love it like a child ! THE LEE SnOKE. 20' And the beggar man's ghost besets my dream, At night, to make me madder, — And my wretched conscience, within my breast, Is like a stinging adder ; — I sigh when I pass the gallows' foot, And look at the rope and ladder ! For hanging looks sweet, — but, alas ! in vain My desperate fancy begs, — I must turn my cup of sorrows quite up, And drink it to the dregs, — For there is not another man alive, In the world, to pull my legs ! THE LEE SHORE. Sleet ! and hail ! and thunder ! And ye winds that rave, Till the sands thereunder Tinge the sullen wave — Winds, that like a demon Howl with horrid note Round the toiling seaman, In his tossing boat — From his humble dwelling On the shingly shore, Where the billows swelling Keep such hollow roar — From that weepmg woman, Seeking with her cries 18 206 THE DEATH-BED. Succor superhuman From the frowning skies — From the urchin pining For his father's knee — From the lattice shining, Drive him out to sea ! Let broad leagues dissever Him from yonder foam ; — 0, God ! to think man ever Comes too near his home ! THE DEATH-BED. We watched her breathing through the night, Her breathing soft and low, As in her breast the wave of life Kept heaving to and fro. So silently we seemed to speak, So slowly moved about. As we had lent her half our powers To eke her living out. Our very hopes belied our fears, Our fears our hopes belied — We thought her dying when she slept, Ai.d sleeping when she died. For when the morn came dim and sad, And chill with early showers. Her quiet eyelids closed — she had Another morn than ours. . LINES. — TO MY DAUGHTER. 2'l' LINES ON SEEING MY WIFE AND TWO CHILDREN SLEEPING IN THE SAME CnAMBER. And has the earth lost its so spacious round. The sky its blue circumference above, That in this little chamber there is found Both earth and heaven — my universe of love ! All that my God can give me or remove, Here sleeping, save myself, in mimic death. Sweet that in this small compass I behove To live their living and to breathe their breath ! Almost I wish that with one common sigh We might resign all mundane care and strife, And seek together that transcendent sky, Where father, mother, children, husband, wife, Together pant in everlasting life ! TO MY DAUGHTER, ON HER BIRTHDAY. Dear Fanny ! nine long years ago. While yet the morning sun was low, And rosy with the eastern glow The landscape smiled ; Whilst lowed the newly-wakened herds - Sweet as the early song of birds, I heard those first, delightful words, '•Thou hast a child!" Along with that uprising dew Tears glistened in my eyes, though few, To hail a dawning quite as new, 208 TO A CHILD. To me, as time : It was not sorrow — not annoy — But like a happy maid, though coy, With grief- like welcome, even joy Forestalls its prime. So may" St thou live, dear ! many years, In all the bliss that life endears. Not without smiles, nor yet fi-om tears Too strictly kept : When fii'st thy infant littleness I folded in my fond caress, The greatest proof of happiness Was this — I wept. TO A CHILD EMBRACING HIS MOTHER. Love thy mother, little one ! Kiss and clasp her neck again, — Hereafter she may have a son Will kiss and clasp her neck in vain. Love thy mother, little one ! Gaze upon her living eyes. And mirror hack her love for thee, — Hereafter thou may'st shudder sighs To meet them vrhen they cannot see. Graze upon her living eyes ! Press her lips the while they glow With love that they have often told, — Hereafter thou may'st press in woe. And kiss them till thine own are cold. Press her lips the while they glow ! STANZAS. 209 0, revere her raven hair ! Although it be not silver-graj ; Too earlj death, led on bj care, May snatch save one dear lock away. ! revere her raven hair ! Pray for her at eve and morn, That heaven may long the stroke defer, — For thou may'st live the hour forlorn When thou wilt ask to die with her. Pray for her at eve and morn ! STANZAS. Farewell life ! my senses swim, And the world is growing dim : Thronging shadows cloud the light, Like the advent of the night — Colder, colder, colder still. Upward steals a vapor chill ; Strong the earthy odor grows — I smell the mould above the rose ! Welcome life ! the spirit strives ! Strength returns and hope revives ; Cloudy fears and shapes forlorn Fly like shadows at the morn, — O'er the earth there comes a bloom ; Sunny light for sullen gloom. Warm perfume for vapor cold — I smell the rose above the mould ! April, 1845. 18* 210 TO A FALSE FRIEND. — A POET'S PORTION. TO A FALSE FRIEND. Our hands have met, but not our hearts ; Our hands will never meet again. Friends if we have ever been, Friends we cannot now remain • I onlj know I loved you once, I only know I loved in vain ; Our hands have met, but not our hearts ; Our hands will never meet again ! Then farewell to heart and hand ! I would our hands had never met : Even the outward form of love Must be resigned with some regret. Friends we still might seem to be, K my wrong could e'er forget Our hands have joined, but not our hearts ; I would our hands had never met ! THE POET'S PORTION. What is a mine — a treasury — a dower — A magic talisman of mighty power 7 A poet's wide possession of the earth. He has the enjoyment of a flower's birth Before its budding — ere the first red streaks,- And winter cannot rob him of their cheeks. Look — if his dawn be not as other men's ! Twenty bright flushes — ere another kens The first of sunlight is abroad — he sees Its golden 'lection of the topmost trees, And opes the splendid fissures of the morn. When do his fruits delay, when doth his corn SONG. 211 Linger for harvesting ? Before the leaf Is commonly abroad, in his piled sheaf The flagging poppies lose their ancient flame. Xo sweet there is. no pleasure I can name, But he will sip it first — before the lees. "T is his to taste rich honey, — ere the bees Are busy with the brooms. He may forestall June's rosy advent for his coronal ; Before the expectant buds upon the bough, Twining his thoughts to bloom upon his brow. ! blest to see the flower in its seed, Before its leafy presence ; for indeed Leaves are but wingS; on which the summer flies, And each thing perishable fades and dies, Escaped in thought : but his rich thinkings be Like overflows of immortality. So that what there is steeped shall perish never, But live and bloom, and be a joy forever. SONG. Lady, leave thy silken thread And flowery tapestrie : There *s living roses on the bush. And blossoms on the tree : Stoop where thou wilt, thy careless hand Some random bud will meet ; Thou canst not tread, but thou wilt find The daisy at thy feet. 'T is like the birthday of the world, "When eai-th was born in bloom ; The light is made of many dyes, The an- is all perfume ; 212 TIME, HOPE, AND MEMORY. There 's crimson buds, and white and blue The very rainbow showers Have turned to blossoms where they fell, And sown the earth with flowers. There 's fairy tulips in the east. The garden of the sun ; The very streams reflect the hues, And blossom as they run : While Morn opes like a crimson rose, Still wet with pearly showers ; Then, lady, leave the silken thread Thou twinest into flowers ! TDIE, HOPE, AXD MEMORY. I HEARD a gentle maiden, in the spring, Set her sweet sighs to music, and thus sing : " Fly through the world, and I will follow thee. Only for looks that may turn back on me : '• Only for roses that your chance may throw — Though withered — I will wear them on my brow, To be a thoughtful fragrance to my brain ; Warmed with such love, that they will bloom again. " Thy love before thee, I must tread behind, Kissing thy foot-prints, though to me unkind ; But trust not all her fondness, though it seem. Lest thy true love should rest on a false dream. •' •■ Her fice is smiling, and her voice is sweet : But smiles betray, and music sings deceit ; And words speak false ; — yet, if they welcome prove I '11 be their echo, and repeat their love. FLOWERS. 213 " Only if wakened to sad truth, at last, The bitterness to come, and sweetness past ; When thou art vext. then, turn again, and see Thou hast loved Hope, but Memory loved thee." FLOWERS. I WILL not have the mad Clytie, Whose head is turned by the sun ; The tulip is a courtly quean, Whom, therefore, I will shun : The cowslip is a country wench, The violet is a nun ; — But I will woo the dainty rose. The queen of every one. The pea is but a wanton witch, In too much haste to wed, And clasps her rings on every hand ; The wolfsbane I should dread ; — Nor will I dreary rosemarye. That always mourns the dead ; — But I will woo the dainty rose, With her cheeks of tender red. The lily is all in -white, like a saint. And so is no mate for me — And the daisy's cheek is tipped with a blush, She is of such low degree ; Jasmine is sweet, and has many loves. And the broom 's betrothed to the bee ; — But I will plight with the dainty rose, For fairest of all is she. 214 TO TO . Still glides the gentle streamlet on. "With shifting current new and strange ; The water that was here is gone. But those green shadows never change. Serene or ruffled by the storm. On present waves, as on the past, The mirrored grove retains its form, The self-same trees their semblance cast. The hue each fleetmg globule wears, That di-op bequeaths it to the next ;. One picture still the surface bears, To illustrate the murmured text. So; love, however time may flow, Fresh hours pursuing those that flee, One constant image still shall show My tide of life is true to thee. TO Let us make a leap, my dear. In our love, of many a year. And date it very far away. On a bright clear summer day, When the heart was like a sun To itself, and falsehood none ; And the rosy lips a part Of the very loving heart, And the shining of the eye But a sign to know it by ; — TO 215 AMien my faults were all forgiven, And ray life deserved of Heaven. Dearest, let us reckon so, And love for all that long ago ; Each absence count a year complete, And keep a birthday when we meet. TO . I LOVE thee — I love thee ! 'T is all that I can say ; — It is my vision in the night. My di-eammg in the day ; The very echo of my heart. The blessuag when I pray : I love thee — I love thee ! Is all that I can say. I love thee — I love thee ! Is ever on my tongue ; In all my proudest poesy That chorus still is sung ; It is the verdict of my eyes. Amidst the gay and young I love thee — I love thee ! A thousand maids among. I love thee — I love thee ! Thy bright and hazel glance, The mellow lute upon those lips. Whose tender tones entrance ; But most, dear heart of hearts, thy proofe That still these words enhance, I love thee — I love thee ! Whatever be thy chance. f 1 i i "21 G SERENADE. — VERSES IX AN ALBUM. SERENADE. Ah, sweet, thou little knowest how I wake and passionate watches keep ; ! And jet; while I addi-ess thee now, Methinks thou smilest in thj sleep. 1 T is sweet enough to make me weep. That tender thought of love and thee, That while the world is hushed so deep, Thy soul 's perhaps awake to me ! Sleep on, sleep on, sweet bride of sleep ! TVith golden \'ision3 for thy dower, While I this midnight vigil keep. And bless thee in thy silent bower ; To me "t is sweeter than the power Of sleep, and fairy dreams unfurled, That I alone, at this still hour, In patient love outwatch the world. VEKSES IN AN ALBUM. Far above the hollow i Tempest, and its moan. Singeth bright Apollo In his golden zone, — Cloud doth never shade him, Nor a storm invade him, ! On his joyous throne. So when I behold me In an orb as bright. How thy soul doth fold me BALLAD. — THE ROMANCE OF COLOGNE. 217 In its throne of light ! Sorrow never paineth Nor a care attaineth. To that blessed heijiht. BALLAD. It was not in the winter Our loving lot was cast ; It was the time of roses, — We plucked them as we passed ! That churlish season never frowned On early lovers yet ! 0, no — the world was newly crowned With flowei-s when first we met. "T was twilight, and I bade you go, But still you held me fast : It was the time of roses, — We plucked them as we passed ! THE ROJIANCE OF COLOGNE. 'T 13 even — on the pleasant banks of Rhine The thrush is singing and the dove is cooing ; A youth and maiden on the turf recline Alone — and he is wooing. Yet woos in vain, for to the voice of love No kindly sympathy the maid discovers, Though round them both, and in the air above, The tender spirit hovers. 19 218 THE KOMANCE OF COLOGNE. Untouched by lovely Nature and her laws, The more he pleads, more coyly she represses ; Her lips denies, and now her hand withdraws, Rejecting his addresses. Fair is she as the dreams young poets weave, Bright eyes and dainty lips and tresses curly, In outward loveliness a child of Eve, But cold as nymph of Lurley. The more Love tries her pity to engross. The more she chills him with a strange behavior ; Now tells her beads, now gazes on the Cross And image of the Saviour. Forth goes the lover with a farewell moan, As from the presence of a thing unhuman ; — 0, what unholy spell hath turned to stone The young warm heart of woman ! ***** 'T is midnight — and the moonbeam, cold and wan. On bower and river quietly is sleeping, And o'er the corse of a self-murdered man The maiden fair is weeping. In vain she looks into his glassy eyes, No pressure answers to her hands so pressing ; In her fond arms impassively he lies, Clay-cokl to her caressing. Despairing, stunned, by her eternal loss. She flies to succor that may best beseem her ; But, lo ! a frowning figure veils the Cross, And hides the blest Redeemer ! With stern right hand it stretches forth a scroll, Wherein she reads, in melancholy letters. THE KEY. 219 The cruel, fatal pact that placed her soul And her young heart in fetters. " Wretch ! sinner ! renegade to truth and God ! Thy holy faith for human love to barter ! " No more she hears, but on the bloody sod Sinks, Bigotry's last martyr ! And side by side the hapless lovers lie ; Tell me, harsh priest ! by yonder tragic token, What part hath God in such a bond, whereby Or hearts or vows are broken 1 THE KEY. A MOORISH ROMANCE. " On the east coast, towards Tunis, the Moors still preserve the keys of their ancestors' houses in Spain ; to which country they still express the hopes of one day returning, and again planting the Crescent on the ancient walls of the Alhambra." — Scott's Travels in Morocco and Algiers. " Is Spain cloven in such a manner as to want closing ? " — Sancho Panza. The Moor leans on his cushion. With the pipe between his lips ; And still at frequent intervals The sweet sherbet he sips ; But, spite of lulling vapor And the sober cooling cup, The spirit of the swarthy Moor Is fiercely kindling up ! One hand is on his pistol. On its ornamented stock, While his finger feels the trigger And is busy with the lock — 220 THE KEY. The other seeks his ataghan, And clasps its jewelled hilt — ! much of gore in days of yore That crooked blade has split ! His brows are knit, his eyes of jet In vivid blackness roll, And gleam with fatal flashes Like the fire-damp of the coal ; His jaws are set, and through his teeth He draws a savage breath, As if about to raise the shout Of Victory or Death ! For why 1 the last Zebeck that came And moored within the mole Such tidings unto Tunis brought As stir his very soul — The cruel jar of civil war. The sad and stormy reign, That blackens like a thunder-cloud The sunny land of Spain ! No strife of glorious Chivalry, For honor's gain or loss. Nor yet that ancient rivalry, The Crescent with the Cross. No charge of gallant Paladins On Moslems stern and stanch ; But Christians shedding Christian blood Beneath the olive's branch ! A war of horrid parricide. And brother killing brother ; Yea, like to "dogs and sons of dogs," That worry one another. THE KEY. But let them bite and tear and fight ; The more the Kaffers slaj, The sooner Hagar's swarming sons Shall make the land a prey ! The sooner shall the Moor behold The Alhambra's pile again, And those who pined in Barbary Shall shout for joy in Spain ; The sooner shall the Crescent wave On dear Granada's walls, And proud Mohammed Ali sit Within his flither's halls ! " Alla-il-alla ! " tiger-like Up springs the swarthy Moor, And, with a wide and hasty stride, Steps o'er the marble floor ; Across the hall, till from the wall. Where such quaint patterns be. With eager hand he snatches down An old and massive key ! A massive key of curious shape, And dark with dirt and rust. And well three weary centuries The metal might incrust ! For since the king Boabdil fell Before the native stock. That ancient key, so quaint to see, Hath never been in lock. Brought over by the Saracens Who fled across the main, A token of the secret hope Of going back again ; 19* 221 222 THE KEY. From race to race, from hand to hand, From house to house, it passed ; 0, -will it ever, ever ope The palace gate, at last? Three hundred years and fifty-two On post and wall it hung — Three hundred years and fifty-two A dream to old and young ; But now a brighter destiny The Prophet's will accords : The time is come to scour the rust, And lubricate the wards. For should the Moor with sword and lance At Algesiras land, Where is the bold Bernardo now Their progress to withstand 1 To Burgos should the Moslem come, Where is the noble Cid Five royal crowns to topple down, As gallant Diaz did 1 Hath Xeres any Pounder now, • When other weapons fail, With club to thrash invaders rash, Like barley with a flail ] Hath Seville any Perez still, To lay his clusters low, And ride with seven turbans green Around his saddle-bow ? No ! never more shall Europe see Such heroes brave and Ixild, Such valor, faith, and loyalty. As used to shine of old ! THE KEY. 223 No longer to one battle-cry United Spaniards run, And with their thronging spears uphold The Vii'gin and her Son ! From Cadiz Bay to rough Biscay Internal discord dwells. And Barcelona bears the scars Of Spanish shot and shells. The fleets decline, the merchants pine For want of foreign trade ; And gold is scant : and Alicante Is sealed by strict blockade ! The loyal fly, and valor falls, Opposed by court intrigue ; But treachery and traitors thrive, Upheld by foreign league ; While factions seeking private ends By turns usurping reign — Well may the dreaming, scheming Moor Exulting point to Spain ! Well may he cleanse the rusty key With Afric sand and oil, And hope an Andalusian home Shall recompense the toil ! Well may he swear the Moorish speai" Through wild Castile shall sweep, And where the Catalonian sowed The Saracen shall reap ! Well may he vow to spurn the Cross Beneath the Arab hoof, And plant the Crescent yet again Above the Alhambra's roof, 224 SONNETS. When those from whom St. Jago's name In chorus once arose Are shouting faction's battle-cries, And Spain forgets to '• Close ! " Well may he swear his ataghan Shall rout the traitor swarm, And carve them into arabesques That show no human form — The blame be theirs whose bloody feuds Invite the savage Moor, And tempt him with the ancient key To seek the ancient door ' SONNETS. TO THE OCEAN. Shall I rebuke thee, Ocean, my old love. That once, in rage, with the wild winds at strife, Thou darest menace my unit of a life, Sending my clay below, my soul above, Whilst roared thy waves, like lions when they rove By night, and bound upon their prey by stealth ? Yet didst thou ne'er restore my fainting health ? — Didst thou ne"er murmur gently like the dove? Nay, didst thou not against my own dear shore Full break, last link between my land and me 7 — My absent friends talk in thy very roar, In thy waves' beat their kindly pulse I see. And, if I must not see my England more. Next to her soil, my grave be found in thee ! Coblentz, May, 1835. SONNETS. LEAR. 22; A POOR old king, with sorrow for my crown, Throned upon straw, and mantled with the wind — For pity, my own tears have made me blind, That I might never see my children's frown ; And may be madness, like a friend, has thrown A folded fillet over my dark mind, So that unkindly speech may sound for kind, — Albeit I know not. — I am childish grown — And have not gold to purchase wit withal — I that have once maintained most royal state — A very bankrupt now, that may not call My child, my child — all-beggared save in tears, Wherewith I daily weep an old man's fate, Foolish — and blind — and overcome with years ! SONNET TO A SONNET. Rare composition of a poet-knight. Most chivalrous amongst chivalric men, Distinguished for a polished lance and pen In tuneful contest and in tourney-fight ; Lustrous in scholarship, in honor bright, Accomplished in all graces current then, Humane as any in historic ken, Brave, handsome, noble, aflable, polite ; Most courteous to that race become of late So fiercely scornful of all kind advance. Rude, bitter, coarse, implacable in hate To Albion, plotting ever her mischance, — Alas, fiiir verse ! how false and out of date Thy phrase '-sweet enemy"' applied to France ! 226 SONNETS. FALSE POETS AND TRUE. Look how the lark soars upward and is gone, Turning a spirit as he nears the sky ! His voice is heard, hut body there is none To fix the vague excursions of the eye. So, poets' songs are with us, though they die Obscured and hid by Death's oblivious shroud, And earth inherits the rich melody, Like raining music from the morning cloud. Yet, few there be who pipe so sweet and loud. Their voices reach us through the lapse of space : The noisy day is deafened by a crowd Of undistinguished birds, a twittering race ; But only lark and nightingale forlorn Fill up the silences of night and morn. TO My heart is sick with longing, though I feed On hope ; Time goes with such a heavy pace That neither brings nor takes from thy embrace, As if he slept — forgetting his old speed : For, as in sunshine only we can read The march of minutes on the dial's face. So in the shadows of this lonely place There is no love, and time is dead indeed. But when, dear lady, I am near thy heart, Thy smile is time, and then so swift it flies, It seems we only meet to tear apart With aching hands and lingering of eyes. Alas, alas ! that we must learn hours' flight By the same light of love that makes them bright ' SONNETS. 227 FOR THE FOURTEENTH OF FEBRUARY. No popular respect will I omit To do thee honor on this happy day, When every loyal lover tasks his wit His simple truth in studious rhymes to pay, And to his mistress dear his hopes convey. Rather thou knowest I would still outrun All calendars with Love's,— whose date alway Thy bright eyes govern better than the sun, — For with thy favor was my life begun ; And still I reckon on from smiles to smiles, And not by summers, for I thrive on none But those thy cheerful countenance compiles : ! if it be to choose and call thee mine, Love, thou art every day my Valentine. TO A SLEEPING CHILD. 0, 't is a touching thing, to make one weep, — A tender infant with its curtained eye. Breathing as it would neither live nor die With that unchanging countenance of sleep ! As if its silent dream, serene and deep, Had lined its slumber with a still blue sky, So that the passive cheeks unconscious lie. With no more life than roses — just to keep The blushes warm, and the mild, odorous breath. blossom boy ! so calm is thy repose, So sweet a compromise of life and death, 'T is pity those fair buds should e'er unclose For memory to stain their inward leaf, Tino-ing thy dreams with unacquainted grief. ^ 228 SONNETS. TO A SLEEPING CHILD. Thine eyelids slept so beauteouslj, I deemed No eyes could wake so beautiful as they : Thy rosy cheeks in such still slumbers lay, I loved their peacefulness, nor ever dreamed Of dimples ; — for those parted lips so seemed, I never thought a smile could sweetlier play. Nor that so graceful life could chase away Thy graceful death, — till those blue eyes upbeamed. Now slumber lies in dimpled eddies drowned, And roses bloom more rosily for joy, And odorous silence ripens into sound. And fingers move to sound. — All-beauteous boy ! How thou dost waken into smiles, and prove. If not more lovely, thou art more like Love ! The world is with me, and its many cares. Its woes — its wants — the anxious hopes and fears That wait on all terrestrial affairs — The shades of former and of future years — Foreboding fancies and prophetic tears. Quelling a spii'it that was once elate. Heavens ! what a wilderness the world appears, Where youth, and mirth, and health are out of date But no — a laugh of innocence and joy Resounds, like music of the fairy race. And, gladly turning from the world's annoy, I gaze upon a little radiant face. And bless, internally, the merry boy Who "makes a son-shine in a shady place." HUMOROUS POEMS. MISS KILMANSEGG AND HER PRECIOUS LEG. A GOLDEN LEGEND. " What is here ^ Gold 1 yellow, glittering, precious gold 1 " TiMON OF Athens. J^ev 39ctiiflree. To trace the Ivilmansegg pedigree, 'Co the very roots of the family tree, Were a task as rash as ridiculous : Through antediluvian mists as thick As London fog such a line to pick Were enough, in truth, to puzzle Old Nick, Not to name Sir Harris Nicholas. It would n't require much verbal strain To trace the Kill-man, perchance, to Cain ; But, waving all such digressions. Suffice it, according to family lore, A Patriarch Kilmansegg lived of yore, Who was famed for his great possessions. Tradition said he feathered his nest Through an agricultural interest In the golden age of farming ; When golden eggs were laid by the geese, And Colchian sheep wore a golden fleece, 232 MISS KILMANSEGG AND HER PRECIOUS LEG. And golden pippins — the sterling kind Of Hesperus — now so hard to find — Made horticulture quite charming ! A lord of land, on his own estate He lived at a very lively rate, But his income would bear carousing ; Such acres he had of pasture and heath, With herbage so rich from the ore beneath, The very ewe's and lambkin's teeth Were turned into gold by browsing. He gave, without any extra thrift, A flock of sheep for a birthday gift To each son of his loins, or daughter : And his debts — if debts he had — at will He liquidated by giving each bill A dip in Pactolian water. 'T was said that even his pigs of lead, By crossing with some by Midas bred, Made a perfect mine of his piggery. And as for cattle, one yearling bull Was worth all Smithfield-market full Of the golden bulls of Pope Gregory. The high-bred horses within his stud. Like human creatures of birth and blood, Had their golden cups and flagons : And as for the common husbandry nags, Their noses were tied in money-bags, Wlien they stopped with the carts and wagons. Moreover, he had a golden ass. Sometimes at stall, and sometimes at grass. That was worth his own weight in money — MISS KILMANSEOa AND HER PRECIOUS LEG. 238 And a golden hive, on a golden bank, Where golden bees, bj alchemical prank, Grathered gold instead of honey. Gold ! and gold ! and gold without end ! He had gold to lay by, and gold to spend, Gold to give, and gold to lend, And reversions of gold in futuro. In -wealth the family revelled and rolled. Himself and vrife and sons so bold : — And his daughters sang to their harps of gold " bella eta del" oro ! '"' Such was the tale of the Kilmansegg kin In golden text on a vellum skin. Though certain people would wink and grin. And declare the whole story a parable — That the ancestor rich was one Jacob Ghrimes, Who held a long lease, in prosperous times. Of acreS; pasture and arable. That as money makes money, his golden bees Were the Five per Cents, or which you please, When his cash was more than plenty — That the golden cups were racing affairs ; And his daughtei-s, who sang Itahan airs, Had their golden harps of Clementi. That the golden ass. or golden bull, Was Enghsh John, with his pockets full, Then at war by land and water : While beef, and mutton, and other meat. Were almost as dear as money to eat, And farmers reaped golden harvests of wheat At the Lord knows what per quarter ! 20* 23'4 MISS KILMAXSEGG AND HER PRECIOUS LEG. What diflFerent dooms our birthdays bring ! For instance, one little manikin thing Survives to wear manj a wrinkle ; While death forbids another to wake, And a son that it took nine moons to make Expires without even a twinkle : Into this world we come like ships. Launched from the docks, and stocks, and slips, For fortune fair or fatal ; And one little craft is cast away In its very first trip in Babbicome Bay, While another rides safe at Port Xatal. What different lots our stars accord ! This babe to be hailed and wooed as a lord ! And that to be shuimed like a leper ! One. to the world's wine, honey, and corn. Another, like Colchester native, born To its vinegar, only, and pepper. One is littered under a roof Neither wind nor water proof, — That "s the prose of Love in a cottage, — A puny, naked, shivering wretch, The wbole of whose biithright would not fetch, Though Robins himself drew up the sketch, The bid of - a mess of pottage." Born of Fortunatus's kdn. Another comes tenderly ushered in To a prospect all bright and burnished : No tenant he for life's back slums — He comes to the world as a gentleman comes To a lodging ready famished. MISS KILMANSEGQ AND HER PRECIOUS LEG. 235 And the other sex — the tender — the fair — What wide reverses of fate are there ! Whilst Margaret, charmed bj the Bulbul rare, In a garden of Gul reposes, Poor 'Pe<^- A DISTANT PROSPECT OF CLAPHAM ACADEMT. Ah me ! those old familiar bounds ! That classic house, those classic grounds, My pensive thought recalls ! What tender urchins now confine, What little captives now repine. Within yon irksome walls ! Ay, that 's the very house ! I know Its ugly windows, ten a-row ! Its chimneys in the rear ! And there 's the iron rod so high, That drew the thunder from the sky And turned our table-beer ! There I was birched I there I was bred ! There like a little Adam fed From Learning's woful tree ! The weary tasks I used to con ! — The hopeless leaves I wept upon ! — Most fruitless leaves to me ! — The summoned class ! — the awful bow ! I wonder who is master now And wholesome anguish sheds ! How many ushers now employs. i84 ODE. How many maids to see the boys Have nothing in their heads ! f And Mrs. S * * * 7— Doth she abet (Like Pallas in the palour) yet Some favored two or three, — The little Crichtons of the hour, Her muffin-medals that devour, And swill her prize — bohea? Ay, there 's the playground ! there 's the lime, Beneath whose shade in summer's prime So wildly I have read ! — Who sits there now^ and sMms the cream Of young Romance, and weaves a dream Of Love and Cottage-bread 7 Who struts the Randall of the walk 7 Who models tiny heads in chalk 7 Who scoops the light canoe 7 What early genius buds apace 7 Where 's Poynter 7 Harris 7 Bowers 7 Chase 7 Hal Baylis 7 bHthe Carew 7 i ! Alack ! they 're gone — a thousand ways! And some are serving in "the Grreys," And some have perished young ! — j Jack Harris weds his second wife ; | j Hal Baylis drives the xcayne of life ; • j j And blithe Carew — is hung! j Grave Bowers teaches ABC | To Savages at Owhyee ; 1 1 Poor Chase is with the worms ! — j j All, all are gone — the olden breed ! — | i New crops of mushroom boys succeed, " And push us from our forms ! t " ODE. 485 Lo ! -where they scramble forth, and shout, And leap, and skip, and mob about, At play where we have played ! Some hop, some run, (some fall), some twine Their crony arms; some in the shine, And some are in the shade ! Lo there what mixed conditions run ! The orphan lad ; the widow's son ; And Fortune's favored care — The wealthy born, for whom she hath Macadamized the future path — The nabob's pampered heir ! Some brightly starred — some evil born, — For honor some, and some for scorn, — For fair or foul renown ! Good, bad, indifferent — none they lack ! Look, here 's a white, and there 's a black ! And there 's a Creole brown ! Some laugh and sing, some mope and weep, And wish their frugal sires would keep Their only sons at home ; — Some tease the future tense, and plan The full-grown doings of the man, And pant for years to come ! A foolish wish ! There "s one at hoop ; And four ?ii fives ! and five who stoop The marble taw to speed ! And one that curvets in and out, Reining his fellow-cob about, "Would I were in his steed ! Yet he would gladly halt and drop That boyish harness off. to swop 41* 486 ODE. With this world's heavy van — To toil, to tug. little fool ! While thou can be a horse at school To wish to be a man ! Perchance thou deem'st it were a thing To wear a crown, — to be a king ! And sleep on regal down ! Alas! thou know'st not kingly cares; Far happier is thy head that wears That hat without a crown ! And dost thou think that years acquire New added joys 7 Dost think thy sire More happy than his son? That manhood's mirth? — 0, go thy ways To Drury-lane when plciys, And see ho^ forced our fun! Thy taws are brave ! — thy tops are rare ! Ow tops are spun with coils of care, Our dumps are no delight ! — The Elgin marbles are but tame, And 'tis at best a sorry game To fly the Muse s kite ! Our hearts are dough, our heels are lead, Our topmost joys fall dull and dead, Like balls with no rebound ! And often with a faded eye We look behind, and send a sigh Towards that merry ground ! Then be contented. Thou hast got The most of heaven in thy young lot ', There's sky-blue in thy cup! 1 1 A RETROSPECTIVE REVIEW. 487 Thou "It find tbj manhood all too fast — Soon come, soon gone ! and age at last A sorry breaking up ! A RETROSPECTIVE REVIEW. 0, ■UUEX I Tvas a tiny boy My days and nights were full of joy, My mates were blithe and kind ! — No wonder that I sometimes sigh, And dash the tear-drop from my eye. To cast a look behind ! A hoop was an eternal round Of pleasure. In those days I found A top a joyous thing ; — But now those past delights I drop ; My head, alas ! is all my top, And careful thouo-hts thestrincr ! My marbles. — once my bag was stored,— Now I must play with Elgin's lord, With Theseus for a taw ! My playful horse has slipt his string ! Forgotten all his capering, And harnessed to the law ! My kite — how fast and far it flew ! Whilst I. a sort of Franklin, drew My pleasure from the sky ! 'T was papered o'er with studious themes, The tasks I wrote — my present dreams Will never soar so high ! My joys are wingless all and dead ; My dumps are made of more than lead ; ! i 1 488 A RETEOSPECTH'E REVIEW. My flights soon find a fall ; My fears prevail, my fancies droop. Joy never cometh with a hoop, And seldom with a call ! My football 's laid upon the shelf; I am a shuttlecock myself The world knocks to and fro : — My archery is all unlearned, And grief against myself has turned My arrows and my bow ! No more in noontide sun I bask : My authorship 's an endless task, My head 's ne'er out of school : My heart is pained with scorn and slight, I have too many foes to fight, And friends grown strangely cool !. The very chum that shared my cake Holds out so cold a hand to shake, It makes me shrink and sigh : — On this I will not dwell and hang, The changeling would not feel a pang Though these should meet his eye ! No skies so blue or so serene j As then : — no leaves look half so green As clothed the play-ground tree ! All things I loved are altered so, 1 Nor does it ease my heart to know That change resides in me ! 0, for the garb that marked the boy, The trousers made of corduroy, TVell inked with black and red ! The crownless hat, ne'er deemed an ill — • A RETROSPECTIVE REVIEW. 489 It only let the sunshine still Repose upon my head ! 0, for the riband round the neck ! The careless dog's-ears apt to deck My book and collar both ! How can this formal man be styled Merely an Alexandrine child, A boy of larger growth ? 0, for that small, small beer anew ! And (heaven's own type) that mild sky-blue That washed my sweet meals down ; The master even ! — and that small Turk That figged me ! — worse is now my work - A fag for all the town ! 0, for the lessons learned by heart ! Ay, though the very birch's smart Should mark those hours again ; I 'd " kiss the rod," and be resigned Beneath the stroke, and even find Some sugar in the cane ! The Arabian Nights rehearsed in bed ! The Fairy Tales in school-time read, By stealth, 'twixt verb and noun ! The angel form that always walked In all my dreams, and looked and talked Exactly like Miss Brown ! The omue bene — Christmas come ! The prize of merit, won for home — Merit had prizes then ! But now I write for days and days, For fame — a deal of empty praise, Witliout the silver pen ! 490 A RETROSPECTIVE REVIEW. Then home, sweet home ! the crowded coach The joyous shout — the loud approach — The winding horns like rams' ! The meeting sweet that made me thrill, The sweet-meats almost sweeter still, No " satis " to the "jams ! " — When that I was a tiny boy My days and nights were full of joy, My mates were blithe and kind ! No wonder that I sometimes sigh, And dash the tear-drop from my eye. To cast a look behind ! NOTES. Ltcus the Centaur. Lycos was dedicated by the poet to his friend and connection, J. H. Reynolds, Esq. Ode to Rae Wilson. This ode was first published in the London Athenmum, where it appeared with the following introductory letter. " To the Editor of the Atheneeum. " My dear Sir : The following Ode was written anticipating the tone of some strictures on my writings, by the gentleman to whom it is addressed. I have not seen his book ; but I know by hearsay that some of my verses are characterized as ' profaneness and ribaldry,' — citing, in proof, the description of a certain sow, from whose jaw a cabbage-sprout ' Protruded as the dove so stanch For peace supports an olive-branch.' If the printed works of my Censor had not prepared me for any mis- application of types, I should have been surprised by this misappre- hension of one of the commonest emblems. In some cases the dove unquestionably stands for the Divine Spirit ; but the same bird is also a lay representative of the peace of this world, and, as such, has figured time out of mind in allegorical pictures. The sense in which it was used by me is plain from the context ; at least, it would be plain to any one but a fisher for faults, predisposed to carp at some things, to dab at others, and to flounder in all. But I am pos- sibly in error. It is the female swine, perhaps, that is profaned in the eyes of the Oriental tourist. Men find strange ways of marking their intolerance; and the spirit is certainly strong enough, in Mr. W.'s works, to set up a creature as sacred, in sheer opposition to the jMussulman, with whom she is a beast of abomination. It would only be going the whole sow. " I am, dear ear, yours very truly, "Thos. Hood." THE COMPLETE POETICAL WORKS THOMAS HOODs WITH % liiogntjjljiciil ^lietrl], ani Botes. EDITED BY EPES SARGENT. YOL. II. BOSTON: PHILLIPS, SAMPSON AND COMPANY. MDCCCLVII. Entered according to Act of Congiess, in the year 1855, by EPES SAEGENT, In the Cleri's Office of the District Court of the District of MassachusettB. ELECTROTTPED BV" THOMAS B. SMITH, 82&S4 Ceekman St. N. Y. HUMOEOUS POEMS Of THOMAS HOOD, CsCLUDIXG LOVE AXD LUNACY, BALLADS, TALES AND LEGENDS, ODES AND ADDRESSES TO GREAT PEOPLE, AND illSCELLANEOCS POEMS. NOW FIRST COLLECTED. EDITED BT EPES SAROENT BOSTON: PHILLIPS, SAMPSON" A^D COMPANY. MDCCCLVII. INTRODUCTION. In preparing, about a jear since, an edition of the Poems of Thomas Hood, we thought that a single volume would include all of his writings in verse that fell within the plan of our series. That volume embraced all the poems contained in the Moxon collections of the author's senti- mental and humorous verse, with several additions from other sources. It was the most complete collection that had been made at the time of its appearance. We soon ascertained, however, that it would not entirely satisfy the demand for Hood's productions. ^Ye received more than one letter suggesting that some favorite of the writer's was omitted, which had originally appeared, per- haps, in a magazine or annual, and had not been inserted in any collection of the author's Poems. This deficiency, to its full extent, we have hardly been able to supply even by a second volume. Tl INTRODUCTION. The materials of the present volume have been chiefly drawn from the collections of his humorous pieces, pub- lished by the author under the title of Hood's Oivii, W/mnsicaliiies, and Whims and Oddities. To these wo have added a few poems from the London Magazine and the Neio Monthly Magazine^ that appeared in those pe- riodicals during Hood's editorial relations with them, and are unquestionably from his pen. In one or two instances verses rather of a sentimental than an humorous character have found their way among the Miscellaneous Poems, but we trust they will not be considered as unwelcome intruders. We have reserved the first poems of Hood for the last place in the book ; assigning them to a quasi-appen- dix, for reasons that will obviously occur to the reader. It is many years since the Odes and Addresses to Great People have been reprinted, and some of the allusions in them are to subjects of local and temporary notoriety, which require the few annotations that we have annexed. To us these very clever jeux d' esprit seem to merit the high commendation that they received from Coleridge on their first appearance. His letter to Lamb on their au- thorship we have inserted among the Notes at the end of the volume. This work was the joint production of Hood and the literary friend and connection to whom he afterward dedi- cated the poem of Lycns. In Lord Byron's Journal, under date of February 20, 1814, an entry is made of his having acknowledged the receipt of young Reynolds's INTRODUCTION. Til poem, entitled Sajie. " The lad is clever," his lordship writes, "but much of his thoughts are borrowed — whence the reviewers may find out. I hate discouraging a young one ; and I think — though wild and more oriental than he would be, had he seen the scenes where he has placed his tale — that he has much talent, and, certainly, fire enough."' This '-clever lad"' we next hear of among the crack contributors of the London Magazim — for we pre- sume that the author of Safie is the same John Ham- ILTOX Eeyxolds described by Talfourd as one of that remarkable corps, and as "lighting up the wildest eccen- tricities and most striking features of many-colored life with vivid fancy." In the Reminiscences of Hood there is a lively sketch of one of the dinners that occasionally brought together the contributors to the Magazine, which serves him to in- troduce some of the principal characters of the literary " London in the Olden Time." After describhig Elia, and Barry Cormvall, and the Opium Eater, and sundry others of hardly less note, Hood writes — " That smart, active person opposite, with a game-cock -looking head, and the hair combed smooth, fighter fashion, over his forehead — with one finger hooked round a glass of Champagne — not that he requires it to inspirit him, for his wit bubbles up of itself— is our Edward Herbert, the author of that true piece of biography, the Life of Peter Corcoran. He is 'good with both hands,' like that Nonpareil Randall, at a comic verse or a serious stanza — smart at a repartee — Vlll INTRODUCTION. sliarp at a retort — and not averse to a bit of mischief. '"Twas he who gave the runaway ring at Wordsworth's Peter Bell. Generally, his jests, set off by a happy man- ner, are only ticklesome, but now and then they are sharp- flavored — like the sharpness of the pine-apple. Would I could give a sample." The allusions in the above paragraph enable us to fol- low Reynolds into some of his Protean pseudonymes. Wo know that he was the author of the poems published as the Remains of Peter Corcoran, by Taylor and Hessey, who afterwards became the publishers of the London Magazine^ and this identifies him with the Edward Herbert whom Hood describes. The reference to the Nonpareil Randall is explained by the following sonnet, which is found among Corcoran's Remains : SONNET ON THE NONPAREIL. "With marble-colored shoulders, — and keen eyes, Protected by a forehead broad and white, And hair cut close lest it impede the sight, And clenched hands, firm and of punishing size, Steadily held, or motioned wary-wise, To hit or stop — and kerchief too drawn tight O'er the unyielding loins, to keep from flight The inconstant wind, that all too often flies, — The Nonpareil stands! — Fame, whose bright eyes run o'er With joy to see a Chicken of her own, Dips her rich pen in claret, and writes down Under the letter E, first on the score, "Randall — John — Irish parents, age not known — Good with both hands, and only ten stone four I" INTRODUCTION. IX In 1821 a volume "was published in London -svith the title of The Garden of Florence, and other Poems, hy John Hamilton. This was also the work of Reynold.?. He was the familiar friend and correspondent of the poet Keats, and they had undertaken, in a sort of literary copartnership, to versify some of the tales of Boccaccio. The accomplishment of this plan was prevented for a time by other engagements, and finally frustrated by death. The Pot of Basil was the only story completed by Keats, "and that is to me now,*' says his literary part- ner, "the most pathetic story in existence." Two stories were translated by Reynolds, and were printed in the last-named volume. They possess a merit which induces us to regret that he did not persevere in the enterprise. His literary labors, however, seem to have been mere di- versions. Hood speaks of him as having abandoned the Muses for engrossing. He probably subsided from a very promising poet into a highly respectable special-pleader or conveyancer ; perhaps into a barrister of local eminence. He does not seem, like his co-contributor Barry Cornwall, to have maintained two separate existences — a professional and a poetical entity — but to have suffered the latter to be absorbed in the former, or only to appear abroad in a mask. "We do not know where to trace him after the suspension of the London Magazine, and publication of the Odes and Addresses, to which it is quite time that we should return. We must first, however, present our readci-s with a specimen of Mr. Peter Corcoran' s sentimental ll X INTKODUCTION. verse, which may explain the indifference of Mr. Reynolds to his poetical reputation : SONNET. I once had thought to have embalmed my name With Poesy : — to have served the gentle Muses With high sincerity: — but Fate refuses, And I am now become most strangely tame, And careless what becomes of Glory's game — Who strives — who wins the wondrous prize — who loses I Not that the heavy world my spirit bruises ; But I have not the heart to rush at Fame. Magnificent and mental images Have visited me oftentimes, and given My mind to proud delights; — but now it sees Those visions going like the lights of even : All intellectual grandeur dimly flees — And I am quiet as the stars of heaven! We are not quite certain that we could, in every case, refer the compositions of the copartnership to their re- spective authors, though, in our judgment, most of them can be correctly assigned by internal evidence. The one that Ave most hesitate about is the Address to Mr. Dy- moke. There is a letter of Edward Herbert's in the Lryn- don Magazine giving an account of the Coronation, and mentioning the circumstances which are alluded to in the address, and in the first study of it that may bo found in the Notes ; but we are in doubt whether the verses arc to be ascribed to Hood or Reynolds. Wc may better leave this question for every reader to decide for himself, without seeking to anticipate his judgment. Perhaps no one will find much difficulty in coming to a correct deci- INTRODUCTION. XI sion, for there is nothing more remarkable in IIood's verse than it.-j entire originality. His imagmation is singularly fertile. His invention is marvellous. Hence it is that though he sometimes copies himself, he never mimics an- other ; and though you can not always say that a poem is not Hood's, a poem that is really his you AYould hardly attribute to any one else. The Ode to Mr. Graham is the " runaway i^ing at Wordsworth's Peter Bell" to which Hood alludes in the paragraph we have quoted above ; and which Coleridge commends in the letter to be found in our Notes. So the authorship of that is fixed upon Reynolds. As Hood does not give hun credit for the two other pieces favorably mentioned by the poet, we think that the Ode to the Great Unknown and the Address to Mrs. Fry may be reckoned as Hoods Oivn by his silence in this regard. That the Odes to Mr. Martin, Grimaldi, and Dr. Kitchener are his, no one can doubt ; and the Addresses to Sylvanus Urban, to Elliston, to the Dean and Chapter of Westminster, and to Maria Darlington, are, we think, unequivocally the pro- ductions of his partner. The Ode to Parry seems to bear the marks of both of them, and the same may be said of the Address to the Steam Washing Company and the Ode to Mr. Bodkin. If any one can help us to a better guess than we have made on the face of the poems, we will insert it in our second edition. CONTENTS. PAGE LOVE AND LUNACY, .... 47 BAILEY BALLADS ... 51 Lines to Mary, 53 No. II. " Love with a Witness," No. III. " I 'd be a Parody," POEMS, BY A POOR GENTLEMAN, '' Stanzas written under the Fear of Bailiffs, ^^ Sonnet written in a Workhouse, ^^ Sonnet— A Somnambulist, ^^ Fugitive Lines on Pawning my Watch, DOMESTIC DIDACTICS, • ^^ The Broken Dish, g- Ode to Peace, gg A Few Lines on completing Forty-seven, ^^ To Mary Housemaid, BALLADS, SERIOUS, VERY SERIOUS, AND PATHETIC, ■ ■ ' ' 'll Tlio Poaclier ^5 The Supper Superstition l^ A Waterloo Ballad, gj The Duel, g^ The Ghost gg Sally Simpkin's Lament ^^ John Day, gg Pompey's Ghost, ODES TO DIVERS PERSONS AND FOR SUNDRY OCCASIONS, . . 05 To Mr. Brunei, „„ To the Advocates for the Removal of Smithfield Market, ^^ To the Camelopard, j^^ To Dr. Hahnemann, „ For St. Cecilia's Eve, jj^ To Madame Hengler, j^g To Mr. Malthus, To St. Switliin, ^^ For the Ninth of November, XIV CONTENTS. PAGE NOTES 131 TALES AND LEGENDS, 133 The Stag-Eyed Lady, 141 A Legend of Navarre, !-i7 The Jlermaid of Margate, 153 Our Lady's Chapel loS The Knight and the Dragon, 1G2 MISCELLANEOUS POEMS OF WIT AND HUMOR, 173 Stanzas on Coming of Age, ITj The Lost Heir, ISO A Singular Exhibition at Somerset House, 165 I 'ra Going to Bombay, ISS ' Sonnet to a Decayed Seaman, 191 A Blow-Up, 192 A True Storj-, 197 There 's No Romance in That ! . • 200 The Schoolmaster's Motto, 204 Huggins and Duggins, 206 A Storm at Hastings, and the Little Unknovra, 209 Lines to a Lady on her Departure for India, 217 Sonnet 213 December and May, 219 Moral Reflections on the Cross of St. Paul's, 220 A Valentme, 221 Sonnet on Steam, S23 A Recipe for Civiiizalion 224 Lines to a Friend at Cobham, 229 Miss Oliver's First Voyage, 230 Sonnet to Lord Wliarncliffe on his Game Bill, 232 A True Story, 233 Epigrams composed on Reading a Diary lately Published, 240 The Monkey-Martyr, 241 Craniology, • 24G A Parthian Glance, 249 " Don't you smell Fire ?" 252 The Widow, 251 A Butcher, .... 253 The Double Knock, . . " S50 The Devil's Album, 260 Epigram on a late Cattle Show in Smithfield, 2G1 A Report from Below, 262 Epigram on the Depreciated Money, 265 An Ancient Concert, 260 The Drowning Ducks, 2G3 The Fall, 572 The Steam Service, 274 A Lay of Real Life, 278 The Angler's Farewell, 2S0 Sea Song. After Dibdin 2E2 The Apparition, 2£3 CONTENTS. ^^ PAGE OKI Litile 0. P.— An African Fact, ^^ Conveyancing, 2gg The Burning of the Love Letter ^^^ Poem —From the Polish, ^^^ French and English, .294 Our Village, 299 A Valentine, „Qg To Fanny, 2(js, The Boy at the Nore, ^^ Shooting Pains, 2^. Paired 7wt Matched, ^^^ The Compass, with Variations " Please to Ring the Belle," The Lament of Toby, the Learned Pig, ^^^ My Son and Heir, ^22 The Fox and the Hen.— A Fable, The Comet.— An Astronomical Anecdote, I cannot Bear a Gun, Trimmer's Exercise for the Use of Children, ^^^ To a Bad Rider, 22^ Symptoms of Ossification, ^^5 Those Evening Bells, gjg Rondeau, ^^7 Dog-grel Verses, by a Poor Blind, ^^^ The Kangaroo.— A Fable ^^ Sonnet, n,^ The Sub-:XIarine g^_ The Sweep's Complaint, ^.2 Cockle vs. Cackle, ^^ On a Native Smger, ^. The Undpng One, ' ^^ A Custom-House Breeze, ^^^ Pain in a Pleasure-Boat, Quaker Sonnet, ^^ Literary and Literal ggg I 'm not a Single Man, To C. Dickens, Esq., on his Departure for Amenca, ^^^ A Plan for Writing Blank Verse in Rhyme, ^_ A Nocturnal Sketch, ^77 Up the Rhine, g.g Love Language of a Merry Young Soldier, ^^ Anacreontic, for the New Year, ^^ More Hullahbaloo, g^g Ode to the Printer's Devil, ! . 300 A Good Direction, ogj To * * * * *, «-ith a Flask of Rhine Water, ^^^ Sonnet, 393 !^;;:i?LS^orequest^-the Author to write someVerses in her ^^^ SoM^eTJo a Scoich Girl washing Linen after her Country Fashion, . . 394 XVI CONTENTS. PAGE ODES AND ADDRESSES TO GREAT PEOPLE, . : 395 Preface to Third Edition, 31)5 Ode to Mr. Graham, the Aeronaut, 397 Ode lo Mr. M'Adam, . 405 A Friendly Address to Mrs. Fry, in Newgate, 410 Ode to Richard Martin, Esq., M.P. for Galway, 410 Ode to the Great Unknown, 4]g Address to Mr. Dymoke, the Champion of England, 4;.s Ode to Joseph Grimaldi, Senior, 43; Address lo Sylvanus Urban, Esq., Editor of" The Gentleman's Magazine," 43'j An Address to the Steam Washing Company, 430 Ode to Captain Parry^ 448 Address to R. W. Elliston, Esq., the Great Lessee, 455 Address to jMaria Darlmgton, on her return to the Stage, 459 Ode to W. Kitchener, M.D., 462 An Address to the Dean and Chapter of Westminster, 46i) Ode to H. Bodiun, Esq., Secretary to the Society for the Suppression of jMendicity, 474 KOTES 479 LOVE AND LUNACY. The IMoon — who does not love the silver moon, In all her fantasies and all her phases ? Whether fall-orhed in the nocturnal noon, Shining in all the dcwdrops on the daisies, To light the tripping Fairies in their mazes, While stars are winking at the pranks of Puck ; Or huge and red, as on brown sheaves she gazes ; Or new and thin when coin is turned for luck ; — Who will not say that Dian is a Duck ? But. oh ! how tender, beautiful and sweet, When in her silent round, serene, and clear, By assignation loving fancies meet, To I'ccompense the pangs of absence drear ! So Ellen, dreaming of Lorenzo, dear, But distant from the city mapped by Mogg, Still savr his image in that silver sphere, Plain as the ]\Ian with lantern, bush, and dog, That used to set our ancestors a-gog. And so she told him in a pretty letter. That came to hand exactly as Saint Meg's Was striking ten — eleven had been better ; For then he might have eaten six more eggs, And both of the bedevilled turkey-legs, i=ii 20 LOVE AND LUNACY. With relishes from East, West, North, and South, Draining, beside, the teapot to the dregs. Whereas a man whose heart is in his mouth, Is rather spoilt for hunger and for drouth. And so the Izidnejs, broiling hot, were wasted ; The brawn — it never entered in his thought ; The grated Parmesan remained untasted ; The potted shrimps were left as they were bought, The capclings stood as merely good for naught, The German sausage did not tempt him better, V/'hilst Juno, licking her poor lips was taught There's neither bone nor skin about a letter, Gristle, nor scalp, that one can give a setter. Heaven bless the man who first devised a mail ! Heaven ])less that public pile which stands concealing The Goldsmiths' front with such a solid veil ! Heaven bless the Master, and Sir Francis Freeling, The drags, the nags, the leading or the wheeling, The whips, the guards, the horns, the coats of scarlet, The boxes, bags, those evening bells a-pealing ! Heaven bless, in short, each posting thing, and varlet, That helps a Yv^'erter to a sigh from Cliarlotte. So felt Lorenzo as he oped the sheet, Where, first, the darling signature he kissed And then, recurring to its contents sweet With thirsty eyes, a phrase I must enlist, He (jnlped the words, to hasten to their gist ; In mortal ecstasy his soul Avas bound — When, lo ! with features all nt once a-twist, He gave a whistle, wild enough in sound To summon Faustus's Infernal Hound ! LOVE AND LUXACY. 21 Alas ! what little miffs and tiffs in love, A snubbish word, or pouting look misfciken, "Will loosen screws with sweethearts hand and glove, Oh ! love, rock firm when chimney-pots were shaken, A pettish breath will into huffs awaken, To spit like hump-backed cats, and snarling Towzers ! Till hearts are wrecked and foundered, and forsaken, As ships go to Old Davy, Lord knoAvs how, sirs. While heaven is blue enough for Dutchmen's trowsers ! '" The moon's at full, love, and I think of you" — Who would have thought that such a kind P.S. Could make a man turn white, then red, then blue, Then black, and knit his eyebrows and compress His teeth, as if about to effervesce Like certain people when they lose at whist ! So looked the chafed Lorenzo, ne'ertheless, And, in a trice, the paper he had kissed Yfas crumpled like a snowball in his fist ! Ah ! had he been less versed in scientifics — More ignorant, in short, of what is what — He ne'er had flared up in such calorifics ; But he woidd seek societies, and trot To Clubs — Mechanics' Institutes — and got With Birkbeck-Bartley— Combe -George Robins— Rennie, And other lecturing men. And had he not That work, of weekly parts, which sells so many, The Copper-bottomed Magazine — or '"Penny?'' But, of all learned pools whereon, or in, Men dive like dabchicks, or like swallows skim. Some hardly damped, some Avetted to the skin. Some drowned like pigs when they attempt to swim, 22 LOVE AXD LUXACY. Astronomy was most Lorenzo's whim, ('Tis studied bj a Prince among the Burmans) ; He loved those heavenly bodies which, the Hymn Of Addison declares, preach solemn sermons, While waltzing on their pivots like young Germans. Night after night, with telescope in hand. Supposing that the night Avas fair and clear, Aloft, on the house-top, ho took his stand, Till he obtained to know each twinkling sphere Better, I doubt, than Milton's '■' Starry Vere;" Thus, reading through poor Ellen's fond epistle, He soon espied the flaw— the lapse so sheer That made him raise his hair in such a bristle, And like the Boatswain of the Storm-Ship, whistle. " The moon 's at full, love, and I think of thee," — " Indeed ! I'm very much her humble debtor, But not the moon-calf she would have me be, Zounds ! does she fancy that I know no better?" Herewith, at either corner of the letter He gave a most ferocious, rending, pull ; — " woman ! woman ! that no vovrs can fetter, A moon to stay for three weeks at the full ! By Jove ; a very pretty cock-and-bull ? " The moon at full ! 't was very finely reckoned I Why so she wrote me word upon the first, The twelfth, and now upon the twenty-second — Full !— yes — it must be full enough to burst I But let her go — of all vale jilts the worst" — Here vritli his thumbs he gave contemptuous snaps, Anon he blubbered like a child that 's nursed, And then he hit the table frightful raps, And stamped till he had broken both his straps. r— LOVE AXD LUX ACT. 23 " The moon *s at full — and I nia in licr thought — No uoubt : I do believe it in rcy soul i'' Here lie threw up his iicad and gave a snort Like a voung horse first harnessed to a pole; " The moon ls full — aj, so is this d — d bowl !" And, irrinninir like the sourest of curmudircons. Globe — water — fishes — he dashed down the whole, Strewing the carpet with the gasping gudgeons ; Men do the stranirest things in such love-dudc«;eons. '• I fill her thoughts — her memory's vice goront ? No, no — some paltrj pup]:>y — three weeks old — And round as Norval's shield"- — thus incoherent His fancies grew as he went on to scold ; So stormy waves are into breakers rolled, Worked np at last to mere chaotic vrroth — This — that — heads — tails — thoughts jumbled uncontrolled As onionS; turnips, meat, in boiling broth. By turns bob up, and splutter in the froth. " Fool that I was to let a baby face — A full one — like a hunter's — round and red — Ass that I am, to give her more a place Within this heart" — and here he struck his head. '• "Sdeath are the almanac-compilers dead? But no — "tis all an artifice — a trick. Some newer, face — some dandy underbred — Well — he it so — of all the sex I'm sick !"' Here Juno wondered why she got a kick. '• ' The moon is full' — where "s her infernal scrawl? ■ And you are in my thought : tliat silver ray Will ever your dear image thus recall" — My image? Mine! She 'd barter it away 24 LOVE AXD LrXACY. For Pretty Poll's on an Italian's tray ! Three weeks, full weeks — it is too plain — too bad — Too gross and palpable ! Oh cursed day ! Mj senses have not crazed — but if they had — Such moons would worry a Mad Doctor mad ! '• Oh Nature i wherefore did you frame a lip So fair for falsehood ? "Wherefore have you dressed Deceit so angel-like?"' With sudden rip He tore six new buff buttons from his vest, And groped with hand impetuous at his breast, As if some flea from Juno's fleecy curls Had skipped to batten on a human chest. But no — the hand comes forth, and down it hurls A lady's miniature beset with pearls. Yet long upon the floor it did not tarry, Before another outrage could be planned : Poor Juno, who had learned to fetch and carry. Picked up and brought it to her master's hand. Who seized it, and the mimic features scanned ; Yet not with the old loving ardent drouth, He only saw in that fair face, so bland, Look how he would at it. East, West, North. South, A moon, a full one, with eyes, nose, and mouth. ■' I'll go to her,'' — herewith his hat he touched. And gave his arm a most heroic brandish : " But no — I'll write" — and here a spoon he clutched, And rammed it with such fury in the standish, A sable flood, like Niger the outlandish, Came rushing forth — Oh Antics and Buffoons ! Ye never danced a caper so ran-tan-dish ; He jumped, thumped — tore — swore, more than ten dragoons At all nights, noons, moons, spoons, and pantaloons ! LOVE AND LrXACT. 25 But soon ashamed, or weaiy. of such dancing, Without a Collinot's or Woippeil's band, His rampint arms and logs left oft" their prancing, And doAvn he sat again, with pen in hand, Xot fiddle-headed, or King's pattern grand. But one of Bramalrs patent Caligraphics ; And many a sheet it spoiled before he planned A likelj letter. Used to pure seraphics. Philippics sounded strangely after Sapphics. Long while he rocked like Yankee in his chair, Starino; as he would stare the wainscot through, And then he thrust his fing;ers in his hair, And set his crest up like a cockatoo ; And trampled with his hoofs, a more Yahoo : At last, with many a tragic frown and start, He penned a billet, very far from doux, 'T was sour, severe — but think of a man's smart Writinsi; with lunar caustic on his heart ! GMie letter done and closed, he lit his taper. And sealing, as it were, his other mocks, He stamped a grave device upon the paper, No Cupid toying with his Psyche's locks. But some stern head of the old Stoic stocks — Then, fiercely striding through the staring streets, He dropped the bitter missive in a box. Beneath the cakes, and tarts, and sugared treats, In Mrs. Smelling' s window-full of sweets. Soon sped the letter — thanks to modern plans, Oui- English mails run little in the style Of those great German wild-beast caravans, .E/^-Avagens — though they do not "go like ?/e," — 3 26 LOVE AND LUNACY. But take a good twelve minutes to the mile — On Monday morning, just at ten o'clock, As Ellen hummed "The Young May Moon" the while, Her ear was startled by that double knock Which thrills the nerves like an electric shock ! Her right hand instantly forgot its cunning, And down into the street it dropped, or flung, Right on the hat and wig of ]Mr. Gunning, The jug that o'er her ten-week-stocks had hung ; Then down the stairs by twos and threes she sprung, And through the passage like a burglar darted. Alas ! how sanguine are the fond and young — She little thought, when with the coin she parted, She paid a sixpence to be broken-hearted ! Too dear at any price — had she but paid Nothing and taken discount, it was dear ; Yet, worthless as it was, the sweet-lipped maid Oft kissed the letter in her brief career Eetween the lower and the upper sphere, . Vvhere, seated in a study bistre-brown. She tried to pierce a mystery as clear iVs that I once saw puzzling a young clown — • • Reading Made Easy, ' ' but turned upside down. Yet Ellen, like most misses in the land. Had sipped sky blue, through certain of her teens, At one of those establishments which stand In highways, byways, squares, and village greens ; 'T was called " The Grove,"— a name that always means Two poplars stand like sentries at the gate — Each window had its close Venetian screens And Holland blind, to keep in a cool state The twenty-four Y'oung Ladies of Miss Bate. LOVE AND LUNACY. 27 But Avlien the screens were left unclosed by chance, The blinds not down, us if Miss B. were dead.^ Each upper windoAV to a passing glance Revealed a little dimitj white bed ; Each lower one a cropped or curly head ; And thrice a week, for soul's and health's economies, Along the road the twenty-four were led, Like coupled hounds, whipped in by two she-dominies With faces rather graver than jNIelpomene's. And thus their studies they pursued :— On Sunday, Beef, collects, batter, texts from Dr. Price ; Mutton, French, pancakes, grammar — of a Monday ; Tuesday — hard dumplings, globes, Chapone's Advice ; Wednesday — fancy-work, rice-milk (no spice) ; Thursday — pork, dancing, currant-bolsters, reading; Friday — beef, Mr. Butler, and plain rice ; Saturday — scraps, short lessons and short feeding. Stocks, back-boards, hash, stccl-collars, and good breeding. From this repertory of female learning Came Ellen once a quarter, always fatter ! To gratify the eyes of parents yearning. 'T Avas evident in bolsters, beef, and batter, Hard dumplings, and rice-milk, she did not smatter, But heartily, as Jenkins says, " demollidge;" But as for any learning, not to flatter, As often happens when girls leave their college, She had done nothing but groAV out of knowledge. At Long Division sums she had no chance, And History was quite as bad a balk ; Her French it was too small for Petty France, And Priscian suffered in her English talk : 28 LOVE AND LUNACY. Her drawing might be done with cheese or chalk ; As for the globes — the use of the terrestrial She knew when she went out to take a walk. Or take a ride ; but, touching the celestial, Her knowledge hardly soared above the bestial. Nothing she learned of Juno, Pallas, Mars ; Georgium, for what she knew, might stand for Burgo, Sidus, for Master : then, for northern stars, The Bear she fancied did in sable fur go, The Bull was Farmer Giles's bull, and, ergo, The Ram the same that butted at her brother ; As for the Twins, she oulj guessed that Virgo, From coming after them, must be their mother ; The Scales weighed soap, tea, figs, like any other. As ignorant as donkeys in Gallicia, She thought that Saturn, with his Belt, was but A private, may be, in the Kent Militia ; That Charles's Wain would stick in a deep rut, That Venus was a real West End slut — Oh, gods and goddesses of Greek Theogony ! That Berenice's Hair would curl and cut. That Cassiopeia's Chair Avas good Mahogany, Nicely French-polished — such vras her cosmogony ! Judge, then, how puzzled by the scientifics Lorenzo's letter came now to dispense; A lizard, crawling over hieroglyphics. Knows cjuite as much of tlieir Egyptian sense ; A sort of London fog, opaque and dense, Hung over verbs, nouns, genitives, and datives. In vain she pored and pored, with eyes intense, As well is known to oyster-operatives, Mere looking at the shells won't open natives. LOVE AND LUNACY. Yet mixed with the hard words, so called, she found Some easy ones that gave her heart the staggers ; Words giving tongue against her, like a hound At picking out a fault — words speaking daggers. The very letters seemed, in hostile swaggers. To lash their tails, but not as horses do. Nor like the tails of spaniels, gentle waggers, But like a lion's, ere he tears in two A black, to see if he is black all through. "With open mouth, and eyeballs at full stretch, She gazed upon the paper sad and sorry. No sound — no stir — quite petrified, poor vrretch ! As when Apollo, in old allegory, Down-stooping like a falcon, made his quarry Of Niobe, just turned to Purbeck stone ; In fact, since Cupid got into a worry, Judge if a suing lover, let alone A lawyer, ever wrote in such a tone. " Ellen, I will no longer call you mine, That time is past, and ne'er can come again ; However other lights undimmed may shine. And undimuiishing, one truth is plain. Which I, alas ! have learned — that lo^-e can wane. The dream is passed away, the veil is rent, Your heart was not intended for my reign ; A sphere so full, I feel, was never mfeant With one poor man in it to be content. "It must, no doubt, be pleasant beyond measure, To Avander underneath the whispering bough With Dian, a perpetual round of pleasure. Nay, fear not — I absolve of every vow- - 29 30 LOVE AND LUNACY. Use — use your own celestial pleasure now, Your apogee and perigee arrange. Herschel might aptly stare and wonder lio"W, To me that constant disk has nothing; strange — A counterfeit is sometino; hard to chause. " Oh Ellen ! I once little thought to write Such words unto you, Avith so hai'd a pen ; Yet outraged love will change its nature quite, And turn like tiger hunted to its den — How Falsehood trips in her deceits on men ! And stands abashed, discovered, and forlorn ! Had it been only cusped — but gibbous — then It had gone down — but Faith drew l^ack in scorn, And would not swallow it — without a horn ! ' ' I am in occultation — that is plain : My culmination's past — that 's (i[uite as clear. But think not I will suffer your disdain To hang a lunar rainboAv on a tear. Whate'er my pangs, they shall be buried here; No murmur — not a sigh — shall thence exhale : Smile on — and for your own peculiar sphere Choose some eccentric path — you can not fail, And pray stick on a most portentous tail ! " Farewell ! I hope you are in health and gay; For me, I never felt so well and merry — As for the bran-new idol of the day, Monkey or man, I am indifferent — very ! Nor even will ask who is the Happy Jerry ; My jealousy is dead, or gone to sleep, But let me hint that you will want a wherry, Three weeks spring-tide, and not a chance of neap. Your parlors will be flooded six feet deep ! LOVE AND LUXACY. 31 *' Oh Ellen ! how delicious was that light "Wherein our plighted shadows used to blend, Meanwhile the melancholy bird of night — No more of that — the lover *s at an end. Yet if I may advise jou. as a friend, Before you next pen sentiments so fond, Study your cycles — I would recommend Our Airy — and let South be duly conned, And take a dip, I beg, in the great Pond. •• Farewell acjain ! it is farewell for ever ! Before your lamp of mght be lit up thrice, I shall be sailing, haply, for Swan River, Jamaica, or the Indian land of rice, Or Bootliia Felix — happy clime of ice ! For Trebizond, or distant Scanderoon, Ceylon, or Java redolent of spice, Or settling, neighbor of the Cape baboon, - . Or roamin