STACK 
 
 PA 
 258 
 S5c-< 
 1877
 
 Ex Libris 
 [ C. K. OGDEN 
 
 'th Introductions and Notes. 
 
 BY FRANCIS STORR, B.A., 
 
 CHIEF MASTER OF MODERN SUBJECTS IN MERCHANT TAYLORS' SCHOOL, LAT* 
 
 SCHOLAR OF TRINITY COLLEGE, CAMBRIDGE, AND BELL 
 
 UNIVERSITY SCHOLAR. 
 
 Small 8v0. 
 
 THOMSON'S SEASONS: Winter. 
 
 With an Introduction to the Series, by the Rev. J. FRANCK BRIGHT, M.A., 
 Fellow of University College, and Historical Lecturer in Balliol, New, and 
 University Colleges, Oxford, it. 
 
 COWPER'S TASK. 
 
 By FKANCIS STORR, B.A., Chief Master of Modem Subjects in Merchant 
 Taylors' School. 2*. 
 
 Part 1. (Book I. The Sofa ; Book II. The Timepiece.) gJ. Part II. 
 (Book I II. The Garden : Book IV. The Winter Evening.) ait. Part III. 
 (Book V. The Winter Morning Walk; Book VI. The Winter Walk at 
 Noon.) ox/. 
 
 SCOTT'S LAY OP THE LAST MINSTREL. 
 
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 School as. 6d. ; or in Four Parts, grf. each. 
 
 SCOTT'S LADY Otf THE LAKE. 
 
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 NOTES TO SCOTT'S WAVERLEY. 
 
 ByH W EvE,M.A.,Hend-MasterofUniversItyCollegeSchool,London. is. 
 WAVERLEY AND NOTES. 2*. 6tL 
 
 TWENTY OF BACON'S ESSAYS. 
 By FRANCIS STORR, B.A. it. 
 
 SIMPLE POEMS. 
 
 By W. E. MULLINS, M.A., Assistant-Master at Marlborougn College. W. 
 
 SELECTIONS FROM WORDSWORTH'S POEMS. 
 
 By H. H. TURNER, B.A., Scholar of Trinity College, Cam bridge, u 
 
 WORDSWORTH'S EXCURSION: The Wanderer. 
 
 By H. H. TURNER, B.A., Scholar of Trinity College, Cambridge, i* 
 
 MILTON'S PARADISE LOST. 
 
 By FRANCIS STORR, B.A. Book I. gd. Book II. gd. 
 
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 POEMS SELECTED from the WORKS of ROBERT BURNS. 
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 MACAULAY'S ESSAYS: 
 
 MOORE'S LIFE OF BYRON. By FRANCIS STORR, B.A. ad. 
 BOSWELL'S LIFE OF JOHNSON. By FRANCIS STORR, B.A. orf. 
 HALLAM'S CONSTITUTIONAL HISTORY. By H. F. BOYD, JaU 
 Scholar of Brasenose College, Oxford, it. 
 
 SOUTHEY'S LIFE OF NELSON. 
 
 By W. E. MULLINS, M.A., Assistant-Master at Marlborough College. 
 ** The General Introduction to the Series will be found in THOMSON'S Winter 
 
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 i
 
 9at&emattcal Series 
 
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 By J. HAMBLIN SMITH, M.A., 
 
 OF GONVILLE AND CAIUS COLLEGE, AND LATE LECTURER AT ST. PETER'S COLLEGE, 
 
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 2
 
 KEY 
 
 GREEK PROSE COMPOSITION 
 
 BY A. SIDGWICK, M.A. 
 
 ASSISTANT-MASTER AT RUGBY, LATE FELLOW OF TRINITY COLLEGE, CAMBRIDGK 
 AND EDITOR OF "SCENES FROM GREEK PLAYS." 
 
 RIVINGTONS 
 
 WATERLOO PLACE, LONDON 
 
 ifotfc anfc 
 
 MDCCCLXXVII
 
 
 NOTE. 
 
 IN preparing this Key, I have attempted in the 
 earlier exercises to be as literal as possible, in order to 
 do more good to those learners to whom the versions 
 are given as a model. This has been the easier to do, as 
 they were written with a view to being so translated. 
 In the later exercises, where the English is more 
 thoroughly idiomatic, it is plainly neither desirable nor 
 possible to be quite literal. 
 
 I have ventured to add a very few notes at the 
 end of the book, which perhaps may be of use to 
 some teachers, though of course to many they will be 
 superfluous. 
 
 I am well aware that there must be many errors 
 and oversights in 100 pages of Greek prose, written 
 in the scanty leisure of a somewhat engrossing pro- 
 fession. I can only appeal to the kindness of those 
 who may use the book to excuse such errors ; and 
 I shall be most grateful to any one who will be kind 
 enough to send me any criticisms that may occur to 
 him in using it. 
 
 1057589 A s '
 
 EXERCISES. 
 
 PART I. 
 
 I. 
 
 '0 /3ao-iAeus TWK Bop/uavwv, yvovs TOV fJi.lv <f>6pov 6V di 
 TO 7rA?5$os jU,to) KO.T' eviavTov ytyvo/zevov, TO Se 7rA?J 
 pfvov, ev v(> et^e TOVS evoi/cowTas apifytetv, iVa TOUS l 
 eevpiav KoAaot. eveOvfj-ciro Se on, et TOVS ap^ovras /ceAtvoi 
 TOVS ev eKacrry TroAet dpiOfJ-elv, /zetoj TOV OVTOS apidfjLov aT 
 Aoiev, iVa Aa$oiev KAeTTTOVTes. ySouAevcra^ievos ou^ o,T6 
 TtAos e^jre TO^ Oebv eavry ovap elprjKevai 6Vt /xeyaA^ Tts voo-os 
 7rt TT)V vfj<rov TJ^oi' ^cAetf 8e TOVS Bo/tyieavovs, /cat Set^ciJ/ OTTWS 
 
 TO KO.KOV d.TTOTpTTOLV. SetV Se ^t(^)OS )U,ya (TL8f]pOyV TTOteiCT^at, 
 
 Kat eKao-Tov /xiav ^SeAov^v ire[j.irtiv TavTas Se ^wetAey/xevas ev' 
 36 ^wroieetv' 6o-Tts Se />t^ ire^m T^V ^SeAdv^v, TOVTOV T^ 
 daveia-Oat. TravTes TOIVVV ol Bop/xeavoi Tas ySeAovas TW 
 7re/^i/'av, </>o^8ov/Aevoi 8?) TroAu /*^ Tt Ov/Jiovfj-evov TOV deov 
 Ka.1 ovVo) KaiTrcp K^>vyovTS ^ ^ave?v, ^vayKa^ovTO 
 TrAetova TOV <j>6pov TM ^SacrtAet aTroSowai, CTTCI l^evpc O7roo~ot 
 v fKaua-T TroAet e 
 
 II. 
 
 '0 8e TITOS cv(5oKt)ttos ^v Or)pevTri<s, cv /^eo"i7 Tjy 
 d)S 8e yijpao-KWV Ive^u/zetTO ws $au/zao-ia yeyove TO, ?/)ya, Seivov 
 <>CTO ecrto-^at ct ot avQpiDirot TOV oVo/xaTos lain-ou eTriAa^oiVTO. 
 a)O~T fii/3Xiov eTrotTjcraTO, cv (^ 6a.vfJuj.Ta TravTOta l^ye6TO. <XKOV- 
 o-avres 8e 01 aAAoi 6r}pevTal OTL TITOS vyypa<r)v yeypa^e, Kal 
 
 A
 
 KEY TO GREEK PROSE COMPOSITION, [Part I. 
 
 dAafdva ovra, irpos TroAtv eire/i^av dvBpa TIVO OOTIS 
 f)rjv dyopda-fi, as ry dvayvawrei r)a-Orp-6/j.fvoi. 6 S 
 ayyeAos a/wi#rTaTos ST) MV ourws UTTO TOV /3i/3AiO7rwAov ei)jra- 
 TTfOri, wore di/Ti TOV dpyvpiov eSe^aro TTJV TITOU /iv ov, dAAa 
 'Ofj.r)pov aTToy/xi^v, ovSe 8pa^jjLrj<s d[a.v ovcrav. yKtav otv KOI 
 TOUS traipovs CTV%C TO ^3i/5Atov dvoi'^as OTTOV 7re/)t 
 ^<riv 6 TroiTyT^s ort IKCIVOS fiovo? TO TOOI/ Sui'aTai 
 Ttvetv TOVS 8 aAAovs ou^ ofovs TC c'vai. 01 Sc Oypevral a>s 
 i/Kovcrai' ei50vs dvaTnjSwiTes Ij8oa>v Aeyovres TOUTO T< OVTI Ty TtV<j) 
 yeypd<f>0ai' ovSeva ya/> aAAov av TOO-OUTO ToA/ivJo-ai 
 
 III. 
 
 Neavtas TTOTC KCU irapOevos TI<S ff3ov\fv<rav <rvve\0eiv cis KaAov 
 TOTTOV, ov XifJLvrj ^v fv fif(roi<i opecri KfipevTj. 6 Of Kvva f^tav 
 fjifyav re Kal TTIOTOV e^get (rvv airnp ets TOV flp^p-ivov TOTTOV. KCU 
 OVTWS eiroOtt TT)V irapBfvov ifciv OXTTC TroAu ST) Trpia'iaiTcpov eis T^V 
 
 \LfUnjV d(f>lKCTO. dS fJMKpOV ~)(pOVOV I8l (MVCIV, (T(f>68pa. 6epfJLOV 
 
 OVTOS TOV i^Atou, 8o^ AoufQ-^ai. aTroSvo-cifici'OS ouv Kat <vAcur- 
 crv KeAc/xras TOV xvva eis T^V Xifjivrjv eTr^Brja-f. TtAos S aj 
 aAts aTrlAavo-e TOV V&ITOS, Kai ov Sia fiaKpov TTJV irapOevov Trpocr- 
 fooKrprf dc^i^eo-^at, eA#d>v TOI i/ictTta eirei/oaro dvaSl^ao-^at. 6 
 Se KV'WV ov*c eiSws TI'S CCTTI Sta TO yv/ivov eu/cu ov8 Trpoo-eA^eii' cia- 
 Kai TroAAa/as fj.drrjv KaAeo-as TOV Kvva, piywv TC Kai aTropwv TI 
 TTOIOI, TeAcvTtuv e?8e fj.aKpav Trpostofwav -njv TrdpOevov. tirei 8< 
 povievai avev ea-OfJTOS OVK eSvvaro, -^vayKaa-dr} ei's vStop sraAiv 
 Kai irfrpas oiria-dev diroKpvjrTeo-Oai. T) 8e TJKOWCI Kal TO 
 \UOVQV iSovcra (is aTroAwAoTa 8^ 7rtK/)d5s 
 
 IV. 
 
 *Hv TTOTC TIS 'A&jvcuos (or 'A^^vyo-i) 'Ia)vt'8js ovo/ia, oirra) 
 c5v T^V Sidroiav CUTTC ^MijSeTroTe /iTjSevi ^aAeTratvetv. 01
 
 Part I.] EXERCISES. 
 
 (j>i\ot ovv wepl avrov Aeyeiv eioj#rav, OTI ei TIS TOV iroSa aurou 
 iraToir), wyyvu>fJLY]v av alrot ws e/wroSwv yevo/ievos. tv Se TTJ 
 avry Tro'Aei erj vvrjyopos, ov eSet TOV 'IwviSrjV TrapovTtav TWV 
 WV leTaetv 6 yap dSeA^os e</>evye, KOI 6 'Ia)vi87js jfv 
 ws 5e epapTvpei OTI ovSev ^StKrycre 6 dSeA<^>os, topyifav 
 XoiSop&v avrov 6 ^wv^yo/oos, iva Tjjy^u^ TI Aeywv TT/DOS 
 TOVS 8t/<a(7Tas e^eAey^^ct^ if'evSofj.apTvptov. 'AAAa <ucrei irpav- 
 raros Si) wi/ aiAiyo^oa T^S AoiSo/itas xai, O,TI fpoiro IKCIVOS, 
 dAr^^ws Kai ^(rv^cos aTre/cptveTO. cScrre o vvrjyopo<s yvous OTI 
 /zcmjv 7rovi avros e^aAeTratve, KCU cra/sSdviov yeAd<ras ?7re r<ji 
 [MLprvpovvTi., 'ATTIOIS av cu ^t'Ae* (roffxararov yap ere ovra tvpt,<rKw. 
 '0 S ov^ ^craov irpq.ws "rj Trpocrdev aTTtwv avTeiTre' Kdyuy' av TO ' 
 auro lAeyov, <?/, ^rf/3t O-QU, et /AI) dXrjdrj Ajyetv w/xoaa. 
 
 , 
 
 V. 
 
 Tv/aavvos wv v^Aeijs TWV ITepatijv, TOVS 
 TOCTOUTOV ^8tKct cuo"Te crvaf3ov\.vcrdfjivoL KOI (3ia lAovTes 
 Is TO 8eo-MCOT^/3tov ?/3aAov. 6 8e /caiVep TOJV aAAwv ^>i'Awv 
 AeAti/ijuevos TricrTrjv p-evroi ct'x e yvvai/ca, I^TIS iroBovcra tSetv TOV 
 avSpa yrrja-e TOV tfrvXaKa eav ets TO Seo-fJ-WT-Qpiov eto-eA^eiv' 6 8e 
 O?TU>S w/xos ^v (To-T OVK i]j$eAe, Aeywv ou8e/ii 
 
 Tvpavvov. TcAevTcuv //evTOt eireta-Or], ISwv a>? 
 
 V, cooT /xtav rj/iepav crvv T(jJ dvSpi /xeveiv "00-6, <^>' 
 e/c TOU 8tcr/ia)T^/3iou TT/SO VVKTOS d/reA^eiv. a>o-T CTTtoixrTjs 
 WKTOS, 6 (]>v\a Tjvoiye T^V Ovpav LVO. e^ioi' rj 8e Ta^ews e 
 o-tywo-a, WCTTC /xeya e/cetvos fOavfj.a^c Ty 8e vcrrepaia ev 
 ?KITO 6 Kav^d-nys, 7T7rAots KCKaAv/i/ievo? T^V Ke^aXrjv, a>s cr(f>6Spa 
 Si] vocrwv. 6 8e <uAa, yvovs Too-avTas rj/j.epa<s p.kvovra ) larpov 
 fj-fTeTTf/JL^aTO' os TOVS 7T^-Aovs Awras u/)e Kau^ctT^v /xev ou, 
 dAAa TT)V yivaiKa. OUTCO 8 Sia T//V TC Tex v/r ? 1 ' auT^s KUI TTICTTO- 
 
 e^e^vyev 6 Tvpavvos.
 
 4 KEY TO GREEK PROSE COMPOSITION. [Part I. 
 
 VI. 
 
 '0 S Ttjuwv Iv $ SiTJycv Iv Tots "IvSois yo-OeTO KAeTrrovTas Ttvas 
 ru>v OLKfTwv reKfJL^piov 8e ovSfv craves Aa/3u>v OUK ySei Tiva 
 Kai cos Trdvras e^Tao"e Kai ovScv /iaAAov le{y> TOV 
 
 CTTCl aTT^/DVOWTO 7Ta7TS ^ 8/)CtCrat, TOlOv5c Tl ffJLTf])(a.Vrj- 
 
 <raro iva. fiddoi. Havras yap TOVS SovAovs ci's Seo-/ta)T^/3tov cn'y Act- 
 eras Kai xw/noras Ka^' Iva iKacrrov, xAaSovs ISuiKCv, ous iTTt/xeAws 
 cwre T7//Div, ws Sia TOVTWV IAeyx^ 7 ? o " o / jt f vov5 c " Tl truveiSeiev. ry 
 yap /cAcTTTOvrt TOI/ KAaSov 8aKTvAa> peifo yevryirecr^ai T^S VVKTOS. 
 01 8e aKouovrcs dvfiravovTO, 01 p.cv aAAoi /xTa TroAA^s eAnu'Sos Kai 
 papas' 6 8e /cAeTrr^s TraVav T^V VVKTO eyprjyopei rpep-wv re Kai 
 <f)vXa.crcr(av TOV KAaSov /x 1 ^ Xadoi at'^avo/xevos. fa)S Se wre^aivev 
 17 Itos, diropwv T<J) dy/3inrvtv, Kai vn-oTTTeixras /^^ /*ei'wv 8^ yevo- 
 6 KAaSos Karayvw eairrou, oSa^ SaKruAov direpprj^e TOV 
 wcrre fj.eTpovfj.evwv r<av KAdSwv, ws jSpaxyrepos ^v c 
 TOUTOV, paStws ^Aeyx^'?- 
 
 VII. 
 
 Oi Kp^res Kara T-^V Trapoi/iiav OVTOI TO ^euSecr^ai <^iAeiv Ae- 
 yoKrat wo"Te ei rtvt K/D^S irepiTv^wv ou ^>^cri re^K^Ktvat, ov Sei 
 
 7ra/3>)(rav 8e TTOTC ev (rrfj.iroa-i(p KprJTfS Svo 
 TOV Ire/oov viKav iffvSofievos. 6 fj.ev ovv e^f} fK Kpvjr^s Trore 
 
 fj.a.Kpa.v O.TTO ys IIXTTC /i^e Tptwv av i/ze/Dwv Karyecrai, 
 avSpa ISeiv Iv Kv/zao-i veovra. TOVS S o~v/x7rAeovras l 
 Kai OfXeiv Is vaw Seco-^ai. TOV Se OVK l^ Aeiv 1 
 
 irevre yap /xovov /tepus veiv, Ka rpiwv 
 OTTOI epxeTai. <5(TT atTCtv lAaidv TI SoGvat' ySe^fpey/xevos yap 
 i ^e'Aeiv TOVS Se SovTas aTTOTrAeGcrat. 
 Se 6 eTepos dvao-Tas ^aiptv !/3oa OTI TeAevTwv ei*pe TOV 
 avros yap efvat y I8oo-av TO lAaiov TOVTO 8e p.6vov fJ.ffJ^- 
 i, OTI (rairpov 1*7 TO lAatov' wo"T dAet^d/ie^os /88eAvpcoTaTa
 
 Part I.] EXERCISES. 
 
 VIII. 
 
 'E^tvds TTore Iv aypcp Kt//,evos, Ixv^c Aaywv nva /3Aa^as, os 
 a(/>povTio-TU>s avVov iTrdVet. wcrre ^aAeTraivwi/ 6 Aayws, Kai 
 ySovAo'/^evos TOV l^tVov, ^pwra ei $eAet Spo/j.ov TreLpacrd 
 <TC TOV K^oaTowTa CTITOU yoiviKO. Sf^ffrOai. 6 8e e^tvos 
 d.TreX6(bv Kal TTJ aAd^w Ae^as TO Trpay/^a, -^Ke 
 ireipdo-ecrdat. ry Se vo-Tepaiy. vve\66vT<av 6? TOI/ eiprj^vov 
 TOTTOV KCU o/Jiov o.<^>opfi.(a^f.v<j)v^ ais 7r/30se8oKa ai/ Tts, 6 Aayws 
 p^Siws TOV e^ti'ot' Trapyei. Kat fJ,eTpiu><i Spa/xwi/ (f>(J'qcre(r0ai 8rj 
 (pero avev TTOVOV Is TO repfj-a. a<^)tKo/xevos' !A0tuv 8e Kat t8wv TOV 
 e^u'ov 7j'S^ avTov KaO^p-evov o-^e8ov e^eTrAayry ^av/u,a^wv. ov /u,^v 
 aAAa TOV CTITOV aTreSw/ce' r/Tvjo-e 8e TOV eYeyoov av@i<s CTTI TOIS 
 aurots Tretpav Aa/3etv. TOV Se $eAovTos, 6 Aayws, as IS 
 
 5e TOV 
 ^>^ Swcretv, 
 
 6 8e Travv 6/xotav ai>T(p e 
 /cat vfj,/3fjvai, rrjv /zev e^>' erepy Tepfj-ari KadrjarOai.^ TOV 8e < 
 
 IX. 
 
 TTOTC o 'AAeavS/3os TOV SouAov* ws S^ ycrOtTO on 
 tcaiirep iroAAaKts /caAot'^evos ov Trapfir), es ra irpodvpa. twv eii/De 
 Ka^fijSovTa. /a.eAAwv Se eyeipeiv ypa^)?jv Ttva ct^Se ^a/^at 
 jv vewcrTt 6 Trats aveytyvwo^Ke' /3ovAo//,evos 8 
 
 oTrotds Tts ICTTIV 6 8o{!Aos, apas T^V SeATOv dveyvw. yvous 
 Ty p.i]rpl TOV TratSos yey/oa/z/xev7yv, I^TIS TOV TratSa ITT^ vet 
 d)S dpyvpiov Tre/jti/'avTa, Kat :ravv TTICTTOV CKeAevo-ev e?vat Sea-Trorrj 
 Too-ovV(j) Kat TotovTW, (T(j)68pa -ijo-dr) 6 /JacrtAevs, Kai tK/Dvi/'ev Is 
 TOV KoAjrov TOU iratSos T^V ypafyty /jteTa TrevT^KOVTa \pvvu>v 
 ^crv^ws Se aveA^wv Is T^V avA^v, Kat fieydXy rfj 
 lyetpas Kat KaAea-as TOV TratSa, w? ^A^e T/SO/XWV Kai IKTTC-
 
 6 KEY TO GREEK PROSE COMPOSITION. [Part I. 
 
 irXr)yfj.evo<s, oY opyrjs rjpeTO Sia ri ov irpoTepov wnj/cowf 6 Se 
 Ka.Taoap6eiv e(f>r) dvayiyvojo-Kioi/ 8eA.rov, d>s Se S^Awo-cu dXyOij 
 Aeywv e^eiAe T^V ypa(f>rjv. TO Se \pwrtov afJM ef}X6e, wore 
 $cu/iacravTa (rty^orai TOV TraiSa' 6 Se /3a(riAevs 6a.pcrt.lv t/ce 
 TroAAous yap svrv^crai 
 
 X. 
 
 e Tore TWV Kacnriwv ^peSvx^? TIS os CTriOvp-wv TWV TreAas 
 w Ka ' T^V xwpav eAeiv, Siei/o^craro u>s tV^v/aoraToi' 
 Troteiv TO a-Tpdrevfjia. wcrre 1/ceAcvcre TOUS Ao^ayous i's Tracras 
 TroAeis tovras ous /ieytcrrovs fvpoiev avS/aas (Xccrdai KCU <rrpa.Tv- 
 f.cr6a.i dvay/ca^civ. Aoxyos T6? TO/VVV iSwv irore ^wAov/syov 
 Barp,dfriov T(p fj-eyedei, Trap' eKtlvov e\6<av OrjKrjv /zeyaA^v vXivrjv 
 TTOICIV' TOV Se OITOUVTOS axpifttcrTepov e^yetcr^at OTTO 
 Troificrdai, 1o<ravTrjv, <f>i)o-i, UHTTC (re IvSov ai/ 
 KOI /ACT' oA6yas ^KWV vjp,fpa<s KO.I ITOI/IOV cv/awv T^V 
 &T\fTXia^ev i8a)v OTI ^o-atov rriv 17 eKeAeixre' 6 
 'AAA' ouSa/iws, ?^>^, fai u>s Sr^Aw OOT^ eo"Tt li'Sov /cei'cro/iar Acywv 
 8e /xoyis TTWS es O'I]KT)V KarefiaXcv eavrov eirel 8t Ta^icrTa TOUTO 
 eyevtTO, /cAetcras 6 Ao^ayos T^V Q-f\Ki]v Kal jUO^Aw (riSrjptp 
 Kai TOVS Tcupoi>s o-yyKaAeo-as TOV /ieyav TOUTOV eis TO 
 
 d(j>iyfj.ev(av Se Kai avot^^ewr^s T^s ^K?;S VCK/DOS 
 
 XI. 
 
 8vo TaAavra irapa 'A 
 
 WTTepata air^crwv T/3t'a Savearat. ws Se Ta &x> OUK a7re8a)K 
 6 'AydOtav ft OUTW Ta^ews jrAeov aiTtr TrapdvTOS ^ 
 TOU <f>iXov Ar]p.ay6pov, rfrxyvero alcrxp 
 cras ouv ISwKe TO dpyvptov, KCU woTrep o-/c(o7r 
 eavT(p TOV ArjfJLayopav. Kal ov Sia TroAAou ws yr-ijo-c TOV <J)tXov
 
 Part I.] EXERCISES. 
 
 TOL\a.VTa, ?}pi/eiTO [J-rj TrAetoi' rpiwv 8eacr#<u. 6 8e 
 fl oimos VJTO <j>i\ov e^aTraraTai, diroptav {AevTOi Tt 
 iroiol dVyei tVa TO> A^/xayopa o-ty^8ovAevcraiTO* OUTOS Se Trpos 
 Eupi>o-#ev?7 1/ceAewe tovra TrpoviroicicrOat, ws d/xapTOVTa, Kai ai 
 ra T/oia aTroSouvai. 6 8e Evpvcr^evJjs ra^ew? aTreScoK 
 avrovs SiKfjv Xrji^o/J.ei'ov^, ci /AT) 6^eAo6, ITTCI Trapovros fJidprvpos 
 eSavetcr^r^ TO apyvpiov. rov 8e Aa/3ovros, "Aye 5>J, (17 6 A^/Aa- 
 yopas, 6/^OTj 7r/30(TtovTS oivdis TO. Tp'io. ToXavTO, cuT^crayiei/' iji/ Se 
 
 i, (is ovSevos (J-dprvpos 
 
 QvTd) Se ov fj.6vov TO Sdveioym aTrcoAecrei/ 6 Euoucr^eV^s dAAa 
 Kat ercpov TaAavTov. 
 
 XII. 
 
 'e 7TOT 7rpOS T7JV TTo'All' O~O^tO~TjJs TIS, OS 
 
 a,6 a,7rdvTO)v, 7rei O,TI epotTo T6S Swao~l 
 <^>tAoo"o^>os Se Tts 6K6i {wi', ovoyxaTi IltiiAos, Trpos IKCIVOI/ iwi' 
 rjpero TI OLV diroSoirj et TI oirra) ^aAeTrov IpotTO wo~T ^77 otoy T' 
 ?vat dATj^ws d-n-oKpLvacrOai. 6 8e /^eya S^ (^povwv art Ty Te^rj 
 Svo TaAai/Ta v7rrxeTO 8w<T6tv. "A/cove TOtVuv, e^ry 6 IIwAos, Tt 
 ^dpa/cos yap ei/ Tj] yy Trrj^^evTos, jMeye^os SeKa 
 
 6 2e o~o</)tOT'))s viroX.a(3<i)V, 'Avorrepw apa, e</7, e/cdurT^s iy//.epas ei/l 
 3r^^6 ytyvcTat ry Ty TrpOTepata. o 8e IIwAos o/ioAoywi/ ripf.ro 
 iroo-as apa rjjj.epa<s Befool, dvafifjvai, Trplv iir' a/cpov TOV 
 d<j)LKf(rdai.. o oe o"o^>to"T')]S TOD ooAov OUK 
 i7T SeKa i^/xepwv- SeTjo'eii' 7re:S^ Sexa Trry^ewv 
 
 OUV, e*^ O IIwAoS' (TKOTTfL ydp" OKTW rjfJLtptoV OKTU) 
 
 dva/jJds, as Swo p7r6 T^S r]^kpa.<i TeAi;T(oo"7js TTJS erar^s 
 eiri TO a.Kpov a<f>ifTa.i. 
 
 o of o'o^to'T^s, KatVep dyavaKTwt', aTroSous /xti'Toi TO, TaAavra 
 Trpos aAAijv TroAtv a:
 
 8 KEY TO GREEK PROSE COMPOSITION. [Part I. 
 
 " 
 
 XIII. 
 '0 'AypiTTTra?, VTTO Ti/3r)piov KaraKpiOels, a>s XotSoprjOeis avrw 
 
 s irapa rats TrvAcus TOV fBao~iXeiov KaTeorrf. TW Se Kav- 
 P.O.TI TOV ^Aiov /3a/)w^ets Setvw ovrt, lyvco wo 81^175 av #avcov 
 et /*>) v8<ap Xdj3oL. iowv Se 0av/iao-rov, SovXov nva, yuer' d[j,<f>o- 
 /bews vSaros irapiovra, yrfi epv avrov TTICIV. TOV 8e 
 SOI'TOS TOV dfJL(f>opa, ws e;riev, 2a<^>ws wr$i, c<^/, OTI 
 TTOTC, (5 Qav(j.a(TT, ex Seo-/ia5v, /cat Trjs evi'otas crov OUK 7riArjo-o/xat. 
 $avovros 8e TOU TijSijpiou, 6 'AyptTnras, ou /xovov 
 TTjpiov VTTO KaAtyoXov, aXAa /cat ap^eiv atpe^eis TTJS ' 
 
 7ov (TTiXaBeo-dai' /xeTaTre/i^a/ievos Se Kai aTroSwo-eti' <^>cto-/cwi/ 
 
 Tl/ir)v TOV vSttTOS 07T6/3 SeSc/ACVOS Tl, TO/itttV ttUTOV TOV 
 
 ot/cov 
 
 XIV. 
 
 Trore T|V /3ao-iAevs os TroAAa Ixcov/^rovetv Tr/awtatTaTa TT/S 
 etci^ei eyepOfjvai. yrjpdo-KWV p.tvToi. wo~re voo-w KOU KOTT^ 
 tv, ovx otos T* ^ /c TOV avTOfJidrov iyeipea-Oai- ws Se OVK 
 Travcrao-Oai rrovwv T Kat 7ri/ieAoi'/xvos TWV vrept T^V dp^rjv 
 ecus reXevrtprj, TOVS SovAovs eKcAevo-cv avrov lyei/aai. 7ret 8e gSei 
 OVTC avros t^eA^o-wv eyepdels avao-T^vai OVTC IKCU/OVS Ktv7yo-ov- 
 Tas avTov 6t opyi6jj.evov iSotev, rjireiXrjcrev TJ fj-fjv /coAao-etv avroi'S 
 T;V Trepa TOV TCTay/xevov xpovov KaOevSy. WO-TC eyepOeis irore VTTO 
 TOV SovXov, cSeTjcraTo oyxtKpov Tt eTt /ca^cvSetv vocreti/ ya/3 /<at 
 aTrtip'rjKeva.i. 6 8e SovAos OVK eta ev T(p Ae^et fj.Vfii>, dAAa /cai 
 X/ K< fToXfirjo-f TO. Bao-iXfia, o-KeXr) e^eA/cav. 'ATroKTCfw o-e, ^8oa 6 
 
 6 Se ToA/i^pw?, 'Eyeipov p.6vov, <f<>7, Tva /S^Toi/ /* 
 
 a9, Kai OVTCO 
 
 '.. , 
 
 yovv e, e ee/305 va(rTa9, Kai OVTCO 7Tt(TTa) yevo- 
 
 TaAavrov <rot
 
 Part I.] EXERCISES. 
 
 XV. 
 
 '0 fj.lv Evpvros, ri Is Kopivdov a^t/cero, Travra TOV 
 ffteptov Kai apyvpov irepl ov eyvto TOV 8f}p,ov 7rv0o/xevov, l<o/2e?TO 
 fj-dXa TOVS KopivOiovs, ctSws TroAAovs Aycrras ev rfj TroAci ovTas, 
 a*o-T TOiovSe TI ffJLrjxavTqo-aTO. TriOovs rtvag /xryaAov9 -J A - a/?a)v /cat 
 fioXvpSov KOI Xidtav e/tTrA^cras/Traponrwv ralv KopivOitavJ teal 
 
 ' '* 
 
 \pVCTOV 7Tl<,Sjs TOV 'Apre/AtoS V(i)V /CttT(5 J tyU I, 
 OtP 
 
 TOU TO7TOU 7T7TOtPWS. ya/3 VaVTlOV TTan^WV OTt (frooiTO TOVS 
 
 Ayo-ras, Kai Sia TOUTO TOV XP vcr v TrapoL T)J ^e^i KaraOeiTO, iva 
 /xaAAov crw^otTO. TOV Sc AOITTOV \pixTov Is KOiXa. ^aAKa dyaA- 
 Xddpa dmKpvTTTf, airep (is TraAaia 87} Kai ovoevos aia ovTa 
 Oat a>s JAAocre TOV iraAatov 
 
 W(TT 01 KoptvOlOl TOUS^ITt^OVS ^>uAa(T(TOV, OTKOTTtlV 
 
 ei amav Ttva evpoiev axrre e7rr^etv* TOV 8e dAi^^ ^pucrov aa^a- 7P3? ^ 
 AOJS of/caSc CKO/ueTO. 
 
 XVI. 
 
 '0 A7y/io^)(3v, os TraAat /t 
 
 cc^vye, rSc Trore <t'Aov SouAov i^>v e<riovTa, ov 
 TOV SCO-TTOTOV Is TOV o.ypov rjveyKe. o 8e A>7/io<wv ySei 
 fievov 7rt TIJ TrpOTfpaiy, irapa TO? ^>tA^) SeiTrv^o-as CTTI Tr} 
 eTSe. wore cure TO! SovAw, ei /i?) xpwov Soir) Ka.TY]yopri<riv avrov 
 OTI eKXeif/e. Tt Se, e^ 6 SoOAos, >jv SrjAw avTos /ACV ovSev KAei/'as, 
 o- 8e KAe^-avTa ; 6 Se A^/io^wov, 'Hv TOVTO Sp^is, ^, eyw TOV 
 
 /xev OTJV, !<i7 o SouAo?, OVK e/cAei/'a lyw. O-KOTTCI yap* 
 6 /cAeTTTtov d<f>aipfi TOV /*ev TI, alo-T krfpov KTrjfJM eTvai. eyw Se 
 TOU i^^uos ov^ -^cro-ov K-rij[J.d dpi TOV SCOTTOTOU* ^v apa (j>dy<a 
 KAcTTTW /xev ov, fj.f6i(rTr)[jLi 8e e/cei^ev Sev/oo* Kai 817 Kai ^v 
 a^petos etfif WO-TC TovSe lo-^twv TO SeaTroVov
 
 10 KEY TO GREEK PROSE COMPOSITION. [Part I. 
 
 <to ? 
 TOO-Ot'T<> 
 
 6 8c &r)p.o<f>wv OVK ei8a>s rt diroKpivaiTO yeAao-as etTreSwKt TUV 
 
 XVII. 
 
 '0 Se Aapeios TTOTC etw^ws Trept T^V TroAtv icvat, " ns aStxa TTOU 
 7racr^e6, TT/JOS /^eya Sea-^T^piov y\0e. ctcriwv Se Trai^ras TOV? 
 8<r/za>Tas ctSe TriK/aorara oAo^vpo/icvovs, et irws i'8ui/ 6 
 Aojcrai, woTf Avd^vai. 6 8e Sie^iwi/ feat ajracriv t 
 jjptro Sta TI KaraKpideiev wore SeSecrdai. kal o [itv TOUS Si/ccurras 
 e^ 8ft)/DoSoK^cravTas \tev8ojs Kareyi/w/cei/ac lavrou- 6 Se TOV 
 p.a.frrvpa \fttv8ij fiaprvprjcrai' 6 8c erepos auros /iv avatrios t'j'ai 
 o/noios 8e c^ai ry o^-et TU SpdcravTi. TTCCVTC? Se ovSev aiov 
 irpocreiroiovvTO S(Spa.Kfvai TOV Tocravi~rjv SIKVJV SiSovai. reAos 8e 
 6 Aapetos avSpa Tiva t'Swv p.6vov KadijfJifvov a-KvOpwiruv TYJ o^et, 
 i'jpTO ri SeSerai' 6 8e ^/JVCTOV <^jy icXfipai. 'EK-t'-re ovv TOU 
 TOTTOV, <>i; 6 Aapctos a)S o-^erAia^wV THUS ya/3 ov Setvov i OUTOS 
 5 Toi^wpvx 05 ^TOI raJi/ 8iKai<av 
 
 wore 6 /xcv eXv6r) } ol 8e e/ievov 
 
 XVIII. 
 
 '0 TITOS 6 Orjpcvrrjs TrAavw/zevos TTOTC ev rg vAy, <Is 
 
 SevSpov -ijKovo-fv, aya/^Ae^as e'Sc apKTOV dfjurexovra TOIS 
 
 Troeri TO 8ev8/3ov ws auTi/ca dva/3r]a-6fJLfvov. TO 8e SevSpov 
 
 7JV WO-T /JtlJT TlTOV /t>/TC ToV dScA^OV ISeil' ToV 5/3KTOV /iy 
 
 TOT/TOVS. liTau^a 8c 6 TITOS i^rv^ws Trpocriiav Kal lAwv TWI/ 
 X^Awv TOV ^/sa cKuXve p-^re d.va/3-fjvai fJ.rjre irdvv /aveicrftu. 
 dAA' ov8e auTos fied&rdai fSvva.ro, ato-^o/xevos lAdvTa av avruv 
 TOV dpKTOV wore eKcAcTxre TOV dScA^ov opa.fj.6vTa. oiKoOev TO TO^OV 
 <f>epft.v. /iivas S sroAuv xpovov (OCTTTC/) tv 8co - /zots, ws aTr
 
 Part I.] EXERCISES. 11 
 
 fuedZcrdat. tj/j.eXXf, uSe irpofrtovTa TOV d8eX<j)6v. Kal rjpfTO TI 
 TOfrovrov airecTTi' 6 8c TOVS otKot e<f>r) Sfnrvovvras evpeiv (OCTTC 
 SetTTV^crat. 6 S TITOS, E^ov, f<pt), TWV xyXtov, tva djro- 
 ' lya) yap l/iTmpoVepos ci/xt TOU TO^OV. Aa/?o/xevov Se TOU 
 v, TOT Si) o Ttros, Kayw, <^/, ofxaSe a; 
 /cat TOV apKTOV aVoKTevco. 
 
 XIX. 
 
 'Ev KopivOy efa TraTijp its /itTa vtoiv Svo?v, OO-TIS ftwpos wv 
 ocra /iei' o~vvf(3ovXevov Trept TWV Trat'Swv ot <^>povifiot TWV ^>i'Awv 
 ouSev eiroui, ^p^o-/xoAoyois Se /<at <f>evai TravTOtois aTravra eTra- 
 ^To. 17X^6 8e TTOTC yepatos TIS ftavTts Trpos Koptv^ov, os ou Sta 
 ov TrpoeiTrev Iv TrdAet yevvjcreo-^at, TOVS p-v iraiSas 
 TOUS Se yepa6Tepovs ou. aTropwv Se Tt Trot^o-ai 6 TraTijp 
 TfXevrwv l/3ovXfvtrfv K7ro8a)i/ a7ro7re//,^at aurovs TO> KtvSvi/y cos 
 auros cuv. WQ-TC 'A#7jvae 7T/ii/'e irpos <f>iXov Seo/ievos 
 rpefaiv Kal iTTifieXficrOai ews yei/om> 6 O-O-/AOS. d<piKo- 
 jj.evoi oe 01 TraiSts Trp&TOv pev KOCT/XICOS IXOVTCS orSev aAAo eSpwv i; 
 o,Tt KeAevotvTO, ^av/ia{ovTS fiovov TOV OIKOV /cat TOI e/ce? Tpe<cyieva 
 ^wa- TeAos 8e Trpos TraiSiav Tpa.ir6fj.fvoi TO. ev TO? o?/c<) Kai TO, ^wa 
 l/3Aa7TTOV evpr)cra.v yap T^V aiAovpov, xat TOV iridrjicov T^S 
 KepKOv l/cpe/xao-av, /cat TaAAa wo-avTws. (5o"Te TcA^r^wv eypa^e 
 Trpos TOV Koptv^tov 6 'A^vaios, OTI TOV jrap' e/cetvois o-er/zoy 
 av 01 r ' ra ^ a s TOIOVTOVS. 
 
 XX. 
 
 TIS 1]V AtOKA^S, OlITU) 7TV7/S (0V WOTC OVK e 
 ^ Ot)A(^TO, Kttt Sia TOUTO TOV OIKOV 66(0^d)S WKTOS O.Vf(fyfJ.fVOV 
 
 d(f>vXa.KTOv eav. ^Sr^ yap TOUS ^>a>pas act 7rw0avo/zevovs 
 
 -os o-vvi'AeKTai Trptv eio-tevaf ovSe fiwpbv OVTWS ovSeva eo~o- 
 ax7T Trept K^>aA^s KivSweveiv n-Ao}v TOU
 
 12 KEY TO GREEK PROSE COMPOSITION. [Part I. 
 
 CVCKtt. K6lVOS Se VVKTOS 7TOTC 7Tt TOU AI 
 
 TrvTa TrepiiovTa /cat Ipevvwvra, 7yv TTWS \pixrov ij TI/XIOV rt 
 fevpfj. criywvTa Se Kai vjcri'xov Kfip-evov TOV Aio/cAea 
 OI'K ijcrOero eypr/yopoTa. 6 (frwp' CKCIVOS S TOUTOV e^e cra 
 ov Swa^evov 8ta TOV (TKOTOV yvwvai i di'c^jKTai TO, 
 rcAos Se Travra^oG fj.a.rrjv ^rrjcras Setva rjp^fTO eirapacrOai TO> 
 AtofcAet, XdOpa p.fvroL <f>$eyy6fj.evo<s ) p.}] eyeipoiro' aKowas Se 6 
 AioxA^s, StwTra, <^j, <3 ^>t Ac- p/Se x a ^ 7r ^ l/ I? s /xijSa^ws* aAyw /tev 
 yap ei fj.rj8fva xpwov ofos T' ? evpetv. et 5e eyw 6 evrav^a wv 
 fj.r)8ev T^S ripfpas 8vva.jj.ai evpicrK&v, TTWS apa ^pi) oiecr^ai WKTOS 
 
 XXL 
 
 e TTOTC Boia>T(p ' Adrjvaios, irapa ry oS^) Ka.6i]fJi,tv<p KOI 
 (3a.Tpa.xov riva dBpovvrt. t6wv 8e TOVTOV Trpocrtovra Oavpaa-Tov 
 c^ emu TOV /3aT/3axov* /cai fTrrjptro el OeXoi f3aTpa,\wv dywva 
 TrapacrKeva^eiv, e(f>' (S TC e/ceij/os, OTTOTC/O^ ri TrAeio-TOV irySwr) o 
 fidrpaxos, TroAv A^CTOI dpyvpiov. 6 8e 'A^r/vaios ^eAetv e<^rj 
 et e/ceti/os (3drpa)^ov eavr<p <f>epot' eyyvs yap emu T^V XfawjV 
 <rvyxwp^o~avTos Sc /cat aTroixoftevov TOU cTepou, Aa/3a>v TOV 
 /3dTpa\ov o 'AOrjvalos Kal dvot^a? TO <rTOfJ.a Algous KaTex 66 '' ^S 
 TTe <f>aive(rOai, p,ev p,f)8ev /iei^w TOV Trportpov, irrj8S.v 
 ofov T' emu. TOU 8e iJ*covTos xai tov erepov /3drpa)^ov 
 rjp\eTO o dycov. TTIC^O/XCVOS o5v Ty X 61 / 3 ' 
 ^Siyo-e' eira 8e TOV TOV BOIWTOV eirieov. o 8e 
 eairrov a>s Trrj8rj(r6fj.fvos KCU irdary T\vr) )^prjcrdfjLevo<i 
 6T^ouv 8vi'aTO TO crwp,a Ktv^o-at. aTroi^ofj-fvov 8e TOV 
 o, TOV dpyvpiov, 6 Boiwros 6avp.do-a<$ T'L dpa Trda-^et 6 
 eTrapas f^rJTafc. 6 8e dvaTTpa/^/Aevos Kai TO o~To/xa dvot^as 
 /io-e 8r TOVS
 
 Part I.] EXERCISES. 13 
 
 XXII. 
 
 '0 GeoSto/DO? ovTia cro<os T;V wore OTTOTe If (Ti'/iTTOcrt'^) 
 ouSeyos aAAov ij/cpouWo ot eoTiwvTes, dAAa Travres TO) 
 Aoy<j> /cat yeAam i^'Sovro. l^rjyetTO Se TTOTC Tre/at Javrou /cat <t'Aou 
 TIVOS, of7re/3 VVKTOS 8t' e/DTj/^ijs x^P as 'TTTreuovTes vrpos o^^ov nva 
 d<f>iKovTO e(f> M KV(f>(av KarecrT^. TrapiovTwv Se I^SoijAeTO (TKfipacr- 
 6ai 6 GeoSwpos et ve/<pos Tts OTCtr;, xat StacrKOTrwv e-irvdero eprjfj.ov 
 ovra. cu'cTTe iJyyeiAe TO> ^>t'Aft) TOV 
 TO Se oiKif]fj.a KCVUV eivai, r}v evos TIS 
 eyeAacre //,v aKowas, (rKWTTTetv Se /?ouAo/ieros TOV GeoScopov, 
 dvTct^cv wcnrep evOvfJiovfJievos ws aStKO6 8^ 01 avdpUTTOL, 'i2 <f)i\e, 
 <{>?], et St/catoi ijcrav 06 avdptoTTLVot, vo/xoi, Kai Travres wi/ a^tot 
 eicrt eTracr^ov, TTOU crv vvv ai/ Tjcr^a ; 6 S ^Hcrcrov ai/ 
 l^>7^, i]i/. Ilavu /xei/ ovv, e</)7^ 6 (i'Aos, Set^as TOV KV^xa 
 ya/3 ou ; eAeyev 6 OeoSwpos' /AOVOS yefcp ai' 
 
 XXIII. 
 
 '0 $e/3Jjs eVet rjp^aro /?acrtAevwv, u>s OUTW Tracrt /JSeAvpos vjv 6 
 Trarrjp Sta TTJI' emopKiav nal ctTricrTt'av Stevoeiro avros yovv cr/coTreiv 
 OTTWS Tt/ATjcrerat ij dAij^eta. /cai eTretS^ 7TOTa//,os T'^v y?jv wpt^e, 
 e<^' (^ yu,ta /xovov ijv ycffrvpa, -tjv, ei TIS e/cewre ftovXoi.ro 7ropevefr$ai, 
 (Set Staftfjvai, Kv^xava. tKeAevae Trpos TTJ ye^upa /caTao-T'^crai, Kat 
 7Ti Siaf3a[r] Tts, epivrav Trtpl tavrov, O'CTTIS ecrTt, OTTO^CJ/ 
 Kat TI /j.e\\(.t, Troirjcraf i Se TI iffevSws aTro/cptvoiTO, e/c 
 
 'Io/cA7js Se o ^>iAocro<^os Tavrr/ iraprjei, TOIS c^>tAot 
 ToiavTa a.iroKpivela'Ba.L wcrre airopeiv e/cetvovs o,Tt ^prJcrwvTat avr<p' 
 (rvvrjKoXovOovv Se ot c/>t'Aot 6av/j,dovT<s TI apa Ae^ot. 
 ouv Tt jaeAAot Spacrat Iv T?J TOU QepijTOS, a.iro6avf.lv Z(f)r) 
 iJTropoDV Totvvv <T<j)68pa. d/cowai'TS' ct 
 i', dXrjOrj /xeAAetv efvat TO, r>i, WQ-TC dvaiTtov 
 ct 8e /A'/;, ifstvofj tivai Kat atov TOV K
 
 H KEY TO GREEK PROSE COMPOSITION. [Part I. 
 
 XXIV. 
 
 '0 8e <3?/3i7S vcos wv ITTCI act /xera KoXa/cwi/ Siijye TrdWas <>TO 
 T< Ki6apifiv TCXTOUTOV vixav tStrre /ti^Sc TOVS cAAoyi/jtous 
 eavraJ wrous ciVai. -TrvOop-fvo'S 8e TTOTC Toy 'Iwa^iov, os 
 dv0/owjr<j>i/ a/biOTOS 17^ Ka6apieiv, vrpos ri)v TroXiv lA^cii/ Siavooi'- 
 /zevov, /zeraTre/x^a/xci/os ly^tou T^V rex^v SiSacr/ceiv. TOUTO Se 
 ISpacre, OUK oio/zevos ?}(nra)v exeti/ov eivai, dA.A* Ti'a TT^V TC^J'^I' 
 uot. 6^ 8e dirAws ^vvtevai 7r/JooT7Oiov/ievos Trei/scurecr^ai 
 6 ^eas erov(j.fvov eKflvov .fva.s OVK 
 
 irapt(rop.vovs, KiOapifov viro iravriav <r(f>68pa. firrjvtiTO' yvovs 8< 
 TOV 'Itod^ioi' irepurTpafals rjpeTO TTOCTOV apa eircSeSwKc TT; 
 6 8c, 'fli/a^, ?^, fj.ov<TiK<av rpia. <rrl ycvrj' ol p.ev yap 
 
 TToAu 7TMTTaVTai, Ol 6 oAl'yOV, ttAAoi 81 OVS' OTIOVV CTV 8 OVTO)5 
 
 eVt/zfAws e/*AT^(7as UXTTC eK rpirov yevovs iirl TO Sevrepov dv^Sns. 
 
 XXV. 
 
 Tots 8e Ba^SuAwviots TroAAot T aAAoi Oavfiaa-Toi eurt vo/*oi, 
 Ha.\i<TTa. 8e 6 7T/3i ywatKwv. 6 8 TOiocrSe Tf.6f.LTai' lv IxcurTg 
 Kw/ty kopT^i ecrTiv aira TOV evtavrov, TT/JOS T^V ^uAAeyovrai Tratrai 
 ai yajieurOai fj.f\Xovo~ai Trapdevoi' vvei\fy[JifV(ov 85, dvacrras fv 
 /zecrcj) T.O o^A^) tajpv^ fKoo-Trjv ffa^fj? irtaXel' 6 8e oxAos del fieyas 
 eo-rlv I8elv iroOwv KOI dyopdfciv ras ywaiKas. wpwrov 8 17 
 KaXXurTr) TrwAeiTCU, eTTfira 8c r]Ti<s fJLTa Tav-rqv evTrpcTTccrrdTr). 
 Trao-at Se wsavrws !a>s CTTI ras alo-)(pa<s Kai a/io/3<ous Kai efj.Tn']pov$ 
 dtbiKvovvrai, a? ouSeis X tr ftovXerat. irepl p.fv yap TWV KaAAwr- 
 TWV tpiovo~LV ol irXovo-ioi, irepl of Ttav fiflov /cdAAos f\ov(rlav ol 
 eTTctSav 8e jrwA^craxrt ^uAAfyeis 6 \pvo-os dpi6(j.fiTai 
 yiyvcrat. aTro Se TOVTOV 8wpa 8i8ovo~i rats aur^/wiis, iva 
 Kai avrat ydpov TV^WTI. el yap TIS alcr^pav yvvaiKa avrrjv 
 lavr^s ei/CKa /x^ 0eAet X lv ^A 140 ? 8c /zcra TT/SOIKOS iJSews av Ad/3of 
 IxrTc reAos airao-ai a^8/^as i'purKOVO~i.
 
 Part I.] EXERCISES. 15 
 
 XXVI. 
 
 *Hv Be TIS IId8tos os TraVtv OI'TW rr} re o-o<ta ijSov^v irdpecrxe, 
 Kal TO) epoTayievos 7rapdSoa dVoKpiVacr^ai, wore Aeyerai Trepi 
 avrou TroAAa KCU yeAota. 
 
 7repiTi>xwv Se <f>iX(j> jrore ev -n} TroAei, Trpos TT)V Katv^v oiKiav 
 yrrf(Tf.v fXOeiv, TJV VCOXTTI o)Ko8o/i>ycre, tW p.6vos fJ-ovu> (rvvStnrvoir). 
 SeiTrvrycravTcov 8e, ij^tou /xe^' lavrou ts VTrep^ov dva.f3rjvai' Se^etv 
 yap ftifiXia a e^oi TroAAou oi/ra a^ta. ava/3as Se 6 <^)tAos 8wr- 
 TTVOUS /iaAa e^KXtVero efvaf wcrre OavfJ-da-as TL 7rao"^6 rjpero avrov 
 6 IIa8tos t voo-t TO OTT}$OS - /xoAts yap OVTWS av Ka/xi/eiv et eu 
 l^oi. 6 8e o-KWTTTeii' avrov oio/^evos (Tra^vs yap '^i') ayavaKrwv 
 a.irtKpiva.TO on T^V oiKiav Set aiTiacrdai, OVTW irpocrdvTOVs ovros 
 ToC KAi/taKO? wore crxeSoi' dirodfrjo-Kfi rts dvapaivtav. 
 
 o Se ITaSios 'AAA' CTrtT^Ses, ^>^, OVTWS a)KoSo/x^r;, Ti/a ^aAe- 
 TTOS /iev ew; dva/Sfjvai, Ka.Ta/3f)vat 8e paSios' iraOwv yap o?Sa ort 
 r/f aTra^ TTJS ^/xepas dva^8oj, SKa/as 
 
 XXVII. 
 
 '0 8e IlaStos KaiVep aAAore paSt'ws <f>ep(av rr]v Ai^njv, o/itos 
 T^S ywaiKos iyv cr^>6Spa l^t'Aei ei's eo-^arov 8^ aAyos 
 ;. ov8e TrapaOapcrvveiv oios T' iijv ovSet? TO>V yvwpi/xa>v, 
 wcrre aTraAAacrcreiv T^S Aumjs, Trpiv (f>iX.ov CTrw^eTo Trpos T^f TroAti/ 
 o^ CK TraiSos e<^>iA. OIJTOS 8e TroAAa errj dTreSeS^p-^Kei' 
 8e Trpos TTJV TroAiv, /cat aKOvo"as ort re^i/vj/cev i] IlaStov 
 OVK ei5$i)s Trpos avrov (^ero 8etv tevai' t(f>o/3eiTO yap /IT) ^ei'ov 
 iSwv fj.iov o rXi^fji,u>v XVTTOITO. 7ret yu.ei'Tot 01 ^>t'Aoi roi) IlaStoi' 
 toira lKeto*e 8ia.\eyfo~0ai, TrpaSrov p-ev ayyeAov rre^^'as 
 ei ftoyXofAfvo) aura) et^ 1 6 8e avretTre on i^Sews av Se^otro. 
 wi/ Se Kat iSaiv^ws ot/crpws ex ei > ^opei Brj TL Ae'yof /3pa^v Se 
 crtcoTTTjcras apio-ra wero irapaOapo-vveiv pr] Trepi eTepwv AaAwv, dAA' 
 aurou TOV Trd^ovs aTrro/ievos. tpop-evov TOLVVV TTOTC TOVTO ejra^e, 
 o IIa8ios TroAu SaKpviov, Et p,e^pt ai'ptov, <^>^, ^ 17 oiKrpa, rpta- 
 ai/ ij/iepa? T;V
 
 1 6 KEY TO GREEK PROSE COMPOSITION. [Part I. 
 
 XXVIII. 
 "AAAoTe Se 6 IldSios /zera $t'Aou oSotTropwv VUKTOS ei's TravSo- 
 
 KeiOV d(j>lKTO' KO.I yVOVTeS OU 7rA^/0? OV, CMT^A-^OV. CT(I) Se 
 
 OVTWV, etSev 6 IlaSios avSpa Troppw Ka6ijfj.evov } /cat erei *]6pr)<rev 
 eTri/^eAws, TO) <i'A<p 7rpocreA$o)V XdOpa rotate e^Tre' 'Opas, <3 c/>t'Ae, 
 IKCIVOV os yp6.<f>(av Ki KaOrjTai Kat cuvov iriv<av ; Mawvtov Ttva 
 ot/wu e^vai ov TraAat ev rrj irarpiSi tov eyiyvw<TKOV. 6 Se, 'ETrei 
 ow, "<^>^, <f>iXov KCU yvtftpt.fj.ov otfi eTvai, ri Srjra AaAwv evravOa 
 p-evfis, aAA' ou irpocreXQiov dcjTra^et (Ls dAr^^et <i'A<j> Trpocr^Kei ; 
 Ou 6av/j.d<a, o.TrtKpiva.TO 6 IlaStos, ci raura /xot Aeyeis' 17 v Se 
 , 6/noAoyrjo"eis cruxfapova eTvat. 'T(J> yap oWi ou o"a<^>ws 
 ei Matovtos orros for** OUTW 8c <pvcrei (frofiepos ICTTII/ 
 
 CKCtVOS, KCU ttTJ^T^S TOU T/3OIS O/XlAtlV, OKTT ttl/ S^AoS yfVTjTat 
 
 evos TIS <3v dAAol /AI) K6vos, TCI IcT^axa S^ TTeiVcTai UTT' aw^uv^s 
 Kat ctTropias' OKTTC dfj.rjxa.vw ri Set Trotetv. 
 
 XXIX. 
 
 'Ev Se rg aurij TroAei TW IlaSi'cj) Newv Tts e^>/, ^ Tm'flovros' 
 larpov, 7Tt 4voo-, ISo^c tts St/ceAtav tevaf d>s Se ou/c eta /xovov 
 tevai 6 tarpos, <j>o[3ov(J.evo<s fj.rj voo*^o- 
 fj.T]8(va ooTts (irapK&reie, TOUS ^>t'Aovs ij^t'ov 6 Ne 
 7Tt 8e Trdvres ouK i^eAov, uis Ta TrpdypxvTa ^ Tos yvvat/cas ou^ 
 otbt T' ovres aTToAwretv, 7^ Sta TOtavn/v Ttva atrtav, TeAos 8uirpd- 
 aro 6 Newv aio-T Srjpoa-iy, TrpoKrjpv^d^vai TQ TroAet, et TIS on;v 
 aurw i's StKcAtav ^eAot tevai Kai 7rtp,Acr^at, auros dpyvpiov re 
 airav /cat Ta eTTiT^Seta iropificr6ai, ocrtav 8ot es Tropetav. Taura & 
 Wv iroAAas Ifievev rjftepas, et Ttva TO dpyvpiov Trapao-Kevdfov 
 Jret^ot. ws Se ouSels irap^Xde, /xeAAovros ^Siy auTou 
 diroftaXflv /cat aAAy Ttvt Te^vy xp^cr&u, ctc^t/ceTO Trap' 
 avrov 6 IlaSios. tSwv 8 aurov 6 Newi> KatVep OUTTU) yvwpt/xov 
 orra rjo~6r), as dya^ov ecro/tevov fraipov' 6 Se 2u 8>;7rou ?, ec/)7y, 6 
 TrpoKrypi'^as traipov ^rjTetv. Ildvu ftev ou^, e^ ^atpwv 6 Newv. 
 *H/ca> Totvuv, d7TKptvaTO 6 IIciSios, aTrayyeAwv OT lycoye crvyye- 
 otos T' a/u.
 
 Part I.] EXERCISES. 17 
 
 XXX. 
 
 Ot Be 0p^Kes ovT<a (TKX'rjpol AeyovTat Kal 8v<nrei6(.i<s fTvat ry 
 Stavoia, uxTTe cr^eSov dSwarov en/at OTIOVV Trewrat, KOLV TIS o-o<oS- 
 TaTa rt Aeyg' i/v Se TTOTC Qpp TIS ocrTrep /zovos <3v civeu vyyevan 
 OVTWS aKtVTjTWs Sirjytv, (otrre crKWTTTOvras Aeyetv TOVS f Tg iroAet 
 ovS' av et cretcr/ios yevotro ovSev av Spwrai irapa TO etw^os, 
 
 vo<ra>v Se TTOTC ovSe eiSws Tt 7ra(rxft TOV larpov 
 
 8 Kal iva a/zetvov StayvoiTj r>)j' vcxrov Ipo/nevov TI Ty 
 iy TV\OI. (fraywv, AwSeKa p.vpaiva<s aTreK/atvaro. ye/XaVa? 
 
 vSev Oavfia. f(}>r) t.Tva.1 el /caKW? l^ 
 
 rocravras <^>aywv et yap ei/cocrtv c^ayev, aTro^avetv xv. St 
 craro Se 6 Qp$ OTI ov 8ta rairras t'ocret' TToAAaKts yap OVT(O 
 SdTTVfiv. ol^Ofj-fvov Se TOU larpov f^eXdwv etKocrt p.vpa.ivas 
 (raro Kat ^(ras Ic^aye 1 e?ra 8e ITT' 6po<f>r)V ava/3as /cat 
 eavrov aTTwAcro. OUTO> S ^xxvepws aTreSet^ev ofov T' 
 fir pa was (^ayovra fj.rj Sta rai/ras diro^aveiv. 
 
 XXXI. 
 
 "Ej^Tj Sc ev rg iroAet dv^p Tts, ovo/xa TaAtpdvT^s, os OUTCO cro^>os 
 w(TT et TTOTC ev (rv/iTroo-ty irapeirj iroXvv yeve<r#ai -ylAwTa, Kat 
 TOVS SewrvouvTas TOUTOV p-ovov ws e;rt TO TroAu d/cpoacr^at. 
 wv Se TTOTC es SetTrvov avSpa nva erpe dAd^ova /cat aypotKov 
 os avros /Aev /zovos r/ftovXeTO dyopevetv TOVS Se eTepovs o-to^rav. 
 OTrore Se TretpwTo Aeyetv 6 TaAtpdv-r^s 17 eTepos ocrTtcrouv, OUTOS 
 del vTToXafitov irf.pl eavrou TC e/cav^aTO Kal TOV TrAovTov Kal Tt3v 
 TTpoyovwv. TeAos 3e dyavaKTOvvTes aTravTes Trpos TOV TaAipdi/T7^v 
 /3XTrov, et irws cro^ov TI eijrot too-Te TOV d/xa^ij TOUTOV ijo-crw/zevov 
 o"o7rav. 6 Se ^Kove /zdvov, /xetStwv as T(jJ a.vQp(inr<p ^So/^evos. 
 eKttvos Se TroAi) ^8?j dAa^oveuo/xevos as eijyevijs eo-Tt, TeAevrwv T^V 
 fj.iiTpa. ejrrjvet, art TroAAy TWV ec/)' eavn/s KaAAwjTiy 117. TOUTO 
 U B
 
 1 8 KEY TO GREEK PROSE COMPOSITION. [Parti. 
 
 Be TcxrovTO) dvaiSffrrepov ISo/cei eTvai TOIS Tra/ooimv, tTret auVos 
 (38eXvpbs 17 v TT) o^ef TrdvTtov Se o-ty<uVT<ov 6 TaAt/savT^s iJSecos 
 /xeiSiduras '0 TraTrjp TOIVVV, ?<??, T/Vo-ov TTOV /caAos T}V. 
 
 XXXII. 
 
 ITTIO^JMWV 6 TaAipdvTrys ore <ro<7T^s ns f^et 
 *I(ov, ocnrep cTri^yyeAXeTO Tracrav <^>tXocro^)6av oio's T' cu/ai 
 8i8a<rKiV (So-re Travres 01 TroXirai TrpoOvjjuas TOV? TrcuSas 
 Trap' avrov iva padoicv, TTO\V dpyvpiov acr/ilvws aTro 
 CTTCI 8e Sro CT^ eyevcro, ovSe cro^coTepoi eSoxovv 01 veaviat ytyveo 1 - 
 ^at, /jiaAXov /iv ovv TOU re (rofacrrov /cara^/ooveiv /cat oAcywpetv 
 T^S ^>tAo(ro^)tas, reAos ot jroAtTcu, ^erayvovres 8^ TO OUTWS apap- 
 reiv, CO-KOTTOW OTTOS TOVTOv a7raA,Aayw(riv, (MTTe erepov evpt.iv 
 
 (TOfJMOTepOV TOUS TTttlSttS SlSttCTKetl/. ^J 8 TIS SlKfAoV TtVtt 
 
 yiyvaxr/ceiv ou TOCTOUTOV ei?/ TO /cAeos c5o-T6 KCU e 'Ao-tas ^ KOl/Ta 5 
 aKOvciV TOUTOV 8e 4s T^V TToAtv /ilAAetv Trapeivai, WO-TC ?o-(os av, 
 et Treip(pvTO } dvTi "Iwvos SiSdurKtiv av ireticrai. d^>iKo/nevos Se Kai 
 ^fAe' Kai eSo^f TOIS TroAtVais TOUS Trarepas irpCtrov 
 fva eiStiev ei TOUS TraiSas Set Trefnrfiv irap' avrov. TCKTOU- 
 TOS 8e o^Aos ^vvfXeyr) wo"Te /ioyts cwrtevai' frrfiSr) 8e eAe^ev, TOTC 
 S^ 6 TaAipavn^s Tis av <^CTO, e<^>7/, OUTW Ta^ews 17/uas TOV dya^ov 
 "Iwva av iro6f.lv ; 
 
 XXXIII. 
 
 "AAAoTC 8c 6 TaAi/oavTi/s ri TOV ftacrtXeiov otKOV eK\rjdi], iva. 
 TOIV ySaoriAews Ovyarepoiv r)8ovr]v Trape^oi StaAeyo/xevos, dOvfiov- 
 craiv TTWS, d>s TedvTrjKoros KUVOS o c^)iAow. TWV 8e ry jtzV aicrxpa 
 ^v, ^ ^ KaAAum;. 6 8 TaAipavr^s ovSa/iws T^ xaAy /u,ovov 
 dAAa Trcury P-^X -^ *XP*] TO ^ va dfJ.<j)OTfpaL Fo-ov i}o-^eiev, 
 firjScva <f>66vov yevea-Oai. TeAos 8e ^ alcr^pd, yvouVa auTov 
 evXaf3ovfJLVOV wcrre urov /z/>os avTy vep.eiv ToC SiaAoyov, Tva
 
 Part I.] EXERCISES. ig 
 
 T6 avTov /ieiiwcra to atpaT^. <?;, ei 7recroi/iv yw TE 
 Kai 17 dSeXc^rj irapovTOS <rov es Trorafj-ov, iroTepav a> crw^etv 7Tip<>o ; 
 6 Se aTropwv /ecu fKarepav <J>e?j<s 7rpoo"/3A7ra>v TeAos Trpos eKCinqv 
 avTt7re, Fuvai, ov yap vetv OTicrTacrat ; 
 
 aAAore Se ^>t'Aos rts a vTrecr^eTO OVK IxTeAeo-as aTreAoyctro as 
 eAAetVovTos TOU xpovov. 6 Se TaAtpai'T^s otW&xi e<^)^ oo-ov 
 irav ai>T<> 
 
 XXXIV. 
 
 aAAore 5e a>|UoAoyijcr ry 'faXipavrrj </>t'Aos TIS wS KepS 
 TI a.fj.aprwv TV^OI. TOV 8e dav^d^eLV <^aV/covTOS et O{!TO> 
 ea-riv alcrre /cepSos dvri TOV Si/catos e?vai eAecr6tai, 6 <^>tAos ou 
 va.ro, 'AAA' ovv dvdyKrj 8rj ffiv. o Se TaAtpcxvT'Jjs OVK e<^rj 
 o"eo-$cu dvayKaiov e^vai. 
 
 erepos 8e at! <^t'Aos Trporepov aicr^icrTa 5^ {wy, e?ra vocr^cras 
 fiereTrefj-i^aTOy ws TTO^OJV iSeiv avrov. d</>6Kop;vcs Se e'yvco Seivo- 
 rara Tracr^ovra, Kai lAer/cras ^TTIWS TrpocretTre. 5 Se rcxrairrryv 
 >^ e^etv (icrTe ev"AiSov Soxetv e?vat, T^V rail/ ev raprapw 
 StSovs. o Se TrapefJi-vOfLTO, ot/crpov ^XXCTKWV rvai et e^Oacre 
 &r) ot^oyuevos Trpo TOU Kaipov' TroAAovs S ^>i'Aovs evpijcreiv rjSr/ 
 dc^tyyuevovs, TOI'S re eYepovs ou Sta fiaKpov e^ecr^at" ctfievat yap 
 OTI ovSe ^avovres diroXetyoixnv dAA^Aovs ot' ye TOIOUTOI. 
 
 XXXV. 
 
 rots 8e ra /xeraAAa ev QpaKrj rlp:vovcrt TroAA?) ^)iAoTi/Aia Ka6e<r~ 
 
 TTJK6 Kat (f>66vOS TTpOS dAA^AoVS, 7Tt O4 /XV ^(pVCTOV r)TOV<TlV Ol 
 
 e apyupov, Kat es Svo (rracrets, d>s eiTreiv, Stecrracriv, ovo^ta ITTW- 
 wfj.ov I^OVTCS IxaTepot, ot yu.ei' 'Apyvpot, ot Se Xpvo~ot. ^A^ Sf 
 ?roT6 Trpos 'Apyvpovv Xpvo-ous Tts, ^>t'Aos T* cov TrpoTfpov Kai TO 
 /-iCTaAAov ITTI^V/XWV opai' et Iwfp'. ot 8fi Kat do~^va)S ei'ajv' 
 yap fj.eyd\r)v (j)Xej3a (a>s Alyovat)
 
 20 KEY TO GREEK PROSE COMPOSITION. [Parti. 
 
 8r) MS CIKOS <povouv. (is 8e Trdti/ra eSetev 6 'Apyvpovs, ofos TC 
 Kat ocros cvprj/ilvos efy 6 apyvpos, paXa a-Kvdpwiros eyiyvero 6 
 
 XpWOUS. O 8c T(XrOVT(p /iaAAoV 7T/3l^a/3^? (Ol/ KCU ^So/ZVOS, 7761 
 
 Traira TOV TrAourov eireSei^ev, rjpero OTTWS X otI/ ^P 01 ' Xpiwot. 
 6 8 (T^ivws T^V Kj>a\r)V Ttva^as /xaAa a.6vfj.eiv f(f>^ TOVS 6K6. 
 Tore Sr) 6 'Apyvpovs, Aia rt ; <??, XdOpa eXirifiiDV diroKpiveiorOat. 
 OTI Sia TO nrjSeva ^puo-ov evpi'a-KCiv 8vva.<rdai. 6 8f 'A^Tiws yap, 
 $77, eyvwftev on T^5 X/ 3 ^ "^ T< ? ^ v T V /^TaAX^) tTrtKetrat cs 
 TroSwv (3dOos apyvpos, ov TroXX(f irovfp Sc^o 
 
 XXXVI. 
 
 .'0 Se TITOS, irepl ot 17877 eAe^a/xev, ev X<ap$ TeOpafJ.p.evo'S v/ 
 KOI 6fjp[(j)v TravToiwv irA^pei, l//.7rpoTaTos eyiyvTO TOV 
 
 TOIS i^veo-ii 
 1 pveAAovo-av d<f>e6f)vai. 
 &v8pa 8e ov8eva e?8c, SIOTI 6 TO TO^OV l^wv 8fv8pov oirurQev fun~r)- 
 
 KCt, KAdtSotS T Kttl <f>vXXoiS KKpVfJLfJ.eVO?. yVOUS ToivVV fV Oi(f 
 
 Kiv8vv(p fcrTi, ov8e TOV ouxTov otos T' c5i/ avci) ao-7riSos dp,vvc(r8a.i, 
 fieydXy TTJ (f)(avy /3oiyo~as aTreiTre TO) o"To^a^oyji6v^) /i^ d^eivai. 6 
 8^ aKOixras Kat ^aAdcras TO TO^OV e^yei eKcldev ovirep fKCKevOff 
 yvous 8e ^evov oWa 6 TITOS rjpfro ri /*a#(ov apa SiavoetTat diro- 
 KTCtveti' lavrov ouSeTTWTTOTe yap iSwv ovSev Sr) dStK^o-ai. o 8i 
 
 /iev <??, aTTOKTetveiv 6e dvdy/c^v cffot' o?K00ev yap cA^wv 
 17 /x^v To^cixreiv ct Tiva ata^'o tSot eaurou Ty o^-ci' 
 o 8e ySpa^u Tt criyr) 7rpoo"/?Ae7T(ov TO IKCIVOU 7rpoo~awroVj dfaivai 
 
 TO fifXos' (3iov yap ov8ev /At'Aetv t l/cetVov ei)y awr^t(av. 
 
 XXXVII. 
 
 '0 TaAlpaVTTJS 7TOT6 (^)tA(J) TO) TTfptTl'XW, OS TCI /iV 5AAa 
 
 Saios ijv, del 8e Trpoo-fTroteiTO TOIS euyeveo-i yvupipos fivat, KOI yvovs 
 ovTa, 6v6fJ.o.Ti KaAeaas Ti Trao-^tiS (3 FepaSeuuv e^'j.
 
 Parti.] EXERCISES. 21 
 
 6 8e ddvfieiv f<j>r) StoVt SetvoV TI Set TO.VTQ TIJ 'fjl^fpf Tro.Qf.lv. 
 epOyueVou Se IKZIVOV TI Scot 7ra0etv, KexXijcrdai l<^>?j Trpos SCITTVOV 
 Trapa TOV AuKeSat/xovos (BamXea, os eVtSij/xcDi/ rv^of fTra^drj Se 
 TotauTa etVat o-vfJLiroo-ia. yvovs Se 6 TaXtpai/T^s ^ev86[j.evov, 
 ovSe aAAov eVc/ca Ae^avra, ?y on Kav^acrdaL flovXeTat, Trepl TOV 
 
 arros. epvOpiatras 8e 6 FepaSet'wv ra^u aTTCKptvaro OT6 
 
 ovSe ot'oiro Is 8et7Tvov 7rapayev>'](recr6(U. 6 Se TaAtpai'T^s eVot/>ios 
 
 e<// etvcu TCO ecrrtwvTt wep aurou a7roAoyet(r#cu. Kat TOTE aTropwv 
 
 6 FepaSeicuv OTTWS TOU ^-evSovs aTraAAayjy OVK 
 
 dAAa u/ctuTTTaJV TrpooTroi^cracr^ai. 6 Se crepos "H t S^ yap 
 
 t^)7y ouSe yap eyar yeAotov S' w/x^v ecrecr^ai et 
 
 6/ioAoyetv 6'rt e 
 
 XXXVIII. 
 
 '0 'Iwvi'o?, (3ov\6[ievo<s oi/aav Kat TrapaSetcrov w 
 ^o//.evos ^A^e Trporepov, ef TTOJS eAAtires Tt evpoi wcrre 
 TO TrpayfJLa. d^t/co^ievos Se /cat ejrtTV^wv TOV di/Spo? os T^s Trapa- 
 SetVov 7reyi/,eAtTo, iJpeTo et TrepttovTt e^eo'Tt TravTa 7rto"/co7retv. 
 TOU Se IWVTOS, ws TTCIVTO KaAaJs ex iv ^o Kt j Ka ' ^a T TOU ot/cov 
 Kat Ta e^w apia-ra e^atVeTo Sia)K^/xeva, TeAos r/pwra TOV Ta.fi.iav 
 OTTWS e'^ot Trepi $vypas TO ^wptoi/. 6 8e Aayws e^ Oavpacriovs 
 oo~ovs etvat, okrre o^rot TIS /^aSi^ot Trr/SwvTa's Kat Tpe^ovTas tSetv. 
 Se rjfrOels OT^peTO et wcraiJTWS X t T*pt opvuOutv, coVre Tots 
 i>;roptav efi'ai. TOU Se 8iicr)(ypio~aLHvov TOCTOVTOVS 
 f.lva.1 WCTTC /t^ tKava eft/at TO, SevSpa e^cr^at, VTTWTTTeve S?) /XT) 
 ^euSeTat, t'va p.S.\Xov rt$vyu,j/ Tiyv TrapaSetcrov dyopa^etv. 
 roiwv TOV avTov TpoTrov oo-oi tTnraAeKTpuoves Ket 
 6 8e (3paxy Tt o-tWTT'/jcras OVK e^>^ TroAAovs, Ivto 
 et TIS CTrt/ieAws yc
 
 22 KEY TO GREEK PROSE COMPOSITION. [Part I. 
 
 XXXIX. 
 
 Mawvios ev DtfceAias opea-iv oSonropwv, Tracrav p.ev rj/j-fpav iinreve, 
 VVKTO. 8f [JifTa. TWV SiKfAwv yewpywv 8if}ye. OVTOI S o-7rov8au 
 
 /AC I' fa)S 7Tl TO TToAv ISoKOW ?Vai $6/301 7T1X>VTS TC 7Tl/iAt3s aVTOV 
 
 Kat SiaAeyd/xevoi a>s av ot 5raia> tTTiTrjSfioi,' TOVTO Se yu,e/x^>eTO, OTI 
 
 TOV CTtTOV OV TO) ITTTTO) fSlSoV eKXcTTTOV. T7JV S aTTaT^V TO [AV 
 7T/3WTOV OUK yVO), OlO/ACVOS OTt 8^SoK TOV Q-ITOV 6 ITTTTO'S' 7Tt 8t 
 
 do-$ev^ ya-Oero yiyv6p.evov KOI Treivwrra, VTroTTTCixras TT)V alriav 
 ToidvSe TI ffj.f]"^ava.TO. Is TOV O-ITOV TOU TTTTTOU TTCVTE XiOovs f<re- 
 f rjSir) yap TOV ITTTTOV, ci TOV O-ITOV <f>dyoi, TOVS Ai^ow OVK av 
 WCTTC Aet^^vat av TOVTOUS aei ev Tg ^drvy el Se KAe^-TOi 
 6 ytw/oyds, /cai TOVS At^ovs affxtiprjcrovTa. oirep KO.L iyevero' ft 
 cvpot AeAet/ificvovs ovSeva ^e/i^)TO, ei 8c d<f>avurdeicv 
 opei TWV dv8/3<3v a>s TOV CTITOV xAe^avTCov' WO-TC <f>ofBov/j,evoi 
 avrov ws /nayov ovTa avrdv TC Kat TOV LTTTTOV eTravcravTO e^aTra- 
 
 XL. 
 
 '0 fiev ovv Ev^eviys, Ta T^S TrdAew? SIOIKWV Kat evSo/ci/zos 
 a TI}V T CTO^tav Kai TT)V dyoeT^v, eo-e/xvvveTO S>) /c 
 
 TOL<J>OV favrip 8rjfj,ocria oiKoSo/xetv. 7ret Se 
 O, IleStav /iCTeTrc/A^aTO TOV TroirjTrjv a>s (rvfji/3ov\v- 
 ' Siavoeicr^at ya/3 TI, OTTC/O Ketv^)Ti/xi)v/tieyaAr;v Trpoa-d^froi. 
 ovv doTracrayLtevos o Evyuev^? /xeyav TG<OV e^>7^ ironr)(re(r6a.i 
 /xeAAeiv* \o.piv TOLVVV avry TrAet'o-T^v ("creo-dai, et eTriypa/z/xa 
 7rot7jo-ai, a)o-T fj.r]8ev eAAeiVetv /) ov TcAeiov yevea^ai TO 
 /xvij/xetov. o Se i^Sews av </>ij 7roi^o-ai, et irporepov e^et^ TOV 
 TOTTOV t'Setv, cSo-T ci'Sevai ei iKavds O-TI Ty rlx^J? atov liriypap.[j.a 
 cvpeiv. TOVTO 8e <^iy VTrozrTcuwv Si) /A^ a-ffjivoTepov tWai TO 
 fj,vrjfj,LOV ">] cucrT TToAtVov t^vai' t 8e TOUTO ylvoiTo, ovSev ypdfatv 
 iScuv Se KOI yvovs TO> OVTI Tvpdvvov di(aTepov ov, 'HSews /xev, e^,
 
 Part I.] EXERCISES. 23 
 
 d^-u) croi TO e7riypap;/Aa' crou Se eVt WVTOS, oinrw Set 7reipcur0at, 
 rret TOIS 0ai/o{xrt Trporepov rJJs I/A^S Set re^nys' cru ovv r/ ecra> ai/ 
 tva eu$us ap<o/iai, 17 /ii/xve ecus TeAevrvJo-ys, dS Tore e/^ou a 
 
 XLI. 
 
 ai/ TTOTC aAAot re TWI/ TroXtrwv Kat 6 GeoSw/aos ore 
 rjS TIS To/X7ravtos 7roA.Aots Tre/ai vo/iwv SteAeyero, OTTOJS re 
 rts ^vjcrei, Kat TI Set TOV <j>i\6cro(f>ov irepl avrtav <{>poveiv. 
 Se nji' TroAtv (is del TOIOUTOVS TidtfJievrjv otbi ai/ rots 
 TT AeiWi SoKtocri. TOUTO Se OVK e^)7^ crv^opov cTvai' TOVS /iev yap 
 o-o<oi>s det oAtyovs, TrAetovas Se TOVS dvo^rous, wo-re dvo^rovs Kat 
 TOVS v6fj.ovs yiyytadai. Sfiv Se fiaXXov rots fiev dAt'yots Tret^eo-- 
 $ai, yalptiv Se Aeyetv TOUS TroAAous. 
 
 raura Se OI!TO> (ro^ws Kai irt^avtas fAeye, w(TTe iir-Qvovv avrov 
 o-^eSov aTravres ot Trapovres. o Se GeoSwpos dvao-ras ov/c e(f>r) 
 ravra <^povetv eKeti/^), TroAAovs Se efvat Kai aAAov? o?rtves Aoya> 
 yuev e7raivou(ri Ty Se 6Wt ou iret^ovrai. ^</>t^w/ie^a Totvw, e<?7 
 6 To/^Trdvtos' \fr)<j>icrd[j,voi Se jrdVres e<f>dvr)(rav o/ 
 TrA^v 0eoSwpou. 6 Se au^ts dvacrras Kai /ietStacras 
 eavroi; yvci/Mp' TOVS yap oAtyovs (ro^WTepovs etvat TWV TroAAwi'. 
 
 XLIL 
 
 '0 Se Mawi'ios r^v pr/ToptK^v /SouAo/ievos /ia^etf Trpos CTO 
 Ttva 7jA$ei> os OT^yyeAAeTO StSacrKetv Svvairdai. (rvvevwprja-e Se 
 faKTTe Jv cu SiSdcTKr) TroXv OLTToSovvai dpyvptov ws Se ou/c 
 
 etSevat et eu e/xa^e et p:^ 2py<p Tretpw/tevos, ovSev Setv aT 
 Souvat ews StKa^o/zevos Aoy^> Tretcrat TOVS SiKaoTas. iji' Se 
 KpiVaxrt, ^LMjSev aTroSovvai. 
 
 eTTt TOvVots oSV fJLa.vOdv<j)V, ITTCI 7ravo-aTO, /*eTa \povov 
 Trpos avrov eKeti/ov Kat pwrOov atT^o^avros,
 
 24 KEY TO GREEK PROSE COMPOSITION. [Part I. 
 
 a.TTKpiva.TO. u>s e Troa 7ripao-/vos o-o<io"ns TO pyvpiov 
 7r/3acrcro/ivos OVK ISe^aro, TeAos TT/DOS roiis StKacrras TrpocrcKaAeiro 
 avTov. cpuiTr)6el<s Se 6 Mawvios irorepov ov St/caiov (.trj TOV 
 <ro(icrn)v TOO-OVTOV 7rov?jo-avTa TOV \pva~ov Aa/?eiv, aTrc/cptVaTO 
 TotaSe' "2 l vv\(aprf(Ta.fav yap p.rj aTroSowat e/ie et /i^ Tmcrai/u TOVS 
 s. lav TOtvvv o^Aw T^V SIKTTJV, CK T^S crvvO^Kr]<s ov8v 
 Q)' cAwv 8e, TW vo/t(j) ouSev o^eiAiJcra). OTrorepov av ovv 
 ctTroAet TO apyvpiov 6 
 
 XLIIL 
 6 O-O<IO-T?)S aKOwas ayyeAov OTI 6 Evpn/iev^s, os 
 
 7*v /ecu tAAdyt/xos av>jp, TOV viov /icAAot Trey^Trctv i'va 
 ijcr^ets <?/ do*/ievws 8i8a^v. Kaiirep yap ei'Sws T^ 
 yvvai/ca j0)/3OTaTr/v ovcrav, /cat 7rAio~T' av Trpdyfjuna Trapaa-\ov(rav 
 Sia TO TroAvTrpay/iovetv, l^t'Aei O/AODS TOCTOUTOV /cat Ti/ia TOV 
 Evpv/Jeviyv, (OOT6 %a[peiv fiaXXov ^ Avrreicr^ai. ov ya/3 jttdcp^fi, 
 e^>jy, fJLurOos avTt /xeyaAov KepSovs ; T)V yap a<j>pova yvvaina ave- 
 AaAovo-av, <ro<J><aTa.TOV <f>iXoa~6<}>ov dn-oAavao/iat. axrre 
 TOU TraiSos Kai Svo /i^vas //.a^dvTos, j3ape<a i s Zfapev aicr66- 
 ovT6 <f)L\ofj.a6rj ovra ovre iroveiv l^eAovTa tva (roffxarepos 
 ytvoiTO. dfjLaOea-Tfpov Sf TTOTC SOKOWTOS etvai i; wpOTt/oov, o 
 SiSacrKaAos dyava/cTwv 8^ OT6 OVTWS 7riA^o-/iO)v efj?, Kat VTTOTTTCV- 
 o~as ^ ovSe dvey/cw/cev a I8et /za^efv Gav/xd^w, e^>^, 4 OVTWS 
 s rri 6 vtos TOV o-ov TraTpos. 6 Se 'AXrjOij, 0^, Aeyets* 
 tt vtos. 
 
 XLIV. 
 
 *Hv TTOTe I/X7TO/30S Tts, os KaA^v T Kai TrAowt'av TrdpOtvov 
 tyr)fJ.c, avrijs /iv OVK dA6yov e/awv, fj-dXicna 8e TOV TrAot'TOV CTTI- 
 y^yaas 8 rJTTrjcre crvyx^petv, wo-Te TOV fj-eydXov
 
 Part I.] EXERCISES. 25 
 
 IpcoTOS, et 6 Ire/Do? avYwv a.TroOavoi, TOV erepov lavrov J3idea-dai. 
 /cai ov Sia TroAAov fTepav iSwv Koprjv irXovcriav re ovcrav /cat /caA^v, 
 
 ai'Tl KlVr)S /3ovXeTO fX LV ' TTICTTOV TOIVVV Aa/?WV OepaTTOVTOL, 
 
 ilvo ^/tepas aTToS^/xwv a7rrrAe e/ceti'oj/ Trpos TT)V ywai/ca, ws 
 an-ayyet'Aete TOV avSpa, Iv (^ Trora/iov 8ia/?atvet, aTroAcoAoTcr /cai 
 dyiia TO IfJidriov l/ceAeve Sei^at, ws Ttov aAAwv aTravTW crvv T(p 
 tavovn d^ai'icr^evTcov. 17 8e yvoucra dpyvpiov rt ov8ap.ov ov, 
 cTrep Is TO l/xdnov a.TrKpv\f/e, ovSev dA^^es yeTO Aeyetv. crtywo-a 
 ^e a ^>/3ovei, KCU A^KV^OV Xaj3oi<<ra. Irei CTTICV "Amdi, e^, T(j> 
 /)y;jn^) aTrayyeAcov a>s TrtfTTrj yvvrj <[>ap[j,a.K(p aTroAAi/rat, TC^V^KOTOS 
 TOU di'Spos. o Se TO) i/JLiropif rJKMv Bavovvav (f>app,d.K(p d-n">jyyei.\f 
 Kal OUTOS ST) T^V CTepav 6yrjfji. oiKa.Se 5e /ueTa T^S vv/t^s d(f>iy- 
 
 , 6vpao~i 8ea[j.evr) rj ywrj^ A^>es Taw^v, <?7, T^V irdpOevov, 
 
 ov/c TTI crot yvvij' ovSev yap aAAo eVtcv 
 
 XLV. 
 
 '0 Se ^6/317?, CTTCI fidXicrra <i'Aei TO Ta KaAa Oewpeiv, ayaA/m 
 iroteiv ACVKOV XiOov, a>s av /cdAAto-TOV 7roi7j(rai 6 o~o<a>- 
 TCUV dvS/DiacTOTroiwv' t'va 6e /cai TrAeov Koo-jaiyo-at, /c xpwov 
 eSe6 Tas x at/T(X 5 yXvfatv' SeSia>s Se /AI) ToX/j.iarr) TIS VUKTOS /3i^t Is 
 TO tepov eio-ireo-eiv, K^pv^d^vai 1/ceAevo-e, ci Tts /cai Sa/c-ruAov 
 a(/)eAoi TOU dydAjwaTos, fKKavdfvra. TOVS 6({>8aXp.ovs diroOaveiv. 
 /caTa^>/oovv]O-as Se TIS TOV ^ao-iAetov K^pvy/^aTos T^ Seureyoa vvKTi 
 ws KaTfo~Tfj TO ayaX/j,a ) eXadev aTrocrc^d^wi/ TOVS <vAa/cas Kai 
 Tas XP^ "" 5 X a ' Tas ^X wv dTTW^eTO' dAous ftevTOi /cai TT/DOS TOV 
 fiao-iXea dyo/xevos aTreAoy^o-aTO a>s ov Sei aTro^avetv' cio 
 yap tSeii/ jttovov ITTI^V/ZWJ' T^V XtOivrjv irdpOevov, ws 8 Tas 
 
 o"a? ovaas, /xe/iv^cr^at TOV dvSptavTOwotov, 
 a.1 x^iTai. WO-TC d^eAetv otccr^at Sen/ TavTas, Ijrei ov St 
 TO epyov TOV SrjfJLiovpyov Q-ffJLVorepov
 
 26 KEY TO GREEK PROSE COMPOSITION. [Part I. 
 
 XLVI. 
 
 BacriAeus 8e TIS irapa TOV Trarpos Sa/cTuAiov iroXvTeXrj eSeaTo, 
 T^v 8uva/uv l^ovTa, too-re oo-Tts 7T/Di#aTO VTTO TrdvTcov 
 TifJ.a<rOai re /cat <f>i\i(r@ai. TOVTOV 8e /cai 01 irpoyovoi irporepov 
 O, TrapaoiSovTes eKacrros TW /^aAt(TTa lavrov tftiXovvri TWV 
 TOUTOV 8e 6 Trarrfp /xoyos StKaor^s, Sta TT)V /zeyaArjv Si) 
 v. roury 8e ry /3a<riA.i T/3is ^crai/ vtot, li/tore juev aTret- 
 TravTts, a>s 8 CTTI TO TroXv OVTWS eu ^lAovvres avrov wcrre 
 i fJ.rj oiov r' fTvai. yvovs roivvv tiriovTa. rov BOLVO.TOV, 
 <ro<f>6v riva SrjiJLiovpyov CKeAcvo-e Svo Sa/cTvAtous TTOI^O-CU r<p TT/OO- 
 rep^) OVTWS dx/3t/?ws eoiKoras (Sore Travras rg 6[j.oi6Tr]Ti l^aTrarTj- 
 ^vat. TOUS 8e viovs Xddpa TrpocrKaXea-as iroXXd re <no<f>p6v(t)<i 
 Traprjvfi Koi Sa/crvAiov Iva CKOCTT^) TrcpieOrjKC. davovros Se TOU 
 Trarpos, avveA^ovres ot viot ^tiaxrav auros l/cao-ros Kpa.rf.lv, ws 
 TOV tepov SaKTvAiov KCKTTjftlvos. 7ret Sc OTryx ft) / De ' l/ o^^ Suvavro, 
 StKao-r^v Tiva <ro<j)ov yrrjcrav Siayvwvai TO Trpa.yfj.a- os Travra 
 aKowas TOtaSe eAe^e 
 
 Trept Tijs apX^ s */'C eT ' ^^ Sa/cTvAios oi5 T /iaAicrra 
 eTnOvft-ovvn SiSoTat, aAAa T^i TOV Trarfpa apurra <J>iXovvTi. 
 vvv ovv d^>ijo-(o v/xas, iJ'^ovTas TraAiv //era e/caTov ITTJ eirl TT)V 
 Kptcriv, OT yevvaia SpouravTes ^>avepov jreTrotrjKOTes ZcrecrOe, TI'STOV 
 
 
 XLVII. 
 
 '0 Se Aox 10 ? e/MrpoTaTos ??v TO^OTT/S, OKTTC 
 
 TCOV TroAiToiv "va To^y Trepl aOXov dywvi^b'.VTO, TT 
 TOVTO Se TOCTOUT^) 6avfj,a<TTQTepov ijv, 7ret 
 v TOV fTfpov o<frdaXp,6v' SiacrKOTrwv yap TTOTC oia-rov 
 
 aAAa Swiv
 
 Part I.] EXERCISES. 27 
 
 Te/>(> o/totos e(f>aiveTO 6 6(f>daXfj.6<s } Kal 
 
 TOU TTpoVepOV. epl^COV Se' 7TOTC TTpOS XeOTptaV TIVO, Kai jU,oAlS 
 
 vtKTja-as, at$ts e<?j ireipacrOai 6eXeiv i(j>' yre ToV erepoj/ 6< 
 KCKXei.a-fj.fVov eci, at vt/c^o-as ^tAtas /zvas Seerat. 6 Se 
 
 crafMevov Tots d^^aAjuoi? vvv Ta^a Si) vtKTjVetv. 6 Se 
 av$ts o-yuiKpov Tt Trpoet^e, wcrTe eSet TOV Xeo-Tptav aTroSou^at. TI 
 Si) ; (17 dyavaKTWV, TTWS dpa ov^ yarcrov To^evets /ce/cAetcr/ievy 
 Tt t o eTcpa) o^)^aA/Aw ; 6 Se yeAdVas AIOTI TV<^)Aos et/xt, e^, TOJJTW. 
 
 XLVIII. 
 
 6 Tijpavvos TOV TOTTOV e^eAo/xei'os ov O6KoSo/xetv Set TO 
 /3a<Ti\eiov, e/3ov\ev<rev, eTret StKatos t'jdeXe (f>aive(r@ai KOL StKacr- 
 Tripiov /3aonAetov ev ry TroAet KarecrT^cre, /ai) dj/ayKa^etv TOVS 
 e^ovra? aTroSouvai rryv yiji 7 , dAAa St/caiy rp6ir(ij> dyopafeiv. tos 
 Se ctKos TJV TOUS yecopyous et etSetev wv>/(ro^evov TOV ru/oavvov 
 TrAetov af atrrjcrat 77 Trap' iStwrov, 6 ^SacriAevs eVecr/cDci<Ta.TO 
 eaurov ws ypa/ijaarea. ws Se woppw aTrei^e rij? TroAews TO 
 ai<7T //,i) yvwpt/^ov eiyai avTov TO?S evotKowcrt ov/c aV WCTO 
 fvpciv Trjv airaTrjv. OVTW Be /cat lyeveTO a>s eirt TO TroAv. 
 \ade yap TraVav T^V y^v dyopa^wi/ 7rAi)v d/xTreAwvos ftt/cpov, 
 fierpiov dpyvpcov. TOUTOV Se ovSevt rpoTTU) eireide TOV KeKTfjfjLevov 
 TrwAetv. aTreAoyetTO yap OTt TraAai o TC Trar^p efye Kal ot 
 Trpoyovot, WCTT dcre/3es SOKCIV etVat ^ei/y aTroSocr^at. ^aAfTrat'vwv 
 Se 6 ^epr^s, Tt Se av, e^, 8pdo-ais ct p;a$ots awov TOV Tupavvov 
 /3ov\6fJievov e/j-e XafBeiv TOV dp,7reAt3i/a, eya> Se 
 TreTTOt^ws ^8ta d^eAotjitt ; 6 Se yewpyos OvSev S^, 
 av 7rpo(TKaXoLfj.rjv yap av ere CTTI TO ^ep^Tos StKao-TTjptov, OTTOV 
 6 f3iaia Trpd^as dei SIKIJV SiSwcrt. 
 
 Se aKowra? OUTUS rlcrdrj 6 $ep^s WO-TC TO /3<t(riXeiov
 
 28 KEY TO GREEK PROSE COMPOSITION. [Part I. 
 
 XLIX. 
 
 'Ei/ $ rjpxov oi Tlovperavol TT/S \wpas Travras ovra> o-c/>o6pa 
 eoTrov8aov Trpos dperr^v /cat <T(a(f>po(rvvr)v Tpairr#ai, wore ras 
 ywai/cas OVK efwv ri O-KTJV^S ^>av^vaf TOUTO yap CUTIOV cfvai TOU 
 re /cat ywai/cas ^oAAas Sia<J>9aprjvai. a/zeivov yap woiro 
 ci ai/Spes <aveiei/ ev TOIS TrapoiJcri ws /3acriAtiai Kai irdpOfvoi. 
 fve(TKeva.(r[j.evot, UXTTC yeXoiia yevea-dai TO. ^(av lAAoyi/xajv TTOI^- 
 [JLaXXov ^ aicr^vv^vai TT)V TroXtv Sta T^ atreySeiai/ ry TO 
 5-! o 8 /3a<riA.vs KapoXos CTTCI vtK^cras TOVS HovptTavovs 
 wpos ri)v iroXiv d<^t/CTO, ITTI TO Qcarpov yet ^ewp^crwv T^V Tpay^>- 
 Stav. xpovt^orrwv 8e TWV UTro/cptTwv dyava*cTwv 6 ^8ao-iAevs 
 fTrfjL\l/f Tiva 7revo-o/icvov TI yi'yveTai /cat TIVOS Ive/ca OVTTW 7rapto*t. 
 6 Se i^KOi' oVov CKa^j^TO 6 /?ao-iA.eus wro yeAwTos ftev TO irpu>TOV 
 /cwAuTO /i^ Ae'yetv 8uvacr#af ne/jL^aptvov Se J/cetvov /cat aTrct- 
 fJ.r)KfTi <f>\vapeiv dAAa o'l^yeur^ai TO Trpay/xa, w ySacrtAev, 
 , irapktrovrai eudvs oi VTro/cptTat' p.6vov yap p.evovo"tv Iws at' ij 
 ^ 'ArTiydi'' 1 j TUV jrwywva a
 
 Part II.] EXERCISES. 29 
 
 PART II. 
 L. 
 
 'Ev MecroA^vy TJV TIS larpos TTO.VV eAAoyi/zos yevo/^evos, cirel 
 f^evptv OTTOJS apurra Bepairevoi, ei TIS Ttva party, vocrovvra. IT/DOS 
 avrov ayot. TOVS yap /ie/^voras </>T; TOVTOVS eivai oiVives ayav 
 aWepLot dVo^atvovTat ry Stavot^t, TT)V y^v aTroXiTroi'Tes Iv^ev lye- 
 vovro* et o5f eyyvs TT^S y>)s dvay/ca^otvro otxeiv, aTraAAay^vai av 
 n/s vocrov. fopvas roivw TTJV y>}v, et p-ev TIS piKpov ri /taivoiTO 
 fJ-fXP 1 v yovaTwv $a7TTev, 6 S TrAeov, ^XP L 0"nJ$ow TOVS 8e 
 TTUVV, TravTt T^) (rtofj.a.Tt, irXrjv /ce^aA^s. ar?)/3 8e Tts 
 ZfjL<f>p(av avOi<s yevo/tevos, as eT^xe TTOTC TT/DOS TOIS op^y/xacrt 
 /xevos, TrAovcrtov Tira efSe )UTa TroAAwi/ KWOJI/ tioi>Ta Kat 
 TTOVTWV, /cat orrAwv (riSrjpwv TroAirreAwv. epopevov 8e Trot tot, 'i2s 
 opvidas, f4 >r ]t aTTOKTevtav o 8e voo~wv aS^ts 7r>ypeTO 7rdo"ov apa 
 a^iat eto~t o'l'/wraorat at opviOes as evtairrov aVoKTetvei. 6 Se 
 OTI XiAtcov juvwv (3ovX6[j.fvos Se Trepl TOV TrAovrou 
 IS^Aov OTI ets SovAovs Kai Kwas Kat T?)V TWV opviOuiv 
 rjv ov p-eiov TT/>a/cwr)(iAtwv dvaAwrKot. 6 Se CTC/DOS fj.eya.Xrj 
 (jxavy 'ATreppe, l<^r/, cS Tav, Tva /i^ !vTav(?ot KdTopv^0y<; ak 
 
 LI. 
 
 Tt^as, 6 /3ao-iAeus TWV Mevtcov, TroAe/tov KaTayyetAas TOIS 
 IlaAtots Kat 0-TpaTfVfj.a. crvAAe^as, dyyeAovs Trpos TO ^pr/a-Ti/jpLOV 
 otTtves TrevcrovTat OTTWS o-v/x/3^o-eTa6 a SiavoetTai. 6 8e 
 aTTtK/atVaTO, oTTOTepois 6 o-T/)ar>yyos TroAcjat^) ^i^>ei dVo- 
 t, TOVTOVS vtK7jo-etv. ot fj-evroi IldAtot lAa^ov TOV 
 irporfpov KaTcxcrKOTrov Kcto" 7re/x^avTes, os KK/3v/i/xevos ev
 
 30 KEY TO GREEK PROSE COMPOSITION. [Part II. 
 
 njs Trepas T/KOVCV acp ^pi^e TKOVTOS ou KCU rip 
 SeiavTOS, 7rap?7yyeA077 TOIS IlaAiois, as TOU /3ao-iAos Sei 
 /xlvovs /iovois TOIS o-TpaTiamxis fj-d^eardau es xeipas 
 eA0dvTWV, d>S TO /3ao-iAa>s dp/ia es ptuovs TOUS IlaX 
 aire^wpouj/ oCroi, as ciprjro, ovSe oiorrov a^>evres ovScvcu 8ouXos 
 
 O TIS TWl' MeVlWV OS 7T^g /ia^TO TIJV Ta^lV d7roA.l7T(t)V Kttl /40J/OS 
 
 eVi TOUS TroAe/w'ovs irpo(8paiJ.f reAos 8c OavfJiaa-Trjv aT 
 apfrrfv /ioyts KareKOTrrj. ol 5 o-TpaTiaJrai, o-vA5Tcs TOV 
 eiret TO Kpavos d</>iAov, TOV liOav dveyvoxrav, ws SouAov eveo"/cei > - 
 cur/ievov. WO-TC d^v/xouvTcs 01 IIciAioi KOI Ta^etos S (f>vyr]v KO.TO.- 
 
 LI I. 
 
 ^av vioi' KaAov 8< vopifov TO dpyov 
 ctVai (TO yap TrA^os Sciv TTOVCIV) Tots Trawriv cAe^cv, arTts dpyo- 
 TCITOS 5^Awo~ai (5i/, TOVT^) 8taS(oo-v TTJV dp^iyv. 
 
 evrau^a 8 6 ytpaiVaTos OVK <^>T/ Aiffl-eio'^ai S^iv TOVS aAAovs 
 fj.a.Tr)v eA^t^ovras' avTOS yap o-a<ws /xAAv T^v dp^v Xrjif'fO'Oa.i. 
 r^XP 05 7"P TTOTC <3v, Kat TOVS SovAow Trvp aTrreiv KtAeucras, 
 Kadi<rai ourus fixrre ^>Aeyeiv T(J> Kav/naTi Tot <rKf\y dAA' o/zws, 
 /catVep <r(f>68pa o8ww/tvos, dpyoTepos c'vai ^ OKTTC KivTjo'ai, 
 
 6 Sc frepos Trap y vet /XT) Atav ireiroiOeva.1.' avros yap T< T'X 
 Tuxctv 7rapao"Tas ^ ou Kpe/xaTai TO ^i<^)os. Tu^g S< oxras, KOI 
 yvovs OUTWS dvaTrr)8r](r6fj.tvov uxrre ryv yaoTepa rpavfjiarurai^ trcr' 
 dpyias o/i(os TTO-uxd^iov TCTptaa-Oau 
 
 o 8f TptVos Trp^iws avTeirrev OTI SeSotxe /t^ aiyros o/xws apyoVaTos 
 eo-Tiv. axovo-as yap TWV aSeA^wv iroAAa Kai Seiva 
 IVa T^V dpxty Ad^Sotcv, xatVcp avros et'8a>s SetvoTepov av 
 6ai SwdfLevos, o/xcos Si' ouScv aAAo ^ dpyiav o-iawrTyo-eo-^ai. 
 
 TOT 6S) 6 ^SaO-lAcUS TOV TplTOV I^TJ 8IV ^SoO-lAcwai' TOV /*<V 
 
 yap VTT' dpyias TO o'KeAos, TOV Sf T^V yao-repa jSAaTrrtiv, TOUTW 
 Sc Trdvra TOV jSiov.
 
 Part II.] EXERCISES. 31 
 
 LIII. 
 
 '0 IlaA^s ScvSpov fv T(J> dyp Ofls "va TOV Kapirov cwroAavcrai 
 Setvtos fiffv(r6r) 8r) <5v T/A7rtev. Ipwv yap KaXrjs Ttvos veavt'Sos, 
 firfl fyrjfifv aur^v, tvSai^ovcos ftev e p.fjvas per' avnjs St^yev 17 
 Se a.Trpo<rSoKriT(p fKTrXayeicra p,avia f exetvov TOU SevSpov dwriovcra 
 eKpe/j.a<rV eavri/jv. KO.I (JLrjv KCU ere/Da TIS yw?^, ^v fj.fr' l/cttvrjv 
 ly^/xev 6 avi)/3 8i;o ITTJ oSvpa/j-fVos, ry Sevrepalq. TO KaKoSaifj-ov 
 TOVTO Tra/Dtovcra SevSpov, TOV avrov rpoirov e/3idcra.TO eavrrjv. 
 ST) yaoyts e/cwAueTO 6 TATJ/MCOV /A^ Kai avros 
 avTO)v Se TeAos TWV <iA(ov TI)V AVTT 
 Aa^Swv, 'AAAa TO ye SevS/aov, 1^, ev^vs 
 /xav KaAy CTrt^et/Det Seiv OTTW? ao-^>aAeo-Te/ 
 6e Tts TravTO aKovo-as, a.(f>pova. /cat CIVTOS l^wv ywato, 
 <^, 5 ^>i'Ae, ya^Se OVTW Tip-Lov SevSpov KaraKoi^ys' fj-aXXov 8e 
 /cAaSov /not Sys <5o~Te (frvreva-ai, 7roAA< apyvpi(p (re 
 8e o-uy^wp^o-as Kat TroAAovs KAdSovs KCIT' evtavTov 
 TrAowtos eyeveTO. 
 
 LIV. 
 
 Fopyovios 6 jSao-iAevs, Oavovo-rjS f/v ec^tAei ywaiKos, /cat 
 T^S fwifieXfias Tt Seo/jtevov TOV TraiSiov, TOTTTOV vKa erepav 
 yafif.lv fjSovXfvcrfv. ij 8e ws IKOS /A^ OTI e^)iAet TOV TraiSa dAA' 
 pifv. ravra 8f TroAAa CT^ <f>fp(av ftXP l ^ *'^/ 3 
 TOTC 8i) ^atpetv CITTCOV T^> Trarpl TroAAas <>7 \wyoas iSetv 
 /3ovXf(r6ai SxrTf o~o<os yfvfcrdai,' fl 8e laurou Scot, p.r)Sfv dAyetv 
 yap TOCTOVTOV WO-TC KaiVep aTrwv ai<rdf<T6ai Kat Ta^ews 
 etv. ot^o/ievos ovv Kat yevo/xevos iarpos KAedp^ov t/xdv- 
 0ave T^V Te^vrjv, os TWV <' eaurov o-o^)WTaTOS ^v. ovap Se TTOTC 
 t'Swv TOV Fopyovtov CTTI XfKTpov Kfi/j-fvov d.Kivi]Tov Kai (ixpov, cos 
 vcxrovvTa eyvw, TT) wrrepaia ev^us oTKaSe rrdAtv d<
 
 32 KEY TO GREEK PROSE COMPOSITION. [Part II. 
 
 /co/ievos 8e ourws T$ OVTI cvpe voa-ovvra wore TOVS avrodtv iarpovi 
 fj.rj8ep.iav eATTtSa f^eiv iScov 8e e/cetvos TOV wov TOV <{>l\Ta.Tov 
 avCTvevcre. TeAos 8e ws T?} Te^vg avrov Icr'^vpo'S lyeveTO, TTJS 
 ywai/cos etre St' c^^pav eirc aAyei VOO-IJO-CUTTJS, ynj(rc TOV viov 
 Kat Tavrrjv iacrOau 6 8e aTre/cpi'varo rotaSe' "0,rt av TIS vocrcoj' 
 ^ v "^ v T ' S Soreov av-nj 8e eyne aTreX^eiv iroOei. ravra 8 
 6 p.ev air^ero, ij 8e ov 
 
 LV. 
 
 Tov Se 'EpyoXeovra irdw /iev ITI/XWV ot o-vcrr/aaTew/ievoi, ws 
 Travu dya^ov ovra KCU 8t/catov /ie^vo-^evra Se, ota &) o~T/oaTiwrai, 
 ei rts fj.a\Xov krepov f^airaT^rj. yvovs Se e/cetvos 
 e? TTOTC ^vveiSetr) lavr<p d^^ovws TTWS 
 
 Tts, ocnrep avros re Ipm/sos wv TOV ITTI 
 TOT;S T aAAovs Tauro SiSa^as, KaAAto~Ta OUTW StevoetTo 
 TOV orpaTTfyov e^aTraT^crat, ^v wore p,eOv(r6fj. /cat /ieAeTWVTWv 
 TTore Tais K<aAcus TWV ITC/DWV, TOV o-T/aaTijyov OOTOS y<r&TO 
 
 7T/30CTlOVTa, /AT/)tWS S^AoVOTt SeSctTTVTJKOTa* W(TT TTCIVTOS 6KeAeVCT 
 
 7Ti K(j>aXr)<; crTavTas i^crv^iav ayeiv 6 Se 7retyo)nevos 6io-^t /cat 
 TOV TOI^OV e^eTrAay^, a>s dveo-T/Da/x/Aevwv 8?) TWI/ 
 /cat o"tywv ee<vye. 6av/j.d(ravTC<s 8e Ty WTe/aata 
 ejrrjpovTO avrov et TI e?6e TWV Trapa TO eiw^os* TOU 8e ou <^ao-/covTos 
 /cat ayaa tpvOpido-avTos, ITTI /cc<^aA^s e<^a(rav TravTes m;/9tx$ai, 
 TOTC 81) Ni) TOV Ata, ^ 8' os, fiavOavd) yap- aveo-T/Da/x/ievovs 8 
 t8wv v/ias ava7rawo/>ivos dffy^oyLt^v, SetVas /A^ avros apa VTTO TOU 
 TrAetov Tt 7T7ra)K6vai e 
 
 LVI. 
 
 'ESlW/COV 7TOT6 'A/3/cdSa TlVa BotWTOt T/3t9, VTTOTJTCVOVTeS WS 
 
 apyvpiov /cAe^avTO. ou ^v 7/817 o-a^>a>s ovScts TOVTOV d8t/c^o-avTa, 
 7Tt Se ri<f>a.vi<r6i] TO apyvpiov /cat av^^/xcpov (XTT^CTO 6 'ApKas,
 
 Part II.] EXERCISES. 33 
 
 TWV ereptav 8ovX<av TTO.VT<DV eTraiTiw/teVwv, ouSeis 8rj IjOeXev df 
 /3r)Teiv [Mr] OVK atrtov eTvau eA0ovT(ov Se ITT' otKtav TIVO, o5 eVi 
 rats dvpais eyeypaTTTO Tous 'ApKaSas eto-eA^eiv, <I>s TravoWetov Si) 
 ouo-av VTT' 'ApKaSos yKoSo/xij/ievoi/, TWV Botamov TIS, OvSev 8i, 
 e^, TTOppdiTepa) tevcu' S^Aov yap on 6 <wp fvdd8e irapa, TOIS 
 eavroiJ KCKpvTnaL. o 8e Sewepos, 'AAXa fi^v, ^/, ? ye i^yaas 
 WCTO SIWKCIV, ovSev fj.aX.Xov e^evyev ^ ravrqv TTJV ot/ctav ws 
 /AeAAovriov rj[Ji(av avrov ^rrfreiv. 6 Se T/OITOS vjroAa/3wv, Kat 
 ci'Sws ye, ec^r/, OUTO) cro^ous i^fias ovras wo-re TO.VTT] fj.rj 
 iroppwrepa) Stw/cetv, /ierayvovs e/xeA.Xev es avrr)v Tavrrjv 
 TOVTOV Se cro<toTaVou SOKOVVTOS efvai, eSo^e Tret^eo-^ai* wore etcr- 
 eA^ovres efiyrow. dAX' ovSev /xaAAov fevpov TOV avS/>a, eVei 
 ou^ oios T' wv erv^ev dvayvt3i/ai TO yey/sa/tjLtevov, Kat Sia TOVTO 
 ov/c 
 
 LVII. 
 
 H MaAwvtou Ttvos pvOov TOtovSe Aeyowtv 01 BOIWTOI, 
 os Kat avros BOIWTOS wv det Ixav^aTO ws TO)V cTepwv iroAu 
 K/3tcrcroves etev ot BotWTOi, eucre/3o{!vTes TC /iaAAov es TOVS ^eovs, 
 cat VTTO o-w^>/3ovos dAtyap^ias evSat/zoi/ws ^WVTCS. 
 
 6 Se ev VTJ? eTv^e TTOT TrAewv x 61 /^^ 170 ? 8e ^aAeTrov eTrtyevo- 
 /xevov, owTO) ySa^eta ijv 6/it^A^ CXTTC TOVS vauras e?rt Tpets ij/xepas 
 TOV i^'Atov ft^ 6/owvTas dyvoetv OTTOI <f>epovTat. TeAos Se Siappayti- 
 o-^s T^S vea>s aTrwAovTO /xev ot eTe/Dot aTravTes' avros 8e eTrt ^vAou 
 es y^v 8te<^vye. Kai TrpojTov /*ev oto/ievos prj/j.ov eivat 
 VT}O"O" o'^eSoi' TI eAiwetTO 6Vt ov fMera, TWV erepuv aTreOave' 
 twv Se Tt Kat evpwv Ttva IK KV^>O>VOS Kpefj.dfjifvov, 'HpaKAets, 
 <TJ, TWV BOIWTWV OVTOI ov^ ^cTQ-ov vo-e/3owcri. Kai ov 8ta TroAAou 
 aAAov Ttva etSe Trapa Tg 6S^> Kei^evov Kai ^Qvovra.' t'Swv 8e, T i2 
 ^eot, e^r;, dAtyapx i/a > / SryTrov e^et 17 X^ a ^5 ^crepas Kai <f>povi- 
 p,<aTepav' BOIWTOV yap ov^eva TTCOTTOTC et' 
 
 c
 
 34 KEY TO GREEK PROSE COMPOSITION. [Part II. 
 
 LVIII. 
 
 TOIS 8e Kopvevrais eirel liravcrdrj 77 ordo*is, Kparepfas p.ev d/zvvo- 
 \povov 8e ov TroAvv, dpTOTTwA^s TIS, ov"x fjKurra. -n/s ciri- 
 (3ovXrj<s fiere^wv, Sewras ^77 dAovs 6$ SIKJIV TOiovSe TI efnj^avTijcraTO 
 axrre e/c^uyetv. /caAecras yap TOV dspdirovra ewrev ort ^povov 
 Ttva KSij/x^(ro6' ^evovs Se nvas /teXXeiv a<iK<70ai (XTTOVTOS lairrov 
 Kai eTrayyeAAeo-^at TI ?repi TOV tiveiicr^at TO apTOTrwAioy f XOovrwv 
 Sc Setv TrpooTTOtewr^ai a>s avros CO-TIV 6 dproTrwAr^s, tva fir) O.TTO- 
 X.OLTO TO dpyvptov. oi^o/xevou 8e ou TroAui' xpovov I^KCI/ 6 ayyeAos 
 Trapa TOU jSao-tAews /iTa OTpaTKOTtSv Ttvwi', (r/ce^o/zevos Trepi TOU 
 TOTrwAov' elpr)p.evov 8c p.^ S^Aovv O,TI SiavoeiTa*, 
 
 p,6vOV Cl fe(TTl TO dpTOTTwAtOV iStlV, Tl tV VOJ C^Ct 
 
 ai. 6 Se OepajTbtv tirel ^we^wpjjo'ev epWTJj^eis ei 6 dpTO- 
 eort, eu^vs uyzoAoyei tti'ai, Kai Tpia ^81^ err) e/ca ^v. 
 6 St ayyeAos SvAAa/i/Javw o~ TOtwv, ^17, as o-wayxanjv, a/ta 
 TOIS (TTpaTtwTais etTrwv aTTOKTeii'at. ei/Taxj^a 8c 6 TA^/twv 
 O OTt ^evSoiTO' P.OVOV yap Oepa.TT<av elvai. 6 S cbrAaJs 
 STL el TOVTO d\r)6es .eir) TOO-OUTW /xaAAov Seoi aT 
 davelv ws TOVS ^SacriAews dyyeAovs Tretpaad/xevov e 
 
 LIX. 
 
 Ef>; TTore 'AOrjvrjcri Poxios Tts TrAovo-ios wv, os OIK!TT;V '^ 
 AiTwAias /J-ereirefi^aro, irvOopsvos 8r) TOVS eKeWev OIKCTOS, naiirep 
 ov irdvv o-o</>ous 6Was, irpaous fJLevroi KO.I daT'ovs etWi, aioTe TOIS 
 eKeure fonCxri evois ei/cos e^vat dpecrKeiv. TOVTO 8 Trtpi TrAetovos 
 , 7ri TToAAovs 8^ evictv eldtOei' T^KOVTOS Se, Ta^ecus 
 o 'Polios, KGU aicr^d/tevos OTI ^aveto-^at p.eAA, TOV 
 AiTwAov fj.eTaTrep.\f/dfjLevo<i ypap.p.aTea KeAevo"ev dyayeii/' /iAAu>f 
 yap ^avetcr^at T?^ Sia^K^v ftovXecrOcu. iroieurOai. diritov Se 6
 
 Part II.] EXERCISES. 35 
 
 SovAos <i>S rjTrj(r<j)v TOV ypa/i/mrea, eireiSr) evpev, lAe^e 
 o Ztvs OTWOI (rot TOV /3iov, (5 TTO.VTWV cro^coTare* o SecrjroT^s 'Pottos 
 eiTreiv eKeAfvcre, on /JovAerai, eVei ^avetv eaJvros crou /zeAAei, TTJV 
 SiaOrjKrjv <rov tirapKovvTOS Troiturdai. 
 
 yeAao-as Se 6 ypa/t/zaTevs /cai VTroo-^o/^evos 7} /A^V ra^ews irapa- 
 yevT^arfcrdat a<7jK TOV 8o{;Aov' eiret 8 
 ;evat, au$is ^xwv 6 SouAos Kai TrpocrKwCiV avrov, 
 
 >/, 6 SecrTronjs e/te raTreivw? KeAevei o~ a 
 alreiv i Tt o-e fJ.a.Tr)V a^iwv krapa^a.' /ierayvovra Se 
 vKcrt Tra/aa. (Tou ax^eAet'as Seto-^ai, eTrei 
 
 LX. 
 
 ^ev es Travra oVras rt's OVK o?S TOVS Geo-aaAous, 
 eav Se TIS aSiKcos Trei/sarai dpyvpiov a^>atpiv, Travrt rpoir(^ dp.v- 
 vecrdai Trpoaipovfj.evov<s //.aAAov ^ ave^eo~^at Kai VTTO 
 
 Se 0ecro-aAds TI'S Trore 7rt O^aii', irrjpav <e/3cuv fiaptlav 
 c'vaf Sta 8e KW/XY^S lovra yvovre? T/acts /cAen-rca, d)i 
 vv aJovro TrAo^rov Tjj Tr^p^t <}>epeiv, crwe^w/J^crai' dicrre S/ad/xw 
 s, Kat irepifj-evovres es vAijv rtva St' ^s eSet TrapeA&iv, ITTI- 
 6efj.evoi (rvXav. e^eixr/jievot //.evroi fjcrOovTO TOUTW, on ra^u WOVTO 
 
 v, ITTCI K/3aT/3ais dvrecrT^' ovSe eSui/avro avrov 
 ?s ns ras ^etpas ovrw o-wroi'tos T^! ^wo-T^p 
 at. AajSd^TWV S T>)V Trrypav, "Ayere 8^, 
 TTJS /teyaAr^s T^sSe Aaas, VTTC/D ^s a^tov ^v OUTOJ K/aa- 
 itd\fa'6at. dt'oi^avres <5e f^e-irXdyrja-av, dpyvpiov p-tv JJLOVOV 
 Spa^fj.a.'s evpovres, AOITTOV 8e ovSev TrA^f i^uaTtcuv TraAatwi'. 
 6 Se KAeTTT^s "Eot/ccv, ^J, o-a^eo-Tara, OO-TIS OVTOJS vsre/) TTCVTC 
 
 oi/ras a/r
 
 36 KEY TO GREEK PROSE COMPOSITION. [Part II. 
 
 LXI. 
 
 av irorf r)s TroAews a/j^ovres TOV 'IwvtSijv, Is Aoyous 
 T< Kidimi Ev/3tKo>, eiriOvfiovvrfS fifv irdXai TroAA^s X^ 
 
 T^S 6/ClVOS ^PX f > KC " TOUTOV OlO/iCVOt 7TlCreiV aVTOV TJ7 (TO<f>l<j. 
 
 diroSoV&u. d<f>top(JLa.TO roiwv o 'Itovi'S^s ITTI AiOtmrias irapa- 
 or/ccva(ra/ivos irpwrov Kocrpav re iroXvv KOU Xapirpov, /cat ^t^>^ /cat 
 8?) KOI TTfTrAovs 7Tin-e /3a<riAeiov9 OVTW fieyaXoirpfTTfis oiras <3<rT 
 <ra</>araTa 8^ /icAXciv TOV fidpfBapov \aipetv opfovra.. d<piKo- 
 fievos 8e TT)V /^v lo-^ra ovc ISw/cc, c/caXei 8e TOV (BcuriXfa irpos 
 [t-eya. Tt SCITTVOV, cv <^ SITJ/COVOUV aury 8ouAoi irtvre Ty TC o^ 
 KaAXioroi OVTCS /cai TOUTOHS TOVS ireTrAovs TTfptfBff3\rjiJ.evoi. rrj 
 8e voTcpai^ irpocrfXOwv auT^J o EV/H/COS ovap ec^Ty eA^ovTa oi TOV 
 TOVS TC SouAovs Souvai Kat TOVS ireTrAovs. 6 Sc Oavp.d^fiv 
 u T^> Aoy<{> <ra<^ws ?^>; OVTW yev^<rc(r^ai* /cai 
 vcrrepata aTravra ISwice. /cat ou TroAAais ij/zepais vo-repov rip 
 6 IwvtSr^s /cat latrr^) f5vap cnryx w / 3 ^"tti 
 av A 1 ^/ 30 ? /3ovAi^Tat irpofX6p.(vov. 
 
 Sc 6 Ev/3t/cos TOVTO c/>vj TO ovap, d>s OIOITO, ovx ffrcrov 
 TOV trepov 8ctv yeveo-^af Sous Se TIJV x ( ^/ 3al/ fXTrifav IC^TJ TOVS 
 ^eovs prjKfTi ol ovfipara. c/>ivai e/cetvou yc eTrtS^/iouvTOS, etret 
 c/>avepos 8^ ecrrt TroAu croc/xoTepov o 
 
 LXII. 
 
 '0 /SacrtAei.'S ATJ/OIO-KOS, OTTOTC TrpoatXOoi CTT/aaTiwTT/s fiovXo- 
 /ivos ev TOIS c/>i'Aa^tv f-yypd(j>e<rOai, rpia TO.VTO. cito^et epcorav, 
 7roo-a en; ycyovws ?>; /cat TTOCTOV x/ 3O '' o ' ecrT/aaTcv/ievos, /cai ct 
 Traw dpfo-KOi o re /j.ur6os KOI rj StatTa. II epo~>/s 8c TIS veos TTOTC 
 crr/saTiwTijs d(f>iKtTO, 'EAAiyviori ou Svva/iievos Aeyav aKOixras S 
 a 6ot dTTOKpivecrdai, KCU irapa c^>iAov fiadiav o)ts 67reo"t ^prjcrdat, 
 ), TavTa /xoyts TTWS /cat /xa/cpov /iAcTjo~as Tra/Deo-Ket'acrro
 
 Part II.] EXERCISES. 37 
 
 wore epcoTuivTOS e/ceiVou avrenrtiv. os Se 6 Aijpur/cos 
 erv^ev e/jd/Ltevos GT ep et'ci#ei Seirrepov, 6 
 C)?) ov, AeyovTOS Se TOU /3ao-iAea>s IId<rov r/Svj 
 fj.eydX.rj ry (jxainj aireKpivaro OTI Trevre Kal finocriv err). 6 8f veov 
 avrov rg oi^et ovra f^eTrAayr^ /cat renews ^/Jtro Ilocra yap 
 yeyovas ; 6 6e Hevre, e<f>rj t (5 ^acriAev. evrau^a 5t yeAao-- 
 
 Kat BvfMovfj.evo'S TI Ov/c oi8a, ^, Trorepov <rv /xaiVei ourw yeAota 
 </)Avapwv, 1} eyco, w SOKCIS fiev raura Aeyeiv, Aeyeis Se ou. 
 T/3tTov epcoracr^ai vofJ.i(DV, ovSev ovrt Se8tw5 ovre 
 'A/ic^ore/aa, I^TJ, <5 /3acri\ev. a>s Se e^eTrAay^cr 
 s, yvovs Tt ov KaAws X OV > <TTpa.Ti(aTr)<s wy^oAoyet ort ou 
 'EAA^vtcrrt Aeyeiv, wtrre <f>avepov eyeVero TO Trav. 
 
 LXIII. 
 
 '0 KovSaios ov^ ^(rcrov eAAoyi/ios 7^v eVet aypoiKov eavrov 
 
 c, fj Sid TTJV ev ry TroAe/xy Oavfjuurtav ey^Treipiav /cai re 
 Se TriKpa. TroAAaxis Aeywv, oAiyovs fievroi es opyrjv IKIVCI, 
 7rei SrjAos vyv O-KWTTTWV Tva yeAwei/ 01 Tra/Dovres* /cai 7ropevo/xei/os 
 Sia 2evrjs, as fireKrjpvKtvovTO TroAAoi eVaivovvres aurov ofa 
 
 ^cre, ?'jSeTO Tracry T^X V V 7r tpwp.evo'S, ei Seivd aT 
 es aVopiav Karaorrycrai TOUS TrpecrySeis. /<ai aAAoi re 
 
 rives, r/yovfj^evov Bo^Aeov Travi' (ro<f)ov OVTO? /cai ay^ivov. 
 8e KOI ?rp6s TOV Koi/Saiov dyofMfvoi, rjiropovv 8r] alcr66- 
 p-evoi on criWTra /cai a/cii/rjTOS eVrr^Ke, ov5e Ke^dXrjv riva^as a A Ad 
 Seivdrara TOIS o/i/zatri Trarrraivajv. ovSei/ 8e Seicras 6 Bo^Aeds 
 dAAd ^aptevTws /ieiStacras, roiaSe Tr/Doo-eiTre TOV (rrparr^yov 
 5 KovSaie, e^, ov Sei Oavfj.a.(rai el OVTWS cxvSpeids ei/>i, 
 TIVWV IT/DOS o- TrapeXdtav' ei 8e T/Dicr/iV/ai'wv 
 v, ei/coTtos av (f>6(3ut I'j/j.idvij'S eyiyvd/irjv. TOVT<J> 6e 
 6 KovSatos wo~Te o"<^d5pa 8^ e'yeAao-e.
 
 38 KEY TO GREEK PROSE COMPOSITION. [Part II. 
 
 LXIV. 
 
 '0 KovSatos, Trept o$ rjSg pot etpJiTai, o>s Sid re TTJV dypoiKiav 
 eVto-Ti/Aos rji/ Kai TT)V e? iroAe/xov Te^v^v, rots eTat'pois TTOTC e^Tj 
 OTI Hewrevwvi TIVI x a ^- 7ra ' /l/et j ov oiKetoTaTov efvai avry iravres 
 OJOVTO. TTv^o/^evos Se 6 Ileicrevwv ITTCI TT/OWTOV c^v Trapa 
 iJA^e T^a epoiro TI atTiarat 6 av^j/o, Kai (is IK TWV 
 aTroXoyoiTO. ovSev yap vvy8fi laiT^) dSi/c^cravrt ovSe TrpoSovri 
 Kivov. ewTeX^ofTa Se 6 KovScuos ftpaxv TI crtyy dOprjo-as, Trept- 
 O. IvravOa Se a>s vTreprjS6fjLvo<; l/36a 6 Iletcrei'wv, 
 O ' S ^ eo '' s 5>Tt l\f/ev8fTO 6 vvv 877 /toi Alywv 
 i o-ov* <avepos yap vui' e? OVK t\0pov e/*e Troiov/zevos. Kai 
 e /xev a/cowras 6 KovSaiog, airc/cptvaro Se SvcrKoAws, ovSev 
 TOV Irepov Trpocr^SAeTrtov, 5 8a.ip.6vie, H(j>r), TI /j-aOwv OVK 
 oiei e/xe o-e IxOpuv vo/ii^civ ; 6 Se, AIOTI, ^77, KaiVep TWV </>0oj'epwv 
 TroAAa Trept O-OTJ ^evSws AotSopov/ievwv, ovSet's TTW OUTWS dvatSws 
 tToAjtirjo-e \f/ev8ecr6ai wo-re fifracrTpa^evTa Aeyetv rots :roAe/uoi9 
 
 LXV. 
 
 C Q Se ^ept'Siys ore ^ui^yopos i}v TroAAaKts -^yava/cTei on ourws 
 dvaiSets e?ev at ex T}S iroAecos ywai/ces /cat TO, /3SAupa d/couo-at 
 emOvjioifv, wo-re et Trore rts ws Seivov dSi77(ras <euyoi, a.0p6a<s ev 
 TOIS SiKaoTijpiots ecrTTf)Kevai, ocr^) Setvorepd rts eyxaAot ToomT< t t> 
 icrvvporepov aKpoavOai Tro^owras. T^TWITO Se Kat TOVS SiKacrTas, 
 ret eov VO/A^) /xerao-Tijaat rot>s Trapovras, OVK T/^tAov 
 Kai Ta dVpeTreo-TaTa aKoue*v. reAos Se eret ^ept'S^s 
 ripfOn, es ira(ra.v S?) TrpocrSoKtaj' Kare'crTrjcrai/ Trdn-es rt apa /?ov- 
 Aevwi/ K(oAvo*et TO KaKoV. <S5e Se eyei/eTO. dyo/zei/ov yap TTOTC 
 7-pos avTov di/Spos ws Setva Spcxo-avTOS, Kat vo>jo-as TOV TOTTOV w? 
 yi'vaiKtUi/ ep.jreTrAi/ayiei/oi', e^e-tVviSes ^vAAeyeio-wv "va Ta
 
 Part II.] EXERCISES. 39 
 
 alcr^pa. aKovcraiev, /zeydAy (jxavy Tracras e/ceAeve ras cnrouSatas 
 
 Cl7TO^W/3tV. dVlOWWl' <$ (OS TTCKTC, N{>V a/30, 1^ 6 SlKaOT^S, 7Tl 
 
 at cnrovSatat Tracrat ot^ovrai, ras atcr^oas TaVSe at VTroAetVovTat 
 01 <uAa/ces e/c/JaAovo-tv. 
 
 LXVI. 
 
 '0 'AA/3dvtos c/>ixra /u.ef TT/>OS i;i/ T^V Stai/otav, OTTOTC Se 
 eraipwv 6/itAoti^, ourw veavtKos cytyvero wcrre yS 
 o,rt ov/c ISpa. J3a8i<av Se TTOTC 'OAvfiTruKTi TrAiycrtov TOU 
 TroTap.ov /J-era erai/Dcuv T/3iwv iiy8/3tCTTtKWj/, avSpa TIVO. eiSe KaAov 
 lp.a.Tt.ov e^ovra /cat ry ^ea ^Sd/xevov, oi/ ySet /cva^ea oi^ra 'A.drjva.iov. 
 wcrre yeAoiov eSJ/cet ecrecr^at et TCWTOV TT/xxreA^wv OUTO) Trpoo-etVot 
 Travras TOUS a/couoi'Tas etSevat /cva<^>ea oWa* OUTW yap 
 Ivavriov 'EAA^i/wv at(r^w^(recr^at. TrpocreA^wv TOIVW 
 /cat /teya <^^eyyd/zevos eAotSopetro ort TO t/xdVtov o ^epet OVTW 
 ira^^es y^p e'l'at rotaura ato-^w^vat ev Tracrtv 
 6 Se /i^ ort ayava/crcSv aAA' ovSe cpv^ptao-as, ejret 
 v OMTOV TJdpet /cat c^tyyavc TOV t/iartov, Sxnrep TO 
 res Si) (TK^o/ivos, /cat TeAevrwi/ vTrecr^TO dvopOuxreiv lireiSrj 
 eXdvOave Se CVTOUT^) TO t/xaTtov yv^w a?rav dAtt- 
 <tov, WCTTC 6 veavtas ou^ OTTUS es aTroptav KaT(7TJjo - e TOV Kva<f>ea. 
 aAA' avros S^ ev aVao-i yeAwTa (i<^)Ato-/cave. 
 
 LXVII. 
 
 dy^tVous ^v 6 GeoSwpos, WO-TC TroAAovs Is SeiTrvov 
 /caAeo-at ov ^>tAtas /xaAAov eve/ca ^ tVa StaAcyo/xevov avTou ^S 
 Kat Trapa <^>t'Ay ^OTC Setirvwv avSpa TWO. eT8e ovria dAa^ova 
 /cat aypoi/cov OXTTC 7rao~tv eTra^^ yevecrdai,' ol Se erepot 
 6Wes afj,iXXa<r6at avrii) ijXirL^ov Brj AvTr^o-etv TOV GeoSwpov, ais 
 /xeyav dywva d^d/xevot. (is 8e dAa^ovewvTa Kat /cav^w^tevov 
 a 6 GedSwpos, /?apea>s S^ e^>epov, TOO~OVT^) /iaAAov
 
 40 KEY TO GREEK PROSE COM 'POSITION. [Part II. 
 
 Oarfjid^ovTCS eirel awr^wrros tfv -rfj oif/ei, e/ceivov Se rjStcrav roiotVois 
 eyyeAav faXovvra. TAos Se Is TOUTO dvatoWas ?}/cev 6 dnyp, 
 wore TrapovTtov TO)V trv/wrortov KaAvrTpav ACVKTJV TJJ Kf>dXrj 
 ireptWfTO, Aey<ov TOVTO fiwOevai irouiv fj-era, Seiirvov. <rty^<ravros 
 & IKCIVOV ayavaKTUv 6 ^evos T//>CTO irortpov OVK evn-pfTr^s 5o/<t 
 e*vai 17 KaXvirr/xx* 6 GcoSwpos irpavrara Ilavv /iev 0^1*, e^q' 
 Travras Sc o?/xat (nry^wpeiv on icai ITI /naAAov av f}v 
 i /A^ Ke<f>dXr)v /idvov eKaAwrrcs aAAa /cat T^V o^tv. 
 
 LXVIII. 
 
 '0 Ev/xen/s vlos fc>v OVTWS vf3pumKo<s ?]v axrrc cf TI 
 nperpov fOvfwvro. KOI (3a8iovros irorf TT/OOS TOV Hupaiea p.tya- 
 
 1/ittTlOV, ^A0 ^vAoV/jyOS TtS 
 
 Sapcia ?}v, <5<TTe /ii) ofov T' eivai 
 
 iva p.dOoi ei TIS ffiiroStov ir) ) /3oa iwv TOIS Trapiowriv 
 tv\af3fia-6ai TTJV rcvKi)v /z^ apa TI irdOoiev. 6 8 Ev/tevrjs dva^tov 
 oio/xevos ctvai ei ^uAov/ay^) Set Trapa^wpeiv, ovScv r)v\aj3fiTO, o6ev 
 w(f3i] SKTTC irp<xr(3a.\ov(ra fj Kopv(f>rj TOV SevSpov rov i/wtTtov iroXv 
 71 a7re<rxr. SetvoTaTa 6c AvTrov/icvos 6 Ev/zevrjs eFAKe TOV avSpa 
 (irl TO 8iK(um^piov, KOI TOIS StKacrTats lo~^TAia^ ofa t^SiKrfrai 
 not SiKrjv diryrei. 6 6e ^vAon/syos <^>o/?a) 817 ^U'^VTJS yevo/ievos 
 O' yvovres S ws X ei * Si*ca<rrat OVK fffraurav 
 
 KoXd(TlV SlOTl K(0<^>OS CTTt. 6 Sc Kttt 7TWS, C^, KOJ<^)OS TTIV 
 
 os OVTTOTC CTravcTO 'EmroSwv ftodv, p.eiov Svolv ravpoiv 
 <#eyyofievos ; 01 Se, ^ESei TOIVW, l^wwrav, Trei^eo-^ai' /cat ev^us 
 aTreAixrav TOV v 
 
 LXIX. 
 
 '0 Ki'etos TWV Iv 'Atrip TroAewv ap^wv, 7rei Tas 8t*cas eS 
 SmyvaJvai as dvefapov ol CKI, iroArv earaivov "ptTO irdvra o~o^>
 
 Part II.] EXERCISES. 41 
 
 re KOI St/caiws SiaKpivwv. ?jA$e Se TTOTC TT/>OS avTov 2/ivpvaia TIS 
 yvvrj, rjv yrtwvTO ws TOV avSpa /cat TOV vtov a7roKTtVao-av. ^ 8e 
 dA?7$<JS /tiv $77 /ca-nyyopetv, SiKaia. Se eivai iroifjarai, a>s avTt) 
 Setva wr' IKCIVIDV rj8iKi][j,evi]. -iralSa yap ov K Trporepov dv8po<$ 
 Aa/3ovras <^app.a.K(f aTTOKTCivai- TOVTOV 
 fj-dprvpa 1 ; axjTe yur^Se TOVS KaT^yopowTa 
 p.rj ov^ OVTWS etvai. 6 8e Kveios r^iropei /J.ev TO TT^WTOV aSi/cov 
 /Liei' yap eSo/cei e^at ywatica aTTOKTetVetv rotavra r/SiKrjfjievrjv, 6 8e 
 vo/xos (ra<ws exeAeve, 6(ms (frovov K.O.TO.K puOeir) TOVTOV ra eo-^ara 
 iradtiv. /30/ivos o6v TOVS ypa/i/^areas et 6 vo/xos Sieyvw evros 
 TTOCTOV xpo^ov Set Suc^v Sovvai, 7rct ov8ev vrept TOV OTTOTC 
 evpe KeAei'cravTa, Odvarov fj.ev KaTeyvw CTTI 8e TO avro 
 8ta IKOTOV C'TUJV iva. 
 
 LXX. 
 
 Tov *"Avvi/?aAov <j)a<riv avSpiavra xpvcrovv IK TOV vea> T^S 
 "Hpas e^eAovra, rei OVK ySet Trorcpov aTras XP^ " ^ 5 CCTTI ^ TO 
 
 ^(0 K^pVCr(0{JLVO<S ) 8lOTe/ilV. CVpOVTO. 8f TTO.VTO. ^plXTOVV OlKO.Sc 
 
 fiovXevcrai' TOVTO 8' av Trot^crai, cc /z^ aim) r) "Hpa ova/3 
 eKwAvo-e, aTretA^o-acra lav ^ aTroSy TV<Aov yevTjo-eo-^at 
 Ty cvt o(f>6aX[j.( < ITI pXeirei. TOV 8e, KatVep ov Traw ixrf(3rj 
 ovra 7zy>os TOVS ^eovs, ovrw /ievTOt K7rAay>}vai 8^ -ry o 
 /) fj,6vov TOV avSpiavTa dvop6wa-ai } dAAa /cat Trpos TOT/T^ 
 Tg ^c^i dva^etvai Tva Traixrcie avr?)v T^S opy^s. 
 
 AeyeTai Se /cat 6 'A/itAxa/Dos Tas 2v/)aKovo-as iroXiopKuv Ofiav 
 t8tv Ttva /iop^v, ^Tts TrpoeiTrfv (is 7~y iwTe/)ata Iv Tg irdAct 8et7r- 
 v>jo"ot. afcoixras 8e TOTC /xev dveddpcrrjO'C ry Se t'O"Tpata, TOO*OVTOV 
 Iv Tp OTpaTOTreSy yevo/xevov Oopvfiov Sxrre TOVS or/aaTiwTas Is 
 fj.d\r]v dAAijAot? Tpcnreo-dai, yvovres ot SvpaKOCTtoi lAa^ov ft's TO 
 etVeA^ovTes /cat lAovTCS TOV o'T/aanyyov Is TJV iroXiv 
 . OVTW 8e direfSr) TO etp^/xevov.
 
 42 KEY TO GREEK PROSE COMPOSITION. [Part II. 
 
 LXXI. 
 
 No/xos ^v TOIS Oi7/?cuois, firei TIS orpaTryyos Karao-Tai^, SwSeKa 
 /ACV pjras a/>xv, /icra Se TOVTO 8tv avVov KCU evrv^eo-Tara a 
 X/"7 V fl"/>dai/Ta, ovSc X-rj^avTos TTCO TOV TroAe/zov, of/caSe di/eA06vra 
 TTJV o-px*) v o.X\(f irapa.8ovvat. 
 
 'E7ra/xivwv8as Se TTOTC 6 eAAoyi/zos recrcrapas /iiji'as ^PX ^P 01 
 TOU elprjp.evov \povoV TJKOVTO. 8e eTn^Tt^vro aurov ot f^Opol (is 
 8e caurov tvavriov TU>V SiKacrrtov TOIOUTOV 
 /*aTt, ws TOV ^avarov OVK ev vroAci /taXAov SeStws r) 
 ore e/ia^CTO. KarcLKpivei fj,ev lfj.ov, <^>^, 6 vo/zos' ovS aTrapvovpai 
 fir] ov 8i/catos ervai aTroflavetv. d^tw Se raura p.6vov T$ rdffxf 
 firiypd(f)tv' 'ETra/ieii/wvSav a7rKTtvav 06 Qrjf3atoij SIOTI rjvay- 
 Kao-cv avrous o-v/i/xi^avras viKav TOVS AaKeSat^tovior^s, Trporepov 
 ov8e evavTiov ToX/iwi/ras e/i/3Ae7riV /cat Sm ap^orros txetvov 
 rrjv Aa/ceSai/iova CTroAiopKOW, ^ns tpfiaiov eTroteiro ei TOV ddva- 
 TCV t(f>vye. 
 
 Xegavra SI TOorovTW 9opvf3y (Tnjvovv ol irapovTfS, UXTTC Ta- 
 OVK ToA/rgcrav 01 Si/cacrTat. 
 
 LXXII. 
 
 '0 AoAtos, /siovos iv 0(T(7aAots wv opecruv, rci ovSei/ p.a\\ov 
 !<i'Aei TOV Orjptvfiv, TroAAa liraBe VTTO TWV c/c T^S KWfj.rjs, oiirfp 
 Aoyw /iev ^o~av <^>tAiKoi, OTTOTC Se fiovos e^toi, T^V oi/aav IcrcA- 
 ^ovres O,TI erpotev rvAa>v. cTt/i(o/3ij^7j 8e TOt^iSc irore Tpoir<p' 
 (XTTOVTOS yap T^V oiKiav w? ciw^ecrav io-tovTS /cw/i^Tat Svo, ci 
 Actav tSoiev, ^av/iao-tws ws qcrOrjcra.v i\0vv evpovres inl T^S 
 ev Aexdvg WTTT^/ICVOV. TavTa 8 fjidpy(o<s ^aydvTes as 
 ei rt /cat aAAo irapfirj, l^irAdy7j<rav t'SovTes acrcrov 
 
 ei vewcTTi fxprjro. cvtfvs Se rcKfj.rjpdp.fvot as TO (frd 
 
 aTraAAayetev, SeSot-
 
 Part II.] EXERCISES. 43 
 
 /cores wr) a7ro<?ov(i>cri' ra^ews ovv 6 /*ev (rairpov TI lAatov p-eydXy 
 evov XvjKvdtp eTTif, o 8e dXa e<aye Qav[j,a(Tiav oo"t]V KCU ovrfa iroXi) 
 tfjiovvres, <j>xpol /MCV KCU p,dXa dcrdevtis ^^OVTO, xaipovTes Se ort 
 e/c TOU <f>apfJLa.KOV drjOev ewri o-ecrtocr/ievot. e^iovres 3e Trepiervxcf 
 ry SecrTTory, os (f)iXiKws ao-Trao-a/zevos yr TOV crirovSaiov TOVTOV 
 l^f)vo<s /iTao - x e ' l/ > ^5 avros es SetTrvov ^/ccav* ot 
 aAts 
 
 LXXIII. 
 
 ews rjv Tts TTOTC, os ev eroupois eXeyero Trdu/Ttov d 
 
 efvcu. wcrre elwOevai iroXXovs et7r?v, 6 I 
 inVaTO TI rots $eois8wo~eiv Tj/a coc^cAetav rtva Xdj3oi, SiaTrpdarcrecrdat, 
 del XaflovTa wo-re a vTreo-^eTO l^aTrarav. SetVvou Se TTOTC yevo- 
 /xevov 6 /?ao-tXevs irapovros TOU Fp^vews, 7rei 567rvi;o-av ^yyeAAe 
 
 TO?? O-UjUTTOTCUS TTCpt ^iXoCTO^OV TOV O?d 7Ta^V, yVUtpifiOV OVTOS 
 
 Trporepov Tracrt TOIS Trapoucrt. eAeouvTWV 8J TTOVTWV eicrc^epetv 
 6 ^Sao-tAeus dpyvpiov TI iva w^eAoiei/ TOV SwrScu/zora' 
 
 8e TWV erepwv, dvao-Tas avTos o /?ao-tAeus 
 jrept T^i' TpaTre^ixv u>s o-vAAc^wv TO dpyvpiov Trapa TWV 
 
 s o 
 
 yap TOO-OITOJV Trapovrwv ou 
 SiSovai aAAo>s T KCU CIVTOU TOU 
 et iravTes eSoo-av, ^peTO TOV Fp^vea e" TI eSw/ce, a>s ovSi/ 
 
 TWV 8e TrapovTWi/ TIS 
 
 TOVTOV StSovTa o-oi TOV fTTaTrjpa. el 8e /ZTJ, ov/c av 
 Kat eyw yap et^Sov, (/>; o j 
 
 LXXIV. 
 
 Tts /cvva e^e 1^ 'HTret'pov Ko/xwr^evTa, os aAAa TC o-o^)o 
 iyv, at Trpos otKiav Ttva twv Kpeas a'w$ei TW Sea-irorr) an- 
 </jop/xuv Tip crTO/xaTi ^acrTa^wv. iwv Se 7TOT lo-7repas Trapa
 
 44. KEY TO GREEK PROSE COMPOSITION. [Part II. 
 
 , TO SCITTVOV uis TrpoYepov </>optuv, eiBe 8vo> Kvvas or 
 TOV TCI^OVS Trepi/zevovras, <Ls TOV ^opynov crvA^ev. yvovs & 
 eTraivov doTepos fcrecrdai TTJ apery ei rocrovrta Kpeioxrovas 
 Trpoyei ovSev <o/3ov/xevos. d(iKO/x,evov Se Trpos TO TCI^OS, 
 Sdryv TO) Kvre lir' aurov Kai /ztTa TOCTOVTOV dopvfiov axrre Sta 
 TToAAou d/cowrai es fj.d^r}v <ruVT)\8ov. KCU TrpaJrov /iv ws CIKOS 
 TOVTO /xaXTTa evXa/Seiro on-ws TOV </>o/>/iov <j>v\dfi' rd^a Se TOI' 
 
 SdVOTfpOV TWI/ 7Tt^/ZVO)V OVTWS ^TTCtyeTO VlK^Q-ttl WOT< oAl'yOV Tl 
 
 TOV (fropfjubv d<f>vXa.KTOV xaTcAiTre. yvovs Se 6 i^crortov TWV 
 ec^irro cij$us TOV Kpew? et Ka.Te<r9ioi tv $ TOV iroXefiiov 6 t 
 a77OKTtvei' 6 8e "^at'Swvos KVWV aio'^d/ievos d8vvaTOv oi/ a/ia /xcv 
 dfJivvea-Oai a/xa Se TO SCMTVOV <rw^v T^) 8eo-7roTg, xat Kpeura-ov 
 oto/tevos e'l/at TOV Sixatov <?X lv ftctAAov ^ TOUS dStKOVs, eTrei 6 
 6ecnron/s ov/c e'SvvoTO, auros TO Kpeas eve 
 
 LXXV. 
 
 'Ev TOts'IvSots 1^ Bpa/iiwi' TI yevos, oiTTfp /xeya 8^ t<f>p6i>ovv 
 ori T^5 evyevffTTepoi efvai TOV 7rAiJ$ovs Kai txTKarepoi TTJV SiaiTav. 
 TOV Se ap^ovrds TTOTC eVt Ta exaTov e-n^ p-eAAovTOS d(f>iKe<r@ai t 
 o~vp;/3ovAewa/iVa>v cKeivtav (e^ei eyyvs ^v 17 ijp:epa), OTTWS apurra. 
 8ei TOV avopa TI/J.O.V, apierra Kai o-o<wTaTa e^etv So/covvra aTrav- 
 TWV, /zeyaAT/v foprr/v eSo^e iroirjo-afievovi otvov tepov iridov /xeyav 
 Bwpeurdai' oio/xevoi Se r]8tov ^aveur^ai Kai ^>iAiKwrepov TO Swpov 
 ^v TrdvTes p^eTao-^wo-i, TOV iriOov e/3ovAevo-av Trap' eKeivw o-Tvjo-ai, 
 eis ov x* / 3 '? exao-Tov Seoi Tpv/3Aiov KaTa^eiv TOV oivov ovrw Se 
 ovriva CKao-Tos e^oi apio~Tov, TOVTOV TrifiTrXacrOat TOV iriOov. 
 jrapayevo/ievr/s Se T^S ij/tiepas, ^epovre? Ta rpv/3Xia f 
 7ri'$ov, TCTp^evrjs wo"Te Sf^ffrOat T^S Kopixfrfjs' eTrei 
 TOV Tridov eyeveTO 17 fopT^, eTre/z^ev 6 ap^wv Tiva rpvfiXio 
 o-ovra, wo~T irieii/ TOVS Sei7rvovvra9. TOVTOV Se dvoi^^evros vStup 
 e^>dv7j aAA' OI'K orpos. e-ei avros av Aa^eiv aleTO eKao~ros, ei 
 /uoros vScup SiSoiJ^.
 
 Part II.] EXERCISES. 45 
 
 LXXVI. 
 
 Meyapevs TIS lAAoyi/ios wi/ T TC yeyei /cat 7rAovY(j>, ITTCI TWV 
 OVTWV TO, TToAAa dv^AoKrc, Is TOVTO d<uceTO Trevtas axrre TC^VT; 
 TravTota i}vayKaeTO xpfjcrdai, i'va p.r] VTIO TWV 8avravTwv irpdy- 
 
 ^iwcre TOV Meya/3ea a o^et'Aoi djroSouvai, ouSe ISe^aro 
 
 ovSef, 7jvdy/ca(e reAos vyypa<}>r)v StSovat y w/ioAoyet jnev o^et'Aetv, 
 
 a:ro5oxriv Se ei'ros TOU eviauroii v^-ecreTO' ere! 8e TeAevTwvros TOV 
 
 6TOUS avis epe Ti]V vyypa<>r]v 7r/3O<T7rotetTO eKetvos u>S vocrwv 
 STJ^CV TO Se rpirov T^KOVTOS aTr^. OUTW Se act eytyi/TO, 
 irpofyacriv Trape^ovTOS TOU Meyapews ^ 
 fj,ra AvTnjs ouScv fj,S.\\ov Sia Trjv vyypa(f)r]v fX wv > 
 
 fjV fJLfTO. TOCTOVTOV TTOVOV (KT^CTdTO, TfJ TTplV KTrjO'aO' 6<ll. TtAoS 8e, 
 
 7Tt VTrea")(TO avOis Ixetvos IVTOS dAtywi' ^/AC/DWV dn-oSwo'eiv, Setva 
 
 TTOiOV/ieVOS 6 CTKUTOTO/iOS OTt OUTWS (Xl'ttlS^S CTT6, O 
 
 !<>7, yu.^ ov Sixaiov ere eiVar eTrei 8 crairpa avT?) eort, a 
 vyypa(f>r)v av aiTOiryv, /36/3atoTepov y6ypafj.fj.evr]v. o Se OvSev 
 /3e/3atOT/30v' /cat a/m aTreScoKe TO d 
 
 LXXVI I. 
 
 '0 Se ITpoKAos fBovXevrr/'S tfv /3ao-iAea)s, evSo^os wi/ ev Ty 7roA 
 as dyxivoi'S TC Kat oibs avrocrxcSta^eiv ijv Tt Sey, KCU to-cos /cai 
 fiaXXov fTrel ai'o'X'o-Tos ifv TjJ o^et. TOT/T^) Se ^A^e TTOTC aAAos 
 TIS TroAmys, ovo/iaT6 Sw^os, os Kai a.i(ryiwv tfv l/<etvov, 
 yevo/zevos Setcr^at Ttvos e^ Trap* avrou. TroAAa yap ^ 
 VTTO TOV, os T^V yvvai/ca lAa^e ^evSws atViw^evos, WO"TC iroAAovs 
 ireidfiv alcrxpa irepl avT^s So^d^eiv. WCTTC OVK e^ov vo/xy /coAct^eiv 
 /iovos /iovw Is x 6 '/ 3 " 5 lA^wv aTTOKTetvai* avros 8e KVJ' VO/JKJ) 7re/3i 
 K<aA?js KtvSuvevwv d^tovv TOV II/30KAov 0avaTov a 
 ews 7ra/DacT^o-ao-^ai. crvy^wpTjo-as Se Ixetros OVTCO
 
 46 KEY TO GREEK PROSE COMPOSITION. [Part II. 
 
 oxrre dre\V(a / i TOV f3acri,Xea lj3ideTO TT/ t/ceret^ o-vyyvw- 
 fj.i]v ex eiv T $ dSiKrjaravTt' o-vyyvovs Se r^pero TOV IIpoKAov Sia TI 
 
 TOO-OVTOV 7TOVOV C\fl TTtpl TOV avS/Ott, 7Tl OVK lW$f OUTtoS V/i- 
 
 v^s dvai Tots KaKovpyovs. 6 8 f3ovXevn}S a.TTf.Kpiva.TO^Q, /5ao-iAeu, 
 et ya/o ofrros aTre^ave, ovSeis av ^v TWV viro crov d^o/ievwv aur^iajv 
 
 LXXVIII. 
 
 IIoXA.a /lev ^Siy Trepi IlaSiov XeAeKTat ota yeAwTOS a^ia 
 
 f T}V Se TIS Tryv IlaStK^v eireXOrj oo^/wpai yvwo~eTat Totoirrov 
 Tt d/cowov WCTTC ci 7ravTa o<ra yeXoia Aeyowrt Kai Spakriv 01 
 IlaSioi mipipTo TIS ypdfaiv, OVK av p^Siws TO fpyov C 
 
 ovs TIS irp<xr<f>epoi, dpviov vjrkp TOVTMV dvovra. ffape Se TTOTC 
 avroi'pyos TIS VCKW ov e<fyq errl T^5 aiyiaX^) cvpeiv Ty OaXda-cry 
 SrjXovori f(ve\6evTa. otecr^at 8e <f>[Xov eiva.t os TrAoty dv^x^ 7 ? 
 (is i\6vs 6r)pev(r(av o~a<es Se ovSev e^eiv etTretv, tVet yv/ivos e^^- 
 ve)(0r) avev Ke(j>dXr)s 6 V!KVS. atTeiv 8' ovv TO, vevojJLicrfjLeva vjrep 
 avrov OvcrtLvra Q6.irrf.iv. /cai a/ia TrapaSovs aTrw^eTO. 6 8 
 vov dpviov 6v<ras TO. aAAa lo-w^ TOU 6vfJLo.TO<5 f 
 vx?jo-a^evos 8e TaOra, ITTCI 8eiva Troiou/ityos eTr^ 
 6 avTovpyos Ti ourws dSiKa 7r/Dcur(roi, SixatoTaTa /xev oSv l<^>jy 
 Spa/craf 8civ ya/D v;rp fiepovs dvOpdnrov /tepos TI 0wias Sovvat, 
 ocr<j) 8e TijuiajTaTOv dvOpwirov Ke<j>dXr), Tocrovr<p dpviov 
 
 GXTTC ^V dv6pU>TT(p cAAlTi^S ^ KC^dXlf, SlKdlOV eiVai KO.L 
 
 LXXIX. 
 
 O Mopios (TO^os /tev ov irdw ^v, OO-TCMI Be TroAAa eAeye ev 
 o-u/XTTOo-t'^), (Sore xaAeiv TroAAous KaiVep ou <iAouvTas. es SCITTVOV 
 tva pjiov SiaAeyoivTO oi TrapovTts Kal yeAuTi -^o-detcv. EwrTiaTO 
 8e TTQTt. Mopios Trapa <^>tAy, KexAi^/icvwv aAAtuv T /cat dvSpos TOV
 
 Part II.] EXERCISES. 47 
 
 os o-e/^vos TTCOS ?]v KO.I crKv#pa>7ros, ovSe auTos iroXv e'Aeye, TOVTO Se 
 tTrex* 1 '/ 061 OTTCOS TOUS fJ-vOov Aeyon-as eeAeyei, ws S?) \f/ev8o- 
 S^Aoxrwv. ^yayaKTOW Se ol aAAot, ov Sta<epetj/ olo^vot 
 t \ffv8rj TO. Aeyo/Aeva, (rvjj-Trorov 8e eTvat, yeXoia Aeyetv reAos 8e 
 6 Moptos yvous TO Tr/Day^ta as Sta/cetrai yu,aAa o'TrovSa^wv (17 ' e / 3 'J 
 iSeiv OVOVTO., Kal lp.driov p.fv <f>opovvTa podov ^ow/xa cx oi/ ) fao~Tr)pa 
 8f /cepacrov. 6 Se 8iJcr/<oAos ''Pe^Set ovi/, <^>i/* Tt's yap OI!TCOS a/za^s 
 OXTTC ayvoe? TO /zei/ l^anov XCVKOV etVcu np tepet, TOV Se 
 ifXava 2v .tev ow 
 
 yap ry 
 ivr) 8e ry Kepao-<^). yeAwvTWi/ Se jrai/Tcai' Kap8ap.a 
 
 LXXX. 
 
 M.aXaf3pi(av eari Tt /3dp/3apov yevos, or TroAAa TC aAAa 
 So^a^ovo-t axrre p.r]8eva Trei^etv />i^ OVK dXrjOyj efvaf Kal Tas 
 TWV Oavovrutv ^ojots evoiKetv, aio"Te TravTas Seiv 1 ^wov ^>et8ecr^at yyi' 
 Kat vTTOTTTfvr] Ivetvat ^ ^eou ^X 7 ? 1 '} ^ T ^ l/ 4 > ^ tav TOV T ^ l/ Tedvij- 
 KOTWV. erv\ Se TTOTC "AyyAos Tts ejU,7ropos rj/j.pa<s rivets vrapa 
 TOIS MaAa^piots Staytov, os es vAr^v ITTI Orjpav l(av KaKJj rivl rv 
 opvidd TWO, VTTO TWV Ket Trepv/^r] Xov KaXov/J.evov, 
 oiovrai eveLvai. alcrdo/JLevoi, 8e TOVTO yevo/zcvov, eAovTes aTr^ 
 T<JV ^evov a>s ^ey TW i'j8iK7jfj.fV(i) Ovcrovres. a>s Se eyvw Tt 8tavoo{!i/- 
 Tat Kat TOU evexa ayavaKTo{io~tj dy^ivovs wv TOtovSf Tt fj.ri'^a.va.ra.L tVa 
 aw^rjTai' atr^cras yap c5o~Te aVoAoyeto'^ai, e<^^ ev TrAot'y 
 TOV TraTepa aTToAecr^ai, Kat T^V ^ V 'X 7 ) V * s eyx^Aw 
 t'Swv o?v eyx^Avv ev 6aXdrra-y veovTa /cat virepde Trerofievov 
 [irjXov TTi6e(r6ai /xeAAovTa, atcrxpov oi'eo-^at et TT/V TOU TraTpos 
 ifwxijv Treptoi/'tTat aSt/cov/zev^v, Kat dVoKTetrai Toi' Trepvfj.rjXov. 
 ol Se 8t/<ao-Tat ov /xovov aTreAvaav aAAa Kat />teya Swpov 
 TT]S
 
 48 KEY TO GREEK PROSE COMPOSITION! [Part II. 
 
 LXXXI. 
 
 *Hv 8e TTOTC AmoAos TIS 'Aios ovo/tari os <fvcrei pev irdvu 
 7riet/o)s tfv /cat xpyo-TOS, TOVTO Sc /ie/xTrros, on ovirore Sewrvov 
 p.fro(T\eiv e&vvaro wore p,rj ov TrAeov Trieiv ^ 
 two re TO>V (TtTttuv Kat rrjs 6/xtXtas. irapiav 8e TTOTC ev Sei 
 TToAXwv /cat cro<a)j/ crvp,TroTwv wore ^Sovro SiaAeyo/xevoi xat 
 
 yeA.Wl'TCS, TO(70UTO fa)S l(00t CTTteV ttX7T OtKaSf f3a8i(J)V OV Tt 
 
 (ra<^ws ySei O,TI Troiei. ISet 8 ws Irv^ev 68$ tei/at Trap' fj SevSpa 
 7re<j>vKei TroXAa /cat /xeyaAa. Suo Se TO)V (TV/ATTOTWI/ or Sta TroAAou 
 oirurBev tovres c^av/xa^ov 8^ tSoires aurov d/5/5atws TC (3a8iovra 
 Kai rv\y Ttvi 7T/30S /leyaArjv 8/)w TrratcravTa. di/acrras 8e Kai 
 Kvifas raTretvws, x a / 3t ^ v/TW S ^s eiwdet p.eya.Xy (f>tavrj dAyeiv <^>r; ort 
 !Aa#e TOV av8pa Tv^as, eATrt^etv Se (rvyyvwcreo-^at VV/CTOS OWT^S. 
 aS^is 8e irpoiuv /cat ravroTra^wv awraurcos OTreAoyctTO. 7roAAa/s 
 8e ravro Spduras, iSovTwi/ e/cctvwv, ev ftecrg rg 6S$ d>s aT 
 KaOr)p,fvos "A/xetvoi/, 2<>7, avrou /xevetv p-^XP 1 ^ TOLVTCS ol 
 ovrot 
 
 LXXXII. 
 
 wv ^SacrtAews aAAwv re ?v/ca eAAoyijuos ^ 
 Kttt on OVTO) cro^os ^v alcrrc et irore e^at^)V7^s es KivSvvov e\6ot, 
 det efjifj^avaro Tt wore K<^uyetv. KaO^evov Se TTOTC ITTI TOU 
 OLKOV, OTTOt T^S OTT|oas <^>otTa tva T$ \Wx et dvairvei5(rai, Xddpa 
 wv dveSpa/xe 717305 avroi' /cat jtieya y8o3v KaraTrr/Sav 
 e. 6 S KaiVe/3 etSws /ie^vora, rei iroAAdxts etSe 
 )'^) os eOfpaireve, o/i<os avros yepatre/aos wv ^ OKTTC /3i'a di 
 vat, -QfrBero OVK av K<^vywi/ et ^ 8oA^> c^aTraTai^ TOV 
 
 KaTaTTTjSav vv)(a>pr]o-6' evpyjo-eiv Se /xaAAov on-cos a/jtora 
 i, fl TTJV aiXovpov (>} TrapfKadrjro) irporepov KO.TO.- 
 6 Se aKowras ^o-^, /cat cAwi/ T^V aiXovpov Kareppi^f 
 Treo-oixra dveo'Tfj /cat aTrtS/aa/ie, ri TroAu Svi/avrat trfwrtiv ol
 
 Part II.] EXERCISES. 
 
 49 
 
 atAovpoi wore fir) /3Aa7TTeo-$at. 'Aye 877, e<j>r) 6 0aip;ios, 
 
 t'va OUTW /caTa/3dAco/xev, wore vvv ye /ii) o?oV T' e?j/at 
 TOV Se rrpodvfjiovf^evov Spacrat /cat aaroi'^ofj.evov o 
 /catpa> e/cAeto-e T^V dvpav. 
 
 LXXXIII. 
 
 Ot 'HTreipwrai Kaimp eV opecrt ^wvres /cat TroAAa/cts j3dp/3apot 
 Aeyo/tevot {ITTO TWI/ TroAets OIKOWTCOV, (ftLXdvOpwiroi o/itos etcrt, wcrre 
 r/v TIS Trapa/zevg TroAAa e^et ^'KCOV ayyeAAeti/. TOVTWV 8e rtva 
 fj-erpiov TrAovrov KeKTfj^evov yrrja-e Treviys Tts TWV l/cei, ovo/^art 
 Tdpvos, rpiaKovra. /x,vas Savei(rat, et Se //.^, ev (f>vXa.Kfj Seiv yevecrdai 
 a>s OVK aTToStSovTO. 6 8e etSws ^evS^ re ovra TOV To/avov /cat 
 d/oyov O^K r/'^eAe, Sta TroAAas ^XXCTKWV /c/ov^tas acrt'as ov /JovAecr^at 
 8pai/ a airet. 6 Se Topvos ecr^erAta^e /cat Stii/a e^-otetro, ws 
 6avfJLa(TToi> ov et ^ei/ot? ^ev TroAAois Savet^et c/>i'A(j) Se /i^. 6 8e 
 aTre/cptyaro 6Vt et Savetcrat ras //.vas, eTret /catpos yevotro (XTTO- 
 Sowai, d^tot av IKCIVOS ftTjva eYepov Treptjuei/etv StaAtTroj/ra 8e 
 TOO~O{ITOV xpovov ouSe Tore eroijuov ecrecr^at, WCTTC 
 /j^Y/KeTi, c/>tAovs efvat dAAa f^Opovs yevecr^at. et Se TOUTO 
 e^et, ec/)^, Kpei<rcrov iroXv ^yovf^at, (j>ddcrai e^^pos yevo/ievos Trpti/ 
 Tptd/covra p;vas (XTroAecrai. 
 
 LXXXIV. 
 
 'Ev Svpa/covo-ats dproTrwA^s TIS ?yv os /cAeos etX ev ^ s ""Aa/covv- 
 ras Oavfjiaa-Tovs Trotwv, wcrre 'Ap^tas TIS TTOI^T^S wv TWV avro&ev, 
 os Trept TravTOtwv 7rpayyu,aTcov cTrotei //.eAos TI o"weypa^ev ets TOVS 
 TrAa/cowras, do-TetoraTOV ov /cat Tots TroAmus TTCIVV apecrKov. 
 ^'o-^r/ Se /cat 6 apTOirwAiys et VTTO 'Ap^iov vp-veirai, 7ret 8e ou TrdVu 
 avrti) TO, K0fj,\fa Tavra TO. e/c TOV /teAovs, Toiaimx eyary- 
 t'va 6 TTOWJT^S pvaAAov yeAotos yevotTO. 7rot^o-as yap 
 TrAa/cowTa apto-TOV, Seov CTTI (3i/3X<p OTTT^V, T$ 'Ap^tov /xeAet 
 
 D
 
 50 KEY TO CREEK PROSE COMPOSITION. [Part II. 
 
 6 8f <ayd)v cr<f>68pa rjSero' CTTCI Se TeAeuraJv TO ea/urov yueAos evptv 
 VTTOKifj.vov, fJLiKpov TI Kal ^a.\iraLve' 7r/3ocreA#a>v oSv T< dpTO- 
 TrwA.77 KCU xpovov nva StaXeyo/icvos TJptro TI TTJV irotrjTiKrjv vfiptc 
 6 8 OuScis yap, c^>7y, a/ze^Mr/^Teiv Suvarai /*^ ou StKaia l/i 
 Trpaai' a~v ftev yap /xeAos eiri TOUS (fiovs TrAa/couvras erroi'eis, eyw 
 
 LXXXV. 
 
 AvSos TIS TroTe, ov KaTfAiTTCv 6 Tra-rijp OVK fyovTa oiroOev rpo- 
 f3ovXev<re Ayorwv TIVI A6x<> Jrpoo'xwpetv etSws ouv ev 
 irpoo-fXOwv ITTCI eSe^avro ere Tt ySovAo/xcvos ^A^e. 
 01 Se aurOofievoi avrov ur^vpov re 6Vra TW <rw/iTt xat dyx i/VOV1 ' 
 {rvve^wpr^rav oxrTe Is T^V o*vvovo-tav 8exo"^' <ii' trporepov 
 <ro<f>fa<s Tt KAe^as SrjXuxry tTrtcrT^/iwv wi'. lAeyov o?v ye<apyov 
 Tiva Trapa T^V vAiyv ^8ovv waxewiv /^eAAeiv Tg wrepcuci ayeiv, 
 (So-re KaAws Tra/Dacrxeiv ci ^eAot T^V Te^ 1 ^? 1 ' <fxtvepia(rai. 'AvacrTas 
 oui/ TT/OW T^S v<rTepauL<s Kal Xa/3ibv fp,/3dSa Tiva KaA^v ^v OIKOI 
 Ty 6S tdrjKe y ievai 1/x.eAAev iy )8ovs* eai>rov fie Sev8pov 
 d/ro/cpv^as Taxews TOV yewpyov eiSe /tcTa T^S jSoos 77/300*- 
 e^a/ievos 8 T^V /ij8aSa KCI/ACVT/V /caTeAiTre ws 
 o^crav Kal ouSevos d^iav. 7rci8^ Se iraprjXOe, dvaXa/3(av 6 
 T^V ffj./3d8a Kal ffpaxyrepa 6o^5 8t' dypou Tpf\<av avdis 
 (v TTJ 68^>. 6 Se aypoiKO? iwv Kat T^V fTcpav fp./3dSa ISflv 
 oio/ievos, (XTreSpa/ic T^V irpoTepav evpr)(T(av' fv 8 TOUT^) aTrrjyaye 
 6 Maorpos T^I/ fiovv. 
 
 LXXXVI. 
 
 "AAAorc Se 6 MOO-T/JOS TTTTTOV KAI^as ex p.&rov TOV OTpaTOTreSov 
 TWV Aa/ceSai/ioviwv, dAors S two cnpaTKOTiov omves TOV iinrov 
 dveyvwcrav
 
 Part II.] EXERCISES. 51 
 
 OUTW ToA/^pws e/cAei/'e /mAAov o/iws fdavpafev el IK p;rwv TO<TOV- 
 TWV dvSpwv rrjv Xeiav fSvvrjdr) a7ro<epe<7$at. wrecr^ero ouV TW 
 Maorpw TTJS ?7/uas TI dc^cretv ?}v S^Aoi OTTWS eSpao-e. 6 Se aTre- 
 Kpivaro epyw p^ov ^ Aoyots S^Awo-eiv, Kal ITTCI ^wyecrav e 
 OTTOU TO Trpay/M lyej/ero, 2KO7ret S^, e^* wSe i/ TOIS 
 e^oirov, evXafiovfj.evo'S wcrre Aa^etv TOUS (j>v\aKas fj,rj8e ^ 
 yefyxu TOUS Ire/oovs. e/cet Se ^v 6 tTnros ov IjU.eAAoi' /cAe^cu, 
 8e Is TOVTO dyaywv TOU ret^ovs Kat p^Stws TTWS VTrepftas wSe aTre- 
 v. Tavra Se eiVwv a/xa re <' tWov ava7rrjS^(ras os 
 </)^ao-e aTroi^o/itvos ?r/3tv lAeiv rtva TWV 
 
 LXXXVII. 
 
 Ap/cros rts VTTO "Ii'Sov drjpevTOV TO^evdeis, eVet Sifppdyi] rj 
 . Trecrwv otKTpoTara (iSu/Dero, &cnrfp Av/cos Tretvwv. 6 8 
 
 Olf]p.VTr]<S /3eAOS ftV OVKfTL d^K TTpO(T\0<J)V 8e TOtttSe cAe^C' 
 
 ^12 dpKTf icrdi Ka/cos wv dAAa ^ dvSpetos a>s TrpocrTroieF. t yap 
 rjcrOa, Kaprepuv av eSrjXovs ovSe e/cAaies ai/ KCU e^aAaKt^ov 
 oxTTrep ypavs* TroAe^uta /zev yap oicrda OVTOL ra ^/ierepa c^i/^, TOUS 
 8e Trapa crot TrpWTOV dStK^o'avTas' r/fj^wv Se urxypOT(p(i)i> yevo/^evwv, 
 Aav^dveis TreptTpe^wv T^V vA^v /cat TOUS \oLpovs /cAeTTTtov ra)s 
 S' av Kat vw xotpeta av TU^O'S ev yacrTpi t^wv. t /txev yap crv 
 s, KapTep7jo-as av tos dya^os dvr)p aTreOavov' <rv 8e (5 Vav 
 ^ets /cat p,aAa/ct^o^evos TOUS 
 
 LXXXVIII. 
 
 'HTreipamjs 7rAouo"ta>TaTos //.ev wv TOU TrAot/rou 
 ou p,aAAov TWV eTepwv TotouTwv ctw^ws TOIS Treveo'Tepots 
 Souvat, lyvw TTOT 6Vt TWV dypot'/ccov Ttvt TWV fuo-dov eaury yewp-
 
 52 KEY TO GREEK PROSE COMPOSITION. [Part II. 
 
 yovirwv Trais peXXot yevr$at. axrre <f>iXikov TI eSoKtt, SpdVeiv, 
 cirel TTCV^S rjv 6 dvyp xat TroAAovs c?x e vai8a^ T)V Trap' avrov 
 A$tuv eprjTai 7ra>s apa Trpdcrcret rj yvvrf. d<j>iKo/j.evov 8e StSi'/xovs 
 e<?7 yeyovevai 6 aypoi/cos ware a^-o/aeiv OTTO^CV TOCTOVTOVS Opei^r] 
 OVTW <^>avXov dpyvpiov /xe/itcr^w/tevos. 6 8e 'A^oAtos, 'AAA' 5 
 ^>iAe, ^>iy, otKTeipw f*i/ o-e TToAu* fj.fp.vrj<TO fjievrot TOVS Oeovs, 
 OTTOTCLV TratSas av^pajTrots Sakri, SiSovras dei /cai OTTO^CV 0pf\fov(ri. 
 6pvXov<ri yap ravr^v n)v Trapot/uai/ Trept Trat'Scov 04 'HTrctpwrat. 
 Haw /xev ovi/, T^ 8' os, 5 fieyuTTf. 'AOoXie' SOKOVCTI /ACVTOI /iot ecr^ 
 ore ayyeAov a<f>pova Tre/xTreiv, os d/xapravwv aAAocre /zev TOVS 
 iraiSas aAAoae 8e TTJV rpo<$>r)v c^epeu -yeAao-as 8e 6 'A$oAios T]/ 
 iwrepata jSouv erre/i^e T^J av^ptuTT^), ws Trap' eavrov 
 
 LXXXIX. 
 
 2oAt/tavy TTOTC 'PtxapSov TOV ySacriAews, ei TTWS 
 TO icpov (rijfw. lAoi oVcp vn-o TWV MwvAa/ua>v caAw, ^yavdtKTet 
 e/ceivos yvovs Kai (ftavXov Ao^ov rwi' TroAe/iicov TroAu TrAeiovas TWV 
 Swa/zevov Ka.6urTa.vai. (3ovXfva-dp.evos ofiv 
 o-re <f>6f3ov wape^fiv rots TroAe/xtots. Is 
 <f>vyrjv yap TTOTC TpeTrovros TOU Pix^pSov //.era dAtywv TIVWV 
 TroAAous TWV MvcrvAa/uwv, Tre/i^as 6 SoAt/xavrjs ayyeAov ItfeAewe 
 KaAAtcrrov TTTTTOV StSovra rp /3ao-iAet, Aeyeiv rotaSe' 5 /3ao-iAeu, 
 Kawrep TroAep-tos wv 6 SoAtuavr/s a^^erai op;ws et ovrws dya^ov 
 aVSpa TTf^y 8ei 4v TOQ-OVTOIS TroAepuois tivai. Ae^avros 8e eSe^aro 
 TO 8a5pov e/ceivos, KAewas apxn xatpeiv Aeyetv TOV 2oAip;av^v Kai 
 \o.piv dvTaTToSovi/ai. UTTOTTTeucras Se p;^ SoAos TIS 
 Tiva T^) TTTTT^) fTTfdrjKf 6 Se yvovs 40^/xevov 
 Trpos TOV SecrTroTv^v ev^us dVeSpap-c. Kai e^aA 
 6 2oAip,dvr^s 7rei yo~^TO o^o^wTepov ovTa TOV /3ao~iAea ^ wore
 
 Part II.] EXERCISES. 53 
 
 XC. 
 
 Ilepi Be Tt/xwvos TOV 'A.OrjvaLov TIS ovx lirvOeTO, os ovrw 
 r\v TTJV Sidvoiav axrre dei eKewre et^otra OTTOV [j.r)8evl /ie 
 (rwAAoyous aTravras KCU trv^dSovs TWI/ iroAiraji/ aT 
 vl 8e /tova) ISo/cet 6/uAav ffSe^dai, r^5 'AAxi^taSg' 
 cpop-evov Se TOD Sta rt ourw (j>iXfi avrov, OCTWV TroAAwv ev ry iroAei 
 a/zetvovwv, Si' avro f<>7 rorro dpecrKctv, on o^Se TroAAwv /caxtUv 
 
 TOtS 'A^VttlOlS diTiOV &TOfJ.VOV. 
 
 dAAore 8e p.6vo<s fj-era <i'Aou TIVOS Aeyo^evou SeiTrvwv, 7ret 
 apuTTd yv TO. re oi/'a Kai 6 oTvos, 7raivowTos CKCtvov Trdvra a>s 
 ^8u ov OUTW rriao-$a^ Kai ^Siov av Tyv, <^iy, crou (XTTOI'TOS. 
 
 dAAore Se /xoi/ov Trapa da\d(rary d\u>[j.evov TJKWV TIS yvw/n/zos 
 O, Kai tjpero ei TI (3ov\oiTO 'AOrjvdfc (frfpearOai' 6 Se 
 Tos <5 OvSev jraVu, e^r;, ei /i^ r^v (n)v /ce^dAi^v wro 
 
 O-K7J1TTOV.
 
 PART III. 
 XCI. 
 
 Ot 8e Trporepov ^vfj.p,a^oi ovres 2a/mTai /cat Aovxavoi 
 
 ISeavTO, ourc, Kaiirep w^eXetas Trap' aurou 
 oTroOfv dpyvpiov avrtp iropiowri, d/i7?x avot ^ ovres, ovSe ei 
 ov ws dA^^ws 6fjt,o<f>povovvTi. ovT(a TOLVVV airoptav 
 a)S ex Pijyiov irapa AOK/JOUS cts Tcxpavrov TrapeTrXei, Tret^wrtoi' 
 Tti/wv TWV 7T6/36 lavTov TO Hepcreffrovijs lepbv forvXrjo-e. iroXv 8c 
 dpyvpiov, kv rots KaTto) ot/c^/xacrt dvapiOfia rj&r} err) optapvyfj-fvov, 
 oirep ovSeis TTCO dvOpunrtav eSvvaro iSetv, Xa^Swv ia-edr]Kv es ras 
 vaus t'j'a eis Td/aavrov Kara 0aA.a(nrav KO[IIOI. ^et/iwvos Se yevo- 
 at v^es /AV a7rwA.oi/TO TO 8e dpyvpiov Is Ao/cpovs eflvc\6ri. 
 6 TLvppos a^^is s TOV T^S $eas vewv KeAewras 
 l^ixrev avry (is Travo-wv TOV x^Xov, d>s Se ov8afwv 
 <f>dvi) Seap,evr) TTJV dvcriav, aTTCKTeive /u,ev TOUS TrciVavTas o~vA^crai, 
 T/oets ovTas avSpas* e^errA^oxreTO Se /cat TOTC <^oj8ou/jtvos act /*>) 17 
 ^?ea ITI opyifapfvi) StWKei, WQ-TC T^V crT/JaTiav ijoxrw/iev^i/ diro- 
 
 XCIL 
 
 'Ev 8 Tovry K <f>avXr)<s aiTtas yevo/ienys OTao-ews, p-tyuna. av 
 
 7 TroAts ei /A^ TU^^ TivJ eorw^r^. KeAewravTos yap TOU 
 v Ao^ov Iva TWV Iv 'Ocm'ois s TroAiv cA^eti', Ao^ayos 
 3>dpios, <p eiprjTO oTrAa 7ra/>a(rKvacrai, tva rj<rv\a.iTpov IKTE- 
 
 VVKTOS
 
 Part III.] EXERCISES. 55 
 
 ras tt/xaas ewre d^e Is TO crrparoTreSov //.era TWV oVAwi/ ayeo-#ar 
 yvoVres Se ot (TTpanwrai on fj^rj^avaTat n ov8e SrjXoL oi5Sets TI 
 
 fiovXfVfTdl, O(T(p fiaXXoV (KpVTTT TOCrOVTO) VTTW1TTVOV Tl K.O.KOV. 
 
 ol fi^v yap TOUS SovXovs effracrav OTrXifccrOai, 7rt ry aTTOKretvat TOV 
 rvpavvov, TOVS Se Ao^ayovs awrovs TO, reXy vXXrj\f/ea-@a.t' ol Se 
 OVT<J>S f/JLe6ixr6r)<rav wcrre ovSev ^wievre? Travra ftaXXov erdpaa-a-ov. 
 reAo? Se 01 IK TWV Ao^wv TOWS KwAvovras aTroKreivavres /cat 
 Aa/?ovres ra 6V Aa es ra /?ao-tAeta 8p6fj.(a e^e 
 
 XCIII. 
 
 Se d.6vfj.ws TWV TroAtrwv Kat Suo-^epws StaKei/^evwi/, ot 
 Travres IK T^S TroAews ovres TrAijv rtvwv TWV Trept TOV 
 , OVK e^acrav ets T^V a/cpo7roAti/ ^eAeiv etcreA^ovres ra 
 iSetv KaOaipov/j-eva. on Se 6 ap^wv aurwv iTriKaAov/Aevwv 
 porjOrjcroiv, aAAa re TroAAa Kat otKtav irpocts rots iroAe/itois, 
 T^V lain^ou o-wrijpt'av ^poTtya^o-as wcrre TW S^/i^> kira.pKf.lv, 
 ovSev l^povrt^ov, ato-^/aoKepSeis S^ ovres Kat TOU KOIVOU 
 oAtywpoui'Tes. yvovs Se 6 ap^tav on 8vo"^fpaivovo~L } TWV O~TTOV- 
 Saiorepuv Ttvas lKeAevo-e (^reii/ OTTOQ-OI /SovXovrai, TWV iStcov 
 TravTWs a/xeAouvres, Trpo6v[JL<D<s lo-eA^ovres eavry uyKiv8wevetv, 
 Iv vy e^wv r^v jtxr) iKavot 5(rtv dfjivveo-dat,, IK TOW irXrjo-iov ^w/Dtwv 
 aAAovs fMTaTreft^curdai. irvOo^v^ ovv TroAAot It^atvovro TWV 
 jrepl NtKiav ^eAovres /^ev eiVeA^eti', TrpoTepov 8e elSevai a 
 TOV o-T/3ar^yov O,TI ^pjjo-erat lavTois* OXTTC eKKArjo-tas 
 7rao-ti/ l^ayyeAAerat oio) Iv KivSww etcrtv, iVa <^^ao-cocrt 817 Tre/ai 
 re Kai TWV ^pr^/xaTWi' ySovAc.vcrai'Tes Trptv Trapeivat TOVS 
 
 XCIV. 
 
 '0 Se AeKe/iJaAos aAAo rt /iTj^avarai rotovSe' Aoyyivov yap 
 A^) Xaf3(bv TWV irp(oT<av TWO. Pw/tatajv S^Aaxrat iKeAeaxre O,TI
 
 56 KEY TO GREEK PROSE COMPOSITION. [Part III. 
 
 Siacoemu 6 crr/xmjyos' a>s 8e ov/c ^eXc, 6a.vfia.o-as e/ceivos u>s 
 avSpeids eori, KCU auros yevvatos a>v, TWV fj.ev Seoyiwv OTreAwe, 
 ofj.r]pov 8e Kare^cov elprjvrjv fjtywrev dvrt TOVTOU eVi /caAois 
 iroieicrdai. TOV Se T/aaiavou ovSev craves a.TroKpiva.p.fi'ov, ware (j.r) 
 TOV SeSe/xevov, yvov? 6 Aoyyivos aTropoiJVTa aurov 
 Stevoeiro CKOVCTICOS ^avwv Kai aTrcAev^epov Ttva a>s 
 Tpatavov 7re/x,^as, ws rt StaAAayy TWV crT/jarTjywv, Xddpa 
 e/ceAewev ctTreiv ort 8eot a>s TrpoOvfJiOTara StaTroAe/iiJcrai. aTreA^dv/- 
 TOS Se TOU ayyeAov (f)dpfJLaKov TI 7rapCTKvao-/j(.vos KareTriev. as 
 8e ya-$TO lyTraTiy/ievos 6 AeK/3aAos, aTroSovvat rj^iaxrc TOV avSpa, 
 a>s TOV Te^vewra dvTiSaxrwv o 5e Tpalavos 8e6vov 7roteiTO ei TOV 
 TOV ve/(/)o{3 avTa/xet^ei' WCTTC ^fJuipTev exeivos 
 
 xcv. 
 
 'Eiret Se T Tr 
 
 fiovXfj ei50vs eSo^e TOV Ilairtpiov av^is ijyefidva 
 dvojitao-^^vai ISet TOV rjyefMva VTTO TOV eTe/Dov TWV VTraTwv, ovSe 
 TOV Ma/3/aov ^8ei ouScis O,TI TTOTC Treirovdev, Trpeo-/3ei<s CTre/i^av es 
 
 'ET/30V/3l'aV 7T/DOS TOV ^d^SlOV, 0?TiVS d^tOXTOlXTtV (XUTOV TOUTO 
 
 8/oao-ai. 6 Sc T< HaTTipiy IX^POS eTvyxavev wv, l/ie/x,v^TO yap 8^ 
 vw' l/cetvov TTOTe aTrapatT^Ttus xaAtn-atvovTOS o-^eSov aTroAdyutvos. 
 Siot TawTa TOtvvv Is T^V irpeo-fiftav TOVS TTCIVV ^SovAcvras 
 
 OlS TOVTCOV OVX i^O'O'OV TTCtO-OVTWV ttVTOV TOU T^S ^SouA^S 
 
 jtiaTOS, OXTTC c/ceivots /cuiTTCp StxT^epatvovTa /t^ dvTio-T^vai. 6 Se 
 rou TC ^(^tcr/taTOS dvayiyvaxTKO/xevov ^KOVC /cat TWV /?ovAevTwv 
 Trci0o-0ai' ovoev Se owe Adyy a.TroKpivd{j.evo<s OVTC o^et, 
 ev9v$ TOV o~we8piov, dvao"Tas Se /ieo^s VVKTO'S tuvo- 
 KaTa TO eico^os TOV Hcwri/tuov eTraivovvTWv Se avTov TWJ' 
 7rpeo-^8ea>v ws eS Sp^l T^? dpy^s OVTW KpaT^aas, o-tyg aS^i? r]/cove 
 Kai ouSev dvTeiTTtov
 
 Part III.] EXERCISES. 57 
 
 XCVL 
 
 8e Ty fid^y, ^ Ma/oyapmj e^vye /^era TOV TratSos 
 els V\TIV Ttva, v y KpvTTTecrdai eireipaTO wo-re /x?) a7ro#aviv. 
 cncoreiv^s 8e oucnys r>Js VVKTOS, a>s Ararat 7rt#e/xevoi TOV x/ otX7 'ov 
 yvovcra OVTO> <T(j>68pa a/A<^>t(r/?^TOWTas avrovs TI'S TO 
 t, worre /^Tj/cert Karavoeti/ o,rt fy>, Aa/Joucra TOV 
 Kaipvv ets TTJV TuArjv Kare^vye. evTavda 8e eTreiSi) Tretvaxra Kac 
 a.Treip-r)Kvia TOQ-OVTOV eTrAavaTO WO-TC KOTTW ^o-o-w/iev?/ ^/xeAAc 
 a7roAr$at, Xrjarrrjv l^at^vrys eiSe /*Ta t<ovs Trpocriovra, Kal OVK 
 e^ovcra OTTCDS <j>vyot, e/JovAeixrci. a^iow awov oiKTeipai' 
 w/Doo'fA^ov'o-a /cat OTTWS ex l 8^Aoxrao-a, TOV TraiSa e<^) 
 avTip, Trarpos ovra ^acriAews. 6 Se ^av/xacras tos OTI Stiv^ irpdy- 
 /xi) /xovov d(f>et(rdai, wcrTt /ATjSev dSixetv dAAa xai 
 OVS TroAe/uovs KeoAvcrciv. TOVTOV o5v w^>eAovvTOs 
 /xev Tiva TroAw ev Tg vAy iCTW^eTO, TeAos Se evpowa Kaipov 
 ets FaAAi'av aTTtc^vye, inr<xr\op,evr] et TTOTC Bwafjav XafioL fj p-r^v 
 
 XCVII. 
 
 Twv Se o-T/oaTOTreSwv KaTa TO TOTC ftw^o? T/oets /x<xAto-Ta 
 
 6 Se o~T/)aT^yos Trpoo-^Aawe OTTCOS TOVS Pw/taious 
 yvovs Se irAeiovs TC yevojuevovs Kai eTt/Jws TTWS aAAo T6 IITTOTTTWS 
 TOVS fiev OTrAtTas dvTjyaye, lu-Treas 8e Tivas 
 TO yiyvo/xevov. TWV 8e Pw/xat'cov TT/OOS 
 
 Sia p.a.Kpov Trepiyfa-av ol tTnreis, a>s o-Ke^ 
 TC 6 fjiei^ov apa yeyev^Tat, /cat a/xa. TOWS Stecnrap/xevovs 
 A^^o/xevot. TO?S 8e c5Se /iovov ISryAovYo TO Trpay^a' Aeyovo-t yap 
 TT)V era Any ya, T] IKCCO-T^ at t TI Seot Trpag
 
 58 KEY TO GREEK PROSE COMPOSITION. [Part III. 
 
 815 Sc Trapa r$ 
 
 Sxrre yvous 6 'AcrSpu/JaAos OTI afj,<f><o irdpeuriv ol o-TpaTrjyol ov8e 
 ofos T* &v uvivai OTTOS 877 6 Nepwv fKirf<J>evye TOV 'Avvi/3aAov, 
 dAAa Seiicras /M^ rot lo-^ara Tra^awi, Troppwre/DW wro^wpeiv e^Sov- 
 Aevo-f Kai ra Trvpa d.Trocr/3ffras TO o~TpaTt'U/ia a/xa 
 7ri TOU TrorafjLov dr 
 
 XCVIII. 
 
 'Es (frvyrjv o?v KaraoTavrcs 01 /lev as eKaoros otx^a rt 1801 
 ov ravra 8e ^vAtva ovra as Ivrt TO TroAv Ta^ccos T^TTTCTO' 
 01 8 es icpa, aAAoi 8c OVK oAiyot fiyovp.evtov icpewv TIVWV TOUS 
 /icyaAovs Trvpyovs KaTecrxov. Aoyos 8 v*v, a>s cip^Tai, OTI ^v TI 
 TOU TCIXOVS Ka6aipf6rj, 6 Oebs fJ-fya pevfw. eK^eas aTroAci TOUS 
 TToAc/ziovs. 01 8c Trei^o/ievoi, fioyis dvaoTrao-avTes TI TWV Ai^cov, as 
 KOVIS dAA' ovx v8<op aTreppei, ouSe efiorjOow Srj ovSev TOIS 8o- 
 fievots 01 ^eoi,,dveA7Tio'TOi o5v OVTCS s Tas ^vAivas eTraA^eis Tas 
 VTrep TOU icpou (ruveSpafiov. evrevdev 8e XiOovs /cai aKovTia KOI 
 Trup<f>6povs ourrous KaTappiTTTOvres TOVS TroAe/iiovs fTreiptavro a7r<o- 
 ^eiv, OKTTe /i^ r)v fJLeydXrjv xAi/iaKa dva/J^vai- 17 Se 8ia IKOTOV xai 
 f*K(xri fidOptav c^r 5 aKpav TTJV Trvpa/ii'Sa dve<^>epe. 01 8e (is crio>;/<as 
 ?X ol/Te S T ^5 Kwas (iAiywpow TOU Trupos, avaAa/3ovres Se TOUS diirTous 
 T^V 7raAiv ^av, OKTTC ^uAivr; ou<ra Ta^ews Ka.TeKa.v6r). o/os 
 8c ITI avTCi^ov 01 ru)^ev, ouSe e^ov 817 o-w^vat cvSoucriv ouSeis 
 fjOeXc irXyv Ivos fwvov ol fifv yap IK rijs 
 01 8c Trvpi /x7rpyo-^VTes TrdvTcs aTrw 
 
 XCIX. 
 
 Tovrtov 8 d(f>iKOfj.fv(av, -qyovjj^vov TOV Newvos, os ou 
 TWV Xiwv yv(afj.rjv T Kal dptTryv, fOdpo-ovv avdis oi o-TpaTia)Tai.
 
 Part III.] EXERCISES. 59 
 
 6 8f cv$vs Trapayevo/tevos TOV Ni/aW eTreiQtv &v Sttvociro /xera- 
 o-Tavra p.eiovi ry oWa/xti T< o-TpaTO7reS<> TWV TroAe/xicov jrpoo-/?a- 
 Aeu/. OUTOS Se TOTC //.ey i^cru^a^etv $TO Seiv, Kai ^cro-wv Sr) wi/ 77 
 OXTTC e ta-ov /ia^ecr^ai, a>s /cai Trporepov SeS^Awrat, Teix to ""A tV ' 5 
 TO ^(iipiov KadfeTO a>s e/ceivovs, ^v ITTIOKTIV, V7ro8eo/j.vos. vvv 
 8e TroXv 8rj 7repie(7Tr/ TO Trpayyua' eTTiyevoyaevwv ya/3 TWV Xiwv /cat 
 dmxKTOWTOs Tovo~T/DaTou TWV Aa/ceSat/iovtcov ou/ceTt op,oi(as TJcrcrovfs 
 tf<rav. ^TrwTTaTO S S?) TOVS /ACV eTTiovTas /cav Sctt'os ^ 6 KIV- 
 
 Ol'vOS OVT(J) TTpoOv/JLOVS KO.I ToX/Ji^pOV^ (j)pOfJ.VOlS WCTT Kttt TToAv 
 
 TrAetovwv Kpa-njfrai.' ofs 8' civ Trapa yvwju^v TI? Trpoo-^SaAy TOUTOVS 
 ou^ ^Q-Q-OV CKTrAayevTas Kai o-^eSoi/ Tt TT/DIV o-vfJLfJii^ai, viKW/xevovs. 
 Aoywra/ievos Kairre/) euAa^s wv crvvf^prjcrev WCTT 
 . eSo^e Se ev^vs /xeTa Ta "Icr^/xta lirievai, as aarpoa-8o- 
 
 c. 
 
 '0 Se ayyeAov Trpos TroAtv Tre/x^as a ev val e^et ^yyeiAe, 
 
 Trporepov /ACV yap Sia, TWV Ktyu,tvia)v optov Tre/ji\l/e Trewo/zevov TC 
 TO, exeldev Kal TWV Ovpfipiiav Tivas ^v l'vt]Tai TrewrovTa WCTTC 
 avp.fjid'xovs crffiicrt, yevftrdai. 6 Se vo"Kvao~a5 tavTov 0)5 Troi^eva, 
 eiret avTo? TC Ty TvppTjvwv yAaxro-y I^/J^TO /cat SovAov eva 
 7rapeAa/3e (Lo-airrws \pw[i.vov, os ex TratSos a-vveredpairTO aiJTw, 
 Std T>}S Tvppryvt'Sos 8^ ^XP L Kap:epTrjs T^s Ovfj.(3pia<s (/caAowo-i 8e 
 Tepot Ka/ieptvov) d^tKCTO, Trepa TWV 'ATrevvivwv Trpos /?opeav 
 /ceijaev^s. ot Se do-juevws Se^d/xevoi dyyetAat i^^iow T$ o-Tpar^yw, 
 ^v TrpotreXdy, Trav8r]fjLel Trpoa-^wpi/jcretv Kal 8ia /zijvos oAou Tropieiv 
 TO" 7riT7j8eia. T^KOVTOS oSv xai TOtairra aTrayyetAavTO?, a.vaOapa~if- 
 cras 6 ^df3io<s (f>6dcrai 8eiv yeTO irpd^avra a StavoetTat, UT 
 87) /zr) 17 /?ovA^, eav fieXXT/ja-y, aTreiTry /xiy TOiauTa T 
 KtvSwewat.
 
 60 KEY TO GREEK PROSE COMPOSITION. [Part III. 
 
 CI. 
 
 Twv Se'Pw/xatcov *cai Acmvtov OUTCDS evdvTtov eorpaTOTreScv/zlv 
 
 oi orpaTJjyoi u>s p.a.Xurra p.r)Ofva ei/cr^ 
 e KCIT' avSpa TOIS TroAe/uots o~vp.ftaXf.lv. TOUTO 8 eiroir 
 tva JUT) eiK^ cru/iywavTes rapa^Oeiev, ejrei d/i<^>OTepoi o/xotoi 7y(rav 
 yXdxrcrr) re Kai oTrAots, KCU KTWS Kai jSovXo/xcvoi /tr^Kert TOIS 
 AaTivcus (ruyyevecrdai, iva p-rjre e/cctvos r^v vjrdp^ovcrav Svvap.iv 
 TTvdotVTO, p.7)T ol OT/>aTta>Tai XT}? 7r/3OTpas <iA.ias dvaynvTjo-^cvTCS 
 <f>povTiouv Trorepov ITT* d^td^pea) acrtot TroXe/ioucri. evrau^a 8c 
 TtVos MavAtos o TOU (TTpaTrjyov, TrpoKaXov/j-fvov Fe/iivov TOV 
 Toixr/caAavov, oAiywpwv TOU eiprjiAevov es ^eipas yevo/xevos cwreK- 
 
 TCIV. WS S CVtK^(T, T^KtoV f S TO (TTpaTOTrfSoV TO. CTKvAtt TTttpa TOV 
 
 irarepa KarfdrjKf 6 Sc diroTpfTrop-evos nal onryKaAecras es p.&rov TO 
 <TT/)aTO7re8ov TOUS orpaTtwras, TTOVTCUV 7rapovT<av exeAeuo-ev CITTOK- 
 Tivcu TOV vtaviav. 
 
 CII. 
 
 e TWV /3ovAevrwv ^aAtTrwrepov l/?oi5AovTO 7rpaar 
 Se Tts KaAetras TOUS Trpeo-jSei? TOJV n/)i<^pvaTt3v, otTtve? 
 <rvyyv(ap,r)v JJKOV aiTT^rovres, ^peTO Tt apa /cai a^no^s a^wi *vai 
 7ra#iv SoKowri' TWV 8e Ttvos oaroKpi.vap.kvov OTI TOiavra Sr) oia oi 
 IXevdcpoi d^tovvTes yev&rOai, Sewras o crTparrjyos p.rj ^aXeT 
 ITI /xaAAov Toiavra d/coixravTes, fat jSouAo/xevos irfipav el 
 Tepov Tt Aeowi, 'AAA' ly/iiv, <^>i/, ^v vuv o"(u^a)/iv,7roiav Set 
 elprjvr]v lATTt^eiv TO Aowrov Trpos v/wts ecrecrdai ; 
 
 oi 8e aA?j^ xai do-^KxA^ l<^ao-av, ^v ye l;ri KaAois o^i'/i^Soxri' 
 ei Sc /x^, ou Sid p.aKpov Xe\v<re<r6ai' Ivravda. oe ol p.ev avTiKpus 
 efaarav d^ccrTavai TOUS TOiauVa AeyovTas' oi Se irAetoves ovSev 
 TOIOUTOV evt^v/iouvro, /cat 6 crrpaTTjyos Trpos TOUS euyeveorciTOUs 
 TrepurTpa<jxl<i ofaep lyyus exd^^VTO, Trdvrcov axouovTiov e^ OTI oi 
 T?)S eXevOfpias ovT(o <r<fr68pa cTrt^u/iouvTes Sixatot S^ ewrt 'Pco/iatot
 
 Part III.] EXERCISES. 61 
 
 cm. 
 
 Ot 8e 'Pwp-aioi, OUTW5 ev X 10 / ''*^ diretXr)p,p.vot wnrep KOI irpo- 
 repov 6 "J'Aa/iiVtos ev 6pao-vp.fv$ TravTdVao-iv p,ev rjo-atavTO, VVKTOS 
 8e eTrtyevo/ievr/s e(riadr)<Tav p.rj Trdvrts a7roAr$at. ov8e fj.l)v Trpbs 
 TO TrtStov dva^d)peiv fffiv, eTTfi r^v OTTicrdev oSbv y TO crrevov titr- 
 ijA^ov Kart)(ov ol TToAe/xiot, oKTTe ovoev aAAo eSwavro Spav ij 
 iv T^> crTeva) crTpa.TOTreSevo'dfjLfvoi, ov TroAv aTre^ovrfi oOev lyevero rf 
 rjcrtra, CKEI aveATrio-rot Tre/31/.ievetv TI (TV/A/J^o-crat. Kparovvres ot 
 ovru> ol 2a/<.vtTai TWV TroAe^tiwv ep-evov TJO-V^OI Kal avrol ews 
 
 crovres ei Try im/DaWo VTTC/D ra 0/317 fKtfjvyeiv evdev /cat 
 f^opp-ao-Oai /3tcuws eTrt^Vo^^Tas p^Siws KwAvov. ovSe 
 6^ Too-oi)TO6 ye ovres KCU ev o-rev<J) aTr/aoo-So/c^roi Trcpi 
 
 X tv 7ra/DK^ et ^ ftpa^yv rtva xpoi'ov. wcrre reAos 
 eavrows TOIS 2a/x,vtrais. 
 
 CIV. 
 
 Se TTOTC Aox^yov, ovTTep ws o*i;o-T/3aTewra/ievos apurTov 
 QVTO. rjoei. o-T/DaTiamjv, vw Si' dyo/aas ayo/xevov TT/OOS TO epyao-TTJ- 
 piov TWV 8aveio-avTO>v, Tax^s irpoo-TJXde, Kal /lapTvpopfvos a>s 
 8va Trao-xc'j awos aTroSovs TO dpyvpiov ie\vo-e TOV avSpa' ws 8e 
 TOVTO Spdo~a<s </)tATaTOS lyeveTO Tracrt e^yeTO TOta^Ta ITI Sta- 
 Trpdo-o-eo-dai" /cat S^oata Ta Ti/uwVaTa T^S ovcrtas 7rwA^o-as ou/c 
 (77 TToAt-n^v orSeva Trepto^ecr^at Sta TO SSavto-^a6 8eo-p.wTt]V 
 ycvo/ievov, ecos avTos ex^t OTW e/co-cixret. TOUTO Se VTroo-^op-evos 
 OUTO) Kai e^eTeAet uxrre Kal T6T/3a/coo~tots Saveticras AeyeTat /cat 
 TOKOV ovSeva 7Toaas Ta T 
 
 TOtavra Se w^eAijo'as Tracrtv a/xT/3tos <tAos eyeveTO, <5o~T /cat 
 8i']p,ov TraTrjp KeK\fjo-Oai /cat Trept TOV ot/cov TOV tv d/cpo7roAei det 
 o-vvayeipto-Oai.
 
 62 KEY TO GREEK PROSE COMPOSITION. [Part III. 
 
 CV. 
 
 Ou fJLYjV dXXaL jroXXous y8r) wo/xravTas axrre aTroKTtivai 
 lavrov, ous OVK WCTO T /Jao-iXei u>s dA^^ws euvoiav l^eiv Toy S 
 , iravv dya0ov avSpa Kai irporepov irp6dvfj.ov ovra, os 
 t rtvt TVT CTT' 
 
 ourw Oapcrovvra 
 
 oua-dai SoKfiv KOI en diroKrevetv, KCU <f>avepov yevea-dai on 
 TroXXot ewrt /cat lre/)ot ^wo/ioo-avres aS^Xoi, ov^ T^O-CTOV Oapo-ovv- 
 
 TS' fTTCt 8c 8l7T/3a^aTO OKTTe KaTaKplOvjVOil, TOIOVTOS O/itoS T^) 
 
 re cr^/xaTi >cat TOIS Xoyois eSoKei efvat ofos av TIS TTCTTOI^WS p.r)8tv 
 irfuretrOat' axrre oto/xcvos CTT/DaTicoraJv Ttvas e^eXeiv /xeXXovras 
 avrov TOU KtvSvvov, d.Kpi/3f(TTaTa. eKeXftxre rypeiv TO Secr/AWT^ptov, 
 Kai <^>TjXa*cas t/cavou? aei Trapa/itveiv. yevo/iev^s Se T^S ^epas 
 
 OUS /tV (JJCTO TTWTTOTaTOVS efvai 7Tl T$ O/361 Ka.T<Trt)<TfV fvOd TjV 6 
 
 KU^XOV TOJV Se <^>vXaK(ov ^eyetpovrwv TOV avSpa TeOvrjKois ITTI 
 
 CVI. 
 
 Movos 6 MiKT^e/oios OVK l^>7^ SiapprjSrjv ovre avros Trporepov 
 ajroXci^civ TO o-TpdYev/Aa ovrc TWV lavrou oi5Seva, TT/HV d>s eiprjTO 
 es FaXXt'av o-/3(Xoiev. dvdy/c^v yap c?vai TOVTO /lev 8pao-ai 
 
 77MTTOV y OVTtt' d<^>6KO/iVOS S Kttl KaTOO*TdvTOS TOU 
 
 fjLOVO<s ws /3ao-iXea eX^wi' TrapaiT^(r(rdai WOTC aTreX^ftv, tus 
 TOU ap^ovTOS ^w^e/xevos, ct TI oocoflev 8eoi aTro^wpeiv e 
 
 T cat TOIS CTTpaTtwrais. ot Se dvTrov OTI vvv /tev otios T' 
 vvop-ws o,Tt dv /3ovXi^Tai wotciv ^v 8e v FaXXt'a Kara- 
 Xi)<f>0fj civ ov/cert 8wiyo-eo"^ai' 6 8e atTetv /iv l<^?j Setv lavrov, 
 IKCIVOV Se lourai' cra^cus 8 t8cvat, eVeiSai/ avros (KreXij TO 
 vfif3av ov8e IKCIVOV e^aTraTi^crovTa. ^v 8 Kat Tretparat ov8tv
 
 Part III.] EXERCISES. 63 
 
 TrAeov eetv, ws eavrcj) TOWS trrpaTtwras oVot av aVt'y a 
 o-ovTas' tixTTe d^iovv aVayyetAat T< re /JacriAei Kai T< ' 
 IVTOS Teoxra/oaKovra rf^pu>v ^|eii/, ei 
 Sta TroAAou 7ra/)mr$cu Kat TOVS 
 
 CVII. 
 
 'O 8e '0/D//.ovStos cra^ws ^817 tTnjyyei'AaTO ry ySacrtAct XdOpa 
 avros s 'AyyAtav lA^wv rots irpodvp.oi'i <ri>yyevr$ai' Kai ei jitfv 
 fS TV^OI fiejSovXeviAfvov, Oapcrvveiv re Kat TOWS aAAovs 
 Trpo<T')(<ap(.lv i fl Se jU^Trw Soai erot/xa efvat, /caTCUTKevcuretv 
 7]crv>(a^etv TWV Se ev TJJ X^/ 3 ? T " 7 e /?ao"iAews ^/OOVOWT 
 6'vTtv' OVK ev^vs Trcwrecr^ai. 
 
 6 Se 6eo-[j,odeT'r]<s OVK r/^eAe crvy^wpeti', oto/xevos avrov 
 CTTI TO, aSwara wp^a-dai, ovSe e^tov OTTWS TI aTr' avroG e 
 6 8e 'Op/xdvStos TOU /jiev KtvSuvov Kare^povei TO Tra.pa.Trav, as 
 Travrwv ToA/iWvrwv /nera ^av^cwrtas ocr^s acr<^aAeias es 'AyyAtav 
 eA$eiv Kat jaTjva SiaT/)t-^'ai/Tas ev ry TroAet ava^w/oetv, KatVep TOU 
 Kpo/xveAAoD ov^ ^Kwrra 8i) rore a/c/3i/3ws ^vAacro-ovTos. crvyx<o- 
 powvros 8e /3acriAea>s wcrre tevat avrov TO{;TO povov evXa/Sovvro //.r) 
 06vov Trape^oi Kat Aoyov TTOI a/Da aTroS^/xet' wcrre 
 
 a edpvXovv a>s jweAAet ST) ets Fep^avtav 7rAewecr$ai tVa 
 NeoS^/xov 05 eu Trpos ^8ao-tAea 8teKtro Svo Ao^ovs eKetV 
 
 CVIII. 
 
 Se KtvSwov /iev Aeyotxrt eveyeAao-c Kai t^pero TI apa <f)0/3ovv- 
 Tat crT/aaT^youvTos avTo Kat wrep avTtSv Kai aTro^avetv ^e- 
 AOVTOS. o Se NtKtas OVK dAoyws e^ TOU KtvSwov />ivryo-ao-^at 
 i. Tavry o~T/3aTtc3Tai, Kai rjcfy eva
 
 64 KEY TO GREEK PROSE COMPOSITION. [Part III. 
 
 tv Tg TroAet irapewai' Sxrre rws aTrovros CKCIVOU f/>#dcrat av 
 aTToAcytevot irplv fiorjOetas TVXfiv /cat a/x,a e^yem) ofa v/3pi- 
 fowrt. 6 Se Trpos Travra aTreK/Dtvaro on 6 /SacrtAevs TWV oVAwv 
 Tocravnji/ l^ei evSetav wcrre \aj3fiv avdyKyv tivai. ol 8e a avrol 
 TOU a~(f>Tfpov dpyupiov (iv^o-avro raura Trpocr^Ketv TI eavrois 
 v 6 8e ovSev Trpcxrelxev, aAAa /3j8ovXewr^ai l^>r^ d/07ra(eiv. 
 
 aTToAtTTWV OUTOV 6 NlKl'dS KOI TToXAoUS fVptoV O~vXXcyVTa<i 
 
 travra ocra SteA-eyovro' 01 8 avrciTrov, ei eKeivos /xovov 
 crvyykvoiTO, KOI oaroOavflv eroi/iot ervai wore ^8' ortow XafBfiv 
 rbv crTpa.Trjy6v /cat S^ /cai dva^Savres auroi/ TC Kai TOV 
 KarajSaAovres f 
 
 CIX. 
 
 Kai T^J /iev ap\iv ov% ^Secr^at, CTra^^es Troiov/ievos* d^ 
 8e TOTTTOU, e^eXecv rots rotaurqv TI/A^V ScSowrtv v^peretv, 
 (3apv TTOJS ^ TWV TrapovTcov rivt' eav Se TIS OVTWS lx w 
 Tr/aiv a/D^ovra irpoKrjpv^drjvaiy fv(pye<riav rjyT^a-ecrdai. ol Se Kowfj 
 tyacrav oi>x oVw? dp/ceti/ eairrois TOUTO dXXa i^Sov^v Trapex 64 " 
 [jLeyuTTrjv. 6 Se avretTrev on ci dATj^fs ?>/ oVep Aeyoicv d^tot 
 avrovs TrpoOvfJuas feat dTrpo^ourtcrTWs TWV T^S TroAews crweTTtAa- 
 {jf<rda.r AiTrapeiv S o-^oSpa, ct TI /x^ dpe<TKCi ^ avros ?} TO T^V 
 TroAiv Trapa TOU irepwiv apxovTos SiaSex&rOai, tvOvs o-at<3s 
 SijAwcrai, ws TOT /xev Acyovtri X^P LV TroXXrjv eureo-dai, wrrepov 8e 
 /teTa^eipio-avTi TO irpaypa fjv TIS OLVTurry KOI OTLOVV r/ TQ dpXO 
 dv6afj.LXXS.Tat., OVK dvcecrdar apxwv fj.fv yap OVK dKpijBoXoyr}- 
 crea-Oai, ocra 8e Ivvo/tov Kat 8i'/caiov fir) d^twcrai, ovSeva edcrctv 
 
 ol Be aTravTCS o/zoiws StKaiov ctvai eAeyov /cat Kr 
 aurot Se w^eA^creiv /zaAAov ^ T% c^ovcrta? TI dfaipeiv irfipd-
 
 Part III.] EXERCISES. 65 
 
 ex. 
 
 Ilet/DW/iev^) Se TTO.VV ^aXeirov lyevero KaTe^ctv TO \wplov, 
 TWV vrepiecmjKOTtov TroAe/uwv et Se /x^ rg re apery d.rjcra"r]Tos 
 KCU ra re TGJV $(3v KCU TTJS TroAews Iv TOIS irpdrov 
 OVK av Too-auTa KivSweveiv V7rm/, 7T6 Travra cra^ws 7r/ooa8ev, 
 ovre veos wv en owe aweros. TO^S /^ev ya/3 4V ry TroAec y'Sr; TO 
 
 ous' i Se /cat 
 
 u Setv TOU /a^ ot'ous T* eu/ai TrAetocri /xa^o/Aevoi;s a/ 
 vSe TOUS Tot STJ/XOV <j>povovvTa.<s o-T/mnwTas Sia TOO^OWOV aTre^ov 
 
 IKOS e?vat v Kaipip Tre/x^ai. ovSe lATTi'Sa S^ efvat 
 Tots ^vyKivSwewvo-t TrAijv lavrou' wore TOIS /xev tT 
 i, eTret ow/cerc Trept TrarpiSos SVVO.IVTO 
 yovv KaAws S TO crTpa,T6Vfj.a cruifecrOaL' Seiv Se eaiTov } 
 6p9ov<r6ai TI fv da-OevecrTaTrj TroAei Kaprepovvra (T(f>aXf)vai. '0 Se 
 Aa/xa^os KaiVe/3 Tot avTa SOKWV KivSwevetv, o-o^)tus /xe 
 O.TO aicTTe Aoyy povov o-TpaT^ywv eKetvo) TravTa e/)y<{) 
 \v e'etv TO 
 
 yovv 
 
 CXI. 
 
 'EvTau^a Se \povov Tiva ITTIO-XWV, ITTCI 
 fievos (f)6(3ov Trapeo-xe fi^ e;rt T^V TroAiv ST) e'A^y, KaTaAiTrwv Tt TOU 
 TTC^OV KCU TT}S TrapacrKevfjs e/ce6V(j) TrapirjKoXovOei' 6 Se yi/ot;s 
 
 Se Ixeivwv Icroppoiros eyeveTo TIS 
 (rvyypd\l/a<rt Ka6' eKao-TOV SeSTjAwTat. T<J) Se ' 
 //.ev 6 o-T/Dcmjyos, TO Se crr^^eiov laAw, o WTC/DOV e 
 U Se SrjiAOV TroAAot Kat aya^ot otTre^avov /ecu fX^<f)d^(rav. KOL 6 
 lv Ni/aas s 0ecr7rtas d(^iKTO, o Se 'iTTTrtas es Kdptv^ov o^ev 6 
 KaTeSpa/xe T^V \wpav TroAAa Sywv /cat ySAaTTTtov. 
 
 TOV 'iTTTTtaV TWV OIKO^V, ^U,T7r^l^'aTO TOV 
 
 etVwv 7re/3t T^V TroAiv Ka6r)o-0ai' e;rei Se r^ 

 
 66 KEY TO GREEK PROSE COMPOSITION. [Part III. 
 
 Traprjv 6 'Lnrias es 'EXewiva, eX0ovTes Trpfcr/Beis rives ij^iaxrav Is 
 (rvp-ftaa-iv e*X#eiv 6 Se TOV 0eov fp-apTvpero tf p,rjv a^0f(r0ai ?<' 
 o?s fTraOov, Kal fva TO, TTC/DI ei/^v^s irpaavoi es TroXtv e$eXeiv 
 as a curoucrt irvOecrOai Kal es Xoyovs e 
 
 CXII. 
 
 Tore Se (rvy/caXecras TOUS eatrrou, /cai SrjAoxras avrois o"^) irpay- 
 ILO.TI eirixeipova-i, o-a<^(os <^>^ eiSevat ort StKcuoi -yc Kai euc 
 OVTCS OVK av ovS* cirt ycvoiro <r</>aAeiev 5v yc aTra^ 
 6^ai* ov Toiwv aTTO/cveiv /X.T) ov iravra er]yeurdai TOV KivSuvov, ov 
 T6 Suvavrai <^>evyciv, OXTT e7rtxc t p^o" a *'''"es ^v Seiva Tra^axri, avrot 
 7r/ooeXo/Avot ov/c av Si/catws TOV arpaTT^yov atTicwrao-^ai. 7r/ao- 
 v yap TotauTa IX^eiv CIKOS TOUS TroAe^u'ovs, /cat Ta 
 VTT* avrwv Tra^eiv a-^as, <5o-T /zijSev SeevoVepov /i^8e fvOvfj-rj- 
 (rcurOai p.rj8fva. ov yap ayava/cTtv Seiv ^v ouaas tSaxri ^Ae- 
 yovo-as, aAA' aurovs /xaAAov ^v 8eg Ka^aTTTCtv, ovSe 7)v TOUS lavrwv 
 Syoiyxevovs opuxri Kal favepws Tf/xvo/ilvous' avc 
 
 Kat TreivwvTas Ka Tra 
 
 ouSe /ii^v Toiaura Tra^owri <f>avtpav o"(OT^ptas eivai eXiriSa, 
 aXXa KtvSvveuetv TTOVTOS /xaXXov TO Tet^wr^a ^ TO \(opiov ^vXcwr- 
 crovTas, O7TC/3 aTei^io"Tov ov ws airo TOU dvOpwrrivov ei/cacrai OUK av 
 TOO-OOTWV ye TroXe/iicov /teXXovTwv eTrtevai. 
 
 CXIII. 
 
 Ilavra oZv ovrws ^arv^a^ovTa yvovs o S^yuos, ov5e KivSwov ITI 
 ovra p.^ rt, cr<f>aXepov yevoiTO, cr<f>6Spa 8rj TOV CTTpaTfjyov eiroOfi ets 
 2/coTiav ds Trporepov KaQrjcrdai. o Se ouSev 7ra/>' eKeivwv irpoo-Be- 
 7ri T^V TroXiv eiropfvero' wore ov^ e?^ov OTTCJS ITT' 
 jteTaire/i^a/ievoi avrov au^is aTTievat KeXewiev, /i^ 
 o-uyyevo/zevot /i?y8e p,ur6bv Kal \apt.v aTroSovTes 5 
 rre/x^avres /xevToi ^tow TOUS fiev aXXous es SKOTIUV a
 
 Part III.] EXERCISES. 
 
 avrbv Se Is Trjv jroAtv IA#etv ;ui) TrAeiovas Trei/TaKoai'wj/ 
 ITTTTCWV 6 Se d<eis oVovs IKCIVOVS ^yeiTo vrpos TO, eKeure, avros 
 yet /*era oVAiTWV /cat ITTTTCWV u>s TrevTaKKr^tAtwv, TOIOVTOVS 
 ous jrwrrovs Icro/zevovs (ra<ws elSeit). a<^iKo/ievos Se 
 es 'EjSopaKov, TOV <&dpiov KareXa/Se Kare^ovra, os d(r/ieva)s eSe^aro, 
 a)S Sta TOUTO TOCTOVTOVS (rvAAe^avra Kat Aa/3ovra TO ^w/otov, iVa 
 /i^ (frOdfravTes e/cewre 01 TOV S^ov efnroS^v avT< yevoivTO 8t' 
 : AyyAias 
 
 CXIV. 
 
 IVovs Se fdavfj.a^e (j,ev 6 AafJ-/3epTrj<s, iSwv 8e TroAAw jrAetovas 
 
 6'vTas TOUS TToAe/ttovs, evret aTre^ajprycre TI T^S lavTOV (TT/oaTtas, 
 
 eTreyM^ev COCTTC es Aoyot'S !A$tv. Tretcras 5e, 
 ) SQKCLV TOV 'Pt^apSov av^ts Ka6i<rTava.i, avros Se cu 
 ' oo-wv Treidtiv Svvairo. 6 Se dvd^Tov /aev TOUTO oi/ /cat 
 
 eyvw, irporepov 8e aynetvov i^yov/tei/os TW 
 TTKTTOS irapefjitvev, ws Ta /?ao-tAews Si) ^povovvri.' OXTTC ov/c r/ 
 TOV Aoyov 8ea<rdai. tKarepiav roivvv afiOis TroXepov Trapaa-Keva- 
 OVT<OV, ato-^o/>tevos 6 Aa/A/3epT>js eVepov Ao^ov d^>eo-TWTa TT/OOS 
 TOV TroAe/Aiov, <vy]j av JU.DVOV ^TO (no^vot a>s Ta^vM Sr) e'^wi/ TOI/ 
 ?7nrov. Trypwv Se exeti/os ouS' rjcrcrct) e'^wv TTTTTOV Kai awov, KaTa- 
 Aa^Swv l^wypei, TroAAa xai Setva fJLarrjv fj.apTvp6fj.fvov MTTC diro- 
 (frvyeiv. 
 
 cxv. 
 
 '0 S ^lAtTTTros OVK e^eAwv S^ TOIS Ki TrAeov crvyytyvecr^ai, 
 TrpoTpov fj,V ovTc AtV^ivrj owe aAAov ovSeva TTpe<rf3fVTr)v TT/OOS 
 etcreSe^CTO' So^av 8e 7refJ,<f>drjvat, TTJ MeyapeTy tTTicrToA^v 
 v, a>s t/cetvov /iev i^Sews Se^eTai, TOIS 6"e aAAois ovSev eirt- 
 Ti/xvjcrei. OTI 8e OUK avev /avSwou dc^tKCTO, o-ry/xeiov ITI Kai vuv 
 l^o/iev crvyy/aa^v Ttva 6avfj.ao-Trjv, rjv lypa^av TOJV TTC/DI A.lo-^[vrj 
 Ttves, T^> lavTOU eKaaTOS aifj.aTi xp77cra/vot. evTau^a yap
 
 68 KEY TO GREEK PROSE COMPOSITION. [Part III. 
 
 iJyyv'tovTO ?j /wyv ewrep dyaOoi ye curt icat Trio-rot, -ijv TL ira.6rj 
 a.7ro8rjfj.(av 6 ayyeAos, StKrjv Xijif/ecrOai iKavrjv fire irapa. 3?iX<i>v8ov 
 eire aAAou OTOVOVV 5s av afrios yei^Tai. ofrros yap rots e/cet 
 Travros fiaXXov (38eXvpbs ^>aivcTO e'vai. wore ravr^v T^V 
 crvyyparf>r)v ypa^avrcs eTrra TWV TTCIKU TroXtrcuv, orrtve? va-repov 
 TT/s r^s TroAews crxeSov aTraj^es Xafnrpol lyci'ovTO, ?ra/3a 
 Aiorx'vov ywat/ca Kare^cvro, /xeAXovcrav 8^ as etxos 
 /iaAAov ry ye Totovnp rj TrfirvcrfJLfvrjv 6ap<rrj(ra.i. 
 
 CXVI. 
 
 Tavrrjv o5f TT^V crr/rarei'di/ iroAAo) ^(rcroves eyevovro ry 
 01 AaKcSat/zovtoi, oxrre T^V ^ye/zovi'av ovKfri r]iovv e^eiv 
 ToS /ieAAovros ^wayetr^at crrparev/iaTos, ovSc aAAws ovSa/iws 
 Trpwreveiv aAAa Trpfcrftet^ IK re AaKtSat/tovos irffj.if'avres KOI CK 
 Trourwv TWV ^v/z/ta^wv TrdAewv Is 'A#i/vas, l^eAeiv e^curav CKCIVOW; 
 vava.p-)(fiv e<f>' yre avrot Kara y^v <rTpa.Tr)y^crova-i. Tavrrjv 8* 
 TTJV ^vfifiaxTiv Kairrfp d.fji<f>oTGp(av aiav SoKovcrav eu/ai, TOIOVTWV 
 ye /cal TOO-OUTWV OVTWV, o/zoos OUK efie^avro, oiopxvoi TOUS eVi/Jaras 
 re Kai TOUS aAAoi>s TOVS CTTI vewv ouSevos odious eiVai TT/>OS TOVS 
 iTnreas re KO.I OTrAtras or Kara y^v ea-TparfVovro, Trarres fXevOfpoi 
 ovres fat TroAiTai 'A.6rjvaioi, VTTO AaKeSai/xovtois /zeAAovres eivcu. 
 o5v ware Kara ^poi/ov Siave^ie 
 e<^e^s ^yov/xevwv, akrre 7rairos 
 KGU TOU vavrtKou. ovTO) Se v/i/3avTes (fxivepoi ewri 
 fiaXXov TI TOU Kouvy ^v/z<^epoi/Tos iTri/jteAov/zevoi' TOVTO yap (TKOTTCIV 
 Te > OUTW Si' oA'yov 8eov crepcus av^* erepov Ady^> re 
 
 CXVII. 
 
 Tovs Se opviOas o dep<nrev<j)V T< (rTparrjy^ aTT^yyeiAev art OUTW 
 Trpo0v[j.(os (<r6ioicv OXTTC TWV (TLTiwv TL X 01 /* 01 ' Ka.rafta.Xf.iv' o;rep 
 8^ apicrTos otwvos. /leAAovri ou/ OT//zatVeiv TW (rrpo.TTt]yu> Trpocr-
 
 Part III.] EXERCISES. 69 
 
 wv 6 IlaTrtpios ^euSws e<f>r) dyyfiAat TOV dvSpa' 
 
 TWV eVaipoov Ttvds, TOUS opvi6a<s fj.rj on TrpoOvfJiws <ayeiv 
 dAA' ovSe yeixracr<9ai 4$eAetv TOU ertTOV' 6 Se KaA<3s, </>?, liroirj<ras 
 Toirro ynoi aTrayyetAas' i 8 e^eucraro e/ceivo? TOUS ^eous avros 
 7;yyetAe yap yuot ws aptcrra e^etv ra lepd' wcrre evdvs 
 opare 8e v/Ats. </>?/ fKarovrap^als Ticri TOIS irapova-i, 
 OTTWS ev irpwry ra^ei /xa^oui'Tat otSrds re Kai ot (rvv avry. <rvvf/3r) 
 8e d/covrio) (3e/3Xr)[ji,vov TOV avSpa, irplv eKare/oovs Tratavwrai, 
 fC)Ta. aTrep TTD^d/ievos o (TT/oaT//yds, Oi ^eoi, (/;, 
 T7//.U/ TOI/ atrtov 8^ iTip-wpr/o-avTO. en 8k Alyovros, 
 T6s tfjnrpocrdev TTETo/xfvos fifya e^^fy^aro' 6 Se 
 
 , fio&V OTL Ol5S7TW7TOT Ol ^Ot ^>aVpWT/3OV S^Aok 
 
 CXVIII. 
 
 /CtCT d</)tKO/XVOt SftVa iTTacr^O/iEV WO aVffJLOV KOI 
 
 vSa-ros p.eyd\ov Kal ^aAfTroG. TroAv yap Tropeva-d/J-evoi OVK e'^ofj.fv 
 OTTOI KoifJ-w fj.e6a' EvpdvTfS Sfi ipdv Tt Iv TO 7rpoao~Tt'o) Kai KaAv/3as 
 rivets Kai otKias ^>avAas, ets rairras auAtcra/ifvoi Kat Kaipov 
 Aa/?dvTS TOUS vSov TrpovKaXeo~dfj.e9a IvSovvai. fTrel Se TOV 
 OVK yjOfXov TO Trpwrov Sf^ecr^ai dAAa rots robots Ic 
 l^ovres Tj/ufis yvwpt/xovs rivets KtVois Ao^ayovs, 
 SrjAwo-ovras on p-lpos TI p;ya T^? o-rpartas Trdpfo-ri. 
 vovTS Sf fJidXio~Ta TroXv k<fi ^fj.as /3aAAov, 
 d^VTas* VVKTOS yap oi5 7rpocnyKtv TrpOKa 
 
 TfAos Sf ^vve^utprjo-ev o ap^wv WO-TC 7rpo-^ts Suo 
 
 ^ /xaAAov ei tKavoi o-p;v dvay/cd^Etv. Adywv 8e 
 TI)V vvKra yvo/^vwv 7rapeAa/3ov d/za ry <^ T^V 
 Aiv 7ri KaAots os vop.i^Ta.i. lyw Sf ToorouT<j) pov w/ioAoyi/cra 
 I SiaKocrtovs pvV /idAwrTa ff^ov oTrAtras, {jLfj^avas Se Kai KAt-
 
 70 KEY TO GREEK PROSE COMPOSITION. [Part III. 
 
 CXIX. 
 
 O Se tv $ ra^u TTOpevfTai TOTC irpwrov eyvco OVTIVO. rpoirov 
 
 i/cos TOUS Mao-criAitoTas dfj,vvf(T0a.f TOVTWV Se OUTW x/jijo-t/ios 17 
 f3or)0fia, wore d<iKo^ievos eu$v? ?}iov 4s Aoyovs eAfeiv rots TrevTe- 
 KaiSe/ca 5v ^v 1} />XT ^oi'Ttuv 8e irpoOvfjuas ts TO o-T/aaroTreSov, 
 ry fiovXrj /xaAAov T^ e/c r^s TroAews irfiOecrdcu ^ iSiomj 
 yevfcrdai' ol 8e n-pos l/carepov l<^acrav SieoTavai SOKCIV 
 
 ip TToAlV, TOUS /AV 7T/3OS KcU(Tapa, TOVS 8c TTpOS IIo/i7rlOV X ( UV 
 
 e airrot a.fj.^orepoi's Tro\\.rjv d<^)iAovTS ou8 iKavoi OJ/TCS TOIOVTOVS 
 as Siayvwvai, oiecrOaL Sfiv dfjujxtrepovs 6/xouos e^cii- 
 
 776 e TOX l " ra OTOl aTTy^OVTO, -KaTttyO/ifl/OV TOV 
 
 es TOV Ai/ieva /nera TWV vewv wpo^i'/icus 01 TroAiTcu 
 
 vra/3Xo VTa)I/ f^ y^/ 3 v aAAwv, Kat es 
 i Trpodvfj.ovfJ.fvoi, fiovov <rTpa.Tr)yov OVK eT^ov ovSeva. 
 
 cxx. 
 
 '0 Of ILxrrov/iios, a>$ TTUVTU avTtf) Trapfo-KevacTTO TOI 
 eiriOeo-Oai, roiov8f av rpoirov fo-ffj-vvvfTO. 6 /xev ya/o 
 ev T^ 2a/tvtTiKy, (is efpTjTcu, 7}yoi'/xevos, KO/AIVIOV 7roAto/3Ki, 
 TWV 'Pw/iai'wv TTporepov lAovrcoi/ Kai KaTdKawai/Twv ot 2 
 TraAtv fTet^icrav. CITTOVTOS 8e 4/cctvov wrox>|0iv 6 <$>a.f3io$ rrj 
 /3ovXy f<j)f) ravra ireidfcrOai' fir' avro yap TOVTO $ fTTi\fipfl, 
 Oai,. a>s 8 /cat Trp&Tftfi<s Trapa. TTJS 
 
 > IIocrTOv/jua> yn^ o 
 o~dai, aTTfKpivaro favrov flvai (rrpaTrjyov ye 6Wos ry (3ovh.fi 
 eTTtTao-cretv, aAA' OUK e/cetva)!/ eavr^J. ot Se ai trporfpov /zoAis 
 av olo/jifvoL ovrws avOaofj ovra dvaTret^eiv, ou fifvroi OUTCUS v/3/Dt 
 airoKpivfifrOai TrpotrfooKWV firel 8f ovSev avrots ftprjro 
 ryv Ta firf(TTaXfj.fva airayyeiAai, ovSe ?^ov OTTWS TOJ o~T/3aT7y<
 
 Part III.] EXERCISES. 71 
 
 d.Tret,Ooifv, dwryccrav ovSev eri 7rpdavTS. 6 8e s TO KO/AIVIOV 
 e;(c6pei, cos TOV <&d/3iov dVayKacrcov yvous Se ot^Sev evavTioT^uevov 
 aimiv oiKaSe d^eTTe/x^e, Kai dfj.<poTep(av avros ?jpx e T ^ v OT/OCITCU- 
 //.GITCOV. 
 
 CXXL 
 
 Kat ov Sta TroAAou TT/JOS TOV wov Trepicrrpa^ets os 
 o,rt /ceAeixrei cos atSouynevos 8^ ^u,aAa, ouro) Trpocret/re* Et TO, 
 StSo/xeva Tocravra ovra SteSe^ov 7roAA.i)v av X"P tv ^ e6 ' 
 oVy Se y^aAAov, ocrrts 7ra/Da tovTos TOU Trarpos exevcricas 
 TrapeAa^Ses. Tavrrjv Se KatVep TOcravTrjv oScrav djroSeSocr^at 
 aTracrav, lav (JLOVOV TOV<$ dp^ofj-evovs ra Seovra T/3a$S, rotaura 
 a/D^wv tocrre a vwi Spw i-jraivov dAAa ^ ^-oyov aia 
 (TV Se &cnrep ^'p^w oww /cat StareAet, vcre/?(3s Kat 
 Kat IVVO/AWS Siaytov, Kat TO fj-eyunov TO, TWV ^ecov 
 Kal Tavra 8pu>vri Sotev o-ot vtov ot #ot', ^Ttvt y)j/3acrK(ov Kat 
 vocrt^) appaxrrtov T^V dpxfy Sw^cret evvota roiavry TrapaSovvai as 
 Kat lyw crotl TOtawa 8e Ae^as, cos CKCIVOS KAatcov Trpos TroSas 
 ^/ieAAe Trecrcov Sticrxv/aietcr^ai, 6Vt Tracry re)(yy Stavoetrat TOIOVTOV 
 7raT/3os a^tos yeveir^ai, apas 7rcrx /*Tfll TroAAcov SaKpiJCov acr7rao- 
 ftevos* ciVa 8e aTretp^Kcos Kat t9ai;/^ao-tcos cos compos yevo/^evos s 
 T^V e'Spav KaTKAtvTO, Kat TOV 8rj[j.ov e/^^SAeTrcov cr/xtKpa Ty c^covg 
 WS C^cous ov^ a?ra^ /zovov ev^a 
 
 CXXII. 
 
 *0 8e /?ao"tAvs, ?va Aavc^avot Sr) Seivos cov 7rpoSorjs, 
 TTOtetTO cos c^avepa ylyove crvvco/zocrta Tts TCOV Euyevcov, COCTTC 
 awov KaTaAa^Sftv, Kai 84' acrc^xxAetav dvayKacr^vai TotavTa 
 KoAa^ety. Kal TOV ^eveAwi/a TOV ev 'AyyAta Trpo^evovvra Tre/ii/'as 
 srapa TTJV ^SacrtAetav e^ovtriav TrapacrKevacrci/ievov Ta
 
 72 KEY TO GREEK PROSE COMPOSITION. [Part III. 
 
 veoxrrl yeyfvrjfjifva fr)yei<rdai. 6 Se OTrovSatos re wv KOI dya- 
 vaKTtov ST) on OVTU ayptoi Kal aartfrroi efidvrjcrav ol Trcpl TOV 
 /3ao-iXea, ovSe aTrw/cvei /AT) ov/c awr^pov <f)dcrKtv TO raXXi/coi' 
 KeKA^cr^ai' dvdyKTj Se 6/1(0? ^v irfiOecrdat Kal as fiptjTO airo- 
 Xoyfur6ai. ol 8e "AyyXot iravres Totourtj) rpoTra) ISe^ovro auroi', 
 a>s a^tov ySr^ ov TWV (.KtiOev yevop-iviav, Kal OVTW crtfjivol etfraivovro 
 wore fj.r)8fv av Beivorepov Xfyfffdai. irdi>T(av yap TJJ o^ei (TKv0p(0- 
 wovvrwv, /cat trtyg bxnrepel VVKTOS l^>' aTravro ra 
 
 wv, dv8/3wv re KCU ywaiKWi' eKarepwo-e 
 os cure d.oTrao[JLevov ovrc euvot'ji 7r/)<xr/3A.rovTos i's avr^ 
 
 CXXIII. 
 
 C H 8 "EXicro-a, TruOofifvr) rd re aXXa /cat OTI ravra dp.<f>i<r(3T)- 
 Tetrai, TO 77y>ay/za ^CTO (ra^fcrrepov /caTO/a^wo-fiv T^5 /" 
 tXTTi'Sos' wo-T6 So^av aTravra <j>avcpa yej/ecr^at, TOVS 
 CKtXeve Trpos TroXtv ^KOVTUS /3ovXeuo-0at, as Sta TOO-QVTOV (3pa8v- 
 rtpov Trpda-a-ovras. IXOova-i Se TWJ/ Trava; Ttvas /SovXeuTwv irpoo-e- 
 OrjKev wore crv/tTTpdo-creiv. 17 8c Mapi'a dyvooucra TOtaura XdOpa 
 Stavoovfj.evr)v, Kal oiofj.evr) 7} Sewravra TOV Mopaiov ^ atcrxw#VTa 
 (XTTOKV^o-ctv In fJLTjSfv 8civov avrrjs KaTrjyopeiv, ySecrOai tcfr-r] OTI 
 dXXoVe TTOI fif.6La-Ta.cri. TTJV i^raariv, <5s ovSevt av /xaXXov fTTirpc- 
 il/a<ra r) TT/ 'EXto-cry, Ty r/Siy /*eXXowy Trapeivai Kal irurKe\f/ao-0ai. 
 o$v aWis ev rfj TroXet T^S e^cTacrews, 01 r^s Mapi'as 
 ovSv /x,aXXov TOU Trpiv a7rrxov^"o tocrTe /i^ ov Trapayiy- 
 
 cxxrv. 
 
 8e TOUTO fidXta-ra f<f>r] ecrecrOai avrois, T^ 
 irpoa-)((ap't)(r<jxri fj-dxi/JLOi avSpes, ous irporepov tSft ITTI vtwv c?vat. 
 ovSe yap i f<T(aOrj TO vairriKov ovSev av \prpraa-dai ITTI ravrrjv y
 
 Part HI.] EXERCISES. 73 
 
 rrfv o-TpaTciav firel Karopdova-t p,V ovSev vewv o<eAos, o-<aAei>Tas 
 8e ov8' av f(f)iKe<rdat ) Sta TOO-OVTOV Iv rots dvtoTepco aVovTas. 6Y o 
 
 5AAo Tl O"KO7TOWTaS Kat (fivyfjs T Kat TWV TOtOVTtoV (US 61KOS 
 
 avSpas dyaflovs Kara^povovvTas Seiv fpyov y eire^fLprjfrav IK- 
 reAecrat, ws <r(fxiXepov fJiev ov TO ^erayvcovat TOIS a;ra^ Trot Tr/ao- 
 v 8e eavrots re KCU T(J) o-r/Darr/yw WOTTC/) Kat irporepov 
 apa-ucri, o-a^eo-Tara KaropOdxreiv avros /^i/ yap 
 f3e/3ovXev(r6ai, ews av awg ets TIS aAAos* TOVS S' Ire/ 
 ^v Tts SeiAos wv /^i) ideXy o-uyKivSwevwv T^S 8o 
 TOVTOVS vr/ Aia ^p^vai T^V p.6vr]V ZTI 7rapov(rav vavv lo-/3ai'Tas 
 oucaSe op/j-afrdaL, iVa TOIS fKtLcre dyyeiAaxri ws TOV T crTpaTrjyov 
 
 KOI TOVS (TTpOLTLfaTaS 7T/3o8eSco/CaCTt, Kttl O"^>aS aVTOVS 7Te/3tjU,VOKrt 
 
 ^v T^V Aeiav K 
 
 cxxv. 
 
 Se TWV ye^VjOwv, fTrefiifev 6 o-Tpar^yos TT/JOS 
 ayyeAov Ttva, os iropa) Tivt TWV Kara) Sia/3as TJ)V 
 <f>opav Is r^v TroAiv /caTTjyyetAe. KrjpvKa 8e eKewr 
 TOVS ev Ty p-Q-Xfl Te^vijKOTas Is TroAiv l^>' apa^wv 
 e6a\fav, CIKOO-I fJidXia-Ta 6'vTas to-^vjoous /cat Kaprepovs ai/Spas' 
 Tg Se icrx^' OTC TrAeio-Tov eSet o^Sev 8^ ISuvavTO ^p^cr^at, as 
 
 l/cctnjv T^V rjfJLfpav TIJ TroAet TrapaKaOrjfJLevwv, OVTW S^ TCX e'^w 
 ^>o/?oij/xevot Kai evSov Sva-Ov/jiovvre's re xal Seiva Trocovfievoi TTO.VV 
 txov. TOIS 8e TroAtVats ot TO, ^ao-tAews ^povouvTts TI)V 
 cTryTttovTO ws iTTiKivSwov fcrofji-fvrjv TOV yap ap^ovTa 
 TWV JavTOv Ixeio-e KaTa^>vyovTas T^V TrdAiv d.(f>vXaKTOv Ka.ra- 
 eiv. ITTCI Se 6 crTpaTTyyos Stapp^Sijv aTrecTre /z^Seva TWV l/<et 
 TOU ^ooptov WKTept^etv, //.>y Kai TOVTO aAoi'i/, lAotSopOTjj'TO 
 ot TroAiTat TO?S Iv Ty aKpoTroAei a7rao"f 6 8e dAiywpaiv otix 
 cr^eTAid{bvcr6 o-i)V Tcp ^ecj> TIJV TC TroAiv Kat TO a
 
 74 KEY TO GREEK PROSE COMPOSITION. [Part III. 
 
 CXXVI. 
 
 "AAAa 8e e/ii/^avaro 6 vrrarcs tva TijSe (pavepov ytvoiTO TO 
 jrpayp,a* ei-pwv yap Ttvas TWV o-u/zTrpao-o-dirtov TOIS IK TJ)S TrdAeios 
 ypa.fip.ara. e^ovras, ret aVeyvw raura, o~vXXt)(f>di]vai 
 TOVS avSpas Kai \<apls IKOOTOV Trpos TTJV fiovXrjv *^'/A.ey^e 
 5v aurol ^7T/t7rov, Sei'as a/ia a avroi f<r<j>pdyiov 
 ol 8c fiovXevral Kpv<f>fj e^ra^ov TO. e-yKA^/naTa, 
 ofa eS^Aaxrav 01 a~uvwfj.oTai. ISiy. yap VTTO rovrtov O,TI 
 CKOO-TOV eSei irpd<r(reiv ep,r)vveTO, TOV /xev aTro/CTCivetv TOV VTrarov, 
 TOV 5 TO KOIVOV (rvXav, Te/30v 8 efJLTrpija-ai, rrjv Tr6X.iv a/xa icai 
 TO. oTj/iewx lAeyeTO Ta (rvy/cet/itva, /cat oVws Se^o-oi Siave/ieiv T^V 
 Aetav. 7rei Se e^eAeyx^^ 1 '^? KaTfKpidrjfrav, irpos TOV Srjfiov 
 dyopfvwv ovSev TKfj,rjpiov irapel^e rfjs 7ri/3ovA^s, TOUTO /xovov 
 ws <f>avepoi eiVt T$ KaTiAiviy cn'/XTrpatrcrovTCs T^ KOLVQ 
 
 CXXVII. 
 
 8c TravTa ^v Kat aTropos o 'AvTamos, WOTC cvvovs 
 wrorTVTO e'vai KCU wrws /cai TI (rvp.7rpdcr(rciv TOIS TroXe/JLiois ovs 
 ISct Karourrpfi/'ao-Oai. ol Sf vrrap^oi ITVXOV vpodvfWL ovres Kai 
 (rvvcTOi OXTTC o-(o^o-0at TI)V TToAiTeiav 6 /xv yap MfreAAos ITTCI- 
 yd/xevos /xcTa /xvptaiv Kal TrevTaKicrxiAiwv crrparidyrdv^ Kat Utx^vov 
 (cat Ou/i/3ptav /caTe^wv <f>v\do~o-(av re Ta Trpos /3op(av TOV opovs, 
 !i/ aTa^ia ovras TOUS Ixet cjreo-^e. /cat ev Bpvrrt^) Kat ' 
 Ata ravao-Tavras Ttvas a^SovAeos Kat /XCT' ovSc/ita? 
 Ta^ews es i^rvx i ' av ^evro' cirei 8c ^et/xwv ^v, ct 6 KaTiAtvas TOVS 
 Trept^aAAovras cSvvaTO eK^vyetv, TOUS 'iTaAovs av dir&rTrjcrt Kat 
 Ta ejrtT^Scia KaTeo-KevcuraTO WOTC TOV eTrtycvo/zevov evtavrou 
 TToAe/ieti/. aAAa cv "^awrdAats civ CTTCI 5^Aow yevo/xevous lyva) 
 TOUS o~uva)/xdras Kai i^a'O'^p.evovs, T^V IIto~ropiK^v 8ia(3d<s, ct TTOJS 
 es raAAtav d^>tKOtTO, d>s TO op^ T/fc^* V3rep/3aAeiv, TOV Me 
 e^pev IvavTtou/ievov.
 
 Part III.] EXERCISES. 75 
 
 CXXVIII. 
 
 '0 fiev ovv Eu/Dv/xeSwv Seiva Troiov/zevos OTI 17 /v X^/ 301 Te/ivrrai, 
 a-rpartwrai Sc rives /t*^ cm co^eAovcriv dAAd Kai Sgovcrt rot /UK/DO, 
 ravra ^pia oO(.v JJLOVOV eATris tfv Tropic<rdat TO. eTTiT^Seia, TWV Se 
 Qfpfjiayopov (rvXr)crdvT(i)V TIVO.S TWV eairrou irpotreXOiov rji(a(re 
 dTroSovval re Kai Karacrxetv TOV? avSpas /i^Sv Xr^i^frOai. rov 
 Bf ^OUTKOVTOS on TTtpt eXevdepias [j.a)^6fj.evo<s eXevdepos d^toi e?vat 
 ra Travra, ws TroAAa di/TetTrovre? lAotSo/aowro, 6 Qeppayopa.? ry 
 eKeAcvcre S^Awcrat rjv Tt dSt/c^rat. dyavaxrouvTOS 8e TOV 
 ?, 7rei ev <pa.vepw ravra eytyvero, 6 (rrpaT^yos xat 
 avros TroAAa Tra6wv VTT' 4/ceivoi', j3apew<s efapev el rj TroAis 
 /3Aa/37ycreTai, /cat TOO-OVTOVS Is ovSev dvaAwcrov(rt o re riyov 
 aVei/Dos cov, cai 01 aAAoi a.Trei6ovvTe<s Kai ev dra^ia oi'res. axrre 
 (rvvejSovXevovTO dfjL<f}OTpoi o/toicus Trp60v/j.oi 6Wes Is TO KOIVOV, ci 
 TTWS p.rj'^avrjv evpoiev' Kai Trpfcrf3vrt)v tTri T^V TrdAiv eT 
 irjcHo v Trpd<T(rovTa TI roiaura Si' Sv ^yueAAov 01 ev reAei a 
 etre a^toi S^ etcri eire Kai ou* TOVTOV o5v eKciOev 
 SrjAwcrovra TOV Qeppayopav oTa SiaTrpdcrcreTai, wroTrTeueiv TC avrov 
 
 COV Tlv (TTJaTlttV KClKMTTa 
 
 CXXIX. 
 
 Kai TOUS /*ev 'IcTTravous eXaOe yevo/xevov TOUTO, TrdvTwv 
 
 7r/3ao"o-ovT(oV 6 Se crTpar^yos ovSe Ka^evSwv ^/xeAAe 
 KaTaXr/(f>Orjvat,. Aa/iTT/sas Se Tu^y o-A7jv^s OWTJS eTrei o^e ?jv TOU 
 Oepovs TWV <f>vXdi<(av TIS TroAAous i8wv 'IvSovs 8ia fiaxpov tr^icrt 
 TrpocriovTas, ev^vs e/x^vvcre TO Tr/aay/wu 01 8e (TT/DaTiwTai cuSovTes 
 J>s eiprjrai, irapa TOIS oVAois, TWV ITTTTCOV TrArjcriov SeSe/tefwv Kai 
 7ra/>O-Kvaoyxevfc>v, Ta)(v aTravTes Ta orrAa dveXafiov. IvravOa. 8e 
 6 (rrparrjyos iSwv TOVS "IvSovs evAa/3ws TO TreSiov Sia^Sai'vovras, 
 
 g Kf(f)dXy TOV (TITOV ^ eTTCKpUTTTeTO (US CTTt TO 
 
 yvy, ovSa^ws 7^Aev ev Tcp r^i-)(i(r[JLa.rL irepip.tvf.iv, dAAd
 
 76 KEY TO GREEK PROSE COMPOSITION. [Part III. 
 
 TOIS TroAe/jUOis iiriOecrOai virb TO opos d(f)iyfj,evoi<s. ot Be 
 XdOpa. KCU /SpaSews eTTtovTes ouSe cKet^cv ot'S' OTIOW d/cot'oi'Tes 
 7rdWas $OJTO VTTV^) KeKoifj.f}o-6at' ITTCI Se Ta^wra Is TO KaTavrts 
 d<tKovTO, peydXr) ffxovrj ol 'loTravoi apavTes TOV Traiai/a ia 
 7ra.vcrTpa.Tiy. 4^>atvovTO TOU TCt^iV/Aaros l^o/D/Aw/itvot Kai TOU 
 fKTreirXrjyp.fvoi.<s CTr 
 
 cxxx. 
 
 TOI'VW Tapao-cro/xevos o Bi/?uAos fat aTropwv, lirei 8ry- 
 rivas Treicras irapa. T<p 8rjp.<p KwXvetv TO Trpay/xa owStv 
 /xaAAov ov8' OUTWS 7r/xro-V, oliavifccrOai irpocnroiov[j.fvos TO 
 Xoarov TOV tviavrov ocriov eTvat ex^pv^ev. ws 8e our' Ivvo/xov OUTC 
 (TvvqOcs ^v OVTC 8^ 6<Ttov v T^ TOtoTrr^ Srj/jLocria. ovoev 7rpacu, 
 eooKfi eivai 6 TOV fvOvpiov oAtytopwi/, KatVep 
 OVTOS' TOU 8e Srjpav OVTO) 6vp.ovfj.tvov OKTT Kat 
 KaTa^povetv, ISo^e ptjTQ r)fj.epci TO ifijfao'p.a, es T^v 1/c/cA 1 ^- 
 cri'av eio"<epeiv. a.9poot, 8c eu>0ev Is dyopav <rvva.yeip6fi.evoi iva fj.rj 
 Ttav T6/o<ov e^TrAews yevotTo, ^KOITOS o/xws TOW Bi/3t'Aov xat av 
 T^> KcuVapi ToXfj.r)p(iJ<s kva.vTiovfj.evov es T^V arcay TOU 
 evOev or)p.-rjyopeiv ^/ieAAe 
 AoiSopeiv 7re^tp6, ev@e<a<s 
 
 Tas pdjSSovs avrov TC *cai TOVS o"v-ovTas eT 
 
 CXXXI. 
 
 Twv 8e 8?;jLtdp^(ov Svo TO /xev StdSij/ia tKeAeixrav IK TOU o~T(f>(ivov 
 irepiaipeiv, TOV oe TrepidevTa TOUTO T^ dvSpiavri o-vAAa^Setv yvous 
 Se 6 Kaiaap TroAAa KCU Setva lAotSopetTO aurots OTt ets opy?)v 8^ 
 avT^) TO 7rA?7$os 7rapo^vvovo-iv, d)S Tvpdi'i/^) KeKA^cr^ai ITTI^U- 
 fjiovvTi' Kai aTTCiTrwv /Z^KCTI Sr]fj.ap^eiv KOI lK/?aAwv T^S jCJovA^s 
 (oVep l^v T^> ye TI M 1 "0) oAo^i'paa^at a/xa AeyeTai (is Sciva
 
 Part III.] EXERCISES. 77 
 
 i, ovTiva <vcr (jiiXdvOpwTrov ovTa rj ro.va.VTia Set TrpoVo-etv 
 W fj v/3ptofievov ave\t<Tdai. Kat OUTOJ (^atrtv ayava.KTf.lv 
 avrov rots Taivra Ipyacrap.ei'ois, oxrre /cai TOV Trarepa y^iwcre TOV 
 TOV KareTtou lcoo-ao-$at rot' vtov, ws awos ^v Tret^ryrat TO?V 
 (Ttpotv tKavrjv Tpo^v irape^wv. 6 8e yepwv paov av (f>r] avTov 
 Travras TOUS TraiSas dcfreXeiv r) eva ireicrat e^wcracr^at a>s 
 aiov OVTO. VTTO Trarpos Tpe<f>e<r6ai. 
 
 CXXXII. 
 
 oSv TOIIS vean'as erpe^ev o 2e/?ao-TO?, a 
 
 e^wv TrpiV ye avSpes yevoivro 01 viSets' wcrre r/^iov avTOVS 
 re /cat TJ] TroAei Travra VTrypfTfLV, Kat Is /3apj3dp(ov p.96pia 
 /cat ra TroppcuraTW ^wpta tocrre /x,^ rats ot'/co6 i^Sovats 
 <ra<^ci>s /Jiev yap 1)87^ 6Vt aTrovres ju,ev <^>tAot av 
 yevotvro ry TrArj^et //.aAAoi/ TJ eyyv^ev crwStatTWVTes' Ti/3epiov 
 /x^v rotvw Is Ilavvcovtav eire^e TOVS e/cewre 7rai/a(rravTas Kara- 
 <7Tpe^6/jievos, TOV Se Apowov es FaAAtav ra rr^s PX^5 avrou Is 
 TroAiv TT]KOVTOS Stot/cTjcrcov. ra Se e^vrj ra Trepa TWV 'AATrwv jSapews 
 tT6 (frfpovra ocra erao-o-oj/ ot l/c TIJS jroAews reAetv, l^eracrews li/ 
 AovySi)vw yevoynerrjs TOU re 7rA?j^ovs Kat TWV xp^aVtov, /cat 
 TrAe/'ovos Sta TOVTO ra^ei/ros TOIJ <^opov, zroAAw 8^ p.aXXov ws 
 ctKos IS^cr^epatvei/. TWV Se Fep/Aavwv T^powrwv Kat Trporepov r^v 
 Katpov AaySwcrt, rore Se TrapacrKeva^o/iei/wv wo-re TOV 'Piyvov 8ta- 
 t.. TrpoetTrtv 6 Apowos ocrrts TricrTo? et>^ TW fiacriXel Travras Iv 
 j3wfj.ov Karao-TJjcrat. 
 
 CXXXIII. 
 
 ovra TO, Trpay/xara fj 
 
 TJJ Trept ap^s fiX?7 Tors ea^Toi? j3o'iXevcrd[j.evos Tt 
 jravras crtveKaAeue* ovSe pa?(ov 8i) v^v Is ri<Ti: 
 omves roAjuy re KCU op"/]} ><^povS yevo/zei'oi TT)V TroAtv Iri ofov
 
 78 KEY TO GREEK PROSE COMPOSITION. [Part III. 
 
 re e/?owv o-wetv ovSe avt. \TriSa Setv eiVcu TOV a 
 
 eri eto-iv ot o-TpaTttoTar (oe^eAiJo'eiv yap T]V A"? aOvp-rja-Q Sxne. 
 
 TravTa /caTop^dxrat. 6 8 eTnjvet pev r^s cwotas, /cAatwv Se ov 
 
 TOO-OVTOV <^KI O.LOV o-w^vai. TOV yap woXe/iov, ws OVK 
 
 ^p^aro, OUTWS ovSe afrtos SOKCCV ^SovAecr^ai TOU 
 
 ovSe /i^v cure Tt/icopias firidvfJLfiv ovre Trapayxv^ias, Kai TO WTO 
 
 nys dpcT^s vo(JLieiv TK/x^piov, oVt ficAAwv (XTTO^aveiv 
 
 TOiairra 8f TrapaKeXcucra/ievos fS TT^V 
 y8ov 8e ou 8ta fj.aKpov aKovo~as eirei es TO o~TpaT6VeSov 
 TI Trpaua-(rotv' yvous 5e a7TOKTetviv aTretAouvTas TOUS 
 ijv TIS a;rivai eTri^eipy^ /cat TOVS 
 TraAiv aTriJA^e. Svo 8 /x^aipas p,T(nrefj.if/dp.evo<i KOI vretpav 
 7roirjo"a/ivos OTrorepa eo-Ttv 6vrepa Kal ravnjv irpoeAo/xcvos axrre 
 ctp' eavrov rfrv^w^ KaTaxei/ievos TO TeAcvratov e 
 
 CXXXIV. 
 
 Tov Se as /iaATTa TauTa irpd^avra /ieTeTre/i^aTO 6 Tvpavvos, 
 ITI dyvoouvra OTI <^>avpos yeyenjTat, /cat Trap' laurov Ka^wras 
 v, aTretTrwv /ATJ V7roAa/3etv' Trapecr/ceuao-TO yap aur^> airavTa, 
 dfi /cat ^vyypa^at et TI Trepi TWV pveywrTWV jiieAAot Aeyetv. 
 o5v ota cvepyerrjo-ev avrov, KatVep e\0pbv ovra /cat 
 TraTpos e\0pov yeyovora' (r<a(ra.<s yap p.rj daveiv Kat TrAovrov 88a>- 
 Kevat /cat Tipvas, WQ-TC /cat tepea /caTaaT^o-ai TroAAwv TWV Trep? 
 lavTov Trpof Ao/xevos. 2i> 8c TocrauTa, ^T/, w^eA^/jtevos c?ra 
 aTTOKTCtvat p* Stavoct; 6 8 /cat TrpoVepov Swr^cpatvwv TOTC ST^ 
 OVKCTI iJveo-^eTO o-tco7rwv dAAd Stto-^vptVaTO ^ p^v p^r^Sev Totouror 
 ext/3ovAe{xraf 6 Se Tvpavvos, 'AAAa vrreo-^ov yap, $17, p.r)8es 
 wv dvrepeiv KOI ap:a ^o-v^ws Stc^yet Ta Trepi TOUS ^uve- 
 aTravra, /cat TtAevrwv e-jr^pero TI apa /3ovAop;vos 
 StavootTO' IIws yap, ?^>^, ap^etv av 7/^toi^, OO*TIS ov8 
 a^tov ovSev StaTrpcuraei ;
 
 Part III.] EXERCISES. 79 
 
 cxxxv. 
 
 Ot 8 'OAAdvSioi ev T0iovr(i) KivSvva) 7re/3teiA^jLtjuei/oi Kara TV^IJV 
 Ttva fcrwOrja-av. TOV yap ap^ovros 6^at<^v>js TeAevrwvTOS 01 
 o-T/oaTtwTcu Swxe/oa''voi/Tes re Sta purdov evSetav, /cat draKTOvvres 
 d)S ovSevos ^yoiyjieVov, /?iaiws l/ravao-Tavres Travra eYdpaorcrov. 
 TTOpdovvres yap Kal (rvAwvres Maa-T/ot^tov /cat 'AvTepirr/v TOUS 
 
 CVOlKOWTCtS 7Tt TToAu aTTCKTCtVOV, TttS TpaS TToAdS TCt aVTtt 
 
 Spdo-etv aTreiAowres* wcrre Travres 7rAi)v Av^tTroAeco? Koivfj vy- 
 ^cop7JcravTS wo-re aAA^Aots a/tweiv TOV re 'Opayytov /cai TOVS 
 *OAAavStot)S eTrt /3or]6eLa eTT^yovro. KCU vve/3r) wcrre 
 Trot^uacr^ai, !<' yre e/cacrroi TOI;S aAAo^uAovs 
 fK/3aXeiv, KOL IXevOepot &(nrfp TO dp^aiov yevecr^ai. 
 roivvv KaTao-Tas o 'Iwavv^s, vo^os wv KCU ^tAtTTTrov dSeA</)os, eTret 
 
 6S Al>t7ToAlV d<^)lKTO, TOV //,6V 8r}fJLOV OVTW TTl^tO"^U,6VOV e/3 
 
 TOUS 8e e Icr7ravoL>s Tots x 10 / 3 ' 01 ? Steo-7rapyu,vous, OJO-TC ou^ iKavos a>v 
 a yrovv vvexu>pti. /cat eKTreo-ovTWV CKetvwv TeAos 
 t Tt ISoKei 6 SiJ/xos Tijs 
 
 CXXXVI. 
 
 '0 8e KopTrjs, /IT) oTt ^yavd/CTei CTTI T^> (3iai(p rf Kal CIIJTOS 
 Toiaura dvTcAeye, dAAa jueT/atws /xaAAov ovSev I<^TJ ^Q-Q-OV dfXeiv 
 rj irapa ra elprjfjitva Tt Spacrai. Kal awos /xev ^'Stov av avrov 
 fj.fv<av /cepSos Trapa TWV f3ap(3dpu}V Trpoa-Kraa-Oai' 7ret S aAAcos 
 6Kivots 8o/cet ^uyxw/D>jcras dirievai KeAewretv, aio-jre /cat BovXovrai. 
 
 KOL TTJ vtrrepaia fKi^pv^ev eTot/iovs e^at TrdvTas ets Tas va{;s 
 (jkrre CTTI Kv^Sy^s TrAet?. 
 
 S Se ev TroAA^ S^ 6opvj3<j) rjo-av' ol fjitv yap Trporepov 
 WQ-TC zrAetv, jtt6Ta/3aAovTs wcnrep tcu$acrtv ot pjiov TVYOV- 
 TCS wv l^>tevTat, TOTC S^ Setvov ITTOIOUVTO, ot Se (^t'Aot TOV KO/OTOU 
 p.eydXr] Trj <f>wvrj fa-^erXia^ov^ KOL ddpooi Trepl rrjv (TKr)vr)v yevo- 
 Kal irpoSeSocrdai 0do-KOVTes iJ^tOMrav dvaOecrdai a iKij
 
 8o KEY TO GREEK PROSE COMPOSITION. [Part III. 
 
 %K civ /Acv yap 1 T$ oVotKtav Karaor^crat tjv tKavoi Sxri ra rrcpi 
 
 n)v xwpav, vvv 8e fia.v6a.vuv 6Vt OVK t 6 ap^wv. diovV Se 
 aAAovs, TTjv yr)v Kvpuarepows 6Was KTrja-axrOai, a>s OVK CKCIVOV 
 oucrav dAAa rots ot/cot e^tvpedflcrav, Sxnf. cwroiKiav Setv KaraoT^rrai 
 g ra TOVTOJV ^vAa^ovcrtv, dXAa /A^ fj.a.Trjv KepSaivovras 8MTpi/3eiv 
 f oiKaSe aTriecai, ov IK TO)V Tra/^ovrcov ovSei/ cuc 
 
 CXXXVII. 
 
 8e trporepov /xr/^avi^v rtva Stavoov/xcvos Tore 81) fj3ov\ewe 
 irpa^at. 6iSa>s yap ocra fj.ev avros re Kai 01 cforoiKOi vewcrri 
 fTrpacra-ov, /ii) (rwcTraivovi/TOS TO ^atriAews, Travra av aKvpa 
 yevo/ieva, TOV 8e ^cXacrKtov, ws yueya Trap' ficeivy Swa/^evov, ^v 
 aVocrrdvTa yvy, ovSev av aAAo 8ia7rpaayu,evov ^ wcrre Aa^ovra 
 
 ev v$ ?x vavs 
 otra re Kal ofa fev 
 rjv Svv^rat tTratvecrat. Kat /i^v Kat euvowrrepov 
 
 o, roiavra Swp^o-d/ievos <3<rTe /zcyaAa <f>avfjvai out 
 <L<f>eX.-r)(re. KOivoAoyT/ora/ievos ouv TOIS Aoxayois avrovs re CTTfiOe 
 TO eavrwv /xepos /it^etvat, Kai roiavra TOV? avSpas air^crat, ws 
 TrpoOvfiov^vov raura TOV o-Tpar^yov, Kat avrov ev TOIS Trpwrov 
 
 TO laVTOV 7TpOVTOS, OV^ ^O-Q-OV OV TOV f3axri\f.l TTpOO^KOVTOS. 
 
 CKao-TOv /-lev yap oAiyov TI fieOievTa. Koivy p-eya. TL Swpov eiVowreiv 
 Kat a^tov Ktvov y Swpovvrat. Kai TavTa vvv evSovTas etKos cu/at 
 TOJV TC yevo/xevwv crvyyvoS/ii^s Tv^etv Kat TO AOITTOV X<ipiv KaTa- 
 Oeo-Oai, Kai IVeiTa TroAv TrAeiw 7riKT^o-eo"^ai, acr</>aAu>s TOV 
 fKfWev TrAovrov 
 
 CXXXVIII. 
 
 '0 8e TravTa Trpa^as 6Va Trpos T^V TrdAiv ISei Kai ovScv (Si 
 Aa/?wv, ovrw Trap' oAiyov oyu,a>s I^TO, axrre /t^ OTTWS
 
 Part III.] EXERCISES. 8r 
 
 dAA' eTi Kai /zaAAov TTpovOv[J,eiro. eVeiTa ow TW ' 
 /i?ao-iAei eTnjyyeAAeTO, ws ev ry eKeivov irdXat 17877 /ToiKa>v, wcrre 
 SeuVepov avrov fjyeiro, a> Set vTrrjpereiv. Kat Sta Travra ev TroAAr; 
 eATrt'Si ?]V Trapa TOVTOV TJ/CWV, ws avrov />tev ToXprjpov re ovra Kat 
 Tijs vavTiK^s OVK dve7rt(TTry//,ova, /cai jtieya S^ <f>povovvTO, CTTI ry 
 /3or)0(iv rots T^S" y^s ra di/evpera epewoxTt, TOVS 8e e 
 vewi/ ot'Sevos ^crcrov l[j.7reipovs ovras, Kat TyKicrra av C 
 T^) drj^es ri Kiv8i>vei'etv. TOIS 8e eSo/cet, et8o(riv aurov Te^viy a/xa 
 Kat apery Siac^opov 6Wa, oi're dvo^rov ov8ev etKos eTvat Scavoet- 
 i, ovre vTroirrevefrdai. ws KUKCOS cr^tcrt <j)povovvra- Sxrre acr/xevws 
 awou 6 /3acriAei's. 
 
 CXXXIX. 
 
 Maraia Se aTretpaivev ovra mal 6Trt,Kiv8vva a eypaifsev 6 BeAevs, 
 d>s TO ^SacrtAtKov KaOaipovvra' rovr<p Be OCTTIS Kai Aoy<y ITTI- 
 Xei.poiri, <f>avepov 8elv TroXep-iov i/o//.tetv. TO yap yu,^ lav ^prjcrOai 
 rfj ^8ao-iAeta e^ovcriy, ri oia^epei, e<jf>^, TOV dwapveia-Oai ya^Se emu 
 jSacrtAeiav ; eKetvots Se, KaiVep o~a^>cos etSoo*tv OTI OUTW <iAav- 
 ^paiTTos ecrTiv wo-Te etKOTWs vfipi^ew TOUS dpxopevovs, dvorjrov 
 fjievroL es Tvpavvov? do~eAyeo-Tepdv TI veavievecrdai. . Seiv yap TOV 
 Trept TOV Aayw pvOov fJLvrjfJLOveveiv, 6o-T6S elprj/jLevov Trdvra rd 
 Kepd(T(f>opa eKTrecreiv Trapa TOU ^Sao-tAews ev^ews aTrw^eTO /X.T) /cepa 
 8^ dvTi WTOJV SoKoirj (fropeiv. TOJ 8e fj,vd(a a7reo~^//,atve SI^TTOU, 
 OO~TIS Ta rouavra KOL aKovcrai eOeXoi firj e7rtTt//.tiiv, yu^Se TOUTOV 
 e^w etVai TOV KivSwov. WCTTC ev\af3f]reov, e^ifj, ^ el OVTWS eVi 
 TroAvTrpay/iovotev, eKeivr) rrjv eavrfjs Svva/itv <f>vXd(T(rov(ra, ITTCI oi'a 
 Te eo-Ti TOVS IXevBepovs eivat d^tovvTas KaTaSovAwo-ai Kat a ai/ 
 7rpdo-o"etv, o/Aota Bpacrrj rQ FaAAias rvpavvw /cat (TO Aeyo- 
 T^V dp^rjv e^eXevOepoi /zTjKeri eTrirpoTreve<r6ai. 
 
 CXL. 
 
 Kat ot /xev vrrep TWV dp^ovrwv AeyovTes o-c/ioSpa e/ceAevov 
 aTTOKTetvat, ot Se e e'vavT.tas ov^ ?}o-o-ov dvTeAeyov, a>s et/cos ST) 
 
 F
 
 82 KEY TO GREEK PROSE COMPOSITION. [Part III. 
 
 ?}V TOV ye Sij/iov pr) ediXeiv Kvpiav eivcu Trepl davdrov rrjv fBovXrjv 
 ov yap evvofj.ov eTvcu el p,rj <f)fvyew l/ceivofs ^ SeS&rOat. /cat 01 
 ju,ev UTTOWTTCVOVTO a>s 8uc}>6apfj.evoi 77 OVKCTI Tricrrot ovres, 6 Se Karwv 
 UTT/) TWV dXiywv, ore TroAe/itot eicriv O6 
 TroAirat, 7ret TO?S ?roAe/>ti 
 <rovT9 ari/toi eyevovro. Kai avros yc o KIKC^WV aT 
 
 l TO eTTir^Setov /AaAAov o"KO7ro{5vT6S. TtAos Se eSo^e yu,^ <^>et- 
 T$ Se (TTpaTtiy^ roXpav irpo0vfj,ovfji,cv(f) arviryvecrev % 
 
 CXLI. 
 
 S' ov^ ^o-(rov 17 Mapta TTJV xpurw, 
 Tt)(yy Kal (jLrjxavfj ^prjcrapfvi) $ "EAto-tra /ioAis TTWS CTreurf TOIS 
 e/ifieveiv. ou yap ^ eAey^eiv, T}V /x^ KeXevy KO.I 
 exeivr), dAAa dTroXoyovpfvrjv povov ws <^>i' 
 a>s a (rvKO<f>avTOV(TLv ol jroAe/xioi Travra p 
 ^v Se )u,^ Travv Tret^g, aAAa avri) yow TrpoOvfJLrjfrea-Oai WCTTC p-erpiov 
 TI o-v/A^vat, w? ovn-ore Siavoovpevrj es StK^v TOVS diroo-Tavras 
 T^V ap^oTxrav irpcKTKaAtio-^ai, aAAa /taAAov avroi's 
 irept <3v ISpacrav. l^ret Se TOtavra evrrpeTrws 7rayyeAAo- 
 CTreicre, (rvvc)(w/3>/(rev 17 Mapta axrre 
 
 omves TT/OOS TOWS KC6v^s StKaoras a 
 
 CXLII. 
 
 8e TOV Kwcepwvos oAiya jitev dvTi7rev 6 
 
 Atvas Seiva 8e o/xcos aTreiAwy ITTCI Se dire^wp^o-c, e7rio-To 
 Tre/x^as Trpos TOVS Trdvv TIVCIS TWI> TroAiTWi/, rrpos Mao-o-tAtav 
 eV vw e^eiv IKWV ^euyeii'. TW Se KaTiAy ov ot/ceioTaTov 
 7] ei/o/xi^cv r] vop-ilfw Trpoo-eTroutTO, ^avepws ^^ eS^Ao'^' OTI TUV 
 TO, Icr^aTa dvay/cd^Ta6 ftovXevvai, ov8f
 
 Part III.] EXERCISES. 83 
 
 TOVS p.ev KaKovs TI/XW/ACVOVS Ka Q-PX*) V 7riTerpa/i- 
 avTos 8e Sia aSiKov inro^iav airwdovfAevos' crvveXovTi 8e 
 i/, 17877 f3e(3ov\evcr@ai vewTepi^eii/ TO. 7rpdy//,aTa. TOVTO yap 
 817X05 T^V Siavoov/zevos, evrei Aoy<) ye TjTreiAei ws Trpoo-Tar^s TWV 
 KOI TaAatTrwpov/Aevwi/ e(rd/Aevos TWV eV TC ry TrdAei Kai 
 'lTa\6^. 'Apperiov Se d<f>iKO[j.evos Kal Travra ws (TTpaTrjybs 
 Is TO MaAAi'ov orTparoTreSov TTMTTOU OVTOS Trpocryci' OUTOS 
 yap 7rpOK7re/i<^)^ets ws <^avepws ^877 aTroor^craji/ TO, ^cupta 
 dypoi/covs Trpodv[Ji,ij)<i e 
 
 CXLIII. 
 
 Tavra Sc iKOuo-avTes, ot 'LrTravot TOV /xev Napiov OTJ 
 VTTWTTTevov o>s irpoStSovTa Ta Trpay^taTa' 6 8e KoAv/x,^8os cra<f)(a<s 
 yvovs ou Kaipov ovra. d/cpi/?ws e'^eTaVai Ta 7T7rpay/x,eva 
 
 TroAAwv Ao^aywv avTov TC crvXXafBeiv Kal TOIS 
 fmOefj.ei'OV Si'/oyv Aa/3e?v TWJ/ aTro^avovTWV, ovBapi 
 8etv yap <^>iAov Ttra TrpocrdecrOai TWV avTo^ev wo-Te 
 aTroiKtav KaTao-TJo'ai, /cat ^ //.aV^v aKatpw y8ta 
 avayKaovTas TOVS /?ap^8apovs Kowfj ri eTrifiovXcvew iv 
 ^877 KtvSvvw yveo-0ai. dvw^>eAes yap oto/^evos SIKYJV Aa/5eiv 
 ^877 eVa^ev, ei5Aa^8eiTO /xaAAov 6Vws TOU AOITTOV 
 creTai, Kai ^lopiov IAd/*evos eiriTrjSeioTepov Kal vyietvoTfpov TOU 
 NcoSavou, Iv /xeyaAo) /caTao~Tas 7re8t(^) Trapa, Xip-evi ov p,iKptjj TOV 
 TOTTOV ws s TroAtv Trepteypa^e, TravTas epyd^eo-^at dvay/cd^wv d>s 
 irao"iv 6/xotws 8eov do-^aActas. Kai ov 8td vroAAov KOIVJJ TTOVOVVTCS 
 Tas TC otKtas Kai Ta Tfi\i) es TOUTO /ieTeapi^bv wcrTe dtrtpaXr} 
 
 CXLIV. 
 
 '0 Se OVK ^yvoet ev o?y 87) KivSww eo"Tt, yvovs Kat irporepov Si 
 ayvoiav Kai (f>6/3ov SixrKoAaivovTas TOVS avSpas, Kai 
 jueAAovo"iv aTrei^eiv. ov8ap.a)s
 
 84 KEY TO GREEK PROSE COMPOSITION. [Part III. 
 
 aAAa ovSev irpocreiroifiTO o-wievai &v p.r]^av(avTO^ TJJ fj,ev Siavoia 
 $opv/3ov/jivos rrj Se o^et TTOLVV ev^vxos civ, u>o~7r/3ei ^So/itvos re 
 f(j> ois Karwpddxre Kai irepiyevrprtuQai ireiroiOtas. aAAore p.ev 
 yap TTWTQ Tf\vy ddnrevoiv irape/j,v6eiTO^ aAAore 8e e?T6 TO pei^ov 
 Sie^iwv orov irXovrov T Kai So^s fJLf\Xovcri Tvy^dvetv TOUS 
 TOIOVTWV fTTidvfMvvras Ijret^e' TTt 8e ore /cat avay/ca^eiv firfiparo 
 T$ A.oy^, aTretA^tras oia Ti/iw/a^treTcu 6 ru/3avvo9, ^v TOV re Otuv 
 e;ri}(t/)(uv /jieyaAvveiv Kat T>)V tavTtav 86av K/aeiVcrw aTravTwv 
 a7ro8eiai ovrws /iaXa/cto-^evTWV eKetvwv o-^aA^oreTau roiavra 
 8 Ae^as OVK oAiyov TI ITTCI^CV avrovs Kai aTrer/aeTrei', Kaiirep vavras 
 ovras /cat OTCIKTOVS, axrre /AI) ort wv (3i.a.^(r6ai ^/icAAov 
 dAAa Kat a>s TrpoTfpov avTtp crwewrovro. 
 
 CXLV. 
 
 Karayd/xevos 8 Is Ao/it-yywva oKTWKai'ScKa vaug 
 ye/iowas iJS^ Kat otKaSe jMeAAoixras aVorrActv, wo-re 
 evOvs eSiyAuxrev OTTOI re w/a/xryrat Kat r^v vp.(f>opav 8t' 
 aAAocre rpairkfrBai. yrr^cre TOLVVV t^etvat s TOV At/xeva 
 tva T^V TC vavi/ ^icraAAa^ai TTCI/S^TO, Kat a/xa ao-^aA^s ct^, a>s 
 Sia TroAAa o-^/ttfa etSws (^weros yap ^v Kai e/xTretpos TWV TOIOVTWV) 
 ^aAeTTov /xeAAovra j(i/ia>va yev^trecr^ai. 8t' avro 8e TOVTO 
 irapf/vei ^/tepas Ttvas Tre/ot/xevetv Trptv ras vavs ^>' 'loTravtas 
 K7T/i^at. 6 Se ovre a jjTrjcTev eta owe ots ^vve^SovAevorcv CTret- 
 ^ero' wore o KdAv/x/?os, KatVep auros cvpwv re Kat KT^cra/ivos 
 T^V XW/MIV, ouSe eTTt^S^vat ^Suvaro, ev $ Travras av ISet /xr/Se evov 
 aTrtucrat. 6 8e a/a^wv, ev KaipQ 8rj vou^tTOv/xevos, Seov a>s /xaAwrra 
 TOV vouv, a>s /xatvo/tevov avrou (iAtyw/o^o-cv, o(rTts 
 SijBev irpoeartLV irpcxreiroifiTO a ftrjSeis Svvatro a 
 
 CXLVI. 
 
 Kai ry /u,ev TrputTy ^/xe/aa yaA^v^s owrjs oAtyov TI Trpoyei, ry 
 e Stvre/aaia ras XAcuptaSas aVoK/oityavTes TroAAoi TWV vavralv
 
 Part III.] EXERCISES. 85 
 
 Trporepov dBvuovvTes Kal e.KTreir\riyp.kvoi. <' oi(p 8rj CTT*- 
 , KOTrr6fj.voi Kal SeSaKpvufvoi OVKCTI <^>ao"av TT)J> yyv 
 o\l/e<rdai. 6 8 Trapefj.vdeiTO Aeywv cra^ws Karo/a^tixretv, Kat 
 vs ivcnrep &p/j,r)VTai Qa.vp.a.<riov ocrov TOV irXovrov 
 OUTO> 8e Sta ^Spa^eos yvovs dOvfJiovs ovras, ya-Oero 
 TroAAats 8^ aTTOptats irepiTriVTWj/, ov [lovov ocra dvdyKrj eif) TraOfiv 
 TOIO.VTO. Treipw/Aevous, dAAa KCU Siort a/ia^eis et<ri KUI SetAoi ot 
 too-re oi5^ ?^r<rov I/XTTCI/DOV Set yeveor^at TOU -njs 
 ap^etv TWV dvOpdwrtav } vavriK^s T TC^VT^S /cai ape-njs, ei 
 a Stavoeirat e^evpeiv l/creAla-at /zeAAet.
 
 PART IV. 
 (i.) RHETORICAL. 
 
 CXLVII. 
 
 Kai eya> yap, <3 avSpes, wpos eu^u^ovs Tivas 
 ovSev Sia <j)6f3ov Trpdoxrowriv, dAAa xaiTrep eyvwKoVes TOV KivSuvov 
 
 eoriv 1877, TO p*v Av/xatvo/icvov rrjv SidVoiav Kai ycAotov aTro- 
 <aivov TOV e^ovTa ovSe tKavov cpyov ovScvos ap^eiv TO Se trepov 
 dAAoiov TOUT^) yap Trpoopwv TIS Ta /leAAovTa KaKa Kai /tcTp^<ras, 
 o?S y^e^' OOT^S ur\vo<s evavricixrtTat, Kai TO C'KCIV irapa/SdAAei Ty 
 ^ viKcur^ai, oirorepov 7rAei'a> l^ci KOKO, wo"T, ^v 
 TeAevraiv T7O"OTjo~r^ai, dcr<f>dXeia.v TrurrrfV iv 
 . TOIOVTOS oc oo/jos ws cyto oofaCtt) 
 awr^uvT^v C7ri<^>pi T^> iretdofjievut. el 8 Tts Trepi Toiaura 
 <f>TfKTiV avSpa es <^>opov Tp7reo"^ai, TTWS ov <f>va.Kiei , 01 Te y a p 
 vuv fj.rj8ev Trpoo-rrotou/wvoi ScStevat, cTreiSav ev KivSuva) p-eAAoxrcv 
 efvai TrpwTOt CKTrAay^rovrai, Kai Toiavrr) del we^VKev iy Sta 
 p:aKpou dpeTiJ. 6Va yap Tots *I/3epvtots o~i>V^top^o"ajaev o~^8ov 
 aTravra Sia <f>6(3ov TrerrpaKTai. 
 
 CXLVIII. 
 
 *ETI 8c ev rfj via eKKA^o-ia diropiav Aeyovo'iv ecrco'^ai TO>V 
 c7n)VTt3v Kai <j>povifJMv dvSpaiv TrdvTas yap /jieTpiovs Kai <f>avX.ov<s 
 aipfdifaea-Oa.i, cxrre rrjv TroAiTCiav aio-^vv^vai. TO Se SiKaiws 
 Kai irpoOvfj.to'S Kai aTro fierpias SaTrdvi/s 7roAiTeveo"^ai, airnj, 5 
 
 avSpes, 17 dpwmj TTOV o-vveo-ts, >}$ o-a^)(3s o'Sa TOVTOVS ov^ ^crcrov 
 80
 
 Part IV.] EXERCISES. 87 
 
 TWV TrpoTepwv evTropyyo-ovTas. ^ /*^ v y"/ 3 ^KK\ffruit, ov pr 
 8?i/A?iyopias rriv dycov, e<' oWep c^Aos o~uAAeyeTat TOJJ/ pr 
 aKpoao-ofj.evo'S &cnrep TWV ev Oedrpo) \6p(av el 8e /AT) OTJTWS 
 dAAa ev orifjup Set Srjfurjyopiav emu, a>s /cooy-iov Ttva e^ dva 
 
 7FpOCTKt)u,VOV, TTWS OVK a6 V ye Siy/iO) Vp^(TO/J.eV ', TTO.VTO, JO. 
 
 Mr/x.ev ra re o-w/^aros Trept Kai T^S Stavotas oyaotws OTTOV 7 
 SetoraTa e^ei Ivrav^a TrAetarov yiyvo/teva' wnrep yap r}v ftadeiav 
 //,6V Kat 7ri;Kvr)v y^v fvpys cvravOa Spvs otSa av^avo/ttvas, T)V Se 
 ^Oa/jidXrjv Kal vypdv, KArj^pas Kai treas, OVTW Kat Iv lAeu^epa 
 TroAet Kat Sv^/iO) (}>v(rei ytyverat 17 prjToptKrj, Kat evTavda del 
 TrAetcrrov Kat d<f)0ovu>TaTOV 
 
 CXLIX. 
 
 Nvv STJ, ore Travro^ev Kai IK TrdV^s yJs o\edpos eKCtvots eT 
 /tarat, otVep //.aTT^v rots vewrepifovcriv evavrtovvrat, ore TWV f 
 fjTreipu) Tvpavvi8(av f) (7e/jtvoTaT^ tr^eSov Tnxpovrwv TJ/IWV l^wArjs 
 yeyevr^rat, ore 6 TCTrapaKovra ^SacrtAewv TWV ^>e^s eKyovos 
 <^>evya)i' Trap' ^//.iv cv TW /3acrtAet^) aKAews KeKev^ev, ore Travra ra 
 dp^ata opoi/jiev avarpeTroyueva, Kai /xeydAas TroAets StoAAv//,va?, 
 ore rj ^yueTepa Trarpis TT)V TraAat aperrjv ert crw^et, Kai <f>v\dcrcrovo'iv 
 ITI ot dvOputiroL TO. TrarpoOev fj.vvip.ela. p.era Trodov rtvos l 
 ov ovSels oiSe irocrov \povov en Trapa/^ei/et, vvv apa !v Tr}8e 
 aK/^y Kai Katpw TOU crw^ecr^ai, (TVjU/?ouAa TrapaKaAetre /AT) ( 
 Kai (rracrtv, /ir^Se TO /^eya <^>povetv tTri T<^ Tavra dei Kai 
 TToAireveo-^at, dAAa TO ^VVCTOV, Kai Ta TraAat Trpdy/^aTa, Kai ri)v 
 Ta5v TrpoTepw fivfip^v^ Kai Ta a"r)fj.eia rov 9a.vfia.(rLov TOVTOV Kai 
 SeivoTttTOV Katpou. Kai d^tcos i^rj^i^ecrde 8>v TT^vSe TT)V eKK\f^<ria.v 
 iifMels re TrpoVepov TyAvrt'^Te, Kai 01 evretTa dei /Aj/7?yu,ovixrowt, Kai TI)V 
 TroAtv Seivoti e^eo-TWTos KivSvvov ews TI e^e&rw dvopdovTe. eWe 
 yap, <3 Zev Kai 0eoi, /ATiSeis TWV TOV VO/JLOV TovSe aTro^^t^o/xevwv, 
 T^V apa diro\f'r]<j>ir)<rOe, pr/TroTe TT)V if/rjffrov p.drrjv /AeTayvotr?, TOVS 
 vd/x.ovs tSwv AeAv//,evoi>s, crvy^eo/ievas Tas Ta^ets, (rvXu>fj.eva TO. 
 , Kai rrdvTa Ta aV$ow7rtva dvaTerpafj.fj.eva.
 
 88 KEY TO GREEK PROSE COMPOSITION. [Part IV. 
 
 CL. 
 
 Ei yap /zeya TO do-<aAa>s a TIS l^et KeKTTjcr^ai, ei Sia TOVTO 
 TrdvTa rdXXa 8i^>Krjrai^ /cat e/c TOVTOV CTrto-Trjya^ re TraVa eyevtTo 
 *ai ep,7ropia, Kai irdvO' o<ra epyd^ovTai } (J<eAovvTai 01 
 7rdv$' oVa TWV Trap' a>Kav<> 
 
 /AT) Seti' ws KT^/ara ovra l/cetva o-e/3r$ai a ovSe TO TrapaTrav 
 fjund ecm. ei yap TO. aSixws ev Ty TrdAei Ka^ecrTtyKOTa, Tva 
 O-W^TC WQ-TC /xi) /iicrou/xei/a UTTO TOI! S^/iov Sia^>^ap^vat, Sia TOUTO 
 tos KT^fj-ara OVTO. d^iovre Sta^vAa^at, irws OTJ Trpoo^ooKav avay/crj 
 TO KTij^ara oi>x ^O-Q-OV CKetvwi/ /iicrefcr^ai ; TOVS yap Ta 8id(f>opa 
 ofJiov crvfj./j.iyvvvTa.S) iva crvvap-^OTepa o-w^Tat, evAa^tto-^ai Sei 
 /i^ o-vva/A<oT6pa 8ia<f>6aprj. Aeyoi'TCS yap ws ovSa/xxDs a 
 4crT4 /t^ eav TOVS TTttw TWV TToAiTWv TOWS j3ov\VTo.g 
 Ta Kr-fifjja.ro. aTroo-TeprJo-ai, opare p-Yf TOVS a/xa^eis *ai d^ 
 ws TOVTO ov^ ^cro-ov exctvov SiKaiov. ori 8f ov 
 i^o/xai TOVTOV Acywv TOV KivSvvov, craffifa-rara IS 
 oo-a OVTOI vvv 81 
 
 CLI. 
 
 OVTW Sid TO fTTiOvfif.iv Tives e^aTraTwvTai, Kav avTOi 
 
 5v yap ^iwcrev OVTC fJLfOkfrrrjKfv o 8rjfJ.o$ ovre pr) 
 Trdvra yap aKovo-as oaa irepi TOVTOV Ttves eSi/jMr/ydp^o-av, TOVTO 
 JJ.QVOV lvOv/j.ovp.a.1, OTI 01 ToiavTa TO Sevrepov ^pvAovvTcs OVTC TOV 
 Kaipov (rvviewriv e^> 5 y Sei TroAiTtveo-^at OVTC TOV 8rjfJi,ov o^ ap^eiv 
 aiovViv WO-TC TrdvTa Ta Trepi TOVTOV Aeyo/zeva Ka^' v TOVTO 
 evj7raTT7/x,voi Aeyovo-i, vo/ii{bvTS ocra /coivg Trepi TOV VG//.OV 
 f6opv/3fi 6 STJ/AOS Trapdvoidv Tiva ?vai, xai e^ai 
 S^TTOTC yeyovoTa a?^is ov (3pa8vrepov d<f>a.vi<r6fvra aT 
 Kai TavYa VO/XI^OVTCS Trpoo-SoKWO-i 8^ev p,Tao-T^vai //.eAAetv TOV 
 , TOVTO dei TC ^TOVVTS Kai CITC opwo-i TI eiT aKOVo
 
 Part IV.] EXERCISES. 
 
 yevofj-evov iravro. TOVTOV oTj/xeta VTrovoovvres. /cat p.r]v Kai 
 fjioi SoKova-iv o/zoioi etVcu T$ i>?ro 'OpaTiov Aeyo/xei/(>, os tiri rats 
 O'X^GUS Ket/xevos TOW TTOTa.fj.ov del TTOTC Trpoo-Soxa TO {JSwp eAAtTrov 
 Trapa.^(apy'j(Tfiv, ovre d(f)dovov /cat fiaOeiav etSws oixrav T?)V Kpijvrjv 
 odev ewp[j.r)Tai, ovre at'Siov peov Kai pevcro/Jievov. OVTW /cat ot'Se 
 pvpias 8r) 
 
 CLII. 
 
 'Eyw 8e Kara, ye TOUTO ouSev Trepl airrov TOV Trpay/^aTOS a 
 
 T< ^ evavTtov Ae^aVTt. e/ceti/os fJ-ev yap oteTat ov Sta 
 TToAAou etKos e?vat Kaipbv Trapayev^o-eo-Oat ore /?tatws 
 Tovs aTaKTOTJVTas KaTacr^etv, /cat TravTas TOVS TOIS 
 e? ^povovvras dvdyKrj eWat fiorjOeiv, lyw 8e r/8rj vofj.i^(a Trapetvat. 
 ov yu.^v dAAa aSt/ca eiraOov ol (rv/x.//,a^ot, TotavTa ^tev OTJV OXTTC 
 eyo) OUK av Tots ap^ovo-i Trpoo-e^wp^ara el p.rj Stavoov/xevovs ^8>? 
 TO aStKov avop^wcrat. TOiairra 8e e/cctvwv Tra^ovTWV /cat Seov 
 d,vop6ovv, Sta TavTa olecrde Seiv TO TrafTcov dSiKWTaTOV /xe^etvat, 
 /cat TOVS /xv vo/iovs Trepiopav VTTO fiiatov o^Aov 7rpO7rr)Xa.Kio- 
 ?, ot/ctas Syov/xevas /cat /cato/xevas, TOVS i^crv^a^ovTas TWV 
 o"<^a{byu,lvovs ; cxAAa v?) Ata d8t/co)S Stave/ifTai TO, tepa. 
 rt Se, ^v /cdya) 6fj.oXoyw ; TT-OJ? w^eAt^tov eo~T6 Trept TWV iepwv 
 TOTC d^(^)to-^Ttv OTC ovSe TWV /3e/3rj\wv ovSev dcr^aAes ; etra Se 
 tyofiov TreipacrBe Trape^etv /cat TOVS <frov(i) Kai Ayo~Teta Kai Trvpi 
 ^pwyaevovs TraCo-at KwAi'eTe, ws ijv ^ta^ecr^at eTrtx^tpw^ev o-ToVeto? 
 81) yev7y(ro/xev7j9. 7}p,ets Se es TOUTO TJKOfj.ev WCTTC TOV TOIOVTOV 
 
 CLIII. 
 
 "Eo-Ttv ovv e/j.7rooieiv TO Trpay/xa, ICTTI Trpos /3tav Trpa^af eo 
 8e Kai jueTO, (f>6vov, o /xi) yevotTO <3 Zeu Kat $eor KwAvo-at 8e OVK 
 ov yap /xaT^v es TOCTOVTO rerdpaKTai 6 Sry/xos ou8' eTri
 
 90 KEY TO GREEK PROSE COMPOSITION. [Part IV. 
 
 nxrourov xpovov, 6Vov evravda Itopd/ca/iev. tT yap eipjjvjjv 
 dyovTwv eiTe o-TacriaovTa>v, ctrc ewvros TOU vo/zov etTC /cat ou, 
 CITE TreurdvTwv TT)V l/cKArjo-tav C?T /3iao/ivwv, Travra^y yovv Set 
 yevr$ai TO Trpay/ia. arrep o5v ov/c ICTTI KuAvo-at, raura ^eXoir' 
 av OTTOS KaXtos !et Starao-o-civ, xat aicrTrep Iv TroXei rots 7rvA.a$ 
 dvoi^are TOIS virep ra rei\rj /teAXoixriv eTreiOTn^S^O'eo-^ai. raura 
 S 7roJo-ao-iv U/AIV ws TO irpocrOev ourws Tt xal vvv tcnai rrjv 
 eTraiveiv, a>s, oo-a /iev VTTO \povov /ecu TU^S tiraOfv 
 TO, av^pwrriva, /cav o-o<^)WTaTa g /cat wr^vpoTaTa, TOITTWV 
 d^tot d^wos emu, o^ev 8e a7raXAay)jo-eTai TOU KCIKOU 
 7ro/3ic?Tai. OKTTC 7roXA.a i^S^ /cat KaXa 
 
 Ktti TOVTO CTl KClXXtOV Kttt XafJOTpOTepOV fv8oKLfJ.rj<Tei^ OTt 
 
 a 6Va y8t^ ^pw/tcvot /ecu <^>OKJ) ^Towrtv 01 aXAot, eo-#' OTC 
 t fjidi-qv {T;TOVVTCS, Tavra ^/xets eup^xa/tev, 
 TroXtreiav iiravopdovvrfs- 
 
 CUV. 
 
 OlO/iCU S TOVS OTTOvSaiOVS TWV TToAtTWV, OVS ftOVOVS d^l(3 
 
 Trafleiv, owe evveftfj ravra irpa.TTf.iv ovre T^ cro(f)i<f. Kai TTJ 
 /M7rctptci TTpCKny/covra, orTives (TV fjufjfpeiv pev o>? 
 yowri TTJ TroAa TO Tracriv l^etvat Tra/3/or^o'ici xpijo-$cu, OTav Se 
 d8i/c(os XP^vrai, dyavaKToCori *cai 8etvov Troioui^rai. OO-TIS y 
 wv av avOptonroi ye KaTacr/cevd^oKriv aTra^aTravTa e 
 crBai^ aXoya 8rj Trpoa"8oKwv TOVS ^eous T^> OVTI aiTictTat TTJ 
 TrdvTtov TUX9 /ie/i^>o/ievos. OUTW Se Kat ovroi, a;rep OVK ev 
 oiovTat, TavTa } avroi ^evSws TrXdo-o-otxri ^ fjuxpa. OVTO. p.eyaXa 
 irpoa~7roiovvrai elvat. ol yap fjfj.fTepoi vofwi et Ttves aAAoi 
 o-tu Covert TOVS TroXiTas, ou fjiovov TOUS crtafiacri /cat xpr){JM<n,v dSt/cou- 
 dXXa /cat edv TIS Aoyy Trap' eTepwv TI Trdo^xy. oo-Tts yap 
 dtaxriv vrr' aXAov v(3pifTai. f) dSiKeiTat, 
 ctveiv eav 8e vrro pa^v/z,ias ^ d/xeXetas ^ 
 TOIS voyuots <ru>e(rdai, oSros OVTC lavT^) Ta St/cata Trpdcrcret
 
 Part IV.] EXERCISES. 91 
 
 OVTC TOIS erepots TO. SedvTa' ei 8e rives avd^Tot 6Wes p^ TTUTTOVS 
 vop,towt TOUS St/cacrras etvat /cat TOU /*ev VTTO TWV ofioiwv Kpidfjvai 
 aVexdpevot /JiaioTepdv TTOOS SI/CTJV Aap,/3dVetv TretpaWai, TOVTOVS 
 Tt's av d.fjL<f>t<T/3r)Toir) fj,rj ov^ lavrois i\6iovs eTvat rf e/cetvots ovs 
 
 CLV. 
 
 "Hv Se Karop^cocras /cai TreiV^s wo-re e/cetvov <f>vyeiv, oirep crvvat- 
 r>]s /SovXrjs p^Stws av yevotro, TTWS cATrt^et?, TOO-OT/TWV 
 oi <f>i\oi ovTCS aci 7ravTa StaTrpa^ovrat wcrre 
 v, TOVTO arros KcoAwat ^ ^u.7ro8t^etv ; dSwarov )U*v ovv 
 Icrrai, oijSe cTTroDSa^ovTwv OUTW /ecu <f)iXovvTU>v avrov aTravrtuv 
 ovSeTTore av /caraq-^at^S. ^v 8 TWV <avepws avr( 
 TOVS fieyto-TOVs Treip^ ex/^ciAAetv, aAAo rt TrAeiovas e^ 
 
 e^ovras Kai evavrtov/Aevons j /caTewrt yap STJTTOV Sta 
 eos, /cat TOVTO p-ovov StaTrpa^ei, wo-re olya^ov /c/?aAwv Kaxov 
 i. TTWS yap ov/c et/cos Trapo^w^ijvat, VTTO TWV Kara- 
 yovrwv 8t^>^ap/ivov T^V <^>TXTIV, /cat rots rocraura w 
 /x^ ^eAetv, r)v crw^pov^, IvavTtovo-^ai ; et Se vo/xi/^ws fT 
 aTTO/crei'vetv, firapKovvTOs TOV orrpaT^yov, ovSe TOVTO ofov re' 
 yap 8ia TO v//,as //.ev 8i,f((>6a.pdai avros 8e TrAoixrios 
 
 CLVI. 
 
 !/0tvoi yu,ev e/xoi TjTTtcrTovv, Seav TrwrTeveiv, eya Se croi 
 
 Travra 7re7roi'$eiv, Sta raura avros TC aVoAdyMevos /cai TOVS tfti 
 aTroAecras, p;e/t<o/>iai o^aws Travros /iaAAov IfiMVTtp, O'O-TIS 
 ere e/c T^S o"airrou eK7reo~dvTa Ip.e av 8uvao~^at ev Ty ep,y o^akrai. 
 Kai eyw p:ev ws ao"a<^^s /cat do-Ta^p^Tos ^ ^X 7 ? "Ats ^8^ p;ep:a- 
 ^/cws owe v(3pi6v 7TO) evrv^wv OVTC SixrT^^^o-as ddvpyad), 
 vn)v paStws av, ^v ^eAy, p,eTa/3aAo{xrav ^aptVao"^af ei
 
 92 KEY TO GREEK PROSE COMPOSITION. [Part IV. 
 
 8f ^,77, dAAa Ka/c?) o&ra StareAei, Trap' ovSev 8r) vo/u<3, as <a{!Adv 
 Tt ov ev roiavry TroAet Stayeiv 6Voi> T/TTOVOS TrotovvTai TOI>S v6fj,ov<i 
 r} <5v av firidvfj.fi o 8etva. et yap f \fcrOat, ee7, fKfivr) p.oi av CITJ 
 Trar/ot's, OTTOV acT^ttAtos 8vvaifj.rjv rd re ^p^/mra X tv Ka ' T0 ^5 
 s, dAA' ov^ avTTj, Iv $ ra /iev pq.8i(a<s a^atpeirai, ot 8e ra 
 (raxrovTes /taAirrra SCO/ACVOV /^l JyKaTaAi7rov(ri. TOIS 
 yap (robots re /cai aya^ots ^Siov aei a7rou(rtv axoveiv 6'cra Trao-^ei 
 iy TroAts ^ Trapovcriv cwropaV, Kai /caAAtoi/ eAeu^epws aTrocrr^vai r) 
 
 CLVII. 
 
 Tavry Se, S avS/oes, Trpocrf^cTf OVTOS yap Trepi KAwSiou 
 
 dywvos rouSe, ITTCI eAeu^epos 6 ^v/^os, *at a av /3ov\r)(r6e ev6v- 
 fjiftcrOai, ey^wpet wcrTrep KO.I opwcriv alcrOdvefrOai^ OVTW Kal vvv Tt 
 Siavota aTrep /xeAAw Aeyetv ei/voeire. TiOere roivvv I/AC dvaTret- 
 dovra v/x,as rovrovt UTroAtxrat, e^)' ^re TOV KAwStov dva/?iwvat. 
 Sia TI OTJV (fxtvepoi fcrrc rfj o\f/ci SeSoiKorcs ; Trota 8^ ^aivros av 
 CKCIVOV f.Traa")(f.Te oirtves re^vewra TOO-OUTOV Sei^atvere, ry Siavota 
 /AOVOV evOvfj.ovfj.fvoL ; Kal fi\v 8^ ei avros o iTIo/XTreros, dpT>Jv re 
 /cat rv^v Toiavnfjv f\(av axrre ois e7r^(etp^(rc /x^Seva aAAov 
 ToA/x,^(ra6, OVTO? ci eXftrOat, Svvairo r) TOV KAwSiov e^eTa^etv TTWS 
 apa aTTwAero, v} avrov c veKpwv dvacrr^crai, Trorepov v oiecrOe 
 atpeurBat ; lyw p-ev ofopxt, Kawrep ^Aovra /cara (jbtAiav dvacrTTj- 
 crat, dAAa T^S TrarpiSos o/xws av <povTibvTa dTroKVTyo-ai. Ka6f}(T&f 
 roivvv e/ceivy Te$veam rt/^wpovvres, ov i e^et'^ OVK av I(J)TC dva- 
 jSiwvat, Kat vo/t^) TOV <f>6vov TOIOVT< f^eTa^eTe, ov ei e/ceivov a/ia 
 2<5ei ^toov ycveo-^ai, o8' av kdf.fif.6a. TO TrapaTrav. 
 
 CLVIII. 
 
 "Ap\ovTOS 8e TOU KAwStou TroAA^v lvo/At{eT avdyKTjv efvai 
 ^ Tt vea)Tepio-0>7, ^v p.^ waTOS yfvrjTai l/cetvos 6
 
 Part IV.] EXERCISES. 93 
 
 fj.6vos ofos re wv apery re /cat Svvd/xet /caTao-x^"- TWV 8' ev T\] 
 TroAei TrdvTiov es TOV MtAwva O-KOTTOWTWV, Tt's ou/c av ev6vs e^eipo- 
 
 TOV^(TCV, OOTIS OUTCU CaUTOV T (j>6/3<3V O.V CtTTeAwe Kttl T7]l> TToAlV 
 
 TOU cr^aT07) KtvSvvov ; vvv 6e Kivov aTroAo/ievov, O?TOS ovSe 
 fjieydXa TTOVOJV ry Trporepov wros ^atvrot. Trporepov yap 6av- 
 
 cuSoKt/xwv, KCU TrAetov act Ka^' rj[j,epav ocro) TOIS KAwStavot? 
 
 T^V vjSpiv, davovroi TOV KAwStov Iv ovSevt ert Aoyy 
 wv e^atvero. vyaets /tev yap TOCTOWTOV wc^eAetb-^e, wcrre yu^Seva ert 
 
 TWV TToAlTalv <o/3et<T$CU, TO; Sf MtA(OV6 T(^)St (XTToAwAe K'ttt KaipOS 
 
 TIS TOU dyaOog ^>av?^vat, /cat (friXoi ol cr7rov8aovTes rre/at avrov, 
 /cat d(fiop/jLrj TOV Sia Travros eu/cAe^? yeveo-^ai. WVTO? yutv ovv 
 TOV KAwStov, ovSas T^/AeAAe T^Se Trepi T^S dp\rj<i a/i^wr/^TjTeiv, 
 i 8e TedvrjKOTOs dfJL(f>ur/3rjTovcriv' WCTTC 6 MtAcov ^avovTOS TOV 
 p.r) OTI w^eAryTat dAAa aTt^vws Ka/ctov Sta/cetrat TOU 
 
 CLIX. 
 
 8e, <3 KcmAtva, a>s o-iWTrwo-t Kat ^o-v^ot etcriv ot 
 TroTC/aov ci? Tis Tt3v (3ov\evTu>v fir) OTI dyavaKTct aAAa 
 Kat OTIOUV Aeyetv e$eAei; TTOTE/DOV aTre/o ortywi/Tes 8iapprj8r]v Aeyowi 
 Sei eTt fjidXXov S^Awo-at ; ci Sc Tocavra TW XP 7 / " 7 "*? 
 W 2eo-Tw, ^ T$ aya^y Ma/3K<p Ma/3KeAA(p, TraAat 
 S^ 7ravao-TavTs av l/^ot 01 fBovXevTal j3iai<a$ av I^/JWVTO T<J> 
 VTraT^) ev aiJT(> TOVT^) T^J ve<J!, /cat Si/caia>s ye Trpdo~o~oi>T<s. Trtpi 
 8c CTOV, (5 KaTtAtva, o'waivovo't TTOU o~iyc3vTes, ^(Tiixa^ovTes 
 \(/^(f>io-fJLa TTOiovvrai, ovSev AeyovTC? o-vy^wpetv 6)U,oAoyovo-t. ovSe 
 p.r]V OVTOL /iovov, wv TO /tev a^i'ayia Ti[J.f)o-at irpocnroiei T^S Se 
 o~ctmy/3ias dAtywpeis, dAAa Kat ot'Se ot dya^ot /cat o~7rov8aiot 
 tTT^ets, /cat aAAot eAAoyi/xoi TroAtTai, or7re/o T^V ecroSov T^S (BovXrjs 
 (j>vXdo-o-ov<ri' ovs IBflv o-ol erjv oVoi Trapetcri, /cat et'Sevat ota 
 <f>povovo~i, /cat /i^v Kat d/coi5eiv ov Std fiaKpov auToi's ^ya 
 /3owvTa?, TrdAat VTT' l/iov /ioyts KO>Avo/>tevovs /^ es ^ei/aas (rot
 
 94 KEY TO GREEK PROSE COMPOSITION. [Part IV. 
 
 Kai /3ia e7ri0r0ai. KatVoi TOVTOVS aVai/ras eyyvwyiiai ij 
 Is avVds ras TrvAas ere TrpoTre/i^eiv, ^v p-ovov efleAys ravnjs 
 TTJS TroAccos (ifvai r}v TOO-OVTOV ^8?^ ^povov eVi/3ovAevcis dVoA- 
 Avvai. 
 
 CLX. 
 
 Tg TroAci TOIWV o-e/iVQTaTa TOVTO /iapTVpo/te'vy, Kai Tracri TOIS 
 Tavrd /ie/z(o/ievois, ev /^pa^e? OVTOJS aVoKpivov/iai, ws ei 
 pciv /laAAov aJo/i^v IKEIVOV aTTOKTeivai, ov8' av eAd^icrrov 
 TOV fiiaiov avSpa av efao-a 7rcpiycvr^ai. ei yap 01 TrpoVepov 
 ovres *<ai d^ituTaTOi TroAiTai, TOV 2aTVpvivov, TOVS 
 
 S, TOV ^AaKKOV, TToAAoVS TpOVS aTTOKTlVVVVTCS, OV^ 
 
 OTTWS ^o"X uvav cavrovs dAAd /ieywrrov KAcos eKTT^avro, ov 8^ /i^ 
 TOIS reiTa yevw/zai Toxrrovi TOV fj.iai<f>ovov aTro- 
 
 ei cra.(f)fcrTara ^cAAov, dAA' di TTCT 
 oo~a TIS Si' dperrjv (frdoveirai KAeos /xaAAov ^ $>6ovov Set 
 ewri 8e Kai TWV ^SovAevrwv Ivioi, ctrives TOVS /xeAAovTas 
 ^ ov^ opawriv, ^ opwvres ov SOKOVCTIV, dAAd SetAws 
 TOVT<J) /iev eATTi'Sa Trape^ovo-iv, TOIS 8c o^vvw/iOTais oAiywpovvres 
 njv 8vva/iiv av^dvovo^iv. ovVot 8e T<J) d^iw/iaTi ov Trapd TOIS 
 d8iKots p-ovov /teya SvvavTat, dAAd Kai Trapd TOIS ev?y^eo-iv, Kai 
 O'a^ws av, ei Trap' c/xov ovroo-i a^ia ciraOtv &v I8pao"ev, /3i'as Kai 
 vySpews av e/iov KaTTjyopow. 
 
 CLXI. 
 
 Aeyovo-i 8e Tives, (5 avSpes 'Pw/iaioi, OTI eyw 8) Tovrovi t^e/3a Aov* 
 dAAd /t^v i TI Aoycj) ofos T 5 ?^v, OVK av diroKvoirjv pr) ov Kai 
 TOtVovs K/?aAeiv. dAAd vr) Ata ovrco <^>o^8epos TIS ?}v Kai /xeTpios, 
 OKTTC AeyovTOS TOV VTrdVov OVK iJvrxeTO' ^>evyetv 8e e/xov KeAei> 
 o-avros ev^vs Trei^o/ievos dirtf^eTO. 'E^^es 8e OTC Trapd TOO-OVTOV 
 p.r) OIKOI VTTO TOVTWV dVoflaveiv es Aios o-vyKaAecras T^V
 
 Part IV.] EXERCISES. 95 
 
 /3ovA?)v TrdvTa e^vwcr d<tKO/ievov 8e TOVTOVI Tt's Trpoo-etTre TWV 
 e/cet; rt's rfrird^ro ; oAws Se, TroVe/aov TroAtr^v airrov ciT 
 fjievov IvofJLifov, /cat ov p.aXXov TroAe/ziov /ziapamiTOV ; l^fc 
 yovv ot vTrarevcravTes /ii) TOIOVT^ 7rapaKa@fj(r8ai, Tracrav T^V 
 fKeWev ZSpav epr)/j.ovvTes. evravda, Se yw, 6 ^Siaios ap^ w i / ) o eye 
 S?) Aoyw TOVS TroAtras l/c/JaAAwi', 'qpofj.rjv TOUTOV, et rots VVKTOS 
 Tra^a Ma/DK<^ (rvAAeyeicrt Tra/jeyevero. eTret 8e 6 irarrajv dv^pWTrwv 
 avcuSrraTos CKTrAayet? TW rotaura eavr^i cruveiSefcu ovSev avretTrev, 
 TOTC 8i) rot? ftov\VTai<s exacrra St^y^(ra^v ocra re fKtivrj rfj 
 
 VVKTt fTTpd^Or]^ KOI OTTOV ttTJTOS ^V, Kttl Tt Tg VCTTfpaiy. 
 
 yevecr^at, KCU TOV Jrai/ra 7roA/AOV OTTCOS 
 
 CLXII. 
 
 o^v, w av8ps, Setvou OVTOS TOU Kaipov Kal &v lyw 
 ep-vrmaL TTCIVTWV Ka-Kia-rov rjv 8e irore KareA^oxTt, 
 Seivore/Dos eo-rat TroAAw KGU KaKtwv. Ka.Tia.cri p*v yap evavriov- 
 /tev^s Tracr^s r^s TroAew?, oyucx^povoixr^s ws ovSeTrowrore Trporepov 
 irepl ovSevos TWV ij/ieTepwV Trpay/xarajv, ovSe -nyviKauTa, ore ot 
 
 'IcTTTttVOt 7T7rAOV, T) 7Tt Tg ttVTtTTe/DaV ttKT^ e(TT/OaTO7rcSeVVTO 04 
 
 FaAAot. /cartao-t 8e raura Kare^etv /?/3ovAeu/>ievoi, aTrep u>s 
 aSiKa. OVTO. 6 STJ/XOS /ca^eAetv f\frr)<f>UTTa.u KOL /careA^ovTe? o 
 fj,6vov Ko.Ot&Ta.va.i Svi^crovrat TJV oVa Travres l/?ouAeixra/xv 
 KaTaTTarwcrtv a-^aAevre? Se, ijv apa (r<^>aAa5o-6v, Trcwrav MTOJS r>)v 
 TToAtretav ^/xwv (rwaTroAovcriv. TOIOWTOV 8e TOV KtvSvvov, ^v 
 T^ TroAet Trfpiecrrdvai (fxiivrjTai, r^iv Kal Seov &nai KOI TrpocriJKOv 
 TOV (friXdvOpiinrov I^/AWV /?ao-tAea, OTTCOS XP^ cwraAAay^vai, vou^e- 
 T^o-ai, feat oo-a Ivvojaw? ^^(^teiTat 6 S^/xos TOIS St/caiw? ap^ovcri 
 KOivuxracrOai. KOLV yap trepoi ^>avAot OVTCS /cai avo^Tot avOpwiroi. 
 SiaTrpao-o-o/xevoi Tg TroAet AV/^VWVTCU, dAAa v/ias o/iws 
 apery Kal crofyia Kal <rvvecrei iKavovs O"o/xevovs Sia-
 
 96 KEY TO GREEK PROSE COMPOSITION. [Part IV. 
 
 (2. )-PL ATONIC. 
 
 CLXIII. 
 
 TOV 8e crvyypaffrfa Set TWV TroAe/uKwv rt eir'urrrjfiova 6Wa, TW^ 
 oVAwv T6 /cat p.^-)(avwv^ Ka ' iroXcpav crweivai as 8taTXTTTat, 
 dAAa firj TOtovrov TWO. eivai oTos 810. TravTos olicovpiov TrdWa Trap* 
 aAAwv ftaOeiv. TO Se p-fyurTOV, eAtu^epos Icrrw TT)V Stavotav, 
 /xiyre (X.iriwv p-ijre (f>o/3ov[i.fvos fj.r)8fva, iva fir) o/xota irdOy TOIS 
 dSiKOts SiKacrrcus, ornves Trpos TO lairrois <rvp.(f>pov aTroXvowi T 
 Kai Ka.ra.Kpivov(Tiv' aXXa ovrc TWV Travu dvSpwv ovSeva \pr) 
 ovr' ouv TWV S^cuv, oret d//,a^ovs yc emxi, c? TI /i^ 
 drre/?^, TOT/TOV TOV er)yovp.evov e7raiTiS.(rdai. CKTOI yap 
 es TTW efTe rjTTrjOrja-av CITC ec^vyov, ou /ICVTOI OUTOS 
 ouT xaTeStxrc Tas vavs ovre JStw/cev ct yap t/cavos ye ?}v, evavTta 
 Tots yevo/xevois o-vyypa^as, Kat Keiva CTavop^ovv, paSiws TTOU av 
 6 GouKvStS^s Ta TC TWV 'E7ri7roAajj/ TeL^i(rfj,aTa Trj ypa<f)i8i p-ovov 
 Xpr)<rd[j.evos av KadelXev, /cai TraVas ai/ Tas 'Ep/xo/cpciTOvs vaus 
 ^avwrev, Kai /iv)v Kat TOV? 'A.6rjvaiovs irepi Traaav T^V 2t/ceAtav 
 TrAeoi'Tas av irporjyev fakrTe T^V TC 'iTaAtav aira(rav /caTao-Tpe- 
 ifsa(T0ai Kal TO TOU 'A\Kif3id8ov KTeArai' dAA' erret ou^ ofos T' 
 TTt TOV Sat/iova dvaTrcio'ai wo-Te dvaOea-dai TO ycvop-fvov, //.aAAov 
 TTOV Trpoarj/cei d/cpi^8ws Ta <rvp.(3dvTa Si 
 
 CLXIV. 
 
 'Eyw Se, dirot\ofj.evov TOV 'AAa/3iaSov, TrpoTtpov /iev yap 'Q(J'X V ~ 
 vop,r)v Tt Aeyeiv, vvv Se irpos TOV 2acpdTT/ oo-ov oi5 xAaiaiv p.eTa- 
 o-Tpa<^>i's, us Seiva, <^jv, 5 2a>*cpaTS, Tavra !Aeas* TTWS 8' OTJX 
 ato-\t'vei avSpos ot'ou e/zov OVTW T^J Aoyy KaTa<^povwV) xav o-ou 
 vcoirepos ST^ to /cat ^cro-ov Setvos T< SiaAeyea^at ; CTTCI olcrdd ye
 
 Part IV.] EXERCISES. 97 
 
 7TOV Ip-e, (OS I^OV JJ.OI OlKOl Iv 'PoSto TrAoUTTJCTaVTt Ktti ffMTTOpOV TOV 
 
 l;riKA?7pov, <os 6 TraTiijp //.ot StevoeiTO, dyayo//,ev<), ouYeos d/3poSiatTU>s 
 Sidyeiv, (XTTO TroAAwv vewv re /ecu Ipyao-njpiwv ras 
 ), o/itos 8e dvri TOV TrAovVov T^V dArJ^etav Tr 
 
 TI TTI/ (ro<i'av, TOIS 
 
 Trvra ra 
 
 ct 'ITTTTIOV re Kat IIwAov a.Kpoup.'rjv KOI Yopjiov KOI 
 IT/jwrayd/oov, Kat 87) cat crou TO TeAevTaiov, 5 dvatSeo-TaTe* ovScvos 
 yap IK veov fTriOvfjifo Kai e<ie/^at /^aAAov ^ TI}? dA^^eias, ofo Tts 
 , ovSe yevvaioVepoi/ ov(5ev ^yovp.a.1 TOV yvwvai TO 
 Kat yvovTa dcrKetv. 
 
 CLXV. 
 
 Ata Se TO eATTi'^etv TOiavTa TC iravTa. ti^eAouvTat ot o.v6p(anroi 
 
 Kai OU^ T^KtCTTa TOUTO, OTl IKOVOV (TTl KtoAvClV /Xi) TCI TTapOVTO. 
 
 dyada irepl TrAetovos 7roie?o-$ai. TIS yap OVK aKTjKoev TOV //.eyav 
 KaiVapa, eTret TrdvTa Ta ovTa Swpeas SieStoKe Tots <t'Aois, epop.fvov 
 TOV TI apa eavT< vTroAetVft, dvTeiTreiv OTI eATTt'Sa. <wrei yap 
 
 wv Ta juev do-<^>aAt3s VTrdp^ovTa ovSa/xou vo/ 
 t Se ^V/AW aAAov TIVOS l^>tTO, 5v ewpa TtfitwTepov. 
 
 eo"^' o,Tt fjadf.lv irov Kao~TOS ^>' cai/rov Svvd- 
 Tos vov^eT^crw. oVa 8e Trcpi TOU Teux olis AeyeTai 
 T^S IlavSwpas, aTrep Iv TOIS /3ap/3dpois, ws ciKd^ova-i Ttves TWV 
 o-o</>wv, 1/iv^oAoyovvTO StaSeSey^evot TOV Trept TWV TrpwTwv dvOpw- 
 TTWV Aoyov, as KOT' dp^i)v -tjp-apTOV^ Tawa ovv AeyovTes l8>jAaxrav 
 d^AiwTaTOV i^yov/ievot TOV irapovra /3tov, ^v /ii) lArrts Trpoo-fj. 
 ws yap Ta r)(aTa KaKa a7roo~^jaatvovTes, TO) Trpoyov^) (fxicrl TT)V 
 IlavSwpav, KOTO ye TOV TWV TrdAai Jepewv Aoyov, /xeya Tt 
 8wp7jo-ao"0at. TOU 8e dvot^avTOS, l^eA^eiv ev^us TrdvTa TG\ 
 Kai KaKa TO, dv^pcinrtva, aTiva ouScis TTCD TrpoVepov (Trade, rrjv Se 
 IA7Ti'8a Tews evSov /iTa Too-ouTtov TC Kai TOIOVTWV l 
 
 TO)V TpO)V a7rO7TTO//.VO)V OV O"WaKoAoU^O"at, dAAa
 
 98 KEY TO GREEK PROSE COMPOSITION. [Part IV. 
 
 CLXVI. 
 
 Kai [irjv Toifj.6s dpi, f<f>r) 6 /?oo-iAeus' opas yap, as dp/idrrer 
 
 Kttl SfJM TTpOS TO CVOTTTpOV fJTf(TTpd<pr), d)OTT6/3ei TJJV f(r6fJTa. aU0lS 
 
 Siacrxc^dp-evos. ot 8c depatrovrfs ots eiprjro o~vpfj.a e 
 eaipetv ri Trpoo-TTOtrjo-a/xevoi 
 p.fTf<apov ^e/Dovres, ovSc eroA/iwv 5^ <f>avfpol c?vai ov8ev Travv 
 opwvres. (irofMTTtvcv oSv V7TO /caAAum}) (TTtyacr/iaTt 6 
 TO 8e TrA^os v Tais 68ots Kai ir' OIKLWV <rvveL\eyp.evov 
 Travrwv KaAAwrTa <f>opci TO. fyiaTia, TO TC <rvp[j.a ^au/iafovTcs KCU 
 TO apfiorreiv coSe aTravTou TO firfS^v tSciv TO Trapcwrav ovScis S^ 
 oyci, ws ^ ctj8eXTe/30S av So^as efvat r) TTC/DI T^V Te^vr^v 
 s, OXTTC /xTjScTrowroTe /laAAov lTraiveicr8ai TWV /?ao-iAeov 
 (<T8r)p,a.T(av jJLrjSev. TeAo? Se TratStov TI iSov 'AA.Aa yv/ivos, <^>^, 
 e/cetvos' o Sc Trarrjp VTroAa/?a>v 'AxoveTe S^, l</>j;, (frhvapovvros TOV 
 
 VrjTTlOV TOV&1. UTTCtTTOlTeS 8e T< TT\TJ(TIOV (KaO'TO'S TO TOU TTCuSl'oi', 
 
 TeAeirrwvTes e/3oa)v ajravrcs OTI FV/AVOS O-TI. CKTrAayeis S< o 
 /3ao-tAeus a>s AcyoKTWv 8^ TI, (VfdvjjieiTO o/xcos OTI TTfpaivetv 8ei TO. 
 
 TTj<5 TTO/ITT^S' Ot St ^CpCtTTOVTCS Tt (TffJLVOTepOV /3a8t^OV TOU ITpOCrdtV, 
 
 TO fropfJM. TO fiirjSafjLOV 877 Trapov 
 
 CLXVII. 
 
 '0 St Xafiwv KOI T<p (Tfp<j) yepovri, Sovs ' 
 diroi'xov, *cai cvrv^oi^s' TravTa yap X e6S- ^ Ka * 7r ^ s > ^^ 
 TOUTOV yap TOV Ka.Xap.ov 8Ka SapeiKtSi' ^s a^tov c?vai ; Ei 8e 
 /i^, avreiTrev 6 ap^wv, ovScts /AOV avawr^rjTOTepos' yvtixrecr^c yap 
 ci ovx iKavds ci/it Kat Treurav i^v Scy T^V TroAtTCiav StotKeiv. 
 eiTrwv Se, TOV Ka.Xafj.ov tKtXevo-e TrapdvTtov aTravrwv 8ia6pav<rai' 
 TOVTOV 8f ytvo/ievov ^TTfo~ov 8rj ot SapeiKoi. 6avp,ao~avTS 8e ot 
 Ka^ftevot, Kai a>s SdAwva TOV ap^ovra eTratvouvres, firrjpovTO TTUJS 
 apa rJKafcv evetvat TOVS SapetKovs T^> KaAap.^. 6 8e 
 /tev 6^ OTI cKetvos rfViKa o/zoVat ^yweAAe TOV Ka.Xap.ov T^5
 
 Part IV.] EXERCISES. 99 
 
 v, Kai dftocras fj /A^V TO apyvpiov es rots 
 
 is Trape\a/3ev. TOVTO 8f yvovTi ol 
 OTI eKeicre apa ey/ceirai TO apyvpiov. K Se TOUTWV 8ti 
 
 TTfpl TWV d/DXOVTtoV, OTl VtOT /A 
 
 r/yovfj.fvov TOV deov d/3^a5s av St/ca^otev. 
 
 CLXVIII. 
 
 Ilpoayei 8e aAAa T TroAAa TOUS av^/3W7rovs, WCTTC 
 
 Tats Tex vat ? T Kai 7rmj/icus aiVives /xaAicrTa Trap' 
 evSoKi/^oixriv, Kai ov^ ^ftOTO TO So^rys f(f>ie(rdai, (ftva-et 
 fyyevopevov OTrep rfj p*v VTTfp/3o\fj ^p-Tnov av eir;, 
 ws 8e ov Set KaTaTraixrat. 01 TC yap irporepov TrAetcrTa ev TOIS 
 fTraivovfuevoi, TOVTO So/cowt o-(f>68pa depaTTfveiv, KOL o 
 v, cro^)WTaTos TC wv /cat ei/ TOIS Tr/DWTOv TI)V TrarpiSa. w 
 virfp(f>v(a<s ws fTrfdvfj.ei TOV /cAeous, Kai TOV AuKKetov 
 
 del eireiBfv okrre TO, TOTC <rvyypa.<$>ovra a/cpijSws o-7roi>Saeiv 
 Ta lavTW apxovTt Trerr/aay^eva, Kat ju,^v Kat 8ta Ta^o^S irepa.i- 
 ve^v t'va {'wv eri TTJS Sd^rjs aTroAaixry TTJS CTreiTa Tt^vewTi p.e\\ova"r)<; 
 yevecr^ai. Kai TO /ACV TOiawa <^>iAoTi/ito-^ai fj,eya\oOvfj.ov 817 
 eo-Tf TO Se ayav /ie^TTTOv, 6'o-Tts oi5Se aTrw/cvei ^ ou Tret^etv TOV 
 (rvyypd<f>ovTa TO aK/Di/3es d^>evTa TWV Acyo/ilvcov TOJ CTratvw /cat 
 7re/)a TrpojSfjvai TOV OVTOS. TO awd 8e (Trade So^s Trept IIAtvios 
 6 vewT/)os, <r<a(f>pQvvvr)v /xevTOi /cat aiSw TrAeiova cb 
 
 CLXIX. 
 
 OvSets lyft^eo-^Tiycre TTOJ jur) ou Trao-iv e^elvai Ayo-Tas TroXffj.(p 
 
 KO.V {H.T]T TrO.pOLKW(TL [M^Tf dStKcScriV. TTOTepOV 8ta TO 
 
 ,iav avTOis KaOeo-Ttivai oiKrjcriv ; dAA' ev eKeivoi T$ TroXe/JHj} 
 <5 IIo/iTretos TOUS Ayo-Tas KaTeo-T/ae^aTO, /leywrTov TOVTO Kai 
 vSoKiyu.T^o'as, TroAeis TC KaTtx oi/ ' Ayo~Tai Kai 
 OVK dAiya Kai Tijs KiAiKias 7ri TroAv, u>o~Trep Kai 01 v{!v 
 KaTa(f)vyrjV Kai fSpav KaTecrKevao-/xei'oi ewrt TT)V 'AAyepiav. ovSe
 
 ioo KEY TO GREEK PROSE COMPOSITION. [Part IV. 
 
 yap ot OrjpfS ^oxrov aypiot ei'Aeovs ye evot/covvTes. dAAa Sta TOVT' 
 wrws, OTI wcrTre/3 ve^fXij eViKpe/iaTat 6 KiVSvvos, aS^Aos <5v OTHJ 
 cTrwr/ci^ei, oxrre 7racrtv 6/iotcDS TTpocrrjKfiv ', evAoydv y' av eh) 
 
 TOVTO, eAAeiTTei jUeVTOl Tt, OvSe /i^V AeyOVQ-l TOVTO U)S 776 TO TToAv' 
 
 TO yap dAry^9 /cat 7rao-iv 6/ioAoyov/x.evov CKCIVO o?/xa6 ?vat, OTI 
 KoivJ ciVt Trai/Tcov TroAeyMtot dv^/owTrcov, oxrre TrdvTas eTTWTpaTcvetv 
 Set, ou KaTa TO IKOWTT^ fj.aXX.ov <j>o(3fpov rj Kara TO KOivfj a7rao-i 
 (rvp.(fipov wnrep yap flo-i vojjup Tives oTrovSat yeypa/x/xevai CTTI 
 
 T^> 6KOOTTOVS TOVS IttVTWV TifJidipfUrdai TToAe/ilOVS, OWTO) Kai <^UCTl 
 
 Tts a.Trao-1 KaOeo-rrjKev aypaTTTOs o-ww/xocrta 7rt TOVS Koivy TroAe- 
 TT/SOS TOUTOVS TOIVVI/ fixnrep ov8ev 8i 7roAe//,ov 
 KaTayyetAat, OUTWS ouSe ty/cA^/xa 7rt^>/Deiv TOVS dSi- 
 Kov/xevovs' Ta ya/3 ToiavTa TrdvTa ^>vVet iwcxp^ct TT/)OS yc TOVS 
 
 CLXX. 
 
 oSv ov^ 6/Aovoov/zev, aKO7ra)/xv OTTOS ai/ apia-ra. TOVTO 
 TI)V yap dp^i)v TT/OOS TOV a/a^ovTos <^>gs civat. ^ ov ; 
 
 A. <^>^)iit yd/o. 
 
 ^>. Kai KOKOV OVTO? ; 
 
 A. vravv ye. 
 
 $. ot 8e dp^6fj.vot Kal OVTWS o/3$a>s av TTOIOICV Trei^a/a^ovi'Tes ; 
 
 A. 0etov yap TO K/aaTos. 
 
 3>. Ot TToAAot OVV TOV !l/OS eVCKtt KttKOV dStKOlVT' ttV, OvVoS Sf 
 
 / /xovos av to^>eAoiTO, Kat TOVTO ITTI ^>t'Aots ovVi Tots ^eots. 
 A. Trdvv ye, ws TOV K/DUTOVS 6(66ev SoOevros. 
 ^. TgSe Se o-KoVef *A/o' otov TC dya^ovs ovTas TOVS 0eovs eTrt- 
 Ovp-eiv TOV eva /ca/cov TOVS TroAAovs /5Ad^at, CITC dya^ovs ovras 
 etre KOKOVS, Kai TOVTO yaipovra. ; 
 
 A. iJKurra' f)v yap Tt tfravfj d/xa/3TOv, OTTOIOV av >y TO a/xap- 
 
 Scxret. 
 . TOVS /xevToi ^eovs, et ye aTreiTrov /i^ dvTto~T^vat, TOVS TroAAovs
 
 Part IV.] EXERCISES. 101 
 
 A. ro)?. 
 
 3>. oi'Se ovv dyadol 6Wes TOVS dya$ovs Ka/ca>v TV^CIV /JovAovTar 
 
 yap TOJV iroAAwv dya9oi' TOVTO Se 
 A. eoiKe yd/3. 
 
 CLXXI. 
 
 rt TOtvvv Ata MeviTrrrov TOV <tAocro<ov av$ts es ovpavov dpd- 
 /xevov, i'va ^apt^oiTO avr^), dvpiSa irapa. Oprjvei /cetjU,V7jv dvoi^at. 
 ap^etcr^s Se ravrijs roioirrov dopvfiov Kal ftorjv ^avao-T)vai, 
 wo-re 6avfj.dcravTa e/ceivov rt TOVTO IO-T/V epiorav TOV 8e m 
 vaa-dai Tas ev^as efvai Tas aTro TWV dv9pu>7T(av. TOV 8e 
 
 oyywv o-f/i/xc/Aiy/xevwv, cixrre jj.6vov Atos wTa 
 
 tvai, TroAAovs o/zajs a/cowat TrAovTov /cat TifJ-r^v Kal [J,aKpov 
 fiiov erepovs frepq. yAwcro-y Kai <^>wvij ovo/xa^ovTas. 
 Se TOV Trpwrov 6opv(3ov, avewy/iev^s tVt T^S BvpuSo^ eVeiTa 
 /zaAAov Kai 8iaKKpi[j.evas e^eA^etv Tas <$oyyas. Seiv^i/ Se Ttv' 
 etvou ^v Trptarrjv aKOVcrai ev^v, 'AOrjvrjOev ws Ata f 
 p,ei<a yeve&Oai T^> ev^o/ieva) Kat T^V cro^iav /cat TOV 
 dvayvovTa 8e TTJV ^XOI/TJV TOV MCVITTTTOV, TOV <^>tAov et'Sevat ev^d- 
 TOV 
 
 CLXXIL 
 
 Se aAAov Ttva vewo~Tt vavv ye/xuravTa, Ty Att ev^o/ 
 
 ^v cTrt/xeAov/xevos TrAovTOV e^u,7rAeav /caTaydy^, 
 dpyvpovv dva^o-etv. TOV Se ovSe/xtav 8>) T^Se 
 Ta STa CTrt/xeAeo-TC/Dov Kadevra (fxavrjs aKovo-at TIVO? Setva, 
 Trotov/xevov ota VTT' 'E<^eo-tas TOV X 7 ?/ 3015 TreTrov^ev, /cat O'KTOV 
 atTovvTos. TOV Se <do~Ktv o~7rovSatov ?vat TOV 
 v, TToAAa dvp-idfjiara Swprjfrdfjitvov dvd' 3>v ev 
 
 Kova-ecrdai. VTroAa/3etv 8e K TOVTOV 
 oo~ovs avSpas, VTre/a Tvpdvvov TrapovTos ev^o/xevovs olxrTe TTCIVT' 
 dyaBa Xafieiv. TavYa Se yAto~xpws Kat AtTrapws Trp
 
 102 KEY TO GREEK PROSE COMPOSITION. [Part IV. 
 
 av6is \Jsi6vpi(rfj.aa-i oYxi/cpots TOVS aurous 
 T<p Alt dyava/cTouWas et dpyos /ceirai 6 /cepawos wore TOIOVT<) 
 OITI v}v Irt c^etvar 0au/xdovros Sc TOU MevtTnrov, oimo 6vfj.ov(rdai 
 TOV Ata ^euSo/xevots TOIS dvOptaTrois wore ra /!' a7ro</>wrwi'Ta ra 
 crepa di 
 
 CLXXIII. 
 
 Ou /x^v TOVS <ro<fx>v<s fJLfj,<f>o[juii on Tous TrAowiovs Ounrevowi 
 
 T Kttt V7TI]pTlV TTpOaipOVVTO.1. KaA(JS y/3 O AlOyV7y 
 7TOT6 Kttt O-KW7TTOVTOS TtVOS, Altt Tl TOIS TrAoiXTtOlS 
 
 dolfv ol c/>tXoo-oc/>ot, dAA' ou TOIS <tA.oo-oc/>ois ot TrXoixrot, 
 
 /cat a/xa 8pifj.e(a<s TTWS, OTI 01 /xev CTrtcrTavrat OTOV 
 tj oi 8 ov. u)o~airro)s 8e 6 "AVTITTTTOS, CTTCI Atovwiov Tt 
 oi5S Aoyou TV^WV 7rpoo-7reo-' 6 Sc CTTUT^V /cat Sous 
 Aoyov e^apiVaTO' o-TrovSa^wv 8e TIS Trept c/>tXoo-o<^>tas CTTfTip-rjare 
 rtf 'ApwrrtTnr^) et ourws ya-^yve TTJV c/>iA.oo-o<i'av WOTC t6Ya Tt 
 
 CLXXIV. 
 
 4. 'O/xoAoyets ouV dSuvaTos eti/at VTroXa^Setv OTTWS TWV ato-^^Twv 
 Tt VTra.px<eiv olov TC, /x^ v ^v^y ov. TJ ou ; 
 
 FA. 6/ioAoyw yap. 
 
 4*. 6/xws 8c aTrep ov8f viroXaf3fiv otos T* e* Taura Siib-xvpi^ei 
 d\-r)9f) ewai. 
 
 FA. aAA' ovv dp.r)\avta ri Set evvoeiv ecrTt Se a t/xTroSwv !TI 
 /xoi VTrap^tf aAAo TI Ta Troppw a^ovTa o-ac/wDs 8vva.fJ.ai opav, oTov 
 TTJV a-\r]vr)v KOU TO. ao-rpa Sta tia/cpou oiTa aur$avo/*0a ; TOUTO 
 8c T^ aUrOrjo-ei TTOV etid^o/xev. 
 
 $. ou/covv /cat /ca0i56'a>v TOtauTa ovap ytyvaxr/ccis ; 
 
 FA. Tran; ttev o5v. 
 
 4>. <f>atvTai 8e iravra. ojaoiws iroppta aVetvai, ^ ou ; 
 
 FA. c^HXiveTat yap.
 
 Part IV.] EXERCfSES. 103 
 
 TO. 6Vap <avevTa Sid TOUTO voptfieis ^wpis etVat 
 
 Tt}? 
 FA. 
 
 4>. OVK av op$ws a/Da u7roAd/3ots TO. ala-$rjTa e^co ctvat -njs 
 
 s, Kav TOtavVa Soicy e^at 7} rySe TTWS al<rd(a/j.eda avrwv. 
 FA. 
 
 CLXXV. 
 2. &/> vw, Tr/aos Aoyov o"e aTTa eptop.a.1' oiSa yap a 
 
 fj.vov a-f /oaSiws xat V7r/Docr7jyo/Dws. "AAAo Tt, w IIe7t(rTpaTe, 
 evSaifjiovecrrepov creavrfo eSo/cets 8iaKMr^at, (JTrore ^dpiv el8w<s rots 
 ^eois TroAv rt $wras rvy^avots ; 
 
 II. ou yap cwre^Tys eifit, 5 2oAo>v, dAAa TroAAa ^Svy roiavra 
 avrots 0ixra a6 evSaifiovfCTTepos eyevofnjv. 
 
 2. TTOTCpOV SeO/iVOlS T^S ^VCTlttS ; 
 
 II. ov8c yd/3 ST^TTOV TWV ye /3poTei<av ovSevos' 8id Se TOUTO ^v 
 evSat/na)v, on aTrep ZpaOov Seiv Trpa^at, ravra eirpaiTcrov. 
 
 2. evcre/3ws yap eAe^a?, a <i'Ae, Kai orovSattos a/^ta /cat cvAoyws, 
 ov yap eSeovro TTJS Ovcrias ol Oeoi' TTCUS yap, o?rtves irdvra. eSocrav, 
 OUTOI /cat OTOUOUV av Seotvro ; Seorrat Se ot 'A^T/vaiot, dvay/catws 
 Ttvo5 Kat cvSews Trpos O-QU l^ovres, avrou Si) TOVTOU Aeyw 6Vcp <ri; 
 d(f)fXwv fJLfra. ovSe/tta? SaTrav^s av (X7ro8otT/s. w/ioAoyeis yovv 
 ev8ai/j.ovecrTepo<s del ycvecr^at, OTTOTC TOIS ^eots TI dva^et^s, e^ov 
 aury Kar' ot/ctav ^prjcrdar urdi. roivvv /xrjSev ^(ro~ov rotouros 
 o-o/xevos i]v a;rep oTrecrTepT/o-as TOIS TroAtVats aT 
 ov Tavra /xovov, T^V Kaipos y, cra^)f(rra.ra. /zeAAovTcov a 
 dAAd Kai Kai TO. ^pr//xaTa crvA^O"at /cat 8^ Kat aTT
 
 NOTES AND ALTERNATIVE VERSIONS 
 AND CORRIGENDA. 
 
 PART I. 
 
 Ex. line 
 1. 9. diroTpfrrowv is oblique delib. 10. The ordinary conditional air. 
 
 &v might be used, but the other is more idiomatic. 
 1 1. f-WTciKtiv is governed by Set?, 0ace?<r0at orat. obliq. 
 15. irXtvovo, T&V ej>dpov] Tertiary predicate, 'their tribute more,' lit. 
 
 2. 5- YfyP a< j> ] Vivid, 31. Comp. 148. 
 
 ii. dvotgas] Literal word for 'opened:' perhaps better say ave- 
 Xi'fas, 'unrolled,' as a classical book was a roll. 
 
 14. rip Tiroi] Observe the reg. usage of dative after perf. pass. 
 
 4. 2. Read irpoos for -irpavs, which seems not to occur masc. sing. 
 
 15. dv ^.e^oy] 'I would have been saying' literally, because the 
 
 supposition is excluded. 
 
 5. I. w|AJs is a better word than v^Xe^s, which seems to be only 
 
 poetical. 
 
 3. TWV . . . 4>CXv] Observe the gen. of separation, used idiom- 
 
 atically after XeXet/^voj. 
 7. TcXevrwv] 156. 
 
 7. 2. ofl 4>Tjtri is found even after d, the ot) really belonging to the 
 dependent verb, so that oti fyqai = ' he denies. ' 
 
 4. If 7reipu|j.6voi . . . \Jmj86[j.evos is felt to be too harsh, say r<f> 
 
 \f/evdf<rdat. virepj3a\eiv. 
 
 10. 10. fjo-o-wv] Perhaps t\a,<r<rwv would be a better word, as ij<T<rwi> 
 
 rather means ' inferior. ' 
 
 11. 3. k9av\Mlv . . . cl] 32. 
 7. |xf| . . . S#-acr6cu] 130. 
 
 12. 2. firel . . . Svvao-Oai.] Inf., because it is part of the pretence, and 
 
 so oblique. See 38. 
 
 105
 
 io6 NOTES. 
 
 Ex. line 
 
 15. 8. iropd rig 6t$\ It would perhaps be rather neater to use the 
 pregnant construction, irapa rty Oeav, implying motion to the 
 temple. 
 
 18. 4. After rJiv Apxrov should be read ir\ty rdv \ri\(av. 
 
 19. 4. oil 8tol iroXXov] Observe that adverbs of time tend to come early 
 
 in the sentence. 
 
 8. at Athens must be translated by to Athens, since it must qualify 
 the verb and not (as in English) the substantive. 
 
 22. 4. Perhaps wj instead of otirep would be a little easier ; and in that 
 
 case it would be all orat. obliq. afterwards. 
 ii. ^<rav] For the facts exclude the supposition. 
 
 23. I. pcuri\Viv is commoner, so that the statement about apxtffOai in 
 
 1 68 is misleading. 
 
 25. 2. KeiTai is more usual than rtOeirai. 
 
 29. I. r<p IlaSup] Dat. ace. to the regular usage of 6 01/7-6$. 
 
 33. 10. Observe ov yap vciv ; the yap implies the answer, so that the 
 
 point is capable of being delicately given in Greek. 
 
 34. 6. wv] Observe the present participle, regularly used of past time 
 
 (as the tense expresses only extension, and does not define the 
 time) with an adverb (here irpbrepov) to fix the period. 
 
 38. 12. (if) \|/v8T<u] The pres. ind. is much the most dramatic and vivid 
 tense to use here, cf. 192 (a). 
 
 40. 6. [wXXtiv takes pres. fut. and aorist inf. equally. 
 8. ^ ov] 132. 
 
 42. 7. Before jiavOdvwv is omitted by an oversight Zva. tviavrbv. 
 
 PART II. 
 
 58. 10. elpti(j.evov] 164. 
 
 59. iwro-yv^vra] Ace., because the verb understood is not 'he says 
 
 that, ' in which case, by inf. attraction, it would 
 but ' he bids me say that' 
 
 60. 8. irpi|j^vovTS S iSXrjv] Not iv C\]7, for the construction is preg- 
 
 nant, 'going to a wood and waiting there.' 
 ii. irplv . . . IBTjo-cv] 81.
 
 NOTES. 107 
 
 Ex. line 
 
 66. 3. ovSiv 8,n OVK] 151. 
 
 67. 2. (iciXXov] Usually where we say 'not so much,' the Greeks 
 
 (with their wonted delicacy of statement) say ofl fj.a\\ov, 'not 
 more.' So ot>x tfKurra for 'principally,' etc. 
 72. 15. 8i)0v suggests that they thought it -was poison. 
 
 74. 9. ^m]8drr]v . . . <rvvfj\0ov] The dual and plural are constantly 
 found together : in fact, the dual is only a form of the plural, 
 and a dual noun is found often with a plural verb. 
 
 75. 5. Perhaps it is better to say simply Apurrov Kal ffotyurarov elvat. 
 
 76. 5- 6<t>CXoi] 36. 
 
 83. n. SioXunJvTo, . . . &r<r6ai] This change to ace. inf. is common 
 as the orat. obliq. proceeds, though usually after a full stop 
 or colon. We might read dia\nruv . . . ^roi/tos ZITOITO. 
 
 87. 5- fjo-Oa, e8t|Xovs] 35 (3). Supposition excluded by facts. 
 
 90. 2. |Ml8vl] 128. 
 
 PART III. 
 
 95. 5. 'To Fabius in Etruria' must be ' ... to Etruria,' as both 
 clauses have to be grouped round the verb. 
 
 103. 6. 88v by a not uncommon attraction for tKeWfv o5, which may 
 
 be put instead if preferred. 
 
 104. 5- F r ^ Tl ^ might be a little clearer to read ZTI. /j.a\\ov. 
 
 105. 10. olos &v TIS] Of course the verb etr; is readily understood from 
 
 flva.i. 
 
 106. 12. cos . . . aKoXovOVjo-ovras] This idiomatic use of us with the 
 
 ace. (instead of gen. abs.) should be observed, which occurs 
 when there is a notion of orat. obliq. (supposing, knowing, 
 asserting). 
 
 107. 1 6. Perhaps for 8 irpbs p. 8iKeiTO use the simpler &v etivow 6vra 
 
 fjirtffTavTO Ty /JctcriXe?. 
 
 108. 8. ' It was vain to argue.' This means ' they did argue . . . and 
 
 the man did not listen,' and so I have translated.
 
 io8 NOTES. 
 
 Ex. line 
 
 109. 4. dpxovra] I mean 'before a general was proclaimed,' not 
 ' before he was proclaimed general, ' which would be ti.p-x.wv. 
 The other is a more delicate way of saying it. 
 10. ws . . . forr8(u] 38. 
 
 110. 7- Sciv roS fifj] The idiomatic redundant JM), in accordance with 
 
 the principle of 130. 
 113. 9. ret lKi<r] Observe this device. 
 
 116. The last sentence being so extremely idiomatic in the English 
 
 is of necessity much recast. 
 
 117. The last word iir-geaav I have ventured to insert for the sake 
 
 of the directness so much desired in Greek. 
 
 118. 10. If this sudden oratio obliqua is thought harsh (though I believe 
 
 ft is natural) insert ?<paffKOi> after 
 
 119. 5. IK rfjs ir<5Xws] As so often where we say 'in the city.' 
 
 121. ' God bless you ! God bless you ! ' The repetition is un- 
 natural in Greek, and so is" best given by ovx #n-a, or some 
 such turn. 
 
 124. i. f>Tj is inserted to make clear the oratio obliqua. 
 
 127. 4. <rr (T(&|o-6ai . . .] Some such device as this is necessary, 
 
 for the English idiom, 'fortunately,' 'unfortunately,' is 
 entirely foreign to Greek. 
 
 128. 1 6. TOVTOV oSv] otv is common in this resumptive usage. 
 
 130. IO. gjAirXews is given in Liddell and Scott as having two termina- 
 tions, though TrX^wj makes ?rX^a in fern. Is this true ? I 
 have, however, assumed it. 
 
 II. TOV agrees with lepov, as usual. 
 
 ' respect or fear ' has been accidentally omitted. Insert after 
 irapex&povv, efre vir' alSovs etre Kal QofiotifJievoi. 
 
 132. 5. dir<JvTcs |tiv has no 5^ to answer ; but this is natural, as the 
 /j.d\\ov clause is substituted. 
 
 13. ISvo-x^pcuvtv is strictly in agreement with tffvq : but really 
 (being so far off) a Greek would probably have written the 
 plural.
 
 NOTES. 109 
 
 Ex. line 
 
 134. 9. ical irpdrepov a. ] I have ventured to insert here ' the uneasy 
 
 auditor,' as the more natural place. If this is thought 
 harsh, insert in line 5, after oZv, dvcrxepxlvovros 6',uws ticftvov. 
 
 135. 8. The second c&ore sounds clumsy. Read eirl r(f. 
 
 II. The note suggests ffirovdaei.i> for ' pursue.' But it is neater as 
 done in the version. 
 
 136. 12. dvaOlorSai] Metaph. from draughts, ' to take back a move. ' 
 
 139. 9- irapd TOV |3a<riX.&os] irapb, 'from the side of,' 'from the house 
 
 of, ' gives the notion of the court, ' the king's surroundings. ' 
 9. &r<riv] 191. 
 1 6. e^cXevOcpoi is subj. 
 
 140. 3. irepl 0a.vd.Tov] I have put this rather than what the note 
 
 recommends, to avoid repeating dnroKTeivai. 
 
 144. 3. |i&Xov<riv] 192 (a). 
 
 PART IV. 
 
 163. 8. tvai] To express the oblique, 38. 
 1 8. ava0'<r6ai] See Ex. 136. Note. 
 
 164. 4. av8pJ>S ofov qxov] 153. 
 
 165. 1 1. ' The tradition of the fall of man ' is translated at some length ; 
 
 but, not being a Greek idea, the technical theological terms 
 have to be interpreted. 
 
 167. 5- A ov\ ticaviJs l|ii] In spite of 127, d may have ov after it 
 wherever the el is not really conditional, but as here, e.g. = 
 ' whether.' 
 
 1 3. IKCIO-C yKiTai] Pregn. constr. , ' has been put into that. ' 
 169, 8. l\Js seems the more accurate form. 
 172. 7. dvO' v, with inf., 38. 
 
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 sensible, as far as I have been able to 
 examine them, and give just enough help, 
 and not too much ; and the size of each 
 volume is so small, that in most cases it 
 need not form more than one term's work. 
 
 Something of the kind was greatly wanted." 
 E. E. Bowen, M.A., Master of the 
 Modern Side, Harrow School. 
 
 " I have used some of the volumes of 
 your English School-Classics for several 
 months in my ordinary form work, and I 
 have recommended others to be set as sub- 
 jects for different examinations for which 
 the boys have to prepare themselves. I 
 shall certainly continue to use them, as 
 I have found them to be very well suited 
 to the wants of my form." C. M. Bull, 
 M.A., Master of the Modern School at 
 Marlborough College. 
 
 " I have no hesitation in saying that the 
 volumes of your Series which I have ex- 
 amined appear to me far better adapted for 
 school use than any others which have 
 come under my notice. The notes are 
 sufficiently full to supply all the informa- 
 tion which a boy needs to understand the 
 text without superseding the necessity of 
 his thinking. The occasional questions 
 call the learner's attention to points which 
 he can decide from his own resources. The 
 general plan, and the execution of the 
 volumes which have come before me, leave 
 little to be desired in a School Edition of 
 the English Classics." The Rev. Chas. 
 Grant Chittenden, M.A., The Grange, 
 Hoddesdon, Herts. ' 
 
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 MSSRS. RIVING TOWS [ENGLISH. 
 
 SELECT PLA YS OF SHAKSPERE 
 
 RUGBY EDITION. 
 
 With Introduction and Notes to each Play. 
 Small 8vo. 
 
 As You LIKE IT. *. HAMLET, zs.ej. 
 MACBETH, zr. KING LEAR. &. 6</. 
 
 Edited by the Rev. CHARLES E. MOBERLY, M.A., Assistant-Master 
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 CORIOLANUS. 2s. 6d. 
 
 Edited ty ROBERT WHITELAW, M.A., Assistant-Master at Rugby 
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 Edited by J. SURTEES PHILLPOTTS, M.A., Head-Master of Bedford 
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 With Notes at the end of the Volume. 2s. 
 
 THE MERCHANT OF VENICE. 
 
 Edited by R. W. TAYLOR, M.A., Assistant-Master at Rugby School. 
 With Notes at the end of the Volume. 
 
 [In preparation. 
 
 Dictionary of the English Language. 
 
 By R. G. LATHAM, M.A., M.D., late Fellow of King's College, 
 Cambridge. 
 
 Abridged from Dr. Latham's Edition of Johnson's English Dic- 
 tionary. In I vol. medium 8vo. 24*. 
 
 The Rudiments of Rnglish Grammar 
 and Composition. 
 
 By J. HAMBLIN SMITH, M.A., of Gomille and Caius College, 
 and late Lecturer at St. Peters College, Cambridge. 
 Crown 8vo. 2s. 6d. 
 
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 MATHEMATICS.] EDUCATIONAL LIST. 
 
 MATHEMATICS 
 
 RIVINGTONS MATHEMATICAL SERIES 
 
 The following Schools, amongst many others, use this Series : Eton : 
 Harrow : Rugby : Winchester : Charterhouse : Marlborough : Shrewsbury : 
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 OPINIONS OF TUTORS AND SCHOOLMASTERS. 
 
 "A person who carefully studies these 
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 " We have for some time used your 
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 " I have used in my Lecture Room Mr. 
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 advantage." James Porter, M.A., Master 
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 " For beginners there could be no better 
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 and Caius College, Cambridge. 
 
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 matical Works to be a very valuable series 
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 " I can say with pleasure that I have 
 used your books extensively in my work at 
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 whole well adapted for boys." Thomas 
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 " I consider Mr. Smith has supplied a 
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 " We have used your Algebra and Trigo- 
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 thoroughly agree with every mathematical 
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 matical Master at the College, Hurst- 
 pierpoint, Sussex. 
 
 " I consider them to be the best books 
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 I have used them under very different cir- 
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 io MSSS. RIVINGTOWS [MATHEMATICS. 
 
 RIVINGTONS* MATHEMATICAL SERIES continued. 
 
 ELEMENTARY ALGEBRA. 
 
 By J. HAMBLIN SMITH, M.A., of Gonville and Caius College, and 
 late Lecturer at St. Peter's College, Cambridge. 
 Small 8vo. y. Without Answers, 2s. &/. A KEY. Crown 8vo. gs. 
 
 EXERCISES ON ALGEBRA. 
 
 By J. HAMBLIN SMITH, M.A. 
 Small 8vo. 2s. 6d. (Copies may be had without the Answers.) 
 
 ALGEBRA. Part II. 
 
 By E. J. GROSS, M.A., Fellow of Gonville and Caius College, 
 Cambridge, and Secretary to the Oxford and Cambridge Schools Exami- 
 nation Board. 
 
 Crown 8vo. Ss. 6d. 
 
 "We have to congratulate Mr. Gross on guage is precise, clear, and to the point, 
 
 his excellent treatment of the more difficult The problems are not too numerous, and 
 
 chapters in Elementary Algebra. His work selected with much tact and judgment. 
 
 satisfies not only in every respect the re- The range of the book has been very rightly 
 
 quirements of a first-rate text-book on the somewhat extended beyond that assigned 
 
 subject, but is not open to the standing to simpler treatises, and it includes the 
 
 reproach of most English mathematical elementary principles of Determinants, 
 
 treatises for students, a minimum of teach- This chapter especially will be read with 
 
 ing and a maximum of problems. The satisfaction by earnest students, and the 
 
 hard work and considerable thought which mode of exposition will certainly have the 
 
 Mr. Gross has devoted to the book will be approval of teachers. Altogether we think 
 
 seen on every page by the experienced that this Algebra will soon become a 
 
 teacher; there is not a word too much, general text-book, and will remain so for 
 
 nor is the student left without genuine a long time to come." Westminster 
 
 assistance where it is needful. The Ian- Review. 
 
 KINEMATICS AND KINETICS. 
 
 By E. J. GROSS, M.A. 
 
 Crown 8vo. $s. 6</. 
 
 A TREATISE ON ARITHMETIC. 
 
 By J. HAMBLIN SMITH, M.A. 
 
 Small 8vo. $s. 6d. A KEY. Crown 8vo. QJ. 
 (See Specimen P*ge, No. 7.) 
 
 EXAMINATION FOR TEACHERS' CER- ' Rules,' can be applied to the solution of 
 
 TIFICATES : SUGGESTIONS FROM DR. all classes of questions. 
 
 MCL.ELLAN. " I therefore recommend all " If then candidates master (as they can 
 
 intending candidates to read carefully easily do) the method of this book, and 
 
 Hamblin Smith's Arithmetic. Some of apply it to the excellent examples which 
 
 this Author's works are already -well and the Author has supplied, and to those ques- 
 
 favourably known in Ontario ; the Arith- tions set from time to time by the Central 
 
 rr.etic is one of the most valuable of the Committee, there will be fewer failures at 
 
 series. It explains and illustrates the Uni- the next examination." Extract front 
 
 tary Method, showing how the elementary Letter of Dr, J. A. McLellan, Senior 
 
 principles of pure science, without being High School Inspector for Canada, to the 
 
 disguised in multitudinous perplexing " Toronto Mail" November 22, 1876. 
 
 LONDON, OXFORD, AND CAMBRIDGE.
 
 MATHEMATICS.] EDUCATIONAL LIST. n 
 
 RIVINGTON& MATHEMATICAL SERIES continued. 
 
 ELEMENTS OF GEOMETRY. Small 8vo. 3J. &/. 
 
 By J. HAMBLIN SMITH, M.A. 
 
 Containing Books I to 6, and portions of Books II and 12, of 
 EUCLID, with Exercises and Notes, arranged with the Abbreviations 
 admitted in the Cambridge University and Local Examinations. 
 
 Part L, containing Books I and 2 of Euclid, limp cloth, is. f>d., may 
 be had separately. 
 
 (See Specimen Page, No. 8.) 
 
 GEOMETRICAL CONIC SECTIONS. Crown 8vo. 4*. &/. 
 
 By G. RICHARDSON, M.A., Assistant-Master at Winchester College, 
 and late Fellow of St. John's College, Cambridge. 
 
 TRIGONOMETRY. Small 8vo. 4?. 6d. A KEY. Crown 8vo. 7-r. 6d. 
 By J. HAMBLIN SMITH, M.A. 
 
 ELEMENTARY STATICS. SmaiiSvo. y. 
 
 By J. HAMBLIN SMITH, M.A. 
 
 ELEMENTARY HYDROSTATICS. SmaiiSvo. 3*. 
 
 By J. HAMBLIN SMITH, M.A. 
 
 BOOK OF ENUNCIATIONS FOR HAMBLIN SMITH'S 
 
 GEOMETRY, ALGEBRA, TRIGONOMETRY, STATICS, AND HYDRO- 
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 The Principles of Dynamics. 
 
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 By R. WORMELL, D.Sc., M.A., Head-Master of the City of London 
 Middle-Class School. 
 
 Crown 8vo. 6^. 
 
 Arithmetic, Theoretical and Practical. 
 
 By W. H. GIRDLESTONE, M.A., of Chris fs College, Cambridge, 
 Principal of the Theological College, Gloucester. 
 
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 Also a School Edition. Small 8vo. 3^. 6d. 
 
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 12 MSSXS. RIVINGTON'S [SCIENCE. 
 
 SCIENCE 
 
 Preparing for Publication, 
 
 SCIENCE CLASS-BOOKS 
 
 Edited by 
 The REV. ARTHUR RIGG, M.A., 
 
 LATK PRINCIPAL OF THE COLLEGE, CHESTER. 
 
 These Volumes are designed expressly for School use, and by 
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 AN ELEMENTARY CLASS-BOOK ON SOUND. 
 
 By GEORGE CAREY FOSTER, B.A., F.R.S., Fellow of, and Professor 
 oj Physics at, University College, London. 
 
 AN ELEMENTARY CLASS-BOOK ON ELECTRICITY. 
 
 By GEORGE CAREY FOSTER, B.A., F.R.S., Fellow of, and Professor 
 of Physics at, University College, London. 
 
 BOTANY FOR CLASS-TEACHING. 
 
 With Exercises for Private Work. 
 
 By F. E. KITCHENER, M.A., F.L.S., Assistant- Master at Rugby 
 School, and late Fellow of Trinity College, Cambridge. 
 
 ASTRONOMY FOR CLASS-TEACHING. 
 
 With Exercises for Private Work. 
 
 By WALLIS HAY LAVERTY, M.A., late Fellow of Queen's College, 
 Oxford. 
 
 The knowledge of Mathematics assumed will be Euclid, Books I.-VL, and Quadratic 
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 Other Works are in preparation. 
 LONDON, OXFORD, AND CAMBRIDGE.
 
 SCIENCE.] EDUCATIONAL LIST. 13 
 
 A Year s Botany. 
 
 Adapted to Home and School Use. 
 By FRANCES ANNA KITCHENER. 
 
 Illustrated by the Author. Crown 8vo. $j. 
 
 (See Specimen Page, No, 2.) 
 
 CONTENTS. 
 
 General Description of Flowers Flowers with Simple Pistils Flowers with Com- 
 pound Pistils Flowers with Apocarpous Fruits Flowers with Syncarpous Fruits 
 Stamens and Morphology of Branches Fertilisation Seeds Early Growth and Food 
 of Plants Wood, Stems, and Roots Leaves Classification Umbellates, Composites, 
 Spurges, and Pines Some Monocotyledonous Families Orchids Appendix of Technical 
 Terms Index. 
 
 " One and only one English book do I facts only ; but is the expression of the 
 know that might almost make a stupid method f a first-rate teacher in such a 
 man teach one science well ; and that is form as to enable any one to follow it." 
 Mrs. Kitchener's 'A Year's Botany ' (Riv- J. M. Wilson, M.A., in "Nature" of 
 ingtons). That happily does not teach April 13, 1876. 
 
 An Easy Introduction to Chemistry. 
 
 For the use of Schools. 
 
 Edited by the Rev. ARTHUR RIGG, M.A., late Principal of The Col- 
 lege, Chester, and WALTER T. GOOLDEN, B.A., late Science Scholar 
 of Merton College, Oxford ; and Lecturer in Natural Science at Ton- 
 bridge School. 
 
 New Edition, revised. With Illustrations. Crown 8vo. 2s. 6d. 
 (See Specimen Page, No. 9.) 
 
 Notes on Building Construction. 
 
 Arranged to meet the requirements of the syllabus of the Science and 
 Art Department of the Committee of Council on Education, South 
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 PART I. FIRST STAGE, OR ELEMENTARY COURSE. 
 
 With 325 woodcuts, ior. 6d. 
 PART II. COMMENCEMENT OF SECOND STAGE, OR AD- 
 
 VANCED COURSE. With 277 woodcuts, ior. 6d. 
 PART III. ADVANCED COURSE. [In the Press. 
 
 REPORT ON THE EXAMINATION IN BUILDING CONSTRUCTION, HELD BY THE SCIENCE 
 AND ART DEPARTMENT, SOUTH KENSINGTON, IN MAY, 1875. "The want of a text-book 
 in this subject, arranged in accordance with the published syllabus, and therefore limiting 
 the students and teachers to the prescribed course, has lately been well met by a work 
 published by Messrs. Rivingtons, entitled ' Notes on Building Construction, arranged 
 to meet the requirements of the Syllabus of the Science and Art Department of the Com- 
 mittee of Council on Education, South Kensington.' 
 June 1 8, 1875. (Signed) H. C. SEDDON, Major, R.E." 
 
 " Something of the sort was very much simple and consecutive manner, advancing 
 
 needed. The whole series when published from rudimental and general statements to 
 
 will be a great boon to young students." those which are comparatively advanced ; 
 
 Builder. it is a thoroughly coherent, self-sustained 
 
 "The text is prepared in an extremely account." Athe>i&um. 
 
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 14 MESSRS. RIVINGTOWS [LATIN. 
 
 LATI N 
 Easy Latin Stories for Beginners. 
 
 With Vocabulary and Notes. Forming a First Latin Reading Book 
 for Junior Forms in Schools. 
 
 By G. L. BENNETT, M.A., Assistant-Master at Rugby School; 
 formerly Fellow of St. John's College, Cambridge. 
 Crown 8vo. 2s. 6d. 
 
 Elementary Rules of Latin Pronun- 
 ciation. 
 
 By ARTHUR HOLMES, M.A., late Senior Fellow and Dean of Clare 
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 Crown 8vo. On a card, gd. 
 
 Outlines of Latin Sentence Construc- 
 tion. 
 
 By E. D. MANSFIELD, B.A., Assistant-Master at Clifton. College. 
 Demy 8vo. On a card, is. 
 
 Easy Exercises in Latin Prose. 
 
 By CHARLES BIGG, D.D., Principal of Brighton College. 
 Small 8vo. is. $d. ; sewed, gd. 
 
 Latin Prose Exercises. 
 
 For Beginners, and Junior Forms of Schools. 
 
 By R. PROWDE SMITH, B.A., Assist.- Master at Cheltenham College. 
 New Edition. Crown 8vo. 2s. 6d. 
 
 An Elementary Latin Grammar. 
 
 By J. HAMBLIN SMITH, M.A., of Gonville and Caius College, and 
 late Lecturer at St. Peter s College, Cambridge. 
 Small 8vo. y. 6d. 
 
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 LATIN.] EDUCATIONAL LIST. 15 
 
 Henry 's First Latin Book. 
 
 By THOMAS KERCHEVER ARNOLD, M.A. 
 . Twenty-third Edition. I2mo. 3^. TUTOR'S KEY, is. 
 Recommended in the Guide to the Choice of Classical Books by J. B. 
 Mayor, M.A., Professor of Classical Literature at King's College, late 
 Fellow and Tutor of St. John's College, Cambridge. 
 
 A Practical Introduction to Latin 
 Prose Composition. 
 
 By THOMAS KERCHEVER ARNOLD, M.A. 
 
 Seventeenth Edition. 8vo. 6s. 6d. TUTOR'S KEY, u. 6d. 
 
 Cornelius Nepos. 
 
 With Critical Questions and Answers, and an Imitative Exercise 
 on each Chapter. 
 
 By THOMAS KERCHEVER ARNOLD, M.A. 
 Fifth Edition. I2mo. 4*. 
 
 A First Verse Book. 
 
 Being an Easy Introduction to the Mechanism of the Latin Hexa- 
 meter and Pentameter. 
 By THOMAS KERCHEVER ARNOLD, M.A. 
 
 Eleventh Edition. I2mo. 2s. TUTOR'S KEY, is. 
 
 Progressive Rxercises in Latin 
 Elegiac Verse. 
 
 By C. G. GEPP, B. A., late Junior Student of Christ Church, Oxford, 
 and formerly Assistant- Master at Tonbridge School. 
 Third Edition, Revised. Crown 8vo. 3-r. 6d. TUTOR'S KEY, $s. 
 Recommended in the Guide to the Choice of Classical Books by J. B. 
 Mayor, M.A., Professor of Classical Literature at King's College, late 
 Fellow and Tutor of St. John's College, Cambridge. 
 
 Selections from Livy, Books VIII. 
 and ix. 
 
 With Notes and Map. 
 
 By E. CALVERT, LL.D., St. John's College, Cambridge; and 
 R. S AWARD, M.A., Fellow of St. John's College, Cambridge; Assistant- 
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 Small 8vo. 2s. 
 
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 1 6 MESSXS. RIVINGTOWS [LATIN". 
 
 New Edition, re-arranged, with fresh Pieces and additional References. 
 
 Materials and Models for Latin 
 Prose Composition. 
 
 SeUcted and arranged by J. Y. SARGENT, M. A., Fellow and Tutor 
 of Magdalen College, Oxford; and T. F. DALLIN, M.A., Tutor, late 
 Fellow, of Queen's College, Oxford. 
 
 Crown 8vo. 6s. 6d. 
 (See Specimen Page, No. 10.) 
 
 Latin Version of (60) Selected Pieces 
 from Materials and Models. 
 
 By J. Y. SARGENT, M.A. 
 
 Crown 8vo. 5 J - 
 May be had by Tutors only, on direct application to the Publishers. 
 
 Stories from Ovid in Elegiac Verse. 
 
 With Notes for School Use and Marginal References to the PUBLIC 
 SCHOOL LATIN PRIMER. 
 
 By R. W. TAYLOR, M.A., Assistant- Master at Rugby School, late 
 Fellow of St. John's College, Cambridge, and Head- Master elect of Kelly 
 College, Tavistock. 
 
 Crown 8vo. 3J. 6d. 
 (See Specimen Pages, Nos. II and 12.) 
 
 The sEneid of Vergil. 
 
 Edited, with Notes at the end, by FRANCIS STORR, B.A., Chief Mas- 
 ter of Modern Subjects at Merchant Taylors' School. 
 BOOKS XI and XII. 
 Crown 8vo. 2s. 6d. 
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 Crown 8vo. "Js. 6d. 
 Or interleaved with writing-paper, half-bound, lew. (>d. 
 
 Eclogce Ovidiance. 
 
 From the Elegiac Poems. With English Notes. 
 By THOMAS KERCHEVER ARNOLD, M.A. 
 
 Fourteenth Edition, revised. I2mo. 2s. 6d. 
 
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 Z,ATIN.] EDUCATIONAL LIST. 17 
 
 Terenti Comoediae. 
 
 Edited by T. L. PAPILLON, M.A., Fellow of New College, and late 
 fellow of Merton, Oxford. 
 ANDRIA ET EUNUCHUS. 4^. 6d. 
 ANDRIA. New Edition, with Introduction on Prosody. 3^. 6d. 
 
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 Second Edition, enlarged and revised. Crown 8vo. 5 J ' 
 Forming a Part of the " Catena Classicorum." 
 
 Persii Satirae. 
 
 Edited by A. PRETOR, M. A., of Trinity College, Cambridge, Classical 
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 School, Cambridge. 
 
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 Horati Opera. 
 
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 VOL. I. THE ODES, CARMEN SECULARE, AND EPODES. 
 
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 c
 
 1 8 MESSRS. RIVING TON'S [GREEK. 
 
 GREEK 
 
 A Primer of Greek Accidence for the 
 Use of Schools. 
 
 By EVELYN ABBOTT, M.A., Fellow and Tutor of Balliol College, 
 Oxford; and E. D. MANSFIELD, B.A., Assistant-Master at Clifton 
 College. With a Preface by JOHN PERCIVAL, M.A., LL.D., Head- 
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 Crown 8vo. 2s. 6d. 
 
 Elements of Greek Accidence. 
 
 By EVELYN ABBOTT, M.A., Fellow and Tutor of Balliol College r 
 Oxford, and late Assistant- Master at Clifton College. 
 
 Crown 8vo. 4^. (>d. 
 
 "This is an excellent book. The com- the late Dr. Donaldson a most excellent 
 pilers of elementary Greek Grammars have volume for the time at which it was pub- 
 not before, so far as we are aware, made lished will show how considerable the 
 full use of the results obtained by the advance has been ; while a comparison, 
 labours of philologists during the last with the works in ordinary use, which have 
 twenty-five years. Mr. Abbott's great never attained anything like the standard 
 merit is that he has ; and a comparison reached by Dr. Donaldson, will really sur- 
 between his book and the Rvdimenta of prise the teacher." Athemzum. 
 
 An Introduction to Greek Prose 
 Composition, with Exercises. 
 
 By ARTHUR SIDGWICK, M.A., Assistant- Master at Rugby School, 
 and formerly Fellow of Trinity College, Cambridge. 
 
 Crown 8vo. $j. A KEY. [Nearly Ready. 
 
 Zeugma; or, Greek Steps from Primer 
 to Author. 
 
 By the Rev. LANCELOT SANDERSON, M.A., Principal of Elstree 
 School, late Scholar of Clare College, Cambridge ; and the Rev. F. B. 
 FIRMAN, M.A., Assistant-Master at Elstree School, late Scholar of 
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 Small 8vo. is. (>d. 
 
 A Table of Irregular Greek Verbs. 
 
 Classified according to the arrangement of Curtius's Greek Grammar. 
 
 By FRANCIS STORR, B.A., Chief-Master of Modern Subjects at 
 Merchant Taylors' School, late Scholar of Trinity College, Cambridge, 
 and Bell University Scholar. 
 
 On a Card. is. 
 
 LONDON, OXFORD, AND CAMBRIDGE.
 
 GREEK.] EDUCATIONAL LIST. 19 
 
 Selections from Lucian. 
 
 With English Notes. 
 
 By EVELYN ABBOTT, M.A., Fellow and Tutor of Balliol College T 
 Oxford, and late Assistant- Master at Clifton College. 
 Small 8vo. 2 s - f>d. 
 
 A lexander the Great in the Punjaub. 
 
 Adapted from Arrian, Book V. An easy Greek Reading Book. 
 
 Edited, -with Notes and a Map, by the Rev. CHARLES E. MOBERLY,. 
 M.A., Assistant-Master at Rugby School, and formerly Scholar oj 
 Balliol College, Oxford. 
 
 Small 8vo. 2j. 
 
 Stories from Herodotus. 
 
 The Tales of Rhampsinitus and Polycrates, and the Battle of Mara- 
 thon and the Alcmaeonidae. In Attic Greek. 
 
 Edited by}. SURTEES PHILLPOTTS, M.A., Head- Master of Bedford 
 Grammar School; formerly Fellow of New College, Oxford. 
 Crown 8vo. u. 6d. 
 
 lophon: an Introduction to the Art 
 
 of Writing Greek Iambic Verses. 
 
 By the WRITER of " Nuces " and " Lucretilis." 
 Crown 8vo. 2s. 
 
 The First Greek Book. 
 
 On the plan of Henry's First Latin Book. 
 By THOMAS KERCHEVER ARNOLD, M.A. 
 
 Sixth Edition. i2mo. 5j. TUTOR'S KEY, is. 6d. 
 
 A Practical Introduction to Greek 
 Accidence. 
 
 By THOMAS KERCHEVER ARNOLD, M.A. 
 
 Ninth Edition. 8vo. 5-r. 6d. 
 
 A Practical Introduction to Greek 
 Prose Composition. 
 
 By THOMAS KERCHEVER ARNOLD, M.A. 
 
 Twelfth Edition. 8vo. j. 6d. TUTOR'S KEY, is. 6d. 
 
 LONDON, OXFORD, AND CAMBRIDGE. 
 
 C 2
 
 20 MESSRS. RIVING TOWS [GREEK. 
 
 SCENES FROM GREEK PL A YS 
 
 RUGBY EDITION 
 
 Abridged and adapted for the use of Schools t by 
 ARTHUR SIDGWICK, M.A., 
 
 ASSISTANT-MASTER AT RUGBY SCHOOL, AND FORMERLY FELLOW OK 
 TRINITY COLLEGE, CAMBRIDGE. 
 
 Small 8vo. is. (>d. each. 
 
 ARISTOPHANES. 
 
 THE CLOUDS. THE FROGS. THE KNIGHTS. PLUTUS. 
 
 EURIPIDES. 
 
 IPHIGENIA IN TAURIS. THE CYCLOPS. ION. 
 
 ELECTRA. ALCESTIS. BACCH^E. HECUBA. 
 
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 \Specitntn Page, No. I.] 
 308 HENRY VI. [1429 
 
 these too far apart, and the intercourse of the defenders with an army 
 of relief under the Count of Clermont at Blois was not broken off. 
 Early in the following year, this army hoped to raise the siege by 
 falling on a large body of provisions coming to the besiegers from 
 Batue of tiia Paris under Sir John Fastolf. The attack was made at 
 Herringi. Rouvray, but Fastolf had made careful preparations. 
 
 The waggons were arranged in a square, and, with the stakes of the 
 archers, formed a fortification on which the disorderly attack of the 
 French made but little impression. Broken in the assault, they fell 
 an easy prey to the English, as they advanced beyond their lines. 
 The skirmish is known by the name of the Battle of the Herrings. 
 "This victory, which deprived the besieged of hope of external succour, 
 seemed to render the capture of the city certain. 
 
 Already at the French King's court at Chinon there was talk of a 
 Danger of hasty withdrawal to Dauphine, Spain, or even Scotland ; 
 
 orieam. when suddenly there arose one of those strange effects 
 
 of enthusiasm which sometimes set all calculation at defiance. 
 
 In Domremi, a village belonging to the duchy of Bar, the inhabi- 
 tants of which, though in the midst of Lorraine, a province under 
 Burgundian influence, were of patriotic views, lived a village maiden 
 called Joan of Arc. The period was one of great mental excitement ; 
 as in other times of wide prevailing misery, prophecies and mystical 
 preachings were current. Joan of Arc's mind was particularly 
 susceptible to such influences, and from the time she 
 was thirteen years old, she had fancied that she heard 
 voices, and had even seen forms, sometimes of the Archangel Michael, 
 sometimes of St. Catherine and St. Margaret, who called her to 
 the assistance of the Dauphin. She persuaded herself that she was des- 
 tined to fulfil an old prophecy which said that the kingdom, destroyed 
 by a woman meaning, as she thought, Queen Isabella, should be 
 saved by a maiden of Lorraine. The burning of Domremi in the 
 summer of 1428 by a troop of Burgundians at length gave a practical 
 form to her imaginations, and early in the following year she suc- 
 ceeded in persuading Robert of Baudricourt to send her, armed and 
 accompanied by a herald, to Chinon. She there, as it is said by the 
 wonderful knowledge she displayed, convinced the court of the truth 
 of her mission. At all events, it was thought wise to take advantage 
 of the infectious enthusiasm she displayed, and in April she was 
 intrusted with an army of 6000 or 7000 men, which was to march up 
 the river from Blois to the relief of Orleans. When she appeared 
 npon the scene of war, she supplied exactly that element of success 
 
 [BRIGHT'S ENGLISH HISTORY See Page i.]
 
 [Specimen fagt, No. 2.J 
 M A TEAR'S BOTANY. 
 
 of all of them open by two slits turned towards the centre of the 
 flower. Their stalks have expanded and joined together, so as 
 to form a thin sheath round the central column (fig. 1 2). The dust- 
 spikes are so variable in length 
 in this fiower, that it may not be 
 possible to see that one short one 
 Fig. 12. comes between two long ones, 
 
 Dust-spikes of gorse (enlarged), though this OUght to be the case. 
 
 The seed-organ is in the form of a longish rounded pod, with 
 a curved neck, stretching out beyond the dust-spikes. The top 
 of it is sticky, and if you look at a bush of gorse, you will see 
 it projecting beyond the keel in most of the fully-blown flowers, 
 because the neck has become more curved than in fig. 12. Cut 
 open the pod ; it contains only one cavity (not, as that of the 
 wall-flower, two separated by a thin partition), and the grains 
 are suspended by shors cords from the top 
 (fig. 13). These grains may be plainly seen in S^*tffi2jg'\5) 
 the -seed-organ of even a young flower. It is ^"^"^s^ 
 evident that they are the most important part &e- 13 - 
 
 of the plant, as upon them depends its diffu- 
 sion and multiplication. "We have already seen how carefully 
 their well-being is considered in the matter of their perfection, 
 how even insects are pressed into tiieir service for this purpose I 
 Xov let us glance again at our flower, and see how wonderfully 
 contrivance is heaped upon contrivance for their protection I 
 
 First (see fig. 10, p. 14), we have the outer covering, so covered 
 with hairs, that it is as good for keeping out rain as a waterproof 
 cloak ; in the buttercup, when you pressed the bud, it separated 
 into five leaves ; here there are five leaves, just the same, but 
 they are so tightly joined that you may press till the whole bud 
 is bent without making them separate at all, and when the bud 
 is older, they only separate into two, and continue to enfold the 
 flower to a certain extent till it fades. When the flower pushes 
 back its waterproof cloak, it has the additional shelter of the bifi 
 
 [A YEAR'S BOTANY^ Page 13.] j,
 
 {.Specimen Page, No. 3.] 
 
 The Writings of Bentham 149 
 
 struction, and at last, after nearly twenty years of alternate 
 hopes and fears, of tedious negotiations, official evasions, 
 and sterile Parliamentary debates, it was effectually extin- 
 guished by the adverse report of a Parliamentary Com- 
 mittee, followed by the erection of the present Millbank 
 Penitentiary at a vastly greater expense and on a totally 
 different system. 
 
 Transportation. In the meantime the common gaols 
 were relieved in a makeshift fashion by working gangs of 
 prisoners in hulks at the seaports; but the resource mainly 
 relied on for getting rid of more dangerous criminals was 
 the old one of transportation, Botany Bay having suc- 
 ceeded to America. As at first employed, there was no 
 mistake as to the reality of the punishment; the mis- 
 fortune was that the worst elements in the real were not 
 so made known as to form any part of the apparent 
 punishment. If the judge, in sentencing the convict, 
 had thought fit to explain, for the warning of would-be 
 offenders, exactly what was going to be done with their 
 associate, the sentence would have been something of 
 this sort-: " You shall first be kept, for days or months 
 as it may happen, in a common gaol, or in the hulks, in 
 company with other criminals better or worse than your- 
 self, with nothing to do, and every facility for mutual 
 instruction in wickedness. You shall then be taken on 
 board ship with similar associates of both sexes, crammed 
 down between decks, under such circumstances that 
 about one in ten of you will probably die in the course 
 of the six months' voyage. If you survive the voyage 
 you will either be employed as a slave in some public 
 works, or let out as a slave to some of the few free 
 settlers whom we have induced to go out there. In 
 either case you will be under very little regular inspection, 
 and will have every opportunity of indulging those natural 
 
 [WILSON'S ENGLISH LAW See Page 3.]
 
 {Specimen Page* No > 4-J 
 
 Relation to the Barbarians of the East 203 
 
 wealth into the treasury. Churches remained open day 
 and night, and frequent addresses kept up the enthusiasm 
 to a high pitch. It was (for the moment) a genuine 
 "revival" or reawakening of the whole Eoman world. 
 The occasion, too, appeared favourahle. Italy was quiet, 
 and the Exarchate at peace with its neighbours. Clotaire 
 the Frank was no enemy to Heraclius, and in common 
 with his clergy (being orthodox and not Arian) might be 
 expected to sympathise in so holy a cause. 
 
 Treachery of the Avars A.D. 616. In one quarter 
 only was there room for fear. The Avars were on the 
 Danube, and the turbulence of the Avars was only equalled 
 by their perfidy. Already, in A.D. 610, they had fallen 
 suddenly on North Italy, and pillaged and harassed those 
 same Lombards whom they had before helped to destroy 
 the Gepidse. Previous to an absence, therefore, of years 
 from his capital, it was essential for the Emperor to sound 
 their intentions, and, if possible, to secure their neutrality. 
 His ambassadors were welcomed with apparent cordiality, 
 and an interview was arranged between the Chagan and 
 Heraclius. The place was to be Heraclea. At the appointed 
 time the Emperor set out from Selymbria to meet the 
 Khan, decked with Imperial crown and mantle to honour 
 the occasion. The escort was a handful of soldiers; but 
 there was an immense cortege of high officials and of the 
 fashionable world of Constantinople, and the whole 
 country side was there to see. Presently some terrified 
 peasants were seen making their way hurriedly towards 
 Heraclius. They urged him to flee for his life; for armed 
 Avars had been seen in small bodies, and might even now 
 be between him and the capital. Heraclius knew too 
 much to hesitate. He threw off his robes and fled, and 
 but just in time. The Chagan had laid a deep plot. A 
 large mass of men had been told off in small detachments 
 
 [CuRTEis' ROMAN EMPIRE^ Page 3.] D 2
 
 [Specimen Page, No. 5.] 
 44 COWPER'S TASK. 
 
 I say the pulpit (in the sober use 
 
 Of its legitimate peculiar pow'rs) 
 
 Must stand acknowledged, while the world shall stand, 
 
 The most important and effectual guard, 
 
 'Support and ornament of virtue's cause. 
 
 There stands the messenger of truth : there stands 
 
 The legate of the skies ; his theme divine, 
 
 His office sacred, his credentials clear. 
 
 By him, the violated law speaks out 34.0 
 
 Its thunders, and by him, in strains as sweet 
 
 As angels use, the Gospel whispers peace. 
 
 He stablishes the strong, restores the weak, 
 
 Reclaims the wand'rer, binds the broken heart, 
 And, arm'd himself in panoply complete 
 
 Of heav'nly temper, furnishes with arms 
 
 Bright as his own, and trains, by ev'ry rule 
 'Of holy discipline, to glorious war, 
 
 The sacramental host of God's elect 
 
 Are all such teachers? would to heav'n all were ! 350 
 
 But hark the Doctor's voice fast wedged between 
 
 Two empirics he stands, and with swoln cheeks 
 
 Inspires the news, his trumpet Keener far 
 
 Than aii invective is his bold harangue, 
 
 While through that public organ of report 
 
 He hails the clergy ; and, defying shame, 
 
 Announces to the world his own and theirs. 
 
 He teaches those to read, whom schools dismissal, 
 
 And colleges, untaught ; sells accent, tone, 
 
 And emphasis in score," and gives to pray'r 360 
 
 Th' adagio and andante it demands. 
 
 He grinds divinity of other days 
 
 Down into modern use ; transforms old print 
 
 To zigzag manuscript, and cheats the eyes 
 
 Of gall'ry critics by a thousand arts. 
 
 Are there who purchase of the Doctor's ware? 
 
 Oh name it not in Gath ! it cannot be, 
 
 That grave and learned Clerks should need such aid. 
 
 He doubtless is in sport, and does but droll, 
 
 Assuming thus a rank unknown before, 37 
 
 Grand caterer and dry-nurse of the church. 
 
 I venerate the man whose heart is warm, 
 Whose hands are pure, whose doctrine and whose life. 
 
 [COWPER'S TASK See Page 6.]
 
 [Specimen Page, No. 6.] 
 NOTES TO THE TIMEPIECE. 87 
 
 getfer as with a close seal The flakes of his flesh are 
 
 joined together : they are firm in themselves ; they cannot be 
 moved." 
 
 Hobbes, in his famous book to which he gave the title Levia- 
 than, symbolised thereby the force of civil society, which he 
 made the foundation of all right. 
 
 315-325 Cowper's limitation of the province of satire that it 
 is fitted to laugh at foibles, not to subdue vices is on the whole 
 well-founded. But we cannot forget Juvenal's famous "facit 
 indignatio versum," or Pope's no less famous 
 
 " Yes, I am proud : I must be proud to see 
 Men not afraid of God, afraid of me : 
 Safe from the bar, the pulpit, and the throne, 
 Yet touched and shamed by ridicule alone." 
 
 326-372 The pulpit, not satire, is the proper corrector of sin. 
 A description of the true preacher and his office, followed by one of 
 the false preacher, ' ' the reverend advertiser of engraved sermons. " 
 
 330 Strutting and vapouring. Cf. Macbeth, v. 5- 
 
 " Life 's but a walking shadow, a poor player, 
 That struts and frets his hour upon the stage, 
 And then is heard no more ; it is a tale 
 Told by an idiot, full of sound and fury, 
 Signifying nothing." 
 
 " And what in real value 's wanting, 
 Supply with vapouring and ranting." HUDIBRAS. 
 
 331 Proselyte, irgi/rfauros, a new comer, a convert to Judaism. 
 338 His theme divine. Nominative absolute. 
 
 343 Stablishes. Notice the complete revolution the word has 
 made stabilire, etablir, establish, stablish ; cf. state, &c. 
 
 346 Of heavenly temper. Cf. Par. Lost, i. 284, " his ponder- 
 ous shield etherkl temper." See note on Winter Morning Walk, 
 1. 664. 
 
 349 Sacramental. Used in the Latin sense. Sacramentum was 
 the oath of allegiance of a Roman soldier. The word in its 
 Christian sense was first applied to baptism the vow to serve 
 faithfully under the banner of the cross. See Browne on the Thirty- 
 nine Articles, p. 576- 
 
 350 Would to heaven. A confusion between ' ' would God " and 
 " I pray to heaven. " 
 
 351 A picture from the life of a certain Dr Trusler, who seems 
 to have combined the trades of preacher, teacher of elocution, 
 writer of sermons, and literary hack. 
 
 352 Empirics, Ipviigixot, one who trusts solely to experience or 
 practice instead of rule, hence a quack. The accent is the same 
 as in Milton (an exception to the rule. See note on Sofa, L 52). 
 
 [COWPER'S TASK See Page 6.]
 
 [Specimen Page, No. 7.] 
 Practice. 
 
 '57 
 
 thus : if the articles had cost i each, the total cost 
 would have been ^"2478 ; 
 
 .-. as they cost of i each, the cost will be i ^- s -, or .413. 
 
 The process may be written thus : 
 
 3^. $d. is of i I ,2478 = cost of the articles at \ each. 
 ^413 = cost at y. A/d. . . . 
 
 Ex. (2). Find the cost of 2897 articles at 2. izs. pu-". 
 each. 
 
 2 is 2 x i I 2897 . 0.0 = cost at i each. 
 
 i or. is | o 
 2s. is | of ioj. 
 8</. is j of 2s. 
 id. is | of 8< 
 
 5794 . 0.0= ^2 .... 
 
 1448 . 10 o = ior 
 
 289 14 o = 2s 
 
 96 . 1 1 . 4 = 8d. . . . . 
 
 12 . 1.5= i</..... 
 
 ^7640 . 16 . 9 = 2. i2s.gfi.Qzch. 
 
 NOTE. A shorter method would be to take the parts 
 thus: 
 
 lay. = | of i ; 2s. 6d. = of iar. ; 3^. = ^ of 2J. 6</. 
 
 Ex. (3). Find the cost of 425 articles at 2. 18$. $d. 
 each. 
 
 Since 2. i8s. $d. is the difference between ^3 and 
 is. %d. (which is ^ ^ l }i tne shortest course is to find 
 the cost at ^3 each, and to subtract from it the cost at 
 is. %d. each, thus : 
 
 ' - r 
 
 425 . 0.0 = cost at ,1 each. 
 
 T. M. is-^of^i 1275. 0.0= ^3---- 
 
 35 . 8.4= is. %d. each. 
 
 .1239 .11.8= 2. i8s. 40". each. 
 
 [J. HAMBLIN SMITH'S ARITHMETIC See Page 10.]
 
 {.Specimen Page, No. 8.J 
 Book L] "PROPOSITION XLI. 67 
 
 PROPOSITION XLT, THEOREM. 
 
 If a parallelogram and a triangle be upon the same base, and 
 between the same parallels, the parallelogram is double of the 
 triangle. 
 
 ^4. D "El 
 
 Let the O ABCD and the A EEC be on the same base BO 
 and between the same ||s AE, BC. 
 
 Then must O ABCD be double of A EBC. 
 
 Join A C. 
 
 Then A ABG= A EBG, v they are on the same base and 
 between the same ||s ; I. 37. 
 
 and O ABCD is double of A ABC, v AC is a diagonal of 
 ABCD ; I. 34. 
 
 .-. 7 ABCD is double of A EBC. 
 
 Q. E. D. 
 
 Ex. 1. If from a point, without a parallelogram, there be 
 drawn two straight lines to the extremities of the two opposite 
 sides, between which, when produced, the point does not lie, 
 the difference of the triangles thus formed is equal to half the 
 parallelogram. 
 
 Ex. 2. The two triangles, formed by drawing straight lines 
 from any point within a parallelogram to the extremities of 
 its opposite sides, axe together half of the parallelogram. 
 
 [J. HAM-BLIN SMITH'S GEOMETRY See Page 1 1.]
 
 [Specimen Page, No. g.J 
 
 CARBONIC ANHYDRIDE. 
 
 S3" 
 
 fcometimes carbonic anhydride is produced in wells, and, being 
 BO much heavier than air, it remains at the bottom. If a man 
 goes down into such a well, he will have no difficulty at first, 
 because the air is good ; but when he is near the bottom, where 
 the gas has accumulated, he will gasp for breath and fall; and if 
 anyone, not understanding the cause of his trouble, goes down to 
 assist him, he too will fall senseless, and both will quickly die.. 
 The way to ascertain whether carbonic anhydride has accumu- 
 lated at the bottom of a well is to let a light down into it. If it 
 goes out, or even burns very dimly, there is enough of the gas 
 to make the descent perilous. A man going down a well shoxild 
 always take a candle with him, which he should hold a consider- 
 able distance below his mouth. If the light burns dimly, he 
 should at once stop, before his mouth gets any lower and he 
 takes some of the gas into his lungs. 
 
 When this gas is in a well or pit, of course it must be ex- 
 pelled before a man can descend. There are several expedients 
 for doing this. One is to let a bucket down frequently, turning 
 it upside down, away from the 
 mouth of the well, every time it 
 is brought up, a plan which will 
 remind you of the experiment 
 represented in Fig. 24. 
 
 But a better way is to let down 
 a bundle of burning straw or shav- 
 ings, so as to heat the gas. Now 
 heated bodies expand, gases very 
 much more than solids or liquids, 
 and, in expanding, the weight of a 
 certain volume, say of a gallon, 
 becomes lessened. So that if we can 
 heat the carbonic anhydride enough 
 to make a gallon of it weigh less than a gallon of air, it will 
 rise out of the well just as hydrogen gas would do. Fig. 25 
 shows how you may perform this experiment upon a small scale. 
 
 [EASY INTRODUCTION TO CHEMISTRY Se: Page 13.]
 
 1U.J 
 
 For Latin Prose Historical. 1 7 
 
 DISASTROUS RETREAT OF THE ENGLISH FROM CABUL. 
 
 IT took two days of disorder, suffering, and death to carry the 
 army, now an army no more to the jaws of the fatal pass. 
 Akbar Khan, who appeared like the Greeks' dread marshal from 
 the spirit-land at intervals upon the route, here demanded four 
 fresh hostages. The demand was acquiesced in. Madly along the 
 narrow defile crowded the undistinguishable host,-whose diminished 
 numbers were still too numerous for speed : on every side rang the 
 war-cry of the barbarians : on every side plundered and butchered 
 the mountaineers : on every side, palsied with fatigue, terror, and 
 cold, the soldiers dropped down to rise no more. The next day, 
 in spite of all remonstrance, the general halted his army, expecting 
 in vain provisions from Akbar Khan. That day the ladies, the 
 children, and the married officers were given up. The march was 
 resumed. By the following night not more than one-fourth of the 
 original number survived. Even the haste which might once havo 
 saved now added nothing to the chances of life. In the middle of 
 the pass a barrier was prepared. There twelve officers died sword 
 in hand. A handful of the bravest or the strongest only reached 
 the further side alive : as men hurry for life, they hurried on 
 their way, but were surrounded and cut to pieces, all save a few 
 that had yet escaped. Six officers better mounted or more fortu- 
 nate than the rest, reached a spot within sixteen miles of the goal ; 
 but into the town itself rode painfully on a jaded steed, with tho 
 stump of a broken sword in his hand, but one. 
 
 LIVY, xxi. c. 25, 7-10. xxxv. c. 30. xxiii. c. 24. 
 C/ESAR, BeU; Gall. v. c. 35-37. 
 
 DEFEAT OF CHARLES THE BOLD AND MASSACRE OF HIS 
 TROOPS AT MORAT. 
 
 IN such a predicament braver soldiers might well have ceased 
 to struggle. The poor wretches, Italians and Savoyards, six 
 thousand or more in number, threw away their arms and made 
 [SARGENT AND DALLIN'S MATERIALS AND MODELS .$><? Page 16.]
 
 [Specimen Page, No. n.J 
 
 II. 
 ARIADNE'S LAMENT. 
 
 Madam, 'twas Ariadne passioning 
 
 For Theseus' perjury and nnjust flight. 
 
 Two GENTLEMEN OF VERONA, IV. 4, 173. 
 
 ARGUMENT. 
 
 ARIADNE tells the story of her first -waking, to find herself abandoned by 
 Theseus and left on an unknown island, exposed to a host of 
 dangers. (HEROIDES, x.) 
 
 The story is beautifully told by Catullus, in the " Epithalamium Pelei 
 et Thetidos:" it also forms one of the episodes in Chaucer's " Legende of 
 Goode Women: 1 
 
 Iwoke before it was day to find myself alone, no trace of my companions 
 to be seen. In vain I fdt and called for Theseus; the echoes alone gave 
 me answer. 
 
 QUAE legis, ex illo, Theseu, tibi litore mitto, 
 
 Unde tuam sine me vela tulere ratem : 
 In quo me somnusque meus male prodidit et tu, 
 
 Per facinus somnis insidiate meis. 107 
 
 Tempus erat, vitrea quo primum terra pruina 112 
 
 Spargitur et tectae fronde queruntur aves : 
 Incertum vigilans, a somno languida, movi 97 
 
 Thesea prensuras semisupina manus : 
 Nullus erat, referoque manus, iterumque retempto, 
 10 Perque torum moveo brachia : nullus erat. 
 Excussere metus somnum : conterrita surgo, 
 
 Membraque sunt viduo praecipitata toro. 123 
 
 Protinus adductis sonuerunt pectora palmis, 111 
 
 Utque erat e somno turbida, rapta coma est 
 Luna fuit : specto, siquid nisi litora cernam ; 
 
 Quod videant, oculi nil nisi litus habent. 150 
 
 Nunc hue, nunc illuc,et utroque sine ordine curro; 
 
 Alta puellares tardat arena pedes. 
 Interea toto clamanti litore " Theseu ! " 121 
 
 20 Heddebant nomen concava saxa tuum, 
 Et queries ego te, toties locus ipse vocabat : 
 
 Ipse locus miserae ferre volebat opem. 1063 
 
 [TAYLOR'S OVID See Page 16.]
 
 \Speci>nen Page, No. 12.] 
 
 STORIES FROM OVID. 
 
 174. Ptmica poma, pomegranates. 
 
 1 78. Taenarrun, at the southern extremity of Peloponnesus, was one 
 
 of the numerous descents to Tartarus. Cf. Virgil, Georg. 
 IV. 467 : 
 
 Taenarias etiam fauces, alta ostia Ditis. 
 
 1 79. Factura fait. This periphrasis for fecisset is to be noted ; it is 
 
 the one from which the oblique forms are all constructed, 
 e.g. , facturam fitisse, or factura Juisset. 
 
 183. Cessatis, one of a goodly number of intransitive verbs of the 
 first conjugation which have a passive participle. Cf. crratas, 
 above, 139, clamata, 35. So Horace, regnata Phalanto rura 
 (Odes, II. 6, 12); triumphatae gentes (Virgil). 
 
 II. IV. 
 
 ARIADNE. 
 
 THIS and the two following extracts, though taken from different 
 works, form a definite sequence. Ariadne, daughter of Minos, king of 
 Crete, has helped Theseus to conquer the Minotaur, by giving him a 
 clew to the maze in which the monster was hid, and, being in love with 
 him, has fled in his company. They put in for the night to the island of 
 Dia, and Theseus on the next morning treacherously sails away, leaving 
 the poor girl alone. The first extract is part of an epistle which she is 
 supposed to write on the day when she discovers his perfidy. 
 
 The name Dia, which belonged properly to a small island off the 
 north coast of Crete, was also a poetical name for Naxos, one of the 
 largest of the Cyclades. It may have been this fact which led to the 
 further legend which is recounted in the next extract, how Ariadne, 
 lorn of Theseus, becomes the bride of Bacchus ; for Naxos was the 
 home of the Bacchic worship. As the completion of the legend she is 
 raised to share in Bacchus' divine honours, and as the Cretan Crown 
 becomes one of the signs of the heavens. 
 
 II. 
 
 ARIADNE'S LAMENT, 
 i. Hlo, sc. Diae. 
 
 4. Per facinus, criminally. 
 
 5. Describing apparently the early dawn, or the hour that precedes 
 
 it, when the night is at its coldest, and the birds, half-awake, 
 begin to stir in their nests. Pruina hints that it is autumn. 
 
 7. A beautifully descriptive line But half-awake, with all the 
 
 languor of sleep still on me. 
 A somno = after, as the result of. 
 
 8. Semisupina, on m? side, lit., half on my back, describes the 
 
 motion of a person thus groping about on waking. Cf. 
 Chaucer : 
 
 Ryght in the dawetiynge awaketh shee, 
 
 And gropeth in the bed, and fonde ryghte noghte. 
 
 [TAYLOR'S OVID See Page 16.]
 
 [Specimen Page, No. 13.] 
 
 55-87] AENEIDOS, LIB. XL 
 
 55 haec mea raagna fides? at non, Euandre, pudendis 
 volneribus pulsum aspicies, nee sospite dirum 
 optabis nato funus pater, ei mihi, quantum 
 praesidium Ausonia, et quantum tu perdis, lule ! 
 Haec ubi deflevit, tolli miserabile corpus 
 
 60 imperat, et toto lectos ex agmine mittit 
 
 mille viros, qui supremum comitentur honorem, 
 intersintque patris lacrimis, solacia luctus 
 exigua ingentis, misero set debita patri. , 
 haut segnes alii crates et molle feretrum 
 
 65 arbuteis texunt virgis et vimine querno, 
 
 extructosque toros obtentu frondis inumbrant. 
 hie iuvenem agresti sublimem stramine ponunt; 
 qualem virgineo demessum pollice florem 
 seu mollis violae, seu languentis hyacinthi, 
 
 70 cui neque fulgor adhuc, nee dum sua forma recessit; 
 non iam mater alit tellus, viresque ministrat. 
 tune geminas vestes auroque ostroque rigentis 
 extulit Aeneas, quas illi laeta laborum 
 ipsa suis quondam manibus Sidonia Dido 
 
 75 fecerat, et tenui telas discreverat auro. 
 
 harum unam iuveni supremum maestus honorem 
 induit, arsurasque comas obnubit amictu ; 
 multaque praeterea Laurentis praemia pugnae 
 aggerat, et longo praedam iubet ordine duci. 
 
 80 addit equos et tela, quibus spoliaverat hostem. 
 vinxerat et post terga manus, quos mitteret umbris 
 inferias, caeso sparsuros sanguine flammam ; 
 indutosque iubet truncos hostilibus armis 
 ipsos ferre duces, inimicaque nomina figi. 
 
 85 ducitur infelix aevo confectus Acoetes, 
 
 pectora nunc foedans pugnis, nunc unguibus ora; 
 sternitur et toto proiectus corpore terrae. 
 
 [STORR'S VERGIL See Page i6.J
 
 {Specimen Page, No. 14.] 
 50-7 1 j BOOK XL 
 
 Comp. Gear. ii. 80, Nee longuni ternpus et . . . exiit . . , arbos, C. 
 But as these are the only two instances of the construction adduced it is 
 perhaps safer to take et = even. 
 
 51 nil lam, etc.] The father is making vows to heaven in his son's 
 behalf, but the son is gone where vows are neither made nor paid. 
 
 55 haec mea magna fides] 'Is this the end ol all my promises?' 
 Magna may be taken as 'solemn,' or 'boastful.' 
 
 pudendis volnerious] All his wounds are on his breast. 
 
 56 dlrum optabis funus = morti devovebis. Compare the meaning of 
 dirae, xii. 845. 
 
 59-99] A description of the funeral rites. Aeneas bids his last farewell. 
 
 59 Haec ubi deflevlt] 'His moan thus made.' De in composition has 
 two opposite meanings : (i) cessation from or removal of the fundamental 
 ideas, as in decresco, dedoceo, etc. ; (2) (as here) in intensifying, as debetto, 
 d emir or, desaevio. 
 
 61 honorem] Honos is used by V. for (i) a sacrifice, iii. 118; (2) a 
 hymn, Gear. ii. 393 ; (3) beauty, Aen. x. 24 ; (4) the ' leafy honours ' of 
 trees, Gear. ii. 404 ; (5) funeral rites, vi. 333, and here. See below, /. 76. 
 
 63 solatia] In apposition to the whole sentence ; whether it is nom. or 
 ace. depends on how we resolve the principal sentence ; here, though 
 solatia applies to the whole sentence, its construction probably depends on 
 the last clause, which we may paraphrase, ut praesentes (ri> fureiycu) suit 
 solatia ; therefore it is nom. 
 
 64 crates et molle feretrum] The bier of pliant osier : cf. /. 22. 
 66] Cf. Statius, Theb. vi. 55, torus et puerile feretrum. 
 
 obtentu frondls] 'A leafy canopy.' C. understands 'a layer of leaves. 
 67 agresti stramine] 'The rude litter.' 
 68] Cf. ix. 435 ; //. viii. 306, 
 
 /j.r/K<av &' ws ere'pwcre Koprj fi<i\ev t ^7 ti>c KJ)Ty 
 Kapitta /SpiOoficVi} 1/OTiJjcri re eiopiyjjoii'' 
 us erepwcr' T^xvcre xapr) mjAijiu flapwdev. 
 
 ' Even as a flower, 
 
 Poppy or hyacinth, on its broken stem 
 Languidly raises its encumbered head.' MILMAN. 
 
 69 languentis hyacinth!] The rhythm is Greek. The ' drooping hya- 
 cinth ' is probably the Lilium Martagon or Turk's-cap lily, ' the sanguine 
 ilower inscribed with woe. ' 
 
 70] 'That hath not yet lost its gloss nor all its native loveliness.' Re- 
 cessit must apply to both clauses. ' If we suppose the two parts of the 
 line to contain a contrast, the following line will lose much of its force, * 
 C. Compare the well-known lines from the Giaour, ' He who hath bent 
 him o'er the dead,' etc. 
 
 71] Contrast the force of neque adhuc, nee dum, and non iam ; 'the 
 brightness not all gone,' ' the lines where beauty lingers,' and ' the support 
 and nurture of mother earth cut off once and for all.' 
 
 [STORR'S VERGIL See Page 16.]
 
 ^Specimen Page, No. !$.] 
 
 34-42] The Meal in Simons House. 89 
 
 36. iva <j>dyy] In modern Greek, which properly speaking 
 has no infinitive, the sense of the infinitive is expressed by vd 
 (iva) with subjunctive (as in this passage), e.g. firiOvpu va 
 vpd<t>y, 'I wish him to write;' see Corfe's Modern Greek 
 Grammar, p. 78. This extension of the force of Iva. to oblique 
 petition, and even to consecutive clauses, may be partly due to 
 the influence of the Latin ut; cf. ch. xvi. 27, t/xorw ovv, jrdrep, 
 iva Tre/zi/^s : see note on ch. iv. 3. 
 
 The following incident is recorded by St. Luke alone. 
 Simon the Pharisee is not to be identified with Simon the 
 leper, Matt, xxvi., Mark xiv. 3. 
 
 dvfK\i 8rj] The Jews had adopted the Roman, or rather Greek, 
 fashion of reclining at meals a sign of advancing luxury and of 
 Hellenism, in which however even the Pharisee acquiesces. 
 
 37. ywrj] There is no proof that this woman was Mary 
 Magdalene. But mediaeval art has identified the two, and 
 great pictures have almost disarmed argument in this as in 
 other incidents of the gospel narrative. 
 
 38. dAa/3ao-T/3ov] The neuter sing, is Hellenistic. The 
 classical form is aA.a/2ao-T/>os with a heteroclite plural aAa- 
 /3ao-T/ja, hence probably the late sing. dXd^aa-rpov. The 
 grammarian stage of a language loves uniformity, Herod. 
 iii. 20 ; Theocr. xv. 114 : 
 
 trrao-a irapa TOVS TroSas avrou] This would be possible from 
 the arrangement of the triclinium. 
 
 39. lyi'voxr/cev av] ' Would (all the while) have been recog- 
 nising.' 
 
 40. x/ 3ew< t ^ TCU ] -A- ^te word; the form varies between 
 Xpew<etAeTai and x/oco^etAerai. 
 
 41. Srjvdpia] The denarius was a silver coin originally 
 containing ten ases (deni), afterwards, when the weight of 
 the as was reduced, sixteen ases. Its equivalent modern 
 value is reckoned at 7^d. But such calculations are mis- 
 leading ; it is more to the point to regard the denarius as 
 an average day's pay for a labourer. 
 
 42. /XT) IXOVTWI/] Because he saw tJiat thev had net. 
 c^apicrarol C v. 21. 
 
 [CARR'S NOTES ON THE GREEK TESTAMENT .Si* Page 23.]
 
 INDEX 
 
 HISTORY . . . 
 ENGLISH . . . 
 MATHEMATICS 
 SCIENCE . . . 
 
 MISCELLANEOUS 
 
 PAGE i 
 
 ABBOTT (E.), Selections from Lucian 19 ' 
 
 Elements of Greek Accidence 18 i 
 
 and Mansfield's Primer of 
 
 Greek Accidence 
 
 Alford (Dean), Greek Testament . 
 Anson (W. R.), Age of Chatham . 
 Age of Pitt 
 
 Aristophanes, by W. C. Green . 
 
 Scenes from, by Arthur 
 
 Sidgwick 
 
 Aristotle's Ethics, by Edward Moore 
 
 by J. E. T. Rogers 
 
 Arnold (T. K.), Cornelius Nepos . 
 
 Crusius' Homeric Lexicon 
 
 Demosthenes .... 
 
 Eclogae Ovidianse . . . 
 
 English-Greek Lexicon . 
 
 First French Book . 
 
 First German Book . . 
 
 First Greek Book . . . 
 
 ^-^^ First Hebrew Book. . . 
 
 First Verse Book . . . 
 
 Greek Accidence . . . 
 
 Greek Prose Composition . 
 
 Henry's First Latin Book. 
 
 Homer for Beginners . . 
 
 Homer's Iliad .... 
 
 Latin Prose Composition . 
 
 Madvig's Greek Syntax . 
 
 Sophocles 
 
 23 
 4 
 4 
 24, 26 
 
 20 
 
 BAKER'S (W.) Manual of Devotion 
 
 for School-boys 28 
 
 Barrett (W. A.), Chorister's Guide . 31 
 
 Bennett (G. L.), Easy Latin Stories 14 
 
 Bigg (Ch.), Exercises in Latin Prose 14 
 
 Thucydides .... 25, 26 
 
 Blunt (J. H.), Household Theology 28 
 
 Keys to Christian Knowledge : 
 
 The Holy Bible.The Prayer Book, 
 Church History. (Ancient and 
 
 Modern), Church Catechism . . 29 
 
 Bowen (E.), Napoleon's Campaigns 30 
 
 Bridge (C.), French Literature . . 4 
 
 Bright (J. Franck), English History i 
 
 Hist, of French Revolution . 4 
 
 Browning (Oscar), Great Rebellion. 4 
 Historical Handbooks . 2-4 
 
 Building Construction, Notes on . 13 
 
 CALVERT (E.), Selections from Livy is 
 Carr (A.), Notes on Greek Testament 23 
 Companion to the Old Testament . 28 
 Cornelius Nepos, by T. K. Arnold . iS 
 Crake (A.D.), History of the Church 5 
 Creighton (M.), Historical Bio- 
 graphies 5 
 
 PAGE 
 
 LATIN 14 
 
 GREEK 18 
 
 CATENA CLASSICORUM . . 26 
 
 DIVINITY ' . . 27 
 
 .... 30 
 
 PAGE 
 
 Crusius' Homeric Lexicon, by T. K. 
 
 Arnold 21 
 
 Curteis (A.M.), The Roman Empire ' 3 
 
 DAVYS (Bishop), Hist, of England 5 
 Demosthenes, by T. K. Arnold . . 22 
 
 by G. H. Heslop . 22, 26 
 
 by Arthur Holmes . 22, 26 
 
 ENGLISH SCHOOL CLASSICS, edited 
 
 by Francis Storr 6, 7 
 
 Euclid, by J. Hamblin Smith . . n 
 Euripides, Scenes from, by Arthur 
 
 Sidgwick 20 
 
 FIRMAN (F. B.), and Sanderson (L.), 
 
 Zeugma iS 
 
 Foster (George Carey), Electricity 12 
 
 Sound . 12 
 
 Fradersdorff (J. W.) English-Greek 
 
 Lexicon 25 
 
 GANTILLON (P. G. F.), Classical Ex- 
 amination Papers 16, 22 
 
 Gedge (J. W.), Young Churchman's 
 
 Companion to the Prayer Book . 28 
 
 Gepp (C. G.), Latin Elegiac Verse . 15 
 
 Girdlestone (W. H.), Arithmetic . n 
 Goolden (W. T.), and Rigg (A.), 
 
 Chemistry 13 
 
 Goulburn (Dean), Manual of Con- 
 firmation 29 
 
 Greek Testament, by Dean Alford 23 
 
 by Chr. Wordsworth 23 
 
 Green (W. C.), Aristophanes . . 24, 26 
 Grenfell's (E. F.) First German Exer- 
 cises 30 
 
 Gross (E. J.), Algebra, Part n. . . 10 
 Kinematics and Kinetics . . 10 
 
 HERODOTUS (Stories from), by J. 
 
 Surtees Phillpotts 19 
 
 by H. G. Woods . . 24, 26 
 
 Heslop (G. H.), Demosthenes . . 22, 26 
 Historical Biographies, edited by M. 
 
 Creighton 5 
 
 Historical Handbooks, edited by 
 
 Oscar Browning 2-4 
 
 Holmes (Arthur), Demosthenes . 22, 26 
 
 Rules for Latin Pronunciation 14 
 
 Homer for Beginners, by T. K. 
 
 Arnold 21 
 
 Homer's Iliad, by T. K. Arnold . 21 
 
 by S. H Reynolds. 21, 26 
 
 Books l.-iv., by A. 
 
 Sidgwick 21 
 
 Book vi., by J. S. 
 
 Phillpotts 20 
 
 Horace, by J. M. Marshall . . .17, 26
 
 INDEX. 
 
 PAGE 
 
 lOPHON 19 
 
 Isocrates, by J. E. Sandys . . .22, 26 
 
 JEBB (R. C.), Sophocles . . . . 24, 26 
 
 Supremacy of Athens 4 
 
 Juvenal, by G. A. Simcox . . . 17, 26 
 
 KEYS TO CHRISTIAN KNOWLEDGE 29 
 Kitchener (F. E.), Botany for Class 
 
 Teaching 12 
 
 (F. A.), a Year's Botany 13 
 
 LA FONTAINE'S FABLES, by P. 
 
 Bowden-Smith 30 
 
 Latham (R. G.) Dictionary of the 
 
 English Language 8 
 
 Laun( Henri Van), French Selections 31 
 
 Laverty's (W. H.), Astronomy . . 12 
 Livy, Selections from, by R. Saward 
 
 and E. Calvert 15 
 
 Lucian, by Evelyn Abbott ... 19 
 
 MADVIG'S GREEK SYNTAX, by T. K. 
 
 Arnold 23 
 
 Mansfield (E. D.), Latin Sentence 
 
 Construction 14 
 
 Manuals of Religious Instruction . 27 
 Marshall (J. M.) Horace . . . . 17, 26 
 Moberly (Charles E.), Shakspere . 8 
 Arrian's Alexander the 
 
 Great in the Punjaub .... 19 
 Xenophon's Memorabilia, 
 
 Book i so 
 
 Moore (Edward), Aristotle's Ethics. 25 
 
 NORRIS (J. P.), Key to the Gospels 29 
 to the Acts . 29 
 
 Instruction 
 
 Manuals of Religious 
 
 - Rudiments of Theology 
 -Easy Lessons to Candi- 
 
 dates for Confirmation . 
 
 29 
 
 OVID, Stories from, by R.W.Taylor 16 
 Ovidianae Eclogx, by T. K. Arnold 16 
 PAPILLON (T. L.), Terence . . .17, 26 
 Pearson (Charles), English History 
 
 in the XlVth Century .... 2 
 Pelham (H. F.), The Roman Revo- 
 lution 4 
 
 Phillpotts (J. Surtees), Stories from 
 
 Herodotus ....... 19 
 
 Shakspere's Tempest. . 8 
 
 Homer's Iliad, Book vi. 20 
 
 Pretor (A.), Persii Satirae . . .17, 26 
 
 REID (J. S.), History of Roman 
 
 Political Institutions .... 4 
 Reynolds (S. H.), Homer's Iliad . 21, 26 
 
 Richardson (G.), Conic Sections . n 
 Rigg (A.), and Goolden (W. T.), 
 
 Introduction to Chemistry . . 13 
 
 Science Class-books. . 12 
 
 Rivington's Mathematical Series . 9 
 
 Rogers (J. E. T.), Aristotle's Ethics 25 
 
 STE. BEUVE'S Marechal de Villars, 
 byH. W.Eve 30 
 
 Sanderson (L.), and Firman (F. B.), 
 Zeugma . 18 
 
 Sandys (J. E.), Isocrates . .. . 22, 26 
 
 Sargent (J. Y.) and Dallin (T. F.), 
 Materials and Models, &c. . . 16 
 
 Sargent ( J .Y.) Latin Version of (60) 
 
 Selected Pieces 16 
 
 Saward (R.), Selections from Livy . 15 
 
 Science Class Books 12 
 
 Shakspere's As You Like It, Mac- 
 beth, Hamlet, and King Lear, by 
 
 C. E. Moberly 8 
 
 Coriolanus, by R. Whitelaw 8 
 
 Tempest, by J. S. Phillpotts 8 
 
 Merchant of Venice, by R.W. 
 
 Taylor 8 
 
 Sidgwick (Arthur), Scenes from 
 
 Greek Plays 20 
 
 Greek Prose Composition . 1 8 
 
 - Homer's Iliad, Books l.-iv. . 21 
 Simcox (G. A.), Tuvenal . . . . 17, 26 
 
 , Juv 
 Thu 
 
 cydides . 
 
 Simcox (W. H.), Tacitus . 
 Smith (J. H.), Arithmetic 
 
 Key to Arithmetic . 
 
 Elementary Algebra . 
 
 Key to Algebra . . 
 
 Enunciations . 
 
 Exercises on Algebra. 
 
 Hydrostatics ... 
 
 Geometry .... 
 
 Statics 
 
 Trigonometry . . . 
 
 Key to Trigonometry 
 
 Latin Grammar 
 
 25, 20 
 17, 26 
 
 English Grammar 
 
 (P. Bowden), La Fontaine's 
 
 Fables 
 
 (Philip V.), History of English 
 
 Institutions , , 
 
 (R. Prowde), Latin Prose Ex- 
 ercises 
 
 Sophocles, by T. K. Arnold . 
 
 '4 
 
 24 
 
 by R. C. Jebb . . .24, 26 
 Storr (F.), English School Classics 6, 7 
 Greek Verbs . . 18 
 
 Vergil's Aeneid, 
 
 Books xi. xii 16 
 
 TACITUS, by W. H. Simcox . . .17, 36 
 Taylor (R. W.), Stories from Ovid . 16 
 
 Merchant of Venice . . 8 
 
 Anabasis of Xenophon. . 21 
 Terence, by T. L. Papillon ... 17, 26 
 Thiers' Campaigns of Napoleon, by 
 
 E. E. Bowen 30 
 
 Thucydides, by C. Bigg .... 25, 26 
 by G. A. Simcox . . 25, 26 
 
 VECQUERAY (J. W. J.), First Ger- , 
 
 man Accidence 30 
 
 Vergil's Aeneid, Books xi. xn., by 
 
 F. Storr 16 
 
 WAY OF LIFE 29 
 
 Whitelaw (Robert), Coriolanus . . 8 
 
 Willert (F.), Reign of Lewis XI. . 2 
 Wilson (R. K.), History of Modern 
 
 English Law 3 
 
 Woods (H. G.), Herodotus . . .24, 26 
 
 Wordsworth (Bp.), Greek Testament 23 
 
 Wormell (R.), Dynamics .... 1 1 
 XENOPHON'S Memorabilia, Book I., 
 
 by C. E. Moterly ..-,.. 20 
 YouNG(SirG.),History of the United 
 
 States 4
 
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