*->. UNIVERSITY OF CALIFO! AT LOS ANGEI LES ^5\TAT/^ u m H i h mxuH **!.». ■ H m ; ■ ■ THE NEW ANTIGONE THE NEW ANTIGONE <3l 11 om a net (\N< F. JBar^ w IIpo/3dcr' eV eVxctroj' Opdaovs i\p7)\bv e's Ai'/cas paOpov Trpoceweaes, to reKvov, iro\v' TraTpyov d'eKTiveis tlv' d^Xov. Antig. 853-S57, ILontron MACMILLAN AND CO. AND NEW YORK IS87 All rights reserved sr 9 m (pOOZ mi £j THE FOLLOWING PAGES, cc g FINISHED ON HER BIRTHDAY, ARE DEDICATED TO MY SISTER — * t OS ■ ^oth January 1887. CONTENTS PART I THE HOUSE OF TRELINGHAM CHAPTER I A Journey towards the Sunset i CHAPTER II Sibylline Music . . . . . .11 CHAPTER III O Richest Fortune sourly crost ! . . , .22 CHAPTER IV The Face of an Immortal . . . . 32 CHAPTER V But thou to me art more than all ! . . -42 \iii NTENTS CHAPTER V] I'Ai.l' There gloom the dark broad Seas . . . -5' CHAPTER VII In a Vain Shadow . . . . . .61 CHAPTER VIII An EnCHAN 1 ED [SLAND . . . . -74 CHAPTER IX Animum Pictura Pascit Inani .... 94 CHAPTER X Companioned by Diviner Hopes . . . .116 CHAPTER XI Chase not the Rainbow . . • '3° CHAPTER XII Speciosa Miracula . . . • • '45 CHAPTER XIII Sweetest Eyes were ever seen . . . • ! 59 CHAPTER XIV In Fairyland . . • • • • '75 CONTENTS ix PART II A MOCK SUN CHAPTER XV The Meeting of Fair Ladies . • • CHAPTER XIX Tableaux Vivants CHAPTER XX Was not this Love indeed? . PAGE 191 CHAPTER XVI La Belle Fille Heureuse, Effaree et Sauvage . . 205 CHAPTER XVII Eavesdropping ....... 216 CHAPTER XVIII The Celtic King Arthur 239 251 2 73 CONTENTS PART II Continued CHAPTER XXI PARE The Ordinances of the Gods . . . . i CHAPTER XXII Eating the Lotus day by day . . . 19 CHAPTER XXIII Go not, Happy Day ! . . . . . -33 CHAPTER XXIV Manibus Date Lilia Plenis . . . .40 CHAPTER XXV Nec Diversa Tamen, Qualem Decet esse Sororum . 59 CHAPTER XXVI If Love be Free . . . -79 w CONTENTS PART III ARE THE (;ODS AWAKE? CHAPTER XXVII v\c.v. The Deeps of Hell . . ... -97 CHAPTER XXVIII Wrecked! . . . . . . . 117 CHAPTER XXIX Like Madness in the Brain . . . .134 CHAPTER XXX Inter Mortuos Liher . . . . . .150 CHAPTER XXXI Anarchy in Purple . . . . . • K r < CHAPTER XXXII Light or Lightning ? ...... 205 CHAPTER XXXIII The Valley of Perpetual Dream .... 22, CHAPTER XXXIV Hymen, <» Hymen/ei ! . . ... 240 CONTENTS vii CHAPTER XXXV PAGE The Cry from off the Waters .... 257 CHAPTER XXXVI The Furies Appeased ...... 278 CHAPTER XXXVIi Not Death but Love ...... 294 I • _• " "1 PART I THE HOUSE OF TRELINGHAM CHAPTER I A JOURNEY TOWARDS THE SUNSET The train had been rushing westward for hours, and the genius of the steam-kettle who drove it along was plainly intent neither on the landscapes that in momentary glimpses might be seen from the carriage-windows, nor on the babble of conversation which, in fitful gusts, rose and fell among the company it was- bearing to their several desti- nies. All that the scientific, yet not time-keeping, demon cared for was to reach his last station by the shortest route. Nevertheless, glimpses of scenery caught in this way from the train have an extraordinary fascination, sometimes giving a whole country-side in one vivid sheet of lightning, where every line is fixed as in a daguerreotype and can never be forgotten. And what confessional or ear of Dionysius can gather up such confidences as may be heard among chance people in railway travelling ? It would seem that the silent Briton, fenced round about with reserve as with Arctic ice- bergs, fancies himself stranded on a desert island with the companion who has got into his compartment at Basingstoke or Rugby. Certain it is that he is apt, after exhibiting the most profound indifference for his vis-a-vis, to unbosom himself under such circumstances, as Robinson Crusoe • vol. i. J5 b THE NEW ANTIGONE i- \ u r 1 would have done to the first Englishman landing on Juan Fernandez. .V it fell out, the spirit of the steam, or any other, might have witnessed a scene of this kind, had rept into a certain first-class carriage and lain snug in a corner thereof watching until a couple of young men who were its occUpants should from their slumbers. Each .had taken his iic.ket.at tht same ticket-office ; each had made, for tb'e-Sqmc-c- nei^t, and had established himself in a corner diagonally as regarded the other. 1 had veiled his features behind a newspaper, and tried his best to imagine that the impudent fellow who shared his solitude did not exist. And each hoped to see the other take himself off when the train stopped. But in vain ; it was not to be. One station after another was left behind ; the country grew more countrified ; the towns became of less account ; the clouds began to move slowly towards the . as though summoned to attend the last moments of a dying king who would shroud his head in their splendours ; the hours drew out to twice their length, as they will do in travelling, and still no sign appeared of these unwilling companions parting from one another. When they had studied their fill of the daily wisdom purchased at the London bookstall, each glared out of his window, noted what seemed notable along the line, fixed his eyes steadily — upon nothing, and at last, drawing back his head, fell into uneasy sleep. And the train rushed on. Its genius might have fallen asleep too, and have been travelling in his dreams, for all the tokens of life in this compartment. Then the sun's light came more slanting, and the train seemed to be moving ever more and more into its pathway, as if in time it would leave the solid earth behind and on its wings of white vapour float into the sunset and be there transfigured among the cloud-splendours. And as the filled their compartment, both young men woke up. That one of them who had been sitting by the dark win- of the carriage, away from the sun. changed his corner, and came and sat opposite the other. He was desirous, apparently, of catching a glimpse of the sea, which for more than an hour the train had been nearing, as the dull thunder of waves on a shingly beach, somewhere below, chap, i A JOURNEY TOWARDS THE SUNSET 3 had testified. Being in such close neighbourhood, with only a foot or so of space between them, it would have been incumbent on any except British railway-travellers to exchange some civil speeches. Perhaps that may have been the reason why one of them, who did not look entirely English, at last, after some hesitation, opened his lips and said (but still with the haughty indifference which young Englishmen assume towards those to whom they have not been introduced), ' Is the next station Yalden?' ' No ; the next but one,' answered his vis-a-vis, sinking thereupon into stony or, as a Greek might express it, ada- mantine silence. The next station appeared, paused a moment, vanished, and a reach of wild country came flying at the carriage-windows. The first speaker looked at his watch, and began again. ' The train is due at Yalden now,' he said ; ' we are late.' ' Yes,' said the other, ' nearly half an hour late ; trains always are on this part of the line.' The ice was broken, or rather, part of the iceberg gave way. A remark about Bradshaw, another to the effect that the tide was coming in, a third suggesting that it would be a stormy night to judge by the clouds, led to the first speaker's asking, as he looked once more out of the carriage- window, ' Do you know whether Trelingham Court is far from Yalden ? ' Now was the time for any hidden, curiosity- loving sprite in the down train to prick up his ears and listen. ' Trelingham Court?' said the other in an inquiring tone. 1 Why, about six miles if one is a stranger ; under six, a good deal, taking the short cut by St. Mirian.' And as he looked across at his companion with more attention than before an idea seemed to strike him as possible, which in a moment or two must have grown from possible to probable, for he said : ' Excuse me, sir, perhaps you are going to Trelingham.' ' Yes,' answered the other ; ' that is my journey's end.' 'And mine,' said his questioner. 'How very odd!' He added, after a pause, and with considerable diffidence, ' I am very likely going to ask an absurd question, but I happened to see a portrait in this year's Academy of which i TB \NT1G01 i'akt i you strongly remind me, and my cousin pointed it out as ' The first speaker interrupted him courteously. 'My name,' he said, 'is Rupert Glanville, and a portrait of me there certainly was, hung rather too near the sky-line, on those much-enduring walls. But you must have observed it closely to see a likeness between it and a chance traveller on the railv, ' I was about to remark,' said the other, ' that my cousin pointed it out as that of the artist who was coming down to Trelingham to paint the Great Hall. Else, I know so little of art matters that I should hardly have remembered it.' • Your cousin said so, did he ? ' asked Mr. Glanville with an accent of surprise. ' I thought no one ' ' It was not he,' said the other, laughing ; ' it was she. Not my cousin, Lord Trelingham, but his daughter, Lady May, who was inspecting the pictures that afternoon with other young ladies, and made some of us fellows walk in her train.' ' Ah,' said Mr. Glanville, ' I have never met Lady May Davenant ; and I thought, I imagined, that only Lord Trelingham knew what was proposed. Until I have seen the Great Hall, and heard his plans more in detail, I cannot tell whether anything will come of it, so far as I am con- cerned. That is why I am now on my way to Trelingham Court.' ' Oh,' said the Earl's cousin, or Lady May's cousin, — but I think Lady May's cousin sounds the prettier, the more sentimental, as introducing this young gentleman (he seemed about twenty), who should of course, were mine not a story of real life, be our first or second lover, and devoted to the Earl's daughter, — ' my cousin made no secret of it, and I suppose her father made none. And though I am such an ignoramus that I don't know one style of painting from another, I remembered your portrait all the more because a great deal was said about your manner — isn't that the word? If I understood Lady May, it is quite unlike what they SU] I Lord Trelingham would have chosen. They were all loud in its praise ; but they seemed to agree, or all except Lady May, that you, — chap, i A JOURNEY TOWARDS THE SUNSET 5 that, in short, there was a deal of Paganism in your pictures. Is that so ? ' ' Quite, I should fancy,' said Mr. Glanville, much amused at the courteous bluntness, or blunt courtesy, of this young man, to whom painting was clearly a far-off mystery, like Chinese chess. ' Paganism would be the word for it in the Earl's entourage. For he himself is by no means a pagan.' ' I should think not," said the other emphatically ; ' not at all a Pagan, unless Ritualists are Pagans. But that was the wonder. For, of course, he will not want paintings all round him in which he cannot believe.' ' That is just it,' replied Mr. Glanville ; ' you have hit the nail on the head. Lord Trelingham does not want pictures in which he cannot believe. He is no artist ; but of all the men I have come across he has the finest sense of what is genuine art and what is mere make-up and pre- tence. He went to certain well-known masters and asked them how they would paint the Epic of King Arthur ; and they designed, every man of them, an impossible boudoir idyll, a medieval dream, in the style of Tenny- son. He looked round for some one that professed, at all events, to paint realities ; and I know how astonished he was on finding the " Paganism " of my canvases more real than the " dim rich " Christianity of Launcelot and Guinevere in the Laureate's blank verse. So we are going to make trial whether I can paint the Arthurian history as it must have happened, if it happened at all.' To this learned speech the Earl's cousin made no reply, perhaps because he did not understand it. About epics, classical or medieval, Homeric or Arthurian, he never had troubled himself since he left school ; and there he cared only for the fighting in the Iliad, in which he would have liked to join. Poetry meant less to him even than painting ; but he did not lack brains, and he said by and by : ' Lord Trelingham is fond of art, but I always fancied he mixed it up with religion. He is ever so High Church, and such a Tory that I heard him say once there were none left but himself and Lord Hallamshire. Shall you 6 THE NEW ANTIGONE pari i l>nt all that into your King Arthur? For unless you do, he will not km ay what t< of it.' 'I in . ! Mr. Glanvillej 'who knows?' And he laughed as if the suggestion had roused his fancy. ' King Arthur \ rtainly High Church, and the Round Table a brotherhood of Tory knights. But Lord Trelingham is many things besides a Ritualist. He is an excellent art- critic ; and when he came to my studio he talked much of colouring and gradation of tone, without a syllable of religion.' 1 He is certainly, as you remark,' said the other, ' not one man, but several — half a dozen, perhaps. For in- stance, when you see him at home, you will take him by his dress for — what do you think ? ' Mr. Glanville could not say. ' Xo, of course, no one could guess. But with his long velvet coat reaching below his knees, his skull-cap, and flow- ing white beard, he might very well pass in a play for some sort of astrologer. And the curious thing, as you will find, is that he has been given that way, and practises now occasionally.' 'Astrology and Ritualism, — a strange mixture !' said Mr. ( llanville ; ' how does he reconcile them ? ' ' Beyond me to say,' replied the Earl's cousin ; ' but he does. He will probably draw your horoscope if you can tell him the day, hour, and minute when you were born, and whether the room in which you first saw the light, as lie calls it, looked east or west' Mr. Glanville's lip curled scornfully. 'He will not draw my horoscope,' he said ; ' has he drawn yours ? ' ' I believe so,' answered the other ; ' but what is to befall the unlucky Tom Davenant nobody knows, for it is apparently sonv too terrible, and my cousin has locked up the prediction and never speaks of it.' A pity if anything should befall him, let me tell the reader, for Tom Davenant, as he sat there with the fun breaking out at the corners of his mouth, was a marvel- lously good-looking fellow, well-made in ever}- limb, tall and broad-shouldered, with a face so clear and open that to see him was to like him. The artist, since their conversation CHAP. i A JOURNEY TOWARDS THE SUNSET 7 began, had been scanning with his practised eye the almost too delicate features of this young English Apollo, meaning hereafter to translate him into his own realm of paganism, putting a little more mind into the great blue eyes (there- was enough in the mobile lips), and surrounding him with the graceful Hellenic forms to which, in spite of his modern garb, he was manifestly akin. ' An Apollo,' said Mr. Glanville to himself, ' much exercised at the silver bow — that is to say, in slaying birds and beasts, fox-hunting and hare-hunting, but destitute of lute and learning, and very shy of the Muses.' And he went on with his mental portraiture. I wonder what Tom Davenant would have made of these reflections had his companion uttered them. He was not conscious in the least of the beauty Nature had given him, and thought fishing, hunting, and boating were the only business a man had in life, with smoking for a relaxation. He was a perfectly beautiful, healthy, guile- less, and good-tempered youth, fond of every beast he did not kill. But as for Apollo and his lute, he preferred a good fowling-piece to all the lutes in the world. And he was not exactly shy of the Muses, if Mr. Glanville meant thereby feminine society; but he thought them uninteresting. Whether he cared for Lady May the uneven tenor of this chronicle must show. The train was stopping at Yalden, a steep, scrambling, irregular village that came stumbling down the red sand- stone cliff as though it had meant, in a frenzied or heroic mood, to plunge straight into the sea, but had been pulled up at the last moment and was now unable to get back again. But the sea dealt kindly with it, not suffering trees to grow indeed, and often sending great sheets of spray high up into its face, yet tempering the air and encouraging the fuchsias and rhododendrons to flourish plenteously in the open, so that when our travellers arrived the village was all colour, fragrance, and freshness, its houses embowered in the exquisite long creeping plants which knew how to shield themselves from the sea-wind, and the red sand- stone glowing, as the rays of sunset kindled it, like a heavy purple cloak flung carelessly on the ground. The waters were 8 VTIGONL pa] restless under a freshening breeze, thin lines of foam Btretch- ing themselves along and curling back as they touched the sands, which at this point make a shelly, narrow, and un- dulating beach. A litl ond the vi • the sandstone yielded to some harder and more primitive rock, might be seen a tiny creek hemmed in by huge cliffs, under which, brawling and defiant, rushed one of those short, swift rivers that delight in quarrelling with every stone they meet and fall into the sea all foam and trouble. It was the Yale, from which Yalden takes its name ; and its brief journey began on the moor above. There, too, the railway paused, shareholders not being in love with steep gradients and preferring to economise their resources, while the one or two small inns of Yalden added to theirs by sending flys to meet passengers on alighting. Mr. Tom Davenant had telegraphed that he might be looked for by such a train, and as he and Mr. Glanville leaped on the platform they saw the Earl's brougham awaiting them. With windows down and the carriage- going at a good pace over the moor, it was a pleasant evening drive ; though Tom Davenant would have pre- ferred riding, which was to him, as to an Usbeg Tartar, the natural way of getting from one place to another. He had talked a great deal for him, being of a silent and self- contained disposition, in the last half-hour of their journey; and he was not sorry that Mr. Glanville left him to his thoughts as they drove along. The artist, indeed, was no more inclined to speak than the hunting-man by his side. He was all eye, gazing out upon the rolling moor which unfolded itself before them, now up, now down, seemingly boundless, except in one direction where the sky bent over it to the western waters, fringing it in this light with a golden line that never wavered, while on the wide waste- there lay a stillness, intensified by the dying murmur of the sea they were leaving behind. And here again the red sandstone glowed purple, the heather looked glorious as the rain of sunshine fell upon it, the clouds grew more solemn and appeared to be drawing together, trailing after them fiery streamers, and leaving wide spaces of tender pale green vapour, which would melt later on into the dark chap, i A JOURNEY TOWARDS THE SUNSET 9 blue of the evening sky and make room for the stars. Strange, too, it was to see the lonely boulders, each like a ghost standing in his place on the moor, brought thither in the long past time when a river of ice travelled over it, one knows not how, one cannot reckon when, grinding its slow way onward till it slipped into the ocean, leaving these tokens that once it had been. There were dips full of verdure and flowering shrubs, reaches of bare sand, and, as the road bent down and away from the sea, a dark copse or two, sheltered, as on a lee shore, by the higher ground, to whose sides they clung timorously. As the carriage turned a steep corner and began to ascend again, Glanville perceived that they were entering a narrow valley, which widened as it went up to the moor by easy steps, and was clothed to the right with underwood which the sun had now ceased to illuminate, while to the left all was heath and furze. They were entering the Park. They passed one gate and then another ; above the trees, which here found no difficulty in growing, came out the turrets of a great house. A few more minutes brought the carriage to the broad gravel sweep of a terrace facing south-west, along which ran the massive undecorated front of Trelingham Court ; and the Earl himself, who was walking to and fro as if in expectation of his guests, came forward to meet them. He gave each a hand, and bade the artist wel- come. Lord Trelingham certainly bore out his cousin's half- mocking description of him as 'an astrologer in a play'; neither white beard, nor velvet gown, nor skull-cap was wanting. He wore on his little finger an amethyst in- scribed with Solomon's seal ; and his wrinkled, tawny face, dim eyes, and lean, tremulous figure heightened the effect, making him altogether like a man who had stepped down out of a picture and was taking his evening walk, regardless of the fact that he had been buried and his portrait counted among the family heirlooms for a couple of centuries. He was not so tall as his young cousin, but had an air of dignity which softened to the utmost good-nature when the shyness or embarrassment of others called it forth. As he stood on the terrace, enjoying the prospect and pointing ro THE NEW ANTIGONE paut i out the way they had come to Glanville, the art it could not help admiring the beautiful old man, and asking him- self whether immense wealth and high rank always did til human goodness, as is commonly said. Here was an unspoiled rich man, one of the great ones of the earth, yet so gentle and unaffected that to live with him would imply neither time-serving nor ceremonious posture-making. It might, however, involve superstitious practices, if the Earl were bent on winning disciples to astrology. And Glanville, who had a lively fancy, began to smile at a Burke's Peerage recorded in the stars. They went in, passing through the Great Hall which was to be the scene of Glanville's achievements. It was a magnificent room, opening straight on the terrace, and de- signed for the solemn banquets of former days, when a man feasted his tenants and neighbours at the same tables and counted his guests by the hundred. It was lighted from above, but at the farther end an immense window reach- ing from floor to ceiling gave a view of the inner court, with its lawn and fountain now in shadow, and a screen of dark foliage, the beginning of an extensive plantation. Trelingham Court was built in collegiate fashion, sheltering its woods from the sea, and sheltered by them in turn from the north-east. ' In half an hour,' said the Earl, 'we shall dine, but in a less formal dining-room ;' and he left Glanville in the butler's charge. That stately gentleman, it is needless to observe, was, though perfectly well-bred, much more ceremonious than his master. He perpetuated in a lower sphere what one has heard of the manners of la vieille cour, that Versailles the graces of which must have been hopelessly lost during the French Revolution but for such fortunate survivals. In this dignified way Glanville was shown to an apartment overlooking the front terrace, and giving views of the broken and rock -strewn line of coast, beyond which the waters spread out in a golden sheet. The sun was sinking, clear and ruddy, on their extreme edge. It was an hour to muse or write verses rather than to dine. But the great British evening sacrifice called for its votary, and Glanville proceeded to attire himself in the garb of blackness appropriate thereto. CHAPTER II SIBYLLINE MUSIC On entering the drawing-room he found some ten or twelve persons, of whom he knew none but his host, standing about in the mournful way which seems to have been prescribed by a Plutonian master of ceremonies for the minutes preceding dinner. Every one was hungry, and even the ladies looked pensive or distracted, for the hour was late. Glanville had no gift of taking in a company at a glance ; he was led forward blindly, introduced to Lady May Davenant, who presided over her father's household (for the Earl was a widower), and whose face, as she was standing with her back to the light, he could scarcely see, — bowed submissively to another lady whose name he did not catch, but to whom he offered his arm with the readi- ness required of him, dinner being that instant announced ; and moved on to the dining-room not unwillingly, for all the romantic scene of lights upon the sea which curtains now shut out and the flowers and subdued lamps of a dinner-table replaced. Dazzled though he often was on coming into a room, Glanville had quick eyes and ears. When, in Homeric phrase, his mind was getting the better of its desire of meat and drink, — in other words, when an excellent soup and a glass of old sherry left him philosophically calm and capable of observation, — he looked across the ferns and surveyed the assembled guests at his leisure. Mr. Tom Davenant, who had followed him into the drawing-room, was now sitting opposite by the side of a clerical-looking lady whose partner in life was not far to seek ; for the only clergyman THE NEW ./-• pam i present (lie had said , but of < Glanville did not hear him) at that m w all eyes by remarkii in a cheerful voice to the Earl that his two volumes of the life of King Arthur would be out to-morrow. Glan- ville, a little alarmed at the announcement, earnestly scruti- nised the speaker's countenance. It was a bright, good- humoured face, betokening no malice, and made venerable by the crown of white hair which set off a noble-looking head. Lord Trelingham, however, replied that Mr. Trus- combe's work could not have appeared at a better time ; it would no doubt help Mr. Glanville to more vividly repro- duce the local colouring which their frescoes in the Gr< Hall would demand. Mr. Truscombe was the clergyman of the parish, expressly invited to meet the artist on the ground of his being learned beyond all others in British antiquities, and already famous by his great book on the holy wells of Cornwall and Cumbria. Glanville received this piece of news with a polite air, but inwardly began to chafe at the appearance of King Arthur and British anti- quities during dinner. No one could be more sensitive, or less given to the jargon of his trade than he. So sensitive, indeed, was the man, that he had not yet overcome his vexation on hearing from Tom Davenant that the Earl had spoken of him as ' the artist who was to paint the Great Hall.' He did not know that he should paint it. One thing was certain : if he undertook the design he must be left to his own inspirations, or it would be a failure. He had hoped to come down as an invited guest with no pre- liminary flourish of trumpets, to meditate upon the work in solitude, alone with Art, his unseen mistress ; and here was a whole dinner-table ready perhaps to ask him, 'What were his ideas?' or, worse still, to bring out their own by way of suggestion. Glanville was a fiery, shy, un- manageable spirit, quite beyond Lord Trelingham's compre- hension. The Earl could not have dreamt what thoughts were passing through his mind at the mention of Mr. Truscombe's King Arthur and the short discussion to which it gave rise. For an instant the design which had brought Glanville from London was in danger. He had more than once started at the shadow of interference chap, ii SIBYLLINE MUSIC 13 and flung his work aside. Could he but have done so now ! Innocent Mr. Truscombe would then have proved himself the Dens ex machina, the divine agency that cuts an otherwise insoluble knot and gives the tragic story a happy ending, — or rather, in this case, the tragedy would never have begun. But no, the personages of the play, on the very point of falling asunder and going out by their several exits, were drawn once more by invisible threads into a fated group. Glanville mastered, though not without an effort, the spasm of rage that had seized upon him. At clever evasions he was skilful ; and, while he took care that there should be no talk of King Arthur that evening, so far as he was concerned, only a very keen observer would have known how angry the allusion had made him. It was an evil omen. Instead of the ' auspicious bird ' with which he had hoped to begin, he felt as if a raven or other ill-boding visitant were flapping its wings over the painted scene in which already his imagination was roving. Conversation at the Earl's end of the table floated to a fresh topic. Another voice struck in, that of Lord Hallam- shire, one of his oldest friends, and, like himself, devoted to the interests of the catholicising party in the Church of England. Lord Hallamshire presided at meetings in- numerable for the adoption, defence, or further strengthen- ing of the eastward position ; visited the confessors of the faith in prison 3 subscribed handsomely to missionary efforts for explaining to the natives of the Andaman and neigh- bouring islands the exact difference between a cope and a chasuble ; and was a large, good, dull man, with heavy brows and an immovable countenance. His enormous nose, as I have often observed in persons of Lord Hallam- shire's type, indicated solidity rather than sagacity, and a firm grasp of the prosaic side of things. He was now, after some floundering about, holding straight on in an account of what had been accomplished by the Guild of St. Austell to get the orders of the English Church fully recognised by their Eastern brethren. Their success with the Catholicus of Babylon, so far, had been all they could wish. 'The Catholicus of Babylon !' said Glanville, who had U THE NEW ANTIGONE PABt i ■ 1 his good-humour j 'is that the same as the Pope of Rome?' Tom Davenant looked at the Earl and broke into a very pleasant smile. But Lord Trelingham, who had no sense of the ludicrous, replied with much gravity, 'The same as the Pope of Rome ! Oh dear, no ! I see your ike, which was quite natural. It is true that St. Peter dates an epistle from Babylon which our brethren of the Western Obedience interpret as Rome. But the Catholicus is independent of Rome, like our own archbishop. He sits in the place of St. ' He hesitated, trying to re- member the name. 'St. Daniel?' inquired Tom Davenant, to the Earl's consternation, who became yet more confused and quite at a loss. The young man continued innocently, ' I know I learnt some poetry at school about Babylon where Daniel comes in as a sort of bishop. It began — 1 " Belshazzar gave a feast at Babylon in his hall." ' 'Be quiet, Tom,' said Lady May, from the end of the table. 'You might at least quote accurately. You have spoilt the rhythm of the verse.' Then, turning to her father, ' St. Paphnutius is the name,' she said. Glanville, who had not observed Lady May hitherto, looked at her in amazement. It was rude, but how could he help it ? Was she an embodied dictionary of ecclesi- astical worthies, — a blue-stocking, thus to hand her father a name like Paphnutius as unconcerned and gracefully as though it were a cup of tea? What was her age? She seemed six or seven-and-twenty ; yes, it was the period when ladies began to do these things. He disliked learned women ; they seemed to him unfeminine, the most beauti- ful thing in the world spoilt. And so he looked too stead- fastly at Lady May. She might have noticed, had not the younger lady whom Glanville had taken into dinner, and who had been hitherto very quiet, added to the bizarre effect of Daniel and Belshazzar by remarking, 'My dear May, I met this very Catholicus of Babylon, who has said such civil things of your church, last week in Paris, at Madame de Mont-Bazcillc's. An extraordinarily handsome chap. II SIBYLLINE MUSIC 15 man, of about thirty-six. He has a face like a statue, and the darkest of dark eyes. But his beard was not so long as I expected. His costume was splendid, — a kind of Oriental satin, of which even Worth does not know the name, for I asked him. And charmingly made up with a ruche, you know, of strange old lace. I daresay it cost a fortune. Monseigneur Sidarlik they called him.' 'That is the name,' said Lord Hallamshire; 'it is odd you should have met him in Paris. His letter to the Guild was dated Constantinople.' ' Oh, he came on account of the slave-trade,' said the lady. ' I heard why, but it has gone out of my head.' ' Doubtless,' said Lord Trelingham in his gentle voice, ' it was to ask the French Government whether they could not stop the importation of slaves into Syria. I hope he succeeded in his benevolent mission.' ' I remember now,' said the young lady ; ' no, it was very amusing. Monseigneur Sidarlik came to consult a great firm in Paris which gives young girls a dot, — what are they called? Ah, yes, the Prix Montyon de F Orient ; they send them to the East, and by way of Armenia to Russia, where they marry into the households of our great nobles. The Catholicus is their agent in his part of the world ; and the number exported had fallen off, and he came to make fresh arrangements. We were all so much amused at the idea of going to Asia for a husband.' Lord Trelingham looked aghast. ' My dear Countess,' he said, ' you must be mistaken. This is dreadful. The Catholicus would never engage in such proceedings ; he is perfectly orthodox. You must have heard the wrong story.' Lord Hallamshire thought so too. The Countess shrugged her shoulders and did not argue the point ; but she held her own opinion. Whether, indeed, she were maligning a blameless prelate, or casting a powerful side- light on the manners and customs of Babylonian Christians, in any case, the subject became too difficult to dwell upon. Lady May inquired of Tom Davenant what he had been doing. He bethought himself of the remarkable meeting with Glanville, and drew the artist into the conver- [6 Til ' ANTIGV PABT I sation ; and the Earl's daughter, though her sentences were brief, and she guided their talk rather than shared in it, kept them oft* the dangerous themes of painting and re i. Her expression, while she thus fulfilled the duties of her place, was somewhat fatigued. She wore an air of listlessness. But her lips were proud and firm ; and Glan- ville found himself comparing her voice to the sound of a harp. It was a rich contralto, full of depth and resonance, which gave the commonest words a feeling. What she spoke was not trivial, but it could not be intimate, uttered across a dining-table ; yet there was something, — there was a story to make out, Glanville fancied, though he could not have said why. If she were a blue-stocking, then blue- stockings might be wonderfully impressive. Lady May rose, and the gentlemen fell into politics when they were left to themselves. But Glanville sat considering. He was haunted by the look and still more by the voice of his hostess. She was not exactly beautiful — or was she ? The features were regular, the eyes dark and full ; cheek and throat of a ruddy brown, and hair as black as night. There was intelligence in the forehead, and a proud decision in her movements. Yet in those dark eyes was a far-off look, uncertain, questioning, in the closed lips a habit of self- repression. Could it be that she was unhappy ? Passion- ate she seemed by temperament, inclining to despise those about her. And the voice again, — ' fire and sweetness,' he said to himself. ' Am I falling in love?' he concluded, with an inward smile. But he was glad when the I invited them to join the ladies. He wanted to hear the harp-like tones, to study the character a little more. He was fortunate. The windows of the drawing-room opened on the terrace; and a mild evening, with the D making daylight all over the land and shimmering softly out at sea, drew them into the open air. It was not a formal party. Except Glanville, they were all old acquaint- ance ; and Mr. and Mrs. Truscombe were, that night, stay- ing like the rest at Trelingham. Tom Davenant went away to smoke with the clergyman ; the others fell into little groups ; and Lady May, in her quality of hostess, chap, ii SIBYLLINE MUSIC 17 came to Mr. Glanville where he stood with the Earl, and inquired whether he found his room comfortable. Her father turned to her, ' Thank you so much, my dear,' he said, ' for helping me to the name of St. Paphnutius. What a wonderful memory you have ! I cannot re- member names at all, and it gets one into such difficulties when one has to make a speech. But you never forget them.' ' It is easier,' said Lady May gently, ' to remember a name for you, papa, even if it is so out of the way as Paphnutius, than to see you in trouble over it.' ' So,' thought Glanville, ' she is not a church dictionary after all ; she is only an affectionate daughter. I am glad of it.' Just then Lord Trelingham was called away. The artist found himself alone with the lady, and was not a little surprised when, after a pause of a moment or two, she began, ' I fear Mr. Truscombe's new book will not be so agreeable to you as to the good man himself. It is a pity the publication should occur just when you are designing your plans for the Great Hall.' Glanville could only say in some confusion, ' Really, I don't know. Why do you think so ? Perhaps I did not show sufficient interest in the Life of King Arthur. I hope I was not in any way rude to Mr. Truscombe ?' ' Oh no,' said Lady May ; 'but there was something you did not like. My father is the most considerate of men, and admires art and artists. But he does not quite, I think, enter into the nature of their work ; he does not know that inspiration is easily checked. He would fancy that you and Mr. Truscombe might, to some extent, com- bine your gifts in the decoration on which he has set his heart. But if I understand — perhaps I do not — the quality of your painting, I should think it impossible for you to do so. And I saw you were annoyed.' ' Well,' said Glanville, half ashamed of himself, ' I was. I may not have any inspiration to boast of; and no doubt Mr. Truscombe could teach me about the local colour. But I have always worked alone, and a partner would be unendurable to me. At least,' he continued, with a sort of vol. 1. c PART 1 laugh, 'there is only one from whom I ask advice, and I seldom take it thi • He must be a man ofgeni I Lady May, not sar- ally, but as ii Uy thought s<>, ' for your painting so much that is pe< uliar. I cannot imagine two minds, much less two pairs of hands, engaged in it.' The artist felt astonished ; had this lady studied his works closely? And why was her admiration so un- reserved? He answer ' My friend does not paint, but he knows all that has been done in painting, and everything else, I think. His advice, like that of the demon of Socrates, is chiefly nega- tive. But it is the severest criticism ; it takes down the studio walls and lets in the sun.' 'How very interesting!" cried Lady May ; 'and is he known ? Has he written anything ? ' ' Not a line. He is quite unknown, and will never be famous.' They fell into silence. The Earl did not return. His daughter, as if absorbed in thought, looked out over the moor towards the distant sparkle of the waves. At last she said again, ' I wonder by what secret association it is that one thinks of r in and storm on such an evening as this? There is not a cloud to be seen.' ' And are you thinking of rain and storm ?' .-.aid the artist. Iy imagination, I suppose I must call it, has been whispering to me of rain since we came on the terrace. Rain, coming down soft and steady, without a moment's pause ; and the wind sighing through it, yet not blowing it away. It is strange that fancy should play these tricks. What is the association with a still landscape and radiant moon ? ' 'Contrast,' said Glanville ; 'if we only knew why con- trasts suggest each other, or why extremes meet. It is too deep a philosophy. But,' he went on slowly, ' there is something in your description of dark rain and wind that reminds me of I know not what musician ; of some one who has put into his composition the voice of a long-continued, hopeless, weeping tempest, which sobs as though it would fain hush itself to sleep and could not' chap, u SIBYLLINE MUSIC 19 ' Oh,' said Lady May, looking pleased, ' have you those feeling when you hear music ? Do you translate it into figures of people moving, scenery, a sense that you are journeying on and on into unknown lands ? I am con- stantly doing so.' ' And I, too,' replied he ; ' but in my fanciful accompani- ment there are always battles, mighty conflicts upon which the fate of the world seems to hang. Yes, it was a movement of Chopin's that you described, the very spirit of the rain moaning to itself secretly. Do you play ? You may have the music' 'Yes, I play,' said the lady, 'and there are many of Chopin's works in the drawing-room.' She turned and looked towards it. No lights were visible. The moon made a great square of silver where it shone in at the long windows opening to the ground. ' Then,' said Glanville, ' let me ask you to lay the rain- spirit with Chopin's nocturne. Let it weep itself to death on the piano.' They walked towards the entrance ; and as they were going in the Countess joined them. ' May,' she said, ' are you going to play ? I want you to choose something that will take the moonlignt out of my eyes. It has made me quite sleepy; and you must wake me up.' And she threw herself with the look of a tired child on a sofa near the open window. 'No, Karina,' replied Lady May; 'I shall send you to sleep now. You can wake up afterwards.' Glanville lit the wax candles in a pair of antique sconces which adorned the piano. Their feeble light left a deep shadow in the centre of the room. The moon looked in at the window ; on the terrace outside nothing stirred. It was a lovely scene, hushed in silence ; a world all fresh, calm, and beautiful, lifted up into night and poesy. The music, found as soon as looked for, was opened ; Glanville stood by, to turn over the leaves ; and Lady May, seating herself, struck the opening chords. A few bars of sad, slow meditation, passing into lament, into longing, expectancy, disappointment ; and then the sighing music seemed to gather the winds out of heaven, 20 THE NEW ANTIGL. i-aiu i and breathe all its sorrow into them and send them wander- ing abroad ; and by and by, as the listener fancied, the skies had turned to rain, and all round were the falling showers, soft, steady, unbroken, as they had been pictured to him, every moment more sombre, blotting out the light. He seemed to hear the thunderous harmonies with their muffled, threatening roll ; and fire came into the rain and struck through it ; and the music grew shrill and weird, only to sink down again into faint monotonous sobbing. All at once, as it seemed coming to an end, there rose up as from the heart of the spent storm a human voice. With not unlike cadence and alternation of feel- ing, now proudly defiant, now self-accusing and full of regret, now fainting to utter weariness, it in some way repeated and intensified the passionate throbbings of Chopin's nocturne. Glanville started from his reverie. It was Lady May, improvising as in subtle reminiscence of the notes before her a chant in some southern tongue, that recalled the phases of the strange composition and put upon them a definite and heart-shaking meaning. The words were foreign to Glanville's ear ; the accents of grief were not ; and he stood motionless and embarrassed, like- one who witnesses an outbreak of unsuspected wildness where all has hitherto been self-control. Lady May took no heed of him ; she had forgotten his existence it seemed, and she went on shaping, as he could not doubt, her words to the music, until in the gentlest whisperings of resigna- tion they became softer and softer, and at last went out in silence. It was like seeing the curtain fall on a tragedy. ' Oh, May,' cried the Countess, starting up, ' do you call that playing me to sleep? I am trembling all over. Where did you find that horrible piece of music? It was enough to curdle the blood in one's veins. Do you not think,' she said to the artist, ' that my cousin ought to be ashamed of frightening us so? I always say she has the voice of a Medea, or a stage-murderess. Don't you agree with me ? ' Glanville muttered dissent or acquiescence, it would be impossible to say which, and could not take his eyes off Lady May. What sort of temperament was it that broke chap. II SIBYLLINE MUSIC 21 loose in such perilous fashion ? Was it only the genius of an actress, metamorphosed by fate into an earl's daughter, yet unable to subdue its natural longings and in this way satisfying them ? A Medea ! There could be no question of it. Were that untamable disposition to be roused, it would, while the frenzy lasted, be as little capable of pity as the tigress. And yet how tender had some passages of the improvisation sounded ! He was at a loss ; he could not tell what to think, except that in this high-born, delicately- nurtured lady, there were unknown possibilities of good and evil. She met his glance, and said, with a shade of diffidence, ' I learned to improvise when I was a child in Italy ; and the pleasure of attempting it is sometimes irresistible. I hope you were not frightened, like my cousin Karina. She is terrified at everything.' 'Indeed, I am not,' said Karina petulantly; 'but I never could endure your grand style of singing — you know I adore you when you are quiet — since the day it made me fall off the steps at Genoa with surprise.' 'You were a silly child,' said Lady May, ' and you fell because you would look back and make faces at me, instead of seeing where you were going.' And they both laughed at the remembrance. The rest of the party now came in ; tea was handed by the orthodox ministers that accompanied the urn ; Lady May did all that could be required at the hands of an attentive daughter and hostess; and Glanville struggled with an eerie feeling, as if he had seen her in the form of panther or tigress vanishing in the twilight, which had now succeeded on the moon's going down. When he re- tired to his room the feeling was still upon him, uncanny, disagreeable. He was not equal to much railway travelling, and fatigue soon sent him to sleep ; but in the dim caverns of unconsciousness he seemed again and again to hear the falling rain, drip, drip, drip, and the murmurs, fierce or tender, of unassuaged passion, its endless long-drawn sigh- ings, till he sank into depths of slumber where no voice came. CHAPTER III O RICHEST FORTUNE SOURLY CROST ! When Glanville awoke, rather late next morning, and glanced out of his window, he found that his dream had not been all a dream. The early hours must have been stormy, for the air had a moist fragrance, and the foliage on every side seemed to be glistening with rain-drops. It would be an uncertain, changing day, rather dark than light, and not favourable for painting had he intended it. But the painting of the Great Hall was a long way off. He did not know whether his designs would meet with ap- proval now that a professed (and probably ridiculous) anti- quarian had come on the scene, to vex him with pedantic theories. He knew that Lord Trelingham had in these matters sound sense and judgment, however little of either he might display where the ritual of his creed was con- cerned. But he wanted no Mr. Truscombe to meddle ; and he was resolved to keep him at arm's length. Whilst girding himself up with these and the like fierce thoughts of combat, he heard the breakfast-bell. It was, for a wonder, sweet-toned and musical; and, as he hurried down, he asked himself whether Lady May shared his intense dis- like of gongs and other such barbaric instruments, and whether it was by her doing that the first morning-sounds were made pleasant to waking ears. ' You see,' he said, on wishing her good-morning, ' it was your prophetic sense that made you think of rain. It seems to have come in good earnest. Last night you must have heard it creeping over the sea.' 'Then I am a prophetess of evil,' said Lady May, 'for chap, in RICHEST FORTUNE SOURLY CROST ! 23 there has not been such a storm this long while. I could not sleep for the uproar it made.' 'No,' said Tom Davenant, coming in, 'you are too nervous. But have you seen what has happened in the picture-gallery ? ' The Earl followed him in haste. ' Oh, my dear May,' he said, ' such a misfortune ! One of the windows in the picture-gallery blew in during the storm, and has been shattered to pieces. And the portrait of Lady Elizabeth is ruined — utterly ruined.' Lord Trelingham never lost his temper at the worst of times. He would have gone to the scaffold with placidity in a good cause. But he looked exceedingly distressed now. ' Lady Elizabeth's portrait,' he murmured ; ' I should not have cared for any other.' 'Oh, father, what a pity!' said May in a feeling voice. ' How sorry you will be ! Did it fall, or what was the accident ?' His distress instantly called out her sympathy. ' Ruined, ruined ! ' her father reiterated. ' It was found this morning by Redwood lying across some chairs ; the canvas not only scratched, but torn in several places, as if it had been paper, and the face of the portrait damaged worse than all the rest.' ' It must have been struck bodily from the wall,' said Tom Davenant, ' by the window frame when it was blown in. You never saw such confusion. Glass, woodwork, and canvas all in a heap together. But can nothing be done ? Here is Mr. Glanville,' he went on, turning to the artist ; ' he can tell us better than any one whether the harm can be put right.' ' I am at Lord Trelingham's service,' replied Glanville ; ' shall I go at once and examine the picture ? ' ' You are very kind,' said the Earl, ' but you must not stir till you have breakfasted. There is no haste. The workmen have boarded up the window, and laid the picture in a safe place.' There was a pause, during which, with subdued mien, the others addressed themselves to the duty of breakfasting. But the Earl could scarcely eat. ' We shall feel the loss THE NEW ANTIGONE paw i .' he said to his daughter in a husky voice. 'You will feel it.' 'Never mind me,' she answered; 'if nothing can be done 1 shall know how to hear it. But till Mr. Glanville has said restoration is impossible we ought to hope.' 'I have always thought the history was not concluded yet.' he murmured as if to himself. I ,a dy May caught the words. ' No history ever is,' she said. The meal ended they moved to the picture-gallery, a long, narrow apartment on the first floor, running half the length of the terrace and with an entrance from the Great Hall. There were portraits on one side and windows on the other, with one in addition, that which had blown in during the storm, at the end. Exclamations broke from the lips of all when the havoc met their eyes. Fragments of the casement were lying on the polished floor, and mixed with them were great pieces of the heavy gilt moulding which had been shattered as the picture fell. The canvas, rent in more than one place, was set upright against the wall where the light fell full on it. When Glanville came up the others drew back. He went close to the picture, and his first exclamation was one of intense surprise. ' Why,' he cried, ' it is a Spanish altar-piece.' 'And a family portrait,' said the Earl. ' I will tell you,' he continued, with some hesitation, ' the history, or what I can of it, in time — but first examine its condition.' Glanville stepped back to take a general view. The picture had been, undoubtedly, a masterpiece. He did not recognise the painter. But whoever he may have been, the school to which he belonged was manifest in the splendour of colouring, the bold design, and the deep religious earnest- ness that distinguished his composition. An altar-piece it was, as the Earl said, — an Assumption of the Virgin, but altogether unlike that monotonous repetition which fills our galleries from London to Naples, of a single feminine figure, with a moon beneath her feet shaped to resemble a bent bar of yellow soap, while winged baby-heads float round her on clouds of milliner's gauze. This picture combined the intense realism in the human forms which is character- istic of Spanish painting, with a transparent depth of air, a chap, in RICHEST FORTUNE SOURLY CROST ! 25 vastness of prospect, a visionary glory in the distance ; it seemed to draw out on every side as the artist gazed, and to lift him into the serene expanse through which the crowned Madonna rose towards heaven. She did not float on station- ary clouds, as though her journey were ended ; in the up- ward tending of the hands, in the sweeping forward of kingly messengers clad in glittering raiment and borne along upon eagles' wings, as if to herald her coming ; in the whirlwind that seemed to take her waving garments, shot through with gold, as she was rapt away from this lower world, and to have caught up with her the attendant saints — a mighty com- pany, in their pure white and crimson, — the sense of a quick- ening magnetic motion made itself felt, a rushing onward from sphere to sphere, while in the dim and starry distance portals shone half-opened, and round about them an awful faint-toned halo, like a cloud or a rainbow, hiding yet betokening the mystery that should be revealed. A glorious work of genius, but ruined. Yes, it was too true. That which must have been the perfection of the whole, its central glory — the ecstatic countenance of the Virgin — was defaced, was almost beyond recognition. The crown, with its jewelled light, could still be made out ; the Madonna's features were gone. ' How very lovely ! ' said Glanville after a long pause. ' And how hopeless, I fear, to restore it ! Even if the canvas could be joined and the colouring touched again, how could the most daring painter reproduce the head of the Virgin ? There is nothing to copy from, and, judging by the rest of the figure, it must have been a peculiarly striking and original face.' ' Oh,' replied Lord Trelingham, ' we need be at no loss for an original, if the picture were otherwise capable of being restored. You have only to look at my daughter, Lady May, and you will see the face that has vanished.' 'Indeed ! What an extraordinary thing !' cried the artist, turning from the picture to the lady, who stood blushing a little and with her eyes averted. ' You were saying that this altar-piece, for such it is, was likewise a family portrait. Did I hear the name of Lady Elizabeth ? And it was like Lady May. Yes, I can just fancy, when I look very 2 6 /■/•' y ANTIGl ''A' closely into it, that there is left even now some shadow of resembl But bow comes it, if I may ask? Do tell me the story whilst I go on with my examination. nnot decide in a moment how this should be treated.' There was a pause. '1 he strangers who were present silently withdrew, leaving Lord Trelingham and his daughter with Mr. Glanville. These three sat down in front of the picture. ' You have a morning's work cut out for you, I should think,' said Tom Davenant. ' I will go round to the stables and come back in an hour or so, in case you want me.' And that unromantic youth, in whose ears the family chronicles had been repeated without their making the slightest impression on his memory, went off in his careless way with his hands in his pockets. His cousin looked after him and smiled a little sarcastically. Then she said, ' Well, papa, Mr. Glanville wants you to begin.' Her father seemed to be hesitating ; and one might have fancied that he did not wish to pursue the subject. He said rather hastily, 'May, my dear, I am not very good at telling a story. I hardly know where to begin. The portrait came into my hands soon after my father's death, during the war of the Spanish succession.' He paused again, and with some agitation turned to the artist and laid his hand on his shoulder—' My dear Mr. Glanville,' he said, ' the associations this picture brings up to me are very painful ; much more so than my daughter has reason to suspect. It is years since I spoke of them to any one. But in the short time of our acquaintance, which, however, should be reckoned since I came to know your paintings rather than from the day when I first called at your studio, I have come to think of you, if you will allow me to say so, as a friend. It is a sad story. I do not know the whole of it, but I will endeavour to repeat the chief incidents.' Glanville was touched by the old man's simplicity and kindly tone. A soft light came into his eyes and his swarthy cheek grew ruddier as he murmured, 'You are very good to me, Lord Trelingham; I shall be happy to do all in my power.' And Lady May looked pleased, and eager to hear what was coming. chap, in RICHEST FORTUNE SOURLY CROST ! 27 'I know,' she said to Glanville, 'the picture is like my father's sister, who died before I was born, and I am told it is like me. Colonel Valence brought it from Spain. I have often wondered why he gave it to the family when he has never been a friend of ours.' ' He was a dear friend of mine once,' replied her father. ' If he was not so later, perhaps I am in a measure to blame. But the past is past, and we can never recall it. Let me tell you the history in a few words, Mr. Glanville.' He looked down, as if collecting his thoughts, and began in a low meditative voice, like one who watches the scenes of earlier days emerging into daylight, from the dim recesses where they hide, at his summoning. 'Edgar Valence and I were boys together; at home, where his father's little estate joined Trelingham Chase, as you may see in your ride this afternoon ; at school, where he was my senior, and I counted it great good fortune that I was allowed to fag for him ; and at Cambridge, where he was so distinguished and I of so little consequence that to be noticed by him was enough to make one proud. I thought him the finest fellow in the world ; I loved and admired him and everything he did, and took him as my pattern hero. When he came down from the University my father welcomed him as much for his sake as for mine, and he was looked upon as one of ourselves. It was a happy time, and I thought it would last for ever. What a charm there was in his company, his bright fanciful talk, his quick reasoning, his decision and boldness of character ! It enchanted us all; and my sister, Lady Alice Davenant, who was then a girl of seventeen, fell in love with him and he with her. They found it out one Long Vacation when he was at home, and they made no secret of it. My father, not unwillingly, gave his consent. Edgar Valence had nothing to call wealth, but he was of ancient descent, great talent, and unblemished reputation. He might be expected to win fame in the world if an opening were afforded him. My sister need not have despaired of being one day a Prime Minister's wife did she marry Edgar Valence. The engagement was not announced. Both the young people felt that a delay of some years was inevitable : THE NEW ANTIGONE PART I and Valence went back to pursue his studies at Cam- hrid 'He and I were of the same college, though in very dif- ferent sets, for my tastes led me in the direction of religious and e< i deal subjects — in short, towards the movement which, beginning at Oxford, had now affected Cambrid also; whilst his, I am sorry to say, had thrown him into society which, intellectual though it may have called itself, was frivolous and unbelieving. Valence was a young man of the world ; he had never been a fervent Christian, and his studies and associations received that year an unfortu- nate bent, from which they never recovered. He became an open, a violent atheist. He said the most daring things, scoffed at the University authorities, took my own remon- strances by no means in the affectionate spirit which, I trust, dictated them, and saved himself from expulsion only by quitting Cambridge in a fit of passion and taking his name off the books. He returned, a changed and deteriorated man, to his father's house. A ruined man, alas ! for it was well known why he had left the University ; and in those days unbelief roused a universal horror and was visited with social excommunication. It is not so now,' said Lord Trelingham, interrupting himself. I No,' said Glanville, his eyes falling as he answered ; ' I suppose people are more used to it. But how did the change affect Lady Alice? Did she also give him up?' I I will tell you,' resumed the Earl. ' When my father heard of this extraordinary and painful lapse in one towards whom he cherished the kindliest feelings, he sent for Valence and kept him at Trelingham nearly a week, doing his best by argument and exhortation to bring him into a more suitable frame of mind. Lady Alice, who knew of what had taken place, joined her entreaties to her father's ; and her evident distress might have wrought upon a more decided temper than that of Edgar Valence, had pride for the moment not dulled his affection. It proved all in vain. During their reiterated and, as one may suppose, not very calm discussions, bitter words passed on both sides, and my father could never forgive the harsh, the blas- phemous denial by Valence of all that Christians deem chap, in O RICHEST FORTUNE SOURLY CROST ! 29 sacred. My sister was no less horror-stricken ; I cannot, however, think she was much to blame if an affection begun in childhood survived even this rude trial. When my father pointed out to Valence that while he continued an unbeliever his marriage with Lady Alice was out of the question, my sister silently acquiesced. She did not pre- tend that her feelings had altered; though she exhibited much self-control, she could not, in bidding her lover fare- well, but whisper that she trusted the sky would clear again and all be as before. Valence was free, she said, but she had given him her heart and could wait until he was worthy of it. " That will never be," replied my father with some anger. "Valence has no heart himself, and what brain he has will bring him to little good. If he cannot believe in God, you ought never to believe in him. He will only deceive you." Valence said nothing, looked for an instant into Lady Alice's face, bowed haughtily to my father, and turned from the door. Once, and once only, was he fated to cross that threshold again. ' The engagement had been secret, and the secret was not told. After a few days spent in moody seclusion under his father's roof, Edgar Valence disappeared ; and when I ran down at the end of term to Trelingham no one could inform me what had become of him. I was more grieved than I cared to show, for my father's anger increased as time went on, and he forgot the pleasant ways of the boy to remember only that they had ended in unbelief and blasphemy. Lady Alice never spoke of Edgar, and I was afraid to touch that quivering string, for I saw that she suffered. Two years passed, and still no tidings came. We had settled down into our accustomed ways, except that my father was now an invalid, and Lady Alice spent most of her time in attending to his comfort. We were not unhappy together. I began to think my sister would never marry, for she went into no society, and declined more than one brilliant proposal of marriage without assign- ing any reason. I asked her one evening whether she thought Edgar Valence might return, whether she hoped it ; and she replied : " I cannot tell ; but when I gave him my promise it was once for all, and I will never break it." 3o THE NEW ANTIGONE pabt i I argued that her promise was no longer binding, that Edgar himself had tacitly released her, since he neither came, nor wrote, nor gave sign that he was living. I might have spared mj pains; they were thrown away upon her loyal and passionate nature. Poor Alice!' said the I rl ; 'you often remind me of her, May, with your enthusiasm ai tic outbursts, and the steady look in your eyes. There is a wonderful likeness between you and my sister when she was nineteen, in that troubled uncertaii time which elapsed from the day of Edgar's disappearan till we heard of him again.' ' Yes,' replied Lad}- May, ' you did hear of him again, to be sure, and in a singular fashion. 1 know that part of the story.' ' You know some of it,' said Lord Trelingham. ' I will now tell you the rest, so far as I can unravel this tangled skein. On a certain morning, as we sat at breakfast and the letters were brought in, I noticed that a large one addressed to me seemed quite covered with travel-stains, nnd before 1 could think whose writing it was, the post-marks, which were very numerous, caught my attention, and I exclaimed, "A letter from Spain; who can have sent it?" Lady Alice looked up from her own correspondence ; and as I held the letter out, she said with a kind of gasp, " It is from Edgar, and sank fainting to the grouna. Great c< fusion ensued, as was natural ; my sister did not recover at once, and when she did her distress was piteous to see. Joy and grief seemed to be struggling fcr the mastery; she put out her hand as if to grasp the letter, and then, whisper- ing like one upon whom a great fear has fallen, she said to me, " Look at the date. It may be long ago, and perha] 1 5, now, he is dead." I cannot express to you the passionate yearning she threw into her words, but I shall never forget them whilst I live. She sat trembling, and I broke the al. It bore a date some twelve months back. My lather, who had been silent until now, though painfully agitated, took the letter from my hand as I was on the point of reading it, and said, "Alice, I promise that you shall hear everything in this which you ought to know ; but there may be in short, your brother and I will read it CHAP, in O RICHEST FORTUNE SOURLY CROST ! 31 first, and you meanwhile lie down in your own room and endeavour to compose yourself." She was led with totter- ing steps from the room. Even in my haste I was obliged to open the letter carefully, for it was written on the thinnest paper and would have borne very little more ill- usage. It began, — but stay, — I will bring you the strange document and you shall read its very words. I have kept it among my papers.' And as he spoke the Earl rose and left the picture-gallery. Lady May turned to the window and gazed out on the sky, which had in nothing abated of its sombreness; in the heavens was a wild and shifting dance of clouds, directed, as it would seem, by an inconstant breeze, and upon the ear came a long low whisper from the waves which could be seen tossing on the beach and rolling out again to sea. Glanville was deep in contempla- tion of the wreck before him. ' No one,' he said half aloud, ' can tell me what to do with this, except Ivor Mardol.' The lady came back at the sound of his voice. ' And who is Ivor Mardol ? ' she said. Before he had time to answer Lord Trelingham entered. He bore in his hand a yellow, dingy-coloured epistle, which, when it was unfolded, almost fell to pieces. He spread it out on a table near the window, for it was growing very dark, and said to the artist : ' Your young eyes will decipher this better than mine. It is written, however, in a beauti- ful hand. Edgar Valence did all things gracefully and was noted for his penmanship. Will you read it aloud ? My daughter knows part of the story, but never till this moment have I shown her Valence's letter.' CHAPTER IV THE FACE OK AX IMMORTAL Glanville looked at the paper before him. The ink was faded, and in places the lines were uneven ; but no one could mistake the exquisite character of the hand in which they were traced. There was a date, which I shall not give. But the letter began abruptly. ' I don't know,' it said, ' by what name to address my old friend, who has perhaps injured me, and who no doubt thinks I have injured him. What an age it seems since I left Trelingham ! And what an effort to write that word ! I meant to have done with it until I could come back and claim a promise I shall never, never forget. Ah, Davenant, if you cared for me or her, if you could only understand how brave, how loyal-hearted she was on that day when heaven and earth, her father and her religion, were against me, you would know whether a man who had once been assured of such an affection could surrender the hope of it. But what am I doing ? I may have but a moment before the fever comes on again and my brain takes fire. And I have something to say, a task to fulfil, if my hurt is not too much for me. Should I never rise off the bed where I am lying, it will be your task then, not mine. This letter will reach you somehow. My nurse tells me I ought not to write ; but I must, though I were dying. The thing is so strange. Excuse these cramped lines ; I can hardly see what I have written, my eyes pain me so. It is the blow that wild fellow gave me across the forehead when I would not let him, — but I am telling the tale askew. Let me try again. chap, iv THE FACE OF AN IMMORTAL 33 ' This place is called Sepulveda. You never heard of it, I suppose. A gloomy -sounding name, but a grand, romantic piece of country, some forty or fifty miles from Seville, on the spur of a mountain-range that I can see from my window, stretching across the horizon to the north like the drop-scene of a theatre. I was brought here wounded, I don't know how long ago. A week, a month, an eternity, for all I can tell ! Down below in the valley I can see, too, the waters of a stream where they broaden into the deep pool of San Lucar. The convent stands on the edge of the pool, and looks at it all day and all night ; for its great ruined windows are all on that side. " The con- vent — what convent ? " you ask. It is called San Lucar, I tell you. Ought you not, as a Tractarian, to know who San Lucar was ? Did he not work miracles somewhere, and live in a cave, or on a column, or on nothing, for a couple of centuries ? Well, I cannot tell you who this San Lucar may have been, for it is not the evangelist, but a local deity. And he is dead, and his bones used to be kept in a shrine of fretted silver in a side-chapel, which, I should think, was always dark in spite of the lamps we saw burning all about it. Oh, my head, my head ! I ramble on, as if I had a thousand years to tell this story. ' You know I became an atheist and a democrat before I left Cambridge. I don't mean to hurt your feelings ; but the history must begin there. And when I quarrelled with Lord Trelingham, and went home and spent a week brooding over my prospects, the thought struck me that I might as well join these Spaniards, who were doing a fine anti- Christian work since completed by Mendizabal, where it was much wanted, expelling monks, pulling down monasteries, turning the priests adrift, and burning up the foul rubbish that the Inquisition had heaped together and made holy.' Glanville, who had hesitated in his reading more than once, now came to a dead pause, and said to Lord Treling- ham, 'Ought I to read all this? It can only give you pain.' 1 Never mind,' said the Earl ; ' I have read it too often to be pained now. There is not much more of it ; and Valence says truly enough that it is necessary to the under- standing of his adventure.' VOL. I. D THE NEW .!.■■ VE PABi I The artist read on : 'I sailed from England three days after quitting my home; and in less than a month was enrolled among the volunteers who fought for pro ad linst Don Cai os. 1 should like, it I had time, to i ribe some of our wild picturesque doings in the South. per had I imagined anything so frantic, stri tirring; such a droll medl< 1-world romance and unwashi d bar- barism, of orange-groves, and moonlight, and harsh mus and dusty marches, and raging multitudes of men and women, of Qying monks, and shrieking and dancing mobs, not only in the great squares, but in the churches and the long-inviol: isters ; and, in brief, as mad a world, with furious clamours, and a high burning sun to add to the ex- citement, as there ever was in the Middle Ages. It deadened my feelings of loss to find all things around me going to ruin; and I was reckless and even happy. 'I do not mind acknowledging that the ruffian band, of which I became captain, — for promotion is rapid in these parts of the world, — were as savage and motley a crew as ever escaped hanging. I often seemed to be living over Gil Bias on a grander scale, with all the riff-raff of centuries gathered round me and following the tattered banner of the Revolution. But dirty work must be done with dirty tools. These men were good enough to pull down a system that was worse than themselves ; for it pretended to have come from heaven, and they didn't much care whether they came from heaven or hell ; neither did they trouble as to which of the two would have them by and by. They hated monkery, and they liked a wild life. Certain of them, how- ever, were fierce fanatics ; and one of these gave me trouble enough. He was a stalwart young fellow, more gipsy. I should think, than genuine Spaniard. He had been a monk in Jaen, and had run away from his monastery as soon as he got the chance. How he delighted in breaking open church-gates, and smashing altars, ami pulling the great images down from their pedestals ! You will not suppose I minded that ! There is only one mythology I w'ould spare for its beauty — not the medieval, which is a fantastic dream, — but that calm old (".reek world of loveliness, where the gods are the forms of Nature become breathing marble, and chap, iv THE FACE OF AN IMMORTAL 35 the heroes are daring and human, with their glorious limbs and fair faces. They have no place in this half- African land brooded over by the sultry air from Sahara, and too hot and feverish to bring forth yellow-haired Greeks. No, I looked on while the churches were defaced and their shrines plundered. But my gipsy-monk would have gone much further. He was, as you would say, no gentleman. And he took my reprimands as sullenly as he dared. ' It seems such a while, and yet again the picture is so distinct that it might have been yesterday, since we marched out of Seville towards San Lucar. At this moment I have before my eyes the stains upon a great square flagstone, near a church we passed, where a priest had lately been killed by the mob. Felayo, the gipsy, pointed them out to me, and said, " I wish I had been there." But he added, " We shall catch some of them, if they have not taken to their heels, at San Lucar." For that secluded convent we were making. It was served by a number of clergy, who lived, all except the chaplain of the nuns, up here at Sepulveda ; for it was not a convent of men. What led us to make such a long expedition was the knowledge that San Lucar had never been spoiled, nor its cloister invaded, even by the French during the Peninsular War; and although its treasures were at that- time hidden for safety, they had come to light again and were worth seizing. And then, the delight of ruining an untouched shrine— these were spolia opima to draw us on ! We marched somewhat leisurely, as Southerns will ; but as nobody in Seville quite knew which way we were going, and any one of a dozen convents might have been our attraction, we gained San Lucar without a rumour of the impending catastrophe reaching the good sisters. They were at their beads from morning till night ; and, as we marched up the valley late in the afternoon, we could hear the loud voices of the priests chanting one of their evening services. We had come in three days, but had left stragglers on the road, and were now a company of a hundred and twenty. . . . I cannot continue. The pen drops from my hand.' Glanville naturally paused again. Lady May, who had 36 THE NEW A A VE pabt i given liim the closest attention, said, iii a sort of mi on.' And Ik- re ium< <1 : ' It is some days siru e 1 broke off,' said tin- manuscript ; ' I wonder when I shall finish, or whether I shall at all. 1 have been asleep, they tell me, and ravin id deal in an unknown tongue. No one here understands English. But they have caught a nunc which I seemed to be in< i sandy repeating — her name! Ay de wi ! Let me make an end. But what are the words that some one is faintly singing under my window? I can just make them out. Apt enough they sound to me, — listen — ' ' • I .as venas con poca sangre, I ' 'S ojos con mucha noche." 1 ittle blood in the veins, and heavy night upon the eyelids. I must hasten while I may. We did nothing that evening except to keep the passes of the valley. It was known outside the convent that we had come, and why ; but the peasants had been cowed by the revolutionary frenzy of the towns, and we neither expected resistance nor much cared if it were attempted. We were stirring next day with the sun. What a glorious morning broke over the valley and the stream, and drove back the darkness towards the mountains as with a single sweep of some glittering sword in heaven ! Such a clear light came over the white monas- tery walls, and was reflected from the lake as we marched up to the huge wooden gates that divided the cloister from the world without. Felayo beat upon them with his thundering club, which had shattered so many before. but they stood unshaken, and we saw that if we were to enter at that point we must open with a regular assault. A.s we hesitated to begin one of the men cried out that the church doors would be easier. That great building stood outside the cloister and opened on the public highway. We marched hastily towards it; and what was our surprise- when we drew near to distinguish the solemn sounds of ' horal chanting and organ accompaniment within ! " They are singing Mass," cried Felayo ; " I suppose they would like to win the crown of martyrdom, as their good ancestors did when the wicked Moors slew them;" and again he raised chap, iv THE FACE OF AN IMMORTAL 37 his club, this time with effect, against the sacred gates. One blow drove in the rusty lock, a second and a third, aided by the pikes of the rest, broke the framework in pieces, and with yells of rage and triumph the men rushed in. ' Far away, in the dim light, we saw the priests in their vestments at the altar, and ranged on each side in the stalls choristers in white, holding books from which, though now in trembling tones, they were singing. Just as we entered the voices fell silent ; the organ, which stood away in some recess, took up a softer strain ; and I saw the chief priest kneel, then rise again quickly, and lift up the host on high to be adored by the prostrate throng. As if maddened at the sight, Felayo, who had paused a moment, went wildly up the church, calling on us to follow, leaped the silver altar-rails, and struck down the priest where he stood. In an instant all was confusion. Felayo swept the sacred vessels from the altar ; and, as the choristers ran out from their stalls in deadly terror, some to rescue the priest from being trampled on, others to take up their holy things which lay on the ground, and one or two of the bolder spirits to thrust back Felayo, I looked up and beheld that miscreant standing on the altar like a conquering demon. Hideous he seemed, with swarthy face and malig- nant flashing eyes, his arm again uplifted for destruction, and his voice ringing through the church in a defiant shriek. And as I lifted my eyes the clear morning light came in through the windows of the chancel, flooding the space above him ; and I saw, as in a vision of glory, a face that I knew, with an expression that was all tenderness and divine tranquillity, shining down on the confusion unmoved, and a host of figures in glorious raiment about it. "Alice ! " I cried, and sprang upon the altar, as Felayo lifted his head and caught sight of the picture. For it was a picture, not a vision or a dream. Above the altar, like the tutelary saint of the place, depicted in mysterious attitude and with the symbolism of some Catholic doctrine, Alice, whom I had left in England, of whom I dreamt day and night, was before my eyes ; and her glance seemed to go through my very heart. I stood bewildered ; the next moment I was recalled to myself by Felayo's voice, as he thundered 429344 THE NEW A \ VS PAM i out, "Ho, comrades, mount up here an 1 pull down this Virgin of the monks." 1 caught him by the throat and flung him to the ground, leaping alter him as he felL ■■ l town, d ij ." 1 shouted; " you shall not touch the picture.'' lie was so taken aback by the unexpected assault that for a little while he stared at me without answering. Then, gathering himself up for a spring, he strove to get from under my hand ; but I held him fast by the throat, and while the others came round in amazement, I cried out, •• You may pull the church to pieces and plunder what you will, but this Madonna remains sacred. I claim it for myself." I cannot say what they thought of me, but none were so fanatical as the gipsy, and they seemed to respect my whim, for they drew back and began to form into parties to despoil the rest of the church and invade the convent. Even whilst I knelt with Felayo in my grasp, I could see the nuns, who were separated by a carved screen from the body of the church, as they stood shivering in the midst of their cloistered aisle, uncertain whether to flee or remain. Felayo turned himself under me. "Let me go," he said : " I will not touch your accursed picture." — " Do you pro- mise?" I asked. He answered through his teeth, "Yes, I promise." I allowed him to rise to his feet ; but, no sooner had he done so, than, drawing his sword, he slashed me across the forehead, and had not my peaked cap partly warded the blow, that would have been the end of Edgar Valence. 1 was, however, only half-stunned, and with a rapidity equal to his own, I drove the sword I held in my hand through the villain's heart. With a frightful roar of pain he fell dead beside the priest whose life, in the crush and confusion, had been trampled out of him. 'Meanwhile, the invaders were breaking down the cloister, tearing from their places silver lamps and the precious gates of the various shrines, rending the vest- ments to pieces, and hurling the great crucifixes to the and. The noise, the riot, were indescribable. I ap- pointed a couple of men to guard the high altar ; and seeing what was likely to happen now the soldiers were getting infuriated, I made my way over the fallen screen into the nuns" cloister, and endeavoured to restore a little chap, iv THE FACE OF AN IMMORTAL 39 order amid the confusion. I told the sisters they were free to depart, but that resistance was impossible. If they wished to be dealt with kindly, let them go to Sepiilveda and prepare lodgings and refreshments for the wounded, of whom there were several on both sides. For the younger priests, when their blood was up, did not hesitate to grapple with the soldiers. There is always in the Spanish temper a wild devil to be roused ; and these sons of the sanctuary were as eager for the fray as their assailants, after they had seen their mass interrupted and the priest flung down. But they had no weapons, except the fragments of the woodwork and church furniture ; and in no long time they were overpowered. When the high altar was under- stood to be my share of the spoils, a general rush was made towards the chapel of San Lucar. I followed out of curiosity, for I could not bring myself to lay a profane hand upon anything in a place where Alice seemed to be gazing at me, and with her heavenly presence reproving my unhallowed thoughts. I saw the shrine dismantled, the dust of the saint scattered where his worshippers had knelt for ages to ask his intercession, the lamps quenched and borne away by the soldiery, the huge windows broken, and the church from end to end made a wreck, — all things in it ruined save the exquisite vision looking down upon the high altar. The men ate and drank about the place, and jeered their prisoners, and would have quarrelled over the spoil, had not an order come towards mid-day from Seville, directing us to quit the convent and take up our quarters in Sepiilveda. ' I was greatly embarrassed, for I would not leave the portrait of Alice to the mercy of the new image-breakers ; and yet go we must. In this perplexity, one of the wounded priests whispered to me that, if I wished to save the Virgin, there was a secure place under the altar where it might be hidden. Let me send the rest away and he would show me. I thought the matter out for a while. We could not get the wounded to Sepiilveda with- out mules, of which we had very few. Whatever was to be done must be done at once ; but to stay for the wounded could not be an infringement of orders. I sent men off to 40 THE NEW ANTIGONE PAW l find means of transport ; and, kei ping only three whom I knew to be loyal fellows, when the church was < lea red I hade the priest show me the biding -place of which he spoke. He was badly hurt, but he contrived to reach the altar, and touching the great slab at which mass had heen said, he made it move out of its place noiselessly. There was a dry vault underneath, and several huge (offers in it where treasure had once been stored. If the altar were broken down, the vault would be discovered ; otherwise, it was safe enough. We unfastened the great picture, not without difficulty, from its place on the wall ; covered it with remnants of the heavy silk hangings ; and were so fortunate as to come upon a chest which would hold it under lock and key. I took possession of the key, which is now under my pillow, and will never leave me till the picture is removed to some fitter resting-place. The priest explained to me the secret of the spring; and the great slab, revolving once more, concealed from the returning soldiery what we had done. ' They were anxious to get off with their booty ; we left the convent — bare, a habitation for the beasts of the field, and a shelter for owls and other night-birds ; and by the evening our men were lodged in Septilveda. My head was aching from the sword-stroke of Felayo ; I could get no farther than the farmhouse where I am now lying. I know that I have had an attack of brain-fever. The detachment I commanded has gone, I cannot say on what errand ; for it went in haste, leaving me to my fate. These good nuns look upon me as a guardian angel ; all they saw was that I protected their Madonna from destruction and themselves from insult. They are not aware that I helped to overturn many a shrine before I came to San Lucar. They tell me I have been near dying. Why not? Should I live, is there any prospect for me? The vision of Alice forbids me to join my old companions ; I cannot bear to think that I might see her face again, looking down on me in the next sanctuary I profaned. All I desire is to rescue the canvas whereon she breathes and lives, and return with it to England. If I die before this can be accomplished, I charge you to see to it. The convent will never be chap, iv THE FACE OF AN IMMORTAL 41 dwelt in again ; and you will have small difficulty in secur- ing this miraculous piece of driftwood. What its history may be, I do not know. I have been too weak to put any questions about it ; and these sisters, though well-meaning, are extremely ignorant. I doubt that they could tell me the true story ; legends, of course, they have in plenty. ' Davenant, if I get well, you must prepare Lord Tre- lingham to receive me, if only once, within his thresh- old. I will not entrust the portrait of Alice to another. But when I have put it into his hands, I will turn again and he shall see me no more until he welcomes me as his daughter's husband. 'Thank the kind fates that have suffered me to write this. I am dead tired. I shall sleep now; and perhaps never waken. But this letter, at all events, will reach you. Say to Alice, — ah no, you will give her no message from me. I hear the voice singing again the self-same words beneath my window — " Las venas con poco sangre, Los ojos con mucha noche, Lo hall6 en el campo aquella, Vida y muerte de los hombres." How pretty these old Spanish romances are ! But it was not in the field that either love or death found me ; yet, weak though I may be, I am strong enough to meet my fate, come when and how it will. E. V.' There was no other signature. CHAPTER V BUT THOU TO ME ART MORI THAN ALL ! ■ Was I not right,' said the Earl, ' in calling that a strange letter? As you have read it to me, so did I read it to my lather, keeping an anxious eye on the door at which Lady Alice had gone out, and every moment dreading her return. What could we say to her? Was it possible to hide Valence's danger, or the likelihood of his arrival at Trelingham ? Breaking a heavy silence, my father ob- served, " This has taken almost a year to reach its destina- tion. Should Valence be still living, we must expect him in England soon ; nor can I decline to accept, even from his hands, a portrait which has long been wanting in our gallery." I looked at him in surprise. "What!" I said ; "has not Valence dreamt the whole story? His letter was written during an access of brain-fever ; and must we not suppose that his constant brooding on the loss of my sister, combined with reminiscences of the legend of Lady Eliza- beth, has shaped his fancies to this extraordinary result ? " — •• No," replied my father; "Valence must have done what he describes. Either he never knew or has forgotten the story of Lady Elizabeth. You see he does not once refer to it."' ' And may I ask,' said Glanville, ' what is the legend of Lady Elizabeth ? ' 'I will tell you,' replied his host. 'Ours, my dear Mr. Glanville, is not itself a very ancient peerage. It dates from Charles II., when Sir William Davenant became Viscount Davenant and Earl of Trelingham. Hut in his wife repn a much older line ; and it was chiefly by reason of his marriage with her that Sir William was raised CHAP. V BUT THOU TO ME ART MORE THAN ALL ! 43 to the House of Lords. She was the last of that old West Country stock, the Trelinghams of Trelingham. Her father died abroad during the usurpation of Cromwell ; and his brothers — the family were Roman Catholic — had taken orders at Rome and St. Omer, but died before him. Hence the title of Trelingham became extinct. But Lady Elizabeth inherited in her own right the estates which had gone with it ; and she was in a convent when her father died. The family chronicles add that the convent was in Spain, but not the name or precise situation. She was on the point of taking the veil, and had she done so, there is no doubt the estates of Trelingham would have passed to the Commonwealth. She was persuaded, therefore, to return home. Her nearest relative, a Protestant cousin, sought her hand ; but he was grasping and ambitious, and twenty years older than the lady. She refused him, and bestowed herself and Trelingham on Sir William Davenant, who, though not of her faith, was chivalrous enough to respect it. She loved him so well that, in course of time, she joined our communion, and her children were brought up in the doctrine of the English Church. She died young, however, and the story ran that she repented of having changed her religion. Certain it is that a mystery attached to Lady Elizabeth — the name by which she was usually designated in honour of the ancient line. She would never allow her portrait to be painted ; and when I was a boy its place in the gallery — at the very spot where we are now sitting — was indicated by a purple veil on which in black letter was inscribed the name of Elizabeth, Countess of Trelingham, with the dates of her birth and decease. What was the explanation ? Well, here Valence's story came in. It was said that, when a girl at her Spanish con- vent, Lady Elizabeth had been chosen, by a painter whose name we never heard, to represent the Virgin in a great altar-piece ; and that an instinct of reverence, mingled perhaps with remorse, determined her never to allow, for ends of pride or vanity, that countenance to be de- picted by a worldly artist, which had been dedicated to religion and enshrined above an altar. We did not often repeat the legend ; we had no picture to show, and assuredly 44 THE NEW A \ VE tk I we did not dream that a resembl icisted between the features of my sister and those of her faraway am Valence's letter was a revelation. • While we talked Lady Alice came back, looking so pale that I ran to her, expecting her to faint in my arms. She thanked me in a feeble voice, but declared that she was strong enough to bear anything save uncertainty. I her the letter; she sat down and was absorbed in it, reading with eager haste, turning back sometimes as though fearing to lose a word, and quite unmindful of our presence. She uttered no exclamation when he spoke of seeing her above the altar ; she was too intent on the sequel, and I dreaded to see her come to his last words. As she did so a fit of shuddering seized her. But with a strong effort she mastered her emotion, and saying only, " I will wait, I will wait," she let the paper fall to her feet and came and put her arms about our father's neck. " Papa," she said, "do not fear me ; I will be a good daughter. Only let, let Edgar come. He will not be so unbelieving then. See how this strange thing has softened him. By and by he will follow your advice, and we shall be happy." Her voice broke, her eyes streamed with tears. " Very well," my father replied, " if he comes I will see him. But you must be patient." — "I will, I will," she whispered, and took up the letter again and was lost in it. ' Patience ! It was a wise word. The months passed and he did not arrive. My sister was falling into a decline, my father hastening to his grave ; and, I confess it with shame, I had fierce thoughts about Edgar Valence. Why did he not write ? But perhaps he had expired at Sepul- veda. I did not think so. I hated him. ' On a dark cold evening in November, when the snow was lying deep, my father breathed his last. We buried him on the bleak hillside, which looks almost as cold and dark this morning.' And, interrupting himself, the Earl pointed out to Glanville where the old gray church of Trelingham rose up from the precipitous shore, with the green churchyard and the mounds of the dead on every side of it. He resumed : ' The next day, late in the after- noon, as I was seated in my study, and Lady Alice was chap, v BUT THOU TO ME AR T MORE THAN ALL ! 45 reclining in her own room, too much exhausted to move, a stranger was announced. He gave no name. I bade them show him into the drawing-room. I entered, and my eyes fell on Edgar Valence. Through the windows I could see that it was snowing fast. ' He stood wrapt in furs, bareheaded, and immovable, with the scar quite plain on his forehead. When he saw me, his movement testified surprise. " I asked to see Lord Trelingham," he murmured. Then he observed that I wore deep mourning. " Is any one dead ? " he cried ex- citedly; "is Alice ?" I interrupted him. " Lord Tre- lingham is dead, not my sister. What is your business, Mr. Valence ? " The words were cold and unfriendly, but I was much moved. He looked like one risen from the grave ; his soldierly bearing could not disguise the feeble- ness of his health. He had suffered, and the sword-stroke of Felayo had been almost fatal. But he must not see Alice. " Did my letter from Sepiilveda reach you ? " he inquired. " Yes ; but why did you not write again ? " He smiled. " When I quitted my farmhouse," he said, " I took service in the regular army. I was wounded again, taken prisoner, carried into Estremadura, and did not escape till seven weeks ago. Why should I have written ? Would Alice have seen my letters ? " ' " I do not know," was my answer ; " but had you come in my father's lifetime, for her sake he would have granted you an interview. He would have done no more ; and, Valence, unless you are changed neither will I." ' He answered, alas ! in his old firm voice, " I am not changed ; do not think it. Nor is my love for Alice." ' " Be it so," was my reply, " then you may look for the same course from me that my father would have pursued." ' " And what is that, may I ask ? " ' I knew very well the answer I meant to give. It was imperative on me as a son and a Christian ; but it would cost me a sharp pang to utter it, when I thought of my poor sister lying dangerously ill, without heart or hope, and the desolate future before us. I delayed the fatal moment. Instead of replying, I said to Valence, " Did you return to San Lucar, as you hoped?" — "Return?" he THE NEW ANTIGONE pari i . ried ; " had 1 not returned and brought away the portrait, do you think I should have ventured hither today ? The picture is waiting at your 1 ites. Will you receive it ? Will you tell some of your servants to bring it up? Do you know anything about it?" • I told him the story as briefly as I could. He was surprised and attentive. "Why," he said, "this, if I be- lieved in a special Providence, should be a decisive intima- tion that Alice and I were made for one another. \ on grant it, surely, Davenant." ' I shook my head. "There are coincidences," I an- swered, "which have an evil purport. I cannot think, if you are unchanged, that this will come to good." ' I gave the order he suggested. While we sat speech- less — for what could we touch upon that would not be painful ? — awaiting the return of the servants witli the picture, I became more and more uneasy lest my sister should come in. And what was to be the end? On such a night I could not turn my bitterest enemy from the door. ar Valence to sleep at Trelingham Court, the night after my father's funeral ! It was strange, it was most un- desirable, yet I saw no way out of it. I could not help asking him, "How long have you been in England? My father's death was announced six days ago." ' "Very likely," he replied ; " I landed at Plymouth that very day, and came with the utmost speed hither. At first I thought of preparing you for my arrival. But you might have declined seeing me, and I judged it better to take you by surprise and trust to the generous impulses" — he spoke witli frank courtesy ; how winning I used to think it ! — "which have always seemed to me inherent in the family of Trelingham. I saw no one — I was not aware of your father's illness, much less of what has happened." 'The men were coming in slowly with their burden. I could not but think, as the door opened, of another and a sad burden that had been carried out yesterday. I would not have them stay in the hall, or go up to the picture- gallery; and the tall p e was set up auainst a book- rase in my study. Lamps were kindled, and Valence and I, with equal agitation, tore off the coverings, and the Madonna chap, v BUT THOU TO ME ART MORE THAN ALL ! 47 of San Lucar broke upon my view. At first, like Valence, I saw nothing of the accessories which are all that is now- left of the painting. It was the face I sought ; and oh ! how strangely it resembled Alice when she was yet un- touched by grief and all her thoughts were of the innocent home in which she had been brought up, or of the heavenly world that religion unfolded to her. I gazed and gazed. Can you realise what it is to have the dead beautiful past resuscitated, as at a stroke — the past, which you deemed irrevocable ? I felt pity and deep regret, and a kind of protest that these things should be — a young life faded and marriage impossible. The fate of Alice, of Edgar Valence himself, scarred and maimed as he came before me, our friendship turned to estrangement — it was too much. I knew not how to speak, or what to do ; and when Valence, laying his hand on my shoulder, said, " Do you think I can live without seeing her ? — have pity on me," I could only reply that in the morning they should meet, and then — then, if she held to her promise, I would do all that a brother should. ' On this understanding we parted for the night. I went to my own chamber, he to his, but there was no sleep for either of us. How was I to reconcile my father's wishes and the honour of a family which had ever been true to Church and King, with the opinions, the character, the inclinations of Valence ? Lord Trelingham, it is true, had exacted no promise from me ; and my sister, though not of age, wanted so few months of it that to all intents she might be deemed her own mistress. But the very existence of our house was at stake. Who could say that the succession to name and property would not pass to my sister's issue ? There was no other relative but a distant cousin, and he unmarried, and what if her children were brought up atheists and democrats ? I shuddered at the thought, and my former resolution shone out in the clearest light of reason as of religious duty. But, on the other side, was my sister's happiness, perhaps her life. ' With the morning came another anxiety. How was I to prepare Alice for the surprise, the tumultuous joy, that she would undoubtedly feel, and for all the momentous 4 8 THE NEW ANTIGONE pabt l issues that hung upon the next few houi Hei feeble health, endangered by mental anguish s<> long endured, would give wa) under this m u tum were she to meet it without warning. 1 hastened to Valence's room. H< was already dressed, and his fatigued look showed n that he had slept as little as I. In a few words I begged him to wait upstairs till I sent for him. He understood and made no demur. I inquired after Lady Alice, and was told that she was too weak to come down to the break fast-room. I now sent her a message requesting her to meet me in the picture-gallery at half-past ten. There was no time to lose. Summoning a skilful workman and a couple of servants to help him, I ordered the Madonna of San Lucar to be conveyed noiselessly to its destined place among the family portraits, and fixed with the utmost expe- dition. My directions were carried out. When the ap- pointed hour came the picture was hanging on the wall, and the dark curtain which had so long marked its absence alone concealed it from view. My sister entered the gallery, and came to me looking weary and distracted. I took her by the hand, asked her an indifferent question or two, and led her to speak of her own feelings. When we had reached the spot where I am now telling this story I induced her to sit down and continued the conversation till, in a pause I intentionally made, she looked round and saw that the curtain did not hang as usual. She looked again stead- fastly, and with agitated voice and manner asked me what was behind it. I answered as lightly as I could, " Do you think Lady Elizabeth's portrait is there ? " Quicker than thought she divined my meaning ; her hand was on the curtain, she drew it aside, and, sinking on her knees, ex- claimed, " He is come ; Edgar is come. Oh, God be thanked ! " She gave way to a burst of weeping, which I thought it prudent to indulge, saying, when she was grown calmer, "Alice, do you think you can bear to see him?" What an expression was on her countenance as she rose up and faced me ! " Have I lived," she cried, " for anything else ? " The colour came into her cheeks while she spoke, and her breathing was like that of a fever-patient, short and difficult. She almost fell back into her chair, but recovering, chai>. V BUT THOU TO ME ART MORE THAN A LL ! 49 bade me tell Valence that she would see him here and now. I did not venture to leave her alone. I rang for a servant, and gave him the message that Valence had been all these hours expecting in his room upstairs. A step was heard coming down, a slow but determined step, which we hardly knew. I motioned Alice to sit still, and went to the door ; but no sooner had Valence appeared than my sister flew to him, and they were clinging to one another in a long em- brace. I moved away towards the new-found portrait of Lady Elizabeth ; the same feeling which had inspired me seemed to take hold of them, and we found ourselves, for the first and last time in our lives, united before the Madonna of San Lucar. ' The first and last ! One happy moment we had, and then the struggle began again — if struggle it could be called, which was all on my side and most unwilling. I knew that whenever Alice should perceive the physical helplessness to which Valence was reduced, the argu- ment for affection would be strengthened a thousand-fold. It was pretty and exceedingly touching to witness how, on observing his scarred forehead, she clung to him more closely, looking at him again and again with a sort of motherly tenderness. Her tears flowed silently, but she smiled, and, in more cheerful tones than I had heard for many months, she exclaimed, " Well, brother, you see that all is clear now. I cannot leave this poor Edgar. He has waited and suffered, and he has my promise. Poor Edgar ! " And she fondly repeated the words as if caressing a child. I was overcome, but not wholly. Valence, still encircling her with his arm, said to me, " Davenant, love is stronger than death," and he gave me a half-mocking, half-melancholy smile. I will not relate the discussion that followed. On my sister it was impossible to make an impression ; but from Valence I demanded a solemn engagement that he would bring up his children in their ancestral faith, and allow me, or some one whom he might name, to be their guardian. Alice kept her eyes fixed on him, and I question whether she comprehended a syllable of our dispute. It was in vain. At last I reminded Valence of the dignities inseparable from the House of Trelingham, which it was my bounden duty to vol. 1. E So THE NEW ANTIGONE PAKl I preserve unimpaired u And do you tliink," he answered, "that I believe more in your titles and laws of inheritani I than I do in your traditional religion? What an idiot 1 should be I No, Davenant; when your sister accepts my hand she breaks, I do not say with the affection of her kindred, hut with the delusive greatness they call theirs. She will be no longer Lady Alice ; and you may rely upon it, no child of mine will claim the title or estates, or will touch a stiver belonging to the House of Trelingham. I have enough to live upon; and if I had not, a man can earn his bread. With your sister's beliefs I do not inter- fere ; it is too late, and she could renounce them only to be unhappy. But these things," he went on, looking scornfully round the gallery and waving his hand towards the long line of pictures, " I think she will give up these without shedding tears over them. Will you not, darling ? " ' Her only answer was to hide her face in his bosom. I could say no more. I turned and went in silence out of the gallery. I knew not with which of them I felt the more indignant. Both were obstinate, perverse, unreason- able. The rest of the day I spent among my books. At dinner Lady Alice informed me that Valence was gone, but I made no remark. During the few weeks she re- mained at Trelingham we met as seldom as possible. A month later she went away. The Tizzies announced, in regular form, that Colonel Edgar Valence and Lady Alice Davenant were married at a London church, and from that hour my sister was lost to me. Her I never beheld again ; but her tomb — you may see it beside my father's in Treling- ham churchyard. There Colonel Valence had her interred, I know not in what year, for I was abroad and we never exchanged a line, but it must he eight and twenty years ago, before my daughter was born. Whether they had any children, how they lived, or in what way my poor sister died, I could never learn.' CHAPTER VI THERE GLOOM THE DARK BROAD SEAS The Earl's emotion in concluding his narrative made the last sentence almost inaudible. Glanville would have liked to inquire whether Colonel Valence was still living, and in what part of the world. But he refrained, seeing how deeply Lord Trelingham was moved. After some time, the latter said, with an effort, ' That is the story, and now what plan do you suggest ? How are we to deal with the picture?' 'It is almost impossible to say,' he replied. 'Were it merely a question of painting, I could perhaps, on my own judgment, attempt to restore the general effect, if Lady May would kindly sit to me for the Madonna. Peculiar as the style is, I might do something. But to restore the canvas I must call in a friend who is more at home in the miraculous. I mentioned him last night, Lady May. He has a bizarre sort of name — Ivor Mardol.' ' Oh, that is Ivor Mardol/ replied the lady ; ' well, call him in. My father is not likely to object.' ' No, I am sure,' said Glanville ; ' but my friend — I should find it hard to describe him. It is his pleasure not to be clothed in soft garments nor to dwell in kings' houses. He is extremely unconventional, and being in manners and education far more than a workman, and refusing to be called a gentleman, it would be no easy task to find, in a house like this, the niche that would suit him.' 'What is he then by profession?' inquired Lord Tre- lingham. ' An engraver,' replied Glanville ; ' but he works for him- self, not for a firm or a newspaper. He is well enough 52 THE NEW ANTIGONE PAW l off; lives in his own little house in a I baring Cioss, which he has made as quaint and suggestive of the artistic life as any workshop in the time oi Quentin Matsys or Albert Dtirerj and is, in short, a qui minded, quick eyed young man, acquainted not only with his own branch of study, but with painting and painters, and the history of art since the Egyptians, if they began it. He will sometimes condescend to stay with me, though seldom. He lives in his work and the studies to which it leads him. Odd and out-of-the-way society he likes, and has friends very low down in the depths. I should think he has never seen the inside of a drawing-room, except in a picture.' 'What a delightfully fresh being you describe!' said Lady May; 'you must persuade him to come to us. We will excuse him from attendance in the drawing-room. We will fit him up a hermitage in the Park, or assign him a lodging in the tower. But he must come to us, though we should have to employ stratagem.' ' My dear May,' said the Earl, ' you let your fancies run away with you. Of course, if Mr. Glanville thinks his friend would come, and that his knowledge could help us to restore Lady Elizabeth's portrait, there could be no difficulty in letting him follow his own way of life while staying here.' ' What I was thinking,' said Glanville, ' is, that if he saw the Madonna he could tell us whether a replica of it is any- where to be met. Or, indeed, without seeing it he might. On the other hand, should it be necessary to attempt its restoration, I could have no more skilful assistant. The one thing for which I should, in that case, stipulate, would be, as you kindly say, Lord Trelingham, that he might be suffered to live in his own way.' 'But there is really a hermitage in the Park,' said Lady May, 'an attempt at an Alpine cottage, just large enough to hold one person and his brushes, if he happened to be an artist. It stands on an islet in the river, screened from observation by wooded heights, and is off the paths in the Chase. It is not far either.' ' That sounds enticing,' said Glanville. ' I cannot see my way without Ivor Mardol ; and, if your Lordship agrees ' OHAP. vi THERE GLOOM THE DARK BROAD SEAS 53 — he turned to Lord Trelingham — 'I will acquaint him with the proposal.' ' By all means,' said the Earl. 'And he shall have the hermitage,' said Lady May, 'and as much solitude as he chooses.' ' I cannot be sure,' said Glanville thoughtfully, ' that you will like him ; description goes for so little. He is a bright, unworldly spirit, but reserved to excess when not among intimate friends.' ' Is he married ? ' inquired the lady. ' Not that I am aware,' said Glanville, with a smile ; ' but that is one of the points on which he would be most reserved, if the whim seized him. I know nothing of his relations or surroundings beyond what I see. Nor, though we have been friends since we were at school, has he uttered a syllable respecting them. However, personal talk was never a characteristic of Ivor Mardol. His mind is given elsewhere. For a man not yet thirty, he is marvel- lously staid and self-contained.' 'You describe an interesting, almost a romantic per- sonage,' said Lady May. 'We must hope he will not be deaf to your persuasions.' And so the matter dropped. Nothing more could be done till the 'almost romantic personage' had been consulted. The portrait of Lady Elizabeth was taken away. In its stead, the curtain which had hung there before was put up for the time being ; and when Tom Davenant came from his equine studies, he found that his strong arm was not to be called into requi- sition, but only the brains of Ivor Mardol, described as ' something between a workman and a gentleman.' Tom lifted his eyebrows slightly. 'What kind of cross is that?' he inquired of the Earl. ' I don't think those half-breeds usually turn out well.' But I must do him the justice to remark that he spoke in a professional and abstract point of view, and not with contempt for the ' half-breed.' Tom despised nobody. But he liked the distinction of races to be kept. As he said now and then with the succinct wisdom which sat so well upon him, 'You can't get an Arab out of a cart-horse. ' I have no intention of chronicling the luncheons and 54 THE NEW ANT* f the haunting presence touching him while it could not be held in turn. He would go Out ol the por< li and make liis v. through the tempest ; it was better than waiting in such un desirable company. I Jut what, he said to himself, it the man were in need of succour, and too feeble to quit that out-of-the-way spot without assistant He did not know whether at the Vicarage, itself some quarter of a mile there would be help, or how Mr. Truscombe's people were to know of a stranger lying asleep in the church vestibule. It would be more humane to wait until the man awoke, or gently to rouse him and ascertain his condition. CHAPTER VII IN A VAIN SHADOW There was no need to wait long. By some magic stroke in the heavens a ray of sunlight, piercing the sullen clouds, darted in at the door and rested on the sleeper's face. It vanished as quickly as it came, but the instantaneous change in the light seemed to have dispersed the old man's slumber. Yes, he was unmistakably an old man that now opened his eyes and fixed them calmly on Glanville stand- ing by the entrance and watching his motions. He shook himself, came forward, and with an easy air inquired of the artist whether he had found him sleeping, and how long he had been there. Glanville told him what had really happened; and the stranger, thanking him for his courtesy, added that old bones were soon tired, and began to look out in silence at the scene before them. It had changed again. The lower clouds, melting in rain, were nearly gone ; and high above them a livid, unbroken mass of vapour stretched over the sky, making a sort of roof that seemed, at the horizon, to bend down and rest on a heavy ridge of purple tinged with white. The boiling sea which occupied the intervening space was desolate as when Glanville last looked across it, save for one object which he did not think to have viewed so nearly. In the midst of the tumbling waves he beheld the same vessel which had been visible less than an hour before. It was not so large as he thought. With bare poles it had been scudding before the gale, but now it was giving a tremendous lurch every moment ; and as it turned a broadside towards him there were to be seen figures on deck moving about in great confusion. They seemed in evil 62 THE NEW ANTIGONE pabt i plight So intent was Glanville on the spectacle that he . ried out involuntarily when a red flash from the ship told him that a gun had been di d. ' What is that for?' he said to his companion, not meaning to speak aloud. A dull boom came upon his ear as the stranger answered, ' It is a signal of distress; she is likely to founder.' ' Good God ! ' exclaimed Glanville, ' do you mean to tell me she will be wrecked?' ' I think so,' said the other, as if it was a foregone conclu- sion which did not concern him. ' See, they are signalling again. They will never get into harbour ; if she stands in she will go to pieces on the bar. It is a good dozen miles to the next place where she could run in. But that is only a roadstead.' ' But the lifeboat,' cried Glanville, in much distress ; ' is there no lifeboat on the coast ? ' ' What lifeboat would venture on such a sea ? ' inquired the stranger. ' It would be merely adding to the number of drowned men. Ah, she signals again ! It is no use ; we shall see her heel over in a few minutes.' ' Oh, horrible, horrible ! ' said the artist. ' To look on, and be so helpless. If we could but do something,' and he moved to and fro restlessly, looking round in the hope that help of some sort might be putting off from the land. But he could see only the tall vessel staggering along and the waves rising over it. ■ You never saw a ship go down, I suppose ? ' said the old man, eyeing him in a way that implied some pity and a great deal of scorn. Glanville, struck by the harsh ring in the stranger's voice, stopped in his walk and looked, as seeking for an explanation, straight across at him. ' What makes you ask ? ' he said ; ' have you ? You seem not to mind it much.' ' What difference can it make whether I mind it or no?' retorted the old man. ' It will not save one of them from drowning. The play must be played out. Do you think of rushing on the stage and rescuing Hamlet or Lear from his fate because you pity him ? No, you sit there quietly and enjoy your sentimental illusions and your exquisite weeping. This is but a larger stage You can't interfere ; chap, vii IN A VAIN SHADOW 63 be miserable if you must, or if you wish to indulge in the luxury. It is all one to the men in that sinking ship. Ha, what a lurch ! She cannot stand much more of it.' 1 Why,' said Glanville, ' you talk as if you had not the heart of a man. What hideous nonsense ! and at such a time ! You are not, you cannot be serious.' The words of the old man seemed to him almost as horrible as the shipwreck he was gazing on. The other answered with astonishing calm. ' When I was your age,' he said, ' I felt as you do. I have learnt since not to lament the things I cannot help. We must bear them. The time will come, if you live long enough, when you will have witnessed many a ship go down, and be as helpless to save them as you are at this moment. Perhaps it is the deepest pity that sheds no tears.' The vessel was again out of sight ; but they heard the signal-guns from minute to minute ; and in Glanville's heart, at least, they excited a sickening sensation, which took away all desire of speech. But he thought he must reply. ' Pardon me, sir,' he said, ' if I did not quite under- stand you. This dreadful scene, — it is too much.' He stopped abruptly and turned away. The signal came again, but fainter. His next glance seaward showed the horizon one sheet of lightning, and there came crashing down upon them a roar of thunder which appeared to be sounding from every quarter of the heavens. ' You will hear no more signal-guns,' said his companion when the tumult ceased ; ' that was probably the last which came before this overwhelming clap of thunder. Nothing can live when sky and sea are gone mad in such fashion. To-morrow planks and spars will be thrown up along the coast, and we shall have to lay in this nook, which holds too many already, the bodies that may be cast ashore. Well, it is all over now ; when the play comes to an end the tragedy is out' Glanville kept silence. He could not trust himself to speak. The stranger, as though thinking aloud, went on in a lower tone : ' The worst is if the curtain should draw up a second time. To be wrecked is unpleasant, 64 THE NEW ANTIGONE PAW l but the waves close over you, and you sink to sleep as on velvet cushions. I remember the keen sense of anticipa- tion. That cuts deep into a man. Hut afterwards is nothing in comparison. No,' lie said, rousing himself and speaking to Glanville, who was beginning to listen. ' it is coming back to life that I regret, not seeing it slip away into the ocean.' ' Were you ever in a shipwreck, then?' asked the young man, softening. ' Once, many years since,' he replied. ' And you escaped easily ? ' ' I was brought back to life when I had been dead, so far as any one could tell, several hours.' ' Were you unconscious all that time ? ' the artist in- quired. ' Utterly so,' he answered ; ' and coming back to con- sciousness was far more dreadful than the pangs of drown- ing. I left half my vitality — the best half, I think — behind me.' Glanville hastily spoke what was in his mind : ' Is that why you feel so unconcerned ? ' 'No,' said the other, who seemed incapable of taking offence ; ' 1 think life itself is the great shipwreck. Exist- ence is made up of pain. It is always and everywhere pitiable. And we are but spectators till our own turn comes to wear the burning crown and be racked and torn. You cannot help me, and I cannot help you if you stand in need of help. But the sky is clearing now the brave vessel has gone down. Let me wish you good afternoon.' He stepped out of the porch, and, at the same moment, a gust of wind took his hat and blew it some distance. He ran after it bareheaded, stooped, and caught it up again. As he turned about, Glanville, who had run to his assist- ance, perceived with strong amazement that the stranger's bare forehead was disfigured with an irregular seam, the evident trace of a sword-stroke. He almost staggered back. It was utterly improbable that here, in this churchyard, a casual visitant should be marked like the hero of the tale he had heard in the morning. It must be Colonel Valence. He pronounced the name aloud, and was answered in- chap, vii IN A VAIN SHADOW 65 stantly. ' Colonel Valence ? What do you want with him ? He is here at your service.' Glanville blushed and stammered. He could not in- form Colonel Valence that in the last four and twenty hours he had learned to know him intimately, though unac- quainted with his name before ; that he had read a most confidential letter written by him over thirty years ago, and knew the history of the Madonna of San Lucar. Should he tell Valence of the morning's accident to that picture ? No, he would tell him nothing. The Colonel saw that a struggle was going on in the young man's mind; and as Glanville hesitated to reply, he said, ' Have I had the honour of meeting you at any time, sir ? ' ' Never, to my knowledge,' said the artist ; ' but — but I have heard your name, — something, too, of your history, of your having fought in Spain when a young man. You lived in this neighbourhood once, did you not ? ' 'I live here still,' answered the Colonel briefly; 'and now, since you appear to be well acquainted with my name, may I ask the favour of yours ? ' 'My name is Rupert Glanville,' the young man replied. ' Rupert Glanville ! ' repeated his questioner, surprised in turn ; ' Glanville the artist ? ' 'An artist, certainly,' said the modest painter. Colonel Valence seemed for a while lost in thought. ' Are you staying at the town yonder ? ' he inquired, pointing away to the cliff which hid Yalden from them. ' I am staying at Trelingham Court.' 'Oh, at Trelingham Court!' echoed Valence, without moving a muscle. 'Then I wish you good-day, sir!' And, as if not a word more was to be said, he turned de- liberately towards the ascent, and with slow but not feeble steps began his journey homeward, as it should seem, for he faced away from Yalden and Trelingham, both of which lay on the same side of the country. Glanville looked after him. There was something, he acknowledged, of the stately grace and resolute daring of King Arthur about the man ; but what a harsh cynic ! how little resembling the idea that, in his own mind, the artist had formed while reading the epistle from San Lucar ! vol. 1. F 66 THE NEW ANTJGOA i'ai.i i i [eroic he might be, and doubtli ; his bearing showed it. But every particle of feeling seemed extinguished by the stern and pitiless philosophy that, in the name of pity, would not suiier him to care for the calamities which user- took his fellows. And so that was Colonel Valence I He was still living, still in the neighbourhood of Trelingham Court. And Lady Alice was dead. In what relation did the two families stand towards each other? He longed to know more of the strange story. The thought quickened his pace as he walked up the hill. But he was cold and tired; the road appeared steeper than ever, and not until some time after the dinner-hour did he reach the front terrace of the Court. As he did so two men wrapped up as for a night expedition, and with lanterns in their hands, ran against him. They stopped and explained that, in pursuance of the Earl's directions, they were just setting forth in quest of him, for his long absence, combined with the fearful storm by which he must have been overtaken, had given rise to great anxiety. ' We should have started sooner,' one of them subjoined, ' but for the accident to Mr. Davenant.' Glanville was shocked to such a degree that he forgot to thank them for going after himself. 'What accident?' he hastily inquired. ' One that might have been very serious. Mr. Davenant had been out in the lifeboat and had nearly been drowned. He was brought home as soon as men could be spared from attending on the wreck.' ' Ah, there was a wreck !' cried Glanville, and he had begun to question them as they arrived at the entrance, when, catching sight of Lady May crossing the hall, he ran up to her, and begged to know whether her cousin was in any kind of danger. 'I do not think so,' she answered; 'we were beginning to feel more anxious on your account than his. The doctor at Yalden ascertained that there was no fracture, but the shoulder has received a severe strain. My cousin laughs at the notion that he shall not be about the house to-morrow in However, we have written to Mrs. Davenant in town. He has been ordered to keep his bed, chap, vii IN A VAIN SHADOW 67 and we must see that he obeys. He takes any mishap to himself very lightly — too lightly indeed.' ' And was he out with the lifeboat ? ' inquired Glanville, feeling very kindly towards the young man, and silently contrasting him with Colonel Valence, not to the latter's advantage. ' Why, it was all Cousin Tom's doing,' said Lady May. ' You shall hear the story at dinner, for ' — interrupting her- self to look at his weather-beaten state — ' you must change at once, Mr. Glanville, and come down as soon as you are ready. Dinner is late, owing to my cousin's accident.' She rang, and instructed the housekeeper to see that Mr. Glanville was treated as an invalid. ' It is the only way to keep you from becoming so,' she added. Under such gracious care did the artist appear at dinner. He looked pale and tired ; with a paleness, however, which set off his bright hair and intellectual features to exceeding advantage. He was not so good-looking as Tom Davenant ; but ' he was well enough.' They were a small party. Mr. Truscombe and Lord Hallamshire had gone down to the wreck ; and the Earl, who was very fond of his cousin, could not be induced to quit his bedside until that young man was satisfactorily asleep. The only remaining gentleman besides Glanville was an elderly squire, who lived a long way across the moor and had come to enjoy a few days' fishing at Treling- ham. He was a good-natured, silent creature, not easily roused to express sentiment of any kind, good or bad; and while he made you comfortable in his presence (which some silent men are far from doing), you could not expect him even to ask a question. But Glanville was ready to ask a thousand ; and Lady May and the Countess were only too willing to satisfy him. He could ask questions, but he could neither eat nor drink. The light and warmth of the dining-room were grateful to him physically, and took away the chill sense of desolation which so many hours in the churchyard, under the pelting storm, had inflicted ; but his memory was full of the dreadful sight, and yet more dreadful imagination, which had mastered him while gazing at the tossing ship. THE NEW ANTIGOA paw i He could not choose but think of it again and again, and, though he knew not one of the human beings she carried, it would prove an intense relief should any, by the gallant exertions of Tom Davenant, have escaped destruction. 'How came Mr. Davenant to be at Yalden ?' he asked. The Countess, who exhibited a curious mixture of excited gaiety and sudden relapses into the terror which had laid hold of her that afternoon, answered plaintively, ' It was partly my doing that he went. For I knew that this week there was to be a salmon-hunt in the Yale ; and I have never seen one ; and I thought I would get Cousin Tom to instruct me a little beforehand ; and so I persuaded him to ride to Yalden for some tackle, because I was to have a lesson in fly-fishing to-morrow. It was all just to under- stand what fishing is like. Of course I couldn't join in the salmon-hunt, much as I might long for it. But I never thought Cousin Tom would persuade the men to go out in a lifeboat. Oh, May,' she cried, with a piteousness in her voice that Glanville could not laugh at, although he felt there was a comic element somewhere in it, ' are you quite sure that Tom will not be hurt for life ? ' 'The doctor is quite sure,' answered Lady May; 'don't distress yourself, Karina. Tom will be himself in a day or two, if he keeps quiet, — and if you do,' she added some- what mockingly. ' For, you see, Mr. Glanville,' the Countess went on, ' he really did put himself into the greatest danger. The men told us that brought him. He would insist on getting alone into the lifeboat and taking it across the bar, as they call it, and ' ' My dear Karina, we shall hardly understand the story if you tell it in that way,' said Lady May. 'Cousin Tom was brave enough, but he was not out of his mind. The fact seems to have been,' she continued, looking towards Glanville, ' that when my cousin was choosing the fishing- tackle for the Countess, in a shop not far from the promen- ade, he saw people running down to the waterside and heard them shouting that a vessel was standing-in, showing signals of distress. He thought he had heard a minute-gun discharged ; but there was so much thunder that he had chap, vii IN A VAIN SHADOW 69 not dwelt on the notion. Following the crowd, he arrived on the beach at the same moment with half a dozen fisher- men, well known to him, who were passing the wet after- noon in a tavern close at hand. The air was so full of mist that even with glasses little more of the vessel could be made out than her size, which seemed considerable, and the direction in which she appeared to be going ; for she was not standing-in to Yalden, but making for the roadstead to the north.' 'I saw her at that point, I am sure,' said Glanville; and he described how she had repeatedly fired minute-guns and received no answer. 'You could not have heard the answer,' said Lady May, ' had any been given, with the high cliff between you and Yalden beach. But, in fact, there were no signal rockets ; and the sailors had only their fowling-pieces. About the rockets there has been, my cousin says, some extraordinary mistake. But to go on with the story. You heard, I make no doubt, an unusually violent peal of thunder, which seemed to finish the worst part of the storm ? ' Glanville nodded assent. It was when Colonel Valence had given the vessel up for lost, and when she had, in fact, disappeared from their view. ' Well, no sooner had the awful sound died away than the ship came swiftly round the edge of the cliff, as though driven by a hurricane, and made straight for the bar, over which the waves were breaking with the utmost fury. The excitement on shore became intolerable. My cousin had persuaded the fishermen to get out the lifeboat and make her ready for sea ; and thus far they were willing, although not one of them but assured him that it could never be launched. By dint of coaxing and commanding, however, launched it was ; a crew was brought together, and with immense difficulty they had got her a few yards from land, when she was flung on shore again and stranded. My cousin implored them to try once more ; they refused ; and it was then that he told them, in a desperate sort of way he sometimes has, that he would venture alone rather than see a shipful of helpless beings perish before his eyes. That shamed them ; and, for the second time, as the vessel was 70 77/ 'ANTIGONE i-aut i rounding the High Cliff, they managed, with Tom for their captain, to launch the boat and get it as close to the bar as they dared. Further it was impossible to go; indeed, th hardly knew how to keep the lifeboat afloat, when the vessel struck on the bar, and its crew of four or five and twenty — I cannot tell the exact number — was seen struggling in the waves. It must have been heartrending to look on. The lifeboat did wonders. Ropes were thrown out, and nine or ten poor creatures rescued; while, as the sea was now slightly calmer, the rest, who had clung to what they could, were able, all except three or four, to keep floating till a second boat went out. Poor Cousin Tom, however, who had been so active and undaunted all through, was not to come off scatheless. The heavy sea carried the life- boat a long distance from the point they endeavoured to make. It was driven inshore unexpectedly ; and as it touched, a projecting piece of timber struck Cousin Tom on the shoulder, knocking him off deck into the shallows. It is a marvel that he escaped being crushed. He was carried some distance by the returning wave ; and but for a young fisher-lad who instantly plunged in and brought him out Poor dear Tom ! ' said Lady May, stopping in her narrative as the thought of his peril came home to her ; ' what a brave fellow he is ! and how could we have borne to lose him !' Karina, who had for some time been listening with her hands clasped, was crying like a child, and could not speak for tears. She looked very pretty and innocent so, like a white rose upon which the rain is falling in heavy drops, while the sun lights them up. Glanville, who felt himself liking Tom Davenant more and more, said, when the silence was becoming rather pain- ful, ' Your cousin behaved nobly. I hope he was not left long without proper attention.' ' He was much shaken,' replied Lady May, ' and confused for a while, but not, he tells me, unconscious. They took him to a little cottage on shore, but he insisted on walk" to the doctor's, and when he arrived there fainted. The doctor happened to be at home ; he had to decide in a moment whether to leave my cousin or to examine his hurt chap, vii IN A VAIN SHADOW 71 before going down to the wreck. However, he gave it in Tom's favour, saying that but for him there would have been no other patients to attend to. He declares that there is only a strain, which will go off, and that nothing is displaced or broken. A carriage was got ready, and came on slowly with my cousin, while one of the men very kindly ran on before, to inform us of what had happened. There was much gentle feeling shown on all sides.' Again Glanville's thoughts reverted to Colonel Valence. But he would not speak of him. ' Is it certain that any are lost?' was his next question. 1 We shall not know till to-morrow, when Lord Hallam- shire returns. But I fear that some were lost at the moment of foundering,' said Lady May. ' Do you think their bodies will be recovered ? Would they be buried in Trelingham cemetery, if they were?' he asked. ' Yes,' she replied; 'it is the only place at hand. You may have observed, if the storm allowed you to walk about the churchyard, how many graves there are of persons drowned. Shipwrecks are common on this terrible coast.' ' There were not five minutes of clear weather,' he re- plied, 'while I was in the porch. But I can imagine it is so.' He would not mention Colonel Valence. Glanville, spend- ing much of his time alone, and keeping his own confidence because he had none to share it, had fallen into a habit of reserve, which often induced him to be silent when he was, as now, living in a domestic circle. What harm could there be in saying that he had come across a man whose name, since he lived in their neighbourhood, must often be heard at Trelingham ? However, he did not choose to repeat his disagreeable adventure ; and he was spared the temptation, thanks to the Countess Karina, who, in her vivacious manner, was perpetually recurring to the event of the afternoon — admiring, fearing, and hoping by turns as the thought of Tom Davenant's heroism, of his danger, and the many perils he had escaped already on the hunting- field and the river, came uppermost. All this, from the peculiar lightness of accent which distinguished the fair 7* THE NEW ANTIGONE vk\:\ i lady, and the impossibility of a cloud resting long on her transparent brow and sparkling eyes, seemed to Glanville like a fantastic interlude weaving itself up with the horror of the shipwreck and the simple manliness of Cousin Tom. He laughed inwardly, tired and depressed as he felt, at the naive a fled ion which would not let the Countess be silent. Was she engaged to her cousin ? It did not seem so. She was not more than his age, if so much ; but there was a tone about her that implied the enjoyment of more freedom than is usual in young unmarried ladies, even when en- gaged. That she was exceedingly interested in Mr. Tom I >avenant no one with eyes in his head could help seeing ; not even the placid sportsman, Glanville supposed, who had looked and listened in silence imperturbable during the whole of the narrative, only remarking, when it was con- cluded, that he knew the man whose stack of timber that was nigh which Mr. Tom had come to grief. He was a sawyer named Frampton, and ought to have taken it away a good week ago to his yard at Plymouth. ' I wish he had, then,' cried Karina. ' Don't you think, May,' she observed next moment, ' that we ought to send up and ask how Cousin Tom is now?' ' Papa will join us in the drawing-room,' answered Lady May, 'and he will tell us.' On which hint the other lady rose, and Glanville was left to the company of Squire Huffington. The squire drank his wine quietly, in modera- tion, and as with a conscience void of offence ; although in the course of ten minutes he did but open his lips once for the purpose of conversation, and then merely to em- phasise the delinquency of sawyer Frampton, on which he had before animadverted. ' He ought to have taken that stack away a good week ago,' he said. Glanville could not but agree with him ; and after this brilliant dialogue they joined the ladies, just as Lord Trelingham came from his cousin's room. He gave a reassuring account of Mr. Tom, except that he could not sleep long together because of the pain. But a good deal of pain, the nurse said, was better than insensibility at that stage ; and the patient took it all as a matter of course, and was very obedient to orders. While the Earl spoke he glanced uneasily at chap, vii IN A VAIN SHADOW 73 Lady May, who neither avoided nor sought his observation. The Countess he patted on the head, but otherwise gave her no great share of attention. Glanville went to bed saying, ' I wonder which of them is engaged to Cousin Tom?' But he was too cold and wretched to pursue the subject, and he spent a miserable night, feeling more feverish than he liked to own. CHAPTER VIII AN ENCHANTED ISLAND ' Df.ar Ivor,' wrote GlanviUe next morning, 'your friend Rupert has not been slow to seek wisdom at your hands when he thought it lacking in himself. And you have shown as much pleasure in giving as he in receiving ; while, which I take to be a sign of perfect friendship, he has never once thanked you. But now, he is going to put your philosophy to the test — not your affection; no, indeed, who could think it ? ' My dear old fellow, I want you to give me not advi< e, but two or three weeks of your existence. I am lost if you do not come to Trelingham Court. You exclaim at the notion ; but without you I cannot stay here. You know to what severe fits of depression I am liable ; one of them, owing to a misadventure that I witnessed yesterday, has come upon me again, and I shall not shake it off in the mental solitude of this place. Other reasons, curious and important, would have led me to write yesterday. I will explain when you come, and you shall decide whether they would have justified me in asking you to break through your rule and mix in this kind of society. I should tell you that Lord Trelingham, who sends a most cordial invi- tation, and will be charmed to make your acquaintance, — this banal phrase is not without meaning in the present instance, — knows the ways and customs of the artist tribe too well to think of binding you down to formal observ- ances. You may live as retired lure and as much at your ease as in your own sanctum. I have informed him, so far as was required, of the manner in which you meet the chap, vni AN ENCHANTED ISLAND 75 world, or, to speak more truly, get out of its way. You shall be a hermit at Trelingham, if you will come, and meet only those you like. If you say the thing is impossible, then, Ivor, I must go back to London. To not a soul in the world but yourself would I reveal this streak of mad- ness — for what else can it be ? I was caught, by the bye, in a storm yesterday afternoon, have neither eaten nor slept to speak of in the last twenty-four hours, and shall want you if I indulge myself in a slight attack of fever. But what is the use of going on ? Send me a line and say I may expect you to-morrow evening. I enclose directions for the journey. Rupert.' It was altogether true. Since yesterday morning the reasons for which Glanville would have summoned his friend to Trelingham had yielded to others of a very different complexion. The overstrained temperament of the artist, who works by feeling and imagination where other men are busy only with their hands, was suffering from the combined effects of long hours spent in the rain and excitement consequent on the shipwreck. This latter experience will be understood by any one that has had the misfortune of witnessing a great fire in which lives have been lost. The senses seem all wrapped up in the horror of it ; the mind cannot get away from it ; the eyes still see what has happened, and have in them a hot sensation. Nor will the impression pass for days. Glanville was feeling a kind of nausea which made it impossible to touch food ; and when he woke from such sleep as came to him in the morning, he knew that an old and dreaded enemy stood by his bedside. He called it depression, melancholy, a streak of madness ; it was all these, perhaps. When he was younger, at school, he had often suffered from it ; but, as he said, except Ivor Mardol, no one guessed that so mercurial and cheery a nature could be hypochondriac ; nor was he so wanting in prudence as to let his ' friends ' know of the complaint which made him miserable. A man who is to succeed should never acquaint the world that he is sick, or sore, or sorry. He will meet, if he does, with contempt, not compassion. There are secrets which 76 THE NEW ANTIGONE i-\kt i make up the greater part of many a life, but will never be uttered ; secrets that explain sudden downfalls, want of enterprise, rashness in the wary, and intoxication in the self-controlled. But the explanation cannot be given, and the world wonders. Glanville did not send his letter until he had seen Lord Trelingham, and ascertained that he need not delay be- cause of Tom Davenant's illness. The Earl believed that he would soon be right again. He strongly desired to see the portrait of Lady Elizabeth restored to something of its pristine glory ; nor was he unobservant of the worn and pallid look which testified in Glanville to the agitation he had gone through. Lady May insisted that he should see the physician who drove over in the course of the day from the county-town to attend her cousin. But the artist firmly declined. He would admit only that he was tired, and that a fire would make his room more comfort- able. It was a curious fact, connected with his ' streak of madness,' that, whenever it affected him, he shivered and could not get warm. ' Diminished circulation and inter- mittent pulse,' the physician would have said, shaking his head a little, and prescribing quinine and gentle exercise. But, unlike most who suffer from slow circulation, Glanville at such a time hated sunshine, and would sit in a chill room rather than face it. What he asked was a fire, and to lie with a cloak about him on a sofa. These moderate luxuries were bestowed on him; and he hid himself away in his den, like a wounded animal. As the afternoon wore on he thought he must rouse himself and pay a visit to the real invalid, who had only strained his shoulder, and bore it like a man, instead of surrendering to phantasmal terrors from the void inane. Tom Davenant was lying in bed, as near the open window as the nurse would let him. On seeing Glanville he held out his hand, saying how kind it was of him to come, and that he hoped no mischief had befallen him during the storm. A twinge or two of pain interrupted the good-natured fellow before he could finish his sentence. The artist, who admired both his bravery and his unconcern, knew better than to praise either. He merely said, ' Oh, I am all right, cuap. vin AN ENCHANTED ISLAND 77 thank you,' and began to inquire about the shipwrecked vessel, where it was from, and how many it carried. I think that by some knack of freemasonry which goes with reserved speech, he contrived to inform Tom, through the medium of these collateral questions, that he looked on him, if he might say so, as an exceedingly fine fellow. Tom, at any rate, was very cordial and communicative. Lord Hallamshire had come up to see him after luncheon, and brought the whole story of the shipwreck. It was an English sailing-vessel, coming home from the Cape, with only three passengers, and a crew, all told, of four and twenty. They had been driven out of their course in a fog, and, intending to make the Channel, had slipped by Land's End, and run clean into the heart of the storm which had been travelling partly ahead of them. No one on board knew the coast or its soundings. When Glanville saw them, it was their expectation every moment to be driven upon shore underneath Trelingham Church ; nor did they suspect the neighbourhood of Yalden Harbour, which, owing to the mist, they had never once sighted. A sudden change in the direction of the gale had turned the vessel round High Cliff and on the bar. Long before that, however, she had refused to answer her helm and was rolling at the mercy of wind and tide. 'Twenty-seven on board,' said Glanville, when Tom had brought the narrative to this point. ' And how many saved ? ' ' Eleven,' replied Tom quietly. ' We did what we could ; but the sea was awful. Our boat rescued six, and the other which followed us picked up the rest. Mr. Truscombe will be pretty well worn out by the time he has seen to the survivors and buried all that may be thrown on shore. He is down there now; Lord Hallamshire left him in the midst of living and dead, for the poor things that were saved are quite destitute.' Glanville started. ' Thank you for reminding me,' he said. ' I will go down and see whether I can be of use.' And in ten minutes he was riding along the avenue on his way to Yalden — not as one that hurries in vain- glorious mood to proffer his aid, but ashamed that he had 78 THE NEW ANTIGONE PAW i waited for another to rouse him. lie reflected with sur- prise on the likeness between his own depression, which kept him lying on a couch all the morning, and Colonel Valence's despairing philosophy, which looked with dry eyi at a perishing < rew. He could excuse himself only by saying that melancholy was his complaint, that it prostrated his cour- age and benumbed his faculties. But what did he know of Colonel Valence? He rode on, and reached Yalden in a more tranquil, though not less melancholy frame of mind. For it was only as he went to and fro by the side of the good clergyman, ministering such help and consolation as he could to the survivors — who were all much distressed in mind and body — or assisting with his own hands to lay out the remains of the dead, — only then, amid these dismal surroundings, did he feel that the dark spirit was loosening its hold on him. Mr. Truscombe would not let him stay all night, as he proposed, but sent him back to Trelingham, where he arrived late, to encounter the kindly reproaches of the Earl and his daughter, to take a hasty meal, and to lie down tired, but not altogether miserable. Next day a telegram announced that Ivor Mardol might be expected by the fast train which, two days previously, had brought down the artist and Tom Davenant, and was obliging enough in that way to open our story. Lady May inquired whether he would at once take up his abode in the hermitage. But Glanville assured her that such a pro- posal directly made would frighten him into' the severest observance of the proprieties, although to his exceeding discomfort. A life in the hermitage would be best for him, no doubt; only, like a bird, he must enter the cage of his own accord. He was the sort of person that, from intense shy- ness, refuses what he knows to be pleasant, and what he would much like to accept. ' But,' continued the artist, ' please, do not think him unmanageable, or morbid, or, as perhaps my account of him has led you to believe, in any way ridiculous.' Lady May declared that she was far from dreaming of such a thing. ' I do not wonder,' she said, ' if original people — in a society of portentous dulness like ours, where the outside is solid and the inside hollow — have to wear a mask. They cannot help being shy, because they chai'. viii AN ENCHANTED ISLAND 79 are always solitary ; conversation as it goes on around them must sound like the cawing of rooks. I honour Mr. Mardol's shyness. It seems to be founded on genius and character, not on the fear of man's opinion.' ' It is founded,' replied Glanville, ' on absorption in the greatest thoughts, which often makes him disregard little things when he should be attending to them. He does not wish to be or to appear singular; but his excep- tional gifts make him so ; and he is startled into shyness when the difference between himself and others comes out.' ' You say he is learned ? ' ' Beyond comparison the best-read man of my acquaint- ance. Speaks half a dozen languages, understands as many more, and is at home in all literatures.' 'And his profession — is he skilful in it?' 'A most sure and delicate touch. His eye quick in discerning the finest shades, and an equal lightness of hand in rendering them.' ' But why is he not celebrated ? Has he no ambition ? ' ■ I do not think he understands the word. He earns money and gives it away ; talks to me when he wants society, or goes among the working men in his neighbour- hood ; travels occasionally in a modest way ; can bear his own company for months at a time ; and would expire with shame if any one pointed him out in the street. Is there not a Roman poet who calls that the summit of ambition — to be pointed at as you go along ? It would kill Ivor Mardol. I think he would give a gallery of his finest prints to buy the cloak of darkness they tell of in fairy tales, and go about in it unseen.' 'Your friend is a phoenix, not an engraver,' said Lady May, smiling. ' I shall be curious to see him. But is he, then, to be accommodated with an ordinary guest-chamber, like any other mortal ? ' ' For to-night and to-morrow I think it will be wisest. Afterwards, I will ask you to show him the hermitage.' In this way Ivor Mardol came to Trelingham. If Lady May Davenant had expected to discover in his outward appearance tokens of the rare excellence within, she must have been disappointed when Glanville So THE NSW ANTIGONE PARI I presented his friend to her. Without showing any trace of the ' half-breed ' which her cousin had fancied him to be, he looked a man whom you might easily pass in the average. His height was not commanding, nor were his features handsome. By the side of Glanville he looked plain and slight. He was very thin, stooped a little in the shoulders, walked negligently though not without ease, and for some time hardly lifted his eyes from the ground while his hostess addressed him. When he did so, however, he showed a countenance that, in the manly expression of Robert Burns, ' had received its patent of nobility direct from Almighty God.' Intellectual distinction gave his dark and rugged features a stamp that you might seek in vain among the crowds wherein he would so readily have been lost There was a steady look in those penetrating eyes, an attentive pose of the head, a resolution in the attitude, an absence of the slight nervous motions associated with ordinary shyness, that told the spectator of a man whom it would be dangerous to grapple with and hard to overcome. He spoke in very brief sentences, and very little, turning his gaze rather upon Glanville than Lady May, with an air of affectionate anxiety that did not escape the latter. What he did say was to the purpose, phrased with admir- able clearness and decision, but in no sense over-con- fidently ; and his subdued voice had the resonance which indicates that the speaker possesses one, and that the most persuasive, of the gifts of oratory. Glanville's delighted ear made him sensible of the contrast and harmony which these two voices produced. ' How well they would match in singing 1 ' he said to himself. The commonest tones in Lady May were of a certain grandeur ; if you listened, you could not but experience a thrill of admiration. Ivor Mardol, on the other hand, suggested in his voice all that was keenly passionate and caressing ; it was light and high rather than deep, the music of a reed-pipe, not of the swelling organ-stop. One was reminded of an English song-bird, singing on the topmost bough when winds are hushed. Or to speak more precisely, such was the simili- tude that occurred to Lady May, when Ivor, forgetting himself in the presence of the view that lay extended chap, vin AN ENCHANTED ISLAND 81 before the drawing-room windows, began to talk at his ease. The qualities of his speech may be summed up in this, that he said nothing for effect, that if he spoke at all, it was on his part thinking aloud, and almost (that there should be no difference is impossible) in the words he would have chosen had he been alone. Sincerity and directness in talk are among the lost arts in civilised life ; and to fit them in with its requirements is not less rare than to possess them. We are trained to make language hide thought and the want of thought ; and the more refined our conversation the nearer it approaches to an algebra of which every man keeps the key in his own bosom. Our words express little or nothing, and they imply no more than we find convenient. Now, Mardol, I do not say spoke all that he had in his mind, — often he kept silence even from monosyllables — but what he did speak had a picturesque force and a high relief which made the lan- guage of common men insignificant. Instead of showing you the painted canvas, he seemed to show you the lion. This, perhaps, made it undesirable that he should be much in polished circles, where lions, and, much more, badgers and jackals, are hinted at rather than spoken of, and never introduced to evening parties. But I am fallen on a vein of moralising. Let us to our story. When the great storm was over, and the sky once more visible in cloudless calm, the summer, as though rejuve- nescent, continued many days bright and serene. The verdure had never been more tender, nor the purple bloom of the heather more enchanting ; not a leaf hung yellow on the branches, nor did the petals of the roses fall until fresh buds were springing to take their place. All day a mild and tranquil splendour dwelt upon the waters, which, rippling under a soft breeze, rolled in musically over sand and pebbles, or plashed with murmuring sound against the rocks. Only Glanville, in the midst of that fair land- scape, gave a thought, oftener than he would, to the gray cemetery where beneath one large mound, marked as yet with no inscription, lay hidden what the waves had cast up. His melancholy, assuaged by the coming of so dear a friend, was yielding to other sentiments — to the affection VOL. I. g THE NEW ANTIGONE PABl I which [vor's presence inspired and was ever drawing forth in brotherly act, to the desire for work which he felt again lit up in him, to a real and growing attachment, of its own kind, but very genuine, to the Karl and Tom Davenant; perhaps also to a feeling which he would not define, nor altogether admit, towards the daughter of the house into whose company for hours every morning he was thrown. Do not be hasty, reader ; you are acute and have a prat tisecl eye for possibilities ; but you know as little about the matter as Glanville did himself. Have I dropped a hint that he was beginning, dimly, to think of Lady May as not merely a model for the restored countenance of her ancestress? lie it so; but I have gone no further. His mind was interested, his fancy — a young man's fancy, ever on the wing — was drawn in the direction of this rare- exotic flower, planted in our northern clime. So much I do confess. Beyond that, let all be uncertain. On being introduced to the picture-gallery, Ivor at once recognised the Madonna of San Lucar, which he called, however, by another name — the Virgin of the Seraphim, from the messengers arrayed in kingly vesture and moving as on wings of light, who heralded therein the ascent of the crowned lady towards the empyrean. It was attributed to an otherwise unknown monk, Fray Raimondo, whose works, though not numerous, exhibited the union of high artistic skill with transcendent mysticism. Lord Treling- ham inquired whether a copy of the picture was extant. He received for answer that only one such had been set down in the catalogues — a copy in debased style which, taken from the Escorial by French soldiers, had since found its way into Russia. There the record broke off, nor was it possible to say who was its present owner, nor, conse- quently, to ascertain in what condition, after so long a period, it might be. His counsel, Ivor went on, would be to set about restoring the canvas immediately, — which he offered to do on the ground that his experience in the rougher technicalities of art had been considerable ; and that, while he was so engaged, Glanville should execute a portrait of Lady May, from which afterwards the counte- nance of the Madonna should be painted in. If this did chap, vin AN ENCHANTED ISLAND 83 not prove satisfactory, a replica of the original might be attempted. The entire undertaking was delicate and hazardous in the extreme ; but Lord Trelingham could not surrender his hope of preserving in this way one of his rarest treasures. He consented, and the sittings began. To find a place for them was easy. The picture-gallery suggested itself at once. It had light and space, and would furnish a morning- room for the Countess or any other that chose to look on. When he painted Glanville was not disturbed by conversation; and he cared not whether he were tete-a-tete with Lady May — except in the artistic sense — or had a company about him. He felt no em- barrassment in her presence and as little in theirs. Brush in hand, he could maintain a discussion when painting a portrait, though not while engaged on landscape or the grouping of figures. With Ivor it was otherwise. To him silence and solitude were as necessary as fresh air and open windows. Nor dared he bring his mechanical appli- ances into the splendid gallery. Lady May, whom with characteristic modesty he consulted through Glanville, sug- gested, as though it were an inspiration, the chalet. He had not seen it, nor had his perfidious friend. ' Then you shall at once,' replied Lady May, and she laid her hand on the Countess's shoulder, where that pen- sive beauty stood gazing at large out of window lost in sad thoughts of Tom Davenant's captivity in his room. ' Come, Karina,' said her cousin, 'a truce to your reveries; they are really becoming a mania. We are going to visit the chalet, and these gentlemen will accompany us.' Karina sighed, looked at the gentlemen with a mournful sweetness of expression, which implied not regard for them, but regret for the absent ; and suffered herself to be led away. Since Cousin Tom was not there it mattered little where she went. Mr. Rupert Glanville, who had never felt the pangs of disconsolate love, was exceedingly amused, though his speech bewrayed him not. All he did was, as they went along, to ask the Countess a number of in- different and worldly questions, not bearing on the illness of Tom Davenant, and to watch how her mind slipped away from them. She answered at random ; and he THE NEW ANT1 pai retly enjoyed her blushes whi found she had been talking nothing to the purpose. H< t ordinary state, \ ever Mr. Davenant's image did not occur, was one of serene self-control ; and now she felt vexed at herself and annoyed with Ckmville, whose frivolous (hatter • in her wrath she termed it) made her trip into these ridiculous mi- takes. She answered him soon with yea and nay. letting the words drop from her lips as they might, and fell to pluck- ing the petals of a rose she held in her hand till they were scattered on the pathway. ' You will have to leave the gravel and follow this track over the grass,' said I.ady May. when they had descended for some time. 'The path we are on,' she added, in an explanatory tone to the artist, 'goes winding about till it reaches the upper terrace again. There is a short cut through the rather tangled brake, which will take us first up and then down into the glade where the hermitage stands. Are you afraid of the wet grass ? ' ' We will follow you, Lady May,' said Glanville. ' But the Countess?' and he turned an inquiring glance on the Lady Karina. She looked down at her boot and across at her cousin. ' I think I will go back,' she said ; ' I don't like walking over wet grass,' — to which she subjoined in a reflective manner, ' and I may be wanted at the house.' • Nonsense, my dear,' cried Lady May ; ' who could want you ? My father is in his library, writing a tract on the con- nection between the medieval reredos and the mosaics of San Clemente at Rome.' She endeavoured while saying these words to look serious, as a daughter should, but her eves would brighten in spite of herself. 'You know he cannot bear to be disturbed. There is no one in the place but Tom, and we have promised, if he is awake, to pay him a visit at two o'clock. Come. Karina ; you don't mind the grass more than 1 do.' The unwilling victim bowed her small fair head, and followed in the train of this haughty Zenobia. Neither of the gentlemen could lead the way, for they did not know it. The track along the grass became fainter and soon dis appeared altogether; but they saw an opening in the shrubs, which here flourished luxuriantly ; and with more scrarn- chap, vin AN ENCHANTED ISLAND 85 bling through briars and rending of garments than Lady May expected, they ascended the side of a thickly-wooded ridge, where they could see no distance before them and only a long clear strip of blue sky overhead. The morning was fresh and balmy ; an abundant dew brought forth on every side a fragrance as of paradise ; and the smell of the stone-pines which rose on the low crest had that penetrat- ing sweetness, so keen and exhilarating, which is like a sudden breeze sweeping inland from the sea and laden with its odours. But there was no view on the crest ; it was all a thicket growing high above their heads. A rugged de- scent, where the pathway turned continually to avoid the huge masses of rock that lay across it, brought them, still under dark boughs, half way down on the other side. The wildwood trailed off to right and left ; the last of the stone- pines fell into the rear ; and a cry of delight from the gentlemen showed that they were rewarded for their pil- grimage by a lovely view. They were standing on the lower side of a gorge not more than thirty yards wide ; and over against them rose a steep and almost inaccessible wall of verdure to a height which, though in perpendicular measurement it could not have exceeded three hundred feet, looked noble and im- posing ; while the close-set vegetation and bosky under- growth gave it a soft beauty of aspect to which the firs, standing in long rows at the summit or springing abruptly from the sides, added a touch of ruggedness. At their feet, almost hidden among the trees that fringed it, ran a clear brown stream, sparkling a little way off in the sun, and as it descended the valley broadening till it might have Dome a small boat, if the stones over which it swirled in diamond- like mist did not proclaim it dangerous to launch anything on the troubled waters. The gorge turned at a sharp ar.gle on the side over against them, but on their own fell away more gently, melting by degrees into the wide expanse of moor, and allowing a dim and distant glimpse of the sea above Yalden. They could see the wooded height over the stream stretching towards fresh woods and fresh heights. But their gaze was speedily drawn up the valley, and a second exclamation of wonder followed upon their discovery of 86 THE NEW ANTIGONE i-ai:ii its new and singular charms. The apparent source of the stream was a large piece of water, lying in view where the) stood, but more of it, as they perceived on going a few steps, spread out behind the ridge that served them as a coign of vantage. It was an irregular sheet, formed by nature, and hemmed in by the granite cliffs which, coming out bare to the north, did not allow it, except for about sixty yards, to present a wide expanse. Here it filled the valley from side to side. Deep in its placid bosom were reflected the fleecy clouds set in a great blue sky, the rising wall of verdure, and the dark granite crags which, by their fantastic shapes and riven sides, reminded one of a castle in ruins which has a tower or two still intact. About midway between shore and shore, standing up in the water and anchored, so to speak, in its own shadow, — which came out foreshortened in every variety of peak and overhanging roof, — itself a picture of balconies, outside staircases, ivy-mantled porches, glistening windows with creepers falling over them, was visible, in the clear stillness of a summer morning, the object of their expedition. With delighted looks they beheld the Hermitage. ' It is a scene of fairyland,' exclaimed Rupert ; ' an en- chanted island, where the Sleeping Beauty should be dream- ing away her hundred years till the Prince comes to waken her.' 'That was a palace in a garden,' said Ivor, who could not turn from the exquisite vision, but for the moment had lost his shyness; 'a palace with thickets of roses fencing it all about. Whereas this, which you called a chalet,' he just glanced towards Lady May, 'is a lake-dwelling, such as was intended, though he had not tools or skill to realise it, by pre-historic man.' ' One feature it has in common with the lake-dwellings,' remarked Glanville. ' There is absolutely no way of reaching it except in a boat.' ' No,' answered Lady May ; 'and even that is at the dis- cretion of the hermit. For, if you notice, the steps which descend from that projecting ledge, or floor of the verandah, are fastened merely by rings, and may be drawn up when the lake-dweller pleases. It was a fancy of my grand- father's. The architect wanted a bridge on this side; and chap, vin AN ENCHANTED ISLAND 87 in wet weather it would be a convenience, for the lakelet is stormy enough at times. But my grandfather had a model, "in his mind's eye," he used to say ; and nothing would persuade him to allow the bridge.' ' He was right,' said Glanville ; ' there is something im- pressive in the utter isolation of such a dwelling. It seems to belong to another world, to be " an exhalation from the watery deep," a fixed vapour, taking the appearance of things we know, but ready to dissolve at a breath.' ' Is that poetry ? ' inquired the Countess, with a simple air. ' All I can see is a cottage made of little church roofs and old planks, which must be damp in winter.' This original account of a lake-dwelling made them all laugh, except the author of it, in whose opinion, as she de- clared poutingly, it was much nearer the truth than Glan- ville's 'exhalations' and 'fixed vapours.' She was proud of being matter-of-fact, and said so. A stray reminiscence of Cousin Tom, however, gleamed upon her as she spoke ; and Love contemptuously shook his light wings when she repeated that 'she liked matter-of-fact people.' Was the young gentleman up at Trelingham Court ' matter-of-fact ' ? was he not but there is no need to pursue her medita- tions. She laughed at herself in a minute or two, though she took care to wait until no one was watching. There was a small boat-house on each side of the lake- let. The party entered a tolerably-sized skiff which they found under shelter, and Rupert and Ivor Mardol took the oars. To make up for her little outbreak of pettishness, occasioned solely by a love for matter-of-fact people, Karina insisted on steering. She was not a creature to bear malice. The water was very still, and so warm and pleasant that they lingered on their mimic voyage to bask in the air and take a steadier look down the valley, which, seen from this point, appeared high and narrow, with the broad gleam of the sea and an intensely blue sky over it, for a perspective. No habitation save the lake-dwelling could be discerned ; the belt of tall brushwood under the lee of which they were loitering hid Trelingham Court ; and the purple moor was shut off by the ridge they had descended. A more lonely, a more beautiful, a more tranquillising scene, who could 88 THE NEW ANTIGONE vwa \ iu ? They forgot to praise and were silent l the i (Carina felt its subduing influence; much more did her cousin and the two friends. Transparent light brooded on the glassy depths which no ripple stirred, and seemed to dye the surface with a thousand emerald tints, bright or dark, as it reflected the rich vegetation that, embowering the hillside. < rept down to the edge of the mere, and threw out straggling branches to the water lilies floating on its bosom. A trance at noon-day fell upon our pilgrims ; they dreamt with open eyes. 'Does no one live in the chalet? or is it abandoned to pre-historic man?' asked Rupert, in the light tone which sometimes indicates that thoughts too solemn for speech have passed through the air. 'My father used to spend a day there formerly, but he- finds it too cold,' said Lady May. ' My cousin, too. when he wants a little quiet fishing, has it put in order, and will not come up to the Court for a week if the weather favours him. It is an excellent place for trout ; and I am told, though it seems hardly credible, that salmon find their way up that rocky stream. It has deep holes in it where they can lie at their ease. AYhen they reach the lakelet, I can fancy their enjoying its depth and coolness before starting on their journey seaward again.' 'It was here,' said the Countess plaintively, 'that I was to have taken my lesson in fly-fishing.' Her grief returned at the thought. 'Well, you may take it still,' said Glanville. 'Mr. Davenant is recovering; and if he cannot join the next salmon-hunt, there will be all the more reason why he- should come here to throw the fly.' This was an expectation to caress and make much of. The Lady Karina began to steer again with a lighter heart, and forgave Glanville. A few strokes brought them to the side of the Hermitage. The waters were still swollen, and their skiff rose to the middle round of the ladder. A chain hung down over the verandah for the oarsmen to seize : the boat was made fast to it ; they ascended with quick ami easy steps, although the feeling was much like that of getting up a ship's side, and were soon assembled, without chap, vin AN ENCHANTED ISLAND 89 a wet foot or other mishap, on the floor of the verandah. The chalet was built somewhat like a cabin on the main deck of a steamer. Round it was a broad open space, paved with coloured woods, and overhung with a sloping roof to keep out the rain. Casements fitted in made this a comfortable promenade, or deambulation, as the Romans called it, in wintry weather. They were now standing wide open, shaded by the too-abundant creepers ; but the house was airy and dry, furnished with simplicity, as became its pretensions, but the details carried out in admirable taste. There lacked nothing to the hermit's comfort : his study, fitted with volumes of the poets and books on fishing ; his sleeping apartment, contrived with a pleasant outlook to- wards the morning sun ; his dining-room, bright and cheer- ful as the scene of temperate enjoyment and philosophic mirth should be ; his small but elegant kitchen, copied, as to its decorations, from Pompeii ; and a guest-chamber in the snuggest corner of the house, sheltered from wind and storm by the hills which looked down upon it, — these, with a watch-tower, skilfully perched up among the gables, made a lake-dwelling at which the heart of the troglodyte would have rejoiced. But Ivor Mardol was no troglodyte ; he had not hitherto dwelt in a cave ; and his heart laughed within him, to use an Homeric expression, when he thought of exchanging, for at least a few hours every day, the splendours of Trelingham Court for this lovely, lonely hermitage. He stood in admiration, above all, of the kitchen, a temple of ideal coolness, contrasting with the fiery dens wherein our meals too commonly are made ready at the expense of temper and religion. But Rupert, although he praised what he beheld, inquired after some reflection: ' But where is the servants' accommodation ? I don't perceive any.' 'What!' cried Ivor, looking at him with large eyes, reproachfully. ' Do you imagine that a hermit has anybody to wait on him ? Where would be the charm of solitude, if another human being dwelt and cooked within these walls ? For my part, I should flee out of them and build myself a hut in the wood over against us, did such a demoniac presence come to trouble me.' 90 THE NEW ANTIGONL iw;ti The grave earnestness wherewith Ivor delivered this protest amused Lady May, and she laughed more heartily than Glanville had known her to do. He laughed with her, and for some time nothing serious could be said. At last the lady, whom Ivor was now looking at, not as rebuking her, but as wondering that she should laugh, recovered herself, and said : 'But you are very right, Mr. Mardol. When my father stays here he brings a cold luncheon with him ; and Mr. Davenant — as my grandfather used to do — not only catches his own fish, but cooks them, and will not allow a servant to come up the ladder whilst he is here.' ' I surrender, said Glanville, ' to such examples ; and I grant the romance of the thing, provided one knows how to cook. Do , you, Ivor ?' ' Qui nescit coguere, nescit reg?iare,'' replied Ivor. ' How should a man be lord of himself that has not full dominion over a mutton-chop? I learned the art long ago. For me, a kitchen, especially when it is redolent, as this, of Pompeii and Hadrian's villa, has no terrors, but a charm unspeakable.' 'Then,' said Lady May, ' if you can be satisfied with the light, you will bring the canvas hither, and enjoy that perfect freedom which I know you prize. But I hope you will give us the pleasure of your company at dinner as often as possible. However, both then and at all times you must look upon yourself as unshackled by our formal ordinances. You see, Mr. Mardol, I have learned how great a lover of solitude you are.' ' But,' he replied, ' do I really understand that it will not seem strange to you if I spend a day or two in this cottage and do not dine at the Court?' ' Certainly,' answered Lady May ; ' we know it will give you pleasure, and it will therefore please us. I think Mr. Glanville touched on this point in conveying to you my father's invitation. We could not dream of inflicting on you the captivity which is often another name for staying in a country house.' ' This is, indeed, most kind,' cried Ivor ; ' more than 1 dared imagine, much less propose. I have lived so chap, viii AN ENCHANTED ISLAND 91 long by myself, ' he continued apologetically, ' that it makes me wretched to be in any company — even in my friend Glanville's — for a whole day without a break. I will not abuse the freedom you bestow on me. But it is delightful.' They mounted the quaint staircases that led in the open air from one verandah to the next, and from that to the watch-tower, wherein was a chamber having windows in the four walls and a different landscape visible through each of them. At this height the sea became a vast sheet of gold, on which the waves, not otherwise to be made out, shone like an endless tracery where every point sparkled and the finely-curved lines were interwoven as with a needle. The brightness was intolerable, the radiance golden, like clear glass. ' If you could dip your pencil in that,' exclaimed Ivor, addressing his friend, 'you might paint with molten sunlight.' ' Ay, indeed,' returned the artist; 'it puts one out of conceit with painting, when we know that a sheet of white paper is the most dazzling brightness we can attain. Here is the crystal sea, shot through and absolutely bathed in a fiery element which the eye cannot bear to look upon. Will any canvas render it?' ' How dark the ships come out in all this light ! ' said Lady May. ' The white sails seem lost in the overpowering radiance. All one can perceive are the heaving hulls, like lines of ebony crossing the gold. Cannot you fancy crea- tures of a finer make, with slow-moving pinions, traversing that shining space, or treading its pavement, which seems all ablaze, on errands to a distant world?' 1 " He maketh the winds His messengers,"' said Ivor in a musing tone. ' What deep sayings there are in that old Hebrew book ! Not slow-moving, though majestic in their march, and irresistible, — the four winds, angels between earth and sky, — binding one element with another. It is the life of Nature exhibited in vivid allegory.' ' Do you think the angels an allegory ?' asked Lady May, not like one surprised or shocked, but as seeking to know his opinion. ' I think,' he replied, ' that Nature is a living miracle, not THE NEW ANTIGO part i a dead machine. To me it is full o which arc always gazing into mine' ' And these arc angels? 1 she said, bending her own i upon him earnestly, and forgetting that they too might scorch and burn. 'You may call them so; why not?' he answered. • Through them I discern that all things arc known to one another and reflected, as in countless mirrors, from world to world.'' You remind me,' said Lady May, ' of the famous verses in Faust;' and she repeated them : ' Wic Ilimmelskra'ftc auf und nieder steigen \ iid sicli die goldnen Eimer reichen ! Mit segenduftenden Schwingcn Yom Ilimmel durch die Erde dringen, Harmonisch all' das All durchklingen!' She recited well. The artist could not help admiring her. People are commonly shy of repeating verse; she did not mind. ' How finely Goethe renders our modern thought !' said he. ' Yes,' replied Lady May ; ' I don't think the worshippers of angels would recognise their creed in him.' 'What matter?' said Ivor. They were forgetting luncheon. The Countess, partly because she was hungry, and yet more from a dread that in lingering so unconscionably they would be leaving no time for a certain visit as a sister of charity in the after- noon, reminded them of the fact. ' I don't see any angel ining to us with a golden pail,' was her comment on the Lady May's quotation. Had we not better be going towards luncheon? It is past one' Thus admonished they came down from the watch-tov embarked in the skiff, and shot rapidly across the water. Glanville moored the boat where they had found it; and, avoiding the brushwood and the stone-pines, they walked, at a pace to satisfy the Lady Karina, along an easier path, which brought them to the front terrace. They were all tired, yet delighted with their morning. An appetite for luncheon is a blessed thing ; each of them was so season- ably graced; and even the sad brows of Glanville, where chap, viii AN ENCHANTED ISLAND 93 gloom put on a cloud from time to time, unbent at the merry meal. His friend, of more equable temper, felt that his happiness had no alloy. He was still in thought on the watch-tower, looking over the golden sea, and contemplating the white-winged messengers as they moved about it. Once or twice a pair of dark eyes glanced in upon the vision and faded as quickly as they came. He had seldom enjoyed a morning so much. Ah ! Ivor the philosopher, beware ! Next day he took up his abode at the Hermitage. CHAPTER IX ANIMUM PICTURA PASCIT [NAN] Now that Destiny had got a number of threads in her hand, on every one of which hung a human life, she pro- ceeded, with the haste and fury of a seemingly blind inspiration, to entangle them. It was not merely to paint pictures that Rupert Glanville had come to Trelingham. Little as he dreamt it, the central knot of his fortune was there to be tied ; he was to act and be acted upon, to drive and be driven, to be caught up as by a swiftly-turning wheel and hurried round with it. Nor did Ivor Mardol quit his London solitude and find delicious shelter in the Hermitage that he might be satiate with rustic beauty and add a new leaf to his sketch-book. By sure degrees the pleasant intercourse that marked the beginning of their stay among strangers yielded to an intimacy which, at first promising larger gratification, led to the most unexpected i onsequences. I have often thought how much turns on the minor personages in a drama, whether on the stage or off it. Had Tom Davenant not been kept an invalid in his room for some three weeks by low fever ; had his mother, a woman of the world, not returned to London after the briefest of visits; had the Countess been less absorbed, or Lord Trelingham more observant, Lady May and the artist could surely never have spent hour after hour tcte-a-tctc while she was sitting for her portrait. But the Earl, intent on dossals and mosaics and altar-flagons, had not a moment to spare in the morning, and seldom looked in, although from time to time he inspected the picture with marked chap, ix ANIMUM PICTURA PASCIT INANI 95 satisfaction. The Countess moved hither and thither in her restless way, came and went, threw in a mocking won! when the conversation flew above her comprehension, sat dreaming her own dreams by the window, and, whether from negligence or wilfulness, turned a deaf ear to most that was said. She could not, therefore, be supposed to perceive how artistic discussion and talk upon general topics were giving way to more intimate personal com- munings, at least on the part of Lady May, and that mischief was gathering. She had her own reasons, perhaps ; and we may as well endeavour to find them out. Look at this little scene. It was a mellow afternoon, and Tom Davenant, weak but convalescent, was sitting propped up in an easy-chair by the drawing-room fire. It was the first day he had left his room. Glanville, at no great distance, was writing a letter ; Lady May, engaged upon some trailing piece of embroidery that fell about her feet, seemed wholly occupied in what she was doing, and neither spoke nor looked up ; while the Countess, demurely seated where she could keep a charitable eye on the in- valid, was wondering how she might persuade him to talk. For it was part of her infatuation to like the sound of that young man's pleasant but not astonishingly musical voice. Her longing was to be satisfied without effort on her side. Tom laid down the newspaper he was holding, and, stifling a yawn, said to Glanville, whom he had come to like rather : ' The worst of being knocked up is that a fellow doesn't know what to do with himself. He can't read anything except the Field ; and I've read it all through now. I must hark back, I suppose, and see whether I've skipped a page ;' and he took up the discarded journal again. 'Shall I read to you, Cousin Tom?' said Karina softly. ' No, thank you,' he answered ; adding, after a while, with some annoyance in his tone, ' I wish, Countess, you would get out of that way of calling me Cousin Tom. You know I haven't the honour of being your cousin, and it is stupid.' The Countess blushed, but attempted a smile. ' I know,' she said, ' I am not so much your cousin as Lady May : but, if I am hers, you ought to be mine. TH ' TGONE past i Don't you think so, Mr. — Mr. Davenant?' The curious mingling of sarcasm, fright, and tenderness with which the Countess uttered his name thus formally was worth ob- serving. Glanville, hitherto intent on his letter, began to feel an interest in the little comedy. He knew nothing of the relation in which the Countess stood to the house of Trelingham ; he had never even caught her family name. To the servants she was 'the Countess' and 'her Lady- ship.' The Earl and his daughter addressed her as Karin hut Tom Davenant, as it now struck the artist, at all times ike to her as ' Countess,' and never bestowed on her a ( hristian vocative. Sometimes, though seldom, he would 11 Lady May by her name; but this favour was withheld from the light-tongued Karina. 'Don't I think so?' echoed Tom. 'Not by any means. You are May's first cousin, because her mother and yours were sisters. But May and I are related on the father's side. You might as well have argued that your husband was my cousin because he married you. Poor fellow !' concluded Tom in sympathetic accents, — but whether pity- ing the Countess's late husband (she was a widow then, it seemed) on the score of his marriage or his decease, Glan- ville could not determine. ' Poor fellow !' sighed the Countess ; ' I know you liked him, and he suffered so dreadfully at the last. It is not pleasant dying at two and twenty. But no, Mr. — Mr. Davenant,' she observed, brightening up after her transient expression of regret ; ' the Lutenieffs are too proud to ac- knowledge kinship with any but old Russian families. The Countess Lutenieff never forgave me for being half-English. She threw it in my teeth often enough.' ' Well,' said Tom, relenting, ' if you have suffered in the cause, I suppose it is fair that you should call any English gentleman you choose your cousin. But ' She interrupted him. 'Thank you so much, Cousin Tom,' she said archly, though with contentment in her looks. ' After all, you will want a cousin when May gives up that dignity.' Tom was silent, but turned his head in the direc- tion of the real cousin. If she heard anything, she made no sign. chap, ix ANIMUM PICTURA PAS CI T INANI 97 ' I don't know what you are talking about,' said the young man, when he saw that Lady May paid no attention to the Countess. ' It seems to me that you say whatever comes into your head. I shall go back to my room now and lie down. This fire is too hot, and I can't smoke here if I want.' The Countess begged him to stay; she would take the coals off the fire ; she would open a window so that he should not feel the draught. But her entreaties were unavailing. Tom walked slowly to the door and dis- appeared. When he was gone, Glanville, who had not relished the end of this argument, and feared that the Countess — Lutenieff, since that was her name — might follow it up with unpleasant revelations, dashing some faint but idle dreams of his, rose, and passing through the long window, strolled out on the terrace. To what was that mischievous sprite alluding ? How could Lady May cease to be Tom's cousin ? By marrying him ? There was no other way. Glanville recalled her father's look that night when Tom was brought home from Yalden. He had not thought of it since. The cousins were so little together, and his at- tention had been drawn so strongly to Karina's worship of Tom Davenant, that the idea of an engagement between him and Lady May had completely vanished. ' Well, what if it were true ?' he asked himself. ' How did that concern him?' Not a great deal, his conscience replied. Should he feel mortified, or vexed, if the lady wedded her cousin ? Why, yes; he must admit it would be a disappointment. But would his heart be broken ? Did he feel that life would have lost its sweetness were she married ? There was no answering throb. His heart was sound, apparently. He would think it over in the presence of Lady May ; perhaps the calmness he felt was deceptive. And so de- ciding, he approached the window. Scarcely had he come within earshot than the Countess's laughing voice broke on him. She spoke rapidly, and the sentence, complete in meaning, struck at once into his understanding and stayed there. ' But if you don't care for Tom, you must refuse him.' Such were the words. She was clearly addressing vol. 1. H 9 8 THE NSW ANTIGONE i-aiit i Lady May. Glanville fled to the other end of the terrace; he was aghast at having heard what was not intended for his hearing. 1" forget the sentence was, however, imp sible. The Countess had spoken in loud tones, but her laugh sounded unnatural and her voice was sharp and peremptory. It seemed to insist on a thing which was not certain to be conceded Could there be an engagement, and Lady May so little anxious about her betrothed, so free from jealousy of the Countess, so much — he paused for the right word — interested in another? Next day when they were in the picture-gallery, he found himself insensibly leading to the subject. ' It is strange, Lady May,' said he, 'that I never heard the Countess's family name till yesterday.' ' Did you not ? ' she inquired ; ' I can fancy it, however. My Cousin (Carina has been so constantly with us from childhood, and her marriage lasted so short a time, that we hardly think of her as a Lutenieff. Her own name, which we never liked, was Karen Zarkoff. My aunt married a Zarkoff; but he need not have disfigured his daughter by calling her Karen. So we changed it when she came to us quite young to Karina, spelling it with a K to make it look Russian. She lost both parents before she could speak. Her guardian sent her to England until she was sixteen, and then had her taken back to the Ukraine to marry Count Lutenieff, whom she had never seen in her life. There was no help for it. But she cried at leaving my Cousin Tom, who had been her idol ever since she played with him and me during a summer holiday, when we were all three in this house, as we are now. Nevertheless, she liked her husband after they were married ; he was a gentle, con- sumptive young man, greatly attached to her and to Mr. Davenant, who visited them in Russia. At eighteen she became a widow, and is, in a measure, my father's ward. But she does what she pleases, and is always on the wing ; for to reason with her or to keep her in one place is impossible.' ' And Mr. Davenant ? ' said Glanville, controlling his voice lest it should betray undue curiosity. ' His father is not living ? ' chap, ix ANIMUM PICTURA PASCIT INANI 99 ' No ; he died years ago, soon after his marriage. My father spoke of him the first morning you were here. He married late. Mr. Davenant is strictly under my father's guardianship till he comes of age, which will be in some months. You see,' she went on, ' Mr. Davenant is heir- presumptive to the title and estates of Trelingham ; and so,' she said, laughing, ' he requires to be taken great care of. He has a place of his own in the next county, but he does not stay there, except in the shooting season. He will make an excellent landlord, however, when he begins. But at present he is wild about sport. He came to Trelinghan to join in the salmon-hunt which was so unluckily hindered by his accident.' All this, told in a calm way, was interesting, but it threw no light on the question whether Lady May and her cousin were engaged. One point only seemed certain. Tom Davenant might be the idol of the Lady Karina's affections as much as he pleased, or, very likely, did not please ; to the Earl's daughter he was a cousin and nothing more. She spoke of him readily, without changing tone or colour, she lauded his manliness, and at the same time laugh- ingly applied to him the charming words of her poet — ' It are such folk that loved idlenesse, And not delite hadde of no businesse, But for to hunt and hauke, and play in medes, And many other such idle dedes.' That negligent chaperon, the Countess, who had slipped away at the beginning of this conference, now returned ; and there came an interval of silence, during which, if many fine strokes were added to the face that was growing perfect on canvas, not a few went deep into the heart of one, at least, in that speechless company. And now, reader, I will draw away the curtain, and, with such skill as I may, endeavour to disclose the inward meaning of this simple and oft -repeated scene in the picture-gallery at Trelingham Court. What could eyes behold ? On the one hand a lady, in the dark crimson, curiously embroidered with gold, which vested the Madonna of the Seraphim, and was here in some artistic drapery imitated, — a lady, I say, seated where the light fell on her ioo THE NEW ANTIGOA part i meditative, earnest brow, glowing features, and massive dark hair arranged as in a crown, her whole attitude one of re- flection and yet suggesting a concentrated passionateness which, when she spoke or acted, would manifest itself daringly; and on the other, moving lightly about the easel, glancing at the seated figure from time to time, smiling a little as he turned to lay on a colour, and murmuring to himself in the painters' dialect, a young man, of good height and graceful mien, of ruddy countenance too, like the lady, but, unlike her, with the yellow hair of the Norsemen or the Greeks, the sleeves of his velvet coat turned up over fine wristbands, and a certain air of distinction, of dainty though not effeminate carefulness in all his attire, which threw into strong relief the genius shining out of his bright and steady eyes. He was at once an artist, a refined man of the world, and an athletic, well-knit figure of youth and comeliness ; one in whom the balance of thought and fancy, of reason and instinct would seem incapable of being overthrown. The shade of melancholy which came, like a passing cloud, across his countenance when he was not speaking added that indescribable touch, that dim sense of the imperfection hidden in all fair things, apart from which we may admire and be dazzled with the splendour of a face, but do not feed our heart upon it. A pleasant sight, you will say, and worthy of its sur- roundings in that stately room, where the portraits of three centuries looked from the walls, various in costume, feature, and bearing, yet a gracious assemblage of old and young, of knights and ladies, of warriors, statesmen, ambassadors, re- calling confusedly the life of court and camp in which they had acted their part till life's poor play was o'er. In front of the great windows lay the wild moor, beautiful in desola- tion, framed in the silver sea, which, now at peace, sent up its multitudinous voices in a murmuring chorus that whispered things sweet and strange. The lady sank, and sank, and sank into deeper reverie. She listened to the echoes in her heart of all that had been in the past, began a sentence to let it fall unfinished, and mused upon the many days she had spent alone. She had been asked in marriage — by whom ? By men whose birth and breeding, equal to CHAi'. ix ANIMUM PICTURA PASCIT INANI 101 her own, carried with it an outward semblance of perfection, but implied neither deep feeling nor elevated thought, nor enthusiasm for anything in earth' or heaven except their free open-air life, their horses and dogs, their yachts in the Solent and rivers in Norway. Yes, she had not wanted suitors of a different kind eidieF,--SGlcma-'a&t;ci njen[ with brains as unpromising as Nimrod's, but whose narrow vision took in objects less picturesque ; her father's friends, lay or clerical, who asked her to share their destiny and help to build schools in the East End, and churches at Earl's Court or Stoke Newington, to weave ecclesiastical garments accord- ing to the use of Sarum, and save mankind by acres of broadcloth fashioned into coats of the strictest orthodoxy. She smiled at the notion ; but her feeling was bitter enough. Riches, leisure, friends, the most delightful sur- roundings had been given her by Fortune. She was a great lady, to be envied and courted. But all these things were the embroidery of life ; she wanted the simple greatness which comes of knowing and loving, not a gorgeous frame about the poor ge?ire painting, which was all she had to show. How can a woman be noble, she asked herself, except by uniting her life to another which is governed by the highest thoughts ? She could have devoted herself to a father, to a brother, if she had had one, provided only he were intent on realising a great ideal. But her father's ideal? It did not tempt her. It was nothing but the digging up of old grave-clothes and multiplication of minutiae ; it was insular, parochial, sectarian. She had long felt that the controversies of little or no meaning which went on in her presence, and to which she was obliged to listen, were driving her in the opposite direction to her father; and, though she would not afflict him by disclosing what had taken place within her, she saw clearly that, perhaps for want of the right teacher, the religion in which she had been brought up had become to her merely a name. It gave her no principles, it had ceased to be the rule of her conduct. She longed for a light from Heaven ; she did not remember that it sometimes leads astray. Unhappy she was and had been ; dissatisfied, sick with longing for a world of which, in poem or romance, the out- io2 THE NEW ANTIGONE part j line was revealed like a cloud I teadfast, shining sun-bathed in the infinite blue. Was it all an impossible dream? Even so,. she opuld not renounce it. To bend her gaze 'Hi the < Ttfr, and putting her hand into that of a man whose thoughts were fashioned of its gross elements \ and on, over . (he barren moor, with no prospect before her but the waste and sundown, was to die ere her prime She was resolved to drink of the fountain of life. She cared nothing for station, and heeded little of the world's judgment on those that descend. Unworthy she would not be, nor undutiful to her father. ' But I must live, I must live,' she often repeated when alone. To sit at the great banquet a spectator; to find every dish enchanted of which she desired to partake; to hear the music and not know its meaning, — this had been her martyrdom, and she could bear it no longer. I cannot tell what might have befallen Lady May if the higher powers had shuffled the cards otherwise than they did, and not Glanville, but a person of less scrupulous delicacy had come across her in this despairing mood. To represent her as perfect would be pleasant to me; but she was not perfect ; she was headstrong, passionate, im- perious, and, from the absence of equally determined characters around her, she had, by long habit, become utterly independent of control. She loved her father dearly; but she was too clear-minded to regard his opinions with intellectual deference. And there was no one else. Her cousin, Tom Davenant, she looked upon as a man with the simplicity of a boy ; he was her junior by six years, and the thoughts that vexed her would have been to him as unintelligible as the language of another planet. Did she want a chivalrous protector, he would have sprung to her aid ; but she wanted no such thing ; what she wanted was to go her own way. She guessed her cousin's mind ; partly out of consideration for him she was now pausing on the path she had entered; but she did not mean to be affected by his generosity. When her mother died, Lord Trelingham had thought it right to acquaint Mrs. Davenant with his resolution not to marry again. He wished Tom to know on what he might chap, ix ANIMUM PICTURA PASCIT INANI 103 count in the future. Tom, who was then nineteen, sought an interview with the Earl, and with unspeakable confusion, but very decidedly, begged him so to arrange that the Trel- ingham estate might go to Lady May. It was a generous impulse, dictated by a good heart and ignorance of the legal impossibilities which stood in the way. The proposal could not be entertained. But Tom had gone further than Lady May was aware. The young man, finding one door shut, had tried another. He had asked Lord Trelingham to accept a proposal of marriage for his daughter, and to lay it before her when he should judge expedient. He had been brief and manly, saying little of his affection for Lady May, which, however, was apparent enough. He had con- sented to wait until he came of age ; and, trusting implicitly in the Earl's honour, had quietly gone home and shot par- tridges. That something would be said to her when he was twenty-one, the lady surmised. She had, or soon would have, her answer ready. For, wandering listlessly through the exhibitions of painting that make London a huge picture-gallery, she had been struck one day with a drawing of extraordinary breadth of power and splendid execution, to which corresponded in the catalogue the name of a young man who had leapt into fame at a single bound some three years previously. For all description of the piece were a line and a half from Wordsworth — ' Or lady of the mere, Sole sitting by the shore of old romance.' The rest of the gallery vanished from Lady May. She saw nothing but the wide woodland scene and the dim gray waters stretching away and away till no eye could follow, so distant was the gleam of the horizon, so many the fold- ings of the cloud which, with a flake of sunshine gilding it faintly, hung like a vision of dreams between sea and sky. There was something weird, ghostlike, unsatisfying in the appearance of that untenanted realm, where the elements reigned supreme, yet were themselves all unsubstantial — dim air, gray water, a hidden sun. But on the shore, her bare feet just touching the waves as they rolled indolently io 4 THE NEW ANTIGONE mat l where she sat, was a figure, SO radiant with life and long- . of such exquisite shape and lovely countenance that the spectator drew back, as if intruding on a queen's privacy, yet was drawn again in wonder to the wistful eyi full of an intense desire which sought and could not attain its object. It would be hard to express in language the contrast between that eager, throbbing life and the gray visions whereon it was feeding. Had but a youthful knight come breaking through the wild and careless brambles which closed her in on one side, or riding along the green forest path low down in the background on the other, it might have seemed that the artist was reproducing the old tale of Arthur and the brand Excalibur, given him by the lady of the mere. But there would come to this lady no King Arthur ; she was beholding a vision unfulfilled — never, on any day, to be fulfilled And yet how beauteous, how young a life, to be consumed in gazing, to be denied fruition ! Lady May read the picture like her own story. She detected in it something which was not medieval, a kind of irony, bitter and sad, not intended by the poet when he wrote his magic verses, but perhaps of a deeper truth; for was not the romance he celebrated an idle thil dedicating itself to sonnets and madrigals, and the cere- monies of the Court of Love ? Behind its wan clouds the sun was shining, eclipsed only by them. ' Unsatisfied ideals,' she said, as she turned away; 'did the painter mean to warn us that Love can be contented only with Life, not with shadows ? ' This picture was her book of Hours, her philosophy, for many a day. She lived in it ; she saw its every detail, and could have drawn it from memory. As soon as her mind would let her, she begged Lord Trelingham to purchase the drawing ; but it had made a great impression and was already sold. The intelligence grieved her like a personal loss, and she began to haunt the galleries where other works of Rupert Glanville's were on view. She had not been deceived in ranking him neither among the votaries of religious medievalism, nor with the school of senti- mental landscape, so to call it, which has grown out of the study of the Middle Ages by men whose creed may chap, ix ANIMUM PICTURA PASC1T INANI 105 be summed up in the words, ' Sin and be sad.' When Glanville chose a medieval subject, he treated it like one to whom larger worlds were known ; he was free, ironical, and, as the critics said sometimes, joyously pagan. What he painted was full of life ; life, running over at the brim, energetic, bold, adventurous, taking the infinite resources of existence for granted. But his pictures had in them nothing sensuous or over soft ; they did not represent joy as the intoxication of a Silenus, still less did they affect the morbidezza, the pallid waxen tints which in their ex- cessive refinement denote that the artist has sought beauty in decline and is enamoured of consumption. Glanville's art was healthy ; one might almost have called it, to use the philosopher's jargon, optimist. But, as in the draw- ing which had first made him known to Lady May, so in all he painted, there were suggestions of the infinite unseen, the mysterious and strangely possible. He, too, it was apparent, sought and had not found. His ideal, like hers, was behind the clouds. She came unexpectedly on a small picture of his in a friend's drawing-room, and acknowledged, by the violence of her emotion, that she was falling in love with the unknown artist. Did she think of subduing her passion, of putting away his remembrance ? With all her force of character, and in spite of her wide attainment and unusual gifts, May Davenant was a very woman. She could do much ; she could not forget. So, at least, she told her conscience when it warned her against caring about a man she had never seen. Might he not be low-born, ill-educated, any- thing but charming to look at ? this worldly-wise conscience inquired. She did not believe it possible. No, his mind must be equal to his paintings ; and what did the rest signify ? His mind was himself ; birth and appearance, good or ill, were but accessories. However, she w r ould ask and be satisfied. Her father had a multitude of friends in the world of art. She invited one of them, to dinner, was very gracious to him in the drawing-room, and put her im- portant questions among a sheaf of others, trivial, but sufficient to blind the deluded artist, who flattered himself that he was always welcome where ladies ruled. ' Did he io6 THE NEW ANTIGONE part i know Glanville?' — c 0h yes Hail met him several tim< goodish sort of artist \ made some lucky hits; was rather too deep for him, you know, but clever — decidedly.' — ' Much in society?' — 'A good deal, he should say; met him in the best houses, where he was a favourite ; could tell capital stories, not too long; was not bad-looking : sang and played a little ; fancied he came from somewhere on the Welsh border — Herefordshire, Shropshire, that way; had been told he was of good family, all extinct but himself; not a bad thing when one's family was all extinct but one's self, provided they mentioned one in their wills, ha, ha!' — 'Rich, did he suppose ? ' — ' Why, not, you know, rich, but landed pro- prietor, that sort of thing, etc. etc' Lady May, having squeezed this sponge, left him dry, but not discontent, to the care of others ; and told her conscience it might now keep quiet, which it did for a while, being terrified at a domineering way she sometimes used towards it. By and by it would take courage and speak again. She might make his acquaintance, then, if she wished, and ask him to dinner, like his loquacious brother-artist ? Yes, and then ? How much was she likely to see or know of him in a London dining-room, or during a London season ? She wanted more than that. He must be worthy of her friendship ; nay, could she be certain that she was worthy of his? She began to consider. Conscience, whispering mali- ciously somewhere within, hissed out, ' the Belle's Strata- gem.' She laughed ; she was in a good humour, and would see whether a stratagem were possible. Glanville must come to the house, must stay with them long enough to reveal his character as fully as she desired. How could it be accomplished? She had got so far in her meditation when Lord Trelingham came to her with the plans which various artists had submitted for decorating their Great Hall. Her father wanted the Arthurian legend painted on his walls, for it was a proud tradition that the Trelinghams were children of Uther. He had long meant to begin the work, and it was now high time, if he was to see it executed at all. The Great Hall, Arthur, Launcelot, the Lady of the Lake ! It was all nature could do to stifle a cry. To chap, ix AN I MUM PICTURA PASCIT INAN1 107 hide her feelings May looked at the designs on the table. Not one but was inspired by the Idylls of the King — pretty, fantastic, old-faced, so to speak, but the only genius per- ceptible was Tennyson's. She swept them on one side. ' Mr. Glanville is your artist, papa,' she boldly said. The Earl thought for a minute or two. He knew Mr. Glan- ville's productions well ; strangely enough, he liked them. In design they were bold and clear ; in execution, it was agreed on all hands, they were admirable. 'I will call on Mr. Glanville at his studio,' said the good man finally. When the door closed behind him, Lady May sank down trembling on her chair. What had she done? This was the first of many interviews which Lord Trelingham held with Glanville, who never showed to such advantage as in adapting himself to men from whom he entirely differed. Valuing his own opinions too highly to bestow them on every chance comer, and not preaching them save by the indirect methods of art, the young man took pleasure in observing how variously the world ap- peared in other men's eyes ; and he was therefore attentive to the Earl and charmed him in turn. To accept the commission, though brilliant, was another question. He did not want for money or fame ; he hesitated to leave London for so many months as the task would demand ; and he doubted that Lord Trelingham would enter into his conception of the cycle of the Morte d' Arthur, which was more rugged, primitive, and barbaric, but also of larger scope and nearer, as he believed, to the roots of life and reality, than the current interpretation. To his surprise, the formal ritualist did enter into his thought, — thanks very possibly to Mr. Truscombe, whose volume, then about to be published, had been seen by the Earl in manuscript, and whose sturdy realism had one element, at all events, in common with Glanville's more elevated historical views. Thus encountering no resistance where he had looked for it, and captivated by the mingled courtli- ness and good nature of the old man, Glanville consented to pay a visit to Trelingham, and, after seeing the Great Hall, to lay his designs (of which he drew out a lucid sketch) before him. He did not propose to call on the io8 /•/■' V ANTIGONE *LK I rl in town ; it was a busy time when his ments stood six deep, and he must add to them it' lit- int< ndi '1 an early departure Lord Trelingham felt relieved He had suggested to Lady May, after his first visit, that she should ask the artist to dinner, and she. a good deal to his surpri had not exactly declined, but put it off, saying that it did not matter and they should have as much as they wanted of him in the country. It was a fancy on her part to begin their friendship away from London, in a less artificial atmo- sphere. The key-note of an acquaintance is so often struck in the first conversation, and how often wrong ! Mr. Glanville would surely come to Trelingham ; and, with a light heart, she delayed the dawn of a day whose varying fortunes she- could by no means have guessed at. Resolute, however, she was in turning over this new leaf, that looked so fair in its gold-illumined border, of the book of her fate. She would have blushed for shame had her intention pointed in the direction for which a hard, practical world would have given her credit. So rude and gross are the maxims upon which social arrangements are calculated that the motives of a lady, at the age of twenty-six, and still unmarried, who takes an interest in a young unmarried genius, seem even to the fair-minded, suspicious or self- evident. What can she want except to marry him ? And there is much to be said for that view. Nevertheless, she does not always want to marry him ; she may be seekin. an object of admiration, of worship, which is not com- patible at all times with marriage ; or a friend to share her better thoughts ; or simply a comrade whose amusing manners would be lost outside the circle of a numerous society by the domestic hearth. All this will be conceded by the philosopher who sees in life deeper problems than those of ordinary match-making; but even he, the wise observer, will shake his head when enthusiasm mounts so fast as it did in the bosom of Lady May. She, to her own seeming, had left behind her the ' land of white and green,' the velvet-footed flower-besprinkled valley where youths and maidens choose one another ; she was, and meant to continue, an 'old maid.' She did not call it the state of single blessedness ; it was only not so miserable as would chap, ix ANLMUM PICTURA PASCIT INAN1 109 have been a life spent with any of the suitors that had come to her. What she did ask, had it ever been possible, was the 1 marriage of true minds,' which is the inward grace of all outward union between man and woman. She dreamt now that in Rupert Glanville was such a true mind as she had hitherto sought in vain ; but the time of marriage was past. With a sigh she looked back, and once more the land of white and green, the daisies and fresh springing grass, had melted into reminiscences of early youth. Glanville was unwedded ; but he might still be her friend, and teach her something better than to feed on romance. I dare say the reader will experience some contempt for Lady May, on hearing that a friendship like this, pitched just right between high and low, appeared in her eyes a state of life to which she and Glanville might be called. And yet she thought so. Inbred modesty would have forbidden her to take steps towards securing a lover ; but how could it interfere with her winning a friend ? Conscience, perplexed, though not entirely con- vinced, lay down to sleep again. The sacred epochs of fashion were passing quickly by. Lord Trelingham, who usually observed these times and seasons as he did Easter and Saints'-days, — although he never had witnessed a horse- race or owned a yacht, — went down early with Lady May to his country-seat, and summoned Mr. Truscombe to advise him in the selection of historic scenes for the Great Hall. Rupert Glanville likewise, as if he were acting of his own free will, and there were no Lady May in ex- istence, took his ticket for Yalden on a certain morning, and, in so doing, burnt his ships. There was no going back the same man that he came. Thus, at the end of a month, we find these two in the picture-gallery : Rupert, master of himself, uncertain whether he cares for the lady, certain that he does not care with any overwhelming passion ; and she already doubting whether to bind herself to friendship and nothing beyond, or yield to this new absorbing influence which is wrapping her all round in its golden haze. To yield ? But, if he should think of her only as a friend, would it not be planting a dagger in her bosom, never to be withdrawn ? He was no THE NEW ANTIG01 PAST l courteous, attentive, full of pleasant wisdom, open as the day. He would have been a perfect brother. Was that the whole of it? She longed and feared and grew unea and could find no rest She knew, what Rupert, being only a man, was not likely to perceive, that (Carina Lute- nieff watched them ; that she would have em 1, had she dared, an affection which to her meant the surrender, by her cousin, of Tom Davenant. When the Countess spoke in the drawing-room about Lady May's giving up the dignity of cousinhood, she was moved by a mischievous desire to irritate all three who were sitting there. She had said, petulantly enough, when the gentlemen left, that it was a shame Lady May did not at once refuse Tom Davenant, since she seemed not to care for him. And Lady May had answered, ' Will you not allow me to wait till I am asked?' For though the Countess was afraid, and her cousin suspected, that something would occur on Mr. Davenant's coming of age, neither of them knew of his having already made a proposal in set terms. There were moments, during these days of bewilder- ment and growing trouble, when Lady May, as she sat listening to Rupert, seemed to catch glimpses of a nobler order of things, where friendship and not love should be the primal element, — rifts in her golden haze through which the pure heavens were seen like unchanging sapphire, a great, free, illimitable world, passionless, tranquil, clear as the morning dawn. They came when he spoke of the artist's enthusiasm, of his yearning to express the unseen beauty which haunted his steps and whispered in his ear, and vanished so soon as he turned his head to look upon her. Or again, when he descanted on the secret loveliness of landscape, its infinite meanings, its mysterious half- tones, its silent touches lulling the spirit to rest, on the lapse of streams and the glory of foaming waters. While- he forgot himself in speaking, she, in her rapt attention, saw the earthly vanish and themselves entering into a unity of which all the love we know is but a trembling shadow. And he spoke of history, of the old classic times, of reli- gion, not as a man largely-informed indeed, but as a true artist, whose eye sees things in their grouping and judges cn.u\ ix ANIMUM PICTURA PASCIT INANI m them by the law of the beautiful. It was the high world she had longed to dwell in. How could she think of marriage if this were not the heart of it, the gold that made it precious ? She grew ashamed now, though never before, humbled at the remembrance of what passionate desires she had allowed to come between her and the unsullied light. She would be worthy of him, of his large thoughts and heroic aims ; for did he not make of his profession a heroism ? After a morning spent like this, she went about her household tasks with an air of gentle- ness, a countenance so clear and eyes so washed in heavenly dews, that the Earl, moved to admiration of he knew not what that was exquisite about her, would say smilingly, ' You have put on your angel's face to-day, my dear ; why don't you wear it always for our delight?' Alas ! she could not. Rupert himself was not always soaring on eagle's wing. He could be melancholy and dispirited ; he was sometimes w r orn out with fatigue of which he rendered no account ; for, as I have said, he united to a most winning frankness a reserve that none, except Ivor Mardol, attempted to break into. He was unequal, changeable, or, in his friend's complimentary phrase, iridescent. Trifles irritated him when serious mis- fortunes left him tranquil. He could be touchy at a word ; and although in Lady May's presence he never displayed temper, it was not difficult to perceive that many things tried him. Some afternoons he would make an excuse for strolling out alone, and, going down to the boat-house, unmoor the skiff, leap into it, row across to Ivor sitting philosophically in the verandah of his hermitage, and run- ning up the water-steps like a man pursued, fling himself down on the sofa in Ivor's study, and lie there silent till the bell summoned him to dinner. He returned, for the most part, in good though not exuberant spirits, and said not a syllable of where he had been or what doing since last they saw him. Trelingham was a pleasant house to stay at ; for its owner possessed the hospitable grace of pro- viding all things for your amusement and never asking whether you had availed yourself of them. But these imperfections, proving that the serene spirit na THE NEW ANTIGONE pabt l was human, had more dan:.? for Lady May than their joint expeditions in quest of the [deal Prom pity to love is an easy step. She admired, she pitied, she began, de- spite her interest in the higher friendship, if we may call it SO, to love. And mark, reader, for I must tell you the truth as I know it, she felt that, in so doing, she was descending; she did not admire her love, but yielded to it as a disease. I have heard say that tailing in love is like falling asleep; it implies a quiescent, not an active will. So was it with Lady May. She felt herself falling asleep; her better resolutions melted away ; her fear of consequences changed to an im- petuous hope. The angel-face did not return so often ; the golden haze thickened and shut out the sapphire. She be- gan to long for an acknowledgment of affection from Glan- ville, as a fevered man longs for the cooling water. She- would die rather than speak ; surely she was no Countess Lutenieff to blazon her feelings before friends and strangers; but how slow the minutes moved until that draught was handed her? She kept her secret with an agony like the young Spartan's who felt the gnawing of the fox under his cloak and would not cry out though his vitals were torn. Had men so little perception when a woman was suffering? But could he return her love merely because she suffered ? No, she would not have it in such a shape, on such con- ditions ; she would wait and think of that higher world, and — and if nothing came of it, well, she could die. The lady of the lake seated by the dim gray waters, looking on the infinitely unfolding cloud, flecked with faint sun- shine, the impenetrable thicket on one side of her, the deserted path away in the green forest behind her ; — all the picture came back as when first she saw it, and the same feeling of desolation. Its irony was prophetic, its meaning likely to be fulfilled in her own life with which she was now making a last and desperate experiment. Timid though she felt in approaching a subject that might betray her emotion, she could not refrain one morning from the inquiry what his meaning was in that composition. I [e asked her in turn, as was not unusual with him, to give him an account of it ; whether it seemed to aim at any- thing except describing in colour what the poet had de- CHAP. IX ANIMUM PICTURA PASC1T INAN1 113 scribed in words. She was dreadfully embarrassed, and wished she had not spoken. In a low voice, hesitating at every sentence, she faltered out her surmises, her probably mistaken opinion, that it implied rather a longing for the unattainable than perfect joy in the realms of romance. Glanville, not laying aside his brush while she spoke, gave her a look of contentment from time to time, and said, when she could keep her voice no longer under control and took refuge in silence, ' I did not think to have made the meaning so clear. Either you have a quick discern- ment or my parable was plainly written. Yes, I did en- deavour to convey an ironical suggestion that the beauty of old romance was deceptive, and less akin to the truth of existence, of the perfect ideal existence which it ought to be our aim to enjoy, than were the ghostly mere and its phantasmagoria of clouds to the creative sun. But,' he went on, ' you did not, perhaps, gather a second meaning I had put into the parable. That beautiful lady, who is all desire and wistfulness, seems to be passing idly through her hands the golden hair which has fallen down over breast and shoulders, while upon her knees lies the magic wand, forgotten. She understands, though dreamily, that she is beautiful ; she has the rod of life within her grasp. But, charmed by the fantastic visions that pass along the sky, she sits entranced ; and her beauty and her magic are of no avail. Were she but to rise and strike the waters, how marvellous a change would come over them ! For she is the queen, not the slave of romance ; it is for her that its realms were created, and all its uncertain glories do but re- flect in weak sentimental imaginations, like those of children, knight-errants, and medieval troubadours, the fulness of her life. I have painted a second picture, where the dreaming fay remembers that once upon a time she was the Lady Venus, the mother of the living and the delightful god- dess. For, as you know, these mythologies are all pretty nearly identical in meaning. During the Middle Ages life and beauty lay under a spell ; they were bewitched and all things with them. To strike into the depth of existence and fling one's sails upon every breeze, confi- dent that shipwreck in the infinite was not possible, — do vol. 1. r 114 Till NEW ANTIGONE pari i you think the boldest medieval spirit would have ven- tured it?' •And ran you believe, ' she said, raising her countenai to his, 'that shipwreck is not possible? You often speak as though the supreme law were the law of beauty. Granting that, indeed, we need not fear to go upon the rocks.' But, in her own mind, she was far from grant- ing it. Rupert did not answer immediately. His thoughts went back to Colonel Valence and that forlorn afternoon in the churchyard. He seemed to hear the sad yet mock- ing tone in which Valence declared existence a universal shipwreck ; and it gave him pause. Too large-minded to call a possibility in question because it was disagreeable, he preferred not to dwell upon it. After a while he answered gravely: 'There seems to be a controversy be- tween the artists and the philosophers on this point, witness my friend Ivor Mardol and me. He does not pronounce all things evil, nor do I say they are at their best ; neverthe- less, I could not paint if I believed that beauty was less than the sovereign law. And he speaks of expiation, the tragic Nemesis, and I know not what.' 'Then you hope the best," she said, 'although you see it nowhere realised. The lady of the mere is dreaming still; but she may awaken and with a stroke of her wand restore our lost ideals ? ' 'Yes,' he cried; 'I subscribe to that creed, on one con- dition.' ' What is it ? ' she asked anxiously. ' Let it be whispered in her ear that she is dreaming. We are near waking, it has been said, when we dream that we dream.' 'You would imply something I do not quite under- stand.' ' Well, then, so long as fantastic visions abuse her eyes she cannot resist them, because they are all her world. Let her see, however faintly, a different ideal; in com- paring them both she will wake to perfect reason.' Lady May sank back into her chair and meditated. The unreal vision was love which pined in secret and called I chap, jx ANIMUM PICTURA PASCIT INANI 115 forth no response. The reasonable union between herself and Rupert Glanville could only be friendship, if she saw a way to keep it as intimate as now it was becoming. But no way presented itself. He would marry and forget her. She must return to a lonely life. The days ran on ; there was little change in them. And while her own counte- nance gazed upon her from the canvas, she beheld only the enchanted fay, her eyes full of wistfulness, looking out upon dim waters, upon a mist of weary sunshine, and a world of dreams. Would she ever awaken ? CHAPTER X COMPANIONED BY DIVINER HOPES 'Thursday, 18 — . It seems only the other day since I took possession of the Hermitage; and it is more than a month. What a gap in these pages ! I have never been a careful annotator of the day's work. The less 1 had done, the less I was inclined to write it ; when my hands were full I grudged the time. But this evening I have lighted my reading-lamp, drawn the curtains, stirred the wood fire into a blaze, and, seated where I can en- joy its cheerful glow and feel its warmth, must make an effort, in the only way endurable, to hold up the mirror before me and view therein my counterfeit presentment. The time is propitious. Thanks to Van Helmont and his alchemist forefathers, I have at any rate restored the sur- face of the Virgin of the Seraphim. My composition, as binding as Roman cement, smooth enough to lay upon it the most delicate colours, and no thicker than a trans- parent wash, will endure from Rupert's hand whatever treat- ment he may attempt. Who says that alchemy was good for nothing? or that poring over its obscure and dusty records will bring no reward? If I had not been drawn to them, held by them, lost in them during weeks of seem- ing idleness, the Madonna would still be a dismal sight, instead of inviting a great modern artist to add the finish- ing touch, and promising to shine out again among the Trelingham portraits. ' I have done what was required, and should be returning to London when my portmanteau is packed. Do I think of going ? No. I must if the Earl does not bid me stay. chap, x COMPANIONED BY DIVINER HOPES 117 But I am confident he will. There is the Great Hall to be commenced now. Rupert's designs will have to be made out, and I can help him better than any one else. Why should I not render him the service he expects ? Ad- mirable reasoning, Ivor ! And is it what you mean ? Come, my friend, be plain with yourself; there is not a soul listening. Let me cross-examine you a little. Now, sir, what are you by profession? A philosopher. Good. It is not the commonest trade in these times. And what kind of philosopher ? — do you pretend to know the essences of things, entities, quiddities, and all the rest ? You do not ? You hold with an uncouth Athenian sculptor, who carved badly, but argued irresistibly, that your business, being a philosopher, is to know yourself and do your duty, not to peer into the mysteries of the gods. Yes, and you con- sider that a man should rise above his passions and con- trol them, not be swayed as they move. For, you say, they run wild in every direction, all wanting to be satisfied at once, and, like horses that will not obey the rein, each of them pulls the way it would like to go, and is fain to drag the charioteer along with it. Right — quite right. You remember your Greek, I see. But, then, why do you think of staying here ? ' Because the place is so beautiful, adapted exquisitely to my tastes and desires. I have travelled, but never dwelt in a lovely region like this. The air feels like home ; the waters are ever sounding sweetly or solemnly in my ear, and when they lie down in perfect stillness the calm pene- trates my innermost being, and is more delightful than the murmur of ocean. The mind grows clear ; the passion for wisdom takes on a more ethereal hue ; my thoughts seem larger, and become crystalline in depth and tranquillity. Without violating the secrets of the gods, I lift a corner of the veil of Isis, and fall down in reverence before a loveli- ness too awful to be disclosed. ' You speak very well, better than some books I have read. And, Ivor, were I not looking so straight at you, I should think this was not only the truth, but the whole truth. Ah, you colour at my insinuation ; your eyes droop. I must ask no further. My dear young man, the lawyer i.s THE NEW ANTIG01 parti shall give place to the physician, to the father confessor. Tell me what that feeling is which gun to stir like a serpent in your bosom. I will not vex you, but suggest the healing remedies, if any there \- When Ivor Mardol hail written thus far he laid down his pen, and, going to the window, drew aside the curtain and looked out. He was in the largest chamber of the Hermitage, called the study, which permitted a view along the gorge and down to the sea. A portion of the over- hanging roof had been taken away, to allow of sufficient light for mending the canvas and for such bits of engraving as Mardol might undertake during his leisure. It was a silent, starlit night. No moon was in the sky, nor any cloud. The air, though not frost}-, was keen and dry, for a wind came at intervals out of the north and swept noiselessly along, brushing away the evening vapours which lingered about the Hermitage. Everywhere, as he looked, the st broke on his view sparkling with soft light, not wildly, as when a throbbing seems to take the heavens, but in mild serenity and with friendly glances at the mortal who beheld them. ' The thousand eyes are looking into mine,' he murmured, remembering that conversation on the watch- tower with Lady May. Her dark eyes, too, — he was not likely to forget them. How beautiful and piercing they were ! they seemed to look through you. But the light in them was fitful, not serene ; it came and went in sudden flashes, startling you as with unexpected questionings. It did not speak of calm or comfort ; the deep resignation which that silent night inspired, — how unlike the restlessness, the languor, yearning, melancholy, the fretting desire which their glance quickened into life within him. He was alone now, in the presence of infinite worlds, each an abyss of splendour, a flaming ocean pouring out its waves upon Eternity, unhasting, unresting, bound by obedience to un- speakable laws which might not be transgressed, moving towards a goal that no man should ever behold. Could human passion endure in the greatness of the midnight spectacle? What was it but a little flame springing up out of the dust and dying down in a moment, — a handful of dry heather set on fire and cast into the waters of death ? chap, x COMPANIONED BY DIVINER HOPES 119 Should he break his heart because no flame answered his ? For a long while he stood motionless, absorbed in meditation. An hour passed, but he did not move ; his mind, intently thinking, controlled the muscles of the limbs ; as though he were out of the body, his spirit sweep- ing through the countless worlds, beheld their greatness, their strange magnificence, their lonely spaces where living thing had never breathed nor would breathe, and unbroken solitude had reigned from the immeasurable past Eternity, as it would reign into the Eternity to come. He did not strive to leap the bounds of ordinance and break through the guarded gates into the mystery beyond. It was enough to open his eyes and see what was before him. The longer he thought the more was his mind overwhelmed, subdued, penetrated, cleansed from earthly desires and lifted out of itself. Again, the beautiful face, with its piercing passionate glances, came across the vision ; but it had lost its power. It passed by like a falling star, vanishing in the steadfast night of eternity. And the awful silent heavens looked down and were reflected in the waters of the shining mere ; and deep calm fell upon Ivor. He drew the curtain again, sat down, took up his pen with a firm hand, and wrote : — ' If hitherto I have been so foolish as to dream of love, and such a love, here is the end. It is not for me. I know my calling, to which, until I found myself at Trel- ingham, I have never been disloyal. These moments of madness shall not count. Let me recall them now that they belong to the past ; let me examine, in the starry light of intellect, a passion to which, as I think, I yielded too much, but hope to yield no more. The most effica- cious means of vanquishing a sentiment is, say the wise masters, to put it under the microscope and analyse it to the last fibre. I doubt that a mistress's letters, how- soever tender and eloquent they seem to the lover, would charm or subdue if he read them critically to see where the charm lay. I will pluck up this fast -growing wild rose by the roots, trace the delicate, almost invisible threads which it was insinuating into my heart, and leave it, a beautiful dead thing, perfect but withered, compressed i2o THE NEW ANTIGONE PAW i between these pages. Am I strong enough to be fair to myself, resolved enough not to run a further risk ? But should I not still be exposed to temptation, while the warm earth cherished the seed of love? Out with it to the surface j let the light kill it! But in what way? Let me think. This hook, so scanty in its record of farts, is abundant in delineation of moods and feelings. I always meant to make it an autobiography, — the travels of a soul towards truth. Why, now, should 1 not take Carlyle's ad- vice, and set down the story of my life? Why not, like Jean Paul, in that charming brief fragment of his, become the professor of biography to myself? It will bring out the contrast which would make any love of mine for Lady May ridiculous ; and I might turn to these pages for a little cool- in g of my infatuation should it return. The sweet poison must not run in my veins any longer. This antidote shall allay its fury. Do but let me begin at the beginning, and not spare the subject of the story out of misplaced tenderness. 1 Ivor Mardol, then, a young man of uncertain age, but, as he believes, verging on thirty, of plain features, less than the middle height, and surely not well connected, — ay, that is the inventory. ' Of my birth and parentage I know less than a work- house orphan, except that neither can have signified to the world at large ; for it is something to be chargeable to the parish. All I know is that I was brought up by good- natured, affectionate people, who told me I was no child of theirs. The old man taught me to draw, praised us- ability, set me to learn what I could, being a mere lad, of the technique of engraving, and took me with him, almost as soon as I could walk, to his workman's club, his trades- union meetings, his political association, his temperance and vegetarian propaganda, but at no time to church. He did not believe greaWy in churches. However, I soon learnt that the world was a busy place ; and strange to say, I learnt equally soon that I had nothing to do with its concerns. I liked to see and hear human beings. To attend a crowded meeting and listen to straightforward, energetic speeches, interrupted, encouraged, sometimes put an end to, by a vast audience upon whom not a word fell chap, x COMPANIONED BY DIVINER HOPES 121 unobserved, — this was to me as animating as it was in- structive. All the arguments I heard were of much the same import ; they dwelt on the misery of the masses and proved it by appealing to ourselves. I was not miserable ; I had all I wanted. But I knew of some in my own street that had nothing, to whom the charity of neighbours sup- plied a crust now and then, while at other times they went hungry to bed. Did I feel for them ? Have I not often sat down with tears in my eyes to our simple table, because I could not share my little meal with the poor wretches ? I pitied, I caressed the tiny children, so begrimed and neglected, as they sat shivering on the door- step near the street lamp, afraid to go into the dark when night was fallen on the huge city, and mothers and sisters had left them at home — left them on what a business too often ! That, too, I was not long in learning ; the children of the poor know everything. They cannot be blessedly ignorant like those who are fenced round about in luxurious man- sions and pleasant gardens whither evil does not penetrate easily. But I have known them, though not ignorant, innocent ; though acquainted so young with the ways of life, modest and self-respecting. My teacher might have forbidden me to make friends among these out- cast children. He did no such thing. He trusted to the moral influence of the movement of reform to which he belonged ; and his trust was not in vain. Deeply impressed as I was, at an incredibly early date, with a sense of the many things, too bad for improve- ment, that could not and ought not to endure, there was little room left in my thoughts for what was base or ignoble. I have smiled since on hearing it said that children are too young to understand these things. How young was I when the problem of social misery, shouted from a hundred platforms, became to me as real a fact as it is this night ? ' But still, it was a problem in which others were affected, and I on their behalf, not on my own. The days of my childhood were solitary, and not at all unhappy. I could have wished for a companion in the evenings ; I longed to know my father and mother. There came 122 THE NEW A.XTIGQNE faut i rainy hours to vary the long calm sunshine, and, like other children, I wept, even bitterly. But it was seldom. Mr. Mardol and his wife displayed the tenderest fondness for a child who lacked neither discernment to recognise their tion nor the feeling of gratitude that was all he could give in return. I do not mean that he was unloving, far from it; but he knew they were not his parents, and he would have deemed it somehow a violation of the duty he- owed elsewhere to love them as such. A curious distinc- tion for a boy to make! He had, in truth, from the be- ginning a quick and delicate sense for the moral aspects of things, developed by his intimacy with men who were all day long discoursing of the just and the unjust, the rational order of the world, and the inherent defects of existing institutions. I have read nothing in the debates of Parlia- ment or the works of political economists with which as a boy I was not familiar. The handling is not always so good ; the amount of conventional falsehood seems to me immeasurably greater. 'Had I lived in my own family, or known what it was to have brothers and sisters, I too must have thrown myself as I grew up into the reform movement. To change the world, one must have a home, a country, a religion. It is that which gives the local habitation and the name, apart from which our aspirations are like the poet's dream — airy nothings. But I had neither home, nor country, nor religion. I had only myself and this kind-hearted philo- sophy. It charmed my imagination ; it roused me at the great meetings to enthusiasm ; it did not hinder me from falling back into that solitary world where I was the only figure. I learned much, and with superhuman quickness ; I spent hour after hour at my teacher's side, watching all he did, and copying it as he allowed me, always with astonishing accuracy for so young a hand. The good man looked on me, I think, as something un- canny. I must, indeed, have been a weird, elfish crea- ture. And how I went on dreaming, longing, imagining, ever under a presentiment that, sooner or later, a figure would step down to me from the unknown world, and I should enter upon a fresh chapter of existence ! Not chap, x COMPANIONED BY DIVINER HOPES 123 that I despised my station, or coveted the rich wares I saw in shop-windows, or thought as I went by the enor- mous palaces of Belgravia and Tyburnia, that I should like to live in them. My dream did not run thus. I saw myself restored to father and mother, or kissing the lips of a baby-sister, and wandering in the fields, holding my new-found father's hand. An idle dream ! But, surely, innocent enough. ' The fresh chapter of existence opened at last, when I was not expecting it. There was one day in the year, and only one, that Mr. Mardol had a fancy for keeping. It was Christmas Day. He did not go to church, and he despised the festive decorations by which his neighbours marked their enjoyment. But, if the day was fine, he took his wife and me for a walk in the green country, which then lay nearer London than it does now. We went just so far as to be out of the clash and jangle of the Christmas bells, but not far enough to lose their delicious chiming when heard in the distance. While we wandered quietly along, my teacher would take up his favourite parable and ex- pound to us the universal charity of Nature; for he never uttered the name of God. He enlarged on the bounty that sends us not only what we may eat and drink, but wise men, in whom there are thoughts by which we may live and learn to care for one another. He told over their names ; he spoke of their sufferings, their triumphs, their undying influence; and he chose, as the greatest example, the name which so many in gross and ignorant fashion were celebrating that day. He said a man could do nothing so good as follow His example and labour to change the world in His spirit. Occasionally, he would read a few words from the story of His life ; but this was not often, and the only book he would not have me peruse was the Christian Bible. ' I liked what he read ; but I did not think of disobeying his wishes. What took up my thoughts a great deal more was the fancy, which I indulged without breathing a word to any one, that Christmas Day was my birthday, to be kept sacred by me, to be filled with a vision of home and all that I was by and by to recover of my inheritance of love. i2t THE NEW ANTIGONE pabt i Christmastide for me meant infinite hopes, unquenchable I. too, was to taste the joys of childhood, and be folded to a mother's bosom. While old Mr. Mardol was speaking of the dream of innocence long banished from mankind, or to be found only in the hearts of children; when lie prophesied that by the law of progress it would in due time become no dream, but a universal reality, and the age of reason, of obedience to nature, of unpurchased happiness and sylvan delights, be ushered in with acclama- tion, and terminate the ferocious strife of man with man, by a treaty of eternal brotherhood, my heart warmed within me, and I saw myself roaming the beautiful forest and playing in its sunlit glades, not an orphan or an outcast, but restored to all that loved me and were by me be- 1. 1 could think of no progress but the change from my wintry desolation to a home looking out on the wide world, yet centred in the rustic cabin of my parents. I oi it was the firm conviction of Mr. Mardol, as of thousands besides, that, when the day came, mankind would pour out of their enormous modern towns, as on the opening of the prison gates captives rush forth in ecstasy, and would never more shut out the air and light of heaven with high walls and crowded habitations, or heap together corrupting luxuries, every one of which was soaked or stained with the blood and sweat of unrewarded toilers. He called the splendid capitals of Europe and America mouths of hell, where flame and smoke ascended clay and night without ceasing, and the shrieks of the damned for ever filled the mirky air. But for the sense of duty which kept him where the battle raged, he would have sold what he- possessed and gone away, when he was young and active, to the uncolonised lands in which a man might live as nature intended. But it was a task laid upon him, laid upon me too, he repeated with solemn emphasis, to aid in conquering from effete civilisation the countries on which it had inflicted wars and pestilence and famine, and a tyranny as hurtful to the few that exercised it as to the millions who could not shake it off. Meanwhile, we must share the cap- tivity of our brethren, and teach them to forge weapons whereby freedom might be won. I felt that he spoke nobly; chap, x COMPANIONED BY DIVINER HOPES 125 I was eager to follow his lead ; but my imagination de- lighted in the remote continents whose soil was yet virgin, and whose pathless woods owned no sovereignty but nature's. I longed to lose myself in the vast solitude, with only the stars to tell me whether I was travelling towards the equator or the pole ; I spent in thought more hours than I can reckon floating down the mighty rivers in the canoe I had with my own hands hollowed out of a fallen trunk, — floating, dreaming, as the waters bore me onward between forest and forest, the endless branches interlacing over my head, and almost shutting out the sky. Was I called to be a soldier in the war against corrupt civilisation, my pleasure should be to explore in fancy the beautiful regions I could not otherwise attain. I was, and have remained amid a variety of changes, an untamable creature, a denizen of woods and wild places. The deep seclusion of this valley, where now I am writing, the loneliness of the Hermitage, have for me a charm which only those can experience who, living much in the throng of civilised men, yet strange to their ways and feelings, are in dreams transported into the midst of landscapes they have never with waking eyes beheld. ' Our Christmas morning walk did not take us into the mighty woods of Brazil — my favourite hunting-ground in fancy — nor over the rolling savannahs of South America. There were times when snow or frost kept us within all day. Invariably, if we had spent the early hours abroad, we came home to our meal of deliciously-dressed herbs — for I have implied that Mr. Mardol was a vegetarian, and on the same principle was I brought up. When the dishes were cleared away, we would sit round a blazing fire, kept up in all its glory by Mrs. Mardol, to whom the warmth was grateful and almost the only enjoyment in which she displayed what her husband termed an unphilosophical excess. He did not grudge the wood or the coals, how- ever, and, as he sat there, sipping his glass of water, he would tell me stories of his youth and his old companions ; how some realised in humble station the meaning and the joy of an earnest human life, and others, the many, had been as thriftless and pleasure-seeking as though born to ta6 THE NEW ANTIGi . PABa l high est. iic. The dispositions of men, he said, did not correspond to the clei 'franks. But it was his way to enlarge on the good he had known rather than to dishearten me by dwelling on the bad Then lie would 11 his own adventures, which were amusing some- times and singular ; and he seldom left off ere he had drawn, with sharp strokes, in the manner of an engraving rather than a painted scene, — for it had no colour, only an admirable distinctness, — the sketch of some well- known hero that had risen, by labour and genius, to be great among his fellow-workmen and a power in the world's development. The saints of his calendar were such men as Franklin, Pallissy, Stephenson, James 'Watt, Ampere. But he admired them less when they became rich and famous than in their days of adversity. Of some he said that they had more energy than light ; that, in accept- ing wealth they were false to the brethren ; that the founders of the golden aristocracy were too often thieves, as those who had established the aristocracy of blood had been pirates and robbers. He was never long without coming back to his favourite theme, and I was never weary of it. ' I must have been about twelve years old, when, as the short afternoon of Christmas was closing in, and the blaz- ing fire made a mixture of light and shade on our parlour ceiling, a ring came to the side-door, and Mr. Mardol, pausing in the story he was telling, — I remember it was the life and adventures of Victor Jacquemont, the French traveller in the Himalayas, — rose from his chimney-corner and went to open it. We had no servant, not even a girl to run errands. It was my business to do such commis- sions for Mrs. Mardol, and very willingly I did them. In a few moments the old man came back with some one I had never seen. Mrs. Mardol, however, did not look surprised. Her husband seemed intimate with the man, whose peculiar appearance, to confess the truth, I did not like. He shook hands with Mrs. Mardol, sat down in the chair she offered him, and asked in a quick but courteous tone, whether the candles standing on the table might not be lighted. I disliked him even for this little chap, x COMPANIONED BY DIVINER HOPES 127 thing. I was fond of watching the uncertain dancing shadows on the ceiling and the tongues of fire that leaped among them, before the lights came. He seemed to be intruding on the poetic interval I had enjoyed at Mr. MardoPs knee ; to be ending my time of poetry altogether. I cannot tell why this notion came into my head; but, as Mrs. Mardol said to me once, I was always fancying some- thing. And so I fancied this, not guessing what the stranger's business might be. The candles were lighted ; my teacher threw himself back in his chair ; and the un- known guest, beckoning me to him, drew the lights where they would fall full on my face and leave him in shadow. I looked at Mr. Mardol ; he smiled encouragingly, and said, " You need not be afraid, Ivor ; our friend will do you no harm." But I was afraid, although, by a strong resolution, I kept down the trembling that came upon me. How well I remember what ensued ! ' " My boy," said the stranger, " should you like to be a gentleman?" I stared at him. "A gentleman," I an- swered when my sense of politeness returned ; " I don't know what you mean by a gentleman." 1 " Well," said he, " to be rich and wear fine clothes, a new suit every day if you liked, and to drink wine, and eat venison which you had killed yourself, and have servants, and horses, and carriages ? " He spoke in an amused voice, and smiled, not unpleasantly I thought, across at Mr. Mardol. He had not long to wait for his answer. ' " I should like a horse," I said, " very much, if I had caught it myself with a lasso, and tamed it." I did not speak of breaking it in, because I was not learned in the terms of chivalry. ' " But," I went on at once, " I have clothes enough, and Mr. Mardol says it is wrong and cruel to be rich. And I don't want to kill anything, or to eat dead animals, or to drink fire-water. And," I concluded, out of breath, though not so incoherently as it sounded, " if all men are equal, how can a good man have servants ? " ' To my astonishment, the stranger bent down and kissed me. " You have been well taught, my boy," he cried, laying his hand on my shoulder ; if you really think as you 128 THE NEH ANTIGONE PARI i say, there is small fear of your becoming a gentleman. But let me trj you. 1 have left u carriage round the corner ; will you come with me and live in a beautiful e, and have all the things I told you about?" Ili^ eyes kept looking slea