RSON'S-f -SSAYSv tTT^H RALPH WALDO ESSAYS RALPH WALDO EMERSON FIRST SERIES PHILADELPHIA HENRY ALTEMUS 1895 ALTEMUS' BOOKBINDBRY PHILADELPHIA VO CONTENTS. ESSAY I. HISTORY, 7 ESSAY II. SELF-RELIANCE, 43 ESSAY III. COMPENSATION, 85 ESSAY IV. SPIRITUAL LAWS, 117 ESSAY V. LOVE, 151 ESSAY VI. FRIENDSHIP, 171 ESSAY VII. PRUDENCE 197 ESSAY VIII. HEROISM, 217 ESSAY IX. THE OVER-SOUL, 237 ESSAY X. CIRCLES, 265 ESSAY XL INTELLECT, 285 ESSAY XIL ABT, 307 (3) HISTORY. There is no great and no small To the Soul that maketh all : And where it conaeth, all things are; And it cometh everywhere. I am owner of the sphere, Of the seven stars and the solar year, Of Ceesar's hand, and Plato's brain, Of Lord Christ's heart, and Shakespeare's strain. ESSAY I. HISTORY. THERE is one mind common to all individual men. Every man is an inlet to the same and to all of the same. He that is once admitted to the right of reason is made a freeman of the whole estate. What Plato has thought, he may think ; what a saint has felt, " he may feel ; what at any time has befallen any man, he can understand- Who hath access to this universal mind, is a party to all that is or can be done, for this is the only and sovereign agent. Of the works of this mind history is the record. Its genius is illustrated by the entire series of days. Man is explicable by nothing less than all his history. Without hurry, without rest, the human spirit goes forth from the beginning to embody every faculty, every thought, every emotion, which belongs to it in appropriate events. But always the thought is prior to the fact; all the facts of history pre exist in the mind as laws. Each law in turn is made by circum- stances predominant, and the limits of nature give power to but one at a time. A man is the whole (7) 8 ESSAY I. encyclopaedia of facts. The creation of a thou- sand forests is in one acorn, and Egypt, Greece, Rome, Gaul, Britain, America, lie folded already in the first man. Epoch after epoch, camp, kingdom, empire, republic, democracy, are merely the application of his manifold spirit to the muni- fold world. This human mind wrote history and this must read it. The Sphinx must solve her own riddle. If the whole of history is in one man, it is all to be explained from individual experience. There is a relation between the hours of our life and the centuries of time. As the air I breathe is drawn from the great repositories of nature, as the light on my book is yielded by a star a hundred millions of miles distant, as the poise of my body depends on the equilibrium of centrifugal and centripetal forces, so the hours should be instructed by the ages, and the ages explained by the hours. Of the universal mind each individual man is one more incarnation. All its properties consist in him. Every step in his private experience flashes a light on what great bodies of men have done, and the crises of his life refer to national crises. Every revolution was first a thought in one man's mind, and when the same thought occurs to another man, it is the key to that era. Every re- form was once a private opinion, and when it shall be private opinion again, it will solve the problem of the age. The fact narrated must correspond to something in me to be cred- ible or intelligible. We as we read must become HISTORY. Greeks, Romans, Turks, priest, and king, martyr and executioner, must fasten these images to some reality in our secret experience, or we shall see nothing, learn nothing, keep nothing. What befell Asdrubal or Csesar Borgia, is as much an illustration of the mind's powers and depravations as what has befallen us. Each new law and political movement has meaning for you. Stand before each of its tablets and say, "Here is one of my coverings. Under this fantastic, or odious, or graceful mask, did my Proteus nature hide itself." This remedies the defect of our too great nearness to ourselves. This throws our own actions into perspective: and as crabs, goats, scorpions, the balance and the waterpot, lose all their meanness when hung as signs in the zodiac, so I can see my own vices without heat in the distant persons of Solomon, Alcibiades, and Catiline. It is this universal nature which gives worth to particular men and things. Human life as contain- ing this is mysterious and inviolable, and we hedge it round with penalties and laws. All laws de- rive hence their ultimate reason, all express at last reverence for some command of this supreme illimitable essence. Property also holds of the soul, covers great spiritual facts, and instinc- tively we at first hold to it with swords and laws, and wide and complex combinations. The ob- scure consciousness of this fact is the light of all our day, the claim of claims ; the plea for educa- tion, for justice, for charity, the foundation of friendship and love, and of the heroism and gran- IO ESSAY /. deur which belongs to acts of self-reliance. It is remarkable that involuntarily we always read as superior beings. Universal history, the poets, the romancers, do not in their stateliest pictures, in the sacerdotal, the imperial palaces, in the triumphs of will, or of genius, anywhere lose our ear, anywhere make us feel that we intrude, that this is for our betters, but rather is it true that in their grandest strokes, there we feel most at home. All that Shakespeare says of the king, yonder slip of a boy that reads in the corner, feels to be true of himself. We sympathize in the great moments of history, in the great discoveries, the great re- sistances, the great prosperities of men ; because there law was enacted, the sea was searched, the land was found, or the blow was struck for ws, as we ourselves in that place would have done or applauded. So is it in respect to condition and character. We honor the rich because they have externally the freedom, power and grace which we feel to be proper to man, proper to us. So all that is said of the wise man by stoic or oriental or modern essayist, describes to each man his own idea, de- scribes his unattained but attainable self. All literature writes the character of the wise man. All books, monuments, pictures, conversation, are portraits in which the wise man finds the linea- ments he is forming. The silent and the loud praise him, and accost him, and he is stimulated wherever he moves as by personal allusions. A wise and good soul, therefore, never needs look HISTORY. II for allusions personal and laudatory in discourse. He hears the commendation, not of himself, but more sweet, of that character he seeks, in every word that is said concerning character, yea, further, in every fact that befalls, in the running river, and the rustling corn. Praise is looked, homage tendered, love flows from mute nature, from the mountains and the lights of the firma- ment. These hints, dropped as it were from sleep and night, let us use in broad day. The student is to read history actively and not passively ; to esteem his own life the text, and books the com- mentary. Thus compelled, the muse of history will utter oracles, as never to those who do not respect themselves. I have no expectation that any man will read history aright, who thinks that what was done in a remote age, by men whose names, have resounded far, has any deeper sense than what he is doing to-day. The world exists for the education of each man. There is no age or state of society or mode of action in history, to which there is not somewhat corresponding in his life. Everything tends in a most wonderful manner to abbreviate itself and yield its whole virtue to him. He should see that he can live all history in his own person. He must sit at home with might and main, and not suffer himself to be bullied by kings or empires, but know that he is greater than all the geography and all the government of the world ; he must transfer the point of view from which history is 12 ESSAY L commonly read, from Rome and Athens and London to himself, and not deny his conviction that he is the Court, and if England or Egypt have anything to say to him, he will try the case ; if not, let them forever be silent. He must attain and maintain that lofty sight where facts yield their secret sense, and poetry and annals are alike. The instinct of the mind, the purpose of nature betrays itself in the use we make of the signal narrations of history. Time dissipates to shining ether the solid angularity of facts. No anchor, no cable, no fences avail to keep a fact a fact. Babylon and Troy and Tyre and even earl}' Rome are passing already into fiction. The Garden of Eden, the Sun standing still in Gibeon, is poetry thenceforward to all nations. Who cares what the fact was, when we have thus made a constel- lation of it to hang in heaven an immortal sign ? London and Paris and New York must go the same way. " What is History," said Napoleon, "but a fable agreed upon?" This life of ours is stuck round with Egypt, Greece, Gaul, England, War, Colonization, Church, Court, and Com- merce, as with so many flowers and wild orna- ments, grave and gay. I will not make more ac- count of them. I believe in Eternity. I can find Greece, Palestine, Italy, Spain, and the Islands, the genius and creative principle of each and of all eras in my own mind. We are always coming up with the facts that have moved us" in history in our private experi- ence, and verifying them here. All history be- HISTORY. 13 comes subjective ; in other words, there is properly no History; only Biography. Every soul mutt know the whole lesson for itself must go over the whole ground. What it does not see, what it does not live, it will not know. What the former age has epitomized into a formula or rule for manipu- lar convenience, it will lose all the good of verify- ing for itself, by means of the wall of that rule. Somewhere or other, some time or other, it will demand and find compensation for that loss by doing the work itself. Ferguson discovered many things in astronomy which had long been known. The better for him. History must be this or it is nothing. Every law which the state enacts, indicates a fact in human nature ; that is all. We must in our own nature see the necessary reason for every fact, see how it could and must be. So stand before every public, every private work ; before an ora- tion of Burke, before a victory of Napoleon, be- fore a martyrdom of Sir Thomas More, of Sidney, of Marmaduke Robinson, before a French Reign of Terror, and a Salem hanging of witches, before a fanatic Revival, and the Animal Magnetism in Paris, or in Providence. We assume that we under like influence should be alike affected, and should achieve the like ; and we aim to master in- tellectually the steps, and reach the same height or the same degradation that our fellow, our proxy has done. All inquiry into antiquity, all curiosity re- specting the pyramids, the excavated cities, Stone- 14 ESSAY /. henge, the Ohio Circles, Mexico, Memphis, is the desire to do away this wild, savage and preposter- ous There or Then, and introduce in its place the Here and the Now. It is to banish the Not me, and supply the Me. It is to abolish difference and restore unity. Belzoni digs and measures in the mummy-pits and pyramids of Thebes, until he can see the end of the difference between the mon- strous work and himself. When he has satisfied himself, in general and in detail, that it was made by such a person as himself, so armed and so mo- tived, and to ends to which he himself in given circumstances should also have worked, the prob- lem is then solved ; his thought lives along the whole line of temples and sphinxes and catacombs, passes through them all like a creative soul, with satisfaction, and they live again to the mind, or are now. A Gothic cathedral affirms that it was done by us, and not done by us. Surely it was by man, but we find it not in our man. But we apply ourselves to the history of its production. We put ourselves into the place and historical state of the builder. We remember the forest dwellers, the first temples, the adherence to the first type, and the decoration of it as the wealth of the na- tion increased : the value which is given to wood by carving led to the carving over the whole mountain of stone of a cathedral. When we have gone through this process, and added thereto the Catholic Church, its cross, its music, its processions, its Saints' days and image-worship, we have, as it HISTORY. were, been the man that made the minister ; we have seen how it could and must be. We have the sufficient reason. The difference between men is in their principle of association. Some men classify objects by color and size and other accidents of appearance ; others by intrinsic likeness, or by the relation of cause and effect. The progress of the intellect consists in the clearer vision of causes, which overlooks surface differences. To the poet, to the philoso- pher, to the saint, all things are friendly and sacred, all events profitable, all days holy, all men divine. For the eye is fastened on the life, and slights the circumstance. Every chemical sub- stance, every plant, every animal in its growth, teaches the unity of cause, the variety of appear- ance. Why, being as we are surrounded by this all- creating nature, soft and fluid as a cloud or the air, should we be such hard pedants, and magnify a few forms? Why should we make account of time, or of magnitude, or of form? The soul knows them not, and genius, obeying its law, knows how to play with them as a young child plays with graybeards and in churches. Genius studies the causal thought, and far back in the womb of things, sees the rays parting from one orb, that diverge ere they fall by infinite diameters. Genius watches the monad through all his masks as he performs the metempsychosis of nature. Genius detects through the fly, through the caterpillar, through the grub, through the egg, the constant 16 ESSAY I. type of the individual ; through countless indi- viduals the fixed species ; through many species the genus; through all genera the steadfast type ; through all the kingdoms of organized life the eternal unity. Nature is a mutable cloud, which is always and never the same. She casts the same thought into troops of forms, as * poet makes twenty fables with one moral. Beauti- fully shines a spirit through the bruteness and toughness of matter. Alone omnipotent, it con- verts all things to its own end. The adamant streams into softest but precise form before it, but, whilst I look at it, its outline and texture are changed altogether. Nothing is so fleeting as form. Yet never does it quite deny itself. In man we still trace the rudiments or hints of all that we esteem badges of servitude in the lower races, yet in him they enhance his nobleness and grace ; as lo, in JEschylus, transformed to a cow, offends the imagination, but how changed when as Isis in Egypt she meets Jove, a beautiful woman, with nothing of the metamorphosis left but the lunar horns as the splendid ornament of her brows. The identity of history is equally intrinsic, the diversity equally obvious. There is at the surface infinite variety of things ; at the centre there is simplicity and unity of cause. How many are the acts of one man in which we recognize the same character. See the variety of the sources of our information in respect to the Greek genius. Thus at first we have the civil history of that people, as Herodotus, Thucydides, Xenophon, Plutarch have HISTORY. given it a very sufficient account of what man- ner of persons they were, and what they did. Then we have the same soul expressed for us again in their literature ; in poems, drama, and philosophy : a very complete form. Then we have it once more in their architecture, the purest sen- suous beauty, the perfect medium never over- stepping the limit of charming propriety and grace. Then we have it once more in sculpture^ " the tongue on the balance of expression," those forms in every action, at every age of life, rang- ing through all the scale of condition, from god to beast, and never transgressing the ideal serenity, but in convulsive exertion the liege of order and of law. Thus, of the genius of one remarkable people, we have a fourfold representation, the most various expression of one moral thing : and to the senses what more unlike than an ode of Pindar, a marble Centaur, the Peristyle of the Parthenon, and the last actions of Phocion? Yet do these varied external expressions proceed from one national mind. Every one must have observed faces and forms which, without any resembling feature, make a like impression on the beholder. A particular picture or copy of verses, if it do not awaken the same train of images, will yet superinduce the same sentiment as some wild mountain walk, al- though the resemblance is nowise obvious to the senses, but is occult and out of the reach of the understanding. Nature is an endless combination and repetition of a very few laws. She hums the 1 8 ESSAY I. old well known air through innumerable varia- tions. Nature is full of a sublime family likeness throughout her works. She delights in startling us with resemblances in the most unexpected quarters. I have seen the head of an old sachem of the forest, which at once reminded the eye of a bald mountain summit, and the furrows of the brow suggested the strata of the rock. There are men whose manners have the same essential splen- dor as the simple and awful sculpture on the friezes of the Parthenon, and the remains of the earliest Greek art. And there are compositions of the same strain to be found in the books of all ages. What is Guide's Rospigliosi Aurora but a morning thought, as the horses in it are only a morning cloud. If any one will but take pains to observe the variety of actions to which he is equally inclined in certain moods of mind, and those to which he is averse, he will see how deep is the chain of affinity. A painter told me that nobody could draw a tree without in some sort becoming a tree ; or draw a child by studying the outlines of its form merely, but, by watching for a time his motions and plays, the painter enters into his nature, and can then draw him at will in every attitude. So Roos "entered into the inmost nature of a sheep." I knew a draughtsman employed in a public sur- vey, who found that he could not sketch the rocks until their geological structure was first explained to him. HISTORY. 19 What is to be inferred from these facts but this ; that in a certain state of thought is the common origin of very diverse works ? It is the spirit and not the fact that is identical. By descend- ing far down into the depths of the soul, and not primarily by a painful acquisition of many man- ual skills, the artist attains the power of awak- ening other souls to a given activity. It has been said that "common souls pay with what they do ; nobler souls with that which they are." And why? Because a soul, living from a great depth of being, awakens in us by its ac? tions and words, by its very looks and manners, the same power and beauty that a gallery of sculpture, or of pictures, are wont to animate. Civil history, natural history, the history of art, and the history of literature, all must be ex- plained from individual history, or must remain words. There is nothing but is related to us, nothing that does not interest us kingdom, col- lege, tree, horse, or iron shoe, the roots of all things are in man. It is in the soul that architect- ure exists. Santa Croce and the Dome of St. Peter's are lame copies after a divine model. Strasburg Cathedral is a material counterpart of the soul of Erwin of Steinbach. The true poem is the poet's mind ; the true ship is the ship- builder. In the man, could we lay him open, we should see the sumcent reason for the last flourish and tendril of his work, as every spine and tint in the sea-shell pre-exist in the secreting organs of the fish. The whole of heraldry and of chivalry 20 ESSAY L is in courtesy. A man of fine manners shall pronounce your name with all the ornament that titles of nobility could ever add. The trivial experience of every day is always verifying some old prediction to us, and convert- ing into things for us also the words and signs which we had heard and seen without heed. Let me add a few examples, such as fall within the scope of every man's observation, of trivial facts which go to illustrate great and conspicuous facts. A lady, with whom I was riding in the forest, said to me, that the woods always seemed to her to wait, as if the genii who inhabit them suspended their deeds until the wayfarer has passed onward. This is precisely the thought which poetry has cele- brated in the dance of the fairies which breaks off on the approach of human feet. The man who has seen the rising moon break out of the clouds at midnight, has been present like an archangel at the creation of light and of the world. I remem- ber that being abroad one summer day, my com- panion pointed out to me a broad cloud, which might extend a quarter of a mile parallel to the horizon, quite accurately in the form of a cherub as painted over churches, a round block in the centre which it was easy to animate with eyes and mouth, supported on either side by wide stretched symmetrical wings. What appears once in the at- mosphere may appear often, and it was undoubt- edly the archetype of that familiar ornament. I have seen in the sky a chain of summer lightning which at once revealed to me that the Greeks drew HISTORY. 21 from nature when they painted the thunderbolt in the hand of Jove. I have seen a snow-drift along the sides of the stone wall which obviously gave the idea of the common architectural scroll to abut a tower. By simply throwing ourselves into new circum- stances we do continually invent anew the orders and the ornaments of architecture, as we see how each people merely decorated its primitive abodes. The Doric temple still presents the semblance of the wooden cabin in which the Dorian dwelt. The Chinese pagoda is plainly a Tartar tent. The Indian and Egyptian temples still betray the mounds and subterranean houses of their fore- fathers. " The custom of making houses and tombs in the living rock " (says Heeren, in his Researches on the Ethiopians), "determined very naturally the principal character of the Nubian Egyptian architecture to the colossal form which it assumed. In these caverns already prepared by nature, the eye was accustomed to dwell on huge shapes and masses, so that when art came to the assistance of nature, it could not move on a small scale without degrading itself. What would statues of the usual size, or neat porches and wings have been, associated with those gi- gantic halls before which only Colossi could sit as watchmen, or lean on the pillars of the interior?" The Gothic church plainty originated in a rude adaptation of the forest trees with all their boughs to a festal or solemn arcade, as the bauds about the cleft pillars still indicate the green withes 22 ESSAY I. that tied them. No one can walk in a road cut through pine woods, without being struck with the architectural appearance of the grove, especially in winter, when the bareness of all other trees shows the low arch of the Saxons. In the woods in a winter afternoon one will see as readily the origin of the stained glass window with which the Gothic cathedrals are adorned, in the colors of the western sky seen through the bare and crossing branches of the forest. Nor can any lover of nature enter the old piles of Oxford and the English cathedrals without feeling that the forest overpowered the mind of the builder, and that his chisel, his saw, and plane still reproduced its ferns, its spikes of flowers, its locust, its pine, its oak, its fir, its spruce. The Gothic cathedral is a blossoming in stone subdued by the insatiable demand of harmony in man. The mountain of granite blooms into an eternal flower with the lightness and delicate finish as well as the aerial proportions and per- spective of vegetable beauty. In like manner all public facts are to be indi- vidualized, all private facts are to be generalized. Then at once History becomes fluid and true, and Biography deep and sublime. As the Persian im- itated in the slender shafts and capitals of his architecture the stem and flower of the lotus and palm, so the Persian Court in its magnificent era never gave over the Nomadism of its barbarous tribes, but traveled from Ecbatana, where the HISTORY. 23 spring was spent, to Susa in summer, and to Babylon for the winter. In the early history of Asia and Africa, No- madism and Agriculture are the two antagonistic facts. The geography of Asia and Africa neces- sitated a nomadic life. But the nomads were the terror of all those whom the soil or the advantages of a market had induced to build towns. Agri- culture, therefore, was a religious injunction be- cause of the perils of the state from nomadism. And in these late and civil countries of England and America, the contest of these propensities still fights out the old battle in each individual. We are all rovers and all fixtures by turns, and pretty rapid turns. The nomads of Africa are constrained to wander by the attacks of the gad- fly, which drives the cattle mad, and so compels the tritye to emigrate in the rainy season and drive off the cattle to the higher sandy regions. The nomads of Asia follow the pasturage from month to month. In America and Europe the nomadism is of trade and curiosity. A progress certainly from the gad-fly of Astaboras to the Anglo and Italomania of Boston Bay. The difference be- tween men in this respect is the faculty of rapid domestication, the power to find his chair and bed everywhere, which one man has, and another has not. Some men have so much of the Indian left, have constitutionally such habits of accommoda- tion, that at sea, or in the forest, or in the snow, they sleep as warm, and dine with as good appe- tite, and associate as happily, as in their own 24 ESSA Y I. house. And to push this old fact still one degree nearer, we may find it a representative of a per- manent fact in human nature. The intellectual nomadism in the faculty of objectiveness or of eyes which everywhere feed themselves. Who hath such eyes, everywhere falls into easy relations with his fellow-men. Every man, everything is a prize, a study, a property to him, and this love smooths his brow, joins him to men and makes him beautiful and beloved in their sight. His house is a wagon ; he roams through all latitudes as easily as a Calniuc. Everything the individual sees without him, corresponds to his states of mind, and everything is in turn intelligible to him, as his onward think- ing leads him into the truth to which that fact or series belongs. The primeval world, the Fore-World, as the Germans say, I can dive to it in myself as well as grope for it with researching fingers in cata- combs, libraries, and the broken reliefs and torsos of ruined villas. What is the foundation of that interest all men feel in Greek history, letters, art and poetry, in all its periods, from the heroic or Homeric age, down to the domestic life of the Athenians and Spartans, four or five centuries later? This period draws us because we are Greeks. It is a state through which every man in some sort passes. The Grecian state is the era of the bodily nature, the perfection of the senses, of the spiritual nature unfolded in strict unity with the HISTORY. 25 body. In it existed those human forms which supplied the sculptor with his models of Hercules, Phoebus, and Jove ; not like the forms abounding in the streets of modern cities, wherein the face is a confused blur of features, but composed of in- corrupt, sharply defined and symmetrical features, whose eye-sockets are so formed that it would be impossible for such eyes to squint, and take furtive glances on this side and on that, but they must turn the whole head. The manners of that period are plain and fierce. The reverence exhibited is for personal qualities, courage, address, self-command, justice, strength, swiftness, a loud voice, a broad chest. Luxury is not known, nor elegance. A sparse population and want make every man his own valet, cook, butcher, and soldier, and the habit of supplying his own needs educates the body to wonderful performances. Such are the Agamemnon and Diomed of Homer, and not far different is the picture Xenophon gives of himself and his com- patriots in the Retreat of the Ten Thousand. " After the army had crossed the river Teleboas in Armenia, there fell much snow, and the troops lay miserably on the ground, covered with it. But Xenophon arose naked, and taking an axe, began to split wood ; whereupon others rose and did the like." Throughout his army seemed to be a boundless liberty of speech. They quarrel for plunder, they wrangle with the generals on each new order, and Xenophon is as sharp-tongued as any, and sharper-tongued than most, and so 26 ESSAY I. gives as good as he gets. Who does not see that this is a gang of great boys with such a code of honor and such lax discipline as great boys have? The costly charm of the ancient tragedy and indeed of all the old literature is, that the persons speak simply, speak as persons who have great good sense without knowing it, before yet the re flective habit has become the predominant habit of the mind. Our admiration of the antique is not admiration of the old, but of the natural. The Greeks are not reflective but perfect in their senses, perfect in their health, with the finest phys- ical organization in the world. Adults acted with the simplicity and grace of boys. They made vases, tragedies, and statues such as healthy senses should that is, in good taste. Such things have continued to be made in all ages, and are now, wherever a healthy physique exists, but, as, a class, from their superior organization, they have surpassed all. They combine the energy of man- hood with the engaging unconsciousness of child- hood. Our reverence for them is our reverence for childhood. Nobody can reflect upon an un- conscious act with regret or contempt. Bard or hero cannot look down on the word or gesture of a child. It is as great as they. The attraction of these manners is, that they belong to man. and are known to every man in virtue of his being once a child; beside that always there are individ- uals who retain these characteristics. A person of childlike genius and inborn energy is still a Greek, and revives our love of the muse of Hel- HISTORY. 27 las. A great boy, a great girl, with good sense, is a Greek. Beautiful is the love of nature in the Philoctetes. But in reading those fine apostro- phes to sleep, to the stars, rocks, mountains, and waves, I feel time passing away as an ebbing sea. I feel the eternity of man, the identity of his thought. The Greek had, it seems, the same fel- low beings as I. The sun and moon, water and fire, met his heart precisely as they meet mine. Then the vaunted distinction between Greek and English, between Classic and Romantic schools seems superficial and pedantic. When a thought of Plato becomes a thought to me, when a truth that fired the soul of Pindar fires mine, time is no more. When I feel that we two meet in a percep- tion, that our two souls are tinged with the same hue, and do, as it were, run into one, why should I measure degrees of latitude, why should I count Egyptian years ? The student interprets the age of chivalry by his own age of chivalry, and the days of mari- time adventure and circumnavigation by quite parallel miniature experiences of his own. To the sacred history of the world, he has the same key. When the voice of a prophet out of the deeps of antiquity merely echoes to him a senti- ment of his infancy, a prayer of his youth, he then pierces to the truth through all the confu- sion of tradition and the caricature of institutions. Rare, extravagant spirits come by us at inter- vals, who disclose to us new facts in nature. I see that men of God have always, from time to 28 ESSAY /. time, walked among men and made their commis- sion felt in the heart and soul of the commonest hearer. Hence, evidently, the tripod, the priest, the priestess inspired by the divine afflatus. Jesus astonishes and overpowers sensual people. They cannot unite him to history or reconcile him with themselves. As they come to revere their intuitions and aspire to live holily, their own piety explains every fact, every word. How easily these old worships of Moses, of Zoroaster, of Menu, of Socrates, domesticate themselves in the mind. I cannot find any antiq- uity in them. They are mine as much as theirs. Then I have seen the first monks and anchorets without crossing seas or centuries. More than once some individual has appeared to me with such neglience of labor and such commanding contemplation, a haughty beneficiary, begging in the name of God, as made good to the nineteenth century Simeon the Stylite, the Thebais, and the first Capuchins. The priestcraft of the East and West, of the Magian, Brahmin, Druid and Inca, is expounded in the individual's private life. The cramping in- fluence of a hard formalist on a young child in repressing his spirits and courage, paralyzing the understanding, and that without producing indig- nation, but only fear and obedience, and even much sympathy with the tyrrany, is a familiar fact explained to the child when he becomes a man, only by seeing that the oppressor of his youth is himself a child tyrannized over by those HISTORY. 29 names and words and forms, of whose influence he was merely the organ to the youth. The fact teaches him how Belus was worshipped, and how the pyramids were built, better than the discovery by (.'hampollion of the names of all the workmen and the cost of every tile. He finds Assyria and the Mounds of Cholula at his door, and himself has laid the courses. Again, in that protest which each considerate person makes against the superstition of his times, he reacts step for step the part of old reformers, and in the search after truth finds like them new perils to virtue. He learns again what moral vigor is needed to supply the girdle of a supersti- tion. A great licentiousness treads on the heels of a reformation. How many times in the history of the world has the Luther of the day had to la- ment the decay of piety in his own household. " Doctor," said his wife to Martin Luther one day, " how is it that whilst subject to papacy, we prayed so often and with such fervor, whilst now we pray with the utmost coldness and very sel- dom ? " The advancing man discovers how deep a prop- erty he hath in all literature, in all fable as well as in all history. He finds that the poet was no odd fellow who described strange and impossible situations, but that universal man wrote by his pen a confession true for one and true for all. His own secret biography he finds in lines wonderfully intelligible to him, yet dotted down before he was born. One after another he comes up in his 30 ESSAY I. private adventures with every fable of of Homer, of Hafiz, of Ariosto, of Chaucer, of Scott, and verifies them with his own head and hands. The beautiful fables of the Greeks, being proper creations of the Imagination and not of the Fancy, are universal verities. What a range of meanings and what perpetual pertinence has the story of Prometheus ! Beside its primary value as the first chapter of the history of Europe (the mythology thinly veiling authentic facts, the in- vention of the mechanic arts, and the migration of colonies), it gives the history of religion with some closeness to the faith of later ages. Pro- metheus is the Jesus of the old mythology. He is the friend of man ; stands between the unjust "justice" of the Eternal Father, and the race of mortals; and readily suffers all things on their ac- count. But where it departs from the Calvinistic Christianity, and exhibits him as the defier of Jove, it represents a state of mind which readily appears wherever the doctrine of Theism is taught in a crude, objective form, arid which seems the self-defence of man against this untruth, namely, a discontent with the believed fact that a God ex- ists, and a feeling that the obligation of reverence is onerous. It would steal, if it could, the fire of the Creator, and live apart from him, and inde- pendent of him. The Prometheus Vinctus is the romance of skepticism. Not less true to all time are all the details of that stately apologue. Apollo kept the flocks of Admetus, said the poets. HISTORY. 31 Every man is a divinity in disguise, a god playing the fool. It seems as if heaven had sent its in- sane angels into our world as to an asylum, and here they will break out into their native music and utter at intervals the words they have heard in heaven ; then the mad fit returns, and they mope and wallow like dogs. When thegodscome among men, they are not known. Jesus was not; Socrates and Shakespeare were not. Antaeus was suffocated by the grip of Hercules, but every time he touched his mother earth, his strength was renewed. Man is the broken giant, and in all his weakness, both his body and his mind are invigorated by habits of conversation with nature. The power of music, the power of poetry to un- fix, and as it were, clap wings to all solid nature, interprets the riddle of Orpheus, which was to his childhood an idle tale. The philosophical percep- tion of identity through endless mutations of form, makes him know the Proteus. What else am I who laughed or wept yesterday, who slept last night like a corpse, and this morning stood and ran? And what see I on any side but the transmigrations of Proteus ? I can symbolize my thought by using the name of any creature, of any fact, because every creature is man, agent or pa- tient. Tantalus is but a name for you and me. Tantalus means the impossibility of drinking the waters of thought which are always gleaming and waving within sight of the soul. The transmi- gration of souls : that too is no fable. I would it were ; but men and women are only half human. 32 ESSAY 7. Every animal of the barn -yard, the field and the forest, of the earth and of the waters that are un- der the earth, has contrived to get a footing and to leave the print of its features and form in some one or other of these upright, heaven -facing speakers. Ah, brother, hold fast to the man and awe the beast ; stop the ebb of thy soul ebbing downward into the forms into whose habits thou hast now for many years slid. As near and proper to us is also that old fable of the Sphinx, who was said to sit in the roadside and put riddles to every passenger. Jf the man could not answer she swallowed him alive. If he could solve the rid- dle, the Sphinx was slain. What is our life but an endless flight of winged facts or events ! In splendid variety these changes come, all putting questions to the human spirit. Those men who cannot answer by a superior wisdom these facts or questions of time, serve them. Facts encumber them, tyrannize over them, and make the men of routine, the men of sense, in whom a literal obedi- ence to facts has extinguished every spark of that light by which man is truly man. But if the man is true to his better instincts or sentiments, and refuses the dominion of facts, as one that comes of a higher race, remains fast by the soul and sees the principle, then the facts fall aptly and supple into their places; they know their master, and the meanest of them glorifies him. See in Goethe's Helena the same desire that every word should be a thing. These figures, he would say, these Chiroiis, Griffins, Phorkyas, HISTORY. 33 Helen, and Leda, are somewhat, and do exert a specific influence on the mind. So far then are they eternal entities, as real to-day as in the first Olympiad. Much revolving them, he writes out freely his humor, and gives them body to his own imagination. And although that poem be as vague and fantastic as a dream, yet is it much more at- tractive than the more regular dramatic pieces of the same author, for the reason that it operates a wonderful relief to the mind from the routine of customary images, awakens the reader's inven- tion and fancy by the wild freedom of the design, and by the unceasing succession of brisk shocks of surprise. The universal nature, too strong for the petty nature of the bard, sits on his neck and writes through his hand ; so that when he seems to vent a mere caprice and wild romance, the issue is an exact allegory. Hence Plato said that "poets utter great and wise things which they do not themselves understand." All the fictions of tha Middle Age explain themselves as a masked or frolic expression of that which in grave earnest the mind of that period toiled to achieve. Magic, and all that is ascribed to it, is manifestly a deep presentiment of the powers of science. The shoes of swiftness, the sword of sharpness, the power of subduing the elements, of using the secret virtues of minerals, of understanding the voices of birds, are the obscure efforts of the mind in a right di- rection. The preternatural prowess of the hero, the gift of perpetual youth, and the like, are alike 34 ESSAY I. the endeavor of the human spirit " to bend the shows of things to the desires of the mind." In Perceforest and Amadis de Gaul, a garland and a rose bloom on the head of her who is faith- ful, and fade on the brow of the inconstant. In the story of the Boy and the Mantle, even a ma- ture reader may be surprised with a glow of virtu- ous pleasure at the triumph of the g.entle Genelas; and indeed, all the postulates of elfin annals, that the Fairies do not like to be named ; that their gifts are capricious and not to be trusted ; that who seeks a treasure must not speak ; and the like, I find true in Concord, however they might be in Cornwall or Bretagne. Is it otherwise in the newest romance ? I read the Bride of Lammermoor. Sir William Ashton is a mask for a vulgar temptation, Ravenswood Castle, a fine name for proud poverty, and the foreign mission of state only a Bunyan disguise for honest industry. We may all shoot a wild bull that would toss the good and beautiful, by fight- ing down the unjust and sensual. Lucy Ashton is another name for fidelity, which is always beau- tiful and always liable to calamity in this world. But along with the civil and metaphysical history of man, another history goes daily forward that of the external world, in which he is not less strictly implicated. He is the compend of time : he is also the correlative of nature. The [sower of man consists in the multitude of his affinities, in the fact that his life is intertwined with the whole chain of organic and inorganic being. In HISTORY. 35 the age of the Caesars, out from the Forum at Rome proceeded the great highways north, south, east, west, to the centre of every province of the empire, making each market-town of Persia, Spain and Britain, pervious to the soldiers of the capi- tal : so out of the human heart go, as it were, highways to the heart of every object in nature, to reduce it under the dominion of man. A man is a bundle of relations, a knot of roots, whose flower and fruitage is the world. All his faculties refer to natures out of him. All his faculties predict the world he is to inhabit, as the fins of the fish foreshow that water exists, or the wings of an eagle in the egg presuppose a medium like air. Insulate and you destroy him. He cannot live without a world. Put Napoleon in an island prison, let his faculties find no men to act on, no Alps to climb, no stake to play for, and he would beat the air and appear stupid. Transport him to large countries, dense population, complex inter- ests, and antagonistic power, and yon shall see that the man Napoleon, bounded, that is, by such a profile and outline, is not the virtual Napoleon. This is but Talbot's shadow : His substance is not here: For what you see is but the smallest part, And least proportion of humanity : But were the whole frame here, It is of such a spacious, lofty pitch, Your roof were not sufficient to contain it. Henry VI. Columbus needs a planet to shape his course 36 ESSAY I. upon. Newton and Laplace need myriads of ages and thick-strown celestial areas. One may say a gravitating solar system is already prophesied in the nature of Newton's mind. Not less does the brain of Davy and Gay Lussac from childhood ex- ploring always the affinities and repulsions of par- ticles, anticipate the laws of organization. Does not the eye of the human embryo predict the light ? the ear of Handel predict the witchcraft of harmonic sound? Do not the constructive fingers of Watt, Fulton, Whittemore, Arkwright predict the fusible, hard, and temperable texture of metals, the properties of stone, water and wood ? the lovely attributes of the maiden child predict the refinements and decorations of civil society ? Here also we are reminded of the action of man on man. A mind might ponder its thoughts for ages, and not gain so much self-knowledge as the passion of love shall teach it in a day. Who knows himself before he has been thrilled with in- dignation at an outrage, or has heard an eloquent tongue, or has shared the throb of thousands in a national exultation or alarm? No man can ante- date his experience, or guess what faculty or feel- ing a new object shall unlock, any more than he can draw to-day the face of a person whom he shall see to-morrow for the first time. I will not now go behind the general statement to explore the reason of this correspondency. Let it suffice that in the light of these two facts, namely, that the mind is One ; and that nature HISTORY. 37 is its correlative, history is to be read and written. Thus in all ways does the soul concentrate and reproduce its treasures for each pupil, for each new-born man. He, too, shall pass through the whole cycle of experience. He shall collect into a focus the rays of nature. History no longer shall be a dull book. It shall walk incarnate in every just and wise man. You shall not tell me by languages and titles a catalogue of the volumes you have read. You shall make me feel what periods you have lived. A man shall be the Temple of Fame. He shall walk, as the poets have described that goddess, in a robe painted all over with won- derful events and experiences ; his own form and features by their exalted intelligence shall be that variegated vest. I shall find in him the Fore- world ; in his childhood the Age of Gold ; the Apples of Knowledge ; the Argonautic Expedi- tion ; the calling of Abraham ; the building of the Temple ; the Advent of Christ ; Dark Ages ; the Revival of Letters ; the Reformation ; the dis- covery of new lands, the opening of new sciences, and new regions in man. He shall be the priest of Pan, and bring with him into humble cottages the blessing of the morning stars and all the recorded benefits of heaven and earth. Is there somewhat overweening in this claim ? Then I reject all I have written, for what is the use of pretending to know what we know not? But it is the fault of our rhetoric that we can- 38 ESSAY I. not strongly state one fact without seeming to belie some other. I hold our actual knowledge very cheap. Hear the rats in the wall, see the lizard on the fence, the fungus under foot, the lichen on the log. What do I know sympa- thetically, morally, of either of these worlds of life ? As long as the Caucasian man perhaps longer these creatures have kept their counsel beside him, and there is no record of any word or sign that has passed from one to the other. Nay, what does history yet record of the metaphysical annals of man? What light does it shed on those mysteries which we hide under the names Death and Immortality? Yet every history should be written in a wisdom which divined the range of our affinities and looked at facts as symbols. I am ashamed to see what a shallow village tale our so-called History is. How many times we must say Rome, and Paris, and Constantinople. What does Rome know of rat and lizard ? What are Olympiads and Consulates to these neighboring systems of being ? Nay, what food or experience or succor have they for the Esquimau seal-hunter, for the Kanaka in his canoe, for the fisherman, the stevedore, the porter? Broader and deeper we must write our annals from an ethical reformation, from an influx of the ever new, ever sanative conscience, if we would trulier express our central and wide-related nature, instead of this old chronology of selfishness and pride to which we have too long lent our eyes. Already that day exists for us, HISTORY. 39 shines in on us at unawares, but the path of science and of letters is not the way into nature, but from it, rather. The idiot, the Indian, the child, and unschooled farmer's boy, comes much nearer to these, understand them better than the dis- sector or the antiquary. SELF-RELIANCE. Ne te quaesiveris extra. ' Man is his own star, and the soul that can Render an honest and perfect man, Command all light, all influence, all fate, Nothing to him falls early or too late. Our acts our angels are, or good or ill, Our fatal shadows that walk by us still." Epilogue to Beaumont and Fletcher's Honest Man's Fortune. Cast the bantling on the rocks, Suckle him with the she-wolf's teat: Wintered with the hawk and fox, Power and speed be hands and fet. ESSAY IL SELF-RELIANCE. I EEAD the other day some verses written by an eminent painter which were original and not conventional. Always the soul hears an admoni- tion in such lines, let the subject be what it may. The sentiment they instil is of more value than any thought they may contain. To believe ycur own thought, to believe that what is true for you in your private heart, is true for all men, that is genius. Speak your latent conviction and it shall be the universal sense ; for always the inmost becomes the outmost, and our first thought is rendered back to us by the trumpets of the Last Judgment. Familiar as the voice of the mind is to each, the highest merit we ascribe to Moses, Plato, and Milton, is that they set at naught books and traditions, and spoke not what men, but what they, thought. A man should learn to detect and watch that gleam of light which flashes across his mind from within, more than the lustre of the firmament of bards and sages. Yet he dismisses without notice his thought, because it is his. In every work of genius we recognize our own (43) 44 ESSAY II. rejected thoughts : they come back to us with a certain alienated majesty. Great works of art have no more affecting lesson for us than this. They teach us to abide by our spontaneous im- pression with good humored inflexibility then most when the whole cry of voices is on the other side. Else, to-morrow a stranger will say with masterly good sense precisely what we have thought and felt all the time, and we shall be forced to take with shame our own opinion from another. There is a time in every man's education when he arrives at the conviction that envy is ignorance ; that imitation is suicide ; that he must take himself for better, for worse, as his portion ; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given to him to till. The power which resides in him is new in nature, and none but he knows what that is which he can do, nor does he know until he has tried. Not for nothing one face, one character, one fact makes much impression on him, and another none. It is not without pre-established harmony, this sculpture in the memory. The eye was placed where one ray should fall, that it might testify of that par- ticular ray. Bravely let him speak the utmost syllable of his confession. We but half express ourselves, and are ashamed of that divine idea which each of us represents. It may be safely trusted as proportionate and of good issues, so it SELF-RELIANCE. 45 be faithfully imparted, but God will not have his work made manifest by cowards. It needs a di- vine man to exhibit anything divine. A man is relieved and gay when he has put his heart into his work and done his best ; but what he has said or done otherwise, shall give him no peace. It is a deliverance which does not deliver. In the attempt his genius deserts him ; no muse be- friends; no invention, no hope. Trust thyself : every heart vibrates to that iron string. Accept the place the divine Providence has found for you ; the society of your contem- poraries, the connection of events. Great men have always done so and confided themselves childlike to the genius of their age, betraying their percep- tion that the Eternal was stirring at their heart, working through their hands, predominating in all their being. And we are now men, and must accept in the highest mind the same transcendent destiny ; and not pinched in a corner, not cowards fleeing before a revolution, but redeemers and benefactors, pious aspirants to be noble clay plas- tic under the Almighty effort, let us advance and advance on Chaos and the Dark. What pretty oracles nature yields us on this text in the face and behavior of children, babes and even brutes. That divided and rebel mind, that distrust of a sentiment because our arith- metic has computed the strength and means opposed to our purpose, these have not. Their mind being whole, their eye is as yet uncon- quered, and when we look in their faces, we are 46 ESSAY II. disconcerted. Infancy conforms to nobody ; all conform to it, so that one babe commonly makes four or five out of the adults who prattle and play to it. So God has armed youth and puberty and manhood no less with its own piquancy and charm, and made it enviable and gracious and its claims not to be put by, if it will stand by itself. Do not think the youth has no force because he cannot speak to you and me. Hark! in the next room, who spoke so clear and emphatic? Good Heaven ! it is he ! i't is that very lump of bashfulness and phlegm which for weeks has done nothing but eat when you were by, that now rolls out these words like bell-strokes. It seems he knows how to speak to his contemporaries. Bashful or bold, then, he will know how to make us seniors very unnecessary. The nonchalance of boys who are sure of a dinner, and would disdain as much as a lord to do or say aught to conciliate one, is the healthy attitude of human nature. How is a boy the master of society! independent, irresponsible, looking out from his corner on such people and facts as pass by, he tries and sentences them on their merits, in the swift summary way of boys, as good, bad, interesting, silly, eloquent, trouble- some. He cumbers himself never about conse- quences, about interests : he gives an indepen- dent, genuine verdict. You must court him : he does not court you. But the man is, as it were, clapped into jail by his consciousness. As soon as he has once acted or spoken with eclat, he is SELF-RELIANCE. 47 a committed person, watched by the sympathy or the hatred of hundreds whose affections must now enter into his account. There is no Lethe for this. Ah, that he could pass again into his neutral, godlike independence ! Who can thus lose all pledge, and having observed, observe again from the same unaffected, unbiased, unbrib- able, unaffrighted innocence, must always be for- midable, must always engage the poet's and the man's regards. Of such an immortal youth the force would be felt He would utter opinions on all passing affairs, which being seen to be not pri- vate but necessary, would sink like darts into the ear of men, and put them in fear. These are the voices which we hear in solitude, but they grow faint and inaudible as we enter in to the world. { Society everywhere is in conspiracy against the manhood of every one of its members. Society is a joint-stock company in which the members agree for the better securing of his bread to each shareholder, to surrender the liberty and culture of the eater. ) The virtue in most request is conformity. Self-reliance is its aversion. It loves not realities and creators, but names and cus- toms. Whoso would be a man must be a nonconform- ist. He who would gather immortal palms must not be hindered by the name of goodness, but must explore if it be goodness. Nothing is at last sacred but the integrity of our own mind. Ab- solve you to yourself, and you shall have the suff- rage of the world. I remember an answer which ESS Ay II. when quite young I was prompted to make to ; valued adviser who was wont to importune me with the dear old doctrines of the church. On my saying, " What have I to do with the sacred- ness of traditions, if I live wholly from within ? " my friend suggested " But these impulses may be from below, not from above." I replied, " They do not seem to me to be such ; but if I am the devil's child, I will live then from the devil." No law can be sacred to me but that of my nature. Good and bad are but names very readily transferable to that or this ; the only right is what is after my constitution, the only wrong what is against it. A man is to carry himself in the presence of all opposition as if every thing were titular and ephemeral but he. I am ashamed to think how easily we capitulate to badges and names, to large societies and dead institutions. Every decent and well-spoken individual affects arid sways me more than is right. I ought to go up- right and vital, and speak the rude truth in all ways. If malice and vanity wear the coat of philanthropy, shall that pass ? If an angry bigot assumes this bountiful cause of Abolition, and comes to me with his last news from Barbadoes, why should I not say to him, " Go love thy infant ; love thy wood-chopper ; be good-natured and modest ; have that grace ; and never varnish your hard, uncharitable ambition with this incredible tenderness for black folk a thousand miles off. Thy love afar is spite at home." Rough and graceless would be such greeting, but truth is handsomer SELF-RELIANCE. 49 than the affectation of love. Your goodness must have some edge to it else it is none. The doctrine of hatred must be preached as the Counteraction of the doctrine of love when that pules and whines. I shun father and mother and wife and brother, when my genius calls me. I would write on the lintels of the door-post, Whim. I hope it is somewhat better than whim at last, but we cannot spend the day in explanation. Ex- pect me not to show cause why I seek or why I exclude company. Then, again, do not tell me, as a good man did to day, of my obligation to put all poor men in good situations. Are they my poor? I tell thee, thou foolish philanthropist, that I grudge the dollar, the dime, the cent I give to such men as do not belong to me and to whom I do not belong. There is a class of persons to whom by all spiritual affinity I am bought and sold ; for them I will go to prison, if need be ; but your miscellaneous popular charities; the educa- tion at college of fools ; the building of meeting- houses to the vain end to which many now stand ; alms to sots ; and the thousandfold Relief Socie- ties ; though I confess with shame I sometimes succumb and give the dollar, it is a wicked dollar which by-and-by I shall have the manhood to withhold. Virtues are in the popular estimate rather the exception than the rule. There is the man and his virtues. Men do what is called a good action, as some piece of courage or charity, much as they would pay a fine in expiation of daily non-appear- 4 50 ESSAY II. ance on parade. Their works are done as an apology or extenuation of their living in the world, as invalids and the insane pay a high board. Their virtues are penances. 1 do not wish to expiate, but to live. My life is not an apology, but a life. It is for itself and not for a spectacle. I much prefer that it should be of a lower strain, so it be genuine and equal, than that it should be glittering and unsteady. I wish it to be sound and sweet, and not to need diet and bleeding. My life should be unique ; it should be an alms, a battle, a conquest, a medicine. I ask primary evidence that you are a man, and refuse this appeal from the man to his actions. I know that for myself it makes no difference whether I do or forbear those actions which are reckoned ex- cellent. I cannot consent to pay for a privilege where I have intrinsic right. Few and mean as my gifts may be, I actually am, and do not need for my own assurance or the assurance of my fel- lows any secondary testimony. What I must do, is all that concerns me, not what the people think. This rule, equally ardu- ous in actual and in intellectual life, may serve for the whole distinction between greatness and mean- ness. It is the harder, because you will always find those who think they know what is your duty better than you know it. It is easy in the world to live after the world's opinion ; it is easy in soli- tude to live after our own ; but the great man is he who in the midst of the crowd keeps with per- fect sweetness the independence of solitude- SELF-RELIANCE. The objection to conforming to usages that have become dead to you, is, that it scatters your force. It loses your time and blurs the impression of your character. If you maintain a dead church, contribute to a dead Bible-Society, vote with a great party either for the Government or against it, spread your table like base housekeepers, under all these screens, I have difficulty to detect the precise man you are. And, of course, so much force is withdrawn from your proper life. But do your thing, and I shall know you. Do your work, and } r ou shall reinforce yourself. A man must consider what a blind-man's-buff is this game of conformity. If I know your sect, I anticipate your argument. I hear a preacher announce for his text and topic the expediency of one of the institutions of his church. Do I not know before- hand that not possibly can he say a new and spon- taneous word ? Do I not know that with all this ostentation of examining the grounds of the insti- tution, he will do no such thing ? Do I not know that he is pledged to himself not to look but at one side; the permitted side, not as a man, but as a parish minister? He is a retained attorney, and these airs of the bench are the emptiest affecta- tion. Well, most men have bound their eyes with one or another handkerchief, and attached them* selves to some one of these communities of opin- ion. This conformity makes them not false in a few particulars, authors of a few lies, but false in all particulars. Their every truth is not quite true. Their two is not the real two, their four 52 ESSAY II. not the real four : so that every word they say chagrins us, and we know not where to begin to set them right. Meantime nature is not slow to equip us in the prison-uniform of the party to which we adhere. We come to wear one cut of face and figure, and acquire by degrees the gen- tlest asinine expression. There is a mortifying experience in particular which does not fail to wreak itself also in the general history ; I mean, " the foolish face of praise," the forced smile which we put on in company where we do not feel at ease in answer to conversation which does not interest us. The muscles, not spontaneously moved, but moved by a low usurping wilfulness, grow tight about the outline of the face and make the most disagreeable sensation, a sensation of re- buke and warning which no brave young man will suffer twice. For non-conformity the world whips you with its displeasure. And therefore a man must know how to estimate a sour face. The bystanders look askance on him in the public street or in the friend's parlor. If this aversation had its origin in contempt and resistance like his own, he might well go home with a sad countenance , but the sour faces of the multitude, like their sweet faces, have no deep cause, disguise no god, but are put on and off as the wind blows, and a newspaper directs. Yet is the discontent of the multitude more formidable than that of the senate and the college. It is easy enough for a firm man who knows the world to brook the rage of the culti- SELF-RELIANCE. S3 vated classes. Their rage is decorous and pru- dent, for they are timid as being very vulnerable themselves. But when to their feminine rage the indignation of the people is added, when the igno- rant and the poor are aroused, when the unintelli- gent brute force that lies at the bottom of society is made to growl and mow, it needs the habit of magnanimity and religion to treat it godlike as a trifle of no concernment. The other terror that scares us from self-trust is our consistency ; a reverence for our past act or word, because the eyes of others have no other data for computing our orbit than our past acts, and we are loath to disappoint them. But why should you keep your head over your shoulder? Why drag about this monstrous corpse of your memory, lest you contradict somewhat you have stated in this or that public place? Sup- pose you should contradict yourself; what then ? It seems to be a rule of wisdom never to rely on your memory alone, scarcely even in acts of pure memory, but bring the past for judgment into the thousand-eyed present, and live ever in a new day. Trust your emotion. In your metaphysics you have denied personality to the Deity : yet when the devout motions of the soul come, yield to them heart and life, though they should clothe God with shape and color. Leave your theory as Joseph his coat in the hand of the harlot, and flee. \ A foolish consistency is the hobgoblin of little I minds, adored by little statesmen and philosophers I and divines. With consistency a great soul has 54 ESSAY If. simply nothing to do. He may as well concern himself with his shadow on the wall. Out upon your guarded lips ! Sew them up with packthread, do. Else, if you would be a man, speak what you think to-day in words as hard as cannon balls, and to-morro'w speak what to-morrow thinks in hard words again, though it contradict everything you said to-day. Ah, then, exclaim the aged ladies, you shall be sure to be misunderstood. Misunder- stood ! It is a right fool's word. Is it so bad then to be misunderstood ? Pythagoras was misunder- stood, and Socrates, and Jesus, and Luther, and Copernicus, ;md Galileo, and Newton, and every pure and wise spirit that ever took flesh. To be great is to be misunderstood. I suppose no man can violate his nature. All the sallies of his will are rounded in by the law of his being as the inequalities of Andes and Him- maleh are insignificant in the curve of the sphere. Nor does it matter how you gauge and try him. A character is like an acrostic or Alexandrian stanza; read it forward, backward, or across, it still spells the same thing. In this pleasing con- trite wood-life which God allows me, let me record day by day my honest thought without prospect or retrospect, and, I cannot doubt, it will be found symmetrical, though I mean it not, and see it not. My book should smell of pines and resound with the hum of insects. The swallow over my win- dow should interweave that thread or straw he carries in his bill into my web also. \ We pass for what we are. Character teaches above our wills. SELF-RELIANCE. 55 Men imagine that they communicate their virtue or vice only by overt actions and do not see that virtue or vice emit a breath every moment. Fear never but you shall be consistent in what- ever variety of actions, so they be each honest and natural in their hour. For of one will, the actions will be harmonious, however unlike they seem. These varieties are lost sight of when seen at a little distance, at a little height of thought. One tendency unites them all. The voyage of the best ship is a zigzag line of a hundred tacks. This is only microscopic criticism. See the line from a sufficient distance, and it straightens itself to the average tendency. Your genuine action will ex- plain itself and will explain your other genuine actions. Your conformity explains nothing. Act singly, and what you have already done singly, will justify you now. Greatness always appeals to the future. If I can be great enough now to do right and scorn e} 7 es, I must have done so much right before, as to defend me now. Be it how it will, do right now. Always scorn appear- ances, and you always may. The force of charac- ter is cumulative. All the foregone days of virtue work their health into this. What makes the majesty of the heroes of the senate and the field, which so fills the imagination ? The conscious- ness of a train of great days and victories behind. There they all stand and shed an united light on the advancing actor. He is attended as by a vis- ible escort of angels to every man's eye. That is it which throws thunder into Chatham's voice, 56 ESSAY II. and dignity into Washington's 'port, and America into Adam's eye. Honor is venerable to us be- cause it is no ephemeris. It is always ancient vir- tue. We worship it to-day, because it is not of to-day. We love it and pay it homage, because it is not a trap for our love and homage, but is self-dependent, self-derived, and therefore of an old immaculate pedigree, even if shown in a young person. I hope in these days we have heard the last of conformity and consistency. Let the words be gazetted and ridiculous henceforward. Instead of the gong for dinner, let us hear a whistle from the Spartan fife. Let us bow and apologize never more. A great man is coming to eat at my house. I do not wish to please him ; I wish that he should wish to please me. I will stand here for human- ity, and though I would make it kind, I would make it true. Let us affront and reprimand the smooth mediocrity and squalid contentment of the times, and hurl in the face of custom, and trade, and office, the fact which is the upshot of all his- tory, that there is a great responsible Thinker and Actor moving wherever moves a man ; that a true man belongs to no other time or place, but is the centre of things. Where he is, there is nature. He measures you, and all men, and all events. You are constrained to accept his standard. Ordi- narily everybody in society reminds us of some- what else or of some other person. Character, reality, reminds you of nothing else. It takes place of the whole creation. The man must be so SELF-RELIANCE. 57 much that he must make all circumstances indif- ferent, put all means into the shade. This all great men are and do. Every true man is a cause, a country, and an age ; requires infinite spaces and numbers and time fully to accomplish his thought; and posterity seem to follow his steps ris a procession. A man Caesar is born, and for ages after, we have a Roman Empire. Christ is born, and millions of minds so grow and cleave to his genius, that he is confounded with virtue and the possible of man. An institution is the length- sued shadow of one man ; as, the Reformation, of Luther; Quakerism, of Fox; Methodism, of Wes- ley ; Abolition, of Clarkson. Scipio, Milton called " the height of Rome ; " and all history resolves itself very easily into the biography of a few stout and earnest persons. Let a man then know his worth, and keep things under his feet. Let him not peep or steal, or skulk up and down with the air of a charity- boy, a bastard, or an interloper, in the world which exists for him. But the man in the street finding no worth in himself which corresponds to the force which built a tower or sculptured a mar- ble god, feels poor when he looks on these. To him a palace, a statue, or a costly book have an alien and forbidding air, much like a gay equi- page, and seem to say like that, " Who are you, sir ? " Yet they all are his, suito: '. for his notice, peti- tioners to his faculties that they will come out and take possession. The picture waits for my ver- dict ; it is not to command me, but I am to settle 58 ESS Ay ii. its claims to praise. That popular fable of the sot who was picked up dead drunk in the street, car- ried to the duke's house, washed and dressed and laid in the duke's bed, and, on his waking, treated with all obsequious -ceremony like the duke, and assured that he had been insane, owes its popu- larity to the fact that it symbolizes so well the state of man, who is in the world a sort of sot, 6ut now and then wakes up, exercises his reason, and finds himself a true prince. Our reading is mendicant and sycophantic. In history, our imagination makes fools of us, plays us false. Kingdom and lordship, power and es- tate are a gaudier vocabulary than private John and Edward in a small house and common day's work ; but the things of life are the same to both : the sum total of both is the same. Why all this deference to Alfred, and Scanderbeg, and Gus- tavus? Suppose they were virtuous; did they wear out virtue ? As great a stake depends on your private act to-day, as followed their public and renowned steps. When private men shall act with vast views, the lustre will be transferred from the actions of kings to those of gentlemen. The world has indeed been instructed by its kings, who have so magnetized the eyes of na- tions. It has been taught by this colossal sym- bol the mutual reverence that is due from man to man. The joyful lo alty with which men have everywhere suffered the* king, the noble, or the great proprietor to walk among them by a law of his own, make his own scale of men and things, SELF-RELIANCE. 59 and reverse theirs, pay for benefits not with money but with honor, and represent the Law in his person, was the hieroglyphic by which they obscurely signified their consciousness of their own right and comeliness, the right of every man. The magnetism which all original action ex-" erts is explained when we inquire the reason of self-trust. Who is the Trustee? What is the aboriginal Self on which a universal reliance may be grounded ? What is the nature and power of that science-baffling star, without parallax, without calculable elements, which shoots a ray of beauty even into trivial and impure actions, if the least mark of independence appear? Ths in- quiry leads us to that source, at once the essence of genius, the essence of virtue, and the essence of life, which we call Spontaneity or Instinct. We denote this primary wisdom as Intuition, whilst all later teachings are tuitions. In that deep force, the last fact behind which analysis cannot go, all things find their common origin. For the sense of being which in calm hours rises, we know not how, in the soul, is not diverse from things, from space, from light, from time, from man, but one with them, and proceedeth ob- viously from the same source whence their life and being also proceedeth. We first share the life by which things exist, and afterwards see them as appearances in nature, and forget that we have shared their cause. Here is the fountain of action and the fountain of thought. Here are 60 ESSAY II. the lungs of that inspiration which giveth man wisdom, of that inspiration of man which cannot be denied without impiety and atheism. We lie in the lap of immense intelligence, which makes us organs of activity and receivers of its truth. When we discern justice, when we discern truth, we do nothing of ourselves, but allow a passage to its beams. If we ask whence this comes, if we seek to pry into the soul that causes, all meta- physics, all philosophy is at fault. Its presence or its absence is all we can affirm. Every man discerns between the voluntary acts of his mind, and his involuntary perceptions. And to his in- voluntary perceptions, he knows a perfect respect is due. He may err in the expression of them, but he knows that these things are so, like day and night, not to be disputed. All my wilful ac- tions and acquisitions are but roving; the most trivial reverie, the faintest native emotion are do- mestic and divine. Thoughtless people contra- dict as readily the statement of perceptions as of opinions, or rather much more readily ; for, they do not distinguish between perception juid notion. They fancy that I choose to see this or that thing. But perception is not whimsical, but fatal. If I see a trait, my children will see it after me, and in course of time, all mankind, although it may chance that no one has seen it before me. For my perception of it is as much a fact as the sun. The relations of the soul to the divine spirit are so pure that it is profane to seek to interpose SELF-RELIANCE. 6l helps. It must be that when God speaketh, he should communicate not one thing, but all things; should fill the world with his voice ; should scat- ter forth light, nature, time, souls, from the centre of the present thought ; and new date and new create the whole. Whenever a mind is simple. and receives a divine wisdom, then old things pass awa} 7 , means, teachers, texts, temples fall; it lives now and absorbs past and future into the present hour. All things are made sacred by re- lation to it, one thing as much as another. All things are dissolved to their centre by their cause, and in the universal miracle petty and particular miracles disappear. This is and must be. Jf, therefore, a man claims to know and speak of God, and carries you backward to the phraseol- ogy of some old mouldered nation in another country, in another world, believe him not. Is the acorn better than the oak which is its fulness and completion? Is the parent better than the child into whom he has cast his ripened being? Whence then this worship of the past? The centuries are conspirators against the sanity and majesty of the soul. Time and space are but physiological colors which the eye maketh, but the soul is light ; where it is, is day ; where it was, is night; and history is an impertinence and an injury, if it be anything more than a cheerful apologue or parable of my being and becoming. Man is timid and apologetic. He is no longer upright. He dares not say, " I think," " I am," but quotes some saint or sage. He is ashamed before 62 ESSAY If. the blade of grass or the blowing rose. These roses under my window make no reference to former roses or to better ones ; they are for what they are ; they exist with God to-day. There is no time to them. There is simply the rose ; it is perfect in every moment of its existence. Before a leaf-bud has burst, its whole life acts : in the full-blown flower, there is no more ; in the leafless root, there is no less. Its nature is satisfied, and it satisfies nature, in all moments alike. There is no time to it. But man postpones or remembers; he does not live in the present, but with reverted eye laments the past, or, heedless of the riches that surround them, stands on tiptoe to foresee the future. He cannot be happy and strong un- til he too lives with nature in the present, above time. This should be plain enough. Yet see what strong intellects dare not yet hear God himself, unless he speak the phraseology of I know not what David, or Jeremiah, or Paul. We shall not always set so great a price on a few texts, on a few lives. We are like children who repeat by rote the sentences of grandames and tutors, and, as they grow older, of the men of talents and character they chance to see, painfully recollect' ing the exact words they spoke ; afterwards, when they come into the point of view which those had who uttered these sayings, they understand them, and are willing to let the words go ; for, at any time, they can use words as good, when occasion comes. So was it with us, so will it be, if we SELF-RELIANCE. 63 proceed. If we live truly, we shall see truly. It is as easy for the strong man to be strong, as it is for the weak to be weak. When we have new perception, we shall gladly disbur- then the memory of its hoarded treasures as old rubbish. When a man lives with God, his voice shall be as sweet as the murmur of the brook and the rustle of the corn. And now at last the highest truth on this subject remains unsaid ; probably, cannot be said ; for all that we say is the far off remembering of the intui- tion. That thought, by what I can now nearest approach to say it, is this. When good is near you, when you have life in yourself, it is not by any known or appointed way ; you shall not discern the foot-prints of any other; you shall not see the face of man ; you shall not hear any name ; the way, the thought, the good shall be wholly strange and new. It shall exclude all other be- ing. You take the way from man not to man. All persons that ever existed are its fugitive min- isters. There shall be no fear in it. Fear and hope are alike beneath it. It asks nothing. There is somewhat low even in hope. We are then in vision. There is nothing that can be called grat- itude nor properly joy. The soul is raised over passion. It seeth identity and eternal causation. It is a perceiving that Truth and Right are. Hence it becomes a Tranquillity out of the knowing that all things go well. Vast spaces of nature ; the Atlantic Ocean, the South Sea ; vast intervals of time, years, centuries, are of no ac- 64 ESS Ay II. count. This which I think and feel, underlay that former state of life and circumstances, as it does underlie my present, and will always all cir- cumstance, and what is called life, and what is called death. Life only avails, not the having lived. Power oeases in the instant of repose ; it resides in the moment of transition from a past to a new state ; in the shooting of the gulf; in the darting to an aim. This one fact the world hates, that the soul becomes ; for, that forever degrades the past ; turns all riches to poverty ; all reputation to a shame ; confounds the saint with the rogue ; shoves Jesus and Judas equally aside. Why then do we prate of self-reliance ? Inasmuch as the soul is present, there will be power not confident but agent. To talk of reliance, is a poor external way of speak- ing. Speak rather of that which relies, because it works and is. Who has more soul than I, mas- ters me, though he should not raise his finger. Round him I must revolve by the gravitation of spirits; who has less, I rule with like facility. We fancy it rhetoric when we speak of eminent virtue. We do not yet see that virtue is Height, and that a man or a company of men plastic and permeable to principles, by the law of nature must overpower and ride all cities, nations, kings, rick men, poets, who are not. This is the ultimate fact whicli we so quickly reach on this as on every topic, the resolution of all into the ever blessed ONE. Virtue is the gov- ernor, the creator, the reality. All things real are SELF-RELIANCE. 6$ so by so much of virtue as they contain. Hard- ship, husbandry, hunting, whaling, war, eloquence, personal weight, are somewhat, and engage my respect as examples of the soul's presence and im- pure action. I see the same law working in na- ture for conservation and growth. The poise of a planet, the bended tree recovering itself from the strong wind, the vital resources of every veg- etable and animal, are also demonstrations of the self-sufficing, and therefore self-relying soul. All history from its highest to its trivial passages is the various record of this power. Thus all concentrates ; let us not rove ; let us sit at home with the cause. Let us stun and as- tonish the intruding rabble of men and books and institutions by a simple declaration of the divine fact. Bid them take the shoes from off their feet, for God is here within. Let our simplicity judge them, and our docility to our own law demon- strate the poverty of nature and fortune beside our native riches. But now we are a mob. Man does not stand in awe of man, nor is the soul admonished to stay at home, to put itself in communication with the in- ternal ocean^ but it goes abroad to beg a cup of water of the urns of men. We must go alone. Isolation must precede true society. I like the si- lent church before the service begins, better than any preaching. How far off, how cool, how chaste the persons look, begirt each one with a precinct or sanctuary. So let us always sit. Why should we assume the faults of our friend, or wife, or 5 66 ESSAY II. father, or child, because they sit around our hearth, or are said to have the same blood ? All men have my blood, and I have all men's. Not for that will I adopt their petulance or folly, even to the extent of being ashamed of it. But your iso- lation must not be mechanical, but spiritual, that is, must be elevation. At times the whole world seems to be in conspiracy to importune you with emphatic trifles. Friend, client, child, sickness, fea'r, want, charity, all knock at once at thy closet door and say, " Come out unto us." Do not spill thy soul ; do not all descend ; keep thy state 5 stay at home in thine own heaven ; come not for a moment into their facts, into their hubbub of conflicting appearances, but let in the light of thy law on their confusion. The power men possess to annoy me, I give them by a weak curiosity. No man can come near me but through my act. " What we love that we have, but by desire we bereave ourselves of the love." If we cannot at once rise to the sanctities of obedience and faith, let us at least resist our tempt- ations, let us enter into the state of war, and wake Thor and Woden, courage and constancy in our Saxon breasts. This is to be done in our smooth times by speaking the truth. Check this lying hospitality and lying affection. Live no longer to the expectation of these deceived and de- ceiving people with whom we converse. Say to them, O father, O mother, O wife, O brother, O friend, I have lived with you after appearances hitherto. Henceforward I am the truth's. Be it SELF-RELIANCE. 67 known unto you that henceforward I obey no law less than the eternal law. I will have no cove- nants but proximities. I shall endeavor to nour- ish my parents, to support my family, to be the chaste husband of one wife, but these relations I must fill after a new and unprecedented way. I appeal from your customs. I must be myself. I cannot break myself any longer for you, or you. If you can love me for what I am, we shall be the happier. If you cannot, I will still seek to de- serve that you should. I must be myself. I will not hide my tastes or aversions. I will so trust that what is deep is holy, that I will do strongly before the sun and moon whatever inly rejoices me, and the heart appoints. If you are noble, I will love you ; if you are not, I will not hurt you and myself with my hypocritical attentions. If you are true, but not in the same truth with me, cleave to your companions ; I will seek my own. I do this not selfishly, but humbly and truly. It is alike your interest and mine and all men's, how- ever long we have dwelt in lies, to live in truth. Does this sound harsh to-day? You will soon love what is dictated by your nature as well as mine, and if we follow the truth, it will bring us out safe at last. But so you may give these friends pain. Yes, but I cannot sell my liberty and my power, to save their sensibility. Besides, all per- sons have their moments of reason when they look out into the region of absolute truth ; then will they justify me and do the same thing. The populace think that your rejection of popu- 68 ESSAY II. lar standards is a rejection of all standard, and mere antinomianism ; and the bold sensualist will use the name of philosophy to gild his crimes. But the law of consciousness abides. There are two confessionals, in one or the other of which we must be shriven. You may fulfil your round of duties by clearing yourself in the direct, or, in the reflex way. Consider whether you have satisfied your relations to father, mother, cousin, neighbor, town, cat, and dog ; whether any of these can up- braid you. But I may also neglect this reflex standard, and absolve* me to myself. I have my own stern claims and perfect circle. It denies the name of duty to many offices that are called duties. But if I can discharge its debts, it enables me to dispense with the popular code. If any one imagines that this law is lax, let him keep its commandment one day. And truly it demands something godlike in him who has cast off the common motives of humanity, and has ventured to trust himself for a task-mas- ter. High be his heart, faithful his will, clear his sight, that he may in good earnest be doctrine, society, law to himself, that a simple purpose may be to him as strong as iron necessity is to others. If any man consider the present aspects of what is called by distinction society, he will see the need of these ethics. The sinew and heart of man seem to be drawn out, and we are become timorous desponding whimperers. We are afraid of truth, afraid of fortune, afraid of death, and afraid of each other. Our age yields no great and perfect per- SELF-RELIANCE. 69 sons. We want men and women who shall reno- vate life and our social state, but we see that most natures are insolvent; cannot satisfy their own wants, have an ambition out of all proportion to their practical force, and so do learn and beg day and night continually. Our housekeeping is men- dicant, our arts, our occupations, our marriages, our religion we have not chosen, but society has chosen for us. We are parlor soldiers. The rugged bat- tle of fate, where strength is born, we shun. If our young men miscarry in their first enter- prizes, they lose all heart. If the young merchant fails, men say he is ruined. If the finest genius studies at one of our colleges, and is not installed in an office within one year afterwards in the cities or suburbs of Boston or New York, it seems to his friends and to himself that he is right in being dis- heartened and in complaining the rest of his life. A sturdy lad from New Hampshire or Vermont, who in turn tries all the professions, who teams it, farms it, peddles, keeps a school, preaches, edits a newspaper, goes to Congress, buys a township, and so forth, in successive years, and always, like a cat, falls on his feet, is worth a hundred of these city dolls. He walks abreast with his days, and feels no shame in not " studying a profession," for he does not postpone his life, but lives already. He has not one chance, but a hundred chances. Let a stoic arise who shall reveal the resources of man, and tell men they are not leaning willows, but can and must detach themselves ; that with the exercise of self -trust, new powers shairappear; 70 ESSAY II. that a man is the word made flesh, born to shed healing to the nations, that he should be ashamed of our compassion, and that the moment he acts from himself, tossing the laws, the books, idolatries, and customs out of the window, we pity him no more but thank and revere him, and that teacher shall restore the life of man to splendor, and make his name dear to all History. It is easy to see that a greater self-reliance, a new respect for the divinity in man, must work a revolution in all the offices and relations of men ; in their religion ; in their education ; in their pur- suits ; their modes of living ; their association ; in their property ; in their speculative views. 1. In what prayers do men allow themselves ! That which they call a holy office, is not so much as brave and manly. Prayer looks abroad and asks for some foreign addition to come through some foreign virtue, and loses itself in endless mazes of natural and supernatural, and mediato- rial and miraculous. Prayer that craves a particu- lar commodity anything less than all good, is vicious. Prayer is the contemplation of the facts of life from the highest point of view. It is the soliloquy of a beholding and jubilant soul. It is the spirit of God pronouncing his works good. But prayer as a means to effect a private end, is theft and meanness. It supposes dualism and not unity in nature and consciousness. As soon as the man is at one with God, he will not beg. He will then see prayer in all action. The prayer of the farmer kneeling in his field to weed it, the prayer of the SELF-RELIANCE. 71 rower kneeling with the stroke of his oar, are true prayers heard throughout nature, though for cheap ends. Carataeh, in Fletcher's Bonduca, when, admonished to inquire the mind of the god Au- date, replies, " His hidden meaning lies in our endeavors, Our valors are our best gods." Another sort of false prayers are our regrets. Discontent is the want of self-reliance ; it is in- firmity of will. Regret calamities, if you can thereby help the sufferer ; if not, attend your own work, and already the evil begins to be repaired. Our sympathy is just as base. We come to them who weep foolishly, and sit down and cry for company, instead of imparting to them truth and health in rough electric shocks, putting them once more in communication with the soul. The secret of fortune is joy in our hands. Welcome ever- more to gods and men is the self-helping man. For him all doors are flung wide. Him all tongues greet, all honors crown, all eyes follow with de- sire. Our love goes out to him and embraces him, because he did not need it. We solicitously and apologetically caress and celebrate him, because he held on his way and scorned our disapproba- tion. The gods love him because men hated him. " To the persevering mortal," said Zoroaster, " the blessed Immortals are swift." As men's prayers are a disease of the will, so are their creeds a disease of the intellect. They say with those foolish Israelites, " Let not God 72 ESSAY II. Bpeak to us, lest we die. Speak thou, speak any man with us, and we will obey." Everywhere I am bereaved of meeting God in my brother, be- cause he has shut his own temple doors, and re- cites fables merely of his brother's, or his brother's brother's God. Every new mind is a new classifi- cation. If it prove a mind of uncommon activity and power, a Locke, a Lavoisier, a Hutton, a Ben- tham, a Spurzheim, it imposes its classification on other men, and lo ! a new system. In proportion always to the depth of the thought, and so to the number of the objects it touches and brings within reach of the pupil, is his complacenc} 7 . But chiefly is this apparent in creeds and churches, which are also classifications of some powerful mind acting on the great elemental thought of Duty, and man's relation to the Highest. Such is Calvin- ism, Qakerism Swedenborgianism. The pupil takes the same 'delight in subordinating everything to the new terminology that a girl does who has just learned botany, in seeing a new earth and new seasons thereby. It will happen for a time, that the pupil will feel a real debt to the teacher, will find his intellectual power has grown by the study of his writings. This will continue until he has exhausted his master's mind. But in all un- balanced minds, the classification is idolized, passes for the end, and not for a speedily exhaust- ible means, so that the walls of the system blend to their eye in the remote horizon with the walls of the universe ; the luminaries of heaven seem to them hung on the arch their master built. They SELF-RELIANCE. 73 cannot imagine how you aliens have any right to see, how you can see ; u It must be somehow that you stole the light from us." They do not yet perceive, that, light unsystematic, indomitable, will break into any cabin, even into theirs. Let them chirp awhile and call it their own. If they are honest and do well, presently their neat new pinfold will be too strait and low, will crack, will lean, will rot and vanish, and the immortal light, all young and joyful, million-orbed, million-colored, will beam over the universe as on the first morning. 2. It is for want of self-culture that the idol of Travelling, the idol of Italy, of England, of Egypt, remains for all educated Americans. They who made England, Italy, or Greece venerable in the imagination, did so not by rambling round crea- tion as a moth round a lamp, but by sticking fast where they were, like an axis of the earth. In manly hours, we feel that duty is our place, and that the merry men of circumstance should follow as they may. The soul is no traveller : the wise man stays at home with the soul, and when his necessities, his duties, on any occasion call him from his house, or into foreign lands, he is at home still, and is not gadding abroad from himself, and shall make men sensible by the expression of his countenance, that he goes the missionary of wis- dom and virtue, and visits cities and men like a sovereign, and not like an interloper or a valet. I have no churlish objection to the circumnavi- gation of the globe, for the purposes of art, of study, and benevolence, so that the man is first 74 ESSAY IL domesticated, or does not go abroad with the hope of finding somewhat greater than he knows. He who travels to be amused, or to get somewhat which he does not carry, travels away from him- self, and grows old even in youth among old things. In Thebes, in Palmyra, his will and mind have become old and dilapidated as they. He carries ruins to ruins. Travelling is a fool's paradise. We owe to our first journeys the discovery that place is nothing. At home I dream that at Naples, at Rome, I can be intoxicated with beauty, and lose my sadness. I pack my trunk, embrace my friends, embark on the sea, and at last wake up in Naples, and there beside me is the stern Fact, the sad self, unrelent- ing, identical, that I fled from. I seek the Vati- can, and the palaces. I affect to be intoxicated with sights and suggestions, but I am not intoxi- cated. My giant goes with me wherever I go. 3. But the rage of travelling is itself only a symptom of a deeper unsoundness affecting the whole intellectual action. The intellect is vaga- bond, and the universal system of education fos- ters restlessness. Our minds travel when our bod- ies are forced to stay at home. We imitate ; and what is imitation but the travelling of the mind ? Our houses are built with foreign taste ; our shelves are garnished with foreign ornaments; our opinions, our tastes, < ur whole minds lean, and follow the Past and the Distant, as the eyes of a maid follow her mistress. The soul created the arts wherever they have flourished. It was in his SELF-RELIANCE. 75 own mind that the artist sought his model. It was an application of his own thought to the thing to be done and the conditions to be ob- served. And why need we copy the Doric or the Gothic model ? Beauty, convenience, grandeur of thought, and quaint expression are as near to us as to any, and if the American artist will study with hope and love the precise thing to be done by him, considering the climate, the soil, the length of the day, the wants of the people, the habit and form of the government, he will cre- ate a house in which all these will find them- selves fitted, and taste and sentiment will be sat- isfied also. Insist on yourself; never imitate. Your own gift you can present every moment with the cum- ulative force of a whole life's cultivation ; but of the adopted talent of another, you have only an extemporaneous, half possession. That which each can do best, none but his Maker can teach him. No man yet knows what it is, nor can, till that person has exhibited it. Where is the master who could have taught Shakespeare ? Where is the master who could have instructed Franklin, or Washington, or Bacon, or Newton? Every great man is an unique. The Scipionism of Scipio is precisely that part he could not bor- row. If anybody will tell me whom the great man imitates in the original crisis when he performs a great act, I will tell him who else than him- self can teach him. Shakespeare will never be made by the study of Shakespeare. Do that 76 ESSAY II. which is assigned thee, and thou canst not hope too much or dare too much. There is at this moment, there is for me an utterance bare and grand as that of the colossal chisel of Phidias, or trowel of the Egyptians, or the pen of Moses, or Dante, but different from all these. Not pos- sibly will the soul all rich, all eloquent, with thousand-cloven tongue, deign to repeat itself; but if I can hear what these patriarchs say, surely I can reply to them in the same pitch of voice : for the ear and the tongue are two organs of one nature. Dwell up there in the simple and noble regions of thy life, obey thy heart, and thou shalt reproduce the Foreworld again. 4. As our Religion, our Education, our Art look abroad, so does our spirit of society. All men plume themselves on the improvement of society, and no man improves. Society never advances. It recedes as fast on one side as it gains on the other. Its progress is only apparent, like the workers of a treadmill. It under^ goes continual changes : it is barbarous, it is civil- ized, it is Christianized, it is rich, it is scientific ; but this change is not amelioration. For everything that is given, something is taken. Society ac- quires new arts and loses old instincts. What a contrast between the well-clad, reading, writing, thinking American, with a watch, a pencil, and a bill of exchange in his pocket, and the naked New Zealander, whose property is a club, a spear, a mat, and an undivided twentieth of a shed to sleep un- der. But compare the health of the two men, and SELF-RELIANCE. 77 you shall see that his aboriginal strength the white man has lost. If the traveller tell us truly, strike the savage with a broad axe, and in a day or two the flesh shall unite and heal as if you struck the blow into soft pitch, and the same blow shall send the white to his grave. The civilized man has built a coach, but has lost the use of his feet. He is supported on crutches, but loses so much support of muscle. He has got a fine Geneva watch, but he has lost the skill to tell the hour by the sun. A Greenwich nautical almanac he has, and so being sure of the informa- tion when he wants it, the man in the street does not know a star in the sky. The solstice he does not observe ; the equinox he knows as little ; and the whole bright calendar of the year is without a dial in his mind. His note-books impair his memory ; his libraries overload his wit ; the insur- ance office increases the number of accidents ; and it may be a question whether machinery does riot encumber ; whether we have not lost by refine- ment some energy, by a Christianity entrenched in establishments and forms, some vigor of wild virtue. For eveiy stoic was a stoic ; but in Chris- tendom where is the Christian ? There is no more deviation in the moral stand- ard than the standard of height or bulk. No greater men are now than ever were. A singular equality may be observed between the great men of the first and of the last ages ; nor can all the science, art, religion and philosophy of the nine- teenth century avail to educate greater men than 78 ESSAY II. Plutarch's heroes, three or four and twenty cen- turies ago. Not in time is the race progressive. Phocion, Socrates, Anaxagoras, Diogenes, are great men, but they leave no class. He who is really of their class will not be called by their name, but be wholly his own man, and, in his turn, the founder of a sect. The arts and inven- tions of each period are only its costume, and do not invigorate men. The harm of the improved machinery may compensate its good. Hudson and Behring accomplished so much in their fishing- boats, as to astonish Parry and Franklin, whose equipment exhausted the resources of science and art. Galileo, with an opera-glass, discovered a more splendid series of facts than any one since. Columbus found the New World in an undecked boat. It is curious to see the periodical disuse and perishing of means and machinery which were in- troduced with loud laudation, a few years or cen- turies before. The great genius returns to es- sential man. We reckoned the improvements of the art of war among the triumphs of science," and 'yet Napoleon conquered Europe by the Bivouac, which consisted of falling back on naked valor, and disencumbering it of all aids. *' The Emperor held it impossible to make a perfect army," says Las Casas, " without abolishing our arms, maga- zines, commissaries, and carriages, until in imita- tion of the Roman custom, the soldier should re- ceive his supply of corn, grind it in his hand-mill, and make his bread himself." Society is a wave. The wave moves onward. SELF-RELIANCE. 79 but the water of which it is composed, does not. The same particle does not rise from the valley to the ridge. Its unity is only phenomenal. The persons who make up a nation to-day, next year die, and their experience with them. And so the reliance on Property, including the reliance on governments which protect it, is the want of self-reliance. Men have looked away from themselves and at things so long, that they have come to esteem what they call the soul's progress, namely, the religious, learned, and civil institutions, as guards of property, and they de- precate assaults on these, because they feel them to be assaults on property. They measure their esteem of each other, by what each has, not by what each is. But a cultivated man becomes ashamed of his property, ashamed of what he lias, out of ne w respect for his being. Especially he hates what he has, if he see that it is accidental, came to him by inheritance, or gift, or crime ; then he feels that it is not having ; it does not belong to him, has no root in him, and merely lies there, be- cause no revolution or no robber takes it away. But that which a man is, does always by neces- sity acquire, and what the man acquires is permanent and living property, which does not wait the beck of rulers, or mobs, or revolu- tions, or fire, or storm, or bankruptcies, but perpetually renews itself wherever the man is put. " Thy lot or portion of life," said the Caliph Ali, " is seeking after thee ; therefore be at rest from seeking after it." Our dependence on these foreign 80 ESSAY II. goods leads us to our slavish respect for numbers. The political parties meet in numerous conven- tions ; the greater the concourse, and .with each new uproar of announcement, The delegation from Essex ! The Democrats from New Hampshire ! The Whigs of Maine ! the young patriot feels himself stronger than before by a new thousand of eyes and arms. In like manner the reformers summon conventions, and vote and resolve in mul- titude. But not so, O friends ! will the God deign to enter and inhabit you, but by a method precisely the reverse. It is only as a man puts off from himself all external support, and stands alone, that I see him to be strong and to prevail. He is weaker by every recruit to his banner. Is not a man better than a town ? Ask nothing of men, and in the endless mutation, thou only firm column must presently appear the upholder of all that surrounds thee. He who knows that power is in the soul, that he is weak only because he has looked for good out of him and elsewhere, and so perceiv- ing, throws himself unhesitatingly on his thought, instantly rights himself, stands in the erect position, commands his limbs, works miracles ; just as a man who stands on his feet is stronger than a man who stands on his head. So use all that is called Fortune. Most men gamble with her, and gain all, and lose all, as her wheel rolls. But do thou leave as unlawful these winnings, and deal with Cause and Effect, the chancellors of God. In the Will work and acquire, and thou hast chained the wheel of SELF-RELIANCE. 8 1 Chance, and shalt always drag her after thee. A political victory, a rise of rents, the recovery of your sick, or the return of your absent friend, or some other quite external event, raises your spirits, and you think good days are preparing for you. Do not believe it. It can never be so. Nothing can bring you peace but yourself. Nothing can bring you peace but the triumph of principles. COMPENSATION ESSAY III. COMPENSATION. EVEE since I was a boy, I have wished to write a discourse on Compensation ; for, it seemed to me when very young, that, on this subject, Life was ahead of theology, und the people knew more than the preachers taught. The documents too, from which the doctrine is to be drawn, charmed my fancy by their endless variety, and lay always before me, even in sleep ; for they are the tools in our hands, the bread in our basket, the transac- tions of the street, the farm, and the dwelling- house, the greetings, the relations, the debts and credits, the influence of character, the nature and endowment of all men. It seemed to me also that in it might be shown men a ray of divinity, the present action of the Soul of this world, clean from all vestige of tradition, and so the heart of man might be bathed by an inundation of eternal love, conversing with that which he knows was always and always must be, because it really is now. It appeared, moreover, that if this doctrine could be stated in terms with any resemblance to those bright intuitions in which this truth is some- (85) 86 ESSAY III. times revealed to us, it would be a star in many dark hours and crooked passages in our journey that would not suffer us to lose our way. I was lately confirmed in these desires by hear- ing a sermon at church. The preacher, a man esteemed for his orthodoxy, unfolded in the ordi- nary manner the doctrine of the Last Judgment. He assumed that judgment is not executed in this world ; that the wicked are successful ; that the good are miserable ; and then urged from reason and from Scripture a compensation to be made to both parties in the next life. No offence appeared to be taken by the congregation at this doctrine. As far as I could observe, when the meeting broke up, they separated without remark on the sermon. Yet what was the import of this teaching? What did the preacher mean by saying that the good are miserable in the present life ? Was it that houses and lands, offices, wine, horses, dress, luxury, are had by unprincipled men, whilst the saints are poor and despised ; and that a compen- sation is to be made to these last hereafter, by giving them the like gratifications another da}% bank-stock and doubloons, venison and cham- pagne ? This must be the compensation intended ; for, what else ? Is it that they are to have leave to pray and praise ? to love and serve men ? Why, that they can do now. The legitimate inference the disciple would draw, was ; " We are to have such a good time as the sinners have now ; " or, to push it to its extreme import,-" You sin now ; we COM PENS A TION, 87 shall sin by-and-by ; we would sin now, if we could; not being successful, we expect our re- venge to-morrow." The fallacy lay in the immense concession that the bad are successful ; that justice is not done, now. The blindness of the preacher consisted of deferring to the base estimate of the market of what constitutes a manly success, instead of confronting and convicting the world from the truth ; announcing the Presence of the Soul ; the omnipotence of the Will : and so establishing the standard of good and ill, of success and falsehood, and summoning the dead to its present tribunal. I find a similar base tone in the popular relig- ious works of the day, and the same doctrines as- sumed by the literary men when occasionally they treat the related topics. I think that our popular theology has gained in decorum, and not in prin- ciple, over the superstitions it has displaced. But men are better than this theology. Their daily life gives it the lie. Every ingenuous and aspir- ing soul leaves the doctrine behind him in his own experience ; and all men feel sometimes the false- hood which they cannot demonstrate. For men are wiser than they know. That which they hear in schools and pulpits without afterthought, if said in conversation, would probably be questioned in silence. If a man dogmatize in a mixed com- pany on Providence and the divine laws, he is an- swered by a silence which conveys well enough to an observer the dissatisfaction of the hearer, but his incapacity to make his own statement. 88 ESSAY III. I shall attempt in this and the following chapter to record some facts that indicate the path of the law of Compensation ; happy beyond my expecta- tion, if I shall truly draw the smallest arc of this circle. POLARITY, or action and reaction, we meet in every part of nature; in darkness and light; in heat and cold; in the ebb and flow of waters; in male and female ; in the inspiration and expiration of plants and animals ; in the systole and diastole of the heart ; in the undulations of fluids, and of sound ; in the centrifugal and centripetal gravity ; in electricity, galvanism, and chemical affinity. Superinduce magnetism at one end of a needle ; the opposite magnetism takes place at the other end. If the south attracts, the north repels. To empty here, you must condense there. An inevi- table dualism bisects nature, so that each thing is a half, and suggests another thing to make it whole ; -as spirit, matter ; man, woman ; subject- ive, objective; in, out; upper, under; motion, rest ; yea, nay. Whilst the world is thus dual, so is every one of its parts. The entire system of things gets rep- resented in every particle. There is somewhat that resembles the ebb and flow of the sea, day and night, man and woman, in a single needle of the pine, in a kernel of corn, in each individual of every animal tribe. The reaction so grand in the elements, is repeated within these small boundaries. For example, in the animal kingdom, the physiologist has observed that no creatures are COM PENS A TION. 89 favorites, but a certain compensation balances every gift and every defect. A surplusage given to one part is paid out of a reduction from another part of the same creature. If the head and neck are enlarged, the trunk and extremities are cut short. The theory of the mechanic forces is another example. What we gain in power is lost in time ; and the converse. The periodic or compensating errors of the planets, is another instance. The influences of climate and soil in political history are another. The cold climate invigorates. The barren soil does not breed fevers, crocodiles, tigers, or scorpions. The same dualism underlies the nature and con- dition of man. Every excess causes a defect ; every defect an excess. Every sweet hath its sour; every evil its good. Every faculty which is a receiver of pleasure, has an equal penalty put on its abuse. It is to answer for its moderation with its life. For every grain of wit there is a grain of folly. For everything you have missed, you have gained something else ; and for everything you gain, you lose something. If riches increase, they are increased that use them. If the gatherer gathers too much, nature takes out of the man what she puts into his chest ; swells the estate, but kills the owner. Nature hates monopolies and exceptions. The waves of the sea do not more speedily seek a level from their loftiest toss- ing, than the varieties of condition tend to equal- ize themselves. There is always some levelling 90 ESSAY III. circumstance that puts down the overbearing, the strong, the rich, the fortunate, substantially on the same ground with all others. Is a man too strong and fierce for society, and by temper and position a bad citizen, a morose ruffian with a dash of the pirate in him ; nature sends him a troop of pretty sons and daughters who are getting along in the dame's classes at the village school, and love and fear for them smooths his grim scowl to courtesy. Thus she contrives to intenerate the granite and felspar, takes the boar out and puts the lamb in, and keeps her balance true. The farmer imagines power and place are fine things. But the President has paid dear for his While House. It has commonly cost him all his peace and the best of his manly attributes. To preserve for a short time so conspicuous an appearance before the world, he is content to eat dust before the real masters who stand erect behind the throne. Or, do men desire the more substantial and permanent grandeur of genius? Neither has this an immunity. He who by force of will or of thought is great, and overlooks th msands, has the responsibility of over-looking. With every influx of light, comes new danger. Has he light ? he must bear witness to the light, and always outrun that sympathy which gives him such keen satisfaction, by his fidelity to new revelations of the incessant soul. He must hate father and mother, wife and child. Plas he all that the world loves and admires and covets ? he must cast behind him their admiration, and COMPENSATION. 91 afflict them by faithfulness to his truth, and become a by-word and a hissing. This Law writes laws of the c ties and nations. It will not be baulked of its end in the smallest iota. It is in vain to build or plot or combine against it. Things refuse to be mismanaged long. Res nolunt diu male administrari. Though no checks to a new evil appear, the checks exist and will appear. If the government is Cruel, the governor's life is not safe. If you tax too high, the revenue will yield nothing. If you make the criminal code sanguinary, juries will not convict. Nothing arbitrary, nothing arti- ficial can endure. The true life and satisfactions of man seem to elude the utmost rigors or felici- ties of condition, and to establish themselves with great indifferency under all varieties of cir- cumstance. Under all governments the influence of character remains the same, in Turkey and New England about alike. Under the primeval despots of Egypt, history honestly confesses that man must have been as free as culture could make him. These appearances indicate the fact that the universe is represented in every one of its par- ticles. Everything in nature contains all the powers of nature. Everything is made of one hidden stuff; as the naturalist sees one type under every metamorphosis, and regards a horse as a running man, a fish as a swimming man, a bird as a flying man, a tree as a rooted man. Each new form repeats not only the main char- 92 ESSAY III. acter of the type, but part for part all the details, all the aims, furtherances, hindrances, energies, and whole system of every other. Every occu- pation, trade, art, transaction, is a compend of the world, and correlative of every other. Each one is an entire emblem of human life ; of its good and ill, its trials, its enemies, its course and its end. And each one must somehow accommodate the whole man, and recite all his destiny. The world globes itself in a drop of dew. The microscope cannot find the animalcule which is less perfect for being little. Eyes, ears, taste, smell, motion, resistance, appetite, and organs of reproduction that take hold on eternit}-, all find room to consist in the small creature. So do we put our life into every act. The true doctrine of omnipresence is, that God reappears with all his parts in every moss and cobweb. The value of the universe contrives to throw itself into every point. If the good is there, so is the evil; if the affinity, so the repulsion ; if the force, so the lim- itation. Thus is the universe alive. All things are moral. That soul which within us is a senti- ment, outside of us is a law. We feel its inspi- rations; out there in history we can see its fatal strength. It is almighty. All nature feels its grasp. " It is in the world and the world was made by it." It is eternal, but it enacts itself in time and space. Justice is not postponed. A perfect equity adjusts its balance in all parts of life. Oi xu&oi J hold in the great examples. Perhaps if we should meet Shakespeare, we should not be conscious of any steep inferiority ; no, but of a great equality, only that he possessed a strange skill of using, of classifying his facts, which we lack. For, not- withstanding our utter incapacity to produce any- thing like Hamlet and Othello, see the perfect reception this wit, and immense knowledge of life and liquid eloquence find in us all. If you gather apples in the sunshine, or make hay, or hoe corn, and then retire within doors, and shut your eyes, and press them with your hand, you shall still see apples hanging in the bright light, with boughs and leaves thereto, or the tasselled grass, or the corn-flags, and this for five or six hours afterwards. There lie the impressions on the reten- tive organ, though you knew it not. So lies the whole series of natural images with which your life has made you acquainted, in your memory, though you know it not, and a thrill of passion flashes light on their dark chamber^ and the active power seizes instantly the fit image,'as the word of its moment- ary thought. It is long ere we discover how rich we are. Our history, we are sure, is quite tame. We have nothing to write, nothing to infer. But our wiser INTELLECT*. 293 years still run back to the despised recollections of childhood, and always we are fishing up some won- derful article out of that pond ; until, by-and-by, we begin to suspect that the biography of the one foolish person we know, is, in reality, nothing less than the miniature paraphrase of the hundred vol- umes of the Universal History. In the intellect constructive, which we popu- larly designate by the word Genius, we observe the same balance of two elements, as in intellect receptive. The constructive intellect produces thoughts, sentences, poems, plans, designs, sys- tems. It is the generation of the mind, the mar- riage of thought with nature. To genius must always go two gifts, the thought and the publica- tion. The first is revelation, always a miracle, which no frequency of occurrence, or incessant study can ever familiarize, but which must always leave the inquirer stupid with wonder. It is the advent of truth into the world, a form of thought now, for the first time, bursting into the universe, a child of the old eternal soul, a piece of genuine and immeasurable greatness. It seems, for the time, to inherit all that has yet existed, and to dictate to the unborn. It affects every thought of man, and goes to fashion every institution. But to make it available, it needs a vehicle or art by which it is conveyed to men. To be communica- ble, it must become picture or sensible object. We must learn the language of facts. The most wonderful inspirations die with their subject, if he has no hand to paint them to the senses. The ray 294 ESSA Y XL of light passes invisible through space, and only when it tails on an object is it seen. When the spiritual energy is directed on something outward, then is it a thought. The relation between it and you, first makes you, the value of you, ap- parent to me. The rich, inventive genius of the painter must be smothered and lost tor want of the power of drawing, and in our happy hours, we should be inexhaustible poets, if once we could break through the silence into adequate rhyme. As all men have some access to primary truth, so all have some art or power of communication iu their head, but only in the artist does it descend into the hand. There is an inequality whose laws we do not yet know, between two men and be- tween two moments of the same man, in respect to this faculty. In common hours, we have the same facts as in the uncommon or inspired, but they do not sit for their portraits, they are not de- tached, but lie in a web. The thought of genius is spontaneous ; but the power of picture or ex- pression, in the most enriched and flowing nature, implies a mixture of will, a certain control over the spontaneous states, without which no production is possible. It is a conversion of all nature into the rhetoric of thought, under the eye of judgment, with a strenuous exercise of choice. And yet the imaginative vocabulary seems to be spontaneous also. It does not flow from experience only or mainly, but from a richer source. Not by any conscious imitation of particular forms are the grand strokes of the painter executed, but by re- INTELLECT. 295 pairing to the fountain-head of all forms in his mind. Who is the first drawing-master ? With- out instruction we know very well the ideal of the human form. A child knows if an arm or a leg be distorted in a picture, if the attitude be natural, or grand, or mean, though he has never received any instruction in drawing, or heard any conversation on the subject, nor can himself draw with correctness a single feature. A good form strikes all eyes pleasantly, long before they have any science on the subject, and a beautiful face sets twenty hearts in palpitation, prior to all con- sideration of the mechanical proportions of the features and head. We may owe to dreams some light on the fountain of this skill ; for, as soon as we let our will go, and let the unconscious states ensue, see what cunning draughtsmen we are \ We entertain ourselves with wonderful forms of men, of women, of animals, of gardens, of woods, and of monsters, and the mystic pencil where- with we then draw, has no awkwardness, or inex- perience, no meagreness or poverty ; it can design well, and group well ; its composition is full of art, its colors are well laid on, and the whole canvas which it paints, is life-like, and apt to touch us with terror, with tenderness, with desire, and with grief. Neither are the artist's copies from experi- ence, ever mere copies, but always touched and softened by tints from this ideal domain. The conditions essential to a constructive mind, do not appear to be so often combined but that a good sentence or verse remains fresh and memor- 296 ESS A Y XI. able for a long time. Yet when we write with ease, and come out into the free air of thought, we seem to be assured that nothing is easier than to continue this communication at pleasure. Up, down, around, the kingdom of thought has no en- closures, but the Muse makes us free of her city. Well, the world has a million writers. One would think, then, that good thought would be as famil- iar as air and water, and the gifts of each new hour would exclude the last. Yet we can count all our good books ; nay, I remember any beauti- ful verse for twenty years. It is true that the discerning intellect of the world is always greatly in advance of the creative, so that always there are many competent judges of the best book, and few writers of the best books. But some of the conditions of intellectual construction are of rare occurrence. The intellect is a whole, and de- mands integrity in every work. This is resisted equally by a man's devotion to a single thought, and by his ambition to combine too many. Truth is our element of life, yet if a man fasten his attention on a single aspect of truth, and ap- ply himself to that alone for a long time, the truth becomes distorted and not itself, but falsehood ; herein resembling the air, which is our natural element, and the breath of our nostrils, but if a stream of the same be directed on the body for a time, it causes cold, fever, and even death. How wearisome the grammarian, the phrenologist, the political or religious fanatic, or indeed any pos- sessed mortal, whose balance is lost by the exag- INTELLECT, 297 geration of a single topic. It is incipient insanity. Every thought is a prison also. I cannot see what you see, because I am caught up by a strong wind and blown so far in one direction, that I am out of the hoop of your horizon. Is it any better, if the student, to avoid this offence, and to liberalize himself, aims to make a mechanical whole, of history, or science, or phil- osophy, by a numerical addition of all the facts that fall within his vision ? The world refuses to be analyzed by addition and subtraction. When we are young, we spend much time and pains in filling our note-books with all definitions of Re- ligion, Love, Poetry, Politics, Art, in the hope that in the course of a few years, we shall have condensed into our encyclopedia, the net value of all the theories at which the world has yet arrived. But year after year our tables get no complete- ness, and at last we discover that our curve is a parabola, whose arcs will never meet. Neither by detachment, neither by aggregation, is the integrity of the intellect transmitted to its works, but by a vigilance which brings the intel- lect in its greatness and best state to operate every moment. It must have the same wholeness which nature has. Although no diligence can rebuild the universe in a model, by the best accumulation or disposition of details, yet does the world reap- pear in miniature in every event, so that all the laws of nature may be read in the smallest fact. The intellect must have the like perfection in its apprehension, and in its works. For this reason, 298 ESSA Y XL an index or mercury of intellectual proficiency is the perception of identity. We talk with accom- plished persons who appear to be strangers in na- ture. The cloud, the tree, the turf, the bird are not theirs, have nothing of them : the world is only their lodging and table. But the poet, whose verses are to be spheral and complete, is one whom nature cannot deceive, whatsoever face of strangeness she may put on. He feels a strict consanguinity, and detects more likeness than variet}' in all her changes. We are stung by the desire for new thought, but when we receive a new thought, it is only the old thought with a new face, and though we make it our own, we in- stantly crave another ; we are not really enriched. For the truth was in us, before it was reflected to us from natural objects; and the profound genius will cast the likeness of all creatures into every product of his wit. But if the constructive powers are rare, and it is given to few men to be poets, yet every man is a receiver of this descending holy ghost, and may well study the laws of its influx. Exactly paral- lel is the whole rule of intellectual duty, to the rule of moral duty. A self-denial, no less austere than the saint's, is demanded of the scholar. He must worship truth, and forego all things for that, and choose defeat and pain, so that his treasure in thought is thereby augmented. God offers to every mind its choice between truth and repose. Take which you please, you can never have both. Between these, as a pe*n- INTELLECT. 299 dulum, man oscillates ever. He in whom the love of repose predominates, will accept the first creed, the first philosophy, the first political party he meets, most likely, his father's. He gets rest, commodity, and reputation ; but he shuts the door of truth. He in whom the love of truth predom- inates, will keep himself aloof from all mooring* and afloat. He will abstain from dogmatism, and recognize all the opposite negations between which, as walls, his being is swung. He submits to the inconvenience of suspense and imperfect opinion, but he is a candidate for truth, as the other is riot, and respects the highest law of his being. The circle of the green earth he must measure with his shoes, to find the man who can yield him truth. He shall then know that there is some- what more blessed and great in hearing than in speaking. Happy is the hearing man : unhappy the speaking man. As long as I hear truth, I am bathed by a beautiful element, and am not con- scious of any limits to my nature. The sugges- tions are thousandfold that I hear and see. The waters of the great deep have ingress and egress to the soul. But if I speak, I define, I confine, and am less. When Socrates speaks, Lysis and Menexenus are afflicted by no shame that they do not speak. They also are good. He likewise defers to them, loves them, whilst he speaks. Because a true and natural man contains and is the same truth which an eloquent man ar- ticulates : but in the eloquent man, because he 300 ESS A Y XL can articulate it, it seems something the less to reside, and he turns to these silent beautiful with the more inclination and respect. The ancient sentence said, Let us be silent, for so are the gods. Silence is a solvent that destroys personality, and gives us leave to be great and universal. Every man's progress is through a succession of teachers, each of whom seems at the time to have a super- lative influence, but it at last gives place to a new. Frankly let him accept it all. Jesus says, Leave father, 'mother, house and lands, and follow me. Who leaves all, receives more. This is as true intellectually, as morally. Each new mind we approach, seems to require an abdication of all our past and present possessions. A new doctrine seems, at first, a subversion of all our opinions, tastes, and manner of living. Such has Sweden- borg, such has Kant, such has Coleridge, such has Cousin seemed to many young men in this coun- try. Take thankfully and heartily all they can give. Exhaust them, wrestle with them, let them not go until their blessing be won, and after a short season, the dismay will be overpast, the ex- cess of influence withdrawn, and they will be no longer an alarming meteor, but one more bright .^tar shining serenely in your heaven, and blend- ing its light with all your day. But whilst he gives himself up unreservedly to that which draws him, because that is his own, he is to refuse himself to that which draws him not, whatsoever fame and authority may attend it, be- cause it is not his own. Entire self reliance belongs INTELLECT. 301 to the intellect. One soul is a counterpoise of all souls, as a capillary column of water is a balance for the sea. It must treat things, and books, and sovereign genius, as itself also a sovereign. If jEschylus be that man he is taken for, he has not yet done his office, when he has educated the learned of Europe for a thousand years. He is now to approve himself a master of delight to me also. If he cannot do that, all his fame shall avail him nothing with me. I were a fool not to sacrifice a thousand JEschyluses to my intellectual integrity. Especially take the same ground in regard to ab- stract truth, the science of the mind. The Bacon, the Spinoza, the Hume, Schelling, Kant, or who- soever propounds to you a philosophy of the mind, is only a more or less awkward translator of things in your consciousness, which you have also your way of seeing, perhaps of denominating. Say then, instead of too timidly poring into his obscure sense, that he has not succeeded in rendering back to you your consciousness. He has not succeeded ; now let another try. If Plato cannot, perhaps Spinoza will. If Spinoza cannot, then perhaps Kant. Anyhow, when at last it is done, you will find it is no recondite, but a simple, natural, com- mon state, which the writer restores to you. But let us end these didactics. I will not, though the subject might provoke it, speak to the open question between Truth and Love. I shall not presume to interfere in the old politics of the skies; "The cherubim know most; the seraphim love most." The gods shall settle their own quar- 302 ESSA Y XI. rels. But I cannot recite, even thus rudely, laws of the intellect, without remembering that lofty and sequestered class of men who have been its prophets and oracles, the high priesthood of the pure reason, the Trismegisti, the expounders of the principles of thought from age to age. When at long intervals, we turn over their abstruse pages, wonderful seems the calm and grand air of these few, these great spiritual lords, who have walked in the world, these of the old religion, dwelling in a worship which makes the sanctities of Christi- anity look parvenues and popular ; for "persuasion is in soul, but necessity is in intellect.'' This band of grandees, Hermes, Heraclitus, Empedocles, Plato, Plotinus, Olympiodorus, Proclus, Synesius, and the rest, have somewhat so vast in their logic, so primary in their thinking, that it seems antece- dent to all the ordinary distinctions of rhetoric and literature, and to be at once poetry, and music, and dancing, and astronomy, and mathe- matics. I am present at the sowing of the seed of the world. With a geometry of sunbeams, the soul lays the foundations of nature. The truth and grandeur of their thought is proved by its scope and applicability, for it commands the entire schedule and inventory of things, for its illustra- tion. But what marks its elevation, and has even a comic look to us, is the innocent serenity with which these babe-like Jupiters sit in their clouds, and from age to age prattle to each other, and to no contemporary. Well assured that their speech is intelligible, and the most natural thing in the INTELLECT. 303 world, they add thesis to thesis, without a mo- ment's heed of the universal astonishment of the human race below, who do not comprehend their plainest argument ; nor do they ever relent so much as to insert a popular or explaining sen- tence ; nor testify the least displeasure or petu- lance at the dullness of their amazed auditory. The angels are so enamored of the language that is spoken in heaven, that they will not distort their lips with the hissing and unmusical dialects of men, but speak their own, whether there be any who understand it or not. ART, 20 ESSAY XII, ART. BECAUSE the soul is progressive, it never quite repeats itself, but in every act attempts the pro- duction of a new and fairer whole. This appears in works both of the useful and the fine arts, if we employ the popular distinction of works according to their aim, either at use or beauty. Thus in our fine arts, not imitation, but creation is the aim. In landscapes, the painter should give the sugges- tion of a fairer creation than we know. The details, the prose of nature he should omit, and give us only the spirit and splendor. He should know that the landscape has beauty for his eye, because it expresses a thought which is to him good ; and this, because the same power which sees through his eyes, is seen in that spectacle ; and lie will come to value the expression of nature, and not nature itself, and so exalt in his copy, the features that please him. He will give the gloom of gloom, and the sunshine of sunshine. In a por- trait, he must inscribe the character, and not the features, and must esteem the man who sits to him as himself only an imperfect picture or like- ness of the aspiring original within. (307) 308 ESSA Y XII. What is that abridgment and selection we ob- serve in all spiritual activity, but itself the creative impulse ? for it is the inlet of that higher illumin- ation which teaches to convey a larger sense by simpler symbols. What is a man but nature's finer success in self -explication ? What is a man but a finer and compactor landscape than the horizon figures ; nature's eclecticism ? and what is his speech, his love of painting, love of nature, but a still finer success? all the weary miles and tons of space and bulk left out, and the spirit or moral of it contracted into a musical word, or the most cunning stroke of the pencil? But the artist must employ the symbols in use in his day and nation, to convey his enlarged sense to his fellow-men. Thus the new in art is always formed out of the old. The Genius of the Hour always sets his ineffaceable seal on the work, and gives it an inexpressible charm for the imagina- tion. As far as the spiritual character of the period overpowers the artist, and finds expression in his work, so far it will alwa} ? s retain a certain grandeur, and will represent to future beholders the Unknown, the Inevitable, the Divine. No man can quite exclude this element of Necessity from his labor. No man can quite emancipate himself from his age and country, or produce a model in which the education, the religion, the politics, usages, and arts, of his times shall have no share. Though he were never so original, never so wilful and fantastic, he cannot wipe out of his work every trace of the thoughts amidst ART. 309 which it grew. The very avoidance betrays the usage he avoids. Above his will, and out of his sight, he is necessitated, by the air he breathes, and the idea on which he and his contemporaries live and toil, to share the manner of his times, ^without knowing what that manner is. Now that which is inevitable in the work, has a higher charm than individual talent can ever give, inasmuch as the artist's pen or chisel seems to have been held and guided by a gigantic hand to inscribe a line in the history of the human race. This circumstance gives a value to the Egyptian hieroglyphics, to the Indian, Chinese, and Mexican idols, however gross and shapeless. They denote the height of the human soul in that hour, and were not fantas- tic, but sprung from a necessity as deep as the world. Shall I now add that the whole extant product of the plastic arts has herein its highest value, as history; as a stroke drawn in the por- trait of that fate, perfect and beautiful, according to whose ordinations all beings advance to their beatitude. Thus, historically viewed, it has been the office of art to educate the perception of beauty. We are immersed in beauty, but our eyes have no clear vision. It needs, by the exhibition of single traits, to assist and lead the dormant taste. We carve and paint, or we behold what is carved and painted, as students of the mystery of Form. The virtue of art lies in detachment, in sequestering one object from the embarrassing variety. Until one thing comes out from the connection of things, there 310 ESSAY XII. can be enjoyment, contemplation, but no thought. Our happiness and unhappiness are unproductive. The infant lies in a pleasing trance, but his individ- ual character, and his practical power depend on his daily progress in the separation of things, and dealing with one at a time. Love and all the pas- sions concentrate all existence around a single form. It is the habit of certain minds to give an all-excluding fulness to the object, the thought, the word, they alight upon, and to make that for the time the deputy of the world. These are the artists, the orators, the leaders of society. The power to detach, and to magnify by detaching, is the essence of rhetoric in the hands of the orator and the poet. This rhetoric, or power to fix the moment- ary eminency of an object, so remarkable in Burke, in Byron, in Carlyle, the painter and sculptor exhibit in color and in stone. The power depends on the depth of the artist's insight of that object he contemplates. For every object has its roots in central nature, and may of course be so exhibited to us as to represent the world. There- fore, each work of genius is the tyrant of the hour, and concentrates attention on itself. For the time, it is the only thing worth naming, to do that, be it a sonnet, an opera, a landscape, a statue, an oration, the plan of a temple, of a cam- paign, or of a voyage of discovery. Presently we pass to some other object, which rounds itself into a whole, as did the first ; for example, a well laid garden : and nothing seems worth doing but the laying out of gardens. I should think fire the best ART. 3 1 1 thing in the world, if I were not acquainted with air, and water, and earth. For it is the right and prop- erty of all natural objects, of all genuine talents, of all native properties whatsoever, to be for their moment the top of the world. A squirrel leaping from bough to bough, and making the wood but one wide tree for his pleasure, fills the eye not less than a lion, is beautiful, self-sufficing, and stands then and there for nature. A good ballad draws my ear and heart whilst I listen, as much as an epic has done before. A dog, drawn by a master, or a litter of pigs, satisfies, and is a reality not less than the frescoes of Angelo. From this succes- sion of excellent objects, learn we at last the im- mensity of the world, the opulence of human nature, which can run out to infinitude in any di- rection. But I also learn that what astonished and fascinated me in the first work, astonished me in the second work also, that excellence of all things is one. The office of painting and sculpture seems to be merely initial. The best pictures can easily tell us their last secret. The best pictures are rude draughts of a few of the miraculous dots and lines and dyes which make up the ever-changing " land- scape with figures " amidst which we dwell. Paint- ing seems to be to the eye what dancing is to the limbs. When that has educated the frame to self- possession, to nimbleness, to grace, the steps of the dancing- master are better forgotten; so painting teaches me the splendor of color and the expression of form, and, as I see many pictures 3 1 2 ESS A Y XII. and higher genius in the art, I see the boundless opulence of the pencil, the indift'erency in which the artist stands free to choose out of the possible forms. If he can draw everything, whj 7 draw any- thing? and then is my eye opened to the eternal picture which nature paints in the street with moving men and children, beggars, and fine ladies, draped in red, and green, and blue, and gray ; long-haired, grizzled, white-faced, black-faced, wrinkled, giant, dwarf, expanded, elfish, capped and based by heaven, earth, and sea. A gallery of sculpture teaches more austerely the same lesson. As picture teaches the color- ing, so sculpture the anatomy of form. When I have seen fine statues, and afterwards enter a public assembly, I understand well what he meant who said, " When I have been reading Homer, all men look like giants." I too see that painting and sculpture are gymnastics of the eye, its training to the niceties and curiosities of its function. There is no statue like this living man, with his infinite advantage over all ideal sculpture, of per- petual variety. What a gallery of art have I here! No mannerist made these varied groups and diverse original single figures. Here is the artist himself improvising, grim and glad, at his block. Now one thought strikes him, now another, and with each moment he alters the whole air, attitude and expression of his clay. Away with your nonsense of oil and easels, of marble and chisels : except to open your eyes to ART. 313 the witchcraft of eternal art, they are hypocritical rubbish. The reference of all production at last to an Aboriginal Power, explains the traits common to all works of the highest art, that they are univer- sally intelligible ; that they restore to us the simplest states of mind ; and are religious. Since what skill is therein shown is the reappearance of the original soul, a jet of pure light ; it should produce a similar impression to that made by nat- ural objects. In happy hours, nature appears to us one with art ; art perfected, the work of genius. And the individual in whom simple tastes and susceptibility to all the great human in- fluences, overpowers the accidents of a local and special culture, is the best critic of art. Though we travel the world over to find the beautiful, we must carry it with us, or we find it not. The best of beauty is a finer charm than skill in surfaces, in outlines, or rules of art can ever teach, namely, a radiation from the work of art, of human character, a wonderful expression through stone or canvas or musical sound of the deepest and simplest attributes of our nature, and therefore most intelligible at last to those souls which have these attributes. In the sculptures of the Greeks, in the masonry of the Romans, and in the pic- tures of the Tuscan and Venetian masters, the highest charm is the universal language they speak. A confession of moral nature, of purity, love, and hope, breathes from them all. That which we carry to them, the same we bring back 314 ESSAY XII. more fairly illustrated in the inemor}'. The trav- eller who visits the Vatican, and passes from chamber to chamber through galleries of statues, vases, sarcophagi, and candelabra, through all forms of beauty, cut in the richest materials, is in danger of forgetting the simplicity of the princi- ples out of which they all sprung, and that they had their origin from thoughts and laws in his own breast. He studies the technical rules on these wonderful remains, but forgets that these works were not always thus constellated ; that they are the contributions of many ages, and many coun- tries ; that each came out of the solitary workshop of one artist, who toiled perhaps in ignorance of the existence of other sculpture, created his work without other model, save life, household life, and the sweet and smart of personal relations, of beat- ing hearts, and meeting eyes, of poverty, and necessity, and hope, and fear. These were his in- spirations, and these are the effects he carries home to your heart and mind. In proportion to his force, the artist will find in his work an outlet for his proper character. He must not be in any manner pinched or hindered by his material, but through his necessity of imparting himself, the adamant will be wax in his hands, and will allow an adequate communication of himself in his full stature and proportion. Not a conventional na- ture and culture need he cumber himself with, nor ask what is the mode in Rome or in Paris, but that house, and weather, and manner of living, which poverty and the fate of birth have made at ART. 315 once so odious and so dear, in the gray, unpainted wood cabin, on the corner of a New Hampshire farm, or in the log hut of the backwoods, or in the narrow lodging where he has endured the con- straints and seeming of a city poverty, will serve as well as any other condition, as the symbol of a thought which pours itself indifferently through all. I remember, when in my younger days, I had heard of the wonders of Italian painting, I fan- cied the great pictures would be great strangers ; some surprising combination of color and form ; a foreign wonder, barbaric pearl and gold, like the spontoons and standards of the militia, which play such pranks in the eyes and imaginations ot school boys. I was to see and acquire I knew not what. When I came at last to Rome, and saw with eyes the pictures, I found that genius left to novices the gay and fantastic and ostentatious, and itself pierced directly to the simple and true ; that it was familiar and sincere , that it was the old, eternal fact I had met already in so many forms; unto which I lived; that it was the plain you and me I knew so well, had left at home in so many conversations. I had the same experi- ence already in a church at Naples. There I saw that nothing was changed with me but the place, and said to myself, ' Thou foolish child, hast thou come out hither, over four thousand miles of salt water, to find that which was perfect to thee t there at home ? ' that fact I saw again in the Academmia at Naples, in the chambers of sculp- 316 ESS AY XII. ture, and yet again when I came to Rome, and to the paintings of Raphael, Angelo, Sacchi, Titian, and Leonardo da Vinci. " What old mole ! work- est thou in the earth so fast?" It had travelled by my side ; that which I fancied I had left in Boston, was here in the Vatican, and again at Milan, and at Paris, and made all travelling ridic- ulous as a treadmill. I now require this of all pictures, that they domesticate me, not that they dazzle me. Pictures must not be too picturesque. Nothing astonishes men so much as common sense and plain dealing. All great actions have been simple, and all great pictures are. The Transfiguration, by Raphael, is an eminent example of this peculiar merit. A calm, benig- nant beauty shines over all this picture, and goes directly to the heart. It seems almost to call } T OU by name. The sweet and sublime face of Jesus is beyond praise, yet how it disappoints all florid expectations ! This familiar, simple, home-speak- ing countenance, is as if one should meet a friend. The knowledge of picture-dealers has its value, but listen not to their criticism when your heart is touched by genius. It was not painted for them, it was painted for you ; for such as had eyes capable of being touched by simplicity and lofty emotions. Yet when we have said all our fine things about the arts, we must end with a frank confession, that the arts, as we know them, are but initial. Our best praise is given to what they aimed and promised, not to the actual result. He has con- ART. 317 ceived meanly of the resources of man, who be- lieves that the best age of production is past. The real value of the Iliad, or the Transfigura- tion, is as signs of power; billows or ripples they are of the great stream of tendency ; tokens of the everlasting effort to produce, which even in its worst estate, the soul betrays. Art has not yet come to its maturity, if it do not put itself abreast with the most potent influences of the world, if it is not practical and moral, if it do not stand in connection with the conscience, if it do not make the poor and uncultivated feel that it addresses them with a voice of lofty cheer. There is higher work for Art than the arts. They are abortive births of an imperfect or vitiated instinct. Art is the need to create ; but in its essence, im- mense and universal, it is impatient of working with lame or tied hands, and of making cripples and monsters, such as all pictures and statues are. Nothing less than the creation of man and nature is its end. A man should find in it an outlet for his whole energy. He may paint and carve only as long as he can do that. Art should exhilarate, and throw down the walls of circumstance on every side, awakening in the beholder the same sense of universal relation and power which the work evinced in the artist, and its highest effect is to make new artists. Already History is old enough to witness the old age and disappearance of particular arts. The art of sculpture is long ago perished to any real effect. It was originally a useful art, a mode 318 ESSAY XII. of writing, a savage's record of gratitude or de- votion, and among a people possessed of a wonder- ful perception of form, this childish carving was refined to the utmost splendor of effect. But it is the game of a rude and youthful people, and not the manly labor of a wise and spiritual na- tion. Under an oak tree loaded with leaves and nuts, under a sky full of eternal eyes, I stand in a thoroughfare ; but in the works of our plastic arts, and especially of sculpture, creation is driven into a corner. I cannot hide from myself that there is a certain appearance of paltriness, as of toys, and the trumpery of a theatre, in sculp- ture. Nature transcends all our moods of thought, and its secret we do not yet find. But the gal- lery stands at the mercy of our moods, and there is a moment when it becomes frivolous. I do not wonder that Newton, with an attention habit- ually engaged on the path of planets and suns, should have wondered what the Earl of Pern- broke found to admire in " stone dolls." Sculp- ture may serve to teach the pupil how deep is the secret of form, how purely the spirit can translate its meanings into that eloquent dialect. But the statue will look cold and false before that new activity which needs to roll through All things, and is impatient of counterfeits, and things not alive. Picture and sculpture are the celebrations and festivities of form. But true art is never fixed, but always flowing. The sweetest music is not in the oratorio, but in the human voice when it speaks from its instant life, ART. 319 tones of tenderness, truth, or courage. The ora- torio has already lost its relation to the morning, to the sun, and the earth, but that persuading voice is in tune with these. All works of art should not be detached, but extempore perform- ances. A great man is a new statue in every at- titude and action. A beautiful woman is a pic- ture which drives all beholders nobly mad. Life may be lyric or epic, as well as a poem or a ro- mance. A true announcement of the law of creation, if a man were found worthy to declare it, would carry art up into the kingdom of nature, and destroy its separate and contrasted existence. The fountains of invention and beauty in mod- ern society are all but dried up. A popular novel, a theatre, or a ball-room makes us feel that we are all paupers in the almshouse of this world, without dignity, without skill, or industry. Art is as poor and low. The old tragic Necessity, which lowers on the brows even of the Venuses and the Cupids of the antique, and furnishes the sole apology for the intrusions of such anomalous figures into nature, namely, that they were in- evitable; that the artist was drunk with a passion for form which he could not resist, and which vented itself in these fine extravagancies, no longer dignifies the chisel or the pencil. But the artist, and the connoisseur, now seek in art the exhibition of their talent, or an asylum from the evils of life. Men are not well pleased with the figure they make in their own imagination, and 320 ESSAY XII. they flee to art, and convey their better sense in an oratorio, a statue, or a picture. Art makes the same effort which a sensual prosperity makes, namely, to detach the beautiful from the useful, to do up the work as unavoidable, and hating it, pass on to enjoyment. These solaces and compen- sations, this division of beauty from use, the laws of nature do not permit. As soon as beauty is sought not from religion and love, but for pleasure, it degrades the seeker. High beauty is no longer attainable by him in canvas or in stone, in sound, or in lyrical construction ; an effeminate prudent, sickly beauty, which is not beauty, is all that can be formed ; for the hand can never execute any- thing higher than the character can inspire. The art that thus separates, is itself first sepa- rated. Art must not be a superficial talent, but must begin farther back in man. Now men do not see nature to be beautiful, and they go to make a statue which shall be. They abhor men as tasteless, dull and inconvertible, and console themselves with color-bags, and blocks of marble. They reject life as prosaic, and create a death which they call poetic. They despatch the day's weary chores, and fly to voluptuous reveries They eat and drink, that they may afterwards ex- ecute the ideal. Thus is art vilified ; the name conveys to the mind its secondary and bad senses; it stands in the imagination, as somewhat contrary to nature, and struck with death from the first. Would it not be better to begin higher up, to serve the ideal before they eat and drink; to ART. 321 serve the ideal in eating and drinking, in drawing the breath, and in the functions of life ? Beauty must come back to the useful arts, and the dis- tinction between the fine and the useful arts be forgotten. If history were truly told, if life were nobly spent, it would be no longer easy or possi- ble to distinguish the one from the other. In nature, all is useful, all is beautiful. It is there- fore beautiful, because it is alive, moving, repro- ductive ; it is therefore useful, because it is sym- metrical and fair. Beauty will not come at the call of a legislature, nor will it repeat in England or America, its history in Greece. It will come, as always, unannounced, and spring up between the feet of brave and earnest men. It is in vain that we look for genius to reiterate its miracles in the old arts ; it is its instinct to find beauty and holiness in new and necessary facts, in the field and roadside, in the shop and mill. Proceed- ing from a religious heart it will raise to a divine use, the railroad, the insurance office, the joint stock company, our law, our primary assemblies, our commerce, the galvanic battery, the electric jar, the prism, and the chemist's retort, in which we seek now only an economical use. Is not the selfish, and even cruel aspect which belongs to our great mechanical works, to mills, railwaj^s, and ma- chinery, the effect of the mercenary impulses which these works obey ? When its errands are noble and adequate, a steamboat bridging the At- lantic between Old and New England, and arriv- ing at its ports with the punctuality of a planet, 21 322 ESSA Y XII. is a step of man into harmony with nature. The boat at St Petersburg, which plies along the Lena by magnetism, needs little to make it sub- lime. When science is learned in love, and its powers are wielded by love, they will appear the supplements and continuations of the material creation. THE END. . , .. ofCaliforn L 007 1 24 524 5 I