THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES UNKNOWN KENT BY THE SAME AUTHOR A PAINTER IN PALESTINE. A DWELLER IN MESOPOTAMIA. THE LAST CRUSADE. ADVENTURES WITH A SKETCH BOOK. A CRUISE ACROSS EUROPE. THE BODLEY HEAD CANTRKBURY THE ANGEI. TOWKR UNKNOWN KENT BY DONALD MAXWELL Being a series of unmethodical Explorations of the County illustrated in line and colour by the Author JOHN LANE THE BODLEY HEAD LIMITED LONDON MCMXXI WILLIAM CLOWES AND SONS, LIMITED, LONDON AND BECCLES, ENGLAND DA TO MY COLLEAGUES OF THE GRAPHIC In labours, in watchings, in fastings ; By evil report and good report : As unknown, and yet well known ; As sorrowful, yet always rejoicing ; As poor, yet making many rich ; As having nothing, and yet possessing all things. 873350 ^.1 A "DOORWAY IN THE. VEAUD PREFACE To write about the whole of Kent and to give even a tithe of the sketches acquired in years of rambling about its ways would be to make a catalogue. It has seemed to me better, therefore, to leave out all reference to places when there is not room to say more than a word or two about them, how- ever interesting they may be. The reader, in looking through this book for the first time, will probably experience the same emotion as a certain Quaker, when in a dream he reached Heaven — surprise at not finding many old friends whose presence was confidently anticipated, and equal astonishment at the inclusion of those whom he did not in the least expect to meet. But for all this, I will be a good guide and lead him into places not easily found, and show them to him in such an atmosphere that he will see the things that are hidden. I will tell him that the loveliest glades of the garden of England are composed of slag heaps — slag heaps of the days of Good Queen Bess, but slag heaps for all that ; and I will dwell on this fact because I am an optimist believ- ing that beauty is not only a joy for ever, but that it will Vlll PREFACE ultimately prevail. I will take him to despised industrial regions and cause him to see the glamour and mystery therein of old Baghdad and the Arabian Nights. I have had to leave out whole sketch-books of drawings. At the last minute, however, I have included a doorway of Mr. Lewis Hind's Elizabethan cottage, Island Farm, near Biddenden, because it expresses so well the spirit of these old Wealden half-timbered houses, and will stand as a type for many others. My thanks are due to the Editor of the Graphic for kind permission to include in this book both notes and sketches which have, in some form, been published in that paper ; also acknowledgment to the Editors of the Yachting Monthly and Saturday Review respectively, for similar courtesies. The Beacon, Borstal, Rochester. September 21, 1921. CONTENTS CHAPTER PAGE I. The Track in the Wood J II. The Quest of the Mills of Maidstone 13 III. The Ways of the Weald • 33 IV. The Riddle of Tenterden Tower 45 V. Studies in Napoleonic Landscape 59 VI. Thames-side Kent 67 VII. The Land of Cement -93 VIII. The Land of Bridges 107 IX. The Land of Streams 121 X. The Lost Road of Kent 131 XL The Amateur Archaeologists H7 XII. The Seven Islands of Kent 163 XIII. Canterbury and the Sea 181 XIV. Wind and Water 191 XV. The Silver Darent 199 LIST OF ILLUSTRATIONS PLATES TO FACE PAGE Canterbury : the Angel Tower Frontispiece The Medway at Borstal 6 The Dedication of the Seven Lamps of Borstal 8 A Woodland Glade near Rochester 10 The Vanished Mill of Loose 18 Boughton Quarries 26 The Furnace Pond of Horsmonden 3 8 An Elizabethan Iron Foundry in the Weald . . . • . 40 The Marshes from Oxney Island 5° The "Walrus" at Greenwich 82 The Giant Jars of Greenhithe 88 Cement Works at Borstal 96 The Pillars of Wouldham . . . 9 8 The Nearer East: a fantasy of Bluebell Hill 102 The Medway near Maidstone no Old Maidstone from the River 114 Hadlow Tower 124 The Stair, Tonbridge 126 The Straight Mile, Tonbridge 128 The Medway at Yalding 152 A Nocturne of Margate Roads 16S In Gillingham Reach .... 178 St. Margaret's Bay 186 A Dover Foreshore 18S XI xii LIST OF ILLUSTRATIONS LINE SKETCHES AND MAPS PAGE A Doorway in the Weald vi ' : Like a River of Grass between Thickly Wooded Shores" . . 2 Heading: "The Track in the Wood" 3 Rochester Castle and Bridge, from Borstal 4 The Wooded Hills above Halling 5 Map: Vicinity of Borstai 7 Bottle Kilns 12 Old Water Mill, Boxley H A Ragstone Quarry, Boughton l S Beam over Doorway in Great Culand Farm, Burham . . . .16 Ancient Man-power Wheel for drawing Water, Burham . . .17 The Pulp Train 21 " Its Architecture was Babylonian or Assyrian " 23 Woodland Path, Loose 24 Old Mill at Loose 25 Disused Water-mill, Tovil 29 In the Village of Loose 30 A Water-wheel at Tovil 31 Paper-mill in Loose Valley 32 A Little Shop Window in Headcorn 34 Heading: "The Ways of the Weald" 35 Boughton Hill 36 Goudhurst 37 A Glimpse of a Garden at Yalding 39 A Quaint Sky-line in the Weald 41 The Medway at Yalding 43 Oasthouses 44 Appledore Church 46 Heading: "The Riddle of Tenterden Tower" 47 Isle of Oxney and Sea Approaches in the Middle Ages ... 48 Isle of Oxney from the Marshes at Appledore 49 Stone in the Isle of Oxney 51 Tenterden from the Isle of Oxney 52 View from the same place 400 Years ago 53 LIST OF ILLUSTRATIONS xiii PAGE Half-timbered House in Tenterden 55 At the Woolpack Inn, Tenterden 57 The Royal Military Canal 58 Map of Romney Marsh 60 Heading: " Studies in Napoleonic Landscape" 61 Martello Towers near Hythe 62 The Royal Military Canal from the High Land of the Isle of OXNEY 62 Lympne and Romney Marsh 63 The Hill Country near Hythe 65 Roman Walls near Lympne 66 Cliffe Creek 68 The " Worcester " at Greenhithe 69 "Ours was the Marsh Country down by the River" . . . .71 A Road out of Cliffe 73 Entrance to the Tunnel at Higham 75 A Crater in Kent 77 Frindsbury Shore 79 A Bit of Cooling Castle 81 At Greenhithe . 83 A Little Ship from Lilliput 85 A Powder Hulk near Erith 86 A Nocturne of Northfleet 87 Dartford 91 Aspdin's Kiln, Northfleet 92 Kilns, Bluebell Hill 94 Heading: "The Land of Cement" 95 Map : " Land of Cement " 96 The " Penguin " below Bridge 97 The Horse-shoe Bend : the Medway at Burham 99 Cement Land from above Burham 100 Ruins of Cement Works near New Hythe 101 A Kentish Venice: New Hythe in Flood 104 Outward Bound 106 Aylesford ^ . . 108 Aylesford Bridge 109 xiv LIST OF ILLUSTRATIONS PAGE Map: Old Bridges of the Medway in Allington Castle 113 East Farleigh 115 Teston Bridge 117 Bridge and Church, Yalding 119 On the Beult, Yalding 120 Map: Medway near Tondridge 122 Heading: "The Land of Streams" . 123 Map: Medway Valley, Yalding 127 "The Twelve Apostles" 129 Ye Old Chequers, Tonbridge 130 Map: The Sea Coast and the "Weald Coast" 132 Heading: "The Lost Road of Kent" 133 The Castle, Sutton Valence 135 Gables at Yalding 146 Sutton Valence 148 Heading: " The Amateur Archaeologists " 149 The Giants of Yalding 155 By Twyford Bridge, Yalding 158 A Riverside Hop Garden 159 Rats Castle, near Mere worth 160 "Fair Rosamond's Bower," Westenhanger 161 Westenhanger Castle 162 Map : The Seven Islands of Kent 164 Minster in Sheppey 165 King's Ferry Bridge 167 Alongside " Actveon " 169 Sea Reach, Calm 170 Sea Reach, Fresh 171 This is not meant to be a Comic Picture. It simply shows what curious things people will do for Pleasure 172 Painting a Cruiser's Funnel 173 The "Penguin" and H.M.S. "Magnificent" 173 The Tower at Grain 174 Reculvers and Margate Hook 175 The Mussel Manor, Leysdown 177 LIST OF ILLUSTRATIONS xv PAGE Plates for Shipbuilding, in Chatham Dockyard 178 Old Map showing Leysdown .... .... 179 Old Boats. A Dockyard Scene 180 Dover l % 2 Map: Canterbury and the Roman Ports 183 Kingsdown 190 Delce Mill, Rochester 192 Heading: "Wind and Water" 193 The Medway from Rochester Station 195 In the Rochester River 198 Eynesford Bridge .... . . ... 200 HORTON KlRBY 201 Franks 203 Shoreham Mill 205 A Mill on the Darent 206 THE TRACK IN THE WOOD ... .. 3: .£. " LIKE A RIVER OF GRASS BETWEEN THICKLY WOODED SHORES" (p. IO). r T THE TRACK IN THE WOOD IT came to me one day as I gazed upon the Medway from the heights of Borstal that I had explored many lands and written of many places but singularly little about my own county, Kent. And this was neither from want of love for it nor from any flagging of enthusiasm on the subject of its highways and byways, but rather because of its very familiarity and the ease with which material could be gathered together. The impulse to discover something is largely fostered by the inaccessibility of the thing to be discovered. Had America been an island within sight of Lisbon, probably Columbus would never have fitted out an expedition to explore B 2 UNKNOWN KENT ROCHESTER CASTLE AND BRIDGE, FROM BORSTAL. it. Eldorados might have been had for the asking, and no one worried about them. The wonderfulness of Kent was stamped upon my imagina- tion when I was furthest away from England. It was in India that I saw potential pictures of moonlight in the land of cement. It was in Persia that I came to feel more than ever the Eastern magic of the chalklands at home, and it was in the Garden of Eden that I began to realize more fully the richer pictorial possibilities of the Garden of England. So I vowed a vow. And the vow was this. That I should travel through Kent with log-book and sketch-book as an explorer in a new land, taking nothing for granted, and working my way along, topographically, by my wits. Having made my resolve it was not long before I started. Brown, my faithful Achates on many similar trips, said he would THE TRACK IN THE WOOD THE WOODED HILLS ABOVE HALLING. like to come too, so he joined up, full of enthusiasm. We left the warmth and cheery comfort of a fire for the bleak highway on a bitterly cold day at about three of the clock. Brown carried numerous books, making the sum total of his possessions somewhat heavy. My impedimenta con- sisted of a small haversack, a large sketch-book, and a mysterious tin containing a medley of chalks and paint arranged so unsystematically that I can never find anything I want. My children refer to this last item somewhat con- temptuously as the muddle box, a rather good description, I think. The white chalk is the great offender. It always rolls about and coats all the other chalks with white, so that it is impossible to tell their real colour. It also renders indiarubber peculiarly ineffective and even dangerous. Steering a more or less westerly course we marched boldly down the village street. Unmindful of the fact that we were 6 UNKNOWN KENT bent on an epoch-making exploration of Kent, Borstal took not the slightest notice of our determined look and heroic bearing. It was bitterly cold, and I felt that I should need a great deal of determination if I succeeded in getting much sketching done before sunset. Lector : You old fraud ! Trying to make dear, simple- minded old ladies imagine that you had a terribly rough time. You know quite well I saw you only a few days afterwards living in great luxury and cribbing sketches made on the spot from a series of picture postcards. Pictor : Hush ! Don't go and give the whole show away. You must start off by letting everybody have a glimpse of the artist as a most terrible fellow who will stick at nothing. Besides, there is the publisher. At present he does not suspect me. If he once got hold of that picture-postcard idea he might publish them, and then where should I be ? What shall I say of Borstal ? If I am out to rediscover Kent I must not shirk my responsibilities because I am near home. Well, Borstal is frankly hideous, a utilitarian yellow brick blot, perched on the hillside with a glorious view of the river and the valley of the Medway. It is situated in a position that many famous towns might envy, and for that reason it is rather a tragedy that it should be so exceptionally ugly. The architecture of Borstal might be described as belonging to the ironic style. Crowned by a fort and dominated by the old convict prison — now H.M. Institution for the reformation of young offenders — it straggles downhill in the direction of Rochester to become a single row of houses overlooking the ■■.::. ■•..».•.•! g*o . THE MEDWAY AT BORSTAL THE TRACK IN THE WOOD s~- V STROUD river, roomy and comfort- able if not beautiful, till Borstal Road reaches Fort Clarence in the chain of the old moated and walled defences of Rochester and Chatham. I could wish that some imaginative dis- trict council would make a law that every yellow brick house in Borstal must be whitewashed. It would not be any use a few householders doing it. The scheme should be a comprehensive one. Then I should have hopes of my own village even from a pictorial point of view. We should look like an Italian mountain town, and artists from far and near would come to sketch us. When we came to the church, we entered, for it is always open, and I showed Brown the seven lamps. He had not seen them before. Here is the tale. The Story of the Seven Lamps of Borstal Once upon a time there lived in the City of Damascus an old brassworker who made lamps. And he was a cunning 8 UNKNOWN KENT workman, a Christian and a Syrian, and the workshop wherein he worked was in the Street which is called Straight. And he made seven lamps to hang before the altar of God, even as the lamps of fire that are the seven spirits of God. Now it chanced that about the same time that he had finished the fashioning of these lamps a painter came into the City, and he sought out the Street which is called Straight, and came to the workshop of the old man. And he spoke with the lampmaker and said, Show me, I pray, lamps of brass. And he showed him the seven lamps which he had made. And when the stranger saw them he was moved with great admiration, and he said, I will buy these lamps, and they shall hang in the Church of St. Matthew which is in Borstal. Now the old brassworker was glad when he said I will buy the lamps, and he said, I will fashion yet more of the cunning work which is in these lamps, and they shall be ready to take into the ship in thirty and one days. Now the painter returned to his own land, and before the thirty and one days were passed there was a great war. And the lamps came not. Then he said to himself, Now that the Turks have become our enemies the lamps that were in Damascus shall never come unto Borstal. And the Turks took the workshop of the lampmaker, and took all the brass and made the lampmaker and his men work like slaves, and they made instruments of war for the Turks. But ere the officer of the Turks had entered, the old man had taken the lamps and buried them in the ground, for he said, *xt\ THE DEDICATION OF THE SEVEN LAMPS OF BORSTAL THE TRACK IN THE WOOD 9 Lest the ungodly find them and the Church of St. Matthew at Borstal be desolate. Now the painter served in the King's ships, and the war raged sore, and he forgot the lamps that were in Damascus. But after five years, when the war was spent and the tumult had abated, it chanced that he was sent on duty to Damascus. And then he called to mind the lamps, and said, I will go unto the house of the lampmaker, which is in the Street called Straight. Peradventure he is dead and his goods scattered, or peradventure he liveth. And when he had come thither he found the workshop, and the old man remembered him when he came in. And he was overjoyed, and took him into the deep cellar and uncovered the lamps. And the painter sought to pay him money for preserving the lamps, but the lampmaker would take nothing, for he said, Are they not thy lamps, and for the Church of St. Matthew ? And so the lamps came to Borstal. And when the feast of St. Paul was come, there was great rejoicing in Borstal, and the Bishop came to dedicate the seven lamps. Now it chanced that the painter before the war had with him two friends at Borstal, but both were killed, and he alone was left. So he said, Let the lamps be as a memorial to them. And the whole company of priests and singers in the church marched in procession to the War Shrine and made prayers for the souls of the Dead, and they marched back again to the altar with loud singing. And they had vestments of scarlet and of gold, and the Priest of Borstal took a torch and kindled it at the lights of the altar and gave it to the Bishop. And the Bishop kindled the lamps, and they io UNKNOWN KENT burned even as the lamps of fire before the throne of Heaven. And the seven lamps were dedicated to the Glory of God and in memory of Victor Morgan and Luke Taylor who fell in the great war. And the people of Borstal remembered that day. # After leaving the church we took the path by the school, past the Fort and the rather gloomy precincts of the old convict prison, now " H.M. Institution for the Reformation of Young Offenders," and gained the high-road that runs from Rochester to Maidstone, past Fort Bridgewood and along the top of the down. To the right lies the wooded valley of Nashenden, some four hundred feet below. The weather was not very clear, and partly owing to this circumstance we seemed to be looking down on an amazing thing — a glacier cut through the dark, tree-covered ridge that overlooks Burham. I have sketched the effect at the head of this chapter. Brown immediately christened it the Mer de Grass, and proposed an ascent. To get there we had to go down into the valley by means of a track, appropriately called Stoney Lane, past a little stone farm. The woodland walk soon opened out into a glade, a fruitful place for wild strawberries, as many Borstal children know, and seemed like a river of grass between thickly wooded shores. The track steepens as it nears the crest of the hill and the Robin Hood Inn. A line of gaunt and windblown trees make a striking sky-line. Looking back, the high ground of the Rochester road appeared in golden light, the woods and the green track by which we had come in shadow. 3s?~~. jfeS^: ■5^*- N A WOODLAND GLADE NEAR ROCHESTER THE TRACK IN THE WOOD n In some weather the view from this point is a remarkable one. In this light, however, it looked flat and uninteresting. I have seen it sometimes on a November afternoon, when a huge red sun is lighting up the river so that it has the appear- ance of a fiery serpent lashing itself in coils across the plain between blue-wooded heights dimmed with faint layers of smoke and mist. The serried ranks of chimneys and multi- tudinous kilns and quays create an intangible world that some enchanter might have produced by magic, and it is only the reality of a tug and a train of barges, or the plodding worka- day aspect of a stumpy on her way down to Rochester that destroy the illusion. Some people always run down smoke and chimneys, but given enough smoke and enough chimneys the most fantastic and wonderful effects can be seen. To the painter, indeed, it does not really matter so much what a thing is. It matters more what it suggests. In the sketch of some giant bottles, reproduced as the frontispiece of this book, there is a good test of this theory. Show it to the average man as an illustration to the Arabian Nights and he will rather like it, but tell him that it is a very realistic and faithful drawing of some bottle kilns not very far from Rochester, and he will immediately either discount its romance or doubt its accuracy. The comparisons which I have made so often between the cement world of the Medway country and the magic East have been received generally with roars of laughter. The fact remains, however, that when I show people portfolios of sketches made in Persia, India, or the nearer East and throw 12 UNKNOWN KENT in a few Medway subjects to add variety, invariably they chose some of these as the most characteristic example of mystery and glamour. For a time we kept along the fields at the top of the hill, enjoying the wide prospect of winding river and busy industry far below, and descended by a rough path in the direction of Snodland, where the Medway loops itself into horse-shoe bends to disappear from sight at Aylesford. FTl II THE QUEST OF THE MILLS OF MAIDSTONE ■"* OLD WATER-MILL, BOXLEY. A RAGSTONE QUARRY, BOUGHTON. THE QUEST OF THE MILLS OF MAIDSTONE MAPS are popularly supposed to assist a traveller in finding his way and explaining by diagram the nature of the country through which he is passing. As far as Brown and I were concerned, they led often to disappoint- ment and invariably to wrong conclusions. At all times Brown is blessed with a tremendous imagination, but give him a map and he will fairly let himself go in romantic speculation. I must say there is a good deal of extenuation for Brown's romancing. Even an ordnance survey map can be very i6 UNKNOWN KENT / »■» w u «» *• if * » t/uMAuv i/yff-^-t-n. ^.-T 71 " f^^T^r y^— T u l cWi(UUWl'i»*^*Vmnv3^aia^3UEi^^ &