% USmrn LIBRARY UNIVERSITY OF CALIFORNIA SAN DIEGO S. EDWIN CORLE, JR. HIS BOOK PS 3503 U.W36 C3 *# TH*V, ^^x^v^x? O^^v^^f %*- (*&**&*+* + a > J f V ^uu. / M^^oto . THE CALL OF THE CUMBERLANDS THE ILLUSTRATIONS SHOWN IN THIS EDITION ARE RE- PRODUCTIONS OF SCENES FROM THE PHOTOPLAY OF "THE CALL OF THE CUMBER- LANDS," PRODUCED AND COPYRIGHTED BY PALLAS PICTURES, TO WHOM THE PUBLISHERS DESIRE TO EX PRESS THEIR THANKS AND APPRECIATION FOR PERMIS SION TO USE THE PICTURES. THE CALL OF THE CUMBERLANDS BY CHARLES NEVILLE BUCK AUTHOR OF THE PORTAL OF DREAMS, ETC. ILLUSTRATED WITH SCENES FROM THE PHOTO- PLAY PRODUCED AND COPYRIGHTED .BY PALLAS PICTURES. GROSSET PUBLISHERS & DUNLAP :-: NEW YORK COPYRIGHT 1913 BY W. J. WATT & COMPANY Published March Other novels by Charles Neville Buck THE KEY TO YESTERDAY THE LIGHTED MATCH THE PORTAL OF DREAMS The Call of the Cumberlands CHAPTER I CLOSE to the serried backbone of the Cumberland ridge through a sky of mountain clarity, the sun seemed hesitating before its descent to the horizon. The sugar-loaf cone that towered above a creek called Misery was pointed and edged with emer ald tracery where the loftiest timber thrust up its crest plumes into the sun. On the hillsides it would be light for more than an hour yet, but below, where the waters tossed themselves along in a chorus of tiny cascades, the light was already thickening into a cathedral gloom. Down there the "furriner" would have seen only the rough course of the creek between moss-velveted and shaded bowlders of titanic proportions. The native would have recognized the country road in these tortu ous twistings. Now there were no travelers, foreign or native, and no sounds from living throats except at intervals the clear "Bob White" of a nesting par tridge, and the silver confidence of the red cardinal flitting among the pines. Occasionally, too, a stray whisper of breeze stole along the creek-bed and rustled the beeches, or stirred in the broad, fanlike leaves of the "cucumber trees." A great block of sandstone, 1 2 THE CALL OF THE CUMBERLANDS to whose summit a man standing in his saddle could scarcely reach his fingertips, towered above the stream, with a gnarled scrub oak clinging tenaciously to its apex. Loftily on both sides climbed the mountains cloaked in laurel and timber. Suddenly the leafage was thrust aside from above by a cautious hand, and a shy, half -wild girl appeared in the opening. For an instant she halted, with her brown fingers holding back the brushwood, and raised her face as though listening. Across the slope drifted the call of the partridge, and with perfect imitation she whis tled back an answer. It would have seemed appropriate to anyone who had seen her that she should talk bird language to the birds. She was herself as much a wood creature as they, and very young. That she was beautiful was not strange. The women of the moun tains have a morning-glory bloom until hardship and drudgery have taken toll of their youth and she could not have been more than sixteen. It was June, and the hills, which would be bleakly forbidding barriers in winter, were now as blithely young as though they had never known the scourging of sleet or the blight of wind. The world was abloom, and the girl, too, was in her early June, and sentiently alive with the strength of its full pulse-tide. She was slim and lithely resilient of step. Her listening atti tude was as eloquent of pausing elasticity as that of the gray squirrel. Her breathing was soft, though she had come down a steep mountainside, and as fragrant as the breath of the elder bushes that dashed the banks with white sprays of blossom. She brought with her to the greens and grays and browns of the woodland's THE CALL OF THE CUMBERLANDS 3 heart a new note of color, for her calico dress was like the red cornucopias of the trumpet-flower, and her eyes were blue like little scraps of sky. Her heavy, brown-red hair fell down over her shoulders in loose profusion. The coarse dress was freshly briar-torn, and in many places patched; and it hung to the lithe curves of her body in a fashion which told that she wore little else. She had no hat, but the same spirit of child like whimsey that caused her eyes to dance as she answered the partridge's call had led her to fashion for her own crowning a headgear of laurel leaves and wild roses. As she stood with the toes of one bare foot twisting in the gratefully cool moss, she laughed with the sheer exhilaration of life and youth, and started out on the table top of the huge rock. But there she halted suddenly with a startled exclamation, and drew instinctively back. What she saw might well have astonished her, for it was a thing she had never seen before and of which she had never heard. Now she paused in indecision between going forward toward exploration and retreating from new and unexplained phenomena. In her quick instinctive movements was something like the irresolution of the fawn whose nos trils have dilated to a sense of possible daager. Finally, reassured by the silence, she slipped across the broad face of the flat rock for a distance of twenty-five feet, and paused again to listen. At the far edge lay a pair of saddlebags, Luch as form the only practical equipment for mountain travelers. They were ordinary saddlebags, made from the undressed hide of a brindle cow, and they were fat with tight packing. A pair of saddlebags lying 4 THE CALL OF THE CUMBERLANDS unclaimed at the roadside would in themselves challenge curiosity. But in this instance they gave only the prefatory note to a stranger story. Near them lay a tin box, littered with small and unfamiliar-looking tubes of soft metal, all grotesquely twisted and stained, and beside the box was a strangely shaped plaque of wood, smeared with a dozen hues. That this plaque was a painter's sketching palette was a thing which she could not know, since the ways of artists had to do with a world as remote from her own as the life of the moon or stars. It was one of those vague mysteries that made up the wonderful life of "down below." Even the names of such towns as Louisville and Lexington meant nothing definite to this girl who could barely spell out, "The cat caught the rat," in the primer. Yet here beside the box and palette stood a strange jointed tri pod, and upon it was some sort of sheet. What it all meant, and what was on the other side of the sheet became a matter of keenly alluring interest. Why had these things been left here in such confusion ? If there was a man about who owned them he would doubtless return to claim them. Possibly he was wandering about the broken bed of the creek, searching for a spring, and that would not take long. No one drank creek water. At any moment he might return and discover her. Such a contingency held untold terrors for her shyness, and yet to turn her back on so interesting a mystery would be insupportable. Accordingly, she crept over, eyes and ears alert, and slipped around to the front of the queer tripod, with all her muscles poised in readiness for flight. A half-rapturous and utterly astonished cry broke THE CALL OF THE CUMBERLANDS 5 [from her lips. She stared a moment, then dropped to the moss-covered rock, leaning back on her brown hands and gazing intently. She sat there forgetful of every thing except the sketch which stood on the collapsible easel. "Hit's purty !" she approved, in a low, musical mur mur. "Hit's plumb dead beautiful!" Her eyes were gloAving with delighted approval. She had never before seen a picture more worthy than the chromos of advertising calendars and the few crude prints that find their way into the roughest places, and she was a passionate, though totally unconscious, devotee of beauty. Now she was sitting before a sketch, its paint still moist, which more severe critics would have pronounced worthy of accolade. Of course, it was not a finished picture merely a study of what lay before her but the hand that had placed these brush strokes on the academy board was the sure, deft hand of a master of landscape, who had caught the splendid spirit of the thing, and fixed it immutably in true and glowing appreciation. Who he was ; where he had gone ; why his work stood there unfinished and abandoned, were details which for the moment this half-savage child-woman forgot to question. She was conscious only of a sense of revelation and awe. Then she saw other boards, like the one upon the easel, piled near the paint-box. These were dry, and represented the work of other days ; but they were all pictures of her own mountains, and in each of them, as in this one, was something that made her heart leap. To her own people, these steep hillsides and "coves" and valleys were a matter of course. In their stony 6 THE CALL OF THE CUMBERLANDS soil, they labored by day: and in their shadows slept when work was done. Yet, someone had discovered that they held a picturesque and rugged beauty; that they were not merely steep fields where the plough was use less and the hoe must be used. She must tell Samson: Samson, whom she held in an artless exaltation of hero- worship; Samson, who was so "smart" that he thought about things beyond her understanding; Samson, who could not only read and write, but speculate on prob lematical matters. Suddenly she came to her feet with a swift-darting impulse of alarm. Her ear had caught a sound. She cast searching glances about her, but the tangle was empty of humanity. The water still murmured over the rocks undisturbed. There was no sign of human pres ence, other than herself, that her eyes could discover and yet to her ears came the sound again, and this time more distinctly. It was the sound of a man's voice, and it was moaning as if in pain. She rose and searched vainly through the bushes of the hillside where the rock ran out from the woods. She lifted her skirts and splashed her bare feet in the shallow creek water, wading persistently up and down. Her shyness was forgotten. The groan was a groan of a human creature in distress, 9.nd she must find and succor the person from whom it came. Certain sounds are baffling as to direction. A voice irom overhead or broken by echoing obstacles does not readily betray its source. Finally she stood up and listened once more intently her attitude full of tense earnestness. "I'm shore a fool," she announced, half -aloud. "I'm THE CALL OF THE CUMBERLANDS 7 shore a plumb fool." Then she turned and disappeared in the deep cleft between the gigantic bowlder upon which she had been sitting and another small only by comparison. There, ten feet down, in a narrow alley littered with ragged stones, lay the crumpled body of a man. It lay with the left arm doubled under it, and from a gash in the forehead trickled a thin stream of blood. Also, it was the body of such a man as she had not seen before. CHAPTER H A LTHOUGH from the man in the gulch came a low ./"m, groan mingled with his breathing, it was not such a sound as comes from fully conscious lips, but rather that of a brain dulled into coma. His lids drooped over his eyes, hiding the pupils ; and his cheeks were pallid, with outstanding veins above the temples. Freed from her fettering excess of shyness by his condition, the girl stepped surely from foothold to foot hold until she reached his side. She stood for a moment with one hand on the dripping walls of rock, looking down while her hair fell about her face. Then, drop ping to her knees, she shifted the doubled body into a leaning posture, straightened the limbs, and began exploring with efficient fingers for broken bones. She was a slight girl, and not tall; but the curves of her young figure were slimly rounded, and her firm muscles were capably strong. This man was, in com parison with those rugged types she knew, effeminately delicate. His slim, long-fingered hands reminded her of a bird's claws. The up-rolled sleeves of a blue flannel shirt disclosed forearms well-enough sinewed, but in stead of being browned to the hue of a saddle-skirt, they were white underneath and pinkly red above. More over, they were scaling in the fashion of a skin not inured to weather beating. Though the man had thought on setting out from civilization that he was 8 suiting his appearance to the environment, the impres sion he made on this native girl was distinctly foreign. The flannel shirt might have passed, though hardly without question, as native wear, but the khaki riding- breeches and tan puttees were utterly out of the picture, and at the neck of his shirt was a soft-blue tie! had he not been hurt, the girl must have laughed at that. A felt hat lay in a puddle of water, and, except for a blond mustache, the face was clean shaven and smooth of skin. Long locks of brown hair fell away from the forehead. The helplessness and pallor gave an exaggerated seeming of frailty. Despite an ingrained contempt for weaklings, the girl felt, as she raised the head and propped the shoulders, an intuitive friendliness for the mysterious stranger. She had found the left arm limp above the wrist, and her fingers had diagnosed a broken bone. But uncon sciousness must have come from the blow on the head, where a bruise was already blackening, and a gash still trickled blood. She lifted her skirt, and tore a long strip of cotton from her single petticoat. Then she picked her bare footed way swiftly to the creek-bed, where she drenched the cloth for bathing and bandaging the wound. It required several trips through the littered cleft, for the puddles between the rocks were stale and brackish ; but these journeys she made with easy and untrammeled swiftness. When she had done what she could by way of first aid, she stood looking down at the man, and shook her head dubiously. 10 THE CALL OF THE CUMBERLANDS "Now ef I jest had a little licker," she mused. "Thet air what he needs a little licker!" A sudden inspiration turned her eyes to the crest of the rock. She did not go round by the path, but pulled herself up the sheer face by hanging roots and slippery projections, as easily as a young squirrel. On the flat surface, she began unstrapping the saddlebags, and, after a few moments of rummaging among their contents, she smiled with satisfaction. Her hand brought out a leather-covered flask with a silver bottom. She held the thing up curiously, and looked at it. For a little time, the screw top puzzled her. So, she sat down cross-legged, and experimented until she had solved its method of opening. Then, she slid over the side again, and at the bottom held the flask up to the light. Through the side slits in the alligator-skin covering, she saw the deep color of the contents ; and, as she lifted the nozzle, she sniffed contemptuously. Then, she took a sample draught her self to make certain that it was whiskey. She brushed her lips scornfully with the back of her hand. "Huh!" she exclaimed. "Hit hain't nothin' but red licker, but maybe hit mout be better'n nuthin'." She was accustomed to seeing whiskey freely drunk, but the whiskey she knew was colorless as water, and sweetish to the palate. She knew the "mountain dew" which paid no reve nue tax, and which, as her people were fond of saying, "mout make a man drunk, but couldn't git him wrong." After tasting the "fotched-on" substitute, she gravely, in accordance with the fixed etiquette of the hills, wiped THE CALL OF THE CUMBERLANDS 11 the mouth of the bottle on the palm of her hand, then, kneeling once more on the stones, she lifted the stran ger's head in her supporting arm, and pressed the flask to his lips. After that, she chafed the wrist which was not hurt, and once more administered the tonic. Finally, the man's lids fluttered, and his lips moved. Then, he opened his eyes. He opened them waveringly, and seemed on the point of closing them again, when he became conscious of a curved cheek, suddenly coloring to a deep flush, a few inches from his own. He saw in the same glance a pair of wide blue eyes, a cloud of brown-red hair that fell down and brushed his face, and he felt a slender young arm about his neck and shoulders. "Hello !" said the stranger, vaguely. "I seem to have " He broke off, and his lips smiled. It was a friendly, understanding smile, and the girl, fighting hard the shy impulse to drop his shoulders, and flee into the kind masking of the bushes, was in a measuie reassured. "You must hev fell offen the rock," she enlightened. "I think I might have fallen into worse circuit Stances," replied the unknown. '"I reckon you kin set up after a little." "Yes, of course." The man suddenly realized that although he was quite comfortable as he was, he could scarcely expect to remain permanently in the support of her bent arm. He attempted to prop himself on his hurt hand, and relaxed with a twinge of extreme pain. The color, which had begun to creep back into his cheeks, left them again, and his lips compressed them selves tightly to bite off an exclamation of suffering. 12 THE CALL OF THE CUMBERLANDS "Thet thar left arm air busted," announced the young woman, quietly. "Ye've got ter be heedful." Had one of her own men hurt himself, and behaved stoically, it would have been mere matter of course ; but her eyes mirrored a pleased surprise at the stranger's good-natured nod and his quiet refusal to give expres sion to pain. It relieved her of the necessity for contempt. "I'm afraid," apologized the painter, "that I've been a great deal of trouble to you." Her lips and eyes were sober as she replied. "I reckon thet's all right." "And what's worse, I've got to be more trouble. Did you see anything of a brown mule?" She shook her head. "He must have wandered off. May I ask to whom I'm indebted for this first aid to the injured?" "I don't know what ye means." She had propped him against the rocks, and sat near-by, looking into his face with almost disconcerting steadiness ; her solemn-pupiled eyes were unblinking, unsmiling. Unaccustomed to the gravity of the moun taineer in the presence of strangers, he feared that he had offended her. Perhaps his form of speech struck her as affected. "Why, I mean who are you?" he laughed. "I hain't nobody much. I jest lives over yon." "But," insisted the man, "surely you have a name." She nodded. "Hit's Sally." "Then, Miss Sally, I want to thank you." Once more she nodded, and, for the first time, let her eyes drop, while she sat nursing her knees. Finally, she glanced up, and asked with plucked-up courage: "Stranger, what mout yore name be?" "Lescott George Lescott." "How'd ye git hurt?" He shook his head. "I was painting up there," he said; "and I guess I got too absorbed in the work. I stepped backward to look at the canvas, and forgot where the edge was. I stepped too far." "Hit don't hardly pay a man ter walk backward in these hyar mountings," she told him. The painter looked covertly up to see if at last he had discovered a flash of humor. He had the idea that her lips would shape themselves rather fascinatingly in a smile, but her pupils mirrored no mirth. She had spoken in perfect seriousness. The man rose to his feet, but he tottered and reeled against the wall of ragged stone. The blow on his head had left him faint and dizzy. He sat down again. "I'm afraid," he ruefully admitted, "that I'm not quite ready for discharge from your hospital." "You jest set where yer at." The girl rose, and pointed up the mountainside. "I'll light out across the hill, and fotch Samson an' his mule." "Who and where is Samson?" he inquired. He realized that the bottom of the valley would shortly thicken into darkness, and that the way out, unguided, would become impossible. "It sounds like the name of a strong man." "I means Samson South," she enlightened, as though 14 THE CALL OF THE CUMBERLANDS further description of one so celebrated would be re dundant. "He's over thar 'bout three quarters." "Three quarters of a mile ?" She nodded. What else could three quarters mean? "How long will it take you?" he asked. She deliberated. "Samson's hoein' corn in the fur- hill field. He'll hev ter cotch his mule. Hit mout tek a half -hour." Lescott had been riding the tortuous labyrinths that twisted through creek bottoms and over ridges for sev eral days. In places two miles an hour had been his rate of speed, though mounted and following so-called roads. She must climb a mountain through the woods. He thought it "mout" take longer, and his scepticism found utterance. "You can't do it in a half -hour, can you?" "I'll jest take my foot in my hand, an' light out." She turned, and with a nod was gone. The man rose, and made his way carefully over to a mossy bank, ^-here he sat down with his back against a century-old tree to wait. The beauty of this forest interior had first lured him to pause, and then to begin painting. The place had not treated him kindly, as the pain in his wrist reminded him, but the beauty was undeniable. A clump of rho dodendron, a little higher up, dashed its pale clusters against a background of evergreen thicket, and a catalpa tree loaned the perfume of its white blossoms with their wild little splashes of crimson and purple and orange to the incense which the elder bushes were contributing. Climbing fleetly up through steep and tangled THE CALL OF THE CUMBERLANDS 15 and running as fleetly down ; crossing a brawling little stream on a slender trunk of fallen poplar ; the girl hastened on her mission. Her lungs drank the clear air in regular tireless draughts. Once only, she stopped and drew back. There was a sinister rustle in the grass, and something glided into her path and lay coiled there, challenging her with an ominous rattle, and with wicked, beady eyes glittering out of a swaying, arrow- shaped head. Her own eyes instinctively hardened, and she glanced quickly about for a heavy piece of loose timber. But that was only for an instant, then she took a circuitous course, and left her enemy in undis puted possession of the path. "I hain't got no time ter fool with ye now, old rattle snake," she called back, as she went. "Ef I wasn't in sech a hurry, I'd shore bust yer neck." At last, she came to a point where a clearing rose on the mountainside above her. The forest blanket was stripped off to make way for a fenced-in and crazily tilting field of young corn. High up and beyond, close to the bald shoulders of sandstone which threw themselves against the sky, was the figure of a man. As the girl halted at the foot of the field, at last panting from her exertions, he was sitting on the rail fence, looking absently down on the outstretched panorama below him. It is doubtful whether his dreaming eyes were as conscious of what he saw as of other things which his imagination saw beyond the haze of the last far rim. Against the fence rested his abandoned hoe, and about him a number of lean hounds scratched and dozed in the sun. Samson South had little need of hounds; but, in another century, his people, turning their backs on Virginii affluence to invite the hardships of pioneer life, had orought with them certain of the cavaliers' instincts. A hundred years in the stagnant back-waters of the world had brought to their descend ants a lapse into illiteracy and semi-squalor, but through it all had fought that thin, insistent flame of instinct. Such a survival was the boy's clinging to his hounds. Once, they had symbolized the spirit of the nobility; the gentleman's fondness for his sport with horse and dog and gun. Samson South did not know the origin of his fondness for this remnant of a pack. He did not know that in the long ago his forefathers had fought on red fields with Bruce and the Stuarts. He only knew that through his crudities something indefinable, yet compelling, was at war with his life, filling him with great and shapeless longings. He at once loved and resented these ramparts of stone that hemmed in his hermit race and world. He was not, strictly speaking, a man. His age was perhaps twenty. He sat loose-jointed and indolent on the top rail of the fence, his hands hanging over his knees: his hoe forgotten. His feet were bare, and his jeans breeches were supported by a single suspender strap. Pushed well to the back of his head was a bat tered straw hat, of the sort rurally known as the "ten- cent jimmy." Under its broken brim, a long lock of black hair fell across his forehead. So much of his appearance was typical of the Kentucky mountaineer. His face was strongly individual, and belonged to no type. Black brows and lashes gave a distinctiveness to gray eyes so clear as to be luminous. A high and splendidly molded forehead and a squarely blocked 171 chin were free of that degeneracy which marks the wasting of an in-bred people. The nose was straight, and the mouth firm yet mobile. It was the face of the instinctive philosopher, tanned to a hickory brown. In a stature of medium size, there was still a hint of power and catamount alertness. If his attitude was at the moment indolent, it was such indolence as drowses be tween bursts of white-hot activity; a fighting man's aversion to manual labor which, like the hounds, harked back to other generations. Near-by, propped against the rails, rested a repeating rifle, though the people would have told you that the truce in the "South- Hollman war" had been unbroken for two years, and that no clansman need in these halcyon days go armed , afield. CHAPTER HI SALLY clambered lightly over the fence, and started on the last stage of her journey, the climb across the young corn rows. It was a field stood on end, and the hoed ground was uneven ; but with no seeming of weariness her red dress flashed steadfastly across the green spears, and her voice was raised to shout : "Hello, Samson !" The young man looked up and waved a languid greeting. He did not remove his hat or descend from his place of rest, and Sally, who expected no such atten tion, came smilingly on. Samson was her hero. It seemed quite appropriate that one should have to climb steep acclivities to reach him. Her enamored eyes saw in the top rail of the fence a throne, which she was content to address from the ground level. That he was fond of her and meant some day to marry her she knew, and counted herself the most favored of women. The young men of the neighboring coves, too, knew it, and respected his proprietary rights. If he treated her with indulgent tolerance instead of chivalry, he was merely adopting the accepted attitude of the mountain man for the mountain woman, not unlike that of the red warrior for his squaw. Besides, Sally was still almost a child, and Samson, with his twenty years, looked down from a rank of seniority. He was the legitimate head of the Souths, and some day, when IS THE CALL OP THE CUMBERLANDS 19 the present truce ended, would be their war-leader with certain blood debts to pay. Since his father had been killed by a rifle shot from ambush, he had never been permitted to forget that, and, had he been left alone, he would still have needed no other mentor than the rankle in his heart. But, if Samson sternly smothered the glint of tender ness which, at sight of her, rose to his eyes, and recog nized her greeting only in casual fashion, it was because such was the requirement of his stoic code. And to the girl who had been so slow of utterance and diffident with the stranger, words now came fast and fluently as she told her story of the man who lay hurt at the foot of the rock. "Hit hain't long now tell sundown," she urged. "Hurry, Samson, an' git yore mule. I've done give him my promise ter fotch ye right straight back." Samson took off his hat, and tossed the heavy lock upward from his forehead. His brow wrinkled with doubts. "What sort of lookin' feller air he?" While Sally sketched a description, the young man's doubt grew graver. "This hain't no fit time ter be takin' in folks what we hain't acquainted with," he objected. In the moun tains, any time is the time to take in strangers unless there are secrets to be guarded from outside eyes. "Why hain't it?" demanded the girl. "He's hurt. We kain't leave him layin' thar, kin we?" Suddenly, her eyes caught sight of the rifle leaning near-by, and straightway they filled with apprehension. Her militant love would have turned to hate for Samson, 20 THE CALL OF THE CUMBERLANDS should he have proved recreant to the mission of reprisal in which he was biding his time, yet the coming of the day when the truce must end haunted her thoughts. Heretofore, that day had always been to her remotely vague a thing belonging to the future. Now, with a sudden and appalling menace, it seemed to loom across the present. She came close, and her voice sank with her sinking heart. "What air hit?" she tensely demanded. "What air hit, Samson ? What f er hev ye fetched yer gun ter the field?" The boy laughed. "Oh, hit ain't nothin' pertic'ler," he reassured. "Hit hain't nothin' fer a gal ter fret herself erbout, only I kinder suspicions strangers jest now." "Air the truce busted?" She put the question in a tense, deep-breathed whisper, and the boy replied casu ally, almost indifferently. "No, Sally, hit hain't jest ter say busted, but 'pears like hit's right smart cracked. I reckon, though," he added in half-disgust, "nothin' won't come of hit." Somewhat reassured, she bethought herself again of her mission. "This here furriner hain't got no harm in him, Sam son," she pleaded. "He 'pears ter be more like a gal than a man. He's real puny. He's got white skin and a bow of ribbon on his neck an' he paints pictchers." The boy's face had been hardening with contempt as the description advanced, but at the last words a glow came to his eyes, and he demanded almost breathlessly: "Paints pictchers? How do ye know that?" "I seen 'em. He was paintin' one when he fell offen the rock and busted his arm. It's shore es beautiful es " she broke off, then added with a sudden peal of laughter "es er pictcher." The young man slipped down from the fence, and reached for the rifle. The hoe he left where it stood. "I'll git the nag," he announced briefly, and swung off without further parley toward the curling spiral of smoke that marked a cabin a quarter of a mile below. Ten minutes later, his bare feet swung against the ribs of a gray mule, and his rifle lay balanced across the unsaddled withers. Sally sat mountain fashion behind him, facing straight to the side. So they came along the creek bed and into the sight of the man who still sat propped against the mossy rock. As Lescott looked up, he closed the case of his watch, and put it back into his pocket with a smile. "Snappy work, that!" he called out. "Just thirty- three minutes. I didn't believe it could be done." Samson's face was mask-like, but, as he surveyed the foreigner, only the ingrained diqtates of the country's hospitable code kept out of his eyes a gleam of scorn for this frail member of a sex which should be stalwart. "Howdy?" he said. Then he added suspiciously: "What mout yer business be in these parts, stranger?" Lescott gave the odyssey of his wanderings, since he had rented a mule at Hixon and ridden through the country, sketching where the mood prompted and sleep ing wherever he found a hospitable roof at the coming of the evening. "Ye come from over on Crippleshin ?" The boy flashed the question with a sudden hardening of the Voice, and, when he was affirmatively answered, his eyes 22 THE CALL OF THE CUMBERLANDS contracted and bored searchingly into the stranger's face. "Where'd ye put up last night?" "Red Bill Hollman's house, at the mouth of Meeting House Fork ; do you know the place?" Samson's reply was curt. "I knows hit all right." There was a moment's pause rather an awkward pause. Lescott's mind began piecing together frag ments of conversation he had heard, until he had assembled a sort cf mental jig-saw puzzle. The South-Hollman feud had been mentioned by the more talkative of his informers, and carefully tabooed by others notable among them his host of last night. It now dawned on him that he was crossing the boundary and coming as the late guest of a Hollman to ask the hospitality of a South. "I didn't know whose house it was," he hastened to explain, "until I was benighted, and asked for lodging. They were very kind to me. I'd never seen them before. I'm a stranger hereabouts." Samson only nodded. If the explanation failed to satisfy him, it at least seemed to do so. "I reckon ye'd better let me holp ye up on thet old mule," he said ; "hit's a-comin' on ter be night." With the mountaineer's aid, Lescott clambered astride the mount, then he turned dubiously. "I'm sorry to trouble you," he ventured, "but I have a paint box and some materials up there. If you'll bring them down here, I'll show you how to pack the easel, and, by the way," he anxiously added, "please THE CALL OF THE CUMBERLANDS 23 handle that fresh canvas carefully by the edge it's not dry yet. He had anticipated impatient contempt for his artist's impedimenta, but to his surprise the mountain boy climbed the rock, and halted before the sketch with a face that slowly softened to an expression of amazed admiration. Finally, he took up the square of academy - board with a tender care of which his rough hands would have seemed incapable, and stood stock still, pre senting an anomalous figure in his rough clothes as his eyes grew almost idolatrous. Then, he brought th> landscape over to its creator, and, though no word was spoken, there flashed between the eyes of the artist, whose signature gave to a canvas the value of a precious stone and the jeans-clad boy whose destiny was that of the vendetta, a subtle, wordless message. It was the countersign of brothers-in-blood who recognize in each other the bond of a mutual passion. The boy and the girl, under Lescott's direction, packed the outfit, and stored the canvas in the pro tecting top of the box. Then, while Sally turned and strode down creek in search of Lescott's lost mount, the two men rode up stream in silence. Finally Samson spoke slowly and diffidently. "Stranger," he ventured, "ef hit hain't askin' too much, will ye let me see ye paint one of them things?" "Gladly," was the prompt reply. Then, the boy added covertly: "Don't say nothin' erbout hit ter none of these folks. They'd devil me." The dusk was falling now, and the hollows choking with murk. Over the ridge, the evening star showed in a lonely point of pallor. The peaks, which in a broader light had held their majestic distances, seemed with the falling of night to draw in and huddle close in crowding herds of black masses. The distant tink ling of a cow-bell came drifting down the breeze with a weird and fanciful softness. "We're nigh home now," said Samson at the end of some minutes' silent plodding. "Hit's right beyond thet thar bend." Then, they rounded a point of timber, and came upon a small party of men whose attitudes even in the dim ming light conveyed a subtle suggestion of portent. Some sat their horses, with one leg thrown across the pommel. Others stood in the road, and a bottle of white liquor was passing in and out among them. At the distance they recognized the gray mule, though even the fact that it carried a double burden was not yet manifest. "Thet you, Samson ?" called an old man's voice, which was still very deep and powerful. "Hello, Unc' Spicer !" replied the boy. Then, followed a silence unbroken until the mule reached the group, revealing that besides the boy an other man and a strange man had joined their number. "Evenin', stranger," they greeted him, gravely ; then again they fell silent, and in their silence was evident constraint. "This hyar man's a furriner," announced Samson, briefly. "He fell offen a rock, an* got hurt. I 'lowed I'd fotch him home ter stay all night." The elderly man who had hailed the boy nodded, but THE CALL OF THE CUMBERLANDS 25 with an evident annoyance. It seemed that to him the others deferred as to a commanding officer. The cor tege remounted and rode slowly toward the house. At last, the elderly man came alongside the mule, and inquired : "Samson, where was ye last night?" "Thet's my business." "Mebbe hit hain't." The old mountaineer spoke with no resentment, but deep gravity. "We've been power ful oneasy erbout ye. Hev ye heered the news ?" "What news?" The boy put the question non- committally. "Jesse Purvy was shot soon this morning." The boy vouchsafed no reply. "The mail-rider done told hit. . . . Somebody shot five shoots from the laurel. . . . Purvy hain't died yit. . . . Some says as how his folks has sent ter Lexington fer bloodhounds." The boy's eyes began to smolder hatefully. "I reckon," he spoke slowly, "he didn't git shot none too soon." "Samson!" The old man's voice had the ring of determined authority. "When I dies, ye'll be the head of the Souths, but so long es I'm a-runnin' this hyar fam'ly, I keeps my word ter friend an' foe alike. I reckon Jesse Purvy knows who got yore pap, but up till now no South hain't never busted no truce." The boy's voice dropped its softness, and took on a shrill crescendo of excitement as he flashed out his retort. "Who said a South has done busted the truce this time?" 26 THE CALL OF THE CUMBERLANDS Old Spencer South gazed searchingly at his nephew. "I hain't a-wantin' ter suspicion ye, Samson, but I know how ye feels about yore pap. I heered thet Bud Spicer come by hyar yistiddy plumb full of liquor, an* 'lowed he'd seed Jesse an' Jim Asberry a-talkin' ter- gether jest afore yore pap was kilt." He broke off abruptly, then added: "Ye went away from, hyar last night, an' didn't git in twell atter sun-up I just heered the news, an' come ter look fer ye." "Air you-all 'lowin' thet I shot them shoots from the laurel?" inquired Samson, quietly. "Ef we-all hain't 'lowin' hit, Samson, we're plumb shore thet Jesse Purvy's folks will 'low hit. They're jest a-holdin' yore life like a hostage fer Purvy's, any how. Ef he dies, they'll try ter git ye." The boy flashed a challenge about the group, which was now drawing rein at Spicer South's yard fence. His eyes were sullen, but he made no answer. One of the men who had listened in silence now spoke: "In the fust place, Samson, we hain't a-sayin* ye done hit. In the nex' place, ef ye did do hit, we hain't a-blamin' ye much. But I reckon them dawgs don't lie, an', ef they trails in hyar, ye'll need us. Thet's why we've done come." The boy slipped down from his mule, and helped Les- cott to dismount. He deliberately unloaded the saddle bags and kit, and laid them on the top step of the stile, and, while he held his peace, neither denying nor affirm ing, his kinsmen sat their horses and waited. Even to Lescott, it was palpable that some of them believed the young heir to clan leadership responsible for the shooting of Jesse Purvy, and that others believed THE CALL OF THE CUMBERLANDS 27 Kim innocent, yet none the less in danger of the enemy's vengeance. But, regardless of divided opinion, all were alike ready to stand at his back, and all alike awaited his final utterance. Then, in the thickening gloom, Samson turned at the foot of the stile, and faced the gathering. He stood rigid, and his eyes flashed with deep passion. His hands, hanging at the seams of his jeans breeches, clenched, and his voice came in a slow utterance through which throbbed the tensity of a soul-absorbing bitterness. "I knowed all 'bout Jesse Purvy's bein' shot. . . . When my pap lay a-dyin' over thar at his house, I was a little shaver ten years old . . . Jesse Purvy hired somebody ter kill him . . . an' I promised my pap that I'd find out who thet man was, an' thet I'd git 'em both some day. So help me, God Almighty, I'm a-goin' ter git 'em both some day!" The boy paused and lifted one hand as though taking an oath. "I'm a-tellin' you-all the truth. . . . But I didn't shoot them shoots this mornin 5 . I hain't no truce-buster. I gives ye my hand on hit. . . . Ef them dawgs comes hyar, they'll find me hyar, an' ef they hain't liars> they'll go right on by hyar. I don't 'low ter run away, an' I don't 'low ter hide out. I'm agoin* ter stay right hyar. Thet's all I've got ter say ter ye." For a moment, there was no reply. Then, the older man nodded with a gesture of relieved anxiety. "Thet's all we wants ter know, Samson," he said slowly. "Light, men, an' come in." CHAPTER IV IN days when the Indian held the Dark and Bloody Grounds a pioneer, felling oak and poplar logs for the home he meant to establish on the banks of a purling water-course, let his axe slip, and the cutting edge gashed his ankle. Since to the discoverer belongs the christening, that water-course became Cripple-shin, and so it is to-day set down on atlas pages. A few miles away, as the crow flies, but many weary leagues as a man must travel, a brother settler, racked with rheu matism, gave to his creek the name of Misery. The two pioneers had come together from Virginia, as their ancestors had come before them from Scotland. To gether, they had found one of the two gaps through the mountain wall, which for more than a hundred miles has no other passable rift. Together, and as comrades, they had made their homes, and founded their race. What original grievance had sprung up between their descendants none of the present generation knew per haps it was a farm line or disputed title to a pig. The primary incident was lost in the limbo of the past ; but for fifty years, with occasional intervals of truce, lives had been snuffed out in the fiercely burning hate of these men whose ancestors had been comrades. Old Spicer South and his nephew Samson were the direct lineal descendants of the namer of Misery. Their kinsmen dwelt about them: the Souths, the Jaspers, 28 THE CALL OF THE CUMBERLANDS 29 the Spicers, the Wileys, the Millers and McCagers. Other families, related only by marriage and close asso ciation, were, in feud alignment, none the less "Souths." And over beyond the ridge, where the springs and brooks flowed the other way to feed Crippleshin, dwelt the Holl- mans, the Purvies, the Asberries, the Hollises and the Daltons men equally strong in their vindictive fealty to the code of the vendetta. By mountain standards, old Spicer South was rich. His lands had been claimed when tracts could be had for the taking, and, though he had to make his cross mark when there was a, contract to be signed, his instinctive mind was shrewd and far seeing. The tinkle of his cow-bells was heard for a long distance along the creek bottoms. His hillside fields were the richest and his coves the most fertile in that country. His house had several rooms, and, except for those who hated him and whom he hated, he commanded the respect of his fel lows. Some day, when a railroad should burrow througk his section, bringing the development of coal and timber at the head of the rails, a sleeping fortune would yawn and awake to enrich him. There were black outcrop- pings along the cliffs, which he knew ran deep in veins of bituminous wealth. But to that time he looked with foreboding, for he had been raised to the standards of . his forefathers, and saw in the coming of a new regime * a curtailment of personal liberty. For new-fangled ideas he held only the aversion of deep-rooted prejudice. He hoped that he might live out his days, and pass before the foreigner held his land, and the Law became a power stronger than the individual or the clan. The Law was his enemy, because it said to him, "Thou shalt not," when he sought to take the yellow corn which bruising labor had coaxed from scattered rock-strewn fields to his own mash-vat and still It meant, also, a tyrannous power usually seized and administered by enemies, which undertook to forbid the personal settlement of personal quarrels. But his eyes, which could not read print, could read the signs of the times He foresaw the inevitable coming of that day. Already, he had given up the worm and mash-vat, and no longer sought to make or sell illicit liquor. That was a concession to the Federal power, which could no longer be successfully fought. State power was still largely a weapon in factional hands, and in his country the Hollmans were the office holders. To the Hollmans, he could make no concessions. In Samson, born to be the fighting man, reared to be the fighting man, equipped by nature with deep hatreds and tigerish courage, there had cropped out from time to time the restless spirit of the philosopher and a hunger for knowledge. That was a matter in which the old man found his bitterest and most secret apprehension. It was at this house that George Lescott, distin guished landscape painter of New York and the world- at-large, arrived in the twilight. His first impression was received in shadowy evening mists that gave a touch of the weird. The sweep of the stone-guarded well rose in a yard tramped bare of grass. The house itself, a rambling structure of logs, with additions of undressed lumber, was without lights. The cabin, which had been the pioneer nucleus, still stood windowless and with mud- daubed chimney at the center. About it rose a number of tall poles surmounted by bird-boxes, and at its back loomed the great hump of the mountain. Whatever enemy might have to be met to-morrow, old Spicer South recognized as a more immediate call upon his attention the wounded guest of to-day. One of the kinsmen proved to have a rude working knowledge of ( bone-setting, and before the half -hour had passed, Les- . cott's wrist was in a splint, and his injuries as well tended as possible, which proved to be quite well enough. By that time, Sally's voice was heard shouting from the stile, and Sally herself appeared with the announce ment that she had found and brought in the lost mule. As Lescott looked at her, standing slight and willowy in the thickening darkness, among the big-boned and slouching figures of the clansmen, she seemed to shrink from the stature of a woman into that of a child, and, as she felt his eyes on her, she timidly slipped farther back into the shadowy door of the cabin, and dropped down on the sill, where, with her hands clasped about her knees, she gazed curiously at himself. She did not speak, but sat immovable with her thick hair falling over her shoulders. The painter recognized that even . the interest in him as a new type could not for long' keep her eyes from being drawn to the face of Samson, where they lingered, and in that magnetism he read, not the child, but the woman. Samson was plainly restive from the moment of her arrival, and, when a monosyllabic comment from the taciturn group threatened to reveal to the girl the threatened outbreak of the feud, he went over to her, and inquired: "Sally, air ye skeered ter go home by yeself ?" S THE CALL OF THE CUMBERLANDS As she met the boy's eyes, it was clear that her own held neither nervousness nor fear, and yet there was something else in them the glint of invitation. She rose from her seat. "I hain't ter say skeered," she told him, "but, ef ye wants ter walk as fur as the stile, I hain't a-keerin'." The youth rose, and, taking his hat and rifle, followed her. Lescott was happily gifted with the power of facile adaptation, and he unobtrusively bent his efforts toward convincing his new acquaintances that, although he was alien to their ways, he was sympathetic and to be trusted. Once that assurance was given, the family talk went on much as though he had been absent, and, as he sat with open ears, he learned the rudiments of the conditions that had brought the kinsmen together in Samson's defense. At last, Spicer South's sister, a woman who looked older than himself, though she was really younger, appeared, smoking a clay pipe, which she waved toward the kitchen. "You men kin come in an' eat," she announced; and the mountaineers, knocking the ashes from their pipes, trailed into the kitchen. The place was lit by the fire in a cavernous hearth where the cooking was still going forward with skillet and crane. The food, coarse and greasy, but not unwholesome, was set on a long table covered with oil cloth. The roughly clad men sat down with a scraping of chair legs, and attacked their provender in business like silence. The corners of the room fell into obscurity. Shadows THE CALL OF THE CUMBERLANDS 33 wavered against the sooty rafters, and, before the meal ended, Samson returned and dropped without comment into his chair. Afterward, the men trooped taciturnly out again, and resumed their pipes. A whippoorwill sent his mournful cry across the tree- tops, and was answered. Frogs added the booming of their tireless throats. A young moon slipped across an eastern mountain, and livened the creek into a soft shim mer wherein long shadows quavered. The more distant line of mountains showed in a mist of silver, and the nearer heights in blue-gray silhouette. A wizardry of night and softness settled like a benediction, and from the dark door of the house stole the quaint folklore cadence of a rudely thrummed banjo. Lescott strolled over to the stile with every artist instinct stirred. This nocturne of silver and gray and blue at once soothed and intoxicated his imagination. His fingers were itch ing for a brush. Then, he heard a movement at his shoulder, and, turning, saw the boy Samson with the moonlight in his eyes, and, besides the moonlight, that sparkle which is the essence of the dreamer's vision. Once more, their glances met and flashed a countersign. "Hit hain't got many colors in hit," said the boy, slowly, indicating with a sweep of his hand the sym phony about them, "but somehow what there is is jest about the right ones. Hit whispers ter a feller, the same as a mammy whispers ter her baby." He paused, then eagerly asked : "Stranger, kin you look at the sky an' the mountings an' hear 'em singin' with yore eyes ?" The painter felt a thrill of astonishment. It seemed incredible that the boy, whose rude descriptives reflected such poetry of feeling, could be one with the savage young animal who had, two hours before, raised his hand heavenward, and reiterated his oath to do murder in payment of murder. "Yes," was his slow reply, "every painter must do {that. Music and color are two expressions of the same thing and the thing is Beauty." The mountain boy made no reply, but his eyes dwelt on the quivering shadows in the water; and Lescott asked cautiously, fearing to wake him from the dreamer to the savage: "So you are interested in skies and hills and their beauties, too, are you?" Samson's laugh was half-ashamed, half-defiant. "Sometimes, stranger," he said, "I 'lows that I hain't much interested in nothin' else." That there dwelt in the lad something which leaped in response to the clarion call of beauty, Lescott had read in that momentary give and take of their eyes down there in the hollow earlier in the afternoon. But, since then, the painter had seen the other and sterner side, and once more he was puzzled and astonished. Now, he stood anxiously hoping that the boy would permit him self further expression, yet afraid to prompt, lest direct questions bring a withdrawal again into the shell of taciturnity. After a few moments of silence, he slowly turned his head, and glanced at his companion, to find him standing rigidly with his elbows resting on the top palings of the fence. He had thrown his rough hat to the ground, and his face in the pale moonlight was raised. His eyes under the black mane of hair were glowing deeply with a fire of something like exaltation, THE CALL OF THE CUMBERLANDS 35 as he gazed away. It was the expression of one who sees things hidden to the generality ; such a light as burns in the eyes of artists and prophets and fanatics, which, to the uncomprehending, seems almost a fire of madness. Samson must have felt Lescott's scrutiny, for he turned with a half-passionate gesture and clenched fists. His face, as he met the glance of the foreigner was sullen, and then, as though in recognition of a brother-spirit, his expression softened, and slowly he began to speak. "These folks 'round hyar sometimes 'lows I hain't much better'n an id jit because because I feels that- away. Even Sally" he caught himself, then went on doggedly "even Sally kain't see how a man kin keer about things like skies and the color of the hills, ner the way ther sunset splashes the sky clean acrost its aidge, ner how the sunrise comes outen the dark like a gal a-blushin'. They 'lows thet a man had ought ter be studyin' 'bout other things." He paused, and folded his arms, and his strong fingers grasped his tensed biceps until the knuckles stood out, as he went on: "I reckon they hain't none of them thet kin hate harder'n me. I reckon they hain't none of 'em thet is more plumb willin' ter fight them thet's rightful enemies, an' yit hit 'pears ter me as thet hain't no reason why a man kain't feel somethin' singin' inside him when Almighty God builds hills like them" he swept both hands out in a wide circle "an' makes 'em green in summer, an' lets 'em blaze in red an' yaller in ther fall, an' hangs blue skies over 'em an' makes ther sun shine, an' at night sprinkles 'em with stars an' a moon like thet!" Again, he paused, and his eyes seemed to ask the corroboration which they read in the expression and nod of the stranger from the mysterious outside world. Then, Samson South spread his hands in a swift gesture of protest, and his voice hardened in timbre as he went on : "But these folks hyarabouts kain't understand thet. All they sees in the laurel on the hillside, an' the big gray rocks an' the green trees, is breshwood an' timber thet may be hidin' their enemies, or places ter hide out an* lay-way some other feller. I hain't never seen no other country. I don't know whether all places is like these hyar mountings er not, but I knows thet the Lord didn't 'low fer men ter live blind, not seein' no beauty in nothin' ; ner not feelin* nothin' but hate an' meanness ner studyin' 'bout nothin' but deviltry. There hain't no better folks nowhar then my folks, an' thar hain't no meaner folks nowhar then them damned Hollmans, but thar's times when hit 'pears ter me thet the Lord Almighty hain't plumb tickled ter death with ther way things goes hyar along these creeks and coves." Samson paused, and suddenly the glow died out of his eyes. His features instantly reshaped themselves into their customary mold of stoical hardness. It occurred to him that his outburst had been a long one and strangely out of keeping with his usual taciturnity, and he wondered what this stranger would think of him. The stranger was marveling. He was seeing in the crude lad at his side warring elements that might build into a unique and strangely interesting edifice of char acter, and his own speech as he talked there by the palings of the fence in the moonlight was swiftly estab- lishing the foundations of a comradeship between the two. "Thar's something mighty quare about ye, stran ger," said the boy at last, half-shyly. "I been wonderin' why I've talked ter ye like this. I hain't never talked that-away with no other man. Ye jest seemed ter ,kind of compel me ter do hit. When I says things like thet ter Sally, she gits skeered of me like ef I was plumb crazy, an', ef I talked that-away to the menfolks 'round hyar they'd be sartain I was an id jit." "That," said Lescott, gravely, "is because they don't understand. I do." "I kin lay awake nights," said Samson, "an' see them hills and mists an' colors the same es ef they was thar in front of my eyes an' I kin seem ter hear 'em as well as see 'em." The painter nodded, and his voice fell into low quotation : " 'The scarlet of the maple can shake me like the cry " 'Of bugles going by.' " The boy's eyes deepened. To Lescott, the thought of bugles conjured up a dozen pictures of marching jsoldiery under a dozen flags. To Samson South, it sug gested only one: militia guarding a battered court house, but to both the simile brought a stirring of pulses. Even in June, the night mists bring a touch of chill to the mountains, and the clansmen shortly carried their chairs indoors. The old woman fetched a pan of red coals from the kitchen, and kindled the logs on the deep 38 THE CALL OF THE CUMBERLANDS hearth. There was no other light, and, until the flames, climbed to roaring volume, spreading their zone of yel low brightness, only the circle about the fireplace emerged from the sooty shadows. In the four dark corners of the room were four large beds, vaguely seen, and from one of them still came the haunting monotony of the banjo. Suddenly, out of the silence, rose Samson's voice keyed to a stubborn note, as though anticipating and challenging contradiction. "Times is changin' mighty fast. A feller thet grows up plumb ign'rant ain't a-goin' ter have much show." Old Spicer South drew a contemplative puff at his pipe. "Ye went ter school twell ye was ten year old, Samson. Thet's a heap more schoolin' then I ever had, an* I've done got along all right." "Ef my pap had lived" the boy's voice was almost accusing "I'd hev larned more then jest ter read an ? write en figger a little." "I hain't got no use fer these newfangled notions." Spicer spoke with careful curbing of his impatience. "Yore pap stood out fer eddycation. He had ideas about law an' all that, an' he talked 'em. He got shot ter death. Yore Uncle John South went down below, an' got ter be a lawyer. He come home hyar, an' onder- took ter penitentiary Jesse Purvy, when Jesse was High Sheriff. I reckon ye knows what happened ter him." Samson said nothing and the older man went on: "They aimed ter run him outen the mountings." "They didn't run him none," blazed the boy. "He didn't never leave the mountings." THE CALL OF THE CUMBERLANDS 39 "No." The family head spoke with the force of a logical climax. "He'd done rented a house down below though, an' was a-fixin' ter move. He staid one day too late. Jesse Purvy hired him shot." "What of hit?" demanded Samson. "Yore cousin, Bud Spicer, was eddicated. He 'lowed in public thet Micah Hollman an' Jesse Purvy was runnin' a murder partnership. Somebody called him ter the door of his house in the night-time ter borry a lantern an' shot him ter death." "What of hit?" "Thar's jist this much of hit. Hit don't seem ter pay the South family ter go a-runnin' attar newfangled idees. They gets too much notion of goin' ter law an' thet's plumb fatal. Ye'd better stay where ye b'longs, Samson, an' let good enough be." "Why hain't ye done told about all the rest of the Souths thet didn't hev no eddication," suggested the youngest South, "thet got killed off jest as quick as them as had hit?" CHAPTER V WHILE Spicer South and his cousins had been sustaining themselves or building up compe tences by tilling their soil, the leaders of the other faction were basing larger fortunes on the profits of merchandise and trade. So, although Spicer South could neither read nor write, his chief enemy, Micah Hollman, was to outward seeming an urbane and fairly ,equipped man of affairs. Judged by their heads, the clansmen were rougher and more illiterate on Misery, and in closer touch with civilization on Crippleshin. A deeper scrutiny showed this seeming to be one of the strange anomalies of the mountains. Micah Hollman had established himself at Hixon, that shack town which had passed of late years from feudal county seat to the section's one point of contact with the outside world ; a town where the ancient and modern orders brushed shoulders ; where the new was tolerated, but dared not become aggressive. Directly across the street from the court-house stood an ample frame build ing, on whose side wall was emblazoned the legend: "Hollman's Mammoth Department Store." That was the secret stronghold of Hollman power. He had always spoken deploringly of that spirit of lawlessness which had given the mountains a bad name. He himself, he declared, believed that the best assets of any community were tenets of peace and brotherhood. Any mountain 40 THE CALL OF THE CUMBERLANDS 41 man or foreigner who came to town was sure of a wel come from Judge Micah Hollman, who added to his title of storekeeper that of magistrate. As the years went on, the proprietor of the "Mam moth Department Store" found that he had money to lend and, as a natural sequence, mortgages stored away in his strong box. To the cry of distress, he turned a sympathetic ear. His infectious smile and suave man ner won him fame as "the best-hearted man in the moun tains." Steadily and unostentatiously, his fortune fattened. When the railroad came to Hixon, it found in Judge Hollman a "public-spirited citizen." Incidentally, the timber that it hauled and the coal that its flat cars carried down to the Bluegrass went largely to his con signees. He had so astutely anticipated coming events that, when the first scouts of capital sought options, they found themselves constantly referred to Judge Hollman. No wheel, it seemed, could turn without his nod. It was natural that the genial storekeeper should become the big man of the community and inevitable that the one big man should become the dictator. His inherited place as leader of the Hollmans in the feud he had seemingly passed on as an obsolete prerogative. Yet, in business matters, he was found to drive a hard bargain, and men came to regard it the part of good policy to meet rather than combat his requirements. It was essential to his purposes that the officers of the law in his county should be in sympathy with him. Sympathy soon became abject subservience. When a South had opposed Jesse Purvy in the primary as can didate for High Sheriff, he was found one day lying on 42 THE CALL OF THE CUMBERLANDS his face with a bullet-riddled body. It may have been a coincidence which pointed to Jim Asberry, the judge's nephew, as the assassin. At all events, the judge's nephew was a poor boy, and a charitable Grand Jury declined to indict him. In the course of five years, several South adherents, who had crossed Hollman's path, became victims of the laurel ambuscade. The theory of coincidence was strained. Slowly, the rumor grew and persistently spread, though no man would admit having fathered it, that before each of these executions star-chamber conferences had been held in the rooms above Micah Hollman's "Mammoth Department Store." It was said that these exclusive sessions were attended by Judge Hollman, Sheriff Purvy and certain other gentlemen selected by reason of their marksmanship. When one of these victims fell, John South had just returned from a law school "down below," wearing "fotched-on" cloth ing and thinking "fotched-on" thoughts. He had amazed the community by demanding the right to assist in probing and prosecuting the affair. He had then shocked the community into complete paralysis by re questing the Grand Jury to indict not alone the alleged assassin, but also his employers, whom he named as Judge Hollman and Sheriff Purvy. Then, he, too, fell under a bolt from the laurel. That was the first public accusation against the bland capitalist, and it carried its own prompt warning against repetition. The Judge's High Sheriff and chief ally retired from office, and went abroad only with a bodyguard. Jesse Purvy had built his store at a cross roads twenty-five miles from the railroad. Like Holl- THE CALL OF THE CUMBERLANDS 43 man, he had won a reputation for open-handed charity, and was liked and hated. His friends were legion. His enemies were so numerous that he apprehended vio lence not only from the Souths, but also from others who nursed grudges in no way related to the line of feud cleavage. The Hollman-Purvy combination had retained enough of its old power to escape the law's retribution and to hold its dictatorship, but the efforts of John South had not been altogether bootless. He had ripped away two masks, and their erstwhile wearers could no longer hold their old semblance of law-abiding philanthropists. Jesse Purvy's home was the show place of the country side. To the traveler's eye, which had grown accustomed to hovel life and squalor, it offered a reminder of the richer Bluegrass. Its walls were weather-boarded and painted, and its roof two stories high. Commodious verandahs looked out over pleasant orchards, and in the same enclosure stood the two frame buildings of his store for he, too, combined merchandise with baronial powers. But back of the place rose the mountainside, on which Purvy never ( looked without dread. Twice, its impenetrable thickets had spat at him. Twice, he had recovered from wounds that would have taken a less-charmed life. And in grisly reminder of the terror which clouded the peace of his days stood the eight-foot log stockade at the rear of the place which the proprietor had built to shield his daily journeys between house and store. But Jesse Purvy was not deluded by his escapes. He knew that he was "marked down." For years, he had seen men die by his own plotting, and he himself must in the end follow by a similar road. Rumor had it that 44 THE CALL OF THE CUMBERLANDS he wore a shirt of mail, certain it is that he walked in the expectancy of death. "Why don't you leave the mountains?" strangers had asked ; and to each of them Purvy had replied with a shrug of his shoulders and a short laugh: "This is where I belong." , But the years of strain were telling on Jesse Purvy. ! The robust, full-blooded face was showing deep lines; his flesh was growing flaccid; his glance tinged with quick apprehension. He told his intimates that he realized "they'd get him," yet he sought to prolong his term of escape. The creek purled peacefully by the stile; the apple and peach trees blossomed and bore fruit at their appointed time, but the householder, when he walked between his back door and the back door of the store, hugged his stockade, and hurried his steps. Yesterday morning, Jesse Purvy had risen early as usual, and, after a satisfying breakfast, had gone to his store to arrange for the day's business. One or two of his henchmen, seeming loafers, but in reality a body guard, were lounging within call. A married daughter was chatting with her father while her young baby played among the barrels and cracker boxes. The daughter went to a rear window, and gazed up at the mountain. The cloudless skies were still in hiding behind a curtain of mist. The woman was idly watch ing the vanishing fog wraiths, and her father came over to her side. Then, the baby cried, and she stepped back. Purvy himself remained at the window. It was a thing he did not often do. It left him exposed, but the most cautiously guarded life has its moments of relaxed THE CALL OF THE CUMBERLANDS 45 vigilance. He stood there possibly thirty seconds, then a sharp fusillade of clear reports barked out and was shattered by the hills into a long reverberation. With a hand clasped to his chest, Purvy turned, walked to the middle of the floor, and fell. The henchmen rushed to the open sash. They Ieaped 4 out, and plunged up the mountain, tempting the assas- 5 sin's fire, but the assassin was satisfied. The mountain was again as quiet as it had been at dawn. Its impene trable mask of green was blank and unresponsive. Somewhere in the cool of the dewy treetops a squirrel barked. Here and there, the birds saluted the sparkle and freshness of June. Inside, at the middle of the store, Jesse Purvy shifted his head against his daugh ter's knee, and said, as one stating an expected event: "Well, they've got me." An ordinary mountaineer would have been carried home to die in the darkness of a dirty and windowless shack. The long-suffering star of Jesse Purvy or dained otherwise. He might go under or he might once more beat his way back and out of the quicksands of death. At all events, he would fight for life to the last gasp. Twenty miles away in the core of the wilderness, removed from a railroad by a score of semi-perpendic ular miles, a fanatic had once decided to found a school. The fact that the establishment in this place of such a school as his mind pictured was sheer madness and impossibility did not in the least deter him. It was a thing that could not be done, and it was a thing that he had done none the less. Now a faculty of ten men, like himself holding de- 46 THE CALL OF THE CUMBERLANDS grees of Masters of Dreams, taught such as cared to come such things as they cared to learn. Substantial two- and three-storied buildings of square-hewn logs lay grouped in a sort of Arts and Crafts village around a clean-clipped campus. The Stagbone College prop erty stretched twenty acres square at the foot of a hill. The drone of its own saw-mill came across the valley. In a book-lined library, wainscoted in natural woods of three colors, the original fanatic often sat reflecting pleasurably on his folly. Higher up the hillside stood a small, but model, hospital, with a mod ern operating table and a case of surgical instruments, which, it was said, the State could not surpass. These things had been the gifts of friends who liked such a type of God-inspired madness. A "fotched-on" trained nurse was in attendance. From time to time, eminent Bluegrass surgeons came to Hixon by rail, rode twenty miles on mules, and held clinics on the mountainside. To this haven, Jesse Purvy, the murder lord, was borne in a litter carried on the shoulders of his depend ents. Here, as his steadfast guardian star decreed, he found two prominent medical visitors, who hurried him to the operating table. Later, he was removed to a white bed, with the June sparkle in his eyes, pleasantly ^nodulated through drawn blinds, and the June rustle fand bird chorus in his ears and his own thoughts in his brain. Conscious, but in great pain, Purvy beckoned Jim Asberry and Aaron Hollis, his chiefs of bodyguard, to his bedside, and waved the nurse back out of hearing. "If I don't get well," he said, feebly, "there's a job for you two boys, I reckon you know what it is?" THE CALL OF THE CUMBERLANDS 47 They nodded, and Asberry whispered a name : "Samson South?" "Yes," Purvy spoke in a weak whisper; but the old vindictiveness was not smothered. "You got the old man, I reckon you can manage the cub. If you don't, he'll get you both one day." The two henchmen scowled. "I'll git him to-morrer," growled Asberry. "Thar hain't no sort of use in a-waitin'." "No !" For an instant Purvy's voice rose out of its weakness to its old staccato tone of command, a tone which brought obedience. "If I get well, I have other plans. Never mind what they are. That's my business. If I don't die, leave him alone, until I give other orders." He lay back and fought for breath. The nurse came over with gentle insistence, ordering quiet, but the man, whose violent life might be closing, had business yet to discuss with his confidential vassals. Again, he waved her back. "If I get well," he went on, "and Samson South is killed meanwhile, I won't live long either. It would be my life for his. Keep close to him. The minute you hear of my death get him." He paused again, then supplemented, "You two will find something mighty in- terestin' in my will." It was afternon when Purvy reached the hospital, and, at nightfall of the same day, there arrived at his store's entrance, on stumbling, hard-ridden mules, sev eral men, followed by two tawny hounds whose long ears flapped over their lean jaws, and whose eyes were listless and tired, but whose black muzzles wrinkled and sniffed with that sensitive instinct which follows the 48 THE CALL OF THE CUMBERLANDS man-scent. The ex-sheriff's family were instituting proceedings independent of the Chief's orders. The next morning, this party plunged into the mountain tangle, and beat the cover with the bloodhounds in leash. The two gentle-faced dogs picked their way between the flowering rhododendrons, the glistening laurels, the feathery pine sprouts and the moss-covered rocks. They went gingerly and alertly on ungainly, cushioned feet. Just as their masters were despairing, they came to a place directly over the store, where a branch had been bent back and hitched to clear the outlook, and where a boot heel had crushed the moss. There one of them raised his nose high into the air, opened his mouth, and let out a long, deep-chested bay of discovery. CHAPTER VI GEORGE LESCOTT had known hospitality of many brands and degrees. He had been the lionized celebrity in places of fashion. He had been the guest of equally famous brother artists in the cities of two hemispheres, and, since sincere painting had been his pole-star, he had gone where his art's wanderlust beckoned. His most famous canvas, per haps, was his "Prayer Toward Mecca," which hangs in the Metropolitan. It shows, with a power that holds the observer in a compelling grip, the wonderful colors of a sunset across the desert. One seems to feel the renewed life that comes to the caravan with the welcome of the oasis. One seems to hear the grunting of the kneeling camels and the stirring of the date palms. The Bedouins have spread their prayer-rugs, and be hind them burns the west. Lescott caught in that, as he had caught in his mountain sketches, the broad spirit of the thing. To paint that canvas, he had endured days of racking camel-travel and burning heat and thirst. He had followed the lure of transitory beauty to remote sections of the world. The present trip was only one of many like it, which had brought him into touch with varying peoples and distinctive types of life. He told himself that never had he f ounc! men at once so crude and so courteous as these hosts, 49 50 THE CALL OF THE CUMBERLANDS who, facing personal perils, had still time and willing ness to regard his comfort. They could not speak grammatically; they could hardly offer him the necessities of life, yet they gave all they had, with a touch of courtliness. In a fabric soiled and threadbare, one may sometimes trace the tarnished design that erstwhile ran in gold through a rich pattern. Lescott could not but think of some fine old growth gone to seed and decay, but still bearing at its crest a single beautiful blossom while it held in its veins a poison. Such a blossom was Sally. Her scarlet lips and sweet, grave eyes might have been the inheritance gift of some remote ancestress whose feet, instead of being bare and brown, had trod in high-heeled, satin slippers. When Lord Fairfax governed the Province of Virginia, that first Sally, in the stateliness of panniered brocades and powdered hair, may have tripped a measure to the harpsichord or spinet. Certain it is she trod with no more untrammeled grace than her wild descendant. For the nation's most untamed and untaught fragment is, after all, an unamalgamated stock of British and Scot tish bronze, which now and then strikes back to its beginning and sends forth a pure peal from its corroded bell-metal. In all America is no other element whose blood is so purely what the Nation's was at birth. The coming of the kinsmen, who would stay until the present danger passed, had filled the house. The four beds in the cabin proper were full, and some slept on floor mattresses. Lescott, because a guest and wounded, was given a small room aside. Samson, however, shared his quarters in order to perform any service that an THE CALL OF THE CUMBERLAND'S 51 injured man might require. It had been a full and unusual day for the painter, and its incidents crowded in on him in retrospect and drove off the possibility of sleep. Samson, too, seemed wakeful, and in the isolation of the dark room the two men fell into conversation, which almost lasted out the night. Samson went into the confessional. This was the first human being he had ever met to whom he could unburden his soul. The thirst to taste what knowledge lay beyond the hills ; the unnamed wanderlust that had at times brought him a restiveness so poignant as to be agonizing; the undefined attuning of his heart to the beauty of sky and hill; these matters he had hitherto kept locked in guilty silence. To the men of his clan these were eccen tricities bordering on the abnormal; frailties to be passed over with charity, as one would pass over the infirmities of an afflicted child. To Samson they looked as to a sort of feud Messiah. His destiny was stern, and held no place for dreams. For him, they could see only danger in an insatiable hunger for learning. In a weak man, a school-teacher or parson sort of a man, that might be natural, but this young cock of their walk was being reared for the pit for conflict. What was important in him was stamina, and sharp strength of spur. These qualities he had proven from infancy. Weakening proclivities must be eliminated. So, the boy had been forced to keep throttled im pulses that, for being throttled, had smoldered and set on fire the inner depths of his soul. During long nights, he had secretly digested every available book. Yet, in order to vindicate himself from the unspoken accusation of growing weak, of forgetting his destiny, he head 52 THE CALL OF THE CUMBERLANDS courted trouble, and sought combat. He was too close to his people's point of view for perspective. He shared their idea that the thinking man weakens himself as a fighting man. He had never heard of a Cyrano de Bergerac, or an Aramis. Now had come some one with whom he could talk: a man who had traveled and fol lowed, without shame, the beckoning of Learning and Beauty. At once, the silent boy found himself talking intimately, and the artist found himself studying one of the strangest human paradoxes he had yet seen. In a cove, or lowland pocket, stretching into the mountainside, lay the small and meager farm of the Widow Miller. The Widow Miller was a "South" ; that is to say she fell, by tie of marriage, under the protec tion of the clan-head. She lived alone with her fourteen- year-old son and her sixteen-year-old daughter. The daughter was Sally. At sixteen, the woman's figure had been as pliantly slim, her step as light as was her daughter's now. At forty, she was withered. Her face was hard, and her lips had forgotten how to smile. Her shoulders sagged, and she was an old woman, who smoked her pipe, and taught her children that rudimen tary code of virtue to which the mountains subscribe. She believed in a brimstone hell and a personal devil. She believed that the whale had swallowed Jonah, but she thought that "Thou shalt not kill" was an edict enunciated by the Almighty with mental reservations, The sun rose on the morning after Lescott arrived, the mists lifted, and the cabin of the Widow Miller stood revealed. Against its corners several hogs scraped their bristled backs with satisfied grunts. A noisy rooster cocked his head inquiringly sidewise before the open THE CALL OF THE CUMBERLANDS 53 door, and, hopping up to the sill, invaded the main room. A towsled-headed boy made his way to the barn to feed the cattle, and a red patch of color, as bright and tuneful as a Kentucky cardinal, appeared at the door between the morning-glory vines. The red patch of color was Sally. She made her way, carrying a bucket, to the spring, where she knelt down and gazed at her own image in the water. Her grave lips broke into a smile, as the reflected face, framed in its mass of reflected red hair, gazed back at her. Then, the smile broke into a laugh. "Hello, Sally Miller!" she gaily accosted her picture- self. "How air ye this mornin', Sally Miller?" She plunged her face deep in the cool spring, and raised it to shake back her hair, until the water flew from its masses. She laughed again, because it was another day, and because she was alive. She waded about for a while where the spring joined the creek, and delightedly watched the schools of tiny, almost transparent, minnows that darted away at her coming. Then, standing on a rock, she paused with her head bent, and listened until her ears caught the faint tinkle of a cowbell, which she recognized. Nodding her head joyously, she went off into the woods, to emerge at the end of a half -hour later, carrying a pail of milk, and smiling joyously again because it was almost breakfast time. But, before going home, she set down her bucket by the stream, and, with a quick glance toward the house to make sure that she was not observed, climbed through the brush, and was lost to view. She followed a path that her own feet had made, and after a steep course 54s THE CALL OF THE CUMBERLANDS upward, came upon a bald face of rock, which stood out storm-battered where a rift went through the back bone of the ridge. This point of vantage commanded the other valley. From its edge, a white oak, dwarfed, but patriarchal, leaned out over an abrupt drop. No more sweeping or splendid view could be had within miles, but it was not for any reason so general that Sally had made her pilgrimage. Down below, across the treetops, were a roof and a chimney from which a thread of smoke rose in an attenuated shaft. That was Spicer South's house, and Samson's home. The girl leaned against the gnarled bowl of the white oak, and waved toward the roof and chimney. She cupped her hands, and raised them to her lips like one who means to shout across a great distance, then she whis pered so low that only she herself could hear : "Hello, Samson South!" She stood for a space looking down, and forgot to laugh, while her eyes grew religiously and softly deep, then, turning, she ran down the slope. She had per formed her morning devotions. That day at the house of Spicer South was an off day. The kinsmen who had stopped for the night stayed on through the morning. Nothing was said of the possibility of trouble. The men talked crops, and tossed horseshoes in the yard ; but no one went to work in the fields, and all remained within easy call. Only young Tamarack Spicer, a raw-boned nephew, wore a sullen face, and made a great show of cleaning his rifle and pistol. He even went out in the morning, and practised at target-shooting, and Lescott, who was still very pale and weak, but able to wander about at THE CALL OF THE CUMBERLANDS 55 will, gained the impression that in young Tamarack he was seeing the true type of the mountain "bad-man." Tamarack seemed willing to feed that idea, and ad mitted apart to Lescott that, while he obeyed the dic tates of the truce, he found them galling, and was 'straining at his leash. "I don't take nothin' offen nobody," he sullenly con fided. "The Hollmans gives me my half the road." Shortly after dinner, he disappeared, and, when the afternoon was well advanced, Samson, too, with his rifle on his arm, strolled toward the stile. Old Spicer South glanced up, and removed his pipe from his mouth to inquire : "Whar be ye a-goin' ?" "I hain't a-goin' fur," was the non-committal re sponse. "Meybe hit mout be a good idea ter stay round clost fer a spell." The old man made the suggestion casu ally, and the boy replied in the same fashion. "I hain't a-goin' ter be outen sight." He sauntered down the road, but, when he had passed out of vision, he turned sharply into the woods, and began climbing. His steps carried him to the rift in the ridge where the white oak stood sentinel over the ^atch-tower of rock. As he came over the edge from one side, his bare feet making no sound, he saw Sally sitting there, with her hands resting on the moss and her eyes deeply troubled. She was gazing fixedly ahead, and her lips were trembling. At once Samson's face grew black. Some one had been making Sally unhappy. Then, he saw beyond her a standing figure, which the 56 THE CALL OF THE CUMBERLANDS tree trunk had hitherto concealed. It was the loose- knitted figure of young Tamarack Spicer. "In course," Spicer was saying, "we don't 'low Sam son shot Jesse Purvy, but them Hollmans '11 'spicion him, an' I heered just now, thet them dawgs was trackin' straight up hyar from the mouth of Misery. They'll git hyar against sundown." Samson leaped violently forward. With one hand, he roughly seized his cousin's shoulder, and wheeled him about. "Shet up!" he commanded. "What damn fool stuff hev ye been tellin' Sally ?" For an instant, the two clansmen stood fronting each other. Samson's face was set and wrathful. Tam arack's was surly and snarling. "Hain't I got a license ter tell Sally the news?" he demanded. "Nobody hain't got no license," retorted the younger man in the quiet of cold anger, "ter tell Sally nothin* thet'll fret her." "She air bound ter know hit all pretty soon. Them dawgs " "Didn't I tell ye ter shet up?" Samson clenched his fists, and took a step forward. "Ef ye opens yore mouth again, I'm a-goin' ter smash hit. Now, git !" Tamarack Spicer's face blackened, and his teethj showed. His right hand swept to his left arm-pit. Outwardly he seemed weaponless, but Samson knew that concealed beneath the hickory shirt was a holster, worn mountain fashion. "What air ye a-reachin* atter, Tam'rack?" he in quired, his lips twisting in amusement. "Thet's my business." THE CALL OF THE CUMBERLANDS 57 "Well, get hit out or git out yeself , afore I throws ye offen the clift." Sally showed no symptoms of alarm. Her confidence in her hero was absolute. The boy lifted his hand, and pointed off down the path. Slowly and with incoherent muttering, Spicer took himself away. Then only did Sally rise. She came over, and laid a hand on Sam son's shoulder. In her blue eyes, the tears were welling. "Samson," she whispered, "ef they're atter ye, come ter my house. I kin hide ye out. Why didn't ye tell me Jesse Purvy'd done been shot?" "Hit tain't nothin' ter fret about, Sally," he assured her. He spoke awkwardly, for he had been trained to regard emotion as unmanly. "Thar hain't no danger." She gazed searchingly into his eyes, and then, with a short sob, threw her arms around him, and buried her face on his shoulder. "Ef anything happens ter ye, Samson," she said, brokenly, "hit'll jest kill me. I couldn't live withouten ye, Samson. I jest couldn't do hit!" The boy took her in his arms, and pressed her close. His eyes were gazing off over her bent head, and his lips twitched. He drew his features into a scowl, because that was the only expression with which he could safeguard his feelings. His voice was husky. "I reckon, Sally," he said, "I couldn't live withouten you, neither." The party of men who had started at morning from Jesse Purvy's store had spent a hard day. The roads followed creek-beds, crossing and recrossing waterways in a fashion that gave the bloodhounds a hundred baf fling difficulties. Often, their noses lost the trail, which had at first been so surely taken. Often, they circled and whined, and halted in perplexity, but each time they came to a point where, at the end, one of them again raised his muzzle skyward, and gave voice. Toward evening, they were working up Misery along a course less broken. The party halted for a moment's rest, and, as the bottle was passed, the man from Lexing ton, who had brought the dogs and stayed to conduct the chase, put a question: "What do you call this creek?" "Hit's Misery." "Does anybody live on Misery that er that you might suspect?" The Hollmans laughed. "This creek is settled with Souths thicker'n hops." The Lexington man looked up. He knew what the name of South meant to a Hollman. "Is there any special South, who might have a par ticular grudge?" "The Souths don't need no partic'lar grudge, but thar's young Samson South. He's a wildcat." "He lives this way?" "These dogs air a-makin' a bee-line fer his house." Jim Hollman was speaking. Then he added : "I've done been told that Samson denies doin' the shootin', an' claims he kin prove an alibi." The Lexington man lighted his pipe, and poured a drink of red whiskey into a flask cup. "He'd be apt to say that," he commented, coolly. "These dogs haven't any prejudice in the matter. I'll stake my life on their telling the truth." THE CALL OF THE CUMBERLANDS 59 An hour later, the group halted again. The master of hounds mopped his forehead. "Are we still going toward Samson South's house?" he inquired. ''We're about a quarter from hit now, an' we hain't never varied from the straight road." '> "Will they be apt to give us trouble?" Jim Hollman smiled. "I hain't never heered of no South submittin' ter arrest by a Hollman." The trailers examined their firearms, and loosened their holster-flaps. The dogs went forward at a trot. CHAPTER VH FROM time to time that day, neighbors had ridden up to Spicer South's stile, and drawn rein for gossip. These men brought bulletins as to the progress of the hounds, and near sundown, as a post script to their information, a volley of gunshot signals sounded from a mountain top. No word was spoken, but in common accord the kinsmen rose from their chairs, and drifted toward their leaning rifles. "They're a-comin' hyar," said the head of the house, curtly. "Samson ought ter be home. Whar's Tam'- rack?" 1 No one had noticed his absence until that moment, nor was he to be found. A few minutes later, Samson's figure swung into sight, and his uncle met him at the fence. "Samson, I've done asked ye all the questions I'm a-goin' ter ask ye," he said, "but them dawgs is makin* fer this house. They've jest been sighted a mile below.'* Samson nodded. , "Now" Spicer South's face hardened "I owns, down thar ter the road. No man kin cross that fence withouten I choose ter give him leave. Ef ye wants ter go indoors an' stay thar, ye kin do hit an' no dawg ner no man hain't a-goin' ter ask ye no questions. But, ef ye sees fit ter face hit out, I'd love ter prove ter these hyar men thet us Souths don't break our word. 60 THE CALL OF THE CUMBERLANDS 61 We done agreed ter this truce. I'd like ter invite 'em in, an' let them damn dawgs sniff round the feet of every man in my house an' then, when they're plumb teetotally damn satisfied, I'd like ter tell 'em all ter go ter hell. Thet's the way I feels, but I'm a-goin' ter do jest what ye says." Lescott did not overhear the conversation in full, but he saw the old man's face work with suppressed passion, and he caught Samson's louder reply. "When them folks gets hyar, Uncle Spicer, I'm a-goin' ter be a-settin' right out thar in front. I'm plumb willin' ter invite 'em in." Then, the two men turned toward the house. Already the other clansmen had disappeared noise lessly through tlhe door or around the angles of the walls. The painter found himself alone in a scene of utter quiet, unmarred by any note that was not peace ful. He had seen many situations charged with sus pense and danger, and he now realized how thoroughly freighted was the atmosphere about Spicer South's cabin with the possibilities of bloodshed. The moments seemed to drag interminably. In the expressionless faces that so quietly vanished; in the absolutely calm and businesslike fashion in which, with no spoken order, every man fell immediately into his place of readiness and concealment, he read an ominous portent that sent a current of apprehension through his arteries. Into his mind flashed all the historical stories he had heard of the vendetta life of these wooded slopes, and he wondered if he was to see another chapter enacted in the next few minutes, while the June sun and soft shadows drowsed so quietly across the valley. 62 THE GALL OF THE CUMBERLANDS While he waited, Spicer South's sister, the prema turely aged crone, appeared in the kitchen door with the clay pipe between her teeth, and raised a shading hand to gaze off up the road. She, too, understood the tenseness of the situation as her grim, but unflinch ing, features showed ; yet even in her feminine eyes was no shrinking and on her face, inured to fear, was no tell-tale signal beyond a heightened pallor. Spicer South looked up at her, and jerked his head toward the house. "Git inside, M'lindy," he ordered, curtly, and with out a word she, too, turned and disappeared. But there was another figure, unseen, its very pres ence unsuspected, watching from near by with a pound ing heart and small fingers clutching in wild terror at a palpitant breast. In this country, where human creatures seemed to share with the "varmints" the faculty of moving unseen and unheard, the figure had come stealthily to watch and pray. When Samson had heard that signal of the gunshots from a distant peak, he had risen from the rock where he sat with Sally. He had said nothing of the issue he must go to meet; nothing of the enemies who had brought dogs, confident that they would make their run straight to his lair. That subject had not been mentioned between them since he had driven Tamarack away that afternoon, and reassured her. He had only risen casually, as though his action had no connection with the signal of the rifles, and said: "Reckon I'll be a-goin'." Ami Sally had said nothing either, except gefed-by, and had turned her face toward her own side of the THE CALL OF THE CUMBERHANBS 3 ridge, but, as soon as he had passed out of sight, she had wheeled and followed noiselessly, slipping from rhodo dendron clump to laurel thicket as stealthily as though she were herself the object of an enemy's attack. She knew that Samson would have sent her back, and she knew that a crisis was at hand, and that she could not support the suspense of awaiting the news. She must' see for herself. And now, while the stage was setting itself, the girl crouched trembling a little way up the hillside, at the foot of a titanic poplar. About her rose gray, moss- covered rocks and the fronds of clinging ferns. At her feet bloomed wild flowers for which she knew no names except those with which she had herself chris tened them, "sunsetty flowers" whose yellow petals sug gested to her imagination the western skies, and "fairy cups and saucers." She was not trembling for herself, though, if a fusil lade broke out below, the masking screen of leafage would not protect her from the pelting of stray bullets. Her small face was pallid, and her blue eyes wide- stretched and terrified. With a catch in her throat, she shifted from her crouching attitude to a kneeling pos ture, and clasped her hands desperately, and raised her face, while her lips moved in prayer. She did not pray aloud, for even in her torment of fear for the boy she loved, her mountain caution made her noiseless and the God to whom she prayed could hear her equally well in silence. "Oh, God," pleaded the girl, brokenly, "I reckon ye knows thet them Hollmans is atter Samson, an' I reckons ye knows he hain't committed no sin. I reckon ye 64 THE CALL OF THE CUMBERLANDS knows, since ye knows all things, thet hitll kill me ef I loses him, an' though I hain't nobody but jest Sally Miller, an* ye air Almighty God, I wants ye ter hear my prayin', an' pertect him." Fifteen minutes later, Lescott, standing at the fence, saw a strange cavalcade round the bend of the road. Several travel-stained men were leading mules, and hold ing two tawny and impatient dogs in leash. In their number, the artist recognized his host of two nights ago. They halted at a distance, and in their faces the artist read dismay, for, while the dogs were yelping confidently and tugging at their cords, young Samson South who should, by their prejudiced convictions, be hiding out in some secret stronghold sat at the top step of the stile, smoking his pipe, and regarded them with a lack-luster absence of interest. Such a calm reception was uncanny. The trailers felt sure that in a moment more the dogs would fall into accusing excite ment. Logically, these men should be waiting to receive them behind barricaded doors. There must be some hidden significance. Possibly, it was an invitation to walk into ambuscade. No doubt, unseen rifles covered their approach, and the shooting of Purvy was only the inaugural step to a bloody and open outbreak of the 'war. After a whispered conference, the Lexington man came forward alone. Old Spicer South had been looking on from the door, and was now strolling out to meet the envoy, unarmed. And the envoy, as he came, held his hands unneces sarily far away from his sides, and walked with an osten tatious show of peace. THE CALL OF THE CUMBERLANDS 65 "Evenin', stranger," hailed the old man. "Come right in." "Mr. South," began the dog-owner, with some embar rassment, "I have been employed to furnish a pair of bloodhounds to the family of Jesse Purvy, who has been shot." . "I heerd tell thet Purvy was shot," said t^e head of' the Souths in an affable tone, which betrayed no deeper note of interest than neighborhood gossip might have elicited. "I have no personal interest in the matter," went on the stranger, hastily, as one bent on making his attitude clear, "except to supply the dogs and manage them. I do not in any way direct their course ; I merely follow." "Ye can't hardly fo'ce a dawg." Old Spicer sagely nodded his head as he made the remark. "A dawg jest natcher'ly follers his own nose." "Exactly and they have followed their noses here." The Lexington man found the embarrassment of his position growing as the colloquy proceeded. "I want to ask you whether, if these dogs want to cross your fence, I have your permission to let them?" The cabin in the yard was utterly quiet. There was no hint of the seven or eight men who rested on their arms behind its half-open door. The master of the house crossed the stile, the low sun shining on his shock of gray hair, and stood before the man-hunter. He spoke so that his voice carried to the waiting group in the road. "Ye're plumb welcome ter turn them dawgs loose, an* let 'em ramble, stranger. Nobody hain't a-goin' ter 66 THE CALL OF THE CUMBERLANDS hurt 'em. I sees some fellers out thar with ye thet mustn't cross my fence. Ef they does" the voice rang menacingly "hit'll mean that they're a-bustin' the truce an' they won't never go out ag*in. But you air safe in hyar. I gives yer my hand on thet. Ye're wel come, an' yore dawgs is welcome. I hain't got nothin' 'gainst dawgs thet comes on four legs, but I shore bars the two-legged kind." There was a murmur of astonishment from the road. Disregarding- \t, Spicer South turned his face toward the house. "You boys kin come out," he shouted, "an' leave yore guns inside." The leashes were slipped from the dogs. They leaped forward, and wade directly for Samson, who sat as unmoving as a lifeless image on the top step of the stile. Up on the hillside the fingernails of Sally Miller's clenched hands cut into the flesh, and the breath stopped between her parted and bloodless lips. There was a half -moment of terrific suspense, then the beasts clam bered by the seated figure, passing on each side and circled aimlessly about the yard their quest unended. They sniffed indifferently about the trouser legs of the men who sauntered indolently out of the door. They trotted into the house and out again, and mingled with the mongrel home pack that snarled and growled hos tility for this invasion. Then, they came once more to the stile. As they climbed out, Samson South reached up and stroked a tawny head, and the bloodhound paused a moment to wag its tail in friendship, before it jumped down to the road, and trotted gingerly onward. THE CALL OF THE CUMBERLANDS 67 "I'm obliged to you, sir," said the man from the Bluegrass, with a voice of immense relief. The moment of suspense seemed past, and, in the relief of the averted clash, the master of hounds forgot that his dogs stood branded as false trailers. But, when he rejoined the group in the road, he found himself looking into surly visages, and the features of Jim' Hollman in particular were black in their scowl of smoldering wrath. "Why didn't ye axe him," growled the kinsman of the man who had been shot, "whar the other feller's at?" "What other fellow?" echoed the Lexington man. Jim Hollman's voice rose truculently, and his words drifted, as he meant them to, across to the ears of the clansmen who stood in the yard of Spicer South. "Them dawgs of your'n come up Misery a-hellin'. They hain't never turned aside, an', onless they're plumb ornery no-'count curs thet don't know their business, they come for some reason. They seemed mighty inter ested in gittin' hyar. Axe them fellers in thar who's been hyar thet hain't hyar now? Who is ther feller thet got out afore we come hyar." At this veiled charge of deceit, the faces of the Souths again blackened, and the men near the door of the house drifted in to drift presently out again, swinging, discarded Winchesters at their sides. It seemed that/ after all, the incident was not closed. The man from Lexington, finding himself face to face with a new diffi culty, turned and argued in a low voice with the Hollman leader. But Jim Hollman, whose eyes were fixed on Samson, refused to talk in a modulated tone, and he shouted his reply : "I hain't got nothin' ter whisper about," he pro claimed. "Go axe 'em who hit war thet got away from hyar." Old Spicer South stood leaning on his fence, aiid his rugged countenance stiffened. He started to speak, but Samson rose from the stile, and said, in a c imposed voice : "Let me talk ter this feller, Unc' Spicer." The old man nodded, and Samson beckoned to the owner of the dogs. "We hain't got nothin' ter say ter them fellers with ye," he announced, briefly. "We hahVt axin' 'em no questions, an' we hain't answerin' none. Ye done come hyar with dawgs, an' we hain't stopped ye. We've done answered alt the questions them dawgs hes axed. We done treated you an' yore houn's plumb friendly. Es f er them other men, we hain't got nothin' ter say ter 'em. They done come hyar because they hoped they could git me in trouble. They done failed. Thet road belongs ter the county. They got a license ter travel hit, but this strip right hyar hain't ther healthiest section they kin find. I reckon ye'd better advise 'em ter move on." The Lexington man went back. For a minute or two, Jim Hollman sat scowling down in indecision from his saddle. Then, he admitted to himself that he had done all he could do without becoming the aggressor. For the moment, he was beaten. He looked up, and from the road one of the hounds raised its voice and gave cry. That baying afforded an excuse for leaving, and Jim Hollman seized upon it. "Go on," he growled. "Let's see what them damned curs hes ter say now." THE CALL OF THE CUMBERLANDS 69 Mounting, they kicked their mules into a jog. From the men inside the fence came no note of derision; no hint of triumph. They stood looking out with expres sionless, mask-like faces until their enemies had passed out of sight around the shoulder of the mountain. The Souths had met and fronted an accusation made after the enemy's own choice and method. A jury of two hounds had acquitted them. It was not only because the dogs had refused to recognize in Samson a suspicious character that the enemy rode on grudgingly convinced, but, also, because the family, which had invariably met hostility with hostility, had so willingly courted the acid test of guilt or innocence. Samson, passing around the corner of the house, caught a flash of red up among the green clumps of the mountainside, and, pausing to gaze at it, saw it disap pear into the thicket of brush. He knew then that Sally had followed him, and why she had done it, and, framing a stern rebuke for the f oolhardiness of the ven ture, he plunged up the acclivity in pursuit. But, as he made his way cautiously, he heard around the shoulder of a mass of piled-up sandstone a shaken sobbing, and, slipping toward it, found the girl bent over with her face in her hands, her slender body convulsively heaving with the weeping of reaction, and murmuring half- incoherent prayers of thanksgiving for his deliverance. "Sally!" he exclaimed, hurrying over and dropping to his knees beside her. "Sally, thar hain't nothin' ter fret about, little gal. Hit's all right." She started up at the sound of his voice, and then, pillowing her head on his shoulder, wept tears of happi ness. He sought for words, but no words came, and 70 THE CALL OF THE CUMBERLANDS his lips and eyes, unused to soft expressions, drew them selves once more into the hard mask with which he screened his heart's moods. Days passed uneventfully after that. The kinsmen dispersed to their scattered coves and cabins. Now and again came a rumor that Jesse Purvy was dying, but always hard on its heels came another to the effect that the obdurate fighter had rallied, though the doctors held out small encouragement of recovery. One day Lescott, whose bandaged arm gave him much pain, but who was able to get about, was strolling not far from the house with Samson. They were follow ing a narrow trail along the mountainside, and, at a sound no louder than the falling of a walnut, the boy halted and laid a silencing hand on the painter's shoulder. Then followed an unspoken command in his companion's eyes. Lescott sank down behind a rock, cloaked with glistening rhododendron leafage, where Samson had already crouched, and become immovable and noiseless. They had been there only a short time when they saw another figure slipping quietly from tree to tree below them. For a time, the mountain boy watched the figure, and che painter saw his lips draw into a straight line, and his eyes narrow with a glint of tense hate. Yet, a moment later, with a nod to follow, the boy unex pectedly rose into view, and his features were absolutely expressionless. "Mornin', Jim," he called. The slinking stranger whirled with a start, and an instinctive motion as though to bring his rifle to his THE CALL OF THE CUMBERLANDS 71 shoulder. But, seeing Samson's peaceable manner, he smiled, and his own demeanor became friendly. "Mornin'j Samson." "Kinder stranger in this country, hain't ye, Jim?" drawled the boy who lived there, and the question brought a sullen flush to the other's cheekbones. "Jest a-passin' through," he vouchsafed. "I reckon ye'd find the wagon road more handy," suggested Samson. "Some folks might 'spicion ye fer stealin' long through the timber." The skulking traveler decided to lie plausibly. He laughed mendaciously. "That's the reason, Samson. I was kinder skeered ter go through this country in the open." Samson met his eye steadily, and said slowly: "I reckon, Jim, hit moughtn't be half es risky fer ye ter walk upstandin' along Misery, es ter go a-crouchin'. Ye thinks ye've been a shadderin' me. I knows jest whar ye've been all the time. Ye lies when ye talks 'bout passin' through. Ye've done been spyin' hyar, ever since Jesse Purvy got shot, an' all thet time ye've done been watched yeself. I reckon hit'll be healthier fer ye ter do yore spyin' from t'other side of the ridge. I reckon yer allowin' ter git me ef Purvy dies, but we're twatchin' ye." Jim Asberry's face darkened, but he said nothing. There was nothing to say. He was discovered in the enemy's country, and must accept the enemy's terms. "This hyar time, I lets ye go back," said Samson, "fer the reason thet I'm tryin' like all hell ter keep this truce. But ye must stay on yore side, or else ride the roads open. How is Purvy terday?" it, THE CALL OF THE CUMBERLANDS ) "He's mighty porely," replied the other, in a sullen voice. "All right. Thet's another reason why hit hain't healthy fer ye over hyar." The spy turned, and made his way over the mountain. "Damn him!" muttered Samson, his face twitching, as the other was lost in the undergrowth. "Some day I'm a-goin' ter git him." Tamarack Spicer did not at once reappear, and, when one of the Souths met another in the road, the customary dialogue would be: "Heered anything of Tamarack?" . . . "No, hev you?" . . . "No, nary a word." As Lescott wandered through the hills, his unhurt right hand began crying out for action and a brush to nurse. As he watched, day after day, the unveiling of the monumental hills, and Ihe transitions from hazy wraith-like whispers of hues, to strong, flaring riot of color, this fret of restlessness became actual pain. He was wasting wonderful opportunity and the creative instinct in him was clamoring. One morning, when he came out just after sunrise to the tin wash basin at the well, the desire to paint was on him with compelling force. The hills ended near their bases like things bitten off. Beyond lay limitless streamers of mist, but, while he stood at gaze, the filmy veil began to lift and float higher. Trees and moun tains grew taller. The sun, which showed first as a ghost-like disc of polished aluminum, struggled through orange and vermilion into a sphere of living flame. It was as though the Creator were breathing on a formless void to kindle it into a vital and splendid cosmos, and THE CALL OF THE CUMBERLANDS 7S between the dawn's fog and the radiance of full lay a dozen miracles. Through rifts in the streamers, patches of hillside and sky showed for an ethereal moment or two in tender and transparent coloration, like spirit-reflections of emerald and sapphire. . . . iLescott heard a voice at his side. "When does ye 'low ter commence paintin'?" It was Samson. For answer, the artist, with his unhurt hand, impatiently tapped his bandaged wrist. "Ye still got yore right hand, hain't ye?" demanded the boy. The other laughed. It was a typical ques tion. So long as one had the trigger finger left, one should not admit disqualification. "You see, Samson,' he explained, "this isn't precisely like handling a gun. One must hold the palette; mix the colors ; wipe the brushes and do half a dozen equally necessary things. It requires at least two perfectly good hands. Many people don't find two enough. 5 ' "But hit only takes one ter do the paintin', don't hit?" "Yes." "Well" the boy spoke diffidently but with enthu siasm "between the two of us, we've got three hands. I reckon ye kin lam me how ter do them other things fer ye." Lescott's surprise showed in his face, and the lad swept eagerly on. "Mebby hit hain't none of my business, but, all day yestiddy an' the day befo', I was a-studyin' 'bout this here thing, an' I hustled up an' got thet corn weeded, an' now I'm through. Ef I kin help ye out, I thought mebby " He paused, and looked appealingly at the artist. 74 THE CALL OF THE CUMBERLANDS Lescott whistled, and then his face lighted into con tentment. "To-day, Samson," he announced, "Lescott, South and Company get busy." It was the first time he had seen Samson smile, and, although the expression was one of sheer delight, in herent somberness loaned it a touch of the wistful. When, an hour later, the two set out, the mountain boy carried the paraphernalia, and the old man stand ing at the door watched them off with a half-quizzical, half -disapproving glance. To interfere with any act of courtesy to a guest was not to be thought of, but already the influence en Samson of this man from the other world was disquieting his uncle's thoughts. With his mother's milk, the boy had fed on hatred of his enemies. With his training, he had been reared to feudal animosities. Disaffection might ruin his useful ness. Besides the sketching outfit, Samson carried his rifle. He led the painter by slow stages, since the climb proved hard for a man still somewhat enfeebled, to the high rock which Sally visited each morning. As the boy, with remarkable aptitude, learned how to adjust the easel and arrange the paraphernalia, Lescott sat drinking in through thirsty eyes the stretch of landscape he had determined to paint. It was his custom to look long and studiously through closed lashes before he took up his brush. After that he began laying in his key tones and his fundamental sketching with an incredible swiftness, having already Delved his problems of composition and analysis. Then, while he painted, the boy held the palette, his eyes riveted on the canvas, which was growing from a THE CALL OF THE CUMBERLANDS 75 blank to a mirror of vistas and the boy's pupils be came deeply hungry. He was not only looking. He was seeing. His gaze took in the way the fingers held the brushes ; the manner of mixing the pigments, the detail of method. Sometimes, when he saw a brush v dab into a color whose use he did not at once under- ;Stand, he would catch his breath anxiously, then nod silently to himself as the blending vindicated the choice. He did not know it, but his eye for color was as instinctively true as that of the master. As the day wore on, they fell to talking, and the boy again found himself speaking of his fettered rest- iveness in the confinement of his life ; of the wanderlust which stirred him, and of which he had been taught to feel ashamed. During one of their periods of rest, there was a rustle in the branches of a hickory, and a gray shape flirted a bushy tail. Samson's hand slipped silently out, and the rifle came to his shoulder. In a moment it snapped, and a squirrel dropped through the leaves. "Jove!" exclaimed Lescott, admiringly. "That was neat work. He was partly behind the limb at a hun dred yards." "Hit warn't nothin'," said Samson, modestly. "Hit's '.a good gun." He brought back his quarry, and affec tionately picked up the rifle. It was a repeating Win chester, carrying a long steel- jacketed bullet of special caliber, but it was of a pattern fifteen years old, and fitted with target sights. "That gun," Samson explained, in a lowered and rev erent voice, "was my pap's. I reckon there hain't enough money in the world ter buy hit offen me.," 76 THE CALL OF THE CUMBERLANDS Slowly, in a matter-of-fact tone, he began a story without decoration of verbiage straightforward and tense in its simplicity. As the painter listened, he be gan to understand; the gall that had crept into this lad's blood before his weaning became comprehensible. . . . Killing Hollmans was not murder. ... It was duty. He seemed to see the smoke-blackened cabin and the mother of the boy sitting, with drawn face, in dread of the hours. He felt the racking nerve-tension of a life in which the father went forth each day leaving his family in fear that he would not return. Then, under the spell of the unvarnished recital, he seemed to witness the crisis when the man, who had dared repu diate the lawless law of individual reprisal, paid the price of his insurgency. A solitary friend had come in advance to break the news. His face, when he awkwardly commenced to speak, made it unnecessary to put the story into words. Samson told how his mother had turned pallid, and stretched out her arm gropingly for support against the door-jamb. Then the man had found his voice with clumsy directness. "They've got him." The small boy had reached her in time tc break her fall as she fainted, but, later, when they brought in the limp, unconscious man, she was awaiting them with regained composure. An expression came to her face at that moment, said the lad, which had never left it during the remaining two years of her life. For some hours, "old" Henry South, who in a less-wasting life would hardly have been middle-aged, had lingered. They were hours of conscious suffering, with no power to THE CALL OF THE CUMBERLANDS 77 speak, but before he died he had beckoned his ten-year- old son to his bedside, and laid a hand on the dark, rumpled hair. The boy bent forward, his eyes tortured and tearless, and his little lips tight pressed. The old man patted the head, and made a feeble gesture toward the mother who was to be widowed. Samson had nodded. "I'll take keer of her, pap," he had fervently sworn. Then, Henry South had lifted a tremulous finger, and pointed to the wall above the hearth. There, upon a set of buck-antlers, hung the Winchester rifle. And, again, Samson had nodded, but this time he did not speak. That moment was to his mind the most sacred of his life ; it had been a dedication to a purpose. The arms of the father had then and there been bequeathed to the son, and with the arms a mission for their use. After a brief pause, Samson told of the funeral. He had a remarkable way of visualizing in rough speech the desolate picture ; the wailing mourners on the bleak hillside, with the November clouds hanging low and trail ing their wet streamers. A "jolt-wagon" had carried the coffin in lieu of a hearse. Saddled mules stood tethered against the picket fence. The dogs that had followed their masters started a rabbit close by the open grave, and split the silence with their yelps as the first clod fell. He recalled, too, the bitter voice with which his mother had spoken to a kinsman as she turned from the ragged burying ground, where only the forlorn cedars were green. She was leaning on the boy's thin shoulders at the moment. He had felt her arm stiffen with her words, and, as her arm stiffened, his own positive nature stiffened with it. 78 THE CALL OF THE CUMBERLANDS "Henry believed in law and order. I did, too. But they wouldn't let us have it that way. From this day on, I'm a-goin' to raise my boy to kill Hollmans." WITH his father's death Samson's schooling. had ended. His responsibility now was farm work and the roughly tender solicitude of a young stoic for his mother. His evenings before the broad fireplace he gave up to a devouring sort of study, but his books were few. When, two years later, he laid the body of the Widow South beside that of his father in the ragged hillside burying-ground, he turned his nag's head away from the cabin where he had been born, and rode over to make his home at his Uncle Spicer's place. He had, in mountain parlance, "heired" a farm of four hundred acres, but a boy of twelve can hardly operate a farm, even if he be so stalwart a boy as Samson. His Uncle Spicer wanted him, and he went, and the head of the family took charge of his property as guardian ; placed a kinsman there to till it, on shares, and faithfully set aside for the boy what revenue came from the stony acres. He knew that they would be rich acres when men began to dig deeper than the hoe could scratch, and opened the veins where the coal slept its unstirring sleep. The old man had not set such store by learning as had Samson's father, and the little shaver's education ended, except for what he could wrest from stinted sources and without aid. His mission of "killing Hollmans" was not forgotten. There had 79 years ago been one general battle at a primary, when the two factions fought for the control that would insure the victors safety against "law trouble," and put into their hands the weapons of the courts. Samson was far too young to vote, but he was old i enough to fight, and the account he had given of him- .self, with the inherited rifle smoking, gave augury of fighting effectiveness. So sanguinary had been this fight, and so dangerously had it focused upon the war ring clans the attention of the outside world, that after its indecisive termination, they made the compact of the present truce. By its terms, the Hollmans held their civil authority, and the Souths were to be undis turbed dictators beyond Misery. For some years now, the peace had been unbroken save by sporadic assassina tions, none of which could be specifically enough charged to the feud account to warrant either side in regarding the contract as broken. Samson, being a child, had been forced to accept the terms of this peace bondage. The day would come when the Souths could agree to no truce without his consent. Such was, in brief, the story that the artist heard while he painted and rested that day on the rock. Had he heard it in New York, he would have discounted it as improbable and melo dramatic. Now, he knew that it was only one of many such chapters in the history of the Cumberlands. The native point of view even became in a degree acceptable. In a system of trial by juries from the vicinage, fair and bold prosecutions for crime were impossible, and such as pretended to be so were bitterly tragic farces. He understood why the families of murdered fathers and brothers preferred to leave the punishment to THE CALL OF THE CUMBERLANDS 81 their kinsmen in the laurel, rather than to their enemies in the jury-box. The day of painting was followed by others like it. The disabling of Lescott's left hand made the constant companionship of the boy a matter that needed no ex planation or apology, though not a matter of approval to his uncle. Another week had passed without the reappearance of Tamarack Spicer. One afternoon, Lescott and Samson were alone on a cliff-protected shelf, and the painter had just blocked in with umber and neutral tint the crude sketch of his next picture. In the foreground was a steep wall, rising palisade-like from the water below. A kingly spruce- pine gave the near note for a perspective which went away across a valley of cornfields to heaping and distant mountains. Beyond that range, in a slender ribbon of pale purple, one saw the ridge of a more remote and mightier chain. The two men had lost an hour huddled under a canopy beneath the cannonading of a sudden storm. They had silently watched titanic battallions of thunder-clouds riding the skies in gusty puffs of gale, and raking the earth with lightning and hail and water. The crags had roared back echoing defiance, and the great trees had lashed and bent and tossed like weeds in the buf feting. Every gully had become a stream, and every gulch-rock a waterfall. Here and there had been a crashing of spent timber, and now the sun had burst through a rift in the west, and flooded a segment of the horizon with a strange, luminous field of lemon. About this zone of clarity were heaped masses of gold-rimmed and rose-edged clouds, still inky at their centers. "My Gd!" exclaimed the mountain boy abruptly. "I'd give 'most anything ef I could paint that." Lescott rose smilingly from his seat before the easel, and surrendered his palette and sheaf of brushes. "Try it," he invited. For a moment, Samson stood hesitant and overcome with diffidence; then, with set lips, he took his place, and experimentally fitted his fingers about a brush, as he had seen Lescott do. He asked no advice. He merely gazed for awhile, and then, dipping a brush and experi menting for his color, went to sweeping in his primary tones. The painter stood at his back, still smiling. Of course, the bmsk-troke was that of the novice. Of course, the work was clumsy and heavy. But what Lescott noticed was not so much the things that went on canvas as the mixing of colors on the palette, for he knew that the palette is the painter's heart, and its colors are the elements of his soul. What a man paints on canvas is the sum of his acquirement ; but the celers he mixes are the declarations of what his soul can see, and no man can paint whose eyes are not touched with the sublime. At that moment, Lescott knew that Sam son had such eyes. The splashes of lemon yellow that the boy daubed above the hills might have been painted with a brush dipped in the sunset. The heavy clouds with their gos samer edgings had truth of tone and color. Then the experimenter came to the purple rim of mountain tops. THE CALL OF THE CUMBERLANDS 83 There was no color for that on the palette, and he turned to the paint-box. "Here," suggested Lescott, handing him a tube of Payne's Gray : "is that what you're looking for ?" Samsn read the label, and decisively shook his head. "I'm a-goin' atter them hills," he declared. "There hain't no gray in them thar mountings." f "Squeeze seme out, anyway." The artist suited the action to the word, and soon Samson was experimenting with a mixture. "Why, that hain't no gray," he announced, with en thusiasm; "that thar's sort of ashy purple." Still, he was not satisfied. His first brush-stroke showed a trifle dead and heavy. It lacked the soft lucid quality that the hills held, though it was close enough to truth to have satisfied any eye save one of uncompromising sincerity. Samson, even though he was hopelessly daub ing, and knew it, was sincere, and the painter at his elbow caught his breath, and looked on with the absorp tion of a prophet, who, listening to childish prattle, yet recognizes the gift of prophecy. The boy dabbled for a perplexed moment among the pigments, then lightened up his color with a trace of ultramarine. Uncon sciously, the master heaved a sigh of satisfaction. The boy "laid in" his far hills, and turned. "Thet's the way hit looks ter me/' he said, simply. "That's the way it is," commended his critic. For a while more, Samson worked at the nearer hills, then he rose. "I'm dene," he said. "I fcain't a-goin' ter fool with them thar trees an' thing's. I dont know nothing erbout thet. I can't paint leaves an' twigs an' biretsnests. 84 THE CALL OF THE CUMBERLANDS What I likes is mountings, an* skies, an' secht-like things." Lescott looked at the daub before him. A less- trained eye would have seen only the daub, just as a poor judge of horse-flesh might see only awkward joints and long legs in a weanling colt, though it be bred in the purple. "Samson," he said, earnestly, "that's all there is to art. It's the power to feel the poetry of color. The rest can be taught. The genius must work, of course work, work, work, and still work, but the Gift is the power of seeing true and, by God, boy, you have it." His words rang exultantly. "Anybody with eyes kin see," deprecated Samson, wiping his fingers on his jeans trousers. "You think so? To the seer who reads the passing shapes in a globe of crystal, it's plain enough. To any other eye, there is nothing there but transparency." Lescott halted, conscious that he was falling into meta phor which his companion could not understand, then more quietly he went on : "I don't know how you would progress, Samson, in detail and technique, but I know you've got what many men have struggled a lifetime for, and failed. I'd like to have you study with me. I'd like to be your discoverer. Look here." The painter sat down, and speedily went to work. He painted out nothing. He simply toned, and, with pre cisely the right touch here and there, softened the crude- ness, laid stress on the contrast, melted the harshness, and, when he rose, he had built, upon the rough corner stone of Samson's Ikying, a picture. "That proves it," he said. "I had only to finish. I THE CALL OF THE CUMBERLANDS 85 didn't have to undo. Boy, you're wasting yourself. Come with me, and let me make you. We all pretend there is no such thing, in these days, as sheer genius ; but, deep down, we know that, unless there is, there can be no such thing as true art. There is genius and you t 'have it." Enthusiasm was again sweeping him into an f unintended outburst. The boy stood silent. Across his countenance swept a conflict of emotions. He looked away, as if taking counsel with the hills. "It's what I'm a-honin' fer," he admitted at last. "Hit's what I'd give half my life fer. ... I mout sell my land, an' raise the money. ... I reckon hit would take passels of money, wouldn't hit?" He paused, and his eyes fell on the rifle leaning against the tree. His lips tightened in sudden remembrance. He went over and picked up the gun, and, as he did so, he shook his head. "No," he stolidly declared; "every man to his own tools. This here's mine." Yet, when they were again out sketching, the tempta tion to play with brushes once more seized him, and he took his place before the easel. Neither he nor Lescott noticed a man who crept down through the timber, and for a time watched them. The man's face wore a surly, contemptuous grin, and shortly it withdrew. But, an hour later, while the boy was still working industriously and the artist was lying on his back, with a pipe between his teeth, and his half-closed eyes gazing up contentedly through the green of overhead branches, their peace was broken by a guffaw of derisive laughter. They looked up, to find at their backs a semi-circle of 86 THE CALL OF THE CUMBERLANDS % scoffing humanity. Lescott's impulse was to laugh, for only the comedy of the situation at the moment struck him. A stage director, setting a comedy scene with that most ancient of jests, the gawking of boobs at seme new sight, could hardly have improved on this tableau. At the front stood Tamarack Spicer, the returned wanderer. His lean wrist was stretched out of a ragged sleeve all too short, and his tattered "jimmy" was shoved back over a face all a-grin. His eyes were blood-shot with recent drinking, but his manner was in exaggerated and cumbersome imitation of a rural master of cere monies. At his back were the raw-boned men and women and children of the hills, to the number of a dozen. To the front shuffled an old, half-witted hag, with thin gray hair and pendulous lower lip. Her dress was patched and colorless. Her back was bent with age and rheumatism. Her feet were incased in a pair of man's brogans. She stared and snickered, and several chil dren, taking the cue, giggled, but the men, save Tamarack himself, wore troubled faces, as though recognizing that their future chieftain had been dis covered in some secret shame. They were looking on their idol's feet of clay. "Ladies and gentle-m^w-," announced Tamarack Spicer, in a hiccoughy voice, "swing yo' partners an' sashay forward. See the only son of the late Henry South engaged in his mar-ve-lous an' heretofere undis covered occupation of doin' fancy work. Ladies and gentle-m work for guns, but for brains. By going away and coming back armed with knowledge, you can save them. You will knoAV how to play the game." "I reckon they won't git our land, ner our timber, ner our coal, without we wants ter sell hit. I reckon ef Ihey tries thet, guns will come in handy. Things has stood here like they is now, fer a hundred years. I reckon we kin keep 'em that-away fer a spell longer." But it was evident that Samson was arguing against his own belief ; that he was trying to bolster up his resolu tion and impeached loyalty, and that at heart he was sick to be up and going to a world which did not despise "eddication." After a little, he waved his hand vaguely toward "down below." "Ef I went down thar," he questioned suddenly and irrelevantly, "would I hev' ter cut my ha'r ?" "My dear boy," laughed Lescott, "I can introduce you in New York studios to many distinguished gentle-j men who would feel that their heads had been shorn if they let their locks get as short as yours. In New York, you might stroll along Broadway garbed in tur ban and a burnouse without greatly exciting anybody. I think my own hair is as long as yours." "Because," doggedly declared the mountaineer, "I wouldn't allow nobody ter make me cut my ha'r." 94 THE CALL OF THE CUMBERLANDS "Why?" questioned Lescott, amused at the stubborn inflection. "I don't hardly know why " He paused, then ad mitted with a glare as though defying criticism : "Sally likes hit that-away an' I won't let nobody dictate ter me, that's all." The leaven was working, and one night Samson announced to his Uncle from the doorstep that he was "studyin* erbout goin' away fer a spell, an' seein' the world." The old man laid down his pipe. He cast a reproach ful glance at the painter, which said cltarly, though without words: "I have opened my home to you and offered you what I had, yet in my old age you take away my mainstay." For a time, he sat silent, but his shoulders hunched for ward with a sag which they had not held a moment before. His seamed face appeared to age visibly and in the moment. He ran one bony hand through his gray mane of hair. "I 'lowed you was a-studyin' erbout thet, Samson," he said, at last. "I've done ther best fer ye I knowed. I kinder 'lowed thet from now on ye'd do the same fer me. I'm gittin' along in years right smart. . . ." * "Uncle Spicer," interrupted the boy, "I reckon ye knows thet any time ye needed me I'd come back." The old man's face hardened. "Ef ye goes," he said, almost sharply, "I won't never send fer ye. Any time ye ever wants ter come back, ye knows ther way. Thar'll be room an' victuals fer ye hyar." THE CALL OF THE CUMBERLANDS 9* "I reckon I mout be a heap more useful ef I knowed more." "I've heered fellers say that afore. Hit hain't never turned out thet way with them what has left the mount ings. Mebby they gets more useful, but they don't git useful ter us. Either they don't come back at all, or mebby they comes back full of newfangled notions an' ashamed of their kinfolks. Thet's the way, I've noticed, hit gen'ally turns out." Samson scorned to deny that such might be the case with him, and was silent. After a time, the old man went on again in a weary voice, as he bent down to loosen his brogans and kick them noisily off on to the floor: "The Souths hev done looked to ye a good deal, Sam son. They 'lowed they could depend on ye. Ye hain't quite twenty-one yet, an' I reckon I could refuse ter let ye sell yer prop'ty. But thar hain't no uso tryin' ter hold a feller when he wants ter quit. Ye don't 'low ter go right away, do ye?" "I hain't plumb made up my mind ter go at all," said the boy, shamefacedly. "But, ef I does go, I hain't a-goin' yit. I hain't spoke ter nobody but you about hit yit." Lescott felt reluctant to meet his host's eyes at break fast the next morning, dreading their reproach, but, if Spicer South harbored resentment, he meant to con ceal it, after the stoic's code. There was no hinted constraint of cordiality. Lescott felt, however, that in Samson's mind was working the leaven of that unspoken accusation of disloyalty. He resolved to make a final play, and seek to enlist Sally in his cause. If Sally's 96 THE CALL OF THE CUMBERLANDS hero-worship could be made to take the form of ambi tion for Samson, she might be brought to relinquish him for a time, and urge his going that he might return strengthened. Yet, Sally's devotion was so instinctive and so artless that it would take compelling argument to convince her of any need of change. It was Samson as he was whom she adored. Any altera tion was to be distrusted. Still, Lescott set out one afternoon on his doubtful mission. He was more versed in mountain ways than he had been. His own ears could now distinguish between the bell that hung at the neck of Sally's brindle heifer and those of old Spicer's cows. He went down to the creek at the hour when he knew Sally, also, would be making her way thither with her milk-pail, and intercepted her coming. As she approached, she was singing, and the man watched her from the distance. He was a landscape painter and not a master of genre or portrait. Yet, he wished that he might, before going, paint Sally. She was really, after all, a part of the landscape, as much a thing of nature and the hills as the hollyhocks that had come along the picket-fences. She swayed as gracefully and thoughtlessly to her movements as do strong and pliant stems under the breeze's kiss. 'Artfulness she had not; nor has the flower: only the joy and fragrance of a brief bloom. It was that thought which just now struck the painter most forcibly. It was shameful that this girl and boy should go on to the hard and unlighted life that inevitably awaited them, if neither had the opportunity of develop ment. She would be at forty a later edition of the Widow Miller. He had seen the widow. Sally's charm THE CALL OF THE CUMBERLANDS 97 /mist be as ephemeral under the life of illiterate drudgery and perennial child-bearing as her mother's had been. Her shoulders, now so gloriously straight and strong, would sag, and her bosom shrink, and her face harden and take on that drawn misery of constant anxiety. But, if Samson went and came back with some conception of cherishing his wife yes, the effort was worth making. Yet, as the girl came down the slope, gaily singing a very melancholy song, the painter broke off in his reflections, and his thoughts veered. If Samson left, would he ever return? Might not the old man after all be right? When he had seen other women and tasted other allurements would he, like Ulysses, still hold his barren Ithaca above the gilded invitation of Calypso? History has only one Ulysses. Sally's voice was lilting like a bird's as she walked happMy. The song was one of those old ballads that have been held intact since the stock learned to sing them in the heather of the Scotch highlands before there was an America. " 'She's pizened me, mother, make my bed soon, Fer I'm sick at my heart and I fain would lay doon. 5 ' i The man rose and went to meet her. "Miss Sally," he began, uncertainly, "I want to talk to you." She was always very grave and diffident with Lescott. He was a strange new type to her, and, though she liad begun with a predilection in his favor, she had since then come to hold him in adverse prejudice. Before his arrival, Samson had been all hers. She had not missed 98 THE CALL OF THE CUMBERLANDS in her lover the gallantries that she and her women had never known. At evening, when the supper dishes were washed and she sat in the honeysuckle fragrance of the young night with the whippoorwills calling, she had been accustomed to hear a particular whippoorwill- note call, much like the real ones, yet distinct to her waiting ears. She was wont to rise and go to the stile to meet him. She had known that every day she would, seemingly by chance, meet Samson somewhere along the creek, or on the big bowlder at the rift, or hoeing on the sloping cornfield. These things had been enough. But, of late, his interests had been divided. This painter had claimed many of his hours and many of his thoughts. There was in her heart an unconfessed jealousy of the foreigner. Now, she scrutinized him solemnly, and nodded. "Won't you sit down?" he invited, and the girl dropped cross-legged on a mossy rock, and waited. To-day, she wore a blue print dress, instead of the red one. It was always a matter of amazement to the man that in such an environment she was not only wildly beautiful, but invariably the pink of neatness. She could climb a tree or a mountain, or emerge from a sweltering blackberry patch, seemingly as fresh and unruffled as she had been at the start. The man stood uncomfortably looking at her, and was momentarily at a loss for words with which to commence. "What was ye a-goin' ter tell me ?" she asked. "Miss Sally," he began, "I've discovered something about Samson." Her blue eyes flashed ominously. "Ye can't tell me nothin' 'bout Samson," she declared, *'withouten hit's somethin* nice." "It's something very nice," the man reassured her. "Then, ye needn't tell me, because I already knows hit," came her prompt and confident announcement. Lescott shook his head, dubiously. "Samson is a genius," he said. "What's thet?" "He has great gifts great abilities to become a figure in the world." She nodded her head, in prompt and full corrob- oration. "I reckon Samson'll be the biggest man in the mount ings some day." "He ought to be more than that." Suspicion at once cast a cloud across the violet serenity of her eyes. "What does ye mean ?" she demanded. "I mean" the painter paused a moment, and then said bluntly "I mean that I want to take him back with me to New York." The girl sprang to her feet with her chin defiantly high and her brown hands clenched into tight little fists. Her bosom heaved convulsively, and her eyes blazed through tears of anger. Her face was pale. "Ye hain't!" she cried, in a paroxysm of fear and wrath. "Ye hain't a-goin' ter do no sich no sich of a damn thing!" She stamped her foot, and her whole girlish body, drawn into rigid uprightness, was a-quiver with the incarnate spirit of the woman defending her home and institutions. For a moment after that, she could not speak, but her determined eyes blazed a declaration of war. It was as though he had posed her as the Spirit of the Cumberlands. He waited until she should be calmer. It was use less to attempt stemming her momentary torrent of rage. It was like one of the sudden and magnificent tempests that often swept these hills, a brief visit of the furies. One must seek shelter and wait. It would end as suddenly as it had come. At last, he spoke, very softly. "You don't understand me, Miss Sally. I'm not try ing to take Samson away from you. If a man should lose a girl like you, he couldn't gain enough in the world to make up for it. All I want is that he shall have the chance to make the best of his life." "I reckon Samson don't need no fotched-on help ter make folks acknowledge him." "Every man needs his chance. He can be a great painter but that's the least part of it. He can come back equipped for anything that life offers. Here, he is wasted." "Ye mean" she put the question with a Kurt quaver in her voice "ye mean we all hain't good enough fer Samson ?" "No. I only mean that Samson wants to grow and he needs space and new scenes in which to grow. I want to take him where he can see more of the world not only a little section of the world. Surely, you are not distrustful of Samson's loyalty? I want him to go with me for a while, and see life." "Don't ye say hit!" The defiance in her voice was being pathetically tangled up with the tears. She was speaking in a transport of grief. "Don't ye say hit. THE CALL OF THE CUMBERLANDS 101 Take anybody else take 'em all down thar, but leave us Samson. We needs him hyar. We've jest got ter have Samson hyar." She faced him still with quivering lips, but in another moment, with a sudden sob, she dropped to the rock, rand buried her face in her crossed arms. Her slender body shook under a harrowing convulsion of unhappi- ness. Lescott felt as though he had struck her; as though he had ruthlessly blighted the irresponsible joy- ousness which had a few minutes before sung from her lips with the blitheness of a mocking-bird. He went over and softly laid a hand on her shoulder. "Miss Sally " he began. She suddenly turned on him a tear-stained, infuriated face, stormy with blazing eyes and wet cheeks and trembling lips. "Don't touch me," she cried ; "don't ye dare ter touch me! I hain't nothin' but a gal but I reckon I could 'most tear ye ter pieces. Ye're jest a pizen snake, any how !" Then, she pointed a tremulous finger off up the road. "Git away from hyar," she commanded. "I don't never want ter see ye again. Ye're tryin' ter steal everything I loves. Git away, I tells ye ! git away begone !" "Think it over," urged Lescott, 'quietly. "See if your 'heart doesn't say I am Samson's friend and yours." He turned, and began making his way over the rocks; but, before he had gone far, he sat down to reflect upon the situation. * Certainly, he was not augmenting his popularity. A half-hour later, he heard a rustle, and s turning, saw Sally standing not far off. She was hesi tating at the edge of the underbrush, and Lescott read 102 THE CALL OF THE CUMBERLANDS in her eyes the effort it was costing her to come forward and apologize. Her cheeks were still pale and her eyes wet, but the tempest of her anger had spent itself, and in the girl who stood penitently, one hand nervously clutching a branch of rhododendron, one foot twisting in the moss, Lescott was seeing an altogether new Sally. There was a renunciation in her eyes that in contrast with the child-like curve of her lips, and slim girlishness of her figure, seemed entirely pathetic. As she stood there, trying to come forward with a pitiful effort at composure and a twisted smile, Lescott wanted to go and meet her. But he knew her shyness, and realized that the kindest thing would be to pretend that he had not seen her at all. So, he covertly watched her, while he assumed to sit in moody unconsciousness of her nearness. Little by little, and step by step, she edged over to him, halting often and looking about with the impulse to slip out of sight, but always bracing herself and drawing a little nearer. Finally, he knew that she was standing almost directly over him, and yet it was a moment or two more before her voice, sweetly penitent, announced her arrival. "I reckon I reckon I've got ter ask yore pardon," she said, slowly and with labored utterance. He looked, up to see her standing with her head drooping and her fingers nervousJy pulling a flower to pieces. "I reckon I hain't a plumb fool. I knows thet Sam son's got a right ter eddication. Anyhow, I knows he wants hit." "Education," said the man, "isn't going to change THE CALL OF THE CUMBERLANDS 103 Samson, except to make him finer than he is and more capable." She shook her head. "I hain't got no eddication," she answered. "Hit's a-goin' ter make him too good fer me. I reckon hit's a-goin' ter jest about kill me. . . . 4Ye hain't never seed these here mountings in the winter time, when thar hain't nothin' green, an' thar hain't no birds a-singin', an' thar hain't nothin' but rain an' snow an' fog an' misery. They're a-goin' ter be like thet all the time fer me, atter Samson's gone away." She choked back something like a sob before she went on. "Yes, stranger, hit's a-goin' ter pretty nigh kill me, but " Her lips twisted themselves into the pathetic smile again, and her chin came stiffly up. "But," she added, determinedly, "thet don't make no diff'rence, nohow." CHAPTER X YET, when Samson that evening gave his whippoor- will call at the Widow Miller's cabin, he found a dejected and miserable girl sitting on the stile, with her chin propped in her two hands and her eyes full of somberness and foreboding. "What's the matter, Sally ?" questioned he, anxiously. "Hes that low-down Tamarack Spicer been round here tellin' ye some more stories ter pester ye?'* She shook her head in silence. Usually, she bore the brunt of their conversations, Samson merely agreeing with, or overruling, her in lordly brevities. The boy climbed up and sat beside her. "Thar's a-goin' ter be a dancin' party over ter Wile McCager's mill come Saturday," he insinuatingly sug gested. "I reckon ye'll go over thar with me, won't ye, Sally?" He waited for her usua/ delighted assent, but Sally only told him absently and without enthusiasm that she would "study about it." At last, however, her restraint broke, and, looking up, she abruptly demanded: "Air ye a-goin' away, Samson?" "Who's been a-talkin' ter ye?" demanded the boy, angrily. For a moment, the girl sat silent. Silver mists were softening under a rising moon. The katydids were prophesying with strident music the six weeks' warning 104 THE CALL OF THE CUMBERLANDS 105 of frost. Myriads of stars were soft and low-hanging. Finally, she spoke in a grave voice: "Hit hain't nothin' ter git mad about, Samson. The artist man 'lowed as how ye had a right ter go down thar, an' git an eddication." She made a weary gesture toward the great beyond. "He hadn't ought to of told ye, Sally. If I'd been plumb sartin in my mind, I'd a-told ye myself not but what I knows," he hastily amended, "thet he meant hit friendly." "Air ye a-goin'?" "I'm studyin' about hit." He awaited objection, but none came. Then, with a piquing of his masculine vanity, he demanded: "Hain't ye a-keerin', Sally, whether I goes, or not?" The girl grew rigid. Her fingers on the crum bling plank of the stile's top tightened and gripped hard. The moonlit landscape seemed to whirl in a dizzy circle. Her face did not betray her, nor her voice, though she had to gulp down a rising lump in her throat before she could answer calmly. "I thinks ye had ought ter go, Samson." The boy was astonished. He had avoided the subject for fear of her opposition and tears. Then, slowly, she went on as though repeating a les ion painstakingly conned: "There hain't nothin' in these here hills fer ye, Sam son. Down thar, ye'll see lots of things thet's new an' civilized an' beautiful! Ye'll see lots of gals thet kin read an' write, gals dressed up in all kinds of fancy frxin's." Her glib words ran out and ended in a sort of inward gasp. 106 THE CALL OF THE CUMBERLANDS Compliment came hardly and awkwardly to Samson's lips. He reached for the girl's hand, and whispered : "I reckon I won't see no gals thet's as purty as you be, Sally. I reckon ye knows, whether I goes or stays, we're a-goin 5 ter git married." She drew her hand away, and laughed, a little bit terly. In the last day, she had ceased to be a child, and become a woman with all the soul-aching possibilities of a woman's intuitions. "Samson," she said, "I hain't askin' ye ter make me no promises. When ye sees them other gals gals thet kin read an' write I reckon mebby ye'll think diff'rent. I can't hardly spell out printin' in the fust reader." Her lover's voice was scornful of the imagined dan gers, as a recruit may be of the battle terrors before he has been under fire. He slipped his arm about her and drew her over to him. "Honey," he said, "ye needn't fret about thet. Readin' an' writin' can't make no difference fer a woman. Hit's mighty important fer a man, but you're a gal." "You're a-goin' ter think diff'rent atter awhile," she insisted. "When ye goes, I hain't a-goin' ter be ex- pectin' ye ter come back . . . But" the resolution in her voice for a moment quavered as she added "but God knows I'm a-goin' ter be hopin' !" "Sally !" The boy rose, and paced up and down in the road. "Air ye goin' ter be ag'inst me, too? Don't ye see that I wants ter have a chanst? Can't ye trust me? I'm jest a-tryin' to amount to something. I'm plumb tired of bein' ornery an' no 'count." She nodded. "I've done told ye," she said, wearily, "thet I thinks ye ought ter do hit." He stood there in the road looking down at her and the twisted smile that lifted only one corner of her lips, while the other drooped. The moonlight caught her eyes ; eyes that were trying, like the lips, to smile, but that were really looking away into the future, which she saw stripped of companionship and love, and gray with the ashiness of wretched desolation. And, while he was seeing the light of the simulated cheeriness die out in her face, she was seeing the strange, exalted glow, of which she was more than half-afraid, kindle in his pupils. It was as though she were giving up the living fire out of her own heart to set ablaze the ambition and anticipation in his own. That glow in Samson's eyes she feared and shrank from, as she might have flinched before the blaze of insanity. It was a thing which her mountain supersti tion could not understand, a thing not wholly normal; a manifestation that came to the stoic face and trans formed it, when the eyes of the brain and heart were seeing things which she herself could not see. It was the proclamation of the part of Samson which she could not comprehend, as though he were looking into a spirit v world of weird and abnormal things. It was the light of an enthusiasm such as his love for her could not bring to his eyes and it told her that the strongest and deepest part of Samson did not belong to her. Now, as the young man stood there before her, and her little world of hope and happiness seemed crumbling into ruins, and she was steeling her soul to sacrifice herself and let him go, he was thinking, not of what it was 108 THE CALL OF THE CUMBERLANDS costing her in heart-break, but seeing visions of all the great world held for him beyond the barriers of the mountains. The light in his eyes seemed to flaunt the victory of the enthusiasms that had nothing to do with her. .Samson came forward, and held out his arms. But Sally drew away with a little shudder, and crouched at the end of the stile. "What's ther matter, Sally?" he demanded in sur prise, and, as he bent toward her, his eyes lost the strange light she feared, and she laughed a little nervous laugh, and rose from her seat. "Nothin* hain't ther matter now," she said, stanchly. Lescott and Samson discussed the matter frequently. At times, the boy was obstinate in his determination to remain ; at other times, he gave way to the yearnings for change and opportunity. But the lure of the palette and brush possessed him beyond resistance and his taci turnity melted, when in the painter's company, to a roughly poetic form of expression. "Thet sunrise," he announced one morning, setting down his milk-pail to gaze at the east, "is jest like the sparkle in a gal's eyes when she's tickled at somethin* ye've said about her. An,' when the sun sets, hit's likp the whole world was a woman blushin'." The dance on Saturday was to be something more' portentous than a mere frolic. It would be a clan gathering to which the South adherents would come riding up and down Misery and its tributaries from **nigh abouts" and "over yon." From forenoon until after midnight, shuffle, jig and fiddling would hold high, if rough, carnival. But, while the younger folk aban- THE CALL OF THE CUMBEKLANDS 109 doned themselves to these diversions, the grayer heads would gather in more serious conclave. Jesse Purvy had once more beaten back death, and his mind had probably been devising, during those bed-ridden days and nights, plans of reprisal. According to current report, Purvy had announced that his would-be assassin dwelt on Misery, and was "marked down." So, there i were obvious exigencies which the Souths must prepare to meet. In particular, the clan must thrash out to definite understanding the demoralizing report that Samson South, their logical leader, meant to aban don them, at a crisis when war-clouds were thick ening. The painter had finally resolved to cut the Gordian knot, and leave the mountains. He had trained on Sam son to the last piece all his artillery of argument. The case was now submitted with the suggestion that the boy take three months to consider, and that, if he decided affirmatively, he should notify Lescott in advance of his coming. He proposed sending Samson a small library of carefully picked books, which the mountaineer eagerly agreed to devour in the interval. Lescott consented, however, to remain over Saturday, and go to the dance, since he was curious to observe what pressure was brought to bear on the boy, and to have himself a final word of argument after the kinsmen had spoken. Saturday morning came after a night of torrential rain, which had left the mountains steaming under a reek of fog and pitching clouds. Hillside streams ran freshets, and creek-bed roads were foaming and boiling into waterfalls. Sheep and cattle huddled forlornly 110 THE CALL OF THE CUMBERLANDS under their shelters of shelving rock, and only the geese seemed happy. Far down the dripping shoulders of the mountains trailed ragged streamers of vapor. Here and there along the lower slopes hung puffs of smoky mist as though silent shells were bursting from unseen artil lery over a vast theater of combat. But, as the morning wore on, the sun fought its way to view in a scrap of overhead blue. A freshening breeze plunged into the reek, and sent it scurrying in broken cloud ranks and shredded tatters. The steamy heat gave way under a dissipating sweep of coolness, until the skies smiled down on the hills and the hills smiled back. From log cabins and plank houses up and down Misery and its tributaries, men and women began their hegira toward the mill. Some came on foot, carry ing their shoes in their hands, but those were only near-by dwellers. Others made saddle journeys of ten or fifteen, or even twenty, miles, and the beasts that carried a single burden were few. Lescott rode in the wake of Samson, who had Sally on a pillow at his back, and along the seven miles of journey he studied the strange procession. It was, for the most part, a solemn cavalcade, for these are folk who "take their pleasures sadly." Possibly, some of the sun-bonneted, strangely- garbed women were reflecting on the possibilities which mountain-dances often develop into tragic actualities. Possibly, oilers were having their enjoyment discounted by the necessity of "dressing up" and wearing shoes. Sometimes, a slowly ambling mule bore an entire family; the father managing the reins with one hand and holding a baby with the other, while his rifle lay THE CALL OF THE CUMBERLANDS 111 balanced across his pommel and his wife sat solemnly behind him on a sheepskin or pillion. Many of the men rode side-saddles, and sacks bulky at each end hinted of such baggage as is carried in jugs. Lescott realized from the frank curiosity with which he was regarded that he had been a topic of discussion, and that he was now being "sized up." He was the false prophet who was weaving a spell over Samson! Once, he heard a sneering voice from the wayside comment as he rode by. "He looks like a damned parson." Glancing back, he saw a tow-headed youth glowering at him out of pinkish albino eyes. The way lay in part along the creek-bed, where wagons had ground the dis integrating rock into deep ruts as smooth as walls of concrete. Then, it traversed a country of palisading cliffs and immensity of forest, park-like and splendid. Strangely picturesque suspension bridges with rough stairways at their ends spanned waters too deep for fording. Frame houses showed along the banks of the creek grown here to a river unplaned and unpainted of wall, but brightly touched with window- and door frames of bright yellow or green or blue. This was the territory where the Souths held dominance, and it was pouring out its people. They came before noon to the mouth of Dryhole Creek, and the house of Wile McCager. Already, the picket fence was lined with tethered horses and mules, and a canvas-covered wagon came creeping in behind its yoke of oxen. Men stood clustered in the road, and at the entrance a woman, nursing her baby at her breast, welcomed and gossiped with the arrivals. The house of Wile McCager loaned itself to enter- 112 THE CALL OF THE CUMBERLANDS tainment. It was not of logs, but of undressed lumber, and boasted a front porch and two front rooms entered by twin doors facing on a triangular alcove. In the recess between these portals stood a washstand, sur mounted by a china basin and pitcher a declaration of .affluence. From the interior of the house came the sounds of fiddling, though these strains of "Turkey in the Straw" were only by way of prelude. Lescott felt, though he could not say just what concrete thing told him, that under the shallow note of merry-making brooded the major theme of a troublesome problem. The seriousness was below the surface, but insistently depressing. He saw, too, that he himself was mixed up with it in a fashion, which might become dangerous, when a few jugs of white liquor had been emptied. It would be some time yet before the crowd warmed up. Now, they only stood about and talked, and to Lescott they gave a gravely polite greeting, beneath which was discernible an undercurrent of hostility. As the day advanced, the painter began picking out the more influential clansmen, by the fashion in which they fell together into groups, and took themselves off to the mill by the racing creek for discussion. While the young persons danced and "sparked" within, and the more truculent lads escaped to the road to pass the jug, and forecast with youthful war-fever "cleanin' out the Hollmans," the elders were deep in ways and means. If the truce could be preserved for its unexpired period of three years, it was, of course, best. In that event, crops could be cultivated, and lives saved. But, if Jesse Purvy chose to regard his shooting as a breach of terms, and struck, he would strike hard, and, in that event, best defense lay in striking first. Samson would soon be twenty-one. That he would take his place as head of the clan had until now never been questioned and he was talking of desertion. For that, a pink-skinned foreigner, who wore a woman's bow of ribbon at his collar, was to blame. The question of loyalty must be squarely put up to Samson, and it must be done to-day. His answer must be definite and unequivocal. As a guest of Spicer South, Lescott was entitled to that considera tion which is accorded ambassadors. None the less, the vital affairs of the clan could not be balked by consideration for a stranger, who, in the opinion of the majority, should be driven from the country as an insidious mischief-maker. Ostensibly, the truce still held, but at no time since its signing had matters been so freighted with the menace of a gather ing storm. The attitude of each faction was that of several men standing quiet with guns trained on one another's breasts. Each hesitated to fire, knowing that to pull the trigger meant to die himself, yet fearing that another trigger might at any moment be drawn. Purvy dared not have Samson shot out of hand, because he feared that the Souths would <;laim his life in return, yet he feared to let Samson live. On the other hand, if Purvy fell, no South could balance his death, except Spicer or Samson. Any situation that might put condi tions to a moment of issue would either prove that the truce was being observed, or open the war and yet each faction was guarding against such an event as too fraught with danger. One thing was certain. By per suasion or force, Lescott must leave, and Samson must show himself to be the youth he had been thought, or THE CALL OF THE CUMBERLANDS the confessed and repudiated renegade. Those ques tions, to-day must answer. It was a difficult situation, and promised an eventful entertainment. Whatever conclusion was reached as to the artist's future, he was, until the verdict came in, a visitor, and, unless liquor inflamed some reckless trouble-hunter, that fact would not be forgotten. Possibly, it was as well that Tama rack Spicer had not arrived. Lescott himself realized the situation in part, as he stood at the door of the house watching the scene inside. There was, of course, no round dancing only the shuffle and jig with champions contending for the honor of their sections. A young woman from Deer Lick and a girl from the head of Dryhill had been matched for the "hoe-down," and had the floor to them selves. The walls were crowded with partisan onlookers, who applauded and cheered their favorite. The bows scraped faster and louder; the clapping hands beat more tumultuously, until their mad tempo was like the clatter of musketry; the dancers threw themselves deliriously into the madly quickening step. It was a riotous saturnalia of flying feet and twinkling ankles. Onlookers shouted and screamed encourage ment. It seemed that the girls must fall in exhaustion, yet each kept on, resolved to be still on the floor when the other had abandoned it in defeat that being the test of victory. At last, the girl from Dryhill reeled, and was caught by half-a-dozen arms. Her adversary, holding the floor undisputed, slowed down, and someone stopped the fiddler. Sally turned from the crowded wall, and began looking about for Samson. He was not there. Lescott had seen him leave the house a few THE CALL OF THE CUMBERLANDS 115 moments before, and started over to intercept the girl, as she came out to the porch. In the group about the door, he passed a youth with tow-white hair and very pink cheeks. The boy was the earliest to succumb to the temptation of the moonshine jug, a temptation which would later claim others. He was reeling crazily, and his albino eyes were now red and inflamed. Lescott remembered him. "Thet's ther damned furriner thet's done turned Samson inter a gal," proclaimed the youth, in a thick voice. The painter paused, and looked back. The boy was reaching under his coat with hands that had become clumsy and unresponsive. "Let me git at him," he shouted, with a wild whoop and a dash toward the painter. Lescott said nothing, but Sally had heard, and stepped swiftly between. "You've got ter git past me fust, Buddy," she said, quietly. "I reckon ye'd better run on home, an' git yore mammy ter put ye ter bed." CHAPTER XI SEVERAL soberer men closed around the boy, and, after disarming him, led him away grumbling and muttering, while Wile McCager made apologies to the guest. " Jimmy's jest a peevish child," he explained. "A drop or two of licker makes him skittish. I hopes ye'll look over hit." Jimmy's outbreak was interesting to Lescott chiefly as an indication of what might follow. He noted how the voices were growing louder and shriller, and how the jug was circulating faster. A boisterous note was making itself heard through the good humor and laugh ter, and the "furriner" remembered that these minds, when inflamed, are more prone to take the tangent of violence than that of mirth. Unwilling to intioduce discord by his presence, and involve Samson in quarrels on his account, he suggested riding back to Misery, but the boy's face clouded at the suggestion. "Ef they kain't be civil ter my friends," he said, shortly, "they've got ter account ter me. You stay right hyar, and I'll stay clost to you. I done come hyar to-day ter tell 'em that they mustn't meddle in my business." A short while later, Wile McCager invited Samson to come out to the mill, and the boy nodded to Lescott an invitation to accompany him. The host shook his head, 116 THE CALL OF THE CUMBERLANDS 117 "We kinder 'lowed ter talk over some f am'ly matters with ye, Samson," he demurred. "I reckon Mr. Les- cott'll excuse ye f er a spell." "Anything ye've got ter talk ter me about, George Lescott kin hear," said the youth, defiantly. "I hain't jgot no secrets." He was heir to his father's leadership, rand his father had been unquestioned. He meant to stand uncompromisingly on his prerogatives. For an instant, the old miller's keen eyes hardened obstinately. After Spicer and Samson South, he was the most influential and trusted of the South leaders and Samson was still a boy. His ruggedly chiseled features were kindly, but robustly resolute, and, when he was angered, few men cared to face him. For an instant, a stinging rebuke seemed to hover on his lips, then he turned with a curt jerk of his large head. "All right. Suit yourselves. I've done warned ye both. We 'lows ter talk plain." The mill, dating back to pioneer days, sat by its race with its shaft now idle. About it, the white-boled sycamores crowded among the huge rocks, and the water poured tumultuously over the dam. The walls of mor tised logs were chinked with rock and clay. At its porch, two discarded millstones served in lieu of steps. Over the door were fastened a spreading pair of stag- antlers. It looked to Lescott, as he approached, like a scrap of landscape torn from some medieval picture, and the men about its door seemed medieval, too; bearded and gaunt, hard-thewed and sullen. All of them who stood waiting were men of middle age, or beyond. A number were gray-haired, but they were all of cadet branches. Many of them, like Wile 118 THE CALL OF THE CUMBERLANDS McCager himself, did not bear the name of South, and Samson was the eldest son of the eldest son. They sat on meal-whitened bins and dusty timbers and piled-up sacks. Several crouched on the ground, squatting on their heels, and, as the conference proceeded, they drank moonshine whiskey, and spat solemnly at the floor cracks. "Hevn't ye noticed a right-smart change in Sam son?" inquired old Caleb Wiley of a neighbor, in his octogenarian quaver. "The boy hes done got es quiet an' pious es a missionary." The other nodded under his battered black felt hat, and beat a tattoo with the end of his long hickory staff. "He hain't drunk a half-pint of licker to-day," he querulously replied. "Why in heck don't we run this here pink-faced con- jure-doctor outen the mountings?" demanded Caleb, who had drunk more than a half -pint. "He's a-castin' spells over the boy. He's a-practisin' of deviltries." "We're a-goin' ter see about thet right now," was the response. "We don't 'low to let hit run on no further." "Samson," began old Wile McCager, clearing his throat and taking up his duty as spokesman, "we're all your kinf oiks here, an' we aimed ter ask ye about this here report thet yer 'lowin' ter leave the mountings?" "What of hit?" countered the boy. "Hit looks mighty like the war's a-goin' ter be on ag'in pretty soon. Air ye a-goin' ter quit, or air ye a-goin' ter stick? Thet's what we wants ter know." "I didn't make this here truce, an' I hain't a-goin' ter bust hit/' said the boy, quietly. "When the war com- mences, I'll be hyar. Ef I hain't hyar in the meantime, hit hain't nobody's business. I hain't accountable ter no man but my pap, an' I reckon, whar he is, he knows whether I'm a-goin' ter keep my word." There was a moment's silence, then Wile McCager put another question: "Ef ye're plumb sot on gittin' larnin' why don't ye git hit right hyar in these mountings?" Samson laughed derisively. "Who'll I git hit from?" he caustically inquired. "Ef the mountain won't come ter Mohamet, Mohamet's got ter go ter the mountain, I reckon." The figure was one they did not understand. It was one Samson himself had only acquired of late. He was quoting George Les- cott. But one thing there was which did not escape his hearers : the tone of contempt. Eyes of smoldering hate turned on the visitor at whose door they laid the blame. Caleb Wiley rose unsteadily to his feet, his shaggy beard trembling with wrath and his voice quavering with senile indignation. "Hev ye done got too damned good fer yore kin- folks, Samson South?" he shrilly demanded. "Hev ye done been follerin' atter this here puny witch-doctor fcwell ye can't keep a civil tongue in yer head fer yore 'elders? I'm in favor of runnin' this here furriner outen the country with tar an' feathers on him. Furthermore, I'm in favor of cleanin' out the Hollmans. I was jest a-sayin' ter Bill " "Never mind what ye war jest a-sayin'," interrupted the boy, flushing redly to his cheekbones, but controlling his voice. "Ye've done said enough a'ready. Ye're a 120 THE CALL OF THE CUMBERLANDS right old man, Caleb, an' I reckon thet gives ye some license ter shoot off yore face, but ef any of them no-'count, shif less boys of yores wants ter back up what ye says, I'm ready ter go out thar an' make 'em eat hit. I hain't a-goin' ter answer no more questions." There was a commotion of argument, until "Black Dave" Jasper, a saturnine giant, whose hair was no blacker than his expression, rose, and a semblance of quiet greeted him as he spoke. "Mebby, Samson, ye've got a right ter take the studs this a-way, an' ter refuse ter answer our questions, but we've got a right ter say who kin stay in this hyar country. Ef ye 'lows ter quit us, I reckon we kin quit you and, if we quits ye, ye hain't nothin' more ter us then no other boy thet's gettin' too big fer his breeches. This furriner is a visitor here to-day, an' we don't 'low ter hurt him but he's got ter go. We don't want him round hyar no longer." He turned to Lescott. "We're a-givin' ye fair warnin', stranger. Ye hain't our breed. Atter this, ye stays on Misery at yore own risk an* hit's a-goin' ter be plumb risky. That thar's final." "This man," blazed the boy, before Lescott could speak, "is a-visitin* me an* Unc' Spicer. When ye wants him ye kin come up thar an' git him. Every damned, man of ye kin come. I hain't a-sayin' how many of ye'll go back. He was 'lowin' that he'd leave hyar ter- morrer mornin', but atter this I'm a-tellin' ye he hain't a-goin' ter do hit. He's a-goin' ter stay es long es he likes, an' nobody hain't a-goin' ter run him off." Samson took his stand before the painter, and swept the group with his eyes. "An 5 what's more," he added, "I'll tell ye another thing. I hadn't plumb made up THE CALL OF THE CUMBERLANDS my mind ter leave the mountings, but ye've done settled hit fer me. I'm a-goin'." There was a low murmur of anger, and a voice cried out from the rear: "Let him go. We hain't got no use fer damn cowards." "Whoever said thet's a liar !" shouted the boy. Les- cott, standing at his side, felt that the situation was more than parlous. But, before the storm could break, some one rushed in, and whispered to Wile McCager a message that caused him to raise both hands above his head, and thunder for attention. "Men," he roared, "listen ter me! This here hain't no time fer squabblin* amongst ourselves. We're all Souths. Tamarack Spicer has done gone ter Hixon, an' got inter trouble. He's locked up in the jail-house." "We're all hyar," screamed old Caleb's high, broken voice. "Let's go an' take him out." Samson's anger had died. He turned, and held a whispered conversation with McCager, and, at its end, the host of the day announced briefly : "Samson's got somethin' ter say ter ye. So long as he's willhi' ter stand by us, I reckon we're willin' ter listen ter Henry South's boy." "I hain't got no use for Tam'rack Spicer," said the 'boy, succinctly, "but I don't 'low ter let him lay in no jail-house, unlessen he's got a right ter be thai*. What's he charged with?" But no one knew that. A man supposedly close to the Hollmans, but in reality an informer for the Souths, had seen him led into the jail-yard by a posse of a half- dozen men, and had seen the iron-barred doors close on him. That was all, except that the Hollman forces were gathering in Hixon, and, if the Souths went there en masse, a pitched battle must be the inevitable result. The first step was to gain accurate information and an answer to one vital question. Was Tamarack held as a feud victim, or was his arrest legitimate? How to learn that was the problem. To send a body of men was to invite bloodshed. To send a single inquirer was to deliver him over to the enemy. "Air you men willin' ter take my word about Tama rack?" inquired Samson. But for the scene of a few minutes ago, it would have been an unnecessary question. There was a clamorous assent, and the boy turned to Lescott. "I wants ye ter take Sally home with ye. Ye'd better start right away, afore she heers any of this talk. Hit would fret her. Tell her I've had ter go 'cross ther country a piece, ter see a sick man. Don't tell her whar I'm a-goin'." He turned to the others. "I reckon I've got yore promise thet Mr. Lescott hain't a-goin' ter be bothered afore I gits back?" Wile McCager promptly gave the assurance. "I gives ye my hand on hit." "I seed Jim Asberry loafin' round jest beyond ther ridge, es I rid over hyar," volunteered the man who had brought the message. "Go slow now, Samson. Don't be no blame fool," dissuaded Wile McCager. "Hixon's plumb full of them Hollmans, an' they're likely ter be full of licker hit's Saturday. Hit's apt ter be shore death fer ye ter try ter ride through Main Street ef ye gits thet fur. Ye dassent do hit." THE CALL OF THE CUMBERLANDS 123 "I dast do anything !" asserted the boy, with a flash of sudden anger. "Some liar 'lowed awhile ago thet I was a coward. All right, mebby I be. Unc' Wile, keep the boys hyar tell ye hears from me an' keep 'em sober." He turned and made his way to the fence where his mule stood hitched. When Samson crossed the ridge, and entered the Holl- man country, Jim Asberry, watching from a hilltop point of vantage, rose and mounted the horse that stood hitched behind a near-by screen of rhododendron bushes and young cedars. Sometimes, he rode just one bend of the road in Samson's rear. Sometimes, he took short cuts, and watched his enemy pass. But always he held him under a vigilant eye. Finally, he reached a wayside store where a local telephone gave communication with Hollman's Mammoth Department Store. "Jedge," he informed, "Samson South's done left the party et ther mill, an' he's a-ridin' towards town. Shall I git him?" "Is he comin' by hisself ?" inquired the storekeeper. "Yes." "Well, jest let him come on. We can tend ter him hyar, ef necessary." So, Jim withheld his hand, and 'merely shadowed, sending bulletins, from time to time. It was three o'clock when Samson started. It was near six when he reached the ribbon of road that loops down into town over the mountain. His mule was in a lather of sweat. He knew that he was being spied upon, and that word of his coming was traveling ahead of him. What he did not know was whether or not it suited Jesse Purvy's purpose that he should slide from his mule, dead, before he turned homeward. If Tamarack had been seized as a declaration of war, the chief South would certainly not be allowed to return. If the arrest had not been for feud reasons, he might escape. That was the question which would be answered with his life or death. The boy kept his eyes straight to the front, fixed on ! the philosophical wagging of his mule's brown ears. Finally, he crossed the bridge that gave entrance to the town, as yet unharmed, and clattered at a trot between the shacks of the environs. He was entering the fortified stronghold of the enemy, and he was expected. As he rode along, doors closed to slits, and once or twice he caught the flash of sunlight on a steel barrel, but his eyes held to the front. Several traveling men, sitting on the porch of the hotel opposite the court-house, rose when they saw his mule, and went inside, closing the door behind them. The "jail-house" was a small building of home-made brick, squatting at the rear of the court-house yard. Its barred windows were narrow with sills breast-high. The court-house itself was shaded by large oaks and sycamores, and, as Samson drew near, he saw that some ten or twelve men, armed with rifles, separated from groups and disposed themselves behind the tree trunks and the stone coping of the well. None of them spoke,, and Samson pretended that he had not seen them. He rode his mule at a walk, knowing that he was rifle- covered from a half-dozen windows. At the hitching rack directly beneath the county building, he flung his reins over a post, and, swinging his rifle at his side, passed casually along the brick walk to the jail. The men behind the trees edged around their covers as he THE CALL OF THE CUMBERLANDS 125 went, keeping themselves protected, as squirrels creep around a trunk when a hunter is lurking below. Sam son halted at the jail wall, and called the prisoner's name. A towsled head and surly face appeared at the barred window, and the boy went over and held converse from the outside. "How in hell did ye git into town?" demanded the prisoner. "I rid in," was the short reply. "How'd ye git in the jail-house?" The captive was shamefaced. "I got a leetle too much licker, an' I was shootin' out the lights last night," he confessed. "What business did ye have hyar in Hixon?" "I jest slipped in ter see a gal." Samson leaned closer, and lowered his voice. "Does they know thet ye shot them shoots at Jesse Purvy ?" Tamarack turned pale. "No," he stammered, "they believe you done hit." Samson laughed. He was thinking of the rifles trained on him from a dozen invisible rests. "How long air they a-goin' ter keep ye hyar?" he demanded. "I kin git out to-morrer ef I pays the fine. Hit's ten dollars." "An' ef ye don't pay the fine?" "Hit's a dollar a day." "I reckon ye don't 'low ter pay hit, do ye?" "I 'lowed mebby ye mout pay hit fer me, Samson." "Ye done 'lowed plumb wrong. I come hyar ter see 126 THE CALL OF THE CUMBERLANDS ef ye needed help, but hit 'pears ter me they're lettin* ye off easy." He turned on his heel, and went back to his mule. The men behind the trees began circling again. Sam son mounted, and, with his chin well up, trotted back along the main street. It was over. The question was answered. The Hollmans regarded the truce as still effective. The fact that they were permitting him to ride out alive was a wordless assurance of that. Inci dentally, he stood vindicated in the eyes of his own people. When Samson reached the mill it was ten o'clock. The men were soberer than they had been in the after noon. McCager had seen to that. The boy replaced his exhausted mule with a borrowed mount. At midnight, as he drew near the cabin of the Widow Miller, he gave a long, low whippoorwill call, and promptly, from the shadow of the stile, a small tired figure rose up to greet him. For hours that little figure had been sitting there, silent, wide-eyed and terrified, nursing her knees in locked fingers that pressed tightly into the flesh. She had not spoken. She had hardly moved. She had only gazed out, keeping the vigil with a white face that was beginning to wear the drawn, heart-eating anxiety of the mountain woman ; the woman whose code demands that she stand loyally to her clan's hatreds ; the woman who has none of the man's excitement in stalking human game, which is also stalking him ; the woman who must only stay at home and imagine a thousand terrors and wait. A rooster was crowing, and the moon had set. Only the stars were left, "Sally," the boy reproved, "hit's most mornin', an* ye Must be plumb fagged out. Why hain't you in bed ?" "I 'lowed ye'd come by hyar," she told him simply, "and I waited fer ye. I knowed whar ye had went," she added, "an' I was skeered." "How did ye know?" "I heered thet Tam'rack was in the jail-house, an* ' somebody hed ter go ter Hixon. So, of course, I knowed hit would be you," CHAPTER XH LE SCOTT stayed on a week after that simply in deference to Samson's insistence. To leave at once might savor of flight under fire, but when the week was out the painter turned his horse's head toward town, and his train swept him back to the Blue- grass and the East. As he gazed out of his car windows at great shoulders of rock and giant trees, things he was leaving behind, he felt a sudden twinge of some thing akin to homesickness. He knew that he should miss these great humps of mountains and the ragged grandeur of the scenery. With the rich smoothness of the Bluegrass, a sense of flatness and heaviness came to his lungs. Level metal roads and loamy fields invited his eye. The tobacco stalks rose in profuse heaviness of sticky green; the hemp waved its feathery tops; and woodlands were clear of underbrush the pauper counties were behind him. A quiet of unbroken and deadly routine settled down on Misery. The conduct of the Souths in keeping ^hands off, and acknowledging the justice of Tamarack Spicer's jail sentence, had been their answer to the dec laration of the Hollmans in letting Samson ride into and out of Hixon. The truce was established. When, a short time later, Tamarack left the country to become a railroad brakeman, Jesse Purvy passed the word that his men must, until further orders, desist from violence, 128 THE CALL OF THE CUMBERLANDS 129 The word had crept about that Samson, too, was going away, and, if this were true, Jesse felt that his future would be more secure than his past. Purvy believed Samson guilty, despite the exoneration of the hounds. Their use had been the idea of over-fervent relatives. He himself scoffed at their reliability. "I wouldn't believe no dog on oath," he declared^ Besides, he preferred to blame Samson, since he was the head of the tribe and because he himself knew what cause Samson had to hate him. Perhaps, even now, Samson meant to have vengeance before leaving. Pos sibly, even, this ostentatious care to regard the truce was simply a shrewdly planned sham meant to disarm his suspicion. Until Samson went, if he did go, Jesse Purvy would redouble his caution. It would be a simple matter to have the boy shot to death, and end all question. Sam son took no precautions to safeguard his life, but he had a safeguard none the less. Purvy felt sure that within a week after Samson fell, despite every care he might take, he, too, would fall. He was tired of being shot down. Purvy was growing old, and the fires of war were burning to embers in his veins. He was becoming more and more interested in other things. It dawned upon him that to be known as a friend of the poor held more allurement for gray-haired age than to be known as a master of assassins. It would be pleasant to sit undisturbed, and see his grandchildren grow up, and he recognized, with a sudden ferocity of repugnance, that he did not wish them to grow up as feud fighters. Purvy had not reformed, but, other things being equal, he would prefer to live and let live. He had reached that 130 THE CALL OF THE CUMBERLANDS stage to which all successful villains come at some time, when he envied the placid contentment of respected virtues. Ordering Samson shot down was a last resort one to be held in reserve until the end. So, along Misery and Crippleshin, the men of the factions held their fire while the summer spent itself, and over the mountain slopes the leaves began to turn, and the mast to ripen. Lescott had sent a box of books, and Samson had taken a team over to Hixon, and brought them back. It was a hard journey, attended with much plunging against the yokes and much straining of trace chains. Sally had gone with him. Samson was spending as much time as possible in her society now. The girl was saying little about his departure, but her eyes were reading, and without asking she knew that his going was inevi table. Many nights she cried herself to sleep, but, when he saw her, she was always the same blithe, bird-like creature that she had been before. She was philo sophically sipping her honey while the sun shone. Samson read some of the books aloud to Sally, who had a child's passion for stories, and who could not have spelled them out for herself. He read badly, but to her it was the flower of scholastic accomplishment, and her untrained brain, sponge-like in its acquisitiveness, soaked up many new words and phrases which fell again quaintly from her lips in talk. Lescott had spent a week picking out those books. He had wanted them to argue for him ; to feed the boy's hunger for education, and give him some forecast of the life that awaited him. His choice had been an effort to achieve imdtwm in paruo, but Samson devoured them all from title page THE CALL OF THE CUMBERLANDS 131 to finis line, and many of them he went back to, and digested again* He wrestled long amd gently with his uncle, strug gling to win the old man's consent to his departure. But Spieer South's brain wai no longer plastic. What had been good enough for the past was good enough for the future. He sought to take the most tolerant view, and to believe that Samson was acting on convic tion and not on an ingrate's impulse, but that was the best he could do, and he added to himself that Samson's was an abnormal and perverted conviction. Neverthe less, he arranged affairs so that his nephew should be able to meet financial needs, and to go where he chose in a fashion befitting a South. The old man was intensely proud, and, if the boy were bent on wasting himself, he should waste like a family head, and not appear a pauper among strangers. The autumn came, and the hills blazed out in their fanfare of splendid color. The broken skyline took on a wistful sweetness under the haze of "the Great Spirit's peace-pipe." The sugar trees flamed their fullest crimson that fall. The poplars were clear amber and the hickories russet and the oaks a deep burgundy. Lean hogs began to fill and fatten with their banqueting on beechnuts and acorns. Scattered quail came together in the conclave of the covey, and changed their summer call for the "hover" whistle. Shortly, the rains would strip the trees, and leave them naked. Then, Misery would vin dicate its christener. But, now, as if to compensate in a few carnival days of champagne sparkle and color, THE CALL OF THE CUMBERLANDS the mountain world was burning out its summer life on a pyre of transient splendor. November came in bleakly, with a raw and devas tating breath of fatality. The smile died from horizon to horizon, and for days cold rains beat and lashed the forests. And, toward the end of that month, came the day which Samson had set for his departure. He had harvested the corn, and put the farm in order. He had packed into his battered saddlebags what things were to go with him into his new life. The sun had set in a sickly bank of murky, red-lined clouds. His mule, which knew the road, and could make a night trip, stood saddled by the stile. A kinsman was to lead it back from Kixon when Samson had gone. The boy slowly put on his patched and mud-stained overcoat. His face was sullen and glowering. There was a lump in his throat, like the lump that had been there when he stood with his mother's arm about his shoulders, and watched the dogs chase a rabbit by his father's grave. Supper had been eaten in silence. Now that the hour of depar ture had come, he felt the guilt of the deserter. He realized how aged his uncle seemed, and how the old man hunched forward over the plate as they ate the last meal they should, for a long while, have together. It was only by sullen taciturnity that he could retain his composure. At the threshold, with the saddlebags over his left forearm and the rifle in his hand, he paused. His uncle stood at his elbow and the boy put out his hand. "Good-by, Unc' Spicer," was all he said. The old man, who had been his second father, shook hands. His face, too, was expressionless, but he felt that he was THE CALL OF THE CUMBERLANDS 133 saying farewell to a soldier of genius who was abandon ing the field. And he loved the boy with all the cen tered power of an isolated heart. "Hadn't ye better take a lantern ?" he questioned. "No, I reckon I won't need none." And Samson went out, and mounted his mule. A half-mile along the road, he halted and dis mounted. There, in a small cove, surrounded by a tangle of briars and blackberry bushes, stood a small and dilapidated "meeting house" and churchyard, which he must visit. He made his way through the rough undergrowth to the unkempt half -acre, and halted be fore the leaning headstones which marked two graves. With a sudden emotion, he swept the back of his hand across his eyes. He did not remove his hat, but he stood in the drizzle of cold rain for a moment of silence, and then he said: "Pap, I hain't fergot. I don't want ye ter think thet I've fergot." Before he arrived at the Widow Miller's, the rain had stopped and the clouds had broken. Back of them was a discouraged moon, which sometimes showed its face for a fitful moment, only to disappear. The wind was noisily floundering through the treetops. Near the stile, Samson gave his whippoorwill call. It was, perhaps, not quite so clear or true as usual, but that did not matter. There were no other whippoorwills calling at this season to confuse signals. He crossed the stile, and with a word quieted Sally's dog as it rose to challenge him, and then went with him, licking his hand. Sally opened the door, and smiled. She had spent 134 THE CALL OF THE CUMBERLANDS the day nerving herself for this farewell, and at least until the moment of leave-taking she would be safe from tears. The Widow Miller and her son soon left them alone, and the boy and girl sat before the blazing logs. For a time, an awkward silence fell between them. Sally had donned her best dress, and braided her red- brown hair. She sat with her chin in her palms, and the fire kissed her cheeks and temples into color. That picture and the look in her eyes remained with Samson for a long while, and there were times of doubt and perplexity when he closed his eyes and steadied himself by visualizing it all again in his heart. At last, the boy rose, and went over to the corner where he had placed his gun. He took it up, and laid it on the hearth between them. "Sally," he said, "I wants ter tell ye some things thet I hain't never said ter nobody else. In the fust place, I wants ye ter keep this hyar gun fer me." The girl's eyes widened with surprise. "Hain't ye a-goin' ter take hit with ye, Samson ?" He shook his head. "I hain't a-goin' ter need hit down below. Nobody don't use 'em down thar. I've got my pistol, an' I reckon thet will be enough." "I'll take good keer of hit," she promised. The boy took out of his pockets a box of cartridges and a small package tied in a greasy rag. "Hit's loaded, Sally, an' hit's cleaned an* hit's greased. Hit's ready fer use." Again, she nodded in silent assent, and the boy began speaking in a slow, careful voice, which gradually mounted into tense emotion. THE CALL OF THE CUMBERLANDS 135 "Sally, thet thar gun was my pap's. When he lay a-dyin', he gave hit ter me, an' he gave me a job ter do with hit. When I was a little feller, I used ter set up 'most all day, polishin' thet gun an' gittin' hit ready. I used ter go out in the woods, an' practise shootin' hit at things, tell I larned how ter handle hit. I reckon thar hain't many fellers round here thet kin beat me now." He paused, and the girl hastened to corroborate. "Thar hain't none, Samson." "There hain't nothin' in the world, Sally, thet I prizes like I does thet gun. Hit's got a job ter do. . . . Thar hain't but one person in the world I'd trust hit with. Thet's you. ... I wants ye ter keep hit fer me, an* ter keep hit ready. . . . They thinks round hyar I'm quittin', but I hain't. I'm a-comin' back, an', when I conies, I'll need this hyar thing an' I'll need hit b*.d." He took up the rifle, and ran his hand caress ingly along its lock and barrel. "I don't know when I'm a-comin'," he said, slowly, "but, when I calls fer this, I'm shore a-goin' ter need hit quick. I wants hit ter be ready fer me, day er night. Maybe, nobody won't know I'm hyar. , . Maybe, I won't want nobody ter know. . . But, when I whistles out thar like a whippoorwill, I wants ye ter slip out an' f otch me thet gun !" He stopped, and bent forward. His face was tense, and his eyes were glinting with purpose. His lips were tight set and fanatical. "Samson," said the girl, reaching out and taking the weapon from his hands, "ef I'm alive when ye comes, I'll do hit. I promises ye. An'," she added, "ef I hain't 136 THE CALL OF THE CUMBERLANDS alive, hlt'll be standin' thar in thet corner. I'll grease hit, an* keep hit loaded, an* when ye calls, I'll fetch hit out thar to ye." The youth nodded. "I mout come anytime, but likely as not I'll hev ter come a-fightin' when I comes." Next, he produced an envelope. "This here is a letter I've done writ ter myself," he explained. He drew out the sheet, and read : "Samson, come back." Then he handed the missive to the girl. "Thet there is addressed ter me, in care of Mr. Lescott Ef anything happens ef Unc* Spicer needs me I wants yer ter mail thet ter me quick. He says as how he won't never call me back, but, Sally, I wants thet you shall send fer me, ef they needs me. I hain't a-goin' ter write no letters home. Unc' Spicer can't read, an' you can't read much either. But I'll plumb shore be thinkin' about ye day an' night." She gulped and nodded. "Yes, Samson," was all she said. The boy rose. "I reckon I'd better be gettin' along," he announced. The girl suddenly reached out both hands, and seized his coat. She held him tight, and rose, facing him. Her upturned face grew very pallid, and her eyes widened. They were dry, and her lips were tightly ' closed, but, through the tearless pupils, in the firelight, the boy could read her soul, and her soul was sobbing. He drew her toward him, and held her very tight. "Sally," he said, in a voice which threatened to choke, "I wants ye ter take keer of yeself. Ye hain't like these other gals round here. Ye hain't got big hands an* feet. Ye kain't stand es much es they kin. Don't stay out in the night air too much an', Sally fer God's sake take keer of yeself !" He broke off, and picked up his hat. "An' that gun, Sally," he repeated at the door, "that there's the most precious thing I've got. I loves hit better then anything take keer of hit." Again, she caught at his shoulders. "Does ye love hit better'n ye do me, Samson?" she demanded. He hesitated. "I reckon ye knows how much I loves ye, Saily," he said, slowly, "but I've done made a promise, an' thet gun's a-goin' ter keep hit fer me." They went together out to the stile, he still carrying his rifle, as though loath to let it go, and she crossed with him to the road. As he untied his reins, she threw her arms about his neck, and for a long while they stood there under the clouds and stars, as he held her close. There was no eloquence of leave-taking, no professions of undying love, for these two hearts were inarticulate and dizzily clinging to a wilderness code of self-repression and they had reached a point where speech would have swept them both away to a break-down. But as they stood, their arms gripping each other, each heart pounding on the other's breast, it was with a pulsing that spoke in the torrent their lips dammed, and between the two even in this farewell embrace was the rifle which stood emblematical of the man's life and mission and heredity. Its cold metal lay in a line between their warm breasts, separating, yet uniting them, and they clung to each other across its rigid bar rel, as a man and woman may cling with the child be tween them which belongs to both, and makes them one. As yet, she had shed no tears. Then, he mounted and was swallowed in the dark. It was not until the thud of his mule's hoofs were lost in the distance that the girl climbed back to the top of the stile, and dropped down. Then, she lifted the gun and pressed it close to her bosom, and sat silently sobbing for a long while. "He's done gone away," she moaned, "an' he won't never come back no more but ef he does come" she raised her eyes to the stars as though calling them to witness "ef he does come, I'll shore be a-waitin'. Lord God, make him come back !" CHAPTER XIII THF. boy from Misery rode slowly toward Hixon. At times, the moon struggled out and made the shadows black along the way. At other times, it was like riding in a huge caldron of pitch. When he passed into that stretch of country at whose heart Jesse Purvy dwelt, he raised his voice in song. His singing was very bad, and the ballad lacked tune, but it served its purpose of saving him from the suspicion of furtiveness. Though the front of the house was blank, behind its heavy shutters he knew that his coming might be noted, and night-riding at this par ticular spot might be misconstrued in the absence of frank warning. The correctness of his inference brought a brief smile to his lips when he crossed the creek that skirted the orchard, and heard a stable door creak softly behind him. He was to be followed again and watched, but he did not look back or pause to listen for the hoof- beats of his unsolicited escort. On the soft mud of the I road, he would hardly have heard them, had he bent his ear and drawn rein. He rode at a walk, for his train would not leave until five o'clock in the morning. There was time in plenty. It was cold and depressing as he trudged the empty streets from the livery stable to the railroad station, carrying his saddlebags over his arm. His last fare- 139 well had been taken when he left the old mule behind In the rickety livery stable. It had been unemotional, too, but the ragged creature had raised its stubborn head, and rubbed its soft nose against his shoulder as though in realization of the parting and unwilling realization. He had roughly laid his hand for a moment on the muzzle, and turned on his heel. He was all unconscious that he presented a figure which would seem ludicrous in the great world to which he had looked with such eagerness. The lamps burned murkily about the railroad station, and a heavy fog cloaked the hills. At last he heard the whistle and saw the blazing headlight, and a minute later he had pushed his way into the smoking-car and dropped his saddle bags on the seat beside him. Then, for the first time, he saw and recognized his watchers. Purvy meant to have Samson shadowed as far as Lexington, and his movements from that point definitely reported. Jim Asberry and Aaron Hollis were the chosen spies. He did not speak to the two enemies who took seats across the car, but his face hardened, and his brows came together in a black scowl. "When I gits back," he promised himself, "you'll be one of the fust folks I'll look fer, Jim Asberry, damn ye! All I hopes is thet nobody else don't git ye fust Ye b'longs ter me." He was not quite certain yet that Jim Asberry had murdered his father, but he knew that Asberry was one of the coterie of "killers" who took their blood hire from Purvy, and he knew that Asberry had sworn to "git" him. To sit in the same car with these men and to force himself to withhold his hand, was a hard bullet THE CALL OF THE CUMBERLANDS 141 for Samson South to chew, but he had bided his time thus far, and he would bide it to the end. When that end came, it would also be the end for Purvy and Asberry. He disliked Hollis, too, but with a less definite and intense hatred. Samson wished that one of the henchmen would make a move toward attack. He made no concealment of his own readiness. He removed both overcoat and coat, leaving exposed to view the heavy revolver which was strapped under his left arm. He even unbuttoned the leather flap of the holster, and then being cleared for action, sat glowering across the aisle, with his eyes not on the faces but upon the hands of the two Purvy spies. The wrench of partings, the long raw ride and dis- spiriting gloom of the darkness before dawn had taken out of the boy's mind all the sparkle of anticipation and left only melancholy and hate. He felt for the moment that, had these men attacked him and thrown him back into the life he was leaving, back into the war without fault on his part, he would be glad. The fierce activity of fighting would be welcome to his mood. He longed for the appeasement of a thoroughly satisfied vengeance. But the two watchers across the car were not ordered to fight and so they made no move. They did not seem to see Samson. They did not appear to 'have noticed his inviting readiness for combat. They ' did not remove their coats. At Lexington, where he had several hours to wait, Samson bought a "snack" at a restaurant near the station and then strolled about the adjacent streets, still carrying his saddlebags, for he knew nothing of the workings of check-rooms. When he returned to the depot with his open wallet in his 142 THE CALL OF THE CUMBERLANDS hand, and asked for a ticket to New York, the agent looked up and his lips unguardedly broke into a smile of amusement. It was a good-humored smile, but Sam son saw that it was inspired by some sort of joke, and he divined that the joke was himself! "What's the matter?" he inquired very quietly, though his chin stiffened. **Don't ye sell tickets ter New York?" The man behind the grilled wicket read a spirit as swift to resent ridicule as that of d'Artagnan had been when he rode his orange-colored nag into the streets of Paris. His face sobered, and his manner became atten tive. He was wondering what complications lay ahead of this raw creature whose crudity of appearance was so at odds with the compelling quality of his eyes. "Do you want a Pullman reservation?" he asked. "What's thet?" The boy put the question with a steadiness of gaze that seemed to defy the agent to entertain even a subconsciously critical thought as to his ignorance. The ticket man explained sleeping- and dining-cars. He had rather expected the boy to choose the day coach, but Samson merely said: "I wants the best thar is." He counted out the additional money, and turned gravely from the window. The sleeping-car to which he was assigned was almost empty, but he felt upon him the interested gaze of those few eyes that were turned toward his entrance. He engaged every pair with a pair very clear and steady and undropping, until somehow each lip that had started to twist in amusement straightened, and the twinkle that rose at first glance sobered at second. He did not THE CALL OF THE CUMBERLANDS 143 know why an old gentleman in a plaid traveling cap, who looked up from a magazine, turned his gaze out of the window with an expression of grave thoughtf ulness. To himself, the old gentleman was irrelevantly quoting a line or two of verse : " '. . . Unmade, unhandled, unmeet Ye pushed them raw to the battle, as ye picked them raw from the street ' "Only," added the old gentleman under his breath, "this one hasn't even the training of the streets but with those eyes he'll get somewhere." The porter paused and asked to see Samson's ticket. Mentally, he observed: "Po' white trash!" Then, he looked again, for the boy's eyes were discomfortingly on his fat, black face, and the porter straightway decided to be polite. Yet, for all his specious seeming of unconcern, Samson was waking to the fact that he was a scarecrow, and his sensitive pride made him cut his meals short in the dining-car, where he was kept busy beating down inquisitive eyes with his defiant gaze. He resolved after some thought upon a definite policy. It was a very old policy, but to him new and a discovery. He would change nothing in himself that involved a surrender of code or conviction. But, wherever it could be done with honor, he would concede to custom. He had come to learn, not to give an exhibition of stubbornness. What ever the outside world could offer with a recommenda tion to his good sense, that thing he would adopt and make his own. 14-4. THE CALL OF THE CUMBERLANDS It was late in the second afternoon when he stepped from the train at Jersey City, to be engulfed in an unimagined roar and congestion. Here, it was impos sible to hold his own against the unconcealed laughter of the many, and he stood for an instant glaring about like a caged tiger, while three currents of humanity separated and flowed toward the three ferry exits. It was a moment of longing for the quiet of his ancient hills, where nothing more formidable than blood enemies existed to disquiet and perplex a man's philosophy. Those were things he understood and even enemies at home did not laugh at a man's peculiarities. For the first time in his life, Samson felt a tremor of something like terror, terror of a great, vague thing, too vast and intangible to combat, and possessed of the measure less power of many hurricanes. Then, he saw the smiling face of Lescott, and Lescott's extended hand. Even Lescott, immaculately garbed and fur-coated, seemed almost a stranger, and the boy's feeling of intimacy froze to inward constraint and diffidence. But Lescott knew nothing of that. The stoic in Samson held true, masking his emotions. "So you came," said the New Yorker, heartily, grasp ing the boy's hand. "Where's your luggage? We'll just pick that up, and make a dash for the ferry." "Hyar hit is," replied Samson, who still carried his saddlebags. The painter's eyes twinkled, but the mirth was so frank and friendly that the boy, instead of glaring in defiance, grinned responsively. "Right, oh!" laughed Lescott. "I thought maybe you'd brought a trunk, but it's the wise man who travels light." "I reckon I'm pretty green," acknowledged the youth somewhat ruefully. "But I hain't been studyin' on what I looked like. I reckon thet don't make much difference." "Not much," affirmed the other, with conviction. "Let the men with little souls spend their thought on that." The artist watched his protege narrowly as they took their places against the forward rail of the ferry- deck, and the boat stood out into the crashing water traffic of North River. What Samson saw must be absolutely bewildering. Ears attuned to hear a break ing twig must ache to this hoarse shrieking of whistles. To the west, in the evening's fading color, the sky-line of lower Manhattan bit the sky with its serried line of fangs. Yet, Samson leaned on the rail without comment, and his face told nothing. Lescott waited for some expres sion, and, when none came, he casually suggested: "Samson, that is considered rather an impressive panorama over there. What do you think of it ?" "Ef somebody was ter ask ye ter describe the shape of a rainstorm, what would ye say ?" countered the boy. Lescott laughed. "I guess I wouldn't try to say." "I reckon," replied the mountaineer, "I won't try, neither." "Do you find it anything like the thing expected?" No New Yorker can allow a stranger to be unimpressed with that sky-line. "I didn't have no notion what to expect." Samson's voice was matter-of-fact. "I 'lowed I'd jest wait and see." 146 THE CALL OF THE CUMBERLANDS He followed Lescott out to the foot of Twenty-third Street, and stepped with him into the tonneau of the painter's waiting car. Lescott lived with his family tip-town, for it happened that, had his canvases pos sessed no value whatever, he would still have been in a position to drive his motor, and follow his impulses about the world. Lescott himself had found it neces sary to overcome family opposition when he had de termined to follow the career of painting. His people had been in finance, and they had expected him to take the position to which he logically fell heir in activities that center about Wall Street. He, too, had at first been regarded as recreant to traditions. For that reason, he felt a full sympathy with Samson. The painter's place in the social world although he pre ferred his other world of Art was so secure that he was free from any petty embarrassment in standing sponsor for a wild man from the hills. If he did not take the boy to his home, it was because he understood that a life which must be not only full of early embar rassment, but positively revolutionary, should be ap proached by easy stages. Consequently, the car turned down Fifth Avenue, passed under the arch, and drew up before a door just off Washington Square, where the landscape painter had a studio suite. There were sleeping-rooms and such accessories as seemed to the boy unheard-of luxury, though Lescott regarded the place as a makeshift annex to his home establishment. "You'd better take your time in selecting permanent quarters," was his careless fashion of explaining to Samson. "It's just as well not to hurry. You are to stay here with me, as long as you will." THE CALL OF THE CUMBERLANBS 147 i "I'm sbleeged ter ye," replied the boy, to whose train ing in pen-doored hospitality the invitation seemed only natural. The evening meal was brought in from a neighboring hotel, and the two men dined before an open fire, Samson eating in mountain silence, while his host chatted and asked questions. The place was quiet for New York, but to Samson it seemed an insuf-l ferable pandemonium. He found himself longing for the velvet-soft quiet of the nightfalls he had known. "Samson," suggested the painter, when the dinner things had been carried out and they were alone, "you are here for two purposes: first to study painting; secnd, to educate and equip yourself for coming con ditions. It's going to take work, more work, and then some more work." "I hain't skeered of work." "I believe that. Also, you must keep out of trouble. You've got to ride your fighting instinct with a strong curb." "I don't 'low to let nobody run over me." The state ment was not argumentative ; only an announcement of a principle which was not subject to modification. "All right, but until you learn the ropes, let me advise you." The boy gazed into the fire for a few moments of* silence. "I gives ye my hand on thet," he promised. At eleven o'clock the painter, having shown his guest over the premises, said good-night, and went up-town to his own house. Samson lay a long while awake, with many disquieting reflections. Before his closed eyes rose insistently the picture of a smoky cabin with a 148 THE CALL OF THE CUMBERLANDS puncheon floor and of a girl upon whose cheeks and temples flickered orange and vermilion lights. To his ears came the roar of elevated trains, and, since a fog had risen over the Hudson, the endless night-splitting screams of brazen-throated ferry whistles. He tossed on a mattress which seemed hard and comfortless, and longed for a feather-bed. "Good-night, Sally," he almost groaned. "I wisht I was back thar whar I belongs." . . . And Sally, more than a thousand miles away, was shivering on the top of a stile with a white, grief -torn little face, wishing that, too. Meanwhile Lescott, letting himself into a house over looking the Park, was hailed by a chorus of voices from the dining-room. He turned and went in to join a gay group just back from the opera. As he thoughtfully mixed himself a highball, they bombarded him with questions. "Why didn't you bring your barbarian with you?" demanded a dark-eyed girl, who looked very much as Lescott himself might have looked had he been a girl and very young and lovely. The painter always thought of his sister as the family's edition de luxe. Now, she flashed on him an affectionate smile, and added: "We have been waiting to see him. Must we go to bed disappointed?" George stood looking down on them, and tinkled the ice in his glass. "He wasn't brought on for purposes of exhibition, Drennie," he smiled. "I was afraid, if he came in here in the fashion of his arrival carrying his saddlebags you ultra-civilized folk might have laughed." A roar of laughter at the picture vindicated Lescott's assumption. "No! Now, actually with saddlebags?" echoed a young fellow with a likeable face which was for the moment incredulously amused. "That goes Dick Whit- tington one better. You do make some rare discoveries, George. We celebrate you." "Thanks, Horton," commented the painter, dryly. "When you New Yorkers have learned what these bar barians already know, the control of your over-sensitized risibles and a courtesy deeper than your shirt-fronts maybe I'll let you have a look. Meantime, I'm much too fond of all of you to risk letting you laugh at my barbarian." CHAPTER XIV THE first peep of daylight through the studio sky light found the mountain boy awake. Before the daylight came he had seen the stars through its panes. Lescott's servant, temporarily assigned to the studio, was still sleeping when Samson dressed and went out. As he put on his clothes, he followed his custom of strapping the pistol-holster under his left armpit out side his shirt. He did it with no particular thought and from force of habit. His steps carried him first into Washington Square, at this cheerless hour empty except for a shivering and huddled figure on a bench and a rattling milk-cart. The boy wandered aimlessly until, an hur later, he found himself on Bleecker Street, as that thoroughfare began to awaken and take up its day's activity. The smaller shops that lie in the shadow of the elevated trestle were opening their doors. Sam son had been reflecting on the amused glances he had inspired yesterday and, when he came to a store with a tawdry window display of haberdashery and ready- made clothing, he decided to go in and investigate. Evidently, the garments he now wore gave him an appearance of poverty and meanness, which did not comport with the dignity of a South. Had any one else criticized his appearance his resentment would have blazed, but he could make voluntary admissions. The shopkeeper's curiosity was somewhat piqued by a man- 150 THE CALL OF THE CUMBERLANDS 151 ner of speech and appearance which were, to him, new, and which he could not classify. His first impression of the boy in the stained suit, slouch hat, and patched overcoat, was much the same as that which the Pullman porter had mentally summed up as, "Po' white trash" ; but the Yiddish shopman could not place his prospective customer under any head or type with which he was familiar. He was neither "kike," "wop," "rough-neck," nor beggar, and, as the proprietor laid out his wares with unctuous solicitude, he was, also, studying his unresponsive and early visitor. When Samson, for the purpose of trying on a coat and vest, took off his own outer garments, and displayed, without apology or ex planation, a huge and murderous-looking revolver, the merchant became nervously excited. Had Samson made gratifying purchases, he might have seen nothing, but it occurred to the mountaineer, just as he was counting money from a stuffed purse, that it would perhaps be wiser to wait and consult Lescott in matters of sartorial selection. So, with incisive bluntness, he countermanded his order and made an enemy. The shopkeeper, stand ing at the door of his basement establishment, combed his beard with his fingers, and thought regretfully of the fat wallet ; and, a minute after, when two policemen ' came by, walking together, he awoke suddenly to his responsibilities as a citizen. He pointed to the figure now half a block away. "Dat feller," he said, "chust vent out off my blace. He's got a young cannon strapped to his vish-bone. I don't know if he's chust a rube, or if maybe he's bad. Anyway, he's a gun-toter." The two patrolmen only nodded, and sauntered on 152 THE CALL OF THE CUMBERLANDS They did not hurry, but neither did Samson. Pausing to gaze into a window filled with Italian sweetmeats, he felt a hand on his shoulder, and turned to find himself looking into two pairs of accusing eyes. "What's your game?" shortly demanded one of the officers. "What's ther matter?" countered Samson, as tartly as he had been questioned. "Don't you know better than to tote a gun around this town?" "I reckon thet's my business, hain't hit?" The boy stepped back, and shook the offending hand from his shoulder. His gorge was rising, but he con trolled it, and turned on his heel, with the manner of one saying the final word. "I reckon ye're a-barkin' up ther wrong tree." "Not by a damned sight, we ain't!" One of the patrolmen seized and pinioned his arms, while the second threateningly lifted his club. "Don't try to start anything, young feller," he warned. The street was awake now and the ever-curious crowd began to gather. The big officer at Samson's back held his arms locked and gave curt directions to his partner. "Go through him, Quinn." Samson recognized that he was in the hands of the law, and a different sort of law from that which he had known on Misery. He made no effort to struggle, but looked very straight and unblinkingly into the eyes of the club-wielder. "Don't ye hit me with thet thing," he said, quietly. "I warns ye." The officer laughed as he ran his left hand over Sam- THE CALL OF THE CUMBERLANDS 153 son's hips and chest, and brought out the offending weapon. "I guess that's about all. We'll let you explain the rest of it to the judge. It's a trick on the Island for yours." The Island meant nothing to Samson South, but the derisive laughter of the crowd, and the roughness with which the two bluecoats swung him around, and ordered him to march, set on edge every defiant nerve. Still, he gazed directly into the faces of his captors, and inquired with a cruelly forced calm : "Does ye 'low ter take me ter the jail-house?" "Can that rube stuff. Get along, get along !" And the officers started him on his journey with a shove that sent him lurching and stumbling forward. Then, the curb of control slipped. The prisoner wheeled, his face distorted with passion, and lashed out with his fist to the face of the biggest patrolman. It was a foolish and hopeless attack, as the boy realized, but in his code it was necessary. One must resent gratuitous insult whatever the odds, and he fought with such concentrated fury and swiftness, after his rude hill method of "fist and skull," driving in terrific blows with hands and head, that the crowd breathed deep with the delicious I excitement of the combat and regretted its brevity. The amazed officers, for an instant handicapped by their surprise, since they were expecting to monopolize the brutality of the occasion, came to their senses, and had instant recourse to the comforting reinforcement of their locust clubs. The boy went down under a rat- tat of night sticks, which left him as groggy and easy to handle as a fainting woman. THE CALL OF THE CUMBERLANBS "You got ter hand it ter dat guy," commented a sweater-clad onlooker, as they dragged Samson into a doorway to await the wagon. "He was goin' some while he lasted." The boy was conscious again, though still faint, when the desk sergeant wrote on the station-house blotter: "Carrying a deadly weapon, and resisting an officer." The lieutenant had strolled in, and was contem platively turning over in his hand the heavy forty-five- calibre Colt. "Some rod that !" he announced. "We don't get many like it here. Where did you breeze in from, young fellow?" "Thet's my business," growled Samson. Then, he added: "I'll be obleeged if ye'll send word ter Mr. George Lescott ter come an' bail me out." "You seem to know the procedure," remarked the desk sergeant, with a smile. "Who is Mr. George Les cott, and where's his hang-out?" One of the arresting officers looked up from wiping with his handkerchief the sweat-band of his helmet. "George Lescott?" he repeated. "I know him. He's got one of them studios just off Washington Square. He drives down-town in a car the size of the Olympic. I don't know how he'd get acquainted with a boob like this." "Oh, well!" the desk sergeant yawned. "Stick him in the cage. We'll call up this Lescott party later on. I guess he's still in the hay, and it might make him peevish to wake him up." Left alone in the police-station cell, the boy began to think. First of all, he was puzzled. He had fared THE CALL OF THE CUMBERLANDS 155 forth peaceably, and spoken to no one except the store keeper. To force a man into peace by denying him his gun, seemed as unreasonable as to prevent fisticuffs by cutting off hands. But, also, a deep sense of shame swept over him, and scalded him. Getting into trouble ^here was, somehow, different from getting into trouble ,at home and, in some strange way, bitterly humil iating. Lescott had risen early, meaning to go down to the studio, and have breakfast with Samson. His mother and sister were leaving for Bermuda by a nine o'clock sailing. Consequently, eight o'clock found the house hold gathered in the breakfast-room, supplemented by Mr. Wilfred Horton, whose orchids Adrienne Lescott was wearing, and whose luggage was already at the wharf. "Since Wilfred is in the party to take care of things, and look after you," suggested Lescott, as he came into the room a trifle late, "I think I'll say good-by here, and run along to the studio. Samson is probably feel ing like a new boy in school this morning. You'll find the usual litter of flowers and fiction in your state rooms to attest my filial and brotherly devotion." "Was the brotherly sentiment addressed to me?" in quired Wilfred, with an unsmiling and brazen gravity that brought to the girl's eyes and lips a half -mocking and wholly decorative twinkle of amusement. "Just because I try to be a sister to you, Wilfred," she calmly reproved, "I can't undertake to make my brother do it, too. Besides, he couldn't be a sister to you." 'But by dropping that attitude which is entirely 156 THE CALL OF THE CUMBERLANDS gratuitous you will compel him to assume it. My sentiment as regards brotherly love is brief and terse, 'Let George do it !' " Mr. Horton was complacently consuming his breakfast with an excellent appetite, to which the prospect of six weeks among Bermuda lilies with Adrienne lent a fillip. "So, brother-to-be," he continued, "you have my per mission to run along down-town, and feed your savage." "Beg pardon, sir !" The Lescott butler leaned close to the painter's ear, and spoke with a note of apology as though deploring the necessity of broaching such a subject. "But will you kindly speak with the Macdougal Street Police Station?" "With the what?" Lescott turned in surprise, while Horton surrendered himself to unrestrained and bois terous laughter. "The barbarian !" he exclaimed. "I call that snappy work. Twelve hours in New York, and a run-in with the police ! I've noticed," he added, as the painter hur riedly quitted the room, "that, when you take the bad man out of his own cock-pit, he rarely lasts as far as the second round." "It occurs to me, Wilfred," suggested Adrienne, with the hint of warning in her voice, "that you may be just a trifle overdoing your attitude of amusement as to this barbarian. George is fond of him, and believes in him, and George is quite often right in his judgment." "George," added Mrs. Lescott, "had a broken arm down there in the mountains, and these people were kind to him in many ways. I wish I could see Mr. South, and thank him." Lescott's manner over the telephone was indicating to THE CALL OF THE CUMBERLANDS 157 a surprised desk sergeant a decidedly greater interest than had been anticipated, and, after a brief and pointed conversation in that quarter, he called another number. It was a private number, not included in the telephone book and communicated with the residence of an attorney who would not have permitted the generality of clients to disturb him in advance of office hours. A realization that the "gun-lugger" had friends "higher up" percolated at the station-house in another hour, when a limousine halted at the door, and a legal celebrity, whose ways were not the ways of police sta tions or magistrates' courts, stepped to the curb. "I am waiting to meet Mr. Lescott," announced the Honorable Mr. Wickliffe, curtly. When a continuance of the case had been secured, and bond given, the famous lawyer and Samson lunched together at the studio as Lescott's guests, and, after the legal luminary had thawed the boy's native reserve and wrung from him his story, he was interested enough to use all his eloquence and logic in his efforts to show the mountaineer what inherent necessities of justice lay back of seemingly restrictive laws. "You simply 'got in bad' through your failure to understand conditions here," laughed the lawyer. "I guess we can pull you through, but in future you'll have to submit to some guidance, my boy." And Samson, rather to Lescott's surprise, nodded his head with only a ghost of resentment. From friends, he was willing to learn. Lescott had been afraid that this initial experience would have an extinguishing effect on Samson's ambi tions. He half -expected to hear the dogged announce- 158 THE CALL OF THE CUMBERLANDS ment, "I reckon I'll go back home. I don't b'long hyar nohow." But no such remark came. One night, they sat in the cafe of an old French hostelry where, in the polyglot chatter of three lan guages, one hears much shop talk of art and literature. Between the mirrored walls, Samson was for the first time glimpsing the shallow sparkle of Bohemia. The orchestra was playing an appealing waltz. Among the diners were women gowned as he had never seen women gowned before. They sat with men, and met the challenge of ardent glances with dreamy eyes. They hummed an accompaniment to the air, and sometimes loudly and publicly quarreled. But Samson looked on as taciturn and unmoved as though he had never dined elsewhere. And yet, his eyes were busy, for suddenly he laid down his knife, and picked up his fork. "Hit 'pears like I've got a passel of things ter I'arn," he said, earnestly. "I reckon I mout as well begin by 1'arnin' how ter eat." He had heretofore regarded a fork only as a skewer with which to hold meat in the cutting. Lescott laughed. "Most rules of social usage," he explained, "go back to the test of efficiency. It is considered good form to eat with the fork, principally because it is more efficient." The boy nodded. "All right," he acquiesced. "You 1'arn me all them things, an' I'll be obleeged ter ye. Things is diff'rent in diff'rent places. I reckon the Souths lies a right ter behave es good es anybody." When a man, whose youth and courage are at their THE CALL OF THE CUMBERLANDS 159 zenith, and whose brain is tuned to concert pitch, is thrown neck and crop out of squalid isolation into the melting pot of Manhattan, puzzling problems of read justment must follow. Samson's half -starved mind was reaching out squid-like tentacles in every direction. He was saying little, seeing much, not yet coordinating or tabulating, but grimly bolting every morsel of enlight enment. Later, he would digest; now, he only gorged. Before he could hope to benefit by the advanced instruc tion of the life-classes, he must toil and sweat over the primer stages of drawing. Several months were spent laboring with charcoal and paper over plaster casts in Lescptt's studio, and Lescott himself played instructor. When the skylight darkened with the com ing of evening, the boy whose mountain nature cried out for exercise went for long tramps that carried him over many miles of city pavements, and after that, when the gas was lit, he turned, still insatiably hungry, to volumes of history, and algebra, and facts. So gluttonous was his protege's application that the painter felt called on to remonstrate against the danger of overwork. But Samson only laughed; that was one of the things he had learned to do since he left the 1 mountains. "I reckon," he drawled, "that as long as I'm at work, I kin keep out of trouble. Seems like that's the only way I kin do it." **#* A sloop-rigged boat with a crew of two was dancing before a brisk breeze through blue Bermuda waters. Off to the right, Hamilton rose sheer and colorful from the bay. At the tiller sat the white-clad figure of Adrienne Lescott. Puffs of wind that whipped the ~tautly bellying sheets lashed her dark hair about her face. Her lips, vividly red like poppy-petals, were just now curved into an amused smile, which made them even more than ordinarily kissable and tantalizing. Her companion was neglecting his nominal duty of tending the sheet to watch her. "Wilfred," she teased, "your contrast is quite start ling and, in a way, effective. From head to foot, you are spotless white but your scowl is absolutely 'the Slackest black that our eyes endure.' And," she added, in an injured voice, "I'm sure I've been very nice to you." "I have not yet begun to scowl," he assured her, and proceeded to show what superlatives of saturnine expres sion he held in reserve. "See here, Drennie, I know perfectly well that I'm a sheer imbecile to reveal the fact that you've made me mad. It pleases you too perfectly. It makes you happier than is good for you, but " "It's a terrible thing to make me happy, isn't it?" she inquired, sweetly. "Unspeakably so, when you derive happiness from the torture of your fellow-man." "My brother-man," she amiably corrected him. "Good Lord !" he groaned in desperation. "I ought to turn cave man, and seize you by the hair and drag you to the nearest minister or prophet, or whoever could marry us. Then, after the ceremony, I ought to drag you to my own grotto, and beat you." "Would I have to wear my wedding ring in my nose ?" She put the question with the manner of one much interested in acquiring useful information. THE CALL OF THE CUMBERLANDS 161 "Drennie, for the nine-hundred-thousandth time; simply, in the interests of harmony and to break the deadlock, will you marry me?" "Not this afternoon," she smiled. "Watch for the boom ! I'm going to bring her round." The young man promptly ducked his head, and played out the line, as the boat dipped her masthead waterward, and came about on the other tack. When the sails were again drumming under the fingers of the wind, she added: "Besides, I'm not sure that harmony is what I want." "You know you'll have to marry me in the end. Why not now?" he persisted, doggedly. "We are simply wasting our youth, dear." His tone had become so calamitous that the girl could not restrain a peal of very musical laughter. "Am I so very funny?" he inquired, with dignity. "You are, when you are so very tragic," she assured him. He realized that his temper was merely a challenge to her teasing, and he wisely fell back into his cus tomary attitude of unruffled insouciance. "Drennie, you have held me off since we were children. I believe I first announced my intention of marrying you when you were twelve. That intention remains unaltered, More: it is unalterable and inevitable. My reasons for wanting to needn't be rehearsed. It would take too long. I regard you as possessed of an alert and remarkable mind one worthy of companionship with my own." Despite the frivolous badinage of his words and the humorous smile of his lips, his eyes hinted at an underlying intensity. "With no desire to flatter or 162 THE CALL OF THE CUMBERLANDS spoil you, I find your personal aspect pleasing enough to satisfy me. And then, while a man should avoid emotionalism, I am in love with you." He moved over to a place in the sternsheets, and his face became in tensely earnest. He dropped his hand over hers as it lay on the tiller shaft. "God knows, dear," he ex claimed, "how much I love you!" Her eyes, after holding his for a moment, fell to the hand which still imprisoned her own. She shook her head, not in anger, but with a manner of gentle denial, until he released her fingers and stepped back. "You are a dear, Wilfred," she comforted, "and I couldn't manage to get on without you, but you aren't marriageable at least, not yet." "Why not ?" he argued. "I've stood back and twirled my thumbs all through your debut winter. I've been Patience without the comfort of a pedestal. Now, will you give me three minutes to show you that you are not acting fairly, or nicely at all?" "Duck!" warned the girl, and once more they fell silent in the sheer physical delight of two healthy young animals, clean-blooded and sport-loving, as the tall jib swept down ; the "high side" swept up, and the boat hung for an exhilarating moment on the verge of cap sizing. As it righted itself again, like the craft of a daring airman banking the pylons, the girl gave him a bright nod. "Now, go ahead," she acceded, "you have three minutes to put yourself in nomination as the exemplar of your age and times." CHAPTKR XV THE young man settled back, and stuffed tobacco into a battered pipe. Then, with a lightness of tone which was assumed as a defense against her mischievous teasing, he began : "Very well, Drennie. When you were twelve, which is at best an unimpressive age for the female of the species, I was eighteen, and all the world knows that at eighteen a man is very mature and important. You wore pigtails then, and it took a prophet's eye to fore see how wonderfully you were going to emerge from your chrysalis." The idolatry of his eyes told how wonderful she seemed to him now. "Yet, I fell in love with you, and I said to myself, 'I'll wait for her.' However, I didn't want to wait eternally. For eight years, I have danced willing attendance following you through nursery, younger- set and debutante stages. In short, with no wish to trumpet too loudly my own virtues, I've been your Fidus Achates." His voice dropped from its pitch of antic whimsey, and became for a moment grave, as he added: "And, because of my love for you, I've lived a life almost as clean as your own." "One's Fidus Achates, if I remembx. .: anything of my Latin, which I don't" the girl spoke in that voice which the man loved best, because it had left off banter- 163 164 THE CALL OF THE CUMBERLANDS ing, and become grave with such softness and depth of timbre as might have trembled in the reed pipes of a Sylvan Pan "is one's really-truly friend. Everything that you claim for yourself is admitted and many other things that you haven't claimed. Now, suppose you give me three minutes to make an accusation on other charges. They're not very grave faults, perhaps, by the standards of your world and mine, but to me, personally, they seem important." Wilfred nodded, and said, gravely: "I am waiting." "In the first place, you are one of those men whose fortunes are listed in the top schedule the swollen fortunes. Socialists would put you in the predatory class." "Drennie," he groaned, "do you keep your heaven locked behind a gate of the Needle's Eye? It's not my fault that I'm rich. It was wished on me. If you are serious, I'm willing to become poor as Job's turkey. Show me the way to strip myself, and I'll stand shortly before you begging alms." "To what end?" she questioned. "Poverty would be quite inconvenient. I shouldn't care for it. But hasn't it ever occurred to you that the man who wears the strongest and brightest mail, and who by his own con fession is possessed of an alert brain, ought occasionally to be seen in the lists?" "In short, your charge is that I am a shirker and, since it's the same thing, a coward?" Adrienne did not at once answer him, but she straightened out for an uninterrupted run before the wind, and by the tiny moss-green flecks, which moments THE CALL OF THE CUMBERLANDS 165 of great seriousness brought to the depths of her eyes, he knew that she meant to speak the unveiled truth. "Besides your own holdings in a lot of railways and things, you handle your mother's and sisters' property, don't you?" He nodded. "In a fashion, I do. I sign the necessary papers when the lawyers call me up, and ask me to come down town." "You are a director in the Metropole Trust Com pany ?" "Guilty." "In the Consolidated Seacoast?" "I believe so." "In a half-dozen other things equally important?" "Good Lord, Drennie, how can I answer all those questions off-hand? I don't carry a note-book in my yachting flannels." Her voice was so serious that he wondered if it were not, also, a little contemptuous. "Do you have to consult a note-book to answer those questions ?" "Those directorate jobs are purely honorary," he defended. "If I butted in with fool suggestions, they'd {quite properly kick me out." "With your friends, who are also share-holders, you could assume control of the Morning Intelligence, couldn't you?" "I guess I could assume control, but what would I do with it?" "Do you know the reputation of that newspaper?" "I guess it's all right. It's conservative and newsy. 166 THE CALL OF THE CUMBERLANDS I read it every morning when I'm in town. It fits in very nicely between the grapefruit and the bacon-and- eggs." "It is, also, powerful," she added, "and is said to be absolutely servile to corporate interests." "Drennie, you talk like an anarchist. You are rich yourself, you know." "And, against each of those other concerns, various charges have been made." "Well, what do you want me to do?" "It's not what I want you to do," she informed him ; "it's what I'd like to see you want to do." "Name it ! I'll want to do it forthwith." "I think, when you are one of a handful of the richest men in New York; when, for instance, you could dictate the policy of a great newspaper, yet know it only as the course that follows your grapefruit, you are a shirker and a drone, and are not playing the game." Her hand tightened on the tiller. "I think, if I were a man riding on to the polo field, I'd either try like the devil to drive the ball down between the posts, or I'd come inside, and take off my boots and colors. I wouldn't hover in lady-like futility around the edge of the scrimmage." She knew that to Horton, who played polo like a fiend incarnate, the figure would be effective, and she whipped out her words with something very close to scorn. "Duck your head!" she commanded shortly. "I'm coming about." Possibly, she had thrown more of herself into her philippic than she had realized. Possibly, some of her THE CALL OF THE CUMBERLANDS 167 emphasis imparted itself to her touch on the tiller, and jerked the sloop too violently into a sudden puff as it careened. At all events, the boat swung sidewise, trembled for an instant like a wounded gull, and then slapped its spread of canvas prone upon the water with a vicious report. "Jump !" yelled the man, and, as he shouted, the girl disappeared over-side, perilously near the sheet. He knew the danger of coming up under a wet sail, and, diving from the high side, he swam with racing strokes toward the point where she had gone down. When Adrienne's head did not reappear, his alarm grew, and he plunged under water where the shadow of the over turned boat made everything cloudy and obscure to his wide-open eyes. He stroked his way back and forth through the purple fog that he found down there, until his lungs seemed on the point of bursting. Then, he paused at the surface, shaking the water from his face, and gazing anxiously about. The dark head was not visible, and once more, with a fury of growing terror, he plunged downward, and began searching the shadows. This time, he remained until his chest was aching with an absolute torture. If she had swallowed water under that canvas barrier this attempt would be the last that could avail. Then, just as it seemed that he was spend ing the last fraction of the last ounce of endurance,, his aching eyes made out a vague shape, also swimming, and his hand touched another hand. She was safe, and together they came out of the opaqueness into water as translucent as sapphires, and rose to the surface. "Where were you?" she inquired. "I was looking for you under the sail," he panted. Adrienne laughed. "I'm quite all right," she assured him. "I came up under the boat at first, but I got out easily enough, and went back to look for you." They swam together to the capsized hull, and the girl thrust up one strong, slender hand to the stem, while with the other she wiped the water from her smiling eyes. The man also laid hold on the support, and hung there, filling his cramped lungs. Then, for just an instant, his hand closed over hers. "There's my hand on it, Drennie," he said. "We start back to New York to-morrow, don't we? Well, when I get there, I put on overalls, and go to work. When I propose next, I'll have something to show." A motor-boat had seen their plight, and was racing madly to their rescue, with a yard-high swirl of water thrown up from its nose and a fusillade of explosions trailing in its wake. ****** Christmas came to Misery wrapped in a drab mantle of desolation. The mountains were like gigantic cones of raw and sticky chocolate, except where the snow lay patched upon their cheerless slopes. The skies were low and leaden, and across their gray stretches a spirit of squalid melancholy rode with the tarnished sun. Windowless cabins, with tight-closed doors, became cavernous dens untouched by the cleansing power of daylight. In their vitiated atmosphere, their humanity grew stolidly sullen. Nowhere was a hint of the season's cheer. The mountains knew only of such celebration as snuggling close to the jug of moonshine, and drink ing out the day. Mountain children, who had never THE CALL OF THE CUMBERLANDS 169 heard of Kris Kingle, knew of an ancient tradition that at Christmas midnight the cattle in the barns and fields knelt down, as they had knelt around the manger, and that along the ragged slopes of the hills the elder bushes ceased to rattle dead stalks, and burst into white sprays of momentary bloom. Christmas itself was a week distant, and, at the cabin of the Widow Miller, Sally was sitting alone before the logs. She laid down the slate and spelling-book, over which her forehead had been strenuously puckered, and gazed somewhat mournfully into the blaze. Sally had a secret. It was a secret which she based on a faint hope. If Samson should come back to Misery, he would come back full of new notions. No man had ever yet returned from that outside world unaltered. No man ever would. A terrible premonition said he would not come at all, but, if he did if he did she must know how to read and write. Maybe, when she had learned a little more, she might even go to school for a term or two. She had not confided her secret. The widow would not have understood. The book and slate came out of their dusty cranny in the logs beside the fireplace only when the widow had withdrawn to her bed, and the freckled boy was dreaming of being old enough to kill Hollmans. The cramped and distorted chirography on the slate was discouraging. It was all proving very hard work. The girl gazed for a time at something she saw in the embers, and then a faint smile came to her lips. By next Christmas, she would surprise Samson with a letter. It should be well written, and every "hain't" should be an "isn't." Of course, until then Samson would not 170 THE CALL OF THE CUMBERLANDS write to her, because he would not know that she could read the letter indeed, as yet the deciphering of "hand- write" was beyond her abilities. She rose and replaced the slate and primer. Then, she took tenderly from its corner the rifle, which the boy had confided to her keeping, and unwrapped its greasy covering. She drew the cartridges from cham ber and magazine, oiled the rifling, polished the lock, and reloaded the piece. "Thar now," she said, softly, "I reckon ther old rifle-gun's ready." As she sat there alone in the shuck-bottomed chair, the corners of the room wavered in huge shadows, and the smoke-blackened cavern of the fireplace, glaring like a volcano pit, threw her face into relief. She made a very lovely and pathetic picture. Her slender knees were drawn close together, and from her slim waist she bent forward, nursing the inanimate thing which she valued and tended, because Samson valued it. Her violet eyes held the heart-touching wistfulness of utter lone liness, and her lips drooped. This small girl, dreaming her dreams of hope against hope, with the vast isolation of the hills about her, was a little monument of unflinch ing loyalty and simple courage, and, as she sat, she patted the rifle with as soft a touch as though she had been dandling Samson's child and her own on her knee. There was no speck of rust in the unused muzzle, no hitch in the easily sliding mechanism of the breech block. The hero's weapon was in readiness to his hand, as the bow of Ulysses awaited the coming of the wanderer. Then, with sudden interruption to her reflections, THE CALL OF THE CUMBERLANDS 171 came a rattling on the cabin door. She sat up and lis tened. Night visitors were rare at the Widow Miller's. Sally waited, holding her breath, until the sound was repeated. "Who is hit?" she demanded in a low voice. "Hit's me Tam'rack !" came the reply, very low and cautious, and somewhat shamefaced. "What does ye want ?" "Let me in, Sally," whined the kinsman, desperately. "They're atter me. They won't think to come hyar." Sally had not seen her cousin since Samson had for bidden his coming to the house. Since Samson's de parture, the troublesome kinsman, too, had been some where "down below," holding his railroad job. But the call for protection was imperative. She set the gun out of sight against the mantle-shelf, and, walking over unwillingly, opened the door. The mud-spattered man came in, glancing about him half-furtively, and went to the fireplace. There, he held his hands to the blaze. "Hit's cold outdoors," he said. "What manner of deviltry hev ye been into now, Tam'rack?" inquired the girl. "Kain't ye never keep outen trouble?" The self-confessed refugee did not at once reply, When he did, it was to ask: "Is the widder asleep?" Sally saw from his blood-shot eyes that he had been drinking heavily. She did not resume her seat, but atood holding him with her eyes. In them, the man read contempt, and an angry flush mounted to his sal low cheek-bones. 172 THE CALL OF THE CUMBEKLANDS "I reckon ye knows," went on the girl in the same steady voice, "thet Samson meant what he said when he warned ye ter stay away from hyar. I reckon ye knows I wouldn't never hev opened thet door, ef hit wasn't fer ye bein' in trouble." The mountaineer straightened up, his eyes burning with the craftiness of drink, and the smoldering of resentment. "I reckon I knows thet. Thet's why I said they was atter me. I hain't in no trouble, Sally. I jest come hyar ter see ye, thet's all." Now, it was the girl's eyes that flashed anger. With quick steps, she reached the door, and threw it open. Her hand trembled as she pointed out into the night, and the gusty winter's breath caught and whipped her calico skirts about her ankles. "You kin go!" she ordered, passionately. "Don't ye never cross this doorstep ag'in. Begone quick !" But Tamarack only laughed with easy insolence. "Sally," he drawled. "Thar's a-goin' ter be a dancin* party Christmas night over ter the Forks. I 'lowed I'd like ter hev ye go over thar with me." Her voice was trembling with white-hot indignation. "Didn't ye hear Samson say ye wasn't never ter speak ter me?" , "Ter hell with Samson !" he ripped out, furiously. ' "Nobody hain't pesterin' 'bout him. I don't allow Sam son, ner no other man, ter dictate ter me who I keeps company with. I likes ye, Sally. Ye're the purtiest gal in the mountings, an' " "Will ye git out, or hev I got ter drive ye?" inter- THE CALL OF THE CUMBERLANDS 173 *upted the girl. Her face paled, and her lips drew themselves into a taut line. "Will ye go ter the party with me, Sally?" He came insolently over, and stood waiting, ignoring her dis missal with the ease of braggart effrontery. She, in turn, stood rigid, wordless, pointing his way across the doorstep. Slowly, the drunken face lost its leering grin. The eyes blackened into a truculent and venomous scowl. He stepped over, and stood towering above the slight figure, which did not give back a step before his advance. With an oath, he caught her savagely in his arms, and crushed her to him, while his unshaven, whiskey-soaked lips were pressed clingingly against her own indignant ones. Too astonished for struggle, the girl felt herself grow faint in his loathsome embrace, while to her ears came his panted words: "I'll show ye. I wants ye, an' I'll git ye." Adroitly, with a regained power of resistance and a lithe twist, she slipped out of his grasp, hammering at his face futilely with her clenched fists. "I I've got a notion ter kill ye !" she cried, brokenly. "Ef Samson was hyar, ye wouldn't dare " What else she might have said was shut off in stormy, breathless gasps of humiliation and anger. "Well," replied Tamarack, with drawling confidence, "ef Samson was hyar, I'd show him, too damn him! But Samson hain't hyar. He won't never be hyar no more." His voice became deeply scornful, as he added : "He's done cut an' run. He's down thar below, con- sortin' with f urriners, an' he hain't thinkin' nothin' 'bout you. You hain't good enough fer Samson, Sally. I tells ye he's done left ye fer all time." 174 THE CALL OF THE CUMBERLANDS Sally had backed away from the man, until she stood trembling near the hearth. As he spoke, Tamarack was slowly and step by step following her up. In his eyes glittered the same light that one sees in those of a cat which is watching a mouse already caught and crippled. She half-reeled, and stood leaning against the rough stones of the fireplace. Her head was bowed, and her bosom heaving with emotion. She felt her knees weak ening under her, and feared they would no longer sup port her. But, as her cousin ended, with a laugh, she turned her back to the wall, and stood with her downstretched hands groping against the logs. Then, she saw the evil glint in Tamarack's blood-shot eyes. He took one slow step forward, and held out his arms. "Will ye come ter me?" he commanded, "or shall I come an' git ye?" The girl's fingers at that instant fell against something cooling and metallic. It was Samson's rifle. With a sudden cry of restored confidence and a dan gerous up-leaping of light in her eyes, she seized and cocked it. CHAPTER XVI THE girl stepped forward, and held the weapon finger on trigger, close to her cousin's chest. "Ye lies, Tam'rack," she said, in a very low and steady voice a voice that could not be mistaken, a voice relentlessly resolute and purposeful. "Ye lies like ye always lies. Yore heart's black an* dirty. Ye're a murderer an' a coward. Samson's a-comin' back ter me. . . . I'm a-goin' ter be Sam son's wife." The tensity of her earnestness might have told a subtler psychologist than Tamarack that she *yas endeavoring to convince herself. "He hain't never run away. He's hyar in this room right now." The mountaineer started, and cast an apprehensive glance about him. The girl laughed, with a deeply bitter note, then she went on : "Oh, you can't see him, Tam'rack. Ye mout hunt all night, but wharever I be, Samson's thar, too. I hain't nothin' but a part of Samson an' I'm mighty nigh ter killin' ye this minute he'd do hit, I reckon." "Come on now, Sally," urged the man, ingratiatingly. He was thoroughly cowed, seeking compromise. A fool woman with a gun : every one knew it was a dangerous combination, and, except for himself, no South had ever been a coward. He knew a certain glitter in their eyes. He knew it was apt to presage death, and this girl, trembling in her knees but holding that muzzle 175 176 THE CALL OF THE CUMBERLANDS against his chest so unwaveringly, as steady as granite, had it in her pupils. Her voice held an inexorable monotony suggestive of tolling bells. She was not the Sally he had known before, but a new Sally, acting under a quiet sort of exaltation, capable of anything. He knew that, should she shoot him dead there in her house, no man who knew them both would blame her. His life depended on strategy. "Come on, Sally," he whined, as his face grew ashen. "I didn't aim ter make ye mad. I jest lost my head, an* made love ter ye. Hit hain't no sin ter kiss a feller's own cousin." He was edging toward the door. "Stand where ye're at," ordered Sally, in a voice of utter loathing, and he halted. "Hit wasn't jest kissin' me " She broke off, and shuddered again. "I said thet Samson was in this here room. Ef ye moves twell I tells ye ye kin, ye'll hear him speak ter ye, an' ef he speaks ye won't never hear nothin' more. This here is Samson's gun. I reckon he'll tell me ter pull the trig ger terectly!" "Fer God's sake, Sally!" implored the braggart. "Fer God's sake, look over what I done. I knows ye're Samson's gal. I " "Shet up!" she said, quietly; and his voice died instantly. "Yes, I'm Samson's gal, an' I hain't a-goin' ter kill ye this time, Tam'rack, unlessen ye makes me do hit. But, ef ever ye crosses that stile out thar ag'in, so help me God, this gun air goin' ter shoot." Tamarack licked his lips. They had grown dry. He had groveled before a girl but he was to be spared. That was the essential thing. THE CALL OF THE CUMBERLANDS 177 "I promises," he said, and turned, much sobered, to the door. Sally stood for a while, listening until she heard the slopping hoof-beats of his retreat, then she dropped limply into the shaky shuck-bottomed chair, and sat staring straight ahead, with a dazed and almost mortal hurt in her eyes. It was a trance-like attitude, and the gesture with which she several times wiped her calico sleeve across the lips his kisses had defiled, seemed sub conscious. At last, she spoke aloud, but in a far-away voice, shaking her head miserably. "I reckon Tam'rack's right," she said. "Samson won't hardly come back. Why would he come back?" f3f flf, fc fjf .--. T" The normal human mind is a reservoir, which fills at a rate of speed regulated by the number and calibre of its feed pipes. Samson's mind had long been almost empty, and now from so many sources the waters of new things were rushing in upon it that under their pressure it must fill fast, or give away. He was saved from hopeless complications of thought by a sanity which was willing to assimilate without too much effort to analyze. That belonged to the future. Just now, all was marvelous. What miracles around him were wrought out of golden virtue, and what out? of brazen vice, did not as yet concern him. New worlds* are not long new worlds. The boy from Misery was presently less bizarre to the eye than many of the unkempt bohemians he met in the life of the studios: men who quarreled garrulously over the end and aim of Art, which they spelled with a capital A and, for the most part, knew nothing of. He retained, except 178 THE CALL OF THE CUMBERLANDS within a small circle of intimates, a silence that passed for taciturnity, and a solemnity of visage that was often construed into surly egotism. He still wore his hair long, and, though his conver sation gradually sloughed off much of its idiom and vulgarism, enough of the mountaineer stood out to lend to his personality a savor of the crudely picturesque. Meanwhile, he drew and read and studied and walked and every day's advancement was a forced march. The things that he drew began by degrees to resolve them selves into some faint similitude to the things from which he draw them. The stick of charcoal no longer insisted on leaving in the wake of its stroke smears like soot. It began to be governable. But it was the fact that Samson saw things as they were and insisted on trying to draw them just as he saw them, which best pleased his sponsor. During those initial months, except for his long tramps, occupied with thoughts of the hills and the Widow Miller's cabin, his life lay between Les- cott's studio and the cheap lodgings which he had taken near by. Sometimes while he was bending toward his easel there would rise before his imagination the dark unshaven countenance of Jim Asberry. At such mo ments, he would lay down the charcoal, and his eyes would cloud into implacable hatred. "I hain't f ergot ye, Pap," he would mutter, with the fervor of a renewed vow. With the speed of a clock's minute hand, too gradual to be seen by the eye, yet so fast that it soon circles the dial, changes were being wrought in the raw material called Samson South. One thing did not change. In every crowd, he found himself searching hungrily for the face of Sally, which he knew he could THE CALL OF THE CUMBERLANDS 179 not find. Always, there was the unadmitted, yet haunt ing, sense of his own rawness. For life was taking off his rough edges and there were many and life went about the process in workmanlike fashion, with sand paper. The process was not enjoyable, and, though the man's soul was made fitter, it was also rubbed raw. Lescott, tremendously interested in his experiment, began to fear that the boy's too great somberness of disposition would defeat the very earnestness from which it sprang. So, one morning, the landscape-maker went to the telephone, and called for the number of a friend whom he rightly believed to be the wisest man, and the greatest humorist, in New York. The call brought no response, and the painter dried his brushes, and turned up Fifth Avenue to an apartment hotel in a cross street, where on a certain door he rapped with all the elaborate formula of a secret code. Very cautiously, the door opened, and revealed a stout man with a humorous, clean-shaven face. On a table lay a scattered sheaf of rough and yellow paper, penciled over in a cramped and interlined hand. The stout man's thinning hair was rumpled over a perspiring forehead. Across the carpet was a worn stretch that bespoke much midnight pacing. The signs were those of authorship. "Why didn't you answer your 'phone?" smiled Les cott, though he knew. The stout man shrugged his shoulders and pointed to the wall, where the disconnected receiver was hang ing down. "Necessary precaution against creditors," he explained. "I am out except to you." "Busy?" interrogated Lescott. "You seem to have a manuscript in the making." 180 THE CALL OF THE CUMBERLANDS "No." The stout man's face clouded with black fore* boding. "I shall never write another story. I'm played out." He turned, and restively paced the worn carpet, pausing at the window for a despondent glance across the roofs and chimney pots of the city. Lescott, with the privilege of intimacy, filled his pipe from the writer's tobacco jar. "I want your help. I want you to meet a friend of mine, and take him under your wing in a fashion. He needs you." The stout man's face again clouded. A few years ago, he had been peddling his manuscripts with the heart-sickness of unsuccessful middle age. To-day, men coupled his name with those of Kipling and De Maupas sant. One of his antipathies was meeting people who sought to lionize him. Lescott read the expression, and, before his host had time to object, swept into his recital. At the end he summarized: "The artist is much like the setter-pup. If it's in him, it's as instinctive as a dog's nose. But to become efficient he must go a-field with a steady veteran of his own breed." "I know !" The great man, who was also the simple man, smiled reminiscently. "They tried to teach me to herd sheep when my nose was itching for bird country. Bring on your man ; I want to know him." Samson was told nothing of the benevolent conspiracy, but one evening shortly later he found himself sitting at a cafe table with his sponsor and a stout man, almost as silent as himself. The stout man responded with something like churlish taciturnity to the half-dozen men and women who came over with flatteries. But THE CALL OF THE CUMBERLANDS 181 later, when the trio was left alone, his face brightened, and he turned to the boy from Misery. "Does Billy Conrad still keep store at Stagbone?" Samson started, and his gaze fell in amazement. At the mention of the name, he saw a cross-roads store, with rough mules hitched to fence palings. It was a picture of home, and here was a man who had been there! With glowing eyes, the boy dropped uncon sciously back into the vernacular of the hills. "Hev ye been thar, stranger?" The writer nodded, and sipped his whiskey. "Not for some years, though," he confessed, as he drifted into reminiscence, which to Samson was like water to a parched throat. When they left the cafe, the boy felt as though he were taking leave of an old and tried friend. By homely methods, this unerring diagnostician of the human soul had been reading him, liking him, and making him feel a heart-warming sympathy. The man who shrunk from lion-hunters, and who could return the churl's answer to the advances of sycophant and flatterer, enthusi astically poured out for the ungainly mountain boy all the rare quality and bouquet of his seasoned personal charm. It was a vintage distilled from experience and humanity. It had met the ancient requirement for the 'mellowing and perfecting of good Madeira, that it shall "voyage twice around the world's circumference," and it was a thing reserved for his friends. "It's funny," commented the boy, when he and Les- cott were alone, "that he's been to Stagbone." "My dear Samson," Lescott assured him, "if you had 182 THE CALL OF THE CUMBERLANDS spoken of Tucson, Arizona, or Caracas or Saskatche wan, it would have been the same. He knows them all." It was not until much later that Samson realized how these two really great men had adopted him as their "little brother," that he might have their shoulder-touch to march by. And it was without his realization, too, that they laid upon him the imprint of their own char acters and philosophy. One night at Tonelli's table- d'hote place, the latest diners were beginning to drift out into Tenth Street. The faded soprano, who had in better days sung before a King, was wearying as she reeled out ragtime with a strong Neapolitan accent. Samson had been talking to the short-story writer about his ambitions and his hatreds. He feared he was drift ing away from his destiny and that he would in the end become too softened. The writer leaned across the table, and smiled. "Fighting is all right," he said; "but a man should not be just the fighter." He mused a moment in silence, then quoted a scrap of verse : " 'Test of the man, if his worth be, " 'In accord with the ultimate plan, " 'That he be not, to his marring, " 'Always and utterly man ; 'That he bring out of the battle " 'Fitter and undefiled, *' 'To woman the heart of a woman, " 'To children the heart of a child.' " Samson South offered no criticism. He had known life from the stoic's view-point. He had heard the THE CALL OF THE CUMBERLANDS 183 seductive call of artistic yearnings. Now, it dawned on him in an intensely personal fashion, as it had begun already to dawn in theory, that the warrior and the artist may meet on common and compatible ground, where the fighting spirit is touched and knighted with | the gentleness of chivalry. He seemed to be looking from a new and higher plane, from which he could see a mellow softness on angles that had hitherto been only stern and unrelieved. CHAPTER XVII " T HAVE come, not to quarrel with you, but to try X to dissuade you." The Honorable Mr. Wick- liffe bit savagely at his cigar, and gave a despairing spread to his well-manicured hands. "You stand in danger of becoming the most cordially hated man in New York hated by the most powerful com binations in New York." Wilfred Horton leaned back in a swivel chair, and put his feet up on his desk. For a while, he seemed interested in his own silk socks. "It's very kind of you to warn me," he said, quietly. The Honorable Mr. Wickliffe rose in exasperation, and paced the floor. The smoke from his black cigar went before him in vicious puffs. Finally, he stopped, and leaned glaring on the table. "Your family has always been conservative. When you succeeded to the fortune, you showed no symptoms of this mania. In God's name, what has changed you?" "I hope I have grown up," explained the young man, with an unruffled smile. "One can't wear swaddling' clothes forever, you know." The attorney for an instant softened his manner as he looked into the straight-gazing, unafraid eyes of his client. "I've known you from your babyhood. I advised your father before you were born. You have, by the THE CALL OF THE CUMBERLANDS 185 chance of birth, come into the control of great wealth. The world of finance is of delicate balance. Squabbles in certain directorates may throw the Street into panic. Suddenly, you emerge from decent quiet, and run amuck in the china-shop, bellowing and tossing your horns. You make war on those whose interests are your own. You seem bent on hari-kari. You have toys enough to amuse you. Why couldn't you stay put?" "They weren't the right things. They were, as you say, toys." The smile faded and Horton's chin set itself for a moment, as he added: "If you don't think I'm going to stay put watch me." "Why do you have to make war to be chronically insurgent?" "Because" the young man, who had waked up, spoke slowly "I am reading a certain writing on the wall. The time is not far off when, unless we regulate a number of matters from within, we shall be regulated from without. Then, instead of giving the financial body a little griping in its gold-lined tummy, which is only the salutary effect of purging, a surgical operation will be required. It will be something like one they performed on the body politic of France not so long 'ago. Old Dr. Guillotine officiated. It was quite a suc cessful operation, though the patient failed to rally." "Take for instance this newspaper war you've inaug urated on the police," grumbled the corporation lawyer. "It's less dangerous to the public than these financial crusades, but decidedly more so for yourself. You are regarded as a dangerous agitator, a marplot! I tell you, Wilfred, aside from all other considerations the 186 THE CALL OF THE CUMBERLANDS thing is perilous to yourself. You are riding for a fall. These men whom you are whipping put of public life will turn on you." "So I hear. Here's a letter I got this morning unsigned. That is, I thought it was here. Well, no matter. It warns me that I have less than three months to live unless I call off my dogs." The Honorable Mr. Wickliffe's face mirrored alarm. "Let me have it," he demanded. "You shouldn't treat such matters lightly. Men are assassinated in Nev York. I'll refer it to the police." Horton laughed. "That would be in the nature of referring back, wouldn't it? I fancy it came from some one not so remote from police sympathy." "What are you going to do about it?" "I'm going to stay put. If I can convict certain corrupt members of the department, I'm going to nail brass-buttoned hides all over the front of the city hall." "Have you had any other threats?" "No, not exactly, but I've had more touching recog nition than that. I've been asked to resign from several very good clubs." f The attorney groaned. "You will be a Pariah. So will your allies." It is said that the new convert is ever the most extrenu* 1 fanatic. Wilfred Horton had promised to put on his working clothes, and he had done it with reckless disre gard for consequences. At first, he was simply obeying Adrienne's orders; but soon he found himself playing the game for the game's sake. Men at the clubs and women whom he took into dinner chaffed him over his sudden disposition to try his wings. Pie was a man riding a hobby, they said. In time, it began to dawn that he, with others, whom he had drawn to his standards, meant serious war on certain complacent evils in the world of finance and politics. Sleeping dogs of custom began to stir and growl. Political over lords, assailed as unfaithful servants, showed their teeth. From some hidden, but unfailing, source terribly sure and direct evidence of guilt was being gathered. For Wilfred Horton, who was demanding a day of reckoning and spending great sums of money to get it, there was a prospect of things doing. Adrienne Lescott was in Europe. Soon, she would return, and Horton meant to show that he had not buried his talent. ****** For eight months Samson's life had run in the steady ascent of gradual climbing, but, in the four months from the first of August to the first of December, the pace of his existence suddenly quickened. He left off drawing from plaster casts, and went into a life class. His shyness secretly haunted him. The nudity of the woman posing on the model throne, the sense of his own almost as naked ignorance, and the dread of the criti cism to come, were all keen embarrassments upon him. In this period, Samson had his first acquaintanceship with women, except those he had known from childhood and his first acquaintanceship with the men who were not of his own art world. Of the women, he saw several sorts. There were the aproned and frowsy students, of uncertain age, who seemed to have no life except that which existed under studio skylights. There were, also, 188 THE CALL OF THE CUMBERLANDS a few younger girls, who took their art life with less painful solemnity ; and, of course, the models in the "partially draped" and the "altogether." Tony Collasso was an Italian illustrator, who lodged and painted in studio-apartments in Washington Square, South. He had studied in the Julian School and the Beaux Arts, and wore a shock of dark curls, a Satanic black mustache, and an expression of Byronic melancholy. The melancholy, he explained to Samson, sprang from the necessity of commercializing his divine gift. His companions were various, numbering among them a group of those pygmy celebrities of whom one has never heard until by chance he meets them, and of whom their intimates speak as of immortals. To Collasso's studio, Samson was called one night by telephone. He had sometimes gone there before to sit for an hour, chiefly as a listener, while the man from Sorrento bewailed fate with his coterie, and denounced all forms of government, over insipid Chianti. Some times, an equally melancholy friend in soiled linen and frayed clothes took up his violin, and, as he improvised, the noisy group would fall silent. At such moments, Samson would ride out on the waves of melody, and see again the velvet softness of the mountain night, with stars hanging intimately close, and hear the ripple of Misery and a voice for which he longed. But, to-night, he entered the door to find himself in the midst of a gay and boisterous party. The room was already thickly fogged with smoke, and a dozen men and women, singing snatches of current airs, were interesting themselves over a chafing dish. The studio of Tony Collasso was of fair size, and adorned with THE CALL OF THE CUMBERLANDS 189 many unframed paintings, chiefly his own, and a few good tapestries and bits of bric-a-brac variously jetti soned from the sea of life in which he had drifted. The crowd itself was typical. A few very minor writers and artists, a model or two, and several women who had thinking parts in current Broadway productions. At eleven o'clock the guests of honor arrived in a taxicab. They were Mr. William Farbish and Miss Winifred Starr. Having come, as they explained, direct from the theater where Miss Starr danced in the first row, they were in evening dress. Samson mentally acknowledged, though, with instinctive disfavor for the pair, that both were, in a way, handsome. Collasso drew him aside to whisper importantly: "Make yourself agreeable to Farbish. He is received in the most exclusive society, and is a connoisseur of art. He is a connoisseur in all things," added the Italian, with a meaning glance at the girl. "Farbish has lived everywhere," he ran on, "and, if he takes a fancy to you, he will put you up at the best clubs. I think I shall sell him a landscape." The girl was talking rapidly and loudly. She had at once taken the center of the room, and her laughter rang in free and egotistical peals above the other voices. "Come," said the host, "I shall present you." The boy shook hands, gazing with his usual direct ness into the show-girl's large and deeply-penciled eyes. Farbish, standing at one side with his hands in his pockets, looked on with an air of slightly bored detachment. His dress, his mannerisms, his bearing, were all those of the man who has overstudied his part. They were 190 THE CALL OF THE CUMBERLANDS too perfect, too obviously rehearsed through years of social climbing, but that was a defect Samson was not yet prepared to recognize. Some one had naively complimented Miss Starr on the leopard-skin cloak she had just thrown from her shapely jhoulders, and she turned promptly and vivaciously to ;he flatterer. "It is nice, isn't it?" she prattled. "It may look a little up-stage for a girl who hasn't got a line to read in the piece, but these days one must get the spot-light, or be a dead one. It reminds me of a little run-in I had with Graddy he's our stage-director, you know." She paused, awaiting the invitation to proceed, and, having received it, went gaily forward. "I was ten minutes late, one day, for rehearsal, and Graddy came up with that sarcastic manner of his, and said: 'Miss Starr, I don't doubt you are a perfectly nice girl, and all that, but it rather gets my goat to figure out how, on a salary of fifteen dollars a week, you come to rehearsals in a million dollars' worth of clothes, riding in a limousine and ten minutes late !' ' She broke off with the eager little expression of awaiting applause, and, having been satisfied, she added : "I was afraid that wasn't going to get a laugh, after all." She glanced inquiringly at Samson, who had not smiled, and who stood looking puzzled. "A penny for your thoughts, Mr. South, from down South," she challenged. "I guess I'm sort of like Mr. Graddy," said the boy, slowly. "I was just wondering how you do do it." He spoke with perfect seriousness, and, after a mo ment, the girl broke into a prolonged peal of laughter. THE CALL OF THE CUMBEREANDS 191 "Oh, you are delicious !" she exclaimed. "If I could do the ingenue like that, believe me, I'd make some hit." She came over, and, laying a hand on each of the boy's shoulders, kissed him lightly on the cheek. "That's for a droll boy !" she said. "That's the best line I've heard pulled lately." Farbish was smiling in quiet amusement. He tapped the mountaineer on the shoulder. "I've heard George Lescott speak of you," he said, genially. "I've rather a fancy for being among the discoverers of men of talent. We must see more of each other." Samson left the party early, and with a sense of disgust. It was, at the time of his departure, waxing more furious in its merriment. It seemed to him that nowhere among these people was a note of sincerity, and his thoughts went back to the parting at the stile, and the girl whose artlessness and courage were honest. Several days later, Samson was alone in Lescott's studio. It was nearing twilight, and he had laid aside a volume of De Maupassant, whose simple power had beguiled him. The door opened, and he saw the figure