Ig. E. Slechert & Co. I Alfred Hafner I New York PETER'S CHANCE A PLAY rX THREE ACTS All acting rights reserved The Play has been registered in the Library of Congress Washington, U.S.A. PETER'S CHANCE A PLAY IN THREE ACTS BY EDITH LYTTELTON LONDON DUCKWORTH AND CO HENRIETTA ST. COVENT GARDEN 1912 ^Sf BALLANTYNE & COMPANY LTD Tavistock Street Covent Garden London FIRST PRODUCED BY MESSRS. J. E. VEDRENNE AND DENNIS EADIE AT THE ROYALTY THEATRE ON MAY 17th, 1912 Father Bentlet The Rbv. Percy Blythe Peter Grieve Joe Price Meatie BODGER Billy Boy A Tramp Mr. J. D. Bbveridgb Mr. Reginald Malcolm Mr. Owen Nares Mr. Stanley Logan Mr. Arthur Bowyer Mr. Stewart Dawson Mr. Robert Lawlor Mr. Wilfred Shine Kitty Roman Mrs. Jenks Susie Troak Mrs. Chace Bert Betsy Miss Florence Lloyd Miss Mary Relph Miss Constance Little Miss Rose Yule Miss Molly Shiels Miss Estelle Gill The action takes place in the Common Room at St. Stephe7i's Mission House, Stepney Prodtcced under the Direction of Charles la Trohe M1SS615 DRAMATIS PERSONS Father Bentley^ called Father Ben The Rev. Percy Blythe Peter Grieve, a thief Joe Price, a thief Mbatie, a cat's-meat man BODGER, a cripple about twenty Billy Boy, a sailor A Tramp Kitty Roman, a thief Mrs. Jenks {called Elizabeth), the housekeeper Susie Troak, serving m,aid at St. Stephen's Mission House Mrs. Chace, general servant at St. Stephen's Mission Ho^ise Bert Betsy \ children of the tramp, aged eight and seven ACT I Scene : The Common Room at St. Stephen s Mission, Stepney. A large bare room which has once been a warehouse. The windoivs are high up, with gratings against them. At the left is a door leading from a passage ; on the right stands a large tortoise stove with an iron pipe chimney carried up to the ceiling. There is one low sash window to the left, evidently a recent addition, giving on to a back yard. At the back a staircase rises up from the I'oom to a double door in an archway close against the ceiling. The staircase is narrow and very plain, but the doors are painted blue and gold. They open straight into the chapel, and through them a dim vista can be seen of hanging lamps and pictures. The space under and beyond the stairs is used as a Vestry, and a curtain can be drawn across it. In the centre of the room stands a large table with benches round it, and a wooden arm-chair at the top. Round the stove are two or three comfortable chairs ; one, much worn, holds Father Ben's coai^ a pipe and a comforter. There is also a crumpled- up newspaper. Susie and Mrs. Chace are preparing the room for supper. 1 A fc PETER'S CHANCE Mrs, Chace. [Wearily getting up from her knees — she has been scrubbing the Jloor.^ Much good all this 'ere cleaning and scrubbing is — soon as one lot of dirty chaps is cleared out another lot comes in — it breaks my heart, it does. How the father can put up with it all beats me. Susie. He likes it. Mrs. Chace. Like it — not 'im — , Why, 'e's a gentleman, 'e is, and sits down to his food with a lot o' dirty smelly-people come from the Lord only knows where. 'E 'adn't ought to. Scum like that ain't fit to sit down with a clergyman, let alone a gentleman. [She begins to laugh.] Not but what 'e does rub 'em down now and then ! Did you 'ear him last night with that there dark chap wot said 'e'd known better days, and never thought as how 'e'd come down to sittin' at the same table with a lot of beggars. Father Ben was at 'im dreckly. " Look 'ere, my man," 'e says, '^ wot was good enough for the Lord of Heaven, is good enough for you ! " The young feller was so hurt he got up to go ! [She laughs again loudly. Susie. [Very still and quiet, but has evidently been impressed by the story.'] Did He — the Lord I mean — take his meals with bad people } Mrs. Chace. [With great scorn.] In course 'e did; don't you know that } Susie. [Feels snubbed^ but reasserts herself.] 'Ave you got the new curate's room ready? 'E'll be 'ere directly. Mrs. Chace. 'Ave 1 got it ready .^ 'Aven't I been PETER^S CHANCE 8 scrubbing the boards this 'alf hour, and me with me knees all squlchy with the rheumatiz ? They do ache crule. Susie. I wonder what 'e'll be like ' [She smiles.] The last one, 'e didn't stay long. Mrs. Chace. No wonder, por young feller I 'aving 'is room full of tramps every night. I calls it a shaime ! [Enter Father Ben fro7n the door at the back. He is in a long black soutane, rather dirty and creased, and which does not help to lessen his figure. He looks very cheerful and smiling. Father Ben. Now then, young ladies — is supper nearly ready ? Mrs. Chace. 'Ow many are you expectin' to-night. Father Ben } Father Ben. I don't quite know — \He laughs'] — but I never do know, do I } Poor old Mrs. Chace — I must say you are a model charwoman. [He sits down by the stove and fills his pipe. Mrs. Chace. I'm not a char — I'm a general ! Father Ben. [Laughs.] Another of my little mis- takes ! Never mind, old girl — you're the best general I know ; better than Bobs, or K , or any of 'em, — By the way, Susie — there's a man and two children in the kitchen. Elizabeth is giving them some food. They're pretty far gone and couldn't wait for supper, but bring them in here when they've 4 PETER^S CHANCE had a good tuck in, and I'll talk to them. Let me see — it's the boys' club to-night, isn't it ? Susie. Tuesday — yes. Father — you remember the new reverend who's coming to-day. Father Ben. Good heavens, I'd quite forgotten him ! What on earth is his name ; did I tell you, Susie ? Susie. You said as 'ow 'is name was Bloith, sir. Father Ben. Bloith, Blythe ! of course — a tiresome name that ! The Reverend Percy Blythe — has a sort of forced cheerfulness about it — don't you think so, Susie ? But I know he's a good chap. Sent here to get a little hardening, I expect. There's a ring at the bell. You look quite presentable, Susie — you go to the door and let him have a good first impression. [Susie goes out. [Mrs. Chace gives a sigitificant sniff as she goes on dealing round plates and k?iives and forks. Mrs. Chace. Presentable ! — yes ! — Susie's every- think in this 'ouse — if she's late no one says nothin' ; it's Susie 'ere and Susie there, and who's Susie I'd like to know ? She didn't have no father, nor no mother ; she's a workus girl. Father Ben. Anything else ? [Mrs. Chace is startled for a 7ninute, then she puts her arms akimbo and harangues. Mrs. Chace. Yuss — there is somethin' else — you talks to Susie about 'er soul ' I've 'eard yer — I've PETER'S CHANCE 6 got a soul too, and I always goes to church reg'tar, and I don't see Father Ben. Look here, Mrs. Chace, you're an experienced woman, and 1 want you to be specially kind to Susie. That child's heart has been broken. Mrs. Chace. Yer don't say Father Ben. Well — she'd just been fished out of the Thames when I first came across her. I don't know much about her story, but I know enough. She's been bruised through and through. I can talk about her soul to her, as you say, and the grace of God almighty can keep her — but you can help, by being kind to her. Mrs. Chace. [Her face begins to beam.] There ! — that's somethin' like. If you'd talk to me same as that Td do anything. Father — I would [The door opens and Susie ushers in the Rev, Percy Blythe. He is iallf pale, and emaciated, with dreamy eyes and a general air of permanent distress. He carries a Gladstone bag, which, after a little, he deposits in a corner. Susie and Mrs. Chace, after looking at him curiously and finishing the chairs round the table, go out. Father Ben. Hullo ! — here you are ! [He nods easily. Blythe. Father Bentley, I suppose ? [He goes towards him, and, rather unwillingly, the Father gets out of his chair, and shakes hands. 6 PETER'S CHANCE Father Ben. Have you come straight through from Oxford ? Blythe. I took the Underground from Padding- ton, as you said I was to bring no luggage that I could not carry. Father Ben. [Easily.'\ Did I ? It was a pre- caution. Won't you put that down ? I once had a man who came here from Oxford, bringing a packing- case of books, a cat, two portmanteaux, and a tele- scope ; there wasn't much of any of them left when he went away ! Blythe. [Shocked.] Do you mean they were — were — stolen ? Father Ben. Oh ! not exactly that, but the cat strayed, and the clothes came in useful, and the telescope — well, that did disappear rather oddly. The books were returned. There isn't time for books here. > Blythe. [Alar7)ied.] I hope, sir, I may be allowed to read a little theology in the evenings. Father Ben. [Laughs.] Theology's no use here, my good fellow, and as for the evenings — well, to-night you'll be helping with the boys' club. Many of the members have been professionals — thieves I mean — and they sometimes bring their friends who are still in the business ; and to-morrow you'll be boxing, and the next night preaching, and Blythe. Thieves did you say ... do you mean that you actually have them here — — PETER'S CHANCE 7 Father Ben. Why not? Blythe. I should have thought that to counten- ance sin in any form was a mistake. » Father Ben. I don't countenance sin ; it's the sinner I'm after. Seriously, I've good hopes of some of these boys. I much prefer the thieves to the slackers ; they've got the spirit of adventure about them. You should see some of them at my balls. Blythe. Balls ! Father Ben. Yes, we turn up the tables and dance here. It's grand fun. I twirl round occa- sionally myself with some of the mothers, people as fat as I am. But, of course it's meant chiefly for the boys and girls. They never have a chance of meet- ing each other in any rational sort of way — the street is the only reception-room of the poor — so we just invite them here. You will have to devote yourself to the wallflowers ; they exist even down in Stepney. Blythe. But I can't dance, sir. Father Ben. Oh, they'll soon show you how — they'll pull you round all right, don't you worry. Look here, Blythe, have you got any experience at all of this kind of mission work ? Bythe. I accompanied Dr. Wellman on a special mission once in Liverpool. Father Ben. That was all very correctly done 1 expect; no extra colours, or lights, or music — ^just plain severe Church services, with a good sermon about sin and redemption. Blythe. The services were very well attended, sir. 8 PETER'S CHANCE Fatheir Ben. [Heartily.'] I'm sure of it. Wellman was a fine preacher, and it's a luxury for some people to hear themselves called sinners. You won't get anything like that here though. I don't find fine sermons much use even if I could preach them, which I can't ! The respectable Church services are miles too long for the dear old rough people in the East End. We try to give them something they can grasp, something which goes in at the eye as well as the ear, and all over quickly, so they shouldn't get tired. Some people in high places are rather shocked because we burn incense, and have lights and other popish abominations. And others are shocked because we have little dissenting services, too — prayer meetings and such like — so we offend both sorts. [He laughs. Blythe. Aren't you afraid of the Bishop } Father Ben. I should be if he began asking ques- tions — but he hasn't yet. Blythe. In all humility I venture to think the services of the Church should be sufficient. Father Ben. You wait till you've lived in the East End a bit. We've gone wrong somehow. Rome's got the grand worship and Dissent has got the simplicity — we seem to have lost them both. However, I'm not going to talk about that now ! Blythe. Where do you hold your services } [Father Ben gives a jerk with his thumb to- 7vards the staii'case. Father Ben. Up there ' PETER^S CHANCE 9 Blythe. [In an awed lone.'\ Does that lead to the Chapel ? Father Ben. It does — the staircase opens straight into it Blythe. But [He hesitates.^ I see you eat in this room — all the talk — the smoke — laughing Father Ben. Yes, it all goes up the stairs — but then the organ, and the incense, and the singing all come down — that's how it ought to be. The Chapel's bigger than this room and it's often full — there's an entrance from the street too ; the vestry is under the stairs behind that curtain. Well — it's almost time for supper. I dare say you're hungry. Blythe. Do you dress } Father Ben. [Bursts out latighifig.] You may if you like of course, but you know we're a very mixed set — for instance to-night there'll be [he points to each seat in turn^ Elizabeth — that's my housekeeper, Mrs. Jenks, Mrs. Chace, Meatie — he's an old cat's- meat man who comes in here for a meal every Tues- day — such a blessed old thing he is — and Bodger the hunchback, who plays the organ every evening for nothing but his supper — we all love him. I sit here — and then let me see — the lay helpers are all out to-night, and so's Harris your colleague — there seem to be one or two more I've forgotten, but you shall meet them all. [Susie opens the doorJ\ Hullo ! what's up ? Susie. [Entering.'\ The man and kids what's been eatin' in the kitchen, is ready now. Father. 10 PETER'S CHANCE Father Ben. Ready ? Full you meaii^ I hope. Bring them in. [Susie goes hack and returns with a tramp, in- describahly dirty and ruffianly looking, tvitk two equally dirty children — they slink into the room. [Heartily.^ Well my man ! Do you feel better now.'* Tramp. Can I have summat to drink, Guvnor — I'm a bit dry ? Father Ben. [Looking him up and down.^^ Dry ! — I should think you were. Now you go and have a bath I Susie'll show you where, and then come back here, and we'll see about the drink ! Tramp. [Sullenly.'] I don't want no bath Father Ben. No bath, no drink — we wet you outside, as well as in, you see ! Come, off with you. Tramp. I didn't know I was in a bloomin' 'orspital — or I wouldn't 'ave come. Father Ben. Poor fellow — well it won't be so bad : it's hot water, and mind you scrub well — there's a hard brush and some ammonia. Now what about the kids — what are their names ? Tramp. Tell the gentlemen . . . [the children wriggle\ This one's Betsy, and that's Albert. Father Ben. [Ttu^ning them about,'] Oh dear, oh dear, they're in rags. Susie, go and ask Elizabeth for some clothes for all three of them, and they must have a good scrub, too. . . . Here, Blythe, take PETER^S CHANCE U the children up to the other bathroom, undress them, burn these clothes, and give 'em a real good rub down. Blythe. Wouldn't it be better if some lady under- took the task— I've never undressed any children or washed them. Father Ben. Oh, that's all right. We must all learn — the children won't mind. . . . Susie show the way! Susie. Come on, through here. [Blythe timidly, and with evident reluctance, takes the two children hy the hand, and he and the tramp obediently follow Susie out of the room. Father Ben left alone, stretches himself, counts the money in his pocket with rather a rueful face, shrugs his shoulders, and finally begins to climb up the steps, evidently meaning to go into the chapel. He is halfway up when there comes a rapid tapping on the window-pane. He does not realise jvhat it is for a moment, but it has obviously happened before. So when the same noise occurs again he smiles broadly and comes down. He goes to the window and throws it open. Father Ben. Well, Kitty, what's up now — not even the back door for you to-night it seems. Kitty. [Eagerly]. 'Elp me in, Father. It's a rum go this time ! [Elizabeth enters but is waved back by Father Ben. 12 PETER'S CHANCE [Father Ben puts a chair against the wall as the window is rather high, and Kitty Roman climbs down on to it. She is tall, well-made and handsome, with bright eyes. She shuts the window first, and looks round siisjnciously . Kitty, [/w a ?vhisper.] I don't want all them others to see me. Father Ben. What's the matter ? Kitty. You're the only one as can 'elp, or I wouldn't 'ave come, 'cos it's a rum go and no mistake ! Father Ben. Out with it — you needn't be afraid to tell me, you know. [Kitty comes close tip to him. Kitty. Well, it's like this. There's been a game on, a silly game as I alius said — Wot's the good of pinching a lot of second-class joolry — I like the big swag, I do — money — thick 'uns — or else di'monds. But the others wouldn't listen, and Peter would go, too. Peter's a new 'and, 'e's only twenty- two [her voice grows soft]. I don't fink 'e's up to the job meself, nor ever will be — but 'e's a bright lad — there ! I'm fond of 'im [she wi7iks], d'y' understand. [She pauses. Father Ben. [Interested.] Well.^ Were they caught ? Kitty. One was — Joe Price — and 'e's a wrong 'un — do anythink to save is own skin ! 'E's jealous of Peter, and 'e might jump 'im on the beak any day- PETER^S CHANCE 13 Father Ben. I don't see why he should tell the police — it won't help him. Kitty. I dunno about that — if he sneaks on Peter the beaks'll pat 'im on the back, it'll be recomem- bered at his trial. 'E'll have to do seven stretch, no mistake. This 'aint 'is fust trouble by a long shake, but it might be four years, 'stead of seven, d'yer see ? Father Ben. But what can I do ? Kitty. You can *elp me to 'ide Peter. Father Ben. [Laughing heartily.^ Come, I don't quite see why I should do that. Kitty. [More and more eager.] They'd never think to come 'ere, even if they was on his track. 'E could do some jobs for you in the 'ouse, brush yer clothes or clean yer boots. If 'e never went out 'e wouldn't be seen. After a bit, in a couple o' months or so when things was quiet, I'd come and fetch 'im away. Only 'e must come now, the beaks won't know yet — 'e must come ter-night ! Father Ben. Were Peter and this other, the only two on that job ? Kitty. No — there was Bert Smith. Father Ben. And who's going to hide him ? Kitty. Oh, Bert Smith can look after 'isself. Beside, Joe ain't jealous of 'im ! As like as not the beaks'll never 'ear 'is name. Father Ben. Well, Kitty, I think you must find some other place. Kitty. [With growing intensity. '\ I can't, I can't do it — look 'ere. [She plays her trump card.] It's 14 PETER'S CHANCE like this — Peter's young. 'E ain't been in Stepney more'n a year — 'e comes from the West somewheres — Joe picked 'im up in a doss 'ouse oncet— Peter's a daisy ; 'e's full of go — 'e always 'as the the notions — too many of 'em — a great deal too fast with 'is lips and 'ands. But there it is ! [She becomes still more confidential^ You might save 'im yer reverence, if you 'ad 'im 'ere for a month or two ! 'e might turn pi', give us orl the slip, and blow yer orgin for you ! Father Ben. This is bribery, Kitty ! Kitty. [Not heeding.^ You've alius been good to me — this isn't the fust time I've come to you, when I'm fair knackered. 'Elp me now. Father — I can't 'ave Peter in jail — it 'ud kill 'im it would I You 'ide 'im and I swear I'll take 'im out of that job — 'e shan't pinch no more — I'll let you get a 'old of 'im, as you 'ave the others — I swear I will. Father Ben. Now listen to me, Kitty. You'd promise anything to save Peter, I can see that — and it's the first time I've known you like this — but I don't believe you. If Peter came here, and I got hold of him, as you put it, you'd be jealous — you'd never leave him alone. Kitty. [Shrinking.^ Would yer want ter take 'im away from me altogether .'' Father Ben. That'd depend — I might Kitty. [Suddenly.'] I'll risk it. Father Ben, if you'll take 'im I — I love 'im, that's the truth ! I ain't never cared for any one — not really — before. You know tliat — I couldn't be boss of all them boys as I PETER'S CHANCE 15 am it 1 cared for 'em. I'm like you^ 3'er reverence, I can manage 'em — they're afraid o' me, coz they're sweet on me, most on 'em, Peter too — I'd do any- think ^or Peter. 'E's different, 'e's got more 'eadpiece tlian all the rest — more'n me even ! Father Ben. [Laughs.] It's quite true you're a little like me — you've got a bit of power about you. [The bell rings loudly for supper.] Now, you must go, if you don't want to be seen. You may bring Peter to-night — in half an hour. I'll have the kitchen door left open, and he can come in from Black Dog Alley. Off you go ! Kitty. [Already moving to the window.] I'd like to kiss yer, Father Ben ; you're a good 'un. [She climbs up on to the chair, and is out of the windoiv in a moment. [Father Ben smiles and makes some exclamation to hiinselj] evidently in doubt, and then turns as the others come in. There enter first Mrs. Jenks, the housekeeper, very fat and good-humoured, carrying in a plateful of buns ; then Susie and Mrs. Chace ; followed by Meatie, the cat's-meat man, rather old, with blinking eyes, and Bodger, a crippled boy of about twenty, with a fine face. At the door stands a young sailor boy, grinning in anticipation of his welcome. Father Ben suddenly catches sight of this lad, and goes forward pulling him by the hand, and bringing him in, 16 PETER^S CHANCE Father Ben. Why, Billy Boy, are you home from China ? My boy, my boy, how glad I am to see you ! [He runs his hand through Billy Boy's hair.] Come Elizabeth, here's Billy ! Mrs. Jenks. Hasn't he been helpin' me in the kitchen this half-hour.^ He just looked in at the door, and " Here I am," he says, grinning like a split orange. [Father Ben has his ann round the hoys neck; he motions to the others to sit down and begin. Father Ben. Well, you know Meatie, don't you ? [Meatie jmls out his hand over the chair and shakes Billy's hand, saying ;] Meatie. Glad to see you, Billy Father Ben. Bodger, you two must be introduced. Here's the jolliest noisiest boy in all the British Navy — and Billy — there's no one can sing a song about the blue waves like Bodger. Why, where' s your tongue, lad ; are you shy } Billy. 'Ip 'ip 'ip 'ooray I Three cheers for Father Ben. Three cheers for the old Mission 'ouse, 'Ip 'ip 'ooray ! Father Ben. That's better ! Billy, you're going to stay here all the time you're on shore. How long have you got ? Billy. Six days ! Father Ben. Good ! Now for supper, and we'll have a talk after. PETER'S CHANCE 17 Billy. Please sir, I've got somethin' for you [Rathe?- shyly he pulls out of his pocket an enormous and hideous pipe. Father Ben. Just look at this, all of you ! [Holding it up.] Did you ever see the like .'' Where did you get this superb thing, my boy.'^ Was it grown in China ? Billy. [Shyly.] I bought it off a mate I met in Portsmouth Dock this mornin'. [Elizabeth hursts out laughing.] Now, don't you laugh at me, Mrs. Jenks. I never stopped looking for a present for the Father when I was on shore, but China warn't no good — there ain't nothin' there to buy — but I come on this, soon as I landed. Father Ben. Good for you ! Mrs. Jenks. Come along, little Chin Chin. [He and Father Ben join the others. Before sitting down. Father Ben raises his hand and murmurs a grace. Father Ben. We're a very small party to-night, but it's just as well, because we're horribly late. How was it, Elizabeth } Mrs. Jenks. Well, Father Ben, you were having a private interview with that black-eyed gipsy-girl, and you know you hate being interrupted. Father Ben. [Laughing.] Quite right, Elizabeth. I've hopes of Kitty Roman. [Susie half gets up when she hears the name. SusiK. Kitty ! Kitty Roman ' 'As she been 'ere ? B 1^ PETER'S CHANCE Father Ben. [Curiously.] Why? Do you know her? Susie. Don't you 'ave nothin' to do with 'er — don't you 'ave nothin' to do with 'er — she's a lyin' hussy, she is. She ain't fit to black yer boots. Meatik. [Blinking.] She's a fine, strapping sort of girl. I seed her last year at the boys' club. Susie. [Still standing and terribly anxious.] Don't you 'ave nothin' to do with 'er. She brings a curse with 'er ! Father Ben. [Quietly.] Susie — you go and see what the Rev. Blythe is doing with those infants, will you ? [Susie, half-dazed^ goes to the door. She turns again at it, and says once more : Susie. Don't you 'ave nothin' to do with 'er. Father ! [There is a pause — Father Ben is thinking with puckered brows, Mrs. Jenks. 'Ave a little more tea, Bodger? Bodger. No, thank you, mum. Won't you, Susie ? Meatie. I will! [He pushes forward his mug. Mrs. Chace. Wait till you're asked ! Meatie. P'r'aps you'd like some more yerself — I don't believe in waiting, I don't. Mrs. Chace. You get your manners from the cats, I suppose ! Meatie. Well, cats 'as taught me a lot. Since 1 got to know cats I've lost my respec' for women. PETER'S CHANCE 19 They do scratch and bite too^ in course, but they can't talk. [Every one laughs. Mrs. Jenks. There, Meatie, here's your tea. Now, Mrs. Chace [Mrs. Chace hands up her mug, evidently medita- ting a repartee. The door opens and Blythe enters holding the two chidren hy the hand. They are most incongruously dressed — Blythe has made a regular muddle of it. They are washed, but their hair is all fvet and hangs down dankly. Betsy's frock is evidently put on hack to front, and Albert is in a red Jta7inel petticoat and an old covert- coat. Irresistibly the whole company bursts out laughing, Father Ben more heartily than any one. Even Susie, who has come in behind them, joins ifi the general mirth. The noise is too much for poor Albert, who suddenly breaks out crying, chiefly with injured jyride ; he kicks at his petticoat. Father Ben at once picks him up, and with the idmost tenderness soothes him though he goes on laughing, by giving him a lump of sugar, stroking his head, and repeating, " You're a fine little chap, you are " — and so on. The mirth subsides a little. Father Ben. Oh ! Blythe — what made you bring the children down here. They ought to have gone straight to bed — it would have saved you all the trouble of dressing them, too. [He laughs again. 20 PETER'S CHANCE Blythe. [Helplessli/.] Well, Mrs. Jenks gave me the clothes, and I thought you meant me to dress them. Father Ben. Bless their hearts ! They've had their supper and they're dropping with sleep — here, Susie, you take them — Blythe sit down and swallow something ; there's only a minute. Elizabeth. Here, sir. [Pointing to a chair next her. [Blythe obeys and Elizabeth pours him out tea. Susie. Where are they to sleep, please Father } [Father Ben looks helplessly at Elizabeth for a moment. Elizabeth with a twinkle. Mrs. Jenks. There's a spare bed in Mr. Blythe's room, sir. Father Ben. Of course, the very thing ! Blythe you must take care not to wake them. Susie put Betsy in at one end, and Bertie in at the other, d'you see ? [At this moment the Tramp enters. He is con- siderably cleaner, but looks very miserable and takes no notice whatever of his children, who pass him in the doorway. Tramp. I've 'ad a bath — and I never want to 'ave another like it. The water wasn't 'ot ! Father Ben. And there weren't any bath salts I suppose either Tramp. I dunno what you mean, but I calls it cruelty to animals to ask a man to wet 'isself all over. I'm a hon'rable man I am, and I went through with it. [He shudders."] But it was 'orrible, I 'aven't had a bath, not all over, since I was a lad — I've PETER'S CHANCE 21 washed a bit one time, and a bit another time, and me feet Father Ben. [Hastili/.] Well, you deserve a drink now, anyway. Elizabeth pour him out a mug. [Elizabeth does so and hands it to ike Tramp who looks at it with ineffable disgust. Tramp. Call this a drink. This ain't playing the game ! I 'ad a bath because you said as 'ow you'd give me a drink. D'you call this skilly a drink ? [Mus. Chace and Elizabeth have begun to clear a7vay the supper things. This is yer religion, I serpose ! Damned 'iprocsy that's what I calls it. Did I want to come in to yer bloomin' doss 'ouse ? I arst yer for a bit of food and a drink and all I've got in the drink line's a bath. Give me back my kids, I says. Give 'em back. I won't leave 'em 'ere ! Ye're a set of damned, snivelling cheats, that's wot you are. Where are them kids } I'll call in the perlice if you don't give 'em back ! They're in a bath I serpose — pore things — 'Ere your reverend — you fetch 'em down this minit, or I'll summons you at the perlice court for unlawful detention. [Father Ben has been looking at him without speaking f but now he quite suddenly moves forward and takes the man by his collar. Father Ben. Now you get out of this! You've had a good feed, and a new coat, and I've had enough of you ! You go and sleep off your previous drinks 22 PETER^S CHANCE in a casual ward^ my man — and you can come here in the morning for your children. Get on [The man wriggles. Tramp. Call yerself a missionary ; a bally tyrant that's wot you are ! [Father Ben simj^ly runs him out of the room, the front door hangs^ and he comes hack 7nopping his forehead. Father Ben. There ! I've lost my temper again^ but I couldn't stand that man another second. I bet he beats those wretched little kids. Yes, Elizabeth, we'll see if we can get them away from him to- morrow. Don't be alarmed, Blythe, they shan't be pei-manently in your room. By the way [To Eliza- beth, lowering his voice] leave the back door open to-night while we're in chapel. I'm expecting a new boy, who'll arrive that way. And make up the other bed in my room. [A little cracked hell hegins to ring.] Good heavens, that's chapel. Bodger, my lad, go and get the organ ready. [He moves himself towards the curtain hy the stairs. Blythe starts up. Blythe. Shall I fetch my surplice, sir } Father Ben. Never mind for to-night — help me will you ? [Blythe very clumsily helj)s Father Ben into his surplice and stole, nominally behind a curtain, hut really in full vieiv. Father Ben. That's right — now I'm ready. Come along, children — follow me. PETER^S CHANCE 23 [ When he gets to the stairs he turns and holds up his hand. Father Ben. Peace to you^ and a pure heart for the House of God. [He goes up the stairs, followed by all the rest — Blythe with his head bent. Susie comes back just as the last go up. She looks round the room as if frightened, goes to the window and fastens the catch. Then she goes up too. The sound of the organ floats down, and is heard intermittently during the follow- ing scene. After a slight pause the door at the back opens, and Kitty looks in. Kitty. [Speaking in a whisper to some one outside.] No one here neither, but it's all right — j^u come in! [Peter enters. He is a tall, good-looking youth, with a frank open face, and curly hair. He is frowning, and looks uneasy. Kitty. I must peel off now — they're all up there, and I don't want to be seen. Good-bye, Peter. You'll be safe 'ere, and soon as the cry's over, Pll come and tell yer. Swear yer won't so much as look out o' winder, and never you go out, 'cept in the yard. Peter. How am I to do without seeing you, Kitty ? Kitty. It wouldn't be safe — the beaks know as 'ow Pm mixed up with Joe — if they cotched me coming 'ere, they'd foller me. 24 PETER^S CHANCE Peter. [Putting his arm round her.] Darned if 1 can let yer go my pretty love — ye're the bravest^ sweetest girl in all the country, that you are. Kitty. [Pleased.] I 'spect there's lots more like me. Peter. No there ain't— not one. If the King of England, with his crown on, was to come and say, Peter my boy, here's ten thousand golden sovereigns for you, I'd say, no thank you, give me Kitty ! Kitty. Garn with yer ; Peter. [He strokes her hair.] I love yer shiny 'air — and yer cheek's soft like a downy plum — and, oh, yer mouth's a scented rose. [He clasps her fondly.] By God if you throw me over Kitty — if yer goes back to that liver-eyed scoundrel Joe Price, I'll kill myself! Kitty. [Moved to admiration^ Do you love me 'orl that Peter — do you ? Peter. Do I — it's a funny thing, ain't it Kitty, when two people's sweet on one another, they keep wanting to say it over Kitty. Love 'er duck we 'aven't got time for that now . . . look 'ere Peter you don't want me to go back on yer do yer.'' [Very fierce.] Well then swear yer won't go back on me ! Peter. Back on you— what d'you mean } Kitty. I told you ! This is a mission 'ouse. The people 'ere are all oly-bolys. They'll make you go to church, and pray — they'll do their blamed best to turn you pious, and yer easily persuaded Peter, you PETER'S CHANCE «5 know y'are. If yer do turn pi — I've done with yer — take that — I ain't got no liking for them snivellin' airs. I'm frightened to leave you 'ere, but it's the only safe place I know. Peter. If you'd let me hide in yer room — in the roof over yer pretty head. Kitty. That's swank — it'd get round [7vitk a touch of pride] — you forget Peter, there's a lot of fellers after me ! [she laughs] they don't fancy you ! Peter. [Ferventlt/.] I'd like to take yer right away somewhere to a island I seed once in a picture, with big tall trees, like walking-sticks, and a stone rail, and the sea so green and shiny, underneath ! Just you and me ! Kitty. Why you're turning pi already ! — I don't want no island nor no sea — Peter ! if you and me could make a big haul oncet, we'd live straight we would, and 'ave a little oyster bar where the chaps could come — what d'yer think .^^ [The organ begins to play-] Criky ! I must peel off — [she Jlings her arms round Peter's neck] I love yer Peter, and don't you never forget it. There's a many would swing to 'ear me say that — and don't you look at no other gals — there's all sorts of rum lots 'ere. Peter. [Laughs.] Not so rum as you, I spec ! Kitty. [Flaming up.] What d'yer mean by that — [She clenches her fist and looks as if she were ready to strike him. Peter. [Still laughing.] Look at you ' You're 26 PETER'S CHANCE rum, cos there ain't no other girl Hke you — too much horse-power — you're dangerous — [He pretends to move away frightened. Kitty. [MollifiedJ] Gam yer mug — Well , goo' bye. I'm going to clear out for a bit. I'll write yer a letter and tell yer where I am Peter. Don't go and leave me Kitty — Can't you come and see me every day or so — like ? I'd stand by the window and see you pass anyways. Kitty. Oh ! Peter, ye'are a biby [earnestly] don't yer see I've got to get yer to a place where the perlice wouldn't never think to look for yer. They might cop me if I come 'ere — and you too. Peter. How long must I stay } Kitty. Oh ! somethin' like two months. Peter. Seems as if I was dyin', Kitty! I hate this place, and everythink in it. Kitty. You'll like the 'Oly Father all right. 'E's a good 'un ! When he comes, you tell 'im you're Kitty's Peter — 'e'll know. Peter. That's my name is it.^ Kitty's Peter. Well, I likes it. Good-bye, my gal — and you keep true to me and I'll be true to you — true as steel out of the furnace. [They kiss one another^ and Kitty gets away just as Elizabeth appeal's on the staircase. Behind her come all the rest. Elizabeth, Billy Boy, Mrs. Chace, Meatie, Susie, and, after a pause, Blythe. Peter moves back into the shadow of the stairs uneasily — PETER^S CHANCE 27 he looks embarrassed. Elizabeth, Billy Boy, and Mrs. Chace go straight out. Susie goes to the table, takes off the cloth and begins to fold it. Meatie comes up to her. Meatie. Let me help you, Susie. Susie. You can't — [she laughs'] ; catch hold of the other end, then. [She turns and catches sight of Peter] Why ! — [but Peter looks away. Blythe appears, and Susie, tucking the cloth under her arm, says] Come and get your hat, Meatie. [They both go out. [Blythe peers up at the chapel door, but after a minute comes to the conclusion it is no use waiting. He picks up his Gladstone bag, which is in the corner of the room, where he put it when he arrived, and goes out. Peter then emerges ; he looks round curiously and goes to the foot of the stairs. He moves away when he heats Father Ben. The Father comes slowly down — he is still in his prayers, and sees nothing, till at the foot of the staircase he turns into the ^'vestry'' Peter jvatches him astounded and silent. Father Ben reappears without his surplice in his black souta?ie and biretta, and catches sight of Peter. Father Ben. Hallo ! — who are you } Peter. I'm — I'm Peter. Father Ben. Peter } 28 PETER'S CHANCE Peter. The one as Kitty Roman spoke to you for. Father Ben. Of course. I'm to hide you from the police, ain't I } Well, my boy, let's shake hands. You'll have to make yourself useful here you know. Peter. [Who has at once taken an affection for the Father.] I'll do whatever you tell me, yer reverence. Father Ben. Well, call me Father to begin with. You're not to go outside I suppose, but I'll find lots for you to do in the house, and you won't be above sweeping and carrying coals and cleaning boots ? Peter. [Disregarding and sniffing.^ What's that there smell .^ What is it ? Seems as how I knows it. [He goes towards the stairs. Father Ben. [Looks at him curiously.^ It's incense. That's the Chapel up there — all misty with it — and the candles still alight on the altar. Would you like to go up and see } [Peter goes up two or three steps j and then hesitates. Peter. I haven't been inside a church since I was a tiny kid with my mother — I don't know how to behave. Father Ben. There's only one thing you need do. Peter. [Siispicioiis.'] What's that .f* Father Ben. Go on your knees. [He comes down the steps again, shaking his head. Peter. No fear ! [He looks up at the steps half frightened. Curtain. ACT II Two months later. The room is the same, hut the big table is against the wall, Roiind the stove, which is lit, are seated Father Ben, m his big arm-chair, smoking, Meatie smoking a little short pipe, the Tramp, and Bodger. Father Ben. Well, Meatie ! What happened next ? Meatie. If it 'adn't been for Peter, the Rev. Blythe and yours truly would 'ave been knocked down. You never 'eard such a shindy — the boys, [^At this moment Peter opens the door of the chapel and comes oid. They all stop talking when they see him, though no one looks at him again. When Peter sees them, he begins to whistle easily, and runs down the stairs, Peter. D'you want some more fire, Father } — seems rather cold. Father Ben. Oh, I don't think so. . . . Those kids ought to be back from school. Go and find them, Peter — their father is here. [Peter putting his hands on Meatie's shoulders affectionately. 29 30 PETER'S CHANCE Peter. All right — we'll have a regular romp we will. [As he passex he picks up a box of matches and laughingly shakes it at Father Ben, before he gives it to him and runs out. Father Ben. Go on with your story. Meatie. The tables was all upside down — some of the chairs was broke already. The old boys in the club they did their best, but t'other lot was too strong for 'em. They druv the Rev. Blythe into a corner — 'e'd been reading the yearly report to 'em, and 'e 'ad been a bit thirsty like over the money part — wot do ye call that paper, Bodger } BoDGER. The balance sheet ? Meatie. Yes, that's it, ballince sheet. The boys called out, " That's all swank ! " they says " Dry up ! " they says. The Rev. he couldn't do nothing, no more couldn't I, when all of a sudden Peter, 'e jumps up on to the table and begins to talk. Golly 'e did talk ! First they wouldn't listen, but he got 'em. " Why," says he, "you're be'aving like a lot of silly gals," ses he, " 'aving a row in the street, and I know a gal as could do this job a lot better'n you. If she wanted to turn a man out she'd git one of 'er pals to do it quick and neat and no bleeding, but you're only fit to bellow." Then he arst 'em if they wanted to break up the club, and in course, they all roared " No," and he went on and on, and my ! at the end if 'e didn't arst the Rev Blythe to start a hymn. PETER'S CHANCE 31 Everythin' was as quiet as a mouse ; 'e's got stuff in 'im, that boy 'as. BoDGER. [Looking at Father Ben.] Did you know. Father, that he's often in the chapel when I'm practising ? He loves the music he says, and [hesitat- ijigl he wants you to let him help some day — light the candles or something — — [Father Ben sai/s nothings hut goes on smoking. Then after a pause he speaks. Father Ben. You're fond of him too, then, like all the rest of us ? Bodger. Oh, I am ! I am ! Tramp. I don't think much of 'im meself. [He begins to refill his pipe]. I know his sort, ready to walk to London from the Land's End, or from London to York, but soon drops be'ind. Bodger. [Shi/l^.] Well, I think it's a good thing to want to start anyway. [Father Ben nods approval. Tramp. [Annoyed.] Wot d'yer mean by that } Are yer pokin' at me } I'm starting all right, I am — no one can say as I don't do me twenty mile a-day — some- times — that's work, that is ! [He gets up. Father Ben. What do you think about when you're on the tramp ? Tramp. I don't do much thinkin'. I feels the wind and goes with it if I can — and I keeps a look out for a likely 'ouse to get a bit o' food off — I'm glad my job 'ere's finished — I shall go to the north country, now I'm free of the kids. 32 PETER'S CHANCE Father Ben. Don't be too long away or they'll forget you. Tramp. P'r'aps that'd be a good job. [A pause.] Look 'ere Father. I've sat by this blinkin' fire day after day for close on two months — and you've never once talked about your bloomin' religion to me. 'ovv is it — and you a parson ? [There is a pause, and then Father Ben takes out his pipe. Father Ben. Talk religion to you — I should rather think not — religion's not made to be talked about to people like you. Tramp. [Sullenly.'] I s'pose you think I'm bound for 'ell ! Father Ben. I'll tell you what I do think — you ought to be thankful there's such a place as hell for you to go to ! [Father Ben laughs as he looks at Bodger.] Now, Bodger, don't be shocked— there's a great many of us would be the better for a bit of hell I expect — Hullo, what's this noise } [He turns as a great stamping and shouting comes from the passage. The door bursts open, and the two children canter in as ponies, driven by Peter with some reins improvised out of string. The pretended coach draws up sharp in front of Father Ben, and the children forget they are ponies and climb over him. They look clean a?id happy. PETERS CHANCE 33 Bertie. Peter druv us when we come 'ome from school. Betsy. Teacher said as 'ow I did me substraction better nor any one. Bertie. Get on ! don't you be so uppish. Teacher said as 'ow we warn't to forget everythink in the 'ohdays. 'Urrah, 'olidays to-morrow — come on Betsy. [He drags her hy the arm, picks up the reins and becomes coachman himself. Peter. Whatever shall we do with the little varmints now Xmas has begun ? Father Ben. Well, Peter, you'll have to invent something. Peter. [In a whisper.] I'm getting on fine with the Xmas tree. Bodger, here, has made some lovely chains and things with silver paper, and Meatie's give me some oranges Father Ben. That's right. [The Tramp moves away.] Are you going ? Tramp. Yes, Pm off — it won't break your 'eart I 'spec' nor the children's neither — they don't want me no more. Father Ben. Ah! but you've got to pay, my man, don't you forget that. Unless you hand me over half your earnings I shall summon you. Tramp. Well, Pll look in to-morrow 'fore I start. [He slouches out ivithout saying anything to any one. At the door he turns.] I don't say as 'ow I 34 PETER'S CHANCE should mind if you give them kids a touch of religion. So long ! [hi the meantime an organ has begun to play outside, which calls irresistibly to the children. Betsy. Come on, Bertie. [They both stand opposite one another, and dance in the grave way with neat definite steps as the London children do, round and round each other. Peter claps in time, and after a little so does Meatie, and then Meatie and Peter dance too. By this time Elizabeth and Susie and Mrs. Chace have all appeared at the doorway and are looking on laughing. Peter. Come on, Mrs. Jenks. Mrs. Jenks. Get along with you, you young imperance. Father Ben. Elizabeth does not dance with any one but me, and I'm not in evening dress. Susie. Dance yer clapping dance, Peter — this tune'll do ! Mrs. Chace. I used to dance the 'ornpipe once in a sailor's suit. [Peter begins, but at the best moment the organ stops, and the dance ends in laughter. Mrs. Chace. Oh ! 'e's been moved on — drat it ! Mrs. Jenks. Now then, come on Bert and Betsy, your teases are all ready. [Mrs. Chace and Susie go away. PETER'S CHANCE S6 Bertie. Peter — Peter, you come too. Betsy. I want Mr. Meatie. [Betsy, Bert, Mrs. Jenks, and Meatie, dragged hy Betsy, go out laughing. Father Ben. Bodger dear — ^just go and find Blythe for me will you } Peter — stop a minute. [BoDGER goes. Father Ben. Peter, my lad, the brass hanging lamps in the chapel want cleaning — would you like to do them instead of Susie } Peter. [With a beaming face.] May I, Father? — I been wantin' to tell yer — to say thank yer. [He turns away moved. Father Ben. I know just what you're feeling, Peter. Stick to it, my boy, stick to it, and don't talk too much about it. You can see how fond we all are of you. [Enter Blythe with a ledger hook under his arm.^ Oh, there you are, Blythe. [Peter goes straight up to the chapel.^ Have you got that state- ment ready } [Blythe pale and anxious but important. Blythe. I'm sorry to tell you, Father Bentley, that the Mission is quite insolvent. Father Ben. Do you mean we are in debt, or that we haven't any available cash } Blythe. I mean both. I hope you will come to the study and look at the books. You owe some- thing like £300, you haven't got a penny ready cash — the money you expect at New Year is already pledged — and you have to pay rent next week. Father Ben. Phew — ! Well, don't be distressed. S6 PETER'S CHANCE Blythe ; you're invaluable^ my dear fellow, in these matters. We shall have everything in fine order soon. The only difficulty is how to get straight now. I knew there'd be a shortage, so I've made arrange- ments to go and see two or three of my rich friends this very day. I shall try and get back for evensong to-morrow, if possible ; if not, then on Christmas Eve. Come and help me put my things together, and I'll dictate a few letters to you before I start. Blythe. Certainly, sir, with pleasure. [They go out as Peter comes do?vn the stairs carrying one of the srvinging brass lamps. It is shaped like a censer, and still has a light burning and a wick floating on oil in a red glass. When he gets down he blows out the light, and then pulls forward a small table and puts the lamp on it. He goes behind the curtain and brings out a piece of leather, whistling as he does so, and sets to work, but after a moment he realises that he is not making much headway. He is perplexed and ?vorried about it. He goes to the door, opens it, and calls. Peter. Susie ! Susie ! Do come here a minit. [Susie ajypears. Peter a little embarrassed.^ Look here, the Father's arst me to clean these 'ere lamps and I dunno Susie. Out o' the chapel ? [Peter 7iods his head easily. Susie 7vith a beaming face.] Oh ! I am glad ! Peter. Why ? D'you hate doin' of 'em ? PETER'S CHANCE Si Susie. No ! But — oh, Peter — it means the Father believes in yer at last. 'E's taken a long time. Peter. [Sobered.] Small blame to him. Susie. He's the best man in the 'ole world is Father Ben — you don't know — I've lived 'ere now for more'n a year, and I seed him ill, and I seed him 'appy, and I seed him bothered ! But 'e's always the same to us. If I could 'elp 'im by doin' it, I'd lie down in the mud for 'im. I wonder wot makes 'im like that. Peter. It's his faith, that's what it is — he told me hisself — he said as how it was the grace of God. Susie. [Indignant.] Yuss, 'e says that, but it isn't true ! 'E was born good — I know — Lor' bless me, Peter, you'll never get them lamps clean like that — why, you 'aven't got no powder. Peter. [Reproachfully.] I told you I didn't know — that's why I called you. Susie. I'll fetch it. [She goes behind the curtain and brings out a saucer with a little water and some jioivder.] 'Ere, let me show you — like this. [She shows him^ and Peter laughs and at once begins to work at it. Susie. [Sitting down.] I'll 'elp you a bit. Peter. Susie, do you mind if I ask you a question } Susie. [A little frightened.] No — not much. Peter. Everybody seems to have come here out of some trouble — I know all the stories now. Did you ever hear Meatie was a regular drunkie once — and Bodger ? Susie. I'm sure Bodger never did nothing wrong. 38 PETER^S CHANCE Peter. Bodger didn't love nobody — that's all. Now — [He looks at Susie^ smiling] — well, there's one he loves, any way — one he'd give his life for, only he hasn't any heart to speak — that's my question, Susie ! Susie, Don't — I'm not for 'im — nor no one. Pve done with love for ever and ever. [She trembles violently,] I should ha' been dead by now if it 'adn't been for the Father — you think I'm good, Peter, but I'm not — there was a gal who took away my man — 'e was straight enough when I was with 'im, but she got at 'im — she taught 'im to drink — she got 'im away from me. That was when I tried to drown meself. Peter. Oh, Susie ! Susie. I'm all right when I don't think about 'im ; but sometimes it comes over me as 'ow I'd like to be in the river still ! Peter. [Puts his hands on her shoulders.] You musn't say such like things ; what'd the Father think of you ? Susie. I don't tell him — 'e wants me to be 'appy, he does, and I want 'im to be happy, too. Not that nothin'd ever give 'im the 'ump. [Pointing to chapel.] 'E's only got to go up there, seemingly, and 'e's all right. Peter. Don't you get no comfort out of that yourself ? Susie. [Shaking her head sadly.] Sometimes I seem to, but only for a minit. PETER'S CHANCE 39 Peter. [Eagerly.] Hold on to it, then — it'll come. Susie. 'Ow do you know ? Peter. 'Cos it's come to me. Susie. Whatever do you mean } Peter. Seems as if I must tell you — you won't laugh — nor tell no one, will you ? Susie. Go on. Peter. Well, it happened like this. The other night, when I was in there [^pointing to the chapel] Bodger was playing one of them slow twistin' tunes. Seems like as if you was clim]i)in' up a ladder ; and he'd just sort o' got to the top when I begin fallin', fallin' down off of the ladder into the dark. I was that frightened, I was all of a sweat ; and then, Susie, what do you think ? Seemed as how I was held up by two arms — strong and soft, they was — the Ever- lasting Arms — I knew they was, Susie — I knew it. \He can hardly go on ; he pulls his hand across his eyes. Susie. [AJ'ter a pause, first of incredulity thefi of imagination.] Well, I never — I wish something like that would happen to me. Peter. It's all Father Ben — he made me go up there with him, and Susie. 'Aven't you got no mother, Peter ? Peter. No. She's dead, she is, two years ago. We used to live down Bristol way. I sold apples in the street, and mother, she made a bit ; but after — that's how I come to London — I hadn't no money nor no work — so I come to London. 40 PETER^S CHANCE Susie. Yes ? Peter. I wanted a bit o' fun. I ought to have been a soldier or a sailor and gone across the sea. That'd have saved me. Susie. What 'appened ? Peter. Well, I betted on the 'orses. I used to dream the winners at first, but it didn't work after a bit — and then I had no money — and then — I — I pinched it — I got in with a gang. Don't you know why I'm here .'* Susie. No ? people is always a-comin' and goin' 'ere an' no questions asked. Course I guessed there was a bit o' trouble somewheres — you never going out- side. The Father's only said you was waiting for a situation. Peter. [With a touch of legitimate jyride.] Vm wanted by the police. I should be in jail now by rights. Susie. D'yer mean to tell me the Father's a 'idin' of yer. Whatever made 'im do that ? Peter. It was a pal o' mine— a gal — she asked him Susie. A gal [She pauses, thinking rapidly.'\ Peter, was you brought 'ere by Kitty Roman ? [She shrinks hack. Peter. Yes — d'you know her } [Susie turns away in disgust — her hands are trembling. Susie. Do I know 'er. [She laughs a little wildly.j PETER'S CHANCE 41 Well, you're not the first to be got 'old of by Kitty Roman. \The extreme bitterness of her tone makes Peter realise. He hesitates. Peter. Susie ! was she the one as took your man — was she ? Susie. I told you before she's a bad lot. Peter. Did Kitty — was — was she fond of your feller } Susie. [Dulli/.] She never left 'im alone till she got 'im — but nothing lasts with 'er. Peter. [Eagerly.'] She's give him up then } Susie. Don't ask me — you oughter know. Peter. Yes, I do know. [Pause.'] You mustn't hate her, Susie. She's been in that life from the start. She doesn't know no better. And every man can't help but love her. Susie. \Harshly.] I suppose you do too, like all the rest ! Peter. I suppose I do. Susie. [With an effort.] Wot is it, Peter — tell me 'ow she does it ? I've seed 'er 'eaps o' times, with all them wild boys round 'er — ready to do anythink she tells 'em. Peter. I dunno — she's just Kitty. She makes everythink so jolly where she is ! She's like a bit of glass in the sun — you know, shinin' and glisterin* — other people seem dull after her. Susie. Yus, that's just what my man used ter say. 42 PETER^S CHANCE She'll throw yer off too_, Peter, when she's done with yer. Peter. No, she won't ; I don't b'lieve it ? She promised to be true to me — and I'm going to take her away from all that life, and bring her here, and make the Father talk to her. Susie. [Sullejili/.] It won't be no use. Peter. You've no call to say that. The Father, he's got a hold on people worse'n her, by a long way. Susie. [Siillenly.] It won't be no use — you'll only come under 'er again, Peter, that's all. Peter. No, I shan't. Nothing can't shake me now. I've come out of all that. Susie. Don't you never see Kitty Roman no more, I tell you. Peter. I'm not afraid. You'll see. I'm expecting her any day now — there [holding up his lamp] that looks a bit different, don't it ? [Father Ben's voice ontside is heard calling " Peter | " " Peter ! " and he enters with a little hag in his hand. Father Ben. Susie, my dear, I see the box has got some letters in it — just fetch them for me — and you, Peter, get out my overcoat, and give it a brush. [?KTmL fetches a coat from the vestry and begins to brush it. Susie brings the letters. Father Bentley looks through them rapidly^ handing them back to Susie as he goes. Father Ben. Blythe I Blythe ! Blythe ! What's PETER'S CHANCE 43 this. [He opens it] Oh, only another bill. That'll do for Blythe^ too ! Hallo, I know this writing. [He opens itJ] Yes ! hooray, a bank note for £9,0. That's first-rate. [He puts it down on the table.] I must write a letter myself about it, but take all the rest to Blythe and say I wish him joy of the job. Good-bye, Susie. [He puts his hand on her shoulder. Susie. [In a tone of dismay.] Are you goin* away } Father Ben. Only for a day, or possibly two. Susie. Don't be away more'n one night. Father. [Father Ben laughs kindly and pats her on the head. She hurries out. Meanwhile Peter picks up the hank note and examines it carefully. Peter. [Solemnly.] I am glad about this — it's a answer to my prayer. Father Ben. [Dryly.] What prayer } Peter. 1 prayed for ten minutes you might have some money sent yer. Father Ben. Oh ! when } Peter. After Matins. Father Ben. Well, this was posted last night. So you can't have had much to do with it. I don't suppose you've got any special knack of getting answers you know. [Father Ben laughs, and so does Peter. Peter helps him on with his coat. Peter. Now you've got a bit of money you had ought to have a new coat. Father Ben. This one's a caution ! 44 PETER'S CHANCE Father Ben. [Examining it,] Come, I don't think it's so bad. Peter. Nothing matters when you stand up and look grand like that ; but you don't take care of yer figger. Father. Father Ben. [Laughing.] Never you mind about my figure I Peter, I want you while I'm away to work a bit at your bible ; don't drop it just because I'm not here. Peter. I shan't never drop it — never. Father Ben. I wonder — and there's another thing I must say before I go. Have you got any plan about the future ? That girl said she'd come for you just about now. [He stops Peter, 7vho is about to speak eagerly, 7vitk a gesture.] I know you want to make a fresh start — you needn't tell me that, my boy. But I should like to keep you here with me a bit longer — then I'd find you a good job not too far off. What do you say to that ? Peter. I'd stay with you the 'ole of my life if you'd let me, I've never been happy before. Father Ben. [Looking at him affectionately.] Well, I want you to be happy, so that's all right. But there's a condition you know. If you are to stay here, you must cut loose from Kitty Roman and her following. [Peter seems to turn cold. Peter. Not see Kitty ! I can't Father Ben — I can't — I love her, you knows I do, and she loves me — I want you to get a hold of her too — she's all ready for it. Why the last time I seed her in this very PETERVS CHANCE 45 room she talked about keeping straight, and me and her settin' up together in a shop some day. If I'm to live straight — what about Kitty ? She must live straight too. I'll soon win her over if you let me see her. Father Ben. You leave Kitty to me — you're a weakling, Peter — and she's strong. She's much more likely to win you over — no_, no Peter. [Eamestli/.] You don't take on, Father, that I'm not the same now — Kitty Father Ben. If Kitty were to come in and laugh at you a little, you'd go. Peter. [Feri/ vehement.] You don't believe in me — you don't. Do you think anythink would make me go back on you now ? I couldn't steal again, not if a Archangel was to tell me to. I tell you I believe in living straight now — I believe in — all that up there. [Jerking his head towards the chapel. Father Ben. Yes ! I think you do. But I know you better than you know yourself. You're too easy, Peter — you want to please every one — ^just now you want to please me — when I'm not there you'll want to please Kitty— sure as Fate you'll slip back if you let that girl get at you again. Peter. It's not true — it's not true. I can get Kitty to follow. I'm a' goin' to tell her all the things what you've taught me, all about the Lord dyin' for me and lovin' us — and I'll tell the chaps too — see if I don't — I'll bring you a crowd. The 46 PETER'S CHANCE Mission won't hold them — I could shake them — I know I could. I could see as there wasn't a bad boy left in Stepney — not a apple left on the ground. [He stops breathless. Father Ben. Peter — Peter — and two months ago yon were a thief yourself ! Peter. [Turns away almost in tears.'] Yes I was. I knows I was — but isn't a chap never to be changed — wont no one never believe in me — what's the good of any think } You haven't got no trust in me — you think I'm a thief in my heart still — I knows you do. Father Ben. [Eagerly.'] No^ that I don't ! [he puts his arm round the boys neck] and I'll prove it to you. Put this note into your pocket and keep it for me till I come back. It'll be safer than in my pocket for I'm a bad hand at keeping money ! And now good-bye and God bless you. We'll talk of all this again. Good-bye, my boy — Where's my bag } [He turns to go and in the doorway meets Susie who has a hat on and carries the bag in one hand, and an umbrella and rug over her arm. Peter stands still looking at the note and does not turn. Susie. [Jauntily.] I'm coming to the station with you. Father Ben. No, no ! Give me the bag, Susie, I shall carry it myself. [Susie, very unwilling, gives it up. Susie. I shall carry this lot anyways. Plenty of time to get back and lay the tea. [Father Ben laughs. PETER^S CHANCE 47 Father Ben. All right, don't let Elizabeth blame me, that's all. Susie. She's out 'erself. [They both go out, Peter is still looking at the note he holds, moved hy conflicting emotions. He folds it tip carefully, puts it in his jwcket and turns half bewildered towards the stairs. He does not go up, but stands with bowed head irresolute and miserable. Susie runs into the rootn breathlessly and goes straight to the table. Susie. The Father's forgot his bag of papers. [As she turns she is struck by Peter's attitude. Susie. Whatever's the matter, Peter — what is it ? [Peter turns on her quickly. Peter. You do believe in God, Susie — you don't think as how it's all nothin' what Father Ben says } Susie. 'E knows — 'e does Peter. And you believe in me — say you do — I want to know as how you believe in me. Susie. In course I do. I ain't never believed in anybody so much afore. Peter. I want to feel strong — that's what I want, Father Ben's right — I've got to feel strong. That's it — strong! [He pauses.^ Susie. I mus' go Peter, the Father must 'ave 'is papers, but it's all right — don't be down'earted — don't you worrit — go and fetch another of them lamps to clean — see ? 48 PETERS CHANCE [She runs out and Peter already happier goes up the stairs. After a moment Kitty comes in through the open door, having Jirst peeped in at the window. Kitty. Peter, Peter, it's me, Kitty. [She comes right m.] I know you're somewheres, cause I seed yer through the winder. There was no one about in the yard, so I stepped in — Come on ! Wiiere are yer.^ [With a smile she goes and looks behind the curtain, hut comes out disappointed. She walks all round till she comes to the foot of the stairs, then she stops still, straining every nerve to listen. After a little she very, very quietly creeps up the stairs — looks into the chapel where she sees Peter on his knees — and still more quietly creeps do?v?i again with an expression of amazement on her face. She sits down in one of the arm-chairs, puts her feet near the stove, and makes up her mind to wait. Her expression changes gradually to scorn, and as the time drags, to sullenness ; and, when she hears Peter coming downstairs, to anger. She gets up and stealthily moves to the foot of the stairs. Peter carries in his hand the second lamp from the chapel. Kitty. [In a hard voice.'] Hello, Peter ! [He is so startled that he drops the lamp. It falls with a great PETER^S CHANCE 49 clatter on the stairs and he stands stock still. A long pause.] What yer a-doin' up there ? Peter. [After a mome?ifs hesitation.] I was only fetchin' this 'ere lamp. KiTTv. Um — so that's why you goes up them, steps ? Peter. I'm cleaning of *em — that's the other one on the table. [Half ashamed he stoops to pick up the lamp, and then comes down and puts it on the table. Kitty. [Without moving.] It's a lie — I saw yei' — kneeling. Pet£r. [Sullenly.] I was lookin' for the bloomin' wick. Kitty. Was yer now ? Funny thing to *ide yer eyes, then. Peter. [Angry.] Wot d'yercome spyin' on me for.? Wot if I was prayin' — why shouldn't I } [Kitty bursts out laughing. Kitty. Prayin' — oh, Lor' — prayin' — you ! Peter Grieve — the boy wot bets on every 'orse — the boy wot gets drunk when 'e can — the boy what pinches — the boy wot runs after all the gals — oh, lor ! oh, lor! [She pretends to rock with laughter.] God's not so down on yer as the beaks — you don't 'ave to 'ide from 'im — no questions asked, I serpose, and no offence taken. [She comes close to him.] Ye're a 'umbug, Peter, that's what you are — a 'umbug and a coward — so there. Peter. [Seising her wrist.] Say that again — say it again and I'll teach yer ! 5a PETER'S CHANCE [Kitty, not in the least afraid, laughs in his face, and he drops her arm suddenly. Peter. [After a pause.'] It's all true. The Father's got me — God's got me — I'm caught. I'm done for — there's no hiding from this. [He sits down at the table with his back to her and covers his face. Kitty. I was a darned fool to bring you 'ere. I alius know'd you was a-up-and-down sort of a chap, but blimey, I never thought to see yer take on like this. It's being afraid wot does it — chick en-'earted — that's it. [Peter looks straight in front of him with a miserable expression, but does not speak. Kitty. I'd come to fetch you back to-night, Peter. The cry's all quiet. There's a lot of the chaps comin' you know where. I couldn't seem to 'ave no swing about it wivout you, so I thinks to meself, I'll fetch Peter this very night I will — and here I am ! [She comes up to him and puts her arms round his neck, and kneels down beside him. Peter melts completely, catches hold of Kitty and kisses her almost fiercely, over and over again. Kitty. [Softly.] Come along, chen, Peter. . . . It's late, and we can slip off quiet now Peter. I can't Kitty — don't ask me to — I can't — I've promised the Father I'd stay here. Kitty. Stay 'ere — 'ow long } D'yer mean to PETER^S CHANCE 51 Peter. I'm going to run straight, and I want to get you into it. The Father '11 let you come here, too, if I ask him, I knows he will. Kitty. [Getting up from her kneesJ] Oh ! will 'e 1 Thank yer for nix. [She walks away. Peter. [Following her.] I love you more nor ever I did, Kitty. Don't turn yer back on me. I haven't spent a day, nor a hour, without thinkin' of you and longing after you. Kitty. [With a sneer.] And prayin' fer me, I suppose. Peter. [His words coming with a great rush.] And if I was, what's the harm } It can't do you no harm — you think it's all swank, but it ain't — I know ! There's some one after us always — it's God ! I tell you I've felt Him, and I've sat up in my bed in the dark and it's all been full of Him — and in the chapel too. You don't know what it's like, the orgin rolling along, and the incense — and gold plates and things, and all them twinklin' lights — O Kitty ! you come along with me. I'll show you. Our Blessed Lord's waitin' for us. He forgives you — and me — and all of us. [Peter stops, choked by his own emotion. Kitty. [After a pause.] Werry kind of 'im, I'm sure ! But I don't want no forgivin'. I'm not frightened, I'm not — it's all a bogey the 'ole thing — and you're a silly kid wot's afraid. [She yawns, 62 PETER'^S CHANCE and stretches herself. Peter moves away from her.'\ Joe's comin' to-night ; 'es out of chokey now, only got two months after all. Peter. Joe out of jail ! Kitty. [Coolly.'] Yuss — 'e didn't turn pious — the Chaplain talked to 'im, but lor ! Joe ! — nothing'd move 'im ! [After a pause.] I serpose I shall 'ave to take up with 'im again now yer've rucked on me ! Peter. I won't have it ! Kitty. You won't 'ave it. Wot's the good of you ? I thought you was a man, I did. 'Ow are yer going to stop it, I'd like ter know } You're going to live 'ere with all the 'oley-boleys — and I wish you joy of 'em. I've done my best for yer, I 'ave. I've got nothing to blame meself about. I've kep' you often, and fed yer, and got yer out of scrapes, and I've been a big bit too fond of yer — you weren't worth it. But I've done with yer now — taike that in — done with yer, and I'm on with Joe ! [She begins to move away. Peter catches hold of her. Peter. You shan't go, Kitty — you shan't go with- out me — I'll come to your bloomin' party to-night. I'm not going to let you go to hell ! [Kitty looks at him mockingly. Kitty. I expec' Joe'd taike me there if I wanted ! Peter. [In a scuffle.] Where's me cap } [He finds it in his pocket] Now [He turns up his coat collar. Fastening up his coat i^eminds him of the hank note. His hand closes on it in his jjocket.] Wait a minit. PETER^S CHANCE 53 [He takes out the note and looks round for a place to hide it. Kitty. [Sharpli/.] Wot's that yer've got — lemme see Peter. You leave it alone ! [But Kitty has snatched it from him. She laughs and looks at it. Kitty. Why, it won't fall to pieces because I touches it. Whew ! twenty quid ! That's a lot — whose is it .'' Peter. Never you mind — you give it back to me. Kitty. [Holding it away from him.^ Wot ye're going to do wiv it .'' Peter. It don't belong to me, I tell you. [They scuffile a little. Kitty. Auh ! It's the 'oly Father's, I serpose. Well ! can't I keep it jus' as well as you } 'Ere goes ! [She tucks it into her dress.^ You've only got to come and taike it — it's quite safe 'ere ! Peter. You give it back ! Kitty. [Flinging her arms round his neck.] Oh, Peter, Peter, don't yer be afraid ! It's you I want, not the paper money. You come along o' me, and you shall 'ave it back, and anythink else you want for the asking — come along. [She pulls him by the hand. It is almost dark in the room hy now. Peter. [Hoarsely,] Will you listen to me, Kitty, if I come ? I want to keep straight, I do. Kitty. Yes, I'll listen to you — you've been 'iding 54 PETER^S CHANCE 'ere. Come and 'ide with me — I know 'ow to do it. I wouldn't ha' stood as much from any one of 'em but I'm a fool for you, Peter — that's the truth. It's getting late — give me a kiss, now, and we'll peel off. [She pulls his head down and puts her lips to his, pressing herself against him. Kitty. It's a long time, ain't it, since we've seed each other ? Now, come along. [She goes to the door. Susie enters, carrying a taper. She is going to light the gas. Kitty. [Quite unabashed.'] Susie Troak — well, I never ! Joe Price came out of jail to-day, and I shall tell 'im where you are ! 'E'll be glad to know, now, I've rucked on 'im. [She bursts out laughing. To Peter.] Come on ! [She goes out. Susie. [Desj)erate.] Peter ! you ain't goin' with her ? Peter. I must, I must, Susie — but I'll come back* [He pushes past her, leaving the door open. Susie stands still, almost dazed, and then runs after him. A blast of wind from the opened door suddenly blows out her taper. The bang of the door is heard. Susie. [Comes back slowly, looking stupidly at the taper.] Oh, it's blown out ! Oh ! Oh ! Curtain. ACT 111 It is late in the evening of the next day, in the same room. BoDGER and Susie are hanging things on a small tree, which is standing propped up in a pot in the middle of the room. They both look very sad. Susie. 'And me a bit o' wire, please. [She wires and ha?igs up a doll. Bodger. I can't make these candles stick. Susie. Peter said as 'ow he could run a pin through. If only 'e was 'ere — 'e'd know. Bodger. Yes — how handy he was about every- thing. Susie. Why do you say was' andy ? — 'E is 'andy. Peter aint dead that I knows of. Bodger. Do you think he'll come back ? Susie. [With an assumed certainty she does notfoel.] In course he will. I told you 'e said so. Bodger. [ With a sigh.] Well, you ought to know, for you've got more hold on him than any one except Father Ben. Susie. I 'avent got a 'old at all. 65 56 PETER'S CHANCE BoDGER. Are you fond of him, Susie ? Really fond, I mean. ^He looks at her anxiously. Susie. [Roughly. '\ I ain't fond of no one — like that — nor never shall be. [Bodger, who had been trying to summon courage up to speak , only sighs. ^ We're all taken up with Peter, aint we .'' BoDGER. Lots of people have been kind to me — no one's ever been just the same as Peter — as if he never noticed I was different to others. Susie. No more you are, Bodger dear. Not your soul, 'cept that it's better than most of ours. BoDGER. Oh, my dear — my dear — don't you say that — if you could only see inside of me. . . . Susie. [Cutting a candle to fit a lantern.^ Now the trouble with Peter is, he's that fond of everybody he's with, he can't 'elp doin' what they want. If I was to say to him — strong like — Peter, I want you to cut your 'and off, I believe he'd do it. But a man oughter be able to say " No " — I ain't got no use for one as can't. Nothin'd make you wicked, Bodger, nothin'. Bodger, [Pleased and apologetic.^ Pve got Father Ben to look to. Susie. So's Peter — but — there, I won't say no more about 'im. It were all Peter's idea, this 'ere tree — it don't seem right to be doin' of it without 'im. Bodger. Perhaps he'll come back in time to- morrow to see it — he'll surely be back for Christmas Eve. [Susie suddenly drops what she is holding. PETER'S CHANCE 57 Susie. Something awful 'as 'appened — I know it 'as — I can't go on with this tree, Bodger. Where is Peter? — what is 'e doin'. Oh, where is 'e — poor, poor Peter — what will Father Ben say ? [Fierceli/.] Can't you do nothing, Bodger ? You just stand there lookin' kind, and Peter dyin' perhaps I Bodger. [Agitated.] But I don't know where he is, Susie. Susie. Oh I if you 'ad 'alf an eye you'd know. But you're too good to know. I'd go after 'im, but I'm a gal, and it's no use. Why doesn't Father Ben come 'ome ? 'E's the only one. Why doesn't 'e come .'' [Blythe opens the door and looks in. Blythe. I'm going to lock up the boys' club Susie, but let me know as soon as Father Bentley arrives. Susie. Why is 'e so late ? Blythe. Oh, didn't I tell you } I had a tele- phone message from him some time ago, saying he was just starting. His train was kept by the fog, so he stayed for supper with a friend — he'll be here in a minute. [He turns to go and then suddenly/ remembers about Peter. By the way is there any news about Peter.'* [Susie keeps her back turned obstinately. Bodger. I'm afraid not, sir. Blythe. Ah ! I thought there wouldn't be. We shall never see him again. I never could believe in that boy. [Susie turns round, her face is red. 58 PETER'S CHANCE Susie. Father Ben does, and 'e knows a jolly sight better than . . . any of us. Blythe. The Father is apt to be a little blinded by his affections now and then. Who among us is not } And I fear he has made a mistake this time — it's very sad. . . . Will you come and fetch me if I'm not back when he returns ? I must speak to him to-night on important business. BoDGER. I'll see to it, sir. [Blythe goes out. Susie. Doesn't believe in Peter ! Who does 'e believe in I'd like to know beside 'isself. 'Ere 'elp me with the tree will you ? We'll put it on the big table — I'll finish it in the morning. [Together they lift the tree in its pot and put it on the table at the back. Susie sur- veys it Susie. Looks well, don't it? Bodger. Nothing to what it will when it's lit up. [There is a ring at the bell.] Hullo, that'll be the Father, perhaps. [Bodger at once goes and opens the door. Father Ben's voice is heard in the passage. Father Ben. Hullo, Bodger, you're here rather late } It's past twelve. Oh ! Well, there^s a thick fog — you'd better be getting home. Good-night. [He comes in rubbing his hands. How do you do Susie — all well, I hope. What's that ? Oh ! Peter's tree — it was a nice idea of his — just like him. How are the kids .'* Susie. [In a low voice.] All well, Father. [She helps PETER'S CHANCE 59 him off with his coat.^ Wouldn't you like a drop of coffee or tea ? Father Ben. No thank you — I've had a regular West End dinner — champagne and goodness knows what. Now, my girl^ off to bed. I'll put out the lights. Susie. Father! [Father Ben looks at her for practically the first time. Father Ben. Why, what's the matter, child } [Susie turns away and at this moment Blythe enters with some papers under his arm. Blythe. We're very glad to see you back, sir. \He looks at Susie and pauses.] I'm afraid this must have been a great shock to you. Father Ben. [Impatiently.] What's been a shock .^ What are you all talking about ? Blythe. You'll be very much upset, sir, but the fact is Peter has disappeared. Father Ben. [Iticredulous.] Peter } But how ? when ? Blythe. We've not seen him since yesterday evening. Father Ben. Something must have happened. Susie. It was that Kitty Roman again. She come 'ere after 'im. She must 'ave watched you out of the 'ouse. [She pauses, and then almost in tears.] 'E will come back, Father, say 'e will. Father Ben. [After a pause.] It's bad ! very bad. 60 PETER'S CHANCE Kitty Roman — yes; I wonder where she's living now. I must find them. Susie. [Clasping her hands.] Oh, I knew you'd do something. Father. It's been awful waitin* 'ere all day and no one doing nothing. Blythe. [Reproachfulli/.] You never said he'd gone with any one, Susie. Father Ben. Quite right, too. You've told no one, I hope ? Susie. No, Father. Father Ben. He may try and come back to-night. Blythe. Surely that's very improbable. I shouldn't be surprised if we never hear of him again. Father Ben. We are quite sure to. Peter isn't a criminal — why he's hardly conscious ! But he's lived here two months, and something has touched him irrevocably. 1 know it. He'll never be happy again in that life . . . but the whole question is, will he grow strong enough to stand firm ... or will his feeble little taper flicker out. [The father puts his hand over his eyes. Susie. [ With a distraught sort of cry.] Don't say such things. Father ! It frightens me. Last night — the taper [She stops confused. Blythe. I'm afraid he's incurably weak, sir. Father Ben. Stop ! Susie's quite right. We shouldn't say such things. God will call His child at His own time. He knows when that is. [There is a pause. PETER'S CHANCE 61 Blythe. Perhaps I shouldn't have spoken m that way. May I talk to you a moment on business ? Father Ben. Just go and lock the front door, Susie, and see that everything's right, and then bring me a candle. Susie. Yes, Father. [She goes out. Father Ben. Now, Blythe. Blythe. I've had a worrying interview with the tax collector, sir. He says we are already liable to a fine for non-payment of claim, but he can squeeze it through for us if we can let him have £l7 10*. 8d. by to-morrow morning early. Have you been successful in your begging ? Father Ben. Oh, yes ; I always am. I've got £500, but it won't be paid till January 1st. We must borrow somehow. Oh, stop a bit. Of course. I had a £20 note yesterday. I gave it to you, didn't I — no — Peter ! Blythe. Do you mean to say you gave it to Peter ? [Susie comes back. Father Ben. Yes, I did. Wait a minute ! Susie, did you know Peter had got £20 of mine. Susie. Twenty pounds — no ! Father Ben. Be careful now — he didn't give it to you to keep — or put away anywhere ? Blythe. This explains it all, of course. Susie. Peter can't have taken it, 'e'd never do that! Father Ben. No, that's what I think. 62 PETER'S CHANCE Blythe. I'd better go and telephone to the PoUce Station at once. Father Ben. Great heavens, Blythe, you must be mad. I manage my business my own way, without any help or hindrance from the police — understand that. Under no circumstances whatever will I have one of them inside this house. I'd rather die than be the means of sending a boy to one of their prisons. What's twenty pounds compared to Peter's soul. [He walks about to calm himself. But I know he'll come back now — I'll take my oath he never meant to steal that money — he'll want to put it back somehow [He stops dead,'\ Let me see — last night he went — yes — to-day he's been miser- able and frightened — he thinks I'm away for two nights. Susie ! I shall wait for him here — all night if necessary. I'm not going to lose any chance of getting hold of him again. Susie. O, lemme stay up too — I can 'eat yer some soup or somethin' and Peter might— Blythe. You must be tired, sir. Let me sit up if it's really advisable to Father Ben. I wouldn't have either of you for the world. I shall just sit here by the fire — pull the other chair — so — [He does it'] put my feet up and doze. You can turn the gas out, Susie. When he comes I shall hear him. Stop a minute — I think we'll leave the back door unlocked — he's likely to try that on the chance, — before the window. [He smiles. PETER'S CHANCE 63 Susie. 'Es sure to think as 'ow it might be open. I'll run and do it now. [She runs out of the room. Father Ben. [To Blythe.] Is the door into the Chapel open ? Yes^ all right. I've got my candle, haven't I — and the matches. [He sees they are on the table. Blythe. Good night, sir. I can come at any moment if you call — I'm a light sleeper. Father Ben. Thank you, good night. [Blythe goes out. Susie comes back at once and goes up, rather shyly, to Father Ben who is sitting in his chair. She kneels dorvn beside him, and takes his hand and kisses it. Susie. Thank you — oh, thank you. [Father Ben puts his hand on Susie's head. Father Ben. God bless you, my daughter — be sure your love for him will help. I need not tell you to pray for him. Susie. You know 'ow I love him, Father, don't you? Seems as if my 'eart would break in two — 'e'll never care for me, but that don't matter. Poor Peter ! — so kind alius, and gentle — 'e can't say no — 'e can't be rough on no one. Get 'im 'ome again, get 'im 'ome again ! — I know you will. I shan't take off me clothes. Father — I'll lie on me bed with the door open so's I can 'ear — and if 'e comes it'll be all right — you'll comfort 'im won't you Father Ben. [Very gravely]. Pray for me also, Susie — I shall want the right word for him. [He lifts his hand off her head, lights his candle, 64 PETER^S CHANCE pulls out his prayer hook and begins reading, Susie makes up the Jire, pulls the vestry curtains, sees that the window is properly fastened, takes a last look round, turns out the gas and goes away — at Jirst leaviiig the door slightly ajar, hut as if rememhering it would make a draught, closing it gently. Father Ben settles himself i?iio his arm- chair and shuts his eyes. There is a long silence. Then comes a slight scratching noise in the direction of the window as if some one were trying it. Father Ben blows out his candle, is all attention, but does not move. He sits tensely waiting. Presently the door creaks. He smiles to himself hut does not turn his head. The chair is a high-backed one, and he draws his legs up so that he cannot be seen from behind. The door opens very cautiously, and Peter, carrying a dark lantern and a small common bag, comes in on tiptoe. He barely looks round the room — is evidently very frightened. He pulls off his cap, and ihrmvs it down ; then he puts the bag on the table, opens it and takes out an envelope. He puts the note into it, then moves to the window, and pulls the blind up for light from the moon. He scribbles something and moves towards the big table. When he gets there he sees the Christmas tree — an PETER^S CHANCE 65 idea strikes kim, and he props the letter up on a branch. This does not satisfy him so he pulls a pin from the lapel of his coat and very carefully fastens the letter on another branch. Being in his way an artist, he lifts the lantern and steps back to judge of the effect. It seems to satisfy him. He turns, and with a gesture of dislike takes a rough sack from the bag and begins very quietly to climb up the stairs to the chapel. Twice he tries, but each time he turns back. At last he pulls himself together, gets up to the door of the chapel and opens it. But the dim light inside, the smell of the incense, and the general associations of the place are too much for him. He stumbles and holds on to the door^ quivering as if he had been stnick. Then he half runs, half tumbles down the steps and throws himself on his knees by the table with his arms flung across it, and his face buried, while he says over and over again in a hoarse whisper — Peter. L can't do it — I can't do it [All this has been watched by Father Ben, who first got round behind his chair, and then stood in the shadow at the bottom of the steps. He now thinks it time to speak, so he comes forward and puts his hand rather heavily on Peter's shoulder. Father Ben. Peter ! What are you doing here ? 66 PETER'S CHANCE Peter. [In a whisper without lifting his headJ] Is it you, Father? [Father Ben puts his hand on Peter'* head ; he speaks with his eyes closed. Father Ben. My son — your grief is my grief. Let me help you Peter. [Lifts his head a little, but looks straight before him.] I can't look you in the face. Father — lemme go ! Father Ben. You can hide from me, Peter, but you can't hide from Almighty God. [Peter drops his face on his arm again. Father Ben again puts his hand on Peter's head.] He can see into your soul — He knows that it is turning to Him now in anguish. Peter. Help me ! Help me, Father — ask God to kill me Father Ben. [In a different tone.] Peter ! Come and sit here by the fire and tell me everything that has happened to you since I left the house yesterday. Come — nothing is changed between you and me Peter. I can't — I'm Father Ben. [In a tone of command.] Come! \He moves to a chair by the Jire and sits down. Peter follows half dazed. He stands be- side Father Ben's chair. He begins to speak in a very low tone, with his head down. Peter. Did Susie tell you as how Kitty Roman come here to fetch me .'* [Father Ben nods his head.] I told her I wam't going back with her. I said I wanted her to come here, and for you to talk to her. PETER^S CHANCE 67 She wouldn't listen to me — she laughed and laughed. But it wasn't that. Father — not then. [He pauses and fidgets uneasily.^ She druv me mad with her talk about takin' up with Joe Price again — he's a black- guard — a shifty, drinking chap. I couldn't stand it, Father — I had to go with her. I didn't mean no harm. But I had to Father Ben. Go on ! Peter. I had the bank note — in my pocket here. I was going to leave it, but she took it. [He pauses again.'] All the chaps was in her place drinkin' and gamblin'. Joe Price was treatin' with his come-out money, and I drank with them ; and Kitty she told 'em as I'd come out of the jail she ran me into, and then she laughed, and said I'd had a bit of luck — a legacy. They all laughed, and asked me to treat them next time, and, in course, I said I would ! [There is a long pause. Father Ben. Well, Peter .^ Peter. [Almost aying.] I meant to get the money from her and come straight back, so help me, God, I did. [After another pause he breaks into a kind of dry sobbing as he goes on his knees beside Father Ben's chair, and his tvords come out with a great rush.] You've loved a gal. Father, haven't you ? You know what it is. Time enough, she says, to go back in the mornin'. She do love me more nor she's ever loved any one, I know she do. She made me forget every- think ! I thought you was away for two nights. You mightn't never know. Oh ! I oughtn't to ha' done 68 PETEH^S CHANCE it — I oughtn't to ha' done it. [He stops again j and then resumes in a lower tone.^ We quarrelled in the morning. I says I must take the note back — Father Ben's a pal o' mine — he give me the money to look after — you can't pinch from a pal. But she only said if I went back to the Mission she'd done with me. Then all the others come. When she told them, they laughed, and said I'd turned pi., and I said no ! and I'll prove it. I'll bring you gold cups and gold plates with rubies in 'em, I says, worth five times this bank note, and Kitty she clapped her hands, cos she'd seen the things on the altar when she come here. " It's true what he says," she called out, "there's that and more in the Mission. Let him take the twenty quid back if he wants, it's his — and no affair of our'n if he's a fool — but we'll make him share the other swag same as we done afore." " Done with you ! " I said, and it was fixed up, and they stood me, and said I was the chap then ! Kitty give me the bag, and said as how I was to put the plates and things in it, and she and Joe Price is waitin' for me now down Black Dog Alley ! Father Ben. Peter, do you know why you got in here so easily ? Peter. Did you leave the back door open for me ? I tried it, little thinkin' — did you leave it for me ? Father Ben. Yes, I was expecting you, but 1 thought you were coming back in repentance, not to rob the chapel. Peter. [Unheeding.] You left it open for me I PETER^S CHANCE 69 My God ! then it's open now I [He runs out of the room at once. When he returns he is trembling with fearJ] J thought they might ha' got in ! [He looks round the room furtively^ and peers out into the dark. Father Ben. Why not call them ? Peter. [In an agony,'] No I no ! What' 11 they say when I tell 'em as I haven't got the things, Kitty' 11 laugh at me, jeer and laugh she will ! I'm a coward, that's what I am ; there's no way out for me, I'm caught ! [In hurried entreaty.] Lemme take the note. Father ! It's better nor robbin' the chapel. I'll say as 'ow I thought the twenty quid were best after all. Gimme it, off the tree. I'll never trouble you no more — God'll forget about me — lemme go ! [There is a pause. Then Father Ben goes to the tree and very slowly takes the envelope off and opens it. Father Ben. There it is, Peter. If you've made your choice, take the wages of sin, and may God forgive you. [He holds the note out to Peter, who suddenly drops on his knees, Peter. I can't — I can't — something's pulling of me back. I don't want to steal — I want to live clean — I want God to take a hold of me. He's so far away ! Will he take me back } Will he help me 'gainst Kitty. No prayers and no lights on the altar won't 70 PETER^S CHANCE do it, I must be took a hold of — I can't stand alone, I know I can't [He clings to Father Ben's knees, hiding his face. Father Ben. Ah ! you understand at last — the dust is on your head. Peter, Peter, come now and kneel at the feet of our loving Lord — He alone can give you your strength. He will stand beside you — Come ! [He takes Peter simply hy the hand as if he were a child and leads him up the stairs. When he gets to the door he opens it and 7nakes Peter pass in first and closes the door behind him. There is complete silence for a ferv moments. Then the silence is b?'oken sharply hy the sound of glass fall- ing. From the outside a hand is poked through the broken pane, and the same hand undoes the fastening of the 7vindow. This 7vithdraws, and in a moment the win- doiv sash is thrown up, and Joe Price climbs in pulling hack the curtain. Before he can look round, Kitty is with him. She hands a lantern to him before she climbs down. Kitty. 'E's not 'ere at all, the stinking cowardly sneak. 'E's give us the slip. Joe. Ssh ! Kitty. [Tense ?vith rage.] Fooled us 'e as — kep' us waiting all this time out there for nix. My Gawd ! I'd like to stick him I would. The stuff's PETER^S CHANCE 71 up there, Joe Price. If you've got a bit of spunk in you — go up them steps and get it. Joe. You go ! You know where it is ! Kitty. [With infinite scorn.'] Ye're all the same! Peter thinks he can do me, but 'e can't. I'll go ! — Gimme the knife. I might have to open summat. [She takes it and moves towards the steps and then suddenly notices the hag.] There I Look at that. 'E's 'ere or 'e 'as been 'ere. [She opens the bag and takes out two or three tools.] Nothin' in it 'cept the jemmies. This'll be better'n nor the knife. [She selects a long, Jine sort of stiletto.] 'E 'asn't been copped or there'd be lights and people. 'E's funked and gone — that's what it is — but I'll find 'im, I'll show 'im. P'r'aps 'e's up there still, prayin' and mumblin', [she moves towards the steps again^ and sees Peter's cap on the Jloor] 'ere's 'is cap, lor — what a darned fool 'e is to leave 'is cap for the beaks. [She picks it up and puts it in the bag. Joe. It's 'im you're after — not the swag — any blighter could see that. Dang me if I'll go into this another blasted step. Kitty. You're a darned fool that's what you are. If Peter's rucked it on me this time that's the end of 'im and me. Now then. [She moves again. Joe. There's a light under that there door — Come away. [Kitty looks at it. 72 PETER'S CHANCE KiTTV. There's always a light burning in that there place, yer fathead. *Aven't yer seen it night after night from the street ? Joe. I don't 'alf like it. Kitty. You follow me ! [They both start up the stairSy hut Peter has heard them, opens the chapel door and comes down on them. They are startled and fall hack for a moment. Peter. You can't come up here — go away ! Kitty. [Menacing.] Oh, we can't come 'ere, can't we. Ye're a lyin', squealin*, cowardly skunk. [She moves up, Joe after her, Kitty. YouVe turned 'oly again, I serpose. Got what you want outer me — and 'ad enufF. So you go and toady God. Ye're a rat, Peter Grieve, and Pm going to treat you like one. Where's the swag — let me by or Pll bash yer 'ead in ! Peter. [In a low tense tone.] Don't you try and go up there — I tell you if you move another step— Pll have the perlice on you. [There is a fierce scuffle. Joe tries to get past Peter to the Chapel, hut is held. Peter suddenly unable to hold both of them calls out. Peter. Help ! help ! murder ! help ! Kitty. [Wild with rage.] You'd put the perlice PETER'S CHANCE 73 on us would yer ! Yer dirty beast ! tike that — and that \^Ske puts the blade into him twice. Peter stumbles down the stairs and falls. Father Ben comes running out of the Chapel, and goes to Peter. Joe seises hold of Kitty. Joe. You've corpsed 'im you fool. Come on now — you'll swing for this. Father Ben. What's happened ? What is it ? Peter where are you ? [^At this moment the door bursts open and Blythe and Susie rush into the room. But they are not in time to stop Joe and Kitty, who get ojf through the windofv in aft instant. No one thinks of pursuit, but all turn to Peter. Father Ben lifts Peter's head and supports him. Father Ben. Peter, Peter ! my boy — are you hurt .'' l^Then he feels the blood coming on his hands and starts up. Father Ben. He's bleeding — quick, go for a doctor ! [Peter opens his eyes for a moment and smiles. Peter, [/w a weak distant voice.^^ Why there's Bodger playin' the orgin — it's the ladder tune — Oh ! — I'm fallin' — fallin* — catch me — there ! It's all right, Susie [His head drops. [Father Ben feels his hearty listens, and then makes the sign of the cross* w 74 PETER^S CHANCE Susie. [Pulling at his arm.] Oh ! oh ! he's not dead. Father, not dead ? [She breaks into hysterical crying. Father Ben. Hush I Hush ! [He raises his hand. The Lord has delivered his soul in peace from the battle that was against him. Curtain. Printed by BALLANTYNE & COMPANY LTD AT THE BALLANTYNE PRESS Tavistock Street Covent Garden London \ VB 31765 ivil99615 ^;^' THE UNIVERSITY OF CALIFORNIA LIBRARY