"^AaiAiNft-mv ■:£. i.vS7l ^WE UNIVERS-//) 5?- fie O ^TjijoNvsov^ "^/.sa^AiNamv^ -< \Qi\mf =o — ■^AilVMUBRARYa^ s 1 ir"^ ^oAdViiaii-i'^"^ ^i^AavaaiH^'^ ^^J^EINIVEW/^^ cc L-- :^\^E'IIK'iv^!?r// u %iuj. <^lllBRARY6k, ^^^lUBRARY6>/ ^^mmy\^^ ^ojiwd-jo"^ ^Wf UNIVERV/. .vK;lOSANCFlfr. o ^^AavnaiH^"^ ^;10SANCEI% ^/IJONVSOl^ "^/^aaAiNa-^^w^ ^of' ^ Jl 15 \WEUNIVER.V/A jO^ -5^^^lL!BRARY(9/^ ^' ^WE•^JNIVER.V/A L' aweuniver% >- 9Y.'^^ %a]AIN0-3^V^ ^0FCAIIF0% '^(?Aavjjan-# ^.OFCA[IF0%. ^ aweumive^ I -v^lllBRARYQr ^ ^ ■"<:/ujiivjiU"'^ 'Jil]3.\\-S01^" ^ ^ y. '^ % CO % ^ ,v J^iliDNV-SiJ ^. vaaii# ^^Aiivaaii^v^'" .^Mf! >^' '^ slOSANCEl£j:> ,>i.OFCA!JF0%^ ■: HDD \rA' o. t3 . GO ti CO <1 s I— I o -s ^ O hi- ?^ ^ fc. Q Q S PQ a — ' to c 1^ ^ o = 2 ^^ £ " cc 2 , o >>- -*^ u - 0) a) a ^ T3 O ^^ . "t: "-S $ I- 1 ^^ OJ -S T3 "Tt ^ O g O ^ C^ rt 2-^ bp^-^.ii bJl o G.ti =3 >>.2 O to ? - &^ o P g- 1^ rt O o 5r, -^ -e S 2 §< <1 y=; c a> ^ ^ O "5' •>! -2 CO aj t- 0} j: 11 '^ =« 0) 13 T3 C 13 s o c Q <: m m w _QJ ^ o.Sf bfi , o biD 23 . . x: tJ bc =^ C3 c3 w ^ S -D O ■— CIS ^r O «« ^ -S < S C3 T3 « tn C I) c < -S-C 3 < ^^1 w -^.S o o ni "^ W =« c y ^ "^ 1 :^ r/f ^2^ P > S c O EC q; ^•' w 2 £.S r^ X o - p cc -o H I1j H < M 0^ ^ ^ rt M ri ^ fa H hf) M "<-i ^ £ :s ° E 53 +j t, os CO > 3 "h s i ^ 1 '^ -C 0) 1. c3 03 jC ^- o =^ o >, tC --: b£ . •-i «^ oJ 5r! rt >- 70 Dh f^ 'S 53 o dj o: a> o X 0) >^'^ H J2 ^ C -^ S rt «« 0) J3 O +:> +J [12] SCENES FROM E V E R V LAND '- i, 'ii A J^-O i c '^ c. o "5 [i:n SCENES FROM E V E R V LAND f- y- c 2. S-. — O n, ^ > . _>> C-; ID 0) -S J3 Kl '^ 0) o W t3 ^ T3 -C C M. - :5 ° t^ rt fi - dj o cc 3 O a> <: £ 0} 1 ] SCENES FROM EVERY LAND X th ^^f s ? S :^ ;- a. 3 -: >> ry, rt • ~ X X. ^ .2 2 ^ S rt C _ O rt rt ni •^- c «:■ ^ «:: ^ -5 . ^-c a"^ o.^ ? -^ .S C c! t: D. >. fc- - a =« t-.-^ =^ ^ f' • ii -^ cc' ~ V •- "? ® t. C 0;-— ^f''-: x'-'i ^ jj »i 0- CL — q; I ■^ r- ^ O 0/ J:li C X! O o -g -^ § 4J C C t- nl rf 3 ■/■ 3- b£ ^r £ 3: =i > ' Ti Y. Ct C rr: :u -J-. O .-f = :c c^ a:' ^ •- .S ' -^ ^ ■?, "S "P o; -5= -r -^ o CL J c s- x -^ .5 C c o rt 3 .22 i^ Is Si fee's 1i xr. 0; 0) pq o - ^ ^ I ^S ° ^ c C -^ 3J o C3 .ii O..S -^ '^, ^ ri S ? ^1? > O X CO 3 I" ^' C -c ? '' -5 M t/: 2 I =^ O =" :^ c -S S sn ^-^ £^x s £:c Co +j ^ o bD c rt .^ tc >>x; '^ 22 2 -^ '^ -c -a - o 0^ ^ -3 -S -^ -S -C O 3 .tj -3 "^ O a! t- >> . O o X P -C o 5cE-ii 'Zi-acaoc- [15] SCENES FROM E V E R V LAND iteffwk >-- s K o hi O Pi w 14 o o Pi 30^ -C T3 J= W) a; c3 a £ a. be X O -M bJD a. bjO_ TS _, EC 773 O " C c Q. ^ c ca ri 2 aj 3 s; a. ^ M &0 VI ^ "= -S I -T •^ C S O g - O -tJ tc C 0/ -• cJ C — ' t- " C 3 3 -= rt g3 O) en 41 <3j O; Oi g -C rt o ~ ?, 3 O 22 c 0) i; vT Oi H 'J^ Ji/ c i o £ t- = ; M t3 O 2 X a; O ^ t- .- O !2 O O 0) . -^ ^ j_ tJ OS o ■S "x ■" '^ c 3 ri rt ^- Xfi '^ — ^ c £ rt tc ■£ ■£ u; 5 £ a! cJ .c J J3 02 en
  • a^ p -4^> o^ c S ax en o >i *^ t^ x a. c .-e ^ .ti -? O J= 3 .£ 1= ^ ^ *= ;S t '^ ^ i cu c c ^ > >>^ o 0! c £ ^ c c« g 3^ ^ O g j: 3 ,- -^ g :^ c « ^- ^ £ — a § ^ O ./ " en O- -* rt a; o u ^ ^, I ^ .c i .3 t- ci O a; W a: j= — o £ £ [17 SCENES FROM EVERY LAND ^ ex. -Q rt o; S 3 2 -OOP c ^ *^ 0; rt * •t: •"" c j_^ Oi > ^ ■ 3 !^ ^ (Xo O t3 cc C S ^ ^ "* e O O) 5 < bfi - ^ ^ O K 3^ ~ 3 S x^ i o i> a; ^ *^ S s c J= 03 C- -ii 5 — ■ t- j^ -- t; — P o * ^ -a a: ■ — _; -t^ -2 =^ V -t: ^ 1- •- -c -S ^ T3^ ^ a. c a. rt o ^ O O — 3 -O a- rt ^ c -^ rf a; X C c « S5 ^s °-^ . - o -3 -^ c c ■■ - c be «•- " I.- • ^ ^ ■■« £ * c S c rt E-i "m c ;3 t. t< - • fe *J I' "" -fl tJ C a^ x; ^ 3 0- 5, 3 g ^ ^fc £x 01 ..3 O. 3 ■^ .2 tf, 3 i) fc o 2 .tJ ^ 3 ^ a c 3 — t »: -^S O c 3 * • - .3 to O 3 [211 C EN E S FROM EVEFLV LAND =b o 23 -O ^^ o jj ffi :;: •-' >' :3 -. C ^ ^ Xi .Si _2 C« rt O ^ [22] SCENES FROM E V E R V LAND AN ANGLER FISH. NOTE THE FILAMENTS OR BAIT WHICH LURE OTHER FISH When the angler is hungry it hunts out a convenient place in shallow waters, where its color and markings make the fish indistinguishable from the sea-bottom. Here it lies quietly, often as if dead, while its floating filaments, kept in motion by the tide, decoy other fish, which never discover their mistake until too late to escape from the angler's merciless jaws. A FISH WHICH CARRIES A LANTERN This fish lives at a depth of more than a mile beneath the surface. As no light penetrates so far, nature has given it a phosphorescent bulb which illuminates its way. The tiny fish shown in this picture was dredged in the Indian Ocean at a depth of more than a mile (7.200 feet). The bulb-like upper figure is an enlargement of its torch. The fish is one and one-half inches long (excluding the rod and bulb). It swims with the rod and torch pointed straight forward, and is a most .successful forager. Not only the curiosity of the little deep-sea fishes, but their appetite is appealed to by the worm-like objects close to or in relief against the phosphorescent bulb of the anglers. Photographs from Dr. Theodore Gill, U. S. Naiioyial Miiseum. [23 1 SCENES FROM E V E R V LAND FEMALE HOUSE-FLY RESTING ON GLASS AND SEEN FROM ABOVE The house-fly swallows many kinds of germs and spores, and deposits them all day long at intervals of a few minutes in its excreta, the "fly specks." These germs and spores pass through the fly in less than an hour, and come out in the fly specks alive and uninjured. Flies spread more germs in this way than in any other. The house-fly sticks clo.se to man and is a dangerous agent in the spread of human diseases. Di.seases of animals and plants are spread in the same way. The hairs on the back of a fly are not a haphazard arrangement, but correspond in number and location on all house-flies. — Photograph by N. A. Cobb. [24] SCENES FROM EVERY LAND FRONT VIEW OF THE HEAD OF A HOUSE-FLY The fly is one of the most highly organized of insects. The two large areas studded with thousands of facets or lenses are the compound eyes. The three simple eyes are seen at the top of the head in the middle. The two large pendant organs with "peacock feathers" on them are the antenna?, or "feelers." A fly can see in all angular directions.— P/zo/oprap/i by N. A. Cobb. [25] SCENES FROM E V E R V LAND 9i a> -.i oj >., o E w) fc. o > n-i ^ > +-■ C 0; <^ c ^. ««■ M 3 c 5 ' 3 ti -c C c« en rt ? o "-i c _ ^ 5 r? << -D .a 3 3 a' O "2 O en .^3 ^£ +J •-« T-i (u S ^ '^ Q o £ s '3 0) en 0) tC 4^ +j a> — 0) 03 N 5 ' &■ 03 2«.| en g ^ ^ OJ OJ en C C '« if ^ .^ a, I— I OJ a! a S W P2 03 Jd en 73 oj TO TO t« O "^ (- x) g .„ - - So 03 5 >- tlJ ^ r ^ £: X =S lii > c3 .S ^ « -' u, t, +J C ^ oj rt ^ O t; C cc "-S i °^ o-g'S-o-- •^ < r/^ F C o > c ^ '^ -a OJ o •-' OJ c c -^ 0) • J2 OJ rt o CS 1^ :^ -^ > ^ a; r; J3 a; 0) C aj O S 5- C t- tn o a"-5 m I— I 3 O) a; Q 3^' 3 .i= o GO S s^ 2 o ^ CS - rt CU C > 2^ ^ < s 0) > C3 C3 ^ ^ >, 'p J:! i^^ - O nj rt .-F -C <1 ^ o (/J o bJD ■ Jii O TJ 'I' "^ ^ _v C £ O ^ C(3 O c« g c3 OJ Xi -73 O T3 X -^ O tc c _ .^ £ fc: ■ . c« .S 3 * 5 a; -o -C ^ "^ f ^ Si t3 ^ O -M &.^ •j:: 3 oj = [28] SCENES FROM E V E R V LAND C/-J 0; it [29] -iis c " rt ^a &'© (i> y. o:S < bC % d "^ t. 0) H ^:S ex O E =* X -S m P3 g < 1- rt cr r^ M rt H 0) D- M O C Q ,=5 >. W o +^ tf (U 'm O 5 s Ph ^ X ;^ bc-1-' o ° 2 C J 05 C CO ■•3.S C X .2 'o n > CS '^'rf •2 3 c « ^'c^ c5 h :t. c« e a •-" T3 0^ O T3 "S ~ c c e r/2 t^'^S.J^ W -J- rt §> 1— 1 Plh W t; .'t tf ^l^ Z o _ S 1^ s ^s-s^ Q O bins - c 3 S2 o -i^ ,^ »~3 ^ rt.tii-e w S^ § o peg Pi -< O X! Si w ^ T3 -. w •2 S a. H > « e 0^ S! o ^ M "5 H t^^ :^o ] SCENES FROM E V E R V LAND 23 O -=: § 2 H ° I O o tS J3 J3 C <3 Q 0) o t3 >^ 1^ X 5r [31] ^^T^-^TnI^S FR-Olvi EVERV LAN eT]:) [32] SCENES FROM EVERV LAND •3 *^ 3 5:1 b£- o K K o o :2 §1 -^ 7 c I. O C cj •-' «- c +j a, ^ 5-5 <5 X3 >. .22 "O o oj 33 ] ^1 c: r- R N E S F FLQ^ B V ~E RV LAN D A Hol'i BELLE, DRESSED FOR THE SNAKE DANCE Photograph by P. G. Gates, of Pasadena, California. [34 3 SCENES FROM E V E R V LAND TAAL VOLCANO fPHILIPPINE ISLANDS) FROM BANADERO THE MORNING AFTER THE GREAT ERUPTION OF JANUARY, 1911 Note at the left the black mud belching from the crater. Photograph by Charles Martin and from Dean C. Worcester. [35] SCENES FROM EVERV LAND I f [3G] SCENES FROM E V E R V LAND PEASANT IN RAIN-COAT AND HAT, SEOUL, KOREA The raincoat is made of several overhanging layers of straw, like a thatched roof. Photograph by William Wisner Chapin. [37 SCENES FROM E V E RVLANJD A HUili-CLASS WOMAN'S CHAIR, SEOUL, KUKEA Women of the wealthy class never venture on the street except within a closely-curtained chair, borne by coolies. A I'l.NLllAL CAR, SLul L, 1vI;111:A Photographs by William Wisner Chapin. [38] SCENES FROM E V E R V LAND [39] OJ t- iJ '^ £ o oj -5 aR^ufiSi^^^i i2 ^ W M^ -^ C ^ CD 0) [40] SCENES FROM EVERY LAND THE WILD DANCERS AT BONTOC, PHILIPPINE ISLANDS Photograph from Dean C. Worcester. [41] SC EN E S FR.OM E V E R V LAND o -c 0) § ^ S ^ o-S >, M c o > S =^ ?= 0) di ■^ !e ^ -^ ?^, '^ >^ i C i^ O *^ ^ c *- ? +-) bX) I - •- y2 >> bC " C.S OJ 01 u O c3 bJD 2 ^ e.s ^ >> t- o -r '^ =^ y bC t3 y cu rt o % C a) i2 ^- > "S X ? o * fe a. 32 0) aj C CIS 25 oJ o a Oi OJ O 0) s s _ 5 <: s <=> s^ PCs: CO g.e cfi O) t- OJ X 1) a J' S "^ a> ^ ^ j^ bX) u C «*-■ CO O 3 c £ ^ ^ '^ -^ ^ X ^ . ^ SO - s C a; § -^ &-= +J O JS ;S^ I E- -5 - c ^ o ^ u . — [49] D SCENES FROM E V E R V LAND K -.0] SCENES FROM E V E R V LAND S t: o ^ o <5 ^ a o a CIS [51 SCENES FROM E V E FL V LANDj:^ [52] SCENES FROM E V E R V LAND [53 ^r^r- RNES FROM E V E FL V LAND K A MANCHU MAN AND WIP^E This photograph gives excellent examples of the Manchu race, which, after centuries of sway, has recently been shorn of its power by the long-subject Chinese.— Photograph and Copyright liy Vnderirood & Underwood. [ r.4 ] SCENES FROM E V E R V LAND OUR FRIEND, THE PILGRIM A little old man on a pilgrimage to the shrine on the sacred mountain of Koyasan, Japan. As he slowly makes his way along the lonely path, he tinkles the little bell which hangs from his neck and chants the invocation: "May our six senses be pure and the weather on the honorable mountain be fair." — Photograph by William Wisner Chapin. [55] SCENES FROM E V E R V LAND -< pq T^ ~ 2 -S 1 < -2 ^ E— t .r-r M rt [56] SCENES FROM EVERY LAND DRAGON NING-PO. CHINA Photograph and Copyright by Underwood & Underwood. [57] F^^Hm^^^eVe RV LAND_J^ THK DIUM-TOWER AND THE EXTRAORDINARY SIGN-POSTS IN THE PRINCIPAL STREET OF MUKDEN, MANCHURIA There is a keen rivalry among the shopkeepers as to which can put ^^.J^e most georgeous and striking advertisement of their wares. The posts seriously impede traffic but the public never complain.— P/io«|lB!Mi«iter?:W-- ^ »'»**.^ **H.^ i'-.-V ->>■ <«»3^ii^M'J*-*»*' '*^'^l*f*'*'**** A REMARKABLE BROAD-LEAVED EVERGREEN {Xylmma ractmusufn Miq. i. TREE FIFTY-FIVE FEET BY SIX FEET, AMONG THE SNOW-COVERED GRAVES, NEAR ICHANG, CHINA China possesses a greater variety of trees than the whole of North America, and of orna- mental shrubs has more varieties than are to be found in the temperate flora of all other lands. Many of her ornamental trees and shrubs are suitable for cultivation in the parks and gardens of the United States. The broad-leaved evergreens of China, of which a wonderful example is shown in the above photograph, would add immensely to the beauty of our landscape. It is hoped that several varieties will be found able to thrive in our American climate. — Photo- graph by E. H. Wilson, Arnold Arboretum. [01] c;r-F, TSJF.S FROM E V E R V LAND [ ('>2 ] sc [63] SCENES FROM E V E R V LAND [r,4] SCENES FROM E V E R. V LAND I— I m z &| I? o ^ J- o c :r o Eft .2 c c S a> ^ ^^ TO C. C a; s § ^^ r, CO. ^ FH OJ 4J fa 11 65] CENES FROM EVER.V LAND [66] SCENES FROM E V E R V LAND [fi7 SCENES FROM E V E FL V LAND |s ^■m MEN LADExN WiTli ■BRICK TEA" FUR THIBET One man's load weighs 317 pounds avoirdupois, the other's 298 pounds avoirdupois. Men carry this tea for hundreds of miles, accomplishing about six miles per day, over vile roads. To the Thibetans and kindred tribesfolk tea is a necessity of life, and with most of their trade with China this commodity is taken in barter for their wool, skins, gold dust, medicine, etc., and the Chinese carry on an extensive and profitable trade with these people. The tea supplied by China to Thibetans is all grown in western China, and is of the roughest and poorest quality. — Photograph by E. H. Wilson, Arnold Arboretum. 68] SCENES FROM E V E R V LAND MAIN ROAD FKUAI CHINA TO LHASSA (CAPITAL OF THIBET), HEREABOUTS BLASTED OUT OF HARD ROCKS, VALLEY OF THE TUNG RIVER, 4,000 FEET Several men laden with "brick tea" appear in the left foreground.— P/fo/ograp/t by E. H. Wilson, Arnold Arboretum. 69 SCENE S FROM E V E FL V LAND |s 0/ t-c c o; rt £ M " £ ^ 2 c s 8 ^ I >^1 ^ ? 2 S ^ T3 ^ *^ O g rt g O h •- +^ ^ o k 0) ^ ^-§ §- ^^ I c : - ■£ iq -^ S 8 ^ -2 0) OJ .b T3 -C a, C53 ^ o a; O w s ^1 *^ o -t^ f^ o "^ ^ § ^ _g .^ bc o - o.b .in j^^ C CL 03 , > OH 0,5 .2 ^s CO rrt '- 01 V! "::; -^ '^ ? ^ i^ ""■ ■ O rt oi ° Jr >< ^ ^ O .J oi ^ c ^ k, cc . ^ - t. 03 _ - ■fc! Ci +1^ o,'q3 73 ai § c^.s g S-^ =^ S £ -:;;_; bfi t4-i O) S -=: Sf^ C !- bD -*-> 03 >> * O <1^ C _ ^ +^ Cj GJ -^ ■;:; C C , -u o zn <^ oT >- -T W) C C ° O) ^ S ^ '-^ i-^ 5 g +^ c rt iS ^ ^ ^ ^ -^ :: .S - gog^ooo;:: 1'5 c 03 [70] SCENES FROM E V E R V LAND [71 SCENES FROM E V E R V LAND m4 1 m ii A LIANA BRIDGE IN THE LAND OF THE CROSSBOW, SHOWING APPROACHES AND FASTENINGS Photograph by George Forrest. [72] SCENES FROM E V E R V LAND A SHINTO PROCESSION IN KYOTO, JAPAN The marching ceremonies of the lower class of Shintoists suggest to the tourist the clown part of a circus street parade, so grotesque is the appearance of many of those taking part. It is possible that the display is most impressive to the faithful, but it conveys no religious significance to others. THE WOOD MARKET, SEOUL, KOREA Note the bulls which are the beasts of burden in Korea ; also the huge hats of the peasants. Photographs by William Wisner Chapin. [73] SCENES FROM E V E R V LAND [74] SCENES FROM E V E R V LAND A SHOE SHOP IN MUKDEN, CHINA Photograph by Eliza R. Scidmore. A GROUP OF CHINESE WOMEN AT SHIH-MEN KAN. YUNNAN. CHINA Married women who have borne children have their hair done up on top of the head in the shape of a horn. — Photograph from China hiland Mission, Toronto. C75] SCENES FROM E V E R V LAND JJ Qi O O O Pi '^ i O I — ( '^ y. Qj <; 0, s b I tn T, -J O V £ c p-r' O ^C; -^ "S ,-v a! -^ 2§^ :2 /^ r" b£ ?! ~ <; aj o a> oj s: 76 SCENES FROM E V E R V LAND [77] THE GREAT TEMPLE AT BUDDHA GAYA. INDIA The Great Te.p.e of Maha Bodhi at Buddha '^y^ ;^^^Z!^:^::^i:2;Z^ ?i-L'':„L7iir'oi=Xdir.T:4rh:rtt^^^^ W. M. Zumbro. [78] SCENES FROM EVERY LAND ONE OF THE FOUR GATEWAYS IN THE STONE RAIL SURROUNDING THE GREAT MEMORIAL MOUND COVERING THE RELICS OF BUDDHA AT SANCHI, INDIA The mound is 106 feet in diameter and forty-six feet in height, and was once entirely faced with sculptured stones. The mound is seen in the background of the picture. The stone rail was pierced by four gateways or Torans, each being a mass of wonderful carving, unequaled by anything of later date in India. This tope (mound) is believed to have been erected two centuries before Christ, its carved rail and Torans probably later. Three of the gateways remain in place. (See pages 80 and 8L) — Photograph by W. M. Zumhro. [79] cL SCENES FROM E V E R. V LAND [ so ] [SI SC EN E S FROM E V E. R V LAN P" SCENES FROM E V E FL V LAND +i «::; rt O 0/ C "£'2-^ o r f a; C rt o ^^ y s ■- ^ •" C JS -iJ -o ^ O bTi c« a; ■-" -^- 1 +^ 0. 5 c fo -jr- ^ 'C C S o «^ ^ rt S Tl Pi 2 « 0; 0) • O P -^ 3 *^ ^ -^ Pi Pi 0; OJ i ^ Cl5 o 13 o 0) ji: o rr H |Tl .«: 22 =« C3 1 H E a; £ S rt M O ^ X2 "S • —0; ~ +j ■i i § 1 b 13 +J 0) *= CD C w > £^ ^ M D t- ^ J < O Pi^ <1 O % w Pi <3 Pi < GO Pi <; Ph H H hJ >-. C O ^- -, Pi 4^ o „ a S o -C -u 0) 'in _, ^ CQ 'Oh -« c 1 s s .ti -5 o ^ =^ •2 .2 -^ ° o. Pi 2 i '3 •" o o Q Pi :j rt O -^ o ^ o Qi r- ? — ' =5 ■$ SB'S [ S8 ] C E N E S F ROM E V E R V LAND =o si SCENES FROM E V E R V LAND =D 4> J^ H'' ' ■ri«R [ S-. ] s_ wj s- m T^ ■- 4J I- > S s- ^• o O- g -T^ -^ § si; SCENES FROM E V E R V LAND THE MOST UNIQUE SANSKRIT LIBRARY IN INDIA, AT TANJORE About 18,000 manuscripts are stored here, 8,000 of them being wood-bound volumes, like these, consisting of long talipot palm leaves engraved with a sharp metal stylus. About 2, .500 volumes are shown on these shelves. [87] SCENES FROM E V E R V LAND [88] SCENES FROM E V E Ft V LAND JD ^^^' .'^i-^—^'^'^0*!Mt^:^^'''^^'^''^^-^ **■ *i- ^ i-f I.- .'■ THE GREAT TOWER OVER THE ENTRANCE TO THE HINDU TEMPLE AT SIRI RANGAM The tower is 152 feet high and is covered with course after course of gods, warriors, men, and horses carved in stone. (See also page 88.) — Photograph by \V. M. Zumhro. 8'J ] SCENES FROM E V E RV LAND im Mm THE MOST LABORIOUSLY WROUGHT STONE CARVING IN THE WORLD, THE TEMPLE OF CHENNA KESAVA AT BELUR, INDIA It was built in the twelfth century to celebrate the conversion to Vishnuism of a Jain ruler. Fergusson says of this particular porch: "The amount of labor which each particular facet of this porch displays is such as never was bestowed on any surface of equal extent in any building in the world." — PJiotograpJi by W. M. Zumhro. !»0 ] SCENES FROM EVERY LAND A VIEW OF ARAKAWA RIDGE, JAPAN Many years ago this double row of cherry trees formed a delicate lace-like edging for the highway, which extended seventy miles, being even more beautiful than it is to-day. — Pho- tograpli by William Wisner Chapin. [91] SCENES FROM E V E R V LAND THE GREAT TURII AT MIYAJIMA, JAPAN, AT HIGH TIDE Rising from the sea, a quarter of a mile from the shore, stands this old emblem. As the traveler sails into the beautiful harbor of Miyajima, he will be impressed by the sight, and reminded that not only is the ground sacred upon which he is about to stand, but the sparkling waters of the beautiful bay as well. — Photograph by William Wisner Chapin. [ 92 ] SCENES FROM E V E R V LAN D^ ANOTHER MASTERPIECE OF SCULPTURED STONE, HULLABID, INDIA, TEN MILES FROM BELUR, SHOWN ON PAGE 90 It is greatly ruined now and many of its gems have been removed to the Museum at Ban- galore When intact it was the finest specimen of Indian art in existence This column is one "of the most marvelous exhibitions of human labor to be found even in the patient Last, * * * "far surpasses anything in Gothic art. The effects are just what the medieval architects were often aiming at, but which they never attained so perfe^ctly as was done at HuUabid." Fergusson further says, placing this Hullabid Temple and the Partheiion as the two extremes of architecture: "It would be possible to arrange all the buildings of the^orld between these two extremes, as they tended toward the severe mtel ectual purity of the one or the playful, exuberant fancy of the other; but perfection, if it existed, would be somewhere near the mean."— Photograph Inj W. M. Zumhro. [93] SCENES FROM E V E R V LAND ^V^ •J A HOLY MAN WITH AN ARMFUL OF PEACOCK FEATHERS AND HIS HEAD IN AN IRON CANGUE THAT PREVENTS HIM FROM LYING DOWN OR LEANING BACK ANOTHKll lAKIK OR HOLY MAN LYING ON A BED OF POINTED NAILS, INDIA Pholograplis 1)1/ W. M. Zumhro. 1 c;r-RTVJES FROM E V E FL V LAND |s !)(; SCENES FROM E V E R V LAND A TYPICAL SINHALESE GIRL OF CEYLON, IN ORDINARY STREET COSTUME Photograph from Dr. Alexander Graham Bell. li»7] SC EN E S FFLOM E V E R V LAND o Pi Q I— I o CO O P5 Q > Pi < :^" o •J O . ">> m 0) -= O s.s o Pi < o hj o H <; <1 Q o cj « o fc c £■> a o C n! bC e: .s [98] SCENES FROM E V E R V LAND Q Z Pi ^ Q fa O < Cl, fa hJ fa [99] SCENES F ROM EVER-V LAND [ KlOl SCENES FROM E V E R V LAjs^D^ J^ o § S H "I ej •l'^ '^'' i o :?; H < w ^#» [101] SCENES FFLOM E V E R V LAND BUDDHIST TEMPLE AND DAGOBA, WITH SINHALESE NUNS AND PRIEST, CEYLON In leafy suburbs there are dazzling white dagobas, or reliquaries, and flower-scented tem- ples, where the Buddhist priests wear the same yellow robes, with bared shoulder, and teach the same pure tenets as when Asoka, the Indian Emperor, sent his son and daughter as mis- sionaries to convert the island people. [102] SCENES FROM E V E R V LAND SINHALESE GIRLS AND WOMEN; KANDYAN JACKETS, CEYLON Note the wonderful luster of the hair. The Sinhalese women, with their brilliant eyes, nice teeth, gentle manners, and smiles, are most attractive. — Photograph and Copyright by Underwood & Underwood. [103] SCENES FROM E V E R V LAND A TAMIL WOMAN OF CEYLON. NOTE THE RINGS ON HER TOES Photograph from Dr. Alexander Graham Bell. 104 ] SCENES FROM EVERY LAND TAMIL GIRL, EASTERN PROVINCE OF CEYLON Photograph from Dr. Alexander Graham Bell. [ 105 CENES FROM E V E R V LAND 1) ■^ ^ o S ^ •K > C t« Q.-T3 O ? C (3 i 2 S o b <1 o u T3 =i :« 5 y] t« O M C c o ^ M c: -o ^ ^ oi c Q, 5 3-^ S r5 £ "^ ^ •-- X 2 a; oJ -^ C OJ ~ "5 +-' 0) M r? cc — t. O) C -" t„ bJD bJ :S:3 Si's ^ -3 ° M^ u ^ C3 " , aT g >. £ ■S '^ w .3 ^ '5 -« ^ ^ ^ § I C O s«_ tii J; o; ►_! 4J o — X ^-^ ^^ O) t^ .£ -^ 00 > 3 c -C'l 3 ^ ^ C .£££_§!; >..h - -I-' -T-l +J l- ,„ £ t3 bXl £ ■^- y o c ' 0; O ° -' p^ "" S' ^ 03 bX)-» tc A °^ [ 106 ] SCENES FROM E V E R V LAND r 107 SCENES FROM E V E R V LAND ,^,33aa33'^._ A PORTION OF THE ENTABLATURE IN THE TEMPLE AT ANGKOR WAT, SHOWING GREAT RICHNESS OF ORNAMENTAL DETAIL There are seven bands of designs separated by narrow ribbons scarcely less ornamental. These bands appear to be conventional yellow pond lilies, which abound in that locality, and two are lotus-leaf designs, all carved in stone. The buildings contain literally thousands of square stone columns and pilasters, every one of which is richly carved on all .sides, at top and bottom. — Fournereau Collection. [ 108 ] SCENES FROM E V E R V LAND THE IMEiUUK Ui-~ A JAl'AXESE HOME This glimpse of the interior of a bamboo-and-paper house gives an idea of how Japanese ladies enjoy their cup of tea. It is second nature for the natives to sit in this position, and they are per- fectly comfortable, but Europeans find it a very different matter. — By permission of F. C. Hicks. THREE LITTLE MAIDS FROM SCHOOL The Japanese maidens are so natural and graceful in choosing their own postures for pictures that it is unnecessary to pose them to obtain artistic results. — Photograph by William Wisner Chapin. [ 109 ] SCENES FROM E V E R. V LAND ~^# o ^ i* £ s ^ x" ci o ; UAS-RELIEFS CJE THE TEMl'EE AT EUlU) EOEDOER, JAVA This temple is one of the largest, if not the largest, Buddhistic edifice in the world. "Its prominent position on the summit of a hill, above which it towers to a height of 120 feet, lends additional dignity to this marvelous pyramid. Stairways lead to the top from each of the four sides. Rising from the summit is a dagoba, which contains a gigantic image of Buddha. "An idea of the magnitude of the structure may be gained from the fact that there are over 988 bas-reliefs in a good state of preservation, illustrating the life story of Buddha, while 441 images of Buddha, each within a small dagoba or shrine of its own, are still in existence." (Ed. Stanford.) — Photograph and Copyrighf hy C. H. Graves, from Henry G. Bryant. [ 11'!] SCENES FROM E V E R V LAND THREE DYAK BELLES OF BORNEO, DRESSED IN THEIR FINERY The rings round their bodies are made of hoops of cane, round which little brass rings are arranged close together, so that none of the cane is visible. These hoops are worn next to the body, above the waist and over the petticoat below. The silver coins fastened to this brass corset, and worn as belts around it, are the silver coins of the country. The petticoat is a broad strip of cloth, sewn together at the ends and having an opening at the top and bot- tom. The girls on the right and left wear collars worked with beads and colored threads. — From "Seventeen Years Among tite Sea Dyaks of Borneo." by Eduin H. Gomes. J. B. Lip- piticoit Co. [117] SCENES FROM E V E R V LAND UYAK (URLS OF BORNP^O Each wearing the tight brass corset which fashion dictates. (See page 117.) Photographs from Ed^vin H. Gomes, Courtesy of J. B. Lippincott Co. [118] SCENES FR-OM E V E Ft V LAND WOMEN IN THE SHAN HILLS OF UPPER BURMAH The women in this part of the world aspire to have a long neck. Beauty is estimated from the extended head pivot. From childhood women wear tight rings of brass about the neck, an additional ring being added at the slightest suggestion of relief from .strain. The weight of the rings, added to those which they carry on their legs, must be most unpleasant. — Photograph by Alfred J. Smith. [119] SCENES FROM E V E R- V LAND J3 J3 O O ■~^i s °^ ■ T3 ^ ?i c^ 3^ rt ^- rt '^ O to O M O M :^ o o <1 o I- +j -D c S -^ -£ o QJ 3 C ^ c £ .S S 2 g 03 M • - s- --; 03 PL, ? w .5 0; a; S -- ^ -^ ?- -2 4J +J ^ ■;- CO T3 ^ ? Qj OJ 03 +^ o 0; O) c3 o a) o i_; oi u, oj h -c si. Q < o o aj a; ^•^ OJ 03 OT X "OJ a 5-5 d; to ^ — O" CO c -a o o § t^ [120] SC BN E S FROM EVERV LAN Pj^ *->' c X e a* V . s •?, 'i ^ .§ pi > § S ^ • S- : i ^ 0) g rt (^ ^_| ^ p ll c |£ i S - "hfi-T '^ ^ 0) X b.. O C^ O ^ rt c -^ ^-^ > p > c w c ^ := 5 1 < tr- '^ .^ -^ ^ g S ^ ij 1— 1 M O <3 *- .ti ^ ^ -^ ^ o S •S g § X S ? ° 1 03 O c ^ - S '^ 2^ O <^ PQ p:5 2; rg ^ -C -^ ^ •- ^ fc H H <1 O H Q <3 T3 OJ QJ 0) c o aJ 2^ P..S S i 3-^ C/J Tt, o o s- rt "i; c '^ p:; s- O fcJD . ,v. :#i [ 142 SCENES FROM EVERY LAND TROGLODYTE COURTYARD, OR PATIO OF THE SHEIK OF MATMATA, SHOWING ENTRANCES INTO VARIOUS CAVES The holes vary in depth and width, but average nine meters deep by fifteen meters in circumference. This great hole is used as a "patio." or courtyard. Numerous caves dug in the sides of the hole serve as living-rooms and storehouses. One enters these dwellings by means of a passage tunneled through the earth or rock. Some of the ceilings are roughly ornamented with Arabic designs cut in bas-relief in the rock and the dates when the dwellings were dug. None of them seem to go back more than 100 years. — Photograph by Soler, from Frank Edward Johnson. [ 143 1 SCENES FROM E V E R V LAND 1 S-i^^^J ^ >.^ O Ctt, >.o ^S^ S 1 i- o o 01 o A ^ ^i t: - p^ t^ s ^ a! ■;; «« 2; ^ ii "5 *^ ^- cu trang true each h trib st, ar ee pa "2 >, c y !- 1^ =^13 &^o .S S-g 3 ° a T^ 0. .2 § tj .=S g he cam cription , superp in the p ng the 1 ncient p -tj cc O) c fT y. emarks tha ." This de nt and ston clearly seen ncestors du irious and A c; *- o a; , ^ Z ro - ^ E M :^ 2 c ^^^-r c -u > cy ^ ^ w 'A O to g-S'^ Ji T3 -1^ ^ M E A o; O O O =^ £ W period Rom overturned b ellings, made n great ovals out the same PS wprp thpn Q o M ^ CD fe — -C -1- during t resem shaped een bui to-day Trnp-ln P5 n Africa bodes tha s of cave- wn has b ellers live prl thpsp X M S n, "^ ■- t^ ^ ^^ i^ o .2 :3 l: > ^ on n m cur of tho ies. ese ca OD . t, _c; , writin le dwell consists five sto mg. T llust peop own r or steal W +j p - ^ M OJ ^, O -M C X, '^'*^ V. <■ ^ rC t^ S «■ : E-i o > C 144 ] SCENES FROM E V E R V LAND A \v\^sll>l; ri:,\ noi'si-; Tea houses in Japan are most welcome and opportune resting ijlaces in the day's journey. Visitors are usu- ally served by young women, who not only fill the place of waitresses but are charming hostesses. At the wayside inn in the picture the old couple were most considerate of our comfort. M NS SOl.lClTlNc; ALMS, .lAl'AN In the right hand of each nun is a little hammer, which is used to strike the small metal gong attached to the belt to give notice of their approach, so that a i)erson may be prepared to make a contribution. If the coin is forthcoming the nuns deposit it for the time being in the box hanging at their side. Photographs by William Wisner Chapin. [145] SCENES FROM E V E R V LAND 146 SCENES FROM E V E R V LAND O' ^ o .5 s of omed tribe (h -^ 3 •r i£ a- o 3 ? J= c ;3 5^ *- a; O • ' c o c -5 . rt o =: £ -S -H. X 1 o :t; i: ; <; ^ :^^ ? S "5 . o ? ^ ""^ !/J '^ 'I ■£ "£ § TJ ^ ^ ^ '"; )^ c5 -c — i: ^ a 0. 3 ^"X =: fc, o c O c |t1 0- g -r ""' ,!- ffi H S" ./-S s O CO tJ c 5 c ^ o o ^ £ S ^ ^ - a M £ O ■;5 O :3 C» .ti Q> !- o § z 2 CO ^^ c:-! S|S.| 1 5 -^ -O — 00 c:; Q, _; 3 ^. ^H fe 03 o rt _ 3 a^ J T3 O 3 rt >< C tr^ -^ ^ !- ^ w a^ c J- S o ^^ ^ ^ to a> 01 •i^'"' ° rt § > a> •C « 5 1^ a> ca ^ ^ i 0) C H CO > M c3 ^ '- ^^ L< CQ ci ">-»-^ . £ fc, CO g C ii - a^ c «« -T3 £"C .5 0) *J C« 2 S|8-|i S^oS [ 147 SCENES FROM E V E R. V LAND |s WOMEN AT A WELL IN MEDENINE (See pages 144 and 147.) WOMEN OF MEDENINE, SOUTHERN TUNISIA Photographs hy Marie Helms. [148] SCENES FROM E V E R_ V LAND •a|^j«^i«: —i "■iii'^e*j COSTUME OF ARAB WOMEN, WHITE HAIKS AND BLACK FACE-VEILS. TUNIS Pliotograph by Lehnert and Landrock, from Frank Edward Johnson. [ 149 ] SC EN E S FR.OM E V E R V LAND ^ cu c S, rt CD c c£ P< 3 .;a M O" OJ ^ C H O) o 0) ?r,-^. o "« +J 42 QJ '^J ^ r^ •^ • C O) -t; "^ 3 '^ oJ _^ ^ -^ g I o ^ a; .5 o g oi «:; g - >> c § g a; ^^ ^ a* -2i T3 ^ (^ b. .. ° g^.22 o " S oj §» ^ s ^ ° ■ s ^. ^ O o ^ M O OJ j3 ri o ^ > i3 rrt 13 •::: m o a ° C CO t^ , p3 - ° ^ , i? M CJ c 5- +f -3 o rt t3 rt -^ C3 tj M g M — ^ '-' a> ■j:; S CO oj .2 o; +j -M ^ 2 F^ '2 £ "H H td H [ l-'JO ] SCENES FROM EVERY LAND LIBERIAN NATIVE SPINNING THE GYROSCOPIC TOP The top can be seen in the air above the Golah man's head. The top is kept in the air by repeated strokes of the small whip in his right hand. To start the top the lash of the whip is wound around the body of the top, making a little more than one turn. The top is then placed on the ground with the stem to one side. The whip is given a quick upward motion, throwing the top into the air at the same time, imparting to it a spinning motion. As the top drops within reach, but before it touches the ground, it is struck with the whip in such a manner that the lash winds around the stem close to the head. The stroke is immediately followed by another upward motion, which again throws the top up and makes it revolve still faster. This operation is repeated rapidly, the top going faster and faster with each stroke, until it begins to emit a low musical note. Skilled performers have no difficulty in keeping the top in the air for any length of time desired.— Photograph by G. N. Collim. [151] V-FISIRS FROM EVERV LAN D Is HAND-DRUM ORCHESTRA OF THREE PLAYERS IN THE ZAMBESI DELTA, IN PORTUGUESE EAST AFRICA Both the bare hand and a short drumstick are used in producing the weird but highly- variable "music." A carved image on a post presides over the occasion.— Photographs by O. W. Barrett. [ L-.2 ] SCENES FROM E V E R V LAND THE CHAMPION HIGH JUMPER OF AFRICA While exploring German East Africa, the Duke of Mecklenburg was much impressed by the agility and ease in jumping hedges displayed by the natives of the Ruanda district, and determined to test their jumping powers by American and European methods. Accordingly a line, which could be raised or lowered at will, was stretched between two slender trees stand- ing on an incline. The athletes had to run up to this and jump from a small termite heap a foot in height. De.spite these unfavorable conditions, exhibitions were given which would place all European efforts in the .shade. The best jumpers — slender but splendid figures, with an almost Indian profile — ■ attained the incredible height of 2.50 meters (8 feet .") inches), and young boys made the relatively no less wonderful performance of 1.50 to 1.60 meters (5 feet). — From "In the Heart of Africa," by Adolphus Frederick. Duke of Mecklenburg. (Cassell &Co.) [ 153 ] SCENES FROM EVERY LAND I - ^•A i fc; o CO < W GO l-H « c GO >^ O >^ P t-1 w CO §2 [ 154 ] SCENES FROM E V E R V LAND so if '^ o .^ IS § (I' ^ O rj^ Q S 11 ^ .2 '^ E 5 ^ i c — ,o .x: " E ?: s [155] SCENES FROM E V E R. V LAND %g- 'r ■■'^> CO QJ 01 "• Xi X. ra ^ ^ C OJ M rt a; •-" ^ "" -^ D. o u Ph S ^ic o rt c ^ 0) ^-i-T o -S S- =5 S ^ o |2 S Q < w m <1 fc -< •b ^ ii 3 F^ 2: g j2 ^ ^ O 0^ o w «J lonies w ill parti in evic d a- w O) c a; O I < Q CO in < .2 i t^ I. F ^ _ I' 0) OJ i> ^ d a (V „^ P O) c« bJD OJ > to r/ «-i - rt & o .': -f/' ^ ? — a ?^ -'-^^ o O o. - . c ~ gP ^ w g H O - ^^ c H Pi c^ -< o o o Ph m O Pi w u o :^ S -j: S .5 la rt g •s ^ Hi Q 3 V, Cu i^' X ?.) m ^ « r! Ci^ [ 159 ] SCENES FROM EVE RV LAND Photograph by J. Akion Loring Copyright by Charles Scribner's Sons. No. 1. TOWING BULL HIPPO ASHORE, LAKE NAVAISHA This huge beast was shot by Theodore Roosevelt in 1909 and forms part of the unpar- alled zoological collection made by Ex-President Roosevelt for the U. S. National Museum at Washington. 'fWif^ Photograph by Kermit Roosevelt. Copyright by Charles Scribner's Sons- No. 3. SKINNING THE HIPPO Photographs from "African Game Trails," by Theodore Roosevelt. [ 160 j SCENES FROM E V E R V LAND I'liotouraph hy J. Aldcn Lorin;,' ( (i|)> ri'-hl hy cliaiir rrilmers Sons No. 2. BULL HIPPO HAULED ASHORE AND READY FOR SKINNING. LAKE NAVAISHA, BRITISH EAST AFRICA "%. -^. Photograph by l\rriiiii Km, ,-(,,/ , .[. , hy Charles Scribncr's Sons. No. 4. PREPARING THE SKIN FOR SHIPMENT TO U. S. NATIONAL MUSEUM There is no African collection in Europe or America equal in numbers or quality to the remarkable series of big and little game which Mr. Roosevelt obtained for the U. S. National Museum. Photographs from "African Game Trails," hy Theodore Roosevelt. [161] SCENES FROM EVERY LAND =Jd f ^'■■^ f w ^ ffi e H ^^ ffi S5 H -« ^ "S o GO (^ U »i P^ -o < ~ >^ O) »~ >-T »i tr- a. CO o (.) H P - O «j PQ ■^ <: ■. Ph g O) w s fe ^4 fe <» S3 — o cS ^- ^ J2 +J M p{ CS TJ C OJ . c •'- s- 2 " ^ CO 0; W) -^0, CO 0) <5 05 Q^ ^^^ a; 5 Pi L/J ■1-^ CS -' si. ■-5 >i t" hJ QJ £ 1^0-^ Q ^2; c~ c :3 So, o j3 c w y^ c >^ . X S ^ O) rt H ■^ 03 c i: +-> o 168 ] SCENES FROM E V E R V LAND » ONE OF THE CARVED MONOLITHS OF QUIRIGUA, GUATEMALA None of these remarka})le monoliths at Quirigua contain any carving or representation of a weapon of war, which is a proof of the advanced civilization and culture of the unknown people who constructed them. [169] SCENES FROM E V E R V LAND MARKET SCENE AT SAN CRISTOBAL. MEXICO The streamers on the man's hat indicate he is unmarried and has a sweetheart. 170 ] SCENES FROM E V E R V LAND =JD THE TRUNK OF A CACAO (CHOCOLATE) TREE. PICHUCALCO. MEXICO Showing the peculiar position in which the fruit grows. Cacao beans are still used as money in the primitive parts of Southern Mexico.- Photograph by G. X. Collins and C. B. Doyle. [171] $! SCENES FROM E V E R V LANd" Ci [172 SC EN E S FROM E V E R V LAND in W Q <] Q O W p:; w Q 6 ° Pi .2 "^ ^ •*- ^ o _a; ^ "3 CO o o cS to .a -C (D .S o o -^ I "I o o T; c3 ai - o ^ rt rt oJ - 0) Oi S F O- X c ^ c M 5 l-H o ^ -c .H _2 C3 [173] SCENES FROM EVE RV LAND =Jj ^. ,\^-l ?«iJi ^'^^ w H fa o o O O . H IS W [174] SCENES FROM E V E R V LAND [ 175 ] SCENES FROM E V E R V LAND A ( u:\.S1i.N.MI;N I (.)1'' l-KillTLXU CUL'KS, A1KXU'() Note the specially constructed basket, with its padded sides. Only specially bred cocks are treated with such consideration. — Photngraph from Mri^. Harriet Chalmers Adams. [17G] SCENES FROM E V E R V LAND A MASSIVE TREE-CACTUS IN THE DESERT NEAR TEHUACAN, MEXICO (Pilocercus fulviceps) Several hundred gallons of water are stored in its fiber. Some desert plants have cisterns which they fill with water against the days of drought, just as the ant stores its cellar with grain and choice morsels in preparation for the days when it is imprisoned by the rain and snows of winter. Another species will spend many years to gather the force to send upward a single stalk of flowers and then immediately die as if contented, after years of labor, to perpetuate itself by this single blossoming. Other plants have developed hairy coverings and resinous coatings which protect them from the burning sun's rays and also prevent the evaporation of the water they have secreted. — Photograph by D. T. MacDougal. r 177] ROM EVERV LANdH^ 2 C & O) of O) 05 3 t3 -^ %2 [ 178 ] SC EN E S FROM E V E R V LAND SCENE IN THE DESERT OF LOWER CALIFORNIA, MEXiro This desert contains the richest and most extraordinary desert flora in the world (see also pages 180-5). Mr. E. W. Nelson of the U. S. Biological Survey writes: "Although familiar with the varied types of plant life, from the stunted growth of Arctic tundras to the exuber- ant foliage of the humid tropics, I have never seen such a fantastic riot of extraordinary forms as that afforded by the flora of Lower California. The combinations of species were often wonderfully picturesque and gave the landscape an individuality unlike anything to be found elsewhere. The cirio {Idria columnaris) is peculiar to this region and one of the most abundant and unusual of them all. It has a tall, tapering trunk twenty to fifty feet high, with pale yellowish bark, many extremely thorny branchlets along its entire length, and tufts of .small yellowish flowers on the end of long, slender stalks at the extreme tip. Thin forests of these pole-like trees cover hundreds of miles of the interior." The pole-like trees are the "cirio" (Idria (•olumnaris) ; the many-branched shrub on the left is an "ocotilla" (Fouquiern splendev.s). which bears a brush-like mass of brilliant red flowers at the tips of the stalks. Small oval leaves grow along the stems. — Photograph by E. W. Nelson. I i7;t 1 SCENES FROM EVEFLV LAND i«() SCENES FROM E V E R V LAND [181] SCENES FROM EVERY LAND [182] SCENES FROM E V E R V LAND t^.« « rt ►*, g C rt , ^ c« £ — rt S^^ = (~, vj 3 tJ ? £ c: <- "^ -- c:^ ^ c '■*- c ^ rt *- O . -ti V tf J= »-^ ^^ l^ C >~ =i. •o .-St c-I--^-? -M rt H 3 c <^ g Pi Pi <1 w -ti £ * S a "? S "i bx) — " 0^ o Ji c /< -^5£ r^ -^ - -3^ ;? ^ w. "S ^ g-^ 1 Uh :jj X £ ^:5 -^ -i >>'T= § H s S .£ s y: ■^ -^ ec- .. ^ £^ ^ t £ 2 ? 3 a- c 3 r- S 1> [ 183 SCENES FROM EVE RV LAN D C3 M . — i 5; CS P o 03 13 CO O eq ni P5 p M OS b 5 g ^ I-' nj c3 X +j — - .i:^ C -S 03 bX)" -u O 03 CO O.^ CO oi to a: O Ph K ;^ en rt 2 a^. a; S X" 03 f 5 =« o ^, "5 !- c 2 ° +^ <« -^ -f, ^ OH 0^ a; TU(iRAPHED AT Fll-TY i'EEi 1 IUkM AMBUSH He jumped the instant after the shutter revolved, but left his picture behind him. Note the fine and graceful horns. (See page 1!»8.) Photographs hij (ieorge Shiras, 3d. SCENES FROM EV E RV LAND ^ .\h:/^ [ 202 ] SCENES FROM EVERY LAND o T3 WJ H (0 0^ UJ c j-i 0/ f. X t~ t/J ■ c A ^ ^ 3 42 ^ \ L 203 1 SCENES FROM E V E R V LAND ANOTHER VIEW OF THE RAINBOW ARCH IN UTAH PItotograph and Copyright by S. M. Young. [ 204 1 SCENES FR.OM E V E FL V LAND ^ ik ONE LIMB OF THE RAINBOW ARCH PHOTOGRAPHED FROM THE BASE OF THE OPPOSITE LIMB This picture brings out, perhaps, more than any other the imposing proportions of the structure. It is not the size alone, though this far exceeds the greatest masonry arches con- structed by engineering skill; nor is it solely the graceful lines or curvature of maximum stability, but rather all of these, that combine to make this the most remarkable single arch now known. It would easily span, with room to spare, the dome of the Capitol at Washington ; or, if hung over the Flatiron Building of New York, its limbs would come within a few feet of the ground, though to the west of Fifth Avenue on the one hand and to the east of Broadway on the other. The arch is carved from a buff-colored, fine-grained sandstone, brick-red upon its surface and stained with vertical streaks of a darker shade. — Photograph by Joseph E. Pogue. [ 205 ] SCENES FROM E V E R V LAND [20G SCENES FROM E V E R V LAND ■^ _ C C OJ — I 0/ ° j; •" *-> -JC 't •= * fc- 2 -c o [207] SCENES FROM E V E R V LAND =D GLACIERS OF THE SOUTHWEST SLOPE OF MOUNT RAINIER In the center of it (the Rainier National Park) there is a lonely mountain capped with ice; from the ice-cap glaciers radiate in every direction, and young rivers from the glaciers; while its flanks, sweeping down in beautiful curves, are clad with forests and gardens and filled with birds and animals. Specimens of the best of nature's treasures have been lovingly gathered here and arranged in simple symmetrical beauty within regular bounds. — John MuiR. — Photograph by A. H. Barnes. 20S SCENES FROM EVERV LATSI D ^^ 0'"^ ICE FIELDS ON THE WEST SLOPE OF MIDDLE SISTER. OREGON On steep inclines the climbing-rope and ice-ax are essential to a reasonable degree of safety. Photograph by George M. Weister. [ 209 ] SCENES FROM E V E R V LAND [210] SCENES FROM E V E R V LAND [2111 SCENES FROM E V E R V LAND H o Q GO m Q Q <3 fa Q PQ S fa ^ M O Ph r^ Ph o p:; o [212 SCENES FROM E V E R V LAND Pi ct v: ;: y. 9- ' -»■ Lff .^ 7j (f "T ftU* r- ^ by & :^ 5 m in. - w 2 t; H\ ^ £ ^■ml ,_^ ■-; |B ik^ , C/- ^^^H -v» s. ^H \ t; >Jm i^ [ 218 ] SCENES FROM E V E FL V LAND o o H W K o ^ ^-^ a, rt a; c *^ > -C - H ^ -^ a o O P5 o ^ c c e ■ "" o I ■^ ^^ ' g fl c - o M ^ o o [ 214 ] SCENES FROM E V E R V LAND A !- T '- Oj o c c a; S ^?^ '■5 c ■ r o r -^ — 3^ -^ -eg—' — --r' the time o which the extending anish the ace which ^ 5 "S -c '^ •£ o -r ^ fc. 0/ ti - rt ^ >- _. ^ o rt a^ =« o ^ cb 5,- '^ ^^.s^-^i P; < 2: f" -? ';g ^ :^ 2 ir c cS 5 "^ S C t: c X :: 5 < S c 5 t: '-^ 1: y Q S^-S:! cf^ j-i < S S i p= < ^ /< a o ^ ^- S ^ 2 - J c gi-^.2 a.;t E "5 'S'i; "5 ^ =^ X Q y ^ ^ .S =^ ^ o ■■^ ^ ji " *J o < ^^ o .. S -'^i 1 ^ ^ ;:; £- M aj +j r rJ-l O c« ? c o S > a3 :? 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