SONGS & STORIES FROM TENNESSEE JOHN TROTWOOD MOORE " LITTLE JAKE.' SoNGSANoSlORIES FROM TENNESSEE. BY JOHN TROTWOOD MOORE, AUTHOR OF " A SUMMER HYMNAL." ILLUSTRATED BY HOWARD WEEDEN AND ROBERT DICKEY. PHILADELPHIA: HENRY T. COATES & CO., 1903. COPYRIGHT, 1897, BY JOHN TKOTWOOD MOORE. COPYRIGHT, 1902, BY HENRY T. COATES & Co. PREFACE. r ~pHIS is a very large world, and so I have not * tried to cover, in this little book, any very great portion of it ; but have contented myself in a faithful endeavor to describe, truthfully, life as it has been, and is, in the Middle Basin of Tennessee the Blue Grass Plot of the State. And this spot is rich in history and tradition so rich that for years I fretted because no gifted one of its citizens would arise and tell to the world, in story and in song, the earnest life, the sweet simplicity, the matchless beauty, the un- published glory of its land and its folk. And when none arose, week after week, without a thought that what was hastily written for an obscure department of a country paper would be found worthy of compilation, I have only attempted to do what a greater one should have done. To those who will read this book, the author begs them to bear in mind that he does not claim for these little peoples of his brain any great amount of genius or originality. But he does claim that, though decked in homespun and homeliness, they are the faithful little children of their own bright land, the truthful representa- tives of the one dear spot, fresh from the fields and the forests, the paddocks and the pens of the Middle Basin. It is customary with some authors to dedicate their books to others. To my father, Judge John Moore, and my mother, Emily Adelia Bil- lingslea, both of whom yet live in the old home at Marion, Alabama, I dedicate this, an un- finished tribute of my love and honor, a half- expressed token of the gratitude I owe them. JOHN TROTWOOD MOORE. CONTENTS. PAGE The Basin of Tennessee, i Ole Mistis, 10 Miss Kitty's Fun'ral, 48 The Wolf Hunt on Big Bigby 78 Gray Gamma, 86 The Mule Race at Ashwood 98 The Tennessee Girl and the Pacing Mare,. . . 103 "Dick," no Nora, 131 The Spelling Match at Big Sandy, . . . .138 How Robert J. Broke the Record, . . . -144 How Old Wash Sold the Filly, 149 How Old Wash Captured a Gun, . . . -157 Br'er Washington's Arraignment, .... 163 A Cavalry Drill in Old Tennessee, . . . -175 The True Singer, 191 How the Bishop Broke the Record, .... 194 First Monday in Tennessee, 202 Yesterday, 214 The Juliet of the Grasses, 217 Hal Pointer on Memorial Day, 224 Sam Davis, 231 The Lily of Fort Custer, 240 The Flag of Green's Brigade, 256 By the Little Big-Horn 258 Contents PAGE Thoroughbreds, 2 6j "Wearing the Gray," 2< 5 5 The Bells of Atlanta, 267 The Tennesseean to the Flag, 272 Tennessee, 274 To a Wild Rose on an Indian Grave, . . . 279 The Blue-Grass Plot, 281 To a Sweet Pea, 283 The Hills, 2 g To a Mocking-Bird in the Pine-Top, . . . .286 A Harvest Song, 2 gg The Old Meadow Spring, 2QI Sleeping, 2 , To the Spirit of May, 294 Clouds 296 Sunset on the Tennessee, 206 Morning, 2q7 Under the Pines, 2Q g The Music of the Pines, 2 gq The Evening Star, , 02 To a Morning Glory, , 02 The Summer of Long Ago, , 03 Truth in Beauty, , - The Faith of Old 307 Christmas Morn, , co Alone ' 309 To Whittier, Dead, 310 The Church of the Heart, 3II The Christ-Star has Risen 3I -, A Memory, , Contents PAGE Eulalee, 314 A Morning Ride, 314 Immortality, 316 Life's Christmas, 317 Beauty, 318 It Can Not Be, 319 A Little Cry in the Night, 320 Tis But a Dream, 321 The Pines of Monterey, 322 To an American Boy, 323 Our Bob, 324 To Burns, 325 Work Through it All, 326 Mollie, 327 O Voices that Long Ago Left Me, .... 328 A Ray from Calvary, 329 Marjorie, 329 Blue Jay, 332 Success, 335 When the Colts are in the Ring, .... 336 Fair Times in Old Tennessee, 338 The Rabbit Trap, 339 " Huntin' o' the Quail," 341 When de Fat am on de Possum, .... 344 Little Sam, 345 Lettie, 347 The Old Plantation, 349 Reconciliation, 351 Longin' fur Tennessee, 352 Wonderful Men, 355 INTRODUCTION. THE BASIN OF TENNESSEE. THE Middle Basin is the dimple of the Uni- verse. About equal in area to Lake Ontario nearly 6000 square miles situated in Middle Tennessee and surrounded by the Highland Rim, it is one of those peculiar geological formations made long ago when the earth was young. In altitude, but little higher than the first plateau beyond the Mississippi ; in shape, oval and symmetrical as the tapering turn of an egg shell cut lengthwise ; in depth, from 500 to 1000 feet deep enough to break the force of the wind, and yet high enough to concentrate, as by a focus, the slanting sun- beams and the shadows. Away back in the past it was once the bed of a silver shining lake. But whether its waves boiled beneath a torrid sun, lashed into foam by saurian battles, or whether glacial icebergs sunk their crystal pillars in its depths and lifted their diamond-turreted peaks to the steel-cold stars of an unanswering heaven, no one will ever know. And what became of it ? We shall never know. Perhaps an earthquake rent its natural levees, and it fled with the Cumberland or the Songs and Stories Tennessee to the gulf. Perhaps the mighty Mis- sissippi brushed with his rough waves too closely to the western border of our calm lake one day, and she went with him, a willing captive, to the sea. Or, she may have passed out down the dark channels of some mammoth cave whose caverns have never yet heard the sound of human voice we know not. All we know is, the lake was here the lake is gone. Time is long. The mound-builders were not here then, for they have dotted its fertile basin with a thousand voiceless monuments of a voiceless age. Time is long. The lake was here the lake is gone. But when it went, it left the sweet richness of its farewell kiss upon the lips of our valleys, and the fullness of its parting tears on the cheeks of our hills. It made the loam and the land, the spirit and the springs, the creeks and the cream of the Middle Basin of Tennessee the Blue Grass Plot of the State An animal is the product of the environments that surround him the blossom of the soil upon which he lives. He is part of the sunlight and the grass, the rock and the water, the grain and the gravel, the air which he breathes and the ant-hill which he crushes beneath his feet. Man is the highest animal. Then behold the man of the Middle Basin, the highest development of the animal creation : Jackson, Crockett, Houston, from Tennessee Bell, Polk, Gentry, Maury, Forrest these and thousands of others whose names and fame are fadeless. The life of man is what he makes it ; and of a state what man makes it. And so, in the course of time, the two become as one the men become the state while the state is ever but its men. Character is what we are ; reputation is what we are supposed to be, 'tis said. A history of the Middle Basin, then, is but a record of the char- acter of the people who have lived and died there. If she did great things in the past, it was because she had great characters in the past. The wis- dom of those ancient Greeks who taught their children that they were descended from the gods is to be admired ; had they not, I doubt if the Greeks had acted like the gods, as they did when the)' met the Persians at Thermopylae and Sala- mis, and, even that far back, made the story of the Middle Basin a possibility. Our ideals, at last, are the true gauges of our characters, and the higher we rear these castk-s in the air, the loftier will our own soul-dwellings be. Let us build our characters as we would our castles, alike beyond the reach of those who climb and those who throw. For the ideal and the real go together. The dream must precede the chisel, the vision be father to the brush, the thought to the pen. Briefly stated, our forefathers of the Middle 3 Songs and Stories Basin came from North Carolina and Virginia, and when they came over the mountain they brought its granite with them. Mountains and hills have always produced genius and liberty. There is a divine spirit that dwells in the rarefied air of hill-tops, that is incompatible with ease, with slavery and with sloth. It seems to permeate the souls of those who breathe it, to lift them above the sordidness of that wealth which accumlates in the valleys but for decay. Andrew Jackson was their type and, like him, their deeds will live forever. Down the long aisle of the centuries to the organ notes of fame Stalks a silent figure hallowed in the light of glory's name ; Stalks a grand, majestic manhood to those eon fields to be, A spiritual pyramid in the land of memory. And if we cannot prove that we are descended from the gods, we can at least demonstrate that we are the children of god-like men and women and that is better. Years have passed and yet the Middle Basin is as rich and beautiful to-day, in the green dressing of autumn's after grasses, as she was on that memorable day, years ago, when Hood's army, 4 from Tennessee on its march to Nashville, came thundering with thirty-five thousand men over Sand Mountain from the bloody fields around Atlanta. The Tennessee troops, as a guard of honor, led the advance. For days they marched among the "old red hills of Georgia," the pines of North Alabama and the black-jacks of the Highland Rim. But suddenly, as they wheeled in on the plateau beyond A\t. Pleasant, a beautiful picture burst on their view. Below them, like a vision, lay the border land of the Middle Basin a sea of green and golden ; green, for the trough of the land waves, somber in the setting sun, had taken on the emerald hues of the pasture grasses ; golden, for the swelling hills, where rolled the woodlands, were studded with the bright gold foliage of autumn leaves, nipped by the early frosts. Farm house and fences, orchards and open field, meadow and meandering streams, newly plowed wheat fields and rustling rows of trembling corn, all basking in the quiet glory of mellow sunlight, formed a picture so restful to the eye of the tired soldier and so sweet and soothing to the homesick heart, that involuntarily his old slouched hat came off, his musket shifted to "'present arms," and a genuine rebel yell rolled from regiment to regiment, from brigade to brigade, as this splendid master-piece of nature unfolded before them. "Have we struck the enemy's picket already?" 5 Songs and Stories asked the thoughtful Hood, now thoroughly aroused and his keen eyes taking on the flash of battle. "No, General, but we've struck God's coun- try," shouted a ragged soldier present, as he saluted and joined in swelling the volume of the reverberating yell. Even the gallant Cleburne, Honor's own soldier, the man whose matchless brigade a year before, at the retreat from Chickamauga, had stopped Grant's whole army at Ringgold Gap, tipped a soldier's salute to the quiet church-yard at Ash wood, and expressed the wish, if he fell in the coming battle, he might sleep his last sleep there. Prophetic wish ! With thirteen other field officers he fell, a few days afterward, around the bloody breastworks of Franklin, and yielded up his life "as a holocaust to his country's cause." But even War the cloven-footed curse that he is could not blanch her cheek save for a moment, and as soon as the last echo of his tread had died away, she aroused again to life, with a wreath of emerald on her brow, the blush of the clover blossoms on her cheek', the sparkle of her own bright springs in her eye, and the song of the reaper in her ear. Upon the knolls where cannon hurled Their deadly grape between, 6 from Tennessee The stately locusts have unfurled Their flag of white and green. And o'er the ridge upon the crest Where gleamed the flashing blade, The serried rows of corn, abreast Stand out on dress parade. Adown the slope where once did reel The stubborn ranks of gray, Now speeds the flying reaper's wheel Now charge the ranks of bay. And down the vale where marched the blue With band and banner fine, The frisky lambs in ranks of two Deploy their skirmish line. And so is she rich in climate and in soil ; but richer far in the memory of heroic men in lives that shall live and a beauty that shall never die: O, the glorious Middle Basin, The rose in Nature's wreath ! With her purpling sky and her hills on high And her blue grass underneath. 'Tis here our fathers built their homes, 'Tis here their sons are free For the fairest land From God's own hand Is the Basin of Tennessee. 7 Songs and Stories O, the fertile Middle Basin ! Proud Egypt's threshing floor Held not in the chain of her golden grain Such fields as lie at our door. Our daughters grow like olive plants Our sons like the young oak tree For the richest land From God's own hand Is the Basin of Tennessee. O, the joyous Middle Basin, Land of the mocking-bird ! Where the flying feet of our horses fleet In front of the race are heard. They get their gameness from our soil, Their spirit will ever be For the merriest land From God's own hand Is the Basin of Tennessee. O, the loyal Middle Basin ! So quick for fife and drum ! She stood in the breach on the cresent beach When the hated foe had come. Her Jackson made our nation safe, Her Polk an Empire free- For the truest land From God's own hand Is the Basin of Tennessee. from Tennessee O, the glorious Middle Basin ! Can we be false to thee ? Sweet land where the earth and the sky give birth To the spirit of Liberty ! Not while our maids have virtue, Not while our sons are free For the fairest land From God's own hand Is the Basin of Tennessee. Songs and Stories OLE MISTIS. A BRIGHT, sunny morning, about fifty years ago, in a valley of the Middle Basin of Tennessee. A handsome brick residence, with sturdy pillars and flanking galleries, on a grassy knoll that slopes up from a winding pike. Barns, whitewashed and clean as a sanded kitchen floor ; fences, shining in long lines in the hazy, spring sunlight ; orchards, in bloom and leaf ; wheat- fields, stretching away in billowy freshness, turn- ing now to amber, now to emerald, as the west wind laughed across them. Further on, a meadow, dotted with sheep and cattle, while nearer the house, and to the right, a narrower meadow of bluegrass, through which merrily leaped a sparkling branch whose source was in a large stone dairy near the house. This meadow had been divided into paddock after paddock, each containing a handsome mare or two, with foal at her side. This is the home of Col. James Dinwiddie, the courtliest gentleman, best farmer, kindest friend, most relentless enemy, most charitable neighbor, from Tennessee nerviest gambler, and owner of some of the best race horses in Tennessee. " Horse racing," he has said a hundred times, " is the sport of the gods. A man must breed horses twenty or thirty years and have his an- cestors do the same, too, before he can become an all around gentleman. The proper study of mankind, sir with due respect to Alexander Pope is horsekind. Gambling on horseraces is wrong of course it is, sir. It's wrong just like it's wrong to gamble on the price of wheat or corn, or city lots, or to raffle off cakes and quilts at church festivals, or to run up a bill at your grocer's when the chances are ten to one you'll never pay it wrong, all wrong, sir. But how are you going to stop it ? I, for one, shall not try. The Dinwiddies can show ten generations of gentlemen, sir, and not a single hypocrite " and he would invite you out to a paddock to see a stallion he had lately imported from England. " The winner of the Derby, sir, "he would add as he looked him critically over ; "the winner of the Derby, while kings and princesses looked on in admiration and delight." The clay wears dreamily on, being one of those spring days when wanton May, coquetting both with April and June, varies her moods to suit each ardent wooer. Everything is busy grow- ing too busy to attend to anything but its own affairs. Even Brutus, the Colonel's negro jockey, 1 1 Songs and Stories was rubbing with more than usual attention a magnificent blood-like gray mare half covered with a costly all-wool blanket, on which the Dinwiddie monogram was stitched in red silk'. In the clean, newly-swept hallway she stood, impatiently enough, with the cooling bridle on, her keen ears now flashing forward, as some ob- ject attracted her attention in front, now laid back threateningly on her neck as the vigorous jockey rubbed too ardently her steaming sides for he had just given her her morning work-out and champing incessantly the bright round snaffle-bit in the loosely-fitting head stall. An imp of a darkey, twelve or fifteen years old, small, wiry, with quick, sharp eyes, sits just out of reach of the mare's heels on an upturned peck measure, and watches like a cat every movement of the deft rubber. Jake, as his name went, was a privileged char- acter. " The mascot of the barn," as the Colo- nel called him, " and we can't get along without him him and the rat terrier. Just watch them, Brutus," he had said only yesterday to the new jockey he had lately imported from New Orleans to ride his horses and superintend his stable, " and don't let them go to sleep in the stall with Old Mistis or get too near the mare's heels. With any of the other horses it makes little difference. My luck would desert me if either of them got hurt." ] 2 from Tennessee To-day Jake was taking his first opportunity to tell the new jockey all he knew. " You gotter be mighty keerful dar, wid Ole Mistis," he said, as the mare raised a hind foot threateningly from a too careless stroke of the rubber, " mighty keerful. She's er oncommon kuis mair an' wuf all de res' ob de string. Didn't ole Marster tell you you mustn't nurver try to rub her off 'twellyou's fust cleaned off her face de berry op'site from eny yuther boss ? He ain't ? Wai, it's a good thing I tole you, or you'd er bin kicked ober de barn ! An' didn't he tell you erbout de warterin' ob her, dat she didn't drink spring warter like de yuthers, but you had to warter her outen de cistern whar de white folks drinks ? He ain't ? Wai, you jes' try her now. She'll die ob thirstivashun afore she'll drink a drap unless it cums outen de cistern. I'm de onliest one dat understand dis mair, an' dat's er fac," said the imp, as he arose from his im- provised seat and ran a hand down into a jean pocket where he had stored away a bright carrot. Slipping carelessly under the ma r e's flank, before the jockey could stop him, he bobbed up suddenly under her nose and presented to her the rich vegetable, exclaiming: " Heah, you gray ghost, faster'n greased lightnin' down er skinned syc- ermore, an' meaner'n de debil to his muddern- law take dis !" and the bit stopped rattling in her nervous jaws as she proceeded to devour the Songs and Stories carrot, after which she whinnied and then rubbed her nose affectionately on a closely cropped, woolly head, with every sign of satisfaction. " Take me outer dis heah barn," remarked the little darkey pompously, as he strolled back to his seat, catching the mare playfully by the tail as he passed, " an' dis mair would kill sum nigger befo' night. I'm de onliest one dat understan's her, an' ole Marster '11 tell you so. Didn't he nurver tell you how 1 made Ole Mistis win de ten t'ousan' dollars at de big race las' spring ? He ain't ? Wai, he mayn't tole it to you, but I've heurd 'im tell it to de guv'ners, majahs an' jedges dat visits -him, when dey sets out in de frunt peazzer an' smokes at night, an' dey nearly die laffin'. 'Sides dat, it's bin rit in de papers, mun ! " You see we got holt of er fool heah las' year dat thout de way ter train hosses wus ter beat 'em. We didn't kno' he wus dat way at de time or we wouldn't er hi'ed 'im. We b'leeves in kindness heah ; we don't beat noboddy 'cept dey b'leeged ter have it noboddy but my mammy, Aunt Fereby, de cook. She beats me nigh ter death sumtimes, 'kase I'm her onliest chile an' she's tryin' ter raise me right, an' Marster says 'he 'lows it 'kase she's de onliest one on de place dat knows dey've got de genuwine religun. Wai, dis fellow we got, tried ter train Ole Mistis dar, an' lac ter ruined her. She won't take no beatin'. No, siree ; why, man, dat mair's by Sir Archie, from Tennessee fus' dam by Bosting, secun' dam by Diermeed, third dam by Fly in' Childen, fourth dam by 'Merican 'Clipse, an' so on fur twenty mo' I've heard ole Marster tell it er hunded times. Wai, de end ob it wus we jes' had de oberseer gib dat nigger a cow-hidin' and saunt him erway ; an' we turned Ole Mistis out on de frunt lawn to try an' furgit it. An' dat's whar I fell in lub wid her. J ain't got nuffin' ter do but to tote de kitchin wood in fer mammy, an' I uster go out dar an' feed Ole Mistis apples an' sech lak, an' one day Marster tried 'er agin on de track, wid me dar to be wid 'er, an' she run lak a skeered deer wid de houns at her heels. Ole Marster laf an' say, ' By de eternal ! but dat boy am a reg'lar muscat he bring me good luck !' and he twell 'em to take me to de big race wid 'em at Nashville de nex' month. Jimmy ! But didn't we hab a good time on de road ? We hitched up de fo' mule team an' put all our things in an' went 'long in style. Ole Marster went 'long in de kerridge wid Mis' Anne dat's de young mistis an' Cap'n Sidney dat's her bow 1 hates dat white man, he's so mean an' we eben carry de horrow an' de big pair Devum steers to pull it. ' What you gwine carry dis horrow fur an' dis ox team, Kunnel ?' said de Sidney man when we started. ' Bekase, sah,' said ole Marster, 'my hosses can't run ober pavements, an' dat's whut dey had to do de las' time ! wus dar. Dat crowd 15 Songs and Stories up dar too stingy to keep de tracks borrowed, sah,' an' we all went on. Wai, sah, I slep' in de stall wid Ole Mistis ebry night an' she nurver tromped on me nary time. De mornin' ob de race dar wus de bigges' crowd I eber seen. 'Twas down in de ole clober bottom, whar dey say Gineral Jackson useter race ; an' bright an' early ole Marster rid out to de stable on de track an' tell de head jockey to hook up de par of Devum steers to de borrow an' make me bor- row de track for Ole Mistis an' den he rid off sum'ers. Dey put me on de off steer an' gin me a big stick, an' I went 'roun' an' 'roun' dat track twell I got mighty tired. An' dey guyed me an' hollered at me up at de gran' stan'. An' one man laffed an' hollered to sum mo' dar in er little stan' by deyself an' said, 'Time 'em, gineral, ef dey ain't goin' too fas' fur yore watch,' an' den dey all look at me an' de two steers an' laf. ' But,' thinks I to myself, 'ebry man gotter start at de bottom ef he 'specks to rise, an', dough I'm gwine 'roun' on a steer now, dey am good ones, an' dese folks will yet lib to see me go 'roun' on dis track on de bes' piece ob boss flesh dat eber stood on iron.' I kin stan' white folks laffin' at me, but de nex' time I cum 'roun' dar wus some little niggers laffm' an' throwin' clods, an' it made my blood bile. Torectly one on 'em got up clos' to me an' I hauled off an' fotch 'im a whack on de head wid 1 6 from Tennessee my stick, but de nex' one I hit I missed, an' hit de ox on de tip ob his big horn an' knocked de shell off clear down to his head. Wai, when ole Marster cum he was sho' mad, 'kase he thout a heap ob de steers, an' it sp'iled de match to have one on 'em wid de horn off, an' he ax' de jockey, 'who dun it?' An' de jockey said, 'Ax Jake.' An' he ax me whut I do hit fur, an' he wouldn't b'leeve me when I tole him 'bout de little nig- gers, an' he took his ridin' whip an' started to lambas' me. But it was den prutty nigh time to race an' he changed his mind an' said : ' No ; I won't whip you ; you won't mind dat ; but I'll hurt you wusser I'll lock you up in de stable an' you shan't see Ole Mistis run her race.' "Wai, sah, dat lacter kill me. I beg 'im to gib me a good 'un but let me see de race ! I cried an' I hollered, but ole Marster had 'em shut me up an' lock me in an' dar I wus. Wai, de crowd guthered an' de ban' played an' de bosses cum out, an' I looked through de crack an' seed Ole Mistis wid our colors up an' eb'rybody hoorayin', an' 1 jes' couldn't stan' it ! I knowed ole Marster wus busy an' he'd forgot all erbout me an' I jes' dug out dat stable like a rat, an' slipped up to de three-quarter pole whar de bosses cum doun fur de wurd. Wai, sah, you orter seed dat race ; hit wus a corker ef dey eber wus one. I furgot I wus erlive I seemed to be in ernuther wurld I didn't think ob the 17 Songs and Stories Devum steers no mo' 'twus glory hallieluyar, cinnerman bark an' pep'mint candy, two circuses an' er watermelon patch, moonshine and heabenly angels, an' I turned er summerset, I felt so good, an' hollered to de common niggers erround me es loud es I could : ' Look at Ole Mistis ! Look at Ole Mistis ! Jes' lookit my mair !' An' jes' 'bout den dey cum 'roun' doun our way an' ernudder hoss shot by Ole Mistis an' de niggers all laf an' holler, ' Whar am Ole Mistis now ?' an' hit made me so mad I jumped on de fense an' jes' es de mair cum by I hollered at 'er wid all my might : ' Look out, Ole Mistis ! Look out, Ole Mistis ! Look out ! Fur Cord sake run !' An' fo' good- ness she heurd me for she jes' collared dat hoss an' went by 'im lak he wus hitched to de gyardin palins. An' when I seed she bed beat 'im I jes' turned summersets all ober de groun' an' walk on my ban's an' h'ist my feet under dem common niggers' noses. An' ebery time I turn er summerset an' kick my feet I sing : Possum up de gum stump, Fat hog in de waller Ole Mistis gin herself a hump An' beat 'em all to holler ! O my Ole Mistis ! My Ole Mistis ! Whar you gwine ? Whar you gwine ? O my Ole Mistis ! My Ole Mistis ! You kno' you ain't ha'f tryin' ! 18 from Tennessee "An' den I riz an' turned ernudder summer- set an' cracked my heels in de air, an' gin 'em ernudder one 'kase I was so happy : Jay-bird took de hoopin' coff, Kildee took de measle, Oie Mistis took de money off Pop goes de weasel ! O my Ole Mistis ! My Ole Mistis ! Whar you gwine ? Whar you gwine ? O my Ole Mistis ! My Ole Mistis ! You kno' you ain't ha'f tryin' ! " But when I riz de nex' time I liked ter drap in my tracks! Dar stood ole Marster and 'er whole crowd er gemmens lookin' at me an' laffin', an' when he seed I seed 'irn he cum tenclin' like he wus mighty mad, an' sez : ' You imp of a nigger ! Whut you cum outen dat stall fur ? I'm er good min' ter flay you erlive !' An' I drapped on de grass at his feet an' sed : ' Ole Marster, kill me beat me to def ! I kno' I desarves it, but I've seed de bes' boss race in de wurl, an' Ole Mistis has won it. Thang God ! I'm recldy to go !' An' whut you reckon he dun, nigger ? Ole Marster ! Right dar in dat crowd ! He jes ' pull out er ten dollar gold piece, an' laf an' sed: 'Heah, you little rascal ! Ef dat mair hadn't heurd you er hollerin' on de fence I don't b'ieeve she'd eber 19 Songs and Stories made dat spurt an' won de race.' An' de folks all 'roun' sed de same tiling. ' Take dis money,' he sed. ' Now, go an' help rub her off !' Fur er fac' he did." " Jake-e-e ! Oh, Jake !" came a terrific voice from the back porch. A glance by Brutus showed that it emanated from the center of a dark, moon- like object which appeared to be an eclipse, for a deep circle of red bandanna not unlike the rays of the sun creeping over its edges shone over the northern hemisphere. Beneath this cropped out a tuft of corded hair, not unlike the peaks of a lunar mountain. The moon was evidently in a state of activity, however, for from Brutus' distance the terrific "Jake-e! Oh, Jake-e!" which continued to pour steadily forth seemed to come out of a volcanic pit, situated near the southern extremity of the satellite. The sphere seemed poised on an object, which, from the barn door, was not unlike a mountain weighing some three hundred pounds and decked in a blue checked homespun, girdled around the center with a string. At the sound of the voice for such it was, and it came from Aunt Fereby, the cook the small braggart ceased his narration as suddenly as if he had met the fate of Ananias. The fat person in the porch became greatly excited. Shading her eyes with a hand covered with biscuit dough, she looked intently at the barn door, as if it were the object of her wrath, and screamed : 20 from Tennessee " Don't you heah mecallin' you, yer raskill ?" " Unc' Brutus," said the small person, now considerably rattled, " is dat mammy callin' me ?" "You kno' it is," said Brutus, as he went on with his rubbing, while the virago still held her hand over her eyes with a look of vengeance there. "What am she doin' now ?" asked the tamer of oxen, in the hallway ; " eny thing 'cept hol- lerin' ?" "She's gethered up her cloze to her knees," said Brutus, as he glanced up, " an' she's cum- min' t'words de barn wid 'er brush-broom in her han's. You'd better git," he added significantly. But Jakey needed not this admonition. He had already departed at the rear door of the barn. However, he called back: " Unc' Brutus, don't forgit ter soak de bandages in arnica water afore you put 'em on Ole Mistis' legs. You kno' " You git !" said Brutus, picking up a stout cob. " Git ! Does de ole rider like me want eny tellin' from a kid of yore stripe?" But Jake had already hurried out of the rear of the barn, in- tending to keep on down the rock fence and turn up suddenly in the kitchen with a bundle of " sage-grass" in his arms, as evidence that he had been on the errand on which he had been sent. But these tactics must have been played before, for the party armed with the brush-broom darted around the rear of the stable, instead of the front, 21 Songs and Stories and immediately afterward the jockey rubbing off the gray mare heard a painful collision, fol- lowed by yells from Jakey, and the regular she- wow, shewow, shewow of the switches as the current was turned on. A few minutes afterward the mountain and moon was seen hurriedly ad- vancing back to the kitchen, holding her youthful scion by the ear, while the boy half ran, half jumped, with now and then a yank in the air from his mother to help him along, and getting the benefit of the after-clap a tongue lashing. "Dat's de way you am," she said as he went along, " spendin' yore life, an' sp'ilin' yore chances fur usefulness in dis wurl' an' heb'n in de naixt, fool in' wid dat low jockey crowd down dar at de barn, an' me wurryin' myself ter def tryin' to raise you right." (A yank.) " Des' lak de good book say: 'A thankles' chile am sharp- er'n a suppent's tooth' (yank ! yank !) only you ain't sharper 'tall (a vigorous twist) ain't sharper nuff to hide in de hay loft when you heah me callin' you 'stead er runnin' out dat back do' when you dun dat trick three times befo' an' think 1 ain't got sense nuff to kno' it ! (Yank, yank, yank \) But I needn't 'spec' you to do nuffin right you sp'iled already. Dar ! set doun dar in dat cornder," she said as she gave him a final yank in the air and landed him in the kitchen comer, "an' eat dat cracklin' bread I dun sabe fur you while you doun dar at de stable ruinin' from Tennessee yore immoral soul foolin' vvid race horses. An' what I sabe it fur you fur?" striking an attitude and looking at him with convincing scorn. " Whut fur, I say? Jes' to teach you a lesson frum de Bible, to let you kno' it allerscums true. Don't it say: * De way oh de transgressor am hard'? You dun foun' dat out, ain't you? Wai, it also says : ' Blessed am dey dat moans fur dey shall be cumfetted.' You dun hab you moanin', now be cumfetted an' thank yore stars you got a good muclder dat kno's how to 'terprit de scrip- ters," and she flung herself in a chair and pro- ceeded to cool off. Jakey accepted the interpretation of the skillet of crackling bread, and having dried his tears on his sleeves, and felt of his ear to see that it was still there, he fell to and proceeded to be comforted with a zeal bordering on religious enthusiasm. " But, law!" began his mammy, after a pause, " I can't do nuffm wid him. I heurd ole Mars- ter say de big race cum off soon an' he gwine take you erlong es a muscat. Dat's de way it am ; ' De wicked race to dar own destrucshun.' " Jake stopped eating at once. " Is dat so, mammy?" with a look that showed how he stood on the subject. For answer the chair was vacated in an instant and the brush-broom picked up. " Come, come, Fereby, you have whipped that boy enough !" 2 3 Songs and Stories The cook dropped her switches and said apolo- getically to her master for it was Col. Dinwiddie who was passing by and spoke " Jes' es you say, Marster. I'm jes' tryin' to raise Mm right. You kno' what King Sollermon say: ' Spare de rod an' spile de chile ' triumphantly. "Yes, but a greater one than Solomon has said : ' Blessed are the merciful ; for they shall obtain mercy.' Jake" to the boy "go un- hitch my horse from the rack and take him to the barn," and the Colonel went on in. The boy went off with alarcity. " ' Blessed am de merciful,' he said to himself, 'fur dey shall obtain mercy.' Dat's de bes' religun I eber heurd in my life. Ef all ob 'em had dat kind dar wouldn't be a brush-broom or a mean temper in de wurl," and he patted the horse on the nose and mounted him. Darkey like, he put him through all his gaits before he reached the barn. II. But although the sun shone so brightly on the fertile fields and splendid mansion of Col. Din- widdie, there was little of its sunshine in the heart of its owner on that May day, fifty years ago. With a paper in hand, near sunset, he sat out on his front veranda, looking dreamily and moodily ahead at a sloping wheat field across the pike. How beautiful it looked ! How the recent rains had brought it out, filling its golden meshes 24 from Tennessee those chaff thatched granaries with the product of the sun and. soil ! Near, the big poplars in his own yard lifted their red and yellow wax blossoms to heaven or showered them on the blue grass carpet below. A hundred sweet fragrances filled the evening air, a hundred homely sounds fell on his ears. Among them, and dearer than all others, was the occasional whinny of a stately matron in the paddock beyond, disturbed for a moment because her own suckling had strolled off to caper and play mimic racing with some other mare's degenerate offspring. " My faculties are peculiarly acute this even- ing," said the master to himself, "or else I am a rank coward, unable to stand misfortune. I never saw the old place have such a charm be- fore," he continued, half aloud. " I don't mind giving it up so much on my own account, but Anne" "What! father?" answered behind him, a voice full of sweetness. "Did you call me ?" and a beautiful girl stepped out from a bay window and, laving her hands affectionately on his shoulders, reached over and playfully kissed him. With their faces together, it would not require a close observer to see the striking resemblance between Anne Dinwiddie and her father. Left motherless at an ear!}" age, Anne had found in one parent all the love and affection usually 2 5 Songs and Stories given by two. Nothing could exceed the Colonel's tenderness and affection for his daughter, and nothing Anne's pride, love and admiration for her father. Perhaps her life with a masculine mind had given a stronger turn to her o\vn, instead of the feminine cast and romantic play that might have been expected under other circumstances. Or, perhaps she in- herited it from her father a strong, firm man himself for the girl was as much known for her practical sense and firmness as for her matchless beauty. This evening, in her baby-waist gown of white muslin, cut low-neck, and short sleeves, her auburn hair gracefully coiled behind a shapely head and tucked in with a large mother-of-pearl comb, inlaid with gold, her face aglow with a. silent happiness which bespoke another love within, the girl was divine, and her father drew her to her old place on his knee for though nearly twenty she was to him the little tot of two years the same he wept over in her crib the night after her mother was laid away forever, and the first great grief of his life came to break in on his ambition the ambition "to breed the best horse that ever lived on the best farm in Tennessee." The Colonel was a man that spoke to the point, and of few words. In his daughter he found a mind in which his own sought help and advice. All his business was known to her. 26 from Tennessee Even many of his breeding problems he had tried to solve with her aid, and it was no little, for she had pedigrees and records at her tongue's end and knew the great horses of the past as mariners did the stars. " My child," said her father, bluntly, " I have gambled once too often ; I am afraid I've ruined us," and he looked away across the wheat fields. An expression of pain came over the girl's strong face, but she said nothing. This one question of gambling on horses was the only one on which her father and herself had differed, and the look she now wore showed that at last had happened what she always feared would happen. At length she asked : " How much is it ?" " Forty thousand dollars " his eyes still on the distant fields. "Can you pay it?" in a tone which showed she was more afraid of her father's honor suffer- ing than of being left penniless herself. " Not unless 1 sell the horses" " Then sell them," came the quick answer. " And the farm," he continued. " Let it go, too." "My child," said her father, as he rested his eyes steadily on her face, " of course 1 shall if it comes to the worst, but but " and he caught himself stammering like a school-boy, as he 2 7 Songs and Stories gazed in the sweet, honest eyes of his daughter " Anne, there is another " he stopped again, with a look of positive annoyance on his clear- cut face. The twilight shadows had fallen, the lamps were lit in the hall, but still the father broke not the silence. "Cur'pony! Cur'pony! Cur'pony!" came from across the meadow, as the stable boy stood in the pasture and called up the yearlings for their evening meal. Around the corner of a neat cabin a sprightly young negro was pick- ing a banjo, accompanying the deep, rich notes of the instrument with a voice in perfect attune "Ahoo-a, an' er-who-ah ahoo-a, an' er-who-ah ahoo ahoo," sounded the voice on the still evening air, and the echoing strings of the banjo repeated 'ahoo ahoo !' "But what, father?" at length asked the daughter. "Why, my child," said the Colonel, awaken- ing from his revery, " I intended telling you before. I should have mentioned it, I am sure, several days ago, only I did so hate to do it. You know how it hurts me to give you up ! But 'tis your right and privilege to hear and my duty to bear the message from Captain Sidney. A few days ago he asked me for my permission to approach you on a subject." The girl sprang up, her face crimson, her eyes ablaze. 28 from Tennessee "Your permission, father? He had better get from me some token of at least a partial consent for him to approach you on such a subject ! Permission, indeed ! Father, I hate the man !" "My, my, my!" said her father, half laugh- ing, half astounded, "but I never saw you so stirred up, my darling ! Why, Sidney has been here every two or three weeks for a dozen years, is twice your age, and has actually seen you grow up and has never made any secret of wait- ing for you. Rich, handsome, jovial and actually worships you ! I thought you two were fine friends." " Father ! Father !" exclaimed the girl, " you do not know me ! As your guest and friend I en- dured Captain Sidney, and treated him courte- ously. But do you think a girl has no heart, no ears, no eyes ? I have disdained from maiden modesty to tell you before what your one question demands of me now. Would you have your daughter wed a man whose excesses have even reached the ears of as unworldly a maid as I ? Am I to be won by a man merely because he is your friend and is 'rich, handsome, jovial and worships me,' as you say ? I do not love him that is enough ! Oh, father !" she said with sudden impulse, as she seated herself in his lap and took his face in both her hands and laid her face against his, "did not my dear mother love 29 Songs and Stories you ? You know what I mean how I mean !" and tears rolled down from her brown eyes. " By the eternal, you are right !" said the Colonel, as he arose hastily, with a trace of emotion in his own voice. "I hadn't thought of that! The scamp!" he repeated half aloud. " I like him myself, but what am I? Only a gambler ! He is another a gentleman yes, a gentleman but a gambler for all that ! And his excesses in other directions whew ! Anne !" he called, as he kissed her and started into his room, "you are right always right always right. I hadn't thought of that," and the door closed on his form, a trifle bent, Anne thought, as she sank in a chair and wept from sympathy for her father. But there never was a girl like Anne Din- widdie. Tears did not stay with her long. She dismissed the Captain with a contemptuous sniff as she vigorously wiped her reel nose and eyes, and then she fell to thinking with her practical little mind to find a way to help her father. Throwing an opera shawl over her head and rounded shoulders for the air was chilly she sat silently rocking and looking up at the stars. Presently the big gate at the pike shut with a bang and a few moments later the rhythmical feet of a saddle horse played a tune as they pattered up the gravel walk. On came the horseman till the animal reached the portico 3 from Tennessee where sat the silent figure in white, when he shied suddenly to the left. The ease with which the rider retained his seat showed he was accus- tomed to such antics from his horse, and the dexterity with which he pressed a knee in the animal's chest and whirled it about face with a twist of a firm hand made the girl's eyes sparkle with excitement. In a moment the rider had bounded over the railing with : " Hello ! Anne, is that the way you frighten off your beaux ? Sit out here in the dim light with just enough white about your head to frighten their horses to death, and have them plunging all about over your white pink and for- get-me-not beds ?" " Jim ! Jim ! How could you ?" laughed the girl, as she arose and shook his hand. " Didn't I tell you you should not come over to-night ? As Uncle Jack, the carriage driver would say, you are a positive ' nuessence.' ' "O, Anne," he said, with boyish enthusiasm, as he drew a chair up close to hers, " I just couldn't stay away. 1 have thought of you all day. 'Jim Wetherall,' said the old gentleman when he came into the lower field, where I was looking after the hands plowing and let them all go clown to the spring for water and waste an hour idling just because I was thinking of you, ' Jim Wetherall, if you ain't in love you are just a lunatic, and that's all. Why the mischief don't 3 1 Songs and Stories you look after your business ? And is this the way you let them run corn rows over a hillside, with such a fall as to make a gully the first hard rain that comes ?' "After supper I saddled Troup, and thinks I, Til just ride over and look at the light in her window.' But may you never speak to me again if the rascal Troup didn't turn in the gate before I knew it, and here I am. And, oh, Anne, if you only knew how I love you But Jim's mouth was stopped with a hand over it which he proceeded to kiss, to the fair owner's chagrin, for she immediately withdrew it and gave the kisser a rap on the head with the other one. " Jim ! Jim ! Don't be a goose," she said. " You don't know how sad and worried I am to- night," and she proceeded to tell him all her father's troubles. Jim and Anne had been playmates from early youth. The boy, though really a man now, had never concealed anything from her not even the fact that he always had and always would love her. Anne had laughed at him in her sisterly way; had helped him in his studies as he grew up for she had many advantages over Jirn, whose father was an honest and well-to-do farmer. The boy, under her influence, had even gone to college and managed to graduate, but was noted more for his hard horse sense, as they called it, and 32 from Tennessee his frank honesty, than for any great leaning toward the classics or any diplomatic erudition. "The only classic I want," he said to Anne, after he came back home, "is you. When I think of you, Anne," he cried, "I see all the goddesses and nymphs and queens of old. You seem to me like one of those Grecian temples I read of, with pillars so stately and everything so perfect. You seem to belong to another age, so different from mine so far away, and sweet and dreamy, and high above me, and for which my soul yearns. Oh, Anne, can't you love me ?" And Anne would laugh and tell him, " Maybe, Jim, some day." And the big fellow would be satisfied and glad to be allowed to see her now and then and bide his time. " Forty thousand dollars is a big sum to owe," said the now thoughtful Jim, when Anne had told him all and Jim knew by the way she spoke that she was silently weeping. Then she said softly : "Jim, who could have taken such an advan- tage of father ? Perhaps it was fair as far as gambling goes, Jim, but you know how honor- able and fair father is, and and I've heard those kind always lose in the end, you know, Jim." Jim was silent. "Must I really tell you, Anne ?" he said at length. " Well, it is Captain Sidney." 3 33 Songs and Stories "Oh, Jim !" said Anne, in astonishment, " how did you know ?" "Never mind," he said, quietly. "It would not be altogether manly for me to tell you, Anne, but I know it for a certainty; besides, I've an idea in my head that may help us." "Oh, Jim ! do, do help us dear Jim," she said impulsively ; " you are clever and know so much that is practical, and are so honest and kind and true. Oh, Jim, if you can help us I will never forget" "Anne!" he said, catching her hand, "God knows I would die for you or the Colonel, either. He's been the kindest, best friend I ever had. He's a gentleman every inch of him and you, oh, Anne, I would die if you were out of my life ! But," he said, suddenly checking himself, "please forgive me this is no time for that. What a goose I am !" After a pause : " Anne, I'm going now. My head is too full of a plan I have to talk any longer. A calamity such as you have mentioned would simply wreck your and the Colonel's life and mine, too," he added, slowly, "if yours was. We all have a chance some time in life to show what we're made of," he continued, " and now is my time. And I am going in, heart and soul. I'll show you I'm no feather-bed friend, but one who can love in prosperity and love harder in adversity. I don't know what 1 can do but, Anne, I'll try, for 34 from Tennessee your and the Colonel's sake even if you marry another. Don't cry" for Anne was crying softly "but good night. You will hear from me again," and the brave fellow was in the saddle. "Jim ?" The horse was spurred up close under the balcony. "Jim ?" And the golden head bent over the railing till the red lips touched his ear, and the smell of her perfumed hair seemed to the bewildered Jim like the glory of the fragrant locks of all the god- desses of ancient Greece. "Jim, dear Jim ! I I think I love you now. Good night !" And she was gone, while Jim sat in mute silence and inexpressible happiness, looking up in the eyes of two stars that twinkled above where her own had just been. And looking, Jim wondered whether he was really alive on horseback, or was only a spirit of joy winging its way to the two stars which shone above him in the place of Anne's eyes. A moment later Troup, his saddle horse, became convinced there was no spirit there, for he felt a vigorous thrust from anything but a spiritual foot in his side, and he bounded away in a gallop. III. For several days Anne was in a state of quiet happiness. She did not see Jim for a week she 35 Songs and Stories did not want to. She did not know what was going to happen, but she felt as if something was, and that all was safe. She sang around the house like a bird. It all flashed over her one day when her father said at the tea table : " That boy Jim Wetherall is a trump. He has got more horse sense in a minute than I have in a year !" Anne looked up in astonishment. The Colonel continued: "You know Ole Mistis is entered in the Cumberland Futurity, worth $50,000 to the winner. I have never regarded her as a promising candidate, and of late she has been going so badly in her work under the new jockey that I had abandoned the idea of paying the final entrance fee. But Jim you know how interested he has always been in the horses, Anne ! (but Anne was busy with her teacup, while her cheeks were scarlet) seems to be more so of late, and has been over every day. He soon convinced me the mare was shod wrong and that the boy Brutus knew nothing about his busi- ness. 'Why, Colonel,' he said, in his blunt way, 'he shouldn't ride a speckled steer to water for me ; the mare is fast, very fast he doesn't understand her.' And what do you reckon ?" Anne could not imagine ! " Why, he is actually working her himself, with Jake as a rider, and I never saw such improvement, Anne," he said, as he. came around to her chair. " If I could only win that stake it would be the happiest day of my 36 from Tennessee life. Never more would I race a horse never again would I gamble. I feel almost upset of late. I am weak and peevish, vacillating and unnerved. Last night," he said, slowly, and with more seriousness than was his custom, "I dreamed of your dear mother, child, and her sweet, dark eyes seemed full of pity and sorrow," and Colonel Dinwiddie walked slowly over to the portrait which hung on the wall and stood looking at it in silent admiration, while his daughter came up and put her arms around him with, "Never mind, father; don't be worried. Just let Jim take charge he is clever and honest, and will surprise you yet." The morning of the greatest race ever run on Tennessee soil came. The city was crowded with visitors ; excitement was at fever heat. "We haven't a chance in the world, Anne," said Col. Dinwiddie to his daughter, as she sat in the grand stand, dazed and confused with the mighty crowd around her and a terrible weight on her heart. " It is not so bad as that, Anne," said Jim, who had come up to whisper a few words of encouragement before the horses start- ed ; "there is always a chance in a horse race. The best one may break his leg within ten feet of the wire. So don't be altogether wretched," and he went off to look after the mare. Two o'clock ! The crowd was immense. Never before was assembled such a galaxy of 37 Songs and Stories beauty and gallantry in the Volunteer state. The riders were weighed, horses handicapped and all sent up the stretch. Jake was delighted when told he was to ride Ole Mistis. He was ignorant of the fact that the mare was thought to be in no fix to win and that the betting was 10 to i against her. " All enybody's got ter do," he said to him- self, "is to set on her an' guide 'er. I'd like to see 'em beat Ole Mistis !" But when his master came to him in the stretch to give him instructions even the little darkey saw something was wrong. He had never seen the Colonel look that way before. His eyes were stern, but expressionless ; his voice husky with emotion, and the quick spirit of command seemed to have given way to the evil genius of despair. Quiet and commanding as ever, but Jake saw he was in no mood to be crossed, and all but guessed his master had made up his mind for defeat and ruin. "Jake!" "Yes, Marster," said Jake. "Listen to what 1 tell you, and do as I tell you. Do you see that bay horse there ?" "Yes, Marster," and Jake cast his keen eyes contemptuously on the bay. " Well, Jake, they say he is going to beat my mare. If he does" he clutched Jake's arm tightly, so tight the boy winced, and his master's from Tennessee voice sunk to a whisper as he said " If he does, Jake, I am ruined, ruined !" and the boy almost quailed before the stern expression that gleamed from his master's eyes. Then he resumed : " Now listen : the bay will set the pace, but do you keep up with him easy as you can, but up to him stay with him. It's four miles, and a death struggle ; but the mare can go the route. When you come in the stretch at the last mile, take this rawhide " drawing a keen whip " and whip her from the last eighth home. It's your only chance, and not much at that. Do you hear me ?" for Jake gazed at him in astonish- ment. " Marster," slowly "you sho'ly don't 'spec' meter whip Ole Mistis wicl dis ?" apologetically. " Expect you ?" thundered the Colonel. " Did you hear what I said ? Do as I tell you or I'll have the overseer flay you alive after this race. Do you hear, now ?" "Yes, Marster," said Jake, as he took the whip and turned the mare into line. But to him- self he said : " Whut ! Me beat Ole Mistis wid dis thing ? Ole Mistis my Ole Mistis ? I'll take it myself fust! Sho'ly Marster ain't at hissef " and he looked around to see where the bay horse, Loraine, was. At that moment Jim Wetherall came up. "Jake," he said, "what did the Colonel tell 39 Songs and Stories you ?" Jake told him. " That's all right; now listen to me. Do you see that path of firm clay there in the center of the track ? Well, it runs from the last eighth to the wire. I worked all the morning with ten teams to put it there. The track is too soft for the mare, Jake; and, besides, you know how she is. She's foolish about things at the old home, ain't she, Jake ?" " Dat she is, Marse Jim." "And we've run her on the clay path in the orchard for weeks, haven't we, Jake ? Well, now, boy, what we want to do is to make the old mare feel at home. When you come round the last time throw her on this path the footing is good cut her loose, and I don't believe any of them can head you !" Jake nodded. "And don't forget this," he said : " I've got a thousand dollars in my pocket to buy you if you win this race, and, on the word of Jim Wetherall, I'll set you free. Do you understand me, Jake ?" The negro's eyes fell. " I'll win it enyway, ef I can, Marse Jim. Whut I wanter be free fur whut'd I do erway frum ole Marster an' Ole Mistis ?" And Jake waited for the word. But all were not ready, and the longer they waited the more intense became the boy's anxiety. Left to himself in a crowd of rough jockeys, who did what they could to frighten the mare and annoy the boy, it was almost pathetic to see him 40 from Tennessee reach over and stroke the great mare's neck and say to her: " Doncher be afeerd, Ole Mistis dis am Jake little Jake," and then he would add, softly and tenderly, " He ain't gwineter hit you my Ole Mistis my Ole Mistis." And what a wonderful change came over the mare ! Not to-day, as she had been on former occasions, was she nervous and unruly, whirling round and round, endeavoring to break away, or refusing to line up. Her entire nature seemed changed Jake's presence was magical. She stood perfectly still, quiet and apparently indifferent and only in her quick, glancing eye and the almost imperceptible play of her ears could a close observer have seen the great struggle going on within her a struggle to control the frantic desire for wild flight a desire inherited from an hundred ancestors now fighting for possession of her na- ture. It was a grand example, even in a brute, of will conquering passion, of dumb intelligence controlling brute force, of a small ray of human reason, playing like an electric spark through clouds of tumultuous darkness and waiting for the explosion that would make the thunderbolt ! The starter is talking Jake knows not what, but he gathers the reins tighter. The flag drops ; the ball of living, flying flesh is shot ; a roar an- swers back from the grand stand which says, "They're off! They're off !" Jake had great confidence in his master's judg- 41 Songs and Stories ment. Ignoring every other horse, he kept his small, black eyes on the big, galloping bay, and his swaggering, insolent rider. Unused to the crowd and the flying speed, the sensation of riding so fast, for the first quarter, was almost painful to Jake he appeared to himself to be flying in the air, tied to a projectile. The roar of the wind in his ears hurt them ; he dodged instinctively, and with a silent prayer placed his mount by the side of the bay and held her in. The rider of Loraine was an old jockey and knew as well as the gamblers what horse he had to beat, as well as the invincible prowess of his own horse there was nothing there could beat him ! " Don't ride so fast, little nig," he shouted to Jake in derision. " Gib de rest of us a showin'; we've got fo' miles to go; don't pump us out de fust mile." But this disturbed not Jake. If a negro has one quality overtopping all others it is his infinite patience. And Jake was a true type of his race. He said nothing, but no snake in the swamp had a quicker eye, or knew better when to strike. As the Colonel had said, Loraine had set the pace, and it was hot enough. " But look', Anne," he said, "how the mare goes to his girth and stays there ! See with what a bold and assuring stride she flies along easy, graceful, unconcerned. I never saw her run so ! Great God ! if she will only win !" And Anne, when 42 from Tennessee she saw the gallant fight, cried softly to herself and sent up a silent prayer. " Cum on little woolly-head," said Loraine's rider, as they passed the first mile, " dis am g\vinter be er boss-race. I'm jes' playin' \vid you now to get your wind by an' by I'll leave you an' de ole mare in de home-stretch to pick grass." But the satyr imp said never a word, and the gray mare, as she pulled anon on the bit, told even her inexperienced rider that she had a reserve supply of speed. But how much ? And did the bay have more ? On they went ! Two miles ! Jake knew it by a second roar from the stand as they passed. He tried to look forward but the wind cut his eyes ; he recognized only a black mass of shout- ing humanity, Loraine's rider still rode uncon- cerned and indifferent. Jake dreaded the mo- ment when he would act, when he'd send the bay for the death struggle. The boy's heart beat like a drum, his breath came in gasps, his throat was dry ! "Cum on little nig," he heard no more, for the bay was pulling away, and the rushing air was an organ hurricane playing a thousand tunes in his ear. The sunshine flashed a thousand kaleidoscopic colors before his eyes ! He seemed to be flying, but whether backward or forward he knew not. " Cum on little " but he barely caught the sound, so far away did Loraine's rider appear to be. Another roar ! 43 Songs and Stories Three miles ! The track was a small white line stretched in the air. Jake heard the shouts of the riders behind him, the slashing of many whips as the keen instruments of torture fell on straining Hanks. His ov/n mare scudded before the field of noise behind her as a sea-bird before the hurricane's roar, and yet she seemed to get no nearer the demon bay that flew fearlessly along. She pulled on her bit ! Instinct seemed to tell her she must go now or never. " Not yit, Ole Mistis, not yit !" said her ashen-faced rider, as he bent to her stride and patted her sweat- covered neck. At the last half ! It seemed to Jake they had gone a day's journey that time had stopped and eternity had begun since he shot away on that frenzied ride. How many long miles yet lay between him, it seemed, and where Miss Anne sat, pale and statue-like, in the blurred bank of humanity under the grand stand ! The last quarter ! Jake raised in his stirrups. " Now, Ole Mistis, go !" he fairly shouted, as he gave her full head for the first time. The mare responded with a gallant leap another and another but no nearer did she come to the bay. Loraine had been turned loose, too, and increased the distance between them with demoniacal swiftness ! Like a death-stab the thought went through Jake's mind for the first time that he could not win. The tears gushed to his eyes, the blood seemed to congeal in his very heart ; he clutched the from Tennessee saddle to retain his seat. Loraine was just ahead ; they were now at the last eighth. Fren- zied frantic blinded bewildered, Jake knew not what he did. In despair he raised his whip, it flashed a moment in the sunlight, then went whistling across the track. He had thrown it away ! But look ! Loraine now fairly flew ! He seemed to know the time had come. His own mare ? She was falling back. He knew it, he felt it he was beaten ! Overcome with grief and shame, he forgot all about Loraine. He thought only of the old home, of his love for his master, of Miss Anne, of his idolatrous worship of the mare, mingled with the fact that he had ruined them all. A clay path flashed under the mare's nose, and then he thought of Jim Weth- erall's words of his promised freedom. Crazed with fear and shame, he guided the mare in the path, let out all his rein, and flung himself for- ward on her neck, clinging to her mane like an imp on a flying cloud. Thrusting two brown heels into her flanks, he burst out crying, and in tones that moved even the victorious rider of Loraine, he sobbed : " Ole Mistis ! Ole Mistis ! Dis am Jake little Jake ! Go home, Ole Mistis ! Go home, Ole Mistis !! Go home !!!" To the surprise of the spectators, who now looked on the victory of Loraine as complete, the mare answered this pathetic call with a burst of speed unheard of on the track even to this day. 45 Songs and Stories A thousand demons of determination blazed in her eyes. One two three leaps she made, like a startled doe at the death bleat of her fawn, and in a twinkling she had cleared the distance be- tween herself and the bay. The crowd roared in a tumult of excitement men climbed on one another's shoulders the gray mare came like a rocket ! Loraine's driver, startled and now thor- oughly in earnest, went to his whip. It flashed a moment in the air and fell with stinging emphasis on the bay's shoulders ! The animal swerved that blow was his ruin, for the gallant bay, never before having felt a blow, swerved slightly to avoid it. Only a yard or two but yards are miles when seconds are hurricanes ! Only a moment of indecision but indecision is mutiny when stakes are kingdoms ! Like a swallow be- fore the blast, the gray mare thrust her long neck under the wire and the race was won ! A moment later the crowd of shouting, frenzied people ceased shouting to a man, when the fleet animal, having no one to guide her, turned so suddenly into the drawgate that opened on the infield as to hurl Jake off, and left him mangled on the track. Later they stood, a surging crowd, around a beautiful girl seated on the ground and holding a bruised and bleeding face in her lap, upon which her own tears fell. The boy opened his eyes and half unconsciously began to mur- mur : " 'Most home, Ole Mistis ! 'Most home, Ole 46 " Dis am Jake little Jake ! Go home, Ole Mistis ! Go home ! ! " from Tennessee Mistis ! 'Most home!" Presently a ray of con- sciousness came back to his lusterless orbs, as he recognized his young mistress and exclaimed : " Oh, Miss Anne, did we win ?" and interpreting correctly the half joyous smile that, despite her tears, shone round her mouth at thought of their victor}', he closed his eyes and said : " Thang God, an' I didn't tech 'er a lick. Tell Marster I'm sorry but I couldn't hit 'er !" For a moment he was silent and then his lips moved again feebly, for the life spark was nearly gone: " ' Blessed am de merciful fur dey shall obtain mercy' " and the little slave was free forever. 47 Songs and Stories MISS KITTY'S FUN'RAL. O, HEAH de banjo ringin', O heah de tamboreen, O heah de darkies singin', Susanna am my queen. O cum, my lub ; O cum, my lub, wid me ; We'll dance an' sing down by de 'simmon tree ; O heah de banjo ringin', O heah de tamboreen ; O heah de darkies singin ', Susanna am my queen. A song in type is as unsatisfactory as one of Nature's pastels on pasteboard, and the simple negro melody above sounds nothing like the vibrating notes that floated, not long ago, into my window, fresh from the echoing strings of a banjo. I could not resist it, and on going out I found Old Wash, as everybody calls the old darkey, under the elm that shaded his cabin door. The moonbeams glittered askance, flecking the earth with silvered blossoms and changing each 48 from Tennessee flooded leaf into a night-blooming flower. The distant notes of a tree-frog came from the forest beyond, while the regular cadences of a whip- poorwill added just the tinge of weirdness neces- sary to form the background of a banjo song. In darkey language, the old man was "makin' de banjo hum," and for melody and sweetness, in the hands of a master, there is no instrument more weirdly musical. To-night Old Wash was beside himself. The brass thimble on his "pickin' finger " flashed in the moonlight ; his foot patted in unison, and fluttered like a black bat trying to leave the earth. Even his body kept time and swayed to and fro with the music. I listened in silent de- light. The tune I had heard before, but nut the words, for he was improvising as he played. De little stars am winkin', Dey 'bout ter go ter sleep ; De pale moon now am sinkin', An' daylight shadders creep. O cum, my lub, we'll dance Ferginny reel ; De sun am up an' shinin'; now fur de cottun fk-1'. O heah de banjo ringin', O heah de tamboreen ; O heah de darkies singin', Susanna am my queen. "Go on, old man," I said: "Give me that 4 49 Songs and Stories song again. You almost make me feel like going courting again. What's the matter with you ? Thinking about starting all over in life ?" "No, sah; 'taint dat, sah," laughed the old man, " 'taint dat. Deys too much moss on de ole tree fur de leaves ter cum ergin. De sap can't rise when de bark am dead. De leabes fall off when de cotton boll open. Didn't you nurver think erbout it?" he added after a moment's thought, "de soul don't nurver gro' ole ef it's libbed right. De head gits white an' de lim's weak an' de eyes dim, but de soul gits younger es it grows older, de ole man gits mo' lak er boy es he goes down de hill. Nachur kinder seems to ease us off de stage ob life gently, lak she fotch us in. In our ole age we gits young ergin an' childish an' happy. We eben try ter kick up our heels ergin an' be funny an' 'magine we gwinter lib er long, long time yit. Sho' me de ole man don't keer how ole he am dat don't spec' ter lib at least ten yeahs longer. Dat's nachur's way ob foolin' us, sah ; dat's her way ob puttin' her babies ter sleep de las' long sleep. Puttin' 'em ter sleep contented lak, an' happy, thinkin' dey'll wake in the mornin' an' be young ergin." " 1 tell you, sah, ole Marster's mighty good to us. He could er put us heah widout hope, ef he had wanted to ; he could er put us heah widout sweet dreams, widout vishuns ob er better wurl, 5 from Tennessee wUout dat onpurchasabul feelin' dat cums to us when we knows we dun right wiclout eben de blessed Book. But he didn't. An' so we dream on to de last an' hope to de last, an' b'leeve we gwinter be better an' stronger to-morrer an' cling to de Good Book fur de sweetes' promis' ob dem all de promis' dat we'll lib ergin. " No, sab," he continued, as he threw off his solemn tone and brightened up a bit, " no, sah, sho' es you lib right you'll git younger es you gro' older. Why, sah, de oldes' man or woman in de wurl am de middle-aiged, chillun-raisin', money-makin', bizness-wurryin', ain't-got-no- time to-eat, folks. Dey am de ole ones, far older den de gray haids lak me dat dun laid erside all dese heah trashy things an' got to romatin' ergin. " Why, whut you reckon I wus thinkin' erbout to-night?" asked the old man as he looked sheepishly around at the doorway, in which sat Aunt Dinah, his wife. This dusky lady had been listening apparently unconcerned at the old man's narration, but filling the still night air with fragrant breath of " deer tongue and Williamson leaf" as the smoke curled up from her newly made cob-pipe. " Thinkin' about marrying again ?" I asked, as I glanced suspiciously at Aunt Dinah, and then I watched her shuffle her feet disdainfully as she stopped smoking long enough to remark lacon- ically : " Jes' let 'im go on, young Marster let Songs and Stories 'im superseed," she said as she followed her usua! custom of throwing in some big word sound- ing something like the one she was trying to use. " Let 'im superseed. He has dese fits ebry now an' den an' de bes' way ter stop 'im am to let 'im run down lak you hafter do dese heah old-fash- uned clock's. Whut er indellibul wurkin' appler- atus he'd be," she said ironically, " ef he wus only es game in der tater patch as he am in de moonlight." The old man glanced sorrowfully at the door- way and continued: " Ternight I jes' gotter thinkin' erbout my young Mistis, Miss Kitty, de younges' dorter ob Marse Robert Young ; de chile ob his old aige by his secon' wife, de prooty leetle Yankee guv' ness clat cum down from Bos- ting. She cum down ter teach ole Marster's yudder gals, but she got ter lubbin' her skolers so she married dey daddy so she cud be a mammy to 'em. Ain't it strange how wimmen folks will git up enny kinder excuse to marry on ? Why, I've knowed 'em ter marry fur indergestion an' clat tired feelin'," laughed the old darkey, as he winked at me and then glanced at the cabin door. "Wai, she made 'em er good mudder an' ole Marster er good wife ef she did lub cod-fish balls an' baked beans. An' her dorter., Miss Kitty ! Why man erlive, dat Yankee cross on our Sud- dern stock jes' got up de prooties' gal dat eber said ' Yas ' to young lub. She had all de brains from Tennessee an' intellec' ob her mammy's side \vid all de grace an' beauty an' high breedin' an' lily-com- plecshun ob us Youngus. Her mammy was allers dead in fur edercashun, an' so ole Marster saunt an' got 'er three guv'nesses ; one fur eder- cashun, one fur musicashun, an' one fur dress- ercashun ; an' my ! how she did shine when she growed up ! She was de prooties' gal dat eber trod blue grass, de queenlies' one dat eber gethered up her trail, an' de sweetes' one dat eber pulled er rose in er golden bower whar de hunnysuckers gethers de dew-draps an' de turkey dove sings in de moonlight. I wus de kerridge driver an' kep' de horses, an' es I useter drive her about an' see her wid all her grace an' beauty git in an' out de kerridge, 1 tell you I wus thank- ful it wus me dat had charge ob her an' not my ancestors in Affercur fur dey would hab et 'er up, thinldn' she wus sum kinder plumidged bird ob de golden pheasant tribe. " Endurin' her sebenteenth yeah, Marse Rob- ert's half-brother died in Alerbama an' lef Marse Robert gyardeen fur his son, Henry Robert Little- ton, an' he soon cum out to Tennessee 'kose he had no close kin libin', an' Marse Robert wanted to raise 'im, though he was nineteen dat fall. An' lie wus er fine young man, sah; es gentle es er gal an' es nervy es a red-bird in de settin' time. Ef by accerdent he got in de wrong, he'd mighty nigh stan' ennythin' to git right ergin ; but onc't in de 53 Songs and Stories right he'd fight fur er eye-lash. Why, I onc't seed 'im 'pollergize to de oberseer, who \vus allers oberbearin' an' cussin', 'stead ob actin'. Jes' think ob it ! 'pollergixe to de oberseer ! 'kose he happen not to know de oberseer's orders one day an' saunt one ob de han's on ernudder erran'. T'would er made no diff' rence ef he hadn't 'poll- ergized fur it, butcommon trash can't stan' quality an' allers mistakes gentleness fur lak ob grit, an' Marse Henry's humbleness made de po' white trash uppish an' he snapped out dat he didn't spec no better raisin' from er boy dat had cum frum sech er cracker state es Alerbama hoo hoo e! dat's es fur es he got -Marse Henry knocked 'im down three times befo' he cud git up onc't. " Bringin' two sech nachurs togedder under de same roof am mighty nigh de same thing es mix- in' shampain an' red lips, an' I seed de thing wus fixed up betwixt 'em befo' ole Marster caught on an' saunt de boy, as he called 'im, to Ferginny to finish his aigucashun. But dat didn't do no good ; en ny body dat had eber seed Miss Kitty en' cud ferget 'er ain't de kinder folks de gods lub ter kill young, an' arter he ben dar fo' yeahs an' finish his aigucashun heah he cum back to Tennessee ergin. 'Yore haid's lebel, Marse Henry,' sez I to myself; ' de right kinder man don't fall in lub but onc't an' den he strikes de pyore metal or cle wuss pocket ob flint dat eber 54 from Tennessee turned er pick ! An' in yore case ef you ain't struck de pyore metal I'm black !' " An' I've heurd ob Romeo an' Greece an' all dem ole lubbers," said the old man learnedly, " but de way dese heah two young folks lubbed one ernudder befo' de summer went by wus ernuf to make all de yudder aiges take in deir signs. Dat's de nappies' time ob eberybody's life, ennyhow," he soliloquized : "We ain't got much brains at dat stage, 'kose Nachur didn't intend us ter hab 'em ; ef we did we wouldn't git kotch in de trap she sets fur us de trap ob matermony. Arter we gits kotched," said the old man as he shook all over with quiet laughter " arter we git kotched, we lak de fox in de fable dat got hees tail in de steel trap we kerry it roun' wid us ebrywhar we go an' make out lak hits des whut we wus lookin' fur all de time, an' er butiful ornerment but Lor, hit pinches mighty hard all de same." (A vigorous, jerky puffing in the doorway and clouds of outraged smoke went up to the stars !) "An' whut you reckon my idee ob Heaben am ?" queried the old man emphatically. " Hit's er blessed place way up on sum star, whar de Good Marster Mows us ter fall in lub ebry day, but neber 'lows us ter spile de dream by marryin' fur dat would sho' bust up Heaben !" he said as he shot another look at the doorway. "An' I kin prove it by de Scripturs deysef," he con- 55 Songs and Stories tinned. " Don't de Scripturs say 'dar shall be no marryin' nur gibbin' in marriage?' an' don't dey also teech us dat up in Heaben we will all lub one ernudder ? Wei jes' put dem two argy- ments togedder an' tell me how you gwinter git erround 'em, sah. Don't dat prove de p'int ?" " I don't wish to get around them," I laughed, "they seem to be good doctrine; but go on with your story." "Wai, sah, de match wus de talk ob de coun- try, as bein' de mos' suiterabules' one dat eber wus. " Marse Henry an' Miss Kitty ! When I thinks ob dem ternight I kin see de dew on de young grass ob life, de roses in de gyarden ob lub, an' de stars in de skies ob happiness. 1 smell de flowers ob de past ergin lak dey uster smell when I wus young. 1 see de long walks in de shade ob de ellums an' de oaks, an' de breaf ob de prim-roses floats ober de gyarden. I see de boss- back rides when de flutter ob Miss Kitty's ribbon meant de flag ob de yunerverse to Marse Henry, an' de perfume on her bit ob lace han'kerchief brought up de sweetes' fragrance frum de depths ob hees hart. Her eyes wus so bright dey'd bring him up befo' day, lak de sun befo' its time, an' her cheek's wus es butiful es de mohnin' skies erbloom. " O dar am lubs an' lubs, but dar am only jes' one fus' lub fur us all. De make-shifts arter 56 from Tennessee dat am lak try in' to make de red rosebud bloom twict." " But sumhow ruther o!e Marster had his haid sot on er young lawyer in town dat dey called Capiir Estes, dat wuz also courtin' Miss Kitty, lak ebrybody else dat seed 'er, an' ole Marster looked wid mo' favor on his suit dan he did on Marse Henry's, on account ob de relashunship betwixt 'em. But dar's where ole Marster missed it, an' de onlies' time I urver knowed 'im to miss it. But dis feller wuz slick, an' he done it all wid de leetle insterment in 'is jaw. He was allers talkin' erbout de constertooshunal perogatives ob de divine right ob freemen' an' er makin' law speeches in de Jestis court an' er windin' up wid 'my country, my muther, my Gord, an' my filler citizens,' fer he was sech a demijug he allers put de citizens highes'. Ef he wasn't free wind at de rasho ob 16 ter i, an' de onlimited coinage ob brass, my name ain't Washingtun ! Why, he cu'd talk on fo' things at de same time, pocket er fee on bof sides ob er case, an' keep one eye on de bar-room an' de yuther on de church steeple. He cu'd play poker lak er gam- bler, drink lak er Kansas drought, an' pray lak er country deacon. He cu'd get drunk lak er sinner, an' yit stan' highes' es er saint ; mak lub wid one eye to Miss Kitty an' yit keep de yuther solemnly sot fur ole Marster lak St. Paul watchin' fur revolushuns ! 57 Songs and Stories " But de thing soon cum to er end. Marse Henry was too honerbul to court a gal vvidout her daddy's say-so, an' de Chewsday befo' Easter him an' ole Marster had er long talk in de library. Den Marse Henry cum out sorry lak an' solemn an' he tells me ter take extry keer ob Jap dat wuz his haf-thurrerbred saddle boss an' ter rub Mm down well, an' ter feed 'im oats, not er grain ob cohn. 'Fur,' sez he, 'Wash, I'm agwine erway furebber !' " An' dat night I seed er ghost ! Hit wuz jes' arter Marse Henry started off. I hilt his sturrup an' beg 'im wid tears in my eyes not ter leab us : 'Who gwi' he'p me take keer ob de bosses now an' pick out de yearlin's fur de spring races ? Who dis nigger gwi' foller arter de houn's in de spring an' de patterges in de fall ? Who gwi' be de mohnin sun ob de place in de strength ob his truth an' honer, an' de sweet moonlight in his tender senterment an' simplicty ? Who gwi' set de 'zample 'mong de young folks fur dat conshus quietness dat cums wid de knowledge ob game- ness dat am afeered ob nothin' but doin' wrong ? O, Marse Henry ! Marse Henry, we can't let you go !' "I hilt on ter his sturrups an' beg 'im ergin an' ergin, fur sumhow 1 felt lak I'd nurver see 'im enny mo'. But he only grip my han' ergin an' ergin, an' look at me good-by good by wid his eyes, fur he cudden't talk, an' rode off from Tennessee in de gloom down de big row ob ellums. An' dars whar I seed er ghost ! De fus' one I eber seed ! Fur es I stood watchin' 'im wid sumpin' lak er pound weight in my throat, an' mighty ni^h a ton in my heart, I seed dat ghost plain es I eober seed ennything ! He hed got nearly to de gate in de dark ob de big obershadowin' trees whar de new moon wuz tangled up in de lim's (sho' sign er bad luck !) when out slip de ghost frum behind er big tree an' I lakter drap in my tracks ! De lump went down in my throat, but great Gawd, how my hair riz ! De ghost wuz dressed in er winclin' sheet ob white an' wid long hair hangin' down er back, an' she skeered Jap so he bolts an' snorts ; an' she muster skeered Marse Henry too, fur I seed 'im stoop down ter grab dat ghost an' sabe hissef, an' an' den fo' Gawd ! I kno' yo' won't beliebe it, but Marse Henry jes' kissed dat ghost time an' ergin an' 1 heurd 'im say ' furebber my darling,' er sumpin' dat sounded lak it, an' den Jap's gallup clattered up de pike an' de young Marster dat I lub so well wuz gone !" "How yo' know dat wuz er gal-ghost ef yo' nurver seed one befo' ?" came mercilessly from the doorway. " O you'll be inexpressibul in de tater-patch to-morrer !" But the old man had not been married fifty years and failed to learn the first lesson of matrimony, so he said nothing but sorrowfully continued : 59 Songs and Stories " De naixt thing we heurd, Marse Henry \vuz way down in Fluridy, an' de naixt he lied jined General Lopez wid de five hundred Americans dat went ober ter he'p de Cubans fight fer liberty. An' dey got er fighter when dey got M;vse Henry ! Hit was bred in Mm, fur it cum jes' es nachul fur us Scotch-Irish ter fight fur liberty ennybody's liberty an' enny kinder liberty es it is fer er game cock ter crow when he sees de fus' beam ob daylight. " Fur Liberty," said the old man, " is de day- light ob humanity ! An' while I'm on dat sub- jec'," he said warmly, "1 jes' wanter go on record 'bout dese Cuban fights : Dat wuz forty- five years ergo, an' I heurn tell dese Cubans am makin' de same fight now dey did den. I heah de papers call 'em rebels, but I tell yo', sonny, dat am er wrong name. Ef dey succeeds de wurl will call 'em patriots ! "Fur rebel," he said, "is de name dat tyranny gibs to de onsuccessful patriot ! "An' hit makes my blood bile," he said, as he grew excited, arose from his chair, and threw his banjo down, " hit makes my blood bile when I sees how we set back on our dignerty, burn fiah-crackers, cellerbrate de fourth ob July, an' scream fur de bird ob freedom twell we hab er case ob kronic sore-throat, an' den call de folks dat am makin' de same fight we made, rebels. An' wussen dat; set right still aholdin' to de 60 from Tennessee tail ob our eagle (fur fear he'll fly ober dar I reckon) an' fusin' to help 'em. We, who fit fur luss dan one-tenth dese people hafter stan', now arter we git strong an' pow'ful, we set back an' see dem make de same fight we made, an' feered all de time to open our moufs, lest we take er bad cold ! "Or ef we does we puts our han's ober our harts an' bows an' scrapes erroun' dat little nest ob royal crows, dat useter be Spanish eagles, an' talk erbout de curt'sy ob Nashuns an' all dat! Shame, I say !" As he sat down after delivering this rebuke, his voice was peculiarly sad as he continued : "But you've read history an' kno' how dat fight ended. Marse Henry beat 'em time an' ergin, but arter erwhile de leetle ban' was oberpow- erecl by de whole Spanish army, an' wal" he wiped away a tear -"dem dat didn't die in de fight wus hung up lak clogs ! All but Marse Henry brave, generus, noble Marse Henry ! De papers said dat he erlone wuz shot, dat he gib de Spanish offercers ole Jap, de horse he lubbed so well, ef he'd shoot 'im lak er sojer, an' not hang 'im lak er spy ! An' dey shot 'im fer doin' whut wuz bred in 'im ter do, when two ob his gran'- daddies follered de flag ob Green's brigade in No'th Calliner, or helped whip ole Ferguson at King's Mountain. " Po' Marse Henry ! Wal, sah, de news lakter 61 Songs and Stories kill us. Hit hurt eben ole Marster, fur I uster heah him vvalkin' de library flo' an' talkin' erbout it to hissef : ' De boy wuz too high strung,' he would say. ' I did not want 'im to leab us. I had no idea he wuz gwine on dat fool filler- buster !' An' den he would storm erroun' dat room an' git hot under de collar as he thort how contrary to de rules ob war dey had acted in shootin' Marse Henry, an' den all at onct I see Mm tak down de ole sword his daddy wore at King's Mountain, an' es he fotch it down wid a bang on de library table lak he thort de whole Spanish army wuz dar, he sez : ' Dam dem Spanish dogs ! Dey am nuffin' but hired cowards, an' I cud tak er regerment ob Tennessee troops lak dat brave boy an' gib de Union de leetle islan' es a birf-day gif '. Dam 'em, I say !' O, ole Marster wuz sho' mad, an' when he got mad in er righteous cause he cud mak Unkle Toby ershamed ob his cussin' record ! "An' Miss Kitty! I jes' can't talk erbout it widout chokin' up. Fur two yeahs she went in deep mournin', his own widder cudden't er tuck on wusser, fur she nurver smiled an' noboddy wuz 'lowed ter menshun Marse Henry's name, hit seemed to 'feet her so ! " But Time am Sorrow's doctah," sagely con- tinued the old man, "an' his poultice will draw out de sharpes' pain ! "Five long yeahs passed, an' Estes had got 62 from Tennessee high up in pollertics ; he started out on er brass basis an' went frum postmaster ter Congress. He'd er gone ter Heaben ef he could er worked it through er pollitercal convenshun ! " An' now, whut you reckon ? De news cum dat he gwine ter marry Miss Kitty an' sho' 'nuff hit's true ! " When I foun' hit out, I gin up ail faith in man- kind in gin'ral an' womankind in perticler. But den I felt sorry fur Miss Kitty when I larnt dat she wuz jes' gwine ter marry 'im to please 'er old daddy fur she'd do ennything honorbul fur ole Marster- an' dat she tole Estes she would marry 'im but dat she would allers lub Marse Henry. She nurver tole me, mind you, but one night I seed it plainer den wards kin tell. 1 seed it an' knowed 'er heart wuz in Marse Henry's grabe. I seed er ghost ergin, but hit wuz Marse Henry's ghost dis time. " Dis wuz de Chewsdy night befo' Easter, jes' five yeahs to de night dat Marse Henry went away. De big weddin' wuz ter cum off de naixt night an' de house wuz full ob comp'ny an' cakes. Miss Kitty nurver smiled, but hed gone erbout all day lak de Greek maiden, spotless an' pyore, dat de skule books tell us dey useter kill to de wicket idols in de ole times befo' de gatt-s ob Troy. " Dat night I had gone ter sleep thinkin' erbout Marse Henry, an' how Jap useter stan' in de fust stall naixt to de door ; how Marse Henry allers 63 Songs and Stories useter cum whistlin' outen de house when he wanted me to saddle Jap, an' how we useter talk erbout de hosses, an' go to de races an' hooraw ef our hoss won. I wuz jes' thinkin' how open an' manly he wuz, an' how fur erpart he wuz frum dat Estes es de two ends ob Eternity, an' den, whut you reckon ? I heurn Marse Henry cum outen de house lak he did in de days ob old. I heurd 'im cum down to de stable do', an' pop his ridin' whup es er signal fer me ter bring up Jap, an' den slash his whup on his leg while he waited jes' lak he useter do hundreds ob times befo', an' all so nachul lak, jes' lak he wuz gwinter ride ole Jap ergin arter de noun's. An' den, sah, I heurd his voice jes' es plain es I urver heurn annything an' jes' lak he useter say, only hit seemed so faint an' fur erway : ' Hello, Wash, saddle Jap ! It's time we wuz takin' er han' in de fun !' I heurd it so plain, I jumped outen de bed, an' said es I rushed to open de do', ' I'm cumin', Marse Henry, I'm cumin' !' But when I open de do' I wuz so diserpinted I lak ter cried, fur I cudden't see nuffm' but de trees in de dim moonlight, an' I heurd nuffm' but de hoot ob de owl ober in de woods. I felt so cuis I cudden't go ter sleep, fur I wuz sho' Marse Henry's spirrit wuz summers erbout, an' dat he cudden't rest in his grabe on ercount ob de weddin', an' I jes' walked down to de gate wliar I last seed 'im five yeah befo' go down de road, nurver to cum back 64 from Tennessee enny mo'; eb'rything wuz so nachul I thought I heurd Jap's footfalls ergin, an' den! whut wuz dat I seed all dressed in white wid her long hair hangin' down her back an' kneelin' down under de tree whar she last seed Marse Henry erlive, an' sobbin' lak her hart wud break ? De same ghost I seed dat night five years ergo. I cudden't stan' an' look at sech sacred grief as dat, so I went in my house thinkin' maybe de las' one wusn't a ghost sho' 'nuff, but jes' Miss Kitty prayin' at de tree she last seed Marse Henry er- live an' weepin' de las' time she cud honorably weep fur 'im. " De naixt day was de big day, but I cudden't stay dar an' see dat sacrilege. 'Sides dat, I felt cuis 'bout seein' Marse Henry's ghost, an' I knowed sumpin' wuz gwine happen. I knowed it fur sho' when I went in de kitchen next mohn- in' an' heurd sister Calline tell how she found er screech owl in Miss Kitty's room dat mohnin'. Sez I to myself : ' Dar ! I knows whut gwinter happen now. Po' innercent angel ! She'll nur- ver lib twell termorrow but thang Gawd fur it, fur dat yudder Screech Owl will nurver git in her room !' " But when I went to de stable, dar wuz er- nudder sign : Ole Flint, Marse Henry's ole pet houn', an' de bes' one dat urver smelt er deer track, wuz stone dead in de stall, dead frum er snake bite, too ! ' Dat's dat Estes doin's ergin,' 5 65 Songs and Stories sez I. ' Po' innercent Miss Kitty !' An' de cows wuz pawin' an' lowin' at de pastur bars ! Now eb'rybody knows dat when de milk cows go ter pawin' an' lowin' in de mohnin' befo' brekfus, somebody gwinter die befo' night. I stood eben dat, but I gin up when 1 went to de well ter draw water fur de horses, fur dar wuz Miss Kitty jes' as plain es she cud be, laid out in her coffin in her bridal dress ! " I drapped dat bucket an' lit out frum dar ! " An' I went to ole Marster an' beg 'im to let me go down to de lower place, five miles erway ; an' I went to de lower place, five miles erway, an' dar I staid all day long waitin' fur de calam- erty to cum, an' groanin' in de spirit lak de proffit ob ole when he know de buterful city gwinter fall. Fur I seed Miss Kitty dead jus' es plain es I see you ! " O, dat wus er terribul day, an' one dat I'll nurver furgit, an' I sot dar in de cabin an' fast- ed, an' didn't eat nuffin all day, an' wrastled wid de spirit in prayer, all day long. " De weddin' wuz ter cum off at nine er clock at night. I wuz settin' in de cabin do' by my- self ; all de yudder darkies had gone to de big home fur de weddin' supper but I didn't wanter go ; I hed no stummic dat night I wuz all heart, thinkin' 'bout po' Marse Henry an' Miss Kitty's fun'ral dat 1 knovved wuz bleeged ter cum ! "Jes' es de clock struck nine, I heard er hoss 66 from Tennessee cum up de pike, clatter, clatter, bipperty, bipperty, bipperty, an' I jumped up mighty nigh er yard high! "I knowed de soun' ob dem feet! I'd kno' 'em in er million dem wuz Jap's feet, an' I hollered, glory hallyluyer ! Befo' I knowed whether ter run under de bed or out on de pike fur I wuz sorter skeered an' sorter brave er big, strong, fine lookin' man, es brown es er young hick'ry an' sinewy es er race hoss, pulled up his hoss, covered wid sweat an' foam, at de do'. Pulled up his hoss quick lak an' nachul too nachul fur dis nigger, fur jes' de moshun ob de han' fotch de tears to my eyes fur dat hoss wuz Jap, de same blood-lak, cordy-legged, big-nos- triled, graceful Jap ob old ! " An' grate Gawd ! One look in de blue eyes ob de rider, de fine mouf, de frank, manly face, now bronzed an' er trifle stern, hit wus Marse Henry ! Marse Henry ! "I jumped up an' sed, ' O, Marse Henry, ghost er no ghost, I'm gwinter hug you !' an' I did, hugged him an' Jap, too. "An' Marse Henry laf an' sed : 'Wash, my boy, I'm no ghost, but flesh an' blood, an' awful hongry flesh at dat. What am you doin' way down heah ? Gib us sumpin' ter eat, fur I'm anxious to git on to de ole place an' we need sumpin' to brace us up. Jap an' I have cum over er hundred miles sence daylight, an' while dat's 67 Songs and Stories no long ride fur us, you kno' we bleeged ter hab sumpin' ter run on,' he sed laffm'. " Lor', sonny, you jes' orter seed me hustle er- roun' ! An' whiles I wuz fixin' 'im sumpin' to eat, he tole me all erbout it, how he bed jined Lopez an' sailed frum Key West, an' all erbout de fights he bed. An' he sed dat he wuz de onlies' one left ob all his men, an' dat he owed his life to Jap's heels an' er Spanish gineral. He sed dat when he stormed Las Pozas, his men run ober de Spaniards an' whupped 'em in er twinkle, an' dat sum ob his men begun to hang de Span- iards in return fur hangin' sum ob dairs de yeah befo', but when he foun' it out he tried to stop it an' he run in an' cut down de Spanish gineral dat dey had hung up, but dat his men got mad eben wid him an' mutinied an' he bed to draw his pistols on his men an' cut down de officer at de point ob his guns, 'kase he sed he wan't fight- in' er hangin' war but er civilized war. "An' be sabed de officer's life an' exchanged 'im an' saunt 'im home. De papers wuz right in sayin' Marse Henry wuz arterwards oberpowered an' bed ter surrender, an' de dozen er two left wuz sentenced to be hanged. In vain Marse Henry beg 'em to shoot 'em lak soljers, but dey hung his men befo' his eyes, an' dey wooder hung him, but he bribed de officer in charge wid de gift ob Jap to Mow 'im to be shot and not hung ! 68 from Tennessee " De naixt mohnin' when dey led Marse Henry off to be shot, an' when he wuz er mile or two frum de lines, de gineral whose life he hed sabed wuz waitin' at de spot fur 'im, an' commanded de squad to halt, an' den he gib Marse Henry his side-arms an' Jap, dat he foun' de officer wid, an' he sed to Marse Henry : ' Go ; you sabed my life onct at de risk ob yo' own. I returns de compliment.' " An' den Marse Henry told me how he hed went in de sugar bizness an' made er fortune an' now he cum back ergin to lib. " ' But dat wuz fo' yeah ago, Marse Henry,' sez I ; ' Why aint you cum home befo' or write us dat you still libin ?' An' den Marse Henry's face grew dark es he sed : ' Bekase, Wash, Unkle Robert wrote me befo' de war wuz ended dat Kitty wuz married to Estes, an' ' " ' Dat's a lie, Marse Henry,' 1 shouted, es I cum to my senses ergin an' thout ob Miss Kitty fur de fust time ' dat's er lie ! Ole Marster didn't write no sech letter es dat ! She ain't married yit leastwise dat is ter say O, Marse Henry, am it nine erclock yit ? An' she nurver will be fur she's boun' ter die ternight, an' I'm waitin' out heah to kno' when to go to de fun'ral po' innercentangell !' an' I 'spec' I begun ter cry. " Marse Henry look at me stern lak, an' ax me what I mean. Den I went back an' tole 'im all, 69 Songs and Stories an' I seed de tears run down his cheeks es 1 tole Mm how she bed loved an' suffered all dese yeahs. An' I tole Mm 'bout de ghost scene las' night an' how she sobbed under de trees, an' as I tole him I seed Mm shake all over lak er child er sobbin', an' when I tole him 'bout de nurver failin' death signs I'd seen dis mohnin', an' dat I 'spec' right now she dun dead er married 'twould be all de same to her he vaulted wid one leap in de saddle an' 1 seed Jap's tail fly up es he plunged two spurs in his side, an' es he shot erway in de night I heurd Mm say sorter hard lak : ' Foller me, Wash, fur I'm gwinter take er hand in dat fun'- ral !' " I jumped on er race filly ole Marster heel in trainin' at de lower place, an' I follered Mm wid my heart beatin' er drum in my breast, an' de wind playin' er fife in my two years ! Lor', sah, dat filly cud fly ! but run es she mout, dar sot Marse Henry allers jes' erhaid, lookin' lak er statue on Jap ; an' de ole boss runnin' lak er swamp buck wid de pack at his heels ! Runnin', sah, lak he knowed whut wuz up an' dat ten minnits now wuz wurth yeahs termorrer ! An' ev'ry now an' den I'd ketch er glimpse ob Marse Henry's back an' heah Mm say: 'Grate Gawd, ef I kin only git dar in time !' "NobodyMl urver b'leeve it," continued the old man, "but we broke de five-mile recurd dat night, sho ! An' when we cum to de house it wuz 70 from Tennessee lit up frum garret to cellar, an' I cud see de guests in de parlors an' halls an' heah de music an' de lafter. But es I rid up closter, my hart sunk in my buzum, an' we bofe pulled up wid er jerk ; fur dar, standin' dar in de light ob de bay winders wid flowers above an' belo' an' in de lace ob de curtains, dar stood Miss Kitty ! An' de orange blossums wuz in her hair, an' a man wuz o * by her side, an' dey wuz shakin' han's wid de people. " Grate Gawd, dey wuz married ! " I looked at Marse Henry, spectin' to see 'im pale an' shaky lak I wuz, an' mighty nigh ready ter fall down offen his hoss, but dars whar I ober- looked de thurrerbred dat wuz in 'im, an' stead ob bein' pale, de lub light wuz in his eyes, but he hed dat cuis hard smile on his lips datallers made me think ob de cocked hammer ob a hair-trigger durringer. " He spurred up clost to me an' jes' es nachul lak es ef he wuz tellin' me ter saddle Jap, an' jes' es quiet es if he wuz gwine to church, he sez : 'Wash, be keerful now, fur you may sabe er life wid er level haid. I will ride up to de side porch, jes' whar it reaches to Jap's saddle skirts. I mus' speak to Kitty once mo' befo' I go back to Cuba foreber. Slip in an' tell her sum one wants to see her quickly, on de side po'ch. Go, an' remember your haid !' " I wuz glad ernuf to go. All de sarvants wuz Songs and Stories now pourin' in to shake ban's wid Miss Kitty, arter de white folks hed shook, an' I cum in nacherly wid de res'. De white folks hed stood back an' wuz watchin' our awkard way, an' de room wuz full ob flowers an' sweet sents an' hansum folks. " But Miss Kitty jes' hanted me I cudden't keep my eyes off en her. She wuz es butiful es truth in de halls ob de angels, an' yet es sad es sorrow at de grabe ob her fust born. She look lak er queen bovvin' right an' left, an' her grace shone lak er pillar in a temple. She tried her bes' ter smile on us po' niggers dat had raised her an' lubbed her all her life, but de smile jes' flickered 'round her dark, sad eyes lak er April sunbeam tryin' to git out frum behind er March cloud. When she shuck ban's wid me I seen two tears start up in her eyes, lak little silver-side fish dat rise to de surface ob de lake fur air, an' I knowed she wuz thinkin' ob Jap an' his rider, an' I cudden't stan' it no longer ; I jes' stuck my big mouf up to her lily bloom ob a yeah an' tried to say it easy, but it seemed to me de folks heurd it ober at quartahs, er mile erway : ' Gawd bless yo', Miss Kitty, honey ! But cum out on de side po'ch, quick !' " Fur er secon' she looked at me lak she thort I wuz crazy, an' den I tried ergin, steppin' on her butiful dress an' little white slipper, I got up so close an' whispered so yearnestly : 72 OLD WASH. from Tennessee " ' Miss Kitty ! Miss Kitty ! ! fur Gawd's sake cum out on de side po'ch, quick !' "She nodded her haid, an' I seed she thort sumbody wuz in distress, an' es I went out, I seed her excuse herself to de guests an' an' wal, de feller dat wuz standin' in de winder wid 'er, an' den she gethered her trail in her lef han' an' follered me out es stately es Pharo's darter fol- lered de niggers ob old." Here the old man paused, and a look of triumph glinted in his dim eye, as he said, " Dar am sum scenes in life fixed on our mem'ry so dey git plainer es we gro' older, an' dis wuz one. De happiness ob two libes wuz at stake, an' I trim- bled so I cudden't think, fur I knowed a wurd too soon or too late or out ob place would ruined eb'rything. De poppin' ob er match might er brought on er shootin' an' de whinny ob a black hoss es he stood blacker in de night mout er turned er weddin' inter er fun'ral. " I glanced at de side po'ch dar sot er black hossman on er steed es black es he wuz. Noter muscle moved, but 1 seed two steel-blue eyes shine eben in de darkness. Den out cum Miss Kitty, so nachul lak, an' soft an' easy : " ' What is it, Wash ; who wishes to see me?' (< I p'inted to de hossman. Den I heurd her step es she walked ercross to de shadder, an' den I heurd er voice cum outer de shadder : ' Oh, Kitty, my darlin', have you indeed forgotten me?' 73 Songs and Stories "To my dyin' day I'll see her es she heser- tated, tried to advance, stopped, staggered, an' fell into de outstretched arms ob de hossman, es she exclaimed pitifully : ' Dear hart, I tole them all de time I wuz yores !' " An' whut you reckon Marse Henry dun ? He kissed dat man's wife scanlus, time an' ergin, an' stead ob spurrin' erway wid her lak I spected to see 'im do, an' lak ennybody else wooder dun, he jes' walked wid 'er, dead fainted es she wuz, right inter de parlor whar dey all wuz, an' laid her gently down on a sofer, an' den he turned 'round lak er majah gineral reviewin' troops, an' he said : ' Unkle Robert, I have a word to say heah !' "Wai, sah, 'mazement wan't de wurd. De wimmin screamed an' de men looked lak dey wanted to. Eben ole Marster cudden't do nuffin' but stare. Estes cum to fust an' made er quick movement to git to de sofer whar Miss Kitty wuz, quiet es er spirit. But when Marse Henry seed 'im, his eyes flashed lak two stars, an' I dodged my haid spectin' to heah er pistol shot naixt, but I didn't, only dis frum Marse Henry, 'an it cum from 'im lak er battery, es he laid one ban' on er instrument dat bed bin all through de Cuban fight : " ' Stan' whar you am, sah ! fur I'm heah to settle wid you fust !' " An' den he tunned loose. Gawd, sah, he towered ober Estes lak er lion dat bed cum home 74 from Tennessee an' foun' er cur in his house. An' all de time his eyes shone lak lightnin' an' his face \vuz sot lak er jedge's, an' his voice wuz lak er god's ! He pulled de forged letter out an' ole Marster read it, an' Miss Kitty cum to an' read it, an' he tole Miss Kitty how he writ to her time an' ergin an' at las' got dis letter. An' she cried lak her hart would break, an' she tole how she bed writ to him time an' ergin befo' she heurd he wuz dead, an' nurver got no letter, an' befo' 1 knowed it I jes' hollered out : ' O, hit pays to be postmaster, hit do !' " An', sab, wbut do you reckon ole Marster dun? He jes' hugged Marse Henry an' wrung his ban' an' call 'im his son, an' den he got so mad he lost his ole baid, an' cum runnin' out in de hall, an' sed : 'Wash ! Wash ! Bring me my pistols, Wash ! The forgin' villain to dare marry a gemman's darter !' " In er minnit he cum runnin' back wid er pair ob durrungers in his ban's an ernudder pair in his eyes, an' be rushed up to Marse Henry an' sed : ' Henry, my son, you shan't kill 'im ! Let yore ole uncle bab dat pleasure. The forger ! Why, he married my darter, an' 1 thort he wuz er gemman !' " But Estes wuz gone, gone to parts unkown. An' Miss Kitty wuz laffin' an' cryin', in Marse Henry's arms, befo' all de guests an' eb'rybody, an' ole Marster stop sorter sho't-lak, when he seed 75 Songs and Stories 'er, fur he wa' n't prepared fur dat, an 'Marse Henry laffed an' pulled out ernudder paper er little slip ob paper, an' den he sed : 'In de sweetness ob dis hour I furgib 'im, Unkle. Besides, he ain't married yore darter. Dis little instrument am jes' five yeahs de oldes'. I'm sorry, Unkle,' he sed wid er twinkle in he's eyes dat belied his appollergy, ' but I married Kitty de night befo' I lef five yeahs ago. Heah is de li- cense an' dis am Squire Sanders' signature an' why hello, Squire, I'm glad to see you ergin !' es Squire Sanders an' all de folks he knowed flocked erroun' 'im to shake his ban'. "Gawd, sah, dat wuz er happy night! But nuffin' wud do ole Marster but dat dey mus' be married ober ergin by de Piskolopium preacher, an' in gran' style, too. " So in erbout er hour Marse Henry cum out, dressed in de unerform ob er majah gineral, an' dey wuz married ergin an de han'somes' pair dat eber sed yes to de preacher. An' when I went up to shake dey ban's, Marse Henry tell me to stan' by he's side, an' den he pulliout ernudder paper, one jes' freshly writ, an' he read it to all de folks thang Gawd, he had bought me frum ole Marster ! " An' den he turned roun' to me, nigger dat I wuz, an' he sed wid er tear in he's manly eye : 'Wash, a true frien' am a jewel on de finger ob life. I fout too hard fur de freedom ob others to 76 from Tennessee see my bes' frien' a slave. I have bought yo' frum Unkle Robert, as dis bill ob sale will show. Take it ; you are free !' " I drapped at his feet an' cried an' kissed his han', but he pulled me up, an' es he put five big gol' pieces in my han' he laffed an' sed : ' An' these are frum my wife, for valuabul assistance rendered at her fun'ral !' " An' es I kissed her sweet han', Gawd bless her, she looked up at Marse Henry laffin' by her side, an' de smile she gib him wus lak de break ob day in Heaben !" 77 Songs and Stories THE WOLF HUNT ON BIG BIGBY. " T SEE de dudes hev got up er new sport up ter Yakee Ian'," said old Wash the other day. " Dey calls it Golf huntin'. Hezitgot ennything ter do wid wolf huntin' ?" he asked. " Ef it hez, I jes' wanter say I'll go ter New Jarsey ter see it ergin," said the old man, as he sat down on the wood-pile and laughed as if he was tickled im- mensely. "Why, no, it hasn't anything to do with wolf hunting. Why do you ask ?" I said. "Wai, de names sounded sorter lak, an' de folks dat plays it am de same sorter fellers dat cum down to our home way back in de fall ob '35 ter hunt wolves. But let me put dis ax in de kitchen cellar fus'," he said, as he hobbled across the yard. "I nurver could tell ennything wid er ax or er hoe starin' me in de face an' 'mindin' me dat man wuz made ter saw wood. " Dis country ain't whut hit useter be when Marse Bill Young settled down on Big Bigby way back 'bout eighteen-twenty-fo'. You nurver seen sech Ian' in all yore life de grandes' forests dat 78 from Tennessee eber sot on de face of de yearth, an' de cane sc big dat you bed to cut roads through it lak it wuz er wilderness. An' de newgroun'! Wai, sah, I nurver seed sich crops sence de good Lord made me ! Why down in de new groun' dat we cleaned up we didn't hafter plant but half er grain er cohn "Half a grain! Why?" "Why, good gracious, sah, er haf er grain made er stalk twenty foot high ! Whut we wanter plant er whole grain fer, an' haf sich high cohn we cudden't pull it wid wun ob dese yeah fire ladders ! An' punkins ! Marse Bill Young tried 'em wun yeah in de black locus' new groun', an' arter dat he gin strick orders fur no- body ter nurver plant er punkin seed widin ten miles er his farm ergin." "Why?" I asked. The old man scratched his head as if pondering whether to give his rea- sons or not. " Bekose," he said, " de punkin vines tuck de plantashun, and sum ob 'em run fur miles up in de hills, an' de naixt spring when ole Marster went out ter survey an' preempt mo' Ian', he cum back home mad es de debbil, an' sed ebry mile er two fur ten miles eround, sum po' white folks frum de mountains hedcum out in de spring ob de yeah, an' whar eber dey foun' er punkin dey hed squatted on de Ian', scooped out de pun- kin, built er chimbly in wun eend, put in er door 79 Songs and Stories an' winders, an' wus libbin dar mighty cheerful lak an' contented twell dey cud build 'em er lit- tle bigger home. Ole Marster'd owned haf de county ef it hadn't been fur dat, sho'!" "Wash," I said, looking him steadily in the eye, " you have gone to lying in your old age." " Grate Gord," he said, with a look such as Elijah cast on the prophets of Baal, "thetenny wun should excuse me ob dat in my ole aige ! An' me tellin' whut 1 seed wid my own eyes an' heurd ole Marster say, too. But dat ain't heah nor dar. I'se tellin' you 'bout de wolf hunt. " Dar wuz er ole she wolf dat libbed down in de cane dat wuz jes' er little de bes' wolf enny body ebber seed. She jes' libbed on our sheep an' horgs, an' dar want no dorg cud bes' her. Ole Marster tried he's pack er houn's on 'er an' she cleaned 'em up in ten minits. Den Cap'n Jim Estes tried he's pack on 'er, and dey all cum home lookin' lak rigimint flags arter de battle ob Waterloo. Den dey raised er crowd ob de boss fightin' dorgs ob de settlement de brindled kind an de b'ar-fightin' kind an' dey all hem de ole wolf up in de cane an' rush in ter de tune ob ' Hail, de Conk'rin' Hero Cum,' but, bless yore soul, sah, in erbout five minits dey all cum out howlin' ' De Gal I Lef Benin' Me !' " Den de whole settlement riz up in arms. Dar wa'n't er man dar dat dat ole wolf hadn't wusted he's dorg, an' I've allers noticed dat So from Tennessee when you hurt er man's dorg you jes' es well hit hees chilluns. Hit makes 'im er heap mad- der. We'd er whipped de British long 'fo' we did ef dey hed cum ober heah an' 'stead ob taxin' us widout misrepresentashun dey'd cuffed sum ob our no 'count dorgs erround. Dis whole country woulder riz an' whipped 'em out in three days. Ole Patrick Henry and Boston Massacre wooden er bin in it. '' But ole Marster wuz a jus' man, an' he sed dat wolf wuz er free-born 'A\erican wolf, an' no man should ambush her an' kill 'er wid er rifle. She shud have er fair chance an' er fair fight ef she et ebry pig on hees place. Ef dey had dorgs good enough to kill 'er, all right; ef dey didn't, she mout jes' lib on. O, ole Marster wuz er white man, I tells you ; an' hees wurd went in dat set- tlement. So dey jes' gib up an' let de ole wolf have it her way. "Not long arter dat ole Marster went to New York on bizness, an' ter hev er good time at de theaters an' sich. Ole Marster wuz er swell when de 'cashyun riz but he didn't let it rise too often. When he come back he sorter laugh an' say : " Washington, I've invited de New Jarsey huntin' club down to do up de ole wolf in de Big Bigby cane brake. Dey'll bring er dozen im- ported Roosh'n wolf houn's dat dey say am prize fighters, an' will rid us ob de ole witch.' 6 81 Songs and Stories "'All right,' sez I. ' Marster, I'll sho' see dat dey finds de enemy.' " Wai, sah, in erbout two weeks er mo' heah dey all cum, an' bless yore life, honey, you nurver did see sich swells as dey wuz. Dey hed on high silk hats, an' grate white collars, an' biled shuts and speckled cravats, an' satin vests, an' corduroy pants and pump-soled boots. An' you b'leeve whut I say ? Sho' 'nuff ! Wai, sah, I'll swear dey hed sho' 'nuff white folks ter wait on 'em ! 'Fo' Gord hit's er fac' ! Huh ! Bless yore soul, we niggers didn't 'sociate wid dem, dough. Dey ain't no 'ristocratic nigger gwine 'sociate wid secon' -class white folks. An' de dorgs ! Now you heurd my horn ! Dey fotch er dozen ob de slickes'-lookin', big-haided, flap- yeared, wus-lookin' houn' dorgs you eber seed, chained two an' two, an' er man jes' ter take keer ob 'em. But I 'spected sumpin wuz wrong soon es I seed 'em, an' dat night when Marster set out a decanter ob fus-class mountin' whisky wid lump-sugar an' mint, an' ax 'em ter take er drink, an' dey all 'fuse kase dey say dar ' stum- micks cudn' stan' sich crude licker,' an' dey would jes' take er little claret wine dey hed in dere trunks, den 1 knowed de whole layout cudn't bag er kildee. Wai, sah, dey didn't do nuflin' but talk erbout de pedergree ob dem houns an' whut hit cost ter git 'em heah, an' how menny wolves dey kill in Roosher in wun day, an' how 82 from Tennessee sabage dey wuz, and sum ob de niggers vvuz list'nin' at de winders an' didn't hab no mo' sense den to b'leeve it, an' hit spread all ober de plantashun an' skeered de pickerninies so dey all sleep wid dey haids under de kiver dat night. "Wai, de naixt day ole Marster mounted 'em an' dey blowed dey horns an' got de houns an' de keeper an' went off in gran' style. I rid er gray mule and went erlong ter show 'em de game. Wai, we wa'nt no time gettin' dar, fur de ole wolf hed er cane swamp whar she libbed and wuz boss in, an' ebrybody knowed it. " Hit muster bin de wrong time ob de moon fur de dorgs er de right time ob de moon fur de wolf ennyway we struck her in wun ob her wo'st moods. Hit 'peered ter me she'd been pinin' all her life fur er pack ob Roosh'n wolf houn's an' dude hunters, an' I hev no doubt ef she'd been axed into Delmonicky's ter name her bill ob fare she'd er named er dozen Roosh'n wolf houn's on de half shell dem dat's got con- fidence in deysels an' am fat an' sassy. I can't 'spress ter you how happy an' delighted an' highly complimented she wuz when she seed hunters hed imported 'em fo' thousand miles jes' fer her special benefit. Fur fear dey might think she wuz lackin' in perfessional kurtesy she cum out ob her lair, in er nice cleared place, an' met de furriners wid de blandes' smile. Den she back 83 Songs and Stories hersef ergin er clay root ter protec' her r'ar an' got down ter bizness. " Boss, dat fight wuz soon oher. De fus' fool houn' dat went in she broke hees back wid \vun snap ob her steel-trap jaws de naixt \vun got hees throat cut lak er razor. Dem furrin dorgs lied er furrin language, an' de dyin' yelp ob de fus' was er heabenly translashun fur de yuthers, an' dey lit out. Dey all went back ter Roosher by way ob de Norf Pole an' de ismus of Cant- Ketchem an' dey went in er hurry. De dudes got mad an' called an' hollered, but dey wa'nt er furrin houn' in de county in two hours. " But de fun lied jes' begun. De ole lady bein' diserp'inted, got b'ilin' mad. She kerned de wa' inter ducledom. She run de keeper up er black- gum tree and den lit into de hunters an' you orter seed 'em cum outer dat swamp. Some ob 'em didn't stop runnin' fer ten miles ! De ole lady fit lak she 'membered 'bout sucklin' two genuine white men onc't, way back in de days ob Unkle Rum'lus an' Unkle Remus, an' she know'd whut de right kind ob article wuz, an' now in her old aige ter be played off on by er lot ob counterfeits on humanity an' imported dorgs wuz too much. De darkies on de place say dey heurd de keeper up in de tree prayin' in French all night. " De naix't day arter we got 'em off by de fus' stage, ole Marster lacter laf hesef ter death, from Tennessee an' he say he gwineter petishun congress ter put de ole wolf on de flag by de side ob de 'Merican eagle. " But how you reckin we got dat ole wolf atlas'? Why, mean' er nur'r nigger went possum huntin' wun night wid three good dorgs, an' we got her up thinkin' we bed de bes' coon in de swamp. You know er nigger'll fight all night wid de debbil ef bethink it's er coon er 'possum, an' twixt us all we manage ter beat de ole lady ter death. When we kilt her an' struck er light an' seed whut we bed, we drapped her an' got outer dar faster'n we went in. Hit skeers meter think uv it now ! What big things sum folks do widout intendin' it !" Songs and Stories GRAY GAMMA. " T AIN'Tnurver tole you 'bout dat boss race down 1 to Ashwood, when Marse Bill Young bet me ergin two thousan' dollars ob er Missippy gem- man's money, has I ?" asked old Wash the other night, after he had come in to tell me the young Jersey heifer had found a calf in the meadow lot that day. "Wai, sah, I've seed many er race, but dat wuz de mos' interestines' one, frum my p'int ob view, dat I ebber seed, 'kase I wuz de principalist stakes, an' dey stood me on er stump, an' nuthin' but dat filly's grit saved me frum bein' a dead nigger in Missippy terday, 'stead ob a eminently 'spectable cullered gemman frum de race-boss state ob Tennessee. "I had er mighty good marsterwus Marse Bill Young an' he wuz de fust man ter bring thurrerbreds to de country. Ain't I neber tole you 'bout dat bay colt Firefly, by Dan Rice, out ob Margerite, by 'Merican 'Clipse ? Heish ! Long es 1 bin wid you, 1 ain't neber tole you 'bout dat colt ? For de Lawd's sake ! " Wai, sah, he wuz de bes' t'ree-year-ole I 36 from Tennessee eber put er shoe on. Fus' dam by 'Merican 'Clipse ; second dam by Timoleon ; third dam by-" " Never mind about his dams," I remarked, as I gave the old man a cut of " Williamson County Twist," which I always kept in the drawer for him ; "just go on with the race." "Wai, sah, I had er mighty good marster wuz Marse Bill Young an' he wuz de fust man to bring thurrerbreds to de country, es I wuz sayin'. He didn't hab but one fault, an' dat wuz he'd bet ennything in de wurl' he had, 'cept his wife an' chilluns, on his own bosses. He neber did think enny ob his own bosses could be beat, but he cum mighty nigh changin' his 'pinion 'bout dat thing onc't, an' losin' erbout de valu'blest nigger in Murry county to boot. Dat nigger wuz me. Mind you, I ain't blowin' my own horn nobody eber heurd me doin dat but I'm jes' tellin' you what Marse Bill Young said hissef. "I was de blacksmith fur de plantashun, an' shod all de thurrerbreds. An' right now I can gib any ob dese here new-fangled hoss-shoers er lesson er two, kase we knowed how ter shoe bosses in dem days ; ef I hadn't I wouldn't er bin in dis state terday. "Wai, sah, 'bout long in Febrery 'way back in de forties dar cum er gemman frum Missippy wid er string er thurrerbreds gwine to Nashville 87 Songs and Stories fur de spring races. De Lawd sake ! Dey used ter hang up purses in dem days ! Why, dis same mair, Gray Gamma, dat I'm tellin' you 'bout, won forty thousan' dollars fur ole Marster in one purse won it in er walk but, bless yer soul ole Marster spent it in er fly ! He wuz er white gemman ! Munny wa' nt what he wuz livin' fur. He wuz livin' ter race hosses, " Wai, sah, ez I wuz sayin', all de gemmen dat passed thru de country in dem days, befo' de rail- roads, jes' went out and stopped at ole Marster's de common folks put up at de hotel an' so, ez I wus sayin', de Missippy man he put up at ole Marster's too, wid all his hosses an' niggers an' teams an' borrows fur to borrow de track wid, when dey get to Nashville. " Wai, sah, dey had a mair in dat string frum Missippy dat dey laid great stress on. De Mis- sippy nigger tole me in conferdence she could out- run her shadder wid one leg tied up an' she cud ! How did I know ? Wai, de truf is, me an' de Missippy nigger gib her an' Firefly er midnight trial one moonlight night fur er poun' er Tennes- see terbacco, while ole Marster an' de owner wuz playin' poker fer keeps in de billiard room. Dey called de mare Mary Lef, an' all I know is she lef me an' Firefly dat night jes' lak we wuz er pair er mud muels stuck in er clay bank. Jimminy ! how she could run ! " De nex' day ole Marster cum ter me lookin' 88 from Tennessee sorter worried fur he thout er heap er me an' he said : '"Wash, I'm feared I played de mischief las' night,' sez he. " ' How so, Marster ?' says I. "'Well, Wash, you know dey can't nobody bluff me when it comes to my bosses. Dey am as good as dey make 'em. An' all I've got ter say ter you is dat I called de Majah's bluff las' night when he talked erbout Mary Lef' beatin' Firefly. I bet him you an' Firefly ergin two thousan' dollars an' Mary Lef dat he couldn't do it dat's all an' ef Firefly can't win, you jes' es well make up your mind to tell us all good-bye. De race comes off day after termorrer, an' er gem'man don't gib his word butonc't. You may shoe de colt termorrer ebenin',' an' he walk off es onconcerned ez ef he wuz tellin' me ter go an' kill hogs. " But great sakes ! Whut er knot riz in my throat ! I didn't mind it ef I'd only had er dog's chance but I done seed what de mair could do an' I knowed cley wuz playin' er game on Marster, an' dey knowed it, too. An' me ter leave Dinah an' de babies an' ole Tennessee an' all I had on sech a chance es dat ? Wai, sah, I jes' went off an' cried. I knowed it wa'nt no use ter go an' tell Marster all 'bout what me an'de Missippy nigger done, 'kase de debbil hissef couldn't make him break his wurd an' I'd er got er cowhidin' ter Songs and Stories boot. I jes' made up my mind dat all dey wuz in life wuz ober fer Wash. "Wai, sah, when de news spread, an' Dinah heurd it, darwas er scene. She 'lowed she'd go an' beg Marster ter let her an' de babies go too, an' I nurver will fergit de night we went up to de big house me an' Dinah to beg Marster not ter sep'rate us. Wai, sah, he cum out on de po'ch es tall an' dignified es ef he owned de yearth but I knowed he had a warm heart fur all dat an' Dinah wuz cryin' an' I was mighty silent, an' Dinah said : "'Marster, please don't sep'rate us, but jes' put me an' de babies up, too,' an' she could say no more. " Marster looked sorter troubled, lak he hadn't thouterbout de thing befo', an' he walked ter de drawin' room an' said quietly lak : " ' Majah Fellows, will you step heah er mo- ment?' "An' de Missippy gem'man step' out on de po'ch an' we step back in de shadder, an' ole Marster sez, sez he : " ' Majah, I wuz a little hasty in my bet the other night. I had fergot dis boy had er young wife an' two chilluns. I have neber sep'rated a man an' his wife in fact, sah, neber sold one ob my niggers an' fur de sake ob common humanity I would like to amend my bet, if ergreeable ter you.' 90 from Tennessee "'State your amendment, sah,' said de Mis- sippy man, coldly. "'The condition of our match, sah,' said ole Marster, quietly, ' wuz four-mile heats, an' two thousan' against my nigger. I kno' yer mair is de fastest, but I believe Firefly can outlast her. He is bred to stay, an' de only chance I have to win is to comply with the four-mile condition. But, in order not to sep'rate this boy an' his wife, I will make the distance only a mile an' a half, an' in case you win I'll put up the woman an' her two children an' er thousan' dollars in gold ergin the boy alone, that my three-year-old filly, Gray Gamma, will beat your mair, Mary Lef, at the same distance.' " ' Sence you wish it, sah, so be it,' said de Majah, ' but ' an' hit made my blood bile when I heurd him add ' it must also be added that the winner of the last race gets both horses con- testinV " Ole Marster flushed, 'kase it looked lak de Missippy man wanted de yearth. It wa'nt so bad to lose me an' Dinah, but I knowed ole Marster didn't wanter run no risk 'bout losin' de filly, an' when he said ' all right, sah,' 1 knowed he done it jes' fur our sake. But when he men- tioned Gray Gamma my heart give er leap, fur I knowed her blood wuz es pyore es de icicle dat hangs on Dinah's temple, an' es hot es de hart- draps dat flows thru' Juno's veins fur I heurd 9 1 Songs and Stories ole Marster say it menny er time. She had de meanes' temper in creashun, an' would hab her way er die. She wuz mighty nigh sp'iled in er two-year-old form an' hadn't been raced sence ; but she 'peered to hab got ober it, an' I heurd de trainer tell ole Marster de Lawd only knowed how fas' she could run. Arter we went home I tole Dinah all erbout de filly, an' dat night werastledwid de angel in pra'ar we prayed dat de angel might take de crotchets outen de filly's head we knowed she'd do de rest. " Wai, sah, when de day cum, de whole neigh- borhood turned out. Ole Marster put me on er stump an' de Missippy gem'man put er bag ob gold beside me, an' Firefly an' Mary Lef come up an' wuz soon erway. Spite ob de fac' dat I knowed we had no chance, my heart jes' lak ter break out er my buzzum. I saw Dinah cryin' in de wagon whar she an' de babies wuz, an' den I looked at ole Marster he wuz jes' smokin' er seegar lak he wuz lookin' at er heat ergin time, an' sez I, ' sho'ly he ain't got no heart,' but I knowed better befo' de race wuz ober. Firefly wuz game an' staid wid de mair I cu'd see he wuz better at de mile dan he wuz at de half, an' better a quarter furder on dan he wuz at de mile, an' I seed what er fool I wuz not ter let ole Marster make it fo' miles ; an' jes' es 1 begin ter think an' hope dat Firefly would beat her ennyway, Mary Lef s rider went to de whip, de mair made er 92 from Tennessee spurt an' pushed her nose erhead, I heurd er shout, an' I b'longed to de Missippy man ! "I got offen de stump. I cudn't see which way ter go, I wuz cryin' so. Ole Tennessee neber looked so sweet ter me befo'. De wheat fiel's looked greener an' de cabins whiter an' de hills had a charm I neber had know'd befo'. I cudn't hardly walk twell I heurd ole Marster say : ' Wash, you am de property ob Majah Fellows,' jes' lak he wuz er gibin' erway er dog, an' sez I to myself, ' sho'ly ole Marster is crazy he ain't got no soul.' An' I leaned ergin de stump. Den I heurd him say : " 'Majah, while yore mair is coolin' out I'll ask yore permission to let this boy change my filly's shoes he has bin my blacksmith, you kno'.' '"Sartenly, sah,' said de Majah. " An' right dar is whar Marster had sense an' I didn't. It wuz a cold day an' de groun' wuz nearly frozen, an' de track wuz slick. An' Marster said to me at de shed : ' Select er very light but rough set ob shoes, cork 'em lightly all errouncl I'm surprised Mary Lef's owner can't see dat her plates are too slick fur ice.' An' den he said, sorter smilin' : 'You needn't look so solemn, you'll be berried on dat hill yit.' Wai, I dun lak he said, and dat wus one time I sho' did my bes' at shoein' an' all de time I wuz prayin' fur Gray Gamma ter go off right. When 1 wuz through, Marster look her ober an' gib her 93 Songs and Stories an apple an' patted her neck an' he buckled de girth hissef. "When de filly cum out an' de race wuz called I noticed Marster wuz a changed man he wuz no longer careless lookin' he throw erway his seegar he see ebrything ; yet he laugh an' joke. I follered his tall form es he went up de stretch to gib de jockey orders, an' es he passed de wagin whar Dinah wuz cryin', sez he : ' Come, girl, don't be cryin' dar ; hit's prayin'you need pra'- ars dat de filly gits off right. Ef she do you needn't stay twell de race is ober jes' take de chillun an' go on back to de cabin,' an' he stalked on an' me er follerin' him so dazed I cudn't hardly walk. "To my dyin' day I'll neber furgit de look dat wuz in ole Marster's eye when he went up to de boy dat wuz on Gray Gamma. "'Jim,' sez he, 'gimme dat whip,' an' he throwed de rawhide ober de fence. ' Dis mair needs pettin' in dis race not whippin'. Now look at me,' an' his steel-blue eyes looked lak ole Marster cud look at times ; ' dis race is mine ef you let dis filly get off at fust. Don't cross her ; don't stop her; don't draw yer rein. She'll set de pace jes' you set still an' guide her. Do you heah ?' " ' Yes, Marster,' an' de starter called 'em to de scratch. " My heart beat lak a drum. I cudn't hardly 94 from Tennessee breathe ; I cudn't stan', an' I sot down on de groun'. I knowed ebrything depended on de start, dat de filly vvuz lak er spoilt gal, an' ef erlowed her own way she'd go wid de joy an' de bound of er angel, but ef checked she mout sulk all through de race. I neber took my eyes offen her, an' when dey said ' Go !' at de fust trial, I seed her wheel an' shoot erway lak er beam ob sunlight, an' all at onc't my strength come back an' I jumped up an' sez I : 'Thank God ! I'll die in ole Tennessee yit !' "But de yudder mair wuz fas', an' when de rider seed Gray Gamma's tactics he jes' turned her loose an' she dun jes' lak she dun to de colt crep' up ter de filly's flank, up ter her saddle, up ter lier haid, an' sez I, ' Is she gwinter beat er ennyhow ?' " Hit's been fifty-odd year," said the old man, as he looked away off in meditation, "but dat picture is branded in my mind es plain terday es ef 1 seed it now. I ken see eben how de sky an' de clouds looked, an' de outline ob dem two hosses es dey went nose an' nose eround dat track. Hit 'peered lak er hour befo' dey went de mile, an' I dreaded de time I knowed wuz comin' when de rider ob de Missippy mair wud go to his whip. He dun it at de quarter pos', an' thinks I, ' now I'm gone ! Missippy will come wid er bolt !' But Gord bless yore soul, honey, Gray Gamma hed er bolt, too, an' when de mair tried ter go by 95 Songs and Stories her de boy on Gray Gamma jes' leaned ober an' touch her gently lak wid de spur in de flank an' she jes' grappled de frozen groun' \vid dem corks, an' shot her naik ahead, an' I jumped up an' down, an' hollered Halleluyer ! Halleluyer ! I'll lib an' die in ole Tennessee !' An' Gray Gamma ? she seemed ter git better. She seemed ter fly ! It look ter me lak she neber touched de yearth fer er quarter ob er mile ! I run to de wire at de stump, de same stump I cried on befo', an' I jumped on it lak er game rooster on er barn fence, an' I hollered till dey heurd me at de quarters, two miles erway: 'Glory halle- luyer ! Come home, Gray Gamma !' " An' she cum de sweetest sight dis nigger eber seed. She cum lak er bloomin' skule gal playin' ' Puss in de corner ' in low neck an' short sleeves, wid roses on her breast, mornin' on her cheeks an' stars in her eyes, an' makin' er run fur de home base ! She cum lak ten camp meetin's in full blast an' me jes' got religun ! She cum lak whole regimen's marchin' ober kittle drums an' me de drum-majah ! She cum lak de charriut ob de Lawd in de pillar ob fiah glory halleluyer ! "Wai, sah, all I rickerlec' is dat I had her 'roun' de neck an' wuz kissin' de star in her furred, an' 1 look an' dair stood ole Marster, sorter smilin', wid his eyes sorter moist, an' Dinah tryin' ter kiss his ban's, an' he cum an' put 96 from Tennessee five twenty-dollar gold pieces in my ban', an' sez he : 'Stop yer blubberin', yer idjut, an' go ter yer cabin ; yer don't know er race boss ef you'd meet Mm in de road, an' de naixt time you hab a moonlight race wid my bosses pick out one dat will teach folks how ter race ergin ole Tennes- see !" 97 Songs and Stories THE MULE RACE AT ASHWOOD. (The old fairs in Maury county sometimes ended in a mule race, in which every effort was made by the spectators to retard the progress of the steeds and make them fly the track. Old Wash's account below is not exaggerated.) " r ~pALK erbout trotters an' pacers bein' cheap," 1 said old Wash the other night, after am- bling in to know if it was true that Coxey's army was only a scheme to put the colored man back into slavery, " but you orter seed how cheap thurrerbreds got in Murry county way back in '35. We used 'em es dams fur Tennessee mules, an' dey made de bes' mule in de wurl. A Ten- nessee mule bred dat away am a leetle de bes' pullin' thing dat eber was hitched to de yudder end ob a trace chain. Pull? Why, I've seed 'em die in de traces, tryin' ter pull er waggin outen de mud. I hup I may die ef I ain't seed one pull her fore shoulders down ter er foot ob her hips. I disremember dat mule conspicuously, 'kase we cut part ob her tail off arter dat an' sold her ter er circus fur er geeraffe. " An' run ! Wai, sah, you orter seed dat race 9 S from Tennessee at de ole Ashland track one fall ! Dey got up er mule race, an' ole Marster tole me ef I'd ride his gray mule an' win he'd let me marry er gal dat belonged on ernudder plantashun, an' one dat I'd bin pinin' fur fur er long time, an' ole Marster didn't want me ter marry her 'kase she wasn't in de fam'bly. In dem days, sah, we folks ob de fust qualerty hed ter be mighty 'tickler how we marri'd outen de fambly. I might es well add, right heah," said the old man, "that arter I got 'er I quit pinin' fur 'er. I've noticed it's ginerally dat way. But you wanter know how dat mule wuz bred ? Fust dam by Bosting, secon' dam by 'Clipse, third dam by Diomeed, fourth dam by Flyin' Children, fifth dam by Darley's Ara- bian, an' fur twenty more dat mule went on. On her sire's side she traced all over Spain an' Portugal, Egypt an' de Holy Lan', an' clar up ter de Prince ob Wale hissef. Talk erbout er mule not bein' bred right ! Oh, we had 'em in dem days. Thurrerbreds was sho' cheap. "When de race cum off, I made dat mule run lak I 'spected to find de gal hung up at de wire. De yudder mule wuz bred spang up, too, an' we wuz sailin' erlong pritty briefly yes, pritty briefly wid me er little erhead an' dead sho' ob winnin'. I wuz jes' wunderin' which one ob his las'-year coats ole Marster would gib me ter marry in an' if Mistis wouldn't bake er cake, when all at onc't my mule " 99 Songs and Stories " Come, come," I said, " don't make up any- thing. Tell it just as it was." The old man really looked hurt as he remarked : "I see yo' ain'tfully posted on mules, 'specially thurrerbred mules. Why, dey am as different frum bosses as de spirit ob a bat am frum de ghost ob Ophelia. Did you eber see one run erway ? Now, er boss runs erway lak er gem- man. He jes' gits skeered an' runs erhead. He'll run ober er court-house or ennything else, but he'll jes' keep on runnin'. But you jes' watch er mule run erway. De fus' thing he do is to turn right roun' an' throw you out. Ef he's gwine north, an' de whole wurl' gwine north wid him, an' he take er noshun ter run erway, he jes' turn roun' an' run souf. Don't make no diff'r- ence ter him whut's behin' him ; he's gwine back. He lubs de past better'n ennything I ebber seed. He'd ruther turn roun' an' run back into Sodom an' Gomorrah dan ter go straight erhead into glory. Now, when er boss runs erway he's sho' to hurt hissef ; hit's very seldom be hurt ennything but hissef an' de vehickle. He'll bus' his head or break er leg, or skin hissef up, or do sumthin'. But you jes' show me er man dat eber seed er mule hurt hissef when he run erway. No, sah ! Hit's de folks in de vehickle he's after ; an' he allers gits 'em. He's de same way erbout kickin'. Watch er hoss kick you. He fus' lay back his years, an' switch his tail, an' gib you fair warnin'; 100 from Tennessee den, if you don't git outen de way, he kick you ober like a gemman. But do er mule do dat ? No, sah ! When he gits ready to send you to kingdum cum he puts on his most fetchin' airs. You'd think kickin' de las' thing he gwinter do. You needn't be oneasy when you see him switch his tail an' back his years an' sorter dance up an' downbehin' ; he's jes' playin' den. De time fur you ter pray am when you see him behavin' hissef ; dat's de time when he means bizness. When he looks love outen his eyes, an' his years pints to de pure, blue sky erbove, pintin' sinners to dat better Ian', den's de time fur you ter stay outen his way. "Wai, sah, dat's de way de mule done. He wuz jes' forty feet frum de wire when de idee struck him dat he wuz gwine de wrong way. Dey wusn't nuthin' dair ter skeer him nuthin' but er straight track. 'Twas part ob de program fur 'em to try an' skeer him all de way, an' de boys hed stationed er cinnerman bear an' er Italian at de fus' quarter, thinkin' dey'd sho' bolt an' cum back. Now, er mule hates de smell ob a bear like he do de thought of respecterbility, but he went on by 'em like he neber seed 'em. At de haf de boys had turned a cohered wagon ober 'nuff to skeer a saddle an' blanket but my mule went on wid his tail up no skeer dair ! At de three-quarters dey turned some firecrackers loose, an' thinks I, he'll sho' bolt now ; but dey both 101 Songs and Stories went on jes' like dey bin fed on firecrackers all dair life. At de distance flag de brass ban' got in de middle ob de track an' turned loose all dair horns an' drums playin' ' Run, Nigger, Run -de Patterole Ketch Ye' nuff to turn back de debbil hissef but my mule run ober de fellow wid de kittle drum, stepped on de drum head an' carried it erlong pierced wid his lef hin' leg ; but jes' as dey got to thirty feet ob de wire, wid eb'rything clear, an' it look lak ef dey tried to stop eben dey'd slide under, dey both conkluded dey wuz gwine de wrong way, an' both ob 'em whirled. But I wuz 'termined not to git beat, an' dey said both ob us me an' de yuther rider lef de saddle 'bout de same time an' sailed through de air like er pair of turkey buzzards on er windy day. I went under de wire fus' an' landed on de hard groun' on my head an' mouth, fur which I wuz mighty thankful, fur if I'd landed on my feet I'd er broke my legs sho'. I got up an' ole Marster cum up laffin' an' said : ' Wash, de gal's yourn, you beat de yudder nigger by er lip a close shave but you went under de wire fus'. You've got de bes' head fur er race I eber seed,' he said, es he felt my head to see if it wus busted. An' ernudder man laughed an' said, when he looked at my mouth, all swelled up : ' Hardly er lip, Colonel, fur ef he had, he'd er left de yudder nigger at de las' quarter !' "But I got de gal !" IO2 from Tennessee THE TENNESSEE GIRL AND THE PACING MARE. THE Tennessee girl and the pacing mare are a pair I can never separate in my thoughts. When I think of the one I see the other, and when I see the other I think of the one. They go to- gether much better than Jonathan and David, or Damon and Pythias ; and they travel along life's road with a great deal less friction than either would go with a male companion. They are a pair of females entirely bent on femininity. The bottom may drop out of the universe ; political parties may rise and fall ; hades may boil out of Mount Vesuvius, and horses of the male persuasion may break the records of the world, but the Tennessee girl and the old mare are only bent on preserving the chastity of the female race as they shuffle along down a sunshiny pike to carry a hank of yarn and a brace of spring chickens to another pair of the same gender living about three miles further on. The girl is demure, modest and sweet. The old mare is demure, modest and fleet. The girl ' O 103 Songs and Stories is shyer than a sixteen-year-old nymph clad in a petticoat of sea foam, before the mirror of the Olympian gods. The old mare is more timid than a fawn in a herd of buffalo. The Seventh Regiment Band, in full regalia, could not march by the damsel with enough eclat to make her peep out from under her sunbonnet long enough to see the color of their uniforms ; and forty thousand of them could not make the old mare look around unless their martial music happened to stampede the shuffling sorrel offspring ambling behind her then she'd ride over the regiment to get to it. So would the girl. But the sorrel offspring does not really belong in this duo. He is looked on as a necessary evil which is liable to happen in the early spring days of April or May. When the hazy gleam settles over the landscape in the twinkling glow of au- tumn's aftermath, he goes out of their life and existence. Perhaps he has grown too large ; perhaps too saucy ; perhaps too much of a man to be allowed the companionship of this pair who worship at the shrine of Vesta and yet live in the hope of one day making it uncomfortable for a male man and his unregenerate offspring when cleaning-up day comes round ! In the fall, then, the colt will be missing. But the girl rides on and says nothing ; while the old mare merely paces along in a gradually increasing ratio of avoirdupois till next spring. Then you may meet a trio again. 104 from Tennessee The Tennessee girl is a born rider. No silk hat with half a white goose-feather adorns her shapely head. No long riding skirt streams un- der her horse's flanks, or flutters out behind to frighten the steeds of unsuspecting passers-by. No gloves that reach to her elbows. No silver- mounted English whip that abruptly stops in its make-up about the place you think the whip ought to begin ; no goggle glasses, hair in a Psyche knot, and look a la liaitteur no ; that isn't the Tennessee girl on the old mare ; that's the city girl that's riding for fun. The girl we are talking about never got on a horse for fun in her life. A snow-white sunbonnet with a few stray curls peeping out from under. It is tied with a double bow-knot under the chin and two streamers play in the wind behind. A blue calico skirt comes down nearly far enough to hide a pretty foot that's got a good hold on a solid steel stirrup. Where is the other foot, you ask ? Come, don't be too inquisitive. The Tennessee girl has two ; the other, with its necessary attachment, has got a grip on the pommel of the saddle and a Co- manche princess can't stick there tighter. A pair of woolen mittens cover chubby hands that know how to hold bridle reins and there she goes, one hundred and forty-five pounds of solid "gal " in a saddle her great-grandmother rode over " from North Callina in." 105 Songs and Stories The Tennessee girl is the best female rider ah! beg your pardon, equestrienne they call it now in the world. And yet nobody ever saw such riding ! She rolls in the saddle with every motion of the old mare. She is the most unstable-look- ing thing in the saddle, to be as solid as she is, I ever saw. She sits her horse like a forty-ton flatboat on the roll of a wave, and yet she goes ahead like a graceful yacht in mid-ocean on the crest of a billow. She will fool you to death. It is painful for a tenderfoot to behold her ride. His first thought will be to rush up and save her from falling off ; his second to stand and see her fall a mishap no one has ever yet seen, not un- less the double girth broke. Down the pike she goes while the spectator is waiting to pick her up following every curve and rolling with every roll of the pacing mare, all the time in unison, toppling but never falling, swaying but never breaking, easy, jolly, joyous, forgetful, unthink- ing, unaffected ; she can ride out of a storm like Diana, pace home in a curve-line of beauty, or gallop with her brother over the field like a princess of the Montezumas. And don't you discount on the old pacing mare. As sleepy as she looks and as unconcerned and all that, she is the deadest game thing under heaven ! She carries the blood of the desert the memory of fifty Derbys in her veins ! She is the same the world over, and would just as soon 106 from Tennessee throw speed amid the sand hills of Sahara as among the roses of Andalusia. She'll bring race mules if bred to a jack, throw " B B" bread- winners if mated with mustangs, and give us world-beating Pointers when bred to her equal. She carries the girls to church like a three-year- old, takes the old lady to meetin' like a forty- year-old, carries the old man on a nightly fox hunt like Tarn O'Shanter's " Meg " with a witch at her tail, and yet brings him home, when he gets drunk, at daylight, as slowly and solemnly as the burial of Sir John Moore. She will kill a dozen mules in a plow, would make a sway-back elephant ashamed of himself when she backs her ears and throws herself in the collar of a stalled wagon, and on general principles will pull any- thing she is hitched to, from a log wagon to a sucker's leg, and in her friskier moods will throw anything from a race horse to a horse race ! She eats less, works more, lives longer, says less, than any animal under the sun, and springs more unexpected speed from unexpected places than a dozen jack-rabbits in a sedge field ! She is homely in her old-fashioned ways, yet glorious in her grit ! Leggy in her angularity, yet beau- tiful in her strength. Solemn in her Scotch-Irish honesty, yet brilliantly humorous when she takes the bit and tries to pace a 2:10 clip in her old age. Modest and gentle as a nun's dream of her first love, yet as fiery and aggressive as a helmeted 107 Songs and Stories knight in an honor quarrel. Homely she may be, plain, painfully plain, and yet to me, when I know what is slumbering there, she is Moulded as trim as a gatling gun, And full to the brim of its fire ! Nothing can stop the Tennessee girl and the old mare. Nature, recognizing their claims, keeps the sun shining, the sweet birds singing, the winds playing and the brooks dancing when the precious pair start down the pike. Even the toll-gates - brazen evidences of corporations and cruel ob- structionists of freedom and unrestrained prog- ress fail to stop them. " Your toll, please," said the gate-keeper, as a pair of them came to a halt, recently, when the gate swung up. " But do we have to pay toll ?" asked the fair rider, with a look so full of pretty injured inno- cence as to make the hard-hearted collector in- wardly swear he would never collect another toll as long as he lived. "Certainly, Miss; five cents, if you please; here are the regulations " A carriage and horses, . . . 25c A wagon and team, . . . . I5c A buggy and horse, .... loc A man and horse, 5c 108 from Tennessee "A man and a horse ! Why, we are a gal and a mare," said the Tennessee girl, as she rode on through, after casting a withering look on the abject keeper, who was trying to skulk off and hang himself. 109 Songs and Stories "DICK." HIS real name was Richard Augustus Wash- ington La Fayette that was all. He ought to have had a surname, but he didn't, for he was just a little darkey belonging to Major Richard Augustus Robinson, one of the aristocrats of Middle Tennessee, thirty-odd years ago, and who counted his negroes as he did his flocks on a hundred hills. According to custom, Dick's surname should have been Robinson Richard Augustus Washington La Fayette Robinson- only nobody had taken time to think of it, and Dick was too little to think for himself. " And as for hunting up names for my negroes," remarked the Major on several occasions, " it's as much as 1 can do to name my colts and register my Shorthorns." But Richard Augustus was all right. His " mammy " had a literary turn of mind, and when Dick was a year old she named him for her master, Washington and La Fayette " the three greates' men dat eber libbed " as she herself declared ; and then, having duly notified her 1 10 from Tennessee world at the " quarters," she promptly forgot all about Dick and his name, too, in the more inter- esting event of declaring a pair of dividends twin dividends, as it were for the Robinson plantation. These required two more names a mental task too much even for a person of her well-known intellectuality, and so, unfortunately for Richard Augustus Washington La Fayette, in the mental disgust that followed, she boiled down the greatest men in history into Dick. And Richard was himself on all occasions. With him life was one perpetual Sunday, even after he grew big enough to leave " old Granny," the wrinkled and wizardly witch of an octo- genarian whose duty it was to take care of the two score pickaninnies of various ages, " at the quarters," while their mothers helped out in the crops. And what glorious fun Dick had, picking little baskets of cotton by day, for work, hunting possums by night, and breaking the colts on Sun- day for religious diversion ! Chittlings, crack- ling-bread, hoe-cake, 'simmon beer and bacon ! These were his till there was one endless cackle in his laugh, one continual ring of grease around the hole in his face, one everlasting brewery in his heart. He ate so much, so often and so sys- tematically, that his cocoanut-protruding forehtad was as polished as a black ivory ball, and the small spot of ebony abdomen that stuck out through the slit in his one garment a hickory Songs and Stories shirt that came down to his heels looked not un- like the crown of a last year's derby greased with bear's grease. Freedom ! Not much of it did Dick want. In fact, I think, like the rest of his race, Dick missed the idea altogether, as a great many people now- adays have missed it. Dick never had studied the subject much, but somehow or other, way down in his little philosophical heart he had learned that slaves are sometimes free, while freemen are often slaves. Ah, Dick, there are more slaves to-day than on the day I first saw you, thirty-three years ago, as you rode the bay filly down the long lane while the twilight shadows pirouetted the cows you were driving home into colossal oxen. Yes, a lot more. It is true they don't go by that name, Dick, but oh, Dick, names are not even surface indicators in this world. There are so many slaves in the world to-day, Dick, that sometimes I hope we will find the north pole and start a new republic, not alone for the poor white and the poor black slaves now in the world, those who have to pinch and starve and toil and turn the grindstone of destiny as you and yours never had it to do, Dick, but also as a place where every voluntary slave to passion and avarice, sin and shame, may enter, and, by God's help, get another start in life. For 112 from Tennessee O, the tyranny of the master, Poverty, And O, the whip of the master, Sin, And O, the hounds of Squalor and Misery, And O, the driver that drives them in ! They say that not even our greatest scholars of to-day could talk in Latin or Greek, were they placed back two thousand years ago in Rome or Athens. And they say it is because our thoughts do not come into our minds the same way that they do not originate in the same manner, and hence cannot be expressed in similar construction to those of the dead languages. The germ-cell of the thought, so to speak, has been lost. And so it was with Dick. Freedom could not enter his mind because there was no brain-cell there for it, and none in his ancestors before him. That for which the Saxon would die was lacking in Dick. Happy Dick ! He was like a blackbird born in a cage ! But if Dick didn't have his freedom bump de- veloped there was one he did have, and that was love. Dick loved everybody, but he loved " ole Marster " best of all. Before he could walk well, he used to watch the tall, gray-haired Major dis- mount from his big, stocking-legged chestnut horse when he came in from riding over the farm, and as he would stalk by Dick and stop to play- fully crack his riding whip at him, instead of run- ning away in half-feigned terror and grinning at XI 3 Songs and Stories the stately joker as the other darkies did, Dick would crawl up to him like a frousy spaniel and with his long monkey fingers he would pick the cockle-burs and beggar lice from his master's leg- gings, and do it with the air of a dog when its owner deigns to rub its back with his foot. As he grew older Dick was taken by the Major "to the big house " to wait on him. Then in- deed was Dick's cup full. But one day Dick's cup was fuller. It ran over. At one bound he leaped into fame, and, what was better for Dick -his master's heart. And this is the way it happened. Major Robinson was a noted horseman. He owned, as was thought, the best in the land. His neighbor, Colonel Sellers, was also a noted horseman, and the Colonel was quite positive that his were the best in the land. The pride of each one's heart was a magnificent saddle stallion and two grander horses, in truth, could not be found in a day's ride. Each could pace like a pickerel and go as many saddle gaits as a rocking chair on a steamboat deck. In looks well, had Rosa Bonheur seen them, there would have been two more of her famous pictures in the Royal Gallery. The Major's horse was a splendid chestnut, as perfect as a Tennysonian poem, full of thoroughbred blood from nose to heel, and known as Traveler. The Colonel's was a beautiful bay, as rounded as one of Johnson's 114 from Tennessee periods, equally as well bred as Traveler, and known as Pilgrim. In those days questions of superiority in saddle horses were decided in the show ring. Only thoroughbreds raced. With the saddler it was looks and gaits. With the thoroughbred, speed. But Dick changed all that. Bright Dick ! These two famous horses naturally met, time and again, in the show ring ; and, being so nearly matched in breeding and gaits, sometimes Trav- eler would be awarded first prize, and then it would fall to Pilgrim. Year after year did this go on, throughout the fairs of middle Tennessee, un- til finally it became merely a question of who were the judges, as to which would win. At first the thing was humorous, but it soon became ex- citingly serious ; for as everybody in Tennessee, where a horse is involved, will take sides one way or the other, soon all the country were Travelers or Pilgrims. Small wonder they could not keep still ! Tennessee has always been a battleground for something. Before the white man's foot touched its soil it was the battle ground of the Indians, the hunting ground of the nations. Jackson made it for forty years the battle ground of national politics, and Fort Donelson, Shiloh, Murfreesboro, Chickamauga, Mission Ridge, Franklin and Nashville, these, alas, have made it the battle ground of death ! Tennesseeans love, indeed, a battle ground of Songs and Stories some kind. Politics suits them best ; if this fails, they are delighted to battle it out among the churches ; and if both fail look out for a horse race ! And so it was in this instance both politics and religion were relegated to the background. Peo- ple no longer were Whigs and Democrats ; they were Robinsonites and Sellersites, and instead of Baptists and Methodists they became Travelers and Pilgrims. Old fellows who had been at po- litical outs all their lives got gloriously fraternal on a platform that declared the Traveler horse to be the best horse under the sun, while old ladies who all their lives had slandered each other "for the love of God," became as twin doves in the Pilgrim creed. From these it went to politics, until the county elections were fought out on that issue. Then, indeed, did things become serious families became separated, lovers parted forever, husbands and wives were divorced on the subject of which was the better horse ! In the first election the Travelers captured the sheriff and county clerk they had the military strength, but the Pilgrims held the coffers, for they elected the trustee and the tax assessor. A revolution threatened to disrupt the social fabric of the county and bloody war was imminent when Dick the little wizard philosopher settled the entire thing to his own everlasting honor and the dignity of the state. 116 from Tennessee How he came to think of it, I do not know. But one day that fall when things were at a crisis, when Traveler had beaten Pilgrim in the show ring for the fortieth time to the Pilgrim horse's thirty- ninth as against Traveler, when young men were fighting duels on the subject and old men were calling each other names, Dick sat out in front of Traveler's stall combing his own head with a curry-comb, as was customary with his race. Now, I do not know for certain, but I have always believed it was the curry-comb that put the idea in Dick's head, because I have often noticed that when people want very earnestly to think of something, they always scratch their heads. It follows as a necessary conclusion that if there is any virtue in the scratching at all, it would also follow that the harder the heads were scratched the brighter would be the thought result. Now Dick was combing away with all his might, for the kinks stuck out defiantly over his head, and all will admit that the idea evolved was simply brilliant. Hence the theorem, as the geometries say. ".\\arster, does yo' kno' Traveler kin pace mighty fast?" asked Dick as Major Robinson came out to see to the feeding of his horse. The Major smiled. "Of course I do, Dick. Why?" " But does yo' kno' he kin pace mighty briefly mighty briefly?" repeated Dick, earnestly. Songs and Stories "You know I do," said the Major ; " but how did you find it out ? Have you been pacing this horse to water?" asked his master, a trifle sternly. "No, sah !" said Dick, in a tone of deeply grieved innocence. And then he laughed. "But Marster, ef yo'd axed me ef I'd bin pacin' 'im frum water, I'd hafter tell yo' de truth. Fur tuther day I rid 'im down to de crick, an' when er thunderstorm cum up I had to run home er git wet. I tried to make 'im run, but he wouldn't, he jes' paced lak er flyin' Kildee an' he beat de shower by a good length. Wan't dat pacin' frum water ?" and Dick grinned again. The Major had to laugh, too. " Marster," said Dick solemnly, " 'peers to me dis way ob showin' hosses in de ring ain't no way to tell which am de bes'. Enny fat hoss kin git er prize, but it takes grit to win er race, an' de hoss dat ought to hab de prize am de hoss dat kin go dat's got de win' an' de lim' an' de bottom an' de head to stay dar. Dat's de hoss wuff sumpin', ain't it ?" The Major smiled. "Yes, Dick, but why ?" Dick jumped up with intense earnestness in every feature. " Marster, Murster," he shouted, "jes' challenge de Pilgrim folks fur er pacin' race ! Make it fo' miles dat'll settle it, an' " lowering his voice to a confidential whisper " yo' kno' Trabler's got de blood to stay !" i 18 from Tennessee The Major caught at the idea in a moment. Up to that time pacing races were practically un- heard of in the state. The idea was novel, and, certainly, as Dick said, would " settle it." With- out a word he turned on his heels, went to his library, and promptly challenged the owner of Pilgrim to a four-mile pacing race for a purse of five thousand dollars. The chal- lenge was as promptl\' accepted by Colonel Sel- lers ; and Dick poor little Dick I claim for him here the honor of being the originator of pacing races in Tennessee ! It is needless to say the count}' was out to see that race. The boy who rode Pilgrim was nearly grown and quite strong, while Dick was but ten years old and a midget at that. When they came out on the track for the word Traveler was so keen to go and so powerful withal, that, by merely fighting half restlessly the bit, he jerked Dick about the saddle as a cork on a billow. " Marster," said Dick, as he rode up to where Major Robinson stood, " I ain't 'feered of but one thing. Won't you do me er favor ?" " What is it, Dick ?" asked the Major, as he caught the strong horse by the bit to see what the boy wanted. "I'm ''feered 1 can't hoi' him down," said Dick, " I'm so light. Won't you let 'em tie me in de saddle ?" The Major shook his head. " No, no, Dick," 119 Songs and Stories he said. " That would be cruel and treating you unfairly. The horse might run away, or fall, and I had rather lose the race than see you hurt. Do the best you can as it is." " An' I'd ruther die than lose de race, Marster," said Dick, determinedly. "Tie me in, an' ef ennything happens I won't blame you." The Major reluctantly yielded to the boy's en- treaties. A strong girth was passed over Dick's thighs as he sat in the saddle and tightly buckled around the horse ; the word was soon given and they were away. The horses paced like a team, both riders hold- ing them down for fear they would break. At the first mile they had become thoroughly warmed to the work and were steady enough to be given their heads more freely. At the second mile Dick led by a length, and at the third he had gotten still swifter and, owing to a break of Pil- grim, he was ten good lengths ahead, and his horse moving like machinery. But here the un- expected happened. Dick was too light for the powerful animal. Scarcely had he passed the third mile going at a terrific speed, when Trav- eler, taking the bit in his teeth, and having in- sufficient weight at the reins, pulled Dick, saddle and all, slightly forward, and then, to the horror of all, the saddle turned, and the boy and the saddle were seen dangling under the powerful horse's belly, while his flying feet appeared likely from Tennessee at any moment to end Dick's life and race at the same time. And to a larger rider tied as Dick was, such would have been the result. But not so with wiry little Dick ; his presence of mind did not forsake him. With both hands he grasped the surcingle band which ran around the horse's neck, dug his sharp heels into Traveler's flanks, and stuck there closer than a flying squirrel under an oak limb ! And the crowd, when they saw the act and the fact that the gallant horse never broke his gait, cheered itself hoarse. But in an instant it stopped Traveler, riderless, had slackened his speed Pilgrim came up and passed him ; while Traveler, bewildered, mechanically followed several lengths behind. It was all up for the Major ! But not so. Dick quietly waited in his perilous position till he turned into the stretch, and then the crowd went wild again for Dick, reckless Dick, turned loose his whip hand, gathered a firmer grip with his left, swung out his keen raw- hide and made Traveler think a hundred hornets had settled on him. It was a horse race from there to the wire, but Traveler had the speed and went under a half length ahead. No wonder a hundred men seized his bridle and cut Dick loose from his perilous position. No won- der the Major himself picked him up for joy, and, while he declared ten thousand dollars could not buy him, henceforth he was free ! Songs and Stories II. Such was Dick as I knew him, thirty-three years ago. Given his freedom, he refused to leave his master and Traveler, but hung around the place, caring for the horses and cows, and enjoying all the affections and privileges of a shepherd dog. Every morning he would mount the bay filly and drive the cows to the blue grass pasture. Every evening he would drive them home. I can see him now, as he would ride down the long lane in the twilight. How I used to envy him ! his jolly good nature, his graceful seat on the restive filly, the beautiful way he had of popping his long whip, and, best of all, the won- derful music in his wild halloo, sounding like a bugle call : " Time's up, time's up, Childun an'-ah, Childun an'-ah, Les' go h-o-m-e !" I don't think anyone living could sing that as Dick did. I did not know then where he got it, but the war soon taught me. It was " Lights Out," and I wish I could put down the music too, so my readers could tell exactly how Dick would roll it out. But to make it complete, I would also have to put down the twilight, the song of the wind in the trees, the chirp of the redbird as he I 22 from Tennessee went to roost, and the glow of the sunset in the western sky. Home is the most perfect word in our language. It fits the mouth better, fills the lungs fuller, and rolls out purer and sweeter and better than any word in the English language. And how Dick could make it roll ! It would start from his mouth and rise and fall and swell above the treetops, and float over the low hills and then come back' in an echo of subdued sweetness when it struck the higher hills beyond. As Dick sang it there was a whole orchestra in that one word and more ; it was an organ, a sermon and a prayer. And he had caught the tune from a bugler for Tennessee was full of Bragg's and Rosecrans' soldiers at this time ; but the words Dick, I sup- pose, had made them himself. A queer combina- tion ! Apo lo's harp twanged with Mars' bow- strings but it was music. Suddenly Dick pulled up the filly with a jerk. He listened and heard firing over toward Mur- freesboro. Dick knew what it meant. It was Tuesday evening, December 30, the evening be- fore the battle of Stone River. Dick popped his whip vigorously. Then he gravely shook his head. " Sumbody gwinter git hurt ober dar ef dey don't behave deysefs. Dem's our men doin' dat shootin'. Dat's ole Bragg's bark. Look out, Rosey !" 123 Songs and Stories He rode on a piece in silence. The firing grew sharper. " VVhut dese Yankees wanter cum down heah an' take our niggers 'way frum us fur ennyway ? VVhut we done to dem ? All we ax 'em ter do is ter let us erlone," and he galloped out to head off a heifer. Where Dick got the sentiments he expressed I cannot say ; but I do know that Dick was no ex- ception to his race. Darkey like, he was for his home and his white people first, though the free- dom of all his race lay on the other side. And Dick, like every other negro, knew it, too, though they worked on and said nothing. Some day there is going to be a great monu- ment put up in the South by southern people. And on its top is going to be a negro not the mythical slave with chains on him and terror in his face, which fool artists, who never saw a ne- gro slave, and fool poets, who never heard one laugh, are wont to depict but the jolly, con- tented, rollicking rascal that we knew and loved ; the member of our household and sharer of our joys and sorrows. On its top, I say, there is going to be that kind of a negro, as he was, and he is going to be represented in the act of picking cotton, with a laugh, while he refuses with scorn a gun with which to fight his master for his own freedom. When that is done, it will be the crown- ing monument of the age. 124 from Tennessee But in Dick's case it was still more remarkable, for Major Robinson was what was called in Ten- nessee at that time "a Union man." He was one of that very numerous class in Tennessee who voted as he said Andrew Jackson would vote against secession. Even after the Gulf states seceded, these voted against secession and carried the state by a large majority, in a test of that question. Afterward, when Federal troops invaded the state, the tide turned, and Tennessee seceded. But Major Robinson, while he refused to secede, also refused to fight his own people. Avowedly for the Union, he took no part in the war. Dick rode on home rather seriously I thought, for I again heard his bugle call : " Time's up, time's up, Chililun an'-ah, Childun an'-ah, Les' go h-o-m-e !" But if Dick thought the evening skirmish was going to hurt somebody if they didn't behave, he had no doubt at all the next morning. For just at daylight, as he expressed it, " hell sut'n'ly broke loose at Muffersburrer " Rosecrans with forty-three thousand men had advanced from Nashville to strike Bragg on Stone River, and utterly crush him. But Bragg had a similar in- tention and struck first, at daylight, on the last I2 5 Songs and Stories day of December, 1862. And Dick had it right; genius is genius, and Dick and a great Union general both used the same expression in speak- ing of that battle. All day long Dick heard the boom, boom, boom of guns. For all day long Cleburne and Hardee, Polk and Cheatham, Withers and Mc- Cown executed one continual charging left wheel and rolled Rosecrans' right wing back, back, back, for four long miles, until the Federal lines were doubled up on each other at right angles, like a big bird with a broken wing. As wounded men were brought to the rear, and filled up the farm houses and yards, Dick heard them say that Bragg had crushed Rosecrans, that the Federal army was cut to pieces, that Shiloh was avenged. But the next day Dick heard no more guns, and he learned that Rosecrans had gotten between the river and the railroad embankment, and was going to fight there for life, madder than a gored bull. All that day Dick waited to see what was going to happen. The next day it happened. For Bragg tried to double up the other wing. Then there was an- other day of boom, boom, boom, until the wounded were so many and the dead so thick that Dick actually got used to dead men and declared that he would never again be afraid to go through a graveyard " fur whut is a grabeyard whar dey 126 from Tennessee am under groun' an' you can't see 'em," he said, "to a grabeyard on top de yearth whar you can't walk for steppin' on 'em." But the wing wouldn't double up. And on the third day Bragg quit and marched away. Dick afterward learned that Rosecrans was about to march back to Nashville himself if Bragg hadn't been in such a hurry, and that moved the wise little Dick, in great disgust, to exclaim : " Bragg am a good dog, but Holdfas' am better !" Bright Dick ; that was what Rosecrans himself said. About a week after the battle Dick went out one evening to feed Traveler for the night. To his surprise an officer in a blue uniform was stand- ing in the stable door, and going into exaggerated praise of the beautiful animal, which a soldier held by the bit for his inspection. "Put 'im back, gem'men," shouted Dick, as he rushed up excitedly, "put 'im back ! Dat's Trabler ; ole Marster don' 'low nobody ter handle 'im but me !" The officer laughed. "He looks like a pretty good traveler," he said, " and that's what I want with him." " But you can't git dathoss, sah," expostulated Dick. "He ain't fur sale." " We don't want to buy him," said the soldier who was holding the bit. " In war time we take what we want." 127 Songs and Stories Dick waited to hear no more. He vanished. In a few minutes he came back with Major Robinson. The Major was astounded. He expostulated ; the soldiers were determined. He explained his position, offered them other horses, and demanded protection. It was of no avail. Then the Major grew commanding and ordered them back. The officer lost his temper and foolishly drew his re- volver. Foolishly, I say, for to a man of Major Robinson's ideas of life and death and honor he simply invited a tragedy and it came. The Major was an old duelist, dead game and a deader shot, and before Dick recovered his senses he heard five or six shots follow each other, some in and some out of the stable door. When the smoke died away, an officer lay dead, a soldier dying, and Dick was holding Traveler's bit with one hand, the stirrup with the other, and begging his master to fly. " Go ! Marster, go !" he begged. " Don't yo' heah de udder soldiers cumin' ? Dey will kill yo' ef dey ketch yo' heah ; but dey'll nurver ketch yo' on dis hoss." The Major hesitated : "You saw them, Dick," he said, half sorrowfully. "They were stealing my horse, and drew to kill me. No, I'll not run for defending my property and my life." A sound of galloping hoofs came up the pike. A squad of Federal cavalry dashed in the front from Tennessee gate. Dick thrust his master's foot in the stirrup and half pushed him into the saddle. The Major was convinced he had better flee, at least until he could come back and be sure of an impartial trial, and as Dick turned loose the bit he gave the spirited animal a blow which made him bound away through a side gate : " Take care of your mistress, Dick," was all the Major could call back before he was gone. Dick picked up the pistol his master had thrown down. A squad of soldiers rushed around the house to the stable. They took in the scene at a glance. " Who did this ?" shouted one to Dick. Dick listened. He could still hear Traveler's feet up the pike. His master might yet be headed off and captured if he answered. " Who did this ?" thundered the soldier again, while several of them cocked their pieces. Dick listened again. He could still hear the horse's feet. An idea flashed into his mind. It meant death to him, he knew, but what cared Dick if it saved " ole Marster "? He turned his head slowly and looked the sol- diers in the eye. And the eyes that looked so calmly into the muzzles of their guns were no longer those of a little negro slave they were twin stars that lit the lamps of Heaven, while the Recording Angel wrote something grand opposite Dick's poor little slave name. 9 129 Songs and Stories " Heah's whut dun it," he said, as he held out the pistol, still warm " dey wuz stealin' Mars- ter's boss, an' I " A volley followed instantly. " I guess we've got the imp," said a soldier grimly as he watched the motionless figure now lying in the stall door between the two blue uni- forms. But suddenly the pinched figure rose on its el- bows and listened. The sound of flying hoofs could no longer be heard ; a smile of exquisite satisfaction stole over the grimy face, and de- fiantly there came back : " Yes, you got me. But you'll nurver git ole Marster on dat boss !" And then, as consciousness forsook him and the dark closed 'round, he must have thought it was twilight and that he was on the bay filly driving the cows home, for the soldiers heard, low and soft as their own bugle notes " Time's up, time's up, Childun an'-ah, Childun an'-ah, Les' go h-o-m-e !" And Dick's light was out. 130 from Tennessee NORA. NORA came out of the big farm gate and strolled over where the glad wild roses grew by the fence and hung, cornelian wreathed, on walls of green. And her own face rivaled the roses and her eyes were brighter than the thrush's that sat, half-startled, in her rose leaf home in the hedge. And her hair hung down in golden plaits, like the last two rays of sunset on the twilighted west. Nora was ever beautiful ; but this evening she was divine because she had tasted the divinity of love. And Nora knew she was in love. She knew it because she was truthful and true and she told the truth to all people ; but to herself she was truer yet, and dared not even to deceive herself in so small a thing as a false wish. " For false wishes," she said, " are false chil- dren, and they grow up to scoff and scorn the parent heart that idly made them." And Nora knew she was in love, because life now was so different from what it was before. Songs and Stories Besides, were not all other things in love ? The roses did they not bloom each morning with the love-light in their eyes ? Had not the thrushes mated and gone to housekeeping ? Life it was so different now. The wind, it never blew, but frolicked ; the rain, 'twas but the clouds sprinkling the grass and the flowers. Her household duties were not tasks, but pleasures, and the night never came now only the stars to wink at her in silent happiness and bless her in their sweet, breathing light ! Nora knew she was in love. " How grand a thing it is to be in love," she caught herself saying to her heart, and blushed at the thought of it. And then, to hide her sweet embarrassment, she plucked two yearn- ing roses and fancifully she held one up to each cheek to wed their crimson cousins there. " How grand it is ! How it lifts one up above the com- mon things, to the sweet region of that other world where each bright star is hope, and every crescent moon hangs over the harvest field of love ! O, love, love, to change me in so short a while ! The school girl to the maiden the maiden to to to his angel " she laughed and stammered " for has he not himself a thousand times told me ? O," she said aloud, with a little surprised gesture, as if she had just thought of something wonderful, something no one had ever thought of before, " O, if being in love makes 132 from Tennessee one so different, so well satisfied with life and glad to be alive, why did not God make us in love first and keep us ever so ?" " He did me," said a voice behind her, and the roses on the hedge were pale compared with those that rushed to Nora's cheeks. " How could you, Tom ?" the girl laughed as she pelted him with roses. " How silly of me to talk out loud !" she added. " How could 1 love you ?" he asked seriously not noticing that she was trying to turn his ques- tion into fun. " Don't ask me, Nora God must answer that. I thought you asked why God did not make us in love at first and keep us ever so, and 1 told you that he did at least me," and Tom looked straight into her honest eyes. But Nora's eyes were no longer laughing. They were very serious and solemn. Her face, too, had lost its playful smile as quickly as it had its scarlet hue, and now it was white whiter than any of the white roses. There was something in Tom's voice and look that Nora had never seen before a manliness, a strength, an independence. He was passive and quiet, but Nora saw he was stronger now than he was the day he tossed the hay the highest on the rick, for fun and a wager, more resolved and powerful than when he seized and held the rearing, stubborn, untamed colt. " O, Tom !" she said, as she saw for the first time that Tom, too, loved her. " I " 133 Songs and Stories " Listen, Nora," said Tom quietly. " Have I not always loved you ? Way back when we toddled together neighbor farmers' children- school days every day all day all the time now ? If love is happiness, then am I a god. If it is wealth, then I am rich indeed. For it I am thankful thankful that I have known you thankful that I loved you love you now and always will. Although I know," he said, without moving his eyes from her face, "that you will soon wed another The red roses came again. "O, Tom, please don't " half deprecatingly, half sorrow- fully. " No, Nora, let me talk now. Hereafter my lips are sealed. Go the way of your heart marry him. But I ? I will still love you. I did not create my love. I did not make it, neither can I destroy it. I will be better for it, truer, a nobler man, I hope. I am happy and yet miserable. Happy when I think of you and miserable when I think you are another's. But even in that thought I am happy because of my love for you. I can find no comfort save in one thought, and that came to me the other night as I sat thinking of you your wedding day next week," he said. " And I made this myself because I was so wretched and I wanted something to live by after you are married. I must ever love you, ever worship you, for from Tennessee Love is a star, To be worshiped afar, And, like it. should be above us." " O, Tom," said Nora, sadly, for her heart ached for him, " man's love is different from ours. You will think differently ' but she was too honest to say more even too honest to try to detain him as she saw him walk sadly away. " Our love should be above us," Nora said to herself as she sorrowfully watched him go down the road. " Ah, Tom is right mine is above me ; so brilliant and grand and bright and and I love him so ! But Tom poor Tom," she said as she went in at the gate, for the twilight had come, and her father had lighted his pipe and the far-off aroma of tobacco smoke filled the cool evening air. II. "I cannot be with you to-night, Nora," was the way the note read which her father brought her from town. " I am more than busy on an important case to be tried to-morrow. I have studied up on it for twelve months it will be all over in a few days, and then for my Nora and the other roses at the old farm. I am busy now so busy. But in the midst of all my work, do you know how often I think of you and that I even take time to wonder why I love you so ? It is Songs and Stories not your purity, sweetness, goodness, truthful- ness alone but something that tells me you are so above me, like a star which no man has ever seen before." " It will be all over in a few days," said the letter. Alas, how true. For the bright mind went out that night a string in the fine organ- ism of his high-strung soul snapped under the long work and tension, and the wedding was post- poned forever. ^ ^ >; >}; : ^ i Nora did not know how many years had gone by, but one June day she came out of the big farm gate and strolled over, as she had years before, where the same roses grew on the old stone fence and hung just as beautifully around the walls. And the same love was in her eyes, but it was a sweet, sad love. The roses were red as ever, but her cheeks rivaled them no longer. She pulled the roses as of yore, and they thought the night dew had fallen on them when she raised them to her cheeks. She looked up to heaven and the tears stood in her eyes. " Years ago," she said, " I stood here. I was happy so happy. To-day, thank God, I am happier, far happier. Then, my love was of earth. Now, it is of heaven. Then, he was a mortal. Now, he is a god." She looked across the meadow to Tom's home, where his children were playing in the yard, while the happy father was bustling around. A 136 from Tennessee faint beam of pleasure, that Tom was happy, came over her face, and she said : " Ah, Tom, now you know that man's love is not like woman's : Love is a star, To be worshiped afar, And, like it, should be above us. "Yes, above us above us, "she whispered through her tears, as she looked up once more to the stars which were just beginning to come out one by one, and then she went silently in at the little gate. And again the aroma of tobacco smoke floated out in the still evening air. 137 Songs and Stories THE SPELLING MATCH AT BIG SANDY. OLD WASH came in the other night with his head tied up, three inches of sticking plaster under his left eye, and a cheese-cloth containing a freshly-cut chicken gizzard bound under the other one. " Boss, does yo' happen ter hab er bottle uv arniker handy ?" he said, as he felt of his head to see that his bandages were still on. " What in the world is the matter with you, old man?" I asked. "Any camp-meeting or revival going on over about Indian Springs ?" " Wusser'n dat !" mournfully. " What ! You don't mean to say the election for deacon is still going on ?" "Boss," solemnly, "hit's wusser'n 'lection, camp-meetin' reviler, lynchin' er enything else. We dun had er spellin' match ober our way ' : and he jerked out his left leg energetically "an' ef eber I gets my han's on dat little merlatter up- start ob er skule teecher, Ebernezer Johnsing, he'll think de Angel Gabriel done blowed his trumpet in his lef year. 138 from Tennessee " You see," he said, as he wiped his mouth on the back of his hand, after I had given him a glass of Lincoln' County, made in 1878, to ease his misery, "dar lies bin er pow'ful wak'nin' on egucashunal questions sence dey 'lected me skule commisshuner ober dar. We 'lected Ebernezer Johnsing es teecher, an' at de fus' meetin' ob de boa'd, sez I : ' Johnsing, how am de bes' way ter wak'n dis degenerit race ob vipers up on de impo'tance ob eguchashun ? I'm skule commis- shuner heah now, an' sumpin's gotter be dun dis yer race shan't grow up in ig'rance an' de- pravity 'roun' me.' " ' Dar am jes' t\\ - ot'ings needed,' sez Johnsing. ( We need plenty uv good secon'-growth hick'ry an' now an' den er spellin' match,' an' den he 'splains whut er spellin' match wuz. I kno'd I wuz er good speller, an' dey cudden't bust my influence es commisshuner on dat line, an' I jes' went right in fer it. I got er good egucashun right arter de wall, fer 1 went ter skule fer six mon's ter er lady frum Hosting, dat b'longed to de ' Sassiety fur Egucatin' de Nigger,' an' I took mine early an' deep. I wuz jes' spilin' ter show dem niggers how er skule commisshuner orter spell, ennyway, an' de naixt Sund'y Pawson Shadrack Meeshack Phillips read out at de endob de sarvice : " ' Dar will be er highly amusin' an' instructive entertainment at Big Sandy skule house naixt Songs and Stories Friday night fur de risin' gen'rashun an' de organ fun'. All am invited to precipitate.' " Wai, I went ober an' tuck all de fambly. Dar wuz er big crowd, an' de gals an' boys wuz gwinter end up wid er dance an' er candy pullin'. It wuz pow'ful hot, but dey would b'ild er big fiah in de skule stove an' put on er big pot er sorghum fer candy stew. " 'Skuse me, Boss !" with an expression of intense pain "but de misery in dis eye am 'tickler 'xcruciatin' jes' now. Ernudder drap outen dat bottle, ef yer please. "Wai, I 'spected, ob co'se, ter be de one ter gib out de words, but dat Johnsing nigger tuck me off an' demanded ter be erlowed to gib out de words hissef, ' by virtue ob de persishun he belt,' he sed. ' It's notbekase I can't spell all de words in de book, Brudder Washington,' he say, 'but sumtimes I gits er little confused an' can't git up de flow ob language necessary ter express 'em, an' ef I happen ter miss er dozen er two words, sum nigger, not understandin' 'bout my lack uv expressive language, might say I cudden't spell an' spile my influence es erteacher in de community.' I seed de p'int, an' 'lowed him ter gib out de words. Dey 'lected me cap'n ob one side an' Brudder Moses Armstrong cap'n ob de yudder. We chused sides an' stood on er plank in de floor op'sit one ernudder. Now, de lumber wuz green when hit wuz put down fur 140 from Tennessee floorin' an' bed shrunk, an' dar wuz big cracks \vid ebry plank. 'Sides dat, er dozen good big shoats bed gone up under de skule house, w'ich wuz on de slant ob de hill, an' dey bed crawled es fur es dey could, an' squeezed deyselves erginst de groun' an' de flo' an' gone ter roost. Dem wuz all little t'ings, but I've noticed in dis life dat it am de little t'ings dat happen ebry day dat turns de tide at las'. Wai, Johnsing 'lowed he b'leebed in objec' teachin', an' wanted us ter fus' spell de t'ings layin' 'round handy. An' he picked up er bottle an' he sez to Moses Arm- strong : " 'Spell dis/ " ' I n k ink, s t a n stan, inkstan',' sez Moses. " ' Right,' sez Johnsing, an' he picks up a cheer an' sez ter emudder, 'Spell dis,' an' de yudder spell his right erlong : " ' C h double e r, cheer.' " 'Right,' sez Johnsing. " An' den he looked at me an' pick up er little sharp stick dat he used ter p'int out sums on de boa'd wid, an' he say : " ' Brudder Washin'ton, spell dis.' " ' P i n t pint, e r er, pinter,' sez I. "' Dat's wrong,' he say. 'Next, spell hit.' An' er little nigger on de yudder side, not ten yeahs ole, an' in his shut-tail, jumps up quickly an' say : Songs and Stories " ' P o i n t point, e r er, pointer.' " ' Right,' sez Johnsing ; Brudder Washin'ton, yo' will please sit down, sab. You am trapped.' "'Trapped, de debbil,' sez I, gettin' hot. 'Yo' tell me I can't spell pinter Hal P'inter ? Ain't I dun rub him off er hun'red times ? Ain't I dun gone all ober de Gran' Circus wid Marse Ed Geers ? Didn't we hab our pict'res tuck at Clebeland togedder an' me er skule commis- shuner an' can't spell de boss I raised ? Yo' try ter disgrace me heah wid dat little stick befo' dis community dat thou't I knowed sumpin' 'bout er boss ? Yer blossom frum off en er yaller dog- fennel,' sez I, ' I'm ready ter wipe de flo' wid yo'/ an' I peeled erway at 'im wid my fis'. " Boss," said the old man, solemnly, " I don't kno' how hit happened, but dey say dat sum ob de gals, 'spectin' er fight, made er break ter git out an' knocked ober de pot ob b'ilin' candy, an' hit poured t'rough de flo' on de hogs sleepin' be- low. Nacherly dez riz es one hog, an' es dey wuz es fur under de house es dey cud go, w'en dey tried ter scrouge under furder ter git outen de way sumpin bed ter bus', an' dat wuz de plank we all wuz on. All 1 kno' is de flo' seemed ter heave up an' I hit de ceilin' 'long wid er dozen or mo' pettycoats an' striped stockin's. Some fool nigger hollered " ' Yarthquake ! yarthquake ! Dinnermite ! dinnermite !' an' when I hit de flo' ergin I made 142 from Tennessee er leap fer de winder, t'inkin' hit wuz up. But hit wuzn't, an' I went on t'rough, carryin' de sash on my neck, wid my haid sticken' outen er six-by-eight pane. I muster galloped two mile down de pike befo' I cum to and seed whut er collar I hed on. "But look yere, Boss" pulling a bandage down under his eye " doncher kno' no winder glass didn't git me dis black eye ? An' look yere, too "feeling a bump as big as a goose egg on the side of his head "doncher kno' 1 didn't git dat gallopin' down de road ? Dat Johnsing fotch me two licks jes' erbout de time de flo' riz, an' de fus' time I ketch 'im on de pike by hissef I'm gwinter teach 'im how ter spell P'inter er re- sign my office," and the old man went out to kill a fresh chicken to poultice his head. Songs and Stories HOW ROBERT J. BROKE THE RECORD. LAST week I took old Wash up to Terre Haute to see Robert J. go against the world's record. He was turned loose with Billy Fitz- gerald, Ed Geers' Tennessee cook, and I saw no more of the old man till he came in Saturday night in a semi-comatose condition and proceeded to tell us how Robert J. broke the record : " Marse Ed cum out on de track wid dat ornery- lookin' little pacer. Yer wouldn't gib fifty dollars er dat hoss, boss, ef you'd er seed Mm in de stall, he's dat no-'count-lookin' an' sprung-kneed an' cat-hammed. But on de track you'd gib fifty t'ousan' fer de shake ob hees tail an' t'ank Gord fer de prib'lege ob seein' Mm shake it. I've heurd ob de transfo'mashun ob de prophet, but he ain't in it wid Robert J. Marse Ed sot quiet lak an' onconsarned, but de white folks clap dair han's an' holler w'en he jog by. Marse Ed nod hees haid, same es ter say, ' Much 'bleeged ter yer all, but dis yer am my busy day,' an' he jog on 'round. Torectly, de big white man dat sot in from Tennessee de roun' box an' wave de red flag at de bosses an' talk sassy to de drivers ef dey don't score down right, he got up an' say, ' Stop er moment, Mistah Geers,' an' Marse Ed he stop. Den de boss man turn 'roun' to de big stan' whar all de white folks sot, an' he say : ' Ladies an' gen'el- mans, Robert J., de great pacer frum Tennessee, driven by de onliest Edward Geers, will now go ergin de wurl' record ob two, two an' er half. I beg yer ter keep quiet twell de record am busted." " Come ! come ! You know he didn't say Tennessee horse. Robert J. was -bred in Penn- sylvania," I interrupted. "Boss, I'm tellin' yer whut I heurd myse'f. Ef yo' wants ter make er pome outen et, in cou'se yo' kin 'range de fac's ter suit youse'f. I wuz dar an' heurd 'im say et." "Well, go on." " De people all clap dair han's, an' hoorayed ergin, an' Marse Ed jogged on back up de stretch, lookin' lak he jes' gwine ter mill fer er bushel er meal an' 'lowed ter git back 'long tow'ds sun- down. But fus' t'ing I knowed I heurd er kinder patter-patter, patter-patter, patter-patter, an' den er kinder bipperty-bip, bipperty-bip, bipperty-bip, an' I look up an' heah cum dat little ole pacer, jes' er flyin', wid er runnin' hoss in er sulky by he side, an' er doin' all he c'ud ter keep up. I grab er white man by me an' say: 10 I45 Songs and Stories " ' Mistah, don't dat man cum widhees grist in er hurry ?' But de man punch ernudder man standin' by 'im, an' say : " ' Yen did dis coon coom outen de 'sylum ?' " But I wuz lookin' at dat Robert J. an' de w-a-y he did fly ! Down de track he went, turnin' de corner lak er skeered cat goin' 'roun' de kitchen chimbly wid de yard dog arter 'im. But Marse Ed nebber move er muscle ner bat er eye. He jes' sot dar silen' es death in er country chu'ch yard, an' still es de bronze angel on er deacon's tomb. He look lak de speerit ob '76 on wheels an' 'termined es er ole maid when she make up her min' ter marry de Mefoclis' preacher wid ten mudcierless chilluns. An' fo' goodness, Boss, I cudden' see Robert J. 'tall ! All I seed wuz 'is shadder on de whitewashed fence be- yond, an' dat scudded erlong lak er March cloud flyin' ercrost de sun's face. At de fus' quarter I heurd sumpin' sorter shettin' wid er snap, bang, an' I looked up in some pigeon-holes in de timer's stan', an' dar wuz hung out 30^, an' eb'rybody wuz hollerin' an' an' Robert J. still er flyin' ! " ' Great scotts ! how he climbs dat hill,' sed er man by me. Deonliest hill I seed wuz er hill erbout fo' mile erway, on de yudcler side de Warbash ribber, an' I look ober dar 'spectin' ter see Robert J. gwine up dar, sulky an' all, fer I could er b'lieved ennything 'bout 'im now arter 146 from Tennessee - seein' 'im go dat fus' quartah, but I didn't see no Robert J. ober dar, an' I say ter de man : " ' Mistah, what hill Jat you talkin' 'bout ?' an' he stare at me mad-lak, an' say : " ' Ef yer don't stop trompin' on my toes an' quit breathin' yo' bref in my face, I'll make er dead nigger outen yer !' " I seed dat man wuzn't social 'tall, an' I let 'im erlone. But 1 heurd ernudder snap bang in de pigeon-holes, an' I look ergin an' dar \vuz hung out 1:00^-4, an' de folks all stan'in' on dair haids an' hollerin' an' Robert J. still erflyin' ! " Roun' de third quartan he cum, wid de run- ner an' 'im nose an' nose, lak er team, an' yer couldn' tell which wuz which 'cept de runner's haid kep' bobbin' up an' down an' 'is driver er \vhippin' an' er slashin' while Robert J.'s nose nebber moved up ner down er inch, an' Marse Ed settin' dar lak er statoo uv er Greek god on er charyut. Snap ! bang ! 1:30^ dey hung out, an' den sech er shout esdey sent up an' Robert J. still erflyin' ! " Dey didn' wanter stop hollerin', an de boss man got up an' beg 'em an' b^g 'em an' wave hees han's, an' shouted fer quiet, an' de folks in de fus' row dey all stan' up an' look back at dem behin' an' say sh-h-h ! sh-h-h-h ! sh-h-h-h-h ! an' de gran' stan' stop so still yo' could'er heurd er pin drap in de middle ob de naixt century an' Robert J. still erflyin' ! Songs and Stories " He turn de cohner. De angels played on er harp ob er thousan' strings in my years, an' I thought I wuz in ernudder wurl' ! I fohgot whar I wuz. 'Feared lak 'twuz me in de sulky, an' I grab er pair er spike coat-tails b'longin' ter er dude in front ob me, fer reins, an' wid bofe eyes on dat flyin' hoss I commenced ter cluck myse'f. De win' roared in my years es I flew erlong ; de fence 'roun' de track look lak er whitewashed string hung in de air, an' de track itse'f 'peared to be er toboggan slide down de highes' peak ob de Alps, an' de sulky wuz gwine down et, pulled by flyin' eagles an' mounting deers ! 'Twas sweet- er'n de angels in dair glory ! Bipperty-bip ! bip- perty-bip ! bipperty-bip ! cum dat yer runner ! Click-klock ! click-klock ! click-klock cum dat sweet 'ittle pacer. Snap, bang ! 2:01 }4 wentde timer's box, an' I turn two summersets, shouted 'glory halleluyer !' busted inter ten thousan' pieces, an' went home ter glory ! " When I cum to I wuz huggin' er trottin'-bred nigger frum Indiana, an' singin' : Hark frum de tomb, yer trottin' coon We've sot yer er record yer won't bust soon !" 148 from Tennessee HOW OLD WASH SOLD THE FILLY. OLD WASH paced into my study the other day the most woe-begone darkey in Ten- nessee. There was a halt in his walk, a creak in his step and a crick in his neck. " Boss," he said, as I motioned him to sit down on the black mohair stool in the corner till I fin- ished writing, " de ole man bin mighty mizrified fur er week er mo'. Hes yo' got enything layin' 'roun' loose dat would he'p 'im ter git er move on hissef ? Enny kind er The rest of the sentence was cut off by yelps and snarls, mingled with many imprecations, and rapid rising from the stool on the part of him who a few minutes before could scarcely walk. I had forgotten to tell the old man the stool was already occupied by my ill-natured black-and-tan terrier, who thought she had a pre-empted right to that particular piece of furniture. "I'm afraid that's all I've got lying around loose to-day, Wash," I said, as the old man stood rubbing the seat of his trousers and eyeing with 149 Songs and Stories withering contempt the spluttering and sneezing dog who was appealing to me for sympathy. "What can I do for you?" I asked, as I laid aside my work at the chance of hearing some of his drollery. For answer the old man slowly ran his hand into the tail pocket of his threadbare Prince Al- bert and drew forth a crumpled paper. "Does yo' recognize dis?" he said, as he drew out a paper. " Oh, yes, " I said ; " that's the horse paper of December, 1892." " Den jes' read at dis place," he said, pointing at a paragraph with the air of a lawyer who is about to entice a witness into a trap he had set for him. I read it aloud. It was the closing par- agraph of my editorial on the situation for 1892 : " ' On the whole, though the season of 1892 has not been as promising as it should have been, owing to several bad failures, there is now no doubt we have passed through the worst of the hard times and may confidently expect to see better times for next year. A good time to stay in a business is when others are going out.' "Well, what about it?" I asked. " O, nuffin'," said the old man, a little iron- ically, 1 thought. " Nuffin' fall, 'cept dat little verse ob poetry jes' ruined me, dat's all !" "Why, how's that?" I asked in astonish- ment. 150 from Tennessee "Wai, sah," said the old man, " hits jes' dis way : Does yo' kno' my Red Pilot filly ? Ten pacin' crosses widout er single break ! Fust dam by-" "Nevermind," I cried for I hated to hear him start on an endless pedigree "what about her ? I know all about her ; go on." The old man looked sorrowfully into the fire. " She'd er bin sumbuddy else's 'cept fur dat profercy. She'd er bin sumbuddy else's darlin' but fur de brilliant prophet dat knowed more den de Almighty 'bout whut de naixt yeah wuz gwinter bring forth ! But fur readin' dat an' bleevin' it," he said, "I'd er sold dat filly wid her ten pacin' crosses fur three hundred dollars thirty dollars er cross ! Grate heaben, whut er fool I wuz ! 1 hed dat offered fur her, but whut did I do when I read dat ? Sot back an' axed five hundred dollars fur her ! Sold my hog meat ter buy her cohn an' oats an' wait fur de millen- nium ob ateen-ninety-three ter cum dat de hoss- prophet sed wuz cumin' !" " And did it come ?" I asked. The old man looked at me almost pitifully. Instead of reply- ing he drew out another paper. This was dated December, 1893, and the paragraph he had singled out was also mine : " Taken as a whole this has been the worst year for the sale of harness horses that has been known for a long time. It seems the boom has Songs and Stories collapsed, but it is also plain that every fictitious element has been eliminated and next year will see the business once more on a solid foundation. Don't sell your pacers now you will be sorry." " An' 1 wuz sorry, sah ; sorry I didn't sell, too," he said. " O, ef er certain boss prophet I kno'," he said, looking at me innocently, " hed libbed in de time ob Noah, dey wouldn't er hed no use fur Jeremiah, Izear an' de whale datswallered Joner. Relyin' on dat blessed promis," he said, "I most 'pintedly 'fused one hundred an' fifty dol- lars fur dat filly, sot back on my dignerty, an' waited fur de star ter rise in de east. An' did it cum ter pass ? No, sah, 'sted ob dat de filly went ter grass an' when dat gib out she cum mighty nigh goin' ter de bone yard. But long t'wards de winter ob dat rocky yeah, er feller cum erlong an' sed he'd gib me fifty dollars fur her ruther den see her starve. So de naixt day I put de halter on 'er an' focht 'er in ter turn 'er ober ter de buyer. But when I got ter town I foun' my hoss paper in de postoffis' an' de wurds ob de prophet wuz in it clear es er crystal bell. Heah it am," he said, as he thrust another paper at me. I blushed slightly as I read : " ' The season of 1894 has gone, and though it has been full of trials and tribulations, low prices, hard times, financial panics, and bursted banks, the recent sale of horses in Ohio, New York and other states confirms the now almost universal 152 from Tennessee belief that the year 1895 will find the horse busi- ness once more on hand and doing better than ever. This is positively affirmed by the fact that many mushroom breeders have sold out and quit. The supply is necessarily nearly exhausted, es- pecially for pacers, and he who can hold till 1895 will reap a fortune." "Dat settled it wid me," said the old man. "I tuck de filly back home, stopped de chillun frum skule, sold de 'possum dog, lied erbout my taxes, shetoff de missionery fund fer de church, closed down on de preacher, an' spent de money in forty-cent oats an' fifty-cent cohn to stuff hit erway in dat filly fur de cummin' ob de angel ! But he passed my house by. Yo' kno' what dis yeah has bin," said he. " Ef de yudder yeans hes bin rocky, dis yeah hes been ashy. Ef de yudder yeahs hes been bottomless, dis one hes been volcanic jes' seem to hev got down es low es it cud an' den throwed up whut it cudn't reach ! Dey say us in de hoss bizness am suf- ferin' fur de sins ob our daddies ; ef dis am so, de origernal daddy ob de hoss bizness must er slid outer Sodam an' Termorrow jes' befo'de yearth- quake ! Dey say we must suffer to de third an' de fourth generashun, but hit 'pears to me de biz- ness dun passed through forty crosses ob tribe- lashun already ! " By March she hed et meoutob ebrything but er little Jersey bull an' er hatrack, an' I cudn't Songs and Stories git ten dollers fur dat filly wid her ten pacin' crosses ! By June I hed offered her ter er farmer ef he'd keep us in buttermilk twell de black- berries cum. 'No, siree,' he say, 'I'm feedin' my buttermilk to hogs, an' I kno' I kin sell dem !' When my darter got married, I tried to gib de filly to 'er fur er bridle present ; but she 'lowed ef she hed to hev ennything in de pacin' line fur er bridle gift she'd take er rockin' cheer an' er cradle ; an' at last when I dun clean gib up, heah cum de cunstable to levy on sumpin' fur de oats I bought an' cudn't pay fur at de grocers, an' I say to myself, ' Thang goodness, she'll go now, sho' !' but she didn't," said the old man as he wiped a tear ; " he found out I had de little Jersey bull dat weighed two hundred poun's, wurf two cents er poun',left, an' by de gable ob de temple ef he didn't take dat little bull an' lef me dat pacin' filly in de stall !" Here the old man's tears were running freely as he brought down his fist and exclaimed : " Dat's my luck dat's Ole Wash's luck all ober ! Why, boss, ef I'd buy er carload ob ice in Angus' an' ship it to Hades dey'd cum er big freeze down dar de night befo' it got dar, an' dey wouldn't be no demand fur it de naixt day ! O, I b'leeves in hoss-prophets," he said, ironically, 'an' ain't I jes' waitin' fur de next paper to tell me to hold on to dat filly endurin' a'teen-ninety- next-century ! I'll b'leeve from Tennessee But the old man never got any farther ; he was interrupted by a great commotion in the back yard. He went out of the door like a two-year- old, but soon came prancing back like Strathberry in hobbles. "Thank goodness!" he said, "I've sold 'er ! I've sold'er ! !" " To whom ?" I asked, surprised now, myself. "To de Louisville an' Nashville railroad," he said " ten pacin' crosses at fifty dollars a cross ! Yo' see, boss," he said, breathlessly, " de ole 'oman wuz ridin' her to mill jes' now, an' she got to jawin' wid ernudder 'oman jes' er little too long to miss er frate train dat cum erlong, an' dat orter stopped 'twell she got through talkin', an' hit killed de filly an' broke de old 'oman's jaw, an' de doctah say she can't talk no mo' twell next Christmas ! Thang Gawd fur twosech blessins! de rightus am nurver fursaken !" And he rushed out to find a lawyer, but not until he had drawn off the following quaint account which he asked me to send to the company : L. & N. R. R Dr. To Ole Wash. Nov. i, 1895. To breakin' Dinah's jaw $000.05 To sale of ten pacin' crosses at $50 a cross. .$500.00 $500.05 155 Songs and Stories N. B. Gentlemen : Pay fur de crosses an' I'll knock off fur de jaw. OLE WASH. And later, when he pocketed his money, he chuckled and remarked to me : "I tell yo', boss, dey ain't nuffin lak crossin' our fillies on a loco- motive to improve de breed in dis state." It took a lawsuit, but he sold her ! 156 from Tennessee HOW OLD WASH CAPTURED A GUN. " JENNIE, the famous dun mule of Wilson J county, Kansas, is dead. Jennie was so old that men had long since quit guessing on her age. She was gray over the eyes when Jim Johnson drove her into Wilson county, and that occurred in 1871. She bore on her hip the United States army brand, and popular tradition had it that she participated in the Mexican war." When old Wash saw the above in a newspaper, he was very much exercised and wanted to go over to Kansas to see about it. "Why, suh," he said, " dat's de same dun mule I wuz plowin' on a rocky hillside up at Double Branches in de fall of a'teen sixty-two, when Wilson's raiders cum through Tennessee an' tuk me an' dat mule bofe erlong an' made sojers outen us. Hit's jes' lak de paper sed I knowed ebry ha'r on her, an' she wuz trottin' bred frum her head-end to her lightnin' end, bein' by a Spanish jack outen a mair by a son ob im- ported Messenger. She wuz drapped de fall Songs and Stories Jeems K. Poke vvuz 'lected preserdent, an' she went thru de Mexerkin war, jes' lak de paper say. Ef dey'll only dig her up an' see ef she's got a scar on her lef bin' heel dey won't be no doubt ob it at all. She got dat scar by kicken' a solid shot 1 frum a forty-pounder, dat de Mexerkins had fired at our men, back into de Mexekin line, an' killin' er whole rigerment ob Mexekins jes' in de act ob sayin' deir ebenin' prayer ! Fur de Lord sake, boss, hit's de truth ! I wudn't lie 'bout er mule ! An' I jes' lak ter see her onct mo' fur she wuz de cause ob my bein' so independent terday." " How was that ?" I asked. " I thought you said Wilson's raiders got you both." " So dey did, so dey did," he said, "an'dat's depint I'm arter. Yo' see, dey tuck us bofe an' made sojers outen us. Dey put de dun mule to pullin' cannons an' put me to diggin' ditches, wid er whole rigerment ob yudder niggers, an' throwin' up breastworks an' tunnelin' hills 'round Nashville. I swear to yo', sub, ef ennybody thinks sojernin' am play, jes' let 'em jine de army de naixt scrap Unk Sam gits into. Befo' ninety days am out dey'll yearn fer white-winged peace wusser den de animules shet up in de ark yearned fur de flutter ob de dove's wing ! " But wusser times wuz comin' ! An' when Hood's army cum in de Yankees gin us guns an' tole us we had ter fight or be cotch an' hung ter telegraf postes ! Says I to de offercer : 158 from Tennessee "'Good Lord, Marse Yankee, I don't wanter shoot at no white folks ! 'Spose I happen to hit Ole Marster, or one of Mister Forrest's men, \vhut dem white folks g\vi' do ter dis nigger ef dey ketch 'im ? Nigger don't kno' nuffin' 'bout huntin' ennything but possums lemme do de diggin'. Sez I, 'I'd ruther dig er hole ter Chiny fur yo' dan ter face dem cannons ob Mister For- rest's men wid Marse John Morton er pullin' ob de trigger !' " But dat jes' made de offercer mad wid me, an' he tole me ef we didn't go an' shoot dey'd hang us fur disserters. I tell yo' boss, de nigger whut wuz captured an' pressed inter dat war wuz sho' in er tight place. Ef he didn't fight de Yankees hung 'im, an' ef he did fight de Johnnies shot 'im ! Gawd, I don't want no mo' ob it ! Dey ain't gwi' git me in no war wid Spain ! " Wai, suh, dey saunt me out to de frunt soon es Gineral Hood got posted on de hills souf ob Nashville, an' dey marched us all out in de line ter take er big gun on er hill. I swear to yo', boss, ef yo' ain't nurver been marched up ter take er big gun an' hit loaded an' pinted at yo', yo' don't kno' whut it am to nab de mos' miserbul, un- komplementry feelin's in dis wurl chasing each yudder up an' down yo' back-bone. Ebery step 1 tuk it 'peared lak my feet jes' stuck to de yearth, an' I wuz so skeered de cold sweat stood in beads all ober my gun-barrel ! Ebry bone in Songs and Stories my body got stiff es er stick 'cept my backbone, an' dat jes' seem ter wanter curl up an' lay down on de sunny side ob sumpin' an' go to sleep. " When we fus' started we wuz two miles frum dat gun, an' hit didn't seem to be much bigger'n a locus' tree, an' de hole in it 'bout big ernuff fur er rabbit ter run in. But befo' we marched fifty yards, boss, dat gun wuz es big es de bigges' poplar in de woods, wid er hole in it big ernuff fur er she ba'r an' her cubs ter crawl in, an' hit wuz p'inted straight at my head jes' picked me out an' nobody else ! I stood it fer er leetle while, an' when de offercers wan't lookin' I drapped out ob de ranks an' fell in ergin 'way down to de lef, an' t'inks 1 : ' Yo' ain't p'intin' at me now, sho' !' but, bless yo' soul, when I look up ergin dar it wuz p'intin' at me an' nobody else ! I nurver heurd ob er gun singlin' out one nigger in er thousan' befo', but dat's whut dat gun wuz doin' ! " We marched on er leetle furder, till I seed de ball startin' outen it. I seed de fiah flash an' de ball start out jes' es plain es I see de sun in heaben dis minnit ! At fust it wan't bigger den de moon, but befo' it got half-way cross dat valley it wuz big es de sun, an' es it cum rollin' on straight fur me,fo' de Lord, boss, it got bigger an' bigger, twell it looked lak ernudder wurl rollin' on, black es de pit ob doom, an' spitten' out fiah an' brim- stone, an' smoke an' saltpeter, an' Gord-knows- whut, an' rollin', an' er-r-o-l-l-lin', an' er-r-o-1- 160 from Tennessee l-i-n' es straight fur me es ef I wuz de onlies' nigger in de whole rigerment ! Hits de truf ef I eber tole hit ! " Jes' den de offercer he holler out, 'Charge !' an' I charged sho' miff dat's whut I'd bin wantin' ter doebersence I started. I charged fur er rock fence lak er groun' squir'l. But when I peeped ober dat fence der cum dat ball straight fur me ergin, er rollin' an' er r-o-l-l-lin' an' er r-o-l-l-i-n ! I got up frum dar an' lit out roun' Marse John Overton's brick smoke-house, an' den I peeped frum roun' de cornderob dat house, an' I hope I may go in de trottin' hoss bizness jes' on de ebe ob de naixt Clevelan' misrepre- sentashum, an' see my thousan' dollar colts go beggin' fur coon skins, ef dat ball wasn't headed straight fur dat smoke-house jes' lak hit knew I wuz dar er rollin', an' er r-o-I-lin', an' er r-o-l- l-i-n' ! ' Cord,' sez I, ' I can't stay heah !' An' I lit out an' tacked ercross er hundred-acre wheat fiel', runnin' fust dis way an' den dat, an' 'roun' an' roun' er big hill, but dat ball jes' tuck ercross de fiel', too, an' tacked when I tacked, an' turned cornders when I turned cornders, an' went 'roun' an' 'roun' dat hill, er rollin' an' er r-o-l-lin' straight fur me an' nobody else, an' I'd bin er dead nigger dis day ef I hadn't fell in er twenty- foot sink hole jes' es de ball tuck off my cap an' rolled on, killen' ten thousan' men fo' miles on de yudder side ob de ribber, an' bored dat tunnel 161 Songs and Stories thru' de hill dis side ob Nashville whar de Ellen N railroad now run dey trains thru' ebery day ! er rollin' an' er r-o-l-l-lin ! Gord, suh, it am de truf I wudn't tell er lie fur sech er thing es er cannon ball, an' dar's de tunnel dar, yo' kin go thru' ennydayan' see fur yo'sef," and he bit off a piece of tobacco and shook his head long and earnestly. "A very narrow escape," I remarked, "but that does not explain how that old dun mule was the cause of your present prosperity." " I'm cummin' to dat now," he said as he put his tobacco back into his hat, his red handkerchief on his tobacco, and the whole on his head. "When I fell in dat sink hole er runnin' frum dat ball, I broke three ribs, an' Gord bless yo' soul, honey, Uncle Sam ain't gwi' see his sojers suffer in dey ole aige fur hunurbul wounds got in battle, an' ef I ain't drawin' ebry quarter, three dollars an' sixty-two cents fur each one ob dem ribs den my name ain't Shadrack Ebenezer Zadoc Washington Grundy, an' dat's de truf !" 162 from Tennessee BR'ER WASHINGTON'S ARRAIGNMENT. "T AIN'T nurver tole yo' 'bout de time dey had 1 me up befo' de jedge at Nashville fur makin', without license, er leetle ob dat licker dat makes kings ob us all, is I ?" asked old Wash the other day. "I don't kno' how in de wurl dey kotch me," continued the old darkey, "fur I'd bin rnakin' it eber sense de war up in der holler ob de Indian Camp Springs, whar de Indians made it long, long ergo, befo' enny ob us wuz bohn jes' fo' or five galuns to keep de old man's cow- ketcher gwine," he continued, "an' I don't see how in de wurl dese heah river-new offercers foun' it out. But dey did, an' fur one time de ole man wuz sho' in a tight place. " Yo' see," he continued, "it ain't ebrybody kno' how ter make good whisky. I don't mean dis heah stuff dese po' white trash makes up in de mountings so strong an' vile dat when yo' on- cork a bottle ob it on dis yearth it make de debbil sneeze in de reguns below. But I'mtalkin' 'bout sho' nuff whisky whisky daf sho' nuff white 163 Songs and Stories folks drink so pyore an' ripe dat all yo' hafter do is ter oncork de stopper on dis yearth an' watch de roses bloom in paradise. " Yo' must make it in October," he said, knowingly, " er 'bout de time de fall poet begins ter write his poem on de golden rod, when de leabs begin ter turn purple an' golden, an' de air am crisp an' sparklin', an' de spring water am full ob fallin' nuts an' de 'romer ob de sweet night dews. Yo' mils' kotch yore water frum outen er col' spring dat flows frum under sum sweet paw-paw tree, runnin' ober er bed-rock ob blue limestone, in which er few acuns dun drapt ter gib it de strenf ob de oak tree. Den, sum night when de moon am full an' de sent ob de wild haws fill all de air, jes' go out butdar now," he said, laughingly, " whut's all dat gotter do wid dis story ? Nemmine, jes' yo' cum 'roun' to my cabin sum day, child, an' lemme let yo' taste it onct. It's den yo'll see de gates ob glory open fur er minnit er two, an' de ladder ob kon- solashun run up an' down 'tvvixt de heaben an' de yearth. O, it's den yo'll wish yore neck wuz er spiral pipe, runnin' roun' an' roun', so dat one drink would hafter go fifty miles befo' it got outer sight," and the old man laughed heartily. " But dey cotch me," he continued, "an' dey tuck me to Nashville, an' when dey put me in de jail my folks all got erroun' me an' cried an' tole me good-bye, an' my wife she tuck it pow'ful 164 from Tennessee hard an' she wanted ter go an' git de preacher ter cum an' pray fur me. Dat's de way wid sum Christuns," said the old man, with a tinge of sar- casm in his tone; "dey willin' ernuff ter play hide-an'-seek wid de debbil long es dey think dey am safe, but jes' es soon es dey gits cotched up wid den dey wanter go in partnership wid de Lawd ! Huh ! Dey didn't skeer me 'tall, an' I jes' say ter my wife : ' Look heah, Dinah, yo' jes' stop yore wailin' an' bellowment an' go on home, an' ef I ain't dar by cane-grindin' time, yo' jes' go on an' marry Brer Peter Dawson, de preacher, an' on de night ob yore weddin' supper, yo' jes' go down ter de medder spring, dig fo' foot under it, an' fetch out dat blue demmerjohn ob bred-in-de-purple licker I berrid dar fo'teen years ergo, an' yo' an' Brer Peter jes' drink it ter my health, fur ef yo' don't, it's so pyore an' good an' ripe it will rise itself sum day !" "She kno' by dat I warn't gwi' stay dere in dat jail," chuckled the old man ; " I didn't make dat whisky fur my wife's secun' husban' ter drink. Huh ! I had no noshun ob stayin' in no jail twell cane-grindin' time. Not fur makin' good whisky now ef ! made mean whisky dat ud bin ernudder thing an' I'd bin willin' to plead gilty an' say far 'well. "Den dey saunt er leetle lawyer ter me an' he tuck me off an' say he bin 'ployed to offen' rne. An' den he say he gwi' prove I wuz a 165 Songs and Stories yallerby 'dough yo' sees yo'sef I'm es black es er cro' an' he say he gwi' git out er writ ob circum-cumfetchum, an' ignis fat-yo'-us, an' abe- et-de-corpus an' all dat. I tole 'im I much er- bleege ter him, but I wuz gwi' go dar an' tell de truf an' talk to clat jedge myse'f, an' wuz gwi' file er cross-cut-saw-bill into dat cote, sho'! " Jes' fo' de trial cum off, I saunt down to my wife an' tole her ter dig up dat gallun I dun berrid down dar in de medder fo'teen years befo' an' ter fill up dat decanter my ole Marster gib me befo' he die, an' ter fotch it ter me. " Yo' nurver seed dat decanter, is yo' suh? O, I tell yo' my ole Marster wuz er high roller, an' dat decanter wus er picture in er lookin' glass. It wuz es thick es de roun' pastern ob de race boss, an' made ob one solid piece ob cut glass, an' cyarved in cammeos an' Greek god dermites, an' de stopper itself wuz de rpid ob de Venus hersef on er bust leastwise dat whut ole Marster sed an' he 'lowed she wuz sho' in de proper place ter be on a bust ! I tell yo' suh, when dat whisky got in dat decanter it look' lak de grape juice ob heaven cotch in er dimon' urn an' framed in all de classic glory ob de ainshunt Greeks. When de sunlight fall on it, it look lak er big blazin' ruby sot in de crown ob er cherubin ! "I slip it under my cote an' went in ter de cote-room. An' dar dey played ermean trick on me, fur dey sot me down in de same pen wid er 1 66 from Tennessee lot ob po' white trash frum de mountings dat had bin cotch in de act ob makin' wild-cat whisky ! Cord, suh, hit made me mad, fur I wan't used ter 'soshatin' wid dat kind o' white folks ! " Toreckly de jedge an' de jury cum in an' de jedge sot down an' red out : ' Newnighted States ergin Washington Grundy.' " ' Heah, Marster,' sez 1, an' Gord bless yore soul, honey, I pranced up befo' dat jedge inner- cent lookin' es de new-born colt when he paced ober de speckled calf layin' in de weeds. Den de jedge look ober his glasses sorter kind lak Gord bless yo', honey, he knows er gemman when he sees him ! an' he red sumpin ergin me an' den he ax me ef I'm gilty or not gilty. "'Yes, Marster,' sez I, 'I'm gilty an' not gilty, too, an' I'd lak ter 'splain to this honorbul cote how it am.' " De jedge he smile an' de jury laf Gord bless yo', honey, dey knows er gemman when dey meet 'im in de rode, too an' de jedge he tells me I has de right ter make enny explunashuns I wants dat dat wuz my privulage, an' when he sed dat, I jes' made 'im er low bow, wid my hat under my arm, an' sez I : ' Thank yo', Marster, yo' am er gtmman sho', an' er jedge lak de jedges ob de Bible.' An' I laid erside my hat, button up tight my ole dubble-brested King Alfrud cote, dat ole Marster gin me, whut he useter wear when be made big speeches, an' I sez : 167 Songs and Stories " ' Marse jedge an' gemmen ob de jury, yo' sees befo' yo' heah a pore old nigger, cotch in de act uf manufactorin', fur his stommick's sake, a leetle ob dat dervine stuff dat makes kings ob us all, an' fur dat reezun, fotch up, in his ole aige, befo' dis honorbul cote fur transgreshuns ob de law. Yo' ax me ef I'm gilty ob makin' whisky dat wild-cat stuff dat makes de rag-weeds bloom in paradise, an' turns de roses ob hope into de dog-fennel ob dispair, an' I tells yo' No ! But ef yo' ax me ef I gilty ob makin' er leetle ob dat dervine Mixer, which turns de tuneless hart ob de mos' wretched an' misserbul ob mankind inter a hall wid harps ob er thousan' strings, es I nurver tole er lie in my life, I must tell yo' Yes ! Not dat vile stuff dat kills our moral s'washun, an' lays us in de gutter wid de dorgs, but dat blessed angul-ile, which, taken in moderashun, es er gemman should, clothes de beggar in silk, makes frien's fur de frien'less an' coins gold fur de goldless. Dis am de licker dat turns rags inter roses, ole maids inter bloomin' gals an' er grabe- yard funeral discorse inter er poem on parerdise. Dat puts cheerity inter our harts, youth in our veins, an' spreads de warm cumfort ob lub over de feather-bed ob de yunerverse. Dis am de licker dat onlocks de doors ob de magernashun an' leads de poet's mind through de streets ob gold, 'mid crystal pillars, up ter de wall ob amerthest, up ter de battlements ob light, 1 68 from Tennessee \vhar he sees de stars ob beautiful thoughts, a millyun miles befo' dey gets ter him, cummin on angel wings in beams ob sun- light ! Dis am de licker dat falls lak a splinter ob starlight ter string de dewdraps ob de hart. Dat Sollermon drunk, an' David sung to ; dat Washington praised, an' Ole Hick'ry swore by. Heah it am, gemmen ob de jury,' an' I pulled out dat decanter an' hilt it befo' dey eyes, an' it blind 'em, lak de sunshine risin' in de valley ' lieah it am, gemmen ob de jury,' I sed, ' wid truth in its eyes, an' lub in its heart de em- bottled poem ob de yunerverse ! Taste it, an'ef it am whisky dat stuff wid cat-claws an' debbil breath den sen' me up 'long wid dis po' white trash fur makin' wild-cat whisky, es er groveller wid swine an' er eater ob husks. " ' But ef it smells lak de new-bohn href ob de infunt anguls, looks inter yore eyes lak de lakes ob lub in de depths ob de blue-eyed cherubins, an' tastes lak de resurrected dream ob de fus' kiss yore sweet-hart gib yo' in de days ob long ergo, den sot de ole man free !' "Wid dat, 1 oncorks de bottle, an' lo ! dat dingy ole cote-room change in er minnit ! 'Stid ob de smell ob books, an' sweatin' lawyers, an 5 ambeer, an' dusty floors, yo'd er thort all de skule gals an' nymphs ob de ages hed cum dar ter bathe, perfumed wid de otter ob de roses ob Eden an' dey ha'r dat fell ober dey allerbaster sholders 169 Songs and Stories 'nointed wid de oil Eppollo made. Yo'd er thout de janitor ob heaben hed turned de sprinklin' pot ob glory on de yearth, filled wid de water ob peppermint an' camfire, purfumed wid vi'lets an' tinctured wid angul tears ! " De ole figured paper on de walls blossumed inter rale flowers ; de dingy ole winders blazed lak de winders ob mohnin' when de day-king rise ; de ole dusty mattin' on de floor wuz er carpet ob blue-grass down in de medder, wid daisys an' daffodils all ober it, an' eben de spider- webs on de ceilin' wuz changed inter tapestry ob silver, whilst de freskoes hung down in fillergree works ob gold. I looked at de jedge an' de jury, an' dar dey sot in stuperment an' 'stonishment, wid acquittal writ in de tender depths ob dey meltin' eyes. " I handed dat decanter to de fus' juryman he jes' smelt it an' fell ober in er dead faint, callin' out, sorter dream lak, ' Not gilty, not gilty.' De naixt one taste it, an' I seed de light ob Genersis break in on 'im. De thud one tuck er big swaller an' dey had to hold 'im to de yearth to keep 'im frum 'vaporatin', lak Exercius, to heaben. An' all de yudders, es fast es dey taste it, wuz added to de numbers ob dem dat wuz fur me ! But when it got ter de jedge, suh, he tuck er grate big swaller ter see ef I wuz lyin' or not, an' Gord bless yore soul, honey, he hadn't mor'n taste it befo' he riz frum dat bench, shouted ' Glory, 170 from Tennessee hallyluyer !' an' fell on my neck an' wept. I look 'roun' at de lawyurs what hadn't tasted it, suh, an' dar dey sot, froze ter dey chairs, wid de s'liver runnin' outen de corners ob dey mouths lak po' houns 'roun' er sawsage mill. An' befo' I knowed whut it all mean dey all broke out singin' dat good ole him : " ' Dis am de stuff we long hab sought, An' mourned bekase we foun' it not.' " When I seed I had 'em on de mourner's bench, suh, den it wuz my time ! I drawed mysef up two er three foot higher, buttoned up my ole King Al- frud cote anudder link, an' sed : " ' An' now, gem men ob de jury, sense dis Nevvnighted States govument dun see fit to 'raign me, I wanter 'raign hit. I've bin heah befo', yo' honor. I've bin heah to listen to de greates' lawyer de State ob Tennessee eber raised, my ole Marster, de 'Onerbul Felix Grundy, an' time an' ergin I've seed 'im stand rat heah, in dis very cote dat I've got on, an' in dis very room, an' shake de roof wid de thunder ob his larnin' an' de lightnin' ob his wit. Allers on de side ob de po', allers on de side of jestus. An' ef he wuz erlive terday, he'd git up heah an' say to yo' all : ' Let dis ole nigger go !' an' yo' kno' yo'd do it. " 'In de good ole days, gemmen, he tort me menny things. He tort me to be true, to tell de truf an' ter raise bosses. Men lak him an' yore 171 Songs and Stories fathers, gemmen, tuck my ancestors out oh de jungles oh barharity an' led us inter de blessed temple oh religun an' light. Dey made slaves oh us ter do it, gemmen, but 1 thang Gord 1 wuz erlowed ter be er slave in dis wurl fur de sake oh hein' etunnally free in de naixt. Menny an' menny er time, gemmen, I've driv my ole Mars- terin his cheeriutan' fo', an' he'd tell yo' hissef, ef he wuz heah terday, I'm de onlies' nigger lef in de State ob Tennessee dat kin drive er thur- rerbred fo'-in-han', holdin' de ribbins wid de fo' fingers ob my lef han' an' playin' on de tender moufs es gently es er lady touches de strings ob de light gittar. He made me er Christun an' er gemman, aigucated my po' cannabal pallit to de glory ob Tennessee muttenan'de sweetness ob Tennessee beef. An' it wuz frum his side-board I fus' got de taste ob dat liker yo' jes' tasted dat licker dat makes kings ob us all an' all I wanted in dis wurl wuz to stay wid 'im twell I die. " ' But in my ole aige, heah cums dis New- nighted States guvermen' an' sots me free. An' O, Marsters, dey sot me free indeed free frum de friends 1 lubbed, free frum de cumperney ob gemmen, free frum de good things ob de wurl, an', wuss ob all, true frum de sight but not de appertite ob dat licker dat makes kings ob us all ! 'Stici ob drivin' er cheeriut an fo' down de pike ob de valley ob plenty, I mus' plow er leetle tow-haided muel on de flinty hillsides ob poverty. 'Stici ob 172 from Tennessee 'soshatin' wid learned men who sot in de counsils ob dis country an' de cotes ob de kings, I mus' be cussed an' mocked by de hill-billy an' de po' white, or forced to 'soshate wid low-lived an' low-mannered niggers an' fiel'-han's. An' 'stid obdrinkin' de Mixer ob life frum de decanter ob de gords, in my ole aige, I'm forced ter drink de branch water ob poverty frum de gourd dat grows in de barn-yard ob toil. Aigucated er gemman, turned out wid tuffs ! Raised on roast beef an' mutton, now hafter hustle ter git bacon an' greens ! Used ter de licker ob civerlizashun, now hafter drink de branch water ob barbarety. An' ef I chance ter remember de things ob my youth an' yield ter de temptashun ob er higher aigu- cashun, fotch up heah in my ole aige ter be saunt ter jail fur tryin' ter lib lak er gemman an' er Christim. Gemmen, kin yo' do it ? Marsters, will yo' sen' de ole man up ?' "'No! by the Eternal, we won't!' said er nice lookin' gemman dat wuz settin' on de jury, an' den dey all riz an' say : ' Jedge, not gilty ! Not gilty !' An' dey crowd 'roun' me so de jedge has ter 'journ cote, an' dey shook my ban' wid de glory ob dat licker still in dey eyes shinin' lak cherubins in de lakes ob lub. An' es de jedge pass out he tech my arm an' say : "'Washington, de jury foun' yo' not gilty, but heah am fifty dollars to pay de tax on de naixt run ob de still at Indian Camp Springs; Songs and Stories an' ef it happens ter be er good deal too much ter pay de river-new, jes' make er leetle mo' an' send it ter yore friend, de jedge ob de Suddern Deestrick ob de Newnighted States.' " from Tennessee A CAVALRY DRILL IN OLD TENNESSEE. in, gentlemen, fall in! Two erbreast there, an' no foolishness ! Tom Riddick, can't you keep that mule still ? Come, come, gentlemen, do fall in at the command ! Do git into line ! Promptness is the fust thing in mil- ertary." It was a balmy Saturday evening in a village of Tennessee a drill day with the boys about the year 1850. To correctly understand this sketch, and it is taken from nature, I must first ask you to remember that from its earliest his- tory Tennessee has been called the "Volunteer state," an appellation won by the promptness of her sons to respond to their country's call for volunteers. In fact, the state may almost be said to have been born fighting, if such a term may be applied to an abstract common- wealth, for certain it is that her sons played a conspicuous part in the revolutionary war, before the then " western territory of North Carolina " had been divided off into the present state of Tennessee. After that war the aggressive spirit Songs and Stories of the warlike tribe of Indians which occupied the beautiful country of middle and west Tennessee and the fine virgin land of the Gulf States as- sisted in no small degree in keeping up that mili- tary spirit so earnestly begun in the earlier days. It needed only the fiery spirit of Andrew Jackson to firmly fix the fighting spirit of the state, and in him it received the full measure of all that was needed yes, and more. The head and front of all this military enthusiasm was centered in the infantry musters, cavalry drills being rarer, and, we believe, not often attempted till the period directly following the Mexican war, and then not to the extent of the old musters. The following account given me by an octogenarian of the good old times I have endeavored faithfully to narrate. If it appears a little rough, pray re- member that those were rough and ready times, and that to attempt to describe the drill without giving the language and personnel of the drillers would be like painting a battle scene and leaving out the blood. "Fall in, gentlemen, fall in !" This command came from Col. Dick Posey, a fine old gentleman of sixty years, who had seen service in the war of 1812 and the Mexican war, brave, honest, simple and unaffected, but who had forgotten all his military learning except a proud and martial bearing, and that "all cavalry- men must turn out their toes while riding." On 176 from Tennessee this particular evening the Colonel's bearing was truly grand, the occasion being one of great im- portance to him ; for aside from the fact that he was proud of the military position he held and the reputation he had made in the war, it was well- known that the Colonel was a candidate for the state legislature, and much of his success de- pended on the manner in which he displayed his knowledge of war. He was mounted on a long, slim, raw-boned black mare, whose every rib could be counted, but as fat as a nervous three- quarter thoroughbred could well be with the sad- dle scarcely ever off of her during the day, and as often as once a week good for a half-night's chase after the hounds. She carried a high head and a rat-tail, and was so thin in the girth that the Colonel could almost wrap his long legs around her. Withal, she was a great fool and ready to shy at the slightest provocation, a trick which gave her owner the opportunity he wanted to show off his skill as a rider. To the Colonel's side was buckled a long saber that nearly touched the ground, balanced by a pistol in a holster that looked large enough to be a leather coffin for a baby mummy. This pistol, by the way, was of a character that I cannot, in justice, pass over without a word as to its indi- viduality. It was loaded by means of powder, balls and caps, and was nearly as heavy as a sporting gun of to-day. Its peculiarity lay in the 12 I Songs and Stories fact that it was exceedingly "touchous" about going off, and if loaded too heavily, when fired, every chamber went off simultaneously, the balls flying in every direction except straight forward. It required more skill to fire it without killing everybody on each side of it than it now requires to properly fire a Catling or a Hotchkiss. But to return to the Colonel. A homespun suit, dyed with copperas, a slouched hat and feather and cavalry boots completed his attire. His company consisted of fifty or more farmers mounted on nearly every beast that the soil of the state would grow. Jim McHyde, the wit of the village, had even ridden in on a steer, decorated with cow-bells; and, suddenly rushing out from the thicket behind the only " grocery " in town, he plunged into the ranks with such a clang and shout as to stampede the entire company for a moment. As the occasion was one of more or less fun, Jim was ordered out, his steer turned loose, and Jim himself was told to get up the old cannon, brought back from Mexico, and fire it after the drill was over ; a part of the military ex- ercises scrupulously carried out at every drill, chiefly to impress the importance of the occasion on the small boys and "women folks" of the surrounding country. The company had been coming in since twelve o'clock. The grocery, nowadays euphoniously called the saloon, had done a rushing business. Several horse swaps 178 from Tennessee had taken place, there had been three " quarter- horse races " down the main street of the village, and a fight or two was not omitted from the regu- lar program. Many of the company had ridden in on brood mares, and as it was the spring of the year these had brought their colts along with them. Each colt had been carefully criticised by a bunch of judges, while its proud owner en- thusiastically pointed out its fine points and ex- patiated on its breeding. Finally, the company had all assembled, and, after mounting, Colonel Posey advanced towards the bunch, exclaiming : " Fall in now, gentlemen, fall in ! Two er- breast an' set straight in the saddle. Git in quick an' turn out yer toes," and he rode behind the bunch of men, mares and mules. At this command there was a general spurring and rush as each one endeavored to get into line with military promptness, but no one seemed to know where the line was and how to get into it, and to add to the general confusion, the colts got mixed up and rushed around neighing for their respective dams. "Colonel," said Dick Thompson, who was mounted on a small grey mule, "hadn't these here colts better be penned fust ? One ov 'em is here pesterin' my ole mule mighty," he remarked, as several of the colts in the general confusion were going around nudging their noses under the flanks of any four-legged beast they could find. 179 Songs and Stories "A great idee, Dick," said the Colonel. "Gentlemen, all them that's mounted on brood mares will please go into Cooper's stable yard and shut in the colts." At this, for twenty min- utes there was the greatest confusion in getting each colt to follow its dam into the stable yard, and much more in slipping the dam out and leav- ing the colt behind ; but it was finally accom- plished. "Now, gentlemen," said the Colonel, as he rode around the bunch again, " form inter two straight lines ; set straight in yer saddles, and turn out yer toes ! Yes, gentlemen, no foolin' now. Lay erside yer pranks, git inter line, set straight" riding down the line very erect " in yer saddles and turn out yer whoa, Molly ! yer toes. Dick, set straight there, won't you ? Git inter line, boys ; fall inter line !" "Colonel, there ain't no line to fall inter," said Dick, chagrined at being personally mentioned in the matter " how kin a feller fall inter a thing that ain't?" "That's about so, Dick," said the Colonel; "you're right. Here, Josh Giddens !" seizing Josh's horse by the bit " keep right still. Now, boys, form side and side to Josh Giddens. Don't git too close, now ; leave room to use your saber arm and to turn out yer toes. Here, boys, help Dick to pull that mule into line damn er mule, I say " seeing Dick's mule holding back and roll- 1 80 from Tennessee ing the white of his eyes around at the crowd on each side of him. " That's right ; now form a second line behind this one good ergin ! That's er good platoon hold yer hosses still ! Stop talkin' in ranks ! there, now, gentlemen, don't bring enny more touchous horses here don't do it war means killin', but it don't mean gettin' yer head kicked off by some boss in yer own line. (This on account of a gray mare letting fly both heels at an inquisitive mule behind her.) Now, gentlemen, have yer formed ?" riding down the line and inspecting it. "Yes, yes; well, that's pritty good, pritty good. A fine-looking body of men equal to any I saw in Mexico. Now, gentlemen, pay strict attention to the commands set straight in yer saddles and turn out yer toes hold yer pieces right set straight look square to the front turn out yer Bang ! ! ! This discharge came from the old cannon which Jim McHyde, in a spirit of fun and backed by the boys of the village, had drawn up under an oak tree in the rear of the company, and, having loaded it with a half-pound of powder, and waited till the company was intently interested in the Colonel's instructions, had quietly applied a red- hot iron to the fuse as he stood behind the tree, and watched the effect the discharge would have on the company in front. 181 Songs and Stories And it was startling. All were country horses, unused to battle's grim roar, and as the fearful discharge thundered in their rear, many whirled round to face the dread monster, but the most of them were seized with a keen desire to get out of the way. Dick's gray mule shot forward as if he had been the projectile itself, and many of the others followed suit. The Colonel's mare, much to her owner's disgust, whirled, and, fixing both eyes and ears on the cloud of smoke, seemed afraid to turn her back and run, but immediately began to back off down the road with surprising agility, leaving her rider powerless to stop her. When fifty yards down the road she concluded she was far enough to turn tail without being devoured by the unknown monster ; so, seeing a convenient corner, she suddenly whirled, nearly unseating her rider, and made frantic efforts to get away. It took twenty minutes to restore order and place Jim McHycle under arrest, which the Colonel did without delay, punctuated with language more impressive than elegant. As the only safe place was the rear end of the bar-room, forty of the company immediately volunteered their services to take the luckless Jim there and keep him till further orders. Two were detailed, and Jim was forced to " treat " them on arrival. The arrest of Jim satisfied all parties, and they again formed in lines. "Now, gentlemen," said the Colonel, "let's 182 from Tennessee all be quiet. The unexpected very often happens in war, an' we must be prepared. But the man who violates the rules always gets his jes' dues." (Here the company looked longingly toward the bar-room, where Jim and his guards could be plainly seen taking a three-fingered drink, and they were not fully convinced that Jim's punish- ment was a just reward.) " But let us to duty," he added. " Now, I am fust goin' to drill you in the use of the saber, and all them that's got guns will bring 'em to a half-cock." (Here there was a general clicking down the rank. Many of them had, contrary to cavalry rules, brought their flint and steel muskets, and Ab Perkins' had only one notch on it, it was so old, and when at full cock the steel was almost below the stock itself.) "A half-cock, Mr. Perkins, if you please," said the Colonel; "lower your hammer to the first notch." " Kurnel, my ole gun ain't got but one notch," said Ab, and he added, with dry humor : " She goes to h 1 after fire, but when she gits it she comes back with er bucketful." At this wit of Ab the entire company broke out into a laugh, in which the Colonel joined, and as his gun had so bad a reputation and visited places of questionable resort, Ab was allowed to take it out of ranks and go and help keep Jim McHyde straight. "Kurnel," said Sam Johnston, a small, red- 183 Songs and Stories headed warrior, who was almost too full to sit straight in the saddle, "don't you think sum- p'n's wrong with my old gun?" (holding it up, cocking and recocking it with a most puzzled look on his face). " She 'peers to click pow'ful ku'is to me." "Yes, Sam," said the Colonel, who recog- nized the fact that Sam and his gun were both too heavily loaded, "and you may both go off," an order he was not long carrying out, but fol- lowed with the taunts of the company, and such remarks as "Set straight in yer saddle, Sam !" " Turn out yer toes, Sam !" and " Look at ole wool hat an' yeller briches on a billy goat !" But Sam headed for the grocery, and rode on. " Now, gentlemen," said the commander, "as we've got rid of all them that can't drill properly, an' the rest of us is gentlemen an' horsemen, let's get down to business. Now, as captain of this mounted cavalry company, it is my duty in fact, I am commanded by the laws of Tennes- see" here he pulled out a paper from his pocket and read : ' To properly drill the same in all re- quirements of cavalry drill and practice.' " Now, gentlemen," said the Colonel as he rode slowly down the line and seemed at a loss to know ex- actly where to start, " the fust, an', in fact, the only rule that I ever heard of in the Mexican war was the one that we useter have an' practice. I never read it out of a book, but somehow or other 184 from Tennessee we all kinder centered to it, an' it's the only rule I know of. I kin give you that rule in er few words, for it's all I know," he said, apologet- ically, " erbout cavalry, an' it's jes' this: Set straight in yer saddle, turn out yer toes, an' ride at the enemy !" and he emphasized the rule, as he repeated it slowly, by shaking his index finger and gravely gesticulating. " Colonel, don't we have to arm and mount fust?" This question came from the ranks from Major Peeler a gentleman aboutthe age of the Colonel, who had also served in the Mexican war, and who thought he knew quite as much of military matters as the Colonel. Out of ranks he was never happier than when telling of the various battles he was engaged in ; in ranks he took every occasion to correct any errors the Colonel might make, much to that gentleman's disgust. In fact, he had been a candidate against the Colonel for the captaincy of this company, but being self-important and arrogant and a poor " mixer," he had met the fate of all such in this free country and been left in the ranks. "Arm and mount fust!" exclaimed the Colonel, hotly. "Why, we're supposed to be mounted or else we'd be nothing but infantry ! Look er here, Major," said the Colonel, with a good deal of spirit, " ef you want to drill this company, sir, I'll send in my resignation." " Go on, Colonel, go on !" shouted the com- Songs and Stories pany, who were beginning to get tired. "Of course you're right. Cal'v'ry bound to be mounted ! Ennybody knows that. Go on, don't resign, drill us and let's go home." "Well, then, gentlemen," said the Colonel, calming down at this manifestation of his popu- larity with the boys, " as I was sayin', the only rule I know is to set straight in the saddle, turn out yer toes, an' ride at the enemy. An' right in that rule is where we got the bes' of the Mexi- cans ; for their rule, es fur es I was able to see, was to hump up themselves on their grass-bellied ponies an' git up an' git. Yes, gentlemen, by knowin' an' enforcin' this rule we whipped the dirty greasers in every battle, an' by follerin' it to-morrer," he added, rising in his stirrups and shaking his saber, "we kin whip the whole world." Here the company yelled out its ap- plause in a long, dismal howl, and, when it had died away, a squeaking voice shouted in the further rank, " Whooraw for our rule an' Jeems K. Polk." " So that's the fust rule," said the Colonel ; "now, how to do this is the next;" for the Colonel saw that as he had but one rule he must try to spread out what he did have as far as possi- ble. " First, set straight in yer saddle, like you see me" riding down the line with his shoulders thrown uncomfortably back. "Yer coat-buttons square between yer horse's ears, yer left hand 186 from Tennessee holdin' yer reins, yer right graspin' yer sword, with the pint elevated about forty-five degrees, yer toes turned well out, so !" And he rode down the line in great style, at sight of which every man straightened himself up as near like the Colonel as possible. "Second, gentlemen, you must ride at the enemy. Now 'at,' gentlemen, is a very little word, but it is bigger than a bombshell in battle, and means more than everything else ; in fact, gentlemen, it's about the chief thing of this im- portant rule, although it appears so small. Ef you'd leave out all the other words in this rule, and jes' git into yer saddles an' say at 'em ! and then do it, you'd come mighty nigh knowin' all the rules of war. Don't gallop around nor ride about, then stop, but at, straight at, and do it dam fast, to keep yer courage up !" " How about making a detour and a flank movement?" inquired the irrepressible Major Peeler. " Detours and flank movements," repeated the Colonel, sarcastically. " Them's mighty high- soundin' words, Major, but they ain't worth er dam in war. Where," said he, getting excited and waving his sword, " did we ever make enny detours in the Mexican war ? The only detour I ever saw," he thundered with withering sarcasm, " was when a piece of an Alabama and Tennes- see regiment made a detour after a Mexican 187 Songs and Stories goose roast one night, an' got cut off from the regular army ; they came detouring back to camp the next mcrnin' with a pack of greasers at their heels the only time in the whole war that enny of our troops showed their heels to a Mexican." This last was a home thrust, for it was well- known in the village that the Major had been the leader of the unfortunate company that went off on the raid and came home so precipitately. " Now, gentlemen," said the Colonel, " I have told you all the rules an' we'll now put 'em into practice. We'll now proceed to march ; but we won't go no further " apologetically, since some of the men began to grumble about moving at all "than the black-oak stump at the cross-roads an' back ergin. Now, when 1 say 'forward,' you mustn't go forward, but only prepare for it ; but when I say ' march,' why jes' spur up an' walk off." Here there was a visible commotion in ranks, as several of the men had been sitting sideways in the saddle during a part of this long discourse, and they began to get into proper position. "Now, let us try," resumed the Colonel. " Forward " waiting a few moments " hold on ! hold on ! stop ! stop ! Don't you recollect I said you mustn't go till I said march ?" This to the men eager to get off, and starting off in every kind of time at the command, forward. "Now, git inter line ergin; it looks like you'll 188 from Tennessee never learn anything. Why, dammit, gentlemen, you almost make me swear !" After much confusion they again got into line. "Now, gentlemen," he continued, "please recollect an' don't fergit. Be very careful. When I say march, why, move off ; if I say trot, why, jes' trot ; if I say gallop, why, jes' gallop. This milertary business ain't nothin' but common sense rigged up with a sword an' a cocked hat. Everything is plain, an' don't fergit it, nor to keep your toes turned out !" "We won't, Colonel," came from the com- pany. " [Jo let us git off it's nearly sundown." "Well, then, forward, march!" and after a good deal of spurring and clucking some of the company moved off and the others gradually fol- lowed suit, a sight to behold, since every animal in it had a gait peculiar to its breed and the wear and tear of the plow. Some went fast, some slow ; some paced and others trotted. The rear rank ran into the front line, while the flanks be- came detached from the main body and struck off in a separate bunch, headed for the bar-room. The rest of the line was in a zig-zag condition, and its path would have been the line of a worm fence moving to the gate as an objective point. At this point some one left the gate of Cooper's stable yard open, and the colts came tearing out, whinnying and rushing into lines, hunting for their respective dams. These came to a dead halt, with 189 Songs and Stories many signs of satisfaction and motherly proceed- ings. Now, the Colonel was a man of wonderful re- sources and intuitive forethought. He saw that the military would have to succumb to the civil unless something was done, and that very quickly, to maintain the dignity of the former. It was evident that Mars must give way to Venus, and that without the formality of ceremony. To one less gifted than the Colonel, the day's drill would have ended in confusion and disgrace. Not so with him. Riding to the front, with a look on his face as if he had expected all this and it was a part of his program, he issued a command never before heard in military science nay, not even in the Mexican war. Rising in his stirrups, he shouted, in his deepest voice : " Halt, and suckle colts !" This seemed to please everybody, including the colts, after which the company took a drink around and rode off to their homes, thoroughly satisfied they knew all that was necessary for cavalry to learn. 190 from Tennessee THE TRUE SINGER. I STARTED out for my usual drive the other evening, and the first thing I drove into was a stratum no, a flood of melody. I pulled up quickly and looked all around. I could hear it but I could not see the musician. It seemed to come from everywhere. I knew the rascal that was making it, and the white oak tree he was in, but the mocking bird, like all true singers, is so unpretentious in his make-up, and so near the color of nature generally, that I could scarcely tell him from the big, honest limb he was sitting on. And I knew well enough, too, why his music seemed to come from everywhere he drew it from everywhere, and he never pours it out twice in the same direction. Ah, he is the true singer ! Watch him just now a minute and see. While his little gray throat swells and puffs and rolls like miniature bellows, and his tiny eyes, "in a fine frenzy rolling," dart about here and there, now at the earth and now at the heavens above him, notice how his little head 191 Songs and Stories moves from side to side, pouring his song in every direction, and varying it to suit every new and beautiful sight that flashes across the retina of the tiny sentinels in his eyes. It is almost comi- cal to see ho\v earnest he is not to sing, but to sing of some new thing. And so he " doth glance from earth to heaven, from heaven to earth," and involuntarily he pours out the impression that he sees. "You are the true singer, old fellow," I said, as my heart welled up at the lesson he was teach- ing me, and I pulled off my hat in his presence. "You are the true singer. Spring is glorious, but you are not singing of spring until your spring song is a spring joke among the other birds. The heavens are blue but you don't dwell on them always. The fields are green and sunshiny and beautiful, but only a glint of them has crept into your music. Your mate died in the terrible freeze of last winter, and that tender flutter of crape in your song was just enough to draw us to you. Had you hung out your black flag, as some folk's do who imagine they are mourning thereby for the dead, or had you poured your misery between me and the sunshine, I would ride on and tell you to go and mate with a blackbird. But O, what a singer you are ! A little of the fields, a gleam from the air, a glint from the sunshine and a glow of the skies. A memory of a dead love, a tiny bit of mocking humor, a quaint shaft of musical 192 from Tennessee satire, a withering take-off on some catbird who thinks he, too, is a singer and has tried to imitate you, and a jolly laugh at the foibles of man. Twinkles, jests, raptures, dreams ; dances, songs, brooks, flowers ; sermons, poems, music, stars and all of it heaven ! And before I had time to tire, he dropped off the limb in an ecstasy of delight, singing all the time, and, sweeping in long curves just over my head, he flew up the shaded pike till his varia- tions died away in the distance. '3 193 Songs and Stories HOW THE BISHOP BROKE THE RECORD. (Old Wash is a Baptist, and it was with great difficulty and many misgivings that 1 induced him to go out to the Episcopal church recently and hear the Bishop of Tennessee preach. The old man went wild over the sermon, and this is the peculiar way he took to tell about it.)* " T X 7"AL, sah, I went in dar an' sot down in dat VV part ob de gran' stand set off fur de colored folks. I look erroun' an' seed leetle ban- nisters an' things runnin' 'round 'boutde prooties' an' neates' mile track you eber seed, wid de fence all painted wid gold an' lit up wid 'lectric lights. Beautiful pictures hung up in de club house gallery an' de soft light cum in through de painted winders. I tell yo', sah, dese yere Piscolopiums kno' how to keep dey church track, ef dey do stick * To avoid any impression of disrespect I may say that my friend, the actual Bishop of Tennessee, has expressed his personal enjoyment of this story. J. T. M. 194 from Tennessee to de high wheel sulky, an' kinder think dat er re- cord made dar, at dat way ob gwine, will 'title 'em to registration in de final year book quickern enny yudder track. An' it wuz ergood un fer it run erroun' es smooth es er widder's courtship, an' it hed bin harrered an' scraped an' rolled till it wuz es slick es er carpet ob banana peels. " Yo' ain't nurver noticed how dese church tracks differ frum one er nuclder, lies yo', Boss?" asked the old man, with a sly smile. " Wai, dey do. Now, ef dat hed bin er Mefodis track it wouldn't er hed no fence erroun' it, kinder free fur all, no money to be paid at de gate an' free lunch fur ebrybody. Ef it had bin a Baptis' track it would er bin out in some big medder bottom, an' stid ob bein' roun', it would jes' foller de meanderins ob de ribber, handy fur spungin' off de bosses. An' dey wouldn't 'low nuffm' to go on dat track but pacers, either, an' dey must all be ob de Hal fambly kinder close kin, yer kno'. De Presberterians would er had dey track es 'roun' es it cud be, an' sech er high, whitewashed fence 'roun' it dat nobody cud see ober it, an' 'bout ebry haf hour dey would run out er big fo'- hoss sprinkler, furever sprinklin' an' sprinklin' it, eben fur de yearlin' races. O, it's funny ter see how dey all deffer," he said. " But dar dis one wuz, es prcoty es it cud be, an' free fur all. An' jes' off to de lef dey had de nices' leetle jedges' stan' all painted in silver Songs and Stories an' trimmed wid gold, while de timers' box sat on de right wid leetle peep holes in it an' pictures ob flyin' things wid wings jes' erbove bosses dat had broken de records, 1 spec. Jes' den de ban' in de ban' stan' struck up de sweetes' music 1 urver heurd. It went all through my soul an' made me feel like I wuz er chile ergin an' my good ole mam- my, long dead an' gone, wuz singin' me ter sleep at de cabin on de ole plantashun, to de tune ob ' De ole folks at home.' Den de perfume floated out like de smell ob de jess'mins I useter smell by de cabin do', an' de candles flickered on de quarter posts like de fireflies in de dusk ob my childhood days, an' all dese things jes' made me hongry to heah sum good gospil ergin. Bimeby, sum leetle angel boys all dressed in white wid shinin' col- lars cum marchin' in singin' an' bringin' programs fur de races in dey ban's leastwise dat's whut I tuk 'em to be. 1 tell yo', sah, it wuz gran', an' es I sot dar an' tuck it all in an' looked at dat shinin' track wid de golden fence, I sed to myself : " ' Great Scott ! but ef dey can't go fas' on dis track' I lakter kno' whut de yuse ob tryin' enny y udder !' " When de music stopped de feller in de jedges' stan' made some 'nouncements an' den he 'lowed dat de Bishop ob Tennessee would go er exer- bishun mile ergin time, an' den I heurd de bell ring tingerling, tingerling, an' de ban' struck up 196 from Tennessee lively lak, an' de Bishop cum pacin' in. Soon as I looked at Mm, sez I : " ' He'll do he's er good un ! Got mos' too much riggin' on 'im to suit my taste, but den ebry man knows whut's bes' fur his own boss. Ef he \vuz mine I'd take off dat sweater an' white blankit wid red embroidery, dem knee boots an' dat obercheck. His gait's all right an' true es clockwork, an' he don't need nuffm' but er pair ob quarter boots an' fo'-ounce shoes. But dat's all right,' I sed ergin, ' eberybody knows whut's bes' fur his own boss an' dem fancy riggins am prooty, ter-be-sho'.' "Graceful ? He wuz es graceful es er swan on er silver lake, an' es he paced up de quarter stretch to sco' down, I seed dat he wuz gwinter gib de recurd er close call. Down he cum so smooth yo' cudden'tsee his riggin', an' es nachul es er eagle draps frum his mountin peak in de valley belo'. Dey didn't bafter say ' go ' to him but onc't, an' den he went erway lak er winged angel on de top spar ob er fiyin' yot. " ' He that loseth his life for my sake shall save it,' he said, an' ebry lick he hit went home to de ole man's hart. O, hit wuz er clip. He tuck up Greek art an' literachure, an' he painted it so beautiful yo' cud see de statue ob Diana beam outen bis eyes an' de grace ob Apollo fall frum his hands. Away he went at dat prooty clip till he sud'n'y shifted his gait an' struck de follies ob 197 Songs and Stories dis wurl, an' den I seed whut all dat riggin' vvuz fur, fur he turned it into er toga an' he looked lak Jupiter es he shook de roof wid his speed an' his stride. "'He's gwine too fast fur de fus' quarter,' I sed, es I sotholdin' my bref ; but befo' de wurds wuz out he seed it, too, an' he check up er leetle an' he cum down es gently es de summer winds play but ergitten' dar all de time ! an' den he tell us how all dis art an' all dis interlect want nuffin' ef we didn't lub God an' do right an' lib pure libes, an' his voice wuz lak de music ob de winds in de valley, an' ebrything he say jes' peer to be dat way an' no argyment an' all de time he wuz jes' ergitten"" dar an' es he passed de fus' quarter I cudden't help it, I jes' tuck out my ole watch an' snapped it, an' dar it stood 30 seconds, holy Moses ! " But dat didn't wind 'im, fer he started in de naixt quarter so fas' I thout sho' he gwine fly in de air. But he didn't. He fairly burnt up de track ob sin an' folly an' littleness an' meanness, an' he made de leetle rail birds ob selfishness fly to de woods, an' de gamblers ob society went off to hedge, an' de touts ob scandal slunk erway, an' de drivers ob trick an' cheat hunted for er- nuther track, an' de timers ob folly throwd erway dey watch an' all de time he wuz ergittin dar an' he nurver teched hissef nur struck er boot nur missed his clip, an' he made de ole high wheel 198 from Tennessee sulky trimble all over lak er leaf in de storm, an' he showed how eberbody reap whut dey sow ; how de artis' lib in art, an' de po-it in po- itry, an' de patriot in de harts ob his countrymen, all arter dey dun dead an' buried. ' An' O,' he sed, so sarchin' lak I see de folks trimble, ' ef yo' lib fur de wurl yo'll die wid de wurl ; but ef yo' lib fur God yo'll nurver die.' An' I cud see it all so plain an' so quick an' so terribul an' so true I jes' pulled out my ole timer ergin es he passed de haf, an' click ! dar she stood 59}-^ ! " ' By de horn ob de Tabbernacle,' sez I, 'he can't keep up dat clip ! Dat's de haf dat burnt up Joe Patchen !' " But I tell yo', Boss, his name wuz P'inter he had no noshun ob quittin'. He spun erlong on de straight stretches lak he had er runnin' mate, an' yo'd wonder whut hilt 'im to de yearth, den he ease up gently on de turns ob de track whar he hit de doubters an' de 'siety an' de fools ' dat grasp at de bubbles ob wealth an' folly on de ribber, an' let de mighty stream wid all its depth an' grandeur pass onnoticed to de ocean ' es he sed, he ease up dar an' ketch his bref so gently lak, an' sorrerful yo'd think he gwine stop an' weep fur 'em, an' yo' feel lak weepin' yore- se'f, fur yore own follies an' de follies ob de wurl but all de time he wuz gittin' dar ! an' ef he did ease up es he went up de hill, it wuz only jes' long enuf ter let de light shine down on him frum 199 Songs and Stories heben, an' he seemed to linger jes' er minnit in de sweetnes' ob its glory. "I wiped erway a tear an' snapped my ole timer ergin 1:30}^ ! ' Dat's good Baptis' doc- trine,' sez I, ' ef it am a trifle speedy. Lord, ef he do bust de recurd I hope yo'll gib 'im de At- lantic ocean to spunge off in sumpin' in keepin' wid his own nachur.' An' den I close my eyes gently lak, I feel so good, an' I sing softly to my- sef dat good ole hymn, sung by Moses an' de profets so long ergo : " ' Baptis', Baptis' is my name I'm Baptis' till I die. I've been baptized in de Baptis' church, Gwin'ter eat all de Baptis' pie ! Hard trials, Great tribelashuns, chilluns, Hard trials, I'm gwine ter leab dis wurl.' " But bless yo', honey, he wuz jes' playin' on dem yudder quarters ; he commenced ter pace now. He got right down on de groun', an' dough he didn't make no fuss an' yo' cudn't see er moshun, nur eben de spokes ob de sulky, he talked lak er dyin' muther ter her wayward boy. He scorned de track ob dis wurl an' seemed ter be pacin' in de pure air ob God, an' yit he didn't rouse er angry wind, nur bring out de loud shouts frum de wurldy gran' stan', nur de hoozars ob 200 from Tennessee victory, nor de wild frenzy ob delight but jes' tears, sweet tears. I cried lak er baby. I furgot ter time 'im. De soft light cum in frum de win- der ob God an' got inter de winder ob de ole man's hart. De smell ob de yearthly flowers wuz turned to Heabenly ones, an' when his soft, 'pealin' voice died away an' de sweet 'pealin' music commenced, I cudn't tell whar de sermin ended an' de music begun, dey run togedder so. I sot in er sort ob er dream ; I wanted ter go ter Heaben ; I heurd de white folks all pass quietly out ; I heurd de notes ob de organ die erway, but I sot in de cornder, way off by mysef, an' thanked God dat I'd seed cle light an' heurd de recurd ob salvation busted." 2OI Songs and Stories FIRST MONDAY IN TENNESSEE. LAST Monday was "First Monday" in Ten- nessee, and if you have ever been in a Tennessee town on that eventful day in April, you will know what it means without any further description. I hope you have, because it cannot be accurately described except by sight and the looker-on, to do it justice, should have as many eyes lying around loose upon him, and decking his terminal facilities, as the famous Argus of old. For this is the day of the year to the average citizen of the Volunteer State. On that day, every owner of a lordly stallion, every obstreper- ous breeder of a dulcet-toned jack, every proud possessor of a cantankerous bull with clay on his horns and cockleburs in his tail (I am referring to the bull, of course) is expected to be out with his family and his friends, to show the kind of live stock on which he has pinned his faith. And they are all there. Tennessee was admitted into the Union June i, 1796, and, so far as I have been able to learn, 202 from Tennessee this time-honored day was admitted with her. In fact, I think it was tacitly understood at the time, that, whether the state obtained certain representatives in Congress or not, whether the boundary ended with the Mississippi or the Ten- nessee, whether the Indian lands should be bought up or not, all of these might be decided as the National Congress should decree ; but if "First Monday" couldn't come in, in the lan- guage of old Hickory, " By the eternal, boys, we'll stay out of the little old Union till she grows big enough to take in our First Monday." But, happily, no opposition was offered, and to-day Tennesseans would fight for "First Monday" quicker than they would for the privilege of brew- ing the mountain corn juice under the shadowy cliffs of the Big Smoky. For what, indeed, would life be worth to the horse-loving Tennessean, if deprived of the privi- lege of showing off, on the first Monday of each April, his pacing stallion, decked with enough red blankets to cover the nakedness of darkest Africa, and with halter and reins sufficiently strong to anchor a man-of-war at sea ? Bonaparte, cross- ing the Alps on his restless war-horse (as a mat- ter of fact, it was a mule, the chiefest product of middle Tennessee, but I use "restless war- horse " for poetical effect), and looking down upon the plains of Italy, was not so proud and happy as is the average Tennessean in the horse 203 Songs and Stories parade around the Court House square, holding his mettlesome roan pacer in check and proudly proclaiming to the gaping crowd around him : "Yes, boys, this is a Tom Hal !" "First Monday " is founded on a simple and beautiful custom so old that its origin is lost in the haze of those who came first over the mountains to settle in the beautiful Wautaga valley. I have taken great pains to look up this matter and get at the origin of it. And you will never guess, gentle reader, how it really started. Be not sur- prised, then, when I solemnly proclaim to you that the festive ground-hog is the father of the whole business the ground-hog with his incom- parable weather bureau department ! "Pray explain yourself," I hear you say. " How could so simple an animal as a ground-hog originate such a time-honored custom as an an- nual stock parade on ' First Monday ?' ' It is simple enough. To begin with, Tennes- see has always banked on the ground-hog as a weather prophet the Tennessee Ground-Hog Weather Department is far older than Uncle Sam's, and I might as well add, far more reliable. In the Tennessee department the ground-hog is the chief of the bureau ; he makes but one prophecy a year and he never misses it ; whereas the bureau at Washington makes one every day and generally retire's at night with the sin of Ana- nias tacked to its official skirts, predicting rain on 204 from Tennessee the threshold of a Pharaoh famine, and prepar- ing us for a "long, dry drought " about the time the heavens declare the curtain will now arise on the Noah and the Ark act. But what about the ground-hog ? It is plain enough. On the second day of February he emerges from his hole in the ground to see if he can cast a shadow. If he can cast a shadow he solemnly goes back into his hole to remain six full weeks which is his way of declaring that J O "bad weather and hell ginerally is g winter be to pay till de fuss Monday in April." But if the sky be cloudy that second day of February when he emerges, and he cannot cast a shadow, the official declaration goes forth that an early spring and bright days are to follow. Now do not jump at the conclusion, kind reader, that the Tennessee ground-hog ever gets so poor that he cannot cast a shadow if the sun be shining. Far be it from my intention to intimate any such thing. The Tennessee ground-hog, like everything else in this hog and hominy state, is abundantly able to cast any number of shadows. The term is used metaphorically, and is but another way of saying that the ground-hog emerges from his hole to see whether or not the sun is shining. Now, if the sun be shining on that second day of February, as aforesaid, he goes back into his hole to remain there for six long weeks, and nothing under heaven but an earthquake with a 205 Songs and Stories geyser attachment can get him out. There he will remain though the heavens fall, or his mother-in-law pays him a visit. And all the men, women and children in Tennessee accept his decision and prepare to keep on their winter flan- nels as per order of this absolutely reliable authority. Was ever anything more simple and plain and absolutely inexpensive ? And the beauty of it is, it has never been known to lie- it is truth itself, decked in homespun and a wool hat ; it is Washington with a bible in one hand and a pair of hatchets in the other. We com- mend it to the department at Washington ! But let us proceed with the research that brought us up to the origin of " First Monday." The connecting link is plain enough. After con- sulting many ancient volumes, we have dis- covered that originally, in the early history of the state, the First Monday in April, a day now en- tirely devoted to the display of live stock, was a kind of feast day in the temple of Ground-Hog- ium, celebrated in honor of the termination of the Ground-Hog's potent prophecy. As time went on and people began to use the pacing horse as a means of reaching the county site to participate in the festivities, great interest began to be man- ifested by those who were bold enough to " ride a critter " (when they might just as well walk) in the various animals collected in the town. This interest gradually grew, strengthened by a horse 206 from Tennessee race now and then, and sustained by the lauda- ble desire in the breast of every patriotic Tennes- sean to see that his family relic of a horse, afflicted with every disease from Bright's to "that tired feeling," died the property of some unsophisti- cated countryman. In this way the custom was gradually changed from Ground-Hog worship to horse swapping, from a religious festival to the intricate diplomacy of lying about one's horse. And so it remains to this day. How often does history repeat itself. The Druidical worship of our old forefathers in the woods of Britain was the forerunner of the true worship of to-day ; and from the woods of Ten- nessee, around the sacred temple of the priestly Ground-Hog has emanated the beautiful custom of "First Monday." On the day in question, the pikes are fairly alive with folks, peoples, horses, jacks and nig- gers. Observe the order in which I name these, kind reader ; for that order is the order in which they stand socially in Tennessee. Observe also, if you please, that I make a distinction between peoples and folks folks being those who own a pacing horse and are able to drive or ride to town ; while peoples are merely common plugs who must walk. Peoples are further divided, 1 might as well tell, because the distinction is quite import- ant in Tennessee into three classes : those who are able to wear shoes and stockings, those who 207 Songs and Stories have shoes but no stockings, and those who go barefooted. You may think this is foolish and unnecessary distinction, but allow me to inform you it is based on one of the most beautiful cus- toms of the unwritten law of Middle Tennessee and one which is very closely observed in the state. For, when "all hands" have reached the classic town of Columbia, for instance, their first duty is to repair to the nearest bar for a drink, and here it is that the distinction between the folks and the' three classes of peoples is so nicely drawn. When a portly gentleman of the first class walks in, his face shining behind a silver grey mustache, no question is asked, but the best in the house is set up. He's folks. But when one of the other class walks in, the bar- keeper peeps over the counter to observe his foot gear. If he has on shoes and stockings, the bar- keeper knows his purse will stand Lincoln County's Medium ; if he has on shoes but no stockings, apple brandy from the county of War- ren, smelling of Tam O'Shanter's midnight ride, is set out ; but if, in looking over the counter, the barkeeper's eyes meet the sprawling flabbi- ness of two po'-white feet, bust-head at five cents a glass is what he wants. In no case is any question asked except, "How are you shod, partner ?" Was ever anything more simple ? And so they come on "First Monday," all 208 from Tennessee bound for Columbia. The country cousin rides his pacing stallion with a darkey bringing up the rear leading an ambling ass and interrupting his assship's repeated endeavors to keehonk, kee- honk every now and then by a vigorous jerking of his bit, much to the disgust of that classic animal. Two young bucks fly by in a buck- board drawn by a slick pacer that has given everybody's team the dust since they left Spring Hill. " Say, nigger, whose jack is that ?" they yell out as they pass. " Captain Jackson, sah," is the answer amid a display of ivory caused by the implied compli- ment to his charge. "Fine feller," they shout back, "we're fur him for the legislature "but whether they mean the ass or the master, deponent sayeth not, merely remarking that, so far as the person- ality of the Tennessee legislature is concerned, it is " a difference without a distinction." They are all there, " goin' to Columbia !" Every old lady who has a hank of yarn for sale, is there. Every pretty girl, showing unmistak- able evidence of being fixed up for the occasion, with too much powder over her natural roses and a well -I -don 't-f eel -exactly -kinder-easy -in -these- stays kind of look, is there. Every urchin who can bring a dozen eggs in his hat and his pockets, is there. All from the rich farmer behind his J 4 209 Songs and Stories spanking surrey team, to the old darkey on his load of stove wood ; from the well-to-do fanner with his wife and happy children, the latter look- ing a little unnatural in the solemnity that has come over them by reason of the startling, novel and astonishing fact that they, too, are at last "goin' to Columbia," to the poor cropper on his mule they are all in the procession ! The man with his patent ; the officer with his papers ; that most detested of living men, the back-tax col- lector ; the man who wants to hire ; the book agent ; the " nigger " with a grin on his face and game rooster under his arm they are all there, " gwine to Columbia." On the square all is hustle, stir, squeaking, snorting, cackling, flying, braying, jostling, arguing. But allow me to digress right here, and ex- plain to you what "the square " means. There are two kinds of "squares" in Tennessee "Square" Jones and the Court House square. The latter is the square I refer to. It is really but the meeting of four broad streets, around the temple of justice, where all the trade and traffick- ing is done. In Columbia this temple of justice is a most ancient and dilapidated structure, built with so little regard for architectural rules that the oldest inhabitant has never yet been able to tell which one of its sides was intended for the front ; but as it was in this building that Andrew Jack- son stirred his partisans, and James K. Polk was 2IO from Tennessee \vont to practice law, the citizens of the county would not exchange it for a duplication of the classic Parthenon. Around it they assemble to barter, to trade and to swap horses. Now, when people assemble to swap horses, you know what follows. And why they should have selected their temple of justice around which to do their lying, is more than I can tell. My private opinion is that the horny-fisted horse swapper believed he had as much right to lie around the ground floor of the temple as the lawyer had on the sec- ond floor. A big fellow with a catfish mouth, chin whisk- ers and a bald head is mounted on a wagon preaching free salvation to a crowd that looks like they thought it was a mighty long time between drinks ; two darkies have met on a cor- ner and are discussing the efficacy of baptism, while numbers of their dusky partisans, standing around, now and then exclaim, " Dat's de truf, amen !" A man rushes to a door at a corner of the Square and rings vigorously a big dinner bell. It is a sign that he wants to feed them all at his restaurant. There are four corners to every square, and soon a bell is clanging at each of the other three corners, to let the world know the first fellow hadn't all the dinner. The parade of live stock is now formed and comes down the road a long line of glistening flanks, arching necks, prancing steps, mincing 211 Songs and Stories gaits, whinnies, nickers, snorts, bellows and brays in semi-hemi-demi-quavers, beginning with Brown Hal and Duplex, and ending with Plum- mer Webster and Tax Payer. They are all there " gwine to Columbia." A twenty-foot track is made in the living crowd around the Court House square and half a hun- dred flying pacers are showing their gaits, while the chancellor leaves his bench and the lawyers their cases to look out of the windows. Across the street a bell is ringing at a store, and proclaims that the ladies of a certain church are giving a lunch to pay off the church debt ; an auctioneer is howling away, trying to sell a ten-dollar buggy for twenty-five dollars ; a man with a patent blacking, warranted to shine forever, is blacking the boots of all who will come to his stand ; a big jack brays in your ear while you are looking at a dog fight under a wagon ; an apple wagon, all the way from the "State of Lawrence," is selling the rosy fruit left and right. Elbow your way through the crowd on the square and you will laugh at the fragments of conversation you hear as you pass " No, no, no, the wheat crop's boun' ter be a failure" "Is Sally raelly done married at last? Who " " Fine as he kin be sound in wind, limb an' eye fust dam by Tom Hal, second dam by Pinter's Slasher " Git out, nigger ; who is you, enny how ?" " ItecJioiik, keelwnk, kcchonk, keehee, 212 from Tennessee keehee, keehee-e-eow /" " No, no, Majah, the fun- damental principles of the Democratic party " Coin', goin', gone sold fur twenty-five cents to the red-headed gentleman with a wart on his" You never stop to learn where the wart is, for as you pass your attention is attracted to a vacant lot where a darkey is selling, to those who have money to buy, a cart load of Duck river catfish and buffalo, while behind the cart, in the vacant lot, a negro dance is in full swing. You stop to listen, for the fiddler, inspired by the music of his fiddle and the muse of inspiration, has rhymed in his calls to music, and, keeping time with his feet to the flying bow, sings out in his peculiar chant : Great big fat man down in de corne. Dance to de gal wid de blue dress on her ; You little bit er feller widout eny vest Dance to de gal in de caliker dress. Git up, Jake, an' turn your partner, Shake dem feet as you kno' you 'orter ; You little red nigger wid de busted back Git up an' gin us de " chicken rack." All hands round O, step lite, ladies, Don't fling yer feet so fur in de shadies ; Come, you one-eyed nigger, fling Dem feet an' gib us de " pigeon wing." Such is a faint idea of "First Monday in Ten- nessee." 213 Songs and Stories YESTERDAY. THE old man tottered out to the pasture. He was eighty years old. "How difficult it is for me to walk now, "he said, as he shuffled unsteadily along, "and how it tires me to go but to the pasture gate ! And where," he said, as he turned his whole body feebly around to look at an object behind as old age is wont to do when the muscles have become stiffened in the neck " and where are the blue hills I used to see over there where the clouds and the sunset loved to linger, and the gray mists rose from the valleys like the breath of day to the skies above ? Are they there yet ? I cannot see them." "They are all there, grandpa," said the little boy who accompanied him. "They reach all around and around and around, and they are brown here," said he, pointing with an emphatic finger, "and blue yonder, and bluer further on, and, yes further still O, I can't tell whether it's clouds or hills, they run together so! But, O, grandpa, 1 know that tree we just can see on 214 from Tennessee top of that far, far away hill ! That's Grundy's big poplar, and I went there once and saw a wild pigeon's nest on the first limb, and I played in the branch that ran at the foot of the hill, and I brought home wild grapes ! O, grandpa," glee- fully, " let's run over there now and see if they are all there, and have some fun ! Do, grandpa !" The old man sighed and shuffled feebly along. "Alas!" he said. "But yesterday I went there myself, and went with my mother, and I saw the bird's nest and played in the brook, and my mother was beautiful and happy. That was yesterday only yesterday. To-day I feel tired. To-morrow I shall rest." He reached the bars. A horse came up to the fence. He was sightless, and his sunken back indicated extreme age. The old man put out his hand over the bars to rub the horse's nose, but the strained position made his fingers dance un- certainly over the animal's face, and he drew back his hand because he could not hold his arm still. "What horse is this ?" he asked. "Why, grandpa! Don't you know Old Whip ? " said the boy. The old man looked hurt. "Old Whip," he repeated, absently. " Old Whip. Why, yes- terday, only yesterday, I called him Whip- Young Whip. And I stood right here at these bars and caught him and put your grandmother's 2I 5 Songs and Stories saddle on him she was forty then and hand- some, and your mother was five, with eyes like yours and they rode Young Whip, and I rode by their side, and I laughed in my strength and happiness, and we rode to the upper place and gathered apples from the orchard, and picnicked in the woods and rode back in the evening, and I kissed them both and lifted them from the saddle and turned Whip in here only yesterday evening. But one night has passed but one." The little boy looked puzzled. " Why, grandpa, mother died when I was a baby. And grandma I never saw her. That couldn't have been yesterday !" "Yes, yesterday, my son yesterday be- cause I have forgotten all else that came between it and to-day. It was yesterday yesterday, for I remember it. Yesterday, twenty-five years ago ! Men time things wrong, my son. Our real time is from memory to memory from hap- piness to happiness. But let us go in. I want to kiss my wife and the baby. I want to kiss them to-day, for to-morrow I shall rest yes, we shall all rest." And the little boy sadly led him in. 216 from Tennessee THE JULIET OF THE GRASSES. I AM almost afraid to tell you people how beau- tiful the world is down here now, for fear you will not ;believe it. If I had lived in the age of the Aryan fire worshipers, or the Chaldean star worshipers, or the Greek and Roman wind and sun and cloud and hero worshipers, I would not have worshiped any of these things ; but, in ignorance of the true God, I think I would have knelt down and kissed the grass. Blue grass comes nearer to God than anything in the world. The sun is too bright and the stars are too far off and the wind and clouds too uncertain and intangi- ble ; but grass, sweet blue-grass is with us, and soothes the eye as far as we can see, and rests the heart and the brain, and says, as plain as language can say it: " Look at me, for I am a type of immortality." It is so natural and yet so grand, so heart-stirring and yet so soothing, so simple and yet so beautiful. There are only two things in the world that hurt me worse than to see little children suffer: 217 Songs and Stories one is to see some ruthless fool plow up a grass lot ; the other is to see the same person cut down a tree. I almost hate the man that will wantonly do these things. For the tree seems to me to be endowed with a personality and a soul. Some, I know, are bright and joyous, and love to live and would consort with their kind ; while others are sad and lonely and take life hard. And the grass well, it is a mighty myriad army of little green peoples who love to grow and frolic and look pretty and do good. You may not know it, but it is ! O, we have just begun to live in this world. We are in our very infancy -a lot of thick-headed, bad-tempered, selfish little apes who think we know it all, and that we are great and wise and are living as God intended us to live. But if we could only look ahead and see what the true race is going to be a million years hence ! We will be less than the Cliff Dwellers to them. They will have stepped along to infinite heights over generations of progress, and do you know what I believe the great characteristic of the perfect man will be ? He will recognize life wherever he sees it in stone, in tree, in grass, bird, animal and man. All things will be alive to him, and he will respect every poor little life that lives, and the rights of every little insignifi- cant thing which we Ape-men now crush beneath our feet. And he will love everything that God 218 from Tennessee has made, and will lie down with the grass, and will kiss the flowers as he would children, and will lean on the tree for support as he would a strong brother. And as for taking a human life, or thinking an evil thought, it will have been bred out of him long ago ! I would not like to live in a country where the blue grass did not grow. Somehow or other I have begun to associate it with the idea of divine good will that God has sent it as a special sign of His favor and esteem, and that those unfor- tunate countries where it does not grow, while not exactly under the ban of His displeasure, yet do they stand in a kind of Esau, as compared to Jacob, relationship with Him. For that reason I dislike to see it plowed up, and when I see the cold steel going through its shimmering sod, and turning the long, black furrows up where heav- en's own carpet lay before, I feel as if it is burying a thousand little fairy friends I knew and loved. Perhaps another reason for my love of it is that intuitive knowledge that tells me, when I see it in abundance, deep and rich in the valleys and changing to brighter tint on the swelling hillsides, that there shall I see the race-horse in the glory of his strength and the pride of his ancestry ; there shall I find the gentle Jersey and the splendid Shorthorn, and the flocks of sheep, startled, per- haps, at our approach, and moving like a white billow across a sea of green and emerald. To 219 Songs and Stories me, then, it has come to represent the banner of the live-stock industry; the soul of speed; the coloring that gives the butter its hue, and theariel spirit that rollicks in the contented cud of the Southdown and the Shorthorn. I would like to live always above it, but since I cannot do that, I would rather at last sleep beneath it than under some pile of clammy stones, that will one day topple over to let the lizards know how dead my memory is. There is a good deal of pagan in our natures yet, else why are we so quick to personify ma- terial objects ? Almost involuntarily do we ascribe a gender to the inanimate things around us. Sometimes I think some of the rules of our grammar might as well be changed, and, like the Latins, let us call all things strong and mighty, masculine, and those weak and delicate, feminine. This would also give me a chance to place blue grass where in my dreams it has ever been the Juliet of the grasses. The first to burst from the earth under the warming rays of the early spring sun, full grown before her colder natured sisters are out of their short frocks, she is a thing of joy and beauty, of impassioned fruition, voluptuous loveliness and romantic impulses. In love with nature and her- self, she wanders by the early April brooks and rejoices in the first songs of the meadow lark ; a true philanthropist, in her tenderness of heart she 220 from Tennessee feeds from her bountiful apron the early lambs, and slips a sly blade or two into the mouth of the newborn colt, as with dry humor he makes a ridiculous attempt to go through the first evolu- tions of the gait his nature demands. A true little housewife, she begins at once to put her room to rights, and lo ! in a few days she covers her valley floors with the softest of Brussels, and decorates the hillside walls with her own favorite color, covering even the bare rocks and framing them with an artist's hand. All nature is in love with her. The sun sends his sunbeam children to play with her, and there they will be found, the warmest and rosiest ; here the birds congre- gate to sing their merriest songs, and she passes in and out among the flocks and herds, their comforter and lovely shepherdess. Her stoutly built Quaker sisters, the Timothies, come along apace, attend strictly to their own business, accomplish their purpose and vanish. That prolific wench, the Red Clover, flouncing out like the cook in her Sunday clothes, decked with many colored ribbons and smelling of rank perfume, raises her yellow and brown children and goes into winter quarters. Those old Scotch maids, the Orchard Grasses, come along after awhile, suspicious and wary, unsociable and full of crank's and whims, and only satisfied when off in knots and clans to themselves. Of course they are afraid of the cold, and the first cool 221 Songs and Stories breeze that comes from the north sends them after their winter flannels, and they vanish. In sharp contrast to them are the Red Tops, a lot of pretty flirts who flaunt their red petticoats in the face of decent people and cut their wild capers till arrested by the mowing blade and raked in for safe keeping. A few wild ones come here and there, but, like the banana-fed maids of the mild islands, their rotundity is unsubstantial, and their days are as short as their one garment of clothing. Even the crimson clovers rise up in serried ranks, lift their bloody spears to heaven, fight their battles and pass away. But what about the little Juliet ? She, too, blooms and fades, and for awhile it looks as if she will go the way of the others. Nothing but her fiery will and unconquered nerve sustains her. Shorn of her locks, demure and gentle, she fades under the hot sun. " But death's pale flag has not advanced there," for lo ! the gentle rains of the fall come, and with it the glow of her maiden beauty. Her pulse beats fast again ; she delights in the whirr of the partridge, the flight of the wild geese, and the flocks of the blackbirds. The lambs are grown now, but come in again for her care and attention, as also the eager cattle and the stately mares. And so, like a resurrected dream of spring, she makes glorious the death of the year, sings the swan-song of autumn, and hangs her 222 from Tennessee garlands of immortality on the very snow king's brow. At last she sleeps a bit but just a little nap to wake again in the morning of the year, a blessing, a poem, a picture. 223 Songs and Stories HAL POINTER ON MEMORIAL DAY. T NOTICED that our old friend, Hal Pointer, 1 turned out on Decoration Day at Tyrone, Pa., and honored the occasion by pacing the half- mile track in 2:16^, last half in 1:09. I judge from the report that this was done in honor of the opening day of the association ; but chiefly in honor of the day itself the Memorial Day of the brave Union dead. It is peculiarly fitting that Hal Pointer should do this, for around the home of his cradle flashed the hottest fires of the Civil War, and the land that gave him being had the temper of its heart of steel tried in the whitest heat of the conflict. The air he first breathed was the same that echoed to the shot and shout of Franklin ; the water he first drank was tributary to that which ran in red currents between the banks of the " bloody Har- peth ;" while the very grass he first nibbled was made luxuriant by the blood of the blue and the gray. The same element of sun and soil that made the mortal parts of those that bared their 224 from Tennessee bosoms to the lance of war, made him ; and the indomitable spirit of his near ancestors was that which carried Forrest and Wheeler on their reck- less raids. If there was ever a horse which comes near representing the unflinching spirit of the old South, that horse is Hal Pointer ; and it is pecu- liarly appropriate, to my mind, that he should turn out on Memorial Day and lay, in the twilight of his life, the tribute wreaths of his matchless courage and speed on the grave of a brave and honored enemy. And why not ? What is Prejudice that it should claim authority to teach me to despise the graves of those who differed from me in life me, who must so soon lie down to measure graves with mine enemy ? What is Hatred that I should allow it to put a blind bridle on me and ride me to the devil ? What is Ignorance that it should ask me to sit under the shadow of its wing and imagine I am a seer in the lighted halls of Wis- dom ? God made me free, and by God's help none of these shall make me his slave. The man in the North who will hate, after all these years, his brave brother in the South, is both a fool and a coward ; and the man in the South who has not learned to forgive and forget, who would not decorate the grave of a brave enemy, is twin brother to him at the North. Perhaps the war was a bloody blessing. God alone knows why it should have been. But out Songs and Stories of it has come a cemented Union which, God grant, will live forever. Does the England of to- day think any less of the brave Scotch whose independence and courage so often defied them around the banners of Wallace and Bruce, or the Irish "who have fought successfully the battles of all the world save their own ?" If she does, she must first erase from her history the glorious achievements of Blenheim, Trafalgar and Water- loo. 1 shall not have lived in vain if I can teach one simple lesson to the North and one equally as simple to the South. That lesson is quickly told : " Be charitable ; for your enemy died believing he was right and fighting for the identical principle involved in Bunker Hill and Yorktown." For, strange as it may seem, the principle involved was identical, differing only in the manner of its application. When I hear the plaudit of a gun each morning and look out of my library window to see Old Glory flutter up to its flagstaff away above the tall trees of the arsenal, to catch the first kiss from the only light that is its equal, my heart swells with love and joy at its greatness and power. I love it because it stands for equal rights and equal chance for all men ; because it has grown so great in principle and so strong in might that it can say to the most arrogant of tyrants : " Give your oppressed people the rights 226 from Tennessee of civilized beings," and he gives them ; or to the most powerful : "Tread not on the toes of your helpless little neighbor," and she treads not. Hove it for all these, but chiefly because it is the flag of my own country,, to the making of which those of my own blood and clime lent no unwill- ing hands. And yet when I look on my mantel and see the little faded flag there, " Representing nothing on God's earth now And naught in the waters below it," nothing except the blood of a valorous dead and the honesty of an unflinching devotion to principle (as if these could be nothing) I cannot, to save my life, help shedding tears. And so I live 'twixt a smile and a tear, as Byron hath it knowing that God is good and just, and will judge us all, not by our failures or our successes, but by the truthfulness and honesty of our purpose. So pace on, old Pointer, and in the sunset of your life do greater deeds of loving kindness than you ever did while vanquishing your enemies in the heyday of your fame " Under the sod and the dew Waiting the Judgment day, Love and tears for the blue, Tears and love for the gray." POEMS from Tennessee SAM DAVIS. MUCH has been said as to heroic deeds done on both sides in the Civil War. But here's one by a twenty-year-old boy that I do not think has its equal in the annals of any war at least I have never been able to find anything similar to it. There are thousands of instances of men who have died fearlessly in battle, under the excite- ment of the contest, and numerous examples of soldiers who have been executed rather than betray their country or its cause, as was the case with the martyr, Nathan Hale, in our war with Great Britain. But I cannot find where any one died rather than break his word to an enemy, as did Sam Davis, the hero of this short sketch. In November, 1863, when Gen. Bragg was at Missionary Ridge, he wished to secure correct information concerning the movements of the Federal army in Middle Tennessee, and to find out if it was moving from Nashville to Corinth to reinforce Chattanooga. The duty was a most hazardous one, and four or five scouts were 231 Songs and Stories selected for the purpose, but before going were told that the chances were small for any of them getting back alive. The men selected were Sam Davis, a twenty-year-old boy ; Joshua Brown, now a physician in New York city ; W. J. Moore, now a successful farmer and horse- man, Columbia, Tenn., and Capt. E. Coleman, commanding Coleman's scouts. Of these, Davis had obtained the most important information. He had counted every regiment and all the artil- lery in the Sixteenth corps, found out that they were moving on Chattanooga, and had in his saddle seat full and complete maps of the fortifi- cations at Nashville and other points, and an exact report of the Federal army in Tennessee. Mounted on a superb horse, he was recklessly brave, and exposed himself unnecessarily several times. He remained over three days after he should have left, to see his sweetheart, and when chased from near her home by Federal cavalry the night before he was captured, he ran away from them in the dark. Then turning, he ran back on them again, and, to demonstrate the superiority of his mount, he slapped their horses in the face with his cap as he ran by. The next day, while resting in a thicket, he was captured by the Seventh Kansas cavalry. Gen. G. M. Dodge, the Federal general in command at Pulaski, near which Davis was captured, found the papers in the saddle seat to 232 from Tennessee have been taken from his own table, and correctly surmised that some one very close to him had proved traitorous. A court-martial consisting of Col. Madison Miller, iSth Missouri infantry, Col. Thomas W. Gaines, 5oth Missouri infantry, and Major Lathrop, 39th Iowa infantry, condemned Davis to be hanged ; but Gen. Dodge, who pitied his youth and admired his manliness, and who was very anxious to find out the traitor in his own camp, offered Davis his freedom if he would tell the name of the party who gave him the papers. This, with great firmness and dignity, Davis refused to do. Gen. Dodge says : "1 took him into my private office, and told him it was a very serious charge that was brought against him ; that he was a spy, and, from what 1 found upon his person, he had accurate information in regard to my army, and I must know how he ob- tained it. I told him that he was a young man and did not seem to realize the danger he was in. Up to that time he said nothing ; but then he re- plied, in the most respectful and dignified manner: " ' Gen. Dodge, I know the danger of my sit- uation, and am willing to take the consequences.' " I asked him then to give me the name of the person who gave him the information ; that [ knew it must be some one near headquarters, or who had the confidence of the officers of my staff, and I repeated that I must know the source from which it came. I insisted that he should tell me, 2 33 Songs and Stories but he firmly declined to do so. I told him I would have to call a court-martial and have him tried for his life, and from the proofs we had they would be compelled to convict him ; that there was no chance for him unless he gave the source of his information. He replied : " ' I know I will have to die, but I will not tell where I got my information, and there is no power on earth can make me tell. You are doing your duty as a soldier, and I am doing mine. If I have to die, I will do so feeling I am doing my duty to God and my country.' " I pleaded with him, and urged him with all the power I possessed to give me some chance to save his life, for I discovered he was a most admirable young fellow, of the highest character and strict- est integrity. He then said : " ' It is useless to talk to me. I do not intend to tell. I would rather die than break my word. You can court-martial me, or do anything else you like, but I will not betray the trust reposed in me.' He thanked me for the interest 1 had taken in him, and I sent him back to prison. I immediately called a court-martial to try him." The day before he was executed, Davis wrote the following letter to his mother : Pulaski, Giles Co., Term., November 26, 1863. Dear Mother: Oh, how painful it is to write to you! I have got to die to-morrow morning to be hanged by the Federals. Mother, do not grieve for me. I must bid you 234 from Tennessee good-bye forever. Mother, I do not fear to die. Give my love to all. Your son, Samuel Davis. Mother, tell the children all to be good. I wish I could see you all once more, but 1 never will any more. Mother and father, do not forget me. Think of me when I am dead, but do not grieve for me ; it will do no good. Father, you can send after my remains if you want to do so. They will be at Pulaski, Tenn. I will leave some things, too, with the hotel-keeper for you. S. D. Gen. Dodge became still more anxious to save him and sent a lady in Pulaski, an old friend of the boy's mother, to the prisoner to beg him to give the information and save his life. She says that Davis wept and told her he would rather die than break his word, even to an enemy. She made two other attempts to persuade him, but without avail. On Friday, November 27, Davis was hand- cuffed, placed on his coffin, and driven in a wagon out to the suburbs of Pulaski, where a rope had been arranged for the execution. Gen. Dodge, who was a most kind-hearted gentleman, hoped he would weaken at the last moment and tell him the name of the traitor in his camp, and after the rope was adjusted he begged Davis to tell him the name of the person who gave him the papers, and promised then and there to liberate him, give him his horse, his side arms, and a safe escort back to the Confederate lines. Davis thanked him and said : 2 35 Songs and Stories " If I had a thousand lives, I would lose them all before I would betray my friends or the con- fidence of my informer." He then gave the provost-marshal some keep- sakes for his mother and turned and said, " I am ready. Do your duty, men." No wonder the people of the South are erect- ing a monument to Sam Davis. Nearly two thousand dollars have been subscribed, some of it from Gen. Dodge, his staff and officers. Capt. H. I. Smith, of Mason City, la., in sending his contribution, wrote : " It was a heart-rending, sickening sight to me, and every heart went out to him in sympathy and sorrow, to see him sacrificed for an act of duty that he was ordered to perform as a soldier, and which was not a crime. The stern necessi- ties of grim war seemed to demand that an ex- ample should be made of some one, and fate decreed that it should be Samuel Davis. I don't know of a more noble specimen of manhood that could have been chosen as a martyr for the sac- rifice. 1 had nothing to do with his capture or trial, being then only a non-commissioned offi- cer of one of the regiments in Gen. Sweeney's division in camp at Pulaski. I was close enough to see his features and countenance when he was executed. He was young, and seemed to be possessed of superior intelligence and manliness, and when it was understood that he was offered from Tennessee life and liberty if he would divulge the name of the party who furnished the information in his posses- sion when captured, and would not betray the sacred trust, none of us could help but admire his trustworthiness and nobleness of character. It was a fearful test to be put to a young man with life and a bright future before him ; but he proved equal to the test, and I think he is worthy of a monument to forever perpetuate his memory, and as a noble specimen of valor as an American soldier. I saw many of our hardened and bronze- visaged veterans, who had seen much of carnage and suffering, draw the backs of their rough hands across their eyes as they secretly wiped away tears. I think it was Gen. Sherman who said 'War is hell,' and so it seemed to me on that occasion. Everybody was deeply affected. There \vere few dry eyes among those who were the sorrowful witnesses, and when the drop fell there was such a pall of sadness and silence that the air was oppressive. He was captured, I think, by Lieut. E. B. Spalding, of the Fifty-second Illinois infantry, who now resides at Sioux City, la. I have heard him speak in sorrow and praise of him, and that war and fate should decree his untimely and ignominous death. I served four years in the war, was twice wounded, and lost my only brother at the battle of Shiloh, and be- lieved then, and do now, that our cause was right. 1 have no animosity against my former foes, and 2 37 Songs and Stories want to see all sectional bitterness wiped out. I want no North, no South, East or West, but one common, united country, in which brotherly love and loyalty to a common flag will prevail, and I rejoice in the fact that both ' Yank ' and ' Johnny ' share equally in the benefit of our-victory." This is a manly letter, and Capt. Smith has struck the right chord no South, no North, no East, no West ; and every example of loyalty to duty, every example of bravery, courage, devotion and glory, wherever found between the seas, to go, as this one, to the credit of the Amer- ican soldier. Such sentiments, thank God, have almost wiped out the animosities of the war, and the time will come when the heroic deeds of both sides will be the common property of the whole American people. SAM DAVIS. " Tell me his name and you are free," The General said, while from the tree The grim rope dangled threat'ningly. The birds ceased singing happy birds, That sang of home and mother-words. The sunshine kissed his cheek dear sun ; It loves a life that's just begun ! The very breezes held their breath To watch the fight 'twixt life and death. And O, how calm and sweet and free SAM DAVIS (From the Memorial Statue). from Tennessee Smiled back the hills of Tennessee ! Smiled back the hills, as if to say, " O, save your life for us to-day !" " Tell me his name and you are free," The General said, "and I shall see You safe within the rebel line I'd love to save such life as thine." A tear gleamed down the ranks of blue (The bayonets were tipped with dew) Across the rugged cheek of war God's angels rolled a teary star. The boy looked up 'twas this they heard : "And would you have me break my word ?" A tear stood in the General's eye : " My boy, I hate to see thee die Give me the traitor's name and fly !" Young Davis smiled, as calm and free As he who walked on Galilee : " Had I a thousand lives to live, Had I a thousand lives to give, I'd lose them nay, I'd gladly die Before I'd live one life a lie !" He turned for not a soldier stirred " Your duty, men I gave my word." The hills smiled back a farewell smile, The breeze sobbed o'er his hair awhile, The birds broke out in glad refrain, 2 39 Songs and Stories The sunbeams kissed his cheek again- Then, gathering up their blazing bars, They shook his name among the stars. O, stars, that now his brothers are, O, sun, his sire in truth and light, Go, tell the list'ning worlds afar Of him who died for truth and right ! For martyr of all martyrs he Who dies to save an enemy ! THE LILY OF FORT CUSTER. AND you want me to tell you the story, lad, of the old horse, Tennessee, The stout red roan I rode alone on the track of that snake Pawnee, The meanest Indian that ever bit dirt, and I hope he is roasting to-day, For I ain't had a mount that was any account since What did you say ? Go on with the story ? Why, that's what I am, and I'm going to tell it my way ! A Hal he was the Indian, you ask ? Young man, if I had my gun You'd go to the spirit land yourself before this here tale was done. Three stout crosses of running blood old Trav- eler, Timoleon, Empire 240 from Tennessee A Hal on that ! Aye, there's the horse the devil himself can't tire, Molded as trim as a Catling gun and full to the brim of its fire. I raised him from a colt myself. My father gave him to me When I rode West with Ouster's men of the Seventh Cavalry, Away to the shade and the shadow-land, where the Rockies prop the sky, And the bison herd, like a powder-brown bird, afar on the trail fly- But we never flickered in all that ride, neither Tennessee nor I. And gaits ? There wasn't a horse in camp could go all the gaits like him Canter and pace and single-foot and fox-trot smooth and trim. He led the wing when the bugler would sing (( Boots and Saddles '."Away ! From sun to sun there was never a run that he wasn't in it to stay The showiest horse on dress parade, the gamest in the fray. And the Rockies ! O, the Rockies, lad ! God made 'em to teach us how To look from earth to Grandeur's birth to His own great beetling brow. 16 241 Songs and Stories I never had seen a mountain, lad ! How they thrilled ! how they loomed on me ! Granite and cloud wrapped in a shroud of snow eternally, So different from the sweet green hills of dear old Tennessee. Homesick I grew, I know not why, when we camped in the far Sioux land ; Things were so solemn and silent there silent and solemn and grand And I longed again to see the plain and the roll- ing waves of wheat, And the low, soft music of the grain in the June days rustling sweet, And the gay notes of the mocking bird, where the Duck and the Bigby meet. But out at the Fort was a maiden, A maiden fair to see, And I fell dead in love with her, And she with Tennessee, For she learned to ride upon him, And her gallop across the plain Would make you think Athena had come To break the winged horse again. And she was the Captain's daughter, In rank above me far As above the fire-fly in the grass Beams out the evening star. 242 fc from Tennessee But Love he smiles at epaulets As he laughs at bolts and bar. With eyes like the skies when the shower is over And the rain drops are soothing the cheeks of the clover Dear drops of sympathy all too soon over ! And a face like a vase with two rose-buds in it, Rose-buds of cheeks, to change in a minute To the puckered-up throat of a sweet-singing linnet. And curls like the whirls of the clouds, when the Day-king Stops his bold ride to the West, ere making His bed in their bank and his night-goblet taking. And lips like the dew-wine he sips in the morning, Mistaking her eyes for the day's in its dawning, Mistaking her eyes and sweet Eos' scorning. And her soul ! 'Twas the goal of the Angels and Graces, Seen in their face as they play in their races The purest of souls in the purest of places. And I ? Followed no flag but the blue of her bonnet. And 1 marched and I charged by the white streamers on it. And yet when she turned her blue batteries on me 243 Songs and Stories Brought up her reserve to ride over and scorn me. I was wretched, and sorry my mother had borne me. And surrendered, I did, though my heart was enraptured A prisoner, yet gloried by her to be captured. And she ? When she was certain I'd never be free Gave me her pity and loved Tennessee. Heydey ! And I say But that is the way- Love is a tyrant that never grows old. Bonnet and curl- Lord, all my world Got under that sheen of gold. Heydey ! Still I say If naught's in the way What glory in battling for beauty to love us ? Love is a star, To be worshipped afar, And, like it, should be above us. Heydey ! Yet I say There's many a way That love finds his own, though his own be not waiting. And lips may be mute, And eyes may refute, 244 from Tennessee But hearts made to mate find a way for the mating. In our long ride up from the valley A Pawnee chief we found Old Borie-in-the-Face they called him then, But now he is bone-in-the-ground. Starving he was when we picked him up, And racked with ague and pain, But he taught us a lesson we'll never forget, Which I don't mind telling again The good Indians live in the school books, lad, The bad ones all live on the plain. The coyote ! We nursed and cured him, And then he turned his eyes To the Lily, God help her ! and when she rode From the Fort 'neath the sweet June skies To pluck the flowers that grew on the plain (A pony she rode that day) The Pawnee stole the Colonel's horse And slipped, with a Sioux, away. Away on the track of the Lily, Like wolves on the trail of a fawn, Two hours before a soul in camp Knew the treacherous dogs were gone Two hours before alarm's shrill voice Waked the echoing sentry's horn ! Away on the track of the Lily, and they lassoed her pony and rode 245 Songs and Stories With her bound in the saddle and helpless, to Sitting Bull's band at the ford- To Sitting Bull's tent ! for a life that was worse than living in hell's own abode. The alarm gun was sounded, we rushed through the gate the Captain, the Corporal, and 1 The moon had just risen, a trifle too late to see the sun sink in the sky. The Captain looked black as the charger he rode, the Corporal sat grim on his grey, While 1 ? just patted old Tennessee's neck and he struck that long gallop to stay. We struck the trail quickly ; 'twas plain as could be, the pony's flat track in the sand. And then it was headed as straight as a bee to the North, for the Sioux's bloody band. A mile further on it turned slight to the right the Captain sprang quick to the ground, For there in the path was a sun-bonnet bright he kissed it ; then, turning around, We saw the tears glitter and felt kind o' moist around our own hardened eyes, Then stood with bowed heads for a moment while each breathed a silent prayer up to the skies. 'Twas the work of a moment to tighten our girths, cut loose the throat-latch and curb-chain, Then strike for the ford fifty good miles away across the wide stretch of the plain. 246 from Tennessee "To the ford !" cried the father, and his rowel shot swift as a star in the flank of his black. " To the ford ! There is no other place they can cross. To the ford ! See the course of the track ! Two hours the start ! Great God give us speed," as the black went away like the wind. " Too fast !" 1 called out, but he never did heed ; already he'd left us behind. "Now, Corporal," I said, "we will test your grey's grit ; 'tis a ride that the stoutest might shun." And I braced myself firm, held steady the bit, with Tennessee struggling to run, But I gave not his head, for well did I know not a horse in the world could stand Fifty miles of a race at a heart-killing pace in the alkali dust of that land. Galloping, galloping, galloping on, Out in the moonlight, galloping on. No word did we speak, no sound did we heed But the low, muffled beat of the galloping steed. The grey, circling dust rose in pillars and spread Like the ghost of a cloud in the moonlight o'er- head ; And the sage-bush was plated with white in the light As we raced, like a running team, into the night. 247 Songs and Stories Beyond us, the peak of a towering cone, Fifty good miles away, on the broad Yellowstone, Was our snow-covered goal, in the moon-bla- zoned air, And we headed full straight for the ford that was there. Our horses pulled hard on the bit, for the dash Was a frolic to them in the hoof-beating crash, And the quick, playful snort, as onward we glide, From their nostrils keep time to the lengthening stride. The miles spin behind us, with bound upon bound Two shadows fly on like a twin-headed hound. My roan tossed the fleckings of foam in a ring, As an eagle the snow-flake that lights on his wing. And with nose to his knees and his ears laid back He swept a clean path through the dust-covered track, Galloping, galloping, galloping on Ten miles in the moonlight, galloping on. But onward we went, head lowered, and bent To the stride like an arrow from ashen bow sent. My horse was now wet to the mane with his sweat, And the grey, where the dust and the moisture had met, Was white as the palfrey Godiva rode down Through the dead silent street of Coventry town. 248 from Tennessee His breath comes shorter and quicker a wheeze, And I note that his stride is not true at the knees. I felt of my roan, brought him down to a pace, For the speed was terrific, the gait 'twas a race! I stood in my stirrups and cut loose the cord Of the cantle strap down went the full useless load ! I threw off my saber and cavalry cloak, My rain-coat and blanket, and, bending, I spoke: "Steady, good Tennessee ! Steady and true, There's a race yet ahead, old fellow, for you. Just swing this long gallop for ten miles or more, We are frolicking now, but we'll show them before We halt in the shadow of yon mount by the flood The never-die spirit of Tennessee blood." Galloping, galloping, galloping on Twenty miles in the moonlight, galloping on. But see ! now he pricks up his ears as we rush, And shies with a bound to the right from the brush. A glance, and pitifully struggling with pain The Captain's black horse is stretched out on the plain, And I see as I pass, with a pull on the bit, The scarlet blood gush from his deep nostril-pit. To the Corporal 1 said : " Do you know what we passed ?" He nodded " I knew he was going too fast. 249 Songs and Stories The black was dead game, but too fat and rank To run twenty miles with a steel in his flank. Poor fellow ! But where can his rider now be ?" " Ahead, and on foot just ahead, do you see ?" As a speck in the distance, a spot in the grey Then a tall, lithe figure plodding away. He stops at the sound of our galloping hoof ; We draw curb a moment 'neath the silvery roof That rolls o'er our heads as our steeds make a launch, Planting stiff knees in sand, thrown back on their haunch. " What news ?" " Go on, and check not your rein," Said the father, as quickly he stooped on the plain. Then rising "From the track we're an hour behind. For the love of your homes speed on like the wind ! But halt ! Corporal, give me that good gallant grey" A moment, and then we were speeding away Speeding away through the low, creeping light, Through the shade and the shadow, the blare and the blight Of the heat wave that clung to the breath of the night Speeding away through the leg-wearying sand, Through the hoof-stinging flint of that alkali land With steel in our hearts and steel in our hand, 250 from Tennessee Galloping, galloping, galloping on Thirty miles in the moonlight, galloping on. Not a word : as we rushed adown a long slope We bounded as free as the wild antelope. A coyote howls out from a neighboring hill, An owl hoots an answer, and then all is still. A rise in the range of our trail to the right And our cloud-propping goal flashes bold on our sight. "Thank God!" cries the Captain, "their powers now fail. They have come to a trot see the tracks in the trail !" And crazed with the grief that a father can feel He sends the steel home with a desperate heel. But I mark the short breaths of the grey as he goes, And his staggering gait as the dust upward 'rose. "Draw your rein!" to the Captain I shouted aloud ; "Your horse will choke down in this dust-stifling cloud. We have come many miles without water or rest Draw rein just a moment ' Down on his breast, With a sickening wheeze from his steam-heaving chest, He staggers reels heaves and over he sinks, While the blood bubbles up from its carmined brinks. 25 1 Songs and Stories " Go on, Sergeant on !" as he leaps to be free " My child and her life rest with old Tennessee !" Galloping, galloping, galloping on Alone in the moonlight, galloping on. For the first time now I felt nervous with dread ; Even Tennessee galloped less bravely ahead. Each bush seemed an Indian as big as a horse, Each shadow the ghost of another, across Our path slipping on in the dim, misty light To warn those ahead to be ready for fight. I spoke to brave Tennessee, stroked his wet crest, Talked of the home where we both used to rest The meadows, where shone the calm, blue sky above, And the blue grass below in the land of our love Of the old mare, perchance nodding now in her stall, And the father and mother ah ! dearest of all. And I smile even now as I think of the song I sang out aloud as we staggered along ; And Tennessee braced himself up at the sound, For I felt his feet strike a bit steadier the ground, And it nerved even me not a moment too soon, For there, standing there in the light of the moon, Almost in our pathway how quickly it rose ' Then, the twang of a bow under Tennessee's nose, Just as the horse on his haunches arose, And the deadly barbed arrow, intended for me, 252 from Tennessee With a rattlesnake hiss struck brave Tennessee Just under the throat, near the big throbbing vein, And came out above, in his sweat-covered mane. But he drew not another, for quick through his head My Colt sent a cone of government lead And Uncle Sam's darling in the moonlight lay dead ! A moment's convulsion on his knees sank my roan Down ! and my heart sank, too, with his groan, But, struggling, he 'rose with the staggering pain As I spoke, and came to his senses again, Then plunged reeled plunged Great God, would he fall With that flint in his throat ? In vain was my call ! How I pitied him, struggling, the will 'gainst the flesh ! But I thought of the Lily and urged him afresh, And I plunged both my spurs in his death-shaking sides. He never had felt them before in his rides, For he bounded away with the bit in his teeth And the frenzy of death in his hoof-beats beneath. And he ran as if knowing his last race was run Was there ever a grander one under the sun ! A spurt on the trail, a maiden's low cry, Half-strangled and then we were thundering by. 253 Songs and Stories Useless my pistol ! I threw it away ; Too close was the Lily too deadly the fray ! A spring and a grapple ! A hand to hand strife A blow here's the scar from his murderous knife The next and my grandfather's King Mountain* made A path through his heart to his left shoulder blade. A maid on the sand and she held in her lap Not my head but that of a far nobler chap. A maid on the sand and her tears fall free On the quivering muzzle of brave Tennessee, While his poor, pleading eyes seemed to linger above To tell her he galloped that gallop for love. That's all ! When I waked from a two hours' swoon (Where I dreamed a sweet Lily grew by a lagoon And kissed me and bound with her leaflets my wound) The Captain was there with fifty picked men, And they swore such a ride they would ne'er see again ! And the Captain broke down, and the Lily and me, And we all went to camp all but old Tennessee. * A short, heavy knife made from the sword his grand- sire used at the battle of King's Mountain. The writer has often seen it. 254 from Tennessee He sleeps by the shore Where swift waters roar, The mountain his monument Till time is no more, And beneath this is carved where a boulder hangs o'er : HERE LIES TENNESSEE, of the SEVENTH CAVALRY. the same was a horse, yet HE GALLOPED ACROSS The Plain To Fame. Of Three, He Alone had The Blood and the Bone TO RUN Fifty Miles to the Yellowstone. To Save a Life He Gave His Own. And now I have told you the story, lad, Except well, I soon came home, For 1 had no mount that was any account And I had no heart to roam. But after a while I did go back and I brought her home with me The Lily of Fort Custer and she blooms in Ten- nessee. Songs and Stories THE FLAG OF GREEN'S BRIGADE. (Louisiana Building, World's Fair Grounds.) OWHEN I stood before the tatter'd flag of , Green's brigade, My heart beat martial music for the thoughts my spirit made. I saw the old-time flint-locks flash their deadly disks of flame, I cheered the old-time ragged lines that marched in Freedom's name, I wept o'er old-time gaping wounds in manly breasts displayed, And dying eyes that last looked on the flag of Green's brigade. O, when I stood before the faded flag of Green's brigade, 1 saw the blood of heroes in its every tint and shade. 'Neath Saratoga's steel-cold stars it led our charg- ing line And hurled back Freedom's challenge from the guns of Brandywine, At Germantown and Kettle Creek and Camden's leaden rain 256 from Tennessee Till Yorktown found it torn and shorn but still without a stain ! 'Twas this that led the tide that swept our craft from out the gloom And hung, like Hope's bright banner, o'er the portals of the tomb ; And, flaming like a flambeau held in Victory's mailed hand, It blazed the way for brightest day throughout the struggling land. Around it flocked the Southron while the bright beams of his blade Gleamed out like stars of midnight 'round the flag of Green's brigade. O, as I stand before the faded flag of Green's brigade, Methinks 1 hear the thunder of the Future's can- nonade ! Methinks our lines are marching marching to the same old call And some are blue and some are gray the old flag over all. And Gettysburg and Bull Run now have met, both undismayed, To fight their country's battles 'round the flag of Green's brigade. 17 257 Songs and Stories BY THE LITTLE BIG-HORN. (A Montana paper is authority for the state- ment that a half-breed Sioux, who had served as scout for Gen. Custer, was living in that State a few years ago, and claimed to be the only sur- vivor of Ouster's last fight. In the confusion this half-breed mingled with the Sioux and escaped the massacre by reason of close tribal resem- blance. He relates how eight horsemen of the Seventh Regiment cut through the Sioux and gained the foot-hills beyond, where they could easily have joined Reno and escaped, had they not looked down and seen the desperate strait in which their general was placed. To the aston- ishment of all, they shot their own horses, and, forming into line, marched back to die with Custer.) DOWN to their death in the valley of silence, Down where the Sioux's treach'rous ranks lay at bay, Down till the yellow waves turned into crimson The old Seventh rode on that ill-fated day. "Forward, the Seventh! Charge through the Sioux center !" 258 from Tennessee 'Twas Custer who said it he rode on the right His long yellow hair was the banner they fol- lowed And he sat his black horse like the Centaur of fight ! Down to their death in that somber-hued valley, They rode through the Sioux with carbine and Colt The reins in their teeth and the glint of their sabers Making the flash for their lead thunderbolt. "Forward, the Seventh guide right! To the center !" 'Twas Custer who said it, as onward he sped, Spurring his steed where the eagle's grey feathers Rose o'er the crest of the billows of red. Out from that valley, that valley of carnage, Eight horsemen have cut through the ranks of the foe ; They gain the bold heights and safely look down- ward, Down on the scene of this new Alamo. For there, his dead steed as a breastwork before him, With the glory of battle ablaze in his eye, Answering it back in flash of his pistols, Our prince of the saddle has stopped there to die ! 259 Songs and Stories Again and again roll the billows of fury To be shattered again as the wave on the rock ; Again and again melts the line of the Seventh Beneath the Sioux bullet and Wahpeton shock. But see ! from the heights where their good steeds have clambered, Out-footing Sioux ponies in fleet-winged flight, The eight have dismounted one glance tells the story They shoulder their rifles and dress to the right. They hear the wild whoop of the blood-mad- dened savage, They see their brave comrades go down in the brunt, They hear through the din the calm voice of brave Custer A breastwork of dead he has made in his front ! "Attention, squad!" 'twas the sergeant who said it, " Fours right into line our duty lies back !" Then quick from his belt came a blue-gleaming barrel, And the steed that had saved him lay dead in its track ! Back to their death in that valley of slaughter Eight horsemen march down on the hosts of the Sioux, 260 from Tennessee Not a trumpet gave note not the gleam of a banner 'Tis only a duty they march down to do. " Forward, squad !" said the sergeant immortal ''Charge straight for the center to Custer once more," And Time, in his pitiless flight, for a moment Looked down on a sight he had ne'er seen before. Up in that valley, that sweetly green valley, O, raise them a monument proudly in air, Telling the story as ages grow hoary What American soldiers for duty will dare. High on the shaft in the glint of the sunlight Let Custer's proud figure, heroic, stand high, And grouped just beneath, with immortelle wreath, The eight nameless horsemen who never shall die. THOROUGHBREDS. (An incident of the fight around Atlanta.) STRAIGHT at the breastworks, flanked with fire, Where the angry rifles spat their ire, And the reeling cannon rocked with flame, Swift as his namesake, Bullet came. Young was his rider, fifteen and two, 261 Songs and Stories And yet the battles that he'd been through Were fifteen and ten a braver lad Old Fighting Forrest never had ! And as he rode down the rifled wind His brown curls bannered the breeze behind. " O, they are mother's," he had laughed and said When the men nicknamed him "Trundle Bed" Two years before when he first ran away From mother and school to don the gray. " But that's all right "with a toss of his head " For Bullet is grown and he's thoroughbred !" But that was before the Shiloh fight Where he led the charge 'gainst Prentiss' right. And as he came through the smoke and flame Old Forrest himself was heard to exclaim : " Just look at Bullet and Trundle Bed ! I tell you, boys, they're both thoroughbred !" And from that day on it became a law, " Follow Bullet and you'll go to war !" To-day he rode less erect, I ween, For he'd had a battle with General Gangrene In the hospital tent (a ball in his chest For riding too far over Kenesaw's crest). But even while tossing with fever and pain He had caught a whiff of battle again, Just smelt it afloat in the sulphurous air, And he knew, somehow, that Forrest was there 262 from Tennessee And hard pressed, too so, 'twixt crutches and crawl, That night he slipped out to Bullet's stall. A whinnying welcome a kiss on his ear, ''I'm alive yet, Bullet Trundle Bed's here !" A pattering gallop at first daylight, The boom of a gun on Johnston's right "That's Cleburne, Bullet! What a charming fight!" Straight at the sheeted and leaden rain He rode Alas ! not back again ! For the hot fire scorched the curls of brown, And grapeshot mowed their owner down, And the heart that beat for mother and home Was dumb where it wept and wet the loam, And dim in the dust the blue eyes fine But Bullet charged over the Yankee line. Charged over the line ! then he missed the touch Of the rider that always had loved him much, And he wheeled as the gray lines rose and fell 'Neath fire like fire from the pits of hell, And he rushed again on a backward track When he saw the Texas brigade fall back. But whose was the form that caught his eye With boots to the guns and face to the sky ? And whose was the voice ? " Tell mother good- bye !" 263 Songs and Stories And why were the curls red ? His were brown He stopped as if a shot had brought him down ! Hell answered hell in the cannon's roar, And steel cursed steel yet he stood before The form he loved ; for he knew the eyes Though their June had changed to December skies. Hell answered hell in the cannon's roar, And steel cursed steel yet he whinnied o'er The form he loved, while the grapeshot tore ! And still he stood o'er the curly head For Bullet, you know, was thoroughbred Till a solid shot plowed a cruel rent, A last loving whinny and Bullet was spent ! The burying squad in blue next day Stopped to a man as they wiped away A tear for there all calm 'mid the wreck Was Trundle Bed pillowed on Bullet's neck ! O Union great, O Union strong, The South, you say, was in the wrong, And yet, some day, when the foe shall come, Some day at the beat of an insolent drum, When the glorious Stars and Stripes unfurl'd Shall stand for Home in Freedom's world, The first their blood in the cause to shed Will be the sons of the thoroughbred ! from Tennessee "WEARING THE GRAY." (A Memorial Day Poem for the Confederacy.) WEARING the gray, wearing the gray, Battling alone in the world of to-day, Fighting for bread in the battle of life, With courage as grand as they rode to the strife. Marching to beat of Toil's merciless drum, Longing for comrades who never shall come, Comrades who sleep where they fell in the fray- Dead but immortal in jackets of gray. Wearing the gray in the silvery hair, Mortality's banner that Time planted there ! Wearing a gray, while the tears upward start, A gray that is buried down deep in the heart. Wearing the gray, wearing the gray, The old line marches in mem'ry to-day The old drums beat and the old flags wave How the dead gray-jackets spring up from the grave ! They rush on with Pickett where young gods would yield, They sweep with Forrest the shell-harrowed field, They laugh at the bolts from the batteries hurled, Yet weep around Lee when the last flag is furled. 265 Songs and Stories Wearing the gray o'er the temples of white, Time's banner of truce for the end of the fight. Wearing a gray that was worn long ago, With their face to the front and their front to the foe. Wearing the gray, wearing the gray, Longing to bivouac over the way, To rest o'er the river in the shade of the trees, And furl the old flag to eternity's breeze. To camp by the stream on that evergreen shore, And meet with the boys who have gone on before. To stand at inspection 'mid pillars of light, While God turns the gray into robings of white. Wearing the gray o'er the foreheads of snow The drum-beat is quick, but the paces are slow Wearing a gray for the land of the blest, When life's fight is o'er and the rebel shall rest. Wearing the gray, wearing the gray, Almost in the valley, almost in the spray, Waiting for taps when the light shall go out, Yet hoping to wake with a reveille shout ! Leaving to Heaven the Right and the Wrong, Praying for strength in the old battle song 266 from Tennessee Praying for strength in the last ditch to stay, When death turns his guns on the old head of gray. Wearing the gray in the paleness of death, For the angel has swept with a garnering breath ! Wearing a gray when he wakes in the morn The old rebel jacket our dead boy had on ! THE BELLS OF ATLANTA. (An Incident of the Civil War.) AUTUMN sunset on Atlanta painting banners red of Mars- Twinkling campfires in the distance like ten thousand evening stars. For the foe had come upon her in the glory of his might, And his siege guns, like grim war dogs, waited for the morrow's fight. Down the valley in the moonlight lay the Gate- way of the South, Fruitful as a summer grain field when the east wind breaks the drought Proud as harem queen, and heedless sleeping 'neath the cannon's mouth. 267 Songs and Stories Sabbath sunrise on Atlanta, issuing in the steel- gray morn, Turning dark hills into silver as the crystal light is born ; Wakes the beaming sky in beauty, sleeps the somber earth in shade Only reveille and roll-call mock the peace that God has made ! And the siege guns ceased their dreaming ceased their dreaming of the fray, Turned their horrid fronts to eastward, where the quiet city lay For the word had come from masters they must open on their prey ! Far away through blue-domed morning rose the city's thread-like spires, Lifting up the southern banner to her heaven- kindling fires ; And the foemen, seeing, wondered knew they fought no battle wraith- For the finger of her worship was the flag-staff of her faith ! Ay, they knew that in that banner, fluttering there without a flaw, Slept the nerve of Chickamauga and the heart of Kenesaw Slumbered southern hope and glory, her religion and her law. 268 from Tennessee " Aim for yonder cursed banner flouting from that tallest spire ; Open with the hundred-pounders let the bat- teries follow fire !" Thus spake Sherman, and his army, marshaled in the hilltop sun, Waited there in painful silence for the music of that gun. And those siege guns, huge, black-muzzled, show their demon, ghoulish lips, As they raise their necks to measure where the blue horizon dips Where to spring across the valley when their leash the keeper slips. In a moment on the city there would rain a fire of hell ; Solid shot would mingle thunder with the shriek of shrapnel shell ! Like an eagle from his eyrie falling on the flock below, Death would scream across the valley lighted by the fuse's glow. Then the sergeant grasps the lanyard, while erect the gunners stand, As they wait in dumb obedience for the Colonel's stem c o m m a n d For the word unloosing thunder on this heaven- basking land. Songs and Stories Suddenly, far down the valley, came a faint yet tuneful sound, Floating from the tallest steeple, spreading like God's halo 'round. And the sergeant dropped the lanyard as that sweet wave rose and fell, And the bristling ranks saluted for they heard their own church bell : Softly, sweetly, rising, falling, Hark ! 'tis thus the paean ran Gently chiding, calmly calling: " Peace on earth, good will to man !" Heralding to pale blue morning Till the echoing hilltops start Shell and shot and cannon scorning : " Love thy God with all thy heart!" Out it pours, full heaven-throated, Caring naught for glory's pelf, Chiming, as it upward floated : " Love thy neighbor as thyself !" God's own skylark of His spirit ! sweeter than the songs of war, Grander than the bass of battle when the cannon boom afar Mightier than the thunder-organs on the decks at Trafalgar ! 270 from Tennessee And the soldier as he listened saw New England's hilltops rise Saw the plains of Indiana stretch beneath his misty eyes. Vanished now the flags of battle, gone were armed host and gun, And his own sweet native village lay before him in the sun. It is Sabbath, and the church bells call him now to worship God ; Sabbath there yet here he standeth, ready with the chastening rod, Till a brother's blood shall mingle with his own, his southern sod. 'Tis enough the flags are lowered and the blue- steel guns they stack God has broken ranks where cannon never yet has turned them back. All day long the rebel banner, flirting while the winds caressed, Mocked the guns that, parked to westward, crowned the hilltop's bristling crest. All day long the Sabbath sunlight o'er the peace- ful city spread, Blending blue and gray battalions in the soft clouds overhead- And the siege guns watched and wondered why their keepers all had fled ! Songs and Stories Ring, ye church bells of Atlanta ! Ring till sin and hate shall cease ! Ring, till nations hear thy paeans, and the founts of love release, And the notes of drums are drowned in thy mel- odies of peace. THE TENNESSEEAN TO THE FLAG. (A Poem Read at the Opening of the United States Arsenal at Columbia, Tenn.) WE followed you first in the days of old, For you stood for the rights of men, And our pioneer soldiers followed your fold - For they fought for the Union then ; They held you aloft in the fiery flame, 'Mid the shriek of the British shell, And planted you on the heights of fame That flag they loved so well ! We followed you first in the days of old, When our Jackson went to the fray, And the Tennessee soldiers lay in the cold Of that long, dread winter day. They lay in the cold, but you floated o'er, And the silence was deep as the grave Till their long-barreled rifles spoke with a roar For the flag they fought to save. 272 from Tennessee We followed you first in the days of old, When our Polk roused the Mexican ire, And we gathered an empire into the fold To warm it with Liberty's fire. 'Twas our own gallant Campbell who led the band, The first o'er the Mexican height, And yon flag of our Union went in his hand Through the red-hot fire of the fight. We've followed you oft in the days of old And we'll follow you oft again ! Shall the pulse of the son grow sluggish and cold Where the sire's blood flowed like the rain ? Shall the deeds of the past, by Error bewail'd, Be lost in passion's dark flow, And the flag of our country by brothers be trailed When it never has trailed to the foe ? No ! We'll follow you now, proud flag of the free, Should the foe with his banners e'er come No need for a bugle to call us to thee, Our hearts make the beat of our drum ! With the spirit of Jackson to guide from above, And the mem'ry of Crockett to aid us, We'll rally once more to the banner we love The banner our forefathers made us ! Then wave, proud flag of our Union, Wave and unroll your bright bars ; For never was sunshine brighter, 18 273 Songs and Stories And never the sweet air lighter Than that now circling your stars. Then float, proud flag of our Union, Float o'er this land of the free ; For ne'er was love any truer, And ne'er was sentiment purer Than the love of our people for thee. TENNESSEE. (A Centennial Poem 1897.) SUN-SHIMMER'D fields of dreaming green, A sky blue-domed in azure sheen, And hill on hill dipped deep between. And with soft sighs the breezes rise To waft cloud-kisses to the skies. Nature smiled, and dimpled back The Middle Basin in her track. She laughed, and ling'ring on its crest Her echo rolled from out the west. She frowned, and 'round her thoughtful brow, 'Rose our bold peaks of liberty. 'Rose, and wedded with the sky For Liberty will wed no less Than this sky-child of loveliness, With eyes of stars and sunset tress. 274 from Tennessee And one King's Mountain peak in name- Has linked his wedding day to fame For scorning Self, and hoyden Mirth, And flesh-pot Pride, and cringing Earth, He kissed his bride-queen of the sky And gave to Independence birth. God saw the picture, that 'twas good, And so on heaven's heights He stood And through the bars of throbbing stars Sent men whose souls were souls of Mars. God saw the picture, that 'twas fair, And so, from out of heaven's air, Through dreamy haze of nebulous ways (Souled in the sweetness of their lays And crowned in the halo of their blaze) Sent maids to wed these men of Mars. And over all, from Morning's loom, He cast a veil of blue and bloom, As ancient kings a cloth of gold Threw o'er the master works of old. When star weds star, the stars are born, And after star-birth comes the morn, The morn of Men and Principle. And so men came of giant frame Live-oaks in the field of Fame Monarchs in God's forestry. 275 Songs and Stories And one came as the Hickory,* with steel-knit, stubborn form, The gatherer of strength that's won by wrest- ling with the storm, The main-mast of that sturdy ship that first flung to the world The heaven-reflected glory of the Stars and Stripes unfurled. He came and smote, and from the throat of guns of Tennessee, He echoed back the thunder-note of infant Liberty. And one grew as the rough, Red Oak,f from out the deep, rich soil The strength of ages garnered in the nobleness of toil- He stood and died for Liberty, and far across the sea Tossed back the new world's answer to a new Thermopylae. And one was like the WillowJ in his grace of heart and mind, And holds the list'ning ear of fame as the harp- string holds the wind. And one was like the stately Pine, his name an evergreen Held in the prow-beak of each ship that sails the seas between. * Jackson. t Crockett. % Haskell. | Matt F. Maury. 276 from Tennessee And one came as the Cedar,* and reared his lofty crest To gather 'neath its ample boughs an empire from the west. And thousands stood as Cypresses,! when the axe of Fate was nigh, And in their moss of tatter'd gray with proud heads in the sky, Fell in the fadeless forest of Immortality. O, children of such Deeds as these, As rivers flow to make the seas, Great spirits make great destinies. O, sons of sires, these deeds adorn ; As true as sunlight unto morn Is deed that lives, to deed unborn. O, maids of mothers, know ye then, As purest stream from deepest glen, Great mothers only rear great men. Hark, now, from out his leafy throne, What sings our mock-bird Mendelssohn : Tennessee, Tennessee, All our song goes out to thee. From our eyries where the eagles breed the spirit of the free To the cataract that catches up the lay of liberty ; From our vestal hills uplifting emerald offerings to the sky, * James K. Polk. t Confederate soldiers. 277 Songs and Stories To the Basin in whose bosom heaven's garnered glories lie. Singing, singing, singing, as the wind sings to the sea, Clinging, clinging, clinging, as the vine clings to the tree, Songs of hope and songs of sadness, Songs of home and songs of gladness, Songs of thee. Tennessee, Tennessee, All our love goes out to thee. From our mountains where the marble dreams of beauty yet to be, To the mighty marching river bearing bounty to the sea ; From our Eastland where the clover blossom mocks the purple morn, To the West where cotton banners mimic sunset 'mid the corn. Giving, giving, giving, as the blossom gives the bee, Living, living, living, as should ever live the free, Love of truth and love of beauty, Love of God and love of duty, Love of thee. 278 from Tennessee TO A WILD ROSE ON AN INDIAN GRAVE. IN the pasture where the grasses are the first to herald spring, And the meadow lark flits upward on his para- chutal wing, Where the wild vines weave their netting and the wild winds wander free, Thou art blooming in thy beauty now, sweet rose of Cherokee. All around thee there is freedom, part and parcel of thy life, Untutored is thy every grace with native sweet- ness rife. The spirit of the maiden whom the Choctaw chieftain stole* Thou sprangest from her lonely grave, the rose- bud of her soul. Didst thou weave those golden leaflets, 'mid the centuries long gone by, * The legend of the Cherokee Rose is, that a Cherokee maiden, being stolen by a neighboring chief, died, longing to go back to her tribe. A rose was afterwards found blooming on her grave, and by the Indians named in her honor. 279 Songs and Stories In the loom of Indian summer with the shuttles of the sky ? And that rare and dainty perfume, circling lam- bent of thy birth ? 'Tis the infant breath of nature in the May-day of the earth. In those rows of yellow pistils, platoon-formed, with spears of stars, Didst thou pilfer from the lark's breast while he sang his sweetest bars ? And that blush of faintest crimson, tingeing soft thy petal's peak ? 'Tis the red bird's mirrored plumage in the dew- drop on thy cheek. In those drooping, twining branches, bending low in jeweled bloom, Thou but weavest wreaths of beauty for the sleep of Beauty's tomb, And that snowy, clust'ring garland springing up- ward and above 'Tis the risen soul of virtue in the robes of virtue's love. Ah ! 'tis many circling seasons since thou first bloomed o'er the mound, Where the Indian maiden slumbered and the wild fawn wander'd round ; Since thou heardst the Spanish bugle, saw De Soto's steel-clad lines 280 from Tennessee As they trampled in their armor o'er thy timid, clinging vines. But through all those changing seasons thou hast reared thy modest head Nature's shaft of living marble o'er the ashes of thy dead, Teaching all the world a lesson, older than the spangled sky The good shall live forever, and the pure shall never die. THE BLUE-GRASS PLOT. OTHE blue-grass plot, the blue-grass plot, Where I played in the days long gone, Where the sweet grass grew 'neath the morn- ing dew And my life was a summer morn. The wild-rose spread o'er the porch over head And the swallows chirped sweet in their flight, But the birds are fled and the roses are dead And I'm far from the old home to-night. O, the blue-grass plot, in the old back lot, How I long to be there once more, With the colts in the shade the elm tree made, And my mother's form at the door. Where the brook brawled along, with its sweet glad song, 281 Songs and Stories And I played with my dog in his glee, 'Till I thought all the gleam of the sun and the stream Was made for my dog and for me. O, the blue-grass plot, in the old back lot, How I long for your cool, quiet shade ! When the sun went down and the crescent crown Of the moon 'rose over the glade, How we romped on the sheen of your dewy green With a shout and a laughter wild, 'Till called to our beds where three weary heads Soon slept the sweet sleep of the child. O, the blue-grass plot, the blue-grass plot, O, the mem'ry of childhood days ! 'Tis bright as light in a cheerless night 'Tis sweet as the hearth-stone blaze. It comes with the thrill of a form that is still And a voice now hushed forever, To point our soul to that better goal The Grass-plot over the River. 282 from Tennessee TO A SWEET PEA. (Which, climbing in a rose-bush, had escaped the first frost.) COME, little fairy, with your outstretched wings Uplifted, and your cloudless eyes a-dream, Why are you here where late the bluebird sings, And all your sisters drunk of Lethe's stream ? Dost fear to die ? 'Tis but a mental pain And each must sleep if each would wake again Ah, child of rainbow and the setting sun, Flirting all summer where the poppies grow, Death came before your little task was done ? (He has that way, as we poor mortals know !) Then why seek shelter 'neath the rose's breast ? For each must sleep if each have perfect rest. Afraid to go clad in that gaudy gown ? Poor little dancing spirit of wild joy ! God made thee such ; nor will He ever frown On any work of His, tho' sad th' alloy. Go as thou art, if honest be thy aim For God made honor everywhere the same. 283 Songs and Stories Nor fear to go ! On some far twinkling star There is a home for butterflies like thee As sterner worlds for sterner spirits are, So fairer worlds for sweeter beings be. Good-by ! Some day I'll catch thy faint per- fume, And know it bloweth from immortal bloom. THE HILLS. I KNOW not why I love the cloud-lined hills, Stretching away so faint in trembling rills Of smoke-blue ether. Far away, they seem Like fixed billows of the ocean like the dream Of the sea, when in his mad and wild unrest He longs to sleep upon his earth-bride's breast. Transfixed, his waves in blue and brown they stand, The image of the ocean on the land. The trees that tower in the twilight far Are masts of bannered ships with naked spar, While o'er the crest, like light-house lamp, shines out the evening star. And yet a-near, I know not why to me They seem to speak of friendship and the glee Of youth time. Orchards, purpling 'mid Octo- ber days, 284 from Tennessee And grapes that climb to kiss the sun's last rays. Breezes that turn the sunflower's saffron sail And billows the rip'ning grain where calls the quail. Pools that gleam to stud the moss-grown front of rocks, And cooling forest depths where rest the flocks. The hills ! The hills ! Towering above the val- ley's sordid clod, Lifting the earth's dead level half-way up to God, Yet holding all in sweet communion with the mother sod. Yon mountain, capped with its eternal snow, Scorning all sweetness e'en soft clouds below It hath no charm for me. There's no love there, No voice of birds, nor fruit-perfumed air, Nor low, soft song from bivouacked tents of hay- The harvest reapers' song at close of day. Alone it stands, symbol of dearth and might Of naked power and grandeur's royal right To look down on the tenderer things of earth And scorn the sunshine love that gave them birth, And blight, as with a shroud of frost, their unas- suming mirth. So may my life be like the hills. Not high My hopes and plans, but midway 'twixt the sky And stagnant land. So may my friends be, Not like mountains towering o'er the sea, 285 Songs and Stories Wrapt in the cold splendor of a world apart With granite thoughts and barren boulder heart But high enough to tempt my gaze above And low enough to catch the sunshine of my love. So may my death be, like the hill, sun-riven Holding its last sweet beam from earth to catch the first from heaven. TO A MOCKING-BIRD IN THE PINE-TOP. B IRD of the South sweet songster ! Brighter than the evening star That beams above thy perch afar Thy song pours out, its every bar Music'd with melody. Singing in the pine-top green, Of all the feathered tribe the queen > A rising, falling, rippling sheen Of flowing harmony. Lute of the South our Southland ! Pouring from thine em 'raid throne On the pine tree's topmost cone Notes by mortals never known, Of sweet simplicity. What sunbeams made that twinkling trill ? What zephyr tuned that throat, until Its life and breath and spirit fill Thy soul of poesy ? 286 from Tennessee Mimic of the South sly warbler, Hast thou caught the firefly's glow In the sparkle of thy flow, Or gathered from the sunset's bow Thy shafts of rhapsody ? Magnolia blossoms in the breeze Art thou singing now of these While filling Heaven's purpling frieze With incense musical ? In that calm note, soft and low, Dost thou see the bayou's flow Bespangled with the stars that grow From water lilies ? Or up the green decked, wooded hill Where speeds the brook to water mill, Is that jingling note its trill Down ravine rushing ? Deeper, sweeter flows the stream All merry mad with glide and gleam Until the very woodlands seem To reel with euphony. Softly sweet, 'neath paling dome, Thou singest now of that true home, Where we shall weep no more, nor roam, But rest forever. Listening to the revery note From thy moonlit perch, there float Tales of other days remote, Mem'ries of chivalry. 287 Songs and Stories Tales that tell of times a-gone The cotton's banner 'mid the corn Of Charity that's ever born 'Mid peace and plenty. Changing now to deeper tone Comes a war-note from thy throne, And sweetness for a season's flown For martial measures. Short and quick with bugle thrill The war-drum echoes in thy trill The fife's fierce scream and trumpet fill Thy clarion melody. Silently a march in Saul Thou changest now to fun'ral pall ; Thou mournest now for those who fall Wearing the gray. Ay, weep ; for in the rush of wrong That followed with the alien throng, Thy people needed every song Thy heart could give. Hark ! another note we hear, 'Tis the plowboy's whistle clear, As morning finds him with his gear, To yoke prosperity. Then, as up the sunshine gleams Our night of dread melts into dreams Of harvest fields and peaceful streams And barns of plenty. 288 from Tennessee Bird of the South dear songster, Sing in the pine-top, ever sing, Cause all the southern air to ring, Music and evergreens o'er us fling And teach the religion of harmony. Sing in the pine-top, in that tree, The emblem of eternity Sing till thy people, hearing thee, Shall live for immortality. A HARVEST SONG. OTHE mellow days of autumn , How I love to see them come, When the harvest army marches To the bittern's noisy drum. Every day is full of sweetness, every night is full of song And the air is full of ripeness as the breezes sweep along. The mocking-bird, awakened by the flood of soothing light, Weaves a golden thread of music in the silver woof of night, While the rustling of a thousand flashing blades amid the corn, Like an army in the moonlight waits the reaper of the morn. 19 289 Songs and Stories O, the mellow days of autumn How I love to see them come, When, like an Indian princess Stands the maple, and the gum. All the earth is full of beauty, all the sky in azure fold, And the sunshine in its softness melts in dreamy waves of gold. The wild goose flying southward sounds his startled, clarion note, And the trumpet of the harvest march is in his echoing throat, While the flashing of a thousand cotton banners* 'mid the corn, Like our skies, are red at evening but are silver in the morn. O, the mellow nights of autumn When the harvest moon is queen And the stars, like little reapers, Flash their tiny blades between. How they thrill me with a sweetness that is over- sweet to last, Like a glory of the present in a halo of the past, And they fill my heart with achings, with a sweet and tender pain, * The cotton bloom is white in the morning and red at evening. 290 from Tennessee Like the memory of a music that I ne'er shall hear again, And they fill my soul with longings and they fill my eyes with tears, Like a half-forgotten laughter in the long-for- gotten years. O, the mellow nights of autumn They are coming in a throng, And the harvest moon is with them And she sings the reaper's song. THE OLD MEADOW SPRING. DOWN through the red-top blooming in the sun, On to the vine-covered trees, A barefoot boy through the path I'd run Like a swallow on the evening breeze. Quick to the big rocks cropping from the ground 'Neath the trees where the sweet birds sing, With a leap and a bound I'd clamber down To drink at the meadow spring. O, the old meadow spring, To its moss-grown banks I'd cling, And with hat for a gourd I would quaff like a lord The cool, sparkling waters of the spring. 291 Songs and Stories Pouring from the rocks 'mid pebbles so white, And fringing the moss with pearl, Then speeding away in flashes of light To the pool with its eddying whirl. The wild mint wafts its odor from below On the sweep of the cool wind's wing, While the dark shining row of the blackberries grow On the brink of the meadow spring. O, the old meadow spring, Heaven's drink to man you bring, With the mint and the red of the purpling berry head All mirror'd in the depths of the spring. Stretched on the green grass, musing in the shade (To the drip tinkle drip, of the stream), I wonder if above such a spot was made For spirits in their heavenly dream. Watching the water-witch dancing about On the waves in her silvery ring, With a laugh and shout I'd put her to rout And plunge in the meadow spring. O, the old meadow spring, How 1 long once more to fling All my burdens aside in your silvery tide, And be a boy at the meadow spring. 292 from Tennessee SLEEPING. THEY are sleeping in the valley and on the glistening hills, And in the wooded nooks beside the winter's frozen rills. They slumber in their glory with the perfume on their breath, Their beauty and their brightness fled before the touch of death. Their bloom life is a memory their sweetness but a dream Of summer days and shaded ways, and nights of starry gleam. They are sleeping in the valley, but they'll wake some joyous day, And Spring will stand before us in the bridal dress of May. They are sleeping in the valley, and they wait the Master's call The rose-buds of our hearth-stone and the lilies of our hall, The violets that bloomed down in the hot-house of our heart, 293 Songs and Stories The blue-bells of our cradles how the quick tears upward start ! Their child-life is a memory their visit but a dream Of childish ways and prattling days how long ago they seem ! They are sleeping in the valley, but they'll wake with joyous glee When the Master holds His dear hands out, and says : " Come unto me." TO THE SPIRIT OF MAY. AND now she stands upon enthroning hills And tosses wreaths of roses o'er the world, With banner'd bloom about her head unfurl'd And at her feet the music loving rills While winter's lingering stirrup-cup with frothy clouds she fills. The blue sky hangs above her like a veil, And, dropping low, fringed with divinest lace, It adds a softened shyness to that face, Which, like a maid in love, now pink, now pale, Needs but one look from earth to blush and tell its love-blown tale. 294 from Tennessee One slipper'd foot, flushed as the blossoming trees, Is thrust, half-naked, in the bloom and spray Of orchards, where throughout the dreamy day The sunshine glints the wings of weaving bees, And all her children, music mad, do touch their thousand keys. And baby vines, awakening, have wound And twined a bracelet bloom about her arms, While 'round her waist, 'neath nestling charms, A russet belt, with beaded berries bound The sun-maid's belt, dropped at her bath, which lover earth had found. And Music dreams and pines and sighs Within her eyes. And Poesy is there, Prophetic-faced, with sun-red, Sappho hair. And Hope above, star-vestal'd vigil keeps And throws a ray of ripeness o'er that face where unborn Harvest sleeps. 295 Songs and Stories CLOUDS. O CLOUDS, ye are ships in the infinite blue , Of the ocean of heaven and ye sail, And ye sail To the harbor-gate, open to welcome you through In the west to the harbor-gate, pale As a moon-ray reflected from the sea To your sail. O, clouds, ye are ships, and above you the dome Of an infinite heaven and ye float, And ye float To the beacon-star burning to welcome you home To your rest. And lovers will gloat O'er eyes that are blue and wet as the waves Where you float. SUNSET ON THE TENNESSEE. THE valley rolls to the river And the river is tinged with fire, As the beams of the sunset quiver Like the strings of a golden lyre. And the hills, like sentinels olden, 296 from Tennessee In burnished steel they glow, While a kiss of the sunset, golden, They toss to the valley below. The valley rolls to the river, But the cheek of the river is wan, Like the lips of a maid, when the giver Of the kiss in the twilight is gone. But the sentinel hills are bolder ; Like giants in gloom they grow, And with forest of guns at the shoulder, They guard the valley below. MORNING. TIP-TOE on morning star, 'mid purpling light, The day queen throws her kisses to the world, Then stands abashed a moment, as in plight From maiden shyness, while around is furl'd The fleecy lace of clouds, with skirts of blue Trailing adown to hills of azure hue. A sudden flirting of a dew-wet wing, As out from leafy bush or hedge-thatched lair The throbbing throats at once begin to sing And distant pipes fall on the sweet, cool air. The cattle rise from shaded beds along, And add their cow-bell cymbals to the song. 297 Songs and Stories Deep spreads the blush around Aurora's cheeks, Purpling the bloom of ripen'd lips and then Closer she draws her drapery as she seeks To hide her beauty from the eyes of men. And lo ! the jealous sun leaps up to fold Her melting glory in his arms of gold. UNDER THE PINES. UNDER the pines with her hair in a tangle, The skies in her eyes and the stars beam- ing out, One rosy hand clasping the green boughs above her, One daintily tossing the flowers about, The Graces peep out from the depths of her dimples, The Naiads are born where her eye-glances stray- Under the pines, though the long years have vanished, Under the pines she is standing to-day ! Under the pines ! ah, forever and ever The Nymphs build their booths and the Naiads their cave, And there 'neath the bowers she is tossing her flowers 2Q8 from Tennessee For Time cannot take back the picture he gave ! O, life with your strife, O, death with your darkness, Ye have taken the tinsel and left me the gold ! For deep in my heart where the evergreens hide her, Still tossing her flowers she stands as of old. THE MUSIC OF THE PINES. FAR away, like fairy bugles, when the shades of night are on, Comes again the memory-music of my childhood days agone, agone, Comes again the sheen of hillside where the long-leaf needles lay, And the spots of softened sunshine flecking through the latticed way, Come again the distant echoes of my playmates from their shrines, And they come with elfin music, with the music of the pines, With the misty, memory-music of the band among the pines. Once again their half-heard laughter floats from out the past to rise 299 Songs and Stories As an echo from hereafter in that playground 'mid the skies ; Once again the resinous odors through my dream- ing senses spread As the frankincense from flowers that we buried with our dead, And I stop my work to listen to the bells in mem- ory's mines, Tinkling on the swelling hillside to the music of the pines, To the half-heard, half-dreamt music of the band among the pines. Now I see the yellow sunlight sifted through the sieve of spears, And I hear the zephyr lullabies of long forgotten years. How the band above me thunders as the swaying tree tops shake ! And now it falls as calmly sweet as starlight on a lake. And as the passing pinions sweep above in lilting lines, I almost see the angels in that band among the pines, See the angels as they sing and swing amid the swaying pines. O, how often in the glory of the days forever gone, 300 from Tennessee I have drunk the crooning story of that mimic Alpine horn. There's a solace in its soughing that no earthly music brings, There's a cadence in its wooing never heard in court of kings, There's a rhythm in the rustle of its low en- chanting lines, For heaven's sweetest zephyrs made the music of the pines, Swept the lyre of lyric needles in that band among the pines. I have heard the martial music of a conquering army come With the blare of boastful bugle and the thunder of the drum. I have mused upon the measures of a sweet Italian band Till my reeling spirit wandered as a bird in Eden- land ; But there is no earthly music e'er conceived in mortal minds Like the music of my childhood in the band among the pines, Like the music that I ne'er shall hear again from out the pines. 301 Songs and Stories THE EVENING STAR. HEART of the sunset sky- Sleeping so quietly, Flushed with the pinkness of sleep and of rest. Heart of the sleeping sky Throbbing with ecstasy Pulsing the pink through the breast of the west. Soul of the dying sky Dying so quietly, Melting and merging in shadows of night. Soul of the dying sky, Dying yet gloriously, Living again in thy life and thy light. TO A MORNING GLORY. THOU art the dream of Nature when she sleeps And dreams of youth-time and sweet April's eyes, And slum'bring now, lo ! 'round her breast there creeps This pictured vision of departed skies. from Tennessee Departed skies, concaved, with clouds of snow Cerulean-depthed, that left us long ago. And thou art Nature's memory when she wakes All conscience-clear and weeping o'er the past, Clear-visioned, keen, her yearning soul partakes Of that which was, but was too pure to last. And so she holds, with soft light break- ing low, Holds to her heart the hopes of long ago. THE SUMMER OF LONG AGO. DO you know the land, the fairest land In the mythical realms of old ? Where the earth and the air, and the flowers rare All sleep 'neath a sun of gold ? Where the elf-king's bugle in winding note Drowns the dreamy drum in the black bee's throat, And the fairy queen floats in her peach-bloom boat? The fire-flies dance where the lily-maids meet And the flowers are dreams that lie at your feet In the Summer of Long Ago. Do you know the land, the sweetest land, In the rhythmical realms of old ? 33 Songs and Stories Where the moon and her beams bring the romancing gleams Of a love you never have told ? Where the star king's horsemen in platoons of light Bring your soul-secret love on a palfrey of white, And her lips meet your lips ere she taketh her flight ? The will-o'-wisp drops like a star from the sun, And the brooklets are poems that rhyme as they run In the Summer of Long Ago. Have you seen the queen of that beautiful land In the radiant realms of old ? With eyes like the stars of the May-pop bars, And throat like the lily's fold ? Queen of your home in that yet-to-be day, To hold you in bondage forever and aye, Yet to love and to cherish, to bless and obey And queen even now in a kingdom above The little sweetheart you first learned to love In the Summer of Long Ago. 304 from Tennessee TRUTH IN BEAUTY. " Beauty is truth, truth beauty "that is all Ye know on earth, and all ye need to know. Keats Ode on a Grecian Urn. (To a gifted organist.) SOOTHED is my spirit when you touch the keys, And, like a cloud, my soul floats far away ; My throbbing fancies throng as dreaming bees To suck the flowers that spring up when you play O, that I thus at last might sip and pass 'mid sweets away ! Whence comes such rapturous pain from simple bars, Such tender-hurting, joy-bewidow'd sweet ? Such pouring glory cataract of stars Bubbles of beauty bursting at my feet, Or floating into dreamland streams where Fay and Fancy meet ? The rainbow gleams along that splendid arch Where from your fingers fall the quiv'ring drops. 20 35 Songs and Stories And now, sunset ; and now the misty march Of timbrel-twinkling planets, o'er the tops Of organ-chords, aeolian-peaked, with star-em- blazoned stops. Above the earth, above the wheeling flight Of mute, yet clearest pealing minstrelsy One glimpse of that which made creation bright. One glimpse of first love's sun of ecstacy Then down to earth where musick'd streams purl with pebbled symphony. O, thus to live thus ever, ever live, Wedded to Art, with handmaid Hope at side, Crushing her lips with lips that dare to give The winter tempest for the summer tide For sweetest of all weddings yet is that where Art is bride. O, thus to love, forever, ever love, Changeless in beauty and star-lived in grace. To hear but the rustle of her robes above To catch the star-beams from her fountained face For dearer is Art's finger-kiss than Passion's whole embrace ! O Faith, O Hope the poet and his sky O Joy, O Death the bondman and the freed 306 from Tennessee O Love, you, too, must bow beneath that eye Where naught of earth, or earthy, hath a breed For infant Truth a greater hero is than gray- haired Deed, Truth which comes in Beauty, as to-night Comes this sweet Truth in simple harmony- Calming the quick waves of my soul's affright, And from the depths of an unsounded sea, Starting this broken wave above a sea of melody. THE FAITH OF OLD. THE years with their changes come, and the years with their plans unfold, But give me the peace my heart hath known in the sweet dream-days of old. It comes to my soul to-night, like the dream of a dream at dawn, Like the smell of the rain on the ripen'd grain, at the first flush of the morn, Then rush with the maddened throng, and battle for fame and gold, And furl your flags 'mid the wrath of wrong I'll cling to the peace of old. The years with their follies come, with their fol- lies and then their woe ; 37 Songs and Stories But give me the hope of the years I knew in the summer of long ago. It comes to my heart to-night like the song of the birds and the bees, Like the blue of the skies that over them rise and the sway of the leaf in the trees. Then follow the fickle throng, and clamor both loud and bold, And drown Truth's voice with the drums of Wrong I'll cling to the hope of old. The years with their visions come, and go, as a tale that is told But give me the faith my mother taught in the bright, glad days of old. It comes to my soul to-night, and I know there's a God above, Else why should 1 long, in an infinite song, to tell of the depths of love ? Then kneel to the tinseled knave, and offer your soul at his shrine You bind your wreaths on the brow of a slave I'll cling to the hand Divine. 308 from Tennessee CHRISTMAS MORN. IN the beauty of its breaking, in the music of its dawn, Like an angel chorus 'waking when the Heavenly day is born, Comes again the day of promise, Comes again the Christmas morn. Beam, bright Eastern sky in glory, till our doubt clouds roll away ; Ring, sweet Christmas bells, the story, ring for- ever and for aye, Till our living be but loving And our dying be but day. ALONE. MY love and I sailed out to sea When the dream days came with purpling sky, And her laugh was the winds at play, to me, And her eyes the stars I guided by. Her hand touched mine, 'mid the breaker's roar, And new strength came to the lagging oar 39 Songs and Stories Her lips met mine in the tempest's blast And new life flashed in the straining mast. My love and I sailed out to sea, And life was full and sweet for me, Till our boat plunged under a death-wave dark- And I sailed alone in a drifting barque ! Now the skies are gray, and the winds at play Mourn drearily o'er the sea all day, And I look in vain through the fog and rain For the wave that will bring me to her again. TO WHITTIER, DEAD. AY, speed thou on, gray voyager, But not to a breezeless sea ! Nor shall oblivion claim the soul That lived and loved in thee. The heart that throbbed for others, The mind that thought no wrong, The lips that always spoke the truth Through soul of courage strong, O, these shall live forever, God gave them, not to die, But sweetly bloom above thy tomb Through all eternity. 310 from Tennessee THE CHURCH OF THE HEART. DEEP in the dales of the human heart, Deep in the deils of the soul, Where the springs of the innermost passions start, Where the brooks of Hope and Happiness part And the flowers of life unfold, Is a temple whose vespers rise and swell, Yet it hath no priest and it hath no bell. 'Tis loftier far than the dome of the sky, 'Tis deeper down than the sea, It catches the gleam of the stars as they fly And the music they make as they wander by With their heavenly minstrelsy, Music but whence no mortal can tell For it hath no priest and it hath no bell. No glitter of tinsel, no blight of gold, No fashion of rank and lies, No creeds in their coffined urns of old, Where the dust lies deep on their hearts of mold, No altar where prides arise And yet no cathedrals in beauty excel Tho' it hath no priest and it hath no bell. And here hath the crushed and the desolate prayed From the depth of their soul's despair, 3 11 Songs and Stories And hither hath sad-eyed Sorrow strayed, And outcast Hope hath sobbed and laid Her head on the altar there. And never Anathema rings their knell, For it hath no priest and it hath no bell! O, glorious church of the heart divine (O, conscience priest to us all !) High o'er the world may your sweet dome shine- With your silent priest in this heart of mine And the image of Love on your wall. O, Church of the heart 'tis there God dwells Tho' it hath no priests and it hath no bells ! THE CHRIST-STAR HAS RISEN. T FLIGHT and Christmas Eve- Sky bright with starry weave, Moonlight and music o'er earth and in air, Sweet bell and swelling note, Heart-hopes that rise and float Faith-winged to heaven in flash-lights of prayer. Sunrise and Christmas morn, Love lies so lowly born Heaven and Human in meekness have met ; Hope tho' the light be low, Faith through the blight and blow The Christ-star has risen, it never will set ! 312 from Tennessee A MEMORY. OTHE mem'ry of the mistletoe that graced that Christmas scene ! And the berries in the holly wreath like rosebuds red between, And the smell of fragrant cedar, even yet an evergreen. O, the beauty of the dainty hands that twined the holly through, And the snowy neck and cheeks that made the roses blush anew. Now I never smell the cedar but I see the maiden, too. O, the glory and the story in those eyes of tender trust ! Not all the world of sermons can convince me they are dust, For the starlight lives forever and love's mem'ry hath no rust ! Up in heaven with the angels she is twining wreaths to-night. In her Father's many mansions 'mid the dazzling glory-light She has laid aside a love-wreath for one tired in the fight. 3*3 Songs and Stories EULALEE. Eulalee, sweet Eulalee, The years have passed, but still I see Your laughing eyes 'neath snood of red, And the bending skies of blue o'erhead. The partridge calls 'mid the dreamy corn, For the night dew falls and the shades creep on, And I say " good night," for the grass is wet, And your last words are " I love you yet !" Eulalee, sweet Eulalee, The stars now roll 'twixt you and me, But I see your snood through the milky way, And your eyes beyond the starry ray. Your laughter comes with the sunbeams free And the dews that fall are your tears for me. And up to heaven, with hot cheeks wet, I look and hear " I love you yet !" A MORNING RIDE. AWAY ! away ! the coming day Breaks o'er the East in fans of gray, And purpling high the glowing sky, Blushes before the Master's eye. from Tennessee Steady, Marie ! my rein is free, Canter a bit in coltish glee, Your easy gallop is wine to me. Away ! away ! the new-mown hay Has scented all the valleys gay. The cool, moist air is thick, but rare With odor never known elsewhere. Come, now, Marie ! you change, I see, To single-foot, so swift and free A palace car is a cart to thee ! Away ! away ! no stop nor stay. Hark ! Heard you e'er such music, pray ? What melting rout now falls about To tell the mocking-bird is out ! Come, come, Marie ! I'm watching thee ! A fickle miss I fear you be To change to running walk with me. Away ! away ! ah ! primrose gay You're dressed, I see, for the race to-day, And in the bloom of his feath'ry plume The alder lends you his perfume. Then go, Marie ! show them, for me, How the swallow skims the crystal sea The pacing queen one day you'll be ! Songs and Stories IMMORTALITY. HOW like a second nature to our souls Is immortality. 'Tis not of earth, But comes a ray from heaven, that unfolds The budding instinct of another birth. Who from the void can make a man but God ? And if God make him, shall He then ordain That, having breathed upon the senseless clod, Back to the void shall turn His work again ? Through endless time no more nor yet no less Than making man for woe and wretchedness ? Away the thought ! The deathless Deed that springs From out its dust-encumbered home of clay, And, like a beam of morning, folds its wings Only 'mid the twilight of a perfect day This cannot die ! 'Tis part of God himself, A heart-throb of Infinity ! The Thought that spans the arch of silent stars. Scaling the rugged battlements, where rise The roof above time's own grim prison bars Searching beneath the shadows of eternal skies For captive Truth this cannot die ! 'Tis God's own child Exiled to earth, now seeking home again ! from Tennessee LIFE'S CHRISTMAS. THE faint, sweet light breaks over the hills, To waken the chords of memory's bells And bring us Christmas morning. O, Christmas morning, fresh and clear, Is this your token of a glad New Year ? Is this your emblem of a good new cheer To come with your hallowed dawning ? The glad east glows with resplendent beam And wakens from sleep a childhood's dream Of a Christmas gone forever. O, childhood's Christmas, now no more, Come from the sheen of that evergreen shore ! Come with your faith and your hope of yore Come with your honest endeavor, The bold, bright sun mounts up to his throne With eagle speed through the paling zone, And manhood's Christmas hangs o'er us. O, manhood's Christmas, bold and strong, Give us your boldness to battle the wrong, Give us your power the fight to prolong Shine in your glory before us. The pale west glows with a purpling light, That rolls in serried columns bright, Where the day king's banners rally. 3*7 Songs and Stories But now 'tis gone, and night is nigh ; O, then may our good deeds glitter on high, And our past pure thoughts bespangle our sky To light our way through the valley. BEAUTY. SWEET is the grace of beauty, and it holds The imprisoned earth within its radiant folds. It steals upon us like the rosy hue Of morning's blush, and while the sweet cool dew Moistens and freshens the dead grass of our hope, It bursts like love-stars on our horoscope. Like Dian's locks, her flashing charms deter Yet make the light by which we worship her. The eyes of children, flute notes of a bird, Flowers that 'round them beading dewdrops gird, Skies of blue and gold at wedding morn, Lips that touch when sweet young love is born, These strew her pathway, Iris-crowned they rise When beauty's sun lights up life's 'wakening skies. 318 from Tennessee IT CAN NOT BE. IT can not be that this poor life shall end us ! God's words are truthful and His ways are just. He would not here to sin and sorrow send us, And then blot out our souls with "dust to dust;" Saving our clay, and back to Nature giving, Smothering our soul ere it hath had its living. It can not be ! It can not be that One so just and perfect Would make a perfect universe, and plan The star of all should be at last imperfect Life, yet leave that life half-lived in wretched man. Forever lives the gross the dead material Forever dies the life the spark imperial ? It can not be ! It can not be, for life is more than living ; It can not be, for death is more than dream. Think ye to clod God daily life is giving, Yet from the grave shut out the grander beam ? Night is but day ere it hath had its dawning Death a brief night, and waiteth for the morning, Which soon shall be ! Songs and Stories Thou art not dead, dear one, I know thou livest, Thou art not dead, for still the bright stars shine. Thou art not dead, for yet the live sun giveth Light and had he e'er so sweet a light as thine ? Good-night ! good-bye, were sorrow's grave of sorrow ! Good-night ! for we shall live and love to- morrow, Because God lives ! A LITTLE CRY IN THE NIGHT. A LITTLE cry in the night, And fainter still at the dawn, And the shadows creep then endless sleep, Before the day is gone. A little cry in the night, So weak and yet so clear ; For many a day has passed away And yet that cry I hear. That little cry in the night- With the pleading eyes of blue Wondering why, with their little cry, They must live and suffer too. 320 from Tennessee Must suffer and then must sleep, Tho' their day had just begun A little pain, then night again, And their little task undone. A little cry in the night A clear, sweet voice at even : " My little cry was just good-bye, I'm waiting for you in heaven." 'TIS BUT A DREAM. DEEP in the night a timid, pleading voice, A curly head above my pillow bent, A sob, partaking part of Hope's rejoice, And part of Doubt's despair and sad lament. Dear nestling head sweet sleep ! The first sun- beam : " O, Father, I'm so glad 'twas but a dream !" Methinks I, too, shall wake some gracious morn, After life's dream and death's deep hushed night, And as God's presence ushers in the dawn, And His smile makes an aureole of light, Then will the past a fretful vision seem : " O, Father, I'm so glad 'twas but a dream !" 21 3 2I Songs and Stories THE PINES OF MONTEREY. o, SHADOW in a maiden's eye Is love that once has been ! O, sweet moon-rainbow in the sky That shuts our poor life in ! I see the young morn blushing, I see the cheek of May Come paling, pinking, flecking, flushing Through the pines of Monterey. Dear evergreens of memory- Sweet garlands of the past The festooned frame of pictured sky That will forever last ! I hear the faint bells ringing, I feel the breath of May Come soughing, soughing, sobbing, singing Through the pines of Monterey. O, voices of the present day, Vain sounds upon a blast Leave me, let me weep away The sweet tears of the past. 1 hear her dear voice calling, I hear her voice to-day Come laughing, ling'ring, falt'ring, falling Through the pines of Monterey. from Tennessee TO AN AMERICAN BOY. BE manly, lad your folks have made Their way by work and waiting, Be manly, lad a spade's a spade Though it hath a silver plating. For all must work or all must steal What's idleness but stealing ? To each will come his woe and weal His weak or strong revealing. And work makes brains, but error's chains Are forged in fashion's idleness ! Be honest, lad you weaker grow From gain that's falsely gotten. Be honest, lad what's outward show When all within is rotten ? For each must live or each must die What's honor lost, but dying ? To live with Truth and you a lie ! Was ever death more trying ? And Truth makes men but falsehood's den Is the home of dwarfs and pigmies ! 3^3 Songs and Stories OUR BOB. (Introducing Governor Robert L. Taylor, in his famous lecture, " The Fiddle and the Bow.") WITH humor as sweet as our Basin When the clover bloom gathers the dew, And pathos as deep as our valley When the clouds shut the stars from our view, With wisdom as rich and as fertile As our plains when they first feel the plow, And wit like the tapestry frostwork That hangs on the Great Smoky's brow, With grand thoughts as strong as our mountains And tender ones sweetly that flow, Like the music that steals o'er our senses At his touch of " The Fiddle and Bow," The bee that hath sucked every blossom Each Tennessee flower to rob And stored up the rich, golden honey In a genius that's ours Our Bob ! from Tennessee TO BURNS. THERE is no death for genius, for it leaps, Fount-like, from source to limpid depths again. There is no death for genius, for it sleeps To wake refreshed in each new life's sweet pain. O, Burns, how rich and sweet thy stream of song, Pouring from mountain dale and hawthorn glen, Bright as the channel where Ayr flashed along, Deep as the sea beyond Ben Lomond's ken. Bubbling, it bursts out like thy mountain springs, Out from the cool depths of great nature's mart, Slaking the fevered thirst our life toil brings, Reflecting all the star-domes of our heart. Here at thy fount, O, let me drink and know That God still reigns and man is king below. 325 Songs and Stories WORK THROUGH IT ALL. HOPE, tho' misfortune o'ertake you, Smile, tho' you go to the wall, Bend to the blast that would break you, But work, aye, work through it all. Weep, when the cloud of your sorrow Comes with its mist and its pall, But tears make your rainbow to-morrow If you work as you weep through it all. Give, for you grow with the giving, Live, but with love at your call, Be brave, be a man in your living, And work as a man through it all. Look up, as the weaver of laces, Your pattern hung high on the wall, Your soul on the beauty it traces, Your hands busy working withal. 326 from Tennessee MOLLIE. NO fern-leaf sprang from mountain-moss, With blither grace than Mollie's, No lily on the lake across Had fairer face than Mollie's. And when the lily lifted up The bubbling bubbles in her cup From cut-glass pools where fern-maid's sup, She drank a health to Mollie. No wild-sloe hid, 'neath tan and red, A ruddier blush than Mollie's, No wild-rose held a queenlier head Where sang the thrush than Mollie's. And when the red-thrush saw the maid A glint of glory down the glade He sang his sweetest serenade, A serenade for Mollie. No muscadine peeped from her vine With saucier eyes than Mollie's. No wild-bee sought her globes of wine With softer sighs than Mollie's, For when she sighed, and I did make Me bold, a trembling kiss to take, I saw them all wine, roses, lake All in the eyes of Mollie. 3 2 7 Songs and Stories O VOICES THAT LONG AGO LEFT ME. O VOICES that long ago left me, O eyes that were long ago bright, How often you come when the shadows Creep into the eyes of the night, When the moon-misted shadow encloses The sorrow-starred eyes of the night With you in a wreathing of roses And rhymed in the laughter of light. O, voices that long ago left me, O, eyes that were long ago bright, Why, why do you come with the shadows And why do you not with the light In the sun-shimmer'd glory of olden, In the sun-silvered sweetness of light? Have you learned that our tears become golden When merged with the music of flight ? Then lead me, dear voices that left me, And bring me, dear eyes that were bright, To that home where you now dwell forever, To that land where there never is night To that love-ling'ring land where the portal Knows naught of the shadow of night, And the wreathing of roses immortal Is rhymed with the laughter of light. 328 from Tennessee A RAY FROM CALVARY. O CHRISTMAS, happy Christmas, in the days that bring their cheer, One thought amid the centuries grows brighter every year : That not alone for man was made the sweet- ness of thy birth, And not alone for him was decked the holly- wreathed earth, But all that on Him doth depend, like Him might blessed be, And catch the reflex of that ray that fell from Calvary. u MARJOR1E. P in the hills of Tennessee Lives Marjorie sweet Marjorie. There ain't a bird but stops his song When down the lane she rides along- Stops his sin,L r nv just to stare And won Jer where she got that hair So deeply golden, floatin' there ! And why her eyes ain't baby blue 3 2 9 Songs and Stories Instead of twilight beamin' through ? (For birds do know a thing or two !) They know that wavy, rosy flout Of sunset tress in dreamy rout Should have some sky of blue about. But when them eyes, full to the brim Of stars and love, look up at them, And daylight blush o'er cheek is spread From cheeks just pulped to melon red, And o'er that sweet dream face is bom The light that kind o' comes with morn, They ketch their breaths and sing away She's turned their eve to break o' day ! Up in the hills of Tennessee Lives Marjorie brave Marjorie. Loud boomed the Harpeth, as adown She rode like mad to Franklin town. The Judge's daughter the county's star (For years I'd worshiped her afar !) " Too high in life," they whispered me, " To look with favor, lad, on thee." But love will climb to star itself What careth it for worldly pelf ? The Judge was stricken ; to the ford, A keen plum switch for stingin' goad, Her saddle mare like mad she rode ! Forgetting flood and angry wave She spurred her father's life to save ! (Alas, her own she all but gave.) 33 from Tennessee Plowin' that day on the horse-shoe side, I stopped when I saw her frantic ride. I rushed where the tall creek willows grow Where the swirling waters roared below I waved, I beckoned, shouted all Were lost in the lashing water's fall ! I saw the mare swept from her feet, I saw an emptied saddle seat. I plunged what cared I for the roar, Born, as I was, on the Harpeth shore ? What to me was my burden frail, I, who could lift a cotton bale ? Did e'er an arm that had tossed the wheat Hold before a bundle so sweet ? But Harpeth was mad as a frenzied colt, And shot his flood like a thunderbolt. The big waves swept with giant scorn, And once I thought we both were gone ! Did she know it, then, when a kiss I brushed On cheek that e'en in the waters blushed ? Did she hear the words of love I said ? (I couldn't help it I thought she was dead !) Struggling, battling, I landed, but could Not meet her eyes she understood. ''I'm safe," she said, and my hand she took, (And gave me one, just one love look,) " iNow mount your horse, for the doctor ride ; Save my father and I'm your bride !" 33 1 Songs and Stories Up in the hills of Tennessee Lives Marjorie dear Marjorie. You can't climb up that tall hill there And look way clown that valley fair, But what your gaze will rest on ground That's mine all mine for miles around. That Jersey herd, that bunch of mares, Them frisky colts with all their airs, That Southdown flock in yonder dell, Followin' the tinklin' wether-bell, Them barns and paddocks gleaming white, That home shut in with God's own light, And all them fields of wheat and corn That sweep clear down to Amberhorn. I earned 'em all no gamblin' tricks, But hones' work and tellin' licks. But best of all, 'twixt you and me, That girl is mine my Marjorie ! BLUE JAY. OTHE world is all against you, Blue Jay, , Blue Jay ; O, the world is all against you now, I say, With your tweedie, tweedle, tweedle, And your jay ! jay ! jay! 33 2 from Tennessee And your saucy, whistling wheedle Just before you fly away To pounce down on the juciest and the sweetest roasting ear ; To steal the ripest Concords in the sunshine purpling near ; To run off all the song-birds with your blust'ring, bragging tongue, And break the hearts of mother birds by eating up their young Then to perch up on the highest limb upon the apple tree And call up mourners 'round you with your tweedle, tweedle, twee' ! You're a robber, robber, robber, Blue Jay, Blue Jay, And a hypocrite and bully, As all the world doth say. O, the world is all against you, Blue Jay, Blue Jay ; O, the world is all against you now, I say, But your tweedle, tweedle, tweedle, And your jay ! jay ! jay ! And your saucy, laughing wheedle Brought again to me, to-day, The time we stole together, in the summer long ago, The cherries and the peaches and the grapes of purple glow. Songs and Stories The day we climbed the chestnut for the yellow hammer's nest, And you gave it up, disconsolate, because I robbed the best ! And I see the old home once again, the fig trees in the sun, While a boy slips all around them with a single- barrel gun, And he brings it to his shoulder as he sees a bob- bing head Bang ! and he's a murderer for old Blue Jay is dead ! Was I a robber, robber, In the summer long ago, When I barbecued and ate you With my sportsman's pride aglow ? Ah, some grown-up folks are like you, Blue Jay, Blue Jay ; Ah, some grown-up folks are like you now, I say For they tweedle, tweedle, tweedle, When they wish to have their way, And they wheedle, wheedle, wheedle, In their tricks of trade to-day, And they pounce upon their fellow-man and steal his very best Hi> eggs of reputation, and his cherries happi- ness, And you'll find their crops distended with the plunder they have won, 334 from Tennessee While their tongues are shooting slander (ah, 'tis worse than any gun), And they thrive and fill and fatten till they go to get their due In another world Oh, Blue Jay, won't they make a barbecue ? Then sing away your robber song Of jay ! jay ! jay ! Till some robber mortal comes along And sees himself to-day. SUCCESS. the coward who quits to misfortune, 1 'Tis the knave who changes each day, 'Tis the fool who wins half the battle, Then throws all his chances away. There is little in life but labor, And to-morrow may find that a dream ; Success is the bride of Endeavor, And luck but a meteor's gleam. The time to succeed is when others, Discouraged, show traces of tire, The battle is fought in the homestretch- And won 'twixt the flag and the wire ! 335 Songs and Stories WHEN THE COLTS ARE IN THE RING. (As Riley would see it.) o. THE fair time, the rare time, I can feel it ', in the air, As we take our brimming baskets and go out to see the fair ; The lasses decked with ribbons red, the colts with ribbons blue What a trial for the gallant lads to choose between the two ! No season of old mother earth can half such blessings bring When the bloom is on the maiden and the colts are in the ring. O, the beauty of the bonnie curls the rapture of the race ! O ! the maiden with the pretty foot the filly that can pace ! The one in russet harness with a halter I can hold, But the other's got me harnessed in her wavy hair of gold. O, the autumn time is full of joy and every goodly thing, 336 from Tennessee When the bloom is on the maiden and the colts are in the ring. O, the fair time, the rare time, when the Jer- seys set the pace In a sheen of silken colors and a skin of chrome lace, And the Berkshires tie their tails up in a lovely Psyche knot, And the Shorthorns and the Shropshires and Southdowns make it hot. "I wouldn't live here always," is the doleful song they sing, Who never loved a maiden while the colts were in the ring. O, the fair time, the rare time, in our life a ver- dant spot, When the people are all jolly and their trials are forgot ; And 1 sit and muse in fancy to the days so long ago When I sparked my little sweetheart out to see the County show. Since then old Time has made me dance to-day I'll make him sing, For the bloom is on the maiden and the colts are in the ring. Songs and Stories FAIR TIMES IN OLD TENNESSEE. FAIR time in ole Tennessee, clays jes' to yer makin', Nights so cool an' crispy, jes' the kind for 'pos- sum shakin', Mornin's bright wid sun an' light of frosty dew an' flashy, Weather jes' the kind to make the little nigger ashy ! Bacon in de rafters, sorghum mills er grindin' sweetin', Punkins in de hay loft an' religun in de meetin' ! Fair time in ole Tennessee, ebery body gwine, Wagginsfull o'pritty gals,dair ribbons jes' a-flyin', Pikes jes' full o' people, an' de woods jes' full o' niggers A-leadin' ob de pacin' colts wid marks down in de figgers. Hoss an' jack an' jinny an' Jersey bull, all gwineter Git dar, 'kase deys brudders to dat good ole hoss, Hal Pinter ! Fair time in ole Tennessee, ebery body stirrin' Cl'ar de road, dair comes er fool a'whippin' an' a'spurrin' ' 338 from Tennessee Look out dair yo' nigger, Julius Sezer Andrer Asker ! Lead dat pesky jack erside and let dis Hal boss pass, suh ! Dun fergot your raisin', eh ? Fust thing dat you kno', suh, You think de State ob Tennessee dun drap on you, fer sho', suh ! Fair time in ole Tennessee, all de niggers dancin', All de bosses in de ring a-pacin' an' a-prancin', White folks drinkin' lemonade jes' lak it was col' water, Nigger drinkin' 'simmon beer, de drink he allers orter, Nights jes' full er moonlight wid de darkey's heel a-flyin' Lord, when I die, jes' take me whar a fair is allers gwine ! THE RABBIT TRAP. DOWN in de sage fiel', settin' in de sno', I looks from de winder an' I sees whut is lef Uv er rickety rabbit trap, whar de tall weeds bio', An' little Phil made it by his own little se'f. 339 Songs and Stories He cut de pine sticks, an' he bent de peach bow, An' he whittled out de triggers wid his Barlo' blade, Den he slip off by hissef jes' es sly as he cud go, An' sot it by de big stump in de shugar glade. An' he laf an' he played twell de big red moon Riz frum de medder, an' dey tole 'im "cum ter bed." But he said : " Daddy Wash, you must wake me mighty soon, Fur I'm gwinter ketch Brer Rabbit, sho', an' you may have his head." Po' little Phil ! Ole Marster's lastes' chile, An' me an' Dinah nussed 'im an' we loved 'im lak our own, Wid sunlight allers in his heart and moonlight in his smile But dey am sot foreber now and lef us here ter moan. Fur dey saunt fur me quick dat night 'bout 'leben, An' de white folks was cryin' 'round er little trundle-bed ; " Daddy Wash," sed po' little Phil, " I'm gwinter up to Heaben, But you must watch my rabbit trap whilst I'm dead." 340 from Tennessee Down in de grabe yard whar de cedars bio' 1 looks frum de winder an' my tears fall ergain, Fur I sees er little grabe dar, out in de sno', An' little Phil sleeps in de sleet an' de rain. "HUNTIN' O' THE QUAIL." DID you ever go a-huntin' on a crisp Novem- ber morn, When the frost had hung his laces on the locust and the thorn, When the air was like a tonic an' the sky was like a tone, An' a kind o' huntin' fever seemed a burnin' in your bone ? O, the music in the clatter as you canter to the fiel's! O, the echo in the patter of the dogs upon your heels ! What a picture for a painter when the setters make a stand While that dreamy gleamy silence seems to settle on the land ! Are you ready, boys ? ""Ready !" (Click ! click ! click !) Come, steady, dogs ! "Steady!" (Click ! click ! click !) Songs and Stories Then 'tis whir-ir-ir-ir ! Bang ! Bang ! Bang ! An' 'tis whir-ir-ir-ir ! Bang ! Bang ! Bang ! An' your heart jumps like a rabbit tho' you didn't touch a tail Still, you'd like to live forever just a-huntin' o' the quail ! Did you ever stop for luncheon on a bright No- vember noon, Where the pines were lispin' lullabies an' the winds were all a-croon, Where a spring was just a-singin' an' a-dandn' down a hill, An' you tapped the tank where Nature runs her everlastin' still ? How the beaten biscuits fade beneath the fervor of your kiss ! How the sandwiches are laid beneath a blightin' that is bliss ! What an appetite for eatin' you discover you have got O, wouldn't you be champion were you half as good a shot ? Are you ready, boys ? "Ready !" (Tap, tap, tap !) Are you steady, boys ?) '"Steady !" (Tap, tap, tap !) 342 from Tennessee Then 'tis guggle, guggle, guggle, guggle ! Pop ! Pop ! Pop ! An' 'tis google, google, google, google ! Pop ! Pop ! Pop ! 'Till you toss away the bottle as you would a twice-told tale O, ain't it just too fine a sport ! this huntin' o' the quail ? Did you ever come from huntin' on a sweet No- vember eve, When the sun was sorter sorry such a dreamy day to leave, When your heart was like a feather, an' your bag was like a lead, An' the liltin' of a lark was like a vesper over- head ? An' you found a poem strayin' an' a-swayin' on the gate While she chides you for a-stayin' with Diana out so late ! O, of course you stop to greet 'er an' to give 'er half your birds Ev'ry poem has a meter so you meet 'er with these words : Do you love me, Susie ? " Love you !" (Kiss, kiss, kiss !) Will you wecl me, Susie ? "Wed you !" (Bliss, bliss, bliss !) Songs and Stories Then 'tis \vhir-ir-ir-ir ! (Your heart, yo/_ir heart,) An' 'tis whir-ir-ir-ir ! (Her heart, her heart,) Just a-flutterin' like a covey with Cupid on their trail O, it beats all kind o' huntin' when you bag that kind o' quail ! WHEN DE FAT AM ON DE POSSUM. ODE glory ob de fall days, de bes' ob all de year, Wid de smoke a curlin' up'ard in de mornin' crisp an' clear When de days cum brimmin' ober wid de soft an' meller light, An' pollertics an' 'ligyum both ergwine day an' night ! O I don' want no better times den dese my life to fill, When de fat am on de possum an' de taters in de hill ! O de glory ob de fall days O de splendor ob de morn When de hills an' valleys echo wid de hunter's tuneful horn, 344 from Tennessee When de yaller gal braid up her ha'r an' sets out in de sun, An' de fat shoat in de beechwood snort an' whirl eroim' an' run ! You may talk erbout yer Promused !an' I'\-e got it at my wish When de brown am on de possum an' de taters in de dish ! Sum say dis am a wicked wurl an' full ob sin an' shame, Dat frenship's but er holler soun' an' love am but er name, Dat all de men am liars yit an' all de women false, Wid death an' taxes allers heah to make us rise and waltz. Dat mebbe so one t'ing I kno' it nebber seems to be When de taters in de possum an' de possum am in me ! LITTLE SAM. LO, de cabin's empty, De chilluns all am gohn, De jimsun weed gro' 'roun' de do', De grass dun tuck de cohn, De fiah am turned to ashes, De hoe-cake's col' an' clam ; 345 Songs and Stories I wants ter go to de Master now He tuck po' little Sam. Po' little Sam, dat played erroun' de do', Dat wake me in de mohnin' when de chickens 'gin ter cro', De Marster's royal cherriut cum down wid steeds ob flame, He had ten million angels but he wanted mine de same. His coffin wus er ole pine box, (Po' little lonesome waif !) Whut matter whar de col' clay am, Jes' so de soul am safe. I gethered cotton blossums, 'Twus all de flowers 1 hed Lak him, gohn in de mohnin' Befo' de dew wus shed. Po' little Sam, dat played erroun' de do', No more I'll heah him call me when de chickens 'gin to cro', De Marster's royal cherriut cum down wid steeds ob flame, He had ten million angels but he wanted mine de same. Lo, my heart am empty, My life hopes dey am fled, Jes' cut dis ole dry tree down, Lord, De moss am on its head 346 from Tennessee Why should de ole man sorrow heah Sence you tuk little Sam ? Jes' let me be thy servant, Lord, In de manshun whar he am ! Po' little Sam, dat played erroun' de do', Sum mohn' I'll heah him call me when de chicken 'gin to cro', An' den de Marster's cherriut will take me es I am, Will take dis po' ole nigger home, to be wid little Sam. LETTIE. LETTIE she lives in Orchard Room, An' the Square he lives near by. Orchard Room is a world of bloom, An' Lettie she's its sky ! A valley of blossoms an' rose-perfume, An' Lettie's the rose O, my ! Her cheeks, she stole frum the peaches Thet dimples an' pinks in the sun, Her lips, frum the cherries ; her eyes black- berries ; Her laugh, frum the brooks thet run. Her soul ! an angel drapt it onc't 'Bout the time her life begun. 347 Songs and Stories The Square bed saunt his message, An' hit created a stir ! He was " gwine ter marry Lettie Or else know the reason fur " Rich, an' he'd buried fo' good wives Now he wanted to bury her ! I stopped Old Kate in the furrer ; I mounted an' rode erway, I b'leeves in sowin' to-morrer When I kno' I can reap to-day, An' trouble I never will borrer When I orter be makin' hay ! Down by the spring she was churnin' Her calico tucked to her knees, Her cheeks all flushed an' a burnin', Her hair flung out to the breeze. I looked an' I felt my heart turnin' To butter an' then ergin inter cheese ! I rode to the fence beside her, My heart went flippetty-flop, 'T was churnin' up champagne cider An' sody an' ginger pop ! Old Kate hed nuthin' ter guide her An' she nacherly cum to er stop. "O, Lettie," I said, "my darlin', Will you marry the old, fat Square ? 348 from Tennessee His heart hit's es cold as his gizzard His soul hit's es scarce es his hair ! O, Lettie, sweet, why would the wild fawn Mate with the polar bear ?" She ducked her head (it was takin'), " O, Lettie, my heart you'll bust ! Will you really marry that bac'n ?" "Yes," slyly "Zeke, 'spec I must!" "O, Lettie, my darlin', why will ye ?" " Cause cause you didn't ax me fust !" I grabbed her there an' I kissed her, Kissed her over the fence, An' I got me a preacher, Mister An' the Square ain't seed her sence ! Fur he's up at his house, in the attic, An' they say he's a raisin' a stir A-nussin' his gout an' rheumatic- While I'm wal, I'm a-nussin' her ! THE OLD PLANTATION. OI'M sick an' tired an' lonely, , An' I'd give the worP, if only could see the ole plantation where I played so long ago. See the willers swishin', swishin' In the creek jes' right for fishin'- 349 Songs and Stories Hear the tinkle of the cow-bell in the medder jes' below, An' to lay there, blinkin', blinkin', In the hazy sun, an' thinkin' Of the batty-cakes fur supper, with the berries 1 an' the cream, Of the batty-cakes an' berries that would vanish like a dream. O, I'm sick an' tired an' lonely, An' I'd give a hoss if only I could drink ergin the buttermilk I drunk so long ago, In the dairy, cool an' curlin' With the water 'round it purlin' An' the white-wash walls a-shinin' in a microbe- killin' glow, Jes' to drink there, sorter dreamy, Eatin' hoe-cake, crisp an' creamy, With the smell of fryin' batty-cakes upon the evenin' air Fryin' batty-cakes an' bacon floatin' on the evenin' air. O, I'm sick an' tired an' lonely, But I'd walk a state if only I could walk in on the ole folks that I loved so long ago, On the mother, knittin', knittin', An' the father smokin', sittin' 35 from Tennessee Where the sun-beams loved to flicker an' the moon-beams loved to flow, Jes' to set there, noddin', \vinkin', Full of batty -cakes an' thinkin' 'Bout time to kiss 'em good-night now, an' lay me down to sleep Kiss 'em good-night now forever an' then lay me down to sleep. RECONCILIATION. OUT from the meadow, bathed in bright- BobBobWhite ! An answer, back from the cool copse-height- Bob White ! The humdrum beetle drones his horn, The cradling breezes lull the corn, But still that truant call goes on Bob Bob White! And back with keen Xantippe scorn Bob White ! Out from the meadow's ling'ring light Bob Bob White ! An echo, back from the dark hill's height Bob White ! The drowsy night-lids droop adown, With ribbon'd rays her ringlets bound 35 1 Songs and Stories And still there echoeth 'round and 'round Bob Bob White ! And still from the hill that haughty sound Bob White ! Faintly now from the copse-hill's height Bob Bob White ! And fainter yet, 'mid the soft twilight Bob White ! Was that the chirruping sound of a kiss, The star-beam's dream of a wedded bliss, Or the faintest kind of a call like this Thy Bob White ! And the softest kind of an answer 'tis : Quite right ! LONGIN' FUR TENNESSEE. (A Lament from Yankee Land.) OI'M longin', jes' er longin' fur a sight ob , Tennessee, Fur de cabin in de valley 'neath de shady ellum- tree, Fur de purple on de hill-top, an' de green upon de plain, An' dat hazy, lazy sweetness jes' ter fill my bones ergain. 352 from Tennessee Do de colts all cum a-pacin' lak dey useter cum fur me ? Do de fiel'-lark sing es sweetly frum de shugar- maple tree ? Will de chilluns cum to meet me, an' my wife, dat's dead an' gone, Will she sing, jes' lak she useter, in de cotton an' de conn ? O, chilluns, I'm cummin', Fur de ole man's almos' free, An' I'm longin', jes' er longin' Fur er sight ob Tennessee. O, I'm longin', jes' er longin' fur er breath ob Tennessee, Fur de wind frum off de mount'in made foreber fur de free, Fur de lesson an' de blessin' in de blue sky up erbove, An' de locus'-blossoms bloomin' on de grabes ob dem I lub. Am de 'possum still house-keepin' 'mong de grapes ob Bigby Creek ! An' young rnistis do she kerry still de grape- bloom in her cheek ? Ken you heah de sheep-bell tinkle, tinkle, on de blue-grass hill, While de water jine de chorus frum de ole wheel at de mill ? 2 3 353 Songs and Stories Yes, marster, dat's er fac' you say, De ole man he am free But I'd be er slave ergin Fur jes' er bref ob Tennessee ! O, I'm longin', jes' er longin' fur er home in Ten- nessee, Fur de cabin dat ole marster built fur Dinah an' fur me, Whar de chillun cum an' left us lak de dew-drap leab de grass- All withered up an' yearnin' fur de little things dat's pas'. I kno' dey dead but still I feel ef I'd go dar onc't mo', Mebbe dey'd cum ergin sum day an' play befo' de do'. Mebbe my mammy 'd cum ergin her little boy to take An' sing fur him dat lullerby from which he'd never wake. O, mammy, I'm er cummin', Sabe dat lullerby fur me Fur I'm longin', jes' er longin' Fur er grabe in Tennessee. 354 from Tennessee WONDERFUL MEN. (To My Mother.) Truly a wonderful man was Caius Julius Ccesar. Longfellow. TRULY a wonderful man was Caius Julius Csesar, Strong his will as his sword and both of Damas- can mettle, Wonderful in his wars, more wonderful yet in his writings, Firm his words and quick as the tramp of a Roman legion, Grand his thoughts and high as his standard, the Roman eagle. Whether 'mid gloomy woods, facing a foe bar- baric, Seizing a shield and a sword to turn the Nervian torrent, Or 'mid Thessalonian plains sweeping Pompeian forces, Or guiding with wisdom's reins the greatest of all the nations, Always the wonderful man Caius Julius Cassar. And yet, O wonderful man, O wonderful Julius Caesar. Songs and Stories In all your wonderful works no mention is made of your mother, In all your wonderful fights, you made no fight for woman ! And know you, wonderful man, imperious Julius Caesar, From whom your wonderful nerve and wonder- ful heart for battle ? 'Twas she who flinched not beneath the cruel knife of the surgeon, Fighting a battle for you, grander than Gaul's or Egypt's, Bringing you into the world and moulding you in her likeness, Stamping your soul with fire and stamping your mind with greatness. And truly a wonderful man was Cicero, the orator, Pure his words and free and grand as a flowing river, Lofty his flights and swift as an eagle soaring upward, Showing to men through the rift the glory and beauty above them. Clenching the wisdom of years he hurled it with might Titanic, Yet tender even to tears when a Roman life hung on it. Musical oft his words, as the march of the planets above him, from Tennessee Now sweet as the Lesbian birds, now stern as the shock of battle. And yet, O wonderful man, O greatest of ancient speakers, In all your wonderful works no mention is made of your mother, Of all your speeches grand, not one was made for woman ! And yet 'twas she who gave you depth and beauty and sweetness, The voice to mimic the wave, the brush to paint the lily. 'Twas she who sowed in your soul the seeds of fanciful flowers, Erected aloft your goal and gave you the strength to win it. And O, a wonderful man was Horace, the lyric poet, Studding his sky with stars and decking his earth with meadows, Singing a song to his love while she blushes adown the ages, Covering the ruins of Time with the fadeless leaf of his laurel Concealing the broken vase with the immortal bloom of his roses. And yet, O wonderful man, O sweetest of ancient poets, 357 Songs and Stories from Tennessee Who gave you the hue to paint the carmiel cheek of your roses, Your lute, that sounds even now, through the mellow twilight of ages ; Who gave you the pure, true eye for watching and loving all nature, And tuned your wonderful lyre till old Time stops to listen ? A wonderful creature was she, a wonderful, wonderful woman And yet, we ne'er had known, had we waited your muse to tell it ! O these were wonderful men, and wonderful, too, their country, And yet it has passed away, as a bubble when Time blows on it ; Passed, as they all have passed, where might is greater than Mother, Passed, as they all have passed, where wife is less than mistress, Passed, as they all will pass, who have no throne for woman. THE END. 358 A 001433213 4