THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES THE MICROCOSM OTHER POEMS. THE MICROCOSM OTHER POEMS ABRAHAM COLES, M. D., LL. D. AUTHOR OF " DIES IR& IN THIRTEEN VERSIONS," " OLD GEMS IN NEW SETTINGS," "THE EVANGEL IN VERSE," ETC. NEW YORK : D. APPLETON AND COMPANY iSSi. COPYRIGHT, 1880, BY ABRAHAM COLES. ADVERTISER PRINTING HOUSE, NEWARK, N. J. PS CONTENTS LIST OF ILLUSTRATIONS, PREFACE, ix THE MICROCOSM 15 COSMOS : PSALM civ. Two Versions, ..... 83 GOD IN NATURE, . 99 MORNING HYMN, ....... 107 CHRISTMAS: ADVENT HYMN, ........ 113 THE REDEEMER. 1841, 114 SOUL LIBERTY. 1842, ...... 118 NEW YEAR : ETERNITY. 1841, 125 FUTURE LIFE. 1842, ....... 132 LIFE'S MYSTERIES. 1843, . . . . . . 139 ACCOUNTABILITY. 1844, ........ 144 THE FLIGHT OF PEGASUS. 1853, .... 152 ALL HAIL ! 1858, 170 NATIONAL LYRICS: FOURTH OF JULY. 1851, ...... '185 MOUNT VERNON VISITED, 186 ARM OF THE LORD, AWAKE ! ..... 189 OUR COUNTRY'S BANNER, 191 OUR CAUSE, '192 HYMN FOR THE NATIONAL FAST, 195 THE NATION SAVED, 197 Two HUNDRED YEARS AGO, 198 CONTENTS. FOREFATHERS' DAY, CENTENNIAL ANTHEM, . , . . THE LAND OF THE FREE, .... MY NATIVE LAND, ..... POEMS OF PLACES : NIAGARA, ....... RETURN AFTER ABSENCE, .... A SABBATH AT NIAGARA, .... WlNDERMERE, ENGLAND, .... IN MEMORIAM : HUMAN LIFE, ...... PRAYER IN AFFLICTION, .... ELEGIAC STANZAS, CONSOLATION, . . . . . ON THE DEATH OF A MISSIONARY, POEMS OF FRIENDSHIP. EPITHALAMIUM, ...... THE FRIENDS I LEFT BEHIND, A NEW YEAR'S GREETING, To MY LATE GUESTS, .... LINES TO Miss H FAITHFUL FOREVER, . MISCELLANEOUS POEMS. DIES IR;E. Three Versions, ALL SAVED, ....... LUTHER'S HYMN. The Original and Translation, WOMAN. Newark Orphan Asylum, STREAMLET AND POOL. Protestant Foster Home, ANNIVERSARY HYMNS, I.-X., " " " THE APPEAL. Home for Aged Women, DEDICATION HYMNS, ETC., I. -XIII., MISSIONARY HYMNS, I. -XIV., ODE TO COLD WATER THE LORD'S PRAYER, .... PAGE. 200 209 213 215 219 222 226 235 239 242 247 250 252 259 26l 263 265 269 271 277 286 2gO 294 297 3O2 312 3H 329 345 347 ILLUSTRATIONS, 1. TRANSFIGURATION. Frontispiece to Microcosm. Painted by Raphael. Engraved by Raphael Morghen. " Et transfiguratus est ante eos.' 1 Matt, xvii : 2. Dear God ! this Body, which with wondrous art Thou hast contrived and finished part by part, Itself a Universe, a lesser All, The greater Cosmos crowded in the small, I kneel before it as a thing divine, For such as this did actually enshrine Thy gracious Godhead once, when Thou didst make Thyself incarnate for my sinful sake. p. 24. 2. JACOB AND RACHEL. Love at First Sight, p?ge 72 I'a in led by Andrea Appiani, 1811. Engraved bv G. Garavaglio. Jacob venit in terram orientalem . . . et ecce Rachel veniebat cum ovibus patris sui. Gen. xxix : i, 9. Young Love, First Love, Love, haply, at First Sight, Smites like the lightning, dazzles like the light. p. 72. 3. AURORA, P a g e I0 4- Painted by Guido Rheni. Engraved by Raphael Morghen. Prevenient splendors run along the sky, The East each moment brightens more and more As nears the jeweled Chariot of the Sun Where rides in awful state the King of Day. p. 104. 4. CHRISTUS REMUNF.RATOR, P a g e 2 77- Painted by Ary Scheffer. Engraved by Henriqiiel Duponl. " Et statuet oves quidem a dextris suis, hsdos autem a sinistris." Matt, xxv : 33. Let me, when the skies are rifted, And the sheep from goats are sifted, Be to Thy right hand uplifted ! p. 285. PR E FACE. r PHE MICROCOSM, which forms the leading Poem of the follovv- ing collection, has already passed through one edition, and is now out of print. It was first published in 1866, in connection with an Address read at the same time by the author, as President, before the Medical Society of New Jersey at its Centennial Anniversary. His design was to produce, if possible, in a poetical form, a tolerably complete compendium of that noblest, most necessary, and yet, strange to say, that most neglected of all the sciences, the science of the Human Body, relieved of some of the dryness belonging to the usual modes of presentation. An " Essay on Man," in verse, whose scope, unlike that of Pope's should be physiological rather than ethical, had not, so far as he knew, been attempted. Pope assigns two reasons for his choosing verse and even rhyme rather than prose. First, because "principles, maxims, or precepts so written, both strike the reader more strongly at first, and are more easily retained by him afterward." And, secondly, because he found he could " express them more shortly in this way than in prose itself ! " The author of the Microcosm may perhaps be permitted to say, that simi lar considerations determined his own choice, feeling sure that the ad vantages in favor of condensation, not to mention other things, were clearly on the side of verse, even with his moderate facility in the use of the instrument. He is quite certain that in no other way could he, in the narrow compass of fourteen hundred lines, have compressed an equal amount of information. Great, undoubtedly, are the attractions of a virgin theme. It added to the rapture of Milton " soaring in the high reason of his x PREFACE. fancy, with his garland and singing robes about him" the knowledge that he pursued "Things unattempted yet in prose or rhyme." So Lucretius, in the opening lines of the Fourth Book of his great Poem, entitled " De Rerum Nalura" does not conceal his satisfaction that he is first in the field : " Avia Pieridum peragro loca, nullius ante Trita solo ; juvat integros adcedere funteis Atque haurire ; juvatque novos decerpere flores, Insignemque meo capiti petere inde coronam, Unde prius nulli velarint temoora Musae." * The writer, enjoying, in common with these great masters of song, the felicity of a subject unprofaned, for the most part, by previous handling, regrets that he does not possess their power to do it justice. If there is nothing so mean but it has a divine side if materials for poetry be not wanting in the most common things, a floating cloud, a spear of grass, or a handful of dust even how much more may this be said of so lofty a subject as Man, " the mirror of the power of God," reflecting the Maker's image in every part, in the minutest blood-disk and elementary cell, no less than in the complex whole of his most wonderful organism. In short, if it be the proper business of Poetry to deal with subjects of human interest, what can be more human than humanity itself ? Or, if its high aim be to discover through out Creation the dazzling tokens of the Beautiful, the TO naknv, which is only another name for the Divine, where else in all the Universe do the shining footprints of the First Good and the First Fair appear so radiant or so recent, as in His last and crowning * The Muses' pathless places I explore. Worn by the sole of no one's foot before ; 'Tis sweet to untouched fountains to repair And drink ; 'tis sweet to pluck new flowers, and there To seek a famous chaplet for my brow Whence have the Muses veiled no head till now. PREFACE. xi work, the Human Form. The failure of the present attempt to show it, would prove nothing against the grand poetic possibilities of such a theme. Still it would be true, " How charming' is divine philosophy ! Not harsh and crabbed as dull fools suppose. But musical as is Apollo's lute, And a perpetual feast of nectared sweets Where no crude surfeit reigns." In regard to the Other Poems that go to make up the volume, the greater part, as the dates affixed show, were written many years ago. The impulse to write, in persons occupied with other matters and who do not make authorship a business, is apt to be fitful and born of an occasion. As in the case of the orator, it is the occasion, most likely, that supplies the theme and determines the treatment. Occa sional and fugitive are convertible terms ; and yet, it sometimes hap pens, that the interest attaching to the occasional is not fugitive but lasting. Witness that great body of fugitive poetry, so called, known as the Greek Anthology, composed of the culled flowers of many generations. Each dated poem is a window through which we catch a glimpse of the life lived in those remote times. These minor effusions of the Greek Muse have a high historic value. Like to " a light shining in a dark place," each helps to light up the epoch which gave it birth. " How far that little candle throws its beams ! " In our extreme desire to know something of those far-off times, shut out by "black usurping mists," we stand ready to welcome any means of illumination, and, like the Elder Brother in Comus, in the absence of anything better, were content would " some gentle taper, Though a rush-candle from the wicker hole Of some clay habitation, visit us With [its] long leveled rule of streaming light." The collector of these casual, scattered, and half forgotten children XII PREFACE. of his pen in many cases, the incondite and unconsidered improvi sations of various occasions would be glad to think that what is here said applies in any degree to them, so that, what they lack in literary value is made up, in a measure, by that historic interest which belongs more or less to all contemporary utterances. The world of to-day is not in all things the world of yesterday. In the solemn procession of events there is perpetual change. The incidents that affect ourselves and others become " Portions and parcels of the dreadful Past." As we grow old Memory becomes a kind of "God's Acre," full of Gravestones, Hie Jacets, and Epitaphs inscribed to a buried gener ation " I have had my playmates, I have had companions, In my days of childhood, in my joyful school days ; All, all are gone, the old familiar faces." That reflections of this solemn character should arise in the mind of the writer while engaged in the task of looking up and disinterring these horee subsiciva: dusty relics and fragments of a former time, as utterly broken off and separated from the present, as though a thousand years intervened seem natural and inevitable. Doubtless in offering them to the public a severer sifting would have been advisable, but, yielding to the partiality of friends, the meshes of the sieve became so large that almost everything was allowed to pass through. He makes no apology for their religious character. He is glad that he has not outgrown Christianity. Of the two he prefers a humble faith to a conceited agnosticism. NOTE. The Illustrations to the volume "Artotype " copies preserving the ex cellences of the engraved originals were done by Harroun & Bierstadt, N. Y. \ \ PAINTED BY RAPHAEL. TRANSFIGURATION " Et transfiguratus est ante eos." MATT, xviii: 2. Dear God! this Body . . did enshrine Thy gracious Godhead once, -when Thou didst make Thyself incarnate, for my sinful sake. p. 24. THE MICROCOSM (SECOND EDITION.) "KNOW THYSELF." ' It is most true that of all things in the universe man is the most composite, so that he was not without reason called by the ancients Microcosm, or the little world (Mundus Minor)." BACON. " Since God collected and resumed in Man The firmaments, the strata, and the lights, Fish, fowl, and beast, and insect, all their trains Of various life caught back upon His arm. Reorganized, and constituted MAN, THE MICROCOSM, the adding up of works." ELIZABETH B. BROWNING. " What a piece of work is Man ! How noble in reason ! how infinite in faculties ! in form and moving, how express and admirable ! in action, how like an angel ! in apprehension, how like a God ! " SHAKESPEARE. " I esteem myself as composing a solemn hymn to the Author of our bodily frame, and in this I think there is more true piety than in sacrificing to Him heca tombs of oxen, or burnt offerings of the most costly perfumes, for I first endeavor to know Him myself, and afterwards to show Him to others, to inform them how great is His wisdom. His virtue, His goodness." GALEN. " I will praise Thee ; for I am fearfully and wonderfully made." DAVID. AN ALYSI S. fT^HE Poem begins with speaking of Man as the Archetype or ideal -*- exemplar of all animals, whose coming was foretold in a long series of Geologic prophesies from the creation of the paleozoic fishes; and then passes to notice a remarkable anticipation of this accepted doctrine of modern science in the isgth Psalm Owen, Agassiz and other great lights of Comparative and Philosophical Anatomy agreeing in this that while man was the last made he was the first planned of all animals it being easy to trace even in the fins of the fish, a marked resemblance in structure to the bones composing the human arms of which they are homologues fins, in other words, being im perfect arms, arms in their most rudimentary condition. In speaking of the supreme dignity of the human form, viewed as a whole, and of man existing in God as well as of God, occasion is taken to animadvert upon the atheistic tendency of certain material istic teachings. After which the component parts of the Human Body are taken up in detail, beginning with I. the SKIN, as its outermost covering and face (expressing the passions, &c.,), composed of three layers. Below the Skin lie II. the MUSCLES, the Organ of Motion, directed by the Will, acting through NERVOUS CHANNELS of commu nication with III. the BRAIN, as the Common Sensory, and seat of this and the other Faculties of the Mind, such as the Understand ing, the Religious Sense, Memory, Imagination and Conscience. A secretory function is attributed to the great Ganglions of the Brain (the Gray Substance) of a hypothetical Nervous Fluid which fills the whole body. The Mind being dependent for its perceiving power on the Organs of the Senses, leads to a consideration of IV. the EYE in its relation ]6 ANA L Y SIS. to Light, also to Tears and Sleep. After glancing at the analagous relations subsisting between the Soul and Truth, mention is made of the Founders of Asylums for the Blind ; also of Asylums for the Deaf and Dumb. Next comes V. the EAR in its relations to Sound and Music ; and then by a natural transition VI. the HUMAN VOICE, as being the most perfect of musical instruments. The Mouth and Nose, being concerned in Articulation, brings up VII. SMELL, and VIII. TASTE. The final cause of Taste being the repair of the Waste the body is constantly undergoing, there follows a description of IX. INDIGESTION, DIGESTION and ASSIMILATION. The Chyle received into the Blood is conveyed to the right side of the HEART, which, besides being the grand Organ of X. the CIRCULATION and indirectly of NUTRITION, is the reputed seat of XI. the AFFECTIONS, and stands in general speech as a synonym of LOVE under its mani fold manifestations. Having noticed the coloring or modifying power of the Viscera in giving Love its distinctive character, as exemplified in Maternal Love and the Love of the Sexes, occasion is taken to speak of XII. WOMAN, as distinguished from Man. Of Charity, which is Love in action, or Love viewed in its practical aspect, an apt illustration is found in the devo tion and self-denying labors of XIII. the Conscientious PHYSICIAN. Reference is made to XIV. CHRIST as the Great Physician of Souls ; and to DEATH in that aspect of brightness which it bears to the believer. The Poem concludes with XV. a triumphant anticipation of the RESURRECTION, when the dead in Christ shall rise with NEW BODIES made like unto His glorious Body. THE MICROCOSM ff