' 'j * '- # '->,- ^ orffra B.C. LA DALU THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES B. 0. BAJ'TR L.\WYR DALLAS, TEXAS THE MANUAL OF NATURAL SHORTHAND DESIGNED FOR CLASS OR SELF-INSTRUCTION BY AUGUST MENGELKAMP "Utility is the Truest Test of Excellence" FIFTH, IMPROVED EDITION AUGUST MENGELKAMP REMSEN. IOWA Copyright 1937 BY AUGUST MENGELKAMP Copyright in England /f/7 PREFACE The first edition of this work was published in 1891, principally as a guide in the acquirement of the system for the purposes of correspondence and private memo- randa. The author, having critically examined the lead- ing English, German, and French stenographic systems, arrived at the conclusion that a system to be fitted for general use, must necessarily be built upon the principles employed in ordinary writing. They may be sum- tn marized in the following : 5 Si SYNOPSIS 5 OF LEADING PRINCIPLES OF STRUCTURE wJ 1. The graphic style of writing: that is, a regular S succession of up and downstrokes the element of speed. te 2. Words are written on the slope of ordinary writ- <| ing; thus securing an easy and uniform manual move- ment. 3. Acute angles and curves predominate: obtuse w angles are entirely abolished. 4. Connective vowels: consonants and vowels join P directly, and in their natural order. 5. No shading; all characters may be written either light or heavy. 6. No- position; only one line of writing. The aforementioned principles are embodied in Natural Shorthand. As such it differs from all other systems in several important points, and from the more 449502 NATURAL SHORTHAND prominent ones especially, by its similarity to our present longhand. From the very outset the student can turn to account the practice already gained from the use of ordi- nary writing, while the forward slope of characters, the fluent word-forms, and the predominance of curves and sharp angles are both productive of great speed, and conducive to the acquirement of a beautiful and legible style of writing. Natural Shorthand is more than any other a true representative of spoken language, assigning as it does, a distinct and unmistakable character to every funda- mental sound of the English tongue. It professes a full vowel scale, representing the sixteen simple vowel sounds of the English language by simple and characteristic signs. The grouping of these vowels especially will at once appeal to the student of language and phonetics as superior. Not only are they arranged in pairs, two to a group, but they have also been matched with special re- gard to affinity of sound. This will become more appar- ent by pronouncing the key-words edge, age rip, reap nice, noise etc. These point's of superiority no other system can produce to the same extent. This grouping of vowels, two to a group, short and long, is phonetically correct, natural. The superiority of our vowel scheme becomes still more apparent in vowel combinations, where the vowels in words like Leo, Noah, snowy, Ionia, Iowa, Eliu, etc., are joined as usual, without resorting to special devices. Similar to the vowels, our consonant forms uniformly NATURAL SHORTHAND occur in pairs, and we employ characters of but two sizes. This is an achievement characteristic with Natural Shorthand. It is the key to legibility, and the chief characteristic of a sound and rational consonant repre- sentation. The consonants, being already very characteristic in outline and general appearance, become more so from the fact that they are struck downward, whereas the vowels are traced in a forward direction a landmark for the eye. As such, Natural Shorthand is founded upon principles not elsewhere employed in the construc- tion of a stenographic system for the English language. It is founded upon the true principles of penmanship, of ordinary writing a regular succession of up and down-strokes. It is the only graphic connective vowel system before the public. Another point of greatest importance is that of the assignment of the shorthand characters to individual let- ters. Anyone conversant with other connective vowel systems, will have observed that the simplest characters have not always been assigned to the most frequent let- ters, but to such letters or rather, sounds, as insure the most facile combinations. In other words: the value of a stenographic character is determined not so much by its frequency, as by its combination with other letters. It is a principle that underlies the construction of every connective vowel system; it is a problem that can be solved only after years of arduous labor and experi- ments. NATURAL SHORTHAND The most important consonants with reference to combination are i, d, r, I, and w . In Natural Shorthand, t and d not only readily join with all vowel strokes, but medially and finally connect with consonant and vowel strokes, and that with a single effort of the hand. This is a feature characteristic with Natural Shorthand only, and unhesitatingly and truthfully we put it forth as the most logical and successful solution of the Lengthening Principle in the history of English Shorthand. It more than compensates for the so-called Blends and Double Consonants of other systems, which because of their vague -and unsettled character, we do not consider a desideratum in modern shorthand writing. Another advantage of the system is the assignment of individual, independent consonant forms to w and y, the lack of which is so painfully felt in other connective vowel systems. W almost exclusively occurs initially, before vowels, also in the compounds tw, dw, qu (kw), ngw. nkw, and especially sw. Hence its importance as a separate, independent character. A few remarks regarding general abbreviation. Long words are best abbreviated by writing the initial part, retaining the accented vowel, and indicating the final syllables. This we accomplish in a brief and original manner. The initial syllables of long words are usually expressed by prefixes. Natural Shorthand presents a series of prefixes of exceptional merit. The series is simple and characteristic. The prefixes are connected with the root-word in an unusual manner, imparting to NATURAL SHORTHAND the word-form that characteristic appearance which is of greatest importance in the fluent reading of steno- graphic text. Vowels are neither omitted nor substi- tuted in the body of words, that is, in radicals and princi- pal, accented syllables (Par. 54). We express all ac- cented vowels by their own, individual characters. No substitution, no omission of vowels at the option of the writer. Words having several prefixes and such having suffixes, form another large class of words that are abbreviated according to a novel and systematic plan. Besides, a systematic plan of characteristically contract- ing monosyllables, and words of two or more syllables having neither prefixes nor suffixes, has been introduced. Frequently recurring consonant groups are contracted according to fixed rules; likewise a number of final syl- lables and a series of important radicals, etc. While other systems contract, blend initial, medial, and final, accented and unaccented syllables without discrimina- tion, we contract final and unaccented syllables only. Natural Shorthand contracts such syllables principally as are contracted, slurred also in ordinary speech. Perhaps the most deserving feature of Natural Short- hand is its great simplicity. Such is due principally to the correct and complete representation of the funda- mental sounds of the language, as well as to the logic and consistency of its superstructure. Its word-forms are built up strictly according to the pronunciation as given in the dictionary. It does away with technicali- ties; it enjoins no undue memorizing. Considering its NATURAL, SHORTHAND completeness, its rules are few it is by far the simplest of the connective vowel systems. The system, chiefly because of its simplicity, can easily be learned from the instruction books, without the aid of a teacher, and the text-book has been compiled to meet the requirements of those who cannot obtain the services of an instructor. A regular course of daily practice in reading and writing will produce best re- sults, and will enable the student to fully comprenend and master the lessons. Speed of course, can be attained by practice only. The work is divided into ten lessons, carefully graded. Its principles are presented and explained in the simplest and clearest manner possible. The illustrations are pro- fuse and from the author's own shorthand notes. The alphabet is given in easy sections. The keywords of the first two lessons are analyzed with respect to sound, to accustom the student to spell phonetically. Word-signs, sentences, and phrases are introduced early, and a Read- ing and Writing Exercise conclude each lesson a plan both beautiful and practical. Unlike others, we have not sought to provide for both the amanuensis and the reporter. We have not aimed at extreme brevity, for reporting purposes, but have striven to preserve the essentials of a simple system of shorthand, a system adapted to the average hand and mind. Instead of launching the system as a reporting medium, we have suited the work to the needs of our business colleges and high schools. More than nine- NATURAL, SHORTHAND tenths of those who study shorthand make use of it in commercial work. Why then burden your pupils with a voluminous, overwrought text-book teaching the difficult art of reporting, when they enter your school with a view to preparing for the business off ice f Why not specialize? By choosing a system adapted to your par- ticular needs you will obtain better results and greater satisfaction in the schoolroom. Besides, it will effect a great saving of time, of valuable time that may be uti- lized toward perfecting your student's in other branches. Natural Shorthand is the only system adapted to the particular needs of our young people in connection with commercial work. Owing to its simplicity and exactness, Natural Short- hand is also recommended for private memoranda. Teachers, business men, and college students will find its study fascinating and instructive, and its application an accomplishment of great practical value. THE SPEED PROBLEM A system of shorthand to meet present conditions must be simple, legible, and brief. It must be simple, because shorthand is but a lesser branch in the al- ready overcrowded curriculum of our Advanced Schools, and one eagerly sought for by a great many students of but average means and ability, and whose time is limit- ed. It must be legible, because accuracy, that is legibili- ty, is the chief requisite with the business man who in- sists upon an accurate transcript. It must be brief, be- 10 NATURAL SHORTHAND cause you will be required to write down the words of your employer as fast as they are uttered. You must be prepared to meet this requirement; you must have suf- ficient speed to take him. To achieve this latter object, to attain sufficient speed for rapid work, we must abbreviate. But, as an increase in brevity is invariably followed by a decrease in legibili- ty, it proved necessary to adopt a method of abbreviation which, while permitting words to be contracted to a con- siderable extent, yet would preserve sufficient legibility to insure the correct reading of the notes. This we ac- complish by systematic abbreviation, that is, by syste- matically abbreviating, contracting certain classes of words, and likewise, by a systematic omission of subordi- nate parts of words. In support of the assertion that a simple, unelabor- ated system of shorthand is to be considered superior to a difficult, overwrought style, we take pleasure in quoting from an address of the eminent author and congressional reporter, the late David Wolfe Brown, delivered on the occasion of the World's Congress of Stenographers in Chicago: "I believe, the experience of the first decade of phonography in America has shown that reporting skill can be attained most certainly and most promptly with a simple, unelaborated shorthand system comprising no formidable array of word-signs and phrases a sys- tem making no immoderate demands on the average memory and calling upon the average hand for no over- nice artistic distinctions. I am at issue with those who NATURAL SHORTHAND 11 would require not only every would-be reporter, but every would-be amanuensis, to master a mass of "word- signs," phrases, and so-called "reporting expedients," of which hundreds of our best reporters know nothing theoretically and practically. Such training seems to me a sad mistake, even as a preparation for reporting work. How much greater is the mistake when mere amanuensis training is the immediate object!" These remarks are very timely, very pertinent in- deed, and cannot be too urgently recommended to the consideration of the aspiring student as well as to the ambitious and conscientious teacher. They give expres- sion of the dissatisfaction with the present development of shorthand, and point out the direction in which it stands most in need of reform. The solution of the problem as to how to gain speed must be sought, aside from the perfect mastery of the fundamental principles of word-form formation, chiefly in the quick manipula- tion, in the dexterity of the hand in other words, in practice. HOW TO PRACTICE Let the student practice from dictation. This feature may be introduced as early as Lesson 1, after having previously studied it as directed in Exercises 8 and 9. Get someone to read for you, slowly and carefully at the outset, and with gradually increasing speed. Write each exercise from dictation ten times. However, do not rush for speed. On the contrary, be slow and considerate. 12 NATURAL SHORTHAND especially at the beginning of your practice, making your notes exact, symmetrical. Having thus gained the point that you can write correctly, and without hesitation, you have half won the battle. Then speed will come of itself it is the natural outgrowth of correct habits. At the conclusion of the dictation, and the next day, read back what has been written the ability to read your notes word for word is essential. Shorthand is not shorthand unless you can read it. Another, very interesting method of increasing speed is that of ' ' concentrated practice. ' ' Take a sentence, and write each word singly one hundred times, slowly at the beginning, with gradually increasing speed. Thereupon the first and second word together, the second and third, the third and fourth, etc., unhesitatingly, yet legibly, each one hundred times. Finally write the whole sen- tence as many times without the slightest hesitation in passing from one word to another. In this manner you will soon be able to write this sentence at the rate of one hundred words per minute and above, and within a com- paratively short time greatly increase your speed 'also on new matter. Having thus finished the Manual and the Graded Exercises, choose your dictation matter with regard to the vocation in which shorthand is to be of service to you. If you intend to qualify yourself for amanuensis work in a mercantile office, let business forms and com- mercial letters form your chief practicing material. If you wish to work in a lawyer's office, practice legal NATURAL, SHORTHAND 13 forms, lawyer's briefs, and the like. For a change, try your hand at literary matter. It will greatly relieve the monotony of the daily routine. Above all, it will provide you with a large vocabulary, a necessity should you be called upon to take dictation on a subject other than mer- cantile. Each letter, each subject is to be treated separ- ately, and do not proceed to the next before such part is thoroughly mastered, and until it is written absolutely correct, and at a fair rate of speed. It is only by persis- tent practice and by frequent repetition of the same arti- cle that correct habits and -speed are developed. Be energetic about your w r ork, earnest and enthusiastic. You will then make great progress, and succeed. By the way, we advise the student to put down in shorthand his private memoranda, letters, daily accounts, etc. It will serve the purpose of further familiarizing him with the art, and rendering it more interesting. Likewise correspond with your friends or fellow-stu- dents in shorthand. Come together for practice, inter- changing ideas and reading each other's notes, the last- named suggestion especially being valuable. Having thus persistently studied and practiced for a length of time, and reached a speed of 100 words a minutes, you may safely apply for a position. Though at the beginning your salary may be small, bear in mind that you lack experience, and as such should be content to begin at the bottom of the ladder. In the meantime perfect your knowledge of shorthand, and become thoroughly ac- quainted with everything pertaining to the ready per- NATURAL SHORTHAND formance of your duties. Imitate those that have been successful before you, profit by their experience, and by so doing you will soon be in a position to employ the winged art as a principal means of gaining a livelihood, and as a "stepping stone" to something higher and better. NATURAL SHORTHAND IS LESSON 1 CONSONANTS 1. The consonant signs employed in Natural Short- hand are not derived from the circle or the ellipse, but from an analysis of the characters of ordinary writing. The firm, solid downstroke with its modifications has been employed to represent the consonants, while the light, yielding upstroke expresses the vowels. The slope of the shorthand signs likewise is the same as that of longhand. The consonant characters are arranged in pairs, and are distinguished by a difference in size. They are di- vided into two grades : t, n, k, p, 1, j, sh, being equal in size to the small m in ordinary writing, are called one grade characters; d, m, g, b, two grade characters. Characters smaller than these (r, ch, s, w) are termed small characters. The first eight characters are struck downward; r and 1 are traced from right to left (in the direction of the arrows) ; ch, j, s, sh, from left to right. Long strokes at the beginning of n and m must be avoid- ed. Observe that the heads of p and & are traced in the form of a loop. NATURAL SHORTHAND ./. ./ ?. ? /- / /> / t d, n m, kg, P b fo, . O. . . >_ . O ... o . /O ........ r I. ch j, s sh, w 2. Get an ordinary "composition book," single ruled, and practice the aforegoing consonants by copying them in the order given. Fill at least one page, until you can trace the stenographic characters with neatness and accuracy, and without the slightest hesitation. Write all exercises with ink. Leave blank space on the right of the page for correction of errors. VOWELS 3. The vowels are, as opposed to the consonants which are generally downstrokes, upstrokes, and slope in a for- ward direction. The first six vowels are termed straight vowels, the next four, round vowels, and the remaining six, curved vowels. They are grouped as follows: i e, i 01, a a as heard in the words edge age, rip reap, nice noise, Sam psalm NATURAL. SHORTHAND IT .^ _ v^ ri rrl . _ rr: s ^ . "rS _ 6 6, u, aw ow, u, u oo as heard in the words rob robe, . gun, gnaw now, use, pull pool Remark: The student is advised not to practice upon this table of vowels till he has completed Lesson 2, but should fre- quently refer to it for comparison. 4. It will be observed that the vowels, similar to the consonants, generally occur in pairs, the first of each pair representing a short sound, the second its corresponding long sound. A long vowel is expressed by placing a dot above the sign representing its corresponding short sound. Such accuracy of indication of the various shades of sounds however, is rarely necessary in practi- cal work. It is for this reason also, that the first (u) and the fourth (u) of the curved vowels have not been paired. It is only in unfamiliar or isolated words that the insertion of the dot is necessary. We have intro- duced the dot in the keywords of Lessons 1 and 2, to y;ive the student facility in applying it, but have omitted it in the Exercises, and later on whenever practical. The student is recommended to conform his style of writing as regards the size of characters and slant, to that, given in the book. This system however, being founded upon longhand with its variations as to size of characters and slant, does not acknowledge any absolute standard as to a particu- lar style of writing. Be it remarked however, that small notes are more economical than large ones, and that slant writing is generally considered more rapid than vertical. 18 NATURAL SHORTHAND COMBINATION OF CONSONANTS AND VOWELS TO WORDS 5. Consonants and vowels are joined directly, with- out lifting the pen, and follow each other in their natural order. In shorthand we write only that which is actually pronounced. Write as you speak ! Words therefore, are not written according to their spelling, but according to their sound. This implies that vowels having the same sound must be rendered by the same sign, though they be differently expressed. Thus, the vowels ea, ie, ay, u, and ue, as in dead, friend, says, bury, guess, must be ex- pressed like the vowel e in rest, the vowel sound in all these words being the same. Silent vowels, like e in late, or ue in plague, as well as silent consonants, like w in write, gh in night, & in lamb, g in sign, etc., remain un- expressed in shorthand. Similarly, ph is rendered by f, ck by k. The pronunciation given in the examples is based on Webster's "New International" Dictionary. Editions of the International are no longer reliable as regards pronunciation, especially with reference to the vowel u. 6. Study, read, and copy carefully every shorthand word of each paragraph in this lesson. Analyze, as you proceed, each word with respect to its sounds. This may at first pre- sent some difficulty. But the little trouble attendant upon the practice of thus noting the deliberate utterance of a word will indeed many times be repaid by the accuracy and finish which it imparts to your own pronunciation. Having thus reached the Exercises at the conclusion of the lesson, go back over the same ground, first reading the shorthand words keeping the typographic words covered, then writing all typo- graphic words back in shorthand, keeping in turn the short- hand forms covered. Each subsequent lesson is to be treated in like manner before attempting the Exercises thereof. NATURAL SHORTHAND 19 7. THE STRAIGHT VOWELS edge e-j ledge 1-e-j oo age a-j >o wren r-e-n wretch r-e-ch ram r-a-n rip r-i-p ridge r-i-j reap r-e-p sin seen s-i-n ditch d-i-ch /- s-e-n tie t-i nice n-i-s 2, ties t-i-s type t-i-p toy t-oi noise n-oi-s 2, NATURAL SHORTHAND READING EXERCISE 8. Read the following shorthand words, comparing word for word with the printed key. Exercise 9. Read them several times, until you can recognize them at sight, without the slightest hesitation. Then transcribe them into longhand, keeping the printed key covered. Com- pare, and correct errors. -2..CL. WRITING EXERCISE 9. It will be observed that the Writing Exercise at the conclusion of this paragraph is the key to the Read- ing Exercise at the conclusion of paragraph 8. The same applies to all the Reading and Writing Exercises throughout the book. Cover up the Reading Exercise of paragraph 8, and write the words at the conclusion of this paragraph back in shorthand. Write slowly and carefully, and pro- nounce each word in whisper or mentally as you write. Compare, and put down words written wrong on a sep- NATURAL SHORTHAND arate sheet of paper, or better, in a little reference book, to be the subject of special drill and frequent review. Write the exercise several times. Write always from dictation as directed in The Speed Problem. This mode of practice is to be observed with all subsequent Exer- cises, and by closely adhering to this plan you cannot fail of success. Say, way, ray, lay, sane, lane, tape, shape, ace, rage, rail, day, Ed, wreck, neck, shell, etch, wretch, wedge, wage, tea, knee, she, see, pea, tease, lease, ear, ears, rear, ease, easy, near, tear, teach, tin, win, itch, each, I, ice, sigh, shy, my, lie, pie, ripe, wipe, rye, Roy. Remark: The vowel stroke in Ed and similar words must be elongated to effect the connection with d, m, or g. NATURAL, SHORTHAND LESSON 2 THE ROUND VOWELS 10. Review directions of Exercise 6 as to the general mode of studying the lessons. Bear in mind that it is only by a rigid course of study, and by the faithful ad- herence to the plan laid down that you may expect to progress satisfactorily. Sam rap psalm s-a-m r-a-p s-a-m tan sash calm t-a-n s-a-sh c-a-m rob gone robe r-6-b g-o-n r-o-b top t-o-p lodge 1-6-j tope t-o-p THE CURVED VOWELS 11. While the straight and the round vowel strokes are simplicity in form and execution, the curved vowels, NATURAL, SHORTHAND 23 however, require particular attention. They are com- pound strokes, shallow double curves slanting in a for- ward direction. They should be struck with a light, uni- form movement. Practice the curved vowels until you acquire the knack of making them correctly and grace- fully. Study the models. sup tun touch s-u-p t-u-n t-u-ch jniaw lawn now n-aw 1-aw-n n-ow use pew- new u-s p-u n-u puss rue loose p-u-s r-oo 1-oo-s Remark: This exhausts the vowels (and diphthongs) of the system. Be sure you understand them. Study their char- acteristics, separately and in groups. Compare them as to shape, size, and direction. Observe that the last three vowels succeeding consonants, -are struck through the line of writing. 2 NATURAL SHORTHAND 12. R and w are written in the curve of curved vowels. R and 1 following T or oi, are struck to the right. Otherwise write them as usual. run rub raw worry war wall tire sire tile toil tyro silo . 4 . . _ x, . . 4, . . . ^ _ _ /fc_x . . ^a-x. Remarks: R and I, though sometimes traced in the di- rection of ch and j, respectively, as in run, raw, tire, tile, can- not be confounded with the latter, as will be seen later on. Besides, there are no similar words to clash. 13. Vowels that are struck horizontally -T, oi, a, a, o, o are joined initially to downstrokes above the line. Similarly the last three of the curved vowels. Ida Annie analyze Otto Utah READING EXERCISE 14. Review directions of Exercise 8. Give your at- tention also to the longhand transcript. Let it present a neat and clean appearance, and be free from errors in spelling. NATURAL SHORTHAND IS //>.. .ft-. -^ -O^- - <- - WRITING EXERCISE 15. The complete vowel scale, paragraph 3, together with its symbols, should now be reviewed and copied by the student five times. Thereupon transcribe the words below back into shorthand as directed in paragraph 9. Air, rare, gas, match, nap, marry, alley, ash, Ella, Ni- agara, cap, Emma, arise, alas, catch, care, carriage, area, tare, tar, row, know, show, low, so, toe, woe, go, roar, roll, door, Cora, piano, depot, sown, Leo, Rosa, arrow, narrow, sorrow, coach, Roger, watch, wash, pop, sop, soap; par. 11: err, herb, up, tub, gun, saw, law, due, mew, lieu, tissue, Louis; par. 12: wire, wile, tire, tires, pile, mile, ire, isle; par. 13: idea, idol, Anna, obey, oak, opera, Ottawa. 26 NATURAL SHORTHAND LESSON 3 CONSONANT CONNECTIONS 16. S has two sounds, sharp and soft. Soft s (z), being of little practical importance, is represented by the sign for sharp s. When necessary to distinguish it from the latter, add a dot. says ways zero cozy race raise 17. The termination es is expressed by s only. The similar endings ess, ace, ays are written in full. catches lodges poses possess terrace essays 18. For the purpose of better connection, ch and j occurring at the beginning of words, are placed below the line. When preceding u or oo, however, they remain on the line. Compare Remark, paragraph 12. chain chip jay John jaw Jew NATURAL SHORTHAND 27 19. Words illustrating the use of h, wh, st, sk, ng, nk, sp, sn, sm, nch, nj, and x. h wh st sk ng nk sp sn sm a ~) O ^v) .?./. .?..?..?.-/- .?--'?-./- nch nj x Harry whip store mask . 2 . / _ &^. . . 2/ > . . . 2_f . . &?. sing sink spy snow smash wrench Texas Remarks: The heads of st and sk should be made small. JOJD ch and j closely to the preceding n, so that no intermedi- ate s may be read. The initial stroke of x is smaller than the final one; it is slightly curved, and slants to the right. 20. K and / following consonants, are placed to the left of siuh consonants. Before oo however, join them to the riht. try dress shriek _ . _ o. -j> ... Remark: Placing r and I to the right of consonants as in troop, gloom, conforms with the second part of Rule 20. Com- pare troop ami true, gloom and glue, Gen. Exercise, Par. 30. WORD SIGNS 28. It is a well-known fact that the bulk of all writ- ten and spoken language is made up of short words, chiefly monosyllables, such as the articles, pronouns, con- junctions, etc. Because of their great frequency, these words have been assigned special, brief forms, called word-signs. They are of great help towards attaining speed, hence should be carefully memorized. The num- ber of word-signs for general use should be limited; and NATURAL SHORTHAND let the individual writer enlarge and extend this list as the requirements of his work may demand. to do not me count good . / 7 7 r . /" put by the all man can / / o O .2 . . c is should shall on it who ^ . /-) - /"i. . - _ ^_ GENERAL EXERCISE 29. This Exercise presents a list of words illustrat- ing the several paragraphs of this lesson at length. The mode of practice explained in Exercises 8 and 9 applies alike to all General Exercises throughout the book. f . - 2 - . 4, - - 32 NATURAL, SHORTHAND - C-,. - - f - NATURAL, SHORTHAND 33 "Tops, knobs, tacks, loss, toss, rise, cigars, zone, lazy, gazelle, cease, seize, gauze; par. 17: riches, dodges, ace, aces, essay, essays, tosses, lashes, cares, caress; par. 18: cherry, chin, choice, porch, gem, gin, jug, jam, jolly, Jewess; par. 19: hay, hedge, hero, high, hair, hash, harsh, hose, hollow, home, haw, hue, why, while, stay, stitch, stow, stop, stew, nest, scarce, sky, desk, wing, wink, angry, spare, lisp, snap, smile, inch, range, sex, Max, ox; par. 20: train, tree, trip, trap, trim, dry, drum, grass, grow, grip, cry, crest, crape, crazy, crisp, Christ, priest, prayer, brace, bridge, strain, strip, straw, scratch, shrink, shrub, shrill, glean, gloss, clip, clear, pledge, blast, blue, grew; par. 21: dwell, twin, square, squire, query, sweep, swim, slim, swum, swam, slam; par. 22: fetch, fan, fast, follow, force, fudge, fuel, fry, freeze, fly, flesh, knife, coffee, taffy, leaf, loaf, wife, grieve, Joseph, fate, fade, vest, vast, valley, live, strive, carve, heavy, levy; par. 23: fee, fear, fish, feet, feed, vim, veal, via, viola, vice, vile, voyage; par. 24: yell, year; par. 25: thief, Theresa, throw, path, both, length; par. 26: pews, muse, newsy, fuse, diffuse, pure, purify, allure, mature, inure, fury, mule, tube, cube, puny, Tunis puma; par. 27: wool, tool, poor, soup, push, roof, group, bal- loon, Judith, true, troop, glue, gloom. READING EXERCISE 30. Before proceeding, copy the word-signs, Par. 28, five times. If you meet a word in the exercises that you cannot decipher, let it remind you that the lesson is not thoroughly understood, and stands in need of repetition. You will find that an occasional going back is a good thing, and will prove an aid rather than a delay. Note difficult words, especially also phrases, and jot them down in your reference book. The punctuation marks are the same as in longhand. 34 NATURAL SHORTHAND O- . ^ /" ^ ^ ^/7 / . a^- .x^x /v- Co cX / -<_^ . <^- ^ VO S O / O . WRITING EXERCISE 31. The student will observe in the Reading and Writing Exercises word-signs that are joined together, as, I-can-not, to-see, you-shall, etc. Such combi- nation of word-signs are called phrases. The student is advised to confine himself to the phrases presented in the Reading and Writing Exercises until he reaches Les- son 7, where phrase writing is taught and illustrated in a separate chapter. In this connection we again advise the student not to be too anxious to obtain speed in writing. He should be content to begin slowly and carefully so that his notes approach those in the text-book in points of neat- ness and accuracy. In other words, he should cultivate a correct and legible style of writing, then speed will take care of itself. NATURAL SHORTHAND II I owe you (To u). Your folly I-can-not bear to-see. The knife is-not yours ; who owns it ? Henry. You-shalU not lie. Dan is fair to-my nephew Sam. A* good boy is known by-all. Harry wishes to-see my new pony. Emma goes away to Iowa. Papa says you-should count all your cash. Boys, roll up your sleeves; it-is up to- you. Alice can sing a song. Otto is off on-a trip to Italy to-see Rome. Put your cap away. No man is always wise. Flee sin. Say "I-can-do it.'' It-is an easy task. Good-bv to all. *Generally pronounced like a in ask. See Webster's "New International" Dictionary. 36 NATURAL, SHORTHAND LESSON 4 SPECIAL ABBREVIATION 32. Chiefly for the purpose of rendering frequent monosyllables short and characteristic, we employ a few special abbreviating devices. They are restricted almost exclusively to the final portion of words. 33. A number of frequent monosyllables ending on ick are expressed by their initial downstrokes together with a short, straight backstroke. tick thick pick kick lick Remark. This short backstroke is the initial stroke of x (ks), and as such expresses k, a component part of the syllable abbreviated. 34. jV is represented by an additional character, a short horizontal stroke. It is used finally only, after r and 1. S following auxiliary n is slanted backward. darn mourn stol(e)n swoll(e)n mourns NATURAL SHORTHAND 35. R preceding a consonant can often be omitted. Similarly we generally omit n of the combination nj. Compare Par. 19. large church serve orange strange . (LO ____ ^? _ . . s-rf . - - ^^o ___ ..#?.. 36. Joining r to the right of downstrokes (Compare par. 20), expresses awr (or). nor corn horse torch Norway 37. The reversing principle of the preceding chap- ter, slightly modified, is employed also to express the syllable er (Tr, ur) when occurring before characters that are struck with a forward motion, namely s, sh, n, m, j, and upstroke th and dh. It is used also finally. terse turnip urge earth her 38. Auxiliary n slightly waved expresses in; adding a dot signifies oin. pine kine mine tine coin _ >- . . . XL. _ . Z ___ / ---- # --- 449502 38 NATURAL SHORTHAND 39. The termination own is expressed by resting the full length of ow on the line. The dot of ow may be omitted. town down gown noun brown 40. GENERAL EXERCISE _ . . Dick, sick, nick, stick; par. 34: borne, torn, worn, barn, yarn, darns; par. 35: nerve, curve, serves, starve, Bertha, Martha, birch, lurch. George, warm, arrange, hinge, sponge, lounge, passenger; par. 36: born, thorn, morn, born. north; par. 37: terse, purse, hearse, nurse, mercy, Jersey, learn, burn, furnace, term, firm, surge, scourge, birth, mirth, sir, pur, stir, cur, blur; par. 38: dine, spine, line, twine, brine, join, loin; par. 39: drawn, tines, towns. NATURAL SHORTHAND 41. WORD-SIGNS great take here about was come dear sure give back over from _ / O . ^ s> . OS S^ 7 . S~* . ^^~) S O 6 Q_> . &. it ^ most 2^ general y? just past 6 some, sum ^r-^ then, than A" person ^ soon "7 them / place /? south ,-/ there, their trust ^ shall ^l take X' under 3 should /O tell ^ very a^ ship v" thank df was v o short S9 the o want < ' shorthand ^T> that, those c , c we 48 NATURAL SHORTHAND well 9 which / word /> were ^ who worth s> what will work rf where <^ with (^ would -^ 52. READING EXERCISE X" - 7 ' . ^ // , /~0 ~^? O _ -> O S / WRITING EXERCISE 53. Try, try again. He-who laughs last, laughs best. The boys too, did study their task with-a will; they-are bound to-make good. Tell him it-will-be difficult to ship them another lot of-the same goods after-the first of May. 60 NATURAL SHORTHAND Many thanks for-the great favor. It-is already over-a month-ago that we shipped you a complete line of silk dress goods. Why then do-we-not hear-f rom-you ? Please pay up at-the bank, and-that very-soon. Do as you-would-be done by. Speak that which you-know is true. Much ado about nothing. Short words and numbers are better to-the point than long, difficult ones. I-am-glad to-say the man had just come back here to-see his friend. None but-the best. Be-sure to-mail every letter together with-what boxes our doorkeeper may give you. I-must buy these goods, and shall put you in-charge of-the storage. The copies wanted were well cared for under a separate lock. Because of lack of time they-should-not like to-be put to-any such work just-now. Give me the name that was asked for, also that of-the other person. These wares are very fine, handmade throughout, and must-be sold within two days. However difficult, the Railroad-Company is certain to- run a special train direct south to-several places on-the Wa- bash railway. Before he left Detroit he could-have shipped us the above dry-goods. I-trust you-will next collect the small sum in-full. Better late than never. I-think the several ac- counts have-been paid at-the bank at half past one o'clock. Take nothing for granted. We-love those most that are dear to us. Equal rights to all- This life is-a great school where knowledge is worth more-than riches Shorthand in-general writes all words by sound. We-say "among many persons, but between two friends." Where there-is-a will, there-is-a way. Stand fast therefore, and strike out with-a strong arm against- the folly of "I-can't do it." NATURAL SHORTHAND 81; LESSON 6 GENERAL ENDINGS 54. The principle of invariably expressing all ac- cented vowels by their particular, individual characters, and all unaccented, obscure vowels either by their own characters or by their nearest equivalents, applies es- pecially to words having endings. Thus the vowels o in roller (roller). S in cellar (seller), i in mirror (mirrer), o in chorus (korus), 5 in oral (oral), being accented, are always and invariably expressed by their own, particular characters, while the e, a, o, u, a, being unaccented, ob- scure, are represented by the closely related and highly practical sign for e. roller cellar mirror chorus oral Remark: It will be observed that we substitute only two unaccented vowels, u, (e) and a, by another unaccented vowel, namely e. Accented vowels are never substituted, in- terchanged by another vowel. 55. Medially, unaccented vowels are expressed, and that by their own individual characters. Excepted is unaccented u (e), as in balustrade, opera, which is ex- pressed also medially by e, its nearest equivalent. The 62 NATURAL, SHORTHAND exceptions are rare. Compare the unaccented vowels in final syllables, paragraph 54. notary decorate saturate balustrade opera 56. Referring to paragraph 54, we omit the unac- cented vowel occurring after a downstroke or upstroke (t, d) consonant followed by final r or L manner tenor treasure latter triple saddle .20. . . /9. . . STd . - . of. .. <. . . ^/.. Remark: Considerations for brevity and fluency of writ- ing prompt us to write the forms for trousers, misery, desert, generous, lantern, and similar words given in the Exercises. according to this rule. The forms are slightly exceptional, the r not being final. 57. Final / may be omitted in polysyllables; likewise in trisyllables and dissyllables of frequent occurrence or of characteristic form. Similarly we omit final r follow- ing dh (th). Words ending on sJ join the I above the s. trisyllable cardinal trouble mother tres(t)l(e) NATURAL SHORTHAND 53 58. The ending en (an, on, in) is expressed by aux- iliary n Elongating the en ending one grade expresses en (ant, out, \nt) -, two grades, end, (and, ond, ind). den Herman lesson cabin pardon ration ten tent tend men meant mend 59. The termination tion (sion) following a vowel is always written in full when occurring in dissyllables. In trisyllables we express it by the en ending together with the preceding vowel, and in polysyllables, by the en ending only. station donation solution animation locomotion 60. The termination nee (nse) is represented by a dot formed with an evolute motion, that is to the right. The unaccented vowels e, i, preceding this and similar endings, can often be omitted. dance sense quince Florence Lawrence ounce _ 6- - - -v . . fC . science tower fewer satiate Italian Remark: Generally speaking, we do not express the y sound in words like Italian, brilliant, vineyard. However, it may be expressed, especially in, proper names like Rudyard. by striking y through the character following it. Compare also cannon and canyon. See Writing Exercises. NATURAL SHORTHAND 61. Adverbial ly is represented by a dot formed with an involute motion, that is to the left. Final ing is expressed by a disconnected dot. Note final ings, ingly, and ington. Both ly and ing can often be omitted in fast writing. nearly richly nicely sadly highly lowly .7* , . t>>^ . . . 2* _ . i/. . . 2, . . . C* - thing knowing lodging sayings knowingly Washington - A . . "?-^'- . . Q^o . . /-/". . . . t-s'. . . . *-sr/~. . 62. GENERAL EXERCISE NATURAL SHORTHAND 55 ^ - <^ - <2- ? & 01 Seller, dealer, similar, collar, color, terror, horror, moral, bonus, pious, famous, joyous; par. 55: rotary, salary, tyranny, rectorate, licorice, pastoral, maturate, camera; par. 56: sister, differ, offer, foster, suffer, usher, liquor, leisure, patter, motor, shelter, murder, daughter, lighter, writer, literature, maple, panel, marshal, baffle, mantel, triple, couple, social, capsule, hostile, mobile, settle, settler, rattle, rattler, total, turtle, title, trousers, nippers, scissors, slippers, misery, mystery, cream- ery, scenery, desert, hazard, custard, shepherd, generous, oner- ous, lantern, western, pattern; par. 57: monosyllable, syllable, disciple, official, initial, miracle, able, travel, trifle, further far- ther, father, brother, gather, rather, Arthur, wrestle, parcel, ton- sil; par. 58: when, open, weapon, ribbon, Stephen, captain, Ger- man, Sherman, session, dozen, season, parson, cotton, written, 66 NATURAL. SHORTHANU tighten, matron, patron, stolen, glycerin, station, stationer. stationery, talent, parent, peasant, sent, spent, patent, urgent, tolerant, tenant, send, spend, garland, almond, tender; par. 59: narration, allusion, position, fascination, meditation, termination, litigation, origination; par. 60: lens, es- sence, offense, license, prince, lance, Clarence, dunce, tense, radiance, nuisance, layer, mower, towel, radiate, onion, bril- liant, vineyard, Rudyard, cannon, canyon; par. 61: daily, mostly, shortly, nightly, Manley, selling, trying, writing, do- ings, sparingly, Wellington. 63. READING EXERCISE f & y o / &$_ Qj ^ / L /> . > WRITING EXERCISE 64. Knowledge is power. An apt and diligent pupil is-the teacher's joy. Life is-not so short, but there-is always time for courtesy. Checks and drafts are cashed by-the bank. Talking without thinking is like shoot- ing without aiming. To-save time is to lengthen life. Violent passion shortens your life. Guard your tongue, for words often do great harm. Saying and doing are two things. The passenger train left the station very late. The choir sang a hymn after-the sermon. The rose is styled the queen of flowers. Never mind the future; you-are to-master the task before-you. Dear-Sir:* Last-night we shipped by special fast freight two dozen tailor-made men's suits partly scorch- ed in-a recent fire, and offer the lot for $90 net. We- trust you-will keep the goods at-that price. We- shall give you ten days time. Yours-truly, 58 NATURAL, SHORTHAND Dear-Sirs : In-reply-to-your-letter* we-should-say that the goods are hurt more-than stated. The color has suffered throughout, and-the collars of -more-than a dozen coats are torn off. Also several trousers are in bad shape. Allow us thirty days and we-shall pay you in due time. Truly-yours, *To meet the demands of such urging an extended list of word-signs we have added at the end of the book, an Appendix consisting of additional word-signs and phrases. In a few instances we have embodied a convenient form in the Exer- cises. NATURAL, SHORTHAND LESSON 7 GROUPING OF CONSONANTS 65. In writing consonant groups simply join the second character where the first ends. kidney napkin stagnant lymph Webster 66. We express mp by a small downstroke, and in- dicate mb by placing a downstroke tick above &. The tick can often be omitted. limp camp trump timber bombard 67. Sk following a downstroke is indicated by pla- cing a dot above such stroke. In practical work the dot is generally omitted. We omit p when between m and I. mansion section adoption empty prompt 68. Compound words are often written in full. When they admit of abbreviation, write the first word in full and indicate the remainder by the first character or characters. When consisting of word-signs only, simply join them. CO NATURAL. SHORTHAND highway nowadays semiannual hereafter sometime Remark: Compound words should be connected if such can be done with facility and without detriment to legibility; otherwise write them separately, but close together. In com- pounds and in phrases we express time by ti. 69. Polysyllables having neither prefixes nor suf- fixes can often be abbreviated by omitting the final sylla- ble or syllables, especially if the latter directly succeed principal < or d. In other words, write only as much as will be necessary to suggest the word when transcribing. material hotel academy children economy Remark: This rule generally applies to words of more than two syllables. However, since many words the initial syllable or syllables of which peculiar to themselves only, are sufficiently and characteristically indicated by such syllables. it is permissible to extend the application of this rule to words of but two syllables, and sometimes to monosyllables, also. 70. GENERAL EXERCISE NATURAL, SHORTHAND 61 t, Sidney, Edmund, catkin, acme, Agnes, signature, cam- phor, remnant, nymph, songster, lobster, monster; par. 66: lamp, stamp, damp, hemp, jump, mumps, thump, cramps, dumped, umpire, simple, example, lumber, nimble, thimble; par. 67: option, caption, mention, transient, essential, func- tion, action, fraction, suction, auction, diction, dictionary, temptation; par. 68: daybook, copybook, baseball, master- piece, midnight, beefsteak, breakfast, shortsighted, typewriter, pastime, thanksgiving, bookkeeping, birthday, namesday, by- law, first-rate, headache, no one, someone, anyone, anyway, everywhere, evermore, whenever, however, whichever, for- ever, wherever, everyone, everlasting, upon, herein, hereby, hereupon, therein, thereafter, thereupon, thereby, thereto, thereof, thereat, whereto, whereabout, whereupon, whereby, whereas, whereat, wherein, whereon, elsewhere; par. 69: pneumonia, neuralgia, monopoly, boulevard, arithmetic, manu- facture, Episcopal, Presbyterian, multiply, cultivate, natural, Germany, character, pupil, Hubert, Bernard, Albert, girl, stood. 62 NATURAL SHORTHAND PHRASING 71. Another auxiliary in the way of obtaining great- er speed is the practice of phraseography, that is the joining of small words that are naturally and grammati- cally closely connected. Phrasing is of great advantage to the shorthand writer, as writing several words with- out raising the pen adds much to rapidity. The phrases presented in this lesson, being regular phrases ( See Par. 73 ) , need not be memorized. Copying them intelligently several times will suffice. 72. But few particulars regarding the formation of phrases can be given. As with many other things, a fine sense of discrimination guided by the experience and ob- servation of others is also here the best teacher. How- ever, mark the following: 1. Words to be phrased must belong to the same part of the sentence, with no punctuation marks between. 2.' No phrase should be written unless the several forms join readily and legibly. 3. Prefix the personal pronouns to auxiliary verbs, and when practical, also to other verbs of frequent oc- currence, as I am, you have, we do, they say. 4. Prefix in, to, for, of and similar short words to word-forms permitting of easy connection, as in turn, to be, for that, of this. Do not join to to nouns, nor of to verbs. 5. Suffix a and the similarly ; the last named on the side opposite to that on which final r would be placed, as on a. 6. When in doubt as to the correctness or usefulness of a phrase, do not phrase. NATURAL. SHORTHAND 1 REGULAR PHRASES 73. We distinguish between regular and irregular phrases. Regular phrases comprise such in which words or word-signs are simply joined together. Irregular phrases (See Par. 104), in which one or several words constituting the phrase, are either contracted or entirely omitted. I have, he has, she has, it has, we have, you have, they have, I had, he had, it had, we had, you had, they had, I have had, it has had, I am, he is, she is, it is, we are, you are, they are, I was, he was, it was, we were, you were, they were, I would, he would, it would, we would, you would, they would, I will, he will, it will, we will, you will, they will, I shall, he shall, it shall, we shall, you shall, they shall, I should, we should, I have been, I had been, I would be, I will be, I shall be, I should be, I can be, I have not, I had not, I am not, I will not, I shall not, I can not be, I would not be, I have not been, I had not been. 64 NATURAL SHORTHAND 74. ADDITIONAL REGULAR PHRASES 7 ^T-^ / /~ /> 6 6 C I may, I may be, I may have, I may not, I may not be, I may not have, I may have had, I may have been, I may not have been, I might, I might be, I might have, I might not be, I might not have, I might have been, I might not have been, is not, he is not, has not, he has not, he was not, will not, he will not, he should not, could not, I do not, have I, have you, had I, had you, am I, are you, was I, were you, would I, would you, shall I, shall you, it is, is it, there is, there are, and a, and the, on a, after a, after the, by a, by the, to a, to the, with a, with the, with you, with that, with it, from a, from the, for a, for the, for you, for that, on you, from you, to this, to that, at all, not at all, sometime, sometimes. NATURAL SHORTHAND 65 75. READING EXERCISE / / - 2 . o ri / /- . 2 ^2 -- 2 ?> X" 6 NATURAL SHORTHAND WRITING EXERCISE 76. The idle agent lost his position. Talent alone cannot make a writer. More character, less knowledge, is-the cry nowadays. We-know what we-are, but-not what we-may-be. The more haste, the less speed. Do- not stand in-the rear, come to-the front. No-one is-a fool always, every-one sometimes. The mind is-the stand- ard of-man. Nothing will come of-nothing. It-may-be that the name in-the letter has-been given correctly after-all. However, since the officers cannot-be-said to- have-seen the offender in-person, it-will-be best to take up the matter later-on. We-may-not-have great talent, yet we-should-have the ambition of working, of striving f or-the first place. Sir: On-the Ist-inst. we-sent you our catalogue of summer goods and quoted special prices on hosiery and light underwear. Why do-we-not hear-f rom-you ? The goods are-the best that can-be-had for-the money and- the price is very low. We-have-sent word to-our agent who-is just-now traveling in-your state, to-stop at-your town and call on-you with samples of-the goods men- tioned. "We-have no hesitation making an allowance for- cash and shall ship the goods promptly. We-trust to-be favored with-some orders. Thanking you for-all past favors, we-are Yours-truly, NATURAL SHORTHAND LESSON 8 SUFFIXES AND TERMINATIONS 77. The most frequent suffixes and terminations are expressed by abbreviated forms which accommodate themselves to the final character of the root-word.* Remark: With the exception of Ing (Par. 61), all suf- fixes and terminations in Natural Shorthand connect with the root-word a speed-giving quality. able; suitable durable honorable tolerable lovable ible, uble; legible terrible sensible horrible soluble ^ S acy: primacy pharmacy piracy legacy lunacy ^ 4 *A root-word is a word from which other words are de- rived. Thus assign, assigns, assigned, assigning, assigner, assignable, consign, consignment, design, resign, signer, are all derived from the root-word sign. Similarly, finer, finest, finely, finery, refine, refinery, from fine. That which precedes the root-word is termed prefix, that which follows, suffix or termination. 68 NATURAL SHORTHAND age: drainage damage message village cottage o 4 ^ ^o <#> <~S am, em, im, um : madam item maxim costume ioufi, itioufi: fallacious rapacious nutritious officious body: somebody nobody anybody dom: seldom, wisdom -UL ^^ / ' # cne (ine) : serene marine machine routine ravine _ ^^ &- ?s\ o^T *S cer (ier) : cashier pioneer frontier auctioneer grenadier o eral : literal liberal erate : literate liberate 9 est: nicest greatest shortest lightest doest NATURAL SHORTHAND 69 fold: twofold manifold form: Inform multiform *C **- t 4 ** fnl: trustful careful manful hood: knighthood yrapli : telegrnph phonograph gram: telegram phonogram ic: topic lyric critic ical (icle) : musical icicle /?> ?y g-r o^r <^^v self: yourself himself themselves thing: anything 'V vv ^-v / *-> >- ship-, ownership friendship teen: thirteen nineteen 72 NATURAL. SHORTHAND some : handsome tiresome gladsome lonesome troublesome urn (om) : autumn bottom column ward: onward Edward / .-J J COMPOUND SUFFIXES 78. Owing to the fluent and characteristic forms for our suffixes, compound suffixes connect with the same facility as the simple ones. useless uselessly uselessness festivity terribly 79. The forms for the endings ular, ulate, ulence, ulent, uloit.fi. ulutn, ual are obtained by simply omitting the 1. angular modulate turbulence stimulant populous NATURAL SHORTHAND 73 80. The suffixes ality and ility are generally ex- pressed by al and il, respectively. We omit the syllables ed and i preceding' the suffix ness. morality vitality fatality rascality totality docility civility hostility tiredness happiness 81. Words ending in suffixes or terminations can be abbreviated by omitting the final character or characters of the root-word, and adding the suffix. miscellaneous unanimous locomotive citizenship eternity 82. In words like amber, atlas we raise initial a above the line, that it may not interfere with r and 1, respectively. Similarly, if the vowel i occurs in two successive syllables, we rest the downstroke following the second i. upon the line. This gives us greater line- ality. amber atlas visitation diligen-t Erin 83. Numbers are best expressed by the ordinary figures, except ten, hundred, thousand, and million, 74 NATURAL SHORTHAND which should be rendered by their stenographic forms. We express cents by s, dollars by d, pounds (weight or money) by p. Ic $10 $200 $6000 $7000000 800 Ibs. /o L/ 2 ?/ /*/ 7 W f W 84 Proper names should be written according to sound. Observe the German (Scotch) ch, the French and German u, the French nasal n, and the German pf, tich, and ;'. We may also distinguish between s, z, and c. Compare paragraph 16. 'Donovan McMaster Loch Dubois Mueller Monch Bon Pfarrer Joseph Zimmer Cimmer Schneider Remarks: Final t or d in proper names may be struck downward, and double consonants may be expressed by shad- ing. as in Hit, Reed. Peters, Mann. (See Exercises). When used as initials, express A by y . E by ^ , and Y by c . Note in this paragraph the special characters for z and c, to be employed also as initials. 85. Similar to ordinary writing, many words of fre- quent occurrence are represented by their most character- istic elements only. In determining abbreviations and NATURAL SHORTHAND contractions, employ the initial characters chiefly as they suggest the full word most quickly. Mr. Mrs. Ave. St. Pa. Mo. I'll > y ? t O J? 86. The months of the year, and the days of the week. <2-^ / (SK> ^ 2 O) O~ ^f s->S ^-/^ 87. /> c/ GENERAL EXERCISE >7 NATURAL, SHORTHAND */ A NATURAL. SHORTHAND 77 Payable, liable, probable, favorable, notable, bearable, laughable, passable, possible, visible, fallacy, delicacy, cab- bage, courage, cartage, Adam, William, Graham, system, sera- phim, fume, spacious, tenacious, audacious, capricious, sediti- ous, auspicious, everybody, kingdom, sateen, Irene, canoneer, volunteer, mineral, lateral, moderate, operate, tolerate, gener- ate, smallest, latest, highest, finest, richest, threefold, sixfold, vermiform, chloroform, platform, lawful, handful, thankful, dreadful, graceful, useful, painful, boyhood, girlhood, photo- graph, paragraph, lithograph, geography, biography, stenogra- pher, epigram, monogram, chronic, terrific, attic, graphic, panic, cubic, Eric, music, Patrick, Frederick, nickel, tickle, pickle, radical, chronicle, causticity, civilization, pulverization, timidity, stupidity, cupidity, courteous, various, spurious, furious, studious, duteous, piteous, tedious, foolish, flourish, vanish, boyish, girlish, brutish, peevish, heroism, chasm, organist, dentist, scientist, solicitude, beatitude, sanity, parity, lenity, celerity, security, levity, scarcity, gravity, capability, pliability, tenability, durability, notability, suitability, legibili- ty, volubility, native, sportive, missive, massive, possessive, talkative, tearless, endless, seamless, nameless, faithless, speechless, numberless, useless, noiseless, peerless, bracelet, streamlet, hamlet, nurseling, stripling, weakling, dumpling, highland, lowland, Portland, etymology, phrenology, Scotch- man, Irishman, brakeman, testimony, matrimony, basement, statement, element, aliment, measurement, sediment, testa- ment, goodness, greatness, gladness, smallness, whiteness, alertness, idleness, history, hickory, lavatory, territory, terri- torial, pictorial, precious, pious, righteous, jealous, cautious, momentous, pompous, treacherous, census, herself, itself, my- self, everything, something, scholarship, township, fourteen, irksome, winsome, loathsome, album, quorum, custom, forum, symptom, backward, outward, upward, towards, forward, in- ward; par. 78: careless, carelessness, carefully, amiably, 78 NATURAL SHORTHAND 0-7 e> *-> NATURAL SHORTHAND cleanliness, foolishness, serviceableness, captivity, penman- ship; par. 79: singular, regular, stimulate, ambulance, opulent, sedulous, masculine, manual, mutual, population, formulation; par. 80: locality, legality, bestiality, geniality, neutrality, ability, stability, nobility, utility, servility, moral, morality, total, totality, legal, legality, noble, nobility, servile, servility, crookedness, easiness, sauciness, sleepiness, haughtiness, lazi- ness; par. 81: monotonous, poisonous, monopolist, pessimist, scientific, academic, paternity, maternity, maximum, mini- mum, anxiety, society, multiplicity, simplicity, astronomy, anatomy, botany, punishment, criticise, hypnotize, naturaliza- tion, harmonization, nationality, orginality, fertility, similarity, assiduity, credulity, generosity; par. 82: vicinity, dirigible, milliner, military, Mississippi; par. 83: 2d, second, 3d, third, 4th, fourth, secondly, secondary, hundreds, thousands, million- aire; par. 84: Hit, Reed, Peters, Mann, Ashton, Garfleld, Ban- croft, Cummings, McKinley, McNally, O'Hara, Hecht, .Schmidt; par. 85: Esq., U. S., Jr., Sen., Dr. (doctor), C. O. D., Mt., Co., ult., do., vol., Bros., Rev., memo., yd., ft., in., etc., No., bu., Chas., you're, ma'am. 88. 80 NATURAL SHORTHAND . ^ ./ /*/&-,/>. WRITING EXERCISE 89. Mental hesitation is-the greatest drawback in fast writing. It-is probable that a reasonable rate-of- interest will-be charged on-your note payable the first of July. To-be good for-everything is to-be good for- nothing. I-think it possible for-every-one of -my scholars to train his hand to-a graceful and legible style of writ- ing. A little learning is-a dangerous thing. Try to-be something in-the world and you-will-be something. Geo- metric characters are more difficult to- write than graphic ones. It-was stated in-the message that the storm had caused great damage to-the cottage. Nothing is trouble- NATURAL SHORTHAND 81 some that we-do cheerfully. Never wait for-a thing to turn up. Go and turn it up yourself ; it takes less time and-is surer to-be. Before making payment, the teller made the statement that the measurement of-both the basement and-the pavement had-not-been given correct- ly. The salesman told the drayman to call on-the work- man to assist in-the shipment of -the ornaments. A stren- uous life and-an open manner soon made Washington famous throughout-the land. The handsome boy and his gladsome little sister seemed lonesome since the death of father and mother. Cultivate a spirit of solicitude about your work, banish all lassitude. READING EXERCISE * jf d ^"l_x 00 -- in (ig, il, im, ir) : intent ignore illegible impend irritate mis: mischief mistake misstatement misconception non: nonsense nonpareil ob (oc) : obtuse occupation V over: overtake overdo oversight ou< : outdoors outcast per, pur: persist pertinent purchase post : postpone pre: pretend prepare preside precedent . prelude pro: propose promote provide prolong process NATURAL SHORTHAND 87 re: receipt recite reliable refrain revise O OO-^"^ OQ___ @-cs &? <-) sub (sup), sug (sue), sus: substitute suggest suspend super: supersede supernatural supervise superior *> ^i^ V <*_, ^ sur, circum : surprise survive surmise circumnavigate J raws : translate transpose transact transparent transpire un : unaware unused unassisted uncertain uni : Unitarian f \inder-. undertake underwear understand underline 88 NATURAL, SHORTHAND COMPOUND PREFIXES 91. There is nothing particularly to be remarked re- garding the manner of joining compound prefixes. Sim- ply string them together. As words with compound pre- fixes are very characteristic, it is not necessary to write such words in full. In general they are sufficiently indi- cated by the prefixes together with the initial character or characters of the root-word. superintend reimburse disentangle independent V V ^ ~*L _ Remark: In connection with other prefixes join de, as in independent. 92. Polysyllables having prefixes can generally be abbreviated after the first or second syllable of the root- word, writing the prefix in full. Similarly, trisyllables and dissyllables having prefixes can often be abbreviated according to paragraph 69. international abominate elaborate intimate perhaps oJ> 93. Many long words have both prefixes and suffix- es. Such may be abbreviated by writing the prefix to- gether with the first character or syllable of the root- word, and adding the suffix. The intermediate syllable or syllables are omitted. demonstrative comparative implement perpetuity NATURAL SHORTHAND 89 94. In a great many words the consonant following the prefix a is doubled. This doubling remains unex- pressed in shorthand. attire annoy affair append assist 95. Tn rapid work, the adjective, the noun, and the verb can often be expressed by the same form, especially so if the form to be abbreviated occurs in the latter part of the sentence. For instance, "Additional funds proved necessary additional funds proved a necessity ; the con- dition of affairs necessitated the creation of additional funds." This method of abbreviation is perfectly safe since the context will readily determine the form intend- ed ; that is to say, words so abbreviated are supposed to occur in sentences. Many words in the exercises are ab- breviated according to this principle, while for the sake <5f completeness, the dictionary generally distinguishes between the -several forms. ' /^ 90 NATURAL SHORTHAND 96. The following is a list of important root-words appearing in connection with different prefixes. Being of great frequency, they should be carefully committed to memory. ceive : receive conceive deceive perceive receiver claim: acclaim exclaim reclaim proclaim declamation clo&e: enclose foreclose disclose enclosure closest dude : include exclude cern : concern discern dict: addict predict verdict contradict benediction / / f duct: conduct deduct induct product induction /. / 71 NATURAL SHORTHAND 91 feet: affect affection confection effect infect fit: counterfeit outfit forfeit refit profit form : conform inform reform uniform former /> S J> y^ /i ' f. fy. satisfy identify notify signify notification L. ^ 5 V -^ V ject: object subject project inject rejection 6 -6 % mit: omit remit commit permit permission 7 ^7 7 /> ^ ^ wove: remove removal prove: approve improve -7 "~7 "~7 *~ *~ ~*~ plex: perplex duplex complex complexion perplexity 92 NATURAL, SHORTHAND plicate: implicate complicate duplicate implication ply: apply comply imply supply appliance port: report export import support transportation quire: acquire inquire require acquisition acquirement quest: request inquest suit: consult result scribe: inscribe ascribe sort: assort resort -> -> ^ , / / f / / /* i/S (y^i sped: aspect prospect inspection circumspect retrospect Tf. struct: construct instruct obstruct superstructure & & ~^ ^^ ^ sume: resume presume sumption: resumption NATURAL. SHORTHAND 93 tain: attain retain contain tention: attention / / 9" ? L tract : attract retract vent . convent advent verse : averse converse 7* vert: / avert convert 97. Prefixes often change when before certain con- sonants, and are frequently contracted or assimilated to the root-word in such manner as to become obscure, or entirely unrecognizable. As their ready and correct ap- plication would necessitate the constant and intelligent use of a larger dictionary, we would recommend to write such words the etymological composition of which is un- known to the writer or appears doubtful, in full, in ac- cordance with the general rules. suffice collapse diffuse suffocate mnoeent syf (L&4 /--? /-r/ ^?_xy 98. When a word is not clearly understood, indicate such by drawing a circle around it. Emphasis is ex- pressed by underscoring the respective word or words by a straight line. The omission of a single word is denoted by a caret, that of several words, by a large dash 7 . NATURAL SHORTHAND 99. Quotations are indicated by simply writing the commencing and the concluding words, with a large dash between : 7 c-V ? / . This characteris- tic stroke half length, may also take the place of the dash employed in ordinary writing, (ft l^^ , ^ ^ > . 100. A word with an initial capital may be indicated by one small tick placed beneath it : God C/ , He ? , U. S. So . 101. GENERAL EXERCISE /? NATURAL SHORTHAND Is // ^> V /> *"X* "^__ "7? ^L^C IB. ~r . Ch 5 ( Dear Sir your letter o in answer to ~* at hand "E. in reference to -* to hand g. post office ^ on hand s 2- postal card ^/ in hand ~~2. money order r^ take care /< take pleasure fi express money order Express Co. wf 6 as regards <" Insurance Co. -^ as soon as "^7 by express as much as < by return mail *9 as many as ** in order -r in regard to & our order * in reply to ~^ we beg -s in respect to ~7^ we beg leave -T& NATURAL, SHORTHAND 106 I am confident -* "c I remain "c. we are confident ra^f we remain 2. 1 am glad ^ Yours truly / we are glad t^T Truly yours ^ 1 am sorry -t/*' Yours very truly V-"7 I am very tfl *^ sorry Very truly yours "*^T we are sorry &Tr^ I remain Very 6e-^ truly yours \ am obliged -xxS/^ We remain Very Co- / truly yours we are obliged 1/-7 Yours sincerely ^> I am in iP^ receipt Yours, very <&^-r* sincerely I am in receipt <&* of your letter Very sincerely <> *S yours we are in receipt *f^ of your favor I have received your favor we have received o your letter Respectfully 'X Very respectfully o^r* 7 Yours respectfully ^X in reply to your ~2^ favor Respectfully yours ^ in answer to -t/Zv^-e*"' your inquiry Yours very So X respectfully 106 NATURAL SHORTHAND 108. READING EXERCISE ^v^c x^, C O NATURAL SHORTHAND WRITING EXERCISE 109. Before entering upon this exercise, recall that success depends on-your efforts. The knowledge of-a foreign language is certainly a very desirable accomplish- ment. Shorthand is of great help toward-the acquire- ment of-a correct pronunciation. Fluency of speech does-not always indicate good common sense. The sun forms the center of -the solar system. Traffic was sus- pended until-the bridge was rebuilt. Within-a week all outstanding accounts were collected. The jury, unable to agree upon-a verdict, was dismissed by-the judge. Absent friends are soon forgotten. The venerable presi- dent of-the society was-the recipient of-a handsome and valuable present. The goods delivered were of but medium quality and were disposed of at-a sacrifice. An old tree can seldom be radically improved upon. The plan for-the reorganization of-the company was at-once adopted. A man is delivered and gay when he-has put his heart into his work and done his best. Justice is-the foundation of all government. "I-can't do it" never accomplished anything. The great secret of success is constancy of purpose. The book was subjected to-an examination prior to-its publication. Bear and forbear. Success to all. Dear-Madam: Your-favor of-the 8th-inst. with list of ten subscriptions to-the Penman is at-hand. We sin- cerely thank you for-the list and have forwarded the premium selected. The September and October num- 108 NATURAL SHORTHAND r ' t 6 -- ^O X' #^ America *2 call c /- convenient 2 amount ^ catalogue CX cover /^ answer c/7 certificate *-?# defendant /? - author "7* circumstance 7 deliver ^ become /^ clerk /5^ desire ^0^ begin ^*? cloth O/ 3 distinct >" behind >~ college Oi? early <^ beyond < A-' common ?. electric f big ^-*^ communicate ^ English -^? black & compliment 3 esteem -^^7 NATURAL. SHORTHAND lit evident 7.. _ heard r judge /-G except vo heart language r expect y help V leave &* express v" henceforth J* liberty OS expense v hold ^ list - extra i hope t_x market 2- fact t-/" house, his ^ mean ^ fall /> hundred ^ member / familiaf /J? immediate ~7 merchandise ^n far /u, important, -ce ~ money r?r frequent C inferior *^? mortgage & fund rt instant necessary ^ furnish /ft instance . . neglect ^ gentlemen OL interest -J oblige ^ get S inventory '^ occasion * grand ^ invoice once 3, 112 NATURAL SHORTHAND only proper aLo response X opinion **-f proprietor <^ return /^ opportunity v -_s*^' public fS select ^ / or publish > ax ~) sincere -^> order purpose "f sorry 1^ ordinary *~~f quantity -^ still ^ particular & quart,-er c/", < sufficient X_ pencil & question 2 temper /^ plain '/} recommend ^ thought -/" plenty /2-~ real e^ thousand ^ plus ^ record '/ c, y/A- /^ A -V ^ ^2 ^> -Cx-> / /> ^) ' 7 . X? ry NATURAL SHORTHAND 111 THE PRESENT AGE In looking at our age I am struck immediately with one commanding characteristic, and that is the tendency in all its movements to expansion, to diffusion, to uni- versality. To this I ask your attention. This tendency is directly opposed to the spirit of exclusiveness, restric- tion, narrowness, monopoly, which has prevailed in past ages. Human action is now freer, more unconf ined ; all goods, advantages, helps, are more open to all ; the privi- leged petted individual is becoming less, and the human race is becoming more. If we look at the various move- ments of our age, we shall see in them this tendency to universality and diffusion. Look first at science and literature. Where is science now? Locked up in a few colleges or royal societies or inaccessible volumes ? Are its experiments mysteries for a few privileged eyes? Are its portals guarded by a dark phraseology which to the multitude is a foreign tongue? No! Science has now left her retreats, her shades, her selected company of votaries, and with familiar tone begun the work of in- structing the race. Through the press, discoveries and theories once the monopoly of philosophers have become the property of the multitude. Its professors, heard not long ago in the university or some narrow school, now speak in the mechanics' institute. The doctrine that the laborer should understand the principles of his art, should be able to explain the laws and processes which he turns to account that, instead of working as a ma- chine, he should join intelligence to his toil is no longer 120 NATURAL, SHORTHAND / S? o ? "7 X? 2 /? NATURAL SHORTHAND 121 listened to as a dream. Science, once the greatest of dis- tinctions, is becoming popular. The school books of our children contain grand views of the creation. There are parts of our country in which lyceums spring up in al- most every village for the purpose of mutual aid in the study of natural science. The characteristic of our age, then, is not the improvement of science, rapid as this is, so much as its extension to all men. W. Channing. PRUDENCE Well-disposed youths may find that goodness of heart and openness of temper, though these may give them great comfort within and administer to an honest pride in their own minds, will by no means, alas ! do their business in the world. Prudence and circumspection are necessary even to the best of men. They are, indeed, as it were, a guard to Virtue without which she can never be safe. It is not enough that your designs nay, that your actions are intrinsically good; you must take care they shall appear so. If your inside be ever so beautiful, you must preserve a fair outside also. This must be con- stantly looked to, or malice and envy will take care to blacken it so that sagacity and goodness will not be able to see through it and to discern the beauties within. Let this be your constant maxim that no man can be good enough to enable him to neglect the rules of prudence; nor will Virtue herself look beautiful unless she be be- decked with the outward ornaments of decency and decorum. 122 NATURAL SHORTHAND / " & ' cr SJ ~r. } c * *$ // C/ / *r