THE ARCH -SATIRIST "The least we can do is to apologize, and we do it thus." Page, 299 THE ARCH-SATI RIST BY FRANCES DE WOLFE FENWICK ILLUSTRATED BY CHARLES COPELAND "Justice had been done, and Time, the Arch- Satirist, had had his joke out." THOMAS HAEDT. BOSTON LOTHROP, LEE fcf SHEPARD CO. Published, March, 1910 COPYRIGHT, 1910, BY LOTHROP, LEE & SHEPARD Co. All Rights Reserved Entered at Stationer's Hall, London THE ARCH-SATIRIST Norfoooto BERWICK & SMITH Co. Norwood, Mass., U. 8. A. SRLi URU CONTENTS CHAPTER PAGE I. "HALF DEVIL AND HALF CHILD" i II. A VISIT TO AGATHA 18 III. " FORSAKEN GUTS AND CREEKS " . -43 IV. A BRILLIANT MATCH 54 V. "BLIND FOOLS OF FATE" 63 VI. " LIFE AT ITS END " 78 VII. A SHORT REPENTANCE 93 VIII. " PUNCHINELLO " 109 IX. " JUST A FEW OF THE GIRLS " . . . . 122 X. " A FIN -DE - SIECLE PAIR " . . .141 XL VISITORS AND DISCLOSURES .... 164 XII. THE VIEWS OF Two WOMEN .... 174 XIII. REJECTED ADDRESSES 192 XIV. A DECISION TO BE REACHED .... 209 XV. " BE PITIFUL, O GOD ! " 232 XVI. THE HOCKEY MATCH 240 XVII. A SCANDAL VERIFIED 255 XVIII. MRS. HADWELL'S FANCY DRESS BALL . . 266 XIX. AGATHA " DOES HER DUTY " AND Is REWARDED 276 XX. THE TWINS UNDER A NEW ASPECT . . . 285 XXL A LIE WHICH Is PART A TRUTH . . . 302 XXII. WHISPERING TONGUES 313 XXIII. WHEN LOVE Is DONE 325 XXIV. MRS. LANGHAM-GREEN PAYS HER DEBT; AND MRS. WAITE, HERS 33 2 XXV. THE SHADOWS FALL .... 342 THE ARCH - SATIRIST CHAPTER I "HALF DEVIL AND HALF CHILD" " Then the preacher preached of Sin . . . fair of flower and bitter of fruit." Juliana Horatia Ewing. " A | ^ O me the idea of slaving for a life- time in order to die rich is a piti- -*- ful sort of insanity. That's the Italian in me, I suppose. I would think it wiser to drink drink deep and long and gloriously and die of it die in a ditch if necessary! Then I would have lived some sort of life, anyway, and enjoyed it after my fashion. But I'm not going to live or die that way. I'm going to take everything in life that's worth having, and I'm going to enjoy and enjoy and en- joy! The devil, himself, can't cheat me of it. I've long arrears of happiness to make up and by God Til make them!" 2 THE ARCH - SATIRIST The speaker broke off, coughing horribly; a gleam of intense rage shone in his great, wild eyes and his thin nostrils quivered, furiously. Poor slight earth-worm! caught in the whirlwind of Destiny and tossed hither and thither! compelled to falsify his weak boasts even as he uttered them! The man who sat opposite, smoking and loung- ing in the dim light of the studio, withdrew his gaze with an effort from his visitor's frail form and frenzied face; there seemed something indecent in gazing thus openly at the contortions of a naked soul. " Have a little hot Scotch for the cough," he suggested, reluctantly. " What's the use? I may just as well give it to him, here," he added to himself. " The boy's trebly doomed and a drop more or less isn't going to make any difference either way." He busied himself with a spirit lamp and glasses and soon his visitor was gulping down the proffered draught, greedily. "That's good!" he exclaimed. "That puts life in me. I feel as if I could write something now something worth while." " Something unfit for reading, I suppose you mean," returned his host, cheerfully. "HALF DEVIL" 3 The boy laughed easily and settled back among the cushions of his easy chair with panther-like grace. " Not a bit of it," he answered, gaily. " I only write them after gin. The best thing I ever did was gin ' Sin's Lure/ You read it?" " I did." "Strong, wasn't it?" " Strong, yes. So is a so are various other things strong. Just the sort of thing a diseased, vice-racked, dissipated young genius like you might be expected to produce. What bothers me now is your prose. Anything more uncharacteristic " The boy laughed and gazed at the older man, intently and mischievously. "Nothing morbid about that, is there?" " Nothing. Bright, dainty, unerringly truthful, delightfully witty how in thun- der do you do it? You must have two souls." ' Two ! I've got a dozen." The boy lit a cigarette and puffed it, meditatively. The man smoked a well-col- oured pipe and gazed steadily at his visitor. Seen thus, they were an ill-assorted pair. 4 THE ARCH - SATIRIST Gerald Amherst, the owner of the studio, was an artist, uncursed overmuch by the artistic temperament. His strong, sane face and massive figure suggested the ath- lete, the pose and substance of his attitude the successful business man. Nor did the omens lie. He was an athlete in his lei- sure moments, a business man at all times. Art was his occupation, his delight; but he never forgot that she was also his bread- winner. Amherst painted good, sometimes exceptional pictures ; and he demanded and obtained good, sometimes excep- tional prices for them. For the rest he was thirty-four, fine-looking, well-bred, honest and popular. Friends came to him as flies come in July to ordinary mortals. So alien was his visitor that he hardly seemed to belong to the same world. Lithe, long-limbed, sinuous, with features of al- most feminine delicacy and charm and hands that made the artist soul in Gerald vibrate pleasurably. The eyes deep-set, hollow, passionate were the eyes of a lost soul; impenetrable, fathomless, and lurid. "HALF DEVIL" 5 Strange, alluring, repellent personality! where the seeds of a thousand sins sown centuries before bore hideous fruit. Mad- ness, vice, disease, and death and, through them all, the golden fire of genius! This boy's age was nineteen; and no second glance was needed to tell that the fierce, straining spirit must soon leave its wretched tenement behind and fare forth into dark- ness. In the meantime Amherst puffed at his pipe and thought. A year ago this boy had been a pet and idol of Montreal society; to-day his open corruptness had closed all doors to him save those of a few, who, like Amherst, forgave the madman in the genius, and the beast in the dying boy. Then, too, our hero was an artist; and Leo Ricossia was a model such as artist seldom sees. He was graceful as some young wild animal; his delicately nervous body could form no pose that was not pleas- ing. As for his face thin-lipped, wide- eyed, luminous " Ricossia will never write a poem so wonderful as his face," a brother- artist had once remarked; and Amherst fully concurred in the opinion. 6 THE ARCH - SATIRIST Ricossia spoke presently, his dark eyes heavy with thought. " You think it possible that one may have ten souls? " " I think it probable that one soul may have twenty outlooks, and all of them vile, when he has soaked in sufficient gin. But how an unhealthy mind can produce healthy stuff that's beyond me. Your prose is healthy, and what's more, it's fine. It ranks with " He stopped abruptly, amazed and confounded by the glitter in Ricossia's eye. ' You you don't think it better than my poetry? You can't!" "I think in a sense it is better!" Amherst spoke slowly and Ricossia leaned forward to catch his words with an avid- ity which seemed disproportioned to the matter in hand. " In another sense it's not so good, of course. The poems are unhealthy, feverish, abnormal but, in their way, they're efforts of genius. The stories are simply very unusually clever prose healthy, witty, and clean. Person- ally I prefer them." "You you miserable Philistine!" "HALF DEVIL" 7 The boy leaned back as though relieved and his scarlet lips parted in a smile of startling sweetness. The eyes had lost their wild gleam now and were simply wells of dusky kindness and fellowship; the eyes of an intelligent, friendly brute with something added. Gerald noted the change with unflagging interest; as a study the boy never palled. "You think I'm a bad lot, don't you?" " I think you're as bad as the worst. But a chap like you isn't to be judged by ordi- nary standards." ' Yet," pursued Ricossia, slowly, " you allow that I can write clean stuff. Per- haps in spite of it all, underneath it all my soul is clean." '' I hope so; but I don't believe it for a moment. No, I can't account for it that way." " Possibly," suggested the other, puffing fitfully, " possibly, then, my unclean spirit has gained control of some healthy, human soul which it dominates." :t Possibly you're talking awful rot," re- turned the other, good-humouredly but a trifle impatiently. 8 THE ARCH - SATIRIST " Possibly I am." The poet smiled softly and leaned back, making a lovely thing of the corner where he lounged. " Healthy people often have a liking for me," he observed. " You, for instance the healthiest man I know. And the health- iest woman Miss Thayer." " That'll do." "What do you mean?" " That you mustn't speak of her." "Why?" " You ought to know." The boy stared, uncomprehendingly; then threw himself back, chuckling inau- dibly. " You didn't understand me," he said at last, his beautiful eyes bright with amuse- ment. " She has far too much sense to be attracted by me in the ordinary way. I meant only " " I don't care what you meant. I don't like to talk to you about her and I won't. If she did bestow a good deal of attention on you at one time it was before she knew your real character; she regarded you just as a sick, inspired boy. None of them ever "HALF DEVIL" 9 speak of you, now; you ought to know that." Ricossia fixed his great eyes on the speaker's face with an impenetrable expres- sion, then shook with silent laughter. " We'll talk on some less delicate sub- ject," he said at last with a keen, bright glance at the other man, replete with subtle mockery. " Still," he added, softly, " you'll allow leaving all personalities out of the question that I have a magnetic attrac- tion for all women, good and bad even if I am ostracized from polite society." !< I'll allow nothing I don't want to discuss it, I tell you," said Amherst, irri- tably. " There are some things and some people one doesn't care to hear you men- tion, you young Can't you understand that?" " Perfectly ! " returned the boy, laughing. His laugh was an uncanny thing, so melo- dious and bell-like as to be startlingly un- masculine. Amherst liked it no better than the rest of him and found it equally at- tractive. After all, he mused, his momentary irri- tation, subsiding, our ideas of what a man io THE ARCH - SATIRIST should be were arbitrary. Certainly there was a beauty of disease; a beauty even of corruption, which, while no one cared to imitate, no one, on the other hand, could deny the existence of. Here was a living example; the scapegoat of heredity, laden down with sin, weighted with disease, yet possessed of how many goodly gifts! And all to end in what? The passion of the hot heart, the sweat of the over-active brain all, all for nothing. An evil life and an early grave. Retribution, yes; but retribution, really, for the sins of the dead men whose deeds lived, poisoning the life and rotting the blood in the veins of this, their human puppet. And these dead men, what of them? What of their life, end- lessly self-renewed, unceasingly sinned against until this, the last representative of a name that had once been great, went to fertilize the waiting earth. " About all he is fit for, too," mused Gerald grimly enough, noting the signs plainly written on the face of the boy. Then his mood changed. How pitiful! This beautiful creature, in nature a cross between a satyr and an elfin, in face, nothing short of a "HALF DEVIL" 11 god; this "vessel of a more ungainly make" "leaning all awry"; this marion- ette of the scornful gods, dancing gaily enough, to every tune the devil chose to play him; this strange, only half human being of the unbridled will, the untempered desires. And only nineteen! The studio showed bright with candle- light and lamp-light. A fire of wood and coal glowed and chattered on the hearth. It was all very quiet, very restful. The boy still lingered among the rich-hued cushions and his face showed an unwonted sense of peace. The poetic instincts which an Italian father, an Irish grandmother, had be- queathed to him responded amazingly to this atmosphere of cosy, sinless warmth. He was quite capable of rising to heights of extraordinary mental spirituality at such moments, though quite incapable of apply- ing the first principle of morality to his daily life. Gerald Amherst thought, as he had thought many times before, of the strange inequalities of life. Here was he, thirty- four, the possessor of a sound body, a clear 12 THE ARCH - SATIRIST conscience, a healthy mind and a sufficient income. He reflected on these various ad- vantages with no sense of personal merit, feeling that they had been bequeathed to him as truly as had the old mahogany chest which formed one of the chief ornaments of his room. He had certainly started as well equipped as most to play the great game of life. What if he, too, had had this boy's herit- age? He tried, smiling a little, to imagine himself a Ricossia; a doomed, reckless, light-hearted being who chose to spend his few remaining years in hopeless vice. As he thought, a sudden pity for the boy over- took him as it had very often done before, a sudden curiosity as to what really tran- spired behind the black veil which we all hang between our inmost selves and the eyes of our fellow-humans. Did the boy ever feel regret or shame or loathing for himself or reluctance to continue in his vile career? Would he confess to it if he did? Amherst, pressed by a sudden desire to know more of his whimiscal visitant, ques- tioned him, soberly. "I say Leo!" "HALF DEVIL" 13 "Well, old man?" " You've been going it a bit, lately, haven't you? Drinking pretty hard? Drugs, too, of some sort, I fancy. You look pretty seedy." The boy started and glanced hastily in a polished, steel mirror which hung near. What he saw evidently re-assured him, for he tossed his black head and smiled, care- lessly. " I think I look pretty fit," he said, coolly. " I'd hate to think otherwise. My word! I don't know what I'd do if some fellows show that sort of thing so. Swollen faces, purple round the nose and all that you know? " " I know." " But I'm not in that class, yet, thank the Lord." " Yes, but suppose the Lord went back on you and handed you the red nose and the pimples and all the other ornaments which rightfully belong to you what then?" "Then? oh, then, I'd end it very quickly. I can't bear to have an ugly ob- ject in the room with me; do you think i 4 THE ARCH - SATIRIST I could bear to be one myself? Chloral's painless." " Yes, and cheap. The idea of suicide appeals to you, then?" " Not especially," answered the boy, be- ginning to stir, restlessly. '' But one must do something if the worst comes to the worst." " I wonder, if you feel like that, that you continue to live. Do you really think your life's worth living?" " No," answered Ricossia, calmly. " Do you think yours is?" Gerald stopped half-way in an answer, struck by a sudden thought. Was his life worth living? It was a good life as lives go; but if he could exchange it now, to- night, for total oblivion, absolute insurance against future pain, old age, illness, sorrow would he, or would he not? He hesi- tated. " I ask you," pursued Ricossia, quietly, " because, just now, as I leaned back here in your comfortable chair with your fire dancing in my eyes and your good drink warming the very cockles of my heart, I thought of you and, for a moment, envied "HALF DEVIL" 15 you. Then I thought of your life. Your tiresome routine of work, exercise, whole- some food, good air, sound sleep God! how do you stand it? I'd go mad!" "You think your own life preferable?" " My life is life of a kind. My cough's a devilish nuisance but I can always pur- chase oblivion with a few cents oblivion! Have you ever known what it is to want sleep? No? I thought not. Wait until you have. Then know what it is to want sleep and to get it; to drop off to slumber, lulled with pleasant thoughts, dreams, fan- cies, and to feel no pain, no bother, nothing but a delicious drowsiness. Of course the waking up is bad but you don't think of that; if you did, I suppose you'd take a bigger dose once for all." :< I'm not paid to induce you to commit suicide, but, feeling as you do, I wonder what on earth you live for?" " So do I. So do most of us. But of course there is only one answer to that question; namely, that Nature has im- planted in the breast of the tiniest insect that lives and crawls on the face of this globe not only the desire to live but the 16 THE ARCH - SATIRIST intention to live. It's an instinct. We all have it. Life is a horrible thing, really. This world is an unspeakable place. But none of us wants to leave it all the same. That may be because it is the only life we have or it may be because there's a worse life waiting. But I don't believe that, someway. Though the Creator seems pretty cruel at times I think perhaps old Khayyam did him no injustice. ' He's a good fellow and 'twill all be well.' And now, Amherst, yarning always makes me restless and dry and the night's still young. I'm going to get drunk." f< Hold on ! " expostulated Amherst, gen- uinely shocked and startled, he could hardly tell why, at this most unexpected and un- pleasant ending to their talk. " Don't do it, Ricossia. How can you? What what can you expect from the ' Good Fellow ' if you fly in his face, that way? It's dev- ilish, that's what it is. Stay and let me fix you up for the night, you young fool, you!" Ricossia laughed. " You're a funny old boy, Amherst," he observed, meditatively. " I wonder what it feels like to have a "HALF DEVIL" i? conscience. I'd rather have a drink a series of drinks ! ' My Clay with long ob- livion has gone dry.' As for the ' Good Fellow ' I haven't seen anything of him, yet. Have you? But the other old Boy is howling to be fed, so I'm off. Good- night." CHAPTER II A VISIT TO AGATHA " This life of ours is a wild JEolizn harp of many a joyous strain But under them all there runs a loud, perpetual wail as of souls in pain." Longfellow. AGATHA LADILAW had made a pink dress and was embroidering it with roses. Each of us has some particular talent; Agatha's was dressma- king. Her parents were not wealthy and therefore she could not indulge in the " creations " affected by many of her friends; but by dint of constant industry, excellent taste and unusual skill, she con- trived to be always charmingly costumed. True, with a figure that might have stepped out of a Fifth Avenue shop window and a face which any colour rendered lovely, she did not confront the difficulties of ordinary mortals. As physical perfection is rare and as 18 A VISIT TO AGATHA 19 Agatha Ladilaw was, in her way, an un- usually fine specimen of purely mundane and limited loveliness, a pen picture of her as she sat may be of interest. Nature in planning Agatha had done unusually well. She had not only bestowed upon her a great amount of comeliness, but she had, apparently, taken pride in finishing her work in a way that is not common. How often a pretty face is spoilt by an irregular nose, a large ear, an imperfect contour of cheek or brow! In Agatha's case, however, no pains had been spared to produce a thoroughly bewitching whole. While face and form were sufficiently class- ical in outline to satisfy the most exacting, there was a warmth, a colour, a radiance about her, born partly of exuberant youth, partly of brilliant health. Her eyes were wonderful; purple pansies, black-lashed, white-lidded; her hair was a ripe chestnut, deepening to auburn, lightening to gold. Her skin had that pure satin whiteness peculiar to extreme youth; her hands were plump, dimpled, tapering, with pink palms and transparent nails. Her teeth were white, tiny and sharp; when she smiled, 20 THE ARCH - SATIRIST her pink cheeks broke into enchanting dim- ples which added the last touch of entice- ment to her kitten-like charms. Nature had planned her upon classic lines a sort of pocket edition Venus. Agatha, however, after a careful perusal of the fashion plates every spring, moulded her figure in accordance with the latest " craze." When long waists and narrow hips held sway, Agatha presented a fault- lessly correct outline; when the coquettish athlete adorned magazine covers, Agatha might have passed for her sister. How all this was accomplished with no injury to health is a mystery which only the cor- setiere can solve; Agatha at all times might have sat for a picture of Hebe. For the rest, she was slightly under me- dium height, a fact which she publicly de- plored, but for which she was secretly grateful. She did not admire tall girls; in fact, she did not admire anybody or any- thing which differed very greatly from her extremely attractive self. She had an in- tense and artistic appreciation of her vari- ous good points and looked with pity on those to whom the fairies had been less A VISIT TO AGATHA 21 lavish. One who came in for a share of this ingenuous pity was her cousin, Lynn Thayer. This young lady had dropped in at the time the chapter opens, for a cup of tea, in accordance with a long-deferred prom- ise. As she sank into an easy-chair and loosened her furs she smiled at Agatha with a smile which held no tinge of envy. For Lynn, while cherishing in common with many plain women an enthusiastic admiration for beauty, enjoyed it in much the same way that she enjoyed music; in- tensely, even emotionally, but impersonally. Notwithstanding, she attached an exag- gerated importance to it and affected her small cousin more than she otherwise might have done because she possessed it in such unstinted measure. As she sat, idly watching Agatha's white fingers moving through the pink draperies of the gown which she was embroidering, the thought of Leo Ricossia occurred to her and she mentally compared them. Both were beautiful to an extraordinary degree; but Agatha's beauty suggested roses, kit- tens, Cupids, everything that was soft and 22 THE ARCH - SATIRIST appealing, exquisite and empty, while Ri- cossia's beauty suggested storm, flaming sunset, glorious music. His was, in short, the beauty of a young caged tiger, Aga- tha's the loveliness of a very perfect white Persian kitten. Lynn laughed as this sim- ile presented itself to her mind; it seemed to her singularly apropos. What different worlds they inhabited, these two radiant young creatures! Ricossia represented the pagan element, Agatha was the last word of civilized young-ladyship. The world was wide enough to contain both; nay, this little, stately old city was wide enough for that. They lived within an hour's dis- tance of one another, as far asunder in thought, life, knowledge, ideals as is this little earth from " the last star's uttermost distance." Lynn Thayer's and Agatha Ladilaw's mothers had been sisters and both had been beauties. Lynn, however, as her maternal relatives were fond of remarking, had " taken after her father." Though her face was pleasing it was rather plain; plain, not ugly; for its plainness consisted rather in lack of positive beauty than in any partic- A VISIT TO AGATHA 23 ular defect. Her hair was brown and abundant, her eyes deep-set and giving the effect of brown to the casual observer, al- though, as a matter of fact, they were a dark greyish green. Her skin was colour- less, her mouth, large and thin-lipped, her nose, ordinary. However, her figure was excellent of its kind, tall, straight, flat- backed, and, while delicately proportioned, giving the effect of considerable reserve strength. Her movements, too, were graceful, but graceful somewhat as a young boy's are graceful, alert, easy, noise- less and entirely lacking in effort or self- consciousness. Perhaps her only positive beauty consisted in her teeth which, though not dainty like Agatha's, were white and regular. It would hardly be fair to say that her face lacked expression, but it was not a mobile face; habits of self-control and repression had stamped themselves too deeply in her nature not to show elsewhere. Her bearing was dignified and even dis- tinguished and her voice well-modulated and soft. As a whole, she was the sort of girl whom one might meet any day in any city of the continent; a girl who was no 24 THE ARCH - SATIRIST longer young, yet showed no signs of age; a girl who could never be pretty, yet would hardly be considered ugly; a girl who wore dark coloured tailor-made costumes and looked like a lady in them; a girl who closely resembled scores of other girls the world over. Lynn Thayer occupied a somewhat un- usual position in Montreal. Her mother had been a pretty woman of fashion, her father a well-to-do man. However, her father dying shortly after his marriage and her mother losing all her money in a way which shall be explained elsewhere, Lynn had been left penniless. Her father's only living brother had offered her a home and a dress allowance; but she had refused the latter, had qualified as a public school teacher, and was earning a regular salary in one of the Board Schools. As both her father's and her mother's relatives were people of some wealth and much social standing, she occupied an anomalous posi- tion in what is known as " society." As a young girl she had " gone out " quite a little; now for reasons which shall pres- ently develop, she went only to the homes A VISIT TO AGATHA 25 of intimate friends and was seldom seen in public. Oddly enough Lynn Thayer possessed a considerable fascination for both sexes. All men and most women liked her. She had never been pretty and was no longer a young girl, but her attraction had rather augmented than diminished as time went by. Debutantes, secure in the possession of unimpeachable gowns and rosy cheeks, often looked with amazement at the alac- rity with which their partners left them for a dance with Miss Thayer. Probably these same partners would have found it difficult to explain why, themselves. Lynn always created the impression that she was- a nice girl; a positive "nice girl," not a negative " nice girl." People liked her. Children " took to her " at once, dogs fol- lowed her; cats jumped on her knee with- out waiting for an invitation. Beyond an admirable figure and a pretty wit she pos- sessed no surface charms; but something about her attracted and inspired confidence and trust. It is difficult to say why one excellent person is universally liked, an- other excellent person universally detested, 26 THE ARCH - SATIRIST another excellent person universally re- spected and shunned. Lynn Thayer be- longed to the first class, that was all. Certainly no two girls could resemble one another less than the cousins. Lynn was at best " a nice-looking girl," Agatha was " a dream." She showed to excellent advantage, too, in her mother's house where everything had been planned with an eye to the petted daughter as the cen- tral figure. It was a very pretty sitting-room where Agatha Ladilaw sat, this cold January day. Without, the sharp air cut like a knife; within, all was comfort, warmth, cosiness. It would be difficult to imagine Agatha in anything but elegant and graceful sur- roundings. She was like a lovely, white, Persian kitten who had fed on cream and lain on cushions all her life; and, someway, one always knew that she would continue to feed on cream and lie on silk even if she lost her fur and her teeth in the course of time. If certain natures carry within them- selves the elements of tragedy, others carry within themselves not only the desire for the soft things of life but the capacity for A VISIT TO AGATHA 27 obtaining them. To the latter class Aga- tha undoubtedly belonged. Her beautiful aunt, Lynn's mother, had made rather a mess of her life, in spite of the fact that she had had all and more than Agatha pos- sessed in the way of beauty and fascina- tion. One knew instinctively that Agatha would never fall into her mistakes. In the first place she would not wait till twenty- five before marrying; in the second place she would never dislike any man who fed and clothed her sumptuously; in the third place she would never be carried away by any indiscreet and expensive infatuation. In short Agatha was quite the most correct thing in young ladies, eminently satisfac- tory and desirable. The room where Agatha liked to sit with embroidery or sewing was long, low, light. The bay-window was filled with plants, and the fragrance of mignonette and jasmine hung about the rose-coloured curtains which draped the alcove and separated it from the rest of the room. The furniture was light and artistic rather than costly; easy chairs upholstered in rose-patterned chintz; mission-wood tables, bookcases 28 THE ARCH - SATIRIST and " rockers " ; the inevitable " cosy cor- ner," cushioned to the last degree of com- fort; a green carpet displaying a border of various-coloured roses; a silver-laden tea-table, a table containing books and magazines mostly uncut; another con- taining one beautiful vase of cut flowers. Presently, when dusk arrived, the room would be suffused with rose-coloured lamp- light, but, at present, the winter sun flood- ing the room and the tiny fire which burned on the hearth gave a sufficient sug- gestion of cheer. Agatha in her pink environment sewing on a pink dress gave one a delightful sense of the eternal fitness of things. One for- got, for the time being, the bitter January wind howling outside, the flock of black cares that dog the footsteps of ordinary mortals. Agatha certainly had her place in the scheme of the universe, just as the Persian kitten has. If the kitten were thrust out into the world and told to earn its cream that would be another story. Agatha, as has before been stated, would never have to earn her cream, otherwise A VISIT TO AGATHA 29 than by existing and ornamenting. She would always be cheerfully ready to pay for it whenever necessary in the coin with which Nature had so richly endowed her. Therefore it will at once be seen that Aga- tha was a most satisfactory girl; every- thing that a young lady ought to be; just the sort of person who could be depended upon to give Society no shocks and her parents no anxiety. Lynn almost wished that Agatha would not think it necessary to talk; the fire-lit, rose-decorated room and the beautiful little occupant who sat, absorbed in her draper- ies, were both so eminently satisfactory from an artistic point of view that she would have preferred to lounge idly, and enjoy them. Everything about Agatha was so attractive, so feminine, in such charming taste. The delicate white fingers moving in and out of the pink draperies; the graceful pose of the pretty figure in the easy chair; the absorbed, almost spir- itual expression of the great, violet eyes; all charmed Lynn, even while she realized their misleadingness and realized, too, that, by breaking into these absorbed medita- 30 THE ARCH - SATIRIST tions, one was liable to disturb nothing more important than the set of an imagi- nary train. Soon, however, Agatha spoke; slowly and with something resembling an effort. " Lynn, what do you think of Harry Shaftan, the General's nephew?" " He's a nice boy." " Nicer than Howard Pyle or Jimmy Gresham? " " I believe I like him better." "What do you think of the others?" "Why? Are you engaged to any of them?" asked Lynn, laughing. "Oh, no! That is I mean to say yes. I mean, I'm engaged to them all." Lynn leaned back and gasped. Agatha continued to embroider. " And may I ask which one you intend to marry?" " I don't know, exactly," confessed Aga- tha, poising her needle on her pink lip and gazing reflectively heavenward. " They're all nice; but I don't think I'll marry any of them." "Agatha Ladilaw! What do you mean?" A VISIT TO AGATHA 31 " Why, lots of engagements are broken," said Agatha, looking surprised. " Lots and lots of them. If I found that I didn't really love any of these men that the real passion of my life was yet to come you wouldn't advise me to marry them, would you?" She looked at her cousin with an air of virtuous surprise and Lynn shouted. " Oh, Agatha, you're a treat ! " she ex- claimed, with intense enjoyment. " A veri- table, living treat!" ''' I really don't see why," said Agatha, coldly, proceeding to thread a needle with an offended air. " And if you're going to laugh about serious subjects like love and marriage, why, I won't talk about them, that's all." This consummation was far from Lynn's desire; and by dint of earnest and respect- ful entreaties she finally induced her small cousin to continue. ' What made you accept them all in the first place?" she asked with interest. "Why, they all wanted me," said Aga- tha, simply. "And it's so hard to say no to a nice man. Even if he isn't nice, it's 32 THE ARCH - SATIRIST not easy. And you said yourself that they " "But, Agatha?" "Yes?" " Doesn't it seem queer to well, to let three men kiss you at the same time?" "The idea!" said Agatha, haughtily. " Of course they don't all do it at once. I very seldom see more than one of them in the same evening." "Oh, don't be silly, Agatha; you must know what I mean. Doesn't it seem isn't it a little hard to " " Why, no," said Agatha, staring, " it's the easiest thing in the world." "Dear me! You don't feel at all sneaky or confused about it? " "Confused? Why, no. You see, I've always been engaged to two or three peo- ple more or less ever since I was fifteen; of course before that it wasn't really neces- sary." " How do you mean?" 'Why, to be engaged, you know! one didn't have to be. But after you're fifteen, it seems rather fast, somehow, to let people kiss you that you're not engaged to." A VISIT TO AGATHA 33 " I had no idea you were so particular," murmured Lynn, bending down to hide a smile. " Oh, I always think a girl can't be too particular about those things," said Aga- tha, firmly. " Because suppose someone happened to see you! All you have to do then is to say, ' To tell you the truth, I'm engaged to Mr. ,' whichever one it was. And there you are ! " "And suppose the same person found you with one of the others what then?" " Oh, that would be very unlucky. I don't believe I would ever be so unlucky as that. And, Lynn, now that I have taken you into my confidence and told you things, won't you make a friend of me? and let me give you a little advice?" ' Why, yes," said Lynn, smiling. " It's about Mr. Lighton. You know he is so eligible and it would be so dreadful if, by any mismanagement, you let him slip through your fingers." "Oh!" ' Yes, indeed; and men are so deceitful," continued Agatha, piously, " you can't tell a thing about them, you really can't. Now 34 THE ARCH - SATIRIST there was a case I knew; it was something like yours only not so disappointing, for the man had only two thousand a year. But he kept running after this girl, just the way Lighton does after you, and everybody thought he meant something. People kept expecting to hear the engagement an- nounced; but it never came off." "What was the trouble?" " Why, you know, it was the queerest thing! he kept calling and calling and every time you'd think he was going to propose; but he never did. So the girl got mad. She said she simply wasn't going to stand it a moment longer, so she packed her trunk and went off to stay with some people in Toronto. She was not going to have any such nonsense. But it didn't do any good, for he married some one else." "What a sad story!" "Isn't it?" agreed Agatha, oblivious of sarcasm. " But she was very lucky, for she met someone who had quite six hundred a year more than the first man had, and he proposed to her quite quickly, and so then of course they were married, and I sent them a centrepiece that I had em- A VISIT TO AGATHA 35 broidered, myself. It was a very handsome one but you see Toronto is a nice place to stay in." " Oh, I quite see why you sent it. I also see why you told me the story. It has a moral. If the man who is rushing you doesn't propose after a reasonable space of time go to Toronto ! Isn't that the idea?" " You are so clever," said Agatha with an apologetic smile, " that sometimes I don't quite understand you. But if you mean that you think that I am advising you to go to Toronto, that isn't right, be- cause any other place would do as well. Except that, of course, there are quite a good many men in Toronto." " And you think that one of them might be induced to accept me?" 'Why not?' ; said Agatha, encourag- ingly. " But, of course, you wouldn't be at all likely to make another match like Mr. Lighton. So that is why I want you to be so particularly careful. You don't take these things seriously enough, Lynn, you know you don't. You must remember that you are getting on." 36 THE ARCH - SATIRIST " Every year brings me nearer the grave, but no nearer matrimony," commented Lynn, assuming an appropriately funereal aspect. "Oh, don't say that!" cried Agatha, looking genuinely shocked. "Please don't! It sounds so dreadfully as if it might be And I am sure Mr. Lighten is most attentive and Mr. Amherst and two or three others call pretty often, don't they?" " Yet," said her cousin, solemnly, " I think myself, Agatha, that there is just one little thing which is going to effectually prevent Mr. Lighten from marrying me. You mark my words! as sure as I stand here just so surely will I never be Mrs. Lighten. This one little obstacle is going to stand in the way." ' Why, what can it be? " queried Agatha, with intense interest. "You have no idea?" " Why, no." " I thought that you wouldn't have," re- turned Lynn, very gravely. " It won't prevent him from proposing, willit?" A VISIT TO AGATHA 37 " Not a bit of it. It will only prevent him from marrying that is, from marry- ing me." " Oh, how dreadful ! " cried Agatha in genuine distress. " And to think of all the men you have refused, Lynn! and I sup- pose that there isn't one you could get back at a pinch." " I fear not. The majority are either dead or married and the Grave and the Other Woman do not disburse." " No, indeed," sighed her mentor. " And it's so necessary for you to marry, Lynn, for if Uncle Horace died to-morrow he would leave Aunt Lucy everything and there would be nothing left for you. Oh, what a pity that your mother's money was all spent." ' Yes, it seems a little unfortunate." "That dreadful Italian! What a pity Aunt Clara married him after your father died. And didn't they have a son? What has become of him?" " My dear Agatha, how should I know? " said Lynn, restlessly. " Don't you remem- ber that, when Uncle Horace adopted me, he did it with the distinct understanding 38 THE ARCH - SATIRIST that I was to hold no communication with my mother and my little half-brother?" "Oh, how dreadful! How could you bear to be parted from your own dear mother for ever? " Lynn surveyed the questioner with a slight smile. " Oh, I enjoyed the feeling- that I brought in six hundred a year. I knew that it would procure my mother more pleasure than my society could, and that, with six hundred a year, her baby boy, and an occasional kiss from the biggest black- guard the Lord ever let loose on earth, she would be as happy as she could ever be. Poor mother! she was pretty, they say, even when she lay dead; her beauty didn't do her much good, but, on the other hand, my ugliness hasn't profited me, greatly. On the whole, I wish I looked like her." " Aunt Clara was so awfully pretty and that Italian she married was so wonder- fully handsome! the boy must have been a perfect little beauty." " He was." Lynn spoke without enthu- siasm. tt Weren't you fond of him? A VISIT TO AGATHA 39 " Very." "Wouldn't you like to see him, again?" "No yes" " I don't believe you cared much about him, really." Lynn looked at her and smiled. " I was nine when he was born. My own father had died when I was a baby and my earliest recollections are those of see- ing my mother crying half the day because my stepfather was out and laughing and chatting wildly because he was in. She never noticed me. I was an ugly little thing and she worshipped beauty as I do. Besides, there are certain people who seem to suck the lifeblood of all who care for them, and my stepfather was of these; her love for him was a feverish thing, a thing that absorbed and tortured and finally killed her. Such is the perfect jus- tice of the universe! no good man or woman ever receives that idolatrous love; it is only the vile, the utterly selfish, the heartlessly cruel oh, here ! what am I saying? To return to my story; I had a nurse till we grew too poor, then I looked after myself. Then . . . the baby came. 40 THE ARCH - SATIRIST The baby! Oh, Agatha, if you had seen him! He was so beautiful, so utterly dear and heavenly, and no one had ever cared for me, and he the very first time I saw him he put out his tiny hand and the little fingers twined about mine . . . oh, my baby, my baby, how could I ever love any- thing in earth or heaven as I loved you? Well! for three years I was always with him and then and then Uncle Horace wanted to adopt me, to rescue me, as he called it. And I went. I was twelve years old at the time in years and I realized, in the bitterest moment of my life, that to go meant money and comfort and pleasure for him my idol ! All I could do for him was to leave him I saw it plainly and I went without a word. I went. I wonder if any misery in after life can ever compare with the agony of that last hour when I sat, holding him in my arms and rocking him to and fro and waiting. The carriage came at last to take me to the station and I kissed the wonderful little face and looked into the marvellous baby eyes and went! Oh, my baby, my baby, if I ever have a child of A VISIT TO AGATHA 41 my own, will he, can he, ever be to me what you were, I wonder ! dear me, what a lot of nonsense I'm talking, Agatha! You mustn't mind." " Not at all," said Agatha, politely, " it's interesting. I had no idea that you were so fond of babies, Lynn. But it seems so queer that you don't know where he is, now. What became of him when your mother died? He was about ten, wasn't he? for I remember you were nineteen." ' Yes, he was ten. Oh, he lived at school and then with his father till the latter died of consumption. That was two years ago." "And now?" " Why, now he is probably living somewhere else. He is a man, you see, and able to take care of himself." " But, oh, Lynn dear, you show so little feeling," said Agatha, with dainty reproach. " Not to care what has become of that boy when you used to be so fond of him." " Oh, we forget everybody and every- thing in time," returned Lynn, listlessly. " At least," she added in a lower voice, " I hope we do." "Yes, I suppose so," said Agatha, com- 42 THE ARCH - SATIRIST fortably. " Lynn, did you ever see any- thing so sweet as that last rosebud I've just made? And it's given me such a lovely idea. The very next fancy dress ball I'm asked to, I'll go as the Queen of the Roses. Don't you think that will be lovely? Pale pink, you know, with gar- lands of rosebuds and a rose-wreath. Ring for tea, won't you, please? I'm dying for a cup, and it's getting too dark to work." CHAPTER III "FORSAKEN GUTS AND CREEKS" "If we have loved but well Under the sun, Let the last morrow tell What we have done." Bliss Carman. ON an exceptionally disreputable Montreal street stood a particu- larly unsavoury old studio building. Like other unsavoury things it had an in- teresting history, having, in its palmy days, belonged to an English duke. The duke was now dust and the studio building un- popular with the constabulary. Yet an air of former greatness enveloped it and its large, spacious halls and lofty ceilings bore mute and pathetic testimony to the gran- deur of former days. In an apartment which a duchess had once inhabited rats and spiders revelled, un- rebuked, save when, once a week, a wild- eyed slattern clattered noisily in and at- 43 44 THE ARCH - SATIRIST tacked them with broom and scrubbing- brush. Sometimes the heavy old-fashioned door was locked and she went away re- joicing; sometimes it was merely closed, in which case she entered fearlessly and performed her tasks as expeditiously and abominably as possible. Frequently, dur- ing these revels, the lithe form of Mr. Ri- cossia might have been discerned, stretched upon the studio couch in deep and peaceful slumber. Even the prosaic and work-har- rowed drudge of the Chatham was wont to pause occasionally and gaze with some- thing approaching awe at the frail form and beautiful face of the opium-drugged consumptive. A spiritual majesty lay on his brow and his whole being seemed ex- pressive of an unearthly peace and a som- bre loveliness. Like some dark, fallen star he lay quiescent in the dim light of the studio; a thing to make one's heart ache when one reflected that he, too, was born of a human mother. Mr. Ricossia's movements were uncer- tain, however; and one fine January eve- ning found him sitting at the studio table, smoking and scribbling, busily. Presently "FORSAKEN CREEKS" 45 the door opened; he looked up, pleasantly, showing no surprise, and bent over his writing. " Just a minute ! " he said, in a low voice. The visitor nodded, closed the door quietly, and stood as though waiting. Presently she raised a thick veil and fixed her eyes intently on the writer. They were sombre eyes, not over large but somewhat expressive; and as she watched the other occupant of the studio, they dilated and glowed in a way that was almost fierce and wholly human. So might a fire-tortured martyr have regarded in death the symbol of his faith, the cross for which he died. Presently the woman spoke. " I can only stay a few minutes, my dar- ling," she said in a low voice, vibrating with painful tenderness. " There is the money." The boy sprang to his feet and grasped it, his dark eyes aflame with eagerness. Hastily, greedily, he counted it over, then put it in his pocket and turned to the woman with a brilliant smile. ' That is fine," he said, his flute-like voice making melody in the studio and in 46 THE ARCH - SATIRIST his hearer's heart. " You must have done well, lately. How much have you sold altogether?" " A long story to the ' Alhambra,' a funny skit to the ' Woman's Hearth ' and an article or two to some smaller concerns. Try to make it last, for I had to spend nearly all my month's salary oh, Liol, Liol!" A burst of coughing interrupted her and turned her wind-flushed face white. She stood in silence, knowing that nothing in- furiated the dying boy like sympathy, and held her breath, waiting for the paroxysm to pass. So long did it last, however, that she forgot all caution and, rushing to the sick man's side, caught his hand and screamed aloud. " Oh, Liol, Liol, do you want to kill me? Won't you go to that retreat? and try to live for my sake? Oh try, only try! I can't bear it! I thought I could, but I can't. Oh, for God's sake, go! try it, only try it for a little while " He snatched his hand away and flung himself on the couch, shaking with weak- ness and fury. "Again?" he cried, raging. "You ask "FORSAKEN CREEKS" 47 me again to go to one of those vile cures? after all I've said and sworn? God in Heaven! how often must I tell you that, if I've only a few months to live, I'm going to live! not die by inches. Fool that you are!" She covered her face with her hands and turned away from him. " Go to those beastly mountains," he snarled, venomously. " Go where all that makes life worth living will be out of reach and I dogged by a pack of vile, prying doctors and attendants! If you're tired of keeping me I'll take an extra dose and end it to-night! " "Liolf" ' Then don't madden me ! Here ! you said you couldn't stay long, didn't you? My last poems are on the table. Send a couple more to ' Hosmer's Monthly ' they asked for them God! is this another fit coming on? ... There! I feel better. It passes sometimes and I daresay I'll outlive you all, yet." His face brightened and became luminous with hope and defiance. The terrible paroxysm of coughing had flooded his dusky cheeks with rose; his 48 THE ARCH - SATIRIST black hair curled limply back from his damp forehead; his magnificent eyes ex- panded and fired with the consumptive's cheating illusion of future health. Beside his glowing, burning beauty Lynn Thayer seemed one of those daughters of earth who, in former ages, loved the sons of God. She devoured him with her eyes in a silence so tense and sorrow-laden that the very air seemed to vibrate with it. " Ah God, how I love you," she said at last, hopelessly. " And you oh, Liol, Liol, you never even kissed me, to-night." "What? Never even kissed you?" answered the other, good-humouredly. " Well, but, my dear old girl, you must remember that the fool doctors say that consumption's catching. They're right, too; I caught it from my father, curse him! I wouldn't be where I am to-day if it wasn't for him." His face darkened, moodily; then he shrugged his shoulders and held out his arms with a smile that was more mirthful than tender. Lynn Thayer walked swiftly to the couch, dropped on her knees beside it and buried her face in the frail shoulder of its "FORSAKEN CREEKS" 49 occupant. She remained thus for a few minutes while he wound thin arms about her and murmured endearments which held a perfunctory note even to her love-deaf- ened ears. Presently she rose. " Leo Ricossia is making quite a name by his prose writing," she said with forced cheerfulness. " I must try to keep it up, Liol. Do you remember when I called you ' Liol ' once, before some people and they thought it so funny and we were so wor- ried about it? Yet you see no one has ever suspected anything." " No. If they did, I suppose it would have to come out," said the boy, slowly. "What?" Lynn started and looked confounded. "What?" she cried. "Break my word to my dead mother? Tell who you are? how she made me promise to keep you and watch over you until you died and let no one know who you were ? - What are you dreaming of, Liol?" ' Why, it's nothing to me," returned the other, watching her composedly. " Girls must go into heroics over something, I sup- pose; but you must see for yourself that 50 THE ARCH - SATIRIST all this would look pretty badly if it came out and wasn't explained, and it would hardly be worth while to lose your reputa- tion and your home and your position too, for an oath to a dead woman. Too bad you have to come here by night, but, of course, day-time is impossible, for people would be sure to see you, whereas the chances are ten to one against it in the dark and dressed as you are. That absurd oath! What was it now? And she was going to come back and curse you, too, if you broke it, wasn't she?" He laughed. "Our mother, Liol!" said Lynn, in a choked voice. ' Yes, our mother. I've almost forgot- ten what she looked like even, but I sup- pose you remember her better than I do, though I don't see why you should, con- sidering the length of time that you were away from her and see here, Lynn, you've been here an ungodly time; I don't want to hurry you, but oh, I say ! Am- herst is puzzling his brains out as to how I can write such healthy, humourous prose. You would have shouted if you had heard him, the other night." "FORSAKEN CREEKS" 51 " Perhaps. But I must go, directly." Lynn shivered and drew her fur a little more closely about her throat. " I must go now, Liol," she repeated in a low voice. " Good-bye. And don't but there! what's the use of talking? Do as you please, dear; only try to love me a little if you can. You're all I've got." "Mighty little at that, too! You have but little here below nor will you have that little long there, don't look like that, old girl! I'm only joking, you know." With this joke ringing in her ears Lynn left; passed down the rickety stairs, through the dark doorway, out upon the noisy street. It was not a savoury neigh- bourhood this, where her brother had elected to take up his abode. In fact, it was not a place for a lady at any hour of the day or night. In face of an overpower- ing compulsion, however, a woman some- times forgets that she is a lady, and this was what had happened in Lynn's case. The love which, in the majority of instances, is divided among parents, brothers, sisters, husband, children, had been concentrated upon one object. A foolish vow exacted 52 THE ARCH - SATIRIST by a delirious and dying woman had be- come the important thing in Lynn Thayer's life, the keeping of it a sacred duty. We are usually punished both for our follies and our virtues, and Lynn was cer- tainly severely punished for hers. Ricos- sia, as he was called, in Montreal, kept her on a constant rack of uncertainty and sus- pense. Daily, hourly, she expected to hear of his death and, sometimes, in moments of more than usual bitterness and grief, she almost wished that he were safe in the grave and incapable of doing himself or her more harm. The unworthiness of the loved object, moreover, made life propor- tionately bitter; the necessity for constant deceit and stealth was a cruel necessity to one of her nature, and the witty tales which helped to procure her brother the luxuries he craved were frequently written in an- guish of heart and despair of spirit. Poor Punchinello, dancing gaily on the night his love died and his heart was broken, has many a modern prototype. Yet through all the disgust and grief which his nature and actions caused her, her love never faltered. To her, the drink- "FORSAKEN CREEKS" 53 ing, drug-crazed youth in whose degenerate nature there was not a trace of anything high or kind was the baby brother of early days; the baby brother whom she had tended, adored, sacrificed and been sacri- ficed for during the most impressionable years of her life. The tiny creature had crept into the lonely heart of the child, sat- isfying every want, sweetening every bit- terness. There had been nothing else in Lynn's life that had held comparison with this. CHAPTER IV A BRILLIANT MATCH " Love is a pastime for one's youth ; marriage, a provision for one's old age." Ellen Thorneycroft Fowler. " For life is not the thing we thought and not the thing we plan, And woman, in a bitter world, must do the best she can." Robert Service. IN order that the reader may more fully understand the foregoing chapters and the predicament in which certain of the characters find themselves, it is necessary to ask him to return with us to a period some thirty years before, when a certain young lady, known as Clara Brooks, had just made a most sensible match. Now, as this was the first sensible thing that Miss Brooks had ever been known to do, it naturally attracted some attention and created some discussion. For she was one of those impossible beings who want to be happy and who, instead of viewing happiness in the light of a series of dis- 54 A BRILLIANT MATCH 55 qreetly conducted flirtations, ending in marriage with the most eligible of the flir- tees, had persisted in prolonging these flir- tations to a really indiscreet period of time and had even carried her folly so far as to refuse two or three really desirable of- fers. She had a vague yet fairly positive idea that marriage, in order to be at all happy or satisfactory, must be based on mutual love and esteem, and, because of this antiquated and most unfortunate no- tion, she had remained unmarried until the age of twenty-five. This attitude of Clara's laid her open to much well-deserved censure. There were two opinions about it; the first being that she had no common sense, whatever; the second being that she was unfortu- nately romantic and fanciful, yet somewhat to be commended in that her ideals were of a slightly higher order than those of the average girl. There was not much truth in either of these views. Clara Brooks, like most of the rest of the world, was supremely selfish, though not unpleas- antly so. She loved love; she also loved money; she wanted to be happy, whatever 56 THE ARCH - SATIRIST the price she paid for happiness; and she did not care to do anything that she thought likely to militate against her hap- piness. That was all. It seemed very hard to Clara, who pos- sessed beauty of quite an unusual order, a wheedling tongue, and a pretty taste in dress, that she could not marry both for love and money. She would have pre- ferred to marry for love, however, if she had been obliged to make a choice. This was partly because she had never known poverty and could not compute its discom- forts with any degree of accuracy; but, also, because she was one of those women who are capable of an overpowering infat- uation and who are, therefore, instinctively on the watch for a possible object which may awaken it. The object had not ap- peared ; Clara was twenty-five, and twenty- five, at the period of which I write, was not the twenty-five of to-day. Only people of unusual fascination and prettiness, such as Miss Brooks, dared to be unmarried at twenty-five. Already her enemies were be- ginning to brand her with the awful stigma of " old maid," already her friends were A BRILLIANT MATCH 57 beginning to murmur plaintively, " What can she be thinking about?" Clara's thoughts ended in a very usual fashion. As Prince Charming had not ar- rived; as the time was fast approaching when she would be relegated to the dread- ful social lumber room where all such dere- licts of love were stowed by grieving rela- tives in the "good old days"; as enemies were, as has before been said, beginning to murmur " old maid " behind her back, and friends, "silly girl" to her face; for all these reasons and for fifty others, Clara Brooks suddenly made up her mind to ac- cept a well-to-do and silent man, by name Lowden Thayer, who for some time past had been obviously attracted by her un- doubted charms. Now the sky brightened for Clara. She, as a bride-to-be, received many handsome wedding presents, a num- ber of compliments on her most unexpected good sense, and a vast amount of eminently imbecile advice from well-meaning igno- ramuses of both sexes. The wedding was a fine one; all Clara's relatives were pleased to know that she was settled and would be provided for until the 58 THE ARCH - SATIRIST day of her death no matter how ugly or unpleasant or incapable she became with age; and all Lowden Thayer's relatives were pleased to think that he had married at all, though the majority of them felt that he had made a most unsuitable choice. Wherein they were undoubtedly right. After the honeymoon, the Thayers took up their abode in a handsome house in a fashionable quarter of Montreal; the gen- tleman went to business every day and the lady began to receive and return calls from the elite of what is known as " society." She had many calls of all kinds to return, for she had fulfilled the whole duty of civ- ilized woman; she had married, and mar- ried well. Within a year she further ab- solved herself of blame by bringing into the world a little, helpless infant, bald and thin and red-faced, who howled most ob- jectionably and seemed as indignant at having existence thus forced upon it as though it knew what existence really was. Probably it was no prophetic instinct but some more prosaic ailment that led Clara's infant daughter to make night hideous with her cries. Be that as it may, its mother A BRILLIANT MATCH 59 conceived something that almost amounted to dislike for the ugly little voyager upon the sea of life for whose existence she was responsible. She loved men and boys; why then should she give birth to a daughter? She loved beauty; why should her first- born be devoid even of hair? Besides . . . the baby resembled its father; the "good match " which Fate had compelled her to make, much against her wishes; the de- tested crumple in her bed of roses; the hated benefactor to whose unwise fancy she was indebted for board and clothing, place in society and honourable title of " married woman " ; the loathed necessity which spoilt everything even her child for her. This much, however, must be said for Clara Thayer; though the child meant less than nothing to her, she did not neglect it on that account. She may have been an unnatural mother, but she was not a soul- less brute, and she therefore attended care- fully to its wants and saw that it lacked for nothing that she could give it. What she could not give it, it necessarily went without; but she did her duty so far as she 6o THE ARCH - SATIRIST was able and was unexpectedly and munifi- cently rewarded. For when her little girl was three years of age its father died, leav- ing her a wealthy and beautiful widow. Now when Fortune is too kind to us Fate sometimes plays a grim joke, in order to level us with the vast mass of toiling, yearning, disappointed, suffering fellow- humans. This is what Fate did with Clara Thayer. She was young, rich, beautiful, able to marry whom she pleased and live as she liked without let or hindrance. Fate had given her good coin with which to purchase anything her vagrant fancy might light upon. She might have chosen whom she would. Therefore she chose an extremely good-looking scoundrel whose Irish mother and Italian father had bequeathed to him, together with the light-hearted fascina- tions of their kindred natures, the sum total of every vice of which both lands are ca- pable. The sweet kindness of heart and warm devotion to cause and kindred which characterize the Italian and Irish races lay in the softness of his dark eyes, the velvet smoothness of his voice, but were quite A BRILLIANT MATCH 61 absent from his nature. This Clara Thayer did not know; and, had she known, it is more than probable that she would not have cared. For the first time in her life she was in the grip of a perfectly irrational fascination, an infatuation which drove her as a whirlwind might drive wheat. The infatuation ended, moreover, only when her life did. This was, perhaps, a natural ending to Clara Thayer's career. It was natural, too, that people should refer to her as that poor girl who made " such a sensible first match " and " such an idiotic second one." As a matter of fact it would be difficult to determine which of Clara's two marriages was the more idiotic. Her first was for money, her second, for love. Her first sup- plied her with good food, pretty clothes and unlimited boredom. Her second gave her sharp rapture and equally poignant pain. Possibly, if she had remained un- married she might have encountered worse things than any of these. Of the three wishes which the bad fairy, Life, gives the average woman it is difficult to say which is the least fraught with unhappiness. 62 THE ARCH - SATIRIST " Woman in a bitter world must do the best she can/' Clara Brooks did the best she could and bad was the best. However she died at forty-five, and many women live to be old. CHAPTER V "BLIND FOOLS OF FATE" " Blind fools of fate and slaves of circumstance, Life is a fiddler and we all must dance." Robert Service. WHEN Clara Thayer gave birth to a daughter she was, as has been before stated, disappointed. When that daughter developed the appear- ance and characteristics of its father Clara began to dislike it. In vain she reasoned with herself, in vain upbraided herself, se- cretly and severely, in vain called herself " an unnatural mother." The sad fact re- mained that she did not care for the child. It had no pretty ways, no graceful tricks; its eyes were dull, its skin was pale, its hair ordinary. If it had resembled her she would have loved it; if it had resembled her mother, her father, anyone for whom she cared, she would have idolized it. It 63 64 THE ARCH - SATIRIST resembled no one, however, but her hus- band, and, although when Clara had mar- ried Lowden Thayer she had been su- premely indifferent to him, that indiffer- ence had, unfortunately, deepened into a positively appalling dislike. Not dislike for his character which she respected; not dis- like for his attitude toward her which left nothing to be desired; no, dislike for the man, himself, dislike for his personality, his manners, his way of entering a room, his way of brushing his hair, his way of walk- ing, talking, breathing. It is easy here for the reader to throw down this veracious account of a real woman with the single comment that she was unreasonable and ungrateful. It is true that she was unreasonable but not that she was ungrateful. She knew all that she owed to her husband, she sometimes hated herself for her lack of feeling, and she strove earnestly to hide her dislike and to do her duty in a way befitting a wife and mother. It was a bitter addition to what seemed to her an already difficult life when the child, to whose advent she had looked with so much hope and longing, "BLIND FOOLS OF FATE" 65 turned out the counterpart of her husband. Instead of a distraction it was a perpetual reminder of the galling chain; instead of a delight it represented merely another dis- agreeable duty. Clara was generally considered a model wife and mother; every domestic obliga- tion was scrupulously performed, every connubial and matronly demand upon her time, health and patience, uncomplainingly complied with. When Mr. Thayer died, however, four years after their marriage, Clara felt only an unspeakable relief; and when, nine years later, Mr. Thayer's brother offered to adopt Lynn, on condi- tion that her mother gave her up, entirely, Clara felt only that a burden had been lifted from her shoulders. She had one child by her second husband after she had been married to him five years, and that child was a boy who combined his father's picturesque, foreign beauty with his mother's refinement and grace. To him, she was an adoring mother; he was second in her heart only to Guido Allardi. Just as Lynn had been the image of the man whom Clara had 66 THE ARCH - SATIRIST disliked, so Lionel was the image of the man whom she worshipped. There was no wish or choice in the matter; she always felt sorry that she could not care for Lynn, and she sometimes wished, in moments of bitterness, that Lionel did not resemble his father so closely. It was a rare retribu- tion of Fate, this! the unloved child of the unloved father who was all that a mother could wish and the idolized child of the idolized father who inherited from him every trait that could break a mother's heart. If Lowden Thayer could have looked into the future he would have been amply revenged. It is improbable, how- ever, that he wanted revenge; he wanted his wife's love and, failing that, he wanted rest. He never had the first but we may reasonably hope that he had the latter. " Love's eyes are very blind," but they are never so blind as not to perceive dislike on the part of the loved object, however conscientiously that dislike may be hidden. Lowden Thayer was a just man; he saw that his wife did her best and he, on his part, did his best, hid his sorrow manfully, and, when he died, willed Clara all his prop- "BLIND FOOLS OF FATE" 67 erty, unhampered by any galling restric- tions. The little daughter whom he left behind developed in a rather interesting fashion. The widely diverse natures of Lowden Thayer and his wife mingled oddly in her. She had her father's face but her mother's pliant, graceful figure and movements. She inherited from her father a useful brain, capable of assimilating considerable knowl- edge and of reasoning accurately and care- fully; but she had her mother's brilliancy and lively wit. She had her father's in- dustry, business ability, and sense of justice, and her mother's love of popularity and social gayety. From both she inherited one thing in overwhelming measure; the capacity for any amount of silent, tena- cious affection which no ill-treatment could shake, no disillusionment alter. Another thing, too, she had from both; the ability to suffer in silence, keeping a cool and care- less front to the world and hiding a bleed- ing heart and a broken spirit behind a smiling face and manner. Lynn was thus, in many ways, not so unlike her mother as that mother supposed. 68 THE ARCH - SATIRIST At the time when Lynn was adopted by her uncle Horace she was twelve years of age. The next seven years were very busy ones. Child though she was, she felt keenly the fact that her uncle had taken her into his home in fulfilment of a sense of duty, rather than from motives of affection. She determined that she would be indebted to him for nothing more than was absolutely necessary. In pursuance of this idea she begged to be allowed to train for a teacher and, on graduating, insisted on taking a position which offered itself. Her uncle made little objection; he cherished the common masculine delusion that women who live at home have nothing to do with their time and he thought it rather a good idea that some of this time should be occu- pied. The idea of his niece being a public school teacher did not exactly appeal to his sense of the fitness of things; but, after all, since the girl was bent on it, " let her do as she likes " was his ultimatum. There- fore Lynn did as she liked; and events which shortly afterwards transpired made her think with horror of the fact that, had she followed her aunt's wishes, she would "BLIND FOOLS OF FATE" 69 have been without any money that she could call her own. It was when she was nineteen that she received a letter in an unknown hand- writing. Its contents were brief and preg- nant. Her mother was dying; would Lynn visit her in New York before she died? as there was much that she had to say. The letter ended with an injunction to hide the matter from her uncle and aunt, who would never allow her to travel alone, and would insist on accompanying her, which her mother did not wish. It would be difficult to describe the effect which this letter had upon Lynn. She had always known that she held no place in her mother's heart, and that knowledge was a settled grief, not an active sorrow. The letter gave her a dull pain, almost like the pain which one would experience, could the corpse of a dead friend whom one had mourned, then almost though not quite forgotten, suddenly come to life and de- mand recognition. Lynn had held no communication with her mother since she had lived with her uncle in Montreal. To her literal and very 70 THE ARCH - SATIRIST punctilious mind the fact that this corre- spondence was debarred as a condition of adoption rendered it out of the question. Besides, it must be remembered that there had been no tender, anguished parting of mother and child; Clara had, as always, behaved prettily and politely, had kissed the plain little face, distorted with difficult feeling, and had inwardly congratulated herself that this child of Lowden Thayer had inherited his silent, unemotional na- ture. Otherwise she would have felt more hesitation about sending her among stran- gers. As it was the child was a good child, who could be depended upon to give little or no trouble to her guardians, and she had so little feeling that one place was likely to be much like another place to her. True, Clara reflected with a slight qualm, true, the child was devoted to her little brother; but children soon forget. It would be a criminal sentimentality and one for which the girl would have a right to reproach her in the future, did she neglect this excellent chance of having her pro- vided for. So she kissed her once again, trying to smile at her with affection and "BLIND FOOLS OF FATE" 71 kindness, told her that she must not alto- gether forget her mother and her little brother, though it was not likely that she would see them again for a little while; and watched the train steaming out of the crowded station with mingled feelings of pity, relief, self-congratulation, and some faint stirring of sorrow that she could not feel more spontaneous affection for her own child. Her own child ! that recalled Lionel to her mind and her eyes brightened and gleamed. How beautiful he was! how dear! how sweet that Fate should give her this one lovely thing to offset her disap- pointment in the other direction! And how delightful that the six hundred which Horace Thayer had allowed her for the future should be tied up so tightly that only she could have access to it. Little Lionel need not lack for everything while she had that to fall back upon. It may be asked if no thought of her dead husband, no perception of the difference between him and Allardi ever caused her to draw painful contrasts and inferences. Yes, these thoughts, these comparisons did occur to her sorrowfully enough at times; 72 THE ARCH - SATIRIST she frequently bewailed the ugly Fate which made the faithful dead abhorrent, the unprincipled and worthless living dear to her. But facts are facts. The dead was abhorrent, the living was dear. So with her children. Despite the fact that, al- though at the time of which we write, Lionel was a baby, he already displayed traits which made her uneasy; despite the fact that Lynn had been almost pathetically " good " from babyhood, humbly devoted to her mother, utterly subservient to every whim of her baby brother; despite these facts, Clara had for Lynn, at best, a sort of affectionate tolerance, while for Lionel she had an overpowering love. Do not, dear reader, wholly bury poor Clara under the weight of your virtuous indignation. She had an unfortunate dis- position, that was all. The worthless at- tracted, the worthy annoyed her. She was no more to blame than the child who seizes some pernicious sweetmeat and refuses even to look at the nourishing and expen- sive meal which awaits his pleasure. This much, at least, it is desired that the reader keep clearly in mind when judging "BLIND FOOLS OF FATE" 73 Clara Allardi. Both in her " manage de convenance " and in her " love-match " she made the best of what she had; tried not to visit upon Lowden Thayer the dislike which marriage with him had awakened; endeavoured to bear patiently with Guido Allardi's vagaries and steadily refused to leave him even when all her own money had been squandered and when he was in- capable of making enough to support her, comfortably. This last, though, can scarcely be attributed to her for righteous- ness. The real reason that she stayed with the Italian was because she could not leave him; she was like a parasite, drawing her very breath through him and unable to exist away from him. Poor Clara Allardi ! " Blind fool of fate and slave of circumstance!" When her unloved daughter responded to the letter which had caused her such mingled pain and joy, she found the former favourite of fortune living or, rather, dying in the modern equivalent of the historic garret, a squalid tenement in an unfashionable and ragged quarter of the great city of New York. Her mother's husband, Lynn did 74 THE ARCH - SATIRIST not see; the strain of attending to his sick wife had proved unsupportable and, after a short time, he had taken his departure, leaving no address. Lynn hoped that he would not return until she had left New York; she felt, seeing her mother and re- membering what that mother had been in the past, that she could scarcely have borne the burden of his presence. Her fears, however, were unnecessary; Clara Allardi had been dead several days before that hus- band returned and his absence had troubled Lynn more than his presence could have done; for it was from him that she was obliged to ask the boon which crippled her future yet filled her life for many years. This, however, is anticipating. We must return to the time when Lynn took up her abode in her mother's " home " once more and did what she could for the comfort of that mother. She had complied with Clara's request in so far that she had told her guardians of her destination; she had gone to the principal of the school where she taught and had asked for leave of ab- sence, offering to pay a substitute; then had packed a valise and left a note for her "BLIND FOOLS OF FATE" 75 aunt, explaining her mother's condition and begging that her uncle would not follow or bother about her. This was merely a figure of speech on Lynn's part; Horace Thayer was a man who never bothered about anything in the universe but himself. Lynn realized, however, that her aunt, who had a real affection for her, ought to know her whereabouts and the object of her jour- ney; though, in the face of her mother's strangely insistent entreaties, she was strongly tempted to use a long-standing New York invitation from a school friend, as a pretext. She found her mother delirious and very weak. She talked incoherently, but recog- nized Lynn and greeted her with some- thing like eagerness, in the way that one would greet a useful friend rather than in the way that one would greet a child whom one had not seen for many years. Lynn, however, had steeled herself to bear what she had anticipated would not be an espe- cially joyous reunion and took stoically whatever arrows the joyous fates chose to drive in her direction. Must the truth be confessed? It was not 76 THE ARCH - SATIRIST the thought of seeing her mother before she died that had formed Lynn's chief ob- ject in hastening to New York. While she would, in any case, have used every effort to further her mother's dying wish, it must be confessed that there was little more than a bitter, dull grief in the prospect of seeing the latter, again. But there was another, darling prospect. The child! the little boy who had been three when she left him, would be ten, now. Oh, to see him, again! the one being who had always clung to her, loved her, satisfied her. The dear, unutter- ably dear little mortal whose arrival into the world had changed the face of life for her. How had she lived without him all these years? she wondered; was he as beautiful as ever, as full of life and sweet- ness? and had he come to resemble his father as much as he had promised to do? The thought depressed her for a moment; she remembered how, as a child, it had infuriated her to hear people remark upon the wonderful likeness between Allardi and his infant son. Then her brow cleared. He was really more like her mother than his father, she insisted to herself; as he "BLIND FOOLS OF FATE" 77 had her high-bred clearness of outline, so he would inherit her delicate refinement, her ineradicable fastidiousness of mind. She lost herself in hopeful musing, almost forgetting in the joy of seeing her little brother once more that her mother's grave would probably be dug before she returned again to Montreal. CHAPTER VI "LIFE AT ITS END" THE April morning broke softly, im- placably chill. There was a hint of cruelty in the frolicsome spring 1 breeze that danced through the half-opened window, a hint of sorrow in the few faint tremulous notes of " half-awakened birds," preparing once more to face the strange world of which they knew so little. There was something ominous in the softness of the spring air, something that chilled one's blood with a faint terror. Over the dreary tenements and horrible, rearing buildings of New York broke the pitiless day. The lovely rose of dawn softened all that was bare and bleak and gave it a semblance of tenderness and re- pose. There was silence in the room where Death lay waiting. The body of Clara 78 "LIFE AT ITS END" 79 Allardi lay stretched upon a bed in slum- ber, her wasted hand, blue-veined, marble- white, plucking mechanically at the quilt, her restless voice muttering vaguely of things that had long since passed away; lips that had laughed, pulses that had leaped, hearts that had broken, long, long ago. Death, itself, might have laughed to hear her; but her daughter did not laugh. Clara's face was blue-veined now and hollow-eyed, but, even so, was lovely; deli- cately, uselessly lovely, with the flawless pulchritude of a marble statue, the sicken- ing, unearthly hue of ivory. Clara Allardi had been very beautiful in her day, had had her share of the kingdoms of this world and the glories of them; she lay dying in a New York tenement, unloved, uncared- for, an old woman at the age of forty-five. Nature " red of tooth and claw " is some- times more horrible in tender mood than in fierce; this riot of delicate colour and tremulous song in the face of grisly Death seemed to Lynn Thayer insulting and in- decorous. The tragedy of the breaking day and of the ebbing life gnawed at her heart. She sat silent, watching the dying with 8o THE ARCH - SATIRIST hungry eyes that held no trace of personal grief, only a dumb heart-craving for some- thing she had never known. In the farther end of the room lay a child who slept peacefully, his scarlet lips half- parted in a smile, his delicate arms thrust outside the bed-clothes and half-bared. The long black lashes which lay on the glowing dusk of his cheek; the thickness of the clustering curls which shaded his low brow; the almost insolent regularity of his childish features : all proclaimed him to be Guido Allardi's son. He was an ideal and faithful representative of the old, Ital- ian race to which his father belonged; be- fore the family, ruined and disgraced, had sought refuge in America, many such a face had been seen in the family portrait gallery. Probably none quite so beautiful; beauty such as this child's is rare and the possessors of it are seldom quite human. Perhaps this fact may have given rise to the old Greek myths of the gods descending in human shape and proceeding to the per- formance of most ungodlike actions. Lynn's thoughts wandered sometimes to the cot where the boy lay, looking as much "LIFE AT ITS END" 81 out of place in the sordid setting which the room afforded as some strange tropical plant. As she thought ,of him, her face insensibly cleared. The baby brother of her childhood days had proved a fulfilled delight. As beautiful as in infancy and with the same caressing, clinging ways which had made him so dear to her then, he had justified, to her, her loving remem- brance of him. She cherished a hidden thought of which she was half ashamed yet which held a very real sweetness; namely, that, in spite of the long years of separa- tion, the boy loved and clung to her and, as of old, seemed to prefer her society to that of his mother. She failed to realize that the stock of bonbons and toys with which she had provided herself had induced the affection which the child showed so freely; she did not know that he would have left his dying mother with equal alac- rity for anyone who would have fed him with chocolates. So little do we compre- hend what is passing in the minds of those most near and dear to us ; even in the crys- tal mind of a child there are depths which it is just as well not to probe too deeply. 82 THE ARCH - SATIRIST In the bare and comfortless room where these three were congregated Life and Death were present and one more Judg- ment. Judgment, the dread avenger who dogs the steps of Sin. Judgment which, after the fashion of Judgment, would fall most heavily on the innocent head, most cruelly on the undeserving. Could Lynn have looked into the future and seen the awful harvest of corruption which the sleeping child would reap it may be won- dered whether she would not have killed him as he lay, out of sheer pity. Ah, the tragedy of Life! Life that takes from us one by one all the glittering bau- bles with which she has amused our child- ish hours the rose-hued hopes, the crim- son loves, the golden ambitions and gives us in their place what? The dying moaned as though these thoughts had found an echo in her heart; then lay still, looking straight in front of her with eyes which, though glazed and uncertain, held a certain intelligence. "Mother are you better? do you un- derstand me?" asked Lynn very softly, bending over the bed. "LIFE AT ITS END" 83 Clara Allardi turned her head slightly; her lips moved. ' There was something, something you wanted to say," cried Lynn, desperately. "If you could only tell me now; it will not take long, will it?" Her mother's face brightened into life; an anxious gleam shone in her eyes which now held no uncertainty, but were the homes of an insistent purpose, a keen de- sire. She struggled a moment, then spoke, faintly. "Your brother? " "Yes. Yes." " Not really only your half-brother but you always cared just as much " " More. Oh, mother, a thousand times more. Don't waste time in saying all this. Is it something you want me to do for Lionel? Surely you know that anything I could do would be all too little tell me, just tell me what it is. I swear to do it, whatever it may be." " See to him. His father you know " " I know." " Doesn't understand children the little fellow may be hungry, cold " Clara 84 THE ARCH - SATIRIST Allardi's voice broke into a pitiful quaver which shook Lynn's composure, terribly. " Mother," she said, growing white and speaking distinctly, " you are wasting time and you may not have much more time. You know you must know that, while I live, Liol shall want for nothing that I can give him. He can never be cold or hungry or friendless or love- less while I live. You must know all that. I have my teacher's salary; if that is not enough I will get money in some other way; I have some saved, I have some jewelry oh, don't talk of anything so triv- ial, so absurd, as the idea of Lionel ever wanting for anything which I can give him. You understand all that, don't you, mother?" Her mother's face cleared, then clouded. 1 You may marry change?" she mut- tered, looking wistfully at her daughter. "Never!" said Lynn, choking. "You don't understand me, mother. I could never think of marriage while Liol was dependent on me; and, as for change if that is all, you can die happy." " Swear," said her mother, faintly. "LIFE AT ITS END" 85 Lynn hesitated. " I don't like swearing," she returned, reluctantly, " but, if it will make you any happier I swear by every- thing in heaven and earth by God Al- mighty by the memory of my father that I will do exactly as I have said. I will look after Lionel always, always, no matter what it costs me. Now are you satisfied?" " You won't be hard on him he is," she winced, " he is Guide's child. We don't don't always understand foreigners women don't always understand men. You will remember? you will think of his heritage and be merciful? I have always had to be." Her voice dropped and broke in a dry sob. " If he develops into what your husband is," returned Lynn, quietly, " it will make no difference. You don't understand me, mother. Just as you never left the other one, because you couldn't, because you wouldn't have cared to live away from him ; so I I couldn't desert Liol. I have al- ways loved him; how dearly you have never even guessed. I shall always love him and and when he leaves his father 86 THE ARCH - SATIRIST and goes to a good school and knows only good people " " It's in his blood," said his mother, faintly. " Already already it shows. You you must make allowances. An- other thing!" she attempted to raise her- self in the bed and her eyes shone with a feverish glitter, "another thing, Lynn! No one must know." Her voice grew firmer, her hand more steady. " You re- member the conditions when your un- cle " ' I remember them well. But, dear mother, you don't think Uncle Horace would hold me to them now?" ' l Horace is hard a hard man. When if Liol did take after his father they would never let you see him or know him. No. If I am to die in peace you must swear never to tell a living soul that he is your brother. If anyone at all knew your uncle might find out oh, Lynn, promise? " Lynn spoke, slowly. " You have not thought, mother. This secrecy will lead to all sorts of complications. Uncle Hor- ace is a hard man, but he is just. He will "LIFE AT ITS END" 87 grumble and think me a fool, but he can't refuse his consent. At present for a while it won't matter, not telling any- one about Liol ; but later on oh, mother, don't ask me to promise that. Let me use my discretion about it, won't you?" Clara Allardi half raised herself in bed; her eyes shone with unnatural lustre, her delicate features thickened with a sort of fury and fever of determination. "You refuse?" she said with terrible distinctness. "You refuse? Then I curse you. I curse you. You you're taking your revenge now when I'm dying and helpless for the years that I've put him before you. I curse you why can't you let me die in peace? You'll tell you'll tell the Thayers; they'll make you give him up or turn you out of doors. How will you look after him then on a miserable pittance that depends upon your strength anyway and may fail at any moment? Ah, you're your father in the flesh," she spoke, slowly and with a concentrated bit- terness that appalled Lynn. " Good hard hateful ! Why did I ever bring you into the world?" 88 THE ARCH - SATIRIST " That I might look after the child whom you love, I suppose," returned Lynn with equal bitterness. " Have no fear, mother. You needn't curse me. If nothing else will make you happy, I'll swear. You know, of course, that you're making me deceive and lie to my guardians and all the rest of the world and that you may land me in hopeless confusion and trouble; but if you think that will benefit Liol and minimize the chances of his being deprived of any- thing or annoyed in any way why, of course, there is nothing more to be said is there?" But Clara Allardi had sunk back with a look of satisfaction and relief at hearing her daughter's bitter promise to take the oath required, and it is doubtful whether she even heard the rest. " Swear, then ! " was all she answered. Lynn hesitated; looked imploringly at her mother; then slowly and reluctantly repeated her former oath. " By God Al- mighty by the memory of my father by all I hold sacred in heaven and earth mother, mother, mother!" Clara's fair face had turned the colour of "LIFE AT ITS END" 89 parchment; no breath of life seemed issu- ing from her blue lips. Struck by a deadly fear, a still more poignant longing, Lynn Thayer bent over her mother's death-bed, yearning with an intensity which surprised herself, for some word of kindness, of rec- ognition, ere the poor dust turned to dust. It almost seemed as though her prayer had been answered, for Clara opened her eyes and looked at Lynn, a lovely light of long- ing in them. Her lips moved faintly. "My child!" the whisper came softly " my boy my only child ! " She did not realize, of course, what she was saying. Lynn understood that. She rose from her knees, with lips firmly set. Her face was a little white. " You want to see him again," she said, in tones which sounded clearly. " I will bring him to you." Mrs. Allardi's face brightened. Lynn had divined her inmost thought. She yearned for the child. She hungered to die, holding him. But Fate, implacable as iron to the profitless wishes of poor foolish, failing, mortal things, decreed otherwise. A change on the dying face, an ominous 9 o THE ARCH - SATIRIST rattle and choking, arrested Lynn's foot- steps and brought her hurriedly back. Clara Allardi gasped a little, a very little, then lay quiet. Lynn stood and watched her, looking pinched and plain in the try- ing light of early dawn. The other woman lay with eyes that stared a little. Presently Lynn realized that she was dead; it did not come as a shock, only as an added deso- lation. She leaned forward and touched the cold cheek, timidly. "Mother!" she said in a low voice, "Mother!" There was a brief and bitter silence. Then Lynn took the cold head in her arms and held it for a moment while her tears fell fast and bitterly over it. " She was my mother," she said, weep- ing, " she was my mother ! " There was no complaint in her tones, only a dull pain. Her face held an unconscious deso- lation as she laid the fair head back on the pillow and settled it, decently. She shiv- ered a little as one soft, scented tress fell against her hand. She had never touched her mother's hair in life and, oddly enough, this trifling remembrance cut her to the "LIFE AT ITS END" 91 naked soul. She gasped and looked away, choking down her rising sobs with a species of horror and disgust. Life had taught her self-control, and she disliked noise in the presence of the dead. Presently she rose and moved softly to the cot where the boy lay sleeping. She looked at him in silence. He stirred in his sleep and smiled a little. Her sallow face flamed into sudden life and beauty as she stood, watching him, an adoring smile curving her thin lips. She had forgotten the other silent inmate of the room who lay, smiling too, the dead eyes which her daughter had forgotten to close, gazing in front of her as though she saw nothing to fear in the eternity upon which she had entered. Suddenly there was a burst of radiance, a riot of colour and fragrance and song. The chill, pink light of sunrise streamed through the window and lay on the dead face, making it very lovely. A delicate rose was reflected in the icy cheek, a bril- liant gold in the faded hair. Lynn, who had turned, startled by the sudden light, was struck by her mother's beauty. Despite 92 THE ARCH - SATIRIST anxiety, illness, sorrow, Clara Allardi made rather an exquisite corpse; and, as her plain daughter sat watching her in the try- ing light of early dawn, she reflected with a smile that held no mirth that even in death it was well to have regular features and abundance of soft hair. Then her face changed and softened. She moved rever- ently to the side of the bed, veiled the star- ing eyes, crossed the thin hands. Then she knelt and prayed; while far, immeasurably far below, the slow wail of the sick child, the low moan of the hungry animal, smote on the deaf ear, the cold heart, of great New York. CHAPTER VII A SHORT REPENTANCE "Indeed, indeed, Repentance oft before I swore but was I sober when I swore? And then and then came Spring and rose-in-hand My thread-bare Penitence apieces tore. The Rubaiyat. NINE years had passed since the events related in the last chapter. Lynn Thayer had developed from a girl of nineteen into a woman of twenty- eight. She had lived quietly in Montreal, never relinquishing her position in the school, though, as the years went by, her aunt had more than once begged her to remain at home and lead the life of an ordinary young woman of her class. As has before been said, Lynn occupied a rather exceptional position in Montreal. The average girl who teaches in the public schools makes up her mind, sooner or later, to be a teacher, only. Her position is not considered in the light of a disgrace, but, 93 94 THE ARCH - SATIRIST on the other hand, she occupies a slightly lower grade than does the girl who remains at home. The latter, provided she has the social connections and the time, may go into any society she pleases. She may be unable to return any hospitality except in a very simple fashion, but she may still fig- ure as a " society girl " and receive and accept invitations in the most exclusive houses. Probably no other girl but Lynn, how- ever, was ever successful in combining the duties of a public school teacher and of a society girl. Both her father and mother had been so well-to-do, so well-known in Montreal; both had had so many rich friends, so many influential connections, that their daughter was of necessity a fig- ure of interest. Then, too, she was con- nected with the nobility; and, what was more important, her aunts on both sides of the family, who lived in Montreal, re- ceived and returned visits from the most exclusive Butchers, Bakers and Candle- stick-Makers, and were generally accepted as " fixtures " in society. Therefore Lynn had invitations of all kinds, not only from A SHORT REPENTANCE 95 people of gentle breeding, aristocratic birth and good character, but also from that far more important section of " society " who lived in big houses and got their clothes from Paquin. She never " came out," much to her aunt's grief; but she "went out," which was more to the point and which many girls who " come out " never succeed in doing. She was so popular, so generally liked, that her obstinate determination to spend her days in teaching was both ad- mired and extolled. Meanwhile, what of her brother? On Mrs. Allardi's death Lynn had se- cured from hrs father, who appeared su- premely indifferent to the child and to his fate, a promise that she was to have full control of him, on condition of paying for his board and education. Lynn, after con- siderable thought, made arrangements for him at a good but unfashionable school in the country, as far as possible removed from his father. She was struck by the attitude of father and son to one another. Allardi seemed to regard his small son as an amusing kind of dog, to be patted on the head if he were in a good humour, 96 THE ARCH - SATIRIST kicked out of the way if he were not; he was proud of him, in a way, devoted to him; yet, apparently, never thought any- thing of his present wants or of his future needs. He was quite capable of leaving the child alone for days while he sought distraction elsewhere, and of loading him with bonbons and caresses on his return. He felt that if this queer, silent step- daughter of his chose to supplement a small allowance which Mr. Thayer had promised to make the boy, he would be very foolish to stand in the way. He could make any promise she chose to exact and break it with alacrity as soon as the keeping of it became inconvenient. Therefore the readi- ness with which he promised to see prac- tically nothing of the boy in the future sprang really from a defective sense of the value of a promise, rather than from the total heartlessness with which Lynn cred- ited him. He was really fond of Lionel in his way; and fully intended to see all that he wished of him, whenever necessary. So the child went to school and Lynn returned to Montreal and worked steadily for the extra sums which were needed for A SHORT REPENTANCE 97 Lionel's maintenance. The next few years were comparatively restful and pleasant ones. The reports which she received of Lionel were not good, yet he seemed to be progressing fairly well, and Lynn, remem- bering her mother's dying words, tried not to expect too much in the beginning. When Lionel was fourteen, however, he ran away and joined his father in New York. Lynn did not even know his whereabouts and had no way of discovering them. The boy did not assuage her anxiety by writing, feeling that his hiding-place might be as- certained if he gave any clue to it and that he would then be compelled to return. However, Allardi wrote to Lynn after a time, telling her that the boy was with him and asking that she would not withdraw her help as Lionel already needed much that he could not give him. Lynn exhausted entreaties, reproofs, and even threats. Allardi was the boy's natural guardian in the eyes of the law; his will was absolute and he refused to send the boy from him unless well paid for so doing. This was out of the question. Lynn had 98 THE ARCH - SATIRIST already earned the reputation of a miser for the scantiness and plainness of the wardrobe which Mrs. Thayer felt herself constantly obliged to supplement. Nat- urally Mrs. Thayer could not see why a girl with fifty dollars a month to spend on herself alone as she supposed should lack for anything in reason. Here the inconvenience and absurdity of the oath which Mrs. Allardi had made Lynn swear began to show itself most un- pleasantly. The truth was so simple, the secrecy made the whole matter so difficult. Lynn had dreaded inquiries anent the boy when she first returned after her mother's death, but none had been forthcoming. Mr. Thayer had expected that Lynn would ask him to have an eye to the boy and see that the small allowance he had promised to make him was fairly spent; when nothing was said on the matter he assumed that Lynn disliked the child as she did the father and preferred never to think or speak of them, now that the one link be- tween them and her was broken. Mr. Thayer was glad to forget the existence of his sister-in-law's other child. He had A SHORT REPENTANCE 99 never even seen the father or the son; he had been intensely indignant at the second marriage contracted while Clara was visit- ing friends in the States; and, subsequent events having justified his indignation, he had sedulously avoided meeting any of the people concerned. His offer to adopt Lynn had been made by letter; he had sent money for the journey when that offer was accepted, and settled the amount agreed upon his sister-in-law; and had then en- deavoured to drive the whole affair from his mind. However, upon Lynn's return from New York, he did make some gruff inqui- ries as to the child's whereabouts; and, on her replying that the boy was at a cheap but highly respectable boarding-school in the country, he had, with a feeling of relief, dismissed the whole matter from his mind, thinking that " that Italian blackguard " had some sense of decency after all. There seemed little that Lynn could do, now that Lionel had taken matters into his own hands and openly declared his inten- tion of remaining with his father. Of course the rational thing was to break her promise and take her relatives into her con- ioo THE ARCH - SATIRIST fidence. Only the most scrupulous moralist could hold her bound by an oath which her mother, could she have looked into the future, would have surely wished her to break. Ah, if only logic ruled life, how simple life would be. Unfortunately it does not. Lynn had inherited from both father and mother an overstrained sense of honour and, though she had done her best to re- frain from making the unfair and ridiculous promise, the possibility of breaking it when made never occurred to her. The Roman Catholic system of confes- sion has its advantages after all. Had Lynn gone to any confessional and asked for permission to break her oath, and abso- lution for the sin of so doing, what sensible man, priest or layman, would have refused to sanction such a procedure? Lynn, under the circumstances, had no confidant, no ad- viser, no one to show her the needlessness of her various sacrifices. Besides, it is to be feared that Lynn's sense of honour was so deeply ingrained that it could not, under any conditions, have yielded to the dictates of common A SHORT REPENTANCE 101 sense. She would probably have done, in any circumstances, just what she proceeded to do; kept the foolish oath in its entirety, continued to help the ungrateful boy, in spite of the fact that he, in defiance of her expressed wishes, continued to live in New York with his father, and generally have conducted herself as over-fond and irra- tional women do, under such circumstances. When Lionel was sixteen, however, his father died of consumption in a tragic and horrible manner; and Lionel, temporarily sobered by the occurrence, suddenly " turned over a new leaf," as he expressed it, and wrote Lynn to that effect, declaring his intention of taking up literary work and " making his name in it." Although his manner of supporting himself did not seem very practicable to his sister, she hailed with joy this indication that her work and care had at last borne fruit. And, for a short time, Lionel was a source of unmitigated joy and pride to her. There are but a few poets in the world and he was one of them. His work earned him instant recognition among a certain set and, although his earnings were paltry, he, 102 THE ARCH - SATIRIST at all events, did earn something and bade fair to earn more. All literary workers know how frequently a certain amount of fame may be gained with very small pecuni- ary success to back it. Then Lionel decided to live in Montreal. He was ill; New York did not agree with him; he wanted new experiences and real- ized that Lynn could give him one thing that he had never known the society of rich and fashionable people; and, more im- portant than all, he knew well that he could wheedle every penny of her earnings from her, provided he lived in the same town. The boy was a degenerate, totally without gentle feeling of any kind, his only ap- proach to it being a sort of sympathetic and artistic understanding of other people's emotions. His sister was, to him, merely a cow to be milked dry. He was, to his sister, a demi-god to be sacrificed to; she laid before him in the dust the burnt ashes of her heart and life and received the fit- ting and inevitable reward of such folly. By reason of the oath sworn by Lynn and also because Lionel had won fame under the name of Leo Ricossia, this was A SHORT REPENTANCE 103 the name by which he chose to be known in Montreal. As Leo Ricossia he was re- ceived with open arms. He had secured letters of introduction to certain influential Montrealers and soon contrived to be for- mally presented to his sister at the home of one of these. His literary fame had pre- ceded him, and this, in conjunction with his extraordinary beauty, his extreme youth, and the fact that he, already, lay under sentence of death made him, for the time being, " the rage." No social gathering was complete without him; all the debu- tantes cut out his poems, pasted them in albums, and entreated his signature on the opening page; all the older women of fash- ion petted, indulged and ran after him. It is extraordinary how rapidly and com- pletely a certain person may become " the rage " and still more extraordinary how rapidly and completely this person may sink out of sight and be practically forgot- ten in the space of a few months. For about a year Ricossia's popularity was at fever height; then murmurs of disapprobation, shruggings of shoulders, a few hints here, a few direct words of condemnation there 104 THE ARCH - SATIRIST and, by the end of another year, Society knew Ricossia no more. He had over- stepped the limit of indulgence; much is excused to a young and handsome man with charming manners and lung disease; but not everything. In Ricossia's case, un- fortunately, there was everything to excuse and people finally and positively refused to excuse it. Ricossia, who had tired very quickly of comparative respectability, ha- stened the climax with a certain gay reck- lessness, and abandoned himself with entire satisfaction to all that he had vowed to relinquish when he came to Montreal. Ta- king up his abode in the disreputable old studio building before-mentioned, he pro- ceeded to follow very literally the words of the Episcopal prayer-book, doing every- thing that he ought not to do, leaving un- done all that he ought to do. Now, it will be supposed, Lynn's patience failed, utterly. Now, at last she abandoned the wretched boy who was bound to her only by blood and who had voluntarily re- linquished every claim on her regard? Ah, no. Again let us repeat, if only logic ruled life, how simple life would be. As logic A SHORT REPENTANCE 105 does not rule life, Lynn continued to support her half-brother, denying herself everything that she could go without, re- fusing all invitations that entailed expen- sive clothes, immolating herself on the altar of self-sacrifice with most-admired indis- cretion. Nor was this all. As it was clearly impossible that the disgraced and ostracized Ricossia should visit her in the respectable home of her irreproachable rela- tives; as it was equally impossible that she should go by daylight to the somewhat dis- reputable quarter of the town where he lived; as everything within her denied the possibility of leaving him to die in poverty, illness and loneliness; for all these reasons and for fifty others equally excellent, Lynn hit on the brilliant plan of visiting him by stealth, Nicodemus-fashion, of going osten- sibly to dine with some friend or friends, and of leaving early and driving to the Chatham in order to see for herself whether the worthless life was still extant and whether the cold heart craved anything that she could give it. A fool? Oh yes, a very great and undoubted fool. Unfortunately the vast mass of humanity io6 THE ARCH - SATIRIST is composed of fools, and the people appar- ently free from any trace of such folly are not just the people whom we most admire and love. Casabianca, standing flame-en- circled on the sinking ship; Joan of Arc leading a handful of peasants against the flower of the English army; Charlotte Cor- day giving her life on the guillotine for the pleasure of making a martyr of an inhuman hound; all these and all the other divine fools of history make a curious appeal to humanity. Why? That is difficult to an- swer. Perhaps because, deep in our hearts, we know ourselves to be fools and are not, in moments of depression, quite convinced that we are even divine fools. Be that as it may, Lynn Thayer qualified herself, as will be admitted, for a high place in the picture gallery of fools; risking her reputation, beggaring her life, breaking her heart, all for the sake of a boy who had done nothing from childhood but grieve, tor- ment and disappoint her. Ah, but he had done a little more than this. He had filled her life with his image; he had afforded her an object on which to squander the treasures of her mind and heart. And what A SHORT REPENTANCE 107 more does the average fool want, whether she be an historical, or, as in this case, an ultra-modern fool? Ricossia had hit on a way by which Lynn was enabled to supplement her teacher's salary and provide for him more comfort- ably. Struck by the humour and style of a little sketch which she had written for his amusement, he made a few alterations in it and sent it to an editor with whom he was personally acquainted, under his own name. It was accepted and paid for; and, from that time on, Ricossia was known for his pungent and witty society skits. Lynn was only too grateful for the addition to her much-strained purse and delighted that her brother was pleased to approve of her work. Had it not been for this new method of earning, she would have found it increas- ingly difficult to account for the way in which her money went, bringing her no apparent return. In her spare moments, therefore, she wrote, busily, and, moreover, assumed the duty of amanuensis to her brother, who seemed more and more indifferent, as his health declined and his energy waned, as io8 THE ARCH - SATIRIST to the disposal of his brain-wares. Pro- vided he could carouse all night and sleep all day he seemed content; only varying this routine by complaints if Lynn either came at inopportune times or failed to come when she might have been of use. He absolutely refused all medical aid and scoffed at the idea of going to a sanitarium. He knew that he must die and he wanted to die, happy And, if Lynn had but known it, this, under the circumstances, was about the greatest kindness he could have done society in general and his sister in partic- ular. CHAPTER VIII " PUNCHINELLO " "He laughed ... as gaily, Dancing, joking every night, 'He's the maddest, merriest fellow,' Cried the people with delight. Bravo, bravo ! Punchinello ! Bravo, Punchinello ! " Old Song. MR. ZANGWELL, in his clever " Se- rio-Comic Governess," has shown us a young lady leading two very different lives at one and the same time. In the day-time she is a highly respectable and decorous governess, at night, a music- hall artiste. In both lines she is a success Now this success is probably owing to the fact that this particular young lady is gratifying her curiosity and her desire to lead a conventional existence at one and the same time. She is, in short, doing that which she wishes to do. There are many such " serio-comic gov- ernesses " in real life. Perhaps you, who 109 no THE ARCH - SATIRIST read, may be one; perhaps, unknown to you, the dear friend from whom you have no secrets and who, you fondly believe, has none from you, may have a personality which you have never even guessed at. In the case of our " serio-comic govern- ess," however, we must draw a distinc- tion. Lynn Thayer liked neither of her lives, which clashed horribly both with one another and with her sense of right. Since she saw no way in which she could avoid it, however, she continued to lead them to the best of her ability, sustained, if not comforted, by the thought that one of them was bound to terminate with the death of the one being whom she most loved. We have seen our " serio-comic govern- ess " in one role; now we see her in an- other. We have seen Punchinello with the mask off and the grin absent; now we see him as he appears daily in the theatre of life. Lynn had returned from the school where she taught and sat in her aunt's sitting-room, engaged on a shirtwaist and in conversation. If we listen we shall be able to form a fair idea of the progress of "PUNCHINELLO" in the conversation, if not of that of the shirt- waist. Mrs. Thayer was employed in em- broidering a collar and impressed the cas- ual observer as doing the exact thing for which Nature had fitted her. She was one of those pretty, faded, querulous women with worthy hearts but limited intellects of whom one almost instinctively speaks as " poor thing " ; why, it is hard to say, ex- cept that something in their appearance calls forth the expression. No one ever called Lynn Thayer " poor thing," nor would, whatever griefs or difficulties she might labour under. Mrs. Thayer was speaking. " Now, Lynn,