p n IfE ■ if TERARY LIFJ lifornia Lonal lity X '- •^1 I iL U J: THE LITERARY LIFE OF EDINBURGH. UNIVERSITY OF CALIFORNIA LOS ANGELES THE LITERARY LIFE OF EDINBURGH. By A. H. Moncur Sime. > > » > » » r X J > a > 1 » • - » - « * • » » LONDON : JAMES CLARKE & CO. 13 & 14, Fleet Street. 1898. I ^ « t c c •- • « * t s The Literary Life of Edinburgh. The literary history of Edinburgh, 130O- in any special sense, began about 1500. Before that time there was in manuscript only a good deal of scattered literary activity in Scot- land generally, in which Edin- burgh had shared, but in the reigns of James IV. and James Y., dating from 1488 to 1542, Edin- burgh became the central seat of literature in Scotland. The leaders in literature, the"Makars," as they were called, at this period were William Dunbar, Gavin Douglas, and Sir David Lyndsay. 1 48S2S7 THE LITERARY LIFE The patent for establishing a printing - press in Scotland was granted in 1507 by the king, James IV., to one, Walter Chep- man, a merchant, and another, Andrew Myllar, a working printer, both bm-gesses of Edinbrn-gh. The *' Golden Targe" and other poems, by Dunbar, were, so far as we can say, the first productions Dunbar, of the press. Dunbar was born in East Lothian not later than 1460. In 1475 he was at the University of St. Andrews, the oldest of the four Scotch Universities, evidently educating for the Church. For a time he seems to have worn the habit of the Franciscans, but he at length threw it off with disgust, since it had become to so many men a cloak of hypocrisy. OP EDINBURGH. 3 Good family connections^ a liberal education, and rare natural ability, led to the employment of Dunbar as a servant of the King. Dui'ing James's life, his home was almost constantly in Edinburgh. The King liked the poet's wit, saw him readily, and was f amilar with him. Dunbar's finest efforts are his " The Thrissel and the Eose," a poem celebrating the marriage of Margaret Tudor, daughter of Henry VII., to the Scottish King, and the "Golden Targe," which we have already mentioned. Both these works represent him very clearly as a student of Chaucer, and of the literature of the Middle Ages Contemporary with Dunbar at Gavin the Court of James lY., but per- ^**^ '^*' THE LITEEARY LIFE haps some fourteen years younger, was the poet Gavin Douglas, who lived to become a bishop. In 1501 or 1502 he was made Provost or Dean of the Collegiate Church of St. Giles in Edinburgh, a well-paid and important benefice, that brought him into close contact with the life of the Court. He had written the first of his poems, " The Palace of Honour," in 1501, and had dedicated it to the King. By far the most important literary work that came from Douglas's hands was his translation of Virgil's " Aeneid," which has led the way very worthily in the long line of Virgilian translation. It has freshness, vigour and native genius, and is altogether the production of a true poet. The OP EDINBURGH. description of a June evening in the " Vision of Mapliaeus Yegius " — with its woods and streams, its cattle and meadows, its flowers and bees, the red skj with sun wholly on fire — lives in the memory of every poetic reader like some long happy summer day that has been really lived and felt. Before the voice of Dunbar was sir quite silent Lyndsay had taken ^«^\^^ . LTjndsay. up the strain, and he struck notes of the deeper poetry of life. He was born about 1490. He also was in prominent service at the Scottish Court, though it does not appear that he belonged to the highest rank of the gentry. Lyndsay's sympathies were all with the people, and his writings THE LITERAKY LIFE indicate pretty conclusively that while taking part in the life of the Court he never hesitated to rebuke its vices and corruption. He vp-as a personal favourite with King James V., but he did not scruple to protest against his im- morality and the flattery of his false friends. He survived far into the Eeformation struggle, and by his vigorous writings against the tyranny of the Church proved himself a notable ally of Knox and other reformers. From this time the temper of the thought in Scotland generally, and in Edinburgh as its centre, com- pletely changed. The literary history of Edinburgh at this time is not without lustre, but its literary life became wholly OF EDINBURGH. merged in its political and religious life. John Knox and George Buch- JoJm anan returned from their exile q'^'^^^'^'^^' and wanderings on the Continent, Bu- and gathered round them the thoughtful and cultured of Edin- burgh, hut the thought was not that which buds and blossoms into poesj and writes itself into literature, but that which concen- trates itself into character and expends itself in action. From 1580 to the beginning of the seven- teenth century the literary history of Scotland is almost a blank page. That period which in England was the golden age of literature, the Elizabethan age of peace and plenty, when " England became a nest of singing birds," saw Scot- 8 THE LITERARY LIFE land grave and silent, steeped heart and soul in the vexed and momentous questions of religion and of Church government, Pres- T)}i:erianism versus Episcopacy, and all the issues which to Scot- tish minds were of such serious import, and to Scottish life of all- engrossing interest. The removal of the Coiu't from Edinburgh to London in 1603 still further deepened the gravity of life in the capital north of the Tweed, robbing it of the pageantry which surrounds a Court, and of the Court atmosphere which, although it may not produce great men or poets, always breeds gallants and rhymsters. It was in May, 1559, that Knox finally landed at Leith, and became OF EDINBURGH. 9 the covenanted leader of the Re- forming Party. The rehgious in- stitutions raised to piety and learn- ing were as guiltless of letters as of godliness, and had become nurseries of evil lives and indolence. Society had become utterly care- less of the ordinary rules of a high morality, and Knox saw clearly enough the danger of leaving anything, either of the government or worship of the Church, which encouraged or sheltered radical misconceptions as to the meaning and end of true religion. From 1559 till his death in 1572 Knox laboured unceasingly, and successfully, too, we think, for the overthrow of all injustice and wickedness in the government of his native land. 10 THE LITERARY LIFE The daily press was not then born, but he, by his sermons and addresses, did what is now done by editors in their cohmms, and by statesmen in their political campaigns. He sleeps within call of St. Giles's Church, that so often echoed to his words of strong- sense and liberty. No monument but two letters and a date mark the resting-place of the man who^ as Robert Louis Sterenson puts it, " made Scotland over again in his own image, the indefatigable and midissuadable John Knox." He wrote a great deal, mostly of a polemical character, and his style is terse, clear, and easy. loSO — We have indicated the woeful 1700 change that had taken place in OF EDINBURGH. 11 the literary life of Scotland from 1580 onwards, and we can almost dispose in a sentence of the few individuals in this second period who are at all worthy of mention. Of these the most notable by far is William Drummond, of Haw- William thornden, whose sonnets are ad- r^^ond' mitted, on the highest literary authority, to be the best in the English language between the time of Shakespeare and that of Milton. Though not resident in Edinburgh, he was intimately associated with it, and he be- queathed his collection of books to the University of that city. He was a singer, sweet and pure. Could anything be prettier than that address to the lady who had been stmig by a bee ? — 12 THE LITERARY LIFE O, do not kill that bee That thus hath wounded thee. Sweet, it was no despite But hue did him deceive : For, when thy lips did close. He deemed them a rose : What wouldst thou further crave ? He, wanting wit, and blinded with delight, Woidd fain have kissed, but, mad with, joy, did bite. Samiuil The only other names we would ^•q^.^j^ mention as belonging to this period are Samuel Rutherford, whose delightful letters have commanded a widespread renown on account of their deep spirit- uality and the beautiful and quaint diction in which they are couched. Bishop ^ii