-THE- JOHN -FRYER- CHINESE- LIBRARY- oin Lib. KASE ETSUKI THE EETAINER RESTORED BY OAIN LIBRARY JGHN FRYER CHINESE LIBRARY f a I M "! i I ll | ^ KASE ETSUKI OR RETAINER RESTORED.** -44- A MEMOIR BY THE REV. JOHN C. AMBLER. TO BE SOLD FOR THE BENEFIT OF EVANGELISTIC WORIC IN CONNECTION WITH THE JAPAN MISSION OF THE PROTESTANT EPISCOPAL CHURCH. MAIN LIBRAE y JOHN FRYER CHINESE LIBRARY Printed at THE TOKYO TSUKIJI TYPE FOUNDRY, TOKYO, JAPAN. To my first teacher in Japanese Mr. T. Mori, of Osaka, Japan. THIS LITTLE MEMOIR IS Gratefully Dedicated. " And we also bless thy holy Name for all thy servants departed this life in thy faith and fear ; beseeching thee to give us grace so to follow their good examples, that with them we may be partakers of thy heavenly Kingdom. Grant this, Father, for Jesus Christ's sake, our only Mediator and advocate. Amen. 19 Part of the prayer for the Church Militant, PREFACE. Canon Tristram of Durham, England, has recently visited Japan, China, and Ceylon. Concerning the Buddhism of these countries he says : " If this is the light of Asia, all we can say is that the light that is in it is darkness." Of Japan he says : " Has Japan hope ? What hope is there in Buddhism, beyond the yearning for all their subsequent life to be obliterated in " Eternal sleep " ? You see it in their faces. While the children are bright and happy, as children always are, I never saw an elderly Japanese whose face, unless he was a Christian, did not seem gloomy and hopeless and vacant." In this humble attempt to show what " the Light of the World " can do towards dissipating this gloom and vacancy of life, I must acknowledge indebtedness to several Japanese friends who have put me in possession of historical and other data and to Rev. H. J. Foss, of Kobe, Japan, for some of the translations. Also to Mr. W. D. Cox of Tokyo for a revision of the text. I have also availed myself of translations contained in Rev. William Imbrie's " Handbook of English and Japanese Etymology," and in Prof. B. H. Chamberlain's " Romanized Japanese Reader." All of the verses contained in this memoir are correct renderings of the Japanese originals. / J. C. A. ELEGY NEAR A HEATHEN GRAVEYARD, METEE OF GEAY'S ELEGY. 1. The temple bell rings out the lingering day, The priest to Buddha chants his evening hymn ; A mystic stillness gathers o'er the way, As darkness overspreads the twilight dim. 2. Yon old grey stone with rounded face and form, One hand in blessing raised, the other still ; Sits motionless through sunshine, rain, and storm, Sphinx-like a type of stern, unbending will. 3. Hard by this figure, carved on lotus flower, A low wall runs, a gate stands open wide ; Within, the dead await that dreadful hour, When all must rise, who in those graves abide. 4. Who may this be, wrought thus in solid rock, With fixed features, placid, mutely calm ? Unmoved, unfeeling, he would seem to mock The mourning scenes he views, and gives no balm. 5. Fashioned with care and skill, of comely size, Shaped by man's hand, creation of his mind, A priest from far was called to ope his eyes,* He hears not, speaks not, handles not, is blind. 6. From age to age, undaunted, undismayed By summer's heat, by winter's icy cold ; He eats not, sleeps not, feels nor sun, nor shade, His body's lichen-covered, green with mould. * Idol-worshippers in Japan have a ceremony for consecrating an idol called Kaigen, which means " opening the eyes." For this occasion a famous priest is invited from a well-known temple and performs various incantations, after which the God is supposed to take possession of the idol. "7. The widow's moan, the orphan's anguished wail, Break at his feet and die away again, Those pleading accents which o'er men prevail, Surge around him as wild waves beat the main. 8. The pilgrim heavy-laden, toil-worn, sad, From distant hamlet comes to seek repose, Drags hither weary limbs in tatters clad, Does penance, counts his beads, tells out his woes. 9. The cares of age, the burdened weight of years, Find no relief, no peace, no rest in him ; Untouched by gloom, remorse, repentance, tears, Where human looks would soften, his more grim. 10. At early dawn, awaked from troubled sleep, The peasant comes to worship at his feet, Then toils in fields of rice through miry deep, And comes again at eve with service meet. 11. When sickness, sin, or sorrow he bewails, He hither turns with penitential face ; And finds, alas ! a block of stone that fails To give him strength or comfort, aid or grace. 12. In vain man strives to pierce that heart of stone, No solace there, from burdens no release, Alas ! to heathen 'tis as yet unknown There is but One can bid life's tempests cease. 13. Uprise then, Christian heralds ! loud proclaim, Emmanuel, the Babe of Bethlehem, With hearts of burning love, with tongues of flame, In heathen lands preach Christ, " The Light of Men.' CHAPTER I. " Conquer self, and next thy men, Overcome the foernen then : An thou would'st a general be Thou must gain these victories three." In the suburban districts of large cities or near the ruins of abandoned castles in the Japan of to-day, one often observes numbers of neat little villas surrounded by high hedge-rows of Japonica, or of cedar always neatly trimmed arid green throughout the year. In these somewhat retired settlements live a community who thus choose to isolate themselves from their fellows almost as a distinct class ; the sections they thus occupy being generally known as " the Shizoku quarter." The term " Shizoku " is applied to that class who a quarter of a century ago, daring the feudal period of Japanese history, were known as " Samurai," the tvvo-s worded men of the military class who, like the Spartans of old, were trained from their youth in the arts of war, and the strength of whose manhood was entirely given to the use of arms. The Samurai is the Ivanhoe of Japanese romance, he is the knight-errant who figures in all tales of love, the faithful vassal who cleaves to his master with a devotion stronger than death, the brave warrior who counts his life not dearer than his honor, his name is a synonymn in every Japanese mind for all that is hardy, brave, arid true in their country's history. As a young enthusiast writes of this soldier-class under the ancient regime : " Their spirit was the seed of our civilization." Free from taxation and with inherited property and functions the Samurai relied largely upon his sword for his prestige among men, so that this weapon became as necessary a part of his daily equipment as any other portion of his dress, which distinction gave rise to the popular adage of those days : " The sword is the soul of the Samurai." 2 ' : .vM If. i-; nut remarkable that from this class has come a large majority oi' the' most intelligent, loyal, and immoveahle of those who have decided for Christ in Japan. And as they gave sinew and muscle to their country when earthly warfare was alone thought of, it is to their lasting credit that they have in these days heen the most efficient leaders of their people when spiritual affairs are those of most commanding importance to the Empire of Japan. As a matter of fact the Christian Missionary must own an appreciative sympathy with the Japanese proverb which says : " The cherry blossom is the king of flowers, the Samurai the king of men." In presenting what is known of Kase Etsuki, it is humbly hoped that justice may be done in part to this old warrior-class, to which he belonged and which has played such an active part in introducing and helping to propagate the seeds of truth among the people. The subject of this sketch was born about the year 1837, in the prefecture of Gifu and the province of Mino. He was of good Samurai rank, his father serving at the time as a retainer of the Daimyo, Baba Chikuzen. From his youth Kase Etsuki showed a marked inclination for learning, and this stood him in good stead in later life, as will presently be shown. From the first, too, he was keenly alive to the interests of his lord, and he thus by easy degrees rose to the first rank among his vassals. In the days when men were valued chiefly, if riot entirely, for their military prowess, he excelled in the arts of fencing, riding, and the other accomplish- ments which distinguished a warrior of olden time. Especially was he a master in the use of the bow and in trials of skill, the accuracy with which his aim sent the arrow to the target was a forecast of the power he would have, when, in his declining years, he should be engaged in a more difficult kind of warfare. As a young man of promise he was, when only sixteen years of age, assigned to an apprenticeship in Tokyo under the keeper of his Daimyo's wardrobe His father died the following year and his mother three years afterwards, both with the comforting assurance that their son had already attracted the notice of those who had the bestowment of favors and that, under the then-existing regime, he was in the way of rapid promotion. When about twenty-eight years of age, he had the good fortune to secure as his wife the o I IP daughter of a Samurai in the service of a neighboring Daimyo, and the next year she shared with him in his joy when he was promoted to the first rank among the deputy-officers who superintend- ed the affairs of his master's estate. In the winter of 'this year, that is about 1865, a rebellion broke out among the farming classes who paid tribute to his feudal lord, and, although the rebels came against the castle with a formidable array of weapons, their spears being improvised of bamboo and their shields made of straw, Kase Etsuki succeeded in treating with them so cleverly that a settlement of the difficulty was secured without bloodshed. From this circumstance he rose considerably in the confidence of all, as one who had evidenced well his capacity to carry out the trusts which had been committed to him. In those days it was always customary to commit the custody of the castle each year to one responsible Samurai, and he thus becoming a man of prominence would, of course, be the recipient of many presents and fees of various kinds from farmers and others, which he was supposed to transmit to the lord of the castle. Many maintained that Etsuki was very foolish because he would not appropriate such fees and thus enrich himself, as did others. His characteristic reply was " I would rather remain a poor man at peace with myself than thrive upon ill-gotten gains." This brief recital of the course of his life up to this point will enable us to form a fair estimate of this very promising young Samurai. None, we may suppose, walked prouder than he among his fellows, none more ready to rush to the front at the call to arms, none more to be relied upon in emergencies, and when swift destruction seemed to be threatening the interests of his Daimyo, Kase Etsuki knew his place in the ranks of those who were fore- most in their defence. Always ready in peace and war, he soon gained the admiration and esteem of all who took a serious view of life, winning for himself, among those of his rank, a position honorable in every respect. He was fully in harmony with the spirit of his age, was war-loving, and yet, when occasion required, would be as gentle and kind as a woman. He was above mean trickeries and low deceits, loyal, brave, honest, simple, never feeling so much at home as when accoutred for battle and marching with measured step among the faithful retainers of his lord. Fortune seemed to smile upon him at this time; and young, active, ready, with hand and heart for all crises, the life of the feudal period was entirely congenial to his nature and tempera- ment. The castle of Baha Chikuzen must have stood many a siege in those old days, and the peculiar strength of such structures is shown from the fact that the neighboring castle of Ogaki, now about six hundred years old, still stands proudly and only slightly mutilated, a land-mark in history dividing past and present. And yet the old castle-town of Ogaki was the centre of the terrible earthquake convulsions of 1891, and no pen can describe the desolation wrought by this catastrophe coupled with a fearful fire which raged furiously at the same time. During the period of the shocks even strong buildings of foreign architecture were laid level with the ground, great fissures opened in all directions, rivers were turned from their courses, and for miles in either direction the railway track was torn and twisted as though by the hand of some infuriated monster. Above the blackened remains of that once populous city nothing was left worth describing after nature had finished her work of destruction but the proud old castle of Ogaki. We may mention too, that the more distant city of Nagoya passed through a period of desolation and woe at this time from the same earthquake disturb- ance and that the enormous loss of property and life would be impossible to describe, and yet the majestic castle of Nagoya with its gables crowned by dolphin made of plated gold and containing many treasures and relics of a by-gone age, is still the admiration and wonder of all beholders. It is also interesting here to recall that the country of Mino where was situated the castle of Baba Chikuzen was, from its near proximity to Kydto, the capital of old Japan, one of the famous battle-grounds of the feudal era, and was of necessity the theatre of some of the bloodiest struggles when the Emperor, hitherto a captive in Kyoto, contended for his rights with the Shogun who held the reins of government with Tokyo as his centre of usurpation. Let us not then think it strange that nothing remains at this time to mark the castle of Kase's master but the gateway of the outer -.-" '-. -', < v Kase Itltsuki during the Feudal Period. keep, yet in those old days the heart of Kase Etsuki was held within that stronghold as with lock and key, and he looked with honest pride upon its every stone. A proud day was it for him when word came that his lord had spoken of him as a faithful one, and he regarded with truthful reverence every member of that lordly house. We can imagine, too, that the young heir-apparent must have possessed this retainer's affection in no ordinary degree, and he must have rejoiced with others when a tale was related of some childish saying or some deed of prowess which enabled those loyal vassals to predict his capability to become the successor of his honored father. It must have been a source of no little grief to the retainers of Baba Chikuzen's castle that, by the custom which prevailed in the time of the Shogunate, the masters of smaller fiefs chose to reside continuously in Tokyo, and did not, like Dairayos with large incomes and many vassals, divide the year between their manorial castles and their fine residences in the capital city of the Shogunate. So it was that Etsuki only had occasional opportunities of joining the retinue which surrounded this feudal lord as he made his progresses in the city of Tokyo. In those good old days much display was made by all Daimyos, especially while residing in the great metropolis of the Shogunate, and during parts of the year the streets were gay with the rival processions of the representatives of greater or less conspicuous houses. During .certain seasons about three hundred of these feudal lords of various ranks and degrees fixed their residence in Tokyo, and when they had occasion to appear in the streets, they loved to show their power by the size and magnificence of the cortege which followed them. At such times great anxiety prevailed as to which of two processions should take the lead, both being upon the same street and going in the same direction. The crucial point was reached when, at the entrance of a street, two such pageants met, in which case the usage prevailed that the Daimyo whose retainers were in the lead should take precedence of the other, irrespective of their relative rank or social standing. If at such crises the smaller Daimyo could gain the right of way, we can imagine the chagrin of his greater rival at being obliged to wait while the small band of retainers passed triumphantly ahead with their master, after which he must follow in the rear with his attendance of some five hundred or more richly- dressed vassals. The Daimyo Balm Chikuzen was, owing to the property qualifications of the period, only entitled to a following of about twenty Samurai, but none the less would it have been his pride to ruffle the feathers of some pompous lord whom he could take at a disadvantage in no other way than by these clever street manoeuveres, and so we may believe he valued greatly all such opportunities and strove not to be despised, and if Kase Etsuki happen- ed to be present on such memorable occasions, we may be sure he would have taken great pains to show in manner, dress and bearing of what stuff he was made arid that he would have made a conspicuous effort to reflect some of the dignity of him whose vassal he was. Or let us call up before our mind's eye another picture from this now almost- forgotten past, borrowing our description from a popular novelist of Japan. Our gaze is fixed upon a young Samurai, threading the streets of Tokyo with an air of consequence which even passers in the street unconsciously recognize. He has a bright, intelligent face, a quick, vivacious expression in his eyes, a cue tightly bound up, a light, bounding step and a well-knit frame, indicative of strength and endurance. His well-fitting coat, handsome trowsers and leather-soled sandals all lend an air of dignity and of importance to his appearance. A man, evidently an attendant of inferior rank, follows at a respectful distance. He is dressed in a blue coat with striped sash, and he wears a wooden sword, with brass fastenings. In these two men we have Kase Etsuki in the feudal period, followed bv his servant. CHAPTER II. " Gone is the barrier, the warriors gone, That stood 'neath busy Fuwa's rustic eaves : No one is left but the keen wind alone, Blust'ring and scattering autumnal leaves." Confucius stood one day upon the bank of a river pensively watching its ceaseless flow, and, the story goes, he thus gave expression to the thought which agitated his mind.