JJMir.fMlH^fif _ ^ r t-' /i. UNIVERSITY OF CALIFORNIA AT LOS ANGELES ^i^^-^-^.^.!.:2fcr^^^.^ ^^^ I I l> " WHEX ONE COMES OUT, THEIK CAPIAIN, AND CALLS OUI rOB HE TO STAY. BUCHANAN'S POEMS FOR THE PEOPLE. I. THE BUCHAI^AN^ BALLADS, ®l^ ant) 1Rcw, BY ROBERT BUCHANAN. CIou,-)i. What hast hero ? Ballads ? iHopsa. Pray now, buy some ; I love a ballad in print o' life, for then we are sure they are true. ' Autolycus. Here's one to a very doleful tune. Mopsa. Is it true, think you? .Autolycus. Very true, and but a month old . . . This is a merry ballad, but a very pretty one. Mopsa. Let's have some merry ones." —The Winteb's Tale. JOHN HADDON & CO., SALISBURY SQUARE, E.C., AND ALL BOOKSELLEES. 1892, • • • ,^. • • • • • • > c * • « • • • • • * , • • : •: :• • • • • • ' € €■ * e e w A > PREFATORY NOTE. Of the poems Avliicli follow, a few are already familiar to the great public, while some are entirely new, and now published for the first time. Such pieces as the " Wake or O'Hara," " Shon Maclean,'"' " Phil Blood's Leap" and '•Fra Giacomo" have long been used for purposes of public recitation. In the poem called " Hallelujah Jane" an attempt is made to do justice to the nobler side of the great social Crusade led by "General" Booth, a Crusade which, , despite some disagreeable features and a barbarous term- f^ inology, has awakened the sleeping conscience of the (0 world to the sufferings of countless human beings. I have gone to the life for my picture, and have omitted no ^^ detail on either sentimental or prudish grounds. In the Ode addressed to the Empress Victoria, and published originally in the Contemporary Review, no note of mere flattery was sounded, but occasion was taken to point out those blots which still disfigure our boasted civilization ; so that, in one respect at least, the Ode had an unique pur- pose. The lines on "the Burial of Parnell" (supposed to be spoken by one of his personal followers) are without any sorb of moral or political bias. The business of a poet is to utter the truth dramatically, and fearlessly as well as clearl}^ ; this I have tried to do, at the risk of any kind of misconstruction. I desire in these prefatory words to chronicle the courage and the generosity of the first man who, at a moment Avhen the intellectual Scribes and Pharisees hung back, gave a practical answer to General Booth's great Appeal, and I do so with the more pleasure because this man belongs to a profession with which Puritanism has never shown any sympath}'. I know of no more large-minded conception of true philanthropy than that expressed, on the occasion in question, by Mr. S. B. Banceoft, to whom, with all sincere respect, I dedicate these " Ballads." ROBERT BUCHANAN. Dec. 3, 1891. 190105 CONTENTS. "Storm ix the Kigiit" . The Ballad of the Magdalex " Hallelujah Jaxe " . The Good Pkofessou's Ckeed The Ballad of Judas Iscabiot Kightixgale-Song Fra Giacomo .... Charmiax The Wake of O'Hara . The AVeddixg of Shox Macleax Phil Blood's Leap . The Golden Year . "Axxie" PlIERSOX'S "WOOIXG . The Ballad of Magellan The Burial of Parxell . Tom Duxstax ; or, The Politician L'Exvoi FAGB 7 10 U 26 30 36 37 41 43 47 55 65 73 80 90 103 108 112 THE BUCHANAN BALLADS. "STORM IN THE NIGHT." Stokm in the Night, Buchanan! a Voice in the night still crying, " They have taken away my Lord, and I know not where he is lying ! " Thou^ too, singer of songs and dreamer of dreams, art weeping For the Form that lay in the tomb, the Face so peacefully sleeping ; And now he hath gone indeed, and his worshippers roam bereaven, Thou^ by the Magdalen's side, art standing and looking at Heaven ! Woe unto thee, Buchanan ! and woe to thy generation ! The harp of the heart he strung, the Soul he set in vibration, ♦ Are lost since he is lost, the beautiful Elder Brother ; For the harp of the heart was his, the song could gladden no other ! 'Twas something, — nay, 'twas much ! — to know, though his life was over. That the fair, bright Form was there, with the wool-white shroud for a cover ! 7 THE BUCHANAN BALLADS. He did not speak or stir, he did not hark to otir weeping, But his grave grew wide as the World, and the stars smiled down on his sleeping. He made no speech, no sign, for Death has disrobed and discrown'd him, — But the scent of spikenard and myrrh was sweet in the air around him ! So we kept our Brother, tho' dead ! The Lily Flower of Creation ! And to touch his dear dead hands was joy in our deso- lation. But noiL\ the Tomb is void, and the rain beats over the portal : Thieves like wolves in the night have stolen the dead Immortal ! So peacefully he slept, tho Lily Flower of Creation, That we said to ourselves, '• He dreams ! and his dream is the World's salvation ! " But now by the Tomb wo. stand, despairing and heavy- hearted ; The stars look silently down, but the Light of the World hath departed. And yet, should ho be risen? Should he have waken'd, to wander Out 'raid the winds of the night, out 'mid the Tempest yonder, Holding his Lamp wind-blown, while tho rain-cloud darkens and gathers, Feeling his way thro' the gloom, naming our names, and our Father's ? "STORM IN THE NIGHT." Nay, for the World would know the face of tlie fair New Comer, The graves would open wide, like buds at the breath of the summer, — The graves would open, the Dead within them quicken and blossom. And over the World would rain the flowers that had grown in his bosom ! Nay, then, he hath fled, not risen ! in vain we seek and implore him ! Deeper than Death he hath fall'n, and the waves of the World roll o'er him ! Storm in the night, Buchanan ! A Voice in the night still crying, " They have taken away our Lord ! and we know not where he is lying ! " lo THE BUCHANAN BALLADS. THE BALLAD OF THE MAGDALEN. I SAW on the Bridge of Sorrow, when all the City slept, The shape of a woeful AVoman, who look'd at Heaven, and wept. Loose o'er her naked shoulders trembled her night-black hair ; Her robe was ragged and rent, and her feet were bleeding and bare. And, lo ! in her hands she carried a vessel with spices sweet, And she cried, " Where art thou. Master ? I come to anoint thy feet." Then I touch'd her on the shoulder : " What thing ai t thou ? " I said ; And she stood and gazed upon me with e^-es like the ej^es of the dead. But I saw the painted colour flash on her cheeks and lips. While she stood and felt in the vessel with tremulous finger-tips. And she answer 'd never a word, but stood in the lonely light. With the evil of eartli upon her, and the darkness of Death and Night. THE BALLAD OF THE MAGDALEN: ii And I knew lier then by her beauty, her sin and the sign of her shame^ And tonch'd her again more gentl}'', and sadly named her name. She heard, and she did not answer ; bnt her tears began to fall, And again, " Where art thou. Master? " I heard her thin voice call. And she would have straightway left me, but I held her fast and said. While the chill wind moan'd around us, and the stars wept overhead, " Mary, where is thy Master ? Where does he hide his face ? The world awaits his coming, but knows not the time or the place. " Mary, lead me to him — He loved thee deep and true ; Since thou hast risen to find him, he must be risen too," Then the painted lips made answer, while the dead eyes gazed on me : " I have sought him all through the Cities, and yonder in Galilee. '' I have sought him and not found him, I have search'd in every land, Though the door of the Tomb was open, and the shroud lay shrunk in the sand. 12 THE BUCHANAN BALLADS. " Long through the years I waited, there in the shade of the tomb, Then I rose and went to meet him, out in the AVorld's great gloom. " And I took pollution with me, Avherever my footsteps came ; Yes, I shook my sin on the Cities, my sin and the sign of my shame. " Yet I knew if I could find him, and kneel and anoint his feet, That his gentle hands would bless me, and our eyes at last would meet. " And my sin would fall and leave me, and peace would fill my breast. And there, in the Tomb he rose from, I could lie me down and rest.' Tall in the moonlit City, pale as some statue of stone. With the evil of earth upon her, she stood and she made her moan. And away on the lonely bridges, and under the gaslight gleam, The pale street-walker heard her, a voice like a voice in a dream. For, lo ! in her hands she carried a vessel with spices sweet, And she cried, "Where art thou, Master? I come to anoint thy feet." Then my livhig force fell from me, and I stood and Avatcird her go From shrine to shrine in the starlight, with feeble feet and slow. THE BALLAD OF THE MAGDALEN. 13 And the stars look'd down in sorrow, and the earth lay black beneath, And the sleeping City was cover'd with shadows of night and death. While I heard the faint voice wailing afar in the stony street, " Where art thou, Master, Master ? I come to anoint thy feet." 14 THE BUCHANAN BALLADS. "HALLELUJAH JANE." " He's a long way off, is Jesus -and we've got to make it loud ! "' Glory ! HalJelujah ! March along together! March along, inarch along, every hind of weather ! Wet or dry, shower or ,shine, ready night and day, Travelling to Jesus, singing on the laay ! He is waiting for ns, yonder in the sl:y. Stooping down His shining head to Hear Our Cry! " 'Alleloojah ! 'alleloojali ! Round the corner of tlie street, They're a-coming and a-singing, with a sound of tramping feet. Throw the windy open, Jenny — let me 'ear the fife and drum — Garn! the cold can't •'arm m?, Jenny — ain't I book'd for Kingdom Come ? I've got the doctor's ticket for a third-class seat, ye know, And the Lord '11 blow his wdiistle, and the train begin to go. . . . ^Alleloojah! How I love 'em!— and the music — and the rhyme — My 'eart's a-marchin' with 'em, and my feet is beatin' time ! Lift me up, and let me see them^Lord, how bright they looks to-day ! Ain't it 'eavenly ? Men and women, boys and gels, they march away ! " HALLELUJAH JANE:' 15 Who's that waviii' ? It's the Captain, bless his 'art ! He sees me plain — It was 'im as 'ad me chris'en'd, call'd me ' 'Alleloojah Jane ! ' And the minute I was chris'en'd, somethink lep' in my inside, And I saw, fur oflf and shining, Golden Gates as open'd wide. And I 'eard the Angels 'oiler, and I answered loud and clear, And the blessed, larfing Jesus cried, ' You've got to march up 'ere ! ' And I march'd and lep' and shouted till my throat was sick and sore, Down I tumbled with diptheery, and I couldn't march no more ! ' ' Glory ! HallehiJaJi ! Sound the fife and drum ! Brother^ wonH you join us^ hound for Kingdom Come? Wear our regimentals^ spick and span and gay, A nd he always ready to listen and obey ? Form in marching order, stepping right along, While above the angels smile and Join Our Song ? "Are they gone ? Well, lay me down, Jenny — for p'r'aps this very day The Lord '11 read the roll-call, so there ain't much time to stay. But afore I leave yer, Jenny, for the trip as all must take, Jest you 'ear me bless the music that fust blew my soul awake. . . . l6 THE BUCHANAN BALLADS. I was born in dirt and darkness — I was blind and dumb with sin — For the typhus 'ad took father, and my mother's-milk was gin, And at sixteen I was walkin' like the other gels ye meet, And I kep' a little sister by my earnin's on the street. Well, they say 'twas orful sinful, but 'twas all I'd got to do, For I \id to get my livin', and to keep my sister too ; And poor Bess, yer see, was sickly — for she'd never been the same Since she got a kick from father on the back, wot made her lame ; — As for mother, she was berried too, thank God ! One winter night Been run over by a Pickford, when mad drunk, and serve her right ! So we two was left together, and poor Bess, 'twas 'ard for 'er. For her legs was thin as matches, and she couldn't scursly stir; But so pretty ! with her tliin face, and her silken yeller 'air, And so 'andy with her needle, in her invalidy chair. And wlien at night I left her to walk out in street and lane, Tho' I come 'ome empty-'anded, she'd a kiss for sister Jane. But 'twas 'ard, and allays 'arder, just to keep ourselves at all. Me su precious black and ugly, Bess so 'flicted and so small. For tho' only uuc year younger, she'd 'a past for twelve or It'ss ; lint, Lor bless ye, she was clevt-r, aii The lips of the boys were loosening too ! The widow her weary eyelids closed. And, soothed by the drop o' drink, she dozed ; The mother brighten'd and laugh'd to hear Of O'Hara's fight with the grenadier, And the hearts of all took better cheer, At the Wake of Tim O'Hara. Tho' the face of O'Hara Lookt on so wan. In the chimney-corner The row began — Lame Tony was in it. The oyster-man ; For a dirty low thief from the North came near, And whistled "Boyne Water" in his ear. And Tony, with never a word of grace. Flung out his fist in the blackguard's face ; And the girls and women scream'd out for fright, And the men that were drunkest began to fight, — Over the tables and chairs they threw, — The corpse-light tumbled, — the shindy grew, — The new-born join'd in the hullabaloo, — At the Wake of Tim O'Hara. 46 THE BUCHANAN BALLADS. " Be still ! be silent ! Ye do a sin ! Shame be his portion Who dares begin ! " 'Twas Father O'Connor Just enter'd in ! — All look'd down, and the row was done — And shamed and sorry was every one ; But the Priest just smiled quite easj^ and free — " Would ye wake the poor boy from his sleep? " said he And he said a prayer, with a shining face, Till a kind of a brightness fill'd the place ; The women lit up the dim corpse-light. The men were quieter at the sight, And tho peace of the Lord fell on all that night At the Wake of Tim O'Hara ! THE WEDDING OF SHON MACLEAN. 47 THE WEDDING OF SHUN MACLEAN. A BAGPIPE BALLAD. To tlie Wedding of Slioii Maclean, Twenty Pipers together Came in tlie wind and the rain Playing across the heather ; Backward their ribbons flew, Blast upon blast they blew, Each clad in tartan new, Bonnet, and blackcock feather : And every Piper was fou,* Twenty Pipers together ! . . . ^ He's but a Sassenach blind and vain AVho never heard of Shon Maclean — The Duke's own Piper, called " Shon the Fair," From his freckled skin and his fiery hair. Father and son, since the world's creation, The Macleans had followed this occupation. And played the pibroch to fire the clan Since the first Duke came and the Earth began. Like the whistling of birds, like the humming of bees, Like the sough of the south- wind in the trees. Like the singing of angels, the playing of -shawms. Like Ocean itself with its storms and its calms, Were the strains of Shon, when with cheeks aflame He blew a blast thro' the pipes of fame. * Pronounce /oo — /.