7f THE TRELOARS BY THE SAME AUTHOR THE JOURNAL OF A RECLUSE isrno, Cloth, net $1.35 (postage extra) " Has not a page that tires the cultured reader." Brooklyn Eagle. " Well worth reading and rereading for its diction alone." Minneapolis Tribune. " A most remarkable book. . . . There is scarcely a page that has not some sentence that makes one pause to think." Journal of Education. " Has the charm of the unhackneyed." N. Y. Times Re- view. " Since ' II Cuore ' neither the English nor any European tongue has laid so important a fictitious journal before the reader." The Living Age. THOMAS Y. CROWELL COMPANY, NEW YORK THE TRELOARS BY MARY FISHER Author of "The Journal of a Recluse," "A General Survey of American Literature," "Twenty-five Letters on English Authors." NEW YORK THOMAS Y. CROWELL COMPANY PUBLISHERS Copyright, 1917 BY MARY FISHER The author wishes to acknowledge her indebtedness to German Gomes de la Marta, and to N. Hernandez Lu- quero, for their faithful translation into Spanish of the futuristic manifestoes, under the title of El Futurismo. The author picked up the translation from a street book- stall in Barcelona, Spain ; and has made use of a portion of it for the greater part of the speech delivered at the banquet, in the seventeenth chapter of The Treloars, in order to avoid what, if invented, might have seemed either sheer buffoonery, or ridiculous exaggeration. 2135406 THE TRELOARS CHAPTER I " WELL, I am mighty glad that you are back again, Max. I've really missed you very much, and I've won- dered many a time why you didn't drop me a line. Five years is a long time, without a word from a fellow." " Yes, but it seems a good deal longer than that to me, Dick. I've been growing some, since I saw you last." " I should hope so. No one wants to stand still." " O, I mean more than that. My precious eyes have been opened to a lot of things, I can tell you." " That may be," retorted Dick, laughing ; " but have they ever been opened to a fairer scene than this ? " Richard Treloar and Max Gietmann were walking along the Tunnel Road that winds its way from Berkeley, California, to the high rounded hills that make the city's lovely background, and at this question, Dick seized his companion's arm, turned his face toward the west, and pointed to the magnificent view that lay before them. The sun was setting. From the height where they stood, they overlooked that sinuous strip of Pacific coast where lies the chain of cities and suburban towns of which the most important are San Francisco, Oakland, and Berkeley. Far out at sea, the Golden Gate melted into the gleaming horizon with the vivid glow that gave it its name; and nearer the foreground, the deep glow softened into a delicate milky haze shot through with purple and rose, blurring the sharp outlines and obliterat- ing the ugly trail of civilization, and touching with beauty what else had been a fault. On either side of the young men, fold upon fold of softly colored rounded hills opened to their view, affording lovely glimpses of wooded and fertile valleys, with here and there a homestead nest- ling in them. The time was June, and the hills had lost the vivid green color of winter, but were not less beauti- 3 \ 4 THE TRELOARS ful in their golden summer garb, purple patched where the shadows lay. Close at hand, on the winding stretch of yellow clay road, a group of eucalyptus trees raised their heavy plumes of dark green foliage against the pale azure of the evening sky, and filled the air with an agree- able, aromatic odor. It was a scene to delight any heart unless its capacity for joy in beauty were utterly dead; and Dick's hand- some, clean-cut face expressed in every mobile line of it that his heart was alive; but the heavier face of his companion was quite passive, except for a half con- temptuous smile that flitted across it. He hardly looked at the scene before him ; but suddenly his eye lighted up, and pointing to an automobile that was swiftly approach- ing, he said : "There, that is what beauty means to me: the tri- umph of intellect over matter, the multiplication of man's power by machinery, the conquest of time and space." "That's all right in its place, too," answered Dick, "but its place is far below the first one. Nature beats us so tremendously that it seems childish to me to boast of what we can do in comparison." " Dick, if it were worth while, I'd feel sorry for you, but as it is, I feel sorry for myself. I thought I had rid myself of all silly dependence on others, but I was cherishing an illusion. I had counted on you to help me in the propagation of new ideas; but I find you are as hopelessly rooted in the past as a hardy skunk cabbage in its native swamp." Dick threw back his head and laughed heartily. " For the sake of ' auld lang syne,' Max, do make it a little milder come up a notch or two in the vegetable line, and liken me to a lily or an iris, or anything less malodorous than a skunk-cabbage. I don't mind the swamp a bit, but the cabbage hurts some." " No, I won't. There's nothing fragrant in your moldy, stale opinions. They smell of old age and de- cay." THE TRELOARS 5 " They do, do they ? And so you still have some old- fashioned prejudices as to odors! That's encouraging; keep it up. I dare say that, like Dad, you can be beau- tifully inconsistent can roar like a lion, and be as mild as a sucking dove." Max flushed. He took himself too seriously to relish raillery; but willing to hide his confusion, he asked: " How is your father, anyway ? " " The same fine, old, impractical chap he always was. I don't think you will find him a day older. And he revels in his interminable debates with Dr. Parker just as much as ever." " I used to think that the doctor's chief attraction at your home was your sister Margaret." " O pshaw ! Max, that's all nonsense. Parker is as old a man as father, or at any rate, not much younger. I think Dolly is about Catherine's age ; not more than two or three years younger, anyway. By the way, Dolly Parker is growing into a beautiful girl." " She was a very pretty child when I saw her last, dark hair and eyes, and cheeks like roses." " Yes, but she was a chubby little thing then, and she's shot up now into the shapeliest girl you'll see anywhere. If you hadn't set yourself up for invulnerable, I should be warning you that you are running into dangerous quarters. Dolly and her 5 father will be over for dinner, so you'll see her to-night." " Well, you needn't worry about me, Dick. I am en- tirely free from the supreme illusion. Woman means no more to me than a passing fancy, or a need of the hour ; a soporific or an excitant, like opium or cham- pagne." " Shame on you, Max ! But then I can't believe you, and if I did, I shouldn't envy you your freedom. I'd as lief be a telegraph pole, as a man of flesh and blood that felt no response to the loveliest thing on earth. At any rate, come to life be your old self while you are out home. Ah, here we are! Does the old place look natural to you?" 6 THE TRELOARS The two young men had reached a turn in the road that descended into a narrow valley, at the bottom of which, and partly ascending the opposite gentle slope, lay a beau- tiful farm with fields of ripening grain, rich pastures on which cattle were grazing, and in the foreground, shel- tered by wide spreading live oaks and tall eucalyptus trees, stood the house with its roof of dull red tile and its walls of gray stone, built after the prevailing style of California homes, in the simplicity and grace of Span- ish architecture in the mission days. " Yes, it looks just the same," Max replied, " even to the yellow poppies on the hillside. It is a delightful little retreat from the world. It is all right for your father, but you ought to be tumbled out of the nest to try the speed of your wings." " How is it that you happen to remember the poppies ? I should have thought that a pretty little thing like that would have escaped you." " I remember that Margaret loved them, and in the summer time always had a big glass bowl filled with them on the drawing-room table." " And so she has yet. By the way, Max, whenever you're working off any of your anti-feminine diatribes, I wish you'd make a mental reservation and put Mar- garet into a category of her own. I don't say it because she is my sister, but Margaret Treloar is not an ordinary woman. Nobody ever forgets her who has once seen her. It isn't that she is particularly brilliant in a glittering way, but somehow she shines through and through with light. There is a, sort of delightful warmth and trans- parency about her. You never feel chilly or lone- some where she is. What would Morningside Lodge be without her? Just so much brick and stone. She makes it home. Dear old Dad thinks he runs the farm, but he no more runs it than the birds in the orchard, do. Like them he's just a bit of vocal decoration a lovely singing ornament. Margaret does it all, but somehow contrives not to seem to do it, and so Dad's self-respect THE TRELOARS 7 never moults a feather. As for me, whatever good there is in me, I owe to Margaret. I was only three years old when mother died. I can't remember her, and Catherine was a baby ; and Margaret has been mother and sister to both of us, ever since." " Yes, I know that. Margaret has simply sacrificed herself to all of you, instead of blooming into the splen- did creature she might have been, if you had not all hung on to her like dead weights. Her unpardonable sin is not having shaken you all off to carve out a career for herself." Dick reddened with vexation, and after a short pause said: " Margaret Treloar happens to be a woman for whom duty and love exist. Self is not the first consideration with her." " And you call that a virtue ? " exclaimed Max. " You mean by love, in her case, the home-making faculty. I hate the word home when it stands for a fixed center, a paralysis of effort and feeling beyond its pitiful four walls. It is the climax of selfishness and egotism. I grant, there is no dust on her floors, no holes in her household linen, no half-cooked food on her table, and for such paltry things, for such a poor little mess of pot- tage, she has bartered her birth-right." " No ! " shouted Dick, losing his patience. " Do you mean to say that your incarnate will is to lead to the dissolution of all human ties? That war, not peace; hate, not love, are to rule the world? A fine mess of a world you'll make out of that doctrine! As for Mar- garet, God bless her! she has been more than the cen- ter of her own universe. She has been the center of the household, the center of our universe, father's, Ca- therine's, mine. And I'm not ashamed of getting my light and warmth from her, not a bit of it." " Stuff and nonsense second-hand sentiment bor- rowed from Sunday-school books ! What would you do for Margaret?" f 8 THE TRELOARS " I'd give my life for her." " You wouldn't lay aside the dearest wish of your heart for her, let alone your life. The world is lousy with that kind of cant. Neither would your father. Will you let me tell you what I think about him?" " You may say what you like ; you can't hurt me any more than you have." " Well, if I hurt you, it's for your own good. I haven't come back to the States to be mealy-mouthed. Your father is an interesting man, with a certain versatility, curiosity, and power of assimilation which he mistakes for genius. He showed the right kind of grit when he left the Church and refused to preach what he no longer believed. But his emancipation was never complete. His spirituality is in exactly the same boat with Parker's materialism. It is not the genuine article. He has never entirely sloughed his Christian faiths, but wears still a ragged mantle of them that does not keep him from shivering. That is why he keeps up that in- cessant argument with Parker. At bottom he is a sen- sualist who wants all the good things of this world, but he doesn't want to pay the price for them, if they have to be paid for. That is why he doesn't understand Parker's clean living, to use the conventional phrase, along with the absence of any outside prohibitory check, such as an accepted Christian creed. Your father likes to play the Colossus with one foot in heaven and the other on earth ; but the footing is rather uneasy and in- secure, and I think he leans heavier towards the ground. He baptizes his vices with beautiful names, and then thinks they are virtues " " You don't do that, of course," interrupted Dick sar- castically. " No, because I stand beyond virtue and vice. The terms mean nothing to me. They are purely relative. But they still mean something to your father, and he has a gift at nomenclature, a sort of linguistic jugglery with words peculiar to his age, by which the unreal becomes THE TRELOARS 9 the real, and vice-versa. He has made of Margaret the most comfortable of soft cushions between himself and his responsibilities, but he'd fling it aside for a softer, if he could find one. As for Catherine, she's a thoughtless girl who might perhaps learn to think if she had some responsibility instead of leaning up against the rest of you. Ah ! There is Margaret at the door now, looking for us. By George ! she hasn't changed a bit. You must have some fountain of eternal youth about the place, Dick ; you must show it to me before I leave." " I can't do that. It is in our hearts," replied Dick gravely. CHAPTER II THE young men were walking now on the flower-bor- dered gravel path that led to the house. A broad, round- arched piazza, stretched across the front of the house against which were massed brilliant-hued geraniums and tall, graceful ferns. A flight of stone steps led to the piazza, and the slender figure clothed in white, which the young men had seen in the doorway, moved quickly forward, and stood with outstretched hands at the top of the steps. Such bright, sunny welcome there was in the eloquent gray eyes and in the smile that lighted up the delicate features, that even Gietmann's cynical hardness melted away in it, and he returned the smile, saying with some- thing like a jovial ring in his voice : " You look good to me." "And you to me," was the quick reply, as the young woman clasped the out-stretched hand. " Yet, I am not quite sure that I would have known you at first sight, if I hadn't been expecting you." "What? I am not so changed as that, am I? I should have known you in the dark." " Well, you have grown much stouter ; then, the mous- tache and pointed beard alter you. And then, too, there's io THE TRELOARS something about your expression " She hesitated and blushed. " Not quite so sheepish, eh ? Not quite so moon- struck as it used it be, is that it ? " he asked with a laugh, and as she turned to enter the house, he said : " Do you remember that night you called me a boy ? " Margaret's face burned with a deeper flush, but she said nothing, and he continued in a lower voice meant for her ear alone : " I went away from you that night, determined not to come back, until I was a man. Well, I've come back a man, Margaret." He looked straight into her eyes with a certain self- possession and bold admiration before which her own eyes fell. There was just a little over-confidence in his manner, as if he had made it a point of honor in himself to betray no weakness, and it affected her disagreeably. She preceded the young men into the house, and the cheerful aspect of the tastefully furnished, light and airy rooms was like another welcome. Seated at a piano, a dark-haired, dark-eyed beautiful girl, about eighteen years of age, was lightly fingering the keys with one hand, and at the same time chatting with a fair-haired girl, Catherine Treloar, who was stand- ing near her. Seated in comfortable arm-chairs, near a broad, low window looking out on the garden, two elderly gentlemen were earnestly talking together. Philip Treloar, the taller and slenderer of the two, was a striking looking man in his sixtieth year, with gray hair growing thin on his shapely head, a bristling gray moustache, a pale complexion, a large aquiline nose, and clear, steel-blue eyes. His companion, Dr. Joseph Parker, was a stout man of medium height who had rather the air of a prosperous merchant and good liver than that of a professional man. His intelligent, full, and florid face was lighted up by prominent dark eyes that had been short-sighted in his youth, but with age had grown into a fullness of vision that made him inde- THE TRELOARS n pendent of spectacles. His iron gray hair was closely cut, and his face smoothly shaven. As Margaret entered the room, both men rose from their chairs and advanced to welcome the new-comer. " Delighted to see you, Max," said Mr. Treloar, heartily shaking hands with him. " But I would have passed you on the street without knowing you." " I hope so, Mr. Treloar," said Max. " It's a poor compliment to a man to tell him he hasn't changed in five years." " Or a woman either," challenged Margaret. " Here are some other old friends. Dr. Parker, of course, you know, but here's Dolly who also has changed just as much as you have; and for that matter, Catherine, too. Come here, girls, to get duly presented over again. Now, Max, which is which ? " and Margaret drew the two girls into the circle, her arm about the waist of each. " O, it isn't any trouble to tell them apart. I haven't forgotten that the light hair and blue eyes go with the Treloars, and the dark ones with the Parkers. I am very glad to see you again, young ladies I was going to say girls, but " " O, do say, girls," entreated Catherine with a laugh. " It is so very dreadful to be grown up ; there's so much more expected of you, and nothing more in you to meet the expectations, and please, don't begin with Miss-'mg us either. Just say Cathie and Dolly as you used to. We shall feel so much more comfortable if you do; won't we, Dolly?" " Yes," answered Dolly, blushing brightly, for the young man's eyes were expressing a lively satisfaction in her fresh young beauty. " We don't feel half so grown-up as we look." " No," said Dick. " They are both of them just as'~D green as ever they were, and are proud of the fact, as you see. You're the o.nly one who has changed and feels it a distinction." " But not so much after all," said Margaret. " I be- 12 THE TRELOARS gin to find him again. And, Dick, dear, will you take him to the spare room? I dare say you boys (you will always be boys to me, even when you've grown a beard) will wish to wash up a little before dinner begins, and it is quite ready whenever you are. I am sure the long walk has given you both a good appetite." As the young men left the room, she turned to Catherine, saying: " Cathie, please bring in a pitcher of fresh water from the well. The boys won't be long." " And isn't there anything I can do ? " asked Dolly. " Yes, you might help Cathie," answered Margaret with a smile, and she patted the young girl's shoulder in an affectionate and motherly way. She was very fond of Dolly. Then she went into the dining-room to give the last decorative touches to the table, and to see that everything was in order. Dolly and Catherine hastened out, arm in arm, very glad of an excuse to be alone for a moment to exchange opinions about the guest. " Isn't he original-looking ? " Catherine began, as soon as they were out of the house. " I think he is grand. That fierce moustache and pointed beard make him look awfully interesting, so foreign-looking; don't you think so?" " " I don't like a beard," objected Dolly. " It makes a man look so old, and did you notice the back of his hands and his wrists? They're all covered with thick, black hair. Ugh! he reminds me of a bear." " I don't mind that. That's a sign of strength they say." Then she paused, bit her lip, looked critically at Dolly, as if she were determining whether or not it would be safe to trust her with a secret, and finally burst out with: " I've half a notion to tell you something. I wonder if you could keep a secret." "Of course, I could. Do you think I am a silly talker?" THE TRELOARS 13 " No, but this particular secret isn't exactly mine ; so I feel some compunction of conscience about telling it." " Well, then you oughtn't to tell it especially if you think you can't trust me," answered Dolly with an air of dignified resignation. " But I think I can if you promise. Now, Dolly, on your honor you'll never breathe a word of what I am going to tell you, to a living soul ! " " Of course, I won't, Catherine, if you don't want me to." " Well, I don't want you to ; that's sure. Now I am going to set you to guessing, first. Say, Dolly, did you ever suspect that Max Gietmann was in love with somebody ? " Dolly deliberated a moment, and then replied : " No, I don't think I ever did. The truth is, I don't remember much about him, except that he was very fond of Dick and used to come home from college with him and stay over the week-end at your house." "Yes, that's so. But, Dolly, it wasn't Dick that was the attraction. It was Margaret." " Margaret ? " repeated Dolly in surprise. "Yes, Margaret," reiterated Catherine triumphantly. " I never shall forget the day I found it out. I was just as surprised as you are. It was right here, close to this arbor," and Catherine paused before a clump of bushes near an arbor covered over with honeysuckle. " I had been playing around by the well with a big Maltese cat, and had just run up to this clump of bushes, when I sud- denly heard voices in the arbor. I crept up and peeped through the vines; and there were Max and Margaret, both of them crying. Margaret seemed to be saying something to pacify him. She had put her hand on his arm, and he jerked it away angrily, saying: ' I am not a boy ; I am not your brother. I don't want the sort of love you give to him.' He looked so angry and ex- cited and spoke so roughly that I got frightened and ran away to the house, where Margaret was not long in I 4 THE TRELOARS coming. I saw how red her eyes were, but I never asked her any questions, of course. Max had gone, and he never came back again until to-day never even wrote us a line." " And did you never know what had become of him ? " " Yes, we heard that his father had died, leaving him a considerable amount of money. I think it was in a German paper that somebody gave Dick, that we found it out, but I am not sure, now. You know he had come out to America when he was only about fifteen or sixteen, after a. violent quarrel with his people. His father had struck him, I think. He was a precocious fellow and picked up English in a little while, came out here and worked his way into the university where he met Dick. They took a fancy to each other, and Dick used to bring him out on Friday nights to stay over Sunday. You know Margaret is just as innocent as a baby. She doesn't know men at all, and she used to treat Max just as sweetly as she did Dick. Well, you see what happened. Of course she is a good deal older than he." " She doesn't look any older," said Dolly. " Do you suppose that he has come, back for her, and that Mar- garet will marryvhim?" " O, no ! no ! There isn't the slightest danger of that. Margaret will never marry as long as father lives, or Dick needs her. She thinks too much of them. I some- times wonder what she would do, if anything happened to either of them. There is something almost touching to me in her devotion. It is such an old-fashioned virtue now, you know." " Well, whether it is an old fashion or a new fashion, it seems a good fashion to me, but it doesn't mean that she couldn't love somebody else." " In a deeper way ? " " In a different way." " So that it would be possible for her to leave us ? " "Yes, of course." " Then you don't know Margaret. Margaret Treloar THE TRELOARS 15 could never love anybody so much that she could give up father and Dick for him. Now I love father, you know I do, and I love Dick but " here Catherine hesitated, giggled, tossed her head like a young colt, and finally said " I've no intention of having Miss Treloar carved on my tombstone ; and you ? " but before she could learn what Dolly's intentions with regard to epitaphs might be, Margaret's voice was calling her to make haste with the water, and the two girls hurried to the well, filled the pitcher and went back to the house without further delay. In the meantime, Max and Dick had finished their hasty toilet and were waiting to be called to dinner, with an appetite that promised to do ample justice to it. Margaret was an excellent cook, and never entrusted her dinners entirely to Betty, the maid of all work, who was remarkable, rather for fidelity, than for originality and skill. It was owing to this fidelity that she shared Margaret's anxiety that the dinner should be particularly savory to-day, and was as pleased as a child, when the roast-beef turned out to be unusually juicy and tender, and the peas had retained their delicate flavor and bright green color. She had shared, too, Margaret's pleasure in the prospect of seeing Max Gietmann, whose former visits she remembered with satisfaction, and she had a strange little sinking at heart when he had not asked after her, nor come into the kitchen to say, as it had been his custom, formerly : " How do you do, Betty ? Got any- thing good to eat ? " Well, no matter, he would say something to her when she went into the dining-room to wait on the table. But she might not have existed at all for any notice he took of her, as he helped himself from the dishes she passed. Her thin, wrinkled hands trembled a little. She would have been so proud and happy, if he had given her only a glance of recognition ; but he was so much absorbed in his conversation, so eager to astonish or charm by the communication of his ideas that he was really unconscious of her presence. 16 THE TRELOARS " The trouble with you Americans," he was saying, " is that your real thoughts and your practices are ab- solutely at variance with your pretensions. You are the most materialistic nation in the world; and, mark me, I do not say that to your discredit, but to your credit ; but you are ashamed of the fact, and you try to cover it up with all sorts of ridiculous messes. You have invented a religion that denies the existence of matter and cele- brates the invention in the costliest marble and granite. You have invented another religion of disembodied spir- its that rap and tap and squeak and gibber in the most material way. In short, while you live in matter and think of matter all your waking hours, you won't give up the cant of talking spiritually, as if there were some particularly aristocratic quality in it that could give you distinction." Mr. Treloar pounded the table with the handle of his fork crying : " Hear ! Hear ! " and laughing immoder- ately, looked at Dr. Parker in triumph. " That is what I call being perfectly logical," he cried. " The soul is either immortal or it isn't. I happen to think it is ; but if I didn't believe it, I should say that life is a glorious farce and that there is no better use for it than to eat, drink and be merry." " That is perfectly childish," exclaimed Dr. Parker. " It is equivalent to saying that because I can't occupy my house forever, it doesn't make any difference what sort of house it is. Its roof may let in the wind and rain, its floors may rot and sink to the ground and its defective sewerage poison the air. What difference does it make? I can't have an eternal hold on it." " O, no, you're all wrong there, Joe. Your good house is part of the game of life. You are not going to neglect anything material; for it is the material only that has any reality to you. And if you are a logical materialist you want more houses and better houses and more auto- mobiles and better and faster ones; and more of every- thing that can make you forget what a miserable puny THE TRELOARS 17 creature you really are of no more account in the great scheme of things than the fly that buzzes on your window-pane." " I don't agree with you, Phil. Nature has a way of her own of refuting these arguments of yours by the instinct of self-preservation which she has implanted in all her creatures ; and whatever you may say about it, it is a part of her scheme of things, as you call it, that along with intelligence shall go as its preservative, an in- stinctive sense of its relation to its kind, formulated in man as a sense of duty, of responsibility, and it is only when you insist upon dissecting and analyzing this sense to find it rooted in egotism that you disturb and destroy it. I have always remembered with peculiar pleasure the Russian peasant's answer to Tolstoi's question : ' What would you do, if you knew you were going to die to- morrow ? ' ' I should keep on plowing.' There's the whole thing in a nut-shell. Of course, you can corrupt that peasant. You can undermine all his simple whole- some instincts (of the earth, earthy if you will,) by all the vices of your cultured intellect, trained to analyze and destroy, but that does not affect the argument. No healthy mind ever found life unendurable, or only fit to be squandered because of its brevity." " I agree with you, Doctor," said Max, " but that ques- tion of immortality which troubles the older generation that has received it as a tradition, does not in the least trouble the younger one. What interests us is not yes- terday nor to-morrow, but right now. We have not been fed on the things that nourish you. Your ideals are not ours. We feel the narrowness and insufficiency, as well as the falseness of the ideas that make up your intellectual life. We can't belong to any country. We belong to the world. We are cosmopolitans." " You mean mongrels, don't you ? " interrupted Tre- loar with an amused twinkle in his eye. He was enjoy- ing himself hugely assisting at his old friend's discom- fiture. " You mean that your intellectual attitude is i8 THE TRELOARS the result of the mingling of the ideas and emotions of all races and all ages, for there is nothing original in it. You mean that you have lost the distinction of a type of a race, whose blood runs true to the ancestral line." "If you like to put it that way yes, for it means that we feel nothing alien to us, that is alive and grow- ing. The only thing we dread is fixity, parasitism. We want to keep on moving: we want to be self-sustaining, to stand on our own feet, instead of leaning on somebody. You feel yourselves rooted in the past. Dick and I were discussing that point coming out here. Then, too, we believe in the domination of the strong, not the weak. The perfection of a machine is that it can't think, can't reason against the man that runs it, but is absolutely passive and obedient to him. The salvation of society means the strong man at the helm and the little man under him as machine. That is why your democracies are fail- ures. The strength of the nation is dissipated in count- less feeble wills. The little man is on top; the big man underneath, in danger of being crushed by the wheels. That is why democracies make for peace and the steady accumulation of material enjoyments which are the little man's hope of heaven to-day, just as they were his hope when he clamored for bread and circuses under the Roman eagle. That is why the strongest government in the world to-day is our Germany. We have the strong man at the helm. Now, please don't confound my idea of strength with your familiar ideas of goodness, benevo- lence, intelligence. As ordinarily accepted, these words are only synonyms for weakness. I mean by strength an obstinate, inflexible will, the unfaltering persuasion that the will of the universe is incarnate in you colossal vanity, if you like I have no quarrel with words. Take, for instance, our Kaiser's God. He is no weak- kneed old man. No, he is the god of battles and storms, and " " Made in Germany," laughed Treloar again. " Yes, made in Germany, to serve Germany," was THE TRELOARS 19 Max's prompt reply. " Where a great many other good things are made, in spite of the slushy socialism that is made there, too, by the under man who aspires in his turn to control the machine. But what I am getting at is this : We of the younger generation mean by strength, non-conformity, absolute personal independence, individ- ual autocracy, the right to be your own standard in every- thing, instead of meekly accepting a ready-made one from somebody else. And that independence applies to every- thing, ethics, art, literature, music. If your classics in art or literature speak to me in a language I can't under- stand, I have the right to say so." " Certainly," interposed Dick with a good deal of warmth ; " but you haven't the right to say that nobody else understands them and that they aren't worth under- standing. You have only the right to advertise your limitations and your ignorance, if it is your pleasure to do so." Here Catherine, who had been listening with great eagerness to the discussion, felt that a good opportunity had arrived to let Max know that he had, at least, one listener who was not hopelessly behind the times but could appreciate his advanced ideas, so she leaned over the table and said with great earnestness : " I think that was a very unnecessary remark, Dick. I am quite sure that Max is right. I know that / am not ignorant of the classics, in English, at any rate, and they have never appealed to me, nor to the great majority of us young people in college. We all think them an insuffer- able bore, and now that we have struck the course in the modern novel, Maupassant, Shaw, and other grand, thrilling writers, we call it having gone from the drys to the wets. We've struck something full of juice and " a roar of laughter from Mr. Treloar stopped Catherine in her na'ive confession. " Out of the mouths of babes and sucklings," he shouted, rising to his feet as dinner was over. " Now, let us adjourn to the living-room, and, Catherine, be kind 20 THE TRELOARS enough to reserve your dissertations on juicy literature for another time." " There ! You see how it is," muttered Catherine to Max, as she followed him closely into the next room. " That's the way we young folks always get squelched. We are never supposed to have an opinion that hasn't been approved of, and catalogued. I don't care, that doesn't prevent us from having 'em. How I do love originality, don't you ? " Max felt the absurdity of her question and said noth- ing, but he smiled in a way which Catherine interpreted as a perfect agreement between them. As for Margaret, her delicate face was crimson with shame, and when the little company was seated again, she mustered up courage to say : " Now, please, father, do let us have Max among us for the rest of the evening as Max, and not as a philosopher. You know that at the end of these discussions, we all come out just where we went in ; don't we, Doctor ? " Dr. Parker, seeing Margaret's discomfort, rallied to her support and adroitly turned the conversation to sub- jects of general interest, and persistently maintained it in a light and jovial strain for the rest of the evening. But even under these conditions, Margaret did not quite re- gain her wonted calmness, and when at half past ten o'clock, Max rose to take leave, she said eagerly: " O, no ! You aren't going back to the city at this late hour. Do stay all night, as you used to do; your room is just as you left it." " Thank you," he answered. " You are very kind, but I must really go back. I have an early engagement in the morning." "Then Betty will call you early, and give you your breakfast at any time you wish it." " Really, you are too good, but I am not going to dis- turb Betty, or anybody else. I really can't stay. I have enjoyed seeing you all immensely, and I am coming out again, Mr. Treloar, to finish that discussion with you." THE TRELOARS 21 He extended his hand to his host, who shook it cor- dially, as he answered: " That's right, Max, do come out again. I like your courage. I like the way you follow out your arguments to their logical conclusion. I should have settled with the doctor long ago, if he had been half as consequen- tial." Treloar had a habit of pulling his nose, as some men have of pulling their moustaches, and he finished this sentence with the familiar gesture and a broad smile, as he turned to his old friend, who replied: " That is one of your multifarious illusions, Phil, but you are welcome to it," Then, turning to his daughter, he said : " Come, Dolly, get your hat. We must be going home, too. We can walk as far as the road with Max." " Shan't I hitch up and drive you back, Max ? " said Dick. " It won't take me long to get the horses round." " No, don't do that, please. I want the walk. I need the exercise." " Well, then, I'll walk out to the gate with you, too." " Are you intending to settle in America, or are you going back to Germany?" asked the doctor of Max, as they walked up the hill together, Dick and Dolly follow- ing them. " I think I shall stay here ; though I am not pinning myself down to any set program. Dick tells me he is going into journalism. I think I'd like that myself, only, of course, I should want to own my own journal, so that I could say what I please, and as much or little as I please." " You would like to begin disseminating your ideas, I suppose." "Why not?" " No reason in the world why not, if you think the world of sufficient importance to be instructed." Max was silent a moment. Then he laughed as he answered : " That's rather a neat way of telling me 22 THE TRELOARS that I think a good deal of myself and very little of the world. But the world ought to have a few hard knocks don't you think so ? " " I am not so sure," answered the doctor. " I think the iconoclast has done about all the work that is necessary, for the present, and that the architect should be stepping to the front now. We want the master builder who will take these wrecked faiths of ours, and broken fragments of noble dreams and build some solid shelter for us when the storms are on." " That wouldn't do any good. The building would soon grow shaky again. What we need to do, is to learn to live out doors, and defy the storms." " Like the cave-man and the bush man." "They were freer than we." " That is questionable. Well, we must say good night to you now. Come over and see us when you are out this way again." " Father, what did you invite him for ? " asked Dolly when she and her father were alone. " I think he's per- fectly horrid, don't you ? " " No, I think he is comical. I think he is very young for his age. He has probably suffered some disappoint- ment to his self love and wants to avenge his hurt on the world in much the same spirit that a child turns and kicks the chair against which it has stubbed its toe. It is the common explanation of many misanthropies." Dolly drew closer to her father and took his arm. She felt the greatest temptation to repeat to him what Catherine had told her, but faithful to her promise, she resisted the impulse and contented herself with asking demurely : " Do you think it might be a disappointment in love ? " " Possibly, or some checked ambition ; but no mat- ter what it is, if he has good stuff in him, he will recover. If he hasn't, he'll turn reformer, agitator, or general tooth-gnasher and wrecker." " I wish he had confined his agitations and gnashings THE TRELOARS 23 to Germany. I don't think he is good company for Dick, do you ? " " That depends upon Dick." " In what way, father ? " " Well, if a man is in good physical condition, he may expose himself to contagion with little danger, but if he is feeble, with a tendency to catch things, he runs a great risk of being infected. It is the same way with a man's morals. If he has sound instincts, if nature built him clean all the way through, he can keep clean and sound, no matter what evil surrounds him; but if he has a low, itching curiosity and a hankering after what is generally forbidden just because it is forbidden he runs a great risk." " Then I think Dick is quite safe, don't you, father?" " I think so. I'm very fond of Dick. What makes you worry about him, Dolly ? " " I am not worrying about him, but I don't like that Max. I think he's horrid!" and having finished where she began, Dolly challenged her father to a race as far as the next bend in the road, and darted off like a young deer, seeming scarcely to touch the ground with her light feet, and at the goal of the race, she stood laughing and panting till her father came up a good deal blown himself, though he had given up running after a short trial. " There ! " she cried, catching hold of his arm again. " I knew I should beat you, Daddy. You make your- self top-heavy with that blundering old philosophy. I think it is so good for you to run some of it out of you. Don't you feel lighter, already? Seriously, you know, I don't mind your discussions with Mr. Treloar. I've heard them so often that I should miss them as I would Prince's barking, or the pigeon's cooing in the back-yard. They've really come to seem home-like, and to belong naturally to a certain stage of life; but to be young and choked up with a philosophy like that Max! Young, young! young!" O the scorn in Dolly's voice as she 24 THE TRELOARS repeated this word ! " You said he was young. Why he is a million years older than you. He is as old as mud ! " CHAPTER III IN the meantime, the young gentleman, " old as mud," was hastily making his way back to Berkeley in a frame of mind quite as unamiable as Dolly's. A heavy fog had rolled down from the hills, but he felt nothing of its chill dampness, nor would his eyes have served him any better, had it been broad day-light. He was wholly absorbed for the time being with an inner vision that made him unconscious of the outer world. Max Gietmann was a native of Strasburg. His father, an irascible and moody man, unhappily married to a woman beneath him in station and intelligence, had never treated him with the affection and consideration of a parent, and in consequence of a violent quarrel between the two, he had run away to America. His experiences in the new country had been painful and humiliating. He had known all the mean shifts and mortifications of poverty. He had served hard task-masters, and had suf- fered in silence the stinging consciousness of his superior- ity to them. He had stolen time from his sleep to satisfy his hungry intellect. He resolved to prepare himself for a university by attendance at night schools and at public lectures, and finally reaching Berkeley, California, found employment sufficiently remunerative to enable him to save enough to pay his expenses for a year at the uni- versity. Chance threw him into the same class with Richard Treloar who was struck by the maturity and originality of his opinions, whenever he was called upon to give them in class, and he sought him out. The two young men, attracted to each other by the fascination of utter contrast, became warm friends. Dick began to talk about his brilliant young friend at home, and asked Mar- garet, if he might not invite him to their home. THE TRELOARS 25 Margaret Treloar belonged to that type of woman- hood, by no means scantily represented, in whom the mother instinct is predominant in its purest form of tender devotion and vivid impersonal interest. She had a peculiar gift of putting herself in your place, or rather of effacing herself so completely that you felt no sense of strangeness in her presence, but rather that you had doubled yourself, and that whatever deeply interested you, would interest her, for the very reason that it was your interest, not hers ; and so you revealed yourself to her, as you had never done to any one before. You dropped all the little masks and half-truths which society forces you to put on in self-defense. You bared your soul to her, and were neither ashamed nor afraid; for you felt her nature so large and sincere that there was room in it for pardon, if you wounded it, and for charity if you offended it. But she had utterly, fatally misunderstood Max. She had never even remotely dreamed that her sweet motherly affection for him had awakened in him a devouring pas- sion; and it would be difficult to say which of the two suffered the keener mortification, in their hour of disillu- sionment. That hour burned itself indelibly into the memory of each of them, and left a wound that, after five years, still throbbed painfully. Max recalled it now, as he hastened along the lonely Tunnel Road towards Berkeley. His lips quivered with suppressed emotion, and by the pain he felt, he knew that he had not yet entirely freed himself from the old domination. He hated himself for it, as if he had been guilty of a shameful weakness. He had come back so sure of himself, so strengthened by the hate and scorn of sentimentality, and by all the promptings of a powerful egotism, so sure, too, that he should find her changed, as he himself had changed grown older, made common by the fading of his own bright dreams of her, that he was shocked and stunned to find her as he had left her, and to feel the buried self within him awake and answer to 26 THE TRELOARS her touch, as in the old days when she was all the world to him. His feelings were so strong that he had no con- sciousness of the passing of time, and it seemed to him that he had been but a few minutes striding along the lonely road, when he reached a street car terminus. He boarded the car for Oakland, and arrived at the ferry landing just in time to take the last boat crossing the bay for San Francisco. He hastened to the upper deck and let the fresh sea breeze blow across his hot face. Al- though the hour was late, the boat carried a considerable number of passengers, of whom the most noticeable was a company of actors, returning to the city from a perform- ance in Oakland. They were a tired and yawning set, not at all solicitous about keeping up the illusions of the dramatic world, and Max had passed them by without glancing either to the right or left. He stood now at the prow of the boat, straining his eyes into the darkness, his hat off, the night air blowing through his heavy hair. He was very unhappy. The thought crossed his mind: " How easy it would be to throw one's self into that dark rolling flood, to shiver, to gasp, to struggle involuntarily, and then eternal rest." "Mr. Gietmann!" He started violently, as if suddenly aroused from a slumber. " I beg your pardon. I did not mean to startle you." He turned quickly and confronted a slender, well- dressed woman who was smiling at him as if he were a well-remembered friend; but as he made no sign of recognition, and gave no indication of pleasure at the greeting, she went on: " You do not know me ? " " No. I do not know you," he answered impatiently. " Will you do me the favor of carrying your memory back five years to the park at Cherbourg, France ? " Her voice was very sweet and insinuating, and she smiled, as she looked steadily at him. A puzzled expression passed over his face as he re- peated: "The park? Cherbourg, France?" THE TRELOARS 27 "Yes and Sophy Walker." His face cleared instantly. " O, yes, I remember now. The young woman in trouble, whose husband had left her; but you're not that young woman. I don't remember her looking like you." The young woman laughed softly, as she answered : " No, I don't think she did. I think I have improved on her; for I am the young woman. Wouldn't you like to hear how the butterfly came out of the chrysalis? " " Yes. I think that would be interesting." " But we must find a more comfortable place to chat. Don't you think the breeze is a little too stiff here ? " " Not for me, but if you feel chilly, we shall go in- side." " Yes, do, please, it is a little too chilly for me. I catch cold easily, and I must take care of my voice." She put her hand to her throat, as she said this, and coughed slightly. " Ah, here is a cozy corner," she said, preceding him into the cabin " let us sit down here. And so you wouldn't have recognized me ? " He looked at her curiously. She was a graceful, at- tractive woman, who looked taller than she was, and younger than she was. She had a thin expressive face, with dark eyes and a sweet sensitive mouth. Her hat, with its rolling brim, left unconcealed a great part of her reddish brown hair, escaping the bonds of comb and pins, in graceful waves and ringlets about her forehead and ears. " No, I don't see the slightest trace of Sophy Walker." She smiled delightedly, and softly clapped her hands. " That proves what a good artist I am. Sophy Walker does not exist any more. Sophy Walker, the chrysalis, is now Nita Normand, the butterfly." She paused a moment, and then said with real seriousness : " You must forgive my rattling away in nonsense like that, but seeing you suddenly, has sort of gone to my 28 THE TRELOARS head. Do you know how glad I am to meet you? How often I have wished I might see you to thank you again for what you did for me, and to show you that it was really worth while doing it ! " " I never doubted that." " And you might have doubted it, with good reason. I am going to make a clean breast of the whole story. I can't endure to think that I lied to you. I told you that the man who deserted me was my husband. Well, he wasn't that is to say, in the eyes of the law. I had no right to bear his name ; but that was so little a matter to me a mere ceremony and I was as sure of him as I was of myself, and would not have bound him to love me, any more than I would have bound my mother over by law to love me. Isn't it glorious to have had at least once in one's life so gorgeous a faith in one's fellow- man ? " she laughed in a pretty musical way and tossed her head, and then in a lower tone, with a little shiver passing over her " isn't it hideous to discover all at once that there was no reason for such a faith? Seri- ously, I think I should have died in that first hour of discovery, if you hadn't come to save me. I must tell you how I came out of that state in which you left me." " You went on the stage, didn't you ? " " Yes, do I look like an actress ? " " I don't know that you do particularly, but I see that there is a company of actors on board to-night. Are you one of them ? " " Yes, the leading lady, if you please." " Had you been an actress, before I met you at Cher- bourg?" " No, not exactly ; though I had recited in public, and quite successfully, too. But I had not yet developed a real individuality. I wonder if I can make you under- stand what I mean? I mean that I couldn't stand alone without holding hands. I was afraid of life, afraid of myself, afraid of the world, and I needed to be taught that I could stand on my own feet, that I could look at THE TRELOARS 29 life steadily without veiling its realities, that I could say ' yes/ and it would mean yes ; and ' no,' and it would mean no. You men have no idea how hard it is for a woman to grow a sort of hard protective shell over all that fatal softness of hers." " Yes, we do. There are quite as many soft-shelled men who must roll themselves in gravel and sand to get a tough outside coat that will stand the wear and tear of life. We aren't all born with a shell, more's the pity." She looked curiously at him for a moment, as if she suspected that all might not be well with him and then she said: " I see that you do know, and if you haven't yet con- structed a hard shell for yourself, let me tell you the secret. I began with thinking that intelligence is a poor sort of thing, if you can't use it for anything but multiply- ing and preserving your wretchedness ; and that the first thing to do was to close the doors to self-pity. But how ridiculous of me to be sermonizing in this way." She paused and smiled. " I assure you that it is something entirely foreign to me. I don't know that I ever did it before ; but when I saw you striding past me, I recognized you in a minute, in spite of your beard; you have a peculiar way of carrying yourself, your face seemed to me to show " " That I was miserable, erT? " " Yes no, not entirely ; but then not exactly happy, either, and I just want to tell you that nothing lasts not even a great grief, a great love, a great joy, or a great wonder. They all pass away at last into the rag-bag of time, and if you have intelligence, you can begin all things new ; you can face life, as if it were a great play, and if you can't be an actor in it, you can at least be a spectator." " Suppose the play bores you ? suppose it is always either a tragedy or a stupid nauseating farce ? " " O, but it can't be that all the time. It is a perpetual change of scene, so that even boredom and tragedy can't last. No, the play's the thing." I \ 30 THE TRELOARS " To you who are an actress, of course ; but you haven't told me yet how you became one. That interests me." " Thank you I am really glad it does. Well, on board the steamer, coming back to the States, I was cast for a merry part in some improvised farce. A merry part, if you please. I with my broken heart, was to make others laugh ! And I did it. I can't for the life of me, tell how I managed to do it; but I threw my whole soul into it, and made quite a sensation in the little ship world. There happened to be on board the general manager of a stock company in New York, and he was much struck by my talent, engaged me immediately, said I was a born actress, and needed only to learn a few of the formalities of the stage to make a brilliant success. The upshot of the matter was that he fell in love with me, quarreled with me, and dropped me, or I dropped him, I don't re- member now which it was. I changed managers, traveled with various companies, and though I have never exactly made a brilliant success, I have always managed to hold my own, and to be sought after, rather than seek. I am now leading lady in a San Francisco stock company. Still it is slow work. You see, I am waiting for someone to discover me." " I believe I have discovered him for you. I have a young friend, a really brilliant fellow, who is going into journalism I believe he could appreciate you, and would know how to say so, if he did." " Does he live in San Francisco ? " " Not yet, but he intends going there soon. He is liv- ing at home just now, a few miles out of Berkeley. I have just come from there to-night. I must introduce him to you." " That's very kind of you, but it is especially so, be- cause it will give me a chance of seeing you again. I don't want to lose sight of you. I must give you my address and a pass to the theater. We are only in Oak- land on Tuesday nights. Ah ! there's the whistle blowing THE TRELOARS 31 for the landing. We must say good-night to each other. I wonder if you really know how genuinely glad I am to see you again ? " She gave him her hand, as she rose, and he clasped it cordially. He too was glad to see her, and when they had parted, and he was alone again, he recalled, as if it had been yesterday the scene in Cherbourg to which she had alluded. He had just arrived in France from New York, and was lounging about in the park to pass away the time before his train left for Paris. He had reached a retired and beautiful spot in the park in the shadow of a huge overhanging rock, when he was suddenly startled by the sound of sobs and low inarticulate cries of suffer- ing. Drawing nearer to the place whence the sounds came, he saw a young woman sitting upon a bench, her back towards him, her face hidden in her hands, her whole body writhing in an agony of grief. Suddenly she lifted her head and said aloud: "/ will not live. I will not live." Then hardly knowing why, so impulsively had he acted, he stepped forward saying : " Forgive me, if I intrude upon you but I feel that I have a right to speak to you, for I, too, know what suffering is. Tell me how I can help you." She stared at him stupidly, her eyes red, the lids swollen, her lips trembling. His heart filled with pity as he looked at her. He sat down beside her, and with tender, sympathetic questioning, he learned her story, the old story of confidence and abandonment. He learned, too, that she had come from the United States and was penniless. He could never recall afterwards just what he had said to her, nor how he was able to give her courage and the will to live but he did succeed in per- suading her to abandon her rash resolve. He gave her money to provide for her necessities, until she could help herself. He bought her a passage back to the States on the vessel upon which he had come to France, and he recommended her to the care of the captain and his officers. 32 THE TRELOARS By a singular revulsion of feeling and contagion of effort, the act of saving another had saved himself. Her despair was a vantage ground from which he could more truly regard his own wretchedness, and it began to look pitifully small to him. Life assumed a new value inde- pendent of emotionalism. He despised himself as a weakling for taking a woman's indifference so deeply to heart, and resolved to win back his self-respect by hard- ening his heart, which meant adopting a cynical attitude to life. He had only one fear and that was to be the victim of an illusion; he cultivated suspicion and hatred as virtues ; he made to himself the great reversal of values which calls itself the wisdom of our age. Max Stirner's Der Enizige und sein Eigentum was his breviary. Yet after all, it was/ only a shell that he had made for him- self. _The mollusk within was as soft as ever. He said that to himself as he walked up Market Street towards his hotel, and he flouted himself for the contrast between his boastful tirade about destroying the chains of the past and his consciousness of being bound by them still. When he entered his room, he threw the windows wide open and let the chill night fog rush in. He felt as if he were stifling. There was no use in going to bed. Sleep was, impossible. He knew that by some involun- tary obstinacy of his mind, he was to repeat over and over again the scenes of the evening. Far into the night, he brooded and pondered, and it was not till the gray dawn filled his room with a subdued light that he could throw himself upon his couch, too weary to undress him- self. The world began to brighten a little with the lifting of the morning fog. A broad flood of sunshine entered' his room. " The Dawn," he said to himself. " I shall call my journal The Dawn. I shall bring it out weekly. Of course, it won't sell at first. I shall have to create an audience for it, and the best way to do that is to shock the public." He ordered a steak for his breakfast and while he was THE TRELOARS 33 waiting for it, he looked over the morning paper. The front page was hideously marred by gigantic black and red head-lines, announcing a horrible murder; while further down the page, two sensational divorce cases were reported in full, with huge cuts of the heads of the unhappy wretches. He turned over the pages ; every- where, there was the same concern to print the frightful, the surprising, the shocking, except perhaps in the woman's columns where directions for coloring the hair, removing freckles, tan and wrinkles, were mingled with notes on dress, among which was the announcement that if my lady wished to be quite chic, she must see to it that her prayer-book matched her Sunday gown. When he came to the funny page with its driveling puerilities in drawing and subject, Max threw down his paper with a feeling of actual nausea. " If that's the pabulum the public feeds on," he said to himself, " it would take an earthquake to shock it." When the waiter brought in his breakfast, he said to him: " Is there anybody in San Francisco idiotic enough to laugh at that drivel ? " " Sir ? " said the waiter, rather surprised at the wrath- ful countenance turned towards him. " Do you think that rot's funny ? " and he thrust the offending paper under the waiter's nose. " Well, yes, sir, I think's it's kind 'o funny. The chil- dren's all crazy about it." " They are, are they ? Well, you take it out to the kitchen, and give it to the baby to play with." The waiter smiled, as he picked up the paper. He thought that the gentleman was as funny as the pictures, though in a somewhat different way. The gentleman, left to himself, continued his wrathful musings. His ideas about shocking the public on his own account had received a shock in their turn. It would be an Herculean task to shock a public at once so prurient and so naive that it required both depravity and imbecil- 34 THE TRELOARS ity to administer to its tastes. But surely there was an- other public of readers thoughtful men and women to whom gossip and puerilities meant nothing, and ideas everything who read books, not to kill time, but to fill time with food for thought. What new books were they reading? Who was writing for them? His breakfast finished, he went out into the street intending to find an answer to these questions by visiting the book shops and libraries. The beautiful city had changed much for the better, since he left it. The ravages of the earthquake and the fire were effaced by broad well-paved streets and hand- some new buildings; and a general air of cheerfulness and prosperity made it almost impossible to believe that the city had so recently suffered a terrible calamity. But it was not the favorable aspect of things that struck him. Like a careful housemaid intent upon her cleaning, it was not the beauty of the picture, but the dust on the frame that attracted his attention. A huge wooden hand with the word palmistry painted in gilt letters across it, swing- ing from the second story of a tall building ; windows on which the words, Clairvoyant, New Thought, Trance Medium, Christian Science Rooms, Mind Healer, were printed in staring white letters, were the things that caught his eye, because he was thinking of the singular renaissance of superstition in an age that calls itself scien- tific; and was marveling at that curious and incurable weakness of the human mind which makes it incapable of ridding itself of one folly or error, without immedi- ately accepting another in its place. Holding that every man is a law unto himself and to no one else, it did not occur to him, any more than it does to any other anarchist, that according to his individual- istic doctrines, every man has a perfect right to make a consummate ass of himself if he likes, and to induce other asses to accept his braying for celestial music, if he chooses to call it such; and that instead of feeling dis- gusted at the variety and confusion of thought so char- THE TRELOARS 35 acteristic of modern civilization, he ought gladly to ac- cept it as the logical outcome of his teachings. But Max, like other reformers of his type, had not yet risen to the virtue of consistency, or possibly would have scornfully rejected it, on the score of its being a virtue, a word under his especial ban and particularly fatal to his equanimity. He sought the public library and looked over the cur- rent periodical literature to catch the trend of public interest. He discovered that there really did exist a serious literature represented by a few thoughtful writers who were for the most part conservative, inclined to look backward with admiration, rather than forward with intrepidity and confidence, because they were men who were not afraid of dates. They knew that the sun- shine was as bright a thousand years ago, as it is to-day, and just as good for cheer and growth; therefore they refused to accept the babyish phrase " up-to-date " as a standard of excellence, and to reject everything as bad that did not smell strong of varnish. They recognized a standard of good and evil, and felt that literature has a nobler mission than that of shortening the idle day of an idle mar or woman. They believed it to be the prod- ' uct of broad experience, large knowledge and deep in- sight instead of the outcome of an incurable itch for notoriety, and a colossal egotism that would project its shadow over heaven and earth, and scrawl a capital / on the universe. They were alive to an awakening in the direction of ethical and philosophical thought; but no- where, so it seemed to Max, was there a complete con- sciousness of the legitimate conclusion of these discover- ies, nowhere a decided break with the past and a frank acceptance of new conditions ; but everywhere an effort at compromise, a mending of old wine skins with new leather. He turned his attention to the popular literature of the day, but only to find confusion worse confounded. The readers of this driveling stuff recalled to his memory the 36 THE TRELOARS jostling crowds at a country fair, where every fakir who can scream the loudest and utter the most ineffable non- sense draws the largest and most delighted crowds. Everybody who had nothing to say seemed bent upon saying something, and if he had no language, he invented one, and called himself inspired ; or he revived all the obsolete words he could find in the dictionary ; or adopted literal translations from foreign tongues, and plumed himself upon his originality. Max turned away with contempt and disgust. To him, it was the old story of the triumph of mediocrity the little man on top his silly and frenzied bawling drowning the voice of the man of genius and the voice of the sage. It was the natural outcome of the fatal error of democracy with its ridiculous ideas of equality among men, its absurd and criminal process of artificial levelings through the voice of the majority, and its senti- mental humanitarianism which preserves the weak at the expense of the strong a scheme absolutely contrary to nature who sets up barriers everywhere, lest the weak should be confounded with the strong, the little with the great. And no one was protesting since the eloquent voice of Nietzsche was silent. Well, The Dawn would protest; The Dawn would speak in the name of true progress which recognizes that " might is right," that the domination of the world belongs to those who have the strength to seize it and the power to keep it. And Max really meant strength and power ; he did not mean the desire of them which so many weaklings confound with their possession, and he was as much disgusted with that confusion as Nietzsche would be, could he see crawling in the sunshine of their self-begotten glory, all the puny breed of egotistical vermin which his Zarathnstra has brought forth. Max was not entirely a fool; but he was cursed with that fastidious and irritable self-love which presents a vulnerable side to all points of the horizon, and trebles and quadruples a man's capacity for pain. He had be- THE TRELOARS 37 gun life with a host of false romantic ideas, and his disillusionment had been followed by revolt and bitter- ness, instead of that smiling and gentle tolerance which is the essence of true culture. He hated furiously, and wished to destroy what had most humiliated him. A sense of power that had not yet found a worthy outlet struggled in him with an infuriating consciousness of impotence to break the narrow boundaries of his monot- onous life. CHAPTER IV As Dick walked slowly back to the house after bidding Max good-night, he had an uncomfortable feeling of not having rightly fitted into his old friendship with him. He had been very fond of Max in their college days together, having found him at once stimulating and congenial. Stimulating he certainly was, still, in an irri- tating and aggressive way that depressed, rather than inspired, but of congeniality between them, there was little trace. What was the matter with Max? Was he really in earnest, or was he simply in an ill-tempered mood? Dick was familiar with these changeable moods of his, during which he was either all honey or all dirt, according as something went well or ill with him. At any rate, he had been great fun for his father who saw in Max's views an exact fulfillment of his own predictions regarding the logical results of materialistic doctrines; but Margaret how did she feel about him? He found her sitting alone in the living-room, a flower in her hand, the petals of which she seemed to be ex- amining curiously, but there was a puzzled painful expression upon her face which indicated that she was not thinking of the flower. " Has father gone upstairs ? " Dick asked. " Yes, he went up just as soon as you were all gone." "And Catherine, too?" 38 THE TRELOARS " Yes ; did you want to see her ? " " No ; I don't want anybody but you." He drew a chair close to her, and asked abruptly: "Well, what do you think of him?" " I don't know know what to think of him, Dick," answered Margaret, laying her flower on the table near her. " It is all a puzzle to me. He is greatly changed, unless You don't think he was just trying to draw father out, do you ? " " No, we had a long serious talk together as we walked out home. According to his present views, civilization's a failure, and savagery isn't any nearer right, and the only hope for the future lies in an entire readjustment of social and individual values. He is particularly bitter against the family. He says every home is a center of selfishness that leads to the destruction of heroism; and he is bitter against the domination of women, in short I don't know anything he isn't bitter against." Margaret's face brightened into a smile as she asked: " Dick, does that sound a little to you like the sour grapes fable? Have you ever noticed that the men who are the most impressible to a woman's influence are the very ones who denounce it most severely ? " " That's so. Max may have been severely burnt, and these ugly opinions of his may be only the scars. I hadn't thought of that. However, if a woman is at the bottom of them, she hasn't been the right sort of woman, or she would have made a different man of him. Max had good stuff in him." Margaret moved restlessly on her chair, and then said: " I don't know. I wouldn't judge her unseen, Dick. There are certain wayward natures that crosses embit- ter. You remember that Max ran away from home be- cause of a slight, and could neither forget nor forgive it. I wonder why he came back ; did he tell you ? " " Yes, he wants me to go into some sort of literary venture with him." THE TRELOARS 39 " But you can't of course ; you've made a contract with Mr. Cressy for journalistic work on his paper." Margaret looked anxiously at Dick, and as he did not reply, she went on: " And then you're entirely at variance with him on the subject of art and literature, if I may judge from what he said at dinner about the ideals of the present generation. I felt quite shoved out of my generation, didn't you?" " I didn't really pay much attention to what he said, for I found I couldn't make head nor tail of it. So far as I do understand him, he seems to think that you can make art and literature out of scientific abstractions and theories. We've had a static art and static literature, because we ignorantly suppose everything at rest. Now, we're to have a dynamic art and dynamic literature be- cause we realize the eternal flux of things. It's a scream- ing farce to me, this attempt to visualize the invisible, paint an abstraction or speak to a sense perception of motion that does not at all exist in us. For us, the world does stand still, and if you try to paint a dance of atoms they won't dance to the eye, no matter what you call them. They'll stand as still as ever But Max is for trying to make things hum and move in a huge ' let fly ' as Whitman called it." "This isn't Max's invention, is it?" " O, no, he says that there are cliques of writers and artists in Europe carrying out these ideas and making a great sensation." " Dick, it is nothing but an immense bluff of impotence and ignorance. When a man can really do things well, he does them as clever people always have done them. When he can't, he botches his work because he can't help it, and if he is a bluffer, he says he does it on purpose because he has an original idea. You can't have art and literature without feeling, any more than you can have palatable bread without yeast. It takes the leaven of emotion to raise anything above mediocrity. That's a kitchen metaphor, but it is true all the same." 40 THE TRELOARS " Yes, I think you're right, but all this nonsense isn't troubling me. Max has his head a little turned just now, but I think he'll come to himself again out here with us. What does trouble me, Margaret, is something he said about you." "About me?" Margaret reddened, and opened her eyes very wide. " Yes, about you. He says we have all let you sacri- fice your life for us, without so much as a ' thank you.' Somehow it struck home to me, and I have been think- ing how constantly you are caring for all of us, and how little we do for you." " Come now, Dick, no more of that," and Margaret rising, put her small hand playfully over Dick's mouth. " It was horrible of him to say that, for it is not at all true. It is I who am the debtor of the family, not the creditor. The great thing you all do for me, is to let me love you and care for you Why, Dick, I am the richest woman in America. But I am saddened when I think that my present happiness cannot last." " And why not ? " queried Dick. " Now that I have made a man out of the dear boy to whom I have been mother and sister, I know that some other woman is destined to take my first place in your heart. At times there comes over me a sickly morbid dread of it, a sort of chill fear. It isn't right of me, I know, but I can't help it. It seems to me as if no woman in the world is quite good enough and noble enough for you. There are so many silly babyish women in the world, with the deadly gift of beauty, incapable of really loving anything but themselves: there are so many parasitic vampire women with the deadly gift of charm, incapable of fidelity to any one; and the really good, devoted woman is often so simple, so homely, so devoid of out- ward grace that she can't attract youth and yet " Dick interrupted her with a burst of laughter. " O Margaret, Margaret, what a funny girl you are ! Do you want me to take an oath that I shall never get married?" THE TRELOARS 41 " O, no ! no ! You'd be sure to break it, for there is something irritating about an oath or a promise that never lets you rest till you've broken it." " But I think I could take an oath for ten years, and not be troubled about breaking it. I am in no hurry to double my responsibilities. I've my own life problem to solve before thinking of complicating it with somebody else's." " That's the way I like to hear you talk, Dick. That's sensible. I don't want you to have your wings clipped, before you've had a long flight. Marrying too early would be just clipping your wings. You would need to turn drudge to keep up an establishment of your own, and you know the fount of the muses is intermittent in its flow. It is not an artesian well, at which you can fill your pitcher whenever it is empty." " But Margaret, what in the world ever started you to thinking about my getting married ? " " I don't know, Dick. I suppose it is because you are going away from home for the first time. You've al- ways been used to being petted by me and having me tagging about after you, and when a man gets used to a woman about him, he can't get along without one." " Ho ! ho ! Miss Wisdom ; and how about a woman's getting used to a man ? What guarantee have I that you won't be looking around for some other young man to pet and tag around after? Really I begin to be quite anxious about you, for I don't relish the thought of your petting somebody else as you do me." " Ah, but I've father, you know, and Catherine." " Yes, but you will still have a surplus stock of petting on hand that you've been giving to me." " I shall save it all up for you when you come home Saturday nights. Isn't it glorious that you are to have every Sunday with us? Really, if it weren't for that, Dick, I don't believe I should be brave enough to let you go. I should be teasing father to move over to San Francisco. Yet I know he wouldn't be happy there. It 42 THE TRELOARS is so beautiful and quiet here; and then Doctor Parker and he are such old friends, it wouldn't do to separate them. But listen! There! do you hear that? The clock is striking twelve. We must be off to bed. Turn out the light, Dick. I can find my way upstairs without it. Good-night, dear boy, and sleep well. I am sure that I shall." Perhaps she thought she would, but she did not. She lay broad awake for many hours in pained amazement at the revelations of the day. She herself was so tenacious in her feelings and opinions, that all violent changes were inexplicable to her, and shocked and hurt her like a sud- den fall from some high place where one is walking securely. Margaret Treloar's life was no scintillating frag- mentary picture life, but a beautiful whole, rich in thought, rich in feeling. Her responsibilities had begun early in life. She was but twelve years old at the time of the death of her mother a delicate, high-bred woman of whose beauty and gentleness, Margaret retained a vivid recollection. She remembered, also, her tastes, her love of books and flowers, her quick musical ear, and certain turns of expression peculiar to her which she related to the little brother and sister left to her care. Neither did she forget the singularly protecting love with which her mother had smoothed over the rough places in her father's life going always before him, gentle, sweet, yet so strong and true, to see that there were no lions in the way ; and if there were, to direct him into another path, or to attract to herself the attention of the lions, while he passed by unharmed. How often her mother had said to her : " Margaret, dear, if anything ever goes wrong or troubles you, don't bother dear papa about it, just come to me. Papa has so much to think of, that we must spare him every annoyance that we can." She had not at first understood just what particu- lar annoyances her father had to endure; but later, she understood it all, and admired her mother's loving loyalty and imitated it as best she could. THE TRELOARS 43 Her father, Philip Treloar, was one of that singularly interesting class of men who are of immense promise in their youth, and mediocre performance in their maturity ; but who retain over those who have known them in their bud and blossom time, the charm of this early beauty and promise. They are men whose activity lies chiefly in their range of thought, broadly assimilative, rather than original, incapable of concentrating their energies in any one direction, because of the many interesting paths that open up to their eager curiosity. When Philip Treloar and his young bride settled down in a fair-sized town of Southern Illinois, where he had been called to the pastorate of an Episcopal church, he found his congregation chiefly composed of conservatives. He was very successful the first year, and the little church was filled to overflowing Sunday after Sunday with men and women of all denominations who came to hear the brilliant young pastor and went away with nothing but praise for his eloquence. But the young pastor was by no means at the end of his intellectual journey; he had many a mile of dark, solitary travel before him. He fell under the influence of Kant, Hegel, Fichte, and finally of Tolstoi, and he began to feel that the Christianity which he was preaching was as hard and materialistic as the creed of Haeckel; and as far from representing the teachings of Christ as the dim light of a cavern can represent the effulgence of the sun in the heavens. It seemed to him that metaphors had been petrified into creeds ; that glimpses of truths uttered in the poetical language of an inspired seer had been clothed with a definite form which not only did not belong to them, but utterly falsified them; and he rejected the orthodox ideas of heaven and hell with horror. The eternal life seemed to him no peculiar gift of death, but a part of the pres- ' ent ; and hell and heaven were respectively represented on earth by materialism and spirituality. God was the spirit of life in everything. God was in him ; and in the rapture of this thought, he swung himself to dizzy heights, where 44 THE TRELOARS all the petty actions of this life its envies, its duplici- ties, its cruelties, its lusts, looked to him like the child's play of a moment; and to see all things after Spinoza's fashion, " under the aspect of eternity," became the rule of his intellectual life. It was not surprising, therefore, that the young clergy- man soon wandered into unfamiliar channels of creed that his congregation could not accept and in the end, talked himself out of the pulpit. The upshot of it was, that he went out of the church never to enter it as a pastor again. But the truth, as he saw it, burned within him for utterance, and he betook himself to his pen. It was then that his brave gifted wife took upon her shoulders the burden of making a living, while he read, wrote and thought. They moved farther west into a rapidly rising commercial town where they rented a large house, sub-letting the greater part of it; and Mrs. Treloar gave lessons in music and in china painting, until her health gave way under the strain. Mrs. Treloar had the courage to give her daughter the education which she herself had received. She taught her how to cook, to sew, to keep the house in order, but not to let these necessary activities so much absorb her as to neglect her intellectual growth. " Better a little dust on the furniture than on the mind," she used to say. " The house should serve the woman, not the woman the house." Before Margaret herself could read, her mother used to read to her out of the fine old books which have been meat and drink to many generations, and required the child to repeat what had been read to her as well as she could, in order to train her in correctly and easily express- ing herself. She set her the task of learning fine poems embodying a noble sentiment or rendering a beautiful description in choice language, thus laying the founda- tions of a correct and cultivated taste. She laid, too, the foundations of a sound morality, teaching her the love of truth, purity, sincerity and the broad charity which THE TRELOARS 45 refuses judgment till all the truth is known. In short, Mrs. Treloar believed that real education means resource- fulness, the power to employ one's leisure well, to know what to do with one's self when the reins of duty are re- laxed, and the daily tasks are done. She believed, too, that it meant the capacity for continuous growth, for self- help; not something completed at eighteen and rounded off with a diploma. A deep, long, passionate grief the first irreparable loss to the young child's heart a loss so great that it seemed at first that she could not live through it then sweet serenity and boundless faith. One day, a few weeks after her mother's death, her father heard her singing at her work and he thought her grief had been childish and transient, and that she was too young to understand her loss. But it pained him deeply to think so, and the pain showed in his face as he looked at her. But the child was only trying to be courageous for his sake. One day, by chance, Mr. Treloar saw an advertisement for some one to take charge of an orange ranch in Cal- ifornia, for half the profits on the sale of the fruit. Here was an open gate to a new life. He penned his answer with the greatest care, stating frankly how little he knew about raising oranges, but how eagerly he would apply himself to learn how to do it. How long the days seemed till the answer came. With what eager fingers he tore open the envelope, his quick eye catching at once the favor- able reply penned by an old college acquaintance, Dr. Jo- seph Parker. He remembered Parker as a somewhat re- served fellow, particularly interested in science, while he himself was interested in literature and philosophy. The diversity of their tastes had separated them, but they had met frequently enough to remember each other distinctly after the lapse of years. Treloar sold the greater part of his household furniture, packed his books and a few things which had a sentimental value to him through asso- ciation, sent them ahead of him, and left with his family for the Pacific Coast. 46 THE TRELOARS It had been a wise step to take. Work and responsi- bility are the great salves for the wounds of the heart. Treloar had been in danger of becoming a book worm interested in little but metaphysical speculations; he had been in danger of hardening under the repeated blows of misfortune. He needed more than anything else to be taken out of himself, and to come into harmonious re- lations with his fellowmen. Naturally social and ex- pansive in his temperament, his new life absolutely free from conventions, gave him an opportunity to be himself. He spent the greater part of the day out of doors, mingled with his laborers on an equal footing, laughed at their coarse jests and told coarse jests in return. He touched the earth and felt it good under his feet. Five years after Mr. Treloar's removal to California, the same great sorrow came to Dr. Parker. His wife died leaving him a little girl, about three years old, and he invited Treloar to settle upon a beautiful estate of his among the Berkeley Hills, only two or three miles distant from his own home. He asked of Treloar only a nominal rent to save his independence, and begged him to let the rent go towards an ultimate possession of the farm. He himself was rich and was anxious to secure an interesting neighbor. A warm attachment soon sprang up between the two men based upon an ardent love of truth and the need to search it. The frankness and openness of Treloar's character, his incapability of holding a grudge or of prolonging a fit of ill-humor into injustice, char- acteristics which, to the short-sighted, argue instability and softness, were the first things that drew Parker to him, as evidences of a capacity for companionship that would stand the test of time. He was not mistaken. Fifteen years of unbroken friendship made the record of their association amidst the Berkeley Hills. In that time Treloar had acquired possession of the farm ; and, thanks to Margaret's excellent management, was in easy circumstances. He had been able to give his son a uni- versity education; and he had spent a year abroad with THE TRELOARS 47 his children, visiting the most interesting parts of Europe. Margaret always spoke of this year abroad with her father as her university training; and in directing and confirming her tastes, in broadening her views of life by contact with so many various phases of it, perhaps no mere university course could have quite equalled it. Then, too, she saw her father at his best in all the range of his wide culture and the warm contagious en- thusiasm of his quick bright intellect. How proud she was of him ! How easily he was first wherever he went by virtue of that restless, impetuous curiosity which had led him into all domains of intellectual activity science, art, music, literature, languages, ancient and modern. And with all his learning and versatility, so absolutely re- moved from pedantry that the ignorant and the poor in spirit felt as much at home in his presence as any of his peers. The only time that she refused to echo her father's admiration was when they stood in the Louvre before Leonardi's immortal Mono, Lisa. " Really, father, I think she's very unattractive. I don't like that sly way in which she smiles out of the corner of her eyes. I shouldn't like to have to look at her long." " And I," answered her father, " I should like to look at her forever. It is the lure of the eternal feminine, the mystery of the woman soul, deliciously clothed in flesh." He bought a large photograph of the portrait to hang in his study at home. Margaret could never understand why it should fascinate her father, and though it hung now in his study, and she had attentively looked at it many a time, trying to feel its power, she was still of the opinion that it was rather a space-filler than an orna- ment to the room. Perhaps if she could have under- stood, she might better have understood Max Gietmann, when he had indignantly refused the compassionate alms of her friendship; and why there is a germ of hatred in the most passionate love, capable of hideous and terrible 48 THE TRELOARS development. Love, to her, was all that the poets and sentimentalists have sung it a perpetual radiance of light and joy. And now Max had come back so altered, so self-sufficient, so full of strange and repulsive ideas. Did he hate her now ? Would he try to exert a pernicious influence over Dick, and so wound her where she was most vulnerable? These were the questions that were keeping Margaret awake. CHAPTER V THERE is hardly any form of human sorrow or anxiety which the sun and the air will not lighten and sweeten in the long run; and Margaret's anxiety dissolved with the night's mists, as the sun rose radiant over the hills. Dick was going into San Francisco with the review of a popu- lar novel which he had written for the newspaper to which he was now to be a regular contributor, at a fixed salary. Margaret had carefully read the review and had pro- nounced a favorable judgment upon it and was enthusi- astically repeating her delight, as she accompanied him part way on the Tunnel Road. Not a cloud marred the fathomless blue of the sky and the air had that crisp tonic quality which exhilarates like wine. " Isn't it a beautiful day ? " exclaimed Margaret. " I am so glad that you are going away in the sunlight instead of the fog. I try my best not to be superstitious, but there is a taint in my blood which all my reason can't purify. I like to begin things the first part of the week, and not on Friday, and I like all new undertakings to have the baptism of the sun, not the rain. This is good luck, Dick. You are going to make us all very proud of you and you are going to be very happy in this venture." He thanked her for her good wishes, and at the bend in the road they parted, each turning more than once to wave a final farewell. They had been good comrades, THE TRELOARS 49 this brother and sister, and would miss each other sadly in the days to come. It was ten o'clock when Dick reached the office of the newspaper which had promised to give him a trial. He went at once to see the editor, Mr. Roswell Cressy, a stout short man of enormous girth, with a large round head scantily provided with hair, and twinkling gray eyes that had hard work to look over his broad protruding cheeks. He had a livid scar across his forehead. " Good morning, Treloar," he said in a suave voice, as he turned in his office chair. " Take a seat. You have your copy ready, I see." " Yes, sir, here it is," answered Dick, handing him the manuscript. Mr. Cressy began looking it over with an impassive countenance which changed to a questionable one, after he had read several pages. However, he said nothing, but continued steadily reading to the end. Then he laid the manuscript on his desk and looked at Dick with a quizzi- cal expression, his mouth puckered up as if he were about to whistle, his eyes half shut. " You don't like it, sir," said Dick, turning very red and moving uneasily in his chair. " Well, to be frank with you, Treloar, I don't." As he said this, Mr. Cressy looked very intently at, Dick; then, cocking one leg over the other, clasping his hands about his knee and leaning forward in his chair, he said in a confidential sort of way: " Are you able to swallow your pills without chewing 'em?" Dick smiled, and answered : " I think I can take my medicine like a man without sputtering over it." " All right ! Then you're worth talking to, otherwise, not. Smoke ? Yes ? Well, here's a good cigar. That'll gild the pill." He lighted a cigar for himself, tossed his match on the floor, took two or three long puffs, then, removing it from his mouth and flinging his right leg over the arm of his chair, he continued : 50 THE TRELOARS " Now, I am going to talk square from the shoulder. There's good metal in you. It just needs hammering into shape. If I didn't think so, I wouldn't waste my time on you. You know how to express yourself. That is un- common in young writers and women, who go round and round a subject and never hit the center of it. You've got ideas, and that is uncommon, too. People who haven't ideas fall into a round about way of writing flippant and fluffy things that we put into the woman's page. But you are able to write for men. The only trouble with you is that you are altogether too high- brow. You are just out of college, where you have been Platoing and Aristotling with your peers, and you don't know yet that you have got an entirely different public to deal with. You have written for men who own their own libraries, and for the most part only read the head- lines of the daily paper or look at the market reports. We want you to write for the men whose chief literary diet is the newspaper, who let Andy Carnegie build their libraries for them and buy their books for them, except a few they pick up on account of their covers and their pictures on bargain days in the big department stores. " These are the men that make the newspaper pay. They don't know what they want in the library line, but they do know what they want their newspaper to give 'em, and we give it to 'em. All this talk about educating and elevating the public through the newspaper is all poppycock. They don't want to be educated and ele- vated. It isn't comfortable. Besides, they've got all the education and elevation they can hold. You can't put a two-story education into a one-story brain. What they do want is to be interested, excited, amused, and from time to time electrically shocked by some bully old hair-raising crime or scandal. They think in herds, or rather they think with their instincts which sometimes run in line with civilization and sometimes with savagery. Actors and public speakers will tell you that all audiences laugh and cry in the same places the world over. The THE TRELOARS 51 great thing 1 is to know what will make them laugh and cry. Now that's a newspaper man's particular business. There is one thing that he is always dead sure of, and that is a banal curiosity about what's going on in the world in general, and his neighbor's back yard in particular. In fact, journalism, conducted for the dollar, is simply gossip on a colossal scale, spicily dressed up for the popular taste." " But " interrupted Dick. Mr. Cressy waved his hand with the cigar between his fingers, raised his voice and went on: " Yes, I know just what you are going to say. I thought exactly the same at your age, when I had my B.A. degree framed to hang up in mother's old-fashioned country parlor, and like a new Don Quixote went out to redress the wrongs of humanity. See that scar on my forehead ? " He tapped his brow with his forefinger, and smiled knowingly at Dick. " I've got that as a perpetual sou- venir of my youthful devotion to principle. A little lower down and I'd have lost my left eye. That gash let a little sense into my cranium. I learned with Saint Paul that there's no use kicking against the pricks. Anyhow, what particular illumination had I received at twenty-three with which to enlighten the world? I was a canting, young milk-sop that had been fed on heroic principles too big for me. I was a green young sucker that thought people really meant what they said when they talked about the glory of the intellectual life, the beauty of the simple life, the joy of the life of devotion to others ; when I came to look into the thing, everybody seemed to take it for granted on the strength of printer's ink, but to be mak- ing a damnably strenuous effort to go in for the contrary, that is, to hold on to all the hard cash they could get and make it minister to their pleasures. Therefore, there was nothing for me to do but either join the Salvation Army, sing ' there ain't no flies on Jesus ' (actually heard that sung here once) and drive a spavined horse around 52 THE TRELOARS to pick up cast-off finery for the poor, or admit that I had been mistaken, and must be a journalist for people as they are, and not as I wanted them to be, or thought they really were. I resolved to be a journalist; decidedly preferring an automobile to a spavined horse, and a sea- son ticket to the opera to a Salvationist hymn. I own two automobiles, and a house in town and a house in the coun- try. I had worked my way through college, and when I left, had to start my journalistic career on exactly seventy-five cents. I've passed many a summer night on a bench in the park, because I couldn't pay room rent." He paused, relighted his cigar, his eyes twinkling with self-satisfaction. He had the self-made man's pride and delight in recalling the days of his youthful hardships, because they heightened the consciousness of his triumph. He puffed vigorously at his cigar a few minutes and then went on. He was not talking to Dick now, so much as to himself. He was enjoying the reminiscences of his astuteness and his success. " Young man," he continued, " I owe all my success in life to the fact that I recognized in time what democ- racy is, and I don't mind telling you, because the sooner you find it out, the better. Democracy is the triumph of mediocrity and bluff in the name of the majority. It is a game of snatch grab in which the man with the strongest lungs, the biggest fists, the broadest shoulders gets the biggest haul." He smiled, coughed slightly, he thought he had said a good thing ; but Dick was too sick at heart to take advantage of the pause, and he went on : " The majority not only thinks that it is the voice of God, but that God never had any other voice ; and that is why it is so enormously superstitious about the miraculous power of legislation and of political parties. It believes that the sunshine and the crops and the salvation or ruin of the country depend upon the presidential election. Hence the ordinary man's devotion to politics when he isn't in it for a job. That's why he needs what he calls an organ, the newspaper, to sound his stops for THE TRELOARS 53 him. Now I don't go so far as to require my men to resign their political liberty when they go on the staff, as a great many managers do. I'll never ask you, for example, how you cast your vote. All I ask of you is to avoid writing anything contrary to the policy of the paper. Now to come to the point in question; you've written a scathing criticism, and by the way, a first- rate criticism of a trashy novel; but that book happens to be published by a big firm that throws some two or three thousand dollars' worth of advertising our way every year or two, and we can't afford to throw it back in their faces. It's not only impolitic, it's ungrateful." " Then," blurted out Dick, his young face blazing with indignation, " it is not my honest opinions you want, but the repetition of ready-made opinions already on file." The manager laughed in a good-natured way and said : " No, not exactly. If that is all I wanted, I could go out on the street and pick up the first fellow I met who could read and copy. I want you because, as I told you before, I think there is good stuff in you. I am not ex- actly an ass, and if I hadn't passed through my trans- cendental period when I wanted to shoot at the stars in- stead of at the geese in the pond hard by, I shouldn't be trying to shorten your apprenticeship at the same ethereal archery. The truth is, that out of all that batch of books I sent you to review, you picked out the very weakest one as a text for a mighty fine sermon on good taste. What we do when we get hold of a book like that from a lib- erally advertising firm is this: We repeat the essential parts of the preface, if there is one, or the notice on the cover, written either by the firm or the author of the book, and so we get a safe conservative little puff that is satisfactory all round." "And the public?" asked Dick hotly. " The public ? Man, haven't I made it plain to you yet, that the trash was exactly what the public wanted? You might as well criticise its babies. Don't you sup- pose the publisher knows his public? If the public 54 THE TRELOARS wanted this sort of thing," and he tapped Dick's manu- script energetically, " we'd give it to 'em by the whole- sale. It is not we newspaper men or the publishers that are the molders of public opinion; it is we who are molded by it. We keep our finger on the public pulse. If it runs to a dangerous fever heat, we try to reduce it, if it falls below normal we stimulate it. That's the whole extent of our influence. The ' best seller' exists because of the feverish desire for something new. To-day is never as good as to-morrow will be, to the vast majority; though for the most part it turns out to be pretty much the same old story. So the best seller goes up like a rocket and comes down like a stick, its chief merit being the dampness of its pages just off the press. It is the answer to the girl's question at the telephone, ' Is there anything new?' You and I were taught that reading is an exer- cise of the intelligence; so it is with a few people yet; but remember that popular education, or rather the popu- lar attempt at education has added girls and boys and the average woman to the reading class and they take their reading either as a narcotic or an irritant. Now if you could write that class of readers and that asinine state of mind out of existence, I'd print all the things that you want to write about it, and be glad to do it. But I know that it can't be done, so we must provide for it just as we provide for children's toys. It's just as legitimate a business if you look at it impartially. That is why we have the woman's page with its fashion notes and its beauty secrets, written by the office boys over the name of some popular actress who gets paid for the use of her name. That is why we have two columns of aids to wounded hearts written by the same boys over some well known second-rate novelist's name, who does not get paid for it, because she is usually dead. In short we feed the public with the pap it likes, and this paper of yours is ' caviar to the general.' Have I made it plain to you ? " " You certainly have, sir," replied Dick with bitter- THE TRELOARS 55 ness, " and if this is all there is to journalism, I have no ambition to excel in it, no skill to put at its service." " O come now ! come now ! Don't get excited. Don't get discouraged. We'll let you ride your high horse once in a while, if you'll only get off and walk with us the rest of the time. I'll go over this article, cut out what re- lates to the novel, and run it in as a criticism on popular taste in general, and see how the public takes it. Maybe nobody will read it, but we shall have made our sacrifice to the gods. I know just exactly how you feel. Been all through it myself. And journalism will teach you a lot, too. You'll learn what human nature really is. There's nothing like it for swing and go in the heart of things, and the power to reflect them in words. There's something else I want you to do for me. I want you to write up the stock company playing at the Cort, I think. Here's a pass. I really haven't looked to see what's go- ing on this week, but write a good racy half-column." He gave the ticket to Dick, who took it mechanically and rose from the chair. For a half minute he hesitated, as if he were ready to turn his back on the whole busi- ness. Mr. Cressy saw the hesitation on his face and smiled cordially, saying: " Well, you've taken your medicine like a man, as you said you would. Some young fellows in your place, with more conceit than brains, would have kicked over the traces and lost the opportunity of their lives. I con- gratulate you on your good sense." The praise, quite undeserved as it was for Dick was inwardly protesting as vigorously as he could had the effect desired. Dick put the ticket into his pocket, said " good morning " as cheerfully as he could and strode out of the office to have it out with himself. The wind was blowing rather sharply, and as Dick turned a corner, it seized his light straw hat and sent it careering across the street to his extreme irritation and disgust. He was not much given to swearing, but he muttered an oath to himself as he ran after it, feeling 56 THE TRELOARS himself particularly abused by this unkind little familiar- ity following so closely upon the heels of a more serious rebuff. Just as he caught his hat, he noticed a car, marked for the Golden Gate Park, approaching, and he got into it with no particular motive in view except to be going somewhere and going as quickly as possible. Perhaps there is no keener disappointment to an ardent young mind than to have its generous enthusiasms ex- posed to the brutally cynical contempt of disillusioned age and experience. There is no possible retort, for age is always able to say: "I thought just as you do in my youth. You will come to think as I do when years ripen your judgment." The reply only adds exasperation to the inner revolt. Dick was saying to himself that never, no matter how old he grew, no matter what temptations came to him, would he prostitute his opinions to get on in the world. Better get out of the world than live in it beggared of all that makes life worth living. To sacri- fice one's personality to an ignoble cause, to live as a mouthpiece for other men's breath, to be a mere echo of the voice of the multitude ; no never would he con- sent to that. Emerson's brave lines came into his mind : "O noble heart, accept With equal thanks the talent and disgrace; The marble town unwept Nourish thy virtue in a private place, Think not that unattended By heavenly powers thou steal'st to solitude, Nor yet on earth all unbefriended." The car sped on rapidly. Dick was conscious of noth- ing but the motion and a vague impression of a wall of houses on either side of him, with sudden steep ascents and declines, so that he seemed to have been riding but a few minutes when the car reached its terminus. En- tering the park, he turned away from the most frequented paths and sought the solitary places. An aged banker had once said to him, " Always count on failure, when you begin a new venture. In that case you know what THE TRELOARS 57 to do, and you won't be hopelessly discouraged." But Dick had never for a moment anticipated failure in jour- nalism. He had been writing for newspapers at intervals since he was sixteen, and he never had had an article re- jected, although he had never received a penny for his contributions. His reward came to him in the shape of a local reputation for cleverness, which finally had secured him a position on a popular daily paper. It had never occurred to him that in order to be valuable to the paper he would be expected to merge his personality into that of the manager, echo his tastes and interests, and ser- vilely follow what was called " the policy of the paper." He thought his value to it lay in his own individuality. On Dick's return from the park, he felt a strong temp- tation to go home, so strong, in fact, that he actually turned towards the ferry and was a long way down Mar- ket Street before he realized the absurdity of the situa- tion. Was he a baby still, that he must flee to his sister with every hurt, like a child that has stumbled, and runs crying to its mother to have the sting of the bruise taken out with a kiss ? Nonsense ! He was a man, not a child, but he realized that the child does not die in a man with his growth. It still persists in the need to be amused, interested, flattered and loved; and it has a horror of ennui and isolation. He turned round, retracing his steps. The street was filled with crowds hurrying to catch the ferry. Not a familiar face in all that throng. The strange crowd made him feel very lonesome. He had no home to go to, yet, in San Francisco, and he re- membered Mr. Cressy's advice about getting a boarding place among the people who represent the majority. It struck him as rather singular that both Max Gietmann and Cressy should have made the same criticism of de- mocracies in almost the same words; but each had ar- rived at opposite conclusions regarding the proper atti- tude towards the majority. Max was for reducing it to a helpless machine, existing only to serve the purposes of a few supreme egotists; Cressy was for humoring its 58 THE TRELOARS weaknesses and vices, in order to profit by them. He hardly knew which attitude was more detestable or more dangerous harsh tyranny or cringing flattery. Dick was finally recalled to action by remembering that he was to report a play, and he took his ticket out of his pocket and looked at it. The play was " Fanchon, the Cricket" a popular adaptation of George Sand's attrac- tive little story, La petite Fadette. He remembered hav- ing read the novel in the second semester of his French course at the university. He recalled vividly the im- pression of freshness and wholesomeness which the story had made upon him, and his professor's special interest in the introduction in which George Sand gives her in- terpretation of the artist's task, which is " to extol gentle- ness, confidence, friendship, and thus to recall to hard- ened or discouraged men the fact that pure morals, tender sentiments and primitive justice are still in the world, or may be in it." It seemed to him a remarkable coincidence that the first play given him to report should be one that confirmed the theories which he had been advocating; and his spirits rose considerably, remembering the sup- port he had in the example of the world's greatest geniuses. It gave him a faith in majorities that sent him to hunting a room where he could come closer to the life of the people, and see them at first hand. CHAPTER VI PROMPTLY at a quarter past eight, the curtain rose in the pretty comfortable little theater in which the San Francisco Stock Company was playing through the sum- mer season at popular prices. Dick had a good seat well up in front, where he could observe the stage admirably. His heart was beating a little faster than ordinary in a sort of hostile excitement, for he was anticipating that the play might be presented as a coarse burlesque the finer sentiment in it utterly destroyed for the sake of em- THE TRELOARS 59 phasizing the grotesque elements which are sure to ex- cite applause and laughter. Let them do that at their peril ! " A chield's amang you taking notes, And, faith, he'll prent it." That is, if his chief, Mr. Cressy, will let him. He smiled rather sarcastically as he added this amendment, and glanced at the cast in the play-bill. " Fanchon, the Cricket Nita Normand." The name was entirely new to him; and woe to her if she played her part badly ! She was the only character about whom he was curious. Ah! There she was; the house was greeting her with loud applause. Dick was watching her eagerly. Amidst the disordered tangle of reddish brown hair, he noted a sweet oval face alive with intelligence. The coarse, grotesque dress partly concealed the grace of the lithe young figure; but enough of its quickness and beauty was revealed to give promise of the transformation that was to follow. Her voice was peculiarly sweet and penetrating, filling the theater without effort. Its tones fell upon Dick's ears like a delicious harmony, putting him in tune with the universe. His face brightened, he leaned forward, his gaze steadily fixed upon her, an in- voluntary smile playing about his lips. With what ex- quisite understanding she was bringing out all the deli- cate suggestiveness of the beautiful little idyll the bit- ter-sweet, wild, natural strength of profound feeling and quick insight, unschooled by conventions the fine sav- age courage of a big heart and brain taunted and tor- tured by the scorn and hatred of the village crowd, far below her in natural gifts. What a queen she was among them, even in her rags and her shaggy wind-blown hair ! What depths of pain and degradation she sounded, only to rise, high above it all. When she came back, at the end of the play, radiantly transformed the latent sweet- ness and gentleness of her nature set free without any loss of the courage and firmness, which made its strength, 60 THE TRELOARS Dick felt that he was in the presence of a great actress. What subtle sympathy and deep knowledge of the human heart were necessary for so finished an interpretation. His lips quivered with excitement and his eyes blurred a little in his intense joy in her beautiful work. She had given him completely back his wavering faith in his cen- tury. He was not alone ; she repeopled his world. When the curtain went down on the final response to the eager applause of the spectators, Dick rose from his seat, and hurried towards the green-room. He must see Nita Normand. He must tell her that her acting was like a benediction to him, and how grateful he was for it. "O Dick!" Dick turned his head as he heard his named called and saw Max Gietmann pushing his way towards him. " Hello, Max, is that you ? Wasn't it magnificent ! I've got to see her and tell her so. To go away coolly after a treat like that is to prove that you don't know a good thing when you see it, nor how to be thankful for it." " Glad to hear you talk like that, Dick. I was just going to propose introducing you." " Do you know her ? " asked Dick, very much amazed. " Yes, it was she who gave me my pass to the theater, and invited me to see her play." " Officially ? I mean as a critic ? " " O, no, quite unofficially, as a friend ; but I shall be very glad, if you can do something to boost her, in the shape of a good article. She has been on the stage five years, and she hasn't got the recognition that she de- serves." " I'll be glad to do anything in the world that I can for her." Dick spoke as confidently as if he had the critical opin- ion of the world at the point of his pen. " Look out, Dick, this entrance is rather low. You'll have to stoop, if you don't want to knock the top of your head," called out Max, as he pulled aside a heavy green THE TRELOARS 61 curtain that concealed a passage leading to the back of the stage. He preceded Dick into the green-room. Giving his card to one of the actors in the men's dressing room, he asked him to be kind enough to give it to Miss Nor- mand with the request to see her. In a few moments the actor returned, and asked Max and Dick to accompany him to the other side of the green room, occupied by the women. Dick's heart beat faster and faster as he walked through the narrow passage-way and he stumbled awk- wardly over some of the properties as he approached the women's dressing room. Nita came to the door, still in the garb of the last scene, a soft white muslin dress with lace flounces. She had not yet removed the exaggerated coloring of the stage, but Dick was oblivious to it. He was under the spell of her acting. He saw nothing but the in- carnation of a beautiful original character as George Sand had conceived it, and when Nita, with a smile and a bow of acknowledgment of his presence, turned to Max, holding out her two hands in an impulsive gesture of unrestrained gladness, it seemed to him that he had always known her, and that he had no need whatever of the formal introduc- tion that followed, and he said so. " It seems so impertinently superfluous to be intro- duced to you," he exclaimed, pressing fervently the small hand which she extended to him. " I think that we ought to be saying to each other : * Don't you remember ? ' of something that we have seen, or read, or enjoyed to- gether." " How lovely of you to say that," she replied with that peculiarly captivating quality in her voice that made its intonations fall upon the ear like a caress. " I often have that feeling towards persons whom I meet for the first time." Then she hesitated, contradicting herself with a negative toss of her head, as she added : " No, that is not quite true. I will not say often. I mean that I some- times have that feeling, and it is delightful." " Do you have it now ? " Dick asked, his handsome face glowing with the admiration he could not conceal. She looked at him and smiled. 62 THE TRELOARS "Yes, I do. Isn't it delightful?" " What a delicious voice you have ! " " Now, that will do," interrupted Max. " I am not going to let you two waste your time cooing at each other in such unheavenly surroundings when I know where we can find a pleasant place and something to eat." " At Boyson's in the next block ? " asked Nita. "Yes, it's all right, isn't it?" " Charming ! Just wait for me outside the door, will you ? I've only to put on a street dress and a street face. It won't take me fifteen minutes." " How did you get acquainted with her, Max ? " asked Dick when they had reached the appointed place. " That's a short story, hardly worth the telling. I am really not very well acquainted with her, as this is only the third time that I have seen her. I first met her in France, about five years ago. She was having some little difficulty on account of not understanding the language. I was able to help her out, that's all. I had forgotten all about it till the other night that night I was at your house. The company had been playing in Oakland and we all came over to San Francisco in the same boat. She recognized me in a moment and came up and spoke to me. I should never have known her. She must have a won- derful memory for faces." " I think she is wonderful in every way," said Dick. " Why, Max, it takes nothing short of genius to interpret a character like Fanchon's in the way in which she did it to-night. Don't you think so ? " " O, I don't know," answered Max carelessly. " Women have a sort of subtle intuitive way of feeling situations and characters; but they can't for the life of them tell the reason why. Now, it is my opinion that genius knows what it is doing. It is reason, as well as intuition and imagination. There are plenty of people entirely reasonable, and plenty who have a good deal of imagination, but the combination of the two is rare, and when we get it we call it genius. But here she comes. THE TRELOARS 63 We'll ask her to explain why she plays Fanchon as she does." Nita wore a pretty, stylishly cut, silver gray suit and a broad brimmed, gray hat, the crown of which was en- circled by graceful ostrich plumes of the natural color. She had removed the rouge from her cheeks and her face looked sweeter and more delicate for the want of it. There was absolutely no affectation or vulgarity either in her manner or appearance. She smiled prettily as she joined the young men, saying: " I haven't kept you wait- ing long, have I ? " " No, you have kept your word in a very business-like, unwomanly way," said Max. " And now, you are going to have a chance to prove yourself a genius. I did not tell you that Mr. Treloar is the dramatic critic of one of the leading dailies in town, and that you are going to be written up for to-morrow's edition. Now get your wits together, and we shall interview you in fine shape." . " Before I've had anything to eat? That isn't fair. I can't think of anything just now but a soft-shelled crab and a bowl of salad. Are you fond of salads, Mr. Treloar?" " Very ! " answered Dick, determined immediately to be fond of anything she liked. " Then you will like the delicious salads they make at Boyson's. They rub your bowl with a clove of garlic, be- fore putting in the lettuce and other things, and it gives you just the suggestion of an appetizing savor without vulgarizing the salad." " Vulgarizing the salad ! " repeated Max with a snort. " Did you ever hear of that, Dick ? " " Yes, it expresses exactly the difference between smothering your salad in garlic, and subjecting your garlic to the salad the refined on top, the coarse underneath, according to your own ideas of the fitness of things, Max." " Madame, your reputation is made," said Max. " You have nothing to fear from the dramatic critic." 64 THE TRELOARS " I hope not," answered Nita, looking at Dick with the complacency of a woman conscious of pleasing. " Then you really liked my playing ? " " Liked it ! " echoed Dick with enthusiasm. " That is much too mild a word for it. I never saw anything so good. I never expect to see anything better. I can't understand how you can recreate Fanchon on the meagre lines of the play without having gone directly to the original for a masterly study of the character ; and even then, it seems to me that it requires uncommonly good taste to sacrifice the noisy and easy success of low comedy to which the character might readily lend itself, for the quieter and correcter applause of the judicious." " I am so glad to hear you say that," said Nita, involun- tarily putting her hand on Dick's arm, an impulsive and familiar gesture peculiar to her. Dick had the hardest work in the world to control his desire to close his own hand over hers and keep it a prisoner. " I had a long argument with the manager over that very point. He wished me to play the part in such a way as to catch the gallery; but I was obstinate, and at last won him over to my way of thinking about it. In my opinion, the whole value and beauty of the play consists in showing the final triumph of a remarkably gifted nature over all the ob- stacles that retard its development. And my problem is to show her unusual intelligence and spirituality, even under the mask of grotesqueness and malice; otherwise the end does not harmonize with the beginning, and there are two Fanchons instead of one." " Yes, you brought that out admirably, and then O, is this the place ? " asked Dick, suddenly interrupting him- self, for Max had stepped ahead and was opening the door of a modest looking hotel. " Yes," answered Nita. " This is Boyson's. It doesn't look so promising from the outside, and it is not ultra- fashionable, you know; but there's the cosiest little din- ing-room on the third floor. You shall see." He did see it a softly lighted, delicately colored, THE TRELOARS 65 scrupulously clean room, with green ferns about it, and growing flowers. " What I particularly like here along with the excellent salads and sea food," said Nita, leading the way to one of the tables in an alcove, " is that you aren't perpetually intruding upon yourself by being multiplied in a set of wall mirrors. I hope you are both hungry," she went on, seating herself and taking off her gloves. Dick, who had eaten heartily late in the afternoon, was not in the least hungry ; but he felt that if it were neces- sary to keep her in countenance by a show of hunger, he was manfully prepared to do it, so he ordered more than he wanted. Max, who was not in so amiably compliant a humor, contented himself with a much smaller order, against which Nita protested in vain. " Do you find him a very stubborn person ? " she asked Dick, as she dropped two lumps of sugar into her coffee. " He knows how to hang on to his opinions," replied Dick. " Which is exactly what you seem to be able to do, also," said Max, addressing Nita, " if one may judge from what you say about your argument with the man- ager. By the way, don't forget that we were to interview you, and here's the first question. What particular rea- son have you for preferring your own interpretation of Fanchon to that of your manager, besides its being your own?" " Because it is the true one, as George Sand conceived it, and because the comedian's art is not to raise a mean- ingless laugh, but a laugh that has a meaning behind it. Take Moliere's comedies, for example. There is not one of them that is not a profound criticism of the foibles and vices of humanity, and the laughter they ex- cite is good for the soul. Doesn't Shakespeare put the keenest lashes of his wit into the mouths of his fools and clowns? To reduce good comedy to a farce by merely playing the fool and clown by a grotesque make- up and hiccoughing, staggering, and tumbling about, sim- 66 THE TRELOARS ply to raise a loud laugh is to degrade it to the level of the gutter; and, honestly, I'd rather sweep street-cross- ings for a living than do that sort of thing." " Bravo ! bravo ! " cried Dick. " Come, Max, isn't that giving a reason ? " " Yes, that sounds something like a reason." Nita looked at each of them curiously and asked abruptly : " Did you think I couldn't give a reason for my play- ing?" " I wasn't sure," said Max, bluntly. " I was sure you could," said Dick, confidently. " Thank you, Mr. Treloar. I see that I am not to ex- pect any compliments from Mr. Gietmann. Evidently he belongs to the school of thinkers who believe that a woman has no right to a head unless there is nothing in it." " Your much praised Moliere was not very far from that opinion when he said that if a woman knows how to mend her husband's trousers and cook his dinner, she has all in her head that is necessary," retorted Max. " But I never said that Moliere is infallible. However, I am not going to thrash out that old question. It has been pro'd and con'd until there is not a shred of it left untouched. But what I should like to make clear is the essence of what I said to you the other night. I try to put into my playing of Fanchon something encouraging to women who may feel discouraged. What we women need is not political emancipation ; it is emancipation from ourselves, our weakness, our servility, our pitiful de- pendence on public opinion, our incapacity to stand alone, our puerile hunger for admiration of this poor flesh of ours, our deplorable inconsistency. And I know how hard it is to rid ourselves of all these things, because didn't I, myself, stand two or three minutes longer at the mirror to-night just because I was going to dine with you two gentlemen? Now, what do you think of me, Mr. Treloar?" THE TRELOARS 67 tl That you are the most charming woman I ever met." " Now, don't be proud of that ! " protested Max ; " you forced his hand and now it is your turn to say to me: ' Isn't he a dear ? ' That's the correct epithet, I believe, for everything just now from a poodle dog to an Apollo. Just where you come in between them, Dick, I don't ex- actly know." "Is he always so satirical, Mr. Treloar?". " I don't know. I haven't seen much of him since he came back from Europe, but before he went away, he himself was a ' dear' I think his satire lies only on the end of his tongue, and that he's all right deeper down." " I hope so," said Nita, " for being satirical is not be- ing a ' dear.' But if it isn't being impertinent, I should like to know what particularly bitter experience has gone to the undearing of him, because when I met him abroad, he really was a dear fellow." Here Nita put her hand affectionately upon his arm, and looked up at him from beneath the broad brim of her hat with a warmth of ex- pression that sent a strange little chill to Dick's heart. Could there be any secret romance between these two? But Max looked so unmoved that Dick felt reassured; besides she never would be so tactless as to allude to any bitter experience of his in which she had a part. " No, no ! " said Max, straightening himself up in his chair and looking at Nita with feigned pomposity. " It is not I who am to be interviewed. It is you who are to submit to that pleasing experience for the benefit of the dramatic critic. It is, of course, his particular business to interview you, but he has passed into that rosy myopic state of admiration which annihilates criticism, and the duty falls to me. I have some more questions to ask you." He paused a moment, drank his wine, and pushed the empty glass aside. " First of all, what I wish to know is this. If you, who play Fanchon with so much understanding, fall into what you call pitiful inconsistencies, how can you expect your 68 THE TRELOARS playing to do any earthly good to your weaker sisters? " " I do not admit that they are weaker than I ; neither do I admit that we are entirely uninfluenced by recog- nizing the strength which we cannot always imitate. The very recognition of it creates admiration and the desire to imitate it, which under certain conditions may be quite possible. That I am weak to-day, does not argue that I shall be weak to-morrow. As for my own inconsistency, it isn't everybody that I should think it worth while to please." Why should you think that you would please us in this particular way ? " went on Max, ruthlessly. " Because you are men, and a man's judgment of a woman is made, at least nine-tenths of it, by the eye." V " Well, that's all right," answered Max. " Nature certainly knows what she's about, when she makes us love beauty." "Certainly! I am not quarreling with the eye- judg- ments. I am only answering your question by stating a fact. But if you will pardon me the suggestion I think we are straying away from Fanchon, and I have not yet said all that I wished to say about her. Her strength to herself is not her beauty, but her intelligence. Her beauty relates her to her kind, and is the source of much of her emotional happiness ; but her intellect saves her to J herself makes an impregnable fortress for her against all the assaults of fortune. It gives her that wonderful elasticity and power of recovery and self-renewal which George Sand herself possessed to such an extraordinary degree. She recognizes in a regal way, what not one woman in ten thousand knows namely, that no real harm can come to her except through herself. To know that is real emancipation." "Of course, but we men are not at all interested in such an emancipation. The fact is, that the more a woman intellectualizes herself, the less attractive and interesting to us she becomes, unless she has the knack of hiding her head in her heart." THE TRELOARS 69 " Excuse me, Max, but I can't agree with you there," interrupted Dick. " The woman who has meant more to me than anybody else in the world has been also the most intellectual woman I know* the woman with whom I could share every thought I had, and who could stimu- late me to thinking with a wit far quicker than my own." " You mean your sister, Margaret," exclaimed Max, and a dull red flamed into his swarthy cheeks. " She only confirms what I say. She radiates an atmosphere of love, so that you never bother your head about whether she can think or not." Dick looked intently at Max and it came over him in a sudden flash that Max loved his sister. But the thought was not pleasing to him. He colored deeply and an- swered : " Perhaps you are right." " I know I am," answered Max, taking out his watch and looking at it. " Do you people know that it is nearly two o'clock? If you have that article to write, Dick, you ought to set about it." " Is it really as late as that ? " said Nita, rising. " Then it is time for us all to go home ; but we shall meet again soon, shan't we ? " " We certainly shall," replied Dick with enthusiasm. The two young men accompanied Nita to her lodging, and when they had bidden her good-by, and were alone in the street, Max laid his hand affectionately on Dick's shoulder, saying: " Now, look here, old man, I want to tell you some- thing. Nita Normand is a very fascinating woman." " That's not to her discredit," interrupted Dick quickly. " No, it isn't, and I know nothing about her that dis- credits her in my eyes," answered Max quietly. " But what I want to say to you is this: The man who falls in love with an actress is more apt to make one of a chorus than to take part in a duet, and unless he has a pretty strong voice, he gets drowned out." " Who is falling in love with an actress ? " replied Dick 70 THE TRELOARS impatiently. " Can't a man look at a pretty woman, and pay her a few compliments without falling in love with her." " Yes, he can ; and then again, sometimes, he can't. But never mind, I shan't say anything more about it. Are you stopping near here ? " " No, I am a mile or two away." " Well, then, we part here. I have a room down town. Good night, Dick." " Good night ! O, stop a minute, Max. When am I going to see you again ? " " I don't know. What hours have you off ? " " I can't tell just yet, but I am going home Saturday night to stay over Sunday. Can't you go out with me ? " Dick was going to add, " Margaret will be glad to see you," but something restrained him, and he added, in- stead. "If you can go, be down at the ferry by five o'clock, and we'll go over together." CHAPTER VII DR. PARKER had chosen for the site of his home a most beautiful spot where the broad, low foothills, grassy and wooded and backed by bare, towering hills, overhung a sinuous ravine through which flowed a clear stream, its banks bright with flowering shrubs and tangled thickets. The house faced the west and was built of rough stone, topped by unpainted pine shingles that in the course of time had taken on rich dark weather stains. The level lawn was vividly green except where a few pine trees strewed the ground with brown fragrant needles, or lux- uriant rose beds blazed a rich crimson, or blushed with delicate pink. Across the ravine a rustic bridge led to a path that had its exit on the Tunnel Road. Your first impression, as you entered the house was of light, space and air. The broad stairway making an THE TRELOARS 71 abrupt turn and getting itself out of sight as quickly as possible, gave place to vistas of several rooms opening one into the other by sliding doors left apart, the space being filled with rich dark portieres. The polished floors were covered with handsome, softly colored ori- ental rugs in harmony with the tinted walls. A deep wide fire place, built for service rather than show, added a hospitable promise of comfort to each room. The promise was kept to-night in a bright fire burning in the library where Dolly and her father spent their evenings. Dolly was very domestic, and although she gladly left to her housekeeper, and her maid, all the heavier and more disagreeable tasks, she liked to look after the dusting her- self. She liked to give that indescribable home-like touch to her rooms, which only one who has the knack of it can give. They were great comrades this father and daughter, neither of them feeling the years which separated them any barrier to their complete com- panionship. During the hours in which Dolly was busy with her lessons, or her household tasks, her father was reading in his library, or looking after the management of his estate. As he had been 'particularly interested in science in his college days, so he continued to be inter- ested in the great discoveries and inventions of his age. Intensely skeptical in his nature, he owed to his associa- tion with Philip Treloar an elasticity and elevation of thought which saved him from scientific dogmatism, and although in his youth he had openly declared himself a disciple of English agnosticism, and had believed his Dar- win, Huxley, and Spencer as implicitly as any bigot be- lieves in his Bible to the exclusion of all rational interpre- tation, he was no longer absolutely sure of the infallibility of science. He had outlived the short-lived reign of too many hypotheses to recognize them any longer as in- disputable facts, or to feel that the riddle of the universe has been solved. But, on the other hand, he could not believe with Treloar that intuition may soar and see, where reason and experience grope in the dark, or that 72 THE TRELOARS science, having to do only with what can be weighed and measured, is incapacitated for dealing with the phe- nomenon of mind. Hence their endless disputes, their ceaseless grappling with the vital questions of life its meaning and its destiny. From these long discussions, Dr. Parker learned the tenacity of that passionate longing for immortality which makes life look pitiful without an assurance of it. He saw, too, how closely the morality of the Christian world is interwoven with the belief in a future life which is to atone for the pain and injustice of the present, and what havoc it makes of the courage to live in accordance with the precepts of Christianity, when the hope of the reward for so living is destroyed. This seemed to him the fatal weakness not to say the gross materialism of Chris- tian ethics. That this faith must, in the course of time, be destroyed, he firmly believed, and that a basis of morality must be established having no reference what- ever to a future life. By temperament, strongly in- clined to justice and moderation in all things, it had not been difficult for him to live the Christian life without the Christian faith. He felt that he was only doing what the sages of all nations in all times, before as well as after the Christian era, had prescribed as the duty of man. Morality, to him, meant nothing more nor less than wis- dom. It was this belief that exposed him continually to Treloar's withering scorn as being entirely illogical. To- day, Dr. Parker was enjoying himself in his big easy chair, drawn up on one side of the glowing fire place, with Dolly in another chair opposite him, looking the picture of happiness. Arrayed in a delicate pink muslin dress with white lace trimmings, a pink rose in her dark hair, and the glow of the fire on her youthful face, she was a delightful picture to look at. " Daddy, I like these chill foggy summer days that keep people at home. They are such a rest after a run of visitors." " I thought you liked visitors." THE TRELOARS 73 " So I do, but not all the time. I like to lose myself sometimes in a crowd, but then on the other hand, I like to find myself again by being alone." "Dolly, how would you like to go to the university? " " I wouldn't like it at all." "Why not?" " Because I haven't time to go. There is so much I want to learn." Her father burst out laughing. " Dolly, that's a crazy kind of answer." " You think so ? That's because you haven't examined the premises." " What ! Are you catching the argumentative fever ? " " I don't see how I can escape it, being so frequently exposed to it from you and Mr. Treloar." " Escape it if you can, Dolly. I don't want it to break out in the bosom of my family. But state your prem- ises." " There they are," said Dolly, indicating by a sweep of her hand, the long rows of book shelves lining the wall, closely packed with masterpieces in all the leading European languages. " You have been at a great deal of expense in collect- ing the best books that have been written in the world, haven't you ? " " Yes, I have a fairly good library," answered her father looking around at his books with an air of satis- faction. " And you took pains to give me an excellent gov- erness, didn't you ? " " Yes, I think you have been well taught." " But the principal thing which she taught me was that nobody could teach me but myself, and that if I loved reading and knew a good book from a poor one, I had my education in my own hands. Do you think she was right?" " Yes, I think she was right." " Very well, then. I do love to read. I know that 74 THE TRELOARS you haven't collected anything but good books, big books. I have a great deal of curiosity and I want to read from these books within my reach, and so go on with my education, for Miss Allison taught me too, that one's education never stops, but is always going on. Now how could I do all this, if I went to college? Does that seem so crazy to you now, as it did at first ? " Her father clasped his hands at the back of his head, leaned back in his chair and looked thoughtfully into the fire, then said rather slowly: " No, I don't think it does ; but wouldn't the university introduce a certain method into your reading ? " " You mean wouldn't it make me trot in harness along a level road, when I want to run freely over whole pastures? Yes, I think it would, and that's why I don't want it. Father, do you know anything more deadly than to be forced to read what has absolutely no mean- ing to you, or is of no importance to you, when you do know what it means ! That is exactly what Cath- erine is doing. She was telling me yesterday about it. She has to read a lot of antique Anglo Saxon stuff that takes as much time as a foreign language does. In fact it is a foreign language to her, with the disadvantage of being as dead as the people who once spoke it and when she does translate it, it isn't worth the time she puts on it, not to speak of the trouble. I asked her if she were going to keep it up when she left the university, and she fairly hooted at the question, and said she was going to forget it as soon as she could. Now, father, what's the sense of all that? " " There doesn't seem to be much, does there ? " " No, not a bit of it. Then she has to keep a set of note-books which mean nothing but copying what some- body else has said. She has laboratory work in the sci- ences, which means that she is discovering all over again for herself what she knows by having read her text-books. Then, she has to run from one lecture to another without any intermission to give her the chance to let one thing THE TRELOARS 75 soak into her, and so she forgets it all. It is like trying to drive three or four nails all into the same place." " Why doesn't she give it up ? " " O, she says the social side of the life makes up for the other. She says the studies do not so much inter- fere with the pleasure, as you might think at first. There are always a few students who take themselves seriously and can grind, and they sometimes pass their note-books around to the others." " Yes, I know how that goes. We used to have the dearest old professor In geology, who required a col- lection of stones and minerals for class credits, and one fellow's collection did duty for the whole class. We all took turns in presenting it and getting credit for it. I don't think he ever looked at it, and we were immensely grateful for the oversight." " It's no new thing, then." " No, human nature seems to get us all cut after the same pattern." " I think she varies the pattern a little even in the same family. Take the Treloars, for instance. I don't think Margaret and Catherine are a bit alike, do you ? " " No." " Which would you rather I should be like ? " " I don't want you to be like either of them, I want you to be just what you are." " But which of them do you admire the more ? " " Margaret, of course ; but then Margaret is a good deal older than Catherine." " It isn't a question of age at all, Daddy. Catherine will never be like Margaret, and Margaret never had a college education." " O, that's what you're driving at, is it ? Well, don't bother your head about the matter any more. I am not going to send you to college, if you don't want to go. I was only thinking of what might be of advantage to you. You know I wouldn't for the world have you miss anything that would be really valuable to you." ;6 THE TRELOARS "Then the college wouldn't do me any good, Daddy. I can show you a foot-note in Kant where he says that the want of judgment is stupidity, and that it is an in- firmity not to be remedied by any amount of learning." " What ! Have you been reading Kant ? " said her father, looking very much surprised. " Reading Kant ! " Dolly broke into a laugh. " You might just as well ask me if I had been playing leap frog with the moon. No, I can't read Kant, and as Mr. Treloar would say, I am proud of my limitations, but I've been dabbling around in him and finding high and dry standing places in the weltering chaos. Weltering chaos is good, isn't it ? I picked that out of Carlyle." " What in the world set you to reading Kant ? " " Curiosity. I wondered what sort of man he was who looked so big to you and Mr. Treloar." " Don't forget, Dolly, that the size of anything de- pends upon how far you are away from it. I suppose he looked pretty small to you." " Nothing but mist and haze ! I really couldn't see him at all; and to think, Daddy, that in your lovely youth, you wanted to be something like that, instead of husband and father and man of action. But I have converted you, now, and you are to stay converted, even after I've gone upstairs. There's the clock striking eleven. Who would have thought it was so late ? What a good time we've had." She stooped and kissed him. He watched her as she left the room and his eyes glistened. Was he wholly converted? He loved her entirely. He could not think of his life as having any value without her, and yet if it could have been granted him to roll back the years, and stand again at the threshold of early manhood with all his powers converged upon the object of his ambition, sure to win it, some sharp savage instinct of self-preser- vation in him would have urged him to accept the gift. It was not that his heart was cold, but that it was still shiveringly sensitive to pain, and life had taught THE TRELOARS 77 him that no man's happiness is secure when it lies in the keeping of another. How long would it be before Dolly would be flitting away from him to be the joy of another man's home? The thought pained him so deeply that he thrust it away from him, determined not to suffer in anticipation, but to rejoice in his happiness while he had it. And Dolly, standing before the mirror braiding her dark heavy hair for the night, leaned towards the beau- tiful image looking back at her, and smiled at it as if it were a sister's face and not the image of herself. It was not empty vanity that thrilled her with pleasure as she looked, but an almost impersonal joy in the beauty which she saw, because it held in it the promise of joy for another. Life throbbed deliciously in all her veins. She felt that she had not been destined to creep gray and nun-like down the solitary years, but was meant to express the affirmation that life is good. CHAPTER VIII DICK going to his lodgings that same evening had no future and no past, he was living in a glorified pres- ent a golden hazy state of felicity incapable of defin- ite outline. He only knew that temporarily Mr. Cressy had driven all the prismatic coloring out of his world, and that it had all come back again in gorgeous rainbow tints; and arrived at his room, he sat up the rest of the night, writing a glowing eulogy of Nita Normand. When the editor read it over the next day, he had an idea that Dick was trying to efface the mistake which he had made in criticising so severely the novel which he had given him to review, and he said to Dick, as he scratched his head dubiously: " Treloar, there is a happy medium in this sort of thing that you haven't struck just yet. You are all black or all white, dazzling white. You don't seem to 78 THE TRELOARS be able to strike a neutral tint. You must learn not to take me too literally." " Excuse me," said Dick, " do you suppose that I am writing anything but my opinion, now?" " Then, you really saw all this in the play ? " He gave the offending manuscript a little tap with the back of his hand. " I shouldn't have written it, if I hadn't." He looked so indignantly sincere that the editor chuckled a little, then cordially remarked: " All right, Treloar, we'll run it in, then, only it seems strange that somebody else hasn't discovered this Ameri- can Bernhardt or Duse, for she has been playing here a month or two. Can you cut it down to half a column? " It was like asking Dick if he could cut off his fingers, and seeing his discomfiture, Cressy smiled again. " You'll get used to it after while. You think now as I used to." (How Dick hated his constant half con- temptuous allusion to his youth). " You think now that ' noblesse oblige ' in literature as well as life. You have forgotten the older commandment not to throw your pearls before swine. Do you recall what I said to you the other day? The newspaper exists for the multitude for the average man, and the average man walks flat on his feet; he does not soar, and we must not fly over his head, if we wish to reach his ears." " Excuse me, sir," said Dick, mopping his face with his handkerchief, for he felt very hotly indignant and un- comfortable. " I dare say I am going to say something else that you used to believe, but have got over, along with the measles and the whooping cough, but I must say it, or feel myself a miserable coward. The multitude, so far as I know it, and am one of it, is neither so thick skinned nor thidk headed as not to have a natural in- stinct for what is sane and wholesome. In fact, all the silly fads which the so-called educated man goes into, pass quite over its head. All the superstitions of our day belong to the so-called upper class, not the lower. It is THE TRELOARS 79 the man who is a little above the average who is doing the mischief. He is absolutely indifferent to everything but his own success; but he gives a fine name to his indifference and ignorance. He calls it tolerance, breadth of mind, and he boasts of it as our forefathers boasted of their bigotry. They went out of their way to ex- press a deeply felt conviction. We go out of our way to avoid expressing what we feebly think. For if I under- stand you correctly, deeply felt convictions are quite out of date. You doubted that I was sincere when I wrote that last article, and I was never more sincere in my life. In place of convictions, evidently, we are to have brazen lungs and brass bands, and other advertising parapher- nalia to catch the eye and ear, and we are all to meekly follow the procession. Your theory is that if we don't follow it, we shall cut a very lonely figure ; and you would have us feebly prattle to our feeble consciences about there being some truth in it, after all ; and we must look at the good, not the bad, and we must be tolerant, every- body has a right to his own opinion; and let them have their day, the right will prevail in the end; or it doesn't seem quite right to me, but then I don't understand it, and it is none of my business. But it is our business and right will never have its day till we make day for it, and tolerance of that feeble wishy washy type is nothing but downright cowardice, or ignorant indifference a milder way of just saying, ' I don't care a damn/ But I do care, Mr. Cressy. It is life to me to care." Dick looked so handsome, so full of the resistless energy and glow of youth, that Cressy felt his pulses stir in sympathy with him, and instead of reminding him that he was echoing the sentiment of his own dead youth, he said: " I understand exactly how you feel, Treloar. It is a damn hypocritical babyish age we're living in. The fact is that we are all victims of a plethora of liberty that broke in on us with the French Revolution, and we have carried our hatred of restrictions so far that we even 8o THE TRELOARS want to take our clothes off in public, literally and figura- tively, so that nobody, now, is ashamed to expose his in- telligence without the smallest fig-leaf of thought to cover its nakedness ; and we are, also, victims, from the same source, of a mania for equality, and as we can't all grow to a respectable height, we want to trim down all those who over-top the crowd. You think that the news- papers are the chief offenders in this lopping-off process. That isn't so. It has its beginning, higher up, in that mawkish sugar-teat education which the public schools are giving to the young. The educators of the world have found out just what we have discovered, namely, that everybody can't take an education; but instead of courageously admitting the fact, and honestly trying to educate those who really can be educated, and giving to those who can't what they are able to assimilate, they lump them all together, take their difficult subjects and make a kind of pap for the toothless intelligence out of them, and then keep on thinning it down, as they find it necessary, till the original substance is lost in a weak, tasteless, innutritions liquid. I intend to take my boy Jim out of school so that he can learn something, if it is only how damn little he does know. Innocent ignor- ance isn't so bad, it's only when it gives itself airs and gets obtrusive by a superficial smattering of school text- book knowledge that it is so insufferable. That's what I wanted you to run up against by boarding among the real people. Did you take my advice ? " " Yes." I" .Good ! " Cressy's eyes brightened and he leaned forward, placing his two fat hands on his knees. " Well, you are beginning to get acquainted with them, now, aren't you? Don't interest you any more than chickens, do they? Mother takes in boarders because the girls want to live in a big showy-looking house from the street. Father comes in at the kitchen door with a clay pipe in his mouth and a kit of tools on his back, and never sees any other part of the house except his bed- THE TRELOARS 81 room in the attic, because all the habitable rooms are rented out, except the parlor where the piano is. The piano is always out of tune. The girls are in the high school, when they aren't pounding on the piano, no more conscious of its being out of tune than the stool they sit on. Then begins the awful, the barbarous woe of the boarding house! The pounding, the shrieking and sky- larking and quavering in the name of music Owl wow! Wow! God! I think I can hear it in my ears yet ! It ought to be a capital offense to have a piano in a boarding house. Then cabbage every day in the week " " No, only on wash-days," interrupted Dick, with a laugh, " but it has a clinging odor that hangs on to the stairs, and trails in at the door of your room all week long. Yes, I know all that, and I don't like it any better than you do. That is why I was objecting to the re- flection of that tawdry, meaningless life in the novel that I criticised. It is bad enough to live with it in reality, without trying to live with it again on paper. A little of that sort of thing goes a long way." " Yes, I know," said Mr. Cressy, quickly, feeling that he was losing ground in maintaining the wisdom and pro- priety of his tolerant attitude to cheap literature. " But with all your fastidiousness, you must not forget the bread and butter side of the question. These people who hang their photographs and graduating certificates on the parlor wall, like to have tjjeir pictures taken for that purpose in family groups, in friendly groups, or posing alone in some striking attitude, either fierce as a pot lion, or insidiously jovial as a Cheshire cat; and the books they like are the books that reproduce them photograph- ically. That is why modern fiction has borrowed the laboratory method. It handles raw materials. Those who want to write about tramps, live among tramps. Women who want to write about shop-girls turn shop- girls themselves and write shop-girl literature. You can't alter that fact any more than you can alter human na- 82 THE TRELOARS ture. You remember that Wordsworth wrote an ode to the Daisy in which he addresses the flower in these words: 'Thou unassuming commonplace!' Now that strikes you and me as being the proper attitude for the commonplace; but in our day, the commonplace struts, and is full of assumption. It puts money in its purse, too, and thinks that that makes it uncommon; and we should like to relieve it a little of its agreeable burden; in other words, we should like to put a little of its money into our purse, too, and so we have to recognize it. Don't forget that we aren't running a paper as a charitable institution, nor to reflect ourselves. We are running a paper to reflect the people. For that reason journalism is not the production of literature in its high- est sense. It has no intention of being literature which requires time at its disposal as well as uncommon gifts. It is only a passing reflection of passing opinions. Who reads yesterday's paper, or the morning paper when he can get the evening one, damp from the press? Now, Treloar, the sooner you can get that into your head, the better. You are clever. You've got a good style. You don't fumble. You hit the nail on the head. You have correct and safe ideas on a great many subjects. Pos- sibly you can really produce literature ; but for the pres- ent, for the sake of getting on your feet, you want to go into journalism; and it is a sort of trade like any other, to which a long apprenticeship is necessary. Now, then, I am going to be indulgent for the last time, and ask you what part of this article you wish cut out, to re- duce it to well we'll say a column, this time." " Cut out the reflections," said Dick without hesitating, " and spare as much as you can to the actress herself." " Fine ! " exclaimed Cressy with a broad unctuous smile of approval. " That's the way to talk. We'll make a journalist of you, yet. I think it may be safely laid down as a rule that the enjoyment of what you call re- flections I mean thought in the abstract, generaliza- tions, etc. is a mark of more than average intelligence. THE TRELOARS 83 The great bulk of readers want the facts without any trimmings. They want their stories with something do- ing in them fizz, bang, buss firecrackers in every chapter, and a grand hullabaloo to close with." " How do you account for the vogue of Ibsen, Strind- berg, Shaw, and others of that ilk who haven't any noisy fireworks in them ? " " Well, that has puzzled me, too. The fact is that the general public doesn't like that sort of thing. It buys it out of curiosity, hearsay, puff, reads it, yawns, forgets all about it. Have you ever thought that modern fiction has not produced a single character that lives in the memory as a real being like those delicious so-called caricatures of Dickens? What a poor little paper doll Hedda Gabler is compared with Thackeray's full-blooded Becky Sharp. No, modern literature at its best is vivisection. The older literature was creation. But vivisection is the order of the day. Curiosity! curi- osity ! that's all, and it takes sympathy and not curiosity to make literature." Dick's face lighted up again. It was the first thing that his chief had said to which he could give his hearty assent. He felt so grateful that he said so, adding : " I should like to please you, on condition, of course, of not being a traitor to my convictions." Mr. Cressy smiled rather ambiguously. A conviction had long since ceased to mean to him anything more than a matter of interest or convenience, but he forbore saying so, knowing that Dick had not yet arrived at the same degree of tolerance. CHAPTER IX IN pursuance of his plans for launching the Dawn into ,the world, Max Gietmann rented a third floor of a dingy office building in a short irregular side street running off Market Street near the ferry. He fitted it up with a 84 THE TRELOARS second hand printing press, a desk, and two or three chairs. It would have been difficult to find surroundings less suggestive of the illuminating character of his enter- prise than these three bare rooms into which the sun- light never shone until late in the afternoon. But Max had not been spoiled by luxury; he had learned to be content with a shelter from rain and storm. Seeing that his rent, his press, his paper, and other necessary equip- ments would use up the greater part of the money he had on hand, he resolved to leave the hotel where he was staying, and furnish one of the rooms for a sleeping room. He bought a cot, mattress, some inexpensive bed- clothes, a washstand, a pitcher and bowl of white enam- eled ware, a second-hand clothes press, and moved into his apartment, with a sense of freedom and satisfaction which he had not felt for a long time. There were plenty of restaurants in the vicinity where he could get a cheap and wholesome meal at all hours. The only thing that he needed was an assistant who could make himself generally useful as type-setter, book- keeper, proof-reader, and a writer of articles, at a pinch. He thought it would not be difficult to find such a man in so cosmopolitan a city as San Francisco, for he had met too many university graduates in distress in various parts of America to believe that they were rare any- where. He inserted an advertisement in all the daily papers, appointing Saturday afternoon, at four, and his office, as the time and place for an interview. He had not calculated in vain. They began literally pouring in at half-past two a strange, eager crowd of indisputably shabby, and shabby genteel men, young and old, of almost every nationality ; yet bearing, all of them, the same stamp of poverty, the same subtle sign of in- born unfitness to cope with the demands of their environ- ment, and giving the lie, all of them, to that universally cherished conviction, that ignorance is the mother of sin and hardship, and that a good education is a guarantee for success in life. These men were not ignorant. There THE TRELOARS 85 were keen sharp faces among them that told of long hours spent over books and study, faces that haunted one with an uneasy sense of responsibility towards them. Yet no external help could have availed them long, for there was no compass within to guide them surely. They were the misfits of civilization who under no circum- stances can find or keep an equilibrium. They were top heavy and always destined to turn over, head foremost, as soon as they were put on their feet. Some of them bore the unmistakable signs of dissipation, or the dom- ination of evil passions; some of them had a hangdog look; others looked at you with the frank innocence of a child. Max spoke with several of them, and finally turned to a tall, dark-haired man of sallow complexion, and said to him in German: " Unless I am mistaken, you are one of my country- men." The man's face brightened as he affirmed that he was, adding that he hoped he was, also, just the man that was wanted. " I have brought with me," he continued, opening a huge scrap-book which he had carried under his arm, "some examples of my journalistic work humorous poetry, literary criticisms, idle thoughts, sketches from life, that will show you what I can do in that line." " I am afraid," replied Max with a dubious look at the heavy credentials, "that you are a little too high up for the miscellaneous work that I want done. Can you set type ? " " I can set type and I can clean out a spittoon. I am not too high for anything that will put a good dinner into my belly." " All right," replied Max, " I can promise you a good dinner; and as for the spittoon, there won't be any to clean, unless it's your own. I smoke, but I don't spit. Just go into the next room and wait for me, till I dismiss these other fellows, will you ? " 86 THE TRELOARS It was not so easy a task to get rid of the others, as it seemed. They were all hungry, run down at the heel, and though incapable of permanently sticking to any task were anxious to do something for the present. They were also anxious to enlist Max's sympathies by telling him the story of their life. They wished to assure him that society, and not they themselves, was responsible for their present plight. Some needed only a little tem- porary assistance to tide them over while they perfected some scheme or wrote some book that would make them rich and famous, as soon as it was published. There were gray-haired visionaries whose brilliant schemes for the amelioration of society were singularly discounten- anced by the failure of their own lives, finding it in- comparably easier to erect a happy commonwealth on paper, than to bring one rebellious life into harmony with existing facts. Individualists, all of them yet un- ceasingly bent on molding society after their own par- ticular pattern of individualism, and exceedingly hostile towards any other form of it. The type was familiar to Max, as has been said before, and he knew what to say to each one of them ; neverthe- less, it was nearly an hour before the office was cleared of the last applicant. He threw open the windows, im- mediately, to purify the vitiated air, then he entered the room into which he had ushered the stranger. " Now, sir, let us get acquainted with each other," he began abruptly. " My name is Max Gietmann. What's yours " My name is Felix Mayer, a striking contrast to my fate, which has been eminently in felix." " Where were you educated ? " " I have an A.M degree from the University of Ber- lin, and it has done nothing for me but get in my way, like the clumsy train of a woman's ball dress." " How do you make that out ? " " Well, I was educated to believe that the world could not get along without A.M.'s, B.A.'s, and Pn.D.'s and it THE TRELOARS 87 has taken me a number of years to get over the impres- sion, and become convinced that there is nothing in it." " Are you quite sure you have got over it, now ? " " In practice, yes ; in theory, no. I still believe that an aristocracy of intelligence is worth more than an aris- tocracy of birth or wealth, that the man with a head ought to rule the man who is nothing but belly or pocket-book. Unfortunately, modern society is organized on the con- trary basis; and purse and belly have all the wind in their sails." " And that's why you are stranded, eh ? " asked Max with a scornful snort; he was beginning to feel that he had made a mistake in his man, and not waiting for a reply, he blurted out: " Would you mind telling me frankly just what is your particular vice or weakness in the eyes of society? I am not looking for perfection, not being a saint myself ; but, if we are going to be associated for any length of time, I want to know just how far I can depend on you, and what allowances I must make when I can't. Do you drink to excess, or gamble, for example ? " Now one of Mr. Mayer's particular weaknesses was a flux of speech and instead of answering the question with a plain " yes," or " no," he began : " Not frequently. To be quite frank with you. I have always esteemed my liberty too highly to sacrifice it even to the interests of temperance. I have never taken a pledge, therefore I have never broken one. I probably never shall take a pledge and I sometimes indulge my desire for a blessed release from my woes by taking a glass too much." " You mean that you go on periodical sprees," said Max with prosaic brevity. Mr. Mayer looked at him in reproachful surprise, but not seeing any evidence of particular disgust in his face, answered rather meekly : " I believe that they are commonly spoken of in that way." 88 THE TRELOARS " Very well ; may I infer that being a man of intelli- gence and often down on your luck, you have some scheme for the amelioration of society?" Mr. Mayer glowed, he felt the ground under his feet again. " You have made a correct inference, sir. No intelli- gent man who has at heart the interests of humanity can be blind to the immense wrongs under which the pro- letariat groans. Is there no hope of relief ? I have con- secrated my life, sir, to the task of lifting the burden from the shoulders of the weak and shifting it to the back of the strong where it belongs. I believe in the rights of nature, the right to leisure, to happiness, and in the in- fluence of environment." " Then, your particular quarrel with civilization is that it makes the great majority of men work, and the great majority of women virtuous against their will? " Mr. Mayer was startled into brevity by this crude pres- entation of his views, and replied with a stare : "What?" Max chuckled a little. He was familiar with the so- cialistic and anarchistic programs, and he liked to prick what he called the bubbles with the sharp point of his irony. " Isn't that about what the complaint amounts to, when you simmer it down ? " " Mr. Gietmann," replied Mr. Mayer, with a grave as- sumption of dignity, " I don't quite catch the drift of what you mean. Of course, it would be presumption in me to suppose that you are unfamiliar with the teachings of science. If man, as we are taught, is as much under the dominion of natural law as anything else in nature, it follows that he is as much a product of his environ- ment as a tree, a plant, or one of the lower animals, and he has a right to his natural environment. The soil should be as free as the air, no more one man's than an- other's. Society takes it from me and gives it to you because I happen to be born under unfavorable, therefore THE TRELOARS 89 unnatural social conditions. Restore my property to me, and you restore dignity and happiness to me. You make a new man of me. You put a roof over my head, and good clothes on my back." " It's my opinion that you are attaching entirely too much importance to the tailor and the carpenter. It isn't artificial accessories that make a man." " Then you don't believe in the natural equality of man?" " No, I don't, neither do you. The lame, the halt, the blind in body as well as in intellect are not the equals of the strong, the prudent, the far-seeing; and no form of social government, or lack of it, is going to make them so." " Pardon me ! " exclaimed Mr. Mayer, excitedly. " The lame, the halt, the blind are not nature's products. They are the products of an oppressive and corrupt form of society which we might abolish, and restore to human nature its right to the same equality which you find in the animal world. Look at the birds! Where will you find " " O, nonsense ! " interrupted Max impatiently. " Equal opportunities do not guarantee equal power to use them. If you want human equality like that of the brutes you must go back to primitive conditions, when men lived in caves and hollow trees, munched nuts with the squirrels and ate raw meat with wolves and tigers. You don't want to be a man-monkey again, do you ? And just for the sake of having nothing in sight, superior to a man-monkey, eh ? " "Well, hardly!" " But that's where you'll have to go to find the equality you're aiming at. The trouble with all you socialistic and anarchistic schemers is that you look backward and think you are looking forward ; and you seem to be ob- sessed by the idea of a mythical golden age; you talk like Don Quixote over his handful of acorns. No, Mr. Mayer, you can't make much progress with your back to 90 THE TRELOARS the future. What society really needs is not solidarity, but a complete emancipation from the past the spread of a vigorous individualism, an infusion of virility, you want everybody to hold hands. We say hands off. We are suffering more than anything else from a deadly mi- asmatic sentimentality that is always bent on bolstering up the weak, instead of fostering the strong." Max did not finish; the door of the adjoining room suddenly opened and closed noisily, and he left the room to see who had entered. It proved to be another indigent seeker for work whom Max dismissed rather curtly; then he returned to Mayer who was looking depressed. Max noticed it and said : " But don't suppose that your opinions disqualify you for working with me. Social reform is not exactly my hobby. What I am particularly interested in, just now, is a new art, a new literature, new music; and at that I don't need any assistance, at present, except in a purely mechanical way. I want a type-setter and a proof- reader. I am not going to publish a voluminous maga- zine; but just a few sheets once a week, and I want them to be original enough to draw down on me the con- ventional abuse of being an idiot and an ass. That is always the cheerful way in which the world welcomes its new thinkers. I shall be very much disappointed, if I am not called shocking and brutal. Should I be ap- plauded, I should know that I had fallen hopelessly into the stupid and the commonplace." Mayer's face lighted up. How often he had been called an ass and an idiot and had resented it indignantly ; but now the opprobrious terms seemed apotheosized, and shone with a sacred light like the halo about the head of a Madonna. " By Jove ! " he exclaimed. " I never thought of that. It's magnificent! Your smooth pretty banal writer who pats society on the back carries off all its prizes; your thinker gets all its kicks and thumps. What particular innovations are you thinking of springing on the pub- lic?" THE TRELOARS 91 " In literature, I propose to exalt what has been called by our hypocritical civilization, brute force, energy, dar- ing, I wish to introduce into literature the triumphs of science, of steel, of electricity. No more microscopic, psychological analysis the eye turned in on the navel but the eye turned outward to the vast resources of the world : man's joy no longer the feeble product of enervat- ing fireside sentimentalities, but joy in the elemental forces of nature ! " " That is," said Mayer with a suspicious twinkle in his eye, "you propose to revive the joy of barbarous ages plus the automobile, the siege-gun, and the aeroplane." " Exactly ! only I don't like your word revive. I don't want to revive anything. I want to create." " Yes, but don't you see that you aren't creating, that you are only reviving the past which you say that you hate so much? You aren't getting rid of it. You are only putting a modern spirit into it. It's Beowulf, The Nibelungen Lied, The Massacre of the Innocents with a Zeppelin attachment ! " Mayer flushed when he saw an ugly scowl on Max's face, but he could not have resisted the thrust even at the price of losing his job. It seemed to him so glori- ously absurd to be piquing one's self on novelty and originality regarding something so hoary with antiquity as savagery ; but having given his thrust and seeing that it was effective, he was content with applying a salve in the form of an affectation of humility, and went on : " O course, I am unable to speak with any judgment on this matter, till I see what you have done. My mother used to say that ' fools should never see half done work.' " " Your mother was right," said Max dryly, as he drew out his watch. " Suppose you come around Monday morning about nine o'clock. I'll set you to work, if you are willing to begin on $2.50 a day. The hours won't be long. It's pretty fair pay for the time you'll put in. What do you say to it ? " 92 THE TRELOARS " It's not very much." " No, but it is all I can give at present. This venture means nothing but expense to me and no profit, for a long time." "All right, I'll come around, Monday. Good after- noon, sir." " Good afternoon ! " Left alone again, Max thrust his hands into his coat pockets, settled himself in his chair, and stretched his legs out. A feeling of irritation and depression came over him, as he recalled the experiences of the afternoon. He began to suspect that he, too, belonged to this vast army of malcontents, men of ticklish and umbrageous sensibility, who attribute their failures to the lack of due appreciation from their fellow men, who nurse their grievances with pity for themselves, and hatred and contempt for the rest of the world. Without an assured income to save him from want, he, too, might have been in as beggarly a situation as any of those who had come to him for help ; then in self-defense, he began to espouse their cause to himself. They were the victims of con- ventions, the individualists who wished to be free to live their life as it seemed good to them, and not as it seemed good to their neighbor. They had entered into no social compact of their own free will, and yet were held re- sponsible for the fulfillment of it. They had been put to school to the art and literature of a past with which they had nothing in common; their will had been weakened, their emotions perverted. They were wholly unfitted for the brutal struggle for existence which goes on in the society into which they were born, and were inevitably pushed to the wall. It was for them and for himself that he was throwing down the gauntlet to society. The Dawn was approaching. Arrived at this point of his meditations, Max rose, yawned, rubbed his eyes, put on his hat, and went out to get something to eat. In spite of his theory that the joy of life is perfect liberty, he was not getting any appreciable amount of joy out of his liberty at present. THE TRELOARS 93 CHAPTER X DICK had not failed to return to the theater night after night to witness Nita's playing. No matter how irritat- ing his day's work had been, this charming actress never failed to dissipate his irritation and restore him to his best self. If he left the office feeling that he was ex- pected to stoop to the stature of those with whom he was thrown, no sooner was he in her presence than the chains broke, he stooped no longer, but stood upright with his equals, a free man in the presence of true free- dom. He longed to tell her how grateful he was for her in- spiring influence, and how much she meant to him in his struggles with unfamiliar tasks; but he had not been able to see her alone again since the memorable night of their first meeting. She always had a little coterie about her, and he had not mustered sufficient courage to write a request for a special interview, but if the op- portunity to meet her alone did not offer itself soon, he meant to do that. As it was, the second week-end had come around and he was starting to Berkeley to spend Sunday at home. At the ferry, he looked over the crowd, searching Max Gietmann's face, knowing that Max would feel his invi- tation to go out home with him a standing one. But he saw no familiar face in the hurrying, jostling throng that pressed through the wicket gates. He felt a little re- lieved at not finding him ; he preferred to spend his Sun- day at home quite alone with the family. The Parkers would be over in the evening, of course, since they had not been over the Sunday of the preceding week. He would be glad to see them, for they seemed a part of the family, but he could not make Max fit in so familiarly, since his return from abroad. However, that did not trouble him. How lovely the broad blue expanse of the water, so 94 THE TRELOARS tremulously responsive to every change of color in the sky above it! And the long undulating shoreline with its yellow sands and high green sloping background how often he had looked at it, yet never till to-day, had he realized how beautiful it was; and with the realiza- tion and the intuition of its cause, he felt the hot blood surging over his face; and because he was essentially poet and idealist, there mingled with his natural emotion that temperamental excess which carries acute joy to the verge of sadness. His eyes were moist, and he kept his face steadily turned towards the sea. He feared to look round, lest he should meet some one whom he knew and be obliged to try to explain satisfactorily the emotion which he could not conceal. He was glad of the long walk that lay between himself and home, at the end of the car line ; for he had es- pecially asked that no one should meet him with the carriage, for he needed the exercise of the walk. To- day he felt that he needed time in which to compose him- self so that he might meet the family as if all his world were still where he had left it. He succeeded so ad- mirably that the brightness of his eyes, the flush on his cheek, the hint of a tremulous break in his fine, strong, young voice, were to Margaret the touching signs of his gladness to be at home again. She was coming down the Tunnel Road to meet him, not far from the gate, and they walked back home arm in arm. " O, Dick, it has been the longest week, longer than last week. I don't know why; but it seemed to me that Saturday night would never come round, but here it is, and you are with us again. Has it seemed unusually long to you ? " " Months ! " exclaimed Dick, emphatically, and he was speaking the truth, for when new sensations and new emotions are crowded into our days, they seem to lengthen them enormously. " You darling boy ! " Margaret pressed the arm through THE TRELOARS 95 which she had slipped her own, and looked up into his face with pride, and delight ; then she said gently, " Do you know, sometimes I think that such an intense love as that which binds me to you is not altogether wise ; and yet how magnificent it is ! But it makes me too depend- ent on you for my happiness. It is as if I had delivered it all into your keeping and it might be ship-wrecked with you in a moment. I have learned so much about myself this week that I didn't know before, and some of the things are not at all to my credit." " Then you've been making some mistakes in your lessons, Margaret. What have you learned about your- self that is not to your credit ? " " That I am deceitful that I can say one thing and mean another." " Well, that's a woman's privilege, isn't it ? " " It's not my privilege. I like to be honest. But you know when you told me last week how busy you were, I made you promise not to write to me this week, because I was afraid to take up any of your time. Well, I stood it nobly till Thursday, and then I got so hungry for a word from you, just a line to tell me you were thinking of me, that I kept wishing with all my heart that you would break your promise and write to me anyway." " Ha ! ha ! And what would you have said, if I had done it?" " I should have scolded you, of course, but very, very sweetly, just enough to encourage you to do it again. Don't you see what a dastardly double-dealer I am? And that is not all. I began to get nastily suspicious yes- terday. I said to myself, ' Now if he really loved me as much as I love him, he couldn't help writing to me in answer to that letter which I wrote him, Tuesday.' You did get it, didn't you?" " Yes, I did, dear ; and it was such a bit of sunshine to me that I was really tempted to sit down and tell you how thankful I was for it; but you know you reminded me in it again of my promise not to write, so I wasn't go- ing to be tempted to break it." 96 THE TRELOARS " You should have yielded to the temptation, Dick. In matters of love, it isn't a sin; on the contrary, it was a crime against love not to do it. Now, I am going to give you a bit of advice, for the sake of the future Mrs. Dick, who I hope is still an unweaned infant, but who is sure to turn up some day. If ever the woman whom you are to love, as you love no one else, tells you not to do a thing that you know will give her pleasure, Dick, don't for a minute put off doing that very thing, if it is within the realm of possibility to do it. She may vow that she won't forgive you, if you do; but ten to one, she won't forgive you, if you don't. There! those are the incredible things that I have found out about my- self." Dick laughed heartily. "They are adorable things, Margaret; they bring you down from the summits of perfection, and set you firmly on the ground where the rest of us walk. After this, you shall have your letter every week." " No, Dick, you mustn't think of such a thing ! " she protested, and then they both laughed again at the ab- surdity of her protest in the face of her confession, then Margaret said : " Now, you must tell me all about what Mr. Cressy said of your article; you know you didn't say anything about it last week. We had so many other things to talk of. Of course, he liked it immensely." " Not in the least." " What ! You don't mean to say " "Yes, I do; but let's wait till we get to the house. Father will want to hear about that, too, and there's no use telling it over twice. Let me listen to you, now ; that's such a treat to me. What news have you to tell me?" " There isn't much to tell. Dolly and her father were over Thursday night. Dolly told me that her father had proposed sending her to college, but that she had per- suaded him that she is her own best teacher. I am not sure that she is wrong, are you ? " THE TRELOARS 97 " No. Dolly is really a very exceptional girl. Are they coming over this evening? I haven't seen them for two weeks or more." " No, not to-night. I was selfish. I wanted you all to myself the first evening. They'll be over to-morrow to dinner. Have you seen Max, again? " " Not this week. He is very busy getting ready to bring out The Dawn." " The Dawn! " repeated Margaret with a touch of mel- ancholy irony in her voice. " To you and to me, The Darkness or The Eclipse would be a more suitable name. Poor Max ! I suppose we seem so old-fashioned and ' inanely moral to him, and he seems to us so absurdly bent on being uncommon that he is ridiculous, too, in an ugly and dangerous way. I wonder if it is possible to bring him around to a saner point of view. I always think there is hope, where there is violence, because the violent by nature is short-lived. It is the attitude of in- difference or of persiflage which seems hopeless to me be- cause there is no foundation of real feeling to work on. Max is not a light and careless iconoclast. He is a hater, and he hates, because he is unhappy and because there is a capacity for love in him." There flashed through Dick's mind again the suspicion which had troubled him, once before; and the question of Max's relations to Margaret was on his tongue's end, but he could not bring himself to speak of it. " I think you are right about Max," he replied, " yet I don't see why he has any particular cause to be un- happy. So far as I know he has good health, and a settled income, and no vexatious ties." "Yes," answered Margaret vaguely, "but it is impos- sible to set up the same standard of happiness for every- body. It takes so little to make some people happy, and such a great deal to satisfy others. You and I can be happy if we only have each other. Isn't it good to be to- gether again ? " They walked on a few moments in silence and there 98 THE TRELOARS was a critical moment in that silence in which Dick's secret rose to his lips, but the inner tumult was still too great to make it possible for him to speak with any degree of serenity, so he said nothing. It was the first time in his life that he had concealed anything of import- ance from Margaret, and that he could do it now, proved the intensity of his emotion. It is not of the deepest secrets of our hearts that we can speak easily. Just at the turn of the path where the whole house be- came visible, Dick saw his father walking slowly along the garden path, his head bent forward, his hands behind him, the left hand clasping the wrist of his right hand in which was a book, so held that his forefinger was thrust in at the page where he had been reading. " There's father," exclaimed Dick. " What book is he poring over now ? " " Tolstoi, again. The Ethical Society has asked him to read a paper on Tolstoi at the next meeting. He has been reading his paper to me as far as he has gone, but I told him that he is writing an apotheosis of Tolstoi in- stead of a criticism." " I dare say he is. Dad always forgets that Tolstoi is big enough to have faults without their obscuring his greatness. In spite of all Tolstoi's parade of humility the unalterable core of the man is over-weening pride and ambition. He covers it all over with beautful, soft, exquisite, tender sentiments, but it is there; and he would not be the Titan he is without that hard unalterable core in him. That is what made him dream of being the founder of a new religion. But no religion was ever founded successfully on the ideal of an exaggerated in- dividualism." " Why, Dick, I thought you admired Tolstoi ! " " So I do, but with my eyes open, not shut. Hello, Daddy ! " he called out cheerily, for the two were now in range of Treloar's hearing. He had not noticed their approach, and turned round suddenly, unclasping his hand to extend it in greeting to his son. THE TRELOARS 99 " Hello, my boy ! Glad to see you. We miss you among us, especially at dinner time. Have you brought a good appetite with you ? " " First rate ! Margaret has spoiled me for restaurants and boarding houses." " And she's done her best to redouble the spoiling to-night. She has remembered all the things that you like best, and the rest of us who don't happen to agree with you are going to come out at the small end of the horn. Go on in, Dick, and get ready. We're a little late. I'm as hungry as a wolf, myself." They went into the house. Catherine was putting the last dainty touches to the table, a task which usually fell to Margaret, but Catherine had taken it to-night in order to let Margaret go to meet Dick, and she looked very pretty in her soft white dress, and she kissed Dick heartily. After dinner, the family gathered in the living- room, and then Dick told the story of his experiences as a journalist. " I dare say," said Dick, " that I began with a very confident air, and an exasperating cock-sureness, but I finished just as surely with my head under my wings and my tail feathers very much bedraggled. Cressy and I are as different as two men possibly can be. He is a sort of M. Homais, journalist, instead of pharmacist. He has the same utter contempt for idealism in any form, the same asinine conviction that he represents the acme of good sense. He has an insufferably condescending air with me, always telling me that in his youth he was just such a young fellow as I, and insinuates that if I develop normally, some day I shall have the honor of being just like him from which honor may the good Lord deliver me!" Margaret listened restlessly, flushed with indignation, wondering how it was possible for any one to treat Dick in that manner. Treloar, on the contrary, listened with an amused smile, interrupting the smoking of his cigar from time to time to laugh heartily. He had so ioo THE TRELOARS long been predicting the disastrous influences of material- ism that he felt the vivid satisfaction of a successful prophet, even at the expense of his own personal disaster in its fulfillment. " What else could you expect ? " he asked at the con- clusion of Dick's story. " Haven't I always told you that if you take away from the masses the restraining influ- ence of religion the hope of immortality, the belief in a compensatory justice that will give a meaning to the struggles and sorrows of this life, you take away from them every incentive to endure with manly fortitude the evils of life. They feel that if life is only a conscious moment between two eternities of extinction, then it should be crowded with all possible joys, and they are right. That is the only consistent attitude to life from that point of view. The coarsest Epicurean with his ' Eat, drink, and be merry ! ' is wiser than the ascetic who refuses to live while he is still alive." " O, father," protested Margaret. " That is too sweep- ing an assertion. Values are not determinable by dura- tion. The beauty of a perfect rose is not destroyed by the fact that it lasts but a day or two, and the beauty of a life dominated by self-mastery and generous regard for others is just as undeniably beautiful and desirable, as if it were eternal; and it is the very brevity of life that inspired that noble sentiment, ' Work while it is day, for the night cometh when no man can work ! ' I think it a dangerous, a very dangerous doctrine to spread abroad that morality has no other sanction or obligation than the belief in immortality although I firmly believe in immortality, of course, just as you do." " What do you know about values in life ? " replied her father with a tingling fervor in his voice that showed how deeply in earnest he was. " You who have lived sheltered from the fierce tempests of passion. The very thing that you have said about values not depending on duration makes a man at a crucial moment feel that he may concentrate years of tame and colorless life in the THE TRELOARS 101 ecstasy of a moment, and if no larger thought, no lumin- ous vision of the grandeur of his destiny is to hold him back, why should he lose the glory of an hour for the nauseating insipidity of a few tame crawling years? Nonsense ! speak of life when you know the heights and depths of it. Don't for a moment think that you can put out the blaze of a burning world with a little pitcher of cool spring water, no matter how cool and how clear it may be. I doubt if you ever had a wicked thought in your life. I doubt if you ever had a stronger temptation than the doubt as to whether you should let Dick have one more piece of rich cake, when you knew that he had eaten too much, already." Margaret laughed, but the laugh was rather faint. She had heard her father repeatedly thrash out this ques- tion with Dr. Parker, and reflecting over it alone, and re- membering the doubts that often assailed Dick, she had come to feel that the supreme safety in morals lies in the conviction that right is right, no matter what the con- sequences are; and that the Christian code of morals, quite independent of their origin or the beliefs attached to their practice is the best for man in his social relations, so she answered quietly : " It is true, father, that I do not know life as you do, but I do not think that it is necessary to put your own hand in the fire to know the result of the action; but leaving that side of the question alone, I have too firm a faith in your own good sense and morality to believe that the decline of your faith would be followed by your abandonment of your principles of right living." " Then that's just exactly where you are entirely mis- taken," was the emphatic reply. Treloar would have de- clared himself capable of committing any enormity rather than abandon what he considered as the legitimate conclu- sion of his argument. " I live my life consistently, ac- cording to my convictions. Do I build a house to turn round and tear it to pieces ? Did the architect of the uni- verse create my soul for the purpose of destroying it ? If 102 THE TRELOARS I thought so, life would have absolutely no value to me, no meaning, and I should live it in an entirely different manner from what I do now." " O, no, you wouldn't, father," persisted Margaret. "You would be like that Russian peasant Dr. Parker spoke of, you would keep on plowing." Philip Treloar gave his fine gray head a vigorous shake, and there passed over his keen intellectual face an ex- pression of acute despair and passionate negation. " Isn't it strange," he burst out in a sonorous voice, "that a man may live all his life with his family, and yet be a stranger among them. A magnificent reply that was, wasn't it? An asinine reply the reply of a brute beast that had ceased to be a man. It shows that the peasant had become a wooden-headed slave instead of an intelligent human being. If he had had a spark of hu- manity in him, he would have left his plow in the middle of the field and spent his last day gratifying all his desires in so far as he was able." " O, bosh ! Daddy," remonstrated Dick. " Now you are like my Homais journalist who will give the masses no credit for moral insight, no ideality, no aim in life except to accumulate wealth, no recreations except sensual pleas- ures." "That is where your Homais is right. The masses are in a state of revolt and bewilderment. Science has destroyed their religion, they are without faith in any- thing but the sensation of the moment, they have no con- ception of anything but what they can perceive through their senses. How is it possible for them to value the super-sensual ? " " And now that we have got past that second piece of cake," said Margaret, rising and going to the piano, " don't you think it is time for a little music ? Come, father, do play for Dick that exquisite little thing which you improvised yesterday." Treloar protested loudly against being turned from his beloved argument, but after restating it in what he THE TRELOARS 103 thought was an irrefutable way, he allowed himself to be persuaded to sit down to the piano, and after running his fingers aimlessly over the keys, he found at last a tongue in 'them for the thoughts that melody alone can express. He had loved music all his life, and had found in it an outlet for the deeply emotional side of his nature, unconsciously carrying out Wagner's theory that with fullness of life, art is superfluous, and that art begins where life ceases. As Dick listened to the music, watching his father's clean-cut profile in the softened light which filled the room, he marveled again, as he had often done before, at the inextinguishable youthfulness of the man's soul, his eager activity, turning as naturally to light and warmth as the groping plant germinating in the darkness of the soil ; his versatility ; the wide range of his intellectual in- terests; how was it that he had not made his mark upon the thought of his century? Had his intellect been inquisitive rather than creative? Had he been tempted to run here and there, turning over other men's acquisi- tions, and making them his own, instead of delving within himself, and transmuting his own experiences into living thought ? For he had lived, and how he must have loved ! Dick leaned towards his father, his heart beating faster. He felt sure that his father would understand him, were he to tell him all his thoughts and feelings. He began to wish him to see this woman who was mean- ing so much to him. It suddenly occurred to him that he would make up a little family party, invite Dolly and her father to join them, and take a box at the Oakland The- ater for the next Tuesday night. " Daddy, that's fine ! " he said, rising and patting his father on the shoulder when he had finished playing. " I'd rather have the memory of your being able to do a thing like that, than be assured you had millions to leave me. So you see after all, I am not so hopelessly sunk in materialism." " Perhaps, not yet ; but it's not easy to escape its in- fluence, these days." 104 THE TRELOARS CHAPTER XI IT was a bright sunny Sabbath morning. Dolly Parker awoke early to the twittering of birds and leaving her bed went to the open window where a climbing rose sent the odor of its fragrant blossoms into the room. She looked up at the blue sky and then at the yellow hills, and suddenly felt so wide awake that going back to bed was impossible, and going out for an early morning walk was the finest thing in the world. Her father was entering the dining-room when she came in from a ramble along the ravine, and she greeted him with the jubilant, boastful cry: " I was up the first this morning ! " "What of it?" was the imperturbable answer. "It doesn't make so much difference when you get up, as what you amount to after you are up. Maybe you would have been just as well off in bed." " Do you think pleasure and beauty amount to nothing? I've had such a good time, and aren't these beautiful ? " she asked, holding up her flowers and grasses. She put them into a glass bowl on the table, and then stepping back to get the effect of them, said: "Aren't they so fresh and morning-like with the dew still on them ? " " Yes, they're pretty, but what got into you that you were up so early this morning? Didn't you know it was Sunday?" "Didn't I know it? Of course I did, and that we're going over to the Treloars for dinner to-day. Dick came home last night. I can imagine how Margaret is beaming, can't you ? " " If she's beaming any more than you, then she has a monopoly on beaming," answered her father, sitting down to the table, as Dolly touched the bell. In a moment Hannah, the maid, appeared with the breakfast, consisting of oatmeal porridge, rich cream, buttered toast, and coffee. THE TRELOARS 105 Dolly passed her bowl to her father to be filled, and smiled when she received it. " Isn't it funny," she said, " Dick seems to me just like my own brother. I've really missed him, knowing that he was away from home haven't you ? " " I can't say that I have, I don't miss people's being away in somebody else's house. That is a stretch of imagination I might have been capable of at your age, but now " He shrugged his shoulders expressively, and put his cup to his lips. " O, Daddy," protested Dolly, " when I am your age I mean to have all my wits about me, and all my feelings fresh as now. Not a bit of the gilt edge is to be rubbed off them." " But they will be tarnished, Dolly," said her father, setting down his cup and wiping his lips with his napkin. " Another piece of toast, please." " You expect me to believe that ? " " No, not now. I am just telling you." " So that you can say, ' I told you so,' when I come to the tarnished age?" " I guess so." Dolly carefully gathered into her spoon the last drop of the rich cream in her bowl, and having disposed of it, pushed away the empty dish with rather unnecessary vigor, as she answered. " Honestly, father, if I believed that, I should not want to live past the high pulse beat stage. To grow old out- side is bad enough but inside, too. Ugh ! " Dolly shuddered dramatically as if the thermometer had suddenly dropped below zero, and she bit into her toast with a savage little gesture as if crunching an im- aginary foe. Then lifting her cup of coffee as high as her head, she said : " Here's to the pulse beats, and may they beat warm and high under the black veil of grief and the white snows of age!" io6 THE TRELOARS As her father went calmly on with his breakfast with- out paying any attention to her affected tirade, she called out in her imperious way: " Come, Daddy, come, drink to the toast. You are not going to be let off, you know." " Dolly, you are ridiculous." " Father, the same to you with all due respect." With that she touched her cup against his, spilling a little of her coffee in her eagerness. " There, now ! See what you've done with your fool- ishness. Be sure you tell Hannah that it was not I who soiled her clean table-cloth." " Certainly ! " answered Dolly, slipping her napkin un- der the cloth. " I bear all my own burdens. But you are very hard to educate. The trouble is that you want to reduce everything to a system, Daddy, an inflexible system, and people can't be systematized, even in an in- sane asylum. The straight jackets are of a different size, aren't they?" " O, yes, you won't have any difficulty in finding a fit, Dolly." " Well, I call that a poor, tasteless, decrepit, thin, vine- gary old joke and it reflects on you from all points of the compass. Am I not your offspring? Aren't you ashamed ? " "Of my offspring?" " No ! Of your joke, if such a poor peezy-weezy, asthmatical thing can be called a joke." " Not a bit of it. Like my offspring, it's a poor thing, but my own." " That's better, even if it is borrowed from Touch- stone. You're improving ! " Dolly loved her father with passionate devotion, but she had not escaped the influence of Margaret Treloar's idealism. It spoke to her quick bright mind and im- petuous young heart with a more powerful, more per- suasive voice than her father's calm reason: for youth THE TRELOARS 107 is not so much in need of reason, as of a large boundless faith. " Hello, Dick ! Mighty glad to see you What do you think this girl of mine asked me, to-day ? " " I haven't the slightest idea," said Dick, smiling at Dolly as he shook hands with her father. " She has been asking if I didn't miss you." " That's lovely of her, and I feel very grateful to her for thinking that I can be missed." Dolly's face was crimson, as Dick held out his hand to her, and the nimble tongue that had chattered like a magpie all day long, and could not be quiet even with an effort, was as mute now as the floor beneath her feet. It was Margaret who came to her rescue, by calling at- tention to herself, saying that she did not know just how to explain a feeling which evidently belonged especially to women ; it was a kind of sheltering, protecting instinct like that which the mother hen feels when night comes on. She wants all her chickens under her wings, and she is uneasy and unhappy until they are there. She has no faith in bushes and brambles and tufts of grass; but under her wings, she knows that it is warm and safe. As for herself she never missed Dick so painfully as in the evenings. Then, she was always wondering where he was, if on the street, or in his room, writing, thinking, or wearying (she loved the good old Scotch word, it was so expressive) for all of them at home as they were weary- ing for him. Treloar burst into a hearty laugh, exclaiming : "Isn't that a woman all over? Always wants the man she loves, to be under her wings! Dick, tell your sister what a good time you were having every evening, and how glad you were to be rid of the tickling of her feathers in your neck." At last the chance to speak of what had been absorb- ing him presented itself naturally, and Dick, with a bright io8 THE TRELOARS color mantling over his face and a smile illuminating it, said: " I missed Margaret as much as she missed me, and one afternoon last week I had the hardest work in the world to resist the temptation of flying home to get under her wings; but I must confess that my evenings have been very agreeably passed in the theater. It is part of my work to write up the plays, and I've had the good for- tune to hear the best rendition of a popular play that I ever heard. I have discovered an actress who has the subtlest intuition of what is fine and strong in human na- ture, and knows how to reproduce it marvelously. She is really a genius. I wonder if we couldn't make up a family party to hear her. She is going to be in Oakland next Tuesday night. Wouldn't you all like to hear her? Margaret, you haven't been to a play for a long time, nor you, neither, have you, Dolly ? " " O, don't make it next Tuesday night," exclaimed Catherine. " That's the night that I have an engagement for the Phi Kappa dance, and I can't get out of it. Do, please, put it off for a week, and I'll see to it that I have no engagement for that night." " All right ! " answered Dick. " Now don't you, any of you, forget it. I'll make arrangements for meeting you somewhere, and I'll rent a box." After dinner, Dick proposed a little walk up the Tun- nel Road to see the sunset. It was one of his pleasures which he missed in San Francisco. But his father and the doctor had already begun their interminable discus- sion, and refused to stir from their chairs. Catherine was expecting a friend. Margaret excused herself on the score of attending to her duties as hostess, and pro- posed that Dolly accompany Dick, on condition that they were back before night-fall. " O, no, we are not going to bind ourselves by any conditions, are we, Dolly ? " cried Dick, seizing his hat. " Then you must take Dolly's cloak along with you. It gets chilly after sunset," answered Margaret. THE TRELOARS 109 " Where is your cloak, Dolly ? " " I'll get it, Dick. It's hanging in the hall." But Dick was already there, and shouting: " Which is yours, Dolly, the blue one or the brown ? " " The blue one." "All right! I have it," and he came out with a long navy blue mantle hanging over his arm. " Now, you are not to worry about us, Margaret, no matter how late we are. We'll get home about the time father and the doc- tor are ready to suspend their discussion of the ebb and flow of materialism." With that he started off with Dolly, happy as a boy let loose from school. " Suspend the discussion is a very happy phrase," said Dolly, adjusting her hat more securely on her head. " I can't imagine its ever ending, and I can't help admiring immensely the freshness and enthusiasm with which it is always renewed." " Isn't it funny ? " laughed Dick. " It has got to be an intellectual game with them, a kind of argumentative chess, in which by some new and unexpected move, one intends to check-mate the other. But what would they do, if the game were ended ? I really think father would go into a decline, if he ever succeeded in quite convincing your father that he was right. They act as whetstones on each other, to sharpen each other's wits. It would be an immense pity if they were to grind the blades quite away; but really there isn't any danger of that. When they part, each is only more solidly confirmed in his own opinion." " That is what an argument is for, isn't it ? " asked Dolly, looking at him with a roguish smile. " You don't argue about things that you are quite sure of, do you ? " " Of course you don't," assented Dick. " You only argue to make yourself surer, and to find out which of your opinions are weak and won't stand a hard thwack. O, well, let them argue, we don't care, do we? You and I know that this sunlight and this air are infinitely bet- I io THE TRELOARS ter than a corner of the house. What do you say to a climb up Grizzly Peak? I know a short cut over the hills. Are you in the humor for a long walk, and some good, stiff climbing? " " I shouid love it above all things," was the enthusias- tic reply. " I have been wanting to do something of that sort all day." " Have you, really ? That's fine ! Do you know, Dolly, there are times when I'd rather walk than do any- thing else. It rests me, when I am tired ; and it restores my equilibrium when I have a superfluous amount of energy, and don't know what to do with it." " Don't know what to do with it ? " repeated Dolly in surprise. " It seems to me that you have the finest out- let in the world for your energy, you who can write and pour out all that you think and feel in fitting phrase. But to feel and to have thoughts struggling in you which can't take a definite shape well, that's another thing, and that is what / know." Dolly was flushing brightly as she spoke, for it was the first time that she had ever revealed so much of herself to this companion of her childhood and youth, who always treated her as if she had been a younger sister to whom it had never occurred to him that he might talk seriously and be understood. " You, Dolly ? " he exclaimed in surprise. " I thought girls " " Had no thoughts ! " interrupted Dolly, quickly. " Well, we do, only we have great trouble in making any one believe that we amount to anything, except just to play with." " Well, Dolly, if it will be any consolation to you, I'd like to assure you that you haven't a monopoly of that trouble. We all have it, whose thoughts do not happen to trot in harness with the accepted trotters. But, if that is your step, there's nothing to do but to refuse to trot with them, and go your own pace alone. That is what father has done. I've heard him criticised as not having got THE TRELOARS in much out of life, but he's got character, individuality; and I've come to believe that what the world sometimes calls failure may be infinitely more respectable and more worth while than what it calls success." " Yes, I think so, too," said Dolly, gravely. " But I don't think that we should desert the high way, just be- cause it is so well traveled, and we don't like the dust and the crowd. The path we make for ourselves must have some particular beauty and charm to justify our taking it. Your father has found such a path. But take Max Gietmann, for example, he has such a deadly fear of being like anybody else, that he prefers being either grotesque or hideous. I think that's silly, don't you ? " " Silly ! Yes ! But I don't think that's exactly the right word for Max. I believe, now, that he is des- perately in earnest, and, at least, he thinks that he thinks right." " But that does not make it right." " Certainly not ; but it is an extenuating circumstance. Poor Max ! " " Poor Max ! " repeated Dolly, her red lip curling in scorn. " What makes you say that, as if you pitied him ? I don't pity him in the least." " Don't you, Dolly ? " said Dick, looking down with an amused smile at the lovely flushed face. " No, I don't ! " answered Dolly with energy, " and please, Dick, do take me seriously, don't smile. I hate to see a young man act like an old one. It is so stupid to begin life backward and think you're going forward." Dolly was speaking energetically, having long ago deter- mined that at the first opportunity she had, she would speak out her mind quite plainly on this subject. She could not have told exactly why it was that she so in- tensely disapproved of Max, for her disapproval was the instinctive recoil of a healthy nature from a moral mal- ady, but she knew very well what she disliked in him. "You are right, Dolly. Youth has no business with the gray tints of age. Its colors are all of the rainbow, 112 THE TRELOARS and you and I are young. Let's be true to our colors. Look at them reflected in the sky, yonder. Isn't it splen- did! Doesn't it make you feel richer than Rockefeller, not merely to know that it is beautiful, anybody can know that, but to feel that it is to have it touch some silent chord in your nature and waken it to music ! " He was silent a moment, his eyes shining, lip and nos- tril quivering, all the artist in him responding to beauty. Dolly turned her eyes from the glowing sky to the glow- ing face, and it seemed to her that there was no compari- son between the loveliness of his speaking countenance, and the loveliness of the brilliant sky. An exquisite sen- sation thrilled her, and the convulsive little shiver that ran over her, shook the arm that he had within his own, and noticing it, he turned to her quickly: "Are you cold, Dolly?" She drew her arm quickly away from his, and all the sunset colors were burning in her face. " Not in the least," she answered. " It is only that the music sings in me, too, and I can't express it as you do ; so it dances in my blood." " Bless your dear little heart, Dolly ! That was beauti- fully said," answered Dick enthusiastically. " You know I am getting rather sensitive about letting myself go ex- cept with Margaret. She always understands; but to stand in the presence of a glory like that in company with one who can't feel it, is like getting a slap in the face." The memory of the humiliating experiences with Cressy and Max occurred to him, and he went on ex- pansively : " There seems to be growing up with the multiplication of things, an exclusive admiration for the devices of hu- man ingenuity, and I, who prefer a mountain or a glimpse of the ocean to an automobile, begin to feel very old- fashioned at twenty-three. Do you mind my talking about some things that interest me very much, just now? " He had taken her arm, and they were walking along a broad ridge on the crest of a grassy hill. THE TRELOARS 113 " I should take it as such a favor," said Dolly, feeling as if life were enchantment, and as if she had sloughed her childhood, and had suddenly seen her narrow little valley of girlhood broaden into the wide tableland of womanhood. Then he told her of his secret hopes and ambitions, his ardent desire that America should stand, not for the triumph of mediocrity and materialism, the great weakness and danger of democracies, but for the triumph of principle, the triumph of an enlightened spirit- uality which can recognize the superiority of the ideals of the past, independent of any origin which they may have. " What difference does it make," he asked, " whether these principles and inspirations are rooted in supersti- tion or not? Do I quarrel with the whiteness of the lily, I and refuse to acknowledge that it is beautiful and sweet ' and pure because the plant from which it blossoms has its roots in the mud? We are passing through a stupid phase of rationalism which persists in looking at nothing but the roots and the mud, and wants to make a new judgment of the flower based on the analysis of the mud. All our generous and pure instincts are traced back to brute selfishness. What of it? Are they any the less generous and pure ? All the principles of morality in the Christian world are said to be founded upon the irrational visions of a man who called himself God. What of it? Are the moral principles of a great moral genius not as right and true as the poetical intuitions of a Dante or a Shakespeare? I think it is time we were recognizing that. I think it is time to stop dabbling in the mud and j to begin to enjoy the flowers again; only it may need some great national calamity to burn the habit out of us and out of Europe, too, for it is everywhere. We are so infatuated with what we call realities and by that we always mean mud and dirt, as if the flower did not exist that we are in danger of swinging back to savagery, in order to get more of them." Dolly, who was as ignorant of the trend of modern thought, as if she had belonged to the eighteenth century, 114 THE TRELOARS did not quite understand Dick, and being too frank to pretend to do so, honestly admitted that she had not been able to follow him. " Well, I mean simply this," he explained. " We seem to have exhausted our power of being happy in being good, and finding our pleasures in simple and natural ways, so we turn to the extraordinary, the wicked, the curious, the monstrous; and when we aren't quite idiotic enough to make a mess of our own lives, we hunger and thirst to read about other people's messes ; and we dig up all our old virtues by the roots, and smell the roots, and say we don't believe the virtues. Do you understand me now?" " I think I do, and that's just what I meant about Max. He is one of your messers, and whatever he should write or paint, if he were a writer or an artist, would be a mess, a botch, a monstrosity, something that might seem true to him, but it would be so exceptional that it would be, or at any rate ought to be, repulsive and abnormal to the rest of us." Dick smiled. Evidently Dolly had taken a strong dis- like to Max, and was anxious to make him share it. But, however strongly he might disapprove of Max's opinions, he had that form of loyalty to his friend, per- haps peculiarly masculine, which would not allow him to admit that his friend's idiosyncrasies were an essential part of his character. " I think you are a little hard on Max, Dolly. His peculiar views of things are, I think, a passing phase, perhaps the effect of influences abroad. Then again, he may just want to bluff the public into taking notice of him. He's a young fellow of talent, and he knows that the public is a great baby and likes its rattle and likes to play in the dirt. But once he gets the public ear, I think he'll come out of all that. But Dolly, I promise you this, if ever I succeed and I may not, you know ; but if ever I do, it will not be in that way. I won't shake a rattle, and I won't stir up the odor in a sewer. There!" THE TRELOARS 115 Dick turned to face her, as he made this declaration. For the time being, he was oblivious of her, except as an ear for what was deeply stirring him, his task, his sense of its importance, his consciousness of its difficulties, and the firm bracing of himself to meet them. But to Dolly, he and his task were one, something wonderful. All the youth in her, all the mute mysterious yearnings of dawning womanhood, were setting in a tide towards him, and unconsciously they spoke in her glowing face and moistening eyes. " O, it is glorious ! glorious ! to hear you talk like that," she said. " I am going to confess to you now, that I was so afraid that you might come under Max's influence and feel that you, too, must flout and jeer at things that mean so much to me no, I don't mean me, only," she corrected herself hurriedly, " I mean all that gives distinction to human life and makes it more than the life of a beast. You must not think that because father always argues on the side of things that can be seen and touched, that he denies the unseen and the intangible. You know that your father sometimes calls him an inverted hypocrite, because he lives in the things of the spirit, and upholds a creed contrary to him; but I think he acts in the right way, from what you said of the lily and the roots. He looks at the lily. It seems to me that there ought to be some reconciliation between the extremes of spirituality and materialism, don't you think so?" " Indeed I do, and that's the problem of our generation. We have oscillated between the two extremes which are untenable. Puritanism, asceticism, the denial of the claims of the body on one hand, and gross materialism that denies the soul and its hunger for liberation from the tyranny of things on the other. The war on both sides has been intensely bitter, and neither side will con- cede anything to the other; and there is a great army of neutrals to whom the question on either side means noth- ing at all, and life to them is only a question of self- n6 THE TRELOARS assertion, and, so we have a hopeless confusion of all sorts of assertions a kind of intellectual anarchy that " Dick started violently, for just at this point, Dolly uttered a piercing scream, and her face which a mo- ment before had been glowing like a crimson poppy, in the sun, was blanched with terror. " Why, Dolly ! What's the matter? " The warm blood rushed into her face again, and she laughed hysterically. " Do forgive me, Dick, for making such a fuss ; a snake ran across my foot. See! there it goes through the grass. No, don't kill it, please! Let it go. I know that it is so silly to be afraid of snakes, so many of them are perfectly harmless but I can't help it. They chill the very blood in my veins, when I see them." She was trembling all over like a frightened child, and he put his hand on hers, as it rested on his arm and petted it in a reassuring way. " Yes, they are nasty things," he said. " Margaret hates them, too. How cold your hands are, Dolly! I think it's time to throw this cape about you. There! isn't that better? And see, the fog is commencing to creep up. I hadn't noticed it. Well, all good things come to an end. I am afraid we must go back, Dolly dear." He said the last words with an involuntary lingering caress in his voice, not meant particularly for her, but born of the overflow of tenderness in him. But she took it to herself, and her young heart was filled with gratitude. She could not speak for a while; and when she did, she cleared her throat, and spoke disparagingly of herself and her fright ; assured him, too, that though she hated snakes, she loved the fog, and was not at all afraid of being lost in it ; that she had wandered so often over the hills, that her feet could find their way in spite of the gray billowy masses, without the aid of her eyes. " And sometimes, I like to feel myself wrapped up in the THE TRELOARS 117 fog all the world suddenly vanished, and I know that it will lift like a curtain, and show me my world again. It is a delightful little oscillation between truth and poetry. You don't know how much I get out of it." " Which do you like the best, truth or poetry? " " I can't tell. That depends upon my mood. I shouldn't like to do without either, would you? " " No, but if I were obliged to choose, I should choose " " Poetry ! " interrupted Dolly, eagerly. " No, not at all. I should choose truth, because I could always make a little poetry out of it if I wanted to." " I should, too," said Dolly ; but had he given a dif- ferent reply, it would have been all one to Dolly ; for the old, old spell was upon her the spell which melts in- dividuality like wax, and molds it into the form of an- other the spell which made her say from her heart when they parted that night : " I thank you so much for letting me walk with you. It was a pleasure that I shall never, never forget." And she never will not even when her dark hair whitens, and her cheeks and lips have lost their brilliant bloom, and other memories have faded away in the mists of the silent years. CHAPTER XII WHILE love was flushing the world with its warm roseate tints for some of his friends, poor Max was clouded in the Cimmerian darkness of disgust and hatred. His Dawn had no sunlight, but in accordance with his principles, the sunlight was not necessary. He meant to protest vigorously against all that the world holds dear; he meant to shock, kick, bite his way into public notice. He had the profoundest contempt for the superficial cult- ure of his age. He knew how easily the public can be hypnotized into accepting anything, accompanied by a n8 THE TRELOARS sufficient amount of flashy rhetoric, prolonged until it reverberates from all sides ; but when a newly discovered illustrator brought him the first draught of the cover design for the Dawn, he recoiled in horror. " What the devil do you call that ? Do you take me for a fool ? " he blurted out. " No, sir," replied the artist with aplomb, " I take you for one of the most intelligent men I ever met. That is why I have the confidence and the boldness to bring to you probably the first unique specimen exhibited in Amer- ica, of a new and rational form of art, destined to take the place of the old illusions of the senses which disgrace the art galleries of the world." " Now, don't begin any of that palaver ! " interrupted Max. The artist, not in the least abashed, smiled in a half- patronizing way, as he said: " Mr. Gietmann, I only ask of you, now, what you are about to ask of the reading public, in the first issue of your illuminating Dawn, and that is the right to a hearing. Am I wrong in presuming that the right is mine ? " Max felt himself caught in his own trap, and as there was no other way out than to submit he threw himself back in his chair, and said curtly : " Go on ! What do you call the damn mess ? " The artist smiled sweetly and continued volubly: " Excuse me, sir, not a ' damn mess,' but the dynamic decomposition of a modern poet." " The hell you do ! " roared Max, looking like an angry bull. This time, the artist laughed aloud. " You will pardon my mirth, sir," he said, " but your delicious emphasis confirms me in the belief that I have really produced a masterpiece, something extraordinary, something that cannot be received with indifference, but must shout its existence from the house-tops, and be read by him who runs. That is exactly what I wished to do. THE TRELOARS 119 It is the fate of every new movement in literature, music, art, science, and religion to be received with scorn and ridicule and hatred whose bitterness is precisely in pro- portion to the vitality which it has. If the new move- ment has not the vigorous vitality of genuine novelty, if it cannot create opposition, before it creates disciples, it is a feeble and unnecessary innovation, destined to perish at its birth. I have carefully read every word of your admirable introduction to the Dawn. Every sentiment in it finds an echo in my heart and in my judgment. Now, sir, the great artists on canvas, who represent this new movement, have none of the vestiges of atavism you decry. If the new poet still feels himself jagged a little at the corners of his mouth by the thrashed straw of the past, the artist has spit it all out. He has opened his mouth figuratively speaking, to its full extent and " " Slobbered all over his canvas ! " sarcastically re- marked Max, who was listening to the man with curious amazement at his audacity. He had encountered a good deal of bluffing in his time, but he never had seen any- thing quite like this. It began to interest him. The artist, still unabashed, smiled, bowed politely, and said: " I really must congratulate you on your felicitous phrase. I should have been grievously disappointed had you received my work of art with appreciation and ap- plause. It would have demonstrated infallibly that I was speaking to the atavistic desire for definite form and outline, the childish desire that the representation of a thing should bear some resemblance to the thing rep- resented. Common sense, sir, has been the enemy of progress ever since man emerged from the darkness of the cave. But we have progressed in spite of its bale- ful influence; in spite of it, we have founded a religion denying its existence, and now, we have founded an art, denying and defying its existence. We, too, affirm that spirit is everything, and matter but one of its CQuntless 120 THE TRELOARS illusions. Therefore, taking up art, not in the vulgar spirit of common sense which would make it merely an artificial record of the sensuous delight which men nat- urally take in the so-called beauty of the visible world but taking it up in a new intellectual and spiritual con- ception of it, as a record of man's highest scientific de- ductions, we have produced something which brings the theories of science within the scope of vision. We have painted the abstract, we have carved motion, we have made the dynamic perceptible in the static. No longer confined to the limited realm of the beautiful and the good, as the past has conceived it, we have thrown wide open the doors of the intellect and we have said : ' Enter ye poor in spirit and ye who slobber and whine ! Enter, ye whose souls have wandered in darkness, hugging your sins in secret lest they bring shame to you in the day- light ; learn of us the new gospel of good tidings ! There is no shame, there is no evil, there is no good ! ' ' Here Max coughed and moved uneasily in his chair. The voluble audacity of the man was so admirable in its way that he had been listening with amazement, but at this point, the ideas which he himself had been pro- mulgating took on such a ludicrous coloring from the lips of the mountebank, that he began to feel very uncom- fortable. The artist, unconscious of any inner protest in his listener went on rapidly, as if he were reciting something he had learned by heart. " As for myself, my forte is dynamism. I am trying to put the philosophy of Bergson on canvas. I wish to express to the feeble sense of vision the intellectual re- volt from the static illusion. I am painting the percep- tions of the sixth sense. To the unsensed eye, (excuse this word I mean the eye that has not attained to the perception of the sixth sense), my work may seem a hope- less confusion ; but to the eye aided by the intellectual vision of the sixth sense, it is a marvelous expression of the Bergsonian philosophy. Here, sir, you have the dy- namic decomposition of a modern poet." THE TRELOARS 121 At this, the artist produced his picture, and after look- ing at it himself, with a puzzled expression, he said : " No, excuse me. I sometimes get the labels mixed. This is not the dynamic decomposition of a modern poet. I have brought you instead the dynamic rhythm of a woman's figure." " God, what a picture ! " said Max. " Isn't it magnificent ? " said the artist. " There's a great deal more in labeling a picture than is ordinarily imagined. I think this is stunning. We have had the nude ad nauseam. Don't misunderstand me. It is not a question of immorality. Every advanced thinker, now- adays, knows that there is no such thing as immorality or morality there's nothing but convenience and inconveni- ence. But it is the monotony of the thing we object to. Think of the miles of Venuses there are in the world. We do the nude, too, but we don't do it so that you can recog- nize it. Have you seen that colossal thing, The Nude de- scending the Stairway? It is so magnificently done that you can't tell the stairway from the nude, wonderfully subtle effects ! I tell you the soul needs the shock of the unknown, the horrible, even the colossal and unfathom- able depths of the absurd to resuscitate its subtle vibra- tions in this cluttered age of ours. But this is not the particular form of dynamism that I had designed for the Dawn. We can reserve this for a later number." He put the design back in his portfolio and drew forth another hopeless confusion of daubs, lines and scrawls, in one corner of which could be seen the semblance of a leering human eye. " Here is the picture I want. I am not mistaken this time. These marvelous interpretations of dynamism are so subtly, almost inextricably interwoven, that to the un- trained eye, the same name seems as applicable to one as to another; and to be perfectly frank, they are to a cer- tain extent interchangeable. The old style of art which frankly, flatly, boldly, and without mystery represents something to the eye which the eye can recognize as 122 THE TRELOARS familiar, is going to be entirely superseded by the art of reason, the art of the unseen. It illustrates the mind's natural progress from the concrete to the abstract, and it is the glory of our age to " " O, well, that'll do ! " said Max sharply. " You can't talk me into believing that the invisible is visible and in- visible at the same time, and that the dynamic is static and dynamic at the same time, because I happen to know the meaning of the words. I also know that damn fool- ishness is damn foolishness, whether you call it dynamic or not; but your impudence and impotence are so in- credibly colossal that I should like to experiment with it a little, just to see how far the public can be bluffed into taking it seriously. But first of all, I want to ask you on your honor, if you happen to feel it convenient to have such a thing, do you really believe all that damn rot you've been talking? " The artist burst into a roar of laughter then suddenly straightening his face and wiping his moist eyes with the back of his hand, he said : " Mr. Gietmann, when you have rung a bell at a door, or gently rapped at it, and you can't get in, and your three square meals a day depend on your getting in, you throw stones at the door, or break it down with a ham- mer." Here he shut one eye tight, and screwed up one corner of his mouth. " Now to be absolutely frank with you, I have tried to get public notice in a legitimate way : that is, I have painted things as I thought they ought to be painted to be recognizable; and nobody ever paid any attention to me. I had to dine off the steam that hung around the entrance to basement restaurants. I bummed around in Venice, Munich, Paris and I saw fellows doing the most atrocious things that would set the teeth of a goose on edge, if it had any, or make a monkey go and drown him- self because he looked so much like a man; and they got their names in the paper, and their hands in other THE TRELOARS 123 people's pockets, and something solid on their plates for dinner ; so I said to myself, bluff's the game, old boy. Throw your modesty to the sheep and the winds, learn some sort of what you, more expressively than elegantly, call damn-foolishness. But to come to the point ! " " Yes, let's come to the point," said Max impatiently. " Well, the point is this, that for the general public the word to conjure with is progress, and ' old fogy,' is a word they hate like the devil. With that word you can make 'em all turn and squirm and go in any direction you like. And then the public is so damnably helpless when it comes to a question of art and literature ; it does not know what to say." Max looked silently at the man for a while, a peculiar sarcastic smile playing about his lips. At last he said: " Well, I have no more reason than you to love the world, and I am no more afraid of its hard shell. You have been frank with me, and so I'll be frank with you. I am inquisitive. I should like to see to what degree of pure idiocy a man may descend with the public, and get credit for genius and originality." " To an unfathomable degree, I assure you," was the quick response, " if you only keep your face straight all the way down. Laugh out of the corner of your eye, give yourself away as I have done with you, and it's all up with you; but a grave face and a loose tongue will carry you anywhere. Shout through a megaphone, and shout anything, it doesn't matter what, and they'll take the noise for thought." " Do you think you could accompany this ? " Max hesitated, for the life of him he could not resist a con- temptuous toss of his head and jerk of his thumb in the direction of the smeared paper, and when he caught sight of it again, he finished his question with the words, " damn mess with an explanatory article in the style of your address to me ? " " Could I ? " replied the man joyfully ! " Why that's my long suit. I should think I could. It's not a new lingo, you know. I've tried it out before. It goes." 124 THE TRELOARS "Very well, bring in your essay to-morrow. Call it futuristic art, or the art of the future, or anything that will suggest a revolt from the present ; and we'll dish it up to the public. What time is it getting to be? Six o'clock ! That's my dinner hour. Is it yours ? " *' My dinner hour is when I have a quarter to spare, or an invitation to dine." " There's a quarter ! " said Max, handing him a piece of silver. CHAPTER XIII " O dear ! dear ! What in the world ever made me promise to meet that boy at eleven o'clock ! " Nita Normand groaned, as she put her hand under her pillow to take out her watch and look at it. It was half- past nine. Such a ridiculously early hour to get up ! A heavy languor weighed upon her. She felt as if she could sleep uninterruptedly, the whole day through. " I won't go ! W r hy should I put myself out for him? " But no sooner had she asked herself that question, than there flashed over her the recollection of the masterly eulogy which " the boy " had written about her, full of delicate appreciation, such as she had never before re- ceived. It had spoken not only to her vanity, but to her ambition. It had been an unanswerable argument to her critical manager whom her wilfulness had often dis- pleased. She had really been very grateful for it, and she had not hesitated a moment when the young journalist had asked her, yesterday, as an especial favor to lunch with him, to-day. She had even added with enthusiasm : " On one condition, that is, that we have an early lunch at half -past eleven, and then go out to the park on the street car. I haven't had my lungs filled with good fresh air for a long time. I want the sun to shine on me." How warmly his face had flushed with pleasure at the homely wish; and they were to meet at Union Square, THE TRELOARS 125 because, knowing that that would be more convenient for him, she had been considerate enough to insist upon it. How well she knew what to say to please him ! He was so ingenuous, so transparent, so young with the youth that never grows old the youth of idealism ! She felt herself centuries old in comparison with him. To her, he was a child astray in a hostile world in which sooner or later he would perish. She would save him as long as she could she would save him, too, from herself, for she knew very well the power which she had over him. " Yes, I will save him, for he is Max's friend." She found herself uttering the words aloud; and, as there is a breath of exhilaration in every generous thought, she sat upright with sudden energy, and slipped out of bed to make sure of herself, for her impulses were apt to be transitory and effectless. She went into her bath-room, turned on the water, and while it was running, seized a hand-mirror and looked at herself. Her hair was in curl-papers, her face had an oily look from the liberal cream bath she had given it to remove the paint and powder of the night before, and there were some tiny creases on her left cheek near the eye. A wrinkle is a tragedy to a woman whose power is beauty. Nita opened a bureau drawer, took out a soft rag and carefully wiped her face. Then she began gently massaging her cheek, until all traces of the lines had left it. She was wide awake now. She was fighting the most remorseless enemy of a lovely woman time. Yet, she was not old, only thirty-two, in the very prime and heyday of a woman's power ; but she had lived much in thirty-two years, if life is to be counted by heart-throbs and not by the passing of time. Restless, ambitious, daring she had always been that, quick-willed, too, full of artful co- quetry, dreading nothing in the world so much as to be bored, feeling a sensuous delight in beautiful things in the touch of velvet, the glow of rich colors, the grace of sinuous lines inclined to sentimentality, too, viewing 126 THE TRELOARS life through the medium of an intensely self-centered personality, weaving a golden haze about herself at- tributing to herself all the virtues and all the heroisms, had destiny placed her, where she could have exercised them. Then a great blow had shattered her illusions. She had given herself and her love as freely as water to a parvenu, handsome, bold, coarse, using his newly acquired riches to gratify his caprices, incapable of fidel- ity because he had passed his life in exploiting the weak- nesses of others. In the early days of their union, she had felt a keen delight in subjecting her self-will to his tyranny, feeling sure that she could assert it at any time. That was her mistake. He had abandoned her as sud- denly as he had taken her up. Any woman might have been to him what she had been, and the degradation of that thought, and the revulsion of feeling that followed it were horrible. It took years for the throb and the sting of that humiliation to deaden. But when the pain was benumbed, she was another woman. She had de- veloped a personality, fluent, sympathetic, yet at the same time braced by an unalterable resolve never again to wreck her happiness through the weakness of her heart. She made herself a consummate actress, but she had not yet won the recognition which she craved. She had no striking eccentricities; her interpretations were too subtly true to speak to the galleries which demand dash and brilliancy. Then, too, she had been unfortunate in her managers. Associated with men who were following and not directing public taste, she had been obliged to submit to irritating criticism from men who were her superiors in position and her inferiors in good taste and intuitive insight. But she had never lost faith in her- self. Somewhere, some day, some one would discover her. This was the one faith that had survived the ship- wreck of many faiths, and lo! to-day the prophetic insight had proved to be true. To be sure, she was disappointed that her discoverer was a novice himself and could not yet speak with an authoritative voice. But at THE TRELOARS 127 any rate, a breach, even though a small one, had been made in the blank wall of apathy which hemmed her in, and that was something decidedly worth while. " Yes, it was decidedly worth while ! " she said aloud to herself, erect before the mirror, refreshed by her bath, and applying the last faint touch of rouge to her cheeks. Then she scrutinized herself critically. " The boy " had never seen her in daylight. She did not wish to shock him with any suggestion of artificiality. She meant to put off the actress to-day and put on the woman; she smiled at the thought, half wondering, if that, too, were not a role like the other, and just as difficult to play in the presence of the unconscious freshness of youth. She had the virtue of a well-dressed woman; pleased with herself, she was in the fittest frame of mind to give pleas- ure to others. Of course, Dick was waiting for her in Union Square. She saw him at once standing near a group of palms, but she pretended not to see him, in order to find out whether he would recognize her. How could she doubt it! He hastened towards her, his hat in his hand, his whole face seeming nothing but one broad smile! She put out her hand, and he came near crushing it in the clasp of his own. " Have you been waiting long ? " " Only half an hour." " But I am very nearly on time. Look, it is only a quarter of twelve." She drew her open-faced watch from her purse, and held it towards him. He looked at it ; he did not tell her that he knew exactly what time it was, for he had been looking at his own watch every five minutes, and that the half-hour had seemed interminable. " Are you hungry ? " she continued, and not giving him time to reply went on : " because, if you aren't, suppose we lunch out at the Cliff House, or in some little tavern along the shore, where we can look out on the sea. Wouldn't you like it?" 128 THE TRELOARS Dick assured her that nothing would delight him more than that, and added : " I'll get an automobile." " O, no, please don't," she cried, putting her hand on his arm to detain him, as he started towards the street. " You remember the bargain was a street car. I was in a very serious automobile accident, a few weeks ago, and my nerves haven't yet recovered from the shock. I am afraid I shall never again feel safe in an auto." "What a pity!" " Isn't it ? I have a friend who once made herself sick eating too much honey, and the very sight of it now affects her with nausea. I used to think she had a very stupid stomach to keep up a grudge like that ; but I under- stand it, now. Do you know where to take a car ? " He did know, and in a very few moments they were sitting side by side on the front seat of an open electric car, drinking in the fresh cool air and finding it delicious. It was one of those rare sunny mornings in the San Francisco summer time, when the gray fog does not hang sullenly over its hills, nor the sharp wind blow keenly from the ocean. With the susceptibility that made her so good an actress, Nita gave herself up fully to the charm of the morning, and to the youthful enthusi- asm of her companion. Once, she put out her hand in a little gesture of expansion, and he, so fully conscious of her every look, and every motion, put out his hand to clasp it, as if she had stretched it out to him, and then quickly withdrew his own hand, as he saw that no such intention had entered her mind. " I am not going to talk," she said, " one can't talk when it is necessary to shout to be heard. That is one disadvantage of the street car." However, they were not wholly silent during the long ride. They spoke of their pleasure in the beauty of the morning. They pointed out to each other from the sum- mit of hills, lovely glimpses of sea and mountains on the farther shore. They agreed that San Francisco was the most cosmopolitan city in the world in that offhand way THE TRELOARS 129 in which we all generalize on insufficient data ; and under- neath their surface chat, vibrated rhythmic melody of joy in each other, a consciousness of harmony that made their silence more eloquent than speech. " It was so good of you to give me this immense pleas- ure," said Dick, as he helped Nita off the car, at the end of their journey. " Not at all," answered Nita, " I am sorry to tell you that I am very selfish ; and, if there had not been a pros- pect of pleasure in it for me, I shouldn't have come. I should have invented a headache, or a previous engage- ment that had slipped my mind. Like all women, I am very fertile in excuses of that kind." Dick protested that he did not believe it, and that he would let no one abuse her, not even herself. " But I am not abusing myself. On the contrary, I am showing you how clever a diplomat I am. Isn't diplomacy the art of doing as you please, and making your adversary believe that you are doing as he pleases, or that if you aren't, that you regret it immensely ? " Dick laughed. " Yes, I guess that's the essence of diplomacy." " Of course it is. And so, if I were a man, I should very much distrust the woman who made me believe in her excuses ; but I should never betray my distrust to her, lest she should resort to another ruse. Ah! that sea air is de- licious, isn't it ? " She stopped suddenly, facing the ocean. The surf was rolling in and breaking its foam on the shore. The far sea was dancing and sparkling in the sunlight. The salt air was tonic and life-giving. " Delicious ! " she repeated, taking a long deep breath, her eyes glistening, a sweet smile playing about her sensitive mouth. " That is my idea of life, restless, boundless, unfathomable, infinitely free, incorruptible. You may pour all the filth of your city sewers into it, you cannot make it impure. It washes itself clean of it. Do you remember Nietzsche's aphorism in Zarathustra? It 130 THE TRELOARS is the finest of them all. ' Man is indeed a dirty stream. One must be the ocean to be able to take into one's self a dirty stream without becoming impure.' I have got more strength and encouragement out of that one sen- tence, than from all the books of the Old and New Testaments put together. Now, how much do I shock you?" She turned her bright face to him with a pretty gesture of humility, her voice in the question taking on a gracious intonation that was irresistible to him. " Nothing you could say or do, would shock me," he answered quickly. " I am not exactly " he hesitated a moment for the right word, and then added, " an in- flexible Puritan. I belong to the twentieth century. I think that we have loosened many a strangling knot and bond; but I am going to be perfectly frank with you. May I?" "May you? If you aren't frank with me, we shall never be friends. We may as well say good-by now, and go back home. By the way, don't you like the look of that little inn down the shore, yonder ? " " Yes, it's fine ! Do you begin to feel hungry ? " " I really do. We shall have a table facing the sea. Now go on, please, with what you were going to say. Talk exactly as if you were talking out loud to yourself. Let's see how far we agree on essentials." " Very well, then ; you thought that you might shock me by what you just said, but it has a very familiar sound. Max and I are fond of discussing all sorts of questions, and he has a way of intoxicating himself with these swashing expressions infinite, boundless, un- fathomable, etc., and I sometimes wonder if he really knows the actual significance of them. Now, you will excuse me if I remind you that we are walking along on the bounds of what you have just called the boundless sea " " O dear me ! " interrupted Nita, punctuating her ex- clamation with a deep drawn sigh : " Are you one of those THE TRELOARS 131 dreadful people who live by rule and talk by rule? Would you be afraid to say thousands of birds in a great flock unless you had counted them to a bird to make sure of your statement ! How awful! " 11 There ! you see I am shocking you," said Dick, quite abashed, blushing like a schoolboy, caught in an absurd blunder. " No, you are not shocking me, but you are surprising me awfully, at not knowing the difference between prose and poetry. Prose has her collar buttoned up chokingly tight, and poetry wears no collar at all; prose screws up her hair in a tight knot at the back of her head ; poetry has never heard of a hair pin, and her disordered locks fly loose about her shoulders; prose wears uncomfort- ably tight, high-heeled shoes, and poetry goes in her bare feet ; and you, a lover of the beautiful, pay your court to prose." She turned radiantly upon him, her bright beautiful face so alive with sense and good feeling that he felt like a child in her presence. " I've forgotten," she went on, " what old German hu- morist said this, but I think it's awfully good : ' Meta- physicians are like the mice that reason about the archi- tect of the castle in whose holes they dwell.' I believe with him in the absolute futility of such reasoning. I don't stretch my hands to the sky, and feel that I have touched it, because I have stretched my full length. However, I have a philosophy of my own: ' O, come with old Khayyam, and leave the Wise To talk ; one thing is certain that Life flies ; One thing is certain, and the Rest is Lies ; The Flower that once has blown forever dies. 'Ah, fill the cup: What boots it to repeat How Time is slipping underneath our Feet; Unborn To-morrow and dead Yesterday, Why fret about them, if To-day is sweet ! ' * " How you traduce yourself ! " burst out Dick pas- 132 THE TRELOARS sionately. " You have never lived in that shallow phil- osophy. No one ever lived it who has done anything in the world for which the world is grateful that he lived. The past is not dead. It is alive as we are; and, of all whom I have ever known, you have the most wonderful gift of making it ever present. As I saw you last night re-creating Ophelia as fresh and living as when she sprang from Shakespeare's brain, I thought what a mag- nificent privilege is yours ; and what a constant challenge your creations are to that stupid, impotent jealousy of the past which rages like madness in so many little minds, to-day." They had reached the tavern, a long, low, one-story building made of weather-stained pine logs. The room into which they entered, ran the whole length of the building and was lighted by six large deep windows front- ing the ocean. A huge fireplace, formed of large irregu- lar pebbles picked up from the beach, and cemented together, occupied the center of the north side-wall. A low fire was burning in the grate. On the mantel, made of a granite slab, stood two shining brass candlesticks, and a number of polished iridescent abalone shells. Knotted masses of seaweeds and kelp trailed down from both sides of the mantel. The floor was made of polished gray and white pebbles cemented together, and arranged in a simple geometrical pattern. A score or more of round tables in the room were covered with white Japanese linen cloths with flying storks in bright blue silk, embroidered in the corners. On each table, stood a round glass bowl, filled with yellow and vermilion spotted nasturtiums, whose sweet, spicy odor was distinctly perceptible. " Ah ! this is what I like ! " said Nita with a quick glance around the room. Just then a burst of loud laughter was heard from a group at one of the tables. " But I don't like that," she continued hastily. " Let's get as far away from that crowd as possible. Yonder is a corner table." THE TRELOARS 133 They sat down at the table and Nita removed her gloves. A short, round-faced waiter with a snowy white apron tied about his waist, and a napkin flung over his arm, approached to take their order. " It's a real shore dinner," said Nita, looking over the menu, " and begins with clam soup ; and we may have lobster, crab, or fish. I shall take crab." " I, too," said Dick. " Just give your order, please, and let the waiter double it." Nita gave the order, adding a caution that the celery should be crisp and cool ; and when their dinner was set before them, they both ate with a hearty appetite, and lingered over their dessert an unnecessarily long time. Dick had been telling her that he was very anxious to have his family and some intimate friends see her play in Oakland the next Tuesday night, and if possible meet her at the close of the performance. He hoped they might see her in something really fine. He had especially liked her Ophelia. Would Hamlet be repeated in Oak- land? " No, we were not successful with Hamlet after the first night. The truth is that Shakespeare does not be- long to the modern stage. All efforts to revive him owe their success to costly and spectacular setting. If it could have been advertised that Ophelia would wear a gown costing six or seven thousand dollars, or that the queen was to wear real jewels worth a fortune, we could have packed the house, as a fashion show. Of course, we couldn't do that." " Isn't that ridiculous," said Dick, throwing himself back in his chair with an expression of disgust. " As if the seventeenth century could think and feel, and we could only stare ! " " That's all ! " answered Nita, keenly enjoying Dick's protest, " but after all, don't you really think that Shakes- peare is very much greater and very much more satis- factory in one's solitary reading of him than on the stage? He gives you meat that needs chewing, not pap 134 THE TRELOARS that can be swallowed at once. So I don't feel hope- less about the stage, because Shakespeare is not really popular. He is safe among the immortals. There al- ways will be a few people big enough to read and enjoy him, in spite of Tolstoi's deep mouthed barking against him, and the sharp little yelping of Bernard Shaw. But what does discourage me is the growing demand for an appeal to the eyes. We shall all be swallowed up in mov- ing pictures soon." Dick's eyes glistened. He had not forgotten their argument by the sea-shore ; he had not forgotten her as- sumed indifference to the dead yesterdays, so, clasping his hands, and leaning over the table towards her, he looked steadily into her eyes and said : " What difference does that make to you if there is no to-morrow and no yesterday, and all there is, is just you and I and the empty crab shells ? " And she, leaning over, too, her dark eyes sparkling, answered gaily : "Do allow me the privilege of being inconsistent. To be consistent is the peculiar property of a straight line. To be a human being is to be inconsistent and sinuous it's Hogarth's line of beauty and grace. And I am alive, aren't you glad?" She asked that question with that delicious irresistible inflection which was one of her .greatest charms, and Dick's heart leaped in response to it. Hardly knowing what he was doing, his hand reached out for her small hand on the table and pressed it fervently, forgetting where he was, forgetting everything, except that she was there before him, the only woman in the world to him just now. " Glad? " he repeated, " not only glad, but so grateful, and so made over, that it seems to me that I have only begun to live, since I knew you." She drew her hand gently away whispering cautiously : " I am afraid the waiter is looking." Dick started, blushed vividly, and said : " I don't care. I am sure he's used to that." THE TRELOARS 135 He had revealed his great secret, and she had not re- pulsed him. There was no disapproval in her lovely face. It is true that its serenity was untroubled, but he did not expect her to love him all at once, as he loved her. That was impossible. Who was he that he could hope for such a miracle as that? All he could hope was that he should not offend her by his brusqueness, his crudeness, his impetuous inexperienced youth. " You see," continued Nita, " dramatic art is the central interest of my life, as literature is of yours. I think we actors are really as Shakespeare says, ' the abstract, and brief chronicles of the time.' Now to decline from that high office to pander to a love of glare and the shows of things, and the puerile love of impossible adventures and hairbreadth escapes seems to me like going back to in- fancy and creeping around on the floor after bright red balls. You will excuse my emphasis. You see I can be emphatic in my own line." " Thank God for that ! " exclaimed Dick fervently. " I don't think we can be too emphatic about the integrity of the arts, any more than on a question of the integrity of foods adulteration in either case is a violation of our right to have what is pure and wholesome." " Undoubtedly ; but you forget that old adage that what is one man's meat is another man's poison. That is especially true in the arts, and it doesn't seem possible to set up a fixed standard, there. On the other hand, it isn't right that every man should make his own standard or if 'he does he should keep it strictly for his own private use, unless he has the gift of judgment." Out in the open air again, they made their way to the park, continuing their conversation, until it drifted again to the question of the next week's play. " And so, as we didn't succeed with Shakespeare," Nita was saying, " we are going to try a more modern play, Sapho or Ibsen's Doll's House." "Why Sapho?" said Dick hastily, instinctively recoil- ing from seeing her in that role. " There is no action in it." 136 THE TRELOARS " No action? Isn't powerful emotion action? In fact, it is the only action that is an essential part of literature. Action is not adventure. Action is whatever brings into play the strength or weakness of a character. In that sense, Sapho is full of action. It is the struggle of a woman to right herself in the current of a powerful emo- tion. It's a question of keeping her head above water, a moment's weakness or lassitude and she goes down. It is intensely interesting to see how she recovers herself and abandons her ungrateful lover to accept devotion from another, and give gratitude in return." "You call that beautiful?" said Dick. "To me it is horrible." " I didn't say that it was beautiful. I said it was in- teresting, but I don't know why I should not have said beautiful, if by beautiful we mean the triumph of strength over weakness." " You mean the triumph of egotism over generosity the triumph of the good swimmer who lets his companion drown, while he makes for the shore." " If you like to call it that, yes. And I don't see why you should think your companion's life of more import- ance than your own. Why should you risk your life for his ? Take his importance for a model and kill power in yourself? Does not nature say no to that, when she means that the fittest shall survive ? " " I know that text in the new gospel of science ; but it is not true for human nature. How shall we judge who is fittest to survive? Love is the holiest relation be- tween human beings, and there are times when love de- mands a supreme sacrifice." " And always demands it of the woman, never of the man," said Nita, her face flushing, and her voice taking on a sharp note of sarcasm. " Always the primrose path of dalliance for him, and the steep and thorny way for her. Forgiveness for all his excesses, contempt and os- tracism for her, if she but once overstep her bounds ! Absurd ! no, not absurd, but infamous ! O your beautiful THE TRELOARS 137 theories of life that stand between you and real life, as it is ! You ought to be ashamed of them, as you are of any other ignorance. I have an immense respect for a woman who can take her life in her own hands, as a free man does, and mold it as she wills, defying conventions, living according to the dictates of her reason and her heart, keeping her faith in herself and her respect for herself in the teeth of a world that refuses them to her, unless she has genius. Of course, when she has that, she brings the world to her feet, as Aspasia did, as George Eliot did and George Sand did. And when she can't do that, she can wear her scarlet letter on her breast before the world as Hester Prynne did and make it her orna- ment and the symbol of the most exquisite courage that a woman has ever shown ; the scarlet flower in the snow- white purity of an otherwise blameless life." Nita was speaking in a rapid, animated way, her face flushed with an unusual glow, while Dick had turned al- ternately white and red. Never had she seemed so fas- cinating to him as at this moment when every word she said was a wound to him. " But the family, the home," he faltered : " You can build nothing permanent on the shifty foundations of free love. Somewhere a man must feel the solid rock under his feet, if his life is to have any value at all." " But the love between man and woman is no such rock; it is quicksand. Nothing in the world is so shift- ing, so uncertain, so entirely beyond the control of the will or of reason. Shall we sit down on this bench in the shade? Lovely here, isn't it? So quiet, so cool. No there is nothing permanent in love, and it is a good thing there is not. It is a moment of intense self- absorption, the egotism of two made one, for whom the rest of the world does not exist. But I am shocking you ! " and she looked curiously at Dick's excited face. " Worse than that. I feel as if I had been reading Ouida and Bernard Shaw. They both give me the same sort of " 138 THE TRELOARS " Nausea ! " she finished for him. They were both si- lent for a while, then she said softly, " I know it." All her aggressiveness gave way now. She was anx- ious not to spoil their beautiful day together by leaving so disagreeable an impression with him. She had said quite enough to give him a clue to her real feelings. There was no use in emphasizing them and making herself out coarser and harder than she really was ; so she resumed her talk in a calm, sweet, conciliatory way that was like a healing balm to the wounds she had made. " I am very sorry to have given you that sickish feel- ing ; but it is better to be quite frank with each other ; and I wish you to know that I think that the same fault which in a man is called a venial slip should not be ir- reparable in a woman; and that there is nothing sacred in a human law which deeper human insight and larger human knowledge may not set aside without sacrilege or sin. I see that you can't think of Sapho as I do, yet, and I don't mean to pain you unnecessarily by playing it. The manager prefers trying Ibsen, and I shall make no objection. Besides, I am not sure but the public needs a good course in Ibsen to give it something to think about. But it's getting late, and we must be going back home. Let's fall back to where we agree again. We both agree that it has been a perfect day, don't we ? " She rose from the bench as she said this and looked about her. " Yes," answered Dick, " it has been a perfect day, and let us agree that it isn't the last perfect one that we shall have together. Will you ? " She smiled indulgently at him, and said nothing. " I need you," he said impulsively, like the great boy he was. " I need to know that in this big cosmopolitan city, with its thousand interests foreign to my own, there is some one with whom I can talk freely about what means most to me." She told him how highly complimented she felt by this request, and how gladly she would listen to whatever THE TRELOARS 139 he wished to say, but that she was not always mistress of her time as she had been to-day, and that it might be weeks before she would be free again; however, the day had been so very delightful that she certainly wished to repeat it. They passed a photographer taking snap- shots and finishing photographs in ten minutes. " Shall we be taken together ? " asked Dick. " O, no," answered Nita, taking his arm and drawing him away, " you don't know how dreadfully silly we shall feel in looking at a picture like that after we have quarreled." "After we have quarreled? What nonsense! We shall never quarrel. At any rate, / shan't and it takes two to make a quarrel." " O, we shall quarrel some day!" " Never ! never ! To me that would be like quarreling with life." It was no exaggeration. He meant it literally. She was to him something as necessary and vivifying as the air he breathed. When they separated in the city, he felt as if he were saying good-by to much the greater part of himself, and as if all his past life had been but a prep- aration for knowing her. CHAPTER XIV "DON'T you really want to go with us, father? Dick will be so disappointed if you don't." Margaret Treloar looked up from her sewing. She was basting some lace in the sleeves of Catherine's even- ing gown, and her father was reading, tranquilly smok- ing a cigarette of his own making for the preparation of which, he always carried about with him a little leather pouch of good tobacco and a small case filled with leaves of white tissue paper. He put down his book, removed his cigarette from his mouth, and ex- haled a puff of smoke into the air. 140 THE TRELOARS "No, I don't, Margaret, but I suppose that when it comes to a question of disappointments, you'd rather dis- appoint me than Dick, wouldn't you ? " " Why, no, I wouldn't, father ; on the contrary ; but Dick is so enthusiastic about this actress, that if she is really as fine as he thinks she is, you're going to miss a treat by not seeing her." " But I have already got a treat in my hand here," and he held up his book. " Besides, I am very well aware of what a young man's enthusiasm about a pretty actress means. Do you remember young Pendennis and Miss Fotheringay ? " " How ridiculous, father ! Our Dick has more sense than to fall in love with an actress." Her father looked at her with an amused expression. He loved to tease her and the occasion to do so, effect- ively, offered itself rarely, for there were few subjects concerning which her serenity could be ruffled. Dick was one of them. " Our Dick is like every young man, and you must never trust the good sense of any man under sev- enty when a pretty woman is concerned." " According to that, you yourself wouldn't be quite safe with Miss Fotheringay." " O, as to that, I think it would take more than a Foth- eringay to throw me off my balance." " Well, I should hope so, father." Treloar took another puff at his cigarette and added: " I don't know, though. There is the great Goethe as proof that a man never can be quite sure of himself, even after seventy." " Yes. I never could understand how a man so su- perbly intellectual as Goethe, could forget himself for a chit of a girl." " That's because love isn't a question of the intellect at all. It is a question of the health and activity of the senses, and sometimes of a pathological condition of them." THE TRELOARS 141 " O father, what an ugly thing to say ! " " What has its ugliness to do with it, if it is the truth ? But that's the way with you women, you can't stand any truth that isn't pretty. You want all your truths wrapped up in tissue paper and smelling of attar of roses. You are proud of your defects and deficiencies, and think they are evidences of your superior delicacy and fineness. You call yourself a sensible woman. Don't you think it's about time you were learning to face disagreeable truths without putting a veil on ? " Treloar coughed slightly, and looked at Margaret with a kindly twinkle in his eyes that belied the tone of his flouting, and Margaret, reaching for her scissors to cut a thread, answered the look with a smile, as she re- plied : " I am no more afraid of disagreeable truths than you are, father, once I know that they are truths. By the way, I had to face a rather disagreeable one last night, when Catherine told me that she and young Raymond are engaged, and expect to marry after his graduation next summer." " Why should that be disagreeable to you ? " " Because Catherine will not have finished her univer- sity course, and I think she's rather young to take up the serious duties of a household." " She will be twenty, and you were a great deal younger than that, when a much heavier task fell to your shoulders." " Yes, but I think I had a broader back than Ca- therine's." " Well, Catherine's back will have a chance to develop. But she won't find many serious duties. She's modern. She'll do everything on the push the button plan. As for her university course, she's getting a fine case of mental indigestion with it. I think it will be better for her to stop. What's funny to me is that with all her pro- nounced admiration for originality, she should have chosen Raymond who is about as original as a hen's egg. What's he going to do ? " 142 THE TRELOARS " He has an appointment to a vacancy in some college of the Middle West, in the mathematical department." " Mathematics ? O, I see, now, what is original in him to Catherine: he's logical, and that is always original to a woman." " He isn't a bad sort of fellow, father, and then he's fond of Catherine and that is the main thing." " No, it isn't. The main thing is whether he has any lime in his backbone. He strikes me as being rather a soft young sapling. There's not much go in him, or he wouldn't want to be a school ma'am, if he had muscle enough to saw wood or break stones." " Didn't you say the other day that the trouble with popular education in America is that it is almost en- in the hands of women? " effeminate men you've forgotten that part of it. The enormous competition with women keeps a teacher's work and his salary on a low plane, so that no man with any capacity for business, or for independent exertion is willing to go into it. Is Raymond aiming at anything else ? " " No, I think not." " Wants a soft but very close little nest to curl up in for the rest of his life, eh ? Well, that's his business, not ours." " But it is somewhat ours, when he wishes Catherine to curl up with him." " No, that's her business." " But marriage is a family question and not merely the concern of two people in love." " You are very old-fashioned in your ideas, Margaret." " I don't know that I am. There are some things that fashion has nothing to do with. Motherhood, father- hood, family life with its filial and parental responsibili- ties, what have these to with fashion ? " " Everything, because they are based on unstable points of view, unless you admit a morality with a sane- THE TRELOARS 143 tion and obligation such as the Christian religion gives us." " But I admit that, as you very well know." " That's your idiosyncrasy. Science shows its fallacy. Dr. Parker can't admit it, if he is logical." " Then thank God that he is illogical. There never was a more devoted father, nor an honester man. I be- lieve you would really delight in seeing him beat Dolly just to prove that a materialistic creed necessarily ends in cruelty." Mr. Treloar chuckled. He was goading Margaret out of her serenity and enjoying himself very much. An ar- gument was his daily bread. " Margaret, you're pretty nearly a hopeless case. Ac- tion is everything with you, the motive behind it is noth- ing. Only some great calamity can save you as a rational being, some prodigious fact that will knock you off your pins, and force you to get on a firmer footing with regard to the profound realities of life. Dick is a good deal like you. Both of you face the world like two babes in the wood, for whom all the rest of the world is just as inno- cent. Some day, you'll both get a good jog, and then you'll recall a few things that your old Dad used to tell you." "Will our new wisdom be worth the jog, father?" " That depends on whether you prefer waking to sleep- ing. I do." "But you are not to prefer it to-night, father. If you won't go into Oakland with us, you are not to sit up till we come back, do you hear ? " " That will depend on whether I am sleepy or wakeful. Is Dick coming out for you ? " " No, we are going with the Parkers. Dick is to meet us at five minutes of eight in the lobby of the theater." But Dick had been standing in the lobby of the theater a quarter of an hour before the appointed time, trying 144 THE TRELOARS with all his might to subdue the inner tumult which, in spite of all his efforts, announced itself in his excited face and manner. One might have thought that he was on trial for his life, by his restless pacing up and down, his frequent sallies into the street and back again. In the last of them, he got sight of his little party, so anxiously expected, and he hastened to meet them. " So glad to see you all," he cried, shaking hands with each one of them. "But where's father?" " I couldn't persuade him to come," answered Mar- garet, leading the group into the theater with Dick. "Isn't he feeling well? but you wouldn't have left him if he weren't." " Yes, he is perfectly well, but he prefers his Bergson and his own meditations, to-night, to any other amuse- ment." " But I did so want him to come." " I told him you would be disappointed." "So I am awfully! Our box is the second to the right." " O, Dick, what did you get a box for ? We shall be so conspicuous." " You won't be conspicuous as soon as the play com- mences. Nobody will notice you. There! isn't this cosy ? " he asked, after seeing his little party comfortably seated. " Awfully kind of you, Doctor, to come," he went on. " I have an idea that when father decided to stay at home, he thought you'd keep him company, didn't he ? " " Yes, I think he did. He seemed a little piqued that I should prefer Miss Fotheringay to him." "Miss who?" " Only one of father's nicknames," said Margaret quickly, blushing vividly at the repetition of the name. " Isn't that the name of the leading actress ? " asked Dr. Parker, looking at his program. " No, it isn't. It is Nita Normand as Nora." At this moment the orchestra commenced playing, and THE TRELOARS 145 when the music ceased, the lights were turned off, and the curtain rolled up, revealing the brilliantly lighted stage- setting of a comfortable living-room. The ringing of a door bell was heard, then the voice of a woman cheerily humming a melodious air, and Nora entered enveloped in winter wraps, her arms laden with Christmas packages. The bright face under the small round hat was so ra- diant with good will that the audience burst into applause. Margaret turned to look at Dick. His face was as ra- diant as that on the stage, and he was involuntarily lean- ing forward as if he were hungrily drinking in every ges- ture, every glance of the beautiful woman before him. No, she was not a Miss Fotheringay; she would not be stupid off the stage any more than on it ; there was noth- ing dull or blundering in her rendition of the spoiled, petted, charming woman in revolt against conventions and illusions. Margaret followed the action of the play in a tension of feeling hardly less acute than that which absorbed Dick ; but it was a feeling, not like his, made of pure admiration and delight; it was a conflict of emo- tions that disturbed and excited her disagreeably. " Isn't she wonderful ? " asked Dick all aglow, as the curtain fell on the last act. " The actress ? " answered Margaret, rising, " yes, but as for Nora, I don't believe in her." " You don't ? Well, come and say that to the actress herself. I want you all to meet her, you know ; so don't put on your wraps yet, girls." " O, no, Dick," pleaded Margaret, looking very un- happy. " What would she care about meeting us ! It would only bore her. Then we have a long ride before us, and it is late." " And you have an auto, and can get over the ground in half an hour ; and it won't bore her at all, because she knows all about it, and is waiting now behind the scenes to meet you. Come, Margaret, please don't refuse me this. Wouldn't you like to see her, Dolly ? " and he turned his excited face to Dolly, searching an approval of his invitation. 146 THE TRELOARS It was the first time during the evening that he had taken any particular notice of her ; and Dolly could only say tremulously: " Why yes, if you would like us to." She would have made the same reply, if he had asked her to go to the stake. Indeed it was hardly a less pain- ful martyrdom to consent to meet this brilliant, beautiful woman. The whole evening had been an exquisite tor- ture to her. She had been seated where not a movement, not an expression of Dick's could escape her, and she read his heart by the beatings of her own, as if it had been an open book. She followed her father closely, as they all went to the back of the stage, where the actress was waiting for them. Dolly thought her even more beauti- ful than she had appeared in the play. Margaret recog- nized that, too, but it did not efface in her the first real antipathy which she had ever felt for anyone. This an- tipathy was the intuitive recognition that they stood for types of womanhood directly opposed to each other, in sentiment and feeling, and therefore, when Margaret tried to greet Nita, she felt all the agreeable conventionalities of social intercourse freezing on her lips. However, she managed to say: " You have made a very living and real interpretation of Nora." Dick, entirely unconscious of any hostile under-current of feeling between the two women, added delightedly : " My sister says that she believes in you, but she does not at all believe in Nora. " But that ought not to be. I should have made her be- lieve in Nora. That was my task. How was it that I made you skeptical, Miss Treloar ? I am sure you can tell me. You have no idea how few people can really state their criticisms definitely, but I am sure that you can." Poor Margaret challenged unawares, protested that she really had no criticism to make except that of inconsist- ency in Ibsen's delineation of the character. So charm- THE TRELOARS 147 ing and intelligent a woman could not at the same time be so utterly ignorant and shallow, and so utterly wanting in true maternal sentiment. So far as her experience went, it was a combination of opposite qualities which she found it difficult, if not impossible, to reconcile. Nita remarked that these inconsistencies were very common in human nature ; and that in fact, the impossi- bility of reducing a living character to a system, was what made a man or woman more interesting than an automaton. You were never so sure of any one that you could infallibly predict how he would act under certain conditions. Ibsen was unable to put The Doll's House in its original form on the stage in the northern part of Germany. He had to change the conclusion into a rec- onciliation instead of a separation. Nora's husband leads her to the door of the children's room and the curtain falls. Of course, that was a forced concession to family traditions, which he retracted wherever the idea of personal liberty is at all developed and recognized. " But personal liberty ends where duty begins," ex- claimed Margaret. " Not with Ibsen," replied Nita. " According to him, there is no duty that precedes that of personal liberty; and duty ceases where it infringes upon personal liberty." " A very comfortable code of ethics for shirkers," said Margaret with heightened color and an unwonted sharp- ness in her voice. Dick saw at once that Margaret and Nita were ap- proaching dangerous ground, and with a nervous laugh, he said to Nita: " You will find it a hopeless task to convince my sister that Nora is to be justified in running away from her babies; for she has had the peculiar experience of being mother and sister to myself and Catherine. She knows all the delight of tucking little children into their beds at night and giving them a bath in the morning. She would not have resigned her tasks for anything in the 148 THE TRELOARS world. Illusions might have burst about her, thick as shooting stars on an August night, and she would have stuck her task out, wouldn't you, Margaret ? " He put his hand affectionately upon her arm and looked at her so tenderly that her lip quivered and her eyes mois- tened. She was so intensely grateful to him, and for the moment so reassured of his devotion to her, that it was with difficulty, she refrained from throwing her arms about his neck and weeping on his shoulder. Nita, see- ing her emotion, felt touched and said gently : " I quite understand it, and really I must congratulate you, Miss Treloar, on the success of your training." Dick playfully bowed his thanks to Nita, and the con- versation becoming general, soon finished with the cus- tomary leave-taking. " Can't you come home with us ? " said Margaret, as Dick accompanied the little party to their automobile. " No, thank you, Margaret, dear, I really can't. I have an article to finish before I go to bed to-night, but I'll be out Sunday, sure. You and Dolly will be over, won't you, Doctor ? " " Certainly, unless the unexpected happens." " Did you really enjoy the evening, Dolly? " Dick asked, tucking the lap robe close about her; and Dolly's brave lips belied her heart, and gave him the answer he expected to hear, then she asked : "Where can I get Ibsen's plays? We haven't them, and I should like so much to read them, now." " I have most of them at home. They are on the top shelf of the little book-case in my room. Margaret, let Dolly have them, and I'll bring out the latest plays when I come home, Sunday. My ! but the fog is thick to-night, isn't it? You'll need all your lights on, Doctor. Well, good night to you all, I wish I was going out with you ! " Did he really wish it? He watched them drive away with a vague involuntary smile upon his face, and in a few minutes another thought had as utterly effaced them from his mind, as the fog effaced them from his sight. THE TRELOARS 149 CHAPTER XV PROUD and chaste women who feel deeply, have a won- derful power of concealing the wounds of the heart, and the more deeply they suffer, the more instinctively they recoil from any parade of it. Like Hamlet they are able to jest and flout with death in their hearts, and they would endure a thousand tortures rather than bare their grief to the public. Dolly, waking up after a fitful sleep in the early morn- ing, for she had lain awake all night, looked at herself in the mirror, expecting to see her eyes sunken, her cheeks pale, her dark hair threaded with white ; she felt so old ! so old ! But seeing nothing of the kind, only the same bright rosy face in the frame of luxuriant dark hair, took heart and resolved that nothing of the inner tragedy should ever appear in her behavior. She even attempted a little comedy by trying to sing, but the song died so pitifully away in choking tears that wished to have their way with her that she gave it up, thinking it useless to pretend to herself that life was just the same as it had been yester- day morning. She really had not cried yet, beyond this stubborn swelling in her throat, and she meant not to cry outwardly though her whole soul was dissolved in tears. She had a great deal of pride, our Dolly, and like all proud women, she felt humbled to the dust by this gift of her love unasked, unwanted. The morning was gray and dull, the heavy fog of the night before not having lifted, blurred the near landscape and quite obliterated the distant one. The roses at her window hung their heavy heads dripping with moisture. Dolly was grateful for this grayness and dullness. The sunshine would have seemed impertinent, unsympathetic, intruding upon her a world in which she no longer had any part. While she busied herself with dressing, she planned all sorts of ways to avoid seeing Dick any more, without 150 THE TRELOARS seeming to avoid him; not that he would notice it, she said bitterly to herself, remembering how little notice he had taken of her the night before. She would go over to the Treloars after breakfast and borrow Dick's copies of Ibsen's plays. She would force herself to be so deeply interested in them that she would beg to stay at home next Sunday to read them, instead of accompany- ing her father in his Sunday afternoon visit. At this point, that dreadful lump came up into her throat again, but she swallowed it bravely and winked her eyes, and said fiercely to herself : " If you cry, Dorothy Parker, I'll kill you ! " She was so indignant with herself that she couldn't even say Dolly. "Are you coming down to breakfast, Dolly?" shouted her father at the foot of the stairs. " In a minute, Daddy, darling ! " she answered in the brightest little voice that ever was. " It is such a lovely dark morning for sleeping; and I've been lazy, but don't wait for me, if you are hungry." She took a handkerchief from a box on her bureau and quickly wiped her eyes with it, then she pinched her cheeks to make them look redder than they were, and hurried downstairs, entering the dining-room with the light, quick step that was only another expression of her youth and health. " You've waited for me," she said, lifting her face to her father's for the morning kiss. " I'm glad you did ; if you hadn't, I should have thought you didn't love me, and then I should have been obliged to run away from you like Nora. Wasn't she charming, Daddy ? " " Charming ! Nonsense ! Paint and powder and pre- tense an inch thick ! She can't hold a candle either to you or Margaret." " Why, father ! " exclaimed Dolly, leaning back in her chair with a genuine expression of astonishment. " How can you be so unjust? That is not like you at all." " I am not unjust. I am only stating a preference." THE TRELOARS 151 " But questions of appearance aside, didn't you think her a very good actress ? " " O, yes, she's pretty fair. But, like Margaret, I didn't at all care for the play. Nora seems artificial to me, too. In this age of the daily paper, how can any intelligent woman be so ignorant of the law that she does not know that forgery is an offense against it? And especially when her husband is a banker ; and especially, too, when she is rather more than ordinarily intelligent. She has mastered a foreign language; she has translated a book, and, most wonderful of all, she can keep the fact a secret. Dolly, don't you think that's utterly impossible ? " There was a mocking twinkle in his eye which made Dolly fear that he was not going to talk seriously to her, so she frowned in disapproval at this time-worn allusion to feminine garrulity, and said hastily : " But you see she couldn't keep it, when it was a ques- tion of vanity. She told her secret to Christine. I thought that very natural, and as for keeping it from her husband, she had a purpose in that. She was holding it as a sort of reserve power." " Which only shows how little a so-called intelligent woman knows human nature. Of all human sentiments, perhaps gratitude is the frailest and most uncertain.' " I don't think so, father." " Which shows that you are no wiser than Nora." " Perhaps I am not; but I am just as eager to learn as she was. Nora just lived in a play-world of pretty illu- sions, and when they burst like bubbles ," here Dolly stopped. That queer, choking sensation came into her throat again. " She left home to hunt for a new set of them," added her father, unconscious of Dolly's emotion. " Ibsen ought to have given us a sequel to the play. The real Nora would have come back in three or four weeks like runaway boys who go off in a pet and come back very hungry and humble, having found out that the world has 152 THE TRELOARS no place for the weak, but exacts a full day's labor for its pay." " You think she would come back ? I think she would rather die than go "back." " Doesn't care a rap for the children, eh ? " " I had forgotten about the children." " Margaret thought of them, first." " Well, Margaret is used to thinking about everybody but herself. I am afraid I'm not. Father, I am going to read Ibsen. He stirs me up." " Well, Dolly, of all people in the world, I should say that you didn't need stirring up by anybody. Just look at your face in the glass, now. It is as red as a beet." " Is it ? Well, the room's too warm. Hannah has put as roaring a fire in the grate as if it were fall or winter, instead of summer time. Don't you feel too warm ? " " Not a bit. It is a raw foggy morning. The fire feels good to me." Dolly rose and walked towards the north window, which she opened, and stood before it, looking out into the misty morning with eyes that were growing misty, too. O, how hard it was to play a part ! Presently, she turned to her father, and said : " Just as soon as the fog clears up a bit I'm going over to the Treloars to get Ibsen's plays. Do you want to go with me ? " She hoped he would say no; she wanted to go alone, and it relieved her, when he said : " No, I can't go this morning, but if you'll wait till this afternoon, I'll go with you." " But I can't wait, Daddy, dear. What would I be do- ing all morning long, while you are writing your letters? I'll just run down and back. I won't stay." With that, she went to get her hat and cloak, and in a few minutes she was hurrying along the Tunnel Road, feeling the physical exercise some slight relief from the weight of the immense unhappiness which was her bur- den. How beautiful the valley had seemed to her only THE TRELOARS 153 yesterday. To-day, it shut her in like prison walls. She longed to leave it all behind her; to flee to other lands that had no painful memories for her; to be free from this obsession that was yet so great a part of herself that would she be herself without it? She had not before fully realized how much her thoughts and opinions had been colored by this illusion ; for Dolly was one to whom life is love, not as coarsely interpreted by so much of mod- ern fiction, a fierce mad hunger of the flesh that turns a human being into a vampire, but as the love that loses it- self in the multiplication of self. To live the center of a lovely, healthy, happy, little family, that to Dolly was the meaning of life for a woman; and so strong was this latent maternal love in her that she never saw a little child without feeling a warm glow of affection surge all over her. She spoke to every child in her walks abroad, and her father had long since ceased asking her if she knew the child, for he had learned that she knew all chil- dren, being akin to them. As she approached the home of the Treloars, Dolly slackened her pace, not wishing to show any signs of per- turbation before Margaret and her father. But the fire burned as brightly in her cheeks for all her slackened pace, and catching sight of Margaret in the garden, she ran down the slope from the road and was quite out of breath when she reached her. She burst out laughing as Margaret turned towards her, a pair of large shears in one hand, and a basket of roses in the other. " I haven't run all the way from home, Margaret, but I've hurried. You know that I haven't learned to wait when I want anything, and I want a little more Ibsen, if you please. What lovely roses ! No, don't give me any, Margaret. We have them at home, you know. By the way, father asked me what you thought about Ibsen for a girl's reading." " Did he ? I suppose I ought to be ashamed to say that I never read him. I've glanced over some of the plays, but the snatches of conversation I fell upon were so 154 THE TRELOARS trivial that I wasn't induced to go on. Perhaps the Eng- lish translations are poor. I see that the plays Dick has are in German. You read German, don't you, Dolly ? " " Yes, with a dictionary. That is, I don't have to look up so many words that it makes the reading tiresome." " Well, we'll go up to Dick's room and get the books." "Where is Mr. Treloar?" " He is in the library, still reading Bergson's Creative Evolution. Dick sent him the French original a few days ago. You must tell your father to expect an unusually heavy attack next Sunday." " Yes, I will." Margaret and Dolly went into the house, and having put her roses temporarily into a basin of water, Margaret took Dolly up to Dick's room. A small open book-case stood near his bed, and five book shelves were built into the northern portion of the western wall. A large bay window took up a great part of the remaining wall, and looked out through a gap in the hills, at the farther end of which gleamed the broad ocean. Dolly went at once to the window. " I always love this view. I wish we had a glimpse of the ocean from our house. We have glorious mountain views, but nothing like this. Does it make you want to be sailing away, away into new lands, when you look out on it? " " No, I am satisfied with letting my fancy sail out on it, while I stay right here." " Ah, I see ! " Dolly's voice had a touch of pathos in it. " That is because you are one of the persons who make a great difference in other people's lives, and you couldn't be spared from here. But I what difference do I make to anybody? I might sail away and never come back, and nobody would miss me." Margaret, standing beside her, looking out of the win- dow, put her arm about the young girl's waist, and drew her affectionately towards her, saying tenderly: " Why, Dolly dear, what are you thinking about ? I never heard you talk like that before. I am sure that THE TRELOARS 155 that there is nobody who would be more missed than you by all who know you. I was just thinking of you, when you came this morning." " Were you really, Margaret ? " Dolly looked up grate- fully, her mouth twitching a little. " Yes, I was. I was thinking how fresh and sweet and unspoiled you are, and " " O, no, Margaret. I am nothing of that ! nothing ! Nothing at all ! I am just a silly, green girl ; I want to be wiser, like Nora. Where is this Ibsen ? " She turned hastily to the book-case, running her eyes over the titles of the books, making hasty comments as she read. " Bo swell's Johnson. Dear old Dr. Johnson! How I should have liked making his twelve cups of tea for him. I have always envied Mrs. Thrale and Fanny Burney their knowing him " " Here's Ibsen, Dolly. Dick was wrong. It wasn't in the little book-case." Dolly took the volumes from Margaret's hand, thank- ing her, and glanced around the pretty room with its gray tinted walls, polished floor and rugs, its bright brass bedstead with its snowy counterpane and the plain oaken writing desk at which Dick worked, when he was at home. "Pretty room, isn't it?" said Margaret. "I wish Dick could do his work here, instead of in the city. I miss him so much." " Yes, you must." There was a little catch in Dolly's voice. " I must be going now, Margaret. I promised father I should be back to lunch." " What did you do that for, Dolly ? I am so sorry. We are going to have spaghetti a I'italienne, father's favorite dish. I think, however, that he would find any- thing good to which you tacked a I'italienne. You must say good morning to father, before you go. He would feel hurt, if you went away without seeing him, for he is really very fond of you, as we all are." 156 THE TRELOARS Descending the stairs and approaching the library, Margaret called out: " Father, here's Dolly." Mr. Treloar appeared in the hall, his spectacles shoved up over his forehead, a cheerful expression on his face. " Hello ! little girl ! " he said, stretching his hand out, cordially. "What are you going away for? Where's your father ? " " He couldn't come with me this morning ; he is busy writing letters, and I promised to go back to lunch with him." " Promises are sometimes better broken than kept. Did you get a whiff from the kitchen? If you didn't just try it and see if you can resist staying. Give your father a sample of the practical effects of his philosophy of self-interest." " My self-interest doesn't happen to be gastronomical, just now. See my books ? I want to get at them." Mr. Treloar took one of the volumes. " Ibsen. Yes, he was a stirrer of dry bones in his day, but his day is passing. By the way, I haven't heard anything about this famous actress, you all heard last night. Margaret is so cautiously non-committal that I can't get anything satisfactory out of her. Was she any good ? " " O, I think she was remarkably good. There isn't any question about that, is there, Margaret ? " Appealed to so directly, Margaret was obliged to de- clare herself. " Really, I have been so few times to the theater that I am not much of a judge; but I am like Mr. Partridge, and identified the actress with her part, so that must be a proof that she did it well. But I don't like the part. Nora is not my kind of woman." Treloar laughed. " No, Margaret's idea of a woman is like her idea of a good old hen: one that sits patiently on her eggs, till she hatches them out, then scratches up the best worms THE TRELOARS 157 for them, and gathers them under her wings at night." Margaret colored. She thought her father unkind to speak in this light way of a woman's devotion to her duties, but she contented herself with saying: " It would be a poor look-out for the chickens, if she took to gadding about the fields, looking after herself alone." On the road homeward, Dolly's mask of cheerfulness was entirely dropped ; a feeling of weariness and despair followed the tension in her mind. She recognized in Margaret's reticence, the fears which, after all, she had not entirely admitted to herself. Dick was utterly lost to her, that was clear; and how could she go on living this hideous pretense of life? " I am going away. I am going to do something. I shan't live here, any more," she said to herself. She opened one of her books, mechanically, at a page in the play, The Emperor and The Galilean, and her eyes fell on the following lines, heavily underscored with a blue pencil. "Is not happiness the aim of all the teachers of wis- dom? and what is happiness but being in harmony with one's self? Does the eagle demand golden feathers? Does the lion wish for silver claws? Or does the pome- granate long to have fruits of sparkling stones? I tell you that no man has the right to enjoy, before he is hard- ened enough to bear the lack of enjoyment. Nay, he dare not even touch joy with his finger tips, until he is in a condition to tread it under his feet." Dolly stopped short on the road, and it was as if a flash of light had suddenly pierced her darkness. Was intellectual vision higher than love, or was it only a purer form of love that could do without love for itself? Were the emotions to be subordinated to this bright intelligence? Did feeling lead up to seeing, that seeing might reign; and did perfect seeing mean a trans- figured resignation that was calmness and rapture in one? 158 THE TRELOARS CHAPTER XVI MEANWHILE, the young man whom Dolly's torturing imagination was picturing as oblivious to everybody else in the rapture of his new love, was at this very time perhaps more miserable than she. Dick had just had his first quarrel with Nita. He could hardly tell how it happened, or whether it had been his fault or her fault, or whether both had been to blame. He remembered nothing distinctly but her biting retort which had cut him to the heart. " What am I to you, or you to me, that you presume to dictate to me what I should or should not do? We have been good friends and may continue to be so, as long as you accept me just as I am without presuming to make me over according to your puritanic ideas. If you are not satisfied with that, let us say good-by for good." At this, she had held out her hand and he had refused to take it; she had quickly turned her back on him and walked away, out of his sight, out of his life, leaving it so hideously bare that it was unendurable. That had happened Saturday night in the corridor of the hotel where she lodged. He had accompanied her home from the theater, as was his custom of late, and he had been remonstrating with her about a proposed production of a sensational melodramatic success of the day turning on the so-called White Slavery question. According to his opinion, there was more that was insidiously provoca- tive in it, than purifying. He hated the play for its cheap rhetoric, its cheap sentimentality, and its no less cheap falsification of life, on the pretense of being true, and its open pandering to prurient curiosity in the name of an expose of social evil. He had counted so surely on her good taste, of which he had repeated proofs that he had taken no pains to modify his expressions, but had blurted out his disapproval in a way that had deeply THE TRELOARS 159 offended her. She saw nothing in his objections, but the crude harsh judgment of a narrow puritanism un- acquainted with life, and she had said to him : " You belong to the century of Cotton Mather. Your brain is filled with the shavings of other men's minds. You've never touched life itself. You've only seen it through the medium of books. Go and live, before you talk to me of life." " What did she mean by living ? " He walked rapidly down the street towards his lodging house, and reaching it, made his way up the dimly lighted, steep and narrow stairway, entirely conscious, for the first time of the bareness and ugliness of his surround- ings. A sickly, fetid odor of mixed foods filled the house, penetrating his room on the first landing. Enter- ing it, he threw open the two windows looking out on the back yard. The stars were shining. A brisk wind was blowing, and he could hear the rustle of the tattered leaves of a stunted banana plant, that grew beneath his window. All his senses, to-night, were preternaturally acute, and when he turned on the gas, and in its broad hissing flare saw revealed the ugliness of the room; its smoke-blackened ceiling ; the wall paper with its sprawling faded red roses, a sensation of physical nausea passed over him. How rich his emotional life had been to have made this hideousness endurable! Cressy had sent him here, to know life from his point of view that is, life in all its sordid under current at home, aping to the street, the smug appearance of prosperity. Well, he knew that life now, to his heart's content. Was it worth the knowing? And would she, the woman whom he had been idealizing, would she have called that life? A bitter despair seized him. He sat down by his table burying his hot head in his cold hands, and all the dreams of his youth passed in review before him. Why should she mock at him ? Was it because her own life could not match his own? He had said to her that the past was living, that the yester- days prolonged themselves into to-day and to-morrow; 160 THE TRELOARS that all life was a living chain with no broken, or perished links in it. He held his breath, he lifted his head. A shuddering hope dawned in his darkness. He could for- give her! The great tide of love in him could wash her free of all stain to him. The past could die! The past was dead. But the joy of this decision was short- lived. He recalled what Max had said to him the first night that he had met her, and a hideous suspicion darted into his mind. A past that was dead yes, he could forgive and forget that; but suppose that it still lived? Could he forget and forgive that, and preserve his honor? No, that was impossible. He must see Max to-morrow. He must probe this question to the bottom. He must find out just how much Max knew about this woman who had entered so deeply, so fatally into his heart of hearts. He must either make her his own, or cut himself wholly loose from her. He rose from the table, and paced up and down the room, like some caged wild creature that never ceases hoping to find some way of escape. The night wind blew sharply into the room; the gas jet fluttered fitfully. He looked at his watch. It was half-past three, but it was useless to go to bed. He could not sleep. His head was on fire, and the veins in his neck were throbbing so violently that the rush of blood in them gave him a strange sense of full- ness in his ears. His feet and hands were icy cold. That morning, he saw the sun rise, a round red ball in the soft purplish sky, mounting higher and higher till the bright light streamed full into his windows ; then, he left the house to get himself a cup of coffee. He had not seen Max for two or three weeks, and knowing that he must make allowance for a longer sleep on Sunday morning, he did not go to his room until eleven o'clock. He found Max writing at a table. " Hello, Dick ! " he said heartily. " By George ! that's queer. I was just commencing a note to you, see here," and he held out a sheet of paper on which was written : Dear Dick " I was just sending you an invitation to THE TRELOARS 161 be present at a banquet I am going to give next Wednes- day night, in honor of the breaking of the Dawn. You will be there, won't you? It will be a good chance for you to test the mental caliber of my Bohemians. Dick, you would be surprised if you knew how much real J ingenuity and mental acuteness go to waste for want / of a little common sense. We have had the beloved vag- abond in literature as a gentle idealist, voluntarily aban- doning the flesh-pots of Egypt, to smoke his pipe in peace, lying on his back in green fields, or on the banks of purling streams; but we haven't yet had the real vagabond soured on his luck, down at the heel, and out at the toe from too vigorous kicking against the pricks. He is an interesting phenomenon of modern civilization, and I am going to give him a voice, or rather a record of it, for his voice is a natural gift from heaven. I started out thinking I was about the only courageous revolutionist in the country, but it is swarming with them like grass-hoppers in a Kansas corn-field. I'll tell you what conclusion I've come to." Max hitched his chair closer to Dick's in a burst of confidence unusual to him. " Modern civilization is suffering from the suppression of youth. We are fathered and mothered, and Sunday- schooled and public-schooled and state-ridden and shirt- collared, until every individual and original color is washed out of us, and we are reduced to the state of a dirty rag. But there are some of us who have fast colors, and all the rubbing and scraping and washing, only bring the colors out the brighter, as a colored pebble put into the water comes out brighter for the dipping." " Well, you have nothing to complain of in that, have you? That's what discipline's for, isn't it? You want your colors brought out and made the brighter." " Yes, I know, but we are the exceptions, we fellows with the fast colors, and it is the other fellow we are thinking of the immense waste in color the pitiful spirit of submission instilled into them. We want to destroy the prestige of law and order, and so restore the 162 THE TRELOARS youth of the world. We want to make the words good, bad, decent, and indecent, sacred and holy, obsolete." " There's nothing new in that, Max ; it came in with Cain, and v/as very popular in Sodom and Gomorrah. As for the suppression of youth, I think we are suffering from an eruption of youth, more than anything else. Get Ferrero's Between the Two Worlds. There are jolly good things in it. He speaks somewhere about everybody's wanting to think with his own head, nowadays, even . when he hasn't any. By the way, are you going to have any women at your banquet ? Have you thought of asking Nita Normand ? " " No, I hadn't thought of that. I wonder if she would care to come. She is the only woman I know who would feel at home among us." Dick moved uneasily in his chair, and felt himself getting very red. The fateful question was burning on his lips, and yet he did not know how to utter it, so he asked: " What do you mean by that ? " "By what?" " By saying that she would be at home among you Bohemians ? " " I mean just what I said. I can't say it any plainer. I mean that she would be hospitable and receptive to any- thing original, no matter how bizarre it might seem. She would not be afraid of losing her way, if she got into a new path." " Have you seen her lately ? " " No, I haven't seen her for a long time. Say, Dick, what are you driving at ? You want me to tell you all I know about her, don't you ? " He asked the question rather compassionately, for he saw through Dick, as if he had been a transparent veil; and Dick knowing that he did, said with impulsive gratitude : " Yes, I do." And so Max told the whole story, and when he had finished it, Dick looked pale and said: THE TRELOARS 163 "This husband who had deserted her? " " To be frank with you, Dick, that word is a euphemism. They weren't married. Dick ! " He looked at Dick with a sharp glance, and was silent a moment. " Do you remember the caution I gave you, the first night you met her ? It holds good to-day. Don't you tie yourself up to any woman, least of all to Nita Normand. She's too smart for you." " What are you always talking like that for? I've no intention of getting married." " Look here, Dick. What's the use in lying to me ? I know you like a book. You are too maidenly ingenu- ous to be a success at subterfuge. You have got marry- ing written all over you in capital letters, from head to foot. I don't know that anything will do you any good. You might take a course in Burton's Anatomy of Melan- choly. It's the finest mental tonic I know of, in such a case. I've tried it. Do you do the same thing, and God be with you! You'll come to my banquet, of course? " " Yes, I'll be there," said Dick, mopping his flushed face with his handkerchief. " On second thought, I won't ask Nita, so you needn't expect to find her there. She'd be the only woman; would cut too brilliant a figure, and introduce an artificial tone into the crowd; for no man is exactly the same in the presence of a beautiful woman that he is when he is with men, and I want my guests to be entirely themselves. Well, besides lally-gagging, what have you been doing with yourself, since I saw you?" Dick felt horribly uncomfortable ; he hated the way in which Max was talking to him; but all wit, sense, and presence of mind had deserted him. He was passing through the terrible isolation of an unhappy passion, and nothing existed for him that did not concern it. Max might as well have talked to the wind as to Dick, for all the influence he had upon him. The only thing that Dick 164 THE TRELOARS had really cared for, was the removal of the hideous suspicion of a liaison between Max and Nita. He knew, now, that nothing of the kind existed; but he was hardly less unhappy to know of the stain upon her life. There- fore, not feeling inclined to discuss his work or his am- bitions, he arose from his chair saying : " O, it's just the same old story. Wherever I turn my head, I seem to run it into a dead wall." Max laughed. " That's good for your head, Dick. We all leave col- lege with a good deal of cerebral inflation that has to be removed, before we are fit to live in the world. Getting knocked on the head is one way of reducing it. God! what a fool's paradise to live in, shut in behind academic walls, living with the hosts of the past till we forget the language of the present! You are not going, are you? Stop, I want to show you some of the page proofs of the Dawn." Dick was in such a fever of impatience to be off, that the thought of being forced to put his mind on some- thing entirely foreign to his interests, actually turned him faint. He excused himself with the first idea that came into his head. He took out his watch, saying : " Excuse me, Max. You know this is Sunday, and I ought to be home; I couldn't go out last night, and I've just time to catch that 1 130 boat. I'll see you later. Good-by, old man ! " He put out his hand, the ghost of a smile flickered over his face, and he was gone. Out in the open air, again, he expanded his lungs with a deep breath. He started for the ferry, but he had no intention of going home. How could he meet anybody and chat and smile indifferently with this heavy burden on his heart! Ar- rived at the other side of the bay, he took the first street car he could find for North Berkeley ; and leaving it at the terminus, he struck out for a solitary ramble along the shore, where he had often idly wandered in his boyhood. THE TRELOARS 165 It is a rugged sinuous shore strewn with huge gray rocks among which clumps of hoary live oak spread their gnarled and twisted branches. Across the bay, narrow- ing here, until it seems only a broad river, a low chain of hills culminates in the majestic dome of Mount Tamal- pais, clad almost to its summit with magnificent forests of ancient pines. The unusual clearness of the summer atmosphere brought out the undulating outline of the mountain chain against the blue sky; and, if Dick had been in a mood to yield to the charm of his surround- ings, he would have felt the influence of their quiet and noble strength. But the tumult of his thoughts and feelings made him indifferent to anything but the wish for solitude, where, undisturbed, he could fight out this terrific battle with himself. He threw himself on the ground near a huge lichen-covered rock, facing the bay, and gave himself up to a searching enquiry. He was in no humor to deceive himself. He wished to stand face to face with his real self, to probe the depths of his heart, in order to see in what direction he was facing. The afternoon wore away; evening came on, and still he sat there, motionless as the stone against which he leaned. The white drenching mist, rolling in from the bay, aroused him at last from his intense thought; and he rose from the ground feeling dizzy and weak, and aged by a score of years, yet clearly conscious of the direction in which duty lay, and honor pointed. A hard, long path it was, all uphill, strewn with sharp stones, and tangled with thorny branches ; and he must brace himself and struggle hard for every step in advance. Something fine and manly within his soul tingled and vibrated at the thought, and that strange spiritual exaltation which al- ways accompanies the victory of conscience, filled him with its solemn joy, so closely bordering pain that there is but one expression for the two emotions the moistened eye and swelling throat ! He walked on rapidly, in order to catch an evening train for San Francisco. He could hardly have gone 166 THE TRELOARS home, if his life had depended on it; for there is no isolation like that of a mighty passion, be it of grief, or joy, or frenzied love. It is the colossal egotism which effaces the rest of the world, and were it as common as romancers feign that it is, society could hardly exist. The great lovers are as rare as the great geniuses ; there go to the making of both of them, that subtle gift of the imagin- ation which paints with colors that no other eye can see, and that peculiar tremulous susceptibility which shrinks at a touch, like the leaves of a sensitive plant. The joy of such natures is the joy of giving themselves, wholly, un- compromisingly, and of feeling themselves no longer soli- tary as one, but solitary as two, " the world forgetting by the world forgot." But nature, whose interests are en- tirely general, and who leaves the individual as such, en- tirely out of her calculation, very rarely grants so peculiar a privilege. A great love is as rarely a happy one, as it is rare itself. Human nature as a whole, is inclined to be polygamous in its loves; and, desires succeed desires, with such bewildering rapidity, that it is farcical to call them love. CHAPTER XVII IT was in a chastened, humble, yet exalted frame of mind, that Dick went to the banquet in honor of the rising Dawn. It was not exactly the mood to predispose him favorably to what he was to see and hear. In a long, narrow, low-walled room, brilliantly lighted, a number of tables had been joined together to form one long banqueting-table, at which some twenty-five or thirty persons could be comfortably seated. Huge bouquets of roses and smilax ornamented the table, and over the door- way was grouped a collection of the flags of all nations. Across this collection, was drawn a white linen band, in- tended to be symbolic of the negation of nationality in universal brotherhood. It was not so easy a matter to THE TRELOARS 167 abolish the evidences of nationality from the faces of the guests. Nature had stamped them with her inefface- able marks of racial and geographical distribution. There were swarthy, low-browed faces with short black bristling hair. There were gaunt, hollow-eyed faces that recalled the lugubrious countenance of Don Quixote. There were round bullet-headed, blonde-bearded men, phlegmatic in speech and gesture ; and there were quick, spider-like, thin, dark-eyed darting men, never quiet for a moment, bursting out into sharp laughter, showing their flashing teeth under their scanty bristling moustaches, and always the center of a little group, leading the conversation, or interrupting it. There were no old men among them, the oldest being probably not more than thirty-five. But there was one common characteristic which like the strip of ^white linen across the flags, held them together as a unit, a brotherhood ; and that was an air of general shab- biness. There were no dress suits. It had been ex- pressly stated that there would reign neither formality nor convention in this reunion of men who were to mold the thought of their generation into a new formlessness. As a natural consequence, the linen was frequently far from showing spotlessness and precision; and in one particular case, it had been replaced by a red flannel shirt with an open rolling collar. There were few trousers guilty of their original creases, or wanting in a superfluous glossiness in the rear, convicting their owners of prefer- ring a sedentary life to a pedestrian one. This motley crew gathered in a warm room, exhaled an unpleasant odor, testifying another rebellion against the conventional- ities, in the form of a revolt against soap and water. " Don't you think we need a little fresh air ? " was Dick's first question to Max, after the usual greeting. " Too strong a scent of the wild, eh ? " " Yes. I think that's it. After the neutral atmosphere outside, it's rather aggressive," and Dick moved towards a window, throwing it wide open with an unnecessary display of energy which drew attention to himself, as he 168 THE TRELOARS perceived on turning around. He perceived, also, or thought he did, an instinctive hostility in the glance of the restless eyes confronting him, and he repaid it with a look equally hostile. He felt antagonized immediately, and expected an acrid, disagreeable note in the mentality of these men, corresponding to that which affected his physical senses. His expectations were not disappointed. After the general lull which followed the seating of the guests at the table, Max arose and made a short speech of welcome, after which, he reminded them of the cause that had brought them together, namely a most praise- worthy determination among the living to shake off the yoke of the dead, to fight for liberty in the truest and largest sense, the liberty to express one's individuality without the childish admonition that because nobody else ever expressed that peculiar outlook on life, from that peculiar standpoint, nobody had any right to do it. This is virtually the meaning of standards and conventions. They set up narrow bounds or limits to human thought, saying to the aspiring mind, athirst for the infinite : ' Thus far shalt thou go, and no farther.' Here Max grew very eloquent over the consequent stunting and deforma- tion of human intellect, comparing it to the deforma- tion of the Chinese woman's foot, or the slanting forehead of the Flat-head Indians. Away with the bandages and straps, and shackles for the human intellect! He con- cluded by reminding them that this movement for larger individual freedom was by no means confined to this effort on the western coast; but had its origin else- where; and was now universal. In fact, they had with them to-night a representative from a foreign shore, who, at the conclusion of the feast, would read to them some inspiring passages from the manifestoes of Italian artists and litterateurs. Then, the dinner proceeded in a silence remarkable enough to prove that with regard to gastronomic con- ventionalities, there was not one dissenting voice. Even Dick, who had been eating hardly anything for the past THE TRELOARS 169 few days, and on entering the room, had not felt his ap- petite returning, began, now, to eat with hearty enjoy- ment; and with an increasing sense of physical comfort, felt his harshness softening towards this long line of hungry faces, intently bent over their plates. " Poor devils ! " he thought, " an empty belly and an empty purse make more rebels than an intellectual conviction." Yet that was not the explanation of Max's rebellion, and he began to feel a little curious, as to just what his program was; therefore, combating his first instinct of hostility, he turned, at the end of the feast, to listen attentively to the dark-skinned, wiry, little Italian who rose to tell what the youth of his country were thinking and doing. He spoke rapidly, with a very strong foreign accent, and he was so familiar with the contents of the paper which he held in his hands that he rarely had to look at it. He began by saying that he had recently had the honor to be present at the first battles of this por- tentous futuristic movement, and from the vigorous lungs of Italian youths had heard the first raucous cry of re- bellion against academic art and literature, the museums, the reign of archeologists, college professors and dealers in old clothes and antiquities in general. It was the battle of life against death. It was the cry of the free man who shakes off his chains and runs his race with un- fettered ankles. He had seen the valiant leader of these valiant youths, pelted with potatoes and rotten fruit in the vast crowded Mercantile Theater of Naples. He had seen him in the midst of this dangerous riot, catch an orange that was thrown at him, and eat it with a coolness and imperturbability so sublime, that it paralyzed the vast crowd with admiration, and instantly changed its yells and hoots of derision into tumultuous applause. " I take this," he continued, " as a happy augury of our suc- cess. We scorn as unworthy of our mighty upheaval of thought, the cheap applause which belongs to mediocrity, recognized by mediocrity. We welcome hisses, hoots and yells of scorn. They are the sign that the arrows I 170 THE TRELOARS of our wit draw blood. We are not giving tops and marbles to children to play with, but iron and steel to men to work with. Literature has, too long, been in the hands of the idle and the feeble. It has smiled and capered and pirouetted and amouretted its way into boudoirs and parlors. It is impregnated with the odor of petticoats." " Well, God knows the odor of trousers isn't any im- provement on it," muttered Dick, with an angry scowl. "And it crawls and wallows," went on the little man in a high, shrill voice, " where it should walk with up- right strides. We proclaim the emancipation of man from the dominion of petticoats. Down with the base tyranny of feminism! the romantic gabbling and cooing in the moonlight! It is the disgrace of modern litera- ture to-day that it has centered its interest in what we have in common with the beast, and has ignored that which allies us to the gods ! " " Good ! " growled Dick, again, " only the word gods is an anachronism." " This literature of neurasthenia and hysteria has been a veritable plague to our race. It has sapped our virility. It has clouded our intelligence ; therefore, in the language of our great futuristic leader from whom I shall now F quote literally : ' We despise woman as an instrument of pleasure! We despise this horrible and perplexing pas- sion of love which shackles man, preventing him from getting out of himself, doubling his power, and rising su- perior to himself and into what we call the multiplied man.' " Love, lust, and the family have made cowards of men for generation after generation. We welcome any- thing that will break the power of woman. For that reason we welcome the suffragettes as our best collabora- tors ; because the more rights and political powers woman has, the less time she has to preoccupy herself with love and to make herself the receptacle of sentimental passion, and the machine of pleasure. But we are assured that THE TRELOARS 171 a government composed of women, or sustained by them, will fatally direct us into pacifism, Tolstoyan cowardice and a definitive triumph of hypocrisy and the priesthood. That might come to pass ; but it would be followed by a war of the sexes, and humorous misogynists possibly dream of a Saint Bartholomew of women. " Let it come. We futurists are too progressive to be bound by family life. We love nothing but the heroic instinct. We who desire that the masterpiece shall be burned with the corpse of its author ; we, who feel hor- ror at the idea of working for immortality, because that is nothing more nor less than the dream of intellectual usurists, we shall not create sons of flesh and blood. We have dreamed of creating, some day, our Mechanical Son fruit of the free will, synthesis of all the laws which science is discovering. Admitting the transform- ist theory of Lamarck, we aspire to the formation of an inhuman type, in which will be effaced all moral pain, kindness, tenderness, and love, which are the only poison- ous corrosive of our inexhaustible vital energy, the only destroyers of our potent physiological electricity. We ad- mit the possibility of an incalculable number of human transformations; and we venture to declare that a pair of wings slumbers in the ribs of man. The day on which it will be possible for man to exteriorize his will in such a way that it will be projected outside of him, like an immense invisible arm, on that day, dream and de- sire, which are vain words, at present, will reign su- premely over space and time, for space and time will be abolished. " Romantic love will be reduced to a simple corporeal function like eating or drinking. But there is much to be done before our masculine contemporaries, satiated with erotic novels and enervating alcohol, become finally immune to the infirmity of love, and capable of destroying in themselves all the griefs of the heart, and the dis- tractions of the affections. Our frank misogynistic optimism is diametrically opposed to the pessimism of that 172 THE TRELOARS bitter thinker Schopenhauer who offered the suggestive pistol of his philosophy in order to kill in ourselves the profound nausea of woman and love. We have turned the tragic pistol and cheerfully aimed it at the romantic moonlight. We have said: Down with all consecrated conventionalities, the foci of dreams and cowardice ! We no longer love anything but this immense movable and passionate scaffolding which we can consolidate at any moment and adjust to any squalls with the red cement of our bodies, forged by the will. " Let the worm-eaten past fear, and the future hope ! Trust in progress which is always right, even when it is unjust; because there is life, movement, struggle and hope in it. Take care not to criticise progress ! Even when it is an impostor, a traitor, an assassin, a robber, an incendiary, progress is right! " Up then with the futuristic banner ! Higher yet, to exalt the aggressive and destructive will of man and to affirm once more the absurdity of the nostalgic memory of myopic history and the rotting past! You think us too brutal. That is because we have bathed in the light of a new sun, resembling in no way the sun that caressed the placid shoulders of our ancestors whose slow pace was in harmony with the idle hours of their provincial cities and the breadth of the flag-stones of their streets, blossoming in verdure and silence. We breathe an at- mosphere irrespirable to them. We have no time to pray before tombs. In the next inevitable conflict of na- tions, that nation will conquer which has most completely forgotten its past, which is most futuristic, most scientific, most industrious, and, consequently, the richest. " The victorious science of our day denies its past, that it may better respond to the intellectual necessities which disturb us. Our renewed consciousness prevents us from regarding man as the center of universal life. Man's agony is no more interesting to us than the agony of an electric lamp which suffers with spasmodic leaps, and shrieks with the boldest expressions of color. The har- THE TRELOARS 173 mony of lines and folds in contemporary dress, exercises on our sensibilities the same emotional and symbolic in- fluence which the nude exercised on the sensibility of the ancients. To conceive of, and to understand the new beauties of a futuristic picture, the soul must be purified, the sight freed from its veil of atavism and of culture, and must consider nature, and not the museums, as the aim of its orientation. When this result is obtained we shall destroy the black tints which have never slept in our epi- dermis ; we shall let the yellow blaze forth, the red and the green shine again, the blue and the violet shall dance on our flesh with their voluptuous and caressing grace. " Our increasing desire for truth can no longer be satisfied with form and color, as they have been hitherto conceived. The appearance, the attitude which we desire to reproduce upon the canvas, will not be a fixed instant of universal dynamism. It will be simply a dynamic sen- sation. Everything, in reality, is changing ; is undergoing a vertiginous transformation. A profile is never immov- able before us; it ceaselessly appears and disappears. Even during the persistence of the image in the retina, moving objects are successively multiplied and deformed, like the recurring vibrations precipitated in space. There- fore a running horse has twenty legs, not four; and his movements are triangular. Everything in art is conven- tional; nothing in painting is absolute. What yesterday was truth for the painter, is nothing to-day, but an enorm- ous lie. For example, we maintain that a portrait ought not to resemble the model; and that the painter carries within himself the landscape which he wishes to fix upon the canvas. To paint a human face, all that is necessary is to reproduce its environment. Space does not exist; and who, to-day, believes in the opacity of bodies since our acute and multiplied sensibility has foreseen the obscure manifestations of spiritualism? " All the feverish life of our day ; the shriek of the lo- comotive; the loud clang of the automobile trump; the crashing, grinding of buildings in process of erection; 174 THE TRELOARS the hissing and crackling of electric currents, will find a voice for the first time in the music of the future; poetry will leap unshackled from the chains of rhyme and rhythm; and scorning in its new freedom all the stupid conventionalities of sense and decency, will bare its naked limbs in free verse. Nothing shall be sacred to it. The graves shall open as it passes, and the sheeted dead shall squeak and gibber and fling their stench into the morning breeze. " The education of the young shall no longer be en- trusted to the care of those who have been trained in the culture of the past. We wish our sons to follow joyously their own inclinations, to finish once for all with antiquities to scoff at all that time has consecrated! What do you think, for example, of the futuristic project which consists in introducing into all schools a regular course in risks and dangers? The children will be sub- jected, either willingly or by force, to the necessity of facing at all times, a series of dangers each time more and more frightful, arranged by the instructors, but al- ways unforeseen to the children; such as fire, inunda- tion, the falling in of roofs and other appalling disasters ! Our idea appears to you preposterous? Know, then, that, fortunately, we are very numerous, we who be- lieve that talent and virtue abound, and that valor is scarce, concealed, almost impossible to be found " Scarcely had the orator finished uttering this phrase, when he suddenly felt himself seized by the seat of his trousers and the scruff of the neck, and hurled across the table with a violence which proved that the futuristic education might be a very serious thing, and that valor and strength had been neither so scarce nor so concealed, as the orator supposed, but had been quite close beside him, in the person of Dick, who was now shouting in a towering rage : " It's a poor doctor that won't take his own medicine ! How do you like your futuristic education? Any more of you that would like to take a lesson in it? If you do, there's my card ! " THE TRELOARS 175 Dick flung his card on the table and looked savagely at the surprised and scowling faces about him. He was white to the very lips, his eyes blazing, and every muscle in him quivering like that of a tiger crouching for his prey. He felt the strength of a hundred men in his lithe young body, and looked as if he had it. Turning to Max, he said : "As for you. I have loved you as if you were my brother. But there are things dearer to me even than the ties of blood and friendship; they are the sane and beautiful instincts which bind me to the human race and that puny wretch has outraged and insulted them in borrowed language, and I should be the white-livered coward he finds everywhere, if I could listen to his blas- phemous rot, and give no sign of protest or resentment ! So I don't ask your pardon for what I've done. I'd do it over again in a minute ! I guess my room is better than my company. Do any of you want anything more of me, before I go ? " As no one uttered a word, he started for the door, tak- ing his hat from the rack as he passed it; and he turned once more to glare at the astonished crowd, be- fore he disappeared. Never in his life had he felt such a tempest of anger and indignation possess him. His vi- olence was not only an expression of unfathomable dis- gust, but it was the climax of all the unhappiness, and repression that had been brooding in him for weeks ; and once more in the open air, he had a glorious feeling of re- lief, as he hastened to catch the midnight ferry for the other side of the bay. At last he could go home. CHAPTER XVIII "Is that you, Dick?" The voice was tremulous and eager. Dick had entered the house as quietly as possible, knowing that Margaret's quick ears would catch the slightest sound ; but the stairs 176 THE TRELOARS had creaked under his step, although he had taken off his shoes to mount them, and there she stood at the head of the stairs, the moonlight streaming over her, as it entered the window behind her. She had a cape thrown over her / white night-dress, and her bare feet were thrust into bed- room slippers. She had heard him open the door. In a moment her arms were about his neck, and she was softly crying with joy, as she said: " Dear, dear Dick. I knew you were coming. I had such a strange restless feeling about you. I couldn't sleep. I kept saying to myself : ' Come, Dick ! O, come, come to me! ' And here you are. It is wonderful ! " " Hush, Margaret ! " whispered Dick, " you'll wake the others." " I think there's no danger. Nobody else has been worrying about you. Come into your room, and let me turn on the light to have a good look at you. It seems ages and ages, since I saw you." She preceded him into his room and flooded it with light. " Why, Dick, what have you been doing with yourself ? You look so haggard! There are great black circles under your eyes." " Are there ? Well, come here, and see if you can't match them." He led her to the mirror, and though her face was flushed with joy, and her eyes were shining brightly, there were dark rings under them, telling of anxious thoughts and sleepless nights. " What have you been doing, Margaret ? " Margaret turned away from her image in the glass, and nestling her head on Dick's shoulder, she whispered earnestly : " Dick, it is that other woman that is doing it." "Margaret!" " I can't help it, Dick. I have been suffering agonies on account of her." She felt his heart quicken its beats, as she spoke. He THE TRELOARS 177 did not try to deceive her by feigning amazement, or ask- ing what woman. They sat down on the edge of the bed near each other, and taking her hand in his and caressing it, he said very quietly: " Margaret, I was a fool ! I took a bit of bright tinsel for gold ; but I see, now, what it was. You need fear for me no more. I am through with it all. I promise you faithfully." She put her arms about his neck; she kissed him fervently. " O Dick, you don't know how happy you make me ! See, it is all gone now all the worry and grief ; and we'll never speak of it again! It's all forgotten! O, I am so glad! so glad!" " Did you get the letter I sent you ? " " Yes. You said you were going to Max's banquet. Didn't you go ? " Dick burst out laughing, and it was Margaret's turn to remind him that he might wake the sleepers. " I have just come from there, and what do you think I did, as guest of honor? " " I have no idea ; but I know it wasn't anything to be ashamed of." " No, it wasn't. I just caught hold of the chief speaker by the seat of his breeches and his coat collar, and I hurled him over the table, as if he had been a little poodle dog." " Dick, you are joking! " " No, I am not. Upon my honor ! " "Why, Richard Treloar!" " I know it. Incomprehensible, isn't it ? I'll tell you how it happened. The chief speaker was a little Italian runt, chock-full of some futuristic manifestoes which he was grinding out like a sausage mill, and when he came to the point where he was telling how the young are to be trained to meet all sorts of disasters, floods, fires, col- lapses of buildings, etc., I couldn't for the life of me help giving him a taste of an unexpected disaster. I don't 1/8 THE TRELOARS know how he liked it. He got a fine bloody nose, and a welt on his forehead, but there wasn't a peep out of him or anybody else when I left; although I offered to lick the whole bunch." "Dick!" Margaret was almost speechless with astonishment. " Don't you think I did right ? You should have heard how he despised women and their cowardly affections, and hated the family, and thought the hope of the world was in war, and would blot out all memory of the past, burn down colleges, libraries, museums, art galleries ; and people the world with machine-men with steel wings growing out of their ribs! Do you think I was going to sit there and listen to all that idiotic drivel and not enter a protest? I am not a knocker on general princi- ples, and you know it ; but when I see a low-browed wretch sneak up with a torch to burn down my house, I am go- ing to knock him down, if I can : and when I hear him re- vile my sister and vomit the infamy of his black heart on the memory of my mother I am going to kick him into kingdom come, if I can. Now you see what a nice little brother Dick you have ! " Dick rammed his hands into the pockets of his trousers and looked at Margaret with a curious smile. His face was flushed, his eyes glistening, his dark hair was falling in disorder about his forehead; and there was something so forceful and defiant in his bearing that Margaret felt herself in the presence of some new trait in her brother's character that half-frightened her, so she said sooth- ingly : " Don't take it so seriously, Dick. These people are just like silly, forward children bent upon attracting attention to themselves ; and the more attention you give them, even in reprimanding them, the better they like it. The only thing which they can't stand at all, is to be absolutely ignored. That is how I should treat them; pay abso- lutely no attention to them. They'll get tired of posing their impotence and ignorance before each other. The audience isn't important enough to flatter them." THE TRELOARS 179 "That's your idea, is it? but suppose other people aren't of your opinion? Suppose that there are millions of people incapable of an original thought who are led like sheep by the tinkling of a bell? Suppose you can't insult this intelligence with drivel and indecency, be- cause they haven't any intelligence to insult? and sup- pose that instead of intelligence they've just got vanity enough to wish to be at the head of the procession; how are you going to keep them from thinking that noise is thought, and nastiness, wit; and that where the noise and the nastiness are, there's the head of the procession? You'll have to set up some kind of a counter noise to keep them from going to the devil. They really don't want to go there ; they want to go to the fat land, where the grass grows green and high, and all they need is an honest shepherd. Now are you going to be an honest shepherd, or are you just going to turn your back on 'em and laugh in your sleeve? Are you afraid of being laughed at, yourself, if you don't do that? I'd rather be true to the little wit God gave me, and be counted witless, than be called wise for praising a new folly which imbeciles and unscrupulous men were making the fashion. So I don't agree with you in turning my back on your forward children. I'd rather plant my foot in their rear, which is a good deal solider and more sensi- tive than their heads. Probably that is the reason why they prefer to exhibit it. More in it." As Margaret couldn't find anything to say to this, she rose and bade Dick good-night, telling him that he must lie as long as he liked in the morning, as he must be very tired. To Margaret, all this futuristic gibberish was not even a mote to trouble her mind's eye; and if it troubled Dick enough to give his mind a new activity, and drive out of it the obsession of a fatal passion, it must be confessed, that down in her heart of hearts, not believing that any one could possibly take it seriously, Margaret would have pronounced it a good thing. She had no inkling of the i8o THE TRELOARS latent widespread intellectual disorder of which it was the outward sign. She had that dangerous weakness of the pure in heart to see all things pure, from sheer in- capacity to conceive of the depths of wickedness. Her vision of evil had the narrow range of a brooding bird. It extended little beyond the nest, but there it had the infallible keenness of instinct, and if it were well with the nestlings, the world was safe. Dick took advantage of Margaret's indulgence, and did not go down to breakfast until half-past ten, at which hour, Dr. Parker, having dropped in on the way to town, had the pleasure of listening to a lively account of Dick's experience at the banquet. He joined Treloar in a hearty laugh. " By George ! I wish I had been there ! " roared Treloar, falling back in his chair, and lifting his feet from the floor in an expression of huge delight. " But what an innocent you are, Dick, if you can't look a bit of perversity in the face without going all to pieces! You can't upset the universe, as you upset the little Italian. Your sample lesson was futile. There is a cause for every phenomenon, and until you have dis- covered it, there is no use in applying a remedy." "That's true," said Parker, "but the trouble is that you reformers are not going to agree as to causes. You, for example, are going to lay it all to materialism and the spread of scientific theories." "Of course I am, because that is just exactly where the cause does lie. Just as soon as you reverse the relative importance of mind and matter, making the greater proceed from the less, instead of the less from the greater, you are going to end in a triumph of brute force and brutish dullness over refinement and intelli- gence. Even your Spencer saw it coming years ago, only he hadn't the wit to realize that he and Darwin and Huxley had contributed to bringing it about. In one of his articles entitled Re-barb arization, he comments on the growing love of barbaric display revived in civil and THE TRELOARS 181 clerical ceremonies ; the increasing attention given to ath- letics; the reappearance of brutal sports, forbidden by law; the growth of a militant spirit conspicuous even in so-called religious movements, like that of the Salvation Army, with its official gazette entitled the War Cry, and its motto, Blood and Fire! You can't deny the facts ! " "Of course not. I don't deny them. I only deny that a coincidence is a cause. I deny, too, that scientific the- ories are any more justly to be blamed for the present de- cline in moral and aesthetic values, than the teachings of Christ are to be blamed for the horrors of the Inquisi- tion, and the Saint Bartholomew massacre. In both cases wrong and ignorant interpretations of teachings and doc- trines are to be blamed for the errors and cruelty that followed the spread of them. Take for example, the ex- aggerated ideas of the importance of personal liberty, everywhere prevalent to-day leading to anarchy and ultra- individualism. There is absolutely no authority for this in the teachings of science. If science emphasizes one thing more than another, it is the fact that law, not liberty, reigns everywhere. In a like manner, Christ's religion of love would make war and injustice impossible, if it were really accepted. As for the truth of your as- sertion that it makes a great difference in a man's moral outlook, whether he believes that the great precedes from the little, or vice versa, I am not so sure; but 1 am as reasonably sure as I can be of anything, that all our experience confirms us in the belief that there is a steady upward development from the simple to the complex, from the egg to the bird, and the acorn to the oak." " No definite eternal force back of the urge to life ? No difference in the attitude of him who feels that the chain of intelligence culminates in man, and that of him who believes that it has its beginning and its end in an eternal omniscience which he calls God? No difference between him who believes in nothing greater than himself, and that he is the product of blind aimless forces, therefore not responsible to any higher 182 THE TRELOARS being for his actions in fact, incapable of being held responsible for anything? You can't deny, Joe, that sci- ence has become a cloak for all the indecencies." " But I protest that that is not science, and that you can't justly make it responsible for the harm done in its name." " But it's done ! and how are you going to help your- self ? I say that it kills the imagination, and it does. I don't know any more terrible example in literature of the stunting effects of scientific studies than the example of Zola. Zola had naturally an extraordinarily good mind, and he meant in his youth to use it in the service of whatever was good and ennobling. Later, the great temptation came to him that comes to every man typified gloriously by Christ's temptation in the wilder- ness the power and the glory of the world for the worship of Satan Zola abandoned the dream of his youth; he accepted the glory of the world. Did you ever read his youthful correspondence ? There are some really fine things in it. Dick, hand me that volume of Zola's, if you please. No, not there, third shelf to the right. That's it. Thank you. Now listen to this. He is writing to Bailie under date of August 10, 1860. He is twenty years old. I shan't translate the whole letter. It is rather long. This is the gist of what he says, up to the passage I am going to read to you. He says that the poet has two instruments with which to reform man for he believes at this time that poetry has a mission, namely, the elevation of man. One of these instruments is satire, the other is the hymn : Satan's burst of laugh- ter, and God's smile. One method bares the perversi- ties of man to put him to the blush, combating vice by shame. The other, depicts the ideal man to arouse ad- miration and a desire to be like him. On one side you have a stirring up of filth, and exhalation of all its miasmatic vapors: on the other side you have the heavens opened up to show them full of sweetness and light. Here is a good sentence on the effect of the two THE TRELOARS , 183 methods on the poet himself. ' When you stir up filth, you soil your fingers ; when you linger in the fields in early morning, you come home with the fragrance of the dew and the flowers about you.' " " Does Zola say that, father ? " " Yes, Dick, Zola, before the light of scientific studies, has led him astray, which light, as you will see later, is a woeful darkness." Treloar held his book out to Dick, pointing to the sen- tence he had just translated, then turning the page, and finding a paragraph which he had underscored, he read: " ' Reading Lamartine is much more fertile in virtues for me than reading Juvenal. The former with a flash of his wings carries you to the throne of God ; the latter like Dante makes you pass through hell with him. After that, it is not necessary for me to tell you that I have chosen the hymn.' " An ironical smile played about Treloar's mouth, as he read, and he looked up at Parker with a twinkle in his eye. ' To sharpen my pen, in order to blacken man de- signedly; to take from him his rare qualities, and bring out in relief his numerous defects, is repugnant to me. I have only too frequently told you that society is cer- tainly not what it ought to be; but since there are two' ways of leading it back to the good, let us use the most effectual and the most harmless one. There are still higher considerations which induce me to prefer the hymn. They have their origin in my conception of the modern poet. Let us not be deceived. The artist is a soldier. He is fighting in the name of God for all that is great. He is not a vain, useless creature drifting with his fancy, singing merely to sing, wholly indifferent to the echoes which his lyre awakens. In our century, in this materialistic age, when commercial interests absorb every one, when science, so wonderful and so skilful, is filling man with pride in his achievements, and leading him to forget the supreme Savant, the poet has a sacred mission. 184 THE TRELOARS His duty, always and everywhere, is to show the soul to those who think only of the body, and God to those whose faith has been destroyed by science. Art is noth- ing else but that. It is a splendid torch illuminating the path of humanity, and not a miserable tallow-candle in the dog-hole of a rhymster. The question is not simply one of making beautiful verses; these verses must be a sublime lesson in virtue. In both cases, the poet may be a great artist, but when he uses his gift as a torch, he is a disciple, an apostle of divinity; when he uses it badly, he quenches the sacred fire, the gift of God. For what is art, if it is not perfection, divine sublimity, divinity itself ? God and poetry are synonymous for me.' What do you think of that, Joe ? " " I suppose that the real Zola is the muckraker the aspiring, poetic youthful Zola is an unconscious imitator of classic traditions. He had probably been reading George Sand's preface to La Mare au Diable, and repro- duced her idea of the mission of art, which is identical with what he has been saying." " I dare say, for he speaks approvingly of it some- where; but what reduced him to the lower level? You don't want to answer that, I see ; so, I'll tell you. It was the study of science. Six years later, he has not only abandoned his youthful ideals, but repudiates them with hatred in a series of essays entitled Mes Haincs." Treloar rose, and, going to his book shelves, took down the volume in question, and turning to the review of Goncourt's Germinie Lacerteux, he read : " ' I must declare from the start that all my being, my senses, my intelligence lead me to admire the feverish and exaggerated work which I am going to analyze. I find in it the defects and qualities which move me in- tensely, namely: an indomitable energy; a sovereign contempt for fools and cowards; a large and superb au- dacity; extreme vigor of color and thought; artistic solicitude, and conscientious effort, rare in these days of hasty and bad workmanship. My taste, if you like, is THE TRELOARS 185 depraved. I love strongly spiced literary stews the works of decadence in which a sort of sickly sensibility replaces the vigorous health of classic epochs. I am of my age. I like to consider a work of art as an isolated fact; I study it as I would a curious case which has just manifested itself in human intelligence. A work of art is simply a free and high manifestation of a personality, and I have no other task than to affirm that personality. What does the crowd matter? I have here in my hands an individual. I study him for himself, out of scientific curiosity. The perfection I aim at is to give to my read- ers the rigorously exact anatomy of the subject given to me. It was my task to penetrate an organism, to re- construct an artistic temperament, to analyze a heart and an intelligence, according to my nature : the readers have a right to admire or blame, according to theirs. " There you have it, Joe, the spirit of science abso- lutely destructive to art, as it is to religion. It is the spirit of impartiality, of absolute indifference to the subject; and art is the spirit of love, the spirit of selec- tion, the power of distinction. One is all curiosity, the other is all sympathy: one dissects, the other creates: the one is not possible without weights and measures ; and the other concerns itself with soul whose thoughts and feelings can neither be measured nor weighed. Sci- ence is impersonal ; art is deeply personal, or it is not art at all, it is only cataloguing and photographing. Sci- ence has discovered the cave-man and the low instincts that linked him with the brute ; and literature for the last half century has been sedulously bent on re-discovering the cave-man under the polished surface of modern so- ciety, and inventing him, when he can't be found in every- body." Mr. Treloar paused to wipe his face with his handker- chief and Dr. Parker took advantage of the pause to say: " You've made out a pretty good case against science as a promoter of art without quoting Darwin's confession 186 THE TRELOARS in later life that his faculty for aesthetic enjoyment had atrophied for want of use, and he was unable to read any poetry with pleasure. I can't say that I've come to that pass, having followed Goethe's maxim rather lit- erally to read a little poetry, hear a little music, and speak a few sensible words, every day. But I should like to say that what I know of real science so disgusts me with the pseudo-science of novelists, artists, and poets as well as that of the public in general, that I should be willing to have it made a capital offense for any of them to meddle with it. Science, rightly understood, emphasizes standards and forms, and all this formlessness in art, of which Dick speaks, is as far from science as the antipodes, no matter what name it gives to the masks it puts on. A braying ass on a dunghill might call himself Pegasus on Mount Olympus, but that would not shorten his ears, nor give solidity and height to his footing. But all these questions do not trouble me much, to-day. I have got a more intimate problem of my own. I'd like to know what the deuce is the matter with young people, nowa- days, that they are absolutely insensible to the charms of home ! " " Not guilty ! " shouted Dick. " For me, there is no place like home." " You wouldn't exchange it for a hospital roof, then ? " " What do you mean ? " " I mean that that is what Dolly wants to do." "Is Dolly sick?" " Sick ? No ! She's as well as you are. Sick of home, that's all. She wants to be a nurse ! " The doctor's face expressed extreme disgust. " Well, why shouldn't she be a nurse, if she wants to? " inquired Treloar, lighting a cigar. " You wouldn't say that if Margaret got the same idea into her head." "Wouldn't I? That's just where you're mistaken. I believe in the absolute liberty of the individual to choose his own life work, his environment, adHKs companions. But I believe in liberty, you don't." THE TRELOARS 187 " Then you would cheerfully give your consent to any mad scheme that scampered through your children's heads?" " Certainly, all I feel responsible for, are the schemes of my own." " I haven't got to that stage of personal abnegation where I can be indifferent, when my daughter's real happi- ness is at stake." " What do you know about your daughter's real happi- ness? You interpret her happiness in your terms not hers. It's my opinion that people ought to be happy in their own way. If Dolly wants to be a nurse, let her be a nurse." " That's what I'm going to do ; but it is because I can't help myself. I am going into Oakland now, to make arrangements in a hospital for having her commence a training course. I think I can have her spared some of the preliminary drudgery." " What ! You who believe that the great fault in public school education is that it wants to smooth out all the child's difficulties and turn his work into play, you want to spare your girl all the common drudgery of her work? Let her do it. Let her know what it is to mop floors and clean out spittoons. It won't look such fun to her in reality, as it does now." " You may be right." " I know I'm right." Thinking the matter over, as he left the house, Dr. Parker came to the same conclusion, but he was not any happier for it. He was not given to indulging himself in melancholy moods, but he could not shake off the dull depression which had clouded his spirits ever since Dolly had assured him of her resolve to go into training as a nurse. He had reasoned with her about it, to no pur- pose. She had a ready answer to all his objections, and he had been too proud to do more than hint at the chief one namely, that he felt himself abandoned, that her love and companionship made the entire pleasure of his 188 THE TRELOARS life, and he would be desolate without her. She should have known that; had she loved him with but half the affection which he lavished upon her s she would have felt the same impossibility for happiness apart from him. So he said to himself, and a dreary bitterness filled him at the thought. Dr. Parker was making a manly effort to throw off his pain and disappointment, but was not succeeding very well. The hurt was too new, to begin healing yet and its pain colored his atmosphere. The fairness of the morning was a mockery to him. The twittering of the birds struck his ear as a discordant note, and the old question asked so insistently by his old friend, as an echo of his century's question : Is life worth living? appeared to him to have no answer but the negative one. Yet, any one would have been gifted with unusual intuition, who, two hours later, would have recognized under his calm ex- terior all this dull, insipid despair : dull and insipid, be- cause it was the despair of advancing age, and not the poignant, torturing anguish of youth the very sharp- ness of which predicts its transient character. He walked along the bare, clean corridors of the hospital with a firm and confident step, for he felt at home there. He questioned the doctors and nurses about some interest- ing cases under their care; then revealed the object of his visit, with as much coolness, as if it had been a question of ordering supplies. And what is more, he carried his calmness home with him, and talked to Dolly of her new plans in such an indifferent, matter of fact way that Dolly was piqued into saying : " Daddy, I believe you are glad to get rid of me." To which he coolly replied : " Well, Dolly, if it makes you any happier to think so, you are welcome to the delusion." Looking at him intently, her bright, young face clouded over, for she divined the pain which he was so well con- cealing, and with a halting voice, she said : " Daddy, dear, I know I seem an ungrateful girl, but THE TRELOARS 189 I really am not. I only want to broaden out a little. I want to see the world at another angle. What do I know of it, sheltered so warm and cosily here? In one way, I feel quite grown up ; in another way, I am just a baby, and I want to balance myself. I have been turning round and round myself and you, till I am dizzy. I can't stop and stagnate. I must walk on ahead, and take my mind off myself. Don't you understand, Daddy?" CHAPTER XIX DICK'S return to San Francisco was accompanied by a plentiful harvest of second thoughts. In talking the whole matter of his violent behavior at the banquet, frankly over with his father, he had rid himself of his mental bile, and, in consequence, the hue of the world had a livelier tint to him. He felt as if he had made a fool of himself by his unseemly attack on the Italian ; and, having that sort of mentality which cannot be reconciled to itself, until it has repaired its mistakes, he determined, after deliberating a week over the matter, to seek Max and humbly beg his pardon for what he had done, with- out in the least receding from his convictions. He found Max in his office engaged in getting ready for the mail a large number of sample copies of the Dawn. The windows were open, and the street noises prevented him from hearing Dick enter, and he was not aware of Dick's presence, until he was at his elbow. Max looked at him for a moment in great surprise, then a broad smile spread over his face, and he cordially pressed Dick's ex- tended hand. " Max," said Dick hurriedly, " I was a fool that night at the banquet. Will you forgive me ? " " Certainly, old man," replied Max, cheerfully. " You were decidedly off your base, weren't you? It's a good thing you didn't break any of that little fellow's bones, or you would have had a hospital bill on your hands, let 190 THE TRELOARS alone an assault and battery charge. In fact, I saved you from the latter by arguing that as the speaker had been advocating that sort of thing in futuristic education, he couldn't logically object to an illustration of it. I don't think he liked it, though ; for he had a futuristic picture of a countenance that was no improvement to his beauty. I guess he's got it yet. The upshot of the whole thing was, that as we said we were eager to make a sensation, we could congratulate ourselves on having done it. By the way, if you are really penitent, you might give us a damn good roasting in your paper. We are not looking just yet for acquiescence or even toleration. We just want our place in the sun. Whether we stand on it with bloody heads or whole ones, doesn't matter so long as we are out of the shade. What do you say ? " Dick made a wry face and recalled Margaret's advice. In the light of Max's speech, it took on a new value, so he extricated himself by the miserable subterfuge of equivo- cation, so difficult is honest criticism in the presence of friendship. " But don't you see, Max, that I am here because I am repentant? That means that I am in no mood to repeat my attack in any form." Max looked disappointed, and then said eagerly : " Well then, Dick, I ask it as a personal favor. Give us hell, the hotter the better ! so that your article will be copied by other papers and make the tour of the con- tinent. We might spend a small fortune in advertising ourselves, and not get the returns that a good denuncia- tion, full of ' pep ' and ginger would give us. Do you remember Bobby Burns's gay defiance of the ' unco guid ' ? ' The mair they talk, I'm kent the better.' He was right. Publication in any form is a good deal nearer recognition than nothing at all. Think of the slimy tur- bid flux of speech that's getting recognized nowadays, as purest water from the Pierian Springs. Our stuff's no worse than that." Dick looked actually sick; but he had not come to quarrel with Max, so he said weakly : THE TRELOARS 191 " I'll see about it." "Do! that's a good fellow! See, here's a copy of the Dawn. 1 had just finished addressing it to you, when you came in. You can take it with you." He handed Dick a copy, which the latter took mechanic- ally, and then he went on : " I'm sending Nita Normand a copy, too. By the way, have you seen her lately? I went round to the theater the other night and found an understudy in her role. They said she was sick. I sent her some flowers; but I've been too busy to call. Have you seen her ? " Dick's heart leaped. His face which had been scarlet, turned white. Max saw his embarrassment, and tactfully turning away his head and pretending to look among his papers for something, he said carelessly: " O, it isn't anything serious ; a bad cold, I think they said; voice gone temporarily, or something of that sort. I dare say she's on the mend now. That was several days ago. The company's going to take to the road again next week, I hear; so she'll be leaving us." Max took up his pen again, as if to resume his work, and Dick, catching at the chance to escape, said with an heroic effort at calmness : " No, I hadn't heard anything about it. But I mustn't interrupt you any longer. Good-by. I'll see you again, shortly." " All right ! Don't forget that article." He rose from his chair as he spoke, and giving his hand amicably to Dick, continued: " I don't think I'll send your sister a copy. There's no use shocking her, unnecessarily, is there ? " " No, although I doubt if she would take it seriously enough to be shocked. I told her what I did at the ban- quet. She was shocked enough at that, I assure you." " Was she ? " Max laughed heartily. " Well, it was a little unconventional; not exactly in accordance with the table manners she taught you; but to tell you the honest truth, Dick, I rather enjoyed the scene. I was 192 THE TRELOARS beginning to feel bored. There is such a thing as having too much of a good thing." " You're very kind to say that. It was really horrible of me, Max Good-by." He hastened down the steps and into the noisy street, unconscious of its bustling crowds coming to and going from the ferry, unconscious of the floods of sunshine, and the unclouded sky, unconscious of everything but that Nita was ill. Nita was going to leave San Francisco, and he might never see her again. The reaction of tenderness which had prompted him to seek Max concentrated itself now upon Nita. Arrived at the hotel where she was, he sat down in the reception room and wrote three or four little notes to be sent to her room, tearing them up and thrusting the scraps into his pockets, before he succeeded in simply saying : " I implore you to let me see you, a moment. I was wrong; you were right, and I am inexpressibly unhappy to be wrong without saying so to your face, and begging your forgiveness. " RICHARD TRELOAR." When his note came to her she was sitting in a low, cushioned arm chair, drawn up before a window looking out upon a grassy public square ornamented with flower beds and palms. She had on a loose blue robe trimmed with ecru lace. Her wavy hair was loosely knotted at the back of her head. A slight fever lent a flush to her face and brightened her dark eyes that were looking longingly out at the open window. The enforced idleness and dis- comfort of a week's illness was telling on her in a fit of depression, such as she had not felt in many years. She had quarreled again with her manager. The necessity of renewing her contract with him was hateful to her. Then she thought of Dick. What a fool she had been to quarrel with him ! He had recognized what was best in her. He had regilded her tarnished life with the bright gold of his poetic fancy, and she had deliber- THE TRELOARS 193 ately chosen to brush it off, and to show herself to him in such a way as to destroy his respect and affection for her. How could she ever have been impatient with his youthful reserves ! If she could only see him once more ! Should she write to him? At this moment, there was a knock at the door, and at her reply, an office boy entered with Dick's note. She opened it hastily and the bright hue deepened in her face, as she read. It had been a long time since her heart had quickened so spontaneously at the touch of another. She turned to the boy after reading the note, saying: " Tell him to wait ten minutes, and then he is to come up, and I will see him." When the messenger was gone, she put her lips to the paper, murmuring : " Dear, dear boy ! How good, how lovely of you! " She hastened to the mirror, arranged her hair a little more loosely about her temples, letting here and there a short ringlet fall negligently over her forehead. She softened the flush on her face with a touch of powder, and pinned a knot of lace at her neck where the low-cut gown revealed to perfection its round white fullness. She slipped off her woolen bed-room slippers, and put on a pair of dainty white kid ones. Then she glanced about the room to correct any disorder, any hint of illness that might be discovered. A white blanket was trailing over the couch and she hastily folded it and carried it into the adjoining bed-room. She had the sure instinct of the healthy woman who knows that health is power. She herself had a horror of the sick room, and an extravagant admiration for health and strength. She would no more have dreamed of playing upon Dick's sympathies by a show of physical weakness than a stricken deer would seek the herd for sympathy with its pain. She was proud to match his youth and vigor by a youth and vigor as beautiful as his own; for nature had given her that vigor and elasticity of intellect which are ever the truest 194 THE TRELOARS youth, compared with which, mere bodily youth is stupid and powerless. She answered his knock at the door, by opening it her- self ; and when she stood before him, smiling, beautiful, a great rapture swept over him. " O, how happy I am ! " he cried. " I thought you were ill." He stepped into the room and she drew up a chair for him, opposite hers, near the window ; but he did not take it. He stood before her, his soul in his eyes. He longed to take her into his arms, to tell her how inex- pressibly dear she was to him. She still smiled at him, as she answered: " It was nothing serious, only a cold in my throat which made me very hoarse, and as my voice, not my face, is my fortune, I had to be silent and take care of it. You see there is still a blur in it." A blur in it ? No, it was more sweetly, clearly resonant to his ear than ever. " But how beautiful it was of you," she continued, put- ting out her hand and taking his, " to forgive my shame- ful petulance. I think my illness was coming on. I am sure I wasn't myself. Can you forgive me ? I can't for- give myself." " Forgive you? " he cried. " It is I who need to be for- given, not you. I who dare set my narrow vision against your broad one and insist that you should see as I do." " No," she said hastily, still letting her hand rest in his. " Do not say that. It is not a question of breadth and narrowness between us. It is a question of individuality. You have yours, I have mine. Life hasn't been exactly kind to me, and I have had to adjust myself to its unex- pected demands. These adjustments are my peculiarities. They make life possible to me, and I love life, love it now, to its very dregs, although, of course, I have my brief hours of nausea when I am not sure that to be is infinitely better than not to be, but I always recover from them. I am going to tell you a secret. You won't tell anybody, will you ? " THE TRELOARS 195 She put her forefinger to her lips, her eyes sparkled merrily and her voice took on its most persuasive tones. " I was just having one of them before you came My sky was indigo you brought the sunshine, and now it is as blue as an Italian sky, and I have a whole nest of singing birds in my heart." She extended her other hand to him, and he pressed it to his lips. His heart was too full to speak : tears were in his eyes. They looked at each other a moment and then he said in a low, broken voice: " Nita, my darling, I cannot live without you any longer. That is why I am here. You are my sunshine without which I starve with cold. Let me love you; let me live for you ; let me be always to you the sunshine that you are to me, the source of all my life, light, joy ! " The glowing, passionate young face, so near her own, drew her like a magnet. She lifted her head and kissed the moist, trembling lips, and he shuddered with ecstasy at the touch. She drew her slender, white fingers through the masses of his dark hair, murmuring: " My poor boy, my dear boy, I have come into your life for harm, not for good, I fear. Listen to me," her voice sank almost to a whisper. " Love me as men love the rose for its fresh, sweet beauty of an hour, then they fling it from them. I am not worth more than that. Love me like that, and then forget me." She sat down on the couch and covered her face with her hands. He sat down beside her, and took her hands from her face, exclaiming passionately: " Never ! never ! I cannot forget you. You have burned yourself into my life, so that it can never bear any other image but yours. I have tried to forget you. I made a solemn pledge to my sister that you should be nothing more to me. It was the pledge of a thirsty man who vowed he would not drink when there was no water in sight, but whose parched lips sought the fountain as soon as it bubbled before him. You are mine, mine, mine! " 196 THE TRELOARS He encircled her in his arms, he pressed her head close to his breast. " I shall never give you up ! Never ! What is your past to me. You were born anew the day I first saw you. You have no faults in my eyes. I am not worthy of you, but you make my life lovely by the reflection of your own loveliness in it. You love me a little, don't you? or you wouldn't let me hold you in this way close to my heart where I shall hold you as long as it beats. Say you love me, sweetheart say it to me, dear." He bent his head over hers, he kissed her hair. The wild generosity of his love and the contagion of his pas- sion touched her deeply, and she answered : " I do love you, my dear boy. I do love you unselfishly enough to save you from myself. Nature never meant we should mate, or she would have sent you to me in my innocent girlhood. I must teach you to escape me." "Escape me? Never Beloved! While I am I, and you are you } So long as the world contains us both Me the loving, and you the loth While the one eludes must the other pursue" The poet's words sprang to his eager lip, as if they had been coined fresh in his own brain ; and he only drew his arm more closely about her. " You love me, that is enough for me and I mean that you shall never leave me. Do you know that I only learned, a little while ago, that your company is to leave town next week; and it was as if somebody had said to me, ' The world is in ruins.' It was hideous ! I couldn't endure it, and I hurried here, bent upon seeing you, bent upon winning my life from you, who were going to carry it away with you." She lifted her head from his breast, and disengaging herself from his arms, said in unfeigned astonishment: " Who told you that the company is to leave town ? " THE TRELOARS 197 " Max Gietmann." " But it can't be true ! At any rate, nothing has been said to me about it. I wonder if no, that can't be so ; they wouldn't do anything so dishonorable. Where did Max learn that ? " " I don't know. But what difference does it make ? You are not going with them, sweetheart. You are go- ing to be my wife. You are going to have no care but that of making a home for us." " Dear Dick, don't be absurd ! " Her face clouded over. A sudden deadly fear tugged at her heart. Was it possible that her manager meant to give her the slip ? He was vexed with her for refusing to play the past week, attributing her refusal to caprice, rather than illness; and she had been too proud to take the pains to disabuse him. He reminded her that her contract required another fortnight's service and that she need not expect to receive full salary without a complete fulfillment of the contract. He had sent her what he owed her, but had not asked for a renewal of her contract with him; but conscious of her real ability, and perhaps overrating her importance to him, she had felt no anxiety on that score, until Dick's sudden revelation made her feel at once that he meant to let her go her own way, while he went his. She was wretchedly unhappy at the assurance. Dick was not the least perturbed at her al- tered manner. Had she not called him " Dear Dick " ? Had she not told him that she loved him? If that were absurdity, what had he to do with sense? " You see, Dick," she went on, " if it is really true that the company is going away, or has gone without me, I shall be for a time in rather a bad situation." " With me near you, beloved ? " His arm went about her waist again, and his hot lips touched her cool, white neck. " Dick, you are very generous ; you are very kind. I have not the slightest doubt in the world that you love me now." 198 THE TRELOARS "Love you? I adore you." " But don't you see what a foolish, what an impossible thing it is for me to become your wife ? " " No. I see that it is impossible for you to be anything else." His strong arm tightened about her until she cried out : " Dick, you are hurting me. There, that's better. Do you know that I am a great deal older than you ? " " What a stupid thing for so wise and beautiful a woman to say ! Love has no age. He is only a perpetual now. I would not have you a day younger than you are, if I could ; for then you wouldn't be you." " But I am not fit for domestic life. I have tasted public applause. It is an infection. One never gets over it. I should tire of the monotony of the fireside," a shiver ran over her. " No, Dick, I can't bind myself by an inviolable oath. As soon as it was made I should want to break it. There is something wild, untamable in my blood that makes liberty a necessity of my life. I love you to-day, but I can't swear that I shall love you to-morrow or next week, or next year. Take me as I am ; love me while I love you, and let us guard our liberty, Dick." He dropped his face in his hands and trembled like a leaf. She put her hand upon his bent head and stroked it tenderly, as a mother strokes the head of a child in grief. After a few moments of tense silence, he lifted his head. His face was distorted with passion, his eyes blazed with a concentrated fire that fascinated her. " No, by Heaven ! " he cried. " I will not make you a thing for the world to point its finger at. You shall be my wife before all the world; but you shall be as free as air. At the first call of that wild untamable blood of yours, you shall leave me, and I shall not whimper. That is in the contract. What ! You call yourself free, and you are afraid of a conventional ceremony? What oath could bind you when your heart had slipped the bond? What power on earth could make you mine, when your THE TRELOARS 199 will revolted? You are free! free as air in my love. Bid me go now, and I leave you instantly." " Go ! " she said with a mocking smile on her lips, and he rose instantly, as if he had felt the cut of a whip across his cheek. Without a word he put his hand on his hat, and moved towards the door. " Come ! " she said, and he turned towards her, his face white, his cheeks twitching nervously. " No, don't play with me," he said huskily. " Tell me frankly, what is your will with me." She moved quickly towards him, all her doubts and hesi- tation melting in the fire of his passion. " Dick, you are glorious ! " she said, putting her arms about his neck. " I did not know you had so strong a will, so clean and warm a heart! Save me from my worse self ; take me to you as your wife, if you will ; but if the day should ever come when you regret it " She was weeping softly she could say no more, and he whispered, as he folded her in his arms : " I shall never regret it. I would rather be made un- happy by you, than be happy with any other woman in the world ! " O, the glory and the rapture of that day! The strange, hushed, sacred light of it, as the evening shadows fell when the sun's red rim dipped below the waters of the Golden Gate! Dick had left the city when he had left her, his affianced bride. What had he in common with the care-worn crowd? He wanted infinite space for the great tides of feeling that swelled within him. He could not understand, now, the vicious anger which had filled him at the banquet, for the surface glow of the consuming fire within him diffused its soft, warm color over all life. He felt exquisitely tender to the humblest manifestations of it and, literally, could not have set foot upon a worm. He was capable of the sublimest courage and the most laughable absurdity, for the white light of reason was burning low in him just now, and the red light of passion blurred his vision. 200 THE TRELOARS CHAPTER XX "THE only thing which makes me unhappy about it is this I know that it makes father unhappy. It isn't that he says anything you know, Margaret." Dolly shifted her bundle from her right arm to her left, as she started to unlatch the gate which opened upon the Tunnel Road. The bundle contained her neat, pretty nurse's dress of blue and white striped gingham. She had come over to the Treloars to show it to Margaret and to try it on. Margaret had pronounced it a perfect fit, and had told Dolly that she looked so cheerful in it, that she thought it would be hard work for anybody to be sick in her presence. Then she had gone on to the gate with Dolly, because the postman would be due in a few min- utes, and she was expecting a letter from Dick. "If he would say something," continued Dolly, " I should have a chance to talk it out with him. Then I should make him understand that I am not unloving and ungrateful. But he won't let me say a word about it. He changes the subject immediately or he leaves the house. But, sometime, Margaret, when you have a chance, I wish you would talk to him and tell him how impossible it is for me to shut myself out of the larger life of work and duty that is calling me. You under- stand me, don't you, Margaret ? " " Yes, I do, Dolly, and I think your father does, too ; and, if he doesn't choose to talk about it, it is because he can't do it without showing emotion and he is too proud to do that. Many a man has the trick of playing the stoic when he feels the deepest. I remember when a child overhearing a neighbor of ours, the dearest little woman, telling mother that every ornament she had, even to her wedding-ring meant a quarrel with her husband. He had never learned to say, ' Forgive me' and it was easier for him to buy his reconciliation than to ask for it. She said that she had learned to accept his repentance THE TRELOARS 201 in this form, but that it made her jewels hateful to her, and that one gentle, affectionate word would have touched her heart more than all the lovely things in the world. I pity enormously these reserved natures whose tongues can't do the service of their hearts. They are always misunderstood, always being called cold and heartless, when they feel the warmest." " I don't think father cold and heartless. He is far, far from that, I know. I know that he adores me; I know that he suffers because I am going away, but what troubles me is that I can't make him see that I suffer, too. I can't justify myself to him. He doesn't understand my motives." " Yes, he does, Dolly ; only, as I said before, he can't speak of it. Trust your father's penetration and his sense of justice. He knows just as well as I do and as you do, that no one can live for another, no one can choose happiness for another." " Ah, how true that is, Margaret ! Doesn't it seem strange that we can live so solitary away down in the depths of us, and no one suspect how it goes with us there, even those who stand nearest to us? There comes the postman. He's smiling and holding up a letter for you. I'll go now, so that you can read your letter in peace. Thank you very much for your wise talk, Margaret. You always do me good." " No, Dolly, dear, don't go yet. The letter is from Dick. He is my only correspondent. He may have a message for you. He was very much interested in your going into hospital work, when your father told him about it. He said to me afterwards that you were a trump." " Did he ? " said Dolly quietly. The postman touched his hat to Dolly and handed the letter to Margaret, with the words : " This is the time that I know I am always welcome." " You certainly are," replied Margaret, and when he turned away, she opened the envelope, still smiling, and 202 THE TRELOARS before removing the letter, said in fond anticipating praise of its contents : " Dick is such a good letter writer. Most people's let- ters are just- duplicates, or rather multiplicates, of one another with no change but the date. But Dick's are as various as his moods, and he never writes when he has nothing to say." She took out the letter and opened it. In a moment the loving, smiling face was white and horror stricken, and a low cry escaped her, as she bowed her head. "Margaret! What's the matter? He is not dead? No?" " No, no, Dolly," groaned Margaret ; " but I think that I could better bear knowing that he was at rest, than that this should have happened to him ! " Dolly took the letter from the trembling hand extended to her, and read Dick's announcement of his passionate love for Nita Normand, and his resolve to marry her. He added that he knew how hard it would be for her to accept this resolution at first, but that he trusted unfal- teringly in the great love she bore him to forgive him any pain he might temporarily cause her, in consideration of the fact that all his happiness was at stake. He would bring his fiancee with him on the next visit home, and it would depend on Margaret's wish, how soon that would be. He hoped it might be some day, in the following week. Dolly was trembling, too, and her flushed face betrayed her emotion, but she put her arms about Margaret's neck and, kissing her cheek, said bravely : " Dear Margaret, that isn't so dreadful. Remember what you have just said to me. We can't choose happi- ness for other people. We must let them be happy in their own way, not ours. This is Dick's way of being happy." " O, Dolly, what foolish things we say to others in pain, not knowing their folly till the pain comes to us! This is not a question of Dick's happiness. It is a question of THE TRELOARS 203 Dick's ruin, soul and body. This woman is vile: I know she is, and he is blind to it all, in this delirous mad- ness that he calls love. O, Dolly, Dolly, my heart is broken!" " Dear Margaret, don't say that. Think for a moment of all that Dick is. He couldn't love a vile woman. You don't mean to be unjust. I know you too well for that. You will think it all over to yourself ; you will see it, dif- ferently. You can't see it in the right way, now." " No, Dolly," sobbed Margaret. " You don't know it all. You don't know how persistently he has deceived me. His whole character is changed since he knew this woman. Home doesn't mean anything to him, any more ; nor do any of us; but I can't talk about it any more. I must go to father. Perhaps he can do something about it." Dolly turned away, and then Margaret called after her : "Wait, Dolly!" Dolly went back to the gate. Margaret's lips were quivering and tears were streaming down her cheeks : " Don't love anything or anybody too much, Dolly. It won't turn out right." She turned away, giving Dolly no chance to reply, and starting homeward, Dolly summoned all her courage to the rallying point. She felt Margaret's pain in addition to her own, and Dick's danger, if danger there were in his love for this strange woman, and because she would not sink under the weight of this new misery, but would carry it out with an air of bravado, even to herself, she said half aloud, all alone in the road, trudging along with the bundle under her arm, and a curious little twist in her face to keep the tears from mastering her : " I don't think life's a very good thing, sometimes ! It's just a howling farce ! Very well, I'll play out my farcical part till it turns to down-right tragedy, comedy, melo- drama, or just plain old common sense. " What a ridiculous little fool I am," she cried emphatic- ally ; " but there's one thing I shall never do. I won't 204 THE TRELOARS wear my heart on my sleeve for daws to peck at ; and I won't peck at it myself. I'll just take no notice of it and let it heal up. Work! Work! Work! That way growth and salvation lie." She was apparently so merry when she reached home, that her father thought how light a thing a girl's heart is to be moved by so small a trifle as the prettiness of a new dress ; but she did not give him much time to ponder over it, for she challenged him to a game of croquet, and in that wholesome out-door sport, they wiled away the morning, and had to be called three or four times to lunch before they were willing to relinquish it. As for Margaret, she seemed to herself to have passed in a moment from youth to old age. She repeated over and over to herself, " How could he lie to me in this way ! How could he deceive me so grossly ! Is it possible that I mean so little to him, I who have given my life to him and counted it my crown of glory ! " Then with the piti- ful and foolish exaggeration of wounded love and de- spair, she accused him of never having loved her at all, of caring for her only as he cared for a comfortable gar- ment that use had made easy to wear ; and she fell back into the bitter refrain : " And he could be so base and cowardly as to lie to me, to tell me that he would never have anything to do with her again ! " She leaned her head against the trunk of a tree, crying bitterly, emptying her sore, bruised heart of all the sor- row and anxiety which had been accumulating in it for weeks ; and when the first storm was over she prayed fervently for help and strength to drink this bitter cup of humility and anguish that had been offered to her. She asked to be shown wherein she had failed in her duty. She accused herself of having loved too foolishly and fondly those who had been confided to her care, and of having forgotten her God in these earthly loves, until He had receded from her heart, becoming but a vague ex- pression for the sum of life and energy in the universe. She divined that this wretchedness might have been mer- THE TRELOARS 205 cifully sent to her to recall Him again to her as the great Father of us all, who sees not unmoved the sparrow fall to the ground, and in whose boundless, all embracing love, our poor human love can rest unshaken from such storms as this. Then she prayed that if it were His will, He would deal mercifully with her erring brother, open his eyes to the light, and restore in him the love of home and the sweet affections that held him true to duty; and such power is there in ardent faith, springing from the deep desire and need of the soul, that the peace she prayed for, did, in some measure, descend upon her, calming the troubled surface of the waters, so that when she entered the house, she could give the letter to her father without any stormy outbreak. But her eyes were red. He saw that she had been weeping, and he lifted his brows in surprise, as he took the letter, asking : "What's this?" " You will see, when you read it." She watched him as he read it, and saw the color rise to the roots of his white hair, and her heart yearned to- wards him; she would fain have spared him this pain. But having read it, he looked at her quizzically. "Funny, isn't it?" " Funny ! " echoed Margaret. " You mean tragic." " No, I don't mean anything of the sort. There's noth- ing at all tragic in it. What is there tragic in a young man's wanting a wife and a home of his own? I called it funny, because of the remarkably serious tone in it, as if he were drawing hard breath, and bracing himself against our displeasure ; and then it came upon me so suddenly. I hadn't any inkling of it, had you?" " Yes, father, I had ; and I taxed Dick with my fears the last time he was here, but he solemnly assured me that there was nothing in it. Then you don't know the sort of woman he has chosen. She is an actress. She is a great deal older than he. They haven't a thing in com- mon, except this mad infatuation of the moment, of which she is taking advantage, I dare say, for her own private interests." 206 THE TRELOARS "Nonsense! Margaret; don't let your jealousy obscure your judgment. An actress who would marry Dick, an obscure young journalist, isn't thinking very seriously of her own pri^te interests, if she has any talent. Is this the Miss Fotheringay we were joking about?" " Yes, it's that actress we went to see at Dick's request in Ibsen's Nora, and I saw quite enough of her to be able to judge coolly, without any jealousy whatever; and she is by no means the sort of woman that I should choose for Dick's wife and my sister." " What kind of woman would you choose for Dick's wife and your sister ? " " Well, first of all, she should be a pure woman, a chaste woman." Mr. Treloar shut his eyes and drew his lips together before replying: " Well, Margaret, like good narrow women in general, you overstress a matter of temperament at the expense of a score of other qualities. But I see that you are in no mood to listen to reason, to-day, beclouded as you are with jealousies and fears. This letter must be answered. Shall I do it? Shall I tell him that we shall expect him and his fiancee on Saturday ? Of course, you know that there is nothing else to do." " No, there is nothing else to do," moaned Margaret in despair. " Nothing else to do ! I had hoped you might wish to reason with Dick against the folly and madness of this step, but you yourself do not even see that it is mad- ness and folly." " Of course I don't. I am not perched on so lofty a vantage ground that I think I get the circumference of the earth from it. I see my own horizon line, and what concerns me in it. I give to others the same privilege." " That was better said, father, by him who first asked * Am I my brother's keeper ? ' I think we are his keeper in so far that what we know to be his harm, we shall not conceal from him." "And what do you know?" was the sharp retort. THE TRELOARS 207 " Now answer me squarely. Don't answer by low sus- picions, innuendoes, and guesses. What do you actually know of a woman whom you have seen but once in the exercise of her profession, and who, measured by the enormous risks she runs, may be, even if she has fallen, a far better woman than you are, sheltered from tempta- tion in a quiet little valley, or it may be still more ef- fectually sheltered from temptation by a matter of tem- perament? It is no virtue in the lamb that it does not devour chickens like the wolf. It can't eat them. It lives on grass." " Certainly not, father. I agree wholly with your metaphor, but you will also permit me to carry it out far- ther. We will admit from your favorite standpoint of the absolute, and the eternal, that the wolf is as good as the lamb ; but from the standpoint of relativity that is, the standpoint of human life, if you were going to choose a family pet, the lamb would be a much safer one around the house than the wolf. Father, the trouble with you is, that while you are knocking your head against the stars, you are always stumbling over and trampling on things on earth that mean life to the earth dwellers. The human eye is not so constructed that it can look con- tinually upward and downward at the same time. You get a frightful squint when you try it. You have to mind your feet as well as your head. If purity of life does not mean self-mastery, thoughtfulness of others, and at the same time a lofty independence of others, and freedom in the largest, most beautiful sense, I don't think there would be much to say for it. But it does mean just that; it means exquisite freedom, the unclouded vision, not the self -centered look, but the outward look." " Pish ! " exclaimed Treloar. " You speak as a blind man does of colors." " No, father, I speak like one who has been temporarily blind, but to whom vision is restored. In my foolish youth, I thought that love was sacred, that the unreason- ing attraction which draws men and women together was 208 THE TRELOARS an instinctive expression of mutual fitness, of unchanging, unselfish love which found its highest development in the family. I know, now, that it is nothing of the sort. That it is often a mere appetite of the body, quickly satisfied and quickly reawakened, and that a life-union ought to be based on something more stable. It ought to be based on a harmony of feeling and disposition, on the consciousness that the two souls are moving in the same direction, that one does not lag behind the other, nor go off at a tangent ; and what harmony can there possibly be between this woman whose public life has fixed her mind on applause, on vain show, and numberless things which have nothing in common with the humble duties of family life and our Dick, young in soul and body, soft and green in the ways of the world, but strong and ripe in ideality, hating as you do the confusion and anarchy of thought which lead to all these hopeless, wretched hermaphroditic things which the world is now accepting for poetry, and art and now, poor fellow ! he is caught in the same confusion of ethical standards just as you are, father! Always up there in the clouds, priding yourself on your high altitude and your broad tolerance, you have lost the power of distinguishing black and white, on the earth beneath you. But, I, down here, where my vision is not obscured, I see distinctly the difference between black and white. I see that it is wrong for Dick to unite himself with this woman. At whatever cost of pain or anguish, it is right for him to break off with her, to turn himself resolutely away from this burning temptation and fix his eyes stead- ily again on his task. He can't serve his life-work and serve this woman at the same time. There is where I firmly stand." " Yes, with your feet in the mud, your eyes fixed on it, and your ears set back like a mule ! Well, that's all right. It is an attitude commensurate with your vision. Now, let's see if we can't improve on it. I grant that so far as your intention goes, you are sincerely thinking of Dick's welfare." THE TRELOARS 209 " Father ! As if there could be any doubt of that ! " " No, I am not doubting it ; but as to whether you know what Dick's welfare is, that's another question. Now, I am just as much interested in Dick's welfare as you are, and when I think he is endangering it, I am go- ing to warn him; and if a warning isn't effectual, I am going to do all in my power to prevent him from hurting himself." " O, father, I knew you would do that ! " " But I am not going to be foolishly rash about this thing. It isn't in the interests of Dick's welfare that he should grow up a Miss Nancy. You have seen this woman, I haven't. Let her come to us, Saturday, and I shall do all in my power to judge her impartially. If she is one of the vampire type that shift the center of the world to themselves and suck the mental and moral strength out of a man, I shall be just as much against her as you are, but if " " Father, there is no if she is that type." Treloar laughed again, " O, you women ! you women ! How you hate one an- other when a man comes between you ! " " No ! no ! " protested Margaret. " You have no con- ception of the feeling that I have, because you have no fear. I could pass out of Dick's life, not without pain, of course, because I am human, but at least with a resigna- tion that might finally vanquish pain, if I thought that the woman who was to take my place could keep him true to the level of what is best in him. But to stand by helpless, hopeless; to see the fresh dews of his spirit dried in the hot wind of passion ; to watch the withering of every sweet bud of promise in him that, is to me, an agony so far above and beyond mere hatred and jealousy that to confuse them with it, seems to me not so much unjust as absurd. I can't talk it over with you any more, father. I must bear it alone." Margaret left the room, and wandered out into the garden overwhelmed with a suffocating consciousness of 210 THE TRELOARS isolation in her grief. Nothing that her father had said had weighed an iota against her intuitive conviction that Dick was rushing to his ruin ; and her father's blindness to the fact seemed to her a horrible complicity in the cause of it, that filled her with terror and repulsion. To win and to hold the mastery of self, that must ever remain the highest achievement of human activity, and Dick was losing it ; he was no longer the captain of his soul ; he was drifting on a wide waste of waters, care- less whither he was going; for the voice of the siren was in his ears. " No, he didn't mean to lie to me," continued poor Margaret, thinking half aloud to herself, for her lips were moving as she thought. " I was unjust to him at first. He isn't a sneak ; he isn't a coward. He might have married her secretly, and we none the wiser ; but he couldn't do that. He must have meant to break off with her, when he said so to me ; but he has fallen again under her power; yet he is frank with us, and there is still a chance to save him; and father fails me in this crisis; He fails me for want of solid convictions ! " Margaret felt herself bereft at one blow of the two be- ings who were the center of her life; then, with the deep humility and searching introspection of the truly religious temperament, she arraigned herself, again, before the God of her conscience, and found herself guilty of treason to her own highest convictions. How complacently she had drifted with her father on the shoreless sea of doubt and speculation, exhilarated with the abundance of movement, light, air, and freedom. How she had loved him, idealized him, shielded him as her mother had done, so that he should not be disturbed by grosser cares in his life of contemplation and reverie ! She had classed him among the singing birds whose domain is the air, but alas! it was not out of the blue, but from very close to the earth, that his voice had pierced her ears to-day. " Margaret ! " " Yes, father." THE TRELOARS 211 " Where are you ? " " Out here in the garden." " Will you come in, and hear my letter, or shall I go out there to you ? " " I'll be with you in a minute, father." She hurried in to the kitchen, bathed her eyes with cold water, glanced hastily at herself in the square mir- ror above the kitchen sink, then went into the library where her father was seated in an arm-chair by the table. He glanced at her kindly and said quietly, as if wholly unconscious of the emotion which betrayed itself in her face and manner: " I don't know whether you'll approve of what I have said or not, but this is what it seems to me best to say. I think I've done it rather neatly : "Dear Dick: " The wise man of the Proverbs has told us that ' whoso findeth a wife, findeth a good thing and obtaineth favor of the Lord,' in view of which, it would be foolish and in- consistent in us to withhold our favor. Therefore, we extend to you and yours the heartiest congratulations and the most cordial welcome, trusting to your good sense not to have been hoodwinked by Cupid into mistaking a poor thing for a good thing. If you can come out next Sat- urday, we shall be ready with the fatted calf. " Affectionately yours, " PHILIP TRELOAR." " I thought you could add your signature to mine and that would save you the necessity of writing anything, if you don't feel like it. It's rather short, to be sure, but we can't go into the merits of the case with him, till we have seen the woman." " I've seen her," was Margaret's laconic answer, as she pushed the proffered letter away. " The letter is yours, I have nothing to add to it." Treloar colored, and knitted his brows in perplexity. 212 THE TRELOARS Margaret in a rebellious mood was such an astounding thing to him that he could scarcely believe his eyes and ears. " Well, Margaret," was the gentle reply, " perhaps when you come to my age, you'll know that you only hurt yourself when you kick against the pricks, and you'll learn to go round them. You're only sowing thorns in a bed you'll probably have to lie on. You'd better pull 'em out, and sow rose petals. They'll lie softer and smell sweeter. Do you think for a minute that if I saw Dick about to make a stupendous blunder, I shouldn't try to hold him back with all the might I had? If you do, you don't know your father, although you've lived all your life with him." " Father, would you really do that ? Would you really object to Dick's marriage, if you saw that it wasn't going to mean his happiness ? " "I certainly should!" " O, thank you ! thank you, father ! " Margaret caught her father's hand with an hysterical sob and kissed it passionately. He stroked her head, say- ing gently : " My poor child, how unhappy you are making your- self over a mere uncertainty. The wise soldier doesn't exhaust his strength before the battle is on." " But the battle is on," was the quick reply. " It has been on for a long time and the enemy has beaten us, so far. But, thank God ! it isn't over yet." " Will you sign the letter, Margaret ? " " No, I can't put my hand where my heart does not go." "But Dick will notice it. His letter was written to you. He will see that you do not approve of his mar- riage." " Must I tell you again that I do not approve of it, father? I wish Dick to notice that." THE TRELOARS 213 CHAPTER XXI DICK did notice it very quickly, and would rather have had one reassuring word from Margaret than a volume from his father, dear as his father was to him. However, the obsession of his love was so great that it acted as a powerful anaesthetic to the pain that her tacit disapproval would otherwise have given him. Besides, he was so sure of her goodness, her genuine unwearying self-sacrificing love that he was confident that her displeasure was only temporary, and that he would be able to persuade her that he was acting in the best interests of his happiness and his welfare. As far as he himself was concerned he never doubted it for a moment. He felt like one who had been reprieved from a death sentence, and to whom life had as- sumed a new value and significance. There was certainly no necessity for shutting one's eyes or turning them away to preserve the idea of external charm which radiated from Nita on the day that she was to accompany Dick home, in order to be formally pre- sented to his family. She had put on a perfectly-fitting, dark-brown broadcloth suit, with a rolling hat to match. She wore no rouge, but her red-lipped sensitive mouth and sparkling dark eyes gave color enough to her face.. " Do I look like an actress ? " she asked Dick, as they left the hotel together to go down to the ferry. It was a bright, lovely October morning. The air was crisp and invigorating. Big, round masses of clouds of dazzling whiteness were lazily floating over the deep blue sky. " Like an actress ? No, you look like the portrait of a lady." " Do I really, Dick ? No, let's not take a car. Let's walk. It seems so good to be out in the air again. I feel fifteen years old to-day. That's the lovely thing about an illness, when it's over. It heightens all the cheap pleasures that we scorn when we're well, like walking, eating, doing things for one's self. Look at those clouds, 214 THE TRELOARS Dick, aren't they lovely? When I was a child, I used to fancy myself curled up in them, as in a bed of soft feathers, floating away, away into strange new worlds. And next to clouds, I loved shadows. There was an old oak tree at home, under which I used to dance with the wind-driven, leafy shadows. I don't know what it was that charmed me in them ; perhaps their fluttering, change- ful intangibility. Sometimes I think I have been play- ing with clouds and shadows all my life ; and then I won- der if you, too, dear Dick, aren't one of the elusive shadows floating into my life and out of it again." She stopped suddenly, and bit her lip. She was about to say, " like all the others," but Dick, with no inkling of that ominous resurrection of the past in her memory, an- swered gaily : " Do I look like a shadow ? Like a cloud ? " " No, you look like the portrait of a gentleman ; and I am not going to float with the clouds, nor dance with the shadows any more. Ah, Dick, it is so good to feel myself at rest, now, in that big warm heart of yours ! " She was speaking quite sincerely. In a momentous crisis of her life when the future looked dark and hope- less, Dick seemed to her to have been sent like a good angel to lead her into paths of peace and pleasantness. She had been entirely frank with him, not foisting her- self upon him for what she was not, but insisting that he must know her exactly as she was, excusing herself in nothing, exaggerating rather than minimizing her faults and follies. The warm, generous devotion which Dick lavished upon her had not failed her a moment, and she felt herself born anew to him, as he had said the past dead and buried, the future all her own. " I adore you ! " was all Dick's answer to her confes- sions. He repeated the fond expression, now, and she said: " Now, if I can only make the family look at me through your eyes. I am just a wee bit afraid of your father, you know." THE TRELOARS 215 " You needn't be." " I wouldn't be, if he weren't a philosopher." " That has not prevented him from remaining exceed- ingly human. You'll see." They climbed the broad stairway, entered the waiting room, passed through the open gates, and traversed the long, inclined covered passage-way that led to the boat. They seemed to be moving in a dream, unconscious of anything but themselves; and when they were seated to- gether on the upper deck in the prow of the boat, Dick leaned close to Nita, saying in a low voice : " I can't believe it, I have to touch you to know that you are a reality and not a phantom; for since knowing you, I have never crossed the bay without having you be- side me in fancy, as you are now." " Then you have always felt quite sure of me? " " O, no ! no ! I didn't mean that. I never really formed to myself the definite idea that you were to be my wife. That seemed to be one of those impossible things that never happen to a man outside fairyland. I only meant that since I first met you, you have never been out of my thoughts." " By the way, Dick, what is the name of that beautiful girl you introduced to me, that night I played Nora, in Oakland?" " Dolly Parker." " O, yes, Dolly Parker. She struck me as being quite unusual, not at all the crude, common street type one sees so often." " She isn't of that type. She is a very sweet girl, not one of your over-knowing kind." " Dick, I wonder you never fell in love with her." " With Dolly Parker ? I should as soon have thought of falling in love with one of my sisters. Indeed, I never think of Dolly except in that way. I have known her since she was a little child. She is an exquisite girl, but there is only one woman who can speak to my whole heart, and her name is Nita Normand." 2i6 THE TRELOARS " Dick, dear, there is one thing I want to tell you. My name is not Nita Normand. It is " " No, my love, don't tell me, please" hastily interrupted Dick, flushing as he spoke, " the old name, the old life, that is dead. You have no other name for me but Nita Normand, until you change it into Nita Treloar and that is not to be far off now. Here we are." The passengers had risen ten minutes before the land- ing of the boat, and were huddled about the stairway and its entrance, ready to be the first to step on the gang- plank. When the boat landed they pushed and jostled their way to the waiting cars. Dick found a seat for Nita and stood beside her in the aisle, hanging on to a strap as they hurried over the long railway that connects the mainland with the pier. On either side of them, ex- tended the blue waters of the bay, and white sea-gulls were circling in the air above them. " This always reminds me of the approach to Venice," said Nita; then she could have bitten her tongue for saying it, because her memories of that city of the sea were not pleasant nor creditable ones, and she had prom- ised herself that the past was to lie dead and buried. How was it that it was rising to-day, and confronting her at every minute, refusing to lie buried, linking itself, even with Dick's devotion, to memories that were treach- ery to him? If she could really blot it out! " I have never seen Berkeley," she hastened to add. " Berkeley the Beautiful, they call it, don't they ? I have always been planning to see the Greek Theater." " Haven't you seen the Greek Theater yet ? " asked Dick in astonishment. " That is one of our show places. I must get father to drive us out there, before we go home. He is coming to meet us, you know." " O, do, Dick, I should so much like to see it first with you." He looked down at her with loving pride, thrilled with tender gratitude for every expression of hers that united him with her, in her thoughts. How she broadened his THE TRELOARS 217 horizon; and his thoughts expanding with it filled him with the hope of a rich fertility which would yield fruits not for himself alone, but for all mankind. Poet! Prophet ! an exquisite line of Guyau's flashed through his mind : " L'art, c'est de la tendresse." Art is tender- ness. He knew it indubitably. Love only is creative ; all the rest is but make-work, base imitation, surface with- out soul hollow, wind-filled. The very motion and roar of the cars, usually disagreeable to him, changed into rhythm and music. The long stretch of low frame houses, the stunted palms, dust-covered and languid; the eucalyptus trees, sloughing their ragged bark and strew- ing the ground with their long, narrow, slightly curved, scimitar-pointed leaves all these familiar sights were no longer common and ugly, but infinitely precious and beau- tiful to him. " What a perfect day ! " he said softly, and then louder, as the car stopped at one of the stations. " There's father waiting for us ! " " Which is he ? " asked Nita, as they stepped from the car. " The man in gray. See, he is lifting his hat. He has seen us." The man in gray was looking particularly neat and at- tractive as he descended from his carriage with the agility of a much younger man and held out his hand to Nita, whom Dick introduced to him. His clean-shaven cheeks glowed with a healthy pink hue, and his gray moustache was carefully waxed and twisted into a sharp tight line at the ends. His linen was irreproachable, and his white cravat was carefully knotted. In spite of his philo- sophical indifference to dress and his decided preference at home for a slouched collar and baggy trousers, Philip Treloar was not above a fastidious deference to the con- ventionalities in public. To-day, he was particularly anxious to make a good impression upon his prospective daughter-in-law, from various motives, which, perhaps, he himself could not have analyzed, had he tried. It 218 THE TRELOARS may be that the most irresistible one had been simply the banal instinctive masculine wish not to appear unattrac- tive to an attractive woman. That she was attractive he had no doubt. Dick was not a young man to fall in love with a woman destitute of charm, no matter how much imagination he had wherewith to beautify the woman of his choice. He was right in his conjecture. No sooner had he spoken to Nita than he felt the subtle inexpressible witchery of her voice and manner. " It was so kind of you, Mr. Treloar, to come to meet us. I am sure I am very grateful." Common enough words, but she said them with such heartiness and such rich inflections that they seemed very uncommon, and the expression of a large responsive nature in the presence of which one felt instantly at home. And Treloar felt at home with her at once ; he, too, had always known her. She was das Ewig-Weibliche. " You're a lucky dog, sir ! " he said, shaking his son's hand. It was his way of bestowing the paternal blessing. " You'll sit with the driver, Dick, and I'll take the back seat with the young lady." He helped Nita into her place, seated himself beside her, carefully spreading a lap-robe over her dress and tucking it in at the side. " Straight home, sir?" asked the driver of Dick. " No, to the Greek Theater, first. Father, Nita has never seen the Greek Theater, and I promised her that we should show it to her, before we went home." " Certainly, Dick ; we'll drive right over there. So you haven't seen the Greek Theater? I am glad that we have something so lovely to show you." Arrived at the foot of the wooded hill on the summit of which is the great stone amphitheater and stage known as the Greek Theater, Nita was unaffectedly enthusiastic about the beauty of the situation. " How lovely it is, this great forest of pines and eucalyptus trees! I am so glad you didn't describe it to me, Dick. It comes to me so fresh and new." THE TRELOARS 219 " It's a tough climb up the hill, though," said Treloar, helping her out of the carriage. " But I'm a good walker," she answered gaily. " Ask Dick if I'm not." When they reached the theater and stood in the arena with the vast circles of stone seats, tier upon tier, around them, inclosed by the dark green summits of tall eucalyp- tus trees, and roofed by the blue sky, Nita turned to the stage with an irresistible awakening of the instincts of the actress. A vivid color mounted to her cheeks, and she cried out : " I must try my voice on that stage. Will you wait here, please, and see if you can hear me ? " As she started off, Treloar turned to his son saying: " Isn't that natural ? The sight of the stage stirs her as the trumpet, the war-horse. How are you going to tame that out of her and make her trot quietly in do- mestic harness ? Have you thought about that, Dick ? " " No, because that does not in the least trouble me. I don't want her turned into a drudge. I want her just as she is with all her quick impulses and her rare gifts. She wouldn't be Nita without them." Dick set himself squarely upon his feet and looked up at the stage where she faced them. Was it the actress trying her voice in the passionate lines of the well known sonnet, or was it the woman conscious of her need of indulgence, trust, and hope that spoke in the clear voice ringing out to them? "/ lift my heavy heart up solemnly, As once Electro her sepulchral urn, And looking in thine eyes, I overturn The ashes at thy feet. Behold and see What a great heap of grief lay hid in me And how the red wild sparkles dimly burn Through the ashen grayness. If thy foot in scorn Could tread them out to darkness utterly, It might be well perhaps. But if instead Thou wait beside me for the wind to blow The gray dust up, . , . those laurels on thine head 220 THE TRELOARS O my beloved, will not shield thee so, That none of all the fires will scorch and shred The hair beneath. Stand farther off then! Go!" CHAPTER XXII MEANWHILE, Margaret, waiting at home, was school- ing herself to meet with dignity, this bold intruder into the family, as she persisted in thinking that Nita was. Her father just as persistently refused to take any no- tice of the change in her behavior, but Catherine was not so indulgent, and on this day of Nita's expected arrival, having asked the same question of Margaret several times without receiving a reply, she burst out impa- tiently ! " You get on my nerves ! What's the matter with you, anyway ? Why don't you say something ? " Margaret, who was arranging some flowers in a glass bowl, stopped her work and looked calmly at her sister before replying : "What shall I say?" " Well, in the first place, you might answer my ques- tion. Is Dolly coming out, to-day ? " " No. Her father says that she doesn't like to ask a favor yet, as she has been so short a time at the hos- pital." " I don't see why. She isn't getting paid for her work." " So much the more reason for doing it conscientiously. Will you please take hold of the other end of the table? I want to move it a little farther this way. There ! that's enough, thank you." " Are you going to be like that all day, Margaret ? " "Like what?" *' Like this." Catherine stiffened herself in the primmest of atti- tudes, folded her hands, and drew down the corners of her mouth in a droll expression of prudery. THE TRELOARS 221 Margaret flushed and faintly smiled. "Do I look like that?" " Yes, only a good deal worse, for your face is nat- urally longer than mine, so that it can look prunier and prismier, and now that you have got that new sag on it at the corners of your mouth, you are really funny. Why don't you say right out all you feel and be done with it? You'll be in a much more amiable humor to meet our new sister, if you once let yourself go. You hate her, don't you ? " The harsh crude phrase fell painfully on Margaret's ear ; her lips trembled, but she said nothing, and Catherine went on: "Of course, you won't admit it, I don't expect you to. It's against your principles to hate anybody, so you'll give your feeling some other fine name, like solicitude about Dick, or something of the kind, but you can't fool me. You hate this woman, because she isn't like us. I like her the better for it. She has had the courage to be an individual. You hate her because you have no longer the first place in Dick's heart. Are you so green as to expect always to keep it ? " The cruel taunt struck Margaret like the lash of a whip. She sank into a chair, and covered her face with her hands. In a moment, Catherine was kneeling on the floor beside her. " Don't cry ! dear Margaret, and do forgive me. That was so nasty of me. I didn't mean to hurt you. I only meant to steel you against this frightful disappoint- ment to you. I know how it pains you ; but you mustn't let it do so. You must be brave; you must look at the thing sensibly. It isn't so dreadful as you think, and it isn't irrevocable, even if Dick marries her. Nobody thinks of love any more as an unchangeable emotion. You catch it as you do a fever, and then you get over it, and you catch it again, if you're exposed. Why, Clarence Raymond and I have made a promise to each other, that we are not going to swear unalterable fidelity to one an- 222 THE TRELOARS other. That would be ridiculous. How can we swear that, and be sure of ourselves? We have promised each other that the very moment we begin to bore each other, and to care for somebody else, we're going to quit, be- cause love is the holiest thing in the world, and we must obey its call, and not " There was something so deliciously, absurdly naive in Catherine's assumption of superior worldly wisdom and knowledge of life, that Margaret dropped her hands and broke into an hysterical laugh. " That's right, Margaret ! " exclaimed Catherine, cheer- fully. "Do laugh, like a good girl, and don't cry any more. It really isn't worth while. See, they'll be here in an hour, and we mustn't have tear-stained faces. What are you going to wear? You look so lovely in that cream serge of yours; and let me do your hair and fluff it a little at the sides, so it won't look prim." She ran her fingers caressingly through Margaret's soft hair; she was really feeling very remorseful, in spite of the fact that her ethical system did not admit of re- morse. " You believe I love you, don't you, Margaret ? " " Perhaps, when the fever's on, Catherine." " No, this isn't a fever. This is another kind of love. Margaret, do you read Ellen Key's books ? " " I don't need to read books to find out what I should put into my heart, or what is already in it. I read my own heart, and perhaps it is as big a book as Ellen Key's, though it shouldn't speak the same language." Catherine saw that Margaret was in no mood, now, to be converted to advanced views on life. She was lagging far behind on the road to progress, and Catherine must abandon her and go on alone in her enlightenment. Poor Margaret ! " I think I shall wear my serge, too. O, no I forgot, there is an ugly three-cornered tear in the skirt where I caught it in the auto door, the other day." " I have mended that tear so that you can't notice it." THE TRELOARS 223 "Did you, Margaret? You darling! Thanks ever so much ! " She bent over Margaret and kissed her heartily. " Now remember, dear," she went on, " if you want me to feel that your Christian philosophy is as good as my pagan one, you'll have to cheer up a bit. I'm not going to be convinced by long faces. How sweet the house looks, doesn't it? And we want it to look pretty for the newcomer." Catherine had at last touched Margaret in the right spot. When Catherine left the room, she knelt beside her bed and prayed for strength and courage to sustain her through the day. Her heart beat fast; her face burned, her eyes sparkled when she descended to the reception room; but her thoughts were in such disorder, that she felt as if she were an automaton, and that the words which fell from her lips had no echo in her heart and brain. Dick put his arms about her and kissed her affection- ately, but she gave him no kiss in return. She turned away from him at once to say to the lovely woman who was removing her gloves and hat to give them to Catherine : " Did you find the ride tiresome ? " " On the contrary. It was delightful. I had no idea how beautiful it is about here. Those lovely villas with their terraced gardens all along the road made me think of Italy. And every turn in the road opened up some new unexpected view that enchanted me. How happy you must be to wake up every morning to so much beauty." The words were said with such gracious enthusiasm that Margaret would have been a woman of obstinate perversity not to have been in some measure responsive to them. She replied that they did enjoy it very much, but she feared that to any one accustomed to the stir and variety of city life, the unchanging quiet might seem a little dull. Then after seeing that Nita was comfort- 224 THE TRELOARS ably seated and taken up by the attentions of the others, she excused herself on the pretext that she must look after the dinner, and slipped away into the kitchen. Long afterwards, when she voluntarily recalled this day, she had a confused recollection of having passed it like a hunted hare, with frightened alert pauses and quick darts into concealment, and that when its long hours were over and night had at last closed in, she felt as if some spring which had sustained her through the day had broken, and that she was incapable of further action, or further thought. As for Nita, the last adieux over, when she was alone again with Dick going back to San Francisco, she, too, felt that she had passed the day under an unusual strain. " Ah ! " she said, drawing a long sigh, " do take me to some wicked place where I can hear people swear! I have been so outrageously good, to-day ! But do tell me first, how in the world you ever managed to preserve your youth, in that highly intellectual family of yours ? " "Don't you like them?" There was something so pathetically appealing in poor Dick's tone and something in the consternation of his face which betrayed how she had wounded him, that Nita repented heartily of her jocular rudeness, and said quickly : "Of course I do ! I mean to like everybody and every- thing that belongs to you. But the free and easy gait I have acquired in Bohemia makes it a little hard for me to keep step with a non-Bohemian one. But I'll man- age it little by little. You really are a very interesting family, you Treloars very clever, all of you." " Yes, but I think each of us has a gait of his own, and that you will not be required to keep step with any- body. You can just be yourself, Nita, with each one of us, and the more you are yourself, the better we shall like you." "I think your father likes me." " I am sure he does. He told me that you were the most charming and brilliant woman he ever met." THE TRELOARS 225 "Did he really? Please tell him for me that I think he has an extraordinary amount of uncommon sense." " And a limited quantity of the other kind? " " I did not say that. I really don't think it. He seems very versatile. He is one of those delightful people to whom you always want to go with any intellectual in- terest you have a fine poem, a haunting strain of melody, a lovely picture, a witty saying. I like such people immensely. They double your pleasure in beau- tiful things by letting you share it with them. But if one had a great sorrow " " You would not find him unsympathetic. He is really very kind hearted; but if you needed the most healing balm of human sympathy, you would go to my sister Mar- garet." " O Dick, she is the last person in the world to whom I would ever go." " No, no, Nita, dear ! you are mistaken. She was not herself to-day. I know it. She did not let you get acquainted with her. She was even distant and elusive with me; but I am as sure of her love, as I am that the stars are shining yonder. The truth is, she loves me so much that she can't bear to share me with you. But she'll get over it. She does not know yet that I can love you both without in the least ceasing to love her, as I have always done." " My dear boy." Nita put her hand on Dick's and smiled enigmatically. " That is exactly where your sister is a great deal wiser than you are. She knows that it can never again be quite the same between you, since I came into your life. I feel sorry for her, really I do; be- cause she is going to make herself so very wretched ; but nothing in the world that I could ever do would make her love me nothing! I want you to know that right at the first, Dick, so that you can look the situation squarely in the face, and give me up, if you care more for your sister's happiness than mine." Dick drew closer to her and tightened his grasp on 226 THE TRELOARS her hand till it pained her. One of the cruel fascina- tions which she had for him was that he was never quite sure of her. " You are hurting me, Dick. You see you love me best. No! your sister and I face different ways. We never can meet. We might do each other good if we could. She might teach me repose rest in duty, and I might teach her that you may lace yourself so tightly in your virtues that you can't breathe freely, and so grow anaemic and sickly. As for your sister, Catherine, she is in no need of such teaching. I should like to put a pair of moral stays on her to keep her from slopping over." " Catherine is a fool ! " said Dick sharply. " No, she's not a fool ; she's only silly. There's a difference. A fool is hopeless; a fool he was born, and a fool he will die; but a silly person may have a sub- stratum of sense temporarily obscured by some illusion or obsession. Your sister is a victim of higher edu- cation." " How wonderful you are, Nita, just as wise as you are beautiful." " No, I'm not, Dick. I am only wise intermittently, and unfortunately, not always at the right time. I have lived by impulse all my life. I wonder if I can learn now, to live by rule. You will have to be very patient with me. I have a thousand faults where you have one ; and I am not patient under restrictions and censure, spoken or concealed. That is why I must not see too much of your sister Margaret. We should goad each other beyond endurance. I felt the greatest temptation, to-day, to prick her by little covert, innocent-appearing attacks into a display of open hostility ; but I forbore for your sake and your father's. That is why we must be married in our own home and not under her roof. Don't you think we'd better decide upon the house we were looking at yesterday? The one with the view of the bay and the mountains ? " THE TRELOARS 227 Dick assented eagerly, although he had thought, yes- terday, that the rent was high, in fact quite beyond what his income warranted him in paying. But he had several thousand dollars in the bank and there was no immediate necessity for economy. Besides, he shrank painfully from any worldly-wise dictates of prudence in money matters, where her wishes were concerned. He was young and strong; he was in no danger yet of brain fagging. He could double his work, were it necessaryT He was responsible for her abandonment of a career in which fame and wealth undoubtedly awaited her, and he would be a sordid ingrate to deny her that beauty in her surroundings which her nature craved, and which she might have procured by her genius, had he not come into her life. CHAPTER XXIII "Now, therefore, keep thy sorrow to thyself, and bear with a good courage that which hath befallen thee." MARGARET had lighted on these lines in II Esdras one morning, two weeks after Nita's visit, and it seemed to her as if Providence had spoken directly to her in this wise admonition. Who was she that she should ex- pect to pass through life without sharing the common lot of sorrow? Was not sorrow the passage to greater perfection? Of what use are fine aspirations and beau- tiful faiths if they fail us when we need them most? Up ! up ! my heart, " keep thy sorrow to thyself, and bear with a good courage that which hath befallen thee." Margaret repeated the lines till the strength of them penetrated her, and her burden lightened. She went di- rectly to the kitchen and said to Betty: " Betty, can you get an early lunch for father and me? I want to go over to San Francisco. Don't put yourself to much trouble. Make a little fresh coffee ; fry us an egg and a slice of ham, and open a fresh pot of marmalade. That will be enough." 228 THE TRELOARS Having given her orders, she went in search of her father. She found him walking in the garden, and called out: " Father, don't you want to go into the city with me to select Dick's wedding present ? " It was the first time that she had, of her own accord, mentioned Dick's name since his letter announcing his engagement. Treloar had been thinking of a wedding present, too, only he had called it Nita's instead of Dick's. He had been very sorry to notice that Margaret continued her disapproval of Nita, therefore, he assented with particular pleasure to Margaret's invitation. He had begun to fear that she was wanting in that flexibility which in persons as well as in steel makes a superior quality the power to bend without breaking. How- ever, he had too much tact to speak of his pleasure at her return to her old self, but chatted of indifferent things, of the necessity of cutting the grass again; of making another rose bed on the south side of the house ; of putting a geranium hedge on each side of the gravel path which led to the chicken yard; of his preference for the bright crimson variety, in which Margaret agreed with him. In the city, he stood with her before the artistically draped show windows and looked at all the feminine finery with a docility that admirably covered his unspeak- able contempt for it. It was his way of rewarding her for being a good girl and coming to her senses. When it came to selecting the present, however, and Mar- garet expressed the wish to buy a handsome writing desk, he demurred on the score of its being too exclusively Dick's present, and they finally compromised on a very handsome solid oak library table which Margaret was to furnish with sundry accessories, necessary to the com- fort of a writer. For that purpose they went into a book shop, and after making their purchases Margaret's attention was attracted by a modest little volume in a brown cover, entitled Comfort Found in Good Old Books. THE TRELOARS 229 It was beautifully illustrated with soft-toned reproduc- tions of old book-pages and portraits of famous old authors, harmonizing in color with the paper of the text which had a touch of brown in it. Margaret looked over the introduction, which concluded with the following sen- tence : " Even the sphinx is not so enduring as a great book written in the heart's blood of a man or woman who has sounded the deeps of sorrow, only to rise up full of courage and faith in human nature." For the second time to-day, an unknown writer had spoken to her out of the depths of human experience, and had held out a hand with a warm human grip in it. " I will take this book," she said. " What are you buying ? " asked her father, putting down some volumes which he had been looking over. Margaret showed him the book. " Ah yes. Fitch of the Chronicle. He does very good work. I wonder if Dick knows him. He lost a son, a brilliant young fellow, some time ago. All his friends thought he would go to pieces under it, but he pulled himself together, finding consolation in the wisdom of the ages, as it is spoken in the great books. I wonder from how many books of the present day he could have drawn comfort. Well, are you ready to go? " " Yes, I am ready." " Wouldn't you like to call on Nita, while we are over here ? I think you ought to." Margaret flushed. She had not courage enough for that. " I can't go to-day, father. I must get home, and help Betty with the dinner. The doctor is coming over to-night, you know." He did not tell her that he knew very well her assist- ance was not at all necessary, and he did not urge her to go against her will; but he did some very energetic thinking about the cursed narrowness of women, and their 230 THE TRELOARS petty hostility to one another. Neither did he tell her that he himself had called on Nita the last time he was in the city. Dick and Nita were married at high noon, one bright day towards the end of October. They were married in their new home, the picturesque cottage fronting the bay on the outskirts of San Francisco. Dick was es- pecially jubilant, because it was a sunny day, and the season was approaching when rainy days. are frequent. " Happy the bride that the sun shines on ! " was his first greeting to Nita on that memorable day, " the bride- groom can be happy in any kind of weather." " The bride, too, if she's the right sort," answered Nita, seating herself beside him in the carriage which was to drive them to their cottage. All the wedding guests were to be there waiting for them. Margaret, at the last moment, had sent word to Dick that she was too ill and weak to be present, but that she was sending Betty over with a basket of the loveliest flowers she could get, and he was to take them as emblematic of the good wishes accompanying them. He would find at the house her wedding present which she hoped would be a constant reminder to him that she trusted he would yet do good work with his pen. Nita who had anticipated this ill- ness of Margaret's and did not believe in it, wisely made no comment on it; but to do Margaret justice, she had really felt physically unable to support the excitement of the day. She had put all her strength into the mes- sage to Dick, and he gratefully received it, incapable of feeling anything but gratitude on this day of days. After his first greeting to Nita and her answer, Dick settled back in the seat beside her, his hand upon hers unable to speak further. He had a singular feeling of the unreality of it all, as if he were but half awake, and the lovely dream would vanish if he were to think vigorously or much bestir himself. He wished they might go on and on forever, just as they were, with this THE TRELOARS 231 gentle motion of the carriage, the sweet play of light and air about them, the hum of the crowd entirely softened to his senses, as if it came from afar. He did not like to think of the little company as- sembled at the house, the dinner that would be ready for them after the ceremony, and their two hours' drive in Golden Gate Park, hard by, which was to be their wed- ding journey. It all seemed child's play, not at all re- lated to the exquisite seriousness of the hour. But the ordeal had to be endured. Arrived at the home, he had to listen with a forced attention to Catherine's vivacious account of Betty's experience with the two Japanese boys who were to help her with getting the dinner ready, and with the service at the table; how she persistently judged their capacity by their mistake in addressing her as " Sir," and believed that she could get along much better with- out them. He had to use his wits to keep Max and his father from entering into an interminable discussion ; for at Nita's urgent request, Max was one of the wedding guests, and found occasion during the course of the day to ask her to use her influence with Dick to review the Dawn. He had to thank Dolly and her father for their hand- some gifts and for their presence at his wedding, assur- ing them that if they had not come, he would have missed their friendly faces more than he could tell. He kindly enquired of Dolly how she liked her hospital experiences, and told her that if he were ever ill, he would want no other nurse. He had to listen to his prospective brother- in-law, the colorless, mild-eyed, blonde Clarence Ray- mond, when he broke into a subdued admiration for the site of his new home, and the home itself which was unusually beautiful. He wished he could duplicate it for himself and Catherine. He had to introduce the clergyman to everybody and see that he felt at home. He had to make a pretense at eating and enjoying the rich dinner prepared for his guests. 232 THE TRELOARS There was only one thing that he did not have to do. He did not have to sustain the courage of a timorous and shrinking bride, nor attempt to bring out to public view those charms of mind and manner which had seduced him in private. Nita was admirable. She was not only beautiful in her simple, clinging gown of soft, white, lusterless silk, but she was beautiful in the easy and charming way in which she made every one feel himself at his best, which is not entirely the same thing as mak- ing him feel himself at home. No one parted from her that day, regretting anything he had said or done, or feeling that he had left anything unsaid or undone that would have contributed to the general delight. When the day had ended at last, and they were alone with their happiness, Dick turned to her, holding out his two hands and drawing her close to him, while he kissed her and fondly stroked her hair, he said : " How proud I was of you, to-day ! " " Were you really, Dick ? Yet it was a very trying day to me. I felt as if I were on the stage, going through a new part which I had not rehearsed, and might blunder at any moment." " You could not blunder, if you tried. What might be a blunder in the rest of us would only be a new charm in you. ' Thou mak'st faults graces that to thee resort.' " " Ah, my young poet, if you can only keep on trans- lating all my faults into graces, what a charming thing it will be." " I shall not fail in my translations, and, you, my love, will you keep on trying to people this quiet place with sweet thoughts of me, so that it won't weary you ? " "Weary me, Dick? If you only knew how glad I am to rest ! If you only knew how tired I was of having no settled place to call my very own, of having always to live in strange hotels and railway compartments, saying always the same flat things to the same flat people if you knew how inexpressibly tired I was of the petty meannesses of the human heart, its ignoble jealousies, its THE TRELOARS 233 cold egotisms, its impossible ambitions you would know what a heaven this lovely place seems to me. Why, Dick, I have never had time to get acquainted with myself. My life has been like a cinematograph, a perpetual change of scene and faces. I really don't know what sort of woman I am, any more. I am taking myself on trust just now, I want to see if I can live up to your heart's ideal of me. It is a new and tonic experience. I like it immensely. It makes me very happy, happier than I have ever been in all my life." She really believed what she said, and Dick believed her, too. CHAPTER XXIV DOLLY PARKER and her father, having separated from the rest of the little wedding party at the ferry, were leisurely making their way to the hospital in Oakland where Dolly was receiving her training. Now, to tell the literal truth, Dolly was not returning to her duties with the cheerfulness that implies a delight in them. The massive red brick hospital with its many windows flash- ing a bright light into the darkness had never looked so comfortless and repellent to her as it did to-night. Her father accompanied her to the door, but would not go in, and Dolly lingering beside him was wishing with all her heart that he would set his foot down peremptorily, and say: " Now, Dolly, we've had enough of this. I want you to quit this fooling and come home with me." Dolly's frame of mind was something akin to that of the naughty boy who, having in a pet left his good home and indulgent father and mother to make his own way in the world, suddenly discovers that the world does not owe him a living. " Daddy," she began, twisting the button of his over- coat as she spoke, " I am getting the awful habit of 234 THE TRELOARS viewing humanity in a bony light a la Mr. Venus. I am getting all the fluffy nonsense rubbed off. You would not like me entirely destitute of fluffiness, would you? " She hoped that he would reply that he liked her just as she was, but he very wisely did nothing of the sort though he was secretly delighted to know that he was in no danger of losing her entirely. So he answered very deliberately: " The first month or two are very hard, Dolly, I know it. You must expect that. You are soft, like a young colt that has been running in pasture all its life, and has just been put into harness. The harness galls it everywhere it touches the skin; but in a little while, the newness wears off and it is not conscious any longer of a buckle or a strap." " It is not the harness that bothers me, now. It did at first, of course. I never told you that the first week, I lay one night with my blistered hands in a basin of water to take out the burning sting." " That was not the best thing to do." " No, I know it wasn't, now ; but, then I did not know what else to do, and I wasn't going to whine and com- plain and ask what to do for a blister, when people under the same roof with me had hideous ulcers and gaping wounds that refused to heal: Ugh! I don't say I didn't cry on account of the smart, and because I was so tired, but nobody saw me cry." " That's right, Dolly, nobody should see you cry." " Now, you see that I am not complaining of the harness. The blisters on my hands have changed to callous places. I don't tire so easily any more. I can rise at half-past five and wake myself entirely up while dressing, and I can dress in a quarter of the time it used to take me. And I can take a bath in a bowl." " You're getting a fine training for making a comfort- able traveling companion, Dolly." " Yes, I have learned the perfect idiocy of f ussiness. We have a patient that never stops ringing her bell, and THE TRELOARS 235 when you go in, she is always wanting what she can't have, and objecting to what she can have; but I've just got so that that doesn't bother me any more than the sweeping, and dusting, and slop-emptying. But " Dolly stopped, and heaved a long-drawn sigh. "Well, what does trouble you, my child?" " Daddy, I can't bear to see pain, pain, pain, nothing but pain. A little child very ill of a fever, cried all day long yesterday, ' mamma! mamma! mamma! ' till its poor little voice hoarsened to a thread. It broke my heart. I can't bear it. I can still hear the sound of its voice in my ears." Dolly involuntarily put her hands to her ears, as if she were shutting out the sound. " Yes, but you'll get used to all that, too, Dolly. Your heart will grow a little callous like your hands, and still remain very soft underneath the surface, I hope. We all have to get just hard enough to bear the touch of pain without weakening under it. The most skillful op- erator I know, the coolest, clearest head, fainted at his first sight of the dissection table; but his wish to be of service to those who suffer, led him to persist until he conquered his weakness. I should like you to stick it out a year, anyway, Dolly. You know I wasn't much in favor of your coming here, at first. I had selfishly got used to having you around me at home. But I see, now, that you were wiser than I. Every woman ought to have some training of this kind. It will rid her, not only of a lot of fluffy nonsense, as you call it, but of a lot of dense ignorance of human nature which leads so many idle yawning women into silly sentimentalisms and hope- less quixotisms of social reform. And, Dolly, there's an- other thing I'd like to speak to you about. You are young, good-looking, attractive." " Somebody told me the other day that I was called the belle of the hospital. Do you like that, Daddy?" " No, I don't like it," he answered severely. " I think it's silly, and if I thought such a thing as that would turn your head " \ 236 THE TRELOARS " You'd take me right home, to-night, with you wouldn't you Daddy?" " No, I wouldn't. I'd be too much ashamed of you to get any comfort out of having you around me." Dolly burst out laughing. " No, I am serious, Dolly. I want you to listen to me. I've lived. I know life. I know men. I am one of them. All men are as normally attracted to pretty young women as iron filings to a magnet." " As the moth to the candle, Daddy. That is the simile which time has sanctified." " Yes, but it does not suit the case ; because the moth dies in the flame and the candle burns on. It would be entirely correct if the candle went out, and the moth flew away unsinged, which is what really happens with the male moth and the female candle, nine times out of ten. The tragedy of these emotional affairs is that a woman mistakes a two-penny form of excitement for a valuable, permanent affection, and her vanity makes her believe that she is one chosen out of many, because of her superior charms, instead of being only one of many whom chance makes it convenient for him to prefer tem- porarily." "No more but so?" said Dolly with mock Ophelian insistence. " No more but so ! " repeated her father, not relishing the mockery. " I wish you could hear the light, banter- ing, silly, conceited way in which men, young and old, speak to each other of these affairs. It would heartily disgust you, and make you resolve never to lend your- self to be a low jest to any of them. A young woman in your position must be doubly careful, surrounded as she is by so many subtle appeals to her sympathy and her vanity. You will hear serious things spoken of lightly. It is a sort of fad among would-be smart people, now- adays, to mock at what used to be reverenced, and to boast of their vices and vulgarity as a sort of superior knowingness. It is a poor, cheap, vulgar sort of knowl- THE TRELOARS 237 edge, that can be found in a much completer form in every prison and penitentiary in the country. Never for- get this, Dolly: Civilization is only the blossoming of human experience, into the finest morality ; and purity is one of the blossoms. There is one woman whose mem- ory I want you to keep near you. Never listen to any- thing or do anything that you would not listen to or do in the presence of Margaret Treloar." " Dear Margaret ! " exclaimed Dolly. " She is a good woman. Why wasn't she at the wedding to-day? Is she really sick? I know she is heart-broken over Dick's marriage. But don't you think she'll ever get over it ? " " I don't know, Dolly. She is not one of the April women who can smile and cry in an hour. She is deeply hurt. Time will answer that question." "What do you really think of Dick's wife, father?" " That she is a fascinating woman who needs an audi- ence before whom she can exercise her gifts. For that reason, she is about as dangerous a domestic pet as a half-tamed tiger. However, Dick may succeed in tam- ing her wholly. We'll have to leave that to time, too." " Dick's father seems to think she's perfect." " Humph ! Poor old Phil is hopelessly romantic. He is a spiritual adventurer, capable of descending into hell with a brand-new argument to induce the devil to put out his fires, and believing that he succeeded if he came back with his wings only slightly singed. Phil doesn't recognize any spurious forms of love. It's all the genu- ine article with him, and sacred because ' God is love ! ' As for me, I am inclined to think that the devil has a very flourishing monopoly of most kinds of it. Now, my girl, it's getting late. Kiss me good-night. Don't forget that your old Daddy loves you better than anybody else in the world." He kissed her affectionately, waited on the steps, till he had seen the large entrance door close behind her, then hunted up a taxicab and was driven home. It had been a long time since he entered the house, made desolate to 238 THE TRELOARS him by Dolly's absence, with so much satisfaction as he felt to-night. He had acquitted himself well. He had been resolute, where he had been sorely tempted to be weak. He had said plainly to Dolly what it had been in his heart to say for a long time ; and he had seen clearly that he was in no danger of losing his daughter, but that she would return to him the happier for their separ- ation. CHAPTER XXV DICK and Nita had just risen from their late breakfast, served by their Japanese boy, Kurita, who came early every morning and stayed till nightfall to do the heavy work of the new household. They had been married a week, and not a cloud as big as a man's hand had ap- peared in their sky. Dick still felt himself adrift on an ocean of bliss, not yet alertly awake to any sharp re- alities about him. Life was literally a dream. We have made such flat and common use of the word dream, applying it to everything from a strawberry ice to the most finished work of art, that it has grown trivial and vulgar; yet there is no other word that so perfectly ex- presses a pure joy distilled and freed from all the im- pertinent intrusions of reality. There was no grit nor flaw in Dick's happiness ; as for Nita, she, too, was happy, not in the same exalted youthful way as Dick, who seemed always to have just finished a bottle of cham- pagne but in a restful, grateful way like that of one who has been out on a dangerous sea and comes safely into port. She was enjoying for the first time in her life the love and companionship of an intelligence equal to her own, and a superior moral nature unconscious of itself, never obtrusive, now, but making itself felt in a variety of delicate and subtle ways. She noticed it first in his gentleness towards his inferiors, to all who rendered him any service; and she contrasted it with the rough and brutal, or coarse, jesting and familiar THE TRELOARS 239 manner which betrays the parvenu in many a man who hopes to conceal the fact by showing his contempt for the condition from which he himself has so recently sprung. No man or woman ever felt degraded in serving Dick, but rather that it was a privilege to do so. And he required so little waiting on, always preferring to put himself out, instead of anybody else. How simple, frank and buoyant he was, extraordinarily youthful, in an age when it is the ambition of the young to have a wrinkled mind at twenty, and to die of senility at forty. In his moments of fresh enthusiasm, Nita felt herself his senior by half a century, and wondered if she would always be able to conceal so admirably this enormous disparity. Perhaps not, in that case, the con- sciousness of it must either bore or sadden them inex- pressibly. At present, it was her secret alone, and to him she was as fresh and bright as the morning dew. She looked particularly bright this morning, in her soft white cashmere gown, with a knot of blue rib- bon at her neck. She had resolved to permit herself no morning slovenliness, to guard jealously the secrets of her toilet, and always to appear before Dick at her best. They had been obliged to compromise on a break- fast hour. Nita, whose habits had made an eleven o'clock breakfast an early one for her, made her first sacrifice to Dick in consenting to breakfast at half-past nine, which was a late hour for him, especially as he had a long car ride before him to reach the down-town office, where he had his work to do. He had tried stay- ing at home one morning to see if he could do his work there, as Nita suggested, but it was impossible. He could not rid himself of the consciousness of her presence long enough to finish a sentence. In fact, it was difficult to write anywhere. Life was a prolonged holiday; and these days of perfect happiness when he seemed to live a year in a week, were absolutely sterile, for the time being, so far as intellectual work is concerned. He could not think; he could only feel. 240 THE TRELOARS Then the little cottage was so charming; nothing crude nor glaring in its newness ; for Nita's taste had directed the furnishings and he was always discovering some new perfection. The site, too, was a magnificent one, on the green slope of a hill which fronted the bay, where it deepens and narrows, so that the low mountains on the opposite shore with their deep shadowy ravines seemed within a stone's throw; and the mountains and the bay were as expressive as a human face and just as change- able. Sometimes, they were wrapped in a soft gray mist; sometimes they stood out bold and clear in the sunlight against the blue sky, every shrub and boulder and sinuous ravine sharply outlined. Again they draped themselves in the richest colors, deep purple and vivid green, and patches of golden light. And all about them was that rarest, priceless luxury of a great city space and silence. They were in the city but not of it its harsh roar not reaching them even in a murmur its existence evident to them only at night in its myriad lights scintillating from detached points in space. " What shall we call our cottage ? " asked Dick when breakfast was over and they were standing on the veranda facing the bay. " Rose Bower ? but the roses are only just started, we must wait a year or two before we are embowered with them. Morning Side? That sounds good to me. It is always dawn with us here." " O Dick, that reminds me of Max and his Dawn. You know that he wants you to review it, don't you ? " " Yes, but I'm not going to do anything of the sort." "Why not?" " Because the less publicity one gives to a disreputable thing, the less attention the public will give to it. Have you seen his precious paper, Nita ? " " I've just glanced over one or two copies." " What do you think of it? " " I think it's very silly. Of course, you couldn't praise it, and he doesn't want you to." " Then he has been talking to you about it? " THE TRELOARS 241 Dick frowned. He felt nettled. To say the least, Max's persistence was in very bad taste. " Yes, he spoke to me about it, the day he was here." " Our wedding day ? " " Yes." " Well, I call that impudence ! I suppose he asked you to use your influence with me to make me do it, didn't he?" A subtle wish to try her power with Dick tempted Nita, immediately. She felt challenged to prove that she could do with this handsome boy what she chose to do ; so she flashed on him a radiant smile that warmed him like wine. " Yes, dear Clairvoyant, that is just what he did, and I told him that I hadn't the slightest influence over you to make you do what you didn't wish to do." " You're a darling ! " Dick's arm went about her waist and he kissed her repeatedly. " You were altogether too modest, though, about the power of your influence. You could make me do anything, I think, except to be cowardly where my honor is gripped. But you wouldn't tempt me there, for my honor is your honor. We stand or fall to- gether, now, don't we, sweetheart ? " He bent his head over hers, and his lips touched her hair. " Certainly, Dick, dear ; we stand or fall, together. I hope I should never tempt you to do anything to your dishonor or mine ; but on the other hand, I should never wish you to be obstinately or stupidly over-punctilious about a mere matter of taste. Max was kind to me at a time when kindness meant life to me, and I should find it very hard to refuse him a trifling service in return." She had touched Dick in his weakest point. She had made it a most powerful temptation to break his inner resolve. He turned very red, and taking his arm from her waist, he moved slightly away from her, so that he could look squarely into her face. He hated himself for what he was going to say, but a high instinct of self- 242 THE TRELOARS preservation was stirring within him, warning him that if he hesitated now, he was lost. He tried to speak calmly, but his heart was beating so fast that he thought she must hear its throbs in his voice. " Nita, this is not a matter of taste ; it is a matter of principle. As to the question of serving Max, the high- est service we can render him, now, is to save him from himself. I am very fond of Max; I don't forget what he was to me some six or seven years ago when I was a raw young fellow in college. But he was a very differ- ent fellow then; at any rate, so far as his theories of art and literature are concerned. Of course, he had even, then, that racial arrogance which led him to feel himself superior to Americans, and he had no real sympathy with his fellow men, though he thought he had, and admired Shelley very much for his atheism and sentimental hu- manitarianism. There was always a false romantic streak in him. He lived in a kind of mental isolation which he dignified by the name of independence; but he liked us Treolars, and we liked him. We soon discovered that he had an irritable sensitiveness which we had to be very careful about offending. He could pet and nourish a slight grievance till he made crime and treachery out of it. He was moody, unreliable. He would give away everything he had in a moment of expansion and haggle over a penny, if he thought anybody wanted it, when he didn't want to give it. A strange compound, proud as Lucifer, and with it all, flashes of real genius just enough to make a man hope to do something too big for him. What we have to do with Max and his artistic temperament, is to save him if possible from the folly into which it has hurried him." " How are you going to do it ? " " By ignoring the folly. That is the way to pardon it, isn't it?" " But you can't go on ignoring what another persists in flaunting in your face. Until Max himself is ready to acknowledge his folly and abandon it, our ignoring it is only an offense to him, it is not a pardon." THE TRELOARS 243 . " Then we must offend him," said Dick, taking a cigar from his pocket and lighting it. " Excuse me, Dick, but one doesn't offend one's friends." " One doesn't pat their follies on the back, Nita, and encourage them to go on with them. That is not being a friend; it is being an enemy. That is the one great trouble with literature in America. We have no criticism on contemporary writers, because every author knows every other author and dares not for the life of him express his real opinion for fear of giving offense. So they all get into a little pool of sugared water and splash each other in a friendly manner with it, and all taste and smell good to each other. God ! it's sickening." Dick shook his head and an expression of nausea passed over his face. " Yes, but my dear boy," Nita put an unnecessary em- phasis into the word, dear, because she was going to be disagreeably insistent, " Max isn't asking you to splash him with sugared water, he is asking you to throw mud at him. I should think you would really enjoy doing that. It would give you a chance to criticise severely what seems nauseous and vulgar to you, and at the same time to bring out clearly the real values in literature." " But don't you see, Nita dear," Dick threw away his cigar, and took her two hands in his, " don't you see that just because Max wants that, I mustn't do it. He knows that absolute silence is death to his enterprise. He knows that if he can only arouse a clamor he will have all eyes turned his way, and once turned his way, he knows that there is just enough perversity and prurient ignorance in the reading world to secure him paying followers. You can put all sorts of silly and vicious ideas into people's heads that never would have entered them, if you hadn't suggested them, on the pretext of warning them. The public is like this. Tell it that a book is indecent, a menace to good morals, and it can't buy it fast enough. I stood beside a woman at a public 244 THE TRELOARS library not long ago. She said, ' I want a thriller. I want a book that will raise the hair on my head/ As half of her hair wasn't her own, I don't know how she expected that to be done emotionally, but expect it, she did. I don't know what they gave her. I heard an- other woman say of a book, ' This looks by the pictures, as if it was good.' When your public's like that, what can you expect of it ? Sometimes, I think it's a pity that everybody knows how to read. Now, Nita, have I made it plain to you that I don't propose to advertise thrillers; and that it is really a matter of principle with me ? " " Yes, only your silence won't prevent them from be- ing written and read, because your silence can't change human nature. It just goes on being made after the same old formula; and I have so little respect for it, that I don't care whether its hair rises or lies as flat as a pan- cake. The hair-raising neither raises nor lowers its intel- ligence, for it hasn't any. It just crisps the epidermis. Then, somebody else will speak, if you don't; and per- haps not in so vigorous and critical a way. Would you mind, Dick, if I tried it?" Dick looked at her in unfeigned astonishment. He could not understand how it was possible for her to be so persistent, in the face of his displeasure ; but he checked the impatient words that were rising to his lips, and said generously : " You are as much your own mistress, as much a law to yourself, as you ever were. I would not put so much as a cobweb between your will and mine. You know how I feel about this matter, but I do not wish to impose my conviction on you. I shall love you none the less, whatever you do. I did not marry you to make you my echo. One of me is enough." He took out his watch, glanced at it, then put it hastily into his pocket with an exclamation of wonder at the way in which the hours simply flew when he was with her, and dragged while he was away. He got his hat, and kissed her good-by with unusual tenderness; perhaps, because THE TRELOARS 245 deep in his heart, in spite of his brave words, she had hurt him. Twice in the road, on his way to the car, he turned to wave his hand at her and smile. She stood and watched him till he was out of sight. Then, be- cause he loved her so much that her very faults were dear to him, he made all sorts of excuses to himself for her persistency. In associating his life with hers, had the doubt ever intruded itself that she would be one with him in this aim? No, she was to be to him all that Margaret had been and more. Margaret ! It came upon him suddenly, that Margaret's image had been blurred and feeble in his memory for many a day, that she had not been at his wedding, that he knew she was not well, that he had expressed no concern about her, and had not yet thanked her for her share in the gift of the beautiful library table. What a brute happiness had made of him! He would write to her as soon as he got to the office. He would tell her that his marriage made no difference whatever in his love for her, that she would still be to him, what she had always been, his true and faithful guide. It did not trouble him nor appear inconsistent that in the weightiest action of his life, he had not sought her guid- ance, but had wandered far astray from the path which she pointed out to him. His union with Nita still seemed to him a beautiful necessity, admitting neither counsel nor possibility of avoidance. Dick was quite right in congratulating himself upon his answer to Nita; for though she had seemingly half -deferred to his judgment, she had inwardly con- demned it, and had resolved to do as she pleased, no matter what the consequences might be. In becoming Mrs. Treloar, she had never had the slightest intention of becoming her husband's passive reflection. There were always to be two of them. She would be quite fair. She would not trammel Dick's personality any more than she would allow him to trammel or efface hers. Both were to be entirely free. But this resolu- 246 s THE TRELOARS tion did not absolve her from the privilege of being crit- ical, and in this question of Dick's refusal to review the Dawn, she saw nothing but obstinacy and unfriendliness. Her knowledge of human nature had not been acquired in a select school for it, therefore, she did Dick the injustice of believing that he was jealous of Max and that that was all his much-boasted principle amounted to. Viewed in that light, it looked rather contemptible to her. He was just a man, like the rest of them. Well, had she ever supposed he was anything else ? No, he was just a little younger, all his illusions yet intact beau- tiful bubbles floating around him how many was she destined to break? She was just at this point of her soliloquy, when a voice called out : " Ah, there you are ! " Turning around, she saw Philip Treloar at the foot of the flight of steps leading to the veranda. She hastened towards him, saying : " Why, Father Treloar, how glad I am to see you ! What are you doing with that big basket on your arm ? " " Betty churned last night, and we had fresh butter, and fresh buttermilk, and fresh eggs this morning, and Margaret wanted to share all this freshness with you, and was going to send Frank over with them, and I volun- teered to deliver them myself, so here I am." " O, thank you so very much, That was lovely of you and lovely of her to think of us. We are both fond of fresh buttermilk. Kurita ! " She opened the kitchen door, and the Japanese boy ap- peared at her call. " Take these things, please, Kurita, and put them into the cooler. And, father, come right into the house, will you? I am so glad you have come. Is Margaret feel- ing better ? " " She hasn't been ill, that I know of." "Hasn't she? I thought " Nita didn't tell what she thought, but changed her sentence quickly to the question : THE TRELOARS 247 "Didn't you meet Dick?" " No, I didn't see him. You are not such early risers as we country people, I see." " No, we are not. I'm afraid I'm spoiling Dick ; but the days are so long without him. He can't come home for lunch. We're too far away from the city. But isn't it lovely here ? " She had taken his hat and hung it on the rack in the vestibule and ushered him into the pretty reception room with its wide low windows looking out on the moun- tains and the water. A handsome oriental rug in softened rose tints mingled with dark blue lay on the polished floor, and the grayish blue tinted walls har- monized with it. A few fine landscapes adorned the walls, picturesque bits of the English lake regions, and the Italian coast, but they seemed almost impertinent and superfluous, when one turned to the windows and caught the sparkle of the living blue, and the changing hues of the real mountains. " I think I shall never tire of this glorious view and this glorious quiet," continued Nita, drawing a chair to the window for Mr. Treloar and seating herself opposite to him. " O, yes you will," he replied, glancing out of the window and turning again to her. " Just wait till the rains begin, they're due this month; when you can't go out without slopping yourself all over; and you'll be glad to trade your mountains for a house next door and a good neighbor in it. Mountains can't talk ; and what's the use of a day, if you can't get some good talk into it." " Well, you can do some good thinking." " Yes, but that's like the rise and fall of water in a fountain. It doesn't get anywhere. You need a chan- nel for the water to flow in." " Then there's Dick coming home to me at night, you know." Mr. Treloar laughed. " My dear child, Dick will be like all the rest of the 248 THE TRELOARS husbands, when the gilt edge of matrimony wears off. He won't want to talk, when he comes home. He's been talking all day long, and his treat will be to sit quietly in his shirt sleeves with his collar off, and smoke his pipe behind his newspaper. Of course, he hasn't come to that, yet." " I should think not ! I still mean more than his news- paper to him." " Well, don't think that you've stopped meaning any- thing to him, when he takes to reading his paper in your presence. My wife had a good cry the first time that I did that with her, and I had to assure her that I loved her more than ever, for I was feeling so perfectly at home with her that I wasn't conscious of there being two of us. We were just one." " But that is just what Dick and I don't want to hap- pen. I should be sorry to lose my identity in him, or have him lose his, in me." " That's all right for the honeymoon ; but the honey is apt to grow scarce for the rest of the long life together, if people don't find themselves gradually growing one." " Dick and I had our first difference to-day, Father Treloar ; what do you think of that ? " " That it wasn't very serious, or you wouldn't be smil- ing." " No, it was not very serious, but it was a real differ- ence. I must tell you about it. You know Max Giet- mann, of course." " Very well. He used to be out at the house a good deal, five or six years ago. I have only seen him twice since his return from Europe." " You know that he is publishing a journal called the Dawn, don't you ? " " Yes, there's not much light in it, though, is there ? " " No ! It's perfect rot from my point of view. I don't know what he means by this performance. I always had rather a high idea of his intelligence, but Well, to come to the point, he wants Dick to write a harsh review THE TRELOARS 249 of it to excite the curiosity of the public. Now Max and I are old friends, and since he wants that done, I asked Dick to do it. He hates the stuff, you know, and could run his pen through it beautifully. What do you sup- pose he said ? " " That he wouldn't do it." " Yes." "What's his reason?" " That it would be advertising it, and that he doesn't intend to do it, as a matter of principle." " Well, there's something in that." " Not very much. You know very well, Father Tre- loar that if Max intends bringing it before the public, all that Dick can say or not say amounts to a row of pins. And then by really showing the absurdity of it, Dick could influence a few people who are really anxious to think right, but don't know how. Then, Max is my friend, and I should like to oblige him in this matter, so I told Dick or, rather, I asked him, if he would mind my doing it." "What did he say?" " He said I might do as I pleased, which of course was very lovely of him, and yet what else could he have said?" "You are going to write this review yourself, then?" " I don't know. I can talk readily enough, but I am so stupid with my pen that as soon as I try to write I am as empty of thought as a stagnant pool ; and there is never an angel will come down to stir the waters for me." " Have you got a copy of this Dawn." " Yes, there's one in the library. I'll get it for you." She came back with the copy, and as she handed it to him, she asked : " Has Dick ever thanked Margaret for the beautiful library table? If he hasn't, will you tell her for me, how much he admires it and how grateful he is ? " " Yes, I will." Mr. Treloar turned over the pages of the Dawn with keen interest, and then burst out laughing. 250 THE TRELOARS "This is great! I've been telling Parker for years that materialism was going to end in just this hideous mess, and he has laughed at me. When you destroy all standards, and each man sets up his own little stinking penny candle to revolve about, and turns away from the central sun, you're going to get just such a chaos as this. Max is fulfilling Nietzsche's prophecy concerning his na- tion : ' When a German ceases to be Faust, his greatest danger is of becoming a Philistine and going straight to the devil. Nothing but the heavenly powers can save him from ruin.' But I am afraid poor Max is beyond even the heavenly powers." " I think he'd love to have you say that," said Nita, watching Mr. Treloar's growing excitement with amused interest. " Don't you think you could write a stunning attack on that ? And don't you think you ought to ? A tolerant or indifferent attitude isn't going to set people right. Didn't Christ overturn the money changers' tables in the temple and drive them out with bitter reproaches ? " " Certainly ! I think this Dawn is a lovely text for a lot of harsh truths that need saying. I'll write a review of it. I think I could go Dick one better on it." " I am sure you could," exclaimed Nita, clapping her hands, " and I am so grateful to you for doing it, but of course, I should not wish you to do it, if like Dick, it would offend any of your principles." Perhaps she uttered the last word with the slightest tinge of irony, for Mr. Treloar answered : " My principles have done nursing and can walk alone. They wouldn't be injured by anything I could do; and they never interfere with my inspirations." " Singular old man ! " thought Nita, when he had gone. " One might think that he was glad to see Max go wrong in order to save his theories. He has a great deal of sincerity in his way, which is a little peculiar, and a great deal of penetration, yet he doesn't know that I could do anything I liked with him. But it wouldn't be worth THE TRELOARS 251 while, except to tease his precious daughter, Margaret. I knew she wasn't sick. She means to cut me, and cover the cut to the rest of the family with butter and eggs. Well, I don't much care, since I have cut her most de- liciously in turn, by taking Dick away from her. And do I want him, now that I have him? I wonder why I did it? My world was standing still, and I thought it was never going to move again. I was sick. I begin to feel well. If Dick comes home to-night silent or uppish " she pressed her lips together instead of finish- ing the thought, and went to her room to dress herself. Dick brought home with him that night a box of beau- tiful fragrant hot-house flowers, and a box of delicious chocolates. He gave them to her with the same warm, affectionate impulsive wish to please that he had always shown her; and the better woman in her was deeply ashamed of the ugly treacherous thoughts which she had nursed in his absence. She was as sweet and gentle with him, as if her heart had never for a moment failed in its allegiance to him. But she said not a word to him about asking his father to criticise the Dawn, though she spoke prettily of his visit, and mentioned her message to Margaret. It was as if both had silently resolved not to speak of the Dawn again. CHAPTER XXVI THE rainy season was on not a day or two of cloudy weather, a heavy downpour of rain followed by a burst of sunshine, but a steady persistent rain that blotted the sun out of the sky, that fell drearily day after day, and night after night, till the soaked earth refused to re- ceive it, and water lay on the surface in muddy pools, wherever there was a hollow place, and spread in flat shallows over low grassy spots, and gathered in furrows about the roots of trees, and ran in little streams along the edges of gravel paths, and fell with an incessant drip 252 THE TRELOARS and splash on roofs and against window panes. Some- times, the wind added its movement to the dismal scene, and tall trees writhed in it, or bent their leafy summits and showed the white side of their twisted leaves; and slender vines were torn and washed from their fasten- ings, and sprawled along the drenched earth, beaten and lashed beyond all possibility of rising again. Sometimes when the fury of wind and rain were abated, the wet earth steamed with a low, heavy fog that blotted out the land- scape. It might not have been depressing for one who had a genius for solitude to look out on the sullen sky, to hear all day the dreary moan of the wind and the monotonous splash of the rain. He might recreate his own sunlight from the memory of sunny hours; he might enliven his solitude with the creations of his brain, or with the com- panionship of living books. He might dull the edge of an over-sharpened, obtrusive self-consciousness by plan- ning or executing some loving service for others. There are multitudes of obscure, devoted mothers and patient housewives who brighten their solitude in this golden way; but Nita had neither a genius for solitude, nor the stuff of which devoted mothers and good housewives are made ; and though she had voluntarily accepted this yoke of marriage, she had overrated her power to find con- tentment and happiness in the quiet, uneventful routine of family life. She had wholly misunderstood the mysteri- ous laws of life, when she had supposed it possible by an act of the will to obliterate the past, to destroy all the subtle effects of habit, and peculiar turns of thought formed by long years of willfulness and self-indulgence. She did not know that public applause, approving smiles, the side-long glances of envy that were unwilling tributes to her power, had become a necessity to her. She missed the stimulus of excitement which was wont to occupy the restless energy that filled her. Had she mar- ried a man of wealth and distinction, who could have given her the excitement of social triumphs and incessant THE TRELOARS 253 change of scene, all might have gone well with her, so far as the world calls well. But she had married an obscure young journalist. She had wedded solitude and retirement ; and nothing in her life, her tastes, her talents, fitted her for this new role, actress though she was. Its novelty had seduced her in a moment of illness and weari- ness. The novelty was gone the situation remained. At first, she did not see that the fault of the disenchant- ment lay in herself. She thought it the effect of the dismal weather, of the incessant drip and splash of the rain, of the leaden sky that hung over the earth like a pall. " O, Dick, I am so tired of it ! " she said one morning. "Rain! rain! rain! Nothing but rain all day long! I am not going to get up. I don't feel well. Tell Kurita to bring me a cup of fresh coffee and an egg on toast about half past ten, will you? You don't mind my not breakfasting with you, this morning, do you?" The dining-room would be empty without her, and the breakfast without savor; he did mind it very much, but he would not have said so for the world, if that would have caused her to make an unwilling exertion, so he bent over the bed and kissed her and stroked the loose hair away from her forehead, saying : " Of course not. I should mind it very much, if you got up when you didn't feel like it. Does your head ache, love ? " " No, I just feel tired! infinitely tired! as if it were an effort to lift my hand. I should like to lie here forever, and doze away into eternity." She spoke with a lifeless drawl, and moved her head away from his caressing hand, and closed her eyes. Dick looked at her intently, and noticed dark blue circles about her eyes, and a drawn white look in her face. It alarmed him. " Nita, dear, I am going to telephone for a doctor, you are not well." She opened her eyes quickly. " No, you are not, Dick ! There is nothing the matter 254 THE TRELOARS with me, I assure you ; so please don't be silly about me. Just let me alone. I'll be all right when you come home this evening. Now run away and get your breakfast, like a good boy." " But I can't bear to leave you alone when you aren't well." " But I am well. I am just tired and you are tiring me more by arguing about it. Come home early, if you like. But go now, please." She shut her eyes again and sighed wearily. Dick bent over her and softly kissed her again; then, turning to the windows, drew the shades entirely down, and started to tiptoe out of the room. Just as he passed the night-table near the bed, he brushed awkwardly against it, and knocked off a drinking glass that fell with a crash to the floor. Nita trembled all over with a nervous start. She put her finger on the electric bell at the head of her bed, and Kurita appeared, while Dick pulled up the shades to take full account of the mischief he had done. " Bring in a dust pan and broom, and sweep up the broken glass ; and at half past ten, bring me some coffee and a poached egg on toast. Do you understand, Kurita?" " Yes, sar ! " answered Kurita, disappearing and re- appearing with quick, cat-like movements which made poor Dick feel what an awkward brute he himself was. Nita refused to help him recover his self-esteem by an indulgent word, although he lingered until all the mess was cleared away. She could so easily have done it with a smile, a light joke, a caress, a touch, a word one of those little indescribable marks of good humor and ten- derness which transform the little crosses of daily life into food for mirth and laughter. " I am so sorry, Nita. I beg your pardon a thousand times ! I am such a brute ! " he said, humbly. She kept her eyes closed, sighed and said nothing, and Dick walked out of the room. As for Nita, left alone, the nervous tension relaxed, THE TRELOARS 255 she burst out crying. She felt as if she wanted to scream at the top of her lungs, to jump up and down with rage like an angry child, to break the windows, or tear some- thing to tatters. Dick had carelessly left open the closet door, opposite the foot of her bed, and from where she lay, she could see his coat and trousers suspended from a hanger. By virtue of some hysterical caprice the sight was indescribably hateful to her. She rose and slammed shut the closet door with all the violence she could command. O, could she only so effectually shut out from her sight, her mind, her life, this hateful connexion with Dick this stupid nightmare blunder of a marriage which seemed to her now the very climax of folly; a screaming farce! What had she to do with marriage who knew the glories and dangers of freedom, the excitement of the unex- pected, the adventurous launching of life in all directions ? How was it possible to be so blind as not to foresee the dreary, insufferable weariness of a life in which every day was but a repetition of the day before; a life in which further growth was impossible a life of hateful stag- nation! By what illusion had she been deceived into thinking that she could love truly again, she who had loved so often, who knew all the phases of love's exalta- tion, illusion, indifference, aversion ! Pictures of the past arose in her mind ; she recalled with a bitter smile a conversation she had once had with an Italian, a stout, rubicund father of a family, who said, looking at her with that bold admiration which was so familiar to her in men's eyes: " Marriage is founded on the false assumption that you can legalize an emotion, dominate an instinct by law, set two hearts to beating in unison by a prescribed man- V ner of living. I won't call an instinct a holy thing, any more than I would call the law of gravitation a holy thing ; I only say that it has the same inviolable necessity about it, so what are you going to do? Marriage is probably as good a way to tether a man to duty as any other; but let him enter into the bargain, wide awake. Let him 256 THE TRELOARS take note whether he is cut out for a racer or a draught horse; whether he can bear routine, or has the spirit of an adventurer. In any case, let him be very sure that it is not going to be all strawberries and cream and no grit; and that even if it were, he'd get tired of the steady diet. I am myself rather fond of rice, but rice three times a day, year in and year out, would put a finish to my enjoyment of rice." " Rice three times a day, ah ! that's what's the matter with me," groaned Nita, " rice and rain ! I want the sun- shine; I want a change from this awful monotony." Coming home, full of solicitude and tenderness for her, Dick was not at all prepared to find her powdered and rouged and brilliant, and quite bent upon persuading him to shut up the house for a month or six weeks, till the rainy season was over, and go to New York. They were both in need of the change, Dick quite as much as she. How nervous they had both been this morning. Their first duty to themselves was to escape the monotony of this depressing season. They would come back with the sunshine, refreshed and heartened. Dick looked at Nita in perfect amazement. Was this bright-eyed voluble woman the same woman he had left in bed this morning, white and exhausted, so tired that she wished she could sleep forever? Had she forgotten that he was a bread-winner, whose hand must be at his task, and that his task was a peculiar one, requiring re- pose and solitude? For the first time in his life, he felt poor and helpless and ashamed of the fact. He blushed, he stammered, finally he found courage enough to say : " You know, Nita, dear, I never concealed from you the fact that I am not a rich man, that with the exception of a few thousand dollars, all my wealth is in my youth, my health, and my brains. I have my work here which I cannot leave just now." " But, Dick, it is head work. You can do it just as well in one place as another. And New York, I should think, would offer you exceptional advantages in extra work, THE TRELOARS 257 such as interviewing, that would more than pay all our expenses. I have been thinking it all over this afternoon. I am not unreasonable nor impractical. A woman who has had my experience in earning her own living knows very well that money does not fall into her purse out of the sky." Dick's heart sank within him. Was this the large sym- pathy; the sweet, serious, strong thought which he was looking for in the companion of his life, and believed he had found in her? Of all forms of newspaper work, the most objectionable and repellent to him, was inter- viewing. He thought it an impertinent intrusion upon a man's personality, a sort of mental hold-up and purse picking that no honest man would engage in, if he could help it. His embarrassment was so evident that Nita, in her turn, looked surprised, and asked: " Have I said something stupid ? " He cleared his throat ; he felt something choking him. " No," he answered slowly. " But I don't believe you quite understand what my work means to me. I don't know that I ever talked to you about it, have I ? " " I think you have. Something about principles and standards, isn't it ? " She was speaking with cold indifference, but her quick eyes noticed the deepening of the expression of pain on Dick's face, and with the subtle intuition that warns a woman when she is treading on dangerous ground, she hastened to add with a show of interest and sympathy: " And I know, too, dear Dick, that it is not a question of mere bread-winning with you. You feel about litera- ture as I do about the stage, that it has a message to de- liver in addition to its function of entertaining, and that its beauty and strength are increased by the reach and no- bility of the message." The pain in Dick's face vanished in a moment, and with it the mute intolerable despair which accompanies the consciousness of high aims ignored or misunderstood by those we love. She stood level again with him on his 258 THE TRELOARS highest plane, and he felt so grateful that he could have fallen at her feet and kissed the hem of her gown. " Nita, my love, you have made me so happy. You can understand without telling, and that is the finest test of comradeship. That one indispensable thing in love and friendship, I divined in you when I first met you, and I should be the unhappiest man in the world, if you failed me there." " I am not going to fail you in anything, dear." She stroked the hand which he had slipped about her waist and smiled at him in the way that melted all his will into wax in her hands. " I am going to help you. That is the one grace I can find in the hateful years that make me your senior. I can speak to you out of an ex- perience which you have not had. I can say of some enticing path: I've wandered there; it ends in a green- scummed pond. There is no broad outlook of sky and road to be found that way. May I speak to you of one of these enticing little false roads which you feel inclined to strike into ? " " You know you may." The sweet, subtle flattery of her solicitude warmed him like sunshine, and he needed the warmth. He needed the full, generous, sympathetic understanding of what was best in him which his sister, Margaret, had given him in such rich abundance, the absence of which in his daily life, he had not yet missed, engrossed as he was by his passion. " Well, then, Dick, you know that there is such a thing as mistaking one's own little particular unit of truth for something much more important and general than it is. In short, we may mistake it for the ztfiole truth, and the only way to clear up one's mind about that is to see life from as many angles as possible, to rid one's self of provincialism, to lose the personal in the general. Now, you are inclined to do exactly the contrary; you want to strike into a little by-path away from the noise of the world to listen, like another Joan of Arc, to celes- THE TRELOARS 259 tial voices inaudible to any ear but your own; and you can't translate them to others, because you can't at the same time lend them your ears. Wouldn't it be a wise thing to acquaint yourself with the public ear and learn what sort of music pleases it ? " " I know the public ear very well," said Dick, impa- tiently. " It's the ear of an ass, and the music which pleases it is braying." " There you are ! " said Nita, coloring, " calling names because you can't answer a civil question." " I beg your pardon, Nita ; but your advice is exactly like Mr. Cressy's. He told me when I first went to him last spring that I wasn't in touch with the common peo- ple, that I ought to select a boarding house where I could meet them daily, live with them shoulder to shoulder, learn their thoughts, their ambitions, their way of looking at life ; in short, turn a camera on them, because mod- ern literature is using the laboratory method. Well, the less said about that, the better. We had drunks and dis- orderlies picked up in Black Marias on our street, and all I got out of my experience was disgust and a feeling of being immensely bored; so that having lived in that sort of thing actually, I shall not reproduce it and label it literature, nor waste my time over anybody else's maud- lin reproduction of it. " I brought home with me to-day a very encouraging piece of literary criticism. It is called The New Laokoon. The writer says that ' if all the arts are rest- less and impressionistic in our day, it is because the peo- ple who practise these arts, and for whom they are prac- tised, are themselves living in an impressionistic flutter. If the arts lack dignity, centrality, repose, it is because the men of the present have no center, no sense of any- thing fixed or permanent, either within or without them-^ selves, that they may oppose to the flux of phenomenon and the torrent of impression.' That's exactly my view of the case, Nita. Instead of running around to ask how it stands with other men, a man should stay at home 260 THE TRELOARS with his own mind once in a while. So I don't think that ' I can get anything out of New York that I can't get here. I don't need to know any more of the baseness, poverty, ; and cynical brutality of life. What I do need is to pre- [ serve, as sacredly as I can, my faith in humanity. I need , leisure, tranquillity, and you by my side full of happiness and confidence in me." Nita rose from her chair with a burst of hysterical laughter that set Dick to staring at her with astonishment and pain. " What do you mean by that, Nita? " She continued to laugh till the tears streamed down her cheeks, then wiping her eyes, she said: " O, I think it is the funniest thing in the world that you and I are married! perfectly ridiculous! No, no, don't try to stop me. I shall cry in earnest, if I don't laugh, and it is much pleasanter to laugh. Perfectly ridiculous!" she repeated again with a new burst of laughter, wiping her eyes with her handkerchief. Then she suddenly straightened her face, and said: " Now, Dick, I am going to be serious again, this time very serious. We're going to discuss New York from another point of view. Granted that you don't need the change, suppose that / do, what then ? " She caught him in that moment of acutely painful be- wilderment and despair, when a man in love has only one wish in the presence of the woman he loves, and that is to please her, so he said: " Then, we shall go to New York, of course." They went to New York. CHAPTER XXVII FOR a time Nita was all sweetness once more, and full of the bright, sparkling humor which made her so ad- mirable a companion, when she chose to be; and Dick, who reflected her moods, as the sea does the sky, was THE TRELOARS 261 bright and happy, too, and forgot that he was no longer his own master, forgot that he had entrusted his happi- ness to caprice, forgot that the work which he had to do required, first of all, tranquillity of mind and large leis- ure. He was not long allowed to forget all these things when he got home. At first, Nita felt, again, the charm of the lovely home and its lovely surroundings, and two or three days of delightful comradeship followed. Then, her mood changed; restlessness, irritability, dissatisfaction returned, manifesting themselves in a variety of unex- pected ways that drove Dick to his wits' ends to please her. She wanted a piano ; it would be something to amuse her while he was away. He bought her a piano, and hired a music-master to give her lessons. In a short time, she quarreled with him; he was really growing in- solently familiar with her, she said, and when he was dis- missed, she abandoned her music. Then she took to sketching and water-colors, tiring herself out with long walks in search of picturesque views, so long as Dick implored her to be careful of herself. She kept them up until Dick concealed his anxiety, and ceased to speak of them to her. Dick had inadvertently discovered that she enjoyed alarming him, but he was still very far from guessing her real state of mind until one Sunday after- noon in late spring. They were taking a little walk along the bay. Dick was enjoying it and pointing out a pretty wooded ravine in the mountains across the water, when Nita suddenly slipped on a flat wet stone. Dick caught her, preventing her from falling, but she persisted in declaring that she had wrenched her ankle and was in great pain. It was impossible for her to walk. Dick was very much dis- tressed, as they were at some distance from the house. It was a beautiful April day, the air clear as crystal, warm and sunny. The low mountains on the opposite shore were green to their summits and perfectly reflected in the quiet blue waters at their base. The rocky, sinuous shore, 262 THE TRELOARS with its stretches of gleaming white sand between the rocks, afforded many sheltered places for resting, and choosing one of them, Dick spread a shawl over the rock, and helped Nita to reach it. She was limping very badly, her face expressing a brave effort to control an outcry of pain. As soon as she was seated, Dick knelt at her feet, took off her shoe and stocking, and making a com- press of his handkerchief, bound it tightly around her ankle, put on her stocking over it, and left her shoe un- buttoned on her foot. " I am going to get myself a stock of medical books and directions for first aid to the wounded," he said, rising from his kneeling posture, " then I'll be ready for all emergency cases. Does it feel a little better, love?" " It pains very much, Dick," said Nita, biting her lip and stooping over to rub her ankle. " I am so sorry, sweetheart. Now you must just stay here, while I run home and come back again with Kurita and a chair. We'll carry you back to the house on that, so you won't have to touch your foot to the ground, till you can do it without pain. Lean back against the rock, dear. Here, I am going to make you a cushion with my coat." He took off his coat and deftly folding it, placed it at her back. " Does that feel comfortable ? " " Yes, thank you, it's just right, but you'll be cold with- out your coat, won't you ? " " No, not a bit of it. Now, you won't be lonesome while I am gone, with that lovely view before you, will you? I wish you had your sketch book and colors." He stooped and kissed her, he never left her without kissing her, then hurried away in the direction of the house, his heart filled with tender pity and regret. He was no sooner out of sight, concealed by a bend in the hilly road, than she removed the shoe and stocking from the lame foot, took the bandage from the ankle, put on her stocking and shoe again, buttoning the latter with a wire hairpin. A peculiar brightness gleamed in her THE TRELOARS 263 eye, as she rose from her rocky seat and looked about her with the air of a prisoner escaped from a guard. She had not in the least hurt herself, and she walked briskly about from stone to stone, stopping now and then to watch a crab, or to examine the bright orange- colored lichen stains on the gray rocks. It would have been impossible for her to say, herself, why she had feigned this sprained ankle. She had acted as impul- sively as a spoiled child that throws himself on the floor, because he is denied some indulgence. She had not wished to take this walk. It was Dick who had insisted upon it against her will, because he had thought that the fresh air would do her good. She must take a walk regularly, every day. He had been consulting physicians and reading medical books and was in possession of quite a number of rules concerning diet and exercise to which he was trying to induce her to conform. But by an un- happy incapacity to live according to anything but cap- rice, Nita was in a chronic state of revolt. If ever she desired to take a walk, it was always just when Dick sat down to some work among his books; and when Dick was ready, she was intensely interested in something else, and not inclined to go anywhere. Dick's patience and unalterable good humor prevented this incompatibility from breaking out into open quarrel- ing, so that there was generally an outer show of smooth agreement, no matter in what contrary directions the un- der currents were roughly flowing. Now, nothing more delighted Nita than to discover Dick at fault somewhere, and when the little stumble gave her a chance to show him that he ought not to have insisted upon her taking this walk, she had involuntarily reacted to it, as being the most unanswerable way of saying, " I told you so ! " She quietly laughed to herself, reflecting on Dick's cha- grin and solicitude, saying to herself : " It serves him right. He knew I didn't want to come. Perhaps he will learn after a while that I have a will of my own that has as much a reason for being as his." For, with that obstinate 264 THE TRELOARS blindness of a sick soul which is perhaps more pitiable than the blindness of the eyes, Nita could not see beyond the limits of the self-interest which dominated her own feelings. To her, Dick's patience was obstinacy; his solicitude about her his determination to have his own way; his steady persistent attention to his work a selfish inordinate ambition to which he was willing to sacrifice her comfort and pleasure. Well, there would come a day when he would regret it. At present, she was forced to submit to these hateful bonds, but once her child was born, she would know how to regain her free- dom. Freedom! How beautiful it sounded, it was one of the unconscious joys and privileges like the absence of pain. Dick hurried home with long, half-running strides, vexed with that singular turn in his affairs which always seemed to put him in the wrong, when he most wished to be right. He had really given up his own plans of work for the afternoon, to take this walk with Nita, feeling that she needed this exercise in the wholesome air, and he had argued away her objections with a persist- ency which he never would have shown, had he been prompted by purely selfish motives. Now, he wished with all his heart that they had stayed at home; for a sprain, if it were serious, meant three or four weeks of in- activity. On reaching home, he telephoned at once for a surgeon, and having selected a chair for Kurita to carry back with him, he was just closing the door, when he heard his name called, and turning round, he saw Max Gietmann before him. He held out his hand cordially, he had not seen Max for several months." " Mighty glad to see you, Max," he said. " You've come in the nick of time. I am just leaving the house to go down to the shore to carry my wife home. I've left her there with a sprained ankle. Will you go along with us, or will you stay here till we come back? We won't be long." " I'll go with you. I'm awfully sorry about the acci- THE TRELOARS 265 dent. I hope it isn't serious, but a sprain is a tedious thing to get over. How did it happen ? " " She slipped on a wet stone, and trying to save herself a fall, gave her ankle a twist." " Have you a surgeon or a physician in the neighbor- hood ? " Max asked, as they started on a brisk walk back toward Nita. " No, but I've 'phoned to the city for one." " That's right. If it is serious, you know that she's having proper attention ; and if it isn't, you have the satis- faction of knowing it, and being free from worry. Well, how are you getting on, otherwise ? " "Matrimonially, or professionally?" " Professionally, of course ; matrimonially, the honey- moon isn't on the wane yet or ought not to be; so you may spare me, if you please, any post-nuptial rhap- sodies." " Well, as to journalism, I have about come to the con- clusion that it is not my forte. I am not taking kindly to advice of which Cressy continues to be very liberal. Journalism is a trade it seems ; there is no room in it for a man with individuality. If he wants to say what he thinks, he must do it independently, and speak to the few who can hear. How's the Dawn coming on ? " Max lifted his hat and ran his hand through his hair. " Well, Dick, to tell you the truth, the Darwn is near- ing its sunset. Not that it has failed, for it hasn't. It was started as a faithful experiment in free expression, and, as such, is absolutely successful. You'd be sur- prised at the number of letters I get from all over the country expressing delight in it. Of course, I don't deny that I get condemnatory letters, too ; but I expected that. America isn't quite ripe enough to put so original an ex- periment on a paying basis, at once. Your people are too well fed and too well dressed to think; too comfortable to have much curiosity about ideas. Any silly or ex- travagant childishness will pass with them, if it just blus- ters a little and swears. A thought is too big for you. 266 THE TRELOARS You are all running at a high pressure speed with well- oiled wheels on a smooth road, and you don't care for anything but going. You call that progress. It would do you gooU4*(j4d *