-IFORNIA PA CRUZ -ps> HE MOVED NOT THROUGH THE LONG HOURS OF DAY. Zoroaster. THE NOVELS OF F. MARION CRAWFORD Marzio's Crucifix Zoroaster BY F. MARION CRAWFORD WITH FRONTISPIECE P. F. COLLIER & SON NEW YORK COPYRIGHT 1887 COPYRIGHT 1885 BY F. MARION CRAWFORD All Rights Reserved CHAPTER I "THE whole of this modern fabric of existence is a living lie I " cried Marzio Pandolfi, striking his little hammer upon the heavy table with an impatient rap. Then he dropped it and turning on his stool rested one elbow upon the board while he clasped his long, nervous fingers together and stared hard at his hand some apprentice. Gianbattista Bordogni looked up from his work without relinquishing his tools, nodded gravely, stared up at the high window, and then went on hammering gently upon his little chisel, guiding the point carefully among the delicate arabesques traced upon the silver. " Yes," he said quietly, after a few seconds, " it is all a lie. But what do you expect, Maestro Marzio ? You might as well talk to a stone wall as preach liberty to these cowards/' "Nevertheless, there are some there are half a dozen " muttered Marzio, relapsing into sullen discontent and slowly turning the body of the chalice beneath the cord stretched by the pedal on which he Vol. 6 A 2 MARZIO'S CRUCIFIX CHAP. I pressed his foot. Having brought under his hand a round boss which was to become the head of a cherub under his chisel, he rubbed his fingers over the smooth silver, mechanically, while he contemplated the red wax model before him. Then there was silence for a space, broken only by the quick, irregular striking of the two little hammers upon the heads of the chisels. Maestro Marzio Pandolfi was a skilled workman and an artist. He was one of the last of those workers in metals who once sent their masterpieces from Eome to the great cathedrals of the world ; one of the last of the artistic descendants of Caradosso, of Benvenuto Cellini, of Claude Ballin, and of all their successors ; one of those men of rare talent who unite the imagination of the artist with the executive skill of the practised workman. They are hard to find nowadays. Of all the twenty chisellers of various ages who hammered from morning till night in the rooms outside, one only Gianbattista Bordogni had been thought worthy by his master to share the privacy of the inner studio. The lad had talent/said Maestro Marzio, and, what was more, the lad had ideas ideas about life, about the future of Italy, about the future of the world's society. Marzio found in him a pupil, an artist and a follower of his own political creed. It was a small room in which they worked together. OHAP. I MAKZIO'S CRUCIFIX 3 Plain wooden shelves lined two of the walls from the floor to the ceiling. The third was occupied by tables and a door, and in the fourth high grated win dows were situated, from which the clear light fell upon the long bench before which the two men sat upon high stools. Upon the shelves were numerous models in red wax, of chalices, monstrances, marvel lous ewers and embossed basins for the ablution of the priests' hands, crucifixes, crowns, palm and olive branches in a word, models of all those things which pertain to the service and decoration of the church, and upon which it has been the privilege of the silver smith to expend his art and labour from time im memorial until the present day. There were some few casts in plaster, but almost all were of that deep red, strong-smelling wax which is the most fit medium for the temporary expression and study of very fine and intricate designs. There is something in the very colour which, to one acquainted with the art, suggests beautiful fancies. It is the red of the Pompeian walls, and the rich tint seems to call up the matchless traceries of the ancients. Old chisellers say that no one can model anything wholly bad in red wax, and there is truth in the saying. The material is old the older the better ; it has passed under the hand of the artist again and again ; it has taken form, served for the model of a lasting work, been kneaded together 4 MAEZIO'S CRUCIFIX CHA*. I in a lump, been worked over and over by the box wood tool. The workman feels, that it has absorbed some of the qualities of the master's genius, and touches it with the certainty that its stiff substance will yield new forms of beauty in his fingers, render ing up some of its latent capacity of shape at each pressure and twist of the deftly-handled instrument. At the extremities of the long bench huge iron vices were fixed by staples that ran into the ground. In one of these was fastened the long curved tool which serves to beat out the bosses of hollow and small- necked vessels. Each of the workmen had a pedal beneath his foot from which a soft cord ascended, passed through the table, and pressed the round object on which he was working upon a thick leather cushion, enabling him to hold it tightly in its place, or by lifting his foot to turn it to a new position. In pots full of sand were stuck hundreds of tiny chisels, so that the workmen could select at a glance the exact form of tool needful for the moment. Two or three half balls of heavy stone stood in leathern collars, their flat surfaces upwards and covered with a brown composition of pitch and beeswax an inch thick, in which small pieces of silver were firmly embedded in position to be chiselled. The workshop was pervaded by a smell of wax and pitch, mingled with the curious undefinable odour OHAP. I MARZIO'S CRUCIFIX 5 exhaled from steel tools in constant use, and supple mented by the fumes of Marzio's pipe. The red bricks in the portion of the floor where the two men sat were rubbed into hollows, but the dust had been allowed to accumulate freely in the rest of the room, and the dark corners were full of cobwebs which had all the air of being inhabited by spiders of formidable dimensions. Marzio Pandolfi, who bent over his work and busily plied his little hammer during the interval of silence which followed his apprentice's last remark, was the sole owner and master of the establishment. He was forty years of age, thin and dark. His black hair was turning grey at the temples, and though not long, hung forward over his knitted eyebrows in disorderly locks. He had a strange face. His head, broad enough at the level of the eyes, rose to a high prominence towards the back, while his forehead, which projected forward at the heavy brows, sloped backwards in the direction of the summit. The large black eyes were deep and hollow, and there were broad rings of dark colour around them, so that they seemed strangely thrown into relief above the sunken, colourless cheeks. Marzio's nose was long and pointed, very straight, and descending so suddenly from the forehead as to make an angle with the latter the reverse of the one most common in human faces. Seen in profile, the browa 6 MARZIO'S CRUCIFIX CHAP. I formed the most prominent point, and the line of the head ran back above, while the line of the nose fell inward from the perpendicular down to the small curved nostrils. The short black moustache was thick enough to hide the lips, though deep furrows sur rounded the mouth and terminated in a very promi nent but pointed chin. The whole face expressed unusual qualities and defects ; the gifts of the artist, the tenacity of the workman and the small astuteness of the plebeian were mingled with an appearance of something which was not precisely ideality, but which might easily be fanaticism. Marzio was tall and very thin. His limbs seemed to move rather by the impulse of a nervous current within than by any development of normal force in the muscles, and his long and slender fingers, naturally yellow and discoloured by the use of tools and the handling of cements, might have been parts of a machine, for they had none of that look of humanity which one seeks in the hand, and by which one in stinctively judges the character. He was dressed in a woollen blouse, which hung in odd folds about his emaciated frame, but which betrayed the roundness of his shoulders, and the extreme length of his arms. His apprentice, Gianbattista Bordogni, wore the same costume ; but beyond his clothing he bore no trace of any resemblance to his master. He was not a bad CHAP. I MARZIO'S CRUCIFIX 7 type of the young Koman of his class at five-and twenty years of age. His thick black hair curled aL over his head, from his low forehead to the back of his neck, and his head was of a good shape, full and round, broad over the brows and high above the orifice of the ear. His eyes were brown and not over large, but well set, and his nose was slightly aquiline, while his delicate black moustache showed the pleasant curve of his even lips. There was colour in hig cheeks, too that rich colour which dark men some times have in their youth. He was of middle height, strong and compactly built, with large, well-made hands that seemed to have more power in them, if less subtle skill, than those of Maestro Marzio. "Kemember what I told you about the second in dentation of the acanthus," said the elder workman, without looking round ; "'a light, light hand no holes in this work !" Gianbattista murmured a sort of assent, which showed that the warning was not wanted. He was intent upon the delicate operation he was performing. Again the hammers beat irregularly. " The more I think of it," said Marzio after the pause, " the more I am beside myself. To think that you and I should be nailed to our stools here, week days and feast-days, to finish a piece of work for a scoundrelly priest " 8 MARZIO'S CRUCIFIX CHAP. I "A cardinal," suggested Gianbattista. " Well ! What difference is there ? He is a priest, I suppose a creature who dresses himself up like a pulcinella before his altar to " " Softly ! " ejaculated the young man, looking round to see whether the door was closed. " Why softly ? " asked the other angrily, though his annoyance did not seem to communicate itself to the chisel he held in his hand, and which continued its work as delicately as though its master were humming a pastoral " Why softly ? An apoplexy on your softness ! The papers speak as loudly as they please why should I hold my tongue ? A dog-butcher of a priest !" " Well," answered Gianbattista in a meditative tone, as he selected another chisel, "he has the money to pay for what he orders. If he had not, we would not work for him, I suppose." " If we had the money, you mean," retorted Marzio. " Why the devil should he have money rather than we ? Why don't you answer ? Why should he wear silk stockings red silk stockings, the animal ? Why should he want a silver ewer and basin to wash his hands at his mass ? Why would not an earthen one do as well, such as I use ? Why don't you answer ? Eh?" " Why should Prince Borghese live in a palace and CHAP. I MARZIO'S CRUCIFIX 9 keep scores of horses ? " inquired the young man calmly. " Ay why should he ? Is there any known reason why he should ? Am I not a man as well as he ? Are you not a man you young donkey ? I hate to think that we, who are artists, who can work when we are put to it, have to slave for such fellows as that mumbling priests, bloated princes, a pack of fools who are incapable of an idea ! An idea ! What am I saying ? Who have not the common intelli gence of a cabbage-seller in the street ! And look at the work we give them the creation of our minds, the labour of our hands " "They give us their money in return," observed Gianbattista. "The ancients, whom you are so fond of talking about, used to get their work done by slaves chained to the bench " " Yes ! And it has taken us two thousand years to get to the point we have reached ! Two thousand years and what is it ? Are we any better than slaves, except that we work better?" " I doubt whether we work better." " What is the matter with you this morning ? " cried Marzio. " Have you been sneaking into some church on your way here ? Pah ! You smell of the sacristy ! Has Paolo been here ? Oh, to think that a brother of mine should be a priest I It is not to be believed 1 " 10 MARZIO'S CRUCIFIX CHAP. I " It is the irony of fate. Moreover, he gets you plenty of orders/' " Yes, and no doubt he takes his percentage on the price. He had a new cloak last month, and he asked me to make him a pair of silver buckles for his shoes. Pretty, that an artist's brother with silver buckles ! I told him to go to the devil, his father, for his orna ments. Why does he not steal an old pair from the cardinal, his bondmaster ? Not good enough, I sup pose beast !" Marzio laid aside his hammer and chisel, and lit the earthen pipe with the rough wooden stem that lay beside him. Then he examined the beautiful head of the angel he had been making upon the body of the ewer. He touched it lovingly, loosed the cord, and lifted the piece from the pad, turning it towards ths light and searching critically for any defect in the modelling of the little face. He replaced it on the table, and selecting a very fine -pointed punch, laid down his pipe for a moment and set about putting the tiny pupils into the eyes. Two touches were enough. He began smoking again, and contemplated what he had done. It was the body of a large silver ewer of which Gianbattista was ornamenting the neck and mouth, which were of a separate piece. Amongst the intricate arabesques little angels' heads were embossed, and on one side a group of cherubs was bearing a OHAP. I MARZIO'S CRUCIFIX 11 " monstrance " with the sacred Host through silver clouds. A hackneyed subject on church vessels, but which had taken wonderful beauty under the skilled fingers of the artist, who sat cursing the priest who was to use it, while expending his best talents on its perfections. " It is not bad," he said rather doubtfully. " Come and look at it, Tista," he added. The young man left his place and came and bent over his master's shoulder, examining the piece with admiration. It was charac teristic of Marzio that he asked his apprentice's opinion. He was an artist, and had the chief peculiarities of artists namely, diffidence concerning what he had done, and impatience of the criticism of others, to gether with a strong desire to show his work as soon as it was presentable. " It is a masterpiece ! " exclaimed Gianbattista. " What detail ! I shall never be able to finish any thing like that cherub's face !" " Do you think it is as good as the one I made last year, Tista ? " " Better," returned the young man confidently. " It is the best you have ever made. I am quite sure of it. You should always work when you are in a bad humour ; you are so successful ! " "Bad humour! I am always in a bad humour/' grumbled Marzio, rising and walking about the brick 12 MARZIO'S CRUCIFIX CHAP. I floor, while he puffed clouds of acrid smoke from his coarse pipe. " There is enough in this world to keep a man in a bad humour all his life." " I might say that," answered Gianbattista, turning round on his stool and watching his master's angular movements as he rapidly paced the room. " I might abuse fate but you ! You are rich, married, a father, a great artist ! " " What stuff ! " interrupted Marzio, standing still with his long legs apart, and folding his arms as he spoke through his teeth, between which he still held his pipe. " Eich ? Yes able to have a good coat for feast-days, meat when I want it, and my brother's company when I don't want it for a luxury, you know ! Able to take my wife to Frascati on the last Thursday of October as a great holiday. My wife, too ! A creature of beads and saints and little books with crosses on them who would leer at a friar through the grating of a confessional, and who makes the house hideous with her howling if I choose to eat a bit of pork on a Friday ! A good wife indeed ! A jewel of a wife, and an apoplexy on all such jewels ! A nice wife, who has a face like a head from a tomb stone in the Campo Varano for her husband, and who has brought up her daughter to believe that her father is condemned to everlasting flames because he hates cod-fish salt cod-fish soaked in water ! A wife who OHAP. I MARZIO' S CRUCIFIX 13 sticks images in the lining of my hat to convert me, and sprinkles holy water on me when she thinks I am asleep, but I caught her at that the other night " "Indeed, they say the devil does not like holy water," remarked Gianbattista, laughing. " And you want to marry my daughter, you young fool," continued Marzio, not heeding the interruption. "You do. I will tell you what she is like. My daughter yes ! she has fine eyes, but she has the tongue of the " " Of her father," suggested Gianbattista, suddenly frowning. "Yes of her father, without her father's sense," cried Marzio angrily. " With her eyes, those fine eyes ! those eyes ! you want to marry her. If you wish to take her away, you may, and good riddance. I want no daughter ; there are too many women in the world already. They and the priests do all the harm between them, because the priests know how to think too well, and women never think at all. I wish you good luck of your marriage and of your wife. If you were my son you would never have thought of getting married. The mere idea of it made you send your chisel through a cherub's eye last week and cost an hour's time for repairing. Is that the way to look at the great question of humanity ? Ah ! if I were only 14 MARZIO'S CRUCIFIX CHAP. I a deputy in the Chambers, I would teach you the philosophy of all that rubbish ! " " I thought you said the other day that you would not have any deputies at all," observed the apprentice, playing with his hammer. " Such as these are no ! A few of them I would put into the acid bath, as I would a casting, to clean them before chiselling them down. They might be good for something then. You must begin by knock ing down, boy, if you want to build up. You must knock down everything, raze the existing system to the ground, and upon the place where it stood shall rise the mighty temple of immortal liberty." " And who will buy your chalices and monstrances under the new order of things ? " inquired Gianbattista coldly. " The foreign market," returned Marzio. " Italy shall be herself again, as she was in the days of Michael Angelo ; of Leonardo, who died in the arms of a king ; of Cellini, who shot a prince from the walls of Saint Angelo. Italy shall be great, shall mono polise the trade, the art, the greatness of all creation I" " A lucrative monopoly !" exclaimed the young man. " Monopolies ! There shall be no monopolies ! The free artisan shall sell what he can make and buy what he pleases. The priests shall be turned CHAP. I MARZIO'S CRUCIFIX 15 out in chain gangs and build roads for our conveni ence, and the superfluous females shall all be deported to the glorious colony of Massowah ! If I could but be absolute master of this country for a week I could do much." " I have no doubt of it," answered Gianbattista, with a quiet smile. " I should think not," assented Marzio proudly ; then catching sight of the expression on the young man's face, he turned sharply upon him. " You are mocking me, you good-for-nothing !" he cried angrily. "You are laughing at me, at your master, you villain, you wretch, you sickly hound, you priest-ridden worm ! It is intolerable ! It is the first time you have ever dared; do you think I am going to allow you to think for yourself after all the pains I have taken to educate you, to teach you my art, you ungrateful reptile ?" " If you were not such a great artist I would have left you long ago," answered the apprentice. " Besides, I believe in your principles. It is your expression of them that makes me laugh now and then ; I think you go too far sometimes ! " " As if any one had ever gone far enough !" ex claimed Marzio, somewhat pacified, for his moods were very quick. " Since there are still men who are richer than others, it is a sign that we have not gone to the 16 MARZIO'S CRUCIFIX CHAP. I end to the great end in which we believe. I am sure you believe in it too, Tista, don't you ?" " Oh yes in the end certainly. Do not let us quarrel about the means, Maestro Marzio. I must do another leaf before dinner." "I will get in another cherub's nose," said his master, preparing to relight his pipe for a whiff before going to work again. " Body of a dog, these priests !" he grumbled, as he attacked the next angel on the ewer with matchless dexterity and steadiness. A long pause followed the animated discourse of the chiseller. Both men were intent upon their work, alternately holding their breath for the delicate strokes, and breathing more freely as the chisel reached the end of each tiny curva " I think you said a little while ago that I might marry Lucia," observed Gianbattista, without looking up, " that is, if I would take her away !" "And if you take her away," retorted the other, "where will you get bread ?" "Where I get it now. I could live somewhere else and come here to work ; it seems simple enough." " It seems simple, but it is not," replied Marzio. " Perhaps you could try and get Paolo's commissions away from me, and then set up a studio for yourself; but I doubt whether you could succeed. I am not old yet, nor blind, nor shaky, thank God !" CHAP. I MARZIO'S CRUCIFIX 17 " I did not catch the last words/' said Gianbattista, hiding his smile over his work. " I said I was not old, nor broken down yet, thanks to my strength," growled the chiseller ; " you will not steal my commissions yet awhile. What is the matter with you to-day ? You find fault with half I say, and the other half you do not hear at all. You seem to have lost your head, Tista. Be steady over those acanthus leaves ; everybody thinks an acanthus leaf is the easiest thing in the world, whereas it is one of the most difficult before you get to figures. Most chisellers seem to copy their acanthus leaves from the cabbage in their soup. They work as though they had never seen the plant growing. When the Greeks began to carve Corinthian capitals, they must have worked from real leaves, as I taught you to model when you were a boy. Few things are harder than a good acanthus leaf." " I should think women could do the delicate part of our work very well," said the apprentice, returning to the subject from which Marzio was evidently trying to lead him. " Lucia has such very clever fingers." "Idiot!" muttered Marzio between his teeth, not deigning to make any further answer. The distant boom of a gun broke upon the silence that followed, and immediately the bells of all the neighbouring churches rang out in quick succession. It was midday. 18 MAKZIO'S CRUCIFIX OHAP. I " I did not expect to finish that nose," said Marzio, rising from his stool. He was a punctual man, who exacted punctuality in others, and in spite of his thin frame and nervous ways, he loved his dinner. In five minutes all the men had left the workshop, and Marzio and his apprentice stood in the street, the former lock ing the heavy door with a lettered padlock, while the younger man sniffed the fresh spring air that blew from the west out of the square of San Carlo a Catenari down the Via dei Falegnami in which the establish ment of the silver-chiseller was situated. As Marzio fumbled with the fastenings of the door, two women came up and stopped. Marzio had his back turned, and Gianbattista touched his hat in silence. The younger of the two was a stout, black- haired woman of eight-and- thirty years, dressed in a costume of dark green cloth, which fitted very closely to her exuberantly-developed bust, and was somewhat too elaborately trimmed with imitation of jet and black ribands. A high bonnet, decorated with a bunch of purple glass grapes and dark green leaves, surmounted the lady's massive head, and though carefully put on and neatly tied, seemed too small for the wearer. Her ears were adorned by long gold earrings, in each of which were three large garnets, and these trinkets dangled outside and over the riband of the bonnet, which passed under her chin. In her large hands, # CHAP. I MARZIO'S CRUCIFIX 19 covered with tight black gloves, she carried a dark red parasol and a somewhat shabby little black leather bag with steel fastenings. The stout lady's face was of the type common among the Koman women of the lower class very broad and heavy, of a creamy white com plexion, the upper lip shaded by a dark fringe of down, and the deep sleepy eyes surmounted by heavy straight eyebrows. Her hair, brought forward from under her bonnet, made smooth waves upon her low forehead and reappeared in thick coils at the back of her neck. Her nose was relatively small, but too thick and broad at the nostrils, although it departed but little from the straight line of the classic model. Altogether the Signora Pandolfi, christened Maria Luisa, and wife to Marzio the silver-chiseller, was a portly and pompous- looking person, who wore an air of knowing her position, and of being sure to maintain it. Neverthe less, there was a kindly expression in her fat face, and if her eyes looked sleepy they did not look dishonest. Signora Pandolfi's companion was her old maid- of-all-work, Assunta, commonly called Suntarella, with out whom she rarely stirred abroad a little old woman, in neat but dingy-coloured garments, with a grey woollen shawl drawn over her head like a cowl, instead of a bonnet. Marzio finished fastening the door, and then turned round. On seeing his wife he remained silent for a 20 MARZIO'S CRUCIFIX CHAP. I moment, looking at her with an expression of dis satisfied inquiry. He had not expected her. "Well?" he ejaculated at last. " It is dinner time," remarked the stout lady. " Yes, I heard the gun," answered Marzio drily. "It is the same as if you had told me," he added ironically, as he turned and led the way across the street. "A pretty answer!" exclaimed Maria Luisa, tossing her large head as she followed her lord and master to the door of their house. Meanwhile Assunta, the old servant, glanced at Gianbattista, rolled up her eyes with an air of resignation, and spread out her withered hands for a moment with a gesture of despair, instantly drawing them in again beneath the folds of her grey woollen shawl. "Gadding!" muttered Marzio, as he entered the narrow door from which the dark steps led abruptly upwards. " Gadding always gadding ! And who minds the soup-kettle when you are gadding, I should like to know ? The cat, I suppose ! Oh, these women and their priests ! These priests and these women !" " Lucia is minding the soup-kettle," gasped Maria Luisa, as she puffed up stairs behind her thin and active husband. " Lucia !" cried Maraio angrily, a flight of steps higher. "I suppose you will bring her up to be CHAP. I MARZIO'S CRUCIFIX 21 woman of all work ? Well, she could earn her living then, which is more than you do ! After all, it is better to mind a soup-kettle than to thump a piano and to squeal so that I can hear her in the shop op posite, and it is better than hanging about the church all the morning, or listening to Paolo's drivelling talk. By all means keep her in the kitchen." It was hard to say whether Signora Pandolfi was puffing or sighing as she paused for breath upon the landing, but there was probably something of both in the labour of her lungs. She was used to Marzio. She had lived with him for twenty years, and she knew his moods and his ways, and detected the com ing storm from afar. Unfortunately, or perhaps for tunately, for her, there was little variety in the sequence of his ideas. She was accustomed to his beginning at the grumbling stage before dinner, and proceeding by a crescendo movement to the pitch of rage, which was rarely reached until he had finished his meal, when he generally seized his hat and dragged Gianbattista away with him, declaring loudly that women were not fit for human society. The daily excitement of this comedy had long lost its power to elicit anything more than a sigh from the stout Maria Luisa, who generally bore Marzio's unreasonable anger with considerable equanimity, waiting for his departure to eat her boiled beef and salad in peace with Lucia, 22 MARZIO'S CRUCIFIX CHAP. I while old Assunta sat by the table with the cat in her lap, putting in a word of commiseration alternately with a word of gossip about the lodgers on the other side of the landing. The latter were a young and happy pair : the husband, a chorus singer at the Apollo, who worked at glove cleaning during the day time ; his wife, a sempstress, who did repairs upon the costumes of the theatre. Their apartments consisted of two rooms and a kitchen, while Marzio and his family occupied the rest of the floor, and entered their lodg ing by the opposite door. Maria Luisa envied the couple in her sleepy fashion. Her husband was indeed comparatively rich, and though economical in his domestic arrangements, he had money in the bank enough to keep him comfortably for the rest of his days. His violence did not extend beyond words and black looks, and he was not miserly about a few francs for dress, or a dinner at the Falcone two or three times a year. But in the matter of domestic peace his conduct left much to be desired. He was a sober man, but his hours were irregular, for he attended the meetings of a certain club which Maria Luisa held in abhorrence, and brought back opinions which made her cross herself with her fat fingers, shuddering at the things he said. As for Gianbattista Bordogni, who lived with them, and consequently received most of his wages in the shape of board and lodging, he loved CHAP. I MARZIO'S CRUCIFIX 23 Lucia Pandolfi, his master's daughter, and though he shared Marzio's opinions, he held his tongue in the house. He understood how necessary to him the mother's sympathy must be, and, with subtle intelli gence, he knew how to create a contrast between himself and his master by being reticent at the right moment. Lucia opened the door in answer to the bell her father had rung, and stood aside in the narrow way to let members of the household pass by, one by one. Lucia was seventeen years old, and probably resembled her mother as the latter had looked at the same age. She was slight, and tall, and dark, with a quantity of glossy black hair coiled behind her head. Her black eyes had not yet acquired that sleepy look which advancing life and stoutness had put into her mother's, as a sort of sign of the difficulty of quick motion. Her figure was lithe, though she was not a very active girl, and one might have predicted that at forty she, too, would pay her debt to time in pounds of flesh. There are thin people who look as though they could never grow stout, and there are others whose leisurely motion and deliberate step foretells increase of weight. But Gianbattista had not studied these matters of physiological horoscopy. It sufficed him that Lucia Pandolfi was at present a very pretty girl, even beautiful, according to some standards. Her thick CHAP. I hair, low forehead, straight classic features, and severe mouth fascinated the handsome apprentice, and the intimacy which had developed between the two during the years of his residence under Marzio's roof, from the time when Lucia was a little girl to the present day, had rendered the transition from friendship to love almost imperceptible to them both. Gianbattista was the last of the party to enter the lodging, and as he paused to shut the door, Lucia was still lingering at the threshold. "Hist! They will see!" she protested under her breath. " What do I care !" whispered the apprentice, as he kissed her cheek in the dusky passage. Then they followed the rest. CHAPTER II THAT evening Marzio finished the last cherub's head on the ewer before he left the shop. He had sent Gianbattista home, and had dismissed the men who were working at a huge gilded grating ordered by a Roman prince for a church he was decorating. Marzio worked on by the light of a strong lamp until the features were all finished and he had indicated the pupils of the eyes with the fine-pointed punch. Then he sat some time at his bench with the beautiful piece of workmanship under his fingers, looking hard at it and straining his eyes to find imperfections that did not exist. At last he laid it down tenderly upon the stuffed leather pad and stared at the green shade of the lamp, deep in thought. The man's nature was in eternal conflict with itself, and he felt as though he were the battle-ground of forces he could neither understand nor control. A true artist in feeling, in the profound cultivation of his tastes, in the laborious patience with which he executed his designs, there was an element in his Vol. 6 B 26 MARZIO'S CRUCIFIX CHAP. II character and mind which was in direct contradiction with the essence of what art is. If art can be said to depend upon anything except itself, that something is religion. The arts began in religious surroundings, in treating religious subjects, and the history of the world from the time of the early Egyptians has shown that where genius has lost faith in the supernatural, its efforts to produce great works of lasting beauty in the sensual and material atmosphere of another century have produced comparatively insignificant results. The science of silver-chiselling began, so far as this age is concerned, in the church. The tastes of Francis the First directed the attention of the masters of the art to the making of ornaments for his mistresses, and for a time the men who had made chalices for the Vatican succeeded in making jewelry for Madame de Chateau briand, Madame d'Etampes, and Diane de Poitiers. But the art itself remained in the church, and the marvels of repoussd gold and silver to be seen in the church of Notre Dame des Victoires, the masterpieces of Ossani of Eome, could not have been produced by any goldsmith who made jewelry for a living. Marzio Pandolfi knew all this better than any one, and he could no more have separated himself from his passion for making chalices and crucifixes than he could have changed the height of his stature or the colour of his eyes. But at the same time he hated CHAP. II MARZIO'S CRUCIFIX 27 the church, the priests, and every one who was to use the beautiful things over which he spent so much time and labour. Had he been indifferent, a careless, good-natured sceptic, he would have been a bad artist. As it was, the very violence of his hatred lent spirit and vigour to his eye and hand. He was willing to work upon the figure, perfecting every detail of ex pression, until he fancied he could feel and see the silver limbs of the dead Christ suffering upon the cross under the diabolical skill of his long fingers. The monstrous horror of the thought made him work marvels, and the fancied realisation of an idea that would startle even a hardened unbeliever, lent a feverish impulse to this strange man's genius. As for the angels on the chalices, he did not hate them ; on the contrary, he saw in them the reflection of those vague images of loveliness and innocence which haunt every artist's soul at times, and the mere manual skill necessary to produce expression in things so minute, fascinated a mind accustomed to cope with difficulties, and so inured to them as almost to love them. Nevertheless, when a man is constantly a prey to strong emotions, his nature cannot long remain un changed. The conviction had been growing in Marzio's mind that it was his duty, for the sake of consistency, to abandon his trade. The thought saddened him, 28 MARZIO'S CRUCIFIX CHAP, n but the conclusion seemed inevitable. It was absurd, he repeated to himself, that one who hated the priests should work for them. Marzio was a fanatic in his theories, but he had something of the artist's sim plicity in his idea of the way they should be carried out. He would have thought it no harm to kill a priest, but it seemed to him contemptible to receive a priest's money for providing the church with vessels which were to serve in a worship he despised. Moreover, he was not poor. Indeed, he was richer than any one knew, and the large sums paid for his matchless work went straight from the workshop to the bank, while Marzio continued to live in the simple lodgings to which he had first brought home his wife, eighteen years before, when he was but a young partner in the establishment he now owned. As he sat at the bench, looking from his silver ewer to the green lamp shade, he was asking himself whether he should not give up this life of working for people he hated and launch into that larger work of political agitation, for which he fancied himself so well fitted. He looked forward into an imaginary future, and saw himself declaiming in the Chambers against all that existed, rousing the passions of a multitude to acts of destruction of justice, as he called it in his thoughts and leading a vast army of angry men up the steps of the Capitol to proclaim himself the champion of the rights of CHAP. II MARZIO'S CRUCIFIX 29 man against the rights of kings. His eyelids con tracted and the concentrated light of his eyes was reduced to two tiny bright specks in the midst of the pupils ; his nervous hand went out and the fingers clutched the jaws of the iron vice beside him as he would have wished to grapple with the jaws of the beast oppression, which in his dreams seemed ever tormenting the poor world in which he lived. There was something lacking in his face, even in that moment of secret rage as he sat alone in his workroom before the lamp. There was the frenzy of the fanatic, the exaltation of the dreamer, clearly expressed upon his features, but there was something wanting. There was everything there except the force to accomplish, the initiative which oversteps the bank of words, threats, and angry thoughts, and plunges boldly into the stream, ready to sacrifice it self to lead others. The look of power, of stern de termination, which is never absent from the faces of men who change their times, was not visible in the thin dark countenance of the silver-chiseller. Marzio was destined never to rise above the common howling mob which he aspired to lead. This fact asserted itself outwardly as he sat there. After a few minutes the features relaxed, a smile that was almost weak the smile that shows that a man lacks absolute confidence passed quickly over his 30 MARZIO'S CRUCIFIX CHAP. II face, the light in his eyes went out, and he rose from his stool with a short, dissatisfied sigh, which was re peated once or twice as he put away his work and arranged his tools. He made the rounds of the work shop, looked to the fastenings of the windows, lighted a taper, and then extinguished the lamp. He threw a loose overcoat over his shoulders without passing his arms through the sleeves, and went out into the street. Glancing up at the windows of his house opposite, he saw that the lights were burning brightly, and he guessed that his wife and daughter were waiting for him before sitting down to supper. " Let them wait," he muttered with a surly grin, as he put out the taper and went down the street in the opposite direction. He turned the street corner by the dark Palazzo Antici Mattei, and threaded the narrow streets towards the Pantheon and the Piazza Sant' Eustachio. The weather had changed, and the damp south-east wind was blowing fiercely behind him. The pavement was wet and slippery with the strange thin coating of greasy mud which sometimes appears suddenly in Rome even when it has not rained. The insufficient gas lamps flickered in the wind as though they would go out, and the few pedestrians who hurried along clung closely to the wall as though it offered them some protection from the moist scirocco. The great CHAP. II MARZIO' S CEUCIFIX 31 doors of the palaces were most of them closed, but here and there a little red light announced a wine shop, and as Marzio passed by he could see through the dirty panes of glass dark figures sitting in a murky atmosphere over bottles of coarse wine. The streets were foul with the nauseous smell of decaying vege tables and damp walls which the south-east wind brings out of the older parts of Kome, and while few voices were heard in the thick air, the clatter of horses 1 hoofs on the wet stones rattled loudly from the thoroughfares which lead to the theatres. It was a dismal night, but Marzio Pandolfi felt that his temper was in tune with the weather as he tramped along towards the Pantheon. The streets widened as he neared his destination, and he drew his overcoat more closely about his neck. Presently he reached a small door close to Sant' Eus- tachio, one of the several entrances to the ancient Falcone, an inn which has existed for centuries upon the same spot, in the same house, and which affords a rather singular variety of accommodation. Down stairs, upon the square, is a modern restaurant with plate- glass windows, marble floor, Vienna cane chairs, and a general appearance of luxury. A flight of steps leads to an upper story, where there are numerous rooms of every shape and dimension, furnished with old-fashioned Italian simplicity, though with considerable cleanli- 32 MARZIO'S CRUCIFIX CHAP, n ness. Thither resort the large companies of regular guests who have eaten their meals there during most of their lives. But there is much more room in the house than appears. The vast kitchen on the ground floor ter minates in a large space, heavily vaulted and lighted by oil lamps, where rougher tables are set and spread, and where you may see the well-to-do wine-carter eating his supper after his journey across the Campagna, in company with some of his city acquaintances of a similar class. In dark corners huge wine-casks present their round dusty faces to the doubtful light, the smell of the kitchen pervades everything, tempered by the smell of wine from the neighbouring cellars ; the floor is of rough stone worn by generations of cooks, potboys, and guests. Beyond this again a short flight of steps leads to a narrow doorway, passing through which one enters the last and most retired chamber of the huge inn. Here there is barely room for a dozen persons, and when all the places are full the bottles and dishes are passed from the door by the guests themselves over each other's heads, for there is no room to move about in the narrow space. The walls are whitewashed and the tables are as plain as the chairs, but the food and drink that are consumed there are the best that the house affords, and the society, from the point of view of Marzio Pandolfi and his friends, is of the most agreeable. CHAP. II MARZIO'S CRUCIFIX 33 The chiseller took his favourite seat in the corner furthest from the window. Two or three men of widely different types were already at the table, and Marzio exchanged a friendly nod with each. One was a florid man of large proportions, dressed in the height of the fashion and with scrupulous neatness. He was a jeweller. Another, a lawyer with a keen and anxious face, wore a tightly-buttoned frock coat and a black tie. Immense starched cuffs covered his bony hands and part of his fingers. He was supping on a salad, into which he from time to time poured an additional dose of vinegar. A third man, with a round hat on one side of his head, and who wore a very light- coloured overcoat, displaying a purple scarf with a showy pin at the neck, held a newspaper in one hand and a fork in the other, with which he slowly ate mouthfuls of a ragout of wild boar. He was a jour nalist 011 the staff of an advanced radical paper. "Halloa, Sor Marzio !" cried this last guest, suddenly looking up from the sheet he was reading, "here is news of your brother." " What ?" asked Marzio briefly, but as though the matter were utterly indifferent to him. " Has he killed anybody, the assassin ?" The journalist laughed hoarsely at the jest. " Not so bad as that/' he answered. " He is getting advancement. They are going to make him a canon 34 MARZIO'S CRUCIFIX CHAP, n of Santa Maria Maggiore. It is in the Osservatore Romaiio of this evening." " He is good for nothing else/' growled Marzio. " It is just like him not to have told me anything about it." " With the sympathy which exists between you, I am surprised," said the journalist. "After all, you might convert him, and then he would be useful. He will be an archdeacon next, and then a bishop who knows? perhaps a cardinal!" " You might as well talk of converting the horses on Monte Cavallo as of making Paolo change his mind," replied Pandolfi, beginning to sip the white wine he had ordered. " You don't know him he is an angel, my brother ! Oh, quite an angel ! I wish somebody would send him to heaven, where he is so anxious to be !" " Look out, Marzio !" exclaimed the lawyer, glancing from the vinegar cruet towards the door and then at his friend. " No such luck," returned the chiseller. " Nothing ever happens to those black-birds. When we get as far as hanging them, my dear brother will happen to be in Paris instead of in Eome. You might as well try to catch a street cat by calling to it micio, micio ! as try and catch a priest. You may as well expect to kill a mule by kicking it as one of those animals. CHAP, n MARZIO'S CRUCIFIX 35 Burn the Vatican over their heads and think you have destroyed them like a wasps' nest, they will write you a letter from Berlin the next day saying that they are alive and well, and that Prince Bismarck protests against your proceedings." " Bravo, Sor Marzio !" cried the journalist. " I will put that in the paper to-morrow it is a fine fulmina- tion. You always refresh my ideas why will you not write an article for us in that strain? I will publish it as coming from a priest who has given up his orders, married, and opened a wine-shop in Naples. What an effect ! Magnificent ! Do go on !" Marzio did not need a second invitation to proceed upon his favourite topic. He was soon launched, and as the little room filled, his pale and sunken cheeks grew red with excitement, his tongue was unloosed, and he poured out a continuous stream of blasphemous ribaldry such as would have shocked the ears of a revolutionist of the year '89 or of a pttroleuse of the nineteenth century. It seemed as though the spring once opened would never dry. His eyes flashed, his fingers writhed convulsively on the table, and his voice rang out, ironical and cutting, with strange intonations that roused strange feelings in his hearers. It was the old subject, but he found something new to say upon it at each meeting with his friends, and they wondered where he got the imagination to 36 MARZIO'S CRUCIFIX CHAP. II construct his telling phrases and specious, virulent arguments. We have all wondered at such men. They are the outcome of this age and of no previous time, as it is also to be hoped that their like may not arise hereafter. They are found everywhere, these agitators, with their excited faces, their nervous utterances, and their furious hatred of all that is. They find their way into the parlia ments of the world, into the dining-rooms of the rich, into the wine-shops of the working men, into the press even, and some of their works are published by great houses and read by great ladies, if not by great men. Suddenly, when we least expect it, a flaming advertisement announces a fiery tirade against all that the great mass of mankind hold in honour, if not in reverence. Curiosity drives thousands to read what is an insult to humanity, and even though the many are disgusted, some few are found to admire a rhetoric which exalts their own ignorance to the right of judging God. And still the few increase and grow to be a root and send out shoots and creepers like an evil plant, so that grave men say among themselves that if there is to be a universal war in our times or hereafter it will be fought by Christians of all denominations defending themselves against those who are not Christians. Marzio sat long at his table, and his modest pint of wine was enough to moisten his throat throughout OHAP. II MARZIO'S CRUCIFIX 37 the time during which he held forth. When the liquor was finished he rose, took down his overcoat from the peg on which it hung, pushed his soft hat over his eyes, and with a sort of triumphant wave of the hand, saluted his friends and left the room. He was a perfectly sober man, and no power would have induced him to overstep the narrow limit he allowed to his taste. Indeed, he did not care for wine itself, and still less for any excitement it produced in his brain. He ordered his half-litre as a matter of respect for the house, as he called it, and it served to wet his throat while he was talking. Water would have done as well. Consumed by the intensity of his hatred for the things he attacked, he needed no stimulant to increase his exaltation. When he was gone, there was silence in the room for some few minutes. Then the journalist burst into a loud laugh. "If we only had half a dozen fellows like that in the Chambers, all talking at once !" he cried. " They would be kicked into the middle of Monte- citorio in a quarter of an hour," answered the thin voice of the lawyer. " Our friend Marzio is slightly mad, but he is a good fellow in theory. In practice that sort of thing must be dropped into public life a little at a time, as one drops vinegar into a salad, 38 MARZIO'S CRUCIFIX CHAP, n on each leaf. If you don't, all the vinegar goes to the bottom together, and smells horribly sour." While Marzio was holding forth to his friends, the family circle in the Via dei Falegnami was enjoying a very pleasant evening in his absence. The Signora Pandolfi presided at supper in a costume which lacked elegance, but ensured comfort the traditional skirt and white cotton jacket of the Italian housewife. Lucia wore the same kind of dress, but with less direful effects upon her appearance. Gianbattista, as usual after working hours, was arrayed in clothes of fashionable cut, aiming at a distant imitation of the imaginary but traditional English tourist. A murder ous collar supported his round young chin, and a very stiffly-constructed pasteboard-lined tie was adorned by an exquisite silver pin of his own workmanship the only artistic thing about him. Besides these members of the family, there was a fourth person at supper, the person whom, of all others, Marzio detested, Paolo Pandolfi, his brother the priest, commonly called Don Paolo. He deserves a word of description, for there was in his face a fleeting resem blance to Marzio, which might easily have led a stranger to believe that there was a similarity between their characters. Tall, like his brother, the priest was a little less thin, and evidently far less nervous. The expression of his face was thoughtful, and the deep, OHAP. IT MARZIO'S CRUCIFIX 39 heavily-ringed eyes were like Marzio's, but the fore head was broader, and the breadth ascended higher in the skull, which was clearly denned by the short, closely-cropped hair and the smooth tonsure at the back. The nose was larger and of more noble shape, and Paolo's complexion was less yellow than his brother's ; the features were not surrounded by fur rows or lines, and the leanness of the priest's face threw them into relief. The clean shaven upper lip showed a kind and quiet mouth, which smiled easily and betrayed a sense of humour, but was entirely free from any suggestion of cruelty. Don Paolo was scrupulous of his appearance, and his cassock and mantle were carefully brushed, and his white collar was immaculately clean. His hands were of the student type white, square at the tips, lean, and somewhat knotty. Marzio, in his ill-humour, had no doubt nattered himself that his family would wait for him for supper. But his family had studied him and knew his ways. When he was not punctual, he seldom came at all, and a quarter of an hour was considered sufficient to decide the matter. " What are we waiting to do ? " exclaimed Maria Luisa, in the odd Italian idiom. ''Marzio is in his humours he must have gone to his friends. Ah I those friends of his ! " she sighed. " Let us sit down 40 MARZIO'S CRUCIFIX CHAP. II to supper," she added ; and, from her tone, the idea of supper seemed to console her for her husband's absence. " Perhaps he guessed that I was coming," remarked Don Paolo, with a smile. " In that case he will be a little nervous with me when he comes back. With your leave, Maria Luisa," he added, by way of an nouncing that he would say grace. He gave the short Latin benediction, during which Gianbattista never looked away from Lucia's face. The boy fancied she was never so beautiful as when she stood with her hands folded and her eyes cast down. " Marzio does not know what I have come for," began Don Paolo again, as they all sat down to the square table in the little room. " If he knew, perhaps he might have been here though perhaps he would not care very much after all. You all ask what it is ? Yes ; I will tell you. His Eminence has obtained for me the canonry that was vacant at Santa Maria Mag- At this announcement everybody sprang up and embraced Don Paolo, and overwhelmed him with con gratulations, reproaching him at the same time for having kept the news so long to himself. " Of course, I shall continue to work with the Car dinal," said the priest, when the family gave him time to speak. " But it is a great honour. I have other news for Marzio " CHAP. II MARZIO'S CRUCIFIX 41 " I imagine that you did not count upon the canonry as a means of pleasing him," remarked the Signora Pandolfi, with a smile. " No, indeed," laughed Lucia. " Poor papa he would rather see you sent to be a curate in Civita Lavinia ! " " Dear me ! I fear so," answered Don Paolo, with a shade of sadness. " But I have a commission for him. The Cardinal has ordered another crucifix, which he desires should be Marzio's masterpiece silver, of course, and large. It must be altogether the finest thing he has ever made, when it is finished/' "I daresay he will be very much pleased," said Maria Luisa, smiling comfortably. " I wish he could make the figure solid, cast and chiselled, instead of repousst" remarked Gianbattista, whose powerful hands craved heavy work by instinct. " It would be a pity to waste so much silver ; and besides, the effects are never so light," said Lucia, who, like most artists' daughters, knew something of her father's work. " What is a little silver, more or less, to the Car dinal ? " asked Gianbattista, with a little scorn ; but as he met the priest's eye his expression instantly became grave. The apprentice was very young; he was not be yond that age at which, to certain natures, it seems a 42 MARZIO'S CRUCIFIX CHAP, n fine thing to be numbered among such men as Marzio's friends. But at the same time he was not old enough, nor independent enough, to exhibit his feelings on all occasions. Don Paolo exercised a dominant influence in the Pandolfi household. He had the advantage of being calm, grave, and thoroughly in earnest, not easily ruffled nor roused to anger, any more than he was easily hurt. By character sensitive, he bore all small attacks upon himself with the equanimity of a man who believes his cause to be above the need of defence against little enemies. The result was that he domi nated his brother's family, and even Marzio himself was not free from a certain subjection which he felt, and which was one of the most bitter elements in his existence. Don Paolo imposed respect by his quiet dignity, while Marzio asserted himself by speaking loudly and working himself voluntarily into a state of half-assumed anger. In the contest between quiet force and noisy self-assertion the issue is never doubt ful. Marzio lacked real power, and he felt it. He could command attention among the circle of his associates who already sympathised with his views, but in the presence of Paolo he was conscious of struggling against a superior and incomprehensible obstacle, against the cool and unresentful disapprobation of a man stronger than himself. It was many years since he had ventured to talk before his brother as he CHAP. II MARZIO'S CRUCIFIX 43 talked when he was alone with Gianbattista, and the latter saw the change that came over his master's manner before the priest, and guessed that Marzio was morally afraid. The somewhat scornful allusion to the Cardinal's supposed wealth certainly did not constitute an attack upon Don Paolo, but Gianbattista neverthe less felt that he had said something rather foolish, and made haste to ignore his words. The influence could not be escaped. It was this subtle power that Marzio resented, for he saw that it was exerted continually, both upon him self and the members of his household. The chiseller acknowledged to himself that in a great emergency his wife, his daughter, and even Gianbattista Bordogni, would most likely follow the advice of Don Paolo, in spite of his own protests and arguments to the contrary. He fancied that he himself alone was a free agent. He doubted Gianbattista, and began to think that the boy's character would turn out a failure. This was the reason why he no longer encouraged the idea of a marriage between his daughter and his apprentice, a scheme which, somewhat earlier, had been freely dis cussed. It had seemed an admirable arrangement. The young man promised to turn out a freethinker after Marzio's own heart, and showed a talent for his profession which left nothing to be desired. Some one must be ready to take Marzio's place in the direction 44 MARZIO'S CRUCIFIX CHAP, n of the establishment, and no one could be better fitted to undertake the task than Gianbattista. Lucia would inherit her father's money as the capital for the busi ness, and her husband should inherit the workshop with all the stock-in-trade. Latterly, however, Marzio had changed his mind, and the idea no longer seemed so satisfactory to him as at first. Gianbattista was evidently falling under the influence of Don Paolo, and that was a sufficient reason for breaking off the match. Marzio hardly realised that as far as his outward deportment in the presence of the priest was concerned, the apprentice was only following his master's example. Marzio had been looking about him for another Ausband for his daughter, and he had actually selected one from among his most intimate friends. His choice had fallen upon the thin lawyer by name Gasparo Carnesecchi who, according to the chiseller's views, was in all respects a most excellent match. A true freethinker, a practising lawyer with a considerable acquaintance in the world of politics, a discreet man not far from forty years of age, it seemed as though nothing more were required to make a model hus band. Marzio knew very well that Lucia's dowry would alone have sufficed to decide the lawyer to marry her, and an interview with Carnesecchi had almost decided the matter. Of course, he had not been able to allude to the affair this evening at the CHAP. II MARZIO'S CRUCIFIX 45 inn, when so many others were present, but the preliminaries were nearly settled, and Marzio had made up his mind to announce his intention to his family at once. He knew well enough what a storm he would raise, and, like many men who are always trying to seem stronger than they really are, he had determined to choose a moment for making the dis closure when he should be in a thoroughly bad humour. As he walked homewards from the old inn he felt that this moment had arrived. The slimy pavement, the moist wind driving through the streets and round every corner, penetrating to the very joints, contributed to make him feel thoroughly vicious and disagreeable; and the tirade in which he had been indulging before his audience of friends had loosed his tongue, until he was conscious of being able to face any domestic dis turbance or opposition. The little party had- adjourned from supper, and had been sitting for some time in the small room which served as a place of meeting. Gianbattista was smoking a cigarette, which he judged to be more in keeping with his appearance than a pipe when he was dressed in civilised garments, and he was drawing an elaborate ornament of arabesques upon a broad sheet of paper fixed on a board. Lucia seated at the table was watching the work, while Don Paolo sat in a straight-backed chair, his white hands folded on his 46 MARZIO'S CEUCIFIX CHAP. II knee, from time to time addressing a remark to Maria Luisa. The latter, being too stout to recline in the deep easy-chair near the empty fireplace, sat bolt upright, with her feet upon the edge of a footstool, which was covered by a tapestry of worsted-work, dis playing an impossible nosegay upon a vivid green ground. They had discussed the priest's canonry, and the order for the crucifix. They had talked about the weather. They had made some remarks upon Marzio's probable disposition of mind when he should come home, and the conversation was exhausted so far as the two older members were concerned. Gianbattista and Lucia conversed in a low tone, in short, enigmatic phrases. " Do you know ? " said the apprentice. " What ? " inquired Lucia. " I have spoken of it to-day." Both glanced at the Signora Pandolfi. She was sitting up as straight as ever, but her heavy head was slowly bending forward. " Well ? " asked the young girl. " He was in a diabolical humour. He said I might take you away." Gianbattista smiled as he spoke, and looked into Lucia's eyes. She returned his gaze rather sadly, and only shook her head and shrugged her shoulders for a reply. "If we took him at his word," suggested Gian battista. CHAP. H MARZIO'S CRUCIFIX 4*7 " Just so it would be a fine affair ! " exclaimed Lucia ironically. "After all, he said so," argued the young man. " What does it matter whether he meant it ? " " Things are going badly for us," sighed his com panion. " It was different a year ago. You must have done something to displease him, Tista. I wish I knew ! " Her dark eyes suddenly assumed an angry expression, and she drew in her red lips. " Wish you knew what ? " inquired the apprentice, in a colder tone. " Why he does not think about it as he used to. He never made any objections until lately. It was almost settled." Gianbattista glanced significantly at Don Paolo, shrugged his shoulders, and went on drawing. " What has that to do with it ? " asked Lucia im patiently. " It is enough for your father that it would please his brother. He would hate a dog that Don Paolo liked." " What nonsense ! " exclaimed the girl. " It is something else. Papa sees something something that I do not see. He knows his own affairs, and perhaps he knows yours too, Tista. I have not for gotten the other evening." " I ! " ejaculated the young man, looking up angrily. 48 MARZIO'S CRUCIFIX CHAP. II " You know very well where I was at the Circolo Artistico. How do you dare to think " " Why are you so angry if there is no one else in the case ? * asked Lucia, with a sudden sweetness, which belied the jealous glitter in her eyes. " It seems to me that I have a right to be angry. That you should suspect me after all these years ! How many times have I sworn to you that I went nowhere else ? " " What is the use of your swearing ? You do not believe in anything why should you swear ? Why should I believe you ? " "Oh if you talk like that, I have finished!" answered Gianbattista. "But there you are only teasing me. You believe me, just as I believe you. Besides, as for swearing and believing in something besides you who knows ? I love you is not that enough ? " Lucia's eyes softened as they rested on the young man's face. She knew he loved her. She only wanted to be told so once more. " There is Marzio/' said Don Paolo, as a key rattled in the latch of the outer door. " At this hour ! " exclaimed the Signora Pandolfi, suddenly waking up and rubbing her eyes with her fat lingers. CHAPTEK III MARZIO, having divested himself of his heavy coat and hat, appeared at the door of the sitting-room. Everybody looked at him, as though to discern the signs of his temper, and no one was perceptibly re assured by the sight of his white face and frowning forehead. "Well, most reverend canon," he began, addressing Don Paolo, "I am in time to congratulate you, it seems. It was natural that I should be the last to hear of your advancement, through the papers." "Thank you," answered Don Paolo quietly. "I came to tell you the news." "You are very considerate," returned Marzio. "I have news also ; for you all." He paused a moment, as though to give greater effect to the statement he was about to make. "I refer," he continued very slowly, " to the question of Lucia's marriage." " Indeed ! " exclaimed the priest. " I am glad if it is to be arranged at last." The other persons in the room held their breath* Vol. 6 c 50 MARZIO'S CRUCIFIX CHAP, ill The young girl blushed deeply under her white skin, and Gianbattista grew pale as he laid aside his pencil and shaded his -eyes with his hands. The Signora Pandolfi panted with excitement and trembled visibly as she looked at her husband. His dark figure stood out strongly from the background of the shabby blue wall paper, and the petroleum lamp cast deep shadows in the hollows of his face. " Yes," he continued, " I talked yesterday with Gasparo Carnesecchi you know, he is the lawyer I always consult. He is a clever fellow and understands these matters. We talked of the contract ; I thought it better to consult him, you see, and he thinks the affair can be arranged in a couple of weeks. He is so intelligent. A marvel of astuteness ; we discussed the whole matter, I say, and it is to be concluded as soon as possible. So now, my children " Gianbattista and Lucia, seated side by side at the table, were looking into each other's eyes, and as Marzio fixed his gaze upon them, their hands joined upon the drawing-board, and an expression of happy surprise overspread their faces. Marzio smiled too, as he paused before completing the sentence. " So that now, my children," he continued, speak ing very slowly, "you may as well leave each other's hands and have done with all this non- CHAP, in MARZIO'S CRUCIFIX 51 The lovers looked up suddenly with a puzzled air, supposing that Marzio was jesting. " I am in earnest," he went on. " You see, Tista, that it will not be proper for you to sit and hold Lucia's hand when she is called Signora Carnesecchi, so you may as well get used to it." For a moment there was a dead silence in the room. Then Lucia and Gianbattista both sprang to their feet. " What ! " screamed the young girl in an agony of terror. " Carnesecchi ! what do you mean ? " "Infame! Wretch!" shouted Gianbattista, beside himself with rage as he sprang forward to grasp Marzio in his hands. But the priest had risen too, and placed himself between the young man and Marzio to prevent any struggle. " No violence ! " he cried in a tone that dominated the angry voices and the hysterical weeping of Maria Luisa, who sat rocking herself in her chair. Gianbattista stepped back and leaned against the wall, choking with anger. Lucia fell back into her seat and covered her face with her hands. " Violence ? Who wants violence ? " asked Marzio in contemptuous tones. " Do you suppose I am afraid of Tista ? Let him alone, Paolo ; let us see whether he will strike me." The priest now turned his back on the apprentice, and confronted Marzio. He was not pale like the 52 MARZIO'S CRUCIFIX CHAP, in rest, for he was not afraid of the chiseller, and the generous flush of a righteous indignation mounted to his calm face. " You are mad," he said, meeting his brother's gaze fearlessly. " Not in the least," returned Marzio. " Lucia shall marry Gasparo Carnesecchi at once, or she shall not marry any one ; what am I saying ? She shall have no choice. She must and she shall marry the man I have chosen. What have you to do with it ? Have you come here to put yourself between me and my family ? I advise you to be careful The law pro tects me from such interference, and fellows of your cloth are not very popular at present." " The law," answered the priest, controlling his wrath, " protects children against their parents. The law which you invoke provides that a father shall not force his daughter to marry against her will, and I believe that considerable penalties are incurred in such cases." " What do you know of law, except how to elude it ? " inquired Marzio defiantly. Not half an hour had elapsed since he had been haranguing the admiring company of his friends, and his words came easily. Moreover, it was a long time since he had broken through the constraint he felt in Don Paolo's presence, and the opportunity having presented itself was not to be lost. CHAP. Ill MARZIO'S CRUCIFIX 53 " Who are you that should teach me ? " he repeated, raising his voice to a strained key and gesticulating fiercely. " You, your very existence is a lie, and you are the server of lies, and you and your fellow liars would have created them if they didn't already exist, you love them so. You live by a fraud, and you want to drag everybody into the comedy you play every day in your churches, everybody who is fool enough to drop a coin into your greedy palm ! What right have you to talk to men ? Do you work ? Do you buy ? Do you sell ? You are worse than those fine gentlemen who do nothing because their fathers stole our money, for you live by stealing it yourselves ! And you set yourselves up as judges over an honest man to tell him what he is to do with his daughter ? You fool, you thing in petticoats, you deceiver of women, you charlatan, you mountebank, go ! Go and perform your antics before your altars, and leave hard working men like me to manage their families as they can, and to marry their daughters to whom they will ! " Marzio had rolled off his string of invective in such a tone, and so rapidly, that it had been impossible to interrupt him. The two women were sobbing bitterly. Gianbattista, pale and breathing hard, looked as though he would throttle Marzio if he could reach him, and Don Paolo faced the angry artist, with reddening fore- 54 MARZIO'S CRUCIFIX CHAP, in head, folding his arms and straining his muscles to control himself. When Marzio paused for breath, the priest answered him with an effort. "You may insult me if it pleases you," he said, "it is nothing to me. I cannot prevent your uttering your senseless blasphemies. I speak to you of the matter in hand. I tell you simply that in treating these two, who love each other, as you are treating them, you are doing a thing unworthy of a man. Moreover, the law protects your daughter, and I will see that the law does its duty." " Oh, to think that I should have such a monster for a husband," groaned the fat Signora Pandolfi, still rocking herself in her chair, and hardly able to speak through her sobs. "You will do a bad day's work for yourself and your art when you try to separate us," said Gianbattista between his teeth. Marzio laughed hoarsely, and turned his back on the rest, beginning to fill his pipe at the chimney- piece. Don Paolo heard the apprentice's words, and understood their meaning. He went and laid his hand on the young man's shoulder. "Do not let us have any threats, Tista," he said quietly. " Sor Marzio will never do this thing believe me, he cannot if he would." " Go on," cried Marzio, striking a match. " Go on OTAP. in MARZIO'S CRUCIFIX 55 sow the seeds of discord, teach them all to disobey me. I am listening, my dear Paolo." " All the better, if you are," answered the priest, " for I assure you I am in earnest. You will have time to consider this thing. I have a matter of busi ness with you, Marzio. That is what I came for this evening. If you have done, we will speak of it." " Business ? " exclaimed Marzio in loud ironical tones. " This is a good time for talking of business as good as any other ! What is it ? " " The Cardinal wants another piece of work done, a very fine piece of work." " The Cardinal? I will not make any more chalices for your cardinals. I am sick of chalices, and mon strances, and such stuff." " It is none of those," answered Don Paolo quietly. " The Cardinal wants a magnificent silver crucifix. Will you undertake it ? It must be your greatest work, if you do it at all." " A crucifix ? " repeated Marzio, in a changed tone. The angry gleam faded from his eyes, and a dreamy look came into them as he let the heavy lids droop a little, and remained silent, apparently lost in thought. The women ceased gobbing, and watched his altered face, while Gianbattista sank down into a chair and absently fingered the pencil that had fallen across the drawing- board. 56 MARZIO'S CRUCIFIX OHAP. Ill " WiU you do it ? " asked Don Paolo, at last. " A crucifix/' mused the artist. " Yes, I will make a crucifix. I have made many, but I haVe never made one to my mind. Yes, tell the Cardinal that I will make it for him, if he will give me time." " I do not think he will need it in less than three or four months," answered Don Paolo. " Four months that is not a long time for such a work. But I will try." Thereupon Marzio, whose manner had completely changed, puffed at his pipe until it burned freely, and then approached the table, glancing at Gianbattista and Lucia as though nothing had happened. He drew the drawing-board which the apprentice had been using towards, him, and, taking the pencil from the hand of the young man, began sketching heads on one corner of the paper. Don Paolo looked at him gravely. After the words Marzio had spoken, it had gone against the priest's nature to communicate to him the commission for the sacred object. He had hesitated a moment, asking himself whether it was right that such a man should be allowed to do such work. Then the urgency of the situation, and his knowledge of his brother's character, had told him that the diversion might avert some worse catastrophe, and he had quickly made up his mind. Even now he asked himself whether he had CHAP, in MARZIO'S CRUCIFIX 57 done right. It was a question of theology, which it would have taken long to analyse, and Don Paolo had other matters to think of in the present, so he dis missed it from his mind. He wanted to be gone, and he only stayed a few minutes to see whether Marzio's mind would change again. He knew his brother well, and he was sure that no violence was to be f6ared from him, except in his speech. Such scenes as he had just witnessed were not uncommon in the Pandolfi house hold, and Don Paolo did not believe that any conse quence was to be expected after he had left the house. He only felt that Marzio had been more than usually unreasonable, and that the artist could not possibly mean seriously what he had proposed that evening. The priest did not indeed think that Gianbattista was altogether good enough for Lucia. The boy was occasionally a little wild in his speech, and though he was too much in awe of Don Paolo to repeat before him any of the opinions he had learned from his master, his manner showed occasionally that he was inclined to take the side of the latter in most questions that arose. But the habit of controlling his feelings in order not to offend the man of the church, and especially in order not to hurt Lucia's sensitive nature, had begun gradually to change and modify the young man's character. From having been a devoted admirer of Marzio's political creed and extreme free thought, 58 MARZIO'S CRUCIFIX CHAP, in Gianbattista had fallen into the way of asking ques tions of the chiseller, to see how he would answer them ; and the answers had not always satisfied him. Side by side with his increasing skill in his art, which led him to compare himself with his teacher, there had grown up in the apprentice the habit of compar ing himself with Marzio from the intellectual point of view as well as from the artistic. The comparison did not appear to him advantageous to the elder man, as he discovered, in his way of thinking, a lack of logic on the one hand, and a love of frantic exag geration on the other, which tended to throw a doubt upon the whole system of ideas which had produced these defects. The result was that the young man's mental position was unbalanced, and he was inclined to return to a more normal condition of thought. Don Paolo did not know all this, but he saw that Gianbat tista had grown more quiet during the last year, and he hoped that his marriage with Lucia would complete the change. To see her thrown into the arms of a man like Gasparo Carnesecchi was more than the priest's affection for his niece could bear. He hardly believed that Marzio would seriously think again of the scheme, and he entertained a hope that the sub ject would not even be broached for some time to come. Marzio continued to draw in silence, and after a CHAP, in MARZIO'S CRUCIFIX 59 few minutes, Don Paolo rose to take his leave. The chiseller did not look up from his pencil. "Good-night, Marzio let it be a good piece of work," said Paolo. " Good-night," growled the artist, his eyes still fixed on the paper. His brother saluted the rest and left the room to go home to his lonely lodgings at the top of an old palace, in the first floor of which dwelt the Cardinal, whom he served as secretary. "When he was gone, Lucia rose silently and went to her room, leaving her father and mother with Gianbattista. The Signora Pandolfi hesitated as to whether she should follow her daughter or stay with the two men. Her woman's nature feared further trouble, and visions of drawn knives rose before her swollen eyes, so that, after making as though she would rise twice, she finally remained in her seat, her fat hands resting idly upon her knees, staring at her husband and Gianbattista The latter sat gloomily watching the paper on which his master was drawing. " Marzio, you do not mean it ? " said Maria Luisa, after a long interval of silence. The good woman did not possess the gift of tact. " Do you not see that I have an idea ? " asked her husband crossly, by way of an answer, as he bent his head over his work. " I beg your pardon," said the Signora Pandolfi, in 60 MARZIO'S CRUCIFIX CHAP. HI a humble tone, looking piteously at Gianbattista. The apprentice shook his head, as though he meant that nothing could be done for the present. Then she rose slowly, and with a word of good-night as she turned to the door, she left the room. The two men were alone. " Now that nobody hears us, Sor Marzio, what do you mean to do ? " asked Gianbattista in a low voice. Marzio shrugged his shoulders. " What I told you," he answered, after a few seconds. " Do you suppose that rascally priest of a brother has made me change my mind ? " " No, I did not expect that, but I am not a priest ; nor am I a boy to be turned round your fingers and put off in this way sent to the wash like dirty linen. You must answer to me for what you said this evening." " Oh, I will answer as much as you please," replied the artist, with an evil smile. "Very well. Why do you want to turn me out, after promising for years that I should marry Lucia with your full consent when she was old enough ? " " Why ? because you have turned yourself out, to begin with. Secondly, because Carnesecchi is a better match for my daughter than a beggarly chiseller. Thirdly, because I please ; and fourthly, because I do not care a fig whether you like it or not. Are those reasons sufficient or not ? " CHAP. HI MARZIO'S CRUCIFIX 61 " They may satisfy you," answered Gianbattista. " They leave something to be desired in the way of logic, in my humble opinion." " Since I have told you that I do not care for your opinion " ."I will probably find means to make you care for it," retorted the young man. "Don Paolo is quite right, in the first place, when he tells you that the thing is simply impossible. Fathers do not compel their daughters to marry in this century. Will you do me the favour to explain your first remark a little more clearly ? You said I had turned myself out how ? " " You have changed, Tista," said Marzio, leaning back to sharpen his pencil, and staring at the wall. " You change every day. You are not at all what you used to be, and you know it. You are going back to the priests. You fawn on my brother like a dog." " You are joking," answered the apprentice. " Of course I would not want to make trouble in your house by quarrelling with Don Paolo, even if I disliked him. I do not dislike him. This evening he showed that he is a much better man than you." "Dear Gianbattista," returned Marzio in sour tones, " every word you say convinces me that I have done right. Besides, I am busy you see you disturb my 62 MARZIO'S CRUCIFIX CHAP. HI ideas. If you do not like my house, you can leave it I will not keep you. I daresay I can educate another artist before I die. You are really only fit to swing a censer behind Paolo, or at the heels of some such animal." "Perhaps it would be better to do that than to serve the mass you sing over your work-bench every day," said Gianbattista. "You are going too far, Sor Marzio. One may trifle with women and their feel ings. You had better not attempt it with men." " Such as you and Paolo ? There was once a mule in the Pescheria Yecchia; when he got half-way through he did not like the smell of the fish, and he said to his leader, ' I will turn back.' The driver pulled him along. Then said the mule, ' Do not trifle with me. I will turn round and kick you/ But there is not room for a mule to turn round in the Pescheria Vecchia. The mule found it out, and fol lowed the man through the fish market after all. I hope that is clear ? It means that you are a fool." " What is the use of bandying words ? " cried the apprentice angrily. " I will offer you a bargain, Sor Marzio. I will give you your choice. Either I will leave the house, and in that case I will carry off Lucia and marry her in spite of you. Or else I will stay here but if Lucia marries any one else, I will cut your throat. Is that a fair bargain ?" CHAP, ill MARZIO'S CRUCIFIX 63 " Perfectly fair, though I cannot see wherein the bargain consists," answered Marzio, with a rough laugh. " I prefer that you should stay here. I will run the risk of being murdered by you, any day, and you may run the risk of being sent to the galleys for life, if you choose. You will be well cared for there, and you can try your chisel on paving-stones for a change from silver chalices." "Never mind what becomes of me afterwards, in that case," said the young man. " If Lucia is married to some one else, I do not care what happens. So you have got your warning ! " " Thank you. If you had remained what you used to be, you might have married her without further difficulty. But to have you and Lucia and Maria Luisa and Paolo all conspiring against me from morn ing till night is more than I can bear. Good-night, and the devil be with you, you fool ! " " M cum spiritu tuo" answered Gianbattista as he left the room. When Marzio was alone he returned to the head he was drawing a head of wonderful beauty, inclined downwards and towards one side, bearing a crown of thorns, the eyelids drooped and shaded in death. He glanced at it with a bitter smile and threw aside the pencil without making another stroke upon the paper. He leaned back, lighted another pipe, and began to 64 MARZIO'S CRUCIFIX CHAP, in reflect upon the events of the evening. He was glad it was over, for a strange weakness in his violent nature made it hard for him to face such scenes unless he were thoroughly roused. Now, however, he was satisfied. For a long tune he had seen with growing distrust the change in Gianbattista's manner, and in the last words he had spoken to the apprentice he had uttered what was really in his heart. He was afraid of being altogether overwhelmed by the majority against him in his own house. He hated Paolo with his whole soul, and he had hated him all his life. This calm, obliging brother of his stood between him and all peace of mind. It was not the least of his grievances that he received most of his commissions through the priest who was constantly in relation with the cardinal and rich prelates who were the patrons of his art. The sense of obligation which he felt was often almost unbearable, and he longed to throw it off. The man whom he hated for his own sake and despised for his connection with the church, was daily in his house ; at every turn he met with Paolo's tacit disapprobation or outspoken resistance. For a long time Paolo had doubted whether the marriage between the two young people would turn out well, and while he expressed his doubts Marzio had remained stubborn in his deter mination. Latterly, and doubtless owing to the change in Gianbattista's character, Paolo had always CHAP, ill MARZIO'S CRUCIFIX 65 epoken of the marriage with favour. This sufficed at first to rouse Marzio's suspicions, and ultimately led to his opposing with all his might what he had so long and so vigorously defended ; he resolved to be done with what he considered a sort of slavery, and at one stroke to free himself from his brother's influence, and to assure Lucia's future. During several weeks he had planned the scene which had taken place that evening, waiting for his opportunity, trying to make sure of being strong enough to make it effective, and revolving the probable answers he might expect from the different persons concerned. It had come, and he was satisfied with the result. . Marzio Pandolfi's intelligence lacked logic. In its place he possessed furious enthusiasm, an exaggerated estimate of the value of his social doctrines, and a whole vocabulary of terms by which to describe the ideal state after which he hankered. But though he did not possess a logic of his own, his life was itself the logical result of the circumstances he had created. As, in the diagram called the parallelogram of forces, various conflicting powers are seen to act at a point, producing an inevitable resultant in a fixed line, so in the plan of Marzio's life, a number of different tend encies all acted at a centre, in his over -strained intelligence, and continued to push him in a direction he had not expected to follow, and of which even 66 MARZIO'S CRUCIFIX CHAP, in now he was far from suspecting the ultimate termi nation. He had never loved his brother, but he had loved his wife with all his heart. He had begun to love Lucia when she was a child. He had felt a sort of admiring fondness for Gianbattista Bordogni, and a decided pride in the progress and the talent of the apprentica By degrees, as the prime mover, his hatred for Paolo, gained force, it had absorbed his affection for Maria Luisa, who, after eighteen years of irreproachable wifehcod, seemed to Marzio to be no thing better than an accomplice and a spy of his brother's in the domestic warfare. Next, the lingering love for his child had been eaten up in the same way, and Marzio said to himself that the girl had joined the enemy, and was no longer worthy of his confidence. Lastly, the change in Gianbattista's character and ideas seemed to destroy the last link which bound the chiseller to his family. Henceforth, his hand was against each one of his household, and he fancied that they were all banded together against himself. Every step had followed as the inevitable conse quence of what had gone before. The brooding and suspicious nature of the artist had persisted in seeing in each change in himself the blackest treachery in those who surrounded him. His wife was an im placable enemy, his daughter a spy, his apprentice a CHAP, in MARZIO'S CRUCIFIX 67 traitor, and as for Paolo himself, Marzio considered him the blackest of villains. For all this chain of hatreds led backwards, and was concentrated with ten fold virulence in his great hatred for his brother. Paolo, in his estimation, was the author of all the evil, the sole ultimate cause of domestic discord, the arch enemy of the future, the representative, in Marzio's sweeping condemnation, not only of the church and of religion, but of that whole fabric of existing society which the chiseller longed to tear down. Marzio's socialism, for so he called it, had one good feature. It was sincere of its kind, and disinterested. He was not of the common herd, a lazy vagabond, in capable of continuous work, or of perseverance in any productive occupation, desiring only to be enriched by impoverishing others, one of the endless rank and file of Italian republicans, to whom the word " republic " means nothing but bread without work, and the liberty which consists in howling blasphemies by day and night in the public streets. His position was as differ ent from that of a private in the blackguard battalion as his artistic gifts and his industry were superior to those of the throng. He had money, he had talent, and he had been very successful in -his occupation. He had nothing to gain by the revolutions he dreamed of, and he might lose much by any upsetting of the 68 MARZIO'S CRUCIFIX CHAP, in existing laws of property. He was, therefore, perfectly sincere, so far as his convictions went, and disinterested to a remarkable degree. These conditions are often found in the social position of the true fanatic, who is the more ready to run to the greatest length, because he entertains no desire to better his own state. Marzio's real weakness lay in the limited scope of his views, and in a certain timid prudence which destroyed his power of initiative. He was an economical man, who distrusted the future ; and though such a disposition produces a good effect in causing a man to save money against the day of misfortune, it is incompatible with the career of the true enthusiast, who must be ready to risk everything at any moment. The man who would move other men, and begin great changes, must have an enormous belief in himself, an unbounded confidence in his cause, and a large faith in the future, amounting to the absolute scorn of consequence. These greater qualities Marzio did not possess, and through lack of them the stupendous results of which he was fond of talking had diminished to a series of domestic quarrels, in which he was not always victori ous. His hatred of the church was practically reduced to the detestation of his brother, and to an unreasoning jealousy of his brother's influence in his home. His horror of social distinctions, which speculated freely upon the destruction of the monarchy, amounted in OHAP. m MAKZIO'S CRUCIFIX 69 practice to nothing more offensive than a somewhat studious rudeness towards the few strangers of high position who from time to time visited the workshop in the Via dei Falegnami. In the back room of his inn, Marzio could find loud and cutting words in which to denounce the Government, the monarchy, the church, and the superiority of the aristocracy. In real fact, Marzio took off his hat when he met the king in the street, paid his taxes with a laudable regularity, and increased the small fortune he had saved by selling sacred vessels to the priests against whom he inveighed. Instead of burning the Vatican and hanging the Col lege of Cardinals to the pillars of the Colonnade, Marzio Pandolfi felt a very unpleasant sense of con straint in the presence of the only priest with whom he ever conversed, his brother Paolo. When, on very rare occasions, he broke out into angry invective, and ventured to heap abuse upon the calm individual who excited his wrath, he soon experienced the counter- shock in the shape of a strong conviction that he had injured his position rather than bettered it, and the melancholy conclusion forced itself upon him that by abusing Paolo he himself lost influence in his own house, and not unfrequently called forth the contempt of those he had sought to terrify. The position was galling in the extreme ; for, like many artists who are really remarkable in their pro- 70 MARZIO'S CRUCIFIX CHAP, in fession, Marzio was very vain of his intellectual superi ority in other branches. It may be a question whether vanity is not essential to any one who is forced to compete in excellence with other gifted men. Vanity means emptiness, and in the case of the artist it means that emptiness which craves to be filled with praise. The artist may doubt his own work, but he is bitterly disappointed if other people doubt it also. Marzio had his full share of this kind of vanity, which, as in most cases, extended beyond the sphere of his art. How often does one hear two or three painters or sculptors who are gathered together in a studio, laying down the law concerning Government, society, and the distribution of wealth. And yet, though they make excellent statues and paint wonderful pictures, there are very few instances on record of artists having borne any important part in the political history of their times. Not from any want of a desire to do so, in many cases, but from the real want of the power; and yet many of them believe themselves far more able to solve political and social questions than the men who represent them in the Parliament of their country, or the persons who by innate superiority of tact have made themselves the arbiters of society. Marzio's vanity suffered terribly, for he realised the wide difference that existed between his aims and the result actually produced. For this reason he had de- CHAP, in MARZIO'S CRUCIFIX 7l termined to bring matters to a point of contention in his household, in order to assert once and for all the despotic authority which he believed to be his right. He knew well enough that in proposing the marriage of Lucia with Carnesecchi, he had hit upon a plan which Paolo would oppose with all his might. It seemed as though he could not have selected a ques tion more certain to produce a hot contention. He had brought forward his proposal boldly, and had not hesitated to make a most virulent personal attack on his brother when the latter had shown signs of opposi tion. And yet, as he sat over his drawing board, staring at the clouds of smoke that rose from his pipe, he was unpleasantly conscious that he had not been altogether victorious, that he had not played the part of the despot to the end, as he had intended to do, that he had suddenly felt his inferiority to Paolo's calmness, and that upon hearing of the proposition concerning the crucifix he had acted as though he had received a bribe to be quiet. He bit his thin lips as he reflected that all the family must have supposed his silence from that moment to have been the effect of the important commission which Paolo had com municated to him ; for it seemed impossible that they should understand the current of his thoughts. As he glanced at the head he had drawn he under stood himself better than others had understood him, 72 MARZIO'S CRUCIFIX CHAP, in for he saw on the corner of the paper the masterly sketch of an ideal Christ he had sought after for years without ever reaching it. He knew that that ideal had presented itself to his mind at the very moment when Paolo had proposed the work to him the result perhaps, of the excitement under which he laboured at the moment. From that instant he had been able to think of nothing. He had been impelled to draw, and the expression of his thought had driven every thing else out of his mind. Paolo had gained a fancied victory by means of a fancied bribe. Marzio determined to revenge himself for the unfair advantage his brother had then taken, by showing himself in flexible in his resolution concerning the marriage. It was but a small satisfaction to have braved Gian- battista's boyish threats, after having seemed to accept the bribe of a priest. CHAPTEE IV ON the following morning, Marzio left the house earlier than usual. Gianbattista had not finished his black coffee, and was not in a humour to make advances to his master, after the scene of the previous evening. So he did not move from the table when the chiseller left the room, nor did he make any remark upon the hour. The door that led to the stairs had hardly closed after Marzio, when Lucia put her head into the room where Gianbattista was seated. " He is gone," said the young man ; " come in, we can talk a few minutes." " Tista," began Lucia, coming forward and laying her fingers on his curly hair, " what did all that mean last night ? Have you understood ?" " Who understands that lunatic ! " exclaimed Gian battista, passing his arm round the girl's waist, and drawing her to him. " I only understand one thing, we must be married as soon as possible and be done with it. Is it not true, Lucia ? " Yol. 6 D CHAP. IV " I hope so," answered his companion, with a blush and a sigh. " But I am so much afraid." " Do not be afraid, leaVe it all to me, I will protect you, my darling," replied the young man, tapping his breast with the ready gesture of an Italian, as though to prove his courage. " Oh, I am sure of that ! But how can it be managed ? Of course he cannot force me to marry Carnesecchi, as Uncle Paolo explained to him. But he will try, and he is so bad ! " " Let him try, let him try," repeated Gianbattista. " I made a bargain with him last night after you had gone to bed. Do you know what I told him ? I told him that I would stay with him, but that if you married any one but me, I would cut his throat Sor Marzio's throat, do you understand ? " " Oh, Tista !" cried Lucia. " How did you ever have the courage to tell him such a thing ? Besides, you know, you would not do it, would you ? " " Do not trouble yourself, he saw I was in earnest, and he will think twice about it. Besides, he said yesterday that I might have you if I would take you away." " A nice thing for a father to say of his daughter ! " exclaimed the girl angrily. " And what did you answer him then, my love ? " " Oh ! I said that I had not the slightest objection to CHAP. IV MARZIO'S CRUCIFIX 75 the proceeding. And then he tried to prove to me that we should starve without him, and then he swore at me like a Turk. What did it matter ? He said I was changed. By Diana ! Any man would change, just for the sake of not being like him ! " " How do you mean that you are changed, dear ? asked Lucia anxiously. " Who knows ? He said I fawned on Don Paolo like a dog, instead of hating the priests as I used to do. What do you think, love ? " " I think Uncle Paolo would laugh at the idea," answered the girl, smiling herself, but rather sadly. " I am afraid you are as bad as ever, in that way." " I am not bad, Lucia. I begin to think I like Don Paolo. He was splendid last night. Did you see how he stared your father out of countenance, and then turned him into a lamb with the order for the crucifix ? Don Paolo has a much stronger will than Sor Marzio, and a great deal more sense. He will make your father change his mind." " Of course it would be for the better if we could be married without any objection, and I am very glad you are growing fond of Uncle Paolo. But I have seen it for some time. He is so good ! " " Yes. That is the truth," answered Gianbattista in meditative tone. " He is too good. It is not natural And then he has a way of making me feel 76 MARZIO'S CRUCIFIX CHAP, iv it. Now, I would have strangled Sor Marzio last night if your uncle had not been there, but he pre vented me. Of course he was right. Those people always are. But one hates to be set right by a priest. It is humiliating ! " " Well, it is better than not to be set right at all," said Lucia. " You see, if you had strangled poor papa, it would have been dreadful ! Oh, Tista, promise me that you will not do anything violent ! Of course he is very unkind, I know. But it would be terrible if you were to be angry and hurt him. You will not, Tista ? Tell me you will not ? " " We shall see ; we shall see, my love ! " " You do not love me if you will not promise." " Oh, if that is all, my love, I will promise never to lay a finger on him until you are actually married to some one else. But then " Gianbattista made the gesture which means driving the knife into an enemy. " Then you may do anything you please," answered Lucia, with a laugh. " He will never make me marry any one but you. You know that, my heart ! " " In that case we ought to be married very soon," argued the young man. " We need not live here, you know. Indeed, it would be out of the question. We will take one of those pretty little places in the new quarter " CHAP. TV MARZIO'S CRUCIFIX 77 " That is so far away," interrupted the girL "Yes, but there is the tramway, and there are omnibuses. It only takes a quarter of an hour." " But you would be so far from me all day, my love. I could not run into the studio at all hours, and you would not come home for dinner. Oh! I could not bear it ! " "Very well, we will try and find something near here," said Gianbattista, yielding the point. "We will get a little apartment near the Minerva, where there is sun." "And we will have a terrace on the top of the house, with pots of carnations." " And red curtains on rings, that we can draw ; it is such a pretty light when the sun shines through them." "And green wall paper with blue furniture," sug gested Lucia. " It is so gay." " Or perhaps the furniture of the same colour as the paper you know they have it so in all fashionable houses." "Well, if it is really the fashion, I suppose we must," assented the girl rather regretfully. "Yes, it is the fashion, my heart, and you must have everything in the fashion. But I must be going," added the young man, rising from his seat. " Already ? It is early, Tista " she hesitated 78 MARZIO'S CRTJCIFIX CHAP, iv "Dear Tista," she began again, her dark eyes resting anxiously on his face, " what will you say to him in the workshop? You will tell him that I would rather die than marry Carnesecchi, that we are sol emnly promised, that nothing shall part us ! You will make him see reason, Tista, will you not ? I cannot go to him, or I would ; and mamma, poor mamma, is so afraid of him when he is in his humours. There are only you and Uncle Paolo to manage him; and after the way he insulted Uncle Paolo last night, it will be all the harder. Think of it, Tista, while you are at work, and bring me word when you come to dinner." " Never fear, love," replied Gianbattista confidently ; " what else should I think of while I am hammering away all day ? A little kiss, to give me courage." In a moment he was gone, and his quick step resounded on the stairs as he ran down, leaving Lucia at the door above, to catch the last good-bye he called up to her when he reached the bottom. His fresh voice came up to her mingled with the rattle of the lumbering carts in the street. She answered the cry and went in. Just then the sleepy Signora Pandolfi emerged from her chamber, clad in the inevitable skirt and white cotton jacket, her heavy black hair coiled in an irre gular mass on the top of her head, and held in place CHAP. IT MAEZIO'S CRUCIFIX 79 by hair-pins that seemed to be on the point of dropping out. " Ah, Lucia, my darling ! Such a night as I have passed ! " she moaned, sinking into a chair beside the table, on which the coffee-pot and the empty cups were still standing. " Such a night, my dear ! I have not closed an eye. I am sure it is the last judgment! And this scirocco, too, it is enough to kill one ! " " Courage, mamma," answered Lucia gaily. " Things are never so bad as they seem." " Oh, that monster, that monster ! " groaned the fat lady. " He would make an angel lose his patience ! Imagine, my dear, he insists that you shall be married in a fortnight, and he has left me money to go and buy things for your outfit 1 Oh dear ! What are we to do ? I shall go mad, my dear, and you will all have to take me to Santo Spirito ! Oh dear ! Oh dear ! This scirocco ! " " I think papa will go mad first," said Lucia. " I never heard of such an insane proposition in my life. All in a moment too I think I am to marry Tista papa gets into a rage and patatunfate ! a new hus band like a conjuror's trick, such a comedy ! I expected to see the door open at every minute, Pulcinella walk in and beat everybody with a blown bladder! But Uncle Paolo did quite as well" 80 MARZIO'S CRUCIFIX CHAP. IV " Oh, my head ! " complained the Signora PandolfL w I have not slept a wink ! " " And then it was shameful to see the way papa grew quiet and submissive when Uncle Paolo gave him the order for the crucifix ! If it had been anybody but papa, I should have said that a miracle had been performed. But poor papa ! No the miracle of the soldi that is the truth. I would like to catch sight of the saint who could work a miracle on papa ! Capers, what a saint he would have to be ! " " Bacchus ! " ejaculated Maria Luisa, " San Filippo Neri would be nowhere ! The Holy Father WDuld have to make a saint on purpose to convert that monster ! A saint who should have nothing else to do. Oh, how hot it is ! My head is splitting. What are we to do, Lucia, my heart ? Tell me a little what we are to do two poor women all alone oh dear!" " In the first place, it needs courage, mamma/' answered Lucia, " and a cup of coffee. It is still hot, and you have not had any " "Coffee! Who thinks of coffee?" cried the Sig nora Pandolfi, taking the cup from her daughter's hands, and drinking the liquid with more calmness than might have been anticipated. "That is right," continued the girl. "Drink, mamma, it will do you good. And then, and then CHAP. IT MARZIO'S CRUCIFIX 81 let me see. And then you must talk to Suntarella about the dinner. That old woman has no head " " Dinner ! " cried the mother, " who thinks of dinner at such a time ? And he left me the money for the outfit, too ! Lucia, my love, I have the fever I will go to bed." " Eh ! What do you suppose ? That is a way out of all difficulties," answered Lucia philosophically. "But you cannot go out alone " " I will stay at home in that case." " And then he will come to dinner, and ask to see the things " " There will be no things to show him," returned the young girl " Well ? And then where should we be ? " inquired the Signora Pandolfi. " I see him, my husband, com ing back and finding that nothing has been done ! He would tear his hair ! He would kill us ! He would bring his broomstick of a lawyer here to marry you this very afternoon, and what should we have gained then ? It needs judgment, Lucia, my heart judgment, judgment ! " repeated the fat lady, tapping her fore head. " Eh ! If you have not enough for two, mamma, I do not know what we shall do." "At the same time, something must be done," mused Maria Luisa. " My head is positively bursting ! 82 MARZIO'S CRUCIFIX CHAP, rv We might go out and buy half a dozen handkerchiefs, just to show him that we have begun. Do you think a few handkerchiefs would quiet him, my love ? You could always use them afterwards a dozen would be too many " " Bacchus ! " exclaimed Lucia, " I have only one nose." " It is a pity," answered her mother rather irrele vantly. "After all, handkerchiefs are the cheapest things, and if we spread them out, all six, on the green sofa, they will make a certain effect these men! One must deceive them, my child." " Suppose we did another thing," began Lucia, look ing out of the window. " We might get some things in earnest, good things. They will always do for the wedding with Tista. Meanwhile, papa will of course have to change his mind, and then it will be all right." " What genius ! " cried the Signora Pandolfi. " Oh, Lucia ! You have found it ! And then we can just step into the workshop on our way that will reassure your father." "Perhaps, after all, it would be better to go and tell him the truth," said Lucia, beginning to walk slowly up and down the room. " He must know it, sooner or later." "Are you mad, Lucia?" exclaimed her mother. CHAP. IV MARZIO'S CEUCIFIX 83 holding up her hands in horror. " Just think how he would act if you went and faced him ! " " Then why not go and find Uncle Paolo ? " sug gested the girl. " He will know what is best to be done, and will help us, you may be sure. Of course, he expected to see us before anything was done in the matter. But I am not afraid to face papa all alone. Besides, Tista is talking to him at this very minute. I told him all he was to say, and he has so much courage ! " " I wish I had as much," moaned the Signora Pan- dolfi, lapsing into hesitation. "Come, mamma, I will decide for you," said Lucia. "We will go and find Uncle Paolo, and we will do exactly as he advises." " After all, that is best," assented her mother, rising slowly from her seat. Half an hour later they left the house upon their errand, but they did not enter the workshop on their way. Indeed, if they had, they would have been sur prised to find that Marzio was not there, and that Gianbattista was consequently not talking to him as Lucia had supposed. When Gianbattista reached the workshop, he was told that Marzio had only remained five minutes, and had gone away so soon as everybody was at work. He hesitated a moment, wondering whether he might not 84 MARZIO'S CRUCIFIX CHAP, iv go home again and spend another hour in Lucia's com pany; but it was not possible to foretell whether Marzio would be absent during the whole morning, and Gian- battista decided to remain. Moreover, the peculiar smell of the studio brought with it the idea of work, and with the idea came the love of the art, not equal, perhaps to the love of the woman but more familiar from the force of habit. All men feel such impressions, and most of all those who follow a fixed calling, and are accustomed to do their work in a certain place every day. Theophile Gautier confessed in his latter days that he could not work except in the office of the Moniteur elsewhere, he said, he missed the smell of the printers' ink, which brought him ideas. Artists know well the effect of the atmosphere of the studio. Five minutes of that paint- laden air suffice to make the outer world a mere dream, and to recall the reality of work. There was an old dressing-gown to which Thackeray was attached as to a friend, and which he believed indispensable to com position. Balzac had his oval writing-room, when he grew rich, and the creamy white colour of the tapestries played a great part in his thoughts. The blacksmith loves the smoke of the forge and the fumes of hot iron on the anvil, and the chiseller's fingers burn to handle the tools that are strewn on the wooden bench. Gianbattista stood at the door of the studio, and had CHAP. IT MARZIO'S CRUCIFIX 85 he been master instead of apprentice, he could not have resisted the desire to go to his place and take up the work he had left on the previous evening. In a few minutes he was hammering away as busily as though there were no such thing as marriage in the world, and nothing worth living for but the chiselling of beautiful arabesques on a silver ewer. His head was bent over his hands, his eyes followed intently the smallest movements of the tool he held, he forgot everything else, and became wholly absorbed in his occupation. Nevertheless, much of a chiseller's work is mechani cal, and as the smooth iron ran in and out of the tiny curves under the gentle tap of the hammer, the young man's thoughts went back to the girl he had left at the top of the stairs a quarter of an hour earlier ; he thought of her, as he did daily, as his promised wife, and he fell to wondering when it would be, and how it would be. They often talked of the place in which they would live, as they had done that morning ; and as neither of them was very imaginative, there was a considerable similarity between the speculations they indulged in at one time and at another. It was always to be a snug home, high up, with a terrace, pots of carnations, and red curtains. Their only difference of opinion concerned the colour of the walls and furni ture. Like most Italians, they had very little sense of colour, and thought only of having everything gay, aa 86 MARZIO'S CEUCIFIX CHAP. IT they called it ; that is to say, the upholstery was to be chosen of the most vivid hues, probably of those hor rible tints known as aniline. Italians, as a rule, and especially those who belong to the same class as the Pandolfi family, have a strong dislike for the darker and softer tones. To them anything which is not vivid is sad, melancholy, and depressing to the senses. Gianbattista saw in his mind's eye a little apartment after his own heart, and was happy in the idea. But, as he followed the train of thought, it led him to the comparison of the home to which he proposed to take his wife with the one in which they now lived under her father's roof, and suddenly the scene of the previous evening rose clearly in the young man's imagination. He dropped his hammer, and stared up at the grated windows. He went over the whole incident, and perhaps for the first time realised its true importance, and all the danger there might be in the future should Marzio attempt to pursue his plan to the end. Gianbattista had only once seen the lawyer who was thus suddenly thrust into his place. He remembered a thin, cadaver ous man, in a long and gloomy black coat, but that was all. He did not recall his voice, nor the expres sion of his face ; he had only seen him once, and had thought little enough of the meeting. It seemed alto gether impossible, and beyond the bounds of anything CHAP. IV 87 rational, that this stranger should ever really be brought forward to be Lucia's husband. For a moment the whole thing looked like an evil dream, and Gianbattista smiled as he looked down again at his work. Then the reality of the occurrence rose up again and confronted him stubbornly. He was not mistaken, Marzio had actually pronounced those words, and Don Paolo had sprung forward to prevent Gianbattista from attacking his master then and there. The young man looked at his work, holding his tools in his hands, but hesitating to lay the point of the chisel on the silver, as he hesitated to believe the evidence of his memory. CHAPTEE V MARZIO had risen early that morning, as has been said, and had left the house before any one but Gianbattista was up. He was in reality far from inclined to drink his coffee in the company of his apprentice, and would have avoided it, if possible. Nor did he care to meet Lucia until he had found time and occasion to refresh his anger. His wife was too sleepy to quarrel, and hardly seemed to under stand him when he gave her money and bade her look to Lucia's outfit, adding that the wedding was to take place immediately. " Will you not let me sleep in peace, even in the morning ?" she groaned. " Magari ! I wish you would sleep, and for ever I " growled Marzio, as he left the room. He drank his coffee in silence, and went out. After looking into the workshop he walked slowly away in the direction of the Capitol. The damp morning air was pleasant to him, and the gloomy streets through which he passed were agreeable to his state of feeling, CHAr. v MARZIO'S CRUCIFIX 89 He wished Rome might always wear such a dismal veil of dampness, scirocco, and cloud. A man in a bad humour will go out of his way to be rained upon and blown against by the weather. We would all like to change our surroundings with our moods, to fill the world with sunshine when we are happy, and with clouds when we have stumbled in the labyrinths of life. Lovers wish that the whole earth might be one garden, crossed and recrossed by silent moon-lit paths ; and when love has taken the one and left the other, he who stays behind would have his garden changed to an angry ocean, and the sweet moss banks to storm-beaten rocks, that he may drown in the depths, or be dashed to pieces by the waves, before he has had time to know all that he has lost. As we grow older, life becomes the expression of a mood, according to the way we have lived. He who seeks peace will find that with advancing age the peaceful moment, that once came so seldom, returns more readily, and that at last the moments unite to make hours, and the hours to build up days and years. He who stoops to petty strife will find that the oft- recurring quarrel has power to perpetuate the discon tented weakness out of which it springs, and that it can make all life a hell. He who rejoices in action will learn that activity becomes a habit, and at last ex cludes the possibility of rest, and the desire for it ; and 90 MARZIO'S CRUCIFIX CHAP. V his lot is the best, for the momentary gladness in a great deed well done is worth a millennium of sinless, nerveless tranquillity. The positive good is as much better than the negative " non-bad," as it is better to save a life than not to destroy a life. But whatever temper of mind we choose will surely become chronic in time, and will be known to those among whom we live as our temper, our own particular temper, as dis tinguished from the tempers of other people. Marzio had begun life in a bad humour. He delighted in his imaginary grievances, and inflicted his anger on all who came near him, only varying the manifestation of it to suit the position in which he chanced to find himself. With his wife he was over bearing ; with his brother he was insolent ; with his apprentice he was sullen ; and with his associates at the old Falcone he played the demagogue. The reason of these phases was very simple. His wife could not oppose him, Don Paolo would not wrangle with him, Gianbattista imposed upon him by his superior calm and strength of character, and, lastly, his socialist friends applauded him and nattered his vanity. It is impossible for a weak man to appear always the same, and his weakness is made the more noticeable when he affects strength. The sinews of goodness are courage, moral and physical, a fact which places all really good men and women beyond the reach of CHAP, v MARZIO'S CRUCIFIX 91 ridicule and above the high-water mark of the world's* contempt. Marzio lacked courage, and his virulence boiled most hotly when he had least to fear for his personal safety. It was owing to this innate weakness that such a combination of artistic sensitiveness and spasmodic arrogance was possible. The man's excitable imagina tion apprehended opposition where there was none, and his timidity made him fear a struggle, and hate him self for fearing it. As soon as he was alone, however, his thoughts generally returned to his art, and found expression in the delicate execution of the most ex quisite fancies. Under other circumstances his char acter might have developed in a widely different way ; his talent would still have been the same. There is a sort of nervous irritability which acts as a stimulant upon the faculties, and makes them work faster. With Marzio this unnatural state was chronic, and had become so because he had given himself up to it. It is a common disease in cities, where a man is forced to associate with his fellow-men, and to compete with them, whether he is naturally inclined to do so or not. If Marzio could have exercised his art while living as a hermit on the top of a lonely mountain he might have been a much better man. He almost understood this himself as he walked slowly through the Via delle Botteghe Oscure "the 92 MARZIO'S CRUCIFIX CHAP. T street of dark shops " in the early morning. He was thinking of the crucifix he was to make, and the interest he felt in it made him dread the consequences of the previous night's domestic wrangling. He wanted to be alone, and at the same time he wanted to see places and things which should suggest thoughts to him. He did not care whither he went so long as he kept out of the new Eome. When he reached the little garden in front of San Marco he paused, looked at the deep doorway of the church, remembered the barbarous mosaics within, and turned impatiently into a narrow street on the right the beginning of the Via di Marforio. The network of by-ways in this place is full of old- time memories. Here is the Via Giulio Romano, where the painter himself once lived ; here is the Macel dei Corvi, where Michael Angelo once lodged ; hard by stood the statue of Marforio, christened by the mediaeval Romans after Martis Forum, and famous as the interlocutor of Pasquino. The place was a centre of artists and scholars in those days. Many a simple question was framed here, to fit the two-edged biting answer, repeated from mouth to mouth, and carefully written down among Pasquino's epigrams. First of all the low-born Roman hates all that is, and his next thought is to express his hatred in a stinging satire without being found out. CHAP. V MARZIO'S CKUCIFIX 93 Like every real Roman, Marzio thought of old Mar- forio as he strolled up the narrow street towards the Capitol, and regretted the lawless days of conspiracy and treacherous deeds when every man's hand was against his fellow. He wandered on, his eyes cast down, and his head bent. Some one jostled against him, walking quickly in the opposite direction. He looked up and recognised Gasparo Carnesecchi's sallow face and long nose. " Eh ! Sor Marzio is it you ? " asked the lawyer. " I think so/' answered the artist. " Excuse me, I was thinking of something." "No matter. Of what were you thinking, then? Of Pasquino ? " " Why not ? But I was thinking of something else. You are in a hurry, I am sure. Otherwise we would speak of that affair." " I am never in a hurry when there is business to be treated," replied Carnesecchi, looking down the street and preparing to listen. " You know what I mean," Marzio began. " The matter we spoke of two days ago my plans for my daughter." The lawyer glanced quickly at his friend and assumed an indifferent expression. He was aware that his position was socially superior to that of the silvex-chiseller, in spite of Marzio's great talent. But 94 MARZIO'S CRUCIFIX CHU.P. T he knew also that Lucia was to have a dowry, and that she would ultimately inherit all her father pos sessed. A dowry covers a multitude of sins in the eyes of a man to whom money is the chief object in life. Carnesecchi, therefore, meant to extract as many thousands of francs from Marzio as should be possible, and prepared himself to bargain. The matter was by no means settled, in spite of the chiseller's instructions to his wife concerning the outfit. "We must talk," said Carnesecchi. "Not that I should be altogether averse to coming easily to an understanding, you know. But there are many things to be considered. Let us see." " Yes, let us see," assented the other. " My daughter has education. She is also sufficiently well instructed. She could make a fine marriage. But then, you see, I desire a serious person for my son- in-law. What would you have ? One must be prudent." It is not easy to define exactly what a Eoman means by the word " serious." In some measure it is the opposite of gay, and especially of what is young and unsettled. The German use of the word Philistine expresses it very nearly. A certain sober, straitlaced way of looking at life, which was considered to repre sent morality in Kome fifty years ago; a kind of melancholy superiority over all sorts of amusements, CHAP. T MARZIO'S CRUCIFIX 95 joined with a considerable asceticism and the most rigid economy in the household that is what was meant by the word " serious." To-day its signification has been slightly modified, but a serious man un uomo serio still represents to the middle -class father the ideal of the correct son-in-law. " Eh, without prudence ! " exclaimed Carnesecchi, elliptieally, as though to ask where he himself would have been had he not possessed prudence in abund ance. " Exactly," answered Marzio, biting off the end of a common cigar and fixing his eyes on the lawyer's thin, keen face. " Precisely. I think of course I do not know but I think that you are a serious man. But then, I may be mistaken." " Well, it is human to err, Sor Marzio. But then, I am no longer of that age what shall I say ? Everybody knows I am serious. Do I lead the life of the caf ? Do I wear out my shoes in Piazza Colonna ? Capers ! I am a serious man." " Yes," answered Marzio, though with some hesita tion, as though he were prepared to argue even this point with the sallow -faced lawyer. He struck a match on the gaudy little paper box he carried and began to smoke thoughtfully. " Let us make a couple of steps," he said at last. Both men moved slowly on for a few seconds, and 96 MARZIO'S CRUCIFIX CHAP. V then stopped again. In Italy " a couple of steps " is taken literally. "Let us see," said Carnesecchi. "Let us look at things as they are. In these days there are many excellent opportunities for investing money." " Hum ! " grunted Marzio, pulling a long face and looking up under his eyebrows. " I know that is your opinion, Sor Gasparo. I am sorry that you should put so much faith in the stability of things. So you, too, have got the malady of speculation. I suppose you are thinking of building a Palazzo Carnesecchi out at Sant' Agnese in eight floors and thirty-two apart ments." "Yes, I am mad," answered the lawyer ironically. "Who knows?" returned the other. "I tell you they are building a Pompeii in those new quarters. When you and I are old men, crazy Englishmen will pay two francs to be allowed to wander about the ruins." " It may be. I am not thinking of building. In the first place I have not the soldi" " And if you had ? " inquired Marzio. " What nonsense ! Besides, no one has. It is all done on credit, and the devil take the hindmost. But if I really had a million eh ! I know what I would do." " Let us hear. I also know what I would do. CHAP, v MARZIO'S CRUCIFIX 97 Basta ! What is the use of building castles in the air ? " " In the air, or not in the air, if I had a million, I know what I would do." " I would have a newspaper/' said Marzio. "Whew ! how it would sting ! " " It would sting you, and bleed you into the bar gain," returned the lawyer with some contempt. "No one makes money out of newspapers in these times. If I had money, I would be a deputy. With prud ence there is much to be earned in the Chambers, and petitioners know that they must pay cash." " It is certainly a career," assented the artist. " But, as you say, it needs money for the first investment." "Not so much as. a million, though. With a good opening, and some knowledge of the law, a small sum would be enough." " It is a career, as I said," repeated Marzio. " But five thousand francs would not give you an introduc tion to it." " Five thousand francs ! " exclaimed Carnesecchi, with a scornful laugh. "With five thousand francs you had better play at the lottery. After all, if you lose, it is nothing." " It is a great deal of money, Sor Gasparo," replied the chiseller. " When you have made it little by little then you know what it means." Vol. 6 E 98 MABZIO'S CRUCIFIX OHAP. T " Perhaps. But we have been standing here more than a quarter of an hour, and I have a client waiting for me about a big affair, an affair of millions." " Bacchus ! " ejaculated Marzio. " You are not in a hurry about the matter. Well, we can always talk, and I will not keep you." " We might walk together, and say what we have to say." "I am going to the Capitol," Marzio said, for he had been walking in that direction when they met. " That is my way, too," answered the lawyer, for getting that he had run into Marzio as he came down the street. " Eh ! That is lucky," remarked the artist with an almost imperceptible smile. " As I was saying," he continued, " five thousand francs is not the National Bank, but it is a very pretty little sum, especially when there is something more to be expected in the future." " That depends on the future. But I do not call it a sum. Nothing under twenty thousand is a sum, properly speaking." " Who has twenty thousand francs ?" laughed Marzio, shrugging his shoulders with an incredulous look. "You talk as though Eome were an asylum for paupers," returned Carnesecchi. "Who has twenty thousand francs ? Why, everybody has. You have, CHAP. Y MARZIO'S CRUCIFIX 99 I have. One must be a beggar not to have that much. After all, we are talking about business, Sor Marzio. Why should I not say it ? I have always said that I would not marry with less than that for a dowry. Why should one throw away one's oppor tunities ? To please some one ? It is not my business to try and please everybody. One must be just." "Of course. What? Am I not just? But if justice were done, where would some people be ? I say it, too. If you marry my daughter, you will expect a dowry. Have I denied it ? And then, five thousand is not -so little. There is the outfit, too; I have to pay for that." " That is not my affair," laughed the lawyer. " That is the business of the woman. But five thousand francs is not my affair either. Think of the responsi bilities a man incurs when he marries ! Five thousand ! It is not even a cup of coffee ! You are talking to a galantuomo, an honest man, Sor Marzio. Keflect a little." " I reflect yes ! I reflect that you ask a great deal of money, Signor Carnesecchi," replied Marzio with some irritation. " I never heard that anybody gave money unless it was asked for." " It will not be for lack of asking if you do not get it," retorted the artist. 100 MARZIO'S CRUCIFIX CHAP. T " What do you mean, Signer Pandolfi ? " inquired Carnesecchi, drawing himself up to his full height and then striking his hollow chest with his lean hand. " Do you mean that I am begging money of you ? Do you mean to insult an honest man, a galantuomo f By heaven, Signor Pandolfi, I would have you know that Gasparo Carnesecchi never asked a favour of a-ny man ! Do you understand ? Let us speak clearly." "Who has said anything?" asked Marzio. "Why do you heat yourself in this way ? And then, after all, we shall arrange this affair. You wish it. I wish it. Why should it not be arranged ? If five thousand does not suit you, name a sum. We are Christians we will doubtless arrange. But we must talk. How much should you think, Sor Gasparo ? * " I have said it. As I told you just now, I have always said that I would not marry with less than eighteen thousand 'francs of dowry. What is the use of repeating ? Words are not roasted chestnuts." "Nor eighteen thousand francs either," answered the other. " Magari ! I wish they were. You should have them in a moment. But a franc is a franc." " I did not say it was a cabbage," observed Carne secchi. " After all, why should I many ? " "Perhaps you will not," suggested Marzio, who was encouraged to continue the negotiations, however, by the diminution in the lawyer's demands. CHAP, v MARZIO'S CRUCIFIX 101 " Why not ? " asked the latter sharply. " Do you think nobody else has daughters ? " " If it comes to that, why have you not married before ? " " Because I did not choose to marry," answered Carnesecchi, beginning to walk more briskly, as though to push the matter to a conclusion. Marzio said nothing in reply. He saw that his friend was pressing him, and understood that, to do so, the lawyer must be anxious to marry Lucia. The chiseller therefore feigned indifference, and was silent for some minutes. At the foot of the steps of the Capitol he stopped again. " You know, Sor Gasparo/' he said, " the reason why I did not arrange about Lucia's marriage a long time ago, was because I was not particularly in a hurry to have her married at all. And I am not in a hurry now, either. We shall have plenty of opportunities of discussing the matter hereafter. Good-bye, Sor Gasparo. I have business up there, and that client of yours is perhaps impatient about his millions." "Good-bye," answered Carnesecchi. " There is plenty of time, as you say. Perhaps we may meet this evening at the Falcone." " Perhaps," said Marzio drily, and turned away. He had a good understanding of his friend's char acter, and though in his present inood he would have 102 MARZIO'S CRUCIFIX CHAP. T been glad to fix the wedding day, and sign the marriage contract at once, he had no intention of yielding to Carnesecchi's exorbitant demands. The lawyer was in need of money, Marzio thought, and as he himself was the possessor of what the other coveted, there could be little doubt as to the side on which the advantage would ultimately be taken. Marzio went half-way up the steps of the Capitol, and then stopped to look at the two wretched wolves which the Roman municipality thinks it incumbent on the descendants of Romulus to support. He thought one of them very like Carnesecchi. He watched the poor beasts a moment or two as they tramped and swung and pressed their lean sides against the bars of their narrow cage. "What a sympathetic animal it is!" he exclaimed aloud. A passer-by stared at him and then went on hurriedly, fearing that he might be mad. Indeed, there was a sort of family likeness between the lawyer, the chiseller, and the wolves. Other thoughts, however, occupied Marzio's atten tion ; and as soon as he was sure that his friend was out of the way, he descended the steps. He did not care whither he went, but he had no especial reason for climbing the steep ascent to the Capitol. The crucifix his brother had ordered from him on the pre vious evening engaged his attention, and it was as much for the sake of being alone and of thinking about CHAP. V MAKZIO'S CRUCIFIX 103 the work that he had taken his solitary morning walk, as with the hope of finding in some church a sugges tion or inspiration which might serve him. He knew what was to be found in Eoman churches well enough ; the Crucifixion in the Trinita dei Pellegrini and the one in San Lorenzo in Lucina both by Guido Reni, and both eminently unsympathetic to his conception of the subject he had often looked at them, and did not care to see them again. At last he entered the Church of the Gesu, and sat down upon a chair in a corner. He did not look up. The interior of the building was as familiar to him as the outside. He sat in pro found thought, occasionally twisting his soft hat in his hands, and then again remaining quite motionless. He did not know how long he stayed there. The perfect silence was pleasant to him, and when he rose he felt that the idea he had sought was found, and could be readily expressed. With a sort of sigh of satisfaction he went out again into the air and walked quickly towards his workshop. The men told him that Gianbattista was busy within, and after glancing sharply at the work which was proceeding, Marzio opened the inner door and entered the studio. He strode up to the table and took up the body of the ewer, which lay on its pad where he had left it the night before. He held it in 104 MARZIO'S CRUCIFIX CHAP. Y his hands for a moment, and then, pushing the leather cushion towards Gianbattista, laid it down. "Finish it," he said shortly; "I have something else to do." The apprentice looked up in astonishment, as though he suspected that Marzio was jesting. " I am afraid " he answered with hesitation. " It makes no difference ; finish it as best you can ; I am sick of it ; you will do it well enough. If it is bad, I will take the responsibility." " Do you mean me really to finish it altogether ?" " Yes ; I tell you I have a great work on hand. I cannot waste my time over such toys as acanthus leaves and cherubs' eyes !" He bent down and ex amined the thing carefully. " You had better lay aside the neck and take up the body just where I left it, Tista," he continued. " The scirocco is in your favour. If it turns cold to-morrow the cement may shrink, and you will have to melt it out again." Marzio spoke to him as though there had not been the least difference between them, as though Gianbat tista had not proposed to cut his throat the night before, as though he himself had not proposed to marry Carnesecchi to Lucia. " Take my place," he said. " The cord is the right length for you, as it is too short for me. I am going to model" CHAP, r MARZIO'S CRUCIFIX 106 Without more words Marzio went and took a la.rge and heavy slate from the corner, washed it carefully, and dried it with his handkerchief. Then he provided himself with a bowl full of twisted lengths of red wax, and with a couple of tools he sat down to his work. Gianbattista, having changed his seat, looked over the tools his master had been using, with a workman's keen glance, and, taking up his own hammer, attacked the task given him. For some time neither of the men spoke. " I have been to church," remarked Marzio at last, as he softened a piece of wax between his fingers before laying it on the slate. The news was so astounding that Gianbattista uttered an exclamation of surprise. " You need not be frightened," answered the artist. " I only went to look at a picture, and I did not look at it after all. I shall go to a great many more churches before I have finished this piece of work. You ought to go to the churches and study, Tista. Everything is useful in our art pic tures, statues, mosaics, metal-work. Now I believe there is not a really good crucifix, nor a crucifixion, in Eome. It is strange, too, I have dreamed of one all my life." Gianbattista did not find any answer ready in reply to the statement. The words sounded so strangely in 106 MARZIO'S CRUCIFIX CHAP. T Marzio's mouth this morning, that the e.,pprentice was confused. And yet the two had often discussed the subject before. " You do not seem to believe me/' continued Marzio quietly. " I assure you it is a fact. The other things of the kind are not much better either. Works of art, perhaps, but not satisfactory. Even Michael Angelo's Pieth in Saint Peter's does not please me. They say it did not please the people of his time either he was too young to do anything of that sort he was younger than you, Tista, only twenty-four years old when he made that statue." " Yes," answered Gianbattista, " I have heard you say so." He bent over his work, wondering what his master meant by this declaration of taste. It seemed as though Marzio felt the awkwardness of the situation and was exerting himself to make conversation. The idea was so strange that the apprentice could almost have laughed. Marzio continued to soften the wax between his fingers, and to lay the pieces of it on the elate, pressing them roughly into the shape of a figure. " Has Paolo been here ?" asked the master after another long pause. Gianbattista merely shook his head to express a negative. " Then he will come," continued Marzio. " He will not leave me in peace all day, you may be sure." CHAP. V MARZIO'S CRUCIFIX 10*7 " What should he come for ? He never comes," said the young man. " He will be afraid that I will have Lucia married before supper time. I know him and he knows me." " If he thinks that, he does not know you at all," answered Gianbattista quietly. " Indeed ?" exclaimed Marzio, raising his voice to the ironical tone he usually affected when any one contradicted him. " To-day, to-morrow, or the next day, what does it matter ? I told you last night that I had made up my mind." " And I told you that I had made up mine." " Oh yes boy's threats ! I am not the man to be intimidated by that sort of thing. Look here, Tista, I am in earnest. I have considered this matter a long time ; I have determined that I will not be brow beaten any longer by two women and a priest cer tainly not by you. If things go on as they are going, I shall soon not be master in my own house." " You would be the only loser," retorted Gianbat tista. " Have done with this, Tista ! " exclaimed Marzio angrily. " I am tired of your miserable jokes. You have gone over to the- enemy, you are Paolo's man, and if I tolerate you here any longer it is merely because I have taught you something, and you are worth your 108 CHAP. V wages. As for the way I have treated you during all these years, I cannot imagine how I could have been such a fool. I should think anybody might see through your hypocritical ways/' " Go on," said Gianbattista calmly, " You know our bargain of last night." " I will risk that. If I see any signs of your ami able temper I will have you arrested for threatening my life. I am not afraid of you, my boy, but I do not care to die just at present. You have all had your way long enough, I mean to have mine now." " Let us talk reasonably, Sor Marzio. You say we have had our way. You talk as though you had been in slavery in your own house. I do not think that is the opinion of your wife, nor of your daughter. As for me, I have done nothing but execute your orders for years, and if I have learnt something, it has not been by trying to overrule you or by disregarding your advice. Two years ago, you almost suggested to me that I should marry Lucia. Of course, I asked nothing better, and we agreed to wait until she was old enough. We discussed the matter a thousand times. We settled the details. I agreed to go on working for the same small wages instead of leaving you, as I might have done, to seek my fortune elsewhere. You see I am calm, I acknowledge that I was grateful to you for having taught me so much, and I am grateful stilL CHAP, v MARZIO'S CRUCIFIX 109 You have just given me another proof of your con fidence in putting this work into my hands to finish. I am grateful for that. Well, we have talked of the marriage often ; I have lived in your house ; I have seen Lucia every day, for you have let us be together as much as we pleased ; the result is that I not only am more anxious to marry her than I was before I love her ; I am not ashamed to say so. I know you laugh at women and say they are no better than monkeys with parrots' heads. I differ from you. Lucia is an angel, and I love her as she loves me. What happens ? One day you take an unreasonable dislike for me, without even warning me of the fact, and then, suddenly, last night, you come home and say she is to marry the Avvocato Gasparo Carnesecchi. Now, for a man who has taught me that there is no God but reason, all this strikes me as very unreasonable. Honestly, Sor Marzio, do you not think so your self ? " Marzio looked at his apprentice and frowned, as though hesitating whether to lose his temper and launch into the invective style, or to answer Gian- battista reasonably. Apparently he decided in favour of the more peaceable course. " It is unworthy of a man who follows reason to lose his self-control and indulge in vain threats/' he answered, assuming a grand didactic air. " You attempt 110 MARZIO'S CRUCIFIX CHAP. V to argue with me. I will show you what argument really means, and whither it leads. Now answer me some questions, Tista, and I will prove that you are alto gether in the wrong. When a man is devoted to a great and glorious cause, should he not do everything in his power to promote its success against those who oppose it ? " " Undoubtedly," assented Gianbattista. "And should not a man be willing to sacrifice his individual preferences in order to support and to further the great end of his life ?" " Bacchus ! I believe it ! " " Then how much the more easy must it be for a man to support his cause when there are no individual preferences in the way ! " said Marzio triumphantly. " That is true reason, my boy. That is the inevitable logic of the great system." " I do not understand the allegory," answered Gian battista. " It is as simple as roasted chestnuts," returned Marzio. " Even if I liked you, it would be my duty to prevent you from marrying Lucia. As I do not like you you understand ? " " I understand that," replied the young man. " For some reason or other you hate me. But, apart from the individual preferences, which you say it is youi duty to overcome, I do not see why you are morally CHAP. T MARZIO'S CRUCIFIX 111 obliged to hinder our marriage, after having felt morally obliged to promote it ? " " Because you are a traitor to the cause," cried Marzio, with sudden fierceness. " Because you are a friend of Paolo. Is not that enough ? " " Poor Don Paolo seems to stick in your throat/' observed Gianbattista. "I do not see what he has done, except that he prevented me from killing you last night ! " " Paolo ! Paolo is a snake, a venomous viper ! It is his business, his only aim in life, to destroy my peace, to pervert my daughter from the wholesome views I have tried to teach her, to turn you aside from the narrow path of austere Italian virtue, to draw you away from following in the footsteps of Brutus, of Cassius, of the great Romans, of me, your teacher and master ! That is all Paolo cares for, and it is enough more than enough ! And he shall pay me for his presumptuous interference, the villain ! " Marzio's voice sank into a hissing whisper as he bent over the wax he was twisting and pressing. Gianbattista glanced at his pale face, and inwardly wondered at the strange mixture of artistic genius, of bombastic rhetoric and relentless hatred, all combined in the strange man whom destiny had given him for a master. He wondered, too, how he had ever been able to admire the contrasts of virulence and weakness, 112 MAEZIO'S CRUCIFIX CHAP. T of petty hatred and impossible aspirations which had of late revealed themselves to him in a new light. Have we not most of us assisted at the breaking of the Image of Baal, at the destruction of an imaginary representative of an illogical ideal ? " Well, Sor Marzio," said Gianbattista after a pause, " if I were to return to my worship of you and your principles what would you do ? Would you take me back to your friendship and give me your daughter ?" Marzio looked up suddenly, and stared at the apprentice in surprise. But the fresh young face gave no sign. Gianbattista had spoken quietly, and was again intent upon his work. " If you gave me a proof of your sincerity," answered Marzio, in low tones, " I would do much for you. Yes, I would give you Lucia and the business too, when I am too old to work. But it must be a serious proof no child's play." "What do you call a serious proof? A profession of faith ? " "Yes sealed with the red wax that is a little thicker than water," answered Marzio grimly, his eyes still fixed on Gianbattista's face. " In blood," said the young man calmly. " Whose blood would you like, Sor Marzio ? * " Paolo's ! " The chiseller spoke in a scarcely audible whisper, CHAP. V MARZIO'S CRUCIFIX 113 and bent low over his slate, modelling hard at the figure under his fingers. " I thought so," muttered Gianbattista between his teeth. Then he raised his voice a little and continued : " And have you the courage, Sor Marzio, to sit there and bargain with me to kill your brother, bribing me with the offer of your daughter's hand ? Why do you not kill him yourself, since you talk of such things ? " " Nonsense, my dear Tista I was only jesting," said the other nervously. " It is just like your folly to take me in earnest." The anger had died out of Marzio's voice and he spoke almost persuasively. " I do not know," answered the young man. " I think you were in earnest for a moment. I would not advise you to talk in that way before any one else. People might interpret your meaning seri ously." " After all, you yourself were threatening to cut my throat last night," said Marzio, with a forced laugh. "It is the same thing. My life is as valuable as Paolo's. I only suggested that you should transfer your tender attentions from me to my brother." " It is one thing to threaten a man to his face. It is quite another to offer a man a serious inducement to commit murder. Since you have been so very frank with me, Sor Marzio, I will confess that if the choice lay between killing you, or killing Don Paolo, 114 MARZIO'S CRUCIFIX CHAP. V under the present circumstances I would not hesitate a moment." "And which would you " " Neither," replied the young man, with a cool laugh. " Don Paolo is too good to be killed, and you are not good enough. Come and look at the cherub's head I have made," CHAPTER YI LUCIA'S cheerfulness was not genuine, and any one possessing greater penetration than her mother would have understood that she was, in reality, more fright ened than she was willing to show. The girl had a large proportion of common sense, combined with a quicker perception than the stout Signora Pandolfi. She did not think that she knew anything about logic, and she had always shown a certain inconsistency in her affection for Gianbattista, but she had nevertheless a very clear idea of what was reasonable, a quality which is of immense value in difficulties, though it is very often despised in every-day life by people who believe themselves blessed by the inspirations of genius. It seems very hard to make people of other nation alities understand that the Italians of the present day are not an imaginative people. It is nevertheless true, and it is only necessary to notice that they produce few, if any, works of imagination. They have no writers of fiction, no poets, few composers of merit 116 MARZIO'S CRUCIFIX CHAP. VI and few artists who rank with those of other nations. They possessed the creative faculty once ; they have lost it in our day, and it does not appear that they are likely to regain it. On the other hand, the Italians are remarkable engineers, first -rate mathematicians, clever, if unscrupulous, diplomatists. Though they overrate their power and influence, they have shown a capacity for organisation which is creditable on the whole. If they fail to obtain the position they seek in Europe, their failure will have been due to their inordinate vanity and over-governing, if I may coin the word, rather than to an innate want of intel ligence. The qualities and defects of the Italian nation all existed in the Pandolfi family. Marzio possessed more imagination than most of his countrymen, and he had, besides, that extraordinary skill in his manual execu tion of his work, which Italians have often exhibited on a large scale. On the other hand, he was full of bombastic talk about principles which he called great, His views concerning society, government, and the future of his country, were entirely without balance, and betrayed an amazing ignorance of the laws which direct the destinies of mankind. He suffered in a remarkable degree from that mental disease which afflicts Italians the worship of the fetish of words which mean little, and are supposed to mean much, of CHAP. VI MARZIO'S CRUCIFIX 117 names in history which have been exalted by the rhetoric of demagogues from the obscurity to which they had been wisely consigned by the judgment of scholars. He was alternately weak and despotic, cunning about small things which concerned his own fortunes, and amazingly foolish about the set of ideas which he loosely defined as politics. Lucia's nature illustrated another phase of the Italian character, and one which, if it is less remarkable, is much more agreeable. She possessed the character which looks at everything from the point of view of daily life. Without imagination, she regarded only the practical side of existence. Her vanity was confined to a modest wish to make the best of her appearance, while her ambition went no further than the strictest possibility, in the shape of a marriage with Gianbatifsta Bordogni, and a simple little apartment with a terrace and pots of pinks. Had she known how much richer her father was than she suspected him of being, the enlargement of her views for the future would have been marked by a descent, from the fourth story of the house which was to be her imaginary home, to the third story. It could never have entered her head that Gianbattista ought to give up his profession until he was too old to work any longer. In her estima tion, the mere possession of money could not justify a change of social position. She had been accustomed 118 MARZIO'S CRUCIFIX CHAP, vi from her childhood to hear her father air his views in regard to the world in general, but his preaching had produced but little impression upon her. When he thought she was listening in profound attention to his discourse, she was usually wishing that he could be made to see the absurdity of his theories. She wished also that he would sacrifice some of his enthusiasm for the sake of a little more quiet in the house, for she saw that his talking distressed her mother. Further than this she cared little what he said, and not at all for what he thought. Her mind was generally occu pied with the one subject which absorbed her thoughts, and which had grown to be by far the most important part of her nature, her love for Gianbattista Bordogni. Upon that point she was inflexible. Her Uncle Paolo might have led her to change her mind in regard to many things, for she was open to persuasion where her common sense was concerned. But in her love for Gianbattista she was fixed and determined. It would have been more easy to turn her father from his ideas than to make Lucia give up the man she loved. When Marzio had suddenly declared that she should marry the lawyer, her first feeling had been one of ungovernable anger which had soon found vent in tears. During the night she had thought the matter over, and had come to the conclusion that it was only an evil jest, invented by Marzio to give her pain. CHAP. VI MARZIO'S CRUCIFIX 119 But in the morning it seemed to her as though on the far horizon a black cloud of possible trouble were gathering ; she had admitted to herself that her father might be in earnest, and she had felt something like the anticipation of the great struggle of her life. Then she felt that she would die rather than submit. She had no theatrical desire to swear a fearful oath with Gianbattista that they should drown themselves at the Ponte Quattro Capi rather than be separated. Her nature was not dramatic, any more than his. The young girl dressed herself quickly, and made up her mind that if any pressure were brought to bear upon her she would not yield, but that, until then, there was no use in making phrases, and it would be better to be as cheerful as possible under the circum stances. But for Lucia's reassuring manner, the Signora Pandolfi would have doubtless succumbed to her feelings and gone to bed. Lucia, however, had no intention of allowing her mother any such weakness, and accordingly alternately comforted her and sug gested means of escape from the position, as though she were herself the mother and Maria Luisa were her child. They found Don Paolo in his small lodging, and he bid them enter, that they might all talk the matter over. " In the first place," said the priest, " it is wrong. 120 MARZIO'S CRUCIFIX CHAP. Tl In the second place it is impossible. Thirdly, Marzio will not attempt to carry out his threat." " Dear me ! How simple you make it seem ! " exclaimed the Signora Pandolfi, reviving at his first words, like a tired horse when he sees the top of the hill. " But if papa should try and force me to it what then ? " asked Lucia, who was not so easily satisfied. " He cannot force you to it, my child the law will not allow him to do so. I told you so last night." " But the law is so far off and he is so violent," answered the young girl. " Never fear," said Don Paolo, reassuring her. " I will manage it all. There will be a struggle, perhaps ; but I will make him see reason. He had been with his friends last night, and his mind was excited ; he was not himself. He will have thought differently of it this morning." " On the contrary," put in the Signora Pandolfi, " he waked me up at daylight and gave me a quantity of money to go and buy Lucia's outfit. And he will come home at midday and ask to see the things I have brought, and so I thought perhaps we had better buy something just to show him half a dozen hand kerchiefs something to make a figure, you under stand ? " CHAP. Yi MARZIO'S CRUCIFIX 121 Don Paolo smiled, and Lucia looked sympathetically from him to her mother. " I am afraid that half a dozen handkerchiefs would have a bad effect," said the priest. " Either he would see that you are not in earnest, and then he would be very angry, or else he would be deceived and would think that you were really buying the outfit. In that case you would have done harm. This thing must not go any further. The idea must be got out of his head as soon as possible." " But if I do nothing at all before dinner he will be furious he will cry out that we are all banded to gether against him " " So we are," said Don Paolo simply. " Oh dear, oh dear ! " moaned the Signora Pandolfi, looking for her handkerchief in the anticipation of fresh tears. " Do not cry, mamma. It is of no use," said Lucia. "No, it is of no use to cry," assented the priest. " There is nothing to be done but to go and face Marzio, and not leave him until he has changed his mind. You are afraid to meet him at midday. I will go now to the workshop and find him." " Oh, you are an angel, Paolo ! " cried Maria Luisa, regaining her composure and replacing her handker chief in her pocket. "Then we need not buy any thing? What a relief!" Vol. 6 f 122 MARZIO'S CRUCIFIX CHAP. VI " I told you Uncle Paolo would know what to do/' said Lucia. " He is so good and so courageous. I would not like to face papa this morning. Will you really go, Uncle Paolo ? " The young girl went and took down his cloak and hat from a peg on the wall, and brought them to him. " Of course I will go, and at once," he answered. " But I must give you a word of advice." " We will do everything you tell us," said the two women together. " You must not ask him any questions, nor refer to the matter at all when he comes home." " Diana ! I would as soon speak of death ! " ex claimed the Signora Pandolfi. " And if he begins to talk about it you must not answer him, nor irritate him in any way." " Be easy about that," answered the fat lady. " Never meddle with sleeping dogs I know." "If he grows very angry you must refer him to me." " Oh, but that is another matter ! I would rather offer pepper to a cat than talk to him of you. You would see how he would curse and swear and call you by bad names." " Well, you must not do anything to make him swear, because that would be a sin ; but if he only abuses me, I do not mind. He will do that when I CHAP. VI MARZIO'S CRUCIFIX 123 talk to him. Perhaps after all, if he mentions the matter, you had better remain silent." " Eh ! that will be easy. He talks so much, and he talks so fast, never waiting for an answer. But are you not afraid for yourself, dear Paolo ? " " Oh, he will not hurt me I am not afraid of him," answered the priest. " He will talk a little, he will use some big words, and then it will be finished. You see, it is not a great thing, after all. Take courage, Maria Luisa, it will be a matter of half an hour." " Heaven grant it may be only that ! " murmured Marzio's wife, turning up her eyes, and rising from her chair. Lucia, who, as has been said, had a very keen ap preciation of facts, did not believe that things would go so smoothly. " You had better come back with him to our house when it is all over," she said, "just to give us a sign that it is settled, you know, Uncle Paolo." Don Paolo himself had his doubts about the issue, although he put such a brave face on it, and in spite of the Signora Pandolfi. That good lady was by nature very sincere, but she always seemed to bring an irrele vant and comic element into the proceedings. The result of the interview was that, in half an hour, Don Paolo knocked at the door of the workshop in the Via dei Ealegnami, where Marzio and Gianbattista 124 MARZIO'S CRUCIFIX CHAP. VI were at work. The chiseller's voice bade him enter. Don Paolo had not found much time to collect his thoughts before he reached the scene of battle, but his opinion of the matter in hand was well formed. He loved his niece, and he had begun to like Gianbattista. He knew the lawyer, Carnesecchi, by reputation, and what he had heard of him did not prejudice him in the man's favour. It would have been the same had Marzio chosen any one else. In the priest's estima tion, Gianbattista had a right to expect the fulfilment of the many promises which had been made to him. To break those promises for no ostensible reason, just as Gianbattista seemed to be growing up to be a sensible man, was an act of injustice which Don Paolo would not permit if he could help it. Gianbattista was not, perhaps, a model man, but, by contrast with Marzio, he seemed almost saintly. He had a good disposition and no vices ; married to Lucia and devoted to his art, much might be expected of him. On the other hand, Gasparo Carnesecchi represented the devil in person. He was known to be an advanced free thinker, a radical, and, perhaps, worse than a radical a socialist. He was certainly not very rich, and Lucia's dowry would be an object to him ; he would doubtless spend the last copper of the money in at tempting to be elected to the Chambers. If he sue- CHAP. VI MARZIO'S CRUCIFIX 125 ceeded, lie would represent another unit in that ill- guided minority which has for its sole end the sub version of the existing state of things. He would probably succeed in getting back the money he had spent, and more also, by illicit means. If he failed, the money would be lost, and he would go from bad to worse, intriguing and mixing himself up with the despicable radical press, in the hope of getting a hear ing and a place. There is a scale in the meaning of the word socialist: In France it means about the same thing as a com munist, when one uses plain language. When one uses the language of Monsieur Drumont, it means a Jew. In England a socialist is equal to a French conservative republican. In America it means a thief. In Germany it means an ingenious individual of restricted financial resources, who generally fails to blow up some important personage with wet dynamite. In Italy a socialist is an anarchist pure and simple, who wishes to destroy everything existing for the sake of dividing a wealth which does not exist at all. It also means a young man who orders a glass of water and a toothpick at a caft, and is able to talk politics for a considerable time on this slender nourishment. Signor Succi and Signer Merlatti have discovered nothing new. Their miracles of fasting may be ob served by the curious at any time in a Roman cafi. 126 MARZIO'S CRUCIFIX CHAP. VI Don Paolo regarded the mere idea of an alliance with Gasparo Carnesecchi as an outrage upon common sense, and when he entered Marzio's workshop he was determined to say so. Marzio looked up with an air of inquiry, and Gianbattista foresaw what was coming. He nodded to the priest, and brought forward the old straw chair from the corner ; then he returned to his work in silence. " You will have guessed my errand," Don Paolo began, by way of introducing his subject. " No," answered Marzio doggedly. " Something about the crucifix, I suppose." " Not at all," returned the priest, folding his hands over the handle of his umbrella. " A much more delicate matter. You suggested last night an im probable scheme for marrying Lucia." " You had better say that I told you plainly what I mean to do. If you have come to talk about that, you had better talk to the workmen outside. They may answer you. I will not ! " Don Paolo was not to be so easily put off. He waited a moment as though to give Marzio time to change his mind, and then proceeded. " There are three reasons why this marriage will not take place," he said. " In the first place, it is wrong that is my point of view. In the second place, it is impossible and that is the view the law OHAP. VI MARZIO'S CRUCIFIX 12*7 takes of it. Thirdly, it will not take place because you will not attempt to push it. What do you say of my reasons, Marzio ? " " They are worthy of you," answered the artist. " In the first place, I do not care a fig for what you think is wrong, or right either. Secondly, I will take the law into my own hands. Thirdly, I will bring it about and finish it in a fortnight ; and fourthly, you may go to the devil ! What do you think of my reasons, Paolo ? They are better than yours, and much more likely to prevail." " My dear Marzio," returned the priest quietly, " you may say anything you please, I believe, in these days of liberty. But the law will not permit you to act upon your words. If you can persuade your daughter to marry Gasparo Carnesecchi of her own free will, well and good. If you cannot, there is a statute, I am quite sure, which forbids your dragging her up the steps of the Capitol, and making her sign her name by force or violence in the presence of the authorities. You may take my word for it ; and so you had better dismiss the matter from your mind at once, and think no more about it." "I remember that you told her so last night/ growled Marzio, growing pale with anger. " Certainly." " You you you priest ! " cried the chiseller, un- 128 MARZIO'S CRUCIFIX CHAP. VI able in his rage to find an epithet which he judged more degrading. Don Paolo smiled. " Yes, I am a priest/' he answered calmly. " Yes, you are a priest," yelled Marzio, " and what is to become of paternal authority in a household where such fellows as you are listening at the key holes ? Is a man to have no more rights ? Are we to be ruled by women and creatures in petticoats? Viper ! Poisoning my household, teaching my daughter to disobey me, my wife to despise me, my paid work men to " " Silence ! " cried Gianbattista in ringing tones, and with the word he sprang to his feet and clapped his hand on Marzio's mouth. The effect was sudden and unexpected. Marzio was utterly taken by surprise. It was incredible to him that any one should dare to forcibly prevent him from indulging in the language he had used with impunity for so many years. He leaned back pale and astonished, and momentarily dumb with amaze ment. Gianbattista stood over him, his young cheeks flushed with anger, and his broad fist clenched. " If you dare to talk in that way to Don Paolo, I will kill you with my hands ! " he said, his voice sink ing lower with concentrated determination. " I have had enough of your foul talk. He is a better man CHAP. VI MARZIO'S CRUCIFIX 129 than you, as I told you last night, aaid I repeat it now take care " Marzio made a movement as though he would rise, and at the same instant Gianbattista seized the long, fine-pointed punch, which served for the eyes of the cherubs a dangerous weapon in a determined hand. Don Paolo had risen from his chair, and was trying to push himself between the two. But Gianbattista would not let him. " For heaven's sake," cried the priest in great dis tress, " no violence, Tista I will call the men " " Never fear," answered the apprentice quietly ; " the man is a coward." " To me you dare to say that to me ! " exclaimed Marzio, drawing back at the same time. " Yes it is quite true. But do not suppose that I think any the worse of you on that account, Sor Marzio." With this taunt, delivered in a voice that expressed the most profound contempt, Gianbattista went back to his seat and took up his hammer as though nothing had happened. Don Paolo drew a long breath of relief. As for Marzio, his teeth chattered with rage. His weakness had been betrayed at last, and by Gian battista. All his life he had succeeded in concealing the physical fear which his words belied. He had cultivated the habit of offering to face danger, speak ing of it in a quiet way, as he had observed that brava 130 MARZIO'S CRUCIFIX CHAP. Tl men did. He bad found it good policy to tell people that he was not afraid of them, and his bearing had hitherto saved him from physical violence. Now he felt as though all his nerves had been drawn out of his body. He had been terrified, and he knew that he had shown it. Gianbattista's words stung in his ears like the sting of wasps. " You shall never enter this room again," he hissed out between his teeth. The young man shrugged his shoulders as though he did not care. Don Paolo sat down again and grasped his umbrella. " Gianbattista," said the priest, " I am grateful to you for your friendship, my boy. But it is very wrong to be violent " " It is one of the seven deadly sins ! " cried Marzio, finding his voice at last, and by a strange accident venting his feelings in a sentence which might have been spoken by a confessor to a penitent. Gianbattista could not help laughing, but he shook his head as though to explain that it was not his fault if he was violent with such a man. "It is very wrong to threaten people, Tista," repeated Don Paolo; "and besides it does not hurt me, what Marzio says. Let us all be calm. Marzio, let us discuss this matter reasonably. Tista, do not be angry at anything that is said. There is nothing to be done but to look at the question quietly." OHAP. VI MAKZIO'S CRUCIFIX 131 " It is very well for you to talk like that," grumbled Marzio, pretending to busy himself over his model in order to cover his agitation. " It is of no use to talk in any other way," answered the priest. " I return to the subject. I only want to convince you that you will find it impossible to carry out your determination by force. You have only to ask the very man you have hit upon, the Awocato Carnesecchi, and he will tell you the same thing. He knows the law better than you or L He will refuse to be a party to such an attempt. Ask him, if you do not believe me." " Yes ; a pretty position you want to put me in, by the body of a dog ! To ask a man to marry my daughter by force ! A fine opinion he would conceive of my domestic authority ! Perhaps you will take upon yourself to go and tell him won't you, dear Paolo ? It would save me the trouble." " I think that is your affair," answered Don Paolo, taking him in earnest. " Nevertheless, if you wish " Oh, this is too much ! " cried Marzio, his anger rising again. " It is not enough that you thwart me at every turn, but you come here to mock me, to make a figure of me ! Take care, Paolo, take care ! You may go too far." " I would not advise you to go too far, Sor Marzio," 132 MARZIO'S CRUCIFIX CHAP. Yl put in Gianbattista, turning half round on his stool. " Cannot I speak without being interrupted ? Go on with your work, Tista, and let us talk this matter out. I tell you, Paolo, that I do not want your advice, and that I have had far too much of your interference. I will inquire into this matter, so far as it concerns the law, and I will show you that I am right, in spite of all your surmises and prophecies. A man is master in his own house and must remain so, whatever laws are made. There is no law which can force a man to submit to the dictation of his brother even if his brother is a priest." Marzio spoke more calmly than he had done hitherto, in spite of the sneer in the last sentence. He had broken down, and he felt that Paolo and Gianbattista were too much for him. He desired no repetition of the scene which had passed, and he thought the best thing to be done was to temporise for a while. " I am glad you are willing to look into the matter," answered Don Paolo. " I am quite sure you will soon be convinced." Marzio was silent, and it was evident that the in terview was at an end. Don Paolo was tolerably well satisfied, for he had gained at least one point in forcing his brother to examine the question. He CHAP. VI MARZIO'S CRUCIFIX 133 remained a moment in his seat, reviewing the situa tion, and asking himself whether there was anything more to be said. He wished indeed that he could produce some deeper impression on the artist. It was not enough, from the moral point of view, that Marzio should be made to see the impossibility of his scheme, although it was as much as could be expected, The good man wished with all his heart that Marzio could be softened a little, that he might be made to consider his daughter's feelings, to betray some sign of an affec tion which seemed wholly dead, to show some more human side of his character. But the situation at present forbade Don Paolo from making any further effort. The presence of Grianbattista, who had sud denly constituted himself the priest's defender, was a constraint. Alone with his brother, Marzio might possibly have exhibited some sensibility, but while the young man who had violently silenced him a few moments earlier was looking on, the chiseller would continue to be angry, and would not forget the humilia tion he had suffered. There was nothing more to be done at present, and Don Paolo prepared to take his departure, gathering his cloak around him, and smooth ing the felt of his three-cornered hat while he held his green umbrella under his arm. " Are you going already, Don Paolo ? " asked Gian- battista, rising to open the door. 134 MARZIO'S CRUCIFIX CHAP. VI "Yes, I must go. Good-bye, Marzio. Bear me no ill-will for pressing you to be cautious. Good-bye, Tista." He pressed the young man's hand warmly, as though to thank him for his courageous defence, and then left the workshop. . Marzio paid no attention to his departure. When the door was closed, and as Gianbattista was returning to his bench, the artist dropped his modelling tools and faced his apprentice. " You may go too," he said in a low tone, as though he were choking. " I mean you may go for good. I do not need you any longer." He felt in his pocket for his purse, opened it, and took out some small notes. "I give you an hour to take your things from my house," he continued. " There are your wages you shall not tell the priest that I cheated you." Gianbattista stood still in the middle of the room while Marzio held out the money to him. A hot flush rose to his young forehead, and he seemed on the point of speaking, but the words did not pass his lips. With a quick step he came forward, took the notes from Marzio's hand, and crumpling them in his fingers, threw them in his face with all his might. Then he turned on his heel, spat on the floor of the room, and went out before Marzio could find words to resent the fresh insult. The door fell back on the latch and Marzio waa CHAP, vi MARZIO'S CRUCIFIX 135 alone. He was very pale, and for a moment his features worked angrily. Then a cruel smile passed over his face. He stooped down, picked up the crumpled notes, counted them, and replaced them in his purse. The economical instinct never forsook him, and he did the thing mechanically. Glancing at the bench his eyes fell on the pointed punch which Gian- battista had taken up in his anger. He felt it care fully, handled it, looked at it, smiled again and put it into his pocket. " It is not a bad one," he muttered. " How many cherubs' eyes I have made with that thing ! " He turned to the slate and examined the rough model he had made in wax, flat still, and only indi cated by vigorous touches, the red material smeared on the black surface all around it by his fingers. There was force in the figure, even in its first state, and there was a strange pathos in the bent head, the only part as yet in high relief. But Marzio looked at it angrily. He turned it to the light, closed his eyes a moment, looked at it again, and then, with an inco herent oath, his long, discoloured hand descended on the model, and, with a heavy pressure and one strong push, flattened out what he had done, and smeared it into a shapeless mass upon the dark stone. " I shall never do it," he said in a low voice. " They have destroyed my idea." 136 MARZIO'S CRUCIFIX CHAP, vr For some minutes he rested his head in his hand in deep thought. At last he rose and went to a corner of the workshop in which stood a heavily ironed box. Marzio rumbled in his pocket till he found a key, bright from always being carried about with him, and contrasting oddly with the rusty lock into which he thrust it. It turned with difficulty in his nervous fingers, and he raised the heavy lid. The coffer was full of packages wrapped in brown paper. He removed one after another till he came to a wooden case which filled the whole length and breadth of the safe. He lifted it out carefully and laid it on the end of the bench. The cover was fastened down by screws, and he undid them one by one until it moved and came off in his hands. The contents were wrapped carefully in a fine towel, which had once been white, but which had long grown yellow with age. Marzio unfolded the covering with a delicate touch as though he feared to hurt what was within. He took out a large silver crucifix, raising it carefully, and taking care not to touch the figure. He stood it upon the bench before him, and sat down to examine it. It was a work of rare beauty, which he had made more than ten years before. With the strange reticent instinct which artists sometimes feel about their finest works, he had finished it in secret, working at night alone, and when it was done he had put it away. It OHAP. vi MARZIO'S CRUCIFIX 137 was his greatest feat, he had said to himself, and, as from time to time he took it out and looked at it, he gradually grew less and less inclined to show it to any one, resolving to leave it in its case, until it should be found after his death. It had seemed priceless to him, and he would not sell it. With a fantastic eccentricity of reasoning he regarded it as a sacred thing, to part with which would be a desecration. So he kept it. Then, taking it out again, it had seemed less good to him, as his mind became occupied with other things, and he had fancied he should do better yet. At last he screwed it up in a wooden case and put it at the bottom of his strong box, resolving never to look at it again. Many years had passed since he had laid eyes upon it. The idea which had come to him when Paolo had communicated the order to him on the previous even ing, had seemed absolutely new. It had appeared to him as a glorification of the work he had executed in secret so long ago. Time, and the habit of dissatisfac tion had effaced from his mind the precise image of the work of the past, and the emotions of the present had seemed something new to him. He had drawn and modelled during many hours, and yet he was utterly disappointed with the new result. He felt the innate consciousness of having done it before, and of having done it better. 138 MAKZIO'S CRUCIFIX CHAP. Yi And now the wonderful masterpiece of his earlier years stood before him the tall and massive ebony cross, bearing the marvellous figure of the dead Saviour. A ray of sunlight fell through the grated window upon the dying head, illuminating the points of the thorns in the crown, the falling locks of hair, the tortured hands, and casting a shadow of death beneath the half- closed eyes. For several minutes Marzio sat motionless on his stool, realising the whole strength and beauty of what he had done ten years before. Then he wanted to get a better view of it. It was not high enough above him, for it was meant to stand upon an altar. He could not see the face. He looked about for something upon which to make it stand, but nothing was near. He pushed away his stool, and turning the cross a little, so that the sunlight should strike it at a better angle, he kneeled down on the floor, his hands resting on the edge of the bench, and he looked up at the image of the dead Christ. CHAPTER VII WHEN Don Paolo left the workshop, he immedi ately crossed over and entered the street door of Marzio's house, intending to tell Maria Luisa and Lucia the result of the interview. He had not got to the top of the first flight of stairs when he heard G-ianbattista's step behind him, and turning he saw the young man's angry face. " What is the matter, Tista ? " asked the priest, stop ping on the steps and laying his hand on the iron railing. "I am discharged, turned out, insulted by that ani mal ! " answered the apprentice hotly. " He is like a piece of wood ! You might as well talk to a wall 1 You had only just closed the door when he pulled out his purse, counted my wages, and told me to take my things from his house in an hour. I threw the money in his face the beast !" "Hush, Tista," said Don Paolo. "Do not be angrj we will arrange it all before night. He cannot do without you, and after all it is my fault. Calm 140 MARZIO'S CRUCIFIX CHAP, vn yourself, Tista, my boy we will soon set that straight." " Yes in an hour I will have left the house. Then it will be straight enough, as you call it. Oh ! I would like to strangle him ! Dear Don Paolo, nobody but you can arrange this affair " " Hush, hush, Tista. I cannot hear you talk in this way. Come, we will go back to Marzio. He will listen to reason " " Do you know what he said to me not a quarter of an hour before you came in ? " asked Gianbattista quickly, laying his hand on the priest's arm. " He said I might have Lucia and welcome if I would kill you ! Do you understand ? I wish you could have seen the look in his eyes ! " "No, no, my boy he was angry. He did not mean it." " Mean it ! Bacchus ! He would kill you himself if he were not such a dastardly coward ! " Don Paolo shook his head with an incredulous smile, and looked kindly into the young man's eyes. " You have all lost your heads over this unfortunate affair, Tista. You are all talking of killing each other and yourselves as though it were as simple as ' good- morning.' It is very wrong to talk of such things, and besides, you know, it is not really worth while " CHAP, vii MARZIO'S CEUCIFIX 141 " It seems simple enough to me," answered the youug man, frowning and clenching his hand. " Come with me," urged the other, making as though he would descend the steps. " Come back to the work shop, and we will talk it all over." " Wait a minute, Don Paolo. There is one thing one favour I want to ask of you." Gianbattista lowered his voice. " You can do it for us I am sure you will. I will call Lucia, and we will go with you " " Where ? " asked the priest, not understanding the look of the young man. " To church, of course. You can marry us in ten minutes, and the thing will be all over. Then we can laugh at Sor Marzio." Don Paolo smiled. " My dear boy," he answered, " those things are not done in a moment like roasting chestnuts. There are banns to be published. There is a civil marriage at the Capitol " " I should be quite satisfied with your benediction a Pater Noster, an Or emus properly said eh ? Would it not be all right ? " " Eeally, Tista ! " exclaimed the good man, holding up his hands in horror. "I had no idea that your religious education had been so neglected ! My dear child, marriage is a very solemn thing." " By Diana ! I should think so ! But that need not 142 MARZIO'S CRUCIFIX CHAP, vn make it such a long ceremony. A man dies in a moment paff! the light is out ! you are dead. It is very solemn. The same thing for marriage. The priest looks at you, says Or emus poff! You are married, and it cannot be undone ! I know it is very serious, but it is only the affair of a moment." Don Paolo did not know whether to laugh or to look grave at this exposition of Gianbattista's views of death and matrimony. He put it down to the boy's excitement. " There is another reason, Tista. The law does not allow a girl of seventeen to be married without her father's consent." " The law again ! " exclaimed Gianbattista in disgust. "I thought the law protected Lucia from her father. You said so last night, and you repeated it this morning." "Certainly, my boy. But the law also protects parents against any rashness their children may medi tate. It would be no marriage if Lucia had not Marzio's consent." "I wish there were no laws," grumbled the young man. "How do you come to know so much about marriage, Don Paolo ? " " It is my profession. Come along ; we will talk to Marzio." " What can we say to him ? You do not suppose I will go and beg to be taken back ? " CHAP. VII MARZIO'S CRUCIFIX 143 "You must be forgiving " " I believe in forgiveness when the other side begins/' said Gianbattista. " Perhaps Marzio will forgive too," argued the priest "He has nothing to forgive," answered the young man. The reasoning seemed to him beyond refutation. " But if he says he has no objection, if he begs you to come back, I think you might make some advance on your side, Tista. Besides, you were very rough with him this morning." " He turned me out like a dog after all these years," said Gianbattista. " I will go back and work for him on one condition. He must give me Lucia at once." " I am afraid that as a basis of negotiations that plan leaves much to be desired," replied Don Paolo, in a meditative tone. " Of course, we are all determined that you shall marry her in the end ; but unless Providence is pleased to change Marzio's state of mind, you may have to wait until she is of age. He will never con sent at present." " In that case I had better go and take my things away from his house," returned the apprentice. " And say good-bye to Lucia for a day or two," he added in a low voice. " Of course, if you will not agree to be conciliatory it is of no use for you to come with me," said Don 144 MARZIO'S CRUCIFIX OHAP. VII Paolo rather sadly. " Dear ine ! Here comes Maria Luisa with Suntarella ! " " Ah, dear Paolo, dear Paolo ! " cried the stout lady, puffing up the stairs with the old woman close behind her. "How good you are! And what did he say? We asked if you had gone at the workshop, and they said you had, so Lucia went in to ask her father whether he would have the chickens boiled or roasted. Well, well, tell me all about it. These stairs ! Sun tarella, run up and open the door while I get my breath ! Dear Paolo, you are an angel of goodness ! " " Softly, Maria Luisa," answered the priest. " There is good and bad. He has admitted that he will have to consider the matter because he cannot make Lucia marry without her consent. But on the other hand poor Tista " he looked at the young man and hesitated. " He has turned me out," said Gianbattista. " He has given me an hour to leave his house. I believe a good part of the hour has passed already " " And Tista says he will not go back at any price," put in Don Paolo. The Signora Pandolfi gasped for breath. " Oh ! oh ! I shall faint ! " she sobbed, pressing the handle of her parasol against her breast with both hands. " Oh, what shall we do ? We are lost 1 Paolo, your arm I shall die ! " CHAP. VII MARZIO'S CRUCIFIX 145 " Courage, courage, Maria Luisa," said the priest kindly. " We will find a remedy. For the present Tista can come to my house. There is the little room where the man-servant sleeps, who is gone to see his sick wife in the country. The Cardinal will not mind." " But you are not going like this ? " cried the stout lady, grasping Gianbattista's arm and looking into his face with an expression of forlorn bewilderment. " You cannot go to-day it is impossible, Tista your shirts are not even ironed ! Oh dear ! oh dear ! And I had anticipated a feast because I was sure that Marzio would see reason before mid-day, and there are chickens for dinner with rice, Tista, just as you like them oh, you cannot go, Tista, I cannot let you go I " " Courage, Maria Luisa," exhorted Don Paolo. " It is not a question of chickens." " Dear Sora Luisa, you are too good," said Gianbat- tista. " Let us go upstairs first, to begin with you will catch cold here on the steps. Come, come, courage, Sora Luisa 1 " He took the good woman's arm and led her up wards. But Don Paolo stayed behind. He believed it to be his duty to return to the workshop, and to try and undo the harm Gianbattista had done himself by the part he had played in the proceedings of the morning. The Signora "Pandolfi suffered herself to be Tol. 6 a 146 MARZIO'S CRUCIFIX CHAP, vii led upstairs, panting and sobbing as she went, and protesting still that Gianbattista could not possibly be allowed to leave the house. When Don Paolo had parted from the two women an hour earlier, they had not gone home as he had supposed, but, chancing to meet old Assunta near the house, the three had gone together to make certain necessary purchases. On their return they had inquired for Paolo at the workshop, as Maria Luisa had explained, and Lucia had entered in the confident expectation of finding that the position of things had mended con siderably since the early morning. Moreover, since the announcement of the previous evening, the young girl had not seen her father alone. She wanted to talk to him on her own account, in order to sound the depth of his determination. She was not afraid of him. The fact that for a long time he had regarded favourably the project of her marriage with Gianbat tista had given her a confidence which was not to be destroyed in a moment, even by Marzio's strange conduct. She passed through the outer rooms, nodding to the workmen, who touched their caps to the master's daughter. A little passage separated the large work shop from the inner studio. The door at the end was not quite closed. Lucia went up to it, and looked through the opening to see whether Gianbattista were with her father. The sight she saw was so surprising CHAP. Til MARZIO'S CRUCIFIX 147 that she leaned against the door-post for support. She could not believe her eyes. There was her father in his woollen blouse, kneeling, on the brick floor of the room, before a crucifix, his back turned towards her, his hands raised, and, as it seemed from the position of the arms, folded in prayer. The sunlight fell upon the silver figure, and upon the dark tangled hair of the artist who remained motionless as though absorbed in devotion, while his daughter watched him through the half-open door. The scene was one which would have struck any one; the impression it made on Lucia was altogether extra ordinary. She easily fancied that Marzio, after his interview with Don Paolo, had felt a great and sudden revulsion of sentiment. She knew that the priest had not left the studio many minutes before, and she saw her father apparently praying before a crucifix. A wonderful conversion had been effected, and the result was there manifest to the girl's eyes. She held her breath and remained at the door, determined not to move until Marzio should have risen from his knees. To interrupt him at such a moment would have been almost a sacrilege ; it might produce the most fatal results ; it would be an intrusion upon the privacy of a repentant man. She stood watching and waiting to see what would happen. Presently Marzio moved. Lucia thought he was 148 MARZIO'S CRUCIFIX CHAP. TH going to rise from his knees, but she was surprised to see that he only changed the position of the crucifix with one hand. He approached his head so near the lower part of it that Lucia fancied he was in the act of pressing his lips upon the crossed feet of the silver Christ. Then he drew back a little, turned his head to one side, and touched the figure with his right hand. It was evident, now, that he was no longer praying, but that something about the workmanship had attracted his attention. How natural, the girl said to herself, that this man, even in euch a supreme moment, should not forget his art that, even in prayer, his eyes should mechanically detect an error of the chisel, a flaw in the metal, or some such detail familiar to his daily life. She did not think the worse of him for it. He was an artist ! The habit of his whole existence could not cease to influence him he could as soon have ceased to breathe. Lucia watched him and felt something like love for her father. Her sympathy was with him in both actions ; in his silent prayer, in the inner privacy of his working-room, as well as in the inherent love of his art, from which he could not escape even when he was doing something contrary to the whole tenor of his life. Lucia thought how Don Paolo's face would light up when she should tell him of what she had seen. Then she wondered, with a delicate sense of OHAP. vir MARZIO'S CRUCIFIX 149 respect for her father's secret feelings, whether she would have the right to tell any one what she had accidentally seen through the half-closed door of the studio. Marzio moved again, and this time he rose to his feet and remained standing, so that the crucifix was completely hidden from her view. She knocked at the door. Her father turned suddenly round, and faced the entrance, still hiding the crucifix by his figure. " Who is it ?" he asked in a tone that sounded as though he were startled. " Lucia," answered the girl timidly. " May I come in, papa ? " "Wait a minute," he answered. She drew back, and, still watching him, saw that he laid the cross down upon the table, and covered it with a towel the same one in which it had been wrapped. " Come in," he called out. " What is the matter ?" " I only came for a moment, papa," answered Lucia, entering the room and glancing, about her as she came forward. " Mamma sent me in to ask you about the chickens there are chickens for dinner she wanted to know whether you would like them roasted or boiled with rice." " Boasted," replied Marzio, taking up a chisel and pretending to be busy. " It is Gianbattista who likes them boiled." 150 MARZIO'S CRUCIFIX CHAP, vn " Thank you, I will go home and tell her. Papa " the girl hesitated. "What is the matter?" " Papa, you are not angry any more as you were last night?" " Angry ? No. What makes you ask such a question ? I was not angry last night, and I am not angry now. Who put the idea into your head ?" " I am so glad," answered Lucia. " Not with me, not with Tista ? I am so glad ! Where is Tista, papa ? " " I have not the slightest idea. You will probably not see Tista any more, nor Gianbattista, nor his excellency the Signorino Bordogni." Lucia turned suddenly pale, and rested her hand upon the old straw chair on which Don Paolo had sat during his visit. " What is this ? What do you tell me ? Not see Tista ?" she asked quickly. " Gianbattista had the bad taste to attack me this morning here in my own studio," said Marzio, turning round and facing his daughter. " He put his hands upon my face, do you understand ? He would have stabbed me with a chisel if Paolo had not interfered. Do you understand that ? Out of defer ence for your affections I did not kill him, as I might have done. I dismissed him from my service, and gave CHAP, vii MARZIO'S CRUCIFIX 151 him an hour to take his effects out of my house. Is that clear ? I offered him his money. He threw it in my face and spat at me as he went out. Is that enough ? If I find him at home when I come to dinner I will have him turned out by the police. You see, you are not likely to set eyes on him for a day or two. You may go home and tell your mother the news, if she has not heard it already. It will be sauce for her chickens." Lucia leaned upon the chair during this speech, her black eyes growing wider and wider, and her face turning whiter at every word. To her it seemed, in this first moment, like a hopeless separation from the man she loved. With a sudden movement she sprang forward, and fell on her knees at Marzio's feet. "Oh, my father, I beseech you, in the name of heaven," she cried wildly. " It is not of the slightest use," answered Marzio, drawing back. Lucia knelt for one moment before him, with upturned face, an expression of imploring despair on her features. Then she sank down in a heap upon the floor against the three-legged stool, which tottered, lost its balance under her weight, and fell over upon the bricks with a loud crash. The poor girl had fainted away. Marzio was startled by the sight and the sound, and then, seeing what had happened, he was very much 152 MARZIO 'S CRUCIFIX CHAP. VII frightened He knelt down beside his daughter's prostrate body and bent over her face. He raised her up in his long, nervous arms, and lifted her to the old chair till she sat upon it, and he supported her head and body, kneeling on the floor beside her. A sharp pain shot through his heart, the faint indica tion of a love not wholly extinguished. " Lucia, dear Lucia !" he said, in a voice so tender that it sounded strangely "in his own ears. But the girl gave no sign. Her head would have fallen for ward if he had not supported it with his hands. " My daughter ! Little Lucia ! You are not dead tell me you are not dead !" he cried. In his fright and sudden affection he pressed his lips to her face, kissing her again and again. " I did not mean to hurt you, darling child," he repeated, as though she could hear him speak. At last her eyes opened. A shiver ran through her body and she raised her head. She was very pale as she leaned back in the chair. Marzio took her hands and rubbed them between his dark fingers, still looking into her eyes. " Ah ! " she gasped, " I thought I was dead." Then, as Marzio seemed about to speak, she added faintly : " Don't say it again !" " Lucia dear Lucia ! I knew you were not dead. I knew you would come back to me," he said, still in CHAP, vii MARZIO'S CRUCIFIX 153 very tender tones. "Forgive me, child I did not mean to hurt you." "No? Oh, papa! Then why did you say it?" she cried, suddenly bursting into tears and weeping upon his shoulder. " Tell me it is not true tell me so!" she sobbed. Marzio was almost as much disconcerted by Lucia's return to consciousness as he had been by her fainting away. His nature had unbent, momentarily, under the influence of his strong fear for his daughter's life. Now that she had recovered so quickly, he remembered Gianbattista's violence and scornful words, and he seemed to feel the young man's strong hand upon his mouth, stifling his speech. He hesitated, rose to his feet, and began to pace the floor. Lucia watched him with intense anxiety. There was a conflict in his mind between the resentment which was not half an hour old, and the love for his child, which had been so quickly roused during the last five minutes. " Well Lucia, my dear I do not know- " he stopped short in his walk and looked at her. She leaned forward as though to catch his words. " Do you think you could not that you would be so very unhappy, I mean, if he lived out of the house I mean to say, if he had lodgings, somewhere, and came back to work ?" 154 MARZIO'S CRUCIFIX CHAP. VII " Oh, papa I should faint away again and I should die. I am quite sure of it." Marzio looked anxiously at her, as though he ex pected to see her fall to the ground a second time. It went against the grain of his nature to take Gian- battista back, although he had discharged him hastily in the anger of the moment. He turned away and glanced at the bench. There were the young man's tools, the hammer as he had left it, the piece of work on the leathern pad. The old impulse of foresight for the future acted in Marzio's mind. He could never find such another workman. In the uncertainty of the moment, as often happens, details rose to his re membrance and produced their effect. He recollected the particular way in which Gianbattista used to hold the blunt chisel in first tracing over the drawing on a silver plate. He had never seen any one do it in the same way. " Well, Lucia don't faint away. If you can make him stay, I will take him back. But I am afraid you will have hard work. He will make difficulties. He threw the money in my face, Lucia in your father's face, girl ! Think of that. Well, well, do what you like. He is a good workman. Go away, child, and leave me to myself. What will you say to him?" Lucia threw her arms round her father's neck and CHAP. VII MARZIO'S CRUCIFIX 155 kissed him in her sudden joy. Then she stood a moment in thought. " Give me his money/' she said, " If he will take the money he will come back." Marzio hesitated, slowly drew out his purse, and began to take out the notes. " Well if you will have it so," he grumbled. "After all, as he threw it away, I do not see that he has much right to it. There it is. If he says anything about that ten-franc note being torn, tell him he tore it himself. Go home, Lucia, and manage things as you can." Lucia put the money in her glove, and busied her self for a moment in brushing the dust from her clothes. Mechanically, her father helped her. " You are quite sure you did not hurt yourself ?" he asked. The whole occurrence seemed indistinct, as though some one had told something which he had not understood as we sometimes listen to a person reading aloud, and, missing by inattention the verb of the sentence, remain confused, and ask ourselves what the words mean. , " No not at all. It is nothing," answered Lucia, and in a moment she was at the door. Opening it to go out, she saw the tall figure of Lon Paolo at the other end of the passage coming rapidly towards her. She raised her finger to her lips and 156 MARZIO'S CRUCIFIX CHAP, vii nodded, as though to explain that everything was settled, and that the priest should not speak to Marzio. She, of course, did not know that he had been talking with Gianbattista and her mother, nor that he knew anything about the apprentice's dismissal. She only feared fresh trouble, now that the prospect looked so much clearer, in case Don Paolo should again attack her father upon the subject of the marriage. But her uncle came forward and made as though he would enter the workshop. " It is all settled," she said quietly. Don Paolo looked at her in astonishment. At that moment Marzio caught sight of him over the girl's shoulder, in the dusky entrance. " Come in, Paolo," he called out. " I have something to show you. Go home, Lucia, my child." Not knowing what to expect, and marvelling at the softened tone of his brother's voice, Don Paolo entered the room, waited till Lucia was out of the passage, and then closed the door behind him. He stood in the middle of the floor, grasping his umbrella in his hand and wondering upon what new phase the business was entering. " I have something to show you," Marzio repeated, as though to check any question which the priest might be going to put to him. " You asked me for a CHAP, viz MARZIO'S CRUCIFIX 157 crucifix last night. I have one here. Will it do ? Look at it." While speaking, Marzio had uncovered the cross and lifted it up, so that it stood on the bench where he had at first placed it to examine it himself. Then he stepped back and made way for Don Paolo. The priest stood for a moment speechless before the master piece, erect, his hands folded before him. Then, as though recollecting himself, he took off his hat, which he had forgotten to remove on entering the work shop. " What a miracle !" ho- exclaimed, in a low voice. Marzio stood a little behind him, his hands in the pockets of his woollen blouse. A long silence followed. Don Paolo could not find words to express his admira tion, and his wonder was mixed with a profound feel ing of devotion. The amazing reality of the figure, clothed at the same time in a sort of divine glory, impressed itself upon him as he gazed, and roused that mystical train of religious contemplation which is both familiar and dear to devout persons. He lost himself in his thoughts, and his refined features showed as in a mirror the current of his meditation. The agony of the Saviour of mankind was renewed before him, cul minating in the sacrifice upon the cross. Involuntarily Paolo bent his head and repeated in low tones the words of the Creed, " Qui propter nos homines et propter 158 MARZIO'S CRUCIFIX CHAP. VII nostram salutem descendit de coelis" and then, " Cruci- fixus etiam pro nobis" Marzio stood looking on, his hands in his pockets. His fingers grasped the long sharp punch he had taken from the table after Gianbattista's departure. His eyes fixed themselves upon the smooth tonsure at the back of Paolo's head, and slowly his right hand issued from his pocket with the sharp instrument firmly clenched in it. He raised it to the level of his head, just above that smooth shaven circle in the dark hair. His eyes dilated and his mouth worked nervously as the pale lips stretched themselves across the yellow teeth. Don Paolo moved, and turned to speak to his brother concerning the work of art. Seeing Marzio's attitude, he started with a short cry and stretched out his arm as though to parry a blow. " Marzio !" The artist had quickly brought his hand to his forehead, and the ghastly affectation of a smile wreathed about his white lips. His voice was thick. " I was only shading my eyes from the sun. Don't you see how it dazzles me, reflected from the silver ? What did you imagine, Paolo ? You look frightened." "Oh, nothing," answered the priest bravely. "Per haps I am a little nervous to-day." " Bacchus ! It looks like it," said Marzio, with an CHAP, vii MARZIO'S CRUCIFIX 159 attempt to laugh. Then he tossed the tool upon the table among the rest with an impatient gesture. " What do you think of the crucifix?" " It is very wonderful," said Paolo, controlling himself by an effort. " When did you make it, Marzio ? You have not had time " " I made it years ago," answered the chiseller, turn ing his face away to hide his pallor. " I made it for myself. I never meant to show it, but I believe I cannot do anything better. Will it do for your car dinal ? Look at the work. It is as fine as anything of the kind in the world, though I say it. Yes it is cast. Of course, you do not understand the art, Paolo, but I will explain it all to you in a few minutes " Marzio talked very fast, almost incoherently, and he was evidently struggling with an emotion. Paolo, standing back a little from the bench, nodded his head from time to time. " It is all very simple," continued the artist, as though he dared not pause for breath. "You see one sometimes makes little figures of real repousst, half and half, done in cement and then soldered to gether so that they look like one piece, but it is impossible to do them well unless you have dies to press the plate into the first shape and the die always makes the same figure, though you can vary the face and twist the arms and legs about. Cheap 160 MAEZIO'S CRUCIFIX CHAP, vii silver crucifixes and angels and those things are all made in that way, and with care a great deal can be done, of course, to give them an artistic look." " Of course," assented Don Paolo, in a low voice. He thought he understood the cause of his brother's eloquence. " Yes, of course," continued Marzio, as rapidly as before. " But to make a really good thing like this, IB a different matter. A very different matter. Here you must model your figure in wax, and make moulds of the parts of it, and chisel each part separately, copying the model. And then you must join all the parts together with silver-soldering, and go over the lines carefully. It needs the most delicate handling, for although the casting is very heavy it is not like working on a chalice that is filled with cement and all arranged for you, that can be put in the fire, melted out, softened, cooled, and worked over as often as you please. There is no putting in the fire here not more than once after you have joined the pieces. Do you understand me ? Why do you look at me in that way, Paolo ? You look as though you did not follow me." " On the contrary/' said the priest, " I think I un derstand it very well as well as an outsider can understand such a process. No I merely look at the finished work. It is superb, Marzio magnificent! I have never seen anything like it/ 0HAP. VII 161 "Well, you may have it to-night/' said Marzio, turning away, and walking about the room. " I will touch it over. I can improve it a little. I have learned something in ten years. I will work all to day, and I will bring it home this evening to show Maria Luisa. Then you may take it away." " And the price ? I must be able to tell the Cardinal." " Oh, never mind the price. I will be content to take whatever he gives me, since it is going. No price would represent the labour. Indeed, Paolo, if it were any one but you, I would not let it go. Nothing but my affection for you would make me give it to you. It is the gem of my studio. Ah, how I worked at it ten years ago ! " " Thank you. I think I understand," answered the priest. " I am very much obliged to you, Marzio, and I assure you it will be appreciated. I must be going. Thank you for showing it to me. I will come and get it to-night." " Well, good-bye, Paolo," said Marzio. " Here is your umbrella." As Don Paolo turned away to leave the room, the artist looked curiously at the tonsure on his head, and his eyes followed it until Paolo had covered it with his hat. Then he closed the door and went back to the bench. CHAPTER VIII LUCIA hastened homewards with the good news she bore. Her young nature was elastic, and, in the sudden happiness of having secured Gianbattista's recall, she quickly recovered from the shock she had received. She did not reflect very much, for she had not the time. It had all happened so quickly that her senses were confused, and she only knew that the man she loved must be in despair, and that the sooner she reached him the sooner she would be able to relieve him from what he must be suffering. Her breath came fast as she reached the top of the stairs, and she panted as she rang the bell of the lodg ing. Apparently she had rung so loud in her excite ment as to rouse the suspicions of old Assunta, who cautiously peered through the little square that opened behind a grating in the door, before she raised the latch. On seeing Lucia she began to laugh, and opened quickly. " So loud !" chuckled the old thing. " I thought it was the police or Sor Marzio in a rage." CHAP, vin MAHZIO'S CRUCIFIX 163 Lucia did not heed her, but ran quickly on to the sitting-room, where the Signora Pandolfi was alone, seated on her straight chair and holding her bonnet in her hand, the bonnet with the purple glass grapes ; she was the picture of despair. Lucia made haste to com fort her. " Do not cry, mamma," she said quickly. " I have arranged it all. I have seen papa. I have brought Tista's money. Papa wants him to stay after all. es I know you cannot guess how it all happened. I went in to ask about the chickens, and then I asked about Tista, and he told me that I should not see him any more, and then then I felt this passion here in the chest, and everything went round and round and round like a whirligig at the Termini, and I fell right down, mamma, down upon the bricks I know, my frock is all dusty still, here, look, and here, but what does it matter ? Patience ! I fell down like a sack of flour pata tunfate !" "T-t-t-t!" exclaimed the Signora Pandolfi, holding up her hands and drawing in her breath as she clacked her tongue against the roof of her mouth. " T-t-t-t ! What a pity ! " " And when I came to my senses I had fainted, you understand I was sitting on the old straw chair and papa was holding my hands in his and calling me his angel ! Capperi ! But it was worth while. You 164 MARZIO'S CRUCIFIX CHAP. VIH can imagine the situation when he called me an angel ! It is the first time I have ever fainted, mamma you have no idea it was so curious ! " " Ah, my dear, it must have softened his heart ! " cried Maria Luisa. " If I could only faint away like that once in a while ! Who knows ? He might be converted. But what would you have ? " The sig- nora glanced down sadly at her figure, which certainly suggested no such weakness as she seemed to desire. tf Well, Lucia," she continued, " and then ? " " Yes, I talked to him, I implored him, I told him I should probably faint again, and, indeed, I felt like it. So he said I might have my way, and he told me to come home and tell Tista at once. Where is Tista ? " " Eh ! He is in his room, packing up his things. I will go and call him. Oh dear ! What a wonderful day this is, my child ! To think that it is not yet eleven o'clock, and all that has happened ! It is enough to make a woman crazy, fit to send to Santo Spirito. First you are to be married, and then you are not to be married ! Then Gianbattista is sent away after all these years, and such a good boy ! And then he is taken back ! And then but the chickens, Lucia, you forgot to ask about the chickens " Not a bit of it/' answered the young girl. " I CHAP, vin MAKZIO'S CRUCIFIX 165 asked first, before he told me. Afterwards, I don't know I should not have had the strength to speak of chickens. He said roasted, mamma. Poor Tista ! He likes them with rice. Well, one cannot have everything in this world." The Signora Pandolfi had reached the door, and called out at the top of her voice to the young man. " Tista ! Tista ! " She could have been heard in the street. " Eh, Sora Luisa ! We are not in the Piazza Navona," said Gianbattista, appearing at the door of his little room. " What has happened ? " "Go and talk to Lucia/' answered the good lady, hurrying off in search of Assunta to tell her the de cision concerning the dinner. Gianbattista entered the sitting-room, and, from the young girl's radiant expression, he guessed that some favourable change had taken place in his posi tion, or in the positions of them both. Lucia began to tell him what had passed, and gave much the same account as she had given to her mother, though some of the intonations were softer, and accompanied by looks which told her happiness. When she had ex plained the situation she paused for an answer. Gian battista stood beside her and held her hand, but he looked out of the window, as though uncertain what to say. 166 MARZIO'S CRUCIFIX CHAP. VTII " Here is the money," said Lucia. " You will take it, won't you ? Then it will be all settled. What is the matter, Tista ? Are you not glad ? " "I do not trust him," answered the young man. " It is not like him to change his mind like that, all in a minute. He means some mischief." " What can he do ? " " I do not know. I feel as if some evil were com ing. Patience ! Who knows ? You are an angel Lucia, darling." " Everybody is telling me so to-day," answered the young girl. " Papa, you " " Of course. It is quite true, my heart, and so every one repeats it. What do you think ? Will he come "home to dinner ? It is only eleven o'clock perhaps I ought to go back and work at the ewer. Somehow I do not want to see him just now " " Stay with me, Tista. Besides, you were packing up your belongings to go away. You have a right to take an hour to unpack them. Tell me, what is this idea you have that papa is not in earnest ? I want to understand it. He was quite in earnest just now so good, so good, like sugar ! Is it because you are still angry with him, that you do not want to see him ? " " No why should I still be angry ? He has made reparation. After all, I took a certain liberty with him." CHAP, vin MAKZIO'S CRUCIFIX 167 " That is all the more reason. If he is willing to forget it but I could tell you something, Tista, some thing that would persuade you." " What is it, my treasure ? " asked Gianbattista with a smile, bending down to look into her eyes. " Oh, something very wonderful, something of which you would never dream. I could scarcely believe my eyes. Imagine, when I went to find him just now, the door was open. I looked through before I went in, to see if you were there. Do you know what papa was doing ? He was kneeling on the floor before a beautiful crucifix, such a beautiful one. I think he was saying prayers, but I could not see his face. He stayed a long time, and then when I knocked he covered it up, was not that strange ? That is the reason why I persuaded him so easily to change his mind." Gianbattista smiled incredulously. He had often seen Marzio kneel on the floor to get a different view of a large piece of work. " He was only looking at the work," he answered. " I have seen him do it very often. He would laugh if he could hear you, Lucia. Do you imagine he is such a man as that ? Perhaps it would not do him any harm a little praying. But it is a kind of medicine he does not relish. No, Lucia, you have been deceived, believe me." 168 MARZIO'S CRUCIFIX CHAP, vm The girl's expression changed. She had quite per suaded herself that a great moral change had taken place in her father that morning, and had huilt many hopes upon it. To her sanguine imagination it seemed as though his whole nature must have changed. She had seen visions of him as she had always wished he might be, and the visions had seemed likely to be realised. She had doubted whether she should tell any one .the story of what she regarded as Marzio's conversion, but she had made an exception in favour of Gianbattista. Gianbattista simply laughed, and explained the matter away in half a dozen words. Lucia was more deeply disappointed than any one, listening to her light talk, could have believed possible. Her face expressed the pain she felt, and she protested against the apprentice's explanation. " It is too bad of you, Tista," she said in hurt tones. " But I do not think you are right. You have no idea how quietly he knelt, and his hands were folded on the bench. He bent his head once, and I believe he kissed the feet I wish you could have seen it, you would not doubt me. You think I have invented a silly tale, I am sure you do." The tears filled her eyes as she turned away and stared vacantly out of the window at the dark houses opposite. The sun, which had been shining until that moment, disappeared behind a mass of driving clouds, OHAP. vni MARZIO'S CRUCIFIX 169 and a few drops of rain began to beat against the panes of glass. The world seemed suddenly more dreary to Lucia. Gianbattista, who was sensitive where she was concerned, looked at her, and under stood that he had destroyed something in which she had wished to believe. " Well, well, my heart, perhaps you are right," he said softly, putting his arm round her. " No, you do not believe it," she answered. " For you, I will believe in anything, in everything even in Sor Marzio's devotions," he said, pressing her to his side. " Only you see, darling, he was talking in such a way a few moments before that it seemed impossible " " Nothing is quite impossible," replied Lucia. " The heart beats fast. There may be a whole world between one beat and the next." " Yes, my love," assented Gianbattista, looking ten derly into her eyes. " But do you think that between all the beatings of our two hearts there could ever be a world of change ? " "Ah that is different, Tista. Why should we change ? We could only change for worse if we began to love each other less, and that is impossible. But papa ! Why should he not change for the better ? Who can tell you, Tista, dear, that in a moment, in a second, after you were gone, he was not sorry for all Vol. 6 H 1*70 MARZIO'S CRUCIFIX CHAP, vin he had done ? It may have been in an instant. Why not ? " " Things done so very quickly are not done well," answered the young man. " I know that from my art. You may stamp a thing in a moment with the die it is rough, unfinished. It takes weeks to chisel it " " The good God is not a chiseller, Tista." The words fell very simply from the young girl's lips, and the expression of her face did not change. Only the tone of her voice was grave and quiet, and there was a depth of conviction in it which struck Gianbattista forcibly. In a short sentence she had denned the difference between his mode of thought and her own. To her mind omnipotence was a reality. To him, it was an inconceivable power, the absurdity of which he sought to demonstrate by comparing the magnitude claimed for it with the capacities of man. He remained silent for a moment, as though seeking an answer. He found none, and what he said ex pressed an aspiration and not a retort. "I sometimes wish that I could believe as you do," he said. " I am sure I could do much greater things, make much more beautiful angels, if I were quite sure that they existed." " Of course you could," answered Lucia. Then, with a tact beyond her years, she changed the subject of their talk. She would not endanger the durability CHAP, vin MAKZIO'S CRUCIFIX 171 of his aspiration by discussing it. " To go back to what we were speaking of," she said, " you will go to the workshop this afternoon, Tista, won't you ? " " Yes," he said mechanically. " What else should I do ? Oh, Lucia, my darling, I cannot bear this un certainty," he cried, suddenly giving vent to his feelings. " Where will it end ? He may have changed, he may be all you say he is to-day, all that he was not yester day, but do you really believe he has given up his wild idea ? It is not all as it should be, and that is not his nature. It will come upon us suddenly with some thing we do not expect. He will do something I cannot tell what, but I know him better than you do. He is cruel, he plots over his work, and then, when all seems calm, the storm breaks. It will not end well." "We must love each other, Tista. Then all will end well. Who can divide us ? " " No one," answered the young man firmly. " But many things may happen before we are united for ever." He was not subject to presentiments, and his self- confident nature abhorred the prospect of trouble. He had arrived at his conclusion by a logical process, and there seemed no escape from it. As he had told Lucia, he knew the character of the chiseller better than the women of the household could know it, for he had been his constant companion for years, and was 172 MAKZIO'S CRUCIFIX CHAP, vin not to be deceived in his estimate of Marzio's temper. A man's natural disposition shows itself most clearly when he is in his natural element, at his work, busied in the ordinary occupations of his life. To such a man as Marzio, the workshop is more sympathetic than the house. Disagreeing on most points with his family, obliged to be absent during the whole day, wholly absorbed in the production of works which the women of his household could not thoroughly appreciate, be cause they did not thoroughly understand the ideas which originated them, nor the methods employed in their execution under these combined circumstances it was to be expected that the artist's real feelings would find expression at the work-bench rather than in the society of his wife and daughter. Seated by Marzio's side, and learning from him all that could be learned, Gianbattista had acquired at the same time a thorough knowledge of his instincts and emotions, which neither Maria Luisa nor Lucia was able to comprehend. Marzio was tenacious of his ideas and of his schemes. Deficient in power of initiative and in physical courage, he was obstinate beyond all belief in his adherence to his theories. That he should suddenly yield to a devotional impulse, fall upon his knees before a crucifix and cry med culpd over his whole past life, was altogether out of the question. In Gianbattista's opinion it was almost as impossible that he should . Till MARZIO'S CRUCIFIX 173 abandon in a moment the plan which he had an nounced with so much resolution on the previous evening. It was certain that before declaring his determination to marry his daughter to the lawyer he must have ruminated and planned during many days, as it was his habit to do in all the matters of his life, without consulting any one, or giving the slightest hint of his intention. Some part of his remarkable talent depended upon this faculty of thoroughly con sidering a resolution before proceeding to carry it out ; and it is a part of every really great talent in every branch of creative art, for it is the result of a great continuity in the action of the mind combined with the power of concentration and the virtue of reticence. Many a work has appeared to the world to be the spontaneous creation of transcendent genius, which has, in reality, been conceived, studied, and elaborated during years of silence. Eeticence, concentration, and continuity, are characteristics which cannot influence one part of a man's life without influencing the rest as well. The habit of studying before proceeding is co existent with the necessity of considering before acting ; and a man who is reticent concerning one half of his thoughts is not communicative about the other half. Nature does not do things by halves, and the nerves which animate the gesture at the table are the same which guide the chisel at the work-bench. 174 MARZIO' S CRUCIFIX CHAP, vin Gianbattista understood Marzio's character, and in his mind tried to construct the future out of the pre sent. He endeavoured to follow out what he supposed to be the chiseller's train of thought to its inevitable conclusion, and the more he reflected on the situation the more certain he became that Lucia's hypothesis was untenable. It was not conceivable, under any circumstances whatever, that Marzio should suddenly turn into a gentle, forgiving creature, anxious only for the welfare of others, and willing to sacrifice his own inclinations and schemes to that laudable end. At twelve o'clock, Marzio appeared, cold, silent, and preoccupied. His manner did not encourage the idea entertained by Lucia, though the girl explained it to herself on the ground that her father was ashamed of having yielded so easily, and was unwilling to have it thought that he was too good-natured. There was truth in her idea, and it showed a good deal of com mon sense and appreciation of character. But it was not the whole truth. Marzio not only felt humiliated at having suffered himself to be overcome by his daughter's entreaties ; he regretted it, and wished he could undo what he had done. It was too late, how ever. To change his mind a second time would be to show such weakness as his family had never witnessed in his actions. He ate his food in silence, and the rest of the party CHAP, vin MAKZIO'S CRUCIFIX 175 ventured but few remarks. They inwardly congratu lated themselves upon the favourable issue of the affair, in so far as it could be said to have reached a conclu sion, and they all dreaded equally some fresh outburst of anger, should Marzio's temper be ruffled. Gian- battista himself set the example of discretion. As for the Signora Pandolfi, she had ready in her pocket the money her husband had given her in the morning for the purchase of Lucia's outfit, and she hoped at every moment that Marzio would ask for it, which would have been a sign that he had abandoned the idea of the marriage with Carnesecchi. But Marzio never mentioned the subject. He ate as quickly as he could, swallowed a draught of weak wine and water, and rose from the table without a word. With a significant nod to Maria Luisa and Lucia, Gianbattista left his seat and followed the artist towards the door. Marzio looked round sharply as he heard the steps behind him. " Lucia told me," said the young man simply. " If you wish it, I will come and work." Marzio hesitated a moment, beating his soft felt hat over his arm to remove the dust. " You can go with the men and put up the prince's grating," he said at last. " The right hand side is ready fitted. If you work hard you can finish it be fore night." 1*76 MARZIO'S CRUCIFIX OHAP. VHI " Very well," answered Gianbattista. " I will see to it. I have the keys here. In five minutes I will tome across." Marzio nodded and went out. Gianbattista returned to the room where the women were finishing their dinner. " It is all right," he said. " I am to put up the grating this afternoon. Will you come and see it, Sora Luisa ? " He spoke to the mother, but he included the daughter by his look. " It is very far," objected the Signora Pandolfi, " and we have been walking so much this morning. I think this day will never end ! " " Courage, mamma," said Lucia, " it will do you good to walk. Besides, there is the omnibus. What did he say, Tista ? Am I not right ? " " Who knows ? He is very quiet," replied the apprentice. "What is it? What are you right about, my heart ?" asked Maria Luisa. . " She thinks Sor Marzio has suddenly turned into a sugar doll," answered Gianbattista, with a laugh. "It may be. They say they make sugar out of all sorts of things nowadays." " Capperi ! It would be hard ! " exclaimed Maria Luisa. " If there is enough sugar in him to sweeten a teaspoonful of coffee, write to me/' she added ironi cally. CHAP, vrii MARZIO'S CRUCIFIX 1*77 " Well I shall be at the church in an hour, but it will be time enough if you come at twenty-three o'clock between twenty-two and twenty-three." This means between one hour and two hours before sunset. " The light is good then, for there is a big west window," added Gianbattista in explanation. " We will come before that," said Lucia. " Good bye, Tista, and take care not to catch cold in that damp place." " And you too," he answered, " cover yourselves carefully." With this injunction, and a parting wave of the hand, he left the house, affecting a gay humour he did not really feel. His invitation to the two women to join him in the church had another object besides that of show ing them the magnificent gilded grating which was to be put in place. Gianbattista feared that Marzio had sent him upon this business for the sake of getting him out of the way, and he did not know what might happen in his absence. The artist might perhaps choose that time for going in search of Gasparo Carnesecchi in order to bring him to the house and precipitate the catastrophe which the apprentice still feared, in spite of the last events of the morning. It was not unusual for Maria Luisa and her daughter to accompany him and Marzio when a finished work was to be set up, and Gianbattista knew that there 178 MAKZTO'S CRUCIFIX OHAP. vm could be no reasonable objection to such a pro ceeding. With an anxious heart he left the house and crossed the street to the workshop where the men were already waiting for the carts which were to convey the heavy grating to its destination. The pieces were standing against the walls, wrapped in tow and brown paper, and immense parcels lay tied up upon the benches. It was a great piece of work of the decorative kind, but of the sort for which Marzio cared little. Great brass castings were chiselled and finished according to his designs without his touching them with his hands. Huge twining arabesques of solid metal were prepared in pieces and fitted together with screws that ran easily in the thread, and then were taken apart again. Then came the laborious work of gilding by the mer cury process, smearing every piece very carefully with an amalgam of mercury and gold, and putting it into a gentle, steady fire, until the mercury had evaporated, leaving only the dull gold in an even deposit on the surfaces. Then the finishing, the burnishing of the high lights, and the cleaning of the portions which were to remain dull. Sometimes the gilding of a piece failed, and had to be begun again, and there was end less trouble in saving the gold, as well as in preventing the workmen from stealing the amalgam. It was slow and troublesome work, and Marzio cared little for it. CHAP. Till MAKZIO'S CRUCIFIX 1*79 though his artistic instinct restrained him from allowing it to leave the workshop until it had been perfected to the highest degree. At present the artist stood in the outer room among the wrapped pieces, his pipe in his mouth and his hands in his pockets. A moment after Gianbattista had entered, two carts rolled up to the door and the loading began. " Take the drills and some screws to spare," said Marzio, looking into the bag of tools the foreman had prepared. " One can never tell in these monstrous things." " It will be the first time, if we have to drill a new hole after you have fitted a piece of work, Maestro Marzio," answered the foreman, who had an unlimited admiration for his master's genius and foresight. " Never mind ; do as I tell you. We may all make mistakes in this world," returned the artist, giving utterance to a moral sentiment which did not influence him beyond the precincts of the workshop. The workman obeyed, and added the requisite instruments to the furnishing of his leather bag. " And be careful, Tista," added Marzio, turning to the apprentice. " Look to the sockets in the marble when you place the large pieces. Measure them with your compass, you know ; if they are too loose you have the thin plates of brass to pack them ; if they 180 MARZIO'S CRUCIFIX CHAP, vnr are tight, file away, but finish and smooth it well Don't leave anything rough." Gianbattista nodded as he lent a helping hand to the workmen who were carrying the heavy pieces to the. carts. " Will you come to the church before night ? " he asked. " Perhaps. I cannot tell. I am very busy." In ten minutes the pieces were all piled upon the two vehicles, and Gianbattista strode away on foot with the workmen. He had not thought of changing his dress, and had merely thrown an old overcoat over his grey woollen blouse. For the time, he was an artisan at work. When working hours were over, and on Sundays, he loved to put on the stiff high collar and the checked clothes which suggested the garments of the English tourist. He was then a different person, and, in accordance with the change, he would smoke a cigarette and pull his cuffs over his hands, like a real gentleman, adjusting thje angle of his hat from time to time, and glancing at his reflection in the shop windows as he passed along. But work was work ; it was a pity to spoil good clothes with handling tools and castings, and jostling against the men, and, more over, the change affected his nature. He could not handle a hammer or a chisel when he felt like a real gentleman, and when he felt like an artisan he must OH1.P. VIII MARZIO'S CRUCIFIX 181 enjoy the liberty of being able to tuck up his sleeves and work with a will. At the present moment, too, he was proud of being in sole charge of the work, and he could not help thinking what a fine thing it would be to be married to Lucia and to be the master of the workshop. With the sanguine enthusiasm of a very young man who loves his occupation, he put his whole soul into what he was to do, assured that every skilful stroke of the hammer, every difficulty overcome, brought him nearer to the woman he loved. Marzio entered the inner studio when Gianbattista was gone, leaving a boy who was learning to cut little files the preliminary to the chiseller's profession in charge of the outer workshop. The artist shut himself in and bolted the door, glad to be alone with the pros pect of not being disturbed during the whole afternoon. He seemed not to hesitate about the work he intended to do, for he immediately took in hand the crucifix, laid it upon the table, and began to study it, using a lens from time to time as he scrutinised each detail. His rough hair fell forward over his forehead, and his shoulders rounded themselves till he looked almost deformed. He had suffered very strong emotions during the last twenty-four hours enough to have destroyed the steadiness of an ordinary man's hand ; but with Marzio manual skill was the first habit of nature, and it would 182 MARZIO'S CRUCIFIX . CHAP, vin have been hard to find a mental impression which could shake his physical nerves. Hie mind, however, worked rapidly and almost fiercely, while his eyes searched the minute lines of the work he was ex amining. Uppermost in his thoughts was a confused sense of humiliation and of exasperation against his brother. The anger he felt had nearly been expressed in a murderous deed not more than two or three hours earlier, and the wish to strike was still present in his mind. He twisted his lips into an ugly smile as he recalled the scene in every detail ; but the determina tion was different from the reality and more in accord ance with his feelings. He realised again that moment during which he had held the sharp instrument over his brother's head, and the thought which had then passed so rapidly through his brain recurred again with in creased clearness. He remembered that beneath the iron-bound box in the corner there was a trap- door which descended to the unused cellar, for his work shop had in former times been a wine-shop, and he had hired the cellar with it. One sharp blow would have done the business. A few quick movements and Paolo's body would have been thrown down the dark steps beneath, the trap closed again, the safe replaced in its position. It was eleven o'clock then, or there abouts. He would have sent the workmen to their CHAP. VIII MARZIO'S CRUCIFIX 183 dinner, and would have returned to the inner studio. They would have supposed afterwards that Don Paolo had left the place with him. He would have gone home and would have said that Paolo had left him or, no he would have said that Paolo had not been there, for some one might see him leave the workshop alone. In the night he would have returned, his family thinking he had gone to meet his friends, as he often did. When the streets were quiet he weuld have carried the body away upon the handcart that stood in the entry of the outer room. It was not far scarcely three hundred yards, allowing for the turnings to the place where the Via Montella ends in a mud bank by the dark river. A deserted neighbourhood, too a turn to the left, the low trees of the Piazza de* Branca, the dark, short, straight street to the water. At one o'clock after midnight who was stirring ? It would all have been so simple, so terribly effectual. And then there would have been no more Paolo, no more domestic annoyances, no more of the priest's smooth-faced disapprobation and perpetual opposi tion in the house. He would have soon brought Maria Luisa and Lucia to reason. What could they do without the support of Paolo ? They were only women after all. As for Gianbattista, if once the poisonous influence of Paolo were removed and how 184 MARZIO'S CRUCIFIX CHAP, vni surely removed ! Marzio's lips twisted as though he were tasting the sourness of failure, like an acid fruit if once the priest were gone, Gianbattista would come back to his old ways, to his old scorn of priests in general, of churches, of oppression, of everything that Marzio hated. He might marry Lucia then, and be welcome. After all, he was a finer fellow for the pretty girl than Gasparo Carnesecchi, with his claw fingers and his vinegar salad. That was only a farce, that proposal about the lawyer the real thing was to get rid of Paolo. There could be no healthy liberty of thought in the house while this fellow was sneaking in and out at all hours. Tumble Paolo into a quiet grave into the river with a sackful of old castings at his neck there would be peace then, and freedom. Marzio ground his teeth as he thought how nearly he had done the thing, and how miserably he had failed. It had been the inspiration of the moment, and the details had appeared clear at once to his mind. Going over them he found that he had not been mistaken. If Paolo came again, and he had the chance, he would do it. It was perhaps all the better that he had found time to weigh the matter. But would Paolo come again ? Would he ever trust himself alone in the workshop ? Had he guessed, when he turned so suddenly and saw the weapon in the air, that the blow was on the very point of descending ? OHAP. vin MARZIO'S CRUCIFIX 185 Or had he been deceived by the clumsy excuse Marzio had made about the sun shining in his eyes ? He had remained calm, or Marzio tried to think so. But the artist himself had been so much moved during the minutes that followed that he could hardly feel sure of Paolo's behaviour. It was a chilling thought, that Paolo might have understood and might have gone away feeling that his life had been saved almost by a miracle. He would not come back, the cunning priest, in that case ; he would not risk his precious skin in such company. It was not to be expected a priest was only human, after all, like any other man. Marzio cursed his ill luck again as he bent over his work. What a moment this would be if Paolo would take it into his head to make another visit ! Even the men were gone. He would send the one boy who remained to the church where Gianbattista was work- ing, with a message. They would be alone then, he and Paolo. The priest might scream and call for help the thick walls would not let any sound through them. It would be even better than in the morning, when he had lost his opportunity by a moment, by the twinkling of an eye. "They say hell is paved with good intentions or lost opportunities," muttered Marzio. " I will send Paolo with the next opportunity to help in the paving." 186 MARZIO'S CRUCIFIX CHAP, vin He laughed softly at his grim joke, and bent lower over the crucifix. By this time he had determined what to do, for his reflections had not interfered with his occupation. Removing two tiny silver screws which fitted with the utmost exactness in the threads, he loosened the figure from the cross, removed the latter to a shelf on the wall, and returning laid the statue on a soft leathern pad, surrounding it with sand-bags till it was propped securely in the position he required. Then he took a very small chisel, ad justed it with the greatest care, and tapped upon it with the round wooden handle of his little hammer. At each touch he examined the surface with his lens to assure himself that he was making the improve ment he contemplated. It was very delicate work, and as he did it he felt a certain pride in the reflec tion that he could not have detected the place where improvement was possible when he had worked upon the piece ten years ago. He found it now, in the infinitesimal touches upon the expression of the face, in the minute increase in the depressions and accentu ated lines in the anatomy of the figure. As he went over each portion he became more and more certain that though he could not at present do better in the way of idea and general execution, he had nevertheless gained in subtle knowledge of effects and in skill of handling the chisel upon very delicate points. The CHAP. Tin MAKZIO'S CRUCIFIX 187 certainty gave him the real satisfaction of legitimate pride. He knew that he had reached the zenith of his capacities. His old wish to keep the crucifix for himself began to return. If he disposed of Paolo he might keep his work. Only Paolo had seen it. The absurd want of logic in the conclusion did not strike him. He had not pledged himself to his brother to give this particular crucifix to the Cardinal, and if he had, he could easily have found a reason for keeping it back. But he was too much accustomed to think that Paolo was always in the way of his wishes, to look at so simple a matter in such a simple light. " It is strange," he said to himself. " The smallest things seem to point to it. If he would only come ! " Again his mind returned to the contemplation of the deed, and again he reviewed all the circumstances necessary for its safe execution. What an inspiration, he thought, and what a pity it had not found shape in fact at the very moment when it had presented itself ! He considered why he had never thought of it before, in all the years, as a means of freeing himself effect ually from the despotism he detested. It was a despotism, he reflected, and no other word expressed it. He recalled many scenes in his home, in which Paolo had interfered. He remembered how one Sun day, in the afternoon, they had all been together before 188 MARZIO'S CRUCIFIX CHAP, vin going to walk in the Corso, and how he had undertaken to demonstrate to Maria Luisa and Lucia the folly of wasting time in going to church on Sundays. He had argued gently and reasonably, he thought. But sud denly Paolo had interrupted him, saying that he would not allow Marzio to compare a church to a circus, nor priests to mountebanks and tight-rope dancers. "Why not ? Then the women had begun to scream and cry, and to talk of his blasphemous language until he could not hear himself speak. It was Paolo's fault. If Paolo had not been there the women would have listened patiently enough, and would doubtless have reaped some good from his reasonable discourse. On another occasion Marzio had declared that Lucia should never be taught anything about Christianity, that the defini tion of God was reason, that Garibaldi had baptized one child in the name of Eeason and that he, Marzio, could baptize another quite as effectually. Paolo had interfered, and Maria Luisa had screamed. The con test had lasted nearly a month, at the end of which time, Marzio had been obliged to abandon the uneven contest, vowing vengeance in some shape for the future. Many and many such scenes rose to his memory, and in every one Paolo was the opposer, the enemy of his peace, the champion of all that he hated and despised. In great things and small his brother had been his antagonist from his early manhood, through OHAP. vin MAEZIO'S CRUCIFIX 189 eighteen years of married life to the present day. And yet, without Paolo, he could hardly have hoped to find himself in his present state of fortune. This was one of the chief sources of his humiliation in his own eyes. With such a character as his, it is eminently true that it is harder to forgive a benefit than an injury. He might have felt less bitterly against his brother if he had not received at Ms hands the orders and commissions which had turned into solid money in the bank. It was hard to face Paolo, know ing that he owed two-thirds of his fortune to such a source. If he could get rid of the priest he would be relieved at once from the burden of this annoy ance, of this financial subjection, as well of all that embittered his life. He pictured to himself his wife and daughter listening respectfully to his harangues and beginning to practise his principles, Gianbattista, an eloquent member of the society in the inner room of the old inn, reformed, purged from his sneaking fondness for Paolo since Paolo would not be in the world any longer and ultimately married to Lucia, the father of children who should all be baptized in the name of Reason, and the worthy successor of himself, Marzio Pandolfi. Scrutinising the statue under his lens, lie detected a slight imperfection in the place where one of the sharp thorns touched the silver forehead of the beauti- 190 MARZIO'S CRUCIFIX CHAP. Tin ful, turtured head. He looked about for a tool fine enough for the work, but none suited his wants. He took up the long fine-pointed punch he had thrown back upon the table after the scene in the morning. It was too long, and over sharp, but by turning it sideways it would do the work under his dexterous fingers. " Strange ! " he muttered, as he tapped upon the tool. " It is like a consecration ! " When he had made the stroke he dropped the instrument into the pocket of his blouse, as though fearing to lose it. He had no occasion to use it again, though he went on with his work during several hours. The thoughts which had passed through his brain recurred, and did not diminish in clearness. On the contrary, it was as though the passing impulse of the morning had grown during those short hours into a settled and unchangeable resolution. Once he rose from his stool, and going to the corner, dragged away the iron-bound safe from its place. A rusty ring lay flat in a little hollow in the surface of the trap-door. Marzio bent over it with a pale face and gleaming eyes. It seemed to him as though, if he looked round, he should see Paolo's body lying on the floor, ready to be dropped into the space below. He raised the wood and set the trap back against the wall, peering down CHAP, viii MAKZTO'S CRUCIFIX 191 into the black depths. A damp smell came up to his nostrils from the moist staircase. He struck a match, and held it into the opening, to see in what direction the stairs led down. Something moved behind him and made a little noise. With a short cry of horror Marzio sprang back from the opening and looked round. It was as though the body of the murdered man had stirred upon the floor. His overstrained imagination terrified him, and his eyes started from his head. He examined the bench and saw the cause of the sound in a moment The silver Christ, unsteadily propped in the position in which he had just placed it, had fallen upon one side of the pad by its own weight. Marzio's heart still beat desperately as he went back to the hole and carefully reclosed the trap-door, dragging the heavy safe to its position over the ring. Trembling violently, he sat down upon his stool and wiped the cold perspiration from his forehead. Then, as he laid the figure upon the cushion, he glanced uneasily behind him and at the corner. CHAPTER IX WHEN Don Paolo had shut the door of the studio and found himself once more in the open street, he felt a strangely unpleasant sensation about the heart, and for a few moments he was very pale. He had suffered a shock, and in spite of his best efforts to explain away what had occurred, he knew that he had been in danger. Any one who, being him self defenceless, has suddenly seen a pistol pointed at him in earnest, or a sharp weapon raised in the air to strike him, knows the feeling well enough. Probably he has afterwards tried to reason upon what he felt in that moment, and has failed to come to any conclusion except the very simple one, that he was badly fright ened. Hector was no coward, but he let Achilles chase him three times round Troy before he could make up his mind to stand and fight, and but for Athena he might have run even further. And yet Hector was armed at all points for battle. He was badly frightened, brave man as he was. But when the first impression was gone, and Paolo CHAP, ix MARZIO'S CRUCIFIX 193 was walking quickly in the direction of the palace where the Cardinal lived, he stoutly denied to him self that Marzio had meant to harm him. In the first place, he could find no adequate reason for such an attempt upon his life. It was true that his relations with his brother had not heen very amicable for some time ; but between quarrelling and doing murder, Paolo saw a gulf too wide to be easily overstepped, even by such a person as Marzio. Then, too, the good man was unwilling to suspect any one of bad intentions, still less of meditating a crime. This con sideration, however, was not, logically speaking, in Marzio' s favour; for since Paolo was less suspicious than other men, it must necessarily have needed a severe shock to shake his faith in his brother's inno cence. He had seen the weapon in the air, and had seen also the murderous look in the artist's eyes. " I had better not think anything more about it," he said to himself, fearing lest he should think any thing unjust. - So he went on his way towards the palace, and tried to think about Gianbattista and Lucia, their mar riage and their future life. The two young faces came up before him as he walked, and he smiled calmly, forgetting what he had so recently passed through, in the pleasant contemplation of a happiness not his own. He reached his rooms, high up at the top of the ancient VoL 6 I 194 MARZIO'S CEUCIFIX CHAP, ix building, and he sighed with a sense of relief as he sat down upon the battered old chair before his writing- table. Presently the Cardinal sent for him. Don Paolo rose and carefully brushed the dust from his cassock and mantle, and smoothed the long silk nap of his hat. He was a very neat man and scrupulous as to his appearance. Moreover, he regarded the Cardinal with a certain awe, as being far removed beyond the sphere of ordinary humanity; even though he had known him intimately for years. This idea of the great importance of the princes of the Church is inherent in the Eoman mind. There is no particular reason why it should be eradicated, since it exists, and does no harm to any one, but it is a singular fact and worthy of remark. It is one of those many relics of old times, which no amount of outward change has been able to obliterate. A cardinal in Eome occupies a position wholly distinct from that of any other dignitary or hereditary noble. It is not so elsewhere, except perhaps in some parts of the south. The Piedmontese scoffs at cardinals, because he scoffs at the church and at all religion in general. The Florentine shrugs his shoulders because cardinals represent Eome, and Eome, with all that is in it, is hateful to Florence, and always was. But the true Eoman, even when he has adopted the ideas of the new school, still feels an unaccountable reverence CHAP. IX MARZIO'S CRUCIFIX 195 for the scarlet mantle. There is a dignity often, now, very far from magnificent about the household of a cardinal, which is not found elsewhere. The servants are more grave and tread more softly, the rooms are darker and more severe, the atmosphere is more still and the silence more intense, than in the houses of lay princes. A man feels in the very air the presence of a far-reaching power, noiselessly working to produce great results. Don Paolo descended the stairs and entered the apartments through the usual green baize door, which swung upon its hinges by its own weight behind him. He passed through several large halls, scantily and sombrely furnished, in the last of which stood the throne chair, turned to the wall, beneath a red canopy. Beyond this great reception -chamber, and communi cating with it by a low masked door, was the Cardinal's study, a small room, very high and lighted by a single tall window which opened upon an inner court of the palace. The furniture was very simple, consisting of a large writing-table, a few high-backed chairs, and the Cardinal's own easy-chair, covered with dingy leather and well worn by use. On the dark green walls hung two engravings, one a portrait of Pius IX., the other a likeness of Leo XIII. The Cardinal himself sat in the arm-chair, holding a news paper spread out upon his knees. 196 MARZIO'S CRUCIFIX OHAP. ix " Good-day, Don Paolo," he said, in a pleasant, but not very musical voice. His Eminence was a man about sixty years of age, hale and strong in appearance, but below the middle height and somewhat inclining to stoutness. His face was round, and the complexion very clear, which, with his small and bright brown eyes, gave him a look of cheerful vitality. Short white hair fringed his head where it was not covered by the small scarlet skull-cap. He wore a purple cassock with scarlet buttons and a scarlet silk mantle, which fell in graceful folds over one arm of the chair. " Good-day, Eminence," answered Don Paolo, touch ing the great ruby ring with his lips. Then, in obedience to a gesture, the priest sat down upon one of the high-backed chairs. " What weather have we to-day ?" asked the Cardinal after a pause. " Scirocco, Eminence." "Ah, I thought so especially this morning, very early. It is very disagreeable. Since Padre Secchi found that the scirocco really brings the sand of the desert with it, I dislike it more than ever. And what have you been doing, Don Paolo ? Have you been to see about the crucifix ?" " I spoke to my brother about it last night, Emin ence. He said he would do his best to make it in the CHAP. IX MARZIO'S CRUCIFIX 197 time, but that he would have preferred to have a little longer." " He is a good artist, your brother," said the Cardinal, nodding his head slowly and joining his hands, while the newspaper slipped to the floor. "A good artist," repeated Don Paolo, stooping to pick up the sheet. " I have just seen his best work a crucifix such as your Eminence wishes. Indeed, he proposed that you should take it, for he says he can make nothing better." " Let us see, let us see," answered the prelate, in a tone which showed that lie did not altogether like the proposal. " You say he has it already made. Tell me, has your brother much work to do just now ?" " Not much, Eminence. He has just finished the grating of a chapel for some church or other. I think I saw a silver ewer begun upon his table." " I thought that perhaps he had not time for my crucifix." " But he is an artist, my brother ! cried the priest, who resented the idea that Marzio might wish to palm off an ill-made object in order to save time. " He is a good artist, he loves the work, he always does his best ! When he says he can do nothing better than what he has already finished, I believe him." " So much the better," replied the Cardinal. " But we must see the work before deciding. You seem to 198 MARZIO'S CRUCIFIX CHAP, ix have great faith in your brother's good intentions, Don Paolo. Is it not true ? Dear me ! You were almost angry with me for suggesting that he might be too busy to undertake my commission." " Angry ! I angry ? Your Eminence is unjust. Marzio puts much conscience into his work. That is all." " Ah, he is a man of conscience ? I did not know. Bat, being your brother, he should be, Don Paolo." The prelate's bright brown eyes twinkled. Paolo was silent, though he bowed his head in acknowledgment of the indirect praise. " You do not say anything," observed the Cardinal, looking at his secretary with a smile. " He is a man of convictions," answered Paolo, at last. " That is better than nothing, better than being lukewarm. ' Because thou art lukewarm,' you know the rest." " Incipiam te evomere" replied the priest mechani cally. " Marzio is not lukewarm." " Prigidusne ?" asked the Cardinal. " Hardly that." " An calidus ?" "Not very, Eminence. That is, not exactly." " But then, in heaven's name, what is he ?" laughed the prelate. " If he is not cold, nor hot, nor luke- CHAP, ix MARZIO'S CRUCIFIX 199 warm, what is he ? He interests me. He is a singu lar case." " He is a man who has his opinions," answered Don Paolo. " What shall I say ? He is so good an artist that he is a little crazy about other things." " His opinions are not ours, I suppose. I have sometimes thought as much from the way you speak of him. Well, well he is not old ; his opinions will change. You are very much attached to your brother, Don Paolo, are you not ?" "We are brothers, Eminence." " So were Cain and Abel, if I am not mistaken," observed the Cardinal. Paolo looked about the room uneasily. "I only mean to say," continued the pre late, " that men may be brothers and yet not love each other." " Come si f& ? What can one do about it ? " ejacu lated Paolo. "You must try and influence him. You must do your best to make him change his views. You must make an effort to bring him to a better state of mind." " Eh ! I know," answered the priest. "I do my best, but I do not succeed. He thinks I interfere. I am not San Filippo Neri. Why should I conceal the matter ? Marzio is not a bad man, but he is crazy about what he calls politics. He believes in a new state of things. He thinks that everything is bad and 200 MARZIO'S CRUCIFIX CHAP, ix ought to be destroyed. Then he and his friends would build up the ideal state." " There would soon be nothing but equality to eat -fried, roast and boiled. I have heard that there are socialists even here in Eome. I cannot imagine what they want." " They want to divide the wealth of the country among themselves," answered Don Paolo. " What strange ideas men have !" " To divide the wealth of the country they have only to subtract a paper currency from an inflated national debt. There would be more unrighteousness than mammon left after such a proceeding. It reminds me of a story I heard last year. A deputation of socialists waited upon a high personage in Vienna. Who knows what for ? But they went. They told him that it was his duty to divide his wealth amongst the inhabitants of the city. And he said they were quite right. ' Look here/ said he, ' I possess about seven hundred thousand florins. It chances that Vienna has about seven hundred thousand inhabitants. Here, you have each one florin. It is your share. Good-morning.' You see he was quite just. So, per haps, if your brother had his way, and destroyed everything, and divided the proceeds equally, he would have less afterwards than he had before. What do you think ?" CHAP. IX MAKZIO'S CRUCIFIX 201 " It is quite true, Eminence. But I am afraid he will never understand that. He has very unchange able opinions." " They will change all the more suddenly when he is tired of them. Those ideas are morbid, like the ravings of a man in a fever. When the fever has worn itself out, there comes a great sense of lassitude, and a desire for peace." " Provided it ever really does wear itself out," said Don Paolo, sadly. " Eh ! it will, some day. With such political ideas, I suppose your brother is an atheist, is he not ?" " I hope he believes in something/' replied the priest evasively. " And yet he makes a good living by manufactur ing vessels for the service of the Church," continued the Cardinal, with a smile. "Why did you never tell me about your brother's peculiar views, Don Paolo?" " Why should I trouble you with such matters ? I am sorry I have said so much, for no one can under stand exactly what Marzio is, who does not know him. It is an injury to him to let your Eminence know that he is a freethinker. And yet he is not a bad man, I believe. He has no vices that I know of, except a sharp tongue. He is sober and works hard. That is much in these days. Though he is mistaken, he will 202 MARZIO'S CRUCIFIX CHAP, ix doubtless come to his senses, as you say. I do not hate him. I would not injure him." " Why do you think it can harm him to let me know about him ? Do you think that I, or others, would not employ him if we knew all about him ? " " It would seem natural that your Eminence should hesitate to do so." " Let us see, Don Paolo. There are some bad priests in the world, I suppose ; are there not ? " " It is to be feared " " Yes, there are. There are bad priests in all forms of religion. Yet they say mass. Of course, very often the people know that they are bad. Do you think that the mass is less efficacious for the salvation of those who attend it, provided that they themselves pray with the same earnestness ? " " No ; certainly not. For otherwise it would be necessary that the people should ascertain whether the priest is in a state of grace every time he cele brates ; and since their salvation would then depend upon that, they would be committing a sin if they did not examine the relative morality of different priests and select the most saintly one." "Well then, so much the more is it indifferent whether the inanimate vessels we use are chiselled by a saint or an unbeliever. Their use sanctifies them, not the moral goodness of the artist. For, by your own CHAP, ix MARZIO'S CRUCIFIX 203 argument, we should otherwise be committing a sin if we did not find out the most saintly men and set them to silver -chiselling instead of ordaining them bishops and archbishops. It would take a long time to build a church if you only employed masons who were in a state of grace." "Well, but would you not prefer that the artist should be a good man ? " "For his own sake, Don Paolo, for his own sake. The thing he makes is not at all less worthy if he is bad. Are there not in many of our churches pillars that stood in Eoman temples ? Is not the canopy over the high altar in Saint Peter's made of the bronze roof of the Pantheon ? And besides, what is goodness ? We are all bad, but some are worse than others. It is not our business to judge, or to distribute com missions for works of art to those whom we think the best among men, as one gives medals and prizes to industrious and well-behaved children." "That is very clear, and very true," answered the priest. He did not really want to discuss the question of Marzio's belief or unbelief. Perhaps, if he had not been disturbed in mind by the events of the morning he would have avoided the subject, as he had often done before when the Cardinal had questioned him. But to-day he was not quite himself, and being unable 204 MARZIO'S CRUCIFIX CHAP, ix to tell a falsehood of any kind he had spoken more of the truth than he had wished. He felt that he had perhaps been unjust to his brother. He looked ill at ease, and the Cardinal noticed it, for he was a kindly man and very fond of his secretary. "You must not let the matter trouble you," said the prelate, after a pause. " I am an inquisitive old man, as you know, and I like to be acquainted with my friends' affairs. But I am afraid I have annoyed you " " Oh ! Your Eminence could never " " Never intentionally," interrupted the Cardinal " But it is human to err, and it is especially human to bore one's fellow-creatures with inquisitive questions. We all have our troubles, Don Paolo, and I am yours. Some day, perhaps, you will be a cardinal yourself who knows ? I hope so. And then you will have an excellent secretary, who will be much too good, even for you, and whom you can torture by the hour together with inquiries about his relations. Well, if it is only for your sake, Sor Marzio shall never have any fewer commissions, even if he turn out more in earnest with his socialism than most of those fellows." "You are too kind," said Paolo simply. He was very grateful for the kindly words, for he knew that they were meant and not said merely in jest. The idea that he had perhaps injured Marzio in CHAP. TX MABZIO'S CRUCIFIX 205 the Cardinal's estimation was very painful to him, in spite of what he had felt that morning. Moreover, the prelate's plain, common -sense view of the case reassured him, and removed a doubt that had long ago disturbed his peace of mind. On reflection it seemed true enough, and altogether reasonable, but Paolo knew in his heart what a sensation of repulsion, not to say loathing, he would experience if he should ever be called upon to use in the sacred services a vessel of his brother's making. The thought that those long, cruel fingers of Marzio's ' had hammered and worked out the delicate design would pursue him and disturb his thoughts. The sound of Marzio's voice, mocking at all the priest held holy, would be in his ears and would mingle with the very words of the canon. But then, provided that he himself were not obliged to use his brother's chalices, what could it matter ? The Cardinal did not know the artist, and whatever picture he might make to himself of the man would be shadowy and indistinct. The feeling, then, was his own and quite personal. It would be the height of superstitious folly to suppose that any evil principle could be attached to the silver and gold because they were chiselled by impious hands. A simple matter this, but one which had many a time distressed Don Paolo. There was a long pause after the priest's last words, 206 MARZIO'S CRUCIFIX CHAP, ix during which the prelate looked at him from time to time, examined his own white hands, and turned his great ruby ring round his finger. " Let us go to work," he said at length, as though dismissing the subject of the conversation from his mind. Paolo fetched a large portfolio of papers and estab lished himself at the writing-table, while the Cardinal examined the documents one by one, and dictated what he had to say about them to his secretary. During two hours or more the two men remained steadily at their task. When the last paper was read and the last note upon it written out, the Cardinal rose from his arm-chair and went to the window. There was no sound in the room but that of the sand rattling upon the stiff surface, as Paolo poured it over the wet ink in the old-fashioned way, shook it about and returned it to the little sandbox by the inkstand. Suddenly the old churchman turned round and faced the priest. " One of these days, when you and I are asleep out there at San Lorenzo, there will be a fight, my friend," he said. " About what, Eminence ? " asked the other. "About silver chalices, perhaps. About many things. It will be a great fight, such as the world has never seen before." " I do not understand/' said Don Paolo. CHAP. IX MARZIO'S CKUCIFIX 207 "Your brother represents an idea," answered the Cardinal. "That idea is the subversion of all social principle. It is an idea which must spread, because there is an enormous number of depraved men in the world who have a very great interest in the destruction of law. The watchword of that party will always be ' there is no God/ because God is order, and they desire disorder. They will, it is true, always be a minority, because the greater part of mankind are determined that order shall not be destroyed. But those fellows will fight to the death, because they know that in that battle there will be no quarter for the vanquished. It will be a mighty struggle and will last long, but it will be decisive, and will perhaps never be revived when it is once over. Men will kill each other where- ever they meet, during months and years, before the end comes, for all men who say that there is a God in Heaven will be upon the one side, and all those who say there is no God will be upon the other." " May we not be alive to see anything so dreadful!" exclaimed Don Paolo devoutly. "No, you and I shall not see it. But those little children who are playing with chestnuts down there in the court they will see it. The world is uneasy and dreads the very name of war, lest war should become universal if it once breaks out. Tell your brother that." 208 MARZIO'S CRUCIFIX CHAP, ix " It is what he longs for. He is always speaking of it." " Then it is inevitable. When many millions like him have determined that there shall be evil done, it cannot long be warded off. Their blood be on their own heads." When Don Paolo had climbed again to his lonely lodging, half an hour later, he pondered long upon what the Cardinal had said to him, and the longer he thought of it, the more truth there seemed to be in the prediction. CHAPTEK X GIANBATTISTA reached the church in which he was to do his work, and superintended the unloading of the carts. It was but a little after one o'clock, and he expected to succeed in putting up the grating before night. The pieces were carefully carried to the chapel where they were to be placed, and laid down in the order in which they would be needed. It took a long time to arrange them, and the apprentice was glad he had advised Maria Luisa and Lucia to come late. It would have wearied them, he reflected, to assist at the endless fitting and screwing of the joints, and they would have had no impression of the whole until they were tired of looking at the details. For hours he laboured with the men, not allowing anything to be done without his supervision, and doing more himself than any of the workmen. He grew hot and interested as the time went on, and he began to doubt whether the work could be finished before sunset. The workmen themselves, who preferred a job of this kind to the regular occupation of the studio, seemed in 210 MARZIO'S CRUCIFIX CHAP, x no hurry, though they did what was expected of them quietly and methodically. Each one of them was calculating, as nearly as possible, the length of time needed to drive a screw, to lift a piece into position, to finish off a shank till it fitted closely in the prepared socket. Half an hour wasted by driblets to-day, would ensure them for the morrow the diversion of an hour or two in coming to the church and returning from it. From time to time Gianbattista glanced towards the door, and as the hours advanced his look took the same direction more often. At last, as the rays of the evening sun fell through the western window, he heard steps, and was presently rewarded by the appearance of the Signora Pandolfi, followed closely by Lucia. They greeted Gianbattista from a distance, for the church being under repairs was closed to the public, and had not been in use for years, so that the sound of voices did not seem unnatural nor irreverent. " It is not finished," said Gianbattista, coming for ward to meet them ; " but you can see what it will be like. Another hour will be enough." At that moment Don Paolo suddenly appeared, walking fast up the aisle in pursuit of the two women. They all greeted him with an exclamation of surprise. " Eh ! " he exclaimed, " you are astonished to see me ? I was passing and saw you go in, and as I knew CHAP, x MARZIO'S CRUCIFIX 211 about the grating, I guessed what you came for and followed you. Is Marzio here ? " " No," answered Gianbattista. " He said he might perhaps come, but I doubt it. I fancy he wants to be alone." " Yes," replied Don Paolo thoughtfully, " I daresay he wants to be alone." " He has had a good many emotions to-day," re marked Gianbattista. " We shall see how he will be this evening. Of course, you have heard the news, Don Paolo ? Besides, you see I am at work, so that the first great difference has been settled. Lucia managed it she has an eloquence, that young lady ! She could preach better than you, Don Paolo." " She is a little angel," exclaimed the priest, tapping his niece's dark cheek with his white hand. " That is four to-day ! " cried Lucia, laughing. " First mamma, then papa figure to yourself papa ! then Tista, and now Uncle Paolo. Eh ! if the wings don't grow before the Ave Maria " She broke off with a pretty motion of her shoulders, showing her white teeth and turning to look at Gian battista, Then the young man took them to see the grating. A good portion of it was put up, and it pro duced a good effect. The whole thing was about ten or twelve feet high, consisting of widely-set gilt bare, between which were fastened large arabesques and 212 MARZIO'S CRUCIFIX CHAP, x scrolls. On each side of the gate, in the middle, an angel supported a metal drapery, of which the folds were in reality of separate pieces, but which, as it now appeared, all screwed together in its place, had a very free and light effect. It was work of a conventional kind and of a conventional school, but even here Marzio's great talent had shown itself in his rare knowledge of effects and free modelling ; the high lights were carefully chosen and followed out, and the deep shadows of the folds in dull gold gave a richness to the drapery not often found in this species of decora tion. The figures of the angels, too, were done by an artist's hand conventional, like the rest, but free from heaviness or anatomical defects. e CHAP. XI MARZIO'S CRUCIFIX 247 feared, since there would have been no evil. Let him die, if he was dying ! But that was not all either. What would it be when Paolo should be dead ? Well, he had his ideas, of course. They were mistaken ideas. Were they ? Perhaps, who could tell ? But he was not a bad man, this Paolo. He had never tried to wring money out of Marzio, as some people did. On the contrary, Marzio still felt a sense of humiliation when he thought how much he owed to the kindness of this man, his brother, lying here injured to death, and powerless to help him self or to save himself. Powerless ? yes utterly so. How ^asy it would be, after all, to press a pillow on the unconscious face. There would probably not even be a struggle. Who should save him, or who could know of it ? And yet Marzio did not want to do it, as he had wished to a few hours ago. As he looked down on the pale head he realised that he did not want Paolo to die. Standing on the sharp edge of the precipice where life ends and breaks off, close upon the unfathomable depths of eternity, himself firmly standing and fearing no fall, but seeing his brother slipping over the brink, he would put out his hand to save him, to draw him back. He would not have Paolo die. He gazed upon the calm features, and he knew that he feared lest they should be still for ever. The breath came more softly, more and more faintly, Marzio 248 MARZIO'S CRUCIFIX CHAP, xi thought. He bent down low and tried to feel the warm air as it issued from the lips. His fears grew to terror as the life seemed to ebb away from the white face. In the agony of his apprehension, Marzio inadvertently laid his hand upon the injured shoulder, unconsciously pressing his weight upon the place. With a faint sigh the priest's eyes opened and seemed to gaze for a moment on the crucifix standing in the bright light of the lamp. An expression of wonderful gentleness and calm overspread the refined features. " Qui propter nos Jiomines et propter nostram salutem descendit de coelis" The words came faintly from the dying man's lips, the last syllables scarcely audible in the intense still ness. A deathly pallor crept quickly over the smooth forehead and thin cheeks. Marzio looked for one instant more, and then with a loud cry fell upon his knees by the bedside, his long arms extended across his brother's body. The strong hot tears fell upon the bed coverings, and his breast heaved with passionate sobbing. He did not see that Paolo opened his eyes at the sound. He did not notice the rush of feet in the passage without, as Maria Luisa and Lucia and Gian- battista ran to the door, followed by old Assunta holding up her apron to her eyes. CHAP. XI MARZIO'S CRUCIFIX 249 " Courage, Sor Marzio," said Gianbattista, drawing the artist back from the bed. " You will disturb him. Do you not see that he is conscious at last ?" Lucia was arranging the pillows under Paolo's head, and Maria Luisa was crying with joy. Marzio sprang to his feet and stared as though he could not believe what he saw. Paolo turned his head and looked kindly at his brother. " Courage, Marzio," he said, " I have been asleep, I believe what has happened to me ? Why are you all crying ? " Marzio's tears broke out again, mingled with incoher ent words of joy. In his sudden happiness he clasped the two persons nearest to him, and hugged them and kissed them. These two chanced to be Lucia and Gianbattista. Paolo smiled, but the effort of speaking had tired him. "Well," said Marzio at last, with a kinder smile than had been on his face for many a day "very well, children. For Paolo's sake you shall have your own way." Half an hour later the surgeon made his visit and assured them all that there was no serious injury, nor any further danger to be feared. The patient had been very badly stunned, that was all. Marzio re mained by his brother's side. " You see, Tista," said Lucia when they were in the 250 MARZIO'S CRUCIFIX CHAP, xi sitting-room, " I was quite right about the crucifix and the rest." " Of course," assented the Signora Pandolfi, though she did not understand the allusion in the least. " Of course you are all of you right. But what a day this has been, cari miei ! What a day ! Dear, dear I" She spread out her fat hands upon her knees, looking the picture of solid contentment. THE ENT> ZOROASTER TO I DEDICATE THIS DRAMA ZOROASTER. CHAPTER I. THE hall of the banquets was made ready for the feast in the palace of Babylon. That night Belshaz- zar the king would drink wine with a thousand of his lords, and be merry before them ; and everything was made ready. From end to end of the mighty nave, the tables of wood, overlaid with gold and silver, stood spread with those things which the heart of man can desire ; with cups of gold and of glass and of jade ; with great dishes heaped high with rare fruits and rarer flowers ; and over all, the last purple rays of the great southern sun came floating through the open colonnades of the porch, glancing on the polished marbles, tingeing with a softer hue the smooth red plaster of the walls, and lingering lovingly on the golden features and the red- gold draperies of the vast statue that sat on high and overlooked the scene. On his head the head-dress of thrice royal suprem acy, in his right hand and his left the sceptre of power and the winged wheel of immortality and life, beneath his feet the bowed necks of prostrate cap tives ; so sat the kingly presence of great Nebu- 2 ZOROASTER. chadnezzar, as waiting to see what should come to pass upon his son ; and the perfume of the flowers and the fruits and the rich wine came up to his mighty nostrils, and he seemed to smile there in th& evening sunlight, half in satisfaction, half in scorn. On each side of the great building, in the aisles and wings, among the polished pillars of marble thronged the serving-men, bearing ever fresh spices and flowers and fruits, wherewith to deck the feast, whispering together in a dozen Indian, Persian and Egyptian dialects, or in the rich speech of those nobler captives whose pale faces and eagle eyes stood forth everywhere in strong contrast with the coarser features and duskier skins of their fellows in servi tude, the race not born to dominate, but born to endure even to the end. These all mingled together in the strange and broken reflections of the evening light, and here and there the purple dye of the sun tinged the white tunic of some poor slave to as fair a colour as a king's son might wear. On this side and on that of the tables that were spread for the feast, stood great candlesticks, as tall as the height of two men, tapering from the thickness and heavy carving below to the fineness and delicate tracery above, and bearing upon them cups of bronze, each having its wick steeped in fine oil mixed with wax. Moreover, in the midst of the hall, where the seat of the king was put upon a raised floor, the pil lars stood apart for a space, so that there was a chamber, as it were, from the wall on the right to the wall on the left, roofed with great carved rafters ; and the colour of the walls was red, a deep and ZOKOASTEB. 3 glorious red that seemed to make of the smooth plaster a sheet of precious marble. Beyond, beneath the pillars, the panels of the aisles were pictured and made many-coloured with the story of Nebuchadnez zar the king, his conquests and his feasts, his captives and his courtiers, in endless train upon the splendid wall. But where the king should sit in the midst of the hall there were neither pillars nor paintings ; only the broad blaze of the royal colour, rich and even. Beside the table also stood a great lamp, taller and more cunningly wrought than the rest, the foot of rare marble and chiselled bronze and the lamp above of pure gold from southern Ophir. But it was not yet kindled, for the sun was not set and the hour for the feast was not fully come. At the upper end of the hall, before the gigantic statue of wrought gold, there was an open space, un encumbered by tables, where the smooth, polished marble floor came to view in all its rich design and colour. Two persons, entering the hall with slow steps, came to this place and stood together, looking up at the face of the golden king. Between the two there was the gulf of a lifetime. The one was already beyond the common limit of age, while he who stood beside him was but a fair boy of fourteen summers. The old man was erect still, and his snowy hair and beard grew like a lion's mane about his massive brow and masterful face. The deep lines of thought, graven deeper by age, followed the noble shaping of his brows in even course, and his dark eyes still shot fire, as piercing the bleared thickness of time to gaze 4 ZOROASTER. boldly on the eternity beyond. His left hand gath- ered the folds of a snow-white robe around him, while in his right he grasped a straight staff of ebony and ivory, of fine workmanship, marvellously polished, whereon were wrought strange sayings in the Israel- itish manner of writing. The old man stood up to his noble height, and looked from the burnished face of the king's image to the eyes of the boy beside him, in silence, as though urging his young companion to speak for him the thoughts that filled the hearts of both. The youth spoke not, nor gave any sign, but stood with folded hands and gazed up to the great features of Nebuchadnezzar. He was but fourteen years of age, tall and delicately made, full of the promise of a graceful and elastic power, fine of skin, and instinct with the nervous strength of a noble and untainted race. His face was fair and white, tinged with faint colour, and his heavy golden hair fell in long curls upon his shoulders, thick and soft with the silken fineness of early youth. His delicate features were straight and noble, northern rather than Oriental in their type supremely calm and thoughtful, almost god-like in their young restfulness. The deep blue eyes were turned upward with a touch of sadness, but the broad forehead was as marble, and the straight marking of the brows bounded it and divided it from the face. He wore the straight white tunic, edged about with fine embroideries of gold and gathered at the waist with a rich belt, while his legs were covered with wide Persian trousers wrought in many colours of ZOROASTER. 5 silk upon fine 'linen. He wore also a small cap of linen, stiffened to a point and worked with a cun ning design in gold and silver. But the old man's head was covered only by the thick masses of his snowy hair, and his wide white mantle hid the details of his dress from view. Again he glanced from the statue to his compan ion's eyes, and at last he spoke, in a deep smooth voice, in the Hebrew tongue. . "Nebuchadnezzar the king is gathered to his fathers, and his son also, and Nabonnedon Belshazzar reigns in his stead, yet have I endured to this day, in Babylon, these threescore and seven years, since Nebuchadnezzar the king destroyed our place upon the earth and led us away captive. Unto this day, Zoroaster, have I endured, and yet a little longer shall I stand and bear witness for Israel." The old man's eyes flashed, and his strong aquiline features assumed an expression of intense vitality and life. Zoroaster turned to him and spoke softly, almost sadly : " Say, O Daniel, prophet and priest of the Lord N why does the golden image seem to smile to-day? Are the times accomplished of thy vision which thou sawest in Shushan, in the palace, and is the dead king glad ? I think his face was never so gentle before to look upon, surely he rejoices at the feast, and the countenance of his image is gladdened." " Nay, rather then should his face be sorrowful for the destruction of his seed and of his kingdom," answered the prophet somewhat scornfully. " Verily the end is at hand, and the stones of Babylon shall 6 ZOROASTER. no longer cry out for the burden of the sins of Bel- shazzar, and the people call upon Bel to restore unto life the King Nebuchadnezzar ; nay, or to send hither a Persian or a Mede to be a just ruler in the land." " Hast thou read it in the stars, or have thine eyes seen these things in the visions of the night, my master ? " The boy came nearer to the aged prophet and spoke in low earnest tones. But Daniel only bent his head, till his brow touched his ebony staff, and so he remained, deep in thought. " For I also have dreamed," continued Zoroaster, after a short pause, " and my dream took hold of me, and I am sorry and full of great weariness. Now this is the manner of my dreaming." He stopped and glanced down the great nave of the hall through the open porch at the other end. The full glory of the red sun, just touching the western plain, streamed upon his face and made the tables, the preparations and the crowd of busy serving-men look like black shadows between him and the light. But Daniel leaned upon his staff and spoke no word, nor moved from his position. " I saw in my dream," said Zoroaster, " and there was darkness ; and upon the winds of the night arose the sound of war, and the cry and the clash of battle, mighty men striving one with another for the mastery and the victory, which should be to the stronger. And I saw again, and behold it was morning, and the people were led away captive, by tens, and by hun dreds, and by thousands, and the maidens also and young women into a far country. And I looked, and the face of one of the maidens was as the face of the ZOROASTER. 7 fairest among the daughters of thy people. Then my heart yearned for her, and I would have followed after into the captivity ; but darkness came upon me, and I saw her no more. Therefore am I troubled and go heavily all the day." He ceased and the cadence of the boy's voice trembled and was sad. The sun set out of sight be neath the plain, and from far off a great sound of music came in upon the evening breeze. Daniel raised his snowy head and gazed keenly on his young companion, and there was disappointment in his look. "Wouldst thou be a prophet?" he asked, "thou that dreamest of fair maidens and art disquieted for the love of a woman ? Thinkest thou, boy, that a woman shall help thee when thou art grown to be a man, or that the word of the Lord dwelleth in van ity ? Prophesy, and interpret thy vision, if so be that thou art able to interpret it. Come, let us depart, for the king is at hand, and the night shall be given over for a space to the rioters and the mirth-makers, with whom our portion is not. Verily I also have dreamed a dream. Let us depart." The venerable prophet stood up to his height, and grasping his staff in his right hand, began to lead the way from the hall. Zoroaster laid hold of him by the arm, as though entreating him to remain. " Speak, master," he cried earnestly, " and declare to me thy dream, and see whether it accords with mine, and whether there shall be darkness and rumour of war in the land." But Daniel the prophet would not stay to speak, 8 ZOROASTER. but went out of the hall, and Zoroaster the Persian youth went with him, pondering deeply on the pres ent and on the future, and on the nature of the vision he had seen ; and made fearful by the silence of his friend and teacher. The darkness fell upon the twilight, and within the hall the lamps and candlesticks were kindled and gave out warm light and rare perfumes. All down the endless rows of tables, the preparations for the feast were ready; and from the gardens without, strains of music came up ever stronger and nearer, so that the winged sounds seemed to come into the vast building and hover above the tables and seats of honour, preparing the way for the guests. Nearer and nearer came the harps and the pipes and the trumpets and the heavy reed-toned bagpipes, and above all the strong rich chorus of the singers chant ing high the evening hymn of praise to Bel, god of sunlight, honoured in his departing, as in his com ing, with the music of the youngest and most tuneful voices in Shinar. First came the priests of Bel, two and two, robed in their white tunics, loose white garments on their legs, the white mitre of the priestly order on their heads, and their great beards curled smooth and glossy as silk. In their midst, with stately dignity, walked their chief, his eyes upon the ground, his hands crossed upon his breast, his face like dark mar ble in the twilight. On either side, those who had officiated at the sacrifice, bore the implements of their service, the knife, the axe, the cord, and the fire in its dish ; and their hands were red with the blood of ZOROASTER. 9 the victim lately slain. Grand, great men, mighty of body and broad of brow, were these priests of Bel, strong with the meat and the wine of the offerings that were their daily portion, and confident in the faith of their ancient wisdom. After the priests the musicians, one hundred chosen men of skill, making strange deep harmonies in a noble and measured rhythm, marching ten and ten abreast, in ten ranks ; and as they came on, the light streaming from the porch of the palace caught their silver ornaments and the strange shapes of their in struments in broken reflections between the twilight and the glare of the lamps. Behind these came the singers, of young boys two hundred, of youths a hundred, and of bearded men also a hundred; the most famous of all that sang praises to Bel in the land of Assur. Ten and ten they marched, with ordered ranks and step in time to the massive beat of the long-drawn measure. u Mighty to rule the day, great in his glory and the pride of his heat, Shooting great bolts of light into the dark earth, turning death into life, Making the seed to grow, strongly and fairly, high in furrow and field, Making the heart of man glad with his gladness, rideth over the dawn Bel, the prince, the king of kings. "Hotly his flaming hair, streaming with brightness^ and the locks of his beard 10 ZOKOASTER. CurVd into clouds of heat, sweeping the heavens, spread all over the sky : Who shall abide his face, fearful and deadly, when he devours the land, Angry with man and beast, horribly raging, hungry for sacrifice? Bel, the prince, the king of kings. *' Striding his three great strides, out of the morning through the noon to the night, Cometh he down at last, ready for feasting, ready for sacrifice : Then doth he tread the wine, purple and golden, foaming deep in the west ; Shinar is spread for him, spread as a table, Assur shall be his seat : Bel* the prince, the king of kings. " Bring him the fresh-slain flesh, roast it with fire, with the savour of salt, Pour him the strength of wine, chalice and goblet, trodden for him alone : liaise him the song of songs, cry out in praises, cry out and supplicate That he may drink delight, tasting our offering, hear ing our evening song : Bel, the prince, the king of kings. " So, in the gentle night, when he is resting, peace descendeth on earth ; High in the firmament, where his steps led him, gleam the tracks of his way : ZOROASTER. 11 Where the day felt his touch, there the night also breaketh forth into stars, These are the flowers of heaven, garlands of blossoms^ growing to weave his crown : Bel, the prince, the king of kings. "Hail! thou king of the earth, hail! Belteshazzar, hail! and for ever live! Born of the gods on high, prince of the nations, ruling over the world : Thou art the son of Bel, full of his glory, king over death and life ; Let all the people bow, tremble and worship, bow them down and adore The prince of Bel, the king of kings." As the musicians played and the singers sang, they divided their ranks and came and stood on each side of the broad marble staircase ; and the priests had done so before them, but the chief priest stood alone on the lowest step. Then, between the files of those who stood, ad vanced the royal procession, like a river of gold and purple and precious stones flowing between banks of pure white. Ten and ten, a thousand lords of Baby lon marched in stately throng, and in their midst rode Belshazzar the king, high upon his coal-black steed, crowned with the great tiara of white, linen and gold and jewels, the golden sceptre of the kingdom in his right hand. And after the lords and the king came a long procession of litters borne by stalwart slaves, wherein reclined the fairest women of all Assyria, "Vol.6 L 12 ZOROASTER. bidden to the great feast. Last of all, the spearmen of the guard in armour all chased with gold, their mantles embroidered with the royal cognisance, and their beards trimmed and curled in the close soldier fashion, brought up the rear ; a goodly company of men of war. As the rich voices of the singers intoned the grand plain chant of the last stanza in the hymn, the king was in the middle of the open space at the foot of the staircase ; there he drew rein and sat motionless on his horse, awaiting the end. As the ripe corn bends in its furrows to the wind, so the royal host around turned to the monarch, and fell upon their faces as the music died away at the signal of the high priest. With one consent the lords, the priests, the singers and the spearmen bowed and prostrated themselves on the ground ; the bearers of the litters set down their burden while they did homage ; and each of those beautiful women bent far forward, kneeling in her litter, and hid her head beneath her veil. Only the king sat erect and motionless upon his steed, in the midst of the adoring throng. The light from the palace played strangely on his face, making the sneering smile more scornful upon his pale lips, and shading his sunken eyes with a darker shadow. While you might count a score there was silence, and the faint evening breeze wafted the sweet smell of the roses from the gardens to the king's nostrils, as though even the earth would bring incense of adora tion to acknowledge his tremendous power. Then the host rose again and fell back on either side while the king rode to the staircase and dis= ZOROASTER. 13 mounted, leading the way to the banquet; and the high priest followed him and all the ranks of the lords and princes and the ladies of Babylon, in their beauty and magnificence, went up the marble steps and under the marble porch, spreading then like a river, about the endless tables, almost to the feet of the golden image of Nebuchadnezzar. And presently, from beneath the colonnades a sound of sweet music stole out again and filled the air; the serving-men hurried hither and thither, the black slaves plied their palm-leaf fans behind each guest, and the banquet was begun. Surely, a most glorious feast, wherein the hearts of the courtiers waxed meriy, and the dark eyes of the Assyrian women shot glances sweeter than the sweet meats of Egypt and stronger than the 'wine of the south to move the spirit of man. Even the dark king, wasted and hollow-eyed with too much pleasure-seek ing, smiled and laughed, sourly enough at first, it is true, but in time growing careless and merry by reason of his deep draughts. His hand trembled less weakly as the wine gave him back his lost strength, and more than once his fingers toyed playfully with the raven locks and the heavy earrings of the mag nificent princess at his elbow. Some word of hers roused a thought in his whirling brain. "Is not this day the feast of victories?" he cried in sudden animation ; and there was silence to catch the king's words. "Is not this the day wherein my sire brought home the wealth of the Israelites, kept holy with feasting for ever? Bring me the vessels of the unbelievers' temple, that I may drink 14 ZOROASTER. and pour out wine this night to Bel, the god of gods!" The keeper of the treasure had anticipated the king's desire and had caused everything to be made ready; for scarcely had Belshazzar spoken when a long train of serving-men entered the hall of the banquet and came and stood before the royal pres ence, their white garments and the rich vessels they bore aloft standing vividly out against the deep even red of the opposite wall. "Let the vessels be distributed among us," cried the king* " to every man a cup or a goblet till all are served." And so it was done, and the royal cup-bearer came and filled the huge chalice that the king held, and the serving-men hastened to fill all the cups and the small basins ; while the lords and princes laughed at the strange shapes, and eyed greedily enough the thickness and the good workmanship of the gold and silver. And so each man and each woman had a vessel from the temple of Jerusalem wherein to drink to the glory of Bel the god and of Bel shazzar his prince. And when all was ready, the king took his chalice in his two hands and stood up, and all that company of courtiers stood up with him, while a mighty strain of music burst through the perfumed air, and the serving-men showered flowers and sprinkled sweet odours on the tables. Without stood the Angel of Death, whetting his sword upon the stones of Babylon. But Belshazzar held the chalice and spoke with a loud voice to the princes and the lords and the fair women that stood about the tables in the great hall : ZOROASTER. 15 " I, Belshazzar the king, standing in the hall of my fathers, do pour and drink this wine to the mighty majesty of Bel the great god, who lives for ever and ever ; before whom the gods of the north and of the west and of the east and of the south are as the sand of the desert in the blast; at whose sight the vain deities of Egypt crumbled into pieces, and the God of the Israelites trembled and was made little in the days of Nebuchadnezzar my sire. And I command you, lords and princes of Babylon, you and your wives and your fair women, that ye also do pour wine and drink it, doing this homage to Bel our god, and to me, Belshazzar the king." And so saying, he turned about to one side and spilled a few drops of wine upon the marble floor, and set the cup to his lips, facing the great throng of his guests ; and he drank. But from all the banquet went up a great shout. " Hail ! king, live for ever ! Hail ! prince of Bel, live for ever ! Hail ! king of kings, live for ever ! " Long and loud was the cry, ringing and surging through the pillars and up to the great carved rafters till the very walls seemed to rock and tremble with the din of the king's praise. Slowly Belshazzar drained the cup to the dregs, while with half-closed eyes he listened to the uproar, and perhaps sneered to himself behind the chalice, as was his wont. Then he set the vessel down and looked up. But as he looked he staggered and turned pale, and would have fallen ; he grasped, the ivory chair behind him and stood trembling in every joint, and his knees knocking together, while his eyes 16 ZOROASTER. seemed starting from his head, and all his face was changed and distorted with dreadful fear. Upon the red plaster of the wall, over against the candlestick which shed its strong rays upon the fear ful sight, the fingers of a vast hand moved and traced letters. Only the fingers could be seen, colossal and of dazzling brightness, and as they slowly did their work, huge characters of fire blazed out upon the dark red surface, and their lambent angry flame dazzled those who beheld, and the terror of terrors fell upon all the great throng ; for they stood before Him whose shadow is immortality and death. In a silence that could be felt, the dread hand com pleted its message and vanished out of sight, but the strange fire burned bright in the horrid characters of the writing that remained upon the wall. This was the inscription in Chaldean letters : SUTMM IPKNN NRLAA Then at last the king found speech and shrieked aloud wildly, and he commanded that they should bring in all the astrologers, the Chaldeans and the diviners, for he was in great terror and he dreaded some fearful and imminent catastrophe. "Whoever shall read this writing," he cried, his voice changed and broken, "and declare to me the meaning of it, shall be clothed in purple, and shall have a chain of gold about his neck and shall rule as the third in the kingdom." Amidst the mighty confusion of fear, the wise men were brought in before the king. ZOROASTER. 17 CHAPTER II. IN Ecbatana of Media Daniel dwelt in his extreme old age. There he built himself a tower within the seven-fold walls of the royal fortress, upon the sum mit of the hill, looking northward towards the forests of the mountains, and southward over the plain, and eastward to the river, and westward to Mount Zagros. His life was spent, and he was well-nigh a hundred years old. Seventeen years had passed since he had interpreted the fatal writing on the wall of the ban quet-hall in Babylon in the night when Nabonnedon Belshazzar was slain, and the kingdom of the Assyr ians destroyed for ever. Again and again invested with power and with the governorship of provinces, he had toiled unceasingly in the reigns of Cyrus and Cambyses, and though he was on the very boundary of possible lifetime, his brain was unclouded, and his eye keen and undimmed still. Only his grand figure was more bent and his step slower than before. He dwelt in Ecbatana of the north, in the tower he had built for himself. 1 In the midst of the royal palaces of the stronghold he had laid the foundations duly to the north and south, and story upon story had risen, row upon row of columns, balcony upon balcony of black marble, sculptured richly from basement to turret, and so smooth and hard, that its polished 1 Josephus, Antiquities of the Jews, book x. chap. xi. 7. 18 ZOROASTER. corners and sides and ornaments glittered like black diamonds in the hot sun of the noonday, and cast back the moonbeams at night in a darkly brilliant reflection. Far down below, in the gorgeous dwellings that filled the interior of the fortress, dwelt the kinsfolk oi the aged prophet, and the families of the two Levites who had remained with Daniel and had chosen to follow him to his new home in Media rather than to return to Jerusalem under Zerubbabel, when Cyrus issued the writ for the rebuilding of the temple. There lived also in the palace Zoroaster, the Persian prince, being now in the thirty-first year of his age, and captain of the city and of the strong hold. And there, too, surrounded by her handmaid ens and slaves, in a wing of the palace apart from the rest, and more beautiml for its gardens and marvel lous adornment, lived Nehushta, the last of the de scendants of Jehoiakim the king remaining in Media ; she was the fairest of all the women in Media, of royal blood and of more than royal beauty. She was born in that year when Babylon was over thrown, and Daniel had brought her with him to Shushan when he had quitted Assyria, and thence to Ecbatana. In the care of the prophet's kinswomen the little maid had thriven and grown fair in the stranger's land. Her soft child's eyes had lost their wondering look and had turned very proud and dark, and the long black lashes that fringed the heavy lids drooped to her cheek when she looked down. Her features were noble and almost straight in outline, but in the slight bend at the beginning of the nose, ZOROASTER. 19 in the wide curved nostrils, the strong full lips, and in the pale olive skin, where the blood ebbed and flowed so generously, the signs of the Jewish race were all present and unmistakable. Nehushta, the high-born lady of Judah, was a prin cess in every movement, in every action, in every word she uttered. The turn of her proud head was sovereign in its expression of approval or contempt, and Zoroaster himself bowed to the simple gesture ol her hand as obediently as he would have done before the Great King in all his glory. Even the venerable prophet, sitting in his loity tower high above the city and the fortress, absorbed in the contemplation of that other life which was so very near to him, smiled tenderly and stretched out his old hands to greet Nehushta when she mounted to his chamber at sun set, attended by her maidens and her slaves. She was the youngest of all his kinsfolk fatherless and motherless, the last direct, descendant of King Jehoi- akim remaining in Media, and the aged prophet and governor cherished her and loved her for her royalty, as well as for her beauty and her kinship to himself. Assyrian in his education, Persian in his adherence to the conquering dynasty and in his long and faith ful service of the Persians, Daniel was yet in his heart, as in his belief, c, true son of Judah ; proud of his race and tender of its young branches, as though he were himself the father of his country and the king of his people. The last red glow of the departed day faded and sank above the black Zagros mountains to westward. The opposite sky was cold and gray, and all the 20 ZOROASTER. green plain turned to a dull soft hue as the twilight crept over it, ever darker and more misty. In the gardens of the palace the birds in thousands sang together in chorus, as only Eastern birds do sing at sunrise and at nightfall, and their voices sounded like one strong, sweet, high chord, unbroken and drawn out. Nehushta wandered in the broad paths alone. The dry warm air of the summer's evening had no chill in it, and though a fine woven mantle of purple from Srinagur hung loosely from her shoulders, she needed not to draw it about her. The delicate folds of her upper tunic fell closely around her to her knees, and were gathered at the waist by a magnificent belt of wrought gold and pearls ; the long sleeves, drawn in at the wrist by clasps of pearls, almost covered her slender hands ; and as she walked her delicate feet moved daintily in rich embroidered sandals with high golden heels, below the folds of the wide trousers of white and gold embroidery, gathered in at the ankle. Upon her head the stiff linen tiara of spotless white eat proudly as a royal crown, the folds of it held by a single pearl of price, and from beneath it her mag nificent hair rolled down below her waist in dark smooth waves. There was a terrace that looked eastward from the gardens. Thither Nehushta bent her steps, slowly, as though in deep thought, and when she reached the smooth marble balustrade, she leaned over it and let her dark eyes rest on the quiet landscape. The peace of the evening descended upon her ; the birds of the day ceased singing with the growing darkness ; and ZOROASTER. 21 slowly, out of the plain, the yellow moon soared up and touched the river and the meadows with mystic light ; while far off, in the rose-thickets of the gar dens, the first notes of a single nightingale floated upon the scented breeze, swelling and trilling, quiver ing and falling again, in a glory of angelic song.- The faint air fanned her cheek, the odours of the box and the myrtle and the roses intoxicated her senses, and as the splendid shield of the rising moon cast its broad light into her dreaming eyes, her heart over flowed, and Nehushta the princess lifted up her voice and sang an ancient song of love, in the tongue of her people, to a soft minor melody, that sounded like a sigh from the southern desert. " Come unto me, my beloved, in the warmth of the darkness, come Rise, and hasten thy footsteps^ to be with me at night-time, come! 41 1 wait in the darkness for him, and the sand oj the desert whirling Is blown at the door of my tent which is open toward the desert. ' My ear in the darkness listeth for the sound of his coming nearer, Mine eyes watch for him and rest not, for I would not he found me sleeping. "For when my beloved cometh, he is like the beam of the morning ; l 1 "Thou art to me as the beam of the east rising in a strange land." Ossio,n. * 22 ZOROASTEK. Ev*n as the dawn in a strange land to the sight of a man journeying. " Yea, when my beloved cometh, as dew that descend- eth^rom heaven, No man can hear when it falleth, but as rain it refresheth all things. " In his hand bringeth he lilies, in his right hand are many flowers, Roses hath he on his forehead, he is crowned with roses from Shinar. " The night-winds make sweet songs for him, even in the darkness soft music ; Whithersoever he goeth, there his sweetness goeth before him." Her young voice died away in a soft murmuring cadence, and the nightingale alone poured out her heartful of love to the ancient moon. But as Ne- hushta rested immovable by the marble balustrade of the terrace, there was ;* rustle among the myrtles and a quick step ^n the pavement. The dark maiden started at the sound, and a happy smile parted her lips. But she did not turn to look ; only her hand stole out behind her on the marble where she knew her lover's would meet it. There was in the move ment all the certainty of conquest and yet all the tenderness of love. The Persian trod quickly and laid his hand on hers, and bent to her, trying to meet her eyes : for one moment still she gazed out straight before her, then turned and faced him suddenly, as ZOROASTER. 23 though she had withheld her welcome as long as she could and then given it all a - i once. " I did not call you," she said, covering him with her eyes in the moonlight, but making as though she would withdraw herself a little from him, as he drew her with his hand, and with his arm, and with his eyes. " And yet I heard you call me, my beloved," an swered Zoroaster. " I heard your voice singing very sweet things in your own language and so I came, for you did call me." "But did you pride yourself it was for you?" laughed Nehushta. " I sang of the desert, and of tents, and of whirling sand there is none of these things here." " You said that your beloved brought roses in his hand and so I do. I will crown you with them. May I ? No I shall spoil your head-dress. Take them and do as you will with them." " I will take them and I always do as I will." " Then will to take the giver also," answered Zoro aster, letting his arm steal about her, as he half sat upon the balustrade. Nehushta looked at him again, for he was good to see, and perhaps she loved his straight calm features the better in that his face was fair, and not dark like hers. "Methinks I have taken the giver already," she answered. " Not yet not all," said Zoroaster in a low voice, and a shadow of sadness crossed his noble face that looked white in the moonlight. Nehushta sighed softly and presently she laid her cheek upon his 24 ZOEOASTEB. shoulder where the folding of his purple mantle made a pillow between her face and the polished golden scales of his breastplate. "I have strange news to tell you, beloved," said Zoroaster presently. Nehushta started and looked up, for his voice was sad. " Nay, fear not ! " he continued, " there is no harm in it, I trust ; but there are great changes in the kingdom, and there will be greater changes yet. The seven princes have slain Smerdis in Shushan, and Darius is chosen king, the son of Gushtasp, whom the Greeks call Hystaspes." " He who camo hither last year ? v asked Nehushta quickly. " He is not fair, this new king." " Not fair," replied the Persian, " but a brave man and a good. He has, moreover, sent for me to go to Shushan " " For you ! " cried Nehushta, suddenly laying her two hands on Zoroaster's shoulders and gazing into his eyes. His face was to the moonlight, while hers was in the dark, and she could see every shade of expression. He smiled. "You laugh at me!" she cried indignantly. " You mock me you are going away and you are glad ! " She would have turned away from him, but he held her two hands. "Not alone," he answered. " The Great King ha* sent an order that I shall bring to Shushan the kins folk of Jehoiakim, saving only Daniel, our master, for he is so old that he cannot perform the journey. The king would honour the royal seed of Judah, and to that end he sends for you, most noble and most beloved princess." ZOROASTER. 25 Nehushta was silent and thoughtful; her hand slipped from Zoroaster's grasp, and her eyes looked dreamily out at the river, on which the beams of the now fully-risen moon glanced, as on the scales of a silver serpent. "Are you glad, my beloved?" asked Zoroaster. He stood with his back to the balustrade, leaning on one elbow, and his right hand played carelessly with the heavy gold tassels of his cloak. He had come up from the fortress in his armour, as he was, to bring the news to Nehushta and to Daniel ; his gilded har ness was on his back, half-hidden by the ample purple cloak, his sword was by his side, and on his head he wore the pointed helmet, richly inlaid with gold, bear ing in front the winged wheel which the sovereigns of the Persian empire had assumed after the conquest of Assyria. His very tall and graceful body seemed planned to combine the greatest possible strength with the most surpassing activity, and in his whole presence there breathed the consciousness of ready and cystic power, the graceful elasticity of a steel bow always bent, the inexpressible ease of motion and the match less swiftness that men had when the world was young that wholeness of harmonious proportion which alone makes rest graceful, and the inactivity of idleness itself like a mode of perfect motion. As they stood there together, the princess of Judah and the noble Persian, they were wholly beautiful and yet wholly contrasted the Semite and the Aryan, the dark race of the south, on which the hot air of the desert had breathed for generations in the bondage of Egypt, and left its warm sign-manual of southern sunshine, and the 26 ZOROASTER. fair man of the people whose faces were already set northwards, on whom the north breathed already its icy fairness, and magnificent coldness of steely strength. "Are you glad, my beloved?" asked Zoroaster again, looking up and laying his right hand on the princess's arm. She had given no answer to his ques tion, but only gazed dreamily out over the river. She seemed about to speak, then paused again, then hesitated and answered his question by another. " Zoroaster you love me," again she paused, and, as he passionately seized her hands and pressed his lips to them, she said softly, turning her head away, "What is love?" He, too, waited one moment before he answered, and, standing to his lordly height, took her head be tween his hands and pressed it to his breast ; then, with one arm around her, he stood looking eastward and spoke : " Listen, my beloved, and I, who love you, will tell you what love is. In the far-off dawn of the soul- liTt,, in the ethereal distance of the outer firmament, in the mist of the star-dust, our spirits were quick ened with the spirit of God, and found one another, and met. Before earth was for us, we were one; before time was for us, we were one even as we shall be one when there is no time for us any more. Then Ahura Mazda, the all-wise God, took our two souls from among the stars, and set them in the earth, clothed for a time with mortal bodies. But we know each other, that we were together from the first, although these earthly things obscure our im- ZOROASTER. 27 mortal vision, and we see each other less clearly. Yet is our love none the less rather, it seems every day greater, for our bodies can feel joy and sorrow, even as our spirits do ; so that I am able to suffer for you, in which I rejoice, and I would that I might be chosen to lay down my life for you, that you might know how I love you ; for often you doubt me, and sometimes you doubt yourself. There should be no doubt in love. Love is from the first, and will be to the end, and beyond the end ; love is so eternal, so great, so whole, that this mortal life of ours is but as a tiny instant, a moment of pausing in our journey from one star-world to another along the endless paths of heavenly glory we shall tread to gether- -.-> it if; nothing, this worldly life of ours. Before it shall seem long that we have loved, this earth we stand on, these things we touch, these bodies of ours that we think so strong and fair, will be forgotten and dissolved into their elements in the trackless and undiscoverable waste of past mortality, while we ourselves are ever young, and ever fair, and for ever living in our immortal love." Nehushta looked up wonderingly into her lover's eyes, then let her head rest on his shoulder. The high daring of his thoughts seemed ever trying to scale heaven itself, seeking to draw her to some won drous region of mystic beauty and strange spirit life. She was awed for a moment, then she, too, spoke in her own fashion. " I love life," she said, " I love you because you live, not because you are a spirit chained and tied down for a time. I love this soft sweet earth, the 28 ZOROASTER. dawn of it, and the twilight of it ; I love the sun in his rising and in his setting ; I love the moon in her fulness and in her waning ; I love the smell of the box and of the myrtle, of the roses and of the violets ; I love the glorious light of day, the splendour of heat and greenness, the song of the birds of the air and the song of the labourer in the field, the hum of the locust, and the soft buzzing of the bee; I love the brightness of gold and the richness of fine purple, the tramp of your splendid guards and the ring of their trumpets clanging in the fresh morning, as they march through the marble courts of the palace. I love the gloom of night for its softness, the song of the night ingale in the ivory moonlight, the rustle of the breeze in the dark rose-thickets, and the odour of the sleeping flowers in my gardens ; I love even the cry of the owl from the prophet's tower, and the soft thick sound of the bat's wings, as he flits past the netting of my window. I love it all, for the whole earth is rich and young and good to touch, and most sweet to live in. And I love you because you are more beautiful than other men, fairer and stronger and braver, and because you love me, and will let no other love me but yourself, if you were to die for it. Ah, my beloved, I would that I had all the sweet voices of the earth, all the tuneful tongues of the air, to tell you how I love you ! " " There is no lack of sweetness, nor of eloquence, my princess," said Zoroaster ; " there is no need of any voice sweeter than yours, nor of any tongue more tuneful. You love in your way, I in mine ; the two together must surely be the perfect whole. Is it not ZOROASTER. 29 so? Nay seal the deed once again and again* so ! 4 Love is stronger than death,' says your preacher." " ' And jealousy is as cruel as the grave/ he says, too," added Nehushta, her eyes flashing fire as her lips met his. " You must never make me jealous, Zoro aster, never, never! I would be so cruel you can not dream how cruel I would be ! " Zoroaster laughed under his silken beard, a deep^ joyous, ringing laugh that startled the moonlit still ness. " By Nabon and Bel, there is small cause for your jealousy here," he said. " Swear not by your false gods ! " laughed Nehushta. "You know not how little it would need to rouse me." "I will not give you that little," answered the Persian. " And as for the false gods, they are well enough for a man to swear by in these days. But I will swear by any one you command me, or by any thing ! " " Swear not, or you will say again that the oath has need of sealing," replied Nehushta, drawing her mantle around her, so as to cover half her face. " Tell me, when are we to begin our journey ? We have talked much and have said little, as it ever is. Shall we go at once, or are we to wait for another order? Is Darius safe upon the throne ? Who is to be chief est at the court one of the seven princes, I suppose, or his old father ? Come, do you know anything of all these changes ? Why have you never told me what was going to happen you who are high in power and know everything?" 30 ZOROASTER. " Your questions flock upon me like doves to a maiden who feeds them from her hand," said Zoroaster, with a smile, " and I know not which shall be fed first. As for the king, I know that he will be great, and will hold securely the throne, for he has already the love of the people from the Western sea to the wild Eastern mountains. But it seemed as though the seven princes would have divided the empire amongst them, until this news came. I think he will more likely take one of your people for his close friend than trust to the princes. As for our journey, we must depart betimes, or the king will have gone before us from Shushan to Stakhar in the south, where they say he will build himself a royal dwelling and stay in the coming winter time. Prepare yourself for the journey, therefore, my princess, lest anything be forgotten and you should be deprived of what you need for any time." " I am never deprived of what I need," said Ne- hushta, half in pride and half in jest. " Nor I, when I am with my beloved ! " answered the Persian. "And now the moon is high, and I must bear this news to our master, the prophet." " So soon ? " said Nehushta reproachfully, and she turned her head away. " I would there were no partings, my beloved, even for the space of an hour," answered Zoroaster, tenderly drawing her to him; but she resisted a little and would not look at him. " Farewell now good-night, my princess light of my soul ; " he kissed her dark cheek passionately, Good-night I " He trod swiftly across the terrace. ZOEOASTEB. 31 " Zoroaster ! prince ! " Nehushta called aloud, but without turning. He came back. She threw her arms about his neck and kissed him almost desper ately. Then she pushed him gently away from her. " Go my love only that," she murmured, and he left her standing by the marble balustrade, while the yellow moon turned slowly pale as she rose in the heavens, and the song of the lorn nightingale re echoed in the still night, from the gardens to the towers, m long sweet cries of burning love, and soft, complaining, silvery notes of mingled sorrow and 32 ZOKOASTEB. CHAPTER III. IN the prophet's chamber, also, the moonbeams fell upon the marble floor ; but a seven-beaked Hebrew lamp of bronze shed a warmer light around, soft and mellow, yet strong enough to illuminate the scroll that lay open upon the old man's knee. His brows were knit together, and the furrows on his face were shaded deeply by the high light, as he sat propped among many cushions and wrapped in his ample purple cloak that was thickly lined with fur and drawn together over his snowy beard ; for the years of his life were nearly accomplished, and the warmth of his body was even then leaving him. Zoroaster raised the heavy curtain of carpet that hung before the low square door, and came and bowed himself before the teacher ^f his youth and the friend of his manhood. The prophet looked up keenly, and something like a smile crossed his stern features as his eyes rested on the young officer in his magnificent armour ; Zoroaster held his helmet in his hand, and his fair hair fell like a glory to his shoulders, mingling with his silky beard upon his breastplate. His dark blue eyes met his master's fearlessly. " Hail ! and live for ever, chosen of the Lord ! " he said in salutation. " I bring tidings of great moment and importance. If it be thy pleasure, I will speak ; but if not, I will come at another season." ZOROASTER. 33 " Sit upon my right hand, Zoroaster, and tell me all that thou hast to tell. Art thou not my beloved son, whom the Lord hath given me to comfort mine old age?" " I am thy servant and the servant of thine house, my father," answered Zoroaster, seating himself upon a carved chair at a little distance from the prophet. " Speak, my son, what tidings hast thou ? " " There is a messenger come in haste from Shushan, bearing tidings and letters. The seven princes have slain Smerdis in his house, and have chosen Darius the son of Gushtasp to be king." "Praise be to the Lord who hath chosen a just man ! " exclaimed the prophet devoutly. " So may good come out of evil, and salvation by the shedding of blood." " Even so, my master," answered Zoroaster. " It is also written that Darius, may he live for ever, will establish himself very surely upon the throne of the Medes and Persians. There are letters by the hand of the same messenger, sealed with the signet of the Great King, wherein I am bidden to bring the kins folk of Jehoiakim, who was king over Judah, to Shu shan without delay, that the Great King may do them honour as is meet and right; but what that honour may be that he would do to them, I know not." "What is this that thou sayest?" asked Daniel, starting forward from his reclining position, and fix ing his dark eyes on Zoroaster. " Will the king take away from me the children of my old age ? Art not thou as my son ? And is not Nehushta as my daughter ? As lor the rest, I care not if they go. But Nehushta 34 ZOROASTER. is as the apple of my eye ! She is as a fair flower growing in the desert of my years! What is this that the king hath done to me? Whither will he take her from me ? " " Let not my lord be troubled," said Zoroaster, ear nestly, for he was moved by the sudden grief of the prophet. " Let not my lord be troubled. It is but for a space, for a few weeks ; and thy kinsfolk will be with thee again, and I also." " A space, a few weeks ! What is a space to thee, child, or a week that thou shouldest regard it ? But I am old and full of years. It may be, if now thou takest my daughter Nehushta from me, that I shall see her face no more, neither thine, before I go hence and return not. Go to ! Thou art young, but I am now nigh unto a hundred years old." " Nevertheless, if it be the will of the Great King, I must accomplish this thing," answered the young man. " But I will swear by thy head and by mine that there shall no harm happen to the young princess ; and if anything happen to her that is evil, may the Lord do so to me and more also. Behold, I have sworn ; let not my lord be troubled any more." But the prophet bowed his head and covered his face with his hands. Aged and childless, Zoroaster and Nehushta were to him children, and he loved them with his whole soul. Moreover, he knew the Persian Court, and he knew that if once they were taken into the whirl and eddy of its intrigue and stirring life, they would not return to Ecbatana ; or returning, they would be changed and seem no more the same. He was bitterly grieved and hurt at the thought of such ZOROASTER. 3& a separation, and in the grand simplicity of his great ness he felt no shame at shedding tears for them. Zoroaster himself, in the pride of his brilliant youth, was overcome with pain at the thought of quitting the sage who had been a father to him for thirty years. He had never been separated from Daniel save for r, few months at a time during the wars of Cambyses ; at six-and-twenty years of age he had been appointed to the high position of captain of the fortress of Ecbat- ana; since which time he had enjoyed the closest intercourse with the prophet, his master. Zoroaster was a soldier by force of circumstances, and he wore his gorgeous arms with matchless grace, but there were two things that, with him, went before his military profession, and completely eclipsed it in importance. From his earliest youth he had been the pupil of Daniel, who had inspired him with his own love of the mystic lore to which the prophet owed so much of his singular success in the service of the Assyrian and Persian monarchs. The boy's poetical mind, strengthened and developed by the study of the art of reasoning, and of the profound mathematical knowledge of the Chaldean astronomers, easily grasped the highest subjects, and showed from the first a capacity and lucidity that delighted his mas ter. To attain by a life of rigid ascetic practice to the intuitive comprehension of knowledge, to the understanding of natural laws not discernible to the senses alone, and to the merging of the soul and higher intelligence in the one universal and divine assence, were the objects Daniel proposed to his will- YoL 6 M: 36 ZOROASTER. ing pupil. The noble boy, by his very nature, scorned and despised the pleasures of sense, and yearned ever for the realising of an ideal wherein a sublime wisdom of transcendent things should direct a sublime courage in things earthly to the doing of great deeds. Year after year the young Persian grew up in the splendid surroundings of the court, distinguished be fore all those of his age for his courage and fearless honesty, for his marvellous beauty, and for his pro found understanding of all subjects, great and small, that came within the sphere of his activity ; most of all remarkable, perhaps, for the fact that he cared nothing for the society of women, and had never been known to love any woman. He was a favourite with Cyrus ; and even Cambyses, steeped in degrad ing vice, and surrounded by flatterers, panderers, and priests of the Magians, from the time when he began to suspect his brother, the real Smerdis, of designs upon the throne, recognised the exceptional merits and gifts of the young noble, and promoted him to his position in Ecbatana, at the time when he per mitted Daniel to build his great tower in that ancient fortress. The dissipated king may have understood that the presence of such men as Daniel and Zoroaster would be of greater advantage in an outlying district where justice and moderation would have a good effect upon the population, than in his immediate neighbourhood, where the purity and temperance of their lives contrasted too strongly with the degrading spectacle his own vices afforded to the court. Here* in the splendid retirement of a royal palace, ZOROASTER. 37 the prophet had given himself up completely to the contemplation of those subjects which, through all his life, had engrossed his leisure time, and of which the knowledge had so directly contributed to his sin gular career ; and in the many hours of leisure which Zoroaster's position allowed him, Daniel sought to bring the intelligence of the soldier-philosopher to the perfection of its final development. Living, as he did, entirely in his tower, save when, at rare inter vals, he caused himself to be carried down to the gar dens, the prophet knew little of what went on in the palace below, so that he sometimes marvelled that his pupil's attention wandered, and that his language be trayed occasionally a keener interest in his future, and in the possible vicissitudes of his military life, than he had formerly been wont to show. For a new element had entered into the current of Zoroaster's thoughts. For years he had seen the lovely child Nehushta growing up. As a boy of twenty summers he had rocked her on his knee ; later he had taught her and played with her, and seen the little child turn to the slender girl, haughty and royal in her young ways, and dominating her playfellows as a little lioness might rule a herd of tamer creatures ; and at last her sixteenth year had brought with it the bloom of early southern woman hood, and Zoroaster, laughing with her among the roses in the gardens, on a summer's day, had felt his heart leap and sink within him, and his own fair cheek grow hot and cold for the ring of her voice and the touch of her soft hand. He who knew so much of mankind, who had lived 38 ZOROASTER. so long at the court, and had coldly studied every stage of human nature, where unbridled human nature ever ruled the hour, knew what he felt ; and it was as though he had received a sharp wound that thrust him through, body and heart and soul, and cleft his cold pride in two. For days he wandered beneath the pines and the rhododendron trees alone, lamenting for the fabric of mighty philosophy he had built himself, in which no woman was ever to set foot ; and which a woman's hand, a woman's eyes had shattered in a day. It seemed as if his whole life were blasted and de stroyed, so that he was become even as other men, to suffer love and eat his heart out for a girl's fair word. He would have escaped from meeting the dark young princess again ; but one evening, as he stood alone upon the terrace of the gardens, sorrowing for the change in himself, she found him, and there they looked into each other's eyes and saw a new light, and loved each other fiercely from that day, as only the untainted children of godlike races could love. But neither of them dared to tell the prophet, nor to let those of the palace know that they had pledged each other their troth, down there upon the moonlit ter race, behind the myrtles. Instinctively they dreaded lest the knowledge of their love should raise a storm of anger in Daniel's breast at the idea that his chosen philosopher should abandon the paths of mystic learn ing and reduce himself to the level of common man kind by marriage ; and Zoroaster guessed how painful to the true Israelite would be the thought that a daughter and a princess of Judah should bfl united in wedlock with one who, however noble and true and ZOROASTER. 39 wise, was, after all, a stranger and an unbeliever. For Zoroaster, while devoting himself heart and soul to the study of Daniel's philosophy, and of the wisdom the latter had acquired from the Chaldeans, had never theless firmly maintained his independence of thought. He was not an Israelite, nor would he ever wish to become one ; but he was not an idolater nor a Magian, nor a follower of Gomata, the half-Indian Brahmin, who had endeavoured to pass himself off as Smerdis the son of Cyrus. Either of these causes alone would have sufficed to raise a serious obstacle to the marriage. Together they seemed insurmountable. During the disorder and anarchy that prevailed in the seven months of the reign of Pseudo-Smerdis, it would have been mad ness to have married, trusting to the favour of the wretched semi-monarch for fortune and advancement ; nor could Nehushta have married and maintained her state as a princess of Judah without the consent of Daniel, who was her guardian, and whose influence was paramount in Media, and very great even at court. Zoroaster was therefore driven to conceal his passion as best he could, trusting to the turn of future events for the accomplishment of his dearest wish. In the meanwhile, he and the princess met daily in public, and Zoroaster's position as captain of the fortress gave him numerous opportunities of meeting Nehushta in the solitude of the gardens, which were jealously guarded and set apart exclusively for the use of Nehushta and her household. But now that the moment had come when it seemed as though a change were to take place in the destinies 40 ZOROASTER. of the lovers, they felt constrained. Beyond a few simple questions and answers, they had not discussed the matter of the journey when they were together ; for Nehushta was so much surprised and delighted at the idea of again seeing the magnificence of the court at Shushan, which she so well remembered from the period of her childhood, that she feared to let Zo roaster see how glad she was to leave Ecbatana, which, but for him, would have been to her little better than a prison. He, on the contrary, thinking that he foresaw an immediate removal of all obstacle and delay through the favor of Darius, was, never theless, too gentle and delicate of tact to bring sud denly before Nehushta's mind the prospect of marry ing which presented itself so vividly to his own fancy. But he felt no less disturbed in his heart when face to face with the old prophet's sorrow at losing his foster-daughter ; and, for the first time in his life, he felt guilty when he reflected that Daniel was grieved at his own departure almost as deeply as on account of Nehushta. He experienced what is so common with persons of cold and even temperament when brought into close relation with more expansive and affectionate natures ; he was overcome with the sense that his old master gave him more love and more thought than he could possibly give in return, and that he was therefore ungrateful ; and the knowl edge he alone possessed, that he surely intended to marry the princess in spite of the prophet, and by the help of the king, added painfully to his mental suffering. The silence lasted some minutes, till the old man ZOROASTER. 41 suddenly lifted his head and leaned back among his cushions, gazing at his companion's face. " Hast thou no sorrow, nor any regret ? " he asked sadly. " Nay, my lord doth me injustice,*' answered Zo roaster, his brows contracting in his perplexity. " I should be ungrateful if I repented not leaving thee even for the space of a day. But let my lord be comforted ; this parting is not for long, and before the flocks come down from Zagros to take shelter from the winter, we will be with thee." " Swear to me, then, that thou wilt return before the winter," insisted the prophet half-scornfully. " I cannot swear," answered Zoroaster. " Behold, I am in the hands of the Great King. I cannot swear." " Say rather that thou art in the hand of the Lord, and that therefore thou canst not swear. For I say thou wilt not return, and I shall see thy face no more. The winter cometh, and the birds of the air fly towards the south, and I am alone in the land of snow and frost ; and the spring cometh also, and I am yet alone, and my time is at hand; for thou comest not any more, neither my daughter Nehushta, neither any of my kinsfolk. And behold, I go down to the grave alone." The yellow light of the hanging lamp above shone upon the old man's eyes, and there was a dull fire in them. His face was drawn and haggard, and every line and furrow traced by the struggles of his hundred years stood out dark and rugged and tremendous in power. Zoroaster shuddered as he looked on him, 42 ZOROASTER. and, though he would have spoken, he was awed to silence. " Go forth, my son," cried the prophet in deep tones, and as he spoke he slowly raised his body till he sat rigidly erect, and his wan and ancient fingers were stretched out towards the young soldier. " Go forth and do thy part, for thou art in the hand of the Lord, and some things that thou wilt do shall be good, and some things evil. For thou hast departed from the path of crystal that leadeth among the stars, and thou hast fallen away from the ladder whereby the angels ascend and descend upon the earth, and thou art gone after the love of a woman which endureth not. And for a season thou shalt be led astray, and for a time thou shalt suffer great things ; and after a time thou shalt return into the way ; and again a time, and thou shalt perish in thine own imaginations, because thou hast not known the darkness from the light, nor the good from the eviL By a woman shalt thou go astray, and from a woman shalt thou return ; yet thou shalt perish. But because there is some good in thee, it shall endure, and thy name also, for generations ; and though the evil that besetteth thee shall undo thee, yet at the last thy soul shall live." Zoroaster buried his face in his hands, overcome by the majesty of the mighty prophet and by the terror of his words. " Rise and go forth, for the hand of the Lord is upon thee, and no man can hinder that thou doest. Thou shalt look upon the sun and shalt delight in him ; and again thou shalt look and the light of the air shall be as darkness. Thou shalt boast in thy ZOROASTER. 43 strength and in thine armour that there is none like thee, and again thou shalt cast thy glory from thee and say, ' This also is vanity.' The king delighteth in thee, and thou shalt stand before the queen in armour of gold and in fine raiment ; and the end is near, for the hand of the Lord is upon thee. If the Lord will work great things by thee, what is that to me ? Go forth quickly, and rest not by the way, lest the woman tempt thee and thou perish. And as for me, I go also not with thee, but before thee. See that thou follow after for I go. Yea, I see even now light in the darkness of the world, and the glory of the triumph of heaven is over me, triumphing greatly in the majesty of light." Zoroaster looked up and fell to the ground upon his knees in wonder and amazement at Daniel's feet, while his heavy helmet rolled clanging on the marble pavement. The prophet stood erect as a giant oak, stretching his withered hands to heaven, all the mass of his snow-white hair and beard falling about him to his waist. His face was illuminated as from within with a strange light, and his dark eyes turned upward seemed to receive and absorb the brightness of an open heaven. His voice rang again with the strength of youth, and his whole figure was clothed as with the majesty of another world. Again he spoke : " Behold, the voice of the ages is in me, and the Lord my God hath taken me up. My days are ended; I am taken up and shall no more be cast down. The earth departeth and the glory of the Lord is come which hath no end for ever. " The Lord corneth He cometh quickly. In His 44 ZOROASTER. right hand are the ages, and the days and the nights are under His feet. The ranks of the Cherubim are beside Him, and the armies of the Seraphim are dreadful. The stars of heaven tremble, and the voice of their moaning is as the voice of the utter most fear. The arch of the outer firmament is shiv ered like a broken bow, and the curtain of the sky is rent in pieces as a veil in the tempest. The sun and the moon shriek aloud, and the sea crieth horribly before the Lord. " The nations are extinct as the ashes of a fire that is gone out, and the princes of the earth are no more. He hath bruised the earth in a mortar, and the dust of it is scattered abroad in the heavens. The stars in their might hath He pounded to pieces, and the foun dations of the ages to fine powder. There is nothing of them left, and their voices are dead. There are dim shapes in the horror of emptiness. "But out of the north ariseth a fair glory with brightness, and the breath of the Lord breatheth life into all things. The beam of the dawn is risen, and there shall again be times and seasons, and the Being of the majesty of God is made manifest in form. From the dust of the earth is the earth made again, and of the beams of His glory shall He make new stars. j , " Send up the voices of praise, O ye things that are ; cry out in exultation with mighty music ! Praise the Lord in whom is Life, and in whom all things have Being ! Praise Him and glorify Him that is risen with the wings of the morning of heaven ; in whose breath the stars breathe, in whose ZOROASTER. 45 brightness also the firmament is lightened! Praise Him who maketh the wheels of the spheres to run their courses; who maketh the flowers to bloom in the spring, and the little flowers of the field to give forth their sweetness ! Praise Him, winter and sum mer ; praise Him, cold and heat ! Praise Him, stars of heaven ; praise Him, men and women in the earth ! Praise and glory and honour be unto the Most High Jehovah, who sitteth upon the Throne for ever, and ever, and ever . . ." The prophet's voice rang out with tremendous force and majestic clearness as he uttered the last words. Throwing up his arms to their height, he stood one moment longer, immovable, his face radi antly illuminated with an unearthly glory. One instant he scood there, and then fell back, straight and rigid, to his length upon the cushioned floor dead ! Zoroaster started to his feet in amazement and horror, and stood staring at the body of his master and friend lying stiff and stark beneath the yellow light of the hanging lamp. Then suddenly he sprang forward and kneeled again beside the pale noble head that looked so grand in death. He took one of the hands and chafed it, he listened for the beating of the heart that beat no more, and sought for the stir ring of the least faint breath of lingering life. But he sought in vain ; and there, in the upper chamber of the tower, the young warrior fell upon his face and wept alone by the side of the mighty dead. 46 ZOROASTER. CHAPTER IV. THUS died Daniel, and for seven days the women sat apart upon the ground and mourned him, while the men embalmed his body and made it ready for burial. They wrapped him in much fine linen and poured out very precious spices and ointments from the store-houses of the palaces. Round about his body they burned frankincense and myrrh and amber, and the gums of the Indian benzoe and of the Per sian fir, and great candles of pure wax ; for all the seven days the mourners from the city made a great mourning, ceasing not to sing the praises of the prophet and to cry aloud by day and night that the best and the worthiest and the greatest of all men was dead. Thus they watched and mourned and sang his great deeds. And in the lower chamber of the tower the women sat upon the floor, with Nehushta in their midst, and sorrowed greatly, fasting and mourning in raiment of sackcloth, and strewing ashes upon the floor and upon themselves. Nehushta's face grew thin and very pale and her lips white in that time, and she let her heavy hair hang neglected about her. Many of the men shaved their heads and went bare footed, and the fortress and the palaces were filled with the sound of weeping and grief. The Hebrews who were there mourned their chief, and the two ZOROASTER. 47 Levites sat beside the dead man and read long chap ters from their scriptures. The Medes mourned their great and just governor, under the Assyrian name of Belteshazzar, given first to Daniel by Nebuchadnezzar ; and from all the town the noise of their weeping and mourning came up, like the mighty groan of a nation, to the ears of those that dwelt in the fortress and the palace. On the eighth day they buried him, with pomp and state, in a tomb in the garden which they had built during the week of mourning. The two Levites and a young Hebrew and Zoroaster himself, clad in sack cloth and barefooted, raised up the prophet's body upon a bier and bore him upon their shoulders down the broad staircase of the tower and out into the gar den to his tomb. The mourners went before, many hundreds of Median women with dishevelled hair, rending their dresses of sackcloth and scattering ashes upon their path and upon their heads, crying aloud in wild voices of grief and piercing the air with their screams, till they came to the tomb and stood round about it while the four men laid their master in his great coffin of black marble beneath the pines and the rhododendrons. And the pipers followed after, mak ing shrill and dreadful music that sounded as though some supernatural beings added their voices to the universal wail of woe. And on either side of the body walked the women, the prophet's kinsfolk; but Ne- hushta walked by Zoroaster, and ever and anon, as the funeral procession wound through the myrtle walks of the deep gardens, her dark and heavy eyes stole a glance sidelong at her strong fair lover. His 48 ZOROASTER. face was white as death and set sternly before him, and his dishevelled hair and golden beard flowed wildly over the rough coarseness of his long sackcloth garments. But his step never faltered, though he walked barefooted upon the hard gravel, and from the upper chamber of the tower whence they bore the corpse to the very moment when they laid it in the tomb, his face never changed, neither looked he to the right nor to the left. And then, at last, when they had lowered their beloved master with linen bands to his last resting-place, and the women came near with boxes of nard and ambergris and precious ointments, Zoroaster looked long and fixedly at the swathed head, and the tears rolled down his cheeks and dropped upon his beard and upon the marble of the coffin ; till at last he turned in silence, and went away through the multitude that parted before him, as pale as the dead and answering no man's greeting, nor even glancing at Nehushta who had stood at his elbow. And he went away and hid himself for the rest of that day. But in the evening, when the sun was gone down, he came and stood upon the terrace in the darkness, for there was no moon. He wore again his arms, and his purple cloak was about him, for he had his duty to perform in visiting the fortress. The starlight glimmered faintly on his polished helmet and duskily made visible his marble features and his beard. He stood with his back to the pillars of the balustrade, looking towards the myrtles of the garden, for he knew that Nehushta would come to the wonted tryst. He waited long, but at last he heard a step upon the ZOROASTER, 49 gravel path and the rustle of the myrtles, and pres ently in the faint light he could see the white skirt of her garment beneath the dark mantle moving swiftly towards him. He sprang forward to meet her and would have taken her in his arms, but she put him back and looked away from him while she walked slowly to the front of the terrace. Even in the gloom of the starlight Zoroaster could see that something had offended her, and a cold weight seemed to fall upon his breast and chilled the rising words of loving greeting. Zoroaster followed her and laid his hand upon her shoulder. Unresponsive, she allowed it to remain there. " My beloved," he said at last, trying in vain to look into her averted face, " have you no word for me to-night ? " Still she answered nothing. " Has your sorrow made you forget our love?" he murmured close to her ear. She started back from him a little and looked at him , Even in the dusk he could see her eyes flash as she answered : " Had not your own sorrow so utterly got the mas tery over you to-day that you even refused to look at me ? " she asked. " In all that long hour when we were so near together, did you give me one glance ? You had forgotten me in the extremity of your grief ! " she cried scornfully. "And now that the first tor rent of your tears has dwindled to a little stream, you have time to remember me ! I thank my lord for the notice he deigns to give his handmaiden, but I need it not. Well why are you here ? " Zoroaster stood up to his height and folded his 50 ZOBOASTEB. arms deliberately, facing Nehushta, and he spoke calmly, though there was in his voice the dulness of a great and sudden pain. He knew men well enough, but he knew little of women. " There is a time to be sorrowful and a time for joy," he said. " There is a time for weeping and a time for the glances of love. I did as I did, because when a man has a great grief for one dead and when he desires to show his sorrow in doing honour to one who has been as a father to him, it is not meet that other thoughts should be in his mind ; not even those thoughts which are most dear to him and nearest to his heart. Therefore I looked not at you when we were burying our master, and though I love you and in my heart look ever on your face, yet to-day my eyes were turned from you and I saw you not. Wherefore are you angry with me ? " " I am not angry," said Nehushta, " but think you love me little that you turn from me so easily." She looked down, and her face was quite hidden in the dark shadow. Then Zoroaster put his arm about her neck and drew her to him, and, though she resisted a little, in a moment her head rested on his breast. Then she struggled again. " Nay, let me go, for you do not love me ! " she said, half in a whisper. But he held her close. " Nay, but you shall not go, for I do love you," he answered tenderly. " Shall not ? " cried she, turning in his arms, half fiercely; then her voice sank and thrilled softly. " Say that I will not," she murmured, and her arms went round him and pressed him passionately to her. ZOROASTER. 51 " Oh, my beloved, why do you ever seem so cold ? so cold when I so love you?" " I am not cold," he said fondly, " and I love you beyond all power of words to tell. Said we not that you had your way and I mine ? Who shall tell us which is the sweeter music when both unite in so grand a harmony ? Only doubt not, for doubting is as the drop that falls from the eaves upon the marble corner-stone, and, by ever falling, wears furrows in the stone that the whole ocean could not soften." " I will not doubt any more," said Nehushta sud denly, " only can you not love me a little sometimes in the way I do you? It is so sweet, my way of loving." " Indeed I will try, for it is very sweet," answered Zoroaster, and, bending down, he kissed her lips. Far off from the tower the melancholy cry of an owl echoed sadly across the gardens, and a cool damp breeze sprang up suddenly from the east. Nehushta shuddered slightly, and drew her cloak about her. " Let us walk upon the terrace," she said, " it is cold to-night is not this the last night here?" "Yes; to-morrow we must go hence upon our journey. This is the last night." Nehushta drew closer to her lover as they paced the terrace together, and each wound one arm about the other. For some minutes they walked in silence, each perhaps recalling the many meetings upon that very terrace since the first time their lips met in love under the ivory moonlight of the month Tammuz, more than a year ago. At last Nehushta spoke. " Know you this new king ? " she asked. " I saw 52 ZOROASTER. him but for a few moments last year. He was a young prince, but he is not fair." "A young prince with an old man's head upon his shoulders," answered Zoroaster. "He is a year younger than I but I would not have his battles to fight ; nor, if I had, would I have taken Atossa to be my wife." " Atossa ? " repeated Nehushta. "Yes. The king has already married her -she was the wife of Cambyses, and also of the false Smerdis, the Magian, whom Darius has slain." " Is she fair ? Have I not seen her ? " asked Nehushta quickly. " Indeed, you must have seen her at the court in Shushan, before we came to Ecbatana. She was just married to Cambyses then, but he regarded her little, for he was ever oppressed with wine and feasting. But you were a child then, and were mostly with the women of your house, and you may not have seen her." " Tell me had she not blue eyes and yellow hair ? Had she not a cruel face very cold ? " "Aye, it may be that she had a hard look. I remember that her eyes were blue. She was very unhappy ; therefore she helped the Magian. It was not she that betrayed him." " You pitied her even then, did you not ? " asked Nehushta. " Yes she deserved pity." " She will have her revenge now. A woman with a face like hers loves revenge." " Then she will deserve pity no longer," said Zoro aster, with a slight laugh. ZOROASTEK. 53 " I hate her ! " said the princess, between her teeth. " Hate her ? How can you hate a woman you have never more than seen, and she has done you no evil in the world ? " "I am sure I shall hate her," answered Nehushta, " She is not at all beautiful only cold and white and cruel. How could the Great King be so foolish as to marry her ? " "May he live for ever! He marries whom he pleases. But I pray you, do not begin by hating the queen overmuch." " Why not ? What have I to gain from the queen? " asked the princess. " Am I not of royal blood as well as she?" " That is true," returned Zoroaster. " Neverthe less there is a prudence for princesses as well as for other people." " I would not be afraid of the Great King himself with you beside me," said Nehushta proudly. " But I will be prudent to please you. Only I am sure I shall hate her." Zoroaster smiled to himself in the dusk, but he would not have had the princess see he was amused. "It shall be as you please," he said; "we shall soon know how it will end, for we must begin our journey to-morrow." "It will need three weeks, will it not?" asked Nehushta. " Yes it is at least one hundred and fifty far- sangs. It would weary you to travel more than seven or eight f arsangs in a day's journey indeed, that is a long distance for any one." 54 ZOROASTER. "We shall always be together, shall we not?" asked the princess. " I will ride beside your litter, my beloved," said Zoroaster. " But it will be very tedious for you, and you will often be tired. The country is very wild in some parts, and we must trust to what we can take with us for our comfort. Do not spare the mules, therefore, but take everything you need.'* "Besides, we may not return," said Nehushta thoughtfully. Her companion was silent. " Do you think we shall ever come back ? " she asked presently. " I have dreamed of coming back," answered Zoro aster; "but I fear it is to be even as you say." " Why say you that you fear it ! Is it not better to live at the court than here in this distant fortress, so shut off from the world that we might almost as well be among the Scythians? Oh, I long for the palace at Shushan ! I am sure it will seem tenfold more beautiful now than it did when I was a child." Zoroaster sighed. In his heart he knew there was to be no returning to Media, and yet he had dreamed of marrying the princess and being made governor of the province, and bringing his wife home to this beautiful land to live out a long life of quiet happi ness. But he knew it was not to be ; and though he tried hard to shake off the impression, he felt in his inmost self that the words of the dying prophet foretold truly what would happen to him. Only he hoped that there was an escape, and the passion in his heart scorned the idea that in loving Nehushta he was being led astray, or made to abandon the right path. ZOKOASTEB. 55 The cold breeze blew steadily from the east, with a ehill dampness in it, sighing wearily among the trees. The summer was not yet wholly come, and the after- breath of the winter still made itself felt from time to time. The lovers parted, taking leave of the spot they loved so well, Zoroaster with a heavy foreboding of evil to come ; Nehushta with a great longing for the morrow, a mad desire to be on the way to Shushan. Something in her way of speaking had given Zo roaster a sense of pain. Her interest in the court and in the