*>-liiiBJt. .4'f ENGLAND, LITERARY AND SOCIAL, GERMAN POINT OF VIEW, Digitized by the Internet Archive in 2008 with funding from IVIicrosoft Corporation http://www.archive.org/details/englandliterarysOOroderich ENGLAND, LIXEEAEY AND SOCIAL, FROM A GERMAN POINT OF VIEW. BY JULIUS RODENBEEG. LONDON: KICHARD BENTLEY & SON, NEW BURLINGTON STREET, Publisfjers in ©rUinarg to f^er IHajcsty. 1875. LONDON : PRINTED BY WILLIAM CLOWES AND SONS, STAMFORD STREET AND CHAEIKG CBOSS. AUTHOK'S PEEFACE, The following Essays were written at various times, after long and often repeated residences in England. They not only reproduce impressions, but also recapitulate the studies to which such residences gave rise. Published originally in periodicals for the most part, they have been enlarged, revised, and are here for the first time presented in a complete form. Unity of place, object, and tone, if I may be allowed the expression, lends them a certain esoteric connec- tion, justifying their appearance in their present form ; although they cannot claim to be considered in a systematic sense as a perfect whole. Everywhere starting from some important point in 'the history of literature and education, the Author of these Sketches has endeavoured to seize, here and there, out of the isolated periods 334520 vi AUTHORS PREFACE. of Ed gland's development in both these pro- vinces, a moment, not indeed arbitrarily, but always guided by the idea of making it the central point of a picture, which from the concrete offers a perspective of the abstract : the people, and the country of England. Nor, if the Author has rightly delineated per- sons and conditions, is the merit his, but rather that of English and German inquirers, in whose track he has followed : all that out of his own observation he has added is simply a back- ground to the landscape, some local colour, some reference to the ground itself, out of which these persons and conditions grew. An inexhaustible pleasure has it been to him to seek out those places which stood in any local connection with the objects of his interest, and to mark the vicis- situdes they have undergone in the lapse of cen- turies. No track or corner relating to these objects has he left untrodden; the whole day long in the midst of the budding life of the present has he sought out the traces of the past; in old cathedrals, and in houses black- ened with smoke; in castle and in city, by land AUTHORS PBEFAGE. and by sea, in many a street and on many a shore. The Ocean^ which from England's coasts carries the eye into an apparent infinitude, and the City, which gives the impression of the strongest and most strictly-defined peculiarity — the church-tower, beyond which a thousand lives have never looked, the immeasurable sea in which another thousand lie cradled — this opposition and this interchange of the old time-hallowed, fast-rooted, yea, pedantic, on one side, and on the other, ever-varying, fantastic, and strange, runs from its natural beginning through the life, the history, the poetry of England ; and I should be glad if the present book reflected any of the manifold lights which spring from the method of consideration I have mentioned. This work was already finished in its several parts when the war of 1870 delayed further com- pletion. It may be allowed to this, as to many other labours of peace, to refer to the period when the war interrupted them. The sickly trait which the German cosmopolitism wore, almost compulsorily, is eradicated — the echo of it we would viii AUTHORS PBEFAGE. ♦ cherish. It is not the German way to shut one- self up in one's own self-complacency. We would progress, busy ourselves with the external world, and recognise all that is great therein. But the effect will be other than it once was. To us also, in the widest measure, is this recognition assigned, but the genius of the Grerman people will prevent us losing our senses in the contemplation of our own grandeur. With the consciousness that we are what we now are, of our own strength alone ; with the happy feeling of creation and action around us, we will never deny the friend- ship of earlier years, and we would see with deep regret enmities prolong themselves_, whose first germ lay but in the fault which Grermany, with Grod's help, will avoid, in self-conceit, and the want of a generous recognition of that which is not German ! Julius Eodenberg. Eisenach, September 1872. TRANSLATOR'S PREFACE. A NOTICE of this work, which appeared in the 'Times,' in December 1872, speaks of it as one of many efforts of the Author to endeavour "to make his countrymen know and love England." It appeared to the Translator that an interest would be evoked in this country to read the opinion which an impartial foreigner had formed of some of our social and literary characteristics. The papers are partly historical, partly the result of personal impressions of the Author whilst a tourist in England. The Translator has left a few occasional foreign modes of expression where he deemed that a certain character and freshness would be lost by a too literal English rendering. Temple, 1875. CONTENTS. PAGK AUTHOR'S PREFACE .. .. v TRANSLATOR'S PREFACE ix KENT, AND THE CANTERBURY TALES .. .. 1 SHAKSPEARE'S LONDON 79 COFFEE-HOUSES AND CLUBS OF LONDON .. 137 THE JEWS IN ENGLAND 257 PICTURES OF ENGLISH HIGHROADS 341 AUTUMN ON THE ENGLISH LAKES 379 2. KENT, AND THE CANTERBURY TALES. The Grerman traveller in England is least likely to forget his first view of Albion's earliest charms, the white cliffs of Dover rising out of a fresh green sea. He treads the land of Kent with the feeling that he is here treading a new land apart from all he has yet seen. Other faces, other houses, other landscapes, another sky, and another mode of life, suddenly come before him, but withal an echo, as from the distant years, brings him home. He remembers that his own past greets him here, thinking of those words in Camden's ' Britannia ' : " Here was the first Saxon rule established in Britain a.c. 456, and from them it was called Cantwararyc." (Edit. Francof., p. 242.) Where now the red banner with the blue cross waves, there fluttered once the Saxon flag with the white horse — the horse whose figure adorned the Saxon ships as it adorns the straw roofs of peasants' houses in Lower Saxony at the present day, the white steed which Hengist and Horsa bore on their shield, and which, through the B 2 ■^ ENGLAND Hanoverian succession, has entered the blazon of the three United Kingdoms. Removed since the accession of Yictoria, it has yet remained in the county of Kent from time immemorial, and there in the old Saxon kingdom, once the kingdom of the men of Cantium, it tells the history of the past to the wanderer in the sunshine on its land. A fair land it is, this England's garden, blest with all which makes the heart glad ; with fruit and corn and hops, with meadows and woods of stately oaks and elms, with rivers filled with fish, and wayside villages. Between these here and there, surrounded by its park and timber, a hundred years old, rises one of those baronial halls in which no other county is so rich as Kent, or one of those old-fashioned manor houses in the style of the Tudors, the ancient seat of the landed gentry. What a charm of homeliness, honour, and trust, broods over the red brick walls of these resi- dences, rising among towns filled with the hum of labour, out of a crown of trees by the way- side—pictures of distinguished rest, of secure pos- session, of constancy and duration in the midst of that ceaseless change to which we are all subject ! Old, and yet not in decay— closed, yet not hostile — proud, yet not insolent— they stand there unhurt by the storms which have ruined FBOM A GEBMAN POINT OF VIEW. 5 the castles in France and threatened those in Germany, seats of courage, plenty, hospitality, the old brothers of the city, the remains of good Old England. Landed proprietors lived here — squires, so called — people who were not noble, though they had a long line of ancestors and a splendid coat-of-arms. A mean between the nobility and the peasantry, they were the famed old gentry, the land's substance, the might of the realm, the real kernel of the English nation^ re- presenting its wealth and independence, strength- ened by OromwelFs iron regiment when he smashed the heads of the nobles. The conceptions of "squire," "gentry," and its correlative "gentle- man," are so thoroughly English, that they can only be made plain to a Continental understanding by description.* The moral meaning of gentleman we know, and have adopted it in our own German language. But this is only one side of the con- * "I am styled * gentleman ' by Act of Parliament," says Mr. Sampson Brass in the ' Old Curiosity Shop,' though no English reader would take him really to be a " gentleman." The conventional has nothing in common with the legal term. Washington Irving says there is "an indescribable something which always distinguishes the gentleman, which dwells in a man's air and deportment, and not in his clothes." —'Tales of a Traveller,' p. 116, Bohn's Edition. ENGLAND ception, by no means all. The squire — an anti- quated title, in the place of which is now the country gentleman, one of the most enviable personalities in modern English life — was origin- ally a knight's son before receiving knighthood. Every holder of a fee-simple of more than 201, sterling, was then entitled to knighthood : more and more, however, men withdrew themselves from this costly honour, and after the 46 th year of Edward III., 1373, the title '* squire" was accorded to every large landowner, without consideration of knighthood or fee. The squire, or lord of the manor, has been defined as a landowner of the lower nobility : but he is more and less ; less, since he has no legal status, as the nobleman has — more, since he may be of more aristocratic descent, and possess a local influence which is not to be referred to any law, but is inherited with the land itself, often through cen- turies, from father to son. " Nobilis fit," the Eng- lish Peer is 7nade, under the old title is often a new family; but "nascitur generosus," a man must be born of this kind, as is plain from the notable reply put in the mouth of James I., who, after his succession, was asked by his nurse to make her son a gentleman, " My good woman, I can make him a Lord, but it is beyond my power to make him a FBOM A GERMAN POINT OF VIEW. 7 gentleman." Even Selden, the famous jurist, whose 'Treatise on Titles of Honour/ published in 1614, is still an authority on the respective ranks of the nobility and gentry, goes so far as to say that not even God Almighty can make a gentleman. The matter is made clear by considering the gentry as corresponding to the German nobility. The gentry is divided into the titled and the non-titled. The first class is made up of baronets and knights. This class, compared with the nobles, is known as the lesser or lower nobility. But neither knight nor baronet has, beyond his title and precedence in order of rank, the slightest privilege over the old squire or untitled gentleman ; they rather represented and still represent the gentry which may be elected only for the Lower House, while the nobility is admitted by law to the Upper. But the nobility of England can, as far as regards age, scarcely be compared with that of Germany, still less with that of France. This is owing to its political nature, which, as before remarked, is most nearly related to the Upper House : a Lord is always also a Peer ; he thus preserves the mark of his origin better than the nobility of any other land in Christendom. All nobility is and can only be originally a nobility of merit ; but through the unlimited inheritance of a distinction in its essence ENGLAND persona], this character is in most other lands almost lost. In England it has not only remained in principle ; hut the tendency of modern time is to cause it, in fact^ to assume greater importance. Though inheritance still exists, it is narrowed ; the children of great families return, after a time, back into the people, whence their ancestors sprung, A Peer's eldest son, succeeding to the title at his father's death, is during his life only conventionally a Lord, and is therefore eligible for the Lower House. Changed in England, more than elsewhere, is the usage of conferring nobility on merit as such, by giving it a seat in the House of Lords. Twenty of the greatest families have been founded by City merchants, and seventy Peers owe their elevation to a successful career as advocates or administrative functionaries. The English nobility is an institution with a living organism, in which the blood, through assimilation, and rejection of used up elements, is continually renewed ; instead of separating itself from the people, it has always drawn its greatest strength from its connection with them, and thus, though with fewer ancestors than Continental no- bility, it possesses greater riches and popularity. A "title without means"* is not of much value * Cf. ' The Act of Attainder against the Duke of Oldford.' — ' Saturday Review,' March, 1873, p. 379. FBOM A GEBMAN POINT OF VIEW. 9 in England, and bankruptcy is looked on as a sufficient ground for degradation. A dozen profli- gate Peers might be mentioned, who, after running through their property, were either not called to the Upper House or had their names taken out from the list of members. In earlier cen- turies wars, in later revolutions and treasonable conspiracies, have made great gaps among them. The war between the Eed and White Eoses asked for whole hecatombs of noble victims : it was strictly commanded before the battle that the nobles should be killed, the commoners alone spared. Thus in thirteen engagements, from St. Alban s day, in the year 1455, to the day of Bosworth, in 1485, two kings, four princes, ten dukes, two marquises, twenty-one counts, two viscounts, and twenty-seven barons fell, either on the field of battle or after- wards by assassination. Attainder, too, since the time of the Conqueror, has considerably thinned the ranks of the nobles : no less, indeed, than eighty lords have died under the hands of the executioner or common hangman. Little trace now exists of the great Norman nobility of William, as little of the creations of Lackland. Among England's oldest titled families, three can trace their genealogy to the time of Henry III., and three to that of the first Edward ; 10 ENGLAND but these, strangely enough, are in the lowest ranks of the English Peerage, while its higher dignities point back invariably to a more modern origin. Scarce a sixth of the present sitters in the Upper House held their titles at the time of the Revo- lution in 1688, and in thirty years the list of the Peers has been increased by over sixty names. Out of twenty dukedoms, one only comes from the fifteenth century, and the oldest marquisate is not older than the sixteenth. Of 108 earldoms, two only came from the fifteenth century, thirty-one from the eighteenth, and fifty-four from the nine- teenth. Only one viscount dates from the six- teenth century. Baronies go back as far as the thirteenth century, of which there are six, and four from the fourteenth : of the former, three are Peeresses in their own right. One of these. Baroness Boscawen, represents the Barony of Despencer; she and the Baroness de Eos are of the two oldest noble families of England, created in the year 1264. Beyond this can none of the Upper House trace their descent, whilst the name and family of many of the gentry is in the ' Doomsday Book,' as that of the famous Millais, the painter of the 'Bride of the Huguenot.' But the squire was quite a different being from his descendant the country gentleman, yet not more so than the life FBOM A GEBMAN POINT OF VIEW. 11 of the present from that of the past. He who would know him in his rough, sometimes too rough, yet always genial humour, must read some romance of the last century, as, for instance, ' Tom Jones,' where Fielding has given us so delightful a picture of the two worthy neighbours. Squires Western and Allworthy, of whom the last does nothing but make others happy, while the first — a far truer picture of his time — does nothing but hunt, curse, and become fuddled with — the parson. Not less ancient than the dwellings of the landed proprietors in Kent are its towns. Dover claims precedence, as being the first entered by any one landing in that county, with its old Nor- man castle, clavis et repagulum totius regni, as Mat- thew Paris describes it. As Kent was the nearest point to the Continent, so all England's conquerors landed here. Julius Caesar and the Eomans at Dover ; the Saxons at the Isle of Thanet, now no more an isle; and lastly the Danes. So these coasts were strictly watched in the time of the Normans, and the Cinque Ports especially con- structed for their defence, of which, however, some, like Sandwich, for more than a hundred years have been part of the mainland. The governor of these ^ve havens is called Lord Warden, a post which, since the havens disappeared, has become a sinecure, 12 ENGLAND and is given to deserving statesmen, as last to the Duke of Wellington and Lord Palmerston. The residence of the Lord Warden is Walmer Castle, an old castle by the sea^ not far from the village of the same name, in vv^hich I, in the beginning of 1860, lived, and saw the then Lord Warden Palmerston riding merrily with his groom behind him. It is a lovely residence : the perfume of the fields mixes itself with the salt breeze of the sea ; on the left lies the little picturesque village of Deal, and opposite in the sea the dangerous Goodwins, " that fearful sandbauk where the skeletons of so many stately ships lie buried " (' Merchant of Yenice,' iii. 1), once, in far back days, the posses» sion of the Earl of Goodwin, father of that Harold whom William conquered at Hastings. So has the sea, ever labouring — here washing away, there adding — buried in its deeps part of the mainland^ and elsewhere made islands, as that of Thanet, or havens, as that of Sandwich, part of the present Continent. Sandwich, now a quiet little rustic town, lies not far from the ocean, which, however, can only be seen from the top of the old crumbling tower of the church, surrounded by its graves. To the stranger who passes through its empty streets it must seem a city of the dead, a realm reigned FBOM A GEBMAN POINT OF VIEW. 13 over by sleep and dream ; there are few traces to remind him that active life once dominated here. Three hundred years ago Sandwich was the object of a peculiar invasion, friendly, however, and welcome — that of the Protestant Flemings, who sought a refuge here, when, flying from Alba, they de- termined rather to give up their home than their creed. The exodus of Belgium's richest merchants, most excellent fabricators and most diligent manu- facturers, lasted for a year. They wandered in all directions, but those who turned to England and greeted its coast as Asylum Christi first settled in Sandwich, where we find a great number of them in the year 1561. Their artistic knowledge, and their love of freedom, they brought with them wherever they went ; and well might one say of them here in England as later was said in the Mark Brandenburg^ that "those towns in which they dwelt were happy, for Grod followed them with His blessing." In spite of Papal Bulls, Queen Elizabeth secured them a hospitable recep- tion. The mayor and council of Sandwich were advised to receive them in a friendly manner, and to give them especially every assistance in the prosecution of their trade, linen and cloth weav- ing, which they brought with them to our shores. This was done. Two weekly markets were or- 14 ENGLAND dained in Sandwich for the selling of their goods, which were soon sought out of all parts of Eng- land. They had a church and churchyard, as they had desired on landing, a place to worship their God, a place to bury their dead, and liberty to prac- tise their trade. Sandwich, which shortly before, through the fact of its haven becoming covered with sand, was sunken from its former greatness, attained new altitude and reputation. Well might Schiller make his Marquis Posa cry to the tyrant Philip II. — " Thousands fled from their father- land, poor and happy. Elizabeth received the fugitives with open arms, and Britain blossomed and bore fruit through our country's handiwork." Others soon followed the colony of Sandwich. Samuel Smiles, whose story of the settling of the Flemish in Kent we here recapitulate, tells us that in the very first years of Elizabeth's reign a troop of eighteen Walloon families, under the guidance of their rector Hector Hammon, Minister verhi Dei, came to Canterbury, where they were re- ceived with no less friendliness. Here they set up their looms, hitherto unknown in England, for brocade, Orleans silk, and half-silk produce. The high-spirited and liberal Matthew Parker, Arch- bishop of Canterbury, gave them for their religious service a crypt of the Cathedral once consecrated FBOM A GEBMAN POINT OF VIEW. 15 to the Holy Virgin, and in this crypt — out of whose former wealth in gold, purple, jewels, and costly stones Henry Till, only left the rings on which the silver lamps hung — these refugees assembled them- selves for prayer and preaching. The community which here flourished during the seventeenth cen- tury became afterwards smaller from year to year ; at the beginning of the last century the greater number, together with the Huguenots, had gone to London, where their posterity are still extant among the Spitalfields' weavers. The remainder, however, is still in Canterbury ; and although the community consists but of twenty members, out of which are two elders and four deacons, it still holds in the so-called " French Church/' which is the present name of the old crypt, its Calvinistic service, while above in the Cathedral all the pomp of the High Church of England displays itself. A deeper impression was left by the Flemish colony in Sandwich. Here, not long after their landing, they constituted a third part of the people. Though cloth-weaving was their spe- ciality, they by no means confined themselves to this. Many of the branches of that industry in which England beyond doubt takes precedence, and which is the fountain of its national wealth, as, for instance, that of the cloth and wool manufac- 16 ENGLAND ture, these Flemish introduced, and helped to perfect others. They built the first Dutch windmills on the coast of Kent ; they fabricated porcelain ; above all, they tended garden and field after the fashion of their former home. " Till the time of these settlers," says Smiles, "the art of gardening was almost unknown in England ; cabbages, ra- dishes, turnips, and other vegetables were scarcely to be had : indeed, one scarcely knows how to cook them even at the present day" The Spanish Catharine, Henry YIII.'s first wife, accustomed as she was to salad in her southern home, could scarcely procure one in all England, and was obliged to import it from the Netherlands. All this, and more, the Flemish brought : they changed the fail* Kent into that garden, in which all is green and bloom to the edge of the ocean ; and though Sandwich has long since become a quiet town, which gives no more any information as to its second elevation_, yet the gardens which surround the houses like a voluptuous crown, and recommend themselves as much by their neatness as by their fertility, remind us still of the days of those settlers from the Netherlands. But these have long since ceased to be a separate people, though, mixed with the general, numberless families still retain their Dutch names. A direct descend- FBOM A GEBMAN POINT OF VIEW. 17 ant of the Bouveries — the original Bouverie being a great wool-manufacturer, who in the year 1567 escaped to Sandwich from the Inquisition of Alba — sits now in the House of Lords as Earl Eadnor ; and the Right Hon. E. H. Knatchbull-Hugessen, an offshoot of the Flemish Hugessen, a weaver, represents in the House of Commons the town which once received as an asylum his ancestors. The town, however, which more than any other in Kent preserves recollections of bygone time, and tells those who care to hear such voices of the past a whole history of old English life and poetry, is Canterbury, lying inland halfway between London and the sea. 18 ENGLAND II. There it stands, the old archiepiscopal town, the Cantuaria of the Saxons, the metropolis of the men of Kent, the " Kantelburg " of the German stu- dents of theology — there it stands before me, with its old cathedral, with its old churches, asylums, cloisters, old streets, and old gabled houses, A feel- ing steals over me as on that morning, when I stood under the shadows of its houses, not as if I were myself old, but as if the old time were again young ; such rest lies over it, as out of past cen- turies. The sun shines on its grey slate roofs and towers with another light, as if less colour were there, paler, fainter, more dreamy ; like the sunshine on old sacred paintings. All round is the old wall, in some places fallen, but every- where overgrown with ivy and wild flowers, which smell strong in the midday sun. Quiet gardens lie under the walls; in the still streets are old inns, with dark, cool, arched chambers; and in the darkest corner stands " mine host," who has lost nothing of the redness of his nose from wearing a fashionable white cravat, and properly FBOM A GERMAN POINT OF VIEW. 19 is no more called "host/' but "waiter;" and the " butler," who, alas ! has lost his leathern apron, brings me a pewter pot and tumbler; and the " ostler " sits in the yard on the shafts of a waggon, polishing the silver garnishing of his harness, and humming part of a harvest-song, with the beau- tiful refrain, ** Over, over, over and over. Let every man drink off his can, And toss it over and over." Again I go into the streets and bye-lanes, which are full of the warm August sunshine and shadows, of crowds of men, and the gay bustle of the morning market; and amongst all the other old houses also that " very old house bulging out over the road, a house with long, low lattice- windows, bulging out still farther, and beams with carved heads on the ends bulging out too, so that I fancied the whole house was leaning forwards, trying to see who was passing on the narrow pavement below." Every reader of Dickens's masterpiece, ' David Copperfield,' knows that in this house, with its old-fashioned brass knocker, its low-arched door and corners, its angles and carvings, and its quaint little panes of glass, and yet quainter little win- dows, as old as the hills, yet as pure as any snow c 2 20 ENGLAND that ever fell on them, the fair Agnes lived ; that angel of a wife with whom poor David was blessed, when he, sick of the joys and the sorrows of the world, returned home to this old town of his youth, to find in its familiar obscurity peace, and in the forgotten playmaiden the good, true, forgiving friend and helpmate whom he could never forget. A thousand remembrances awake as I walk along through the High Street of the town (so is called regularly in every English provincial town the old " Heerstrasse "). Here is a small street, "Mercery Lane," which seems more anti- quated than all the other antiquated streets ; and here is an open space, and on it stands, in all its mediaeval splendour and magnificence, the Cathedral. The Cathedral is the prominent trait in the fea- tures of Canterbury^ and wherever one may stand, in the streets or in the environs of the town, it remains present to him, like an earnest and solemn thought. So long as one can see Canterbury, its quadrangular towers are conspicuous in the wide plain to the traveller who passes in the railway, a last reminiscence of monkish, as the Castle at Dover of feudal England. The ground-stone of this building was laid by William the Conqueror ; but the individual parts FBOM A GEBMAN POINT OF VIEW. 21 date from the most various periods of those cen- turies which, for the West of Europe, have become the classical age of architecture. Hence the whole has a character of variety, intimately connected through the transcendental spirit which formerly loved to celebrate the Highest in poems of stone, which for the princes and great of this world made dark fast castles, but for the King of kings that light dome — whose towers stretch full of longing towards Heaven. The choir of the Cathedral has an imposing effect when one first sees its pillars, its arches, and, walking under its vaults, thinks he beholds above him the arches of an oak-wood turned into stone, from which the German spirit obtained its first architectural inspiration. It is the Anglo- Norman style which does not essentially differ from our Grothic, for the same German rudi- ments are in both. Upon the north side of the Cathedral are the cloisters, the chapter-house, and the remains of the archiepiscopal palace. The treasure-chamber is in a quadrangular Norman tower at the east end, and here were kept, before the abolition of the Catholic religion in Eng- land, the numerous relics of which Erasmus has written. In the nave, in the aisles, and the crypt, in the twilight which falls through the stained- 22 ENGLAND glass windows, lie buried a king of England, a queen, a prince, many cardinals, and all the arch- bishops of Canterbury who in the four hundred years from 1161 to 1502 here lived and died. Their stone figures, with the mitre on their heads, the crosier in their hands, and with faces as if they slept, repose on their stone sarcophagi. What a row of coffins and of remembrances ! Yet only two of them have preserved for us, over so long a time, their romantic or historical charm — '* Black Edward's helm and Becket's bloody stone." — Don Juan, x. 73. The Black Prince ! Edward III.'s heroic son, who does not know him ? The favourite of ancient folk-lore, gay, full of animal spirits, the intrepid conqueror of Cressy, who yet was destined in early manhood to suffer and to die ! To this day that little book which, under the title ' History of Edward the Black Prince, together with the Con- quest of France,' represents his military exploits, his love adventures, and his early death, forms a chief ingredient of that flying literature that one so often meets in London's old quarters in the form of a long pamphlet, with innumerable leaves and pictures therein. How happy the readers of this history are still at the thought that the king's son at last loves and marries a FBOM A GERMAN POINT OF VIEW. 23 daughter of the people, the beautiful maid of Kent, "an overflowing young thing!" and how little care they that historical criticism has long ago informed us that the beautiful maid of Kent, this " overflowing young thing," was really a widow with four children ; and might have been the exact ideal of that other Prince of Wales, whom our older contemporaries remember as the " finest gentleman in Europe," the famous Prince Regent, and subsequent Greorge TV., whose device in reference to the fair sex was " fair, fat, and forty." There the Black Prince of Canterbury lies in the Cathedral, buried in the land which he loved, in the town in which he willingly tarried, and in the place which he appointed in his will for his resting-place. Upon his sarcophagus is his figure in gilt brass, fully armed — with the halo and the Grerman legend " Ich Dien," which this prince won, together with the ostrich feathers, in the battle of Cressy, and the arms which all follow- ing Princes of Wales inherit to this day — with the locked hands, out of which, however, Cromwell took the sword. " The miscreant," says my guide- book^ — which might well have been written by a strong High Churchman, — who broke the pre- cious stone out of the crown of the dead Prince 24 ENGLAND my author does not say, but I conjecture it was his own friends, the High Churchmen in Henry the Eighth's time. His other treasures have been left to him, namely, his old glove, his rusty helmet, his torn shirt of mail, and his self-composed Norman- French epitaph, of which this is a literal trans- lation : — " I had gold, silver, splendid cloth, Great treasures, horses, houses, land ; Yet now a poor ragamuffin, Lie I buried under the ground ; And could st thou see me, once so proud and awful, I believe thou wouldst not know me more ; And wouldst never suppose, without reading it, That I was once a man, to say nothing of a prince." Is not the English moralist right when he says that one may take fire (and even diamonds, as the example before us shows) out of the past, but never ashes ? Such a fire out of the past glimmers brightly about the other great trophy of Canterbury — the stone of Thomas a Becket. Here in his own Cathedral was he murdered at the altar, upon the stone slab which shows to this day the stains of his blood. A City boy of very humble origin, but of most brilHant talents, he soon knew how to make himself noticed. After the FBOM A GEBMAN POINT OF VIEW. 25 completion of his studies in Oxford, Paris, and Bologna, he was in 1154 made Archdeacon of the Archbishop of Canterbury. From here he came to the Court of Henry II., the first Plantagenet, who himself, a man of great importance, had a sharp eye for the importance of others. In three years had Thomas k Becket, through the favour of the King, climbed the highest secular steps in the kingdom. He was Chancellor in 1157, a title which in its signification, that of a first minister, is now known as that of the Premier, and in the English language has still maintained itself, if not with the same sense, still with the same word as " Lord Chancellor." He was a worldly man ; kept a good table, a brilliant retinue, numberless servants, fine horses, and supported his King in his endeavours against the hierarchy until he obtained the highest spiritual rule, became, that is. Archbishop of Canterbury, and Primus Regni, " Primate of all England." Then he turned his point suddenly against the King, and a hard antagonist the King had in him — hard as he was himself. The State and the Church had never, perhaps, during the whole of the Middle Ages, been pitted against each other in like bold individualities. Becket, who as Chan- cellor had shown himself the thoroughly worldly- ENGLAND minded executor of his sovereign s commands, says Pauli, in his 'Pictures of Old England/ strove with zeal, as soon as he attained the primacy, to carry out in England the consequences of the pseudo-Isidorian decretals, the sum of the exag- gerated pretensions of Gregory YII., and the recently published doctrines of canonical law of Gratian ; while in Becket's own trial, the first peer of the realm for the first time employed that insti- tution which may be described as a trial by jury. Becket fled, but he continued the battle, sup- ported by the authority of the Pope ; so that when he at length returned he had by no means the intention of yielding his position ; but his purpose was, says Pauli, to endure shame and infamy, and at the worst to die in that consecrated place where he had acted as pontiff, and to secure a victory by the death of a martyr. And so the catastrophe happened in the year 1170, which Fitzstephen, the historian of the Archbishop, and after him Hume, relates in the following manner : — "And the King himself, being vehemently agitated, burst forth into an exclamation against his servants, whose want of zeal, he said, had so long left him exposed to enterprises of that ungrateful and imperious prelate. Four gentlemen of his household — Eeginald Fitz-Urst, William de Tracy, Hugh de Moreville, and Richard Brito — taking these passionate ex- pressions to be a hint for Becket's death, immediately com- FBOM A GERMAN POINT OF VIEW. 27 municated their thoughts to each other; and swearing to avenge their prince's quarrel, secretly withdrew from Court (which at the time was held, as in those times very often happened, within the French possessions of Bayeux, in Nor- mandy). Some menacing expressions which they had dropped gave a suspicion of their design ; and the King despatched a messenger after them, charging them to attempt nothing against the person of the Primate ; but these orders arrived too late to prevent their fatal purpose. The four murderers, though they took dififerent roads to England, arrived nearly about the same time at Saltwoode, near Canterbury ; and being there joined by some assistance, they proceeded in great haste to the archiepiscopal palace. They found the Primate, who trusted entirely to the sacredness of his cha- racter, very slenderly attended ; and though they threw out many menaces and reproaches against him, he was so in- capable of fear that, without using any precautions against their violence, he immediately went to St. Benedict's Church to hear vespers. They followed him thither, attacked him before the altar, and having cloven his head with many blows, retired without meeting any opposition. This was," so concludes the chronologist, " the tragical end of Thomas a Becket." But only his worldly end ; the Church had another fate in preparation for him, for he was to her as a fallen martyr ; therefore she made him a saint, and constrained the monarch who was not able to conquer him whilst living to make a pilgrimage to his grave when dead. In the year 1172 Becket became canonized amongst the saints of the first rank as " Martyr 28 ENGLAND of the Faith ;" and on the 7th of July, 1220, his remains were interred with great solemnity in the chapel built by the successor of Henry II., which henceforth was dedicated to him, and until the Eeformation remained " the chapel of St. Thomas the Martyr." The papal legate and the Arch- bishops of Canterbury and Rheims bore the coffin upon their shoulders. Of all the saints in Eng- land he was the most popular ; and your true Briton swears only by St. Thomas of Canter- bury. But out of Britain, also, the popularity of St. Thomas so quickly spread that, as early as 1194, only twenty-four years after his murder, in the Blasiusdom, founded by Henry the Lion at Brunswick, the history of the death and martyrdom of the new saint was represented upon the painted walls of the choir, which were probably at the time of the Eeformation covered with whitewash, and have been only lately again brought to light. Legend availed itself of the welcome circum- stance. It relates to us that the murderers, to be sure, escaped, but the dogs refused to eat the crumbs which fell from their table ; and that they themselves at last threw their arms and coats of mail to the ground, unable any longer to bear the burden. One of the knights put to death his own son. All four sought the Holy Land; three of FBOM A GEBMAN POINT OF VIEW, 29 them reached it, and were, after they had con- fessed under the cross and received absolution, buried over against the Holy Sepulchre. The fourth, Tracy, was driven back by a storm, and died a miserable death. But history knows nothing of all this ; less moral than legend, it informs us that all four mur- derers within the next two years showed them- selves at Court, well pleased with their deed, rode out hunting with the King, and otherwise stood on the best footing with him. Instead of ' having,' according to the legend, ' the wind against him,' Tracy was immediately after the murder made Chief Justice of Normandy, and lived later in Devonshire ; Fitz-Urse settled over in Ireland ; and traces of the Morevilles were long preserved in England. Again, legend adds to the circumstance that the day of Becket's murder, the 29th of December, 1170, was a Friday; now one remembers that it was likewise a Friday on which he was born, a Friday on which he was christened, on which he left England as a fugitive, on which he was, through a vision, warned of his death, and on which he, notwithstanding, came back, in order to suffer on a Friday the death of a martyr. Through- out the Middle Ages, therefore, we find Friday as 30 ENGLAND a day set apart consecrated to St. Thonias. The day of his burial, the 7th of July, was the day of the " Translatio D. Thomae " in the calendar, and was until the 16th century celebrated with festive bon- fires throughout all England. During the whole of the Middle Ages the worship of the saint con- tinued, and culminated in the Canterbury proces- sions. These were held every year in spring, and were days of universal rejoicing ; from the most distant countries came pilgrims to Canterbury to worship at the shrine of St. Thomas. Here kings made donations; here the people brought their savings; and out of the rich treasures which were thus collected succeeding archbishops completed that lordly work which otherwise, perhaps, might have remained uncompleted, the Cathedral, which they raised over the now empty tomb of the last British martyr. All this, however, was altered under Henry YIII. After his separation from the Eomish Church he not only seized the immense accumulated riches in Becket's chapel, but also caused the saint himself to be summoned before his court of justice, and, "when he remained absent," condemned him as a person guilty of high treason. Henceforward we find the former St. Thomas of Canterbury called always "Thomas Becket the Tray tor;" his name was FBOM A GEBMAN POINT OF VIEW. 31 struck out of the calendar, his festive fires forbidden, his bones were burnt, his ashes strewn in the wind, and only his blood upon the stone, the last sur- viving trace of the saint, remained. At this time also ceased the pilgrimages, which had through the thirteenth, fourteenth, and fifteenth centuries preserved the character of a public feast ; but it is to these that we owe that great poem of Geofirey Chaucer, the ' Canterbury Tales/ which in its kind claims, not less than the Cathedral itself, a monumental significance, for it shows the begin- ning of a national literature, and has procured for its creator the respected title of " The Father of English Poetry." Greofirey Chaucer was a contemporary of Petrarch and Boccaccio. He was born in London, probably in the year 1340. At that time reigned King Edward III., of most glorious memory, the father of the Black Prince. The flood of national life flowed in high and proud waves. Rulers of Norman blood, but fixed firmly through a band of nearly two centuries on the new soil, sat on the throne of England; the oppressed Saxon people for the first time raised its head again, and enriched with the powerful sound of its native idiom, which yet bore the scent of the oak forests and the heathy hills, the elegant 32 ENGLAND dialect of the Norman barons, whose more refined manners and courtly behaviour by degrees also penetrated the long, solitary halls of the rustic Saxon thanes. Out of the hitherto hostile Anglo- Saxon and Norman-French elements grew the one and only English language^ and the one and only English people ; it was a great time for England, and all had the character of a gay and joyful change. While France, says Macaulay, was wasted by war, till she at length found in her own desolation a miserable defence against invaders, the English gathered in their harvests, adorned their cities, pleaded, traded, and studied in security. Many of our noblest architectural monuments belong to that age. A copious and forcible language, formed by the infusion of French into Grerman, was now the common property of the aristocracy and the people. Nor was it long before genius began to apply that admirable machine to worthy purposes ; whilst English battalions, leaving behind them the de- vastated provinces of France, entered Yalladolid in triumph, and spread terror to the gates of Florence, English poets depicted in vivid tints all the wide variety of human manners and fortunes, and Enghsh thinkers aspired to know or dared to doubt, where bigots had been content to wonder FBOM A GEBMAN POINT OF VIEW. 33 and believe. The same age which produced the Black Prince and Derby, Chandos and Hawk- wood, produced also Geoffrey Chaucer and John Wycliffe. . That was the spring of England, and Geoffrey Chaucer, its poetical herald, its first singer. Yet more ; he has something in his appearance which greatly puts me in mind of the " Bible un- folding" Luther. A friend to study, of extensive reading, with various attainments, as free from the superstitions of his age as the condition of natural science allowed him to be — he was at the same time a man of life, the world, and the people ; who understood their language, loved it, and if he did not create it, yet formed its national pecu- liarity and prepared it for literary use. The life of Chaucer is a varied existence. He plentifully experienced the favour and disfavour of fate, heartily enjoyed the pleasures of this world, and fought with all the irksomeness of existence even to his death. He visited foreign lands, and had intercourse with men of a]l ranks. With the courtly magnificence of the kings' palaces he was no less familiar than with the daily employments of the citizen and the peasant. Classically edu- cated, he was in succession courtier, soldier, diplo- matist, officer, and representative of his country D 34 ENGLAND in Parliament. Above all, he knew his own people, and felt himself one with them ; he loved his native country in his old age with a still youthful hearti- ness ; until the last the splendour and freshness of the English landscape were reflected by his soul. His good fortune took from him nothing of his amiable modesty, and no adversity was strong enough to strike him to the earth ; although his public life was not without storms and clouds, yet his poetical appearance at the commencement of English literature, and of the English people's life, is as a first fair day of spring. All his biographies written before the year 1866, as, for instance, Hertzberg in his excellent intro- duction to his translation of the * Canterbury Tales,' and Pauli in his * Pictures of Old England,' give as the earliest date in Chaucer s life the autumn of 1359, in which he, under Edward III., joined the expedition against France. Since 1866, our know- ledge in this respect has been enriched in a remark- able way. In the above-named year, Mr. Bond found in the British Museum two parchment scrolls, which for three or four hundred years had been glued together in the cover of an old MS. bought by the Museum, and known as " Additional MS., 1862" (* Fortnightly Review,' Aug. 1866, quoted in ' Chaucer's England, by Mr. Browne,' London, FBOM A GEBMAN POINT OF VIEW. 35 1869 ; and Lehmann's ' Magazine for Foreign Literature,' No. 17, April 1867). From further communications of Mr. Bond it appears that in the new binding of the above-mentioned MS. these fragments would have been probably cast aside, were it not for a strict regulation of the Museum to preserve carefully all even apparently trifling portions of any old writings. It is to this circum- stance we owe one of the most remarkable dis- coveries in the life of Chaucer. Both these leaves of parchment appear to have belonged to an old household account-book kept for the Countess Elizabeth, the wife of Prince Lionel, Edward III.'s third son. The Countess, the daughter and heiress of William de Burgh, last Earl of Ulster of this name, was, after the election of the King, brought up by his wife; in her ninth year (1341) she was betrothed to the Prince, and was married to him in the year 1352. Among her ancestors on the maternal side was Joan of Acre, the daughter of Edward I., and her mother was Maud, sister of Henry, the first Duke of Lancaster. The strips of parchment which were preserved appear to be out of the Monastery of Amesbury, of which an aunt of the Countess Elizabeth was Abbess, and they contain an index of accounts referring to the years 30-33 of Edward III.— that is, 1357-60. Here it D 2 36 ENGLAND is that we meet with the name of Geoffrey Chaucer for the first time. It is in the April of 1357, and the Countess is in London, in order to make some purchases for her wardrobe for a visit to Windsor Castle, where the feast of St. George was at that time held, at the ceremony in which the youngest son of Edward III. was invested with the Order of the Garter with especial pomp. So we find entered in the account-book, a short ander-coat, a pair of red and black hose, and a pair of shoes, for Geoffrey Chaucer. The second time the name occurs is on the 20th of May, when again an article of clothing was provided for Chaucer ; and once more at Christmas, when he was presented with a gift of 35. 6d. for " neces- saries." It appears from these, in themselves un- important, notes that in the year 1357 Chaucer was probably page in the retinue of Prince Lionel, or of the Countess Elizabeth ; they can therefore so far serve to decide a point in Chaucer's life which before had not been quite clear. The old English biographies speak with a certain predilection of his residence in the lordly park and castle of Woodstock, which existed some time after the time of Elizabeth, although they have now long vanished from the face of the earth. A peculiar glimmer of romance always FBOM A GEBMAN POINT OF VIEW. 37 shone upon the park of Woodstock, and is even now bound up with its remembrance. Henry I. laid it out as the first park in England ; and here, under the roses of the gardens, ended the sad and sweet romance between Henry TI. and his fair love Rosamond, the heroine of Korner's tragedy of the same name. In the beginning of the seventeenth century was shown in the palace of Woodstock " Rosamond's bower," which since that time has not ceased to be an object of English poetry and talk. Here then, right in the heart of the beautiful English landscape, upon the charming hills of Oxfordshire, where the Glyme winds picturesque, one has long loved to imagine the poet in his old age. Hither, we suppose, he withdrew himself from a life of bustle to a quiet house which had been bestowed upon him in the charming neighbourhood of the royal forests, and here he wrote the 'Canterbury Tales' — " In a lodge out of the way, Beside a well in a forest." It is a pretty picture ; May, which to his heart and fancy was continually a feast, once more adorns the meadows with white and green ; and while the venerable oaks rustle before his bay window, the spring wind and scent of flowers bear the remem- 38 ENGLAND brances of former days into his room, where he, sitting amidst his books, is composing the great poem of his hfe. They yet show in Woodstock a way where he was wont to walk in the morning, and some of the old trees which lovingly arched over him; even in the days of Elizabeth stood by Woodstock Park a stone house which was known nnder the name of " Chaucer's house." Only we fear that this way where he in the morning willingly wandered has originated from a poem, *The Dream/ which, only of late years contested, is ascribed to Chaucer, but which B. Ten Brink (' Chaucer's Studies of the History of his Development ') pointed out is not genuine. This song is the only one in which Chaucer apparently painted the landscape scenery of Woodstock, and immortalised his residence therein. One early morning, with the first dawn of day, he could, he informs us, remain in bed no longer. He rose, and wandered away merrily and alone by a hill-side till he came to a land of white and green, fairer than any he had ever before be- holden. The ground was green with maples scattered here and there ; flowers and woods of the same altitude ; nothing but a wilderness of green and white. FBOM A GERMAN POINT OF VIEW. 8y If this poem is not by Chaucer, the testimony is weak, which it is imagined may be found in his writings, for his residence in Woodstock. Nevertheless, the belief therein was so fast rooted, that a poet of the eighteenth century, Mark Aken- side, composed an inscription for an imaginary statue of the poet at Woodstock, which contains the lines — " Such was old Chaucer Here he dwelt For raany a cheerful day. These ancient walls Have often heard him, while his legends blithe He sang, of love, or knighthood, or the wiles Of homely life : through each estate and age. The fashions and the follies of the world With cunning hand portraying." But the old Chaucer was never so well off; the authenticated facts do not agree with these pleasing fantastic forms; nay, they speak wholly against them. At the time when the sunshine of Court favour shone upon him, leisure was certainly want- ing to him, even if a poetical residence had been bestowed upon him in Woodstock, sixty English miles away from the capital, to sing joyful legends, for his business tied him to London for many years under Edward III. as Custom Inspector of the London harbour ; and later, under Eichard II. again, as Bookkeeper of the royal building 40 ENGLAJSD in Westminster, and of different parks, among which Woodstock was not mentioned ; yet he him- self says, in the ' House of Fame/ which belongs to the year 1384 : — " No tidings commen to thee, Not of thy very neighbours, That dwellen almost at thy dores; Thou hearest neither that ne this, For whan thy labour all done is, And hast made all thy reckenings Instead of rest and of new things, Thou goest home to thine house an one, And also dombe as a stone, Thou sittest at another booke, Till," &c. And on the other hand, when he was dismissed from his oflSce in disgrace, though he had leisure, the kingly favour was wanting to liim ; to which alone such an asylum could have been due. Shall we therefore entirely give up the thought of a joyful and song-stirring stay of Chaucer at Wood- stock, who through this has received a certain indi- viduality which we so willingly foster ? I think not. But we must make up our minds to transfer to his youth what is asserted about his old age, and to refer to his first song what he says about his last. So much more sunny and serene was life to him at the beginning than at the end ; all that FBOM A GERMAN POINT OF VIEW. 41 fate had for him in failures and dissensions gathered over him in his last days : then had he no rest to wander joyfully in the forests of Woodstock. Not here did he conclude his work as a poet ; but it is possible that he began it here. For that the two strips of parchment which Mr. Bond discovered in the British Museum give us welcome support. The household of the Prince Lionel and of the Countess Elizabeth at that time seems to have re- sided in the castle of Hatfield, but numerous were the journeys and trips they made thence. The two preserved leaves of the household account-book name all the places in which the Countess with her followers stayed during the three years, and amongst these places is Woodstock. Most likely Chaucer's poem, * The Assemble of Foules,' origi- nated at this time, for it refers to the marriage of John of Gaunt with Lady Blanche of Lan- caster, who in the poem delays the marriage for a year (cf * Chaucer's England,' by Mr. Browne^ p. 19). Now the marriage actually took place in the year 1359; so that we have the year 1358 as the date of a poem written in honour of an event of a princely family, in which year Chaucer was himself among the followers of the Countess. Out of this early epoch, at that time and place. 411 ENGLAND originates the circumstance of his inviolable fidelity to the House of Lancaster, which became for him decisive, and in a certain measure affected his destiny. John of Gaunt, Duke of Lancaster, was the brother of Prince Lionel, in the service of the wife of one or the other of whom Chaucer served, and he stayed at Hatfield, during the three years over which the leaves of the household account-book extend. Here, therefore, must the young poet have made the Duke's acquaintance, whose marriage he sung; just as he afterwards dedicates to the early death of the Duchess an expression of sorrow in a poem, * Book of the Duchess.' In the year 1359 — the year with which his biographers have hitherto begun as the first accurate date of his life — Chaucer joined the cam- paign against France, was taken prisoner, and was not set free till the peace of the year 1360. After he returned to London he married Phillippa Roet, a maid of honour to Queen Philippa, and sister of the widow, Katherine Swynford, the mistress of the Duke of Lancaster, whom, after the death of his second wife, he married. In the last years of the reign of Edward III., especially after the death of the Black Prince, the influence of the Duke of Lancaster increased ; and befriended by this, even before he became connected FBOM A GERMAN POINT OF VIEW. 43 with hiDi, Chaucer enjoyed days and years of prosperity as great as his heart could desire. He not only held a lucrative Court employment and received a kingly pension, but he was several times sent with diplomatic commissions to foreign coun- tries, in secretis negotiis Domini regis versus partes transmarinas; and the account-roll of the Royal Exchequer, in which the sums for these missions are noted, gives him the title of *' Armiger Regis," which we may nearly translate as gentleman of the bed-chamber. Two of these documentary-attested missions took him to Italy ; one to Genoa, in the year 1372, the second to Milan, 1377. There is a place in the ' Canterbury Tales ' in which Chaucer says that Fraunces Petrarch had himself told him the tale of the Patient Grriselda in Padua ; a personal meeting and acquaintance with the *^Poet Laureate'* of Italy would naturally follow. Of the two missions it can only be the first in which the meeting took place, since Petrarch died in 1374 ; although it was a long distance from Genoa to Padua, in which vicinity, upon his estate in Arqua, the last years of Petrarcb's life were brought to a close. Perhaps we may here, with Mr. Browne {' Chaucer's England,' i. 25), once more refer to the parchment leaves of the British Museum, 44 ENGLAND and, out of the relation of Chaucer to Prince Lionel, conclude that he was amongst the fol- lowers of that Prince when he, in the year 1369, went to Milan in order to take Yiolante, daughter of the Duke of Galeazzo of Milan, as his second wife. There is here, as one may understand, no ground to doubt the fact itself, which, com- municated to us by Chaucer in expressions so little to be misunderstood, and not contradicted by the accompanying circumstances, at the same time bears in itself something symbolical — a kind of knightly homage to the mature beauty and perfec- tion of the Italian poetry offered upon its own clas- sical soil by the youthful genius of the poetry of England. Not long after Chaucer had seen for the last time the Italian sky, his darkest days began. Edward III. died, and was succeeded by his grand- son Eichard II., the son of the Black Prince. At the first, during the minority of his nephew, the influence of the Duke of Lancaster asserted itself, and so long it went well with our poet after the customary way. But the year 1386 marks the solstice. In that year the Duke, who was titular King of Castile, undertook an adventurous expedi- tion into Spain, through which he aspired to gain the throne ; but the undertaking failed lamentably, and the Duke remained away from England for FBOM A GEBMAN POINT OF VIEW, 45 three years. During this time a revolution hap- pened in the Government ; a party hostile to the House of Lancaster, led by the Duke of Gloster, seized the helm of the State under the weak King. But the year 1386 was also that in which we see Chaucer as a representative of the County of Kent, in the Parliament which assembled on the 1st of October, in Westminster. It may be assumed that he here, as well as he could, defended the cause of his friend, his patron for many years, and his brother-in-law, the Duke of Lancaster. But the end was not far off. In the December of the same year he was discharged from all his employments, and in the year 1388 the payment of his Court pension was stopped, whilst that of his wife, which she had held as a Court lady, had been already lost through her death in the year 1386. Thus it happened, that the man who had hitherto been accustomed all his life to a rich income found himself henceforth continually in pecuniary embar- rassment. It is true that his position once more improved when, in 1389, after the return of Lancaster, Gloster's regiment was overthrown, and a son of the former, the Earl of Derby, was minister. But only for two years Chaucer filled the situation of Clerk of the King's Works, for which he 46 ENGLAND was indebted to the favourable turn in political affairs. In the year 1391 we again find him without office and almost without means ; and so he remained until the last year of the century and of his life, when the House of Lancaster, to which he once more closely joined his fate, began to be glorious in the history of England, giving it a list of kings, but at the same time also bequeath- ing to it the bloody feud of the White and Red Eoses. All in all, Chaucer passed the thirteen years from 1386-99, if not in misery and poverty, yet with scarcity and privations of every kind, struggling with debts and creditors. But now his Grod-graced nature, sunny in its deepest depths, showed itself, which no earthly trouble could darken ; for in these thirteen years, like the nightingale singing in the night, he produced his great poem, which, borne from century to century, belongs to the world's literature as it opens that of England. I do not know in what sense or to what extent John Morley is right, when, in his * English Writers from Dunbar to Chaucer,' he says, that only Englishmen can understand this poet thoroughly. To me, I must confess, this does not appear so difficult. I have always pictured to myself this free, bright, and independent man FBOM A GEBMAN POINT OF VIEW, 4.7 just as Morley describes him, telling ns that when he was rich, he seems to have enjoyed all the good things which his riches could procure without restraint ; and that after he was deprived of his property, he raised no common lamentation, but consoling himself with his own peculiar wealth, ate a worse dinner, and wrote his 'Canterbury Tales; 48 ENGLAND III. The connection of Kent with the ' Canterbury Tales' is not so accidental as it may at the first glance appear. Apart from the local relation into which we almost immediately enter, there exists a personal one, if we may say so. If we know no longer the place on which the house where Chaucer was born once stood, yet it cannot have been far from the boundaries of Kent, since the giant town on the Thames at this time covers a part of it ; and as Chaucer was descended from a knightly family which was originally settled in Kent, he must have had an estate there also, since, as has already been said, in the year 1386 he was sitting as one of the deputies, or knights of the shire, in Parliament for the county of Kent. So he was fast rooted in the soil which he has selected as the scene of his masterpiece. The poem itself begins in the following man- ner : — In the first days of April, when with the sweet spring showers the desire of travel is aroused, at this time of the year, it happened that in an inn at Southwark, an old part of London FBOM A GEBMAN POINT OF VIEW, 49 upon the left bank of the Thames, a gay and dis- tinguished company was assembled, consisting of twenty-nine persons, who were on a pilgrimage to Canterbury. Where now is the High Street in the Borough of Southwark, commonly called High Street, Borough, to distinguish it from other streets of the same name, there was at that time the great highway leading to the south and south-west of England. The right bank of the Thames, now peopled by hundreds of thousands, and blackened by smoke, one of the chief centres of London's mighty commerce, with numberless manufactories, chimneys, and warehouses, was at that time open land, with green fields and gardens. It was only at the outlet of London Bridge, at Southwark, that there had, from different causes, arisen in ancient times a town-like settlement. Two great priories, the monastery of St. Mary Overies and the nunnery of Bermondsey, had early given rise to the activity and busy intercommunication which naturally resulted from the vicinity of such ecclesiastical institutions as these. Near to St. Mary's, and not far from the bridge, there stood, till the Eeformation, the Bishop of Winchester's magnificent palace, one of the richest prelates, whose wide jurisdiction included Surrey. The most important agent in this intercommunication E 50 ENGLAND was the high road which ran from the bridge to Kent, Hampshire, and Cornwall. Here heavily- laden waggons moved, and here assembled the motley crowd of pilgrims to the shrine of St. Thomas of Canterbury. Immediately behind the houses, as many as there may have been in that street, the way to Canterbury began, which was all inclosed with green hedges, over an arched bridge, named Locks- bridge, the remains of which were again erected in 1847, and in some of the narrow lanes of Kent may be traced to this day. The street which ran out into this high road must have been very lively with merchants' shops, in which the pilgrims pro- vided themselves for the journey, and with inns, in which they with their whole troop of servants and horses lodged. Here still in Stow's time, who wrote his * Survey of London' in 1598, were many good hostelries for the accommodation of travellers; the oldest being the ' Tabard,' so called from its shield, a kind of sleeveless frock open at both sides, with a square collar, now worn by heralds, and called their coat-of-arms, when they are in service. Later, probably however not long after Stow wrote, the name of ' Tabard ' was corrupted into ' Talbot,' and under this sign the old inn, or at least a part of it, exists to this day on the old spot. FBOM A GEBMAN POINT OF VIEW, 51 This ' Tabard ' is tlie inn in which the pilgrims of the ' Canterbury Tales ' assembled, and amongst its guests we find the Poet. The prologue which describes these, the inn, and the landlord, is the crown of the work. There is so much humour, freshness, colour, and heartiness in it^ that we become fond of the Poet before we know his work, and in love with each of his figures before we have their tales. They are taken almost exclu- sively from the wealthy middle classes of the nation, for the Knight with his son, the " Squire," holds only a kind of middle rank in the English society of the time ; whilst the Yeoman who accom- panies him is his free^ but not knightly, serving- man, possibly his forest verderer or ranger. The " Eeeve " belongs to a similar if somewhat higher circle of life, for which we still have the German word *' greve ;" he is the steward or bailiff of a nobleman in Norfolk. Then there are the representatives of the clergy, the secular as well as the ecclesiastical order of the monks and nuns, a Prioress, a Nun, a Benedictine, a Mendi- cant Friar, a Seller of Indulgences, a Clergyman, and the Beadle of an ecclesiastical Court of Justice. Science is represented by a Student of Oxford, a Student of the Law, and a Doctor of Medicine ; trade and commerce by a Merchant, the Wife of E 2 52 ENGLAND Bath, that admirable creation full of jovial humour, which alone would suffice to preserve our Poet's name from oblivion ; by a Mercer, a Carpenter^ a Weaver, a Dyer, a Carpet-Manufacturer, a Cook, a Sailor, and the Steward of a so-called " inn of court." The representatives of the landed popula- tion are a Miller, a Ploughman, and a *' Franklin," the proprietor of a freehold property of the class of those who, together with the " squires," and since Chaucer's time numbered amongst them, by degrees began to form what we have already described as the landed gentry. All these persons are in their separate individualities described in the most lively manner : they stand forth in their anti- quated costumes, they converse in their wonder- ful language, and they give altogether such a full and impressive picture of the society of the middle ages in England, that we, if every other source were to be lost to us, out of this poem alone could build it up again. These worthy people are all present in the court and hall of the ' Tabard ' in order that they may set out on their journey to Canterbury the next morning, and, as we have said, the Poet is amongst them. ^^The chambers and the stables were wide, and we were provided with the best," says he ; but his first word of tenderness is for the Host. " Mine FROM A GEBMAN POINT OF VIEW, 53 Host," indeed, is painted as an ideal and model of that excellent class which to poets and literary men has always been so dear. " He accommodated each of us " (so says and sings Chaucer of him), " and then invited us to the table. Then he served us with the best food ; the wine was strong, and we drank willingly of it. A right important man was our Host; he might have been a marshal in a noble house: a great man was he, with eyes deep set in his head ; a better citizen was there not in ' Chepe.' " Cheapside, at this day the chief vein of the City's traffic, was in the Middle Ages the residence of London's richest and most respect- able burghers. " Straightforward in his speech, wise, and full of learning, he was not wanting in manly appearance. He was also a good-natured fellow, and after supper he began to play and sing, and speak of sports and other matters. When we had paid our bills he said, ' See, my masters^ you are heartily welcome ; for, by my honour, if I do not lie, I have not seen this year so merry a company in my inn. Therefore would I willingly do you some good if I only knew how, and I am at this moment thinking over some entertainment which may amuse you and yet cost nothing. You go to Canterbury, God be with you ! the blessed martyr reward you for it! Now I know well if you 64 ENGLAND make the journey that you are prepared on the way to chatter and sing, for truly there is no pleasure in travelling and being silent as a stick. Now I will make a proposal to you, and by the soul of my father, who is dead, if you are not pleased with it to-morrow, then strike off my head. Talk no more about it, but hold up your hands.' " This simplest of all parliamentary proceedings is in unanimous favour for the Host, and he says — " Good : now listen. Each of you shall on this journey tell four tales, two on the way to Canter- bury, two on the way back ; he whose story has most sense and wit, shall, on your return, have a supper here, in my inn, at the cost of you all. To make your pleasure more, I will myself ride with you at my own charges and be your guide and your umpire." Brave man, classical pattern of all hospitable virtue ! With acclamations was the proposal of that disinterested one received, who rode forth with them at his own cost to arrange afterwards a supper at the cost of them all. Thereupon wine was brought, and they drank, and went to rest. Next morning, in the early grey dawn, "mine Host" awaked them, gathered them together in a flock, and away to Canterbury ! And so they ride away beside the Thames bank, FBOM A GEBMAN POINT OF VIEW. 55 in the splendour of the young sun, between the hills of Blackheath and Greenwich, where the heath is green and the zephyr fans them with sweet airs, and in the tender-leaved trees sing little birds, which have slept with open eyes the whole night long. Upon ambler, courser, and beast of burden, with the pilgrim's scallop-shell on their trappings and caparisons, we see them pass away, those Canterbury Pilgrims. We hear the tingling of the little bells on the harness of their horses ; we see the poor man of God, the Student of Oxen- ford, whose nag was as lean as a rake, and he himself not altogether fat ; we see the Knight who in Palestine fought against the heathen, and his son, the Squire, with sleeves long and wide, and curls as crisp as though they had been laid in the press. We see the Yeoman in green coat and hat, the bow in his hand, the hunting- horn by his side ; the Seller of Indulgences from Eouncival, without beard but with long flaxen hair, merry, with all his pockets crammed to overflowing, full of indulgences from Eome ; the Benedictine, whose fat face drew from the Host the exclamation, " There must be good pasturage whence thou comest ;" the Mendicant Friar, with his " tippet ay farsed ful of knives and pinnes," in order to make presents to beautiful women, who 66 ENGLAND lisps his English to make it agreeable ; then Madame Eglantine, the Prioress, who speaks French after the school of Stratford-atte-Bow ; the Good Wife of Bath, who has already been five times married, and therefore is not without experience when she says : " But never was it given to mortal man, To lie so boldly as we women can." We see, further, the Cook, and the Advocate, who rides in a mixed coat with silken sash and small buckles ; the Doctor of Medicine in red and sky-blue ; the Shipman who has often brought over a cargo of wine from Bordeaux in his bark called " The Magdalene." We see the Miller, a strong fellow with red beard and bagpipes, the Mercer, Carpenter, Weaver, Dyer, and Carpet Manufacturer, brave burghers, every one of them worthy to be an alderman ; men of importance, with wives that one would address as "madame;" wise people and considerate, with a Cook amongst their followers who can cook fowls and marrow- bones, and bake tarts in Cyprus wine ; in short, we see them all, the immortal nine-and-twenty ; the honest Host always in front smoothing quarrels, which, with some significance^ at once break out amongst the clerical part of the company. FBOM A GERMAN POINT OF VIEW, 57 Owing to the power which was intrusted to him, he obtains silence, and at the second milestone of the old highway to Canterbury, by the well of St. Thomas, decides, through the drawing of straws, whose turn it should be to begin the Tales. The lot fell upon the Knight ; he drew, as they had agreed upon, the shortest straw ; and now begin the ' Canterbury Tales,' only interrupted by the prologue before each, in which is contained every little amusing merriment of the pilgrims, as well as the endeavours of the Host to keep the same within proper limits. " Ah ! sir," cried he once to the Mendicant Friar (for, as we have said, the clergy gave him the most trouble), "you should be courteous and agreeable as becomes a man of your standing ; we will have no disputes in this company, relate your tale and leave the Beadle in peace." The Host is perpetually in motion; he sees and hears all. As judge and reporter, he leads the procession, and every one who is called upon, or who himself offers to relate^ comes to him out of the number, whilst the remainder group them- selves around as well as they can. It is a picture of the English Parliament, already in the four- teenth century a fast-rooted national state and company, a House of Commons on horseback, with the Host as self-chosen Speaker, " our Host hadde 58 ENGLAND the wordes for us alle" (v. 17,361). Unlike the Speaker, however, he continually interfered with the debates. Every tale drew from him an exclama- tion either of praise or blame ; he took part for or against the heroes who appeared in it ; and he seems, on the whole, to have liked the merry tales more than the mournful. When the Doctor of Medicine had ended his relation of the evil deeds of Appius Claudius, and Virginia's death sacrifice, then indeed the Host's gall overflows, and he begins to swear as if he were mad. '^ Hang him," cries he; "by Grod's nails and blood, this was a cursed thief, a false judge." Then turning to the Doctor, he blames him for having told such a melancholy story. " I have nearly got a heartache from it,'' says he, " and I must have some medicine to counteract it, either a pull of moist corny beer, or a merry story. Thou Seller of Indulgences, relate us one, for thou knowest full many." " It shall be done," replied the Seller of Indulgences ; " but first, by the sign of this beer- house, I will have something to drink, and will eat a biscuit." Then immediately the " gentils," the respectable people of the company, who have a presentiment of no good, begin to cry, " No ; no roguery ; relate to us a moral tale from which we may learn something." "Willingly," says the FBOM A GEBMAN POINT OF VIEW. 59 Seller of Indulgences ; *' but, by my cup, I will think over a respectable tale whilst I drink." These little intercalations, full of wit and humour, form, so to say, the frame which incloses the various subjects of the poem ; and they give to the whole its character of variety, and its tone of actual life. Whilst we listen to the narratives, the picture of the narrators becomes complete in its most tangible reality. Under the hoofs of their gently-stepping horses the road glides along ; and as the sun rises during their conversation, now serious, now cheer- ful, we see village after village emerge and vanish. At Boughton, six (English) miles from Canterbury, we have the surprise of seeing a couple of new pilgrims thrust in among the number of those already known to us; namely, a Canon who seeks the stone of the wise, and his servant, '' the Chanouns Yeman," who is, nevertheless, not much edified by the wisdom of his master, since out of all the work which the kindling of the coals causes he has hitherto won nothing whatever, but on the contrary, has lost all, even his red cheeks. These two figures may be considered as adding a very powerful trait to the picture of manners of society at that time, and give the Poet an oppor- tunity of making the deceitful practice of the 60 ENGLAND alcliymists, already becoming a public calamity, a subject of bis satire, witb a boldness and distinct- ness for those days remarkable. The Story of the Goldmaker, which Chaucer puts into the mouth of the last individual portrayed, is perhaps the sole Story derived by the Poet from his own immediate time. The material of the others he took without exception as he found it; some from the French Fabliaux, that inexhaustible source of the mediaeval " conteurs ;" others from the ' Gesta Eomanorum/ probably brought over from G-ermany to England ; others from other collec- tions of a similar kind, written for the most part in Latin ; clothing all these very diverse persons and things, different both in time and place, con- formably with the costumes of his century and the local colouring of his country, being therein, even in anachronisms, the model of later poets — Shakspeare not excepted. FBOM A GEBMAN POINT OF VIEW. 61 IV. Chaucer's work has in its design, as need scarcely be mentioned, the greatest external re- semblance to the work of Boccaccio, who in his ' Decamerone ' is known to employ the same means of uniting a series of unconnected tales by a con- necting narrative. But this idea is not the special property of Boccaccio. It originates in the East, where we find it, for example, in the ' Thousand and One Nights.' Long before Chaucer as before Boccaccio, it was brought to Europe by the ' Dis- ciplina Clericalis' of Father Alfonsi or Alfonsus, a Spanish Jew converted to Christianity, who lived in the twelfth century, and whose book, a col- lection of tales and moral meditations in Latin prose, translated later into French verse under the title ' Castoiement d'un pere k son fils,' was much in vogue from the thirteenth to the fifteenth century as a work of instruction, and is indeed very often quoted by Chaucer. This style of re- lating became still more popular through a book with secular contents, which on this ground had numerous patrons, namely, the ' Tales of the Seven 62 ENGLAND Wise Masters.' From this book, which was much circulated in England, and of which a new edition was some years ago prepared by the Percy Society, the English Poet is more likely to have got the hint for his work than from Boccaccio. Cer- tainly it is beyond question, not only that he was acquainted with Italian literature, but also that it exercised a great influence upon him. He quotes once (v. 15,946) direct from Dante, "the gret poet of Itaile, that highte Dante ;" he was, as we have' already remarked, on terms of friendship with Petrarch, and has made good use of Boccaccio's Latin work, * De casibus virorum illustrium ' in the tragedies of the Monk, and of his poem ' La Teseide,' written in Italian, in the Story of the Knight. But Boccaccio's principal work, the * Decamerone,' he appears not to have known ; he nowhere makes mention of it ; there appears no trace of his having used it ; and of the sole story, which is found in both, Chaucer remarks expressly that he had it from Petrarch, to whose memory he dedicates a few touching lines in the prologue to the ' Student of Oxford :' — " I wol yoTi tell a tale, whicli that I Lerned at Padowe of a worthy clerk, As preved by his wordes and his werk. He is now ded, and nailed in his cheste, I pray to God so geve his soule reste. FBOM A GERMAN POINT OF VIEW. 63 Frannceis Petrark, the laureat poete, Highte this clerk, whos rethorike swete Enlumined all Itaille of poetrie." The story which hereupon follows is that of Patient Griselda, and the work to which he alludes is Petrarch's Latin romance, ' De Obedientia et Fide uxoria Mythologia,' the version of which Chaucer has almost literally followed, although it flatters the poetical illusion, and in no way opposes itself to objective truth to assume that he owed the first incitement to the words of Petrarch, to the occa- sion of that fortunate meeting in the summer plain of Lombardy. The oral traditions to which Professor Ebert especially refers in his excellent 'Handbook of Italian National Literature ' (p. 18), contributed by no means in the smallest degree to make these materials for stories, in their substance scarcely anything more than anecdotes, the common pro- perty of the mediaeval world. Passing from writing to the mouth of the people, and from this again anew into writing, they enriched the store of popular literature of that day with those antique mythological, knightly, fabulous, and legendary elements from which Chaucer as well as Boccaccio drew. Thus there arose from the same causes and in the same century, but independently of one 64 ENGLAND another and at opposite points of Europe, under the blue sky of Italy and in the mist of England, the two classical models of the modern art of narrating in prose and rhyme — the ' Decamerone ' and the * Canterbury Tales.' A striking resemblance in the way of life and development of the two poets causes many a point of inward relationship besides the outer relationship shown in their works. Both were men of letters, of courtly education, clever in affairs of State ; men who had learnt to know the world by travelling, and mankind by manifold changes of circumstances. There prevails, there- fore, in their writings a lively tone of entertain- ment, full of humour, wit, and bonhomie. By each of them, with sovereign ease, are the social ques- tions of that time treated of, and types of the society of that time depicted ; and therefore, with respect to the history of culture, the ' Decamerone ' has for the Italy of Boccaccio exactly the same im- portance which the ' Canterbury Tales' claim for Chaucer's England. It can, then, be scarcely needful to remark ex- pressly that his book is as little free as that of Boccaccio from so-called anstossigen stellen. There was too much of this in the tone of that time, of the finer moral cultivation : and the respect FROM A GERMAN POINT OF VIEW. 65 which was paid to women,-T-the touchstone of the value of the period_, as, I think, Rousseau calls it, — never indicated any particularly high grade. Never in the Christian world has woman occupied such a degraded position as at the time of the Minne- Sanger and love courts. Whilst in poetry woman's favour and the grace of love was the theme re- peated, even to tediousness, in reality women were treated with revolting contempt. But did such a contradiction really exist between the song and the life ? Where was there to be found in the rhymes of the Troubadours a word about the soul, the duty, the worth of woman ? Did they not rather cele- brate, without exception, merely the charm and beauty of her body ? Deprive their song of its poetical veil, and scarcely anything else will re- main but the woman, whose sole destiny appears to be to minister to the pleasure of man. What wonder if woman became by degrees that for which man took her ; if immorality of conduct and shame- lessness in speech became so very characteristic of the feminine world of the Middle Ages, that Chaucer in good earnest, and with the appearance of a speaking likeness, set forth as woman's repre- sentative "" the Good Wife of Bath." This earnestness, if it in no way alters the fact, increases our sympathy for the Poet. Mature F 66 ENGLAND consideration of life and worldly prudence give something mild even to his ridicule, without depriving it of its point. It spares no position, no class of society ; it lashes with striking convic- tion their follies, their superstitions, even the per- verted aims of literature, as much as might be at that time. As precursor of Cervantes, he ridi- cules in the ' History of Sir Topas' the fabulous poetry, then become common, of the metrical romances, as centuries later the Spanish poet ridi- culed in his costly parody the deteriorated chivalry of the romance of prose. But in his scorn and in his satire Chaucer remains always the " gentle- man."' Through each of his words flows the breath of a free soul, the sympathetic warmth of a good and great heart. In his verse is eternal May, and the scent of the fresh bloom of the English hawthorn. So says Alexander Smith. But while this is, as it were, the spirit that animates his poetry, we must not forget what was probably with him the main point, the story itself. We should do him a great injustice did we regard him in this respect as either a naturalist or an empiric. He has, on the contrary, meditated with great clearness on the art of a narrator ; and in one place in his work has spoken very posi- tively about it (v. 10,715-19). Here he lays down FBOM A GERMAN POINT OF VIEW. 67 first of all, as a fundamental law of every story, variety. He says, " the knote why that every tale is told " must be so drawn and loosened, that the reader or hearer be not " taryed ;" that his " lust " may not cool, and that the "savour" of the fable may not become flat through the " fulsomnes of the prolixite." This direction he has himself followed through, out the whole of his work ; not merely in the single stories, but in their order of succession, which is excited by the wave of unceasing change. A sad tale is followed by a lively one. The reader, still feeling emotion at the tragic fate of Arcite, is immediately afterwards provoked to irre- pressible laughter by the comical presentment of the drunken Miller, and his dispute with the too sensitive Carpenter. At no moment in this comprehensive work does a stop occur, or the action stagnate. As the persons change, so change also the theme and tone of the discourse : the Knight and the Advocate, the Seller of Indul- gences and the Manorial lord, my Lady Prioress and the Masters of Trades, all these manifold callings of the life of the Middle Ages, the world and the cloister, the university and the guildhall, the town and the village — all these furnished the Poet with the wealth of their f2 68 ENGLAND varieties, this fulness of life and colour to the picture of his time. No wonder, therefore, that this model and mas- terpiece became and continued the favourite book of all following generations. Its popularity is shown in the first place from the great number of manuscripts in which it is preserved to us. In a ballad addressed to him by the French poet, Eustace Deschamps, we have evidence that during his life Chaucer and his poem enjoyed high fame, even on the Continent ; whilst the verse in which his friend Gower (fl408) dedicates to him his * Confessio Amantis,' places it beyond question how much he was valued in his own country. Another contemporary poet who survived him, Occleve (1420), painted his portrait on the margin of a manuscript, which, preserved and plentifully copied, gives us a true idea of Chaucer's appear- ance, who describes himself as " in the wast schape, sraa and fair of face, elvish by his countenance" (v. 15,113 and 15,114), with a double-pointed beard, after the fashion of the time. When fifty years later Guttenberg's art came to England, the ' Canterbury Tales' was one of the first works which issued from Caxton's printing- press (1475-76). Here also is again shown the remarkable connection between Kent and the FBOM A GERMAN POINT OF VIEW. 69 * Canterbury Tales,' already alluded to above ; for William Caxton, their first printer, was, as he himself tells us, born in the little Kentish village of Weald. Six years after the first edition of the Canter- bury Tales Caxton published a second ; and before the seventeenth century a considerable number of editions existed. Nov^ Chaucer became the source to which England's great poets made pilgrimage, Shakspeare drew from one of his smaller epics ' Troilus and Cressida,' the first principle of his tragi-comedy ; and Milton, in his ' II Penseroso,' summons him up immediately after the great singers of antiquity, " Call up him that left half told His story of Cambus(;an bold, Of Camball and of Algarsife, And who had Canace to wife ; That owned the virtuous ring and glass, And of the wondrous horse of brass. On which the Tartar king did ride." Nevertheless the Story of the Squire, to which Milton alludes in the above lines, is not the only piece in the ' Canterbury Tales ' which the poet has left half told. We must rather regard the whole work as we possess it, as a fragment. Besides the two prose stories, which Chaucer in the prologue 70 ENGLAND calls ' Treatises,' it contains 17,368 genuine lines of verse really coming from Chaucer, there- fore over 3000 more than the ' Divine Comedy,' and almost 2000 more than the * Iliad ;' neverthe- less the poet carried out scarcely the half of his original plan. FBOM A GERMAN POINT OF VIEW. 71 It is late in the afternoon, and the sun is already setting, when the order of the story comes to the Manciple, the economist of a London law court. The Cook has fallen asleep and from his horse, to the great amusement of the company. This tumble has fortunately no further result than to awaken him, whereupon a highly amusing dispute arises between him and the Manciple, who is naturally angry at the interruption. Nevertheless, through the intervention of the Host, this quarrel is settled to general satisfaction, whilst the Man- ciple pledges the Cook from his leathern wine-bottle. Meanwhile they have reached Harbledown (popu- larly called Bob up-and-down), the last village before Canterbury. Even at the present, day the hollow road can be seen — the theatre of that cheer- ful scene which Chaucer describes, the part which was travelled over whilst the Manciple gave his excellent tale. There, on one of the hills, may be beheld to-day, as perhaps it was beheld then, the Hospital of St. Nicholas of Harbledown, highly honoured in the pilgrim-days of Canterbury, and 72 ENGLAND still wondrously picturesque, with its ivy and wild wall-flowers — with its grey stones, clefts, and fis- sures — to him who regards the old cloister from the lonely quiet ravine which once formed the animated road from London. As soon as, ascending from this, the hill is reached, he sees beneath, extended in the fruitful valley, the city of Canterbury ; and as it lies there in the evening sunshine, with its numerous towers and churches, and its Cathedral — the goal of the pilgrimage — the Priest, who now at last speaks, may well compare it with the heavenly Jerusalem, and greet it with serious speech. His story, if such it may be called, is a treatise on penance (in some manuscripts plainly called ' Tractatus de Poenitentia '), and well suited for the conclusion of a journey, gives occasion to the holy man to remind the company symbolically of the end of their human pilgrimage on earth. A breath as of evening air moves around us, and the fancy of the reader depicts the troop of pilgrims, now in the early twilight, entering the town by the Gothic arch of the West Gate — the only gate- way which stands unchanged since the fourteenth century in the London Eoad. Now they ride up High Street, where already the evening lights shine from the windows, and at last stop before their inn, opposite Mercery Lane, that little street FMOM A GERMAN POINT OF VIEW. 73 in which they will assemble in the morning for procession, and to which, although centuries have passed away, the memory of the Canterbury Pil- grims still clings. But it was not allotted to Chaucer to depict all this. He was not to see his pilgrims in Canterbury, nor accompany them back again to London ; he owes all the remainder to us, and his supper to the brave host of the ' Tabard.' He died in the seventy-second year of his life, anno 1400, one year after the son of the Duke of Gaunt, Shakspeare's Bolingbroke, Henry lY., as- cended the throne. That was a year of triumph for the grey poet, this last year of his life. Imme- diately after his accession the King granted a pen- sion to him, and to his son Thomas an appointment in the service of the Court. The last news we have of Chaucer is, that he hired a house opposite the royal palace, close under the walls of Westminster Abbey, in the so-called Cloister garden, where to- day stands Henry YII.'s chapel. Chaucer took possession of this house on Christmas Day 1399, but on the 25th of October, 1400, he died, and was interred in Westminster Abbey, in that quiet part which, under the name of the " Poets' Corner," has become so world-renowned. He was the first poet who was here laid to rest, the precursor of a long, 74 ENGLAND brilliant train who should follow him in the future. Over his grave rises an altar with a Gothic roof — a monument which was here erected to him by an admirer in 1555. It has become black and rusty in long time, and its inscription can scarcely be deciphered. The old inn in South wark was also standing a few years ago. The appearance of the neighbour- hood has in every respect much changed during five hundred years. Where formerly the pilgrims assembled for their pilgrimage, is now the immense station for the lines of the South-Eastern and South- western Railways, of which the one follows the Old Kent Road, the way to Kent, and the other runs towards the sea-coast of Hampshire. Still, as formerly, the traffic goes over London Bridge by the same streets ; but these streets are become railways, and how very impenetrable has the traffic grown ! The surging and roaring of the human tide, the iron rattling of waggons, omni- buses^ cabs, hansoms — all in a coloured, confused whirl — the deafening noise, the spectacle which bewilders the eye — the floating sea-colossi, the ships beneath, the railway lines above — that mighty black arch, extended across the street diagonally before us, continually rattling with the trains going to Charing Cross or coming thence — FEOM A GERMAN POINT OF VIEW. 75 the telegraph wires, which quiver in raid-air — who could recognise beneath this flood of modern London life the old quiet Southwark and the streets of the Canterbury Pilgrims? And yet here we are on the spot. On the left, as if sunk down, but in truth only in a low position, in con- sequence of the neighbouring streets having been raised, stands the old church, well known to us, of St. Mary Overies, just as Chaucer saw it, and in which his friend Grower lies buried. On the right, in the direction of Southwark Bridge, not far from Barclay and Perkins' famous brewery, is the place where, in Chaucer's time, stood the palace of the Bishop of Winchester, and in Shak- speare's time the Globe Theatre. New streets, among them the handsome Southwark Street, Borough^ completed in 1865, animate everywhere the old classic ground ; and that part of the High Street which led to Old London Bridge was some thirty years ago demolished to make room between the New London Bridge and the railway stations. But the lower end of the High Street continued long unchanged, and in it the inn of the ' Canter- bury Tales,' the old ' Talbot,' as much of it at least as remained after a fire in the year 1676. In the year 1867 it was still to be seen in a court, which was reached by going from the High Street through 76 ENGLAND a house, whicli was built after the fire, and which hid the court from the street. When you entered the court you had on the right hand the tavern, which dated from the seventeenth century, and even then already numbered its 200 years, and bore from an iron hook the sign, " The ' Talbot ' inn, R. Gooch." Joined to it in the background, and forming a corner on the left, was that which still stood of the old 'Tabard,' the wooden house of the fourteenth century, with its pointed roof, its worm-eaten galleries, its staircase outside, its balconies and little green window-panes fixed in lead. Under one of the balconies was a sign, with "Allsopp's Pale Ale," and on one of the staircase-landings was another — " John Paice, car- man." Under the gallery, on the side, hung a board, on which the twenty -nine pilgrims were represented with the inscription, " The old ' Tabard' inn. This is the inn in which Geoffrey Chaucer and the 29 pilgrims lodged on their journey to Canterbury ;" and near it hung another board, with the inscription, " Midland Eailway Re- ceiving Office." What a contrast, the fourteenth and the nineteenth centuries ! — the ' Canterbury Tales ' and the railway ! But till the last this court has remained true to its former destiny ; " John Paice, carman," has taken care that it shall FBOM A GEBMAN POINT OF VIEW. 77 never be lacking in horses and packages of every kind, whilst " R. Gooch," as a fit successor of " mine Host," keeps ready a pewter pot, with a good drink in it for every thirsty man, as was done fiYe hundred years ago. But, when I consulted the newest edition of * M array's Handbook of Modern London — London as it is,' I found in the place where formerly stood its description, only the words, "^Tabard' Inn, South wark : the starting-place of Chaucer's Canter- bury pilgrims. Pulled down." SHAKSPEARE'S LONDON. FBOM A'GEBMAN POINT OF VIEW. 81 Although London in tlie sixteenth century did not number many more inhabitants than Cologne, and not nearly so many as Hamburg now possesses, it even then passed for one of the largest towns in Christendom ; and our G-erman traveller Hentzner, who was there in 1598, relates with genuine astonishment that the circumference of this town amounted to " nearly a whole mile." At that time, as to-day, there was a City of London and a City of Westminster; but the suburbs, whose blocks of houses now swell the brick and mortar sea of London, were then still green fields and flowery meadows ; and the City of Westminster itself was not much more than a suburb of the palace, the seat of the Court, and of the nobles of England. Here was the then already old Abbey and Cathedral of Westminster, the Houses of Par- liament, and York Place, a handsome residence built by Cardinal Wolsey, but, after his fall, forced by Henry YIH. from his former favourite, and afterwards, " with its rich stock of valuables, its hangings of gold and silver cloth, its thousands of G 82 ENGLAND pieces of fine Dutch linen, and its stores of silver, and even of beautiful gold services, v^hicli covered two large tables," taken by the monarch of the high hand into his own use. Since that time this residence has been called "Whitehall;" and here, iii the splendour of England's most glorious days, sat Elizabeth upon the throne, "by the grace of Grod, Queen of England, France, and Ireland ; Defender of the Faith." Where now the maze of dark courts and ill- famed side streets of the Strand extends to the banks of the Thames, there stood then the town- houses of the bishops, the ambassadors, and the great lords. Beautiful gardens surrounded them, and against their walls plashed the water of the then still '' silver'' Thames. Here were Bedford House, Leicester House, and Essex House, now vanished from the places where they stood, and only leaving their old names to the streets, squares, and districts of new London. Here was also Durham House ; and here, in a small study which overlooked the Thames, sat Sir Walter Ealeigh, a hero in war, a discoverer of distant lands, a man of letters, and a courtier. A circle of famous names united itself around the throne of Elizabeth : it was the youth and heroic time of England. Philip of Spain, who from being a suitor for FBOM A GEBMAN POINT OF VIEW. 83 Elizabeth's hand had become her enemy, had threatened to annihilate England with a formid- able fleet of ships, called the Armada. But " Grod blew, and they were scattered in pieces." This judgment of God was the commencement of England's power on the sea. The progress of her colonies began; and at home, consequent upon freedom of faith, with growing prosperity, awakened also the spiritual life of the nation. In the firmament of philosophy, so long over- clouded by the mist of scholasticism, a star of the first magnitude was rising. Men had learned again to speak with classic antiquity in its own language. Poets found purer forms and grander subjects for their songs, and the dramatic muse awoke. A style, half chivalric and learned, half full of artistic geniality, reigned in the Court of Queen Elizabeth. " Queen Bess" has always been one of the favourite figures of English history, of the English people ; and this she would certainly not have been if, besides the talent to reign, she had not possessed other qualities of appearance, of mind, and of heart. The Elizabeth, who only too often rises before us, is the queen who sentenced Mary Stuart to death ; and we have therefore ac- customed ourselves to see in her the "old" Eliza- beth of whom our traveller Hentzner, towards G 2 84 ENGLAND the end of the fifteenth century, sketched certainly a not very prepossessing picture, when he says she had a wrinkled face, red wig, small eyes, a crooked nose, thin lips, and hlack teeth, and yet was con- tinually hearing from her courtiers flatteries on her beauty. But we must also set before us the young Elizabeth as she appears, for example, in the beautiful portrait in the South Kensing- ton Museum, with pleasant feminine features and golden hair ; the Elizabeth who studied the Greek classics in one of the still inha- bited apartments of Windsor Castle, who walked alone on the terrace of this castle meditating ; the Elizabeth, in short, whom Shakspeare has celebrated. An Italian observer who saw her forty years before the German — the Venetian Ambassador, Giovanni Michele —describes her accordingly as a lady equally worthy of remark in body and mind, her face more agreeable than beautiful, her growth slender, her figure well formed, with beautiful eyes, and, above all, with a wonderful hand, "which she liked to show." Why did she not dispose of that hand ? It is true that a strong heart beat in her bosom ; but although free from many weaknesses of her sex, it was not quite free from the softer emotions which make that sex tender FBOM A GERMAN POINT OF VIEW. 85 and amiable. Once or twice at least, we know, Nature made her power felt even in this woman. But between her and Robert Dudley, Earl of Leicester, the shadow of Amy Robsart arose ; and Robert Devereux, Earl of Essex, became a rebel and a sacrifice on the block. Once again, late, when Elizabeth had sat for twenty-three years on the throne, and was no longer a beautiful young princess but a mighty queen of mature age, the Duke of Anjou, a son of Catherine de Medicis, crossed the sea to ask her in marriage. He had wooed her for nearly nine years in a kind of con- tinual mistrust, and now at length he desired the fulfilment of his hopes. The Queen received him most graciously, and the tilt-yard of Whitehall became the theatre of a knightly spectacle, for the description of which we are indebted to the old chronicle of Hollingshed. About 10,000 thalers, a good sum in Elizabeth's days, were spent in erecting a richly decorated banqueting-house. The Queen showed herself on a gallery, which the gallant lords of the Court immediately named the " Castle of perfect beauty." This castle was attacked by " Ardent Desire and her foster chil- dren," who sang the summons to surrender in a canon, of which the chronicler has preserved for us the following verse : — 86 ENGLAND " Yeeld, yeeld, yeeld, you that this fort doo hold, Which seated is as spotless Honor's feeld ; Desire's great force no forces can withhold, Then to Desire's desire, yeeld, yeeld ! " After the song was ended, without the " beau- tiful vestal on the throne" making a sign of sur- render, two cannons were fired off, one with sweet- scented powder, and the other with sweet-scented water, and afterwards a number of ornamented scaling ladders were applied, and the servants then cast flowers and all kinds of sweetmeats against the walls, with such devices as formed the suitable artillery of Desire. But still poor Anjou missed the aim of his wooing, for political considerations intruded them- selves, and the royal lioness of the house of Tudor remained henceforth a virgin on England's throne ; her bridegroom the people, her last love her country * Where now in modern London a massive stone gate, black with the soot of centuries, divides the Strand from Fleet Street, there was then a turnpike of wood, newly painted, and hung with coloured cloth, called Temple Bar, after the neighbouring guild of lawyers of the Temple. Behind Temple Vide G. E. Emerson's ' London,' p. 50. FBOM A GEBMAN POINT OF VIEW. 87 Bar, within its walls and remaining " bars" or doors, began the Oity^ the true London of those days. Here with their City-Monarch chosen by themselves, the Lord Mayor, who had his Court and his Court-poet as well as the Queen on the other side of the Bar, lived all the good citizens of London. Some of the great nobles still continued to reside here, though others of them had already begun to emigrate westwards towards Fleet Street and the Strand. The first who left the City to settle themselves more commodiously in a more open neighbourhood were the bishops, to whom their ecclesiastical position assured that security, which for a long time was only to be found in the town by others. The nobility followed the clergy into the neigh- bourhood of the royal residence ; yet in Shakspeare's time there was still many a nobleman's house right in the heart of the City, as for example, that of the Duke of Norfolk, in Duke Place, named after him, the Jews' quarter of London in aftertimes. The City, however, became more and more the abode of rich merchants, whose almost princely luxuriance kept pace with the growth of the colonies, of trade, and of the East India Company. Their houses, constructed of oak beams, with Grothic windows and gables, gave the streets, although they were narrow, a picturesque perspective. But very few 88 ENGLAND of these Elizabethan houses are left in the City of London to give us an idea of the rich style of architecture and the better taste of that time. The great fire of 1666 destroyed them almost entirely. But at that time they still stood in all their pic- turesque beauty, with their carved beam ends and their fleurs-de-lis, and other flowers of oak- wood over the door and at the windows. The principal street of old London was then — as it is still now for the City, though under quite altered circumstances — Cheapside. Yery different indeed was " Chepe," the Golden Cheapside of Shak- speare's London, from the present street of this name, with its houses black with dirt and age, its bustle during business hours, and its death stillness during the night. Then it was the great high road from the tower to the Abbey and palace of West- minster, with the most beautiful shops on each side, and inhabited by the richest burghers, — the theatre of processions and pageants, and all the princely pomp of those days. Here still stand the Gruild- hall and Bow Church, from the gallery of which kings and queens have looked down at great State ceremonies ; of which the tower lantern was lighted every evening, and the bells always tolled the curfew at nine o'clock — those same bells, to be born within whose sound still makes the true FBOM A GEBMAN POINT OF VIEW. 89 London "cockney." Here stood also the famous Cheapside Cross, one of those numerous and hand- some crosses erected by Edward I. to the memory of his wife Eleanor, at each of the places where the funeral procession halted on its way to West- minster, destroyed in 1643 by the Puritans, as also was Charing Cross, which has, however, re- ceived the popular designation of Trafalgar Square. Each house had, as likewise at that time in Ger- many, and still frequently in the Swiss towns, its particular sign, after which it was called ; for there were then no house numbers. There were signs of trades and guilds, and there were signs which had reference to commerce and navigation and remote countries. There were a Moor's Head and a Greek's Head in their natural colours (or at least, what were considered such), and there were a Golden Ball and a Golden Cross. This house was called the ' Black Bull/ and that the ' Eed Lion.' At first, without relation to the posi- tion and trade of those who dwelt in the houses, these signs not unfreqnently served to show what afterwards was the family name. So, for example, we find a famous man, of whom we have already spoken in this book, before he was called Thomas a Becket designated as " Thomas of the Snipe/' after the sign of the house in which 90 ENGLAND he was born. Later we see house signs on the addresses of letters, of which Carlyle among other things has preserved so many for us in his book on Cromwell ; for example : " To be delivered " To my worthy friend, Mr. Storie, " At the sign of ' The Dog,' " In the Royal Exchange, " London." So the booksellers concluded their publications : for example ; " Printed for Thomas Underbill, and to be had in his shop, at the sign of the Bible in Wood Street." Such a sign was a very weighty and massive thing, hanging out over the shop-door, and there swinging to and fro ; and all these different signs and figures and shields, with their bright colours and strong gildings were to be seen in the streets. It must have been a very cheerful sight. The river also had a different appearance. It was still the broad stream of the Thames, well stocked with fish, covered with boats and barges, and graceful swans, as Fitzstephen described it in the twelfth century. London Bridge was (until the year 1750, in which Westminster Bridge was com- pleted) the only bridge : it had houses on each side, and a church stood in the middle. As FBOM A GEBMAN POINT OF VIEW. 91 picturesque as the streets themselves was the crowd of men in them. There was not the iron noise of a thousand wheels in motion, but, as the old Chronicler Stow says, there was always a noise of convivial preparations. The cooks cried hot ribs of beef roasted, pies well baked, and other victuals. Much clattering was there of pewter pots, harp, pipe, and psaltery. The names of Pudding Lane, Cock Alley, and Pie Corner in modern London still remind us of the dainty morsels of a former time ; and the two Wine Streets, one in the neighbourhood of Saffron Hill, now a dirty district between Holborn and Clerken- well inhabited by beggars, thieves, and rabble of all kinds, preserve the tradition of the time when London was still called '' the City of Grar- dens," when there were still beds of saffron, when the Catholic priest cultivated his vine, and the Protestant clergyman his gooseberry, while he comforted himself with the words " God might well have made a better berry, but he would not." As little as in the houses did our monotony of brown and grey exist in the costumes of that time. All was then rich in colour and fancy, pleasant and interesting to the eye. There was more indi- viduality and more liveliness in the world and in its 92 ENGLAND garments. The age which knew how to enhance the lofty magnificence of the cathedrals, and to build the stately colonnades of the houses of the nobles and the comfortable corners of the houses of the citizens, had also a surprising inventiveness for costume. What an immense wealth of fancy was expended on shoes, hats, stockings, and cloaks ! On the shoe, of which the points now turned upwards like a ram's horn, then spread out like an open fan ; on the head-dress, which varied from the baretta to the hat with the steeple crown ; on the cloak, which passed through every grade, from the wide Spanish mantle falling in rich folds to the short Norman spencer. Gay cavahers in velvet, silk, and fine cloth, which glittered with gold and silver embroidery, paraded the streets ; and the burghers had, like the nobility, their colour and their deco- ration ; each guild, each trade, each profession had its arms and signs. Black was quite out of fashion ; and in the midst of this continual display of lace and satin, of green, scarlet, pink, and sky-blue coats, of plum-coloured cloaks and yellow surtouts, a costume of dark stuff betokened the hypocrite, the slinker, the devotee, the Puritan. To this London, then in so much enjoyment of life, so mighty in the feeling of national elevation, so sparkling with new riches, so noisy with the feasts FBOM A GEBMAN POINT OF VIEW. 93 of the Court, the plays and pleasures of the burghers, to this London came William Shak- speare in the year 1586 from his country home in Warwickshire. He was three-and-twenty years of age, and had left behind him a wife, who was eight years older than himself, and three children. Whether he fled from Stratford-on-Avon on ac- count of poaching and the composition of a satirical poem on the justice of the peace. Sir Thomas Lucy, or whether he wandered away with the view of seeking his fortune, of this we know as little as whether his dramatic course began by holding horses at the theatre- door or arranging the chairs in the theatre. But behold there he is ; his genius has led him at the right time to the right place. The drama, which for centuries had been carried on by the guilds and trades in the form of miracJe- plays, and mysteries in the streets and open mar- ket-places, was now taken out of their hands, and in those of the poet and artist obtained admission into the palace of the Queen and the halls of the nobles. The desire to act and see actors became general. Every great lord had his troop of players, who called themselves his actors and servants, and went about in the provinces when they found no occupation in the capital. The first public theatre in London, Blackfriars Theatre, was opened in 94 ENGLAND 1576 : by the end of the century there were seven- teen theatres in which there was daily acting. Besides this the students at the Universities acted ; the lawyers in the halls of their inns, even the apprentices of London acted ; so that that became true which the proverb said, and which was afterwards placed as an inscription on the Globe Theatre : " Totus mundus agit histrionem " — All the world's a player. Shakspeare joined the Blackfriars troop, which, originally in the service of the Earl of Leicester, was afterwards patronised by the Queen, and re- ceived the name of the " Queen's Players." This title has been preserved, and is still held by the actors of Drury Lane, who always call them- selves "Her Majesty's servants." The young member of the Blackfriars troop soon distinguished himself: as early as 1559 he was made a sharer in the theatre, which, as it was the first in time, remained also first in rank. ' ' Shakspeare's dramatic entertainments became," as a contempo- rary author expresses himself, " the greatest support of our chief theatre, if not of every one in London." Before he had reached his thirtieth year " our friendly Willy," the " honey-tongued Shakspeare," was a popular and famous man. " He is our Plautus and our Seneca, the best man in England FBOM A GEBMAN POINT OF VIEW. 95 for comedy and tragedy," says Francis Meres in the year 1598. But where must we look for him in this London, which was already so large according to the notions of that time ? Now there were three places in the London of those days where one might be sure to meet, at least once in the course of an ordinary day, every man who belonged to good society — either St. Paul's Cathedral, the Tavern, or the Theatre. St. Paul's was then the great and fashionable promenade of London ; but it was much be- sides. What the Rag-fair of Houndsditch in the morning, the Exchange at midday. Rotten Row in the afternoon, and the Haymarket in the late evening are in the London of the present time, such during the whole day was St. Paul's in the sixteenth century ; the old metropolitan church of London, not the square before the church, but the church itself. Altogether wonderful things went on in the church. There were the theatres, the courts of justice, the places of political combat, and the lottery-houses of those days. The old drama, the miracle play, before it went out into the streets, had for centuries had its place in the church ; and even in the year 1592 we hear that, on the occa- 96 ENGLAND sion of a visit of Queen Elizabeth to Oxford, the service in the University Chapel was no sooner over than the chapel was changed into a theatre for the amusements of the afternoon. About the same time the academic authorities of the same University forbade pipes in the churches " on account of too great body of smoke." The parish elections were almost universally carried on in the churches, and frequently, especially in times of contagious sicknesses, the assizes also were held there. Men behaved in the most careless manner in this metropolitan church of London, which, destroyed in the great fire, stood on the same spot where now rises St. Paul's Cathedral. St. Paul's of the present London is a domed build- ing, after the pattern of St. Peter's at Rome : St. Paul's in Shakspeare's London was a Gothic Cathedral, with a slender spire, which was half destroyed by fire in the year 1561, with cloisters and a Dance of the Dead on the outer walls. Within were chapels and shrines, which glittered with precious stones and gold ; the painted glass of the windows threw a many-coloured light on the splendid silver service of the high altar, and on the shrine of the holy Erkenwald, on which sparkled a large sapphire, with which it was believed that he healed diseases of the eyes. Whenever Queen FBOM A GERMAN POINT OF VIEW. 97 Elizabeth came with her noble retinue to attend the service at St. Paul's she was almost invariably accompanied by two white bears. But this was not the worst. Ever since the time of the Reforma- tion the nave of the Cathedral had become quite a common passage for porters with beer-barrels, bread-baskets, fish, meat, and fruit ; laden mules, horses, and other animals crossed incessantly from one door to the other, strewing the marble mosaic with straw, refuse, and dirt of all kinds. Through the lofty aisles of the Cathedral resounded the neighing of horses, and drunkards snored on the benches in the choir. On the columns, in the rich-sculptured decoration of the capitals, birds built their nests, and it was a favourite amuse- ment of the youth of the City to shoot them down with a bow and arrow. Notices were affixed to the pillars, and at the so-called " Si quis " door thronged domestic servants who sought situ- ations. Here the advocates of the neighbouring law- courts of Dowgate and Paternoster Row had their stands, at which they received their clients ; and even under Charles II. so much of this remained, that a lawyer, as soon as he was called to practise, went to St. Paul's to choose his particular stand. In the side-walks the usurers had their place, and the font was made use of as a counter for the H 98 ENGLAND reckonings. The noise was very great ; and while in one part of the Cathedral the organ was played and preaching held, in the other part was cursing, swearing, and cheating. It is true that Elizabeth had forbidden, by the punishment of the pillory (with which was not unfrequently joined the loss of the ears), driving, riding, shooting, and kite- flying in St. Paul's ; but yet under Charles I., in the year 1630, Bishop Laud called down solemn imprecations on those who profaned that holy place, by recruiting soldiers there, holding profane law-sessions, and carrying burdens ; and in Shak- spearian London more than ever was the nave of the Cathedral, " St. Paul's Walk," the fashion- able promenade, the place for novelties, the daily rendezvous of men of wit, and the gallant ladies of the town. This middle part of the church was called in the jargon of those days the Inland Sea, or Duke Humphrey's Walk, after the solitary monument which stood in the nave, named after Duke Humphrey, although a simple knight. Sir John Beauchamp, rested therein. Why the Duke was called " his Lordship without flesh " is difficult to say, for during his life the good Duke loved no- thing better than a rich meal and cheerful guests. Yet at a later time he must have become famous FBOM A GEBMAN POINT OF VIEW, 99 for the reverse, for " to dine with Duke Humphrey " meant in the language of those days to have no money with which to pay for a dinner. A diarist of that time, Francis Osborn, gives us the follow- ing description : — " It was then," he says, " the fashion for the best classes, for lords and courtiers, and men of all professions, to meet at St. Paul's about 11 in the morning, to walk in the middle aisle till 12, and after dinner from 3 to 6, during which periods some spoke of business and some of news. Little happened in the world which arrived not here sooner or later. At these hours, I used, being a young man, to mix with the choicest com- pany I could find." Here, to these curious assem- blages of vices, fooleries, fashions, and fancies of the London of that time often came Shakspeare. Here he found the models for his plays and the butts for his wit. Here he found Pistol and Bar- dolph, Sir Toby Belch, Sir Andrew Aguecheek and Slender. " Here in St. Paul's I bought him," as Falstaff says of Bardolph. But where was he himself, " the old fat knight," this flower of the genius of pothouse revelry ? Nay, I think the place is not to be mis- taken where the man stays whose saying is, " Shall I not have mine ease in mine inn ? '* The taverns— 'The Mermaid,' ' The Mitre,' 'The H 2 100 ENGLAND Horn,' or ' The Boar's Head ' — are not far ; and in one of them we shall certainly find him, for, according to the code of the men of fashion of that time, " He must dine at one of tho famous taverns." But before we reach these places of merry com- pany, full tankards, and sparkling wit, we have, just on going out from St. Paul's, a sight worth observing. Here in the churchyard, round one of those street-crosses in which old London was rich, sits an assemblage of pious people in the open air, and under the cross stands a man in black, preaching. It is a Puritan, who thunders against the looseness of manners of his time, against its pleasures, and, not least, against its theatres. This man too and his party will have their day to cleanse the churches and close the theatres. It is said that Shakspeare made the acquaintance of Sir John Oldcastle (for so the original of our admirable friend, Sir John Falstaff, was called) in a tavern in Eastcheap, the ' Boar's Head.' Perhaps even Chaucer saw this ' Boar's Head,' for in the time of Bichard II. the house and the sign existed, though perhaps not as that of an inn. Among the three taverns in the City, towards the end of the fifteenth century, the * Boar's Head' is not men- tioned ; but it received a place of honour among the forty taverns which were granted to the City FBOM A GEBMAN POINT OF VIEW. 101 in the sixteenth century by Act of Parliament; and in the statistics of the year 1633, which number 211 taverns, it is designated an ancient tavern. Its first authentic appearance is in an agreement of lease in the year 1537, when it was in the hands of a widow, Joanna Broke, probably the mother of William Broke, who was landlord of the 'Boar's Head' till 1588, and whom Thomas Wright succeeded. The original sign of the ^ Boar's Head ' Tavern, a boar's head carved in wood, with the date 1566, and the name of the landlord at that time, William Broke, was the only thing that was saved when the inn was burnt down in the fire of 1666, and in July 1868 it was sold in an auction for 26/. sterling. The building, which after the catastrophe was erected on the same spot with the same sign, had a stone boar's head, with the initials J. T., and the date 1668; and this is now preserved in Guildhall. Another relic of this second inn exists, which in the year 1834 was brought before the British Society of Antiquaries — a figure of the noble Sir John Falstaif, carved in oak, which, in the costume of the sixteenth century, had supported a beam ornament over one side of the door, while the figure of Prince Henry supported that on the other. With these memorials of the two Shakspearian 102 ENGLAND heroes the tavern very long enjoyed a great re- nown in the neighbourhood of the Billingsgate Fish-market, bore the ' Boar's Head ' on its shield, and underneath the modest inscription, " This is the best inn in London ;" till, at the beginning of the last century, its owner at that time, perhaps in re- pentance for the sins of his predecessors, male and female, bequeathed this abode of Mrs. Quickly to the Church of Saint Michael, that a chaplain might be supported upon its income. But the * Boar' never really flourished well under Church government : at the beginning of this century the old nest was divided between a barber and a gunsmith, over whose adjoining shops the ' Boar's Head,' carved in stone, was to be seen until the year 1831. Then the last inmates of the ' Boar's Head ' were dis- possessed, the house was pulled down to make room for the new London Bridge, and exactly on the spot where old Jack caroused, and, when he could not pay his debts, promised marriage to the hostess, with an oath over his parcel-gilt goblet, stands now the statue of a man, who in his time was not less corpulent but much less witty, the mounted statue of Wilham lY. The parcel-gilt goblet is preserved in the neighbouring Church of St. Michael, or at least, the sexton says that a goblet, which he shows for sixpence, is that goblet. The last landlord of the FBOM A GEBMAN POINT OF VIEW. 103 ' Boar's Head ' whom Shakspeare can have known, " John Rhodoway, Yintner at the * Bore's Head,' + 1623," lies buried in the church, and the grave of a drawer at the same tavern is shown in the adjoining churchyard of St. Michael. The sexton says it is the identical Francis, whom we know so well in Shakspeare's ' Henry lY.' ; but if it really were, this drawer must have reached the patriarchal age, remarkable in our present proportions, of some 120 years or more, for he only died in 1720. Besides, the inscription which adorns his resting-place calls him Bob Preston : — " Bacchus to give tHe toping world surprise, Produced one sober Son, and here he lies ; Tho' nurs'd among full hogsheads he defy'd The charm of wine, and every vice besides. O, reader, if to justice thou'rt inclined, Keep honest Preston daily in thy mind, He drew good wine, took care to fill his pots, Had sundry virtues that outweighed hisfauts (^sic). You that on Bacchus have the like dependence. Pray copy Bob in measure and attendance." The tavern which Shakspeare most frequented, and where he held the longest and most famous sittings with his friends, was the tavern of ' The Mermaid.' It stood in Bread Street, a side street from Cheapside, between the present Southwark Bridge and London Bridge. A few steps from the 104 ENGLAND house in which England's greatest dramatist lin- gered so often and so willingly, stood the house in which, about the same time, England's greatest epic poet was born, the poet of ' Paradise Lost.' So near, according to time and place, moved these two geniuses, who were destined to shine not far from one another on ihe poetical horizon of England, Shakspeare and Milton. Milton's house had the sign of the ' Spread Eagle,' after the arms of his family, which the poet also bore, and which, sur- viving in a little blind alley in modern London, *' Spread Eagle Court," indicates the spot where, before the fire of 1666, stood the house in which Milton was born. ' The Mermaid ' was also de- stroyed in the same fire ; the place is, how^ever, still shown, and a good series of traditions has been preserved. The name of the landlord was Dun. His guests assembled either for dinner, which was taken just after twelve, or for the evening glass about six, when the theatre was over. There were then, of course, no bills of fare; but yet some cookery books of that time remain. Perhaps it may interest lady readers to learn what Mr. Dun's kitchen could do for Shakspeare and his friends. Here are some of its delicacies : boiled tulip-stalks ; salted turkey, stewed in white wine and vinegar, and served with fennel sauce ; pickled goose, with FBOM A GEBMAN POINT OF VIEW. 105 pinks and ginger ; clover-flower jelly, and omelets of mallow-stems with rose water. But we think that the fat man at the upper end of the table, who seems to say of himself, " You see I have more flesh than other men, and also more weakness" — we think that he holds with the *^ Eoast Beef of Old England," and that he partook of more sack than rosewater. " I would not give up fat Jack Falstaff for half the great men of ancient chronicle," says Washington Irving. " What have the heroes of yore done for me, or men like me ? They have conquered countries of which I do not enjoy an acre, or they have gained laurels of which I do not inherit a leaf, or they have furnished examples of hair-brained prowess, which I have neither the opportunity nor the inclination to fol- low. But old Jack Falstaff! kind Jack Falstaff! sweet Jack Falstaff! has enlarged the boundaries of human enjoyment, he has added vast regions of wit and good humour, in which the poorest man may revel ; and has bequeathed a never failing inheritance of jolly laughter to make mankind merrier and better to the latest posterity." Wherefore, health to the noble Sir John Falstaff, and health to the noble Sir John Oldcastle, who was the excellent original of this excellent cha- racter ! There was, however, also a veritable Sir ion ENGLAND John FalstafF, one of the bravest generals in tlie French wars under the three Henries. He is certainly not Shakspeare's Falstaff, but it is not impossible that the remembrance of this soldier combined with that of Oldcastle to produce him. The historical Falstaff was a great benefactor of Magdalen College, at Oxford, and among the pro- perty which he bequeathed to it was also, strange to say, a ' Boar s Head,' not indeed the tavern of Eastcheap, but of another inn of the same name in Southwark, which was pulled down about the same time and with the same object as the other Falstaff 's * Boar's Head' Tavern, in order to lay open the approaches to new London Bridge. Between eating and drinking there was vigorous smoking, for since Sir Walter Raleigh brought the first bag of tobacco with him from the West Indies, smoking had become the fashion in the exclusive circles of those days. Shakspeare's colleagues of the Globe and Blackfriars Theatres — Lawrence Fletcher, and John Taylor and Richard Burbage, the original performers of Hamlet, Lear, and Othello — smoked. Shakspeare himself does not appear to have been inclined to the new habit, since in none of his pieces does he mention it ; but Ben Jonson must have been a friend of the " snipe's head," as a pipe was then called. In his comedies it FBOM A GEBMAN POINT OF VIEW, 107 is often mentioned. Richard Burbage was the first actor of his time. " No one can be called a gentle- man who is unacquainted with Dick Burbage : every country maiden can tell of him," says the 'Return from Parnassus/ a play of the year 1602. Richard Burbage must also have been a very fine man. Once when he had acted Richard the Third, a pretty townswoman of London fell so much in love with him, that she granted him a " rendezvous," under the signal-word " Richard the Third." The poet of tragedy, Shakspeare, heard the agreement, and resolved to undertake the adventure himself, went, and really obtained admission by the signal agreed upon. Later came Burbage. " Richard the Third is at the door ! " said he, speaking upwards. " William the Conqueror was before Richard the Third," said WilUam Shakspeare, speaking down, and carried the day. Shakspeare was the most amiable and elegant of companions ; Ben Jonson was somewhat more heavy and ponderous. Ben Jonson, after Shakspeare the most famous dramatist of his time, had led a very eventful life. First he had studied, then he was a soldier, then became an actor ; he had then shot one of his colleagues, and been sentenced to imprisonment for life. But he was pardoned, and employed the 108 ENGLAND remainder of his existence in writing for the stage. A good fellow-feeling, only disturbed once or twice by passing petty jealousies, bound him to Shak- speare. Both were witty, both were clever and experienced in affairs of the world. Their talk enlivened the entertainments at the ' Mermaid,' and their wit and jokes were carried about freely in London. Some of them are preserved to us. One day, for instance, speaking of the motto of the Globe Theatre, " All the world is a player," Jonson asked, " If all the world's a stage, where are the spectators, the public ? " Shakspeare imme- diately answered, " Man is himself at the same time actor and spectator." Shakspeare was the more genial, but Jonson the more learned of the two ; especially hc3 was a good Latin scholar. Once, when Jonson had made his friend godfather to one of his children, Shakspeare sat at the table absorbed and melancholy. Ben Jonson sought to enliven him, and asked him why he was so sad. " Sad ? I ? On my word, Ben, I am not sad," said Shakspeare ; " I have only been reflecting a while what I shall give my godchild, and now I have it." " Pray, what is it then ? " inquired Jonson. " Well, Ben, I will give him a dozen good Latten spoons, and you shall translate them." FBOM A GEBMAN POINT OF VIEW. 109 The subject of a verse which Shakspeare impro- vised in the tavern of the * Mitre ' is a canary wine- glass, once belonging to that hostel. " Had Horace or Anacreon," says the poet, " drank of this wine, they had been as deathless as their verses." dear Jack Oldcastle ! stout Jack Old- castle, who could sit among the players and drink his glass of sack, and take his ease, and hear his Will and his Ben ! But now two o'clock is striking from the Cathe- dral and we must conclude our sitting. We must betake ourselves over the sea, as was said in the language of that time ; that is, take a boat and be rowed to one of the theatres, which whether on this or that side of the Thames, lie close by the shore. For at the stroke of three in the afternoon the representation begins. 110 ENGLAND II. The beau and man of fashion who in EHzabeth's time takes his morning walk in St. Paul's, already knows the titles of the pieces which will to day be brought out in the theatres of London ; for among other pious proclamations on the walls of this Cathedral church there are also play-bills. For the profane multitude, however, and the public in general, they are affixed to the posts which have been erected here and there in the streets for horses to be tied to. On them we perceive the seven play-bills of the seven principal theatres of London ; the ' Eose,' the ' Swan,' the ' Red Ox,' and the * Curtain,' probably named after a picture ; and the ' Grlobe,' the * Fortune,' and the ' Hope,' probably named after a figure which, placed on some particularly conspicuous place of these buildings, was used as its sign. The play- bills of that time contained only the names of the piece, its author, the troop, and its patron; but no list of the dramatis personae. Unhappily we possess no original of such a bill, but the title-pages of the first edition of Shakspeare's FBOM A GERMAN POINT OF VIEW. Ill works may give us an idea of the style in wliicli they were drawn up. Here is an example : Her Majesty's servants will to-day produce A very amusing and highly ingenious Comedy, Entitled : Sir John Falstaff and the Merry Wives of Windsor; Intermixed with wonderfully varied and pleasing witticisms of Sir Hugh, a Welsh Knight, of Justice Shallow, and his wise cousin Slender, together with the swaggeriDgs of old Pistol and Corporal Pim, by William Shakspeare, As it has been several times performed by the servants of the most honourable Lord High Chamberlain, as well before Her Majesty as elsewhere. Shakspeare's troop, the chief and most im- portant of that time, had two theatres ; a winter theatre called ' Blackfriars/ and a summer theatre the ' Globe.' Blackfriars Theatre, the oldest in London, and the first in which there was acting of plays after 1576, stood in the neighbourhood of the present Blackfriars Bridge, in the region of that labyrinth of small lanes and dark courts which now surround Printing-house Square. Where now the four colossal steam-presses of 112 ENGLAND London work, and dark warehouse doors unceas- ingly vomit forth printed packages of news- papers, there formerly Shakspeare played the ghost of Hamlet's father. The paper age has followed the golden; Shakspeare's Theatre has given place to the editing and printing houses of the ' Times.' Blackfriars Theatre was a so-called private theatre, that is, it was smaller than the others, which, in opposition to it, were called public theatres ; had a complete roof and seats in the pits ; and the acting was before a select audience, and by candlelight, while the daylight was arti- ficially excluded. The Globe Theatre, on the other hand, the summer theatre of the company, was a public one ; it lay opposite on the other side of the Thames in an oblique direction, and in order to reach it, it was necessary to cross one of the bridges or to hire a pair of sculls. Carriages in London at that time were only rarely seen. They came in with tobacco smoking, and were ridiculed with it. " The first carriage," says a satirist of that time, ^' was made by the devil in China out of a crab's shell, and brought over to England in a cloud of tobacco smoke." The first carriage in London came from Holland, and was given to the Queen as a present, in which she drove from Whitehall to St. Paul's on the day of FBOM A GEBMAN POINT OF VIEW, 113 the solemn thanksgiving service for the destruc- tion of the Armada. Till the beginning of the seventeenth century four hackney coaches, which stood under the 'May Tree' in the Strand, an- swered the requirements of travelling London ; but the " enterprise," which had gradually com- prised the number of twenty, was soon decried as a public nuisance, and hackney coaches were in the year 1635 plainly forbidden by a royal proclama- tion, as they obstructed the- passage and made the streets dangerous for His Majesty and the nobility. Henceforth hackney coaches were no more driven in the streets of London, but only from London into the country and vice versd ; and no one was to use them, except such persons as were in posi- tion to keep four strong horses in the stable for His Majesty's service, which, under heavy punish- ment, must be ready when required. The Eepublic showed itself more tolerant than the Monarchy towards the forbidden comfort; in an ordinance of the Lord Protector Cromwell, in the year 1654, 200 such carriages are allowed for the metropolis and six miles round, but not more, *' as their con- tinually increasing number threatens by blockading our streets to become insupportable." A century later there were 800 ; and in 1854 between 8000 and 9000 cabs, besides 3000 omnibuses. I 114 ENGLAND The gentlemen of the Court and the cavaliers of Shakspeare's time rode to the theatre, accom- panied by their Irish stable-boys, who ran along beside them, and by their French pages, who followed them on horseback. But the majority of the spectators came by water in small rowing- boats. This was the favourite means of transport from one part of the City to another. Those parts of London which lie towards the parks and on the hills were attached much later. The London of that time, the City, lay almost entirely by the water, and had fewer bridges than at present. More than 40,000 men lived by their oars and boats, and between 3000 and 4000 persons were rowed every day to the theatres alone, which, whether on this side of the river or that, lay close to the bank. But the Theatre had also its enemies. Already we have seen that man beneath the cross at St. Paul's, that clergyman, the worthy John Stock- wood, who before his congregation of Puritans declaims against this new misuse of time. " I say nothing," cries he, " about various other sins, which drag thousands along and at last drown them in the stream of vanity. But look at the public plays in London, and look at the crowd of men that flock to them, and run after them. Consider FBOM A GERMAN POINT OF VIEW. 115 the gorgeous theatrical buildings, an enduring monument of England's extravagance and foolish- ness." Then after the preacher has depicted in fiery words the horror of a theatrical exhibition, he brings into connection with it the sickness which raged almost every year, .and closes with the asser- tion, " The cause of the plague is sin, and plays are the cause of sin, therefore plays are the cause of the plague." The magistracy of London, Lord Mayor and Aldermen, took up this argument. It was an- nounced by this corporation, in a very learned document, that to act during the plague spread the contagion, and that when there was no plague it produced the plague. Conformably with this it was ordered that actors — with the exception of those engaged in Her Majesty's service — should only have permission to play when the town should be in health ; that is, when not more than fifty people had died in the week for three consecutive weeks. There was to be no acting at all on Sundays, and not later on week days than so that each of the spectators could be back at his dwelling before sunset, or at least before it grew dark. This very wise order of a highly praiseworthy magistracy had no other effect than that the theatres were not built in the City, but in its outskirts, mostly by the I 2 116 ENGLAND water ; and that Her Majesty and Her Majesty's great lords took the poor persecuted actors into their service, and covered them with their mantle from the wisdom and prevision of the fathers of the town. In this quality the actors of that time, like other servants, wore the arms and colours of their patrons; whoever laid hands on them had to do with the lords of Her Majesty's household. The members of Shakspeare's troop, and Shak- speare himself, as " Her Majesty's servants," wore scarlet cloaks with velvet facings. Queen Elizabeth was a great friend and pro- tectress of the Play. She and her Court considered it no sin, after they had their customary church- going in the morning, to conclude the Sunday with a comedy ; and in their care for the pleasure of the humbler classes they encouraged them to follow their example. At that time Sunday was not the day on which it was forbidden to the good people of London, for their recreation after the burden and toil of the week, to visit any kind of public building but a church and a gin-palace. Then Sunday was the best day for the theatres, and people flocked into them to see Shakspeare and to hear Shakspeare. The Queen certainly in her own person never went to the theatre, but re- presentations took place continually in her palaces FBOM A GEBMAN POINT OF VIEW. 117 at Whitehall, Richmond, and Windsor ; and some of Shakspeare's pieces were first brought out before Her Majesty. During one of these Court representa- tions in the Banqueting-Room at Whitehall, when Shakspeare played the role of Henry VI. in his own drama, the idea occurred to the Queen to put his presence of mind to the test. " I have often been told," she said, " that he possesses a great talent for improvisation, well, I will convince myself of it." The Queen's box was immediately over the stage, and was reached by a little staircase, before which stood the two body-guards of Her Majesty with great halberds, in the steel of which glittered the arms of the Order of the Garter, and the device " Honny soit qui mal y pense." At the moment when Henry YI. in the midst of his nobles came on to the scene which was to represent the Parliament, the Queen let her glove fall down over the front of the box just at Shakspeare's feet. He, as soon as he saw it fall, stepped forward without any hesitation, and breaking off his speech in the middle, raised the glove, with the following words, which he improvised in his character as king : " And thougli now bent on this high, embassy, Yet stoop we, to pick up our cousin's glove." Then, after placing the glove on the halberd of 118 ENGLAND one of the body-guard, from which the Queen, smiling, took it, he went back again, and continued to play his part. A tolerably authentic anecdote also tells us that we have only to thank the wish of Her Majesty for the " Merry Wives of Windsor." She who, like all the world at that time, enter- tained a great admiration and friendship for Sir John Falstaff, was very curious to learn the behaviour of the fat knight in a love affair, and in the company of ladies, after always hitherto seeing him among men, either with his cup or in battle. Here was an exercise for Shakspeare's humour ! It is said that he did not take more than a fortnight to produce the play. And so at the end of the year 1602, shortly before Elizabeth's death, the new comedy appeared, probably at Windsor Castle, in which the Queen then, by preference, resided, and after which, with delicate courtesy, the poet named his piece. An anecdote, which is certainly less authentic, adds that the Queen laughed so violently over the tricks of the Merry Wives and the misfortune of their knightly gallant, who is thrown into the Thames in a heap of dirty linen, that a cramp and cough came on, which proved fatal to her. Alas ! the poor Queen was not to die of laughter. Her end was sadder. For nights she sat on her FBOM A GEBMAN POINT OF VIEW. 119 bed weeping, bedewing the silken pillows with tears, and rending the air with cries over those long departed — one among them poisoned and one beheaded — till at last she died in her palace of Richmond, lying on the ground, with the name of Essex on her lips But the sun is still high, and our small vessel floats on the waves of the Thames. There on the right-hand shore is Bankside, the abode of pleasure in Shakspeare's London, bright with the signs of inns, and lively with music. There is the bear- garden, and there are five out of the seven theatres of London. There, where behind Southwark Bridge in our London a gigantic host of chimneys day and night pours forth black smoke which darkens the atmosphere — where there is an inces- sant roar of waggons, and a continuous smell of hops and malt, and where on a soot-blackened wall a board bears this inscription, " Barclay and Perkin's Brewery" — on this same spot, three hun- dred years ago, and under the blue sky of Shak- speare's London, stood his theatre, which had for its sign Hercules with the Grlobe, after which it was called the Globe Theatre. It is still the same unchanged Southwark, as we saw it two hundred years earlier, in Chaucer's time, a rural suburb with fields and gardens. Memories of 120 ENGLAND Shakspeare mingle with those of Chaucer ; the old ' Tabard ' in which the Canterbury Pilgrims for- merly assembled has received a gay neighbour ; and as Shakspeare's genius in the ' Mermaid ' is connected with that of the future, so here in Southwark, where his Theatre stands, it is connected with that of the past, the worthy Father of English Poetry ; in this manner exhibiting, as it were, backwards and forwards, the local material connection between centuries. The Globe Theatre is a hexagonal building of wood, almost like a fort, with many windows around, which look like loop-holes, with two small wooden houses on the top, and a flagstaff. Now, as the clocks of London strike a quarter to three, a fantastically dressed man steps out of one of the little wooden houses with a trumpet, to give the first signal. From all the theatres in the neighbourhood sound the same tones, which meet in the air, and urge to greater speed the vessels with which the mirror of the Thames is covered, and the riders who are coming over the bridge. But before it is three o'clock the trumpeter will blow twice more, and then with the striking of the hour and the last flourish the representation will begin, and a red silk flag will appear on the flagstaff. Meanwhile, boat is moored by boat to the bank. FROM A GEBMAN POINT OF VIEW. 121 the neighing and trampling of numerous horses are round about the theatre, and all press towards the entrance and paying-place ; the young cavalier with sword and plumed hat, the solemn citizen, the modest and pretty townswoman, the learned man and the book-worm from Little Britain, the swashbuckler from his lurking-places in the Strand, the lawyer from the Temple, the country gentleman from his hall at home full of falcons and terriers, the runaway apprentice from the workshop, and the sailor, still smelling strongly of tar, from the sea ; all these are Shakspeare's audience. The prices of admission are very diverse. The cheapest places at that time as now are in the gallery ; these cost about a penny. The great bulk of the public crowds together in the pit, which in the Globe, as in other public theatres, is called the "yard." The "yard" has no roof and no seats ; here reigns unlimited freedom. Eain and sunshine come at will ; and for twopence every British subject has here the privilege of seeing, pressing and being pressed, eating apples, cracking nuts, drinking beer^ playing cards, and damning the performance. In this respect, if in no other, the groundlings were in great consideration; their applause determined the success of the piece. But, nevertheless, they were accounted neither re- 122 ENGLAND spectable nor fit to judge critically, and the really educated frequenter of the theatre took good care not to be included among them. For about eighteen- pence or two shillings, he took his seat in one of the " rooms," as the boxes in Shakspeare's theatre were called. Sometimes he hired his " room " for the whole season, and kept the key in his own pocket. It seems that the playhouses had also their especial power of attraction for the equivocal characters of that time ; in that respect the world has remained as it was, and little arrangements for suppers after the theatre were as much in fashion then as they are now. There was no lack of pickpockets, but the mode of their punishment was original ; if they were taken in the act, they were without further ceremony brought on to the stage and bound to a post, and there offered a worthy aim, as much for the derision as for the nutshells of the groundlings. Much more than in our own days was the stage then considered to be for the joint amusement of the public. Only the smallest part of it was appointed for the actors ; more than half of it served the gallants, the wits, and the men of profession and education, as a place for the display of their own persons, their white hands, or their silk cloaks. For a small gratuity, they had here their three-legged stools. FBOM A GEBMAN POINT OF VIEW. 123 or threw themselves at length on the rush-strewn floor. Eushes were at that time what carpet is now ; the custom of covering the floor with them was general in the palace and in the house of the citizen, as we see by Holbein's English family pictures ; and they were not wanting on the stage. Dekker, in his * GrulFs Horn Book/ gives very exact directions to the gallant how he is to behave on the stage, as these gentlemen not unfrequently amused themselves during the play by picking up one of these green plants from the ground, and with the point of it tickling the ear of his neigh- bour. The perfect gallant never appeared before the trumpet had been blown three times, then, as the above-named Decker describes, " presently advanced himself up to the throne of the stage, I mean not into the Lord's room (the stage-box), which is now but the stage's suburbs, but on the very rushes where the comedy is to dance; yea, and under the state of Cambyses himself must our feathered ostrich, like a piece of ordnance, be planted valiantly, because impudently beating down the mews and hisses of the opposed rascality." The marks of approval and of disapproval were the same in Shakspeare's theatre as in our own. The first instance of calling for a favourite author was not indeed till a hundred years later, and hap- 124 ENGLAND pened to one who took upon himself to compare Shakspeare with a " drunken savage;" namely Yol- taire, at the first bringing out of his ' Merope ' in 1743. Lessing, who relates this event in his ' Ham- burgische Dramaturgie' as something quite un- usual, does not appear to have been much edified by it. " When the representation was at an end, the pit desired to see this wonderful man, and called and yelled till Yoltaire appeared, and let them clap and gape to their heart's content." Since then, all French dramatic poets have stood in this pillory; but, adds the author of 'Emilia Galotti,' *' I would sooner have done away with such an evil custom by my example, than by ten 'Meropes' have given rise to it." Now in Shakspeare 's Theatre there was neither this nor any critic ; immediate applause decided all. It is true that the gentlemen of fashion who sat on the stage, had named their note-books " tables," in which they eagerly wrote during the representation ; but they only wrote the witticisms which most pleased them, in order to carry them about afterwards at the Court and the tavern, or to mingle them if opportunity allowed in their con- versation. To have such a book at hand_, and to draw it forth at the beginning of the play, passed for a sign of literary refinement and good taste. Be- FBOM A GERMAN POINT OF VIEW. 125 sides this, the gallant man of that time had his playing cards, his snuffbox and the silver spoon with which he took the snuff, his pipe, and his three kinds of tobacco, of which the genuine Trinidad was the most prized. To fill his pipe was the first thing a cavalier did after taking his three-legged stool on the stage ; then he lighted it, handing round the burning match on the point of his sword, or begging one of his neighbour. Smoking was at that time a complete art : people learnt smoking as at the present day they learn dancing ; they had the most varying manners of taking the smoke and blowing it out again, namely, the " whiff" and the " sniff," and the " euripus," and the stage was considered the best place to show what they had learned from their professors. What in Shakspeare's time was a coarseness, not opposed to morality, took later the character of an immorality. Ladies at that time never went to the theatres, and much later, in the last part of the seventeenth century, only with masks. So Pepys, the diarist in the year 1663, saw a daughter of Cromwell, Countess Falconberg, at the theatre ; but as soon as the house began to fill she put her mask on, and wore it through the performance. Neither had there hitherto been any actresses, the female characters were represented by boys or 126 ENGLAND young men ; and even under Charles II. it happened one day, at the bringing out of one of Shakspeare's pieces, that the director came to the monarch, who was becoming indignant over the delay in begin- ning, with the excuse, " Sire, only a few minutes longer, I pray ; the queen is not yet shaved !" But when women not only appeared in the places of the spectators, but even became cus- tomary on the stage, the seats of the gallants excited a veritable opposition, although the morals of that time were not particularly good, before or behind the scenes. At any rate, the presence of gentlemen on the stage caused various disturbances, and as early as the year 1664 an order was made that no one who did not belong to the troop should be seen in the dressing-room. Later, means were taken to procure a seat on the stage at a high price, as, for example, half-a-guinea, in 1732, at the opening of Covent Garden Theatre. But the evil continued, and became no better when efforts were made to correct it in another way, namely, by posting sentinels on the stage " to prevent the disorders which the most unmanly race of young men that ever were seen in any age frequently raised," as says the ' Guardian ' of April the 2nd, 1713. The report of that time tells of one of these soldiers who, at a certain part of the piece, was so FBOM A GEBMAN POINT OF VIEW. 127 moved that he burst into tears, whereat the company- were immensely delighted. Some laughed aloud, others applauded the poor fellow ; in short, such a noise was made that the representation was in- terrupted by it. But these guardians of order did not always restrict themselves to dumb tears of sympathy ; sometimes their feeling drew them farther. One of them once shot an Othello, on the open stage, because he could not look on while that Moor murdered Desdemona. Another, in the midst of the tragedy of ' The Earl of Essex,' when Lady Nottingham denied having received a ring from her unhappy lover, rushed forward on the stage, seized the stage queen, frightened to death, by the neck, and cried, " She lies; she has the ring hidden in her bosom," In Paris the war against gentlemen on the stage continued till past the middle of the eighteenth century. One evening, a certain actor named Beaubourg, who was distinguished for his great ugliness, was playing the part of Mithridates, and the famous Adrienne Lecouvreur had to say to him as Monime, " Ah, my lord, you alter your face ! " Then the gentlemen who sat on the stage began to laugh aloud, and to cry, "Let him do so. It won't hurt him." This manifestation, which took place in 1759, put an end to the disorder; their 128 ENGLAND privilege was bought from the hitherto favoured ones for a considerable sum; and at the same time Garrick, the reviver of Shakspeare, purified the English stage from an abuse which, under different circumstances, had in Shakspeare's time formed a necessary element of it. Shakspeare's theatre was thus :— a stage 53 feet broad and 27^ feet deep; a space of 12^ feet in breadth round the rest of the building, for boxes, galleries, cloak-room, and passages, so that the inclosed " yard " measured something like 55 feet by 40 ; the walls, of wood and whitewash, nearly 32 feet high — all full of people smoking, brawl- ing, drinking, eating, lying, sitting, and standing ; and over them the roof of the sky, blue and sunny to-day, to-morrow gloomy and full of rain. The stage alone was protected from the changes of the weather by a roof of straw, and the place where the acting took place was divided by a curtain of woven material from the place which was occupied by the gallants and wits. It hung, like every other curtain, by rings on a rod, and was drawn apart in the middle towards each side. Now it strikes three, and the third trumpet- blast resounds from above. Immediately the cur- tain moves and parts. The Prologue advances, usually in a long black velvet cloak, and with a FBOM A GERMAN POINT OF VIEW. 129 laurel branch twined round his forehead. Some- times the poet prescribes a different costume, as, for example, in ' Troilus and Cressida ' : " Hither am I come, A Prologue armed." or in * Henry the Fourth,' where Prologue appears as Eumour, painted all over with tongues. He recites his poetical greeting to the audience, in which he at the same time w^elcomes them and pre- pares them for the play, from a leaf which he holds in his hand. As soon as he has ended and retired the play begins. At the end of it Epilogue appears, according to rule, one of the characters of the drama, who invites the audience not to be niggardly in their applause. " So, good night," says Puck, as Epilogue in * Midsummer Night's Dream,' " Give me your hands if we be friends." After the Epilogue came the " Jig," a medley of talking, singing, and dancing, also of couplet and ballet, full of allusions to the events and person- alities of the day, brought out by the clown of the company, and accompanied by music. The con- clusion of the whole representation was made by all the members of the troop appearing again, kneeling down round the edge of the stage, and saying a prayer for the Queen — a custom which is K 130 ENGLAND maintained to the present day in England, where no play, opera, or concert is left before the National Anthem has been sung. But how did Shakspeare's stage look during the representation ? Yery primitive, readers may rely upon that. There was no decoration and no scenery — there was nothing but a great board in the back- ground, with the inscription " France," if the scene lay in France, or " Yenice," and " Yerona," if the poet wished to transport us to that country where Othello murdered his wife out of jealousy, where Eomeo and Juliet loved, and died for love. As quickly as this board is changed, the scene of the play changes also ; Puck himself cannot fly quicker. Sometimes, in one act, we are in six different corners and ends of the world, and all by means of a board ! These, therefore, in Shakspeare's sense, are, as Schiller says, the "boards which represent the world." The floor of the stage, as has been already said, is strewn with rushes, the walls are hung with tapestry, and a balcony and several curtains are in the background. The balcony is for the sieges, when the citizens appear " on the walls," or the soldiers "on the towers." The curtains, called " Traverses," are for making a second room on the stage when it is required ; or when, as in * Hamlet,' a play occurs within a FBOM A GEBMAN POINT OF VIEW. 131 play. They managed in all things as well as they could. In one piece a Mussulman hero is to be buried; the only thing the poet gives to help the imaginative powers of his audience is the notice, " Imagine the temple of Mohammed." In another piece a peasant invites his neighbour. In order to inform the spectators that the invita- tion has been accepted, and that they are both come into the cottage, the stage notice announces, " Here a dog barks," and the scenic effect is left to the actor who can bark best. Sometimes not even so much as this was done to acquaint the public with the where and how of the affair. In a comedy of G-reene, for instance, a certain Jenkins challenges a shoemaker, who has struck him, to go with him " one or two miles " away, and then to fight with cudgels. The shoemaker at last consents, but wishes to fight as soon as possible. *' Come, Sir, will you go with me outside the town ? " Whereupon Jenkins immediately replies — "Yes, Sir, come along." In the next line they are already at the place and spot. " Now we are outside the town, what have you to say?" No doubt the cudgelling begins here, for one or two steps upon the stage have borne the two heroes and also the public over one or two miles of K 2 132 ENGLAND country. Still the theatre of Shakspeare was not quite without arrangements for a more modest kind of effect. There were, for instance, trap-doors, which occupy the place of the German Versenkungen, The witches' cauldron, in ' Macbeth,' went down through such a trap-door. In another piece it says, "The magicians strike on the ground with their sticks, and a fine tree comes up from beneath." There were also means of making figures float above, but they were of coarser substance than the invisible wires of our fairy-ballets. A piece of that time says, " Yenus exit ; or, if it can be arranged, let down a chain from above and draw her up." In a stage inventory of the year 1598 are found the following objects, which partly belonged to the wardrobe, and partly compensated for the want of decoration : — " Item : a rock, a prison, a jaws of Hell, a Dido's grave. Item : eight spears, a staircase for Phaeton for him to go up into heaven. Item : two biscuits and the city of Rome. Item : a golden fleece, two gibbets, one laurel-tree. Item : a wooden sky, the head of old Mohammed. Item : the three heads of Cerberus, a dragon in Faust, a lion, two lion's heads, a great horse with its legs. Item : a pair of red gloves, a papal mitre, three imperial crowns, a block, for the beheading in * Black John.' Item : a cauldron for the Jews. Item : four coats FBOM A GEBMAN POINT OF VIEW. 133 for Herod, a green cloak for Mariamne, a bodice for Eve, a costume for the ghost, and three hats for the Spanish dons." Of Shakspeare's theatres, that in Blackfriars stood a long time, till it fell to pieces with age. But the Globe had only a short life. One evening in the year 1613, when Shakspeare's ' Henry YIII.' was being performed, a burning splinter fell on the stage, which was, exceptionally, covered with a straw mat. The flames caught, tore round the wooden building, and it was soon burnt to ashes. This fire, which consumed one of Shakspeare's theatres in his lifetime, was symbolical of that other greater fire which fifty years after his death destroyed almost that whole City which we have pictured as Shakspeare's London. Of this London very little remains; only memory can point out the places which are associated with the story of Shakspeare's life. What the fire spared has been in the two following centuries thrown down, one piece after another, and cleared away. Of the palace at Whitehall, in which Shakspeare played comedy before Queen Elizabeth, only the smallest portion still stands, and that has been changed into a chapel. Of the houses in which he and his friends, his contemporaries, and his audience, dwelt, there is not a single one to be seen. The theatres in which 134 ENGLAND all his pieces were performed the first time have had no better fate; but one building of Shak- speare's London still stands in its old glory — in Shakspeare's days already more than six hundred years old, it has since become about three hundred years older — the Abbey of Westminster. The soot and rust, the moss and the ivy of almost a thousand years, cHng to the outer walls — to the buttresses and pointed arches of this honoured minster ; and in the sacred gloom that fills its arches, in the solemn silence which always reigns in its choir and side aisles, are the tombs of the Kings and Queens of England. Here also in Poet's Corner, not far from the grave of Chaucer, stands a monument of white marble, which represents a man who wears the picturesque costume of the time of Queen Elizabeth — the broad lace collar, the richly-orna- mented doublet, and the short knightly cloak. He leans easily on his right arm, which rests on a portion of a column, and in his left hand he holds a scroll, which, half-unrolled, shows the following verses : — " The cloud capp'd towers, the gorgeous palaces, The solemn temples, the great globe itself; Yea, all which it inherit, shall dissolve — " These lines, whose echoes seem to die away softly in the twilight which broods over the FBOM A GERMAN POINT OF VIEW. 135 graves, are Shakspeare's lines; and this monu- ment, to which the bust of Milton looks, as if it had on its lips the words, " What need'st thou such weak witness of thy name?" is Shakspeare's monument. THE COFFEE-HOUSES AND CLUBS OF LONDON. THE COFFEE-HOUSES. It was, if I mistake not, Madame de Sevigne who said that " coffee and Racine would be forgotten together." This sentiment would do honour to the prophetic soul of that lady were it not opposed to this other observation, that he wrote his verses for the champ mele^ " and not for the future." Coffee and Racine came into the world about the same time ; so much is true. Racine was born in the year 1639, and five years later Laroque intro- duced the first coffee at Marseilles. Its reception in France was not attended with enthusiasm. Soliman-Aga^ Turkish Ambassador at the Court of Louis XIY., between whom and the Grand Seigneur was an entente cordiale^ invited once, in the year 1669, the nobility of Paris to take coffee with him in his magnificent apartments. The French no- bility arrived and were enchanted with his famous slippers, but made wry faces over his '' black and bitter " drink. " Perhaps," says one of their witty compatriots, " the coffee would have tasted better if it had been caerulean blue, or at least pearl grey." 140 ENGLAND In spite of this not very encouraging experience, the Ambassador's servant, an Armenian, whom in French books I find called Pasqual, opened in 1670 the first coffee-house in Paris by the market of St. G-ermain. But the public found no greater delight in this new drink than the high nobility ; and the next day he shut up his shop and departed for London. We may satisfy ourselves with the belief that he succeeded here better than in Paris. Though coffee was still a novelty, he had not the dangerous responsibility of being the first to introduce it. Twenty years before his arrival, during the re- public of Cromwell, a Jew, called Jacobs, had established a coffee-house at Oxford, and the ' Po- litical Mercury' of 30th September, 1658, speaks of the Sultanes' Cophee-house in Sweeting's Lane. Between these two dates — either in 1652 or 1657, for the dates differ — another Oriental, of the same name with the Armenian, Pasqua Rosea, of Ragusa, established, in company with a London coachman, a third coffee-house in London, not far from the Exchange. This company, through the exertions of its head, attained considerable notoriety, and is the starting-point for all history connected with London coffee-houses. Pasqua Rosee came to Loijdon, as the Armenian FBOM A GERMAN POINT OF VIEW. 141 to Paris, in the service of a nobleman, who allowed him to teach his countrymen the Oriental art of coffee-making. Somewhat later the head of the Sultan Amurath appears to have been a very com- mon sign of coffee-houses, with this subscription : — " Morat ye great men did me call, Where eare I came I conquered all." Our Eagusan, however, took his own head, of course, in effigie. That fortune and circumstances favoured him has already been declared, but he was not deficient in honest labour in extending this subject of his commerce. Even at that time jour- nals were existent, and journals bore advertise- ments.* Meanwhile, from the probably moderate * All the Journals of that time give advertisements. The * London Gazette ' had a particular rubric for ** advertise- ments," which indeed, compared M^ith our means of obtaining publicity, have a very childish appearance. A number of the ' Gazette,' for instance, that of the year 1689— which I bought by auction in a second-hand shop in London — has eight notices, out of which three refer to stolen, and two to lost property. In the sixth a runaway son is intreated to return ; the seventh heralds " A History of the Coronation of James II." ; and the last is a species of educational treatise, with the title : " Earnest considerations on Time and Eternit}'-, with Introductory Remarks about the manner in which the Jews celebrate the New Year." The price of insertion seems to us rather high 142 ENGLAND number of the subscribers to the papers of those days, and the intervals of at least half a week at which most of them were published, there was plenty of employment in the distribution of handbills — bills which were handed to the passenger along the streets — a practice still in use for certain commu- nications of medical and scientific matter which the usually liberal advertisement sheets of English papers exclude, just as it was in the days of Hogarth. (Of. 'A Harlot's Progress,' plate 5.) One of these Pascal handbills has come down to posterity ; it bears the superscription ' The Virtue of the Coffee-drinking, first made and publicly sold in England by Pasqua Eosee.' These virtues are more than one at the present day could imagine, admitting all the excellent effects of a good cup of and to have been reckoned, not by the number of lines, but the value of the subject. The * Jockey Intelligencer ' of 1683 charged one shilling for a horse or coach, sixpence for a repetition. The ' Observator Eeformed ' inserted eight lines for a shilling, but the ' Country Gentleman's Courant ' took a higher flight, seeing that the " advancement of trade was a thing to be encouraged," and charged twopence a line in consequence. Advertisements of books, as those quoted, appear very early. The first theatrical announcement of Lincoln's Inn Theatre is found in the ' English Post' of 1701 ; and the first large page of advertisements in the style of the present journals, was in the ' General Advertiser* of 1745. FBOM A GEBMAN POINT OF VIEW. 143 coffee : — " It is a simple innocent thing," says he, '' and makes the heart lightsome ; it is good against sore eyes, and the better if you hold your head over it, and take in the steam that way. It is good for a cough. It is excellent to prevent and cure the dropsy, gout^ and scurvy. It is a most excellent remedy against the king's evil, the spleen, hypo- chondriac winds, &c. It keeps the skin white and clean." As an especial advantage it is added, that one may drink coffee as hot as he will without its fetching the skin off the mouth or raising blisters on the tongue by reason of that heat. The subscription of the document tells us that .this drink is only made and sold in St. Michael's Alley, in Cornhill, by Pasqua Rosee, " under the sign of his own head." Among many other things the bill contains a receipt for the making of coffee, in which it is said that the berry is first to be dried in an oven, then ground to powder, and then boiled with spring water. This primitive prescription, which, in fact, is very harmless compared to the fine meditation of Brillat-Savarin about the different methods of coffee-making, shows the present standing-point of the English. Far removed from that elevated, one might almost say ideal, conception of the famous physiologist of taste, the coffee of England is de- 144 ENGLAND cidedly the very worst a man can drink ; and this, combined with some other grounds of a cHmatic nature, may well be the reason that in the country in which it was first greeted, faith has not been kept with it, and people have generally returned to their natural beverage, tea. At the time, however, to which we have referred, coffee was much in vogue, and the coffee-house became soon for the English — ^that is, Londoners — a place of hitherto unknown pleasure and new society. There was, of course, that opposition which every innovation, it seems, whether of science, fashion, or gastronomy, must expect. The least one could say was, that, in spite of the assurance of Pasqua's handbills, it was easy to burn the tongue by drinking coffee too hot. Satire and pamphlet arose against " a sort of liquor, called coffee," of which a specimen is saved for us in that valuable collection of Isaac D'Israeli's ' Curiosities of Literature,' ii. 322. In one of these writings — * A Cup of Coffee, or Coffee in all its colour' — of the year 1663, the anonymous author complains over the downfall of his genera- tion, whom he calls " English apes." He adjures the shades of their forefathers ; and calls on Ben Jonson's manly ghost, the noble phantoms of Beau- FBOM A GERMAN POINT OF VIEW. 145 mont and Fletcher, wlio drank pure nectar, with rich canary ennobled, while these coffee-men, these " sons of nought,'' gave up the pure blood of the grape for a filthy drink, " syrup of soot, essence of old shoes." Still farther in his anger went the author of * A Petition of Women against Coffee,' 1674, who makes his fair petitioners complain " that coffee made the men as unfruitful as the deserts whence that unhappy berry is said to be brought, and that the offspring of our mighty ancestors would dwindle into a succession of apes and pigmies." Supposing this petition against coffee to be fictitious, one in real earnest very soon followed. On the 21st of December, 1657, a number of the bui-ghers appeared before the magistrate to com- plain of a certain Farr, who, as it appears, was a barber before he became a coffee-man. This James Farr, the founder of the now famous ' Rainbow,' was accused of making and selhng a drink, called coffee, by the manufacture of which he offended his neighbours with an evil smell,* and kept up a * It is remarkable that the smell of coffee seems so unpleasant to the true Briton. Each of the above-quoted pamphlets calls it a " stink," and uses for the coffee-drinkers the by no means elegant figure of " horses at a trough." L 146 ENGLAND fire during the greatest part of the day and night, by which his chimney and house were set burning, to the great fear and danger of those who lived near him. But these prejudices and persecutions, which affected not him alone, could not stop the rising popularity of the new institution. Before the conclusion of the seventeenth century, the coffee-houses were one of the sights of London. As such they are noted in the ' Me'moires et Ob- servations faites par un Yoyageur en Angleterre' (Haag, 1698), one of those small but neatly got- up volumes with plates and illustrations, such as came in quantities from the Dutch press, in order, in the opinion of William III,, to make propaganda on the Continent for the Protestant succession, and against the Jacobites. In this book, and in . the above-mentioned year, we find under '' Caffez " : — " These kinds of houses, whose number is very great in London, are exceedingly comfortable. You can hear there all the news before a good fire, can drink a cup of coffee or anything else, and transact your business with your friend, and all for a sou, supposing you feel dis- inclined to give more." This price of entrance of a sou, or rather a penny, after which the coffee-houses in that time FBOM A GERMAN POINT OF VIEW. 147 were soon called ^^ Penny Universities," seems strange to us, but still exists in some of tlie London reading-rooms, where one, for this price or a higher, has the paper and a cup of coffee, and sometimes a cigar in addition, as, in Wylde's Coffee-House, Leicester Square, and Simpson's Cigar Divan, Strand. But this was not the only duty of the coffee-house frequenters. As soon as they entered they were informed by a large set of Eegulations in verse, suspended against the wall, of what they might and might not do. John Timbs, in his compilation, ' Club Life of London,'* which we shall make use of in the course of our inquiries, has communicated to us one of these civil orders. We learn from it, first, that any one, of whatever position, was here wel- come, there was no preference of seat (probably the Continental Congresses had set the example, not to * John Timbs, P.S. A. ' Club Life of London, with Anecdotes of the Clubs, Coffee-houses, and Taverns of the Metropolis, during the 17th, 18th, and i9th centuries.' 2 vols. London, Bentley, 1866. Amerebook of reference, sometimes sufficiently inexact, but, on the whole, a rich collection of almost inex- haustible material, for the best of which Timbs, though he has nowhere confessed it, is indebted to Peter Cunningham's excellent 'Handbook of London.' See the review in the * Athen^um,' 3rd .March, 1866. No. 2001, p. 294. U8 ENGLAND be followed). No one had to stand up when a finer person came in after him ; he who so far forgot himself as to curse or quarrel must pay for the first offence, twelvepence ; for others a cup of coffee for every guest present. One might be merry and converse, but not in too loud a tone; all talk of religion and politics was expressly forbidden. Cards and dice were not allowed ; betting only to the extent of five shillings. The last prescription was, that the guests should pay their bills. The veto on politics refers to an event in Danby's Ministry, 1673-78. From the moment coffee-houses became the fashion in London they acquired a political significance. This was but natural under the circumstances : when no Parlia- ment had been called for years; when the magistrate spoke no more after the opinions of the burghers ; when, with one word, the constitutional voices of the estates were corrupted or reduced to silence, and the voice of the new fourth estate, the Press, was not yet sufficiently strong to be generally heard ; nothing remained but the coffee-houses, which, as Macaulay says (' History of England,' chap, iii.), were the " chief organs through which the public opinion of the metropolis vented itself." The rising of this new power in the State had FBOM A GEBMAN POINT OF VIEW. 149 long been a cause of uneasiness to the Court, and at the above-mentioned time an attempt was made to close the coffee-houses of London. Among the numerous tyrannical and unwise political acts, which at last brought about the over- throw of the Stuarts, the proclamation " concern- ing the suppression of coffee-houses," December 20, 1675, is perhaps one of the most tyrannical and most unwise. In the motives assigned for this decree (communicated by D 'Israeli, * Royal Proclama- tions,' iii. 379) we are told, that it was made because the multitude of coffee-houses lately set up and kept within this kingdom, and the great resort of idle and dissipated persons to them, have pro- duced very evil and dangerous effects, whilst they especially tended to spread rumours, and to tempt tradespeople to neglect their business, and that this idle waste of time and money was becoming an injury to the Commonwealth. Hence it is ordered for all coffee-house keepers that they should not pre- sume on or after the 10th of January next, to keep a public coffee-house, or to sell, or allow the con- sumption therein, of coffee, chocolate, tea, or sherbet, and that they would be answerable for so doing. But it has, as we know, always been the fate of these ministerial prohibitions to give to as- semblies or meetings of this kind a character, 150 ENGLAND without whicli tliey would have probably continued harmless, and thereby to bring about exactly what it had been the desire to avoid. Kennet, a very sensible man among the Crown lawyers of that time, had given an unfavourable opinion of the measure ; he says that malcontents had existed before they met with one another in coffee- houses, and that the proclamation desired to sup- press an evil which could not be suppressed. Let us hear what Macaulay says : " Men of all parties missed their usual places of resort so much that there was an universal outcry. The Government did not venture, in opposition to a feeling so strong and general, to enforce a regulation of which the legality might w^ell be questioned.'* The result was that the proclamation was with- drawn, and the coffee-houses were again opened, under the following restrictions, that it should be punishable alike for speakers and listeners to spread false news and talk licentiously concerning the State or Government. Every one knows that these threats did not prevent the fall of Danby and the exile of the Stuarts, neither did they in the least delay them ; and it would not be risking much to state that those who by the royal decree were compelled to be silent in the coffee-houses, greeted all the more FBOM A GERMAN POINT OF VIEW. 151 impetuously the Liberator and second Conqueror, William of Orange, when he made his entry into London on December 18th^ 1688. Since that day coffee-houses have been an insti- tution, not only of London, but of British town life, especially in the last century ; and until the last part of that century they held, in social and political aspects, the position and importance, held since then up to the present time by the clubs. If we may listen to a voice which as late as 1708 cries out complainingly, " Who would have thought London would have had near 3000 such nuisances, and that coffee would have been (as now) so much drunk by the best of quality and physicians ? " (Hatton's ' New Yiew of London ') ; we learn from it that in the course of not more than 50 years 3000 coffee-houses had been established in London, and that they were frequented by all who had any pretension to rank, education, or influence. Hence, D'Israeli is right when he says that the history of the coffee-houses, before the introduction of clubs, would be that of the manners, morals, and politics of the people, and from this point of view alone have we felt our- selves justified in inviting the reader to so close a consideration of them. Although every class of English society, and 152 ENGLAND every phase of English life, trade, science, litera- ture, art, the theatre and fashion, — in fact, all those peculiarities and eccentricities which one desig- nates pre-eminently English, found their expres- sion in coffee-houses, as they did later in clubs ; still the first and decisive characteristic with both was politics. The noteworthy fact cannot escape the observer, that journals began to exist thirty years before the first coffee-house, and that they had already attained a certain degree of civic liberty when this was opened. Without journals, one of the greatest charms of the coffee-house and of the club would be lacking; and so little could one think of one without the other, even when they were in their early childhood, that the satirist whom we have quoted above, mingles together '' syrup of soot " and " essence of old shoes," as he euphoniously describes coffee, with " diurnals and books of news :" " Syrop of soot, or essence of old shoes, Daish't with diurnals and the books of news." The first and original form of newspapers was that of a little book of news, which appeared in weekly editions, exactly like that to which the refined Parisians returned towards the end of the second empire. We seem to read a contemporary report about Rocheforf s * Lanterne,' when we read FROM A GERMAN POINT OF VIEW. 153 what Ben Jonson, a great opponent of the awaken- ing public opinion, says of these news-books : that there can be in Nature no greater malady, nor any greater disgrace for the time, than this hunger of the public for the pamphlets which are published every Saturday. The year 1622 may be noted as that of the birth of the English newspaper press. The fearful war in Germany, afterwards known as the Thirty Years' War, had begun ; and the desire in England to obtain news of it was all the greater as an English princess, Elizabeth, daughter of James I., and wife of the unfortunate King of Bohemia, was very nearly, at least at first, concerned in it. An enterprising Irishman, Nathaniel Butter by name, was the first who turned to advantage in the way of trade this thirst for knowledge of the British public, by publishing, after the model of 'The Venetian Gazette,' ' Weekly Eelations of News,' which, after several successful attempts, he con- tinued in regular succession as ' The Certain Newes of this Present Week,' embellished with the arms of the King of Bohemia. As far as the certainty of its news went, he pretends to derive them at one time from an eminent Jewish merchant in Germany, at another from the lovely ' Mermaid ' wrecked on the coast of Greenwich. M 154 ENGLAND Still for a whole year this paper was the only one that provided England with intelligence from the Continent ; whoever would understand the import- ance at the time of the places and persons in Germany and the events of the war, is advised not to despise this * Courant.' But with the death of Gustavus Adolphus the public curiosity abated, and the business stagnated ; so much so, that between the appearance of one * Certain News ' and another, time enough elapsed to fill the News-books with the whole of the Psalms of David, and half of the New Testament to boot, for want of other matter.* English journalism received fresh food and an enduring form when the civil disturbances began under Charles I. On January 1st, 1642, there appeared at Oxford, where the King had taken up winter-quarters, the first number of the ' Mercurius Aulicus,' the Court and Royalist journal, which was in 1647, after the overthrow of this party, when the King sat in captivity at Hampton Court, followed by the ' Mercurius Prag- maticus.' The opposition journal, called the ' Mercurius Britannicus,' was established in August * ' Early English Newspapers.' Cornliill Magazine, July 1868. FBOM A GEBMAN POINT OF VIEW. 155 1643, and was edited by Marchmont Needham. This was the time of the ' Mercury/ under which name new journals of every shade of party on both sides sprang up, and were offered for sale in the streets by women, the so-called " Mercury women." The street itself was often the scene of the bitter strife of these ladies, who were not contented merely to sell their papers, but even took the field for the opinions expressed in them with such energy, that they, after belabouring each other with their fists, had recourse to snuff and ground pepper to throw into the eyes of their opponents, for the King or the Parliament.* But the editor of the Presbyterian journal, Marchmont Needham, was to meet his own evil destiny. A long time the idol of the London public, he fell out with those who had hitherto been his patrons, the dominant Presbyterian party, who suffered a free expression of opinion as little as did the Stuarts, and in his disgust went over to Charles I., for whom he wrote the already mentioned * Mercurius Pragmaticus.' After the execution of Charles I. he fell into the hands of the Presbyterians, who threw him into the prison of Newgate and sentenced him to death, but the * ' Literature of the People.' AthensBum, January 1870, p. 11. M 2 156 ENGLAND Presbyterians themselves were overthrown just soon enough to save his neck. Cromwell granted him his life, and made him editor of the ' Mercurius Politicus/ which became the journal of the Pro- tectorate. Hitherto the members of the " ecclesia militans " of the Press had fared by no means well ; with gaol, pillory, mutilation of the body, cutting off the nose^ chopping off the hand, if not even with worse inflictions, they had been persecuted unmercifully. The first, if only passing, gleam of a better time was now to appear. Here Crom- well comes in as the eminent modern character which he, though long unappreciated, really is. Under his Protectorate the journals knew what it was to enjoy the luxury of freedom, says the latest historian of the English Press.* In vain had Milton begged of the Presbyterians the liberty of the Press. Cromwell secured it. The true image of this great man, one of the greatest history knew, is only in our time fully revealed ; yet blind party spite has not been able so much to blacken it, but that here and there amid misrepresenta- tions of opponents the truth breaks forth. The elder D'Israeli, known to be a staunch Royalist, * James Grant. ' The Newspaper Press, its origin/ &c. (2 vols. London : Tinsley Brothers. 1 872.) FBOM A GEBMAN POINT OF VIEW. 157 and fully participating in the cavalier-like horror of Cromwell, is compelled to admit in his treatise upon censors, that under the Protectorate this office was abolished, but was reintroduced immediately on the restoration of Charles II. The censor of this reign, Eoger I'Estrange, was also at the same time its journalist par excel- lence. The amalgamation of the two offices was, at all events as things stood, the most conve- nient plan. For still the prosecution of the Press continued; the evil doers were evil-intreated ' in their bodies, their liberty, and honour; they were sentenced to transportation and hard labour like hardened criminals. Roger TEstrange, who, as a true adherent of the Stuarts, had suffered so much and so valiantly in their cause, that he had ex- cited even Cromwell's admiration, reflected how he could soften the troubles of his comrades of the Press, and suggested as a milder form of punishment all kinds of marks of infamy, which the culprits should wear ; as, for example, instead of a hat-band a rope ; or one blue stocking and another red ; or a blue cap, with a red *^ T " or *' S " upon it, to signify treason or sedition. We hear nothing about his success with these humane contrivances ; but he soon had himself to experience the teaching of the ' Two Souls Theory,' 158 ENGLAND whilst within his breast the censor continually strove with the editor. In reward for his services rendered to the dynasty, the monopoly of a news- paper was awarded to him, which, under the name of ' The Public Intelligencer/ flourished in the first year of the Eestoration. His spies went to all parts of the country — spies were then what we in the present day designate by the somewhat less doubtful name of '' Special Correspondents." They frequented St. Paul's Walk, which a few years later was destroyed by the great fire, and sought for news in the taverns and in the coffee-houses, then just springing up. Even some " respectable per- sons" made him occasional communications, with the condition that he should keep their names secret, for which he granted them, as a fee, the free postage of their newspapers. Still, while the ' Mer- cury ' women sold his journal in the streets and obtained subscribers in the houses, he continually trembled lest they should at the same time carry about contraband wares ; and to protect them from temptations to such criminal conduct he gave them, besides forty shillings and some free copies, yearly something still greater — dinner at Hornsey, *' with coach there and back." The year of the plague, 1665, found him fearlessly at his post; but in this year, when the Court emigrated to Oxford on FBOM A GEBMAN POINT OF VIEW. 159 account of the fearful sickness, his well-merited pri- vilege was taken from him, and the official paper, the * Oxford Gazette,' was established, which still exists under the title of the * London Gazette/ He, the true servant of the Stuarts, experienced the proverbial ingratitude of that family; and as Stafford previously, when it was imparted to him that Charles I. had signed his death-warrant, cried out, " Nolite confidere in princibus," so now, wrote Eoger 1' Estrange, ** I have been promoted to beggary, shame, in short, the worst that can befall a man's honour ; but God's will be done, and his Majesty's." Once again, towards the end of the reign of Charles II., the much-tried journalist brought out a weekly paper, in the curious form of question and answer, the * Observator.' But with regard to the measure which deprived him, the most official of officials, of his privilege, it might well be said, " If they do these things in the green tree, what shall be done in the dry ?" In fact, now began an era of the most complete desolation, unprofitableness, and sterility for journalism. Still at the moment when the Press, this public conscience, was sentenced to silence, the coffee-house in a manner took its place, and made itself known for the first time in its full importance for political life. " Thither," says 160 ENGLAND Macaulay (i. 383), " crowded the people of London, as the old people of Athens to the market-place, to ask continually if there was any new thing." But the activity of the coffee-houses extended over more than London : the material of conversa- tion, which was there collected, was fixed in manu- script in so-called news-letters by persons who made this work a special profession, and these written newspapers^ which were sent weekly into the pro- vinces, informed their inhabitants of all which was not to be found in the printed ones. So things continued during the reign of James II. till the expulsion of the Stuarts. The day after his abdication appeared immediately three new newspapers; under William III., the almost crushed newspaper-press rose again quickly, and in the year 1694 the censorship was abolished. Manifold, in the following century, were the battles of the English Press, till, with complete freedom, it reached the height which we see it occupy at the present day. We cannot accom- pany it on this long and glorious way; it was sufficient for our object to point out the pecu- liar connection between the coffee-house and the newspaper — to show how they grew together, and in the earliest stages of their development supple- mented and often supported one another up to the FBOM A GERMAN POINT OF VIEW. 161 happy days when the classic ' Tatler ' appeared^ and the short face of ' Mr. Spectator ' was seen. Then in the first flowery time of Enghsh peri- odical literature, with its stars, Addison and Steele, London cofiee-house life stood in its zenith, and having arrived at this point, we may return thence to our special subject. Each party, even each shade of a party, had its particular coffee-house, in which its members met. There were Whig and Tory coffee-houses, coffee- houses for High Churchmen, for Latitudinarians, for Papists (for England's religious belief was, and is now, notoriously in part influenced by its political) ; there were coffee-houses in which the Scotch debated for or against the Union with England, and coffee-houses in which the Jacobites hobnobbed over the " black gentleman," by which they understood the mole on whose hill King William's horse had stumbled and broken the neck of its rider. In Daniel Defoe's * Journey through England,' 1714, invaluable as a history of the culture of his time, there is a passage in which the famous author of ' Kobinson Crusoe ' depicts fashionable life in London at the beginning of the eighteenth century, which will, therefore, serve as an illustration of the above general remark. '' Our life," he says, " is 162 ENGLAND thus : we rise at 9, and those who attend levees are employed thus till 11, or go, as in Holland, to the tea-tables; at 12 the beau-monde is assembled in various coffee or chocolate houses, of which the best are so near one another, that we can see the society of all in less than an hour. We are carried to these places in a kind of chair or litter, at the very reason- able cost of a guinea a week, or a shilling an hour. The bearers act also as messengers^ as the gondo- liers of Yenice. Different parties have their dif- ferent houses, where a stranger, indeed, would be well received ; but a Whig would as soon go to the * Cocoa Tree/ or * Ozinda's,' as a Tory to St. James's. The Scotch usually go to the ' British/ and a num- ber of all sorts to the * Smyrna/ " There are other small coffee-houses, says the tourist, in the neigh- bourhood of Pall Mall, — then as famous for coffee- houses as now for clubs, — and the most frequented were the ' Young Man's ' by officers, the * Old Man's' by stockjobbers, and ^Little Man's' by indifferent gamblers. The ' Old,' ' Young,' and * Little Man,' were three establishments by the Thames, not far from Charing Cross and Whitehall. The ^ Old Man,' or the * Royal Coffee-house,' was the oldest of the three, and had been established under Charles II. by Alexander Man, after whom later it was named. FBOM A GEBMAN POINT OF VIEW. 163 The * Young Man ' arose in the reign of William III., but the former always held the precedence ; and we possess a description of it by Ned Ward, one of the most adventurous and notorious characters of that time, a mischievous pamphleteer, many times punished by pillory for slanderous libels, and at last, when he would have no more to do with the work of an author^ landlord of a punch-shop in Holborn, in which capacity he died in 1731. But all that lessens the worth of his writings, in whatever disfavour they may have been held among his contemporaries, is nothing to us ; and the readers of Lord Macaulay's * History ' will, no doubt, re- member the * London Spy,' a kind of talkative description of London, of the remarkable details of which the great historian has not disdained occa- sionally to avail himself. Ned Ward's writings are exceedingly rare ; and the writer of these lines is only indebted to a fortunate chance for his ' Secret History of Clubs ' * with the significant motto, " Poeta qui pavide cantat, rarissime placet ;" a book, shabbily bound, badly printed, and full of the coarsest vulgarity, but for the subject which we * ' The Secret History of Clubs : with their Origin, and the Characters of the most noted Members thereof.' London. Printed and sold by the Booksellers. 1709. 164 ENGLAND have under consideration a source of the richest information. Scorned by booksellers, either ignored or deservedly and severely censured by authors (as, for example, in Pope's satirical poem, * The Dunciad '), entirely excluded from and tabooed by good society, Ned Ward was just the man to re- mark that which is apt to escape the member of a fraternity, and only strikes the eye of one who stands without its circle, especially when malice sharpens his sight, namely, the peculiar, the characteristic, the ridiculous. This, in fact, makes up the sum of his book, of which the epistle dedicatory is not addressed, like that of most other works of his time, to some great Lord, but '^ to that Luciferous and Sublime Lunatic, the Emperor of the Moon, Gover- nor of the Tides, Corrector of Female Constitutions, Cornuted Metropolitan of all revolving Cities, and principal Director of those Churches most subject to mutation." Only the irregularities of coffee-house and inn life of that time are here treated of, partially under highly indecorous and feigned names, in a kind of prosaic history of their origin, with which is united a flow of poetry, both full of in- vectives and abuse which are scarcely half compre- hensible to us. Nevertheless, after the deduction of all of that of which we speak, there is a re- FBOM A GERMAN POINT OF VIEW, 165 mainder which, if we do not mind the tone, is very instructive, and will add more than one feature to the picture which we are now about to sketch ; only we must not forget that we here have to do with a man who can never feel at ease in good society. According to Ned Ward's description in the * London Spy,' the ' Old Man ' must have been the finest coffee-house of London. " We now ascended a pair of stairs which brought us into an old- fashioned room, where a gaudy crowd of odori- ferous Tom-Essences were walking backwards and forwards with their hats in their hands, not daring to convert them to their intended use^ lest it should put the foretops of their wigs into some disorder. We squeezed through till we got to the end of the room, where at a small table we sat down, and observed that it was as great a rarity to hear any- body call for a dish of Politician's Porridge, or any other liquor, as it is to hear a beau call for a pipe of tobacco ; their whole exercise being to charge and discharge their nostrils, and keep the curls of their periwigs in their proper order. The clashing of their snush-box lids in opening and shutting made more noise than their tongues. Bows and cringes of the newest mode were here exchanged twixt friend and friend with wonderful exactness. 166 ENGLAND They made a humming like so many hornets in a country chimney, not with their talking, but with their whispering over their new Minuets and Bories, with their hands in their pockets, if only freed from their snush-box."* That which appears to have most troubled the * London Spy ' was that here he could not smoke at his ease. When he called for a tinder-box and a pipe, certainly they brought him what he wished, but as unwillingly "as if they would much rather have been rid of our company ; for their tables were so very neat, and shined with rubbing like the upper leathers of an alderman's shoes, and as brown as the top of a country housewife's cup- board. The floor was as clean swept as a Sir Courtly 's dining-room, which made us look round to see if there were no orders hung up to impose the forfeiture of so much mop-money on any person that should spit out of the chimney-corner." We see Ned Ward has here fallen into society from which the sooner he removes himself the better. The gentlemen of fashion of that time took snuff, but they abhorred smoking, hence in the coffee-houses which they frequented there was no * By Bories are probably meant Bourrees, a kind of Spanish-French dance. Vide Czerwinski, ' On Dancing,' p. 90. FBOM A GEBMAN POINT OF VIEW. 167 smoking. Here, as Macaulay says, and our * Spy ' corroborates, the atmosphere was like that of a perfumer's shop ; and if any booby unacquainted with the ways of the house desired a pipe, the ironical remarks of the whole assembly, and the short replies of the waiter, soon showed him he had better betake himself somewhere else. This was quite the case of Ned Ward, who concludes his account with the remark that his conduct at the ' Old Man's ' drew the surprised faces of the Sir Foplings into as many peevish wrinkles as those of the beaux at the Bow Street Coffee-house, near Covent Garden, when the gentleman in masquerade came in among them with his oyster- barrel muff and turnip buttons to ridicule their fopperies. Nevertheless, in most of the coffee-houses smoking formed the chief means of entertainment. Among numerous other testimony to this we have also that of the * Spectator,' who, under the date of July 6th, 1714 (No. 568), writes:—"! was yesterday in a coffee-house, not far from the Eoyal Exchange, when I observed three persons in close conference over a pipe of tobacco ; upon which, having filled one for my own use, I lighted it at the little wax candle that stood before them ; and after having thrown in two or three whiffs 168 ENGLAND amongst them, sat down, and made one of the com- pany. I need not tell my reader that lighting a man's pipe at the same candle is looked upon amongst brother smokers as an overture to conver- sation and friendship." The * Spectator,' as also its precursor, the ' Tatler,' and its successor, the *^ Guardian,' those world- famed moral periodicals, which^ comprising some of the most interesting years at the beginning of the last century (1709-14), and written by the most witty men of the time, present a picture of society as it then existed, drawn with incom- parable delicacy and most charming humour, naturally contain also invaluable material for our subject. For their authors were men of the world, who moved exclusively in high society ; Addison, husband of a countess, and for a time Secretary of State ; Sir Kichard Steele, a Member of Parlia- ment ; Jonathan Swift, Dean of St. Patrick ; and many others who belonged to the most distin- guished wits of the time.* They were all friends to conviviality, " bon vivants " to a certain degree ; * Addison's Contributions to tHe * Spectator ' and ' Tatler ' are given in German in Adolph Stem's ' Popular Library of Literature of the ISth Century,' with a Preface by H. Hettner, Berlin, 1866. In the same collection may be found * Swift's Diary to Stella.' FBOM A GERMAN POINT OF VIEW. 169 and of Dick Steele it is only too well known that he loved the entertainment of the coffee-houses, and the red wine of the taverns, far more than was advantageous to his domestic peace or his moderate income. But so much the greater will be the confidence with which we trust ourselves to the guidance of such hands ; and so much the more faithful will be the picture, composed of those many strokes and touches of reality with which they understood how to enliven the classic elegance of their writings. In that often quoted passage of the * Tatler,' in which its editors allot to the different coffee-houses the different subjects which would offer themselves for consideration in the course of their undertaking (so that a stated topic might always be expected with certainty at a stated coffee-house), politics fall to the lot of St. James's Coffee-house. As staunch Whigs, Addison and Steele naturally chose this coffee-house, the headquarters of the Whigs in St. James's Street, not ten steps from the palace of the same name, in which, from Queen Anne to George I Y., the monarchs of Great Britain resided. Here, until the latter part of the last century, the party was represented by its most eminent members; from here, as long as he was a Whig, Jonathan Swift (under Addison's N 170 ENGLAND address) communicated with Stella; and here, sixty years later, before the great change took place in him, the youthful Burke was to be seen. By that time the coffee-house had changed entirely into a restaurant — the usual way with coffee-houses before their total disappearance — upon the establishment of clubs. St. James's Coffee-house was closed in the year 1806, and on the spot where it formerly stood stands now a row of stately buildings looking towards Pall Mall. The ' Spectator,' and indeed the pen of Addison, gives a description of the principal political coffee- houses, at the time when coffee-house life had reached its highest degree of refinement. It appears that in March 1712, the report had spread in London that Louis XIY. was dead. " As I foresaw," says tbe ' Spectator,' " that this would produce a new face of things in Europe_, and many curious speculations in our British coffee-houses, I was very desirous to learn the thought of our most eminent politicians on that occasion. Since every district in the city has its coffee-house, and every coffee-house has some particular statesman belonging to it, who is the mouth of the street where he lives, this is the surest means of ascer- taining the opinion of the town." FBOM A GEBMAN POINT OF VIEW. 171 In order to reach as nearly as possible the fountain-head of all news, the ' Spectator ' begins his wanderings at St. James's Coffee-house. "Here I found the whole outward room in a buzz of politics. The speculations were but very indifferent towards the door, but grew finer as you advanced to the upper end of the room ; and were so very much improved by a knot of theorists who sat in the inner room within the steam of the coffee-pot, that I there heard the whole Spanish monarchy disposed of, and all the line of Bourbon provided for in less than a quarter of an hour." In a coffee-house in St. Giles's, now, as is known, one of the most ill-famed, as it was then one of the most aristocratic quarters of the town, and since the Eevocation of the Edict of Nantes inhabited principally by celebrated French refugees, the * Spectator' found a table of French gentlemen, who sat in judgment u])on the life and death of the "Grand Monarque;" and in the ' Little Man,' al- ready noticed, the sanctuarium of sharpers or false- players (Addison must have meant this, although he calls it ' Jenny Man's '), he saw an alerte young fellow cocking his three-cornered hat, on a friend of his, who entered at the same time as the 'Spectator,' addressing him in the following manner, " Well, Jack, the old prig is dead at last. Sharp's the N 2 172 ENGLAND word. Now or never, boy. Up to the walls of Paris directly.'* Between Charing Cross and Covent Garden there was no great difference in the aspect of politics, and in one of the Temple coffee-houses, he heard the circumstance discussed from a judicial point of view. But in the inner part of the City the case was otherwise. Here he went to a coffee- house in Fish Street. The chief politician of that neighbourhood, when he heard the news, after first filling his pipe with tobacco and then rumi- nating for a while, said : " If the King of France is certainly dead, we shall have plenty of mackerel this season ; our fishery will not be disturbed by privateers as it has been for these ten years past." In the little coffee-house of a neighbouring alley he afterwards overheard the conversation of a theological Ultra and Non-juror, with a lace-dealer — probably a Huguenot from Spitalfields, and in that case a staunch Protestant. " The matter in debate was whether the late French King was most like Augustus Cassar or Nero. The contro- versy was carried on with great heat on both sides ; and as I was under some apprehension they would appeal to me, I laid down my penny at the bar, and made the best of my way to Cheapside." FBOM A GEBMAN POINT OF VIEW. 173 In this and the neighbouring streets of the City, through which at the present day during business hours the stream of commerce flows, whilst after- wards they lie almost deserted, there lived at that time all the great merchants, whose residences now stand in quite a different region of the metropolis, far from their houses of business. Here, therefore, at that time there was a greater number of coffee-houses than in any other part of London, and it was not easy for the * Spectator ' to find the right one among the numerous signs which appeared to invite him from all sides. The politicians of these coffee-houses are men of busi- ness, and the motives which influence them for or against, are commercial. Owing to the difficulty with which at that time news spread, that which we now call " a rumour on 'Change " could not take effect so generally or so quickly. According to the before-mentioned assertion of the * Spectator/ eight days elapsed before it was known in London whether the King of France was dead or not ; and when at last the contradiction of the report arrived, this weighty political intelligence was still very far distant from the hands of those whom it most interested. Upon his entrance into the coffee- room, the first thing the * Spectator ' observed was a man who expressed himself as much distressed at 1T4 ENGLAND the death of the King ; but on further explanation, it appeared that his sorrow had its ground, not nearly so much in the loss of the monarch, as in the circumstance that three days previously he had sold, instead of having bought, when, in case the news were confirmed, paper must inevitably rise. " Upon which a haberdasher, who was the oracle of the coffee-house, and had his circle of admirers about him, called several to witness that he had declared his opinion' above a week before that the French King was certainly dead, to which he added, that considering the late advices we had received from France, it was impossible that it could be otherwise." While he was still occupied in summing up his reasons^ and dictating to his hearers with great authority, the door opened, and there entered a gentleman from Grarraway's Coffee-house, who related, that several letters had just come from France with the news that the King had gone to the hunt on the same morning on which the post was despatched ; where- upon the haberdasher took his hat from the wooden peg and returned to his shop in great consterna- tion, while the stock-jobber — although we do not know it positively — ^must probably have rubbed his hands with pleasure. Here the ' Spectator ' breaks off : it has, as he FBOM A GERMAN POINT OF VIEW, 175 says, amused him not a little, to hear in what different ways men judge of one and the same piece of information according to their different in- terests ; and he shows us, I hope, in a very plausible manner, that in this respect matters are not far different now from what they were then^ when political tidings, which concerned questions of existence, found their way to the public, while they quietly wandered from one coffee-house of the Capital to another. If we consider the defective quality of all means of correspondence^ which we now possess in such great completeness, we shall understand the weight and importance of coffee-houses in the whole political life of the nation. Another feature, not less interesting or decisive for the development of another side of public life, is presented by the literary coffee-houses, which introduced that which the clubs completed, and which on many grounds has hitherto failed with us in Germany — that is, the formation of a literary class, and the solidarity of literary interests. The oldest and most honourable of the coffee- houses " sacred to polite letters," says Macaulay, was 'Will's' (named after its owner William Urwin) at the corner of Bow Street and Eussell Street, Oovent Garden, in a neighbourhood, which 176 ENGLAND is still adorned by the principal theatres in London, but was at that time particularly fashionable. Macaulay's description of 'Will's ' Coffee-house has been very often quoted : it is in its way as classic as the classic spot itself. " Then the talk was about poetical justice, and the unities of time and place. There was a faction for Perrault and the moderns, a faction for Boileau and the ancients. One group debated whether ' Paradise Lost ' ought not to have been in rhyme. To another, an envious poetaster demonstrated that ' Yenice Pre- served ' ought to have been hooted from the stage. Under no roof was a greater variety of figures to be seen. Earls in stars and garters, clergymen in cassocks and bands, pert Templars, sheepish lads from the Universities, translators and index-makers in ragged coats of frieze. The great press was to get near the chair where John Dryden sat. In winter that chair was always in the warmest nook by the fire ; in summer it stood in the balcony. To bow to him, and to hear his opinion of Racine's last tragedy, or of Bossu's treatise on epic poetry, was thought a privilege. A pinch from his snuff- box was an honour sufficient to turn the head of a young enthusiast." This last highly significant point the great historian derived from the ' London Spy,' who FBOM A GERMAN POINT OF VIEW. 177 probably made but a very sorry figure among the aristocrats of literature in ' Will's ' Coffee-house (be calls it the Wit's Ooffee-bouse), but, nevertheless, once entered it. It is described in the * London Spy ' in the following terms : " Accordingly up- stairs we went, and found much company but little talk. We shuffled through this moving crowd of philosophical mutes to the other end of the room, where three or four wits of the upper class were rendezvoused at a table, and were disturbing the ashes of the old poets by perverting their sense. At another table were seated a parcel of young, raw, second-rate beaux and wits, who were con- ceited if they had but the honour to dip a finger and thumb into Mr. Dry den's snuff-box." It is true that Dryden was the great household god at ' Will's ' ; the fame of each, that of the poet and that of the coffee-house, was about the same age, and must pass together through the history of litera- ture. Samuel Pepys, the diarist of the Eestoration and first years of the reign of Charles II., saw him. '' Dryden, the poet, whom I knew at Cambridge, and all the wits of the city, and Harris, the player, and Mr. Hoole of our college, sit here in the great coffee-house, in which I had never been before," he says, when he went one evening (Feb. 3, 1663) to Covent Garden to fetch his wife, probably from 178 ENGLAND the play, which this married couple much loved. Society at that time had not become accustomed to late hours, for they were on the point of breaking up as Pepys entered. Still it must have very much pleased the worthy gentleman, for he con- sidered it a very spiritual and pleasant entertain- ment, and talked of coming again. But he appears not to have carried out his resolution ; for in his diary, kept with minute exactness, in which he remarks upon every play that he saw, every man with whom he spoke, every book which he read, this is the sole notice of ' Will's ' Coffee-house. When, about a hundred years later (it must have been in the fiftieth year of the last century), another Samuel, not less famous in English litera- ture. Doctor Johnson, the great lexicographer, then still an obscure man, came to collect materials for the ' Life of Dry den,' there were only two old people living who could remember the glory of * Will's ' — Mr. Swinney, successively director of Drury Lane and Haymarket (died 1754), and Colley Gibber, comedian and dramatic poet (died 1757). What he learned from both may be reduced to two lines. Gibber could only say that he remembered Dryden as a decent old gentleman, and umpire of the critical contests at ' Will's.' Swinney's information is still narrower, and re- FBOM A GEBMAN POTNT OF VIEW. 179 lates only to Pryden's particular chair, which in summer was named his summer-chair, and his winter-chair in winter.* This chair, which since the death of Dryden in 1700 had stood vacant, was again occupied in 1709 by a person of renown, no less than Isaac BickerstafF, Esq., an old man, a philosopher, a humourist, an astrologer, and a censor. It is known that these were the manifold capacities under which Jonathan Swift held up the weather and almanack maker. Partridge, to the ridicule of his contemporaries ; and we learn from the ^Tatler,' in the preface, that the wit of the rector of Laracor had called forth an inclination in the City for all that appeared under that disguise. Steele after- wards made use of the figure of this unfortunate man, famed throughout all Europe, to place him before the public as the editor of the new periodical, the * Tatler,' and to the advantage of his authority, he attributes later (in the dedication of the fourth volume) the sudden success which his works acquired in the world. In the first number of the * Tatler ' (which in the collections of the last century appeared as * ' Boswell's Life of Johnson.' Routledge edition (London, 1863), iii. 46. 180 ENGLAND often under the title of ' The Lucubrations of Isaak Bickerstaff, Esq.') is said, "All accounts of gallantry, pleasure, and entertain meut, shall be under the article of White's Chocolate-house; Poetry under that of * Will's ' Coffee-house ; Learning, under the title of Grecian; foreign and domestic news you will have from St. James's Coffee-house ; and what else I shall on any other subject offer shall be dated from my own apart- ment." We may consider that only a feeling of reve- rence, of courtesy, perhaps, induced the editors of the * Tatler ' to misrepresent the seat of Poetry as being at * Will's ;' that was at one time the case, but the special glory of this coffee-house, after lasting for forty years, passed away with Dryden. For although Addison is sufficiently courteous to the shade of this poet, to say, in that number of the * Spectator' in which he registers the poli- tical opinions of the different coffee-houses upon the death of Louis XIV : — " On my going into ' Will's ' I found their discourse was gone off from the death of the French King to that of Monsieur Boileau, Racine, Corneille, and several other poets, whom they regretted on this occasion as persons who would have obliged the world with very noble elegies on the death of so great a prince, FBOM A GERMAN POINT OF VIEW. 181 and so eminent a patron of learning." In spite of this graceful homage at the graves of the re- nowned, Steele was probably more sincere when he acknowledged, in the first number of the 'Tatler': "This place is very much altered since Mr. Dryden frequented it : where you used to see soDgs, epigrams, and satyrs, in the hands of every man you met, you have now only a pack of cards ; and instead of the cavils about the turn of the expression^ the elegance of the style, and the like, the learned now dispute only about the truth of the game." And in No. IG : " We used to sit here in old times in judgment over a game of chess, but the entertainment is now in quite another direction." The truth is not that the coffee-house was untrue to its company, but that the company was untrue to the coffee-house. When the continuation of the ' Tatler ' had dropped the guise of ' Censor of Great Britain '■ — which had become burdensome to him, as every one who had borne it knew — henceforth to pay his respects in the character of Mr. Spectator, Button s Coffee-house had stepped into the place of ' Will's.' The new generation of wits assembled here around a new centre — Addison. When he returned from his post in Dublin, after the over- throw of the Whig and Marlborough adminis- 182 ENGLAND tration, Daniel Button, a servant of the Countess of Warwick, whom Addison afterwards married, had opened the new coffee-house in the same street as, and exactly opposite to the old one, and Addison became its great patron. This became Addison's coffee-house, as that had been Dryden's. Here the poet celebrated the triumph of his 'Cato;' but hither he also came after his marriage with the Countess of Warwick, to forget in the midst of his good friends of yore that he had married discord in noble life, and that the noble Countess had given him, as Lady Howard previously gave Dryden, " the heraldry of the hand, not of the heart." Often he sat here till late into the night, longer than Dryden formerly sat in his coffee-house ; the bottle of red wine stood on the table, and we may imagine what advice brave Steele, honest Dick, gave to her and him, his old friend, who was unhappy — although he had a Countess for his wife, the Palace of Holland House for his residence, and no debts — far more unhappy than he, the author of the ^Christian Hero,' who wrote his wife the tenderest letters from the debtor's prison. Pope also used to come to Button's Coffee-house, till one day he was soundly beaten with a birch stick by Ambrose Philips, the pastoral poet, on account of an unfavourable FBOM A GERMAN POINT OF VIEW, 183 criticism upon some of his idylls. And hither, lastly, came Swift, " the mad doctor," as they called him. One evening when Addison and the rest of the company were here, there also appeared a man in great boots, evidently just come in from the country. Swift looked at him long, at last ap- proached him, and without farther introduction inquired, "Excuse me, Sir, have you ever seen such good weather in this world ?" When the man addressed had wondered a little at the peculiarity of Swift's manner, and of his question, he made answer : " Yes, Sir, thank God, I have seen many good days." " That is more than I can say," returned Swift ; " I cannot reraember any weather which was neither too hot, too cold, too wet, or too dry ; but God Almighty manages to arrange it so that it all comes to the same thing at the end of the year." Button's Coffee-house is only occasionally men- tioned in the ' Spectator ;' the ' Guardian ' (the third and last of the periodicals edited jointly by Addison and Steele) first placed before this place of assembly for wits that letter-box in the form of a lion's head with open jaws, which appears to have made no small sensation in the London of that time. The head was an imitation of that of the Doge s palace at Yenice, through which all the 184 ENGLAND secret information of that Eepublic passed. It opened its wide mouth ready to take in and devour any letters or treatises destined for the * Gruardian.' This lion's head, designed by Hogarth, described by Steele as an excellent work, and in July 1713 set up at the western side of the coffee-house, is the sole thing that remains of Button's. When the periodical ceased with the number for October 1st, 1713, the lion's head, after passing through many hands, came at last into the possession of the Duke of Bedford, at whose country seat at Woburn it is preserved. But the coffee-house was pulled down in the year 1865. I myself remember to have seen it. Often have I come into this neighbourhood, standing between the two houses, in the comparatively quiet street, to think of the departed times and men. On the right was Co vent Garden, whose two piazzas — once highly fashion- able, the great and the little piazza, built after the designs of Inigo Jones, surrounded by red brick houses with balconies — have long ago been changed into the famous vegetable market ; on the left was Drury Lane, the old street and the theatre blackened by smoke and soot, if not by age. In a little side street, Maiden Lane, in the time of Queen Anne inhabited by the finest milhners, there lived in the house of " the white FBOM A GEBMAN POINT OF VIEW. 185 peruke," Yoltaire (1728-30), when he was writing his 'Lettres de Londres snr les Anglais;' and before me, over the arches of the Adelphi, rose the terrace on which the * New Exchange ' Bazaar exhibited its tempting treasures in gloves, rib- bons, and choice of fine essences, to the fair world in hoop-petticoat and peruke. * Will's ' Coffee- house alone survives, but it is now inhabited by a respectable butcher. " Sic transit gloria mundi." Our subject is still far from being exhausted ; how could one think of completeness, when the title of the coffee-houses in London would fill more leaves than we have here designed to employ for their history? To describe the particular pheno- mena of a certain characteristic time, the focus of public life, with some of the persons who have left the impress of their mind upon the time, this was rather the task which we set before us, not a nomenclature. We wished to prove, by some examples, how very early we may discern in England, even on this ground, the appearance of a regular strife against arbitrariness, a wise use of victory, and a constant tendency towards association of interests. We had then in Ger- many scarcely any national life ; and in our towns o 186 ENGLAND had certainly nothing which at that time we could have set beside the coffee-houses of London and of Paris, as we know them from Rameau s ' Neffen,' to adduce one example instead of many — these meeting places for the originating of political plans and for intellectual intercourse, whose rays and beams extend in all directions — these places of learning with select conversation and refined society, in which science and life met together. And yet, as we have said, the political and literary coffee-houses constitute but a small part of the number of those in which every position and every calling found its representative. For it is this principle of general interest, under which the different forms of the same appearance assume, far above an anecdotal, a truly historical aspect; and it is this principle which points impressively to that so called practical side of the English, which at all times and everywhere has so fortunately pre- served them from pedantry. Has it at all injm-ed the immortality of Sir Isaac Newton, that, after the sittings of the Eoyal Society, of which, as we know, he was President, he betook himself to the Grecian, there to spend the evening in the society of his two secretaries, Dr. Halley and Keil, and other professors from Oxford, perhaps at the same FBOM A GEBMAN POINT OF VIEW. 187 table with Mr. Spectator, whose face, as he informs us in No. I., is very well known in this coffee- house ; whilst at another table " there are inquiries about Antiquity, and the heroic deeds of Homer's ' Iliad ' ? " (* Tatler,' No. 6.) As theologians, the Doctors of Divinity also had their coffee- house, Child's, in St. Paul's Churchyard, close to the chief Cathedral of London. Prelates have always been liberal patrons of landlords, from that Walter Mapes, who composed the noble drinking-song, ^Mihi est propositum in taberna mori ' (translated by Biirger, ' Ich will einst bei Ja und Nein, vor dem Zapfen sterben ') to Lawrence Sterne, "the sentimental travelling Yorick," who once gave out the text, " It is better to go into the house of mourning than the house of feasting," and began his sermon with the words " I dispute that." A certain coffee-house in Cheapside, called the ' Chapter,' was famed for the so-called '* Three- penny Curates," clerical day-labourers who were hired for two pence and a cup of coffee to hold service anywhere within the boundary. Doctors of Medicine were at Grarraway's; lawyers in the neighbourhood of the three great inns — ^Lincoln's Inn, Gray s Inn, but especially near the Temple, in Fleet Street. The coffee-house of the painters (old Slaughter's) was in St. Martin's Lane, in the o 2 188 ENGLAND vicinity of the present National Gallery ; and that of the booksellers (the Chapter Coffee-house) was naturally in Paternoster Row, the home of the English book-trade; that narrow, gloomy street under the shadow of St. Paul's, in which, whilst all around the mighty roar of London is like the raging of an unseen sea, no waggon drives, no noise is heard, so that nothing disturbs the reflec- tion of the " Fathers of the Row," or the solemn stillness of the immense shops, in which, house by house and wall by wall, are stored packets of books behind dusty windows, as high up even as the sooty roofs. The Chapter Coffee-house still stood, for- saken by its old spirit, empty and uninhabited, in the year 1848, when Mrs. Gaskell visited it. It had the appearance of a dwelling-house two hundred years old, such as one sometimes sees in old country towns ; small, low rooms, with heavy beams across the ceilings; walls wainscoated breast-high, and shallow, broad^ and dark stairs. This was the coffee-house in which a hundred years ago all the booksellers and publishers met, and to which the literary hack, the critic, and even the wit, used to go to seek ideas or employment. But that, however the honourable company may have changed, their views on certain literary matters remain the same, we may learn from the following FBOM A GERMAN POINT OF VIEW. 189 passage in the first number of the * Connoisseur ' (a periodical of the year 1754), which says, "When the booksellers speak of a good book, they neither intend to praise the style or the sense, but only its rapid and wide sale. That book is the best which sells the best." Of the coffee-houses of that period, those of the merchants in the neighbourhood of the Ex- change and Change Alley, in name, design, and locality, existed the longest; some even remain to the present time. Garraway's was first closed on August 11th, 1866. "Delicacy of feeling is no article in City life," says the ' Illustrated London News,' in the farewell words which it devotes to the venerable establishment. Ground is sold at a considerable sum in these days of love of building. Garraway*s was one of the oldest coffee-houses in London; its first possessor, Thomas Garraway, " Tobacco-dealer and coffee-man." Twice, in the great fires of 1666 and 1748, the house was burnt down, and twice it was rebuilt. From the time of its establishment in the seventeenth century, it was a place for auctions ; at first of wine, then of tea, at last of mahogany and logwood. During the year of the South Sea scheme, the waves of speculation and of swindling rose nowhere higher than here. In a poem on this subject, Swift says that Change 190 ENGLAND Alley is a gulf deep as hell, in which thousands are wrecked, and Garraway's is the rock on which the wild race of wreckers lie in ambush to plunder those who are cast ashore. The great auction-room was on the first floor ; here public sales took place "by the candle," that is, at the beginning the auctioneer lighted a little piece of wax candle, usually an inch in length, and then decided in favour of him who, when the light went out, had made the highest bid. Twenty or thirty sales on an average were undertaken here every day. The refreshment-rooms were on the ground-floor, and the great meeting-place from ten in the morning till nine in the evening was the bar ; the sandwiches (a kind of overlaid bread and butter) of Garraway's were famous. Until the last the walls of the locality were covered with auction placards ; a sign of tbe change of possession to which this house itself was at last obliged to succumb. Jonathan's Coffee-house has, up to the present, escaped a similar fate : it was a place for stock- jobbers as early as the time of ''Mr. Spectator," who in that assemblage was often taken for a Jew ; and Lloyd's, of world-wide renown, as far as ships sail, and wares go under insurance across the sea, is at present greater and more flourishing than it has ever previously been, although, as far as age FBOM A GERMAN POINT OF VIEW. 191 is concerned, it may vie with the oldest houses of this kind. Lloyd's Coffee-house is one of the oldest in London ; we find the name mentioned in the * Tatler ' and in the ^ Spectator ' as early as the year 1700. Nevertheless, it is in fact only this name which it has preserved ; for it was trans- ferred from the original building to the Exchange as early as the year 1774 ; and there in the north- western corner, after the Exchange had been burnt down in 1838, and erected anew in 1841, the coffee-house still remains. A noble flight of steps leads from the great quadrangle of the Koyal Ex- change up to the handsome vestibule, where stands a statue of Prince Albert in remembrance of the laying of the foundation-stone ; and a marble tablet, let into the wall, the so-called " Times Testimonial," relates the history of that great and widely rami- fying fraud which threatened the existence of the banks of all European commercial towns, but which was happily exposed in time by the ' Times.' As the proprietors refused every com- pensation in money, the grateful City erected this monument to the great journal^ and established over and above (cere perennius) two ' Times ' pensions. Lloyd's is the great centre of the orga- nisation of the City, and of all its interests, which, scattered over wide and stormy seas, reach the 192 ENGLAND most distant shores. Its illimitable cords — one might call them the nervous system of the world, which encompasses it and agitates its smallest point — here mingle in one room, which is no larger than any other apartment in which coffee is drunk and cigars are smoked. It is very difficult to give an idea of it. Every one who is in this room has, by the last intelligence, the position of the globe before his eyes, trade and politics, wind and weather : he hears the roaring of the storm which rages in the Indian Ocean, and he sees the iceberg which endangers the Liverpool Packet on the coast of Canada. An instrument, the so-called anemometer, is here put up, with very fine machinery, which shows every change of every wind which blows, its direction and power, as well as the quantity of falling rain. Two great folios bound in leather, on high stands, on the right and left of the entrance, contain, one, the intelligence of all the ships which have gone into any haven in the world ; the other, the accidents at sea. After a storm great crowds throng around the two books, whose contents are published in print every evening as ' Lloyd's List.' Here may be seen the faces and costumes of every zone. Hither come captains to conclude in their room, the Captain's Room, contracts for new FBOM A GEBMAN POINT OF VIEW. 193 journeys ; hither also shipowners and underwriters, in the underwriters' room, to do the business of insurance. Here the body of a ship is weighed as one weighs a handful of corn ; the names, the numbers, the tonnage, the crew, the losses and profits of each separate vessel in the British merchant service, are here precisely known. No English merchantman may leave an English port without having been previously declared sea- worthy, and then entered in ' Lloyd's Register ;' * every ship carries her certificate, and the amount of insurance is determined accordingly. The third room at Lloyd's is the Merchants' Room, a reading-room, with a supply of newspapers, of which one can hardly form an approximate idea. The great expenses of this establishment are defrayed partly by the returns of ' Lloyd's Lists,' subscriptions, and insurances, partly by the con- tributions of the members, about 2000. For although Lloyd's still has the name of a coffee- house, it is in reality a modern club, with ballot and entrance-fee of new members, and regular subscriptions from the old. Lloyd's has had this * This Kegister, ' Lloyd's Register of British and Foreign Shipping,' is kept at No. 2, White Lion Court, Cornhill, and was established in the year 1834. 194 ENGLAND character since it came into The Exchange in 1774, the year which denoted the period when the old coffee-houses of London began to change into the modern clubs. FBOM A GEBMAN POINT OF VIEW. 195 II. THE CLUBS. It is difficult to say when this process of change was completed; such periods cannot be precisely determined : this much is certain, that there are no more coffee-houses in London, and the name, where it is found, designates something quite different. A coffee-house in London of the pre- sent day is an eating-house of the third rank ; in hotels of the second rank the " coffee-room " signifies the dining-room ; and in an hotel of the first rank the room for breakfast and supper. The coffee-room serves also for strangers in the hotel, when they only have beds, the place of sitting-room, in which they assemble, sometimes in slippers, to read the newspapers, to write their letters, or to take their afternoon nap on a sofa or in a chair. In the large hotels the so- called coffee-room is a most elegant saloon, fur- nished with English comfort and French elegance, where one moves about upon carpets, and every word that is said is only a whisper ; but in middle- class hotels it is really a reminiscence of the old coffee-houses, a heritage of the tavern, which the 196 ENGLAND destruction of the coffee-house has bequeathed to the club. The number of taverns, too, in London is considered to be on the decrease. " Under this consecrated word," says an author in 'London Society' (March 1866), *'we understand the re- gular old-fashioned and dark-tabled room, with its green or red curtains, in which our grand- fathers and great grandfathers, and their great grandfathers before them, ate their suppers^ drank their port wine and punch, smoked their pipes, and talked of politics and literature." : There are now few of these venerable houses in London, but some still exist in Drury Lane and in the neighbourhood of the Temple ; and who, with a predilection for old London, will not once have visited one of them, ' The Cock,' or ' The Cheshire Cheese,' or ' The Mitre,' to look out from the richly-browned coffee-room on to the quiet court of the Temple, with a row of trees in the middle^ on which the dreamy afternoon sun shines, while memory, so to speak, encircles the ceiling with a garland of leaves from the ' Tatler ' and ' Spectator ?' "Sir," said Dr. Johnsou, to his 'Eckermann' Boswell, "there is no other place in the world, where the more noise you make, the more wel- come you are." FBOM A GERMAN POINT OF VIEW. 197 The Doctor was the great patron, the "vates sacer" of taverns, although he also contributed his portion to the cultivation of club life, as it is now understood. The word club, or Klub, is as much German as English ; the Anglo-Saxon root clypian, or clypan, English, cleave; German, kleiben; hence Kluppe, Klubb, Club, something split up, and at the same time holding closely together, the signification, in our derived use, of an exclusive company and its locality. Sanders' ' Dictionary of the German lan- guage,' pp. 944 and 946. The Club is a union which rests upon division ; that is, of charges and expenses, and its central point, naturally, the covered table. "Our modern celebrated clubs," says No. 9 of the * Spectator,' " are founded upon eating and drinking, which are points wherein most men agree, and in which the learned and the illiterate, the dull and the airy, the philosopher and the buffoon, all of them bear a part." Clubs of this kind we have had also in Ger- many, and still have at the present day; and historical names, as the Jacobin Club and the Clubbists of Mentz, to which may be added the different Clubs of Frankfort at the time of the assembly of the States of the German Empire, 198 ENGLAND show that the idea was brought forward also on other, higher grounds, in periods of political move- ment. Still England is the land in which the club had its special development, and is the sole home of the modern club, which we find nowhere else as a popular element in public life. Certainly those small nightly assemblies, usually known under the name of clubs, were formed and subsisted close to the coffee-houses, and at the time of their greatest prosperity; still their acknow- ledged object was only that first and most natural bond between sociable animals — eating. Intellec- tual food was sought in the coffee-houses, material food in the taverns and clubs. The tavern was the place in which the club was held. As still in many parts of Germany people join for a Martinmas goose, so they did then in London for various things, only regularly and continuously. " Eeasons are as plentiful as blackberries," and Ihe good Londoners of that time made use of every occasion for worthy doing, statesmen, plain citi- zens, men of letters, " histriones, balatrones, et hoc genus omne ,•" at last each street had its particular clubs, the so-called Street Clubs. This was from the beginning the mark which distinguished the club from the coffee-house, and which has re- mained as the foundation of the modern club FBOM A GEBMAN POINT OF VIEW. 199 system; only members had admission, who were received according to rules, and paid their por- tion. Perhaps it is this continuity in the deve- lopment of a social institution, which thereby becomes historical, that most attracts the inquirer, as it presents to the reader the most instructive part, perhaps, of our theme. We find the word " Club " used with its present meaning even before the Civil war; for instance, in a poem of Sir William Davenant, " The Long Vaca- tion in London," in which the poet depicts how in the time of the Long Vacation the streets of London are desolate, because all betake themselves to the country : — " Our mules are come ! dissolve the club ! The world till term is * rub, O rub ! ' " There is no doubt that this poem was written by the former General Intendant of Royal Plays under Charles II., whilst Davenant was still Poet Laureate to Charles I., for in it mention is made of the Globe Theatre, which was pulled down in 1647, and of the Bull Theatre^ which, at the time of the Resto- ration, stood so neglected that Davenant says, in his 'Playhouse to be Let' (1663), "it has no other inhabitants than spiders." * * Payne Collier. ' History of English Dramatic Poetry,* iii. 302, 328. 200 ENGLAND During the Eepublic, and under the Protecto- rate, there existed a club, by no means unim- portant in the history of that time, the Eota Ckib, a social union founded by Harrington, the author of * Oceana,' for the object of political discussion, to which, among others, belonged Mil- ton's pupil and friend, Cyriac Skinner. The meetings took place in the * Turk's Head,' a coffee- house in New Palace Yard, in the vicinity of Westminster Hall. They sat at a round table, the table of old knighthood and of modern equality, with a passage through, so that they might have their coffee warm, without interruption of the de- bates. The resolutions were decided by ballot, by means of a balloting-box ; and Harrington says of this box, that there was no false play in it, " a box in which there is no cogging." Discussions were publicly held here upon questions of political organisation, in a feeling but little friendly to Cromwell's Grovernment, so that there was fre- quent temptation to close the sittings by military power. But Cromwell contented himself with watching over these philosophic coteries without persecuting them.* * Guizot's *Histoire de la Eevolution d'Angleterre,' iv. 104, 105. D'Israeli's ' Amenities of Literature,' p. 699. FBOM A GEBMAN POINT OF VIEW. 201 Bj a similar union the " G-reen Ribbon Club " was formed under Charles II., which held its sitting under the house-sign of King Henry VIII., opposite the Temple, and among whose members during the last year of the Pro- tectorate was Andrew Marvel the poet, and Milton's assistant. But those clubs of whose history we are more exactly informed began in the time of Queen Anne, a time of greater intellectual free- dom, and of more social activity. The oldest and most considerable of them was the Kit- Kat Club, which, as the ' Spectator ' says, owes its origin to a mutton-pie. This means that the club met at first in the house of a pastry- cook, by name Christopher Katt^ or according to others, Christopher, the sign of whose house showed one of those incomprehensible, but tho- roughly English combinations, the * Cat and Fiddle,' so that ■" Kit " (abbreviation of Chris- topher) and " Kat " could be explained in one way or the other. At any rate, the mutton- pie appears to have been the great medium through which the members of this club in the time of good Queen Anne came together in a brotherly manner. The Kit-Kat consisted of forty members, noblemen, men of position, p 202 ENGLAND rank and influence, authors of distinction ; all the forty no less sincere lovers of pie than devoted friends of the House of Hanover, and zealous supporters of the Protestant succession in Parliament and in the Press. Six dukes (among them the great Marlborough, Grerman Prince of Mindelheim) and five counts — the celebrities of the Whigs of King William's time ; Sunderland, Halifax, and Somers, and the leading minister of the coming era^ Sir Eobert Walpole, sat, ate, and drank here amicably with the two fashion- able comedy writers, Yanbrugh and Congreve, with Addison and Steele, those Dioscuri whose names were never wanting in the social lists of that time; together with a whole troop of other witty celebrities, among whom Sir Samuel Garth, afterwards physician to the King, did not hold the lowest position. One evening he came into the club with a list of fifteen patients, whom he had yet to visit. " Deuce take them," he cried, when Steele maliciously reminded him of it, "nine of them are so ill that no physi- cian can help them, and six so well that no physician can hurt them 1 " Also Sir Grodfrey Kneller, born at Lubeck, the Court painter to two monarchs^ and the immortaliser of countless beauties, who without him would probably have FBOM A GERMAN POINT OF VIEW. 203 been forgotten,* was of the party ; and he painted the portraits of the whole club in a series of pic- tures, the so-called Kit-Kat portraits, which were to be seen, the property of one person, at the two exhibitions of Manchester (1857), and of Kensing- ton (1862), certainly well worth seeing, as the first celebrities of an historically-distinguished time, and painted by the first painter of that time; who was so little gallant withal, and so avaricious, that he only sketched the faces of the great ladies who came to his studio, and after- wards added the figure and hands of his maid- servant. Perhaps this was to their advantage, for it is known how Kneller's portraits of ladies are distinguished by their wonderful arms and hands. On the other side, when he was blamed on account of his hasty and careless work, he cried out, '' Bah ! it will not be believed that the picture is mine ; no one will believe that the same man painted this picture and the Chinese at Windsor ! '* To the curiosities of the club belong also the so-called " toasting-glasses," a number of glasses on each . . . . " For two ages having snatcli'd from fate Whate'er was beauteous or whate'er was great. " Popk's Epitaph on Sir Godfrey Kneller, in Westminster Abbey. p 2 204 ENGLAND of which was inscribed a verse or toast on one of the reigning beauties of the time. Among these were four daughters of the Duke of Marl- borough, who was fortunate in this respect ; and a niece of Sir Isaac Newton. The custom of drinking toasts was then new, and each glass was named after the lady, in whose honour the first toast from it had been drunk, the Duchess or Countess so and so. The glass " Lady Mary Churchill'' (named after the youngest of Marl- borough's beautiful daughters) had an inscription, on the whole complimentary to the lady, but com- plaining that her eyes take away the liberty which she was sent to bestow : " Fairest and latest of the beauteous race ! Blest with your parent's wit and her first blooming face, Born with our liberties in William's reign, Your eyes alone that liberty restrain." The composer of this elegant poem on glass was Lord Halifax; and the secretary of the club was the great publisher of that time, Jacob Tonson, the immortal Bocai (anagram on Jacob) in the satire of Ned Ward, who had more than one ground for being angry with the excellent publisher. This man Bocai was at the best no better than God appears to have always made pubh'shers; even FBOM A GEBMAN POINT OF VIEW. 205 Dryden himself was obliged to write of him a very malicious epigram, with the postscript, " Tell the cur that he who has written these three lines can write more," to make him pay up an agreed honorarium (Dryden, ' Poetical Works : ' description of old Jacob Tonson). Neverthe- less, perhaps Ned Ward is a little too hard in his judgment upon him, when he calls him the '' Chief Merchant to the Muses ;" and asserts of him that he had compelled one of his unlucky authors to give up poetry and to establish a pastry- shop, in which he, Bocai, once a week presided as chairman of the new pudding establishment. Hither he had summoned all his authors; and as he found that pies to poets were as agreeable food as once ambrosia was to the gods, he paid for the fruits of their inspiration with pasties, with the double advantage that his protege, the pastry- cook, took as waste paper what he could not sell in his profession. In this manner Bocai did a better business with his bookselling than his authors with their wit ; and although among noblemen he always looked like a bookseller, he conducted himself, vice versd, when he came among booksellers, like a nobleman. More indulgently by far does our Biedermann pronounce upon the Beef-steak Club — this new 206 ENGLAND " Rump Parliament," as he calls it — whose mem- bers have the double advantage, in his eyes, of being neither booksellers nor authors. " Like true Britons," says he, " and to show their con- tempt for Kit-Kat pies, they gave a rump-steak the preference, wisely considering that the word beef was of a manly character, and sounded better than * pie ' or Kit-Kat, in the title of an English club ; " and that a gridiron, which has had the honour to be made the badge of a saint's martyrdom, was a nobler symbol of Christian integrity than two or three stars or garters. Although this club, like the former, was founded to bring together a number of friends on stated days to the pleasures of the table, and not with any political object, yet very naturally in this country, where party differences give their im- press even to society, and, as a more recent writer (D'Israeli) remarks, " public life is per- haps the only foundation of true friendship," it took a political, and indeed Tory colouring ; and for a long while the clergy and beef-steak remained the truest supporters of the opposition, while the ruling party, in return, recruited in their highest places from the Kit-Kat. The presi- dent of these beef-eaters^ who, according to Ned Ward, so bravely represented the heart of the FBOM A GEBMAN POINT OF VIEW. 207 nation, wore a golden gridiron on a green silk- ribbon round his neck, and was, in the words of our authority (mark the year, 1709 !) — "as proud ot his new fangle as a German mountebank of a Prince's medal ! " The beef-steak and the club are two such national institutions, that alone and united they will never be allowed to die out from English life. There have been at different times, as there are still, different Beef-steak Clubs; but that Beef-steak Club which, under the name of ' the Sublime Society of Beef-steaks,' was the most famous of all, ceased to exist in April 1869, after it had attained the glorious age of 134 years. Founded by a scene-painter, Mr. Lambert, the G-ropius of his time (1735), in the painting-room of a theatre, this sublime company, true to its original foundation, assembled invariably, as long as it continued, on the " boards which signify the world," first in Covent Garden Theatre, then, when this house was burnt down, in the Lyceum Theatre ; where till the last, on every Saturday afternoon, at five o'clock, from November to June, a beef-steak dinner was served behind the scenes in a room which, accord- ing to the description of Mr. Cunningham, " was a little Escurial ; the doors, the panelling, and the ceiling of good old English oak, adorned with the 208 ENGLAND bars of the gridiron as thickly as the Chapel of Henry YII. with the portcullis of its founder." The scenery, customs, and signs of a lodge hung round the nightly sittings of the steaks, and what the trowel is to the freemason, such the gridiron was to them. The damask table-cloth, the drinking- glasses_, and the silver service, had woven, cut, and engraved upon them the sign of the gridiron. Through the iron bars of a great gridiron the cook could be seen at his work, and the original gridiron (that emblem which was saved from the fire at two great theatres) had its place of honour on the ceiling. The record book of this club included the first names of the British aris- tocracy. Here Counts and Dukes might be seen helping the cook ; also members of the Cabinet and magistrates of the good City ; and here, in the bloom of his youth and of his rising fame, Brougham might be seen, with bottles packed under his arm, which he brought out of the cellar. The number of steaks was limited to twenty-four, but was exceeded at one time, namely, when the Prince of Wales, afterwards George lY., wished to be received. This memorable occurrence took place in the year 1785, and the ' Annual Ee- gister ' considered it sufficiently important to devote to it the following paragraph : — " On FBOM A GEBMAN POINT OF VIEW. 209 Saturday evening, 14th May, the Prince of Wales was made a member of the Beef-steak Club. As there was no vacancy, it was determined to make him an honorary member ; when the Prince refused this, they agreed to increase the number from twenty-four to twenty-five ; thereupon H.E.H. was unanimously elected." Beef-steaks with onions, and port wine, formed the menu, and the first toast was, " Success to the ten acres ;" by which was meant the ten acres of land on which Oovent Garden stood, in the parish of St. Martin. On the 7th of April, 1869, the whole of their splendour came to the hammer ; furniture, service of silver, portraits, and all remaining pro- perty of the ' Sublime Society of Steaks ' went, one after the other ; and the chief feature of the auction, the old gridiron, the palladium of the Society, was knocked down to the great restaurant- keepers. Spiers and Pond, for 61. 15s, Corresponding with the numerous peculiarities and eccentricities of the English national character, a crowd of all kinds of wonderful, and to a Conti- nental understanding sometimes quite incompre- hensible societies, accompanies club life from its very commencement. Volumes might be written upon the remarkable ideas which were in this manner incorporated, till they disappeared, perhaps 210 ENGLAND to make place for those still more remarkable. Ned Ward, the earliest chronicler of the clubs, has brought together a really beautiful sum of what the Grermans call " blooming nonsense," or " hohern Blodsinns^' to speak in the most modern language. He tells of the club of the Split- farthings, of the False Heroes, of the Mountebanks, of the Bird-fanciers, of the Atheists, of the Beggars, of the Thieves ; he tells of the club of the Nose- less Ones ; and he tells, besides, of one or two other clubs, whose name and description cannot well be told in respectable society. There was also a club of nightly disturbers of rest, the so-called Mohawks, a reunion of young people^, belonging, for the most part, to the best position, whose club-pleasures began by their getting drunk, and ended by their rushing into the streets, breaking windows, beating the night- watch, attacking harmless wanderers, and pack- ing old women in casks, to roll them down Snow or Ludgate Hill. This nuisance became at last so great, and the fear of venturing in the streets after dark so general, that a Royal Proclamation was issued on the 18th of March, 1712, which, how- ever, only partially allayed the irregularity; for this noble club did not expire till the end of the reign of George I. Another club, the so-called FBOM A GEBMAN POINT OF VIEW. 211 Hell-fire Club, consisting of the scions of the first nobility of the country, and celebrated by its blasphemies and wild excesses, was suppressed by a decree of the Upper House. The president of this club was the young Duke of Wharton, son of the Minister under Queen Anne, and its spirit is reflected in the following conversation between two old club-companions, Lord Sandwich and the famous Wilkes. When Lord Sandwich — so says Horace Walpole — asked Wilkes whether he thought he should die by the rope or by a certain disease, he replied, " That depends upon whether I adopt your Grace's mistress, or your Grace's principles." The " Je ne S9ais quoi " Club (in the * Star and Garter,' Pall Mall) was a little less baneful, although the name of the Duke of Orleans, after- wards Philip Egalite, which is among the mem- bers, appears to show that virtue and propriety were not its device. But is ugliness a necessary quality for men of freedom ? It almost seems so. Honore Gabriel Riquetti, Count Mirabeau, upon his visit to Eng- land^ was unanimously chosen an honorary mem- ber of the Club of Ugly Faces, whilst earlier the same distinction had been conferred upon Jack Wilkes, the great revolutionist of England. This 212 ENGLAND club owed its origin to an insurpassably ugly man, by name Hatchet, with a nose of such immense extent, that one day a butcher boy cried out that it had knocked his tray of meat from off his shoulder, while Hatchet's head was still, at least, a foot dis- tant from the tray. The natural antithesis to the Ugly Club was the Handsome Club, which con- sisted exclusively of men who had studied at Cambridge, and who, before joining the club, painted dimples upon their cheeks, if they were not blessed with them by nature. This club esta- blished the golden rule, which Brummel, the king of dandies, afterwards adopted, that the necktie made the man ; and one of them spoke the whole truth when he one day stated that to undress at night was a foretaste of heaven, but that, never- theless, a man must suffer to be irresistible. Truly, one walks not under laurels with impunity ! The Club of the Unhappy Ones received no mem- bers who had not been already once, at least, made bankrupt, or else had in some way come into col- lision with the law ; and the Lying Club ordained, by one of the paragraphs of its statutes, that the pre- sident should wear a blue cap, with a red feather, and these signs of worth were to be given up with the chair to him who, in the course of the evening, told a greater and more unblushing lie than it had FBOM A GERMAN POINT OF VIEW, 213 been possible for the president to do. Between nine and eleven o'clock no true word was to be spoken, under severe punishment, unless introduced by the sentence, " With your permission, Sir Harry ;'* for Sir Harry Gulliver, the Miinchhausen of Eng- land, was the patron of this select society. There was also another Club of Kings, the King Club, consisting of uncrowned heads, who had not the dignity but the family name of King; and an Adam Club, consisting of members who shared their surname with the husband of Eve, and on that account also assembled in Adam's Coffee-house, in Paul's Alley. From a contrary point of view to the Club of the First Man, rose the Club of the Last Man, which, from the beginning to the end, was so constituted, that it always consisted of a fixed number of members, which, under no condition, was ever to be increased. A bottle of port wine stood sealed in the room where the club assembled ; and when out of all only one member remained, the last man was to sit in this room, unseal this bottle, and drink to the memory of the dead. Still it is said that this statute was never fulfilled to the letter ; when the number had melted away to two, these two met in the room, emptied the bottle, and declared the club to be closed. C Athengeum,' No. 2001.) 214 ENGLAND It would be possible to prolong considerably the list of these eccentric clubs ; but it is now time to approach that man, who has secured for himself the title of the "most clubable man," and who indeed, as he has left behind the traces of his sin- gularity in English literature and in English life generally, has also imprinted them on English clubs. There can be no doubt that we mean Samuel Johnson, the Doctor, as he is still always called by preference. The peculiarity of this man consisted in this, that he was far more important in his personality than in his works, and that he worked far more en- duringly through what he said than through what he wrote. Obstinate in his political, narrow in his religious, and quite old-fashioned in his aesthetic views, he still is, and will probably long be, the most popular character of English literature, dealt with by the historians of both parties with equal affection, and standing nearer to the heart than any other English classic. No one who does not know England can with- out difficulty form an idea of the charm which the name of this man always exerts over every English- man. From the school which the boy attends, he takes this with him among his earliest impressions to Cambridge or Oxford, where he probably will FBOM A GEBMAN POINT OF VIEW. 216 not fail to visit the room in which Johnson read the classics as a student ; or the coffee-house, where, nearly fifty years later, after the University had made him a Doctor " honoris causa," he delivered his opinion on Macpherson's ' Ossian.' The image of Johnson will accompany the traveller who seeks out the distant Hebrides ; and although the de- struction of old buildings, and the erection of new, has done so much to alter the shores of the Thames and the interior of the City, yet from the old courts which lie on each side of Fleet Street, the figure of the Doctor, as their " genius loci," rises to meet the spirit of him who travels down them. His figure, inclining to corpulence, his clumsy gait, his puffy face, his three-cornered hat, his brown coat, and his cane, are before the eyes of thousands, who perhaps have never seen one of his books, except the ' Dictionary of the English Lan- guage ' and his ' Lives of the English Poets ;' and many who find his tragedy, ^ Irene,' tedious, and his Abyssinian romance, ' Easselas,' unenjoyable, are delighted with the sayings which he brought out at table ; with the beautiful and sublime medi- tations which a morning walk through the park excited in him ; with the information which he gave his fellow-travellers in a post-chaise ; or with the happy remarks which he made in the evening 216 ENGLAND in the comfortable rest of a country inn. The smallest circumstances of his life — which was not very exciting, but very rich in examples of virtue, human love, and strength of character — people are never tired of quoting or feeling proud of, thanks to the valuable ' Biography of Johnson,' by Bos- well, that book which is in every English house where are Shakspeare and the Bible. When Johnson wrote he was stiff, pedantic, and strove after a grandeur which very often led to a pompous, prolix^ and un-English diction ; when he spoke he was just as simple, short, condensed, natural, and thoroughly English ; he hit the nail on the head. He was no poet, but a philosopher, a teacher of men ; and although the humble posi- tion of his youth and the melancholy of his later years, joined with a very great pride, held him far from those who are usually called " society," he was, nevertheless, a master of society in its higher and highest sense. Never were there words deeper and more full of significance exchanged, or more comprehensive opinions expressed, than in the small circles in which Johnson was reverenced. A treasure of worldly wisdom lies in the con- versations, richly furnished with anecdotes and happily-chosen quotations from the poets, which beautified the modest symposia at which Johnson FBOM A GERMAN POINT OF VIEW. 217 presided, whether in the house of his bookseller Osborn, or in the villa of his friend Mrs. Thrale, or in his own club. Johnson's Club, first the club par excellence^ after- wards called the Literary Club, continues to the present day under the name of Johnson's Club. In its existence of more thanja hundred years it has changed its quarters and its name several times, but its substance, so to speak, has remained the same. When Johnson founded this Club in 1764 it included only his nearest friends, together not more than nine, who every [Monday assembled in a tavern for a supper. Here was to be seen, close to the honourable dictator of English language and literature, a young man, in every respect the opposite of this massive person — who was accus- tomed to rule over all — a timid man of thirty years, little powerful in word, overlooked by everybody, and surpassed by many of the company, who were far less important than himself ; for the most part silent, and when he spoke, confused, indistinct, uuimportant, and wanting in striking expression, but full of life and loveliness when he wrote ; a keen observer, a mild critic of the human heart, and approaching to sublime in his picturing of the whole home-charm of English landscape — Oliver Gold- smith, the singer of the ' Deserted Village,' and the Q 218 ENGLAND author of tlie * Yicar of Wakefield,' of immortal memory. He was deficient in the gift of conver- sation to such a degree that he was often absurd when he spoke. Hence he was, in all good-nature, made the butt for the wit of his friends, and especially of G-arrick. To revenge himself for this, Goldsmith wrote his famous poem, ' The Retaliation,' in which he dedicates epitaphs to his companions, and says of Garrick, hinting at his small figure — " Describe him who can, An abridgment of all that was pleasant in man." " Sir," said Dr. Johnson, "no man was such a fool when he had no pen in his hand." But he loved him very much ; and in the Latin epitaph which he devoted to the monument of his departed friend in Westminster Abbey, says, that there was almost no kind of literature which he did not touch ; and none, which he touched, that he did not adorn (qui nullum fere scribendi genus non tetigit, nullum, quod tetigit, non ornavit) ; and that the love of his companions, the confi- dence of his friends, and the veneration of his readers (sodalium amor, amicorum fides, lectorum veneratio) have honoured his memory by this monument. There was also a gentleman with spectacles on FBOM A GERMAN POINT OF VIEW. 219 his nose, a trumpet to his ear, and a snufF-box in his hand — Sir Joshua Eeynolds, Kneller's suc- cessor, and first President of the Royal Academy of Arts ; who has adorned the walls of the lordly castles and baronial halls of England with all that was or became excellent, noble, and famous, during two generations, for it is well known that of the portraits which he has left behind, those of children are the most remarkable. Another of the nine was Burke, upon whose fiery eloquence perhaps the only restraint imposed was the superiority of Johnson. " I am contented to toll the bell for him," said Burke. There was also here a young man about twenty, of noble and imposing exterior, recently returned from Italy; and always inwardly busied with a thought, a picture; how at Rome, when sitting among the ruins of the Capitol, he had heard barefooted monks sing vespers in the Temple of Jupiter. Three-and-twenty years passed away before, one night in June, between eleven and twelve o'clock, in a summer residence by the Lake of Greneva, he wrote the last line of the last page of the work, whose first idea had been called up before him that evening in Rome. The name of this work, one of the greatest in historical literature, is * The History of the Decline and Fall of the Roman n ^ 220 ENGLAND Empire ;' and the name of the author, then still young and unrenowned, his coming greatness only foreseen by a small band of select minds, was Edward Gibbon. Admission to this Club was forbidden to many famous men. " To be chosen a member of this Club is no less honour than to be the representative of Westminster or Surrey,'* said one of the bishops of that time, who was fortunate enough to share this honour. It was not easily bestowed on David Garrick, the Director of Drury Lane. Although he was a pupil of Johnson — one, indeed, of the three whom, in the years of his calamity, the poor pedagogue had to teach, the only one who, faithfully sharing this calamity with his master, accompanied him to London and afterwards brought out his ' Irene ' on the stage — yet Johnson was averse to the reception of the modern Eoscius, whose brow was crowned with the laurels of all England, and who, not only a great, but also a rich man, walked upon Persian carpet and dined off silver plates. " Sir," said Johnson, " I love my little David heartily, more than all, or many of his flatterers do ; but surely in such a a society as ours one should not sit elbowed by players, pimps, and mimes." At last, however, Johnson yielded to the argu- ment of the rest of his friends, and probably of his FBOM A GERMAN POINT OF VIEW. 221 own heart. Garrick became a member, and was until his death not the least ornament of a club which, including by degrees all the celebrities of the day, became a power in literary and artistic matters, upon whose verdict depended the fate of a new book or of a new piece. At G-arrick's death, in 1779, the club, which then numbered over thirty members, first took the name of the * Literary,' and five years later, Johnson dined for the last time in the cordial friendly union. " He looked ill," Boswell remarks of the day (it was June 22nd, 1784), " but he put on a brave appearance, not to disturb the company. He was very pleased with the friendly speeches which all made him, and endeavoured to be as entertaining as his condition allowed." On December 13th of the same year he died. Weeping in the doorway stood Frances Burney, the authoress of * Evelina,' whose youthful fame had filled the soul of the old man with an almost fatherly joy ; and his hand grew cold in that of a young friend from the club, the mild, enthusiastic Bennet Lang ton, who, in his eighteenth year, delighted with Johnson's - writings, came to London to become acquainted with him, and since then had not ceased in a modest manner to admire him. Eight days later Johnson found his well- 222 ENGLAND earned place in the Abbey, where rest England's great dead, almost the last of a generation of authors who perhaps are more important in the history of the culture of their nation than for that of its literature. Among the members of the Literary Club are the great men of England of every province, of literature, of art, of science, of politics, and of the church. It is noteworthy that the great historians belonged to it almost without excep- tion. Among them were two, who in their works have devoted a page of kind remembrance to the club : Lord Macaulay, who was never wanting at its dinners during the Parliamentary season; and Earl Stanhope (Lord Mahon), who was among the guests, when in 1864 the society celebrated its centenary, and the club received the name of Johnson s Club, in honour of its founder. Besides this club, which has lasted, there was a number of similar unions, which had their day, and then disappeared. They could scarcely be called clubs in the new and complete sense, for they only depended on occasional meetings; still the desire for social union was in this way satisfied. For the predominant inclinations of that time — we mean the last part of the past century — were drinking and playing. The noble FBOM A OEBMAN POINT OF VIEW. 223 heads of society faithfully divided their leisure between these two passions, if they could not be united, and their regular places of assembly were ostensibly dedicated to the latter. The first real clubs were playing-clubs. Some of these proceeded from the old coifee-houses, after the Augustan age was over, when " that little circle of listeners," of which the ' Spectator ' has spoken, grouped itself round the chair of a prominent politician or critic. After the taste for this '* elegant " entertainment had generally given way to another more substantial taste, the room was altered. From that time the[]dice-box rattled and gold pieces rolled ; and instead of the door, as formerly, standing open to any one who paid for his admission, now only members had entrance. Such changes the ' Cocoa Tree ' underwent, a Tory coffee-house in the time of Queen Anne, and in the time of the Pretender, 1740, a Jacobite coffee-house; a play-club in 1780, where in later years Lord Byron might be seen. Thus, only still earlier, White's Chocolate-house became a play-club, and, only much later, in our own cen- tury, a regular club, which still, in remembrance of its former purpose, carries the arms designed for it by Horace Walpole, a dice-box with, the device, " Cogit amor nummi," and in which to 224 ENGLAND the present day a book is kept open for the entry of bets. Betting and hazard attained their summit in that unnaturally excited period which reached fever-heat in East Indian speculation, owing to riches of returning Nabobs, witnessed the general outbreak at the occurrence of the French Revo- lution, and at last, in the subsequent war, found the steel and iron cure, of which the world was so much in need. One hundred guineas were betted at White's as to whether a certain member of the club, who was a widower, would take a second wife sooner than another member, who was likewise a widower. Heavy sums were depending upon whether a certain minister would be in office at a certain time ; and whether a young lady of rank who was just married, would have a child sooner than the Countess N. N., who had already been married four or five months. A man fell down before the door of White's, and was carried into the house. Large bets were immediately made as to whether he was dead or not ; and when some one suggested bleeding him, those who had betted on his being dead pro- tested against such a proceeding, because it would lessen their chances. '' One of the young folks at White's," writes Walpole, *' has committed one FBOM A GEBMAN POINT OF VIEW. 225 murder, and has an intention of proceeding with another. He bet 1500/. that a man could live twelve hours under water ; hired some desperate fellow, sank him in a boat, and neither man nor boat have appeared again. He is now preparing another man and another boat for the same experiment." Lord Mountford betted that Nash, who was eighty-three years of age, would outlive Gibber, who was eighty-four. The lord would have won his bet, for Gibber died (1757) four years earlier than Nash (1761). But both outlived the lord. He had lost stupendous sums at White's, and had set his last hope on a place under Grovernment. When this hope failed, he invited his friends to a dinner at White's. It was New Year's Eve, and they played afterwards till far into New Year's morning. They drank " a Happy New Year," and the lord went home. Thence he sent for an advo- cate and three witnesses, made his will, asked the lawyers whether the will would stand good if the testator shot himself; and after this question had been answered in the affirmative, said, *' Please wait a moment, while I go into the other room," went into the other room, and shot himself. In the ' Gocoa Tree' 180,000/. sterling were won and lost in a single night. Two brothers, the sons 226 ENGLAND of Lord Foley, had played away so mucli here, that they had to pay 18,000/. sterL'ng yearly as interest on their debt. Admiral Harvey, afterwards so famous as one of the heroes of Trafalgar, in his youth, when a midshipman, lost his whole pro- perty — worth 100,000/. — at one stake to an Irish gambler by profession^ by name 'Byrne, and won it again when he hazarded on a second throw an estate just inherited from his brother. The evil gi'ew, whilst, as always in cases of moral corrup- tion, it spread quickly from higher circles down- wards. E. 0. tables (" Even and Odds," a kind of roulette) stood in almost every ale-house ; at a Parliamentary discussion (1782) it was said by a Member, that in the two parishes of West- minster alone there were 296 of these, and another Member added, that in the whole of London there were no fewer than 500. Servants and appren- tices were led astray by number-cards which were thrown into the kitchens and cellars; and, even on Sundays, gambling-halls of the lowest kind were open all over London. Some of the fashionable gambling clubs have continued till the beginning of our century, among them the universally known Almack's, in which Pitt and Wilberforce played at hazard ; for neither high Toryism nor humanity shielded from the FROM A GERMAN POINT OF VIEW. 227 general passion, nor did the opposition make any difference in that. Among the most frequent guests at Almack's might be counted Pitt's genial opponent, Fox. In the debate on the 6th Febru- ary, 1772, upon the "Thirty-nine Articles," he had made a rather heavy speech, and Walpole said that this was not to be wondered at under the circumstances. He had played at hazard at Almack's from Tuesday evening the 4th till five o'clock on the 5th ; an hour earlier he had won back 12,000/. which he had lost, and by dinner- time, at five, he stopped with a loss of 11,000/. On Tuesday he spoke in the above-mentioned debate ; went to dine at half-past twelve o'clock at night; from thence to White's, where he drank till seven on the following morning; thence to Almack's, where he won 6000/. ; and between three and four in the afternoon went to New- market, a famous place for horse-racing for wagers. His brother Stephen lost, two evenings later, 11,000/., and Charles another 10,000/. on the 13th ; so that in three nights the three brothers, of whom the eldest was not twenty-five, had lost 32,000/. Lord Eobert Spencer and General Fitzpatrick held a faro bank at Brookes's, which in a short time brought in 100,000/. sterling to the former, '228 ENGLAND whereupon he retired from business. The great banker, George Harley Drummond, did the same, when in one night he played aw^ay his property to Beau Brummel. One of the most famous gaming clubs, Watier's, was closed in 1819 ; when the ornament of this and of all other clubs, Beau Brummel, having a long time wandered in exile, and been a trouble to the Consulate of Caen, at last had made the vain attempt to win back the favour of his Royal friend, ^' the first gentle- man," by a packet of snuff, the famous Prince Regent mixture. Although sums to the amount of 30,000/. or 40,000/. sterling were occasionally lost here in " Quitte or Double," Watier's was still the great house for whist. " The same pack was never used twice. At the end of a game the cards were cast on the floor, so that, at the conclu- sion of the entertainment with dawn, the players sat, to use the Beau's own words, ' knee-deep in cards.' " * It is very clear that men of a contemplative quality of mind, and with an inclination towards the quieter enjoyments of life, must have experi- enced a deficiency in social intercourse. The older * ' Personal Reminiscences of Beau Brummel,' in * Cham- bers's Journal,' April 21, 186G. FBOM A GERMAN POINT OF VIEW. 229 D'Israeli says of the year 1790 (* Curiosities of Literature ') that the company at the coffee-houses has always, as long as he can remember, been on the decrease, that at that time there were as good as no proper clubs, especially were there no literary clubs, and those that were political were very narrow and exclusive. The friends of literature, the younger D'Israeli adds, in the biography of his father, had therefore taken to meeting in the booksellers' shops : the Whigs at Debrett's, the Tories at Hatchard's. One of the few clubs which, developed from the old coffee-houses, did not devote itself exclusively to dice-boxes and card-tables, was * Tom's,' an old neighbour of ^ Will's ' and ' Button's,' in Russell Street. Here, without doubt, at the end of the century, some of the most distinguished people of every branch of public life met some of the most clever ; still this club also was closed in 1814, and the house in which first the coffee-house and then the club had flourished for nearly a century, was shortly after pulled down. For in the meanwhile another spirit had awakened, a new fashion had come up, the West End had arisen in all its glory ; and the erection of those palaces had been begun, in which the modern club united the pleasantness and profit of a refined and influential society with 230 ENGLAND that solid luxury and highest comfort which corre- spond with the richest city in the richest country in the world, and which at the present day form the true and justifiable pride of London life. The club has become such a deeply-rooted and national institution of thoroughly British spirit and character, that it cannot be considered merely as a factor of society in general, but also of all those interests which unite or divide men, and it may well be said, it has influenced the whole civilised life of England of the present day more than any other arrangement of a social nature. The numerous clubs of London and England form so many centres through which politics, science, and literature, these definite forces in the cultiva- tion of a people, continue to exist in lasting con- nection with each other, and with different circles of society, and which, while they favour the group- ing according to interests of position and calling, at the same time protect them from isolation. It is the principle of the Corporations of the Middle Ages improved and employed in the spirit of the present time, the genuine German essence of fellowship under its most modern aspect. Cir- cumstances have occurred which have been espe- cially favourable to the development of club-life in London. FBOM A GEBMAN POINT OF VIEW. 231 As the English Sunday, in conjunction with the regular uniformity and quietness of the English evenings, has conduced to much more reading in England than among ourselves, so also a certain peculiar one-sidedness of English life has en- couraged the club as its complement. The London man of business is in reality confined to the City by day, and to his house in the evening. Those manifold shades, which lend so great a charm to German , and to Continental life generally, are wanting in English, and especially in London life. They have there but an imperfect idea of those numerous pleasures " out of doors " which are known in our great towns. Going to the theatre, as such, has long ceased to be fashionable in London; the season for operas and concerts is short. Not as among ourselves do the Foyers offer to their habitues a place of meeting every evening. On account of these we have not hitherto had the need for clubs; but at present, however, we are beginning to feel, as in Berlin, for example, that some of the necessary conditions of its existence have arisen; a strong national feeling, a united national interest, a large and rich capi1,al, and an earnest Parliamentary meeting. Also on other grounds, literary and artistic, the current is becoming stronger which draws com- 232 ENGLAND munity of interests to a fellowship, whicli more or less approaches the nature of a club. But in spite of our having the name, and making the substance of the arrangements similar, it may well be doubted whether the German Berlin Club will ever attain to the general importance of the English London Club, because the sphere of ours can only be a narrower one. In England, where hitherto there had been no third stage besides business and the family, home and publicity, the club came in as a mediating element. It stands between the two, and embraces somewhat of each ; it combines the ease of social intercourse, as it reigned in the coffee-houses of old London, with the more solid enjoyments of the good time of taverns. It supplies the place of the Continental inn, the Restaurant, the Boulevard, the Foyer, and the Conditorei ; it is to the Lon- doner all this, and even something more. The association of interests, of position, and calling, was the first, and the association of material interests followed. To be a member of a club, means that a man has the right to regard one of the hand- somest buildings in one of the best parts of the town as his house, and servants in plush breeches as his servants ; to read the newspaper in a saloon with gilded ceiling and thick carpet, and the FBOM A GEBMAN POINT OF VIEW. 233 Magazine or Eeview in a library, with carved oak book-cases ; to dine off silver and Wedgwood in a room, through the half-open window of which the summer wind blows in from the Park ; to smoke after dinner his Cavendish or Ha vanna, drink punch, and sleep, if he likes, in a comfortable smoking- room, in whose antique fireplace in winter a good fire burns. It means that he may go from his house into a circle of society he has selected for himself, to enjoy all those comforts and enjoyments which can only be found in the houses of the rich and refined ; and all this at a price, the moderation of which might almost excite more astonishment than that which is raised by what is given in return, through its detailed completeness. It was, if I re- member aright, the Duke of Wellington who was one day charged fifteenpence, instead of a shilling, for a dinner at his club. The Duke declined to pay the arbitrary overcharge, and did not rest till it was struck off. "It is not on account of the threepence," he said, *' but on account of the disci- pline of the club." This is preserved with the utmost rigour. Nothing is more regular, nothing more orderly, than the inner life of the club. No loud word is heard, all goes on in an exemplary manner. Every servant has his post, everything its place, and a noiseless, quiet, gentlemanly tone, R 234 ENGLAND free, however, from constraint, prevails every- where. Club-Hfe has quite changed the manners of English society, compared with the condition of things which prevailed forty or fifty years ago. Then, and indeed almost as long as the "first gentleman " gave the tone, was the time of wild carousals. " As drunk as a lord," was a proverbial saying, which, far from casting a shadow on the character of one of the "upper ten thousand," made him appear rather as one of their particularly manly and virtuous representatives. When they assembled, it was to become drunk ; and when they broke up, many a noble lord and many an honourable Member of Parliament might be seen staggering uncertainly across the street, compas- sionately led by the arm by a good companion, not to speak of anything worse. To-day a drunken man in a club would only excite contempt. Those refined enjoyments have again come to be valued which have given something truly urbane to Eng- lish life, English manners, and English literature, without taking from them a happy, excessively attractive feature of reality. But the alteration which the clubs brought about in the constitution of British society is scarcely greater than that which they introduced in the architecture of the streets of London. Formerly, FBOM A GEBMAN POINT OF VIEW. 235 and even until the time when the clubs led the way with a new example, the specific English style, monotonous, gloomy, and dull outside, how- ever much comfort there might be inside, was the only kind to be seen in London. The clubs were about the first to imitate the Continental pattern, and to adorn the neighbourhood of Pall Mall, St. James's, and Westminster with build- ings, whose classical models stood in Venice and Florence. What a number of splendid frontages ! What stately facades, executed in beautiful red or grey marble, in the noblest spirit of architecture 1 Polished columns support the magnificently carved friezes ; a sunbeam from Corinth or Athens in the midst of the fog of London, and a vision of the Parthenon, above the thousand-wheeled traffic ol' the modern metropolis. Although in general effect still unsurpassed, the broad, large, and imposing quadrant which Regent Street describes, has long ceased to be the architectural wonder of London. Everywhere the narrow and dark streets are giving way, and new handsome buildings, in the Tudor and Re- naissance style, are springing up in their place : Parliamentary and Government buildings, in the style of Westminster Abbey, Gothic churches, handsome schools, asylums, benevolent institu- R 2 236 ENGLAND tions, banks, and hotels. London is changing slowly, but more and more, year by year, from a brick and mortar town to a town of stone and marble. The noble and characteristic treatment of club- buildings, which gave the impulse to this great change, vies in all its parts with the luxurious and comfortable arrangement of the interior. No won- der that with the temptations club-life offers there is scarcely a Londoner of any pretension who is not a member of a club. Not altogether with injustice modern satirists have seen in club-life a new hindrance to marriage, and have said that the club is an institution for the " encouragement of bachelordom/' an abode of earthly bliss, in which women alone will not believe. Fortunately, how- ever, domestic comfort is not the sole object for which man marries; for certainly comfort, such as the club offers, cannot be offered to the richest man by his own house. There he may also have ser- vants in plush breeches, but he has the trouble of ruling them and the expense of paying them ; here he is master, without any burden or responsibility. He can come when he will, and go when he will. His staying away causes no confusion. The small troubles of domestic life do not await him here. He is always met with the same politeness. When, FBOM A GEBMAN POINT OF VIEW. 237 after a tiring day's work, he leaves his dark office in the City, or his musty court in the Temple, for his club, he is at once in a world where all breathes rest and comfort ; cool and shady in summer, bril- liantly lighted and thoroughly warmed in winter. Here he is always sure of finding some of his friends, recreation, and an excellent dinner. Small tables, with snow-white linen, covered with sparkling crystal and polished silver and steel, stand ready everywhere for the guests. On a mahogany desk, in the middle, lies the " carte du jour " and little forms near by, for the members to fill up according to their taste : notes in the margin announce how many minutes the preparation of each dish requires. One knows exactly how long a time he has at disposal, and the interval can be employed in going to the dressing-room, where everything that can rejoice the heart of man is ready : scented Windsor soap, as much water as he likes, clean linen and Turkish towels in abundance, and those deep, handsome basins, in which it is a delight to bathe one's face and hands. " Another and a better man," you now descend to the reading-room, look over one of the evening papers, which are every- where fixed up on high stands, seek out a friend with whom to share dinner, arrange with another for a cigar or rubber in the evening, and betake yourself 238 ENGLAND to the dining-room, after the little page, in blue jacket with silver buttons, has announced, " The soup is on the table, Sir." For three shillings and sixpence you can have a dinner, as well served and as luxurious as in the household of a Duke : soup, fish, roast meat, bread, cheese, and beer, ad libitum, or a bottle of red wine. Burgundy or Bordeaux. Such entertainment and service, with a dress-coat and white cravat behind each chair, can only be attained through the excellent economy of the clubs. Certainly the entrance-money amounts only to between 20Z. and 30/. sterling, and the yearly subscription from 5Z. to 10/. sterling ; but with the number of members up to 1200, a club, with an income of from 5000/. to 15,000/. sterling, can keep a good cook, a good cellar, and a staff of good ser- vants. At the head of the club stands a Committee of management, elected according to statute; there are also a secretary, a librarian, a manager, a steward, a door-keeper, a butler, an under-butler, a chamberlain, a clerk of the kitchen, a head-cook as chef de cuisine, several under-cooks, kitchen-maids, house-maids, waiters, pages, and attendants. This is indeed the household of a prince, and who knows whether many a prince in Germany is half as well served as the member of a club in London. Here the invaluable advantages of co-operation or of con- ' FBOM A GERMAN POINT OF VIEW. 239 federation appear in two aspects: in the first place, every member of a club, for the expense of a few- pounds yeai'ly, has comforts which the greatest riches would scarcely be able to obtain for him elsewhere in such completeness ; and in the second place, forty or fifty persons suffice to satisfy the needs of 1000 or 1200 members, each of whom would need ^yq or six persons, if he wished to have in his own house all that he has in the club. To belong to one of the great London clubs passes for a sign of respectability, and in many cases does even the service of a recommendation : hence no member omits to note his club upon his visiting card after his residence, and sometimes (especially by unmarried gentlemen, who perhaps do not live in particular elegance) this is the only address given. The club is all in all to its member : there he can receive his visits and his letters ; he has at his disposal a drawing-room or reception- room, a writing-room, a writing-table, note-paper and envelopes with the club stamp, a card-room, a billiard-room, a bath-room, and in some of the political, especially the Tory Clubs, even a sleeping- room for the convenience of the country gentlemen, who, at the times of elections, are frequently sum- moned from their country seats to London. Of the two Tory Clubs, one, the Conservative, 240 ENGLAND in St. James's Street, stands on old Tory ground, where the shadow of Swift still indicates the place of the old ' Thatched House ' Tavern — in which he, at one time after his change in politics, dined, con- ferred, and conspired with the Tory magnates — an imposing building, with Corinthian columns and pilasters on the upper story, in the ornamental frieze of which appear the crown and the oak-leaf, with Roman-Doric columns in the lower story, from which projects the massive portico. An immense bay-window to the morning-room unites as in a picture the architectural beauties of Pall Mall, St. James's Street, and Old Palace Grate. Here, set in a modern frame, is a piece of history for every Englishman. On this spot of earth, which his glance overlooks, the destinies of England, for good and for bad, during the last 200 years have been acted out. The era of the Stuarts and the era of the Georges have here left their traces. Here stood, or still stand, the houses in which lived their polished men, orators and authors, and their celebrated women ; and here are the streets in which they walked. A dignified stillness, a dreamy pensiveness, rests on the club-land of London ; all around the flowers and lawns give their perfume, the lakes in the Parks glitter, the tre^s in the squares rustle FBOM A GERMAN POINT OF VIEW. 241 and whisper; and the venerable pile of Westminster Abbey amidst a mass of green, and the new tower of the Houses of Parliament, whose bright gilded point rises high above all the towers in London, bound the horizon. The Carlton Club is recognised as the head- quarters and centre of the Conservative party in England. In the political world Carlton and Tory are two words of about the same meaning. Of all the club-houses which adorn Pall Mall this is, without doubt, the handsomest, on account of its delightful fulness of form, its marble balus- trades, polished columns of red granite, and ex- pensively executed decorations, a work which strikes one as picturesque in a high degree — a copy of Sansovino's Library of St. Mark, trans- ferred from the neighbourhood of the Piazza and blue Lagunas of Yenice to the moist sky of London — an image of opulence, which is capable of anything. The great landed estates of Eng- land, the unexampled riches of its princely domains, and the influences, grown extensive together with their estates, of its widely-rami- fying families, look out upon the passers-by out of the deep windows, and the Doric and Ionic columns of this palace. The inside does not fall short of the outside. The rooms, among which is the 242 ENGLAND coffee-room, 92 feet long, 37 feet broad, and 21 feet 6 inches high, show the most refined splendour. Here assemble Members of both Houses, men, almost without exception, of the highest social position — the little kings, who have divided the territory of England amongst themselves, and have left nothing for others but moving estates, steam, paper, ships, and the sea; the born representa- tives of the Conservative interests, from that old- fashioned country gentleman, whose ancestors, a hundred years ago, drank their red wine to the King " over the water," and called the now reign- ing dynasty " a pack of Hanoverian rats," to that most modern shade of party, whose politics have a colouring of feudal romance in D'Israeli's ' Young England.' The Conservative is younger (1840) than the Carlton Club (1832), and, in a manner, an offshoot from it for those Tories who could not obtain admission to the other. It numbers 1200 members.* The founder of the Carlton Club is "the iron Duke" of Wellington, and the number of its members, with the exception of Peers and M.P.'s (Members of Parhament), amounts at present to 950. Although these, as has been said, belong * These and the following statements of numbers are a