iL f r BY THE SAME AUTHOR. A HISTORY OF CHRISTIAN DOCTRINE. By William G. T. Shedd, D.D., Professor of Systematic Theology in Union Theological Seminary, New York. Two vols., crown 8vo. Fif t h edition, cloth $5,00 HOMILETICS AND PASTORAL THEOLOGY. One vol., crown 8vo. Fifth edition, cloth $2.50 SERMONS TO THE NATURAL MAN. One vol., crown 8 vo. Second edition, cloth $2.50 THEOLOGICAL ESSAYS. One vol., 8vo. Enlarged and carefully revised edition, cloth.$2.50 *#♦ Sent postpaid, on receipt of price, by the Publisliere, CHARLES SCRIBNER'S SONS, 743 AND 745 Broadway, New Yobk. X?";^/? c/Z-^^ LITERARY ESSAYS BY WILLIAM G. T. SIIEDD, D.D., ROOSEVELT PROFESSOR OF SYSTEMATIC THEOLOGY IN UNION TUEOLOUICAL SEMINARY, NEW YORK. /^4 ^ NEW YORK: CHARLES SCKIBNER'S SONS, murKHHORH TO bCRlBNER. AUMSrUONG Sl CO. Copyright by WILLIAM G.-T SHEDD, 1878. Trow's Printing and Hookbinding Co., 205-213 Knst i2tft St, NEW YORK, PREFACE. In a previous volume, entitled Theological Essays, the writei' brought together a number of disquisitions upon theological and theologico-philosophical topics ; in this, he has collected a series that relate principally to aesthetics and literature. The two volumes thus contain opinions pertaining to a considerable segment of the circle of human knowledge. The reader will find the departments of theology, philosophy, both physical and metaphysical, history, rhetoric, belles-lettres, and fine art, more or less represented. The author is far from claiming that his discussion of such a variety of themes has always been success- ful. His only object in alluding to this variety in the contents of these volumes is, to call attention to the unity and system which, he is confitlent, will be found in the method of discuss- ing the subjects. Rigiit or wrong, the opinions themselves spring out of one intuition. Tlie fine art and the theology are kindred to each other; the philosophy and the rhetoric are homogeneous in their spirit and tendency. So far, however, as his own convictions are concerned, the writer finds some reason for confidence in the general con-ectness of his views, in the fact that they arc thus iuterlocker. How diU'erent, so far as all the grand and heroic elements of national character are concerned, were the Greeks of that golden age of ancient Art, the age of Pericles, from the Romans of the days of Numa ! We grant that there is but little outward beauty, in that naked and austere period in Roman history, but there is to be found in that character, as it comes down to us in the legends of Livy and has been reconstructed in the pages of Niebuhr, the strongest, and soundest, and grandest, and sublimest, nationality in the Pagan world. And tiiis was owing to the fact that the early Roman was intellectual and moral, rather than aesthetic. I am speaking, it will be remembered, of a Pagan character, and my remarks must be taken in a comparative sense. Bearing this in mind, we may say that the strength and grandeur of the national character of the first Romans, sprang from the fact that it was moulded and shaped main- ly by the ideas of Truth and Virtue. The aesthetic nature was repressed, and, if you please, almost entirely suppress- ed, but the intellect and the moral sense were developed all the more. Hence those high qualities in their na- tional character ; courage, energy, firmness, probity, pat- riotism, reverence for the gods and the oath ; qualities that were hardly more visible in the ancient, than they are in the modern, Greek. And this brings us to the more distinct consideration of what we suppose to be the influence of Fine Art, when it becomes the leading department of effort, and the chief instrument and end of culture, for the individ- ual or the nation. The efiect of the Beautiful upon the human soul, when unmixed, uncounteracted, and exorbi- tant, is enervation. And this, from the very nature of AND THE RELATION TO CULTURE. 15 the element itself. We have seen that it cannot be placed upon an equality with the other two elements that enter into the constitution of the universe. It cannot be regarded as so substantial and so necessary in its nature, as the True and the Holy. It is only the property and decoration of that which is essential and absolute. It is only the form. It consequently does not address the highest faculties of the human soul, and if it did, could not waken or generate power in them. When, therefore, it is made to do the work of the higher ideas ; when it is compelled to go beyond its own proper sphere, the aesthet- ic nature, and to furnish aliment for the intellectual and moral nature ; it is set at a work it can never do. The intellect and moral sense demand their own appropriate objects ; they require their correlatives, the True and the Good ; they cry out for the substance and cannot be sat- isfied with the form, however beautiful. When there- fore Beauty is selected as the great idea, by which the individual or national mind is to be moulded, the result is of necessity mental enervation. The human intellect cannot, any more than the human heart, be content with mere form. Like the heart, it cries out, in it^s own way, for the living God ; for Truth and Goodness, the most essential qualities in the Divine nature ; for Wisdom and Virtue, the most essential elements in the moral universe He has made. And what is there in tiie very process of Art itself, when it is isolated from the other and highei departments of human effort, that goes to render man' more intellectual ? The very vocation of Art is to sen- sualize ; using th(; term technically and in no bad sense. Its processes, so far as they are merely artistic, are not spiritnalizing, but the contrary. The vocation of Art, is to bring down ;in idea of the liniiian niiiid; a purely in- tellectual, purely inniiaterial, entity ; into the sphere of J 16 THE TRUE NATURE OF THE BEAUTIFUL, sense, and there materialize it into colors, and lines, and outlines, and proportions, for the sense, ^'he very call- iing of Art, as a department of effort, is to render sensu- ous the spiritual.'N And the fact that it does this, in the case of all high Ai-t, in an ideal manner; that in the gen- uine product, the idea shines out everywhere through the beautiful form ; does not conflict with the position. If, therefore, in a general Avay and for the purpose of char- acterizing the departments, we may say that in Science and Religion the mental process is spiritualizing, we may affirm that in Art the process is sensualizing. If in the analysis and synthesis of the True and the Good, the mind passes through an increasingly intellectual .procesf, in the embodiment of the merely Beautiful, it passes through an exactly opposite one. If Philosophy and Re- ligion tend to render the mind more intellectual. Fine Art tends to render it more material and sensuous by fixing the eye on the form. Now such an influence as this upon the human mind and character, if unbalanced and uncounteracted, is, enervating. There may be, and generally has been, great outward refinement and a most luxurious ele- gance thrown over the culture that originates under such influences, but it is too generally at the expense of strength and virtue and heroism of character. However high the aims of the individual or the nation may have been in the outset, history shows too plainly, that the nerve was soon relaxed and the mind slackened all away, at first, into a too luxurious, and finally, into a voluptu- ous culture. When the Artist, l)y the very theory and :netaphysical nature of his vocation, is compelled to keep nis eye on Beauty, on Fine Form, on the sensuously Agreeable, he must be a strong and virtuous nature that 'is not mastered by his calling. If he can preserve an AND ITS RELATION TO CULTURE. 17 austere tone ; if he can even keep himself up on the high ground of an abstract and ideal Art, and not sink into a too ornate and licentious style ; we may be certain that there was great moral stamina at bottom. But speculation aside, let us appeal to history again. What does the story of Art in modern times teach in relation to the position that the unmixed, unbalanced, effect of the Beautiful, is mental enervation ? The most wonderful age of Art Avas that of Leo X. The long slumber of the aesthetic nature of man, during the bar- barism and warfare of those five centuries between the dismemberment of the Roman empire and the establish- ment of the principal nations and nationalities of modern Europe, was broken by an outburst of Beauty and Beauti- ful Art, as sudden, rapid, and powerful, as the bloom and blossom of spring in the arctic zone. Such a multitude of artists and such an opulence of artistic talent, will probably never be witnessed again in one age or nation. But did a grand, did even a respectable, national charac- ter spring into existence along with this bloom of Art, this shower of Beauty ? We know that there were other influences at work, and among others a religious system whose very natm-e it is to carnalize and stifle all that is distinctively sj)iritual in the human soul; but no one can study the history of the period, without being convinced that this excessive and all-absorbing tendency of the general mind of Italy towards Beauty and Fine Art con- tributed greatly to the general enervation of soul. Most certaioly it did not work counter io it. Read the me- moirs of a man like Benvenuto CeUini ; an inferior man it is true, but an artist and rcncc-ling Hie general features of his time ; and see how utterly unlit both the individual and national eullnre of that period was for any lolly, high-minded, truly liistoric, achievement. The solenni / IS THE TRUE NATUUl', OF Till', BEAUTIFUL, truths of Religion, and the lofty truths of Philosophy, exerted little or no iniiuence upon that group of Italian artists, so drunken with Beauty. They possessed little of that intellectual severity which enters into every great character; little of that strung muscle and hard nerve which should sujiport the intellect as well as the will. — And therefore it is that we cannot fuid in the Italian his- tory of those ages, any more than in the Italian character of the present day, any of that high emprise and grand achievement which crowds the history of the Teutonic races, less art-loving, but more intellectual and moral. — ■ These races and their descendants have sometimes been charged with a destitution of the aesthetic sense, and the inferiority of their Art, compared with that of Italy, has been cited as proof of their inferiority as a race of men ; but it is enough to say in reply, that these Goths, educa- ting themselves mainly by the ideas of the True and the Good, have given origin to all the literatures, philosophies, and systems of government and religion that constitute the crowning glory of the modern world. The Italian intellect was enfeebled and exhausted by that unnatural bu'th of Beauty upon Beauty. Ever since the fourteenth century, it has been wandering about in that world of fine forms, like Spenser's knight in the Bower of Bliss, until all power of intellect is gone. Every truly great and grand character, be it individual or national, is more or less a severe one ; a character which, comparatively, is more intellectual and moral, than aesthetic* This position merits a moment's exam in- * According to the etymolofry of the old Grammarians, favored by Doe- dcrlein, the severe is the intensely true. Doederkin i. 76, praiferenduni cen- set vett. Gramm. scntentiam qua severus co;,'nationem haheat cumber ««; ita ut se, ex more Gr. a priv., intensivam vim contineat. — Fucciolati's Lexicon in loc. AND ITS RELATION TO CULTURE. 19 ation. And in the first place, look into political history and see what traits lie at the bottom of all the best periods in national development. Out of what type of mind and style of life has the venerable, the heroic^ age always sprung ? Ai'e men enervate or are they austere, are they aesthetic or are they intellectual and moral in culture, during that period when the national virtue is formed and the historic renown of the people is acquired ? The heroic age of Greece, as it comes down to us in the Homeric poems, was a period of simplicity and strict- ness. The Greeks of that early time were intellectual men, moral men, compared with the Greeks of the days of Alcibiades. Turn to the pages of Athenaeus, and get a view of the in-door life and every-day character of a still later period in Grecian history, and then turn to the corresponding picture of the heroic period contained in the Odyssey, mark the difference in the impression made upon you by each representation, and know froin your own feelings, that all that is strong, and heroic, and simple, and gi-and, in national character springs from a severe mind and a predominantly moral culture, and all that is feeble, and supine, and inelFicient, and despicable, in national character, springs from a luxurious mind and a predoiriinaMliy aesthetic culture. And how stands the case with Rome ? Which is the venerable period in her history? Is it to be sought for in i1m' hixnrious and (so far as Rome ever had it) the aesthetic civilization of the em|iire, or in the intellectual and moral civilization of the monarchy and republic? Ail 1h<; strength and grandeur of the Roman character and of tiic Roman nationality lies back of the third Punic war. Nay, if Ronn; had been concpiered by Carthage, and had gone out of j)()litical existence, its real glory, it« 20 TIIF, TRUE NATURE OF THE BEAUTIFUL, proper liistoric renown, would have been greater than it is. If in the idea called up by the word Rome, there were wanting, there could be eliminated, the physical corruption and the luxurious but merely outward refine- ment of the empire, and there were left only the stern virtue, the sublime endurance, and the moral grandeur, of the monarchy and republic, the idea v^ould be more ^■sublime in history and more impressive in contemplation. And whence originated that Sabine element, that tough core, that hard kernel, in the Roman character, that lay at the centre and kept Rome up, during her long agony of intestine and external conflict? It had its origin, among the mountains, amid the great features of nature, and it was purified by the privation and hardship of a severe life in the forests of central Italy, on that spine of the Ausonian peninsula, until it became as sound, sweet, and hard, as the chestnuts of the Appenines upon which Jt was fed. Intellectual and moral elements, and not an aesthetic element, were the hardy root of all the political power and prosperity of Rome. There is no need, even if there were time, to cite- instances corroborating the view presented, from modern political history. The Puritanism of Old England and of New England will readily suggest itself, to every one, as the one eminently austere national character, with which the power and glory of the Enghsh and xinglo- American races, and the highest hopes of the modern world, are vitally connected. It will be sufficient to say, that the more profound is our acquaintance with political history, the more clearly shall we see that all that is powcrfid, and permanent, and impressive, in the nations, nationalities, and governments of the world, sprang directly or indirectly from a nature in which the aesthetic was subordinate to the intellectual AND ITS RELATION TO CULTURE. 21 and moral, and for which the True and the Good were moie supreme ideas than the Beautiful. Furthermore, the position taken holds true in the sphere of literature also. The great works in every instance are the productions of a severe strength ; of " the Herculeses and not the Adonises of literature," to use a phrase of Bacon. When the aesthetical prevails over the intellectual and moral, the prime qualities, the depth, the originality, and.the power, die out of letters, and the mediocrity that ensues is but poorly concealed by the elegance and polish thrown over it. Even when there is much genius and much originality, an excess of Art, a too deep suffusion of Beauty, a too fine flush of color, is often the cause of a radical defect. Suppose that the poetry of Spenser had more of that passion in it which Milton mentions as the third of the three main qualities of poetry ; suppose (without however wishing to deny the great excellence of the Fairy Queen in regard to intellectual and moral elements) that the proportion of the aesthetic had been somewhat less, would it not have been more powerful and higher poetry ? Suppose that the mind and the culture of Wieland and Goethe had been vastly more under the influence of Truth, and vastly less vuider tiiat of Beauty ; that the substance, instead of the form, had been the mould in which these men were mouldc^d and fitted as intellectual workmen ; might not the first have come nearer to our Spenser, and might not the latter have produced some works that would perhaps begin to justify his ardent but ignorant achnirers in placing iiim in the same class with Shaks- peare and Milton ; a position to which, as it is, he has not the slightest claim. Ah a crowning and conilusivc jjroofof the correctness of the view presented, I will refer you to only one mind. 22 THE TRUE NATURE OF THE BEAUTIFUL, 1 refer you to John Milton, one of those two minds which tower high above all others in the sphere of modern lite- rature. If there ever was a man in whom the aesthetic was in complete subjection to the intellectual and moral, without being in the least suppressed or mutilated by them, that man was Milton. If there ever was a human intellect so entirely master of itself, of such a severe typ{;, that all its processes seem to have been the pure issue of discipline and law, it was the intellect of Milton. In contemplating the grandeur of the products of his mind, we are apt to lose sight of his mind itself, and of his intellectual character. If we rightly consider it, the dis- cipline to which he subjected himself, and the austere style of intellect aiid of Art in which it resulted, are as worthy of the reverence and admiration of the scholar as the Paradise Lost. We have unfortunately no minute and detailed account of his every-day life, but from all that we do know, and from all that we can infer from the lofty, colossal, culture and character in which he comes down to us, it is safe to say that Milton must have subjected his intellect to a restraint, and rigid deal- ing with its luxurious tendencies, as strict as that to which Simon Stylites or St. Francis of Assisi subjected their bodies. We can trace the process, the defecating purifying process, that went on in his intellect, through his entire productions. The longer he lived and the more he composed, the severer became his taste, and the more grandly and serenely beautiful became his works. It is true that the theory of Art, and of culture, opposed to that which we are recommending, may complain of the occasional absence of Beauty, and may charge as a fault an undue nakedness and austerity of form. But one thing is certain and must be granted by the candid critic, that whenever the element of Beauty is found in AND ITS RELATION TO CULTURE. 23 Milton, it is found in absolute purity. That intense refining process, that test of light and of fire, to which all his materials were subjected, left no residuum that was not perfectly pm-e. And therefore it is, that throughout universal literature, a more absolute Beauty and a more delicate aerial gi-ace, are not to be found than appear in the Comus and the fourth book of Paradise Lost. But we are not anxious on this point of Beauty, especially in connection with the name of Milton. Sub- limity is a higher quality, and so are Strength and Gran- deur ; and if Beauty does not come in the train, and as the mere ornament, of these, it is not worth while to seek it by itself and for its own sake. And much will be gained when education, and culture, and authorship, shall dare to take this high stand which Milton took ; shall dare to pass by Beauty, in the start, and to aim at deeper elements and loftier qualities, in the train, and as the ornament of which, a real Beauty and an absolute Grace shall follow of themselves. ^ Returning then to the intellectual character of Milton, let me advise you to study that character until you see that the strict, and philosophically severe theory of the Beautiful and of Art lies under the whole of it. Milton had no aflinities for excessive sensuous Beauty. He was no voluptuary in any sense. So far as the sense was concerned he was abstemious as an ascetic, and so far as the soul was concerned he knew no such Ihing as luxury. He devoted himself to poetry, an Art which, glorious as it is, yet has tendencies that need counteraction, which tempts to Arcadi-.iii and indulgent vi(!ws of Iniiimii life and human character, and which, as literary hisU)ry shows, has too often been llic medium Hirongh which dreamy and unconirollcd nalrncs have communicated themselves to the world. But as a poet, he constructed 24 THE TRUE NATURE OF THE BEAUTIFUL, with all the truth of Science and all the purity of Religion. The j^oetic Art, as it appears in Milton, is spiritual and spiritualizing.* If this element of severity is entirely wanting in a man ; if he is entirely destitute of austerity ; if his nature is wholly and merely aesthetic, constantly melting and dissolving in an atmosphere of Beauty ; whatever else may be attributed to him, strength and grandeur cannot be. We do not deny that there is a sort of interest in such natures, but we deny that it is of the highest sort. If a man is born with a beautiful soul, and it is his ten dency (to use a Shaksperean phrase) " to wallow in the lily beds;" to revel in luxurious sensations, be they wakened by material or immaterial Beauty ; unless he subject his mind to the training of higher ideas, and of a higher department than that of Fine Art, his career will end in the total enervation of his being. This tendency ought in every instance to be disciplined. The individ- ual in whom it exists, ought to superinduce upon it a strictness and austerity that will check its luxuriance, and bring it within the limits of a severer and therefore purer taste. The least injurious and safest form which an undue aesthetic tendency can take on, is a quick sense for the Beautiful in natm-e. But even here, an unbalanced, uneducated, tendency is enervating That dreamy mood of young poets, that dissolving of the soul in " the light of setting suns," must be educated and sobered by a stern discipline of the head and heart, or no poetry will * We may say of Milton, in reference to the highly ideal character of his Art, as Fuseli has said of the same feature in Michael Angelo ; " he is the salt of Art." He saves it from its inherent tendency to corruption, by a larger infusion of intellectual and moral elements thau exists in the average nroductions of the department. AND ITS RELATION TO CULTURE. 25 be produced that will go down through all ages. It is not so much a deep tendency as a transient mood of the soul, and needs the infusion of intellectual and moral elements, in order that it may become " the vision and faculty divine." Turn to a great collection, like Chal- mers' British Poets, and observe how large a portion of this mass of poetry is destitute of the power of produ- cing a permanent impression upon the human imagina- tion ; how little out of this great bulk is selected to be read by the successive generations of English students ; how small a portion of it, compared with the whole amount, is profoundly and genuinely poetic ; and at the same time notice how very much of it was evidently composed under the influence which the Beautiful in nature exerts upon an undisciplined, and uneducated, aesthetic sense, and you will have the strongest possible proof of the enervating, enfeebling, influence of this quality when isolated from the intellectual and moral. — The mind needed a deeper culture, and a discipline wrought out for it by higher ideas, that could use and elaborate these obscure feelings, these dim dreams, this blind sense, for the purposes of a higher and more genuine Art. It is often said, we know, that science is the death of poetry.; that the study of the Kantean philosophy injured the poetry of Schiller, and the study of all philo- sophies the poetry of Coleridge ; that the charm, and ihe glow, and the flush, and the fulness, and the .uxuri- ancc, and the gorgeousncss, were all destroyed by the acid and blight of science. But we do not believe this. These poets might have written more, had their imagina- tion not been passed through these severe processes of the intellect, they might have been more (luent, but that they would have written more that will have a las/iiii^ poetic interest remains to he seen. Their Art is all the 26 THE TRUE NATURE OF THE BEAUTIFUL, .'li^lior, for the check and restraint imposed upon their poetic nature. And who will not say, to take a plain example, that if the young soul of Keats could have been corded with a stronger muscle, and overshaded with a severer tone of feeling and sentiment; that if a more masculine culture could have been married with that genuinely feminine soul ; a higher poetry and a still purer Beauty would have been the offspring of this hymeneal union ? * And this brings us to the more positive side of the subject. Thus far we have spoken in a negative way of what the Beautiful is not, and of what it cannot do for the human soul and human culture. We now affirm that only on the theory which subordinates Beauty to Truth can the highest style of Beauty itself be originated, and that only when the department of Aesthetics is sub- ordinate to those of Philosophy and Religion, does a genuinely beautiful culture, either individual or national, spring into existence. Without this check and subor- dination, the aesthetic quality will destroy itself by becoming excessive. The more staple elements that must enter into and substantiate it, will all evaporate ; as if the "warm organic flesh should all turn into the fine flush of the complexion ; as if the air and the light and the foliage and the waters, all the material, all the solidity/, of a beautiful landscape, should vanish away into mere crimson and vermilion. For, as we have already observed, true Beauty in a work of Art, is conditioned upon the presence in it of some intelligible idea. There must be some truth and some ex):)ression, in order to the existence of the pure quality itself. Beauty cannot stand alone. There must be a meaninji: underneath of which '& * If the school of Tennyson needs any one tiling, it is an austerer ii.anner. AXD ITS RELATION TO CULTURE. 27 it is the clothing. There must be an intellectual concep- tion \\dthin the product, to which it can cling for sup- port, and from which it derives all its growing, lasting, highest charm for a cultivated taste. Hence it is, that as ^ve go up the scale. Beauty actually becomes more ideal, more and more intellectual and moral. It under- goes a refining process, as it rises in grade, whereby the sensuous element, so predominant in the lower products of Art, is volatilized. There is more appeal to the soul and less to the sense, as we go up from the more florid and showy schools of painting, e. g., to the more ideal and spiritual. The same is true of the Beautiful in na- ture. As we ascend from the inferior to the higher veg- etation, we find not only a more delicate organization, but a more delicate Beauty. The gaudy and coarse col- oring gives place to more exquisite hues, in proportion as miiul ; in proportion as the presiding intellig-ence of the Creator ; comes more palpably into view. In the words of Milton, all things are more refined, more spirituous, and pure, As nearer to Ilini placed, or nearer tending, Till body up to spirit Avork. So from the root Springs lighter the green stalk ; from thence the leaves More aery ; last the bright consuinniiUe flower Spirits odorous breathes ; flowers and their fruit, Man's nourishment, by gradual scale sublimed To vital spirits aspire, to animal, To intelUctuuL* And all things grow more highly beautiful as wc keep pace with this upward step in natun;, until we pass ovci into the distinctively spiritual spiiere, and reach the * Pur. Lost. V. 475. 28 THE TRUE NATURE OF THE BEAUTIFUL, crown and completion of all Beauty ; the beauty of char- acter, or the " beauty of holiness." Observe that all along this limitless line we find a growing severity ; that is, an increase of the intellectual or moral element. Sen- suous beauty is displaced, or rather absorbed and trans- figured, by intellectual beauty ; the ideas of the True and the Good more and more assert their supremacy, by em- ploying the Beautiful as the mere medium through which they become visible, even as light, after traversing the illimitable fields of ether without either color or form, on coming into an atmosphere, into a medium, thickens in- \ to a solid blue vault. A reference to the actual history of Fine Art will also verify the position here taken. As matter of fact, we find this spiritualizing process ; this advance of the sub- stance and this retreat of the form ; going on in every school of Art that grew more purely and highly beautiful, and in the soul of every artist who went up the scale of artists. That school which did not grow more ideal, invariably grew more sensuous and less beautiful, and that artist who did not by study and discipline become more strict and pure in style, invariably sunk down into the lower grade. All the w^orks of Art that go dowai through succeeding ages with an ever-growdng beauty as well as an ever-towering sublimity; all the great models and master-pieces ; owe their origin to a most exact taste and a most spiritual idea. The study of the great models in every department of Art, be it painting, or sculpture, or poetry, will convince any one that the im- agination, the artist's faculty, when originating its great- est works imposes restraints upon itself; in reality is rigorous with itself. If the artist allows his imagination to revel amid all the possible forms that will throng, and oress, through this wonderfully luxuriant and productive AND ITS RELATION TO CULTURE. 29 power , if he suffers it to waste its energy in an idle play with its thick-coming fancies ; if, in short, he does not preserve it a rational imagination, and regulate it by the deeper element and higher principle inherent in it, his productions wiU necessarily be in the lower style. It is for this reason that the artist betakes himself to study. He would break up this revelry of a lawless, uneducated, imagination. He would set limits to a vague and aim- less energy. He would ^vield a productive talent that lies lower down ; that works more calmly and grandly ; more according to reason and a profounder Art. The educating process, in the case of the artist, is intended to repress a cloying luxuriance and to superinduce a beau- tiful austerity ; to substitute an ideal for a material beau- ty. Hence we see that the artist, as he grows in power and high excellence, grows in strictness of theory and severity of taste. His products are marked by a graver beauty, and tiie presence of a purer ideal, as he goes up the scale of artists. As an example, we may cite the instance of IMichael Angelo. For grandeur, sublimity, and power of perma- nent impression, he confessedly stands at the head of his Art, and although in regard to beauty, Raphael may dis- pute the palm with him, and by some may be thought his superior, yet no one can deny that (as in the case of Mil- ton) whenever this element does appear in " the mighty Tuscan," it is of the most absolute and perfect species." * Winckclmann. looking from his point of view, which was that of classic Art merely, has expressed a disparafjint; opinion in regard to Angelo, so far as the Beautiful is concerned, and seems to have laid the foundation for tiie Buperfieial and too general opinion, that in respect to this ([iiality he was hy nature greatly inferior to Kaphacl. But the al)le editors of his works justly call attention to the fact, that Winckelmann is wrong in judging of modern Art in this servile way, and allude to a scarce and hut little known poem jf Angclo's, in which a most delicate and feminine appreciation of heautj 30 TMF, TRUE NATURE OF THE BEAUTIFUL, Yet all his productions are characterized by an austere manner. The form is always subservient, and perhapa sometimes somewhat sacrificed, to the idea. And, at any rate, the man himself, compared with the Italian artists generally, compared wiih Raphael especially, was a spiritual man both in culture and character. We con- fess that we look with a veneration bordering upon awe upon that grand nature, abstinent, abstract, and ideal, in an age that was totally sensuous in head and heart, and in a profession whose most seductive and dangerous ten- dency is to soften and enervate. By the force of a strong heroic character, as well as a hard and persevering study both of Ai't and of Nature, he counteracted that ten- dency to a sensuous and a sensualizing beauty, which we have noticed as the bane of Art, and in that nerve- less age, so destitute of lofty virtue and stern heroism, stands out like the Memnon's head on the dead level of is apparent. " In this poem," say they, " the great Jlichael Angelo reveals himself in a manner that appears striking and wonderful to such as have known him only from iiis paintings and statues. Heartfelt admiration for beauty, love too deep to be disclosed to its object, a gentle touching sadness wakened by the sense of an existence that cannot satisfy an infinite affec- tion, and a melancholy longing, growing out of this, for dissolution and freedom from the bonds of earth, form the ground-tone of this warmly-glow- ing poem, in which Angelo gives an expression of the feminine element in his great and mighty nature, that is all the more lovely from the fact that the masculine principle is the prevailing and predominant one in his works of Art." — Winckelmann^s Werke von Meyer und Schulze, iv. 43, and Anmerk. p. 262. Consonant with this are the following remarks of Lanzi. " We may here observe that when Michael Angelo was so inclined, he could obtain distinc- tion for those endowments in which others excelled. It is a vulgar error to suppose that he had no idea of grace and beauty ; the Eve of the Sistino Chapel turns to thank her Maker, on her creation, with an attitude so fiaa Bnd lovely that it would do honor to Raphael." History of Paintinij, (Rcxoe's Trans.) i. 176. AND ITS RELATION TO CULTURE. 31 the Nile, grand and lonely, yet with " elysiaii beauty and melancholy grace." And, in this connection, I cannot refrain from calling your attention to that greatest of American artists, who is at once a proof and illustration of the truth of the gen- eral theory advanced. No man will suspect Allston of an underestimate of the Beautiful. In the whole cata- logue of ancient and modern artists, there is not to be found a single one in Avhose mind this element existed in more unmixed and absolute purity : — beauty chaste as the icicle That's curded by the frost from purest snow, And hangs on Dian's temple. , But this spirituality was the fruit not only of a pure nature, but of a high theory. He recognized and felt the supremacy of the True and the Good, over the Beautiful. The reader of his lectures on Art, is struck with the re- ligious carefulness with which he insists upon the supe- rior claims of Truth over those of mere Art, and the earnestness with which he seeks to elevate and spiritual- ize the profession which he honored and loved, by making it the organ and proclamation of Truth and Holiness. By this, we think the fact can be explained that he pro- duced so Uttle, compared with the exhaustless fertility of the Italian artists. His ideal was so high, the Beautiful was so spirilualhj beautiful for him, that color and form failed to embody his conceptions. His imiform refusal to attempt the representation of Christ, a far too com- mon attempt in Italian Art, undoubtedly rested upon this fact. It was not because his intensely spiritual mind had a less adequate idea of the Divine-Man, than that which floated before the Catholic imagination, but 82 THE TRUE iXATUUE OF THE BEAUTIFUL, because there beamed upon his ethereal vision, a form of such high and awful beauty as could not be put upon a material canvas. It was because he saw so much that he did so little. ]?nt, Gentlemen, there is a still more practical and im- portant side to this whole subject. The department of Art sustains a relation to the growth and development of the human mind, and human society. Like all other departments of human effort, it should therefore be sub- servient to the great moral end of human existence, and if there were no other alternative, it would be better that the aesthetic nature, and the whole department of Art, and the whole wide realm of the Beautiful, should be armihilated, than that they should continue to exist at the expense of the intellectual and moral, of the True and the Good. We are not at all driven to the alterna- tive, if there be truth in the general theory that has been presented, but if we were, we acknowledge boldly that we would side ^^dth the Puritan iconoclast and dash into atoms the Apollo Belvidere itself. Rather than that the department of Art should annihilate Philosophy and Re- ligion ; rather than that an enervate beauty should eat out manly strength and severe virtue from character ; rather than that a sensualizing process should be inti'o- duced into the very heart of society, though it were as beautiful as an opium dream ; we would see the element struck out of existence, and man and the universe be left as bald and bare as granite. We honor therefore, that trait in our ancestors, (so often charged uj)on them as a radical defect in nature, and so often tacitly admitted as such even by some of their descendants), which made them afraid of Fine Art; afraid of music and painting and sculpture and poetry. They dreaded the form, but had no dread of the substance, and therefore were the mosi AND ITS RELATION TO CULTURE. 33 philosophic of men. They dreaded the material, but had no dread of the ideal, and therefore were the most intel- lectual of men. They dreaded the sensuous, but had no dread of the spiritual, and therefore were the most reli- gious of men. The Pm-itan nature owed but little, comparatively speaking, to aesthetic culture. It was not drawn upon and drawn out, as some natures have been, by Literature and Art, for in the plan of Providence its mission was active rather than contemplative ; but we do not hesitate to say, that the contents and genius were there, and that even on the side of the imagination, that jiature, had it been unfolded in this direction, would have left a school and a style of Art, using the term in its widest acceptation, second to none. And as it is, we see its legitimate tendency and influence in the poetry of Milton. The Miltonic style of Art is essentially the Puritan Art ; beautiful only as it is severe and grand ; the Beautiful superinduced upon the True and the Holy. Gentlemen' : In the opening of my discourse, I alluded to the fact, that the style of civilization and culture peculiar to the individual or the nation is determined by the theory, which is consciously or unconsciously assumed, of the nature and relative position of the Beautiful; and at tjie close of it, I would call your attention to it again. My aim is not iconoclastic. My aim, in all that I have said, has been, not to destroy or in the least to disparage the department of Aesthetics, but to establish and recommend a high and strict and |)liiloKophic theory of it, for the pur- pose of putting it in its right place in the encyclopaedia, and thus of promoting its own true growth, and what is of still more importance, the growth of the human mind. Called upon to address scholars, I desire to do something r 34 THE TRUE NATURE OF THE BEAUTIFUL, that will contribiite to hi^h-toncd culture, hii2;li-toned thinking, and high-toned character. And I know of no better way, on such an occasion as the present, than to bring out distinctly before the youthful and recipient student, a philosophic, precise, and lofty, theory in regard to that whole department of Art, so fascinating to the young mind and so liable to be employed to excess by it. Depend upon it, Gentlemen, the older you grow and the /riper scholars you become, the more exact will be your tastes and the more austere will be your literary sympa- thies. You will come to see more and more clearly, that neither music, nor painting, nor sculpture, nor architecture, nor poetry, can properly be made the main instrument of human development ; that the human intellect and heart demand ultimately a " manlier diet ; " that you must become powerful minds and powerful men, mainly through the culture that comes from Science and Reli- gion. You will never, indeed, lose your relish for the Beautiful ; on the contrary, you ^vill have a keener and a nicer sense for it, and for all that is based upon it; but you will find a declining interest in its lower forms. — Schools of Poetry and of Art that once pleased you, will become insipid, and perhaps offensive, to your purer taste, your more purged eye, your more rational imagina- tion. There will be fewer and fewer works in the aes- thetic sphere that wall throw a spell and work a charm, while the deep and central truths of Philosophy and Religion will di'aw, ever draw, your whole being to them- selves, as the moon draws the sea. And in this way, you will be fitted to do the proper work of educated men in the midst of society. 1 have alluded to the downward movement, the uniform decay, of the ancient civilizations. History teaches one plain and mournful lesson ; that man cannot safely be left to AND ITS RELATION TO CULTURE. 35 his luxurious tendencies, be they of the sense or the soul, There must be austerity somewhere. There must be a strong head and a sound heart somewhere. And where ought we to look for these but in the educated class ? In whom, if not in these, ought we to find that theory of education, that style of culture, and that tone of intellect, which will right up society when it is sinking down into luxury, or hold it where it is if it is already upright and austere ? Educated men, amid the currents and in the general drift of society, ought to discharge the function of a warp and anchor. They, of all men, ought to be characterized by strength. And especially do our own age and country need this style of culture. Exposed as the national mind is to a luxurious civilization ; as imminently exposed as Nineveh or Rome ever were ; the Beautiful is by no means the main idea by which it j should be educated and moulded. As in the Prome- theus, none but the demi-gods Strength and Force can chain the Titan. Our task, gentlemen, as men of cul- ^ ture, and as men who are to determine the prevailing type of culture, is both in theory and practice to subject the Form to the Substance ; to bring the Beautiful under the problem of the True and the Good. Our task, as descendants of an austere ancestry, as partakers in a severe nationality, is to retain the strict, heroic, intellec- tual, and religious spirit of the Puritan and the Pilgrim, in these forms of an advancing civilization. In order to this ; in order that the sensuously and luxuriously Beauti- ful may not be too much for us ; strength and reserve are needed in the cultivated classes. They must be reticent, and, like the sculptor, chisel and re-chisel, until they cut ofl'aiid cut down to a sirni)le st.'itnes(|ue beauty, in Ai-t and in Literature, in Religion and in Life. THE INFLUENCE AND J^IETIIOD OF ENGLISH STUDIES.* That the philological structure and history of the English language is a branch of investigation very greatly neglected by all to whom this tongue is vernacular, will hardly be questioned. If one examines the public or pri- vate libraries of this country, he finds them better supplied with works in almost every other department of knowl- edge, than with those that relate to the origin and early progress of the literature of the Englishman and Anglo- American, llow little is known of the lexicogra])hical labors of Junius, Lye, and Spelman ; of the critical re- searches of Ilcarne, llitson, Pinkerton, Tyrwhitt, Wright, and Price ; and even of the histories of Warton, and Ellis. The publications of the Camden and Percy societies rarely make their way over the Atlantic. The small but increas- ing stock of Anglo-Saxon literature, well edited b}' schol- ars like Conybeare, Thorpe, Posworth, Ivcmble, and Car- dale, and still more, the Anglo-Norman literature brought to light by Michel and other French scholars, is a ten-a incognita to many whose explorations in classical and oriental regions have been extensive and accurate. Not- withstanding the genial and thorough criticism of Cole- ridge, llazlitt, and Schlegcl, it can hardly be aflirmed that * Reprinted from the Bibliotheca Sacra, April, 1856. r 3S TTIE INFLUENCE AND METHOD the literature of the Elizabethan era has made that pro- found impression upon the thinking and composition of the present age which its intrinsic merits entitle it to. That heart}^ and idiomatic, yet flowing and graceful, style o°f English, which is one result of the study of this ])or- tion of the lano-uage and literature, is confined to a com- paratively small circle of writers. The conimou English diction of the day, has heen formed more by the age of Queen Anne, than by that of Shakspeare and Bacon. The orator, reviewer, and paragraphist, puts on the " learned sock," not of Jonson the dramatist, but of Johnson the moralist, and the pompous and measured diction of Gibbon is preferred to the more natural and flexible, but not less flnished and musical phrase of Hooker. The critical study of the English language and litera- ture, as a special discipline in the general system of modern education, is consequent]}^ a topic that needs to be frequently and earnestly discussed, in order that a pro|)er interest may exist in reference to it. The readers of this journal will bear testimony, that, from time to time, attention has been directed to this department of inquiry; and it is in the line of these preceding efforts that we would labor, and move forward. The Eno^lish lano-uao-e is the language into which we are born, and the English literature is the literature in which we are brought up. From the beginning of our existence, onward, through all the several ages of life, and through all the multiplied experiences of head and heart, we are continually receiving and propagating that fine and volatile influence which emanates from the national lan- guage and literature, upon every individual of the nation. A literature, therefore, in which we have an interest by virtue of our very birth and origin, and which penetrates OF ENGLISH STUDIES. 39 SO pervasively our daily life, has claims npon our best powers, ill order that we may come to apprehend, with a distinct consciousness, its jpeculiar character and worth, and thereby experience more and more of its sjpecifiG in- Vfluences and impressions. For the objection that meets lis, whenever we recommend the analytic study of a ver- nacular tongue, viz. that we are recommending a super- fluity, inasmuch as tlie mother tongue is imbibed with the mother's milk, vanishes the moment we remember that the purpose of study, in nearly all instances, is to substitute a clear knowledge for an obscure one. There is meaning and truth in the Platonic dictum, that learnino; is reminding. One of the principal processes in mental cultivation consists in acquiring a distinct perception of that by which we are spontaneously, and therefore unre- flectingly, influenced or actuated. What the common mind sees as in a glass darkly, the educated mind sees face to face. The most of men are the creatures of the moulding and shaping ideas that are mercifully inlaid in tlieir mental constitution, and of those institutions and permanent circumstances amidst which they live ;" and, inasmuch as these ideas are ideas of reason, and these in- stitutions and permanent circumstances are arrangements of divine providence, no practical injury results to the in- dividual, even when he surrenders himself to their influ- ence and actuation, without phih)sopliic reflection upon their nature and qualities. The citizen, for example, will suffer no injury, wlio yields himself up most implicitly and obediently, to the moral or the civil law, without analyzing the contents of this i(l(;a, or becoming mctaphy- sically aware of its vast implication. Let him allow the jiiinciplc and spirit of law to take possession of his whole being, and sull'ei- all his faculties and energies to be absorbed in this august and beneficent power, and he wil 40 TIIK INFLUKNCE AND METHOD experience no detriment, intellectually or morally, even thougli he reflects but little upon the nature of the agen- cies by which he is moulded. In like manner, the indi- vidual may surrender himself to the influence of the literature and civilization of the nation to "which he belongs, and, if these be truthful and sound, his compara- tive unacquaintauce with what is constantly pressing upon him, and shaping and forming him, on all sides, will not prevent his being rightly shaped and formed. He is under and within a divine constitution, and, whether consciously or unconsciously, must feel its power, and receive its influence. But while this is said, it must not be inferred that pJiilosoj)JiiG reflection upon that which exerts an influence upon us, whether we will or not, is of no worth ; that analytical study into the nature and qualities of that w^hich actuates us, whether we think or not, is superfluous and unnecessary. Powerful as ideas, principles, and institutions are, even in relation to the unthinking man ; and at times, for instance in political revolutions, they are as powerful as fire in gunpowder, and accompanied wnth nearl}^ as little distinct knowledge ; they yet receive a vast accession of power, when their operancy is accompanied with the clear intuitions of rea- son, and the lucid perceptions of self-consciousness. These remarks upon the general relation of analytic study and philosophic reflection to that which is innate in our mental constitution, or intrinsic to those permanent circumstances whicli exert a constant and unperceived in- fluence upon us, independent of our reflection, apply with full force to subjects so close to us, and influences so spon- taneous and irresistible, as those of our own mother tongue and our own native literature. For although none /^can help speaking their vernacular, and feeling more or less of the influence of the literature embodied in it, yet OF ENGLISH STUDIES. " 41 only those few feel its selectest influence and drink in its most essential spirit, who pass beyond the every-day use of the language to the critical and philological study of it. It is indeed true, that, whether the Englishman or the Ano-lo-American has studied his national language and literatnre, or not, he has, nevertheless, been so moulded and affected by it, that, if those elements in his culture which have come in from this source, should be with- drawn, it would lose its most vital if not its finest consti- tuent ; still he cannot feel, and he has not felt, the freshest, heartiest, healthiest, and most eifective influence from this source, unless, by study and reflection, he has made himself unusuall}' conscious of the intense power of tlie En<>'lish laniruaij-e, and the vast wealth of the English literature. 13ut in order to this intimate acquaint- ance, something more is needed than that easy and passive j)erusal of the current literature of the present period, which, in the case of one's native language and literature, so often passes for study. The full power of the English language cannot be adequately apprehended short of an acquaintance with it in all the periods of its history. The life of a language, like the soul of a body, is all in every part ; and its highest intensity must therefore be sought for by a laborious and patient study of the language, back, through all its change and growth, to the lowest I'Oot. There is a special reason for this close and minute study of our vernacidar, founded on the fact that, speak- ing it, and writing it, and thinking in it, as we do con- tinually, we unavoidably acquire a moderate knowledge of it, which we are too willing to regard as pliilological and thorougli. In Ihocaseof a foiXMgn tongue, we arc com- [telled to the lexicon and the grammar, because we can- not iLixderatand it without such study ; and iiencc we in- 42 THE INFLUENCE AND METUOD evitably acquire, in a greater or less degree, a critical knowledire of it. But it is not so in the case of our own languag-e. The majority of words we have some ac- quaintance with, without any study on our part. It is true that this acquaintance is not close and accurate, like tluit wliich springs from etymological and careful analy- sis ; but it is sufficient for all the purposes of practical life, and of an easy, passive perusal of books. The only remedy for this superlicial knowledge is to be found in the study of the language in all its periods, and especiall}'^ in those elder forms which have passed out of use, and which, consequently, sustain sometiiing of the relation of a foreign tongue to the modern Englishman. Not that these earlier forms are really alien to us, like the French or the Latin tongues, for they still have an existence in the heart and pith of the English of the present day ; but they require, in order to their being miderstood by the modern reader, a minute plu'lological study, like that expended upon the- Greek and Latin, which brings the mind into close and invigorating contact with them. For, to carefully trace a word, through its whole history, up to the root from wliich its true force and significance are, in the majority of instances, derived, is the only sure M^ay of imbuing the mind with the spirit of a language. By this slow analysis, the power of the word is brought out and felt. •' The same remarks hold true respecting the scope and riches of our national literature. He who is conversant with it in only one or two of its periods, can have but a meagre conception of its opulence. The national mind finds a full expression only in tlie totality of the national literature. Like the individual mind, it passes through great varieties of being; through a great multiplicity of moods ; through various stages of development ; and OF ENGLISH STUDIES. 43 therefore its complete expression and manifestation must be sought for in the tohole literature to which it has given origin. It often happens that the earlier literature of a people contains elements not to be met with in any of the after periods of its history. The national mind often shows a phase, in some one particular period, which cen- turies of existence would not bring round again. Should the English nation, for example, continue in existence, and the English mind continue to undergo change and development until the end of time, it is not probable that another period would occur in its history, in which the drama would reach such a height of life and power, and such a breadth and depth of passion, as characterize the Elizabethan drama. And can we ever expect the re-ap- pearance of the fresh, hale, and lifesome spirit of " merrie England," as it appears in Chaucer 'I The beautiful van- ishes and returns not ae^ain in the same form. Each a^e has its own excellences ; and not until we have passed all the ages in review, can we know and feel the endless variety and opulence of a national mind, Witli these general remarks upon tlie neglect, and tlie importance of tlie philological study of the English lan- guage and literature, we proceed to consider the quality of the influence which flows from this particular branch of discipline, and to indicate the best method of pursuing it. I. The first effect of a thorough acquaintance M'ith English literature, is the vimfication of the culture that jioiOH into the modern mind from the classic world^ and the preventicm, thereby, of a dry and artificial classical- ity. This undoubtedly was the purpose aimed at, by those who constructed the modern system of education. A department of instruction in the English language and literature is established in ;ill lhu>c institutions which 44 THE INFLUENCE AND METHOD propose to impart a symmetrical and complete discipline, in order that the youthful student, while in the liexile process of education, may be in communication with the modern mind and the modern woi'ld, as well as with the ancient mind and the classic world. Those who planned that system of liberal instruction by which the modern scholar is ti'ained up, selected the vernacular tongue of the pupil himself, as one of the concurrent branches of knowledge to be pursued in order to a harmonious mental development, because it fui-nishes an element needed in modern culture, and derivable from no other source. They "yoked," as has been said of the education of Leib- nitz, " all the sciences abreast," that the mind might be subjected to the widest possible intellectual influence, and, by binding the ancient and the modern world to- gether, threw in upon the modern scholar the combined influence of both. The difference between the ancient and the modern mind is exhibited in the following extract from Coleridge, with remarkable comprehensiveness and conciseness. " The Greeks," he says, " idolized the finite, and therefore were the masters of all grace, elegance, proportion, fancy, dignity, majesty ; of whatever in short, is capable of being definitely conveyed by defined forms or thoughts ; the moderns revere the infinite, and affect the indefinite as a vehicle of the infinite ; hence their passions, their obscure hopes and fears, their wandering through the unknown, their grander moral feelings, their more august conception of man as man, their future rather than their past, in a word, their sublimity." * But this native difference has been still more increased by the influence which Chris- tianity has exerted upon the modern world, and the new * Works, Vol. IV., p. 29. Harper's Ed. OF ENGLISH STUDIES. 45 species of development that has been introdnced thereby. Consequently it is onh^ a particnlar and peenliar element of culture, and not the entire culture itself, which the modern is to derive from the cultivated pagan. It is the form only, and not the matter, of literature, that is to be furnished by the Greek and Roman. The Christian world cannot go back to the pagan for ideas and thoughts. The humblest modern mind that lives within the pale of revelation, moves in a sphere of thought and feeling infinitely transcending that of the loftiest heathen sage. It is not, therefore, for infonnation and for living force, that the modern devotes himself, as he has ever since the revival of classical learning, to the study of the beautiful models of Greece and Rome. The function of classical discipline is aesthetic. On the other hand, the modern mind is full of matter, and overfull of force. It is not naturally master of it- self or its materials. Its vitality and energy require di- rection and a serene flow. The Goth needs to become an artist. Hence the cooperation of the Pagan with the Christian in the process of modern education ; a coopei-jv tion that will be beneficial, only so long as the former is confined to its proper function of refinement, and justifi- able, only in proportion as the latter does not permit its vigor and vitality to be killed out by the seductive grace of the former. Upon the due projjortiun and the right mingling of the wsfhetic element derived from clasdvcd ^ literature^ with the j'hilosojjhical and theological elements derived from the world of modern Christian thought, d(q>end the harmony a)ul 2>erfection of modern education. Fi^r if the form and the giace become ])rcd<)minant to the neglect (;f the idea and the thouglit, the vitality and the force, culture becomes foi-mal, artilicinl, and spiritless. It will not even make the imi)res8ion of the model itself, 4:6 THE INFLUENCE AND METHOD to which it has heeii so servile. It M^ill exhibit the sym- metry, and finish, and ele^-ance of the works of the Gre- cian and Roman mind, in the manner of a mere copyist, and with none of the genuine classic feeling and spirit. The peculiar vigor and energy which characterize modern literature, and which must characterize it, in order that it may produce a permanent impression upon the modern mind, will he wanting in the productions of such an un- vivified classicality, and they will be out of place in the midst of all the motion and energy of the modern world. For proof of this, we need only look at those periods in the history of literature, which were marked by an exclu- sive devotion to classical studies, to the neij-lect of modern thought. The eighteenth century was a pci'iod in English literary history characterized by excessive classicism. The elder literature of England was gi-eatly neglected and undervalued, by the literary men of this period.* The English mind during this century having almost no communication with the modern European mind, con- tented itself with a by no means genial and reproductive, but servile and mechanical, study of Greek and Roman models. Much is said of the influence of French models, and canons of criticism, upon this period in English liter- ary history; but what were the French models tliem- selves, but cold copies of the classic age, with no modern * The estimate in which Shakspeare was held by a mind like David Hume, is an example in point. The criticisms of Johnson, meritorious as his services in other respects were in regard to the earlier English literature, display little profound sympathy with the elder English spirit, as one feels on passing from them to the English and German criticism of the present century. The endeavor of Addison, in the Spectator, to awaken an interest in Milton and the Old Ballads, though more appreciative an 1 genial than that of any other critic of the eigh- teenth century, was on the whole a failure, so far as the popular mind of that day is concerned. OF ENGLISH STUDIES. 47 new-born life in them ; and what were the canons of criticism but the substantially correct rules of ancient art tnechamcaUy applied, and that too under totally different circumstances, and amidst entirely foreign relations ? For as Schiller truly remarks: "The French, wholly misap- ])rehending the sjnrit of the ancients, introduced upon the stage a unity of place and time, according to the cornnion emjnrical sense of the ter'ins, as if in the drama there could be any other place than mere ideal space, and an}^ other time than the mere progress and sequence of the action." * The truth is, the literary men of such periods started from the wrong point of departure. Instead of gener- ating within themselves the stuff and material of litera- tui'e, and employing classical culture as a formal or in- strumental agency, in order to the symmetrical and linished presentment of it, they isolated themselves from the great process and movement of modern thought, violently threw themselves back into the ante-christian world, and sought the matter, where they should have souglit only the form, of literature. The result ought not to surprise us. For a genuine literature, one that is des- tined to live in otlier ages, and to impress other nations can originate only in the midst of present actual realities ; only in the stir and throng of daily interests and feelings ; only in the most intense and concentrated nationality. The tiaining, the elaboration, the stimulation, may be brought from foreign climes, and from all ages, but the central root must grow up out of native soil. All the modern endeavors to revive the l*agan cult ire have failed, because tliey were attempts to find the principle and sub- Gtance of literature in a stage of hunuin history that haa * Uclier den Gebraiich deb ChiJra in der TragiJdie. 48 TTIK INFLUENCK AND ISLETnOD Imd its day, find -which cannot, therefore, furnish any- thing beyond the artistic and the formal. A return to the culture and poetic polytheism of the classic world, such as Shelley strove for, and Schiller yearns after in his poem entitled. Die Gutter Griecheulands, would be as impossible and irrational, as would be the attempt tore- construct the fauna, or reanimate the flora, of the primi- tive geological periods.* The proper method of counteracting the tendency to formalism, which seems to be as natnral in literature as it is in morals, is, not to give np the study of the great ancient masters and models of form, but, along with this studv, and coincident with it, to pursue with equal thor- oughness and diligence, the study of modern literature. And inasmuch as, in most instances, a selection must be made from the several literatures that are comprised within this denomination, there are strono; reasons for the selection of that of Eno-land. /- In the first place, the English literature is the most nniversal and generic in its character of the literatures of modern Europe. It may be regarded as the one, among them all, in which the distinctive peculiarities of the modern mind have found the most full and forcible ex- pression. For the English race itself is the most com- prehensive of any. It is a mixture and cross of all the best of the modern stocks. At the bottom of it lies the Celtic, a portion of that great Scythian people which was the first to move westward from Central Asia, the cradle and birthplace of the human family. Judging from the * The history of the efforts of the New Platonics to re\ive Pag-anism in its religious aspects is equally instructive with these attempts to re- vive it in its literary i^haso, and ought to be pondered by that circle of religionists, of the present day, who seera to be repeating that futile endeavor. OF ENGLISH STUDIES. 49 relics of it, still to be found amoncj the mountains of Wales, the highlands of Scotland, the bleak and unculti- vated district of Britanny in France, and in the eloquent and impetuous Irishman, it was a race eminently fitted to constitute the ground- work of a national character. Bold, fearless, and possessing an indomitable love of freedom, as the Commentaries of Caesar evidence; the Briton still lives in the modern Englishman ; and, by a singular yet natural coincidence, gives his name to England itself, whenever the elements of power and empire are sought to be made prominent. For they are '''■Britons who never will be slaves ; " and it is Britannia who needs no bulwark, No tower along the steep, Whose march is o'er the mountain-wave. Whose home is on the deep. Into tliis living and solid root was then grafted one of the very finest shoots of the great Germanic race — the Anglo- Saxon. The second wave of Asiatic emigration thus rolled over upon the first, and mingled with it. Widely- differing national characteristics, originating in the same centre of the world, but separated by centuries of rude and savage, yet real and thorough development during the various fortunes of emigration and warfare, of conflict with man and with material nature, were thus commingled in the Saxonized Briton. And, lastly, into the nation and character thus formed, an infusion of the Homan nature was introduced by the invasion and armed occupancy of the land by the Normans. Constituted in this manner, the English mind became an exceedingly com[)rehensive one. Containing the quali- ties and characteristics of all the principal races tliat have made Europe their homo, with the exception of the Scla- 3 50 THE INFLUKNCE AND MKTIIOD vonic, a race which, perhaps, is to play an important part in the future history' of the world, l)nt which, as yet, has had no development, and, until recently, has been a mere cipher in European history — containing, we say, such widely-different and yet substantial characteristics, tiie English mind is the most adequate representative of the Universal-European or Modern Mind. But, in the second place, besides this peculiar confor- mation of the Eno-lish race and mind, there is still another feature in its histor}^ which contributes to render the study of it, and its productions, of more worth than that of any other of the literatures of modern Europe. We allude to the peculiar and powerful influence which the Christian religion has had upon its formation and development. We have already alluded to the fact that one great cause of the difference between Ancient and Modern culture, civilization, and literature, is to be traced to the influence of divine revelation. Christianity imparted a depth and spirituality to the thought and feeling of the modern world, whicli could not arise under the predominantly sensualizing tendency of paganism, and those literatures which imbibed its spirit most deeply and purely, other things being equal, are most worthy of attention. For they harmonize best with the tone and spirit of the mod- ern world; they best prepare the scholar to enter vividly and with a vital consciousness into the career and move- ment of modern society ; they afford more that awakens and strengthens and nurtures tlie individual mind ; they are less liable to be exhausted of their contents and to be outgrown and left behind in the jn-ogressive development of human nature. But of all the literatures of modern Europe, the English felt the influence of Christianity in its purest form. The literatures of Southern Europe grew up under the influence of a nominal Christianity OF ENGLISH STUDIES. 51 that had in it far more of the sensualism of paganism than the spiritnalitv of the gospel. The effects of it are to be seen, this clay, in the nerveless, emasculated national character, and the feeble, decaying, dying literature. The English mind and heart, on the contrary, have in the main, been exj^osed, age after age, to the spiritualizing influences and discipline of the Christian religion. Even those periods in English history when a false Christianity prevailed, only served to make the recoil more violent, and to subject the nation to a still purer and still more spiritual form of truth. The rich, healthy genius and strono: sense of Eno-land have, for a longer and less inter- rupted period than has been the case with any other peo- ple, been slowly, and from the centre, unfolding them- selves under the cultivatin£>\ elevatinir, humanizinii: intlu- _ences of the Christian religion. In the English literature, then, by virtue of the com- prehensive representative character of the English mind, and the strength, depth, and purity of the influence ex- erted upon it by the Christian religion, is the modern student to find the most eftectual preservative against that literary formalism which an unbalanced, and in reality nngcnial study of classical literature is sure to produce. The modern scholar ought to be a man of power and of impression. lie ought also to be a man of wull-propor- tloned, symmetrical, elegant culture, lint he is more likely to be the latter, if he is already the former, than he is to be the fcjrmer, if he is, first, the latter. For, wherever there is matter and power to start with, there mai/ be beauty, and gra'ce, and elegance. The same degree of careful effort devoted to the artistic and fornuil flnish of a work aftei\ instead of before, the pro])er diligence and care have been devoted to its material origination within the mind, will elaborate it into a high beauty and an ex- 62 THE INFLUENCE AND METHOD qnisitc grace, that are absolutely beyond the power of one who lias not thus beguti at the beginning ; who has not first gendered the work in his own soul. In the thoughtful opulence and the throbbing life of the English literature, the niodern student should, then, seek for mental wealth and power ; for that vigorous and masculine principle that will vivify all his other culture from whatever source it come. In so doing, he is going to Ophir for gold, to the gorgeous East for barbaric pearl, to the very heart of nature for the forces of life. For let him bring before his mind, for a moment, the series of productions in the several departments of literature, which the English mind has been originating and throwing off with freedom, and force, and wonderful variety, during the last half millennium ; let him remember the wisdom of Bacon, and Hooker, and Burke; the satire of Hall, of Butler, of Dryden, of Swift ; the humor of Chaucer, of Goldsmith, of Sterne, of Lamb ; the brilliancy and art of Pope ; the magnificence and architecture of Milton ; the sweetness, and fluency, and flushed beauty, of Spenser ; the meditativeness of Wordsworth, and the intensity of Byron ; let him think, lastly, of that wonderful being in whom all these qualities existed in their prime and purity, and found their full expression in the immense -range and expanse of the Shaksperean drama, in the portraiture of the whole human being in its myriad minds and moods : let the modern student recall all this, and feel its full impression, and believe that, in pursuing the close and thorough ptudy of English literature, he is pursuing the study of the richest and the most thoughtful, the most vigor- ous and the most vitalizing literature of the modern world. II. Tiie second principal effect of English studies is seen in the excellence of the style of thought aiid expres- aloii that results from, their prosecution. OF ENGLISH STUDIES. 53 Tlie mode of thinkino; induced into a mind bv a course of education is a matter of the highest importance. If it cannot be said that it is of as great moment hoio the mind thinks, as wJiat it thinks, it can be asserted with positiveness, that the tnatter of its thoughts is very closely connected with the manner of them, and, in this respect, the style of thinking becomes worthy of attention and cultivation. By the style of thinhing, is meant the particular and j^eculiar manner in which thought is produced in the mind when left to its spontaneous, unwatched workings. This peculiar manner undoubtedly has its lowest founda tion in the peculiar structure of the individual mind ; bur, it is also modified, and, to a certain extent determined, by the class of minds and kinds of thought, in other words, by the species of literature, with which it is familiar. Besides, so far as the style of thinking is founded upon, and determined by, the structure of the human mind itself, it is a correct one, and all deviations therefoi'c, in the wrong direction, must be traced to external influences. For the mind itself is well made, and when its laws and constitution are perfectly obeyed, nothing, either in its mode of action, or in its products, requires emendation or correction. When, liowever, a mind is exposed to the influence of other minds, whose way of thought is unnatural, affected, artiflcial, extravagant, or whatever the bad quality may be, it is very liable to be drawn into the satne false man- ner. Especially is this true, in case there be in the individual mind ti bent of the same general character. In this case, the student, while in the i)lastic process, and before he has reached " the years that bring the philosoi)hic mind," is extremely liable to attach himself to some school in letters, in which the false mode of 54 THE INFLUENCE AND METHOD thought has cmhodied itself in all probability in dazzling glare, and M'ith a species of imposing power difficult to be resisted. Falling in, as it docs, with his own particular tendency, it is no wonder that his whole intellect is taken captive by it, and he acquires a fixed style of thinking, in which the most glaring faults of his model appear. But the age, as well as the single individual, always has a style of thinking that is peculiar to itself, and this also exerts a controlling iufiuence upon the individual. For that must be an extremely intense and determined indi- viduality that can keep itself out of the great main cur- rent and tendency of the age in which it lives, and, in strong contrast, exhibit a style of thinking purely sui- generic. Such individualities, when genuinely original, become the creators of new schools in literature, and of new eras in art. The great mass of men, however, natu- rally share in the general intellectual characteristics of the age in which they live, and no one can ]-id himself of the faults of his age, unless he carefully study and imbibe some of the better characteristics of other periods. If lie contents himself with the literature of the present, and suffers himself to be the mere creature and copy of its good and Itad qualities alike, he will not attain the best development of his own mind, and will help to perpetu- ate what is defective in the existing type of thought and culture, /" The influence of English studies, and especially of the /study of the earlier English, in reference to the point imder consideration, is most excellent. For, if we were called upon to mention the distinguishing characteristic of these elder writers, we should mention the sincerity and thoroughness of their mental processes. They never write for merely momentary effect, but absorb themselves, with great self-forgetful ness, in the subject of their re- OF ENGLISH STUDIES. 55 flections. They had, it is true, one advantage over writ- ei-8 of the present day : they composed before criticism (eitlier as theory or practice) became a constituent part of the national literature, and hence wrote without restraint. But, aside from this, the elder English mind was a singu- larly thoughtful and even-tempered one. When stirred deeply, it proved itself to be a mind full of powers and energies, as the political history of England shows. But this force was under the control of strong English sense, and of that more profound faculty which is the parent of ideas and the discoverer of laws. This temperance of in- tellect, this moderation of soul, invariably accompanies depth and richness of thought, and manifests itself in a grave and commanding style of reflection and expression. Turn, for example, to the poetry of Spenser and Milton, to the philosophy of Bacon, to the history of Kalcigli, and notice the entire absence of that quality so much strained after by the modern belle-lettrist, the striking and the startling. The charm lies not in individual passages — and hence no compositions suffer more when judged of by " ek'gant extracts" from them — but in the continuous and continual flow of the main current of thought, which pours onward in gentleness, in quietness, and in broad, Vdeep strength. This same cliaracteristic is seen in every department of literary composition, l^^vcn in autobiog- raphy, where the writer would ];e specially tenqited to throw a brilliant hue over his own personal history, the same sedateness and balance of judgment is exhib- ited. The Memoii's of Lord Herbert of Cherbury, for cxani[>le, contain the history of on(! of the most rare and acconi[)lished gentlemen, as well as one of the most learned and tliou;;htful students, of the aire in whic.li he lived. They also contain an account of chi\;ilrouii adventures. 50 THE INFLUENCE AND METIIOn of most disastrous chancea, Of moving accidents, by Hood and field ; Of hair-breadth scapes i' the imminent deadly breach. And yet the imrnitive is eqiiublo and tranquil, tlie lan- guage Jiiild, melodious, and ilowing; and the coloring over the whole, not glaring and showy, but sober, suffused, and rich. Indeed, what Ileminge and Condell, the edi- tors of the first edition of Shakspeare, say of this author, apjdies to the early English writers generally : " As he was a happy imitator of nature, so he was a most gentle expresser of it. His mind and hand went together ; and what lie thought, he nttered with that easiness, tliat we have scarce received from him a blot in his papers." These characteristics in the mode of thought and expres- sion arose from the singular sincerity and gravity of the English character and mind, in these earlier stages of its history. By sincerity we mean the pure outgoing or issue of the mind, unmodified by any outward references. As has been already remarked, the Englishman of this period had not the fear of the critic before his eyes. English literature, therefore, though it suffered undoubtedly for the want of a sound philosophic criticism, and was some- what lacking in those excellent qualities, conciseness and perspicuity, which the sharp analysis of a later day has superinduced upon it, did, nevertheless, attain to a sweet fiuency, and rich copiousness, and sober gravity, and wise thoughtfulness, that have never been surpassed. Again, the anthor of these periods did not Avritc for all grades and capacities of intellect. He was not a society for the diffusion of nseful knowledge among all classes of men, but he was a retiring, studious pei'son, who thought as he listed, and wrote without much regard to an immediate sensation, for a "fit audience though few." Far be it' frorn us to speak disj^aragingly of the useful knowledge /^ OF ENGLISH STUDIES. 57 diffused so Avidelj at the present day, oi' of that body of sound and useful literature which has been called into existence by the wants of the people. In reference to all the solid characteristics and qualities of literature, it is more worthy of the name than much of the so-called polite literature and belles-lettres of the times. Like the elder literature of which we have been speaking, it is an honest and sound production. It came into being owing to a felt want, and it meets a felt want of an intelligent, sound-hearted body of men, and therefore it is to be respected by every one who respects the human mind. Still, the somewliat insulated position of the earlier English wi-iters, by freeing them from all side influences and by aims, gave them an opportunity to free their mind as slowly, as lengthily, as copiously, as thoroughly as they pleased. They were at liberty, in tlie retirement of their closets, and addressing a limited public of similar culti- vation with themselves, to pay no attention to time, place, or circumstances, in the development of a subject. That slutrt method, rapid movement, and striking statement in which we of the present excel them, and which is a neces- sary quality in oratory, is not to be found in them. AVe must look to modern English literature for the best speci- mens of oratorical composition. The whole influence of such a thoughtful and sincere literature upon the mind is educating in the highest degree. The reader is not violently excited by a rapid series of single striking thoughts and inuiges, which, in the phrase of De Quincey, "can hardly have time to glance, like the lamps of a mail coach, before his hurried' and bewildered understanding," but he is gradually pene- trated and permeated by warm currents of rich and genial reflection, lie acquii-es, insensibly, the same temperate and composed style of thinking ; learns to com7/iune, long o-X- 5S TIIK INFl.l'KNUl'; AND METHOD ;iik1 patiently, witli the subjects that come hcfore liia luiiui ; and, like these his teacliers and models, linds all themes wonderfull}' fertile. For, along with this sim- plicity, there is a remarkable copiousness in the literature of whicli we are speaking. Instead of being made poor by this freedom and pi'odigality, these minds, like a living fountain, only became more ebullient the more they were drawn from. Call to mind, for example, the wonderful fertility of the English mind in the Eh'zabethan age. What an immense amount of rich and weighty thought, that was ricli and weighty enough to come down to our day, and which will have a permanent interest for the hunuui mind in all time, was originated during the fifty years between 1575 and 1625. During this short fifty years, Englisli literature was enriched by the productions of Spenser, Sidney, Raleigh, Bacon, Hooker, Shakspeare, Jonson, Beaumont and Fletcher, Chapman, Marlowe, AVel)ster, Middleton, and Ford. The catalogue reminde one of the dazzlins; treasure vault of Marlowe's rich Jew of Malta : Infinite riches in a little room, Bags of fiery opals, sapphires, amethysts, Jacinths, hard topaz, grass-green emeralds, Beauteous rubies, sparkling diamonds. And seld-seen costly stones of so great price, As one of them, indifferently rated, And of a caract of this quality, May serve, in peril of calamity. To ransome great kings from captivity. This fertility of the English mind was, at once, the cause and effect of the prevailing st}'le of thinking at that period. The striking, startling, brilliant mode, which has reached its acme in the modern novel, nol drawing upon the meditativeness and reserve of the intellectual charac- OF ENGLISH STUDIES. 59 tor, is utterly incompatible with such a wiioji of quantity with high quality, as appears in this Elizabethan litei-a- ture. On the contrary, that calm and composed metliod which characterized these men, and which is worth toiling after, is most conformed to the nature of the human liiind, to that "large discourse of reason which looks be- fore and after," and consequentl}' may be presumed to be, more than any other one, the mode in and through whicli the contents of the mind may be discharged in ricliest abundance and with least self -exhaustion. In this connection, it is worthy of notice that the prin- ciple here advanced holds good in other departments be- sides tliat of letters. The highest and most productive genius in Fine Art is also the calmest and gravest. Ra- pliael died at the early age of tliirty-seven, yet he filled all Europe with master-pieces before he died. And into each one of these works he threw, with all the prodigality of nature herself, a world of life, motion, and expression. Many of his pie(;es are groups, and groups within groups ; and yet each individual in them is itself a study. His creative talent finds no j^arallel but in Shakespeare him- self : and there is certainly no distant similaritv between that universality and wealth of artistic power which pro- jected itself in the paintings of Raphael and that which (Mubonied itsell' in the vastness of the Slmksperean drama. But Raphael's genius was mild and serene. His tempera- ment bordered u])on the feminine ; and his activity as an sirlist was delii;crate, equable, and sustained. Indeed, the history of literature, generally, sliows that ages of great productive power have not been marked by violent and spasmodic action. The intellects of that wonderful age, the age of Rericles, were grave arul ti'an(juil in their na- ture and actings. Soecpiablu and calm was their intellec- tual manner, that the Crreek })r(jse of this jicriod, es[)e- / 60 THE INFLUENCE AND METHOD cially that of Plato, is rhythmic and sweetly musical, and their thouc^ht is so utterly destitute of everything start- ling or glaring, tliat the modern student, brought up, as he has been, amid the animation, and brilliancy, and sen- sation of the present age, must school himself, and acquire a classic taste, a taste for Platonic beauty, before he can feel its hidden charm. But while this feature in the elder English mind and literature is brought out, it is necessary to guard against the notion that this calmness was accompanied witli dul- ness, that the body of thought thus originated is destitute of vitality and energy. The life and the power run very deep, and they are felt with tremendous force, by that mind, and only that mind, which by a genial and some- what reproductive study, has adopted the same style of thinking. For when the student has once snnk down into the element, and the depth, where these minds think, and can repeat their processes, he knows of a vitality and an energy not to be found nearer the surface. The lit- erature of which we are speaking, is in no sense languid or lifeless. The minds that produced it were deeply ear- nest, inspired with a serious purpose, and at no rare inter- vals glowing with enthusiasm. Nay, they seem to have found their most congenial sphere in the drama ; the de- partment of all niost aloof from coldness, tameness, and lifelessness. The subject-matter in which they seem to have taken the liveliest pleasure was human passion ; and that this most vivid part of human nature found a powerful painter in them, the Elizabethan drama is a proof. For if we look through universal literature, we cannot find anything more passionate than this drama. Saying nothing of its immense range and expanse, it being nothing less than the whole human consciousnesSj an infinite canvas which would seem to require an infi- OF ENGLISH STUDIES.. 61 nito rather than a finite power to fill up ; saying nothing of its vast extent, nowhere do we find such an intensity of life, breath, and motion ; and this too at every point, and in every part and particle. Take the play of Ham- let, for example. "We do not find the violent, volcanic energy of a modern melodrama, or of a modern French novel ; but he must be stone-dead in the depths of his being who does not find beating throughout this organisin the deep life of nature and reality, and beating with a stronger pulse the more he knows of it. Take again, a play like the " White Devil," of Webster, and see with what terrible strength the fundamental passions of human na- ture are shown workins;. Notice the rousino; effect of the play upon the niind. This production of this same reserved and thoughtful period is intensely passionate. It has a most profound aftinity with the human imagina- tion, and raises storms of feeling and j)assion in the mind of the reader. The truth is, the literature of this period is alive all through^ and hence the depth and calmness of its life. The more that is known of it, the more will it be felt to be a powerfully educating instrument, No literature im- parts a more distinctive and higldy determined character to the culture of one who studies it; and this not for one stage of the intellectual life, but for all stages. It is characteristic of a less reserved and more strikino; mode of thinking, that it seizes with violence upon the mind at a particular period, and takes possession of it altogether during this ]>erio(l. It exerts a greater influence than it lias a right to, because no one style is absolute and perfect enough to justify this monopolizing of all the powers and capacities of the human soid, to the exclusion of all other forms of literature, or modes of thought. Even in the case of the higher and more perfect species of literature 63 Tllli INFLlIlONCli AND METHOD of which we are spealving, the influence exerted is not to the exchision or at the expense of that of other excel- lent species, such as the classic, for exainj^le, hut in co- incidence and harmony with it. It is therefore an un- favorahle sii'n in relation to the character of a mode of thouf>-ht, or a school in letters, if the mind, during one particular period in its history, and. especiallj^ if it is an unripe one, become so absorbed in it as to be dead to all other forms. A reaction must come eventually, and the favorite author will become as intensely repulsive, as he was once intensel}' attractive. But the influence of the literature under consideration iS eminently catholic and liberalizing. The mental ten- dency produced by the study of it does not in the least unfit the student for a genial appreciation of other forms. Nay, we afiirm that it is one of the very best preservatives against narrowness in criticism, and bigotry in literary (^feeling. The calm, self-possessed, thoughtful spirit, which reigns in English litei'ature, taken as a whole, tends to extii'pate all exclusive sympathies, and to render the intellectual afiinities more comprehensive and far-reach- ing. Whenever we meet a mind, one of the deep bases of whose culture has been laid in a thorough apprehen- sion and genial admiration of English thought in its best forms, we meet one of enlarged and catholic views of literature generally. Such an one is far better qualified to sit in judgment upon a false and exaggerated mode of thinking, than he who is whoUv involved in it can le. The admiration which he feels towards a dazzling schtol or author is far more correct, because it is far more mode- rate and intelligent, than that of a servile disciple. lie is not blind to its faults, and therefore best knows the actual woi'th of its excellences. And more than all, and better than all, the style of OF ENGLISH STUDIES. 63 thinking produced by tlie study of the literature in ques- tion is essentially permanent in its cliaracter. By this is not meant, that it is a stiff and rigidly fixed style, incom- patil)le with mental freedom ; a style that is a mechanical, rather than a vital process, and keeps the thinker con- stantly running in his old ruts. The style is 2'>ernianent, in the sense of beinj? broad enouirh, and calm enouo-h, to make room for all the moditications that mav be intro- duced into it by the growing culture of the student, with- out changing or deranging the ground-worh. The mind has not been committed, so to speak, to intensity of any sort, to any violent manner, but is impartial, grave, and judicial in its tone and temper. Hence it is not com- pelled, in order to change at all in its style of thought or expression, to change altogetlier and take on some entirely new f(n-m of intensity or mental violence, thus going through a round of particular and transient manners, or rather rnojinerisms, but never acquiring any one perma- nent and standard style. For it is noticeable, that a con- stant hankerinu; after the most intense and striking:; form is destructive of all true form. An intellectual restless- ness is produced in tliis way, that keeps the mind in a ceaseless chase after the novel and the startling, in neither of which can it ever find permanent satisfaction and rest. The truth of these remarks may be seen by a reference to the style of the modern jcjurnalism. The journal must bo strikingand brilliant, or it is nothing. That repose and reserve of manner which ap[)ears in the treatise, in the methodical organized ])i'oduct that makes a positive addi- tion to the sum of human knowledge, is death to the jour- nal. Hence the journalist must i)e ever on the alert for forms of expression, and turns ol" i)eriods, and peculiari- ties of manner, that will make a sensation in distinction from an inqiression. lie is compelled to lead an intense, 64 THE INFLUENCE AND METHOD excited, unnatural intellectual existence, and to find ever new, and ever clianiyiiiir forms for it. But how little of standard style, of finished, noble form, is there in the cur- rent journal literature ! There is not mental repose lon<^ enoug-h to allow the mind to settle into one pernuuient manner. The production of fixed form, the crystalliza tion, is prevented by the perpetual jar and agitation. Such then, we conceive, is the influence of English studies upon the style of thinking. They induce a calm, grave, sincere, profound, exhaustive, and commanding manner of mind. And inasmuch as it is the great end of education to enable the mind to tliink its very best thought, and to express it in its very best manner, the great wortlt of this literature for educational purposes becomes appai- ent. It is a powerful organ and instrument of culture. It is to be recommended to the modern student, as an extremely influential means of bringing out into full action his best capacity. If there be any literature that can stii, and stimulate, and elicit, while at the same time it nur- tures and enriches, it is the English. And it is, whatever may be our theory on the matter, the literature to which we betake ourselves when we wish to feed our mind with sweet and wholesome food ; when we wish to have its best powers roused ; when we wish to think for our own satis- faction, or to ffive out thouf;ht for others. If we are scholarly now, we keej^ Milton, and Shakspeare, and Chaucer, and Bacon, and Hooker, by us ; and if we shall continue to be scholars, these minds will continue to mould and educate our minds. For this literature is home-bred, and, apart from its intrinsic excellence, speaks in our own tongue, and addresses our own nationality, and our own individuality. To feel its influence, we need only to keep a healthy English spirit, and a sound English heart within us; we have but to open our mouths, and draw OF ENGLISH STUDIES. 65 in the fresh bracing element and atmosphere we were born for, III. In our discussion thus far, we have devoted ahnost exchisive attention to the elder English writers ; and it might, perhaps, be inferred that we would discard the productions of the later authors, and do them injustice. Tliis would be a mistaken inference : for, although we l)elieve that if a line were drawn between the literature preceding, and that succeeding, Milton, the weightier and more precious portion would lie on the further side of it, we would not say one word that could possibly lead to the neglect of any portion of a literature that we desire to have studied as a sum-total. From his contemporaneous posi- tion, and immediate relation to it, however, the modern will not be likely to undervalue modern English author- ship ; while, on the other hand, there is much need of effort and urgency to prevent him from remaining as ignorant of Chaucer, and even of Spenser, as if, instead of being the " wells of English undetiled," they belonged to a foreign literature. The purpose, therefore, of the remainder of this discussion will be, to give some practi- cal directions respecting the best method of pursuing English Studies philcjlogically and critically. One principal reason why tlie language and literature of Enghmd, wliich really forms the connecting link be- tween the student and the great modern world into which he is soon to enter and become a constituent part, lias ex- erted so little comparative influence in the system of pub- lic instru(ttion, and in connection with classical, mathoma- lical, and philosophical (lis(Mpline, lies in the fact that it has not been matle the suljject of eiijiiioUxjmil study and l>ldlolo(i'ic(d analysis. No language, no literature, as wo remarked in the outset, can exert a thoroughly educating pmver, unless the mind works its way into it by the study GO THE INFLUENCK AND METHOD of its individual words and radicals; unless its force and life are felt tlirougli the slow process of decomposing and recoinbining its rudiniental elements. The first practical rccoiumendation tliereforo is this : Select an old English autht)r from a period so remote that his language and style shall be so strange and unknown, as to require close glossarial and grammatical study in order to a bare under- standing of him. The common error is, to select a writer, Milton or Shakspeare, for example, so near to our own time as to require but little study of this sort in order to reach his general meaning. But, in reality, such autliors as tliese should be studied only after a pi'cparatoiy disci- pline of the sort we are recommending. The wonders of their English style can be appreciated only by one who has analyzed tlie language in its roots, and has acquired a knowledge of its history ; only by one who has traced words up to their origin, and down again, through all their changes and uses ; only by one who has investigated the various styles of thinking to be found in the literature as a whole, and knows, in some good degree, all the vari- ous types and manners the national mind has taken on. For these great masters are highly national in their literary character, and their productions contain the concentrated essence of the general Englisli mind and heart, and the general English culture. In oi-der to their profound ap- prehension, a very extensive knowledge of English litera- ture is required; and the truly philosophic study of them caimot be commenced, even, without much previous prepa- ration. The student must, then, select Cliaucer to start with. lie must go back of the prolific and somewhat familiar sixteenth century, across the almost totally sterile and barren fifteenth century, and plant himself in the very heart of the fourteenth. In this waj', he will have put a gulf between his present knowledge of English and that OF ENGLISPI STUDIES. 67 knowledge M'hich he proposes to acquire, over which lie cannot pass without some more earnest and thorough study than is implied in an easy and passive perusal of a form of English like that of Shakspeare or Spenser. He will be made aware that the Englishman of 1350 used a form of English that is, to a great extent, unintelligible to the Englishman of 1850 ; and yet a form which thor- ough philological study will show is not so wholly ditfcr- ent frona that employed by himself, as he might imagine in his present ignorance of it. Increasing acquaintance witli it will evince that, after all, it is genuine, hearty, idiomatic English, and has a most close and vital affinity with the best portion of his own vocabulary, and with the raciest, heartiest trains of thought in his own mind. An additional reason for selecting Chaucer is found in the fact that in his works the English language first ap- ])ears in a tolerably fixed form. Trevious to Chaucer, it liad been passing through those intermediate stages whicli marked the transition from the pure Saxon to the English pi-oper. Hence, the literature of the nation may be said tlitical freedom, did he profit by the culture which his conquerors possessed. During the two centuries of which we are speaking, the English nation was slowly recovering its freedom, and the English mind was slowly emerging from the ignorance and barbarism of a servile condition. The literary productions of this period, although they must receive, sooner or later, the careful study of every one who wishes to obtain a complete knowledge of the English language and literature, are crude in their matter, ineleirant and even barbarous in their form. There is the same objection, therefore, to commencing with them that there is to commencing with the Saxon, in order to a com- plete knowledge of English. They are too naked and bald for the mere beginner. They are not thoughtful and attractive enough to waken the interest of the student, in the first period of his English studies. They need to be examined in the light thrown back upon them from a suc- ceeding age, and under the interest excited by their seen relation to forms of English that have already been studied and mastered. For it is plain that the natural method for the Englishman to pursue, in the study of liis nsotlier tongue, is retrogressive. lie should work his way back, from the present form of the language, step by step, until he reaches its heart and root. Instead, therefore, of leaping from the last and newest form to the first and oldest ; from the present English to the Saxon of Beowulf or Caedmon ; he should study, one by one, the interme- diate forms, until, by a natural and imperceptible progress, he arrives at the beginning. All that is needed is, that OF ENGIJSH STUDIES. • 09 he study the subject by distinctly-marked periods ; that he investigate authors who are sufficiently far apart to ena- ble him to see and realize that the language has undergone a great change. As one of the first steps, then, in English study, let Chaucer be taken up as an author to be studied critically and for years to come. This is a better method than merely to peruse a history of the language and literature, like those of Warton and Ellis, and there stop. It is true, that such histories afford a selection of extracts from the principal writers of each period, from which some general notions and views may be formed ; but they are the last works to be put into the hands of a beginner. He who has already mastered the few leading authors of the differ- ent periods may make use of them, as an aid in epitomiz- ing and generalizing his knowledge. For, by this inde- pendent and accurate study of individual authors, he has obtained a clew that will lead him through the maze and perplexity of a historical series, and leave him in posses- sion of distinct and well-methodized information. But without this clew and previous preparation, the vast amount of material contained in such a historv as that of Warton will only confuse and overwhelm the mind, leav- ing it full of obscuritv and vagueness. In selecting a particular author, and devoting the whole attention to him for the time being, the student has only a single end in view. He is busied with one individual mind, and in en- deav(M*ing to penetrate into its nature and spij-it his own mind moves in one straight line, and all his acquisitions are simple and homogeneous in their character. And if the authcji' whom he selects be worthy of such an undivid- ed attention ; especially if he be one in whom the general culture and spirit of his age found expression ; llu; Iciiowi- edge acquired is not only thorough, but extensive. Eor 70 TIIR INT-LUENCE AND TVrKTIIon such minds are very broad as well as deep, and there need he no fear of beconiinut thnrngh the whole process, there is an under-current and moving jiower of ]>assion and eloquence tliat carries us forward to a finul ;uid unavoidable result. * Marhh's Ilemaina : Tract on Eloquence. 84 THE ETHICAL TIIEOKY It is as though we were embarked upon a mighty river. All is animation and energy aronnd, and we gaze with a momentary reverie upon the deep and transparent waters beneath. But even while we admire, the current grows deeper and deeper, and we are unconsciously hurried on- ward with increasing and irresistible power." An eloquent mind, then, is a mind under motion. It is a mind moving forwai'd, under the influence of clear knowledge and deep feeling, with constantly accelerated motion, and constantly increasing momentum, to a final end, which is always a practical one. Eloquence itself, then, is thought with an impulse in it, thought with a drift and rush in it. Eloquence is, as we instinctively denom- inate it, ^fioodj^ Without dwelling longer upon these definitions, and others that have been given of Eloquence, we proceed * "Hazlitt," says De Quincey, "was not eloqiient, because he waa diKCoatinuous. No man can be eloquent whose thoughts are abrupt, in- Bulated, and (to borrow an impressive word from Coleridge) non-sequa- cious. Eloquence resides not in separate or fractional ideas, but in the relation of manifold ideas, and in the mode of their evolution from each other. It is not enough that tbe ideas should be many, and their re- lations coherent ; the main condition lies in the key of the evolution, in the law of the succession. The elements are nothing without the atmosphere that moulds and the dynamic forces that combine. Now, Hazlitt's brilliancy is seen chiefly in separate splinterings of phrase or image which throw upon the eye a vitreous scintillation for a moment, but spread no deep suffusions of color, and distribute no masses of mighty shadow. A flash, a solitary flash, and all is gone." This re- mark of De Quincey applies with force to an American writer whose rhetorical care and effort are unquestionably great, but mi.sapplied. Emerson, much more than Hazlitt, is discontinuous and fractional. His literary work is a mosaic, and not a growth. It illustrates the re- mark of Bulfon, that "it is from the fear of losing isolated fugitive thoughts, and from the desire of introducing, everywhere, striking traits, that there are so many compositions formed of inlaid work, and so few that are founded at a single cast. Nothing is more opposed to warmth of style. ' ' OF RHETORIC AND ELOQUENCE. 85 now to a consideration of that particular one, upon wliicli Theremin founds his rhetorical system. Eloquence, says Theremin, is a virtue. This definition differs from the others that have been quoted, more in appearance than in reality. It does not, as its author remarks, differ essen- tially from the definition given by the elder Cato, and handed down to us with approbation by Quintilian ; and it coincides with the general doctrine taught by the more profound writers upon Eloquence, in all ages, — all of whom have recognized the moral element as the essential one in this species of intellectual products. Stated, how- ever, in this brief and epigrammatic form. Eloquence seems to become identical with morality, and the author in one place actually speaks of Rhetoric as a part of Morals.* By this, however, it is conceived, he did not mean to im- ply that Eloquence is merely and only a moral virtue, and is sufficiently defined when it is put into the list of vir- tues, along with temperance, or honesty, or veracity. Per- haps the real meaning of the author would be more pre- cisely expressed, by saying that Eloquence is an intellect- ual virtue. It has a comm(;n origin with the moral virtues, in the resolute action of the moral force or character of the man, and, so far as the point of ultimate origin is concerned, may therefore be denominated vir- tuous, or of the nature of virtue. The theory of Thereuiin is, that all true Eloquence springs fn^m integrity and strength of character; that the princtiploand the power by which the several faculties of the mind concerned in the production of Eloquence are actuated and guided is the voluntary principle and power, and hence that the pro- duct, in its ultimate and essential nature, must be moral Let us explain in detail, that the theory may be under ^ * Book I., Chap. xiv. 86 THE ETHICAL THEORY stood. In the production of an eloquent oration, the anderstandinsi;, and the imagination are employed. By the iirst mentioned faculty, truth simple and abstract is presented to the understanding of the hearer. By the second, this same trutli is taken out of this abstract and intellectual form, and put into an imaginative form for the imagination of the hearer. Now, it is plain that the excellence of the oration depends upon the presence in it, of some power or principle that shall swallow up into the unity of its own life all these separate processes of the understanding and imagination, and thereby become that vehement and terrible energy which, we have seen, according to the Greek definition, is the reality and vital- ity of Eloquence. The unity of the oration, moreover, depends upon the proportionate and harmonious exercise of these diverse faculties. Any excess in the functions of the understanding, e. g., will be to the injury of those of the inuigination. The oration, in this case, must either lose its unity, or else give up its oratorical character and pretensions, and be converted into a philosophic essay. And any excess in the action of the imagination will undul}'^ repress that of the understanding, and convert the oraticm into a poem. Kow, that power by which each of these faculties is to be concentrated and governed, so that there shall be an even force and a just proportion in their co- working, is the will of the orator. lie is to repress an undue tenden- cy to ratiocination, by moral determination. He is to re- press an undue poetic tendency, by moral determination. And let it not be thought that only a slight and feeble exercise of the self-controlling power is needed in the origination of this so-styled virtue of Eloquence ; that but little moral energy and stern force of character is required in order to the highest eloquence. How often OF EHETORIC AND ELOQUENCE. 87 does it happen that the oration degenerates (for in this reference it is degeneration) into the abstract essay, oi the over-ornamented prose-poem, solely because there was not enough of moral strength, not enough of will, in the orator, to compel all his acquisitions, and all his tei)dcncies, into subservience of that practical end, the actuation of his hearers, which is the ultimate end of Elo- quence. Oftentimes, as much self-control is needed to mortify a strong logical propensity, in order that it may not damage or destroy a rhetorical process, as is needed- in order to mortif v a lust of the flesh. And still more often, as much force of character is needed to restrain a luxuriant imagination, in order that it may not clog and stop the onward movement of the oration by excessive illustration and ornament, as is needed in order to restrain an animal pastiion. In short, that vanity, that self -feeling, which would draw off the orator from the practical end oi his discourse to the undue display of his logic, if his mind is predominantly philosophic, or to an undue em- ployment of the poetic element, if his nature is predomi- nantly imaginative, requires for its conquest and extirpa- tion, precisely the same kiiul of moral force, force of will, that is needed in the supjiression of vice, or in the forma- tion of any of the strictly so-called virtues. Now, it is in this reference that Eloquence is styled a virtue, 80 far as the princi[)le from which it proceeds, and the impulse b}' which it is impelled, are concerned. Eloquence is ethical, rather than philosophic, or aesthetic. It is the posirion of Theremin, that Eloquence is more strictly of tlic nature oi' vii-tue, than ol' tin; nature of science, or of the nature of art. Its essential quality and properties, he contends, are more properly ethical, than scientitic, or artistic. Neither a sciiuitilic nor an artistic talent can l)ecome the living fountain of Eloquence. 88 THE KTIIIC.VL THEORY Only a moral force can. AUlioui^h both a pliilosophic and an artistic process pi'operly and necessarily enter into that coni[)lex mental action of which Eloquence is the product, yet neither of them is the fundainental process. AV^e must look for this in the moral process which spring-s out of the character of the orator; which involves his earnestness, his sincerity, his honest}' of conviction, his consciousness of the truth, and his love for it. These moral elements must first exist, or thci-e can be no Elo- quence. In the same sense, then, that the orator, accord- ing to Cato and Quintilian, is a good man, is Eloquence a virtue. Not that every good man is eloquent, or that every virtue is ipso facto Eloquence (though wc often say of the virtues, as they shine out in human character, that they are eloquent) ; but no man is eloquent who is desti- tute of moral force of character, and no discourse is elo- quent tliat is not prevaded witli a moral earnestness that is higher than any mere scientitic talent or aesthetic feeling. The truth which there is in Theremin's detinition may be seen, again, by considering the difference between an Oration and a product of Fine Art. According to the theory of Theremin, Eloquence is not strictly a fine art. It is no more one of the fine arts because it contains an aesthetic element, than it is one of the sciences because it contains a philosophic element. It is taken out of the department of mere and pure art, by the jpractical and outward end which it has in view. For if there is any- thing settled in the theory of art, it is, that an aesthetic product has no practical end out of itself. Art, as such, has no utility, or morality. Its productions exist for them- selves, and not for any object other than themselves. We must not go beyond them, and look for a practical or beneficial influence exerted by them upon the minds of OF KIIETOEIC AND ELOQUENCE. 89 men, in order to decide whether tliey are excellent in tlieir kind or not. Ilence art cannot become religion, or even morality. If a painting or a statne is beautiful, we can- not deny its ay'tistic exceWence. Whether it is useful, or whether it is moral, are questions for philosophy and relig- ion, but not for art. The artist, unlike the philanthropist, or the orator, works for his own gratification solely. His work has no end but the embodiment of a beautiful idea. As an artist merel//, he is indifferent to the practical effects that may result. The work of ai-t is addressed solely to the resthetic sense. If it were addressed to the cognitive powers, solely, it would be a scientific work. If it were addressed to the moral or religious nature, sole- ly, it would be a religious work. It is true, indeed, that a "work of art may make a moral impression, and as matter of fact the highest works in this department invariably do. It is true that the Apollo may elevate the soul of the beholder, and the Madonna may soften and humanize it, but neither of them, as works of art, owed their origin to any such practical and moral aim. Fine art is its own end. It is self-sufficing, self- inchided, and irreferent. If it has ever contributed to the intellectual or moral improvement of man, this was a happy accident, and not a predetermined and foreseen result. Bat that morality whicli thus stands in no inward and necessary connection witli art constitutes the very essential princi[)le of Eloquence. The oration, unlike a painting or a statue, aims t(j exert a nioi-al inlbiencc upon a moral agent. It seeks to work a change, more or less deep and extensive, in the state of man's active jmwers, employing his cognitive and imaginative faculties as mere means and Mujdia. The orator cannot, like the artist, isolate hims(;lf fn^ini all outward circumstances, and lind the goal of liis 90 TlIK ETIIIOAL TIIIlOKY efforts in the serene and complacent embodiment of his idea in a form of beauty, without troubling himself in the least about the influence lie may exert. The orator is a man of moral influence, and of moral impression, upon moral agents, or he is nothing. If, then, the term virtue denotes, generally, a product of the wiU, and not of the intellect merely, or the imagination merely, is not Elo- quence a virtue ? If that agency of the soul be virtuous, or of the nature of virtue, which has an outward aim ; the aim, viz., to exert a legitimate influence upon the charac- ter and actions of men ; is not Eloquence a virtue 'i Is not this earnest, moral, and practical product of the human mind much more pi'operly denominated a virtue than an art? To place the definition given by Theremin in another aspect, we may say that Eloquence is a virtue of the intel- lect as modified by the will. When the understanding merely follows its own structure and laws ; when its action is constitutional merely, and unmodified by any reference to an auditor, or to an outward impression upon other minds ; the product is logic, and this action of the under- standing is scientific. When the imagination merely fol- lows its own nature and law, the product is poetry, or some other work of fine art, and this action of the imagi- nation is sesthctic. In both of these instances, the intel- lectual faculty is left to the guidance and impulse of its own meclianism. The will exercises no modifying in- fluence in either case, and consequently there is no moral element, nothing virtuous or of the natui-e of virtue, in these species of intellectual activity. It is true that the subject matter of both philosophy and art may be moral, but the mental process itself cannot be so charac- terized. It is a purely constitutional process, not deriving its quality in the least from the voluntary j)Ower, from the OF RHETORIC AND ELOQUENCE. 91 character of the individual, or even being in the least modified by it. The process in the one case is purely logi- cal or scientific, and in the other purely artistic. But Eloquence has a different origin from either science or art. It results, not from the isolated action of a particular faculty, like the understanding, or the imagination, but from the interpenetration and cooperation of these intellec- tual powers, under the sway and actuation of the voluntary force. The degree in which each faculty shall work, as we have already remarked, is fixed by the self-determination of the orator, and the acme of Eloquence is seen in the rusli, in one resistless volume, of all the cognitive and imaginative powers in the unity of the moral will. The combined action of these powers, in this instance, unlike their isolated action in the production of the philosophic essay, or the poem, is moral, and therefore of the nature of virtue. The will interpenetrates the logical and imagi native processes in the mind of the orator, and thus ren- ders them ethical. Eloquence, in this aspect, is seen to be the virtuous action of the human intellect^ as distinguished from that virtuous action of the isolated human will, to whicli the tei-m " virtue " is more strictly and commonly applied. There is volimtary action in both cases, and hence the epithet " virtuous " belongs to both ; but in the case of a virtue, commonly so called, the action is confined to the will itself, while in the case of Eloquence it is action of the will in and htj the powers of understanding and imaginati(jn. The virtue of patience, e. g., is the ]>roduct of the is(jlated action of the will, just as logic i.s the j)roduct of the isolated action of the understanding. I'atienco is the product of the will operating upon iUelf^ Bubduing its own restiveness, and therefore is sim|)ly a ])articular habit ui the will. JJut the virtue of Eloquence ih the product of the will as it operates upon, and in. 92 THE ETHICAL THEORY other inental faculties, for the purpose of exerting an in- Hueuce upon the will of others. Eloquence is reason and imagination wrought into a living synthesis by the vitality of a will, by the force of a strong, deep, and earnest character. There is less difficulty, therefore, in understanding this delinition of Theremin, and in adopting it, if we do not take the term " virtue " in its more limited and common signification, but in its widest sense, as denoting a product into M'hich tlie moral strength of the individual, his force of character, enters as the fundamental quality. And such we suj^pose to be the essential nature of Eloquence. If we are requii-ed to locate it, we think there are fewer ob- jections to placing it within the province of practical ethics, than in that of abstract science, or in that of a3sthetic art. As Theremin affirms, that theory will be most suc- cessful, will explain most phenomena and exert the most beneficial influence upon the student, which assumes that the practical and moral element in Eloquence is the funda- mental and dominating one, and that the philosoj)hic and aesthetic elements are subsidiary to this. AVe know that the ancients, from whom it is not generally safe to differ upon subjects like the one which we are considering, regarded Eloquence as one of the fine arts, and assigned it a place in the list along with poetry, and painting, and sculpture; and the modern world has generally acquiesced in their classification. And yet the rhetorical treatises of Aristotle, of Longinus, of Cicero, and of Quintilian, con- tain much that is ii-reconcilable with this theory. Uncon- sciously, the doctrine that Eloquence is at bottom neither speculatively philosophic, nor imaginatively aesthetic, but practically moral, creeps into these treatises, and exerts a modifvinlication. He is not compelled to those statements respecting the necessity of chai-acter, of integ- rity and sincerity and earnestness, in the orator, the neces- sity of subjecting everything in the oration to a practical outward end, and of subordinating philosophy and art themselves to the moral purposes of Eloquence, which are irreconcilable with the definition that makes Eloquence a fine art. On the contrary, these statements whicli suggest tlicmsclves so unconsciouslj-, and spontaneously, as actually to override the false theory that has been assumed by the y\\{Aox\(i\^\\^2uXQ,\\\q,xq\s covrohorations oi the ethical theory of Eloquence. As they grow out of it, so they return back into it ; like vigorons shoots which by inarching are made to contribute to the vigor and strength of the parent stock. The truthfulness of tlie ethical theory of Eloquence is fitill farther eviiKX'd. and illustrated, by a consideration of its influence upon the Orator, Here its excellence and value appear in ]>lain view. Here is the place of its triumph. For evc^n if an ojq)onent should be able to make a stand, while discussing the nature of the theory 94r THE ETHICAL THEORY itself, and to raise objections that are forcible, and diffi- cult to remove, j'et when its practical application and practical iiitlnence come into consideration, the defender of the theory may speak with boldness and confidence. lie really has the entire history of the department in hia favor. All those forcible and impressive statements, in ancient and modern treatises upon rhetoric, which lay emphasis upon the moral element in Eloquence, and in tlie orator himself, — statements that fall glowing from tfie mind of the theorist, when, having for a moment left his speculative theory behind him, he speaks more from the common feeling, and the common sentiment, of mankind at large upon this subject, — all such statements, we say, come thronging in upon the mind, when it is considering the practical influence of the theory in question. The advocate of the ethical theory feels that all these state- ments legitimately belong to him.^ and to him alone ; that they are but the practical and informal enunciation of his own speculative and formal theory. When he hears Qiiintilian define the orator to be " an upright man who understands speaking," he thinks he hears a concrete annunciation of the abstract position that "Eloquence is a virtue," and believes that, in the establishment of his theory, he has only applied an affirmation to oratory itself, which long ago was applied to the orator. Su])ported thus, as he is, by the spontaneous and unbiassed opinions of theorizers themselves, he is the more confident in his belief that tlie actual application of the ethical theory of Eloquence will only serve to verify it, and its practical intluence to recommend it, in the verv hii^hest degree. 1. The influence of the ethical theory of Eloquence is most excellent, in the first place, u])on the studies of the Orator. It is the natural tendency of that theory of Eloquence OF RHETORIC AND ELOQUENCE. 95 which defines it to be a fine art strictly, to isolate oratory from the real sciences, and the solid acquirements of the orator. The eye is too intently fixed npon form, and the secondary properties of discourse, because it is assumed that the ultimate end of Eloquence, like that of any other fine art, is Beauty. The studies of the orator, conse- quently, will take their main direction from this theory, and he will bestow nndue attention upon those depart- ments of human knowledge, and those species of. literature, which have more atilnity with tlie idea of the Beautiful, than witli the ideas of the True and the Good. These higher ideas will be made -to take a secondary place in his mind, and his culture will be characterized more and more by superficiality, and lack of vigorous strength. He will become more and more interested in works of art, and the lighter forms of literature, and less and less in- terested in science, philosophy, and theology. But tlie natural tendency of that theory of Eloquence which regards it as essentially moral rather than sesthetic ; which sets up for it an outward and practical end, and does not for an instant allow it an artistic indifference in respect to an outward and practical impression ; which connects Eloquence far more with tlie ideas of the True and the Good than with the idea of the Beautiful, — the luitural tendency, and strong direct influence, of such a theory of Ehjquence is to promote the graver and higher studies in the orator. The more profound and central ])()wers of the mind will be continually excrci.-ed, and thus the foundation for a powerful and impressive mental j^ftivitv will be laid. Such an orator, like Pericles of old, will .study and meditate upon the dark problems of pliilo- eophy and religion, and while, like the pati-on (»f ]*hidias and the decorator of Athens, he will not l»y any means be indifferent to beauty and to art in their pi(.per place, ho 1)6 THE ETHICAL THKOKY will jet derive that commanding and overwhelming elo- quence, that Olympian power attributed to the great Grecian, from these loftier themes, these more profound departments of human inquiry and effort.* 2. Again, the influence of that theory of Eloquence which regards it as ethical, rather than either scientiflc or assthetic, is most excellent, in respect to tJie viodels of the Orator. The general influence of the ethical theory of Eloquence upon the taste is to render it strict and pure. The orator whose mind has been moulded by it, naturally selects models from the very highest range of oratory, and there- by feels the veiy choicest influence of the department. His models, consequently, are few in number, but they are such as can never be outgrown and left behind in his on- ward progress. A single model like Demosthenes contains, for the mind that is prepared for it by a strict and high theory of Eloquence, more educational })ower than myriads of inferior models. Such a model is a standard and perma- nent one. But in order that the first-class models may be apprehended and appreciated, a severe taste must have been eno-endered in tlie student. He must have been so disciplined by a high, theory that he has acquired an in- difterence towards second-rate productions, and a positive disrelish for those more glaring and showy qualities which are found in works that are for a day only, and not for all * Soc. I should say that Pericles was the most accomplished of rhe- toricians. Phadr. What of that ? Soc. All the higher arts require much discussion and lofty contemplation of nature ; this is the source of sublimity and perfect comprehensive power. And this, as I think, was the quality which, in addition to his natural gifts, Pericles acquired from his happening to know Anaxagoras. He was imbued with the higher philosophy, and attained the knowledge of mind and matter, which was the favorite theme of Anaxagoras, and from hence he drew what was applicable to the orator's art. — Plato's Phaedrus, 2G9-70. OF KlIETOKIC AXD ELOQUENCE. 97 time. He must have attained such an intellectual temper, such a style and tone of literary culture, as can find pleas- ure only in those cahnei', grander, and loftier efforts which do not so much strike and startle by their brilliancy, as develop and stir the human soul by their depth, fervor, and power. Kow, the theory in question tends directly to the pro- duction of such an intellectual taste in the orator. It is a high and austere theory. It is a theorj^ wliich checks extravagance, and prunes luxuriance, by subjecting the whole oratorical process to the restraints of ethics. It subordinates the beauty of poetry, and even the truth of philosophy, to the practical ends of morality. If there is any danger in the theory, it is in the direction of severity and intense truthfulness. If there is any error in tlie theory, it is upon tlie safe side. It cannot be denied that the entire influence of it is to induce such mental habits, such mental tastes, and such a mental tone, as both pre- ])are the student for a genial appreciation of the higliest models, and a free and original reproduction of them. Tlic mind tliat has been developed and trained by the ethical theory of Eloquence will prefer Demosthenes t(,) yEschines, Cicero to Uortensius, Massillon to Bossuet, ]\Iirabeau to Lamartine, Burke and Fox to Sheiidan and IMiillips. But the excellence of the influence exerted by the theory in questi(jn, in rendering the taste pure and strict, is seen more particularly in reference to current produc- tions, and current styles aivd schools. The principal dan- ger to which th(! I'hetorician or the orator is exposed arises from the influence of contemi)orane(jus rhetoric and contemporaneous elo(pience. iJazzling and brilliant but Biiperflcial and transitory pr<*ducts always have their day; and during their day, minds that have not been 98 THE ETHICAL THEORY liii^hly trained are taken captive by them. Snch minds become copyists and mannerists ; and copyists and man- nerists never are, and never can be, eloquent. But a pure taste, and a genuine relish for the excellences of those great masters and models which, like the sun, are always the same in all time, is an infallible preservative against this pernicious influence of contemporaries. There is a stren'ue in the iiKjdern world. If Rhetoric, within the last hundred years, has somewhat suidc down from its former " pride of place," it is mainly because of the false view that has been taken of its essential nature, and the false method in which it has-been taught. During the two centuries that succeeded the revival of learning, however, its claims were never higher, or more willingly allowed. The mimiteness of d(;tail, and, we may add, the compi'ehensiveness on the whole of (jutlinc, exhibited by the rhetorical treatises com- j>osed two hundred years ago, are am|)le evidence that then, at least, there was no disposition it) iiiiijci-vaiiic this i)r;nirli of discipline. In; educated. Rhetoric is still one branch of human learning, one department of instruction ; and whenever it is pur- sued in the spirit, and by the method, which its own real nature and distinguishing characteristics prescribe, it is still found to minister to the sound and vigorous develop- ment of the mind. In discriminating the distinctive nature of Rhetoric, and in assigning it its position in the curriculum of disci- pline, it is necessary in the Urst place to direct attention to that generic classification of the sciences which so greatly assists the investigator in locating any particular cue of them. Human knowledge may be divided into two grand divi- sions which ver}' exactly and conveniently distinguish the immense variety that enters into this great sum-total. Knowlediice is either material or formal. A material de- partment of knowledge is one in which the matter is pri- mary, and the form is secondary. K formal department is one in which the form is primary, and the mat- ter secondary. The material sciences have also been termed real sciences, to denote that in them the reality or substance of human knowledge is to be found, for the formal sciences are not independent, and self- sufficient. They have no pijsitive character, no sul)- stantial contents of their own, such as the material or real sciences have. They derive all the interest and worth they possess from their connection with these latter. They exist only for these latter ; because the OF RHETORIC AND ELOQUEXCE. 101 foi'in exists only for the substance, the manner for the matter.* Take those portions of the general department of philo- sophy which go under the names of physics and ethics, as examples of branches of material or real knowledge, and consider what they contain. Here we have no hollow and empty divisions which must be filled up from other divisions in order that they may have solidity ; no mere form of knowledge, to be filled up with knowledge itself. Katural and moral philosophy have each substantial con- tents of their own. The nature and operations of tho human mind, and of the divine mind so far as it is coo nizable by man, and the laws and principles of the mate- rial world, — these and such like are the subject matter of these two subdivisions of real science. In whatever direo- tion the moral or natural philosopher advances, he meets with I'eal entities and essences ; he is occupied with substan- tial verities. Truth itself, fact itself, and thought itself, is the staple and substance of his investigations. ^\\Qforrn is for him an altogether secondary thing; the matter is everything. He does not ask, '•''how is it ? " but " what is it?" But take again the dci^artmeut of logic, and we liave a Ijranch of formal knowlediicc. The loijician establishes no one particular truth, but merely shows how any truth may * " All rational knowledge Ls either material, and contemplates some one object, ot foniuU, and Ls occupied merely with the forms of the un- derstanding, and of the reason itself, — with the universal laws of think- ing, genenilly, without regard to the objects of thought. Formal philo- sophy is denominatoi- rij>e to logic and rhetoric, arts fitter for gi-aduutes than children and novices : for these two, rightly taken, are the gravest of sciences, hoinf,' the art of arts; the one for jud-^nient, the other for ornament : and they be the rules and directions how to set forth and dispose mat- ter; and, therefore, for mind« em])ty and unfraiicfht with m-((ttc)\ and which have not gatliered that wliieh Cicero calleth ' sylva ' and ' supel- lex,' stuff and variety, to begin with those arts (as if one sliould learc to weigh, or to measure, or to paint the wind,) doth work but this effect, that the wisdom of those arts, wliich is great and universal, w almost made contemptible, and is degenerated into childisli so phistry and ridiculous affectation." — Advaucomeut of Learuijig. Book I. 104 THE ETHICAL TIIEOUY the iiidividnal at tliat point in his course of education Avhcu the materials have been originated by otlier methods of discipline, when they are in a stir and fermentation, stnuT'diniT for utterance and demandinreclusive of this besetting bad tendency in the department. While recognizing the es- sentially formal character of Rhetoric, and thus giving it a distinct place in the circle of the sciences, and thereby confining it within its own limits, it, at the same time, directs attention to the deeper soil into which its roots must strike, and from which it must derive its nourish- ment and vigor. The rhetorical training of the student, on this method, is concurrent with all his other training, and becomes the medium of its communication to other minds. His general culture is benefited by his discipline in this direction, for the whole body of it is set in motion, and action, by every effort to give form and expression to it. The whole tendency of such a theory of Rhetoric is to produce, in practice, masculine and vital discourse. The student is headed right by it, if we may use the term, and is taught to apply his best power to the evolution of truth, and the production of thought in his own mind, not surely to the neglect of the form in which it is to be expressed, but in order to the highest and most perfect elaboration of the form. Commencing with the matter, he pro- ceeds to the form, which is to take shape and character, and all its qualities, from that primitive material for * Schiller altered. OF KHETORIC AND ELOQUENCE. Ill whose sake aloue it has any existence at all. For, saya Chaucer, Well may men knowen, but it be a fool, That every part deriveth from his hool. For Nature hath not taken his beg'iuning Of no partie ne cantel of a thing, But of a thing that pai-fit is and stable Descendiug so, til it be corrumpable. * The rhetorician is taught to be severe with himself, to foro-et liiraself in the theme, that he mav exhibit it with that boldness and freedom of manner, that darino; streno:th and grandeur of treatment, which is aljsohitely beyond the reach of him who is anxious respecting the impression he may make ; who, in sliort, is tormented by too much con- sciousness of self, at a time when he should be absorb- ingly conscious of the theme. According to the theory here . presented, the oration, meaning by this every rounded and complete discourse, is the evolution of an idea tliat is the germ and principle of the whole composition. But nothing can be of greater Ijenefit to the student, than, in the very beginning of his intellectual life, to be habituated to compose in the light, and by the guidance, and under the impulse, of ideas ; than to be enabled to discover those germinal truths which are pregnant with life, and which, when embodied with fi'ccdom and power in a discourse, constitute the ground- W(;rk of the finest creations of the human mind. And ;ipart from the henetit which is to be derived from this h:il»it iiiid ability, for the practical purposes ot" Rhetoric, what ;i l)enefit is derived from il in respect to the private contemplations and enjoyment of the scholar! Supj)osing he docs not need this iibility, because he is never calkul upon to speak oi' write to his fdlow-men, (a suj)j)osition * Chaucer : Knight's Talc. 112 THE ETHICAL THEORY that is hardly to the credit of an educated man in this peculiar age,*) does he not need it, in order that his own mind may reach essential truth, and may, in its own re- flections, follow the method and order of reason ? In what a serene and constant illumination does that mind dwell, which is able in its meditations to find the f'ontal truth as it were by instinct, and to unfold it by its own light, and in accordance with its own structure ! By such a theory the student is introduced into the world of ideas, laws and principles, and is taught to begin with these, and from them to work out towards detail elaboration, and ornament. It is a mysterious world, it is true, and it must be, from the very fact that it is the source and origin. But it is the very office-work of thinking to convert these ideas into clear conceptions ; to put these vast unlimited truths into definite and intelliiyible dis- course ; in fine, in the Strict meaning of the term, to de- velop truth, lie is the mystical and obscure discourser who leaves truth just as he finds it; who does not, by the aid of close thinking and a rigorous remorseless logic, compel the dark pregnant idea to yield up its secret ; who does not force the contents out of the all-comprehending law or principle. And he is the clear and intelligible discourser, in tlie only high sense of the term ; clear while solid, intelligible while weighty; who, not starting in light to make things lii>:ht, starts in darkness and works his way out into high noon. In both the Pagan and Christian cosmogonies, creation emerged from old night. Most certainly, the influence of such a theor}'' of Bhet oric is enlivening to the mind. Setting aside the fact, * " Ob eamque causam eloqui copiose, motjo pnidenter, melius est, quam vel acutissime sine eloquentia cogitare : quod cogitatio in se ipsa vertitur, eloquentia complectitur eos, quilms cum communitate juncta sumus."— Cicero, De Ofl&ciis, Lib. I. cap. 44. OF KHETOKIC AND ELOQUENCE. 113 that it is the only one by the aid of whicli eloquence can come into existence, it is the only worJclng theory, it is most certainly a great point gained, if an art, so often supposed to be at farthest remove from earnestness and vividness, which is regarded too commonly as the art by ■vvliich the ornaments are furnished when the solid and real work has been done, is shown to have its native seat and source in botli logic and ethics. The expression of tliought l)y this theory becomes a sincere act, and the mind, wliile giving utterance to its reflections, is really contributing to the moral culture and developuient of the man. The productions of such a Tihetoric are marked by that grave and conscientious character which is the natural fruit of simplicity and genuineness in the mental processes. The effect of the theory is seen even in the language cm- ployed. It is no longer stiff, stilted, and aloof from the thought, but pliant, vital, and consubstantial with it. 3. It is obvious in the third place, that the view under consideration imparts an interest to the department of Tihetoric which it is entirely destitute of, upon any other theory. For, as we have ali-eady remarked, no strictly formal dcpai'tinent of knowledge is independent and solf-subsis- teiit. If we confine ourselves to a mere art, without re- spect to the more profound principles that lie under it, our minds soon become weary and spiritless. Such is the aflinity between the human intellect and fundamental truth, such is the hungering after 6'^*J«^«;^.^^«^ knowledge and renl science, that it camiot be jK'rmanently interested in any braiu-h of iiupiiry, or of a(-tivity, that does not ulti- mately lead it down into these de[jth3. Essential truth is the element, and the aliment, of a ratioiuil mind, and noth- ing short of this form f)f truth can long satisFy its wants. LTidess, therefore, rhetorical discipline conducts the mind 11-1: Till-: ETHICAL THEORY ultimately to these perennial fountains of stimulation and nourishment, it will soon become irksome in its nature, and "wearisome in its influence. All this training in the art of composition will only serve to drink up the vigorous juices, and kill out the life of the mind. If, on the contrary, rhetorical study and practice he grafted into the vigorous stock of a preexisting culture, if the student come to it with a \vell-trained and fully in- formed mind, the result of industry and fidelity in the academical, collegiate, and professional courses of instruc- tion through which he has passed ; then this part of his labor as an educated man will be the most interestino; and congenial of all. We have, perhaps, experienced the ex- quisite pleasure which the intellect feels in the hour of vigorous creative production; the high swelling enthusi- asm of the mind, as it careers over a field of noble and lofty thought. We have, perhaps, experienced that en- largement and elevation of soul, which accompanies the distinct intuition of principles, and a firm masterly grasp of them. " The highest joy," says Schiller, " is the free- dom of the mind, in the living play of all its powers ; " and there is no sphere in which this play of the intellect is so full and so free, as that of authorship, as that of composition. None of the other processes in the course of education can compare with it, for depth and hearti- ness of interest. The processes of memorizing, of com- paring, of judging, of analyzing, of combining, and of clcjse attention, — the processes that occur in the classical, mathematical, historical, and philosophical disciplines, — ■ ai'e each and all of them inferior in fresh living interest, to the process of original production. In these former instances, the mind is somewhat passive, and but a portion of its power is in exercise. But in the act and process of original authorshij*, the mind becomes a unit and \ OF EHETOKIC AND ELOQUENCE. 115 unity, all its powers are concentrated into one, and the productive process is a most original and vital union of all the knowledo-e, all the feelino-, all the imao;ina- tion, and all the moral force of the man. The historian Kiebiihr, speaking of the historian's vocation, remarks that he who calls past ages into being enjoys a bliss analo- gous to that of creating.^^ With ecpial trutli, may we say of that mind which is able, in the conscious awakenini; of all its powers, to give full and satisfactory utterance to its thick-coming thoughts, that it enjoys the joy of a creator. If there is one bright particular hour in tlie life of the educated man, in the career of the sciiolar, it is that hour for which all other hours of student life were made, — that hour in which he gives original and full expression to what has slowlv been ccenderino; within him. Now, what this bright hour is to the general life of the educated man, rhetorical discipline and practice is to the sum-total of education. If pursued in the right method, and after the proper preparatory work has been done, it imparts an interest to general study and general culture, such as can- * " I have found," he says in one of his letters, " my former experi- ence irresistibly confirmed, that with me the body depends entirely on the mind, and that my indisposition almost always arises from some impediment to the free action of my mind, which seems to introduce disorder into all the functions of the bodily machine. When my mind is exerting itself freely and energetically upon a great subject, and I advance succcssfaliy from one point to another, displaying their mutual connection as I proceijcl, I cither U'X'X no physical inconveniences, or if they show themselves, they disappear again very quickly. No man can have a more vivid porc(!i>ti<)n, that crniUn;/ is the true essence of life, than I have derived from my internal experience. But if I am alto- gether restricted to a passive state of mind, the whole machine comes to a stop, and my inward discomfort Ijrings on an unhealthy condition of body, of which I have an unmistakaljle outward sign, in the contrast between the free and strong circulation of the blood in the former state, and its irregularity in the latter." — Life and Letters, p. I7y. 116 THE ETHICAL THEORY not exist without it. How dull and stupid is the life of a l)Ook-\\'onn ; of a mind which passes through all the stai^es of education, except that last and crowning one, by means of which it is put into communiGcUion with the great world of scholars and letters. Such a mind is always des- titute of that most interestinii: and infallible si<;n of o;cnn- ine culture, enthusiasm. It lias done nothing for long years but absorb. Knowledge has had the same effect npon its inner fabric and structure, which the sweet rains of heaven have upon the rootless fallen pine. The noble shaft becomes struck with the sap-rot. The history of literature furnishes many examples of men whose knowledge only increased their sorrow, because it never found an efflux from their own minds into the world. Knowledo-e uncommunicated is something like remorse nnconfessed. Tlie mind not being allowed to go out of itself, and to direct its energies towards an object and end greater and worthier than itself, turns back upon itself, and becomes morbidly self-reliecting and self-con- scious. A studious and reflecting man of this class is cliaracterized by an excessive fastidiousness, which makes him dissatisfied with all that he does himself, or sees done by others ; which represses, and finally suppresses, all the buoyant and spirited activity of the intellect, leaving it sluggish as " the dull weed that rots by Lethe's wharf." The poet Gray is an example in point. In the instance of this in many respects highly interesting literary man, tlie acrpiisition of culture far outran the ex2:)ression and communication of it. The scholar overlaid the author. Even the comparatively few attempts which this mind made to embody its thoughts were hampered by its exces- sive introspection. Had Gray thrown himself out with freedom and boldness upon the stream of original pro- duction, which might have been made to flow from his OF KHETORIC AND ELOQUENCE. 117 i-ichlj-endowed and richly-iii formed inind, he would have been stronger, greater, and happier as a literary man. K either would his productions have lost that perfection of symmetry, and elaborate hard finish which they ex- hibit ; while at the same time thev would have had breathed into them that warm breath of life, which they do not now possess, and for the lack of which no mere art can ever compensate. Certain it is that a closer, warmer contact with the mind of his ao;e, throuo-h a more daring and exuberant authorship on his part, would have imparted a spring and buoyancy to the literary character of Gray that would have rendered it a more iuflueutial and interesting one than it now is. As an example of the freshening and invigorating in- fluence of the constant and free communication of thouirht upon the intellect, take Sir Walter Scott. His mind was one of the healthiest, and most robust, that we meet with in the history of literature. It was also one of the hap- piest, the most free from morbid exercises and activities. Something was undoubtedly due to its native structure, but very much was owing to those habits of authorship wliicli it early acquired, and long kept up. Suppose that Sccitt had immured himself in his librarv, had ut mortuum, by itself. Mathematical, classical, his- torical, philosophical, and theological knowledge, instead of being held in tlie memory from a mere feeling of van- ity, is set to work from a sense of duty. The Ithetoi-ic of the man has affinities with the scholarship of the man. It is homogeneous with it. It moulds it, and embodies it. For the rhetorician, \\^^o\^ this theory, and under this training, is not one in whom tvi^o distinct disciplines exist side by side, with no interpenetration, lie is not at one time a dull sluggish recipient of knowledge, and at an- other a dull formal communicator of knowledge ; dis- chari>:in interior of which it has not penetrated ; but an organ- izing Rhetoric, ^\ hereby the sermon shot up out of the great Christian system, like a bud out of the side of a great trunk or a great limb, part and particle of the great Avhole ; an amplifying Rhetoric whereby the sermon was the mere evolution of an involution, the swelling, burst- ing, leafing out, blossoming, and fructuation, of this bud. 3. And this brings us, in the third place, to the worth of this Rhetorical method to the preacher, because it is closely connected with his theological training and disci- pline. It is plain, from w^hat has been said, that eloquent preaching cannot originate without profound theological knowledge. The eloquent preacher is simply the thorough theologian who has now gone out of his study, and up into the pulpit. In other words, eloquence in this as well as in every other instance is founded in knowledge. Cicero says that Socrates was wont to say that all men are eloquent enough on subjects whereon they have knowledge ; * a saying which re-appears in the common and homely rule for eloquence, " Have something to say, and then say it." Hence a Rhetorical training which does not sustain intimate relations to the general culture and discipline of the pupil, is worthless. At no point does an artificial Rhetoric betray itself so quickly and so certainly as here. We feel that it has no intercommunication with the character and acquisitions of the individual. It is a foreign method, which he has adopted by a volition, and * De Oratore, i. 14. IMPOKTANCE OF A NATURAL RHETORIC. 141 not a spontaneous one which has sprung up out of his character and culture, and is in perfect sympathy with it. But the Rhetoric of nature has all the theological train- ing of the preacher back of it as its support, beneath it as its soil and nutriment. All that he has become by long years of study and reflection, goes to maintain him as a Rhetorician, so that his oratory is really the full and powerful display of what he is and has become by vigor- ous professional study. The Rhetoric is the man him- self. In this way, a showy and tawdry manner is inevitably avoided, as it always should be, by the preacher. It can- not be said of him, as it can be of too many, " He is a mere Rhetorician." For this professional study, this lofty and calm theological discipline, this solemn care of human souls, this sacred professional character, will all show themselves in his general style and manner, and preclude every thing ostentatious or gaudy, much more every thing scenic or theatrical. The form will corres- pond to the matter. The matter being the most solemn and most weighty truth of God, the form will be the most chastened, the most symmetrical, and the most commanding, manner of man. And in this way, again, the rhetorical training of the preacher will exert a reilex inlluence upon his theologi- cal training. A true sacred Rhetoric is a sort of practi- cal theology, and is so styled in some nomenclatures. It is a praclical expansion and exhibition of a scientific aystem for the purpose of inliuencing the popular mind. When, therefore, it is well conceived and well handled, it exerts a rcllex influcnee uj)on theological science itself, that is beneficial in the highest degree. It cannot, it is true, change; the nature and suhstancc; of the truth, but it; can bring it out into distinct consciousness The ellbrt 142 TIIK CllA-liACTEKISTICS AND to popularize scientific knowledge, the endeavor to put logic into the form of rhetoric, imparts a clearness to con- ceptions, and a determination to opinions, that cannot be attained in the closet of the mere speculatist. Not umil a man has endeavored to transfer his conceptions; not until he has pushed his way through the confusion and misunderstandings of another man's mind, and has tried to lodge his views in it ; does he know the full significance and scope of even his own knowledge. But especially is this action and re-action between theology and sacred Rhetoric of the highest worth to the preacher, because it results in a due mingling of the the- oretic and the practical in his preaching. The desidera- tum in a sermon is such an exact proportion between doctrine and practice, such thorough fusion of these two elements, that the discourse at once instructs and impels ; and he who supphes this desideratum in his sermonizing, is a powerful, influential, and eloquent, preacher. He may lack many other minor things, but he has the main thing ; and in time these other minor things shall all be added unto him. In employing a Rhetoric tiiat is at once organizing and amplifying in its nature and influ- ence, the theological discipline and culture of the preacher are kept constantly growing and vigorous. Every sermon that is composed on this method, sets the whole body of his acquisitions into motion, and, like a bucket continu- ally plunged down into a well and continually drawn up full and dripping, aerates a mass that would otherwise grow stagnant and putrid. 4. Fourthly and finally, the worth of a natm-al, as dis- tinguished from an artificial. Rhetoric, is seen in the fact that it is connected, most intimately, vnlh the vital reli- gion of the man and the preacher. For no Rhetpric can rSlPOETANCE OF A XATUKAL KHETOEIC. 143 be organizing and vivifying, that is not itself organic and alive. Only that which has in itself a living principle, can communicate life. Only that which is itself vigor- ous, can invigorate. The inmost essential principle, therefore, of a Rhetoric that is to be employed in the ser- vice of rehgion, must be this very reUgion itself: deep, vital, piety in the soul of the sacred orator. Even the pagan Cato, and the pagan Quinctilian after him, made goodness, integiity and uprightness of character, the foundation of eloquence in a secular sphere, and for se- cular purposes. The orator, they said, is an upright man, first of all an upright man, who understands speak- ing. How much more true then is it, that Christian character is the font and origin of all Christian elo- quence ; that the sacred orator is a holy man, first of all a hohj man, w ho understands speaking. We shall not, surely, be suspected of wishing to un- dervalue or disparage a department to which we propose to consecrate our whole time and attention, and, there- fore, we may with the more boldness say, that we have always cherished a proper respect for that theory which has been more in vogue in some other denominations than in our own, that the preacher is to speak as the spirit moves him. Tliere is a great and solid truth at the bottom of it, and though the theory unquestionably does not need to be licld up very particularly before an uneducated ministry, we think there is comparatively lit- tle danger in reminding the educated man, the man who has been trained by the rules and maxims of a formal and systematic disci])line, that the sj^ring of all his ])OW- er, as a Christian jircachcr, is a living siiriii^j;. It is well for the sacred orator, who has ))assed tiirough a long col- legiate and professional training, and has been taught sermonizing as an art, to be n.'ininded that the living 144: THE OIIARACTERIRTIOS AND principle, which is to render all this culture of use for purposes of practical impression, is vital godliness ; that he will be able to assimilate all this material of Christian eloquence, only in proportion as he is a devout and holy man. Without this interior religious life in his soul, all his resources of intellect, of memory, and of imagination, will be unimpressive and inetlectual; the mere iron shields and gold ornaments that crush the powerless Tarpeia. For the first and indispensable thing in every instance is power. Given an inward and living power, and a basis for motion, action, and impression, is given. In every instance we come back to this ultimate point. There is a theory among philosophers, that this hard, material world, over which we stumble, and against which we strike, is at bottom trwo forces or powers, held in equilibrium ; that when we get back to the real- ity of the hard and dull clod, upon which " the swain treads with clouted shoon," we find it to be just as im- material, just as mobile, just as nimble, and just as much a living energy, as the soul of man itself. Whether this be truth or not within the sphere of matter, one thing is certain, that within the sphere of mind we are brought back to forces, to fresh and living energies, in every in- stance in which the human soul makes an eloquent im- pression, or receives one. Examine an oration, secular or sacred, that actually moved the minds of men, a speech that obtained votes, or a sermon that, as we say, saved souls, and you find the ultimate cause of this elo- quence, so far as man is concerned, to be a vilal power in the orator. The same amount of instruction might have been imparted, the same general style and diction might have been employed in both cases, but if that elo- quent povjer in the man had been wanting, there woul(J niPOETANCE OF A NATUEAL EHETOEIC. 145 have been no actuation of the hearer, and consequently no eloquence. It is, therefore a gi-eat and crowning excellence of the Rhetorical method which we have been describing, that its lowest and longest roots strike down into the Chris- tian character itself. It does not propose or expect to render the preacher eloquent without personal religion. It tells him on the contrary, that although God is the creator and sovereign of the human soul, and can there- fore render the tiaith preached by an unregenerate man and in the most unfeeling irreligious manner, eflbctualto salvation, yet that tlie preacher must expect to see men moved by his discourses, only in proportion as he is him- self a spiritually-minded, solemn, and devout wvau. Here is the poioer, and hove is its hiding place, so far as the finite agent is concerned. In that holy love of God and of the human soul, which Christianity enjoins and pro- duces; in that religious affection of the soul which takes its origin in the soul's regeneration ; the preacher is to find the source of all his eloquence and impression as an orator, just as much as of his usefulness and happiness as a man and a Christian. Back to this last centre of all, do we trace all that is genuine, and powerful, and influential, in Pulpit Eloquence. But by this is not meant merely that the preacher must be a man of zealous and fervid emotions. There is a species of eloquence, which springs out of easily excited sensibilities, and which oftentimes produces a great sen- sation ill audiences of peculiar characi eristics, and in some particular moods. But this eloquence of llie flesh and the blood, without the brain; this eloquence of the animal, without the intellectual spirits; is very different from that dee|)-toned, that soleinn, tli:it eomin:iiiding (elo- quence, wliich springs from the lilc ul God in the soul Ll() TlIK CIlAUAcnMClilSTIOS AND of man We feel the difference, all men feel the differ- ence, between the impression made by an ardent but su- pcrfu'ial emotion, and that made by a deep feeling ; by the sustained, equable, and strong, pulsation of religious affections, as distinguished from religious sensibilities. When a man of the latter stamp feels, we know that he feels upon good grounds and in reality; that this stir and movement of the affections is central and all-pervading in him ; that the eternal truth has taken hold of his emo- tive nature, moving the luhole of it, as the trees of the wood are moved with the wind. It is this moral earnest- ness of a man who habitually feels that religion is the chief concern for mortals here below ; it is this profound consciousness of the perfections of God and of the worth of the human soul; which is the inmost principle of sacred eloquence, the vis vivida vitce of the sacred orator. I have thus, as briefly as possible, exhibited the princi- pal featm-es of what is conceived to be a true method in rhetorical instruction and discipline ; not because they are new, or different from the views of the best Rhetoricians of all ages, but merely to indicate the gen- eral spirit in which I would hope, by the blessing of God, to conduct the department of instruction commit- ted to my care by the guardians of this Seminary. The department of Sacred Rhetoric and Pastoral Theology is one that, from the nature of the case, is not called upon to impart veiy much positive information. Its function is rather to induce an intellectual method, to form a mental habit, to communicate a general spirit to the fu- ture clergyman. It is, therefore, a department of grow- ing importance in this country, and in the present state of society and the Church. Perhaps the general tone and temper of the clerical profession was never a matter IMPOETANCE OF A NATURAL KHETOKIC. 147 of more importance than now. The world, and thia country especially, is guided more and more by the gen* eral tendencies of particular classes and professions. In politics, a party or class, that really has a tendency, and maintains it persistently for a length of time, is sure in the end to draw large masses after it. In reforms, a class that is pervaded by a distinctive spirit, which it sedulously preserves and maintains, is sure of a wide in- fluence, finally. In literature, or philosophy, or theology, a school that has a marked and determined character of its own, and keeps faith with it, will in the course of time be rewarded for its self-consistency by an increase in numbers and in power. In all these cases, and in all other cases, the steady, continuous stream of a general tendency sucks into its own volume all the float and drift, and carries it along with it. And the eye of the reflecting observer, a>» it ranges over the ocean of Amer- ican society, can see these currents and tendencies, as plainly as the eye of the mariner sees the Gulf-stream. How important, then, is any position which makes the occupant to contribute to the formation of a general spirit and temper, in so influential a class of men as the clerical! WeU may such an one say, Who is suflicient for this thing? For myself, I should shrink altogether from this toil, and this responsibility, did I not dare to hope that the providence of that Being, wlio is the sovereign controller of all tendencies and all movements in the universe, has led me hither. In his strength would I labor, and to Ilim would I reverently commend myself and this institution. THE RELATION OF LANGUAGE, AND STYLE, TO THOUGHT.* " It is a trath," (says Hartung in beginning his subtle and profound work on the Greek Particles,) " as simple as it is fruitful, tiiat language is no arbitrary, artificial, and gradual invention of the reflective understanding, but a necessary and organic product of human nature, ap- pearing contemporaneously with the activity of thought,. Speech is the correlate of thought ; both require and condi- tion each other like body and soul, and are developed at the same time and in the same degree, both in the case of the individual and the nation. Words are the coinage of conceptions freeing themselves from the dark chaos of intimations and feelings, and gaining shape and clear- ness. In so far as a man uses and is master of language, has he also attained clearness of thought; the developed and spoken language of a people is its expressed intelli- gence."! Consonant with this, William Humboldt re- marks that "speech must be regarded as naturally iniie- rent in man, for it is altogether inexplicable as a work of his inventive understiuiding. We are none the bet- ter for allowing thousands of years for its invention. * Reprinted from the IJihliotlieoii Sacra; Nov. 1848, and .Tiily isr»|. t rartikulii J.eluo, IJd. I. (j^ 1, 2. 150 RELATION OF LANGUAGE TO THOUGHT. Tluuv could be no invention of language unless its type already existed in the human mind. Man is man only by means of speech ; but in order to invent speech he nmst be already man." In these extracts it is asserted that language is an or- ganic })roduct of which thought is the organizing and vitalizing principle. Writers upon language have gene- rally acknowledged a connection of some sort between thought and language, but they have not been unanimous with respect to the nature of the coimection. The com- mon assertions that language is the "dress" of thought — is the "vehicle" of thought — point to an outward and mechanical connection between the two : while the fine remark of "Wordsworth that " language is not so much the dress of thought as its incarnation," and the frequent comparison of the relation which they bear to each other, with that w^hich exists between the body and the soul, indicate that a vital connection is believed to exist be- tw^een language and thought. The correctness of this latter doctrine becomes appa- rent when it is considered that everything growing out of human nature, in the process of its development and meeting its felt wants, is of necessity living in its essence, and cannot be regarded as a dead mechanical contrivance. That language has such a natm*al and sjiontaneous origin is evident from the fact, that history gives no account of any language which was the direct invention of any one man, or set of men, to supply the wants of a nation utterly destitute of the ability to eX' press its thought. Individuals have bestowed an alpha- bet, a written code of laws, useful mechanical inventions, upon their countrymen, but no individual ever bestowed a language. This has its origin in human nature, oi rather in that constitutional necessity, under which hu KbLATION OF LANGUAGE TO THOUGHT. 151 man nature in common with all creation is placed by Him who sees the end from the beginning, which com pels the invisible to become visible, the formless to take form, the intelligible to corporealize itself. That thought is invisible and spiritual in essence, is granted by aU sys- tems of philosophy except the coarsest and most unphi- losophic materialism. It is therefore subject to the uni- versal law, and must become sensuous — must be com,' mimicated. In the case of the primitive language, spoken by the first human pair*, we must conceive of it as a g-ift ffom the Creator, perfectly correspondent, like aU their other en- dowments, to the wants of a living soul. As in this first instance the bodily form reached its height of being and of beauty, not through the ordinary processes of genera- tion, birth, and growth, but as an instantaneous creation ; so too the form of thought, language, passed through no stages of development (as some teacli) from the inarticu- late cry of the brute, to the articulate and intelligent tones of cultivated man, but came into full and finished existence simultaneously with the fiat that called the full-formed soul and body into being. It would not have been a perfect creation, had the first man stood inute in mature manhood, and that too in his unfallen state and amidst the beauty and glory of Eden. As the pos- terity of the first man come into existence by a process, and as both soul and body in their case undergo develop- ment before reaching the points of bloom and maturity, language also in llieir case is a slow and gradual forma- tion. It begins with the dawn of reflective conscious- ness, and unfolds itself as this becomes deeper and clear- er. In the infancy of a nation it is exciuisitely fitted for the lyrical expression of those thonghts and feelings which rise simple and sincere in the jialioiml mind and 152 RELATION OF LANGUAGE TO THOUGHT. heart, before philosopliical reflection has rendered them complex, or advancing civilization has dried np their fret^iniess. As the period of fancy and feeling passes by and that of reason and reflection comes in, language becomes more rigid and precise in its structure, conforms itself to the expression of profound thought, and history and i)hilosoj)hy take the place of the ballad and the chronicle. Now the point to be observed here is, that this whole process is spontaneous and natural; is a gi-owth and not a manufacture. Thought embodies itself, even as the merely animal life becomes sensuous and sensible) through its own tendency and activity. When investi- gating language, therefore, we are really within the spliere of life and living organization, and to attempt its comprehension by means of mechanical principles would be as absurd as to attempt to apprehend the phenomena of the animal kingdom by the principles that regulate, the ijUvestigation of inorganic nature. It is only by the application of dynamical principles, of the doctrine of life, that we can get a true view of language or be en- abled to use it with power. It is assumed then that thought is the life of language ; and this too in no figurative sense of the word, but in its strict scientific signification as denoting the principle that organizes and vivifies the form in which it makes its appearance. It is assumed that thought is as really the living principle of language as the soul is the life of the body, and the assumption verifies itself by the clear- ness which it introduces into the investigation of the sub- ject, and by the light which it flares into its darker and more mysterious parts. That fusion, for instance, of the thoughts with the words, which renders the discourse of the poet glowing and tremulous with feeling and life RELATION OF LANGUAGE TO THOUGHT. 153 can be explained upon no other supposition than that the immaterial entity born of beauty in the poet's mind actually materializes itself, and thus enlivens the other- wise lifeless syllables. Nothing but a vital connection with the thoughts that breathe, can account for the words that burn. "We are not therefore to look upon language as having intrinsic existence, separate from the thought which it conveys, but as being external thought, expressed thought. Words were not first invented, and then assigned to conceptions as their arbitrary, and intrinsically meau' ingless signs ; mere indices, having no more inward con nection with the things indicated, than the algebraiw marks, -|- and — , have with the notions of increase and diminution. In the order of nature, language follows rather than precedes thought, and is subject to all itd modifications from its first rise in the consciousness of the individual and the nation, up to that of the philoso- pher and the philosophic age in a nation's history. Lan- guage in essence is thought, is thought in an outward form, and consequently cannot exist, or be the object of reflection dissevered from the vital principle which sub- stantiates it. The words of the most thoughtless man do nevertheless contain some meaning, and words have effect upon us only in proportion as they arc filled with thought. And this fulness must not be conceived of as flowing into empty moulds already prepared. It is a statement of one of the most jjrofound investigators of jjliysical life, that th(! living power merely added to the dead organ is not life;* i. e. that no iiifcnsity whatever of physieal life * Cnrus' Physiologic, Bd. 1. Vorrcdc. He denies tlic rorrcctncss of tho following formula iijion whi(!li, he nflirms, tlic mechanical school of pliysi- ulogists iiiocecds : toiltes Uigan -j- Kraft — Lebeii. l.')! Ri:i,Aru)N OK langiagic to thoug.ut. stiranu'J upon and Ihrough a dead hand lying upon a dissecting table can produce life in the form of the liv- ing member. The living member cannot come into ex- istence except as growing out of a living body, and the living body cannot come into existence unless life, the innnalerial and invisible, harden into the materiality and burst into the visibility of a minute seminal point which teems and swells with the whole future organism ; a point or dot of life from which as a centre, the radiation, tht; organization, and the circulation may commence. In like manner it is impossible, if it were conceivable, to produce human language by the superinduction of thought upon, or by the assignation of meaning to, a mass of unmeaning sounds already in existence. When a conception comes into the consciousness of one mind, and seeks expression that it may enter the consciousness of another mind, it must be conceived of as uttering it- self in a word which is not taken at hap-hazard, and which might have been any other arbitrary sound, but which is prompted and formed by the creative thought striiggling out of the world of mind, and making use of the vocal organs in order to enter the world of sense. We cannot, it is true, verify all this by reference to all the words we are in the habit of using every day, be- cause we are too far off from the period of their origin, and l)ecause they are oftentimes combinations of simple sounds that were originally formed by vocal organs dif- fering from our own by marked peculiarities, yet the sinijjlicity and naturalness of the Greek of Homer, or the English of Chaucer, which is no other than the affi- nity of the language with the thought, the sympathy of the sound with the sense, cause us to feel what in the present state of philology most certainly cannot be proved iij the case of every single word, that primarily, in the RELATION OF LANGUAGE TO TllOL'GIIT. 155 root and heart, language is self-embodied thought. Yet though it is impossible at present in the case of every single word to verify the assumption upon which we have gone, it is not diliicult to do this in the case of that portion of the language in which there is emphasis and intensity of meaning. The verb, by which action and sufl'ering (which in the animal world is but a calmer and more intense activity) are expressed, is a word often and evidently suited to the thought. Those nouns which are names not of things but of acts and energies, are like- wise exceedingly significant of the things signified. The motions of the mouth, the position of the organs, and the tension of the muscles of speech, in the utterance of such words as shock, smite, writhe, slake, quench, are produced by the force and energy and character of the conceptions which these words communicate, just as the prolonged relaxation of the organs and muscles in the pronunciation of soothe, Ireathe, dream, calm, and the like, results naturally from the nature of the thought of which they are the vocal embodiment. And this leads us to notice that tliis view of the origin and nature of language acquires additional support from considering that the vocal sound is the product of physi- cal organs which are started into action and directed in llicir motion by the soul itself.* Even the tones of the animal are suited to the inward feeling by the particular play of muscles and organs of utterance. The feeling of pleasure could not, so long as nature is herself, twist these muscles and organs into the emission of tiic sharp scream of physical agony, any more than it could light up the eye with the ghire and Ihish of rage. Now il' this is 1iuc in tiie low sphere of animal cxist- * Sec on tliis point WiiUia's English Granimtir, and Ilcurnc's Langtofu Clironiclc, Vol. I. rrcfuce. 15G RELATION OF LANGUAGE TO THOUGHT. encc, it is still more true in the sphere of intellectual and moral existcnee. If life is true to itself in the lower, it is true to itself in the higher realm of its manifestation. When full of earnest thought and feeling the mind uses the body at will, and the latter natm-ally and spontane- ously subserves the former. As thought becomes more and more earnest, and feeling more and more glowing, the body bends and yields with increasing pliancy, down to its minutest fibres and most delicate tissues, to the working of the engaged mind ; the organs of speech be- come one with the soul, and are swayed and wielded by it. The word is, as it were, ptit into the mouth, by the vehement and excited spirit. When the mind is quickened, out of doubt, The organs, though defunct and dead before, Break up their drowsy grave and newly move AVith casted slough and fresh legerity.* As well might it be said that there is no vital and na- tural connection between the feeling and the blush in which it mantles, or the tear in which it finds vent, as that the word — the '■'■ ivinged word'''' — has only an arbi- trary and dead relation to the thought. Again, it is generally conceded that there is an inher- ent fitness of gesture, attitude and look, to the thought or feeling conveyed by them ; but do attitude, gesture, and look, sustain a more intimate relation to thought and feehng than language does ; language, at once the most universal as well as most particular in its applica- tion, the most exhaustive and perfect, of all the media of communication between mind and mind, between heart and heart ? The truth is, that all the media through which thought becomes sensuous and communi- * Henry IV. Act IV. So. L RELATION OF LANGUAGE TO THOUGHT. 157 cable are in greater or less degree, yet in same degree, nomog-eneous and con^natural with tliought itself. In other words they all, in a greater or less degree, possess mani- fest propriety. It is to be borne in mind here, that the question is not whether thought could not have embodied itself in other forms than it has, whether other languages could not have arisen, but whether the existing forms possess ad- aptedness to the thought they convey. Life is not com- pelled to manifest itself in one only form, or in one par- ticular set of forms, in any of the kingdoms, but it is compelled to make the form in which it does appear, vital like itself. The forms, for aught that we know, may be inlinite in number, in which the invisible prhici- ple may become sensible, but the corpse is no one of them. Thought as the substance of discourse is logical, ne- cessary, and immutable, in its nature, while language as the form is variable. The language of a people is conti- nually undergoing a change, so that those who speak it in its later periods, (it very often happens,) would be unintelligible to those who spoke it in its earlier ages. Chaucer cannot be read by Englishmen of the present day without a glossary.* Again, the languages of dif- ferent nations differ from each other. There is great variety in the changes of the verb to express the passive form. The subject is sometimes inchidcd in the verb, sonnilimes is prclixed, and sometimes is suilixed to it. The Malay language assumes the pinral instead of the * Yet even in tliis case, as Wordsworth truly remarks, " the affertinij parts arc almost always expressed in lanf^tuif^e pure, and universally iiitel- lif,'il)Ie even to this diiy." — Pr immaterial i)rinciple might undergo. Of eonrse if such were the relation between the two, it would be impossible to account for all that uncon- scious but real change ever going on in a sjioken lan- guage, which we call g-roivl/i and progress. Language upon such an hypothesis would remain stationary in substance, and at best could be altered only by aggrega- tion from without. New words might be invented and added to the number already in existence, but no change could occur in the spirit of the language, if it may be allowed to speak of sjnrit in such a connection. Furthermore, if there is no vital relation between lan- guage and thought, it would be absurd to speak of the beneficial influence upon mental development (which is but the development of thought) of the study of philo- logy. If in strict literality the relation of language to thought is that of the invention to the mind of the in- ventor, then the study of this outward, and in itself life- less instrument, would be of no worth in developing an essence so intensely vital, so full of motion, and with such an irrepressible tendency to development, as the :iuman mind. It is however a truth and a fact that the study of a well organized language is one of the very best means of mental education. It brings the mind of the student into communication with the whole mind of a nation, and infuses into his culture its good and bad elements — tlie whole genius and spirit of the people of whose mind it is the evolution. In no way can the mind of the individual be made to feel the power and influence of the mind of the race, and thereby receive the greatest possible enlargement and liberalizing, so well as by the RELATION OF LANGUAGE TO THOUGHT. IGl philosophic study of language A rational method of education makes use of this study as an indispensable discipline, and selects for this purpose two languages distinguished for the intimate relation which they svis- tain to the particular forms of thought they respectively express. For the Greek language is so fused and one with Grecian thought, that it is living to this day, and has been the soiuce of life to literature ever since its revival in the fifteenth century ; and the rigid but majes- tic Latin is the exact embodiment of the organizing and imperial ideas of Rome. These languages exhibit the changes of thought in thes Greek and Roman mind. They take their form and derive their spirit from the peculiarities of these nations. Hence the strong and original influence which they ex- ert upon the modern mind. If these languages really contained no tincture of the intellect that made them and made use of them, if they communicated none of the spirit of antiquity, tiiey would indeed be " dead " lan- guages for all ])m-poses of mental enlivening and devel- opment. But it is not so. The Greek and Roman mind with all that passed through it, whether it were tliought or feeling, whether it were individual or national, instead of remaining in the sphere of consciousness merely, and thus being kept from the ken of all after ages, projected itself, as it were, into these fine languages, into these noble forms, and not only became a Kri'jfj.a e? del for man- kind, but also a possession with whose characteristics the pf)ssess()r is in symj^alhy, and from which he derives intellectual nourishment and strength. A further jjroof that language has a living connection with thought, is found in the fact that feeling and passion suggest language. 1G2 RELATION OF LANGUAGE TO THOUGHT. Feeling and passion are the most vital of all the acti vities of the human soul, flowing as they do from the heart, and that which is prompted by them may safely be aifirmed to have life. That words the most expres- sive and powerful fly from the lips of the impassioned thinker is notorious. The man who is naturally of few words, becomes both fluent and appropriate in the use of language, when his mind glows with his subject and feeling is awakened. "But the use of language is the same in kind and cha- racter with its origin. The processes through which language passes from the beginning to the end of its existence are all of the same nature. As in the wide sphere of the universe, preservation is a constant crea- tion, and the things that are, are sustained and perpe- tuated on principles in accordance with the character impressed upon them by the creative fiat, so in all the narrower spheres of the finite, the use and development are coincident and harmonious with the origin and na- ture. We may therefore argue back from the use and development to the origin and nature ; and when we find that in all ])eriods of its history human language is sug- gested, and that too in its most expressive form, by feel- ing and passion, we may infer that these had to do in its origin, and have left something of themselves in its nature. For how could there be a point and surface of communication between ^vords and feeling, so that the latter should start out the former in all the freshness of a new creation, if there were no interior connection be- tween them. For language as it falls from the lips of passion is tremulous with life — with the life of the soul — and imparts the life of the soul to all who hear it. If, then, in the actual every-day use of language, we find it to be suggested by passion, aad to be undergoing RELATION OF LANGUAGE TO THOUGHT. 163 changes both in form and signification, without the intervention of a formal compact on the part of men, it is just to infer that no such compact called it into existence. If, upon watching the progress and growth of a language, we find it in continual flux and reflux, and detect every- where in it, change and motion, without any consciously directed effort to this end on the part of those who speak it, it is safe to infer that the same unconscious spontane- ousness characterized it in its beginning. Moreover, if in every-day life we unconsciously, yet really, use language not as a lifeless sign of our thought, but believe that in employing it we are really expressing our mind, and furthermore, if we never in any way agreed to use the tongue which we drank in with our mother's milk, but were born into it and grew up into its use, even as we were born into and grew up under the intellectual and moral constitution imposed upon human nature by its Creator, we may safely conclude that language, too, is a provision on the part of the author of our being, and consequently is organic and alive. Indeed, necessity of speech, like necessity of religion and government and social existence, is laid upon man by his constitution, and as in these latter instances what- ever secondary arrangements may be made by circum- stances, the primary basis and central form is fixed in human nature, so in the case of language, wiiatever may be the secondary modifications growing out of national dillerences and pecuharitics of vocal organs, tiie deep ground and source of language is the human constitution itself. Frederick Schlegel, after (pioling ychiller's lines: Thy knowlcdpe, thou sharest with superior spirits; Art, oh mun ! thou hast ulouc, IGl RELATION OF LANGUAGE TO THOUGHT. calls lanrjnagc " Ihe general, all-embracing art of man." This is truth. For language is embodiment — the em- bodiment not indeed of one particular idea in a material form, but of thought at large, in an immaterial yet sensi- ble form. And the fact that the material iised is sound — the most ethereal of media — imparts to this "all embracing art" a spirituality of character that raises it above many of the fine arts, strictly so called. It is an embodiment of the spiritual, yet not in the coarse ele- ments of matter. When the spiritual passes from the intelligible to the sensible world by means of art, there is a coming down from the pure ether and element of incorporeal beauty into the lower sphere of the defined and sensuous. The pure abstract idea necessarily loses something of its purity and abstractedness by becoming embodied. By coming into appearance for the sense it ceases to be in its ineftable, original, highest state for the reason — for the pure intelligence. Art, therefore, is degradation — a stooping to the Hmitations and imper- fections of the material world of sense, and the feeling awakened by the form, however full it may be of the idea, is not equal in purity, depth, and elevation, to the direct beholding of the idea itself in spirit and in truth.* We may, therefore, add to the assertion of Schlegel, and say, that language is also the highest art of man. — With the exceptions of poetry and oratory, all the fine arts are hampered in the full, free, expression of the idea by the uncomplying material. Poetry and oratory, in * It is interesting in this connection to notice that the Puritan, though f;enerally charged witli a barbarian ignorance of the worth of art, neverthe- less in practice took the only strictly philosophic view of it. That stripping flaying hatred of form, per sc, which he manifested, grew out of a (practi- cally) intensely philosophic mind which clearly saw the true relation of the form to the idea — of the sensible to the spiritual. RELATION OF LANGUAGE TO THOUGHT. 165 common with language, by employing the most ethereal of media, approach as near as is possible for embodiments to the natui-e of that which they embody; but the latter is infinitely superior to the two former, by virtue of its infinitely greater range, and power of exhaustive expres- sion. Poetry and eloquence are confined to the particu- lar and individual, while language seeks to embody thought in all its relations and transitions, and feeling in all its manifoldness and depth. The sphere in which it moves, and of which it seeks to give an outward manifes- tation is the whole human consciousness, from its rise in the individual, on through all its modifications in the race. It seeks to give expression to an inward experi- ence, that is " co-infinite with human life itself." Viewed in this aspect, human language ceases to be the insignificant and uninteresting phenomenon it is so often represented to be, and appears in all its real mean- ing and mystery. It is an organization, as wonderful as any in the realm of creation, built up by a necessary ten- dency of human nature seeking to provide for its wants, and constructed too, upon the principles of that universal nature, which Sir Thomas Brown truly affirms to be " the art of God." * Contemplate, for a moment, the Greek language as the product of this tendency, and necessity, to express his thought imposed upon man by creation. This wonderful structure could not have been put together by the cunning contrivance, and adopted by the formal consent, of the nation, and it certainly was not preserved and improved in this manner. Its pliancy and copiousness and precision and vitality and liarnKHiy, ♦ Die philosophischc Bildiinfj dcr Spraclien, die vorzuglicli noch iiii dci: nrspriinj^lichcn sichtbar wird, ist cin wiilirlmftcs durch den Mcchnnismiis dcs mcnschliclicn Gcistcs gcwirktcs Wundcr. — Scliclling's voir Iili. u. s w. ^ 3. 166 RELATION OF LANGUAGE TO THOUGHT. \\iiercby it is capable of expressing all forms of thought, from the simplicity of Herodotus to the depth of Plato, are qualities which the unaided and mechanizing under- standing of man could not have produced. They grew spontaneously, and gradually, out of the fundamental characteristics of the Grecian mind, and are the natural and pure expression of Grecian thought. Contemplate, again, our own mother tongue as the product of this same foimdation for speech laid in human nature by its constitution. Its native strength and energy and vivid- ness, and its acquired copiousness and harmony, as exhibited in the simple artlessness of Chaucer, and " the stately and regal argument" of Milton, are what might be expected to characterize the Latinized Saxon. A creative power, deeper and more truly artistic than the inventive understanding, produced these languages. It was that plastic power, by which man creates form for the formless, and which, whether it show itself univer- sally in the production of a living language, or particu- larly in the works of the poet or painter, is the crowning power of humanity. In view of the wonderful harmo- nies and symmetrical gradations of these languages, may we not apply the language of Wordsworth : Point not these mysteries to an art Lodged above the starry pole, Pure moduli tlions flowing from the heart Of Divine love, where wisdom, beauty, truth, With order dwell, in endless youth. * We should not, however, have a complete view of the relation of language to thought, if we failed to notice that in its best estate it is an imperfect expression. — Philosophy ever labors under the difficulty of finding * Power of Sound. RELATION OF LANGUAGE TO THOUGHT. 167 terms by which to communicate its subtle and profound discoveries, and there are feelings that are absolutely unutterable. Especially is this true of religious thought and feeling. There is a limit within this profound domain beyond which human speech cannot go, and the hushed and breathless spirit must remain absorbed in the awful intuition. Here, as throughovit the whole world of life, the principle obtains but an imperfect embodiment. There is ever something more perfect and more glorious beyond what appears. The intelligible world cannot be entirely exhausted, and therefore it is the never-failing source of substantial principle and creative life. In the case before us, truth is entirely exhausted by no language whatever. There are depths not yet penetrated by con- sciousness, and who will say that even the consciousness of such a thinker as Plato can have had a complete expression, even through such a wonderful medium as the Greek tongue ? The human mind is connected with the Divine mind, and thereby with the whole abyss of truth ; and hence the impossibility of completely sounding even the human mind, or of giving complete utterance to it ; and hence the possibility and the basis of an unend- ing development for the mind and an unending growth for language. We are aware that the charge of obscurity may be brought against the theory here presented, by an advo- cate of the other theory of the origin and nature of language. Wc have no disposition to deny the truth of the charge, only adding that the obscurity, so far as it pertains to the; theory (in distinction from the pr(;senta- tion of the tlieory, for wliicii tin; indivichial is resjmnsibh-,) is such as grows out of the very nature and depth and absohite truth of the tlief)ry itself. We have gone upon the supposition that hunjan language, as a form, is 108 RELATION OF LANGUAGE TO THOUGHT. iu>iili('r hollow nor lilVlo.ss — thai it. has a living i)rincij)le, and that ihis princ-ij)lc is thought. Now life is and must be mysterious ; and at no point more so than when it begins to organize itself into a body. Furthermore, the sjHnitaneous, and to a great extent, unconscious processes of life, are and must be mysterious. The method of genius — one of the highest forms of life — in the pro- duction of a Hamlet, or Paradise Lost, or the Trans- figuration, has not yet been explained, and the method of human nature, by which it constructs for itself its wonderful medium of communication — by which it externalizes the whole inner world of thought and feel- ing — cannot be rendered plain like the working of a well poised and smoothly running machine throwing off its manufactures. Simply asking then of him who would render all things clear by rendering all things shallow, hij ivhorn, when, where, and hoiv, the Greek language, for example, was invented, and by what historical compact it came to be the language of the nation, we would turn away to that nobler, more exciting, and more rational theory, which regards language to be " a necessary and organic product of human nature, appearing contemporaneously and parallel with the activity of thought." This theory of the origin of language throws light ovei all departments of the great subject of philology, finds its gradual and unceasing verification as philological science advances under a spur and impulse derived from this very theory, and ends in that philosophical insight into language, which, after all, is but the clear and full intuition of its mystery — of its life. Having thus specified the general relation of language to thought, we naturally turn to the uses and applications of the theory itself. Its truth, value, and fruitfulness, are REI-ATIOX OF STYLE TO THOUGHT. 109 nowhere more apparent than in the department of Rhe- toric and Criticism. For this department takes special cognizance of the more Hving and animated forms of speech — of the glow of the poet, and the fire of the orator. It also investigates all those peculiarities of con- struction, and form, in human composition that spring out of individual characteristics. It is, therefore, natural to suppose that a theory of language which recognizes a power in human thought to organize and vivify and modify the forms in which it appears, will afford the best light in which to examine those forms ; just as it is natural to supj)ose that the commonly received theory of physical life, will furnish a better light in which to examine vegetable and animal productions, than a theory like tiiat of Descartes, e. g. which maintains that the forms and functions in the animal kingdom are the result of a mechanical principle. Life itself is the best light in which to contemplate living things. We propose therefore in the remainder of this essay to follow the same general method already pursued, and examine the nature of style, by pointing out its relation to thought. Style is the particular manner in which thought flows out, in the case of the individual mind, and upon a par- ticular subject. When, therefore, it has, as it always j^honld have, a free and spontaneous origin, it partakes of The peculiarity both of the individual and of the topic upon which he thinks. A genuine style, therefore, is the free and pure expression of the individuality of the thinker and the speciality of the subject of lliought. — Uniformity of style is conscfiuently found in tlic ])r()dnc- lions of tlie same general cast of mind, a|)pli<(l to the same general class of subjects, so that there is no dis- ^.infjuisliahle period in the history of a nation's literature, 170 nr.i.ATioN oi' sTvi,!-; ro thought. but what exhibits a style of its own. The spirit of the age appears in the general style of its literary composi- tion, and the spirit of the individual — the tone of his mind — nowhere comes out more clearly than in his manner of handling a subject. The grave, lofty, and calm, style of the Elizabethan age is an exact represcnta« tion of the spirit of its thinking men. The intellectual temperament of the age of Queen Anne flows out in the clear, but dilTase and nerveless, style of the essayists. From this it is easy to see that style, like language, has a spontaneous and natural origin, and a living con- nection with thought. It is not a manner of composing, arbitrarily or even designedly chosen, but rises of its own accord, and in its own way, in the general process of mental development. The more unconscious its origin, and the more strongly it partakes of the individuality of the mind, the more genuine is style. Only let it be care- fully observed in this connection, that a pure and sincere expression of the individual peculiarity is intended. Af- fectation of originality and studied effort after peculiarity produce mannerism, in distinction from that manner of pure nature, which alone merits the name of style. If this be true, it is evident that the union of all styles, or of a portion of them, would not constitute a perfect style. On the contrary, the excellence of style consists in its having a bold and determined character of its own — in its bearing the genuine image and superscrip- tion of an individual mind at work upon a particular subject. In a union of many difl'erent styles, there would be nothing simple, bold, and individual. The union would be a mixture, rather than a union, in which each ingredient would be neutralized by all, and all by each, leaving a residuum characterless, spiritless, and lifeless. Style, in proportion as it is genuine and excellent, is RELATION OF STYLE TO THOUGHT. 171 eincere and artless. It is the free and unconscious ema- nation of the individual nature. It alters as the individ- ual alters. In early life it is ardent and adorned; in mature life it is calm and grave. In youth it is fhicihed with fancy and feeling ; in manhood it is sobered by rea- son and reflection. But in both periods it is the genu- ine expression of the man. The gay manner of L' Alle- gro and Comus is as truly natural and spontaneous, as the grave and stately style of Paradise Regained and Samson Agonistes. The individuality of a man like Mil- ton passes through great varieties of culture and of mood, and there is seen a corresponding variety in tlie ways in which it communicates itself; yet through this variety there runs the unity of nature ; each sort of style is the sincere and pure manner of the same individual taken in a particular stage of his development. No one style, therefore, can be said to be the best of all absolutely, but only relatively. That is the best style relatively to the individual, in which his particular cast of thought best utters itself, and in which the peculiarity of the individual has the fullest and freest play. That may be called a good style generally, in which every word tells — in which the language is full of Ihought, and alive with thought, and so fresh and vigorous as to seem to have been just created — while at tiie same time the characteristics of the mind that is pouring out in this particular maimer, are all in every part, as the construct- ing and vivifying princij^le. The trtith of this view of style is both confinucd and illustiated by coiisidcring the unify iu variiUy exhibiicd by the; liuui;iii mind itself. The uiiiid of nniii is one ;uid the same in its conslilution and necessary laws, so that the human race may hv. said to be possessed of one uni- /ersal intelligence. In the language of one of llie most 172 RELATION OF STYI.K TO THOUGHT. elegant and philosophic of English critics,* " It is no un- pleasing speculation to see how the same reason^ has at all times prevailed: how there is one tnilh, liice one sun, that has enlightened human intelligence through every age, and saved it from the darkness of sophistry and error." Upon this sameness of intelligence rest all abso- lute statements, and all universal appeals. Over against this universal human mind, as its corresponding object and counterpart, stands truth, universal in its nature and one and the same in its essence. l>at besides this unity of the universal, there is the variety of the individual, mind. Truth, consequently, coming into consciousness in the form of thought in an individual mind, undergoes modifications. It is now contemplated not as universal and abstract, but as con- crete and in its practical relations. It is, moreovei , seen, not as an unity, but in its parts, and one side at a time. Philosoj)hical truth in Plato diflers from philosophical truth in Aristotle, by a very marked modification. Poet- ical truth is one thing in Homer and another in Virgil. Religious truth assumes a strikingly difterent form in Paul and Luther, from that which it wears in John and Melanchthon. And yet poetry, piiilosophy, and religion, have each their universal principles — their one abstract nature. Each, however, appears in the form imposed upon it by the individual mind ; each wears that tinge of the mind through which it has passed, which is de- nominated style. No man has yet appeared whose individuahty was so comprehensive and universal, and who was such a mas- ter of form, that he exhausted the whole material of poetry, or philosophy, or religion, and exhibited it in a style * Harris. Preface to Ilcrmcs. RELATION OF STYLE TO THOUGHT. 173 and form absolutely universal and final. Enough is ever left of truth, even after the most comprehensive presenta- tion, for another individuality to show it in still a new and original form. For there is no limit to the manner of contemplating infinite and universal truth. Provided only there be a pecuharity — a particular type of the hu- man mind — there will be a peculiarity of intuition, and consequently of exhibition. The most comprehensive and universal individual mind was that of Shakspeare, and hence his productions have less of style, of peculiar manner, than all other lite- rary productions. Who can describe the style of Shak- speare ? Who is aware of his style ? The style of Mil- ton is apparent in every line, for he was one of the most siii-E^eticric of men. But the form which truth takes in Shakspeare, is as comprehensive and universal as the drama, as all mankind. This is owing to that Protean power by which, for the purposes of dramatic art, he con- verts himself into other men, takes their consciousness, and thereby temporarily loses his own limited individual- ity. But that Shakspeare was an individual, that a pecu- liar type of humanity formed the basis of his personal being, suid that he had a style of thought of his own, it would be absurd to doubt. And had he attempted other species of composition than the drama, (which by its very nature requires that the individuality of the author be sunk and lost entirely in the various characters,) had betaken, like Milton, a particular theme as the " great argunu'iit" for his poetic power, doubtless the man, tlic indivuliia/, would have come into sight.* ♦ In rf)rrol)i)riitiori of flii><, it may 1)C rctiinrkcd that wc liavo fnr Tiioro gptisf of the imiiridiiiilili/ of .Sliukspcnrc, while i-crusing Ills puciits unj BoniictH, than while studying hu drunias. 174 RELATION OF STYLE TO THOUGHT. Style of expression thus springing out of the style of thought, is therefore immediately connected with the structure and character of the individual mind. It con- sequently has an unconscious origin. On the basis laid in the individual's characteristics, and by and through the individuars mental growth, his manner of expression is formed. There is a certain style which fits the individ- ual — which, and no other, is his style. It is that man- ner of presenting thought, into which he naturally falls, when his mind is deeply absorbed in a subject, and when he gives no heed to the form into which his thought is ruimmg. It is not to be inferred from this, that style has no con- nection with culture. It has a most immediate and vital connection with the individual's education. Not only all that he is by nature, but all that he becomes by culture, tends to form his style of thought and expression ; but, be it observed, unconsciously to him. For an incessant aim, a conscious, anxious effort to form a given style, is the destruction of style. Under such an inspection and oversight. Nature cannot work, even if the mind under such circumstances, could absorb itself in the theme of reflection. There must be no consciousness during the time and process of composing, but of the subject. The subject being all in all, for the thinker, the form into which his thought runs, with all the modification and coloring which it really, though unconsciously to him, receives from his individualism, and from the whole past of his education, is his style — his genuine and true man- ner. The point to be observed here is, that style is the con- sequent^ so far as it is related to culture. For, the culture itself takes its direction and character from the origina' tendeney of the individual, (for every one in the end ob- RELATION OF STYLE TO THOUGHT. 175 fains a mental development coincident with his mental bias,) and style is but the unconscious manifestation of this cultm-e. Style — genuine style — can never be the conscious antecedent of culture. It cannot be first selected, and then the whole individuality of the mind, and the whole course of education, be forced to contri- bute to its realization. One cannot antecedently choose the style of Burke, e. g. as that which he would have for his own, and then deliberately realize his choice. It is true that a mind similar to that of Burke in its structm*e, and in sympathy with him through a similarly fruitful and opulent culture, would spontaneously form its style upon, and with, his. But the process, in this case, would not be a deliberate and conscious imitation, but an un- conscious and genial reproduction. It would be the con- se(}uent of nature and of culture, and not the antecedent. The individual would not distinctly know that his was the style of Burke, until it became apparent to others that it actually was. Here, too, as in every sphere in which the living soul of man works, do we find the genuine and beautiful pro- duct originating freely, spontaneously, and unconscious- ly. Freely, for it might have been a false and deformed product, yet spontaneously and unconsciously, for it can- not be the subject of rellection and matter of distinct knowledge until after it has come into existence. By the thronging stress and tendency of the human soul, which is so created as to contain vvithin itself the princi- ple and direction of its own movement, is the product originated, which tiien, and not till then, is the possible and Ifgitirriatc subject of consciousness, analysis, and critieisMi. Tiie style of a thinking mind is no exception to this universal law. It is formed, when formed accord- ing to nature — when lorined as it was destined to be. 170 lUn.ATlON OF STYLK TO IJIOIIMIT. by that creative idt>a which prescribes Ihe whole never- ending development of the creatm-e — it i.s i'ormed out of what is laid in the individual constitution, and through what is brought in by the individual culture, uncon- sciously to tiie subject of the process, and yet freely, so far as iiis nature and constitution are concerned. If the view that has been taken of style, be correct, it is evident, that in the formation of style, no attempt should be made to change the fundamental character imposed upon it by the individual constitution. The type is fLxed by nature, and no one should strive, by forc- ing nature, to obtain a manner essentially alien and foreign to him. The sort of style which belongs to the individual by his intellectual constitution is to be taken as given. The direction which all culture in this relation takes, should proceed from this as a point of departure, and all discipline and effort should end in an acquisition that is homogeneous with this substantial ground of style. Or still more accurately, the individuality itself is to be deepened and made more capacious and distinct, by cul- ture, and is then to be poured forth in that hearty uncori' scions purity of manner which is its proper and genuine style. And this leads us to consider the true method of form- ing and cultivating style. K the general view that has been presented of the na- ture both of language and style be correct, it is plain that the mind itself, rather than the style itself, should receive the formation and the cultivation. Both language and style are but forms in which the human mind embodiea its thought, and therefore the mind, considered as the originating power — as that which is to find an utter- ance and expression — should be the chief object of cul ' ture, even in relation to style. A cultivated mind con RELATION OF STYLE TO THOUGHT. 177 tains within itself resources sufficient for all its purposes. The direct cultivation of the mind, is the indirect culti- vation of all that stands connected with it. And this is eminently true of the formal, in distinction from the material departments of knowledge — of those " organic (or instrumental) arts," as Milton calls them, " which enable men to discoiu'se and write perspicuously, elegantly, and according to the fitted style of lofty, mean or lowly." For inasmuch as these formal departments of knowledge are not self-sufficient, but derive their sub- stance from the material departments, it is plain that they can be cultivated with power and success only through the cultivation of these latter. Rhetoric, in Ol- der to be anything more than an idle play with words and figures of speech — in order to a substantial existence, and an energetic power — must spring out of logic; and logic again, in order to be something more than a dry and useless permutation of the members of syllogisms, must be grounded in the necessary laws of thought, and so become bvit the inevitable and the living movement of reason. Thus are we led in from the external to the internal as the solid ground of action and origination, and are made to see that the culture must begin here, in every instance, and work out. xVll tliese arts and sci- ences are the architecture of the rational and thinkin because truth arrived at in the consciousness of the pro- found thinker is simply suffered to exercise its own vital- ity, and to organize itself into existence. It is not so much because the individual makes an effort to embody the results of his meditation, as because these results have their own way, and take their own form, that the style of their appearance is so grand. It has been asserted above, ject and -object are not, absolutely, one essence, but two ; but become one temporarily, in the act of consciousness, by virtue of a homogendty rather than an absolute identity, of essence. RELATION OF STYLE TO TIIOUGnT. 181 that style, in its most abstract' definition, is the universal appearing in the particular. In other words, it is the particular and peculiar manner in which the individual mind conceives and expresses truth, which is universal. Now it is only by and through dej)th of mental culti- vation, that truth, in its absolute reality and in its vital energy, is reached at all, A superficial education never reaches the heart of a subject — never brings the mind into contact and fusion with the real substance of the topic of discourse. Of course, a mind thus superficiall}'' educated in reality has nothing to express. It has not reached that depth of apprehension, that central point where the solid and real truth lies, at which, and only at whicli, it is qualified to discourse. It may, it is true, speak about the given topic, but before it can speak it outj in a grand, im- pressive style, and in discourse which, while it is weighty and solid, also dilates and thrills and glows with the living verity, it must, by deep thought, have effected that mental union with it of which we luxve spoken. A mind, on the contrary, that has received a central development, and whose power of contemplation is strong, instead of woi'king at the surface, and about the accidents, strikes down into the heart and essence, and obtains an actual view of truth ; and under the impulse imparted by it, and by the light radiated from it at all points, simply represents it. In all this there is no effort at expression — ]io endeavor at style — on the part of the individual, lie is but the medium of conununication, now that, by his own voluntary thought, the miion l)otweeii his mind and truth lias been brought about. — All that he needs to do is, to absorb himself still moi-o profoundly in the groat theme, and to let it use him as its organ. It will llow through his iiulividualism, and take form and hue from it, as inevitably as the formless and colorless light, acfpiirea 1S2 RELATION OF STYLE TO THOUGHT. both form and color by coming into the beautiful arch of the sky. By clearness, as an element in culture, is meant such an education of the mind, as arms it with a penetrating and clear vision, so that it beholds objects in distinct out- line. "When united with depth of culture, this element is of great worth, and diffuses through the productions of the mind some of the most desirable qualities. Depth, without clearness of intuition, is obscurity. Though there may be substantial thinlcing, and real truth may be reached by the mind, yet like the vKr^ out of which the material universe was formed, according to the ancient philosophy, it needs to be irradiated by light, before it becomes a defined, distinct, and beautiful form. Indeed, without clearness of intuition, truth must remain in the depths of the mind, and cannot be really expressed. The mind, without close and 'clear thinking, is but a dark chaos of ideas, intimations, and feelings. It is true, that in these is the substance of truth, for the human mind is, by its constitution, full of truth ; yet these its contents need to be elahorated. These undefined ideas need to become clear conceptions ; these dark and pregnant intimations need to be converted into substantial verities ; and these swelling but vague feelings must acquire definition and shape ; not merel}' that the consciousness of one mind may be conveyed over into that of another, but also in order to the mind's full understaiiding of itself. And such culture manifests itself in the purity and perspicuity of the style in which it conveys its thoughts. Having a distinctly clear apprehension of truth, the mind utters its conceptions with all that simplicity and jjerti- nence of language which characterizes the narrative of an honest eye-witness. Nothing intervenes between thought and expression. The clear, direct view, instan- RELATION OF STYLE TO TnOL'GIIT. 183 taneoudy becomes the clear, direct statement. And when the clear conception is thus nnited with the profound intuition, thought assumes its most perfect form. The form in which it appears, is full and round witli solid trutJi, and yet distinct and transparent. The immaterial principle is embodied in just the right amount of matter ; the former does not overflow, nor does the latter overlay. The discourse exhibits the same opposite and counter- balancing excellences which we see in the foi'ms of nature — the simplicity and the richness, the negligence and the niceness, the solid opacity and the aerial trans- parence.* ■" Shakspeare affords innumerable exemplifications of the character- istic here spoken of. In the following passages notice the purity and cleanliness of the style in which he exhibits his thought. As in a per- fect embodiment in nature, there is nothing ragged, or to be sloughed off: * * * Chaste as the icicle That's curded by the frost from purest snow, And hangs on Dian's temple. Conolanus, V. 3. ***** This hand As soft a.s dove's down, and as white as it ; » Or ELliioiiian's tooth, or the fann'd snow, That's bolted by the northern blasts twice o'er. Winter's Tale, IV. 3. Or if that surly spirit, melancholy. Had baked thy Vjlood, and made it heavy, thick ; Which else runs tickling up and down the veins. Kill ff John, III. 3. And I, of !adif;8 most deject and wretched. That .'eneath this practice and practi- cal api)lication, is essential knowledge; sustaining tlie same rehvtion to all the arts, manufactures, and improve- ments, all the comforts and elegancies of civilization, that tlie flowers and fruit of the tree sustain to the black root iindurground. And upon the preservation .iihI luitlior development of these fundanuMital truths, depend tlu- jicr- manen(;e of the present civilization, aiul its progressive improvement. Again, there is in the midst of the ])Oo])le an amount of infoi'mation resj)e(;fing legal and civil affairs, sullicient to make them (rareful of their j)ersonal rights, and watch- ful ov(.'r the acts and intentions of government. No ]k'<)- ple on the face oi' the globe arc 80 well informed in ;di 190 SCIENTIFIC AND POPULAR EDUCATION. that pertains to judicial and civil matters, as the people of the United States, An appeal to reason and law always goes home to the mind of the mass, and produces a deep and great movement, as it could not, if we were an nn- informod and barbarous population. Still, it will not do to say that this knowledge, though adequate for all the wants of common life, is equal in degree and depth to that which is implied in a thorough nndcrstandingof the scien- ces of law and government. It will not do to say, that the great body of ns are possessed of such a clear and deep insight into the first principles of legal and political phil- osophy as characterized the framers of the Constitution of the United States, And we do tacitly, but in a free and manly way, acknowledge this, when, in order to form or revise a code of laws or a constitution, we meet and choose the wisest and most thoughtful of our number to do this important work — a work that requires a more than ordi- nary and popular acquaintance with law and legislation. Again, in this Christian land there is an amount of knowledge concerning God and the eternal world, the soul of man and its obli<>:ations, which is enough to consti- tute every man responsible before his Judge, and enough, if rightly improved, to bring about right relations between man and God. But, besides this common knowledge upon moral and religious subjects, there is a science of morals and religion, for the study and exposition of which, we are willing to sustain a particular class of men in the midst of us. It is because we desire to have our ordinary knowledge upon these highest of subjects made still more clear, and vivid, and efficacious, that we listen every Sab- bath to one whose business it is to investigate and expound the j>ri7iciples of the word of God. Thus it is apparent that when we go below the surface, and get at knowledge in its solidity and substance, we find SCEEXTiriC AXD POPULAR EDUCATION. 101 it in the form of principles — we find it science. Uelow all the manifold uses and applicatloiis of knowledge, as they appear in the ordinary life of men, there lies the great deposit of primary truth, inexhaustible in itself, and ever yielding new treasures to the educated and thoughtful mind. Now^ with this lower stratum of truth mankind raxist have communication, or their course is hackioard in all respects. New inventions in the arts soon become old and pass out of use ; what at first were strik- ing facts soon lose their novelty ; the old modes of pre- seutino: those truths which from their very nature are the same yesterday, to-day, and forever, become wearisome — in fine, the floatiufj information of a communitv is soon worn out, and l)ecome3 powerless, unless, from the region of principles, there is constantly coming off upon it an in- vicoratino- influence : unless the ino-enious mind of a AV^att or a Fulton, now and then, startles society and forms a new era in its civilization, by a wonderful api)lication of an old but buried principle of natural philosophy ; unless the thoughtful mind of a Newton pours through old sci- ence the light and life of a new principle, which to the end of time is to influence this domain of knowledge with as steady and extensive power as that of gravitation itself ; unless the mighty and passionate spirit of a Luther awak- ens the religious consciousness of all Europe to the recog- nition of tliat great primal doctrine of Christianity, on which man's etei-nal life hangs. Having said thus much upon knowledge in its scientilic an*l in its practical form, and of the right relation of the latter to the former, we proceed to sj^eak of colleges as the institutions for keo[)ing up this right relation; as the in- strumentality whereby science and practice are kei)t con- nected, and made to interpenetrate each other, to their mu- tual benetit, and to the growtiiof mankind in knowledge. 102 SCIENTmC AND POPULAR EDUCATION. I. One way wliorol)}' colleges do this is by not suffering the distinction between scientific and practical knowledge to he lost sight of, and by keeping in existence an educa- tion that is founded upon tlie study of first principles.' It is the aim of the higher institutions of learning, to give ^Yhat is called a "lil)eral" education: that is, one which is distinguished from that given in common schools, by being both more extensive and more profound. The lower institutions of learning take the mind in the earlier period of its existence, when it is best fitted for the acqui- sition of all that part of knowledge which is gained by the memory, while the college receives it at the beginning of that period when its powers commence their maturity, and it is prepared to get that knowledge of princi[)les, of which we have spoken, which comes from reflection. In the theory of education adopted by our wise forefathers, and, as history shows, by all wise founders of common- wealths, the future citizen is to be surrendered to the pri- mary school during the years of boyhood, when the imag- ination and memory are active, that he may learn to read and write, and may acquire all that knowledge of geogra- phy and arithmetic and history which is fitted for his years, and which will be useful in the transaction of the ordinary business of after life, AVhen the higher facul- ties begin to dawn, and the years of reflection are coming in, he is then to be transferred to an institution which will guide him into the paths of science, and introduce him into that world of principles from which he is to derive, if he ever does, high moral and intellectual power, and make himself a strong man among men. Colleges and Connnon Schools are therefore not to be opposed to each other. Each has its own proper work to do. The one cannot do the work of the other, and even if it could, yet boyhood cannot receive the instruction of ojDening man- SCIENTIFIC AND POPULAR EDUCATION. 193 Jiood, and calm and reflective manhood craves a more pro- found learning than that which satisfies inquisitive and acquisitive boyhood. The two are not independent of each other like two different machines, but are living members of the same body, and therefore the one cannot Bay to the other, " I have no need of thee," nor can the other say to the one, " I have no need of thee." Colleges are thus a standing evidence of the validity of the distinction between scientific and practical knowledge. Their aim is to give an education which will develop the mind itself, irrespective, for the time being, of the uses that may be made of learning ; knowing that if there only be produced witliin the youth the poiver to work, the occa- sions and the inciteuieuts to exercise it will not be want- inir in a world that is full of work. And tliev do this not so much by imparting an amount of separate facts of which immediate use may be made, as by awakening the intellect of the young man to the recognition of first trutiis in the various departments of learning. It cannot be too carefully reuiembered, that a collegiate, or liberal education, differs from what is called a common educa- tion, by its having more than the latter can the facul- ties of the individual, the very mind itself, in its eye. Its object is not mainly to furnish the mind with enough to meet daily wants, but to fill it with power, and to ground it in priuciples, as a reserved fund upon which to draw at any time and dining all time. It is a mis- take to suppose that that' only is useful knowledge, of which an immediate and ])ali)al)le use can be made, in the acipiisitiou c^f wealth, or in providing for the daily wants of the body. This is indeed useful, but it is not enough for all the exigencies of this life even, and il surely is not enouo-h for those of the life to come. When revolutions in human affairs break out, when states arc to be foumlcd, 194 SCIENTIFIC AND rOl'ULAR EDUCATION. wlien institutions that are to affect the progress of the raco are to be established, when laws are to be made — when, in short, the primary and foundation-work, depending upon primary and fundamental truths, is to be done — tlien the liberal education sliows itself to be the useful educa- tion. In these trying times, the reserved fund of mental power and clear intuition of principles may be drawn upon, and its untold worth be seen in the origination of a great instrument like the American Constitution, or in the start of a great idea like that of popular liberty which is to work through masses of men with superhuman power.* We say, then, that if the distinction between the knowl- edge of principles and the knowledge of facts is an im- portant one, the preservation of the distinction, and the foundation of a particular sort of education upon it, are still more important. Moreover, unless the current in- formation of society is kept moving and alive, by the presence and the power of a system of liberal education, and by those who are yearly coming out fresh from the contact with science and principles, it speedily diminishes in amount, and loses the vitality it once possessed, and society sinks down into barbarism. The reign of barbarism began in Greece, when the liberal education of its young men fell into the hands of the sophists, who substituted the denial and disputation of first principles, for that clear and profound enunciation of them which characterized an elder day. When this class of public teachers appeared, there Avas a o-reat amount of useful knowledge current in * For some excellent thoughts upon the relation of scientific to popu- lar knowledge, see an article upon thooloj^fy, by Ullmann, in the Stu- dien und Kritiken for 1849. The truly fruitful effort for the people and popular life, he says, is not merely the direct and immediate effort, but the thorough cultivation, al«o, of all those departments of knowl- edge whose results cannot pass over into common life, except at second band, and by radiation. SCIEXTrFIC AND POPULAR EDUCATION. 195 Grecian society, but it soon l)et raved the lack of that vigor Avhich arises from the diltusion of correct principles in politics and morals, and Mdiicli liad kept it fresh and liealthy, and not many years elapsed Ijefore this whole mass of current and connnon information was found to l)e utterly powerless towards the preservation and glory of the state when threatened b}'^ Philip, and cruml>led away like some noble shaft tiiat has been struck with the sap- rot. Neither let it be supposed, that by making and pre- eerving the distinction between a ccmimon and a liberal education, any injury is done to useful and practical knowledge. It is only by the maintenance and widest possible diffusion of scientific learning, tiiat this common every -day knowledge arises and is current ; for tlie com- mon information of societv is nothiiif; more or less than the fine and diffusive radiance of a more sul)stantial and profound culture. This liglit, spreading and peneti-ating in all directions, is an clHiience from a ball of solid fire. All this general and practical inl'oi-iiiatioii which distin- guishes an enlightened fi-oni a savage, or though civilized yet ignorant state of society — which distinguishes England and the United States from Africa and South America — did not grow uj) s[)ontaneously from the earth ; is not the effect of a colder climate or a harder soil. It has been exhaling for centuries from colleges and nnivei'sities; it has been distilling for ages from the alembic of tlio scholars hi'ain. The condition of society at any one given time, must bo lookfid upon as the; total result of past instil ul ions. It, is falnc, and absurd, to assunu; that the [^resent form of things started into being in a twinkling, and is totally uii- conne<;t(!d with what has gone hefore. This is true of all that enters into the idea of social existence, but it itj IOC) SCIENTIFIC AND POPULAR EDUCATION. emphatically true of the j^eneral state of information. And if we would know Avlij there is at this present mo- ment such a "Tcat amount of intelliij-ence anions; tho descendants of En^-lish colonists, and such an entire absence of intelligence among the descendants of Spanish colonists on this western continent, we have only to re- member that the Imio-HsIi brouiz-ht over books, and l)uilt churches and founded colleges simultaneously, while the Spaniards did no such thing, but attempted to found and perpetuate state governments, and to rear np society, upon the current maxims of worldly and selfish policy. If, M'hen Hernando Cortez subjugated Mexico to the Spanish crown, and provided for the colonization of that region, he had laid such foundations for national existence and growth as were laid by the Puritans, and that popula- tion for three centuries had been feeling the vigor of just Ijrinciples, in social intercourse, in legal arrangements, in govermnent and religion, it wonld not be the ignorant and powerless mass it is. If he had provided for the investi- gation of the pi'inciples of knowledge, and for raising up a body of thoughtful and wise men, leading and powerful spirits, like those who planned and acted in the great emergency in our history, would not have been wanting in her hour of national trial. II. And this leads us to notice a second way whereby the higher institutions of learning keep scientific and popular knowledge in connection, and thus elevate and improve the whole body of the pcoi)le in a commonwealth. And this is, by constantly sending out into society j)ro- fesaional men. Most of the members of the three professions are col- lege graduates, and the few who have raised themselves to posts of. honor and usefulness by their own resolute and private study are no testimony against the fact, that pro- SCIENTIFIC AND POPULAR EDUCATION, 197 fessional influence is founded upon scientific knowledge. These few instances only go to show that if there is a fixed determination, a man may overcome all obstacles, and may become an eminent physician, jurist, or divine, not be- cause of the want of direct aid from the hio-her institutions of learning, but in spite of that want. And even these do not accpiire their knowledge entirely independent of universities. Even tliese must have access to a library of old books, which, one with some degree of truth has as- serted to be the true university, and which, at an}' rate, is the expression of the thought and research of universities. It may be said, therefore, without fear of contradiction, that professional life and influence gi'ows out of collegiate education, and can grow from no other root. And if we would estimate tlie eflect upon society of the decline and fall of the higher literary institutions, we must first esti- mate the eflect of the entire removal from among us of the physician, the lawyer, and tiic clergyman, and of the entire destruction of the three great sciences of medicine, law, and theology. It is a forcible saying of Cicero, that the Athenian state could no more have been sustained and regulated witliout that grave and vencral)le court, the Areopagus, than the world could be sustained and regu- lated without the providence of God. With greater truth and force, it may be aflirmed that modern society might as easily be k(;i)t in ])rosperous existence without the providence of God, as without the presence and ])ervading ])Ower of those professions wliose provin(-o it is to investi- gate and expound natural, civil, judicial, and religious tiMith ; for they are themselves one of tiie most benignant of Divine providences. iJut wc shall, perha|)S, be abb; to fDini a more correct estimate of the worth d" ])i-ofessional men, and conse- quently of those institutions which train Ihcni u[>, by an 108 SCIENTIFIC AND POPULAR EDUCATION. examination of the business and influence cf each class Bepai'utely. 1. It is the business of the physician to study the nature and hiws of life, especially of animal life, and still more especially of human life, that he may understand the causes of disease and death. It is also his business to study material nature, that he may know the various ele- ments that enter into it, and their relation to the chief practical purjioses of his j^rofession, viz, the preservation of health, and tlic cure of disease. Settinj^ aside, there- fore, the palpable and immediate benefit which the indi- vidual derives from the medical man as he stands ijy his bed side, there is an amount of information put in cur- rency by him, which ministers much to that general cheer- fulness and absence of anxious apprehensions, which, like fresh breezes and bright sunshine, contributes much to the physical well-being of society. The investigations and influence of the medical profession rid community of that superstitious dread respecting the strange processes of nature, and the wonderful functions of animal life, which, indeed, in its highest intensity is to be found only in savage society, but which, in its milder but neverthe- less most feai'ful form, marks the histor}' of ages highly educated in other blanches of knowledge, but ignorant of this, because its cultivation had not kept pace with that of tlie other. For example, whole communities in Europe, during the middle ages, were often set in a tremor by natural phenomena that would not startle the child of the present day, because the ignorant imagination of the time filled the mysterious, it is true, yet beautiful and liarmless world of vegetable and ariimal life, witii malig- nant powers and horrible spirits. And had there been as mucli general information respeciing the science of medi- cine, as there was respecting those of law and theology, SCIENTIFIC AXD POPULAR EDUCATION. 199 among the early inhaljitants of New England, that most strange and awful chapter in its liistory which records the storv of the Salem witchcraft would be wanting. Tlie gloom and liorror — a gloom and horror which could not have been thicker and deeper, if the world of evil spirits had really been let loose upon men — that hung over that community like a black cloud, could not possibly be made to throw its shadow across the present generation, not surely because it is morally better or wiser than its holy fathers, but because the strange marvels of animal organi- zation, and nervous excitement, have been traced to causes orifjinatinc: in that " God who is liirht, and in whom there IS no darkness at all." 2. It is the business of the jurist to study the principles of law, the science of justice. This science stands beside that of religion, and Jias very profound and close affinities with it. So very nearly are these two sciences connected, that history shows that where clear and correct views of the one have prevailed, clear and correct views of the other have also prevailed. In proportion as a community is possessed of a deej) sense of the sacred nature of justice, it is possessed of a correspondingly profound sense of the solemn nature of religion. The cause of this lies in the fact that justice, which is the substance and staple of law, is the most fundamental of all fundamentals, whether the being of the Creator or of creation is contcinplated. Justice is the deepest of all the "deej) things of God," underlying the whole Ciodhead, and constituting the equilibrium of the Divine character. Even mercy, an attril)ute which is sometimes supposed to be tlie very contrary of justice, aneing is brouglit into sweet harmony with its laws and truths, he dwells in heaven ; if his whole being is alienate from its j)urity and holiness, it still i-eniains, because it must, since he is rational, and he dwells in hell. licligion, as its ctyniol(»gy denotes, is the great bond 0* 302 SCIENTIFIC AND POPULAR EDUCATION. M'hich is to hold the rational creation together and to God. There is no other bond of such strength and extent. All the other ties that bind finite spirits together derive their permanent jxnver from this great vinculum, and if its Author should suffer it to be broken, the primitive mate- rial chaos would be but a faint emblem of the disorder and ruin that would reign in the intelligent universe. And especially would man be the sufferer, in such a tremen- dous catastrophe ; for, cut loose from all the restraints which natural and more especially revealed religion im- pose, the unchecked depravity of a fallen race would bring it into awful dissension and collision with itself. Religious principles are therefore the most important of all. In the Divine idea and plan, all other knowledge is to derive its vigor and life from them, and they are in- tended to run through all the individuals and all the insti- tutions of the human race. Throuixh the arts and throuo-h the sciences, through the laws and the legislation, through the manners and the customs, through the thoughts and the opinions, through the individual life, the domestic and social life, the political life — in fine, through all the im- mense material embraced in the whole being and action of mankind, this pure and mighty power is intended to stream. But not only is the clerical profession important because of the magnitude of the science upon which it is founded, it is also important because of the opportunity given to it for getting the attention of man. By Divine appointment, every seventh day of human life is given to this profes- sion, that it may have a hearing. Wherever the Christian religion goes, be it into civilized or savage nations, the herald of Christianity has a set time to proclaim its doc- trines, which is as regular in its coming as the rising of the sun. SCIENTIFIC AND POPTLAR EDUCATION. 203 This dedication of a seventh part of human life to the hearing of Christian truth is one of those many perma- nent arrangements of Divine Providence that exert mighty influences M'ithout observation. We may say what we will of the power of the press, and the rapidity of com- munication, and all the other engines of modern times for influencing and impi'oving mankind, there is no instru- mentality which, for the kind and degree of its influence upon society, is to be compared with the stated preaching of the Sabbath day. Think of the nature of the truths preached and of the magnitude and solemnity of the conse- quences connected with their reception or rejection, and then remember that throufjh the leiio;th and breadth of this land, and of all Protestant lands, in thousands of churches, millions are listening to the preacher ; that the principles of religion, even when they do not effect a saving lodgment in the heart, yet give vigor and clearness to tlie intellect : that from these churches and conirrea-a- tions, a strong and restrainiui; influence is contiiiuallv going off and diffusing itself through that portion of society which does not place itself within hearing of Divine truth ; and moreover remember that this does not occur once every year, but once every week, and estimate, if possible, the amount of influence exerted by t]ie clerical profession upon the permanence and progression of society. AVe have thus briefly considered the business and inllu- ence of the three professions, and it must be evident to every reflecting mind, as we turn I)ack to their connec- tion with scientific in distinction froin practical education, and their oi-igin in the higher literary institutions, that BU(;h education is invaluable, and such institutions are in- disj)cnsablc. The decay and destruction of tin; higher literary institutions involves the decay and destruction of 204 SCIENTIFIC AND POPULAR EDUCATION. scientific knowloflij^e, and of professional life, instruction^ and influence. It must be apparent even to the most Buperlicial observer, that the removal and want of a phy- sician, a lawyer, and a clerii^yman, in a particular town would work disastrously upon both its temporal and ex ternal interests. Cut off from all connection with profes- sional life and influence, disease and the still more dread ful fear of disease would ravage it ; not having the fear and reverence of law before their eyes, because they have not its expounder and representative in the midst of them, a cruel injustice would rule in the breasts of the physi- cally strongest, as milimited as the selfishness of the human heart; and with no one to preach the truths and offer the consolations of the Cliristian religion, the popu- lation would become more brutal than the brutes, because the wants of man would be unsupplied. If all this is apparent to a su}>erflcial glance, what will he see who glances wide and deep, over and through a whole common- wealtli destitute not only of the system of liberal learn- ing, but of those institutions and classes of men whose business it is to perpetuate, improve, and diffuse it ? The result then to which we arrive is, that only by the maintenance and improvement of scientific education can even the popular intelligence of the present age be pre- served. This lias its root and life in that more profound wisdom which is slowly evolved, from age to age, by the scientific, the liberally educated mind ; which in the phrase of Milton, is " the result of all his considerate dili- gence, all his midnight watchings, and expense of palla- dian oil." And those institutions whose proper ofiice it is to impart this education are not an accidental and un- necessary, but an organic part of state institutions, and should no more be torn off alive and bleeding from the body politic, than any other members should be. The SCIENTIFIC AND POPULAR EDUCATION. 205 ■vrhole population has an interest in their preservation, be- cause they have an interest in the preservation of courts of justice, of legishitive assemblies, of the pulpit and church of God. The solid well-being of a commonwealth depends on them. Their first founders on this continent were the Puritans, and they were among the earliest of the rock-foundations laid by those wise men. The whole sound growth, the whole healthy development of IS^ew England, has been directly coimected with their existence and influence. Our benevolent and learned physicians, our judicious and calm-ej^ed jurists, our serious and thoughtful clergy, have been trained up in them. And, Anally, they have ever been great defences against the downward tendencies of human nature when left to itself, bv cherishing in the public mind that conservative vener- ation for law and order, and intelligence, and morality, which is the best of all preparations for the reception of the saving doctrines of the Christian religion. INTELLECT [JAL TEMPERANCE.* GEXTLEilEN : Tou have invited me to address you upon a subject which, in its widest extension, is closely connected with the true cultivation of man. Temjperance, in the ancient and fnl] meanin<^ of this word, must enter as a pervading element into the whole of human development, if it is to be rii;ht, fair, and harmonious. I am conscious, therefore, of the greatness of the theme ; and, while I distrust my ability to handle it, I feel confidence when I remember that if in any way it should happen to come before your minds in the clearness of its own light, and in the fulness of its own power, it would exert an influence which you could not resist. I am encouraged, when I remember that I may be the means of rousing your minds, and of impelling you to the contemplation of a subject which, if Been in all its relations, and felt in all its force, would have a great effect uj)on the course of your discipline. Tiicre are two Greek words that are translated by the one word, temperance. The one signilies a right mixture ; a due comljination and minirlintr <'f elements. The other signifios to l)e strong; to iiave control. The corresp(7nding Latin word, which has been transferred to our language, has primary reference to time, and thus to * A discourHO at tho UnivcTHity of Vermont, April .'tO, 184-1. 208 INTELLECTUAL TEMPKRANCE. Hinitnti'on and restraint within appointed bonnds. Theso dillerent words indicate tliat the (ireek and the Koman mind had one and the same general conception, which it would express by tlieni. Tiie idea of self-control under- lies each of them, and according as this attribute is seen in a different pliasc, a different word is employed to denote it. Did the ancient mind behold self-control re- sultinir in a riijht comminirling of all the elements of the being ; a fusion into a precious amalgam of elements Avhicli, if separated from each other, or blended together in M'rong proportions, would be worthless; it called this self- control, evKpaaia. Again, if it viewed self-control as result- ing in inward strength, and in endowing the being with a power over the low and mean part of him, it denominated the cause, iyKpdreia. Again, if it looked at self-control as setting metes and bounds beyond which the appetites and passions must not go, and as appointing the times and sea- sons when the several powers of man might and might not be operative, it called self-control temjperantia. Temperance in its essence, then, is self-control. In its widest sense ; in its application to all the parts of the human constitution, and to all the departments of human life and action ; it is evidently a word full of meaning. As denoting a principle that may, and ought to run through all the powers of man, intellectual as well as sensuous, making them its bearer, imparting health and vigor to them, freeing them from passionate impulses, causing them to work orderly and harmoniously, and thus securing that beautiful and perfect result which should come from the development of a creature made in the image of the First Perfect and the Fii-st Fair — as denoting such a principle as this, temperance is one of those words, the knowledge of which, in the language of Coleridge, is of more value than to know the history of a campaign. DfTKLLECTTJAL TEMPERANCE. 209 Tlie entrance of this principle of self-control into the material part of man, and its efKciency in the subjection of the appetites of the body, have been almost exclusively dwelt upon, especially in our own time. And this fact shows that even in his efforts at self -improvement, man un- consciously reveals his moral ignorance and degi'adation. The very fact that men have so generally contented them- selves with the subjection of the appetites and passions of the body, and have not striven to control the more refined and more dangerous passions of the mind and heart, evin- ces that man is not naturally inclined to aim at the ideal, and to reach after absolute perfection. Not that what has been done should have been left undone, but that which has been left undone should have been done. Man ought not to be subject to his eating and drinking, and ho ought not to be a slave to his pride and ambition, lie ought not to rest content until he has control of himself in all the spheres of his life ; until evei-y power of his being is under the sway of law. Since temperance, in its extended signification, opens such a boundless field of inquiry and thought ; since the })rinciple of rational self-control so connects itself with all that man is, and can become ; the thorough study of it, and the complete apprehension of it, must be the work and result of a life, of an innnortal life. We shall find enough to occuj)y our meditations for the present hour, if we confine ourselves to one aspect of the subject. And I invite your attention to: The influence of ten)2>et'ance, or self-control, uj>o>i intcllerfaal development. The Konl of maji is a kingdom by itself. It is under a constitution and laws, like a state. 'J'iu! lu-pnldicof Plato, and the Town of Man-Soul of Ihinyan, — the two of the race who, in many respects, have attained the deepest in- eight into man, — are i)roof8 that the closest aiuilogy exists 210 INTELLECTUAL TEMPEKANCE. between the state and the mind ; that what is tme of one may be transferred to the other. The representations of the Apocalypse ; the phxn, the architecture and adornment of the City of God ; are likewise evidence that the linite spirit has its polity like the state; that the purity, stability, and harmony of the soul are best symbolized by the j)ur- ity, stability, and harmony of a realm. And the study of the soul itself discloses that the same qualities must enter into man's growth as an individual, that enter into his growth as a nation, or a race. That which contributes to the true well-being of man individually, piromotes the true well-being of man collectively. The genuine culture of every man as a part, is the genuine culture of humanity as a whole. A profound writer upon the state mentions permanence and progression, as the two fundamental elements in its well-being. * By the harmonious balance of these two counterpoising interests, the state is to exist and grow. The genuine growth of the individual mind, in like manner, depends upon the presence of these two elements. That intellectual culture which is not at once permanent and progressive is ungenuine. The mind requires conservatism and permanence in cul- ture, that its progress may be steady and permanent. There is no real conflict between conservatism and progress, though such is a common opinion. No mind can move for- ward, except as it moves forward from a preceding position. It conserves in order to progress. The child learns to walk, only after it has learned to stand. Men must hold on upon all the old attainments, in order to make new ones. That discipline alone is progressive w^hich never loses anything ; which, selecting onl/ good materials, takes * Coleridge : Church and State. INTELT.ECTCJAL TEl^IPEKANCE. 211 them up and incorporates them permanently with the sub- stance of the understanding. Tried by tliis test, how often does intellectual culture prove to be defective. When the student looks back upon the whole of his education, he finds that not all of it has been stable ; that not all of it is with him. He sees, as he looks at the studies of certain periods of his life, that they did not contribute to his per- manent growth; that certain states of his intellect, certain prepossessions for certain authors, certain moods of his mind towards certain systems of truth or falsehood, were not elements of culture adapted to the deepest and highest needs of the soul. The student, when he has become well acquainted with his past course of study, is compelled to ackiKjwlcdge, with sorrow, tbat too nnich of the food with which he has striven to satisfy the cravings of the intellect, did not become organic, did not turn into flesh and blood, did not prove to be a means of vitalization, but was rejected by the mind, when it had recovered itself from its momen- tary intoxication, as not nourishing the principle of its life. That is a happy scholar, too, who, as he hjoks into his mind, finds that l)y its innate vigor it has entirely purged out the poison, and has rid itself wholly of the bad effects of such a process. That student shoidd be a grateful being, who can say that no one of the periods of student-life has left a deleterious influence behind it; a deleterious influence that is "felt in the blood and felt -dlouix the heart." Every scholar should aim to cultivate the inlellcct in such a manner that the culture shall be right, and therefore shall stay with liim. No element of knowledge ought to be appropi-iated iiv the mind that ought not to become a part of the mind ; an immortal jmit of Jiii innnortal mind. The characteristics of the discipline shonhl be such as to permit of its going along wilh tlie per.soH, 212 INTELLECTUAL TEMPERANCE. throng-h the wliole of his endless existence as a rational beinjivcs place to another as shallow as itself, contribute anything to permanent and genuine education? Does that mental application which affords no food for profound thouij-ht, and rouses none of the ori^-inal and fundamental powers of the man, deserve the name of study ? Do the iieeting and shifting notions and opinions that come and go and go and come, in some periods of our life, deserve the name of discipline? Do they awaken that which is deepest in the mind? Do they make an entrance into '' that place of understanding which is hid from the eyes of all living, and kept close from the fowls of the air"? These vaporous clouds whicii brush across the sky do not stir the blue depths of the ether ; they have no influence in purifying the "ancient heavens," that they may "be fresh and strong," Progression is self -evidently a necessary element in in- tellectual discipline. By i:)rogression is not meant the mere accumulation of facts, the mere aggregation of in- formation, but the steady increase of intellectual power, the constant evolution of that energy which is latent in every human mind. The life-power by whicli the mind is to progress is within it, and he who most industriously and boldly draws upon it, while he nourishes it with all good learning, \vill make the farthest advance. Intellectual prog- ress is the gradual unfolding of all the mental faculties; the development of the vitality of tlie mind. Hence, those who have made the greatest advance in mental discipline, and have contributed most to the progress of the race, have INTELLECTUAL TEMPEKANCE. 213 been distinguished for their ability to draw npon the native force of their own intellects. True progression in mental discipline is, therefore, inti- mately united with permanency of cultivation. The one cannot be without the other ; the one nourishes the other. When, on the one hand, the mind is acquiring a cul- ture that has its abidinor seat in its most fundamental powers, it is advancing tlie development of these powers ; and this, we have seen, is the definition of mental prog- ress. And when, on the other hand, the mind appro- priates only those elements which by nature are adapted to its growth, and, like a tree, carefully rejects all those which do not permit of a solid and vital assimilation, its culture is permanent. And here, again, I appeal to the student's consciousness upon this point. As he looks into his intellect, to see wliether it has made true progress in all its career, he is mournfully conscious that the fulness of its inher- ent power has by no means been brought out by culture. The consciousness of weakness, and the distrust of his own nn'nd, are most generally caused by the sense of unfaith- fulness, and the lack of thoroughness in self-training. It is indeed true, that tliev are sometimes the result of a praisewoithy humility, especially when the mind stands in front of the immense problems of human life and destiny ; yet even in this case, the scholar can say: "When lam weak, then am I strong ; though I distrust myself, I liavc, nevertlielcss, a calm confidence." Happy is that schohir, who, as he looks within, can say: "I am all tiiat I (;oidd j)OssibIy be, at tliis stage of n)y intellectual growth ; my powers, at this period of my existence, could ii"! have been more fully uiifold(;d than they are; I ;iiii conscious of an inward energy that has its root and ground in a cul- tivation that has always been pcrmaneiil and progrestjivc." 214 INTKIXECTUAL TKMrERANCE. r>lessed is that student, who, at any and every stage of his life can say: "T have always nurtured ray mind with its proper food ; I have never weakened its force, for a mo- ment even, by food not convenient for it ; I have never pt(^l>pod the sprinc: of its living impulse ; it has constantly had a free and pure play." Having thus seen that permanence and progression are essential elements in true intellectual discipline, and hav- ing brietly noticed their characteristics and relations to each other, it will be easy to see that their existence is im- possible, urdess the mind is under the sway of the princi- ple of self-control ; unless the scholar obey the injunction of the apostle : " Giving all diligence, add to your knowl- edge temperance." Any one who attentively watches the workings of his mind soon becomes aware that it has tendencies to way- ward, Htful, and ])assionate movements. Its energy does not always go forth in an even flow, and its powers do not always work in a manner proportioned to their relative worth. The fancy often rules the reason ; the power of irregular and lawless association often overcomes the power of methodical and orderly thought ; and hours that ought to have brought up a mass of solid and pure truth, from the deep mines of the spirit, construct nothing but day- dreams and air-castles. There is, indeed, no agent so wayward, and yet so mighty in the use of its power, as the human mind. AVhcn its energy has ceased to be under the influence of that self-government which a man is obligated to exercise over his entire being, it works with an absolute intensity. There is, for the thoughtful ob- server, no sight more terrific than the vision of an intel- lect expending the fulness of its immortal vigor upon wrong objects, and putting forth its supernatural power lawlessly. INTELLECTUAL TEMPERANCE. 215 This waywardness and lawlessness of mind, this intel- lectual intemperance, is utterly incompatible with genu- ine discipline. Tliere can be neither permanence nor pro- gression in a culture of this kind. Such workings of the intellect rack and wear it. This convulsive and unnat- ural use of mental power has ruined the noblest minds ; minds strong and stable in their natures ; minds which it took a lifetime to ruin. But when the human intellect is under this principle of self-control, and when it meekly, and constantly, and wholly surrenders itself to its actu- ation, it is developed rightly and grows beautifully. For, this self-government, this temperate restraint, if traced to the fountain, will be found to flow " fast by the oracle of God." It is a principle alive with the breath of Law, and instinct with that Heason which is the parent of order, harmony, and beauty, both in the realm of nature and the realm of spirit. The scholar who submits to it will be freed from those wa^'ward impulses, and passionate movements, to which we have seen the mind has a natural tendency. Like the great power of gravitation in nature, this power, if all in every part of the soul, will bespeak its presence. It will reveal itself by harmony, by sym- metry, l)y regularity of mental action ; in a word, by all the characteristics of genuine cultivation. There are several results of this intellectual temperance, which still further enforce, and illustrate, what has been said respecting the permanent and progressive discMpline of the mind. The scholar who has control over In's intellect possesses tiie power of inethodtad thouf/ht,. By this is meant the ability t(j suiTcndcr tlw; mind to the guidance ;inil actu- ation of its highest law. When we examine the laws of mental action that are within us, wc find that some are imnietiiodical anernatural magic, the system rises like St. Peter's cathedral, with a " Vastness which gi'ows, but grows to harmonize ; All musical in its immensities." Now, this power of concatenated thinking results from the temperate restraint which the mind has acquired over itself. It has gained the ability to subject those fitful and desultor}^ movements of which I have spoken, to the law of method ; to make all the intellectual powers move on harmoniously towards the attainment of a prescribed end. Although it is true that mere system-building, of itself, contributes little more to the right discipline of man than mere castle-building (for the products of the speculative understanding contribute no more to the practical life of the spirit than the products of the fancy), yet when we consider the influence and tendency of this scientific habit of the mind, we find that it has worth, and, in the end, promotes a permanent and progressive culture. And this naturally suggests a second result of intellec- tual temperance. The scholar who can control his mind, BO that it can thiidc in a long, iniinterrupted train, will have it brought into contact with nohle and ennobling ohjects. No man can follow the leading of a contem- plative and methodical intellect, without coming into great and sublime regions, where there are grand and lofty objects of vision. The reason of this lies in the fact INTELLECTUAL TEMPERANCE. 219 that truth is infinite, and has a living connection existing between all its parts. The mind that has touched the borders, if truly progressive, must go to the centre of the land. One truth is connected with all truth. The method- ical mind, therefore — the mind which will not and can- not be diverted by trifling and alien objects — will be led on and on in au endless progression. One truth seen lX)ints to the next ; one relation of truth to other truths suo-o-ests another and still another relation to other and &till other truths, and the mind thus launches further and further into the infinite ocean of thouo-lit. And as it " goes sounding on its dim and perilous way," it will see sublime and animating scenes. It will come into new hemispheres with new constellations ; it will sail amid the dazzlini"- Mitter and the thunderino- crash of the rj CD o icy ocean ; it will plough up the phosphoric light of the tropic seas. And even when the student is led on by a merely speculative interest ; even when he does not seek truth tliat he may become better by it, but solely that he may know ; he derives some genuine cultivation imconscionsly. He learns, at least, to hold his mintl to one subject, and to think in trains. To resume our comi)arison, as the intellect is passing through the many worlds of truth into which concatenated thinkini'- hriuirs it, and is skirting their borders, infiuences from them will come oft to it. "As when to them who sail Beyond the Capo of irojio, and now aro ])a.sHcd Mozambic, oif at nca northeast wii.ils blow Sabasan odors from the spicy shore Of Araby the blcBs'd." Even the merely speculative tliiidccr feels some of the inlluencc which tlio great objects of practical thought, and 220 INTELLECTUAL TEMPERANCE. practical faith, exert upon the spirit. Ilciice, such think- ers as Spinoza and Ilcgel, though utterly eiToneous in their pantheistic premise and their pantheistic conclusions, di) nevertheless exhibit a loftiness of scholastic character, and a sedateness of mental habitude, that cannot exist in a man who leads an unthinking and frivolous life. They seem to have acquired from the mere atmosphere of the temple some of the solemnity of the true worshipper. This tendency of methodical thought to bring the intel- lect into contact with noble objects is most certainly a soui'ce of good culture. The mind takes its tone and character from the tliemes of its contemplation, and if these are noble and lofty, the mind will become so like- wise. Even those high scientific problems which are ab- stract and cold for the Jieart, and cannot furnisli all the cultivation which an immortal being needs, are infinitely w^orthier than those low and trivial subjects upon which llie mind, unless restrained, will naturally expend its force. If the scholar is marked by intellectual temper- ance ; if he has acquired the power of orderly thought, and the ability to keep his intellect in one train of reflec- tion, he will, as a matter of course, be conversant with great subjects. It is only a fanciful and lawless applica- tion of the mind, which can be content with the vanities of literature. That intellect which is self-controlled, and master of itself, will feel a degradation in an immethodi- cal and desultory use of its power, and will not be at liome except among high truths and themes. I turn, now, to notice briefly two other qualities which are at once signs and results of genuine mental culture, and are also intimately coiniected with intellectual self- control. I mean freedom and enthusiasm. These terms are often misunderstood. They are often associated with lawlessness and disorder. Of course if this be their miELLECTUAL TEMPERANCE. 221 nature, they cannot be signs and results of self-control. This is not their natnre. Freedom, in its true meaning, is self-snbjection to law ; and hence holiness is the only true freedom, and the Holy Spirit is the only " free spirit." * Enthusiasm is defined, by an eminent thinker, to be the enlar(i:;ement and elevation of soul that arise fi'om the intuition of ultimate principles, f If these are the correct definitions of freedom and enthusiasm, it is evident that thev can exist in an intellectonlv when it is self -governed, and that they will exist necessarily, if it is self -governed. That scholar who rules his mind, and thus checks its wavwarduess, is a free scholar. As that man is possessed of a bold, courageous, physical freedom, who has self-possession, and can at all times keep in check the timid instincts of the physical nature, so that scholar is free in the higher sense, who has habitual control over the instincts of the intellect. For self-control is for the mind, what self-possession is for the body. And the student who is under law is also full of enthusiasm. The deepest aiid most joyful enthusiasm issues from the calm intensity of that contemplation which is the result of discipline. All lofty feeliug in the soul springs from moods that are deep; tliat are fed by great principles and profound meditation ; even as the deepest green of the leaf, and the stateliest growth of the trunk, shoot up from roots that strike far down into a strono; black mould. Genuine en- tliiisiasm in the scliolar is the infallible sign of genuine and thorough discipline. J cannot but direct your earnest thouglit to these two attributes of the di.scii)lincd schohir. Freedom and <'ii- thusiasm arc tlie bloom am! llower of the scholar's life • PH.ilin li. 12. f Coleridge : StatcKman'a Manual, Works. I., I'.V.': IlaiixiiH' Edition. 222 INTELLECTUAL TEMPERANCE. There is no vision so frladdeiiiiiij!- to tlie heart of tlic lovor of letters as the vision of an intellect under self-control, rejoicing in the consciousness of power and fi'eedom, and rushing onward with a subdued yet deep enthusiasm through the inliuite realm of truth. There is enjoyment, likewise, in the possession of these intellectual (jualities. Schiller has asserted that the hijifhest eniovmenl is the freedom of the mind, in the living play of all its powers. This is not the highest enjoyment, for there is a higher jo}^ than that of the intellect ; but it is the highest enjoy ment of the intellect. And it is joy, to feel the gush and play of intellectual power ; to be conscious of the living currents of a mind healthy and free, under the principle of self-control. But these qualities, contributing so greatly to the progress and happiness of the scholar, nnist be earned by a thorough discipline. Like all things great and good, they are the fruit of struggle, and of self-surrendry to law. Thus have w^e seen that intellectual temperance, the rational' self-control of the intellect, secures a permanent and progressive culture that manifests itself in the power of methodical thought, in an habitual intercourse with noble and ennobling objects of reflection, and in intellec- tual freedom and enthusiasm. The principles wdiich have been advanced can be sub- stantiated by an appeal to literary liistory. And I iiivite you to look at the glorious ages of English literature, for a proof that intellectual self-control secures genuine intel- lectual discipline. Go back into the sixteenth and seven teentli centuries, and consider the Bacons, the Hookers, the Raleighs, the Miltons — those masculine births of the masculine ages of England. The scholai", as he goes back to these men and their times, feels himself to l)e in a se- date age, an age of reason, and law, anc" intellectual self INTELLECTUAL TE^rPERANCE. 223 government. These were men of thorongh self-restraint, and, therefore, men of methodical thought, of cahn, rational insight into philosophy, statesmanship, and divin- it}'. If we happen to name these great names in the same hreath with the Byrons and Rousseaus of modern days, we feel that tliere is a difference in kind. The so- briety of intellect, the mental abstinence, and the solidity of culture in the former, are of no kith or kin with that waywardness of intellect, that litfuhiess of mental action, that entire absence of stable discipline, and that ntter in- capability of lofty thought, which characterize the latter. The' great men whom I have named did "give all dili gence to add to their knowledge temperance." Their knowledge was permeated by temperance. Temperate in their i)rinciples, and temperate in their application of them ; temperate in their opinions, and temperate in their enunciation of them ; temperate in their feelings, .ind temperate in their exhibition of them ; all ages will ever resort to them for wise, prudent, and profound thoughr. All aa-es will ever a-o to them for their own thorough dis- cipline, and will look upon their minds as the most re- markable examples of solid, sober, mental cultivation. The greatness of their strength is not owing to theii- natu- ral superiority over all men since their day. Great men liave been among us, as great by nature as they. But it is owing to the calm temperate control which they pos- sessed over their minds ; to the |)atient, methodical habit of their intellects. Their whole long lives were a perma- nent and ))rogi-eKsive discipline. Their growth was slow, pure, and solid, like that of tlu; l-ritish oak. hi the phrase of Macon, they are " tin; liciculeses and not th(» Adonises of literature." Ami they were also free and enthusiastic intellects. Nowhere do wo iind more l)old and unshackled thought than in the age from l-'lizabeth 224 INTELLECTUAL TEMPERANCE. to Cliarlcs the Second, and yet no a^ije has developed more of absolute truth in the hio;her domains of knowlcdire. These men were animated hy the freedom and lofty en- thusiasm of truth and reason, and hence they moved, even amon^ the deepest and most solemn themes, " as with the steps of the gods." I have thus. Gentlemen, directed your attention to the relation of temperance, the ancient evKpaaia and iyKpuTeia, to mental discipline. I have selected this particular aspect of its influence, because it addresses itself to the sj-nipathics and aspirations of true scholars. I know that if the lofty purpose and the high resolve of the genuine student are in your breasts, your thoughts will gather around the great subject of self-control, and you M'ill have an earnest longing that your intellects may be under its actuation. I know that the mere interests of the intellect are sufficient to awaken a desire, that this faculty may develop itself under the influence of a principle that will secure to it a permanent and progressive culture, and will swell it with a free enthusiasm. I have also dwelt upon this part of the great subject, because it presents what should be the high and worthy aim of the scholar, and because, if by any means you may be prevailed upon to reach after it, the low and grovelling propensities of the animal part will be more likely to slumber. Not that liigh intellectual discipline necessarily and infallibly se- cures temperance of body. The past history of literary men shows that it does not. But the tendency of such self-control over the intellect is to produce self-control over the sense. I have, therefore, felt that every aspi- ration after true intellectual discipline, that may be roused in you, has some influence to draw you away from the intoxicating bowl. I feel that if you are able to soar in the high regions of pure intellectual cultivation. INTELLECTU-VL TIOIPERANCE. 225 and of serene tIion<^ht, you will find it harder, in the hour of temptation, to descend and grovel. I know that if you are capable of the clear pure jo}' arising from the intuition of great truths, you will have less and less inclination for the delirious and mad joy that steams up from the wine-cup and the revel. But in all that I have said, I have remembered that the intellect is but a part, and an inferior part, of man ; and that its actuation by the principle of self-control is no more the chief end of man, than is the subjection of the passions of the body. There is a part of us higher than the intellect ; a part whereby we are capable of aspira- tions and feelings far purer and loftier than those of the intellect — the reverence, the love, and the adoration of the Eternal God ; a part whereby we are capable of a disci- pline more deep, more boundless, and more sublime than that of the mind — the discipline of the cherubim and serai)liim. And I have also rememl)ered, that upon the cherishing of these higher aspirations, and the progression of this higher discipline, depends your success in com- pletely controlling both the intellect and the sense. All power comes from ab(jve, and goes downward. It never comes from beneath and goes upward. The organic con- trols the inorganic; the vital force subdues the chemi- cal ; the voluntary governs and uses the animal. It is in vain, in any of the kingdoms, to attempt to bring up power from below. l>eiiciicent and really contrc)lling force, descends from something that is higher, to some- thing that is lowei-. In order, therefore, that your mind and body may be subjectcil pi'ilVjctly to self-control, your heart must first vitalize the principle, and send it down to them warm, plastic, and vivifying. Vou nnist not sup- j)ose that you can attain an absolute Hclf-govcrnnKint over even the lower part of you, unless the higher part is also 10* 22G INTELLECTUAL TEMPERANCE. controlled l;y the Inw and Spirit of God. Tii this iK/hlor portion of your being, the radical dis(;ipline must bei^in. From this point alone, can rational selt-control i-adiate Into Your cntii-e constitution. If it end the inlinite part of his existence in the unseen world, yet he knows but little about that world, and it engages but little of his thought. Man generally has no sense of the reality of that sphere which is to be his eternal dwelling-place. Sin is the chief cause of this ignorance, and insensibility. If man were pure of heart, eternity would not be a dim or undiscovered country. It would have substantial reality for him, and he would think and act with reference to it, as the most permanent of all realities. But, besides this main and universal cause of man's ignorance of the spirit- ual world, there is a minor one arising from the mental constitution. We sometimes meet a person thoughtful by nature, serious-minded, and inclined to contemplate the mvsterious and invisible. Unseen thino-s have more reality to him than to the thoughtless and frivolous man THE PUKITAN CHAKACTER. 233 He naturally believes that there are more things in the universe than can be seen by the eye, or touched by the hand. Such a man differs from the mass, by this dispo- sition to find reality behind the visible and material. It is not difhcult for him to believe in the supernatural. He is, in this sense, spirituallv-mindcd, and predisposed to believe in, and think about, unseen things. The same difference of constitution appears in nations, as well as in individuals. We find some nations naturally inclined to believe in spiritual and unseen realities, while others are disinclined. Tlie former do not need, or make use of, the visible symbol, but rest satisfied with tlie idea ; while tlie latter find it difficult to apprehend the idea at all, and need and use a inaterial sign, by which it shall be signified. The former are spiritual, the latter material, in their modes of thought. It has been observed by writers upon this subject, that, as a general rule, this difference of mental constitution follows, and accords with, the differ- ence of climate. The nations of the torrid zone are sen- suous in their conce[)tions, while those of the cold zones are spiritual. For this reason, the paganism of the south of p]urope was very different from that of northern Europe. The southern heathen liad gods many and lords nuxny ; but he must see them and handle them, in (udcr t<^ believe in their reality; and therefore he carved nu- merous id(jls, and buildcfl many temples, in wliidi his divinities should dwell. The northern heulhrn had icwcr gods, and could believe in their reality wilhout the aid of the visible form. Jle hewed no idol, and he erected no temple; he worshipped his (li\inity in spii-it, bcncatli the open sky, in the free air. The keen vigoj- inlnscil inldliio ho(]y by the northci-n winter, and the inllucnccs whic^U rained down fr«»m the cold northern sky, glittering with intensely bright stars, and gleaming and fiashiug with the 234 THE ruRiTAN character. northern Hi^lita, seem to liavc induced spirituality of thouglit and conception in the northern lieatlien ; while the languid air, and enervatini^ inlhiences, of the warm zone, tended to make the southern heathen shio:<;ish, earthly, and sensuous, in his modes of thought. From their northern extraction, the Puritans derived what we have styled, in an accommodated sense, spiritual- ity of mind; or the disposition to believe in the super- natural, the ability to realize it w^ithout the aid of visible things, and the inclination to refer to it in thought and action. This, we think, is the ground, and native princi- ple of the Puritan character. From this sprang the many virtues, and the few faults of the Puritans. That we may more fully apprehend this their funda- mental characteristic, let ns contemplate it as we see its manifestation in the three main relationships of human life, — the social, civil, and religious. 1. Every one knows that the social life of the Puritans was extremely simple in its structure. Their customs, manners, and habits were singularly severe. They made little of fashions, and the outward appeudages of society ; and that long list of modes and conventionalities which is the sum and substance of much of modern social inter course was unknown to them. Their inborn disposition to believe that the inward and invisible is the substantially true and real led tliem, in their social relations, to regard, the feelinifs and sentiments of the heart, rather than the actions and appeai-ance of the body. Therefore^ though the social life of the Puritans exhibits an exceedingly simple, in some respects a bald and uncouth appear- ance, it would be a great error to deny, that underneath the outward appearance there was a noble, kind, and gen- erous courtesy. There has never been a human society in which there was mere of genuine gentility, than there THE PURITAN CnAEACTER. 235 was ainoTio; them. The social charities and neio-hborly sympathies never liad a more free phxy than in the Puritan heart. Good-\A'ill, which is the essence of polite- ness, animated the Pnritan community ; and exliibi- tions of kindness and courtesy in that society could be depended upon, as the manifestation and true index of its spirit. This state of society was the natural growth of the dis- position, native to the Puritan, to believe lirmly in tlio unseen, and to make more of that than of tlie visible. The neighbor cared little for the outward demeanor of his neighbor, but everything for his inward temper. Tho friend took but little notice of the dress or manners of his friend, but directed a most keen and piercing glance to the tenor of his feelings. The citizen paid but little at- tention to the aiidible and outward professions of his fel- low-citizen, but deemed the invisible and secret .opinions of his mind to be the main object of attention. What cared the Puritan for the mean apparel and the rustic manner, if there were only an honest, upright, and kind heart throbbing in the bosom? And what cared tho Puritan for the most gorgeous apparel and the most ])olite demeanor, if within the breast there were nothing but self- ish indifference and hypocrisy ? Thus, there grew out of this disposition to regard tho invisible, a singularly sincere and simple state of societ3^ All of its ari-angcmcnts referred to what is within, and unseen by the material eye. It is not denied that tho Puritans, under the impulse of this strong tendency to regard the unseen, neglected, in too great a degref, to re- gard what is seen and outward. Put this is always a minor fault, ami one that is committed only by a very spiritual mind. It is V)otter to go to this e.\trem(j tiiai\ to the other; aixl it is more easy to reach the golden mean 23G TJIE rURITAN CHARACTER. from this end tliaii from the otlier. It is far more easy for the intensely spiritual man to cnltivate liimself into a dne regard for the ontward and ap})arent, than it is for the intensely earthly man to school himself into a spirit- ual way of thonii^ht. Indeed, it may be said of these two courses of cultivation, that the former alone is really feasi- ble. Man can come down from heaven to earth, but lie cannot go up from earth to heaven. lie can fall, but he camiot rise. Taken as a whole, therefore, the social life of the Puri- tans is a fair and admirable structure. If, in some minor respects, it is deficient ; if there is not so much finish and .idornmcnt laid out upon the exterior as there might be ; Btill the great plan of the edifice is noble, and the archi- tecture lofty and beautiful. It has the beauties and faults of the great edifices of the natural world. Like the mountain, it rises into the clear sky in grandeur, and with a beautiful outline ; like the mountain, it has spots that are rugged and bare. 2. We come, now, to the consideration of this trait of character, as exhibited in the Puritan govei'nment. The principles by which the Puritans were guided in the es- tablishment and maintenance of government were in the highest degree rational. Those principles were spiritual ; tliat is, they flowed from pure law and pure reason, and not from an earthly and material source. The Puritan felt that government is a great and solemn interest ; that it is an ordinance of God ; that its organizing princi2)les must be drawn from the invisible world, and that its Banctions must come from heaven. All the reverence and fear that comes down upon man from the supernatural world, he felt, must be brought to bear in upholding human government. Thus, did the tendency of his miiid lead him to refer to the unseen, in his civil relatioJis, and THE PURITAN CHARACTER. 237 to found government upon purely rational and spiritual principles. Hence, the spirituality of the Puritan government. As soon as we compare it with that of the European nations from whose atmosphere the Puritans had just departed, we see a striking difference. It is simple in its structure, its arrangements, and its working. The European mind, accustomed to a material and unsj^iritual mode of thought, because its faith in the invisible was weak, and its vision of pure principles was dim, had established government not mainly upon law and reason, but upon forms, prece- dents, arbitrary will, and absolute power. The structure of government in Europe was complicated, its arrangement irrational, and its working exceedingly despotic. It })re- sented to the eye of an observer a long arra}' of forms and ceremonies, under which it was difficult to discover the first principles of law and right, even if they were originally at the bottom, and l)y which those principles were straitened and hindered in tiieir effectual woi'king. A philo.-ophical observer of the governments of Europe, at that time, would be led to su])pose that man had cither entiix'ly lost sight of the pure, spiritual i)rin(;iplcs of gov- ernment, or else, as was most probaijly the case, was un- willing to let them have a free and unhampered operation. Such an observer would see that there was but little faith, among the nations, in the great principles of reason and law, and that the state depended for security ui)on tilings px3en and material ; upon the trappings of royalty, the appendages of nobility, the pomp and (•ir(;umstan(rc of ofKce, the sword and the cunnoii. It was reserved for the Puritans to found a govcni- mcnt on ])nre princi]'!*'. 'J'li(;y estiiblislicd but few olHces. They strip])i!d ath- ui-st in 1775 was a member of that parliament before whom the great orator was recnting the new facts that were stranger than fiction, in order to waken England to a consciousness that the colonies beyond the sea were bono of her b(;ne, and flesh of her flesh, and must be treated accordingly. Warming from the gravity of his tlu-mo, * An oddreHB before the MuaHachuHotts GoloaiKatiou Society, May 27, 24G TllK AFRIOAN NATIKE. and kindling in soul as the vision slowly evolved before him, he represents the guardian angel of the youthful r>athurst as drawing aside the curtain of the future, and unfolding the rising glories of his country ; and, particu- larly, as pointing him, while absorbed in the commercial grandeur of England, to " a little speck scarce visible in the mass of the national interest, a small seminal princi- ple rather than a formed body," and as saying to him : " Young man, there is America ; which, at this day, serves for little more than to amuse you with stories of savage men and uncouth manners ; yet it shall, before you taste of death, show itself equal to the whole of that com- merce which now atti-acts the envy of the world." * We have alluded to this well-known, but ever fresh and fine prosopopoeia of the great Englishman, because it spontaneously comes into memory when one begins to read, to think, or to speak upon Africa. That tropical continent lies nearly as dim and vague before the mind of this generation, as the cold and cheerless America did be- fore the mind of Eiiirland when Johnson and Burke were boys. With the exception of a small strip of the Atlantic coast, the wilds of this Western world were as unknown to the Englishman of 1700, as the jungles of Soudan or the highlands of Central Africa are to us. And yet it may be, that there are youth of this generation who will live to see those dim beginnings of Christianity, of civili- zation, and of empire, which are now scarcely visible on the African Atlantic coast, expanded and still expanding into vigorous and vital churches, into strong and mighty states. The guardian angel, in this instance too, might with perhaps as much prol)ability of verification, say to the youth whom he leads by the hand : " Young man, * Speech on Conciliation with America. THE AFRICAN NATURE. " 247 there is Afi'ica; which, at this day, serves for little more than to amuse you with stories of savage men and uncoutli manners ; vet it shall, before you taste of death, take its place among the continents, and be no longer an unknown world." For, nothing is more wonderful than the changes and transformations of history. But, involved as every pres- ent generation is in the great stream, and whirled along by it, it is not strange that no generation of men are ever fully aware of the strength and rapidity of their own movement. He who belongs to another generation, and looks back, can sees that in such a centurj', and in such a quarter of the globe, a mighty current was running. The 6i)ectator always sees more than the actor. The rare pro- phetic mind, also, that beholds the future in the instant, may foresee and predict a history too great and grand for contemporaneous belief. The philosophic statesman is aware of what isgoino: on in the stru<:: protected and blcs.-cd it thus 218 TIIK AFKIUAN NATLKE. far, to SCO its own great itlcas and plans realized ; called uix)n to speak and to think for a hundred millions of our fellow creatures, by a small corporate body, not yet a half-century old, and annually disbursing only a few tht)nsands of dolhirs, we desire to assign some reasons for believing that a career similar to that of the British colo- nies in America, and similar to that of all the great colo- nizing movements of the past, awaits the Republic of Liberia. What, then, are the grounds for expecting that the plans and purposes of the American Colonization Society will be ultimately realized, in the Christianization of the African continent ? 1. The first reason for this expectation is of a general nature, Africa has no past history. It is the continent of the future ; for, it is the ordy one now left to feel for the first time the recuperating influences of a Christian civilization. Keligion, law, and letters began their march in Asia, and a large part of that continent once felt their influence. From thence they passed into Europe ; and Europe is still the stronghold of religion, law, and letters. AVestward they then took their way ; and the vast spaces of the American continent are still waiting for the Chris- tianityand republicanism that have so rapidly, and firmly, taken possession of tliat comparatively small belt called the United States. It is true that these influences were, for a time, felt alono; the northern border of Africa. Egypt and Carthage were once civilized ; and a very vigorous Christianity, for three centuries, erected its altar, and kept its fires bright, along the southern shore of the Mediterranean. But Egypt, though African in natui-eand blood, derived its ideas from Asiatic sources; and its place in history is Asiatic rather than African. That ancient and wonderful pantheistic civilization whicli built THE AFRICAN NATURE. 249 Thebes and the pyramids, was but the corrupted remains of a yet more ancient Asiatic monotheism ; as South tells us that " an Aristotle was but the rubbish of an Adam, and Athens but the rudiments of paradise." Carthage was Phoenician ; and when both Egypt and Carthage were absorbed into Rome, North-xVfrica belonged much more to the European than to the properly African quarter of the globe. The great continent, then, notwithstanding all these attempts at approach for thousands of years, lies lone and solitary. It is out of all historical connections ; so much 80, that the genei'alizing Ilegel, after a very brief characterization of it, in his Philosophy of History, dismisses it with the remark : " We now leave Africa, and shall make no further mention of it. That which we understand by Africa proper is totally destitute of a history; is totally unopened and undeveloped; and can, therefore, l)e merely hinted at, on the threshold of Uui- Tcrsal History." * Kow, there is something in this fact that inspires ex- pectation. It may be vague, but it is large and full. The mode and manner may be left to conjecture, or imagina- tion ; but the fact that one whole quarter of the globe has never yet been visited by the great influences of reli- gion, law, and letters, taken in connection with the fact that these influences are a part of the plan and destina- tif>n of God in reference to the whole world, aiul the tohofe human fiimily, lead to the confident faith that this will not always be so. Nature, it was said, abhors a vacuum. Empty spaces will be filled and peopled. His- tory treads no step l)ackwanl. I lor voice cries, " Ever onward ! " as the guiding Genius, according to Schiller, continually sounded in the ear of Columbus on the gray J J, ♦ ilrg.;i's Wcikc, IX., 12:}. 2')0 TIIK AFRICAN NATURE. waste cf waters, " Ever westward 1 Ever to the West ! " Who expects that poj^iihition, law, and manners will ever flow hackward again, from the Alle<^lianies or the Ilocky Mountains ? Who expects that the great changes and alterations of the future are to take place on the old theatres of Assyria, Macedonia, Greece, and Rome ; or on the more recent, yet already antiquated arenas of Modern Europe ? The winds rush where there is vacancy. The great historic currents of the next half-millennium must disembogue where they find room. The fact, then, that there is no pre-occupancy, and no effete civilization, in the African world, is a ground of expectancy and of courage in regard to it. It is a nega- tive preparation for great results, when the time arrives. 2. A second ground of confident hope, in reference to the future of Africa, is found in the qualities of the African nature. The characteristics of the African man are still almost as unknown, as those of the African soil or the African flora. There are two reasons for this. In the first place, the African has never been in a situation where the depth and reserve of his nature has been drawn upon. Only the superficies of his being has been called into exercise ; so that his real and true manhood lies as hidden as the sources of the Nile. In the second place, and as a consequence of this, only his surface-traits and character- istics have appeared in his portraiture. These, moreover, having been exorbitantly unfolded, because there lias been none of the balance and moderation of a deeper edu- cation and culture, have been as extravagantly depicted. The black man in literature is, therefore, either a weakling or a caricature. The comic side of him, alone, comes into view. The single sonnet of AVordsworth upon the chief- tain Toussaint, and the " sparkles dire of fierce, vindictive Bong," from the American Whittier, are almost the only THE AFKICAN XATLKE. 251 literary allusions to the sublime and tragic elements in the negro's nature and condition ; certainly the only allusions that, without any abatement and introduction of ludicrous traits, ally him soleli/ with human " exultations, agonies, And love, and man's unconquerable mind." The African nature is the tropical nature. All the races that have hitherto struggled upon the arena of his- tory have belonged to the temperate zone. The Egyptian, the Assyrian, the Babylonian, the Persian, the Greek, the Macedonian, the Roman, the Goth, the Frank, the English- man, the Anglo-American — all lived north of Cancer. And the fact, that thus far the inter-trupical portion of the globe has furnished few or none of the elements of human history, is very often cited to prove that it can furnish none. It has almost come to be an axiom, that tiie hot zone cannot ripen man. Brazil may crystallize diamonds of the purest water, and Africa may distil the most elaborate juices and gums; but high intelligence and free will nnist grow up beneath northern skies. Now, it is undoubtedly true that i\\c, fallen human be ing needs stimulation, and that ainfid man has done best M'heu he has l>een crowded from the outside. Easy and pleasant circumstances have always proved too much for liis feeble virtue. Hence, though he was created in para- dise, and lapped in elysium so long as he could bear it, yet, the very moment he unfitted himself for such ])erpet- ual ])eace and joy, lie was driven out among the thorns and thistles, and com[)elled to eat his bread in the sweat of hia brcnv'. In c<»nse(picnce of human ap(jstafiy, tiieii, and fase of logic. IS'o one could \\\ his gaze, for a moment, iipon that great Northern statesman who has so recently g(jne down to liis grave, without perceiving that this rare comljination of the temperate with the tiopical was the pliysical substrate of what lie was, and what ho did. That deep-black iris, cincturcfl in a pearl-white sclerotic, and more than all, that fervid torrid glaucc and 262 THE AFRICAN NATURE. gleam, were the exponents and expression of a tropical nature ; while the thorough-bred Saxonisni of all the rest of tlie plwsical structure indicated the calm and massive strength that nuderlay, and supported, all the passion and all the lire. It was the nnion of two great human types in a single personality. It was the whole torrid zone en- closed and npheld in the temperate. It will be apparent from this analysis, that the African nature possesses a latent capacity equal, originally, and after its own kind, to that of the Asiatic or the European. Shem and Japhet sprang from the very same loins with Ham. God made of one blood those three great races by which he repopnlated the globe after the deluge. This blending of two such striking antitheses as energy and lethargy, the soul and the sense ; this inlaying of a fine and fiery organization into drowsy flesh and blood ; this supporting of a keen and irritable nerve by a tumid and strong muscular cord — what finer coml^ination than this is there among the varied types of mankind? The ol)jec- tion urged against the possibility of a historical progress in Africa similar to that in the other continents, upon the false ground that the original germ and basis was an infe- rior one — an objection that shows itself, if not theoreti- cally yet practically, in the form of inaction, and an ab- sence of enthusiasm and enterprising feeling when the claims of Africa are spoken of — this objection is invalid. The philosophic and the philanthropic mind must, both alike, rise above the prejudices of an age, and look beyond a present and temporary degradation that has been the result of centuries of ignorance and slavery. If this be done, the philosopher sees no reason for refusing to apply ihe same law of progress and development (])rovided the external circumstances be favorable, and the necessary conditions exist) to tlie tropical man, that he does to the THE AFRICAN NATOIE. 263 man of tlie temperate or the arctic zones ; and no reason for doubting that, in the course of time, and under the genial influences of tlie Christian religion — the mother of lis all — human nature will exliibit all its hiirh traits and qualities in the black races, as well as in the white. And, certainly, the philanthropist, after a wide survey of liis- tory ; after tracing back the modern Englishman to the naked Pict and bloody Saxon ; after comparing the filthy savage of Wapping and St. Giles, with the very same being and the very same blood in the drawing-rooms of Belgrave Square ; has every reason for keeping up his courage, and going forward with his work. There liave been much stranger transformations in history, than the rise of African republics, and African civilizations, and African literatures will be. But, how is the way to be prepared for this? From what point or points, and through what instrumentalities, is the alteration to begin ? It is this second branch of the subject which, we now proceed briefly to examine. 1. It is natural to ex[)ect that the movements of God's providence, in the future, will be very much like those of the past ; and that civilization and culture will, hereafter, pass into the unenlightened parts of the globe in very much tlie same way they have heretofore. But, history shows that this has uniformly taken place by the exodus of colonies. Heligion, law, and letters are not indigenous, but exotic, in all the past career of man on the globe. One race hands the torch of science to another. One quarter di the globe is both the parent and teacher of another. There are autochthones nowhere. There are IK) strictly self-taught men anywhere. Ami in the last exatnination, and at the primary origin and source, we arc com])olled to rise above earth and man altogether, and lind the first beginnings of knowledge and religion in tlio 26^ THE AFKIOAN NATURE. filcies. From first to last, there is an imjMrting act from the higher to the lower. The more intelligent makes revelations to the less intelligent. The genealogy cannot stop short of the Creator himself. Cainan was the son of Enos, " which was the son of Seth, which was the son of Adam, which was the son of God." These changes and movements in hnman civilization are particnlarly visible at those points where civilization passes from one continent to another continent. The knots in the grape-vine reveal where the life gathers, and concentrates in order to a new expansion. Europe re- ceived letters and civilization from Asia. The little dis- trict of Greece was the radiating point ; for, Rome re- ceived them from Greece, and gave them to all her empire. But, the original sources of Greek culture were colonists, few and feeble, from Egypt, Phoenicia, and Asia Minor. The Egyptian Cecrops and Danans brought over the seeds of civility to Attica and Argos, fifteen centuries before our era. The Phoenician Cadmns carried over an Asiatic alphabet soon after. And the Lydian Pelops soon fol- lowed with his wealth, and knowledge of the mechanic arts.* But, the consequences of this immigration from another continent were not felt, to any great extent, upon Europe at large, until a thousand yeai-s had rolled by. The Greek, with all his treasures of wisdom and of beauty, was shut up from the " barbarian " world, until the Poman broke down the barrier, and Grecian culture then had free course. And if w^e should allow a millen- nium, for a colony upon the African coast to diffuse law, manners, letters, and religion, over the African continent, it would be as rajiid a movement as that to which Ancient Rome and the wlujle Modern World owe their secular * Heeren's Ancient Greece, Chapter IIL THE AFKICAN NATURE. 265 civilization. The radiating points for the "Western Con- tinent were the Spanish, and more especially the British colonies. The movement here has been much more rapid than anvthinof in the historv of the Old World. And yet, after more than two centuries, not one-quarter of this Western hemisphere is f nlly under the inliuence of Chris- tian civilization. The history of the past, then, indicates that Africa must receive religion, law, and letters in the same way that the other continents have received them. They must be given to her. The colonist must carry the seeds of civilization and of empire into the tropical world. Chris- tendom owes colonies to the only portion of the globe that has never yet been a part of Christendom. Europe and America ought to adopt the utterance of the great apos- tle to Grecian and to barbarian Europe — an utterance to which both of them, under God, owe their religion and their cidture, more than to any other single cause — and say: "We are debtors, as much as in us lies, to barba- rian Africa." Each of them ought to prove its sincer- ity, by entering with energy upon a great colonizing movement, and planting Christian colonies all along the cirit, and not Ijccau.so it contains all that is meant by nature. 284 coLERrooE as a rniLOSOPiiEB to Refection, the most complete and self-consi stent of liia strictly })hilosopliic writings, will strike every reflecting reader. It is not merely formally laid down, but it enters so thoroughly into his whole method of philosophizing, that it can be eliminated from it only as oxygen can from atmospheric air, by decomposition and destruction. And especially are all pantheistic conceptions and tenden- cies excluded by the distinction in question, when it is further considered that the constituent element in the spiritual is freedom, as that of the natural is necessity. Li 1. nature, as distinguished from spirit, there is no absolute \^,beginning, no first start, consequently no self-motion, and consequentl}' no responsibility. Nature, says Coleridge, is V an endless line of antecedents and consequents, in con- tinuous evolution. To be in the middle of an endless series, is the characteristic of a thing of nature, says Jacobi, * between whose statements regarding this general distinction, in the last part of his Von gottlichen Dingen, and those of Coleridge in the Aids, there is a striking coincidence. In the mental and spiritual realm, on the contrary, this law and process of continuity by which we are hurried back from the effect to its foregoing cause, and froTn this foregoing cause to its foregoing cause, and so backward forever into an infinite series, and can never reach a point where a movement has no antecedent, because it really begins, by 5e//-movement — that point where a responsible movement is first found, and which is to be reached, not by a gradual ascent within the sphere of the natural to the highest degree of the same kind, but by a leap over the gulf that divides the two great domains from each other — this law of continuous cause and effect, we say, is excluded from the sphere of the spiritual, by * Werke, UI. 401. Leipsic Ed. 1810. AND THEOLOGIAN. 285 virtue of its differing in Miid from the natural ; by virtue of its being of anotlier substance, and, consequently, of having an essentially different function and operation from nature and matter. It is true, that we speak of a continu- ous evolution and development, and properly too, within the realm of spirit as well as of nature, but the continuity in this instance is not continuity without beginning, or the continuity of the law of cause and effect, which is the only law in the natural world, but continuity that has a true beginning or tirst start, or the continuity of self- determination. Development in the mental or spii'itual world — that of the human will, for example — begins with the creation of the will, and proceeds freely and responsi- bly so long as the will exists. The development or move- ment, in this instance, is not, like that of a movement in nature, a mere and pure effect. If it were, a cause must be found for it antecedent to, 2L\\^other than it ; and this would bring the movement out of the sphere of the spirit- ual or ^("//'-moved, into the sphere of nature and matter, and make it a necessitated unit in an endless series of movements, to the destruction of all responsibility. But we have no disposition to repeat what has been so clearly expressed by Coleridge on this point, and reaffirmed and explained by Dr. Marsh in his preliminary essay to the Aids. The distinction itself, never more important than at this time when materialism and naturalism is so rife, cannot, after all, be taught in words, so well as it can bo thought out. It is a matter of direct perc^cption, if per- ceived at all, as must be the case with all a 2>rioi'i and fundamental positions. Man's immediate consciousness is the most convincing, because the most vital nl all evi- dence, that mind is not a uK^de of matter, or spirit a ])hase of nature, or voluntary agency a necessitated series uf concatenated causes aJid effects. 286 COLERIDGE AS A PIIILOSOI'IIKK Now, on the pantheistic system, there is really nothing but nature ; there is nothing absolutely mental or spiritual. The one substance, of which all tilings are modifications and developments, is nothing but a single iniinite nature. From eternity to eternity, the process of emanation and evo- lution goes on, and the result is, all that was, is, and is to come. Though the terms God and man, spirit and nature, mind and matter, may be employed, yet the objects denoted by them are of one and the same substance, and therefore have the same primary attributes. The history of the universe is the history of a single Being, and of one, merely natural, necessitated process, slowly and blindly evolving from that dark ground of all existence, the one aboriginal substance. There is no creation out of nothino: of a new and secondary substance, but merely the shaping of the old and only substance. There is, except in a phenomenal and scenic way, no finite being. The All is one, and in- finite. The self -consciousness of the finite subject which the pantheist recognizes does not help the matter. This consciousness itself is but a mockery, by which a modifi- cation of the one and only Being is made to suppose for a little time that it has a truly individual and responsible existence. The only reality, on this scheme, is a single universal nature with its innumerable processes, and all the personal self-consciousness that is recognized by it is a deceptive and transitory phenomenon, for the reason, that there is, in an essence which is not simply under and through all things, but is all things, no basis for distinct ])ersonality, free self-determination, and permaiient self- consciousness, either in God or man. For, there must be logical coherence between attributes and their substance, and it is absurd to endow with the attributes of freedom and responsibility a substance, or a subjective modification of a substance, whose whole history is in fact a necessi- AND THEOLOGIAN. 287 tated and blind evolution. In order to an infinite person- ality, there must be an infinite personal Essence or Being. In order to finite personality, there must be a finite per- sonal essence or being. And these two cannot be or be- come one Essence or Being, without destroying the pecu- liar basis for the peculiar consciousness belonging to each. Pantheism has, therefore, no right to the terms of theism, for the simple reason that the objects denoted by them are not recognized by it as metaphysically and absolutely real. Pantheism is but a j^hilosophy of nature, and as matter of fact it has accomplished more, or rather has done least injury to the cause of truth and true philosophy, when, as in the case of the earlier system of Schelling, it has been confined mainly to the sphere of nature. It would be unjust to deny that the pantheism of Schelling has done something toward destroying the mechanical theory and view of nature and natural science ; while the fact that he proceeded no farther with it in its application to the i)hilosophy of spirit and of intelligence, and is under- stood to have renounced it in his late attempt to construct a system that will solve the problems of intellectual and spiritual existence, seems to corroborate the position here taken, that pantheism can never at any time, or under any of its forms, rise out of the sphere of nature, because it, in reality, recognizes the existence of nothing but nature. It has been asserted, we arc aware, and porliaps it is still to some extent believed, that the matured and final {)liilo8o])iiy of Coleridge is itself liable to the charge of pantheism. The wai-m admiration with which he re- garded Schelling, and the reception at one time of Schel- ling's doctrine of the original identity of subject and objc'ct, have given some ground for the assertion and belief. We sliall, therefore, dwell brietly upon this point of Coleridge's lelatirm to Schelling, because, while we are 288 COLERIDGE A8 A PHILOSOPHER clear tliat the earlier system of this philosopher, whatever his later system shall prove to be, is nothing but Spino- zisin, we are equally clear that Coleridge freed liimself from it, as decidedly as he did from the mechanical and sensuous philusopliy of his youthful days. After all the study and reflection which Coleridge ex- pended upon the systems of speculation that sprang up in Germany after that of Kant, it is very evident that his closest and longest continued study was applied to Kant himself. After all his wide study of philosophy, ancient and modern, the two minds who did most toward the for- mation of Coleridge's philosophic opinions were Plato and Kant. From the Greek, he derived the doctrine of ideas, and fully sympathized with his warmly-glowing and poetic utterance of philosophic truths. From the German, he derived the more strictly scientific part of his system — the fundamental distinctions between the understanding and the reason (with the sub-distinction of the latter into specu- lative and practical), and between nature and spirit. With him also, he sympathized in the deep conviction of the absolute nature and validit}^ of the great ideas of God, freedom, and immortality, of the binding obligation of conscience, and, generally, of the supremacy of the moral and pi'actical over the purely sjjeculative. Indeed, any one who goes to the study of Kant, after having made himself acquainted with the writings of Coleridge, will be impressed by the spontaneous and vital concurrence of the latter with the former — the heartiness and entireness with which the Englishman enters into the method and system of this, in many respects, greatest philosopher of the modern world. For, to say that Coleridge was the originator of the distinctions above-mentioned, in the sense that Kant was, is to claim for him what will never be granted by the scholar ; and, on the other hand, to say AND THEOLOGIAN. 289 that Coleridge was a mere vulgar plagiary, copying for the mere sake of gratifying vanity, is not to be thonght of for a moment. The plagiary is always a copyist and never an imitator, to use a distinction of Kant,* also natnralized among ns by Coleridge. There is no snrer test of plagiarism, therefore, than a dry, mechanical, and. dead method, bv which the material handled becomes a mere cajnit mortuuni. But who would charge such a method upon Coleridge ? Whatever else may be laid to his charge, there is no lack of life, and life, too, that organizes and vitalizes. Much of that obscurity charged upon him is owing to an excess of life ; the warm stream gushes out with such ebullience that it cannot be confined to a channel, but spreads out on all sides like an inun- dation. Had there been less play of living power in his mind, he would have been a more distinct thinker for the common mind, and, as we believe, less exposed to the charge of plagiarism. This power of sympathy with the great minds of the race, in all departments of mental effort — this ojjulence and exuberance of endowment, coupled with an immense range of reading, and a brood- ing contemplation that instantaneously assimilated every thing brought into his mind — put him uiicoiisclousJij, and in ajnte of hi jn self, into communication with all the best thinking of the race; and hence it is, that while the beginner in philosophy finds the M'ritings of Coleridge full to bursting, with principles, and germs of truth, freshly jtroscntcd and entirely new to him, his after-study of the great thinkers oi anctient and of modern times comjiols liim to deduct from Colerid^re's merits on the score ot" al)- solute discovery and invention, thou^rh not an iota from them on the score of originality iu the sense of original * Urthoilskraft, § 32. 13 290 COLKRIDOE AS A PllILOSOniKU treatment. It is for this reason, that tlie writlnj^s of thia author are the very best preparatory exercise for the stu- dent, before he launches out upon tlie " minjhty and mooned sea" of general philosopliy. One who has thor- oughly studied them is well prepared to begin his philo- sopliical studies ; and, we may add, no one who has once mastered this author can possibly stop with him, but is m-ged on to the study of the greatest and choicest philoso- phic systems themselves. But, returning to the relation of Coleridge to Schelliug, we think that it is very evident that his reception of the doctrine of the identity of subject and object, of which he gives an account in the Blographia Literaria that is mainly a transfusion from Schelling, was temporary. In the year 1834, we find hira speaking thus of this account : "The metaphysical disquisition at the end of the first volume of the Blographia Literaria is unformed, and immature ; it contains the fragments of the truth, but it is not fully thought out."* This, taken in connection with the general drift of Coleridge's annotations upon Schelling, contained in the appendix to the latest edition of tlie Biographia Literaria, we think is nearly equiva- lent to a distinct verbal renunciation of tlie theoi*y in question, f At any rate, his rejection of tlie system of * Table Talk, Works, VI., 520. •)• " Spite of all the superior airs of the Natur-Philosophen, I confess that in the perusal of Kant I breathe the air of good sense and logical understanding, with the light of reason shining in it and through it : while in the physics of Schelling I am amused with happy conjectures, and in his theology I am bewildered by positions which in their first sense are transcendental (iiberlliegend), and in their literal sense scan- dalous." Blographia Literaria, Appendix, \Vork.s, III. ,j 70!). — "The Spihozmn of Schelling's system first betrays itself." Blographia Liter- aria, Appendix, Works, III., 707. — "Strange that Fichte and Schel- ling both hold that the very object which is the condition of self-con- AND THEOLOGIAN. 291 Spinoza is expressed often and with emphasis in his writ- ino-s, * althouo-h, in common with all wlio have made themselves acquainted witli the works of this remarkable mind, he expresses himself in terms of high admiration respecting the loftiness and grandeur of many of his sen- timents and reflections, even on subjects pertaining to ethics and religion. But what is Schelling's identity of subject and object in their ultimate ground, but the re- appearance of the one substance of Spinoza with its two modifications, thouo;ht and extension ? Tiie theory which teaches that the subject contemplating and the object contemplated are in reality but one substance, and that the consciousness we have of things without ns " is not o'dy coherent, but identical and one and the same thing, ■with our own immediate self-consciousness," f plainly dues not differ in matter, however it may in form, from the theory of the substantia icna et unlea. "What is gained by saying that Spinoza started with an unthinking substance, but that the system of Identity starts with a thinking subject, % when the position that One is All, and All is One is the fundamental postulate of both systems alike? This position, common to both, renders both sys- BciousnesB is nothing but the self itself, by an act of free self-limita- tion. P. S. The above I wrote a year ago ; but the more I reflect, the more convinced I am of the grosH materialism which lies under tke whole sj'Htem." IJiographia Literaria, Aj)[)cudix, Works, III., 7i'l.— This last remark, it deserves to be noticed, is a note upon Schelling's lirif fe liber Dograatismus und Criticismus : an attack upon the Kan- tcan philo.sophy. The camestiiCiHs with which Coleridge, in those an- notation.s upon Schelling, sides with Kant, shows that neither his head nor hi.s heart was with the syslom of Identity, at the time when hi wrote them. * Aids to Reflection, Wurk.s, I., 211. Table Talk, Works, VI., 3j1, 302. f I{iograi)hia Litoraria, Works, III., 34 J. X Hegel's riiiinomcuologie, s., 14. 202 COLERIDGE AB A rniLosornER toms alike pantheistic, because it precludes that duality — that difference i)i substance between God and the woild, and that distinction between an uncreated and a created essence or being — which must be recopjuized by a truly theistic philosophy. The only difference between the two systems is adjective : Spinozism being material, and the system of Identity ideal pantheism. If the postulate in question were limited, in its application, to the sphere of the finite alone, there might be a shadow of reason for saying that the doctrine of Identity does not annihilate the deity as other than the world. If an idcntit}'^ of sub- stance were aftirmed only between the human mind and the material universe, a supramundane deity, other than and above all this finite unity, might still be affirmed without self-contradiction ; though, even in this case, this limited annihilation of the essential distinction between nature and spirit would result in its universal and abso- lute annihilation, so soon as it became apparent that the finite spirit, though not of the same, is yet of sirrhilar sub- stance with the Intinite Spirit. But there is no limitation of this sort in the system, neither can there be, for it is its toast that it reduces the All to a One. It is the univer- sal subject and the universal object between which an identity of substance is affirmed. But, we lay much stress upon the indirect evidence in e case. It is perfectly plain, as we have already re- marked, that the philosophy of Kant is the modern sys- tem with which Coleridge finally and most fully sympa- thized. If he is to be called after any one of the great founders of philosophical systems among the moderns, Coleridge was a Kantean. Not that he pushed his inqui- ries no further than Kant had gone, for there is abundant evidence on many a page of the Literary Remains, that the highest problems of Clu'istianity, during the last t AND THEOLOGIAN. 293 period of his life, were themes constantly present to his deep and brooding reflection, and tliat whatever it shall be found that he actually accomplished, in the way of dis- tinct statement, in the unfinished work wliich was to put the crown ui)on his literary life, he did satisfy his own mind upon these subjects, and was himself convinced of the absolute rationality of the highest mysteries of the Christian faith. Yet the groundwork of all these pro- cesses, the psycholoGcy and metaphysics from which they all started, was unquestionably the theistic method of Kant, and not the pantheistic method of his successors Kven suj^posing that Coleridge at one time may have gono BO far as to regard the system of Schelling (with the still more remarkaljle one of Hegel, he does not seem to have been acquainted, for we do not recollect any allusion to him throughout the whole of his works) as a positive and natural advance upon that of Kant, there is sufficient reason for saying that he saw the error, and fell back upon the old position of Kant, as the farthest point yet reached in the line of a true philosophic progress, regard- ing the systems that sprang up afterward as an illegiti- mate j)rogeny. And in so doing, he only exhibited in an individual, the very sairie process that lias gone on, and is still going on in the Germanic mind itself. There was a time, when even the serious theist was inclined to regard with favor at least, that wondrous evolution of the theo- ntic brain, the three systems of P^ichte, Schelling and Jl('"-cl, as a natural and normal development from Kan- teanism, and so to n^gard the four systems as being in one and the same straight line of advance. It is true, that at the very time wlien these later systems were rising into existence "like an exhalation," a iii;in like -lacobi was found, to protest against the deviation and erroi-, and to proclaim, with a serious and deep-toned eloquence that 294: COLERIDGE AS A PIIILOSOPIIEB will ever endear him and his opinions to every serious- minded scholar who feels that his own mental repose, with that of the retlectinii; mind generally, is bound up in tiio ideas of theism, that these later systems were not oenuine offshoots from Kant, but wild grafts into him. But, at the time, the national mind was caught in the process, and it was not until the speculative enthusiasm had cooled d(jwn, and the utter barrenness of this method of philoso- phizing, so far as all the deeper and more interestiiig pr()l)lems of philosophy and religion are concerned, had revealed itself, that men began to see that all the move- ment had been off and away from tlie line of true prog- ress, and that the thinker who would make real advance must join on where Kant, and not Hegel, left off. In thus siding ultimately with the Kantean Philosophy, rather than with the system of Identity that succeeded it, Coleridire had much in common with Jacobi. Indeed, it seems to us that, speaking generally, Coleridge stands in nearly the same relation to English philosophy, that Jacobi does to that of Germany, and Pascal to that of France. Keither of these three remarkable thinkers has left a strictly scientific and finished system of philosophy, but the function of each was rather an awakening and suo-crestive one. The resemblance between Coleridge and Jacobi is very striking. Each has the same estimate of instinctive feelings, and the same religious sense of the pre-eminence of the moral and spiritual over the merely intellectual and speculative. Each clings with the same firm and lofty spirit to the ideas of theism, and plants himself with the same moral firmness upon the imperative decisions of conscience aiid the moral reason. But, in no respect do they harmonize more than in their thorough rejection of the pantheistic view of things ; of that mere naturalism which swallows up all personality, and, there- AXD TIIEOLOGI^V:^. 295 by, all morality and religion. In reading Jacobi's Von gottlichen Dingeyi, one is strack Avith the great similarity in conception, and often in statement, with remarks and trains of discussion in the Aids to Reflection. The co- incidence in this case, it is very plain to the reader, does not arise, as in the case of Coleridge's coincidence with Schelling, from a previons study and mastery of a prede- cessor, Ijut from sustaining a similar relation to Kant, to- gether with a deep sense of the vital importance and al)Soliite truth of theism in philosophy. The coincidence in this case is not a mere genial reception, and fresh trans- fusion, of the thought of another mind, but an indepen- dent and original shoot, in common with others, from the one great stock, the general system of theism. Add to this, that both Coleridge and Jacobi were close students of Plato, and by mental constitution were alike predis- ])osed to the moulding influence of this greatest philoso- ])hic mind of the pagan world, and we have still another ground and cause for the resemblance between the two. Now, in this resemr)lance with Jacobi, we find still aiKjther indirect proof of the position, that Coleridge's astantive form, and no decisions of any other fac- ulty of the human soul have such absolute authority re- specting moral and spiritual problems, as distinguished from ijroblems of nature and matter, as those of tliis fac- uhy. It stands over against the moral and spiritual world, ])recisely as the five senses stand over against the world of Fcnse, and there is the same iininediateness of knowledire in the one case as in the other. In the phrase of Jaccjbi, reason, i.e. the moral reason, is the sense for tlie supernat- ui-al,* and therefore we have, in facit, the same kind of evidence for the reality of sjiiritnal objects, that we have for that of objects of sense — the evidence of a direct in- tuition, Tlicre is, thcrofoi'c, no room for skepticism, on this sys- teni, within tlie only spiiere in which tlie i)hilosoj)licr and the theologian have any vital interest in keeping it out — * Von den gottlichen Dingcn, Beilagc A. 30-i COLERIDGE AS A rillLOSOPIIEB the sphere of the moral and spiritual. However subjcc« tive and relative may be our knowledo-c of the material and natural, coinin<]j to us as it docs tliroui;-h the mecJian- ism of the understanding, and shaped by it into conform- ity with our subjective structure as creatures of sense and time, our knowledge of the supernatural, so far as ■\ve have any at all, is absolute and unconditional. We may doubt in regard to the real nature of matter, but we cannot doubt in regard to the real nature of ria^lit and wrong. We may grant that our knowledge of an object of sense is conditioiuil, and not absolutely reliable, but we may not grant that our knowledge of a moral attribute of God is conditional, and not absolutely reliable. The skepti- cism of the human mind, on this system, is confined to the lower and less important sphere of nature, while the " con- fidence of reason," the faith that is insight and the insight that is faith, can exist only in relation to the moral and spiritual world ; only in relation to moral and sjjiritual objects. Kant's treatise on the practical reason, therefore, though from the very nature of the subject (it being that mode of reason which is intuitional, and freest from the complexity of logical forms) not so artificially constructed as that upon the theoretic reason, and seemingly occupying a humbler place in his general system, should be regarded as the sincere and serious expression of his real views upon the highest form of reason, and upon the very highest themes of reflection. Certainly, no one can peruse those lofty and emujbling enunciations, respecting the great practical ideas of God, freedom, and immortality, and those grand and swelling sentiments regarding the nature of duty and the moral law, that are contained in this treatise, without a deep conviction that this part of Kant's system was by no means an afterthought, or contrivance to save himself from uni- AND THEOLOGIAN. 305 versal skepticism.* If the cold and passionless intellect of the sa^e of Konigsberg ever rises into the sphere of feelinor and ever exhibits anvthins^ of that real enthu- siasni bv which a living knowledge is always accompanied and manifested, it is in this, the most practical and serious- toned of all his productions. And if it is objected, as it has been, that this knowledge of the spiritual is rather a belief, than a knowledge, and that the function of this so- called ])ractical reason is that of feeling rather than scien- tific cognition, the objection must be acknowledged to have ioi'CQ, ])rovided, that that only is scientific which is. the result of logical deductions, and that alone is know icdge which comes mediately into the mind by processes of comparison and generalization. But, on the other hand, if it is proper to call that, knowledge, which by virtue of its iinmediateness in the rational consciousness is a most orio^iual and intimate union of hoth cognition and feeling, of hoth reason and faith, of both the scientific and the moral, then, the knowledge in question is the abso- lutely highest of all, for, it coTitains the elements of both forms of perception ; and is the most truly scientific of all, because, in the form of first principles, it lies at the foundation of all the processes of logic, and all the structures of science. But, whatever may have been the relative position of the })ractical reason and its correspondent ideas, in the general system of Kant, or in Kant's own mind, no reader cf Coleridgo can doubt that for him, and his system, this f<»rm of reason and these ideas are paramount. Coleridgo had a special interest in developing this part of philoso- l)liy, and establishing an absolute validity for the decisiona * Kant himself iwserts this. Sec Kritik der practischcn Vcrnunffc, s. 110. IvOHCukniuz'H Ed. 30G COLEKIDGE AS A rillLOSOPHEB of the moral reason and conscience, superadded to that M'hich actuated Kant. TJie former had received into his soul the peculiar doctrines of Christianity, while the latter, so I'ar as we have had the means of judging, stood upon the position of the serious-minded deist, and was impelled to the defence of the foundations of ethics and natural religion, by no other motives than such as actuated minds like the emjieror Marcus Aurelius an-d Lord Herbert of Cherbury. Coleridge had more than a merely moral in- terest, in saving the fundamental principles of ethics and religion from an all-destroying skepticism, or an all-ab- sorbing naturalism, in philosophy. And hence the posi- tiveness, and, in the best sense of the word, the dogma- tism, with which he iterates and reiterates his affirmation, that " religion, as both the corner-stone and the lsophy not only secures a belief in the truths of theism, l)ut at tlm snmo time builds u|) and strengthens the human mind. -Mental belief, in this sj's- 310 COLERIDGE AS A nilLOSOPIIER tcm, has the clement of will in it. The doctrine of the Divine existence, e. g., is believed not merely j)assively, and from the mere mechanic structure of the intellect, aa the axioms of geometry are, but to a certain extent by free self-determination. The individual believes in the essential difference between riglit and wront^, partly be- cause he is inclined to believe it, and not because it is im- possible to sophisticate himself into the disbelief of it. On this theory, man becomes responsible for his belief, even in respect to the first principles of morals and re- ligion, and thus feels all the stimulation of a free and therefore hazardous position. And this brings us back again, to the intensely theistic character of this philosophy. It is rooted and grounded in the personal and the spiritual, and not in the least in the impersonal and the natural. Drawing in the outset, as we have remarked above, a distinct and broad line be- tween these two realms, it keeps them apart from each other, by affirming a difference in essence, and steadfastly resists any and every attempt to amalgamate them into one sole substance. The doctrine of creation, and not of emanation or of modification, is the doctrine by which it constructs its theory of tlie universe, and the doctrine of responsible self-determination, and not of irresponsible natural development, is the doctrine by which it constructs its systems of philosophy and religion. 2. In the second place, we think that this author is worthy of study, for his general method of theologizing, and as an able defender and expounder of the doctrines of Christianity on grounds of reason and philosophy. In treating of this point, we shall be led to sj)eak of Coleridge in his other princijDal character of a theologian. In regard to his general merits under this head, there is, both in this country and in Great Biitain, more difference AND THEOLOGIAN. 311 of opinion than in regard to his general merits as a philoso- pher. We are inclined to tlie belief, however, that there is a growing confidence in the substantial orthodoxy of his theological opinions, and that it is coming to be the belief even of those who do not sympathize with his phi- losophical opinions, and of course not, therefore, with his method of unfoldino; and defendino; the truths of Christianity, that the name of Coleridge deserves to be associated with those of the o-reat Eno-lish divines of the seventeenth century, and that his views do not differ fun- damentallv from that bodv of Christian doctrine which had its first systematic origin in the head and heart of Augustine. We are ourselves firm in the belief, tliat the theology of Coleridge, notwithstanding variations on some })oints, of which we shall speak hereafter, and which we are by no means disposed to regard as insignificant, is yet heartily and fully on the Augustinian side of that con- troversy which, after all, makes up the pith and substance of dogmatic church history. Even in relation to the difference between the Calvinistic and Arminian schemes, — schemes which, though essentially the same with tiie Augustinian and Semi-Pelagian, yet have a narrower sweep, and allow their adherents less latitude of move- ment — even in relation to tliese two schemes, respecting which there is such a shrinking in the English clergy, not- withstanding the strongly-pronounced tone of the Tliirty- iiine Articles, from a (;loar ex])rcssion of opinion, Cole- ridge lias not hesitated to say, that " Calvinism (arch- i.siioj) Leightun's, for example), compared with Jeremy Taylor's Arminianism, is as the lamb in tlic wolf's skin, to the wolf in the lamb's skin : the one is cruel in [)hrases, the other in the doctrine," * * Literary RemaiiiH, Works, V. 200. I) 312 COLERIDGE AS A PHILOSOPHER If tlie reader will peruse the Confession of Faith di-awn np by Coleridtijc as far back as 1816,* he Mall find that he expresses his solemn belief in the personality and tri-unity of God, the free and guilty fall of man, the redemption of man by the incarnation and death of the Son of God, and the regeneration of the human soul ])y the Holy Spirit ; and if he will further peruse the development of Cole- ridge's views, in the Aids to Reflection especially, on these cardinal doctrines of Christianity, he will find that, with the exception of that part of the subject of redemption technically denominated justification, Coleridge did not shrink from the most thorouiyh-goinor statements. No divine, not even Calvin himself, ever expressed himself more decidedly than this author, in respect to such points as the divinity of Christ, the depth and totality of man's apostasy, and the utter bondage and helplessness of the fallen will : and the mere novice in theology knows that profound and thorough views of sin lie at the -foundation of all depth, comprehensiveness, and correctness, in a gen- eral theological sj'stem. It is rare, very rare, in the history of literature, to find a mind so deeply interested in the pursuits of philosophy and poetry as was that of Coleridge, at the same time deeply and increasingly interested in theological studies and speculations ; and still more rare, to find the philoso- pher and the poet so thoroughly committed to the distin- guishing doctrines of the Scriptures. Compare Coleridge, for example, with his learned and able contemporary in pliilosophy, Sir James Mackintosh, and observe the wide difference between the two men, in respect to the relation of each to the so-called evangelical system. Compare him again with his contemporary and friend, the poet Southey, * Literary Rcmams, Works, V. 15. AND THEOLOGIAN. 313 and notice the same wide difference, in the same respect. Neither Mackintosh nor Southey seem to have had that profound and living consciousness of the trutii of such doctrines as those of sin and redemption, which imparts so much of the thcoloo-ical character to Coleridcje, and which would justify his being phiced among the divines of England, were not theology, in this as in too many other instances, thrown into the shade by the less noble but more imposing departments of philosophy and poetry. He tells us that he was drawn off from poetry by the study of philosophy ; and the account we gather of his studies and reflections during the last quarter of his life shows, ihat he was drawji off — so far as the nature of the case permits this — from philosophy itself b}^ theology : or, rather, that the one passed over into the other. Now, it seems to ns that this mind, having received Buch a profound discipline in philosophy, and that too a spiritual and theistic philosophy, and being led both by \\^ original tendency and the opei-ation of divine grace to tiie study and defence of the truths of the Christian reli- gion on grounds of reason, is eminently fitted to be a guide and aid to reflection in this direction. We do not recom- mend Coleridge to the student as the author of a theologi- cal system, but rather as the defender and expounder of a general method of inquii-y and reflection npon theological doctrines, in the highest degree fruitful and sound. In- deed, what we have said of Coleridge's lack of con- structive ability in the dei)artment of philosophy ai)plie3 with still more force to him as a theologian. The longest and most continuous statements, that Coleridge has made u])oii the doctrines of (Jhristianity, are to be found in the Aids to Jli'jiection, and yet the general character of this, the most elaborate and vuluabh^ of his prose ])roductions, is aphoristic. The ajihoristic metiiod is, ob- 14 314 COLERIDOK AS A PHILOSOPHER vionsly. not the best by which to convey opinions npon so intrinsically systematic and actually systematized themes as the doctrines of Cliristianity ; much less, there- fore, can this method be employed successfully, in con- structing a whole theological system. Still, as an aid to reliection, as inducing a general stjde of thinking, and manner of unfolding and defending truth, this method lias some decided advantages over that of the connected treatise. It allows of more mental freedom on the part of the pn])il, and fosters original reflection, more than a work flnished in all its parts and details, "For," saya Lord Bacon, " a,s young men, Avlien they knit and shape i>er- fectly, do seldom grow to a further stature, so knowledge, while it is in aphorisms and observations, it is in growth ; but when it is once comprehended in exact methods, it may perchance be further polished and illustrated, and accommodated for use and practice ; but it increaseth no more in bulk and substance." * We regard the general method of theologizing induced by the reflections of Coleridge upon theological doctrines, as eminently profound and comjjrehensive. It leads the student to prize first of all, depth, breadth, and ceitainty of view, in this department of knowledge. It does this, * Advancement of Learning, Book I. — Consonant with this, are the following remarks of Schleiermacher : "Denn erinnert Each nur, wie wenige von denen, welche auf einem cigenen Wege in das innere der Natur und des Geistes eingedrnngen sind und deren gegenseitiges Ver- hiiltniss und innere Ilarmoijie in einem eigenen Lichte angeschaut und dargestellt haben, wie deunoch nur wenige von ihnen gleich ein System ihres Erkennens hingestellt, sondern vielmehr fast alle in einer zarteren, sollte es auch seiazerbrechlicheren Form, ihre Entdeckimgen mitgetheilt haben. Und wenn Ihr dagegen auf die Systeme seht in alien Schul- en, wie oft diese nicht anders sind als der Sitz und die Pilanzstatte des todten Buchstabens ; weil niimlich, mit seltenen Ausuahmen, der selbst- bildende Geist der hohen Betrachtung zu tiiichtig ist und zu frei fiix die .stveugen Formen." — Reden uber die Religion. Erste Rede. AND THEOLOGIAN 315 i by teacliing as its first aiid great lesson, that '"' the scheme of Christianity, though not discoverable by human reason, is yet in accordance with it," * and that all reflection upon the truths of Scripture ought, therefore, to cari-y the mind down into deeper and deeper depths of its own beinw-, and result in the absolute and unassailable con- viction that divine revelation "is likewise divine reason. The influence of Coleridge's speculations is to produce and establish the belief that there is no inward and neces- sary contradiction between faith and reason, but that when both are traced to their ultimate and central unity, faith, in the phrase of Heinroth, f will be seen to be undeveloped and unconscious reason, and reason, again, this same faith, developed, self-conscious, and self-inteUigent : in other words, that when the believer shall have been raised b_y the highest gi'ade of Christian consciousness to the higliest grade of Christian knowledge, he will see that the unques tionino; and childlike docility with wliich he trusted and rested in the trutlis and mysteries of Christianity, was tlie nK>?t rational of all mental acts, and the most philoso})hic of all mental j)rocosscs. That this absolute consciousness can be perfectly reached, even by the most profound and holiest mind while in the flesh, we for one deny; for the same reason that, within the sphere of life and practice, we deny tlie doctrine of spiritual perfection here on earth. But, that this knowledge, this insight into the identity of the revelation of God with the reason of Cod, is a reality, and may be sti-iven after, and that in its ])erfect complete- ness it will l)e attained by the hunian spirit when it has ceased to see thrfmgh a glass darkly, has been the stead- fast belief of the lioly and the wix-, in nil iigcs ol' llie ("hristian church. There is a poinr, :i liniil centre, where * Biojfraphia Literaria, sulj (inc. f Aiitliroitologif, H. 2\\). 31 G COLEKIDGE AS A PIIILOSOPUER faitli and iiisig'lit meet, even in regard to the mysteries of (lii'istianitv ; and tu this point, the earnest straining eye of Christian spccndation has in all ages steadily turned. This point is at once the mysterious power that attracts, and the goal where the whole mighty tendency is to come to a rest. Only on the hypothesis that the prohlem is not in its own nature ahsurd and insoluhle, but that by a legitimate n)cth()d Chi'istian philosophy may draw nearer aiul nearer its solution, even here in space and time, can ■we account for the existence of a Chi-istian theology at all. How far Coleridge has contributed, in the employ- ment of this method, to the scientitic statement and philo- sophical defence of the docti-ines of Christianity, and, generally, what his positive merits are in respect to this relation of philosophy to revelation, is a question to which we would devote a short space. In respect to the doctrine of the Trinity^ upon which his thouirhts seem to have centered durino- liis latter life, the position which he took, that this doctrine though mys- terious is yet rational, and is therefore a legitimate object of investigation foi- a rational mind, at first sight seems to extend the sphere of Christian speculation beyond its proper limits. For the last two centuries, it has been cus- tomary among English and American theologians to re- ceive the doctrine of the Trinity ]>urely on the ground of its being i-evealed in Scripture, and attempts to establish its rationality and intrinsic necessity have, in the main, been deprecated. It has not always been so. In some ages, the doctrine of the triunity of the Divine Being was the battle-ground of the church, and we are inclined to think tliat the Christian mind has never reached a deeper depth in metaphysical philosophy, than that to which it was compelled to sink by the acute objections of Arianism and Sabellianism. Let any one thoughtfully peruse the AXD THEOLOGIAN. 317 creeds that had their origui in these coutroversies^ and see M-ith what masterly care and ability the orthodox mind, in spite of all the imperfections of human language, strove to express the idea with wliich it was laboring, so as to avoid the Arian, the Sabellian, and Tritheistic ideas of the Divine Xature, and then ask himself if there is not some- thing of the mental, something of the rational, in the doc- trine of the Trinity, by virtue of which it becomes a legitimate object of contemplation for the human mind, and to some extent a guide to its inquiry. How could a man like Athanasius, for example, contend so earnestly, and with such truth of counter-statement, against a false idea, unless he had the true idea somewhat clear in his own mind to contendyc/'. xVnd if it be said that this was derived from the bare letter of the Scriptures, and that the whole controversy between the contending parties hinged upon the citation of proof texts, the question arises: How came Athanasius to see such a different truth in these texts frcnn that which his opponents saw in them? Snj))K)se a ti-ansfer of consciousness — suppose that the in- ward convictions and notions, upon the subject of the Trinity, possessed by Arius, could have been carried over into the mind of Athanasius — would the letter of these proof-texts have contained the same spirit, or mean- ing, for him that liiey actually did '^ For it must be recollet;ted that' the Sci-iptures do not furnish, ready- formed, a systematic and scientific statement of the doc- trine in question. How, then, came the orthodox mind t«) dei'ive its own sharply-delined dogma from the Scrip- tures, and the h(^tei(tdox mintl its own equally shai'plyde- jincd dogma from the very same Scrii)tures, unless each brought an antecedent Interpreting idea into the contro- versy { We (jo not by any means suppose that this ortho- dox idea of the Trinity s[)rang up in the orthodox mind at 318 COLEKIDQE AS A rillLOSOI'IlER this particular instant in the history of the church, and entirely independent of the Scriptures. It was a slow formation, and had come down from the beginning, as the joint product of scriptui-al teaching and rational reflection, but was brought out, by this controversy', into a greater clearness and fullness tlian it had ever before apjjeared in, outside of the circle of inspired minds. But that the d(jc- trine of the Trinity was now an idea in the tnind of the churchy and therefore contained a mental element, by vir- tue of which it was a legitimate object of rational contem- plation, and not a mere letter upon the page of Sci'ipture, is the point we wished to bring out. Kow we think it a return to an older and better view of the subject, and not a mere novelty, that Coleridge M-as disposed to affirm, that whether it can be distinctly and fully shown or not, the doctrine of the Trinity is a rational doctrine, and is not, therefore, a theme altogether forbid- den to the theologian because it stands in no sort of rela- tion to a human intelligence. We believe that the posi- tion taken by him in common with the spiritual school of theologians in Germany, bet^veen whose general views in theology and those of Coleridge there is much affinity, that the doctrine of the Trinity contains the only adequate and final answer to the standing objection of pantheism — viz., that an Infinite Being cannot be personal, because all personal self-consciousness implies limitation — is a valuable one for both philosojih}^ and theology. It pro- poses a high aim for both of these sciences, and provided the investigation be conducted in the light of Scripture and of the Christian consciousness, and for the very pur- pose of destroying the pantheistic conception of the Deity, into which such abstruse and recondite speculation we confess is very apt to run,* we luive little fear that the * The Trinity oi' Hegel is an example. AND THEOLOGIAN. 319 cause of true philosophy and reh'gion will suffer from the attempt. "Whether the attempt he successful or not, surely it is honoring divine revelation, and that body of system- atic knowledge which has sprung up out of it, to affirm with Julius Mtiller, that " the Christian religion, as it lies in the Xew Testament, contains the fundamental elements of a perfect system of philosophy in itself ; that there can- not be a real reconciliation between philosophy and Chris- tianity, if such reconciliation must come in from without, and that such a reconciliation is possible only as it la merely an unfolding of that which is already contained by implication in Christianity : and hence, that it must be possible to find, from the immediate contents of the Christian religion, as its metaphysical complement^ ulti- mate and absolutely scitntific statements relative to the existence of. God and the world, and their mutual rela- tions, in such way as that they shall of themselves consti- tute a system of Christian philosophy." * Furthermore, whetlier the attempt to construct philo- sophically the doctrine of the Trinity succeed or not, the assertion that it is grounded in reason, and the necessity of the Divine Nature, logically cuts the root of the doc- trine of a merely modal Trinity: a heresy that was re- vived by the contemplative Schleiermacher. If the doc- trine of the Trinity has a rational necessity, i. e., a neces- sity in the Dirine Essence itself — if God, in order to he 2>ers(>nal and self-conscious^ and not merely that he niay manifest himself, nnist be triune — then it follows that a trinity of mere manifestation, whatever it may do for other beings than the Deity, leaves the Deity himself des- titute of self-consciousness. The position of the Christian theol<*gy is, that irrespective of his muHil'estatioii in tho * Leiiro von dcr Siinde, Bd. I. bb. 7, 9. 320 COLERIDGE AS A rilll.OSorilKR universe, antoccdout to the creation, and in tlio solitude of liis (»\vn eternity, God is personally self-conscious and therefore triune — absolutely self-sufUcient, and therefore neediuii; to undei'iro no process of development and mani- festation, in order to absolute ])lenilude and perfection of existence. IJy affirmiui^ that the doctrine of the Trin- ity is an absolutely rational and necessary one, because the Divine Nature is essentially and necessarily trinal, tlie doctrine of a relative and modal trinity is logically precluded. So far as concerns the speculations themselves, of Colo- ridge, upon this doctrine, he undoubtedly received the theological statement of it, contained in the Nicene Creed, as the truth, and endeavored, from this as a point of de- parture, to originate a corresponding philosophical deter- mination of the doctrine. How much he has actually contribnted to the scientific solution of the problem, each reader will decide for himself. We are free to sa}'- for ourselves, that we think Coleridge committed an error in leavino; the scheme of the triad for that of the tetrad, in his construction. The symbols of the Church proceed upon the hypothesis of a simple triad, which is also a monad, and hence teach a trinity in unity and a unity in trinity. Coleridge, on the other hand, proceeds upon the scheme of the Pagan trinity, of which hints are to be found in Plato, and which can be traced back as far as Pythagoras — the scheme, namely, of a monad logically anterior to, and other than, the triad ; of a monad which originally is not a triad, but becomes one; whereby four factors are introduced into the problem. The error in this scheme consists in this its assumption of an aboriginal unity exist- ing primarily by itself, and, in the order of nature, he- fore a trinity — of a (jrouud for the trinity, or, in Cole- ridge's })hrase, a prothesis, which is not in its own na- AND THEOLOGIAN. 321 ture eitlier trinal or pei-soual, but is merely the imper- sonal base from -which the triiiality is evolved. In this way, -we think, a process of development is introduced into the Godhead that is incompatible with its immutable ])erfection, and with that golden position of tlie school- men, that God is actus purissimus sine idla potentiali- tate. There is no latency in the Divine Being. He is the same yesterday, to-day, and forever. We think we see in this scheme of Coleridge the influence of the pan- theistic conception of potentiality, instead of the theistic conception of self-completeness, and that if he had taken the distinct and full personality of the finite spirit as the image and likeness of the Infinite Personality, and, hav- ing steadfastly contemj)lated the necessary conditions of self-consciousness in man, had merely freed them from the limitations of tlie finite — of time, and degree — he would have been more successful, certainlv more con- tinuous and progressive. While we say this, however, we are far from believing that Coleridge's practical faith, as a Christian, in the Trinity, Avas in the least affected by this tendency to modalism in his speculative construction of the d(jctrine — a modalism, too, which, as we have re- marked above, is logically, and ought actually to have been, precluded by the position which he heartily adopted, of the intrinsic rationality and necessity of the doctrine. Few minds in the whole history of the Chris- tian church, as we believe, have had more awful and adcning views of the Triune God, or liave bowed down in more absolute and hnvly woi'ship before the Father, bon, and Holy Cihost. The reflections of Coleridge upon the great and inipoi-- tant doctrine of iSin, we regard as of the highest worth both in a practical and speculative respect. Indeed, a profound conscifjusnoss of sin in the heart, and a corrO' 14* 322 COLKRIDQK AS A I'lIlLOSOPIIER spondiiiijly profound tlieory of it in the head, arc funda- mental to all depth and soundness of view in the general domain of theology. Coleridge speaks, in several places, of his renunciation of Socinianism and reception of Trini- tarianisni as resulting from a change in his philosophical opinions: of a spiritual philosophy as the means of bring- ing him to a spiritual religion. Without denying the co- operation of this iiitiuence, we are yet inclined to the be- lief, that in liis case, as in that of Augustine and of men of a strongly contemplative bent generally, the change from error to truth had its first and deepest source in that profound and bitter experience of an evil nature which every child of Adam must pass through before reaching peace of soul, and which, more than any other experience, carries the mind down into the depths of both the nature of man and of God. The biographical materials, for forming an estimate of the spiiituality and religious ex- perience of Coleridge, are somewhat meagre, but there is full reason for believing, from the gushes of tender devo- tional feeling that burst up spontaneously, and with the ntuiost unconsciousness, on the slightest hint or occasion, that a most profound Christian ex]3erience lay warm and tremulous under the wliole of his culture and character.* We think we can see plainly in thc^se most touching ex- pressions of a sense of bondage which sometimes escape from him, that Coleridge, in common with the wise and the holy of all ages, was slowly but triumphantly fighting through that great fight between the flesh and the spirit, which, far more than the splendor of a merely human en- * See Table Talk, Works, VI. 323 (Note), 327 (Note), 478 (Note), 527; and Literary Remains, Works, V. 10-31, 368, 372, 290.— These passages should be read by any one who would know how lowly and piiuitential, how filial and trustful a Christian this "logician, metaphy- eican, and bard," as Lamb called him, had become. AND THEOLOGIAN. ' 323 dowment, is the secret of the lofty and melancholy inter- est with which, even if personally nnacquainted with the struggle, every thoughtful mind contemplates the lives of those elect spirits whom God's grace has chosen as its dis- tinguished organs of manifestation — that unearthly contest which, more than all else, is the secret of that superior charm which sets the Cojifessions of Angustine as high above the Confessions of Rousseau as the heavens are above the earth. In this connection, we believe that the ojjium-eating of Coleridge, about which so much has been said in a pharisaic spirit, by those who had small if any knowledge of that publican-like humility, and lowly self- despair, which is the heart and kernel of a Christian as distinguished from a merely pagan or ethnic character, was the occasion, as are all evil habits in the regenerate soul, of this deep and continually deepening religious con- sciousness ; and that if that ])eculiarity which resulted from this strugi>;le with an evil habit were to be taken out of Coleridge's experience as a Christian, it would lose mncli of its depth, expanse, and true elevation. We have not the slightest doubt that, when told, " the tale of his long and passionate struggle with, and final victory over, the habit, will form one of the brightest, as well as most interostinir traits of the moi-al and reliirions being of this liumble, this exalted Chi-istian." * The [)ious-miudcd be- liever who finds in his own experience a fac-simile of this struggle with the relics of an evil nature, and the philos- ophic incpiirer who traces the Christ ian life to its hidden and lowest springs, are both of them, alik(\ far better qnalilied to be judges and censors over such a frailty and sin as the one in question, than those moralists who are precluded, as of (jld, from both the reception and ♦ JI. N. Colcridge'a Preface to the Table Talk, Works, VI. 252. 324: COLERIDGE AS A rillLOSOlMlKU tlio ai)pro!icnsion of an evaiio'clical spirit, by tlioir sclf- riirliteDiisiiess, and whose, so-called religion is that merely nei^ative thing which owes its origin not to the conflict of grace with sin, but to an excess of lymph in the blood. Coleridge's view of sin, which is to be found the most fully expressed in the Aids to Refiection^ is so intimately connected with his view of the will, that it is necessary to direct attention to the nature and functions of this impor- tant faculty. The place which the will holds in his sys- tem of philosophy was briefly alluded to under that head. As the spiritual, i. e., self-determined, principle in man, it stands over against all that is strictly and merely natural in him, in the sharpest opposition. In the idea and plan of the human soul it was intended to control and subject to its own rational self-determination all the functions and operations, all the appetencies and tendencies, of a nature which unallied with such a higher spiritual power would be as irresponsible, because as necessitated in its develop- ment, in man, as we find it to be in the brute. All radi- cal deterioration, therefore, in the human soul, must begin in the stf/Z-determined part of it, for this is the only point at which a radical^ responsible change can be introduced, and from which it can evolve. A mere nature, as in the case of irrational and irresponsible existences, is not capa- ble of either a radical deterioration or a radical improve- ment. It must develop itself, in the main, and substan- tially, in accordance with what has been inlaid in it. There are, therefore, in the world of nature as distin- guished from that of spirit, no radical changes — no terri- ble catastrophes like the fall of the human will, no glori- ous recoveries like its renovation. There is, and must be, within the realm of the strictly natural, oidy one uniform evolution, in one continuous and endless line, because mere AND THEOLOGIAN. 325 development cannot, by a free act, go behind itself, and alter tlie basis from which it proceeds. Sin, therefore, as involving a radical change in the character, development, and history of the human soul, oi-i»Tiuates in the will. If man were a mere creature of nature, his development would go on with the same necessary uniformity with wliich a crystal or a tree is built up in accordarice witli the law of nature. But he is also a spiritual, i. e., se//-determined, creature, and hence that possibility of sinning which has become a dreadful actuality. By virtue of this power, man is capable of throwing himself out of the normal line of development prescribed for him by his Creator, and of beginning, by an absolute beginning, a cliaracter, a course, and career, the precise contrary to the right and ideal one. Without going into further detail in regard to sin as originating within the sphere of freedom — a point upon wliich there is no controversy among those who hold to the existence of sin at all — we wish to allude, as concisely as possible, to the idea of the will itself as held by Cole- ridge, and as it is found generally, we think, in the Platonic as distinguished from the Locke Calvinism. For, the doc- trine of sin assumes a very different form, and is accom- panied with totally different i-esults, both in speculative and practical theology, according as the idea of the will is capacious, deep, and exhaustive, or the contrary. If the will is regarded as merely the faculty of single choices, or l»articular volitions, the sin that has its origin in it must iiccessarily be atomic — a mure series of single and isolated acts, or, in the technics of theology, actual and conscious '.ransgressions. If, on flie other hand, the will is i(g:irdcd as the i»ower of determining the whole soid, and the soul as a whole, to an ultimate em/ of living, the sin that haa its origin in it is dynamic — an inmianent process or atutc .'l2t> COLERIDGE AS A PHILOSOPHER of thowill, having the unity, deptli and totality of a nature, and, in tlicolo^ical ])ln'aseol()gy,isan evil nature, from whidi all atttual and volitionary tran8i2;rcssions proceed. This distini;tion between the volitionary and the V(.>hintary or self-determining power — a distinction plainly marked l)y the Latin arhitrium and voluntas, and equally plainly by the German WillJcuhr and Wille — is important not only intrinsically, but also in order to an a])prehension of Cole- ridge's view of the doctrine of original sin, which, we think, does not differ matei'iallv from that of Ani!;ustine and the Reformers. For, although Coleridge insists earnestly and at length upon the doctrine of free self-determination, he is equally earnest and decided in affirming the absolute bondage and helplessness of the fallen human will. Ac- cording to him, the will is capable of originating its states — its holy state only in concurrence with, and aided by, the one Holy Will which is the ground and support of all finite holiness, and its sinful state without any aid or co-operation on the part of the Infinite AVill — but when an evil moral state has once been originated, and the will has once responsibly formed a sinful character and nature, a central radical change in the direction and tendency of this faculty is, from the very nature of the case, then out of its power. For the will is not merely the sm-face- f acuity of single volitions, over M'hich the individual has ai'bitrary control, but also that central, and inmost active principle into which all the powers of cognition and feel- ing are grafted, as into the very core and substance of the personalit} itself. So that when the will, in iln^full and adequate sense of the word, puts forth its sinful self-de- termination, it takes the whole soul along with it from the centre to circumference, leaving no remainder of power in reserve, by which the existing direction of its movement can be reversed. The fall of the will, thcrefo*e, though A^^) THEOLOGIAN. 327 a free and self-moved procedure, brings this faculty into such a relation to holiness, that it is utterly impossible for it to recover itself back into its primitive state : it being a contradiction, to attribute a power of originating holi- ness, to a faculty, the ichole of whose power is already absf>rbed in an unintermittent determination to sin. The will, as thus conceived, .is a unit and a unity, and having once freely set Itself in the direction of evil, it thereby, and in the same i)roportion," becomes powerless in respect to a contrary direction ; not because, be it ob- served, of any compulsion from without, but because of the obstinate energy and overmastering momentum within. It is an impossibility for Satan to cast out Satan; because it is an incompatibility. Coleridge, in brief, while holding to the doctrine of free self-determination with the serious earnestness of a phi- losopher who well knew the vital importance of it in a system of theism — the doctrine of responsible and per- sonal free-will being the very and only corrosive of all pantheistic naturalism — at the same time agreed with the oldest and soundest theology of the Christian church, in not afhi-uiing the existence of positive and eflicicnt power in the fallen will, either to recover itself, or to maintain itself ill lioliness after recovery. "The difference," he says, " between a Calvinist and a Priestleyan materialist- necessitarian consists in this : the former not only believes a will, l)ut that it is equivalent to the ego ijyse, to the actual self, in every moral agent ; though, he believes that in human nature it is an enslaved, because a corruj)t will. In denying free-will to the unregenerato, he no more de- nies will, than in sisserting the poor negroes in the West Indies to be slaves, 1 deny them to be men. Now tlio latter, the Priestleyan, uses the word will — not for any diotinct correspondent power, but — for the mere resultand 328 COLEUIDQE AS A rillLOSOrilKR a.ro-vegatG of fibres, motions, and sensations ; in short, it is a mere generic term with him, just as when we say, the main current of a river." * In tine, the fallen will in re- lation to a holy state — in relation to the " new heart " of the Scriptures — is a capability and not an ability, a recipiency and not a self-sufhcient power, because the decided and positive energy of the faculty, its actual and actuating force, is entirely enlisted and swallowed up in the proccvss of a sinful self-determination. This sinful self-determination, involving the whole soul into itself, and implicating all the energies of the inward being of man with itself, constitutes that evil nature, below the range of distinct consciousness, from which all conscious transgression proceeds, and of which it is the phenomenal manifestation. In this way, sin is seen to be a single in- divisible nature, or disposition, and not merely an innu- merable series of isolated acts, and this nature again is seen to be essential guilt, because, as originated in a will and by a will, it is self-originated and self-determined. In the phrase of Coleridge, man " receives a nature into his will, which by this very act becomes a corrupt will ; and vice versa this will becomes his nature, and thus a corrupt nature ; " and, bearing in mind the distinguishing characteristics of nature and spirit, the reader will see the meaning of the further pcjsition of this author, " that a nature in a will is as inconsistent with freedom, as free choice with an incapacity of choosing aught but evil ; and that a free power in a nature to fulhl a law above nature is a startling paradox to the i*eason." f Kespecting the doctrine of Original Sin, therefore, we * Literary Remains, Works, V. 448 ; compare, also, Aids to Reflec- tion, Comment on Aphorism X., Works, I. 271-291. f Aids to Reflection, Works, I. 281 (Note). See also Notes on Jeremy Taylor's Unuin Necessarium. Literary Remains, Works, V. Ido. AXD THEOLOGIAN. 329 tliinlc there is a substantial ai^reement between Coleridge and that form of doctrine which has come down in the Christian church as the best expression of both the Chris- tian experience, and the Christian reflection upon this momentous subject ; and, as we have alread}' remarked, a profound view of sin is the deep and strong soil from which all sound, healthy, and healing growths in theologi- cal speculation shoot up. Depth and truth of theory here is the very best preventive of errors and misconceptions elsewhere, and the very best mitigation and remedy for them, if thev exist. We have thus far spoken of the soundness and fruitful- ness of Coleridire's general method of theologizing ; of his profound belief in the inward harmony of reason and revelation, and of that instinctive and irresistible desire which he shared with the profoundcst theologians of all ages, to exhibit and establish this harmony. AVe have also dwelt upon his views upon the fundamental doctrines of the Trinity and tlie Fall of man, selecting these out of the great circle of Christian doctrines, because they ai-e fun- damental, and in their implication contain the whole Christian system. It is impossible, however, within the space of an esspy, and it is not perhaps desirable, to pur- sue the opinions of this author through the whole series of individual doctrines, and having, as we think, shown his substantial agreement, so far as the general type and (character of his theology is concerned, with the Augus- tinian, we pass now to a brief consideration of some erroneous and defective view^ that cling to it. Notwithstanding Coleridge's earnest advocacy of the doctrine of the self-determining power of the huinan will, whereby the oriirin <>!" sin is taken out of the course of nature, and merely natural processes, and brought within the sphere of freedom and amenability to justice, 330 COLICRIDGE AS A PIIILOSOI'IIER \\c think that the idea of guilt, t]ioup;h by no means denied, or unrecognized, either in his personal experience or liis speculations, was not sufficiently deep, clear, and impi-essive for liiin. Sin, for liiin, as for many contem- puitive minds in the Cliristian church — as it was for Ori- gen in the early church, for the mystical theology of the middle ages, for the school of Schleiermacher at the pres- ent time — was too disproportionately the corruption and disharmony of the human soul, and not sufficiently its guilt. Now, the strongest motive which the theologian, as distin- guished from the i)hilosopher, has for maintaining the doc- trine of free will, is to find an adequate and rational ground for the responsibility and criminality of the human soul as fallen and corrupt. He is not so anxious to establish the doctrine of self-determination in reference to the origin of holiness (though in this reference the doctrine is important), as in reference to the oriij-in of sin : knowing that while there is little hazard in attributing too much to the divine agency in the production of moral good, there is the great- est hazard in implicating the deity in the origin of moral evil. It would seem, therefore, that so determined an advocate of the doctrine of human freedom as Coleridge was, should not only have seen that the very essence of sin, as self-determiiml, and thereby distinguislied from all other forms of evil, consists in its ill-desert and penal- ity, and that therefore its first and most important relation is to law and justice, but should, especially, have allowed this view to have moulded and shaped in a proper degree his theory of Bedemjytion. But, the scheme which Cole- ridge presents in the Aids to Reflection is defective in not insisting with sufficient emphasis upon the truth, that as the essential nature of sin (by virtue of which it is different in kind irom all other forms of evil, and becomes, strictly speaking, the only evil, per se) is ^guilt, so an AND THEOLOGIAN. 331 essential element in any remedial plan must be atonement, or exjnation. The correlate to guilt is atonement, and to attempt to satisfy those specific wants of the sinful soul which spring- out of remorse of conscience, which is the folt and living relation of sin to law and justice, by a mere provision for spiritual sanctitication, however needed and necessary this may be in its own place, must be like the attempt to satisfy tliirst witli food. Coleridge was repelled from the doctrine of vicarious atonement, hy some of the mechanical sclicmes and forms under which it lias been exhibited; but if, as the best theology of the church has generally done, he had looked at it from the view-point of the absolute nature of justice, and had brought it under the category of want and correlate — one of the most vital of all, and one with which Coleridge's own mind was thorono;hlv familiar — it seems to us that ho would have seen, that, although the terms ransom and payment of a debt, when applied to the agency of the Kedeemer, are indeed metaphorical, the term expiation is not.* If he had steadfastly contemplated the subjective wants of the human soul while tilled with the conscious- ness of guilt, and before that sense of corruption and those yearnings for holiness of heart which are the conse- quent rather than antecedent of regeneration have sprung * See Aids to Reflection, Aph. XIX., Comment, Works I. 30(5-831. We never read this ardent but merely analog-ical argument against sub- Btituted penal sufTering within the spiritual si)hcre of justice, founded upon the m'jrely natural, and wlioily unjudicial, relation of a son to liia mother, without tliinking of the words iu Wallenstein : "O thou art fdiiifl, with thy deep-seaing ej'es." There i« no inward anil real analogy between the two spheres. There can be no legitimate arguing from a Hjihen! from which the rctri/jtUive is altogether e.xcluiled, such as that of the mother and child, over into a sphere iu which the retrilmtice is the princi|)al element, such as that of God the just and man the guilty. It is /x«Tci/3a(TJs f u aAAo 7tVoi, 332 coLKUinoK as a rniLosoniER lip ill it, and then had gone still farther, and contemplated the dread ohjectivo g-rouiid of this remorseful and guilty conscience, in the divine justice, which, through this finite medium, reveals itself against all unrighteousness, he would have seen as the Augustines, the Anselms, the Calvins, and the Howes have seen, that there is a rational necessity for the expiation of guilt — a necessity founded in the rational nature and moral wants of man, and therefore primarily in the nature and attributes of that infinitely Holy Being who made man in his own image, and after his own likeness. Moreover, in taking the position which he does — viz., that the real and absolute relation of the Passion of the Redeemer to the divine attributes is a mystery, in such sense that nothing can be affirmed concerning it that can be intelligible to the human intellect, or edifying to the Imman heart (for this is said, when it is asserted that the subjective consecpiences in the redeemed are all that can be known npon the subject), Coleridge stands in remark- able inconsistency with himself. We have seen that even the Ti-inity was not by him regarded as a mystery, in the modern but really improper sense of standing in no sort of relation to a rational intelligence — in the sense of con- taining no rational and intelligible element, npon which the human mind can seize as a point of contact and com- munion. And yet, one wliole side of the work of Redemp- tion — that side, too, which stands in the very closest con- nection with the deepest and most awful sense in the human soul, the sense of guilt, and ministers to the deep- est and most awful craving that ever emerges into the horizon f»f consciousness, the cravino; for a deliverance from guilt on real grounds, i.e., on grounds oi justice: (a craving that lies at the bottom of the whole system of sacrifices, Pagan as well as Jewish, and is both their AND THEOLOGIAN. 333 rational justification and explanation) — this whole side of the work of Redemption is thrown utterly out of, and beyond, the range of the human mind ; so that although its consequences in tlie redeemed may be known, its own inward nature, tlie a-round and cause of these very conse- quences, is as utterly unknown and nnknowable as that of a '' fforiron or chimiBra dire! " But, aside from this incon- sistency, it is a fatal objection to this theory, that these consequences themselves — this Christian peace of con- science, and sense of reconciliation with a Holy Lawgiver — cainiot come into existence through such an ignorant and blind faith as the soul is shut up to on this scheme. Such effects cannot proceed from such a cause. Here, if anywhere in the whole field of the Christian consciousness, there must be the miion of faith with insight. There must be some knowledge of the pio'pose, and purport of the death of the Son of God — some knowledge of the inward and real relation which the substituted sufferings of Christ sustain to divine justice — before the guilt-stricken si:)irit, looking about instinctively for an atonement of guilt, can confidently and calmly rest in them for purposes of justification. At the very least, tiieir inti'insic adaptation to the end proposed aud desired, their adequacy^ must be recognized by the mind ; and what is such recognition but a species and a grade of knowledge respecting their nature, fitness, and rational necessity? Tiic faitii of the common Christian contains implicitly the rationale of the doctrine of atonemcut ; for, the oi'igiii and existence of this faith itself is exj)licable, only on the hyitothesis that there is reason or fitness in the doctrine ; and if it is rational, it is ai>i)rchensible. While, however, we arc noticing this defect iu Cole- ridge's statement of tlie doctrine of Iledemption, it ought at the same time to be observed, that he was not im[iclh'(| 331 COLEREDOE AS A PHILOSOPHER t(> the view he took, by a morbid and feeble moral seiiti- nieiit, or from any disposition to mei'ge all the divine attributes into an irrational and blind benevolence. It was an intellectual, more than a moral defect, with him ; for when he is himself o])posing Socinianism — and few minds have been more heartily op[)osed to it than his — we find him employing the very same oI)jections to a scheme of salvation that makes no provision for the guilt of man, and the justice of God, which the orthodox mind has urged in all ages. " Socinianism," he says, " is not a religion, but a theory, and that too, a very pernicious, or a very unsatisfactory theory. Pernicious — for it excludes all our deep and awful ideas of the perfect holiness of God, his justice and his mercy, and thereby makes the voice of conscience a delusion, as having no correspondent in the character of the legislator ; regarding God as merely a good-natured pleasure-giver, so happiness is produced, indifferent as to the means — unsatisfactory, for, it prom- ises forgiveness, without any solution of the di/fficuMy of the comjMtihility of this ^ with the justice of God.'''' * In other places,t on the otjier hand, we find him ex- pressing himself respecting the more mechanical view of this doctrine, witli an impatience and rashness which a deeper, calmer, and more truly philosophic insight into it would have precluded. For, he who has meditated pro- foundly upon the Divine Being, and has thoughtfully asked himself the question : lias the Deity affections in any sense, and what solid meaning have such biblical terms as anger and jjropitiation, when applied to Him ? will not be in haste to condemn even the most inadequate statement upon this " abyssmal subject," provided he sees * Literary Remains, Works, V. 552, 553 ; and compare Works, V. 440-448. f Literary Romains, Works, V. 74, e. g. AND THEOLOGIAN. 335 that its general meaning and purport is on the right side of the great controversy. Tliat Coleridge had not specu- latively reached the bottom oi' this doctrine, and acquired a view of it as profound and corapreliensive as that of Anselm, e. g., in his Cur Deits homo f or as that to which a tract like Owen's on the absolute nature of divine jus- tice leads, is evident from the irresolution of his mind, and the unsteadiness of his attitude.* In fine, as we remarked at the outset, the defect in Coleridge's view of this subject is traceable to a deficiency in his theoretic view of sin, in one of its two main aspects. Tlie idea was not full. And perhaps the cause of this speculative deficiency was a practical one at bottom. Like many other contemplative spirits, Coleridge came into Christianity gradually, and not through a violent inward crisis, and hence his experi- mental consciousness of sin, though not by any means entirely lacking the element of remorse, was yet predomi- nanth' a sense of bondage and corruption. AV^e doubt not that Coleridge's exposition of the doctrine of Kedemptioii (as would that of Schleiermacher) would have been differ- ent from what it now is, by a very important modifica- tion, had his own Christian consciousness been the result of such an inward conflict with guilt as Luther's was, or such a keen insight into the nature of law and justice as Calvin had, instead of being, as it was, the result of a comparatively quiet transition into Christianity and growth therein ; in which process, the yearning after holiness and pui'ity, instead of the craving after atcMiemcnt for agoniz- * When himself attacking Socinianiam, ColurWge employs tlu; iilua- BGology of the Calvinist, and seems thereby to reserve the attacking of Calvinism as a prndiitm of his own ; as Jolinsou allowed no ono but himself to abuse Goldsmilli. See Literary llcniaius, passim ; and ob- serve the general animus of the notcg on Jeremy Taylor ^ and un A Bar- ruter'^ IIiut». 336 COLERIDGE AS A PHILOSOPHER inn; giiilf in the conscience, was the predominant, though not sole feeling. In respect to the views of Coleridge npon the subject of Jm^pimtion, it is not our pui-pose to enter into any de- tail, but simply to notice the defect in the general princi- ple adopted by him. This ])rin(riple, to state it in a word, is as follows: In determinijig the absolute truth and authority of the Scriptures, the objective, generally, is subordinate to the subjective. With the exception of those particular instances in which the objective revela- tion exj)licitly claims a paramount superiority to the sub- jective intelligence, by asseiting a direct dictation from God, the former has intrinsic authority or validity, only so far as it acquires it before the bar of the individual judgment. The subjective reason, with the exception specified, is placed first, as the fixed and absolute norm or rule to which the objective reason is to be brought up and conformed. Now, the strongest objection to this theoiy of llevelation is to be derived from the very prin- ciples of the philosophy adopted, as we have endeavored to show, by Coleridge himself, But, even if we should regard him as an adherent of the later German philoso- phy, the absolute and fixed truth would not lie in the sub- ject alone, but in the identity of the subject and the ob- ject — in a common ground that contains both factors. And even this position would be more sound, and less objectionable, when applied to the mutual relations of the individual mind and divi;ie Kevelation, than the one which we have mentioned above, which is really ten- able oidy by an adherent of Fichte's system, in which the truth is laid in the subject wholly. Even on tiie princi- l>les of the philosophy of Identity, the truth would not be wholly and ultimately in the subjective, nor would the objective Kevelation be so passively exposed to the flue- AOT5 THEOLOGIAN. 337 tuations of an individual consciousness ; because, at the Terv least, there would be room for action and reaction, for correction and coanter-corYedion. But, we think it has been made out, that Coleridge, on this point of the relation of the subject to the object, nlti- matelv adopted the view of the Kantean philosophy, sul)- stantiallj that of all theistic systems, which explains tiie possibility of knowledge by a preconformity of the subject to the object, instead of an identity of substance between them. On this system, tliere is a dualism between the object and the subject. Of the two, the former is the un- limited and the universal, and stands over against the lat- ter as the limited and particular. It is the ohjective^ therefore, which possesses the fixed and uniform character (in this instance, the infallibility), to which the subjective comes up with its preconformed powers of apprehension ; and the function of the latter, consequently, is a recipient one, instead of an orij'inant or creative one as in the svs- tern of Fichte, or a self-developing one as in the system of Schelliufj and Ileii^el. We are aware that Coleridge believed that the Scrip- tures are, as matter of fact, infallibly true on all funda- mental subjects, and that those doctrines which he, in connnon with the Christian church, regarded as vital to human salvation, are all plainly revealed in them. This ought to be noticed, because tliis of itself separates hi>n heaven-wide from a mere i-ationalist, and places him in the same general class with the evangelical school of theologians in Germany, in respect to this doctrine of In- spiration. Still, we rcgai'il it an error in him, and in them, that the canon is not contemjdated as a comi)lete whole in and by itself, having a conunon origin in the Divine ^Find, in such sense, that as a body of ini'orniulion it is infallihly correct on all the subjects that come within 15 33S COLERIDGE AS A rillLOSOPIIER its scope and purpose. There must be truth somewhere^ in regard to all, even the most uniniportaTit, particulars of history, biography, and geography, that enter into the puV)joct matter of the sacred canon, and it seems to ns altogether the most rational, to presume and assume that it lies in the canon itself — in the written Revelation con- sidered as a finished and inspired unity. These secondary matters are always an important, and sometimes vital part of the great whole,* and as they are so integrated into the solid doctrinal substance of the Scriptures that they can- not be taken out of it, any more than the blue veins can be fi-om the solid marble, why is it not rational to believe that they had the same comvion origin with the doctrines and fundamental truths themselves which are encrusted and ci'ystallized in them — in other words, that the Divine Mind, whether as positively revealing, or inspiring, or superintending, is the ultimate Author of the whole? There are but two objections to this position. The first is, that the inspired writers become thereby mere amanu- enses and automata. This objection has no force for one ■who believes that the Divine can, and does, dwell and work in the human, in the most real and absolute manner, without in the least mutilating or suppressing the human, and ought not to be urged by one who believes in the in- dwelling of the Holy Ghost in the regenerate soul. As, * In some instances at least, a vital part ; as e. g. , the biographic memoirs of the Redeemer by the evangelists. If these are not infalli- ble as history, then the whoTo Christian religion instantaneously dis- appears : for then the Personage in whom it centres and rests cannot be proved to have had an actual existence in space and time, and the forecasting intimations which the human soul (of a Plato, e. g.) has had of a future Redeemer would not save it from skepticism and de- Bpair. Hence, in the contest between rationalism and supernaturalism in Germany, the historical narratives in the four gospels have been tho hottest part of the battle-field. AND THEOLOGIAN. 339 in this instance, the Imman cannot be separated from the Divine, in tlie individual consciousness, and all " the fruits of the Spirit" seem to be the very spontaneity of the hu- man soul itself, so, in the instance of the origination of the body of Holy Writ, while all, even the minutest parts have the flexibility, freshness, and naturalness of purely human productions, there is yet in and through them all, the unerring agency of the Supreme Mind. In other words, the Supreme Intelligence is the orgamzing j^rinci- ple of that outstanding body of information which is called the Bible, and, working like any other organizing principle with thoroughness^ produces a wliolo that is characterized by its own characteristic — perfection of knowledire — even as life in tlie natural world diffuses itself, and produces all the characteristic marks of life, out to the rim of the tiniest leaf. The second objection, and a fatal one if it can be maintained, is, that there are actual errors in the Scriptures, on points in regard to which they profess to teach the truth. Let this be shown, if it can be ; but until it has been shown, without possi- bility of contradiction, the Christian mind is certainly rational in continuing to assume and afiirm the infallibil- ity of the written word. We say tliis with conlidence, because, out of the great number of alleged errors and contradictions tluit have been urged against tlic plenary inspiration of tlie Scriptures, there is not a single one established as such upon grounds that render it absurd for a defender of tiie doctrine to take the opposite side. Thci-o is no list of conceded and ackn(>wledi:;cd errors in the Scriptures. There are many dilliculties still remain- ing, we graTit, but while there is not a case in which the absolute and unajipealablc settlement has resulted in es- tablishing the fact of undoubted error, there are many in which it h-is resulted in fuvor of the doctrine of plenary 3i0 COLERIDGE AS A niTLOSOniER inspiration. No one acquainted with the results of the severe and skeptical criticism, to whicli the canon has been subjected for the last half-century in Germany, will deny that the number of apparent contradictions and errors is smaller now than it was at the beut, in reference to the permanent and everlasting elements of the Christian ex- perience, the great main characteristics of the Christian * Milman's Primitive Christianity, B. III. ch. 10. THE CONFESSIONS OF AUGUSTINE. 365 life, here is certainly a bold and accurate, a clear and large utterance. "We are confident that familiarity with this book, for even a single year, would perceptibly affect the person's religious experience. It would infuse into it the rare quality of vividness. There are no stereotyped phrases, no technical terms or f(n-ms. It is the life of God in the soul of a strong man, rushing and rij)pli ng with the freedom of the life of nature. lie who watches can almost see the growth ; he who listens can hear the perpetual motion ; and he who is in sympathy will be swept along. The revising of these Confessions has been a labor of love. As we have scanned the sentences and syllables, we have seemed to hear the beating of that flaming heart, which now for fifteen centuries has burnt and throbbed with a seraph's affection in the Mount of God, AVe have seemed to look into that deep and spiritual eye which gazed without shrinking, yet with bitter penitential tears, into the deptlis of a tormenting conscience and a sinful nature, that it might then gaze without dazzling, and with unutterable rapture, into the eyes and face of the Eternal. Our Protestantii^m concedes, without scru])le, the cogno- men of saint to tliis ethereal spirit. Our Christianity tri- umphs in that marvellous power of grace, which wrought Rucii a wonderful transformation. Having this example and living fact before our view, we believe that Christ the ]j)rd lias all [)0wer, both in heaven and upon earth ; and that there is lodged in his pierced and bleeding hands a spiritual eneigy that is able to renovate the mightiest and the most vitiated forms of humanity. The CJaesars and Napoleons, the Jiyrons and tlie Jlousscaus, all the passionate spirits, all the stormy Titans, arc within rea(th of tliat irresistible influence whi(*h is centred in the liedeinption oi the Son of (Jod, and is accessible to tho pi-ayers and the faith of the Church. Br. %\M'% MavU, By WILLIAM G. T. SHEDD, D.D., • Professor of Systematic Theology in Union Tkeol.,pical Seminary. New York. A HISTORY OF CHRISTIAN DOCIRINE. Two vols., crown 8vo. Fifth edition, doth, Ss-oo- HOMILETICS AND PASTORAL THEOLOGY. One vol., crown 8vo. Fifth edition, cloth, $2.50. SERMONS TO THE NATURAL MAN. One vol., crown 8vo. .Second edition, cloth, I2.50. THEOLOGICAL ESSAYS. One vol., Svo. Enlarged and carefully revised edition, cloth, ^2.50. A HISTORY OF CHRISTIAN DOCTRINE. "Dr. Shedd has furnished an important contribution to the study of church history. To have made a readable book— a book which must interest the general scholar as well as the professed theologian — on a topic so difficult and so remote from the ordinary inter- ests and literary currents of the time, is itself a rare and very great merit, denianding graceful recognition from all the scholars of the \M\:i."— North American Ke^iietv. " It is many years since a more valuable contribution has been made, in this country or F.ngland, to theological literature ; one the study of which will yield riper fruits of Christian knowledge. 'J'hese volumes are marked by a thorouchness of knowledge and clearness of statement, as well as by a certain 7Jitai element which pervades them, and which shows the love of the author for his great theme, and that he takes his position, not without but within his subject, and so relates the transformations and developments of religious thought as if he had himself passed through l\\cm:^—Bil>liatheca Sacra. "We hold that this is the most important contribution that has been made to our theological literature jduring the present aet^.''—/'res6yterian Standard. " In oui judgment, no production of greater moment has been given to the public for a long time." — I'rinceton Kevieir. •'A body of theological history which is in form as perfect as it is in substance excellent." — .V.' Y. Hvening Post. "It well deserves an honorable and permanent place in the standard literature of theology." — A'eii' ]-l>iglandi'r. " A rich addition to our theological literature."— /}w^»-/Vrt« Theoloitcal Rertetv. "Dr. .Shedd's HIsiory of Christian Doctrine, on Its first appearance, was unani- mously recognized as filling with remarkable success a blank that had existed in our English literature on this imporl.int subj -ct, and it still holds the foremost place ni works of this class." — Kdinburxh Daily Revieiv. HOMILETICS AND PASTORAL THEOLOGY. "The work will be found to be an admirable guide and stimulus in whatever per- tains lo ihiH department of thcilogy. The sludciit finds himself in the hands of a m.nster able to quicken and enlarge his scope and spirit. The honiileiic.il precepts arc well il'iislr.itc'l by the author'* own style, which is muscular, while quivernig with nervous life. Nowadays one rarely reads such good English writin-.; — elevated and clear, s.newy anil flexible, traiispircnt (or the thought. E.ich topic is handled in a true progressive method. f)ur young minisicrs may well make a study of this book." — Amrt iian Theol. Rrviem. "Wc have read, and with the profoiindest interest, the whole of this remarkable book. To our view it is tie ablest ami the bropounded." — Methodist Quarterly. "A book equally remarkable for profound thought and for dogmatic severity. Perhaps no stronger work has gone forth of late from any American theologian, nor any work which at the same time runs so wholly in the face of the present drift of religious sentiment and scientific study." — Ne^n York Times. "TheOenevan reformer has probably no abler or more devoted follower, at the present day than the author of these essays. In the circle of his readers he will find many who regard the study of his writings as an admirable exercise, for the vigor of their statements, the closeness of their logic, and the athletic grasp of their conclusions, although their own convictions are not represented in his system of theology." — New York Tribune. '• IJr. Sbedd's weighty and forceful rhetoric has been the admiration and despair of most of his readers. To weight and force, we must add one other quality which dis- tinguishes it, namely, ferTor. Every theological student and every minister should possess, and should not only read, but study this volume." — The Presbyterian. *,♦ The above books /or sale by all booksell rs, or will be sent, post or expresi charges paid, upon receipt of the price by the publishers, CHARLES SCRIBNER'S SONS, 743 AND 745 Broadway, New York. THE BIBLE COMMENTARY. ACCORDING TO THE AUTHORIZED VERSION, A.D. 1611. With an Explanatory and Critical Commentary, and a Revision of the Translation. Now Ready. Ccmplete in 6 vols. Royal 8vo. Cloth, $5, THE OLD TESTAMENT. Edited by F. C. COOK, M.A., Canon of Exeter, Preacher at Lincoln's Inn, and Chaplain in Ordinary to the Queen. Vol I. — Genesis, Exodus, Leviticus, Numbers, Deuteronomy. Vol. II. —Joshua, Judges, Ruth, Samuel, ist Kings. V. cloth, . $2.50 Front ike Nenu York Times. "This work of Professor Whitney is one of unusual interest, which will afford to tha general reader a better sur\ey than he can elsewhere find of the present state of lin- ^istic science, and it is also full of original and profound conclusions respecting tha nature and office of human speech. By its perusal, an intelligent reader will of neces- sity be quickened to higlrer intellectual action, while the facts and principles he will learn will be suggestive and fruitful in all future studies respecting the character and histor)- of man." ORIENTAL AND LINGUISTIC STUDIES. FIRST SERIES. THE VEDA, THE AVESTA, THE SCIENCE OF LANGUAGE. By Prof. W. D. 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