UC-NRLF $B i43=] flb? ^7x \yfurr&e' ^&Afi&ri<4 Ctriwcrjs'/y' *J jrja/t/ortua' <*jpfc c^CC, /<^~ <*( ' 'ck^L /Cc 1 iftc.;"- Z^y y^' t^^ THIS IS THE PREACHMENT*** ON GOING TO CHURCH*WRIT BY GEORGE BERNARD SHAW AND DONE INTO PRINT AT THE ROYCROFT PRINTING SHOP A WHICH IS IN EAST AURORA, NEW YORK, U. S. A. MDCCCXCVI WCNRY MORSE STBTHCH* Copyright 1896 by The Roycroft Printing Shop 511245 On Going To Church. J I O ME, as a modern man, concerned with matters of fine art and living in London by the sweat of my brain, 'tis a grim fact that I dwell in a world which, unable to live by bread alone, lives spiritually on alco- hol and morphia $$ Young and ex- cessively sentimental city people live on love, and delight in poetry or fine writing which declares that love is Alpha and Omega. But an attentive examination will generally establish the fact that this kind of love, ethe- real as it seems, is merely a symp- tom of the drugs I have mentioned, and does not occur independently ex- cept in those persons whose normal state is similar to that induced in / healthy persons by narcotic stimu- lants dips If from the fine art of to-day we set aside feelingless or prosaic i A ONGOING art, which is, properly, not fine art at all, we may safely refer most of the rest to feeling produced by the teapot, the bottle, or the hypodermic syr- inge fjgb An exhibition of the cleverest men and women in London at five p. m., with their afternoon tea cut off, would shatter many illusions. Tea and cof- fee and cigarettes produce conversa- tion ; lager beer and pipes produce routine journalism ; wine and gal- antry produce brilliant journalism, essays and novels ; brandy and cigars produce violently devotional or erotic poetry ; morphia produces tragic ex- altation (useful on the stage); and so- briety produces an average curate's sermon. GAIN, strychnine and ar- senic may be taken as pick- me-ups ; doctors quite un- derstand that " tonics' ' mean drams of ether ; chlorodyne is a universal medicine ; chloral, sulphon- al and the like call up Nature's great 2 TO CHURCH. destroyer, artificial sleep ; bromide of potassium will reduce the over-sensi- tive man of genius to a condition in which the alighting of a wasp on his naked eyeball will not make him wink ; hasheesh tempts the dreamer by the Oriental glamour of its reputa- tion ; and gin is a cheap substitute for all these anodynes ^j Most of the activity of the Press, the Pulpit, the Platform and the Theatre is only a sympton of the activity of the drug trade, the tea trade, the tobacco trade and the liquor trade. The world is not going from bad to worse, it is true ; but the increased facilities which con- stitute the advance of civilization in- clude facilities for drugging one's self. These facilities wipe whole races of black men off the face of the earth ; and every extension and refinement of them picks a stratum out of white society and devotes it to destruction. Such traditions of the gross old habits as have reached me seem to be based on the idea of first doing your day's 3 ON GOING work and then enjoying yourself by getting drunk S Nowadays you get drunk to enable you to begin work. HAKESPERE'S oppor- tunities of meddling with ^SJ^SjlJjhis nerves were much K*s5$v3more limited than Dante Rossetti's ; but it is not clear that the advantages of the change lay with Rossetti. Besides, though Shakespere may, as tradition asserts, have died of drink in a ditch, he at all events conceived alcohol as an enemy put by a man into his own mouth to steal away his brains ; whereas the mod- ern man conceives it as an indispen- sable means of setting his brains go- ing. We drink and drug, not for the pleasure of it, but for Dutch inspira- tion and by the advice of our doctors, as duelists drink for Dutch courage by the advice of their seconds % Ob- viously this systematic, utilitarian drugging and stimulating, though nec- essarily "moderate" (so as not to defeat its own object), is more dan- 4 TO CHURCH. gerous than the old boozing if we are to regard the use of stimulants as an evil. S for me, I do not clearly X see where a scientific line can be drawn between food and stimulants. I cannot say, like Ninon de l'Enclos, that a bowl of soup intoxicates me ; but it stimulates me as much as I want to be stimulated, which is, perhaps, all that Ninon meant. Still, I have not failed to observe that all the drugs, from tea to morphia, and all the drams, from lager beer to brandy, dull the edge of self-criticism and make a man content with something less than the best work of which he is soberly capable $& He thinks his work better, when he is really only more easily satisfied with himself. Those whose daily task is only a routine, for the sufficient discharge of which a man need hardly be more than half alive, may seek this fool's paradise without detriment to their work ; but to those 5 ON GOING professional men whose art affords practically boundless scope for skill of execution and elevation of thought, to take drug or dram is to sacrifice the keenest, most precious part of life to a dollop of lazy and vulgar comfort for which no true man of genius should have any greater stomach than the lady of the manor has for her ploughman's lump of fat bacon. SOR the creative artist stim- ulants are especially dan- gerous, since they produce that terrible dream-glamour in which the ugly, the grotesque, the wicked, the morbific begin to fasci- nate and obsess instead of disgusting. This effect, however faint it may be, is always produced in some degree by drugs. The mark left on a novel in the " Leisure Hour " by a cup of tea may be imperceptible to a bishop's wife who has just had two cups ; but the effect is there as certainly as if De Quincey's eight thousand drops of laudanum had been substituted. 6 TO CHURCH. II Y a very little experi- mm Srj^Aj^ letters will convince any 22^=^jopen-minded person that abstinence, pure and simple, is not a practicable remedy for this state of things. There is a considerable com- mercial demand for maudlin or night- marish art and literature which no sober person would produce, the man- ufacture of which must accordingly be frankly classed industrially with the unhealthy trades, and morally with the manufacture of unwholesome sweets for children or the distilling of gin. What the victims of this industry call imagination and artistic faculty is nothing but attenuated delirium tre- mens, like Pasteur's attenuated hy- drophobia. It is useless to encumber an argument with these predestined children of perdition. The only profit- able cases are those to consider of people engaged in the healthy pursuit 7 ON GOING of those arts which afford scope for the greatest mental and physical en- ergy, the clearest and acutest reason and the most elevated perception. Work of this kind requires an intensi- ty of energy of which no ordinary la- bourer or routine official can form any conception. If the dreams of Keeley- ism could be so far realized as to transmute human brain energy into vulgar explosive force, the- head of Shakespere, used as a bombshell, might conceivably blow England out of the sea. At all events, the succes- sion of efforts by which a Shaksperean play, a Beethoven symphony, or a Wagner music-drama is produced, though it may not overtax Shakespere, Beethoven or Wagner, must certainly tax even them to the utmost, and would be as prodigiously impossible to the average professional man as the writing of an ordinary leading ar- ticle to a ploughman. TO CHURCH. >H AT is called profession- al work is, in point of se- rverity, just what you choose to make it; either commonplace, easy and requiring only extensive industry to be lucrative, or else distinguished, difficult and exact- ing the fiercest intensive industry in return, after a probation of twenty years or so, for authority, reputation and an income only sufficient for sim- ple habits and plain living. The whole professional world lies between these two extremes. At the one, you have the man to whom his profession is only a means of making himself and his family comfortable and prosper- ous : at the other, you have the man who sacrifices everything and every- body, himself included, to the perfec- tion of his work to the passion for efficiency which is the true master- passion of the artist *^S At the one, work is a necessary evil and money- making a pleasure ; at the other, work is the objective realization of life and 9 ON GOING moneymaking a nuisance. At the one, men drink and drug to make them- selves comfortable ; at the other, to stimulate their working faculty (gb Preach mere abstinence to the one, and you are preaching nothing but diminution of happiness. Preach it to the other, and you are proposing a re- duction of efficiency if If you are to prevail, you must propose a substi- tute. And the only one I have yet been able to hit on is going to church. in kw^JT will not be disputed, I pre- *^ sume, that an unstimulated $ L saint can work as hard, as long, frj I &l as fi ne ty anc *> on occasion, as QK\ fiercely, as a stimulated sinner. aSRecuperation, recreation, in- spiration seem to come to the saint far more surely than to the man who grows coarser and fatter with every additional hundred a year, and who calls the saint an ascetic. A compar- ison of the works of our carnivorous 10 TO CHURCH. drunkard poets with those of Shelley, or of Dr. Johnson's dictionary with that of the vegetarian Littre, is suffi- cient to show that the secret of attain- ing the highest eminence either in poetry or in dictionary compiling (and all fine literature lies between the two), is to be found neither in alcohol nor in our monstrous habit of bring- ing millions of useless and disagree- able animals into existence for the ex- press purpose of barbarously slaugh- tering them, roasting, their corpses and eating them. I have myself tried the experiment of not eating meat or drinking tea, coffee or spirits for more than a dozen years past, without, as far as I can discover, placing myself at more than my natural disadvan- tages relatively to those colleagues of mine who patronize the slaughter- house and the distillery. JUT then I go to church. If lyou should chance to see, in ]a country church-yard, a bi- Jcycle leaning against a tomb- ii ON GOING stone, you are not unlikely to find me inside the church if it is old enough or new enough to be fit for its pur- pose. There I find rest without lan- guor and recreation without excite- ment, both of a quality unknown to the traveller who turns from the vil- lage church to the village inn and -^ seeks to renew himself with shandy- gaff. Any place where men dwell, vil- lage or city, is a reflection of the con- sciousness of every single man. In my consciousness there is a market, a garden, a dwelling, a workshop, a lover's walk above all, a cathedral. >ESjj3SZ2Y appeal to the master- uw I s^(4Bl^ u ^^ er * s : Mirror this ca- Iv 1 t^Wthedral for me in enduring ' & - m jp^ jstone ; make it with hands ; let it direct its sure and clear appeal to my senses, so that when my spirit is vaguely groping after an elusive mood my eye shall be caught by the skyward tower, showing me where, within the cathedral, I may find my way to the cathedral within me. With 12 TO CHURCH. a right knowledge of this great func- tion of the cathedral builder, and craft enough to set an arch on a couple of pillars, make doors and windows in a good wall and put a roof over them, any modern man might, it seems to me, build churches as they built them in the middle ages, if only the pious founders and the parson would let him For want of that knowledge, gentle- men of Mr. Pecksniff's profession make fashionable pencil drawings, presenting what Mr. Pecksniffs cre- ator elsewhere calls an architectoor- alooral appearance, with which, hav- ing delighted the darkened eyes of the committee and the clerics, they have them translated into bricks and ma- sonry and take a shilling in the pound on the bill, with the result that the bishop may consecrate the finished building until he is black in the face without making a real church of it. Can it be doubted by the pious that babies baptized in such places go to 13 ON GOING limbo if they die before qualifying themselves for other regions; that prayers said there do not count ; nay, that such purposeless, respectable- looking interiors are irreconcilable with the doctrine of Omnipresence, since the bishop's blessing is no spell of black magic to imprison Omnipo- tence in a place that must needs be intolerable to Omniscience ? T all events, the godhead in me, certified by the tenth chapter of St. John's Gospel to those who will admit no other authority, refuses to enter these barren places. This is per- haps fortunate, since they are gener- ally kept locked ; and even when they are open, they are jealously guarded in the spirit of that Westminster Ab- bey verger who, not long ago, had a stranger arrested for kneeling down, and explained, when remonstrated with, that if that sort of thing were tolerated, they would soon have peo- ple praying all over the place. Happi- 14 TO CHURCH. ly, it is not so everywhere. You may now ride or tramp into a village with a fair chance of finding the church- door open and a manuscript placard in the porch, whereby the parson, speaking no less as a man and a brother than as the porter of the House Beautiful, gives you to understand that the church is open always for those who have any use for it. 'NSIDE such churches you will often find not only care- fully cherished work from the ages of faith, which you expect to find noble and lovely, but sometimes a quite modern furnishing of the interior and draping of the altar, evidently done, not by contract with a firm celebrated for its illustrated catalogues, but by some one who loved and understood the church, and who, when baffled in the search for beautiful things, had at least suc- ceeded in avoiding indecently com- mercial and incongruous ones. And then the search for beauty is not al- 15 ON GOING ways baffled if When the dean and chapter of a cathedral want not mere- ly an ugly but a positively beastly pul- pit to preach from something like the Albert Memorial canopy, only much worse they always get it, im- probable and unnatural as the enter- prise is. Similarly, when an enlight- ened country parson wants an unpre- tending tub to thump, with a few pretty panels in it and a pleasant shape generally, he will, with a little perseverance, soon enough find a craftsman who has picked up the thread of the tradition of his craft from the time when that craft was a fine art as may be done nowadays more easily than was possible before we had cheap trips and cheap photo- graphs and who is only too glad to be allowed to try his hand at some- thing in the line of that tradition. months ago, I came upon a little church, built long be- g fore the sense of beauty and 16 TO CHURCH. devotion had been supplanted by the sense of respectability and talent, in which some neat panels left by a mod- ern carver had been painted with a few saints on gold backgrounds, evi- dently by some woman who had tried to learn what she could from the ear- ly Florentine masters and had done the work in the true votive spirit, without any taint of the amateur ex- hibiting his irritating and futile imita- tions of the celebrated artist business. From such humble but quite accept- able efforts, up to the masterpiece in stained glass by William Morris and Burne-Jones which occasionally as- tonishes you in places far more re- mote and unlikely than Birmingham or Oxford, convincing evidence may be picked up here and there that the decay of religious art from the six- teenth century to the nineteenth was not caused by any atrophy of the ar- tistic faculty, but was an eclipse of religion by science and commerce. 17 1 ON GOING r T is an odd period to look back on from the church- goer's point of view those i eclipsed centuries calling their predecessors "the dark ages," and trying to prove their own piety by raising, at huge expense, gigantic monuments in enduring stone (not very enduring, though, sometimes) of their infidelity. Go to Milan, and join the rush of tourists to its petrified christening-cake of a cathedral. The projectors of that costly ornament spared no expense to prove that their devotion was ten times greater than that of the builders of San Ambrogio. But every pound they spent only re- corded in marble that their devotion was a hundred times less t^s Go on to Florence and try San Lorenzo, a real- ly noble church (which the Milan Cathedral is not), Brunelleschi's mas- terpiece. You cannot but admire its intellectual command of form, its un- affected dignity, its power and accom- plishment, its masterly combination 18 TO CHURCH. of simplicity and homogeneity of plan with elegance and variety of detail : you are even touched by the retention of that part of the beauty of the older time which was perceptible to the Renascent intellect before its wean- ing from heavenly food had been fol- lowed by starvation. You understand the deep and serious respect which Michael Angelo had for Brunelleschi why he said " I can do different work, but not better." But a few min- utes' walk to Santa Maria Novella or Santa Croce, or a turn in the steam- tram to San Miniato, will bring you to churches built a century or two earlier ; and you have only to cross their thresholds to feel, almost before you have smelt the incense, the dif- ference between a church built to the pride and glory of God (not to men- tion the Medici) and one built as a sanctuary shielded by God's presence from pride and glory and all the other burdens of life. In San Lorenzo up goes your head every isolating ad- *9 ON GOING vantage you have of talent, power or rank asserts itself with thrilling poig- nancy. ^N the older churches you forget yourself, and are the I equal of the beggar at the 'door, standing on ground made holy by that labour in which we have discovered the reality of prayer. You may also hit on a church like the Santissima Annunziata, carefully and expensively brought up to date, quite in our modern church-restoring man- ner, by generations of princes chew- ing the cud of the Renascence ; and there you will see the worship of glory and the self-sufficiency of intellect giving way to the display of wealth and elegance as a guarantee of social importance in another 'word, snob- bery z& In later edifices you see how intellect, finding its worshippers growing cold- er, had to abandon its dignity and cut capers to attract attention, giving the grotesque, the eccentric, the baroque, 20 TO CHURCH. even the profane and blasphemous, until, finally, it is thoroughly snubbed out of its vulgar attempts at self-as- sertion, and mopes conventionally in our modern churches of St. Nicholas Without and St. Walker Within, locked up, except at service time, from week's end to week's end without ever provoking the smallest protest from a public only too glad to have an excuse for not going into them. You may read the same history of the hu- man soul in any art you like to select ; but he who runs may read it in the streets by looking at the churches. IV ONSIDER for a moment the prodigious increase of the population of Christen- dom since the church of San Zeno Maggiore was built at Verona, in the twelfth and thirteenth centu- ries. Let a man go and renew himself for half an hour occasionally in San Zeno, and he need eat no corpses, nor 21 ON GOING drink any drugs or drams to sustain him. Yet not even all Verona, much less all Europe, could resort to San Zeno in the thirteenth century ; whereas, in the nineteenth, a thou- sand perfect churches would be but as a thousand drops of rain on Sa- hara. Yet in London, with near five millions of people in it, how many perfect or usable churches are there ? And of the few we have, how many are apparent to the wayfarer ? "Who, for instance, would guess from the re- pulsive exterior of Westminster Ab- bey that there are beautiful chapels and a noble nave within, or cloisters without, on the hidden side ? REMEMBER, a dozen or so years ago, Parson Shut- tleworth, of St. Nicholas Cole Abbey in the city, tried to persuade the city man to spend his mid-day hour of rest in church ; guar- anteeing him immunity from sermons, prayers and collections, and even making the organ discourse Bach and 22 TO CHURCH. Wagner, instead of Goss and Jackson. This singular appeal to a people walk- ing in darkness was quite successful : the mid-day hour is kept to this day ; but Parson Shuttleworth has to speak for five minutes by general and in- sistent request as Housekeeper, al- though he has placed a shelf of books in the church for those who would rather read than listen to him or the organ if This was a good thought ; for all inspired books should be read either in church or on the eternal hills. St. Nicholas Cole Abbey makes you feel, the moment you enter it, that you are in a rather dingy rococo banqueting room, built for a city com- pany. Corpulence and comfort are written on every stone of it. Consid- ering that money is dirt cheap now in the city, it is strange that Mr. Shut- tleworth cannot get twenty thousand pounds to build a real church j^jk He would, soon enough, if the city knew what a church was. The twenty thou- sand pounds need not be wasted, 23 ON GOING either, on a professional " architect." TOHILE lately walking in a \polite suburb of New Cas- ftle, I saw a church a new church with, of all things, a detached campanile ; at sight of which I could not help exclaiming profanely: <( How the deuce did you find your way to New Castle ? " So I went in and, after examining the place with much astonishment, addressed myself to the sexton, who happened to be about. I asked him who built the church, and he gave me the name of Mr. Mitchell, who turned out, how- ever, to be the pious founder a ship- builder prince, with some just notion of his princely function. But this was not what I wanted to know; so I asked who was the the word stuck in my throat a little the architect. He, it appeared, was one Spence. " Was that marble carving in the altar and that mosaic decoration round the chancel part of his design ?" said I. " Yes," said the sexton, with a certain 24 TO CHURCH. surliness as if he suspected me of dis- approving. "The ironwork is good," I remarked, to appease him ; " who did that?" "Mr. Spence did." "Who carved that wooden figure of St. George ? " (the patron saint of the ed- ifice). "Mr. Spence did." "Who painted those four panels in the dado with figures in oil?" "Mr. Spence did : he meant them to be at intervals round the church, but we put them all together by mistake." " Then, per- haps, he designed the stained win- dows, too?" "Yes, most of 'em." I got so irritated at this feeling that Spence was going too far that I re- marked sarcastically that no doubt Mr. Spence designed Mr. Mitchell's ships as well, which turned out to be the case as far as the cabins were con- cerned. HIS Mr. Spence is an artist- craftsman with a vengeance f , Many people, I learnt, came ^Sggjp^ to see the church, especially in the first eighteen months ; but some 25 ON GOING of the congregation thought it too or- namental. (At St. Nicholas Cole Ab- bey, by the way, some of the parish- ioners objected at first to Mr. Shut- tleworth as being too religious.) Now, as a matter of fact, this Newcastle church of St. George's is not orna- mental enough. Under modern com- mercial conditions, it is impossible to get from the labour in the building trade that artistic quality in the actual masonry which makes a good mediae- val building independent of applied ornament jb Wherever Mr. Spence's artist's hand has passed over the in- terior surface, the church is beautiful. Why should his hand not pass over every inch of it ? It is true, the com- plete finishing of a large church of the right kind has hardly ever been car- ried through by one man. Sometimes the man has died; more often the money has failed. But in this instance the man is not dead; and surely money cannot fail in the most fash- ionable suburb of Newcastle J The 26 TO CHURCH. chancel with its wonderful mosaics, the baptistry with its ornamental stones, the four painted panels of the dado, are only samples of what the whole interior should and might be. All that cold contract masonry must be redeemed, stone by stone, by the travail of the artist-churchmaker. No- body, not even an average respectable Sabbathkeeper, will dare to say then that it is over-decorated, however out of place in it he may feel his ugly Sunday clothes and his wife's best bonnet. OWBEIT, this church of St. George's in New Cas- tle proves my point, name- ly, that churches fit for their proper use can still be built by men who follow the craft of Orcagna instead of the profession of Mr Peck- sniff, and built cheaply, too ; for I took the pains to ascertain what this large church cost, and found that "30,000 was well over the mark. For aught I know, there may be dozens 27 ON GOING of such churches rising in the coun- try ; for Mr. Spence's talent, though evidently a rare and delicate one, can- not be unique, and what he has done in his own style other men can do in theirs, if they want to, and are given the means by those who can make money, and are capable of the same want. jSSgggSJHERE is still one serious w&3& obstacle to the use of ^^> SISLgJjm churches on the very day ^gJSaffil when most people are best able and most disposed to visit them. I mean, of course, the services. When I was a little boy, I was compelled to go to church on Sunday ; and though I escaped from that intolerable bond- age before I was ten, it prejudiced me so violently against churchgoing that twenty years elapsed before, in for- eign lands and in pursuit of works of art, I became once more a church- goer. To this day, my flesh creeps when I recall that genteel suburban Irish Protestant church, built by Ro- 28 TO CHURCH. man Catholic workmen who would have considered themselves damned had they crossed its threshold after- wards. Every separate stone, every pane of glass, every fillet of orna- mental ironwork half-dog-collar,half- coronet in that building must have sowed a separate evil passion in my young heart j Yes ; all the vulgarity, savagery, and bad blood which has marred my literary work, was cer- tainly laid upon me in that house of Satan ! 3255S30W the mere nullity of the puilding could make no pos- itive impression on me ; Jbut what could, and did, were the unnaturally motionless fig- ures of the congregation in their Sun- day clothes and bonnets, and their set faces, pale with the malignant rigidity produced by the suppression of all ex- pression. And yet these people were always moving and watching one an- other by stealth, as convicts commu- nicate with one another. So was I. I 29 ON GOING had been told to keep my restless lit- tle limbs still all through those inter- minable hours ; not to talk ; and, above all, to be happy and holy there and glad that I was not a wicked little boy playing in the fields instead of worshipping God. I hypocritically ac- quiesced ; but the state of my con- science may be imagined, especially as I implicitly believed that all the rest of the congregation were perfectly sincere and good. I remember at that time dreaming one night that I was dead and had gone to heaven. ND the picture of heaven which the efforts of the then Established Church rjof Ireland had conveyed to my childish imagination, was a wait- ing room with walls of pale sky-col- oured tabbinet, and a pew-like bench running all round, except at one cor- ner, where there was a door. I was, somehow, aware that God was in the next room, accessible through that door. I was seated on the bench with 30 TO CHURCH. my ankles tightly interlaced to prevent my legs dangling, behaving myself with all my might before the grown- up people, who all belonged to the Sunday congregation, and were either sitting on the bench as if at church or else moving solemnly in and out as if there were a dead person in the house. A grimly-handsome lady who usually sat in a corner seat near me in church, and whom I believed to be thoroughly conversant with the arrangements of the Almighty, was to introduce me presently into the next room a mo- ment which I was supposed to await with joy and enthusiasm. 2g53H|EALLY,of course, my heart sank like lead within me at i the thought ; for I felt that my feeble affectation of piety could not impose on Omniscience, and that one glance of that all-search- ing eye would discover that I had been allowed to come to heaven by mistake % Unfortunately for the in- terest of this narrative, I awoke, or 3i ON GOING wandered off into another dream, be- fore the critical moment arrived. But it goes far enough to show that I was by no means an insusceptible subject ; indeed, I am sure, from other early experiences of mine, that if I had been turned loose in a real church, and al- lowed to wander and stare about, or hear noble music there instead of that most accursed Te Deum of Jackson's and a senseless droning of the Old Hundredth, I should never have seized the opportunity of a great evan- gelical revival, which occurred when I was still in my teens, to begin my literary career with a letter to the Press (which was duly printed), an- nouncing with inflexible materialistic logic, and to the extreme horror of my respectable connections, that I was an atheist. >HEN, later on, I was led |to the study of the econ- romic basis of the respect- lability of that and similar congregations, I was inexpressibly 32 TO CHURCH. relieved to find that it represented a mere passing phase of industrial con- fusion, and could never have substan- tiated its claims to my respect if, as a child, I had been able to bring it to book sfj To this very day, whenever there is the slightest danger of my being mistaken for a votary of the blue tabbinet waiting-room or a sup- porter of that morality in which wrong and right, base and noble, evil and good, really mean nothing more than the kitchen and the drawing-room, I hasten to claim honourable exemp- tion, as atheist and socialist, from any such complicity. v NO when I at last took to [church-going again, a kin- [dred difficulty beset me, [especially in Roman Cath- olic countries. In Italy, for instance, churches are used in such a way that priceless pictures become smeared with filthy tallow soot, and have some- 33 ON GOING times to be rescued by the temporal power and placed in national galleries. But worse than this are the innumer- able daily services which disturb the truly religious visitor. If these were decently and intelligently conducted by genuine mystics to whom the Mass was no mere rite or miracle, but a real communion, the celebrants might reasonably claim a place in the church as their share of the common human right to its use >4^$> But the average Italian priest, personally uncleanly, and with chronic catarrh of the nose and throat, produced and maintained by sleeping and living in frowsy, ill- ventilated rooms, punctuating his gab- bled Latin only by expectorative hawking, and making the decent guest sicken and shiver and long for ser- mons in stone, green fields and tem- ples not made with hands ; this un- seemly wretch of a priest should be seized and put out, bell, book, candle and all, until he learns to behave him- self. 34 TO CHURCH. :~S^:QHE English tourist is often lectured for his inconsider- p * AHHd ate behaviour in Italian ^i ^SJSSsBii^ churches, for walking about during service, talking loudly, thrust- ing himself rudely between a wor- shipper and an altar to examine a painting, even for stealing chips of stone and scrawling his name on statues. But as far as the mere dis- turbance of the service is concerned, and the often very evident disposition of the tourist especially the experi- enced tourist to regard the priest and his congregation as troublesome intruders, a week spent in Italy will convince any unprejudiced person that this is a perfectly reasonable at- titude. I have seen inconsiderate Brit- ish behaviour often enough both in church and out of it. The slow-witted Englishman who refuses to get out of the way of the Host, and looks at the bellringer going before it with " Where the devil are you shoving to? M writ- ten in every pucker of his free-born 35 ON GOING British brow, is a familiar figure to me ; but I have never seen any stran- ger behave so insufferably as the offi- cials of the church habitually do. F27HT is the sacristan who teaches ^ you, 'when once you are com- t mitted to tipping him, not to M waste your good manners on "i kneeling worshippers who are snatching a moment from their daily round of drudgery and starva- tion to be comforted by the Blessed Virgin or one of the saints ; it is the officiating priest who makes you un- derstand that the congregation are past shocking by any indecency that you would dream of committing, and that the black looks of the congrega- tion are directed at the foreigner and the heretic only, and imply a denial of your right as a human being to your share of the use of the church. That right should be unflinchingly as- serted on all proper occasions >4^&> I know no contrary right by which the great Catholic churches made for the 36 TO CHURCH. world by the great church-builders should be monopolized by any sect as against any man who desires to use them. Y own faith is clear : I am a resolute Protestant ; I be- y/FJ aeve * n ^ e Holy Catholic gg<; Church ; in the Holy Trin- ity of Father, Son (or Mother, Daugh- ter) and Spirit ; in the Communion of Saints, the Life to Come, the Immac- ulate Conception, and the everyday reality of Godhead and the Kingdom of Heaven. Also I believe that salva- tion depends on redemption from be- lief in miracles ; and I regard St. Athanasius as an irreligious fool that is, in the only serious sense of the word, a damned fool. I pity the poor neurotic who can say, " Man that is born of a woman hath but a short time to live, and is full of mis- ery," as I pity a maudlin drunkard; and I know that the real religion of to-day was made possible only by the materialist-physicists and atheist- 37 ON GOING critics who performed for us the in- dispensable preliminary operation of purging us thoroughly of the ignorant and vicious superstitions which were thrust down our throats as religion in our helpless childhood. rjjaOW those who assume that our churches are the private property of their sect would think of this profession of faith of mine I need not describe. But am I, therefore, to be denied access to the place of spiritual recreation which is my inheritance as much as theirs ? If, for example, I desire to follow a good old custom by pledging my love to my wife in the church of our parish, why should I be denied due record in the registers unless she submits to have a moment of deep feeling made ridiculous by the reading aloud of the naive imperti- nences of St. Peter, who, on the sub- ject of Woman, was neither Catholic nor Christian, but a boorish Syrian fisherman. 38 TO CHURCH. r F I want to name a child in the church, the prescribed I service may be more touched ^with the religious spirit once or twice beautifully touched but, on the whole, it is time to dis- miss our prayer-book as quite rotten with the pessimism of the age which produced it. In spite of the stolen jewels with which it is studded, an age of strength and faith and noble activity can have nothing to do with it : Caliban might have constructed such a ritual out of his own terror of the supernatural, and such fragments of the words of the saints as he could dimly feel some sort of glory in \0? My demand will now be understood without any ceremonious formulation of it. No nation, working at the strain we face, can live cleanly without pub- lic houses of some sort in which to seek rest, refreshment and recreation. To supply that vital want we have the drinking-shop with its narcotic, stimulant poisons, the conventicle 39 ON GOING TO CHURCH. with its brimstone-flavoured hot gos- pel, and the church. 'N the church alone can our need be truly met, nor even there save when we leave outside the door the materi- alizations that help us to believe the incredible, and the intellectualizations that help us to think the unthinkable, completing the refuse-heap of "isms" and creeds with our vain lust for truth and happiness, and going in without thought or belief or prayer or any other vanity, so that the soul, freed from all that crushing lumber, may open all its avenues of life to the holy air of the true Catholic Church. 40 SO HERE THEN ENDETH THE PREACHMENT % ON GOING TO CHURCH % BY GEORGE BER- NARD SHAW **$& DONE INTO PRINT BY ELBERT HUBBARD AT THE ROYCROFT PRINTING SHOP WHICH IS IN EAST AU- RORA, NEW YORK, U. S. A. **& UNIVERSITY OF CALIFORNIA LIBRARY This book is DIJEon t he last date stamped below. Fine sc] OCT 29 IP - - \fiteKARY I ^ OCT 61 tt\tf* AUG &4 196 DEC 200ct'6lDM OCT g |&j 201^631^ m STACKS JUL221964 ftECCia. DEC 5 1979 161983- gtC. CW.0EC 3" LD 21-100m-12,'46(A2012sl6)4120 n 245 UNIVERSITY OF CALIFORNIA LIBRARY / b If, -