" MAKE-UP" BOOK— HOW TO " MAKE-UP." A practical guide fo» AmatdBrt, with Twentj-three colored Ulustrations. Price 60 ceats. No. CCXXXVIII. FRENCH'S MINOR DRAMA. Cj^e feting (Sbhion. A MOST Unwarrantable Intrusion gi Comic Interlube, in #ne ^rt. BY JOHN MADISON MORTON. TO ";\'HICH Ar.E ADDED A Description of tlie Costume— Cast of the Characters— Entrances and Exita — Relative Positioas of the Performers oa the Stage, and the whole of the iSlage Business. AS NOW PERFORMED AT THE PRINCIPAL ENGLISH AND AMERICAN THEATRES. NEW TOEK ! SAMUF.L FRENCH & SON. PXnSLISHEES, 88 East 14tli St., Union Square. LONDON: Samuel French, PUBLISHER, SO STRAND. Containing Eouge, Pearl Powder, Whiting, Mongolian, Ruddy Kouge, Violet Powder. Box and Puff; Chrome, Blue, Burnt Cork. Pencils for the eyelidx. Spirit Gum, India Ink, Camel Hair Brushes, Hare's Foot, Wool, Craped Hair, Cold Cream, Joining Paste, Min- iature Puffs. Scissors and Looking Glass, packed neatly in Strong Fancy Card-board Boxes, »4.00 ; Elegant Tin Cases, $5.00. b j lae ABCVJ ArT5CL£S 19 £1- HAS s!£f ASAYiLY. rOS? .^KJCKS, #!iS MTALOGUE. Ne-fr Plays Just I»ul>lislieS 14 ^.^ 5 a "O ^ 3 0) S 3 5 2 a ^ "^ a « -o a iS V fs a5 a5 UCSB LIBRARY A MOST UNWARRANTABLE INTRUSION. SCENE. — An elegantly furnished Apartment — Large French tcindoio at c. opening on to afloiver garden — Doors at E. H. and 3 E. L. H. — At 2 E. K. H. a fireplace — A flower-stand, with four fl/3wer-pots and flowers, 2 e. L. H. — At 3 E. L. H. a pianoforte — At E. c, a7i easel, with a portrait of a man — A female portrait on the pianoforte — Work-table, ehe^oneer, table, ' chairs onil a fish pond. I would not mind ^'oing out fishing, if I was sure that I shouldn't catch anythiiijr ; but. nalty, wliat with the excitement of watching the float, and then the frif:htful shock, 'if there happens to come a nibble, it's more than my lurvfus s^ystem will bear, (rises, looks off at back) Holloa, liolloa ! who is tiiat strange, and by no means fashionably dressed individual, trespassing in the imn\ediate neij;hborhood of my fish pond — and whats the man about? I repeat the question — what's the man about? G( od gracious! he's divesting himself of his upper garment — but whether his intention is to take a bath, or drown himself — whether he iscon- templating the fish, or suicide. Ha! he clasps his hands together — he's about to take a " one, two, three, and oft' she goes! " but he fiba'n't. No — here, stop — stop! (Iiu.5 his fingers into the fish bowl, and sprinkles wafr into the Intruder's /n I lie iifioul)/f\ Kvi-n at this very moment, sir, it's just as much as 1 can do to ret'min from eniliiMcing ynii, th' uirh you li.-ivfn't shaved! Whatian I way more? Hog'' inaii. whiit can I .-^ny more? Sno. Sir, I'ni d^■e|>ly touoiied with yourtixpression of gratitude lor the trifling sorvico that I — Int. Tritliiig service ? Vou may call it a trifle, but I don't. ( contend, that if A. saves the life of IJ. — tl»at B. l>eing a total >trangi«i to A. — solely for ih" purpose of providing for tlie remainder of 15. o life. and totally regardle-^s of the approhanoii of the pulilio — wlioiii I sliall designate as C. and D. — why it's i-vident tliat in preserving the afore- said 15., the atiove mentioned A. ran only liave Ixjen aetuati-d by tlie purest motivi H— .ind that. I aui sui-e, would be the opinion of the great majority of an enlinh'ened C. and D. Sua. Sir, don't ta k nonsrnse. This is a most unwarrantable in- trusion, sir. fiiMile I I'll go to the window and look out for an occasional policeman. Perhaps one may pa-8. It isn't very likely — lut IR'J has been a very remarkable ye^r — why not 1858 ? [retires iiji a. u.J Int. I .say. sir — Sno: Well? Int. Ifow much do you pay ftir your lump? [(uKlin^ sugar.'] Sno. My what, sir'.' Int. Your lump ! Sno. You'd better a.sk my grocer, sir. Int. No: that wou'id be taking a liberty. Besi'les, vour grocer might s.iy that you d'U't pay at all— ha, ha I 1 sa^', sir — have you anything particular to do. jtist now ? Sno. No. sir ! Int. Then suppose you ask me. as a particular favor, to tell you my melancholy story ? Sno. I shan't do any such thing, sir! Int. Very well — then I'll lell you without your asking. So, take a seat, extensive creature ! Sno. If it's the same thing to you, sir. I'd rather stand. Int. But it isn't the same thing to me. or 1 shouldn't ask you to sit down. You're talking nonsense ! Sno. [itsidf) I suppose I had better humor this eccentric being. I sha'n't want a day to myself in a h'lriy agiin ! (>:ili»i(f) Very well, Sir; since you insist upou it, I will ait down. { goino towards casi/ chair . ) AN UNWAREANTAELE INTRtrSION. f Int. So will T. (seats himself in easij chair, and pushes another chair towards Snoozle, l. h. ) Sno. 1 beg pardon, sir, but I've a preference for the chair that you are sitting in, sir Int. So have I, or I shouldn't be sitting in it ! The thing spealis fur itself — so, sit down, [luungcs back in the easy chair, and jmix ,.'.• legs on the other, us Snoozle is about to seat himself, L. H. ) What a strange fellow you are. Why the deuce don't you sit down? Sno. [disgusted, crosses to R. and takes chair forward ) There! (seat in ff himself on another chair. ) Int.. What arc you sitting out there for ? You ndght as well be in the next country ! Sno. I wish 1 was, sir. (places chair R. of table) Int. Do you '.' VVt;ll, wait till you've heard luy story, and then you can go! Now, then — but before 1 begin, 1 tbink it necessary to mention — flaking up a plate from off the table, and playing with it — Snoozi.e takes it out of his hand] I repeat. I think it necessary to men- tion that there are one or two poins in my history that may proba- bly strike you as somewhat remarkable. Sno. [disgusted] Oh, go on, do ! Int. In the first place, 1 never had any mother or father. That's a singular fact, isn't it ? Sno. Oh, come, come — ■ Int. Well, if you doubt it, 1 refer you to them. Consequently. I never had any name. That's another ^-ingular fact. So what do you think I did? I christened myself— stood my own godfather and god- mother! That's another singular fact, eh? [opening and shutting tea caddy — Snoozlb removes it to table, R.J And what name do you think I gave myself ? S?w. I'm sure 1 elon't know. Int. Of course you don't— but you can guess, big man — you can guess — [taking toasting fork, and pricking him.] Sno. [disgusted] Well, then, perhaps you called yourself Thomas, or John — Int. That's it ! John! Ah. somebody told you. Yes, I calhd myself John. I like John— don't you? Sno. [yawning"] Very much inelerd. ■ Lit. 1 elon't believe you do. If you elon't. say so. I've not the slightest objection to christen mys'df again — it's not the least trouble. Perhaps you prefer James ? With all my heart. We'll say James. Sno. [sh(:uting] I elon't care. Inl, You're sui'e you don't ? Then why object to Je-hn ? Sno. I didn't! Int. Very well— then Jchn be it. But, seriously — if ycu really prefer James — Sno. \shouting] I tell you, it's a matter of the most perfect in- diifer'fence to mc. //(/. Then why the cieucc make all this fuss about it? [taking up fouyling fork again, and .stirring the fsh bowl. S^OOZr.F, removes it again] Well, as 1 have said before, I called myself John. So I — I'm sure you pv^.fat James ! 8 AN LNW.VRKA.NTABLE INTKUSION. Sno. [sliiiutinj.j Will you go on with your story, sir. Int. However, I rL^piite I u buriiame, ho - by tlie bye, I think I fjrg'jt to iiicati'ia that 1 wis br night up in the ouutry — H'lo. lastUe j 1 wi-^h you d never bceu bruughi up from the country I Jiif. Well, sir — [leaning back in chiir, and rinyimj hell on tuiU violcnt- hj — Snokzle takf» it uut ufhis fiuiiti J the hou»e tluit my old nursi.' lived in — f'tr she (/((/ live iu a house — 1 don't mention t/uit as a lingular liict, but — Sun. rjo on sir ! /n(. Well, the hiuxe she livcl in — I raijrht say, died in — for, bc- in)^ 11 reni:irkul)ly old woman she (i«/ die— 1 don't mention t/uit O-s a -iiigiilar (act, but — Sno. (.10 on bir! /ii(. Well — (puttirii; a piecf o/xuijitr in /u.t m>ulh — SNoozr.E remwa fugnr basin) — ih^ house she lived in— I mc:in wliilc she waa alive ii"t since — was surrounded by a hi-djic of tiourishing young ash- jilatita. Well, one day, Mr. — liy the bye, what'd your name'/ Sno. !o/.lc>erI Snelf Ashplant. Well, { tlion;.:ht ll.e name would do very wull. What do you thiuk I Sun. I think so too. Ini . Then you're wring. iKj.-ause it won'tl No. for on revisiting, the 'itlicr day. the scene- of my cliildhood. 1 finnd. to my dismay, th:it every alternate ash plant had be.n romjved, and its place sup. pliid l.y a holly bush. Sn.,.' Well, what of that? Int. What of thai'? Well I'm surjirisod at you I Doesn't it follow, as a natural conso>]uencc, that 1 don't know now whi-ther to call my- self .Vshplant or HollybnshV Whi h Ji you like b-sf.' Sno. (vfn/ rjiiirklj/) Ashpl'^nt, eir ! I unhe-itatingly decide in fa- vour of Asliplant — so, pet on I fill. Well, I'm .sorry i'^-r that, because I rather pr.^fer IloUybush. However, if you're particular abjut your Ashplant, I'll give up my Hollybush. I can't say more. S'lo. Go on 1 ////. Well, sir — (opening table drawer, and takinrj onl a b-ffer, unxeen . I Snoozle, who has turned aicn/ in di.''fjml)—as I wa-j about to observe -(hreaking seal, and reidint) letter) "Why doom a wretched lover to de-ipair, relentless Snoozle?" S.io. How dare you, sir — [ tnrnx the (able — a revolting one — s^ (hat th. fish botpl and urn come opposite to Ixtkuder ] ///'. [looking ut fisli\ Pretty little d^ai's ! I wonder if they like muffin. I Jlings tiro wiifrins into bowl Holloa! these 6sh want frosh water — relentless Snoozle. these fish w:mt fresh water! [^turns cock of the urn u-hich isjttst over the fish bowl.j AN UNWAREANTABLE INTRUSION. 9 Sno. Zounds ! what's he at now ? [ Snoozle removes bowl, stops wa- ter, and places it on table, R. H.J Int. [taking another paper out of drawer, and reading'\ " Mr. Snoozle to Jemina Brown. Six shirts, one and nineperice — four pair of" — Sno. Oh, confound it ! [drags table violently away. The Intruder has hold of tuindle of drawer, whick comes out, and a mass of letters, papers, ijT. fall out. I Int. There — there ! Don't go and say I did it ! Never mind — I'll pick 'em all up to-morrow, or the day after ! Sno. This is intolerable — iusuii'erable ! [taking out a gold snuffbox, and taking a pinch J In short, sir, i don"t like it ! Int. Don't you? [takes snuff box from :^'SOozle, and helps himself 1 Well, I've tasted better myself — try mine ! [offering a small common tin box to S'^oozhE, who indignantly opens it, and takes a large pinch..] That's ratlier the thing, eh ? You . like a change sometimes ? Of course you do — ^so do 1 ! [puts Snoozle's snuff box into his pocket, j Sno. Give me that snuff bos, sir. V Int. Don't be in a hurry. You shall have it again, some day or other, before 1 go. But, by the bye, I haven't finished my story yet. Sno- I'shaw! [^walks about] Int. That's right. A little exercise before dinner will. do us both good, [takes S.soozle's arm, walks him up and down] 'Well, as I was going to say Stop a bit. — [ sneezes — then seeing part of Snoozle's handkerchief hanging out of his pocket, takes it out and uses it.} Thoss are capital teeth of yours — where did you get them from? Sno. Go on, sir? Int. Well then, sir, in due time 1 reached the age of manhood, and from that moment Fortune frowned upon nie. I found myself with- out a family, without friends, without a name, except Ashplaut— no, HoUybush— no, Ashplaut! Which eras it ? Really, you (/o confuse me in such a dreadful manner Sno. (shouting) Go on, sir! Int. I shan't be happy till you tell me where you got your teeth from? AVell, as I said before Sno. Goodness gracious! never mind what you i itl before! hit. But you really bother me so. Suppose I go back to the bei ginning ? Sno. No— suppose you come to the ending — as quick as you conTe> niently can. Int.. Well.then 1 don't much like that morning-gown of yours — made out of a pair of decayed bed curtains, I should say. Never mind. Well, to resume. Fortune at last smiled upon me — actually smiled upon me, in the shape of a woman — young, amiable, beau- tiful, and rich — but unfortunately she hul in uncle— and what was worse, she was his niece. 1 don't mention thut as a singular fact, but she icasl He wouldn't hear of me — wouldn't even answer my letters — consequently, I grew desperate ! What was life to me without the aforesaid lovely niece of the above-mentioned cruel uncle? Nothing! So I determined to make away with myself — and for that purpose I followed the course of the New River, till I got to your fishpond; but you thought proper to interfere. I felt rather auuoysd at first— lO AN UNWARRANTABLE INTRUSION. but now that I know your benevolent purpose, I'm flotermincd you slia'ii't 1)0 iii-a|iiiuint d. You've g. ncTously umlertakon to provide f<>r nil- f)r the remaiiuJor of my cxistjuce ! To prove that I'm not un- graicful, hefL' goes ! [t'thex off his coat and is about tu }>ut on a drus coat which IS liiuiijiny ui'cr a chair nnir /tun) Sno. Holloa, lioHoii! what's the man about'? Int. Why, you don't imagine that I'd let people say that you didn't give me a guo 1 coat tomybaok? No — I've too much rc8|>ect for you I (abjut ^J put on cuat) Sno. l)>n't put on that garment, sir ! That's the coat that I go to dinner parties in. Int- U\\ ! you go out to dinner parties, do you? Of course you'll tak'' mc with you? (tbnit to put on co in the meantime puts on dresting-yown) If you come to that, what do you thiuk of me ".' \ turning his buck to Ssing stark-starinjr mal ! 1 fed I am! Int. No, are you ? 1 should like t ) see how you do it. You'll wait till I've ha.) Holloa! by Juve, what ft magnifioicnt croft- ture ! (^throws licicn the b'jok-case, the books all f to c. l>. and jn.ittis off) Who is she? There — don't you see— coming up the gravel walk, in tho .nky bluo bonnet! Sno. My wife como bock ! //(/. Your wife— Mrs. Snooilcscr? Sno- No, no ! Jnt. You sftid your wife ! Sno. I didn't! Jnt. Oh, very well— then I'll go and talk to her— [^oin^] Sno. I won't allow it. [stopping AimJ Jnt. Come, I like that, if hdc i^in't your wife, what can it mat- ter to you? Where's my hat? Nerer mind — this'U do ! [snalcha cup oj/'Sm>ozlk'8 head, at\d puts it ohJ Sito. [stopping him] Stop where you are, sir ! Int. Lxcuse me — but as you think proper to find fault with every- thing I du, I'd rat her go. Sno. [puUf him hirk] But I'd rather you didn't go. [aside] I wouldn't have him speak to Mrs. Snoozle for the world. Jnt- Besides, you toll me to j;o just now — Sno. But I didn't mean it. 1 like you — Ilike you much. I never met so entertaining— I might say facinating a creature, in all my life! Jusiiort, you're the delij^ht of my existence — so, perhaps you'll oblige me by playing me a tunc on the piano. Jnt. No : Sno. Then take my portrait, I'll stand on one leg. Jnt. No, no — [going] Sno. [stopping him] [aside] What's to be done. Jnt. [shouting toicards c. n.J I'll be with you directly, ma'am ! Sno. [aside] I have it. [rt/oM;iTe my cousout to tli'3 match — but on one comlitioii— aud that is, that he in- stantly comes and kicks you out ot my domicile ! Int. Ua, ha I I should like to sec you d'j it I 6Viu. Vou Would, Wou.d jou / Tlieu ht-regoes! [dts doiin,and begins to write \ " My dear Mr. .Johnson, Junior- the hand of my niice, Maria Matilda, i.i yours, with a foriuue of live thou^eaud pounds !" Int. Jolioson won't bo satisfied — Sue. Thou I'll make it ten! [writing] "Ten thousand pounds ! Your affeotiouato uuclo, that is to be, Nath.vmjl Sncio/.i.k." There — [foliia tetter] Aud now, if I could only contrive to get it immedi- ately delivered— Int. Nothing so simple ! {takes letter out of Shoozlk'b hand) It m delivered I Thank ye, uncle! [noddinff to Buoizlk.] • Sua. Unole ! Then ,\ou are — Int. Mr. John Johnson, Junior, at your service I Vnu wnuMnt ask me to come and .-ee yuu, so I came wilhnut your asking 1 couldn't understand why you tlidn't answtr niy Utters, bo 1 came (o ascertain the reason, I wauled to marry your niece — you snid I should never have your consent— I said 1 would, and here it is' — \jlourtslnnij letter.] I repeat, here it is — Go on, I'aul. jj'^Q I'aul Bedfiird. I havn't gotanyiuoie in my part I [taking part out tij' his pockft, and showing it.\ Wright. No more have I ! Rnd Bedford. 1 say, prompter! Enter Prompter, L.n Prompter. Yes, sir — Paid lied ford. Hasn't the Author sent the tag yet? Prompter. No, sir— here's the MS. Wright. Just like him ! Vou knew he didn't send the tng to his last new Farce till about five minutes before the curtain went up Promter. 1 he.ird him say it was no use his writing a tag, for Mr. VVriglit always spoke his own. Wright. "That's not the fact There's no man on the Stage takes less liberties with his .\uthor than I do. Well. I'aul— I su} poFC we must finish the Piece as well as we can. The usual thing is to make a pathetic appeal to the Audience — so be pathetic. Paul — Piul Bedford. No— you uiuh rstand that better than I do. Wright. Then, Ladies and Gentlemen, all I can say is that if we liave committed some errors, let us hope that they are trifling enis: at any rate, we'll mannge to correct them by to-mnrrow evening, 'i you'll ob'ige iis hv looking in — and depend upon it. come as often as you like, we shall never consider it an " uNWAi;r>ANT.\EiE intrusion." Ciirl'jin. _**. Originally plaged hj Messrs. Paid Bedford and Wright. . FRENCH'S SCENES FOE, AMATEURS. From approved designs. Representdng scenes ■uitoble for any piece. These are invaluable to amateur scene painters aod also a great guide and help to profes- sionals. Measurement 16)4 i^- by l'i>^ in. Price Colored, each, 30 cents. Plain, each, 15 cenU. BACK SCENES. The letters denote what borders and sides will go with the scenaa. 1. Cottage, Interior (j b) 3. •• Exterior (o/) 3. Wood {a J) ,4. Prison (e I) 5. Field (a k) 6. Caatle {k) 17. Street (g) \6. Palace (d h) 9. Drawing-room (j) 10. Library {j) 11. Street, Foreign (e) 12. Roadside Inn with river and bridge {k) 13. Foreign Hotel ext.(<^ 11. Ship Deck 15. Seascape [k) 16. Cave jc I) 17. Mountain Pass {h k) 18. Attic [bj) 19. Lodging Hous«Boom(^; 20. Villa (a/) ai. Court of Justice (A) 22. BaroniAl HaU (A b) 23. Proscenium, right 23A " Mt 24. Curtain 25. Drop Scene. BORDERS AND SIDES. Price Colored, each, 30 cents. Plain, each, 15 cents. a Foliage Borders. b Rocks and Raft Borders. c Stone Borders. d Fancy Borders. « Foreign Exterior Sides, i j Interior Sides. / Tree Sides. k Field and Bock Mdes. a Exterior Sides. J 2 Stone Sides. ft Pillar Kides. FRENCH'S AMATEUR OPERAS, FOR STAGE AND DRAWING-ROOM. Comprising some of the best works of the great composers, and arranged so that they can be performed in any drawing-room. Each book ii complete in itself, containiug the Libretto, Stage Directions, Music, Costumes, and Properties, elegantly flulshed, and the size of ordinary music, illuminated cover. This series is superior to any other published. The following are ready: PBICE 40 CENTS EACH. M F The Rose of Auvergne, or " SpoiUng the Broth,"l act. Music by Offenbach 2 1 The Blind Beggars, by Offenbach, 1 act 2 1 The Barber of Bath, Offenbach, 1 act 3 1 My New Maid, composed by Charles Lecocq, 1 act 2 A Fit of the Blues, composed by V. Robillard, 1 act 1 1 Grass Widows, V. Gabriel, 1 act 1 2 Loan of a Lover 4 2 Trial by Jury, composed by Arthur Sullivan, 1 act, words by W. B. Gilbert. This is very amusing and very pretty. There are five males, as well as twelve jurymen (the chorus), and one female character and eight brides- maids, also the chorus. If these numbers be not conyenient. any num- ber wllffdo 17 » ABBAHGED FOE PEIVATK EEPKESEKTATION. By j. V. PRICHARD. Containing 80 selected Tableaux, with instiuctions how to get them up, oast of characters, costumes required, and full description of each picture. Also information respecting the use of the Tableaux Lights, and other effects, and describing the music required for each representation. Price, 25 cents. THEATRICAL AND FANCY COSTUME WIGS, &c., A large assortment of above kept in stock. No Wigs lent out on hire. Any Wig can be made to order. For prices and description, see CATALOGUE, POST FREE ON APPLICATION". 3S East 14tK Street, TJnioii ScL^^are, 'Ne-vr York. rR y^^r-^ m'S ACTING EDITIONS, ? PoppletoD'i PredioameDta Old Sailor My 8l«(<>r fr<^m lDdt« Maria Martin Aniung tbo Relic « Nabob for an Hour An UUI BUn VilUme KigUtiDgale Our Nelly Partoera for Life Cbopatick and HpikiDii ChiBFlUnR Auld Acqaaiat«Dce WteJg White PilffTim DentiataOerk ' Lancers Lncille Randall'a Thntnb Wicked World I Two Orphan* 'Twixt Air and Crown I Wonderful Woman CuriouH Caae Forty Winks !Ptt' ~i«2a nirde in their LitUa Nestd \ Latly Clancarty Pr<«tty Prrdirauiuut 8«Ten Siua liiatired at I.lnyl'd H.iii.l an 1 dlnv.' K .,• ..II He 1 >rti>hil> 1 I p 111 til'.- I'uil..l Oil. , ill IT.i I w I Ntv«r Too Ijttf to Mend I-lly of France I.rd Am ray. 25 eta. H.iirv V (n. v.i-vr vtraion ''lusion ^v,.rld le a Wife I \:i , . the Ffflini' l..!.- ^a .1 ( uiii.'t luiUr Fai/ie CVlor" Heroos Philantbropy Littlo Vixeus Tilephono Too Latp to Save Just My Luck Orateflil Ftitlifr Hapviy Mulium Sole Survivor lieck or Nothing "V«8 Him Law I inker • Will ■ ii ol Hearts ■ ■ of Lvons Marrieai''y Farm I Wriiiklt^ |Lanra»:bire Lass On an Island Q. E. D. ! WitbtTcfl Leaves (Ruth's Kouiauoe ,1- Country jNoi r«.m Out Fickle Infatuation jI^TCuport Bros, k Co. Freezing a MottafT-itt-LAW "that Dreadful Doctor Plot for I'lot jOnr Relative-* lEngaKed jMy Awful Dad [On Uail I Tom Oobb j Bow B«llii i Married for Money riiniiUkint'n Fix jPatt.T vemufi Clatter For her Cblld'n Sake , Married in Hai-tc i Our IJoya I Which I My Fnther'ti WiU Daniel Kocbat Caste School Home David Oarriik Ours Social Giant Daniel Druco Pinafore Old Soldier My liaugbter'sDebni WoiM of Honor 8oM Again Oiiv tawkes Little Slaacaj) Handsome Jack Scarlet Dii k Wedding March My Wife's Father's Sister Hia Novice Much too Clever Hamlet Improved ARTICLES, NEEDED BY AMATEURS, 8ucb as Tableaux Liirbts. Mag-nesnmt Tableaux Lights. Prepared Burnt Corlc, Grease, Paints, Ligbtuing lor Private Theatricals. Guide to Selecting Plays, Hints on Costume, Scenery to fit any Stage- J.-kTley's Wax Work.';, Ethiopian Plays. Charades, Amateur's Guide, Gaide to the Stage. SAMU£L TRENCH & SON, :iS E. 14th street, Union Square, X. Y.