MANAGEMENT: A C M E D r, IN FIVE ACTS. AS PERFORMED AT THE THEATRE- ROTAL, CO VENT-GARDEN. * By FREDERICK REYNOLDS, TH-E FOURTH EDITION. LONDON: printed by A. Straban, Printers Street', FOR T. N. LONGMAN AND O. REfrS, PATERNOSTER-ROW. 1799-. {Price Two Shillings."} . "'i* p* PROLOGUE, WRITTEN BY MR. TAYLOR. SPOKEN BY MR. BETTE&TON: 1 ne heirefs to a hundred thoufand pounds. Mrs. M ANAGEMEN T. 9 Mrs. Dazzle. Why that looks well but how ? the Captain won't marry her. Alltrade. No, but I will j in the firft place her being in this houfe will give me numberlefs oppor- tunities ; and in the next I am employed by Sir Hervey to raife five thoufand pounds for him on his bond now if we can get Juliana to join in it, I mail have them both fo completely in my power, that if I fail in the character of a lover, I may fucceed in that of a creditor : you underftand. Mrs. Dazzle. I do excellent ! and as a re- ward for your trouble Alltrade. I only afk a third of the eftate. Mrs. Dazzle. Granted it is a bargain. Alltrade. Say you fo ? then let's to work in- ftantly and look here comes one who, from his influence over Sir Hervey, we mult fecure as a confederate. Enter Worry. Mrs. Dazzle. Worry, my old acquaintance ! I give you joy of your marriage, and fincerely wilh you may never know the pangs of widowhood. Alltrade. And (o do I with all my heart, Worry. Worry. And I wim with all my foul you'd both keep your withes to yourfelves. (AJide.') But I waic upon you, madam, from Sir Hervey : from your account of Mifs Sutherland's undutiful and indif- creet conduct, he perfifts in not feeing her, and therefore while he ftays in the country, he begs me may be more clofely confined than e ver. Mrs. Dazzle. I'll do all I can j but (he is fo art- ful and defigning, that for my part Idon't think fhe'll ever be fafe till (he gets a hufband to pro- tect: her. Alltradi. i MANAGEMENT. Alltrade. Nor I ; and I'll tell you a fecret, Worry I love her, and wifli to be that hufband : and fince, from my humble birth and inferior fitu- atton, I cannot afpire to gaining Sir Hervey's con- sent, will you aid and aflift the marriage ? Worry. With all my heart the more matches the better. When one's in a (crape onefelf, nothing's f& eonfoling as to fee all one's friends in the fame fituation. (Afide.) I'll aflift you but about the bond have you raifed the five thoufand pounds. Alltrade. No j and 1 defpair of fuccefs the friend I applied to wants Mifs Sutherland to join. Worry. She join ! why (he's as poor Alltrade. \ know but he fays (he has rich re- lations-T-may have a handfome legacy in fhort, it will mend the fecurity : therefore let Sir Hervey know this, and he will fee the neceffity of com- manding her to fign inftantly. ( Worry is going.) Mrs. Dazzle. Good day, Worry I (hall be al- ways glad to fee you : and becaufe there's a hatch- ment over my door, don't fancy this is abfolutely the houfe of mourning. Worry. No, ma'am j I I -(laughing and try- ing to conceal it). Mrs. Dazzle. Why, what do you laugh at ? - fpeak out you won'c offend me. Worry. Shan't I, ma'am? then begging your pardon, you need'nt have caution'd me ; for I al- ways look on a hatchment outfide of a widow's houfe like a fign over an inn a certain emblem of revelry and good cheer. And when I'm a widower oh ! oh ! oh ! (/hakes his head, Jighs, and iy.it ) Alltrade. So far, fo well; he's in our intereft-^- but to get this bond out of Sir Hervey's hands, we mud at lead advance a few hundreds, and where to raife even thofe fur my part I haven't a guinea. Mrs, MANAGEMENT. It Mrs. Dazzle. Nor I now a {hilling ! (Jtghing) por do I know where to raife one ? Alltrade. No! Mrs. Dazzle. No ; unlefs indeed Mr. Mift the manager of our country theatre- Alltrade. What I the quondam filverfmich of Cheapfide ! he's an old friend of mine, Mrs. Dazzle* Is he ? then you may aid my fuit. You muft know, fmitten with the love of fame, eager to acquire the reputation of wit and genius, I have written a moft magnificent play, which of courfe I am all anxiety to fee adted ; he has already promifed to come and read it, and if it meets with his approbation, very likely he may advance the money neceflfary to pay Sir Hervey. Alltrade. True fuppofe I haften his vifit I'll feek him. inftantly j and whilft you keep Juliana put of fight, I'll keep the will out of fight {put- ting will in his pocket).-* And with regard to the play, if you get money by it, depend on'c you'll get reputation alfo j one generally follows the other. Mrs. Dazzle. So it does and how the cafe is aker'd ? formerly wits had no money, and now he that has no money has no wit ; for whilft a bad joke will be applauded from the head of a great * able, a good one will be loft if fpoken by him who has nothing but wit to recommend him ! but away to the manager let the war begin, and doubt not our victory ! [Exeunt, MAN AG EMENT. SCENE Outfide of the "Theatre. Enter Stopgap {from the Bos-office), Stopgap. Pooh I'll fit there picking my teeth no longer ; (lay for ever, there won't be a place taken ; for well as Mr. Mift might underftand concluding a (hop, he knows fo little how to manage a theatre, that during the time I have been prompter, treafurer, box-book-keeper, and deputy manager, there have been only three boxes taken and they were by particular friends, who thought they did him an honour by coming in with orders pfha ! I'll go heh ? who'* here ? aha ? a flat at laft ! Enter Alltrade. Stopgap, This way, Sir, there's the office have a front row in any part of the houfe, Sir Alltrade. Sir, I want to fpeak to Mr. Mift where is he ? (Stopgap holds down his head). "Why don't you anfwer me ? where can I find him? Stopgap. He's walking on the London road you'll find him there, all anxiety, looking out for the new Harlequin whom we expecl every hour by the flow waggon. Alltrade. Expect Harlequin by the flow wag- gon ! Stopgap. Yes, Sir : and between you and me, 'tis iiigh time he came; we play to (hocking houfes laft night to Hamlet we were obliged to make a fhew, by fhoving the band into the pit, the orange women into the boxes, and the door-keepers into the galleries.^ Indeed no wonder at it, for Mr. Mift himfelf played Hamlet. Alltrade, MANAGEMENT. rj Alltrade. The old tradefman aft Hamlet! Stopgap. Even fo he always will ad the befi: part but here he comes, and fpite of the bad houfes, all buftle, life, and animation 1 Enter Mist. Mifi. Damn that flow waggon not here 'till feafon's over however, fure of tol lol houfe to- night fine day ftrong bill nothing againfl what Jack ! Jack Alltrade ! why what brings you to this oh ! oh ! fly dog ! written a Farce can't get it acted in London and fo come Alltrade. Not I upon my honour. Mifi. Want an engagement then! what's your Hne? Ben, Scrub, and Calliban; or Richard, Romeo,, and the tiptops no difference though tragedy or comedy play which you will, Jack fure to en- tertain audience he ! he! he! Alltrade. Why 'Slife here's an alteration ! when I laftlaw you, you were leaving off trade with a capital fortune, and retiring into the country freer from the cares and vexation of bufinefs. Mifi. Hem ! much you know of the matter when 1 loft care and vexation, loft my two befi: friends. Alltrade. Care and vexation your beft friends !' Mijl. Yes : couldn't tell what to do with myfelf all day long watching clock, or yawning at ftreet door could'nt bear it hardly alive thought of opening new fhop when one lucky day ! play houfe put up at auction always had theatrical twift fo bid handfomely knock'd down at large fum to be fure but what then ? been happy ever fmce had care and vexation in abundance but mum i 4 MANAGEMENT. mum fhan't flop here London Covent Garderi Drury Lane they're my object ! Alltrade. Indeed ! then why not make them your object now ? .why not engage London play- ers ? Mift, Um ! (/napping his fingers) that for London players and that for London authors foon have beft actor and fineft writer living -hen i know who I mean ? (mimics Harlequin.) Alltrade. Harlequin ! Mift. Right back his wooden fword againft their wooden heads bring all Europe young and old boys little babies, and full grown babies : and then for falary only twelve millings a week, and fare of flow waggon whereas thefe London gen- tlemen, with their ten pounds a night and poll ehaifes and four befides, won't do here ? don't I come from London ? don't I act Hamlet, and to what ? not enough to pay the lighting ? but can't flay muft go look after the tricks muft get all fmooth 'gainft great man's arrival. Alltrade. Nay : I've an invitation for you Mrs. Dazzle is extremely anxious about her play, and requefts you'd wait upon her. Mift. I wait! who's manager? befides d d fluff I fuppofe. Alltrade. That I can't fay but when I tell you, fhe is a lady I have the greateft regard for Mift. Enough come this evening be there before doors open till when, in the words of Hamlet, Remember me ! Alltrade. Hamlet ! in the words of the Ghoft, you mean. Mift. Yes : but when I act Hamlet, play the Ghoft too always take every good fpeech in the is p la x MANAGEMENT. i; play and whip into my part I'm manager- he ! he! he ! Alltrade. Well, adieu and after the reading, I'll look in at the theatre. Mijl. Do fhan't coft you a farthing put you in at ftage door, and fit in my box Strong bill to- nightBeggar's Opera in two acts Filch by a gentleman of the law, being his firft and laft ap- pearance on any ftage after which, a grand fpec- tacle of my own writing, called " Gulliver the and Mist's houfe; Lavish dif covered lijlening'at the door. Lavijh. Gad ! I hope the prompter don't want prompting : (Looking at his watch) By this 'tis ten minutes, but by my reckoning ten hours, fince Stopgap entered this houfe with a letter for Juliana, fo he comes ! he comes ! Enter Stopgap (from the houfe). LaviJJj. Well ! what news ? have you feen Mifs Sutherland ? Stopgap. I have, and here (producing a letter). Lavijh. Here's an anfwer to my letter. Stopgap. No; there's your letter back again fhe refufed to open it, and in my prefence ordered the fervants not to admit you into the houfe. Lavijh. What ! fhe perfifts Stopgap. Mod obftinately, Sir ; but Jpite of her refufal, make it worth my while, and I'll pro- cure you an interview : excufe the hint, Sir ; but if you recollect when 1 lived with you, you were fo faving Lavijh. So I am (till : worfe and worfe, more economical than ever; but the hope of gaining fuch a treafure as Juliana ! here you rogue, here's ten pounds on the ftrength of it (giving him a bank note). Stopgap. MANAGEMENT. 49 Stopgap. So there is ; then liften : the play to night is the " Road to Ruin," and Mr. Prettyman, who was to have performed Goldfinch, has juft met with an accident : now, Sir, having no iubftitute, and it being too late to change the plav, fuppofe you wait on the Manager, and offer to fupply his place. Lavijh. I fupply ! Stopgap. Why not ? at the private theatre I have feen you act this very part : then an interview is certain j for Mr. Mift's houfe adjoins the theatre, and Mifs Sutherland is now in a room clofe to the ftage. Lavijh. Is (he ? then I'll double Prettyman ; I'll at Goldfinch, " that's your fort;" but hold, hold don't introduce me by my own name; call me Mr. Crib, or Mr. Glib, or Mr. Squib. Stopgap. I will j I'll call you Mr. Squib. Hulh 1 he comes.. {They ftand ajide.) Enter Mist and Mrs. Dazzle. Mift. How! what! London Manager ! Hufband die a London Manager ! Go on, imperial Mrs. M. P. Mrs. Dazzle. Nay, I only tell you that Mr. Dazzle, a fhort time previous to his deceit:, was in treaty for a moiety of one of the London theatres ; but I cannot fay whether he lived to complete his purchafe ; however, I fhall write by this poft. Mift. And fo will I: and if he did purchafe, throne devolves to you. Blefs me! how majeltic ihe looks ! and her play. When (hall I hear the reft of your moft magnificent play ? Nay, fpare a country monarch : thought her great adrefs, e ^ou 5 MANAGEMENT. you humble author ( now you turn out manager, and (he worfe than a dummy. Mrs, Dazzled Well, Sir, you know how to make atonement ; your friend Mr. Alltrade wilhes to marry this ungrateful girl, and as Ihe is now under your roof Miji. Enough fend for Alltrade, and then, " Good morrow, good Queen Mary." Mrs. Dazzle. I will - t I'll go write to him in- ftantlyi and in return, if I do poffefs a London theatre, depend on't you (hall be my fole ma- nager. Miji. Right! I'm the man to rule behind curtain. I'm the man to accept pieces, caft parts, and every night fecure an overflow ; but go, thou author of the divined tragedy (kiffes her handy and Mrs. Dazzle * //). Never (hall it be acted though ; never (hall flic at her own infernal Stopgap {advancing). Sir ! more bad luck, Sir ! Mr. Prettyman, in trying to pull oqthe only pair of new boots we have in the theatre, has juft put out his fhoulder bone, confequently there is nobody to aft Goldfinch. Miji. Put out fhoulder bone! what now! Juft before doors open ? Stopgap. Even fo, Sir; and we have lately made lo many apologies Miji. True , made one laft night, two the night before : zounds! there'll be a riot ; and all oving to this ungrateful (hamming See how it is benefit's over that's it got four pounds over expences, and till that's gone, act Road to Ruin off, inftead of on, the ftage , but what's to be done? found out, Stop j d c we (hall be found out. Stopgap, MANAGEMENT. $1 Stopgap. Nay : there is hope ftill look yonder, Sir j that gentleman is an excellent fubftitute j he is perfect in the part, and with your leave is ready to go on with it. I'll introduce him Mr. Squib, this is Mr. Mid. Lavijh. Sir, your mod devoted Mift {haughtily). Servant, my lad j fervant Co, call yourfelf an actor ! heh ! hem ! Lavijh. I do at your fervice, Sir. Mift. My. fervice! he ! he ! that's another matter fee you act firft: if mifs, exit Squib if hit, enter at half a guinea a week. Lavijh. Pfha ! money's no object. Mift. No! Lavijh. No, I've faved a fortune, Mr. Manager, and am fo attached to the ftage, that I'll not only- act gratis, but when there are not expences in the houfe, I'll be bound to pay them I will, if I fave it a thoufand ways. Mift. Will you ? oh that I had a whole com- pany like him ! why you're a high fellow 1 Lavijh (/peaking Jrom Goldfinch.) " To be " fure know the odds hold four in hand beat " the mail come in full fpeed rattle down the " gateway take care of your heads never killed " but one woman and a child in all my life that's < c your fort !" Mift. Bravo ! capital ! and no falary ! my dear Mr. Squib all gratitude all thankfulnefs by and bye rule a London theatre perhaps-Co- vent Garden Know prefent acting manager! Lavijh. What! Mijt. Mum ! kick him out, whip you in. Lavijh. That's right kick out prefent ftupid acting manager, and whip me in j but come along * isn't it time to drefs ? s 2 Mift. 5i MANAGEMENT. Mr/?. Not quite ; juft time to crack bottle, and draw up apology muft get one ready written: much warfare lately- laft night affronted audience myfelf. Lavijh. Yourfelf ! how ? Mijt. Tell you : whenever theatre's thin, always get drunk. Lavijh. In the name of heaven, why ? Mijl. He ! he ! he ! 'caufe it makes me fee double fo going to take a peep, miftook my way, and in dagger fcene of Macbeth, reeled upon the ftage, and daggered up to lamps ! never fo well received before; delighted with applaufe, flood fmiling and bowing, oil Macbeth bore me off, 'midft the (homing and huzzaing of a genteel,, though not a numerous, audience Expect buftle to night in confequence fo muft knock under a little not too much though I'm Manager heh ! hem ! but come along j and over bottle drink fuccefs Lavijh. There's no occafion j my Goldfinch never failed" that's your fort !" [Exeunt. SCENE A grand Saloon in Sutherland Houfe *MaJks dif covered dancing. After dance } Alltrade drejjed in a Domino enters with a Servant. Alltrade (a letter in his hand). From Mrs. Dazzle, you fay j perhaps fome news of Mifs Sutherland. (Opens letter and reads) : tc Juliana ct is at Mr. Mill's, and he completely in our in- c - c tereft. Come directly, and if Sir Hervey has " given you his confent, make him write it to > " his MANAGEMENT. 53 " his daughter : and if he objects to that from " motives of pride and delicacy, bid him write to " the Manager, and entreat him to enforce his ' command: this (hewn to Juliana will fecure all; " (he will forfeit the legacy, and a third of my " hufband's eftate will be yours ["Excel- lent ! and he has given me his confent what's here ? a poftfcript ! (Reads on) : " If Juliana has " figned the bond, don't mention it to Sir Hervey " he'll expet money, and at prefent you know " we have none to give him." True: and the bond is already difpofed of; for if all elfe fail, that will be a grand refource. My compliments to Mrs. Dazzle, and I'll wait upon her prefently. (Servant exit.) Enter Sir Hervey haftily. Sir Hervey. Alltrade ! my friend ! I'm glad I've found you (taking his hand). Alltrade. Why, what agitates you ? Sir Hervey. I'm ruined I'm expofed look- do you fee thofe mafks ? (pointing to two majks in* dominos who jt and apart from the reft). Alltrade. I do what of them ? Sir Hervey (whifpering him). Hufh. Alltrade. Bailiffs ! Sir Hervey. Ay, an execution for a thoufand pounds, and a writ againft my perfon for nearly the fame fum. And now, in the meridian of my fplendor, I am to meet the fcorn of all around me ; now, in the midft of friends .but be it fo a gaol can't yield me lefs fubftantial joy than this unmeaning, artificial fcene. Alltrade. Come, come, don't rail at that which, till now, gave you happinefs. e 3 Sir 5| MANAGEMENT, Sir Hervey. Never. What has it afforded me } days of diftrefs, and nights of fever and difgrace : borrowing one day, to pay double the nextj flying to the gaming-table facrifking fortune, health, honour and for what ? to appear fafhion- able j to make a falfe difplay of wealth j and fritter away life in the fociety of knaves I deteft, and fools I defpife. Call you this happinefs ? No, 'tis de- fperation, 'tis delirium ! Alltrade. Nay, be compofed -, there is ft ill a way to fave you. You know this diftrefs would have been avoided had your daughter figned the bond. Sir Hervey Name, her not 1 do not wifh to curfe her. Alltrade. Well, but if fhe will ftill fign and remember our converfation this morning on your wifhing (he had a hufband to protect her, and my naming myfelf, you were pleafed to fay fhe could not be in better hands. Sir Hervey, I did but what has this to do with Alltrade. Every thing. Let the marriage take place, and I, in the character of hufband, can ex- ecute the bond myfelf. Then thefe debts will be difchaged, and all go well again. Come, though you lay you don't diflike a prifon, I am too much your friend to fee you put to the trial. Sir Hervey. W T ell, I own i dread the expofure and difgrace. Alltrade. Then to avoid it, write a ftrong letter to your daughter j ftate that her accepting my hand can alone fave vou from ruin. Sir Hervey I write ! I condefcend ! Alltrade. Nay then, to make it lefs irkfome to your feelings, write to the gentleman under whofe protection MANAGEMENT. 55 protection (he has placed herfelf; bid him exert his influence. Come, ftep with me into the next room, and I'll dictate the contents. Sir hervey. Well, do with me what you will; but I've but little hope. ^Alltrade. And I'm mo ft fanguinej and before to-night is pad, you mall again enjoy this fcene of fplendid revelry. Sir Hervey. What, when I view it in its proper light ? No, my friend ; ftrip difliparion of its robe of fafliion fhew it in its naked deformity fee it furrounded by its offspring, poverty, fuicide, ce- fpair, and madnefs ! and who would be weak enough to purfue it ? But lead on, I obey your wifhes. [Exeunt. (Dancing renewed.) Re-enter Sir Hervey. % Sir Hervey. So, I have fent the letter. T know not why, I trembled as 1 wrote it ; and at the thought of thus difpofing of my child, my fore- boding heart but I dare think no more let ths dance go on. Enter Worry. Worry. Oh, Sir ! fuch news ! didn't you fay Mifs Sutherland hadn't figned the bond ? Sir Hervey. I did : and but now my friend Alltrade Worry. Your friend ! only liften, Sir my nephew, I'm forry to mention it, is an attorney j and he had the impudence to call here and afk lor a ticket for your mafked ball. Says he, and fee, here he comes. Mift. He explain ! pflha ! what does he know about {Enter Lavish) Excufe me, Mr. Squib, can't talk to ftrollers now; I'm real a Royal Lon- don Manager. Lavijh. So am I ; I'm a real Royal London Manager. Mift. You ! good, very good ; and you've < got old Dazzle's (hare, fuppofe ? Lavijh. Yes, and I've got old Dazzle's fhare, fuppofe. Mift. Better and better ! in right of the heirels too? Lavijh. Yes, in right of the heirefs too. Mift. What, you mean to marry the widow ? Lavijh. No, damn me if I do j and if I did, that wouldn't help me. Mifi. No! Lavijh. No ; the theatre is not hers, it belongs to Mifs Sutherland {producing will} : here it is under old Dazzle's hand : here's another apology, read it, and then once more " Ladies and Gentle- " men, the difagreeable dilemma to which I " am reduced" ha ! ha I there's a Manager for you ! Mrs. MANAGEMENT. 77 Airs. Dazzle (without). Where is my life, my lord, my hufband ? Lavijh, There, you read the will, while I talk to the heirefs. (Mist and Stopgap retire up the Jiage with the will, Mrs. Dazzle enters.)- So, widow, here's the agreement. Mrs. Dazzle. Then you may take it back again 1 I fhan't fign it. Lavijh. No ! Mrs. Dazzle. No j my marriage with Mr. Mift makes me fufficiently rich and independent to re- fufe the paltry offer ; and I can now (hew the world that I'm above being a party in fo infamous a tranfaction ! fo I wifh you a pleafant tour to Italy, good Signor Lavifhini. Lavijh. You're wrong ! it's a mighty pretty in- come : I'd be bound to keep a carriage on two hundred a- year. Mrs. Dazzle. Very likely : but you have your artfwer. Sir. Stopgap (behind to Mist). Yes: Mifs Suther- land's heirefs ! Mr. Squib Manager. Miji. And I'm dethroned : exit Mift. Mrs. Dazzle. Look ! there's my dear intended ! Now, Sir, fee me take poiTeffion of his hand and ate. Oh, Mr. Mift ! (curt/eying.) Stopgap (afide to Mist). I have a thought, Sir I rhaps Mifs Sutherland may wifh to fell and "rough Mr. Squib's intereft, and by fecuring him the deputyfhip Miji. I may get purchafc! well prompted, Stop we'll pay court to new monarch ; now mind, one of beft benefit bows. (They put themjelves in bow- ing attitudes and advance towards Mrs, Dazzle.) Mrs. Dazzle. Delightful man! with what awe he approaches me ! you fee, Signor you fee! (Mist 78 MANAGEMENT. (Mist and Stopgap pa/s by Mrs. Dazzle and come clofe to Lavish.) Mifi. Royal Mr. Squib fee your authority, and humbly Mrs . Dazzle (turning him round). Why, Mr. Mift, I'm on this fide. Mifi. I know! but I am on the other fide: a goodManager always goes with the ruling party: any reparation to you or the heirefs, Mr. Squib ! would fhe choofe the freedom? or you take a be- nefit ? play myfelf, and give you firft night of new pantomime. Lavijh. You fee, Signora, you fee ! why if you're in earned, Mr. Mift, Mifs Sutherland's fa- ther is in prifon, and as this Will gives him no ready money Mift, I take what's the debt ? Laviflj. A trifle ! but a thoufand pounds, which in the courfe of a month I can fave and repay you ! or if that fecurity don't content you, you fhail have a mortgage on the theatre. Mift. That's it j that's the bed fecurity on earth 1 far better than meadows and corn fields ! people will go without bread, but, blefs 'em ! never with- out plays! Come along, Stop prifon only next door gaoler take my word : re enter with Sir Hervey inftantly. Mrs. Dazzle. Why, are you mad, Sir ? will you again difappoint and deceive me ? Mift. Deceive you ! hem ! >who concealed w j]] ? paffed off for Manager, and turns out only author? who under falfe pretences would have pocketed all my fcenes, drefifes, and decorations?- No, no you deceived me; and therefore, " Mary, tc once more I follow thee ! and fo, Good morrow, " good Queen Elizabeth !" [Exit with Stopgap. Mrs. MANAGEMENT. 79 Mrs. Dazzle. Barbarian! Savage! this is the third time he has made a dupe of me, Mr. Lavifli ! (Burjls into tears), I'll fign the agreement, Mr. Lavifli ! Lavijh. Excufe me ! -I'm above being a party in fo infamous a tranfaction. Mrs. Dazzle. Nay : when you confider the fmallnefs of the fum, and that I bind myfelf to give up all claim under my hufband's will. Lavijh. Why, that's true; and ferioufly fpeaking two hundred a-year is no object; and therefore, I'll indulge you ? fign directly, and I'll indulge you ! Mrs. Dazzle. The fooner the better ! 1 long to be out of the monfter's houfe ! here's pen and ink. Lavijh. And here's the agreement ! {they go to the table). Enter Mist, Sir Hervey, and Juliana. Mijl. Take care confider you're a new per- former, Sir Hervey you alfo, Mils M. P. mind the traps. Sir Hervey. Sir, I know not how to exprefs my thanks or my aftonifhment. Lavijh {coming from table agreement in his hand). Huzza ! Sir Hervey, I give you joy Mifs Sutherland, I give you joy here it is, figned and fealed. Mrs. Dazzle generoufly takes two hun- dred a-year, and gives up all claim under her hufband's will there ! there's a bargain maker for you ! Sir Hervey. Is this true, Madam ? Mrs. Dazzle. True ! you know I've been tricked into it. Lavijh. You have you trick'd yourfelf into it. Mrs. Dazzle. Myfelf! Lavijh. Ay ! you would be indulged j and as here is now no longer any bar to our union, with 13 this So MANAGEMENT. this lady's {taking Juliana'j hand) and her father's leave allow me to introduce you to Mrs. Lavifh elet. Mrs. Dazzle, How ! your wife ! Lavijh. Ay $ you thought I'd call her by another name ; but I am (till old falhioned enough to think the word " wife," heightens happinefs and gives a zed to love ! (Mrs. Dazzle is going to /peak) Nay, don't blame me ! you have to thank yourfelf for the whole tranfaction ; and when any body makes falfe charges, I hope I fhall be al- ways too good an economift not to make them pay for them. Mifl {to Mrs. Dazzle). You take the hint ! you take the hint ! Mrs Dazzle. Oh, I mail go wild I (ftamp- ing violently). Mifi. Gently you'll be down the trap. Mrs. Dazzle. So, Mifs, you mean to allow me only this paltry Juliana. No, Madam ! with my hufband's per- miflion the. annuity fhall be doubled. The widow of my benefactor mult be more amply provided for. Lavijh. Certainly ! I can fave it a thoufand ways ! And now, Mr. Milt, as we (hall certainly difpofe of our theatrical property, you fhall be the purchafer Only mind, I make the bargain never was fuch a fellow at making bargains ! Mift. Name your own terms only let me be London Manager ! Oh, for the opening! Oh, for the firft night ! After Hamlet, what an ad- dfefs will I make to them ? Laviftj. Addrefs ! why what will you fay ? Mift. Tell you "Ladies and Gentlemen on " the part of the company in general, and myfelf 7 " as MANAGEMENT. 81 "as proprietor, author, a&or, and manager in " particular confefs faults acknowledge obliga- " tions and humbly entreat your ufual candour " and indulgence." -Then getting nearer the lamps " Ladies and Gentlemen, to-morrow and