A-5 tS P392 tut& ^/5l%. THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES "^Sf^ %3^ ^:^^ ^^^ ^•*S5S' FRIVOLOUS VERSES. FRIVOLOUS VERSES By ANTHONY C. DEANE. ^' Stimife matevium vestris, qui scribitis, aequam " Virions." HoR. Ar. Poet. CAMBRIDGE : REDIX & CO., 1 6, TRINITY STREET. LONDON : SIMPKIN, MARSHALL, HAMILTON, KENT & CO. 1892. PREFACE. J^ T'HE greater number of the pieces of verse in this volume were first published in The Gratita, and they appear here through the courtesy of the Pro- prietor of that paper. For permission to re-publish other pieces my thanks are due to the Editors of The Globe, The Theatre, The Cambridge Review, and to Messrs. Chatto & Windus. In nearly every case these verses have been revised and altered, and there are others which are now published for the first time. "The Ancient Examiner" was written in collaboration with Mr. Carr-Bosanquet, who has kindly allowed me to include it in this collection. Footnotes, explanatory of the few Cambridge allusions in the volume, have been added for the benefit of readers elsewhere. Cambridge, April, 1892, 859P-^ - «y3.D INDEX. PAGE Injured Innocence ---... i Love, Ancient and Modern - - . . ^ A Scientific Plaint . . . . . ^ A Ballade of Forgotten Actors - - . ^ An English Literature Tripos - . . 7 The Song of the Distraught Householder g The Potent Potential - - - - - n The Reign of Woman - - - - - 13 The Etiquette of Laughter - - - - 15 The Boy and Buns ------ 17 On the River ----... 20 The Ancient Examiner 21 He and She - - - - - - . 24 A Sonnet of the May Term - - - - 26 To My Neighbour's Piano - - - • 28 A Feminine Epistle ..... ^o ^ PAGE The Lover's Complaint 32 A Ballade of Advertisements - - - 34 An Hour's Work 36 The Kingdom of Dreams ----- 37 Horace up to Date — Odes Bk. I., Ode XI. - 39 A Ballade of the May . ... - 40 Fact and Fiction ------ 42 Doom --------- 45 An Agricultural Duet ----- 47 Lines on a Christmas Card ... - - 49 The Don and the Damsel - - - - 51 To A Pessimist 55 L'Envoi ---.--.- 56 INJURED INNOCENCE. /C^HOUGH many tales there be in verse and prose ^~^^ Of evil fate decreed by wrath divine, You will not find in all the list of woes A more disgusting history than mine ; You think, perhaps, I'm given to repine Without sufficient cause ? Then hear my tale, " If ye have tears," you'll need each drop of brine, My story, illustrated, cannot fail To make each bosom glow, each countenance grow pale. You think I look robust ? You notice that ? From earliest youth, alas ! 'twas ever so, A child I was, to put it plainly, fat — This was the origin of all my woe : Would I had been less healthy long ago, Had but one eye, or both legs badly bent ! So would my life be glad, for then, you know, My photograph would never have been sent To give some Infant's Food a vile advertisement 1 But now wherever I may chance to roam That awful picture follows me again, It lurks within each magazine at home, It mocks me in the omnibus and train ; At times it's coloured, and, at others, plain, In books, on walls, for everyone to see ; Are you astonished that it gives me pain To be thus haunted, wheresoe'er I be. By pictures of myself, unclothed, adatis three ? This then, O reader, is my fortune cruel, Against it little longer shall I strive, But I shall die, a victim to the gruel By which I'm commonly supposed to thrive; Yet to the public shall I be ahve. My picture will remain, whate'er betide, To future ages I shall still survive, Waving a spoon, with Patent Food supplied. Wrapt in a happy smile, and httle else beside. LOVE ANCIENT AND MODERN. TN days of old, when amorous swain addressed Sweet words to Chloe, and his love confessed, Each foolish phrase she treasured in her heart, Rebuked when said, 3'et said again apart ; Each halting verse with secrecy would keep, Waking peruse, and still recall asleep. Not with less pains to-day our Phyllis seeks To guard the words her modern suitor speaks. By turns he vows and pleads, he prays or grieves, Each word the hidden phonograph receives ; While in her safe each fond epistle lies. Kept for production, should the need arise. When Strephon faithless proved, poor Chloe pined, And spake her sorrows to the listening wind ; But Phyllis seeks relief in other sort. She tells the story of her wrongs — in court ! A SCIENTIFIC PLAINT. PLAS, those happy days which we have seen When thou, whose fickleness I now deplore, Wert like to concentrated saccharine ; Those happy days can come to us no more. When ardent love is strong as H^ SO4. Thou, like blue litmus in the acid test, Whene'er we met, wouldst turn to rosy red. And when my love undying I confessed, Thy words were sweet as acetate of lead, Now truly are they changed to vitriol instead. For, turning to analysis improper, A quantitative test was made for gold. And when but little else there seemed than copper And scanty silver in the cash I hold, Thy love grew straightway, like a freezing-mixture, cold. Entirely siliceous was thy heart ; Thy love was gone. The sequel need I tell ? Betrothed unto another now thou art, Like to the false H^ we know so well, Which leaves its faithful O to join the vile CI ! A BALLADE OF FOKGOTTEN ACTORS. "TI^ECAUSE ye lived and filled your part And passed with little fame away, Must ye be held in our great mart But puppets of a finished play ? Because in records of to-day No token of your deeds remain, Shall men esteem them worthless ? Nay, Ye have not lived your lives in vain ! For yours was that excelling art To banish all which can dismay, To smooth the wrinkle, soothe the smart, Or turn the gloomy face to gay ; And yours, still higher, to portray True virtue, as the noblest gain : With you it was this power lay — Ye have not lived your lives in vain ! Though from amid time's gloom there dart On you and yours no single ray. Yet did ye stir the human heart, And therefore shall your memory stay ; In that ye moved our grosser clay Some higher level to attain, In that ye held this wondrous sway, Ye have not lived your lives in vain ! Envoy. Prince, when we too are old and grey, With little cause shall we complain, If with like truth to us men say " Ye have not lived your lives in vain ! " AN ENGLISH LITERATURE TRIPOS. T^OWN with the classics and all their traditions ^""^ Why should we care for the tongues that are dead ? Down with the sciences, gross impositions ! Writers of English we'll study instead. Countless advantages, no one can doubt it, We shall derive from this excellent plan, But when we modernize, since we're about it. Let's do it thoroughly well, if we can. Scanty, indeed, the improvement effected If we must study each ponderous work, Pore over authors now justly neglected, Milton and Addison, Spenser and Burke. Turning our backs on these obsolete sages, Lut us pursue a more excellent way, Fix as the subject of Tripos the pages Of the most popular works of the day. Here we possess highly-competent treaters Ready to deal with all authors of note, Jebb will discourse on Gilbertian metres, Verrall will edit " Three Men in a Boat ; " 8 Mayor will earn reputation for ever By his edition of Haggard for schools, Headlam will fight with the rest and endeavour, In an excursus, to prove they are fools. Volumes in dark and funereal binding. Now will no longer our book-shelves disgrace, Picture the joy of our cousins on finding Yellow-backed novels installed in their place ! Booksellers' shops will be quite superseded, " We can dispense with their service forthwith. Fiction and verse will be sent us as needed. By an arrangement with Mudie or Smith. We could continue ad libitum, noting All the delightful results of the plan ; Trusty M.A.'s, with the help of your voting. Let us adopt it as soon as we can ! THE SONG OF THE DISTRAUGHT HOUSEHOLDER. yOUR butler to-day is completely au fait with every event of antiquity. And doubtless declares in seclusion downstairs your ignorance thorough iniquity, You think that he ought to know claret from port, and not give you liquor that's muddy ? Perhaps, but you see he's as wise as can be in ancient historical study ! If your language grows strong when your wine is all wrong, Recollect, if you can, that the excellent man Is wrapt in historical study ! And then to your cook you may certainly look for musical modern emotion, Save once every week, when you sink so to speak, under pitiless hymnal devotion ; The results of her art may embitter your heart, as a careful and practical diner, But how can she stoop to concocting a soup from writing a fugue in C minor ? Though the dinner you've had be atrociously bad, You must smile at the fact, and put up with the act In a writer of fugues in C minor ! lO Your housemaid, whose broom never touches your room, is famed for her talent linguistic ; Your groom thinks it right to be drunk every night, it is true — but he's highly artistic. If you find that they shirk any notion of work, you shouldn't feel any vexation, But rather be glad, as it shows they have had a thoroughly good education ! It is quite a mistake to expect them to take The smallest of cares in mere household affairs, When they've had such a good education ! II THE POTENT POTENTIAL. " Had John Bright been alive we could have congratulated him. To-morrow would have been his 79th birthday." — Echo, Nov. 15.) /^HE Editor's brow was gloomy and set, ^"^^ As in accents distressed he complained He had used all available copy, and yet A fearful hiatus remamed. Then sudden he cried " There is hope for us still ! " And with joy grew his countenance bright — " We have used up the 'must,' and the ' shall,' and the ' will '— " Let us turn to the 'would ' and the ' might ' " ! " If William the Conqueror had not arrived, " It is doubtful where we should have been : " Queen Anne is deceased, but had she survived " To-day we should greet her as Queen. " If the Greek had not beaten the Persian away, " Then he might have beaten the Greek : " Had the railway collision not happened to-day, " It might have on Saturday week " ! 12 And the pain and the grief on the Editor's face Gave place to contentment and bliss, As he scribbled away at incredible pace Such wise information as this. O then, if a column you're striving to fill This plan will assist you to write — Though finished the ' must ' and the ' shall ' and ' will,' You still have the ' would ' and the ' might ' ! 13 THE REIGN OF WOMAN. /^~\ MAN ! The news perhaps may little trouble you, But yet thy banishment has been decreed ; For Woman (with the printer's largest W) — So in the Woman's Right's Gazette " we read — Intends to oust, as quickly as she can, From college life the bold, bad tyrant Man. Ah well, the Poet-Laureate's dream was charming Of that fair hall 'neath Princess Ida's sway ; To me, I own, a vision more alarming Presents itself of that expected day. When Woman, foolish in her wisdom grown, Forsakes her path for matters not her own. Then will a Doctoress, or female Doctor, On Metaphysics learnedly dilate. Then will there roam by night a female Proctor, Intent to gain the welcome six-and-eight ; ■■'■ And even in the Senate you v/ill find The great glib gush of wandering womankind. * The amount of tbe Proctor's fine. How keen will be the conflict for the places, And light-blue dresses, of the croquet team ! Perhaps they'll hold the May and Lenten races. If it is fine, and there is not much stream ; And should a crew in making bumps succeed, A grand bump-tea shall celebrate the deed. The conversation may be Mathematic, With just a little gossip, more or less, And they will mingle dissertations Attic With grave discussion of the latest dress ; And they will have, when meeting to orate The Rights of Man as subject for debate. But still, at present little need be dreaded. For tyrant Man, as all of us must know, Is in this case, remarkably pig-headed. And, though defeated, quite declines to go ; But quotes instead that old and timeworn saw About possession and the points of law. 15 THE ETIQUETTE OF LAUGHTER. (" Ladies are now being taught, at the School of Beauty, how to sinile in the manner most becoming to them." — Evening Paper.) y^HE method of modified laughter ^-^^ Henceforth they shall teach us at school, And smiling and simper hereafter Be matter of precept and rule ; How vulgar a method is taken, At present, of showing applause ! The cultured should never be shaken By hearty guffaws. Of course you will give no attention To the wit, or reverse, of a joke, The point, as I hardly need mention, Is the rank of the person who spoke ; As a rule, you are sure not to blunder In a laugh at the jest of a peer. Unless his net income be under Five thousand a year. i6 A laugh that is sweetly persistent The pun of young Midas may mark, While a smile that is lofty and distant Will do for a curate or clerk ; Of course, should the latter inherit A place through his uncle's decease. So too will his humorous merit, Pro rata, increase. Your smile, that each fervently prizes, Thus duly apportioned will be. And whatever occasion arises. You will laugh in the proper degree. Oh, great will the boon be hereafter. When this shall be taught us at school, And each ebullition of laughter Be subject to rule ! 17 THE BOY AND THE BUNS. {A recitation a la mode.) "U^ONOUR to virtue be given ! Honour to whom it is ^/ due! Honour the Noble and Good ! Honour the Valiant and True ! Thomas the boy vv^as called ; the name of his sister was Jane ; And buns they had got for tea, buns bath and currant and plain, Somebody's birthday it was, and spread on the nursery board, Cakes and jellies and jams in wholesale profusion were poured, But Thomas sadly sighed as lie marked the glistening ej^es With which Jane looked at the buns as her own particular prize, Well did he know her powers that way, nor had he forgot How, at a similar meal, she'd managed to finish the lot. iS Had he not lieard liis sister confess with an emphasis plain That over indulgence in buns resulted in subsequent pain ? Then through his mind there Hashed a noble resolve right soon — He'd save his sister Jane! Although all the, afternoon He had been eating apples purloined from the house- keeper's shelf, Every one f)f those sixteen buns he would manage to eat by himself! 'Tis done — "Tis done ! And he rolls on the floor, in silent and awful pain. Amid the ungrateful jeers of his rude little sister Jane, His hands pressed fast on his side, bereft of power of speech, Until at lengtli there arrived on the scene the family leech ; Think ot tlie cruel deed, and your hearts with anger will boil ! Into a glass he poured a mixture of castor-oil ; 19 The hero Thomas drank it — but here let us draw the veil, Nor push too far to its close this horrible, awful, tale; But honour the hero, who to save his sister from greed Readily undertook this most indigestible feed ! Misunderstood by his parents, still, still shall the fame remain Of the boy that ate the buns for the sake of his sister Jane ! 20 ON THE RIVER. I. — She. p:::^ OW lovel}' the view, ^ / How fragrant the breezes ! Oh, look, Arthur do, How lovely the view ; What a delicate hue The shade of those trees is ! How lovely the view, How fragrant the breezes 1 n.— He. When alone one is rowing A party of five, 'Tis enough to keep going When alone one is rowing ; To beauty most glowing You're scarcely alive When alone one is rowing A party of five. 21 THE ANCIENT EXAMINER. A Fragment. TT is an old Examiner That stoppeth one of three, " By thy braid and bands and spectacles, Now wherefore stopp'st thou me ? " The Ancient Examiner meeteth three gallants going to the Senate House, and de- detaineth one. " I filled the chair, the men were there. Merrily struck the clock, And at the sight of question four Teeth chattered, knees did knock. " Their courage failed, their faces paled When it was handed round, Its terms were cunningly devised To stagger and confound. " By day and night, through dark and light Had I built up that theme Of superhuman subtlety And mystery extreme ! The examiner telleth how he set a paper of yore. Whereof the tourth question was a staggerer. 22 " O tell me, old examiner, Why groanest thou aloud ? " " Five-score good men there entered then, And five-score men were ploughed ! The Tiipos- man asketh the cause of his dolour. " And now by day and eke by night The souls from darkness sent Of every one whom I have spun Beset me and torment. He telleth of Hauntings. " Farewell, farewell, but this I tell To thee, thou Tripos man, He plougheth well who readeth well Books that none other can. He giveth sage advice. "He plougheth best who readest best All books both great and small ; Observe upon the syllabus I wrote and read them all." The examiner whose eye is dim, Whose beard with age is hoar, Is gone, and now the Tripos-man Enters the Senate door : The beneficial result whereof. 23 He went like one whom joy doth stun, Such question taught to pass, A wiser and a gladder man, He got a second class ! 24 HE AND SHE. " LITERARY. Author wants young lady to assist him." Recent Advt. in the "■Daily News.'" C\ SAPIENT author, you display A wisdom seldom found in men, In seeking by this public way, A lady-helper for your pen ; We all can guess its true effect Upon your subsequent existence ; Pray in what form do you expect, The lady will afford assistance ? You can't nit:an merely to dictate Your work to her with ready tongue. If this were all, why stipulate That those who answer shall be young ? Perhaps you've sometimes made a mess Of your pet heroine's attire ; Is knowledge as to ladies' dress What, honestly, you most desire ? 23 More probably you hold with those Who base their narrative on fact, And so are anxious, I suppose, Some fictionary scene to act ; The hero of your tale or play Must woo with fervency intense, And you would therefore learn the way From practical experience ! 26 A SONNET OF THE MAY TERM. Jones (reading). fP^OME in, come in ! No work for me to-day ! Smith. What, reading ? 'Tis the strangest sight I've met Jones. Yes, yes; my Tripos. Take a cigarette. Smith. Well, thanks. You're sure I am not in your way ? Jones. " The modes by which a Tutor might convey — " Smith. Oh, have you got that other racket yet ? Jones. " The limits by the Lex Poppaea set — " Smith. Oh come, its but the second week in May, And overwork is bad, I've understood. Jones {gvoaning). My chances now are hardly worth a song ! 27 Smith (persuasively). I've gol a tennis-court, and if you could — Jones. Well, I should rather like to, but it's wrong. Smith. Wrong! Stuff" and nonsense! Do you worlds of good. Jones. Oh, hang the work, it's useless. Come along 1 28 TO MY NEIGHBOUR'S PIANO. /!l! HOU poor, ill-treated, suffering instrument, Played on — nay, thumped upon — by day and night, What is thy crime, that cruel mortals vent Upon thy keys their ineffective spite, Or why, since this perhaps concerns me nearer, Must I be thy involuntary hearer ? Never as yet have I set eyes on thee. Although thy tune and tone I must condemn, A simple " cottage " thou may'st haply be, Or Grand and Collar'd as the G. O. M. ; In any case, thy ceaseless repetition Makes me consign thine owner to perdition. " The Gondoliers " most cleverly is scored. Yet, twenty times a-day, it's apt to pall. And excellent as is the famed " Lost Chord," When not one chord is lost, but each and all, Of even this there come in time satiety, Which makes one long a little for variety. 29 " Music hath charms to soothe the savage breast," In moderation, this may be correct, But when poured forth with unremitting zest, It has, I find, the opposite effect, And for dark deeds of murder, crime, and ravage IncUnes a breast not naturally savage ! :'OC