8 
 
 S 
 
 W 
 
Corporal Archd. M'Leish, 
 
 2d Battalion, 
 
 Scots Fusilier Guards, 
 Wellington Barracks, 
 
 London. 
 
 Donation 
 
ujn e jnj 
 
 CAT) 
 
 30 
 
 DUBLIN: 
 
 SOLD BT 
 
 JOHN GUMMING, 16, LOWER ORMOND-dUAYj 
 A, MILLIKEN, 104, GRAFTON-STREET; 
 
 AND ALL THE BOOKSELLERS. 
 MDCCCXLII. 
 
le SvbrbAin A^vr A 6ti)-cvjbeAcc. 
 
TO THE READER. 
 
 THE powerful influence of music and poetry on the feelings 
 and habits of every people, is too well attested by experience 
 to require any elaborate illustration. Of our incontrovertible 
 claims to a refined and cultivated music, and to the high intel- 
 lectual tone of which it is at once the index and the offspring, 
 the few following specimens from the now classical melodies of 
 our country, furnish abundant evidence. If further proofs were 
 wanting, they may be found in the published Minstrelsy of Mr. 
 Hardiman, or the many popular songs in the possession of Mr. 
 Bunting, to both of whom every Irishman owes lasting obliga- 
 tions, for the patriotic devotion with which they have success- 
 fully laboured to rescue from oblivion some of the most valuable 
 relics of our ancient poetry and music. That the specimens of 
 poetry that are left us, did not always correspond with the 
 beauty of the melody that breathes through them, cannot sur- 
 prise any reader, familiar with the records of that ruthless 
 spirit which, equally jealous of both, strove to involve them in 
 the same common destruction. Against the growth and per- 
 fection of our poetry and literature, it was, alas ! as they were 
 placed within its reach, but too successful, and hence they were 
 so impaired by repeated aggression, as to be almost extinguish- 
 ed : whilst our music, like the morning bird, so emblematic of 
 its sweetness and its freedom, sought safety in higher regions 
 from the shafts of its pursuers ; and whether it lighted on the 
 valleys, or poured its wild melodies along the summits of our 
 mountains, it always possessed the magic power of charming 
 the wounds which were inflicted by the persecutions of the 
 stranger. 
 
 Yet it is not from the poetical compositions of our native 
 bards that our melodies sustained most injury. Though the 
 dress in which they clothed their thoughts was simple, it was 
 in general natural and graceful, and in our popular songs in 
 the native dialect, passages might be pointed out to the classic 
 reader not unworthy of lyrical poets of higher fame, so faith- 
 fully was the spirit of the ancient muse transmitted through 
 the Irish Language. It was only when our music was forcibly 
 united with the coarse and barbarous pedantry of ignorant 
 English songsters, that it suffered from the connexion. Under 
 
 765439 
 
this yoke it continued to sink, and would probably have sunk 
 still more, until taste should have at last shrunk from the con- 
 tact of its acquaintance, had not a fond and master spirit sea- 
 sonably interposed to save it from the degrading association. 
 To MOORE our native music shall ever be indebted, for clothing 
 it in a manner befitting its dignity and lineage, and throwing 
 over it much of the rich Oriental drapery, with which a con- 
 genial fancy had so amply furnished him. Thus attired, our 
 melodies have been introduced into the most fashionable 
 musical saloons of Europe, nay sometimes adorned in a foreign 
 costume ; but no sooner do they breathe and speak than they 
 are at once revealed the genuine daughters of the Land not 
 less famed for song than for the fidelity, heroism and sanctity 
 of its children. To introduce those melodies to my humbler 
 countrymen, robed in a manner worthy of their high origin, 
 has been my object in the following translation. The banish- 
 ing of those gross compositions with which our musical airs 
 were oftentimes defiled, will be doing a service to the taste 
 and morality of the people ; how much more so, when for them 
 will be substituted those pure and lofty sentiments of patriot- 
 ism and virtue which those selections of the Irish melodies so 
 abundantly supply. The genius of MOORE must ever command 
 admiration Its devotion to the vindication of the ancient 
 faith of Ireland, and the character of its injured people, must 
 inspire every Irishman with still more estimable feelings. 
 Seated amidst the tuneful followers of Apollo, he essayed the 
 instrument of every muse, and became master of them all; 
 sighing at length for some higher and holier source of poetical 
 feeling, he turns to the East, and listens with rapture to its 
 prophetic melodies ; subdued by the strain, he lets fall the lyre, 
 seizes the harp of Sion and of Erin, at once the emblem of 
 piety and patriotism, and gives its boldest and most solemn 
 chords to his own impassioned inspirations of country and of 
 religion. 
 
uju 
 
 REMEMBER THE GLORIES OF BRIEN THE BRAVE. 
 
 f or}!) " Molly Macalpin." 
 
 I. 
 
 CAJGTI&IID bfi]A]t), le'p. 
 Uece AT) SAJJ^&J^ 'i)A Iui8 
 e bot) 2t)uri)Ar) & ^uf f frjce 
 S r)AC bp|llf]6 50 
 |i&<xlc ub T)<v ^^^c 
 
 |]t A S-CAC, c^v ^r)0|f b^t^ce <v ceo ; 
 c c^v leoji-ftuji) bV loc|iAp ^^5 Uf<\8 A|fi 5^6 U^, 
 i)-<x|t b-C[te6fiu.5<x& curt? cjieipi^ ^Ac 5!^ 6; [ 
 
 bo 
 
 50 -f:u|5|:|e &]\i A 90 
 
 'So b-c|iO]b|:eAn)O]b PA |*AOj|t|*e 50 cftevt), 
 S 5U|t f6A||i A be^c bl]AbAi)rA |:AO| cpgcbA 16 bejc f Aojt, 
 tiA]fie A flAbjtA]8|b pAO| leut). 
 
 III. 
 
 e t>A co-UocfiA bjljfe, cu5 
 ce 50 CAlrt)Ac Y<^ D-sle6; 
 b8 CAOOAC Ai) gle^^A beA]t3 16 t)-A b- 
 ce^ceAbAji, ACC cu^ceAbAji b6|f cloc. 
 , bo o 
 
 ^fi, t)A ftAC-fi6]i) At;ocb 
 ^ 5Uji cujceAbAft jAi) cu^ciu^Ab I-A I)-AN 
 
ERIN! THE TEAR AND THE SMILE IN THINE EYE. 
 " Aileen Aroon" 
 I. 
 
 frpfseAbA bo ful 
 bo3A-ui|*5e, cunjCAft Af njdAfj^b TJA Tj- 
 
 t>o 
 
 3^ 
 
 II. 
 
 bo ciufr>-be6fi 50 bed 
 bo U5-5^itte beo : 
 b<xc |r A |t^1fi? 
 ^i 50 
 
 'S 
 
OH! BREATHE NOT HIS NAME. 
 " The Brown Maid:' 
 I. 
 
 II. 
 
 b^iucb u|t, bo cu^ce^f 50 cjuji) ^5111* 30 
 
 cobU6 
 'f * S-cf^ 'p^MT 1 *0 ^T 1 c>?|ieA6 6 50 b-w^sn^c <\^ A bUc 
 
 CU^JI^AC, cjiort) bei6e<vf be6|tA AJI fut, 
 8|iucb 1)^ 
 
 bo |*]lce^v|t 16 uA^ijeAf f)^ l)-O]8ce, 
 ]t ^^ Aft 3-Cftojbe. 
 
THE HARP THAT ONCE THROUGH TARA'S HALLS. 
 " Molly Astore" 
 I. 
 
 bo fCAp CJVJ CA^fee At) 
 ce ceolcA b' 
 
 Art), CUA^& CAjlC, AO] C6O, 
 
 A CA^l, 'f A cljii. PAOJ fuAi> ; 
 c^, A fAtjcit^g roolcA ceo, 
 fAb 50 buAT). 
 
 II. 
 
 cluit)ceA|i Cfuqc DA 
 
 ^]U5A8 rrjt^A po f AOJ, 
 , f be^c ^ACCA, ^AO$, 
 b|t]fce c^Ab fA t)-o^bce. 
 
 ^V bufjCAjt f 50 bed, 
 Ucc t)UA-(]t A bfiifceAft c|to^6e b'A c|tA6A&, 
 
THOUGH THE LAST GLIMPSE OF ERIN. 
 
 Tooo " Coolin." 
 
 I. 
 
 fO tt) J ATbAJtC bei5JOt}AC A^fl Blfl^i) A CAO]6, (C) 
 
 cfji, An)-b6]6p Cu^fle rr?o 
 
 ]6 b'ucc nj<x|i ce<\c-bfbeAt), A c6|le njo cUotj, 
 bo |iOf5 rr)A|t ]t6Alc-eotuir A 13-56 ufi- 
 
 II. 
 
 bo 
 
 6 rt}0 cu-i JOT, 'fT)| A-|fie6cA|6 rrj6 
 le^f AT) T)Ari)A]b, CA b'Afi t)-b|bi|tc Af b^ot) 
 
 III. 
 
 Af|t 6|t--polc qug, f A^CAC bo c 
 6ffbpeAb le ceolcA]b bo clAf^if^je CA 
 50 fcp6]Cj:eA6 AD SA| ATJAC 
 
 Af bO CjtU^C, T)A AOI) blAO^g Af bO 
 
10 
 
 RICH AND RARE WERE THE GEMS SHE WORE. 
 TOT)?) " The summer is coming" 
 
 I. 
 
 t)u8 luAcrijAfi, ceAjtc, fe6|be i) 
 
 c bu6 lop|i<vi(3e 30 |:A&A. A 
 
 II. 
 
 ft AC ^01^51)^8 bo^ rbA^gbeAi), A b'jA|tui5 At) ]*AO|, 
 
 A T)-UAJ1)eAf t)A 
 
 t)A b- 
 'S t)AC b-cT)vcpA8 50 
 
 III. 
 
 Oo f fteA3A-||t, pf I eAsU I?A buA]8||ic A^I n?o 6|tO|8e, (e) 
 Mf 86Ai)^Ai8 cUp B'jiteAp bom bocAji i)A b|c; 
 
 A]fi 8e^e ^Ab 'f AJJI f-eojbjb 30 leoft, 
 led co^jfoll if CA|8e 30 rt)6|t. 
 
 IV. 
 
 bAc, IAJXA 6 
 
 S|ubAl Ai) 6|3-beAT) 30 rtjut^JpeAc ion)Ui? PA cjifc' 
 cc bop c6, At3 A |tAb boccuf Af GA|l 
 
11 
 
 AS A BEAM O'ER THE FACE OF THE WATERS MAY 
 GLOW. 
 
 ? " The young man's dream" 
 
 I. 
 
 JJI Iff) bub 'I?A lu]6^ 
 
 Jf fUAJt-CUll' T)A b-^OIOf] 16 At}A8 bill 
 
 bf6e<xf At) le^cA bjoeAf l<\]-c<\, le 
 
 'S AT) c|io|8e fc^5 le c(tort)-uAlAc bub|t6|t) t?'^v c|t^8A6. 
 
 II. 
 
 A ceo, 
 MAC b-C]5eAt; Ajjt, Ac|xu5A& 6 UiJAifi, T)A t)eAl, 
 
 t)6 A buA]8peA6 30 f AftOCA& At) 
 
 III. 
 
 r)A8 l&jt fle^&e 
 
 'r)A lu]8e, 
 
 U 3eAlcA|t te jAecjb TJA 3|i6|i)6'A||t A 17- 
 
 'S p^c i)-u|tA]5eAi) OA 8jA]8 T/]t) U T>'A ceA5A|t 50 b- 
 
12 
 
 THE MEETING OF THE WATERS. 
 " The old head of Denis." 
 I. 
 
 curt)Aft, t) 
 
 At) lA3 A b-pu]l co-fjiuc t)A bjf' AbAp At) ; 
 luAjee bejbeAf &&l*i5ce uAirr> rp' A]t|t<x^ % 'r rfl 
 At) sle&i) 5^}- ub u|t Af njo 6|io]&e. 
 
 II. 
 
 Mj 1)6 Ai) c-Art)A|tc 
 
 AT) 
 
 jop bjf 6 c4v A o- 
 
 III. 
 
 rr)0 cA||tbe, bo ceA^jA]! rr)o cun)Ai) '] 1170 
 
 Co fCAp A^]t 5AC T)]6 A^, fS&lti) fAj'CA 1)4, TT)f AI) J 
 
 0]|i i)fl Aot) i)]t> b'A Ajlle I)AC m&AbufgeAp A btAc, (g) 
 O'A fe|Cfio cjte fii|l|b A]]t A 
 
 IV. 
 
 > bu8 
 bo CAbA^t) 16 070 CAJIA 
 
 6 ^A fforjrA^b pAOj 8fbeAt) 30 
 r)Aft bo c^vt)-fftocA cojrbeA^rA Ife bA|ri) 
 
13 
 
 HOW DEAR TO ME THE HOUR WHEN DAY-LIGHT 
 
 DIES. 
 
 " The twisting of the rope" 
 
 I. 
 
 COIDA& 
 
 A 5-c^u]t)-coi 50 
 
 irMt>3 c i w s le ir 
 
 AJI 5-CA^|i&e ujt A^ Aft j- 
 
 II. 
 
 Up5 AT) IA& A^5 bol 
 'S AT) 4vi&b&]f bAjcce le^f A T)-6|t-|-5A|l bu^&e ; 
 
 I}VCA^f1) C]t|All f|A|l 50 
 
 A 
 
14 
 
 HOW OFT HATH THE BANSHEE CRIED. 
 
 Tow The dear black maid." 
 
 I. 
 
 rt)]iy]c bo 311]! A 
 
 ti)|t)tc bo cjiAb Ap AD cfto]6e, 
 
 Oo &eAlb sloiji TJO 3fiA&. 
 Do 5^6 AOi) IAOC CAlnjA c^v ffT)ce 
 ! '^ bo 5AC fu^l c^v 
 
 5-cobUi) 
 
 3 
 
 II. 
 
 bub At) c-Att) A^ A b-j:i^leAn) bed, 
 ^jf A c6]le pAo^ ceo ; 
 
 'f 3AC A01?, bO j-CAp IdO 
 Cjl] OtJte, AT)0^f I1 
 
 'S c|tori7 beoji At) c&, b-|:u^l A cjiojbe b'A 
 6u5CA A fo, Y A 6d|5 bV cl^eAb : 
 A]3 Ajpe Ai) ^IACA ^ 3eAl 30 leojt, 
 
 Oo CU^CeAf A||l A CflOCAft AT) be6ft. 
 
 III. 
 
 - ri)A|iA njuccA 
 
 CU|*A, A Cor> t>^ 5-cub CAC! 
 'S cu ejle ! '] A]JI bo b^AcftAib ceo 
 
 ^ beo (m ^ 
 
 Mo 
 
 be^8|b A ti)-beACA 'f A ti)-bA|* Ar) 3AC bA]l 
 
 O'A CA1)*& C|t| W| 
 
15 
 
 LET ERIN REMEMBER THE DAYS OF OLD. 
 The Red Fox:' 
 
 I. 
 
 AJJI t)A Ufcqb, bo b^6, 
 
 Sul bo bjtAic A clA 
 bfo ^06 &Vi) 6f 
 Do buA^b 6'n t)^ A b|8 uAlUc Af All-T>eAtic 
 
 A llfSCe 
 
 A IAOCJIA cum CACA 50 clAOt)ti)A|t, 
 Sul bo fACAf feo^be 6"i|ieAi) A15 beAljiAb 50 
 
 II. 
 
 |l IOC W^ACA^b At) C' 
 
 At) Ue be^c A] 
 
 g f jof, r)UA]|i bfbeAf 30 b-urf 
 C!AOT)A& : 
 
 A - 
 
 'S 50 b|tonAc Af3 beAficAb A]|I A i?"5l6|(t ^AOJ f5A|l, 
 
16 
 
 SILENT, OH MOYLE! BE THE ROAR OF THY WATER. 
 " Arrah, my dear Eveleen" 
 
 I. 
 
 beAb PUAP oftc, f five S&AOjlle, CA bojtjicA l& bjle, 
 buA]8fteA& PA ffopcA bo cjuip-cv^le IAP, 
 cc Y^ t)-ojbce le 
 
 T)<V l)- 
 
 Tt) bo clv]t>j:eAfi A l)-6v5-ceol A]|t coji) ? 
 
 bO bvA]l^6A|t 8ofl) A^b-clojA flfogACCA 
 
 boro' ^A|tc]u5A& 6't) c-fAO^Al fo 50 
 
 II. 
 
 bo cop 5<x|tb 5e^rt)]t]8, ttjoovA^ ! b&i&jb tpo 
 
 !YA3flAb' tt)0 6]tAO]8gCCA C|l& P 
 
 civ 6"jite ^AO| cv^btteAc A 3ev|t-i)ATpAb ffpce, 
 
 t A p-YAt Ife P-A bUACC 6 
 
 lAp-t66|tAp AP 
 
 CA b-^n? bo clqppeAji ceol ^tACA^f A|5 
 
 30 pAOtp-AjlA]' O&? 
 
17 
 
 SUBLIME WAS THE WARNING, &c. 
 
 Toot) " Ut) ft05U|(te bub."* 
 
 I. 
 
 b'Afib 6 At) puA5|tA&, o't) t-fAojfife bo 
 ^3 u f b*AO^b]i) x\t) uA^jt, bo c 
 
 ?Vf3 bupAct cum bfojAlcAjp AJ* 
 ! A f Aojftj-e t)A FAijcAjt <\ifi 
 5o b-c]8]6 CA|I At) ]A|t-?t)ui(ft 50 
 C^bAifi folu]* bo 5t)uife bo 5^6 
 'S n^ ce]l A^|I 5Uf-feAm|td5 T)A 
 
 bo 
 
 II. 
 
 ce||tc 
 
 Oo SAC cf|t ^ 5AC ce<xll 
 
 'f loc At) peAll 'j-rnA be^i ArbnAf le|f 
 
 5AT) UAC, I)A beoft CAOjt)ce 'i)A lupe, 
 A f*e]ceA8 A^|t b^f At|i b]r bu8 clu]c]5e 66 
 't)A be]c AIJI u]ii)j|t t)A ti)-buA8Ac A|5 cu^cjm |*A t)-5l 
 
 * t)A SAi) 
 
 III. 
 
 U cUi) blACAt5 ir ^1 Oort)t)AiU, cftfef5 cfji jUf DA 11) 
 ^-0 A|t b-o^leAt) buft t) 6i5e, 'fi)Ac ftAb le f AA|l AO 
 Ur> bfbeAt) 'f At) pA^SAb, bo jruAifi ^b A 5-c^Ar) : 
 5\?8]t>e At) teu]-, bo b|8 IAJ-CA le bujt fAOjt-^Aor, bejc beo 
 30 roilreAC 5At) co|ttiu5Ab, 5AT) ceo ; 
 
 'S i& cAe At cic ACAI ec 50 m^ ]f 50 
 
 A|8 t)Ati)Ab A p 
 c jf MAC GjneAt) t)A b-p|Ai). 
 
 * Air The Black Joke." 
 
18 
 
 IV. 
 
 ! i}f cljpp |8 30 be6, 
 Aor) IAOC, M) A bfu^l c||t-curt)Ao bed, 
 Le beic co|*Af!)c t)A 3-ceA|tc, b'A bfru^l A^e cUon 
 
 c||te, A^J A|t jt^i* por) A 5- 
 
 6 COf clA6A]fte, T)6 C]tAltl fuA]tA] 
 
 f A0|i, 
 
19 
 
 LIKE THE BRIGHT LAMP THAT SHONE IN 
 KILDARE'S HOLY FANE. 
 
 " GA ri)e n?o cobU6."* 
 
 I. 
 
 IA|*C<V A 5-Gill-bAjtA i-AjgeAi}, 
 ]ADAi}CA be 8o|T)e<xp 5eujt, 501*3, 
 CA AW 6fiO|8e, bj 
 
 ! 6"T]tj9 ! njAft j-ub c^v 50 ttjoji 
 Do 
 
 6 &ftb cjtfoc 
 )&<xlcA i)A 1) 0]8ce AJ 
 6-jite 
 
 50 
 ! G' 1 c ^ ^ e r^5 A ^ c ^l^ V* 
 
 A -clU 'AT bfe68 bO CAC 
 
 6 c 
 \ G'^ ! CA bo 
 
 III. , 
 
 bj8eAi) At) l^le peAb jefTbttjb 'T) A cobUb J-A 3-0^, 
 
 'S At) bo A "?At beo bi cAu 30 
 
 * ^i> Ta me mo codla. 
 
20 
 BLAME NOT THE BARD. 
 
 I. 
 
 co5 Ajft A b jle, ipA eAluiseAi) pVi) 5-cluAi), 
 
 rb<xb f<voj Afib-cu<v8 50 
 8, 'f le b-u<Mt>, t)f b& If 1 
 5AC SA^fje, A- be||i c^]rt) 45111* ct^u : 
 & 't)0]p ffoce At|t A!) 5-ceol-cftu|c 50 
 Do feolfAb A 5-cjiojbe r>Ari7Ab A) bAf-gAC 50 
 
 'S Ap C6AP5A O^O ]*]leA^ ACC rt)^l-f|tUC 1)A 5-ctAOt), 
 
 f A] 
 
 II. 
 
 cjft Alu^, c^i A CA]C|t6|ri) 't)<\ lu|8e, 
 bfi||*ce, i)A|i b-f6]b||t A 
 
 A ^|0]t-fl]OCC be^C ^AlAjJCC 
 
 c A cofAjtjc, 'f t)f b-^ >?l A cunjAp 5Ai) 
 5At) OAO ceApAf , ri)u]t t)-b^At)A|8 f jAb 
 |iuA]Uf5|b A f]t)feAfi A^5 |Ort)p65A8 Ife 
 
 'S AT) C|lltlfeAt>, CA A15 Uf Ab-flfge C^|TT)e 5AC U, 
 
 AI A 
 
 III. 
 
 A b-f jle A be^c Af3 ffo|i-86Ar)A8 
 
 'S A!) C-olc, T)AC T)-bAt) UljeAf, bO 8jb|t6A8 
 
 ACC leuf boccujf, if UfpAt8 50 beo 
 
 urt)A, r^Aji At) g^Ai) c|ti fUn) ceo : 
 bo B'lftii) be t)A b&ufA^b, A 
 DV feoU8 A^I rpeA|ibAlt 16 f Ar)A8 A cUot), 
 'S Ifc bUois DA 5-CjaAob sUf, A CA f jjce At|t A o 
 A r)-3|t^^3, ^13 1W C f3 Alc ^irj 
 * ^ir" Kitty Tyrrel." 
 
21 
 IV. 
 
 bo 
 
 mo fUAjtcA] 4 Ajfi A A]3oe Ife f^At), 
 50 T)-^v|vb-b^ bo 
 bo 
 
 'S bo 
 
 bob 
 
22 
 BY THE HOPE WITHIN US SPRINGING. 
 
 TOOD "IVgbAT) DA 
 I. 
 
 OATV At) boi5-c|tO]8e, A c& Ai 
 Otiii)-T)e ATD&ijteAC brvuc At) J 
 
 , i)o buA&AC, beo; 
 
 ir 
 
 beo, rt>A|t &^O|t-r)eAC, 5^1) AOT> cl|u 
 AT) 5fii<vt) A^5 
 eA^ At) IAOO CUID 
 
 c]teAb 50 teoji : 
 
 ce At) t& A^l bflUAC At) 
 
 OV foil^iugAb ffof cjtf sleAp i)A i)-be6]t : 
 ?Vcc 6 ! t)AC b|teA5 bo c^^6^b curr? f5fc, 
 ^V bj&eAi) A|]t ucc t)-^ buAbA 'i)A lu|6e. 
 
 II. 
 
 Of qoi) T)A t)-e^bleo5, b&]p Ai) CACA, 
 
 JonjpAlgCAi) leACA At) 1)ATt)Ab bAt), 
 
 T^pA bo cu^rpofjeAi) A^|t AT) rrjAj, 
 
 ^>T) AJI cu^c ^AO] t)eAlt A 5t6]|t bf& IA^ 
 UT> fUbrtA b'f Af3Ab A^f 50 be6, 
 Oo b|i]feArt)ATi, T>A U^j&e 66. 
 
 01fb , C^X AT) A8ATIC flOjTT) O|&C6 A| 
 
 So l)-ATib curt) b]t||*ce A]|t ^AC IAOC- 
 
 L|OT)rAft T-UAT- AT) CUAC JO CCAT) ; 
 
 jf* lorobA t)e^c AT)ojf crieAT), Tiojii) oj8ce (P) 
 toei&eAf CU^CA A^rv At) b-^A]C 'rjA tui6e, 
 'S OAC T)-buf5^Af8 3Aifi nA bu<xi8e ceAr) ; 
 cc 6 ! t)Ac beApu^jce bAf AT) IUAITJ, 
 
 Ife jol AT) C-j-AOgA^l CUTt) 
 
 The Fairy Queen." 
 
23 
 
 NIGHT CLOSED AROUND THE CONQUEROR'S WAY. 
 Tow O'acb Tioi)."* 
 
 I. 
 
 Ajjt At? n)-biiAbA|t5 fUcir) TJA fy-oj&ce, 
 js cejgceAC baft T?A ti)-beAi}, 
 
 S Aft frAt> &|ob bed 
 bode At) f S^A!, citAft bfi^ce cjtope 
 
 CA]U ^ c^ieAc ^AC u^le t)f6 
 
 II. 
 
 rt)All 'f bu& c|toti) b^8 CCACC At) 
 
 5o ]-0|tf&OCA8 OJtjtCA AJlff At) l&, 
 
 'M A b-ptq5peA8 50 cjote b^f t)o buA]8 : 
 CA fA05Al, f)Ac ti)-b|beAi) At) 
 2$Ac 5-cleACCA^ 5&u|t-|*lAC 
 
 2pA'|* beA|tl)A Ai) bAf CUtl) Al) C-fAO^Ajl V& fAOjft. 
 
 2Do cjtuA^ge bot) |*5lAbA^8e bed 
 
 * ^>__Thy Fair Bosom." 
 
24 
 WHEN THROUGH LIFE UNBLEST WE ROVE. 
 
 " bjlUACA t) 
 I. 
 
 '5uf CA]U AJI 5-cAiftbe, 
 kfl IjD ceol, le'fi e^fb FA r)-Atrj, 
 
 ! 
 
 cu^]6 
 
 S 
 
 II. 
 
 c|tf fr^-f AC 
 
 6 cfijc^b 5^t^AorbA|t', ceo ; 
 b&eAp AT> ceol, bo 
 
 ejc C|tfoi) 'r>* lii]&e, 
 b|&eAf) A bAlAb beo A^ri A rj-jAOc 50 j 6|ll ; 
 A|t fiib, b^|f 6115, boi) C-^A^T-A co^Sce, 
 A cA^r A|t|f AITI 5Aeqb cedjt. 
 
 III. 
 
 3-coitt)eAf cedjl, C 
 
 'S AO ceAt)3A ir cu^lcjse f of SAD brif5 ! 
 
 |'l ACC bpAo^beAcc ceol?t)A|t 
 
 b|6eAf) focU c^pbif be 
 
 j|* bft^u3A|5e ^6f ^A 
 Wj'l ACC 5<\ece ceolcA 
 jUjoeAf f|0|i 
 
 * Air "The Banks of Banna. 
 
25 
 
 IT IS NOT THE TEAR AT THIS MOMENT SHED. 
 
 A pe 
 
 I. 
 
 I)A beojtAfb, bo pjlceAft pA CJIA 
 
 Aft - 
 
 Mo Oo^oeAf boftCA Aft 5-curi)A 
 A^5 CCACC 50 
 5U]i bwAi) Ajt 
 A ri)-bAf, A fCAp bubAi) A]|i AOfbr)eA|* A|i 
 
 II. 
 
 3^1* Ap Aft 5-cjiofbe 
 A b^f, ri)Aft ^ buAl, b'A cAOf oeAb, 
 A beufA rt)A|t IdCftA^ fse^c |*ot\rr Af ft Aft 
 
 Aft b-COfl CUM) 5AC mAfCCAf A Af5 cl.A01)A8 - 
 
 At) be&g-bAlAb cAfct)eATi)AC, beffteAf At) 
 uffi, A ttj-bfbeAp t)Aon? Ap ffoce, 
 A c^lfbgcc Ap Aft 3-cvti)i)e 3AC IA b'&fi 
 'S Aft 3-cftofbe l& T)-A foii?Ai5 lfoi)CA. 
 
 * Air The Six-pence." 
 
26 
 
 ST. PATRICK'S DAY. 
 t)AOjrt) 
 
 I 
 
 cjtort) fUvti) Afi H)-buA6A|icA, t)j A]fieocAtt) 
 
 An t^A^nbgr C TM SeonA ri)4 JAG 5n6]t)e A rfOT), 
 "Nfon cnuc>?3g8 |if <\m C|to0ce, rt?u|i ri}-be|&^& cftuAf 4 nig 
 t)u& cunjApA^e beu|*A *p bub 
 
 ! ]" A 
 
 At) MAC, 
 , A cjtA6 \]V) 50 
 fSAb 5At) 
 Lub ejle AJJI AJI 
 
 A|t 
 
 At) 
 
 II. 
 
 bo 
 
 'S oj'l u||tAro co cA]ct)eAmAc bo IJCAC A]]t b|c 
 
 6'r) s-cjioj&e, U AJI ^v]t A be^ 
 Cfi^v bepeA6 luce flAbcA bo cli 
 J|* bo ceijtt, CA le^f blue, 
 
 |3 ce^ceAb 6 bonb-ceAf At) 
 bo 5lAf-b|tAc 6't) 5-cnAp 
 ^nb f5AO^lce 30 COAT). 
 
 rt)0 &eAf-lAti) ! bA t)-5Uo8|:A^8e At)oi|* cu curt) CACA, 
 Oo cnAoc^Ab At) ^6Afi5 AT) bo C|to^8e ]*ct3 30 bed; 
 be^8eA& Io]i3 n^e G^eAt) 30 CUAJD A^ri bo rbA^Ajb, 
 t)A t)Ati) iff &'A ]-ft)eA& A 3-Cfio. 
 
 * Air " St. Patrick's Day." 
 
27 
 III. 
 
 'S 
 
 'S b^ibfb AoibtjeAf Ofite^ 50 f 6^11 
 
 Ucc t)f cftuA|lli5eA^ AT) lAi)A]jt, CA fc^ IA^CA bed ; 
 D'AI) olo^c b6^* A bjiugAb, 
 
 5J8 
 
 CA ce]C-fpUpc cAob |*t]5 6{oc OAC njuo^Aji 50 &e6, 
 beobui5eA|* TJAC bAll, CAbAtjic 80 luc jp CUCCA 
 'S 
 
28 
 
 WEEP ON, WEEP ON. 
 
 Toot) "&bfiAO AD rO|t6i> 
 
 I. 
 
 2>ujl]6e, Z)uiltbe bedftA A fftuc, 
 
 CuAib cAjit buft t)-ATT) Tt)A|t ceo; 
 CA buft n)-bA]tl 5Ai) luc 6 cu|btti 
 
 &j8e bu]t b-f]|i t)fof 1176 ! 
 
 bu6 bori) 
 
 'S AC 4vc bA rwccAfi fAOift^e AT), 
 A CAOJ& 
 
 II. 
 
 : 30 0^11 bo b^At)pA|i ceApc 
 
 'S A^ft ^ott)Ab &ACC bo 
 
 C^v Aijo^f |!AO| fnju]b bub 
 'S AJ5 f^ttbAl bo|b cf]t, bo 
 
 AT) C-0|tC 'f AT) tfl&lll fA T)-UA1TT7, 
 
 AT) 
 
 III. 
 
 n^e 0^36 bujt T)-]tt)|i|f A beAlb : 
 S T)UA^Tt bf8 bu|i T)^H) blue, CCAT) A 
 o{tAi,b t;eAlb: 
 bu6 
 
 'S A]|t c^ll, bo cA]r^5 jiuiT) yk leic, 
 Do CAOT/5 ttujT) ejle 
 
 * Air" The Song of Sorrow." 
 
29 
 
 BY THAT LAKE WHOSE GLOOMY SHORE. 
 Toot) " UD GAilfD toy 
 I. 
 
 3V D'Sle&D AD bub-locA 'f 16 D-<v r 
 DAJI fe^i) puifeos j:6f A 
 &fib Ajlle of cjoi) AD 
 ori) CAOiri)5e]t) 05 curp 
 beAi?, c^v A^I Tpo c6]jt, I)] 
 ^-ic fo, n)-b&i6i6 ttje ^eAp njo lupe." 
 beA5 bo 1*15 
 cleAfA rt)eAllcAC* 
 
 II. 
 
 Sf C^c, 63 DA i)-50ittl)-fal, 
 
 U cu]|t Aift ceiceAt) 6 'f curp 
 t)u6 buAi) A 3JIA6, 'f 
 U bejb i)-A c^le A15 
 
 C]A AHI blC ^V|C AJl g 
 
 A coifC&irt) 16 p-A CAob ; 
 font DO f lAfi, be lo no b'ojbce 
 A fiiil te^f ADf<v c-flige. 
 
 III. 
 
 ADoif J DA lu|6e, 
 fe cutD fUAirDDif if CUID fsfc. 
 
 ^^rb SAD c^f, JAD CHA& 
 6 CACU5A 
 Df I AOD cluib DA 
 SAeqb tDD^j c^v ceADArbujl. 
 TA& c^v D-^ coblA6, p^AO f A 
 5 f jtc D^ D-be6|t 
 * ^(z> The Brown Irish Girl." 
 
30 
 IV. 
 
 5o cuAf t>A b-A^Ue leAt) ff A 10715, 
 Jp tWAjfi bo 
 
 Jp c|tu^8 AP cno]6e, A CA AJJ T)A 
 Ojjt b^1T ^ b-^IMw^Ato Ife r)-A CAo 
 Do l]Ti) 50 be^|]teAO 6 I?-A fAtb, 
 
 V. 
 
 lA|t bo i]i)e, A jleAO-bA-loo, 
 
 & At) Ue 50 rt?oc. 
 Do n)*bn) 50 ri7All 6 cjuiAfge bor) rb 
 
 cnjAll cjtO]6e 
 
 Do clo|]*eA6 ceot A|]t f Ab Ai) 
 
 L& A |tAb 1)A CI^OjC *f T)A 
 
 A b'^t A cAe eAl o'fl 
 
31 
 
 AVENGING AND BRIGHT, &c. 
 Torjt) " GfiuACAf) r)A Te^te."* 
 
 I. 
 
 f) l& bujlljbe IUACA, 
 AD c&, bjtAtc cUi) tT]fr)]5 w bfiir 36AIU6 At) jtfj 
 
 5ol<V A ^AlcA6 6'0 b-6All bub, 
 
 A clo^beAti) 6 f |tuc -polA A cjtoj&e. 
 
 II. 
 
 OA]t At) bSPS-T^"?? b|8 of c^oy Up-bub (ioflcobAjfi 
 
 MuA-Jfl b|6 Cftf lAOCJtA IJlA]6 A leAbA polA ]JAOj 
 
 t)A c|teut)-co^A CACA, Ai5 bo||tA8 'f A^ lfot)A6 
 feol i)A 3^11*3^815 50 buA&Ac '|* 50 cpeifgriwl ourt? 
 
 III. 
 
 : 6 fl<xt)|*' bjb 
 
 , b|t)^8 AD c|tv]c JAI) ceol, 
 
 bf80A8 AT) CCAllAC 3AT) fUAHCAf, 'f 3A1) f AOC]tU3A8 A!) 
 6*0 3-CA|tt)CA|t C|lOft)-8fO3AlcAf At)UA|* A^t A CeAT). 
 
 IV. 
 
 )-bA]le bo 
 t)A be6|tA bo 
 
 luce CAfttbip ]f CAb|iA, 
 
 T)fl AO1? I)j8 CO- 
 
 <f Crochan of the Irish Feriii or Militia." 
 
32 
 THIS LIFE IS ALL CHEQUERED, &c. 
 
 I. 
 
 A ce^le rrjAft CQT)A TJA 
 Aft fu^le, *I3 T1^ c &e6|t #o l& 5^i|i&eACA]* beo, 
 c|5 50 bub, i)o 50 
 
 ]tojr 
 
 'S nj lu^ce bo ^IceAfi b|t<\on cfiuAjge le bjiuc 
 'Ma cumA^leAf) cle^ce OA bAo^fe A^|t f jub 
 cc j-ub o|ic: T)| ^rj^Ab AOD bUf A]TI AO c- 
 
 ceAf)Aib f|o[i-crijof)A, 'f le 
 A]t 3-cjiAf) b|6& AH lA3-b|ton CA 16 3A]|tbgf A t)- 
 
 -f Ao^Uc 50 bed 
 
 II. 
 
 A cu]|ieA6 At) c-03Uc 16 ]-0]ceAC curt) 
 ti7A5A sUf, 5|i| Ar)rt)A|i', SAO bjtoi) AJ 
 Dob AC^AC A fv-jle A3uf bVlu^o ^ 6|iuc, 
 
 , A]5 C|t>7f)|tt5A& t}A TD-blAC Affl A C- 
 
 rr>e, bjieArt) b'^vp. 6uA 
 f }tuc At; ^|ori-eoluj|* cA, Ij'oorbAjt, 
 T)A rrj-blAC CA^C At) IA f AbA 
 'f A fO^ceAC J f 5At) bftAor; A]|i b|c AT) 
 fu.b otic ! T)UA|tt criu^iseAf At) b]orbAO]neAf b 
 A 6eAlb, TIJA cu^ceAf) AOT) 
 f A CJIA, 
 
 CAf ACC, ir)O 
 
 * ^z> . The Bunch of Green Rushes.' 
 
33 
 THE SHAMROCK. 
 
 I. 
 
 S|ub<vl led f 
 o I) 
 I?A ftfje 
 
 e co 
 
 C]tj6 
 
 AO c-|*e<\iD}t03, CA jUf f|(i-buAi) 
 De 6|le65 
 
 Ai) c- 
 
 II. 
 
 3 A irs e ^13 
 
 *S bort) CA 
 MA feoj&e n)<\&r)A 
 
 bo 
 
 ' At) b|l 
 
 'D c-f 15 
 Air "The Shamrock." 
 
34 
 
 ATI j:eA T)A 
 MA f50]lc|8e AT) 
 CA 'TI cfiiu.fi TTJAJI f CAC, 
 
 At) c-T*eArT)rt05 CA 5lA|* t'iri-bu.At) AT) c- 
 Oe 8 
 
 AtT)AlT) AT) 
 III. 
 
 Co 
 
 t)|8eA& C6AT) 50 
 
 Ai|t e^ce AT; 
 MA cjcjceA& &AC, 
 borpblAjj* yd A f Ar 
 30 b" 
 
 AT) PHOTIC CA JTAOJ t)V TTJAOTlt'ACC, 
 
 'S t)^v coo|5eA& 50 bed, 
 U bjtAC fA t)-3leo, 
 'SAifce !)-A5Ai6 VJA fAorifAcc 7 
 AD c-t*eArt?]t65 CA sUf ffTi-buAt) AI) c- 
 Oe 
 
 r 
 
 6i|ie ATTj'ATT) AT; c- 
 
35 
 ONE BUMPER AT PARTING. 
 
 I. 
 
 CUAC95 Ati)Aii) A^5 A bojiAp 
 De^p AT) }ort)Ab cuAib cAjtc A^JI A 5-cUvji, 
 
 At) CUAC !1)O Curt)A 5A 
 
 50 
 
 l Al) 
 
 Co ti)Al if co c|ton) J ceAcb curry Cj5 
 MAC t)*Ailt!5c^|t ACC t)-be]f A 6ul yjOf 60 
 
 Up c-AOjbDCAf bf& 16 T)'A \]\) 
 Uo be n)6rb6]b TTJAJI fiib b|6eA6 A|i rt)- 
 
 DA t>eAlbA6 50 c^ug, blue 50 leoji, 
 Do c|5 Ap ucb n* 1 ?!*' ^ ^ UA r P^CA, 
 
 Sup ^A5Ap ']* A 5-cuAc A l&ft beop. 
 
 II. 
 
 6u]t) Ajfi Ag 
 pcfc bo 5UcA6 PA cjtA, 
 po 
 
 ; bf&eAi) AH? blAobAo A c 
 5fieAbA& TJA t)-uA^|te JAP pcfc, 
 'p pAri)A|l bo AifbeAfi T)A 5AO]ce, 
 'NuA||t A n)6Ap5 WAC bffteAp A pig. 
 
 be ri)6rt)eib rt)Afi pub b]8eAt> A]I n)-beACA 
 DA 6eAlbAb go cjuj blue 50 leop, 
 Do q5 Ap ucb p]At)p' le UiAp JIACA, 
 
 'p A 5'CUAC A l^jl bCOft. 
 
 * Air Moll Roe in the morning." 
 
 
36 
 
 III. 
 
 MAC foilpeAcb bo b|8 AT) 
 
 WAC beAlftAc bo 6eAttc AT) trw]fi 
 
 2$ ATI fUb 'f bUAl 5AC f:leA8 AJ5 AOT)A8, 
 
 be^c rrjATi jteAlc AT) IAC but r)A lu^8e. 
 Do cofjAfttc rrjAji c|t^ocT) 
 
 ^15 t^bjeAr) A gAece 
 'S A IAT) CUAC rt)A|i f ub 
 
 cc be ri)6tt)&]b rt)A|t ^*ub b|8eA8 AJI nj- 
 OA 8eAlbA8 50 qug blue 50 Ie6|t, 
 Do c^5 A|* ucb I'IAI)!* le IUAJ* ^IACA, 
 
 A IAJI beoft. 
 
 'TIS THE LAST ROSE OF SUMMER. 
 " Coillce b 
 I. 
 
 AT) c-fAti^iiAi e-jf y'e.\\) A]tt A 3- 
 
 A citAlUcc n^ f5e|ri)e bqc eu5CA A^TI 5AC cAob : 
 
 AOl) ]t6f* A11)^V]T) 5Aollt)Ajt, ^AT) blAC, l& A 
 
 lA]*A8 t)o ofT)A& cAbA||tc Aijt A^f bo 50 
 
 II. 
 
 -pA5t;Ab leAC fe^i) cu. le ri)eA&A6 Ajfi A rj-jeus, 
 bo cejljeAT) A coblA8 ri)eAf5 bo TjAolcA 50 
 A n)-be]8|Ti veAfbA 5AC lA- ff 3^6 o^8de, 
 i)A jtopA JAT) bl^vc ^ JAT) bAlA8 bo lu^8e. 
 III. 
 
 fUb TJ bUAl ]Tl)CeACC, t)UA]|t A C|tf01)AJ* At) 
 
 'S t)UA||t eAlu^geAf o t)A T^eojb^b AT) fse^ri) IT; AT) 
 MuA^ri A clAO|8ceA|i T)A cjtoi&ce, fCAp T-uAficAr; if |*eAT), 
 
 C|A be]8g8 T1)ATI CA8AT) AOT)A|tAC |*A C-T/AOgol fO left* fe|T) 
 
 * ^V The Groves of Blarney." 
 
37 
 
 THE MINSTREL BOY. 
 
 I 
 
 Co CjtlAll CUIt) CACA 05-UoC t)A 
 
 TjArrjAb G^jieAT) A^fA^e ; 
 ACAfi jrAjfSce -Afti 50 COAT), 
 3V t)-AO|rj^eAOc 16 t)-<v 
 cfjt T)<V T)-&^X) ! AT 1 <<M) 
 
 05^1 bob 6 
 6 bo rt?oU8 50 
 bo 
 
 II. 
 
 Do cu]c Ai) b^fib, AC rrjA cu^c 50 f 6|ll, 
 
 |tAob |6 c^AbA clAifif^e AT) 6e6|l, 
 Do fciiAb |*6 6 AT) c]tA b|8 T-6At;TT)ATi : 
 bubAific ; t)f Tbill-p|6 CUITJJ bo 511^ 
 
 2V CflUlCe OAOJT) T)A b-^6AC fAOflA. 
 
 0! cluitJ^eAri 50 b-eu^ bo lAr)-b|T) ftiur, 
 bjtujbe tr b|t6|T) r)A cfjte. 
 
 * Air " Moreen." 
 
38 
 
 THE VALLEY LAY SMILING BEFORE ME. 
 Yot)t) " GAjljt) beAp cjiubA& r)A rrj'bo."* 
 
 I. 
 
 At) sleAf), b{8 jtorbAti) ffoce, 
 rrje rt)o c6]le 'p mo 
 
 , bo 
 
 Do U|*A6, Ife roo f eAtpu5Ab f A c-^lfje, 
 bub bjori)AOjo r)gri)- 
 
 t)eulcA 
 
 II. 
 
 b|8 A ]-eort)|tA A 
 
 Co UAJ30eAC T1)A|t UA^tt), ACC T1)0 
 
 e ]*A ij-uA^rb bo b|8 At) 
 "N^c 6Al6j 50 t)^|ieAC f A CJIA. 
 
 fD At) C]tU]C CeolfbAjt CJtOCCA *]\l At) Tl)-bAllA, 
 
 <L& A tt)-bjteu5A& rtjo bjioT? A!) beAi) 63, 
 cc At) IATT), A t*5ejc A ceol cjtfb AI) CAllA, 
 CA AIS c^c AJ3 A 5-co 
 
 III. 
 
 b]& Art) Ap, A cejle CAM), 
 
 -b6At)^Aj6e At) fjoftDA bu& IU^A, 
 cu t l &0 ^ e 1^ cAilpeAcce IUA^CAC, 
 &jrt)eAt> Up b'flt^ ^ cofA]t)c bo cl^u : 
 
 cC At)0|f , A beAt) 1)^ b-CAT|t-|*36Al 'f t)A t)-bAOCA, 
 
 3A8 cjioti) A^ bo CAit)ce, 
 A6 )of*f^lt 
 
 * Air " The pretty girl milking her cow." 
 
39 
 IV. 
 
 i)<x co^fii&fj if bftu-fbeArbU. 
 
 30 
 
 A t)- 
 30 
 
40 
 
 FAREWELL! BUT WHENEVER YOU WELCOME 
 THE HOUR. 
 
 i. 
 
 ! AGC qt& be^8]8e 
 
 r)A 
 
 Do 
 
 At) GAjtA]b, b|8eA& A]5 cujt otjtA boi), 
 
 AT) JAG bfioi), i)A f U]&e t]b 
 jiff 5At) Arb|tAr A bjtot), A5Uf i)j b&|8]& 
 ri;u^T)|5^T> A bjieuj e, AOTJ ICACCA TJA 8 
 lf A]t> A |* A cujri)t)e be o]8ce T)A be Uv, 
 ]b 8e ]*A i)-An) ]*|i) JAG bfioi) A5U[* 5AC 
 
 II. 
 
 jo ceAcc t)A b-oi&ce ub ]*|Ap|ArblA, 'p A 
 
 c|to]6e IAO be feAT) ? if* 5AC CUAC l^t) be 
 
 bejbeAb l|b, A c^jibe, A t)--|r)c^ 'f A 5-C|tO]8e 
 btijt T^5^15^ be^b ^ 
 e^ceAcc le bn|t j-ceolcAjb 50 
 ri)A bjbeAt) 4vo?) be r)A flACAib le 
 
 III. 
 
 Do cfgc 
 
 ]5ce 
 rb-bu8 
 
 T)A l)-oj&ce 
 
 bo 
 
 n?o c|tot8e 
 
 bjt|Tcg|i e ' 
 ]6 bAlAt> bji 
 
 3 
 A]]t SAG jwri) bVn c- 
 
 Air " Moll Roone." 
 
 cfte. 
 
41 
 
 YOU REMEMBER ELLEN. 
 " OA TD-bub 
 I. 
 
 fiiAjjtc Asuf r-A]ri) AOJ 
 bo toriYis 3ul]Arn ejlicfigc rt)Ari ce^le 
 'S b6 
 
 II. 
 
 A D- 
 
 c|tO|8e 
 
 eAH70^b cA]i)ce juf b^ot), 
 6'r) 
 
 III. 
 
 bu& PA&A 'f bu6 cu]|t|eAC A|5 f jubAl bo bj 
 
 r)A b-otse le irt)r)|8 ^A^ ; 
 clAor)A& tAe boji)]^ bj6 5A]tb 16 
 
 Sub 6i AtijAc IA^ rUcAri)ul A 
 
 IV. 
 
 Up fO, Ajfl At) C O^-f eAjt, 5lACAn70^b fC|C 
 
 CA At) oj&ce ri^Atl 5Uf AI? 5AOc CCA!) ; 
 Co fe^b |*e At} A&A|IC le ^ort)CA|t Afi 
 'S &'uri)lui3, A]5 bul t^gc. t>6, AT) 
 
 V. 
 
 O' ^A]lce, beAt) u<x]*^l, bo 5*vjfi At) 
 
 'S leAC AT) Co]tl ^|* AT) but) fo f5Ac t)]8 c^v AT), 
 Uf bAjt)]6e rbeA|* b|tt<\c|tA, A 
 
 OjTl f J Gbelft) bAt)-C|A5|lt)A 
 
 VI. 
 
 'S A^Tl A C6]le C^V T*JTl-CeAT)ATt)Ull 'f 5|lA8AC AT) IttAT), 
 
 OJATI gul^An) <vt) c-ei^cTieAc ']* bo p6f TOATI rf)i)AOf, 
 
 SA A Ufl T)A 5-CflAr) C^eA|tT)AtD\?l CA CeAgftAC, bttAt), 
 
 A ceAcjt) o 'ft co^ f A geAt) |*A 3t)Aof. 
 
42 
 
 I'D MOURN THE HOPES THAT LEAVE ME. 
 
 V ODD - " Ul) CjtAT)-]tOfA."* 
 I. 
 
 Do gullet) rt}u]r)|ir) ri 
 
 DA b-c|a|5f e^8-|*A nje, 
 Do CAOjDjqi) CAfiA^b 
 
 ^tj-|*A ojtri} 
 bo 
 
 m^o fifge 30 
 
 ct 50 fo|t 
 II. 
 
 Wf'l Al)|*A C-fAOJAl 50 l)-Ujle, 
 
 f cu bejc t^oit) ; 
 5AP bjle, 
 'S 5Ai) |tu]i) leAc, DA buA]6]t6A& cftort) 
 
 tyrant AD AiriiDs 'r bjt& 
 
 'S tt)6 |*rouA^g6 o|ic-f A, A 
 
 'N^, At) fubACAf 'f tl)6, -'f If 
 
 ^c-fe l njo b]c. 
 III. 
 
 DA 36AllcA 
 
 Do ceAts f^i) l& cla^lD 'f 
 
 A ci)uc led A|tff 50 
 
 cojbce 
 
 teu|* bo fn7f56Ab A b-fAj*5A8 A|i b-cg. 
 * ,4/r " The Rose-tree." 
 
43 
 
 IV. 
 
 AI; e-foluif A be]c rt?uccA, 
 Do C|ie6|tui3 & tjifb AI) 
 
 Ucc f 6f t6 tocjtAf) jteulcA 
 
 I leuf A^5 beAtftAb t)eulcA, 
 AT) leaf A cj5 6 |t)5 T) 
 
44 
 
 HAS SORROW THY YOUNG DAYS SHADED? 
 
 foot) "PAbfi]c CluAirjeAC."* 
 
 I. 
 
 pAOj ljoi)bub, 
 *At) ceo? 
 
 'S flO luAC bO CUAJ& CAflA1t)-t)e CeATJ-f flUC 
 
 f 6. 
 
 6]to]6e A b|6 AejtAc 50 leoji ? 
 A lepb t)A r|iuA)5e, 
 leAC beojt 16 be6|t. 
 
 II. 
 
 te 6|te Cil-ri^^oocA^t) 
 
 Oi) bo cjioj&e. 
 jte cjvf 
 
 c|i6, 'p A bpu.fl 6ft ]teffi c^l', 
 
 COjtAt), 
 
 III. 
 
 bo 86^5, rt)A]t ^At) At) f 
 Ool 6 C]tA^ ; 30 cjiAfj be^t 
 
 , 6 t)-A beul ? 
 
 Sub cu5Ab A feofb A]|t A t)- 
 Ucc b^f|* cu A rbeAtlA8, le 
 Sub UA^C fe A]tff 50 b-eo- 
 
 * ylir Sly Patrick." 
 
45 
 
 IV. 
 
 it)Afi pub AID i) 
 
 fe<vjibui5 AOT) I A b'Ajt nj-b^c ; 
 
 5 bttb-oeulc<v Ait 5- 
 
 )A|t |*ub le 
 v JAG c&^VfSeAcc b|6 5|t2i8Ac 50 ledji 
 cujArt), A le|T)b OA cjiuAige, 
 le<xc bedjt \'Q beo|i. 
 
 NO; NOT MORE WELCOME. 
 
 I. 
 
 |t<\b co ^^lceAn)tt]l OA, ceotcA ^J 
 
 30 fojtl A 
 1)-o|6ce 
 
 Co bfqp f^ii-guc o|irt) f A t)-Art) 
 
 ^0 C|\O]8e 'T) rtjo l^|t ^AO^ cjion} f-lAtt) ceo, 
 5ui} bo]5 50 clu|t)|;A^b 60^86' AT) 
 
 Too co bjt) beAi)uigce A|t]f 30 bed. 
 
 II. 
 
 Sue b|^ i)A &ilr e > ^^I 1 cfui)- 
 
 ^O f&lri) A^3 6Al4V5 C|l|8 8llAlA CAT!)', 
 Jf CAfCA fllSeAjt), bf& UAJT1) 1)A l)-ATT)A|tA, 
 
 'CeACb cfq8 SAC cuA] 4 be trjA cjtoj8e ^A 
 b'ui)5 fc A 5-co3A|t e, bu8 lo 
 
 DA IUA& ; ^f b'feA]t l^ort) i)^- AT; fA03Al 
 2l)o c|tort)-c^vri) ]!Ab<v CA 16 bub bjtot) l|ot)Ti)A|i, 
 A|3 ceolcA]b co 
 * Air " Luggela\v." 
 
46 
 WHEN FIRST I MET THEE. 
 
 - " U PAbjtYJC, Ce^C YAJtt)."* 
 
 I. 
 
 CV T -^t 1 3-CA]bpeA& 'f cu 65 bl&c 
 
 co p]Al A r>-5 
 cofri)V]l 86jb bejc 
 
 |*it)VA]oeAf bo be^c 
 
 cii be^c ACfiujgce, 8^Ai) ffo|t bed, 
 
 DA b-feAll^Ab A]|t AH c-fAogAl 50 bed, 
 
 Jf c6||i Ai) C|t0]8e be^c bftjfce, 
 Do 6u^|t|:eAb bojg A|tff 50 b- 
 U 5-cliiAi)A||te co ctjfce. 
 
 II. 
 
 C|iiv b^8 JAC beul AJJ IUA& bo 
 
 b' otc l]0tt) AO T3^Al bub 
 Mo CA|t5A]]i r^fe 50 
 
 'Sldjite Af At) 6156 
 Dujc b|8 feAfrbA 
 
 'MuAm b]8 bo CAJ|tbe 
 'S AT> cjtojbe t& 16 bo clu<\ii) bA 
 
 50 
 
 g cAjrt), 
 S 6 AO c-f^if A 
 
 * ^i> O Patrick, fly from me." 
 
47 
 
 III. 
 
 T)A b'^oif' f A CJIA 
 bUc OA b-oi3 
 
 ejc AT) bjieAtt), A|3 A JIA& ojtc 
 'S CA oftc 3|t^|t) o Ivcb fco 
 
 'S t17<V|l 1&AJ* A]|t VA^ti), b-^Vjl b^f AT) 
 
 : 'f bA rt7-be|6eA8 A^JI bo lAjrb, 
 Op if cA^oce At) bori?A]ij, 
 / c|ubftA]i) bo|t be gol g 
 bo f ApbjteAf olc 
 
 IV. 
 
 'S b'^b^Jl 50 b-C^OC^AD, 'cluAT)A15, AT) 
 
 AT) c^ bqbeAf OTIC Af5 cl|T-eA6. 
 A 
 
 cvjll cu. At) 
 
 ]b A^C ^ OTIC Y CU f^AT)rT)ATt. 
 , YAjrt) ! TTJAllACC bY|C T)] f |U, 
 
 <v8 8vjc rrjfcljY 
 Co cton) f CATI AT) 
 
48 
 
 WHILST HISTORY'S MUSE. 
 Tow p Abbf TA,C."* 
 
 I. 
 
 'f b|8 ceolfiAi8e t}A b-|cbtiu^i) ^ 
 t}|6 bA jiA^b jgce 'rj bub ejse T)A f|t| 
 Le I?'A CAob b|8 WeAC 6]fie 50 bjtooAG ']* 30 
 
 At) fcAijt f*n}AlA8 leAbftA bA ci^bf: AJ* bo b]8 
 bo U|* f uuvf A |to]*c c|tib A 3-ce6, 
 
 rjcA be 8u.b-bft6i} 3At) 
 OeAjtc AI) ceol|tA^8e 30 b&o, 
 Le rcjtfob, t)eAlfiu|5 50 beo, 
 
 *|Of cffi-fgi^c, CA]t A 
 II. 
 
 TAOJ gAec' c|3 o fpe||i bftucbAriniiie-ffte le 5l6||te, 
 
 be 6fiA8 ]f 6 CAJIA rt}6 beAlu^ce, 
 e||tjbe ri}6]jt loc^tA^ n?A|i cufA cu]t 
 C{8 rt)6|i U]ri7i|t tAOC|tA be^c bA luA8 A^JI mo cAob, 
 
 AjtAO|t ! c^v t)'A lu-|8e 
 bfo 
 AOt) 
 
 III. 
 
 ?Vcc ]tOtt)AC CA Ar) |*AOCA|l ]|* T1}6 AU b 
 
 Oo cujftjreAj' A]JI A r)-beA|tnA]f A |t|Atb 50 
 C|6 bu8 ce]ti)eAti7U]l be^r f AO|tA& cfifce ejle A S- 
 jf 076 AI) |te]tt) bo c]|t ^e|t) A co5bAit CA 
 CACAO||t.t)A l^ljce bo coj-pAif*, bo 
 
 Ajft fot) ^ffie, b'ojl A|xb-ciiAc bo bjc, 
 S' A||t AH buA]8]|tce 8ub ; 
 O'A pu]t 'f beo^A f jiuc, 
 
 t&eA6 At) IAOC, CAJI A c]to]8e. 
 Paddy Whack." 
 
 %* Notwithstanding one signal service, it would seem as if the subject of 
 this beautiful melody had studied to render himself permanently obnoxious 
 to the Irish people. Still, from a selection in our native language of those 
 truly popular Lyrics, I could not exclude such an exquisite specimen of 
 poetry and patriotism. I have, therefore, merely omitted the name in 
 each stanza, filling up the chasm with a corresponding character in general 
 terms, leaving to the taste of the reader, or the progress of time, to sub- 
 stitute any popular name not unworthy of the distinction. 
 
49 
 
 WHEN HE WHO ADORES THEE. 
 
 "Co&lUb AD c' 
 
 I. 
 
 & gtijc cojtcA t)Ac n)-b6i& &A IUA& 
 c A locce A5ttf ATtjjAjt |to 5&.Afi 
 
 A' &ubcAt) 5! 
 > ce, 6u|C]-e c^v fftjce ^ 
 '|- c| ^f C(ioro ]te|jt &o t)Aii)At> bo 
 !)e|8 A i)-5ii|fce bA i)jceA8 le bo 6e6fi; 
 cj &0|bj*<xi) bj6|y 
 50 
 
 
 
 II. 
 
 be 03 6jl )o b^c, 
 ojic 117' e<\5t)A A]5 tt)eori)AfiA8 50 
 pcA Af be<viM|5 |tAC|!A6 fuAp o rrjo 
 Aft OADjrne '5-c6|t|i) 50 ?foji. 
 *f A0|b|r> boo cA|[tbe, ^Ai)Af 4 beo A||t A c- 
 
 TeicriD l^vece bo stojft ^f rrjofi CA^I. 
 MA beji; f]i) o|l beAr)Acb co 5A]t bo, A i)-5Aol, 
 Le bap ^l! 1 r ot ) b'^tib |i6|ri) bo p&^Ajl. 
 
 * See Note (1) in page 64. 
 f Air" The Fox's Sleep." 
 
50 
 
 THROUGH GRIEF AND THROUGH DANGER.* 
 b|8 A3un? j^0|t 5|t^v6."t 
 
 I. 
 
 A8, bo loi)jtA|5i6 06 f mfseAfc wo fljge, 
 
 Sup, |*5e]C bo^gl) A] ft JAG b|te^05, mo 6jn)c^ol bj8 t?A lujbe: 
 OA 8u^be cjtAt) Aft n)-bACA, bub feAlf A|g b{8 A]t rj- 
 
 ^0 ]1Ab 5l6f|t A t)A]C T)A1]te, <\5Uf CAOT)bU]tACC A 
 
 ! fsl^b ce bo |tAb n?e, AI) b'ucbfe |*AO|I bo bf6, 
 
 bor> bojlf bo rbebi;^ urt) eAn bo 
 
 II. 
 
 DO corbfujfqgeAc ^AOJ o]tn) ; 5U|* cu |:AO| bfrtjeAf ttjojt 
 bf6 bo cjio^fe be b^t^g, 'j* A CJIO]I)|*AD be 6ft. 
 
 bub o^fic ^Ab A CA|tA^b ; 'f bo CAjtA^bfe r)A 
 
 b' ^Ajt Ion} ]*A 'r) UA]rb A]5 bo cofA^b be^c ti)o tuj&e, 
 le ]twb vu^crbA|i, T)A AJ3 ^ort)pA8 UAJC ttjo 
 
 III. 
 
 Ce bejjt 3U]t ^^^ bo geAllcA, be]|i ope bpejce cjtuAji; ; 
 
 ^eAllcAc, i)f 5ur) llA|-A8 be^8eA6 bo 
 o|tc co ^Abo b^8, ^A|*3<vic cu^bjte cjtoro, 
 So b-pu^l bo C|t6|8e clojce le f clAbACc ASUJ* c|ton) : 
 i)<v c|te^b fAb, t)jTi b-pe|bj|i le cu]r>5 cu bo clAo 
 'N A|C A feAlffgeAp bo fpni^ob, ^eAlngeA^ rAO|tf A co|8e. 
 
 * See Note (2) in page 64. 
 t * Airf* I once had a true love." 
 
51 
 
 SHE IS FAR FROM THE LAND. 
 
 "* 
 
 I. 
 
 f '> c tMc, b-jmjl A b*o|5 IAOC I)A llu|6e, 
 S TAi) Aib AJJI A fuiftj8eAi3e &A 
 50 f uA]i 6 fuil| 
 Cfioj6e te rj^ ce 
 
 II. 
 
 bo 
 bo 
 
 'f beo5 ^rtjt^be locr clu|r)j*ce A ceolce b]i), 
 ^ c|io|8e bejc bA b|t]|*eA6 3111) c<xb<v|tAt>. 
 
 III. 
 
 Do rijAjft fe 6^ |iurj ; A3Uf b'e^3 fe 8<v cpjc : 
 So At) rtje^b bf& DA ceAt)3Al At|t c<xlAri) : 
 
 Nf IUAC 'go]>*Af qtortj-gul A tfjte GAT) ]*3fc, 
 'S rj| b^|8 b'f Ab 5ut) A o&jle A t)'u<\irr 
 
 IV. 
 
 rtiAftAc 
 A r^Ai) 
 
 T)A bjl jT)|-e ^Gjt) A C^ bft6l)AC. 
 
 * Air " Open the door," 
 
52 
 WHERE IS THE SLAVE SO LQWLY! 
 
 nor lion)."* 
 
 GA bpujl At) cftAill ^ CAjjie 
 
 CJIUAJ& 
 ti)-bej&eA6 AT), 
 
 rrjeAc' pAO] 6^1)5 
 
 8 16 bejc 
 *S 30 rt)-b' Aofbi^ bo, 
 
 t)-ucc A 
 
 ! b|6 fl&i;, 
 
 II. 
 
 N| AfjfA At) lA|5|ieAl 
 
 C^v bed SAO bA|i)c, 
 
 'MA A?) blAOtg 3At> 
 
 u 5o|& r le ^rs fr 
 
 Ooi) buA&Ac, bu6 biiAt A f 
 CA Aft 5-cof A|]t uft Afi 5-CA||ibe ; 
 CA AI; 5lAf-ti)ef|i5 C03CA A o-A]|tbe ; 
 'S ^AO U i?-A|t b-CAob, 
 N&jt cl||* A 
 'S AI) ijArbAj 
 
 Ac, e"t|te ! b|& flat?, 
 cAO]t>eAf Aft o*A]i le beojiAjb IAT;. 
 
 * Air " Sios agus sios lorn." 
 
53 
 
 COME REST ON THIS BOSOM. 
 Loo 
 
 I. 
 
 \i rtj'ucb 
 
 Cf 5Uft e<xlu(5 At) cjieAb UAJC, fo b'Ajc bfbjot) 
 C& At) f rt)]56A& AT) 3^1) b&bAr) 
 
 l^vri? le bo cof Ajgc le coosi^l 5ut) 
 
 II. 
 
 30 n)<vji<\b |*e feAftijAC ; IJAC cofft, 
 
 ce b|6 cu, 50 bpql njo 5tt^v6 0|icf A 
 
 III. 
 
 Oo 3^||i ojiri) 4956*1, cfi^v b|8 cu 
 rtje Tt)A|i Ai)5eAl cft& cu be^c 
 eA90w|i?c bo Io|i5, cjijb 5A| 
 bo cof A]pc 'f bo cubeAcb, le njo b^,f IJA njo beo. 
 
 * See Note (3) in page 64. 
 f Air " Lough Sheeling." 
 
54 
 'TIS GONE AND FOR EVER. 
 
 " 
 
 I. 
 
 ce 50 beo uA^i) AT) tocjtAi) b|6 
 
 At) Ue 5]l A]5 fOjlj*tw3At> 5^x6 
 T)-A gAeqb u<vi,ti)e T)A rtMpb, 
 Ife I;-A f*otuf t)A |*u^le bjb b^ll. 
 
 ?Vcc 50 l)-A]]t]&e oftc, B^jiji) ! A cu]|*le njo cjtojbe. 
 
 II. 
 
 0||i b'4x|ib b|6 bo boj-r;, cfiA bj6 At) 5l6|jt iib b*A fOjlf fiiTjAb 
 Oo c^njcjoll c|tj t)6AlcA cpon/, bojiCA At) C- 
 
 ^ll 1 bj6^|^i)e b&jf A 5eu|t-cv?05 bo bfiij-gb, A1 
 MuA]{i Ari)u.]l rt)A|t J4c 5fife^)e, A bjtACA bo 
 
 ! v\ c|5peA|i co]6ce A|ti|-, AI;}A 5-C|tu^e. 
 
 3Voi) ATT) co Tj-AOjbjt), 6|rt bf& cAorb-Juc JAC c|t)e 
 
 *S SAC TijogAcc' A]5 CUTI Ife 6fe|le : ']* b'A|tb, bjt; bo clv?r)e6 
 
 ie 6 
 
 III. 
 
 T;A CJOJIAIT), i^Aitb^jl led ACC bAO||i|-ccc, 
 
 J S A]Jl AT) CAI.ft-bTtgTT), T)A]t clAOT) U TJ'A TT)A]C f^tt) A b'CO]l, 
 
 'S Aj5 Alc6||i r)A b'-^ire bo 
 '^AUi5 30 beo 
 
 50 OTIIAC, 50 
 6|]ie, 'cfjt cAillcc, cfjt rAifse it)o C|i0]8c. 
 * ^-~" Sa vorneen deelish." 
 
55 
 
 I SAW FROM THE BEACH. 
 
 I. 
 
 Oo COf)A]pC A]p rt)A|blt), A1p At) TT)U|p b&Jf A 
 
 &n tor>5 bpe&i; f AOJ feolcAjb 50 fr 
 Oo beApcAf <xpjp, i 
 i A 
 
 II. 
 
 Sub porrjptA A]|t ri)u|T)|5^o if A]fi rbeAftbAll )A 
 Uece A|t flA^ce 'f A]t 
 
 'S b'&jt b-p^jAjl cjiAc-nooA A|fi 
 III. 
 
 A 
 
 C|IAOC 
 
 At) bojtCA Aft t)-o|8ce, rt)Ajt f^irt^- 
 
 ]t &ATT> 5A6C6 UjlA 0<V rt)A]6^6 
 
 ?Vt) bubAt) if ^jlle i;6 IOOJIAP luj&e IAC 
 
 IV 
 
 CA, A]|t t)Ac rt)-bej8eA& cuii)A T)-b|Aj5 Art) iib t) 
 
 AO curt)A|0 'cup, MAC Af A b'Aft 
 'S A cpo]8e it)A|t OfiAt), up, Atu^p cojlle f AO| fyl 
 
 CAg-bAtAb 6 7 t) c-fuj; cpf 
 
 * ^>^ Miss MollT." 
 
56 
 
 FILL THE BUMPER FAIE. 
 
 Togo " bob ir Jog."* 
 I. 
 
 CUAC ItjAfl Y COJfl fUAf ll^OI). 
 
 S|lc Ajft 
 
 co UUAC *f co 
 Le t)HA|t bo ct5 mAt OAOi 
 
 Cftf6 CUACA U 
 
 Uo CUAC, njAft 'f co|tt fuAf ll^on. 
 ys^Uib 
 rb<vl<vj&e 
 
 o 
 
 II. 
 
 AJfl 
 
 CAO]|I Y o t>eAti) DA |teAll, 
 A t)UAf A 
 f A b- 
 
 & 30 cjuce, 
 i)eAri) OA b-e*3iM V 
 MA 5Aece Y se^jte 
 
 ^9 CHAD llJAfl Y C^IT 1 ? 
 
 * ^e> . Bob and Jones." 
 
57 
 
 III. 
 
 Ce AU baft ubAjt bo b|8 
 
 'S buAl ior pATjAjl, 
 5o rp-bjAi) 50 f |0|t Ai) Cftojbe 
 
 Curt) fpjji^ob joi)<* 'clAOt)A& : 
 Co c&filU8 At) |- 
 
 NtiAjft ^UA|* 50 
 &n ce 50] & A 
 
 CUAC n?Afi Y cojjt fuAf tlfoi?, ^c. 
 IV. 
 
 Af C|IJC 
 
 Al 
 Ucc, o rrjAji lejit) A 
 
 A jteullce, 
 CuAiJAftc CUAC UA lii]8e, 
 t)u& le t)ACAf fubA 
 
 Up CUAC rt)A|l 'f CO||t 
 
 V. 
 
 bft> AD f 
 
 Sub e HOCAJI 
 
 Sub 
 
 OA b-c|5 Af CUAC be CCACC. 
 
 Uj) CUAC M)A|l 'f C0|ft. fUAf Uf09, 
 
58 
 
 DEAR HARP OF MY COUNTRY! 
 
 I. 
 
 'Cjtujc Ai)f*A TTJO cffie, A i}-fcojicAr b|6 fface, 
 
 bjb jMiAji-cu|r)5 HA cofbA ojtc Aij*5ce 50 CCAI) ; 
 Do coj5 it) Af 3e]beAll, b6jf bo cujbfteAc be^c 
 ho ceub^ib ^15 T3 e !^ 3<*ece, ]f |*olu 
 
 ui)&AC peA^A bo b' AefiA^e 'f bu6 b]^e, 
 bufAcc bo ceubA, J b|& fiiAr)rijA|t, can? ceojl; 
 cc b|6||* co geAtb-eohjAc A^jt fitAitcAf 'f Affi lujije 
 ii)-b|i|]-eAp AH b]tot> qt] bo f a3A]5|l 30 
 
 II. 
 
 A5uy beA^Acc 16 bo bji)-5Aec]b, 'cjiu^c cjiori), 
 So Ai) bUo]5 b&]5ioi)Ac &AOCA, bo b&AT)jrArt) A 
 
 pflAC 5A|tCA A^fl bO f UA1J CjlOtl), 
 
 r)|O|* |-CU<MI)A Ajfibo ce 
 
 A ACC 
 bo CAWS A!) piA|n) 
 
 * Air Langolee." 
 
59 
 MY GENTLE HARP. 
 
 I. 
 
 Q cfiujc CAOjt) ! biif5A|n? Anjf- bjfj-jAece 
 Do ceojl, b|6 b^icce f AOJ coblA& cnon? : 
 
 LUvri bedfi bo 
 
 CA bo cAfA& A llAft bedjt It^orrj 
 
 Wfon bnif one ru7:nA6, ACC ri)Art t;A CW,,M n* 
 i I 1 1 i i j i / MI \\j j 
 
 tifj A |iAb 6 tjeArb A |i|0 'f A fcuAfrrj, 
 'S bo CAOA6 bnujb ti)Aj% bo bnu]b 50 
 3 
 
 II. 
 
 6 bo fe|p bu^i) bo c6<vb<v 
 
 ]f b^tf CO5A^6 ffoc, 
 bo \&]rr) 16 boccu 
 
 Aijojf ^AO] t)^vi fie bub, cfton? 'ij^v llu]6e 
 c co-f Ab 'f bfb Ab|tAiT) ^ bAT)CA bjpe 
 Ujji q|i Y A||i coi) bV r3 e 1 e 3 At ? T5f^ 
 S AJ5 tlfoi)A6 A^oe rjA fluA5 16 llu|pe, 
 O'A ri7-b^]i]i of f uA]]t cw ACC b|t]|*eAb cjtojbe. 
 
 III. 
 
 CJA bepeAb A peiceAb", 'cjiujc cfioit), Afjt 
 bo cjioro-ceAbAib, be deolcA^b b|p' : 
 ^U]fe65 njAibtje, bejbeab co c|t^vtAri7U|l 
 eA5CAO|n A b-AO^e AJJI 
 |i for) f AO|tf' bo 
 
 'S At) criAob, 16 rj-5teAfAiri) bo curry ]f b' fe]ce, 
 5u|i |:leAf5 c^v |5ce f le fUbfiA^be if MAC 
 * Air (( The Caoine or Dirge." 
 
60 
 
 IV. 
 
 Ucc 6115*11), 'p njk t& AT) bo curt), c& AJS 
 
 5AC Arrj&JI) fjAtff A I)AC bpU]l f AOJ 
 
 bo ceolcA l4v]t bjtofr), ' 
 
 cu. A UAJI DA 5-C|tor)AC, 
 lujfjeAC bV jAbA^l 30 
 ft^*ce, b^]6|]t 30 
 
 'r *y\ v*r*& 50 b- 
 
61 
 
 AS SLOW OUR SHIP. 
 Toi)t) u Ur) CAlft) b-^A5 me njo 6615."* 
 
 ftAb A peolcA ljoi)CA, 
 
 Do cf3ea6 AI) bjtAc A fceAC 6'i) 3- 
 
 i) cuAio? A 
 |*uo ^f 4 m^U AU 
 
 A|tAf 5|t^6AG A|t 
 
 AH Uoi)5-b|tAC f5AO|lce A 
 
 IL 
 
 At) Am', CUA16 cATtc rt)A]t ceo 
 
 c-fle|be : 
 Af |*|o]t-beo, 
 D'A rt)eA|-5A8 l^jt Aft 5-clefbe ; 
 
 ^ ceotc<\ jrtAC* fA b-|:te|6, 
 eAcc 63 ]f CftO]8eArbu^l 
 
 p CUAC 
 Dol cAftc 'f &'A 6l 50 fAO]ceAti)u]l. 
 
 III. 
 
 U b-cjficjb cotSft^eACA, AO C|IA 
 
 Do cfJeAujoib i^f*e |f 
 'S 3AO t;|& p<\ blAC, AOC 
 
 'S AT) cop)5)oll cAori) bo f Ai)cu)5 : 
 bub rtjojt AO fd'Af Afjt Aft 5-Cfiojbe, 
 
 ^Uf bAftft A]ft AOfbljeAf fAO^AlcA, 
 
 le o-<vft m-bfc 
 
 * Air The girl I left behind me." 
 
62 
 IV. 
 
 C6ACC 
 
 AJI T)-beAfic, 
 
 r)A - 
 C|t| ijeulcA 
 
 
WHEN COLD IN THE EARTH. 
 
 Toot) (i CjteADAb ^jrrjoeAJs."* 
 
 I. 
 
 J*A 3-cjife be^8]f At) GAftAib, Aifi 'ftAb A3iib 5ftA8, 
 ftf8eA6 A locce 'f A luAjriroeACb Ij5 pAgce 'j* A 
 A, o Ai) CAri) c|ion), A b-f u^l AtJ, n)A co5CA[i At) 
 C<\o]t) ^Ab SAO sleo 'f At) rs^c '^fb OJICA f |l. 
 o n)A CA bjioijAc, le cufrt)i)ui5eA& ATJ |*5eAl, 
 Alu^g le CACA^8e O'T) c'folAf, A 6|to^6e : 
 Jf ]ob^t) AD cujri^OAb 50 nj-bub CUJA At) |teutl 
 Do foilps AD A bAUb e, Uajt bubAtj, Y A 
 
 II. 
 
 Y o b' A^lleAb, 5ut) 'f rtjAl A^fi, bo l&f, 
 c'eA5t)A bo clAot) e cutt) f ]oji 3]tA6 50 
 IT 1 ]^ 6 ^^ ^ fp1o|t^obA lAt)ftAc e J CA|*, 
 t)<v lotbbA^gce cA|]t', bA n^b CO|IAC 30 leop. 
 
 ri)ACce A beACA bub, rt)eA]'5CA le 5AOC, 
 Oo cAt)^5 rt7A|i cuiueAf 56A 
 'S rt)A b|6 clAOt)<x8 A l^ece le 
 
 'S UAJC 'flol]m^3 At) fol^f bo f3e}c le IJA Ujt). 
 
 * Air Limerick's Lamentation.'* 
 
64 
 
 III. 
 
 'S cf b'etjiJ5j:eA& o bAO^pe TJA fy-o^e bub-tjeull: 
 
 'S cj feolujijpeab A]fi reAcnar) 'p AJJI j-eAcri)At e bjieu5 : 
 pigeAb A^ * f)-5lotfte,b|6 'f A fiojpc ub tt)Afi jteull, 
 rrjujl pcApeAb AO bojpe 'p At) peAGpAr) 50 b-ein;, 
 
 5fte|t)e, le p5AUb bot) IU, 
 lUpA6 DA i)Vlco||t, bjb |*rt)ubArT7u]l f A0| ceo : 
 
 b|D f AbAjlce, 6At) CAHJAl, UAJ-bjlfJAC, |TA 
 
 A ]-ti7|5eA6 '( b|6 lUfce 50 beo. 
 
 (i) WHEN HE WHO ADORES THEE. 
 On a hasty and imperfect perusal, I \vas led to pass over this 
 and the next in this Number, ranking them among the purely 
 sentimental melodies. However, it is not difficult to perceive, that 
 they partook of the character of those allegorical compositions 
 common to every country, in which, under the image that floats 
 on the surface, there runs a deep current of patriotism. In com- 
 positions of this kind, and for reasons peculiarly its own, Ireland 
 abounded. Such are the ancient Coull^r), Hopir) Oub, SCA- 
 5At).l)u]6e, SeAgAt) o Oujfte AD 5lleAt)A, CorjlUc 5^ 
 At) Tori) AJ ft, and several others, of which the couched allusion to 
 the fortunes of Ireland, contributed much to secure to them a 
 permanency of popular favor. If I am wrong in conjecturing that 
 this belongs to the same class, I can still be corrected by him who 
 knows best their meaning, and who, I trust, will live long to be 
 the faithful interpreter of those immortal lyrics, which may be ap- 
 proached without being reached, by the most successful efforts of 
 his imitators. 
 
 (2) THROUGH GRIEF AND THROUGH DANGER. 
 
 That this beautiful composition of which the air is melan- 
 choly, belongs to that figurative class alluded to in the preceding 
 number, must be obvious to every reflecting reader. The relative 
 positions of the native hierarchy and its alien rival, the favors 
 heaped upon the one, and the sufferings inflicted on the other, are 
 contrasted in a series of antithesis too marked to be mistaken. It 
 was worthy of our country's bard to have so prominently put for- 
 ward, what is now overlooked by the superficial the influence of 
 the Catholic Church in preserving the liberties of Ireland; and to 
 have shewn from a high inspired authority, that it is from its breast, 
 the purest inspirations of regulated freedom are drawn. 
 
 O) COME REST ON THIS BOSOM. 
 
 Here, too, devotion to Ireland under the darkest aspect of her 
 fortunes is the leading sentiment by which her own poet is animated. 
 
REMEMBER THEE! YES, 
 
 I. 
 
 qi)ce q A3ce tAffi, CoAb 'p be^t* ti)O beo 
 MAC i/ eAlu]5CA6 bo cmrjAt) AT* TTJO c|to^8e f-c^g 50 beo, 
 
 i)A qjice ^ ceASitAigce A]fi A feAlfisiAi) At) 
 II. 
 
 rbu]|t, fjA^c TJA feobe, box) q|i, fS^c T>A 
 <Do CUTTJACCA bu& jiqrijAC Ion) fejt) be^c bA IUA&, 
 2lcc Ttjo c^ot) 0]tc vj\ TbeAbo|6A& bo ce^Tt) T>A bo cuA6 
 
 III. 
 
 ceAcc, le SGAJI cu^b|ie, 50 b'pu^l 50 quj, 
 SA ^If^eAt) A 3-cu|tAtt) t)]0f ceA5]tA|5 bo cUi), 
 
 2t)A|l AT) C^Al AT) |*A b-^A|*AC '|* A T)6]b CGAJTIAC C6O, 
 
 *t)A 5-Coii;T;eAl te fujl bfto^o e TDACATI f^ri beo. 
 * Air" Castle Tirowen." 
 
WREATH THE BOWL. 
 
 ) " NortA AT) Cbir c ^- 
 
 jtC Alfl CAob, 
 
 l^o cttA]ce cftAob 
 
 Jr 
 
 Mucc fiib le 
 
 'S c] 
 CA 
 bo]jb MS 
 
 At) 
 Le Tt)-bA]c]ti)o^b A 
 
 II. 
 
 Bub 5i)Ac A^3 
 MA T)-beAc' le 
 <t)eoc T)eATt)A be^c bA ti)-beocAT> 
 'S CA Aitt.Alt r l 13> 
 ub beojjl) 
 A]t rj-bocAtj. 
 
 t) CUAC 
 
 'S b^8eA8 
 
 'S te SAece 
 
 tAf fUAf AT) 
 
 'S ^eAC boc T)A ij'ieA 50 ceATt)ii]l. 
 * Air " Nora an Chista." 
 
67 
 
 III. 
 
 ce A1 > V&t 
 21 i;-beAjtt)A]3 CJIA 
 CUAC le 
 
 e, T) 
 O 6u]T) e 
 
 ^ r^ls "r le w* 
 
 'S bot) t*3^^ 
 
 ^uf bqb 50 
 C)A ql ceACc Af, 
 
 'S AO bA cAOjb IAT^ 50 
 
 FORGET NOT THE FIELD WHERE THEY PERISHED. 
 
 " CUTTJA 
 
 I. 
 
 AT> AJC A^|i A 
 oi)Ac TJA Uoc 
 
 'S At) c^]tt) CA f A 5-c]t6 led f A IAJU 
 
 II. 
 
 O ! bA Tt)-t/ ^ib^fi o'i) 3-c]t& 3lAo8Ac cunj 
 I^A 3Air31 6 13^ c* eu3CA A 
 
 3 
 
 * Air " The Lamentations of Aughrim." 
 
68 
 III. 
 
 T)A 
 
 ' 
 
 T* 
 
 O ! if cii}te AIJI cjOTtAiT) 50 5-l]rreA 
 A 3-cujt o|tA^ 50 
 
 IV. 
 
 518 
 
 V. 
 
 AT) UA^tb t)6 
 T) 6l]U 
 
 'HA buAi8-c|tAob AT) Tb^b, A be^beAt* 
 
 5e, AJTI cTieAC t'AOjTtfe 50 bttAt. 
 
 OH FOR THE SWORDS OF FORMER TIMES! 
 
 i. 
 
 O ! bO lAf)A^b AT) ATI/, CA A 3~C]AT), 
 
 O ! bo i)A 3Air5l 6 13 cliucAc', 
 
 ^O COt"A1T) C6ATIC, Tt)Atl fJA^C T)A 
 
 'S bo b'jb 16 
 
 5 
 
 2lcc feAlb c6]Tt), bo f AOCTIU^ ^T* cu^ll 
 
 tr " Name unknown." 
 
69 
 
 O ! bO UfJAjb AT) AH)', CA A 3~C]A1), 
 
 O ! bo T;A 3Air31 8 13 cljucAc', 
 
 <t>0 COfA]T) CeAflC, TTJAJt 
 
 'S &O frj8 16 b6AT)-O]TlC CUJC6AC ! 
 
 II. 
 
 O ! bo t) 
 O ! b^ 
 
 3-curbbAC ty] jtAb but) t)A IAT), 
 
 ucbA blue, n?A|i 56 All 
 
 A3A|tAC cjtojbce, 
 6 SAC TrjAflA ] 
 
 O ! bo i)A 
 O ! b*A 
 
 43V 5-curbbAC r>i |iAb but) 
 
 SAIL ON! SAIL ON! 
 
 I. 
 
 Al, A loi)3, SAT) f3Ac ^A c-fftuc, 
 
 Tl)A|t f e6lf Af CU AT) gAOC, 
 
 b^cce A TO-brtot) co bub, 
 
 'S 6 AT) 3ld|t bo brt^eAT 1 6 SAC COT) ; 
 
 5lb AT) bAT* beic f AO] t)-A]t frij^e^b 'T)A lu|6e, 
 Mf I r*]!) PUATI, ceA^Ac TO ATI AT) briot)3, 
 
 2lri fUb A t-Tois' bo cit]b 'r* bo cfto]8e 
 
 * Air" The humming of the Ban." 
 
70 
 
 II. 
 
 leAc, f jubAl leAr, 5^1) V5\i } 3At) 
 
 flt> 'V ^1 qujijeAf IAJI TJA 
 
 2lt) Tt)lV|fl If bllA^ATlCA If ]OT)AT) 'f CUAT) 
 
 AT) 
 
 be 
 30 b-q 
 
 YES, SAD ONE OF SION. 
 
 A T1)-bAlA f O CA 
 t)0 
 
 Ion? t)A 6ti]p."* 
 
 I. 
 
 '3Uf f |O|i c^ceAb cle]be 
 
 6 At) COrbAjlCA C]T)C6 
 
 J]* beAjibcA 3U|i UA^cfe, A 
 , bo 
 
 II. 
 
 CU CA A|l jl^OSACb f AO] 36A 
 
 cu]ce o i)A ceAT) cA AT) CTiop fleAT5 T)A Iuj8e, 
 A bAjlce *! e fTiA^be njA]t f AfAC bAT) fSTMor^ 
 A 3-ceA|ic IATI At) t.Ae ^t), cA A 3ft]At> t)-be|T bol 
 
 * Air " In this village is the Coolan." 
 
 or 
 " I would rather than Ireland." 
 
71 
 
 III. 
 
 bo clAt), CA A borieA8e IAJX b6cAf A 
 
 A]f Ab O'T) Tt)-bA]le Aft be]c AT) bu8 e 'TDJAT), 
 2t)Ajt bo fljocb, CA A fl^ocb |oi) IATI bub-brioi) T)A qlle, 
 21 n)eorir|iA& Uece IAT)|IAC CA bACA]ge A 5-qAi). 
 
 IV. 
 
 'S bUAl A bAjf ceAb " beAr) ^Agce'" ti)A|i cu|*e 'y ATI) A]tf A, 
 TA A h-uA]|*le t)A |*5lAbAi8e '511]* A 
 'S t)A ceolce ^ b^e bo c|5 o T>A 
 Se 
 
 V. 
 
 2lcc ^^IT 1 c ** k cuc|56A& '| b]8 AT; TOAJIAC A 
 iDo c|5 T)-be||* AT) bubcAT) bA f^Ab' ] At) t)-o]bce, 
 'S AT; jvjj-f IAC bo 5]teAb cu, f UA& Ai) T)Ati)Ab A 
 
 cAC CA bjvjfce At* bo cor'ocjit 5ui) eAi) brtic. 
 
 VI. 
 
 O]|t AT) CUAC feA]tb be^Tif eAb AT) 
 
 ^^b bA CUTI le T)A beul fe^t) '| bub cojfi, ceATic AT) CTIIAC, 
 
 ATlbAf A]]! T)A bAO^T)e, ^AOj 1)A 56A 
 O T)A CA^llA]5' 'f O T)A luj^eA]!* AT) 
 
 VII. 
 UATI bo cu^c rrjAlAcb T)e^ii)e, b]8 A b-CA]f5e, 50 bolAC 
 
 A CgT)Al8e '\ A^Tl A Cgjtf A]|tC luCb-CTieACC6A8, 50 CftOTT), 
 
 T)A ^oJACbe 84 ^AlcAific 5 lort). 
 
72 
 
 DRINK OF THIS CUP. 
 "PAbftTC O 
 
 I. 
 
 Ol Af A 3-^3 t*o; O^TI bejTif<vb cu 
 Af 5 AC beoft be i/b^Ag Acjb T 
 
 qtACb ATJI A T)-3eAT)-beoc, frj& A]5 6l|T) TTJATI cAftAjb, 
 'T) CUAC |*ot) ACC ]tAt)-f 36Al, fo't) f SA!A b-p\?l 
 
 Af A lT)-bolo5 A]|t A bA]t A CA lAT)|lAC, 
 
 IAC AT) |*A5Aol ]*o bo bjbjitc' ]*A t>eulce, 
 
 ]t^OT) be, le 
 
 l IAC be^c co]5ce .60 b-Aji 
 b-A|tc AT> CUAC ; ojjt be]|i^Ab cu 
 AJ* SAC beoft be i)'b]A5b Aqb 
 I^A crtAcb A]ji A T)-3eAT) beoc b^b A^5 Bl]t) 117 ATI CA|tA]b 
 NT TiAb't) cuACfOT) ACC TtAt) t*3 6A ^ T't> ]*3^ A b-frujl c^Al AT). 
 
 II. 
 
 3o t^ojl Tijotb eAT) geAtj-beoc co b^bTbeATi T>T|i n?eAf5A& 
 le TjAjt 3-ceAb^A A cluATTju^geAb TTJATI AT) f 3AlA fo ITATJTTJATI : 
 
 *Do CU|T)|*3eA& A 8|l]ACCA AT) CTl^V b^b |?AO] b-^A|*CA8 
 
 le ceA3A|i TJA fATbTiA^, be^c buj&e, b 
 U|* blA& AT) csT*eAT > u]Ti bu& 
 
 Bl6 ^lc Af AT) fU Ub C^V Tt)6tt-|OT)CAC, ^ 
 
 Gun) 6fiOT&ce bo beocAT;, be]8eA& ^iiATi^ce bA 
 O AT) 3-CUA13 rt)Uft T]T) 6l; O^TI be^TipeAb cu 
 
 AT* 5AC beoTi 6e T)'b^A5b Aqb ^ eAlAT)t), 
 CTiACb AT ft A i)-5eAT)-beoc, b|& A]3 
 
 TlAb ? T) CUACfOT) ACC TIAT) f3eAl, fo't) ^AlA b->?l CjAll AT) 
 
 * ^t> "Patrick O'Raffertv." 
 
73 
 
 111. 
 
 C] bejbjft, ACC A-jri j*o \y\ buAl cjiAcb A cojbe, 
 2t)A|t AT) cowrie tr/b]At) seAf-cA^le p A|t^^8 A]ji 30 
 T) beoc-3AT) fo bA r' 
 
 2lcc t)^ lA|5A A brq5 ):A e 'CACC 50 
 
 MAC CUTOA q ^At)Aj3t) A^TI f of 
 
 MA beACAigb o'v lAf A-JTI '115 A b|vJ5 TOAC 50 
 
 CUJTI AT) bjtucbA ijeArhceAbu^V fe |*5AlA CA 
 
 B^eATlf Ab fUAjlCAf Af CTIO^&CG CA AT)CU AO] 
 
 2lr" A 5-cuAc TTJATI fit) 6l, o|Ti be]]t]:eAb cu 
 
 M^OT* A|* JAC beori be t)'b]A5 
 
 NA criAcb AJJI AT) T)-56AT)-beoc b]8 A]5 6t^T) TT;ATI 
 
 N] |tAb ^T) CUACfOt) ACC TIAT) f 5^Al fO ^T) t*5AtA b-^>ft C]All Af). 
 
 OH! BANQUET NOT. 
 
 " PUtjCfce jATibujt)."* 
 I. 
 
 O t>A b|6 CA]ieA& curt) flece t)A IAT), 
 
 'H A 5-criu]5i)]AT> At) c-03 3Uf luce I;A bo|f', 
 2lcc CATI' l^otD ^qt) 'f SO^ITI cript) MAC AT), 
 30 bo bjiot) 'f 30 b'AO^r- 
 eo]|ie ceo 
 
 lf ATI)' 1)'A|l CO]*C Af CUAC ^AOj CUATl, 
 
 t>-AOjbe, CA^*' ATIJA cuA^b b-^rit 30 beo, 
 fU^ce 50 ful^b A ca pAOj 'i; u|t. 
 
 tV Plangsty Irwine.." 
 
74 
 
 II. 
 
 v *V CAT) AC A bejfc 30 qu3 A 
 
 o iy t) 
 
 <t)o geAlcA^b ^AT), be]8|6 CUAC -p AO] le^c 
 <t)o CAijtbe CA^lce, b^ Aqu^i; 
 5A|teAb A 
 bube, n)Aj 
 
 'c4v le t)A CAob, 
 5A]6i]*ce TJA lu^be 5111? clu SUT) UAC. 
 
 LET THE HARP THERE BE SILENT. 
 
 I. 
 
 2t)-bej& At) clA^Ac SUT) ceol, '511]* AT) ceAb ^ 
 
 JAO^f UAT) COTjCA, O AT) C-^A 
 
 TJA T)-6]fi]OT), AJTI AT) UA^TT) JUT) eAT> lu, 
 A ^eA|i co|f A]5 *f beAT)A]5 bA CAtvjb r>eATf)-beo 
 
 II. 
 
 I be] 8 'f ce 5urt ^Ai)T> ^UAJTT) A]j* ceo^l o t)A beul, 
 
 Ce A cruise A be^c bAcu^jce -pAO] ceo, TT^ATI A cru>]8e, 
 
 T)A 8e^5 ]*^T), IATI bubcAT) T>A Tjeul, 
 A ATI 6]|te, SUTI IATJTIAC AT) TieulcA cuA]b fAO] s 
 
 III. 
 
 C ceAbf A JUT* c^vjleAcb le 3-curic^ |]t bATi 
 
 8AOiT)e, AT) fA t>-eA3i/ub b^8 CTIOIT), 
 
 TT)eA]*5 e ]Vt T)A C03T)A8 AT) ATI I Aft, 
 
 8 TJA 8e|3 fit) T-jol 2lbA 3111) tioit). 
 * Air "Mac Farlan's Lament." 
 
75 
 
 IV. 
 
 Ce e 3tKVi6]t* ^It 1 ^ t>* 6eAftcAf At) tie, 
 
 T/|tjb A treATiA IUTTJ, bAt)A A^3 e]Tq3eA& 5ut) ceo, 
 
 2t)ATt clACAC fA b-AfAC, AT) A^C A b-^U^l \Q } 
 
 'S At) 5lo]jie UA i)A qrt)qol, le jreifqtjc 50 beo. 
 
 V. 
 
 6At) bAll ATbA^T) beAllljTJCe le lAT)A^|t T0 
 
 O bubcAi? t 4 ' o bu^leAb t>A 3-qAT) bi& 5111) 
 HuAi]t A bej^s 'f A r?fie*3 le IJA jAece 
 
 ]i) A fsUbAcb, curt) j*AO]tfe 
 
 VI. 
 
 Ce Ai) TjeAc A b-e^cujj A ft] orb le TJA guc 
 le IAT; cu^le 'bjte]cjte A 
 
 6|* A ri)6fi 
 VII. 
 
 BuAT) CA^T)C CACC le f ATj^e JUT) f A]llj5e, TIJAjt AT)T) 
 21 CAOJ*5Ab A]|l A CU^lle C]Al bATTJU]!) AT) C|tO^8ej 
 'S A TAT'pA^TJC Cjt'jb t*CACAT) A COT)CA TTJOtl lAT) 
 
 ^DeAljiAb jut* criuA]8 bjvjc t)A ]*eobe b]8 f AOJ. 
 
 VIII. 
 
 Ce ceAbrteAb e beAlu^jce o criujJTjjjce |t|OTb, 
 
 A CeAllAC ATI b-AT)fA le^t" 3T)AC CO^TJAjjeAS Af), 
 
 TiATjA^b 'bjtoi) B^TI]T) 'T* ATI lubu]jeA8 JAG criAob. 
 clAOT)TbA|t le 3eu5-frleAT > 3 bo CUTI A]|t A 
 
 IX. 
 
 bo be|]t curt) ATI 3-cu]Tbt)e AT; ^e^T 1 
 eel] 3 8e A 5Aece 'p AJTI A leAT)An) bo blu|3, 
 
 30 
 Al<vc A bort Tte^tt), le|f T>A crie^ce be 
 
76 
 
 X. 
 
 Ce At) i)eAC bo be^c beAfiCA6 A^TI buAt) cuA]ric At) jieul 
 T/fvj8 TboUb TJA o^lbe^rt7, T)AC f Acu]8 50 nojt, 
 e 3loifie T)A pAljJce ^AO] ijeul, 
 qoi) A coAttjA 30 1<>]t- 
 
 XL 
 
 Ce AT) cjiujTjrjeAb be beu^*A8 be]8]]t TT)A|*A b'Aji n)-b^8 ? 
 2l|ib ce^TT) b^Ai)!*' At) ' 
 
 'S A fAttJUjl le CUATtJACCA *f T)eATT)3AT)5Ab A 
 2lr) leATjATt) 'f AT) CAOTt-t*plAT)CAjW|flT)e 'l) A 
 
 XII. 
 
 Mf I eAi) CTiOj&e bo ceAbttujg e T>AC b-^w^l f AOJ 
 
 'pA 3U]t eAlujg^b A T)-e]T)Acc l-e T>A 3loi|te UAIT), AT) |*AOJ, 
 
 'S T)AC 1)-3ulf jb A^fl A CUATt)A CA CO^CA O'T) UA^TT), 
 
 T)A b- 
 
 OH! THE LIGHT ENTRANCING. 
 
 C 
 
 I. 
 
 O AT) C'AIT 
 
 2lt) Tieul TT)o6 c^b AT) r> o]8ce 
 '|* IAT) 
 
 CA 
 
 'S 3UC A&A]TIC AT) CAc' A 
 
 Le jruA^n) AT) 3leo 
 *t)o beATi^Ab C|to. 
 
 * Air" Planxty Sudley 
 
77 
 co^bce o'r> 
 
 criojbce 
 2tt) jieul itjoc cjv|b AT) rf o^bce. 
 
 e^ce^be jt^c f A rj 
 
 II. 
 
 A - 
 
 cu bop beAi? 
 At) jiqtt) 
 
 T)A C6]T1), 
 ]t Tt)A]t fUb A]]l 6AT) 
 
 lucb bA |*AT)rub TOO|I cu]|*. 
 
 f AOjtf' A^5 ^6A|l Tt)A|t leO|t 
 
 MAC 
 
 I) T)A 
 
 Curl) f AOjtf' 
 
 21 
 
 O'T) CArt7A|tc b'co^^eAb cjtojbce 
 
 2lr) |ieul Ttjoc cjifb AT) T>'oi8ce 
 
 LA|*A& clo5A]8e '] IAT) 
 
 MA 
 
78 
 SWEET INNISFALLEN. 
 
 I. 
 
 'CAOTT) JtHf^AlliT) ! b]8eAb cu 
 
 B^beAb OTIC 3rqAT)-leAt' 
 <Do 8e^e luAb, bo c]5 le IAT), 
 
 2lcc o A TbocugAb, 'f le n)o c]to^6e. 
 
 'S b^beAb vrTleAr bo c^oii)CAl, 
 Co fxv^n) ]]* cu^c le ceAcc T)A 
 
 IIL 
 
 cu |to b|ieA5 A] 5 peAc ]*A t)Ati) 
 
 2l]t 8UAI bO A]fq|l AT) 
 
 Le 
 
 IV. 
 
 <t)A boSAb A]|t Tt)U||l AT> C-f ASAO^l 3UT) CATI?, 
 8 A]|*l]t) O]tC 
 
 A 
 
 V. 
 
 T?)A|t CA tl)e f A C]tA, 
 
 21 b-^u^l o]tc fS^A^ce e^be bub 
 A t)eul, TOA|i TbA^gbeAT) AT) A UAC, 
 21 Tt)-b]At) t^^o^ brioT) A 5t)e 'f A cttuc. 
 * -Air "The captivating youth." 
 
79 
 
 VI. 
 
 q b'AtjAT) rrjl le 
 
 21 rS 6 ! 11 ) > V\ *n)V]l cu 
 'S TDATI AIC cu f<vli5ce T)01,T> le t;3Ail, 
 'N bo cojtu^eAS tje AC, bei,8eA8 CO^AC, 
 
 VII. 
 
 5^c 'f 50^6 Ab A^ 
 
 C|IAT)A CjlOTt) rt)A|l CA 5AC 
 
 21^ IAC, ^AO] 8eo]tA 
 
 VIII. 
 
 21 suV I?A riDlS^Ab, ]t>r 
 
 'S pof t)^of bjieACc' IAJI beojtA 
 Ai)UAb AT> 
 T)eAtb-|teul. 
 
 IX. 
 
 At)UA8 fjAT)^ A 
 
 c]tA bo cjj, AT) 5- 
 AT; 3it|AT> 
 Le cAob bo IOCTIATJ, CA 5UT) bri^c. 
 
 'TWAS ONE OF THOSE DREAMS. 
 
 I. 
 
 Bu8 eAi) be TJA b-A^lif), 'be^ri ceol le]f -f 
 2t)A|i *|* I ATT; e Action) feAirjtiA 30^1 cTieA|*t)A b-^MT 1 c|to]8e 
 2lt) i)-^lleA8 b^ATjf bAcui^ce le Ti]OTb-Ti)eoTbAiTi A 5-ceo, 
 'S AT) |*A5Aol ACC A TT^lfeAcb uAe eAlu^8e 50 bed. 
 
 * Air "The Song of the Woods." 
 
80 
 II. 
 
 AT) All A]T)e fT)Atf/ 6]3O C]tA|*1)A6 O*T) 
 
 bo be^c CAT>A& cjteAc 6]jie 50 b]f), 
 'S o pfe sU? 4)tT)ir 5 CUA1 ? SleAT) T>A 3-cjiAob, 
 AT) geuji AbA^ic &A |*5Ap 
 
 III. 
 
 COAb 'f bl& AT) lA3-^UA|TT)*A COT^A^eAS le T-51C 
 
 21]* qot) T)A b-ATib t)e]be, TtAb AT) cVolAri T)A lujbe, 
 'S le 6A5lA 50 i)' eA5f A6 AT) ^-ceol : bo 
 
 BjT) Ceol T)A rtJAC-AllAb A CAbA^TlC A^Tl 
 
 IV. 
 
 5AC ^AT) fUAlTT;, t)A|t 
 
 50 if]ol, be^c bA 
 TJA fle^bce-t)eATf) 
 AT; ceol b'eus A]TI cAlAtf), bA AbeocAT) AT). 
 
 V. 
 
 co|5 A^tt, 'f e Ai5 e]fCAcc le ceolce b^T), 
 
 At)]Tt) btl^b Aljl^b le T)A COfjTJC O f UAT), 
 
 ^S o cofCACC AT) bA^r* ; bA 3-clu]i)peAb t^qg beo, 
 fab A^TI TT)Ac-AlA be|]tf ATI b^AtJ^Tt) 50 beo. 
 
 VI. 
 
 bA TT)-be]beAb bACu^c 
 Ati)Ac, A TJATTJ CTiACAn)uil, o't) f^ub bub, bo 
 
 'S CTl'jb CJAT)CA ^Ab' ATTJA, be]b b^Ab]tA]t) '|* bO CUA6, 
 
 ), bA 3-cAijAb 'f bA luA6." 
 

Moore. T. 
 
 
 M824 
 
 Melodies 
 
 His Grace 
 
 in Irish by 
 . tHs a**oH 
 
 Im 
 
 bishop of 
 
 Tuam 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 x- 
 
 
 
 ^^ 
 
 
 765439 
 
 UNIVERSITY OF CALIFORNIA LIBRARY