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SOUTHERN branch;
UNIVERSITY OF CALIFORNIA,
LIBRARY,
LOS ANGELES, CALIF.
STUDIES ON HOMER
AND
THE HOMERIC AGE.
BY THE
RIGHT HON. W. E. GLADSTONE, D.C.L.
M. P. FOR THE UNIVERSITY OF OXFORD.
IN THKEE VOLUMES.
VOL. IL
Plenius ac melius Chrysippo et Crantore. — Hob ace.
X F E D :
AT THE UNIVERSITY PRESS.
M.DvJCCl.VIll.
{The viyht of Tvandatmi isjxservcd.]
1 7 9
STUDIES ON HOMEU
AND
THE HOMERIC AGE.
OLYMPUS:
Oii,
THE RELIGION OF THE HOMERIC AGE.
BY THE
RIGHT HON. W. E. GLADSTONE, D.C.L.
M. P. FOR THE TJNIYERSITY OF OXFORD.
Plenius ac melius Chrysippo et Crantore. — Horace.
OXFORD:
AT THE UNIVERSITY PRESS.
M.DCCC.LVHI.
[The right of Translation is renerved.]
THE CONTENTS.
OLYMPUS
THE RELIGION OF THE HOMERIC AGE.
SECT. I.
On tJie mixed cha/racter of the Supernatural System,
or Theo-mythology of Homer.
Homer's method not systematic Page i
Incongruities of his Theo-mythology point to diversity of
sources 2
Remnants of primitive tradition likely to be found in the Poems . 3
Extra-judaical relations between God and man 6
With tradition it combines invention 9
It is a true Theology corrupted 9
It has not its basis in nature-worship 10
It could not have sprung from invention only 13
Sacrifices admitted to be traditional 15
Tendency of primitive religion to decay 17
Downward course of the idea of God 18
Decline closely connected with Polytheism 20
Inducements to Nature-worship 21 ^
The deterioration of rehgion progressive 23
Paganism in its old age 25
The impersonations of Homer 26
The nature of the myths of Homer 29
vi CONTENTS.
Tradition the proper key to many of them 30
He exhibits the two systems in active impact 32
Steps of the downward process 33
Sources of the inventive portions 35
Originality of the Olympian system 37
SECT. II.
The traditive element of the Homeric Theo-mythology.
The channels of early religious tradition 39
Some leading early traditions of Scripture 40
As to the Godhead 42
As to the Redeemer 42
As to the Evil One 43
Their defaced counterparts in Homer 43
Deities of equivocal position 46
Threefold materials of the Greek religion 48
Messianic traditions of the Hebrews 49
To be learned from three sources 49
Attributes ascribed to the Messiah 51
The deities of tradition in Homer 54
Minerva and Apollo jointly form the key 55
Notes of their Olympian rank 56
Of their higher antiquity 57
The Secondaries of Minerva 59
The Secondaries of Apollo. . . . , 60
Argument from the Secondaries 63
Picture of human society in Olympus 64
Dignity and precedence of Minerva 66
Of Apollo 69
Minerva's relations of will and affection with Jupiter 70
Those of Apollo 71
Apollo the Deliverer of Heaven 72
Power of Minerva in the Shades 73
These deities are never foiled by others 74
Tlie special honour of the Trine Invocation 78
They receive imiversal worship 79
They are not localized in any abode 82
They are objects together with Jupiter of liabitual prayer 83
CONTENTS. vii
Exempt from appetite and physical limitations 86
Their manner of appreciating sacrifice 88
Their independent power of punishment 90
They handle special attributes of Jupiter 94
They exercise dominion over nature 98
Relation of Apollo (with Diana) to Death 10 f
Exemption from the use of second causes 104
Superiority of their moral standard 105
Special relation of Apollo to Diana 108
Disintegration of j)rimitive traditions 108
The Legend of Alcyone 1 1 1
Place of Minerva and Apollo in Providential government 113
It is frequently ascribed to them 115
Especially the inner parts of it to Minerva 117
Apollo's gift of knowledge 119
Intimacy of Minerva's personal relations with man 121
Form of their relation to their attributes 122
The capacity to attract new ones 124
Wide range of their functions 1 25
Tradition of the Sun 1 26
The central wisdom of Minerva 129
The three characters of Apollo 130
The opposition between two of them 131
Minerva and Apollo do not fit into Olympus 133
Origin of the Greek names 133
Summary of their distinctive traits 134
Explanation by Friedreich 138
Treatment of Apollo by Miiller 141
After-course of the traditions 142
The Diana of Homer 1 43
Her acts and attributes in the poems 144
The Latona of Homer 147
Her attributes in the poems 149
Her relation to primitive Tradition 153
Her acts in the poems 154
The Iris of Homer 156
The Ate of Homer 158
The aTaa-BoKiT] of Homer 162
Other traditions of the Evil One 162
Parallel citations from Holy Scripture 165
The Future State in Homer 167
viii CONTENTS.
Sacrificial tradition in Homer i^i
He has no sabbatical tradition 171
SECT. III.
The inventive element of the Homeric Theo-mythology.
The character of Jupiter 173
Its fourfold aspect. — i. Jupiter as Providence 174
2. Jupiter as Lord of Air 178
Earth why vacant in the Lottery 179
3. Jupiter as Head of Olympus 181
His want of moral elements 183
His strong political spirit 185
4. Jupiter as the type of animahsm 186
Qualified by his parental instincts 189
The Juno of Homer 190
Juno of the Ihad and Jvmo of the Odyssey 191
Her intense nationality 192
Her mythological functions. 193
Her mythological origin 197
The Neptune of Homer 199
His threefold aspect 200
His traits mixed, but chiefly mythological 201
His relation to the Phoenicians 205
His relation to the tradition of the Evil One 206
His grandeur is material 209
The Aidoneus of Homer 210
His personality shadowy and feeble 2x1
The Ceres or Demeter of Homer 212
Her Pelasgian associations 213
Her place in Olympus 215
Her mythological origin 215
The Proserpine or Persephone of Homer 217
Her marked and substantive character 218
Her connection with the East 220
Her place in Olympus doubtful 223
Her associations Hellenic and not Pelasgian 224
The Mars of Homer 225
His limited worship and attributes 226
Mars as yet scarcely Greek 229
CU.\TENT8. ix
The Mercury of Homer 23 1
Preeminently the god of increase 233
Mercury Hellenic as well as Phoenician 235
But apparently recent in Greece 237
His Olympian function distinct from that of Iris 23S
The poems consistent with one another in this point 241
The Venus of Homer 243
Venus as yet scarcely Greek 244
Advance of her worship from the East 247
Her Olympian I'ank and character 249
Her extremely limited powers 249
Apparently unable to confer beauty 251
Homer never by intention makes her attractive 252
The Vulcan of Homer 254
His Phoenician and Eastern extraction 255
His marriage with Venus 257
Vulcan in and out of his art 259
The 'He'Xtoy of Homei" 260
In the Ihad 261
"In the Odyssey 262
Is of the Olympian court 263
His incorporation with Apollo 264
The Dionysus or Bacchus of Homer 266
His worship recent 266
Apparently of Phoenician origin 267
He is of the lowest inventive type 269
SECT. IV.
The Composition of the Olympian Court ; and the clasaijication
of the whole supernatural order in Homer.
Principal cases of exclusion from Olympus 271
Case of Oceanus 273
Together with that of Kronos and Rhea 274
The Di majores of the later tradition 275
Number of the Olympian gods in Homer 275
What deities are of that rank 277
The Hebe and the Paieon of Homer 278
The Eris of Homer 280
Classification of the twenty Olympian deities 282
The remaining supernatural order, in six classes 283
I CONTENTS.
Destiny or Fate in Homer 285
Under the form of Aiaa 286
Death inexorable to Fate or Deity ahke 287
Destiny under the form of Mo'ipa 290
Under the form of fiopos 293
General view of the Homeric Destiny 294
Not antagonistic to Divine will 297
The minor impersonations of natural powers 298
The "ApTTviat of Homer 300
The Erinues of Homer 302
Their office is to vindicate the moral order 305
Their operation upon the Immortals 306
Their connection with Aides and Persephone 308
Their relation to Destiny 310
Their operation upon man 310
Their occasional function as tempters 312
The translation of mortals 313
The deification of mortals 314
Growth of material for its extension 316
The kindred of the gods (i) the Cyclopes 318
(2) The Laestrygones 319
(3) The Phaeacians 320
(4) iEolus Hippotades 322
SECT. V.
The Olympian Community and its Members considered in
themselves.
"The family order in Olympus 325
The political order in Olympus 326
Absence of important restraints upon their collective action .... 327
They are influenced by courtesy and intelligence 328
Superiority of the Olympian Immortals 330
Their unity imperfect 331
Their polity works constitutionally 332
The system not uniform 333
They are inferior in morality to men 334
And are governed mainly by force and fraud 335
Their dominant and profound selfishness 337
The cruelty of Calypso in her love 339
CONTENTS. xi
-Their standard of taste and feeling low 340
The Olympian life is a depraved copy of the heroic 341
The exemption from death uniform 342
The exemption from other limitations partial 345
Sometimes based on peculiar grounds 346
Divine faculties for the most part an extension from the human 348
Their dependence on the eye 350
Their powers of locomotion 352
Chief heads of superiority to mankind 353
Their superiority in stature and beauty 354
Their hbertinism 355
Their keen regard to sacrifice and the ground of it 357
Their circumscribed power over nature 358
Parts of the body how ascribed to them 359
Examples of miracle in Homer 361
Mode of their action on the human mind 363
They do not discern the thoughts 365
SECT. VI.
The Olympian Comnnmity and its Members considered
in their influence on hitman society and conduct.
Lack of periodical observances and of a ministering class 367
Yet the religion was a real power in life 368
The effect of the corruption of the gods was not yet fully felt. . . 369
They show little regard to human interests 371
A moral tone is occasionally perceptible 373
Prevalent belief as to their views of man and life 374
It lent considerable support to virtue ^ 377
Their course with respect to Troy 378
Bearing of the religion on social ties 380
And on political relations 383
The Oath 383
Bearing of the religion on the poems 385
As regards Neptune's wrath in the Odyssey 387
As regards the virtue of purity 388
As regards poetic effect 388
Comparison of its earliest and latest form 390
Gloom prevails in Homer's view of human destiny 392
The personal belief of Homer 394
CONTENTS.
SECT. VII.
On tlie traces of an origin abroad for the Olympian
Religion.
The Olympian deities classified according to local extraction . . 397
Their connecfion as a body with the ^Ethiopes 399
Confirms the hypothesis of Persian origin 402
Herodotus on the Scythian rehgion 402
His report from Egypt about the Greek deities 404
Four several bases of religious systems 405
Anthropophuism in the Olympian religion 406
Nature- worship as described in the Book of Wisdom 406
Its secondary place in the Olympian religion 407
In what sense it follows a prior Natm'e-worship 409
The principle of Brute-worship 410
Its traces in the Olympian religion 411
Chief vestige : oxen of the Sun 412
Xanthiis the horse of Achilles 414
SECT. VIII.
The Morals of the Homeric Age.
The general type of Greek character in the heroic age 417
The moral sense in the heroic age 418
Use of the words ayados and Kanos 42 1
Of the word SUaios 423
Religion and morals were not dissociated 425
Moral elements in the practice of sacrifice 427
Three main motives to virtue, i. Regard to the gods 427
2. The power of conscience 428
3. Regard for the sentiments of mankind 430
The force and forms of aldCoi 431
Other cognate terms 435
Homicide in the heroic age 436
Eight instances in the poems 437
Why viewed with little disfavour • . . 440
Piracy in the heroic age 442
Its nature as then practised 443
Mixed view of it in the poems , 444
Family
CONTENTS. xiii
- Family feuds in the heroic age 446
"-^Temperance in the heroic age 447
--Self-control in the heroic age 448
Absence of the vice of cruelty 450
^ Savage ideas occasionally expressed 451
These not unfamiliar to later Greece 453
Wrath in Ulysses 454
Wrath in Achilles 455
Domestic affections in the heroic age 456
Relationships close, not wide 459
"Purity in the heroic age 460
Lay of the Net of Vulcan 461
Direct evidence of comparative purity 465
~ Treatment of the human form 466
Treatment of various characters 467
~~ Outline of Greek life in the heroic age 468
Its morality, and that of later Greece 471
"" Points of its superiority 472
Inferior as to crimes of violence 475
Some effects of slavery 476
Signs of degeneracy before Homer's death 477
SECT. IX.
Woman in the heroic age.
The place of Woman generally, and in heroic Greece 479
Its comparative elevation 480
1. State of the law and custom of marriage 481
Marriage was uniformly single 483
2. Conceived in a spirit of freedom 483
Its place in the career of life 485
Mode of contraction 486
3. Perpetuity of the tie of marriage 487
Adultery 488
Desertion 489
4. Greek ideas of incest 489
5. FideUty in married hfe 492
Treatment of spurious children 494
Case of Briseis 495
Mode of contracting marriage 496
b
xiv CONTENTS.
Concubinage of Greek chieftains in Troas 497
Dignity of conjugal and feminine manners 499
Social position of the wife 500
Force of conjvigal attachments , 502
Woman characters of Homer 503
The province of Woman well defined , 505
Argument from the position of the goddesses 506
Women admitted to sovereignity 507
And to the service of the gods 509
Their household employments 511
Their service about the bath 512
Explanation of the presumed difficulty 515
Proof from the case of Ulysses in Scheria 517
Subsequent declension of Woman 518
SECT. X.
The Office of the Homeric Poems in relation to that of tlie
early Books of Holy Scrijpiture.
Points of literary resemblance 521
Providential functions of Greece and Rome 523
Of the Early records of Holy Scripture 524
The Sacred Books are not mere literary works 525
Providential use of the Homeric poems 527
They complete the code of primitive instruction 529
Human history had no visible centre up to the Advent 531
Nor for some time after it 532
A purpose served by the whole design 533
OLYMPUS,
OLYMPUS,
OR
THE RELIGION OF THE HOMERIC AGE.
SECT. I.
On the Micved Character of the Supernatural System,
or Theo-MTjthology, of Homer.
X HOUGH the poems of Homer are replete, perhaps
beyond any others, with refined and often latent adapta-
tions, yet it may be observed in general of the modes
of representation used by him, that they are preemi-
nently the reverse of systematic. Institutions or cha-
racters, which are in themselves consistent, probably
gain by this method of proceeding, provided the exe-
cution be not unworthy of the design. For it secures
their exhibition in more, and more varied, points of
view, than can possibly be covered by the more didactic
process. But the possession of this advantage depends
upon the fact, that there is in them a harmony, which
is their base, and which we have only to discover.
Whereas, if that harmony be wanting, if in lieu of it
there be a groundwork of fundamental discrepancy,
then the conditions of effect are wholly changed. The
multiplied variety of view becomes a multiplication of
incongruity; each new aspect offers a new problem : and
the more masterly the hand of the artist, the more ar-
duous becomes the attempt to comprehend and present
in their mutual bearings the pictures he has drawn,
and the suggestions he has conveyed.
B
2 Olympus : the Religion of the Homeric age.
Tluis it has been with that which, following German
example, I have denominated the Theo-mythology of
Homer. By that term it seems not improper to desig-
nate a mixture of theology and mythology, as these two
words are commonly understood. Theology I suppose to
mean, a system dealing with the knowledge of God
and the unseen world : mythology, a system conversant
with the inventions of man concerning them. In the
Homeric poems I find both of these largely displayed :
but with this difference, that the first was in visible de-
cline, the second in such rapid and prolific develop-
ment, that, while Homer is undoubtedly a witness to
older fable, which had already in his time become set-
tled tradition, he is also in this department himself
evidently and largely a JMaker and Inventor, and the
material of the Greek mythology comes out of his
hands far more fully moulded, and far more diversi-
fied, than it entered them.
Of the fact that the Homeric religion does not pre-
sent a consistent and homogeneous whole, we have
abundant evidence in the difficulties with which, so
soon as the literary age of Greece began, expositors
found themselves incumbered ; and which drove them
sometimes upon allegory as a resource, sometimes, as
in the case of Plato, upon censure and repudiation^.
I know not whether it has been owing to our some-
what narrow jealousies concerning the function of Holy
Scripture, or to our want of faith in the extended
Providence of God, and His manifestations in the
Avorld, or to the real incongruity in the evidence at our
command, or to any other cause, but the fact, at least,
seems to me beyond doubt, that our modes of dealing
with the Homeric poems in this cardinal respect have
a Dollinger Held. u. Jud. v. i. p. 254.
Extended relations of God to man. 3
been eminently unsatisfactory. Those who have found
in Homer the elements of religious truth, have resorted
to the far-fetched and very extravagant supposition, tliat
he had learned them from the contemporary Hebrews,
or from the law of Moses. The more common and popu-
lar opinion'^ has perhaps been one, which has put all such
elements almost or altogether out of view ; one which
has treated the Immortals in Homer as so many im-
personations of the powers of nature, or else magnified
men, and their social life as in substance no more than
as a reflection of his picture of heroic life, only gilded
with embellishments, and enlarged in scale, in propor-
tion to the superior elevation of its sphere. Few,
comparatively, have been inclined to recognise in the
Homeric poems the vestiges of a real traditional know-
ledge, derived from the epoch when the covenant of
God with man, and the promise of a Messiah, had not
yet fallen within the contracted forms of Judaism for
shelter, but entered more or less into the common con-
sciousness, and formed a part of the patrimony of the
human race^.
But surely there is nothing improbable in the suppo-
sition, that in the poems of Homer such vestiges may
be found. Every recorded form of society bears some
traces of those by which it has been preceded : and in
that highly primitive form, which Homer has been the
instrument of embalming for all posterity, the law of
general reason obliges us to search for elements and
vestiges belonging to one more primitive still. And,
if we are to inquire in the Iliad and the Odyssey for
^ See Heyne ad II. i. 603; deacon Williams :' Primitive Tra-
Terpstra, Antiquitas Homerica, dition,' 1843, by the same; Ediub.
i. 3. And so late as the Cam- Rev. ISTo. 155, art. Homerus, and
bridge Essays 1856. p. 149. the refei-euce, p. 5c, to Cesarotti's
c See ' Homerus, pt. i.' by Arch- Eagionamento Storico-Critico.
B 2
4 Olympus : the Religion of the Homeric age.
what belongs to antecedent manners and ideas, on
what ground can it be pronounced improbable, that no
part of these earlier traditions should be old enough to
carry upon them the mark of belonging to the religion,
which the Book of Genesis represents as brought by
our first parents from Paradise, and as delivered by
them to their immediate descendants in general ? The
Hebrew Chronology, considered in connection with the
probable date of Homer, Mould even render it difficult
or irrational to proceed upon any other supposition :
nor if, as by the Septuagint or otherwise, a larger period
is allowed for the growth of our race, will the state of
this case be materially altered. For the facts must
remain, that the form of society exhibited by Homer
was itself in many points essentially patriarchal, that it
contains, in matter not religious, such, for instance, as
the episode of the Cyclops, clear traces of a yet earlier
condition yet more significant of a relation to that
name, and that there is no broadly marked period of
human experience, or form of manners, which we can
place between the great trunk of human history in Holy
Scripture, and this famed Homeric branch, which of all
literary treasures appears to be its eldest born. Stand-
ing next to the patriarchal histories of Holy Scripture,
why should it not bear, how can it not bear, traces of
the religion under which the patriarchs lived ?
The immense longevity of the early generations of
mankind was eminently favourable to the preservation
of pristine traditions. Each individual, instead of being
as now a witness of, or an agent in, one or two trans-
missions from father to son, would observe or share in
ten times as many. According to the Hebrew Chro-
nology, Laniech the father of Noah was of mature age
before Adam died : and Abraham was of mature age
Suffi.cienthj proved from Hohj Scripture. 5
before Noah died. Original or early witnesses, re-
maining so long as standards of appeal, wonld evidently
check the rapidity of the darkening and destroying
process.
Let us suppose that man now lived but twenty years,
instead of fourscore. Would not this greatly quicken
the waste of ancient traditions? And is not the converse
also true ?
Custom has made it with us second nature to take
for granted a broad line of demarcation between those
who live within the pale of Revelation, and the residue
of mankind. But Holy Scripture does not appear to
recognise such a severance in any manner, until we
come to the revelation of the Mosaic law, which was
like the erection of a temporary shelter for truths that
had ranged at large over the plain, and that were ap-
parently in danger of being totally absorbed in the
mass of human inventions. But before this vineyard
was planted, and likewise outside its fence, there were
remains, smaller or greater, of the knowledge of God ;
and there M'as a recognised relation between Jehovah
and mankind, v\^hich has been the subject of record
from time to time, and the ground of acts involving
the admonition, or pardon, or correction, or destruction,
of individuals or communities.
The latest of these indications, such as the visit of the
Wise Men from the East, are not the most remarkable :
because first the captivity in Babylon, and subsequently
the dissemination of Jewish groups through so many
parts of the world, could not but lead to direct com-
munications of divine knowledge, at least, in some
small degree. From such causes, there would be many
a Cornelius before him who became the first-fruits of
the Gentiles. Yet even the interest, which probably
led to such communications from the Jew, must have
6 Olympus : the Religion of the Homeric age.
had its own root in relics of prior tradition, which
attested the common concern of mankind in Him that
was to come. Bnt in earlier times, and when the Jewish
nation was more concentrated, and was certainly ob-
scure, the vestiges of extra-patriarchal and extra-judaical
relations between God and man are undeniable. They
have been traced with clearness and ability in a popu-
lar treatise by the hand of Bishop Horsley^'.
Let us take, for instance, that case of extreme wick-
edness, which most severely tries the general proposi-
tion. The punishment of Sodom and Gomorrah for
their sins was preceded by a declaration from the Most
High, importing a direct relation with those guilty
cities'^ ; and two angels, who had visited Abraham on the
plains of Mamre, ' came to Sodom at even.' Ruth the
Moabitess was an ancestress, through king David, of
our Lord. Rahab in Jericho, ' by faith,' as the Apostle
assures us, entertained the spies of the Israelites. Job,
living in a country where the worship of the sun was
practised, had, as had his friends, the knowledge of the
true God. Melchizedek, the priest of On, whose daugh-
ter Joseph married, and Jethro, the father-in-law of
Moses, are other conspicuous instances. Later in time,
Nineveh, the great Assyrian capital, received the mes-
sage of the prophet Jonah, and repented at his preach-
ing. Here the teaching organ was supplied from among
the Jews : but Balaam exhibits to us the gift of inspir-
ation beyond their bounds. Once more ; many cen-
turies after the Homeric manners had disappeared, and
d Horsley's Dissertation on S. Irenfeus, Cambridge, 1857.
the Prophecies of the Messiah Williams's Primitive Tradition,
dispersed among the heathen, p. 9.
See also Mr. Harvey's Observa- « See Genesis xviii.i, 20, xx. i.
tions on the Gnostic System, Heb. xi. 31.
pp. iii and seqq., prefixed to his
The question one ofldstory. 7
during the captivity, we find not only a knowledge of
God, but dreams and signs vouchsafed to Assyrian kings,
and interpreted for them by the prophet Daniel. We
have, in short, mingling vs^ith the whole course of the
Old Testament, a stream of evidence which shows the
partial remnants of the knowledge of God, apart from
that main current of it which is particularly traced for
lis in the patriarchal and Mosaic histories. Again,
many centuries after Homer, when all traces of primi-
tive manners had long vanished, still in the Prometheus
of yEschylus, and in the Pollio of Virgil, we have signs,
though I grant they are faint ones, that the celestial rays
had not even then ' faded into the light of common day'
for the heathen world. It would really be strange, and
that in a high degree, if a record like that of Homer,
with so many resemblances to the earliest manners in
other points, had no link to connect it with them in
their most vital part.
The general proposition, that we may expect to find
the relics of Scriptural traditions in the heroic age of
Greece, though it leads, if proved, to important prac-
tical results, is independent even of a belief in those
traditions, as they stand in the scheme of revealed
truth. They must be admitted to have been facts on
earth, even by those who would deny them to be facts
of heavenly origin, in the shape in which Christendom
receives them : and the question immediately before us
is one of pure historical probability. The descent of
mankind from a single pair, the lapse of that pair from
original righteousness, are apart from and ulterior to it.
We have traced the Greek nation to a source, and along
a path of migration, which must in all likelihood have
placed its ancestry, at some point or points, in close
local relations with the scenes of the earliest Mosaic
records : the retentiveness of that people equalled its
8 Olymjnis : the Religion of the Homeric age.
reccptiveness, and its close and fond association with
the past made it prone indeed to incorporate novel
matter into its religion, but prone also to keep it there
after its incorporation.
If such traditions existed, and if the laws which
guide historical inquiry require or lead us to suppose
that the forefathers of the Greeks must have lived
within tlieir circle, then the burden of proof must lie
not so properly with those who assert that the traces
of them are to be found in the earliest, that is, the
Homeric, form of the Greek mythology, as with those
who deny it. What became of those old traditions?
They must have decayed and disappeared, not by a
sudden process, but by a gradual accumulation of the
corrupt accretions, in which at length they were so
completely interred as to be invisible and inaccessible.
Some period therefore there must have been, at which
they would remain clearly perceptible, though in con-
junction with much corrupt matter. Such a period
might be made the subject of record, and if such there
were, we might naturally expect to find it in the oldest
known work of the ancient literature.
If the poems of Homer do, however, contain a pic-
ture, even though a defaced picture, of the primeval
religious traditions, it is obvious that they afford a
most valuable collateral support to the credit of the
Holy Scripture, considered as a document of history.
Still we must not allow the desire of gaining this ad-
vantage to bias the mind in an inquiry, which can only
be of value if it is conducted according to the strictest
rules of rational criticism.
We may then, in accordance with those rules, be
prepared to expect that the Hellenic religion will prove
to have been in part constructed from traditional know-
ledge. The question arises next. Of M'hat other materials
Invention combined ivith tradition. 9
in addition was it composed ? 'i'lic answer can be l)ut one ;
Such materials would be supplied by invention. But in-
vention cannot absolutely create ; it can only work upon
what it finds already provided to its hand. The provi-
sion made in this instance was sim])ly that with which
the exj)erience of man supjdied him. It was mediate or
immediate: mediate, where the Greek received matter
from abroad, and wrouf^ht u])on it : immediate, where
he conceived it for himself. That experience lay in two
spheres — the sphere of external nature, and the sphere
of life. Each of these would afford for the purpose
the elements of Power, Grandeur, Pleasure, Beauty,
Utility ; and such would be the elements suited to the
work of constructing or developing a system that was
to present objects for his worship. We may therefore
reasonably expect to find in the religion features refer-
able to these two departments for their origin ; — first,
the powerful forces and attractive forms of outward
nature ; secondly, the faculties and propensities of man,
and those relations to his fellow-men, amidst which his
lot is cast, and his character formed.
If this be so, then, in the result thus compounded
out of tradition purporting to be revealed, and out of
invention strictly human, we ought to recognise, so long
as both classes of ingredients are in effective coexist-
ence, not strictly a false theology, but a true theology
falsified : a true religion, into which falsehood has
entered, and in which it is gradually overlaying and
absorbing the original truth, until, when the process
has at length reached a certain point, it is wholly
hidden and borne down by countervailing forces, so
that the system has for practical purposes become a false
one, and both may and should be so termed and treated.
I admit that very different modes of representing the
case have been in vogue. Sometimes l)y those to whom
10 Olymjms : the Reluj ion of the Homeric age.
the interest of Christianity is precious, and sometimes
in indifference or hostility to its fortunes, it is held
that the basis of the Greek mythology is laid in the
deification of the powers of nature. The common as-
sumptions have been such as the following : That the
starting-point of the religion of the heroic age is to be
sought only in the facts of the world, in the ideas and
experience of man. That nature-worship, the deifica-
tion of elemental and other physical powers, was the
original and proper basis of the system. That this
system, presumably self-consistent, as having been
founded on a given principle, was broken up by the inter-
vention of theogonic revolutions. That the system, of
which Jupiter was at the head, was an imperfect recon-
struction of a scheme of divine rule out of the frag'ments
of an earlier religion, and that it supplanted the elder
gods. In short, the Greek mythology is represented
as a corrupt edition, not of original revealed religion,
but of a Nature-worship which, as it seems to be as-
sumed, was separated by a gulf never measured, and
never passed, from the primitive religious traditions of
our race. Further it seems to be held, that the faults
and imperfections of the pagan religion have their root
only in a radical inability of the human mind to pro-
duce pure deity ; that they do not represent the depra-
vation of an ancient and divine gift, but rather the
simple failure of man in a work of invention. Indeed,
we need not wonder that it should fail in a process
which, critically considered, can mean little else than
mere exaggeration of itself and from its own experi-
ence^, and which must be so apt to become positive
caricature.
f See Niigelsbacli, Homerische Heidenthum und Judenthum,
Theologie, i. i. ii. i. Also (if I ii. i. §. i. p. 54.
understand it rightly), Dollingei-'s
The basis luas not in Nature-worship. 11
Afrain, Dean Prideaux, in his Connection of Sacred
and Profane History, gives the following genesis of the
Greek mythology. From the beginning, he says, there
was a general notion among men, founded on a sense that
they were impure, of the necessity of a mediator with
God. There being no mediator clearly revealed, man
chose mediators for himself, and took the sun, moon,
and stars, as high intelligences well fitted for the pur-
pose. Hence we find Saturn, Jupiter, jNIars, Apollo,
Mercury, Venus, and Diana, to be first ranked in the
polytheism of tlie ancients : for they were their first
gods^.
This theory is not in correspondence with the facts
of the heroic age. There is no sense whatever of an
impurity disabling men from access to God ; no clear
or general opinion of the necessity of mediation ; no
glimpse even of a god superior to Jupiter and the rest
with whom they were on behalf of man to mediate.
And, again, the opinion, that the origin of the
religion lay in Nature-worship, has had the support
both of high and also of recent authorities. The
eminent and learned Dr.Dollinger, in his ' Heidenthum
und Judenthum,' says, that the deification of Nature, its
forces, or the particular objects it offered to the senses,
constituted the groundwork of the Greek, as well as of
the other heathen religions. The idea of God continued
to be powerful even w hen it had been darkened, and the
godhead w^as felt as present, and active everywhere in
the physical order. In working out his general rule
for each mythological deity in particular, this author con-
ceives the original form of their existence to have been
that of a Nature-power, even where the vestiges of such
a conception have, under subsequent handling, become
faint or imperceptible. Thus Juno, Minerva, Latona,
g Prideaux, i. 3. vol. i. p. 198.
12 Ohjmpus : the Religion of the Homeric age.
Diana, and others in succession, are referred to such an
origin^.
Now in dealing with this hypothesis, I would ask,
"what then has become of the old Theistic and IMessia-
nic traditions? and how has it happened they have
been amputated by a process so violent as to make
them to leave, even while the state of society continued
still primitive, no trace behind them ? But further. I
would urge with confidence that the ample picture of
the religion of the heroic ages, as we have it in
Homer, which is strictly for this purpose in the nature
of a fact, cannot be made to harmonize with the hypo-
thesis which refers it to such a source. The proof
of this statement must depend mainly on the examina-
tion which we have to institute in detail : but I am
anxious at once to bring it into view, and to refer
briefly to some of the grounds on which it rests, because
it is susceptible of demonstration by evidence as con-
tradistinguished from theory. On the other hand, when I
proceed farther, evidence and theory must of necessity be
mixed up together ; and dissent from a particular mode
of tracing out the association between the traditional
and inventive elements of the system might unawares
betray the reader into the conclusion, that no such dis-
tinct traditional elements were to be found, but that
all, or nearly all, was pure fable. I say, then, there is
much in the theo-mythology of Homer, which, if it had
been a system founded in fable, could not have ap-
peared there. It stands before us like one of our old
churches, having different parts of its fabric in the
different styles of architecture, each of which speaks
for itself, and which we know to belong to the several
epochs. in the history of the art, when their character-
istic combinations were respectively in vogue.
^ Heidenthum uikI Judeuthum, b. ii. sect, i, 2. pp. 54-81.
Nor is the si/stem from inuentiorc onhj. 13
While on the one hand it lias deities, such as La-
tona, without any attributes at all, on the other hand,
we find in it both gods and goddesses, with an assem-
blage of such attributes and functions as have no com-
mon link by which invention could have fastened them
together. They are such, likewise, as to bring about
crosfe divisions and cross purposes, that the Greek force
of imagination, and the Greek love of symmetry, would
have alike eschewed. How could invention have set
up Pallas as the goddess at once of peace and its in-
dustries, of wisdom, and of war ? Its object would
clearly have been to impersonate attributes ; and to
associate even distinct, much less conflicting attributes,
in the same deity, would have been simply to confuse
them. How again could it have combined in Apollo,
who likewise turns the courses of rivers by his might,
the offices of destruction, music, poetry, prophecy,
archery, and medicine ? Again, if he is the god of
medicine, why have we Paieon? if of poetry, why have
we the Muses? If Minerva be (as she is) goddess of
war, why have we Mars ? if of the work of the Artificer,
why have we also Vulcan ? if of prudence and sagacity,
and even craft', why Mercury?
And again, the theory is, that the chief personages
of the mythology are representatives of the great
powers of the physical universe. I ask, therefore, how
it happens that in the Homeric, or, as we may call it,
primitive form of the system, these great powders of the
universe are for the most part very indistinctly and par-
tially personified, whereas w^e see in vivid life and con-
stant movement another set of figures, having either an
obscure or partial relation, or no relation at all, to those
powders? Such a state of the evidence surely strikes at
i II. xxii. 247.
14 Olympus: the Religion of the Homeric oge.
the very root of the hypothesis we are considering:
but it is the state of the evidence which we actually
find before us. Take for instance Time, Ocean, Earth,
Sun, Moon, Stars, Air; all these prime natural objects
and agents are either not personified at all in Homer,
or so indistinctly and mutely personified that they are
the mere zoophytes of his supernatural world, of which
the gorgeous life and brilliant movement are sustained
by a separate set of characters. Of these more effec-
tive agents, some are such as it is impossible rationally
to set down for mere impersonations of ideas ; while
others are plainly constituted as lords over, and not
beings derivative from, those powers or provinces of
nature, with which they are placed in special relations.
It cannot for instance rationally be said that the Ho-
meric Jupiter is a mere impersonation of the air which
he rules, or the Homeric Neptune of the sea, or the
Homeric Aidoneus (or Aides) of the nether world. For
to the first of these three, many functions are assigned
having no connection with the air. As for example, when
he gives swiftness of foot to iEneas on Mount Ida, that
he might escape the pursuit of Achilles^. In the case of
the second, there is a rival figure, namely, Nereus, who
never that we know of leaves the sea, who is the father
of the Sea-nymphs, and who evidently fulfils the condi-
tions of Sea impersonated far better than does Nep-
tune ; Neptune, who marched upon the battle-field in
Troas, and who, with Apollo, had himself built the
w^alls of Ilium. Besides all this, the sea, to which
Neptune belongs, is itself not one of the great ele-
mental powers of the universe, but is derived, like
rivers, springs, and wells, from Father Ocean, who fears
indeed the thunderbolt of Jupiter, but is not bound to
^ II. XX. 92.
Traditive orujia of Sacrifice. 35
attendance even in the gvc^xt chapter of Olympus'. As
to Aidoneus, he can hardly im])ersonate tlic nether
Avorld, because in Homer he does not represent or go-
vern it, but only has to do -with that portion of it, which
is inhabited by the souls of departed men. For, as far
beneath his realm as Earth is beneath Heaven, lies the
dark Tartarus of Homer, peopled with KpoVo? and his
Titans. Nor, on the other hand, do we know that the
Elysian fields of the West were subject to his sway. The
elemental powers are in Homer, though not altogether,
yet almost altogether, extrinsic to his grand Olympian
system.
Without, then, anticipating this or that particular
result from the inquiry into the mode and proportions
in which traditional and inventive elements are com-
bined in the poems of Homer, it may safely be denied
that his picture of the supernatural world could have
been drawn by means of materials exclusively supplied
by invention from the sources of nature and expe-
rience.
And indeed there is one particular with respect to
which the admission will be generally made, that the
Greek mythological system stood indebted at least to
a primitive tradition, if not to a direct command ; I
mean the institution of sacrifice. This can hardly be
supposed to have been an original conception in every
country ; and it distinctly points us to one common
source. Sacrifice was, according to Dr. Dollinger'", an
inheritance which descended to the Greeks from the
pristine time before the division of the nations. With-
out doubt the transmission of ritual, depending upon
outward action, is more easy than that of ideas. But
the fact that there was a transmission of something
1 II. xxi. 195-9. XX. 7. "1 Heid. u. Jutl. iv. 5. p. 202.
16 Olympus : the Religion of the Homeric age.
proves that there was a channel for it, open and con-
tinuous : and the circumstances might be such as to
allow of tlie passage of ideas, together with institutions,
along it.
It cannot be necessary to argue on the other side in
any detail in order to show, that for much of his super-
natural machinery, Homer was indebted to invention,
whether his own or that of generations, or nations, which
had preceded him. Had his system been one purely tra-
ditional in its basis, had it only broken into many rays
the integral light of one God, it would have presented
to us no such deity as Juno, who is wholly without
prototype, either abstract or personal, in the primitive
system, and no such mere reflections of human passions
as are Mars and Venus : not to speak of those large ad-
ditions, which we are to consider as belonging not so
much to the basis and general outline of the system, as
to the later stages of its development.
Let us now endeavour to inquire what mental,
moral, and physical influences would be likely, in early
times, to give form and direction to that alterative
process, which the primitive ideas of religion, when
removed beyond the precinct of Revelation and the
knowledge of the Sacred Records, had to undergo.
This law of decline we may examine, first ideally,
according to the influences likely to operate on the
course^ of thought with respect to religion : and then
with reference to that which is specifically Greek, by
sketching in outline the actual mode of handling the
material at command, which resulted in the creation of
the Homeric or Olympian system. The first belongs
to the metaphysical genesis of the system : the second
to its historical formation.
So long as either the Sacred Records, or the Light
Tend€7icy of primitive reWjion to decay. 17
which sujiplied thein, remained within reach, there were
specific means either in operation, or at least accessib'e,
which, as f;xr as their range extended, would serve to
check error, whether of practice or speculation, and to
clear uj) uncertainty, as the sundial verifies or corrects
the watch. But the stream darkened more and more,
as it got farther from the source. The Pagan religion
could boast of its unbroken traditions; like some forms
of Christianity, and like the government of France
until 1789. But its uninterrupted course was really
an uninterrupted aberration from the line of truth ;
and to boast of the evenness of its motion was in
effect to boast of the deadness of the conscience of
mankind, which had not virtue enough even to disturb
progressive degeneracy by occasional reproach. In
later times, the Pagan system had its three aspects :
it was one thing for the populace, another for states-
men, and a third for philosophers. But in Homer's
time it had suffered no criticism and no analysis : the
human self-consciousness was scarcely awakened ; in-
trospection had not begun its work. Imagination and
affection continually exercised their luxuriant energies
in enlarging and developing the system of preternatural
being and action. However copiously the element of
fiction, nay, of falsehood, entered into it, yet for the
masses of mankind it was still subjectively true".
All was forward movement. Man had not, as it
were, had time to ask himself, is this a lie? or even,
whither does it tend ? His soul, in those days of in-
fancy, never questioned, always believed. Logical
inconsistency, even moral solecism, did not repel it,
nor slacken the ardour of its energies in the work of
construction : construction of art, construction of man-
° Grote, Hist. Greece, vol. i. p. 467.
C
18 Olympus: the Religion of the Homeric age.
ners, construction of polity, construction of religion.
This is what we see, in glowing heat, throughout the
poems of Homer, and it is perhaps the master key to
their highest interest. They show us, in the province we
are now considering, heroes earning their title to the
Olympian life, mute nature everywhere adjusting her-
self to the scheme of supernatural impersonations, and
religion allied to the human imagination, as closely
as it was afterwards by Mahomet wedded to the sword.
Everywhere we see that which is properly called myth,
in the process of formation. Early mythology is the
simple result of the working of the human mind, in a
spirit of belief or of credulity, upon the material offered
to it by prior tradition, by the physical universe, by the
operations of the mind, and by the experience of life.
We may, as follows, accomjjany the vicious series
through which thought might probably be led, with re-
spect to the theory of religion.
If we begin with the true and pure idea of God, it
is the idea of a Being infinite in power and intelli-
gence, and though perfectly good, yet good by an un-
changeable internal determination of character, and
not by the constraint of an external law.
Such was the starting-point, from which the human
mind had to run its career of religious belief or specu-
lation. But the maintenance subjectively of the origi-
nal form of the image in its clearness depended, of
course, upon the condition of the observing organ ; and
that organ, again, depended for its health on the healthi-
ness of the being to whom it belonged. Hence we
must look into the nature of man, in order to know
what man would think respecting the nature of God.
Now^ man, the prey of vicious passions, though he
holds deeply rooted within himself the witness to an
Doivnward course of the idea of God. 19
extrinsic and objective law of goodness, which he needs
in order to develop what he has of capacity for good,
and to bring into subjection the counteracting and re-
bellious elements, is nevertheless prevailingly under
the influence of these last. Hence, in the absence of
special and Divine provision for the remedy of his in-
ward disease, although both conscience and also the
dispensations of Providence shadow forth to him a law
of goodness from without, yet the sense of any internal
law of goodness in himself becomes, with the lapse of
time, more and more dim and ineffectual.
Thus, as he reflects back upon his own image con-
ceptions of the Deity, the picture that he draws first
fails in that, wherein he himself is weakest. Now, the
perce])tion of mere power depends upon intellect and
sense : and as neither intellect nor sense have received
through sin the same absolutely mortal wound which has
reached his spiritual being, he can therefore still com-
prehend with clearness the idea and the uses of power,
both mental and physical. Accordingly, the Godhead is
for him preternaturally endowed with intelligence and
force. But how was he to keep alive from his own re-
sources the moral elements of the divine ideal ? Coer-
cive goodness, goodness by an external law, goodness
dependent upon responsibility, was, by the nature of the
case, inapplicable to Deity as such : while of goodness
by an internal law, he had lost all clear conception,
and he could not give what he had not got.
Of course it is not meant, that this was a conscious
operation. Rarely indeed, in reflective and critical
periods, does it happen that man can keep a log-book
of wind, weather, and progress, for the mind, or tell
from what quarter of the heavens have proceeded the
gales that impel it on its course.
c 2
20 Olympus : the Religion of the Homeric age.
But, by this real though unconscious process, good-
ness would soon disappear from his conception of the
Godhead, while high power and intelligence might re-
main. And hence' it is not strange, if we find that
Homer's deities, possessed of power beyond their faculty
of moral direction, are for the most part, when viewed
in the sphere of their personal conduct, on a lower level
than his heroes.
When therefore these latter charge, as is not unfre-
quent with them, upon the gods the consequences, and
even in a degree the facts, of their own fault or folly,
the proceeding is not so entirely illogical as we might
at first suppose. For that great conception of an all-
good and all-wise Being had undergone a miserable
transmutation, bringing it more and more towards the
form of an evil power. Hence, perhaps, it is that we
find these reproaches to the Deity put into the mouth
even of Menelaus, one of the noblest and purest cha-
racters among the heroes of Homer".
Again, this degradation of the divine idea was essen-
tially connected with the parcelling it out into many
portions, according to the system of polytheism. That
system at once brought down all the attributes from
their supreme perfection to scales of degree : established
finite and imperfect relations in lieu of the perfect and
infinite : carried into the atmosphere of heaven an
earthy element. The disintegration of the Unity of
God prepared the way for the disintegration of His
several attributes, and especially for weakening and
effacing those among them, which man had chiefly lost
his capacity to grasp.
When once we have substituted for the absolute
that which is in degree, and for the perfect that which
n II. iii. 365, and xiii. 631-5.
Inducements to Nature-worshij). 21
is defective, we have brought the divine element within
the cognizance of the human : the barrier of separation
is broken down, and, without any consciousness of
undue license, we thenceforward insensibly fashion it
as we please. Each corruption, as it takes its place in
the scheme of popular ideas, is consolidated by the
action of new forces, over and above those which, even
if alone, were sufficient to engender it : for the classes,
who worked the machinery both of priestly caste, and
of civil government, found their account in accumu-
lating fable up to a mountain mass. Each new addi-
tion found a welcome : but woe to him, who, by shaking
the popular persuasion of any one article, endangered
the very foundations of the whole.
Such is an outline, though a faint and rude one, of
what may be called the rationale, or the law of cause
and effect, ajiplicable to the explanation of the pro-
gressive and, at length, total corruption of the primi-
tive religion.
We may also endeavour to trace the motives which
might determine the downward movement of the hu-
man mind in the direction, partially or wholly accord-
ing to circumstances, of what is called Nature- worship.
On the one side lay the proposition handed down
from the beginning — there is a God. On the other
side arose the question — where is He? It was felt that
on the whole He was not in man, though there was in
man what was of Him. It was obvious to look for Him
in the mighty agencies, and in the sublime objects of
Nature, which, though (so thought might run,) they did
not reveal Him entirely, yet disclosed nothing that was
not worthy to belong to Him. Here is a germ of Na-
ture-worship. Hence it is that we find Aristotle, at a
period when thought was alike acute, deliberate, and
22 Oli/mpits : the Religion of the Homeric age.
refined, declare it to be beyond all doubt that the hea-
venly bodies are far more divine than man".
Now this germ could not be one only. Trains of
thought and reasoning, essentially alike, would, accord-
ing to diversities of minds and circumstances, lead one
to place the God in one natural sphere or agency, and
another to place him in another. There was no com-
manding principle either to confine or to reconcile
these variations ; thus the same cause, which brought
deity into natural olyects, would also tend to exhibit
many gods instead of one.
Such was the ])ath by which man might travel from
Theism to Nature-worship. But other paths, starting
from other j)oints, would lead to the same issue.
Suppose now the case of the mind wholly without
the tradition of a God. To such a mind, the vast and
overmastering but usually regulated forces, and the
beautiful and noble forms of nature, would of them-
selves suggest the idea of a superior agency ; yet,
again, not of one superior agent alone, but of many.
Thus some men would build upwards, while others, so
to speak, were building downwards, and they would
meet on the way.
And, again, a third operation could not but assist
these two former, and combine with their results. For
the unaided intellect of man seems not to have had
damina to carry, as it were, the weight of the tran-
scendent idea of one God, of God infinite in might, in
M'isdom, and in love. Again, it was awful as well as
ponderous ; because it was so remote from man, and
from his actual state. He therefore lightened the idea,
as it were, by dividing it from one into many ; and he
o Kal yap avOpconov ciXXa ttoKv raTci ye, i^ hv 6 Koapos crvvicrTrjKev .
BdOTfpa Trjv (f)v(ni>, oiou to. (pavepa- Eth. Nicom. VI. vii. 4.
Progressive deterioration. 23
brought it nearer to himself, nearer to his sympathies,
by humanizing its form and attributes. By this process
he in time destroyed indeed his reverence, but he also
beguiled his fears, and created for himself objects not
of dread, so much as of familiar association.
Yet once again ; it may, I think, be shown that a
kind of natural necessity led man to denominate actual
powers, which he saw and felt about him, not through
the medium of generalization by abstract names, but
by making them persons.
Thus easy, and almost inevitable, under mental laws,
was the road to Nature-worship. The path, that led
into the deeper corruption of Passion-worship, has been
already traced.
It is then in entire accordance with what has pre-
ceded, that, when the Pagan system has come into its
old age, we should find it so wholly deprived of all the
lineaments of original beauty, grandeur, and goodness,
that we can read the destructive philosophy and poetry
of the atheistic schools, and of Lucretius in particular,
without the strong sentiment of horror, which in them-
selves they are fitted to excite.
Milton, in the First Book of Paradise Lost, treats
the Pagan gods as being, under new names, so many of
the fallen angels, who with Satan had rebelled, and
with him had been driven out from heaven, so that the
world of heathen from the first had simply
' devils to adore for deities.'
Whether this sentiment be poetically warrantable
or not, (and for my own part I cannot but think it was
one too much connected with a cold and lowered form
of Christian doctrine,) it is not historically sound. We
should distinguish broadly between this assertion, that
the Pagan religion was an original falsehood, and the
declaration of St. Paul, ' I say that the things which
24 Olympus : the Reliyion of the Homeric age.
the Gentiles sacrifice, they sacrifice to devils, and not to
Godi.' To the same class as the words of the Apostle,
belong-, as T conceive, these (and other) sentences of
Saint Augustine"" ; 7ion sunt dii, 7naUgni sunt spiritus,
quibus ccterna tua felicitas pwna est Proinde si ad
beatam pervenire desideras civitatem, devita dcBmonum
societatem. For these terrible descriptions apply not to
the infancy, but to the decrepitude of Paganism. The
difference between them was as the difference between
the babe in arras, and the hoary sinner on the threshold
of death : and while the one representation summarily
cuts man off from God, the other only shows to how fear-
ful a distance he had by degrees travelled away. As time
went on, and the eidola of succeeding generations were
heaped one upon another, the truly theistic element in
the Pagan mythology was more and more hidden and
overborne, until at length its association with evil was
so inveterate and thorough, that the images, which the
citizen or matron of the Roman empire had before the
mind as those of gods, bore no appreciable resemblance
to their divine original, but more and more amply corre-
sponded with that dark side of our nature, on which
we are accessible to, and finally may assume the like-
ness of, the evil one.
But the critical error that we seem to have committed
may be thus described ; we have thrown back upon the
Homeric ])eriod the moral and mythological character
of the system, such as we find it developed in later
Greece and Rome : forgetful of the long and dim inter-
val, that separates Homeric religion from almost every
subsequent representation, and not duly appreciating
the title of the poems to speak with an almost exclu-
sive authority for their own insulated epoch.
Further, it is reasonable to remember that some of
'1 I Cor. X. 20. "■ De Civ. Dei, ii. 29.
Parfanism in its decay. 25
the powerful alteratives, which in subsequent ages told
upon the form and substance of this wonderful mytho-
logy, had not begun to act in the time of Homer.
These alteratives were speculative thought, and poli-
tical interests. Philosophy, ever dangerous to the
popular religion of Greece in the days of its maturity
and prosperity, became its ally in the period of its de-
cline, when its original vitality had entirely ebbed
away, and when the Ved'illa Regis^ raised aloft through-
out the Roman empire, drove it to seek refuge in
holes and corners. Then the wit of man was set to
repair the tottering fabric ; to apologize for what was
profligate, to invent reasons for wiiat was void of mean-
ing, to frame relations between the depraved mytho-
logy, and the moral government of the world. Even
that corru[)t and Avicked system had, as it were, its
epoch of death-bed repentance.
The services thus rendered by philosophers were late
and ineffectual ; but it was the civil power, which had
been all along the greatest conservator of the classical
mythology. It felt itself to have an interest in sur-
rounding public authority with a veneration greater
than this world could supply : a commanding interest,
with the pursuit of which its necessities forbade it to
dispense. Whatever exercised an influence in subduing
and enthralling the jiopular mind, answered its purpose
in the view of the civil magistrate. Hence his multifari-
ous importations into religion, each successively intro-
duced for this purely subjective and temporal reason,
removed it farther and farther from the ground of truth.
Every story that he added to the edifice made its fall
more certain and more terrible. Numerosa parabat ex-
cehcB turris tabulaia. But in Homer's time there is no
trace of this employment of religion by governments,
as a means of sheer imposition upon their subjects.
26 Olymjms : the Religion of the Homeric age.
So likewise in Homer there is no sign that con-
scious speculation on these subjects had begun. In-
deed, of that kind of thought which involves a clear
mental self-consciousness, we may perhaps say, that
the first beginning, at least for Europe and the West,
is marked by the very curious simile in the Iliad ^ —
0)9 8' OT av at^] voos avepos k. t, A.
Homer, then, spoke out in simplicity, and in good faith,
the religion of his day, under those forms of poetry
with which all religions have a well-grounded affinity :
for the imagination, which is the fountain-head of
poetic forms, is likewise a genuine, though faint, pic-
ture, of that world which religion realizes, through
Faith its groundwork, ' the substance of things hoped
for, the evidence of things not seen*.'
And, indeed, he had no other form in which to
speak forth his soul. That which we call the inven-
tion of the Greeks at work upon the subject-matter of
religion was, in fact, the voice of human nature, giving
expression in the easiest and simplest manner to its
sense of the great objects and powers amidst which its
lot was cast. It has been well said by Professor M.
JMiiller, in an able Essay" on 'Comparative IMytho-
logy,* that ' abstract speech is more difficult, than the
fulness of a poet's sympathy with nature.' Thus it was
not so much that poetry usurped the office of religion,
as that their respective functions brought them of
necessity to a common ground and a common form of
proceeding. Homer saw, heard, or felt the action of
the sun, the moon, the stars, the atmosphere, the
winds, the sea, the rivers, the fountains, the soil ; and
he knew of family affections, of governing powers, of a
s II. XV. 8o. t Heb. xi. i.
u Oxford Essays, 1856, p. 36.
On Impersonation in Homer. 27
healing art, of a gift and skill of mechanical construc-
tion. Action, in each of these departments, could not
but be referred to a poMer. How was that power to
be expressed ?
At least for the Greek mind, less subtle, as Aristotle
has observed, than the Oriental, it was more natural to
deal Mith persons, than with metaphysical abstractions.
It was foreign to the mental habit of the heroic age to
conceive of abstract essences; as it still remains diffi-
cult, more difficult perhaps than, in the looseness of our
mental j^rocesses, we suppose, for the men of our own
generation. Even now, in the old age of the world, we
have many signs of this natural difficulty, which formerly
was a kind of impossibility. Especially we have that
one which leads all communities, and above all their
least instructed classes, to apply the [)ersonal pronouns
he or she to a vast multitude of inanimate objects, both
natural, and the products of human skill and labour.
These objects are generally such as stand in a certain
relation to action : they either do, suffer, or contain.
If then the Nature-forces could not be expressed, or
at least could not be understood as abstractions, to ex-
press them as persons was the only other course open to
the poet. It was not an effort to follow this method : it
w^ould have required great effort to adopt any other.
How s])ontaneous was the impulse which thus gene-
rated the mythological system, we may observe from
this, that it not only personified in cases where, an
agency being seen, its fountain was concealed from
view, but it likewise went very far towards personifica-
tion even in cases where inanimate instruments were
wielded by human beings, and where, as the source of
the phenomenon was perceived, there was no occasion
to clothe it with a separate vitality. Hence that copious
28 Ohjmjms : the Religion of the Homeric age.
vivifying power which Homer has poured like a flood
through his verse. Hence his bitter arrow {iriKpo?), his
darts hungry for human blood {XiXatofxeva X/ooo? aa-ai),
his ground laughing in the blaze of the gleaming ar-
mour (yeXacrcre Se iraara irepi yQwv -^oXkov vtto (TTepoTryj^).
Hence again his free use of sensible imagery to illus-
trate metaphysical ideas : for example, his black cloud
of grief, his black pains, his purple death^. Hence that
singularly beautiful passage on the weeping of the death-
less horses of Achilles for Patroclusy. Hence too it is,
that he does not scruple to carry imagery, drawn from
the sphere of one sense, into the domain of another, an
operation which later poets have found so difficult and
hazardous. He has an iron din^, a brazen voice% a
brazen or iron heaven '\ a howling or shouting fire, a
blaze of lamentation'^. Hence, by a system of figure
bolder perhaps than has been used by any other poet,
he invests the works of high art in metal with the at-
tributes of life and motion. This daring system reaches
its climax in the damsel satellites*' of gold, that support
the limping gait of Vulcan : in the dogs of metal, that
guard the palace of Alcinous : in the elastic arms of
Achilles, which, so far from being a w^eight upon him,
themselves lift him from the ground : and in the ani-
mated ships of the Phneacians, which are taught by
instinct to speed across the sea, and to pilot their own
course to the points of their destination ^. On every side
we see a redundance of life, shaping, and even forcing,
for itself new channels : and thus it becomes more easy
^ II. V. 83. xvii. 591. xviii. ^ II. xv. 328. xvii. 425, 565.
2, 4. c Od. XX. 353.
y II. xvii. 426-40. ^ II. xviii. 417. For the Shield,
z II. xvii. 424. notice xviii. 539, 599-602. xix.
a II. xviii. 222 : more Strictly, 386.
a voice of bronze, ^ Od. viii. 556.
Nature of the myths of Homer. 29
for us to conceive the imj)ortant truth that, when he
impersonates, lie simply takes what was for him the
easiest and the most effective way to describe. Every
where he is carrying- on a double process of action and
reaction : on the one hand bringing Deity down to
sensible forms ; on the other, adorning and elevating
humanity, and inanimate nature, with every divine en-
dowment.
Homer, then, is full of mythical matter. But the
word mijth, of which in recent controversies the use has
been so frequent, is capable of being viewed under
either of two princii)al aspects.
In one of these, it signifies a story which is not con-
tem[)orary with the date of the facts it purports to re-
late, but is in reality an after-view of them, which
colours its subject, and exaggerates, ad lihitimi, ac-
cording to conditions of thought and feeling which
have arisen in the interval.
In the other of these senses, it is an allegory which
has simply lost its counterpart : it was true, but by
separation from that which attached it to fact, it has
become untrue : being now of necessity handled, if
handled at all, as a substantive existence, it has passed
into a fable, and is only distinguished from pure fable,
in that it once indicated truths contemporary with
itself, though probably truths lying in a different region
from its own.
It is in this last sense that the term myth is chiefly,
and most legitimately, applicable to the religious system
of the Homeric poems: but they may also probably
contain more or less of the mythical element in the
former sense.
We, having obtained knowledge of the early deriva-
tion and distribution of mankind, and of the primitive
30 Olympus: the Religion of the Homeric age.
religion, from sources other than those open to Homer,
shall find in this knowledge the lost counterpart of a
great portion of the Homeric myths.
The theological and jMessianic traditions which we
find recorded in Scripture, when compared with the
Homeric theogony, will be found to correspond with a
large and important part of it : and, moreover, with a
part of it which in the poems themselves carries a
cluster of distinctive marks, not to be explained except
by the discovery of this correspondence. The evidence,
therefore, of the meaning of this part of the Homeric
system is like that which is obtained, when, upon
applying a new key to some lock that we have been
unable to open, we find it fits the wards, and puts back
the bolt.
In his learned and acute Essay ^ on Comparative My-
thology, Professor Max Miiller undertakes to illustrate
a doctrine that appears to be the exact opposite of
Mr.Grote's ' Past which was never present.' If I under-
stand him rightly, there was at some one time a pre-
sent for every portion of the reputed past^: so that, by
a reference to eastern sources, the nature of that present,
and of the original consistent meanini>' for what after-
wards on becoming unintelligible is justly called a
myth, has in many cases been, and may yet in many
more come to be, unveiled. Originally impersonations
of ideas and natural powers, the heathen gods never
represented demons or evil spirits*^, and were ' masks
without an actor,' * names without being :' while their
reality, consisting in their relation to the facts of the
universe, faded and escaped from perception in the
course of time. The myths of the Veda are still in
J Oxford Essays, 1856. g Essays, p. 42.
^ Ibid. p. 48.
Nature of tJie myths of Homer. 31
the stage of growth : Ilesiod and Horner too are of
the ' later Greeks,' and not only the Theogony of
Hesiod is ' a distorted caricature,' but the poetry
of Homer ' is extensively founded on myths fully
groM'n, and in the stage of decay, that is to say, long
severed from their corresponding deities.
I do not doubt that in all mythology at its origin,
there has been both a shell and a substance : and that
the tendency of the two to part company, which we see
even under the sway of revealed religion, must have
operated with far more power, where ordinarily at least,
man was thrown back, without other aid, upon his rea-
son and his conscience, beset as they were and are with
overpowering foes.
But then, as it seems to me, we must anticipate
great changes in the shell itself. It will not retain,
when empty, the identity of the form ; which has lost
the support that it had from within when full. On the
contrary, it will become unlike its original self, as well
as unlike its arcliLtype or substance, so that probably
much of it must always remain without a key.
Upon the other hand, as there was already a true re-
ligion in the world when an untrue one began to gather
upon and incrust it, there must arise the question already
put ; what, according to the theory before us, became of
this true religion ? It did not disappear in a day : there
was no wilful renunciation of it by single or specific
acts, no sharp line drawn between it and the false ; but
the human element was gradually more and more im-
ported into the divine, operating by continual and suc-
cessive disintegrations of the original ideas. If so, then
there seems to be nothing unreasonable in the belief
that the traces of them might long remain discernible
* PP- 43, 47; 49; 55; 87.
32 Olympus : the Religion of the Homeric age.
in the adulterated system, even if only as the features
of a man are discernible in the mask of a buffoon.
No doubt it would be unreasonable to look for such
traces in Homer, if he were indeed, in the popular
sense of the terra, which probably Professor M. Miiller
does not intend, a later Greek ; a Greek dealing with a
mythological system of which his nation had already
had its use, from which the creative principle had de-
parted, and which was on the road from ripeness to
decay. I am far from saying that there are no myths
in Homer, where the original and interior meaning has
ceased to be discernible : but I shall seek to show that
the contrary may be confidently averred, and fully
shown, with respect to the great bulk of his mytho-
logy, and that we see in him two systems, both alive,
and in impact and friction, though with very unequal
forces, one upon the other ; the first, that of traditional
truth, and the second, of the inventive impersonation
of nature both material and invisible. And certainly
it is very striking that, with one or two very insignificant
exceptions, all those ancient fables, which Professor
Miiller treats as having become unintelligible without
the key of the Veda, and which he explains by means
of it, are fables unknown to Homer, and drawn from
much later sources.
The general view, then, which will be given in these
pages of the Homeric Theo-mythology is as follows :
That its basis is not to be found either in any mere
human instinct gradually building it up from the
ground, or in the already formed system of any other
nation of antiquity ; but that its true point of origin lies
in the ancient Theistic and Messianic traditions, which
we know to have subsisted among the patriarchs, and
which their kin and contemporaries must have carried
Steps of the downward process. 33
with them as they dispersed, although their original
warmth and vitaHty couki not but fall into a course of
gradual efflux, Avith the gradually widening distance
from their source. To travel beyond the reach of the
rays proceeding from that source was to make the first
decisive step from religion to mythology.
To this divine tradition, then, were adfled, in rank
abundance, elements of merely human fabrication,
which, while intruding themselves, could not but also
extrude the higher and prior parts of religion. But the
divine tradition, as it was divine, would not admit of
the accumulation of human materials until it had itself
been altered. Even before men could add, it was neces-
sary that they should take away. This impairing and
abstraction of elements from the divine tradition may
be called disintegration.
Before the time of Homer, it had already wrought
great havock. Its first steps, as far as the genesis of the
mythology throws light upon them, would appear to have
been as follows : objectively, a fundamental corruption
of the idea of God ; who, instead of an Omnipotent
wisdom and holiness, now in the main represented on a
large scale, in personal character, the union of appetite
and power ; subjectively, the primary idea of religion
was wholly lost. Adam, says Lord Bacon, was not
content with universal obedience to the Divine Will as
his rule of action, but would have another standard.
This offence, though not exaggerated into the hideous-
ness of human depravity in its later forms, is represented
without mitigation in the principles of action current
in the heroic age. Human life, as it is there exhi-
bited, has much in it that is noble and admirable ; but
nowhere is it a life of simple obedience to God.
This disintegration of primitive traditions forms the
D
34 Olympus : the Religion of the Homeric age.
second stage, a negative one, in the process which pro-
duced the Homeric Theo-mythoiogy.
When the divine idea, and also the idea of the rela-
tion between man and his Maker, had once been fun-
damentally changed, there was now room for the intro-
duction without limit of w^hat was merely human into
religion. Instead of man's being formed in the image
of God, God was formed in the image of man. The
ancient traditions were made each to assume a separate
individual form ; and these shapes were fashioned by
magnifying and modifying processes from the pattern
that human nature afforded.
Again, as man does not exist alone and individually,
but in the family, so the neaiiis of the family was intro-
duced as the basis of a divine order. This we may call,
resting on the etymology of the word, the divine CEco-
nomy of the Homeric religion.
But as with man, so with the supernatural world, on
which his own genius was now powerfully reflected,
families themselves, when multiplied, required a politi-
cal order ; and therefore, among the gods also a State
and government are formed, a divine polity. Human
care, by a strange inversion, makes parental provision
for the good government of those deities whom it has
called into beino-.
o
The propagation, for -which a physical provision was
made among men, takes place within the mythological
circle also, under the laws of his intelligent nature. The
ranks of the Immortals are filled with persons metaphy-
sically engendered. These i)ersons they represent con-
crete forms given to abstract ideas, or, to state nearly the
same thing in other words, personal modes of existence
assigned to powers which man saw as it were alive and
at work in the universe, physical or intelligent, around
Sources of the inventive portions. 35
him. But here too a distinction is to be observed.
Sometimes the deity was set above the natural power,
as its governor and controller: sometimes he merely
signified the power itself j)ut in action. The former
mode commonly points to tradition ; the latter always
to invention.
And lastly, when a supernatural Korrixo/ of Homer.
Lastly : the rainbow of Holy Scripture is repre-
sented in the Homeric Iris.
These, then, speaking generally, are the principal
remnants from primitive traditions, of which, if of any
thing of the kind, we may expect to find the vestiges
within the Olympian Court.
In order to throw a fuller light upon the subject, I
shall chiefly examine the characters of the Homeric
deities, and of the more important among them in )3ar-
ticular, not as a body but individually. An opposite
practice has for the most part prevailed. It has been
assumed that they are homogeneous ; they have been
46 Olympus : the Religion of the Homeric age.
treated as a class, subject to the same laws ; and varia-
tions, not to be accounted for from mythological data,
have been viewed as mere solecisms in the conception
of the class. This has mainly tended, I believe, to thrust
the truth of the case into dark corners. But the proper-
ties which distinguish the Homeric Immortals in com-
mon from men are in reality less important than those
which establish rules of discrimination within their
own body, and which point to the very different sources
that have supplied the materials incorporated into dif-
ferent portions of the scheme.
In the enumeration which it will be requisite to
make, it might be allowable to treat Neptune and
Pluto as traditive divinities, because in their relation
to Jupiter, which abstractedly is one of equal birth and
equal honour, they appear to share in representing the
primitive tradition, which combined a trine personality
with unity in the godhead. Effect was given to this tra-
dition by supposing the existence of three deities, who
were united by the bond of brotherhood, and of w^hom
each had an important portion of the universe assigned
to his immediate superintendence. But for the assign-
ment of attributes to these personages, when severally
constituted, tradition seems to have afforded no aid.
Jupiter, as the eldest and most powerful, became heir
general, as it were, to whatever ideas were current
respecting the one supreme God : or the point might
be otherwise stated, as for instance thus, that the con-
ception which the Greeks derived from elsev.here of a
supreme God, they, on taking it over, shaped into the
Eldest Brother of their Trinity. But the concentration
of ideas of supremacy upon him was at variance with,
and enfeebled the notion of, the trine combination.
The tradition itself, moreover, did not determine pro-
Varying/ de(jrees of the traditive cliaracter. 47
vinces for Neptune or Pluto ; and consequently, though
these deities may be considered traditional with regard
to their basis, they belonged to the invented class as
respects character and attributes, and it is in conjunc-
tion with that class that I propose to consider them.
Again, Jupiter does not fully represent any one spe-
cific tradition: but he assembles irregularly around him
the fragments of such traditions as belonged to the re-
lation between men and the One Ruler of the universe.
On the one hand he is in comjietition with other
impersonations; on the other hand, with abstractions,
which, if they wanted the life, yet had not forfeited
the purity of godhead.
Latona, again, will be known rather by relative and
negative, than by absolute and positive, signs ; except
as to the point of her maternity.
So Diana does not equally divide with Apollo, her
twin brother, the substance of the tradition that they
jointly represent ; but rather is the figure of a person
on whom the residue, consisting of properties that the
Homeric Apollo could not receive, is bestowed. It is
mainly in her ancillary relation to Apollo that she
should be viewed.
It will of course be my object to bring out, as clearly
and fully as I can, that portion of the evidence, which
proves the presence of a strong traditive element in
the Theomythology of Homer.
But it is not free from difficulty to determine the best
mode of proceeding with tliis view. The traditive part
of the materials is not separated by a broad and direct
line from the inventive ; nor has it been lodged with-
out admixture in any of the members of the Olympian
system. Like the fables of the East, it has undergone
the transforming action of the Greek mind, and it is
48 Olyminis : the Religion of the Homeric age.
throughout the scheme variously mingled and combined
with ideas of human manufacture. There is scarcely
any element of the old revelation that is presented to our
view under unaltered conditions : scarcely any person-
age of the divine order, as represented by the Poet,
stands in the same relation of resemblance to those
primeval traditions, which are to be traced in his figure
and attributes. The ancient truths are not merely im-
perfect ; they are dislocated, and, with heavy waste of
material in the process, afterwards recast.
On account of this bewildering diversity, it will, I
conceive, be most conducive to my purpose if I com-
mence the inquiry with those deities in whom the pro-
positions I maintain are best represented : for the
present putting aside others, in whom the representa-
tion of tradition, either from the overpowering presence
of other elements, or from the general insignificance
of the character, is less effective.
I have spoken, thus far, of the ancient traditions, as
they are delivered either in the ancient or in the more
recent books of the Bible. And I hope it will not be
thought to savour of mere paradox, if the result of my
search into the text of Homer shall be to exhibit the
religion of the Greeks, in the heroic age, as possessed
of more resemblances to a primitive revelation, than
those religions of the East from which they must have
borrowed largely, and which we presume to have stood
between them and the fountain-head.
We have doubtless to consider the Greeks, as to
their religion, in three capacities : first, as receivers
of the remains of pristine tradition ; secondly, as
having imported, along with it, from abroad the de-
praved forms of human fable ; thirdly, as tliemselves
powerful inventors, working u[)on and adding to both
Messianic traditions of the Hebrews. 49
descriptions of material. But, before we conclude that
the religion of Homer must needs be farther from that
of the patriarchs than the religions, as we now read
them, of Persia, Assyria, or Egypt, we ought to be
assured that the editions, so to speak, in which we
study those religions, are older than the Homeric
poems. Whereas, with respect to the great bulk of the
records at our command, this, I apprehend, is the very
reverse of the truth.
There is, however, one source to which we may legiti-
mately repair, as next in authority to the Holy Scrip-
tures themselves with respect to the forms of ])rimi-
tive tradition : I mean the earliest and most authentic
sacred literature of the Hebrews. Not that in kind it
can resemble the sacred records ; but that it is at least
likely to indicate what were the earliest forms of de-
velopment, and the initial tendencies to deviation.
Since that nation became unhappily committed,
through its chief traditional authorities, to the repudia-
tion of the Redeemer, a sinister bias has operated upon
its retrospective, as well as upon its present and pro-
spective theology. There are nevertheless three depo-
sitaries of knowledge from which we may hope to learn
what were the views, entertained by the ancient He-
brews themselves, with regard to the all-absorbing sub-
ject of the Messianic traditions.
In the first place it would appear, from the very
nature of the prophecies of the Old Testament, that
there must, in all likelihood, have existed along with
them a system of authoritative contemporary exposi-
tion, in order that holy men might be enabled to
derive from them the consolation and instruction which,
apart from their other purposes, they were divinely
intended to convey. The highly figurative character
E
50 Olympus : the ReUgion of the Homeric age.
and frequent obscurity of their language supports, if it
does not require, this belief: and the constant practice,
attested by the later Scriptures, of public explanation
of the sacred Books, including- the Prophets, in the
synagogues of the Jews, brings it as near as such a
case admits to demonstration.
These expositions of the Sacred Text began, as it
appears, to be committed to writing about the time
of the Babylonish captivity ; when the Chaldee tongue
became the vernacular, and the old Hebrew disappeared
from common use. They were collected in the Para-
phrases or Targumim : and the fragments of the oldest
of them, which had consisted of marginal notes, were
consolidated into a continuous Targum by Onkelos, Jo-
nathan, and others".
Apart from the Targumim, the sacred literature of
the Jews appears, from the tim^e of the captivity on-
wards, to have run in two main channels. One class of
teachers and writers rested chiefly on the dry traditionary
system condemned by our Saviour in the Gospels, and
gave less and less heed, as time went on, to the doctrine
of Scripture, and of their forefathers, concerning the
Messiah. In the second century after Christ, this tradi-
tionary system was reduced by the Rabbi Jehuda into a
volume called the Mischna. And in the sixth or seventh,
there was composed a larger work, the Gemara or Tal-
mud, which purported in part to comment on the Mi-
schna, and which also presented a more extensive and
more promiscuous collection of Rabbinical traditions.
In the midst of the ordure of this work, says Schottgen,
are to be found here and there certain pearls °.
" Schbttgen's Horse Hebraicse " Schottgen Prajf. 17. B. I.
et Tahnudicse, vol. ii. De Messia, c. iii. 7,8. and Rabbin. Lect. B.
Prsef. ss. 3. 4. 1 2. and B.I. c. iii. 2,3. I. c. 5.
Messianic traditions of the Hebrev's. 51
Parallel with this stream of chiefly spurious learning,
there was a succession of pious writers, who both
searched the Scriptures, and studied to maintain and
propagate the Messianic interpretations of them. Of
this succession the Rabbi Simeon Ben Jochai was the
great ornament; and by his disciples was compiled, some
sixty years after his death, or about A.D, 170, the work
termed the Sohar, which is so Christian in its sense, as
to have convinced Schottgen that Simeon was himself
a Christian ; although, perhaps from not being under-
stood, he was not repudiated by the Jews^. Upon this
work was founded the Cabbalistic or mystical learning.
From these sources may be derived many INIessianic
ideas and interpretations that were current among the
ancient Jews.
Of them I proceed to extract some, from the work
of Schottgen, which may throw light upon the interior
system of the Homeric mythology in its most important
aspects.
1. First and foremost, these traditions appear to
bear witness to the extraordinary elevation of the
Messiah, and they fully recognise his title to the
great Tetragrammaton'i.
2. Next, that introduction of the female principle
into the sphere of deity, which the Greeks seem to
have adopted, after their antliropojdiuistic manner, with
a view to the family order among the Immortals rather
than as a mere metaphysical conception, appears to
have its prototype in the Hebrew traditions.
When in the Holy Scriptures we find wisdom per-
sonified in the feminine, we regard this only as a mode
of speech, though as one evidently tending to account
P Schottgen Prsef. 12-15. B. I. and II. c. ii.
c. iii. 6, 7. Rabb. Lect. I. c. vi. q Schottgen, I. i. i.
E 2
52 Olymjms : the Relyjion of the Homeric age.
for the sex of Minerva. But the Jewish traditions
went far beyond this^. The two natures of our Lord
woukl ap])ear from the Sohar to have been distinguished
under the figure of mother and daughter. The Sche-
china, or ' glorj of God,' is of the feminine gender : and
the relation of His divinity to His humanity is set
forth under the figure of a marriage. He is therefore
called mother and matron ; temimribits futtiris omnes
hostes tradentur in manus MatrontE, as Schottgen renders
the Sohar ^
The A0709, or Word of the Lord, is also shown to have
been, according to the genuine traditions of the Jews,
a common expression for the Messiah. The relation
thus exhibited is in marked analogy with that between
Minerva and Jupiter. This expression of the Targums
of Jonathan and Onkelos is also in correspondence
with the language of Philo, De Confusione Linguarum,
pp. 255, 267*.
4. The ideas of sonship and primogeniture" are
likewise recognised among the titles of the IMessiah,
according to the Sohar and other Jewish authorities.
We shall have to inquire what Homeric deities there
are, who, by the distinction between their mode and
time of birth, and that of others, may appear to repre-
sent these characteristics.
5. The Lord of Hosts, or Zebaoth^ is another title
of the Messiah : and we may therefore expect, in any
traditionary remnant found elsewhere, to discover some
strong and commanding martial development.
6. The Messiah was preeminently conceived of by the
Jews as being the Lights. This property is in imme-
r Schottgen, I. i. 3. " lb. 1. 1.5, 9. ^ Ib.I.i.6.
s Ibid. I. i. 12, 18. >' Ibid. II. Loc. Gen. xiii. xciv.
t Ibid. I. i. 2. et alibi, and I. iii. 10, 23.
Messianic traditions of the Hebrews. 53
diate connection with the idea of the Ao'yo9. It cannot
fail to be observed, how vividly such an idea is repre-
sented in the ancient name » Od. xxiv. 60.
n U. i. 604.
Argwnent from the Secondaries. 63
as the Original, remains in possession of the indivisible
gift : they assist him in one which is essentially distri-
butive. And as they share in his music, so also in his
knowledge : but only in that which relates to the ])ast :
with the future they have no concern". But as either
Minerva or Vulcan can teach a smith, so either Apollo
or the Muse can inspire a bard i'.
Such then are the Olympian Secondaries. None of
them, it will be observed, are properly derivative beings.
All of them represent, in some sense, traditions, or ima-
ginations, distinct from those respecting their principal
deity : nor are they in the same kind of subservience
to them as the Eilithuiai to Juno, who have no worship
paid them, and are of doubtful personality ; or as the
metal handmaids to Vulcan himself. But they are
deities, each of whom singly in a particular province
administers a function, which also belongs to a deity of
higher dignity. And though a difference is clearly
discernible in the form of the possession and adminis-
tration, yet there still remains a clear and manifest du-
plication, a lapping over of divinities, which is entirely
at variance with the symmetry that we might reckon
upon finding in an homogeneous conception of the
Greeks.
This irregular duplication is kept in some degree
out of view, if we set out with the determination to
refer the Homeric deities to a single origin, to make a
regular division of duties among them, and to pare
down this, or enlarge that, till we have brought them
and their supposed gifts into the requisite order. But
as it stands in Homer, free from later admixtures, and
from prepossessions of ours, it is a most curious and
o II. ii. 485. P Od. viii. 488.
64 Olympus : t/ie Religion of the Homeric age.
significant fact, and raises at once a serious inquiry as
to its cause.
I submit that it may be referred to the joint opera-
tion of two circumstances. First, to the particular
form of the early traditions that were incorporated
into the invented or Olympian system. Secondly, to
the principle of economy, or family and social order,
reflected back from the human community upon the
divine.
If the primitive tradition, even when disfigured by
the lapse of time, yet on its arrival in Greece still
visibly appropriated to one sublime person, distinguish-
able from the supreme God, and femininely conceived,
the attributes of sovereign wisdom, strength, and skill ;
and to another, in the form of man, the gifts of know-
ledge, reaching before and after, and identified in early
times with that of Song, as well as that of healing or de-
liverance from pain and death ; then we can understand
why it is that, when these great personages take their
places as of right in the popular mythology, they con-
tinue to keep hold on certain great functions, in which
their attributes are primarily develoj)ed.
But on the other hand, the divine society must be
cast into the form of the human ; and this especially
must take effect in three great organic particulars. First,
by means of the family, which brings the members of
the body into being: secondly, by political association,
involving the necessity of a head, and of a deliberative
organ : thirdly, by the existence of certain professions,
which by the use of intellectual gifts provide for the
exigencies of the community. The merely labouring
classes, in whose place and idea there is nothing of the
governing function, are naturally without representa-
tion, in the configuration of the divine community, as to
Picture of human society in Olympus. (>5
the forms of their particular employments : though the
people at large bear a rude analogy to the mass of in-
ferior deities not included in the ordinary meeting of
the gods, yet summoned to the great Chapter or Par-
liament. Olympus must, in short, have its <^i]imi6€pyoi.
Who these were for an ordinary Greek community
like that of Ithaca, we learn from the speech of Eu-
ma:;us %
Toiv u% brjjjiLoepyol 'iacnv,
jxdvTiv, 1] b]Tripa KaK&v, 7) riKTova bovpcov,
?) /cat OicTitLP aoibov.
Here, indeed, there is no representation of the principle
of gain or commerce, which does not appear as yet to
have formed a class in Greece, though the Ithacans ha-
bitually sacrificed to Mercury'". But that formation
was on the way ; for the class was already known,
doubtless as a Phcenician one, under the name of
7rpr]KTrjpe9, men of busiuess, apt to degenerate into
rptoKTai, or sharpers. Nor was there a class of soldiers ;
but every citizen became a soldier upon occasion. With
these additions, it is curious to observe how faithfully the
Olympian copy is modelled upon the human original.
The five professions, or demioergic functions, are,
1. /uavTi?, the seer.
2. ii]Tt]p KGKwv, the surgeon.
3. TcKTcov Sovpcov, tho sklllcd artlficcr.
4. aoiSo'?, the bard.
5. TTpijKTijp, the man of business or merchant.
Now all these were actually represented in Apollo
and Minerva; the first, second, and fourth by Apollo,
the third and fifth by Minerva, who was also the
highest type of war. But this union of several human
professions in one divine person would have been fatal
ci Od. xvii. 383. "^ 0(1, xiv. 435, om\ xvi. 471.
F
66 Olympus : the Religion of the Homeric age.
to the fidelity and effectiveness of the Olympian picture,
to which a division of labour, analogous to the division
existing in actual society, was essential. Therefore the
accumulation was to be reduced. And in order to make
this practicable, there were distinct traditions ready, on
which could be laid the superfluous or most easily
separable attributes of Apollo and Minerva. So Apollo
keeps unimpaired his gift of foreknowledge, and Mi-
nerva hers of sublime wisdom. With these no one is
permitted to interfere. But the ujrip is represented in
Paieon : the t€ktwv (into Olympus however no inferior
material enters, and all work is evidently in metal, of
which the celestial Smith ^ constructs the buildings
themselves, that on earth would be made of wood) is
exhibited in Vulcan : the aoiSo? in the IMuses, the
TTprjKTrip in Mercury, and the man of war in jMars.
3. Though Minerva cannot contest with Juno the ho-
nour of mere precedence in the Olympian court, yet, as
regards substantial dignity, she by no means yields even
to the queen of heaven. Sometimes, undoubtedly,
when she moves in the interest of the Greeks, it is upon
the suggestion of Juno made to herself, as in II. i. 195 ;
or through Jupiter, as in II. iv. 64. But it is probable
that this should be referred, not to greater eminence or
authority, but simply to the more intensely and more
narrowly Hellenized character of Juno. There are,
at any rate, beyond all doubt, some arrangements
adopted by the poet, with the special intent, to all
appearance, of indicating a full equality, if not an
actual pre-eminence, for JNIinerva. Twice the two
goddesses descend together from Olympus to the field
of battle. Both times it is in the chariot of Juno.
s II. XV. 309.
Dignity and precedence of Minerva. G7
Now Iris, as on one occasion, at least, she acts at
Juno's bidding*, and as on another we find her unyok-
ing the chariot of Mars, might with proi)riety have been
employed to discharge this function at a moment when
the two greatest goddesses are about to set out together.
It is not so, however. Juno herself yokes the horses,
and also plays the part of driver, while Minerva
mounts as the warrior beside her^ To be the cha-
rioteer is generally, though not quite invariably, the
note of the inferior. But irrespectively of this official
distinction, Minerva with her JiLgis is the conspicuous,
and Juno evidently the subordinate figure in the group.
In the Odyssey, again, we have a most striking indi-
cation of the essential superiority of Minerva to the
great and powerful Neptune. Attending, in the dis-
guise of a human form, the sacrifice of Nestor at Pylos
to his divine ancestor, she does not scruple, on the invi-
tation of the young prince Pisistratus, to offer prayer to
that deity, in the capacity of a courteous guest and a re-
ligious Greek. Her petitions are for Nestor, fOr his
family, for his subjects, and for the errand on which
she, with Telemachus, was engaged. All are included
in the general words with which she concludes" :
■fjixiv ivyoixh'oicn TsXevTrjaaL Tube epya.
But at the close the poet goes on to declare that
what she thus sought in prayer from her uncle Nep-
tune, she forthwith accomj)lished herself :
o)s up' eTieiT TjpaTo, koI avTij Travra reXevra.
Yet once more. The same train of ideas, Mhich
explains how Olympus is fitted with a set of Seconda-
t II. V. 745-8. ^ Od. iii. 55-62. Vide Nitzsch in loc,
F 2
68 Olympus : the Religion of the Homeric age.
rieSj also shows to us why these Secondaries have only
the lower or subsidiary form of their several gifts. It
is because these gifts were already in the possession of
higher personages, before the introduction of the more
recent traditions represented by the Secondaries : tradi-
tions, of which the whole, (except that of Paieon, who is
not worshipped at all, and exists only in and for Olym-
pus,) bear upon them, as received in Greece, the marks
of modernism'^. They naturally submit to the condi-
tions, anterior to themselves, of the hierarchy into which
they are introduced. But, on the one hand, their exist-
ence, together with the peculiar relation of their work
and attributes, rather than themselves, to the great
deities of tradition, Apollo and Minerva, constitutes of
itself a strong argument for the separate and more
ancient origin of those divinities. On the other hand,
they bear powerful testimony to the force of that prin-
ciple, which reflected on the Achaean heaven the experi-
ence of earth. For there is not a single dignified and
intellectual occupation known to and in use among the
Hellenic tribes, properly so called, which has not, as far
as may be, counterpart on Olympus. Not even the priest-
hood is a real exception ; especially if I am right in
believing it to be Pelasgian, and not yet to have been
adopted in the time of Homer as one of the Hellenic insti-
tutions. But, even if it had been so adopted, it could not,
from the nature of the case, have been carried into the
Olympian system, since there were no beings above
themselves to whom the gods could offer sacrifice, and
since, according to the depraved idea of it which had
begun to prevail, in offering it they would have parted
with something that was of value to themselves.
X See the accounts of the several deities, in Sect. ill.
Of Apollo. 69
We do not hear a great deal respecting mere ceremo-
nial among the Olympian divinities. To Jupiter, how-
ever, and to Juno, is awarded the conspicuous honour,
that, when either of them enters the assembled Court,
all the other deities rise upy. It is plain that Homer
included in the picture before his mental eye ideas
relating to that external order which we term prece-
dence : and it may be shown, that IVIinerva had the pre-
cedence over the other gods, or what we should term
the seat of honour ; that place which was occupied, in
the human family, by the eldest son. Juno we must
presume, as the reflection of Jupiter, would occupy the
place of the mother.
When Thetis is summoned to Olympus in the
Twenty- fourth Iliad, she receives on her arrival the
honours of a guest, in which is included this distin-
guished place beside the chief person, and it is JMinerva
who yields it up to her ;
1] 8' apa Trap Au irarpl KadeC^TO, ei£e 8' 'AO/p'r]^'.
An exactly similar proceeding is recorded in the
Third Odyssey. When Telemachus and the pseudo-
Mentor approach the banquet of Nestor, Pisistratus,
the youngest son, first goes to greet them, and then
places them in the seat of honour, between his father
and his eldest brother^
Trap T€ Ka(Jiyvr\T(d Qpa(TVH.r\h(.'L koX TiarepL
y others. 75
to find that Diomefl niid Ulysses, guided by Minerva,
have a('coni]dislied tlie bloody pnr])ose of tbeir errand.
Among men, as among gods, Minerva touches nothing
except what is destined to triumph. She is not, there-
fore, invoked by the doomed Patroclus : and she renders
him no aid.
To appreciate the importance of this consideration,
we must bear in mind that there is no one of the purely
invented deities, who is not at one time or another
subject in some form to disparagement. Mars is
worsted by Minerva, through Diomed,as well as directly
subject to her control ; Vulcan is laughed at by the
gods in general ; Mercury dares not encounter Latona ;
Ceres sees her lover slain by Juj)iter ; Venus is not
only smitten to the ground by jNIinerva, but beaten bv
Diomed without his having any divine aid to strengthen
him, and befooled by Juno; Juno outwits Jupiter
himself; but Juno also, together with Aides, is wounded
sorely by Hercules ; and it is also recorded of her, that
she had been subjected by her husband to the igno-
minious punishment of hanging in chains, with an anvil
at each foot ''.
Neptune is no where subjected to personal igno-
miny ; but he is baffled by Laomedon, and is also unable
to avenge effectually the mutilation of his son Polyphe-
mus. Nay, Jupiter himself, besides being deceived by
Juno, was menaced by a formidable combination, who
were about to put him in fetters, when Briareus came
to his aid®.
On the other hand, Apollo arrests with sudden shock
the victorious career of Diomed', and again of Patro-
clus". And in the destinies of Ulysses, Minerva, who
'■ II. XV. 18. t II. V. 440.
s II. i. 398-406. u II. xvi. 707.
76 Olympus : the Religion of the Homeric age.
protects him, effectually, tliougli after a struggle, pre-
vails against Neptune, who does liis uttermost against
him. In order, however, justly to estimate the weight
of this consideration, we must not omit to notice, that
it has cost Homer an elaborate, and what we might
otherwise call a far-fetched contrivance^, to save Ai)ollo
from dishonour in the Theomachy. He is there
matched against Neptune, a deity of rank equal to
that of Jupiter, and in force inferior to his elder brother
' alone. It was therefore inadmissible that such a god
should be subjected to defeat. But if Apollo were no
more than one of the ordinary deities of invention, no
similar reason could apply to him. He was junior: he
was a son of Jupiter, like IMars or JSIercury: he was
on the losing side, that of the Trojans : why should he
not, like jNIars, be well thrashed by his antagonist ? It
could only be, I think, in consequence of some broad
line of demarcation between them : some severance
which determines their characters and positions as
radically and fundamentally, and not by mere accident,
divided.
If we consider the mere birth of these two deities
according to the 01ym])ian order, every consideration
derived from that source would tend to assign to Mars
a higher place than Apollo. His function w^as more
commanding : for in an age of turbulence, and among a
people given alike to freebooting and to open war, what
pacific office could compete, abstractedly, with that of
the god of arms ? iVgain, Mars is the son of Juno, who is
the eldest daughter of Saturn, the original and principal
wife of Jupiter, the acknowledged queen of Olympus :
the coequal in birth of the great trine brotherhood,
X II. xxi. 435.
These deities are never foiled by others. 77
and second in power to none bnt Jupiter himself.
Why should the child of Latona be placed so far above
the child of one so much his snjierior in l)irth, accord-
ing- to the mythological order? Why is his position*so
different from that enjoyed by the child of Dione, or
the child of Ceres ?
But so studiously does Homer cherish the dignity of
Apollo, that he does not even throw on him the burden
of taking the initiative in proposing the plan by which
it is to be saved. This is managed with great care and
art. ' Let us two fight,' says Neptune, ' but do you
begin, as I am the older, and know better.' And
then, by bringing up their common grudge against
Laomedon, he proceeds to show of what absurdity
Apollo would be guilty if he were to follow the iron-
ical advice, and thus makes it easy, indeed inevitable,
for him to echo the sentiment, and say, let us leave
them, hapless mortals, to them«;clves.
With this we may compare two other arrangements
conceived in the same spirit. In the Fifteenth Iliad,
Jupiter takes care that the mission of Apollo to assist
the Trojans shall only begin when Neptune, the formid-
able friend of the Greeks, has already quitted the field
of battle^. And in the Fifth Odyssey, it is contrived
that only when Neptune withdraws from the persecu-
tion of Ulysses, then at length Minerva shall instantly
appear to resume her charge over him^.
When we come to discuss the position of Latona,
both generally and in the Theomachy, further force will,
I think, be added to the foregoing considerations. On
the other hand, I admit that the legend of Apollo with
Laomedon, which represents that he and Neptune were
deceived by that king, is not, so far as I see, explained in
2 I). XV. 2l8-2C. a Ocl. V. 380-2.
78 Olympus: the Religion of the Homeric age.
any manner which should place it in entire harmony
with the general rule w'e have been considering, unless
we may consider that he had his revenge in the oppor-
tunity afforded him by the Theomachy of refusing to
fight for Troy. But this is a ease of treatment by a
mortal, not by a god ; and it belongs to a different order.
I now proceed to touch upon the pre-eminence of
Minerva and Apollo in points connected with their
terrestrial relations, and with what may be termed the
physical conditions of their existence.
I. It is quite clear from Homer, that these two
deities received from rRen a special and peculiar
honour: though it may be open to question, whether
this retained only the indeterminate form of a senti-
ment, or whether it was embodied in some fact or usage.
Pallas and Apollo have the exclusive distinction of
being invoked in conjunction with Jupiter, in the re-
markable line
At yap, Zev re Trdrep koX ^ kOr]vair\ koX "AttoXXov.
This verse meets us, not upon occasions having refer-
ence to any peculiar rite or function, but simply when
the speaker desires to give utterance with a peculiar
solemnity or emphasis to some strong and paramount
desire. Thus Agamemnon wishes, with this adjuration,
that he had ten such counsellors as Nestor'\* and again,
that all his warriors had the same activity of spirit as
the two Ajaxes^. Nestor with these words wishes
himself young again '^: as does old Laertes*'. Achilles
prays in this form, when exasperated, for the de-
struction of Greeks and Trojans alike *^: Menelaus
for the appearance of Ulysses among the Suitors S;
Alcinous thus expresses the wish that Ulysses could
b II. ii. 371. c iy. 288. (' vii. 132. |
80 Olympus : the Religion of the Homeric age.
Even without examination of details, the proof of
this proposition might rest upon their relative positions
in regard to tlie two parties of Greeks and Trojans.
Minerva, the great Hellenizing deity, is the object of
the supplicatory procession of Trojan women in the
Sixth Book. She is the peculiar patroness at once of
the highly Pelasgian Attica"^, and of the characteristic
type of Hellenic character represented in Ulysses.
On the other hand, Apollo, the one really effective
champion of the Trojans, is acknowledged by every
Greek chieftain, except Agamemnon, at the very outset
of the poem '. Agamemnon himself has only been misled
by his own avarice and passion, and he shortly sends a
solemn mission to appease the offended divinity™.
Setting aside the case of Jupiter, who stands on a
different level, there is nothing attaching to the other
deities of the War, which at all resembles the position
of command enjoyed in common by these two, both
among their friends, and with those against wdiom they
are contending. There is not even a difference of
degree to be traced between the reverence paid them
on the one side, and on the other.
When we turn to particulars, we find that Minerva
has a temple in Troy, a temple in Athens, a sacred
grove in Scheria. She is worshipped by Nestor on the
sea-shore at Pylos, and near the jMinyeius ; by Telema-
chus in Ithaca; by Ulysses and Diomed in the Greek
camp. She accompanies Ulysses every where, while he
is within the circle of the Greek traditions ; only refrains
of her own free will from going beyond it ; and rejoins
him wdien, near Scheria, he has at length again touched
upon the outermost border of the Greek world.
k II. ii. 546. 1 II. i. 22. "1 Ibid. iv. 30.
Their worship universal. 81
There is no deity, without excepting* even Jupiter,
with respect to whom we have such am})le evidence in
the poems of the development of his worship in
positive and permanent institutions, as is given in the
case of Ajjollo. He has a priest at Chryse, a temple in
Troy, a priest and grove at Ismarus in Thrace, a grove
and festivals in Ithaca, oracles at Delos and at Deli)hi.
Besides these positive institutions, there are in Homer
innumerable marks of his influence. He worked for
Laomedon, he is worshipped at Cille; the name of
Lycia seems to have been probably derived from him
and his attributes ; the Seers, whom he endows with
vision, are found in Peloponnesus, and even among the
Cyclops; he feeds the horses of Admetus either in
Fieri a or in Pherne, claims the services of Alcyone, the
daughter of Marpessa, in yEtolia, and slays the children
of Niobe near mount Sipylus, So far as the Homeric
signs go, they would lead us to suppose that he was
regarded by the Poet as a deity no less universal than
that Scourge of Death, to which he stands in such a
close and solemn relation.
With the exception of Jupiter, there is no other
deity of whom we can so confidently assert that he
receives an universal worship: and Neptune is the only
other, with Minerva, in regard to whom the indications
of the poems render it probable. Of him we may infer
it, from his appearing to be known or to act at places
so widely separated by distance ; on the Solyman moun-
tains, in Troas under Laomedon, in Greece near the
Enipeus, in the land of the Cyclops, in the sea far
north of Phaeacia. But this is entirely owing to the wide
extent of the OaXaa-a-a, his portion of the great kingdom
of external Nature, which, being as broad as the
Phoenician traditions of the Odyssey, at once gives him
G
82 Olympus : the Religion of the Homeric age.
a place in them. It is clearly not due to any thing
more divine in the conception of him, for he carries
many chief notes of limitation in common with the
divinities of pure invention.
The wide extension of the class of Seers may of
itself be taken as a proof of the equally wide recognition
of the influence of Apollo: for he it was who made
Polypheides" to be first of that order, on the death of
Amphiaraus. Now these Seers appear to have been
found every where, under the form either of the /xai/xi?,
or of the oioovLart]?. Not in Greece only and in Troas
proper ; but in Percote, among the Mysians, and even
among the Cyclops in the Outer Zone**.
3. The next distinction I shall note in the traditive
deities is, that they are confined to no one spot or re-
gion for their abode : a limitation, which is imposed,
either more or less, upon every other prominent deity
except Jupiter only.
With respect to some of them, this is made quite
clear by positive signs. Except when in Olympus, or
else when abroad on a special occasion, Mars does not
quit Thrace, nor Vulcan Lemnos, nor Venus Paphos.
But even upon higher and older deities there are signs
of some kind of local limitation. The rigidly Argeian
character of Juno, though it does not express, yet im-
plies it. Deraeter would appear to have a local abode,
probably in Crete. Aidoneus and Persephone are ordi-
narily confined to the Shades, where their proper
business lies. Neptune himself, when dismissed from the
battle-field, is desired to repair either to the sea or to
Olympus. His regular worship among the Greeks was,
as appears from a speech of Juno, at Helice and Mgsd
n Od. XV. 252. o II. ii. 831, 859. and Od. ix. 508,
Not localized as to abode. 83
in iEgialos ; which it is not easy to account for, except
upon the supposition that he resided peculiarly at these
places?. Now it is expressly declared that his ])alace
was in ^gae : from thence he sets out for the plain of
Troy, and thither he repairs when he desists from the
persecution of Ulysses. The name yEg?e is not men-
tioned in the Catalogue, and Helice, as it is called
evpela, was evidently a district ; thus it may have been
the district in which Mgdd stood, perhaps as its sea-
porfi. Before the time of Strabo ^Egoe*' had disap-
peared.
Now Minerva has a peculiar relation to Athens, and
is once mentioned as betaking herself thither''. Again,
the e2:)ithet AvKijyivtjg, rarely given to Apollo, has sug-
gested a connection with Lycia. If, however we form
our judgment from Homer, Lycia may derive its name
from Apollo, but not Apollo from Lycia.
But it is plain from the poems that the influence, the
activity, and the virtual, if not positive presence of
Apollo and Minerva pervade the whole Homeric world.
This is shown partly by their universal action ; in Troas,
in Lycia*, in Thrace, in Scheria, and all over Greece. It
is also demonstrated by the manner in which prayer is
addressed to them : and neither the one nor the other
is ever represented either as having a palace or resi-
dence in any particular spot, or as showing, like Juno,
an exclusive partiality to any particular race or city.
P II. viii. 203. that were I not so fearful of
q II. ii. 575. xiii. 20. Od. v. offending on the side of license,
381. Strabo, p. 387. I should be inclined to suspect
I" In accordance with the pre- the hand of the diaskeuast in this
vailing opinion, I take this to be passage more than in almost any
the JEg3d of iEgialus, not of Eu- other of the Poems,
bcea. ^ II. V. 105.
s Od. iii. 78-81. I may state,
G 2.
84 Olympus : the Religion of the Homeric age.
4. Although hivocatioii of divinities is frequent in
the poems of Homer, it does not seem to have been
sufficiently observed, that the Olympian personages,
to whom it is ordinarily addressed, are very few in
number.
In the Twentieth Odyssey, Penelope beseeches Diana
to put a period to her mournful existence. I presume
that she is here invoked, not on account of her supe-
riority as a traditive deity, but because the subject is
connected with her especial office in regard to Death.
Neptune again is occasionally addressed by mortals ;
as by his descendant Nestor on the sea-shore at Pylus,
and in like manner by his son Polyphemus, on the
beach of the country of the Cyclops. So also he is in-
voked by the Envoys on their way to the encampment
of Achilles : here ao-ain their course lies alono* the sea-
o o
shore. I will assume accordingly, though with a good
deal of doubt, that any Olympian deity might be made
the object of supplication under given circumstances of
time, place, or person. But it is manifest from the
poems that the general rule is the other way. They
are ordinarily not made the subjects of invocation, even
in connection with their own peculiar gifts. There is
no invocation addressed in Homer to Venus, Mars,
Mercury, or Vulcan ; nor even, which is more remark-
able, to Juno.
Prayer however is very usual in the poems : but it is
confined to three divinities only,
Jupiter, x\ polio, and Pallas are addressed by persons
in difficulty, not with reference to any peculiar gift or
office that they fill, but quite independently of peculiar
rites, and local or personal relations. Thus Ulysses and
t II. X. 278, 284, 462. Comp. 507. u II. xvii. 19.
Objects of habitual prayer. 85
Diomed in the Doloiieia invoke Minerva*. Mcnelaus,
when about to attack Enpliorbus, prays first to Jupiter".
Nestor, too, addresses Jupiter, and not his own ances-
tor Neptune ^ in the great straits of the Greek army.
Glaucus beseeches Apollo to heal his wound y; and if
this address be thought to belong to his medical func-
tion, it is still very remarkable from its containing a
direct assertion, that he is able both to hear and to
act at whatever distance. The same may be said of
the prayer of Pandarus^. His priest Chryses offers
prayer to him from the plain of Troas (II. i. 37) : but
this may be incidental to the office. The cases of
prayer to Jupiter and ]\Iinerva are purely private peti-
tions, without notice, suggested by the circumstances
of the moment : and they show that though Homer
had perhaps no abstract idea of omnipresence, he as-
signed to these deities its essential characteristic, that
is to say, the possession of powers not limited by space.
The evidence that Apollo was invoked independently
of bodily presence at a particular spot, and for the
general purpose of help and protection, not simply in
the exercise of particular mythological functions, if it
be less diversified is still, I think, not less conclusive.
It is, in the first place, supplied by the trine invocation
repeatedly addressed to him together with Jupiter and
Minerva^:
at yap, Zev re Trarep, koI 'AOrivairj, koI "AttoKXov.
But the general capacity of Apollo, like Minerva, to
receive prayer, is demonstrated by the language of
Diomed to Hector in the Eleventh Book, when Apollo
was not on the battlefield (363, 4) ; ' for this time,
X II. iv. 119. y II. xvi. 514. z II. iv. 119.
^ II. ii. 371. et alibi.
86 Olympus: the Religion of the Homeric age,
Phoebus Apollo has delivered you : and doubtless you
took care to pray to him, when you ventured within
the clang of spears :'
vvv avri a kovcrcraTO (t>ol(3os 'AttoWojV)
(p /xe'AXec? ev\e(r6at, ioiv is bovirov aKovTa^v.
5. We may now pass on to another head of special
prerogatives.
Both Minerva and Apollo are generally exempt from
the physical limitations, and from the dominion of
appetite, to which the deities of invention are as gene-
rally subject. Though, when a certain necessity is
predicated of the gods in general, they may be literally
included within it, we do not find that the Poet had
them in his eye apart from the rest, and the particular
liabilities and imperfections are never imputed to either
of them individually. What is said of them inclu-
sively with others, is in reality not said of them at all,
but only of the prevailing disposition of the body to
which they belong: just as we are told in the Iliad
(xi. 78), that all the gods Avere incensed with Jupiter
because of his bias towards the Trojans, when we knov/
that it was in reality only some among them, of the
greatest weight and power. Neither Apollo nor Minerva
eats, or drinks, or sleeps, or is wearied, or is wounded, or
suffers pain, or is swayed by passion. Neither of them
is ever outwitted or deluded by any deity of inven-
tion, as Venus is, and even as Jupiter is, by Juno in
the Fourteenth Iliad. When Minerva, in the shape of
Mentor, receives the cup in the Pylian festivities, she
passes it on to Telemaclms, but it is not stated that
she drinks of it''. With this compare the meal of
Mercury on the island of Calypso*^, the invitation to
Iris to join in the banquet of the Winds, and her own
ij Od. iii. 51, 62. c Od. v. 92-6,
Exempt ft'om ap2yetite and limitations. 87
fear lest she should lose her share of the Ethiopian
hecatombs^.
Their relations to animal sacrifice are different from
those of the other, at least of the inventive, gods.
Apollo, indeed, is charged by Juno with having at-
tended at the marriage of Thetis together with the
rest of the gods, where they all banqueted^ ;
iv be av Tolaiv
haivv e'xwi' (jyopixiyya'
and in the Third Odyssey Minerva comes to attend the
gracious sacrifice of Nestor offered in her honour^,
IpSiV avTLocaaa.
Chryses pleads the performance of the sacrificial rites,
as one ground of favour with the gods' : in which, how-
ever, he is, after all, only showing that he has not
failed to discharge the positive obligations of his office.
And of course these two were the objects of sacrifice
like other deities. Had they not been so, the fact
would have been in conflict with their traditional
origin, instead of sustaining it. They stand in the
same category with the rest of the Olympian company,
in that sacrifice is acceptable to them all : but first, it
is plain that they are never said to take a sensual plea-
sure in it ; and secondly, it does not appear that their
favour to individuals either was founded upon it, or
when lost could be recovered by it. It is restitution,
and not sacrifice, which is sought and demanded in the
case of Chryses. The moral character of the whole of
those proceedings is emphatically and authoritatively
declared by Calchas'\
ovT ap oy evywXri'i e'/n/xe/x^erat, ovd^ e/ca70jui/3?js*
So Diomed and Ulysses have the closest personal rela-
d II. xxiii. 207. e II. xxiv. 63. f Od. iii. 435.
s' II. i. 40, '' II. i. g'^.
88 Ohjmpiif! : the Religion of the Homeric ar/e.
tions with Minerva ; but are nowhere said to have ac-
quired tlieir place in her good-will by sacrifices : though
both x\pollo for Hector, and Minerva for Ulysses, plead
in the Olympian court, before the other gods, the sacri-
ficial bounty of those heroes respectively*. Nor do we
here rest wholly upon negative evidence. In the First
Book, the sacrifice of the Greeks to Apollo, by the
hands of Chryses, is described in the fullest detail : and
the Poet tells us what it was that the god did take
delight in ; it was the refined pleasure of the mind and
ear, afforded to him by the songs they chanted before
him all the day in his honour : 6 Se cppeva Tepirer
aKovwv^. Further, the contrast may be drawn not
Avith divinities of their OMn generation only, but with
the long journeys of Neptune' for a feast, and with the
marked and apparently unvarying language of Jupiter
himself.
They receive sacrifice M'ith a dignity, which does not
belong to the other deities. When prayer and offer-
ings are presented to Jupiter by the Greeks, and he
means to refuse the prayer, it is added, that he not-
withstanding took the sacrifices'^ :
dA,A' oye hiKTO fxev Ipa, ttovov 8' aixeyaproi' o^eAAej*.
In the nearly parallel case of Minerva (II. vii. 3 1 1 .), it is
simply stated that she refused the prayer of the Trojans,
while no notice is taken of their promised offerings.
Again, when Minerva had been offended by the Greeks,
and Agamemnon sought to appease her with hecatombs,
it is described as a proof of his folly that he could
entertain such an idea" :
ov yap T alxl/a QeGtv TpeneraL voos alev iovrav.
With this we may contrast the case of Neptune, who
had threatened to overwhelm the city of the Phaea-
i II. xxiv. 33. and Ocl. i. 60. k J[_ i. 472-4.
1 Ocl. i. 22-5. '" II. ii. 420. n Od. iii. 143-6,
Exempt from appetite and limitations. 89
cians with a moiintain ; but who is apparently diverted
from his purpose simply by the sacrifice which, under
the advice of Alcinous, they offer to him".
Mere attributes of bulk stand at the bottom of the
scale of even human excellence ; and it is so that Homer
treats them, giving them in the greatest abundance to
his Otus, his Ephialtes, and his Mars. Minerva has
them but indirectly assigned to her ; and when arming
for war, Apollo never receives them at all. When his
might is described, it is always described in the loftiest
manner, that is to say, in its effects ; and effort or
exertion is never attributed to either of them.
Even so with respect to locomotion. The highest pic-
ture by far is that which is most negative. In general,
Apollo and Minerva move without the use of means
or instruments, such as wings, chariots, or otherwise.
While Neptune steps, and Juno's horses spring, so
many miles at each pace, the journeys of Apollo and
Minerva are usually undescribed, undistributed. ]\Ii-
nerva is going from Olympus to Ithaca ; when she has
departed, then she has arrived :
/3?/ 8e Kar OvXv/xttoio Kapr\V(av at^aaa'
arri 8' 'J^afcrj? ivl 8?j/:x&), €77* 'npo6vpoi.
Only within the last few years have the triumphs of
natural philosophy supplied us with an a])proximative
illustration of these movements over space, in the more
than lightning speed of the electric telegraph.
So Apollo, too, has by personal dignity what the
messenger gods have by office. It is said of him and
Iris, when in company, that their journey began ; and
that it ended :
TO) 8' at^avTe "n^Ticrdrjv'
"\hriv h'' 'iKavov TToXviribaKa^l.
" 0(1. xiii. 167-83. P Od. i. 102, 3. a II. XV. 150.
90 Olympus : the Religion of the Homeric age.
On one occasion, however, Minerva is represented,
even when unattended by any other deity, as employ-
ing the foot-wings which Mercury commonly used, and
they are said to carry her'' :
TO. [XIV (pipoVy Tiixkv e(f vyprjv
rjb' iiT air^Lpova yaiav, ajxa ttvoltj^ avip.oio.
But there are no stages or intermediate points either
here or elsewhere in her journey.
With the movements of Apollo and Minerva, thus
conceived by the Poet, we may do well to compare those
of Mercury (Od. v. 50-8), Neptune (li. xiii. 17-31), and
Juno (II. xiv. 225-30).
6. Again, an important difference prevails between the
different divinities, in regard to the conduct they pursue
when offended by mortals. In general, this is one of
the points that prominently exhibits the sovereignty of
Jupiter ; for the common course is to appeal to him,
and to obtain retribution either with his permission or
by his agency. Not from greater self-will or a spirit of
rebellion, but from higher dignity and a certain sub-
stantiveness of character and position, Apollo and
Minerva always appear as acting for and from them-
selves, in vindication of their offended prerogatives.
Even Neptune, when he is incensed at the erection
of the unconsecrated ram])art of the Greek camp, and
fearful that it will eclipse the renown of his own handi-
work, the wall of Troy, appeals to Jupiter on the sub-
ject, and receives from him the permissive suggestion,
that he should himself destroy it so soon as the war is
over^ He pursues a similar course, when he is anxious
to chastise the over-boldness and maritime success of
the Phasacians*. Venus, wounded by Diomed, does not
r Od. i. 97. =* II. vii. 445. ' Od. xiii, 125-64.
Their indejjendent power of punishment. 91
even by appeal attempt to obtain redress". Mars, in
the same condition, makes liis complaint, both of
Diomed and of Minerva, to Jupiter. It is true that
afterwards, on the death of his son, he proposes to aj)-
pear on the field of battle : but then he is in a state of
fury'', and is aware that the act would be one of re-
bellion against Jupiter : accordingly, it is rudely stopped
by Minerva. Again, when Dionysus and his nurses are
attacked by Lycoorgus, it is Jupiter that strikes the
offender blind, and his life is short because he was
become hateful to the gods^. Dionysus had made no
appeal ; but Jupiter avenged the insult to his order.
The Sun, after his oxen have been eaten by the com-
panions of Ulysses, lodges his appeal with Jupiter and
the Olympian Council : and in this case Jupiter himself
undertakes to give effect to the wishes of the offended
luminary for vengeance^. When Aides, or Pluto, re-
paired to Olympus after the wound he had received
from Hercules, the presumption perhaps arises, that it
may have been not simply to obtain the healing hand
of Paieon, but also to move Jupiter for redress.
There are indeed a certain set of cases in which the
rule is jirobably different, that is to say, when a deity is
thwarted or offended in the exercise of his or her own
special function. Thus Neptune, though he would not
touch the rampart without leave, yet of his own mere
motion destroys Ajax when he is at sea. Venus threatens
Helen with her summary vengeance, in case of prolonged
resistance to the expressed command that she should
repair to the chamber of Paris. The Muses, pffended
by Thamyris^, proceed to maim him, probably in voice
i> V. 352. ibid. 871. z Od. xii. 377 and 387.
" II. XV. I J 3. * II. ii. 594-600. It i.s com-
y II. vi. 135-40. nion to render nripbs blind: but
92 Oly minis : the Religion of the Homeric age.
or hand, the organs connected with his profession. This
po\ver to punish within each particular province appears
to form an exception to the general rule. It is pro-
bably under this exceptional arrangement, that Diana
proceeds towards the Curetes, in the Legend of the
Ninth Iliad : but some doubt may hang over her case
on account of the fact, that she partakes radically of the
traditional, as well as of the mythological character.
Offended by the omission to include her in the
hecatombs offered to the Immortals, she sends a wild
boar to desolate the country. She puts Ariadne to
death on the application of Dionysus, without any notice
of an appeal to Jupiter. In both these cases she may
be acting in virtue of her particular powers. But when
she is matched with Juno in the Theomachy, she ap-
pears as utterly unequal to her great antagonist.
When Apollo comes into view, the mode of pro-
ceeding is very different from that of the deities of in-
vention. Apollo and Diana at once destroy the children
of Niobe, to avenge the insult she had offered to their
mother : and this case is the more worthy of note, be-
cause Jupiter, at a later stage, participates in and ex-
tends the vengeance''. But the most conspicuous in-
stance of the independent retributive action of Apollo
is in the Plague of the First Book ; since here he
wastes the army of the Greeks, to the great peril of the
enterprise promoted by so many powerful divinities, on
it would be strange that this viousaOTeement between him and
should be meant, since blindness them. The more natural con-
is associaifced in the case of De- stiniction of the passage seems to
modocus with conferring the gift be such as I have ventured to
of song, which here is taken away point at in the text. For blindness
(Od.vii. 64). ApoUodorus (i. 3. 3.) did not maim Bards, who neither
reports that the Muses had the ■wrote nor read their composi-
power of blinding him by a pre- tions. ^ II. xxiv. 605-9.
llieir independent power of puninhment. 93
account of what he esteemed a moral offence, and an
outrage to his priest Chryses. Now it is to he remem-
bered that the damsel had suffered no peculiar wrongs :
the whole offence consisted in this, that, being the
daughter of a priest of Apollo, at a place apparently in-
significant, she had not been on that account exempted
from the common lot of women, but had been treated
just as she would have been treated had she been a king's
daughter. Nor must we forget, in appreciating this act,
that the families of priests had no priestly privilege :
and that Maron paid to Ulysses (Od. ix. 201-5) a very
handsome price for his own life, together with that of
his wife and child.
It is less easy to bring out the application of the
rule now before us in the case of ]\Iinerva, from the
paucity of clear instances in the poems where she per-
sonally has received offence.
There is one important case, where her wrath aj)-
pears; and it is there described as mvi? oXorj, and as ^eivog
Xo'Ao?*^. Her name, and her interest in this affair, are
to some extent mixed with those of Jupiter. The Poet
tells us, that Jupiter designed for the Greeks a cala-
mitous Return, ' since they were not all upright, where-
upon many of them miserably perished through the
inexorable wrath of JMinerva.' And then the order is
inverted : Agamemnon, we are told, projected the
offerings, that he might appease the anger of Minerva,
and thereupon dissension arose, for Jupiter suspended
calamity over the host. It is clear that, so far as
IVIinerva is to be regarded as having received separate
and personal offence in this proceeding, there is no sign
of her referring to Jupiter for aid, or for permission to
punish the offenders. But the case rather appears
to be one in which the Poet is describing the Pro-^
c Oa. iii. 135; 145.
94} Ohjmpus : the Religion of the Homeric age.
videiitial Government of the world, and in which the
intermixture of the names of Jupiter and of his
daughter belongs to their system of concurrent action,
under which she shares with Apollo the office of acting
as his habitual organ in administering retributive justice
to mankind. In one clear instance, however, we find
it stated, that when the Greeks offended Minerva, she
punished them by a storm (Od.v. io8).
7. Apollo and Minerva carry this among other notes,
that we find them administering mythological or natu-
ral powers, which are otherwise the special property of
Jupiter.
No other Olympian deity, but Juno, stands invested
with a similar honour. We sometimes find the aerial
powers of Jupiter wielded by her hand. But, with the
exception of the sort of precedence accorded to her on
Olympus, in virtue of which the gods rise from their
seats when she enters their company, there is no one
of the gifts that she exercises, which would not appear
to lie within the range of the offices of jMinerva, if not
also of Apollo. In the remarkable case where she
thunders in honour of Agamemnon just after he has
armed, it is recorded that this was the joint act of the
two divinities, of whom, on this occasion, Minerva
takes precedence ^ :
em 8' eybovTTriaav 'A67]vair] re Koi "Upri,
Tifi&(raL ^aaiXija 7:oKv\pv(Toio Mu/c^yrjs.
This association is to be observed in another passage,
where these goddesses jointly communicate courage to
a warrior. But M'hen we find them associated in ad-
ministering the powers of atmospheric phenomena, it
is obvious that we must resort to different sources for
the means of explaining the respective agencies.
Juno, mythologically related to Jupiter as a wife, in
d II. xi. 45-
They use special attributes of Jupiter. 95
that capacity may, without exciting surprise, take in
hand what belongs, so to speak, to the menage. M\-
nerva, as a daughter, has no such chiim ; and her pos-
session of a standing ground which enables her to use
these powers can only be explained by a prior and more
profound affinity of traditional character, which makes
her the organ of the supreme deity.
But while, in the highest marks of power adhering
to Juno, Minerva seems everywhere to vie with her,
there are others, and those among the most strictly
characteristic of the head of Olympus, in which both
Minerva and Apollo share, but which are not in any
manner imparted to Juno.
One of the high characteristic epithets of Jupiter is
alylo^o?. And we never hear of the iEgis out of the
hands of Jupiter, except it be in those of jNIinerva, or of
Apollo. The ^gis is the peculiar arm of Minerva ; ap-
parently, it belongs to her ; and from the description of
it in the Fifth Iliad, it appears to be the counterpart, on
her side, of the chariot on the side of Juno^. The tunic
she puts on, however, is the tunic of Jupiter, and the
Gorgon head upon it is his sign : while the shield she
carries is not to be assailed even by his thunderbolt^ :
r]v ovbe Atos bdjxvrja-L KCpavvo?.
Again, the Fifteenth Book of the Iliad, Jupiter intrusts
Apollo with his own Mg\s, that he may wave it on the
field of battle to intimidate the Greeks ^.
Partly in the relation of Minerva to Mars, whom she
punishes or controls, but more peculiarly in the use
of the magnificent symbol of the ^gis by JNIinerva
and Apollo, we appear to find that development of the
martial character which has been mentioned above as
included among the Jewish ascriptions to the Messiah.
e II. V. 735-42. f II. xxi. 401. S II. XV. 229.
96 Olympus : the Religion of the Homeric age.
Proximate to, but extending beyond, the last named
distinction, there is a function mythologically confined
to Jupiter througliout the poems, with two exceptions
only. The function is that of giving indications, pal-
pable to men, of coming events, by the flight of birds
in many instances, but likewise by atmospheric signs.
This power is distinguished, by its connection with the
future, from a mere power over nature.
The exceptions are Apollo and Minerva. The for-
mer deity is in general more largely endowed than
Minerva in regard to the future, though a less conspi-
cuous figure in the direction of the present. Still slie
partakes, with him and with Jupiter, of this peculiar
honour.
On the return of Telemachus to Ithaca there appears
to him the bird called the wheeling falcon ^,
KipKos, 'ATToAAoot'o? Tayv'i ayyeXo's^
sent by Apollo as an omen of success to himself, and of
confusion to the Suitors.
In the final crisis of the Odyssey, which is doubtless
meant to exhibit a normal example of Providential
retribution, it seems to have been the object of the
Poet to divide the theurgic action between Minerva
and Apollo, as joint administrators of the general
government of the world. To Minerva, as the goddess
of wisdom, falls what may be called the intellectual
share', the actual instruction and guidance of Ulysses,
Penelope, and Telemachus, as well as the bewildering
and hardening operations on the minds of the Suitors.
Special arrangements appear, however, to have been
introduced, so as to make a corresponding place for
h 0(1. XV. 526.
i She has also minor interpositions : see Od. xxii. 205, 256, 273, 297.
They use special attributes of Jiqnter. 97
Apollo. Hence it is that Tlieoclymenus, as the repre-
sentative of a great prophetic family, is brought into
the company of Tclemachus, that he may become the
organ of Apollo in the remaining part of the drama.
This is the more remarkable, because Tlieoclymenus
does not repay the friendly aid he had received by
taking part in the final struggle on the side of Tel e-
machus ; so that his share in the proceeding stands out
the more consj^icuously as one altogether theurgic. In
cooperation with this arrangement, it is provided that
the crisis shall come to pass on the festival of the god,
and that the manner of trial, by the Bow, shall place
it especially under his auspices.
In the magnificent passage of the Twentieth Book',
which describes the phantasmagoria in the palace of
Ulysses, immediately before the trial of the Bow, there
are two parts. First, the minds of the Suitors are be-
fooled {irapeirXay^ev Se poijiaa). Secondly, the hall is
filled with sensible portents : preternatural night en-
velopes the company, the walls and beams are blood-
bespattered, phantoms glide along with downward
movement, as on their way to Erebus, the very meat
they eat is gory, their eyes are charged with involun-
tary tears, their lips with unnatural smiles. Of all this
the announcement is made by Theocly menus, a trait
which I interpret as referring the array of the pheno-
mena to his master Apollo. To him is thus given that
part of the operation which lies within the domain of
sense : while the purely intellectual one, that of stupe-
fying the Suitors, is expressly assigned to Minerva.
But ]\Iinerva has likewise the power over signs,
which is enjoyed by Jupiter and Apollo. As Diomed
and Ulysses are setting out on their nocturnal expedi-
i Od. XX. 345-71.
H
98 Olympus : the Religion of the Homeric age.
tion in the Tenth Iliad, Minerva sends the apparition
of a heron to cheer them*^: they do not see it, on
account of the darkness ; but they hear the flapping of
its wings.
It has accordingly attracted the attention of Nagels-
bach*, that the power of exhibiting signs is confined
to Jupiter, Juno, Apollo, and Minerva : though he has
not proceeded to combine this with other distinctions,
at least equally remarkable, enjoyed by the two latter
divinities.
I have not, it will be observed, reckoned as a Tepa?,
or sign of the future, the case in which Juno endows
the horses of Achilles with the gift of speech : because
it appears that the prediction of their master's death is
their own ; and that she only removes the barrier to
its expression'". She stands, therefore, in a different
position to that of Apollo and JNIinerva.
9. This command, however, over natural portents may
be viewed as part of a general dominion over nature, of
which the most varied manifestation is in Minerva.
It is true that, in common with most of the Olym-
pian deities, she does not extend her action from the
inner, or Greek, into the general range of the outer, or
Phoenician world. Nor does Apollo. But we have
clear proof that this was by a poetical arrangement,
and not from a lack of divine power: since (i) she
does act in Scheria, and assists in bringing Ulysses to
the shore of that island : (2) the class of yuai/rez? are
found among the Cyclops : (3) Calypso is amenable to
kll. X. 274. Minerva's patron- (Welsford on the English Lan-
age of the heron was probably guage, p. 152.)
connected with her martial cha- 1 Horn. Theol. iv. 16, p. 147.
racter : for it appears that in m II. xix. 404-7. See inf. Sect.
Sanscrit the word Scandha signi- iii. on Juno,
lies both war and also the heron.
Their (loniinion over Nature. 99
the command of the Olympian court, and sj)oaks of
herself as belondnjj to the same wide class of deities
with Aurora and Ceres. (4) Minerva assigns a special
reason, namely, regard towards her uncle Ne])tune, for
not having accompanied Ulysses all along his voyage
(Od. xiii. 341).
The power of Minerva over nature seems to be uni-
versal in kind as Avell as in place.
1. She and Apollo assume the human form in com-
mon with other deities : but I do not find that the
gods in general become visible to one person without
being visible to all. Minerva in the First Iliad (198)
reveals herself only to Achilles. It seems as if, in
II. xvii. 321-34, Homer meant that Apollo did the
same to iEneas. The recognition of Venus by Helen,
I take as most probably a sign of nothing more than
that the case was one of disguise, rather than of trans-
formation".
2. Apollo frames an etScoXov, or image of a man, which
moves and fights^, representing jEneas on the battle
field : and Minerva frames an elSoAov of Iphthime, to
appear in a dream to her sister Penelope, and to con-
vey to her a revelation of Minerva's will p. This power
is exercised by the two divinities exclusively.
3. Minerva on many occasions assumes the shape of
a bird'i : sometimes in common with Apollo^ Ino
Leucothee, the marine goddess, becomes a water-bird,
and "Ytti/o? takes the form of the bird Chalcis, when
he has to act upon Juj)iter. Both these operations may
probably be considered as belonging to the special func-
tions of these agents : with Apollo and Minerva, the
n II. iii. 396. q II. xix. 351. Od. i. 320. et
" II. V. 449. cdibi.
P Od. iv. 796, 826. r II. vii. 59.
H 2
100 Olympus : the Religion of the Homeric age.
power appears to belong to a general supremacy over
nature, wliich the other Olympian deities do not share.
4. The transformations and retransformations of
Ulysses in Ithaca by Minerva, appear to indicate some
organic power over matter and life. It is not the ap-
pearance but the reality of his person that is stated to
be changed. Not only is the skin wrinkled and the
eye darkened, but the hairs are destroyed. They are
afterwards restored, and his stature is increased. In
like manner she gives increased height to Penelope, and
again to Laertes^.
As respects power over inanimate nature, we have
seen Minerva joined with Juno in the act of thunder-
ing. She can order out a rattling zephyr {KeXaSovra),
or simply a toward breeze, or again a stiff Boreas
{Kpainrvov), to speed her friend across the main* : and, as
Juno accelerated the setting of the sun before Troy, so
Minerva forbids the dawn to appear in Ithaca, until,
when she thinks the proper time has come, she with-
draws the prohibition".
Nor is the power of jNIinerva over nature for pur-
poses of wTath less clear than for purposes of favour :
since ]\Iercury tells Calypso that, inasmuch as the
Greeks had offended her, she sent a storm upon them^
'AdrjvaLrjV olKltovto,
7] (r(f>iv luGipcf aV€iJ.6v re kukov Kal Kvy-ara ixaKpd.
On the other hand, when Ulysses and his companions
have propitiated Ajiollo on behalf of the Greek army,
then he sends them a toward breeze for their return
to the camp^. But we have a still more notable in-
s Od. xiii. 429-38. xvi. 172, ^ Od. xxiii. 243-6.
455. xviii. 69, and xxii. 156-62 ; ^ Qd. v. 108.
Od. xviii. 195. xxiv. 369. ^ II. i. 479-
t Od. ii. 420. XV. 292, V. 385.
Relation of Apollo together with Diana to Death. 101
stance of miraculous power over nature ascribed to
Apollo, over and above the sublime portents of the
Twentieth Odyssey, in the conversion of the mouths of
the eiffht Idaean rivers for nine whole days to efface
the Greek rampartJ". To Neptune is left the task of
restoring them to their channels : perhaps on the
same principle as the treatment of Juno, relatively to
INIinerva, in the preparation and use of the chariot''.
We have not yet, however, done with the subject of
powers exercised over nature.
The most prominent and pointed characteristic of
Apollo is one shared with his sister Diana. It is the
mysterious relation which these two deities hold in
common to death.
The Messianic tradition, first divided between Apollo
and the great Minerva, is now subdivided between him
and his sister Diana, who forms a kind of supplement to
his divinity. The bow and arrows, the symbol which
they bear in common, marks the original union in cha-
racter, out of which their twin peculiarities had grown.
Apollo, indeed, as we see in the first Book of the
Iliad, could himself become, like his sister, the imme-
diate agent in the destruction of animals : but his prin-
cipal function is with men. Hence the terrible
slaughter of the Plague : hence his extraordinary and
otherwise unsatisfactory participation in the death of
Patroclus : hence, above all, though he is not the
patron of Ulysses, and has no special connection with
him, yet the slaughter of the Suitors in the Odyssey is
appointed to take place on his festival, and therefore,
as well as because it is effected by the Bow, under his
auspices. But again ; his office is not of a single
aspect : he is a saviour from death, as well as a de-
stroyer. Hence it is he, and not Venus, who saves
y II. xii. 24j 32. ^ II. V. 7.
102 Olympus : the Religion of the Homeric age.
iEneas^: it is. he who carries Hector out of danger^.
Yet a third, and very peculiar form of his office do we
discover, common to him and to his sister. She is
upon occasion strong enough to exercise the office of
destruction properly so called ^ for sometimes she slays
in wrath. But more usually, as he does for men, so she
more especially exercises for women the mysterious
function of administering painless and gentle death.
This singular and solemn relation of Apollo and
Diana to death appears to have an entirely exclusive
character attaching to it. There is a clear distinction
between death inflicted by the symbolical arrows of
these twin deities, which are the symbols of an invisible
Power, and death resulting from physical or any other
])alpable causes, whether it be violent, or what we term
natural. I do not now speak of the agency of Apollo
the destroyer in (what we call) the Plague, nor of his
slaying Eurytus on account of a personal insult (Od. viii.
227), but of the much more distinctive and prominent
office assigned to him and to Diana, that of (so to speak)
taking the sting from Death. Death by disease. Death by
a broken heart '^, Death by shipwreck, or by the lightning
of heaven ^ or by the fury of Scamander, whirling
warriors to the sea, and burying them in the sand and
shingle *^,are matters altogether distinct from this. Death
through second causes, even man can bring about: Death
without second causes is palpably Divine ; and this it is
that is assigned to Apollo and Diana only among the
Homeric gods. There is no instance, if I remember
rightly, in which any other among them brings about the
death of a mortal, otherwise than by means of second
causes. And there is one curious passage, from Avhich it
a II. V. 445. ^ 11 XV. 262. ^ 0(1. xi. iy8-203.
c II. \i. 205, 428. xxi. 484. Od. c Od. V. 127.
xi. 324. -XV. 478. f II, xxi. 318-21.
Relation of Apollo together ivith Diana to Death. 103
would appear that some other deities had to apply to
them in order to set in motion this Divine prerogative.
For when Theseus was carrying Ariadne to Athens, she
did not reach her journey's end :
■napos he {xiv "ApTefxis eKra
At?/ €V a[X(f)LpvTi], Aiovvcrov iJLapTvp(r]aLi>S.
A period was put to her life in the island of Dia, by the
goddess Artemis, at the instance of Dionysus. As if
the tradition bore, that Dionysus or Bacchus, desiring
her death, and having at his command no natural
agency of mortal effect, was obliged to apply to Artemis
or Diana to bring about this purpose.
The great enemy and scourge of mankind, under the
treatment of the twin deities, is stripped of his terrors ;
and the very verse of Homer, ever responsive to his
thought, changes to an easy and flowing movement as he
describes this mode of passage from the world '' :
Tr]V 8' "AprepLts lo^iaipa
oXs ayavois /BeXeea-cnv k'noi)(^op.ivr] KaTeiT€(f)V€P.
Nor is the expression casual ; it is one of the regular
Homeric ybr??zz^/<^. Sometimes she discharges this office
in actual concurrence with Apollo. The happy island,
where Eumasus passed his childhood, knew neither
famine nor disease : but when its people reached the
term of their old age, then^
€Xd(i)V apyvpoTo^os ^AttoWcov 'Apre//t8t ^vv
oils ayavo'LS jSeKeerraiv €TroL)(6p.evos KareTrecpvev.
Again, when the corpse of Hector is by preterna-
tural agency restored, after the lacerations it had
undergone, to integrity and freshness, it is said to have
become like to the body of him upon whom Apollo
has come, and put him to death with his tender darts'^.
S Od. xi. 324. h Qf 11 xix. 59. Od. xviii. 201. xx. 61.
» Od. XV. 407-11. k II. xxiv. 753.
104 Oli/)npus : t?ie Religion of the Homeric age.
The god has a sword, indeed, which must appertain to his
destroying office. But his sword, and his only, among
all we hear of, is formed of gold, ^(pvcraopog. The epithet
has probably been chosen from its affinity to Light.
Among- the instances in which Diana ministers to
death, there are many where she clearly exercises a
mitigating and favouring agency; and this may pro-
bably be signified in nearly all. Even of the children
of Niobe^ it may be meant, that they were thus gently
removed, the innocent causes of their mother's pride ;
while she was reserved for heavier punishment, and
doomed to weep eternally in stone.
In considering what may have been the early tra-
ditional source of these remarkable attributes of the
children of Latona, we should tread softly and care-
fully, for w^e are on very sacred ground. But we seem
to see in them the traces of the form of One, who,
as an all-conquering King, was to be terrible and de-
structive to His enemies, but wlio was also, on behalf
of mankind, to take away the sting from Death, and to
change its iron band for a thread of silken slumber.
The share of Messianic tradition accorded in this
particular province to Minerva appears, as has already
been observed, to consist in her peculiar power within
the realm of Aidoneus himself.
lo. Lastly, we appear to find, that in the conduct of
those operations in which their power over Nature is
exhibited, Minerva and Apollo are not tied down, or
at least are not tied down in the same degree with the
other deities generally, to the use of instruments or
symbols.
We find that Neptune, when he has to inspire cou-
rage into the two Ajaxes, strikes them, (II. xiii. 59.) As
1 11. xxiv. 606. Laodamia is an exception : see II. vi. 205.
Iiulependence of second causes. 105
an accompanyiiif^ significant act, of a nature tending by
itself to j)roduce the result, this greatly weakens the
force of the passage in f)roof of divine or extraordinary
power. In like manner, when the same divinity con-
verts the ship of the Pha?acians into a rock, he drives it
downward with his hand'".
But A])ollo performs no such outward act when he
infuses courage into Hector, or into Glaucus ; or when
he heals the wounds of the latter chieftain".
So likewise, when Minerva alters the personal ap-
pearance of Telemachus, Ulysses, Laertes, or Penelope,
by improving it, she uses no sign or ministrative act.
Only when she effects an organic though partial trans-
formation in the case of Ulysses" does she strike him
with her wand : but then this total transformation is an
exercise of power, of which we have no other example
among the Olympian deities. Again, when IVlinerva
finally endows the hero with heightened beauty of figure
and countenance, it is done without the use of any
visible sign whatever^.
This employment of instruments is, in fact, suscep-
tible of two significations. They may be, like the
tokens of Jupiter, intended to act upon the senses of
men. But where they have not this meaning, there is
a decided tendency to convey the conception of the
instrument as being itself the power which the deity
merely directs and applies. Thus it is in the cestus of
Venus and the wand of Mercury that the divine energy
resides^, not less than it is in the herbs of Paieon and
in the fire of Vulcan. So that any exemption from the
use of these symbols is a sign of belonging to a high
order of deity.
»" Od. xiii. 164. P Od. xxiii. 156-63.
" II. XV. 26?. xvi. 528-9. q Nagelsbach, i. 25.
" Od. xiii. 429. xvi. 172, 455.
106 Olympus: the Religion of the Homeric age.
We now approach the third and last division of this
subject ; namely, those points of distinction which
most essentially belong to the moral tone and personal
character of these two great divinities.
Their moral standard is conspicuonsly raised above
that of the Olympian family in general.
It partakes indeed, as we might expect, of taint.
Each has begun to give way ; and each in the way
adapted to their several relations with man and
woman's nature respectively. Apollo's character has
just begun to be touched by licentiousness : and the
character of Minerva is not above condescension to
deceit.
She is nowhere, however, associated either directly
or indirectly, in word or act, with anything impure.
The contest of beauty, in which Paris was the judge, is
mentioned by Homer'': but the notice, a very succinct
one, though not quite in keeping with her highest dig-
nity, does not imply any deviation from her elevated
chastity. Neither of Juno, nor of Thetis, can the
same virtue be fully predicated : both of them, though
in different modes, are brought into immediate contact
with the subject of sensual passion.
Pallas is, in truth, no less chaste than Diana : but her
purity is absorbed in the dazzling splendour of her
august prerogatives, while it is more observed in the
Huntress-maid, because it is the most salient and dis-
tinguished point in her character.
In the post -Homeric, but yet early, hymn to Venus,
three beings alone in the wide universe are declared to
be exempt from her sway. One of them is Hestie,
who represents the impersonation of the marriage
bond and the family life, and whose exemption therefore
'■ II. xxiv. 27-30.
Superior itu of their moral standard. 107
testifies directly to the nature of the dominioii from
which it frees her. The other two j)rivileged beings are
Pallas and Diana'*.
The character of Apollo in this respect is by some
degrees less elevated : for he is an enjoying spectator
of the scene described by the certainly licentious lay of
Deniodocus in the Eighth Odyssey, from which the god-
desses in a body absent themselves. In the legend, too,
of the Ninth Iliad we find that Apollo carried off the
daughter ofMarpessa, afterwards named by her parents
Alcyone : but this passage, we shall see, is susceptible
of an interpretation, which gives it another construction,
and one certainly far more agreeable to the general
character of this divinity. The epithet enjoyed by the
Homeric Diana, expressive of purity, is accorded by
^schylus' (whose accuracy and truthfulness often recall
those of Homer) to Apollo ;
ayvov T ^ATToWoi vyab' ait" ovpavov B^ov.
And here the question arises, how did it happen that,
while the element of purity was strictly preserved in
the tradition of the Wisdom, it was lost in the twin
tradition of the Seed of the woman ?
The Wisdom naturally, when impersonated, assumed
the feminine form. Now the character of woman
seems to be in itself better fenced against impurity
than that of man. Her comparatively dependent con-
dition, and the more direct operation of her failure in
this respect on the marriage tie through the disorgani-
zation of the family, have had a further influence in giving
an additional stringency to the ideas of mankind with
respect to her observance of this virtue ; a stringency
not the less real, because it exemplifies the partial
administration of a law essentially just, nor because it
* Hymn, ad Ven. 8, i6. t ^scl). Suppl. 222.
108 Olympus : the Religion of the Homeric age.
has become rather less conspicuous since the Gospel laid
down with rigour, upon higher grounds, one law for all.
Thus it remained possible to conceive a woman chaste,
after the conditions of that idea had been almost lost
in connection with the standard of excellence in the
other sex : and this virtue, banished from the earth in
general, still found here and there, even down to the
foetid corruption of the time of Martial^, a last refuge in
individual cases of untainted womanhood. This course
of thought and feeling is exemplified in the Minerva of
the Olympian Court.
Yet the' idea was not simply extinguished in the
twin tradition, of which Apollo is the chief represen-
tative. Submerged in him, a home is found for it in
the appropriate form of Diana as his sister. The
power and majesty of this form of the JNIessianic tra-
dition fall chiefly to his share : she retains what was
then, to the shame of our race, thought its less pre-
cious ingredient, freedom from sensual taint. Apollo
would have been its natural vehicle : but in him, for
the reason that he was a man, it was perhaps to the
Greek mind inconceivable: a new vehicle was either
framed, or adapted, in order to carry it : the idea of the
great Deliverer that should be born was thus disinte-
grated, like other traditions, and like other historical
characters, which men could not so readily embrace in
their integrity.
As this is the first point in the discussion at which
we have encountered an actual instance of this disinte-
gration, it may be well to explain the meaning I attach
to the term.
It seems indubitable, that moral combinations, which
are intelligible as well as credible to one age, may be-
11 Epigr. X. 6^.
Disintegration of traditions. 109
come incredible to another. Just as there are indi-
vidual men at every epoch, who cannot believe in ge-
nerosity and elevation of character, because they have
in themselves no mirror which can reflect sucb quali-
ties ; so a generation ruled by more debased ideas cannot
comprehend what another, influenced by less impure
tendencies, could readily embrace. On the same prin-
ciple, the Gospel gives not to the sagacious, but to the
* pure in heart,' the greatest triumph of mental vision,
namely, that 'they shall see GodV
Accordingly, when it happens that a tradition be-
comes unintelligible to the mind of a given people, it
is lost. It may be lost by the disappearance even of its
outward form and shell. Or it may be lost by the
alteration of its meaning while its words are retained.
Or the work of destruction may take another turn : it
may be lost by being torn into pieces ; the effect being
that one old tradition disappears, and more than one
partial substitute for it is created.
The highest fr.iud and the highest force appear to
have been, according to original tradition, joined in the
Evil One : they were separated in the Grecian forms
of y that tradition. The Apollo of Homer was still one,
with a great diversity of gifts ; but mythological sole-
cisms were already apparent in his character, like cracks
in a stately building. This, too, was settled by disin-
tegration ; and in the later mythology there were many
Apollos : other causes probably concurring to extend
the multiplying process.
The same operation took effect upon the traditions
of human character. Homer, with the finest powers
of light and shade, has represented Helen as erring,
^ St. Matt. V. 8. y Inf. Sect. iii.
110 Olympus: tJie Religion of the Homeric age.
and as penitent. The moral sense of later, less simple,
and more deeply corrupted, times became impervious
to a balanced conception of this kind. Accordingly,
the one Helen was torn into two, and supplied material
both for the guilty Helen, or elScoXou of Helen, at Troy,
and for the innocent Helen detained in Egypt. In
like manner, it became a question, probably first when
Athens had grown great, how IVIinos could on the one
hand be great and wise, and could on the other have
made war and imposed tribute upon Attica. Hence
the fable of two IMinoses^: so that those who venerated
the ancient traditions of Crete might still be allowed
to cherish their pious sentiment, while, upon the other
hand, the Athenian dramatists might exercise a fertile
iniao'ination in inventino- circumstances of horror for
the biography of the piratical enemy of their country.
It was, I conceive, an early example of this disinte-
gration, which divided between Apollo and Diana dif-
ferent members of a primitive Messianic tradition. And,
when we again combine the two personalities of the
brother and the sister in one, the tradition resumes its
completeness and roundness.
It is likely that the same mental process, which thus
deposited the element of chastity in the person of the
comparatively feeble Diana, also conferred on her the
figure of the Huntress-Queen. For thus she lived
in seclusion from the ways and haunts of man : and it
was only by seclusion that she could be kept in maiden
innocence.
But althouofh the lodcal turn of the Greek mind soon
came to place Apollo in morally disadvantageous con-
trast, under this particular head, both with his sister and
with Pallas, he may be favourably compared with the
^ Hock's Creta, vol. ii.
Legend of Marpessa. Ill
other Homeric gods. There is something in the tra-
dition that he was nnshorn {uKepa-eKo/jA]^), which is evi-
dently intended to connect him with the innocence of
yonth. And in Homer, unless it be by the legend of
the Ninth Iliad, he is unharmed by connection with
any of those relations which assign to Jupiter, Neptune,
Mars, and ISIercury, human children as the fruit of
their indulgence.
The reasons which lead me to sup])ose that the le-
gend of Marpessa is not of a sensual character are
these. The words used are ^ ;
ore fJLLv eKaepyos avt]pTTaae ^o'lIBos 'AttoAAo)!'.
Now none of the numerous intrigues of the mythical
deities with women include violence: they ahvays appear,
so far as the language used gives them a specific cha-
racter, to have been voluntarily accei)ted connections ^.
It was not likely that the case of Apollo should have
been the exception. Again, they are always mentioned
as having led to the birth of children : but there is no
such mention in this case, and Apollo has no human
progeny. Lastly, the word used does not mean ravished,
but seized and carried up. It nearly corresponds with
the expression in the case of Ganymede *^,
Tov KoL avrip€L\j/ai'TO 6eol Ad olvo\oe'6eti>,
and it may have been either a case of translation, or
one in which the maid was conceived to have been
taken for the service of the deity, perhaps at the
neighbouring shrine of Delphi.
After the part which the lay of Demodocus assigns
to him, the most, perhaps the only, discreditable trans-
action assigned to Apollo in the poems is the manner
in which he disarms and partially disables Patroclus.
a II. ix. 564. ^ II. ii. 513 ; xvi. 184, and otlier cases.
<^' 11. XX. 234.
112 Olympus: the Religion of the Homeric aye.
Nothing can be more wretcbed than bis operations on
this occasion. The god comes up to the hero enveloped
in cloud ; strikes bim from behind on the back ; and
knocks off bis armour. I can conceive but one ex-
planation for this singular passage, which appears alike
unsatisfactory from a poetical and from a mythological
point of view. That explanation I think is to be sought
in intense nationality. The main purpose of the poem
required the sacrifice of a principal Greek hero : but
no genuine Greek hero could be killed by fair means,
therefore it was necessary to dispose of him by such as
were foul. It is perhaps also worth remark that the
audacity of Patroclus in pushing on to the city may per-
haps have rendered bim punishable (II. xvi. 698-71 1).
It is remarkable, however, that the character of
each of the two great traditive deities had begun to
give way to corruption, and each in the point at which,
according to the respective sex, its yielding might have
been anticipated. As michastity is more readily par-
doned, according to social usage, in the man, so is
deceit in the woman. And in this point the standard
had already fallen for Minerva.
Of this we have one most clear indication, in her being
commissioned to undertake the charge of inciting Pan-
darus to a very black act of treachery, the breach of
the Pact. So far from being unwilling in this matter,
she was even eager '^ ;
^s etTTaiy lOTpvpe irdpos jxeixavlav ^ A6r\vr]v.
Besides judgment and industrial skill, she gave Kep-
Sea to Penelope^: and she describes herself^ as ex-
celling among the gods in craft as well as counsel ;
fxrjTi re /cAeo/xat Kot K^pbecrtv.
With the exception of this initial tendency to de-
^ II. iv. 73. P Od. ii. 117. f Od. xiii. 299.
Their place in Providential Government. 113
generate on the side of craft, we may say with truth
that the highest moral tone, both of speech and action,
is reserved for Minerva in particular throughout the
l)oems, whether in the 01ymi)ian Court, or in her in-
tercourse with men. Alike in the Iliad and the
Odyssey, her counsel, which prevails, undoubtedly
also deserves to prevail. She is in both the cliampion
of the righteous cause. And when she states for the
second time the case of Ulysses before the assembled
gods, it is not now as before his liberality in sacrifice
that she pleads, but, as a last resort, she makes bold to
urge the bad moral effect which will result, if they dis-
courage virtue by permitting the ruin of this excellent
man 8".
2. It is in conformity with the expectations, which
the superior morality of Apollo and Minerva tends to
raise, that we find them occupying a position such as is
accorded to no other deity in the Providential govern-
ment both of the human mind and will, and likewise
of the course of events external to it.
The origin of this position may, as I conceive, be
found in the traditions which they inherit, and accord-
ing to which they would naturally be exhibited as the
administrators of the government of the world, on
behalf, if I may so speak, of the Godhead.
But there were, among the inborn tendencies of
polytheism, two at least which powerfully tended to
give to these divinities a position not only associated
with that of Jupiter, but on the one hand more pal-
pable and practical, and on the other of higlier moral
elevation. These were the tendencies which, among
the incidents of his supremacy, on the one hand,
e Od. V. 7.
114 Olj/mpus : the Religion of the Homeric age.
blessed him with personal repose, and, on the other,
endowed him with unbounded appetite. The first, by
making Apollo and Minerva, as his organs, the prac-
tical governors of the Avorld, tended to increase their
importance at tlie expense of his, and the second gave
them a moral title as it were to gain ground upon
him. In the time of Homer this process was consi-
derably advanced ; so that while they seem to share ,
with Jupiter the office of general direction, which they
hold subject to his control, it falls to one of them, to
IMinerva especially, to conduct the highest of all the
divine processes in the administration of moral disci-
pline, and in the exercise of influence over the human
soul.
In the war before Troy, what is done by Juno or
by Neptune is commonly done in the way of unau-
thorized, or even of forbidden, interference. In this,
Minerva shares: for she has a less perfect conformity
of will with that of Jupiter than Apollo, though she
has a more profound moral resemblance of character
to the ideal, from which the Homeric Jupiter was a
depravation. Of the action before Troy, however, as a
whole, thus much remains true : that, when the will
of Jupiter is to be wrought out in favour of the Greeks,
it is done entirely by Minerva, and when in favour of
the Trojans it is done entirely by Apollo. Each there-
fore appears as the proper minister of Jupiter, when
willing, for conducting the government of mankind.
One of them is always willing : and though the other
is not equally acquiescent, still it is the view of the
case taken by her, in common with other gods more
weighty than numerous, to which Jupiter ultimately
gives way. Thus w^e may discern, graven as it were
upon the relation between themselves and Jupiter, the
It is frequently ascribed to them. 115
mark which shows that it was originally derived from
the office of ITiin, 'by whom God made the worlds^'.'
Scarcely ever do we find Homer deviate from the gene-
ral rule which exhibits them as the ordinary Providence
of the world for governing the detail of life. There i?,
I think, but one part of the Iliad which exhibits to us
any considerable assumption of this function by Jupiter
himself. It is during the latter part of the day which
was to be closed by a sunset fatal to Hector, that,
besides sending forth Apollo with the blinding iEgis,
he himself descends to such acts of minute inter-
ference as breaking the bowstring of Teucer'.
Regarded from without, these two deities appear to
us as frequently receiving from men the ascriptions
of Divine Providence.
The idea of Divine Providence is frequently ex-
pressed by Homer under the names Oeo?, Qeo), aOavaroi,
SaljUMv. It is also often conveyed by the name Jupiter
alone, or by such an expression as * Jupiter and the
other immortal gods,' in which he appears at their
head. In one place of the Odyssey, though only one,
the day being the festival of Apollo, this very extra-
ordinary distinction is assigned to him : and the n? of
the Suitors thus places him at the head of the Olympian
company'^ ;
et Kev 'AttoAAwi;
■i]iuv l\rjKj]at Kol aOdvarot Oeol aAAot.
Sometimes mortal men look to one of these deities
for success in their enterprises, even without naming
Jupiter: sometimes that name is conjoined with one
of theirs. Apollo himself, appearing to Hector in the
form of Asius his uncle, exhorts that chieftain to
1' Heb. i. 2. i II, XV. 463. k Od. xxi. 364.
I 2
116 Olympus : the Reliffion of the Homeric age.
attack Patroclus, ' in the hope that Apollo may give
him success I' Presently, Patroclus, dying, attributes
Hector's victory to Jupiter and Apollo, his own death
to Apollo and ^lolpa "' ; Apollo, says Xanthus the im-
mortal horse, slew Patroclus, and gave glory to Hector".
This cannot well apply to the direct agency of the
god in the matter, as he only disarmed the Greek
hero. Again, when Patroclus is slain, IMinerva takes
no part in the proceedings. When Hector is about to
be vanquished Apollo retires, and IMinerva straightway
appears upon the field". In the Doloneia, Ulysses
and Diomed succeed, because Jupiter and IMinerva
befriend them p. Minerva rejoices, when she finds her
name invoked first of all the gods'! : and she instructs
Laertes to call upon Jupiter with herself, assuming for
her own name the first place ;
iv^dfxevos Kovpr) TXavKcoTTLbt koI At/, iraTpL^.
Agamemnon feels that he is certain to take Troy, if
only Jupiter and Minerva will it^ Ulysses expects to
slay the Suitors 'by the favour of Jupiter and Minerva*.'
But in fact, the whole scheme of divine retribution, of
which that hero is the organ, was planned by IMinerva
and not by Jupiter, as is twice declared to us from his
own lips". I must not, however, omit to notice one pas-
sage of peculiar grandeur, in which Jupiter and Minerva
are combined, as joint arbiters of great events. In
the Sixteenth Odyssey, Telemachus exhorts his father,
amid their gloomy and doubtful prospects, to bethink
• II. x^^. 715. " Ocl. ii. 6i).
K
130 Oti/mjnis : the Religion of the Homeric age.
It seems as if this power in the Shades were the portion
falling- to her out of the supremacy over death, assigned
by tradition to the Messiah. And she has also, if not
the jurisdiction over death lodged peculiarly in her
hands, a faculty yet more wonderful ascribed to her,
that of staying its approach ; for Euryclea bids Pene-
lope in her distress pray to Minerva, who can deliver
Telemachus from death; that is, can raise him up again:
?; yap k4v fxiv cTretra koI gk davdroio aau>aaL^.
In truth it seems to be the distinctive character of
Minerva in the Homeric theo- mythology, that though
she is not the sole deity, yet the very flower of the
whole office and work of deity is every where reserved
for her : and though slie is not directly invested with
the external form and body of every gift, yet she has
the heart, essence and virtue of them all ; insomuch that,
practically, no limit can be placed upon her powers and
functions. The w^hole conception is therefore funda-
mentally at variance with the measured and finite
organization of an invented system of religion, and by
its own incongruities with that system it proves itself
to be an exotic element.
By another path, we arrive at the very same conclu-
sion for Apollo. He too has much of that inwardness
and universality of function, which belongs to Minerva,
as well as a diversity of offices peculiarly his own. But
the argument here admits of being presented in a
different form. All his peculiar gifts in Homer are
referable to one of three characters, those of Prophet,
Deliverer, and Avenger, or Judge. In the first, gifted
with all knowledge, he is also the God of Song, which
was its vehicle. In the second, he is the hearer of
s Od. iv. 750-3.
The conflicting Characters of Apollo. 131
prayer, the healer of wouiitls, the cliani[)ion of Heaven
itself against rebellion. In the third, he punishes the
guilty, and especially administers the one grand penal
law of death. All this he does as the organ of one,
with whom in will he is perfectly united. The tangled
thread runs out without knot or break, when we unravel
it by primitive Messianic tradition ; because it was
fundamental in that tradition, that the person who M'as
the subject of it, should exhibit this many sided union
of character and function. But could Deliverance and
Destruction, there combined, any where else have been
read otherwise than as contradictory to one another, and
incapable of being united in the same being ?
I know no other principle, on which we can satis-
factorily explain either the double character of Apollo
as Saviour and as Destroyer, or the apparently miscel-
laneous character of the attributes which successively
attached to him^. How strange in itself, that the God,
who alone has a peculiar office in bringing death, should
also be the God of deliverance from it ! The contra-
diction is harmonized by the supposition of a traditionary
origin, but otherwise it obstinately remains a contra-
diction. Again, look at the nature of this peculiar rela-
tion. Death by slow disease was not thought worthy to be
referred to the agency of a god, (Od. xi. 200.) : the calm
death of old age, the sharp and agonizing death of a
plague, both these were so, and both are referred to
Apollo. How can this be,and what has become of the fine
t The character of Apollo the Destroyer is well represented in
a fragment of Archilochus :
wi/a^ "AttoXXoi/, Kai av /xev tovs alriovs
TTrjfiaivi, Kol (T(f)as ok\v, Sjcnrep oXXvets.
Archil, apud Macrob. Fragm. 79. Ed. Gaisl'ord.
K 2
132 Olympus : the Religion of the Homeric aye.
imaginative discrimination of the Greeks, and of their
love for k)gical consistency even in that domain, if we
suppose that in all this they were working by pure fancy ?
Now the difficulty vanishes, if we suppose them to be
the mere utterers of the disjointed fragments of pristine
tradition, when they had lost the key to their common
meaning. For then, He that was to grind his enemies to
jiowder, was likewise to take the sting from death
itself, and to make the king of terrors gentle and humane.
Again, why was Apollo, thus associated with death,
likewise the god of foreknowledge ? Why did he, and
he only, partake of this privilege with Jupiter? Nay,
he enjoyed knowledge apparently in a greater degree;
for we are not furnished with any case in which Apollo
is grossly deluded like Jupiter by Juno. Why, again,
should the god of foreknowledge be the god of
medicine ? And why should the god of medicine also
absorb into himself the divinity of the sun, separate
from him in Homer, but afterwards identified with him?
Why does his character, as compared with that of the
other gods, approach to purity? As the dignity of
Minerva is explained by our supposing her to imper-
sonate the ancient traditions of the Wisdom ; so in the
case of Apollo, we obtain a thread upon which each
and all of these otherwise incongruous notions may be
hung, if we suppose that he, after a certain severance
of those shades of character, which could only find ex-
pression for a Greek in the female order, represented
the legendary anticipations of a person to come, in whom
should be combined all the great offices, in which God
the Son is now made known to man as the Light of
our paths, the Physician of our diseases, the Judge of
our misdeeds, and the Conqueror and disarmer, but not
yet abolisher, of death?
Tliey do not harmonize ivlth Olympus. 133
Again, as these great deities are anomalies in tlieni-
selves, so are tliey likewise in the Olympian order.
If we were to remove Minerva and Apollo from
Olympus, we should indeed take away the breadth and
boldness of its sublimity, but we should add greatly to
its mere symmetry : especially as some other minor
fiiXures would for the same reasons follow. There would
then remain there the polygamous monarch of the skies,
with his chief and secondary wives, the ranks of earth
supplying him from time to time with further satisfaction
for his passions; and in hisvarious children or companions
would be represented the various essential functions, as
they were then estimated, of an organized community.
Themis would represent policy. Mercury gain, the
Muses song, and with it all knowledge ; Vulcan, manual
skill ; Mars, the soldier ; Paieon, the surgeon ; Venus,
that relaxed relation of the sexes to wdiich mankind
has ever leaned. For corn there would be Demeter or
Ceres, and for wine, Dionysus or Bacchus. I grant that
there is here inserted one single ingredient not know^n
to the Homeric Olympus. His Muses are not stated to
have any foreknowledge. But, after allowing for this
trifling exception, I think it remains clear that though
the ethics and the poetry of that region would be
fatally damaged by the removal of Apollo and Mi-
nerva, its mere statistics might be visibly improved.
The discussions which have arisen upon the ety-
mology of the name Apollo, are in themselves signifi-
cant of the difficulty of accounting for his origin my-
thologically. Miiller mentions the derivation from the
sun ('Hfe'Xtof, AHeXtof) in order to reject it; as he re-
pudiates (and very justly) the whole theory, which treats
this deity as an elemental pow-er. Passing over others
as unworthy of serious notice, he rejects airoWvixi^^, as
134 Olympus : the Religion of the Homeric age.
' founded on a partial and occasional attribute of the
god,' and adopts aireWayv the averter {sc. of evil) or
defender, as most expressive of his general function :
in other words, though he does not go on to say so,
he is the darkened shadow of the Saviour. But the
really characteristic name of Apollo he conceives to
be ^o'l^o^, the bright and clear''. Clemens Alexandri-
nus, in the Stro7nata, fancifully derives the name from
a privative, and iroWow, and interprets the name as
signifying the negation of plurality, and thus the unity
of the Godhead >'.
The name of Athene would appear to be formed by
transposition from the Egyptian Neith^ to whom, ac-
cording to ancient inscriptions, very high and compre-
hensive dignities were assigned. It does not follow that
we are to regard the Athene of Homer as an Egyptian
divinity ; though an Egyptian name may have been
the centre, around which gathered the remarkable and
even august fragments of the Messianic traditions
that we have found represented in her.
In quitting a subject of so much importance, I will
now endeavour to sum up, in the most concise form of
which it is susceptible, the evidence to be drawn from
Homer of the different position held by Apollo and
Minerva from that of the other Olympian deities.
I. Points of distinction in their relations to the
Olympian Court and its members.
I. The dignity accorded to them is quite out of
*i Which however has the sanction of Euripides as well as Archi-
lochus, (sup. p. 131 n.);
da xP'^o'otpeYyes 17X1', ios fi oTraXeaas
odfv (T 'AttoXXcov' ejjL^pavcos Kkfjaei /3pords.
Eurip. Phaeth. ap. Macrob. Sat. i. 17.
X Doiians, II. vi. 6, 7. > Strom. L. i. p. 349 B.
z See Bunsen's 'Egypt's Place,' I. vi. A. 7.
Summary of distinctive traits. 135
keeping with their rank, as belonging to the junior
generation of the mythological family, which was, as
such, inferior in rank and power to the senior one^.
2. They bear visible marks, even in the mythological
order, of an antiquity greater than that of the other
deities in general.
3. The external administration, or subordinate parts
of the functions assigned to them in the mythological
system, are commonly devolved upon another set of
deities, here called Secondaries.
4. A peculiar dignity, in the nature of precedence, is
accorded especially to Minerva.
5. We have next noted the singular union of Apollo
with Jupiter in will and affection, and the relation of
both to him, as the proper and regular ministers of the
supreme dispensations of heaven, apart from the par-
tial and individual action of particular gods.
6. The defence of heaven against rebellion is dimly
recorded to have been the act of Apollo ; and indispen-
sable assistance was also rendered on another occasion
to Jupiter by Minerva.
7. These great divinities are never baffled, disgraced,
or worsted in any transaction between themselves and
any other deity ; nor ever exhibited by the Poet in a
disadvantageous or disparaging position.
II. Points of distinction in their terrestrial relations
and their conditions of physical existence.
1. They were known by men to be entitled, either
alone, or in common with Jupiter only, to a peculiar
reverence or honour.
2. They were the objects of worship in all parts of
the Homeric world.
3. Neither of them are bound to any local residence
^ See the observation of Neptune, II. xv. 1 95-8.
136 Olympus : the Religion of the Homeric age.
in })articulai' ; and for Apollo there is no trace of any
such residence at all.
4. Tliey are both the objects, Minerva more particu-
larly, of general invocation and prayer, irrespective of
place and circumstances.
5. They are exempted from the chief physical limita-
tions, as of time, place, and perceptive organs, which are
generally imposed upon the deities of invention.
6. They have a separate and independent power to
punish those who offend them, without any need of an
appeal to Jupiter, or to the Olympian Court.
7. They are admitted, exclusively, or in common
with Juno only, to a share in certain peculiar my-
thological functions of Jupiter himself.
8. They have a power of making revelations to men,
through signs or portents significant of the future.
9. They have a general power of extraordinary or
miraculous action upon nature, to which scarcely any
other deity approaches.
10. The peculiar and mysterious relation of Apollo,
with his sister Diana, to death, cannot be understood
or accounted for from mythological data,
11. In the exercise of their power over nature,
Minerva and Apollo are, more than other deities,
exempt from the need of resort to symbolic actions by
way of cooperative means.
III. Points of distinction with regard to their per-
sonal characters.
1. Their moral tone is far superior to that of the
Olympian Court in general.
2. They are both peculiarly associated with Jupiter
in the original administration of Providential functions,
and are particularly concerned with the highest, most
ethical, and most inward parts of them.
Summary of distinctive traits. 137
3. Their relation to tlicir mytliological attributes is
difrercnt in kind from tliat of tlie ordinary Olympian
divinities.
4. They have a number and range of attributes
quite without parallel in the Olympian system : and
yet with this a capacity of receiving new ones.
5. Both in themselves, and in reference to that
system, the whole conception of Apollo and Minerva,
if it be viewed mythologically, is full of inexplicable
anomaly : and the only solution to be found is in the
recognition of the traditional basis, on which the Ho-
meric representations of them must be founded.
Although what I have built upon this evidence may
be termed an hypothesis, the whole of the evidence
itself is circumstantial : and I feel that the effect of it
is not only to draw a broad line, but almost to place
an impassable gulf, between such divinities as the
Homeiic Minerva and Apollo, on the one hand, and
the Homeric Mars, Venus, Vulcan, and Mercury on
the other. The differences between them are, however,
graduated and shaded off by the interposition, first, of
the minor traditive deities, such as Latona and Diana ;
and, secondly, of the greatest among the Olympian
personages chiefly or wholly mythological, such as
Neptune and Juno : and it is probably this gradu-
ation, running through the Olympian body, which has
prevented our duly appreciating the immense interval
that lies between its extremes.
It is to the indefatigable students of Germany that
we, the less laborious English, are, along with the rest
of the world, indebted for what may be called the
systematic treatment of the Homeric poems with re-
spect to the facts they contain. To amass evidence is
one thing ; to penetrate into its heart and spirit is
138 Olympus : the Religion of the Homeric age.
another. The former without the latter is insufficient;
but the former is to the latter an indispensable pre-
liminary. The works of Homer should be viewed, and
their testimony registered, like the phenomena of a
geological period : so unencumbered is he with specu-
lation or the bias of opinion ; so true, clear, direct, and
unmixed is his exhibition of historical and moral fact.
This method of investigation, honestly pursued, carries
with it an adequate and a self-acting provision for the
correction of its own errors.
Since I commenced the examination of the question
now before us, there has appeared the second edition
of a work, which I believe to be the latest compendium
of what may be called the facts of the Homeric poems,
by J. B. Friedreich. I find that this writer has been
struck by the overpowering evidence of the vestiges of
an early revelation in the characters of the Homeric
Minerva and Apollo^. He observes the separate cha-
racter of their relations both to Jupiter and to man-
kind ; assigns to them an unbounded power over all
events and the whole of human life ; and says, ' This
Triad of Zeus, Athene, and Apollo, bears an unmis-
takeable analogy to the Christian Trinity, of Father,
Holy Ghost, and Son : Jupiter answering to God the
Father, Athene to the Holy Ghost, and Apollo to the
Son of God, the Declarer of the will of His Heavenly
Father : like as, furthermore, the early Christians have
largely compared Christ with Apollo.'
In this representation I find a fundamental agree-
ment with the views expressed in the present work.
a Die Realien in der Iliade on the sublimity of the Apollo of
und Odyssee von J. B. Friedreich. Honier : but his account of the
Erlangen, 1856. In three parts, deities of the poems is brief and
See P. iii. §. 194. p. 635, and rather slight. B. II. ch. xii.
§. 198. p. 689. Mm*e observes sect. 4.
Escplanation l>y Friedreich. 139
But I venture to think that tlie particular mode of the
relation between the Homeric and the primitive tra-
dition, which has been set forth in this work, is more
natural and probable than that asserted by Friedreich.
As it has been here represented, we are to consider the
primitive tradition as disintegrated and subdivided.
First, that of the Redeemer is severed from that of the
Holy Trinity. Next, its two aspects of the Wisdom and
the Messiah, become two impersonations. And then the
impersonation which represents the tradition properly
Messianic, is itself again subjected to duplication. As
the result of this threefold operation, we have —
I. The trine Kronid brotherhood.
1. Minerva and Apollo.
3. Apollo and Diana.
The principle of the severance always being, to get
rid of some difficulty, encountered by the human appre-
hension in embracing the integral tradition.
The difficulty at the first step was to reconcile equa-
lity, or what the Christian dogma more profoundly terms
consubstantiality, with a ministerial manifestation.
The difficulty at the second step probably was to
combine in one impersonation two groups of images,
the one (the Wisdom), relating to function that dwells
purely in the Godhead ; the other, to function con-
taining the element of humanity ; it was, in short, to
grasp the doctrine, ' One altogether ; not by confusion
of Substance, but by unity of Person.'
The difficulty at the third step apparently was, as
has been stated, to associate the ideal of a strict and
severe chastity with any but a female nature.
There is no question now before us as to Apollo :
the point at issue is, whether we are to regard the
140 Olympus: the Religion of the Homeric age.
Athene, or Minerva, of Homer as derived from traditions
of the Logos, or from traditions of the Holy Spirit.
I urge the former, for the following reasons :
1. Setting aside what was involved in the doctrine
of a Trinity (which is otherwise rejiresented), we have
no evidence that there was any such substantive body
of primitive tradition resj^ecting the Holy Spirit, as
would be likely to form the nucleus of a separate
mythological impersonation, and especially of one en-
dowed with such comprehensiveness, solidity, and
activity of function as Minerva. Whereas it appears
that there was that kind of substantive tradition with
respect to the A070?, the Word or Wisdom of God.
2. In the order of primitive tradition, the Son of
God would precede the Holy Spirit, as is the case in
the order of the Christian dogma; and the fragments
of such tradition, when carried into mythology, would
preserve and probably exaggerate, at any rate would not
invert, the relation. But in the Homeric mythology,
Minerva has a decided practical precedence over
Apollo, and above all, when they come into collision,
it is Apollo that yields, as in the incidents of the
Seventh and Tenth Iliads, and in the general issue of
the Trojan war.
3. But this difference is just what might be expected
to follow, upon the natural divergence of the two tra-
ditions of the Word and the Incarnate Messiah respec-
tively. The latter, as more human, would take rank
after the former as more Divine.
4. We have also found a greater tendency on the
part of Minerva to act independently of Jupiter. This
is no unnatural diversion from the tradition of the
A070?, but it would be hard to connect ideally with
Mailer's treatment of A'pollo. 141
the Holy S])irit, who lias not, in the ancient tradition,
the same amount or kind of separate development as
the Messiah.
The functions of Apollo, and the nature, extent, and
history of his worship have been investigated at great
length by Miiller, in the Second Book of his learned
and able History and Antiquities of the Doric race.
He has shown the immense importance of this deity
in Greek history and religion, reaching every where,
and embracing every object and purpose. He recog-
nises the apparent antagonism subsisting among his
infinitely varied functions ; which he makes elaborate
and ingenious, but I think necessarily insufficient,
efforts to trace ideally to an union of origin within the
mythological system. His hypothesis, that the worship
of Apollo was wholly due to Dorian influence, requires
the support of the most violently strained assumptions ;
as for example, that its prevalence, apparently at all
points, in Troas is to be accounted for by Cretan influ-
ences there, which, at the most, tradition would only
warrant us in believing to have existed in a very con-
tracted form, and with influence altogether secondary.
Altogether, this sheer Dorianism of Apollo is at vari-
ance with the whole spirit and effect of the Homeric
testimony; for in Homer the Dorians are insignificant
and undeveloped, while the power and worship of
Apollo had attained, as we have seen, to an extraordi-
nary height, and to the very broadest range. Again,
Miiller'' acknowledges the great difficulty of the dual-
ism presented to us by the figures, concurring as they
do in such remarkable functions, of Apollo and Diana:
a diflficulty, which he seems to think incapable of full
^ B. II. ch. ix. 2. and 9.
142 Olympus : the Religion of the Homeric age.
explanation. While attaching great value to his trea-
tise, I have the less hesitation in adopting conclusions
that he does not authorize, because his work is based in
some degree upon that (as I presume to think) de-
fective mode of appreciation of the Homeric as com-
pared with the later traditions, against which I have
ventured to j^rotest, and from the consequences of
which it is one of my main objects to effect at least a
partial escape.
It will have appeared from this general account of
the traditive characters of Apollo and Minerva, that
the former represented the tradition of a person, and
the latter of an idea. Accordino-lv tlie orioinal cha-
racter of Apollo, which he bore during the infancy of
the mythical system, is in many points the more signi-
ficantly marked ; as for example, by his share in the
War with the Giants, and by his mysterious relation
to Death.
But it was natural that, in the course of time, as
tradition in general grew weaker with the increasing
distance from its source, and as the inventive system en-
larged its development, those particular traditions, which
were self-explained by having their root in an intelligible
idea, should hold their ground much better than such
as had become mythical and arbitrary by having lost
their key. The traditional IVIinerva had an anchorage
in the great function of Wisdom ; the traditional Apollo
had no support equal to this in breadth and depth ; and
his attributes, the band of revelation being removed,
lost their harmony and could ill be held together.
Accordingly we find that in the later ages of the
mythology Apollo had lost much of what was transcend-
ant in his importance, but that Minerva retained her
full rank. One and the same Ode of Horace supplies
The Diana of Homer. 143
the proof of both. He places Apollo on a level not
only with Diana, but with Bacchus^ :
Proeliis audax, nequc te silcbo,
Liber : et sasvis inimica virgo
Belluis ; ncc tc rautuendc ccrta,
rhtE'bc, sagitta.
But, after having described the supreme and transcen-
dant dignity of Jupiter, he at once ])roceeds to place
Pallas before every other deity without exception d :
Unde nil majus gcncratur ipso :
Nee viget quicquam simile aut secundum ;
Proximos illi tamcn occupavit
Pallas honores.
I will now pass on to consider the remaining vestiges
of original tradition perceivable in Homer.
Like the Moon to the Sun, an analogy maintained
by their respective assumption of the two characters in
the later mythology, Diana is a reflection, and in most
respects a faint reflection, of Apollo.
She was worshipped, says Miiller% in the character
of 'as it were a part of the same deity.' He collects
and reviews, from the whole circle of Greek history
and mythology, the points of coincidence between
them : and notices particularly, that like him she is
both XvKela and ovkla, both the destroyer and the pre-
server ; that she administers her oflflce as angel of
Death, sometimes in v/rath and sometimes without it ;
and that her name Artemis, meaning, as he conceives,
healthy and uninjured, is in close correspondence with
those of Phoebus Apollo.
c Hor. Od. I. xli. 21. tarch. Spnpos. ii. p.617. C. Find.
^ Ibid. 17. Compare tlie pas- Fragm. xi. 9. and the Orphic
sages cited by Nagelsbach, Hom. Foet iu Diintzer, p. 9.
Theol. I. ii. 21. Hesiod Theog. ^ Dorians, ii. ch. 9.
896. Callim. Lav. Fall 132. Flu-
144 Olympus: the Religion of the Homeric age.
All this is ill conformity witli what we gather from
the poems of Homer : but those poems have spared us
many of the confused and perplexing phenomena, which
are presented by the later mythology.
One side of the divided Messianic tradition, its purity,
is best represented in Diana, through her severe and spot-
less chastity.- Its force and scope are much more largely
developed in Apollo. But this high purity, and the double
aspect of the ministry of Death, appear to be of them-
selves sufficient to stamp her beyond mistake with a
traditionary origin. Small resemblances, too, as well
as great ones, are traceable in Homer between her and
Apollo, such as her golden throne and golden distaff,
which may be compared to his golden sword, the sword
of primeval light: and even these minor correspond-
ences may in their own degree bear witness to the ori-
ginal and integral shape of the tradition.
If she is thus clothed in a sort of lunar light, and is
in the main a reflection of Apollo upon earth, such we
may probably consider Persephone in the Shades®.
Let us, however, consider what can be gathered from
Homer as to the attributes of Diana.
This deity would appear to have been, according
to him, a deity of universal worship. We may perhaps
safely infer thus much from the single fact of her
ministry of Death, She is also represented as extend-
ing her agency to Troy, where she taught Scamandrius
to hunt*"; probably to Crete, in the case of the daugh-
ters of Pandareos ; she is invoked in Ithaca by Pene-
lope, puts Ariadne to death in Dia, exercises a similar
function for the women in ^vpln, sends the Calydoniaii
boar for a defect of homage in ^tolia, and is fami-
c See 'Persephone' in section iii. ^ II. v. 49-52.
The Diana of Homer. 145
liarly mentioned in connection with the Greeks gene-
rally, while her ])lace in the Theomachy may suffice to
mark her as also a Pelasgian goddess. In most points,
however, she partakes largely, as might be expected, of
the characteristics of the ordinary deities of invention.
Had she repeated all the chief notes of Apollo, and
with any thing like an equal force, the question of tra-
ditional origin would perhaps have been more doubtful
than it now is.
When she is invoked by Penelope, it is in connec-
tion with her share of the s])ecial ministry of deaths.
She is nowhere else made the object of prayer.
It is her deep resentment at the omission of sacrifice
which provokes her to send the Calydonian boar^.
In the Fifth Iliad, she and her mother Latona appear
as deities purely subsidiary to Apollo. He deposits
iEneas in his temple : there, not in a temple of their
own, Latona and Diana attend upon and heal him'.
In the Theomachy, she is treated with the same
ignominy as Mars and Venus, but by Juno instead of
Minerva. Her railing address to Apollo is conceived
in the lower and not in the higher spirit (II. xxi.
472-7)-
She never assumes a general power, either over man
in mind or body, or over outward nature.
She has no share in the general movement of either
poem, and is introduced in the great majority of in-
stances by way of allusion only.
Her near relation to Apollo gives a certain grandeur
to her position : but the inventive elements of the
representation greatly obscure and even partially over-
bear the traditional.
Her side in the Trojan war is to be explained by
g Ofl. XX. 6i. h II. ix. 533-7. ' II. V. 444-7-
L
146 Olympus : the Religion of the Homeric age.
her relation to Apollo. In all other points she seems
to be a goddess of associations more properly Greek,
perhaps in consequence of their greater addiction to
hunting.
In treating the Homeric Diana as a personage prin-
cipally ancillary to Apollo, and equipped with reflec-
tions, or stray fragments, of prerogatives chiefly be-
longing to him, I do not attempt to foreclose the
question what may have been the origin of her name,
or whether she may be connected with any mytho-
logical original in the religions of the East or of
Egypt.
Dollinger conceives that the union of Diana with
Apollo wiis Greek, and that they were not originally
in relation with one another; while he justly observes,
that this deity, like Apollo, has a great and inex-
plicable diversity of function. She, like other deities
of Greece, has been thought to represent the Astarte
of the Syrians. Again, Herodotus^ has given us most
curious information respecting the gods of the Scy-
thians, whom we have found to be related to the
Pelasgi. They worship, he states, the Celestial Venus
under the name of Artimpasa. This name, it has
been ingeniously conjectured', is composed (i) of the
name Mitra, which the Persians gave to Venus™, and
which reversed becomes Artim, and (2) of the Sanscrit
Bha.s, meaning shine, and thus corresponding with the
^oi/So^ of Apollo, and the TXavKwirig of Pallas : all of
them being, as it were, shreds of the tradition fully
represented in the Shechinah of the Jews, and the
' Light' of Saint John. This also corresponds with the
cluster of golden epithets, the y^^pva-tjXaKUTo?, ^pucnji/ios,
k Herod, iv. 59. Language, chap. iii. p. 78.
1 Welsfoid on the English m Herod, i. 131.
The Latona of Homer. 147
and ■x^f)vcr60povo■ I do not reckon the ElXtdvlai, II. xi. 270. i. ii. 491. xiii. 299.
who appear to be purely pocti- ^ Hymn, ad ApoU. 62.
cal and tigurative daughters of ' Theogon. 918-21.
Juno, like the Muses of Jupiter ;
152 Olympus: the Religion of the Homeric age.
descent and consanguinity, and for her total want of
attributes ?
It must be granted that there is a certain deo'ree
of resemblance between Latona and Dione : turning
mainly upon this, that Dione seems to be in Olympus
without either dignity or power, and simply as the ve-
hicle, through which her daughter Venus was brought
into existence. But then the want of basis is in her
case immediately made evident by results. Even in
Homer she is not among the gods of the Theomachy ;
nor is she named among the mothers in the Fourteenth
Book ; and Hesiod, though she is invoked in the sus-
pected Proem of his Theogony, entirely passes her
over in the body of it, and furnishes Venus with an-
other origin. She remains all but a cipher ever after.
Again, the epithets attached to Latona are such as
to leave her, and her alone among all deities of such
dignity, wholly functionless, and also wholly inactive. I
distinguish the two, because Juno has only a limited
function, but she has power, and an immense ac-
tivity. Latona has beauty and majesty, qualities which
a])pertain to every goddess as such : she is KaWnrdprjogy
€V7r\oKa/xog, KaWnrXoKa/J-og, ■^vaoTrXoKajj.og, ijuKO/nog, /cfOjOV,
TTorvia, and epiKvS}]^: and we may observe in the more
personal portion of these epithets how Homer, with his
usual skill, has avoided placing her in any kind of
rivalry with Juno, who is usually praised for her eyes
and arms, not her cheeks and hair. But they all leave
her void of purpose ; and she must stand as a sheer
anomaly, unless there is some better explanation of her
being and place in mythology, than mythology itself
can supply.
Even in the later tradition, Latona never gains a
definite office : she remains all along without any
Her relation to primitive Tradition. 153
meaniiig or purpose intrinsic to herself : she shines
only in tlio reflected glory of her ofr8i)ring, and is com-
monly vvorshij)])ed only in union with them". If there-
fore it has been shown, that the mythological character
of Apollo is clearly the vehicle of the ancient tradition,
known to us in the Book of Genesis, respecting the Seed
of the woman, it seems plain that in Latona is repre-
sented the woman from whom that Seed was to spring.
I do not presume to enter into the question whether
we ought to consider that the Latona of Homer re-
])resents the Blessed Virgin, who was divinely elected
to be the actual mother of our Lord ; or rather our
ancient mother Eve, whose seed He was also in a pe-
culiar sense to be.
So far as personal application is concerned, the same
arguments might be used upon the subject, as upon
the interpretation of the original promise recorded in
Scripture : and the question is one rather of the inter-
pretation of Scripture, than of Homer. The relation
which appears to me to be proved from the text of the
poems, is between the deity called Latona and the
fifteenth verse of the third chapter of Genesis. As to
all beyond this, I should suppose it perhaps more just
to regard her as a typical person, exhibiting through
womanhood the truth of our Blessed Lord's humanity,
than as the mere representative of any individual per-
sonage.
Backward as is the position of Latona in the practi-
cal religion of Homer, the universal recognition of the
deity is sufficiently established : on the one hand by
her place among the deities of the Trojan party ; on
the other, by the punishment of Niobe for an offence
against her either in Greece, or at the least in a re-
» Smith's Diet., art. Lcto.
154 Olympus : the Religion of the Homeric age.
cognised Greek legend ; by the punishment of Tityiis ;
and by her inclusion in the Catalogue of the Four-
teenth Iliad.
To this very remarkable deity no utterance of any
kind is ever ascribed by Homer, and with, I think,
three small exceptions, nothing of personal and indivi-
dual action. Even when she takes her place among
the deities in the array of battle, it is not said that she
stood up against Mercury, but simply that Mercury
stood up against her ^.
The three cases are as follows. First, when he makes
over to her the victory in waiving the fight, she offers
no reply ; but simply picks up her daughter Diana's
bow and arrows, and goes after her, apparently with
the intention of offering her comfort. The next
action >' attributed to her is this: that when Apollo^
has carried the bruised and stunned ^neas into his
temple on Pergamus, Latona and Diana tend him
there. Thus both of these actions exhibit her in strict
ideal subordination, so to speak, to one of her children,
as though by tradition she existed only for them. But
the second is especially remarkable, and alike illustra-
tive of the traditional basis of the IMother and of the
Son.
In the first place, as it appears to me, there can
hardly be a circumstance more singular, according to
the principles of the Greek mythology, than that any
one deity should be introduced as acting, not in her
own temple, but in the temple of another. Such how-
ever is here the case with Latona and Diana in the
temple of Apollo.
Next, they are acting as purely ministerial to him.
" II. XX. 72. y II. xxi. 496-504.
z II. V. 445. et seqq.
Her .sUyo(.S.
The hypothesis, then, of traditional origin is the key,
and the only key, to the position of the Homeric Iris.
Before quitting the precinct of the primeval tra-
dition discoverable in Homer, we have yet one very
remarkable group of impersonations to consider, that in
which the goddess "Art] is the leading figure. Com-
monly regarded as meaning Mischief, the word is not
capable of being fully rendered in English : but Guile
is its primary idea, in the train of which come the
sister notions of Folly and Calamity.
"Ati] both wishes and suggests all ill to mortals ; but
she does not seem in Homer to have any power of
injuring them, except through channels, which have
been wholly or partially opened to her by their own
volition.
The "At>; of the later Greeks is Calamity simply,
with a shadow of Destiny hanging in the distance ; as
in the magnificent figure of the lion's cub in ^schylus'\
f II. xi. 29. s Od. xviii. 7. •> ^scli. Agam. 696-715.
The At(> of Homer. 159
But the word never bears in Homer tlie sense of cala-
mity coming sim}»ly from without. This is evident
even from the large and general description, where she
aj)pears in company with the Ajra/'. Vigorous and
nimble, she ranges over the whole earth for mischief.
After her, slowly lag the Prayers or Airai, honoured
however in being, like her, daughters of Jupiter. These
arc limping, decrepit, and unable to see straight before
them. The leading idea of "At>] is not force, but
cunning. She is the power that tem])ts and misleads
men to their own cost or ruin, as they afterwards find
out. Nay, she tempts the deity also : for she beguiles
even Jupiter himself^ when Hercules is about to be
born, and induces him thoughtlessly to promise what
will, through Juno's craft, overturn his own dearly
cherished plans. For this excess of daring, however,
she herself suffers. Jupiter seizes her by the hair, and
hurls her from Olympus, apparently her native seat.
ThenceforM'ard she can only exercise her function
among men ; who, when they have yielded to the se-
duction, and tasted the ashes under the golden fruit, at
length set about repentance or prayer :
All lost ! to prayers^ to prayers ! all lost !i
Now though the impersonation of Ate in Homer is
one of the indeterminate class, it is surely a mistake to
treat it as representing the mere poetical incorporation
of an abstract idea. On the contrary, we seem to find
in it the old tradition of the Evil One as the Tempter;
and it may be said that the word Temptress would best
represent the Homeric idea of "At>/. In this sense it will
supply a consistent meaning to the fine passage in the
speech of Phoenix : for we are swift, so says the Poet, to
i II. ix. 499-514. k II. xix. 95 seqq. • Tempest, I. i.
160 Olympus : the Religion of the Homeric age.
fall into temptation, and to offend, ingenious only in not
seeing our fault, and covering it with excuses : but slow,
and like the half-hearted, decrepit Airal, when we have
to make our entreaties for pardon, and to think of resti-
tution and amendment. Yet as even the gods listen
to their entreaties, ' so,' says Phoenix, ' shouldst thou, O
Achilles : and if thou dost not, then mayest yet thyself
fall.' But if "Art] meant only misfortune, the passage
loses all its harmony, and even becomes absurd ; for
surely none will say that men are slow to discern adver-
sity, or to offer petitions, wherever they have a prospect
of being heard, for relief from it.
There is no passage which appears to me more cha-
racteristic of the true distinctive character of the Ho-
meric "Atj;, than that in which Dolon confesses his
folly "^:
TToW'rjCTiv [x anjai irapeK voov ijyayev' EKTOip.
Here we have Hector, the tempter : arm, the
temptation : voo?, the sound mind, from which temp-
tation diverted the self-duped simpleton : '//yayev, ex-
pressive of the medium, namely, through volition, and
not by force.
The elements combined in the idea of the Homeric
"At>], and the conditions of her action, may be presented
together as follows :
1. She takes the reins of the understanding and
conduct of a man.
2. She effects this not by force from without, but
through the medium of his own will and inward con-
sent, whether unconscious or express.
3. Under her dominion he commits offences against
the moral law, or the law of prudence.
"» II. X. 390.
The Ate of Homer. 161
4. These offences are followed by his retributive
sufferings.
The function of the Tempter is here represented
with great precision ; but two essential variations have
come to be perceptible in the idea taken as a whole.
The first, that this"AT»/ is herself sometimes prompted
or sent by others, as by 'E^oau?, (Od. xv. 234,) or by
her with Zeu? and Molpa, as in II. xix. 87. And ac-
cordingly she too is a daughter, nay, the eldest daughter,
of Jupiter himself".
The second variation is this : that offences against
the mere law of prudence find their way into precisely
the same category with sins ; or, in other words, the
true idea of sin had been lost. "Arri the person, and
arr} the effect, are, moreover, frequently blended by
the Poet.
Among the principar'Arat of Homer are those,
1. Of Jupiter, 11. xix. 91 — 129.
2. Of Dolon, II. X. 391 ; leading him to accept the
proposal of Hector.
3. Of Melampus, Od. xv. 233, 4, causing him to
undertake an enterprise beyond his means on account
of the daughter of Neleus.
All of which are against the law of prudence and
forethought.
4. Of Agamemnon, II. xix. 88, 134-8.
5. Of Paris, II. vi. o^i^G, xxiv. 28.
6. Of Helen, Od. iv. 261. xxiii. 223.
7. Of manslaughter, II. xxiv. 480.
8. Of the drunken centaur Eurytion, who had his
ears and nose cut off for his excesses, Od. xxi.
296 — 302.
In one i)lace only of Homer, aV*? seems to mean
n II. xix. 91.
M
162 Olympus : the Religion of the Homeric age.
calamity not imputable to the sufferers fault, further
than by some slight want of vigilance. This is the arri
charged upon Ulysses, when his companions destroy the
oxen of the Sun, Od. xii. 372. At least he had no
further share in that matter than that, by going to
sleep, he left his comrades to act for themselves.
The long continued misconduct of the Suitors is never
described as their arri : probably because the word pro-
jDerly signifies a particular temptation followed by a par-
ticular act, rather than a continued course of action.
This, again, serves the more closely to associate "At*/
with the primitive tradition of the Fall of Man.
The higher form of human M'ickedness, which is
attended with deliberate and obstinate persistence in
wrong, is not uTn but uTaa-OaXlr]. Such is the wicked-
ness of ^gisthus and of the Suitors ; such also that of
the Giants. The same phrase is applied to the crew of
Ulysses, who devoured the oxen of the Sun" : and this
appears to conform to the view taken of their offence in
the poems, however anomalous that view itself may be.
I will now gather into one yiew the dispersed
fragments of tradition concerning the Evil One which
seem to be discernible in Homer.
1. "Art] is the first, and the one which comes nearest
to presenting a general outline.
2. A second is found in Kpovos^, who aims at the
destruction of Godhead in its supreme representatives,
and is thrust down to Tartarus by Jupiter. And we
may here observe an important distinction.
Some persons, like Tityus, offend against a particular
person who had taken a place in the Olympian Court ;
o Od. i. 7. him we have no other mention in
P II. xiv. 203. viii. 478. Avhere Homer.
Tapetus is joined with Kpovos. Of
Other traditions of tJie Evil One. 163
or else, apparently like Orion, offend the gods in general
by their presumption. Tliey are punished in the Shades.
But those who have aimed at the dethronement or de-
struction of Godhead itself are in the far deeper darkness
of Tartarus^. I suggest this as a possible explanation
of the double place of punishment ; which is otherwise
a])parently a gross solecism in the Homeric system.
3. To the latter class of offenders belong the Titans,
who most pointedly represent the element of Force in
the ancient traditions, while "Arr) embodies that of
Guile.
These are the Oeol vTroraprdpeoi, or the eveprepoi, or
evepOe Oeo), M'ho form the infernal court ofKpovos; Kpovou
aiui.(pi9 iovre? (II. xiv. 274, 9. XV. 225). They are evidently
themselves in a state of penal suffering ; but they must
also have the power of inflicting tlie severest punish-
ment on some other offenders ; for they, and not Aides
or Persephone, seem to be the persons called to be wit-
nesses of the solenin oath for the avoidance of perjury,
taken by Juno in the Fourteenth Book ^.
4. Of these Titans two are apparently named in the
persons of Otus and Ephialtes, children of Neptune.
5. To the same class, in all probability, belong the
Giants, led by Eurymedon, and born of the same
mythological father. Od. vii. 58.
6. It is likely that Typhoeus may have been of the
same company ; for although he is not stated to be in
Tartarus, yet his position corresponds with it in the
essential feature of being under the earth. (II. ii. 782.
viii. 14). Homer does not indeed expressly say, that
Otus and Ephialtes were Titans, nor that Eurymedon
was of the same band ; nor yet that the Titans were
rebels against heaven. But his images are so com-
q II. viii. 13 — 18. r II. xiv. 273, 278.
M 2
164 Olympus: the Religion of the Homeric age.
bined round certain points as to make this matter of
safe and clear inference.
For the Titans are in Tartarus, and are with and
attached to KjooVo?, whom Jupiter thrust down thither.
And the giants under Eurymedon, for their mad auda-
city, are driven to perdition^. Lastly, Otus and Ephi-
altes, who made war upon heaven, and whom Apollo
quelled, not appearing, like their mother Iphimedea, in
the Shades of the Eleventh Odyssey, can only be in
Tartarus*.
From the scattered traditions we may collect and
combine the essential points. In Otus and Ephialtes
the rebellion is clearly stated, and in Eurymedon it is
manifestly implied. In the Titans, who are called 6eo\,
and in their association with l\p6vo?, as also in the
high parentage of the others, we have the celestial
origin of the rebels. In the hurling down of K^jovo's
to Tartarus, we have the punishment which they all are
enduring, immediately associated with an act of supreme
retribution.
7. Elsewhere will be found a notice of the singular
relation, which may be traced between Neptune and
the tradition of the Evil One. This relation is mytho-
logical in its basis: but it seems to proceed upon the
tradition, that the Evil One was next to the Highest.
8. A more recent form of the tradition concerning
the great war in heaven seems to be found in the re-
volt of the Immortals of Olympus, headed by Juno,
Neptune, and iSIinei-va, against Jupiter, which was put
down by Briareus or ^ga^on of the hundred hands.
Who this JiI,ga}on was, we can only conjecture : he
is nowhere else named in Homer. From his having
a double name, one in use among gods, and the other
* Od. vii. 60. t Od. xi. 305-20.
Citations from Holy Scripture. 165
among rnortals, it might be conjectured that tlie im-
mediate source of this tradition was either Egypt, or
some other country having like Egypt an hieratic and
also a demotic tongue. In its substance, it can hardly
be other than a separate and dislocated form of the
same idea, according to which we see Apollo handed
down as the deliverer of Olympus from rebellion. The
expression that all men (II. i. 403.) call him M^gdiiow^
tends to universalize him, and thus to connect him
with Apollo. He is also (v. 403.) a son of Jupiter,
avowedly superior to him in strength :
6 yap avre /3n/ ov Trarpos ap.€iV(av.
It is perhaps worth while to notice the coincidence
between the language of Homer as to the Giants, and
that of the Books of the Ancient Scriptures. Homer
says of Eurymedon",
OS TToO^ vTTepOviiotai TiydvTeacrLV ISacTikevev'
aAA.' 6 piki^ wAeo-e \aov ardaOakov, ajXero 8 avTos.
Either the rebellion, or the punishment in hell, of a
wicked gang under the name of Giants is referred to
in the following passages of the Old Testament and
the Apocrypha. The allusion is not made evident, as to
the former set of passages, in the Authorized Version ;
I therefore quote from the Septuagint or the Vulgate.
1. Job xxvi.5. £cce gigantes gemunt sub aquis, et qui
habitant cum eis. Vulgate, nh ylyavreg lULaioDOi'ia-oprai
VTTOKaTwOev vSaT09 kcu twv yeirouoov avrov ; LXX.
2. Prov. ii. 18. eOeTO yap irapa Tcp QavuTic Tov oIkov
avTtji, Kai Trapa tw aoi] jueTa tcov yi]y£uo}v tovs aPova^ av-
T^?. LXX.
3. Prov. xxi.i6. Vir, qui erraverit a via doctrifits, in
ccetu gigantmn commorabitur. Vulg. avhp -rrXavooimevoi
" Od. vii. 59.
166 Oh/mjms : tlie Religion of the Homeric age.
€p oSou SiKaiocrvi't]^ ev (Twayajy^j yiyavTMV avaTravarerai.
LXX.
See Gen. vi. 4, 5 : in which we perhaps see the ori-
ginal link between the Giants, and the rebellion of
the fallen angels described by St. Jude, ver. 6 : ' And
the angels which kept not their first estate, but
left their own habitation, he hath reserved in everlast-
ing chains under darkness unto the judgment of the
great day.'
AVe have also the corresponding declaration of St.
Peter : ' God spared not the angels that sinned, but
cast them down to hell, and delivered them into chains
of darkness, to be reserved unto judgment ; and spared
not the old world ^.'
Again, in the Apocryphal Books.
1. Wisdom xiv. 6. ' In the old time also, when the
proud giants |)erished, the hope of the world, go-
verned by thy hand, escaped in a weak vessel.' Auth.
Version.
2. Ecclus. xvi, 7. ' He was not pacified toward the
old giants, who fell away in the strength of their fool-
ishness.' Auth. Version.
3. Baruch iii. 26, 8. 'There were giants famous from
the beginning. . .But they were destroyed, because they
had no wisdom, and perished through their owti foolish-
ness.' Auth. Version.
We thus appear to find in Homer many displaced
fragments of the old traditions of the Bible with re-
spect to the Evil One. In the later Greek and the
Roman literature, the traditions on the same subject
had almost entirely lost their likeness to their original.
The figure of 'Ar^/, and the idea of spiritual danger to
man through guile tempting him extrinsically but in-
^ St. Pet. ii. 2. 4. 5.
The Future State in Homer. 167
wardly, entirely disappears. There remains only the
recollection of a contest waged by brute force, and a
solitary remnant of forgotten truth in the fame still
adhering to Apollo, that he had been the deliverer
and conqueror, who in the critical hour vindicated
the supremacy of heaven. In the time of Horace
even this recollection had become darkened and con-
fused.
From the Homeric traditions of the Evil One and
the fallen angels, we may properly pass to tliose of a
future state, which involves, partially at least, the idea
of retribution.
The representations of the future state in Homer
are perhaps the more interesting, because it may be
doubted whether they are, logically, quite consistent
with one another. For this want of consistency be-
comes of itself a negative argument in support of the
belief that, as they are not capable of being referred to
any one generative idea or system, they may be dis-
torted copies or misunderstood portions of primitive
truth.
Another reason for referring them to this origin
appears to be found in their gradual deterioration after
the time of Homer. In his theology, future retribution
appears as a real sanction of the moral law. In the
later history, and generally in the philosophy of Pagan-
ism, it has lost this place : practically, a phantasma-
goria was substituted for what had been at least a
subjective reality : and the most sincere and pene-
trating minds thought it absurd to associate anything
of substance with the condition of the dead^. The
moral ideas connected with it appear before us in
y Arist. Eth. I. lo, ii.
168 Olympus: the Religion of the Homeric age.
descending series ; and thus they point backwards to
the remotest period for their origin and their integrity.
Lastly, it would appear that the traditions them-
selves present to us features of the unseen world, such,
in a certain degree, as Divine Revelation describes.
That world appears to us, in Homer, in three divi-
sions.
First there is the Elysian plain, apparently under
the government of Rhadamanthus, at which Menelaus,
as the favoured son-in-law of Jupiter, is to arrive. Tt
is, physically at least, furnished with all the conditions
of repose and happiness.
Next there is the region of Aides or Aidoneus, the
ordinary receptacle even of the illustrious dead, such
as Achilles, Agamemnon, and the older Greek heroes
of divine extraction. Hither, if we may trust the
Twenty-fourth Odyssey, are carried the Suitors ; and
here is found the insignificant Elpenor (Od, xi. 51).
Thirdly, there is the region of Tartarus, where K^ooVop
and 'IciTrero? reign. This is as far below Aides, as the
heaven is upwards from the earth ^.
Tliere appears to be some want of clearness in the
division between the second region and the third as to
their respective offices, and between the second and the
first as to their respective tenants.
The realm of Aides is, in general, not a place of
punishment, but of desolation and of glooms The shade
of Agamemnon weeps aloud with emotion and desire
to clasp Ulysses : and Ulysses in vain attem))ts to con-
sole Achilles, for having quitted 'the warm precincts of
the cheerful day.' But though their state is one of
sadness, neither they nor the dead who are named
^ II. \-iii. 16, 479. a Od. xi. 391. 488.
The Future State in Homer. 169
there are in general under any judicial infliction. It
is stated, indeed, that Minos^ administers justice
among them ; but we are not told whether, as seems
most j)robable, this is in determining decisively the
fate of each, or whether he merely disposes, as he
might have done on earth, of such cases as chanced
to arise between any of them for adjudication.
The only cases of decided penal infliction in the
realm of Aides are those of Tityus, Sisyj)hus, and Tan-
talus. Castor and Pollux, who appear here, are evident
objects of the favour of the gods*^. Hercules, like
Helen of the later tradition, is curiously disintegrated.
His elSeoXov meets Ulysses, and speaks as if possessed
of his identity : but he himself (avTo?) is enjoying re-
ward among the Immortals. The latter of these images
represents the laborious and philanthropic side of the
character attributed to him, the former the reckless
and brutal one. Again it might be thought that the
reason for the advancement of Menelaus to Elysium,
while Castor and Pollux belong to the under-world,
was the very virtuous character of that prince. He is,
however, not promoted thither for his virtues, but for
being the son-in-law of Jupiter by his marriage with
Helen. And thus again, the son-in-law of Jupiter is,
as such, placed higher than his sons.
The proper and main business of Tartarus is to serve
as a place of punishment for deposed and condemned
Immortals. There were lapetos and Kpovo?, there the
Titans^ : there probably Otus and Ephialtes, who not
only wounded Mars but assaulted Olympus^: there
too, were Eurymedon and the Giants, who perished by
their aracrOdXiai. Thither it is that Jupiter threatens
h V. 569. c Od. xi. 302-4. <^ II. xiv. 274, 9.
e II. V. Od. xi. 313.
170 Olympus: the Religion of the Homeric age.
to liurl do^yn offensive and refractory divinities^ Direct
rebellion against heaven seems to be the specific offence
which draws down the sentence of relegation to Tar-
tarus. Still in the Third Iliad Agamemnon invokes
certain deities, as the avengers of perjury upon man^;
/cat ol virivepOe Kaixovras
ai'dpcairovs t(vv(t6op, otis k i-niopKOV op^ocrarj.
It is not clear whether this passage implies that all
perjurors are punished in Tartarus ; or whether Aido-
neus, Persephone, and the Erinues are the subterra-
neous deities here intended : but as the Titans are
elsewhere only mentioned in express connection with
Tartarus, and from the description of the Erinues in
II. xix. 259, I incline to the latter opinion.
On the whole, then, there is some confusion between
these compartments, so to speak, of the invisible world.
The realm of Aidoneus seems to partake, in part, of the
character both of Tartarus and of the Elysian plain.
In common with the former, it includes persons who
wei'e objects of especial divine favour. In common
with Tartarus, it is for some few, at least, a scene of
positive punishment.
Still, if we take the three according to their leading
idea, they are in substantial correspondence with divine
revelation. There is the place of bliss, the final desti-
nation of the good. There is the place of torment,
occupied by the Evil One and his rebellious com-
panions : and there is an intermediate state, the recep-
tacle of the dead. Here, as might be expected, the
resemblance terminates ; for as there is no selection
for entrance into the kingdom of Aides, so there is no
passage onwards from it. We need the less wonder
at the too comprehensive place it occupies, relatively
^ II. V. 897, 8. viii. 10-17. 401-6. g 11. iii. 278. cf. xiv. 274, 9.
SacviJicicU tradition in Homer. 171
to tlie i)laces of reward and punishment proj)er, in the
Homeric scheme, when we remember what a tendency
to develop itself beyond all bounds, the simple primi-
tive doctrine of the intermediate state has been made
to exhibit, in a portion of the Christian Church.
A further element of indistinctness attaches to the
invisible world of Homer, if we take into view the
admission of favoured mortals to Olympus; a process of
which he gives us instances, as in Ganymedes and
Hercules. In a work of pure invention it is unlikely
that Heaven, Elysium, and the under-world would all
have been represented as rece])tacles of souls in favour
with the Deity. But some primitive tradition of the
translation of Enoch may account for what would other-
wise stand as an additional anomaly.
Upon the whole, the Homeric pictures of the pro-
longation of our individual existence beyond the
grave ; the continuance in the nether world of the
habits and propensities acquired or confirmed in this ;
and the administration in the infernal regions of pe-
nalties for sin ; all these things, though vaguely con-
ceived, stand in marked contrast with the far more
shadowy, impersonal, and, above all, morally neutral
pictures of the invisible and future world, which alone
were admitted into the practical belief of the best among
the Greek philosophers. We are left to presume that the
superior picture owed its superiority to the fact that it
was not of man's devising, as it thus so far exceeded
what his best efforts could produce.
The nature, prevalence, and uniformity of sacrifice,
should be regarded as another portion of the primeval
inheritance, which, from various causes, was ]>erhaps
the best preserved of all its parts among nations that
had broken the link of connection with the source.
172 Olympus : the Religion of the Homeric age.
Of the sabbatical institution, which the Holy Scrip-
ture appears to fix at the creation of man, we find no
trace in Homer. But it is easy to perceive that this
highly spiritual ordinance was one little likely to sur-
vive the rude shocks and necessities of earthly life, while
it could not, like sacrifice, derive a sustaining force from
appearing to confer upon the gods an absolute gift,
profitable to them, and likely to draw down their
favour in return.
Those who feel inclined to wonder at this disap-
pearance of the sabbath from the record may do well
to remember, that on the shield of Achilles, which
represents the standing occasions of life in all its
departments, there is no one scene which re])resents
any observances simply religious. The religious ele-
ment, though corrupted, was far from being expelled
out of common life ; on the contrary, the "whole tissue
of it was pervaded by that element ; but it was in a
combined, not in a separate, and therefore not in a
sabbatical form.
And again, in order to appreciate the unlikelihood
that such a tradition as that of the sabbath would long
survive the severance from Divine Revelation in this
wintry world, we have only to consider how rapidly it
is forgotten, in our own time, by Christians in heathen
lands, or by those Christian settlers who are severed
for the time at least from civilization, and whose ener-
gies are absorbed in a ceaseless conflict with the yet
untamed powers of nature.
SECT. III.
The inventive Element of the Homeric
Theo-myth ology.
I COME now to that mass of Homeric deities, who
are either wholly mythological, or so loaded with
mythological features, that their traditive character is
depressed, and of secondary importance.
Jupiter,
The character of Jupiter, which commonly occupies
the first place in discussions of the Greek mytliology.
Las been in some degree forestalled by our prior ex-
amination of the position of other figures in the system,
which are both more interesting and more important,
from their bearing more significant resemblances to
and traces of the truth of Divine Revelation.
Nevertheless, this character will well repay attention,
To be understood and appreciated, it must be viewed
in a great variety of aspects. When so viewed, it Mill be
found to range from the sublime down to the brutal, and
almost even down to the ridiculous. Upon the whole,
when we consider that the image which we thus bring
before us was during so many ages, for such multitudes
of the most remarkable portion of mankind, the chief
representative of Godhead, it must leave a deep im-
pression of pain and melancholy on the mind.
' If thou beest He ; but Oh ! how fairn, how changed !'
174 Olympus: the Relvjion of the Hameric age.
The Jupiter of Homer is to be regarded in these four
distinct capacities:
1. As the depository of the principal remnants of mo-
notheistic and providential ideas.
2. As the sovereign lord of meteorological phenomena.
3. As the head of the Olympian community.
4. As the receptacle and butt of the principal part
of such earthly, sensual, and appetitive elements, as, at
the time of Homer, anthropophuism had obtruded into
the sphere of deity.
There are three modes in which Homer connects
Jupiter with the functions *of Providence.
I. He ])roeures or presides over the settlement, by
deliberation in the Olympian Court, of great questions
connected with the course of human affairs. In the
Court of the Fourth Iliad, and in the Assembly of the
Eighth, he himself takes the initiative ; in the Seventh
and Twentieth Books he listens to the proposals of
Neptune; in the Twenty-fourth, Apollo introduces the
subject ; in the First and Fifth Odyssey, JNlinerva does
the like.
1. He is a kind of synonym for Providence with re-
ference to its common operations, to the duties and
rights of man, and to the whole order of the world.
Perhaps there are an hundred, or more, passages of the
poems, where he appears in this manner. But they are
all open to this observation, that his name seems, in most
of them, to be used as a mere formula, and to be a sort
of a caput mortuum without the enlivening force of the
idea that he is really acting in the manner or upon the
principle described.
3. On certain occasions, however, he appears as a
supreme God, though single-handed, and not acting
either for or with the Olynjpian assembly. The grandest
Jupiter, as Providence. ITo
of these occasions is at the close of the Twenty-fourth
Odyssey, where Minerva, stimulated by her own sym-
pathizing keenness, seems to have winked at the pas-
sionate inclination of Ulysses to make havock among
his ungrateful and rebellious subjects. Juj)itcr, who
had previously counselled moderation, launches his
thunderbolt, and significantly causes it to fall at the
feet of Minerva, who thereupon gives at once the re-
quired caution to the exasperated sovereign. Peace
immediately follows^.
Jupiter, with some of the substantial, has all the
titular appendages of a high supremacy. He is habi-
tually denominated the Father of gods and men. He is
much more frequently identified with the general go-
vernment of the world, than is any other deity. He is
universally the Ta/uLUj? iroXeixoio. He governs the issue
of all human toil, and gives or withholds success. It is
on his floor that the caskets rest, which contain the
varying, but, in the main, sorrov»'ful incidents of human
destiny'. He lias ak^o tliis one marked and paramount
distinction, that he does not descend to earth to execute
his own behests, but in general either sends other dei-
ties as his organs, to give effect to his will, or else
himself operates from afar, by his power as god of air.
If however he is more identified with the general idea
of Providence than are Apollo and JMinerva, it is plain,
on the other hand, that his agency is more external,
abstract, and remote; theirs more inward and personal:
especially, the function of moral discipline seems, as we
have already found, to belong to Minerva.
Nagelsbach*^ considers that Jupiter alone can act
from a distance : but the prayer of Glaucus to Apollo,
^ Od. xxiv. 481. 525-41. 546. i II. V. 91. xix. 223. iv. 34. i. 353, 408.
k Horn. Theol. Abschn. ii.
176 Olympus: the Religion of the Homeric age.
followed immediately by the healing of his wounds,
seems to prove the reverse conclusively. Again, Mi-
nerva reminds Telemachus that the deity can save even
when at a distance (Od. iii. 2,31): we have no au-
thority for absolutely confining this to Jupiter, and
none for affixing a limit to the space within which
Apollo or Minerva can act. That Jupiter always acts
from far, may be due in part to his representing the
tradition of the one God ; but the argument is also
in some degree incidental to the nature of his special
and mythological gifts, as god of the atmosphere and
its phenomena.
Upon the whole, the marks of affinity to ancient
tradition are stronger in the Homeric INIinerva and
Apollo than in Jupiter. He is the ordinary Providence,
but this is an external Providence. He undoubtedly
excels them in force, and in the majesty which accom-
panies it. But the highest of the divine prerogatives,
of which we have but glimpses indeed in any of them,
are hung more abundantly around these his favoured
children, than around himself. The secret government
of the minds of men, the invisible supremacy over
natural laws, the power of unravelling the future (ex-
cept perhaps as to the destinies of states), the faculty
of controlling death, are scarcely to be discovered in
Ju])iter, but are oftener made clearly legible in Apollo
or Minerva. Indeed Minerva appears always to have
latent claims, which Homer himself could not fully un-
derstand or describe, to the very first place. It is only
by supposing the existence of vague traditions to this
effect, that we can explain such passages as that in
which she delights, that Menelaus had prayed to her
in preference to any other deity';
1 II. xvii. 567.
Jupiter as Providence. 177
ws (f)aTO' yr]Oi]a^v 8e 0ea yXavKwiri^ Adrji't],
oTTi pa ol TidixTTpioTa Oeutv ?}p7/craT0 ttui'tuii'.
This sentiment may be accounted for in two ways.
It may be due to the vulgar vanity of a merely mytho-
logical divinity scuffling for precedence. It may be a
remnant of the tradition of a wisdom that knew no
superior. The former cause would be scarcely suitable
even to the deities of invention in Homer. The latter
seems wholly in keeping with the character and position
of his Minerva.
It may be asked, in which of the two capacities does
Jupiter chiefly influence the government of the world ?
is it as the Supreme Deity, acting in the main by his
own will and power ? or is it as the head of the Olym-
pian community, to whose deliberate decisions he, in
a species of executive capacity, gives effect ?
I think there can be no doubt that the activity of Ju-
piter is principally made available in the latter capacity.
Not that the Poet had defined for himself the distinc-
tion. But there were two processes, each of which had
been actively advancing : the breaking up of Godhead
into fragments, which diminished the relative distance
betAveen Jupiter and the other Immortals : and the re-
flection of human ideas of polity upon Olympus, which
gave a growing prominence to the element of aristocracy.
Upon the whole, then, I should say that the tradi-
tive ideas of monotheism, and of a personal Providence
represented in the Homeric Jupiter, are on almost all
occasions things of the past. They are like the old
jewels of a family, beautiful and imposing for oc-
casions of state : but they scarcely enter into his every-
day life. Indeed, their chief effect is the negative one
of withdrawing him, on the score of dignity, from imme-
diate contact with mortals and with their concerns ; and,
N
1 78 Olympus : the Religion of the Homeric age.
were it not for his atmospheric prerogatives, this iso-
lated supremacy would carry him into insignificance
as compared with a deity like Minerva, who is ever
in the view of man, and ever making herself felt both
in his mind and in his affairs.
There are occasions, but they are not very numerous,
when, under the influence of an unwonted zeal, we
find Jupiter himself taking a part in the detailed action
of the Iliad ; his interferences being usually confined
to the greater crises or indications, such as the one
mentioned in II. ii. 353, and such as the occasions when
the ToXavra are produced. As examples of minor in-
terposition, I may cite his inspiring Ajax with fear, his
launching a thunderbolt in the path of Diomed, his
breaking the bow-string of Teucer, and his advising
Hector to avoid an encounter with Agamemnon "\
But the position assigned to him in the mythology
of Olympus, which provides him with the second of his
characters, is chosen with great skill. Although at first
sight Sea may aj^pear a more substantive and awful
power than Air, and Earth a more solid and worthy
foundation of dominion than either, yet consideration
must readily show, that as the king of the atmosphere,
Jupiter is possessed of far more prompt, effective, and
above all, universal means of acting upon mankind, than
he would have been had the lottery been so arranged
as to give him either of those other provinces.
The tradition of a Trinity in the Godhead evidently
leaves its traces on the Greek mythology in the curious
fable of the three Kronid brothers. For the lottery of
the universe, in which they draw on equal terms, is
not founded upon, but is at variance with, Greek ideas.
Those ideas embodied the system, more or less defined,
■ "^ II. xi. 544. viii. 133-6. XV. 463. xi. 181-94.
Jupiter as Lord of Air. 179
of primogeniture : and therefore, had the Olympian
system been wholly inventive, the very least it could
have assigned to Jupiter would have been a priority of
choice among the different portions of the universe.
This lottery is evidently founded upon the idea of an
essential equality in those who draw. Happily the
result is such as to coincide with the order of natural
precedence : and the value and weight of the three
charges is graduated according to the standing of the
brothers, though their abstract equality is so rigidly
asserted by Neptune, who declares himself la-ofxopov
Kai ojuj] TreTrpco/aeuov a'i(T>j (II. XV. 209).
The exclusion of Earth from the lottery is singular :
but it appears to have a double justification. In the first
place, we must bear in mind the regularity of its opera-
tions, combined with the fact that it sensibly acts on no-
thing, but is passive under other agencies, such as those
of Sun, Wind, and Sea. This would have rendered the
conception of it as a deity comparatively feeble in the
Greek mind. In the second place, it is probable that
when the Olympian mythology took its shape, that
province was preoccupied : that the Eastern religions,
observing its jointly passive and productive character,
had personified it as feminine. But even this did not
content the Greek imagination. The conception of
the bride of the chief deity was disengaged from brute
matter, and uplifted into a divinity having for its ofiice
the care and government of a civilized and associated
people. The Homeric Juno may almost be defined as
the goddess of Greece. There rose up in her place,
like a low mist of evening, from the ground, the com-
paratively obscure Homeric Taca, who has no life or
function, except in connection with the idea of ven-
geance to be executed upon the wicked ; and this she
N 2
180 Olympus: the Religion of the Homeric age.
probably derives from the belief, that the rebel spirits
were piuiished in the subterranean prisons, of which she
was as it were, by physical laws, the necessary keeper.
As Lord of the air, Jupiter came to be endowed with
a multitude of active powers the most palpable, and the
most replete with at least outward influence for man.
The years are his years, the thunder and lightning his
thunder and lightning, the rain his rain ; the rivers, or
the most illustrious among them, the AuVerer? Trora^to/,
are his : the clouds and tempests obey his compelling,
the winds blow at his command. The hail and snow
come from him" : he impels the falling star", and, when
he desires a more effective weapon or a more solemn
lesson than usual, he launches the scathing thunder-
bolt?. All signs and portents whatever, that appear in
air, belong primarily to him ; as does the genial sign
of the rainbow,
acm Kpoi'L(t)v
kv 2^e0ei aTrjpL^e, repas /xepo~a>y av9p(aiTU>v^.
And when these or any of them are used by other
deities, it is only by such as have a peculiar relation-
ship, either traditive or mythological, to him.
But as the tradition of the lottery adorns and
strengthens, so in another view it circumscribes him.
His sway is unknown in the regions of the dead, where
his brother holds the sceptre, as the Zevs Kara-^Oovio^ '".
Accordingly, when Hercules is sent to fetch Cerberus,
Jupiter obtains for him the aid of Minerva. The more
traditive deity escapes the circumscriptions of the less;
the daughter eclipses the sire.
Much of the higher power exerted by Juno is in fact
her use of the atmospheric prerogatives of her husband.
n II. X. 5. o II. xiii. 242. P Od. xii. 415-17. xxiv. 539.
'1 II. xi. 27. «• II. ix. 457.
Jupiter as Head of Ohjmpus. 181
But the most considerable and characteristic mani-
festation of the Homeric Jupiter is that, in \vhich he
appears as Head of the Olympian Family and Polity.
Of this let us now consider so much, as is not more
immediately connected with the subject of the divine
Polity.
He is carefully marked out as supreme in the my-
thological prerogatives, which are for Olympus as the
Crown and Sword of State on Earth. He is the ori-
ginal owner of the i^gis. To him the gods rise up at
their meetings ^ He is not tied to swear by Styx%
and invokes no infernal power to be the sanction of his
word, but condescends only to use the symbol of a nod.
Of omnipotence, as we understand the word, it would
not appear that Homer had any idea. He had however
the idea of a being superior in force to all other gods
separately, or perhaps even when combined. This being
was Jupiter. But the conception in his mind was a
wavering one, so that, though it was present to him, we
cannot say that he embraced it as a truth. If by some
parts of the poems it is supported, by others it is brought
into question or overthrown. As respects Briareus,
who was not a god, his superiority in mere force to Ju-
piter is expressly declared (II. i. 404).
In the Assembly of the Eighth Book, Jupiter loudly
proclaims his personal superiority in strength to all the
other gods and goddesses combined ; and boasts that,
while by a golden chain they could not unitedly drag
him down to earth, he could drag them all, with earth
and sea to boot behind them.
Again, when in the same Book Juno* suggests to
Neptune the plan of a combination among all the
Hellenizing gods to restrain Jupiter, and to assist the
r II. i. 533, sll.i. 524-30. See however xix. 113. * viii. 201.
182 Olympus: the Relir/ion of the Homeric age.
Greeks in despite of him, Neptune replies that he at
least will have nothing to say to such a proceeding, for
Jupiter is far too strong".
But in the First Book we learn that a rebellion
headed by Juno, Neptune, and Minerva, was too much
for him. It is, however, clear that he had not actually
been put in chains by these deities ; but they were about
to do it, when Briareus came to the rescue, and by his
mere appearance reestablished Jupiter in secure supre-
macy. This legend has a mark of antiquity in the fact
that Briareus has two names ; he is known as Briareus
among the gods, and as Mgseon among all mankind ^.
When, in the Fifteenth Book, Jupiter apprehends a
stubborn resistance from Neptune, and the necessity of
his personally undertaking the execution of his own
commands, he is far from easy. With the aid of Juno,
his brother can, he thinks, easily be managed y. When
he finds Neptune has retired, he frankly owns it is
much better for them both ; as to have put him down
by force ^ would have been a tough business {ou Kev avi-
opcoTi y ereXecrO}]).
Juno and Minerva, single or combined, he threatens
freely, and the first of these he had once severely
punished : but Neptune was stronger, though in mind
inferior; and we have no direct evidence that he was
present in the Assembly of the Eighth Book, when Ju-
piter bragged of his being stronger than them all to-
gether. Neither he nor Juno obeyed the command of
Jupiter, to observe neutrality until his purpose of glori-
fying Hector should have been accomplished.
On the whole, the superiority of Jupiter to any one
god is clear, though not immeasurable. His superiority
" II. i. 209-11. y II. XV. 49-52.
^ 11. i. 397-405. z II. XV. 228.
Jupiter as Head of Olynqyus. 18B
to the whole is doubtful. The point in his favour is,
that he never was actually coerced. The point against
him is, that his will seems to give place, and this too
on very great occasions, to the sentiments of the weight-
iest part of the Olympian Court.
In his government of the other gods, the moral ele-
ment disappears. He does not appeal to their sense
of right, nor profess to be ruled in his own proceedings
towards them by impartial justice. On the contrary,
he desires the wounded Mars not to sit whining by his
side; and, before ordering Paieon to heal his hurts,
makes a distinct declaration, that had he been the son
of any deity other than himself, he should have been
ejected from heaven into a lower place, apparently
meaning the dark and dismal Tartarus, on account of
his love of quarrels. A profound attachment to ease
and self-enjoyment lies at the root of his character.
He never disturbs the established order; and he is averse
to movement and innovation, come from whence it
may. The spirit of Juno% so restless on behalf of
Greece, is vexatious to him in the highest degree : and
his love of Troy, if it has reference to any thing beyond
liberality in sacrifices and the descent of Dardanus, may
perhaps be referred to its representing the stereotyped
form of society. It is probably on account of this in-
dolence of temperament that, when he has brought
Hector and the Trojans as far as the Ships, he feels
he has had enough for the moment of the spectacle of
blood ; and accordingly he turns his eyes over Thrace
and the country of the Mysians, the Hippemolgians,
and the righteous and therefore presumably peaceful
Abii^. Wearied with the perpetual din, he finds satis-
faction in a change of prospect ; but at another time,
a II. V. 8 02. b II. xiii. i-6.
184- Ohjmpus: the Religion of the Homeric age.
refreshed as we may suppose, he coolly states that he
shall enjoy a sight of the battle :
ey^' opocav cf)p4va Tip\\iojj.o.L^.
The political element of Jupiter's character, reflected
more narrowly and turbnlently in Juno, is, however,
that which deserves the greatest attention.
It was so deeply implanted in him, that it entered
into his personal conduct even when he was not in im-
mediate contact with the Olympian body. For ex-
ample, in the Sixteenth Iliad, Jupiter debates with
himself whether he shall save Sarpedon from death by
the hand of Patroclus. Juno, to whom he had made
a sort of appeal for approval, protests according to the
Olympian formula,
iph'' arap ov tol t^Slvt^s kTtaiviofxev deol aKkoi.
She suggests in preference a prompt rescue and disposal
of the dead body. Jupiter is not here in actual con-
tact with any one but Juno. She, however, menaces
him with the spleen of the Immortals, and he, averse
to trouble, and fearful of shaking his own seat, acqui-
esces, though at the cost of the utmost pain*^.
Over and above the mere insignia of sovereignty,
Jupiter holds some of his best prerogatives, both ter-
restrial and Olympian, in the capacity of head of the
community of Immortals.
Hence it is that he is the steward of sovereignty,
and the champion of social rights. All princes and
rulers hold from him, and administer justice under his
authority. He gave their sceptre to the family of Pe-
lops : even the heralds are his agents, Ato? ayyeXoi, and
act in his name.
On Olympus it falls to him in this capacity, not
only to conduct and superintend the proceedings of the
c II. XX. 23. fl II. xvi. 431-61.
His jwlitical spirit. 1 H5
whole body of Tnimortals, as a body, but to exercise a
very large influence over their relations individually
with men, and with one another. The Suu carries to
Jupiter in full court, as head of the body, his complaint
against the crew of Ulysses, and Jupiter at once under-
takes to avenge it*^. Juno, again, appeals to him on
the conduct of Mars^, and he permits her to let loose
Minerva on him. Mars, when wounded, goes to Ju-
piter with his complaint?^, and Diana also, when re-
quested, makes him privy to hers, after she has taken
her seat upon his knee'\ When any two deities are in
any manner at issue or in collision, or when any of the
more dependent gods have a quarrel with men, then
Jupiter finds his place as the natural arbiter, and from
this source he obtains great support for his power.
The surest of all its guarantees is indeed found in the
skill with which, by making the will of Olympus his
own, he makes his own will irresistible.
Thus then the Jupiter of Homer has varied elements
of grandeur, traditional, physical, and political. Some-
thing also accrues to him by the sheer necessity of the
metaphysical order. Wherever the mind demands a
personal origin or cause, he alone can offer to supply
its want. He still continues to represent, in a certain
degree, the principle of unity ; and he derives strength
from that principle. Nor does the solid might of Des-
tiny interfere with his claims to the same extent in
Homer, as it does in the later Greek poetry.
Thus equipped with august prerogatives, the Jupiter
of Homer is evidently, to the popular view, the most
sublime object in the Olympian mythology. His breadth
and sfrandeur of dimension commended him to the ad-
&'
e Od. xii. 377. S II. V. 872.
^11. V. 753. 1» II. xxi. 505.
186 Olympus : the Religion of the Homeric age.
miring favour of the Greek artist, who made it his
supreme effort to embody the conception of the Sove-
reign of Olympus : and we may judge of his elevation
in the public apprehension over all other deities, by the
greater sublimity of the material forms, in which the
idea of his divinity has been enshrined.
But the figure of Jupiter, as it is the principal, so it
is also the most anomalous, in the whole Homeric as-
semblage. Although he is, and even because he is, the
depository of so many among the most primitive and
venerable ideas, he becomes also the butt alike of the
infirmity, and the wantonness, and insolence of human
thought, in the alterative operations which it continu-
ally prosecutes upon the ancient and pure idea of God-
head. Hence not only in his character, as in other
cases, does the inventive power everywhere sap, cor-
rode, invade, and curtail the ancient traditionary con-
ception of divine truths, but it is in him that we find
both systems culminating at once, both exhibiting in
him, raised to the highest power, their separate and
discordant characteristics.
From one point of view Jupiter is the most sublime
of all the deities of Homer, because he is the first per-
sonal source and origin of life, the father of gods and
men, the supreme manifestation of Power and know-
ledge, the principal, though imperfect living representa-
tion of a Providence and Governor of the world.
Regarded from another point of view, as we see dis-
closed the large intrusion of the human and carnal
element into the ethereal sphere, the character of
Jupiter becomes the most repulsive in the whole circle
of Olympian life^ The emancipation from truth, the
• II. ii. 2, 12-15. ^iv. 294-6, et alibi.
Jupiter as the type of animalism. 187
self-abandonment to gross joassion, the constant breacli
of the laws lie administers, are more conspicuous in the
chief god than in any of the subordinate gods, and are
more offensive in proportion to the majesty with which
they are unnaturally associated.
The ungovernable self-indulgence, which even so
early as in the time of Homer has begun to taint
through and through the whole human conception of
the Immortals, rises to its climax, as was to be ex-
pected, in Jupiter. The idea of the Supreme, or at
least by far the First being of the universe, had not
yet, indeed, descended so low as it did in after-times,
when it was even associated with lusts contrary to
nature. Of these there is no trace in Homer. But the
law which governs the relation of sex, as it exists among
men, was utterly relaxed and disorganized for him. In
the first place, monogamy, established for all Greeks, for
the chief god of Greece became polygamy ; and in the
second, marriage was no bar against incessant adultery.
A certain distinction between the wives, and the
mere paramours, of Jupiter is clearly traceable in Ho-
mer. Latona, for instance, is a wife, an aXo-)(09 of
Jupiter. Mercury says of her^^ —
apyakiov h\
TrXrjKTi^eaO' dXoxoicrt Atos ve(f)e\riy€p€Tao.
But the intrigues with the wife of Ixion, or with the
daughter of Phoenix, who bore to him the great Minos,
mark mere adultery, and involve no kind of permanent
relation between Jupiter and this class of the mothers
of his children. Hence we do not find any such person
possessed of an interest in him, like that which led him
to take part in the vengeance inflicted on Niobe and
•* Oil. xi. 5S0. II. xxi. 498.
188 Ohjmpus: the Religion of the Homeric age.
her family by tlie children of Latonal Again, as he is
not a personal providence, and does not take charge of
the destiny or guide the conduct of individuals, nor
ever touches the depths of human nature, so he has at
once the largest share of the passions and the smallest
stock of the sympathies of man.
From an intermediate point between the grandeur
and the vileness of Jupiter, we may observe how un-
equal the human mind had already proved to sustain
its own idea. He ought to be supreme in knowledge ;
but he is thrice deluded by the cunning of Juno'", who
not only outwits him, but sends Iris down to earth
without his knowledge, just as Neptune moves {Xadpn)
on the plain of Troy unseen by him". He ought to be
supreme in force, and he boasts that he could drag
with ease all the deities of Olympus, whom he ad-
dressed, but he is, notwithstanding, on the point of
being overpowered by a combination of inferior deities,
when he is saved by the timely arrival of Briareus
with the hundred hands. His faculty of vision does
not seem to be limited by space when he chooses to
employ it °, but it is subject to interruption, both volun-
tary and involuntary, from sleepP.
Although there is great scenic grandeur in the part
which he plays in the Iliad, in the Odyssey he is until
nearly the close practically a mute, and does little more
than assent to the plans and representations of Minerva.
In the action, however, of the Iliad, the only glimpse
of a personal attachment is to Hector ; and this is
founded simply on the abundance of his sacrifices.
Jupiter is the great propounder of the animal view of
that subject: and accordingly in the Odyssey^, Minerva
'11. xxiv. 6ii. '" II. xiv. xix.97. xviii. 168. " II. xiii. 352, 6.
o II. xiii. 1-7. P II. i.6ii. xiv. 352. 'i Od. i. 66.
Qualified by his parental instincts. 189
])lcads tlie case of Ulysses very much on this ground
before Jupiter, though, in all her intercourse with that
chief, there is no sign of her valuing the offerings on
her own account. In every point of sensual suscepti-
bility, Jupiter leads the way for the Immortals.
In Jupiter, as in the almost brutal Mars, we find
remaining that relic of personal virtue which depends
least upon reflection, and flows most from instinct,
namely, parental afiection. Mars is wrought up to
fury by learning the death of his son Ascalaphus ; and
Ju})iter, after much painful rumination on consenting
to the fall of Sarpedon, sheds gouts of blood over the
dearest of his children'". This is singularly grand as
jioetry, and far superior to the sheer mania of Mars.
Indeed it is evident that Homer exerted himself to the
utmost in adorning this majestic figure, as a mere figure,
with the richest treasures of his imagination.
When, in the Twenty-First Iliad, the great battle of
the gods begins, Jupiter has no part to take. He sits
aloft in his independent security, while they contend
together, even as he \Aas afterwards supposed to keep
aloof from trouble and responsibility for human affairs.
The same sentiment appears in the determination of
Neptune and Apollo not to quarrel on account of
mortals. But in the case of JujDiter, the selfish prin-
ciple comes out with greater force : he is not merely
indifferent, but he absolutely rejoices in the strife of
the Immortals :
eye'Aacro-e hi ol cf)[kov rjTop
yrjOoavvri, o& opojo Oeov^ eptbt ^vvLovras.
Upon the whole it is certainly the Jupiter of Homer
in whom, of all his greater gods, notwithstanding his
abstract attributes, we see, first, the most complete
r II. X\-i. 458.
190 Olympus: the Religion of the Homeric age.
surrender of personal morality and self-government to
mere appetite; secondly, the most thoroughly selfish
groundwork of character : the germ, and in no small
degree the development, of what was afterwards to
afford to speculation the materials for the Epicurean
theory respecting the divine nature, as it is set forth
in the verse of Lucretius, or in the arguments of the
Ciceronian Cotta.
Juno.
The Juno of the Iliad is by far the most conspicuous
and splendid, as she is also the most evidently national,
product of the inventive power to be found in the entire
circle of the theo-mythology.
Not that Greek invention created her out of nothing.
On the contrary, she represented abundant prototypes
in the mythologies of the East. Her Greek name,""'H|Oj;,
is, I apprehend, a form of epa, the earth ^; and in her
first form she probably represented one of its oriental
impersonations. But they all had to pass through the
crucible, and they came out in a form as purely Hel-
lenic as if it had been absolutely original.
It is plain from the nature of the case, that she can
have had no place in primitive tradition. But it may
be well before discussing her mythological origin, her
dignity and positive functions, to refer to certain indi-
cations from which we may make sure that Homer has
handled the character in the mode observed by him
for deities of invention only.
There is, then, about Juno a liability to passion, and
a want of moral elevation, which are among the certain
marks of mythological origin. Jupiter declares his
belief that, if she could, she would eat the Trojans ; nor
s Welsford on the English Language, p. 165.
The Juno of Homer. 191
does she resent the imputation ^ When Vulcan is
born, angry at tlie mean appearance and lameness of
the infant, she pitches him down into the sea". These
representations are entirely at variance with the con-
stant dignity and self-command, which mark the de-
portment of the great traditive deities. Her whole
activity in the Iliad is not merely energetic, but in the
highest degree passionate and ardent.
So again, taking into consideration the comparative
purity attaching to her sex, which we see so fully main-
tained in Diana, her resort to the use of sensual passion,
in II. xiv., even though only as an instrument for an
end, is a mark that the character is, in its basis, mytho-
logical.
Nor do we anywhere find ascribed to her ethical, or
what may be called theistic sentiments : pure power
and policy are her delight; and she nowhere enters
individually within the line of the moral and Providen-
tial order at all, nor takes any share in superintend-
ing it^.
In the Iliad, of which the martial movement is
appropriate to her, and where the Greek nationality is
placed in sharp contrast with a foreign one, she plays
a great part, is ever alert and at work, and contributes
mainly to the progress of the action. But in the
Odyssey, a poem more simply theistic and ethical, and
without any opposition of nationalities, she has no
share in the action, and may be said practically to dis-
appear from view. To appreciate the force of this
circumstance, we must contrast it with Homer's treat-
ment of another deity, inferior to her in the Olympian
t II. iv. 34-6. conflict "with hei' in II. xix. 418.
u II. xviii. 395-9. On this very curious subject see
^ Hence the 'Eptwes are in inf. sect. iv.
192 Olympus: the Religion of the Homeric age.
community. The three greatest deities, among- those
who embody much of primitive tradition, are Jupiter,
]\Iinerva, and Apollo. Of these, Jupiter, in the cha-
racter of Providence, has everywhere a place ready
made for him ; Minerva, as the guide and protectress
of Ulysses, has ample opportunities for her activity ;
but it is not so with Apollo : and in consequence
Homer has been careful to supply in the poem points
of contact with him, by the introduction of Theocly-
menus, and of the grand imagery of the second sight,
which is his gift ; by fixing the critical day at the
new moon, which was sacred to him, and by causing
the crisis to turn upon the bow, his famous weapon : as
though these three, Jupiter, Minerva, and Apollo, were
the universal, permanent, and indispensable deities ;
but the others occasional, and to be used according to
circumstances. Juno has no such place or office pro-
vided for her in the Odyssey, as they have.
There is yet another mark adhering to Juno, which
clearly separates between her and the Homeric deities
of strongly marked traditional character : namely, that
she was not exempt from the touch of defeat and dis-
honour. For, in the course of her long feud with
Hercules, that hero wounded her with an arrow in the
left breast, and caused her to suffer desperate pain^.
Again, she was ignomiuiously punished by Jupiter;
M'ho suspended her with her hands in chains, and with
anvils hanging from her feet^'.
Her strong and profound Greek nationality has
obtained for her the name of Argeian Juno. The fer-
vour of this nationality is most signally exemplfied in
the passage where Jupiter tells her, that she regards
the Greeks as her childreny; and again, where she lets
^^' II. V. 392, ^ 11. XV. 18-21. y II. xviii. 358, 9.
Her intense nationality . 193
us know that it was she^ who collected the armament
against Troy. She conducts Agamemnon the head of
the Greek nation safely on the sea a; and carries Jason
through the riAay/cra/''. This is the vivifying idea of her
whole character, and fills it with energy, vigilance, de-
termination, and perseverance. Iler hatred of Her-
cules cannot have been owing to conjugal jealousy,
with which she is not troubled in Homer, for Jupiter
recites his conquests in addressing her on Ida ; indeed,
had she been liable to this emotion, it must, from the
frequent recurrence of its occasions, have supplied the
main thread of her feeling and action. It was her
identification in soul with the Perseid dynasty, the le-
gitimate representative, in its own day, of the Hellenic
race, and in occupation of its sovereign seat, that made
her filch, on behalf of Eurystheus, the effect of the pro-
mise intended by Jupiter for Hercules, and that engaged
her afterwards in a constant struggle to bear doM'n that
elastic hero, whose high personal gifts still threatened
to eclipse his royal relative and competitor. So again,
unlike Minerva^ even while seeking to operate through
Trojans, she studiously avoids contact with them. Mi-
nerva is sent as agent to Pandarus^^; but this is on
the suggestion of Juno. In truth, this intensely national
stamp localizes the divinity of Juno, and, being counter-
acted by no other sign, fixes on her the note both of
invention, and of Greek invention.
With respect now to her dignity and positive func-
tions, these are of a very liigh order.
The Olympian gods rise from their seats to greet her
(as they do to Jupiter) when she comes among them^.
^- II. iv. 24. a Od. iv. 513. ^ Od. xii. 72.
c Vid. II. iv. 94. -1 II. iv. 64. ^ II. XV. 85.
o
194 Olympus: the Religion of the Homeric age.
She acts immediately upon the thoughts of men :
as vhen, at the outset of the Iliad, she prompts Achilles
to call the first Greek assembly ; rw yap eVi cppecr] OiJKe
6ea XevKwXevos "Hpt]^. On various occasions, she sug-
gests action to jMinerva, and it follows^ : in the First
Book, Juno is even said to send her, though by another
arrangement the Poet has provided against attaching
inferiority to that goddess^. It may be that in her
seeming to employ iVIinerva, as in so many of her high-
est functions, she is reflecting one of the high preroga-
tives of Jupiter. Certain it is that by the side of her
ceaseless and passionate activity, even Minerva appears,
except on the battle-field, to play, in the Iliad, a part
secondary to hers. She was so powerful', not only as
to form one of the great trine rebellion against Jupiter,
which so nearly dethroned him, but as to make him
feel greatly relieved and rejoiced, in his differences
with Neptune, when she promises to side with him-' .-
' with your aid,' so thinks Jupiter, ' he will easily be
kept in order, and will have to act as ive could wish.'
She is certainly the most bold, untiring, zealous, and
effective assistant to the Greeks : while she never
bates a hair of her wrath, in compassion or otherwise,
towards any Trojan.
Like Neptune and others, she assumes the human
form^, and evokes a cloud of vapom* this way or that :
but she does much more. Her power displays itself in
various forms, both over deities, and over animate and
inanimate nature. In some of these particularly, her
jjroceedings seem to be a reflected image of her hus-
*" II. i. 55. Comp. viii. 218. ' II. i. 195.
S II. ii. 156. V. 711. viii. 331. J II. xv. 49-52.
h Vid. supr. p. 66. ^ II. v. 784-92.
Her mythological functions. 195
band's. Iris' is not only his messenger, but lier's.
She not only orders the AVinds, but she sends the Sun
to his setting'", in spite of his reluctance. When, in
her indignation at the boast of Hector, she rocks on
her throne, she shakes Olympus". She endows the
deathless horses of Achilles with a voice". And con-
joined with Minerva, she thunders in honour of Aga-
memnon when just armed. Except the case of the
horse, all these' appear to be the reflected uses of the
power of Jupiter as god of air.
We find from the speech of Phoenix, that with
Minerva she can confer valour p. In a curious passage
of the Odyssey, Homer tells us how the daughters of
Pandarus were supplied by various goddesses with
various qualities and gifts. Diana gave them size,
Juno gave them el^o^ koa Triwrnv. We should rather
have expected the last to come from Minerva : but
she endowed them with epya or industrial skill, so
that her dignity has been in another way provided for.
But if the lines are genuine, then in the capacity of
Juno to confer the gift of iriwrh or prudence, we see a
point of contact between her powerful but more limited,
and IMinerva's larger character^.
The full idea of her mind is in fact contained in the
union of great astuteness with her self-command, force,
and courage : which, in effect, makes it the reflection
of the genius of the Greeks when deprived of its
moral element : and places it in very near corre-
spondence with that of the Phoenicians, who are like
Greeks, somewhat seriously maimed in that one great
department. This full idea is exhibited on two great
1 U. xvlii. 1 68. " II. xix. 407.
^ Ibid. 239. P II. ix. 254.
" II. viii. 193. q Od. XX. 70-3.
O 2
196 Olympus: the Religion of the Homer ic age.
occasions. Once when she outwits Jupiter, by fastening
him with an oath to his promise, and then, hastening
one birth, and by her command over the EilithuiaB re-
tarding another, proceeds to make Eurystheus the reci-
})ient of what Jupiter had intended for another less re-
mote descendant of his own. Again, in the Fourteenth
Ih'ad, by a daring combination, she hoaxes Venus to
obtain her capital charm, induces Sleep by a bribe to
undertake an almost desperate enterprise, and then,
though on account of his sentiments towards Troy
she felt disgust (Tl. xiv. 158) as she looked upon Jupiter,
enslaves him for the time through a passion of ^^■hich
she is not herself the slave, but which she uses as her
instrument for a great end of policy. She is, in short,
a great, fervid, unscrupulous, and most able Greek pa-
triot, exhibiting little of divine ingredients, but gifted
with a marked and powerful human individuality.
It may be Vvorth while to observe in passing, an
indication as to the limited powers of locomotion
which Homer ascribed to his deities. The horses
of Juno, when she drives, cover at each step a space
as great as the human eye can command looking
along the sea. But when she has the two operations
to perform on the same day, one upon the mother of
Eurystheus, and the other on the mother of Hercules,
she attends to the first in her own person, and appa-
rently manages the other by command given to the
Eilithuiaj (II. xix. 119). If so, then she was evidently
in the Poet's mind subject to the laws of space and
corporal presence : anJ his figure of the horse's spring
was one on which he would not rely for the manage-
ment of an important piece of business.
There are three places, and three only, in the poems,
which coukl connect Juno with the Trojans. One is the
Judgment of Paris (II. xxiv.29). The others are no more
Her mytliological origin. 197
than verbal only. Hector swears by Jupiter " the loud
thundering husband of Plere'^." And again, he wishes he
had as certainly Jupiter for his father, and Juno for his
mothers as he is certain that the day will bring disaster
to the Greeks. We cannot, then, say that she was ab-
solutely unknown to the Trojans in her Hellenic form,
while they may have been more familiar with her east-
ern prototypes*. It docs not, however, follow, that she
was a deity of established worship among them. There
is no notice of any institution or act of religion on
the one side, or of care on the other, between her and
any member of their race. ' In the mention of her
among the Trojans, we may perhaps have an instance
of the very common tendency of the heathen nations
to adopt, by sympathy as it were, deities from one
another ; independently of all positive causes, such as
migration, or ethnical or political connection.
The origin of Juno, which would thus on many
grounds appear to have been Hellenic, appears to be
rp*ferable to the principle, which I have called oeconomy,
and under which tlie relations of deities were thrown
into the known forms of the human family. This
process, according to the symmetrical and logical turn
of the Greek mind, began when it was needed for
its purpose, and stopped when it had done its work.
Gods, that were to generate or rear other gods, were
coupled; and partners were supplied by simple reflection
of the character of the male, where there was no Idea or
Power ready for impersonation that would serve the
turn. Thus, 'Pea, Earth or Matter, found a suitable
mate for KpoVo?, or Time. But to make a match for
Oceanus, his own mere reflected image, or feminine, was
called into being under the name of Tethys. Such was,
»■ II. X. 329. s ii_ xiii. 827. t See II. iii. 104.
198 Olympus: the Beligion of the Homeric age.
but only after the time of Homer, Amphitrite for Nep-
tune, and Proserpine for Hades. In Homer the latter
is more, and the former less than this. It was by no-
thing less than an entire metamorphosis, that the Greek
Juno was educed from, or substituted for, some old dei-
fication of the Earth. She is much more a creation
than an adaptation. What she really represents in
Olympus, is supernatural wifehood ; of which the com-
mon mark is, the want of positive and distinct attri-
butes in the goddess. With this may be combined a
negative sign not less pregnant with evidence ; namely,
the derivation and secondary handling of the preroga-
tives of the husband. The case of Juno is clear and
strong under both heads. Her grandeur arises from
her being clothed in the reflected rays of her husband's
supremacy, like Achilles in the flash of the iEgis. But
positive divine function she has none whatever, except
the slender one of presiding over maternity by her
own agency, and by that of her figurative daughters,
the Eilithuia\ She is, M'hen we contemplate her
critically, the goddess of motherhood and of nothing
else. And in truth, as the fire made Vulcan, and war
made Mars, her mythological children, so motherhood
made Juno, and is her type in actual nature. She be-
came a goddess, to give effect to the principle of oeco-
nomy, to bring the children of Jupiter into the world,
to enable man, in short, to construct that Olympian
order, which he was to worship. Having been thus
conceived, she assumed high powers and dignities in
right of her husband, whose sister she was fabled to be,
upon becoming also his wife, because cither logical in-
stinct, or the ancient traditions of our race rendered it
a necessity for the Greeks to derive the divine, as well
as the human, family from a single pair.
The Neptune of Homer. 199
However strictly Hellenic may have been the position
of Juno, we must reckon her as the sister of Jupiter
to have been worshipped, in Homer's time, from beyond
the memory of man. For she carries upon her no
token, which can entitle us to assign to her a recent
origin. Recent, I mean, in her Hellenic form : apart
from the fact that she was not conceived by the
Greeks, so to speak, out of nothing ; and that she, in
common with many other deities, represents the Greek
remodelling, in this case peculiarly searching and com-
plete, of eastern traditions. The rei)resentation in theo-
logy of the female principle was eastern, and, as we
have seen, even Jewish. Had Juno been simply adopted,
she would probably have been an elemental power, cor-
responding with Earth in the visible creation. In lieu
of this she became Queen of Olympus, and, in relation
to men, goddess of Greece. Earth remains, in Homer,
almost unvivified in consequence. But it may have
been on account of this affinity, as well as of her rela-
tion to Jupiter, that she has been so liberally endowed
with power over nature.
Neptune.
Neptune is one of three sons of K^oVo? and 'Pea, and
comes next to Jupiter in order of birth. In the
Fifteenth Iliad he claims an equality of rank, and avers
that the distribution of sovereignties among the three
brothers was made by lot. The Sea is his, the Shades
are subject to Aides, Jupiter has the Heaven and Air ;
Earth and Olympus are common to them all. Where-
fore, says Neptune, I am no mere satellite of Jupiter :
great as he is, let him rest content with his own share ;
and if he wants somebody to command, let him com-
mand his own sons and daughters. Perhaps there may
here be conveyed a taunt at Jupiter with respect to
200 Olympus: the Religion of the Homeric age.
the independent and adverse policy of Minerva. This
very curious speech is delivered by Neptune in reply to
the command of Jupiter, that he should leave the field
of battle before Troy, which was backed by threats.
Iris, the messenger, who hears him, in her reply founds
the superiority of Jupiter on his seniority only. To
this Neptune yields : but reserves his right of resent-
ment if Jupiter should spare Troy*. Nor does Jupiter
send down Apollo to encourage the Trojans, until
Neptune has actually retired : he then expresses great
satisfaction at the withdrawal of Neptune without a
battle between them, which would have been heard
and felt in Tartarus; possibly implying that Neptune
would have been hurled into it", but referring distinctly
to the certain difficulty of the affair ;
e77et ov Kev avibpo^ri y eTeXicrdrj'^.
We have now clearly enough before us the very
singular combination of ideas that entered into the
conception of the Homeric Neptune, and we may pro-
nounce, with tolerable confidence, upon the manner in
which each one of them acquired its place there. They
are these:
1. As one of the trine brotherhood, who are jointly
possessed of the highest power over the regions of
creation, he is part-representative of the primeval tra-
dition respecting the Divine Nature and Persons.
2. As god of the Sea, he provides an impersonation
to take charge of one of the great domains of external
nature.
3. As the eldest and strongest, next to Jupiter, of
the Immortal family, he represents the nucleus of
rivalry and material, or main-force, opposition to the
head of the Olympian family.
' II, XV. 174-217. »» Vid. 11. viii. 13. ^ II. xv. 220-35.
His ty\(l(s cfiiejii/ )nytholor/icaf. 201
With respect to the first, the ])roposition itself* seems
to contain nearly all that can be said to belong to Nep-
tune in right of primitive tradition, except indeed as to
certain stray relics. One of these seems to hang about
him, in the form of an extraordinary res})ect paid to
him by the children of Jupiter. Apollo is restrained by
this feeling (r«\U?) from coming to blows with him^" : a
similar sentiment restrains Minerva, not only from ap-
pearing to Ulysses in her own Phecacian aXo-o9% but even,
as she says, from assisting him at all during his previous
adventures^. But this is all. The prerogatives Mdiich
are so conspicuous in Apollo and Minerva, and which
establish their origin as something set higher than the
lust of pure human invention, are but rarely and slightly
discernible in Neptune. In simple strength he stands
with Homer next to Jupiter, for to no other deity
would Jupiter have paid the compliment of declaring it
a serious matter to coerce him. But there is no sign
of intellectual or moral elevation about him. Of the
former we may judge from his speeches ; for the
speeches of gods are in Homer nearly as characteristic
as those of heroes. As to the latter, his numerous
human children show that he did not rise above the
mythological standard ; and his implacable resentment
against Ulysses vvas occasioned by a retribution that
the monster Polyphemus had received, not only just in
itself, but even relatively slight.
It does not appear that prayer is addressed to him
except in connection with particular places, or in virtue
of special titles ; as when the Neleids, his descendants,
offer sacrifice to him on the Pylian shore^, or the Phae-
acians'^ seek to avert threatened disaster, or when
> II. xxi. 468. z Od. vi. 329. '^ II. xi. 728. Od. iii. 5.
a Od. xiii. 341. c Od. xiii. t8i.
202 Olympus : the Reiigion of the Homeric age.
Polyphemus his son roars to him for help^. The
sacrifices to him have apparently a local character : at
Onchestus is his aXao?^, and Juno appeals to him in
the name of the offerings made to him by the Greeks
at Helice and yEgoe^. The Envoys of the Ninth Iliad
pray to him for the success of their enterprise ; but it
is w^hile their mission is leading them along the sea-
beach^. He can assume the form of a man; can carry
off his friends in vapour, or lift them through the air^^ ;
can inspire fire and vigour into heroes, yet this is done
only through a sensible medium, namely, by a stroke of
his staff'. He blunts, too, the point of an hostile spear '^.
But none of these o])erations are of the highest order
of power. And when Polyphemus faintly expresses
the idea tbat Neptune can restore his eye, (which
however he does not ask in jirayer,) Ulysses taunts
him in reply with it as an undoubted certainty, that
the god can do no such thing. With this we may con-
trast the remarkable bodily changes operated by Mi-
nerva upon Ulysses : they do not indeed involve the
precise point of restoring a destroyed member ; but
they are far beyond anything which Homer has ascribed
to his Neptune. Nor does the Poet ever speak of any
operation of this kind as exceeding the power of Mi-
nerva ; who enjoyed in a larger form, and by a general
title, something like that power of transformation,
which was the special gift and function of Circe and
the Sirens. The discussion of the prerogatives of that
half-sorceress, half-goddess, will throw some further
light upon the rank of Neptune.
■ Od. V. 335. » Od. XV. 420. * II. xxiii. 277.
u Od. i. 22.
206 Olympus : the Religion of the Homeric age.
circle of the Phoenician traditions, that he should visit
a nation, of which Homer, I believe, conceived as being
but a little beyond Phoenicia.
But we have still to consider the fragments of infor-
mation which concern Neptune, under the third of the
heads above given.
No ancient tradition appears to have been split and
shivered into so many fragments in the time of Homer,
as that which related to the Evil Principle. This was
the natural prelude to its becoming, as it shortly after-
wards did, indiscernible to the human eye''. Among
these rivulets of tradition, some of the most curious
connect themselves with the nam.e of Ne])tune, who
was, in his mythological character, prepared to be its
recij)ient : for in that character he was near to Jupiter
in strength, while his brotherly relation by no means
implied any corresponding tie of affection.
AVith Juno and Minerva, he took part in the dan-
gerous rebellion recorded in the First Iliad. He re-
fuses to join in a combination of Hellenizing gods
against him, on the ground of its hopelessness : but
afterwards, when all others acquiesce in the prohibi-
tion, he alone comes down to aid and excite the
Greeks. The Juno of the Iliad is the active and astute
intriguer against her husband : but it is Neptune, on
whom in effect the burden and responsibility of action
chiefly fall. Still, his principal points of contact with
the traditions of resistance to the Supreme Will are
mediate ; and the connection is through his offspring.
In his favourite son, the Cyclops, we have the great
atheist of the poems. It is Providence, and not idols
only, that he rejects, when saying >',
^ Vid. sup. Sect, ii. p. 44. 7 Od. ix. 275.
A nd to the tradition, of the Evil One. 207
oil yap Ki/K-AwTies Atos alyi6)(0v aKiyovcnv,
ovbe. Oecav jxaKapoiV eTret?/ iioXv (piprepoC et/xey.
The whole of this dangerous class, the kindred of the
gods, seem to have sprung from Ne])tune ^\ The
Laestrygones, indeed, are not expressly said to be his
children. But they are called ovk avSpea-a-iv eoiKore?,
aWu Tiyaa-iv : and the Giants are expressly declared
to be divinely descended in a speech of A lei nous*'':
CTret (T(j)L(Tu> iyyvOev dp.ev,
uxTirep KvKXcfiTTis re /cat aypia ({)v\a FiyuvTcov.
Neptune was the father of Nausithous and the royal
house of Scheria, through Periboea: but she was daughter
of Eurymedon, and Eurymedon was king of the Giants,
and was the king who led them, with himself, evidently
by rebellion, into ruin'';
dAA' 6 ix€v wAcore Aaov ardaOaXov, wAero o'' avTui.
Thus we have Neptune placed in the relation of an-
cestor to the rebellious race, whom it is scarcely pos-
sible to consider as other than identical with the Titans
condemned to Tartarus*'.
But we have one yet more pointed passage for the
establishment of this strange relationship. In the veKvi'a
of the Eleventh Odyssey, Ulysses sees, among other
Shades, Iphimedea, the wife of Aloeus, who bore to
Neptune two children '\ Otus and Ephialtes; hugest of
all creatures upon earth, and also most beautiful, after
Orion. They, the sons of Neptune, while yet children,
threatened war against Olympus, and planned the
piling of the mountains : but Apollo slew them. Thus
this, the most characteristic of all the traditions in
z Od. X. 1 20. a Od. vH. ijo^. ^ Od. vii. 60.
c II. xiv. 274, 9. d Od. xi. 505-20.
208 Olympus: the Religion of the Homeric age.
Homer relating to the Evil One, hangs upon the person
of Neptune, doubtless because his mythological place
best fitted him for the point of junction. It must be
observed, that Homer has, in bringing these young
giants before us, used a somewhat artificial arrange-
ment. He does not place them in the realm of Aides
and Persephone, though he describes them to us, in
connection with the figures in that gloomy scene, as
the children of Iphimedea, who appears there in the
first or feminine division. That he does not bring them
before us in conjunction with Tityus and the other
sufFerere of that region, can only be because he did not
intend them to be understood as belonging to it : and
it is clear, therefore, that he means us to conceive of
them as having their abode in Tartarus, among the
Titans, doubtless by the side of Eurymedon and his
followers.
We may perceive with peculiar clearness, in the case
of Neptune, the distinction between the elevated prero-
gatives of such a deity within his own province, and his
comparative insignificance beyond it. When he traverses
the sea, it exults to open a path for him, and the huge
creatures from its depths sport along his wake. Such
is its sympathy with him, that when he is exciting the
Greeks to war, it too boils and foams upon the shore of
the Hellespont. And not only is maritime nature thus
at his feet, but he has the gift of vision almost without
limit of space, and of knowledge of coming events, so
long as they are maritime. He who knows nothing of
the woes of his son Polyphemus till he is invoked from
the sea-shore, yet can discern Ulysses on his raft from
the far Solyman mountains, and even is aNvare that he
will escape from his present danger (oi'^t? »/ ij-iv Lavei)
by reaching tiie shore of Scheria. This knowledge is
His grandeur is material. 209
shared by the minor goddess Leucothee: Jind doubtless
on the same principle, namely, tliat it is marine know-
led oe. So lie can predict to Tyro that tliere will be
more than one child born to her : here, too, he speaks
of what is personal to himself. When we take Nep-
tune ont of his province, we find none of these extra-
ordinary gifts, no sign of a peculiar subjugation of
nature or of man to him. He shares in the govern-
ment of the world only as a vast force, which it will
cost Jupiter trouble to subdue. Even within his own
domain some stubborn phenomena of nature impose
limits on his power : for we are told he would not be
able, even were he willing, to save Ulysses from Cha-
ry bdis^
Thus it was that the sublime idea of one Governor
of the universe, omnipotent over all its parts, was
shivered into many fragments, and these high preroga-
tives, distributed and held in severalty, are the frag-
ments of a conception too weighty and too compre-
hensive for the unassisted human mind to carry in its
entireness.
Upon the whole, the intellectual spark in Neptune
is feeble, and the conception is much materialized.
Ideally he has the relation to Jupiter, which the statue
of the Nile bears to one of Jupiter's statues. Within
these limits, his position is grand. The ceaseless mo-
tion, the unconquerable might, the wide extent, of the
QaXaa-a-a, compose for him a noble monarchy. At first
sight, when we read of the lottery of the universe, we
are startled at finding the earth left without an owner.
It was not so in the Asiatic religions. But mark here
the influence of external circumstances. The nations
of Asia inhabited a vast continent ; for them land was
e Od. xii. 107.
p
210 Olympus .-, the ReUfjion of the Homeric age.
greater by far than sea. The Greeks knew of nothing
but islands and peninsulas of limited extent, whereas
the Sea for them was infinite ; since, except round the
^gean, they knew little or nothing of its farther
shores. Thus the sceptre of Neptune reaches over the
whole of the Outer Geography; while Earth, as com-
monly understood, had long been left behind upon the
course of the adventurous Ulysses.
Aidoneus.
There is a marked contrast between the mere rank of
Aides or Aidoneus, and his want of substance and of
activity, in the poems. He is one of the three Kronid
Brothers, of whom Neptune asserts — and we are no-
where told that it is an unwarrantable boast — that
they are of equal dignity and honour. He bears the
lofty title of Zei/? KaTa-)(06vLo/p
could not but remain a mere outlier. But as the
poetry of the system was developed, and its i>hilosoi)hy
suhmerg-ed and forgotten, this diffieulty diminished,
and the later mythology found an ample space for Ceres
as a great elemental power.
I may, then, observe, in conclusion, that the whole of
this hypothesis is eminently as^reeable to the Homeric
representation of Ceres in its four main branches, (i) as
Pelasgian, (2) as subject to lustful ])assion, (3) as a
secondary wife of Jupiter, and (4) as immediately asso-
ciated with productive Earth,
Persephone.
Although the Persephone of Homer is rarely brought
before us, and our information respecting her is there-
fore slight, there seems to be sufficient ground for
asserting that she is not the mere female reflection of
Hades or Aidoneus.
It is only for those deities from whom other deities
are drawn by descent, that we find in Homer a regular
conjugal connection provided. Thus Neptune, as we
have seen, cannot be said to have a wife in Homer.
Amphitrite appears in the poems with a faint and in-
deed altogether doubtful personality, though she after-
wards grew into his spouse. Now Neptune was a
deity much more in view than Aides : and it is not
likely that we sliould have found Persephone more fully
developed than Amphitrite, had she not represented
some older and more indej)endent tradition.
Again, in cases wliere the female deity is the mere
reflection of the male, we do not find her invested
with a share in his dcmiinion, although, as in the case
218 Olympus: the religion of the Homeric age.
of Juno, she may occasionally and derivatively exercise
some of the prerogatives, which in him have a higher
and more unquestionable activity. Thus Tartarus is
the region of 'Kpovoq, not of 'Pea ; air is the realm of
Jupiter, not of Jupiter and Juno. But Persephone
appears by the side of Hades as a substantive person ;
she is invoked with him by Althea to slay Meleager,
in the Legend of the Ninth Iliad*': and the region in
which she dwells is not less hers than his p,
ets 'At6ao hoiwvs koI ^Traivrjs Yl€pa-e* Buttrnann's Lexil. p. 62. ?/<, voc. atvos.
t Ocl. xi. 217.
S20 Olympus: the Religion of the Homeric age.
this, that we are left to suppose that Ceres had some
offspring by Jupiter, while none is named '^e
The chain of presumptions appears to me to become
complete, when M'e take into view two other pieces of
evidence sup])lied by the poems. In the far East^, be-
yond the couch of the morning Scin, some distance up
the stream of the great river Ocean, but to the south of
the point where it is entered, and at a spot where the
shore narrows very much — immediately, in short, before
the point of descent — are the groves of Persephone.
According to the general rules of interpretation appli-
cable to Homer, this apjiears to convey to us that the
seat of her worship was in the far Southern East, and
that her office, as there understood, was that of the
goddess or queen of Death. And if she is indeed the
reflection, in the mirror of the lower world, of any
other known deity, then, both from this great office, and
from the peculiar epithet ayvri, it is most likely to be
of Uiana, with whom, in the later mythology, she was
identified ; and, again, through Diana, of Apollo, from
whom the light of Diana herself was derived. Or, in
other words, she may be for the lower world that re-
flection of Apollo, which the Homeric Diana was for
this earth : and it is worth observation, that the gift of
second sight, which she allows to Tiresias, and which
therefore is at her disposal beneath ground ^, is the
peculiar and exclusive property of Apollo.
Let us now lastly consider, Mhat light the etymology
of her remarkable name may afford us. Its meaning
appears to be, either destruction by slaughter; from two
roots, one that represented in eirepa-a, from the verb
TrepOw, and the other '.
We must take these circumstances into view alonjr
with the force of the name Persephone, and with the
evidence we have already had of the antiquity of the
traditions relating to her. To this we have to add the
absence of any Homeric evidence connecting her with
any other local source. There is no sign of any insti-
tution, that belonged to her worship, except in those
groves planted in the far East ; and no sign of any other
" Od. XV. 409. y Od. X. 135-9.
222 Olympus : tJte Religion of the Homeric age.
particular locality marked as her peculiar abode, which
we have found to be a mark of such invented deities
generally as had a well developed personality. There
is no note of her whatever in Troas ; and nothing to
connect her with Egypt, or with the Pelasgians in any
quarter. It is not likely that she came in with the
Phoenicians, as she would then have had signs of a
recent origin, and would not have attained to so august
and mysterious a position as she actually holds. The
two distinct notices of her worship are both in the
Homeric Hellas ; not in Southern Greece, nor in the
islands.
It seems, therefore, on every ground reasonable to
suppose, that the tradition of Proserpine was an ori-
ginal Hellic tradition brought into the country from
the l^ast, probably by the Hellic tribes, and from among
their Persian forefathers ; and that the name of the
deity, as we find it in Homer, affords a new indication
of the extraction of the race.
Accordingly, the unusually substantive aspect of her
position in the nether world, which makes her relation
to Aidoneus so different from that of the other mytho-
logical wives, or feminines, to their respective husbands,
is such, that it seems most reasonable, instead of de-
riving her from him, as Juno was derived from Jupiter,
or Tethys from Ocean, to consider them as representing
the union of two independent impersonations, associated
together primarily by their common subject matter.
For there does not seem to be any thing improbable in
the hypothesis, that Persephone may, in the belief of
some country and age, have served alone for the ruler
of the region of the dead. Just as so many subordinate
ministers of Doom, the Fates, the Erinues, and the
Harpies, assumed the female form in the process of im-
Her relation to Olympuif. 223
personation, so it may have been ^vith their sovereio^n.
And if we are to look farther for the metaphysical
groundwork of such a tradition, we may perhaps find
it as follows. There is a relation of analogy between
each function and its converse: and as in the pure my-
thology, all that gave life was feminine, so conversely,
all that represented the destroying agency might as-
sume a similar form.
In her case, as in that of one or tw^o others, it is difficult
to discover whether Homer meant a particular deity to
be included, or not, among the Olympian gods of the or-
dinary or smaller assembly. There is no indication in
the poems, which directly connects Persephone with
Olympus ; and that celestial jialace may seem to belong
to the government of the living world, and to be al-
most incapable of relations Mith that of the departed.
Nor is she connected specially with the Olympian sys-
tem, like Aidoneus, by the position which birth confers.
The aAo-09, and the worship ])aid her there, can hardly
belong to the departed spirits on tlieir way to their
abode, and more probably indicate an ancient tradition
deriving her worship from the far East. On the other
hand, her dignity and majesty in the ])oems are un-
questionable, and indeed superior to those of any
Olympian deity, after some five or six. I do not find
materials for a confident judgment on the Homeric
view of her place in his theo-mythology, with reference
to this particular point of connection with Olympus.
Founding conjecture u[)on the facts before us, I ven-
ture, however, on a further extension of these hypo-
theses with respect to Persephone. We perceive in
Persephone and Diana that kind of likeness which
may be due to their common origin ; if, as we suppose,
both were images of Apollo. But it is not likely that
two such images should have been formed by the same
S24 Olympus : the Religion of the Homeric age.
race for itself. Can we then, probably refer Diana and
Persephone to different sources etlinically?
It is plain that Diana was Morshi|)pe(l in Troy and
Greece. Persephone, so far as we know, in Greece
only. This would agree with the supposition that
Diana was originally Pelasgian, Persephone only Hellic.
Again, Diana was an earthly, Persephone a subter-
raneous reflection of Apollo. Now the Hellic tribes
were lively believers in a future state: as we see from
the communion of Achilles with the soul of Patroclus,
and from many places in the Odyssey. But we have
nowhere in Homer the slightest allusion among the
Trojans to the belief in a future state, beyond the
mere formula of entering the region of Aides. Neither
the succinct account of the funeral rites of Hector, nor
any one of the three addresses over his remains, contain
the slightest allusion to his separate existence as a
s])irit. There is, indeed, mention of wine used to ex-
tinguish the flame of the funeral pile, but none of in-
vocation along with it, as there is in the case of
Patroclus^ And as we have no less than an hundred
lines spoken over or otherwise be -towed upon the dead
Hector, the omission is singular. It becomes still more
significant, when we recollect that the Greeks, and their
godiless Juno, invoke the deities of the under-world,
and the powers connected with a future state, in their
solemn oaths and imprecations"; but when Hector
swears to Dolon, (our only example of a Trojan oath,)
he adjures Jujiiter alone ''. Now ic may be that
the religion of Troy did not include so distinct a re-
ference to a future state, as that of (lireece, and that
the Trojans knew nothing of Persephone, or of any
deity holding her place. This hypothesis would at once
^- II. xxiii. 218-21. 271-4. XV. 36-40. xix. 258-60.
a II. iii. 278. ix. 454. 569. xiv. ^ II. x. 329.
The Mars of Homer. 225
accord with the features of the Homeric portrait, and
with the striking absence among the Trojans of all
pointed i-eference to a future life, or to the disembodied
spirit. Nor need we consider it to be at all shaken by
slight and formal allusions, or by the words in which
Homer on his own part dismisses to Hades the spirit
of the slain Hector*^. The hypothesis which the cir-
cumstances appear to suggest is, not that the Trojans
disbelieved a future existence, but that they neither
felt keenly respecting it, nor gave a mythological de-
velopment to the doctrine.
Mars.
Even in Homer, JNIars is externally the most im-
posing figure among the masculine deities of pure in-
vention. The greatest of war-bards could not but find
him a fine subject for poetical amplification. But in the
Roman period he had far outgrown the limits of his
Homeric position. With the lapse of time, the forces
and passions, which gave to this impersonation its hold
upon human nature, were sure to prevail in a con-
siderable degree over the finer elements from which
Apollo was moulded. It requires an effort of mind
to liberate ourselves from the associations of the later
mythology, and contract our vision for the purpose of
estimating the Mars of Homer as he really is.
Notwithstanding his stature, beauty, hand and voice,
which constitute, taken together, a proud appearance,
it seems as if Mars had stood lower in the mind of
Homer than any Olympian deity who takes part in the
Trojan war, except Venus only.
The Odyssey never once brings Mars before us, even
by way of allusion, except in the licentious lay of De-
c II. xvi. 856, 7, and xxii. 362, 3.
226 Olymjms : the Religion of tJie Homeric age.
modocus ; and tlie spirit of that lay certainly seems to
aim at making him ridiculous, especially in the manner
of his release and withdrawal. In the Iliad his part is,
of course, more considerable ; but on no occasion what-
ever does Homer apparently seek to set him off, or
give him a commanding attitude in comparison with
other deities.
We have nowhere any account of any act of rever-
ence or worship done to him, either in or out of Greece.
For instance, he is never, even in the contingencies of
war, the object of prayer. He never shows command
over the powers of nature, or the mind of man ; which
he nowhere attempts to influence by suggestion. It is
said, indeed, that he entered into Hector, as that war-
rior was putting on the armour of Achilles ;
hv hi jjiLV "Aprjs
But no words could more conclusively fix his place
in the Homeric system as the mere impersonation of a
Passion. For with Homer no greater deity, indeed, no
other of the Olympian gods, is ever said to enter into
the mind of a mortal man. In the Fifth Book he
stirs up the warlike passion of Menelaus ; having, like
Venus, a limited hold upon a particular propensity.
His climax of honour in this department is his giving
6dp(To? to the Pseudo-Ulysses ; but this he does only
in conjunction with Minerva^
His possession of the attributes of deity appears to
have been most limited. The use of the word"A|0>;?
not only for the passion of war, but even for its wea-
pons, shows us that the impersonation was in this case
as yet very partially disengaged from the metaphysical
^ II. xvii. 2IO. e Od. xiv. 216.
His limited worship and attributes. 227
ideas, or the material objects, in wliicli it took its
rise.
His function as god of war was confined to the
merely material side of war, and had nothing to do with
that aspect, in which war enlists and exhausts all the
higher faculties of the human mind ; so much so, in-
deed, that to be a great general is almost necessary in
order to enter the first rank of greatness at all. Even
of war in the lower sense he had not, as a god, exclu-
sive possession, but he administered his ofHce in part-
nership with a superior, Minerva. Besides being every
thing else that she was, she presided, along with him,
over war. On the shield of Achilles, he and Minerva
lead the opposing hosts ^ Over the body of Patroclus
the struggle was one of which, says the Poet, neither
Mars nor IMinerva could think lightly^. Achilles,
when pursuing the Trojans, calls for assistance ; for,
says he, neither JMars nor JNIinerva could undertake to
dispose of such a multitude *\ Mars and Minerva, says
Jupiter, will take charge of the concerns of war K
But that in this partnership he was an inferior, and
not an equal, is clear from the manner in which he is
habitually handled by Minerva. She wounds him
through the spear of Diomed, when, unless saved by
flight, he himself apprehends he might have perished ^.
In the Theomachy, she twice over strikes him powerless
to the ground. In the Olympian meeting of the
Fifteenth Book, when his intended visit to the battle-
field menaces the gods with trouble from the displea-
sure of Jupiter, Minerva strips his armour off his back,
scolds him sharply, and replaces him in his seat ^ And
f II. xv-iii. 516. S xvii. 398. ^ xx. 359,
i II. V. 430. k II. V. 885-7. 1 II. XV. 110-42.
Q 2
228 Ohjmpus : the Relifjion of the Homeric age,
she is pointed out by Jupiter as the person, whose ha-
bitual duty it was to keep him in order by the severest
means °^ ;
In the Fifth Iliad, he stirs up the Trojans, and en-
velopes the fight in darkness : but here he is acting
under ecpeT/uLoi, or injunctions from Apollo °, who thus
appears, like ]\Iinerva, in the light of a superior to him,
even in his own department.
We learn, again, that he was overcome and im-
prisoned by the youths Otus and Ephialtes, whom
Apollo subdued : he was in bondage for thirteen
months, and would have perished, had not JMercury
released him '^.
He is able to assume the human figure, and, as we
have seen, to bring darkness over contending hosts :
but, when in Olympus, he remains ignorant p of the
death of his son Ascalaphus, until he receives the in-
formation from Juno ; as it was only from his Nymphs
that the Sun learned the slaughter of his oxen. Nay,
Minerva even puts on a particular helmet, in order
that it may secure her from being recognised by Mars
when within his view ^.
Mars in the Olympian court bears some resemblance
to Ajax among the Grecian heroes. But the intel-
lectual element, which appears to be simply blunt in
Ajax, in INIars seems to be wholly wanting : so that he
represents an animal principle in its crudest form : and
is not so much an Ajax, as a Caliban.
We are not told that he is greedy of sacrifices, for
no ciiltus is assigned to him : but he is represented
-tn
II. V. 766. 1 II. V. 508. o II. V. 385.
P II. xiii. 521. XV. no et seqq. 1 II. v. 845.
Mars as yet scarcely Greek. 229
as greedy of blood, and as capable of being satiated
with if.
Except with Venus for his mere person, he has no
favour with any other Olympian deities^ Juno de-
scribes him as lawless and as a fool : and Jujjiter tells
him that, were he the son of any other deity but him-
self, he would long ago have been ejected from his
place in heaven ^
On one occasion, his name is associated with those
of Agamemnon and Ne])tune : but the due relation
between them is still preserved. Agamemnon is com-
pared with Jupiter as to his face and head ; with
Neptune as to his chest ; and with Mars as to his
waist. The eyes of Hector on the field of battle were
like the Gorgon, and like Mars".
From the repeated allusions to contingencies in
which he would have perished, there seems to be
something more or less equivocal even about his title
to immortality. If more, he is also much less, than
man. He is perhaps the least human of the Olympian
family ; and is a compound between deity and brute.
The exhibitions of JNIars, as wounded by Diomed for
the Iliad, and in the lay of Demodocus for the Odyssey,
seem to imply that this deity could not, in the time of
Homer, have become an object of general or esta-
blished religious worship in Greece.
He is a local deity, and his abode is in Thrace.
From thence he issues forth with his mythical son
Terror to make war upon the Ephyri: a race whose name
has a strong Greek savour, and whose hostile relation
to Mars thus exhibited, tends, with other evidence, to
place him in the category of foreign deities, not yet
«■ II. V. 289. 8 Od. viii. 310. t V. 831, 97.
" II. ii. 478, and viii. 349.
230 Olympus : the ReU3S'
He is the man of business for the Olympian deities,
SiaKTopo^. Od. viii. 335. V. 28^
He is the giver of increase, Swrop edcov. Od. viii. ;^^^.
II. xiv.490.
He is the most sociable of deities, II. xxiv. 334. a-ol
yap re fxaXicrrd ye (pLkrarov ecmv avSp] eTaipiararai.
The extraction of Mercury stands somewhat ob-
scurely in Homer : his mother Maias is but once
mentioned, and then without any clue. But, in the
ancient hymn to Mercury, she is declared to be the
daughter of Atlas : and if this be so, we shall be justi-
fied in considering him as the child of a Phoenician
tradition^. This is also clear on Homeric grounds.
Although Homer does not expressly connect him with
Atlas, he makes Calypso, the daughter of that person-
age, address him as al^oloi; re (plXo? re. These expres-
sions are usually applied by him where there is some
special relation of consanguinity, affinity, or guestship:
as between Jupiter and his adopted child ^ and parti-
cular friend Thetis. It is therefore probable that
Homer took Mercury's mother Maias to be, as the
after-tradition made her, the sister of Calypso, and the
daughter of Atlas. All the other Homeric signs of
him are in complete harmony with this hypothesis of a
Phoenician origin for Mercury.
We thus understand how he becomes the general
agent for the gods : because the Phoenicians supplied
the first and principal means of communication between
z DoUinger, Heid. u. Jud. p. » See sup. Ethnology, sect. iv.
74. ^ II. xxiv. III.
Mercunj the god of increase. 233
the several nations in the heroic age : they were the
nien-of-busiiie&s for the world ^.
It thus becomes plain, again, how lie can with pro-
priety be called the giver of comforts or blessings;
because the basis, of commerce is this, that each person
engaged in it parts with something which he does not
want, and receives what he does want in return.
The a|)parent anomaly, which makes the god of in-
crease also the god of thievery,is thus exi)lained: because,
from its nature, commerce is ever apt to degenerate
partially into fraud ; and because, in days of the strong
hand, force as well as intelligence would often make
it easy for the maritime merchants to change their
vocation, for the occasion, into that of plunder'^.
His proper office in regard to the epja of men
seems not to be industry, nor skill in production or
manufacture; but handiness and tidiness in the per-
formance of services. He, says Ulysses, gives to the
epya, which may mean both the deeds and the indus-
trial productions of men, their x'^'? and kv^o?., their
grace and credit or popularity'^.
This idea of increase forms the common or central
element of the various attributes assigned to JNIercury.
It takes two principal forms, one that of increase in
material goods, the other that of the propagation of
the race. This latter, which was elsewhere grossly
exhibited, is veiled by Homer with his almost unfail-
ing sense of delicacy, and may not, indeed, have been
fully developed in his time. It is perhaps however
traceable in two passages of the poems : first, that of
the Sixteenth Iliad, where we are told that he cor-
rupted the virgin Polymele*^, though she belonged to the
c Od. ix. 124. e Od. xiy. 319.
^ Od. viii. 161-4. aud xv. 416. f II. xvi. 179-86.
234 Olympus : the Religion of the Homeric age.
train of Diana. The other is in the episode of Venus
and Mars, where Apollo selects him as the deity to
whom to put the question, whether he would like to
take the place of the adulterer, and he replies in the
affirmatives'. Each of these incidents seems to apper-
tain to something distinctive in his character.
That character, again, imports the extended inter-
course with mankind, and the knowledge of the world,
which causes him to be chosen, in the Twenty-Fourth
Iliad, for the difficult office of conducting Priam to the
abode of Ulysses. jNIoreover, the great balance of
material benefit which commerce brings gives him, its
patron, as a general rule, a genial and philanthropic
aspect. In Homer we have nowhere any sign of his
vengeance, anger, or severity. He neither punishes,
hates, nor is incensed \vith any one. A passionless and
prudent deity, he not only declines actual fighting with
Latona, as she is a wife of Jupiter, but spontaneously
gives her leave to boast among the gods that she has
enras'ed and worsted him.
The Phoenician origin of jMercury will also account
for his position in the poems, in relation to the Trojans
and Greeks respectively. Not simply is he one of the
five Heilenizing deities : for his talents would natu-
rally with Homer tend to place him on that side. But
he appears almost wholly unknown to the Trojans.
The abundance of the flocks of Phorbas is indeed re-
ferred to his love (II. xiv. 490) : and he reveals himself
to Priam by his name (II. xxiv. 460) : but it is remark-
able, and contrary to the general rule of the poems,
that Priam, notwithstanding his great obligations,
takes no notice whatever of his deity, either upon his
& Od, viii. 334-42.
Mercury lldhulc and Ptuenician. 235
first revelation and (.lej)arture, or Avlien a second time
he appears, and afterwards quits liini anew (682-94).
On tlie otlier liand, we have abundant signs of his
familiarity with the Greeks. lie conveys the sceptre
from Jupiter to Pelops : he carries the warning of the
gods to il*I.gisthus : sacrifice is offered to him in Ithaca :
and he is liberally treated with saci'ifices by Autolycus
in Parnesus, where he repays his worshipper by be-
stowing on him the arts of ])erjur> and purloining^.
Now it is plain, from many places in the poems,
that the Greeks had much intercourse with the Phoe-
nicians. On the other hand, the Trojans, wealthy by
internal products and home trade, seem to have known
little or nothiiio" of maritime commerce. Their inter-
course with Thrace, the fertile Thrace that furnished a
contingent of allies, required no more than that they
should have the means of crossing the Straits of Gal-
lipoli. We nowhere hear that they had a port or har-
bour. A Phoenician deity would therefore, of course,
be on the Achaean side during the war.
Independently of such an origin, he might, in his
usual capacity of agent, have been with perfect pro-
priety sent to Calypso : but his mythical relationship
to her as a nephew, and her evident connection with
Phoenician traditions, give a peculiar projjriety to his
employment on this errand.
Another passage of the Odyssey seems, however, to
place this relationship beyond doubt. Ulysses, in the
Twelfth Book, recounts to Alcinous the transaction
that occurred in the Olympian Assembly after his crew
had slain the oxen of the Sun. On that occasion, the
offended deity declared that, unless he got compensation,
he would go down and shine in the realm of Aides; upon
'' Od. xiv. 435, and xix. 394-8.
S36 Olympus : the Religion of the Homeric age.
which Jupiter at once promised to destroy the ship of
Ulysses. ' This,' adds Ulysses, ' I heard from Calypso,
and she told me that she had herself heard it from
Mercury'.'
Now this was no aifair of Calypso's ; none, that is,
on which the gods could make a communication to her
in regard to Ulysses : hut it was one in which, from her
passion for the hero, she would take a natural interest,
and on which she might well obtain information from
a deity who was her relative. Nor does it appear on
M'hat other ground Mercury should be named, as the
person who brought her this extra-official report.
Again, it is jH-obably on account of his Phoenician
connection, that the intervention of Mercury is em-
ployed in the Tenth Odyssey k, to supi)ly Ul3'sses with
the instructions that were necessary, in order to enable
him to cope with Circe.
For we are here in the midst of a cluster of traditions,
which we have every reason to presume to be wholly
Phoeuicianl It is the cluster, which occupies the outer
circle of the geography of the Odyssey : and it is se-
vered from the Grecian world and experience, not only
by a geographical line, but by an entire change in my-
thological relations. From the time when Ulysses
enters that circle in the beginning of the Ninth Book,
until his appearance near Scheria, on the outskirt of
the known familiar sphere, his ancient friend Minerva
nowhere attends him : and there are four whole books
without even a mention of the goddess, w^ho, except for
this interval, stands prominently forth in almost every
page of the Odyssey. The divine aid is given to him,
during this period, through Circe and Calypso ; while
' Od. xii.389, 90. ^ Od. X. 275-307.
1 See ' Acliseis, or Etlinology,' sect. iv.
Mercury recent in Greece. 237
Mercury is appointed to command tlie latter, and to
enable Ulysses to overcome the former. Both tlie
company and the traditions, amidst which Mercury is
found, thus invite us to presume that he is a deity
of Phoenician importation into Greece-
There is one other point connected with him, which,
tending to mark that he had somewhat recently be-
come known to the Greeks, agrees with other indi-
cations of his introduction from beyond sea. He figures,
indeed, in legends as old as Hercules and Pelops'" ; and
we do not receive any account of his infancy, as we do
of the infancy of Dionysus and of Vulcan. But we
may observe that, whenever he assumes human form,
it is the form of one scarcely emerging from boyhood.
In the last Iliad, he is a TrpwTov vTrrjvtjTrj'f, in the fairest
flower of youth". And in the Tenth Odyssey, where
he makes his second and only other appearance to a
mortal, the same line is repeated in order to describe
his ap})earance, as if it were an established formula for
himself, and not merely adapted to a particular occa-
sion. Indeed it may reasonably be questioned, whether
such adaptation exists at all. A very young person
was not the most appropriate conductor for Priam, on
such an errand as that which he had undertaken : nor
the best instructor in the mode of coping with the for-
midableCirce. Therefore, without laying too much stress
upon the point, the meaning of the youthful ap])earance
seems to be, that he was young in the Greek Olympus.
There is yet another sign by which I think we may
identify Mercury as, in the estimation of Homer, a
deity known to be of foreign introduction. The list
given by Jupiter in the Fourteenth Iliad of his intrigues,
includes no reference to JNIaias, the mother of Mercury,
or to Diana the mother of Venus. Yet it is a large
m II. ii. 104. Od. xi. 626. 1 II. xxiv. 348. Od. x. 279.
S38 Olympus : the Religion of the Homeric age.
and elaborately constructed list, ending with Juno
herself: and the question arises, on what principle was
it constructed? I think the answer must be that, as it
was addressed to Juno, the most Hellenic of all the
Olympian deities, with whom he wished to be on good
terms at the moment, so also it was intended, if not to
give a full account of his Greek intrigues, yet at any
rate that no tradition should appear in it, except such as
Homer considered to be either native, or fully natural-
ized. It contains no reference, for example, to the mother
of Sarpedon, the mother of Dardanus, the mother of
Amphion and Zethus, the mother of Tantalus, (whom
we have however only presumptions for reckoning as by
Homeric tradition a son of Jupiter,) or even the mother
of iEolus; whom it is possible that Homer may have
regarded as Hellic, rather than proi)erly Greek, though
the father of illustrious Greek houses. If this be the
rule, under which the Poet has framed the list, then the
exclusion of Maias and her son remarkably coincides
M'ith the other evidence that tends to define his position
as a deity of known and remembered foreign origin.
It may be convenient to notice in this place the
statement which is commonly made, that Iris is the
messenger of the gods in the Iliad, but that ]Mercury,
except only in the Twenty-fourth Book of that Poem,
IS confined in this capacity to the Odyssey: a state-
ment, on which has been founded a standing popular
argument against the unity of authorship in the two
])oenis, and also against the genuineness of the Twenty-
fourth Iliad itself.
The statement, however, aj^pears to rest upon a pure
misap])rehension ; for it assumes the identity of the cha-
racter of Iris and ]\Iercury respectively as messengers.
Whereas there is really a difference, corresponding with
the difference in dignity between the two deities: and
His Ohjmjnan office and t/u/t of Iris. 239
Homer is in regard to them perfectly consistent with
himself.
Mercury is sometimes a messenger in tlie pro])er
sense, and sometimes an ag'ont, or an agent and mes-
senger combined. It is not true that, so far as tlie
Ih'ad is concerned, he only appears in the last Book
in one of these capacities. For in the Second Book"
we find, that he carried the Pelopid sceptre from Ju-
piter to Pelops : which may mean either simply, that
he was the bearer of it, or that by a commission he
assisted Pelops in acquiring, or rather in founding, the
Achcean throne in the Peloponnesus. In the Twenty-
fourth Iliad, JNIercury is not really a messenger at allP;
but he is an agent, intrusted by Jupiter on the ground
of special fitness with the despatch of a delicate and
important business, the bringing Priam in safety to the
presence of Achilles, and afterwards the withdrawing
him securely from a j)osition of the utmost danger.
This is an office like that undertaken by JMinerva in
the Fourth Book, when, as she was commissioned to
bring about a breacli of the Pact by the Trojans, she
repaired to Pandarus for the purpose. But the func-
tion of Iris is simply to carry messages, and chiefly
from one deity to another ; she is not only ayyeXo^,
but /ueTayyeXo^^ ; she is not intrusted in any case with
the conduct of transactions among men, or responsible
for their issue, although in the Fifteenth Book she
spontaneously advises the god Neptune in the sense of
the message she has brought. It is not for Jupiter
only that she acts ; she also conveys a message, and a
clandestine one, for Juno ''. Nay, on one occasion, with-
out any divine charge, hearing the prayer of Achilles to
o II. ii. 104. P II. xxiv. 334. q II. xxiii. 199.
•■ II. xviii. 165-8.
210 Olympus: the Religion of the Homeric age.
two of the Winds, she spontaneously carries it to the
palace, where they w^ere all feasting together ^
Only in the Odyssey do we find Mercury unques-
tionably and simply discharging the duty of a mes-
senger; and this on tv.o occasions: the first, when he
brought to ^gisthus the warning that his crimes, if
committed, would be followed by retribution from the
hand of Orestes; the second, wdien he communicated
to Calypso the command to release Ulysses.
But there is in reality no discrepancy whatever be-
tween the two poems : inasmuch as Mercury and Iris,
though both messengers, act in different characters.
Iris is in one case the spontaneous messenger, w4io
carries a hero's w-ish to subordinate deities ; but she
uniformly has this mark, that she never rises higher
than to be the personal messenger of Jupiter. On the
other hand. Mercury in the Odyssey is the official mes-
senger, not of Jupiter individually, but in both cases
of the Assembly of the gods : and the care, with which
the distinction seems to be drawn, is very remarkable.
It is true, the menage to Calypso is called Zj^i/o? ayye-
Xit] : but it became the message of Jupiter, because
it was a proposal made by JNIinerva in the Olympian
Assembly, and made on the part of all in the plural
number, which was then duly adopted by Jupiter as
the executive head of the body * :
'Epixdav ixev eTretra^ hiciKTopov ^ Apy(ieK aTrayye'AAeiTKe Kiwr, ore Tiov ris avcoyoi.
There is yet another illustration of the view which
has here been given. In the Assembly of the Twenty-
fourth Iliad, Jupiter, in order to give effect to the
general desire of the gods, has occasion to wish for the
presence of Thetis : and it has at first sight an odd
appearance that he does not, as in other cases where
he is acting singly, call Iris and bid her go : but he
says, with a mode of expression not found elsewhere,
akK tl rts Kakeane OeStv QeTLV
And Iris, hearing him, sets forth without being per-
sonally designated. Tne peculiar language seems as if
it had been employed for the especial purpose of keep-
ing Iris within her own province, and of preventing the
possibility of the confusion between her office and that
of deities superior in rank, which might have arisen if
she had regularly received an errand in the midst of
the Olympian Court.
Thus, then, it would appear, that the apparent dis-
crepancy between the various parts of the })oems, when
closely examined, really yields to us fresh evidence of
'' Od. xviii. 6.
242 Olympus : the Religion of the Homeric age.
their harmony. Nor let it be thought unworthy of
Homer thus minutely to preserve the precedence and
relative dignity of his deities. With our views of the
Olympian scheme, it may require an effort to assume his
standing-ground : but when he was dealing with the
actual religion of his country, it was just as natural and
needful for him to maintain the ranks and distinctions
of the gods, as of men in their various classes. Mytho-
logy might, indeed, afford ample scope to his fancy for
free embellishment and enlargement of the established
traditions ; but these processes must always be in the
sense of harmonious development, not of discord.
Another question may indeed be asked : whence came
this idea of twofold messengership, higher and lower ?
and would it not have been more natural if the whole
of this function had been intrusted to one deity ?
This question is, I believe, just, and requires that a
special account should be given of an arrangement
apparently anomalous. Suc'i an account I have en-
deavoured to supply in treating of Iris, by shewing
that she owes her place to a primeval tradition, while
Mercury owes his to an ideal conformity with the laws
of the Olympian system.
And in truth there is no single deity, on whom the
stamp of that system has been more legibly impressed.
It might be said of the Homeric INIercury, that he ex-
ceeds in humanism (to coin a word for the purpose)
the other Olympian gods, as much as they excel the
divinities of any other system. His type is wholly and
purely inventive, without a trace of what is traditional.
He represents, so to speak, the utilitarian side of the
human mind, which was of small account in the age of
Homer, but has since been more esteemed. In the limita-
tion of his faculties and powers, in the low standard of
The Venus of Homer. 243
his moral habits, in the abundant activity of his appe-
tites, in his indifference, his ease, his good nature, in
the full-blown exhibition of what Christian Theology
would call conformity to the world, he is, as strictly as
the nature of the case admits, a product of the inven-
tion of man. He is the god of intercourse on earth;
and thus he holds in heaven by mythological title, Avhat
came to Iris by ])rimitive tradition. The proof must,
I think, be sufficiently evident, from what has been and
will be adduced piecemeal and by way of contrast, in
the accounts of other and, for that period at least, more
important divinities.
Venus.
There is no deity, except perhaps Dionysus, of whom
the position and estimation in Homer are so vividly
contrasted with those, to which he or she attained in
later paganism, as Venus. The Venus of Virgil, the
Venus of Lucretius, are separated by an immeasurable
interval from the Aphrodite of Homer. And the njan-
ner in which she is treated throughout the Iliad and
Odyssey is not only curious, as indicating the nature
and origin* of her divinity, but is of very high interest
as illustrative of the great Poet's tone of mind and
feeling.
There is no act of worsliip or reverence, no sign of
awe or deference, shown to her in any part of either of
the poems. Yet her rank is indisputably elevated. It is
beyond doubt that she belongs to the Olympian family.
She appears in Olympus, not as specially sent for, but
as entitled ordinarily to be there : she takes a side in
the war : she makes the birth of -^neas more glorious
on the mother's side than that of Achilles, who was
sprung from Thetis, the daughter of Nereus, and a deity
of inferior dignity to hers. Not only is Jupiter her
R 2
244 Olympus : the Religion of the Homeric age.
father, but her mother Dione is an Olympian goddess.
Yet her Olympian rank is ill sustained by powers and
prerogatives : and she probably owed it to the poetical
necessity, which obliged Homer to have an array of
divinities on each side in the war, with some semblance
of equality at least between the rival divisions.
The indications of the poem may lead us to believe
that her name and worship were of recent origin. That
a worship of her had begun is obvious : for in Paphos,
a town of Cyprus, and the only one named by Homer,
she had both an altar, and a Te/mevo?, or dedicated
estate; and she bears the name of Cypris-^. But we
have only the very slightest mention of her, or of any
thing connected with her, in Greece proper. We bave
seen much reason to assume that Cyprus Avas essen-
tially Pelasgian, and ethnically more akin to Troy than
to Greece. In Troy we find various signs of her in-
fluence. She sent to Andromache the marriage gift of
her Kpri()eiJ.vov^\ She made to Paris the fatal present of
his lust^ She fell in love with Anchises, and became
the mother of ^neas ^. She led Helen away from the
roof of Menelaus*^, and was an object of dread to her
when in Troy'^ Minerva, in taunting her bitterly
about her wound, supposes she may have got it by a
scratch from a o-oUlen buckle, in undressing some
Greek woman that she had persuaded to elope with
one of the Trojans whom she so signally loves'^. Again,
it appears from a speech of Helen, that she was wor-
shij)])ed in Phrygia and Ma'onia^ The only token of
her influence in Greece is, that she is twice in the
y II. V. 422 et alibi. '^ 11. iii. 418 ; also 395, where
2 II. xxii. 470. opiva, as most commonly in Ho-
^ II. xxiv. 30. mer, means to excite with fear.
b II. ii. 820. e II. V. 422-5.
■c II. iii. 400. f II. iii. 402.
Venus as yet scarcely Greek. 245
Odyssey called 'KvQepeia. Thus we see her not strictly
within Greece, but rather advanced some ste))s on her
way to it. And it is easy to supjioso that, in the race of
corruption, her worship would run among the fastest.
The negative evidence, then, thus far tends to the be-
lief that Venus was not yet established among the regular
deities of the Poet's countrymen : and it is supported
by positive testimony. For some of the functions, that
must in the post-Homeric view of her office have be-
longed to her. Homer studiously makes other provision.
Of this there is a most remarkable case in the Odyssey.
He designs that the Suitors, before they are put to
death, shall be made to yield of their substance to the
liouse of Ulysses, in the form of gifts to Penelope.
For this purj)ose he arrays her in all her charms, and
brings her forth in appearance like Diana, or golden
Venus ^. It is not a common practice with Homer to
compare a beautiful Greek woman to Venus ; especially
when it is one so matronlike as Penelope. On the
other hand, the com])arison of Cassandra to Venus ^ is
entirely in keeping with the Asiatic character of the
deity. But the intention of the allusion here is mani-
fest : for when the Suitors see her, it is passion which
prompts them to vie with one another in courting her
favour through the medium of costly gifts. How, then,
came the sad Penelope thus to deck herself? It was
not her own thought : it was the suggestion of a deity,
and if Venus had been recognised by Homer as an
established object of worship in Greece, Venus would
most properly have made the suggestion : for she, says
Achilles, is supreme in beauty, as Minerva is in industry
and skill ^ But it is Minerva who instils this suggestion
g Od. xvii. 37. xix. 54. ^ II. xxiv. 699. I think the case of
Hermioue (Od. iv. 14.) is an exception. ' II. ix. 389.
246 Olympus : the Religion of the Homeric age.
into the mind of Penelope ; though in a form which con-
veys no taint to her mincl^. She goes, however, be-
yond tliis : for she sends Penelope to sleep, and then,
to enhance her beauty, applies to her face a wash, of
the kind that Venus herself uses when she goes among
the Graces. Yet this is not procured from Venus, as
Juno in the Iliad procures the cestns from her on
Mount Olympus ; nor is her agency or aid in any man-
ner employed. Thus she is not allowed, as it were, to
have to do in any manner with Penelope ; a clear indi-
cation, I think, that though known, she was not yet
worshipped in Greece proper.
She appears, indeed, in the legend of the daughters of
Pandareus ^ : but the scene of this legend is not stated
by Homer to be in Greece, and by general tradition
it is placed in Crete or in Asia Minor.
Again, the predicaments in which she is exhibited
in the poems are of a kind hardly reconcilable with
the supposition, that she was an acknowledged Greek
deity at the time. In the lay of Demodocus, the Poet
seems to intend to make the guilty pair ridiculous,
from his sending them off, when released, so rapidly
and in silence. It is true that he exhibits to us in the
Iliad the sensual passion of Jupiter : but he has
wreathed the passage where it is described in imagery,
both of wonderful beauty, and rather more elaborate
than is his wont"\ But whatever may be thought of
the Eighth Odyssey, the Fifth and Twenty-first Iliad
seem, so far as Venus is concerned, only to permit one
construction. In the former, she is, after being
wounded, both menaced and ridiculed by Diomed".
In the latter, for no other offence than leading the
k Od. xviii. 158-68. ^ II. xiv. 346-51.
1 Od. xix. 67, 73. " II. V. 335,348.
Her advance f rout the East. 247
battered Mars off the field, she is followed by Minerva,
and struck to the ground by a blow upon the breast. As
in the case of ^lars, so and more decidedly in the case
of Venus, it appears as if the ignominious treatment in
the Theomachy was difficult, and the wounding and
treatment by Diomed quite impossible, to reconcile
with the idea that it could have been devised by a
Poet, and recited to audiences, for whom the person-
ages so handled formed a part of the established ob-
jects of religious veneration. Even Helen is permitted
to taunt her bitterly : to recommend her becoming the
wife, or even the slave, of Paris, and her ceasing to
make pretensions to play the part of a deity :
r](TO Trap' avTov lovaa, OeSiV 8' aTro'eue Ke\ivdov°.
In entire harmony with these suppositions is, first,
the side taken by her in the war ; and secondly, the
geographical indications of her worship. It appears to
have moved from the East along that double line, by
which we have found it probable that the Pelasgians
flowed into Europe : one the way of the islands at the
base of the iEgean, the other by the Hellespont. We
know, from other sources, that the East engendered at
a very early date creations of this kind. Under the
names of Astarte, IMylitta, Mitra, and the like, we seem
to encounter so many separate forms or versions of the
Greek Venus. We may indeed observe that Astarte
was commonly associated with the Moon, and it would
be a matter of interest to know the original relation
betw^een the popular or promiscuous Venus {irav^^fxa^),
and the celestial one. In Homer we find them com-
pletely severed : we perceive Artemis with many traces
of the older, and Aphrodite fully representing the more
recent and carnal conception. There still remains one
o II. iii. 406.
S48 O/i/nijjus : tlie Rdiy ion of the Homeric aye.
sign of correspondence ; it is the standing epithet of
Xp^<^^n for Aphrodite, compared with the chister of
golden epithetsP applied to Diana. We may not
unreasonably, I think, take Artemis as the probable
})rototype ; and A])hrodite as the sensual image, into
which the old and pure conception had already dege-
nerated, before the time when the two fell, as poetic
material, each for its own purpose, into the moulding
hand of Homer. While such a source is every way
probable, our reference to it is the more natural,
because it is not very easy to attribute to the Greeks
of the heroic age the original conception of such a
divinity as Venus. For though they were of social
and therefore somewhat jovial habits, and though they
were a race of ready hand, given to crimes of violence,
yet they were not, on the whole, by any means a
sensual race, in relation to the standard which seems
to have governed the Asiatic nations, whether we es-
timate these latter the Trojans, the Assyrians, or the
Jews.
The marriage viith Vulcan, and the relation to a
mother Dione, invented apparently for the purpose of
maternity, are marks of recency. If I have rightly
referred Vulcan to the Phoenician order, this marriage
may be an indication that Venus likewise had a place
in it : and again, considering her station in Troas, it
seems not impossible that the worship of Vulcan may
have been introduced there the more readily, because
of his being reputed to be her husband.
Like Maias the mother of Mercury, Dione, the
mother of Venus, is excluded from the list of Jupiter's
amorous or matrimonial connections in the Fourteenth
Iliad (312-28). This leads to the conclusion, either
P Sup. sect. ii. p. 146.
Her rank and personal character. 249
that the tnulition resj)ecting her was known only as a
foreign one, or else that it was recent, slight, and as
yet unauthenticated in popular belief. In either view
it coincides with the other indications as to Venus.
The primary function of Venus, a]iart from Asia,
a})pears to lie among the 01ymi)ian deities. That she
was, as a member of that family, in actual exercise of
her prerogatives, we see plainly from the application
made by Juno to her in order to obtain the grace and
attractiveness, by which she hoped to act upon the
mind of Jupiter. As a mythological conception, she
exhibits to us on the page of Homer the union of the
most finished material beauty with strong sensuality,
and the entire absence of all traces of the ethical
element. She represents two things, form and pas-
sion ; the former refined, the latter not so. In her
character, as conceived by Homer, we see how that
which is divine, when it has ceased to be divine,
becomes, not human, but something much worse and
baser: as he that falls from a height cannot stop half-
way down the precipice at his will, but must reach
the ground. Even feminine tenderness does not cling
to the character of Venus. She is effeminate, indeed, for
when wounded she lets her son jEneas fall: but gentle
she is not, for in the scene of the Third Iliad with
Helen her conduct is harsh even to brutality, and she
drives the reluctant princess into sensuality only by
the cruel threat of violence and deaths.
In Venus we see the power of an Immortal reduced
to its minimum. Even the faculty of self-transfor-
mation seems to have been in her case but imperfectly
exercised''. She does not pretend to give strength or
q il. iii. 414-7. '■ II. iii. 396.
250 Olympus : the Religion of the Homeric age.
courage to her son ^neas, but is represented simply as
carrying him off in her arms. It is here worthy of
remark, that she has not even the ability, like the
greater deities, to envelop him in cloud : she has no
command over nature, only over the corrupt and re-
bellious impulses of man : she has power to carry
JEneas away, but he is folded in her mantle ^ In fact,
her privileges in general appear to be like those of the
inferior orders of deity, held and used for her own enjoy-
ment; but they do not carry the power of acting upon
man or nature, except in a particular and prescribed
function. Her capacity of locomotion is limited in a
peculiar degree. Mars, though no great deity, went,
when wounded, up to heaven on the clouds. But Venus
required to borrow the disengaged chariot of JMars for
the purpose, when in the same predicament^.
It is no wonder that the ancient, probably the
earliest Greek, account of her origin which is given by
Hesiod", should mark her as of entirely animal ex-
traction.
Another peculiarity in the case of Venus is, that she
already takes her name, and not only receives mere
epithets, from two particular spots where she is wor-
shipped. Cyprus makes her Ys^virpi^ in the Iliad, and
from Cythera she is also Cytherea in the Odyssey. She
thus stands distinct from Juno : to whom the Argeian
name is simply an appendage, though one of a most
characteristic force, and one involving important infer-
ences as to her origin. Nor is she less distinct from
Minerva, whose name is not derivative in form when
she is called 'KQrivri, and whom we must consider as the
eponymist of Athens, and not its namesake. No
s II. V. 31 i-i8- ^ II- V. 355-64- 363- " Thcog. 188-98.
Venus unable to confer beauty. 251
indication could be of greater force, than tliis marked
localism, in stamj)ing the ideas about Venus as purely
human in their origin.
It would be an error to consider the Venus of
Homer as even the goddess of beauty. She was endowed
with it personally, and she possessed the cestus of fasci-
nation and desire : but she had no capacity to make
mortals beautiful, such as Minerva exercised upon
Penelope and Ulysses, and Juno upon the virgin
daughters of Pandareus. She is there passed by in
such a manner as to make it plain that she did not
possess any power of imparting this gift. Her ^wpa, in
II. iii, 6^, do not appear to include it; or Paris would
not say, ' no one would spontaneously seek them.' For
beauty of person was among the recognised and highly
valued gifts of heaven t.
We are told, in the Twentieth Odyssey, that Venus
fed the orphan girls of Pandareus with cheese, honey,
and wine ; and, continues the passage, Juno gave them
extraordinary beauty and prudence, Diana lofty stature,
Minerva industrial skill. Afterwards, they being thus
equipped, Venus went up to Olympus to pray Jupiter
that he would make arrangements for their marriage".
Thus her operations in a work of good are wholly
ministerial and inferior : and not only does she not confer
beauty herself, but she sees it conferred by Juno. This
again shows that the Venus of Homer, except for evil,
has no power to work upon the body or mind of man.
But we must not omit to mark that sign of the real
chastity of Homers mind which he has given us by
his method of handling the character of Venus; a
deity whom the nature of his subject in the Iliad would
have led almost any other heathen, and many Christian,
poets to magnify.
t Od.viii. 167-77. 'I Ocl. XX. 66-75.
252 Ohjmpus : the Religion of the Homeric aye.
In not a sino^le instance does Homer exhibit this
divinity to us in an amiable or engaging light, or invest
her with the attractions of power, glory, and success.
When Minerva advises Diomed in the Fifth Iliad ^
she says, Do not attack any of the immortals ; but if
you happen to see Venus, her you may wound. We
seem to have a clear indication, that Homer introduced
this passage simply in order to throw contempt on
Venus ; because afterwards, when Mars is in the field,
and Diomed pleads the inhibition he had received as a
reason for his inaction, Minerva at once removes it,
and bids the warrior assail that god without scruple^.
Again, when Diomed wounds Mars, it is because
Minerva invisibly directs and impels his lance^ : but
he wounds Venus without any aid. In the Theomachy,
she appears upon the list of deities enumerated as
taking the Greek and Trojan side respectively; but
when the Poet comes to match the others for fight,
she disappears from his mind ; as though it Mould have
been an insult to any other member of the Olympian
family to be pitted against her effeminacy. Accord-
ingly, no antagonist is named for her.
She is sometimes made contemptible, as in the fore-
going instances. She is at other times silly and childish,
as under the bitter taunt of Minerva and the admonition
of Jupiter^, and again, when she falls into the trap
cunningly laid by Juno''. Odious in the interview with
Helen in the Third Book, she is never better than
neutral, and never once so handled by the Poet as to
attract our sympathies.
Again, there is not, throughout the Odyssey or Iliad,
a single description of the beauty of Venus, such as
Homer has given us of the dress of Juno, or the arms
X II. V. 131. cf. 330. y 11. V. 818, 27. ^ II. V. 856.
a II. V. 431-30. ^ II. xiv. 190-224.
Never made attractive in Horner. 253
of JVIinerva. It is never, either directly or indirectly,
set off for the purpose of creating interest and favour.
One exception may perhaps be alleged : but, if it is such,
at least it affords the most marked illustration of the rule.
Once he does praise the exceeding beauteous neck, the
lovely breast, the sparkling eyes of Venus; but it is
when he has clothed her in the withered form of the
aged spinstress that had attended upon Helen from
Sparta, and through whose uninviting exterior such
glimpses of the latent shaj)e of Venus are caught by
Helen as to enable her, but no one else, to recognise
the deity.
How different is this from the case of Virgil, who
has introduced a most beautiful and winning descrip-
tion of her in the Second yEneid^ just when he brings
her into action that she may acquit both Helen and
Paris of all responsibility for the fall of Troy. It would
have been not only natural for Homer, but, unless he
was restrained by some strong reason, we may almost
say it would have been inevitable, that he should have
done for Venus what has been done in our own day, with
very high classical effect, by Tennyson in his (Enone :
Idalian Aphrodite beautifu],
Fresh as the foam, new bathed in Paphian wells,
With rosy slender fingers backward drew
From her warm brows and bosom her deep hair
Ambrosial, golden round her lucid throat
And shoulder : from the violets her light foot
Shone rosy-white, and o'er her rounded form
Between the shadows of the vine-branches
Floated the o-lo^vino; sun-light as she moved.
Upon the whole, I should confidently cite the treat-
ment of Venus in the poems as being among the most
c Mn. ii. 589-93.
254 Olympus : the Rdigion of the Homeric age.
satisfactory indications of the state of heroic Greece,
and one of the most honourable tokens of the disposi-
tion of her Poet.
Vtdcati.
Besides Juno and Bacchus, Hepha?stus or Vulcan is
the only Homeric deity who bears upon him this
unequivocal, or at least significant, mark of novelty,
that we are supplied with a distinct tradition of his
childhood*^. In his youth he was rickety and lame.
His mother Juno wished to conceal him, and she let him
fall into the sea. Here Thetis and Eurynome received
him, and reared him in a submarine cave, not, however,
under the IMediterranean, but the Ocean ; and in that
cave for nine years the boy-smith employed himself in
making ornaments for women.
He is thus associated by his traditions with the
two opposing elements of water and fire ; with water
by the history of his childhood, and with fire as the
grand instrument and condition of his art. The latter
was by much the stronger association, for it was con-
tinually fed by the history and progress of the art
itself; so that he became the impersonation of that
element itself, and in the phrase cpXo^ 'Hcpala-Toio it is
his name which gives the distinctive force ; for (p\o^ in
Homer seems to mean the flame or light of fire^, and is
not used to signify fire proper, except with some other
word in conjunction to it or near it. But the explana-
tion of the seeming contrariety is probably to be found
<1 Od. viii. 311 : and II. x\'iii. Minerva invested Achilles when
395. he went forth unarmed. The name
6 Tims, in II. x\dii. 206, it "UcpmaTos also stands alone for
means that blaze without heat, as fire in II. ii. 426.
from shining armour, with which
J'he Vulcan of Homer. 9,55
in the liypothesis, that his worship was of Phoenician
introduction ; as tlie Phoenicians seem to have made
the Greeks acquainted with the use of fire in working
metals. If they made the deity known to the Greeks,
this will account for his association with the idea of
fire: and as accounts and traditions, which they had
supplied, were evidently the source of all the more re-
mote maritime delineations of Homer, (since they alone
frequented Ocean and the distant seas,) this is the
natural and easy explanation for the tradition of his
childish srts in the oceanic cave. That he is thus, like
the Phoenicians, for Homer, the meeting point of fire
and water, appears clearly to stamp him as Phoenician
or oriental in his origin, relatively to Greece.
Accordingly, true to the association between Phoe-
nician and Hellenic elements, he is one of the five
Hellenizing deities in the Trojan war ; in which, as the
element of fire, he oj^poses and subdues the river
Xanthus. He was not, however, unknown to the
Trojans ; for Dares, his priest, had two sons in their
army. His introduction to Troas may have been due
to his conjugal connection with Venus ; or it may have
been due to the neighbourhood of Lemnos, the island
on which, when hurled from Olympus by Jupiter, he
fell, and which thenceforw^ard formed his favourite
earthly habitation. With Lemnos and other isles
Troy was in communication, at least from the time
of Laomedon, for that prince threatened to seize
Apollo and to sell him, vi]urious.
Without entering into that controversy, I venture to
urge that the proof is insufficient. Why should the
Vulcan of Homer be limited to a single spouse ?
s
258 Olympus : the Religion of the Homeric age.
Jupiter has three, probably four ; namely, Juno, Latona,
Dione, and Ceres. No other Olympian deity, until we
come down to Vulcan, has any. The question then
arises, Why should the poets, or even the religion of
the day, be limited in this case to monogamy, which has
no place elsewhere in the Olympian family? Why should
the reasons, which induced the framers of the religion to
give him a wife at all, forbid them absolutely from giving
him more than one ? Nay more ; why, if the original
object of the Greek mind in this marriage was to
symbolize the union of manual skill and beauty, and if
the materials of the received mythology were in a state
of growth and progress, might it not happen that in the
youth of Homer Charis was, all things considered, suited
to afford the most appropriate means of representing the
idea, and yet that in his later age he might amend his
own plan, and make Venus the wife of Vulcan, without
at all troubling himself to consider what was to become
of the slightly sketched image that he had previously
presented in the Iliad ? I say this, because the assumed
contradiction of these legends appears to me to proceed
upon another assumption of a false principle ; namely,
that, though the mythology was continually changing
with the progress of the country, yet each poet was
bound, even in its secondary and in its most poetical
parts, to a rigid uniformity of statement. No one, I
think, who considers how the current of the really
theistic and religious ideas runs upon a very few of the
greater gods, can fail to see that with Homer the reli-
gious meaning of his Vulcan, and of the other gods
of the second order, was very slight. A sufficient
proof of this may bo found in the fact, that of no one
of them, excepting Mercury alone, does he mention the
actual worship in his own country.
Vulcan in and ont of his art. fi.'^y
Moreover, two things may deserve rein.irk with re-
ference to the variation which makes Charis the wife
of Vulcan in the TMad, and Venus in the Odyssey.
First, from the plan of the Iliad, which j)laced Ve-
nus and Vulcan in the sljar])est oi)])osition, the conjugal
relation between them would have been, for that poem,
inadmissible. The Poet coukl not have introduced
Venus, where he has introduced Charis : and he must
thus have given up a strikingly poetical j)icture, and one
most descriptive of the works of high art in metal.
Secondly, it may not be certain, but it is by no
means improbable, that the worship of Venus may
have attained to much Avider vogue in Greece when
Homer composed the Odyssey, than at the period
when he gave birth to the Iliad. We have seen
ah'eady the signs that it was a recent worshij). We
have seen it in Cyprus and then more advanced in
Cythera, not in continental Greece. Now it was in
the Iliad that Venus had the name of Cyjjris ; in the
Odyssey this is exchanged for Cytherea : that is to say,
she M'as known sometime before as a goddess worship-
ped in Cyprus and not properly Greek ; but she was
now, such is the ])robable construction, known also as
a goddess worshipped in Cythera, and therefore be-
come Greek. On this account, as well as because the
opposition between them had disappeared, she might
with poetical projiriety be made to bear a character in
the Odyssey, which could not attach to her during the
continuance of the great Trojan quarrel.
Beyond his own function as god of fire, and of me-
tallic art in connection with it, Vulcan is nobody. But
within it he is sujireme, and no deity can rival him in
his own kind. His animated works of metal are
among the boldest figures of poetry. Even his lame-
S 2
260 Olympus : the Religion of the Homeric age.
ness is propped by bronze damsels of his own manu-
facture. And the lock, which he puts for Juno on her
chamber-door, is one that not even any other deity can
open'. But this is not so much an exemplification of
the power and elevation of mythological godhead, as of
the skill and exclusive capacity of a professional person
in his own art.
Finally, the Vulcan of Homer conforms in all re-
spects to the inventive, as opposed to the traditional
type of deity.
'HeXtof, or the Sun.
In the case of 'HeXto?, or the Sun, as in various
others, we appear to see the curious process by which
the Greek mythology was constructed, not only in its
finished result, but even during the several stages of its
progress. It lies before us like the honeycomb in the
glass beehive ; and it tends strongly to the conclusion
that the Poet is himself the queen bee. The Philosopher
did not then exist. The Priest, we know, was not a
religious teacher. The Seer or Proi)het interpreted the
Divine will only for the particular case, and did not rise
to generalization. Who was it, then, that gathered up
the thoughts and arrested the feelings of the general
mind, and that, reducing the crude material to form
and beauty, made it a mythology? The answer can
only be, that for the heroic age it was the Bard.
In some of the varying statements of the poems,
where others have seen the proof of varying authorship,
either for the whole or for particular parts, I cannot
but rather see the formative mind exercising its discre-
tion over a subject-matter where it was as yet supreme :
» II. xiv. 1 68.
The ^Ile'Atos- of Homer. 261
namely, over that large class of objects which afforded
fitting clay for the hand of the artist, but which had
not yet become a stamped and recognised image for
popular veneration. In the Charis, who is the wife of
Hellenizing Vulcan, so long as Venus is at war with
the Greeks ; in the Winds, who, according to the Odys-
sey, inhabit a bag under the custody of a living person,
possibly a mortal, but who in the Iliad beget children,
enjoy banquets, and receive a cultus; we find Homer, as
I conceive, following the genial flow of his thought,
according as his subject prompted him, and awarding
honour and preferment, or withholding it, as occasion
served. Perhaps Mercury or Vulcan, perhaps even
Juno or Neptune, may owe him some advancement :
but, at any rate, he seems almost as distinctly to sliow
us 'He'Afof in two different stages of manufacture, as a
sculptor shows a bust in his studio this month in the
clay, and next month in the marble.
In the Iliad we find the Sun personified, though in
the faintest manner, and by inference only. His office
of vision, which he enjoys habitually in the Odyssey,
and once in the Iliad'*, is inseparably wedded to a
living intelligence by its combination with the function
of hearinof. He is addressed as the
'HeAtds 6\ os "navr' ecpopqs Koi navr iiraKovei^.
Now poetry may, under the shield of custom, make
the Sun see, by a figure which shall not carry the full
consequence of impersonation ; but the representation,
that he also hears, seems necessarily to involve it.
Again, Juj^iter has decreed, that Hector and the
Trojans shall prevail until the setting sun. After
that, there was to be no more of light or hope for
them. Juno desires on this account to close the day,
^ II. iii. 277.
262 Oli/Dipus : the Religion of the Homeric age.
and dismisses the Sun prematurely to his rest. But this,
as the Poet adds, was done against his own will':
'He'Atoy 5' aKajxavTa ySowTrts -orrta "Hp?/
7re'/x\//6r €tt 'X2Kearoto poas a^aovra vieaOai,.
U])on the two words, aeKoi^ra and eTraKouei^, rests, I
think, the whole case in the Iliad for the Sun's per-
sonality.
But in the Odyssey it is more advanced and developed.
In the matter of the intrigue of Mars with Venus,
he acts as informer to the husband, and subsequently
assumes the part of spy™. xVlthough thus able, however,
to discern what is passing even in the secret chambers
of Olympus, when set on guard for the purpose, he
cannot see so far as to Thrinacia, any more than he can
penetrate the cloud which envelopes Jupiter and Juno".
It is from the Nymphs, Phaethusa and Lampetie,
whom he had set to watch, that he receives the intelli-
gence of the slaughter of his oxen by the com})anions
of Ulysses in their hunger. He immediately addresses
Jupiter and the assembled gods, in a passage which
proves that Homer meant to re])resent him as having a
place in Olympus, for only if there could he speak to
them without undertaking a journey for the purpose °.
He makes his a])peal to them for retribution ; and he
backs his application with the threat that, unless it is
granted, he will go down to the Shades, and shine there.
A menace which to our ears may sound ludicrous enough;
but it is perhaps well conceived in the case of a chry-
salis deity, not yet really worshijrped by the Greeks:
and there is a certain propriety in it, when we recollect
that on the way to the descent into the Shades lay his
place of rest. He is the father of the Nymphs, who
1 II. xviii. 239. «! Od. viii. 270, 302. "11. xiv. 344.
o Od.xil. 374-88.
Is of the Oli/iiipiau Court. 26-3
watch on his behalf in Thrinacia ; lie is also the father
of Circe and iEetcs, and his couch is at yEa^aP.
During- the time when the slaughter of the oxen is
effected, Ulysses is asleep : and it seems just possible
that Homer may by this circumstance have meant to
signify that it was night when the catastrophe occurred,
which would save the dignity of this deity in respect
to vision.
The Olympian rank of the Sun is clear; but there
seem to be ascriptions made to him, which can only be
reconciled by the supposition, in itself far from impro-
bable, that he was separately known of, as an object of
worship, through two different sets of traditions ; one
of them referable to Pelasgian sources, and entailing
Trojan sympathies, the other of an Hellenic, or very
probably a Phoenician, cast, and tending to rank him
with the Hellenes. For in the Iliad his unwillingness
to set, when his setting was to bring the glories of the
Trojans to an end, seems very strongly to imply that
he had a Pelasgian origin. In the Odyssey, his siding
with Vulcan against Mars and Venus would show, so
far as it goes, a Hellenizing turn ; but what is more im-
portant is this, that, as the father of Circe and ^etes, of
whom the latter bears the exclusively Phoenician epi-
thet 6Xo6(ppcov, and the former has her abode close by
his avToXai, or })oint of rising, he is at once thrown
into the Phoenician or the Persian connection. As the
Sun-worship was so general in the East, it seems quite
possible that it might come into Greece by more chan-
nels than one : and as the process of personification
might in one set of traditions be more, and in another
less complete, we may here find a possible clue to
Homer's reason for treating it differently in the two
p Od. xii. 4.
264 Olympus : the Reliyion of the Homeric age.
poems. Particularly as the poem where he is least
personal, the Iliad, is also that where he is most Pelas-
gian : for we have found reason to ascribe to the Pe-
lasgians less of lively and creative power in the realms
of the imagination, than to the Hellenes, and to such
races as had stronger affinities with them.
So distinct is the Sun from Apollo in the Odyssey, that
they appear as separate dramatis personce in the Lay of
Demodocus. Yet there are some latent signs of sym-
pathy between them. Apollo tends the oxen of Lao-
medon : the Sun delights, morning and evening, in his
own oxen in Thrinacie. It is difficult to avoid sup-
posing some kind of relation to be conveyed by Homer
between the rays of the sun, and the arrows of x\pollo
in the Plague. The extension of his sympathies to
both races is another sign of resemblance. Again, we
have a promise from Eurylochus, one of the crew of
Ulysses, to build a temple to the Sun upon his safe
return to Ithaca^. Now we have seen that the only
instances of temples, which we can certainly declare
to be named in the poems, are temples either of Mi-
nerva or of Apollo. Thus this vow of Eurylochus looks
like another anticipation of the subsequent absorption
of the Sun into the person and deity of Apollo : and
on the whole, we are left to infer that beginnings of that
process may have been already visible. Homer, perhaps,
did not care to advance it. At least, it does not appear
to me that either he or his nation were friendly to the
conception of mere elemental gods. Gods who preside
over external nature he presents to us in abundance ;
but gods, v.ho are the mere organs of external nature,
are alien to the Greek genius as candidates for the
higher ]iosts, and are relegated to subordinate places
q Od. xii. 345.
His incorporation with Apollo. 265
in the system. Only Vulcan and Ceres really api)ear
with him to bear decisively the stamj) of this character :
and both of them seem as if they were already in part
detached from it, and developing in another direction.
For in Vulcan the human faculty of skill already pre-
dominates over fire, and Ceres impersonates the vegeta-
ble product of Earth, and not the mere dead mass.
The connection of the Sun with Pelasgian traditions
according to the Egyptian type is, I think, strongly
signified by the legend of the oxen and sheep, in which
he takes so much delight.
In the time of Homer he was, as it were, a proba-
tioner in the ayoov of the Grecian gods. The main facts
before us are simply these: first, his unformed separate
state at that epoch ; secondly, his absorption in Apollo.
The lesson taught by both is the repugnance of the
Greeks to mere Nature-worship. The signification of
the second, in particular, appears to be this, that as
'HeXio? could not stand alone, and needed to be ab-
sorbed, so he could find no ])lace for his absorption so
fitting as in that deity, of whom, as well as of the more
venerable traditions that he represented, brightness
was an inseparable and original characteristic.
In this view, the mythological absorption of the Sun
in Apollo is a most striking trait of the ancient my-
thology : and it even recalls to mind that sublime
representation of the Prophet, 'The sun shall be no
more thy light by day, neither for brightness shall the
moon give light unto thee ; but the Lord shall be
unto thee an everlasting light, and thy God thy glory*!.'
Dionysus or Bacchus.
The Dionysus of Homer, or Bacchus, has all the
1 Isaiah Ix : compare Rev. xxi. 23.
266 Olympus : the Religion of the Homeric age.
marks of a deity, whose name and worship were of re-
cent introduction into Greece, and were not yet fully
established there; while in connection with the Tro-
jans we have no notice of him whatever.
The eastern origin of this god seems in an unusual
degree to have been remembered in the later popular
tradition : and from the slight Homeric notices we may
find confirmation for the common idea ; inasmuch as
the poems appear both to mark him as not originally
Greek nor Pelasgian, and likewise rather faintly to
connect him with the Phoenicians.
His father was Jupiter, and his mother Semele. Her
name occurs in a Catalogue, of which the first part is
composed of women, the second of goddesses ; she
appears among the women. The lines, in which she is
mentioned may be rendered, ' nor when (I was ena-
moured) of Semele, nor (when) of Alcmene, in Thebes;
and Alcmene had stout-hearted Hercules for her son,
but Semele bore Dionysus, joy of men.' These words
appear probably to mean that Semele, as well as
Alcmene, was in Thebes: and this supports the post-
Homeric, but ancient, tradition of the hymn to Bac-
chusn, which makes Semele the daughter of Cadmus.
Now, Cadmus, according to every reasonable presump-
tion, was Phoenician. We have thus a fixed chrono-
logical epoch, to which the god was junior. That is,
we have a period fixed, which may be called historical,
when his name and worship had not yet been brought
into Greece.
The only note that we possess of the worship of
Dionysus, as one established in Homer's time among
the Greeks, is in the obscure allusion of the Eleventh
Odyssey to Ariadne ■■, who was put to death by Diana
q Ver. 57. «■ Ocl. xi. 322-5.
The Dionysus of Homer. 267
in tlie island of Din, on her way from Crete to Athens,
at the instance of Dionysus, l^iovvaov naprvplria-iv. Tiie
most probable intcrjiretation of tliis passage seems to be,
tliat Theseus, M hen on his voyage, lauded with Ariadne
in Dia to consummate the marriage, just as Paris% on
his way from Sparta, landed in Cranae with Helen :
but that, since the island Mas dedicated to Dionysus,
this was punished as a desecration.
We thus see Dionysus taking root for the first time
upon the natural line of communication, namely that by
the islands, between Phoenicia and Greece: and his j)OS-
session of this island is in harmony with the tradition
of the ITyuin, which represents him as having first been
seen u[)on the sea-shored
In the Tuenty-fourth Odyssey we are told that
Thetis supplied the Greeks with a gilded urn, in which
to store the ashes of Achilles, together with wine and
some unguent, probably fat, 'J'he passage to which
these verses belong is perhaps the least trustworthy in
the poems : nor is it in complete agreement with the
Iliad, which mentions fat only as used on the occasion.
But I refer to it because it is stated there, that this
urn was reported by Thetis to be the work of Vulcan,
and also to be the gift of Dionysus". Her possession
of a gift from him is in harmony Mitli II. v. 136, which
represents her as having sheltered him, when, through
fear, he plunged into the sea : while his possession of a
work of art in metal is best explained by the su])j)o-
sition that Homer regarded him as a Phoenician deity,
since it was from that race that such productions were
commonly, though we cannot say exclusively, derived.
It is not difficult to understand why, as the god of
wine and inebriety, Dionysus does not ajipear in the
* II. iii. 445. ^ Hymn, ad Bacch. v. 2. " Od. xxiv. 74.
268 Olympus: the Religion of tJie Homeric age.
theotechny of the Iliad ; but it would seem that the
feasts of the dissolute Suitors in the Odyssey afforded a
series of occasions, upon any of which the mention of
his name would have been highly suitable. We may
perhaps even say that it could hardly have been omit-
ted, if his w^orship had been general and familiar in the
country. Again, Dionysus is nowhere mentioned in
connection with Olympus.
The remaining Homeric notice of this deity which is
also the most curious, sustains what has already been
advanced. The Arcadian king, Lycoorgus, scourged,
and pursued over the hill Nyseion, the ixawoixevoio
Atoovvcroio TiOrjva^, the nurses of the frantic Bacchus ;
they in dismay cast down their vine branches {OvcrdXa),
wdiile he plunged into the sea, and Thetis gave him
refuge-''. Jupiter, in retribution, struck Lycoorgus blind,
and cut short his days. Whatever explanation may be
adopted of its details, this legend seems to signify,
beyond all doub,t, that some forty or fifty years before
the Troica (for Lycoorgus was contemporary with the
youth of Nestory), the introduction of the drunken
worship of Bacchus w^as resisted by the Pelasgians of
Arcadia, and was for a time, at least, expelled by them.
The mention of Dionysus as a child probably imports a
further reference to the recency of his worship : and
there is something remarkable and significant in this
apparent commencement of violent opposition to it at
the point when women were beginning to be corrupted
by excess of liquor.
Even the later tradition of Hesiod, which makes
Dionysus the husband of Ariadne, by thus giving him a
Phoenician connection, so far sustains his Phoenician
origin '■.
" II. \A. 130-40. y II. vi. 132. z Hes. Theog. 947.
Dionysus is of the lowest hiuentive type. 269
As Dionysus is one of the most recent of the Home-
ric deities, so likewise is he one of tlie most ])urely
heathenish ^ He has not, even in Homer, a divine
maternity assigned to him, and he is the only one of the
Homeric deities who stands in this predicament''. The
anomaly was felt and provided for, in the later tra-
ditions at least, by the deification of Semele after
death. But perhaps another mode of statement may
be adopted. As it is evident that the original tra-
dition made him the son of a woman, and as all those
with whom he is classed in Homer are probably histo-
rical personages, it seems possible that he may have
been one of our own race, whose discovery or exten-
sion of the use of wine may, by its rapid and powerful
effect upon the countries which it had reached, have
led to his adoption into the order of the Immortals, by
a process more rapid than took place in the case of
Hercules or any other person. Upon this supposition,
he stands altogether alone among the gods of Homer.
But, be this as it may, he is, when considered in the
capacity of a deity, the representation of an animal in-
stinct in its state of gross excess, and of nothing more.
He is the god of drunkenness, as Mars is the god of
violence, and Venus the goddess of lust : and there
are no three other deities, from whom Homer has so
remarkably withheld all signs of his reverence.
Though I state this as an historical possibility, I
think it is certain that, according to the Poet, Dionysus
was from his birth one of the Immortals : but it is also
very doubtful whether he was one, to whom a place
belonged in the smaller Olympian Assembly. Even in
later times, he was not one of the Dii Majores : and
* DoUinger, Heid. u. Jud. p. 80.
^ See the accounts of Pindar, Pausanias, and Apollodorus.
i^70 Olympus : the Religion of the Homeric aye.
his beinsf the son of a mortal in Homer would tend to
make it probable that he was not invested by the Poet
with Olympian dignity. Again, he is only four times
mentioned in the whole of the poems; nor is a single
act of his manhood recorded, except his information
against Ariadne. That information seems to imply, that
a known Greek island was sacred to him ; and it was
followed by the death of Ariadne under the darts of
Diana. These circumstances may perhaps raise a |)re-
sumption of his Olympian rank, equal to the adverse one
which has been stated above. So far as this inquiry is
concerned, the question must remain unsolved. But
little of interest can attach to these, the shameful parts
of the Greek mythology, which boast, as if it were our
strength, of what can scarcely be excused as our weak-
ness, and which treat our shame as our joy. The real
point of interest is to learn whether there was a time
when man, even though he had lost the clear view of the
o'uidino- hand from above, vet revolted against, or had
not become familiar with, the deification of vicious pas-
sion. And we seem to find the note of such a time in
Homer. Only one laudatory phrase is applied through-
out the poems to Dionysus ; it is the -^apixa ^porota-iu,
and these words are not the sentiment of the Poet, or
of any character that represents his mind ; they are put
into the mouth of Jupiter, when he is speaking under a
paroxysm of sensual passion.
I have not adverted to the tradition which ]daces
the Lycoorgus of II. vi. in Thrace, but have sim])ly fol-
lowed what appears to be the suggestion of the
Homeric text.
SECT. IV.
The Composition of the Olympian Court : and the
Clamjication of the whole Stipernatural
Order in Homer.
In the full Olymjiian Assembly, or Great Chapter of
the Immortals, we find a collection of deities, who are
respectively the representatives, in the main, of Ele-
mental Powers, of Human Passions or Ideas, and of
Historical Traditions, either single or intermixed.
Among the simple examples, we may cite the Rivers
and Nymphs for the first, Mars and Venus for the
second, the goddess Themis for the third, Latona and
Iris for the last. In Jupiter, the chief of all, these ele-
ments are blended together.
But we must also consider those who do not appear
in Olympus, and why they are excluded. If, as is
perha])s the case, Aidoneus and Persephone are not
there, it is because of the separateness of their work,
and the remoteness of their kingdom. They had ser-
vants, guards, and a judge, in short, a sort of polity of
their own. Atlas, Proteus, Calypso, Circe, and the other
purely local deities, so far as we know, are not there ;
probably because they do not enter into the national
religion, but are little more than convenient symbols* of
a Nagelsbach, ii. 9.
272 Olympus : the Religion of the Homeric age.
geographical points known or conceived through mari-
time, that is, without doubt, through Phoenician report.
Again, we do not hear in Olympus of Destiny, Sleep,
Night, Dream, Terror, Panic, Uproar, and the rest ; pro-
bably because these had not attained to practical imper-
sonation in the religion of the people, but were merely
objects of the poetical faculty. So likewise with respect
to the Winds, who stand as receivers of worship and
sacrifice in II. xxiii.195. The different treatment which
they receive in the Iliad and Odyssey, like their non-
appearance in the Great Chapter^ of Olympus, unless
referable to the peculiarities of the Outer Geography,
shows that they had not a developed and established
godhead, but might be dealt with by the Poet at his
will. In these imperfect impersonations, it has been
well observed, sometimes the mere elemental power,
sometimes the superinduced personality prevails. Again,
''Arri the temptress, and 'E|Ot]/iy'e? the avengers, might
stand excluded, both on the same ground of inadequate
impersonation, and on other grounds. Nereus and the
purely elemental deities of the sea are not summoned
to the Assembly, apparently because he too had his own
submarine palace. It answered to Olympus ; and here
he sat in state amidst his numerous Court of Nymphs.
Even Thetis was fetched from thence to attend the
last Assembly of the gods in the Twenty-Fourth Iliad.
K|OoVo9 and 'Pea are not in the divine meetings, firstly,
because he, probably with her as his reflected image,
is penally confined in Tartarus ; but secondly, because,
the first representing Time, and the second IMatter,
they are the primary ideas in the metaphysical order,
which comprehended all others, and from which all
'^ II. XX. 4-9.
Principal cases of exclusion from Olympus. 273
others were derivative. And as they stood in the
metaphysical nejms of ideas, so stood Oceaniis and his
feminine, Tethys, in the terrestrial order; where Ocea-
nus was the all-inclosing, all-containing ; the Form,
within which every terrestrial existence was cast, and
beyond which oven Thought could not pass. Hence the
curious and marked exception of him from the sum-
mons of Themis to the Great Assembly of the Twentieth
Book«.
ovTi ris ovv Y\oTa\x5iv aTrirjv, vocrcf)' ''SlKeavolu,
ovT apa l^v^Jicpdoiv.
He is the father of the rivers, and the feeder of the
Sea. Even of the gods he is the 'Genesis,' perhaps as their
physical source, or as affording material for their forma-
tion ; perhaps as the outer band of that world to which
they belong, as much as we do, and outside of which
there was no attempt to conceive them as existing.
Lastly, it is perhaps because Homer meant to assign to
Oceanus and Tethys the actual first parentage of the
gods. This supposition is favoured by the fact that
Juno applies the name larjrijp^ to Tethys, iif a connec-
tion which may make it equivalent to ' our Mother
Tethys.'
It is clearly on a principle that Oceanus is not sum-
moned to Olympus, and not from mere defect or im-
maturity of personality. For in conjunction with his
wife Tethys, he took over the infant Juno from Rhea,
at the time when there was trouble between Jupiter
and his father ; and afterwards he reared the child in
his own domain. He can be lulled into slumber by
"Ytti'o^ like any other deity : he has a daughter, Eury-
nome*^: and he is capable of conjugal quarrels^
•^ II. XX. 7. d II. xiv. 201. ^ II. x\'iii. 398.
'' II. xiv. 200. seqq. 245.
T
274 Olympus : the Religion of the Homeric age.
Again, Ocean is water, and Oceanus is the father of
all the Rivers: but yet he was not included in the
great lottery which divided the world between the
Kronid brothers. This shows us afresh, that he is
outside and independent of their rule : he forms tlie
framework of the visible creation, Mdiile they are parts
of the picture that is within the framework.
The same thing is true of K^ooVo? and 'Pea in the
metaphysical order. They represent anterior conditions
of thought and of existence to all other Beings, human
and divine. Their personality is established ; but it is,
even more than that of Oceanus, in abeyance : for
Oceanus is at least ever-flowing, while Time, and Space,
or Matter, are with Homer wholly passionless, mute,
and still. When once the Kronid family has been
brought into existence, and the attempt of Time to
impose the law of death on Deity has been put down
by Jupiter, then the impersonations are virtually with-
drawn from him and his partner, and they relapse into
the torpid state of purely abstract ideas.
The Elemental Powers have nowhere what may be
called a strong position in Homer, except in the invo-
cations of solemn swearing ; where they give force to
the Oath, because they are the avengers of perjury.
Thus their connection is not with deity in general, but
with that nether world, which the ideas of mankind
have always associated with the lower parts of the
Earths.
Even on grounds larger than those derived from a
particular phrase, it may be probable, that we ought to
consider Oceanus as the Homeric parent of all the
deities, KjooVo? and 'Pea included. To a state of the
g II. iii. 276-8. xix. 258-60.
Di majores of the later tradition. 9,75
human mind not yet familiar with abstractions, Time
and Place, imi)erfectly conceived, miglit be more li-
mited, less comprehensive, than the great all-infolding
Ocean, which encircled and wrapped in the world.
And in this conception there may lie hid the embryo
of what afterwards grew into the aquarian cosmogony,
a system which appears not to be without support from
other passages of the poem, especially from the very
curious verse (II. vii. 99),
dAA' i/xeis iJ-ev tt6.vt(s vbap kol yata yevoiaOe.
If, however, this idea was really in the mind of the
Poet, still we should consider it as having been with
him an instinct rather than a theory.
The Olympian deities of Pagan antiquity are com-
monly represented as twelve in number; and the
names are
1. Jupiter. 7. Mercury.
2. Juno. 8. Ilistie, or Vesta.
3. Neptune. 9. INIars.
4. Minerva, or Pallas Athene. 10. Venus.
5. Phoebus Apollo. 11. Vulcan.
6. Diana. 12. Ceres.
But Homer knows nothing of this number or arrange-
ment of the gods ; or of the distinction between
Dii majores and Dii minor es. Nor does he enable us
with precision to substitute any other number for it.
He gives us, however, his idea, at least by approxima-
tion, of the number of the Olympian gods. For when
Thetis visits Vulcan, to obtain new armour for Achilles,
she finds the deity at work upon twenty Tpi7roSe9^\
to stand round the wall of the well-built hail, which he
is carefully fitting with wheels, in order that they may
^ 11. xviii. 373.
T 2
S76 Olympus : the Religion of the Homeric age.
automatically take their places in the assembly of the
gods. Whatever these rpiTroSeg be, the number is
probably meant to correspond with that of the ordinary
Olympian meeting for festivity or deliberation. They
are commonly supposed to be bowls or vessels for wine
set on three-legged stands ; but there are two reasons,
suggested by the language of the passage, ^vhich seem
to recommend our understanding the word to mean
seats, such as that of the priestess of Apollo at Delphi :
one is, their being intended to stand around the apart-
ment, along the wall : and the other is, that they were
to place themselves for the divine assembly ' ;
o0pa 01 avToixaroi Oelov bvaaiar aySiva^
77S' aSris Trpos hSuxa veoiaro.
This idea of the great, bowls placing themselves, one
apparently for each deity to draw from, does not corre-
spond w ith the classical representation of the cupbearer
filling the cup of each, as he moves from the left
towards the right. Nor does the word ayo^u seem to
be suitable for a merely convivial meeting: and we
ought, I presume, to consider the meetings on Olympus
as in theory political councils for the government of
the world, only relieved by meat and drink. If we take
TpiTToSei as signifying the seats, it has of course a
reference to the number of gods w4io constituted the
ordinary Olympian family ; a reference wdiich indeed it
may probably have, even if the other signification be
preferred.
And the text of the poems aifords sufficient evi-
dence, that twenty was about the number of the
Olympian gods of Jupiter.
Of the Olympian tw^elve recognised in later times,
' II. xviii. 376.
Deities of Olympian rank in Homer. 277
all, except Vesta and Ceres, must at once and indubi-
tably be pronounced Olympian in Homer. For all take
part in the Trojan war, and likewise make their appear-
ance in Olympus. Thus we have ten Olympian deities
of Homer already ascertained. And there are several
others whom we can have no doubt in adding to the
list. These we will proceed to consider :
1 . Latona is clearly Olympian ; from her great dignity
as an unquestioned wife of Jupiter {a\o^o<; Ato?, Tl.xxi.
499) ; and from the fact that her position entitled her to
take a side in the Trojan war, where none but Olympian
deities were engaged, with the single exception of the
formidable local power, Xanthus or Scamander. An-
other reason is, because the title of Dione, as we shall
see, is clear ; who is a deity in some respects similar,
but decidedly inferior, to Latona.
2. Dione the mother of Venus is in the same order
For she receives her child, when she repairs wounded
to Olympus, and in her speech of consolation distinctly
describes herself as one of the 'OXu/uTria Soojuar e-yovT€^,
II. V. 383. She is called in this passage ^la Oeawv : a
title twice given to Minerva, but also, sometimes, to
very secondary deities, such as Calypso and Circe.
Either as insignificant, or possibly as being foreign
and not sufficiently naturalized, she finds no place in
the Catalogue of Mothers in the Fourteenth Iliad.
3. Iris, the messenger-goddess. The grounds of
her title may be found among the remarks upon this
deity '^.
4. Themis, although not a party in the war, has the
office of Pursuivant or Summoner to the Olympian
Assembly : and her ordinary presence there is distinctly
^ See sup. p. 156.
278 Olympus : the Religion of the Homeric age.
proved by the Fifteenth Iliad, where she is the first to
welcome Juno on her entrance into the circle.
5. It will be seen from a brief statement elsewhere
relating to Aidoneus or Aides, that he is clearly of
Olympian rank and character.
6. Next to Aidoneus. we may take the claim of Hebe.
She is not indeed an important, nor a very prominent,
person in the poems : but there is no room for doubt
as to her Olympian dignity. We find her oflliciating as
cupbearer in the 01ym])ian Court of the Fourth Iliad.
Her connection with Olympus is further estabh'shed by
her assisting Juno in the j)reparation of her chariot :
and l>y her assisting JMars in the bath, when that deity
has betaken himself into the presence of Jupiter, to
complain of his wound. Again, her personality is quite
clear. Nor can her divinity be questioned. She is
pronounced in the Eleventh Odyssey to be the daughter
of Jupiter and Here. The verse is suspected ; but the
suspicion itself may be suspected in its turn. Further,
the case rests not on the particular account given of
her parentage, but, in connection with the context, on
her appearing as the wife of Hercules at all. Nor is she
anywhere connected with the idea of a mortal origin^
7. A second divinity of somewhat similar rank is
Paieon. On two occasions, he heals in Olympus the
wounds of deities ; first of Aidoneus, then of Mars.
He is summoned to the exercise of his function as a
person within call, and habitually present there. After
the rebuke of Jupiter to Mars, the line that fol-
lows is'",
ws (pdTO, Kal rian/oi;' arwyet u/frarr^at.
There is no doubt therefore either of his personal, or of
' 11. iv. 2. V. 721, 905. Od. xi. 603. "1 II. V. 899.
Deities of Olympian rank in Homer. 279
his Olympian character ; and none but divine persons are
capable of bearing the Olympian offices. CiJanymede,
for instance, though carried up to dwell among the Im-
mortals in order to pour out wine, has no function
assigned to him in the poems. The Egyptians, indeed,
are stated to be of the race of Paieon" ; but we must
probably understand this with respect to their royal
family, just as the same thing is said of the Phscacians
with respect to Neptune, because their kingly house
had sprung from him^. In the later mythology he
appears to be absorbed, like the Sun, in Apollo ; but in
the Homeric poems there is no confusion, or approach
to confusion, of the persons. Paieon has the relation
to Apollo with respect to surgery or medicine, which
Vulcan has to Minerva with respect to manual art:
and, apparently by a mixture of distinct traditions, he
is also connected with Apollo, by being the synonyme
for the hymn of victory, of which Apollo is doubtless
supposed to be in a peculiar manner the giver.
To all these deities the poems appear to give a title
to seats in Olympus, unquestionable as well as direct.
By a somewhat less clear and simple process, we may,
I think, arrive at a similar conclusion as to the views
of Homer regarding two other deities.
8. The first of these is Demeter, or Ceres, whose
Olympian rank is considered, and I think established,
in the remarks elsewhere upon her individual divinity p.
9. The second is 'HeXio?, the Sun. His share in
the episode of Mars and Venus'! does not indeed abso-
lutely imply his residing on Olympus. But this is
clearly involved in the account of his receiving the
"» Od. iv. 232. o Ocl. xiii. 130.
P See sup. sect. iii. p. 215. q Od. vlii. 270, 302.
280 Olympus : the Religion of the Homeric age.
intelligence, that his oxen had been consumed by the
companions of Ulysses. For, upon hearing it, he instantly
proceeds to address the company of the Immortals as-
sembled there'', and is answered by Jupiter. He must
therefore unquestionably stand as one of the Olympian
gods of Homer.
There are but three other personages named in
Homer, with respect to whom there is room for the
supposition, that he may have intended thera to rank
as Olympian deities. They are Dionysus, Persephone,
and Eris. For Histie, or Vesta, is so entirely wanting
in personality, that she cannot possibly belong to that
order. She is invoked indeed in company with
Jupiter ; but with these two is likewise combined the
Jem; TpaireX^a, the table of hospitality. In the hymn to
Venus *^, she has become fully personified, and is cele-
brated as the eldest of the daughters of Y^povo^. But this
imagery probably belongs to a different stage of Greek
society and Greek poetry.
1 . 2. The case of Dionysus and that of Persephone,
very different, but both on this point doubtful, have
been stated elsewhere*.
3. The case of Eris is different. She is the sister
and also the mistress of Mars". And in the fierce
battle of the Eleventh Book, Eris alone is present to
enjoy it, while all the other deities, inhibited from
action by Jupiter, have betaken themselves to their
several abodes on Olympus.
Again, Jupiter sends her down to the camp at the
beginning of the Eleventh Iliad, where she stands on
the ship of Ulysses, and raises a mighty shout to stir up
r Ocl. xii. 374-88. f See sect. iii. pp. 269, and 223.
^ Hymn. v. 22. " II. iv. 440.
The Eris of Homer. i^81
the Greeks for the contesf. The word is, indeed, the
common and established word for strife in Homer, and
it is apphed even to tlie conflict of the godsJ', Oewv eptSi
^vviovTwv. But this use of it is probably to be compared
with that of"Apr}s for a spear, and ofAcppoSln] (in later
Greek) for the sensual function of that deity. She is, on
the whole, less a figure than a person, though standing
upon the border between the two respectively ; and
though,as she never actually performs what maybe called
a personal action, she is only by a few degrees removed
from the family of Terror, Din, Panic, and the rest.
The first of these, ^6^0?, as he is the son of Mars%
and attends him in fight against the Epliyri, is as dis-
tinctly personified as Eris in one passage ; but the effect
of it is neutralized by others, where he passes into sheer
figure. She rejoices in seeing the slaughter^ wrought
in battle : and an intense eagerness is imputed to her^
of course meaning an eagerness for blood.
But another form of this deity is probably exhibited
to us under another name, that of the TrroXlTropOog
'Ei/Jw. Enuo is mentioned together with Pallas as being
a warlike deity, in contrast with the effeminate Venus ^:
and she leads the Trojans to the fight in concert with
Mars : but while he has a huge spear in his hands, she
holds or leads, instead, another form more shadowy
than her own, that of KvSoijUiog or Tumult. Yet the
mode in which she is joined with Pallas proves her
impersonation. The fundamental identity of her name
with 'Ei/i^aAto?, the second name of Mars, and her join-
ing him in leading on the Trojans, place her in some
very close relation to him : and that close relation
" II. xi. 3. y II. XX. 66. z II. xiii. 299. a i]. xi. 74.
^ II. iv. 440. c ll_ V, 333, 592.
282 Olympus : the Religion of the Homeric age.
cannot well be other than the twofold one of sister
and mistress, which had been assigned to"E|0/9.
When it is said, that ' she alone of the gods was
present, as the others had retired to their respective
mansions on Olympus,' the most natural inference cer-
tainly is, that she too is meant to be described as be-
longing to the Olympian Court.
Upon the whole, it seems pretty clear, that if the
Poet intended to limit absolutely the number of the
Olympian Court or Minor Assembly to the exact figure
twenty, then the choice for the twentieth place will
more justly fall on his Eris, than either his Dionysus,
or even his Persephone. It appears to me, however,
that so strict a numerical precision is not in the man-
ner of Homer ; that he intended the twenty tripods to
be a general indication of the number of the Court, and
that with this indication the facts of the poems sub-
stantially, though indeterminately, agree.
Such is the composition of the Olympian Court, or
smaller Assembly.
The Deities who, in virtue of belonging to that
Court, may be most properly called Olympian, may be
divided into the following classes :
I. Deities having their basis, and the general outline
of their attributes and character, from tradition.
1. Pallas Athene, or Minerva. 3. Latona.
2. Phoebus Apollo. 4. Iris.
II. Deities of traditional basis, but with develop-
ment principally mythological or inventive.
1. Jupiter. 4. Diana.
2. Neptune. 5. Persephone.*
3. Aidoneus, or Pluto.
Classijicittion of the Supernatural Order. JiJ83
III. Deities of invention, or mytliology proper.
1. Juno. 8. 'He'XiOf.
2. Mars. 9. Paieon.
3. Mercury. 10. Dione.
4. Vulcan, II. Hebe.
5. Venus. 12. Kris, or Enuo.*
6. Demeter. . 13. Dionysus.*
7. Themis.
Those three names, which are marked with an aste-
risk, appear to have only a more or less disputable title
to a seat in 01ymj)us.
Outside, so to speak, of Olympus and its Court, we
may classify the superhuman intelligences of Homer
as follows: observing, however, that the minor deities
M'ho represent natural powers, if thoroughly personified,
give their attendance in Olympus on high occasions,
and help to form its great Chapter or Parliament.
They may be thrown into the six following classes:
I. The greater impersonations of natural powers, and
of ideas; with their reflections, where such have been
formed, in the feminine. These are
Oceanus and Tethys.
K^o'j'o? and 'Pea.
Ouranos and Gaia (not Earth, but rather Land).
Nereus and Amphitrite.
We are not authorized by Homer to associate either of
these last couples as husband and wife. We have to add :
Destiny, (which also has a place in the fifth class,)
Dream, Sleep, Death, Terror, Panic, Rumour,
Din, Uproar.
The process of impersonation is with some of these
fully developed, with others scarcely begun, and wholly
poetical ; therefore as yet in no degree mythological. In
one place, II. xiii. 299, ^ofto^ is the son of Mars, in an-
other ^6^o<; and AeF/xo? are his horses (xiii. 119.) ; and
284 Olympus : the Religion of the Homeric age.
in a third they appear along with "E^oi?, in a shape
hovering between personality and allegory. "E^i? her-
self, at times fully personified, in one passage is simply
a figure on the ^gis of ISIinerva, perhaps, however, as an
animated work of art, II. v. 740. In all these cases we
see the work of poetical fabrication actually going on.
Perhaps the best example of a merely poetical, as
distinguished from a religious or practical impersona-
tion, is to be found in iEschylus, who makes Dust the
brother of Mud d.
This class was greatly augmented in the later Theo-
gonies, beginning with Hesiod.
1. The minor impersonations of natural powers, such as
(i) The Winds.
(2) The Rivers.
(3) The Nymphs of meadows.
(4) The Nymphs of fountains.
(5) The Nymphs of groves.
(6) The Nymphs of hills.
(7) The Sea Nymphs.
3. I place in a different class all those deities, who
appear in Homer as the subjects of foreign fable not
fully naturalized. These are they who dwell in the
Outer sphere of the marvellous Geography in the
Odyssey, and with whom Menelaus and Ulysses are
brought into contact. They are wholly exterior to the
system of Homer, and we cannot safely give them a
position implying any defined relation to it. But there
are certain links supplied by the Poet himself, as when
he makes Circe child of the Sun, and Mercury pre-
sumptively nephew of Calypso : by these he shows us
the connection of the Greek mythology with Eastern
sources, and the partial assimilation of the materials
they supplied.
^ ^Esch. Ag. 480.
Destiny or Fate in Homer. Ji85
These deities are :
1. Proteus. 7. Circe.
2. Leucothee. 8. (Eetes.
3. iEioliis (perhaps), 9. Maias.
4. The Sirens. 10. Perse.
5. Calypso. II. Eidothee.
6. Atlas. And several Nymphs^
4. Those impersonations which represent, each in its
several part, or its peculiar aspect, the tradition of the
Evil One, have been considered along with the deities
of tradition.
5. Of ministers of doom or justice, real or reputed,
and less than divine, yet belonging to the metaphy-
sical or moral order, we have in Homer :
1. The Fates, K/J^e?, who fall within the range of
ideas described by his Ala-a and his ^iolpa.
2. The 'ApTTviai.
3. The 'Eof^i/e?.
6. Besides all these, we have yet another class with
subdivisions of its own, composed of beings who stand
within the interval between Deity and Humanity.
There are some observations to be made on several
of these classes.
It is much easier to obtain a just perception of the
manner in which Homer handles the subject of Destiny
or Fate, than to represent it in a system. The conflict
which it involves, either of ideas, or at least of the
words denoting them, was certain to give occasion
to argument and difference of opinion in a case where
a poet is of necessity called to take his trial at the
bar of philosophy^.
Besides the OecrcpaTov, on which I shall make a
^ Od. i. 71. xii. 132, 3. with great ability by Nagclsbacli,
f The subject has been treated Horn Theol., Abschuitt iii.
286 Olympus : the Religion of the Homeric age.
remark hereafter, there are five forms of speech which
are employed by Homer to express the idea of Destiny ;
they are, Kara/cXaJt^e?, K?/jo, Molpa, Mopog, and Ala-a : the
two last ill the singular number only, the two preceding
it in the singular or plural, and the Kara/cXw^e? only in
the plural.
Of these, the Ktjpe^ and the Kara/cXwOe? have under-
gone the most effective process of personification ; but,
brought more distinctly into the sphere of life and
action, these phrases have a much less profound root in
the order of ideas, and scarcely touch the great ques-
tions, whether destiny is a power separate from the
human will, separate from the Divine will, and su-
perior to either or to both.
The fundamental idea both of Moipa and Afo-a,
traced from their original source, is not a part merely,
but rather a portion or share allotted according to some
rule or law. But, though of similar origin, some dis-
tinctions obtain between the uses of the two words.
And first as to Ala-a.
We have in II. xviii. 327, XtjiSoi ula-a ; in Od.xix. 24,
eXTTiSoi alcra ; in II. ix. 378, t/oj Se juliv ev Kapo? a'lcrr]. In
all these cases it is plain, that the word means not a
mere part, but a part assigned upon some given prin-
ci])Ie. Hence it comes to mean either the whole share
or lot assigned to a man, or the law according to wdiich
it is assigned, that is, the law under which the moral
government of human life, and the distribution of good
and evil, are conducted. Accordingly, we have these
several senses in which it is employed.
1. The ata-a, as the entire destiny, of an individual
man, II. i. 41 6. 'Exe/ vv toi ala-a /jLLVwOa Trep, ovri juaXa o^v.
2. A notable part of that destiny, as his death :
ToJ 0/ cnre/jLvrjaavTO kul ev Quvutoio irep cuarj. II. xxiv.428.
Under the form of hlaa. 287
3. The moral law for the government of conduct, as
in "E/CTOiO, eTret [xe kut aiauv evtVaTref, ov& virep atcrav.
II. iii.59.
4. That moral law as it is supposed to proceed from
Jupiter; the Am? atcra, or dis[)ensation of Jupiter; the
Sai/uovog aicra, or dispensation of Providence.
5. That same law, as it is supposed to proceed from
some other source, or to speak more correctly, for Ho-
mer, as the power which administers it is separately per-
sonified. This we have in the passage aaa-a ol Alcra yeivo-
fxiucp CTrevrjare \ivw, ore [xiv re/ce M>/t>7|0, II. XX. 1 27 ; or,
again, as in Od. vii. 197; where Ala-a is assisted in the
spinning process by the Kara/cXwOe? ^apeiai, as if it was
felt that she was not strong enough to make a Destiny.
Upon the M'hole it appears to me that there is in the
word Alira only the minutest savour of the proper idea
of Fate. For Fate involves these things : i. a power
dominant over man : 2. a power independent of the di-
vinity: and 3. a power standing ideally apart from right.
Now alara does not fully answer even to the first
of these conceptions, since ala-a, even when it is backed
by the gods, may be overcome by the energies of man.
Ju])iter in the Iliad ^ ordained glory to Hector and
success to the Trojans until the sunset of the day when
the battle of the ships was fought : yet just before the
death of Patroclus the Greeks prevailed, II. xvi. 780.
Kol t6t€ bri p vTt'kp mcrav 'A^atoi (f)ipT€^^ot rjaav.
The only instances in which we find aia-a endowed
with any thing in the nature of an inexorable force are
such as that quoted from II. xx. 127. In this passage it
is said by Juno, ' We will give Achilles glory; thereafter
let him suffer what ala-a has appointed for him.' Now
f II. xi. 192-4 and xviii. 455.
288 Olympus : the Religion of the Homeric age.
this refers not to a course of life that he was to pass
through, but simply to the crisis of his death. Iii Od. vii.
the speaker is Alcinous ; and his sentiment is, ' Let us
carry our guest safe home and then leave him to what-
ever attra and the KaruKXcoOes have ordained for him.'
Probably this is only an euphemism, and means death,
as Juno meant it ; but, in any case, proceeding from
another mortal, it is a mere form of speech perfectly
compatible in itself with the idea that the gods are
superior to ato-a, nay, that man may upon occasion
surmount it. In the other case it is not so ; we must
understand Juno to recognise the aiara or dispensation
as absolute ; but then it is the dispensation of death ;
and it is, I think, the clear doctrine of the poems that
that dispensation cannot be cancelled or averted from
mortals, though there are various modes in which it
may be escaped or baffled : one of them, that of post-
ponement, which is temporary : another, that of trans-
lation out of the mortal state, as in the case of Ga-
nymed : and a third, that of revival, as in the cases of
Castor and Pollux. To Minerva alone is ascribed a
power over death : and this seems to be a power of
subsequent rescue, and not one of absolute exemption.
Euryclea comforts Penelope with the exhortation to
pray to JNIinerva about Ulysses^, as she can afterwards
deliver him ;
1/ yap Kev \xiv (TTeiTa ck davdroLo aacacraL.
The stress is evidently to be laid upon the word eireiTa.
Another passage, which may at first sight present a
dilferent appearance, will, I think, on examination, be
found to harmonize completely with what has been said.
When in the Sixteenth Iliad, Jupiter perceives that
his cherished son Sarpedon is about to meet his death
g Od. iv. 753.
Death Ine.t'orahle to Fate or Deity. 5^TToia-ivi.
A passage by which, unless its effect were modified
from elsewhere, the noipai seem in principle to take
the whole administration of moral government into
their hands, by fixing dispositions as well as outward
actions.
2. Besides being thus personal, ixoipa reaches to
mankind at large, and expresses a general law, in the
passage last quoted.
This may be a law of good fortune, as in Od. xx. 76^ :
pLOipav t' apiixopti]v re KaTa6vr]TS)V avOpdoiru)!'.
3. Or, with an epithet, it may mean ill fortune ; as
in ixoipa Sv(TU)vviJL09, II. xii. 116.
4. It seems very strongly to signify death, when used
simply, and without addition, as rel'v S' e-Trt ixolpav 'iB>]K€,
in Od. xi. 560.
5. Or when in apposition, as fxolpa Oavdroio, Od.ii.ioo,
or again as in II. iii. 101, Odvaroi Ka] ixolpa.
6. Or any thing ordained for mankind at large, as
Od. xix. 592, the ixolpa v-wvov. You must sleep, says
J II. xxiv. 49. ^ Cf. II. iii. 182, fiOipriyfPfi .
U U
292 Olympus : the Religion of the Homeric age.
Penelope ; for the gods have so ordained it, (eTrt yap
TOi CKacTTU) fxaipav eOtjKav aQavaroi OvtjToicrii' eV) Tel^wpov
apovpav).
7. Moipa, like alcra, may be the embodied will, de-
cree, or dispensation of the gods. Thus we have fxaipa
Oeov, Od. xi. 292, where 6eo^ is either Jupiter or possibly
Apollo: and /noipa OeaJr, Od.iii.269, and xxii.413. Now
the names Geo? and Oeol seem to be higher with Homer
than any mythological name. They are his most solemn
forms for the expression of the idea of deity. Thus it is
remarkable that he never attaches fiolpa directly to any
Olympian person. This testifies to its signifying some-
thing larger than is conveyed by ala-a. But it also
seems to indicate that, even if it were capable of being
placed in antagonism to the will of one of the mytho-
logical persons, into whose forms theistic ideas had
passed by degeneracy, yet it was not conceived as
opposite to or separate from the divine principle, but
rather as a power associated with it.
8. Though in general /moipa means the thing ordained
without reference to moral ideas, yet it is not always
so. Mopa-i/uioi ordinarily means destined, while a'lcriiuLo?
means right. But the ideas of right and might were
not yet wholly parted. In Od. xxii. 413 it is plain
that fxoipa 6eo)v, pronounced by Ulysses over the
Suitors, contains a moral element : for he goes on to
say, ovTiva yap tUctkov k.t.X.: and so Eurymachus, when
he means to acknowledge that the death of Antinous
was morally just, says,
vvv 8' 6 [xev iv \xoipr\ 7re(/)aTaJ.
The presence of the moral element in this word is en-
tirely adverse to the theory, that it was used in the
sense of fatalism. Power apart from a personal deity
1 Od. xxii. 54.
Under the form of \x6po TioTaixS^v aTT€r]v voa-cjj' 'Xl/ceai'oto,
oijT^ apa NviJL(pdMV, air akcrea Ka\a vijxovTai,
Kol TTrjyas YloTaix&r, /cat -nCa-ea Troajet'ray.
Thus the first are impersonations : the second only
residences for persons to dwell in.
The Harpies, 'Ap-rrviai, of Homer have been, I think,
truly described as ' nothing but personified storm-
winds^.' They have no connection, when jointly viewed,
with the moral order, except that they may, as mere
carriers, take a subordinate part in the fulfilment of a
moral purpose, which is quite as true of the Winds,
personified or un personified. The Harpy UoSapyr] is
personified individually, as the mother who bears to
Zephyr the two deathless horses of Achilles, Xanthus
and Balius^; but apparently for no other purpose than
one purely relative. The classical passage respecting
the Harpies is that in Od. xx. 61-79, which forms a
part of the prayer of Penelope to Diana. The object
of the matron's petition is that, wearied out with her
sorrows, she may die, and this in one of two modes :
either by the arrows of the goddess; or else, that a hur-
ricane may seize her, and, driving her along the paths
y II. XX. 7-9. on Od. XX. 77 ; and Voss as there
z Smith's Diet. art. Harpyise. quoted, whose opinion is, I think,
On the same subject, see Nagels- «juite eiToneous.
bach Horn. Theol. ii. 12. Fried- » II. xvi. 150. xix. 400.
reich, Ilealien, p. 667. Crusius
The Harpies of Homer. fJOl
of air, deposit her in the channels of Ocean, that is to
say, the j)lace of the dead. Then she proceeds to ilhis-
trate this last mode of death, of which she has named
OveWa as the instrument, by the tale of the daughters
of Pandareus, who, having lost their ])arents, were in an
extraordinary manner petted by the goddesses. A])hro-
dite fed them, Here gave them sense and beauty,
Artemis stature, Pallas endowed them with skill.
And, lastly, A])hrodite M^ent to Olympus to induce
Jupiter to provide for their marriage. But while she
was away on this errand, the Harpies carried off these
maidens, and gave them to the 'Ejo^i^ue?, afiipiTroXeveiu, to
be their servants, as it is sometimes rendered, but, as I
should venture to construe it, ' for them, i. e. the
'Fipiuveg, to deal with.' It is evident that, in this curious
legend, the Harpies are introduced to exemplify nothing
more than the i)art Mhich Penelope had previously re-
ferred to the OueXXa ; and these powers, who repi-esent
Hurricane or Squall, and in whose agency lies the gist
of the story, appear to have been in this matter the
ministers of the 'Epivve?, beings of a very different order.
These beings are evidently introduced, though entirely
beyond the parallel of the OveWa, in order to complete
the moral. The only other case in Avhich Homer intro-
duces the Harpies is in a line, twice repeated, where
Penelope supposes that they may have carried Ulysses
off (a/cXetw?) inglo^iously^i. e. so as to rob him in death
of his due meed of fame. And this Friedreich well
compares with part of a passage in the Book of Job,
which is as follows, chap, xxvii. 20,21. 'A tempest
stealeth him away in the night : the east wind carrieth
him away, and he departeth ; and as a storm hurleth
him out of his place.'
'^ Od. i. 241. xiv. 371.
302 Olympus : the Religion of the Homeric age.
The 'Epivve? are of much greater importance ; and
their position deserves the more careful inquiry, be-
cause it has, I think, been often misunderstood, perhaps
from being appreciated only through the delusive me-
dium of the later tradition, which appears to me to
have let drop all the finer elements of the conception,
by a process similar to that which it effected upon
the great Homeric characters of Achilles, Helen, and
Ulysses.
It is quite insufficient to say of these personages, by
way of description, that they are the avengers of
crimed or that they grudge the bliss of mortals, or that
they defend the authority of parents'^: and it is wholly
erroneous, in my opinion, to treat them as ' originally
nothing but a personification of curses pronounced upon
a guilty criminal*^.'
Let us first collect the facts respecting their position
in Homer.
1. In the narrative of Phoenix we find that when, at
the instigation of his mother, he had sought the em-
braces of a TraXXa/cJ?, for whom his father had a passion,
the father, incensed, invoked the 'Ejotn'e? to make him
childless. 'This curse,' he says, 'the gods {6eo\) ac-
complished, and the subterranean Jupiter, and awful
Persephone,' II. ix. 449-57.
2. The mother of Meleager, on account of his having
slaughtered her brother, invoked Aides and Perse-
phone, beseeching them to slay that hero : whereupon
the EriniJs, here called tjepocpoiri^, ' that walketh in
darkness,' heard her from Erebus, and the city was
besieged. But here the Erinus appears to act, if not
wholly in favour of Meleager, yet against his mother.
c Friedreich, Realien, (p. 677.) §. 198. f^ Ibid. (p. 220.) §. 61.
e Smith's Diet. art. Eimienides.
TJie Erinues of Homer. 30.'3
The city is assaulted, forced, and set on fire. The family,
including the mother who had cursed him, entreat
Meleager to deliver them, and attempt to attract his
favour by splendid promises of a demesne, to be con-
ferred on him by the public. Only when the palace
itself is assailed does he consent. He repels the enemy;
the demesne is not given him : and, on account of his
thus relenting only at the last moment, Phoenix quotes
him as a warning example, for Achilles to avoid. (II. ix.
565-603.)
3. In II. XV. 204, when Nej)tune seems inclined to
be refractory. Iris reminds him that the Erinus will act
with Jupiter, because he is the elder brother :
oT(tO\ ws TipealSvTepoLaLP 'EpLvues alei> ^irovTat,.
And upon this hint Neptune at once alters his tone,
allows that she has spoken kutu fxolpav, and complies
with the command that she has brouirht.
o
4. In II. xix. Agamemnon, while he admits his an^,
(v. 87), throws, we might say shuffles off, the blame of
it upon Jupiter, Destiny, and Erinus :
eyo) 8 ovK atrtoj elyn,
aXXa Zevs koI Molpa koI rjspotpolrts ^Epcvvs.
5. In vv. 258-60 of the same Book, the same per-
sonage invokes as witnesses to his asseveration con-
cerning Briseis, i. Jupiter, 2. the Earth, 3. the Sun,
4. the 'Eipivve?, ' who dwell beneath the earth, and
punish the perjured.'
6. In V. 418 of the same Book, after the horse Xan-
thus, receiving a voice by the gift of Juno, has given
to Achilles a dark indication of his coming fate, the
Erinues interfere to prevent any further disclosures :
ws (ipa (f)(i)vi'i(TavTO'i 'Epivve^ 'icryj^Oov avh]v.
7. When, in the Theomachy, Minerva has laid Mars
304; Olympus: the Religion of tJie Homeric age.
prostrate by a blow, she taunts him by telling him he
may in his overthrow recognise the 'E^ofi^Jes- of his
mother Juno, invoked upon him for having changed
sides in the contest (II. xxi. 410-14).
8. In the Odyssey (ii. 135), Teleuiachus apprehends
that, if he dismisses his mother, he will have to en-
counter, among other evils, the Erinues whom she will
invoke u])on him.
9. Epicaste, the mother of ffidijnis, is speedily re-
moved from the face of earth for her hapless incest,
ffidipus himself lives and reigns: but suffers many
sorrows, which the Erinues of Epicaste {jut.t]Tpo9 'Kpipveg,
as in II. XX. 412) bring upon him.
10. Melampus, a rich subject of Neleus in Pylos, is
imprisoned for a whole year in the house of Phylacus,
and has his property seized or confiscated, on account
of the daughter of Neleus, and of his grievous aV^;,
which the goddess, the hard-striking*^ Erinus, brought
into his mind {Od. xv. 233) :
€tvf.Ka NjjAtjos Kovp-qs, aTriroceeds
to say that the Erinus heard her : the Eriniis who stalks
in the darkness heard her, and heard her out of Erebus'.
In the case of Phoenix and Amyntor we have exactly
the converse. Here the Eriniis was invoked, and it was
Aides with Persephone that answered the prayer. In
both these instances it must moreover be remembered,
that the question is about present and even immediate,
not about posthumous retribution. We cannot, then,
refuse to admit, that in this manner Persephone with
Aidoneus is placed in an intimate relation with the
administration of retributive justice on earth, and during
the course of human life there: and if the Erinues are
to be considered as abstractions, having their basis only
in some ulterior impersonation, Persephone and Aido-
neus offer the only objects on whom we can suppose
them to depend. It seems to me, however, that they
are not reciprocally identified, although they are pro-
foundly connected, and although we read in the connec-
tion a very ancient testimony to a primitive conviction
in mankind, that they must look to the powers of the
other world to redress the deranged balances of this.
Conformably to these ideas, we find that, in the
Nineteenth Iliad, the abode of the Erinues is fixed viro
yalav : and it is made clear from the passage (259, 60,)
that their avenging office, which is so commonly ex-
ercised in this world, reaches also to the other.
' 11. ix. 569-72.
310 Olympus : the Religion of the Homeric age.
From the character of the Erinues, as vindicators of
an order having dee|)er foundations than those which
any volition could either lay or shake, there arises that
natural association of them with Destiny, wliich \ve see
expressed in the speech of Agamemnon™. Both have
in common this idea, that they are not dependent on
mere volition. They differ in these points ; that Destiny
prescribes and effectuates action, while the Erinues
only punish transgression ; and that Destiny is but
feebly moral, whereas the Erinues are profoundly
charged with ethical colouring. They represent that
side of the idea of Destiny which alone can, after being
resolutely scrutinized, retain a hold upon our interest.
All the residue of the threads will, I think, run out
easily. It follows from what has been said, that in
their aspect towards man, the Erinues are not indeed
administrators of the moral laws themselves, but ad-
ministrators of their sanctions. So they punish the
infraction of the rights inhering* in all natural re-
hitions : the rights of the poor, as Ulysses protests to
Antinous; of a father, as in the case of Amyntor ; of a
mother, as in the case of Penelope. But they do much
more than punish the infraction of the rights of persons ;
it is the infraction of right as right, which they resent
as a substantive offence. Let us accordingly notice the
function of the Erinus in those cases where there has
been fault on both sides. An offender is not therefore
secure, because the person who invokes the Erinus upon
him is an offender too. The father of Phoenix gave the
original occasion to his offence, by an offence of his own :
but Phoenix is punished at his instance notwithstand-
ing, because the thing which he implores is not a per-
"> II. xix. 87.
Their operation upon man. ^11
sonal favour, but is a vindication of the uxj/iTro^e? i^oVoi",
violated by the incest of bis son ; a tiling rigbt to be
done, whether asked or not. The case of Althea and
Meleajrer illustrates this truth in a manner still more
lively. When she obtained the intervention of the
Erinfis, she at once suffered by it. The city of (Eneus
was all but subjected to the horrors of capture : she
was brought, in bitter humiliation, to su|)i)licate the aid
of the son, on whose head she had just invoked the
stroke of doom. From this we must conclude, which
indeed is not difficult, that the Poet regarded her
prayer as in itself unnatural and cruel ; so that the ful-
filment of it involved immediate suffering to herself.
But, on the other hand, Meleager had offended too, in
the slaughter of a near relative. Therefore, although
his pride might well be gratified when he saw king,
priest, and people, with his humbled mother, at his
feet, and proffering their choicest gift in order to
appease him, yet for that original offence, and for his
obstinately refusing to arm until fire was in the city, he
must receive his punishment likewise, in vindication of
the moral laws ; accordingly, after he had repulsed the
enemy, he never received the demesne ''.
The case of Meleager assists to illustrate that of
(Edipus and Epicaste. Both of these unhappy persons
had offended against the moral laws, though it was
unwittingly {aiSpelrjo-i vooio) ; one, the mother-bride,
was immediately put out of the way : the survivor was
still pursued by the jw.riTpo'i 'E^".
According to the view of them which has here been
given, though I could not class the Erinues with the
P Sup. sect. ii. p. 117— 9.
77te translation of mortals. 313
tratlitive deities, it is clear that they must represent,
under metamorphosis, an important association of ideas
belonging to primitive tradition.
Let us now turn to the Sixth Class.
Those for whom it was a mental necessity to animate
with deity even the mute powers of nature, could not
but find modes of associating man, who stood nearer to
the Immortals, with them and their conditions of
existence.
These modes were chiefly three:
The first, that of translation during life.
The second, that of deification after death.
The third, the conception of races intermediate be-
tween deity and humanity.
And it was perhaps not the simple working of a
fervid imagination, but also an offshoot from this ])ro-
found and powerful tendency, which has tilled the
pages of Homer with continual efforts to deify what
was most excellent, or most conspicuous, in the mind
or in the person of living man.
The mode of translation during life was early in
date, and was rarely used, for not only are the Homeric
examples of it few, but he records no contemporary
instance.
Ganymede^, the son of Tros, was taken up to hea-
ven by the Immortals on account of his beauty, that
he might live among them. Tithonus, his grand-
nephew, son of Laomedon, was, as we are left to infer,
similarly translated during life, to be the husband of
Aurora (in Homer Eos), or the morning : for Homer
makes him known to us in that capacity, though he does
not mention the translation. In like manner, she carried
up, and placed among the Immortals for his beauty,
fl II. XX. 233.
314 Olympus: the Religion of the Homeric age.
Cleitus, one of the descendants of Melampus'". A
similar operation to that which was performed upon
Tithonus may have been designed in the case of Orion,
who was the choice of Aurora, and whose career, in
consequence of the jealousy of the Immortals, was cut
short by the arrows of Diana ^ The course of these
legends seems to stop suddenly in the Greek mytho-
logy at the point where they are replaced by deifica-
tion : and tlie connection of Aurora, as the principal
agent, with three out of the four, (the other, too, is
Asiatic, as being in the family of Dardanus,) seems to
be an unequivocal sign of their eastern character.
Homer places the dwelling of "Hco? at a distant pomt
of the East, near the place where QaXacrcra communi-
cates with Ocean.
In the age of Homer the very first names have
hardly been entered in the class of deified heroes.
Ino, the daughter of Cadmus, may be said to stand at
the head of the list, from the distinct assertion of her
translation, and from her being placed, as the ally of
Ulysses, in continued relations with mortal men ^ Of
her also it is said that she had obtained divine honours ;
and nearly the same assertion is made of Castor and
Pollux. But they perform no oflSces towards man
while yet in this life. Of this Ino is the only instance.
She appears to be Phoenician rather than Greek, and
thus to belong perhaps to an older, clearly to a distinct
mythology. Hercules, the only one of these persons
who entirely fulfils the conditions of a hero, is admitted
to the banquets of the gods, and united with Hebe " :
yet he is not all in Olympus, for his eWcoXoi/, endowed
with voice and feeling, and bearing martial accoutre-
•■ Od. XV. 250. * Od. V. 120. ^ Od. V. 333, 461.
" Od. xi. fioi.
The (leifcatiun of inortah. 315
lueiits. is tlie terror of the I^earl. It is not easy to
explain fully this divided state. I cannot but think,
however, that we see here at work that principle of
disintegration, which solved all riddles of character by
making one individual into more than one: beginning,
at least for earth, with that Helen in Egypt, who was
made the depository of the better qualities that post-
Ilomeric times could not recognise in Helen of Troy.
Although the son of Jupiter, Hercules had on earth,
through a sheer mistake, been subject to a destiny of
grinding toil. His original extraction and personality
stand in sharp contrast with the restless and painful
destiny of his life. Death severs these one from the
other, but Homer, contemplating each as a whole, en-
dows the last also with personality, and gives it a
reflection in the lower world of its earthly course and
aspect : while the .Tove-born Hercules, as it were by a
natural spring, mounts up to heaven''. At the same
time there is no more conspicuous example than Her-
cnles, of that counter-])rinciple of accumulation, by
which legendary tradition heaps n})on favourite heroes
all acts not distinctly otherwise appropriated, which ap-
jiear to harmonize with their characters ; and thus often
makes an historical personage into one both fabulous
and impossible.
It must not be forgotten that this passage respecting
Hercules was sharply challenged by the Alexandrian
critics. This challenge is discussed, and its justice
affirmed by Nitzsch^*'. Such authorities must not be
defrauded of their weight. But for my own part, I do
not find a proof of spuriousness even in the real incon-
sistencies of Homer, where he is dealing with subjects
^' I have alluded elsewhere of ehaiactcv may be exhibited in
(sect. ii. p. 169) to another pes- the two images,
sible (•x[>huiatioii : two aspects ^^' ad Odyss. xi. 601-4.
316 Olympus : the Religion of the Homeric age.
beyond the range of common life and experience.
Still less can it be universally admitted, that what are
called his inconsistencies are really such. They will
often be found to require nothing but the application
of a more comprehensive rule for their adjustment.
It is more difficult still to understand the case of
Orion, wdio is at once a noted star in heaven, and a
sufferer below in the Shades. There he appears not
wholly unlike the shade of Hercules, a dreamy image
of the sufferings of earth, and at the same time he
ranks among the splendours at least of the material
heaven.
Minos, who is placed in the Shades to exercise royal
functions there, and Rhadamanthus, who has his happy
dwelling on the Ely si an plain, are approximative ex-
amples of deification.
It ^vould be hazardous to build any opinion exclu-
sively on the two verses II. ii. 550, 551, relating to the
worship of Erechtheus : but they are not altogether at
variance with what we see elsewhere.
Such is the rather slender list of personages in
Homer, who approximate in any degree to what was
afterwards the order of deified Heroes. There are,
however, some other indications, that belong immedi-
ately to the living, and that point the same way.
Such is the promise to Menelaus'', that instead of
dying he should be translated to Elysium, because he
was the son-in-law of Jupiter. And this suggests other
notes of preparation already found in Homer. Ulyssesy
promises Nausicaa that, when he has reached his own
country, he will continue to invoke her all his life
long, like a god. The invocation of the Dead was
common. It was not practised only in illustrious
^ 0(1. iv. 561. > ()(1. viii. 467.
Oroivth of material for its extension. 317
cases like tlmt of Patroolus. After tlieir battle with
the Cicoiics, Ulysses'' and his crews thrice invoked their
slaiin^htered comrades. A system of divine parentage was
the fit, one might almost say the certain preparation for
a scheme of divine honours after death ; and of such
parentage many of Homer's heroes could boast. Again,
Peleus was married to a goddess, and the gods in mass
attended the wedding. By thus bringing the inhabitants
of Olympus down to the earth, Homer laid the ground
for bringing the denizens of earth into Olympus.
There is yet a further sign, which, though perhaps
the least palpable, is, when well considered, the most
striking of all. It is this; that sacrifice is offered, in
the Odyssey, to the Shades of the departed. It is not
indeed animal sacrifice that is actually offered. The
gift consists of honey and milk, with wine, w^ater, and
flour * : but Ulysses distinctly promises that, on his re-
turn to Ithaca, he will supply this defect by offering a
heifer in their honour, and a sheep all black to Tiresias
in particular. Moreover, he distinctly recognises the
idea of worshipping them*^ ;
TToWa oe yovvovixriv i>(kvmv aixei'-qra KcipTji'a.
It does not destroy the force of this proceeding, that
they were supposed to need or to enjoy the thing sa-
crificed ; for the Immortals of 01ymj)us did the latter
at least, and there are even traces of the former.
Together wath the mixed offering above described,
and the promise of a regular sacrifice on his return
home, Ulysses permitted the Shades to drink of the
blood of the sheep which he immolated on the spot to
Aidoneus and Persephone, after he had fulfilled the
main jiurpose of his visit by consulting Tiresias*^.
='• Od. ix. 65. it Od. xi. 26. b 0(1 xi. 29.
c Od. xi. 153, 230.
318 Olympus: the Religion of the Homeric age.
The dead tlieii have consciousness and activity.
They are invoked by man. They can appear to him.
They are capable of having sacrifices offered to them.
They can confer l)enefit on the living'. Here, gathered
out of different cases, were the materials of full deifica-
tion. All that was yet wanting w^as, that they should
be put together according to rule.
We have now, lastly, to consider the kindred of the
gods, or races intermediate between deity and hu-
manity, which Flomer has introduced in the Odyssey
exclusively.
These are certainly three, perhaps four ;
1. The Cyclopes.
2. The Laestrygonians.
3. The Phseacians.
It may also be probable that we should add
4. ililolus riij)potades and his family.
Among them all, the Cyclopes, children of Neptune,
offer, as a work of art, by far the most successful and
satisfactory result. Tn every point they are placed
at the greatest possible distance from human society
and its conventions. Man is small, tlie Cyclops huge.
Man is weak, the Cyclops powerful. Man is gregarious,
the Cyclops is isolated. Man, for Homer, is refilled ;
the Cyclops is a cannibal. Man inrpiires, searches, de-
signs, constructs, advaiices, in a word, is progressive:
the Cyclo])s simply uses the shelter and the food that
nature finds for him, and is thoroughly stationary.
Yet, while man is sul)ject to death, the Cyclops lives
on, or vegetates at least, and transmits the privileges of
his race by virtue of its high original. The relaxed
morality of the divine seed, as compared with man,
is traceable even in their slight customs. They are
polygamous :
The kindred of the gods. 31 9
deixKTTiVii. oe €KaaT09
From their personal characters the moral element has
been entirely dismissed. Polyi)liemus is a huge mass
of force, seasoned perhajis with cunning-, certainly
with falseness. This union of a superhuman life with
the brutal, that dwells in solitude, and has none of
its angles rubbed down by the mutual contact be-
tween members of a race, produces a mixed result of
extreme ferocity, childishness, and a kind of horrible
glee, which as a work of art is most striking and
successful. We may justly think much of Caliban :
but Caliban cannot for a moment be compared to
Polyphemus. It is equitable, however, to remember
that contrast with Ariel, which must have been a
governing condition in the creation of Shakespeare,
required a nature which should be fatuous and grovel-
ling, as well as coarse.
To feed Poly])hemus, what lies nearest him, namely,
the La}strygonian adventure, has, perhaps, been starved.
Affain we are introduced to cruel Giants and to canni-
balism, but with a great scantiness of detail. Their in-
dividuality is scarcely established. Their only marked
qualities they hold in common with the Cyclopes, except
as to a single point, namely, that they live gregariously.
We see their city, and are introduced to their king,
their queen, and their princess*'. But a too great like-
ness to the Cycloj)s still suggests itself; and it is pro-
bable that in both the one and the other Homer set
before him, among the materials of his work, that old
tradition of powerful beings, allied to the deity, and
yet rebellious against him, which meets us in so many
forms, dispersed about the Homeric poems, and which
'1 Od. ix. 115. e Od. X. 105-15.
320 Olympus : the Religion of the Homeric age.
the later tradition, by further multiplication and variety,
resolved into a living chaos.
The Phaeacians appear to stand quite in another
category. While the Cyclops has no trace of deity but
in superhuman force, the Phaeacians have no pre-
tensions of this kind. They are not even immortal,
nor are they wholly removed from man, for they are
accustomed to carry passengers by sea ; they seem
really to be meant in a measure to represent the deoi
pela "CwovTe^. We must not look too rigidly in them
for notes of the divine character, but rather for the
abundance, opulence, ease, and refinement of the divine
condition. Hence Homer lavishes all the simple wealth
of his imagination upon the palace and garden of
Alcinous, which far exceeds any possessions he has
assigned to ordinary men. This additional splendour
of itself proves, if proof were wanted, that the picture
is ideal. The same amount of ornament assigned to
the palace of Menelaus would, from the contrast with
fact, probably have been frigid to his hearers.
From the games and athletic exercises of this people
all the ruder and more violent sports are excluded.
Navigation, to others so formidable, for them is con-
ducted by a spontaneous force and intelligence residing
in their ships; which annihilates distance, and at last
excites even the jealousy of Neptune (Od.viii. 555— 69).
We find in the island and in its history no poverty, no
grief, no care, no want ; all is fair to see and to enjoy.
But we feel thankful to Homer that he has not here, as
in the case of the Cycloj^s, made kin with the gods entail
a marked moral or intellectual inferiority upon the sons
of men ; no purer or more graceful piece of humanity
is to be found among the creations of the human brain,
than his picture of Nausicaa. She combines in herself
Tlie kindred of the gods. 821
all that earth could suggest of bright, aud pure, and fair.
Still it cannot be denied that levity and vanity are ra-
ther conspicuous in the Phaeacian men. They shew off,
among other sports, their boxing and wrestling, before
they know what Ulysses is made of. When they know
it, Alcinous informs him in an off-hand way that they
do not pretend to excellence in that class of sports^
After the dancers have performed, Ulysses with great
tact at once passes a high compliment upon them.
Alcinous, delighted with the praise, cries aloud, ' Phse-
acian chiefs ! this stranger appears to me to be an
extremely sensible man§^.'
It appears, however, most likely that, besides the
mythical element in two of them, Homer may have
had some basis of maritime report, and thus of presumed
fact, for his delineations of all these three races ; that,
with an unlimited license of embellishment, he, never-
theless, may have intended in each case to keep un-
broken the tie between his own tale, and the vovao-es of
Ulysses, founded upon Phoenician geography, as reported
in his time. I form this opinion partly from some
singularities in the Phceacian character, which, as they
are not in keeping with any poetic idea, may probably
have had an historic aim, though I cannot be persuaded
that they afford a foundation broad enough for the full
theory of Mure'^ if he conceives the Phaeacians of the
Odyssey to be strictly a portrait of the Phoenicians.
Partly I draw the inference from the want of clear
severance in the ideals, on which the characters of the
Cyclops and the Laestrygones are severally founded.
The remarkable natural characteristic of Laestrygonia
which he has given us, its perpetual day, supports the
same hypothesis. What would otherwise amount to
f 0(1. viii. I02. 246. i Ibid. 378-88. h Lit. Greece, vol. i. p. 510. _^
y
S22 Olympus : the Religion of the Homeric age.
poverty in the imagery is sufficiently accounted for, if
■\ve assume that he meant to describe two savage tribes,
that inhabited the latitudes with which he Avas dealing;
and that, feeling himself bound to brutality in each case,
he has, under these unfavourable circumstances, varied it
as much as he could. Unless it had been to preserve an
historical or mythological tradition, the Lasstrygonian
adventure might hardly have deserved introduction
into the Odyssey. Plainly, on the other hand, he is
not to be held responsible for all that he has put down
while he believed himself to be conforming to narra-
tives of fact, in the same manner and degree as if he
had been presenting us with a picture in which his
fancy had only to work at will.
The remaining case is slight, and may speedily be dis-
missed. jEolus is (piXog aOapdroicri Oeoio-i, and is in-
trusted with the charge of the winds; and his six sons
are married to his six daughters, as aiSolai a.\o-)(^oi ^.
The word (plXos may bear the sense of relationship :
immortality seems to be of necessity involved in the
charge over the winds, who are themselves in the Iliad
(in this point varying poetically from the Odyssey) in-
vested with deity^ : and the marriage of the sons to
the daughters affords another absolute proof : for this,
which M'ould have been incest, /ueya epyov, among men,
is evidently set down as in their case a legitimate con-
nection. The great example in the Kronid family would
give it full sanction for the Immortals.
The character of jEoIus, if he be human, is one kindly
to his fellow-men ; and he inquires carefully respect-
ing the fate of the Greeks and their chieftains. But it
is very difficult to understand his place in the poem,
^ Od. X. 2, 21, II.
i Nagelsbach, Horn. Theol. II. 1 2, holds the opposite opinion.
I'he kindred of the gods. 323
and the reasons of it. The gift of Zephyr, and the
folly of the crew in Icttino- out the whole pack of winds,
end only in the return of Ulysses to iEolia, and in his
being dismissed from thence as one hateful to the gods,
which he was not. This TRolus neither seems to be re-
quired for, nor to contribute to, the general ])urpose of
the poem: nor to represent any ancient tradition : nor
can we in any manner connect him with yEolus, the
great national personage whose descendants were so il-
lustrious, for that ^olus was clearly taken to be the son
or immediate descendant of Jupiter; so that he could
not have been called the son of Hippotas. Perhaps the
origin of his place in the Odyssey was to be found in
some Phcenician report about storms in the northern
seas, where i^^^olia is evidently placed in complete iso-
lation, figured by the sheer and steep rock of the coast,
and by the metal wall which runs round it. It may have
a partial prototype in Stromboli misplaced, the appear-
ance of which from a distance entirely accords with
this particular of inaccessibility. The whole picture,
representing as it does, first, the ferocity of the winds,
and, secondly, the existence of an efficient control over
them, evidently embodies two features which could not
but enter variously and prominently into the tales of
Phoenician mariners ; first, the fierceness of the gales
prevailing in those outer latitudes, to deter others from
attempting them ; and secondly, their successful con-
test with the difficulty thus created in order to glorify
themselves.
Y 2
SECT. V.
The Olym/pian Community and its Members,
considered in themselves.
The substitution of polytheism for the monotheistic
principle not only brought down deity in the mea-
sure of its attributes or faculties towards man, but
created a necessity for a divine economy or polity,
which should regulate the relations of the Immortals.
This polity could be no other than human, and no
other, as it seems, than a somewhat deteriorated copy
from its earthly original.
Accordingly, the Olympian Immortals of Homer are
combined in a society. They are not a mere aggregate
of beings, classed together by the mind in virtue of the
possession of common properties, but they live in two-
fold relations : first, those of the family, or at least of
descent and consanguinity ; secondly, those established
by a political organization, which is modelled according
to the forms of the Greek polities subsisting in the
Homeric age.
The government of Olympus is, though the use of
the word may at first excite a smile, in principle consti-
tutional. Jupiter is its head. Its ordinary council or
aristocracy is represented by the body of such deities
as have palaces there, constructed for them by Vulcan,
The family order in Olympus. 326
who exercises in the community the double function
at once of architect and artificer*'.
The immediate relationship of nearly all these divini-
ties to Jupiter is recorded.
As his brothers, we have Neptune, and Aidoneus, or
Pluto.
As his wives, we have Juno, the chief; Latona, Dione,
and probably Demeter, secondary.
As his children, we have Minerva, Apollo and Diana,
Mars and Vulcan, Venus, Mercury, Hebe.
Of the Nineteen Deities who appear to be certainly
Olympian, there are only four that do not fall at once
into the family order: they are Themis, 'He'Aio?, Iris, and
Paieon. There may have been a relationship credited
in these cases also, though it is not recorded. It should
be observed, that Jupiter is expressly invested with the
title of Father of the gods. And perhaps the idea
intended to be conveyed is that of a family wliich has
grown into a sept or clan, having this for its distinctive
character, that all the members of it, great and small,
have either a nearer or a more remote relationship to
the head. Of the minor deities, in various cases it is
recorded, that they are daughters of Jupiter ; such as
the Muses, the Prayers, and the Nymphs of most
orders. But these have the appearance of belonging to
Homer's poetry, more than to his mythology. Among
male deities, the sons of Jupiter are all in Olympus :
those of Neptune take lower rank.
Whatever be its relation to the family nucleus, the
community of Olympus is fully formed. Besides Ju-
piter the head, and the ordinary assembly, its Council
or Court, which answers to the /3oi/XJ/ of the Greeks, it
has its Agore, a greater Assembly or Parliament called
« II. i. 606-8.
326 Ohjmpus : the Religion of the Homeric age.
together upon crises of extraordinary solemnity, such as
the decision by main force of the fate of Troy.
But as we have no example, except the factious and
utterly odious Thersites, of any one of the commonalty
who takes an actual part in debate among men, so the
minor deities, too, are mute in heaven.
Nay, th^ resemblance is even closer than this.
The Greek (3ov\r], and also the ayoph, have their speak-
ing or leading personages, and they likewise have each
their silent members. The leaders are Agamemnon,
Nestor, Ulysses, and Diomed ; the last-named chieftain
always with modesty, as a person lately come to full age.
Achilles doubtless would have had to be added, if the
action of the poem had permitted him to appear through-
out its debates. But we never hear of the Ajaxes, Ido-
meneus, or chiefs like Eurypylus, as taking any active
share in the proceedings. Even so the discussions of
Olympus ajipear to be conducted commonly by Jupiter,
Juno, Neptune '^j Minerva, and Apollo*^. Once Vulcan
interposes, in his mother's interest : possibly he may
have been suggested to the Poet by Thersites '^ as a
terrestrial counterpart. The Sun appeals to the As-
sembly in the Odyssey, as a party in his own cause : but
neither he nor Venus, nor ]\Iars, nor Mercury, nor any
other subordinate deity, ever appears as taking part in
a discussion.
The term ayoph, or assembly, is used in Homer for
the meetings of the deities only on certain occasions :
namely, at the openings of the Eighth and Twentieth
Books^. The other, or ordinary meetings, have no
distinctive name. We may know them by their not
depending on any summons or introduction, and by the
b 11. vii. 445. <= II. xxiv. 33. fl II. i. 571.
^ II. viii. 2. and xx. 4.
The jwlitical order in Olympns. 327
frequent mention, either of the banquet as proceerlinf^,
or of the cup as in the hands of the deities. They ^vere
standing asseniblaues of the deities, the law of whose
life was leisure, with prolonged though not intem-
perate feasting ; and its ordinary scene Olympus.
Their correspondence with the (iovkh must not be
pressed too far, for they do not, like the Greek (3ouXrjj
commonly precede an Assembly. It is to be remem-
bered, that the (SovXi] was an Hellenic institution,
and that the gods were not exclusively Hellenic, though
Olympus was essentially national.
The analogy between the divine and the human
ayopai is established in a pointed form by the Poet
himself; mIio makes Themis the pursuivant or Sum-
moner^ for the former; and also says of her, with re-
spect to the latter,
rjr avhpQ>v ayopai i)ij.ev \ve.i, ?}8e jca^t^etS.
The acknovvledgment of a rule of right, extrinsic and
superior to ourselves, is general in the Assemblies of
men in Homer, when meeting for business. This there
could not be in the Assemblies of the Olympian gods.
Neither does respect for authority and for tradition
well harmonize with the idea of beings, who are pos-
sessed of unbounded, or at the least of greatly ex-
tended intelligence. Thus, like the individual deities,
the divine Assemblies, and the entire Polity, are de-
prived of the greatest moral safeguards of their coun-
terparts on earth. The consequence is, that their ethical
tone is much lower. Force is the only effective sanc-
tion of authoritv amonc: the Immortals. This is curi-
cusly exhibited in the Theomachy : for that battle
takes place when the fate of Troy, which formed the
matter in dispute, has already been long ago decided.
^ II. XX. 4. g Od. ii. 69.
328 Olympus: the Religion of the Homeric age.
Whenever a difficulty arises, which will bear that mode
of treatment, Jupiter resorts to the threat of using it,
even against divinities so dignified and powerful as
Minerva, Neptune, and Juno. Sometimes, indeed, he
parades it by anticipation, even when no symptom of
disaffection has yet been exhibited. So, on the other
hand, fraud is the resource of the weak, as violence is
of the strong. Juno, unable to organize a combination
against her husband, devises a trick.
The deities, then, are not under any effective ethical
restraint ; and the only instances in which the highly
moral sentiment of aiSco;s
eKyeydixev k^Ivos Se x^P^^ovos eK 6eov eo-rtV.
Though the body of Geo] serve as an unity to point a
m Od. iii. 6g. n II. vi. 174. o Qd. v. 91-6.
P Od. V. 169, 70. q II. xix. 386. >• II. xx. 105.
Tluir unity imperfect. 831
moral in tlie abstract, there is practically a woiulerfiil
want of unity and of common or corporate feeling
ainonof tliem. This is fi' Ibid. 370.
2 II. xxi. 504.
Force and fraud their chief instruments. 335
The general principles of government, then, among
the Immortals themselves arc simply those of force
and terror, on the one hand, or fraud and wheedling
on the other. For example, Terror suhdues the ad-
verse will of Juno a in the First Book, of Juno and
Minerva in the Eighth ^ and of Neptune, not without
much reluctance on his ])art, in the Fifteenth. Thetis
wheedles Jupiter in the First Book^; Juno entirely
beguiles him, besides outwitting Venus, in the Four-
teenth ; Minerva entraps Aj)oilo in the Seventh into
the plan of a single combat, which saves the Greeks
from an impending defeat. And the difference of
opinion respecting Troy in the divine Assembly does
not at the last come to effect without a contest of main
strength, although the virtual decision of the Olympian
body had long ago been taken. Nay, these principles of
force and fraud are the real principles of action, even
when not altogether on the surface. When Mercury
declines battle with Latona, it is because he fears the
consequences of a contest with a wife of Jupiter'^. In
a manner still more curious, when Apollo has declined
battle with Neptune, professedly on the ground that it
is not worth the while of deities to fight about the
affairs of wretched mortals, the Poet explains his con-
duct by a sentiment partly of defei^nce arising out of
a relationship recognised among men :
atSero yap pa
TTaTpoKaaiyvijTOLo pLiyi'ipL^vai. kv TtaXapirjcnv^.
But here there may possibly have been some mixture
of fear, because, as he withdraws, he is reproached
bitterly by Diana, called a baby for his cowardice, and
a II. i. 568. b II. viii. 457. c II. i. 501.
d II. xxi. 499. e l\)[± 468.
336 Olympus : the Religion of the Homeric age.
reminded, that he had himself volunteered the boast
in heaven, that he was ready to fight against Neptnne.
As these moral elements had been almost wholly
eliminated from the general principles which govern
the Homeric gods in their relations to one another, so
likewise we look almost in vain for the traces of them
in their individual conduct. They observe, when acting
for themselves, neither courage, justice, nor prudence ;
but it is in regard to moral temperance or self-control,
that they fall furthest below the standard even of human
virtue. The Mahometan heaven of men was the heaven
of the Homeric gods. Their standing employment, ex-
cept when troubled by human affairs, is simply in perpe-
tual, though not drunken or brutal, feasting ; sometimes
in grosser indulgences. If, says Vulcan to his mother,
you quarrel about mortals, it will be a pestilent busi-
ness, for there will be no pleasure in our banquets^
If Neptune in the Odyssey is gone among the Ethio-
pians ^ it is for a hecatomb of bulls and lambs. If
Jupiter and all the gods make a journey to the same
quarter in the Iliad, it is for a feast '^, which apparently
was to last for eleven days. If Hercules has earned
the reward of his labours by being taken up to heaven,
his life there is described as a life entitling him to
enjoy banquets among the Immortals'. If Ganymede
is received into their company, it is that he may dis-
charge for Jupiter the duty of cup-bearer'', in which it
would appear that both Vulcan and Hebe were like-
wise employed. Of all the phrases characteristic of
the Homeric gods and their life, there is none that
sits better than the Qeo\ peia Xwovre^.
f II. i. 573-6. e Od. i. 22. »» II. i. 423.
' Od. xi. 602. k u XX. 234.
Their doininant selfishnci':
al K( 6(oi y e^eAoxTi, rot ovpavov cvpvv t\ov(TLV,
ol jxev (peprepoi elcn voijcraL re Kpr\vaL re.
Yet she distinctly contrasts herself with Penelojje, in
the very point that she is immortal : and the reply
of Ulysses recognises this as the essential difference^ ;
1] iJ.ev yap ^pOT6s.
The only cases, perhaps, in which Homer glances at
the possibility of putting a period to the existence of a
god, are two, in which the semi-brutal Mars is con-
cerned. When Otus and Ephialtes put him in chains,
it seems that, but for Eeriboia, he would have perished'*:
the expressions are,
/cat VI) K€v evff' anokoLTo Aprjs aros TroAe'/xoto.
And again, under the assault of Diomed, though the
Poet does not bring this last extremity into view, he
might, had he not fled, perhaps have been as good as
dead (^w? a/meuiji'o?, II. v. 887). This is not death, but
it is at any rate the suspension of life, apparently with-
out limit. A third alternative is opened in the severe
reply of Jupiter, who observes to him, that he might
have been thrust down into Tartarus, but for the fortu-
y Od. V. 169, 70. "■ Od. V. 213, 218.
' 11. V. .1S8.
E^ceiii/>tio/if'roiii other iimitat ions partial. 345
nate uccident of liis liigli j)arciitagc ; veiling the idea
under tlie modest words ^
Kal Ki.v bij TiuKaL TjcrOa iveprepos OvpavL(jjvoii>.
Thus then tlie divine :life, which, liowever, certainly
with Ares is lodged in one of its least godlike recepta-
cles, is liable to degradation, and to abeyance, even
possibly to a lingering, though probably in no case to a
rapid, process of extinction. But this last is rather the
limit of calamity only, in the mathematical sense ; that
is to say, a limit which is never actually reached,
though there is nothing short of it which may not be
reached and even |)assed.
So much for the great gift of immortality. With
reference to all the other limitations imposed upon
finite being, the position of the Immortals, infinitely
diversified according to the two great classes, and to
individual cases, has this one feature applying to it as
a whole, that it is a position of preference, not of inde-
pendence.
Every deity has some extension of personal liberties
and powers beyond what men enjoy. But it is in
general sucli as we should conceive to be rather cha-
racteristic of intermediate orders of creation, than pro-
perly attaching to the divine nature. We must how-
ever distinguish between these three things: i. The
personal exemptions of a divinity from the restraints of
time and place, and other limiting conditions ; 2. The
general powers capable of being exercised over other
gods, over man, over animal or inanimate nature ;
3. The powers enjoyed within the particular province
over which a divinity presides.
Thus for examjile Calypso, though, as we have seen
^ 11. V. 898.
346 Olympus : the Religion of the Homeric age.
she is of inferior rank, yet exercises very high preroga-
tives. She sends with Ulysses a favourable breeze :
and she predicts calamity, which is to smite him before
he reaches his home. Circe transforms men into beasts,
and then restores them to forms of greater beauty and
stature*^. She is cognizant of events in the world be-
neath, and of what will occur on the arrival of Ulysses
there. She then sends a favourable breeze to impel his
vessel '^; and on his return predicts to him the circum-
stances of his homeward voyage e. And Proteus delivers
a similar prediction to Menelaus, to which he adds a
declaration of his destiny after death ^: he also converts
himself into a multitude of forms.
Now no Homeric deities order winds to blow, except
Jupiter, Juno, Apollo, and Minerva; none issue pre-
dictions to men except Minerva and Apollo, the latter
mediately, through Seers or through Oracles ; of abso-
lute transformation we have no example ; but Minerva,
and she alone, transforms Ulysses from one human form
to another. I mean absolute transformation effected
upon others : all the deities, apparently, can transform
themselves at will ; for even Venus appears to Helen
disguised, though it would seem imperfectly, in the
form of an aged attendant^.
This gift of knowledge of the future is the more re-
markable, when we consider that some of the Olym-
pian deities were without knowledge even of what had
just happened ; as Mars, on the occasion of the death of
his son Ascalaphusl\ Even Jupiter, vvith the rest of
the gods, was wholly unaware of the clandestine mis-
sion of Iris by Juno to Achilles'.
<- Od. X. 396, 490-5, 529. «l Od. xi. 7. e Od. xii. 25, 37
et seqq. <" Od. iv. 475 and 561. ? II. iii. 386.
h II. xiii. 521. 'II. xviii. 165-8.
Cases of III I nor deities with major poivers. 347
The great powers of these secondary deities may be
accounted for, I think, by two considerations :
1. These divinities belong- to the circle of outer or
Plicenician traditions, and the Poet is not therefore, in
treating them, subject to the same laws as those by which
he regulates the Olympian order. They are brought
ujion the stage with reference to Ulysses or Menelaus,
and in the Wanderings only ; thus they are adopted by
Homer for this special purj^ose, and endowed with
whatever gifts they require for it, just as strangers,
while they remain, are treated more liberally in a house
than the children of the family, for the very reason that
they are strangers, and have no concern with the regular
organization and continuing life of the household.
2. Another ])rinci])le of the mythology conducts us
by another road to the same end. Every deity is libe-
rally endowed within his own province. Now the pro-
vince of Proteus, Calypso, and Circe, is the Outer
sphere of Geography. Within the range of that sphere,
the ordinary agency of the Olympian deities individu-
ally is suspended. Homer prefers to leave it to be
governed by the divinities, whom he can frame out of
his Phoenician materials for the purpose. In this way
he is enabled to enlarge the circle of variety, and to
draw new and salient lines of distinction between the
two worlds. Neptune indeed is there perforce ; for navi-
gation is the staple of its theme, and the OaXaa-a-a per-
vades it, from no portion of which can he possibly be
excluded. The Olympian Court, too, oversee it, and their
orders are conveyed thither by Mercury their agent.
But, exce])t Neptune for the reason given, the ordinary
action of the deities individually is susiJonded*^, not on
^ See !>iip. seet. iii. p. 201.
348 Oli/mjyui; : the Religion of the Homeric age,
account of any limitation of power, for instance in Mi-
nerva, but for a poetical purpose, and with the excuse,
that the whole sjihere is removed beyond common life
and experience. Hence, just as Vulcan works profes-
sionally the most extraordinary miracles, though he is
but a secondary deity, because they are in the domain
of metallic art, so Circe and the rest are empowered to
do the like within a domain of which they are the
rooted zoophytes and exclusive occupants.
It may be well, before passing to the general limita-
tions upon divine capacity in Homer, to illustrate a
little farther this law of special endowment.
Venus is among gods what Nireus was among men :
avaXKig erjv Oeoi^. Yet she overcomes the resistance of
Helen"': and we have also the express record of her
girdle as invincible in its oj)eration". The case of Mars
is peculiar : for he is brought upon the stage to be
beaten in his own province, as the exigencies of the
poem require it : but inferior, nay pitiful, as he is in
every point of mind and character, yet as to imposing
personal appearance, he is made to take rank in a com-
parison with Jupiter and Neptune, between whose
names his is placed °. Neptune exhibits vast power,
and on his own domain, the sea, ap])ears even to have
an inkling of providential foreknowledge'': he is con-
scious that Ulysses will reach Scheria. Except upon
the sea, he exhibits no such attributes of intelligence,
though he always remains possessed of huge force.
ISIercury, again, shows in locomotion a greater inde-
pendence of the laws of place, than some deities who
are of a rank higher than his own : and doubtless it is
1 II. V. 331. >" II. iii. 418-20. n II. xiv. 198, 9.
" II. ii. 478, 9. 1' Od. V. 378.
Divine J'acuf tics ait c.rtension of hwiKiu. .'J49
because he is ])rofession.iIly an agent or messenger.
Even so the journeys of Iris are no sooner begun than
they are accomplished.
But the ffeneral rule is, that the divine faculties re-
present, in regard to all the conditions of existence,
no more than an improvement and extension of the
human^J. Man is the point of origin : and from this
pattern invention strives to work upward ;uid outward.
The great traditive deities indeed are on a different
footing, and api)ear rather to be the reductions and
depravations of an ideal modelled upon the infinite.
But the general rule holds good, in regard both to
bodily and mental laws, for the mass of the Olympian
Court.
Thus deities are subject to sleep, both ordinarily, and
under the special influences of "Yttj/o?, the god of sleep.
We are furnished with a reason for Jupiter's not being
asleep at a given momenf ; it is the special anxiety
which presses on him. He had been asleep just before.
Their bodies are not ethereal, but are capable of con-
straint by manacles. They are capable also of wounds;
and they suffer pain even so as to scream under it :
but their blood is ichor, and their hurts heal with
great rapidity^. They eat ambrosia, and drink nectar.
They also receive a sensible pleasure from the savour
of sacrifices and libations^ Nor is this pleasure alone,
it is also nourishment and strength, for Mercury speaks
of it as highly desirable for su])port on any long jour-
ney. He, too, practises according to his precept, for he
seems greatly to relish the meal of ambrosia and nectar,
whicL is afforded him by the hosj)itality of Calypso".
1 Friedreich, Realien 187. p. 599. ^ j] \\ i_^^ ^mi \ 609-11.
s II. V. 416, 900-4. t 11. xxiv. 69. " Ocl. V. 100-2.
350 Olympuft : the Religion of the Homeric age.
As regards the percipient organs, the Olympian
gods appear to depend practically on the eye. Alinerva
alone has a perfect and unfailing acquaintance with
whatever it concerns her to know. For even Ju])iter,
as we have seen, is not exempt from limitation in this
point^. Juno sends Iris to Achilles in the Eighteenth
Iliad without his knowledge, Kpv^Sa Ato? aWwv re
6eu)v. Apollo does not immediately perceive the expe-
dition of Ulysses and Diomed in the Doloneia. Being
liere opposed to Minerva, he could not but be worsted.
Generally, even these great traditive deities perceive
not by a gift of universal vision, but by attention >':
ovdi' a\ao(rK.o-u]i> elx^ apyvpoTo^os AiroWoiV.
Juno, keenly alive with anxiety, perceives from Olympus
the slaughter that Hector and IMars are makinof on the
plain of Troy; and likewise from the same spot watches
Jupiter sitting upon Ida''. These four deities, Jupiter,
Juno, Minerva, and Apollo, appear to be endowed with
by far the largest range of vision. Even to Neptune
no such powers are assigned, as to them; for we are
never given to understand that any amount of mere
distance is too great for their ken. But Neptune only
sees the state of the battle before Troy by coming to
Samothrace, apparently to bring it within view, and by
looking from thence : nor is the Poet content without
adding the reason ;
evOev yap ecfiaivero Ttacra juei' "ihrj
(paivero be YlpidjjLOLo ttoAi? kol zn'je? 'A^mcoi'^'
a passage which seems to imply, that his vision was
much the same as that of mankind even in degree.
In the Odyssey, Ulysses pursues his voyage on the
^ II. x\-iii. 166-8. y II. X. 515.
z II. V. 711, and xiv. 157. a Ji xiii. 13.
General prevalence of limitation. 351
raft without the knowledge of Neptune, although on
the proper domain of the god, uiUil the eighteenth
day. Then lie discovers him, but it is only because,
coming up from the Ethiopian country, on reaching
the Solyman mountains, he is sujiposed to have got
within view of the hero. Being hero, without special
directions, in the zone of the Outer Geograi)hy, we have
no means of measuring the terrestrial distance vvith pre-
cision, and the Poet has not informed us what interval
of space he intended us to sujjpose.
The inventive deities of the second order in Olympus
are very slightly gifted in this matter. So much we per-
ceive from the ignorance of ]Mars about the death of his
son Ascalaphus. Vvlien Venus observes, that iEneas
has been wounded, Homer does not name the spot
from which she looked ; but the general range of the
powers of this divinity is so narrow, that we must sup-
pose he means to place her immediately over the field
of battle before Troy.
Of the powers of Apollo or Minerva, as hearers of
prayer irresi)ectively of distance, I have already spoken ;
but the local idea enters more freely into the anoma-
lous character of the head of Olympus. In the First
Iliad, Thetis explains to her son that she cannot in-
troduce to Jupiter the matter of his wrongs, until he
returns from the country of the Ethiopians, whither he
has repaired with the other Immortals to a banquet^.
This may mean either that he is too far oft' to attend
to the business, or that he must not be disturbed while
inhaling the odours of a hecatomb.
Very great diversity in individual cases, but at the
same time a general and pervading law of restraint.
Ml. i. 521-7.
352 Oli/mpus : the Religion of the Homeric age.
are evident in the descriptions of the deities with re-
spect to their powers of locomotion. Facility of move-
ment accrues to them variously according to i. their
peculiar work and office; 2. their general dignity and
freedom from merely mythological traits; 3. the exi-
gencies of the particular situation. As to the first, I
have noticed that Mercury and Iris have a rajjidity as
messenger-gods, which in their sim})le capacity as gods
they could scarcely possess. Yet even Mercury fol-
lows a route: from Olympus he strikes across Pieria,
and next descending skims the surface of the sea ;
then at length passes to the beach of the island, and
so onwards to the cave of the Nymph '^. Minerva, on
the other hand, in virtue not of any special function,
but of her general ])ower and grandeur, is conceived as
swifter still. The journeys of Apollo, in like manner,
are conceived of as instantaneous : the rule in both
cases being subject so poetical exceptions only. The
chariots of Juno and of Neptune^', again, proceed with
measured pace. Each step of Juno's horses covers the
distance over which a man can see '. Neptune himself
passes in four steps from Samothrace to ]¥^g?cK The
driving of Jupiter from 01ymj)us to Ida is described in
terms before used for Juno's journey^. Juno travels
at another time from Olympus to Lemnos by Pieria,
Eniathia, and the tops of the Thracian mountains. Here
Homer seems to supply her with a sort of made road
on which to tread : for the route is a little circuitous''.
Mars, when wounded, takes wing to Olympus : but
Venus, though only hurt in the wrist, cannot get
thither until she obtains the aid of his chariot, which
happily for her was then waiting on the field'.
c Od. V. 50-57. •! II. xiii. 29. « 71 y. 770. <" II. xiii. 20.
g II. viii. 41-6. h 11. xiv. 226. i II. V. 864, 355-67.
Chief heads of superiority to mankind. 353
But poetical utility, so to sj)eak, enters very largely
into the whole subject of Olympian locomotion, and
makes it difficult to draw with rigour the proper my-
thological conclusions. This may be sufficiently illus-
trated by the following cases. We have seen the
majestic march of Juno from one hill top to another,
and the measured though speedy course of her chariot.
Yet, under the pressure of urgent considerations, she
flies from Ida to Olympus, as the bearer of Jupiter's
message, with a ra])idity that Homer illustrates by the
remarkable simile of the travelling of Thought''. Again,
where an imposing magnificence is the object, measure
is introduced into the movement of Apollo himself by
the clang of the darts upon his shoulder as he goes'.
And, even more, Venus, whom we have seen so im-
potent on the field of Troy, after her exposure in the
Eighth Odyssey, flies at once all the way to Paphos ;
as does Mars to Thrace"'. This in both cases is pro-
bably because the occasion did not admit of ornamental
enlargements, such as befitted the journey of a god.
And when Vulcan is represented as actually engaged in
falling during the whole day from Olympus down into
Lemnus", a poetical allusion to his lameness may pro-
bably be intended.
Thus we see not the mental only, but also the cor-
poreal existence of the mythological god hemmed in
on every side. A great force of appetite, and a dis-
position to give it unbridled indulgence, can hardly be
reckoned among elevating gifts. But if it be asked,
wherein does Homer enlarge and improve for his my-
thical gods the human conditions of being, besides,
(i.) The one grand point of immortality, I should an-
swer, in
kll. XV. 79-84. 111. i. 44-8. '" Oclviii. 361-3. " II. i. 590-3.
A a
354 Olympus : the Religion of the Homeric age.
2. An unlimited abundance of the means of corporal
enjoyment, and a general freedom from the interrup-
tions of care.
(3.) A liberal dispensation of the somewhat vulgar
commodities of physical strength and stature ; and of
the higher gift of absolute beauty, into which the idea
of stature, however, materially enters.
The former of these two we learn from the fact, that
the banquet is the habitual and normal occupation of
the Olympian Court. In the First Book, the fray be-
tween Jupiter and Juno passes off naturally, and as a
matter of course, into a feast that lasts all day". And
when Juno, in the Fifteenth Book, reaches Olympus with
a message from Jupiter, Thetis, whom she meets first,
salutes her by offering the cup p.
There is also among the gods a kind of ' high life
below stairs.' When Iris repairs on behalf of Achilles
to the Winds, she finds them too banqueting in the
palace of Zephyr, probably their chiefs ; but she hastes
away, when her message is delivered, to feast in pre-
ference among divinities of her own rank upon an
Ethiopian sacrifice.
As regards size and stature, these gifts are so freely
bestowed as to be almost without measure : nor does the
Poet even care in such cases to be at strict unity Avith
himself. INIars, who in the Fifth Book, draws no very
peculiar notice on the battle field from his size, in the
Theomachy, when laid prostrate, covers seven acres.
Eris, treading on the earth, strikes heaven with her
head. The helmet of INIinerva would suffice for the
soldiery of a hundred cities ; the golden tassels of her
lEgis, a hundred in number, and each worth a hundred
11. i. 596-604. p II. XV. 87. q II. xxiii. 300.
Their stature and beauty. 355
oxen, after every allowance for mere laxity in the use
of numbers, would imply vast weight and bulk. Ac-
cordingly, the axle of Juno's chariot may well groan
beneath the weight of Pallas'". Apollo, without the
smallest seeming effort, stops Diomed and Patroclus in
mid-career; and overthrows the Greek wall as easily
as a child overthrows his plaything heap of sand^
Other signs might be quoted, such as the tread that
shakes the earth, and the voices of Mars and Neptune,
equal to those of nine or ten thousand^ mortals.
With the one marked exception of Vulcan, beauty
is generally indicated as the characteristic of the Olym-
pian deities. Among the gods, it extends even to
JNIars". It is sufficiently indicated for the goddesses by
their habitual epithets. Even jMinerva, in wdiom ])er-
sonal charms are as it were eclipsed by the sublime
gifts of the mind, is sometimes called rivKo^xo^ and
ev-TrXoKUfxo^ (11. vi. 92. Od. vii. 40): and Calypso declares
the superiority of goddesses to women in beauty, as a
general proposition'^,
eTret ovttco? ovhe eotKev
6vr]Tas aOavaTijcn b^ixas Kal eibos epl^eiv.
The mythological or invented deities generally, but
none of the strictly traditive deities, appear to be
tainted with libertinism. Among the former we may,
however, observe degrees. Jupiter and Venus stand at
the head. Neptune, Mars, Mercury, Ceres, Aurora,
follow. Juno evidently treats the passion simply as an
instrument for political ends. Of this Homer has given
us a very remarkable indication. For when she sees
Jupiter on Ida, though she is just then conceiving her
>■ II. xxi. 407. iv. 443. V. 744. ' II. V. 860. xiv. 148.
ii. 448. V. 837. u Od. viii. 310.
8II.V.437. xvi. 774. XV. 361. ^0(1. V. 212.
A a 2
356 Olympus: the Religion of the Homeric age.
design, she views him with disgust : crrvyepo'; Sk ol
eirXero Ov/uLwy. So careful is the Poet that we shall not
imagine her to have been under the gross influence of
a merely sensual passion. Thetis suggests a remedy
of that nature to lier son for his griefs. In mere
impersonations, not yet endowed with the strong
human individuality of the Greek Olympus, such as
Themis and Helios, we do not exj)ect to find this trait.
But of all the fully personified deities of invention,
Vulcan alone, privileged by Labour and Ugliness, ap-
pears in Homer to be exempt. The Hellenic goddesses
generally do not, however, like the more Pelasgian
Venus, Ceres, and probably Aurora, debase themselves
by intrigues with mortal men.
The chastity of the traditive deities, Minerva, Diana,
Latona, and probably Apollo, I take for one of the
noblest and most significant proofs of the high origin
of the materials which they respectively embody.
There is also in the deities of Homer not merely a
dependance upon physical nourishment, but even a
passion of gluttony connected with it. The basis of this
idea is laid in the conception which made feasting the
normal occupation of Olympus. It followed that they
were not only bound by something in the nature of
necessity to food, but also enslaved to it by greediness
as a rooted habit.
Of this we find traces all through the poems, in the
course which divine favour usually takes. When Ho-
mer speaks of the gods in the sense of Providential
governors, it is the just man that they regard, and the
unjust that they visit with wrath. But when he carries
us into Olympus, and we behold them in the living
y Tl. xiv. 158. ^ II. xxiv. 130.
Nature of their regard for sacrifice. 357
energy of their individualities, it is sacrifice Avliicli they
want, and which forms their share in the fruits of earth
and of human labour, as we learn from the emphatic
words of Jupiter himself;
TO yap Xdxoixev yipas 57//ets^.
It was the bounty of Autolycus in lambs and kids
which induced JNIercury to bestow on him in return the
gifts of thievery and perjury''.
Moral retribution in Homer lags and limps at a
great distance behind the offence, but the omission to
sacrifice is visited condignly and at once. Again, in the
case of Troy, liberality in this particular even seems to
create a party in Olympus on behalf of an offending
race. On the erection of the rampart by the Greeks,
Neptune immediately urges the omission of the regular
hecatombs against them. It is punished by Diana in
^tolia, by the gods generally on the departure from
Troas ; and Menelaus in like manner is for this offence
wind-bound in Pharos^.
The reason of this preeminence of sacrifices, both as
to punishment and as to reward, may lie partly in the
tendency of man (though, as we shall presently see,
the practice had its moral side also) to substitute
positive observances for moral obedience ; but partly,
likewise, in the importance of sacrifices to the anthro-
pophuism of the Olympian deities themselves.
Putting out of view what each deity can do in his
particular domain, we shall find that but little of
power over nature — whether human, animal, or inani-
mate — attaches to the Homeric gods as such. Juno
conveys a suggestion to the mind of Agamemnon'^,
and gives, with Minerva, courage to a warrior ; but this
a II. iv. 49. xxiv. 70. xxii. 170. ^ H. ix. Od. i. iv.
b Od. xix. 395-8. ^ 11. viii. 218. ix. 254.
358 Olympus: the Religion of the Homeric age.
is the whole of her immediate action, I mean action
without a mean, in this department, exhibited by any
passage in the Poems. Indeed, no other mythological
deity ascends to agency of this kind at all.
Upon animal and inanimate nature Juno exercises
the highest powers. When she thunders with Minerva,
sends cloud to impede the flying Trojans, retards the
sunset, and assists the voyage of Jason, we may con-
sider her as in the reflex use of the atmospheric
powers of her husband : but the gift of a voice to
the horse Xanthus, a])j)arently can lie within her reach
only by derivation from the higher or traditive ele-
ment in his character, as representing the idea of su-
preme deity.
Among the deities of invention, the general rule is,
with respect to the exercise of power over nature or
the human mind, that it is confined to matters in im-
mediate connection with their several specialties. Two
extraordinary acts of power over nature appear, how-
ever, to be within the competency of them all. One
is the production of a patch of cloud or vapour at will ;
the other is that of assuming the human form for
themselves, either generally or in the likeness of some
particular person. I do not, however, recollect any in-
stance in which this power is exercised by a deity of
invention in the manner in which Minerva employs it
in the First Iliad % that is, under the condition of being
visible only to one person out of many who are pre-
sent. In that image we seem to find a figure, perhaps
a traditionary remnant, of that inward and personal
communication between the Almighty and the indivi-
dual soul, which constitutes a high distinguishing note
of the true religion.
e II. V. 198.
Parts of the body, how ascribed. 359
There would appear to have been certain visil)le
marks which went to distinguish a god, up to a certain
point, from men. Hector in the Fifteenth Iliad knows
Apollo to be a god^, but does not know ^vhat god.
Minerva clears the vision of Diomed, that he may
be able to discriminate between gods and men ^.
Pandarus, eyeing Diomed, is uncertain whether he is a
mortal or a god''. The recognition of Venus by Helen
may, indeed, have been due to the imperfectness of her
power of self-transformation' ; but it may also have
been owing to these general traces of resemblance
to the divine order, which subsisted even under the
human disguise.
Homer represents Minerva as weighing down the
chariot of Diomed, and making the axle creak'' ;
fxiya 8' e/Spax^e cj)i]yivos a$cov
^pidocrvvj]' beLvi]v yap ayev debv, avhpa t apicTTov.
This passage may be taken as a proof, since it applies
to the most spiritual of the Homeric divinities, how far
the Poet was from considering that they were endowed
with the properties of pure spirit.
Of this he has given us farther proof by his free and
constant reference, wherever occasion serves, to the
parts and organs of the body as appertaining to the
gods.
I think that references of this kind in Holy Scripture
usually bear a mark, which yields decisive witness to
the fact that their use is wholly relative and analogical :
as, for example, the eye of God, namely, the instrument
by which He watches us, the mouth of God, by which
He instructs us, the hand and the arm of God, by
f II. XV. 246. e II. V. 128. h II. V. 183.
' II. iii. 396. k Ibid. 838.
360 Olympus : the Religion of the Homeric age.
which He sustains, or delivers, or corrects, or crushes
us. It does not therefore ajipear that we coukl justly
and fully draw our conclusions as to the corporeal con-
stitution of an Olympic deity from the mere circum-
stance that we are told of the knees or lap of the gods,
by which it might be figuratively expressed, that the
disposal of human affairs rests with them*; or because
of that gorgeous description, which the Poet has given
us, of the head and nod, meaning the decree of Jupiter.
For all these allusions are capable of explanation on
the same principle with those of Holy Scripture,
namely, as being relative and explanatory to man.
But he has a multitude of other references to parts
of the body, which do not at all belong to the use of
them as organs for communication with the imperfect
apprehensions of mankind. Thus :
1. Thetis takes hold of the chin of Jupiter, II. i. 501.
2. Diomed wounds Venus on the wrist, II. v. ^^6.
3. And Mars in the abdomen, II. v. 857 ; whom
Minerva likewise overthrows by a blow on the neck,
II. xxi. 406.
4. Hercules wounds Juno in the right breast, II. v.
393 ; and we have her hair, flesh, chest, and feet, in
the toilette of II. xiv. 170 — 86.
5. Helen discovers the neck and breast as well as
eyes of Venus, II. iii. 396. See 11. xxi. 424.
6. The legs of Vulcan are weak, his neck strong,
and his chest shaggy, II. xviii. 41 1 — 15.
7. Mercury attaches wings to his feet, Od. v.
8. Juno seizes the wrists of Diana, takes the bow
and arrows from her back, and beats her about the
ears, II. xxi. 489 — 91.
1 Mm-e, howevei", in his History of Greek Literature, refers the
origin of the metaphor to the practice of representation by statues.
Examples of n tirade in Homer. 361
9. The arrows rattle on the shoulder of Apollo,
II. i. 46.
I o. The arming of Minerva introduces her shoulders,
head, and feet, II. v. 738 — 45.
We need not, however, be surprised at failing to
find in Homer any conception a])proaching to that of
pure spirit, or any thing resembling that refined dis-
cernment, which has led Christian Art to represent the
figure of our Lord alone as self-poised and self-sup-
ported in the air, Avhile all other human forms, even
when transfigured, have a ground beneath their feet,
though it be but made of cloud. Even in some of the
very highest among Christian writers, such as Dante
and St. Bernard, the human being, after the soul has
gone through dismissal from the flesh, still appears to
be invested with a lighter form and species of body,
apparently on the assumption that the two elements of
matter and spirit are not only essentially, but inseparably
wedded in our nature.
Full as they are of preternatural signs and operations,
the poems of Homer do not, nevertheless, deal much
with miracle, with the specific purpose of which he
had no concern.
By miracle I understand, speaking generally, not the
mere use of the common natural powers, accumulated
or enlarged, but an operation involving what, I suppose,
would be called medically an organic departure from
her customary laws : an operation too, which must ab-
solutely be performed, upon man himself or some other
object, after some manner which shall be appreciable
in its results by his faculties, and calculated to satisfy
them, when in their greatest vigilance, that it is a real
experience, and not a mere delusion of the senses.
Thus understood, the miracles of Homer are, I think.
362 Olympus : the Religion of the Homeric age.
scarcely more numerous than the following : for, under
this definition, the ambrosia of Simois and the flowers
of Ida are not miracles ^^.
1. The crawling and lowing of the oxen of the Sun
after their death, Od. xii. 395, 6.
2. The acceleration of the Sunset, II. xviii. 239.
3. The retardation of the dawn, Od. xxiii. 241.
4. The speaking horse, II. xix. 407.
5. The ei§(x>\ov of j3i!ineas, II. v. 449.
6. The portents of the banquet night in Od. xx.
347 — 62. I feel some doubt, however, whether this is
objective, or whether it is only an impression on the
senses.
7. The transformation and re-transformation of
Ulysses', Od. xiii. 398, 429, and xxiii. 156-63.
8. Perhaps, also, the ei^oAov of Iphthime, Od. ix. 797.
9. The gouts of blood, shed down from the air by
Jupiter, II. xi. i,^.
10. The transformation of the serpent into a stone
in the sight of all the Greeks ; t]ij.eh S"" earraore^ Oav/m-d-
^o/ULev oiov eTvj(drj, II. ii. 320.
The first seems due to the divine power as a whole;
the second and fourth to Juno ; the third and seventh
and eighth to Minerva ; the fifth and sixth are the
works of Apollo ; the ninth and tenth of Jupiter. I
do not add as an eleventh the conversion of the
Pha;acian ship into a rock, by Neptune, in the sight of
the people ; because this is rather of the class of
marvels which appertained to other, even secondary
gods, such as Vulcan, in their own particular domains,
Od. xiii. 159-87.
The buoyant arms of Achilles (II. xix.386), and other
works of Vulcan, might at first sight seem to belong
^ II. V. 777. xiv. 347. ' Nagelsbach, i. 10. \). 25.
Their operation on the Inonan mind. 363
to the li.st, but it is doubtful whether they are not
poetical rather than mythological representations, and
in any case they would appear as gifts strictly j)rofes-
sional, exi.Tcised in the ordinary administration of his
peculiar function.
Telemachus api)ears to recognise the existence of
miraculous powers in the passage^S
ov yap TTws- av Ov-qro^ avi]p rciSe fxr\)(av6(fTo
w avTov ye I'o'o), ore fxi] deos awros eireXOiov
prfibCios (OiKcov 0/]aeL v^ov T/e yepovTa.
But this is spoken of the Godhead rather than of any
particular deity, and cannot by Homeric analogy be
ap])lied except to those of the highest natures.
It will how^ever be observed, that several of these
prodigies are not stated to have challenged human ob-
servation when i)erformed : and unless they submit
themselves to the test of the senses they are not pro-
perly miracles at all. Others of them entirely comply
with the condition, as especially that of II. ii. 320.
The retardation of sunset and sunrise, and the rain
of blood, appear to pass wholly unobserved. Prodigies
not setting out from a basis in nature, such as the
tears of blood shed by Jupiter', are wholly beyond the
scope of these observations.
On the whole, we find stringent limitation prevailing
in this province, as regards the majority of the gods.
Indeed the forces of nature, which the mythological
divinities in part represent, were sometimes too strong
for them : for Homer tells us that Notus and Zephyr™
sometimes shatter vessels at sea without or against the
will of the gods :
deStv aiKrjTi. avuKTcov.
Even man, and that without impiety, can occasion-
^ Od. xvi. 196. 1 II. xvi. 459. 11 Od. xii. 290.
364 Olympus : the Religion of the Homeric age.
ally think of resistance. When Menelaus, alone in the
field, decides on retiring before Hector (who fights e/c
6e6(pLv), rather than contend -wpo'i Saljuova, he looks
around for Ajax, and observes that, could he but see
him, they two would fight koi -n-pog ^alixova irep, even
M'ith the deity opposed to them, in order to recover the
body of Patroclus".
There is, however, I think, another reason, besides
feebleness in his conception of the gods, which pre-
vents the Greek Poet from representing them as omni-
potent in regard to the operations of the human mind ;
and that is, his profound sense of the free agency of man.
This principle with him, as it were, confronts the deity
on every side ; who respects its dignity, and never really
invades its sphere, but ])ursues his work by means com-
patible with it sessential character. The idea of the deity
pervading the poems is mainly that of a cooperative
power, who helps us when and as we help ourselves. It
is expressed with an unrivalled simplicity when Tele-
machus, coming as a young man into the presence of
Nestor, feels oppressed with a nervous shyness ; and
Minerva encourages him by telling him that he can of
himself find something to say, and that the divinity will
prompt more to him^,
aXXa [xkv avTos ivl (ppeal afjat L'07](Tsias fifill a real po^ver. f369
which he himself had performed. Also what they effect,
they commonly effect with ease, as in botli tlic last-
mentioned cases.
However faulty, and however feeble, the religion of
the Creeks had not yet ceased to be a religion ; for it
was believed in. Men might resent or fear the com-
munications made to them on the part of the deity ;
but they did not venture to repudiate their authority.
In Homer, except with the dissolute Suitors, (Od. ii.
1 80, 201.) the Seer stands as the faithful exponent
of the will of Heaven ; and Agamemnon, even %vhen
smarting under the declarations of Calchas, and revil-
ing him accordingly in his individual capacity (i. io6j,
does not presume to intimate any suspicion that what
he has said is of his own invention. But time passed
on : corruption accumulated, and festered more and
more. Accordingly in Euripides, Agamennion and
Menelaus seem to speak of the whole class of pro])het8
as if they deserved no belief. See the Iphigenia in
Aulis, V. 10, II. So in the same play, vv. 783-9, the
Chorus speaks of the birth of Helen from Leda and
Jupiter, with the proviso, ' whether it were true or
whether fabulous.'
Again, we have in the same play, vv. 945-7 :
t(.s h\ fxavTi'i (ar ; avijp
OS" oAty akr]dri, TioWa be \f/evbr], keyei,
Tv^coV orav 8e ju,?; Ti'xr], 8iot)(erat.
The mind of man had travelled far onward in its
career, and great changes had passed upon his moral
tone, before the place of the Prophet, in the estimation
of the jHiblic, could be so strikingly reversed as we find
from these quotations.
In the Homeric age, religion was a real power; and the
veneration paid to deity extended so far, at least, to the
B b
370 Olympus: tlie Religion of the Homeric aye.
persons of its ministers, tliat scarce any human thouglit
could conceive the possibility of their falsifying the
awful communications of which they were the ve-
hicles.
But it will be replied, if religion was a power, if
whatever it covered with its mantle was accepted and
held in honour, then what a deluge of corruption must
have spread over Greece from a religion of which
Jupiter was the head, and which had Venus for one of
its recofjnised divinities !
Now the age of Homer shows us the religion of
Olympus in a state, in which it had not yet become
sufficiently the object of scrutiny to suggest, on a large
scale, either the depraved imitation which was to be
its too speedy result, or the unbelief which formed, in
the moral chain of cause and effect, its necessary con-
summation.
In fact, we do not find that the corrupting influence
of the Greek mythology on manners had been fully felt
in the time of Homer. Though vices are in particular
cases represented as the gifts of particular deities to
particular individuals, it does not appear that these
were yet regarded as examples for general imitation^'.
But the beginnings of mischief, so vigorous and abun-
dant, did not fail in time to produce their fruit : and
in the historic ages of Greece, the models supplied by
the conduct of deities were freely pleaded in defence of
debauchery and crimed
This is in conformity with ordinary experience. The
vices of the great are first passed by, as if it were pro-
fane to suffer the eye to rest upon them ; then they are
^ Nagelsbach, Horn. Theol. on • DoUinger, Held. u. Jud. v. i.
the case of Autolycus. p. 255. Plato Legg. i. p. 636.
Corruptiom of the (jods not yet fully felt. 871
regarded for a time with depraved admiration ; and
when the last stage is reached, they are too faithfully
copied by the small.
It was hardly possible that men could be effectually
swayed for a length of time by the moral government
of deities, themselves privileged by human invention
for unbounded immorality : but it was naturally the
first stage of the destructive process to vitiate the cha-
racter of the gods, and the next and later one to break
down the credit of their administration of human
afTairs, which only became incredible even to the en-
lightened part of the community after their moral
worthlessness had been fully and long developed.
The Homeric poems expose to our view two stand-
ards not mutually accordant, the objective and the
subjective. If we pay attention to the impressions
current among men respecting the gods, they are the
guardians of some moral and social principles of the
highest order. But if we take their own word for it,
the mere Olympian deities seem ordinarily to appre-
ciate no quality or conduct, except the practice of
offering up numerous and well fed animals in sacrifice,
each with the accompanying tribute of the appointed
portion ; that so they may draw, not a moral but a phy-
sical, though a comparatively refined, gratification from
the savour and the taste"'.
The protection, too, which the deities usually accord
to man, is not only given on selfish principles, but is
liable to be withdrawn for causes wholly independent
of his deserts. Quarrels about men are settled, not by
each foregoing his animosities, but by each surrendering
and abandoning his clients. ' I will give up Troy to
»» Vid. II. iv. 48. xxii. 170. xxiv. 69. and 33.
B b 2
372 Olympus : the Religion of the Homeric age.
you,' says Jupiter ; 'but mind that I shall be at liberty to
destroy the cities which you love, when I may be so
minded".' ' You are quite welcome,' answers Juno,
' and indeed I could not prevent you : but let me have
Troy destroyed.' Why, says even Apollo to Neptune,
should we quarrel about miserable mortals ? It is not
worth our while : let us leave them to themselves".
No Homeric deity ever will be found to make a per-
sonal sacrifice on behalf of a human client.
In the next Section, I shall endeavour to show that
the practice of sacrifice was not so entirely disconnected
from morality, as we are perhaps too apt to suppose. I
think we may, on the contrary, find in it at least a wit-
ness to the essential harmony between morality and
divine worship, and to the difficulty of tearing them
asunder.
We are here met, indeed, by the case of Autolycus,
which proves to us that the better elements of this
practice were already on their way to corruption, inas-
much as in that instance they had reached it. It was a
case, let it be remembered, of sacrifices, not to the gods
in general, nor to the higher or the better deities, but
to Mercury, a purely mythical divinity; and therefore
wdiat we see in it is, a false religion in a state of ripeness
at one particular point. Now the worship of jNIercury,
the god of gain, was perhaps the first point at which the
morality of the system might be expected to give way :
and it is therefore quite in the natural course that a
case like that of Autolycus should be presented to us
without any corresponding case for any other deity P.
As it stands in Homer, it represents what was then the
exception, though it was gradually to become the rule.
" II. iv. 39. and seqq. " II. xxi. 461-7.
P Od. xxiv. 574.
A moral tone occasionally perceptible. 373
There are, however, in particular connection with
one of the great traditive deities, glimpses of better
things, even in Olympus. When urged by Minerva on
behalf of Ulysses in the Odyssey, Jupiter half rebukes
her for having insinuated a doubt, by replying, ' Mow
could I forget Ulysses, who excels others both in his
intellect, and in the sacrifices which he offers to the
gods?'q
It may indeed be said that in this passage, if it be
construed strictly, it is mental power or intelligence,
and not any moral quality, which, as second to liberal-
ity in sacrifice, is recognised as fit to be taken into ac-
count by the gods.
Still it is, I think, manifest that Homer, like the
Holy Scripture, includes a moral element in the idea
of wisdom, which is represented by the word voa, com-
monly or always used of men in a good sense.
And in the second divine Council of the Odyssey,
the moral tone rises higher. Minerva, grown more
daring, pleads plainly the discouraging effect which the
indifference of the gods, if continued, will have upon
the moral conduct of sovereigns. ' Let them,' she
says, ' cast away all moral restraint : for the virtuous
Ulysses is forgotten by his people, and is detained in
great affliction by Calypso "■.'
For us, in the present inquiry, the main question
evidently is, not what are the sentiments which the
Poet has represented as proceeding from his divinities
on Olympus, but what are those which the people at
large believed them to entertain. There is a consider-
able difference between these two standards : and it is
the latter one by which we have now to abide.
q Od. i. 65. '■ Od. V. 7. and scqf^.
374 Olympus : the Religion of the Homeric age.
The deities of Homer, thus measured, are suscepti-
ble of various forms of sentiment in contemplating the
fortunes and deeds of men.
1. In general, they regard virtue and obedience
with approbation.
2. They regard crime with dissatisfaction and a dis-
position to punish it.
3. But they also observe any excess, or marked con-
tinuity, of good fortune in the virtuous man with a
kind of envy : as if they coukl not permit the human
race, on any conditions, to attain to a prosperity or
abundance which should have any semblance of rival-
ling their own.
As respects the first, it is indeed a pale and feeble
sentiment ; but still it exists. They listen readily to
those who obey thenl^ Prayer appeases them, as well
as sacrifice*. They love not perverse deeds like those
of the Suitors, but they honour justice and righteous-
ness". Upon the whole it may be observed, that much
more just and elevated sentiments are predicated of
the gods as a body, than when they appear as indi-
viduals. For it is as a body that they still retain a
certain relation to true Godhead.
As respects the second proposition, they wander in
disguise to examine the conduct of men^. A man
who is hardly used may become to his oppressor a
Oewv fxi']vifxa, an occasion of divine vengeance. They
view iniquity with a sentiment sometimes called by
Homer ott/?, an after-regard that remembers and avenges
it. For this 6Vf? the wicked do not care^, and such
s II. i. 2f8. t II. ix. 49y. y II. xvi. 388. Od. xiv. 82.
^ Od. xiv. 83. XX. 215. xxii. 39. ii. 66, 134.
X Od. xvi. 485. iii. 132.
Prevalent belief concerniny them. 375
indifference is a chief sign of their depravity. Espe-
cially they watch, backed by the 'Epivve^, over wrongs
done to the poor^ ; and Jiii)iter interferes by storm
and flood to testify his dis])leasure at unrighteous
governors, who administer crooked judgments'^ ^.gis-
thus is warned and punished by them. It is Minerva
who plans the vengeance upon the Suitors'^. At the
same time, revenge for affronts is a much more power-
ful and common motive with tliem, than zeal for the
administration of justice. The latter is lazy and
doubtful ; but their sentiments in regard to the former
are of keen edge, and have an irrepressible promptitude
and activity.
As respects the third point, the gods grudged to
Ulysses and Penelope an unbroken continuance of the
blessings of their domestic life*^. It is in like manner,
as it would seem, that, after a long course of prosperity,
the gallant and good Bellerophon became odious, on
account of his good fortune only, to the gods'^ And
this same ic[^a is perhaps the groundwork of the alter-
native destinies of Achilles, either a long life without
great glory, or transcendent glory and a short career *".
While in the later stages of heathen religion the
former and nobler ideas gradually lost ground, this less
worthy one became more and more pronounced ; and
Solon, in Herodotus, describes himself as knowing to
Oeiov irau eov (pOovepou re kui Tupa-^wueg.
In vague and general terms, the gods of Homer are
represented as givers of blessings, particularly of ex-
2 Od. xvii. 475. *' J I. vi. 200.
a II. xvi. 384-9. e II. ix. 410-16.
^ 0(1. xxiv. 479. ♦ Herod, i. 32,
<^ Od. xxiii. 211.
376 Olympus : the Religion of the Homeric age.
teiiial goods. Sometimes they are rashly and wildly
charged as the authors of calamities §■, which the folly
of man himself has caused. But according to the
more grave and serious teaching of the day, they were
conceived to enforce, as against mortals, laws from
which they were certainly themselves exempt ; and
allow to mankind no alternative, except that of mixed
good or else unmixed evil. Two caskets stand upon
the floor by Jupiter : one of them is filled with wretch-
edness and shame ; the other is vicissitude, which oscil-
lates incessantly between prosperity and sorrow. And
there rankles in the mind of mankind a sentiment,
which tells them that the gods, while they thus dis-
pense afflictions upon earth which are neither sweet-
ened by love, nor elevated by a distinct disciplinary
purpose, take care to keep themselves beyond all touch
of grief or care^^ :
ws yap eireKkuxravTu deol beiXolat jSporolai,
((0€i.v axvvixevoLS' avTol be r' aK-qbies eicTLV.
The best thing that can be said for theii;^ainthearted
encouragement to virtue is, that the good man is cer-
tainly understood in most cases, though not always, to
prosper in the end : let us take, for example, Nestor,
Menelaus, or Ulysses. Ajax and Agamemnon meet
unhappy ends ; but Ajax was stern and sullen, while
Agamemnon cannot be acquitted of cupidity and self-
ishness. On the other hand, as punishers of wrong,
the gods of Olympus do not visit all wrongs and all
vices alike. Especially they take little notice, in their
moral government as in their lives, of the law of purity :
there is no express notice of their displeasure against
K Od. i. 32. '' 11. xxiv. 525.
It lent considerable support to virtue. 377
the crime of Paris ; and Jupiter, the guardian of the
judgment seat, the friend of the suppliant, the stranger,
and the poor, makes no pretension to defend the mar-
riage bed from tlic contamination he had himself so often
wrought. However, in a very aggravated instance,
namely, that of ^^gisthus, his adulterous marriage with
Clytemnestra' is noticed explicitly in the Olympian
Council, as contributing to the enormity of his ott'ence.
But in such a case many other elements, besides that
purity, of are involved : the whole social and political
order of the world is at stake.
Thus upon the whole there was but little more in the
sentiments than in the conduct of the Immortals, to
maintain among men a sense of piety towards Pleaven.
Yet a good deal of authority and support were lent to
important principles of relative duty, by the belief that
the deities would or might avenge its infraction. We
must in short fully embrace the fact that man, as re-
presented in Homer, was inconsistent with respect to
his religion, in the sense opposite to that in which in-
consistency commonly affects that relation. He had
more still remaining in him of ancient and natural mo-
rality, than his belief could either adequately account
for in theory, or permanently sustain in action.
It should at the same time be borne in mind, that,
while the vices of Olympus appertain to the individual
deities, its obscure and qualified virtues, in the cham-
pionship of duty, and the avenging of crime upon earth,
are not the properties of this or that mythological im-
personation, but either of the deities considered as a
whole with one united will, or else of those among
them in whose characters Homer still enables us to
read the vestiges of primitive tradition.
' Od. i. 37-40.
378 Olympus : the Religion of the Homeric age.
Saint Augustine observes*^, that some defenders of
the Pagan mythology in later times quoted the fell of
Troy as an instance of Divine retribution coming upon
the descendants of Laomedon for his perjury, and some,
to the same effect, as a punishment of the adultery
committed by Paris. To which he replies truly, that
the heathen deities had no right to punish in Paris an
act which had the sanction of Venus, as she bore i^neas
to Anchises, and of Mars as the father of Romulus :
Jilneas and Romulus being the two great reputed
fountain-heads of the highest Roman lineage.
Now, though Homer has practically represented the
gods as avenging the pollution of the nuptial bed, it may
be observed that he nowhere seems to put prominently
forward the adultery of Paris as the main gist of his
offence. In fact, the idea of adultery is very much
absorbed, as we shall see, according to the poems, in
the act of violent abduction. The Greeks on their side,
with the single exception of Menelaus himself, treat
Paris as a robber, or else a coward ; not as one who
had, like vEgisthus with Clytemnestra, corrupted the
vdfe of one of their princes. And so Hector is, I
think, not quite accurately criticized by Mure^ for
failing to find fault with Paris on the ground of adul-
tery. Hector does reproach his brother for having
abused the friendly intercourse of life to carry off
another man's wife, and then not having the courage
to meet the husband in the field. This seems to me in
perfect keeping with the ideas of the time, especially if
I am right in the view, which I shall endeavour to
sustain by argument, that Hector himself is not the
elder, but the younger brother of the two. What did
k De Civ. Dei, iii. 3. ' Mure's Lit. Greece, vol. i. on the
character of Hector, II. iii. 46-57.
Their course ivith respect to Troy. 379
the Greeks aim at avenging? Not, we sliall find, the
wrong done to Menelaus in his conjugal character, but
the sorrows and sullvrings of Helen were evidently the
prominent and consj)icuous idea in the mind of the Poet,
and in the mind, as he represents it, of the Greeks. So
that, while Menelaus himself is the only person who in
the Iliad shows a resentment of his own conjugal wrongs,
the Greeks appear to think i)artly of Helen, partly of
their nation's honour, partly of their allegiance to the
Pelopids; and partly, perhaps chiefly, of the booty
which, in requital of their arduous labours, they are to
gain upon the sack of Troy"'.
The defence, therefore, of the heathen deities which
St. Augustine notices as having been put forward, was
a late afterthought. The Poet appears indeed to treat
the lustful efffc'minacy of Paris in general with a grave
and marked contempt ; but this is rather his own per-
sonal sentiment, than a result directly connected with
his religious belief or system. And, more at large, I do
not find it clear that in any place of the Poems any
deity appears, either as the guardian of purity, or as
the avenger of its infraction. Under these circum-
stances we shall have the more cause to wonder, that
that virtue could still have been held, as it was held,
by Homer and the Greeks, in partial but evidently real
admiration.
Although retribution was limited to public and
social sins, and did not touch the inner and finer parts
of human conduct, it is not difficult to trace the
advantages which flowed from that sensible remainder
of religion which still subsisted in the Heroic age ; not
from those j)arts of the system which were due to
'." II- ii- 355-
380 Olympus : the Religion of the Homeric age.
human invention, but from the elements which it still
contained of the ancient theism, and which invention
had not yet wholly smothered.
Thus, for example, it was thought that the anger of
the gods might be brought down upon a country by
the misconduct of its governors" ;
0% fiCrj eiv ayopfi (r/coAta? Kpiviixn ^e'/Lttoras"
and the fear of the temporal calamities thus to be
incurred would, naturally, tend to the maintenance of
integrity in the administration of justice.
As between governors and governed, so between
rich and poor. We cannot doubt that the worthy
Eumaeus expresses the general sentiment of his age,
when, having been reproached by the haughty Suitor
Antinous with having invited a beggar into the palace of
Ulysses, he answers, not by denial, but by showing that
the idea is self-condemned by its absurdity. Those
indeed, he replies, may be solicited to come to a house
who exercise the agreeable or the useful professions ;
the Seer, the Doctor, the Artificer, the Bard, these are
the people who get invited all over the world ;
7rr&))(oy 8' ovk av tis Ka\eot, Tpv^ovra I avTov ;
Who would be such a fool as to invite a beggar ?**
With this standard of sentiment, not peculiar to
that age, except in the simple frankness with which it
is avowed, it was surely of the utmost importance for
the needy and afflicted, that they should be placed by
the popular belief in the special charge of the deity ;
TTpos yap Aios dcriv airavTes
So that, though none would invite them, yet few
n II. xvi. 387. ". Od. xvii. 382-7.
Bearing of the religion on social ties. 381
would take the responsibility of rejecting tbeir sup-
plications for what was needful to supjily their wants.
And the standing distinction in the Odyssey between
a virtuous and a vicious people is, that the former
is insolent, fierce, and unrighteous, while the latter is
kind to strangers and of god-fearing mindP;
7/ jY oly v^pKJTai re koX aypioi, ovhe bUatoi,
1)^ (PiXo^etvoi, Kai crcfiLV voos iarl 6€ovbi']s ;
It was thus a clear fact in the heroic age, that
religious belief was a foundation and support to the
exercise of charitable offices between man and man.
I think we may farther assert, that it is a fact of all
time ; that in all ages and countries the strength and
liveliness of belief in God is a measure which determines
the aggregate amount and activity of mutual love.
Hence, as the Olympian religion became more and more
hollow, public opj)ression increased, and private charity
and hospitality declined. Yet, even in its most corrupt
and decrepit period, it was on the steps of temples that
the congregations of mendicants assembled; S])ontaneous
and unconscious witnesses to the fact that, next to God
their Friend in heaven, the reflection of God, however
faint, in the mind of man, is their best friend on earth.
And of the many great social results of Christianity,
one standing in the very foremost rank has been, that
it has for the first time made the rights of the poor
a social axiom, which, though it may in practice be
evaded, none are hardy enough to deny. Perhaps the
very strongest of all the proofs of the connection
between religious belief, and duties to the needy, is to
be found in the instinctive horror which is created in
the minds of men, when a prominent profession of the
1> Od. vi. T20. viii. 576. ix. 176. xiii. 202.
382 Olympus : the Religion of the Homeric age.
first is accidentally and occasionally exhibited by per-
sons, who show a palpable disregard of the second.
Side by side with the powerful obligation, of the in-
determinate species, which binds man to man in the
name of charity or brotherly kindness, stands the cor-
responding determinate principle of truth and justice,
which aims at preserving entire to each individual the
definite rights to which he is entitled.
An important part of these definite rights belongs
immediately to the relations between the private per-
son and the civil power. But the capacity of any
human authority to do justice, even where the will
cannot be found fault with, is of necessity defective :
and no government can do its duties for a day, irre-
spective of the aid which each private person renders
to it in reference to every other. Nor is this enough ;
it wants, and cannot dispense with, the assistance of an
auxiliary within the breast, in order to guard itself
against delusion, and to secure the requisite conformity
between thought, word, and act. In other words, the
state wants an instrument by which to induce men to
speak the truth.
No such end can be reached by force. Force, in the
shape of torture, will doubtless in the long run avail to
make men asseverate that, be it what it may, by which
they may obtain release from an intolerable suffering.
But the first effect of torture is to make the sufferer
indifferent to the truth or falsehood of his confessions,
so he can but obtain relief by means of them. The
second, and still more detrimental effect, must be to
undermine the very basis of inward truthfulness, and to
create a mental habit of indifference as between what
is true and what is false.
Hence, the desideratum for the state can only be
^»fc»
And on political relations. 383
found ill some power which works iu and with the will
of the private person.
It has indeed been argued, and I believe with justice,
that the atheist ought on his own principles to speak
the truth ; that is, it he does not shut his eyes to the
testimony borne by the daily experience of life to the
existence of a moral government in the world, even on
this side of the grave. But this su})poses, at any rate,
some degree of mental culture ; and it is essential to
public order to find the means of operating upon those
who have received no such training.
The question is how to obtain the voluntary disclosure
of truth, in cases where neither interest or inclination
are of themselves sufficient to secure it.
To this question the experience of the world, up to
this time, renders one and but one answer. The re-
quisite influence may be found, and can only be found,
in an ajipeal to the Majesty on high, and to the sanc-
tions of a future life.
Here, then, does the Venerable Oath stand forth in
all its majesty. The act of calling the Deity in the
most solemn of its various forms to witness, has been
found at once to make the word of a man the stoutest
bond of human society : for the peijurer strips himself
of all divine aidi ;
ov yap inl \}/(vheaaL Trarrjp Zevs eVorer' apayos,
and exposes himself to the most terrible penalties'";
et 8e rt t6)Z^8' kitiopKOV, fjiol Oeoi aXy^a bolev
TToAAa juciA', oacra btbovaiv, oTLi ffc/)' aXiTrjTat. opioacras.
Under the operation of the oath, the chances, so to
speak, are dou))led in favour of the veracity of the
witness : first, he may not be wicked enough to for-
'1 II. iv. 235. »■ II. xix. 264
384 Olympus : the Religion of the Homeric age.
swear himself; and secondly, if he is wicked enough,
yet he may not have the requisite amount of daring in
his wickedness.
These views will, I think, receive material confirm-
ation when we come to consider the relative positions
of the oath in Greece and in Troy. For the present,
I leave the subject with the observation, that four short
words describe the props of human society : they are,
ya/xo?, opKO?, 6e/ui(}, Oeog.
All these sanctions, however partial and remote,
thus given to human duty by belief in the gods, could
not but be of great practical value.
And indeed it may with truth be said, that the mere
idea of the presence of an overruling power in the
world was of inestimable advantage in repressing hu-
man passion, in moderating desire, and in limiting the
excesses of caprice, wilfulness, and violence.
But it is obvious that these beneficial results from
belief in the gods belonged not to the particular
development, but to the theistical principle which
lay within and under it. The idea of a moral Go-
vernor of the universe was, and ever will be, an un-
failing seed of good wherever it may exist. The Pagan
mythology, at every step of its unfolding into detail,
enfeebled and degraded that great idea, but it could
not be destroyed all at once. Nemo rcpente Juit tur-
pissimus ; and a system, like a man, requires time to
reach the extreme of depravation. As, among men, a
judge is not supposed to lose all regard for justice,
because it may be that in some particular of j^rivate
life he has transgressed, so the Olympian divinities
might have credit as administrators of moral govern-
ment, even after they had begun to be charged with
instances of immorality. But an unscrujiulous order
Moral hcariiu/ of the Ii«ll': e/cffm
TreVXao-Tai ttoo? €KTr\>}^iv auOpooTrwv. Or, again, it was, he
says% because the name of Tv-^rj, Fortune or Chance,
was not yet in use, that men referred to the gods what
they did not know how to account for in any other
manner. Alas for mankind ! sad is the state of those,
who must reckon the invention of that name among
their blessings. In the fact, however, that Homer and
his age knew nothing of the word or the idea, he dis-
closes to us one of the many points in which infancy is
practically wiser than old age. Let us, Plutarch goes on
to say, cure these errors by other passages of the Poet
in which he gives us the truth, the vjialvova-ai irep) Bewv
So^ai Koi a\t]Oei^ : but the passages, which he cites with
this view, are not passages where the deities are repre-
sented as in any active relations of good towards the
world : they are simply those which exhibit them as
living in a repose undisturbed by care, while they leave
for us a destiny of trouble : they are those which relate
to the Oeol peta ^coovre?, the avrol Se r aKijSee^ eiaiv.
Stripped of active vice, but yet not adorned with vir-
tue, they become merely cold and selfish, hopeless and
inaccessible abstractions.
There is in all this a certain logical sequence. The
starting point is that of belief in a moral Governor of
the universe, good himself, and enjoining goodness
upon others. But his own goodness fails, and his
> De Aucl. Poet. 20. z Ibid. 23.
31)2 Ohjmpus : the Religion of the Homeric age.
agency among men for the original purpose becomes
more and more feeble and equivocal, wliile the human
intellect, sharpened by discussion, and puffed up with
knowledge, or with the su})position and phantasm of
it, becomes more and more exacting : so that the ab-
stract gods in Cicero are (without doubt) far more
elevated than the personal gods of Homer. But they
are mere works of art : and, after all, the personal
gods of Homer were the only ones that had been
really worship[)ed by men : and when their case be-
comes so bad that they can no longer be exhibited to
the people as rulers of the world, a refuge is found in
the Epicurean theory, which relegates them to a heaven
of enjoyment and abundance, and on pretence of men-
tal ease denies them any prerogative of intervention in
human affairs^. The gain of more careful and compre-
hensive theory is much more than counterbalanced by
the practical loss of the personal element, and therefore
of the belief in a real Providence, overseeing the affairs
of men. So the next onward step is to the doctrine
of the Academicians. In the De Nattird Deornm,
where that sect is represented by Cotta in the discus-
sion with the champions of the Epicureans and the
Stoics, Cicero himself, and the ruling tendency, if not
opinion, of his day, are evidently exhibited to us under
Cotta's name. The transition now made is from gods
with a sinecure to no gods at all : and Paganism ends
in nullity, just as a moving mass finds its final equili-
brium in repose.
Even while heroic Greece and its great Poet existed,
the deepest problems of our being were far too dark
for man to penetrate. The picture which I have rudely
'■' Lucret. i. 57-62.
IlH (/loony view of liuinan destiny. S93
drawn, and which is not wholly a joyless picture, was
liable to be blackened, even for this world, by many a
storm of crime and of calamity ; at the very best it was a
picture for this world only, for the mortality and not
the immortality of man. But that scene has its close:
and most touching it is to see that, with all his creative
power, with all his imaginative brightness, with all the
advantage he derived from living in the youth of the
world, before mankind had fully sounded the depth of
their own fall, or had begun to accumulate the sad
records of their miseries and crimes ; even Homer
could not solve the enigma of our condition, or disperse
the clouds that gathered round our destiny. There
are tw^o profoundly memorable passages in the poems,
which have set their double seal on this truth. One of
them is in the Odyssey : it is a confession from the
mouth of that Achilles, in whose mind and person, as
they are delineated by Homer, our humanity has been
carried perhaps to a higher point of grandeur, than it
has ever since attained. ' Do not, illustrious Ulysses, do
not palter with me about death,' says the mournful
shade. ' Rather would I serve for hire under a master,
aye and a needy master, upon the face of earth, than
be lord of the whole world of the departed*' :'
fxi] bri juot OavaTov ye irapavha, (fyaibifx ^Obvcraiv'
^ovXotfu^v K i'JTa.povpo'i iiov 6r}Tevefji(v aAAo)
avbpl Trap" dxAr/paj, ^o p.-)] /3tOTOs Ttokvs ftr],
rj Ttacnv v^Kveaac KaTa(pdLp.4voLaLif avdaaeiv.
A trail of heavenly light indeed so far played upon the
heroic world, that we hear of those few who had already
been translated to the skies ; and of two more, one a
son of Jupiter, already in the peaceful Elysian plains,
^ Od. xi. 488.
394* Olympus: the Religion of the Homeric age.
and the other Menelaus, who, as his daughter's hus-
band, was likewise to be carried thither on his decease.
But it is the mouth of Achilles, the illustrious, the
godlike Achilles, which here utters, in tones so deeply
mournful, the common voice of the children of Adam.
It was the very same conclusion which, as we find
in another place*', this favoured mortal had formed on
earth.
The second passage is one spoken by Jupiter himself.
As the commonest epithets used by Homer for (SpoTo),
mortals, are SeiXol and oii(vpo), so the highest god lays
down the law of their condition, describing it as that
than which there is nothing more wretched among all
that live and move upon the earth ^ :
ov ykv yap tl ttov k(TTiv oCCvpcoTcpov avbpos
■ndvTcov, oaaa re yaiav eTit itveUi re /cat epTrei.
Such as we have seen, and so glorious, was the wis-
dom, and the valour, and the beauty, and the power,
that dwelt in man ; but only that through life he
might, upon the whole, be paramount in woe above all
meaner creatures, and then that he might die in a
gloom unrelieved by hope. None have illustrated this
piercing truth by contrasts so sharp as Homer, between
the chill and dismal tone of the general destiny of man
on the one hand, and on the other, the joy and cheer-
fulness which the effort of an elastic spirit can for a
time create. But the woe which he could only exhibit,
it was reserved for One greater than he, yet only by
sorrow and suffering, to remove.
I have forborne in this Essay from entering at large
into the often agitated question, whether Homer be-
lieved in the deities of whom he speaks so largely.
<• II. xxiv. 525. fl II. xvii. 446. Compare Otl. xvii. 129,
where aKiSvorepov is substituted.
T'he personal belief of Homer. 39^
He may express his own childlike creed ; and such a
creed by no means requires for its support in the indi-
vidual mind, that it should have been visibly repre-
sented by facts within its own experience. Or he
may use as the material of poetry that which, without
approving itself to his own heart, was, nevertheless, to
his hearers in general, a real and substantial system of
religion. Nay, he might even be dealing with what
had ceased to be believed in his day, but had still a
retrospective life, because it had been the hearty, and
was still the conventional, worship of the people. The
truth may lie in, or it may lie between, any of these
suppositions. The one thing of which I feel most
assured is, that he was not, as to his religion, a mere
allegorist when speaking of his Jupiter and Minerva,
any more than he was a mere hypocrite, when he
ascribed occurrences in human life to Providence under
the name of ' the deity,' or ' the deities.' He repre-
sents what either was or had been, for his people, a
belief in the unseen under particular forms, and what
still in some way represented a reality for them and
for himself. It is this belief of which I have spoken
throughout, and which, under any of the suppositions
I have made, seems to me to warrant all the stress I
have laid upon it.
To attempt a formal solution of the question, whether
he believed or not in the dress of his religion, as well
as in the religion itself, would, I fear, be frivolous.
It is a case in some degree parallel to the disputes
whether Shakspeare adhered, in the controversies of
the sixteenth century, to the side of the Romish or
the Reformed. Neither Shakspeare nor Homer
ought to be judged as if they had been theologians ea;
professo. Both followed the law of their sublime art,
396 Olympus : the Religion of the Homeric age.
and represented in forms of beauty and delight, or of
majesty and gloom, as the case required, such materials
as they found ready to hand. Critical analysis, nice
equipoises, strict definitions, were for neither the one
nor the other. But in the works of neither do the
cold tones of scepticism find an echo : and probably
the mental frame of both with reference to the sub-
stance of their religion may have been not very dif-
ferent from that of the poor, the maidens, and the
children of their day.
SECT. VIT.
On the traces; of an oriffin abroad for the
Oh/mpian Religion.
Let me now attempt to divide the principal deities
of Homer with reference to their origin, or to the
channel of their introduction into Greece; premising,
however, that all such classification of them is admitted
to be founded uj)on evidence, at best presumptive,
and often also slight.
The classes will be as follows:
1. Of those who were worshipped by the Hellenic
and Pelasgian races, and probably by all others known
in the inner Homeric world.
These were,
1. Jupiter. 4. Latona.
2. Minerva. 5. Diana.
3. Apollo. 6. Neptune.
The three first of these may be considered as deities
of immemorial and universal worship. Neptune was
far more Hellenic than Pelasgian : and indeed his place
in the list is doubtful.
2. Of immemorial Hellenic worship.
1. Juno.
2. Persephone.
3. Pluto or Aidoneus.
3. Of established Pelasgian worship.
1. Demeter or Ceres.
2. Venus, more recent than the former.
398 Olympus : the Religion of the Homeric a/je.
4. Of worship introduced to the Greek races within
the memory of man.
a. Brought in from Phoenicia, or through the chan-
nel of the Phoenicians.
1. Hermes, or Mercury.
2. Hephcestus, or Vulcan.
3. Dionysus, or Bacchus.
b. From Thrace.
Mars.
c. Paieon has no note of country, except in so far
as he may be connected with Egypt by the declaration
that the Egyptians were of his race.
'He\«o9, the Sun, appears to be placed in connection,
by the various notes he bears, both with Egypt and with
the Persian name.
All these deities were, with some others, more or less
naturalized amoufj the Greeks within Homer's lifetime.
Themis was probably a pure Hellenic creation, as
Vesta seems to have been Pelasgian : the latter ex-
hibiting the genius of domestic order, the former, its
fuller development in political society. But Vesta is,
though an Homeric idea, not an Homeric goddess.
Now while Homer fails, or more probably avoids,
to give us any direct information about the derivation
of the Greek races or deities, he notwithstanding esta-
blishes by partial and incidental notices many traces of
exterior affinity, not always the less secure and trust-
worthy because they are negative.
While going through the divinities in detail, I have
remarked upon such traits of their character, history,
or worship, as appeared to connect them with any par-
ticular origin ; but the question remains, can we find,
through however rude a resemblance, any general model
abroad for the Olympian system, or, in the absence of
The Olr/inpian Goda and the Ethiopians. 399
such a model, any jiresumptive evidence from Homer,
which may serve to connect it with any national or
local root or roots in particular ?
It is well worthy of remark, that he has associated
the body of the Greek deities, as a body, with one,
and one only, point, exterior to the Greek nation.
That point is the country of the Ethiopians.
Homer has shown a peculiar interest in these Ethi-
opians. They are ajULVjULove? : an epithet Mhich he aj)-
pears to connect especially with purity of blood.
In the First Iliad, the whole body of the gods
are absent from Olympus for eleven days, to enjoy
the sacrifices offered by that people. In the Twenty-
second Iliad, the statement is less express as to time ;
but again they are apjmrently enjoying themselves in
the same quarter, during the funeral rites of Patroclus,
and Iris is in haste to go thither, that she may not lose
her share. In the First Odyssey, Neptune is among
the same people for the same purpose, while the other
deities are in Olympus. In the Fifth Odyssey, he is
coming from among them, when he espies Ulysses on
his raft. The time intervening is so considerable, that
we must presume the two last-mentioned passages to
refer to two separate visits.
The following points may be considered as established :
1. The Ethiopians, visited as above, must be supposed
by Homer in the main to worship the same body of
deities as the Greeks.
2. The Ethiopians extend from the rising to the
setting sun ; but those Ethiopians of whom Homer
speaks particularly, are in connection with sacrifices in
the East; for the Solyman mountains", as conceived by
him, probably border upon Lycia, and they are on Nep-
a II. vi. 184.
400 Ohimpus: the Relujlon of the Hoiiieric a(je.
tune's route ^ from the Ethiopian country back to the
sea, which, as I hope to show elsewhere, runs ah)no- the
double line of the Mediterranean and the Euxine.
3. They are further fixed in a southern country by
their name, which indicates darkness or swarthiness of
countenance, and by the visit of Menelaus to them in
the course of his adventures, which lay exclusively to
the southward.
4. They are evidently distinguished by great libe-
rality or high favour in the sacrificial service of the gods.
5. They are defined to be by the Ocean, and thus in
the farthest situation to the South-east that was con-
ceived of by Homer and the Greeks.
6. At the same time, although they are the farthest
men in that direction*^, they are nowhere described as
lying at a very great absolute distance. They are
simply TrjXoO' eovre^.
Now it is not only possible, but on every ground
likely, that in his conception of the South-eastern
Ethiopians, Homer mixed up together various tra-
ditions, belonging to different places and nations. Even
as, in his conception of the Mouth of Ocean, which is
with him always one single mouth, he seems to have
blended and amalgamated geographical reports founded
upon more than one original, or prototype, in nature.
The Solyman name has suggested to some critics a
connection with the Salem of the Hebrews. But
the name is much more likely to be derived from
the Soliman Koh, a ridge of mountains running to the
south-west from Caubul, and sometimes defined as
extendino; into Persia. The liberality in sacrifice ill
accords with the early Persian religion, but finds a pro-
bable original in that of the Medes with their order of
b Od. V. 282. c Od. i. 23.
Tlic Ohjiiipian Gods and the Ethiopians. 401
Magiaiis. But upon the whole, it would seem that
Homer must have had a reason for the peculiar pro-
minence he has given to these South-eastern Ethiopians,
in connection with the gods of Olympus; for the asso-
ciation, unless suggested by a reason, is neither natural,
nor in the manner of the Poet. Could it have been any
other than this, that he regarded their country, however
indeterminate its place in his imagination, as the original
seat of the religion of his own, and that he therefore
referred it thither bodily without notice of details?
Now this would mean as the original seat, also, of the
ancestors of the Hellenic tribes. We are not, in the
event of accepting such a supposition, to imagine that
he intended to make the assertion that the Olympian
system had been derived from Persia and Media as it
stood, but only to imply that there, according to
national tradition, lay its root. The Trojans, it will be
remembered, have their not Olympian but Idiran Jove :
and the Ethiopians are the only foreign race, with whom
he associates Olympus and its band of Immortals,
I have already stated elsewhere grounds for sup-
posing that the Achseans, as they were immediately an
Hellenic, were also primarily, as well as the other Hel-
lenes, a Persian race. We have seen the existence of
the Persian name in Greece, and its connection, accord-
ing to Homer, with what Homer thought the remotest
East, by the shore of Ocean. We have also seen its
connection with the Sun, the prime deity of the Per-
sians. This visible head of creation, standing next to
the Supreme Being, we find that the Greeks speedily
identify with their Apollo, who is so prominent as the
son of Jupiter, in dignity, in obedience, and in his
father's favour, as to stand in a class entirely distinct
from that of his other sons.
Dd
402 Olympus : the Religion of the Homeric age.
On the one band, we seem to find here matter con-
firmatory of the Persian origin of the Hellenic tribes ;
and on the other, a general indication of the derivation
of the earliest Greek religion from a certain part of
the East. But still we must beware of any over-broad
inference. The religion, it is likely, grew largely as it
travelled, and was developed freely after it had reached
its home in the Greek peninsula. And it would be
contrary to all reason to suppose that Homer was in a
condition to refer back to each of the Eastern races
their proper contribution towards the aggregate, though
we may justly suppose him able to draw some kind
of line between the system as it was flourishing in
Greece, with all its additions, elaborations and refine-
ments, and the crude undigested materials as they had
l)een imported from abroad; perhaps we might say,
between the system as he found it, and the same system
as he left it.
Considering, however, that Homer had a quasi-geo-
graphical knowledge of Egypt, I do not suppose that
that country enters at all into his conception of the
Ethiopians. If so, then the representation of an unity
of religion with the Ethiopians, affords a presumption,
conformable undoubtedly to such other presumptions
as we have been able to gather from the poems, that
Homer did not regard Egypt as the principal source of
the religious system of Greece.
I do not pretend to find, in any ancient system
handed down to us, even a skeleton of the Olympian
scheme ; and I conclude it to be most probable, that
the Greeks had to form, or to reform, various mem-
bers of it, as well as merely to clothe and embellish
them. Yet it a])pears well worth while to refer to the
account of the Scythian religion given by Herodotus,
Herodotus on the Scythian relUjiou. 408
whose ^vorks form the great depository of knowledge
of this kind beyond tlie borders of Greece.
The ordinary Scythians, it will be remembered, seem
to be of the same race with the Medes, and to form
the stock from which the Pelasgians separated to turn
towards the south of Europe for settlements. They
lived in that pastoral state, anterior to tillage, which
Mommsen observes, through the forms of the Latin
language, to have marked the point before the sever-
ance''. From the sign of feeding on milk, the Glacto-
phagi and Hippemolgi of II. xiii. 5, 6, would appear to
belong to them, and the peaceful habits of the Pelas-
gians are also represented in the character that Homer
gives, in the same passage, to their neighbours the
Abians.
The gods of the Scythians, according to Herodotus^
were :
I,
Vesta.
4. Apollo.
2.
Jupiter.
5. Celestial Venus
3-
Earth, the supposed
6. Hercules.
wife of Jupiter.
7. Mars.
Even in this very late picture, we find a strong re-
semblance to what, from the Homeric text, would
appear to have been the primitive cluster of the Pelas-
gian divinities. Earth is represented in Demeter, {Vrj
fxt'iTfjp,) who appears in II. xiv. 326 as one of the wives of
Jupiter. The Celestial Venus may include traditions of
Minerva, and of Artemis, — for the Scythians called her
Artimpasa, — along with those Avhich came to be repre-
sented in the Greek 'A(ppoSiTt]. All the deities, which
from Homer's text have appeared to be especially Hel-
lenic, are also, it will be observed, absent from this
d Mommsen, Eomisclie Geschichtc, vol. I. cli. ii.
e Herod, iv. 59.
D d 2
404 Olympus: the Religion of the Homeric age.
list : Juno, Neptune, Aidoneus, Persephone, Vulcan,
and INIercury.
But there were among these Scythians a tribe, called
the 'Ra Od. xii. 352-65.
lis iH'titi(j(s in tlw Oli/iiqjian rcl/'(jiuii. 413
any one avIio reads the inaiily and just speed i of Eiiry-
loclius, in wliicli he proposes the sacrilege, will judge
that the sympathies of the Poet are with him. In this
speech, he states the necessity ; he next proceeds to
vow the erection of a temple, and dedication of its orna-
ments in the event of safe return. Then he concludes
by declaring, that if vengeance is, notwithstanding, to
be taken on them, he for his part would far rather die
once for all like a man than famish in the solitary
island. There is not in the tone of the speech the
slightest indication of impiety'".
The terrible punishment inflicted was prefigured by
extraordinary portents. The empty hides of the ani-
mals crawled about", and the flesh lowed on the very
spits. Here we see at its climax the fine Greek
imagination, working upon the foundation supplied by
the Egyptian superstition, and extracting from the
coarsest earthy matter the means of true poetical
sublimity.
It is impossible to conceive a case, in which the
offence committed is more exclusively of the kind
termed positive, or more entirely severed from moral
guilt, until M^e include the element to which the
poems do not expressly refer, of the elevated sanctity
attaching to the animal itself. The Homeric fiction
is**, that they were the playthings of the Sun in his
leisure hours. But to forbid the use of any of these
animals for food, even under the direst necessity,
would have been simply to caricature the nature of
positive commands, in the very same spirit as that
which would have had, not the sabbath made for man,
but man made for the sabbath. Still, when once we
let in the assumption that these animals had essen-
m Ocl. xii. 339-51- " 394-6. ° 379-8i.
414 Oli/inj)t(s : the Relujion of the Homeric age.
tially sacred lives, which might not be taken away, then
the offence becomes a moral one of frightful profana-
tion, and the vengeance so rigorously exacted is intel-
ligible.
I do not mean that Homer recognises that dogma
which the Egyptians then affirmed, and which at this
present epoch, after the lapse of three thousand years,
has wrought myriads of Hindoos to madness. The
religion of Greece included no such idea, and the
religious practice of the Greeks wholly precluded it.
But in this instance we see a part of the Egyptian re-
ligion in transitu, in the very process of transmutation
that it was to undergo when passing into the Greek
mythology, which utterly repudiated its substance, but
strove to retain an image of it under poetic forms, be-
traying by their inconsistency their exotic origin.
The consummation of the whole tale lies in this :
that the vengeance is not the mere personal act of the
Sun, but is inflicted by Jupiter himself on behalf of
the whole Olympian Court, to which the appeal had
been already made p.
2. Another instance, confirmatory of the statement
of Dollinger as to the rationale of brute-worship, is to
be found in the curious passage of the Iliad where
Xanthus, the horse of Achilles, is endowed with
speech. The gift is from Juno, but the limit of the
gift is carefully defined *i:
avhr\tVTa 8' t6r]K^ 6ea XevKcaXevos "Hpf]-
It was utterance that Juno gave, not intelligence.
The matter to be spoken was not a gift. The horse
proceeds, evidently by a native insight into the future,
to intimate to Achilles his coming fate ; at first more
darkly (v. 409) ; but when he comes nearer the point
P Od. xii. 377, 405, 415. ^ II. xix. 407.
Its vestiges in the Olympian rdigion. 415
and ji'laiices at a man as tlie ordained instrument of
doom (416),
aAAa ;^>??, who is certainly a moral
delinquent ; and the highest honour of the afxvfxwi^ is,
that men proclaim him eaOXo? (Od. xix. 329-34).
Again, with respect to x^'/owi/ and its opposite Kpelcra-owf
with other words similar to both. In searching for the
signs of a standard in its own nature absolute, we can
expect little from a class of terms, which by their very
structure bear witness that they are simply compara-
tive. Especially the etymology of x^'V'^^' directing us
to the word x^'P ^^ i^s root, exhibits force as its most
commanding and essential idea. Yet, when the aris-
tocracy of Ithaca are called (Od. xxi. 325) ttoXv x^lpove^,-
avSpe^, must we not admit that even in this word there
inheres a strong moral element ?
But as to the words ayaOog and kuko?, the case is
far more clear: and here I ask, can it be shown that
Homer ever applies the word ayaOo? to that which is
morally bad ? or the word kuko? to that which is morally
good? If it can, cadit qucestio; if it cannot, then we
have advanced a considerable way in proving the ethical
signification. For it is on all hands admitted, that be-
sides their proper sense, ayaQh and kuko?, like our good
and bad, have a derivative meaning, in which they are
employed to denote what is agreeable, or what is pre-
eminent in its kind, and the reverse respectively ; qua-
lities which bear an analogy to goodness on the one
hand, and to badness on the other, according to the
universal testimony of human speech. Now, if the use
of this derivative sense stops short, in the case of uyaOoi,
when it comes to border on what is positively bad, and in
the case of kukos, when it comes to touch upon what is
positively good, there must be a reason for the abrupt
cessation, at that point, of the function of the words ;
and it can be none other than that nature herself
422 Olympus: the Religion of the Homeric age.
revolts from a contradiction in terms ; as we never say
a good villain, or a bad saint. But the contradiction
would not exist, unless the ethical sense were inherent
ill the words.
Now, I venture to state, with as much confidence as
can well exist in the case of a negative embracing such
a number of instances, that we do find this limitation
throughout the poems of Homer, in the secondary use
both of ayaOo? and of kuko^. In one passage there is
at first sight some obscurity in the meaning of the
latter term, kuko? §' aiSoto^ aXi'irrj^ ^. Here however the
context plainly shows it to be, ' it will not do for a
mendicant to be shy.'
But the positive sense of both words can be clearly
and indis])utably made out from a number of passages,
of which I will quote a portion.
Although it is true^ that in Homer the word ayuOog
very often refers more to the ideas of particular excel-
lences and of power, than to that of moral \vorth ; yet
in some passages we find a latent bias, as it were, towards
the last named idea, and in others we have a clear and
full expression of it.
As an example of the first, I quote the description
of Agamemnon^, a/j-cporepov, (Saa-iXev? T ayaOo^ Kparepo?
T ai-^fU]Trj II. vi. 162. k II. viii. 360. 1 II. xi. 788.
™ II. ix. 341. n Od. iii. 266. o Od. xxii. 316.
P Od. ii. 67. n Od. xiv. 284. f Tl. xxiv. 63.
424 Olympus: the Reliyion of the Homeric aye.
of duty. And surely there cannot be a stronger proof
of the existence of definite moral ideas among a people,
than the very fact that they employ a word founded on
the observance of relative rights to describe also the
religious character. It is when religion and morality
are torn asunder, that the existence of moral ideas is
endangered.
Minenva, in the form of Mentor, is pleased with
Telemachus for handing the cup first to her at the
festival in Pylos, because it is a tribute of reverence to
superior age. For this he is called TreTrvf/xeVo? ai^rjp^
SiKuio?, and the idea is that of relative duty. Again,
when she advises him for a while to let the Suitors
alone, it is eirel oun i/oijuxoi/eg ovSe SiKaioi^ ; and they
do not know the retribution that hangs over them.
In this case the meaning must be either 'just' or ' pious.'
In another case, where the very same phrase is
employed, Sikulos can only mean 'pious.' 'Jupiter,' says
Nestor, ' ordained calamities for the Greeks on their
return, because they were not all either intelligent or
righteous" :
CTret oijTL vot]fxov€S ovbe biKatoi
TTCLVTCS €(TaV.
'Wherefore many of them perished' (he continues)
'through the wrath of Minerva, who set the two
Atrida3 at variance.' Now here it appears that the
original offence of the Greeks could only have consisted
in the omission of the usual sacrifices, while the passage
has no reference whatever to relative duties : SUaio^
therefore must refer simply to duty towards the gods.
And, however imperfect may be that notion of divine
duty which made it consist in sacrifice wholly or
mainly, yet plainly the neglect to sacrifice was for
s Od. iii. 52. t Od. ii. 282. '< (Jd. iii. 1J2-6.
Religion and morals not dissociated. 425
the Greeks of tlie heroic age a moral offence, although
it consisted only in the breach of a law of the class
termed positive. A passage yet more fatally adverse
to the position of Mr. Grote is, I think, that where
Homer describes the "A^ioi'^ as SiKaioraToi avQpwirow.
For there he appears to be speaking of persons clearly
less advanced in civilization, more rude, less wealthy
and intelligent, than the Greeks ; and yet he applies to
them an epithet which proclaims them to have been,
in his opinion, either the most just, or the most pious
of mankind.
Moreover, it does not appear that anywhere among
the Greeks were religion and morals as yet effectually
dissociated. It is true that the language of mere mytho-
logy treats the religious character of man as established
by bounty in sacrifice. But this is one of the points, and
a very vital one, in which the theistic system of the
Greeks was worse than their ethical instinct, and be-
came, therefore, a positive source of corruption. While
the Scriptures of the Old Testament rigidly controlled
the propensity of man to substitute perfunctory observ-
ances for the service of the heart, by saying, ' to obey
is better than sacrifice,' the Jupiter of the Greeks tells
them, that to sacrifice is better than to obey. And it is
only in the mouth of a traditive deity that we find any
more elevated sentiment. To a certain extent, indeed,
yet not effectually, this representation may be qualified,
if we recollect that in these passages the deities of
Olympus, conceived according to the laws of anthropo-
phuism, when they have occasion to speak of human
piety, speak of it in that aspect under which it was
peculiarly beneficial to themselves, but do not on that
account intend wholly to set aside its other parts,
^ II. xiii, 6.
426 Olympus : the Religion of the Homeric age.
while they undoubtedly disturb the scale of relative
im])ortance in the moral order.
But man, the handiwork of God, was less depraved
than the idols which were the handiwork of man.
Among the Greeks, the pious man is nowhere separated
from the just or moral man. Not in words, for the
question of a stranger always is, whether men are, on
the one hand, insolent, fierce, and unrighteous, or, on
the other, hospitable and pious to the gods^ ;
T] p oiy v(3pLv b'' VTTobeCa-aTe [xtjvlv.
That is veiuea-i?, for the self-judging conscience : alSm,
for human opinion : and lastly, fear, in regard to the
divine wrath.
The existence of the moral standard within a man is
430 OlymfMS : the Religion of the Homeric aye.
also, I tliink, very strongly implied in the word ura-
a-QaXirj, which is applied to deep, deliberate, habitual, or
audacious wickedness. For when it is intended to let in
any allowance for mere weakness, or for solicitation from
without, or for a foolish blindness, then the word art] is
used. And I doubt whether, in any one instance
throughout the poems, these two designations are ever
applied to one and the same misconduct. It is cer-
tainly contrary to the general and almost universal
rule. The ciTaaOaXlr] is something done v*-ith clear
sight and knowledge, with the full and conscious action
of the will : it is something regarded as wholly without
excuse, as tending to an entire moral deadness, and as
entailing final punishment alike without notice and
without mercy. Nothing can account for the intro-
duction into a moral code of a form of offence con-
ceived with such intensity, and ranked so high, except
the belief that the man committing it had deliberately
set aside that inward witness to truth and riohteous.
o
ness, supplied by the law of our nature, in the repudia-
tion of which the universal and consentient voice of
mankind has always jDlaced the most awful resi)onsi-
bility, the extremest degree of guilt that the human
being can incur.
The high place assigned throughout the poems to
public opinion as a moral check is visible at every turn.
And this check applies variously to various classes. With
the most abandoned, like the Suitors, it is feeble ; and
is only invoked on special occasions, as when Tele-
machus combines it, in the passage lately cited, with
the other moral sanctions. Even Paris is represented
as quite beyond the reach of it : and Helen meekly
wishes, that if the gods had determined she should
live, she could have been the husband of a man
Regard for general opinion. 431
more open to the influence of the public senti-
ment ^ :
09 p rjhr] viixicriv re /cat atcrxea ttoW av6p(>)-noiv.
But upon characters less frivolous and less corrupt,
this power acts with great efficacy : so much so, that
Phoenix says he was restrained, when in his passion,
from killing his father by some benevolent deity,
whose mode of proceeding was, we shall perceive, very
remarkable : for the suggestion he made to Phoenix
with such good effect was, not that he would be j)un-
ished by the gods for the offence, but that he would
become an offence and scandal among men •' :
dAAd Tts aOavaTbiV Trader ev ^dkov, 6s p evl dvpiif
hr][xov 6i\Ki. (pdnv, Kal oi^etbea 7i6X)C avdpu>T!o>v,
0)5 p-i] TTarpocjiouos p-er ' A^aioicnv Ka\eoip.7]V.
Tlie St'jiuov (pdrt9, or public opinion, weighs even with
the matron Penelope among the motives to her virtu-
ous and heroic conduct ; and the maid Nausicaa, no
less circumspect than artless, finds in the (piifxig aSeuKt]?,
the bitter gossip, of Scheria, an apology for desiring
Ulysses not to enter the city in her company^
But the sentiment of regard to general opinion
comes out in other and yet finer forms as a practical
regulator of conduct in the heroic age.
Perhaps we might venture to rely upon the uses of
the single word aiSws, with the cognate verb and adjec-
tive, in Homer, for proof that the condition of the
Greeks of his age was a condition of high civiliza-
tion, in that which constitutes its most essential part,
namely, that which relates to the affections and pas-
sions of man ; the expansion by moral forces of the
one, and the compression of the other.
Shame, in all its many forms, has more than one
S II. vi. 349-51. h II. ix. 459-61. i Ocl. vi. 273-7.
432 Olym.'piis : the Religion of the Homeric age.
pervading cliaracteristic to mark it as an agent alike
powerful and delicate in its influence upon human
conduct.
First, it essentially involves this idea : that while it
refers to an external standard, independent of our-
selves though able to act upon us, still the power thus
invoked is one altogether distinct from the idea of force.
So sensitive indeed is the feeling of shame, that at the
first moment when force comes into view, it alters its
nature, and passes into fear. That which it apprehends
is something, which dwells only in the ethereal region
of opinion ; and yet this, by the fineness of its apprecia-
tion, it converts into an agent effective both to excite
and to restrain. Thus it exhibits to us the human
spirit guided by silken reins, and in this way bears
emphatic witness to the high training, by which alone
it can become susceptible of so gentle a guidance.
Secondly, it embraces not only the character of acts
as they are in themselves or appear to us, but also the
aspect which they will naturally present to others. It
therefore essentially involves the recognition of a high
form of relative duty: it obliges us, in regulating the
whole tenour of our conduct, to make the feelings of
others an element in our own decisions. This principle
of a mutual regard, not confined to certain positive
acts of relative duty, but pervading the whole course
of moral action, lies at the root of all genuine and high
civilization.
Shame must have reference to some standard exterior
to ourselves, and it therefore tends towards uprooting
the law of selfishness. In one of its highest forms,
the one perhaps most familiar to us in Homer, it is
termed self-respect. But self-respect does not mean
a regard to self: it means a virtuous regard to a
The force and forms of albco^. 433
standard established by adequate consent and au-
thority, and owned, not set up, by the individual con-
science; together with a determination that 'self shall
be made to conform to it.
The (pOopa of this sentiment is what we term false
shame : which does evil, or refrains from good, in sub-
mission to a depraved standard of opinion external to
us, and in defiance of our own knowledge of right.
This kind of shame is treated with no respect in Ho-
mer : for examples of it we must look to Amphimachus
and Leiodes, two better-minded but complying Suitors,
who end by perishing with the rest.
The numerous forms of the sentiment of alSoog in
the heroic age are a proof of the large and varied deve-
lopment to which it had already attained.
How fine a feeling is that according to which, as with
Plomer, the bold men are also the shamefaced ones !
as in his line,
aiboixevcov 8' avhpS>v nkioves (root ?)e ni^avraL.
This line, as it is repeated, seems to have the character
of a yvocifxri in the poemsJ.
The most marked and frequent use of al^w^ is in the
sense of self-respect as applied to military honour and
bravery. The words al^w9,' Apyelot, which are employed
as an exhortation to fight, constitute one of the Homeric
formula?. Homer does not permit this use of the word
to the Trojans: but once it is employed for his gallant
favourites, the Lycians. (II. xvi.422. xvii. 336.)
Once, indeed, the term is applied to Trojans, but this
is in the converse of the usual sense. It would be ai§w<;,
a disgrace, says iEneas, were we to let Troy be taken
through our want of manhood. This is a lower signi-
fication. And again, as we shall see, the established
J II. V. 531. XV. 563.
Ff
434 Olynvjj'iis : the RelUjion of the Houwrlc aye.
formula of military incitement for the Trojans is differ-
ent and less refined'^.
Sometimes al^w^ is an excess of deference, or what
we might call scrupulosity; the feeling which carries the
fastidious observance of some right sentiment towards
others up to the point where it threatens to interfere
with a public or other clear duty. So Telemachus begs
of Nestor, ' tell me the truth,'
In the Doloneia, Agamemnon, fearful that Diomed will
choose Menelaus as a companion out of deference, says,
' Do not let aiSco^ influence you : choose the best man.'
Sometimes it is compassion, or ruth ; as when Achilles,
before the ransom, is said to show no aiSm towards
the body of Hector. But here alSm includes the idea of
shame and self-respect. Sometimes it is reverence to-
wards a superior, as in Od.xiv.505, and in aiSolo? applied
by Helen to Priam in II. iii. 172. In this manner it
becomes applicable to the sentiments a man should en-
tertain towards the gods,
ak\' aibeio Oeovs, 'A)(tAe{;'".
And this is a very remarkable use of the term, because
Priam certainly does not mean to urge upon Achilles
a dread of the gods, but something quite distinct.
Sometimes it is applied by a superior to an inferior ;
and means ' his or her dues,' as among the Immortals,
where Jupiter says to Thetis, that he reserves the
honour of the ransom for Achilles,
alho) Koi f/H\or7jra Terjv jxeToinade ^wAao-acov".
It may also be felt towards an inferior among men :
Agamemnon is exhorted to feel it towards Chryses",
for it is not a personal sentiment, but implies an object,
^ II. vi. 112 et alibi. 1 Od. iii. 96. '» II. xxiv. 503.
" Ibid. III. o II. i. 23.377.
Other cognate terms. 435
outside the mere person wlio is tlie immediate oocnsion
of it. So Achilles is iiitrcated to revere («'AWOa<) Ly-
caon, a vanqiiislied and suppliant enemy i\
Sometimes it signifies the constitution of a special
relation, over and above the general bond l)etween man
and man. A person's alSoIoi are his relations, friends,
gnests, and the like. Even so a wanderer is ntc^oio^ to
the gods (Od. v. 447). Sometimes it means purely
mental modesty, as in Od. viii. 171, o S' aar(paXeo)? ayo-
pevei aiSot iuei\i-)(it] ; he speaks with that engaging bashful-
ness and careful indication of respect for his audience,
which forms a principal grace of the orator. Sometimes
the physical, as well as mental, quality of modesty ; as
when aiSm kept the goddesses at home (Od. viii. 324).
Sometimes, again, simply shyness ; as when Telemachus
is exhorted by Minerva to put away a/^o)? in Od. iii. 14;
or as in the phrase /ca/co? S' alSoIog aX>/T>/f ; ' it will never
do for a beggar to be shy.'
No finer shading of sentiment, I think, can be found
in the language of the most civilized nations, nor any
case so remarkable of a high and tender, and at the
same time largely developed state of feeling at a time
when material progress was so partial, rude, and slight.
And of the vital importance of this element of the
Greek moral code, we find a proof in the representa-
tion of Hesiod, who gives it as a characteristic of his
iron, or post-Homeric, age, that aaU? along with j't'/xpo-/?
had fled from the earth.
There are other words, the use of which in Homer
approximates occasionally to the sense of alScog. The
nearest of them is (re/^a? (as in II. x viii. i 78), with its verb
a-e^o/xai ; which, as we have seen, is sometimes applied
simply to an internal standard recoonised by the con-
P 11. xxi. 74
F t 2
436 Olympus : the Religion of the Homeric age.
science. But in II. iv. 242, ov w a-e^eaOe ; seems to be
equivalent to ovk aiSeia-Oe; or ' for sliame.'
The word vejueiri?, too, is sometimes used in a sense
akin to that of alSdo?: as when Neptune exhorts the
Greeks, ev cppea-l Oia-Qe eKacrro? alSoci ko.). vefiecriv (II. xiii.
121) : compare vi. 351. Again, in Od. i. 263, ii. 136,
xxii.40. But this sentiment is usually halfway between
alSoo^ and fear, because what it apprehends, though it is
not force, yet neither is it simple disapproval ; rather it
is disapproval with heat, disapproval into which passion
enters. It contributes, however, to complete a very
remarkable picture of the human mind.
The comparison between Greeks and Trojans, or
Europeans and Asiatics, 'vvill prove, we shall find,
greatly in favour of the former as to most parts of
their morality. AVe have now to touch upon a feature
in Greek manners which is unfavourable.
With regard to the practice of homicide, the ordi-
nary Greek morality was extremely loose : while we
have no evidence of a similar readiness for bloodshed-
ding among the Trojans : and enough is told us of
Trojan life and manners to have probably brought out
this characteristic, had it existed.
Among the Greeks, to have killed a man was consi-
dered in the light of a misfortune, or at most a pru-
dential error, an arh TruKivi]'^, when the perpetrator of
the act had come among strangers as a fugitive for pro-
tection and hospitality. On the spot, therefore, where
the crime occurred, it could stand only as in the nature
of a private and civil wrong, and the fine payable was
regarded, not (which it might have been) as a mode,
however defective, of marking any guilt in the culprit,
but as, on the whole, an equitable satisfaction to the
^ II. xxiv, 480.
Homicide in the heroic age. 487
wounded feelings of the relatives and friends, or as an
actual compensation for the lost services of the dead
man. The reli Od. xxiii. 357. " Od. ix. 59. » Od. viii. 159-64.
Mixed view of it in the poems. 445
might appear ; for the Phoenicians, the merchants of
those days, were also kidnappers and slave- dealers : and
if their transactions were not, like those of the pirates,
uniformly bad, they were, when exceptionable, double-
dyed in guilt, because they involved fraud as well as
robbery.
Again, as to piracy, it by no means appears that it
was attended with respect, nor is the language of the
poems quite uniform regarding it. In the veKvla of the
Twenty-fourth Odyssey, and also in that of the
Eleventh, the shade of Agamemnon calls freebooters of
this description avapaioL civSpeg^. The Cretan piracy of
the pseudo-Ulysses in Egypt is mentioned as an act of
v^pi9, an outrage deservedly punished by Jupiter'J. On
the other hand, Greek trade, like Phoenician, embraced
kidnapping. At least the Taphians carried away from
her country the Phoenician nurse, who in her turn car-
ried off the young Eumseus.
Upon the whole, after allowing liberally for the
masculine character and redundant energies of the
Hellenic people, we shall best explain their favourable
view of piracy by remembering the near relation it
then bore both to war, which we know may be just and
honourable, as well as to trade, which we regard as in
itself both innocent and beneficial. Since Homer's
time the character of war has been softened, and that
of trade has been elevated, almost immeasurably ;
while that of piracy has been lowered ; hence there
is now a wide gulf, where there was then scarcely
even a seam discernible ; and Homer might have sung
the expressive words of Goethe in Faust,
Krieg, Handel, und Piraterie
Dreieinig sind sie, nicht zu trennen.
P Od. xxiv. III. 1 Od. xiv. 262.
446 Olympus: the Relit/ ion of the Homeric age.
We may also, I think, find among the Greeks a ten-
dency to family feuds, beyond certain limits, of which the
poems do not afford any instance on the Trojan side.
Of these, two have already been noticed among the
homicides. Medon kills his father's wife's kinsman.
Tlepolemus kills his grand-uncle. But also Phoenix for
a quarrel flies from his father's home and settles in
Dolopia. Phyleus, the father of Meges, for a similar
reason migrates to Dulichium ''. Eurystheus, as the
great grandson of Jupiter, is of reputed kin to Hercules
his son ; but persecutes him through life with the
imposition of cruel and endless toils. Meleager has
a fierce feud with his family, which is recited by
Phoenix as a warning to Achilles. Bellerophon is ex-
pelled from Greece by a family quarrel. iEgisthus
himself i9»the cousin of Agamemnon.
As with families, so with communities. The pre-
Troic legends are almost invariably legends of the
internal raids and wars of Greece. They were a people
of the strong and the red hand, marvellously combined
with high refinement, true love of art and song, and an
unexampled political genius.
But although the Homeric age had not ceased to be
as yet an age of violence, it was as far as possible from
being one marked by a general sway either of un-
bridled appetite, or of ungovernable passion ; and if
it is sometimes mistakenly supi)osed to have borne this
character, the appearances which })roduce the illusion
are due only to the fact, that vice of all kinds then went
straight forward to its work, and had not yet learned,
in the school of the wisdom of this M^orld, how much it
might gain from method, order, and reserve.
We have ample signs of that regard for temperance,
r 11. ii. 6.29,
Temperance in the heroic a(je. 447
bodily as well as mental, which Homer united witli his
thoroughly convivial spirit. By the mouth of Ulysses,
lie reprehends even that mild form of excess in wine
which does no more than promote garrulity (Od. xiv.
463-6). When the Greeks were about to suffer
great calamities on their return, he makes them
proceed in a state of drunkenness to the Assembly ^
When Elpenor dies by an accidental fall, he assigns
drunkenness as the cause, and takes care to inform us
that he was young, and neither valiant nor sensible t.
Ulysses encourages the brutal Polyphemus to drink, with
a view to his own liberation. And the proceedings of
the monster, when intoxicated, are certainly more re-
volting than those of Stephano, if not than those of Cali-
ban, in the Tempest. Again, though it is certainly true,
that the most vivid denunciation of excess in liquor to
be found throughout the poems is put into the mouth
of the Suitor Antinous", yet I think it was plainly meant
to be accepted as spoken in earnest, and as expressing
the sense of Homer. Wine, we thus learn, caused
the Centaur Eurytion to lose his ears and nose. In no
single case does the Poet permit liquor to act in the
slightest degree upon the self-possession of his heroes,
or of any character whom he esteems ; or represent them
as either doing, or leaving undone, any act through ex-
cess in drink -'^. The only allusion to its influence, in
connection with a practical result, is one very faint, and
perfectly innocent. It is when, dissatisfaction having
prevailed among the Grecian kings and army, as we see
8 Od. iii. 139. his hero to commit himself gross-
t Od. X. 552-60. xi. 61. ly in point of mamiers, under the
1 Od. xxi. 293-304. influence of intoxication. It is
X Even Scott, one of the most in Rob Roy (chap, xii.), at Osbal-
refined, as well as gi'eatest, among diston House.
imaginative wTiters, once allows
448 Olympus : the Religion of the Homeric age.
from the speech of Diomed, Nestor recommends Aga-
memnon to treat his Council to a supper, before proceed-
ing to obtain their advice ; and observes to him, that
he can readily do it, for he has wine and all other pro-
vision in abundance. The intention apparently is to lay
the ground for concord, not in excess, nor even here
in hilarity, but at least in amicable humoury. To the
Immortals, indeed, it is conceded to abide at the ban-
quet for the livelong day, but not to men ; for the
pseudo-Mentor observes to Nestor in the Third Odyssey,
that it is not seemly to sit long at the sacred (that is,
regular and public) feast ^.
It is much to be regretted that Horace, who in
many cases has shown himself an accurate reader of
Homer, has in this point grossly mistaken him :
Laudibus arguitur vini vinosus Homerus ^.
And this summary character, unfortunately false, has
saved men the trouble of collecting the true one from
the works of the Poet himself.
When we turn to another form of temperance or
self-government, namely, that which we call self-
control, we find it eminently exemplified among
Greeks. It appears as a pervading and national quality
in that silence on the field of battle, which they com-
bined with such an inward energy of determination.
In Ulysses it is carried up to its perfection. Perhaps
the only occasions on which he even seems to relax it
are those of the answer to Euryalus in the l^jghth
Odyssey, and the reply to Agamemnon in the Fourth
Iliad.
So much, however, of emotion as he suffers to escape
him in those passages, only serves to heighten the effect
y II. ix. 69. z Od. iii. 335. « Hor. Ep. i. 19, 6.
Self-control in the heroic age. 449
of his words, not to make him deflect by one jot or tittle,
though in undoubted warmth, from the true rule of
reason. But we find tliis quality not only deYeloi)ed
powerfully in a pattern-man like Ulysses ; it is also
stronfflv infused into such a warrior as Diomed. This
is proved by the manner in which he bears'' the chiding
ofAo-amemnon on his rounds, and rebukes Sthenelus
for having been provoked into a petulant answer. At
the same time it is highly illustrative of the national
character, that this young and ardent warrior, who
could thus bear a reprimand on the field, stored up
the recollection of it within his breast : and when, at
the becrinnino; of the Ninth Book, Aoamemnon showed
his own faint-heartedness by advising the abandon-
ment of the enterprise, then Diomed, having watched
his opportunity, recalled the circumstances, and quietly
but effectively replied upon Agamemnon^. Nay more,
perhaps the most striking proof of the abundance of
this high quality among the Greeks is in the very case
where it is on the whole outmatched by the passion
that it ought to master, namely, in the case of Achilles.
There is something indeed sublime in the manner in
which, many times over, M'hen he feels the tide of WTath
rising within him, he eyes his own passion, even as a
tiger is eyed by its keeper, and puts a spell upon it, so
that it dare not spring. Thus it is, when he parleys
with himself on the question, whether he shall end the
strife with Agamemnon by slaying him, in the As-
sembly of the First Book. And thus again, when he
feels that the words which Priam has incautiously let
drop are kindling a flame which, if further fed, would
consume the aged and sorrowing suppliant, he is con-
b II. iv. 411-18. c II. ix. 32-49.
450 Oli/mpus : the Religion of the Homeric age.
scious of the rising tempest, and before it has swollen
to such force as to disturb his self-command, he sternly,
but yet not unkindly, bids him to desist. It is by
trying them in mental conflicts like these, that Homer
shows us of what mettle his Greek kings were made.
It would be curious to draw out a list of the multitude
of words in which he describes, under every possible
aspect, the power and habit of self-control. But per-
haps one of his slightest is also one of his most effective
touches. The applause of the Greeks in their Assembly
is always described by a word diiferent from that em-
ployed to describe the very same indication of feeling
by the Trojans. He usually says ein S' 'iayov vleg 'A;^at«i/
for the Greeks : for the Trojans it is iwl Se Tpweg KeXd-
S}]a-av. Th« Greeks shout forth their energetic ap-
proval : the Trojans clatter, as if their tongues could not
bear restraint.
Yet we must not suppose, either on account of the
self-command of the Greeks that they were apathetic,
or on account of their frequent homicides that they
were inhuman, and savagely indifferent to the infliction
of pain on their fellow-creatures.
Neither the Greeks nor the Trojans appear to have
been ferocious in the treatment of enemies. The ex-
treme point to which they go is that of giving no
quarter : but they never, even in the exasperation of
battle, inflict torture with their weapons. The immo-
lation of twelve Trojan youths over the dead Patroclus
is doubtless cruel : but it falls far short of what the
passions of war have produced in other times and
countries. With the manner of inflicting death, pas-
sion never has to do.
An inquiry, however, which seems to be most curious,
Savage ideas occasionally expressed. 451
is suggested by tlie passages in wliicli Hecuba wishes
that she could eat Achilles'^, Achilles that he could
find it in his heart to devour Hector^ ; and again in
which Jupiter '^ suggests to Juno, that nothing could
satiate her spite against Troy so well as if she were to
eat up Priam and his whole family. For the question
arises, how is it that we find these remains of the wild-
est savagery in company with a refinement of manners
and feeling, which the poems very frequently exhibit,
and which even reaches in some important points to
a degree never exceeded in any country or any period
of the world ?
The answer I presume to be this : that the civiliza-
tion of tlie Greeks in the heroic age, though as to the
mind it was really a very high, was yet also a very
young civilisation. Its path was marked and decided,
but it had not had time to travel far from barbarism.
It was not safe by distance, nor defended by the ram-
parts of long tradition, nor strengthened by the force
of continuing bent, and consolidated immemorial habit.
The Homeric gentleman, with his civilization, stood, in
respect to barbarism, like him who voyages by sea,
digitis a inorte remotus
Quatiior aut septcm ;
only the thickness of the plank is between him and
the wilderness which he has left : and if passion makes
a breach, the mood of the wild beast reappears. We
may account for the cannibalish observation of Jupiter
by the fact that he has no self-control in Homer : but
that of Hecuba is to be accounted for on the princij)le
I have endeavoured to describe. So it is with Achilles :
and so, too, when the wdse Ulysses, slaughtering the
wretched women of his household who had erred,
^ II. xxiv. 212. e ii_ xxii. 345-8. f II. iv. 35.
G on 2
452 Olympus : tJie Religion of the Homeric age.
seems tinged for once with a flush of barbarism. When
ive let loose the tiger within us, his range is limited
not by any force springing from our own will or choice,
but by the strong dikes and barriers of social wont,
and by habits of thought as well as action, which have
been accumulated by the long labours of many succes-
sive generations of mankind.
We have already ^ noticed something that will well
bear comparison with this state of things in the reports
which are made to us respecting modern Persia, the
cradle in all likelihood of the family of Achilles.
At the same time it is to be borne in mind that this
cannibalism, of which we have glimpses in Homer, in
the first place was limited, even in speculation, to ene-
mies ; and in the second place, existed in speculation
only. Of this we have pretty strong proof from the
case of the crew of Ulysses in the Twelfth Odyssey.
They did not touch the oxen of the Sun, until death
from hunger stared them in the face. Then Eurylo-
chus made a manful speech on the subject of the
option before them, between dying on the one side,
and the slau2:hter of some of the animals on- the other.
But those circumstances of the last extremity, to which
they were reduced, were the very circumstances in
which the fortitude even of Christians?^ has given way,
and with respect to which no prudent man dares to
pronounce a judgment upon persons that so succumb.
f Acliaeis or Ethnology, sect. x. p. 570.
% The awful ' Ugolino' of Dante ends with the line
Poscia piu che '1 dolor pote '1 digiuno.
I am free to oa\ii that I cannot veiled expressions is the devour-
dismiss from my mind the suspi- ing of the wretched children by
cion that what the poet means their parent. (Inferno, xxxiii.
to convey to us in these darkly 75.)
Not unfamiliar to later Greece. 453
Yet there is not in the case before us the slightest
hint at a resort to this most horrible remedy.
Besides the circumstance, that in Homer the can-
nibal dicta, abstractedly so shocking, are the mere
words of phrensied passion, and that there are no cor-
responding acts, we have to observe that the Poet is
never found exhibiting the sentiment of joy in connec-
tion with the positive infliction of suffering upon an
enemy. It was by no means so among the later
Greeks. Too many instances might, indeed, be sup-
plied of the increase of cruelty with the lapse of
time.
Homer, again, has nowhere made woman to be even
the sorrowing minister of justice : as if he felt that
there was a radical incompatibility between the proper
gentleness of her nature, and the use of the sword of
punishment. But in the Hecuba of Euripides, after the
aged matron, exasperated by the treacherous murder of
her son Polydorus, has put to death the two children
of the assassin Polymestor, and has likewise put out
his eyes, he addresses to her these words (v. 12,33),
Xatpets vjipiQiVd' ets e/x', S navovpy^ av'
and she, no way shrinking from the imputation, replies
ov yap p.€ yaip^iv xphi ^^ Tijidipovnevriv ;
In one place Homer has taken an opportunity of
showing us, what he thinks of the principle of exulta-
tion over fallen enemies. When Euryclea is about to
shout over the fallen Suitors, Ulysses, though he has
not yet ended the bloody work of retribution, gravely
checks her. ' It is wrong,' he says, ' to exult over the
slain. These men have been overtaken by divine pro-
vidence, and by their own perverse deeds : for they
regarded no human being, noble or vile, with whom
454 Olympus : the Religion of the Homeric age.
they had to do : ^Yherefore they have miserably perished
in their ■wickedness.' The whole tone and language of
this rebuke, so grave and earnest as it is, and more sad
even than it is stern, is worthy of any moral code that
the world has known.
There is indeed a terrible severity in the proceedings
of Ulysses against the Suitors, the women, and his re-
bellious subjects. But it is plain that the case, which
Homer had to represent, was one that required the hero
to effect something like a reconquest of the country. It
is also plain that Homer felt that these stern measures
would require a very strong warrant. Hence without
doubt it is, that the preparations for the crisis are so
elaborate ; the insults offered to the disguised master
of the palace so aggravated ; and the direct agency of
Minerva introduced to deepen his sufferings. Hence,
again, when the incensed warrior is about to pursue
with martial ardour the flying insurgents, his eager-
ness is mildly marked as excessive, and is effectually
checked by the friendly but decisive intervention of
Jupiter. Some critics have objected to this passage,
and have argued that it could not be genuine. They
surely must forget, that Homer does not seek to pre-
sent us in his protagonists with a faultlessness w^hich
would have carried them out of the sphere, such as it
was conceived by him and by his age, of life either di-
vine or human. Both Ulysses and Achilles may err. But
where they err, it is in measure and degree. Ulysses is
the minister of public justice, and of divine retribution.
But he is composed, like ourselves, of flesh and blood,
and he carries his righteous office, in a natural heat, to
the verge of cruelty. Then the warning voice is vouch-
safed to him, and he at once dutifully obeys. And is,
then, a thing like this so new and strange to us ? And
Wrath in Ulysses and in Achilles. 455
has neither our philosophy nor our experience of life
taught us that there are no circumstances, in which a
good and just man runs so serious a risk of becoming
harsh and cruel unawares, as when he is hurried along
by the torrent of an originally righteous indignation?
Even so with Achilles. He is, no more than Ulysses,
merely vengeful, but he resents a wrong done to justice,
to decency, and to love, in his person. Upon the
stream of this resentment he is carried, until it threatens
to become a torrent. Then, by an admirable design, he
is chastised in the yet deeper passion of his soul, his
friendship for Patroclus ; and so is recalled within the
bounds of his duty to his suffering countrymen.
But in both cases the foundation of conduct is just
and sound : by neither is any sanction given to the
principle which the Gospel rebukes, ' an eye for an
eye, and a tooth for a tooth.' For a wrong done to
principles of public morality and justice is in each case
alike the thing chiefly resented, although in each case
the person who resents it is also a person that had
greatly suffered by it.
Again, we should misunderstand Homer's picture of
the Greek character, if we conceived that he left no
room in it for those accesses of emotion, with respect
to which it may be difficult to say whether they con-
tributed most to its strength or its weakness, while it
seems clear that they are in near association with
both.
The Poet's intention does not oblige him to place his
protagonists beyond the reach of human infirmity, as
we see in the stubborn wrath of Achilles, and in the
awakened keenness of Ulysses for the blood of his re-
bellious subjects^. And though he never exhibits them
s Oil. xxiv. 526, 37.
456 Olt/nijms : the Religion of the Homeric age.
as vicious, still, in the case of Ulysses, as well as in that
of Achilles, he has introduced into his picture great
quickness of temper, which is indeed nearly, though
not necessarily, connected with sensitiveness of honour.
On two occasions in particular is this observable: in
the sharp answers namely of Ulysses, first to Agamem-
non, who on his circuit accuses him of remissness in
military duty'' ; and secondly to the OufxaSaKr]? /mvOog of
Euryalus^ who has taken him for a TrptjKTrtp or mer-
chant, and a rogue to boot.
The point in which the ethical tone of the heroic
age stands highest of all is, perhaps, the strength of the
domestic affections.
A marked indication of the power of this principle
among mankind is to be found in its prevalence even
among the Olympian deities. For its appearance there
has no relation to divine attributes properly so called ;
it is strictly a part of the mythology ; a sentiment
copied from the human heart and life, and transferred
to these inventive or idealized formations. Indeed we
always find it in connection with that in which they
are most human, namely, the indulgence of their sensual
passions, and the results of that indulgence in their
human progeny. It is not, therefore, among the higher
or traditive deities that we find the sentiment ; it does
not exist in Apollo or Minerva, whose love is always of
a different kind, and is grounded in the gifts or cha-
racter of the person who is the object of it, as for in-
stance, the great Ulysses*^, or, in a smaller sphere, the
skilful Phereclus, who built the ships of Paris'. It is
in Jupiter over Sarpedon, in Neptune for the blindness
of his brutal son Polyphemus, in Mars over Ascala-
l^lius, in Venus about ^neas ; and these two last are
h II. iv. 350. ' Od. viii. 185^ 162. ^ Qd. iii. 221. ^ II. v. 59,
The Domestic affections. 457
tlie two deities whose ethical anrl intellectual standard
is the loM'Cst of all™.
When we come down to earth, wc find the senti-
ment strong everywhere. Among the Trojan royal
family, where there Js but little sense of the higher
parts of morality, this feeling is intense alike with
Priam and with Hecuba. The latter is not passionate,
she is ;?7r/o(^cojOo?". Yet on the death of Hector we see
her become a tigress, and wish she could devour the
conqueror^. Ulysses chooses for the title by which he
would be known that of the Father of Telemachusi\
It is true indeed that, tlien as now, the imperiousness of
bodily wants made itself felt ; and it was then more in-
genuously acknowledged. Hence Telemachus, attached
to his father, when he explained the double cause of
his grief and care to the Ithacan assembly, first named
the death or absence of his father, but then proclaimed
as the chief matter, the continuing waste and threatened
destruction of his property'. Wailing infants
were not then exposed to avoid the burden of their
nurture. The grey hairs of parents were treated with
reverence and care; and if their weakness brought
down insult upon them, it stung the souls of their
children, even after death. To age in general a deep
and hearty reverence was paid by the young. Woman,
the grand refining element of society, had not then
been jHit down in the estimation of any man, far less
of the wisest men, to the level of persons degraded by
the habits of captivity, and was not held to be a ^woj/
eixy\n)-)(ov. Slavery itself was mild and almost genial.
It implied the law of labour, and possibly, in ordinary
cases, a prohibition to rise in life : but of positive op-
]>ression, and of suffering in connection with it, or of
any i)enal system directed to its maintenance, we have
no trace whatever. Marriage was the honourable and
y Oil. xii. 327-5 1.
Points of superiority in the former. 473
single tie between man and liis helpmate'. Connections
with verv near relations were regarded with horror; the
wife was the representative, the intelligent com])anion
and friend, of her husband ; adultery was held in aver-
sion, a crime rarer then than in most after-periods : and
the sacred bond between husband and wife was not
h'able to be broken by the poor invention of divorce.
Organized unchastity had not then become a kind of
devil's law for society. The very name and nature of
unnatural lusts appear to have been unknown in
Greece, centuries after Sodom had been smitten for its
crimes. The detestable invention, which set gladiators
to kill one another for the amusement of enraptured
spectators, was reserved for times more vain of their
})hilosophy and their artificial culture. The rights of
the poor were acknowledged in the form of an unlimited
obligation to relieve them, under pain of the divine
displeasure : and no stranger or suppliant could be re-
pelled from the door of any one, who regarded either
the fear of God or the fear of man.
As respects the gods, the remains of ancient piety
still in some degree checked the activity of the critical
faculty, and the reverence for the Power that disposes
events and hates the wicked was not yet derided by
speculation, nor wholly buried beneath fable and cor-
ruption. True, sacrifice was regarded as the indispen-
sable and eflective basis of religion : but in general, as
between Greek and Greek, those who were most care-
ful of virtue were also most regular in their oiFerings.
Men were*bel levers in prayer : they thought that, if in
need they humbly betook themselves to supplica-
tion, they would be heard and helped. In short,
they kept their hold upon a higher power, which we
^ On this and the kindred jioints, see inf. sect, ix.
474 Olympus : the Religion of the Homeric a]V , (2) rov 8' iKTave voaTi]aai'Ta.
The law of marriage differs from most other human
laws in a very important particular. It is their excel-
lence to impose the minimum of restraint, v»'hich will
satisfy the absolute Avants of society : but the aim and
the criterion of a good law of marriage is to impose
the macvimwn of restraint that human nature can be
induced bond fide to accept. Doubtless there is here
also a conceivable excess : but it would be and has been
indicated by the general withholdiiig of submission, or
evasion of obedience. Up to that point, the restrictions
of the marriage law are not evils to be endured for the
sake of a greater good, but are good in themselves.
In order that this great institution may thoroughly
fulfil its ends, it is especially requisite,
1. That it should not be contracted between more
than one man and one woman.
2. That it should on both sides be, in the main and
as a general rule, deliberate and spontaneous.
3. That the contract, once made, should not be dis-
solved.
And closely allied to these there is yet a fourth
negative :
a Od. i. 36,
Marriage ahvays single. 483
4. That nuptials should not be contracted between
persons who stand within certain near degrees of rela-
tionship.
5. It is always requisite that this engagement should
exclude not only the possibility of marriage for either
partner with a third person, but also any other fleshly
connection without marriage.
Of these propositions, the first, third, and fourth,
are heads of restraint on marriage. Every one of the
three was acknowledged by the Greeks of the heroic
age.
The rule of conjugal fidelity was admitted, thougli
not wholly without relaxation, to be as applicable to
men as to their wives. This, and all the other restrictions,
were applied to women with undeviating strictness.
1. As regards the first, it is plain, from a mass of
evidence so large as to amount, in spite of its being
negative, to demonstration, that the uniform practice of
the Greeks required the marriage union to be single.
This, however, of itself, is saying little ; but it imports
much besides what is on the surface : it implies, that,
with due allowances, the spirit of the marriage con-
tract is a spirit of equity and of well adjusted rights,
as between those who enter into it.
2. This relation was also conceived by the Greeks in
a spirit of freedom.
It held a central i)lace in life thoroughly European,
as opposed to the Oriental ideas. Nay, it approximated
very much to the ideas prevailing in our own country as
well as age. We do not find in the poems any instance
of a marriage enforced against the will of a young
maiden, or contracted when she was of years too tender
to exercise a judgment. Nausicaa fears that if she is
seen with Ulysses, censorious tongues will immediately
I i 2
484 Olympus : the Religion of the Homeric age.
put it about that she is going to 'be married to him.
They will say, ' Who is this tall and handsome stranger
with Nausicaa V^ Surely she is going to become his
bride. Truly she has picked up some gallant from afar,
who has strayed from his ship : or some god has come
down to wed her. Better it were if she found a husband
from abroad, since, forsooth, she looks down upon her
PhaBacian suitors, though they are^ many and noble.
Then continues this model of maidens ; ' Thus I shall
come into disgrace ; and indeed I myself should be in-
dignant with any one who should so act, and who, against
the will of her parents, frequented the company of men
before being publicly married.' In this remarkable
passage we have such an exhibition of woman's freedom,
as scarcely any age has exceeded. For it clearly shows
that the marriage of a damsel was her own affair, and
that, subject to a due regard freely rendered to au-
thority and opinion, she had, when of due age, a main
share in determining it. That is to say, to the extent
of choosing a mate among the competitors. The ex-
pression of giving away or promising a daughter, by
parents, is often used*^, but we perceive the limits of
its meaning from the passage just quoted. The more
so, because similar expressions as to the proceedings of
parents are applied in Homer to the marriages of sons'^
I do not suppose it would have been open to any maiden
to remain single. That all should marry, that there
should be no class living in celibacy, was a kind of law
for society in its infant state, even as now it may be said
to be almost a law for the most numerous classes of
society. Above all I suppose it to be clear that a
marriageable widow could not ordinarily remain in
b Od. vi. 275-88. vi. 191. Od. vii. 311. iv. 6.
I!, xi. 296. xix. 29. ix. 141. '^ II. ix. 394. Od. iv. 10.
Freedom of the woman. 485
widowhood. No reproach arises to Helen, on account
of the renewal of her irregular union with Deiphobus ;
and when Penelope, or others in her behalf, contem-
l)late the death of Ulysses, and her consequent release
from the marriage state, that change is always treated
as the immediate preface to another crisis, namely, the
choice of a second husband.
Although social intercourse with man might not, as
Nausicaa says, be sought by damsels, it might innocently
come on occasions such as those afforded by public
festivities, or by an ordinary calling*'.
But again, the persecution of Penelope by the
Suitors bears emphatic testimony to the freedom of
woman within the limits I have described. The utmost
of their aim is to coerce her into marrying some one ;
even as their sin lies in bringing this pressure to bear
upon her before the death of Ulysses has been ascer-
tained. On the other hand, the pressure is a moral one :
her violent removal is never thought of; and the ab-
solute silence of the poem on the subject proves that
it would have been at variance with the prevailing
manners, had any cabal been formed, in order even to
constrain her choice towards a particular person. The
very presents, by which the profligate Suitors endea-
voured to ingratiate themselves with the women of the
household of Ulysses, speak favourably of the free con-
dition of the sex, and seem to show, that it descended
even into lower stations.
For the Greek in the heroic age, marriage was the
pivot of life. It took place in the bloom of age :
lience^ the beautiful expression, OaXepcx; yd/iio?, Od. vi.
66, XX. 74. It even marks of itself the age of persons ;
e II. xviii. 567, 593, and xxii. f Friedreich, Realien, §.57.
126. p. 200.
486 Olympus : the Religion of the Homeric age.
Alcinoiis lias five sons, three iYiBeoi, and two oTrwoi're?,
(Od. vi. 6^) : three youths or bacheloi*s, and two married.
Presents were usually brought by the bridegroom,
and dowries sometimes given with the bride. Where
the two concurred, the presents may have been either
in the nature of compliments, or intended to meet the
expense of the wedding festivities. The absence of the
former, and the occurrence of the latter, seem each to
be more or less in the nature of an exception. With
a wife returning to her parents, the dowry returned
also^. On the other hand, to judge from the story of
Vulcan and Venus, wherever adultery was committed,
the guilty man was bound to pay a fine'\ The poems
give us several instances where personal gifts and energy
served instead of wealth, as recommendations in suing
for a wife^ The drawing of the Bow affords a conspi-
cuous example of the prevailing ideas.
Upon the whole, then, in all that related to forming
engagements by marriage, there seems to have been
preserved a large regard to the freedom and dignity of
w^oman*^. War was doubtless in this respect her great
enemy ; she then became the prey of the strongest, and
it is probable that this may have been the most power-
ful instrument in promoting the extensive introduction
of concubinage into Greece.
With respect to the ceremonial of marriage, and
the nature of its formal engagement, the Homeric
j)oems furnish us with scanty evidence. There is no
mention, in fact, of any promise or vow attending it.
The expression Saivwai yd/i/.ov, in Od. iv. 3, seems to
contain all that would be included by us when we
speak of celebrating marriage. Not that it was the
g Od. ii. 132. b Od. viii. 329. i Od. xi. 287. xiv. 210.
II. xiii. 363. ^ Friedreich, Healien, c. III. ii. p. 204.
Perpetuity of the tie of marriage. 487
more baiKiuet that created the conjugal relation : it
was doubtless the af/.cpdSio9 yuiu.09, the solemn public
acknowledgment, to which relatives and friends, and, in
such a case as that of Hermione, the public or people of
the state, thus became witnesses. This subject will be
further considered in connection with the case of Briseis.
3. If the mode of entry into the obligations of mar-
ried life was as simple and indeterminate as we have
supposed, such a want of formalities greatly enhances
the strength of the testimony borne by the facts of the
heroic age to what may be called the natural perpetuity
of the marriage contract.
It is a very remarkable circumstance, that, of the two
great poems of Homer, each should in its own way
bear emphatic testimony to this great, and, for all
countries that can bear it, this most precious law.
Neither poem presents us with any case of a divorced
wife; of a couple between whom the marriage tie,
after having once been duly formed, had ceased to
subsist. And each poem in its own way raises this
negative evidence to a form of the greatest cogency,
from its happening to present the very circumstances
under w^hich, if under any, the dissolution of the bond
would have been acknowledged.
In the Iliad, the wife of Menelaus, his KovpiSltj a.\o)(^o9,
has been living for many years in de facto adultery
with Paris. The line between marriage on the one
hand, and continued cohabitation together with public
recognition on the other, being faintly drawn, Helen is
familiarly known in Troy as the wife of Paris ; so she
is called by the Poet, and so she calls herself^, Mene-
laus, too, is described as her former husband ^ Whether
k II. iii. 427. xxiv. 763. we ai'e never told that he was
' II. iii. 140. Of Deiphobus, Helen's liushand : and he could
488 Olympus : the Religion of the Homeric age.
this was a mere acquiescence in a certain state of facts,
or the regular result of more relaxed usages respecting
marriage in Troy, may be doubtful. But it is clear that
the view of the Greeks was directly opposite. They
never speak of Paris as the husband of Helen. In their
estimation, all the rights of Menelaus remained entire ;
and, as we shall see, it appears that, even while the
possession of them was withheld from him, he acknow-
ledged the reciprocal obligations. Nay, Hector him-
self seems to describe Helen as still the wife of Mene-
laus ; yuoltjg ^' o'lov (pioro? ^X'^'^^ OaXepijv TrapaKoiTiv^.
The war was (so to speak) juridically founded on the
fact, that the lawful marriage was not dissolved by
adultery, even with the addition of all that followed :
that the relation of Helen to her ancient husband was
unchanged. Accordingly, Agamemnon recollects with
l">ain, that if his brother should die, he will no longer
be in a condition to demand her restoration, and to
enforce it by arms, for his soldiers will forthwith return
home".
The result is in full conformity with this view.
When the war ends, Helen resumes her place as a
matter of course in the house of JMenelaus. She bears
it with unconstrained and perfect dignity; and her
relations to her husband carry no mark of the woful
interval, except that its traces indelibly remain in her
own penitential shame.
It is plain that the Greeks heartily detested the
crime of adultery : for one of the three great chapters
of accusation against the Suitors is, that they wooed
only for a very short time have horse, Deiphobus followed her.
had possession of her. The only Od. iv. 276.
trace of the connection is that, "^ II. iii. 53.
when Helen went down to the ^ II. iv. 169-75.
Perpetuity of the tie of marriage. 489
the wife of Ulysses in his lifetime". But it is not less
]ilain that they knew nothing of the idea, that by that
crime it was placed in the power of any person to obtain
or to confer a release from the obligations of marriage.
Next to adultery, desertion or prolonged absence
has afforded the most favoured plea for the destruction,
so far as human law can destroy it, of the marriage
bond. And indeed it is hardly possible to push the
opposite doctrine to its extreme, and to say that no
married person may remarry, except with demonstra-
tive evidence of the death of the original husband or
Avife respectively. Probably, however, no period of the
Avorld has exhibited a more stringent application of the
doctrine of indissolubility to the case of desertion, than
that on which the plot of the Odyssey is founded ;
where, after an absence of the husband prolonged to
the twentieth year, Penelope still waits his return ;
prays that death may relieve her from the dread neces-
sity of making a new choice ; and, thus directed by
her own conscience and right feeling, likewise appre-
hends condemnation by the public judgment in the event
of her proceeding to contract a new engagementP.
The Heroic age has left no more comely monument,
than its informal, but instinctive, and most emphatic
sense, thus recorded for our benefit, of the sanctity of
marriage, of the closeness of the union it creates, and of
the necessity of perpetuity as an element of its capacity
to attain its chief ends, and to administer a real dis-
cipline to the human character.
4. A further proof of the elevated estimate of mar-
riage among the Greeks is afforded by their views, so
far as they can be traced, of the offence termed incest.
The Homeric deities, indeed, were released in this
o Od. xxii. 38. P Od. xvi. 75.
490 Olympus : the Religion of the Homeric age.
respect, as in others, from all restraint. Eris, or Enuoi,
was both tlie sister and the concubine of Mars : Juno,
the sister and the wife of Jupiter, y^olus^ though
called ^/Ao? aQavaroiG-i Oeoia-iv, must have been more
than man ; because Jupiter had made him[ warden of
the Winds, which it was his prerogative to confine or
to let loosed And in virtue, I suppose, of belonging to
the class of superior beings, his six daughters were,
without any consciousness of offence, the wives, the
aiSoiai a\o)(Oi, of his six SOUS*.
In Troy, Helen apparently becomes the wife of two
brothers in succession. We must not overrate the force
of merely negative evidence, but it will be observed
that Homer does not furnish us with any trace of this
usage among the Greeks. The story of Phoenix pro-
bably implies, that the connection of the same woman
with a father and a son was incestuous ; for the full
efficacy of the remedy proposed by his mother turns on
the supposition, that there would remain to his father
no alternative but incest after Phoenix had gained his
object, and that such an alternative would at once deter
him from the love of the stranger.
In Scheria, Alcinous is married to Arete, the daugh-
ter of his elder brother Rhexenor^. Tyro was the
wife of Cretheus, and was apparently also his niece '^.
Again, we appear to find in the Iliad an example of
a marriage, by one shade yet less desirable, that of a
man with his aunt. Tydeus, the father of Diomed,%vas
married to a dauci'hter of Adrastus : and J^^ofialeia the
wife of Diomed, as she is called ' A(\o}]a-rLP>], was probably
his aunt likewise^'.
q II. iv. 441. >■ Od. X. 2. s Od. X. 20.
t Od. X. 7. " Od. vii. 6^, 6.
^ See Aehasis, sect. ix. Od. xi. 235-7. y II. iy. 121.
Greek ideas of incest. 491
Wc liavc also among the Trojans an example of a
man's marriage \\'\i\\ his aunt. Iphidamas, son of An-
tenor'^, was brought up in the house of Cisses his mater-
nal grandfather ; and he contracted a marriage with his
mother's sister just before proceeding to the war.
At the same time, the law of incest is clearly a pro-
gressive one from the infancy of mankind onwards, and
what we have to consider is not so much its precise
extent, as the degree of genuine aversion with which
the violation of it is regarded. Upon this subject there
can be no doubt, when we read the jiassage in the
Eleventh Odyssey respecting the ixcya epyov of ffidipus
and Epicaste, and the fearful consequences which,
though it was done in ignorance, it entailed upon
them^ In principle, then, that restriction of the field
of choice, which adds so greatly to the intimacy and
firmness of the marriage tie, was fully recognised in
Greece.
Neither do we want traces in Homer of that re-
markable effect of the unifying power of marriage,
which confers upon each partner in the union an equal
and common relation to the family of the other, by a
convention which has so much of the moral strength of
fact. The most remarkable of all the indications upon
this subject in the poems is that, which relates to the fu-
ture life of Menelaus. He is said to be elected to the
honour of a place in the region of Elysium after this life,
not in virtue of his own merits, but as being, through
his marriage with Helen, the son-in-law of Jupiter.
The recognition of relationships through the M'ife or
husband to the husband or wife respectively, and the
existence of names to describe them, is a sign of the
completeness of the union effected by the marriage tie.
z II. xi. 320-6. a 0(]. xi. 271-80.
492 Olympus: the Religion of the Homeric age.
That these terms were not merely formal and ceremo-
nious, we may judge from the speech of Alcinous :
r] Ti? TOL KoX irrjos aTTe(p6tT0 IXiodi irpo
icrOXos ecbi', yaiJi^po'i ?) irevdepos, otre ixakicrTa
K7]8toTot T^Xi6ov(n, p.eO^ aljua re koL yh'os avTwv^^.
Now of these words we have the following ;
7rj;of, for any relative by affinity ;
eKvpo9, TrevOepog, father-in-law ;
€Kvpri, mother-in-law ;
Sahp, brother-in-law ;
ya\ou)9, sister-in-law;
7a/>ij8|0o?, son-in-law;
VV09, daughter-in-law ;
jULtjrpvi}], stepmother ; or the lawful wife, in relation
to a spurious son. There is but one real example,
Eeriboea, of a stepmother in Homer (II. v. 389).
And, lastly, we have elvaTeip, husband's sister-in-
law, a relationship not expressed by any word in the
English and many other languages. The elva-repe^ are
always separate from the yaXou).
The formation of this large circle of relationships
by affinity is the correlative to a well-defined strictness
in the marriage law. For these relationships would mean
nothing, but would simply betoken and even breed
confusion, unless marriage were perpetual and incest
eschewed.
Friedreich"^ truly observes, that the law of incest, in-
stead of being tightened, was relaxed at a later period
in Greece ; a very decided mark of moral retrogression,
which cannot be cancelled by all the splendours of her
history.
5. We come now to the remaining question; how
^ Otl. viii. 581-3. c Realien, c. III. ii.
Fidelity in married life. 493
was this great obligation practically observed in tlio
Greece of the heroic age ?
Part, at least, of the answer is easy to give. By
women it was observed admirably. Except only in the
case of Anteia, two generations old, there is no instance
in Homer of a woman who seeks the breach of it. The
forcible or half forcible seduction'', and progressive con-
tamination, of a part of the unmarried women who belong
to the household of Ulysses, is one of the three great
crimes which draw down from Heaven such fearful ven-
geance upon the Suitors. Of the TraXXa/cJ?, we hear but
twice in the poems ; nor can we say that this word meant
more than a concubine'^. Among the Greek chieftains,
cases of homicide are more frequent than those of
bastardy. And when such instances are mentioned, it is
not in the hardened manner of later times.
It is something at least that, in such matters, a nation
should be alive to shame. We have various signs that
this was so in Greece. One of them is the tender ex-
pression'' :
TtapOevos alboCrj, VTrepco'Cov eiaavajSaaa.
It must be remembered, when we touch upon these
morbid parts in human life and nature, that the society
of that period did not avail itself of the expedient of
the professional corruption of a part of womankind in
order to relieve the virtue of the residue from assault.
Among the Greek chieftains and their families,
Polydore, a sister of Achilles, had a spurious son®.
Nestor *^ sprang from a father of spurious birth. Each
Ajax had a spurious brother''. Only Menelaus of all the
chiefs is mentioned as having himself had an illegitimate
son. This son, who has the touching name of Mega-
^ Od. xxii. 37, KarevvdCecrde ^ II. ii. 514, cf. xvi. 184.
jStai'wj. e II. xvi. 175.
c II. ix. 449. Od, xiv. 303. f Od. xi. 254.
494 Olympus : the Religion of the Homeric age.
penthes, was born ta him by a slave, evidently after
the rape of Helen ; he was apparently recognised in
part; his marriage was celebrated at the same time
with that of his legitimate sister Hermione, but it was
contracted with a person of lower station. He was nikv-
yero^i the last as well as the first ; though Helen, owing,
as the Poet intimates, to a divine decree, had no more
children, with whom to console her husband, after her
return from the abduction.
The superior rank conferred by lawful birth is in
every case strongly marked ; and this perhaps is the
reason why we never find the succession to sovereignty
in Greece disturbed by illegitimate offspring.
The great majority of illegitimate births in Homer
are those ascribed to the paternity of deities. It is pro-
bable that this extraction may be pleaded to cover
sometimes marriages which were conceived to be beneath
the station of the woman ; sometimes instances like
that of Astyoche^, when war had both excited passion,
and provided opportunities and victims for its gratifi-
cation^'. Setting these cases aside, the cases of illegi-
timacy in heroic Greece appear to be rare.
At the same time, instances are found ^ in which a
spurious child (only, however, I think in the case of a
son) is brought up in a manner approaching to that of
the legitimate offspring: and a certain relationship is
acknowledged to exist, for the wife is said to be fxt]-
Tpvu], or step-mother, to the illegitimate son. In the case
of Pedasus, it was Theano, Antenof s wife, who herself
educated the bastard : but it is plain that in Troas con-
cubinage was far more fully recognised, than in Greece.
Agamemnon in the First Iliad, as we have seen,
when announcing his attention to make Chryseis a
S II. ii. 658-60. ^ Acliseis, or Ethnology, Sect, ix. p. 534.
i 11. V. 69-71. Od. xiv, 203.
Fidelity in married life. 495
partner of his bed, by no means treats this concubinage
as being M'liat it woiihl have been with Priam, a matter
of course and requiring no apology, but founds it upon
his preferring her to his wife Clytemncstra\
In the camp before the walls of Troy it certainly
appears as if by the use of the word yepa?, prize, Homer
might, as it is commonly assumed, mean to indicate,
for most of the principal chiefs, that they had captives
taken in war for concubines. But the point is far from
clear ; and at any rate Menelaus, as is observed by
Athengeus, forms an exception's This circumstance af-
fords rather a marked proof of Greek ideas with respect
to the durability of the marriage tie ; for that author
is probably right in ascribing it to his being, as it were,
in the presence of his wife Helen. This concubinage,
however, appears to have been single in each case v/here
it prevailed ; or, if it was otherwise. Homer has at least
deemed the circumstance unfit to be recorded. There
is no sign that the seven Lesbian damsels of II. ix. 128
were concubines.
Achilles, after the removal of Briseis, had Diomede*
for the companion of his couch. But Briseis appears
to have had his attachment in a peculiar degree. He
calls her his a\oj(ov dv[xapea^^. It is said that the word
a\oj(og may mean a concubine". I do not find any
passage in Homer, except this of II. ix., where it may
* II. i. 112. that aXoxoi must mean wives of
^ Atlien. xiii. 3. on ov8afjLa>s the Sairv/ioyes. In Od. ix. 115,
TTjs 'iXiddos "OfjLTjpos enoiTjo-e Mtve- I find no reason for departing
Xaw avyKOiiMofifvrju TraXXciKi'Sa, ttckti fi'oin the plain meaning of loives.
80VS yvvaiKas. It would be giving too much
1 Ih ix. 664. credit to the Cyclopes for civili-
™ Ibid. 336. zation, were we to suppose that
^ Danim, Liddell and Scott, they x-ecognised a distinction be-
In Od. iv. 623, Nitzsch considers tAveen Anfc and concubine.
496 Olympus : the Religion of the Homeric age.
not with the most obvious propriety be translated 'wife.'
It has its highest force, no doubt, in such expressions as
fA.v}](TTr] a\o)(o? and KoupiSu] a\o)(o? : even as we say in-
tensively ' wedded wife.' But the term is the standing
phrase for wife, as much as TCKva for children ; and it is
impossible, consistently with what we see of the usages
of marriage among the Greeks, to suppose that the
same term was alike applicable to wives and concu-
bines. Nor is it necessary to draw such a conclusion
from this passage. We might be tempted to suppose,
that Achilles here puts a strain as it were upon the use of
the word, and for the moment calls Briseis his wife,
in order to prepare the way for the tremendous and
piercing sarcasm which immediately follows":
?/ [xovvoi (piX^ova a\6)(^ovs ixepoiroiV avOpaircav
'ArpelbaL ;
But we may, I think, more justly, and without any resort
to figure, observe, that the whole argument of this pas-
sage turns upon and requires us to suppose his having
treated Briseis as he would have treated a wife. So
likewise his declaration, that every good man loves and
cares for his wife, becomes insipid, and the whole com-
l^arison with the case of Menelaus senseless, unless we
are to give the force of wife to the name aXo^^^o?.
Probably the explanation may be, that she was de-
signated for marriage with him ; for in the Nineteenth
Book, where she utters a lamentation over Patroclus,
she declares how that chief kindly encouraged her to
bear up in her widowhood and captivity, promising
that she should be the wife of Achilles, and that the
banquets, which, with their attendant sacrifices, seem
to have constituted for the Homeric Greeks the cere-
II. ix. 340.
Mode itj covtrdcfliKj niai'riaf/e. 497
nionial of marriage, sliould be celebrated on tlieir re-
turn to PhtliJai'. I should therefore sup])Ose that we
might with strict justice render aXoxo in 11. ix. 336,
' my bride ;' always remembering that we are dealing
with a relation that was not governed by rules, and
that might virtually inure by usage only.
The subsequent passage ^, in which the hero speaks
of marrying some damsel of Hellas or Phthia, is quite
consistent with this construction, for, as it is plain that
no actual marriage had been concluded between them,
his relation to Briseis terminated with her removal de
facto. The same passage, as well as the custom of
Greece, makes it reasonable to understand that the
mother of Neoptolemus, whoever she may have been,
was now dead.
Indeed it is to be remembered all along, that we
are speaking of a state, rather than an act. We know
nothing of a ceremonial of Homeric marriage beyond
the exchange of gifts and the celebration of festivities
in connection with the domicile, neither of which could
ordinarily have place in the case of a captive while
continuing such. She would grow into a wife in virtue
of intention on the part of her lord, confirmed by
habit, and sealed by a full recognition when the cir-
cumstances, that would alone admit of it, should have
arrived .
The concubinage of the Greek chiefs, practised as it
was during a long absence from home, bears an entirely
different domestic and social character from that of
Priam. It clearly constitutes, especially if the con-
nections were single, the mildest and least licentious
of all the forms in which the obligations of the marriage
tie could be relaxed.
P II. xix. 295-9. 1 II. ix. 395-7.
K k
498 Olympus : the Religion of the Homeric age.
The presence of a concubine within the precinct of
the family seems to have been differently viewed by the
Greeks ; for here, and here only, do we find the disparag-
ing word iraWaKh (whence the Latin pellecv) applied
to a person in that position. The two cases of it are
as follows. In one of them Ulysses feigns a story of
his having been a son of the Cretan Castor, born of
a iraXKaich, but (which he mentions as a departure from
the general rule) regarded by his father as much as
were his legitimate children ^ The other is the instance
of Phoenix in the Ninth Iliad. Amyntor his father had
an intended or actual concubine ; and, bestowing his
affections on her, slighted the mother of his child. She,
in resentment or self-defence, entreated her son Phoenix
to cross or anticipate his father^ and win the woman
to his own embraces ^ He complied; and thus drew
down upon himself the dire wrath and curses of his
father, which kindled his own anger in return ; but he
restrained himself from the act of parricide, and be-
came a fugitive instead. This legend is somewhat
obscure ; but it appears to indicate plainly that concu-
binao'e was not a recoo-nised institution amono^ the
Greeks, as it seems to have been among the Trojans.
So again, when Laertes had purchased Euryclea ^,
we are told that he never attempted to make her his
concubine, anticipating the resentment of his wife. It is
plain, therefore, that this would have been an admitted
offence on his part ; and accordingly, that concubinage
was contrary to the ideas of Greece respecting conjugal
obligation.
Within the i)recinct of the Greek marriages, which
was secured and fenced in the manner we have seen,
■' Od. xiv. 1 99—204. s The expression is TrdXKaKidi Tvpojiiyrivai.
t II. ix. 447, and seqq. ^ Od. i. 433.
Dignity of conjiKial iiiainier.'^. 400
there prevailed that tenderness, freedom, and elevation
of manners, which was the natnral offspring of a system
in tlie main so sound and strict. The oencral tone of
the relations of husband and wife in the Homeric
poems is thoroughly natural ; it is full of dignity and
warmth ; a sort of noble deference, reciprocally ad-
justed according to the j)osition of the giver and the
receiver, prevails on either side. I will venture to add,
it is full also of delicacy, tliough we must be content
to distinguish, in considering this point, between what
is essential and what is conventional, and must make
some allowance for the directness and simplicity of ex-
pression that characterized an artless age''.
With this delicacy was combined a not less remark-
able freedom in the Greek manners with respect to
women. We find Penelope appearing in her ])alace at
will, on all ordinary occasions, before the Suitors; al-
though, on the other hand, no woman would be present
where any thing like license was to be exhibited, as
we may judge from the case of the lay of Demodocus in
the Eighth Odyssey. The general freedom of woman is
however most fully exhibited in the case of Nausicaa.
She goes forth into the country with her maidens un-
attended. When Ulysses appears there is no fear of
him as a man, or even as a stranger, but only from his
condition at the moment. This difficulty she surmounts
with a dignity which she could not have possessed by
virtue of her personal character only, nor except in a
case where great liberty was habitually and traditionally
enjoyed by women.
Her arrangement of the maimer in which he is to
enter the city apart from her, and her regard in this
^ See Friedreich, Realien, c. ii. §. 56. pp. 196-200, where this subject
in excellently treated.
K k 2
500 Olympus : the Religion of the Homeric age.
matter to opinion, both rest upon the same presumption
of her freedom from petty control, as does her playful
demand upon Ulysses for 'C^omypta, or salvage.
Again, how remarkable it is that Alcinous, far from
being surprised that his maiden daughter should have
entered into conversation with a stranger, is actually on
the point of finding fault with her for not having shown
a greater forwardness, and brought him home in her
own company : a reproach, from which Ulysses saves
her by his intercession y.
It is not only from this or that particular, but it is
from the whole tone of the intercourse maintained be-
tween men and women, that we are really to judge
what is the social position of the latter.
And this tone it is which supplies such conclusive
evidence with respect to the age of Homer. Achilles
observes, that love and care^ towards a wife are a matter
of course with every right-minded man. Love and care,
indeed, may be shown to a pet animal. It is not on
the mere words, therefore, that we must rest our conclu-
sions; but upon the spirit in which they are spoken, and
the whole circle of signs with which they are associated.
It is on the reciprocity of all those sentiments between
man and wife, father and daughter, son and mother,
which are connected with the moral dignity of the
human being. It is on the confidence exchanged between
them, and the loving liberty of advice and exhortation
from the one to the other. The social equality of man
and woman is of course to be understood with reserves,
as is that other equality, which nevertheless indicates
a political truth of the utmost importance, the equality
of all classes in the eye of the law. There are dif-
ferences in the nature and constitution of the two great
y Od. vii. 298, 307. z Tl. ix. 341.
Social position of the wife. .'jOI
divisions of the race, to be met by aclaj)tati(>i)s of treat-
ment and of occupation ; without such adaptations, the
seeming equality would be partiality alike dangerous and
irrational. But, subject to those reserves, we find in
Homer the fulness of moral and intelligent being alike
consummate, alike acknowledged, on the one side and
on the other. The conversation of Hector and Andro-
mache in the Sixth Iliad, of Ulysses and Penelope in the
Twenty-third Odyssey, the position of Arete at the
court of Alcinous, and that of Helen in the palace of
Menelaus, all tell one and the same tale. Ulysses, for
example, where he wishes to convey his supplication in
Scheria to the King, does it by falling at the Queen s
feet : but she does not supplicate her husband : the ad-
dress to her seems to have sufficed. And Helen appears,
in the palace of Menelaus, on such a footing relatively
to her husband, as would perfectly befit the present
relations of man and woman. Nay, we may take the
speech of Helen in the Sixth Iliad, addressed to Hector,
where she touches on the character of Paris, as equal
to any of them by way of social indication. What we
there read is not the sagacity or intelligence of the
speaker, but it is the right of the wife (so to call her)
to speak about the character of her husband and its
failings, her acknowledged possession of the standing-
ground from which she can so speak, and speak with
firmness, nay, even with an authority of her own.
When we see Briseis, the widow of a prince, sharing
the bed of Achilles, and delivered over as a slave into
the hands of Agamemnon, when we find Hector anti-
cipating that Andromache might be required to per-
form menial offices for a Greek mistress, and Nestor
encouraging the army not to (juit Troy until they had
forced the Trojan matrons into their embraces, Me are
50^ Olympus : the Religion of the Homeric age.
struck with pity and horror. But we must separate
between the danger and suffering wliich uniformly dogs
the weak in times of violence, most of all, too, after the
sack of a city, and what belongs to the age of Homer
in particular. After this separation has been effected,
there remains nothing which ought to depress our views
of the position of woman in the heroic age. The sons
of Priam, princes of Troy, were sold into captivity by
Achilles as he took thenr' : of course the purchasers
put them to menial employments. Not only so, but
EumiiHis, the faithful swineherd and slave of Ulysses,
was by birth royal : his father Ctesios was king of two
wealthy and happy cities'^. From the name Yivpvixe-
Sovaa, it would appear probable that she also, the
chamber-woman of the palace of Alcinous, though a
captive, was of noble birth '^.
There is not in the whole of the poems an instance
of rude or abusive manners towards woman as such, or
of liberties taken with them in the course of daily life.
If Melantho gets hard words, it is not as a woman, but
for her vice and insolence. The conduct of the Ithacau
Suitors to Penelope, as it is represented in the Odyssey,
affords the strongest evidence of the respect in which
women were held. Her son had been a child : there
was no strong }>arty of adherents to the family ; yet the
highflown insolence of the Suitors, demanding that she.
should marry again, is kept at bay for years, and never
proceeds to violence.
We find throughout the poems those signs of the
overpowering force of conjugal attachments which, from
all that has preceded, we might expect. While admit-
ting the superior beauty of Calyj)so as an Immortal,
Ulysses frankly owns to her that his heart is })ining
a II. xxi. 40. '^ Ofl. XV. 413. c Od. vii. 8.
Force of conjiujal attachments. 503
every day for Penelope*^. Tt is the highest honour of a
hero to die fitrhtins" on behalf of his wife and children.
The continuance of domestic happiness, and the con-
cord of man and wife, is a blessing so great, that it ex-
cites the envy of the gods, and they interrupt it by
some adverse dispensation t^. And no wonder; for no-
thing has earth to offer better, than when man and
wife dwell together in unity of spirit : their friends
rejoice, their foes repine : the human heart has nothing
more to desire*". There is here apparently involved
that great and characteristic idea of the conjugal rela-
tion, that it includes and concentrates in itself all other
loves. And this very idea is expressed by Andromache,
where, after relating the slaughter of her family by
Achilles, she tells Hector, ' IJector, nay but thou art
for me a father, and a mother, and a brother, as well as
the husband of my youtl^ ^.' To which he in the same
spirit of enlarged attachment replies, by saying that
neither the fate of Troy, which he sees approaching, nor
of Hecuba, nor of Priam, nor of his brothers, can move
his soul like the thought, that Andromache will as a
captive weave the web, and bear the pitcher, for some
dame of Messe or of Hypereia^^
With the pictures which we thus find largely scat-
tered over the poems, of the relations of woman to
^ others, the characters which Homer has given us of
woman herself are in thorough harmony. Among his
living characters we do not find the viragos, the ter-
magants, the incarnate fiends, of the later legends.
^ Od. V. 215. Fatri ; conjugi suo, ivio Fratri ;
^ Od. xxiii. 210. ancilla sua, inib Jilia : ipsius
f Od. vi. 180-5. uxor, imh soror ; Ahadardo, He-
? II. vi. 429, 30. Compare Joissa. Abpel. 0pp.
the following : Domino suo, irtio '> II. vi. 450-7.
504 Olympus: the Belujioii of the Homeric age.
Nay, the woman of Homer never dreams of using vio-
lence, even as a protection against wrong. It must be
admitted, that he does not even present to us the
heroine in any more pronounced form, than that of the
moral endurance of Penelope. The heroine proper, the
Joan of Arc, is certainly a noble creation : but yet one
perhaps implying a state of things more abnormal, than
that which had been reached by the Greeks of the
Homeric age. The pictures of women, which Homer
presents to us, are perfect pictures ; but they are
pictures simply of mothers, matrons, sisters, daughters,
maidens, wives. The description which the Poet has
given us of the violence and depravity of Clytemnestra,
is the genuine counterpart of his high conception of
the nature of woman ^^ :
(OS ovK alvoTepov Kat Kvvrepov aWo yvvaiKos,
■fJTLs br] TOiavra [xeTo. (^p^mv ^pya ^aXr]TaL.
For, in proportion as that nature is elevated and
pure, does it become more shameful and degraded
when, by a total suj)pression of its better instincts, it
has been oiven over to wickedness.
o
Of the minor infirmities of our nature, as well as
of its grosser faults, the women of Homer betray much
less than the men. Nowhere has he introduced into
a prominent position the character of a vicious woman.
The only instance of the kind is among a portion of the*
female attendants in the palace of Ulysses, where, out
of fifty, no more than twelve were at last the willing
tools, having at first' been the reluctant victims, of the
lust of the proud and rapacious band of Suitors.
Clytemnestra, indeed, appears as a lofty criminal in the
perspective of the poem, but her vtickedness, too, is
wholly derivative, .^gisthus corrupts her by a long
'i Od. xi. 427. ' Od. xxii. 37.
Woinan-c/iaracters of Homer. 505
course of effort, for, as Homer informs us, she had
been a right-minded person ; (ppecri yap Ke-)(^pt]T ayuOijaiK
On the one side we have only to place her and the
saucy slut Melantho ; on the other, we have Andro-
mache, Hecuba, and Briseis in tlie Iliad ; in the
Odyssey, Penelope and Euryclea, Arete and Nausicaa;
the slightly drawn figures, such as that of the mother
of Ulysses in the Eleventh Odyssey, are in the same
spirit as the more full delineations. There is not
a single case in the poems to qualify the observation,
first, that the woman of Homer is profoundly feminine :
secondly, that she is commonly the prop of virtue,
rarely the instrument, and (in this reversing the order
of the first temptation) never the source, of corruption.
In company with all that we have seen, we likewise
find that the limits of the position of woman are care-
fully marked, and that she fully comprehends them.
There is nowhere throughout the poems a single effort
at self-assertion : the ground that she holds, she holds
without dispute. If at any point a stumblingblock could
be likely to be found, it would be between a mother
just parting with her authority, and a son newly come of
age. Yet Penelope and Telemachus never clash, and tho-
roughly understand one another. Again, the Homeric
man, even the Homeric good man, is sometimes the sub-
ject of hasty, vehement, and tumultuous passions ; the
woman never. She finds her power in gentleness ; she
rules with a silken thread ; she is eminent for the uni-
formity of her self-command, and for the observance of
measure in all the relations of life. The misogynism
which marked Euripides and other later writers has, and
could have, no place in Homer: the moral standard of
his women is higher than that of his men ; their office,
i Otl. iii. 266.
506 Olymjnis : the Reliyion of the Homeric age.
which they ])erform without fault, is to love and to min-
ister, and their reward to lean on those v/hom they serve.
The lower aspect of the relation between the two
sexes is in the poems wholly secondary. All that tends
to sensualize it is commonly repelled or hidden, and,
when brought into mention at all, is yet carefully and
anxiously depressed. Even the cases of exception, which
lie beyond the pale of marriage, are kept in a certain
analogy with it, and are as far as possible removed from
the promiscuous and brutal indulgence, which marked
the later Pagan ages, including those of the greatest
pride and splendour, and which still so deeply taints
the societies of Christendom.
We may find, if it be needed, some further evidence
of the high position of woman upon earth in the rela-
tion subsisting between the Homeric gods and goddesses
respectively. For that relation approaches as nearly as
may be to equality in force and intelligence, while in
purity the latter are on the whole superior. After
Jupiter, the deities most elevated in Homer are, Juno
and JNJinerva, Neptune and Apollo ; and of all these, I
think, we must consider JNIinerva to have stood first
in his estimation. This arrangement could not but har-
monize with, while it also serves to measure, his ideas
of the earthly place and character of M'oman.
A similar inference is suggested by the tendency of
the Greeks to enshrine many ideas, sometimes great,
and occasionally both great and good, in feminine
impersonations.
We will, lastly, inquire into the employments of
women in the heroic age ; both to ascertain how nearly
they could approach to the summits of society, and
also what was their general share in the division of
occu|iations.
Women were admitted to .sot'et'ei'jnti/. 507
Among- nations wliere war, homicide, and ])iracy so
extensively j)revailed, it is certainly deserving of pecu-
liar consideration, that we should h'nd any traces of the
exercise of sovereignty by a woman. There are how-
ever three cases in the poems, which in a greater or
less degree serve to imply that it was neither unknown
nor wholly unfamiliar.
1. Andromache states, that her mother was queen in
Hypoplacian Thebes. The word is (Saa-lXevei'^ . It im-
plies more than being the mere M'ife of a king ; though,
as it was during the life time of her husband Eetion, we
cannot justly infer from it that there was here any
exercise of independent sovereign ])ower. It is the
only instance in the Iliad, where we have any word,
that has ^acriXev<; for its basis, applied to a woman.
2. The common tradition is, that Jason acquired pos-
session of Lemnos by marriage with Hypsipyle its queen.
This is so far supported by Homer that, while Jason
clearly appears in the poems as a Greek, we notwith-
standing find his son sovereign of Lemnos, without any
indication of a conquest or regular migration, and
Hypsipyle is mentioned as his mother. The simple
fact that the mother, contrary to Homer's usual prac-
tice, is in this case named as well as the father, raises
a presumption that it is because she had reigned in the
island '.
In the Eleventh Odyssey we are told that Neleus,
the younger of the two illegitimate sons of Tyro, came
to dwell in Pylos, and that he married Chloris, the
youngest daughter of Amphion an lasid, giving large
presents to obtain her hand'". The text proceeds,
7/ 8e rivKov ftacTiAeve, t^k^v 8e ol ayXaa T€Kva.
k II. vi. 425. 1 11. vii. 468, 9. '" Od. xi. 254-7, 281-5.
508 Olympus: the Religion of the Homeric aye.
This may mean that she became his queen when he was
king of Pylos : or it may mean that he became her
husband when she was already queen there.
Tile Odyssey discloses to us the manner in which,
under circumstances like those of the Trojan war,
sovereign power would naturally pass into female
hands otherwise than by inheritance.
It would appear that, when Agamemnon set sail for
Troy, he left Clytemnestra in charge of his affairs as
well as of his young son Orestes, only taking the pre-
caution to provide her with a trustworthy counsellor in
the person of his Bard". As it was by inveigling Cly-
temnestra that iEigisthus obtained the sovereign power,
she must evidently have been its depository.
In like manner it would apj)ear, that Penelope was
left in charge of Telemachus by Ulysses when he went
to Troy, and that JNIentor was appointed to perform for
her some such friendly office, as that which the Bard
undertook for Clytemnestra. The statement here is,
that Ulysses committed to him authority over his
whole household". But it is plain that Penelope had
the indoor management ; since Telemachus speaks of
the mode in which she regulated the reception of
strangersP, and we hear of her rule in other matters'!.
Here we see openings for the natural formation of the
word ^aa-lXia-cra, which seems originally to have meant,
not a king's wife merely, but a woman in the actual
exercise of royal authority ; and which first appears in
the Odyssey.
The ordinary occupation of women of the highest
rank in the poems is undoubtedly to sit engaged, along
with their maidens of the household, in spinning, weav-
n Od. iii. 263-8. <» Od. ii. 225-7.
V Od. XX. 129-33. coinp. xix. 317. sqcj. > Od. x. 361.
' See Pope on Od. iii. 464-8.
L I
514 Olympus : the Religion of the Homeric age.
of Homer and his age. Pains liave also been taken in
their defence^'. And certainly, if there be need of a
defence, Eustathius does not supply one by pleading,
that it was the custom of the time, and that the
Pylian princess doubtless acted by the command of her
father'. What is wanted appears to me not to be de-
fence, but simply the clearing away of misapprehensions
as to the facts.
It would assuredly be strange, were we to detect
real immodesty among such women of the heroic age
as Homer has described to us ; or even among such
men. At a period when the exposure, among men
only, of the person of a man constituted the last ex-
tremity of shameful punishment", and when even in
circumstances of the utmost necessity Ulysses exhibited
so much care to avoid anything of the kind", it is
almost of itself incredible that habitually, among per-
sons of the highest rank and character, and without
any necessity at all, such things should take place.
And, as it is not credible, so neither, I think, is it
true.
It may be observed, that thefe is no case of ablution
thus performed in the Iliad. But this ai>pears to be
only for the same reason, as that which makes the meals
of the camp more simple, than those which were served
in the tranquillity of peace and home.
The words commonly employed by Homer in this
matter refer to two separate parts of the operation :
first, the bathing and anointing, then the dressing.
They are commonly for the first Xoixa and xp'^'^ '• f*^^* ^^'®
k Nagelsbach, Horn. Theol. v. 34. ' Eustath. in loc. 1477.
m II. ii. 260-4. " Od. vi. 126-8.
E.rplnnationft of the prei^nmed difficult i/. 515
second (BaWw, with tlic names of the proper vestments
atUled (Ofl. iii.467) ;
afj.(}}l bi }xiv (papo^ hpS)V ovra K>]?>e Heculja, 817.
Briseis his wife, and who had no ^ l]^[c\. 44. cf. ver. 358.
other, has been already discussed. '^ Ibid. 724.
Subsequent declension of the 'place y the de.sifjn. 533
barrassed than it now does. The eagle tliat mounted
upon liigh, bearing on his wings the EveHasting Gospel,
would have niade his first spring from a great eminence,
erected by the wit and skill of man; and the elevation
of that eminence, measured upward from the plain of
common humanity, would have been so much to be de-
ducted from the triumph of the Redeemer.
Thus the destructive theories of those, who teach us
to regard Christianity as no more than a new stage,
added to stages that had been previously achieved in
the march of human advancement, would have been
clothed in a plausibility which they must now for ever
want. ' God hath chosen the foolish things of the world
to confound the wise; and God hath chosen the weak
things of the world to confound the things which are
mighty ; and base things of the world, and things
which are despised, hath God chosen, yea, and things
which are not, to bring to nought things that are*^.'
An unhonoured undistinguished race, simply elected to
be the receivers of the Divine AVord, and having re-
mained its always stiffnecked and almost reluctant
guardians, may best have suited the aim of Almighty
Wisdom ; because the medium, through which the
most precious gifts were conveyed, was pale and co-
lourless, instead of being one flushed with the splen-
dours of Empire, Intellect, and Fame.
'' I Coi-. i. 27, 8.
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