[t^ V^\/W^^,^ IV' )|6\/ A,.^JU>UV^ 
 
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FAMOUS 
 LOVE SONGS 
 
 OLD &" NEW 
 
 PICTURES BY 
 
 CLARENCE F. UNDERWOOD 
 
 C(;VER BY 
 LESTER RALPH 
 
 DECORATIONS BY 
 EARL STETSON CRAWFORD 
 
 INDIANAPOLIS 
 
 THE BOBBS- MERRILL COMPANY 
 
 PUBLISHERS 
 
Copyright 1907, 1909 
 The Bobbs-Merrill Company 
 
Mr 
 
 .^C 
 
 '^,rn:i($^ii7^ 
 
 oil ! tfe?3 flays are gone, vyhoti iVonaJ;y i)ri;.'$iU 
 
 iV(y h'oarrs chma y/ov^)', 
 When nvy 4roaiii ©f lifc tcoux n\o\'a till mi^lU 
 
 Was love, still lovo. 
 
 Mgv/ Ivojvo may l)loou\, 
 
 An*! <lays ii\ay coii\o 
 
 Of iiiiM'or, oaliaor hoani, 
 'j^ul J:hu:ro's iiotain:'^ Ivilf ^o >,v/-^:-ol m Wq 
 
 As love's yomx'/-, *(roau\ ; 
 Mo, Ihero's i-ioi;hia;^ hali so svyoot id life 
 
 As love's youii;^ ^r-oam. 
 
 Love's Young Dream 
 
 "^ 
 
 ■^r 
 
 i^x..^v 
 
 ^*!89nO 
 
Tlioiigli the bari to piinrr fanwi may soar^ 
 
 'Wlvod vyiUl youth's past ', 
 Thof{;^h ho vyif\H Ui® wlsi3, who frovYfVO'l l)tiforo, 
 
 'Co -siiiilo ni; last] 
 
 KoMl (lovor iiioot 
 
 A joy -SO svYoot; 
 
 ((\ all his noon of faniO; 
 A-s v/hon (irsi: ho sun;^ to vyoinan's oar 
 
 \ (is sotd.foli: ilauvO; 
 Aih\j n'(. oyory closo, sho hlushod to hoar 
 
 'fho ono lo¥€d laaino. 
 
 Loue's Young Dream 
 
 n ij\i 
 
 1 / / 
 
 k- 
 
 
No — that hallo vyo«l foiMn Is no'or for;^ot 
 
 VVhioh iii'-s): loyo traoo^l; 
 3tiil \l li(\;^ori(i;^ haunts tho ^^r^eneHt Sjvot 
 
 Oa (lV0l(lOl"y^s vvasio, 
 
 'Tvyan o^lor iloi 
 
 As soon as sled ; 
 
 'Twas morni(\;^'s vyi(i;^o4 ^Iroani; 
 'Tv/as a li;^hi: thai: mfer caw nhino a;<aif\ 
 
 Oa lifo'-s ^lf(ll strnaiin 
 Ohl Mvyas li;^h<: thai: do'or can slfmo a;^aiii 
 
 Oil li/u's duJi stroaiii. 
 
 Love's Young' Dream 
 
"^ 
 
 Brldk CO u\o only v/ith UVuio -^^y^-i^, 
 
 A(\'( ( v/ill plo*(;^'o v/ith u\i(i'o: 
 Or loayo a kins vvitUid Uvo cno,, 
 
 Ah'I (Ml av)i: look '(oc v/'uvo, 
 Tho Uursi: that cVoia Uvo so'd ^loth riso 
 
 Doth ask a ^Iridk ^liyifi-oi 
 ;sy((t ii\i;^hi: ( ofJovo'-s n-ootar -'^'{p, 
 
 J vyo'(M (loi: chan;^o xoc ihino. 
 
 sA 
 
 To Celia 
 
I sent tilt)!) Int-o n rosy vyft)ath, 
 
 Hoi so jiiuch hoiioriri;^ !;hoi3 
 As '^(\Y\iV/, it a hojvo Vanl Llvorij 
 
 To Celia 
 
 \/'' ■/■ 
 
Bdt tho'i tl^oroon slubt only J)rv)a};ho, 
 A]ri*l sent'^t U hn<i\<. to mo ; 
 
 Mot of Itsdf I)1Jt thoo i 
 
 To Celia 
 
t 
 
 ■}^J 
 
r-. 
 
 ^-x^.^ 
 
 Ao i'arovyoH; mvi i;hon for -oyorl 
 Deep ill lioar }; 'Vvruri;^ toar^s (Ml p]')»l;^o tlaes, 
 Warring sl:^h-s atul ;^^oatl^> (Ml V7a;'5i3 tfcee. 
 Who sMl say that {""orlutio ;^^ioYo^s him, 
 WliTlo tho ^>tar ©f hope slio 1oavt)s him? 
 Mo; nao choorfq' tvyiaklo li;|hb :u\o, 
 Davk 4o^>pai^ aroimtl l)0(\i;^his lae. 
 
 >l^ fvnd Kiss 
 
 
]MI n-o^'or blauvo luy (partial fanoy, 
 .'tNaothifi;^ oo'(M rosisi: lay Nancy] 
 IV (i: to -so'O hor was to lovo Ivor, 
 J/Oyo l)((i: Ivor, atul lovo foroyor. 
 Mad VYo novor loy'4 sa-o kitully, 
 ^1 Uv\ vyo (voyor loy'*l ^^ao blin^lly, 
 Moyi^i' n\oi: — oc a'^)V\){' paiN/oJ — 
 VVo Ivi'l (lo'or boon l)rokon'ivoario<l. 
 
 K;- 
 
 ■^4>^ 
 
 i4^ /Tl«(i /f/55 
 
 ' /'i _vi,Yii^'^" -■■'' ' 
 
 '''1r"^^?te5 
 

 ili^aru' lhv)0'Vyool, taon oost ati'l '(oarosU 
 
 TMne j)v:! Ilka joy an<l troasaro, 
 
 Peace, ^"^njoyiiioni:; l/Ovo a a* I iMoastirol 
 
 Ao fofi'l kiss a a* I tlvoa v/o soy or i 
 
 Ao .farov7oll, alas^ .for ovor I 
 
 3)001) la ?noart ■v/rfia;^ toars (Ml plo<l;^o ihoo^ 
 
 l/Varrln^ slglis an*] x^roans Pll vya;^o ihoo. 
 
 L.. 
 
 Ae Fond Kiss 
 
 \\ 
 
Vl^ 
 
■^ 
 
 
Whoro aro you ;^oin;^j ji\y protty ii\ai(l? 
 :^ai«l; -sir^ sho -sa'ul ; 
 
 IS hall 1 go wlt!^ yori, nvy ^^retty fnaul? 
 ^hall 1 150 with you, iivy proUy u\ai4? 
 Ohj yo.^; if you ploaso; ki(i>( -^ir, 5ivo -sai^l, 
 
 5ip, ^ho 8ai«l; -SIT; -sho sai^l ; 
 Oh, y^os, if you ploano, .kitul sir, slvo saH, 
 
 IWr^r^ >lr^ You Going, My Pretty Maid 
 
^^^ 
 
 -r 
 
 ¥/hn<: Is your foiv/inv), uvy i)C'yO:y maH? 
 Y/\\<\1 H your forfcan-o, \i\y o,c\)Uy iivni<l? 
 My V'WA) is 'iiy fori:' mo, sir, she said, sir, sla^ 
 
 sai'lj sir, slvo ~snid ; 
 My i'aco is jtiy foridno, sir, shcj salil. 
 
 Th;yn 1 can's; ramcry yon, iny f^retty maid! 
 "Civoa ( oad'i; inarry you, {[xy proU/y (iiald ? 
 ?lol)ody ax'^l you, sir, sho saM, sir, sho said, 
 
 sir, sho sal«l', 
 I^lv)l)ody ax'vl you, sli% shv) salvL 
 
 Where Are You Going, My Pretty Maid 
 
 A.: f-f ''-^ 
 
 
I dreamt tbat I dwelt In marble halls, 
 
 y/h\\ vassals and serfs at my side, 
 
 A(\^l o( all v/ho assembled wltMn those walls, 
 
 Tiiat I y/as Iha l^ope and the pride. 
 
 I lioi] ii'iclvos too great to coaat — couW J)oasi 
 Of a ,h \'/,[\ na ct3stral Mame 
 Bitt '( also ^roadit wMch ;plv)a5>o*l uio jiiost, 
 Tlmt yoa lovovl jho sllll dio sanw). 
 
 / Dreamt That I Dwelt in Marble Halls 
 
I ^liM^aial thnt spltovn ^o^i^^lil: any hm\i] 
 
 Thai; knl;^'ht'^ npoa l)oi\*lo»l ]<ao'0] 
 
 Aivi v/kU vo'vys no :ina]vlt)(\'5 hoarl cmM 
 
 Th^y <)h)*l;jv>l tholr :feltli t© me, 
 
 A(bl i »lroaiivt llva!: odo of that iioMe li©st 
 
 <yaci\o locXU iivy hatid to claim^ 
 
 IVat i also 4r'oait\i: vyhioh picas'*! 'nw) :ii\os(:, 
 
 Th^ii: yof( loYc<t uvo -still tho samo. 
 
 / Dreamt That J Dwelt m Marble Halls 
 
 
^ 
 
 t 
 
 C,\i\ a oo^ly laoot n j)o<ly 
 
 Co.nl in' Uiro' Uvo ryo^ 
 
 Gla a j)0'ly ki^n a oo^ly^ 
 
 'N'00>1 a 5)o>(y ory? 
 
 (Ika ]a-S-sio has Ivor ja^l^io; 
 
 .NaaOj thoy nay^ ha') (; 
 
 Yot a' tho laa:> thoy smllo at :iao 
 
 Whoa coii\i(\' -Vaco' cho ry-- 
 
 Comin' Thro' the Rye 
 
t.;'--. V,' 
 
 c'on\u\^ iVa-o Uvo i:<)v/n; 
 
 cVi!\ a body ni-ooi: a body^ 
 
 ,'Mood a body frovyo? 
 
 ilka la-Hsio has hor laddio, 
 
 Maao, tlvoy -sayj hao (, 
 
 Yoi: a' Uvo la-ts thoy -suiTlo at uvo 
 
 VVhod oonv'ui' xhro' iho ryo. 
 
 /"03 
 
 Comin' Thro' the Rye 
 
 (V 1 - yi 
 
 l£i»' 'Si? 
 
Aman;^ X'h^^ train tlvorn h n ^y/aia 
 
 i 4')ndy lo'o Tivy.soT ; 
 
 IVU, v/hni; his (intivo, or v/lKUir hh 'hani-o, 
 
 ( ilinna oaro i::> i:oU, 
 
 Oka las-^io has h>:f h\c(*lioj 
 
 iNaaO; th'oy sa/; hao (, 
 
 Yoi: a' tao la>U thay sialla ai: 'lao 
 
 y/han oou\iri' thro I: ho ey^\ 
 
 / ^i / 
 
 Comin' Thro' the Rye 
 
 \ '■■^^ V: r'-'iPO^- 
 
 ^ 
 
 \ 
 
■Of all cho :({vh Ihnl t\\'\) .so nuinrl; 
 'Clvor-o's (vono liko protty .S;\lly ; 
 vSlio is u\^ 'Inrlid;^ of ii\y hoari:; 
 .A(i«l sho liv'os ill one alloy, 
 Thos'o's no'or a ia-ly id 'cho !ajul 
 Tlia'':s half ^o ^svyoot as ^ally ; 
 5ho is l\v-) ^larliag of^iixy hQixrl, 
 Aihi sho livos ia mw nlloy. 
 
 J (or faUior ho .ii\ako^^ cal)l)a^k) wetSj 
 A.a4 thro' tho strools docs cry t\mm, 
 Msr ^jtioi:hor j>ho ^-Mi^, \ncm loa;^, 
 To all vyho aoo<l U) j)(ry thoni. 
 Bat can snch folks th® pm^mitB h@ 
 Of sitch a :(\A as .Sally? 
 ShQ Is tho 'laiiid;^ of ii\y "hoartj 
 Ati'l sho liyos iti our alloy, 
 
 Sally in Our Alley 
 
\-r^ 
 
 3 ^I'oarly loY?:5 J>'(t odo ^lay, 
 
 An^l t'ha^;'^> l\v^) »(ay thai: coint:)?^ feet 
 
 AvSatuT'lay add Moa^lay; 
 
 ■t'^or Uvod Cdi dross'o*! all iti niy l)'o,^t, 
 
 To v/alk aI)roa*l vyii:h vSally ; 
 
 51ie Ss tho *ladi(i;^ of ii\y hoari:, 
 
 A(vl sho lives m our altey. 
 
 5a//v /« Owr Alley 
 
 Mj i 
 
 l^ A:'D€^' 'I. 
 
 # 
 
 \ 
 

 Who (I (/hristiiins conio^ nhont af^ain, 
 
 O, ttvon ■( -shall hayo (i\oaoy, 
 
 I'll hoard it Mp, ati'l hox aiui all; 
 
 (Ml js'ivo it to iivy hodoy, 
 
 And vyouM It vvoro ton tho'isati'l po'iaMSj 
 
 VA :([Vi) :it all to ^ally 3 
 
 ^ho h tho ^larllng of :iay 'hoarl, 
 
 Y\a4 sho liyt)5> in ©ur alley. 
 
 'My :inasti)r iuv] too :a'M;'5hbor5 all 
 
 Makv) :;.^aiin) of lao aa-l ^ally ; 
 
 a'\(vl l)f(t for \v^)c (^l hottof 1)0 
 
 .A -slavi) an4 ;rov7 a ;^alloy. 
 
 '}\nl vyhea nvy soy' a loa;^ yoars ai^o onl, 
 
 Ohthoa ril laai'ry ^ally, 
 
 .Aa'l v/hoa y/o'ro v/oM v/oMl olithosomo ho, 
 
 jV(t mot iia oar alloy. 
 
 5(;//y in Our Alley 
 
^ 
 
 'Th tho k^t r©s^ ©f Slimmer, 
 
 I, oft 5)looii\i(\;^ alodO] 
 
 All Iv^^A' lov'oly ooii\pa(\lon5 
 
 Aro '(<v\-M and go no ; 
 
 Mo Uovyer ©f feer IdEdred, 
 
 jMo ro-sol)f(<l Is -^[firfo; 
 
 To roiioci; back hor j)]«iHlieS9 
 
 Or ^^Ivo si;^h for si;-5hl 
 
 ' 7/5 /A^ Last Rose of Summey 
 
 
 s "^ ^- 
 
 :.r>.C 
 
 \ 
 
V 
 
 ^ 
 
 rn :aol loavo thoo; Iho'i lorm 
 To plnv) on Uvo j^tocd ; 
 ^Sinc'O fno loyoly are sleeping, 
 C'Jo -slooo Ihorcv/Ua '.rivota] 
 Thus kindly :i ?><;at(:or; 
 
 'VVhovo i:hy malos of Iht:) garilon 
 
 
 V 
 
 ' Tis the Last Rose oj Summer 
 
/''I' 
 
 3o sood may .1 follovy, 
 Whcd :fru)(i*Uhi;)^^ 'loony; 
 An-I iVoui lv)yo's shidid;^ oipclo 
 *rho ;^oiii.s <lrop av'/ay ! 
 Whon trqi) hoar ts lio v/ithori>l, 
 Aii«l :fo(i>l O(V05 »iro ilovyn; 
 Oil I v/ho v/omM iahaoit 
 Tim bloak v/ocU alono. 
 
 ' Tts the Last Rose of Summer 
 
 y:\ y- 
 
.iVoli'ovo ii\Oj if nil choso on'toaria;'; yofiay; 
 
 ha I' ran 
 Y/hich ( ;^a//o oa ^^o foa«ily fO'^lay, 
 VVoi';) '(,o CA\<\a;/y) hy to 'saorrov'/j aa-l 
 
 ilooi: ia lay arai-^^ 
 j,ik'0 iairy -/yii'l^ fa'lia;'; av/ay^ 
 '.rivo'( v/ou(*l'si: -Still !)a a«loro'.l, as l\m 
 
 :a\oniaac uwn art; 
 l/Ot cay loyoliiioss fa-la as it v/\\\, 
 .Ad'l rof(ii*l tiva 'loar raia aa<;a v/isa of 
 
 ii\y heart, 
 VVoaTl aatvyiaa itsalf var'laatly stiK. 
 
 Belfefd Me. 1/ All Those Endearing Young Chamis 
 
'il is wot VYuil'.) ho/,\(0,y ad'l youth aro 
 
 thiao ov/n 
 Aih{ lay ohooks '(dprofadod j)y a tcjar, 
 Chac tho forvv)!' a(i>l :faUh of a soul €a:fi 
 
 b'o kdov/a, 
 'Co vyhich i:iii\o vyill Ixii: niako clvoo moro ^loar; 
 MO; tho hoari; thai: has truly 1oyo4; 
 
 '\)hI as ci^dy lovos oa to tlie close^ 
 As tho su(Ulov7-or curtis on Ivor rioi, 
 
 vvhon ho sots, 
 '.Cho saiiio look v/hich sho iurd'^l vyhoia ivo roso. 
 
 Be ieve Me. If All Those Endearing- Young Cha)'ms 
 
 
 "J-n fTiK^^J:''^ 
 
 
ia Iho oM likofVosH tanl ( kdovY; 
 .( v/<)t(l«l 1)0 so faithffdj so loviii;^; Do'C^lns, 
 J)o<i;;5las, i)o'(;^l<\S; coti'lor ati'l truo, 
 
 iNoyor a soordf'd v/or»l vyo'd-l ;^;riovo yo, 
 C'l -Sdiilo 0(i yo sv/Doi: as tho an;';ols >lo; — 
 
 vSv7O'0c as your sniilo on u\o sh<)(io ovoT; 
 J)ou;^laS; i)o'(;^laSj totbloi^ and cr'co. 
 
 O io call l)ack tho «lays thai; ar-o doU 
 ;iV(y oyos v/oro blia'lo>l; your v/ot'-Is vyor'o i'ovy; 
 
 iDo you kiiovy Uvo (;rui;'a dov/ uo in Ivoavoti; 
 l)ou;^laS; i)ou;^]aSj iondor and cruo? 
 
 Douglas, Douglas, Tender and True 
 
I never v/ as worthy o'{ yon Do'C'^la-s ; 
 
 Mot Imlf v/orchy Uvo liko of yoa ] 
 MoY/ nil iiioa b'0-si>l'o -soom to mo lik-o ^ha-lovv^- 
 
 i ]0Yt) yo'( :Oo'{;^la^>, co(i<loi' add leuii, 
 
 Slmlch OT(l your ]K\a<l to 'iiin l^ouj^laS; T)o({;'5la5> 
 Drop for;'5ivo (loss froKi hoayotiTik-o *lov/] 
 
 As ( lay (i\y (voart od your *l'oa>l ivoai'tj J)oa;j3a-S, 
 .Do'c^las, i)ou/;laSj ■todd-or an*l tcfv^. 
 
 Doug/as, Doug/as, Tender and True 
 
-^v,. . N 
 
 1A 
 
 ia cho sky tho l)ri;^h(; stars ;^liti;oi o4, 
 
 Oa Clio palo uioun shodo ; 
 AaA '-tv/ns fro 1(1 An.at Dinah's '('nliiri^^ partyj 
 
 ( was sooid,;^; Molly homo. 
 
 C/horuss 
 
 1 v/as ^ooln;^ Nolly hoii\o; 
 
 i v/as -S'ooia;^ Molly hoiao ; 
 
 .An«l 'cv/as iVoii\ Anal Diaaa's .('(iU/ia;^ {y'^^'^'Y) 
 
 J was sooirA^j !Mv)lly houiO: 
 
 The Quilting Party 
 
 -~<^ 
 
?*,.. 
 
 -ic 
 
 
 Dm my arm a ^ofc had-] ronto'lj 
 
 .llo.s'co'l W'/^al n^ oooad foani ; 
 A(bl 'Iv/n^ fron\ Audt Dinah's cjtiHtln^ •partyg 
 
 ( y/a^^ .swolri;^ Mollio hO(i\o, 
 
 [ v/a?^ f>iy.)b\;^ Nellie Ivouio] 
 
 i was 5ooui;'5 Mollio hon\0 3 
 
 ;\i\'\ 'tv/as froui .Anal Dinah's .^^jalltlng party g 
 
 [ 'vya^ sooin^j NoJJii^ iiomo. 
 
 The Quilting Party 
 
1 
 
 
 
 1 
 
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 ^^^^^^^H^HE 
 
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 11 
 
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 ^P twI 
 
 
 
 
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Q:'Ki' 
 
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 7 
 
 ©■n rny Tips a vyhisjvov trou\l)lo*l, 
 
 'Croiaolo^l (Ml \l 'Inro.^l co ooino; 
 Aih\ '("///as froii\ Anal D'uiah'-s <(((il;;i(i;/; [)arty, 
 
 '( v/as sooin;^ iNoHi-o hoiiio, 
 
 ('horus — ( v/as sooia;^ Mollio honiOj oi:c. 
 
 ©a (i\y liro aov/ hooos v/ora 'lavvaia;';; 
 
 .Add thosa hopas aava liva't aa-l :';\'<)v/a] 
 •Afi'l 'cvvas froui Auat Diaaa's .jailcia;^ p'ii''''y; 
 
 J y/as saaia;^; Mallia aoiaa, 
 
 c'hv)iM{H — ( vvas saain,"; Madia aonia; aco, 
 
 The Quilting- Paity 
 
 \ ] 
 
 >^-i ;/ 
 
Oh proiiii^o u\o lanl socao »l<vy yoa nri'l ( 
 Y/\\\ cako our lovo co;';oi:h'or Ci) -sodio sky, 
 ¥/horo 'v/o end b-o nloao nih\ faich roivovV; 
 ..'\(\4 (id'ltho hoUov/s vyhoro choso ilov/ors ;^r'Ovy, 
 Thoso iirsi: -sv/ooi: yiolots of oarly spriti;^; 
 'VVhiou ooii\o id vvhlsoors, thrill u-s !)oi;h; aa*l 
 sid;^ 
 
 OfloYO .'{(isjvoal^a'blo thai: Is l:o 1)o ; 
 'Oh proraiso uio, Oh promiso mo? 
 
 Oh Promise Me 
 
 Xr 
 
"'■V^C) ^(-:C__ 
 
 ^- / h \:' V 
 
 Oh proiiilso iivo thai: yoa vyill i:ako ((vy hajul, 
 Tho iiio-si: unv/orthy ia this loa-oly lati*!^ 
 ,,'\(i<( loi; tiio .sii: has'ulv) yoU; in yo'tr oyo^ 
 vSo-oia;^ i: ho vision of our para^iso; 
 
 Oh Promise Me 
 
 F 
 
 J 
 
■>^ 
 
 ^\<:> ioYo los-s porfooc laaa a liio v/ith Uvoo] 
 Oh proiiii^so iiiOj Oh pi'Oiiiiso iii'o] 
 
 0/; Promise Me 
 
 ■sm^ 
 
 ■c^y 
 
V,v\'^-oS? 
 
 A 
 
 >l \ 
 
 \ l\ Kk^: 
 
 •Robin's aol tioar ; 
 
 ;i (■•) vyhoiu { loay; Xo soo; 
 
 rio iiioro h '\v^)v-^). 
 
 V/horo's nil Uvo joy nn-l iiur(;hj 
 
 MivU) iifo a Ivoay'd on oai'(;h? 
 
 Oh! i-.hoy'ro all ilo>l v/ich clvoo, 
 
 •llobiii Avlairl 
 
 -^■J K 
 
 "i.-.^ 
 
 ■"y\ 
 
 Robin Adair 
 
 ii^\ 
 
 r - 
 
 L- 
 
-■^ 
 
 'f^ 
 
 Ro!)i(i /Viair, 
 
 VVhai; maclQ tU^ l)all so iVoi)? 
 
 'R<)l)i(\ Y/a-s iaere, 
 
 'Whai: vvhiifj tl^e play vva^s o'or, 
 
 'VVhac jaa<lo itvy a^iarl ^^o sorn? 
 
 Oil! It was parting 'wUh 
 
 Robin Aialr, 
 
 A'oZ;;';; Adair 
 
 .^' 
 
^ -..< 
 
 ■^ I ^-v 
 
 RoblB Aaalr 5 
 
 Roblti A*lali% 
 Yiyi; hill! 1 lov'vl so v/vyll 
 ^fill Id -.iivy honrt ^shall ']v/;.)ll; 
 Oh] ( can :(U)^)^ /or^^oi 
 /ilol)i(i A'lair. 
 
 Robin Adah 
 
i 
 
 .'iVIaxvyoJlioti ornos aro oonn'io, 
 
 ''VVh'oro oarly fa's Uv.) 4vyv/] 
 
 An«l U/s xlvovo Uiai: Aaalo Lanrlo 
 
 CVl'O'^l lllO hop ;prOulh0 IfUv)] 
 
 Ciio'^1 iii'o Ivor pro mho truo^ 
 ¥/hich ;(io'or ,for;^oi; y/ill l)o ^ 
 An*l for oonnlo Annio f/anrlo 
 l'<\ h\y ii\o ^louno mvi «loo. 
 
 Annie Laure 
 
 
Hor '"'Ycov/ h Ilk'-) l\v.) ^anv/ Ac\hj 
 IV)': "avro;\c is liko xlvo sv/an', 
 Ihrc uw/-) ic is cao fairosc 
 Tnai: o'-jr rlv.) sua s'aono on, 
 Thao '.)'•.)'; Uv.) sf(a 8lu)iVo oai 
 Ail'l '(aiM< ol'i^j is ii.;r ^)'o! 
 Afi'l for i)0(r(iio Aadio I/aMi\io 
 IM lay iivo ^lo^no an-l 'loo. 
 
 Annie Laune 
 
 ^ 
 
Like dew on tl\o gowan lyln^ 
 
 .Is i\\^ fa' o* her fairy foot, 
 
 Aih] Vi\i^. vnmh \n siimraor si^lving 
 
 J U)c Vv)iv:.^ (s ! -",' nrul sweet, 
 Her voice h a\ sv/eet ; 
 
 Ad^l suo's a' tivo '7orM ;o r.vM 
 
 j'-l lav ui.^ .i^^.i.i.^ ,;,i.l .!--. 
 
 Ar.nie Laune 
 
wm 
 
 ^^^^ 
 
 '^ n 
 

-A 
 
 
 ■^ ^:_v_ 
 
 Till lonnsoino ^sinc■o ( oross'^l tho Mil, 
 A (I 'I o'or Iho KiooT aa<l valloy ; 
 .S'(ca honyy i:ho'(;';acs uvy hoari: 'lo .iiU, 
 oidco partln;^ y/icli nvy vSallya 
 
 J Hook (lo u\or'0 Uvo iui*o atul ;^ayj 
 .('"or oaoa *(o;)."> 1)U(: roii\ia»l u\o 
 Wovi ^vn'il Uvo hours ^\v\ pass av/ayj 
 'Vyii:h dvo ;^iii Cyo lofi: oohin^l ii\o, 
 
 Oh] rio'-or shall ( (or;^oi: (;ho n'c^hlj 
 '■fh') stains vy or l)ri;';h(; aooyo ii\0; 
 .An«l ;^oaUy lotii: Ihou^ sily'ry \\'/,\\l) 
 '\^I\\\M\ (irst sho yov/o^l sho loyo«l ii\o. 
 
 lV(i: :(iov7 ('(t\ oo'((i'( for liriyjhtoa c'auij), 
 Kia^l 1 (oayo(\j ii\ay favor ii(i>( cio^ 
 .An'l sod'l ill') safoly oaok a;^;ain 
 M'o cho ^^irl .('yo iofc ooh'ubl nio. 
 
 r/i^ C//-/ / Left Behind Me 
 
 --A 
 
 f-W„ 
 
 
 .i >V' 
 
.^^ 
 
 ^^i-v 
 
 k.H 
 
 \a -sloo;)i(i;^ or in v/akid;^, 
 
 'UnUl ( -soo ii\y lovo a;'^aui; 
 
 'X^oi' vyhon\ ,ii\y Ivoart is .oi^oaklflg. 
 
 If oYor ( -shotd^l ?^0'0 Iho 'lay, 
 V7hon Mars shall hav-o rosi.-'^dO'l uvo, 
 O'or oyoru\oro (Ml i^la^dy stay 
 
 V/ith Uvo ;^lii Cvo loft l)0hiflvl itlO* 
 
 i 
 
 r/;f? C/'/ / Left Behind Me 
 
 ' v^i>: ■/:-: 
 
,V^'*':f/ 
 
T>^ 
 
 V^^-^ 
 
 Odco In Uvo »loar 'lon^l <lays o-oyod^l rocall, 
 Wh'Od on tho v/orl'l tlvo utlsts oo;^nri co fall; 
 OhI ol' cho 'Iroaiiis tnai: r<)so in aaopy chiN)n:-5 
 1/0V7 to our Ivoar'cs 1, 070 8'(n;^ an ol<t ^v/ooc soTif^^ 
 Aivl in tho 'lusl^ v/hon foil tlvo ni'O'li;^!)!: r^l-oaui 
 3ofUy U vvoYo IbijJi iiUo one ilroain. 
 
 Love's Old Sweet Song 
 
 X. 
 
.V. 
 
 'fho' Iho hoari; bo v/oary, ^a^l tlvo *lay aa^l Uyfi;'^, 
 vStill to f;.s ac cv/Ui^'^ui; c:o{(\o.s ^ovo'^s oM -soti;^, 
 (vOiiios lxoyo'5 oil svyooc soa;^, 
 
 Love's Old Sweet Song 
 
Even t©-day wo lisaf ^ovo's song ©f yore, 
 Peep m ©wr feeart^ It ^Ivyolh toy ever more; 
 Foot^^trip^ may fallor, v/oary xlf ovv Van v/ay, 
 5llll y/'o can Ivoav It ai: 'Uao closn of <U\y, 
 So tin tho trn^l, v/hod lifo'-^ ^liui -sUa«lovys fall 
 h&vv, vnll 1)0 ;fo'(iid llvo svyoi)to5t 50ii;j of alL 
 
 Love's Old Sweet Song 
 
 %. 
 
vn oiOAl 
 
_-wat.c..ai^ajm ! ^idiwai; ! jiii!i >;- -Has/ ' - b.r.Fms^mfi^i. r i ' ^ri 
 
 UNIVERSITY OF CALIFORNIA LIBRARY, 
 BERKELEY 
 
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 50c per volume after the third day overdue, increasing 
 to |1.00 per volume after the sixth day. Books not in 
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 MAft;36l926 
 
 ^-^ r:-" tmi 
 
 ^AR- 8 1968 66 
 *Wfi-*'66-6PM 
 
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YD 2724 
 
 UNIVERSITY OF CALIFORNIA LIBRARY