' ' ' '..' / venture TALES OF ADVENTURE AND STORIES OF TRAVEL THE COUNTES3 OF BLES3INGTON. BY E. T. PARRIS. TALES OF ADVENTUEE AND STORIES OF TRAVEL OF FIFTY YEARS AGO ILLUSTEATED WITH TWENTY PLATES FEOM 'THE ANNUALS' LONDON SAMPSON LOW, MAKSTON AND COMPANY LIMITED St. JDunstan's Ijousc FETTEB LANE, FLEET STREET, E.G. 1893 rightt reserved PBEFACE THESE TALES or ADVENTURE AND STORIES OF TRAVEL have been gleaned from many volumes of the ' Annuals ' which were so much the rage between fifty and sixty years ago. Although there was much that was trivial in them, and amateur writers rather than literary men filled most of the pages with their contributions, yet among the three hundred volumes that were published between the years 1823 and 1850 there were sure to be some literary efforts deserving of a better fate than to be buried with the rest. And in my endeavour to select some of the worthiest of these stories I have found that the personal accounts of travels and a few historical tales have been the best 2017695 VI PREFACE written and most interesting. I have added a few pages of poetry, though these, I must confess, were chosen more to explain the accompanying plates than for any other reason. And it is of these plates I would say a few words. If on no other account, the editors of the ' Annuals ' demand our cordial thanks, since everyone must ac- knowledge that they raised the standard of copper- plate engraving (or, rather, engraving on steel) from a very low point to, we may say, the acme of perfection. We shall never see again such a work as ' The Cruci- fixion,' engraved by H. Le Keux, after John Martin; or the ' Eouen,' by W. Miller, or ' Lake Nemi,' by J. Cousen, after Turner: even the painter himself grumbler as he was acknowledged their excellence. From a hundred to a hundred and eighty pounds were paid to Le Keux and the other artists for engraving these little plates, no larger than your hand, and they were well worth the money. Some day proof impres- sions of these splendid examples of a nearly lost art will be sought for by collectors, as Rembrandt etchings are at the present day. Many efforts were made to find the original steel-plates on which these engravings were made unfortunately, with little success. It ap- pears that most of them were sold for exportation to America and Australia. In order to preserve a record of the 'Annuals,' I give a list, nparly perfect, of all that were published. J. C. THE ANNUALS THEIR EDITORS AND THEIR PUBLISHERS THE FOKGET-ME-NOT. 1823-1847. Edited by H. Shoberl. Published by Rudolph Ackermann. FKIENDSHIP'S OFFEBING. 1824-1844. Edited by T. Pringle and others. Published by Smith & Elder. LITEBAKY SOUVENIR : CABINET OF MODERN ART. 1825-1837. Edited by Alaric Watts. Published by Longmans and others. THE AMULET. 182C-1837. Edited by S. C. Hall. Published by Westley & Davis. THE BlJOU. 1828-1830. Edited by Sir Harris Nicolas (?). Published by W. Pickering. WINTER'S WREATH. 1828-1832. Edited by George Smith. Published by G. Smith. THE KEEPSAKE. 1828-1857. Edited by the Countess of Blessington and others. Published by Longmans and David Bogue. THE ANNIVERSARY. 1829. Edited by Allan Cunningham. Published by John Sharpe, THE TALISMAN. 1829. Edited by Elam Bliss. Published by Bliss (N. Y.). Viil THE ANNUALS THE GEM. 1829-1832. Edited by W. Marshall (?). Published by W. Marshall. THE IBIS. 1830. Edited by Rev. T. Dale. Published by Sampson Low. LANDSCAPE ANNUAL. 1830-1839. Edited by Thomas Roscoe. Published by Jennings & Chaplin. HOOD'S COMIC ANNUAL. 1830-1839, and 1842. Edited by T. Hood. Published by A. H. Baily and others. THE CAMEO, Edited by W. Pickering. Published by Pickering. THE EEMEMBBANCE. issi. Edited by T. Roscoe. Published by Jennings & Chaplin. THE TALISMAN. 1831. Edited by Zillah Watts. Published by Whittaker & Co, THE COMIC OFFERING. 1 831-1832. * Edited by Louisa H. Sheridan. Published by Smith & Elder. THE BOTANIC ANNUAL. 1832. Edited by Robert Mudie. Published by Cochrane. THE AMETHYST. 1832-1834. Edited by Dr. Hine. Published by Oliphant. THE EASTER OFFERING. 1832. Edited by Joseph Booker. Published by Booker. PICTURESQUE ANNUAL. 1832-1845. Edited by Leitch Ritchie. Published by Longman & Co. DRAWING-ROOM SCRAP-BOOK. 1832-1852. Edited by L. E. L. and others. Published by Fisher & Co. AURORA BOREALIS. 1833. Edited by W. Howitt. Published by Empson. LANDSCAPE ALBUM. 1833-1834. Edited by Charles Tilt. Published by C. Tilt. THEIR EDITORS AND THEIR PUBLISHERS ix TURNER'S ANNUAL TOUK. 1833-1835. Edited by Leitch Ritchie. Published by Longman & Co. THE CHRISTIAN KEEPSAKE. 1833-1840. Edited by Rev. W. Ellis. Published by Fisher & Co. THE BOOK OF BEAUTY. 1833-1849. Edited by the Countess of Blessington and others. Published by Longman & Co. THE ORIENTAL ANNUAL. 1834-1840. Edited by Rev. Hobart Gaunter. Published by Bull & Churton. LANDSCAPE WREATH. 1835 (?). Edited by Thomas Campbell. Published by Q. Virtue. GEMS OP BEAUTY. (4to.) 1836-1840. Edited by the Countess of Blessington. Published by Longman & Co. CONTINENTAL LANDSCAPE ANNUAL. 1837-1838. Edited by F. Fergusson. Published by H. Riley. FINDEN'S TABLEAUX. (4to.) 1837-1844. Edited by Miss Mitford and others. Published by Tilt. THE HUNTERS' ANNUAL. 1838-1839. Edited by A. H. Baily. Published by A. H. Baily & Co. CHILDREN OF THE NOBILITY. (4to.) 1838-1841. Edited by Mrs. Fairlie. Published by Hogarth (?). FLOWERS OF LOVELINESS. (4to.) 1838-1841. Edited by (?). Published by Ackennann & Co. PORTRAITS OF THE FEMALE ARISTOCRACY. (4to.) 1840-1841. Edited by W. Finden. Published by Hogarth. THE PROTESTANT ANNUAL. 1841. Edited by Charlotte Elizabeth. Published by Baisler. THE CORONAL. 1846. Edited by E. Lacey. Published by Lacey. THE AMARANTH. (4to.) 1859. Edited by T. K. Hervey. Published by A. H. Baily & Co. THE ANNUALS JUVENILE ANNUALS JUVENILE FOKGET-ME-NOT. i828-i83i. Edited by Mrs. S. C. Hall. Published by Westley. JUVENILE KEEPSAKE. 1829-1830. Edited by T. Roscoe. Published by Hurst & Co. CHEISTMAS-BOX. 1 830^1831. Edited by W. Marshall. Published by Marshall. JUVENILE FOKGET-ME-NOT. 1830-1835. Edited by H. ShoberL Published by Ackermann. THE EXCITEMENT. 1830-1845. Edited by Eev. B. Jamieson. Published by Waugh & Innes, JUVENILE SCBAP-BOOK. 1836-1850. Edited by Agnes Strickland. Published by Fisher & Son. \ CONTENTS PREFACE. By the Editor v THE ANNUALS ; THEIK EDITORS AND THEIR PUBLISHERS . . vii THE ENTRY OF EDWARD THE BLACK PRINCE INTO LONDON. By Sir Harris Nicolas 1 THE GARDEN OF BOCCACIO. By S. T. Coleridge . . . .12 THE FAMILY OF SIR THOMAS MORE ...... 16 THE DEATH OF THE KEGENT MURRAY. By Sir Walter Scott . 29 THE PALACE OF JUSTICE, BRUGES. By Thomas Roscoe . . 38 ON A LADY PLAYING THE GUITAR. By Barry Cornwall . . 44 NOTES OF A SPANISH RAMBLE, IN THE SUMMER OF 1839. By Lord John Manners ........ 45 THE PLAZA REAL AND THE CATHEDRAL, SEVILLE, WITH THE PRO- CESSION OF THE CORPUS CHRISTI CEREMONY. By TJiomas Roscoe 68 ARAB THIEVES. From Adventures of Giovanni Finati, trans- lated by W. J. Bankes 71 THE FAMILY OF SIR WALTER SCOTT. Letter from Sir Walter Scott to Sir Adam Ferguson 76 THE LADY'S DREAM. A Spanish Serenade 80 To BE READ AT DUSK. By Charles Dickens . . . .81 LAKE NEMI. By Lord Byron 96 NARRATIVE OF AN ASCENT OF MONT BLANC IN AUGUST, 1830. By the Hon. E. B. Wilbraham 98 xii CONTENTS PAGE HAPPY ANGLEKS. By W. M. Thackeray 115 AN ADVENTURE IN SPAIN. By J. B 117 THE NUPTIALS OF THE DOGE OF VENICE WITH THE ADRIATIC SEA. By Lord Morpeth 138 ORIENTAL SPORTS. By the Eev. Hobart Gaunter, B.D. . . 142 THE STORM. By Adelaide Anne Procter 151 AN INTERESTING EVENT. By W. M. Thackeray . . . 153 A SUMMER DAY. By J. Dodds 162 KOUEN FROM ST. CATHERINE'S HELL. By J. C. . . . 166 WILLIAM COLLINS, E.A. By Richard Redgrave, R.A. . . 168 LETITIA ELIZABETH LANDON. By William Howitt . . 174 THE COUNTESS OF BLESSINGTON . .... 178 THB BrvEH LOIRE AND THE CITY OF TOURS. By J. C. . 180 LIST OF THE PLATES THE COUNTESS OF BLESSINGTON (see page 178). From a drawing by E. T. Parris Frontispiece THH ENTRY OF THE BLACK PRINCE INTO LONDON. From a drawing by F. P. Stephana/ .... To face p. 9 THE GARDEN OF BOCCACIO. From the painting by T. Stothard,B.A 12 THE FAMILY OF SIR THOMAS MORE. From the painting by Hans Holbein ,,21 THE DEATH OF THE REGENT MURRAY. From the drawing by George Cattermole .... ,,34 THE INTERIOR OF THE PALACE OF JUSTICE, BRUGES. From a drawing by Thomas Allom ... ,,40 ON A LADY PLAYING (LADY WALLSCOURT). From the painting by Sir Thomas Lawrence, P.R.A. . . , r 44 THE PLAZA KEAL AND THE CATHEDRAL, SEVILLE. From a drawing by David Roberts, R.A. ... ,,69 SIR WALTER SCOTT AND HIS FAMILY. From the paint- ing by Sir David Wilkie, R.A ,,77 THE LADY'S DREAM. From the painting by Thomas Stothard, R.A ,,80 LAKE NEMI. From the drawing by J. W. M. Turner, R.A 9G THE HAPPY ANGLERS. From a drawing by Emile Wattier ,115 THE LEANING TOWER OF SARAGOSSA. From a drawing by David Roberts, R.A ,,134 XIV LIST OF THE PLATES THE DUCAL PALACE, VENICE. From the drawing by Samuel Prout To face p. 139 THE STORM. From a drawing by Henry Bright . 150 WINDSOB FOREST. From a drawing by William Leitch and Robert Hills ,,162 BOUEN FROM ST. CATHERINE'S HILL. From the draw- ing by J. W. M. Turner, R.A ,,167 EUSTIC CIVILITY. From the painting by William Collins, R.A 171 LETITIA ELIZABETH LANDON (L. E. L.) From the draw- ing by Daniel Maclise, R.A. .... 174 THE EIVER LOIRE AND THE CITY OF TOURS. From the drawing by J. W. M. Turner, R.A. . . 181 THE ENTRY OF EDWARD THE BLACK PRINCE INTO LONDON BY SIR HARRIS NICOLAS THE event which is so admirably illustrated in the accom- panying engraving is, perhaps, the most glorious in the annals of England : for history affords few examples of so brilliant a triumph as the victory gained by Edward the Black Prince over King John of France, near Poictiers, on the 19th of September, 1356, or of such important results as it produced. It is not necessary to detail the circumstances which led to the battle, the amazing disparity of numbers between the two armies, the unrivalled prowess of the Black Prince and his heroic followers, or the engagement itself, for these facts are well known to every reader of English history. The following remarks will, therefore, be confined to the manner in which the French monarch was made prisoner, his treatment by his conqueror, and his reception into London. Towards the close of the battle, when the success of the English was no longer doubtful, the Prince of Wales demanded of the two French marshals who were brought to him if they knew what had become of their sovereign. On being told that they believed he was either killed or taken, the Prince directed the Earl of Warwick and Sir B 2 ENTRY OF THE BLACK PRINCE Reginald Cobham to ascertain his fate. John, who had performed deeds of personal courage sufficient to establish the fame of the humblest esquire of his army, and had received two wounds in the face, was at that moment in considerable peril. Being driven nearly to the gates of Poictiers, which were closed against him, and Sir Geoffrey de Charny, the bearer of the sacred Oriflamme, who had gallantly fought by his side the whole day, having at last fallen, John became nearly overwhelmed by a crowd of enemies/ The honour of capturing the French monarch, and the pecuniary advantage which would arise from it, naturally stimulated the courage of his foes to the utter- most ; and his life was, for some time, in imminent danger. But, undismayed by the multitude which pressed upon him, John defended himself and his young son Prince Philip, with incredible valour, long after all hope of rescue was at an end. The King of France was not, however, destined to sur- render to an Englishman. Though two persons, among many competitors, established strong claims to the distinc- tion of having captured him, they were both natives of provinces which had originally been, and have long since again become, integral parts of the French monarchy ; and if Froissart be correct, it was one of John's own traitorous subjects who received his sword. The circumstance is best described in that writer's own words : ' Then there was a great crowd to take the King, and such as knew him cried, " Sir, yield yourself, or else we shall kill you." There was a knight of St. Omer's, retained in pay by the King of England, called Sir Dennis Morbec, who had served the Englishmen five years before, because in his youth he had forfeited the realm of France, for a murder which he committed at St. Omer's. It happened, fortunately for him, that he was next to the King when they were about to take him ; he stepped forth into the INTO LONDON 3 crowd, and, by the strength of his body and arms, came to the French King, and said in good French ' " Sir, surrender." ' The King beheld the knight, and said, " To whom shall I yield ? Where is my cousin, the Prince of Wales ; if I could see him, I would speak with him." ' Dennis answered and said, " Sir, he is not here, but yield to me, and I will conduct you to him." ' " Who are you 1 " quoth the King. ' " Sir," answered he, " I am Dennis of Morbec, a knight of Artois ; but I serve the King of England, because I am banished the realm of France, and have forfeited all my possessions there." 4 Then the King gave him his right gauntlet, saying, " I will deliver myself to you." ' There was a great number about the King : for every man compelled him to say he had taken him, so that the King could, not proceed, with his young son, the Lord Philip, on account of the crowd.' Morbec's right to his illustrious prisoner was disputed on the field by no less than ten knights or esquires ; and both John and his son were seriously inconvenienced, if not endangered, by the manner in which they enforced their claims. It appears that they had even taken the King and the young Prince from Morbec by force ; and his Majesty seems to have been roughly seized by the different competitors, who, in their ardour to support their supposed rights, forgot the respect due to his person. < The French King,' says Froissart, 'was on foot and in great danger,' when the Earl of Warwick and Sir Reginald Cobham, who had been sent to seek him, arrived, ' for such as were most powerful said, "I have taken him." 4( Nay," quoth another, " I have taken him." So they contended who should have him. Then the French King, to avoid that danger, said, 44 Sirs, strive not : lead me and my son cour- B2 4 ENTRY OF THE BLACK PRIXCE teously to my cousin the Prince, and quarrel not about the taking of me, for I am a lord great enough to make you all rich." The King's words somewhat appeased them : never- theless, as they went they still continued to make a riot, and challenged the taking of the King.' Warwick and Cobham hastened to John's protection, and in the Prince of Wales's name imperatively forbad any- one to approach nearer to him, on pain of death. They then dismounted from their horses ; and having shown the same marks of deference and respect to the conquered monarch as they would have done to their own sovereign in his 'pride of place,' they conducted him to the Prince of Wales. The rules of chivalry, which imposed upon a conqueror the duty of treating a vanquished enemy with extreme courtesy, and which happily softened the rigours of war, and had considerable influence on the rude manners of the age, were certain of being faithfully observed by so generous a Prince as Edward. He received John with the reverence and delicacy which a regard for his valour and misfortunes, no less than for his rank, inspired. Seeing him exhausted, the Prince called for wine ; and taking it from the bearer, he allowed no one to serve the King but himself. He tendered him the cup upon his knee ; and the touching spectacle was presented of a young conqueror, flushed with victory and the heir to a throne, rendering the humblest services to his father's rival within a few moments after he had become his prisoner. Nor was Edward's conduct the mere effect of impulse : for John was treated with equal courtesy and deference during the whole period of his cap- tivity. It was about noon when the King was made prisoner. By the evening all the French nobles who sur- vived the conflict were collected, the more distinguished of whom consisted, besides the King of France and his son Philip, of James of Bourbon, a prince of the blood ; the INTO LONDON 5 Archbishop of Sens, and more than forty noblemen of the highest descent and richest domains in the kingdom. A supper was prepared for John and many of his nobility, six of the chief of whom sat with their sovereign at one table. The Prince of Wales appeared as John's attendant, and, when pressed by him to sit by his side, respectfully declined, saying that he was unworthy to sit by so illustrious a Prince, or, in other words, that he had not yet sufficiently distinguished himself in arms. Anxious only to soothe his feelings and reconcile him to his fate, Edward served him at table, in the same manner as he had done his own father after the surrender of Calais ; and he is stated by Froissart to have addressed him in the kindest and most flattering terms : * Sir,' he said, ' for God s sake make no bad cheer, though your will was not accomplished this day ; for, Sir, the King, my father, will certainly bestow on you as much honour and friendship as he can, and will agree with you so reasonably that you shall ever after be friends ! and, Sir, I think you ought to rejoice, though the battle be not as you wish, for you have this day gained the high renown of prowess, and have surpassed all others on your side in valour. Sir, I say not this in raillery, for all our party, who saw every man's deeds, agree in this, and give you the palm and chaplet.' If a modern French writer of the highest reputation has not drawn the incident from his own fertile imagination, rather than from the arid sources of history, the fortitude with which John had hitherto borne his misfortune gave way before the generosity of his conqueror. ' The tears,' says Chateaubriant, ' burst from his eyes and mingled with the marks of blood upon his cheeks.' In their respective stations, all the prisoners received the same attention and kindness from their ' masters ' the term then applied to those who had received the sword of an enemy, without 6 ENTRY OF THE BLACK PRINCE any regard to their relative ranks. Truly indeed hag Shakespeare described the Black Prince In war was never lion rag'd more fierce ; In peace was never gentle lamb more mild. Nor is it surprising that his conduct should have induced Edward the Third, indulging at once the feelings of a father and of a knight, to declare that his son's behaviour to the French King afforded him even more gratification than the victory itself. John was conveyed to Bordeaux, where he remained until the following spring, during which time negotiations for peace took place. The news of the victory of Poictiers seems to have reached England early in October, about a fortnight after it was gained ; and Geoffrey Hamelyn, a gentleman of the Prince's chamber, who brought the intelli- gence to England, presented the King with the French monarch's tabard (or tunic) and bacinet, which were pro- bably those he had worn during the conflict. Public thanksgivings were ordered to be offered up throughout the country, and, as might be expected, the event was hailed with joy by all classes. Two remarkable letters from the Black Prince, giving an account of his victory, are pre- served, and the modesty and moderation which he showed on every other occasion are therein conspicuous. The first of those letters was written at Bordeaux, on the 22nd of October, and was sent to the Bishop of Worcester by Sir Roger Cottesford, one of his knights, wherein he attributed his success, under Providence, to the bishop's prayers. He enclosed a list of principal prisoners, and said that two thousand four hundred and forty-five of the French men-at- arms had fallen, and that one thousand nine hundred and eighty were taken. The other letter was likewise written at Bordeaux, on the 22nd of October, and was addressed to the mayor, aldermen, and citizens of London, to whom INTO LONDON 7 it was conveyed by his chamberlain, Sir Neel Loring, one of the original Knights of the Garter. With the exception of the last passage, the letter, which is a long one, is filled with an account of the proceedings of his army for some time previous to the battle, which event the Prince described in the following brief but striking manner : ' The battle happened on the day before the eve of Saint Matthew (i.e. 19th of September), and, praise be to God ! the enemies were discomfited and the King and his son taken ; and numerous other eminent persons were taken and killed, as our very dear bachelor, Sir Neel Loring, our chamberlain, the bearer of this, who had the fullest knowledge, will more fully inform you than we can write, to whom we wish you to give entire faith and credence.' Such, in the fourteenth century, when deeds were con- sidered more eloquent than words, was the laconic despatch of a hero, after defeating an army at least seven times as numerous as his own, and taking a powerful king, his son, and the flower of his nobility prisoners. If modern des- patches bear as little resemblance to the Spartan brevity and exemplary modesty of Edward's letters as to the im- portance of his achievements, the conclusion, wherein the Prince refers to the bearer for further information, is, nevertheless as nearly as possible the style of the present day. As early as March in the following year, 1357, prepara- tions were made for the arrival of the Prince of Wales and the King of France in England. They were expected to land at Plymouth, and the sheriff of Devonshire was ordered to provide horses for the conveyance of them and their suite. On the 24th of April the Black Prince and some of the most eminent of his followers, accompanied by the French monarch and his son, sailed from Bordeaux. A ship was 8 ENTRY OF THE BLACK PRINCE assigned for the reception of the King and his retinue ; but he was strictly guarded, in consequence of a report that an attempt would be made to rescue him on the passage. In- stead of landing at Plymouth, the ship passed that port ; and the distinguished passengers disembarked at Sandwich on the 5th of May, 1 at which place they remained two days, to recover from the fatigue of the voyage. On the 8th and 9th they proceeded to Canterbury, where the con- queror and the conquered alike made their offerings to the shrine of Thomas a Becket. As soon as Edward the Third heard of their arrival, he commanded the Mayor of London to make every prepara- tion for receiving them in the most distinguished manner. From Canterbury the Prince and the French monarch rode to Rochester ; on the following day they reached Dart- ford ; and on the next day, Wednesday, the 24th of May, they approached London. In Southwark, the cortege was met by upwards of a thousand of the principal citizens of London, on horseback, headed by the Lord Mayor, and divided into their several companies, which were distinguished by their respective devices and banners, by whom they were conducted into the metropolis. John, who wore his royal robes, was mounted on a large white courser, in token, it is said, of sovereignty ; whilst the Prince of Wales, with characteristic humility, rode by his side on a small black horse. Philip, the young French prince, was probably near his father, and must have 1 Authorities differ respecting the place at which the Prince and the French King landed. They were evidently expected to disem- bark at Plymouth, which would agree with the length of time that elapsed between their arrival in England, on the 5th of May, and the 24th, when they entered London. There are, however, strong reasons for supposing that they landed at Sandwich, in which case they must have remained nearly ten days at Canterbury. The motive for so long a stay in that city must have been to allow time for preparations for their reception in London. INTO LONDON 9 attracted universal sympathy. Having passed over London Bridge, the cavalcade proceeded to Westminster ; but their progress was so much impeded by the immense concourse of people, that, though they arrived in London very early in the morning, it was noon before they reached West- minster Hall. The citizens showed their gratification at the unusual sight of a great monarch, the direst foe of their country, appearing as the captive of the heir of their own sovereign, by erecting triumphal arches, by filling the streets with their richest plate and armour of all kinds, and by decorat- ing their houses with the most valuable tapestry and silks. The clergy, dressed in their full canonical habits, and bear- ing crosiers, crosses, and censers, formed a conspicuous part of the procession. Martial music, and the acclama- tions of the populace, were relieved at intervals by hymns of praise and thanksgiving ; and the outbursts of national joy were thus subdued by the chastening ceremonies of religion. Youth and age, the citizen, the lawyer, and the churchman, alike forgetful of their vocations, mingled with the throng. Chaplets of flowers were flung from the win- dows and balconies by the fairest daughters of England ; and beauty gave the warriors their best welcome in beaming smiles. But the most interesting object of the day, the ' observed of all observers,' was The expectancy and rose of the fair state, the Black Prince. His deportment showed neither exal- tation nor pride ; and a desire to prevent his illustrious prisoner from feeling mortification and distress seemed only to possess his thoughts. John himself displayed through- out this trying day that dignity and tranquillity which great souls alone are capable of knowing in seasons of adversity. When all the circumstances of this extraordinary assemblage are considered, there is no difficulty in believing 10 ENTRY OF THE BLACK PRINCE the statement of those who were present, that it was the most imposing spectacle ever witnessed in England. It is this animated scene which the accomplished artist has embodied in the engraving ; and when the paucity of materials for such a picture are considered, it is no less remarkable as a work of art than as an effort of imagina- tion. From the earliest times, the reception of a victorious general, attended by his companions in arms and a long train of prisoners, has always corresponded with the grati- tude and admiration of his countrymen. In England, the number of such ovations, on which contemporary chroniclers have, with pardonable vanity, generally delighted to ex- patiate, are proportionate to the prowess of her soldiers ; but, unfortunately, the accounts handed down of the entry of the Black Prince into London, after the battle of Poic- tiers, are short and unsatisfactory. The historical painter, who may be ambitious of producing a picture worthy of the next great battle gained by an English monarch, will, however, find abundant materials for his purpose, in the full and graphic description of the entry of Henry the Fifth into London, after the battle of Agincourt, by more than one eye-witness of that gorgeous and exhilarating event. On reaching Westminster Hall, the Prince of Wales conducted John to his father's presence. Edward was seated on his throne, surrounded by many prelates and barons, and vested in all the splendour of majesty. After the captive monarch had made those reverences which his situation demanded, Edward, touched with the manly dignity with which his adversary supported his misfortune, and animated by his own native generosity, rose eagerly from his throne, and received him with the same marks of respect and esteem as if choice had rendered him his guest, instead of the chances of war his prisoner. INTO LONDON 11 The French King was sumptuously entertained, and apartments were assigned to him in the palace at West- minster until the Savoy could be got ready for his recep- tion. He was afterwards removed to the castles of Hert- ford, and Somerton, in Lincolnshire, and thence, in March, 1360, to Berkhampstead Castle; and during the whole of John's residence in England, which lasted upwards of three years, he was treated with the attention due to exalted rank and eminent valour in adversity. THE GARDEN OF BO CCA CIO BY S. T. COLERIDGE OF late, in one of those most weary hours, When life seems emptied of all genial powers, A dreary mood, which he who ne'er has known May bless his happy lot, I sate alone ; And, from the numbing spell to win relief, Call'd on the PAST for thought of glee or grief. In vain ! bereft alike of grief and glee, I sate and cow'r'd o'er my own vacancy ! And as I watched the dull continuous ache, Which, all else slumb'ring, seem'd alone to wake, Friend ! long wont to notice yet conceal, And soothe by silence what words cannot heal, 1 but half saw that quiet hand of thine Place on my desk this exquisite design, Boccacio's Garden and its faery, The love, the joyaunce, and the gallantry ! An IDYLL, with Boccacio's spirit warm, Framed in the silent poesy of form. Like flocks adown a newly-bathed steep Emerging from a mist : or like a stream Of music soft that not dispels the sleep, But casts in happier moulds the slumberer's dream, Gazed by an idle eye with silent might The picture stole upon my inward sight. THE GARDEN OF BOCCACCIO. BY E. T. P ARRIS. THE GARDEN OF BOCCACIO 13 A tremulous warmth crept gradual o'er my chest, As though an infant's finger touch'd my breast. And one by one (I know not whence) were brought All spirits of power that most had stirr'd my thought In selfless boyhood, on a new world tost Of wonder, and in its own fancies lost ; Or charm'd my youth, that, kindled from above, Loved ere it loved, and sought a form for love ; Or lent a lustre to the earnest scan Of manhood, musing what and whence is man ? Wild strain of Scalds, that in the sea-worn caves Rehearsed their war-spell to the winds and waves ; Or fateful hymn of those prophetic maids, That call'd on Hertha in deep forest glades ; Or minstrel lay, that cheer'd the baron's feast ; Or rhyme of city pomp, of monk and priest, Judge, mayor, and many a guild in long array, To high-church pacing on the great saint's day. And many a verse which to myself I sang, That woke the tear yet stole away the pang Of hopes which in lamenting, I renew'd. And last, a matron now, of sober mien, Yet radiant still and with no earthly sheen, Whom as a faery child my childhood woo'd Even in my dawn of thought PHILOSOPHY. Though then unconscious of herself, pardie, She bore no other name than POESY ; And, like a gift from heaven, in lifeful glee, That had but newly left a mother's knee, Prattled and play'd with bird, and flower, and stone As if with elfin playfellows well known, And life reveal'd to innocence alone. Thanks, gentle artist ! now I can descry Thy fair creation with a mastering eye. 14 THE GARDEN' And all awake ! And now in fix'd gaze stand, Now wander through the Eden of thy hand ; Praise the green arches, on the fountain clear, See fragment shadows of the crossing deer, And with that serviceable nymph I stoop The crystal from its restless pool to scoop. I see no longer ! I myself am there, Sit on the ground-sward, and the banquet share. 'Tis I, that sweep that lute's love-echoing strings, And gaze upon the maid who gazing sings : Or pause and listen to the tinkling bells From the high tower, and think that there she dwells. With old Boccacio's soul I stand possest, And breathe an air like life, that swells my chest. The brightness of the world, O thou once free, And always fair, rare land of courtesy ! O Florence ! with the Tuscan fields and hills, And famous Arno fed with all their rills ; Thou brightest star of star-bright Italy ! Rich, ornate, populous, all treasures thine, The golden corn, the olive, and the vine. Fair cities, gallant mansions, castles old, And forests, where beside his leafy hold The sullen boar hath heard the distant horn, And whets his tusks against the knarled thorn ; Palladian palace with its storied halls ; Fountains, where LOVE lies listening to their falls ; Gardens, where flings the bridge its airy span, And Nature makes her happy home with man ; Where many a gorgeous flower is duly fed With its own rill, on its own spangled bed, And wreathes the marble urn, or lean its head, A mimic mourner, that with veil withdrawn Weeps liquid gems, the presents of the dawn, OF BOCCACIO 15 Thine all delights, and every muse is thine : And more than all, the embrace and intertwine Of all with all in gay and twinkling dance ! Mid gods of Greece and warriors of romance, See ! BOCCACE sits, unfolding on his knees The new-found roll of old Mseonides ; l But from his mantle's fold, and near the heart, Peers Ovid's HOLY BOOK of Love's sweet Smart ! O all-enjoying and all-blending sage, Long be it mine to con thy mazy page, Where, half conceal'd, the eye of fancy views Fauns, nymphs, and winged saints, all gracious to thy muse ! Still in thy garden let me watch their pranks, And see in Dian's vest between the ranks Of the trim vines, some maid that half believes The vestal fires, of which her lover grieves, With that sly satyr peeping through the leaves ! 1 Boccacio claimed for himself the glory of having first intro- duced the works of Homer to his countrymen. 16 THE FAMILY OF SIR THOMAS MORE THE various personages who formed the domestic circle of Sir Thomas More at his house at Chelsea, in 1530, and who are represented in this interesting painting, are now introduced to the reader's particular notice. It is scarcely necessary to observe that the middle-aged person in the centre of the group, under the clock, is I. SIR THOMAS MORE. He is dressed in dark-coloured robes over a red vest, and has his hands, which are folded together, partly concealed by the sleeves of his gown. Round his neck is a gilt collar of S. S. with a rose sus- pended to it, and at his feet a small white dog is seated, of the breed called ' Bologna shocks.' Above Sir Thomas is written ' Thomas Aforus, anno 50.' Of his person, his great-grandson has given the following description, which agrees with the impression conveyed by his portrait. ' He was of mean l stature, well proportioned, his complexion tending to phlegmatic ; his colour white and pale ; his hair neither black nor yellow, but between both ; his eyes grey ; his countenance amiable and cheerful ; ' and he adds, ' his voice was neither big nor shrill, but speaking plainly and distinctly ; it was not very tunable, though he delighted much in music ; his body reasonably healthful, only that towards his latter time, by using much to write, he com- plained of pains in his breast.' Erasmus tells us that he was in the habit of carrying one shoulder higher than the other, which gave him the appearance of being slightly 1 Middle. THE FAMILY OF SIK THOMAS MORE 17 deformed, and that his hands were larger than agreed with perfect symmetry. Immediately on his right sits II. SIR JOHN MORE, his father, one of the Judges of the Court of King's Bench, in the robes of which office, of red cloth lined with ermine, he is habited ; he wears a black cap on his head, and over him is written ' Johannes Morus, pater, anno 76.' Of Sir John's character very little is known ; but he must have been possessed of greater merits than are usually ascribed to him, since he was the founder of his family. He was born about 1455 ; in 1505 was made a serjeant at law ; and thirteen years after- wards was raised to the dignity of a Judge of the Court of King's Bench. As he was never promoted, a mean opinion has been formed of his talents ; and this impression is inferentially confirmed by two circumstances the one, that, excepting in revenge for his son's conduct in the House of Commons, he escaped the political dangers with which his times were pregnant, being, perhaps, too insignificant to be cared for ; and the other, that, in the epitaph written by Sir Thomas, he is described as being courteous, innocent, meek, merciful, just, and honest : but nothing is said of his wisdom. During the year in which he and his son were contemporary judges, the latter frequently exhibited the most touching examples of filial piety. Though holding the higher office of chancellor, he was accustomed, on pass- ing through Westminster Hall to his own court, to enter the Court of King's Bench ; and, if his father had taken his seat, to fall on his knees before him, and reverentially implore his blessing. Sir John More died of a surfeit from having eaten too plentifully of grapes, about November, 1530, having been affectionately attended in his illness by his son, who, on taking his last leave of him, ' with tears, took him about the neck, most lovingly kissed and embraced him, commending his soul devoutly to the merciful hands of Almighty God.' c 18 THE FAMILY OF The figure to the right of Sir John More is III. ELIZABETH DAUNCEY, and is inscribed ' Elizabetha Dauncea, Thomce Mori Jllia, anno 21.' She was Sir Thomas's second daughter, and married, when very young, John, son and heir of Sir John Dauncey, and is by far the most beautiful female of the whole group. Mrs. Dauncey is represented as having a fair complexion, with brown eyes and hair, and is putting on her right glove ; she is dressed in a black gown, with green sleeves and a gold stomacher, and a kind of chain and her rosary are around her neck ; on her head is a black cap, trimmed and tied under her chin with reticulated gold- work ; and a white scarf with gold tassels encircles her waist. Under her right arm she holds a book, marked on the outside ' Epi- stolicse Senecse ' ; and her appearance is altogether extremely prepossessing. Like her sisters, she was well versed in the classical languages, and was the correspondent of the learned Erasmus, who applauded her for the purity of her .Latin. Immediately on her right is IV. MARGARET CLEMENT, or, as she is described in the picture, ' Uxor Johannis Clement.' This lady, who was born in 1508, and whose maiden name was Giggs, was distantly related to the More family, and was brought up in Sir Thomas's house. She was educated and loved by him as if she had been one of his own children, and she repaid his kindness with the duty and affection of a daughter. He commences one of his letters in these words : ' Thomas More to his best-beloved children, and to Margaret Giggs, whom he numbereth among his own ' ; and another, ' Thomas More sendeth greeting to his most dear daughters Margaret, Elizabeth, and Cecily ; and to Margaret Giggs, as dear to him as if she were his own.' Her acquirements in Latin and Greek were considerable ; and an attachment having been formed between her and the tutor, or, more SIR THOMAS MORE 19 probably, physician, of the family, Doctor John Clement, she became his wife ; on which occasion the antiquary Leland wrote their Epithalamium. When Sir Thomas was conducted to the Tower, after his condemnation, his eldest daughter, this lady, and the wife of his secretary met and embraced him in the tenderest manner. After his death she obtained the shirt in which he suffered, and the hair shirt which, as a kind of penance, he usually wore next his skin, as relics of her martyred benefactor. Mrs. Clements is represented in very plain attire a black gown, with a white handkerchief over her bosom, and a cap of the same colour ; she has a rosary round her neck ; to a green girdle, a gold chain and small red bag are suspended ; and she holds a book in her left hand, the leaves of which she keeps open with her right. V. JOHN MORE, the young man to the left of Sir Thomas, was his only son, and is thus described ' Johannes Morus, Thomce jilius, anno 19.' His abilities have been much underrated, probably in consequence of his father's witticism, ' that his mother had so long wished for a boy that she had now one who would be a boy as long as he lived ' ; and some writers have affected to discover indica- tions of weakness in the countenance which Holbein has given him. It is true he did nothing to distinguish him- self ; but there is ample testimony that, though he was not perhaps possessed of his father's or even of his sisters' talents, he was by no means destitute of intellectual powers. Sir Thomas, in one of his letters, particularly com- mends the purity of his Latin, and says he had written to him elegantly and pleasantly, returning jest for jest. Grynceus has celebrated his proficiency in Greek, and both he and Erasmus dedicated one of their works to him. He evinced his duty and affection for his father by throwing himself at his feet and embracing him on his way to the Tower after his trial ; and he possessed sufficient strength c 2 20 THE FAMILY OF of character to deny the king's supremacy after Sir Thomas's execution, in consequence of which he remained for some time a prisoner under sentence of death. On being released he is presumed to have retired to his wife's estate in Yorkshire, his paternal property having been confiscated, and died in 1547. At a very early age he married, VI. ANNE CRESACRE, the pretty-looking girl who stands at a little distance behind, in the space between Sir Thomas and Sir John, dressed in black, over whom is written 'Anna Cresacre, Johannis Mori sj)onsa,anno 15.' She was the daughter and heiress of Edward Cresacre, of Barn- borough, in Yorkshire, Esq., the last male representative of an ancient family. Though called fifteen in the picture, she must have been much nearer eighteen, as she was one year old at her father's decease in 1512. Her grandson says she was married by mistake, or, as he expresses it, ' upon error for another body's lands ; ' for Sir Thomas, proceed- ing on the feudal plan, intended to purchase the marriage of a coheiress who held one moiety of his estate, but from some accident the treaty was concluded for Anne Cresacre, who accordingly became his son's wife. She survived her husband many years, and fulfilled the duties of her station very creditably, having educated her numerous family of five sons and one daughter, and recovered their hereditary lands in Herefordshire. In June, 1559, she married her second husband, George West, Esq., and in the same year her only daughter married John West, her husband's son by his first wife. She again became a widow in 1572, and died at Barnborough on the 2nd of December, 1577, in her sixty -sixth year. The three ladies in the corner are In the foreground, with a clasped book in her lap, and looking to the top, CECILY HERON, on the bottom of whose gown is written ' Ccecilia Herona, Thomce jilia, anno SIR THOMAS MORE 21 20.' She was Sir Thomas's third and youngest daughter, and married when very young Giles Heron, of Shackelwel, in Middlesex, Esq., son of Sir John Heron, Master of the Jewel House, by whom she had a son, Thomas, who died issueless. Her literary acquirements equalled those of her sisters, and received the same commendations. Like those of the other females, her dress is black velvet or cloth, with red sleeves and a gold stomacher ; and, besides her rosary, she has an ornament suspended by a black riband from her neck. Next to her sits the celebrated MARGARET ROPER, who is described on her gown as ' Margareta Ropera, Thomce Morifilia, anno 22.' She was Sir Thomas More's eldest and favourite daughter, and resembled him more nearly than the rest of his children in the depth and acuteness of her understanding. Of this eminent woman much is said in the various memoirs of her father ; but the space to which this sketch of her must be confined will only allow of the most striking facts being noticed. Sir Thomas was so devoted to her that, during a dangerous illness with which she was visited, he resolved if she had died to withdraw himself wholly from the world ; and her recovery is imputed to the efficacy of his prayers. She was the dispenser of her father's secret charities, and to her alone he entrusted the knowledge of the severe religious austerities to which he subjected himself his hair shirt and his repeated scourgings. In some of these self-inflicted penances she imitated her parent : ' She had her shirts and girdles of hair,' says Bishop Fisher in one of his sermons, ' which, when she was in health, every week she failed not certain days to wear, sometime the one, sometime the other, that full often her skin, as I heard say, was pierced therewith.' Although Mrs. Roper's veneration for her father scarcely knew any limits, it is remarkable that she not only took the obnoxious oath, with 22 THE FAMILY OF the qualification, however, ' as far as it would stand with the law of God,' but used every argument to induce him to follow her example. A most affecting scene took place between them on his return to the Tower after his con- demnation, which it would be a want of judgment to describe in any other words than those of her husband : ' When Sir Thomas More came from Westminster to the Tower-ward again, his daughter, my wife, desirous to see her father, whom she thought she should never see in this world after, and also to have his final blessing, gave attend- ance about the Tower Wharf, where she knew he should pass by before he could enter into the Tower. There tarrying his coming, as soon as she saw him, after his bless- ing upon her knees reverently received, she, hasting towards him, without consideration or care of herself, pressing in amongst the midst of the throng and company of the guard, that with halberds and bills went round about him, hastily ran to him, and there openly, in sight of them all, embraced him, and took him about the neck and kissed him ; who, well liking her most natural and dear daughterly affec- tion towards him, gave her his fatherly blessing, and many godly words of comfort besides. From whom, after she was departed, she, not satisfied with the former sight of her dear father, and like one that had forgotten herself, being all ravished with the entire love of her dear father, having respect neither to himself nor to the press of people and multitude that were there about him, suddenly turned back again, ran to him as before, took him about the neck, and divers times kissed him most lovingly ; and at last, with a full and heavy heart, was fain to depart from him : the beholding whereof was to many of them that were present thereat so lamentable that it made them for very sorrow thereof to weep and mourn.' The morning before he suffered Sir Thomas privately sent her his hair shirt and scourge, together with the SIR THOMAS MOKE 23 following letter, written with a piece of charcoal in a copy of one of his works. ' It is particularly deserving of inser- tion, from the allusions which it contains to most of the persons who have been mentioned in this memoir, and must be read with the deepest interest. ' Our Lord bless you, good daughter, and your good husband, and your little boy, and all yours, and all my children, and all my god-children, and all our friends. Recommend me, when ye may, to my good daughter Cecily, whom I beseech our good Lord to comfort ; and I send her my blessing, and to all her children, and pray her to pray for me. I send her an handkerchief, and God comfort my good son, her husband. My good daughter Daunce hath the picture in parchment that you delivered me from my Lady Coniers : her name is on the back side. Show her that I heartily pray her that you may send it in my name, to her again, for a token from me to pray for me. I like special well Dorothy Colly ; I pray you be good unto her. I would wit whether this be she that you wrote me of ; if not, yet I pray you be good to the other as you may, in her affliction, and to my daughter Joan Aleyn, too. 1 Give her, I pray you, some kind answer, for she sued hither to me this day to pray you be good to her. I cumber you, good Margaret, much, but I would be sorry if it should be any longer than to-morrow, for it is St. Thomas' even, and the utas of Saint Peter ; and therefore to-morrow long I to go to God : it were a day very meet and convenient for me. 2 I never liked your manners towards me better than when you kissed me last, for I love when daughterly love and dear charity hath no leisure to look to worldly courtesy. Farewell, my dear child, and pray for me, and I shall for 1 A servant of Mrs. Roper, perhaps his god-daughter, or, like Margaret Clement, on whom he bestows the same appellation, one - St. Thomas was probably his tutelar saint. 24 THE FAMILY OF you, and all your friends, that we may merrily meet in heaven. I thank you for your great cost. I send now to my good daughter Clement her algorisme stone, and I send her and my godson, ard all hers, God's blessing and mine. I pray you at time convenient recommend me to my good son John More. I liked well his natural fashion. 1 Our Lord bless him and his good wife, my loving daughter, to whom I pray him to .be good, as he hath great cause ; and that if the land of mine come to his hand, he break not my will concerning his sister Daunce. And our Lord bless Thomas and Austen, 2 and all that they shall have.' It was one of his last requests to Henry that his daughter Margaret might attend his funeral. In defiance of the danger which attended the act, she bought the head of her ill-fated parent, when it was about to be thrown into the Thames, after having been affixed to London Bridge ; and on being questioned by the Privy Council about her conduct, she boldly replied that she had done so that ' it might not become food for fishes.' She survived Sir Thomas nine years, and died, aged 36, in 1544, and was buried in the church of St. Dunstan, at Canterbury, the box containing her father's head being placed on her coffin. By her husband, who lived a widower thirty-three years, and died in January, 1577, aged eighty-two, she had issue two sons and three daughters, one of the latter of whom is noticed by Mr. Ballard in his memoirs of celebrated women. The present representative of Mrs. Roper is Charles Winn, of Nostell Priory, in Yorkshire, Esq., the possessor of Holbein's painting. 3 She sent Erasmus a copy of it, which he acknowledged in a letter to her, expressive of the delight which the present afforded him, wherein a family so highly esteemed were exactly pourtrayed ; adding that, though he knew each of the figures the instant he saw them, yet was 1 Alluding to their conduct on meeting him after his condemnation. 2 His son's children. 3 In 1830. SIR THOMAS MORE 25 he more particularly pleased with her portrait, which recalled to his mind all the excellent qualities he had so long admired in her. The painting l sent to Erasmus, which was likewise by Holbein, is carefully preserved in the town hall of Basel. Mrs. Roper's extraordinary erudition excited the admiration of the most learned of her contemporaries ; and her father, on more than one occasion, repeats with a parent's pride the compliments which had been paid to her compositions. She is painted in a dress very similar to her sister's ; but the sleeves are ornamented with gold, and her stomacher, which is red, has a jewel in the upper part. A book is open in her lap, on which is written 'L. An. Senecse CEdipus,' as a running title; and the page commences with ' Fata si liceat mihi fingere arbitrio meo, temperem zephyro levi.' The old lady behind Mrs. Roper, near the monkey/ holding a book before her, is ALICE LADY MOKE, over whom is written ' Alicia, uxor Thomce Mori, anno 57.' She was the second wife of Sir Thomas More, and was the daughter and heiress, or co- heiress, of Arderne, and widow of John Middleton, by whom she had a daughter, Alice, to whom her stepfather behaved with a tenderness which she gratefully acknow- ledged during his misfortunes : she married first Thomas Eldrington, Esq., who died at Chelsea, in September, 1523 ; and, secondly, Sir Giles Allington, Knight, and was buried at Horsheath, in Cambridgeshire, on the 26th of September, 1563. Lady More was seven years older than her hus- band : she was neither rich nor handsome ; and, from what his great-grandson says of her, it would seem that Sir Thomas was tricked into the alliance, thus proving that his boasted talents were but an unequal match for That low cunning which in fools supplies, And amply, too, the place of being wise. 1 It is an outline only. 26 THE FAMILY OF All which is known of her justifies our considering that she was both ignorant and vulgar a coarse weed in the par- terre into which it was her singular fortune to be trans- planted. A letter from her to Secretary Cromwell exhibits a most affecting picture of the distress to which Sir Thomas's imprisonment had reduced his family, and excites our warmest sympathy for his misfortunes. Her motive for writing is, she says, to inform him ' of my great and extreme necessity, which, over and besides the charge of mine own house, do pay weekly fifteen shillings for the board wages of my poor husband and his servant, for the maintaining whereof I have been compelled, of very neces- sity, to sell part of mine apparel, for lack of other substance to make money of ' ; and she entreated to be allowed to appear before the Privy Council. The stout man next to John More, and immediately behind Mrs. Heron, standing with his face qffronte, is HENRY PATTISON ' Henricus Pattison, Thomce servus' one of the degraded creatures whom, by the title of 'Fool, it was then the fashion to keep in most families of distinc- tion. He is represented, in a dress of three colours, the undermost being red, the next, which is a sort of jacket, is green, and over all he wears a kind of yellow frock. In his round black cap are two roses, the one white, and the other red ; on the left side is a small shield charged, with a red cross, and near it what seems to be a jewel. Round his neck a gold cross, or, more likely, a whistle, is suspended, and the thumb of his left hand seems to rest in his girdle. Pattison appears to have been a stout, healthy man, about forty, with a florid complexion, blue eyes, and a countenance which does not betray any want of intellect. Of the two remaining figures only one can be identified, for the name of the person habited in a green gown, standing at a window in another room, holding a black- letter volume in his hands, is not known. The man enter- SIR THOMAS MORE 27 ing the door, dressed in a tawny-coloured gown, holding in his left hand a roll of parchment, with seals attached, and in his right what seems to be a large pair of spectacles, is JOHN HARRIS, or, as the writing over his head describes him, ' Johannes Heresius, Thomce Mori famul', anno 27,' who was Sir Thomas More's secretary, and a most favoured servant. He married Dorothy Colly, who has been already mentioned ; but an anecdote relating to her, which the superstition of Cresacre More makes him consider a miracle, cannot be inserted in a more appropriate place. Mrs. Roper, having distributed all her money to the poor to say masses for her father's soul, forgot to buy a sheet to wrap his body in ; and neither she, Mrs. Clement, nor Mrs. Harris, united, possessed sufficient to purchase one. The latter, notwithstanding, went into a draper's shop, and having agreed on the price, pretended to seek for her purse, with the intention of afterwards asking them to trust her, when, to her astonishment, she found the exact sum which she required, though she knew positively there was not a farthing in it when she entered the shop. Harris died at Neumarch, in Germany, and is buried there, in the same grave with his son-in-law, John Fowler, a native of Bristol, who settled at Antwerp as a printer. The bipeds in the painting having been described, the monkey and dogs, which are introduced in it, require a slight notice. Sir Thomas More's love of natural history accounts for the appearance of the former, and one of the dogs may be supposed, from the date of the picture being nearly that of the year in which Sir Thomas held the great seal, to be the hero of the following story, which is told by Cresacre More. ' It happened on a time that a beggar-woman's little dog, which she had lost, was presented for a jewel to my Lady More, and she had kept it some se'nnight very care- fully ; but at last the beggar had notice where her dog was, 28 THE FAMILY OF SIR THOMAS MORE and presently she came to complain to Sir Thomas, as he was sitting in his hall, that his lady withheld her dog from her ; presently my lady was sent for, and the dog brought with her ; which Sir Thomas taking in his hands, caused his wife, because she was the worthier person, to stand at the upper end of the hall and the beggar at the lower end, and, saying that he sat there to do everyone justice, he bade each of them call the dog, which when they did, the dog went presently to the beggar, forsaking my lady. When he saw this he bade my lady be contented, for it was none of hers ; yet, she repining at the sentence of my lord chancellor, agreed with the beggar, and gave her a piece of gold, which would well have bought three dogs, and so all parties were agreed, every one smiling to see his manner of inquiring out the truth.' The room in which the group are represented is pre- sumed to have been in Sir Thomas's house at Chelsea, the furniture of which is strongly indicative of the taste and pursuits of the family. At the upper end stands a chamber organ, on a cupboard, with a curtain drawn before it. The cupboard is covered with a carpet-cloth of tapestry, on each end of which is placed a flower-pot filled with various flowers ; and in the centre a lute, a base-viol, a ewer with a white cloth folded over it ; and three books, one of which is Boetius de Consolatione Philosopliice, a favourite author of the family, who is thus mentioned in one of Sir Thomas More's letters to Mrs. Roper : ' I admonish you also to think of this holy fast of Lent, and let that excellent and pious song of Boethius sound in your ears.' Behind Lady More, in a large arched window, stands another flower-pot and a couple of oranges beside it, whilst the representation of the apartment itself, with the clock, which is still pre- served, chairs, &c., affords a correct idea of the sitting-rooms of persons of consequence in the early part of the sixteenth century. 29 THE DBA TH OF THE REGENT MURRA Y BY SIR WALTER SCOTT Sternly he spoke Tis sweet to hear In good green wood the bugle blown ; But sweeter to Revenge's ear, To hear a tyrant's dying groan. AN event now occurred which startled the regent like a thunderbolt. Mary, although a captive in the hands of her enemies, and in the midst of a lonely lake, was yet formidable in her arms of grace and beauty, in her queenly majesty, and her woman's tears. Young Douglas of Lochleven, at once pitying her misfortunes and smitten with her charms, contrived their escape. On a dark night, and at the witching hour, they left the island. The sentinel, whose slumbering had withstood the whispering, was alarmed by the dash of oars. His challenge was instantly heard. 'A boat a boat ! Bring to, or I shoot ! ' And as they continued to ply their oars, he called aloud, ' Treason ! treason ! ' rang the alarm-bell of the castle, and discharged his harquebuss at the boat. The ladies crowded on each other like startled wild-fowl, at the flash and report of the piece, while the men urged the rowers to the utmost speed. They heard more than one ball whiz along the surface of the lake, at no great distance from their little bark ; and from the lights, which glanced like 30 THE DEATH OF meteors from window to window, it was evident that the whole castle were alarmed and their flight discovered. Mary, however, effected her escape, and soon found her- self once more at the head of an army. But even now the regent did not lose his presence of mind ; but, by his promptitude and vigour, no less than by the wisdom of his plans, proved himself to belong to that class of men who should be termed the parents rather than the sons of destiny. He attacked and routed the enemy at Langside, with a far inferior force, and compelled the queen to the fatal step of flying for refuge into the tigress's den, whence she was never to escape alive. The victory should be termed ' glorious ' (if the word were not so vilely prostituted as to be worth nothing), for it was bought with the loss of only three hundred lives ; and even six of the prisoners, whom he had selected for execution, were spared, when on the scaffold, at the intercession of John Knox. Among the six prisoners there was one man whose life it proved the keenest, yet probably unconscious, cruelty to spare. This was Bothwellhaugh, a gentleman of the clan of Hamilton, and a blood relation of its chief, the Earl of Arran (Duke of Chatelherault in France), the first peer of the realm. He had married the heiress of Woodhouselee, and resided with her in her own ancestral home in the lovely vale of Esk, and where she had just given birth to a child. At this moment the tocsin sounded throughout Scotland ; the queen had escaped from Lochleven ; and the loyal Hamilton, tearing himself away from his new-born hope and his young wife, ran to join the muster of his clan. The result of the struggle is known. Mary stood on a hill to look on at the battle which was to decide her fate ; and the Hamiltons in the van, led on by Lord Claud Hamilton, knowing that they fought under the eye of ' the most unhappy of queens, the most lovely of women,' left their ground in a burst of enthusiasm, and rushed on to the THE REGENT MURRAY 31 encounter. The space between them and the enemy was considerable, and their force was almost spent before they came to close quarters. When at length the spears of the two opposing lines were locked together like the arms of lovers, and the tug of battle commenced, a continuous fire of musketry opened upon one of their flanks, while on their other they were attacked by the elite of the regent's troops. The main body of Mary's adherents behind, disheartened by a spectacle for which they were unprepared, or controlled by the destiny of the fated queen, remained stupefied ; and the Hamiltons, unsupported, or rather sacrificed, gave way, and the battle became a flight. 1 When Bothwellhaugh, a dishonoured soldier and a con- demned criminal, ascended the scaffold soon after, it may be conceived with what feelings he turned his eyes towards the south, and saw in imagination his ' pallid rose ' drooping feebly yet fondly over his little bud. When delivered from death he scarcely understood why or how it may be con- ceived how eagerly he spurred his steed towards the lonely valley of the Esk. To describe the scene which met his view, and the tale which knelled in his ear, without a creeping of the flesh, a curdling of the blood, and a sickening of the heart, is im- possible. His estate of Woodhouselee had been given away to a favourite of the regent ; and this man, Sir James Ballenden, eager to enter upon his new possession, had seized the house at night and turned its mistress and her infant out into the open fields. The young mother had but lately risen from the bed of her confinement ; she was undressed ; the night was bitterly cold. The result is told to this day in the superstitions of the peasants of the Esk, who see a lady thinly clad in white, with an infant in her arms, flitting wildly around the spot where the mansion stood. A 1 Melville says that the vanguard was composed chiefly of commoners of the neighbouring barony. of Renfrew. 32 THE DEATH OF frenzied scream sometimes thickens their blood with horror, as the phantom sinks among the ruins. Bothwellhaugh turned back from Woodhouselee. Sir James Ballenden, who held a high and honourable office in the law, would have been a fair mark for vengeance under any ordinary circumstances. But the wrongs of the Hamilton were not such as could be weighed in the common balance of blood. Something must be done he knew not what. Something that would shake the very realm to its centre. Something that would be heard by every ear in Scotland, as distinctly as the scream of the lady of Wood- houselee had thrilled along the Esk. Sir James Ballenden was but an agent, a servant a pitiful, dastardly hound, who only worried at the command or under the protection of his master. That master was the true offender. The blood of the first man in the country would be a fitting libation. Hamilton of Bothwellhaugh determined to slay the regent of Scotland. He dogged his steps for some time like fate. He followed him to the Borders, and when the regent had dismissed his army, at a motion of Elizabeth's royal finger, returned upon his traces to Edinburgh. He was with him in York and London, when Murray went crouching to the footstool of the English queen, to prefer a charge of murder against his sister ; in Perth, in Glasgow, in Stirling, he hovered around him, like a bird of prey circling above its quarry, and only awaiting an opportunity to strike. The regent, in the meantime, held on his way, successful alike in policy and war. When about to pass through Linlithgow, on his way from Stirling to Edinburgh, a warn- ing reached him. It came from John Knox, and the first- named place was mentioned as the spot of danger. There was nothing preternatural in the foresight of the Scottish apostle ; for the frightful wrongs of Bothwellhaugh were already well known, and Linlithgow, besides being favour- able to the cause of the queen, was a seat of the Archbishop THE REGENT MURRAY 33 of St. Andrews, who had there a house, 1 which was more par- ticularly pointed out to the regent as the place to be avoided. Constitutionally brave, and steeled yet more against the sense of danger by a long course of daring and success, James Stewart smiled scornfully at the warning. Was hits wonderful destiny in the hands of the petty laird of Both- wellhaugh ? "Was the blood of a line of Scottish kings to sink in the ground at the command of a vassal of Hamilton ? In vain had the Earl of Huntly beset his path, as if he had been stalking a deer ; in vain had Bothwell in vain had Darnley, raised the dagger against his breast ; in vain, but a few months ago, had a hedge of Northumberland and Westmoreland spears risen up to prevent his return to Scotland alive. All were in vain. Secure alike from war and treachery, he bore a charmed life ; and when his gallant steed swerved at the sight and cheers of the tumultuous crowd, as they commenced their march through Linlithgow, the regent probably addressed him inwardly with the Roman's encouragement ' Quid timeas 1 Csesarem vehis et fortunam Csesaris ! ' At this moment, however, the warning was repeated still more emphatically perhaps for no better reason than that they were now approaching the house of the Archbishop of Saint Andrews ; the alarm spread among the friends who encircled him, and murmurs arose that it was madness to expose a life so precious to them, and to the kingdom, to any unnecessary risk. The regent himself began to think that his danger was something more than imaginary ; and, at length, turning his horse, he gave orders to the cortege to face about, resolving to quit Linlithgow by the same gate by which he had entered, and make a circuit round the town. The house which had excited their fears, and which they 1 The archbishop was the natural brother of the Duke of Chatelherault (the chief of the Hamiltons) and uncle to Bothwell- haugh. D 34 THE DEATH OF had thus left behind, formed part of the line of buildings ; and a sort of gallery, or apartment, projecting from the walls, overlooked the street. In this gallery stood the Revenger, a brass carabine of peculiar construction, the barrel being rifled, raised to his eye, and a lighted match grasped between his fingers. The floor was carpeted with a feather-bed, that no sound might be heard from his foot- steps, and the wall behind was hung with black cloth, that his shadow might not be observed by the passers-by. A fleet horse stood saddled and bridled at the back door, the front entrance was strongly barricaded, and the closes, or covered courts, in the neighbourhood, leading to the rear of the houses, were stuffed with furze. And so stood Both- wellhaugh, his eye fixed grimly on the visy of his piece ; his lips as hard as stone, yet half open with expectation ; and impatience, mingled with iron resolve, scowling on his brow. When the regent reached the gate of the town he found the crowd of citizens, thus thrust back, struggling with a tide of population, rushing in with equal force, from the neighbouring country, to see the show. The way was for the moment impassable ; and Murray, chafing with impati- ence, scorned to wait till it was cleared. Changing his determination as suddenly and as unconsciously as before, he turned his horse again, and passed on his allotted path. It may be that, on finding himself again pursuing the same track against which he had been warned, and which he had but a few minutes before determined to shun, some unusual sensation passed across his heart. It may be that his thoughts were carried at that moment, by association, to the other epochs of his wonderful story. Perhaps the heart-broken moan of his queen and sister rose upon his ear ; perhaps the frenzied scream of the lady of Wood- houselee pierced through his brain. These are the specu- lations of poetry. We only know that the regent, deter- mining to defy and baffle the danger which it seemed he o THE REGENT MURRAY 35 could not shun, called to his followers to dash hastily past the archbishop's house, and thus frustrate the scheme, if any such existed, of his lurking enemy. Dark Morton, girt with many a spear, Murder's foul minion, led the van ; And clash'd their broadswords, in the rear, The wild Macfarlan's plaided clan. Glencairn, and stout Parkhead, were nigh, Obsequious at their regent's rein, And haggard Lindsay's iron eye, That saw fair Mary weep in vain. But the regent could not dash over the bodies of his countrymen, and would not if he had been able. The crowd before was as dense as the crowd behind ; every dwelling, every close continued to pour its quota into the flood. They were near the house of the archbishop, and perhaps the very circumstance retarded their progress, from the eagerness of the vassals to crowd round their master at the dangerous spot, and, if need was, to die with him, or for him. The order of the line was broken ; the chief was encircled by devoted friends ; and only now and then the wave of his proud plumes could be discerned from the gallery among the crowd of heads. They were opposite the house. The window was open, but the gallery empty ; for there was no footstep on the floor, no shadow on the wall. They did not see the glare of the tiger-eye of Bothwellhaugh the damp of deadly hate standing on his brow the hand which clutched the carabine trembling with impatience. Another moment and the regent is safe. It came not. A shot was heard above the cheers of the crowd ; and he fell mortally wounded from his horse. 1 1 The fire-lock of the carabine in the engraving involves an anachronism, for which Mr. Cattermole is not to blame. The piece is preserved at Hamilton Palace ; but somebody, from a singular species of taste, has thought proper to replace the original match- lock with the modern invention. D 2 36 THE DEATH OF To mark the fate of his victim to fly to the rear of the building ; to bound upon his steed, were but the occupa- tions of an instant. The Revenger gained the open country unmolested : for to force an entrance into the house was a work of time ; and he fled, at full speed, towards Hamilton, the capital of his clan. But not alone. Leaving their comrades to force an entrance as they might, some ready- minded vassals of the regent had darted away, almost at the moment of the deed, to intercept him. Owing to more accurate knowledge of the neighbourhood of the town, he had the start ; but now, serving as a guide himself, the whole party, pursuers and pursued, scoured over the heath together. Bothwellhaugh was hardly a spear's-throw in advance ; but his horse, which had been the gift of Lord John Hamil- ton, was all muscle and mettle. Onward the noble brute bounded straight as an arrow over field and moss and dyke and burn. When his strength began to fail whip and spur were applied, till his sides welled blood and sweat at the same time. But even the rowels at length failed in their effect, and the sense of pain became dead in the wide wound they had formed. The pursuers were close upon his heels. At every leap he had taken, however mad and desperate, they had come thundering after ; and he now distinctly heard the groan-like panting of their steeds and the sobs with which the riders caught breath as they flew. A stream was in front, broad, deep, and sluggish, wind- ing through a morass. There was no purchase in the soft ground for the animal's heels, even if in full vigour for the leap ; but, spent as he was, and callous even to the spur, what hope remained ? Bothwellhaugh, however, still held on his course. As he neared the water he tried the rowels again to the very hilt without effect. A hoarse cheer arose from the pursuers behind. He then suddenly drew THE REGENT MURRAY 37 his dagger, as he had gained the brink, struck it deep into his horse's haunch, and the affrighted animal sprang madly over the gulf. He was now safe, and arrived speedily at Hamilton, where he was received in triumph by his friends and clan. After having remained there for some time, Bothwellhaugh passed over into France, and offered his services to the Guises, the kinsmen of the Queen of Scots. By them he was treated with much distinction ; and even a circumstance which he felt as a bitter insult was probably intended as the very reverse. When it was the question among them to murder the famous Coligny, the leader of the Protestant party, overtures were made to the Scottish assassin, with the view of engaging him to strike the blow. Bothwell- haugh spurned at the proposal with scorn and indignation. ' The admiral,' he said, ' was no personal enemy of his. A man of honour was entitled to avenge his own just quarrels, but would cease to be so if he committed murder for another.' I may add that the Archbishop of St. Andrews, two months afterwards, fell into the hands of his enemies at the capture of Dumbarton Castle, and was hanged without ceremony ; and that the heir of the Regent Murray was murdered in the prime of his youth by the Earl of Huntly. 38 THE PALACE OF JUSTICE, BRUGES BY THOMAS ROSCOE THE Palace of Justice, erected in 1722, on the east side of the town formerly Palais du Franc de Bruges (the Liberty), forming an independent district, was given up by Philip the Good to the magistracy of the Franc de Bruges. It presents nothing very remarkable in the facade, but in the work of Sanderus, where you see a full representation of the ancient edifice, it is different. As represented also in the accompanying view it serves to convey, both in point of character and costume, a perfect and lively idea of the scene it once exhibited, in the palmier days of Flemish law and justice. It is the interior which deserves the study of the antiquary ; and among other objects of art he will remark, in one of the halls, the grand chimney-piece, so admirably sculptured in wood as to astonish the connois- seurs of every country. From a date upon one of the sides it appears that this elaborate work was executed in the year 1529. The genii and the bas-reliefs which adorn the frieze are all in white marble ; and represent with equal care the history of Susannah. The stately figure in the centre is the Emperor Charles V. ; on his left are seen the statues of Maximilian, and of Mary of Burgundy ; on the right, those of Charles the Bold, and Margaret of England, his third wife. Upon the two sides, above these figures, are given the emblems and coats of arms of Spain, Bur- THE PALACE OF JUSTICE AT BRUGES 39 gundy, Brabant, and Flanders, all finished with an exqui- site degree of art. 1 Here, too, besides a series of portraits of Spanish sovereigns, is preserved a large painting by Van Oost, the son, chiefly distinguished for the exquisite truth of the fleshes and the vivacity of the colouring. In the hall, now appropriated to the use of the police, is another picture by J. Van Oost, the father, which represents a criminal, and in which it is said are also represented the portraits of the judges who lived at the period of the trial. The back- ground gives a view of the hall to which we have alluded, and it may be observed that it has very little changed its appearance. Over the chimney itself is seen a fine land- scape, by Joseph de Momper, with figures and animals by Breughel de Velours, in that peculiarly happy style which then came so much into vogue. In the chamber where the judges assemble previous to holding their sessions there is a splendid view of the town as it appeared at that period, with its now antique aspect and picturesque character fresh upon it. It is interesting to contrast the past with the present, and observe the numerous changes and dilapidations which have rendered the latter a comparatively grand ruin the sad, but pictur- esque cemetery of its own fortunes. Over the chimney of the Hall of the Tribunal appears an allegorical picture of some merit, which represents Philip the Good seated on a throne, in the act of granting a charter, bearing the date of 1435 ; and farther on, in the chamber of advocates, we noticed a painting of the Decapitation of St. John, toler- ably well executed, and other specimens, chiefly copies of older masters by Gaeremyu and Suve'e, besides some por- traits of Spanish sovereigns, and two or three landscapes. 1 This grand piece of wood-carving was designed and probably executed by Lancelot Blondeel and Guyot de Beaugrant. A cast of the whole chimney-piece may be seen in the South Kensington Museum. 40 THE PALACE OF JUSTICE In this palace are also found deposited the provincial archives, among which are contained charters, which may be traced back to the twelfth century, and they are almost innumerable. No amateur who delights in viewing selected specimens of the highest character, will fail to visit M. Chantrell's collection of sketches by Rubens, and some admirable prints by the early masters. We found that of M. Stein- metz equally rich in paintings and in prints, in the German, Dutch, and Italian schools. Add to these the several col- lections of Messrs. Vanden-Bussche, Puyenbeke, and Baron de Marenzi, which exhibit some rare and excellent specimens of the arts in their different stages, which would agreeably occupy not only hours, but days, and even weeks, in the opinion of genuine connoisseurs and all who have the happiness to possess a taste for them. ' You will now be enabled,' said the count, ' to form some idea of old Flemish art, and to acquit Lanzi of any desire to depreciate its excellence. Nay, I trust to make a convert of you, to all my Flemish doctrines, before you join your friends at Liege. We will go together ; at every step you will see something worth your notice, and you will oblige me,' he added, 'for I will show you our schools of painting, as we are not sin- gular, " our name is legion " ; from fine old Van Eyck, to my studious friend and true scholar De Keyser. There is also Geefs, too, and his studio, full of classic models I mean his own there is Verbeckhoeven, the very Landseer of Belgium, and our provinces have each their painters and their pupils, who, if not as successful as they deserve, have less to blame themselves, their genius, or their talents, than the adverse spirit of their age. It is the same with your historical painters : it is only when your artists reflect your own likeness, and something better, perhaps, that they are really popular with you. I think that of the two, we are the more just ; look at your John Martin, how he was AT BRUGES 41 received here ; his Belgian reputation is perhaps worth more than his English, though that deservedly stands high. But the stream of emigration in art, as in everything else, is from you and towards your colonies, or us younger resuscitated states. And this is honourable for you ; Britain is the foster-mother of many lands, of the peaceful arts, and of a certain degree of freedom, not well denned indeed, but good as compared with the absolutism so oppres- sive in other parts. She is the arbitress of Europe, and the hope of the world.' I made the count a profound obeisance, when he added, with a malicious smile : ' but you are without a pictorial history ; you must still visit Italy and Flanders if you wish to have it ; Bruges, Brussels, and Antwerp abound with native masters, who yield to none. If we have no Michael Angelo, and no Raphael, we need not shrink from a com- parison with any other names. Fix your eye steadily a few minutes on our old Van Eycks, study our Memling, our Rubens, and he who combined the merits of all, the universal Van Dyck, and mark how boldly they confront the Giottos, the disciples of Perugino, Titian himself, Paul Veronese, Guido, and the Carracci. While they have nothing to confound them even with Rembrandt, much less the second-rate Dutch, with the Ostades or the Brouwers. See our Van Dyck at Ghent, and some of those noble por- traits, carrying us back to the moral grandeur, the stern heroic devotion of a different age, which impress a glory on his saints, and radiate from the noble heads which give life to the walls of the palace of the Prince of Brussels. Com- pared with these, what are the Dutch but models of their own bambocciati 1 Our Flemish painters, inspired by the example of Rubens and Van Dyck, travelled ; were men of the world, and carried art and civilisation into other lands. But the Dutch masters, still more than the French and English, almost invariably remained at home.' I 42 THE PALACE OF JUSTICE ventured to remind the young enthusiast of his country's art of not a few French, English, and even Dutch masters who had travelled, and instanced the name of Wander no inappropriate one for the occasion. ' They are examples, I grant,' was the ingenious reply, ' but only to prove the truth of my general observation ; and what was the use of travel, when they all returned home, more English, French, and Dutch, and yet more bambocciati, if I may so say, than when they left it. It was different with the Flemish school ; who was the master of Guido and first put him into the right path, but our Calvaert, il Flamingo of Italy 1 Our Luigi Pozzo was the best landscape painter of his day ; and Brill was better known in Venice and over all Italy than many great Italians themselves. Our David Teniers is in himself a host ! and our Grayer and Jordaens, both masters in their several lines.' ' Still,' I observed, ' we ought not to forget there have lived such men as Rem- brandt, Paul Potter, and Gerard Dou.' ' I know and appreciate them,' was the count's reply ; ' I do not deny that they possessed positive merit, but of a different, and, I believe, inferior kind. In our Flemish school, as in those of Italy, however, there is a splendour and a charm peculiar to them, and in both, I conceive, national and original. And of both we may aver with the felicitous enthusiasm of La Fontaine, the happy poet of painting, in words which express the spirit of Flemish art A de simples couleurs cet art plein de magie Salt donner du relief, de 1'ame et de la vie. Ce n'est rien qu'une toile, et 1'on croit voir un corps. II eVoque a son gr les vivants et les morts ; II transporte les yeux aux confins de la terre ; II n'est 6venement, ni d'amour ni de guerre, Que cet art n'ait enlin appris a tous les yeux. ' You smile/ he continued, ' at my French, or perhaps at my too great ardour of nationality, when speaking of our old masters, and the respect with which I view the efforts of AT BRUGES 43 some of my living countrymen ; for if you have some good names in England, we too have our Wappers, our Verbeck- hoeven, De Keysers, Navez, the Braekeleer, the Paelinck, and the Van Hanselaere, and more, who make worthy essays to maintain the celebrity of our bold and truthful national school. The history of Flemish art is that also of discovery itself. Both Vasari, himself a painter, and the historian Guicciardini, attribute to us that of painting upon glass, and of carrying it to the highest degree of per- fection ; in which art Von Hort, a citizen of Antwerp, dis- tinguished himself above all others. ' M. de Reiffenberg has proved, against the assertions of Heylen, the justice of the Flemish claims on this point, anterior to the reign of Charles V. Van Eyck was the inventor of a coloured glass of an extraordinary strength and vividness, subsequently introduced into France, and in the sixteenth century into Italy. Who has not admired the sombre beauty, the grand reflected lights of the glass in St. Gudule at Brussels, painted by Jean Ack, of Antwerp, by Jean Floris, and by Diepenbeeck 1 The beautiful speci- mens at Tongerloo, and other places, which show the triumph of this art, are scarcely inferior ; but so eagerly were they sought by other nations that Belgium was soon deprived of her earliest and finest products. Those of Hoefnagel carried a high price, and were preferred by judges to those of the Dutch Van Donder, or the Volsaks of Germany. Miniature, in fact, was long perfected to admiration in Flanders, while in France and other coun- tries it was a mere cold exhibition of raw colours. It is still more indisputable that Belgium and the world are indebted to Van Eyck for the grand discovery of painting in oil. Certain methods, indeed, of applying oils to paint- ings were known ; but the grand art of mingling and using them so as to produce new results was Van Eyck's ; that of carrying it to perfection was due to Jean de Bruges.' 44 ON A LADY PL A YING (LADY WALLSCOURT-) BY BARRY CORNWALL i ONCE more amongst those rich and golden strings Wander with thy white arm, dear lady pale ; And when at last from thy sweet discourse springs The aerial music, like the dreams that veil Earth's shadows with diviner thoughts and things, Oh, let the passion and the time prevail ! Oh, bid thy spirit thro' the mazes run ! For music is like love and must be won ! ii Oh, wake the rich chords with thy delicate fingers ! Oh, loose the enchanted Music from mute sleep ! Methinks the fine Phantasma near thee lingers, Yet will not come, unless tones strong and deep Compel him Ah ! methinks (as love-avengers- Requite upon the heads of those who weep The sorrows which they gave) the sullen thing Deserts thee, as thou left'st the vanquish'd string. in No no it comes, sweeter than death or life, Sweeter than hope, or joy beneath the moon ; Sweeter than all is that harmonious strife, From whose embrace is born a perfect tune, Where every varying note with thought is rife. Now bid thy tender voice enchant us soon, With whatsoe'er thou wilt with love with fears, The rage of passion, or the strength of tears. Woodbury-Gravn* THE LADY WALLSCOURT. BY SIR THOMAS LAWRENCE, P.R.A. NOTES OF A SPANISH RAMBLE, IN THE SUMMER OF 1839 BY LORD JOHN MANNERS [Reprinted by permission of His Grace the Duke of Rutland, K. G.~\ IT was now the end of July, and as our Rambles in Spain were soon to be concluded, we determined to leave our comfortable quarters at Ofiate, but were not a little puzzled which way to bend our steps. Zaraetegui and Madrazo had advised us by all means to make an incursion into Navarre, and hinted at the probability of some real fighting taking place in that province in a few days. On the other hand, Don Sebastian and the Duke of Grenada had invited the whole court to a week's festivities at Azpeitia ; and Prince Carini and the young Frenchman pressed us to accompany them thither. After some hesi- tation, however, we decided in favour of Navarre ; and accordingly, after dinner, on Monday, the 29th of July, mounted our mules and started, under a scorching sun, on our way to Estella, in which town Elio had fixed his quarters. A beautiful ride of two hours brought us to the brow of Sierra de Aralar, 1 whence a magnificent view over a rich plain, glowing with the harvest, and studded with 1 A high chain of mountains, separating Guipuzcoa from the kingdom of Navarre. 46 NOTES OF A SPANISH RAMBLE villages and hamlets, burst upon us. Two hours more sufficed to bring us down into a noble forest of oaks, Spanish chesnut-trees, and ilexes, in which, just as the evening shades began to prevail, we contrived to lose our way. The muleteer, however, made a fortunate cast, and we reached Alsasua, the first Navarrese village, in due course of time, only, alas ! to be disappointed, for we had intended to rest here for the night, and Alsasua possessed no inn. Madrazo, however, who, with Zaraetegui, had pre- ceded us by a day, had left a note for us in charge of the officer in command, advising us to proceed to Iturmendi, a league farther on, where we should find a posada, and to join them the next morning at Aranaz. The officer insisted on our taking two of his lancers to Iturmendi, one by way of escort, to protect us against all Christinos and other ill- disposed persons, and one to go on in front and order supper ; so, when we arrived at the posada, very satisfac- tory preparations were being made in the kitchen, and a blazing wood fire looked very cheery and comfortable after our long ride in the chill night air. The supper was good, the sheets clean, and the beds flealess ; and sorry enough was I to be routed up at half -past four the next morning, in order to join our friends at Aranaz in good time. A fat paymaster, or chief of the commissariat, I am not sure which, in a striped calico jacket, with a huge pair of pistols in his holsters, accompanied us on our road, which lay through the valley of the Borunda, perhaps one of the most fertile valleys in the world. Although war, in its worst shape civil war had been raging now for well-nigh six years, and neighbouring Pamplona could send out its bands of harvest-burners, with but small chance of being foiled in their work of destruction, still every inch of ground was cultivated with the greatest care ; and the tall Indian corn was waving half-way up the mountains on either side of the valley. At every half-mile, also, a neat IN THE SUMMER OF 1839 47 village sent out its women and boys to the rich harvest. Nothing, indeed, astonished us more in the whole of our trip than the high state of cultivation of the country. It was only when we got to the frontiers of the Carlist terri- tory that any signs of war presented themselves ; and even there the peasants would go about their accustomed labours, while elsewhere peace and plenty seemed to reign securely. We arrived at Aranaz soon after the appointed hour, but found our friends did not intend to start until after their midday siesta, and that we were all to dine together at their host's, the chief proprietor in the place. In the meantime we witnessed a very curious operation viz., thrashing out the corn. A large space is cleared and made ready by the roadside ; into this the sheaves are brought, and spread out in circles ; in the centre of each circle stands a woman, armed with a long goad, or whip, by the constant applica- tion of which she keeps in full trot two or three ponies, harnessed to a couple of rough boards, that are studded underneath with pieces of sharp iron. The sheaves are thus in a short time reduced to powder, which is then raked up, and the wheat separated from the chaff by the very simple process of tossing them both in the air by a kind of trident. The chaff is, of course, whisked away to a distance by the wind, and the wheat falls to the ground ; this again is passed through a sieve, and the business is completed. The straw, it is true, is pulverised almost into nothing, but it is not altogether lost, for most of it is after- wards collected, and given to the horses and mules, which are said to be very fond of it. Soon after twelve we sat down to dinner : the party consisted of Zaraetegui and Madrazo, who took the head of the table, our fat friend of the commissariat, the curd of the village, a friend of his, our host, and ourselves. As this was the best specimen of a Spanish dinner I had an 48 NOTES OF A SPANISH RAMBLE opportunity of seeing, I will give a short account of it. First of all came a course of lettuces and salads ; then the sopa, followed by a great dish of peas (the yellow gervansos), and an equally formidable one of beans. Next came the never-failing olio a capital dish, consisting of pieces of boiled beef, or mutton, with potatoes and a few gervansos, and little bits of bacon, with a sprig or so of rich sausage by way of seasoning. Then followed several entrees of chicken,