GIFT OF Prof. C. A. Kofold THE WAYS OF YALE IN THE CONSULSHIP OF PLANCUS By HENRY A. BEERS. 1st Buckram Series, idrno, with frontt* pieces, 75 cents each. THE WAYS OF YALE, ( 7 tb Ed.) In the Consulship of Plancus. Humor- ous Sketches, ** Yale is to be congratulated upon having sucfc * writer on her campus. So many rankly unjuat and superficial books have been written on Va! ways, that such a book as the present one is refreshing innovation." Yale Literary X- ** There is only one fault to find, and t there is not enough of it." New York Tir- "A felicitous capture of the elusive \\ graduate spirit . . . mingled with the uprc. numor which iostles the sentimental so <:.' in college life. Springfield Republican. ** This royally entertaining booklet." /,-.. pendent. A SUBURBAN PASTORAL, (5*h Edition.) And Five Other Tales of American Life, and Two Old Eng- lish Legends, < No collection of short stories by an America* writer, lately published, has made a more enter- taining book." N. K. Times. " [*A Suburban Pastoral '] so devoid of preten- aion or effort, so freshly and frankly written, so quiet in its humor, arid with its> suggestion of pathos so latent in the emotions it awakens . . . hereafter we shall remember him among th* sweetest, tenderest, and gravest of our story- tel lers . ' ' Ma il a nd Express. " 'A Midwinter Night's Dream ' is a beautiful example of writing which is permeated with deli- cate fancy. . . ' Split Zephyrs ' discusses many of those problems which you will hear debater Imost every night in June under the elms and m old college haunts." Life, HENRY HOLT & CO., New York, ^H^W^f ' It crowed repeatedly and attracted the attention of the authorities.' 1 '' P. 144. THE WAYS OF YALE CONSULSHIP OF PLANCUS HENRY A. BEERS t/ AUTHOR OF " A SUBURBAN PASTORAL," KTC NEW YORK HENRY HOLT AND COMPANY 1895 In fallow college days, Tom Harland, We both have known the ways of Yale, And talked of many a nigh and far land, O'er many a famous tap of ale. There still they sing their " Gaudeamus," And see the road to glory clear ; But taps that in our day were famous Have given place to Lager Bier. The Ballad of Lager Bier. STEDMAN. THE MEESHON COMPANY PRESS, RAHWAY, N. J. CONTENTS. fln tbe 2>a$s of tbe tfence. PAGE CONSULE PLANCO, . . . viii SOME CHANGES IN COLLEGE LIFE IN THE LAST QUARTER CEN- TURY, . . . i JUBILEE ODE PROLOG IM HIM- MEL, 18 THE THIMBLES, ... 22 CHUMS, 36 EATING-CLUBS, . . . 100 LEAVES FROM THE DIARY OF AN UNDERGRADUATE, . .133 Recreations of tbe 1ftet> %etter Club. AD IULUM ANTONIUM, . . 168 ANALYTICAL ALGEBRA, . . 169 " OUR OWN PERCIVAL," . .184 BIFTEK AUX CHAMPIGNONS, . 203 WHAT'S IN A NAME ? 208 THE SPRINGALD AND THE CAUDA GALLI, .... 209 AMOURS PASSAGERS, . . .213 IMPRESSIONS OF A SUB-FRESHMAN, 215 IVltlMoS IN THE DAYS OF THE FENCE CONSULE PLANCO. In Plancus' days, when life was slow, We dwelt within the Old Brick Row Before Durfee or Welch was built, Or gilded youths in Vanderbilt Looked down upon the mob below. Then Freshmen did not use to go 'Most every evening to the show ; Quite inexpensive was our gilt In Plancus' days. We had no football then, you know : All bloodless lay the untrodden snow, No gore was shed, no ink was spilt, No poet got upon his stilt To write these frenchified rondeaux, In Plancus' clays, THE WAYS OF YALE SOME CHANGES IN COL- LEGE LIFE IN THE LAST QUARTER CENTURY. I1HERE are stories of men who have left col- lege, halfway through their course, and come back many years after to pick up the broken threads, drawn by haunting memories of the charm of student life. But, rushing once more to prayers at the sound of the same old bell, or seated again in class- room on the familiar benches, 2 CSS A N ANALYTICAL ALGEBRA. and elevate the human soul. Professor Packard once told his class that the curriculum had made no provision for the cul- ture of the imagination. How much might be done in that way, even in pure mathematics, by a proper mode of treatment will be seen perhaps from the following outlines of a course. A late ingenious writer has tried to show that the false science of alchemy was only a covert way of expressing, by means of a symbolism, truths in moral and political philos- ophy which it would have been unsafe in the Middle Ages to maintain openly. An analyti- cal study of algebra will develop the fact that, .underlying its artificial symbolism, its alpha- betical triflings, its obscure, and, ANALYTICAL ALGEBRA. 171 to many, meaningless formulae, there lies a life-drama of dark and stormy passions a tale of fate, of crime, of temptation and fall. It will be remem- bered that the science is of Oriental, of Arabian origin. The Oriental mind takes pleas- ure in mystic and figurative methods of expression, and it may well be that this method has been taken of preserving, under the forms of a language whose true import is revealed to a few choice spirits in every age, one of that body of legends almost coeval with the race the folk-lore of the East. It is a tale of the triumph of the strong over the weak ; the evil over the good; the tempter over the tempted ; the Mephis- topheles over the Faust. 172 ANALYTICAL ALGEBRA. It will be seen that among the various writers who have treated the subject, under some minor differences of style and statement, there is a general agreement as to the relative position of the two central per- sonages of the drama the char- acters of A and B. What this relation exactly is, it is impos- sible to say. It is usually indi- cated numerically. Sometimes it is expressed in terms of the mysterious and unknown quan- tity x, which the reader is al- ways requested to find, but which, if found at all (which is rarely the case), resolves itself into some number as baffling to the curiosity as the number of the Beast in Revelation. What light does it shed on x to discover that x\\, or that ANALYTICAL ALGE&RA. 173 ^ r=:/ V/2na? Then too x is usu- ally variable, sometimes infi- nite, not seldom imaginary or absurd. It has indeed been directly asserted that the rela- tion of A to B was as / to /'. but what was p? what was f'f The clew to this cipher is cer- tainly far from ascertained. For these reasons it is advis- able in the aesthetic study of algebra to neglect the long pages of statistics or figurative matter which form the bulk of most treatises. They shed no light on our researches. It is only in the problems, or what may be called the letter-press . of the work, that we find any consistent and rational state- ments about A and B. Even here the cautious and singularly non-committal manner of the 174 ANALYTICAL ALGE3RA. historian leaves much untold. Algebra may be called like rhetoric "a science of hints and suggestions" or better, a science of puzzles and riddles. The sphinxy chronicler makes a guarded statement, and then suddenly asks a question which often seems to have no connec- tion at all with the previous statement. Almost every sen- tence ends with an interroga- tion point. From these materials, how- ever, meager as they are, the following general results may be gained as to the character and relations of A and B. B is the~ hero of the drama. He seems to be a man of fine feel- ings, of a generous and social, open and confiding nature, but of a weak will and easily influ- ANALYTICAL ALGEBRA. 175 enced. We find him with a kind of humorous benevolence repeatedly distributing coppers in geometrical progression to the poor. He seems to be the careless and good-humored gen- tleman referred to by Mr. Tod- hunter on page 208 of his Alge- bra. " A gentleman sends a lad into the market to buy a shil- ling's worth of oranges. The lad having eaten a couple, the gentleman pays at the rate of a penny for fifteen more than the market price/' etc. His easy credulity and recklessness seem to have led him into ex- travagance and folly. We find him speculating in city real es- tate, investing x dollars in rect- angular lots containing m square feet. He seems to have fallen in with the sporting ring 176 ANALYTICAL ALGEBRA. and to have run around islands on a wager always losing; to have invested in lotteries always drawing blanks: the chances of his drawing a prize being usually represented as n:m no doubt ridiculously small. On the other hand A, the lago, the Mephistopheles, the devil of the plot, is painted as a man of a secret, reserved and tortuous mind. Contrast the open-hearted, unsuspecting frankness of B with the shuf- fling evasions of A's answers to the simplest question. Thus A being asked by B how old he is, replies "m times the cube of C's age =~i of the square root of my own." Whenever A and B are brought into con- tact, the former is represented ANALYTICAL ALGEBRA. 177 as the superior in mental and bodily strength. In those nu- merous and mysterious trips which they are perpetually tak- ing between two places distant x miles from each other, A always accomplishes the jour- ney in one m ih of the time that B does. A always performs with ease in the incredibly short period of n days that piece of work which the indo- lent B requires fully m days to complete. At an early period in their history, A seems to have laid B under some dread- ful obligation, or to have dis- covered some terrible secret which places the latter wholly in his power. The power thus obtained he uses with remorse- less cruelty. He persuades B to invest his money in partner- 178 ANALYTICAL ALGEBRA. ships where B contributes m dollars to A's n. He extorts hush money from him in sums of 500, 1000, nay, even y dol- lars! With a fiendish humor, he pretends to regard these installments of blackmail as loans loans of pure accommo- dation for / months and at r per cent, interest of course never paid. What the secret of this in- fluence was we cannot say. Was there a woman in the case? There is something in the character of C a personage occasionally introduced which leads to the suspicion that she was a woman. Thus, on page 474 of Todhunter we are told, 4 'It is 3 to i that A speaks truth, 6 to i that B does, and I to 3 that C does. What is ANALYTICAL ALGEBRA. 179 the probability that an event took place which A asserts to have happened, and which B and C deny?" Three conclu- sions seem to be justified by this statement : 1. The remarkable natural deceitfulness of C points not doubtfully to her sex. 2. B appears by this time to have become involved in a train of prevarications made neces- sary perhaps by his attempts to conceal the secret referred to, and to have lost a portion of his natural truthfulness. 41 Oh, what a tangled web we weave When first we practice to deceive ! " But even so, his word is more to be trusted than the organic cfuplicity of A. 3. The above problem seems 180 ANALYTICAL ALGEBRA. to have presented itself to the mind of B while endeavoring to free himself from the toils of A. He reflects whether his own word, coupled with that of C, may outweigh (possibly in a court of justice) the unsup- ported testimony of A. He is tempted to cast off his thrall- dom and boldly deny the "event" obscurely alluded to, which can be no other than the terrible, possibly guilty secret which A uses to his destruction. If any such plan of relief pre- sents itself to his mind, he is too weak to carry it out. He falls more and more hopelessly into the toils, and struggles less and less. The malign influence of A becomes stronger as the drama sweeps to its catas- trophe. B invests with increas- ANALYTICAL ALGEBRA. l8l ing recklessness in the lots and lotteries. He probably also takes to drink, for we read of "hogsheads, one of wine and one of beer, with cubical con- tents as m, n, and exhausted respectively at the rate of x and y quarts per diem." Toward the close of his mel- ancholy career, A gets him into gambling. It is needless to say that he is no match for the lat- 'ter. The chapter on " prob- ability" is nothing more or less than an account of his losses at cards and dice to this Hon. Deuceace. Thus on page 468, problem 27, "two persons, A and B, engage in a game in which A's skill is to B's as 3 to 2. Find the chance of A's winning at least 3 games out of 5." Sometimes there seems to 1 82 ANALYTICAL ALGEBRA. be a pool in which several en- gage possibly one D, a char- acter who appears but seldom, and seems to be a tool of A's, was present among others. On page 470 we have a description of one of these friendly games. "In a bag are n balls of m colors, / being of the first color, p* of the second color . . . pm of the m th color. If the balls DC drawn out one by one, what is the chance that all the balls of the first color will be drawn, etc ?" The catastrophe of the drama is shrouded in impenetrable night. What was the fate of A, of B, of C, of all the rest of the alphabet, including old Izzard, "that gray-haired man of glee?" I cannot say : but enough has been done toward resolving the enigma to show how much ANALYTICAL ALGEBRA. 183 would be accomplished by a critical study of algebra in its aesthetic relations, disregarding those tables of meaningless signs and formulae which are made the sole object of study under the present false, disci- plinary system. "The limits of this introduc- tion, " as Mr. Buckle would say, forbid me to do more than indi- cate how valuable the same method of treatment would be if employed, for instance, on "Arnold's Latin Prose Compo- sition." Balbus, Caius, and even Titus Manlius, the nobilis- simus Juvenis, would be no longer mere pegs to hang in- struction upon, but living, breathing souls like the gener- ous, the gentle, but alas! the unhappy and fallen B. "OUR OWN PERCIVAL." [CONTRIBUTED BY HUDSON.] HE rummager among top shelves of old libra- ries unearths a set of curious fossils belonging to the literary deposits of the earlier half of this century. These are the Annuals, octavos with gilt- edged leaves, and bindings embossed with leaf-and-flower patterns. Their backs are stamped with such titles as the following: " The Gem," "The Token," " The Wreath," " The Casket," "Friendship's Offer- ing," "The Rose of Sharon." Open them ; what do you find ? 184 44 OUR OWN PERCIVAL." 185 A frontispiece copperplate with a veil of tissue paper, be- hind which languishes " Julia," or simpers " The Nun/' A vignette title vase of roses and convolvuluses ; other engrav- ings " The Sisters "; " Scene on the Hudson "; " The Decla- ration " (village maid at cottage door ; latticed windows ; spin- ning-wheel ; wicker bird-cage ; woodbine ; distant spire ; lover in Highland costume). Then for contents there is an ode by Mrs. Sigourney, per- haps " To a Shred of Linen " : " O shred." There is a sonnet by Park Benjamin ; a sacred poem by N. P. Willis. There are other poems " Joan of Arc"; "Jeph- tha's Daughter "; many " Stan- 186 OUR OWN PERCIVAL." zas " and " Lines," " Vents to the Heart," or " Leaves from the Volume of Life," all written with much pomp of blank verse and exclamation point by Ag- nes Strickland, Miss Edgarton, Miss Dodd, and other Misses and Mrses. " nameless here for- evermore." They start out with great energy of invocation, as " Ay, lady ! braid thy jeweled hair, And dight thee in thy rich array ! " or of aspiration, as " Oh, for the pomp of waters ! for the roar Of waves infuriate ! " Then, for prose, there are ro- mantic tales : " The Brigand's Daughter "; " The Faithful Page "; " The Bramin's Well "; "OUR OWN PERCIVAL." 187 " The Astrologer "; opening, it may be, with some such pas- sage as this : " It was a large and lofty apartment in the tower of an ancient castle, where the pale astrologer sat among his astral instruments and his heavy tomes alone." Tome, by the way, is " nuts " to the Annual writers ; no astrolo- ger's library should be without one, and even an alchemist should have a few tomes lying around among his retorts and crucibles. The tome is to the mere book as the " shallop " or " pinnace " is to the prosaic rowboat. I should like to see a shallop, I have read of so many. Besides the tales, there are moral and instructive pieces, such as " Human Life," or 188 "OUR OWN PERCIVAL." " Copernicus." Also, short rhapsodies in prose, as thus : " NIGHT. "Bv HENRY C. LEONARD. " The sun hath set, and Night comes with her silent step. I behold her sable curtains falling and darkening the and so on for a page. In the preface the modest editor says : " It is hardly be- coming in us to allude individu- ally to the contents of this vol- ume. We believe none is with- out its value. Yet it is difficult to refrain from inviting the attention of the younger por- tion of our female readers to the character of ' Emma/ so beautifully and truthfully por- trayed by the pen of one who 'OUR OWN PERCIVAL." 189 had frequent access to the inner sanctuary of her being." Dear old silly Annuals ! I like their naive sentimentality, their majestic emptiness, their skin-deep Byronism, their feeble echoes of the mediaevalism of Walter Scott, here in Yankee Land, where the well sweep and the chip pile in the back yard had not yet elbowed the ivy-mantled tower out of liter- ature. It amuses this generation to think that the Annuals were written and read by grown up men and women. The Ameri- can mind, shrewd enough on the practical side, was, indeed, in the callow stage in the item of taste. Nevertheless, the humble Annuals are a part of our literary history. They led IQO "OUR OWN PERCIVAL." a center table existence in times when the effusions of " L. E. L." were copied widely into young ladies' albums, and " More Droppings from the Pen that wrote Proverbial Philosophy," continued to drib- ble on the still unworn stone of popular endurance. The in- frequent piano was small but upright (that poor creature, Melodeon, was not, as yet), and it resounded alternately to the songs of Morris and of Moore ; to " Near the Lake where Droops the Willow," and to "The Harp that Once thro' Tara's Halls." The senti- ments of the former bard were reflected weekly in the New Mirror, side by side with the sprightlier fancies of Willis. As for the young gentleman con- "OUR OWN PERCIVAL." IQI tributors to "The Keepsake" or " The Nosegay," we have seen in Dickinson's ivory miniatures their silk stocks, high-shoul- dered dress coats, marvelously rosy cheeks, impossible blue eyes, brown hair, and sweet smiles. They gave moonlight serenades on the guitar. The lady contributors wore " mits" on their hands and carried lockets. They affected brioches and divans ; had not Zuleika a divan to recline on, in her bou- doir at Stamboul? To this period belongs Dr. Holmes's ' ' Village maid Who worketh woe in satin, The graves in green, the grass in black, The epitaph in Latin." This was before Mr. Ruskin had taught her better. I have introduced this men- IQ2 " OUR OWN PERCIVAL." tion of the Annuals because they furnish a convenient term to criticism. One of them " The Gem," Philadelphia, 1842, is on my bookshelves, and Demp- ster in referring to some verses or other in the magazines (pos- sibly by Dr. Parsons), will often describe them as " gemmy " a word that connotes much and merits a wider currency. To one that knows the Annuals, for instance, it might be a suffi- cient criticism of Percival, to say that he is gemmy. Label his poems, " Percivalia : Conn. River Valley ; Gemmiferous Period " ; and let the curator of our literary Peabody put them away in the appropriate pigeon hole. There, at any rate, they repose, with or without label, in that readerless limbo of "OUR OWN PERCIVAL." IQ3 " The Poets of America " haunted by the respectable shade of Mrs. Sigourney. To live an immortality in elegant extracts is even a more unsub- stantial existence than to " sub- sist in bones and be but pyra- midally extant." When they gild your covers, prepare your contents for oblivion. It is not a grateful task to raise the ghost of a dead repu- tation for the purpose of kick- ing it. But in Percivars case it would be more fair to say that his reputation has outlived his readers. This must be Pro- fessor Lowell's excuse for put- ting a quietus to him. Lowell's estimate of him seems to me entirely just, and I revive the topic not in order to differ with the critic, but because the lat- 194 " OUR OWN PERCIVAL." ter's essay (published in " My Study Windows ") has pro- voked much hostile remark in print and out. This was to be expected, as the critic was a Harvard man and the criticised a Yale man. Yale men natu- rally cherished a regard for Per- cival's memory, though they may not have taken the trouble to read his verses, and many of them said in their hearts : " We acknowledge that our college has not raised a large crop of rhymers. Her sons have been busy with sterner stuff. Our Quinnipiac runs through pleas- anter scenery than their Charles, yet no one has told how it crooks its * steel-blue sickle ' among the meadows. Our boys died as bravely for their country as theirs, but our knightly sol- "OUR OWN PERCIVAL." IQ5 diers still await their poet, and meanwhile catch but a reflected ray ' on their white shields of expectation/ But even when our Helicon was at its dryest, we consoled ourselves with one name. Was there not our own Percival ? At Cambridge no occasion lacks its poet. The class of '29 has a little reunion ; straightway some verses in the Atlantic. Emerson addresses the Phi Beta Kappa : an ode. Josiah Quincy reaches his I35th birthday ; more odes. The air is thick with shuttlecocks of praise, flying from battledore to battledore. Not that we would pull a feather from a single shuttlecock ; but why could they not leave us our one little ewe lamb they of the abundant mutton?" 196 " OUR OWN PERCIVAL:' Since reading the essay in question I have been through Percival " Prometheus " and all equipped with a sharpened pencil for the marking of fine passages, and must confess that my marginalia are scanty. His poetry is hectic from first to last. If you want a bit of second-hand Byronism, read " The Suicide." The lines which Lowell quotes from " An Imprecation " can be matched with the concluding stanza of the former piece, directed against a worthy Congrega- tional minister who forbade the poet's addresses to his daughter : "And thou, arch-moral-murderer! hear my curse : Go gorge and wallow in thy priestly sty! "OUR OWN PERCIVAL." IQ7 Than what thou art I cannot wish thee worse : Then with thy kindred reptiles,* crawl and die." Lowell has thoroughly dis- posed of Percival's claims as a lyrical and didactic poet. But the thing which has struck me as especially strange, in reading his verses, is his failure to make his scholarship and his knowl- edge of nature, which were con- fessedly great, contribute of their substance to his descrip- tive poetry. The two lobes of his brain the scientific lobe and the poetic lobe appear to have worked independently. His geological reports are the dryest of statistics, and his verse is remarkably unsubstantial and unballasted by facts, allusions, * Other Congregational ministers ? IQ 8 "OUR OWN PERCIVAL." and concrete images. In tak- ing up the study of botany, geology, and chemistry, it might seem as if he felt the need, as a poet, of putting some healthy, natural ground under his unsteady muse, just as bird- fanciers put bits of turf in their cages for the larks to stand on when they sing. But his poetry remained to the end as subject- ive as ever, and his nature is as gemmy as anything in the Annuals. What have we to do in Connecticut with groves, founts, cots, ruins, leas, shep- herds, zephyrs, bowers, nightin- gales, myrtles, jessamines, lat- tices, etc? He found them in ]VLoore and not in New Haven. We have few " groves " in this part of the world, except the haunts of German picknickers. "OUR OWN PERCIVAL." 199 Instead,^ we have the native article woods : oak, chestnut, hickory, birch, growing close, with spindling trunks and branching tops ; lower down, dogwood, laurel thickets and white birch brush ; lower still, an undergrowth of juniper, ground pine, and the round-leaved smilax. The next time that I go to the woods behind Donald Mitchell's I will look for some " groves," and if I find one, say of century oaks the trees arranged in vistas, twelve feet apart ; their giant boles springing from nice, smooth turf ; and deer troop- ing down the perspective ; and if, in a glade of this same grove, I come across a ruined abbey mantled with real English ivy (which has such work to " man- 200 "OUR OWN PERCIVAL." tie " the north wall of the col- lege library), then I will ac- knowledge that Percival was a great poet and saw the world with his own eyes. If there is little truth in his descriptive poetry, still less is there any of that higher, imagi- native handling of nature in which the thing seen is chiefly beautiful because of the thing suggested. There is no such analogy in all his verses as in that fancy of Lowell's own, where he speaks of the waves out at sea as appearing to " climb smooth sky-beaches far and sweet." It is fair to say that a few of Percival's pieces are exceptions to these remarks. " The Coral Grove " and " Seneca Lake " have deservedly obtained a wide " OUR OWN PERCIVAL." 2OI circulation in school readers and books of selections. Low- ell's saying, that Percival never wrote a rememberable verse, is not quite true. The line, " There is a sweetness in woman's decay," is a familiar quotation, though the sentiment is characteris- tically sickly. It may be, too, from some association rather than from any rememberable quality in the verse, but the sight of one of the Litchfield lakes at early morning, or of some copy of Landseer's " Sanctuary/' will invariably recall to me the stanza, " On thy fair bosom, silver lake, The wild swan spreads his snowy sail, And round his breast the ripples break As down he bears before the gale." For the rest, Percival's 202 "OUR OWN PERCIVAL." scholarship was unquestioned. His life, though in some things weak, was free and proud and a protest against Philistinism. New Haveners would not like to lose his picturesque figure from their traditions. Of this, tall and stooping, and wrapped in an " old blue cloak," the eye of fancy may still catch glimpses, passing swiftly and furtively between the college buildings in the dusk. BIFTEK AUX CHAMPIGNONS. [CONTRIBUTED BY PUNDERSON.] j]IMI, do you remember Don't get behind your fan- That morning in September On the cliffs of Grand Manan ; Where to the shock of Fundy The topmost harebells sway, (Campanula rotundi- folia : cf. Gray) ? On the pastures high and level, That overlook the sea, Where I wondered what the devil Those little things could be That Mimi stooped to gather, As she strolled across the down, And held her dress skirt rather Oh, now, you needn't frown. 203 204 BIFTEK A UX CHAMPIGNONS. For you know the dew was heavy, And your boots, / know, were thin : So a little extra brevi- ty in skirts was, sure, no sin. Besides, who minds a cousin ? First, second, even third I've kissed 'em by the dozen, And they never once demurred. " If one's allowed to ask it," Quoth I, " ma belle cousine, What have you in your basket?" (Those baskets white and green The brave Passamaquoddies Weave out of scented grass, And sell to tourist bodies Who through Mt. Desert pass). You answered, slightly frowning, " Put down your stupid book That everlasting Browning ! And come and help me look. Mushroom you spik him English, I call him champignon : I'll teach you to distinguish The right kind from the wrong." BIFTEK A UX CHAMPIGNONS. 205 There was no fog on Fundy That blue September day ; The west wind, for that one day, Had swept it all away. The lighthouse glasses twinkled, The white gulls screamed and flew, The merry sheep bells tinkled, The merry breezes blew. The bayberry aromatic, The papery immortelles (That give our grandma's attic That sentimental smell, Tied up in little brush-brooms) Were sweet as new-mown hay, While we went hunting mushrooms That blue September day. In each small juicy dimple Where turf grew short and thick, And nibbling teeth of simple Sheep had browsed it to the quick ; Where roots or bits of rotten Wood were strewed, we found a few Young buttons just begotten Of morning sun and dew. 206 BIFTEK A UX CHAMPIGNONS. And you compared the shiny, Soft, creamy skin, that hid The gills so pink and tiny, To your gloves of undressed kid, While I averred the color Of the gills, within their sheath, Was like but only duller The rosy palms beneath. As thus we wandered, sporting In idleness of mind, There came a fearful snorting And trampling close behind ; And, with a sudden plunge, I Upset the basketful Of those accursed fungi, As you shrieked, " The bull ! The bull ! " And then we clung together And faced the enemy, Which proved to be a wether And scared much worse than we. But while that startled mutton Went scampering away, The mushrooms every button Had tumbled in the bay. BIFTEK A UX CHAMPIGNONS. 2O7 The basket had a cover, The wind was blowing stiff, And rolled that basket over The edges of the cliff. It bounced from crag to bowlder ; It leaped and whirled in air, But while you clutched my shoulder I did not greatly care. I tried to look as rueful As though each mushroom there Had been a priceless truffle, But yet I did not care. And ever since that Sunday On the cliffs of Grandma Nan, High over the surf of Fundy, I've used the kind they can. WHAT'S IN A NAME? [CONTRIBUTED BY DEMPSTER.] HE legislature passed a law, Arkan'sas should be Ar'kan- 'Tis well ; and if I had my way, lo'wa should be I'oway. To men who deal in real estate The difference may not seem so great 'Twixt ante and penultimate 'Twixt tweedle-dum and tweedle-dee ; But they who deal in poesie Are fain to make their boatman row Euphonious " down the O'hio." The name R. Kansas doth provoke A cacographic A. Ward joke. lo'ive a, too ! The sound begets Abortive puns on bonded debts. lo'wa's not a state of grace : I wouldn't live in such a place. But, though they're rather far away, I think I'd like to go and stay In Ar'kansaw or I'oway. THE SPRINGALD AND THE CAUDA GALLI. [CONTRIBUTED BY PUNDERSON.] JjOOK here, look here, bold bar-keepere, Come mingle a cup for me ; And mingle it quick, and mingle it thick, And thou's' earn a broad penny." " O give it a name, thou fair sprin- gald; Shall it be of the foaming bock, Or the whisky skin, or the John Collins, Or the tail of the gallant cock ? " " A cock-tail of the gin, the gin, Ymeint both strong and sweet, With a curly chip of lemon skin , For such a guest were meet. 209 210 THE SPRING ALD. " My eyes are as holes in a blanket burnt, And my head as the head of three, I have the jammer yclept of cat, For I've been on a sheol of a spree. "A wet night maketh a dry morning, Quoth Hendyng, ' rede ye right ; And the cure most fair is the self-same hair Of the dog that gave the bite. ' " So whether it be of fingers three, Or else of fingers two, I want it strong and I want it long, And I want it p. d. q." Then up and spake a little foot page That stood by the barroom door, Said " here is a wight would speak with thee A minute, but and no more." Said " O he beareth a broad letter, He hath ridden both fierce and far, May'st hear the tramp of his red roan steeds In the Madison Avenue car." THE SPRING A LD. 211 He hath taken a quill of the gray goose wing And dipped it in the ink, And written upon a fair paper " I have spit within this drink." He hath laid the paper upon the cup, And the cup upon the bar, And stepped outside to speak with the wight, Had ridden both fierce and far. He hath broken the seal of the broad letter And written a fair answere, He hath given a fee of the white money To that district messengere. He hath hied him back to the bar again, And taken his cock-tail up ; He hath cast one look at the fair paper That lay on the top of the cup. " God save thee, gentle springald, From the fiends that plague thy soul! 212 THE SPRING A LD. Hast got 'em again, or wherefore then Doth thine eye so wildly roll ? " God save thee, gentle springald, From the fiends that haunt thee thus! Why dost thou tear thy yellow hair ? And eke why dost thou cuss ? " " O barkeepere, some felon here Hath wrought foul shame and sin. Give back, give back my broad penny Or mix me another gin ; For a second line stands under mine ' Eke I have spit therein.' " AMOURS PASSAGERS. [The papers read at the club were gener- ally of a humorous rather than sentimental intention, but Dempster sometimes wrote of his long vacation experiences " As though in Cupid's college he had spent Sweet days, a lovely graduate, still un- shent, And kept his rosy terms in idle languish- ment." Doubts were expressed as to whether these passionate utterances were war- ranted by the facts, but the following verses of Dempster's are submitted with- out comment.] 1IGHT loves and soon for- gotten hates, Heat-lightnings of the brood- ing summer sky Ye too bred of the summer's heat, Ye too, like summer, fleet Ye have gone by. 213 214 AMOURS PASSAGERS. Walks in the woods and whispers over gates, Gay rivalries of tennis and croquet Gone with the summer sweet, Gone with the swallow fleet Southward away ! Breath of the rose, laughter of maids Kissed into silence by the setting moon ; Wind of the morn that wakes and blows, And hastening night that goes Too soon too soon ! Meetings and partings, tokens, sere- nades, Tears idle tears and coy denials vain ; Flower of the summer's rose, Say, will your leaves unclose Ever again ? IMPRESSIONS OF A SUB- FRESHMAN. [CONTRIBUTED BY HIGGINSON.] [|EN of imaginative minds have often given great weight to the thoughts and fancies of childhood. Goethe insisted that the pup- pet play described in " Wil- helm Meister" had a real im- portance in the history of his development. Wordsworth thought so seriously of a child's early impressions of the world that in his " Ode on the Inti- mations of Immortality " he seems to have adopted, almost in earnest, the Platonic doctrine of Reminiscence. And indeed 215 2 1 6 SUB-FRESHMA N^S IMPRESSIONS. -those first pictures which the universe paints on the sensitive retina do have the air of belong- ing to some past stage of exist- ence. They lie in the memory at an infinite remove, like the miniature objects seen through the wrong end of the telescope small, distinct, and with a pris- matic play of color about their edges, as though the dew were still on them and the light of dawn. The mind soon learns to expect no novelties. New combinations there may be, but the elements are old. But in childhood, before the alphabet of experience has been learned, there are new letters to be spelled sensations element- ally new, such as one might have in mature life if a fresh sense were added. " Turn the SUB-FRESHMAN'S IMPRESSIONS. 217 eyes upside down/' says Emer- son, " by looking at the land- scape through your legs, and how agreeable is the picture, though you have seen it any time these twenty years ! " We can play our imaginations this pleasant trick no longer ; but, as children, what a novel world we secured by simply rolling back the eyeballs, as we lay on our backs, till the room stood topsy-turvy ! A smooth white floor was spread for the feet of fancy to run upon without let from wall to wall. The well- known furniture hung head downward, tables, chairs, pi- ano, even the fire in the grate, like a group of domestic stalac- tites. The doors had thresh- olds two feet high. All was so old, yet so delightfully strange ! 2 1 8 SUB-FRESHMA N^S IMPRESSIONS. A loss befalls us when our scale of distances begins to change. It is like an illusion of the special sense which happens to one sitting drowsily by a window, who sees suddenly a long way off a large bird fly- ing swiftly along the horizon, but, on shifting his position, sees only an insect crawling on the pane close to his eye. Thus, the little lawn where I used to play was an ampler field for imagination to explore than the widest landscape now- adays. Seen from the study- window of a moonlight Novem- ber night, it had an unfamil- iar, almost an unearthly, look. Mysterious shadows haunted its borders, and in the middle plot, where the hoar-frost spread a dim white drugget SUB-FRESHMAN'S IMPRESSIONS. 2IQ under the moon, I could uncer- tainly make out the fairies' ring circling about in the wind. How different from that " sunny spot of greenery " on a May morning, when the lilacs at the house corner were in bloom and the syringa bushes at the gate were full of bees ! Then it was like a slope in Arcadia, with gray-green tufts here and there among the grass, crowned with the blossom of a self-sown daffodil. The bright patch-work quilt lay on the ground for the baby to play on, and the nurse sat on the terrace steps with her sewing, while we wove the dandelion chain. The far corner of the lawn was foreign country, and there was an excitement in visiting 220 SUB-FRESHMAN'S IMPRESSIONS. it. It was there that the water stood longest after a rain, and the turf was fine and mossy. It was strewn with winged maple-seeds and the chocolate- brown pods of the honey locust. These products and the trees which shed them had some- thing exotic about them when compared with the more domes- tic flora on the near side of the lawn. We felt at home with the snowberry bushes under the study window, whose fruit was our ammunition, and the row of vergalieus whose little yellow pears we found in Sep- tember scattered about in the long grass under the terrace- bank, their skins speckled like trout and broken into deep cracks. The rough bark of the pear trees also afforded coignes SUB-FRESHMAN'S IMPRESSIONS. 221 of vantage for the locusts that sang in the summer noons and left their cast shells, sometimes as many as a dozen on a single trunk, of which we hoarded col- lections in paper boxes. The lawn was pleasantest at five o'clock of a summer afternoon. Then long shadows fell across the grass, and we heard the distant voices of the children just let out of school, and knew that presently the tea-bell would ring and we should go inside to bread-and-butter and strawberries. - The far corner under the maples gained an added mystery from its being the scene of my initiation into the game of " secrets." A little girl among our playfellows came to me one day, and, 222 SUB-FRESHMAN^S IMPRESSIONS. whispering solemnly, " Never, never tell ! " led me to a spot marked by a flat stone. This being raised disclosed a hollow nest in the ground lined with moss, in which were set, in a kind of pattern, colored beads, gilt buttons, bits of tin-foil and sparkling glass, and other glistening " nubbins." It was as though the lid were lifted from Golconda and the won- ders of the subterranean world revealed. " Hush ! " she said, replac- ing the stone : " it's our secret. Nobody knows it but me and you and Ella Burkett. It's our secret us three." No amount of stock in rail- way or mining corporation could give me now half the sense of importance that I felt SU&-FRESHMA N^S IMPRESSIONS. 223 when admitted to a share in that partnership. I wonder whether this game was peculiar to us, or whether other children still play at " secrets " ? The same little Alice who let me into this first secret lived in a house in our neighborhood, where I sometimes went to play, and which was to me as a castle of romance by reason of one architectural feature in which it differed from the abodes of prose. Common dwellings had only two stair- cases, one in the front hall and one in the back entry for the servants' use. But in that enchanted mansion was a third flight, ascending from a side- entry to the upper story of a wing. At the turning, half- way up, was a stair broad 224 SUB-FRESHMA N^S IMPRESSIONS enough to make a little room of itself, and over it a window of yellow glass which shed a strange fairy twilight through the hall. The wing was little used, and we were left to play alone all day on the broad stair, where we spread our toys and spelled out our picture- books. Outside the window a large willow shook in the wind, and the shadow of its branches wavered in the solemn illumi- nation that lay upon the floor, Such tricks as memory plays us ! In many an old cathedral the dance of colors from the great oriel, making patterns on the pavement of the nave, has brought suddenly before me little Alice's face, and the dolls and wooden elephant and leaden soldiers, and the picture SUB-FRESHMAN^S IMPRESSIONS. 22$ of " slovenly Peter," all trans- figured in that mystic glory. But, alas for young love, for even thus early may love begin, my sweet playmate was some- thing of a sloven. Her Shaker bonnet was always dangling from the back of her neck. Her brown hair was in a snarl. Her stockings which were none of the whitest were usu- ally down about her ankles. Her knuckles and even her dear little knees were often grimy. My nurse, a particular woman, once said in my hearing that Alice was a dirty girl. I had never noticed this myself, but I was now moved to a high moral disgust, being at the time aged six, and when Alice next came to play with me I said, " Alice Powers, you are a 226 SUB-FRESHMAN'S IMPRESSIONS. dirty girl. Go home ! I won't play with you." Poor Alice looked at me with big eyes, and then, bursting into tears and flinging down an apron-full of horse-chestnuts which she had brought me for a present, went slowly out of the yard. As I watched her sobbing shoulders disappear down the walk, my heart misgave me. I felt that Alice was nice, but public senti- ment had pronounced her dirty. Conscience, too, gave a twinge as I picked up the horse-chest- nuts her douceur. They were new from the tree, shining and darkly grained, like polished mahogany, each with an eye of floury white. A few days after, my little playfellow was taken with the croup and died. I took the horse-chestnuts up SUB-FRESH MA N ' S IMPRESSIONS. 227 into the garret and, in a dark corner behind the chimney, cried over them all a rainy afternoon in an agony of re- morse experiencing, even at that tender age the worst of all mental sufferings, the memory of ingratitude toward one who has loved us and has gone for- ever beyond the reach of our atonement. When the child grows old enough to read, its imagination has a wider reach, but becomes less original. It reproduces its favorite books in its sports. From say nine to eleven the minds of all the boys in our neighborhood were under the tyranny of " The Scalp- hunters " and " The Last of the Mohicans," and our chief out- of-door pastime was to play 228 SUB-FRESHMA N 'S IMPRESSIONS. Indian. Assuming the names of Chingachgook, Hawkeye, Uncas, Seguin, St. Vrain, etc., we ranged the vicinage in war parties, emitting whoops, dart- ing our wooden lances into the quivering bodies of the ever- greens, and laying ambushes behind hedges. Our belts bristled with bunches of grass, the scalps of imaginary Min- goes and Navajoes, mingled together in cheerful defiance of ethnology although the lodge of a big sagamore in the Algonkin tongues, who could have taught us bet- ter, lay right in our war path. Sometimes we were treed by peccaries in the big apple tree. In the deep and parlous can- yon behind the gooseberry bushes we were attacked by SUB-FRESHMA N 'S IMPRESSIONS. 229 twenty-five grizzlies. We scoured on fleet mustangs over the broad prairies grazed by Deacon Barlow's cow, slaying buffaloes and Comanches. We held the abandoned hen house for a whole summer day though sorely wounded against a besieging party of Apaches, who shot burning arrows into the walls and tried every other stratagem which hellish cunning or the resources of Captain Mayne Reid's im- agination could invent. This play was never popular with the girls, who were forced to be squaws and prepare our venison in the wigwam the area of the cellar door while we were off on hunting or war parties. Often, on returning at evening, laden with spoils, we found 230 SUB-FRESHMAN'S IMPRESSIONS. that the squaws had betaken themselves to other games, and we had to recall them to their domestic duties. Indoors, a favorite plaything was the spool-basket, and the favorite game that we played with it was a kind of original jack-straws. The basket being inverted, about half a bushel of brick-shaped blocks and spools of all sizes and colors tumbled gently into a heap. From this mountain, resembling the lava- pits of the Modocs, and repre- senting chaos or the dawn of history, the tribes of men were slowly to extricate themselves. The white spools were the Cau- casian race, the red spools the Indians, the yellow, the Mon- gols, and the black, the Afri- cans. Such of these as rolled SUB-FRESHMAN'S IMPRESSIONS. 231 out upon the floor at the over- turning of the basket, or could be extricated from the heap without displacing the blocks, gathered into bands and fought each other, or sailed away on block rafts over the tranquil t surface of the play-room carpet to green isles under the table, and edges of new-risen conti- nents along the lounge, where they founded colonies. Gradu- ally those who lay deeper in the mountain, overwhelmed in a sort of Dantesque hell, emerged through openings be- tween the bowlders, and formed the obstructions about them into ramparts. Finally the whole mass was reduced into ordered lines of fortification, the scattered bands united into allied nations, and the whole 232 SUB-FRESHMA N'S IMPRESSIONS. ended in a Volksschlacht, where the long cylinders of carpet- thread spools served as cannon, and the air was darkened by shot and shell composed of the little paper sewing-silk spools. In days somewhat younger than those, a main resource was the kitchen, whose unrestrained life contrasted gayly with the stiff proprieties of the parlor. Our kitchen had a stone step at the threshold of the dining-room door, where a cricket sometimes sang, that dwelt in a neighbor- ing cranny. Here I would sit after supper, between the ser- vants' table and the wooden bench under which were ranged my uncle's shoes twenty shoes precisely alike, which he wore in succession, beginning at one end of the row and making a SUB-FRESHMAN'S IMPRESSIONS. 233 complete revolution in ten days. Over the bench hung his shoe- horn on a nail, and over this was a shelf with a lantern and footstove. Beyond was the cellar door, which, when opened of a dark night, gave admission to abysses of mys- tery into which the imagina- tion plunged with a pleasing shudder. Here I would sit, I say, and listen to the gabble of the girls as they slowly stirred their tea, absorbing it with loud gulps and masticating their buttered toast with a crunching and chonking sound most fasci- nating to the ear. The conver- sation was usually discontinu- ous, and abounded in rather abrupt reflections, such as " Tis three years, come Tues- day week, since I left the old 234 SUB-FRESHMAN'S IMPRESSIONS. country. Dear, dear ! Where'll I be this day twelvemonth ? " To this there would be no reply, but the other would say presently, gazing at the tea- grounds in the bottom of her empty cup, " What's my for- tune?" " I see an old man sitting in a chair." " No, but 'tis not, then ; 'tis a big house on a hill that ye see." " Sure I've a purse in mine." Etc., etc. Often I besought them for tales of Ireland, which I con- ceived of from their report as a wondrous green land of faery. On Pancake Thursday, when they baked a ring in a cake and the kitchen was full of gossips who came to the cutting, these SUB-FRESHMAN'S IMPRESSIONS. 23$ stories most abounded. There seemed to be a definite reper- tory of them, known by name to the natives for they would be called for under their titles, like favorite songs at a glee as, " Have ye ' The White Lady of Blackrock Castle ' ? " or, " Have e'er o' yez ' The Yellow Wa- thers'?" I can remember nothing of them beyond the vague out- lines of one, in which a girl who is sitting in a tree at twi- light hears her lover, under- neath, plotting with another man to take her life, and after- ward, in a company where her lover is present, says that she has a riddle to tell : " I dreamed a dream that the fox was dig- ging a grave for me under the tree in the woods. And I 236 SUB-FRESHMAN'S IMPRESSIONS. dreamed that the fox fell into the hole that he was digging." The conclusion of the history has gone from me. I remember once being taken into the fields to hunt for shamrock by one of my nurses, a fresh-faced young thing, just over, whom we called Fat Janey. It was on some saint's day, or some Irish anniversary, and there was some sentimental or superstitious rite that she wanted to perform with the mystic trefoil. I have forgot- ten the exact nature of it per- haps putting it under her pil- low to dream upon, as is done with the wedding cake. At all events, I remember that she had to content herself with our common clover ; and I recall her voice distinctly as she went SUB-FRESHMAN'S IMPRESSIONS. 237 searching through the fields The long gray fields at night, for it was toward evening crooning one of those wild, monotonous, tuneless chants that the maids sing while hang- ing out their clothes. Some of the girls knew a few scraps of Gaelic, and would teach me to repeat them. I have forgotten all but two sentences, which sounded like " Conny sthon thu," and "Tan da maw," (The spelling is strictly pho- netic, and I haven't the least notion what the words mean.) I now suspect that they occa- sionally took advantage of my innocence for they would make me say over phrases which they declared meant, " How do ye do ? " or, " Give 238 SUB-F&ESHMAN*S IMPRESSIONS. me a kiss/* and would laugh immoderately when I repeated them, and cry, " Listen to the child ! " A cook that we once had, named Nora, possessed great dramatic talent. She was a large, handsome woman, from the south of Ireland, with a mass of blue-black hair. She would let this down over her shoulders, and, standing in the middle of the kitchen, carving knife in hand, roll her fine dark eyes and recite the following dialogue, taking both parts alternately : She. Would ye not have a wife both fair and young, Could speak the French and the I-talian tongue ? He. No. One language is enough for any woman to speak ; SUB-FRESHMAN'S IMPRESSIONS. 239 And before I'd be governed by such a wife, I'd take the sword and end me life. [Stabs himself with carving knife, and fall supine on kitchen floor. ~\ She. [Rising nimbly from floor, and stand- ing over his imaginary bodyj\ Alas ! alas ! Thin I fear 'tis true So I'll take the sword and end me life too. [Stabs herself, and falls in like manner.] She pronounced the w in " sword " distinctly. The servants* cousins or fol- lowers were an unfailing spring of fresh interest. From the dining room I could hear a low rumble of talk in the kitchen, announcing the arrival of some John or Patrick. On going out there, I always found him sit- ting uncomfortably straight on one particular chair, under which his hat was deposited, and 240 SUB-FRESHMA N 'S IMPRESSIONS. dressed in black clothes, which also suggested discomfort and unwontedrtess. It was matter of speculation with me why the young and pretty girls had hardly any followers, while those who were uncommonly old or ugly were wooed most assiduously. Perhaps the old ones had property. One lean and tushy hag, named Cathe- rine, who lived with us several years, was very confidential with me about her suitors. She was torn between two. The first was an absurdly young fellow, with a fresh, pleasant face. He was at least ten years her junior, and courted her per- severingly, but without much encouragement. She spoke of him as " the lad," and evidently inclined toward his rival, a SUB-FRESHMA N '5 IMPRESSIONS. 24 1 steady man, with a red beard, who weighed mentally about a ton. She told me that this latter one was rich, but that he had no religion. " He is like a baste of the field," she said. Nothing but this lack of spirit- uality seemed to make her hes- itate between him and the other. Another cook that we had, held her head very high because she might have married, had she chosen, " a widow-man in the old country, with a jaunting- car." The natural inclination of children toward fetichism, or the reading of a soul into inani- mate things, is a matter of common note. The letters of the alphabet all have an expres- sion for them like persons' faces. E is a belligerent, con- 242 SUB-FRESHMA N ' S IMPRESSIONS. ceited, positive character ; F is sly, sneaking, with a smirk on his thin face ; and so on. David Copperfield identified a certain washstand with Mrs. Gummidge. Hans Andersen, who retained the child's habit of mind all through life, per- sonifies in his story-books tops, balls, and other playthings, pre- cisely as children do. It is the same with articles of furniture : to an imaginative child every room has an expression of its own, and the things in it are not dead, but have a kind of life and humanity. There will be little unnoticed nooks and corners of the house that have a peculiar significance to him some recess that he likes to sit in, some unused shelf or cubby. Oddities of architecture attract SUB-FRESHMA N'S IMPRESSIONS. 243 him such as a space left here and there, a corner cut off, a step up or down from room to room, a roof that slopes to the floor, a closet of irregular shape. Ledges are formed by projec- tions or moldings, on which he will range pennies or candies in a row and leave them there till he forgets them, and comes upon them another day with all the excitement of a fresh dis- covery. One of the best touches in " Tom Brown's School Days at Rugby" is where East describes to Tom Brown the pleasures of the Rugby institution known as " singing." After supper, in the summer twilight, the big boys sit about the tables in the little fives-court under the library, and sing and drink 244 SUB-FRESHMA N J S IMPRESSIONS. beer ; while the little boys " cut about the quadrangle be- tween the songs, and it looks like a lot of robbers in a cave'' The man who wrote that knew the heart of a boy. Is there perchance in this part of the world any man who cannot re- call the bliss that filled him at, say, the age of ten, when the evenings began to grow long and warm, so that he could play outdoors after tea? What an unfamiliar charm the de- serted school-yard took on in the soft gloaming, where we lingered at " Every man in his Own Den," until the boy who ventured out into the center of the field, crying the ancient formula : 44 Here's a lead, For Solomon's seed/' SUB-FRESHMAN'S IMPRESSIONS. 245 could hardly be seen for the dusk ! And then to be let sit out on the front steps till ten o'clock with the " grown-ups," and listen to their talk per- haps even participate in their lemonade while the fire-flies twinkled in the high grass by the currant bushes ! And to wake afterward in the night and hear the fountain splashing monotonously in the asylum grounds, and the hurdy-gurdy of the lunatic negro who came every night at moonrise to play by those waters of Babylon ! Oh, summer nights ! THE END. Twenty-fourth Editien. {Buckram Series?) 750. THE PRISONER OF ZENDA. By ANTHONY HOPE. 'A glorious story, which cannot be too warmly recommended to all who love a tale that stirs the blood. Perhaps not the least among its many good qualities is the fact that its chivalry is of the nineteenth, not of the sixteenth century ; that it is a tale of brave men and true, and of a fair woman of to-day. The Englishman who saves the king ... is as interesting a knight as was Bayard. . . The story holds the reader's atten- tion from first to last.'' Critic* Sixth Edition, izmo. Scarlet Cloth. $1.50. THE HONORABLE PETER STIRLING By PAUL LEICESTER FORD. rt Mr. Ford is discreet and natural ... a very- good novel." Nation. " One of the strongest and most vital characters that have appeared in our fiction." Dial. ** Commands our very sincere respect ... there is no glaring improbability about his story ... the highly dramatic crisis of the story. . . The tone and manner of the book are noble. . . A timely, manly, thoroughbred, and eminently suggestive book. Atlantic Monthly* ** A fine, tender love story." Literary World. " The book is sure to excite attention and win popularity. " Boston A dvertiser. HENRY HOLT & CO,, New York. each A MAN AND HIS WOMANKIND. A novel. By NORA VYNN. SIR QUIXOTE OF THE MOORS. A Scotch Romance. By JOHN BUCHAN. LADY BONNIE'S EXPERIMENT. A quaint pastoral. By TIGHE HOPKINS. KAFIR STORIES. Tales of adventure. By WM. CHAS. SCULLY. THE MASTER-KNOT And " Another Story." By CONOVER DUFF. THE TIME MACHINE. The Story of an Invention. By H. G. WELLS. THE PRISONER OF ZENDA. (4^ **) By ANTHONY HOPE. A stirring romance. THE INDISCRETION OF THE DUCHESS. By ANTHONY HOPE, (gtk Edition.) TENEMENT TALES OF NEW YORK. By J. W. SULLIVAN. SLUM STORIES OF LONDON. (Neighbors of Ours.) By H. W. NEVINSON. THE WAYS OF YALE, (&* Edition.) Sketches, mainly humorous. By H. A. BEERS. A SUBURBAN PASTORAL, (&k Edition.) American stories. By HENRY A. BEERS. JACK O'DOON. (?d Edition.) An American novel. By MARIA BEALE. QUAKER IDYLS, ^k Edition.) By MRS. S. M. H. GARDNER. A MAN OF MARK.