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 UNIVERSITY 
 
 OF CALIFORNIA 
 
 LOS ANGELES 
 
 SCHOOL OF 
 LIBRARY SERVICE
 
 CCajcton Celebration, 
 
 CATALOGUE ^ 
 
 OF 
 
 THE LOAN COLLECTION OF ANTIQUITIES, 
 CURIOSITIES, AND APPLIANCES 
 
 CONNECTED WITH THE 
 
 ART OF PRINTING 
 
 SOUTH KENSINGTON. 
 
 EDITED BY GEORGE BULLEN ESQ., F.S.A. 
 
 Keeper of the Printed Books, British. Museum. 
 
 LONDON: 
 
 PRINTED AT THE ELZEVIR PRESS, 
 PUBLISHED BY N. TRUBNER AND CO., LUDGATE HILL.
 
 \ \ 
 
 V ' 
 
 \
 
 INTRODUCTION. 
 
 [HE whole English-speaking world cannot fail to 
 feel deeply interested in the Exhibition which is 
 now opened to public view in the Galleries at 
 South Kensington. There can be little doubt, after 
 the researches of Mr. Blades, the biographer of 
 Caxton, that the " Dictes and Sayings of the Philosophers" was 
 the first book printed by our first English printer on English 
 soil in the press set up by him in the Almonry at Westminster, 
 just four centuries ago. " The Recuyell of the Historyes of 
 Troye " was translated by Caxton from the French of Raoul Le 
 Fevre in 1471, and was printed by him, in all probability, not 
 long afterwards at Bruges, where Caxton was residing, being the 
 first printed English book. The next printed English book was 
 " The Game and Playe of the Chesse," " Fynysshid the last day 
 of marche the yer of our Lord god. a thousand foure honderd 
 and Ixxiiii." This also, long thought to have been the first book 
 printed at Westminster, has been considered by Mr. Blades to 
 have been printed at Bruges ; the original " Recueil des histoires 
 de troyes " having been also printed by Caxton, probably in 
 1476. Thus, to Caxton belongs the honour of having printed 
 not only the first book in English, but the first book in the 
 French language.
 
 iv Canton Celebration, 
 
 In 1477, however, appeared " The Dictes and Sayings of the 
 Philosophers," " emprynted by me William Caxton, at West- 
 mestre," and it is to celebrate the printing of this volume, in all 
 probability the first-fruit of typography in England, that the pre- 
 sent Exhibition has been inaugurated. 
 
 It is to Mr. J. S. Hodson, the indefatigable Secretary of the 
 " Printers' Pension, Almshouse, and Orphan Asylum Corpora- 
 tion," that the credit is due of having originated this celebration. 
 So far back as the year 1847, indeed, the late Dean Milman, then 
 Canon of Westminster, projected a monument to the memory of 
 Caxton, but the movement was only partially successful, and 
 the funds then collected were appropriated to the support of a 
 " Caxton Pensioner" in connection with the " Printers' Corpora- 
 tion." Every one felt, however, that this was a very inadequate 
 response to the appeal made by Canon Milman. This was espe- 
 cially the feeling of Mr. Hodson, who, as the year 1874 drew 
 nigh, deemed that something further should be done in honour 
 of the memory of Caxton, and for the benefit of decayed mem- 
 bers of the " Printers' Pension Corporation." Like many others 
 he believed that the " Chess Book " was the first book printed at 
 Westminster, and sent forth his circulars accordingly. Among 
 those, however, whom he addressed, was Mr. Blades, who, while he 
 cordially concurred with him in the object he had at heart, re- 
 presented that the year 1 877 was the undoubted fourth centenary 
 of the first book printed at Westminster, and recommended that 
 that year should be adopted for the proposed Celebration. Mr. 
 Blades, at the same time, made some valuable suggestions as to 
 the form which the Celebration might properly assume, and the 
 methods by which it might be carried out. Mr. Hodson cordially 
 accepted both the date suggested by Mr. Blades and his other 
 proposals, and it is to the united efforts of these two gentlemen 
 that the success of the present Exhibition as successful we hope 
 that it may prove will be mainly due. 
 
 The present year having been fixed upon for the Caxton Cele- 
 bration, a Provisional Committee was appointed for carrying it 
 into execution, embracing the following names :
 
 3|ntrotiucttotu v 
 
 Sir Charles Reed, Chairman ; W. Blades, Esq. ; W. 
 Clowes, Esq. ; J. Coe, Esq. ; W. J. Coe, Esq. ; G. E. Eyre, Esq.; 
 R. C. Nichols, Esq. ; W. Rivington, Esq. ; G. A. Spottiswoode, 
 Esq. ; C. Austen Leigh, Esq. ; W. Spottiswoode, Esq. ; J. C. 
 Wilkins, Esq. ; J. S. Hodson, Esq., Hon. Secretary. 
 
 These gentlemen met together towards the end of 1876, in the 
 Directors' Library of the Bank of England, on several occasions 
 to discuss the object they had before them, to elect a general 
 Committee, and solicit the aid of certain distinguished persons as 
 Patrons of the undertaking. On the I 7th February, 1 877, a very 
 successful meeting was held in the Jerusalem Chamber, not far 
 from the presumed site of Caxton's printing office, at which 
 Dean Stanley presided ; and meetings were subsequently held at 
 the Society of Arts and the Mansion House, at which lists of 
 Patrons were announced, sectional committees formed, and an 
 Executive appointed to conduct the Celebration about to be held. 
 Among the Patrons were Her Most Gracious Majesty the Queen, 
 His Royal Highness Prince Leopold, the two Archbishops, the 
 Worshipful Company of Mercers, the Worshipful Company of 
 Stationers, His Grace the Duke of Devonshire, Earl Spencer, 
 Earl Stanhope, and numerous other noblemen and gentlemen, 
 including the Governor and Deputy-Governor of the Bank of 
 England. 
 
 As the scheme expanded itself, the choice of a fitting place for 
 the Exhibition had to be decided. At first it was thought that 
 the Hall of the Stationers' Company, which had been generously 
 placed at the disposal of the Committee, would suffice ; but this 
 was found too small to accommodate the vast number of exhibits 
 likely to be offered. The Royal Commissioners of the 1851 
 Exhibition were, therefore, appealed to for the use of the Western 
 Galleries at South Kensington : this they graciously accorded, 
 and granted every^facility for arranging the various exhibits as 
 they are now shown. 
 
 It was a main feature in this Celebration to collect together 
 and exhibit to the public as many copies of the works of Caxton 
 as could be procured by loan from the various public libraries, and
 
 VI 
 
 Carton Celebration, 
 
 the libraries of noblemen and gentlemen known to be in the pos- 
 session of such treasures. Other objects of kindred interest, such 
 as the productions called Block-books, and the books printed by 
 Caxton's predecessors or contemporaries, were also thought to 
 come appropriately within the scope of the Exhibition. These, 
 also, the Committee agreed to solicit as loans from the several 
 owners, as had been resolved for the Caxtons. 
 
 Her Majesty the Queen was among the first to accede to the 
 appeal of the Committee by graciously consenting to send four 
 Caxtons, one of which, " The Doctrinal of Sapience," is on vellum, 
 from the Royal Library at Windsor, also the " Mentz Psalter" 
 on vellum, together with other works of interest, including the 
 Shakspere of 1632, Charles I.'s own copy, with his autograph. 
 
 Lord Spencer sent fifty-seven Caxtons, and intimated, through 
 Lord Charles Brudenell-Bruce, who, from the first, took the 
 warmest interest in the proceedings, that the Committee might 
 choose for the forthcoming Exhibition any of the various treasures 
 in his library that might be thought appropriate. The Committee 
 were not slow to accept this generous offer, and gladly availed 
 themselves of Lord Charles Bruce's services in making the selec- 
 tion. The works thus lent comprise not only the Caxtons, but 
 the early Block-books, and the rare woodcut of St. Christopher, 
 the Gutenberg (or Mazarin) Bible (the first book ever printed), 
 the Mentz Psalter, the St. Albans Books, the books of Rood and 
 Hunte, &c., together with a number of works illustrating the 
 development of the Art of Printing in foreign countries, as shown 
 in Class B. 
 
 The Duke of Devonshire sent 18 Caxtons ; the Earl of Jersey, 
 7 Caxtons ; Mr. Christie Miller, 4 Caxtons, the excessively rare 
 Boethius, printed at Tavistock, and Pynson's first book printed 
 in England in Roman type ; Mr. Tyssen-Amhurst sent 2 Caxtons 
 and I Machlinia ; the University Library at .Cambridge sent 18 
 Caxtons, i Colard Mansion, and books by Rood and Hunte and 
 Machlinia. The Bodleian Library sent 7 Caxtons ; Sion College, 
 6 ; Eton College, 2 ; the Archbishop of Canterbury, 3 ; the Mar- 
 quis of Ailesbury, I ; Lord Tollemache, I ; the University of
 
 31ntro&uctioiu vii 
 
 Gottingen, 6 ; the University of Ghent, I ; Constance, Mar- 
 chioness of Lothian, 2 Caxtons ; the Marquis of Lothian, I 
 Colard Mansion ; the Dean and Chapter of York, 3 Caxtons ; 
 the Dean and Chapter of Ripon, 2 ; Mr. Horwood, 2 Machlinias ; 
 Earl Beauchamp, i Caxton ; St. John's College, Oxford, 9 ; St. 
 John's College, Cambridge, 3 ; Corpus Christi College, Cam- 
 bridge, 2 ; Earl of Leicester, i ; Rev. E. Bankes, I ; Mr. Loveday, 
 i ; Lord Zouche, I ; Rev. J. F. Russell, 3 ; the Bedford General 
 Library, i Caxton, and 2 Indulgences printed by Caxton ; 
 Mr. W. Harrison, i Caxton and 2 Wynkyn de Wordes. 
 Altogether as many as 190 copies of books printed by Caxton 
 have been contributed to the present Exhibition, a number such 
 as never before were gathered together, nor are likely to be 
 .again; and which represent as many as 104 distinct works 
 printed by our first Printer. 
 
 As these and other objects poured in, in response to the appeal 
 of the Committee, the following classification was resolved upon 
 and has been carried out in the Exhibition Rooms. 
 
 CLASS A. 
 
 William eTajton anto tibe Development of fye 3rt of iprinting in (England anH 
 
 Scotland. 
 
 SECTION I. Documents relating to Caxton. 
 
 SECTION II. Books from the Press of William Caxton and Colard Mansion at 
 
 Bruges. 
 
 SECTION III. Books from the Press of William Caxton at Westminster. 
 SECTION IV. Books from the Press of Colard Mansion, from whom Caxton acquired 
 
 the art. 
 
 SECTION V. Books printed by Caxton's Contemporaries. 
 SECTION VI. Books illustrating the progress of Printing in England after Caxton's 
 
 death. 
 SECTION VII. Books printed in Scotland. 
 
 CLASS B. 
 ^e Development of tf>e 3tt of IPrintine in JForeign &ounme0. 
 
 SECTION I. Impressions from Wooden Blocks. 
 
 SECTION II. Block Books. 
 
 SECTION III. Impressions from Moveable Metal Type. 
 
 SECTION IV. Printed Books. 
 
 SECTION V. Productions of Native Presses in the East.
 
 Ca.rton Celebration* 
 
 CLASS C. 
 
 f>e eiomparatitoe Development cf ti>e 2rt of pruning in (England anU jforeign 
 Countrie0, illu0tratefc bp >pecimen0 of tl>e Cjolp kripture0 ann Hiturgie0. 
 
 SECTION I. Holy Scriptures. 
 SECTION II. Liturgies. 
 
 CLASS D. 
 pecimen0 noticeable for Earitp or for 33eaut ant) (Excellence of 
 
 SECTION I. Unique or rare Books not exhibited in Classes A, B, or C. 
 SECTION II. Specimens noticeable for beauty and excellence of typography. 
 SECTION III. Facsimile Reproductions. 
 
 CLASS E. 
 S>pecimen0 of Printing. 
 
 SECTION 1. Printing by Steam and Commercial Printing. 
 
 SECTION II. Newspaper Printing: Early Copies pf English Newspapers, arranged 
 in chronological order. 
 
 CLASS F. 
 
 SECTION I. Music printed from Wood Blocks. 
 
 SECTION II. Music printed from Type, the staff lines in red and the notation in 
 
 black. 
 
 SECTION III. Music printed from Type (one printing only). 
 SECTION IV. Tablature, and other modifications of notation. 
 SECTION V. Music printed from Engraved Plates. 
 SECTION VI. Music printed from Stamped Plates. 
 SECTION VII. Music printed by Lithography and other modes not previously classi- 
 
 fied. 
 
 CLASS G. 
 
 3Soo& 3IHu0tration0 anTi otljer >pecimen0 of <EBngrabing0, iprmting in Colour0, 
 anti otfjer Iproce00e0. 
 
 SECTION I. Woodcuts. 
 
 SECTION II. Copper-plates. 
 
 SECTION III. Printing in Colours from raised Blocks. 
 
 SECTION IV. Lithographs. 
 
 SECTION V. Photographs. 
 
 SECTION VI. Zincographs, <fec.
 
 ^Introduction, 
 
 CLASS H. 
 
 !Portrait0 anfc autographs of Bi0tingui0!)eB aut&ora-, tEppe*founT>er0 t lprinter0 t 
 
 ami 93oo&0eHer0. 
 
 SECTION I. Portraits in Oil, &c., of Printers. 
 
 SECTION II. Engraved Portraits of Printers and Publishers. 
 
 SECTION III. Engraved Portraits of Celebrated Men at one time Printers. 
 
 SECTION IV. Views, Interiors, &c. 
 
 SECTION V. Autographs of Printers. 
 
 SECTION VI. Autographs and Portraits of Literary Men. 
 
 CLASS I. 
 33oo60 relating to Printing* 
 
 CLASS K. 
 urio0itie0 ano irEi0cellanie0* 
 
 In this Department is exhibited all appertaining to Printers and Printing not readily 
 included in any other class. 
 
 CLASS L. 
 &2pe ana oti>er printing JElateriate, 
 
 SECTION I. Old Types, Punches, Matrices, Moulds, and other Type-founders' 
 
 Tools. 
 
 SECTION II. Type Casting Machines. 
 SECTION III. Types, Plates, and other Materials used in the various processes of 
 
 music printing. 
 SECTION IV. Type-founders' Specimen Books (selected). 
 
 CLASS M. 
 Stereotyping anD dBIectrot^ping. 
 
 SECTION I. Apparatus for Stereotyping and Electrotyping. 
 
 SECTION II. Specimens of Stereotype and Electrotype plates and blocks. 
 
 CLASS N. 
 Copperplate griming, ILitfjograpbp anfc flDlwograpi)!?. 
 
 CLASS O. 
 UDaper anti I]3aper*ma&ing. 
 
 Under this classification the several Books, Engravings, Por- 
 traits, Machines, Curiosities, and other objects contributed to the 
 Exhibition have been catalogued by various members of the sub-
 
 x Ca.rton Celebration* 
 
 committees, some of whom have also written brief introductions 
 to the subjects treated of in the different classes. 
 
 Thus, in Class A, Mr. Blades, besides cataloguing all the 
 Caxtons and Contemporary English Printed Books, has written 
 a brief notice of Caxton himself, of his relations with Colard 
 Mansion, and his introduction of the Art of Printing into 
 England. 
 
 In Class B, Lord Charles Bruce has catalogued the Block- 
 Books and Early Printed Books of Foreign Countries, com- 
 mencing with the first printed book, the Gutenberg or Mentz 
 Bible of 1455 ; and has prefixed to the list an account of the 
 Development of the Art of Printing in Foreign Countries. 
 
 Valuable information relating to the efforts of the printers at 
 Utrecht and Alost has been supplied by Mr. Bradshaw, of the 
 University Library, Cambridge. 
 
 Under Class C Mr. Henry Stevens has catalogued the valu- 
 able series of Bibles exhibited in the cases, and has written an 
 introduction to the same. 
 
 In this Introduction Mr. Stevens has treated at large of the 
 often discussed question " where and by whom was the Cover- 
 dale Bible printed ? " and has put forth very strong reasons in 
 favour of his belief that the printing was executed by Jacob Van 
 Meteren at Antwerp. We cannot, however, in any way support 
 his conclusion that the translation itself was the work of Van 
 Meteren and only revised by Miles Coverdale. The subject 
 being one of great interest, and Mr. Stevens being a great 
 authority in Biblical Bibliography, he has been, of course, al- 
 lowed to treat of the matter in his own way especially since he 
 has been the first to discover the mention made by Ruytinck of 
 the relations that existed between Van Meteren and Coverdale. 
 
 In Class D, Mr. Kershaw has catalogued the specimens notice- 
 able for rarity or for beauty and excellence of typography. 
 
 In Class E, Mr. Tuer has catalogued the various specimens of 
 printing by steam, &c. The large and interesting collection of 
 English newspapers exhibited in this section has been not only 
 lent, but catalogued, by Mr. William Rayner.
 
 Jntcotwctiotu xi 
 
 In Class F, Messrs. Littleton, Cummings, and Barrett have 
 catalogued the remarkable specimens of music-printing from 
 the earliest times, and have prefixed an introduction by the 
 last-mentioned. 
 
 In Class G, Mr. Reid has catalogued the various woodcuts, 
 copper-plates and other engravings, to which Mr. Daniel Grant 
 has prefixed an introduction. 
 
 In Class H, the various portraits, &c. have been catalogued by 
 Mr. Blades. 
 
 In Class I, Mr. Overall has catalogued the various works 
 relating to printing, lent by Mr. Blades and others. 
 
 In Class K, the curiosities and miscellanies have been cata- 
 logued by Mr. Brabrook. 
 
 In Class L, Mr. Talbot Reed has given an account of the 
 "Rise and Progress of Type-founding in England;" and Mr. 
 Arthur Powell has treated of the "Instruments and Appliances of 
 the Letter-press Printer." 
 
 In Class M, Mr. Powell has described the various machines, 
 processes and specimens of stereotyping, electrotyping, &c. He 
 has also described the processes of copper-plate printing, litho- 
 graphy, and photography in Class N. 
 
 In Class O, the various specimens of paper and water-marks, 
 have been catalogued and described by Mr. Brabrook. 
 
 In Classes A, B, C, and D, Mr. Graves has given general 
 assistance in advising, cataloguing and arranging. 
 
 Finally, Mr. Blades has acted as general manager in the 
 arrangement of the Exhibition in the upper rooms ; and Mr. G. 
 Bullen, Chairman of the Sub-committee on Printed Books, has 
 acted as general editor of the catalogue. 
 
 GEO. BULLEN.
 
 xii Canton Celebration. 
 
 Patrons, 
 
 HER MOST GRACIOUS MAJESTY THE QUEEN. 
 
 His ROYAL HIGHNESS PRINCE LEOPOLD, K.G., K.T., F.S.A. 
 
 THE WORSHIPFUL COMPANY OF MERCERS. 
 
 THE WORSHIPFUL COMPANY OF STATIONERS. 
 
 THE RIGHT HON. AND MOST REV. THE LORD ARCHBISHOP OF CANTERBURY. 
 
 THE RIGHT HON. AND MOST REV. THE LORD ARCHBISHOP OF YORK. 
 
 THE MOST REV. THE LORD ARCHBISHOP OF DUBLIN. 
 
 His GRACE THE DUKE OF DEVONSHIRE, K. G., LL.D., F.R.S. (Chancellor of 
 
 the Univerjity of Cambridge). 
 
 His GRACE THE DUKE OF ARGYLL, K.T., P.C., D.C.L. 
 His GRACE THE DUKE OF WESTMINSTER, K.G. 
 THE MOST NOBLE THE MARQUIS OF SALISBURY, K.G. (Chancellor of the 
 
 Univerjity of Oxford'). 
 
 THE MOST NOBLE THE MARQUIS OF LORNE, K.T., M.P. 
 THE RIGHT HON. THE EARL OF ABERDEEN. 
 THE RIGHT HON. EARL STANHOPE, F.S.A. 
 THE RIGHT HON. EARL SPENCER, K.G., LL.D. 
 THE RIGHT HON. THE EARL OF Powis, D.C.L. 
 THE RIGHT HON. EARL RUSSELL, K.G., F.R.S., F.R.G.S., F.S.S. 
 THE RIGHT HON. EARL BEAUCHAMP. 
 THE RIGHT HON. THE EARL OF LEICESTER, K. G. 
 THE RIGHT REV. THE LORD BISHOP OF EXETER. 
 THE RIGHT REV. THE LORD BISHOP OF LINCOLN, V.P.S.A. 
 THE RIGHT HON. SIR THOMAS WHITE (Lord Mayor of London). 
 THE RIGHT HON. BARONESS BURDETT-COUTTS. 
 THE RIGHT HON. LORD HATHERLEY, P.C., D.C.L., F.R.S. 
 THE RIGHT HON. LORD SELBORNE, P.C. 
 LORD LOTHIAN. 
 LORD RONALD GOWER. 
 
 His EXCELLENCY COUNT MUNSTER (German Ambaffador). 
 His EXCELLENCY BARON SOLVYNS (Belgian Minifter). 
 EDWARDS PIERREPONT, ESQ. (United States Minifter}. 
 REV. SIR FREDERICK GORE OUSLEY, BART. 
 SIR GEORGE INNES, BART. 
 SIR CHARLES ISHAM, BART. 
 SIR HENRY W. PEEK, BART., M.P. 
 SIR ROWLAND HILL, K.C.B., D.C.L., F.R.S. 
 RIGHT REV. BISHOP CLAUGHTON, D. D. 
 
 VERY REV. A. P. STANLEY, D.D., DEAN OF WESTMINSTER, F.R.S., F.S.A. 
 VERY REV. R. W. CHURCH, M.A., DEAN OF ST. PAUL'S.
 
 x 
 
 THE RIGHT HON. W. E. GLADSTONE, M.P., D.C.L., F.S.S. 
 
 ALFRED TENNYSON, Eso^, D.C.L. (Poet Laureate). 
 
 EDWARD HOWLEY PALMER, ESQ., (Governor of the Bank of England}. 
 
 HENRY HUCKS GIBBS, ESQ., F.R.G.S., (Ex-Governor of the Bank of England). 
 
 JOHN WALTER, ESQ., M.P. 
 
 HENRY FAWCETT, Eso^, M.P. 
 
 A. J. B. BERESFORD-HOPE, ESQ., M.P. 
 
 General Committee. 
 
 EXECUTIVE COMMITTEE, 
 
 Who are ex-officio Members of the various Sub-Committees. 
 
 Sir CHARLES REED, LL.D., F. S.A. (Chairman). 
 
 W. CLOWES, Efq., F.R.G.S. i 
 
 W. SPOTTISWOODE, Efq., M.A., LL.D., [ Treafurers. 
 
 F.R.S., F.R.A.S., F.R.G.S > 
 
 W. BLADES, Efq. 
 JOHN COE, Efq. 
 WALTER J. COE, Efq. 
 GEORGE E. EYRE, Efq., M.A., F.S.A. 
 C. AUSTEN LEIGH, Efq., M.A. 
 R. C. NICHOLS, Efq., F.S.A. 
 GEORGE A. SPOTTISWOODE, Efq. 
 JOHN C. WILKINS, Efq. 
 
 J. S. HODSON, Efq., Hon. Secretary, Gray's Inn Chambers, 20, High Holborn, 
 W.C. 
 
 SUB-COMMITTEES, 
 
 To whom the arrangement of the various Clajfes of the 
 Exhibition is referred. 
 
 COMMITTEE I. (Claffes A, B and H.) 
 
 GEORGE BULLEN, Efq., F.S.A. (Keeper of the Printed Books, Britijh Mufeum), 
 
 Chairman. 
 
 LORD CHARLES WILLIAM BRUDENELL-BRUCE. 
 EDWIN FRESHFIELD, Efq., M.A., F.S.A. 
 Rev. C. D. GINSBURG, LL.D. 
 ROBERT EDMUND GRAVES, Efq., B.A. 
 ALFRED HORWOOD, Efq. 
 
 Profeflbr LEONE LEVI, F.S.A., F.S.S., F.R.G.S. 
 THEODORE MARTIN, Efq., C.B.
 
 xiv Canton Celeb catiotu 
 
 COMMITTEE I. (continued). 
 
 Rev. W. H. MILMAN, M.A. (Librarian of Sion College). 
 
 W. H. OVERALL, Efq., F.S.A. (Guildhall Lib. Land.) 
 
 GEORGE WILLIAM PORTER, Efq 
 
 J. E. PRICE, Efq., F.S.A. (Secretary Middlefex Archaeological Society). 
 
 C. SPENCER PERCEVAL, Efq., LL.D. (Treajurer Soc. Ant.) 
 
 HENRY STEVENS, Efq., F.S.A. (of Vermont). 
 
 ELLIOT STOCK, Efq. 
 
 JOHN R. DANIEL-TYSSEN, Efq., F.S.A. 
 
 COMMITTEE II. (Claffes C, D and E.) 
 A. MACMILLAN, Efq. (Chairman). 
 R. BAGSTER, Efq. 
 R. K. CAUSTON, Efq. 
 W. CLOWES, Jun., Efq. 
 FRANCIS FRY, Efq., F.S.A. 
 W. J. INGRAM, Efq., M.P. 
 
 S. W. KERSHAW, Efq., M.A. (Library, Lambeth Palace). 
 HENRY STEVENS, Efq., F.S.A. 
 ANDREW W. TUER, Efq. 
 GEORGE UNWIN, Efq. 
 
 COMMITTEE III. (Clafs F.) 
 
 ALFRED H. LITTLETON, Efq. (Chairman). 
 
 SIR GEORGE ELVEY, Muf. D. (Organift, St. George's Chapel, Wind for). 
 
 W. A. BARRETT, Efq., Muf. B. Oxon, F.R.S.L. 
 
 W. CHAPPELL, Efq., F.S.A. 
 
 WILLIAM H. CUMMINGS, Efq. 
 
 W. G. CUSINS, Efq. (Mafter of the Mujtc to the Queen). 
 
 W. HENDERSON, Efq. 
 
 EDWARD J. HOPKINS, Efq. (Organift to the Temple Church). 
 
 CHARLES KENSINGTON SALAMAN, Efq. (Hon. Mem. Acad. S. Cecilia, Rome. 
 
 Plan. Sec. Mujtcal AJ/ociation). 
 ]. STAINER, Efq., M.A., Mus. D., (Organift, St. Paul's Cathedral). 
 
 COMMITTEE IV. (Claffes G and N.) 
 DANIEL GRANT, Efq. (Chairman). 
 R. H. BLADES, Efq. 
 W. H. BRADBURY, Efq. 
 N. COOKE, Efq. 
 EDWARD DALZIEL, Efq. 
 H. W. DIAMOND, Efq., M.D., F.S.A. 
 MICHAEL HANHART, Efq. 
 MASON JACKSON, Efq.
 
 (Eeneual Committee* xv 
 
 COMMITTEE IV .(continued). 
 
 GEORGE C. LEICHTON, Esq_. 
 
 ANDREW MACLURE, Efq. 
 
 GEORGE WILLIAM REID, Efq., F.S.A. (Keeper of Prints and Drawings, 
 
 Britijb Mufeum). 
 
 G. WHARTON SIMPSON, Efq., F.S.A. 
 W. THOMAS, Efq. 
 EDWARD UNWIN, Efq. 
 JOSEPH WHITAKER, Efq., F.S.A. 
 C. W. H. WYMAN, Efq. 
 
 COMMITTEE V. (Clares L and M.) 
 
 BENJAMIN PARDON, Efq. (Chairman). 
 
 H. BURT, Efq. 
 
 RICHARD CLAY, Jun., Efq. 
 
 E. A. COWPER, Efq. 
 ARTHUR J. POWELL, Efq. 
 ANDREW H. REED, Efq., F.R.G.S. 
 TALBOT B. REED, Efq. 
 
 JOHN RICHARD, Efq. 
 
 T. W. SMITH, Efq. (Cajlon and Co.) 
 
 JAMES FREEMAN TRUSCOTT, Efq. 
 
 COMMITTEE VI. (Claffes K and .) 
 
 JOHN EVANS, Efq., F.R.S., V.P.S.A. (Chairman). 
 
 F. P. BARLOW, Efq. 
 
 E. W. BRABROOK, Efq., F.S.A. 
 
 JOSHUA W. BUTTERWORTH, Efq., F.S.A. 
 
 EDMUND N. HAINES, Efq. 
 
 Rev. W. SPARROW SIMPSON, D.D., F.S.A. 
 
 SAMUEL SPALDING, Efq., F.S.A. 
 
 ALBERT SPICER, Efq. 
 
 N. TRUBNER, Efq. 
 
 Lord ALFRED SPENCER-CHURCHILL. 
 
 Sir SYDNEY H. WATERLOW, Bart., Alderman, M.P. 
 
 Sir FRANCIS WYATT TRUSCOTT, Alderman. 
 
 Sir HENRY COLE, K. C. B. 
 
 Sir JAMES PHILIP LACAITA, K.C.M.G. 
 
 SIR JOHN BENNETT. 
 
 SIR JOSEPH DALTON HOOKER, K. C.S.I., C.B. (Prefident of the Rcval Satiety). 
 
 The Rt. Hon. WILLIAM HENRY SMITH, M.P. (Fir ft Lord of the Admiralty). 
 
 Rt. Hon. W. E. FORSTER, M.P.
 
 xvi Cajton Celebration, 
 
 MONS. ALKAN AINE (Neuilly). 
 
 W. AMHURST TYSSEN AMHURST, EsQy F. S.A. 
 
 STEPHEN AUSTIN, Efq. (Hertford). 
 
 EDWARD BAINES, Efq. (Leeds), 
 
 DR. ANTON BECK (Hofrath ; Director of the Imperial and State Printing 
 
 Office, Vienna). 
 
 JOHN BELLOWS, Efq. (Gloucefter). 
 FRANCIS BENNOCH, Esq^ F.S.A. 
 JOHN BLACKWOOD, Efq. (Edinburgh). 
 J. C. BLOOMFIELD, Efq. (Chairman, Printers' Corporation). 
 DAVID BOGUE, Efq. 
 
 W. H. BONNEWELL, Efq. 
 
 HENRY BRADSHAW, Efq., M.A. (Univerjity Librarian, Cambridge). 
 
 HERREN BREITKOPF AND HARTEL (Leipzig). 
 
 ]. C. BREVOORT, Efq. {Aftor Library, New Tork). 
 
 MR. E. J. BRILL (Leiden). 
 
 HERR F. A. BROCKHAUS (Leipzig). 
 
 VINCENT BROOKS, Efq. 
 
 R. K. BURT, Efq. 
 
 HERR W. BUXENSTEIN (Berlin). 
 
 Dr. M. F. A. G. CAMPBELL (Keeper of the Royal Library at the Hague). 
 
 THOMAS CARLYLE, Efq. 
 
 MONS. A. CHAIX (Paris). 
 
 MONS. GABRIEL CHARAVAY (Paris). 
 
 GEORGE W. CHILDS, Efq. (Philadelphia). 
 
 M. GUSTAVE CHOUQUET (Confervatoire de Mujique, Paris). 
 
 SAMUEL CHRISTIE-MILLER, Efq. 
 
 Dr. F. CHRYSANDER (Hamburg). 
 
 MONS. JULES CLAYE (Paris). 
 
 C. J. CLAY, Efq., M.A. (Cambridge Univerjity Prefs). 
 
 W. CHARLES KNIGHT CLOWES, Efq., M.A. 
 
 WENTWORTH L. COLE, Efq. 
 
 N. MAC COLL, Efq. 
 
 J. PAYNE COLLIER, Efq., F.S.A. 
 
 W. H. COLLINGRIDGE, Efq. 
 
 Rev. C. C. COLLINS (Prejident of S 'ion College). 
 
 T. CONSTABLE, Efq. 
 
 A. CONSTABLE, Efq. (Edinburgh}. 
 
 Rev. H. O. COXE, D.D.) Bodlejs Librarian, Oxford}. 
 
 JOSEPH CUNDALL, Efq. 
 
 GEORGE DALZIEL, Efq. 
 
 WARREN DE LA RUE, Efq., M.A., D.C.L., F.R.S., V.P.C.S., F.R.A.S. 
 
 M. LEOPOLD DELISLE (Direftcr, National Library, Paris). 
 
 MONS. A. FIRMIN DIDOT (Paris).
 
 (General Committee, xvii 
 
 W. HEPWORTH DIXON, Efq., F.S.A. 
 
 Gen. JOHN EATON (C ommiffioner of Education, Wajbingtori). 
 Mr. JOH. ENSCHEDE (Haarlem). 
 
 Mr. A. J. ENSCHEDE", Dr. Jur. (Keeper of the Archives at Haarlem). 
 ]. FENTON, Efq. 
 
 B. EDGINGTON FLETCHER, Efq. (Norwich). 
 SCHRIFTGIESSEREI FLINCH (Frankfort-on-tbe-Main). 
 BIRKET FOSTER, Efq. 
 P. LE NEVE FOSTER, Efq., M.A. 
 Dr. FRANKLAND, F. R. S. 
 ALEXANDER FRASER, Efq. (Edinburgh). 
 HERR CARL FROMME (Court Printer, l^ienfia). 
 HENRY FROWDE, Efq. 
 THOMAS DIXON GALPIN, Efq. 
 PROFESSOR GLADSTONE, F.R.S. 
 Herr THEOD. GOEBEL (Stuttgart). 
 GEORGE GROVE, Efq., D.C.L., F. R. G.S. 
 MM. HACHETTE & CIE. (Paris). 
 
 MONS. FERD. VAN DER HAEGHEN (Univerjity Library, Ghent). 
 ED. PICKARD HALL, Efq., M.A. (Clarendon Prefs, Oxford). 
 HERR EDUARD HALLBERGER (Stuttgart). 
 HENRY HANSARD, Efq. 
 EDWARD HANSON, Efq. (Edinburgh). 
 H. HARRILD, Efq. 
 H. HARRILD, Jun., Efq. 
 JAMES W. HARRISON, Efq. 
 ABEL HEYWOOD, Efq. (Mancbefter). 
 JOHN HEYWOOD, Efq. (Mancbejler). 
 
 DANIEL HILL, Efq. (Prejident of the Sacred Harmonic Society). 
 HERR GUSTAV HIRSCH (Mayence). 
 RICHARD HOE, Efq. (New York). 
 R. R. HOLMES, Efq., F.S.A. (Wind/or Cajlle). 
 HERR ADOLF HOLZHAUSEN (Univerjity Printer, Vienna). 
 H. O. HOUGHTON, Efq. (Riverfide Prefs, Cambridge, U.S.) 
 ProfefTor HUXLEY, LL.D., F.R.S. 
 
 Herren GEBRUDER JANECKE AND F. SCHNEEMANN (Hanover). 
 BEN JOHNSON, Efq. (York). 
 
 ]. WINTER JONES, Efq., F.S.A. (Principal Librarian, Britijh Mufeum). 
 Rev. S. FLOOD JONES, M.A. 
 Herren GEBRUDER KRONER (Stuttgart). 
 Dr. A. M. LEDEBOER (Devanter, Holland). 
 JOHN LEIGHTON, Efq., F.S.A. 
 
 S. S LEWIS, M.A., F.S.A. (Fellow and Librarian, Corp. Chris. Coll., Cam.) 
 Rev. H. P. LIDDON, D.D. (Canon of St. PauFi). 
 
 b
 
 xviii Canton Celebration* 
 
 Rev. J. B. LIGHTFOOT, D.D. (Canon of St. Paul's). 
 
 HENRY W. LONGFELLOW, D.C.L. 
 
 WILLIAM LONGMAN, Efq., F.S.A. 
 
 Rev. A. LOWY. 
 
 Rev. W. H. LYALL, M.A. 
 
 JAMES MACAULAY, Efq., LL.D. (Editor of" Leifure Hour"). 
 
 MONS. ALFRED MAME (Tvurs). 
 
 Rev. SAMUEL MANNING, LL.D. 
 
 Rev. Profeffor D. W. MARKS. 
 
 DAVID MARPLES, Efq. 
 
 JOSIAH MARPLES, Efq. (Liverpool). 
 
 HORACE B. MARSHALL, Efq., C.C., F.R.G.S. 
 
 JULIAN MARSHALL, Efq. 
 
 WILLIAM MASKELL, Efq. 
 
 GEORGE H. MASON, Efq., C.C. 
 
 F. C. MATHIESON, Efq. 
 JOHN MILLER-RICHARD, Efq. 
 
 G. H. MOORE, Efq., LL.D. (Lenox Library, New Fork). 
 Mr. FREDERICK MULLER (Amfterdam). 
 
 JOEL MUNSELL, Efq. (Albany, U.S.) 
 
 PETER MURPHY, Efq. (Dublin Univerjity Prefs). 
 
 NEIL, Efq. (Edinburgh). 
 
 The Hon. and Rev. L. NEVILLE, M.A. (Mafter of Magdalen College, 
 
 Cambridge"). 
 
 T. W. NEWTON, Efq. (Library, Royal School of Mines). 
 SERJEANT PARRY. 
 
 W. F. POOLE, Efq. (Public Library, Chicago). 
 WYNDHAM S. PORTAL, Efq. 
 
 Rev. BARTHOLOMEW PRICE, M.A., F.R.S., F.R.A.S. (Oxprd). 
 ]. C. RAIT, Efq. 
 P. RANKEN, Efq. 
 
 ANDREW REID, Efq. (Newcaftle-on-Tyne). 
 THOMAS RICHARDS, Efq. (Government Printer, Sydney). 
 CAVALIERE GIULIO RICORDI (Milan). 
 W. RIDER, Efq. 
 WM. RIVINGTON, Efq. 
 J. R. ROBINSON, Efq. 
 
 MONS. C. RUELENS (Royal Library, Brujfels). 
 Rev. J. FULLER RUSSELL, B.C.L., F.S.A. 
 
 The Hon. STEPHEN SALISBURY (Pres. Amer. Ant. Soc., Worcefter, U.S.) 
 LLOYD P. SMITH, Efq. (Philadelphia). 
 WILLIAM SMITH, Efq., LL.D., D.C.L., F.R.S., V.P.S.A. 
 ALFRED SOUTHEY, Efq. 
 HERBERT SPENCER, Efq.
 
 (General Committee* 
 
 A. R. SPOFFORD, Efq. (Librarian ofCongrefe, U.S.) 
 W. W. SPRAGUE, Efq. 
 
 W. SPURRELL, Efq. (Carmarthen). 
 
 Rev. JOHN STOUGHTON, D.D. 
 
 JOSEPH TANNER, Jun., Efq. (Frame}. 
 
 HERR B. G. TEUBNER (Leipzig). 
 
 Mr. P. A. TIELE (Keeper of the Books of the Univerjity Library at Leiaen). 
 
 ANTHONY TROLLOPE, Efq. 
 
 J. HAMMOND TRUMBULL, Efq. LL.D. (Watkinfon Library, Hartford, U.S.) 
 
 MONS. H. J. TUCKER (Paris). 
 
 G. I. F. TUPPER, Efq. 
 
 Profeffor TYNDALL, LL.D., F.R.S. 
 
 F. ULLMER, Efq. 
 
 JAMES VIRTUE, Efq. 
 
 CORNELIUS WALFORD, Efq., F.S.A., F. S.S. 
 
 PHILIP WATERLOW, Efq. 
 
 CHARLES J. WHITTINGHAM, Efq. 
 
 JUSTIN WINSOR, Efq. (Public Library, Bofton, U.S.) 
 
 B. WINSTONE, Efq. 
 
 C. H. WRIGHT, Efq. 
 J. B. WOLF, Efq. 
 
 Rev. F. BARHAM ZINCKE (Prejident of the Education Society").
 
 CLASS A. 
 
 WILLIAM CAXTON AND THE DEVELOPMENT OF 
 
 THE ART OF PRINTING IN ENGLAND 
 
 AND SCOTLAND. 
 
 I HE collection of books here arranged is so complete, and 
 illustrates so thoroughly the typographical career of 
 Caxton, that it seems appropriate to include in the prefa- 
 tory remarks a short biography of the printer. 
 
 The original documents having a direct reference to 
 the life of Caxton are few, the most important being the prologues and 
 epilogues written by himself, and appended to his various publications 
 as they passed through the press. 
 
 Caxton was born about 1422 in the Weald of Kent, and received a 
 good education in his youth. In 1438 he entered as an apprentice into 
 the household of Alderman Robert Large, a wealthy mercer, who lived 
 in a spacious mansion at the corner of the Old Jewry, nearly opposite the 
 end of Basinghall Street. In 1441 Large died, and Caxton, to whom he 
 left a small legacy, was turned over to a new master, and probably at 
 once went to Bruges, then the capital of the dominions of the Duke of 
 Burgundy, and the centre of the wool trade, wool being the staple 
 article dealt in by mercers. Here Caxton must have been successful in 
 trade, as in 1446 he was surety for a fellow mercer in a sum equal to 
 ,1,500 of our present money. In 1462 he appears as " Governor of the 
 English Nation Abroad," a most important position, which gave him 
 authority over all the English merchants in the Duke's dominions, who 
 were associated together as "merchant adventurers." The head-quarters 
 of this company were in London, at Mercers' Hall, a large majority of 
 
 B
 
 2 Canton Celebration* 
 
 them being mercers. In 1464 he was nominated with Sir Robert Whitehill 
 as ambassador to the Duke of Burgundy concerning a trade treaty, several 
 of the letters to and from Caxton on this important matter being still 
 preserved in the archives of the Mercers' Company. In 1468 took place 
 at Bruges the marriage between the Princess Margaret of York, sister of 
 King Edward IV., and Charles, Duke of Burgundy, and at this time 
 Caxton probably attracted the notice and gained the goodwill of the 
 Duchess of Burgundy. The same year Caxton was again chosen to act 
 with two other mercers as ambassador to the Duke on trade arrange- 
 ments. In March, 1469, Caxton appears for the first time in a literary 
 capacity as translator of a few leaves of " Le Recueil des Histoires de 
 Troye," a tale compounded of mythology, love, and " deeds of arms," 
 but, dissatisfied with the attempt, he put them by without, as he says, 
 any intention of completing the translation. In 1469 Caxton was still 
 governor at Bruges, judgment being given in a dispute between an 
 Englishman and a Genoese merchant in his name. It is dated May i2th, 
 and is the latest notice of him in his official capacity. On the i3th 
 August of the same year the town council of Bruges made him a present 
 of wine. In 1470 the English king, Edward IV., took refuge in Bruges 
 from the machinations of the Earl of Warwick, and at this time Caxton 
 was doubtless of great use to his countrymen in their need. The exact 
 date when Caxton entered the service of the Duchess of Burgundy is 
 unknown. It must, however, have been about 1470, as in March of the 
 succeeding year he was receiving a yearly salary and other benefits. It 
 is probable that at this time he married. In March, 1471, the Duchess 
 commanded him to continue his translation of " Le Recueil," which he 
 did with alacrity, for although at one time at Ghent and then at Cologne, 
 the task was not neglected, till on the igth September in the same year 
 he offered to his royal mistress a complete manuscript copy of " The 
 Recuyell of the Histories of Troye." The romance was a success, and 
 many of the English lords required copies, so that Caxton wearied both 
 hand and eye in trying to satisfy them. How long he supplied manu- 
 script copies before he thought of printing is unknown, but it was about 
 1474-75 that the first printed edition was completed. This was done, as 
 all the typographical minutiae of the books prove, by the aid of Colard 
 Mansion, the first printer at Bruges, and in passing this book through 
 the press Caxton made his first essay as a printer. The next year saw 
 the issue of the " Chess-book," and in 1476, or early in 1477, Caxton 
 left Bruges, and settled as a printer at Westminster, under the shadow of 
 the Abbey. Here until his death, in 1491, he published at least ninety- 
 nine works, of which ninety are represented in this collection by 
 original copies, and nine in fac-simile. 
 
 Concerning the arrangement and sequence of the copies a-few words 
 must be said.
 
 Class . Canton anti 3Detelopment of tlje rt. 3 
 
 Of all the books issued by Caxton, only one-third have the date of 
 imprint plainly stated. Placing these dated books by themselves in 
 chronological order, we find that they naturally fall into eight clearly 
 defined classes : 
 
 TYPE No. i. The Bruges-printed books, for which one type only was 
 used, which makes its first appearance in " The Recuyell." 
 
 TYPE No. 2. The first type used at Westminster, of which the first 
 edition of "The Dictes," 1477, is the representative. It lasted no 
 longer than the end of 1478, after which it disappears. 
 
 TYPE No. 2*. A re-cast of No. 2, with variations, lasting from " The 
 Cordial" in 1479 to "Tully," 1481. 
 
 TYPE No. 3 was used from 1479 to 1484, for head-lines. It was a 
 Missal type and unsuited for the text of books generally. 
 
 TYPE No. 4 makes its first appearance in "The Chronicles" of 1480, 
 and goes out of use with the "Confessio" in 1484. 
 
 TYPE No. 4* is a re-cast of No. 4. It appears first in the " Knight 
 of the Tower," 1483, and last in "Paris and Vienne," December, 1485, 
 although it is probable that books without date were printed in it for 
 two years later. 
 
 TYPE No. 5 begins with the " Book of Good Manners," 1487, the last 
 dated book being the " Doctrinal" of 1489. 
 
 TYPE No. 6 (which is No. 2 altered) comes in with " Fayts of Arms," 
 1489, and lasts over Caxton's death, being used by his successor, Wynken 
 de Worde. 
 
 We have here evidently a good foundation for classification, the data 
 of which may still further be multiplied by noticing some of the typo- 
 graphical habits of the workmen. For instance : 
 
 The practice of printing books with lines of an uneven length, a sure 
 sign of an infant press, and found in all Caxton's first productions, was 
 entirely discontinued in 1480. 
 
 The use of printed signatures is a proof that the book in which they 
 occur was not earlier than 1480. 
 
 The paragraph mark was not used by Caxton until the year 1483. 
 
 The great device was first used in 1487, and the small device at once 
 shows the book to be printed after Caxton's death. 
 
 Woodcut embellishments began with Parvus Catho in 1480, and 
 printed initials in 1483. 
 
 If now we take the mass of undated books, and arrange them accord- 
 ing to their types and the above signs of date, we obtain the chronolo- 
 gical sequence of the following list, which includes everything at present 
 known to have been issued from the Press of William Caxton.
 
 Cafton Celebration, 
 
 TYPE No. i. AT BRUGES. 
 
 i. The Recuyell of the Histories of Troye. Folio. 1474. 
 
 ii. Le Recueil des Histoires de Troye. Folio. 1475-6. 
 
 iii. The Game of the Chesse. Folio. 1st edition. 1476. 
 
 iv. Les fais de Jason. Folio. 1476. 
 
 v. Meditacions. Folio. 1478. 
 
 TYPE No. 2. AT BRUGES. 
 
 vi. Les quatre derrenieres choses. Folio. 1476. 
 
 TYPE No. 2. AT WESTMINSTER. 
 
 vii. The Dictes and Sayings. Folio. 1st edition. 1477. 
 
 viii. History of Jason. Folio. 1477. 
 
 ix. Horse. 1st edition. 8vo. 1477-78. 
 
 x. Canterbury Tales. 1st edition. Folio. 1477-78. 
 
 xi. Moral Proverbs. Folio. 1478. 
 
 xii. Propositio Joh. Russell. 4to. 1478. 
 
 xiii. Stans Puer. 4to. 1477-78. 
 
 xiv. Parvus Catho. 1st edition. 4to. 1477-78. 
 
 xv. Parvus Catho. 2nd edition. 410. 1477-78. 
 
 xvi. Horse, Sheep, and Goose. 1st edition. 4to. 1477-78. 
 
 xvii. Horse, Sheep, and Goose. 2nd edition. 4to. 1477-78. 
 
 xviii. Infancia Salvatoris. 4to. 1477-78. 
 
 xix. The Temple of Glass. 410. 1477-78. 
 
 xx. The Chorle and the Bird. 1st edition. 4to. 1477-78. 
 
 xxi. The Chorle and the Bird. 2nd edition. 410. 1477-78. 
 
 xxii. The Temple of Brass. 4to. 1477-78. 
 
 xxiii. The Book of Courtesy. 1st edition. 4to. 1477-78. 
 
 xxiv. Anelida and Arcite. 4to. 1477-78. 
 
 xxv. Boethius. Folio. 1477-78. 
 
 TYPE No. 2.* AT WESTMINSTER. 
 
 xxvi. Cordyale. Folio. 1479. 
 
 xxvii. Fratris Laur. Gul. de Saona. Folio. 1480. 
 
 xxviii. Dictes and Sayings. 2nd edition. 1480. 
 
 xxix. An Indulgence. 1481. 
 
 xxx. Parvus et Magnus Catho, by Burgh. Folio. 1481. 
 
 xxxi. Mirrour of the World. Folio. 1481. 
 
 xxxii. Reynart the Fox. Folio. 1481. 
 
 xxxiii. Tully of Old Age. Folio. 1481. 
 
 xxxiv. The Game of the Chesse. Folio. 1482. 
 
 . , TYPE No. 3. AT WESTMINSTER. 
 
 xxxv. A Hand-bill. 1478. 
 
 xxxvi. Directorium Sacerdotum. 410. 1st version. 1477-78. 
 
 xxxvii. Horae. 2nd edition. 410. 1480-83. 
 
 xxxviii. Psalterium. 4to. 1480-83. 
 
 TYPE No. 4. AT WESTMINSTER. 
 
 xxxix. Chronicles. Folio. 1st edition. 1480. 
 
 xl. Description of Britain. Folio. 1480. 
 
 xli. Curia Sapientire. Folio. 1481. 
 
 xlii. Godfrey of Bulloyn. Folio. 1481.
 
 * Canton am> 2Detolopment o tlje Sin. 
 
 xliii. An Indulgence. 1481. 
 
 xliv. Chronicles. Folio. 2nd edition. 1482. 
 
 xlv. Polychronicon. Folio. 1482. 
 
 xlvi. Pilgrimage of the Soul. Folio. 1483. (Partly in type No. 4*.) 
 
 TYPE No. 4.* Ax WESTMINSTER. 
 
 xlvii. A Vocabulary. Folio. 1483. 
 
 xlviii. The Festial. 1st edition. Folio. 1483. 
 
 xlix. Quatuor Sermones. 1st edition. Folio. 1483. 
 
 1. Servitium de Visitatione. 410. 1480-83. 
 
 li. Sex Epistolae. 410. 1483. 
 
 Hi. Confessio Amantis. Folio. 1483. 
 
 liii. Knight of the Tower. Folio. 1484. 
 
 liv. Caton. Folio. 1484. 
 
 Iv. Golden Legend. 1st edition. Folio. 1484. 
 
 Ivi. Death-bed Prayers. Folio. 1484. 
 
 Ivii. The Fables of ^isop. Folio. 1484. 
 
 Iviii. Order of Chivalry. 4to. 1484. 
 
 lix. Canterbury Tales. 2nd edition. 1484. 
 
 Ix. Book of Fame. Folio. 1484. 
 
 Ixi. The Curial. Folio. 1484. 
 
 Ixii. Troilus and Creside. Folio. 1484. 
 
 Ixiii. The Life of our Lady. Folio. 1484. 
 
 Ixiv. Life of St. Winifrede. Folio. 1485. 
 
 Ixv. King Arthur. Fplio. 1485. 
 
 Ixvi. Charles the Great. Folio. 1485. 
 
 Ixvii. Paris and Vienne. Folio. 1485. 
 
 Ixviii. Golden Legend. 2nd edition. Folio. 1487. 
 
 TYPE No. 5. AT WESTMINSTER. 
 
 Ixxi. Book of Good Manners. Folio. 1487. 
 
 [Ixxii. Sarum Missal. Printed for Caxton at Paris. Folio. 1487.] 
 
 Ixxiii. Speculum. 1st edition. 1487. 
 
 Ixxiv. Directorium. 1st edition of second version. Folio. 1487. 
 
 Ixxv. Horae. 3rd edition. 8vo. 1488. 
 
 Ixxvi. Royal Book. Folio. 1488. 
 
 Ixxvii. Image of Pity. 410. 1489. 
 
 Ixxviii. Doctrinal of Sapience. Folio. 1489. 
 
 Ixxix. Speculum. 2nd edition. Folio. 1490. 
 
 Ixxx. Commemoracio Lamentationis. 4to. 1491. 
 
 Ixxxi. Servitium de Transfiguracione. 4to. 1491. 
 
 Ixxxii. Horae. 4th edition. 1491. 
 
 TYPE No. 6. AT WESTMINSTER. 
 
 Ixxxiii. Fayts of Arms. Folio. 1489. 
 
 Ixxxiv. Statutes of Hen. VII. Folio. 1489. 
 
 Ixxxv. Governal of Helthe. 4to. 1489. 
 
 Ixxxvi. Reynart the Fox. 2nd edition. 1489. 
 
 Ixxxvii. Blanchardyn and Eglantine. Folio. 1489. 
 
 Ixxxviii. Four Sons of Aymon. Folio. 1489. 
 
 Ixxxix. Directorium. 2nd edition of second version. Folio. 1489. 
 
 xc. Eneydos. Folio. 1490. 
 
 xci. Dictes and Sayings. 3rd edition. 1490.
 
 6 Canton Celebration* 
 
 xcii. Mirrour of the World. 2nd edition. 1490. 
 
 xciii. The xv. Oes. 4to. 1490. 
 
 xciv. Diverse ghostly Matters. 4to. 1490. 
 
 xcv. Arte and Crafte. Folio. 1491. 
 
 xcvi. Festial. 2nd edition. Folio. 1491. 
 
 xcvii. Four Sermons. 2nd edition. Folio. 1491. 
 
 xcviii. Ars Moriendi. 4to. 1491. 
 
 xcix. Book of Courtesy. 2nd edition. 1491. 
 
 c. Chastising of God's Children. Folio. 1491. And the Treatise of Love. 
 Folio. 1491. 
 
 BY CAXTON'S EXECUTORS. WESTMINSTER. 
 
 ci. Life of St. Katherine. Folio. 1493. 
 
 cii. Golden Legend. 3rd edition. Folio. 1493. 
 
 ciii. Siege of Rhodes. Folio. 1493-94. 
 
 WILLIAM BLADES. 
 
 SECTION I. 
 
 ORIGINAL DOCUMENTS ILLUSTRATING THE LIFE OF 
 WILLIAM CAXTON. 
 
 i. 
 
 ERCERS' Records. Wardens' Accounts. 
 
 Lent by the Worshipful Company of Mercers. 
 Under the l6th year of Henry VI. (1437-38) : 
 
 "Item John Large ) les apprentices de 
 
 Item William Caxton > Robert Large, iiij s." 
 This was the fee for apprenticeship. 
 
 2. MERCERS' Records. Acts of Court. 
 
 Lent by the Worshipful Company of Mercers. 
 
 A letter sent by the Court of the Merchant Adventurers to William Caxton, 
 Governor of the English Nation beyond the sea. It is endorsed : "A lettre send 
 ou to Caxton gounor." and begins : " Right trusty Sir, We grete youe well." 
 
 3. CHURCHWARDENS' Accounts of Saint Margaret, Westminster. 
 
 Lent by the Rector and Churchwardens. 
 Among the Receipts in 1491 is the following : 
 
 "Item. At bureying of William Caxton for iiij Torches vjj. viij</. 
 
 Item. For the Bell atte same Bureying vj</." 
 Caxton's name appears also three times as auditor of the parish accounts. 
 
 4. THE Wardens' Accounts of the Guild of our Lady, St. Margaret's 
 Westminster. i5th cent. Lent by the Rector and Churchwardens. 
 
 This volume shows the connection of the Westminster Guild with the Wool 
 Staple and with the Mercers' Company. It also contains in the later years several 
 interesting entries of charges for work done by Pynson and other early typographers.
 
 . Canton ant) 2Dtfcelopment of ttje Sin. 7 
 
 A PHOTOGRAPH of a. MS. supposed to be in Caxton's autograph. 
 
 Presented by the Hon. and Rev. A. Nevile. 
 
 It is a translation of the loth to the I5th books of Ovid's Metamorphoses, and 
 was doubtless intended for the press, and perhaps printed. No printed copy, nor 
 even a fragment has yet been found, but the following Colophon here exhibited 
 leads to the hope that a copy will some day be discovered. " Translated and 
 fynysshed by me William Caxton at Westmestre the xxij day of Apryll, the yere of 
 our lord m. iiijc iiijxx" (1480). The original is in the Pepysian Library, Cam- 
 bridge. 
 
 SECTION II. 
 
 THE PRESS OF WILLIAM CAXTON AND COLARD 
 MANSION AT BRUGES. 
 
 BOOKS PRINTED IN TYPE No. i. 
 
 6. 
 
 EFEVRE, Raoul. The Recuyell of the Histories of Troye. 
 Translated 1469-71. Without place or date of printing, but 
 probably at Bruges about 1474. Folio. 
 
 Lent by the Duke of Devonshire. 
 In a glass case alone on a velvet cushion, being the first book printed in the 
 English language, during the printing of which, as Caxton says in the Epilogue 
 to Book II., he learnt his new art. This copy has the autograph of Elizabeth 
 Grey, Queen of Edward IV., and cost 1,000 guineas at the Roxburghe Sale in 
 1812. The original vellum cover is bound up with it. 
 
 7. LEFEVRE, Raoul. The Recuyell of the Histories of Troye. A second 
 
 copy. Lent by Earl Spencer. 
 
 First page, printed in red ink. 
 
 7*. LEFEVRE, Raoul. The Recuyell of the Histories of Troye. A third 
 copy. 
 
 8. LEFEVRE, Raoul. The Recuyell of the Histories of Troye. A fourth 
 copy. Lent by the President and Governors of Sion College, London. 
 
 Last page. 
 
 9. CESSOLIS, Jacobus de. The Game and Play of the Chess, moralised. 
 First edition. Translated in 1474. Without printer's name, date, or 
 place, but about 1475. Folio. Lent by Earl Spencer. 
 
 This also was probably printed at Bruges by Caxton and Mansion. First page. 
 
 There is very little about chess in the work, each separate piece being used 
 merely as a peg whereon to hang an anecdotical essay on the various duties of 
 mankind.
 
 8 Carton Celebration, 
 
 10. CESSOLIS, Jacobus de. The Game and Play of the Chess, moralised. 
 A third copy. Lent by the Duke of Devonshire. 
 
 n. LEFEVRE, Raoul. Le Recueil des Histoires de Troye. Compose 
 en Ian de grace, 1464. Without printer's name, place, or date, but 
 . probably printed at Bruges about 1476. Folio. 
 
 Lent by Her Majesty the Queen. 
 
 First page. This is the first book printed in French, and is believed by 
 many English bibliographers to have been printed by Colard Mansion. 
 
 12. LEFEVRE, Raoul. Le Recueil des Histoires de Troye. A second 
 copy. Last page. Lent by Earl Spencer. 
 
 13. LEFEVRE, Raoul. Les Fais de Jason. Without printer's name, 
 place, or date. Printed at Bruges, probably by Colard Mansion, 
 about 1476-77. Folio. 
 
 Lent by the Provost and Fellows of Eton College. 
 This 'is the only copy in England ; there are two in Paris. 
 
 14. D'AILLY, Pierre, Cardinal. Meditacions sur les sept pseaulmes 
 penitenciaulx. Without printer's name, place, or date. Probably 
 printed at Bruges by Colard Mansion about 1477. 
 
 A page in facsimile from the unique copy in the British Museum, which was 
 discovered by Mr. Winter Jones, in 1841, in the same cover with "Les Quatre 
 derrenieres choses," just as they were bound when issued. 
 
 SECTION. III. 
 
 CAXTON'S PRESS AT WESTMINSTER. 
 BOOKS PRINTED IN TYPE No. 2. 
 
 EMORARE Novissima. Les quatre derrenieres choses. With- 
 out printer's name, place, or date. Appears to have been 
 printed at Bruges about 1476. Folio. 
 
 A page in facsimile from the unique copy in the British Museum. The 
 peculiar use of red ink should be noticed as a link with the press of Colard 
 Mansion. (See No. 192.) A page by Mansion is placed by its side. 
 
 1 6. THE Dictes and notable wise Sayings of the Philosophers. First 
 edition. Without colophon. " Emprynted by me Wylliam Caxton 
 at Westmestre. 1477." Folio. Lent by S. Christie-Miller, Esq. 
 This book is placed alone in a glass case on a velvet cushion, being the first book 
 from Caxton's press with printer's name, and with place and date of printing, 
 thus forming the foundation stone of the present Celebration.
 
 Si. Canton and 2Debelopmem; of tfje Sin. 9 
 
 17. THE Dictes and notable wise Sayings of the Philosophers. First 
 edition. Without colophon. Printed at Westminster by William 
 Caxton. Folio. 1477. A second copy. 
 
 Lent by W. Amhurst Tyssen Amhurst. 
 
 The first book from Caxton's press with printer's name, place, and an unmis- 
 takable date. 
 
 1 8. THE Dictes and notable wise Sayings of the Philosophers. First 
 edition. "Emprinted by me William Caxton at Westmestre, 1477." 
 Folio. Lent by Earl Spencer. 
 
 This copy is unique in having the colophon of the second edition, but in 
 different type, printed on the last page. 
 
 19. LEFEVRE, Raoul. The History of Jason. Folio. Without printer's 
 name, date, or place. About 1477. Lent by Earl Spencer. 
 
 First page. 
 
 20. LEFEVRE, Raoul. The History of Jason. A second copy. 
 Last page. Lent from the Bodleian Library. 
 
 21. HORJE ad usum Sarum. First edition. 8vo. 1477-78. 
 
 Lent by William Blades, Esq. 
 
 Facsimile by G. I. F. Tupper, showing how the book looked when bound. 
 8 pages. This was probably the smallest book which issued from Caxton's 
 press, and must have made originally a charming little volume, although known 
 now by a fragment only, which is in the Douce Collection at Oxford. 
 
 22. CHAUCER, Geoffrey. The Canterbury Tales. Folio. Without 
 printer's name, place, or date. First edition. About 1477-78. 
 
 Lent by Earl Spencer. 
 
 23. CHRISTINE de Pisan, The Moral Proverbs of. Translated by Earl 
 Rivers, and " Enprinted by Caxton at Westmestre." Folio. 1478. 
 First page. Lent by S. Christie-Miller, Esq. 
 
 24. CHRISTINE de Pisan, The Moral Proverbs of. A second copy. 
 
 Lent by the Earl of Jersey. 
 
 25. CHRISTINE de Pisan, The Moral Proverbs of. A third copy. 
 
 Lent by Earl Spencer. 
 Last page. These three are the only copies of this book known. 
 
 26. PROPOSITIO Johannis Russell. 4to. Without printer's name, 
 place, or date, Printed about 1478. Lent by Earl Spencer. 
 
 First page. A Latin oration made upon the investment of the Duke of Bur- 
 gundy with the Order of the Garter. 
 
 27. PROPOSITIO Johannis Russell. A second copy. 
 
 Lent by the Earl of Leicester. 
 Last page. These two are the only copies known.
 
 io Canton Celebration* 
 
 28. LYDG ATE, John. Stans Puer ad Mensam. 4to. Printed about 1478. 
 
 Unique. Lent from the University Library, Cambridge. 
 
 A boy's school-book, teaching Latin and good manners at the same time. 
 
 29. PARVUS Catho, by^ Burgh. 4to. First edition. Printed about 
 1478. Unique. Lent from the University Library, Cambridge. 
 
 A boy's school-book. 
 
 30. PARVUS Catho, by Burgh. 410. Second edition. Printed about 
 1478. Unique. Lent by the Duke of Devonshire. 
 
 31. LYDGATE, John. The Horse, the Sheep, and the Goose. 4to. First 
 edition. Printed about 1478. Unique. 
 
 Lent from the University Library, Cambridge. 
 A poetical disputation as to which of these animals was most useful to mankind. 
 
 32. LYDGATE, John. The Horse, the Sheep, and the Goose. 4to. 
 Second edition. About 1478. 
 
 Lent by the Dean and Chapter of York. 
 
 33. INFANCIA Salvatoris. 4to. Without printer's name, place, or date. 
 About 1478. Unique. 
 
 Lent from the University Library, Gbttingen. 
 
 Purchased from Osborne, a celebrated London bookseller, in 1 745, who had 
 bought all the printed books of the Harleian Library. The librarian of Gottin- 
 gen, who purchased five other Caxtons at the same time, gave half-a-guinea 
 for it. 
 
 34. LYDGATE, John. The Temple of Glass. 4to. About 1478. 
 
 Unique. Lent from the University Library, Cambridge. 
 
 A poetic composition of Dan John Lydgate. 
 
 35. LYDGATE, John. The Chorle and the Birde. 4to. First edition. 
 About 1478. Unique. 
 
 Lent from the University Library, Cambridge. 
 
 A favourite piece of poetry by Lydgate, in which a labourer and a nightingale 
 discourse of mundane matters. 
 
 36. THE Chorle and the Bird. 4to. Second edition. About 1478. 
 Unique. Lent by the Dean and Chapter of York. 
 
 37. CHAUCER, Geoffrey. The Temple of Brass. 4to. About 1478. 
 
 Lent from the University Library, Cambridge. 
 This is Chaucer's "Parliament of Fowls." 
 
 38. THE Book of Courtesye. (Lytyl John.) 410. First edition. About 
 1478. Unique. Lent from the University Library, Cambridge. 
 
 A school-book.
 
 Clagg &, Canton and SDetelopment of tlje Sin. u 
 
 39. CHAUCER, Geoffrey. Anelida and Arcyte. 4to. About 1478. 
 Unique. Lent from the University Library, Cambridge. 
 
 40. BOETHIUS de Consolatione Philosophise, translated into English 
 by Geoffrey Chaucer. " I William Caxton have done my devoir to 
 enprint it" Without place or date. Folio. About 1478. First 
 page. Lent by the Dean and Chapter of Ripon. 
 
 40*. BOETHIUS de Consolatione Philosophise. A second copy. 
 
 Lent by the Duke of Devonshire. 
 
 41. BOETHIUS de Consolatione Philosophise. A third copy. 
 
 Lent by the President and Governors of Sion College, London. 
 
 42. BOETHIUS de Consolatione Philosophise. A fourth copy. 
 
 Lent by Earl Spencei . 
 
 43. CORDYALE, or the Four Last Things. Folio. 1479. First page. 
 
 Lent by Earl Spencer. 
 A translation of " Les quatre derrenieres choses," already noticed. 
 
 44. CORDYALE, or the Four Last Things. A second copy. Last page. 
 
 Lent by John E. T. Loveday, Esq. 
 
 45. FRATRIS Laurentii Gulielmi de Saona Margarita. Folio. Without 
 printer's name, place, or date. About 1478-80. 
 
 Lent by the Master and Fellows of Corpus Christi College, Cambridge. 
 
 This has, by a curious misconception, been generally considered as printed at 
 Cambridge in 1478, instead of compiled only. Mr. Bradshaw recognized it as 
 a Caxton in 1861. 
 
 The only other copy known to exist is at Upsala. 
 
 46. THE Dictes and Notable Wise Sayings of the Philosophers. Second 
 edition. With colophon, and same date as first edition, but really 
 1480. Folio. Lent by the Duke of Devonshire. 
 
 46*. THE Dictes and Notable Wise Sayings of the Philosophers. Second 
 edition. Lent by Earl Spencer. 
 
 Exhibited for the sake of the "Hand -bill" under No. 65. 
 
 47. PARVUS et Magnus Catho, by Burgh. Third edition. Folio. With 
 woodcuts. About 1481. Last page. 
 
 Lent by the President and Fellows of St. John's College, Oxford. 
 
 4&. PARVUS et Magnus Catho, by Burgh. Third edition. A second 
 copy. First page. Lent by Earl Spencer.
 
 12 Carton Celebration* 
 
 49. LETTERS of Indulgence of John Kendale. On parchment. 1481. 
 
 Lent by W. Blades, Esq. 
 Photographed from the unique original in the British Museum. 
 
 50. THE Mirrour of the World. Without printer's name, place, or date, 
 but printed in 1481. Woodcuts. First edition. Translated 1481. 
 Folio. Lent by the Duke of Devonshire. 
 
 The first page. The work is a kind of fifteenth century Encyclopaedia, giving 
 information upon all the sciences at that time known. 
 
 51. THE Mirrour of the World. First edition. A second copy. Last 
 page. Lent by John Moore Paget, Esq. 
 
 52. THE Mirrour of the World. First edition. A third copy. 
 
 Lent by the Earl of Jersey. 
 
 53. THE Mirrour of the World. First edition. A fourth copy. Last 
 page. Lent by Earl Spencer. 
 
 54. THE Mirrour of the World. First edition. A fifth copy. 
 
 Lent by the University of Gbttingen. 
 
 55. THE History of Reynard the Fox. First edition. Folio. Trans- 
 lated in the Abbey of Westminster, by William Caxton, 1481, but 
 without printer's name, place, or date. 1481. First page. 
 
 Lent by the Provost and Fellows of Eton College. 
 
 56. THE History of Reynard the Fox. A second copy. Last page. 
 
 Lent by Earl Spencer. 
 
 57. CICERO, Marcus Tullius. Tully of Old Age; of Friendship; the 
 Declamation of Noblesse. " Enprynted by me symple persone 
 William Caxton." Without place. Folio. 1481. First page. 
 
 Lent by Earl Spencer. 
 
 58. CICERO, Marcus Tullius. Tully of Old Age ; of Friendship ; the 
 Declamation of Noblesse. A second copy. Last page. 
 
 Lent by W. Amhurst Tyssen Amhurst. 
 
 59. CICERO, Marcus Tullius. Tully of Old Age; of Friendship; the 
 Declamation of Noblesse. A third copy. First page of Amicitia. 
 
 Lent by the President and Governors of Sion College, London. 
 
 60. CICERO, Marcus Tullius. Tully of Old Age ; of Friendship ; the 
 Declamation of Noblesse. A fourth copy. Last page of Amicitia. 
 
 Lent by the Duke of Devonshire. 
 
 61. CICERO, Marcus Tullius. Tully of Old Age; of Friendship; the 
 Declamation of Noblesse. A fifth copy. 
 
 Lent by the Provost and Fellows of Eton.
 
 Si. Canton anli aDcbelopmmt of tfje Sin. 13 
 
 6i*.CiCERO, Marcus Tullius. Tully of Old Age; of Friendship ; the 
 Declamation of Noblesse. A sixth copy. The First page of the 
 Declamation. Lent by the Earl of Jersey. 
 
 62. CESSOLIS, Jac. de. The Game and Play of the Chess, moralised. 
 With woodcuts. Second edition. " Explicit per Caxton." With- 
 out place or date. Folio. 1482. 
 
 Lent by Lord Tollemache of Helmingham. 
 
 First page. Although very different, this edition is not unfrequently mistaken 
 for the first. 
 
 63. CESSOLIS, Jac. de. The Game and Play of the Chess, moralised. 
 A second copy. Lent by the Duke of Devonshire. 
 
 64. CESSOLIS, Jac. de. The Game and Play of the Chess, moralised. 
 A third copy. Last page. Lent by Earl Spencer. 
 
 BOOKS PRINTED IN TYPE No. 3. 
 This bold type was chiefly used for head-lines. 
 
 65. AN Advertisement. A Hand-bill notifying the Sale of "Pyes of 
 salisburie vse," beginning " If it plese ony man spirituel or tem- 
 
 'porel," &c. (5 by 7 inches.) About 1478. Lent by Earl Spencer. 
 Bound in a copy of " The Dictes." 
 
 66. LAST leaf of Boethius de Consolatione, all in Type No. 3. 
 
 Lent by the Duke of Devonshire. 
 
 67. PSALTERIUM. 4to. 1480-83 (?) Lent by W. Blades, Esq. 
 
 Facsimile page from the unique copy discovered by Mr. Bullen in the British 
 Museum. 
 
 BOOKS PRINTED IN TYPES No. 4 AND 4*. 
 
 68. THE Chronicles of England. Folio. " Emprynted by me William 
 Caxton in thabbey of Westmynstre." First edition, with short 
 commas. 1480. First page. Lent by the Duke of Devonshire. 
 
 69. THE Chronicles of England. Folio. First edition, with short 
 commas. 1480. Lent by St. John's College, Oxford. 
 
 70. THE Description of Britain. Folio. " Fynysshed by me William 
 Caxton." 1480. First page. Lent by the Marquis of Lothian. 
 
 71. THE Description of Britain. Folio. 1480. 
 
 Lent from the Bodleian Library, Oxford.
 
 14 Ca,rton Celebration* 
 
 72. THE Description of Britain. Folio, 1480. 
 
 Lent by the Archbishop of Canterbury. 
 Showing the account of Wales and its marvels. 
 
 73. CURIA Sapientise, or the Court of Sapience. Folio. Without 
 printer's name, date, or place, but printed about 1481. First page. 
 
 Lent by Earl Spencer. 
 
 74. CURIA Sapientise, or the Court of Sapience. Folio. About 1481. 
 
 Lent by the President and Fellows of St. John's College, Oxford. 
 Last page. 
 
 75. GODFREY of Boloyne; or The Conquest of Jerusalem. Folio. 
 " Printed in the Abbey of Westminster by William Caxton." 1481. 
 First page. Lent from the University Library, Cambridge. 
 
 76. GODFREY of Boloyne ; or the Conquest of Jerusalem. A second 
 copy. Lent from the Baptist College, Bristol. 
 
 First page of text. This book is very uncommon in a perfect state. 
 
 77. GODFREY of Boloyne; or The Conquest of Jerusalem. A third 
 copy, open at last page of table. Lent by Earl Spencer. 
 
 7 7*. GODFREY of Boloyne. A fourth copy. Lent by Gottingen University. 
 
 Last page of volume. 
 
 78. An Indulgence granted by Pope Sixtus IV. to all who would assist 
 in opposing the Turks at the Siege of Rhodes. 1481. 
 
 From the Bedfordshire General Library. 
 
 Two copies, used to strengthen the binding of "The Book Royal," which was 
 printed about 1488. They were placed, one at the beginning and one at the end. 
 
 79. THE Chronicles of England. Folio. " Emprynted by me William 
 Caxton in thabbey of Westmestre." Second edition, with long 
 commas. 1482. Lent by Earl Spencer. 
 
 First page. All the known copies of this edition, except that presented by 
 Earl Cawdor to the British Museum, want the last leaf. 
 
 80. THE Chronicles of England. A second copy. 
 
 Lent by the Earl of Jersey. 
 
 81. POLYCHRONICON. Folio. Imprinted and set in forme by me Wil- 
 liam Caxton. Without place or date. (Westminster, 1482.) 
 
 Lent by Earl Spencer. 
 First page. This work is very rarely found perfect at the end. 
 
 82. POLYCHRONICON. A second copy. 
 
 Lent from St. John's College, Cambridge. 
 
 Autograph of "Tho. Baker, Col. Jo. Socius ejectus." "So scarce and dear 
 that it cost me what I am ashamed to own."
 
 Cla00 &. Canton and 2Detjelopment of ttje Sin. 15 
 
 83. POLYCHRONICON. A third copy. 
 
 Lent by W. Amhurst Tyssen Amhurst, Esq. 
 
 84. POLYCHRONICON. A fourth copy. Lent by the Duke of Devonshire. 
 
 Open at Liber Ultimus where Caxton commences his own historical com- 
 pilation. 
 
 85. DEGUILEVILLE, Guillaume de. The Pilgrimage of the Soul. First 
 page. Lent by S. Christie-Miller, Esq. 
 
 86. DEGUILEVILLE, Guillaume de. The Pilgrimage of the Soul. " Em- 
 prynted at Westmestre by William Caxton." 1483. Folio. Last 
 page. Lent by the President and Governors of Sion College. 
 
 87. DEGUILEVILLE, Guillaume de. The Pilgrimage of the Soul. A 
 second copy. t Lent by Earl Spencer. 
 
 The "Death-bed Prayers," a unique example, being bound in the same volume, 
 this copy is exhibited under No. 105. 
 
 88. A VOCABULARY in French and English. Folio. Without printer's 
 name, place, or date. (Westminster, early 1480.) 
 
 Lent by Earl Spencer. 
 
 First page. Dr. Dibdin entitles this "A book for travellers. Only four 
 copies are known. 
 
 89. A VOCABULARY in French and English. A second copy. Last 
 page. Lent by the Dean and Chapter of Ripon. 
 
 90. A VOCABULARY in French and English. A third copy. 
 
 Lent by the Duke of Devonshire. 
 The copy at Bamborough Castle completes the number known to exist. 
 
 91. THE Festial (Liber Festivalis.) Folio. " Emprinted at West- 
 mynster by Wyllyam Caxton the last daye of Juyn 1483." First 
 edition. First page. Lent. by Earl Spencer. 
 
 92. FOUR Sermons. Folio. " Emprynted by William Caxton at West- 
 mestre." Without date. (1483.) Last page. 
 
 Lent by the ArcJibishop of Canterbury. 
 
 93. SERVITIUM de Visitatione Beatae Marias Virginis. Without printer's 
 name, place, or date. Quarto. (Early 1480.) 
 
 A fac-simile by G. I. F. Tupper, from the unique copy in the British Museum. 
 
 94. SEX perelegantissime Epistole. 4to. 1483. Lent by W. Blades, Esq. 
 
 A facsimile of last page. The original was discovered in 1874, by Dr. Kon- 
 necke in the Hecht-Heinean Library, Halberstadt. 
 
 95. GOWER, John. Confessio Amantis. Folio. " Emprynted at West- 
 mestre by me Willyam Caxton, 1483." Lent by Earl Spencer. 
 
 First page.
 
 1 6 a,rtoti Celebration, 
 
 96. GOWER, John. Confessio Amantis. A second copy. Last page. 
 
 Lent by the Duke of Devonshire. 
 The date is given as " a thousand /cccc/ Ixxxxiij," an evident error for "Ixxxiij." 
 
 96*. GOWER, John. Confessio Amantis. A third copy, with every leaf 
 stained yellow. Lent by Earl Jersey. 
 
 97. LATOUR LANDRY, G. de. The Book which the Knight of the 
 Tower made to the enseygnment and teaching of his daughters. 
 " Emprynted at Westmynstre." Folio. 1484. First page. 
 
 Lent by Earl Spencer. 
 
 98. LATOUR LANDRY, G. de. The Book which the Knight of the Tower 
 made to the enseygnment and teaching of his daughters. A second 
 copy. Last page. Lent from the University Library, Cambridge. 
 
 99. LATOUR LANDRY, G. de. The Book which the Knight of the Tower 
 made. Folio. 1484. Lent front the Bodleian Library, Oxen. 
 
 Bound up with No. 107. 
 
 100. CATON. The Book called Caton. Translated by Caxton in 1484, 
 from an extensive French Gloss of the Parvus Catho and Magnus 
 Catho. Without printer's name, place, or date. Folio. (1484.) 
 
 Lent by Earl Spencer. 
 
 First page, which states that the work was translated at Westminster by 
 Caxton, who dedicated it to the renowned City of London. 
 
 1 01. CATON. The Book called Caton. Translated by Caxton in 1484, 
 from an extensive French Gloss of the Parvus Catho and Magnus 
 Catho. A second copy. Lent by the Duke of Devonshire. 
 
 102. CATON. The Book called Caton. A third copy. 
 
 Lent from the University Library, Cambridge, 
 
 1 02*. CATON. The Book called Caton. A fourth copy. 
 
 Lent by the Marquis of Ailesbury. 
 
 103. VORAGINE, Jacobus de. The Golden Legend. With woodcuts. 
 First edition. " Fynyshed at Westmestre," in 1 483, " By me Wyllyam 
 Caxton." (Large type for the head-lines of the pages.) Large folio. 
 (1484.) First page. Lent by Earl Spencer. 
 
 104. VORAGINE, Jacobus de. The Golden Legend. A second copy. 
 
 Lent by Corpus Christi College, Cambridge. 
 
 105. DEATH-BED Prayers. A single folio. (1484.) Lent by Earl Spencer. 
 
 Although bound up in "The Pilgrimage of the Soul," this leaf does not 
 belong to that work, but was a separate sheet probably intended for Priests to 
 put in their pockets and use at the bed-side of the dying.
 
 SL Canton anti 3Detelopmcnt of rtje Sin. 17 
 
 1 06. yEsop. The Fables of ^sop ; of Avian; ofAlfonse; andofPoge 
 the Florentine. With woodcuts. " Emprynted by me William 
 Caxton at \Vestmynstre." Folio. 1484. 
 
 Lent by Her Majesty the Queen. 
 First page. The woodcut of ^sop here shown is unique. 
 
 107. ysop. The Fables of ^Esop ; of Avian; ofAlfonse; andofPoge 
 the Florentine. A second copy. Lent from the Bodleian Library. 
 
 1 08.* THE Order of Chivalry. Quarto. Without printer's name, place, 
 or date. (1484.) Lent by Earl Spencer. 
 
 First page. Translated by Caxton and presented to Richard III. Famous for 
 a stirring appeal to the Knighthood of England from the pen of Caxton. 
 
 109. CHAUCER, Geoffrey. The Canterbury Tales. Folio. "By William 
 Caxton." Without place or date. (1484.) Second edition. With 
 numerous woodcuts. Lent by Earl Spencer. 
 
 Caxton had a great admiration for Chaucer, and having found a purer text of 
 the Canterbury Tales than that used for his first edition, put a second edition to 
 press at once. 
 
 i io. CHAUCER, Geoffrey. The Canterbury Tales. Folio. Second 
 edition. A second copy. Lent by St. Johris College, Oxford. 
 
 in. CHAUCER, Geoffrey. The Canterbury Tales. Folio. Second 
 edition. A third copy. Lent by Sir J. Buxton, Bart. 
 
 112. THE Book of Fame, made by Geoffrey Chaucer. Folio. Em- 
 prynted by Wylliam Caxton. Without place or date. (1484.) 
 
 Lent by Earl Spencer. 
 First page. Only 4 copies known. 
 
 113. THE Curial. Folio. Without printer's name, place, or date. 
 (1484.) Lent by Earl Spencer. 
 
 There are but 6 leaves in a perfect copy, and only two copies are known, the 
 second being in the British Museum. 
 
 114. TROILUS and Criseide. Folio. Without printer's name, place, or 
 date. (1483.) Lent from St. John's College, Oxford, 
 
 Bound in No. no. 
 
 115. TROILUS and Criseide. A second copy. Lent by Earl Spencer. 
 
 1 1 6. THE Life of our Lady. Folio. " Empryntyd by Wyllyam Caxton." 
 Without place or date. (1484.) Lent by Earl Spencer. 
 
 Last page. 
 C
 
 1 8 Canton Celebration* 
 
 1 17. THE Life of the Holy and Blessed Virgin, Saint Winifrede. Folio. 
 Without Printer's name, place, or date. " Reduced into Englysshe 
 by me William Caxton." (1485.) 
 
 Lent by the Archbishop of Canterbury. 
 First page. Only three copies of this work are known. 
 
 1 1 8. ARTHUR, King of Great Britain. A Book of the noble Histories 
 of King Arthur, and of certain of his Knights. " Enprynted in 
 thabbey westmestre." "Caxton me fieri fecit." Folio. 1485. 
 First page. Lent by the Earl of Jersey. 
 
 119. ARTHUR, King of Great Britain. A Book of the noble Histories 
 of King Arthur. A second copy. Lent by Earl Spencer. 
 
 This and the copy at Osterley are the only two known. 
 
 120. THE Life of the Noble and Christian Prince Charles the Great. 
 Folio. 1485. A fragment. Lent by Her Majesty the Queen. 
 
 121. THE Life of the noble and Christian Prince, Charles the Great. 
 Folio. " Explicit per William Caxton." 1485. 
 
 A photograph of the colophon from the unique copy in the British Museum. 
 
 122. THE Knight Paris and the Fair Vienne. Folio. "Explicit per 
 Caxton." Westminster, 1485. 
 
 A photograph of the first page from the unique copy in the British Museum. 
 One of the most rare of the I5th century novels. 
 
 123. VORAGINE, Jacobus de. The Golden Legend. With woodcuts. 
 Second edition. " Fynyshed at Westmestre," in 1483, "By me 
 Wyllyam Caxton." (Small type for the head-lines of the pages.) 
 Large folio. (1487?) Lent from the University Library, Cambridge. 
 
 The heads of chapters and heads of pages are in Type 3 in Edition I, and in 
 Type 5 in Edition 2. In all copies known of the second edition, sig. a t and 
 A E are of the first edition, as if the remainder had been reprinted in conse- 
 quence of the destruction of all the copies of this portion of the book. At the 
 end of the second edition is the life of St. Erasmus, which is not in the first. 
 The third edition (see No. 186) contains this life. 
 
 124. VORAGINE, Jacobus de. The Golden Legend. Second edition. 
 A second copy. Lent by the Rev. J. F. Russett, M. A. 
 
 1 25. VORAGINE, Jacobus de. The Golden Legend. Second edition. 
 A third copy. Lent by Pembroke College, Cambridge. 
 
 BOOKS PRINTED IN TYPE No, 5. 
 
 126. LEGRAND, Jacques. The Book of Good Manners. "Explicit per 
 Caxton." Without place. 1487. Folio. 
 
 Lent from the University Library, Cambridge. 
 
 The last leaf. Only three ccoies are known. The work is a collection of 
 moral and religious essays.
 
 si. Ca.rton anU 2Detelopment of tlje Sin. 19 
 
 127. LEGRAND, Jacques. The Book of Good Manners. Folio. 1487. 
 A second copy. Lent by the Archbishop of Canterbury. 
 
 [128. MISSALE ad usum Sarum. Folio. Paris, 1487. " Exaratum im- 
 pensa optimi viri Guillermi Caxton." 
 
 Lent by W. J. Legh, Esq., M.P. 
 
 This is not printed with Type No. 5, but having a direct and important 
 bearing upon the typography of Caxton, is placed chronologically between the 
 "Book of Good Manners ' and " Speculum." 
 
 Caxton got a typographical brother of Paris, William Maynyal, to print this 
 for him. In order to notify himself as Publisher, he had a Trade-mark cut, 
 which appears here for the first time. It should also be noted that this interest- 
 ing and unique book is the earliest impression known of the Salisbury Missal, 
 being five years earlier than the celebrated Rouen edition of 1492, hitherto con- 
 sidered the first.] 
 
 129. BONAVENTURE, St. Speculum vitae Christi. With woodcuts. 
 First edition. " Emprynted by Wyllyam Caxton." Without place 
 or date. Folio. (1487.) First page. 
 
 Lent from the University Library, Cambridge. 
 
 130. DIRECTORIUM Sacerdotum, una cum Defensorio ejusdem; item 
 Tractatus qui dicitur Crede mihi. First edition of the second ver- 
 sion. Per William Caxton, apud Westmonesterium. Without 
 date. Folio. (1487.) 
 
 A photograph from the unique copy in the British Museum. 
 
 131. HOR^E, ad usum Sarum. Without printer's name, place, or date. 
 Third edition. (1488.) 
 
 Facsimile by G. I. F. Tupper from a fragment in the British Museum. 
 
 132. THE Royal Book, or Book for a King. With woodcuts. Trans- 
 lated by Caxton in 1484. Without printer's name, place, or date. 
 Folio. (1488.) First page. Lent by Earl Spencer. 
 
 133. THE Royal Book, or Book for a King. With woodcuts. Trans- 
 lated by Caxton in 1484. Without printer's name, place, or date. 
 Folio. (1488.) A second copy. Lent by G. E. Martin, Esq. 
 
 134. THE Royal Book, or Book fora King. With woodcuts. Trans- 
 lated by Caxton in 1484. Without printer's name, place, or date. 
 Folio. (1488.) A third copy. 
 
 Lent from the Bedfordshire General Library. 
 
 135. A SPECIMEN of Caxton's own binding, being a cover from the pre- 
 vious book. 
 
 136. THE Royal Book, or Book for a King. Folio. 1488. The last 
 page. A fourth copy. Lent by W. Harrison, F. S. A.
 
 20 Cajtott Celebration* 
 
 137. THE Image of Pity. A quarto leaf printed on one side, with the 
 Indulgence at foot in Caxton's type No. 5. (Westminster, 1489.) 
 
 Facsimile, lent from the University Library, Cambridge. 
 
 138. THE Doctrinal of Sapience. "Caxtonme fieri fecit." Woodcuts. 
 Without place or date. (1489.) Folio. 
 
 Lent by Her Majesty the Queen. 
 
 Open at the unique final chapter. 
 
 This was for a long time considered as the only copy on vellum issued by 
 Caxton. A copy of the "Speculum Vitae Christi" has, however, been dis- 
 covered, also on vellum, and was purchased a few years ago for the British 
 Museum. This book is still unique in one particular : all the paper copies end 
 on sig. h; but this has three additional leaves on "The negligences happing 
 in the Masse." It was presented to King George III. by Mr. Bryant, and did 
 not accompany the Royal Library when made over to the nation by George IV. 
 Not however till Bryant had reconsidered the price and consulted with old Pain, 
 the bookbinder, did he venture to give four guineas for it. 
 
 139. The Doctrinal of Sapience. Folio. (1489). First page. A second 
 copy. Lent by Earl Spencer. 
 
 140. The Doctrinal of Sapience. Folio. (1489.) A third copy. 
 
 Lent by the Duke of Devonshire. 
 
 141. BONAVENTURE, St. Speculum Vitse Christi. With woodcuts. 
 " Emprynted by Wyllyam Caxton." Folio. Without place or date. 
 (1490.) Second edition. Lent by Earl Beauchamp. 
 
 This is an accurate reprint of the first edition, page for page, varying only 
 in orthography and the arrangement of head-lines, &c. The first edition has 
 for chapter in the head-lines the word "Ca," and the second edition the 
 word "Capitulum," throughout the book. 
 
 142. BONAVENTURE, St. Speculum Vitse Christi. Folio. (1490.) 
 Second edition. A second copy. Lent by Earl Spencer. 
 
 143. COMMEMORATIO Lamentationis beatae Mariae. 4to. Without 
 printer's name, place, or date. (Westminster, 1491.) 
 
 Lent from the University Library, Ghent. 
 
 Unique. Discovered two years ago by Mr. Campbell, of the Royal Library, 
 the Hague. 
 
 144. SERVITIUM de Transfiguratione Jhesu Christi. With woodcut. 
 " Caxton me fieri fecit." Without place or date. 4to. (1491.) 
 
 Facsimile by G. I. F. Tupper from the unique copy in the British Museum. 
 
 145. HORJE ad usum Sarum. 8vo. Third edition. (1491.) 
 
 Facsimile by G. I. F. Tupper from the unique fragment in the British 
 Museum.
 
 Cla00 J3U Canton and 2Defoelopment of tfje art. 21 
 
 BOOKS PRINTED IN TYPE No. 6. 
 
 146. CHRISTINE de Pisan. The Fayts of Arms and of Chivalry. Folio. 
 " Per Caxton." 1489. Lent by the Duke of Devonshire, 
 
 First page. 
 
 147. CHRISTINE de Pisan. The Fayts of Arms and of Chivalry. A 
 second copy. Lent by Her Majesty the Queen. 
 
 First page of Epilogue. 
 
 148. CHRISTINE de Pisan. The Fayts of Arms and of Chivalry. A 
 third copy. Lent by the Earl of Jersey. 
 
 Last page of the Epilogue. 
 
 149. CHRISTINE de Pisan. The Fayts of Arms and of Chivalry. A 
 fourth copy. 
 
 Lent by the President and Governors of Sion College, London. 
 
 150. CHRISTINE de Pisan. The Fayts of Arms and of Chivalry. A 
 fifth copy. Lent by the University of Gb'ttingen. 
 
 151. CHRISTINE de Pisan. The Fayts of Arms and of Chivalry. A 
 sixth copy. Lent by Earl Spencer. 
 
 152. STATUTES of Henry VII. Folio. Without printer's name, place, 
 or date. (1489.) First page. Lent from Inner Temple Library. 
 
 153. STATUTES of Henry VII. A second copy. Lent by Earl Spencer. 
 
 Open at signature ej concerning the Conservancy of the Thames. 
 
 154. STATUTES of Henry VII. A third copy. 
 
 Lent by the Marquis of Ailesbury. 
 Last page. 
 
 155. THE Governayle of Helthe and the Medicina Stomachi. 410. 
 Without printer's name, place, or date. (1489.) 
 
 A facsimile of page I taken from the copy in the possession of Earl Dysart, 
 by G. I. F. Tupper. 
 
 156. THE History of Reynard the Fox. Folio. Without printer's 
 name, place, or date. Second edition. (1489.) 
 
 First and last pages. Photograph from the unique copy in the Pepysian 
 Library, Cambridge. 
 
 157. BLANCHARDIN. The History of the victorious Prince Blanchardin, 
 Son of the noble King of Fryse, and of Eglantine, the proud Lady 
 in Love. Without printer's name, place, or date. Folio. [1489?] 
 First page. Unique. Lent by Earl Spencer.
 
 22 Canton Celeiirattcm* 
 
 158. THE History of the Four Sons of Aymon. Folio. Without 
 printer's name, place, or date. (1489.) Lent by Earl Spencer. 
 
 Last page. Unique. 
 
 159. DIRECTORIUM SACERDOTUM, una cum Defensorio ejusdem; item 
 Tractatus qui dicitur Crede mihi. Second version of the second 
 edition. " Impressum per Willelmum Caxton apud Westmoneste- 
 rium prope London." Without date. Folio. (1489.) Unique. 
 
 Lent from the Bodleian Library, Oxford. 
 The colophon on signature x 8. 
 
 1 60. THE Boke of Eneydos. Folio. Without printer's name, place, 
 or date. (1490.) Lent by the Duke of Devonshire. 
 
 First page. "Translated by me William Caxton the xxii daye of Juyn the 
 yere of our lorde M. iiii C Ixxxx." 
 
 1 6 1. THE Boke of Eneydos. A second copy. Lent by Earl Spencer. 
 
 The colophon on last page. 
 
 162. THE Dictes and Sayings of the Philosophers. Folio. Printer's 
 name, place, and date, as in the first edition, but printed 
 about 1490. Third edition. 
 
 Lent by the Master and Fellows of St. Johrfs College, Cambridge. 
 Prologue. 
 
 163. THE Dictes and Sayings of the Philosophers. Folio. (1490.) 
 Third edition. A second copy. 
 
 Lent by the Rev. f. F. Russell, M.A. 
 First page of text. The Sayings of Sedechias. 
 
 164. THE Dictes and Sayings of the Philosophers. Folio. Third edi- 
 
 tion. (1490.) A third copy. Colophon. Lent by Earl Spencer. 
 
 165. THE Mirrour of the World. Folio. Place and date, reprinted 
 from the first edition. Second edition. (1490.) First page. 
 
 Lent by the Rev.J. F. Russell, M.A. 
 
 166. THE Mirrour of the World. Folio. Second edition. (1490.) A 
 second copy. Last page. Lent by Earl Spencer. 
 
 167. THE Mirrour of the World. Folio. Second edition. (1490.) A 
 third copy. Lent by the Duke of Devonshire. 
 
 168. THE Mirrour of the World. Folio. Second edition. (1490.) A 
 fourth copy. Lent by Birket Foster, Esq. 
 
 169. THE Mirrour of the World. Folio. Second edition. (1490.) A 
 fifth copy 
 
 Lent by Baptist College, Bristol, but exposed under next number.
 
 U Ca.rton anti 2DeMopment of tfje #1% 23 
 
 1 70. THE Fifteen Oes. 4to. " Printed by commandment of the Princess 
 Elizabeth Queen of England and the Princess Margaret, Mother 
 unto our sovereign lord the King, by their most humble subject 
 and servant William Caxton." (1490.) A fragment. 
 
 From the Baptist College, Bristol. 
 
 171. THE Fifteen Oes. Lent by William Blades, Esq. 
 
 Facsimile from the unique copy in the British Museum. 
 
 172. A Book of divers Ghostly Matters. 4to. " Wyllelmus Caxton.' 
 " Emprynted at Westmynstre." (1490.) Lent by Earl Spencer. 
 
 First page. 
 
 173. THE Festial. (Liber Festivalis.) Folio. " Caxton me fieri fecit." 
 Without place or date. Second edition. (1491.) First page. 
 
 Lent by the Duke of Devonshire. 
 
 I73*.THE Festial. Folio. Second edition. (1491.) 
 
 Lent from the University Library, Cambridge. 
 
 174. FOUR Sermons. (Quatuor Sermones.) Folio. Without printer's 
 name, place, or date. (1491.) Second edition. 
 
 Lent by Earl Spencer. 
 
 Last page. This edition was reprinted from the Oxford version and not from 
 Caxton's first edition of the same book (see No. 208, post). Caxton's device 
 is on the verso of sig. A 10. The second edition of the Festial is bound with it. 
 
 175. THE Art and Crafte to know well to die. Folio. Without printer's 
 name, place, or date. (1491.) Lent by Earl Spencer. 
 
 Colophon with date of translation, 1 5th June, 1490. 
 
 176. ARS Moriendi. 4to. Without printer's name, place, or date. 
 1491. Lent from the Bodleian Library. 
 
 Unique. This is quite different from "The Art and Crafte to know well to die." 
 No. 175. 
 
 177. THE Book of Courtesy. 4:0. 1491. Second edition. 
 
 Facsimile of unique fragment in the Bodleian Library. 
 
 Lent by William Blades, Esq. 
 
 178. THE Chastising of God's Children. Folio. Without printer's 
 name, place, or date. 1491- Lent by Earl Spencer. 
 
 First leaf. The earliest instance of a title-page in England. 
 
 179. THE Chastising of God's Children. Folio. 1491. A second copy. 
 
 Lent by the President and Governors of Sion College, London. 
 Last leaf.
 
 24 Canton Celebration* 
 
 180. THE Chastising of God's Children. Folio. 1491. A third copy. 
 
 Lent by the Duke of Devonshire. 
 
 181. THE Chastising of God's Children. Folio. 1491. A fourth copy. 
 
 Lent from the University of Gottingen. 
 Printed by Caxton's executors. 
 
 182. THE Life of St. Katherine of Senis and of St. Elizabeth of Hungary. 
 Without printer's name, place, or date. Folio. 1493- 
 
 Lent by Earl Spencer, 
 
 First page. The type used is a re-cast of Caxton's No. 4*, with many new 
 letters, and upon a smaller body. The large type is No. i of Wynken de 
 Worde, to whom the printing should probably be ascribed. Has Caxton's 
 device. 
 
 183. THE Life of St. Katherine of Senis. Folio. 1493. A second 
 copy. Last page. Lent by the Duke of Devonshire. 
 
 1 83*.TnE Life of St. Katherine of Senis. Folio. 1493. A third copy. 
 Lent from the University Library, Cambridge. 
 
 184. A TREATISE of Love. Folio. 1491? First page. 
 
 Lent by the Duke of Devonshire. 
 
 185. A TREATISE of Love. Folio. 1491. A second copy. Last 
 page. Lent by Earl Spencer. 
 
 1 86. VORAGINE, Jacobus de. The Golden Legend. With woodcuts. 
 Third edition. " Fynysshed at Westmestre," in 1493, " By me 
 Wyllyam Caxton." Folio. 1493. 
 
 Lent by W. Amhurst Tyssen AmJmrst, Esq. 
 
 First page. This is doubtless from the press of Wynken de Worde. Caxton 
 died in 1491. The type is the same as that used for St. Katherine. 
 
 187. VORAGINE, Jacobus de. The Golden Legend. Folio. 1493. A 
 second copy. The colophon. Lent by Earl Spencer. 
 
 1 88. VORAGINE, Jacobus de. The Golden Legend. Folio. 1493. A 
 third copy. Woodcut. Lent by the Duke of Devonshire. 
 
 189. THE Siege of Rhodes. Folio. Without printer's name, place, or 
 date, but 1493-94. Lent by Earl Spencer. 
 
 First page. This is a typographical puzzle. The types are not the same as 
 those of any known book, although some of the letters are identical with No. 4* 
 of Caxton. The printing altogether is more rude than that of Caxton or Wynken 
 de Worde, and suggests, but without any certainty, the Press of Machlinia. 
 
 190. THE Siege of Rhodes. A second copy. Last page. 
 
 Lent by Constance, Marchioness of Lothian.
 
 J8L Carton anti 2DeMopment of tfje #rt, 25 
 
 SECTION IV. 
 
 BOOKS FROM THE PRESS OF COLARD MANSION AT BRUGES, 
 AND FROM THE PRESSES OF ENGLISH PRINTERS CON- 
 TEMPORARY WITH WILLIAM CAXTON, 1475-1491. 
 
 Books Printed by Colard Mansion, of Bruges. 
 
 MONG all Caxton's contemporaries there is no printer whose 
 books show so close an affinity to his own as those of Colard 
 Mansion specimens of whose press are much more scarce and 
 quite as valuable as Caxton's. 
 Colard Mansion was a book-writer and illuminator of Bruges and a 
 member of the Guild of St. John, of which he was " doyen " or dean for 
 two years, 1471. As Caxton supplied the English nobles with beautiful 
 manuscripts he probably purchased some from Mansion. About 1474 
 he began to print books in two rooms over the church porch of St. Do- 
 natus ; and here it was that Caxton, anxious to multiply quickly copies of 
 his newly translated " Recuyell of the Histories of Troye," learnt the 
 art from Mansion, who made or procured the fount we call Caxton's No. 
 i for the purpose. The technical peculiarities and habits of the two 
 printers are identical, and an examination of the types from the two 
 presses shows the hand of the same artist. It is worth noting also that 
 the plan of casting a new fount of letter by using the old letters touched 
 up with a graver as punches was common to both printers. Van Praet 
 published in 1829 a " Notice sur Colard Mansion," since which time but 
 little has been added to our knowledge of his press. Mansion had two 
 founts of type only, the earlier evidently closely connected with Caxton's 
 No. 2, and like that also with two distinct castings, the later a semi- 
 roman character. Nothing is known of Mansion after 1484. During 
 the ten years he was a printer he produced twenty works, some of them 
 magnificent folios with large woodcut illustrations. 
 
 191. CONTROVERSIE de Noblesse. Folio. (1475.) 
 
 Facsimile of the first page. Type No. i. Supposed to be the second pro- 
 duction of the Bruges Press. The types are unmistakably from the graver of the 
 same artist who cut Caxton's No. 2. 
 
 192. BOCCACE du dechiet des nobles hommes et femmes. Folio. "Im- 
 prime a Bruges par Colard Mansion. Anno M.cccc.lxxvi." 1476. 
 
 Lent by the Marquis of Lothian. 
 Type No. i. By the same hand that cut Caxton's type No. 2.
 
 26 Canton Celebration. 
 
 193. BOECE. Consolation de Philosophic. Printed by Colard Mansion. 
 Bruges, 1477. Folio. 
 
 Lent from the University Library, Cambridge. 
 
 194. OVIDE. Les Metamorphoses. Long folio. Bruges, 1484. 
 
 A facsimile of part of a page, showing the peculiar use of red ink, both red 
 and black being printed at one pull of the press. This forms a connecting link 
 with Caxton's Type No. 2. 
 
 SECTION V. 
 BOOKS PRINTED BY CAXTON'S CONTEMPORARIES. 
 
 Books from the Oxford Press. 
 
 F the printers contemporary with Caxton, Theod. Rood was 
 both the earliest and the most important. Very little is known 
 of him beyond the date of his commencement, 1478 ; his taking 
 a partner, who was an Englishman named Hunte ; and the 
 stoppage of the press in 1485. The works issued in these seven years 
 were at least seventeen, of which Cotton mentions but ten. 
 
 By Rood. 
 
 i. Expositio Symboli. 4to. 1478. 
 
 ij. Aristotelis Ethica latine per Leonardum Aretinum. 4to. 1479. 
 
 iij. yEgidius de peccato originali. 410. 1479. 
 
 iiij. Oratio pro T. Milone. 4to. 1480? 
 
 v. Alex, de Ales. Expositio de Anima. First issue, without borders. Folio. 
 
 1481. 
 
 vj. Johannes Lattebury. Morales super Threnos Jeremise. Folio. 1482. 
 vij. Alex, de Ales. Expositio de Anima. Second issue, with borders. Folio. 
 
 After 1482. 
 viij. Johannes Lattebury. Morales super Threnos Jeremise. Second issue, with 
 
 borders. Folio. After 1482. 
 viiij. Latin Grammar in English. 410. 1482. 
 
 x. Compendium totius grammaticse, with Vulgaria of Terence. 410. 1483. 
 xj. The same. ' Second edition. 1483-85. 
 
 By Rood and Hunte. 
 
 xij. Phalaradis Epistolae. 4to. 1485. 
 
 xiij. Lyndewode, G. Constitutiones provinciales. Folio. 1483-85. 
 
 xiiij. Ricardi de Hampole. Explanationes. 410. 1483-85. 
 
 xv. Liber Festivalis. Folio. 1486. 
 
 xvj. Textus Alexandri cum Sententiis. 410. 1486? (Fragment at St. John's, 
 
 Cambridge. ) 
 
 xvij. Swyneshed. Insolubilia. 410. 1486.
 
 Class 3L Canton antj 3Detclopment of tfje &tt. 27 
 
 195. EXPOSITIO Sancti leronimi in Simbolum Apostolorum. Oxford, 
 1468. 4to. Lent from All Souls College, Oxford. 
 
 First book printed at Oxford. The correct date is 1478. 
 
 196. EXPOSITIO S. Jeronomi. 4to. Oxford, 1468. (1478.) 
 
 Lent by Earl Spencer. 
 A second copy, the last page. 
 
 197. ARISTOTELIS Ethica latine per Leonardum Aretinum. 410. 
 Without printer's name. Oxford, 1479. Lent by Earl Spencer. 
 
 198. ^EGIDIUS de peccato originali. 410. Without printer's name. 
 Oxford, 1479. Lent from the Bodleian Library. 
 
 i98*.CiCERO. Oratio pro T. Annio Milone. 4to. (Oxford, 1480?) 
 
 Lent from the Bodleian Library, Oxford. 
 Unique fragment. 
 
 199. ALEXANDER de Ales. Expositio super tres libros Aristotelis de 
 Anima. Folio. Theod. Rood. Oxford. 1481. 
 
 Lent from the University Library, Cambridge. 
 First edition. Without borders. 
 
 200. ALEXANDER de Ales. Expositio super tres libros Aristotelis de 
 Anima. Folio. 1481. Fine edition. 
 
 Lent from the Bodleian Library. 
 
 20 1. LATTEBURY, Johannes. Moralizationes super Threnos Jeremiae. 
 Folio. On vellum. No place. 1482. 
 
 Lent from All Souls College, Oxford. 
 First edition. Without woodcut round title-page. 
 
 202. ALEXANDER de Ales. Expositio super tres libros Aristotelis de 
 Anima. Folio. Theod. Rood. Oxford. (After 1482.) 
 
 Lent from the University Library, Cambridge. 
 Second edition. With borders. 
 
 203. LATTEBURY, Johannes. Moralizationes super Threnos Jeremioe. 
 Folio. (After 1482.) Lent from the University Library, Cambridge. 
 
 Second edition. With woodcut border. 
 
 204. LATTEBURY, Johannes. Second edition. 
 
 Lent from the Bodleian Library, Oxon. 
 
 205. ANWYKYLL, John. Compendium totius grammaticae cum Vulgaria 
 Terencii. 410. 1483. First edition. 
 
 Lent from the University Library, Cambridge.
 
 28 Canton Celebration* 
 
 206. ANWYKYLL, John. Compendium totius grammatics. 4to. (1485.) 
 
 Lent from the Bodleian Library. 
 
 2o6*.PHAL.\RiDis Epistolse. 4to. 1485. Lent by Earl Spencer. 
 
 207. LYNDEWODE, G. Constitutiones. Folio. 1483-85. 
 
 Lent from All Souls College, Oxford. 
 
 208. LIBER Festivalis. Printed by Rood and Hunt at Oxford. 1486. 
 Folio. Lent by Earl Spencer. 
 
 2o8*.THE Chronicles of England. Folio. Lent by the Earl of Jersey. 
 
 Books printed by the Schoolmaster of St. Albans. 
 
 Nothing is known of this printer, who worked his press from 1480 to 
 1486, and issued eight works. 
 
 i. Fratris Laurentii Gulielmi de Saona rethorica nova. 4to. 1480. 
 
 ij. Augustini Dacti elegancie. 4to. n. d. 
 
 iij. Alberti liber modorum significandi. 410. 1480. 
 
 iv. Joannes Canonici in Aristotelis physica. Folio. 1481. 
 
 v. Exempla sacre scripture. 410. 1481. 
 
 vj. Fructus Temporum ; or Saint Albans Chronicle. Folio. 1484-85. 
 
 vij. The Book of Hawkyng and Huntyng. Folio. 1486. 
 
 viij. Antonii Andrese. Questiones super Logica. 4to. n. d. 
 
 209. L. GUL. de Saona. Rhetorica nova. Abbey of St. Albans. 1480. 
 4to. First page. Lent by Earl Spencer. 
 
 The earliest book with a date from this press. 
 
 210. L. GUL. de Saona. Rhetorica nova. 1480. 410. Second copy. 
 Last page. Lent from the Bodleian Library, Oxford. 
 
 211. AUGUSTINI Dacti elegancie. 4to. Last page. 
 
 Lent from the University Library, Cambridge. 
 
 212. FRUCTUS Temporum : The Saint Albans Chronicle. Folio. (1483.) 
 
 Lent by Earl Spencer. 
 
 213. THE Bokys of Hawkyng and Huntyng, and also of Coatarmuris. 
 Compylet at St. Albans. 1486. Folio. Lent by Earl Spencer. 
 
 The author was Juliana Barnes, Prioress of Sopwell Nunnery, situated 
 within the precincts of the Abbey of St. Albans.
 
 Si. Canton anU SDctelopment of ttje Sin. 29 
 
 Books from the Press of John Lettou, 1480-81 ; Lettou &> Machlinia, 
 and William de Machlinia, 1481-1485. 
 
 At least twenty works issued from this press, which was the first set up 
 in the city of London. 
 
 By John Lettou. 
 
 i. Questiones Antonii Andrese. Folio. 1480. 
 
 ij. Expositiones super Psalterium. Folio. 1481. 
 
 By Lettou and Machlinia. 
 
 iij. Abridgment of the Statutes. Folio, s. a. 
 
 iiij. Tenores Novelli. Folio, s. a. 
 
 v. Year-book. 33, 35, and 36 Henry VI. Folio, s. a. 
 
 By W. Machlinia. 
 
 vj. Albertus magnus de secretis naturae. 4to. n. d. 
 
 vij. Albertus magnus de secretis mulierum. 4to. n. d. 
 
 viij. Tenores novelli. Folio, n. d. 
 
 viiij. Nova Statuta. Folio, n. d. 
 
 x. The revelation of the Monk of Evesham. 4to. n. d. 
 
 xj. Promise of Matrimony. Folio, n. d. 
 
 xij. Year-book. 34 Hen. VI. Folio, n. d. 
 
 xiij. Year-book, 37 Hen. VI. Folio, n. d. 
 
 xiiij. Statuta Ricardi tercii. Folio, n. d- 
 
 xv. Speculum Xpristiani. 4to. n. d. 
 
 xvj. A little book on the pestilence. 410. n. d. 
 
 xvij. Vulgaria Therencii. First edition. 410. n. d. 
 
 xviij. The Chronicles of England. Folio, n. d. 
 
 x viiij. A broadside. 
 
 xx. Vulgaria Therencij. Second edition. 4to. n. d. 
 
 214. QUESTIONES Antonii Andrea. Folio. 1480. Lent f rom Sion College. 
 
 215. WALLENSIS, Tho. Expositiones super Psalterium. .Folio. 1481. 
 
 Lent from the University Library, Cambridge. 
 
 216. TENORES Novelli. Folio. Lent by A. Hot wood, Esq. 
 
 217. TENORES Novelli. Folio. A second copy. Lent by Earl Spencer. 
 
 218. TENORES Novelli. Folio. A third copy. 
 
 Lent from All Souls, Oxford. 
 
 219. NOVA Statuta. Folio. Lent from the Inner Temple Library. 
 
 220. NOVA Statuta. Folio. Lent by the Earl of Leicester. 
 
 221. NOVA Statuta. Folio. Lent from All Souls College, Oxford. 
 
 222. NOVA Statuta. Folio. Lent from Sion College.
 
 30 Canton Celebration* 
 
 223. NoVA Statuta. Folio. Lent by W. Amhurst Tyssen Amhurst, Esq. 
 223*. YEAR-BOOKS. 35 Henry VI. Folio. Lent by A. Norwood, Esq. 
 
 224. ALBERTUS Magnus de secretis mulierum. 4to. 
 
 Lent by Earl Spencer. 
 
 2 24*. ALBERTUS Magnus de secretis naturae. 4to. 
 
 Lent by Earl Spencer. 
 
 225. Year Book. 37 Hen. VI. Folio. Lent by Lord Ailesbury. 
 
 226. STATUTA Ricardi tercii. Folio. Lent by Earl Spencer. 
 
 Why so many bibliographers should have attributed this book, and not others 
 from the same press, to William Caxton, is not easily explained. 
 
 227. STATUTA Ricardi tercii. Folio. A second copy. 
 
 Lent from the Inner Temple Library. 
 
 228. SPECULUM Xpristiani. Lent by Earl Spencer. 
 
 This is the most interesting work from Machlinia's press, and gives many 
 prayers and pieces of divine poetry in an English dress. 
 
 229. FRUCTUS Temporum, or the St. Albans Chronicle. Folio. 1484-85. 
 
 Lent by the Marquis of Lothian. 
 
 230. FRUCTUS Temporum, or the St. Albans Chronicle. Folio. 1484-85. 
 A second copy. Lent by Earl Spencer. 
 
 SECTION VI. 
 
 BOOKS ILLUSTRATING THE PROGRESS OF PRINTING 
 IN ENGLAND AFTER CAXTON'S DEATH. 
 
 WESTMINSTER. 
 
 YNKYN de Worde, of Lorraine, was possibly one of Caxton 's workmen at 
 , Bruges, and undoubtedly was employed in his office in Westminster, where 
 he continued to print after his master's death until about 1500, when he 
 moved into the City, From 1502 to 1534, the year of his death, his office 
 was at the sign of the " Sun," in the parish of St. Bride's, Fleet Street. He received 
 the patent of King's printer, and in one of his colophons avows the protection afforded 
 him by Margaret, Henry VII. 's mother. He was a citizen and stationer of London, 
 and a member of the Leathersellers' Company. He was his own type-founder, and 
 more of a printer than a scholar. 
 
 231. BONAVENTURA. Speculum vitas Christi. Folio. Westmonasterii : 
 W. de Worde, 1494.
 
 . Canton anti 3Detelopment of tfje rt, 31 
 
 232. POLICHRONICON, translated by John Trevisa. " Emprynted at 
 Westmestre by Wynken de Worde, 1495." Folio. 
 
 Lent by W. Amhurst Tyssen Amhurst, Esq. 
 This copy possesses the original very rare title-page. 
 
 233. POLYCHRONICON. A second copy. 1495. Folio. 
 
 Lent by the Earl of Jersey. 
 
 234. VITAS PATRUM. Westminster : Wynkyn de Worde, 1495. Folio, 
 
 Lent by the Rev. J. F. Russell. 
 
 Considered one of Wynkyn de Worde's most magnificent typographical pro- 
 ductions. 
 
 235. QUATUOR Sermones et Liber Festivalis. Wynkyn de Worde, 1496. 
 
 Lent by Earl Spencer. 
 
 236. BARTHOLOMAEUS de proprietatibus rerum. Wynken de Worde. 
 Folio. Without place or date, but about 1495. 
 
 Lent by Earl Spencer. 
 
 The most magnificent production of Wynkyn de Worde's press. 
 
 First book printed on paper of English manufacture. The first paper mill 
 was set up at Hertford in Henry VII. 's reign by John Tate. 
 
 The colophon has direct reference to Caxton ; 
 
 And also of your charyte call to remembraunce 
 
 The soule of William Caxton first prynter of this boke 
 
 In laten tongue at Coleyn hymself to auance 
 
 That every wel disposyd man may theron loke 
 
 And John Tate the yonger Joye mote he broke 
 
 Whiche late hathe in Englond doo make this paper thynne 
 
 That now in our englyssh this boke is pryntecl Inne. 
 
 237. BARTHOLOMAEUS de proprietatibus rerum. A second copy. 
 
 Lent by the President and Governors of Sion College, London. 
 
 238. DIVES and Pauper. " Westmenstre, Wyken de Worde." 1496. 
 Folio. Lent by Arcdeacon Harrison. 
 
 LONDON. 
 
 239. CRONYCLE of Englonde and the Descrypcyon of Brytayne. Wyn- 
 kyn de Worde, 1502. Folio. Lent by the Marquis of Ailesbury. 
 
 240. THE Boke of Good manners. Wynkyn de Worde, 1507. 410. 
 Woodcuts. Lent by the Rev. J. F. Russell. 
 
 The only perfect copy known. 
 
 241. RYCHARDE Cuer de Lyon. Wynkyn de Worde. 1509. 410. First 
 edition. Lent by Earl Spencer.
 
 32 Cajtoit Celebration* 
 
 242. THE Floure of the comanndementes of god. "Enprynted at Lon- 
 
 don in Flete strete at the sygne of the sonne by Wrynkyn de 
 Worde." 1510. Folio. Lent by Archdeacon Harrison. 
 
 243. NOVA legenda Angliae. London, " in domo Winandi de Worde," 
 1516. Lent by Earl Beauchamp. 
 
 244. FITZHERBERT'S Grand Abridgement of the Laws. 3 vols. Folio. 
 W. de Worde, 1516. Lent by the Earl of Leicester. 
 
 One of our most ancient and authentic legal records. 
 
 245. ORTUS Vocabuloru. "Impressus Lodoniis p Wynadu de Worde." 
 
 1511. 4to. Lent by the Earl of Jersey. 
 
 246. THE Orcharde of Sion. Imprinted at London in Flete Street at 
 ye Sygne of the Sonne by me Wynkyn de Worde. 1519. Folio. 
 
 Lent by the President and Governors of Sion College. 
 An early instance of the composition of lines of type so as to make figures : 
 in this case a Cross. 
 
 247. THE Rosary of Our Saviour Jesu. London: Wynkyn de Worde, 
 1530. 4to. Lent by Archdeacon Harrison. 
 
 248. COMUNYCACYON bytwene god and man. Enprynted at London 
 in Flete Strete at y e sygne of ye Sonne by me Wynkyn de Worde. 
 4to. Lent by the Rev. J. F. Russell. 
 
 Imperfect, wanting first leaf. No other copy known. 
 
 249. SERMO in die Innocentium pro Episcopo Puerorum. Wynkyn de 
 Worde. 4to. Lent by the Rev. J. F. Russell. 
 
 Woodcut of the Crucifixion from Caxton's Fifteen Oes. 
 
 250. SERMO exhortatorius cancellarii Ebor. Wynkyn de Worde. 
 " Hunc sermone legi diligenter et lectu approbavi : et decrevi 
 imprimi posse sine periculo Joannes Colet." 
 
 Lent by the Rev. J. F. Russell. 
 
 251. THE remors of Mannes Conscience. Wynken de Worde. London. 
 No date. 4to. Lent by the President and Governors of Sion College. 
 
 Richard Pynson, a Norman, was an early servant of Caxton's. He obtained the 
 patent of King's printer to Henry VII. in 1503. His office was first at Temple Bar, 
 and afterwards at the sign of the George, near St. Dunstan's, Fleet Street. He was 
 the first typographical artist who introduced the Roman letter into England. 
 
 252. BOCHAS. Fall of Princes. 1494. Pynson. Lent by Earl Spencer.
 
 CU00 &* Canton anti 2Detjelopment of ttje art* 33 
 
 253. DIVES and Pauper, Dyalogue of. That is to say, the riche and 
 the pore fructuously tretyng upon the comandments. Emprynted 
 at the Temple barre of london. 1493. Richarde Pynson. Folio. 
 
 Lent by Earl Spencer. 
 First dated book printed by Pynson. 
 
 255. CHAUCER. Booke of the Tales of Cantyrburye. Richard Pynson. 
 (1493.) Lent by Earl Spencer. 
 
 256. NOVA STATUTA. Folio. Pynson, 1497. Lent by Earl of Leicester. 
 
 257. ALEXANDRI Liber Doctrinalis. Richardus Pynson, 1498. 
 
 Lent by Earl Beauchamp. 
 
 258. PROMPTORIUS Puerorum. Folio. 1499. Lent by Earl Spencer. 
 
 First English and Latin dictionary. 
 
 259. ABRIDGEMENT of Law in Norman French. R. Pynson, 1500. 
 
 Lent by Sir C. Reed. 
 
 261. PACE, Richard. Oratio in pace nuperime composita inter inuic- 
 tissimum Anglise regem, et Francorum regem christianissimum. 
 Londini : R. Pynson, 1518. 4to. Lent by S. Christie-Miller, Esq. 
 
 The first book printed in England in Roman characters. 
 
 262. MISSALE ad usum Sarum. Pynson, 1520. On vellum. Folio. 
 
 Lent by E. Housman, Esq. 
 
 263. HENRICUS VIII. Assertio septem Sacramentorum adversus Martin. 
 Lutherum. Pynson, 1521. Lent by the Earl of Leicester. 
 
 264. FROYSSART'S Cronycle. " Translated out of Frenche into maternal 
 English, by Ihon Bourchier Knight Lord Berners." London, 
 FleteStrete: Richard Pynson, 1525. Folio. 
 
 Lent by Birket Foster, Esq. 
 
 265. BULL of Pope Leo X. Richard Pynson. Folio. 
 
 Lent by the Rev. J. F. Russell. 
 
 266. PETRONYLLA. Richard Pynson. 4to. 
 
 Lent by the Rev. J. F. Russell. 
 A metrical legend of greatest rarity. 
 
 267. TENURES de Lytylton. Richard Pynson. 
 
 Lent by the Earl of Leicester. 
 
 268. NATURA Brevium. Richarde Pynson. Lent by the Earl of Leicester.
 
 34 Canton Celebration. 
 
 269. FABYAN'S Cronycle. Prentyd at London. Wyllyam Rastell, 1533. 
 
 Lent by If. White, Esq. 
 
 269*.CHRYSOSTOME, Saint. Homilise Suae. Grace et Latine. Londini, 
 apud Reynerum Vuolfium. 1543. 4to. 
 
 The first book printed in Greek in England. 
 
 270. COMPENDIOSA Anatomic delineatio. Imprinted at London within 
 the blacke fryars by Thomas Gemini, 1559. 
 
 Lent by Messrs. S. 6 B. Nock. 
 
 271. THE Cosmographical Glasse. Compiled by William Cuningham, 
 Doctor in Physicke. John Daye, 1559. 
 
 Lent by W. Amhurst Tyssen Amhurst, Esq. 
 
 272. FOXE'S Book of Martyrs. John Daye, 1563. First edition. 
 
 Lent by W. Amhurst Tyssen Amhurst, Esq. 
 
 273. CHRONICLES of England, Scotlande, and Irelande faithfully gathered 
 and set forth by Raphael Holinshed. London, 1577. 2 vols. 
 First edition. (Vol. 2 in Class D.) Lent by H. White, Esq. 
 
 274. THE vertusse boke of Distyllacion of the waters of all maner of 
 Herbes by Master Iherom bruynswyke. London : Laurens 
 Andrewe, 1527. Folio. Lent by Archdeacon Harrison. 
 
 275. MYRROUR of the Worlde. Enprynted by Laurence Andrewe. 
 
 Lent by Earl Spencer. 
 
 276. IHEROME of Bruynwyke warke of Surgeri translated out of Duche 
 into Englisshe. Petrus Treuris, 1525. 
 
 Lent by Messrs. S. 6 B. Nock. 
 
 First medical work illustrated with woodcuts printed in England. Petrus 
 Treveris was the first printer in Southwark. 
 
 277. ANE Admonition direct to the trew Lordis maintenaris of the 
 Kingis Graces Authoritie M. G, B. [Buchanan] Imprinted at 
 London by John Daye, accordying to the Scotish copies Printed 
 at Strivelyng by Robert Lekpriuck, Anno Do. MD.LXXI. r2mo. 
 
 Lent by D. Laing, Esq. 
 
 TAVI STOCK. 
 
 The monks of the Benedictine Abbey of Tavistock possessed a printing-press in the 
 early part of the sixteenth century. Only two books from their press are extant. 
 
 278. BOETHIUS. The Boke of comfort called in laten Bcetius de 
 Consolatione philosophic. " Enprented in the exempt monastery 
 of Tavestock in Denshyre. By me Dan Thomas Rychard, monk 
 of the sayd Monastery." 1525. 410. 
 
 Lent by S. Christie-Miller, Esq.
 
 Si. Canon anti 2Defoelopment of ttjc &ct 35 
 
 IPSWICH. 
 
 Anthony Scolsker, John Overton, and John Oswen were the first printers. They 
 left Ipswich together. Oswen went to Worcester where he carried on business for 
 some time. 
 
 279. DOMESTYCAL or Household Sermons for a godley householder to 
 his children and family now first translatd out "of Latin into 
 Englyshe by Henry Reginalde. Printed by John Oswen. 
 
 Lent by R. W. Binns, Esq. 
 
 The first part was printed at Ipswich in 1 548, and the second at Worcester 
 in 1549. 
 
 WORCESTER. 
 
 The art of printing was practised in this city from 1548 to 1553 by John Oswen, a 
 printer from Ipswich. Most of his works were of a religious character. 
 
 280. GODLY saiyings of the old auncient faithful fathers upon the Sacra- 
 ment of the Bodye and bloude of Chryste. Translated oute of 
 Latin by Ihon Veron Sennoys. Worcester : Ihon Oswen, 1550. 
 
 Lent by Earl Beauchamp. 
 
 NORWICH. 
 
 Anthony de Solempne, one of the strangers from the Low Countries who were 
 encouraged to settle in England by Queen Elizabeth, introduced the art of printing 
 here about 1568. His productions are extremely rare. After his death no printer 
 appeared at Norwich until 1702. 
 
 281. BELIJDENISSE endeeenvondige wtlegginge des waerachtigengheloofs 
 .... in Switzerlant, 1561. Gheprint tot Nordwitz by Antonium 
 de Solemne. Lent by W. Amhurst Tyssen Amhurst, Esq. 
 
 282. B. CORNELIS Adrisenssen Sermoenen, 1578. Noirdwitz. 
 
 Lent by W, Amhurst Tyssen Amhurst, Esq. 
 
 283. CHRONYC-HISTORIE der Nederlandtscher Oorlogen. Gedruct tot 
 Noortwitz, 1579. Lent by W. Amhurst Tyssen Amhurst, Esq.
 
 36 Ca,rton Celebration* 
 
 SECTION VII. 
 BOOKS PRINTED IN SCOTLAND. 
 
 HE first printing press in Scotland was introduced under the 
 patronage of King James IV. by a grant of exclusive privileges 
 in favour of Walter Chepman and Andrew Myllar, burgesses of 
 Edinburgh, signed under the Privy Seal at Edinburgh, 151)1 Sep- 
 tember, 1507. 
 
 The British Museum acquired from a sale at Paris in 1869, a unique 
 copy of " Expositio Sequentiarum," printed at Rouen, at the expense of 
 Andro Myllar, bookseller, in Edinburgh (with his device), in the year 
 1506. Small 4to. 
 
 284. THE Maying or Disport of Chaucer. " Impretit in the south 
 gait of Edinburgh be Walter chepman and Andrew myllar the 
 fourth day of apile the yhere of god .M.CCCCC. and viii. 
 yheris." 4to. Unique. 
 
 Lent by the Facility of Advocates, Edinburgh. 
 
 The earliest book known to have been printed in Scotland. It has on the 
 last page Myllar's device, representing a windmill with a miller ascending the 
 outside ladder, and carrying a sack of grain upon his back. 
 
 The following unique pieces are bound in the same volume with the above 
 poem : 
 
 The Knightly Tale of Golagros and Gawane, 1 508. 
 
 The Porteous of Noblenes, 1 508. 
 
 The Tale of Syr Eglamoure of Artoys. 
 
 The Goldyn Targe, by William Dunbar. 
 
 Ane Buke of Gud Counsale to the King. 
 
 The Flyting of Dunbar and Kennedie. 
 
 The Traitie of Orpheus and Erudices, by Robert Henryson. 
 
 The Ballade of Lord Barnard Stewart, by William Dunbar. 
 
 The Tretis of the tua Marrit Women and the Wedo, by William Dunbar. 
 
 A Gest of Robyn Hode. 
 
 Excepting the last two tracts, all the above are from the press of Chepmar 
 and Myllar. 
 
 285. BREUIARII Aberdonensis ad per Celebris ecclesie Scotorum potissi 
 mum vsum et consuetudinem Pars hyemalis (et Pars sestivalis) 
 Edinburgh : Walter Chepman, 1510. 8vo. 2 torn. 
 
 Lent by the University of Edinburgh
 
 JSL Cajton anti 2Defodopmcnt of tlje 3.n. 37 
 
 286. THE Hystory and Croniklis of Scotland, be Maister Hector Boece. 
 Translatit be Maister Johne Bellenden. Imprinted in Edinburgh 
 by Thomas Davidson, [1536.] Folio. 
 
 Lent by the University of Edinburgh. 
 
 This copy is printed on vellum. 
 
 287. THE Hystory and Croniklis of Scotland. [1536.] Folio. Another 
 copy, on paper. Lent by the Faculty of Advocates, Edinburgh. 
 
 288. THE New Actis and Constitutions of Parliament, 1540. Edin- 
 burgh : Thomas Davidson, [1542]. Folio. 
 
 Lent by the Faculty of Advocates, Edinburgh. 
 
 Unique. Printed on vellum. 
 
 289. ANE Dialog betuix Experience and ane Courteour, Off the 
 Miserabyll Estait of the Warld. Compylit be Schir Dauid Lynde- 
 say of ye Mont. Imprinted at Copmanhouin, [1558.] 410. 
 
 Lent by D. Laing, Esq. 
 
 This is the second issue, evidently printed by John Scot either at Edinburgh 
 or St. Andrew's. 
 
 ANE Dialog betuix Experience and ane Courteour. " Imprentit 
 at the command, and expenses of Maister Sammuel lascuy, in 
 Paris, 1558." 8vo. Lent by D. Laing, Esq. 
 
 Some leaves supplied in facsimile. 
 
 THE PROTESTANT CONFESSION. The Confessione of the fayth 
 and doctrin beleued and professed by the Protestantes of the 
 Realme of Scotland exhibited to the estates of the sam in parlia- 
 ment and by thare publict notes authorised as a doctrin grounded 
 vpon the infallable \vourd of God. Imprinted at Edinburgh, be 
 Robert Lekprewik. Cum priuilegio. 1561. 8vo. 
 
 Lent by D. Laing, Esq. 
 
 The copy now exhibited appears to be the original edition, and one of those 
 which Knox in a letter to Mrs. Anna Lock, dated October 2, 1561, says : 
 " I sent to you, and to some others, the Confession of our Faith, in quairs, 
 unbound, If they came to your hands I cannot tell bot now it is no mater. I 
 perceaved they are printed with you againe." The English edition mentioned 
 by Knox was printed at London for Rowland Hall, 1561. A copy is in the 
 Grenville Collection, British Museum. There is also an edition printed at 
 Edinburgh, by John Scot, 1561. 410.
 
 38 Canton Celebration, 
 
 292. The Acts and Constitutiounis of the Parliaments of Scotland. 
 Edinburgh: Robert Lekpreuik, 1566. Folio. 
 
 Lent by the Faculty of Advocates, Edinburgh. 
 The first edition of the Black Acts. 
 
 293. THE Acts and Constitutiounis of the Parliaments of Scotland, 
 Edinburgh, 1566. Folio. Lent by D. Laing, Esq. 
 
 The second issue, dated November, 1566, containing additional leaves sup 1 
 plying those that were cancelled in the first impression. 
 
 294. FOIRM nornuidhadh. The Book of Common Order, commonly 
 called Knox's Liturgy, translated into Gaelic by John Carsewell, 
 Bishop of the Isles in 1567. Robert Lekpreuik, Edinburgh, 1567. 
 8vo. Lent by the University of Edinbrirgh. 
 
 The first book printed in Gaelic. This copy begins on fol. 2, containing 
 the Dedication to Archibald, Earl of Argyll. 
 
 295. HEIR beginnis ane treatise callit the Palice of Honour compylit 
 be M. Gawane Dowglas, Bischop of Dunkeld. Imprentit at 
 Edinburgh be Johne Ros for Henrie Charteris. 1579. 4to. 
 
 Lent by the University of Edinburgh. 
 
 296. RERUM Scoticarum Historia auctore Georgio Buchanano Scoto. 
 Edinburgi Apud Alexandrum Arbuthnetum Typographum Regium. 
 Anno 1582. Folio. Lent by D. Laing, Esq. 
 
 297. THE History of the Reformatioun of Religioun within the 
 realme of Scotland. London, 1586. 8vo. 
 
 Lent by D. Laing, Esq. 
 
 The original edition, printed at London by Thomas Vautrollier, and seized 
 whilst at press and suppressed by order of Archbishop Whitgift, in February, 
 1586-7, before the work was completed. Every printed copy preserved com- 
 mences with page 17 and breaks off with page 560. In this copy the missing 
 leaves are supplied in a contemporary hand. 
 
 298. THE King's Confession. The Confession of Faith, subscrived by 
 the Kingis Maiestie and his Hous-hold : togither with the copie 
 of the Generall Band and Act of secreit counsaill. At Edinburgh. 
 Printed by Robert Waldegrave. Anno Dom. 1590. 4to. 
 
 Lent by D. Laing, Esq. 
 
 299. THE Lawes and Actes of Parliament maid be the Kings of Scotland : 
 visied, collected, and extracted be Sir John Skene. Edinburgh, 
 printed by Robert Waldegraf. Folio. 1597. 
 
 Lent by D. Laing, Esq. 
 With the engraved title containing portraits of the Kings, &c.
 
 a. Ca.rton ant) ^Development of tije &rt* 39 
 
 300. THE Muses Welcome to the High and Mightie Prince James, &c. 
 at his all happie returne to his old and native Kingdome of Scot- 
 land, anno 1617. Edinburgh, printed by Thomas Finlason, 1618. 
 Folio. Lent by D. Laing, Esq. 
 
 301. CHRIST'S Testaments Unfolded, or Seven Godlie Sermons, by 
 Mr. Archibald Symson. Printed at Edinburgh by Edward Raban, 
 1620. 1 2 mo. Lent by D. Laing, Esq. 
 
 302. FLOWRES of Sion by William Drummond of Hawthorne -denne. 
 To which is adjoyned his Cypresse Groue. Edinburgh : John 
 Hart, 1630. Folio. Lent by the University of Edinburgh. 
 " Giuen to King James His Colledge in Eden-bourgh by the Author, 1630." 
 
 303. JOHN Calvin's Catechisme. Edinburgh : John Wreittoun, 1631. 
 The same translated into Gaelic, also printed at Edinburgh, 1631. 
 In one volume. 12 mo. Lent by D. Laing, Esq. 
 
 304. THE Psalms in Prose and Metre. Edinburgh, 1634. 8vo. 
 
 Lent by D. Laing, Esq. 
 This copy has the title-page of the edition of 1640. 
 
 305. THE Laws and Acts of Parliament, made by the Kings and 
 Queens of Scotland, collected by Sir Thomas Murray of Glendook. 
 Folio. Edinburgh, 1681. Large paper copy. 
 
 Lent by D. Laing, Esq. 
 
 306. DRYDEN, John. The Hind and the Panther. A Poem. Holy- 
 rood-House. Reprinted by James Watson, Printer to His Most 
 Excellent Majesties Royal Family and Household. 1687. 410. 
 
 Lent by D. Latng, Esq. 
 
 307. BRITANNIA Rediviva : A Poem on the Birth of the Prince. 
 Written by Mr. Dryden. Holy-rood-House. Reprinted by Mr. 
 P. B. Enginier, printer to the King's most excellent Majesty, for 
 His Household, Chappel, and Colledge. 1688. 410. 
 
 Lent by D. Laing, Esq. 
 
 308. THESES Philosophies, for the year 1698. A broadside printed 
 on satin, with ornamented borders, presented to the Lord 
 Provost of Edinburgh, Sir Archibald Mure of Thornton, on 
 occasion of the graduation of the Students, July, 1698. 
 
 Lent by D. Latng, Esq.
 
 40 Canton Celebration* 
 
 309. THE Confession of Faith, Larger and Shorter Catechisms, &c., 
 translated into the Irish Language by the Synod of Argyle. 
 Edinburgh, 1725. i2mo. Lent by D. Laing, Esq. 
 
 310. VIRGILII Opera. Edinburgh, 1743. i2mo. 
 
 Lent by D. Laing, Esq. 
 This is called the Immaculate Edition. 
 
 311. THE Dances of Death, &c., by John Holbein. Etched by David 
 Deuchar, seal engraver. Edinburgh, 1788. 41.0. 
 
 Lent by D. Laing, Esq. 
 The original impressions with the borders. 
 
 312. THE Tale of Golagrus and other Ancient Poems. The reprint of 
 the original editions printed by William Chepman and Andrew 
 Myllar, at Edinburgh, 1508, reprinted 1827. 4to. 
 
 Lent by D. Laing, Esq. 
 
 SCOTTISH PROVINCIAL TYPOGRAPHY. 
 
 313. THE Catechisme, That is to say, ane comone and catholik in- 
 structioun of the Christin People in Materis of our catholik faith 
 and religioun quhilk na gud Christin man or woman suld mis- 
 knaw : set furth be the maist reverend father in God, Johne 
 Archbischop of Sanct Androus, Legatnait and Primat of the Kirk 
 of Scotland, in his prouincial Counsale haldin at Edinburgh the 
 xxvi day of Juanuarie, the zeir of our Lord 1551. Printed at 
 St. Andrews, 1552. 4to. Lent by the University of Edinburgh. 
 
 314. IN Dominicam Orationem pia Meditatio : Auctore Patrick) Coc- 
 burno Scoto. Printed at St. Andrews by John Scot, 1555. 
 8vo. Lent by JD. Laing, Esq. 
 
 315. ANE Detectioun of the Doingis of Marie Quene of Scottis. 
 Imprentit at Sanctandrois be Robert Lekpreuik, 1572. 8vo. 
 
 Lent by the Faculty of Advocates, 'Edinburgh. 
 
 316. MICHAELSON, John. The Lawfulnes of Kneeling in the Act of 
 receiuing the Sacrament of the Lordes Supper. Printed by Ed- 
 ward Raban, Printer to the Vniversitie of Sainct-Andrewes, 1620. 
 8vo. Lent by D. Laing, Esq. 
 
 317. BARON, Robert. Philosophia Theologiae Ancillans. Andreapoli 
 (St. Andrews), 1621. 12 mo. Lent by D. Laing, Esq.
 
 Si. Canton attfc HDefoelopmettt of ttjc Sin. 41 
 
 318. JOANNIS Ludovici Vivis Ad Sapientiam Introductio. Aberdoniae : 
 Excudebat Eduardus Rabanus, 1623. izmo. 
 
 Lent by D. Laing, Esq. 
 
 319. CANONS and Constitutions Ecclesiasticall, Gathered and put in 
 forme, for the Governament of the Church of Scotland. Aber- 
 dene, Imprinted by Edward Raban, dwelling upon the Market- 
 place, at the Armes of the Citie, 1636. Lent by D. Laing, Esq. 
 
 Dr. Juxon, Bishop of London, in a letter to Maxwell, Bishop of Ross, says : 
 " I receaved yo r Book of Canons, which perchance at first will make more noise 
 then all the Canons in Edinburgh Castle, but when men's eares have beene used 
 awhile to the sound of them, they will not startle so much at it, as now at first." 
 (Baillie's "Letters and Journals," Vol. I. p. 438.) 
 
 320. COMMON Psalm Tunes. Aberdeen, 1666. Obi. 4to. Unique. 
 
 Lent by D. Laing, Esq. 
 This work probably never had a title-page. 
 
 321. THE Aberdeen Cantus. "Songs and Fancies, to three, four, or 
 fiue Parts, both apt for voices and viols. With a brief 
 Introduction to musick, as is taught by Thomas Davidson, in the 
 Musick-School of Aberdene." Second edition. Aberdene, printed 
 by John Forbes. 1666. Obi. 410. Lent by D. Laing, Esq. 
 
 The first edition was printed at Aberdeen by Forbes in 1662. A full account 
 of the editions is given in the Introduction to Johnson's " Scots Musical 
 Museum." New edition with notes. Edinburgh, 1853. Vol. I. pp. xxxiv-xl. 
 
 322. THE same. The third edition. Aberdeen : printed by John 
 Forbes, 1682. Obi. 4to. Lent by D. Laing, Esq. 
 
 323. TAYLOR, J. Verbum sempiternum. Aberdene : John Forbes, 
 1670. 64mo. 
 
 TAYLOR, J. Salvator Mundi. Aberdene : John Forbes, 1670. 
 641110. Lent by A. Gardyner, Esq. 
 
 These epitomes in verse of the Old and New Testaments are bound together 
 and known as the Thumb Bible. 
 
 324. THE Protestation of the Generall Assemblie of the Church of 
 Scotland, &c. November, 1638. Printed at Glasgow by George 
 Anderson, in the yeare of grace 1638. 410. 
 
 Lent by D. Laing, Esq. 
 This tract appears to have been the earliest specimen of printing in Glasgow. 
 
 325. Row, John. Hebraese Linguae Institutiones compendiosissimae, & 
 facillimae. Glasguse, Excudebat Georgius Andersonus, Anno partus 
 Salutiferi, 1644. XiXjaj Hebraica : seu Vocabularium. Glasguae, 
 Excudebat Georgius Andersonus, Anno Christogonias, 1644. 
 1 2 mo. Lent by D. Laing, Esq. 
 
 Two of the earliest works printed in Scotland containing Hebrew charac- 
 ters. Bound in one volume.
 
 42 Canton Celebration, 
 
 326. DICKSON, David, D.D. Explicatio Analytica omnium Apos- 
 tolicarum Epistolarum. Glasguse, exc. Geo. Andersonus. 1645. 
 4to. Lent by D. Laing, Esq. 
 
 327. HORATIUS. Glasguse, 1744. 12 mo. Lent by D. Laing, Esq. 
 
 This is called the Immaculate Edition. 
 
 328. EIIIKTHTOT EFXEIPIAION. (Epictcti Enchiridion, Grace.) Glasgus : 
 R. Foulis, 1748. i2mo. Lent by D. Laing, Esq. 
 
 Printed on vellum. 
 
 329. HOMERI Ilias, &c., Graece. R. and A. Foulis. Glasguae, 1756-58. 
 Folio. Large paper. 
 
 Lent from the Signet Library, Edinburgh. 
 
 330. RAMSAY'S Gentle Shepherd. Glasgow: Foulis, 1788. 4to. 
 
 Lent by D. Laing, Esq. 
 
 One of the earliest illustrated books published in Scotland. Plates by 
 David Allan. 
 
 331. BURNS, Robert. Poems, chiefly in the Scottish dialect. First 
 edition. Kilmarnock, 1786. 8vo. Lent by D. Laing, Esq. 
 
 332. THOMSON'S Seasons. Perth, 1793. 4to. 
 
 Lent from the Signet Library, Edinburgh. 
 With engravings. The first edition printed in Scotland. 
 
 BOOKS WITH FICTITIOUS IMPRINTS, BUT APPARENTLY 
 NOT PRINTED IN SCOTLAND. 
 
 333. DE furoribus Gallicis, &c. vera & simplex Narratio, ab Ernesto 
 Varamundo Frisio Auctore. Edinburgi, anno salutis humanae, 
 1573. 410. Lent by D. Laing, Esq. 
 
 334. THE same, translated under the title : " A true and plaine report 
 of the furious outrages of Fraunce, &c. By Ernest Varamund, at 
 Striveling 1573." i2mo. Lent from the Signet Library, Edinburgh,
 
 L Cajrton an& HDctielopmcnt of ffje &rt, 43 
 
 335. LE Reveille-matin des Francois & de leur Voissins. Compose 
 par Eusebe Philadelphe Cosmopolite, en forme de dialogues. 
 A Edimbourg de rimprimerie de Jaques James, avec permission. 
 1574. 8vo. Lent by I). Laing, Esq. 
 
 336. VINDICI^E contra Tyrannos : Stephano Junio Bruto Celta [/.<?., 
 Hubert Languet] auctore. Edinburgi, 1579. 8vo. 
 
 Lent by D. Laing, Esq.
 
 CLASS B. 
 
 THE DEVELOPMENT OF THE ART OF PRINTING 
 IN FOREIGN COUNTRIES. 
 
 |HE principle of the Art of Printing was not altogether 
 unknown to the ancients. The Babylonian bricks brought 
 to this country are stamped with various characters, and 
 there is evidence to prove that the ancient Romans made 
 use of stamps, with which they marked their articles of 
 luxury and use, and branded their cattle. Landseer 
 observes in his " Lectures on the Art of Engraving," " Had the modern 
 art of making paper been known to the ancients, we had probably never 
 heard of Fust and Finiguerra, for with the same kinds of stamps which 
 the Romans used for their pottery and packages, books might have 
 been printed." 
 
 We must, however, turn our eyes further eastward in order to dis- 
 cover the first indications of the earliest form of printing, namely, of 
 transferring impressions from wooden blocks to paper. 
 
 The Chinese, it is believed, were the first nation who practised this 
 art, many years before the commencement of the Christian era, the 
 complicated nature of their written language rendering any other mode 
 of printing impracticable. 
 
 It is not unreasonable to suppose that the Venetians, from their early 
 intercourse with that nation, acquired a knowledge of the art from them, 
 which they introduced into Europe, and that in the course of time the 
 artists of Germany, Holland, and other parts found out their secret, and 
 practised it themselves. 
 
 A Decree of the Venetian Government of 1441, prohibiting the im- 
 portation " of any work that is printed or painted on cloth or on paper,
 
 B* ^Development iti foreign Countries 45 
 
 that is to say, altar-pieces, or images, and playing-cards," the art and 
 mystery of making which had fallen into decay, in consequence of 
 the quantity made out of Venice, shows that not only in that city, but 
 in other parts of Europe, the art of printing was known many years 
 before impressions were produced by means of moveable metal type. 
 
 It would appear, from the mention of the word, " Kartenmacher," in 
 the records of the city of Augsburg of 1418, and of Nuremberg of 1433 
 and 1438, that the Germans more especially practised the art, and ac- 
 cording to an ancient Chronicle found by Heinecken at Ulm, playing- 
 cards used to be sent to Italy, in return for spices and other merchandise. 
 
 It is generally acknowledged that playing-cards were printed in the 
 fourteenth century, and the celebrated " St. Christopher" in the Althorp 
 Library proves that "images" of the Saints from wooden blocks appeared 
 at least as early as 1423. 
 
 The first Block Prints, consisting of illustrations with a few words of 
 text, were not produced by means of a press. The impression was taken 
 off by rubbing the back of the paper which had been laid upon the 
 surface of the block. Possibly the wood may not have been considered 
 hard enough to bear great pressure. 
 
 The next step towards the development of the art consisted in illus- 
 trating the prints with such an amount of text as to render them instruc- 
 tive. Two leaves, each bearing an impression only on one side, were 
 pasted together so as to form two pages, and the whole were collected 
 in a book of portable form. 
 
 These Block Books were for the most part of a sacred character, and 
 in an age when manuscripts were rare and great ignorance prevailed, 
 they must in no small degree have helped to advance the cause of Re- 
 ligion and Education. 
 
 Perhaps the " Biblia Pauperum," although not one of the earliest, was 
 one of the most popular as it is one of the most interesting of these . 
 xylographic productions. It contains a short abstract of the Bible, illus- 
 trated in a remarkable manner by designs of the chief stories of the Old 
 and New Testament. 
 
 The " Ars Memorandi," a memoria technica of the Four Gospels, 
 although rude in execution, gives an idea of the character of some of the 
 religious instruction afforded in the fifteenth century. 
 
 In the " Kunst Ciromantia," we have an early example of the use of 
 the press, the leaves having woodcuts and text printed on each side. 
 
 The great expense attending the process of printing from blocks led 
 to a further development of the art. Experiments may have been made 
 with wooden moveable type, but of this there is no distinct evidence, 
 and the want of some more durable substance which would produce a 
 more defined impression than wood, was likely to be felt. 
 
 We now arrive at that period in the history of the Art of Printing in
 
 46 Ca.rttm Celebration* 
 
 which the central figure is Johann Gutenberg, that great genius to whose 
 mind it is not unlikely that the Invention of Printing with moveable 
 metal types may have suggested itself, without the intervention of Play- 
 ing Cards, Images of the Saints, or Block Books. 
 
 About the year 1436 there was residing in the city of Strasburg one 
 Johann Gensfleisch, surnamed Zum Gutenberg, a native of Mentz, who 
 was engaged in certain mysterious arts, the secrets of which he commu- 
 nicated to two associates. The records of a law-suit which arose on 
 the death of one of his partners, show that the mystery which they had 
 in hand was the art of taking impressions by means of moveable type. 
 As far as we know at present their efforts had, possibly for want of 
 funds, been unattended with success. And we next hear of Gutenberg, 
 about 1450, in his native town, entering into partnership with Johann 
 Fust, who agreed to advance him the money necessary for carrying 
 on his typographical experiments. According to Bernard, in his ad- 
 mirable work on the " History of the Invention of Printing," Gutenberg 
 had already, whilst at Strasburg, conceived the idea of casting the 
 type of his letters in iron moulds, which were provided with inner 
 matrices of lead, in which the letters had been struck with a wooden 
 punch. He was now enabled still further to perfect this invention by- 
 cutting each letter on a piece of steel which formed a punch. This he 
 struck into a matrix of copper, which formed the bottom of the mould in 
 which the type was cast. By this process he was enabled to ensure a 
 greater uniformity and sharpness of letter, and to produce a type re- 
 sembling the manuscripts which the press in its infancy, it is supposed, 
 was intended to reproduce. This supposition is strengthened by the fact 
 that in the earliest impressions there is no colophon to indicate that they 
 were produced by means of the printing press, whereas in the first dated 
 printed book, the Mentz Psalter of 1457, it is expressly stated in the 
 subscription that it was not the work of a scribe. 
 
 The Letter of Indulgence of Nicolas V. of 1454 was, no doubt, one 
 of the first productions of the Gutenberg-Fust Pressat all events it is 
 the earliest known specimen of the impression of moveable metal type 
 with a date subjoined. But the first important work executed by them 
 was the " Mentz Bible without date," more commonly known as the 
 " Mazarin Bible," from the name of the Cardinal in whose library a copy 
 of it was first discovered, and which must have appeared about 1455. 
 Of this book a copy is to be seen in the National Library at Paris, con- 
 taining a memorandum of one Cremer, to the effect that it had been 
 illuminated and bound by him in 1456. 
 
 The costliness of this undertaking led to a law-suit, by which Gutenberg 
 was condemned to give up all his printing materials to Fust, being unable 
 to repay the money he had advanced him. By the help of Conrad 
 Humery, syndic of Mentz, however, Gutenberg started another press in
 
 2Detielopment m jfoceijit Countries 47 
 
 1456, which he continued to work until his appointment to the house- 
 hold of Adolphus, Duke of Nassau, in 1465. There is strong evidence to 
 prove that the " Catholicon " of 1460 was one of his productions. The 
 death of this illustrious man occurred in 1468, and whatever doubts may 
 have been entertained at one time as to his having been the Inventor of 
 the Art of Printing with moveable metal type, it must be stated that the 
 rival claims set up for Coster of Haarlem are now generally abandoned by 
 the best instructed of his fellow-countrymen. 
 
 To return to Mentz. Fust, on the dissolution of partnership between 
 himself and Gutenberg, associated with himself one of his workmen, 
 Peter Schoeffer, to whom the honour belongs of having been the first to 
 introduce into typography Capital Illuminated Letters, which for beauty 
 of execution and gracefulness of design are unrivalled even at the present 
 day. In 1457 they produced the "Mentz Psalter," the most ancient 
 printed book known with a date, and one of the grandest specimens of 
 the typographic art. In 1462 they gave to the world the first Bible printed 
 with a date, and in a type entirely different from that of the year 1455. 
 According to Fabricius, copies of this celebrated impression, some of 
 which are without subscription, were sold at Paris for sixty crowns, and 
 from the number disposed of, they were supposed to have been printed 
 by magic. 
 
 Notwithstanding the precautions which had hitherto been taken to 
 preserve the secret of the new invention, Albert Pfister, formerly em- 
 ployed in Gutenberg's office, had succeeded in establishing a press at 
 Bamberg, and in printing a Bible there not later than the year 1460 ; and 
 the discovery at Freiburg, in Breisgau, of a copy of the " Biblia Latina" by 
 Mentelin, in two volumes, with the respective dates of 1460 and 1461 
 affixed by the illuminator, conclusively proves that in the city of Stras- 
 burg the printing press was at work at a period almost as early. 
 
 Had it not, however, been for the capture of Mentz by Adolphus of 
 Nassau in the following year, an event which dispersed so many of 
 Gutenberg's and Fust's workmen, the development of the art of typo- 
 graphy throughout the world might have been deferred for an indefinite 
 period. At Cologne, Ulric Zel commenced printing in 1466, and Augs- 
 burg acquired a knowledge of the art from Gunther Zainer. At Nurem- 
 berg, where Koberger acquired the name of " Librariorum Princeps," 
 Sensenschmidt, one of its citizens, was the first to print in 1470. 
 
 In Italy Arnold Pannartz and Conrad Sweynheym found a refuge at 
 Subiaco, where they printed three, if not four works. In 1467, they 
 were induced by the Massimi family to establish a press in their house 
 at Rome. Up to the year 1474, when Sweynheym, wishing to devote 
 himself to copper engraving, retired from partnership, it is said they pro- 
 duced 12,000 volumes, a supply which exceeded the demand, as appears 
 from a petition addressed to Pope Sixtus IV. by the Bishop of Aleria, 
 one of their warmest patrons.
 
 48 Canton Celebration* 
 
 In 1469, Philip de Lavagna had introduced printing at Milan, which 
 rendered itself remarkable in the annals of typography as having 
 produced the first book printed in the Greek language, the " Lascaris 
 Grammar" of 1476, and also the earliest impression extant of any part 
 of sacred writ in the Greek tongue ; the Psalter, namely, of 1481. 
 
 In the same year at Venice, John of Spire divulged the secrets of the 
 typographical art, which the Aldi subsequently developed to a degree 
 of perfection not to be surpassed at the present day. In this city, Jenson, 
 formerly Master of the Mint at Tours, made himself celebrated by the 
 beauty of his type and the number of his productions. To Aldus 
 Pius Manucius, the head of that great family of printers which were in 
 Italy what the Stephenses were in later years in France, the honour is due 
 of having made the first attempt at the production of cheaper and more 
 portable books, by the introduction of the Aldine or Italic type. He has left 
 behind him the reputation of having been a learned scholar, as well as 
 one of the greatest printers on record, and the formation of an " Aldine 
 Academy " over which he presided, and to which Erasmus and most of 
 the learned men of the day belonged, testifies to the high estimation in 
 which he was held by his contemporaries. 
 
 Whilst printing was thus proceeding with such rapidity at Rome, 
 Milan, and Venice, a corresponding activity was manifesting itself in 
 other towns of Italy. The Florentine Press, afterwards celebrated for 
 the productions of the Giuntas, was being inaugurated by the goldsmith 
 Cennino, in the year 1471, and at the same time, Sixtus Riessinger, a 
 priest from Strasburg, was printing the first book published at Naples, 
 where his fellow-countryman, Matthias Moravus, was soon to attain the 
 highest reputation for the beauty of his works. 
 
 But, in considering the rapid progress of the typographical art within 
 fifty years of its invention, we are reminded of the fact that, if the taking 
 of Mentz led to its being gradually disseminated throughout Europe, an 
 event of far greater importance largely contributed towards its further 
 development. The capture of Constantinople by the Turks in 1453 
 forced many illustrious Greeks to find a refuge in Italy, bearing with 
 them literary treasures which, in the course of a few years, were to be 
 revealed to the civilized world through the medium of the printing press. 
 
 The honour of introducing typography into France belongs to the 
 Theological College of the Sorbonne at Paris, two of its members 
 having induced Gering, Crantz, and Friburger, three working printers 
 from Germany, to set up a press within its walls in 1470. Three years 
 later Barth. Buyer, a man of good family at Lyons, commenced printing in 
 his native city. Simultaneously Switzerland produced its first printed 
 book at Miinster in Aargau, and in 1474, one of Gutenberg's associates, 
 Bertholdus Rot, established a press at Basle, where Johannes Froben, 
 Erasmus' friend, in 1516 published the first Greek Testament.
 
 B* ^Development in jfo reign Countries 49 
 
 In Holland, typography was first practised at Utrecht, 1471-73, by 
 Nic. Ketelaer and Gherardus de Leempt, and Johannes de Westfalia, the 
 earliest printer in Belgium, produced his first work in 1473 a ^ Alost, 
 where Thierri Martens, distinguished by the name of the " Aldus " of 
 the Low Countries, set up as a master printer in 1487. About 1476 
 Colard Mansion, a caligraphist, was making his first essays at Bruges, his 
 native city, in the typographical art, the knowledge of which he after 
 wards imparted to William Caxton. At Delft, in 1477, Jacobs and 
 Yements published the first Dutch Old Testament, and in 1523 printing 
 commenced at Amsterdam, which will be ever held in repute on account 
 of the productions of the Elzevir Press towards the end of the i7th 
 century. 
 
 If we turn to the extreme points of Europe we find that printing was car- 
 ried on in Spain, at Seville in 1476, and still further encouraged at Alcala 
 by Cardinal Ximenes, the publisher of the first Polyglot Bible of 1514-17 ; 
 at Constantinople efforts were made by the Jews as early as 1490 to 
 develop the art; and typography was introduced into Iceland in 1530 
 through the energy of John Areson, Bishop of the See of Hoolum. 
 
 In the New World, Mexico can claim the honour of having been the 
 first city to produce a printed book before 1550, and in the United 
 States the name of Benjamin Franklin is connected with some of the 
 earliest attempts at typography in that country, where the first press was 
 established in 1638, at Cambridge in Massachusetts. 
 
 Within such a necessarily limited space it is not possible to do more 
 than give a rapid sketch of the early history of printing. It is hoped 
 that some general idea of its progress abroad may be obtained by an 
 examination of the collection before us, containing as it does some of 
 the finest productions of the foreign press ; many of them indeed are 
 justly entitled to a place amongst the specimens remarkable for rarity 
 or beauty of execution, but they are exhibited under this particular 
 Class in order that the Development of the Art of Printing in Foreign 
 Countries might be illustrated as completely as possible.
 
 50 Canon Celebration, 
 
 SECTION I. 
 IMPRESSIONS FROM WOODEN BLOCKS. 
 
 345- 
 
 T. CHRISTOPHER. A woodcut coloured with the hand, 
 bearing the date of 1423. Lent by Earl Spencer. 
 
 This woodcut, the most ancient specimen extant with a date of the use of 
 printing ink, is pasted inside the cov.er of " Laus Virginis," a manuscript dis- 
 covered in the Chartreuse of Buxheim, near Memmingen, by Baron Heinecken, 
 who says, "At least we know with certainty by this piece of engraving, that 
 both images and letters were printed in 1423." 
 
 346. THE Annunciation of the Virgin. A woodcut, coloured with the 
 hand. Lent by Earl Spencer. 
 
 This woodcut was pasted inside the cover of "Laus Virginis." 
 
 347. IMPRESSION from a Block, representing St. Bridget. 
 
 Lent by Earl Spencer. 
 
 Coloured with some glutinous substance, and transferred from the block to 
 paper by means of a rubber and not the press. 
 
 348. IMPRESSION from a Block representing probably a Patron Saint. 
 
 Lent by Earl Spencer. 
 Produced in the same manner as the impression of St. Bridget. 
 
 SECTION II. 
 BLOCK BOOKS. 
 
 349- 
 
 RS Moriendi. 4to. Twelve leaves stuck together, so as to form 
 twenty-four pages, with a single leaf at the commencement and 
 end. Lent by Earl Spencer. 
 
 First edition, according to Heinecken. With coloured woodcuts, transferred, 
 together with the text, from the block, by means of the rubber. The cuts are 
 coloured by hand. This, according to Sotheby, is supposed to be the earliest 
 xylographic production in the form of a book. 
 
 350. BIBLIA Pauperum Latine. Folio. Forty leaves. With woodcuts. 
 
 Lent by Earl Spencer. 
 Heinecken describes four editions with forty leaves, and a fifth with fifty. 
 
 351. BIBLIA Pauperum. Folio. Lent by Dr. Gott. 
 
 Deficient in three pages. Second edition, according to. Heinecken.
 
 B+ SDefcelopment in ^foreign Countries 51 
 
 352. BIBLIA Pauperum. Folio. Lent by the Earl of Leicester. 
 
 Remarkably large and perfect copy of this particular edition, containing 
 forty leaves, which, according to Heinecken, is the fourth. 
 
 353. HISTORIA seu Providentia Virginis Maria ex Cantico Canticorum. 
 Folio. Nine pages, printed on both sides. Lent by Earl Spencer. 
 
 354. SANCTI Johannis Apocalypsis. Folio. With woodcuts, coloured 
 by hand. Lent by Earl Spencer. 
 
 In the German binding of the fifteenth century, with the date 1467 impressed 
 outside. According to Heinecken, there were five different editions of this 
 work. 
 
 355. ORIGINAL Block, from which page 2 of the "Apocalypsis S. 
 Johannis," was produced by means of friction. 
 
 Lent by Earl Spencer. 
 
 356. SANCTI Johannis Apocalypsis. Folio. With woodcuts, coloured 
 by hand. Lent by Earl Spencer. 
 
 A different edition to the former one. Woodcuts, and text, produced by 
 friction. 
 
 357. ENNDKRIST [Anti Christ] Germ. Folio. With woodcuts, rudely 
 coloured like the " Quindecem Signa," to which it was probably 
 attached. Lent by Earl Spencer. 
 
 The leaves are separate, and text and illustrations were transferred to the 
 paper by rubbing. 
 
 358. QUINDECEM Signa extremi Judicii prsecedentia. Germanic. 
 Folio. Ten leaves with woodcuts, coloured by hand. 
 
 Lent by Earl Spencer. 
 Text and illustrations produced by friction, not by the printing press. 
 
 359. ARS Memorandi. Folio. Thirty leaves with text and illustra- 
 tions on one side. Lent by Earl Spencer. 
 
 A Memoria Technica, for learning the Four Gospels by heart, by means of 
 woodcuts, coloured with some glutinous substance like oil. The'occurrence of 
 the words "grabactum Tuum et ambula" in the seventeenth and eighteenth 
 lines of the first page, instead of "grabutum Uium et vade," indicates, accord- 
 ing to Heinecken, that this is the first edition. The illustrations and text 
 have been transferred to the paper by rubbing. 
 
 360. SPECULUM Humanae Salvationis. Dutch. Folio. Sixty-two leaves, 
 with text, and woodcuts on one side, forming thirty-one pages. 
 
 Lent by Earl Spencer. 
 
 Probably by the same artist who produced the " Biblia Pauperum," so far 
 as the illustrations are concerned, which were produced by means of the rubber, 
 having been struck off in pale brown ink. The text was executed with metal 
 types and. in black ink.
 
 52 Carton Celebration* 
 
 361. DIE Kunst Ciromantia. Das nachgeschriben buch von der haund 
 hat zu teutsch gemacht Doctor Hartlieb, I ^^8 (1448), iorg 
 scapff zu augspurg. Folio. Twenty-four pages printed on both 
 sides. Lent by Earl Spencer. 
 
 On the first page Doctor Hartlieb is represented giving a copy of his book 
 to Princess Anne of Augspurg, his patroness. 
 
 362. MIRABILIA Romae, Germanice. 4to. Lent by Earl Spencer. 
 
 An abridged history of Rome, of which several editions appeared. This 
 one, to which Brunet assigns the date 1480, he pronounces to be the rarest. 
 The type of the letters is very rude, and the wood engravings sharply cut. 
 
 363. CALENDAIRE. Duodecimo. Printed on vellum. 
 
 Lent by Earl Spencer. 
 
 A most remarkable, and perhaps the first xylographic production, executed 
 in -France. It contains several calendars and maps of France, Flanders, and 
 Great Britain. The dates 1458 to 1467 are inserted with a pen. 
 
 SECTION III. 
 IMPRESSIONS FROM MOVEABLE METAL TYPES. 
 
 3 6 4- 
 
 ITTER^E Indulgentiamm Nicolai V. Pont : Max: 1454. 
 
 Lent by Earl Spencer. 
 
 The earliest known specimen of the impression of metal types with a date. 
 Executed at Mentz by Gutenberg. The Indulgence was issued by Nicholas 
 V., in 1451, to all who by sums of money were willing to assist King John II. 
 of Cyprus against the Turks. It was preached by one Paulinus Chappe, who, 
 possibly having heard of the invention of printing at Mentz, made his way 
 there, and was glad to make use of the press as a more expeditious and cheaper 
 means of publishing the letter he was commanded to issue than the pen of a 
 scribe. It will be observed in this copy that the date 1454 has been turned 
 into 1455 by a stroke of the pen. The large type closely resembles that of 
 the Mazarine Bible (No. 366). 
 
 365. LITTER.E Indulgentiarum Nicolai V. Pont. Max., 1455. 
 
 Lent by Earl Spencer. 
 
 A copy of the same, being the second issue of the third edition, according to 
 M. Leon de Laborde. The large type is identical with that of the Bible of 
 1461 (No. 384), and that used by Prister at Bamberg.
 
 S, ^Development in foreign Countries 53 
 
 SECTION IV. 
 
 PRINTED BOOKS. 
 
 GERMANY. MENTZ, 1450. 
 
 GENSFLEISCH Von Sulgeloch zum Gudenberg, commonly known as 
 Gutenberg, after having made unsuccessful experiments with one Andr. Dry- 
 zehn at Strasburg in printing, associated himself with Johann Fust, of 
 
 Mentz, with whose assistance he is supposed to have produced the "Biblia 
 
 Latina," of 42 lines. Being unable to pay back to Fust the money advanced by him 
 towards this undertaking, he was obliged to give up to him the whole printing establish- 
 ment in 1455, which Fust carried on after taking into partnership one of his workmen,. 
 Peter Schoeffer, of Gernsheim, who subsequently became his son-in-law. Gutenberg 
 was enabled to start another press in 1456, by the help of Conrad Humbrecht, syndic 
 of Mentz, and in 1460 produced the "Catholicon." He died in 1468. 
 
 366. BIBLIA Latina Vulgata. Supposed to have been printed by 
 Gutenberg, assisted by Fust, at Mentz, 1450-55. Folio. 2 vols. 
 
 Lent by Earl Spencer. 
 Vol. I. exhibited in Class C, Section I. 
 
 The first printed Bible, and the first complete printed book known. Com- 
 monly called the " Mazarine " Bible, the first copy of it having been discovered 
 in Cardinal Mazarin's library. According to Brunei only twenty-eight copies 
 exist, of which seven are on vellum. 
 
 367. PSALTERIUM. Fust and Schoeffer. Mentz, 1457. Folio. On 
 vellum. Lent by Earl Spencer. 
 
 The Mentz Psalter, 143 leaves. The first printed Psalter, the first book 
 printed with a date, and the first example of printing in colours. Only six 
 or seven copies known to exist. The copy lent by Her Majesty the Queen is 
 exhibited in Class C, Section I. 
 
 368. PSALTERIUM. Fust and Schoeffer. Mentz, 1459. Folio. On 
 vellum. Lent by Earl Spencer. 
 
 Second edition of the Mentz Psalter, almost as rare as the first. Contains 
 the first printed text of the Athanasian Creed. Second printed book with a 
 date. 
 
 369. DURANDUS. Rationale Divinorum Officiorum. Fust and Schoeffer. 
 Mentz, 1459. Folio. Vellum. Lent by Earl Spencer. 
 
 The third book printed with a date. The first book in Fust and Schoeffer's 
 smallest type. 
 
 370. CLEMENTIS Papse V. Constitutiones. Fust and Schoeffer. 
 Mentz, 1460. Folio. Vellum. Lent by Earl Spencer. 
 
 First edition. The fourth dated book.
 
 54 Canton Celeb ration.. 
 
 371. CATHOLICON, seu Grammatica et Lexicon Joannis Balbi de Janua. 
 Supposed to have been printed by Gutenberg. Mentz, 1460. 
 Folio. Lent by Earl Spencer. 
 
 The fifth dated book. Bechtermunze, who redeemed the types of Gutenberg 
 from Conrad Humbrecht, printed a vocabulary in 1467 in the same characters 
 as those of the present work. 
 
 372. BIBLIA Latina Vulgata. Fust and Schoeffer. Mentz, 1462. Folio- 
 2 vols. (vol. i exhibited in Class C). Vellum. 
 
 Lent by Earl Spencer. 
 
 The sixth dated book. First edition of the Bible bearing the name of a 
 printer, the place, and year of execution. Some copies have no subscription, 
 which would make it probable that in the first instance this Bible, as has been 
 said by Fabricius, was sold by Fust as a manuscript at Paris. 
 
 373. CICERO Officia et Paradoxa. Fust and Schoeffer. Mentz, 1465. 
 Vellum. Lent by Earl Spencer. 
 
 First edition of the first Latin Classic printed. 
 
 374. GRAMMATICA Rhythmica. Fust and Schoeffer. Mentz, 1466. 
 Folio. Lent by Earl Spencer. 
 
 Of greatest rarity. Printed with the same type as the " Durandus," 1459. 
 
 375. JUSTINIANUS. Institutionum Libri V. Peter Schoeffer. Mentz, 
 1468. Vellum. Lent by Earl Spencer. 
 
 Printed with the same type as the Bible of 1462. First edition. 
 
 376. BREYDENBACH, Johannes de. Peregrinatio. Erard Reiawich. 
 Mentz, 1486. Folio. Lent by Earl Spencer. 
 
 One of the first books of travels printed, and the first illustrated with folding 
 views. (Exhibited in Class G.) 
 
 BAMBERG, 1460. 
 
 Albert Pfister, one of Gutenberg's and Schoeffer's workmen probably, left Mentz to 
 
 form a printing establishment here, before it was taken in 1462, the similarity of his 
 
 type to that of Gutenberg appearing to corroborate this supposition. After his death 
 
 in that year Bamberg was without a printer, until Sensenschmidt left Nuremberg to 
 
 . establish a press here in 1481. 
 
 384. BIBLIA Latina. Probably printed- at Bamberg by Albrecht Pfister 
 about 1460.' 2 vols. Lent by Earl Spencer. 
 
 The types in this Bible are exactly conformable with those used in Pfister's 
 "Biblia Pauperum " and in his "Histories of Joseph, Daniel, Judith, and 
 Esther." M. Van Praet states that a leaf of this Bible was discovered in the 
 substance of the cover of an account-book of the Abbey of St. Michael at 
 Bamberg, commencing on March 21, 1460, and in a copy of it in the National 
 Library at Paris the date 1461 occurs on the last leaf, inserted in red ink by 
 the illuminator. 
 
 385. BIBLIA Pauperum Latine. Printed by Pfister. Folio. 
 
 Lent by Earl Spencer.
 
 B* 2DeMopment in ^foreign Countries 55 
 
 386. HISTORIES of Joseph, Daniel, Judith, and Esther. German. 
 Pfister. Bamberg, 1462. Folio. Coloured woodcuts. 
 
 Lent by Earl Spencer. 
 Exhibted in Class D, Section I. 
 
 STRASBURG, 1460. 
 
 Joh. Mentelin was the first printer in this his native city. In 1447 he was registered 
 as a qualified illuminator, and elected a member of the Society of Painters. Gutenberg 
 is supposed to have initiated him in the art of printing. 
 
 377. BIBLIA Sacra Latina [Strasburg. Mentelin]. (Exhibited in 
 Class C.) Lent by Earl Spencer. 
 
 Mr. Bradshaw, the University Librarian at Cambridge, has had the oppor- 
 tunity of examining a copy of this Bible at Freiburg, in Breisgau, of which 
 Vol. I. was rubricated in 1460, and Vol. n. in 1461. 
 
 378. BIBLIA Sacra Germanica. Supposed to have been printed by 
 Mentelin. Strasburg. Folio. 2 parts (part i exhibited in Class 
 C.). Lent by Earl Spencer. 
 
 " Editio princeps " of the sacred text in German. 
 
 379. GRATIANUS. Decretum cum apparatu. Eggesteyn. Strasburg, 
 
 1471. Folio. Lent by Earl Spencer. 
 
 First dated book printed at Strasburg. 
 
 381. VALERIUS Maximus. Comment, de Burgo. Mentelin. Strasburg, 
 
 1472. Lent by H. White, Esq. 
 
 382. TERENTII Comedise. Strasburg, 1496. Griiningen. Folio. 
 
 Lent by H. White, Esq. 
 With woodcuts. 
 
 382*.jACOBi Magni Sophologium. Mentelin. Lent by Sir Charles Reed. 
 First edition. Reprinted by Caxton in English under the title of the " Book 
 of Good Manners." 
 
 383*. THE Golden Bull. Strasburg : Joh. Prussz, 1485. Folio. 
 
 Lent by J. E. Nightingale, Esq. 
 
 Imperial Constitution made by the Emperor Charles IV. The Magna 
 Charta of the German Empire. With woodcuts. 
 
 383f.HoRTULUS anime Argetine. Joh. Knoblouch, 1507. 8vo. 
 
 Lent by Earl Beauchamp. 
 
 COLOGNE, 1465. 
 
 Ulric Zel, of Hanau, one of the employes in Fust and Schceffer's printing-office 
 at Mentz, was the first to convey the secret of the art of printing here from that city 
 on its capture by Adolphus, Duke of Nassau, in 1462.
 
 56 Canton Celebration* 
 
 387. CHRYSOSTOMUS super Psalmo L. Ulric Zel. Cologne, 1466. 
 4to. Lent by Earl Spencer. 
 
 First book printed by Zel with a date. A tract of excessive rarity. 
 
 388. SERMO in Festo Presentationis. 1470. 4to. 
 
 Lent by Earl Spencer. 
 
 The first book known to have been printed by Therhcenen, of Cologne, and 
 the earliest known to have the leaves numbered. 
 
 389. FASCICULUS Temporum. Cologne, 1474. Therhoenen. 
 
 Lent by H. White, Esq. 
 
 390. ALBERTUS Magnus, De secretis mulierum. No imprint. (Nic. 
 Gotz de Stetzstat, about 1477.) 4to. Lent by Earl Spencer. 
 
 391. GOTSCHALCHUS Hiller. Preceptorium Novum. Guldenschaff. 
 Cologne, (14)81. 
 
 Lent by the President and Governors of Sion College, London. 
 
 392. ARISTOTELIS, Textus trium librorum de Anima Koelhoff Colonien- 
 sis. 1491. Folio. 
 
 Lent by the President and Governors of Sion College. 
 
 393. CRONICA v. der Hilliger Stat va Coelle. Germ. Koelhoff. 
 Cologne, 1499. Folio. Lent by Earl Spencer. 
 
 Contains an important passage relating to the invention of printing with 
 metal types. 
 
 AUGSBURG, 1468. 
 
 Gunther Zainer, of Reutlingen, first set up a press here. He may have learnt the 
 art of printing from its first inventors. He first introduced Roman type into Germany. 
 
 394. BONAVENTURA. Meditationes Vitae Christi. Gunther Zainer. 
 Augsburg, 1468. Folio. Lent by Earl Spencer. 
 
 First book printed at Augsburg. 
 
 395. SPECULUM Vitae Humanae. Gunther Zainer. 1471. 
 
 Lent by H. White, Esq. 
 
 396. LEGENDA Sanctorum. Apparently by Gunther Zainer. 
 
 Lent by J. E. Hodgkin, Esq. 
 Very quaint pictures. First illustration of the Guillotine. 
 
 NUREMBERG, 1470. 
 
 Joh. Sensenschmidt, a citizen of Nuremberg, was the first printer. He moved his 
 press in 1481 to Bamberg. Koberger, who printed here 1471 to 1513, was distin- 
 guished by the name of " Librariorum Princeps." He is said to have had 24 presses 
 and 100 men constantly at work, besides furnishing work for presses at Basle, Lyons, 
 and other places. He printed 13 editions of the Bible.
 
 25. HDefoeloptmnt in jforeigti Countrieg, 57 
 
 397. F. DE RETZA. Comestorium Vitiorum. Nuremberg, 1470. Folio. 
 
 Lent by Earl Spencer. 
 First book printed at Nuremberg with a date. 
 
 398. THOMAS Aquinas de Veritate Catholice Fidei. Nurembergae. 
 Sensenschmidt, 1474. Lent by Robert White, Esq. 
 
 399. BIBLIA Sacra Latina. Nuremburgas. Frisner et Johannes Sen- 
 senschmid, 1475. Folio. 2 vols. (vol. i exhibited in Class C). 
 
 Lent by Earl Spencer. 
 
 400. MARCHO Polo. Von Venedig der Grost Landtfarer. Germanice. 
 Creussner. Nuremberg, 1477. Folio. Lent by Earl Spencer. 
 
 First edition. A translation from an Italian MS. 
 
 401. GLOSSA Psalterii David Magistri Petri Lombardi. Nurembergae : 
 Andr. Frisner, 1478. Folio. 
 
 Lent by the President and Governors of Sion College. 
 
 402. BOETHIUS de Consolatione Philosophic. A. Coburger, Nurem- 
 berg, 1476. Folio. Lent by H. S. Harland, Esq. 
 
 403. SPECULUM Aureum fratris Henrici Herp. Ant. Koburger. Nurem- 
 bergae, 1481. 
 
 404. CHRONICARUM Liber. Koberger. Nuremberg, 1493. Folio. 
 
 Lent by H. White, Esq. 
 
 Compiled by Hartman Schedel, a physician of Nuremberg, and containing 
 woodcuts executed by Wohlgemuth (Albrecht Diirer's master) and Pley- 
 denwurff. (Exhibited in Class G.) 
 
 405. SUMMA angelica de casibus conscientie per Angelum de Clavasio. 
 Nurembergas : Anth. Koberger, 1498. Folio. 
 
 Lent by the President and Governors of Sion College. 
 
 406. HORTULUS anime. Argetine : Johann Knoblouch, 1507. 8vo. 
 
 Lent by Earl Beauchamp. 
 Illustrated with woodcuts. 
 
 407. SPECULUM de Passione domini nostri Jesu Christi. Nuremberg : 
 Peypus, 1519. Lent by H. White, Esq. 
 
 408. BIBLIA Germanica Martini Lutheri. Peypus. Nuremberg, 1524. 
 3 vols. (vols. i and 2 exhibited in Class C.). Folio. Vellum. 
 
 Lent by Earl Spencer. 
 The Prophets which are wanting in this edition did not appear till 1532.
 
 58 Canton tltb cation. 
 
 409. DIRECTORIUM humane vite alias parabola antiquoru sapientu 
 Woodcuts. Folio. Lent by the Rev. J. F. Russell 
 
 410. STELLA Clericorum (1490). 4to. Lent by Sir Charles Reed 
 
 SPIRA, 1471. 
 
 The first work printed here bears no printer's name. Peter Drach, 1477-1504, is th; 
 first printer mentioned. 
 
 411. ALBERTI Magni Compendium. Spirae, 1473. 
 
 Lent by H. White, Esq 
 
 412. Peregrinatio % in Montem Syon. Spirae: Petrus Drach, 1490 
 Folio. Lent from the Signet Library 
 
 ULM, 1472. 
 J. Zainer, related to Gunther Zainer, first printed here. 
 
 413. ALBERTI de Padua, Sermones de Domenicis. Ulme : Johannes 
 Zainer, 1480. Folio. 
 
 Lent by the President and Governors of Sion College. 
 
 414. AUREA Biblia. Liber manualis in Biblie historias. Ulm : J. Zainei 
 de Reutlingen. 2nd edition. Lent by H. White, Esq. 
 
 415. BUCK der Weiszhait. [The Fables of Bidpai in German, from the 
 Latin version of Joannes de Capua.] Leonard Holl. Ulm, 1483. 
 8 Mai. Folio. Lent by Earl Spencer. 
 
 ESSLINGEN, 1472. 
 
 The first dated book in the type of Conrad Fyner, who is supposed to have been th 
 only printer in this town during the sixteenth century, is dated 1472. 
 
 416. PETRI Lombardi Glossa ordinaria in Epistolas Pauli. Esslingoe. 
 Conrad Fyner. Folio. 
 
 Lent by the President and Governors of Sion College. 
 
 LUBECK, 1475. 
 Lucas Brandis, after printing in Saxony, first established a press here. 
 
 417. BIBLIA Lingua Saxonica inferiori. Lubec, 1491. Folio. 2 vols 
 (vol. i exhibited in Class C.). Lent by Earl Spencer 
 
 An edition in great estimation on account of its rarity, according to Vogt 
 With large woodcuts.
 
 23. BDctielopmem; in jpoceiffn Countries. 59 
 
 418. DAT Bok der Medelydinghe Marien. Lubec, 1498. Arnd. i2mo. 
 
 J. E. Hodgkin, Esq. 
 With curious woodcuts. Excessively rare. 
 
 TUBINGEN, 1498. 
 
 Johannes Ottmar was the first to print in this town of Wirtemburg. 
 
 419. TERENTII Comcedise. Tubingse in sedibus Thomae Anselmi 
 Badensis, 1516. Lent by Sir Charles Reed. 
 
 ITALY. 
 
 SUBIACO, 1462. 
 
 On the capture of Mentz by Adolphus of Nassau, Conrad Sweynheym and Arnold 
 Pannartz, two of Gutenberg's and Schoeffer's workmen, took refuge in Italy, and set 
 up a printing-press in the Monastery of Subiaco. They first produced a small school- 
 book, which they named " Uonatus," of which no authentic copy has been found, and 
 the three following works : 
 
 420. CICERO de Oratore. Libri III. Subiaco. 410. 
 
 Lent by Earl Spencer. 
 
 First known book printed in Italy. A copy of this work at Lugano contains 
 some manuscript notes, with the date September, 1465. The "Lactantius" 
 was printed October, 1465. 
 
 421. LACTANTIUS adversus gentes de ira Dei. Subiaco, 1465. Folio. 
 
 Lent by Earl Spencer. 
 The first work printed in Italy with a date. 
 
 422. AUGUSTINUS de Civitate Dei. Subiaco : Sweynheym and Pannartz, 
 1467. Lent by Earl Spencer. 
 
 ROME, 1467. 
 
 Sweynheym and Pannartz set up a printing-press in the house of Peter and Francis 
 de Maximis, who had induced them to leave Subiaco and come to Rome. In 1474 
 the partnership broke up, as Sweynheym wished to devote himself to the art of copper- 
 engraving. They were the first to make use of Roman characters, and their works 
 are rare, as they only struck off 275 or 300 copies of each edition. Almost all their 
 publications were revised by J. Andreas, Bishop of Aleria. 
 
 423. CICERO ad familiares. Sweynheym and Pannartz. Rome, 1467. 
 
 Lent by Earl Spencer. 
 
 First impression of the first book printed at Rome, and the first edition in 
 which these two printers' names appear. First book printed in Roman 
 characters.
 
 60 Ca.rton Celeb cation* 
 
 424. VIRGILIUS. Sweynheym and Pannartz. Rome, about 1469. 
 Folio. Lent by Earl Spencer. 
 
 First edition. Very rare. 
 
 425. PLINIUS Senior. Sweynheym and Pannartz. Rome, 1470. Folio. 
 Vellum. Lent by Earl Spencer. 
 
 426. AUGUSTINUS de Civitate Dei. Romae, 1470. 
 
 Lent by H. White, Esq. 
 
 427. BIBLIA Latina Vulgata. Sweynheym and Pannartz. Rome, 1471. 
 Folio. 2 vols. (vol. i exhibited in Class C.). 
 
 Lent by Earl Spencer. 
 
 The second Bible printed with a date, the Mentz Bible, 1462, having been 
 the first, and the first printed at Rome. Only 275 copies were struck off. 
 
 428. TURRECREMATA (Torquemada). I. de. Meditationes. Ulric Han. 
 Rome, 1467. Folio. Lent by Earl Spencer. 
 
 Ulric Han, the first printer at Vienna, settled in Rome on the invitation of 
 the Pope's Nuncio, Torquemada. 
 
 429. CHRONICON Pontificum Imperatorumque. J. de Lignamine. 
 Rome, 1474. Folio. Lent by Earl Spencer. 
 
 First edition. Contains the earliest printed memorandum respecting the 
 ancient printers. 
 
 430. PINDAR. Olympia, Nemea, Pythia, Isthmia. Romae : Zacharias 
 Calergi, 1515. 4to. Lent by T. Jenner, Esq. 
 
 The first book printed in Greek at Rome. 
 
 430*. Bull of Pope Sixtus IV., Rome. 
 
 MILAN, 1469. 
 
 Philip de Lavagna, as appears by the colophon to his " Treatise on Medicine," by 
 Avicinus, 1473, was the first printer here. 
 
 431. LASCARIS, Grammatica Graeca. Dionysius Paravisinus. Milan, 
 1476. 4to. Lent by Earl Spencer. 
 
 First edition of the first book printed in Greek. This was composed for the 
 daughter of Francis Sforza, Duke of Milan, into whose house Lascaris had 
 been received on taking refuge in Italy, with many of his countrymen, after the 
 taking of Constantinople. 
 
 432. yEsopus. Vita et Fabulae. Gr. et Lat. 4to. Printed at Milan, 
 about 1480. Bonus Accursius. Lent by Earl Spencer. 
 
 First edition of the first Greek Classic printed. 
 
 433. OFFICIA Ambrosii. Mediolani: Christopher. Valdarfer, 1474. 4to. 
 
 Lent by Earl Spencer. 
 
 First book produced at Milan by Valdarfer, who had already printed at 
 Venice.
 
 B* ^Development in foreign C0tmtrfe0, 61 
 
 VENICE, 1469. 
 
 Johannes Spira first introduced printing into Venice, which was the capital of the 
 3rinting-press, between 1465 and 1500, and, according to Panzer, issued 2980 works, 
 :xecuted by no fewer than 198 printers. 
 
 434. CICERO ad familiares. Venice : Joh. Spira, 1469. Folio. Vel- 
 lum. Lent by Earl Spencer. 
 
 First book printed at Venice, and the first in which Joh. Spira's name 
 appears. According to Van Praat, six copies only on vellum are known. 
 Joh. Spira died in 1470, and was succeeded by his brother Vindelin. 
 
 435. PETRARCA. Sonetti e Trionfi. Vindelin di Spira. Venice, 
 1470. Lent by Earl Spencer. 
 
 First edition of Petrarch. 
 
 436. JOANNIS Bocaccii de Certaldo, de montibus, &c. Venetiis, 1473. 
 
 Lent by H. White, Esq. 
 Probably by Vindelin di Spira. 
 
 437. BIBLIA Italica. Malherbi. Kal. Aug. Vind. de Spira. Folio. 
 2 vols. (vol. i exhibited in Class C.). Lent by Earl Spencer. 
 
 Oldest Italian version known. In Roman type. 
 
 438. EUSEBII libri de prseparatione evangelica. Jenson. Venice, 
 1470. Lent by H. White, Esq. 
 
 First edition. 
 
 439. ARETINO, Leonardo. De Bello Italico adversus Gothos. N. 
 Jenson, 1471. Folio. Lent by W. Blades, Esq. 
 
 440. OFFICIUM beate virginis. Venetiis: N. Jenson, 1475. iSmo. 
 
 Lent by Earl Spencer. 
 
 441. CICERO de Oratore. Christopher Valdarfer. Venice, 1470. Folio. 
 
 Lent by Earl Spencer. 
 Earliest production of Valdarfer's press. 
 
 442. BOCCACIO. II Decamerone. Venice: Valdarfer, 1471. Folio. 
 (Exhibited in Class D, Section i.) Lent by Earl Spencer. 
 
 443. BONIFACIUS VIII. Liber sextus Decretalium. Jenson. Venice. 
 1476. Folio. Vellum. Lent by Earl Spencer. 
 
 444. DIALOGO di S. Gregorio. Venice, 1475. Lent by H. White, Esq. 
 
 445. SERAPIONIS Opus de simplicibus. Venetiis : Rainaldus de 
 Novimagio, 1479. Folio. 
 
 Lent by the President and Governors of Sion College.
 
 62 Canton Celebration* 
 
 446. ^EGIDIUS Romanus de Sententiis. Venice, 1482. Folio. 
 
 Lent by H. White, Esq 
 
 447. MISSALE secundum consuetudinem Fratrum Prsedicatorum 
 Venetiis : Andreas de Torresanis de Asula, 1496. Folio 
 Vellum. Lent by Earl Spencer 
 
 This copy has illuminations and ornamental initials. Andreas Asulanus, th< 
 successor of Nicolas Jenson, commenced printing at Venice in 1480. He wa: 
 father-in-law of Aldus, and after 1506 assisted him in carrying on the Aldin< 
 Press. 
 
 448. Mus^us. Gr. et Lat. Aldus. Venice. 4to. About 1494. 
 
 Lent by Earl Spencer 
 
 Supposed to be the first hook printed by Aldus Pius Manutius, the head o 
 the celebrated Aldine family of Venetian printers. A Roman by birth, hi 
 first made himself known at Venice in 1488 by giving public lectures in Greel 
 and Latin. He was on most intimate terms with all the scholars of his day 
 and formed what was known as the "Aldine Academy," which counted amon! 
 its members P. Bembo, Erasmus and Demetrius, Chalconclylas, who assistec 
 him in superintending the production of his works. Twenty-eight first edition 
 of Greek classics, besides editions of almost every Greek and Latin autho 
 of celebrity, appeared from his press, and he was on the point of publishing ; 
 Bible in Hebrew, Greek, and Latin, which would have been the first Polyglot 
 when he died in 1515. 
 
 449. GALEOMYOMACHIA. Tragoedia graeca cum pnefatione Aristobul 
 Apostolii hierodiaconi. Lent by Earl Spencer 
 
 One of the earliest productions of Aldus. 
 
 450. BEMBUS, Petrus. De ^Etna ad Angelum Chabrielem liber. Venice 
 Aldus, MVD. Lent by Earl Spencer 
 
 First Latin book printed by Aldus. 
 
 451. HORAE beatiss. virginis. Greek. Venice: Aldus, 1497. i6mo 
 
 Lent by Earl Spencer 
 This book is of the greatest rarity. 
 
 452. FIRMICIUS, Julius. Astronomicorum libri octo. "Venetiis cur: 
 & diligentia Aldi Ro." 1499. Folio. Lent by Earl StanJwpe 
 
 453. EpisxoLjE Variorum Auctorum Gr. Venice. Aldus, 1499. 
 
 Lent by H. White, Est] 
 
 454. POLIPHILO. Hypnerotomachia. Venice : Aldus, 1499. Folio 
 (Exhibited in Class G.) Lent by Earl Spencer 
 
 455. VIRGILIUS. Venetiis. Aldus. " Mense Aprilis," 1501. 8vo 
 Vellum. Lent by Earl Spencer 
 
 First book printed in Italic type, and the earliest attempt to produce cheaj 
 books by compressing the matter into a small space. It is said that the typ< 
 was invented in imitation of Petrarch's handwriting. Renouard mentions onlj 
 six copies on vellum.
 
 23, SDefcetopment m jforeiffn Countries 63 
 
 456. PETRARCH. Venegia. Aldus, 1501, "del mese de Luglio." 
 Vellum. 8vo. Lent by Earl Spencer. 
 
 The first Italian book printed in italic type, with MS. notes by Cardinal 
 Bembo, who edited this work from an autograph manuscript of Petrarch's. 
 
 457. DANTE. Aldus, 1502. Venetiis. Mense Aug. 8vo. 
 
 Lent by Earl Spencer. 
 
 A complete copy, 244 leaves. Renouard quotes this edition as the first in 
 which Aldus employed the device of the anchor and dolphin. 
 
 458. OVIDIUS. Opera. Venetiis. In sedibus Aldi, 1502-03. 3 vols. 
 8vo. Vellum. Lent by Earl Spencer. 
 
 459. ANTHOLOGIA Graeca. Venetiis. Aldus, 1503. 8vo. First edi- 
 tion. Lent by Earl Spencer. 
 
 461. PINDARUS. Callimachus. Dionysius. Lycophron. Gr. Venice. 
 Aldus, 1513. 8vo. Vellum. First edition. Lent by Earl Spencer. 
 
 Interesting preface in which Aldus gives an account of his labours, and states 
 that he had been printing for .20 years. 
 
 463. SIMPLICII Hypomnemata in Aristotelis categorias. Gr. Venice. 
 Calliergus, 1499. First edition. Lent by H. White, Esq. 
 
 464. MissALEVallisumbrose. Vellum. Venice: Lucantonio di Giunta, 
 1503. Folio. Lent by Earl Spencer. 
 
 Philip Giunta and other members of that family printed at Florence. 
 
 465. GRADUALE Romanum. Correctum per fratrem Franciscum de. 
 Brugis ordinis minorum de observantia. Venice : Lucantonio di 
 Giunta, 1515. Folio. Lent by A. Cohn, Esq. 
 
 This handsome service-book has the initial letters and music-staves printed 
 in red, with the text and notes subsequently printed in black ink. 
 
 FOLIGNO, 1470. 
 
 Emilias de Orfinis, having induced J. Numeister and other German printers to come 
 o Foligno, established a press in his own house. 
 
 466. DANTE. La Divina Commedia. Numeister. (Foligno), 1472. 
 Folio. Lent by Earl Spencer. 
 
 Supposed to be the first edition of Dante, claiming precedence of the Jesi 
 and 'Mantua editions of the poet executed in this year.
 
 64 Ca,rton Celebration. 
 
 BOLOGNA, 1471. 
 
 Balthazar Azzoguidi was the first to print in this his native city, as is recorded in his 
 Ovid of 1471. 
 
 467. OVIDIUS. Balth. Azoguidi. Bologna, 1471. Folio. 3 vols. 
 
 Lent by Earl Spencer. 
 First book printed at Bologna. Extremely rare. 
 
 FERRARA, 1471. 
 Andreas Gallus, of French origin, first introduced the art of typography here. 
 
 468. ARIOSTO. Orlando furioso. Ferrara per Maestro Majorco del 
 Bondeno. 1516. 4to. Lent by Earl Spencer. 
 
 First edition of this poem, containing only 40 cantos. 
 
 FLORENCE, 1471. 
 
 Bernardo Cennini, a goldsmith, first established printing here. 
 
 469. SERVII Commentarii in Virgilium. Bern. & Dom. Cenninus. 
 Florence, 1471-72. Folio. Lent by Earl Spencer. 
 
 First dated book, hitherto discovered, printed at Florence. 
 
 470. HOMERUS. Opera omnia. Demetrius Cretensis. Florence, 1488. 
 Folio. Lent by Earl Spencer. 
 
 First edition of Homer. Printed at the expense of the brothers Nerli, from 
 a copy prepared by Demetrius Chalcondylas of Athens. 
 
 471. BERLINGHIERI Geographia. Firenze. Nicolo Todescho. 
 
 Lent by David Laing Esq. 
 
 NAPLES, 1471. 
 
 Sixtus Riessinger, a priest of Strasburg, imported printing here. King Ferdinand, 
 anxious that he should settle in his states, offered him a bishopric, which he refused. 
 He afterwards went to Rome. 
 
 472. BIBLIA Latina. Mathias Moravus, Neapoli, 1476. Folio. Vellum. 
 
 Lent by Earl Speticer. 
 
 Brunei mentions only four copies on vellum. Matt. Moravus, of Olmutz, 
 printed at Genoa with Michael de Monacho in 1474, and settled next year at 
 Naples. 
 
 .MANTUA, 1472. 
 
 474. BOCCACIO. II Decamerone. Petrus Adam de Michaelibus. 
 Mantua, 1472. Folio. Lent by Earl Spencer. 
 
 Supposed to be the first production of the Mantua Press.
 
 3Debelopment in jForeigti Countries 65 
 
 PADUA, 1472. 
 
 Bart, de Valdezochio and Mart, de Septem Arboribus were the first printers. 
 
 475. BOCCACIO. La Fiammetta. Valdezocchio. Padua, 1472. 4to. 
 
 Lent by Earl Spencer. 
 First book printed at Padua. 
 
 476. ANDREAS, Ant. Quaestiones de tribus principiis rerum naturalium. 
 Laurentius de Lendenaria. 1475. (Patavii.) Folio. 
 
 Lent by the President and Governors of Sion College. 
 
 477. GUILELMI Duranti, Speculum judiciale. Joannes ex Alemania de 
 Seligenstad. Patavii, 1479. Folio. 
 
 Lent by the President and Governors of Sion College. 
 
 SIENNA, 1479. 
 The earliest known book here is a work by Franciscus de Aretio. 
 
 478. ARISTOTELIS, Oeconomicorum libelli. Impraess. Senis per 
 Symeone Nicolai Nardi. 1508. 4to. 
 
 SONCINO, 1484. 
 
 De Rossi gives this as the earliest date of the first production of the Soncino 
 Press, from which issued, in 1488, the editio princeps of the entire Hebrew Bible, of 
 which Van Praet mentions only thirteen copies. 
 
 479. RABBI Mosis Maimonidis Jad achazaka seu manus fortis. Son- 
 cino, 1490. Folio. 
 
 Lent by the President and Governors of Sion College. 
 
 FRANCE. 
 PARIS, 1470. 
 
 Lewis XI. in 1462 sent Nicholas Jenson, master of the Mint at Tours, to Mentz, to 
 acquire the art of printing. Instead of returning to France, Jenson betook himself, 
 after some years, to Venice, where he established a press in 1469. Guillaume Fichet, 
 and Jean de la Pierre, two members of the Sorbonne, induced three working printers- 
 Ulric Gering, Martin Crantz, and Michel Friburger to come from Germany to Paris, 
 fitting up a room for them in the Sorbonne, where they commenced printing in 1470. 
 Panza enumerates 85 printers, and over 790 works executed at Paris during the 
 fifteenth century. 
 
 480. GASPARINUS Pergamensis (Barzizius). Folio. 
 
 Lent by Earl Spencer. 
 Supposed to be the first book printed at Paris. 
 F
 
 66 Canton Celebration* 
 
 481. BIBLIA Latina Vulgata. Paris : Gering, Crantz, and Friburger, 
 1475-76. Folio. 2 vols. (Vol. i exhibited in Class C). 
 
 Lent by Earl Spencer. 
 
 First Bible printed at Paris. The type is peculiar, between the Roman and 
 Gothic. 
 
 482. CRONIQUES de France. Pasquier Bonhomme, 1476. Folio. 
 3 vols. Lent by Earl Spencer. 
 
 First French book printed at Paris. 
 
 483. COUTUMES du pays de Normandie. Folio. 1483. Vellum. 
 
 Lent by Earl Spencer. 
 From the press of Jean du Pre, Paris. First edition. 
 
 484. ANTIDOTARIUM Salutiferum. Parisius : Petrus le Dm, 1499. 
 
 Lent by Earl Beauchamp. 
 
 485. ISIDORI Hyspalensis Episcopi prasclarissimum opus. Parhisii : 
 Georgius Wolff et Thielman Kerver, 1499. 
 
 Lent by the President and Governors of Sion College. 
 
 486. HEURES a 1'usaige de Rome. Paris : Thyelma Kerver, 1499. 
 8vo. Lent by the Rev. W. Gott. 
 
 Text surrounded with border ornamented with woodcuts. 
 
 487. ISIDORI Hyspalensis Ethimologiae. Parisiis : Wolff et Kerver, 
 
 1499. Lent by the President and Governors of Sion College. 
 
 488. HEURES a "1'usaige" de Rome. Paris: Philippe Pigouchet, 
 
 1500. On vellum. Folio. Lent by the Rev. W. Gott. 
 Text surrounded with border, ornamented with woodcuts. 
 
 490. PSALTERIUM Quincuplex. Parisiis : H. Stephanus, 1509. Folio. 
 
 Lent by Earl Spencer. 
 
 Henricus Stephanus (1460-1520) was the head of the illustrious and learned 
 family of that name, which for a century and a half carried on the business of 
 printing at Paris. 
 
 492. COMMENTARII in Lucretium. Jodocus Badius Ascensius. Folio. 
 
 Lent by W. Blades, Esq. 
 
 On the title-page there is the earliest representation of a printing press. 
 Jodocus Badius, surnamed Ascensius from his birthplace Assche, near Brussels, 
 established a press at Paris about 1512. He was father-in-law to the two cele- 
 brated printers, Robert Stephens and Vascosan.
 
 25* 2Detelopment in foreign Countries 67 
 
 493. GILLES de Romme. Regime et gouuernemet des Princes. 
 Paris: Guillaume Eustace, 1517. Folio. 
 
 Lent by W. Blades, Esq. 
 
 494. CRONIQUES de France. Paris : Anthoine Verard. 
 
 Lent by the Consistory of the Dutch Church, Austin Friars. 
 
 495. THERENCE. Paris : Verard. Folio. With woodcuts. 
 
 Lent from the Signet Library, Edinburgh. 
 
 LYONS, 1473. 
 
 Bart. Buyer, of a good family at Lyons, first exercised the typographic art in his 
 lative city. The first book printed at Lyons is " Lotharii Diaconi Compendium," 
 Bartholomseus Buyer, 1473. 4to. 
 
 496. LA Legende Doree. Earth. Buyer. Lyons, 1476. Folio. 
 
 Lent by Earl Spencer. 
 First edition of this work in French. 
 
 497. BREYDENBACH. Peregrinations de Jerusalem. Lyon : Michel 
 Topic de Pymont et J. Heremberck, 1488. Folio. 
 
 Lent from the Signet Library, Edinburgh. 
 
 498. RECUEIL des Histoires de Troye. Michel Topic. Lyons, 1490. 
 Folio. Lent by Earl Spencer. 
 
 ROUEN, 1483 or 1487. 
 
 Printing was introduced here by means of the Lallemant family, who at their 
 >wn expense set up a press under the superintendence of Martin Morin and P. Manfer, 
 vhom they had had instructed in the typographical art at Paris or in Germany. 
 
 500. TENORES Novelli. Impressi per me Wilhelmu le tailleur in opu- 
 lentissima civitate rothomagensi juxta prioratum sanctilaudi ad 
 instantiam Richardi Pynson. Folio. 
 
 Lent from the Inner Temple Library. 
 
 Richard Pynson, "in partibus Normandiae oriund," according to the letters 
 of naturalization granted him by Henry VII., came from Rouen. 
 
 SWITZERLAND. 
 
 MUNSTER IN AARGAU, 1470. 
 
 501. MAMOTRECTUS siue expositio Vocabulorum in Bibliis. Helyas 
 Helye alias de Louffen. Ergowie, 1470. Folio. 
 
 Lent by Earl Spencer. 
 First book printed in Switzerland with a date.
 
 68 Canton Celebration* 
 
 BASLE, 1474. 
 
 Bertholdus Rot, one of Gutenberg's associates, or Bernardus Richel, was the first 
 printer. One of the most eminent printers in this city was Johannes Froben, who pro- 
 duced the first published Greek Testament in 1516, edited by Erasmus. 
 
 502. MICHAELIS de Carchano Mediolanensis Sermonarium Triplica- 
 tum. Basilese : Mich. Wenssler, 1479. Folio. 
 
 Lent by the President and Governors of Sion College. 
 
 503. MORALIA Sancti Gregorii. Basileae : Nicolaus Kesler, 1496. 
 Folio. Lent by the President and Governors of Sion College. 
 
 504. BRANT. Stultifera Navis. J. B. de Olpe. Basil, 1497. 4to. 
 
 Lent by H. White, Esq. 
 Exhibited in Class D. The earliest edition. 
 
 505. NOVUM Testamentum Erasmi. Gr. et Lat. Basil : Froben, 
 1516. Folio. 2 vols. (Vol. i exhibited in Class C.). 
 
 Lent by Earl Spencer. 
 
 First edition of the Greek New Testament, which having been executed, as 
 it is reported, in five months, abounds in errors which were corrected in sub- 
 sequent editions. 
 
 J. Froben, of Franconia, studied at the University of Basle, where he began 
 printing in 1491. He was on terms of intimacy with the "savants" of the 
 day, and was highly praised by Erasmus for his generosity and disin- 
 terestedness. 
 
 GENEVA, 1478. 
 
 The first printer here is unknown, as all the impressions bear no name before 1480, 
 in which year Adam Steynschawer was the first to print. 
 
 506. LIVRE des Sains Anges. 1478. Folio. " Imprime a genefih" 
 
 Lent by Earl Spencer. 
 First book printed at Geneva. 
 
 LOW COUNTRIES. 
 
 UTRECHT, 1471-73. 
 
 The first town of Holland in which typography was practised. Nic. Ketelaer and 
 Gherardus de Leempt were the first printers who put their names or an imprint to their 
 books here ; but from the fact that the woodcuts of the " Speculum" (a copy of which 
 is exhibited among the Block Books), when first cut up and used to illustrate other 
 books, occur in books printed at Utrecht in 1481, it is at least possible that the whole 
 group of books printed in the types of the " Speculum," which were formerly attri- 
 buted to Coster, were in reality printed here. A copy of one of these books, now at 
 the Hague, was bought during the period 1471-74; they must therefore at least be 
 placed back as far as that date.
 
 B, ^Development in. jforeiffn Countries, 69 
 
 507. FASCICULUS Temporum. Utrecht : J. Veldenaer, 1480. Folio. 
 
 Lent by F. Muller and Co. 
 
 Veldener had already printed at Louvain in 1476, and in 1483 set up a 
 press at Culemberg. 
 
 ALOST, 1473. 
 
 Johannes de Westfalia, the earliest printer in Belgium, printed his first work here 
 in 1473, in conjunction with Thierri Martens. He removed to Louvain between June 
 and December, 1474, and continued working there until 1496. Th. Martens, after 
 producing one book by himself in October, 1474, ceases altogether until he re-appears 
 as a master printer at Alost in 1487, from which time he continued an uninterrupted 
 course, either at Alost, Antwerp, or Louvain, for more than forty years. He has been 
 called the "Aldus" of the Low Countries. 
 
 508. SPECULUM Conversionis Peccatorum. Alost, 1473. 4 to - 
 
 Lent by Earl Spencer. 
 First book printed in the Low Countries with a date. 
 
 BRUGES, 1476. 
 
 Colard Mansion, a caligraphist of Bruges, left that city in 1469 to learn the art of 
 typography, the knowledge of which he subsequently imparted to Caxton. On his 
 return to Bruges he commenced printing, about 1476. Only twenty works of his are 
 known, and after 1484 nothing more is heard of him. 
 
 509. BOECE de Consolation de Phylosophye. Bruges : Colard Man- 
 sion, 1477. Folio. Lent by Earl Spencer. 
 
 DEVENTER, 1477. 
 
 510. QUATUOR Novissima. Daventriae per Jacobum de Breda, 1494^ 
 
 Lent by Sir Charles Reed. 
 
 DELFT, 1477. 
 Jacob Jacobs and Maurice Yemenis were the first printers here. 
 
 511. VETUS Testamentum Belgicum. Delft: Jacobs and Yements, 
 1477. 2 vols. Sm. folio. (Vol. i exhibited in Class C.). 
 
 Lent by Earl Spencer. 
 
 The first and only work known in which these two printers' names appear. 
 It does not contain the Book of Psalms. The first impression of the Old 
 Testament in Dutch. 
 
 512. BOUTILLIER. Somme rurael ghepre te Delff in Hollant : 
 Jacobsz van der Meer, 1483. Folio. 
 
 Lent by F. Muller and Co.
 
 70 Ca.rtoit Celebration, 
 
 GOUDA, 1477. 
 
 The press was first established here by Gerard Leeu, who in 1484 went to 
 Antwerp. 
 
 513. DYALOGUS creaturarum appellatus jucundis fabulis plenus. Per 
 gerardum leeu in opido goudensi finitus est 1482. With wood- 
 cuts. 410. Lent by Her Majesty the Queen 
 
 ANTWERP, 1482. 
 
 The earliest book known from this town was printed by Mathis van der Goes. 
 Gerard Leeu printed here in 1480, and Christopher Plantin, one of the most celebrated 
 of the Antwerp printers, produced his first work here in 1555. 
 
 514. LYNDEWODE, Constkutiones provinciates Anglic. Antwerpie, 1525. 
 
 Lent by Earl Beauchamp. 
 
 HAERLEM, 1483. 
 
 The first book printed here bearing a date is " Lyden ende die Passi. . . . voleyn- 
 det tot Haerlem in Hollant 1483 den 10 dach in decembri," 4to., of which only one 
 copy is known to exist. On the last leaf Jacob Bellaert's mark appears. 
 
 515. LAURENTIUS. Summe le roy of des Conines summe. Haerlem: 
 Jacob Bellaert, 1484. Lent by F, Muller and Co, 
 
 AMSTERDAM, 1523. 
 
 Panzer gives " Luther's New Testament" translated into Dutch, printed by Doen 
 Pieterson, 1524, as the earliest specimen. 
 
 517. LA Saincte Bible. Amsterdam: chez Louis et Daniel Elzevier, 
 1669. Folio. 2 vols. (Vol. i exhibited in Class C.) 
 
 Lent by Earl Spencer. 
 
 SPAIN. 
 
 SEVILLE, 1476. 
 
 Printing was introduced here by three Spaniards Ant. Martinez, Earth. Segura, 
 and Alph. del Puerto. Numerous and valuable works were produced here during the 
 fifteenth century.
 
 B + Development in jforeijjn Countries 71 
 
 518. LEYES de Partida. " Imprimidas son estas siete partidas enla 
 muy noble t muy leal ciudad de Sevilla por Meynardo Ungut 
 Al'amanno 1 Lanc.alao Polono conpaneros." 1491. Folio. 
 
 Lent by Lord Hatherley. 
 
 BURGOS, 1485. 
 
 The earliest authenticated specimen of Burgos typography was printed by Fride- 
 ricus de Basilea in 1485. 
 
 519. COPILACION de Leyes. Burgos: Fadrique Aleman, 1488. Folio. 
 
 Lent by A, Co/in, Esq. 
 A fine specimen of printing by Fridericus de Basilea. 
 
 TOLEDO, 1486. 
 
 Johannes Vasquez was the first printer, who was succeeded by Juan Tellez in 1495, 
 and by Peter Hagembach, a German, in 1498. 
 
 520. BREVIARIUM secundum regula beati Ysidori dictum Mozarabes 
 " Impssum i regali civitate Toleti per magistrum Petru Hagembach 
 Alemanu." 1502. Folio. Lent by Earl Spencer. 
 
 This copy formerly belonged to Jean Baptiste Colbert. 
 
 VALLADOLID, 1493. 
 
 proximate date of tl 
 isting in a monaster 
 
 521. LECTURA legum. Valisoleti, 1539. 
 
 Mendez gives this as the approximate date of the introduction of printing at Valla- 
 dolid. In 1 500 a press was existing in a monastery of this city. 
 
 Lent by W. H. Rylands, Esq. 
 
 ALCALA, 1502. 
 
 Mendez has given us evidence that the Alcala Press was at work in 1502. It will 
 ever be famous in the annals of literature from its having given to the world the first 
 Polyglot Bible. 
 
 522. BIBLIA Polyglotta Cardinalis Francisci Ximenez. In Complu- 
 tensi Universitate. A. de Brocario, 1514-17. 6 vols. Folio. 
 
 Lent by the President and Governors of Sion College. 
 First Polyglot Bible. Printed at the expense of Cardinal Ximenes. Did 
 not receive the sanction of Pope Leo X. until 1520 for publication. Copies, 
 of which only 600 were printed, were not circulated until 1 522. 
 
 TURKEY. 
 CONSTANTINOPLE, 1490. 
 
 The earliest printing here was that of the Jews, who are believed to have executed 
 Hebrew works until 1 598. In the seventeenth century Metaxa, a Greek, endeavoured 
 to establish another printing office, but his attempt was defeated by the Jesuits, and an 
 Armenian press brought from Venice was established here, which in a short time the 
 janissaries received orders to destroy. The first printed Turkish book appears to 
 have been a Turkish-Arabic Lexicon, 1726.
 
 72 Canton Celebration* 
 
 DENMARK. 
 
 SCHLESWIG. 
 
 5 2 2*. Colophon of the first Missal printed in Denmark. Schleswig : 
 Stephen Arndes, 1486. Lent by Henry Wilson, Esq. 
 
 A Facsimile. 
 
 COPENHAGEN, 1493. 
 
 Three books are remaining which were executed here in the fifteenth century by 
 Gothefridus de Ghemen. 
 
 523. SI^LANTZ Low. Tryckt i Kopehaffn. 1505. 4to. 
 
 ICELAND. 
 
 HOLUM, 1530. 
 
 The first printing place in Iceland was established here under the auspices of John 
 Areson, Bishop of Reikiavik, by Matthiesson, a Swede, who brought with him a 
 printing-press from his native country. The first edition of the Icelandic Bible (ex- 
 hibited in Class C.) was printed in 1584. 
 
 5 23*. Title-page of Icelandic Code of Law. Holum, 1578. 
 
 Lent by Henry Wilson, Esq. 
 A Facsimile. 
 
 5 23f-Colophon of Icelandic Code of Law. Holum, 1578. 
 
 Lent by Henry Wilson, Esq. 
 A Facsimile. 
 
 5 23 . Illustration from the first Bible printed in Iceland, 1584. 
 
 Lent by Henry Wilson, Esq. 
 A Facsimile. 
 
 UNITED STATES. 
 
 Cambridge, in Massachusetts, was the cradle of the art of printing in the United 
 States. The first book printed here, the Bay Psalm Book, was produced in 1640, 
 by Stephen Daye, a printer, who left England with the Rev. Joseph Glover, a Non- 
 conformist minister who proposed to establish a press in New England, but who died 
 on the passage out. The Bay Psalm Book may be seen in the collection of Bibles. 
 
 PHILADELPHIA, 1686. 
 
 William Bradford, of Leicester, in England, set up a press near this place, and in 
 1689 moved into the city. Benjamin Franklin commenced here the business of a 
 printer on his own account, and continued it until 1765. 
 
 524. ANALYSIS of a General Map of the Middle British Colonies in 
 America, by Lewis Evans. 4to. Philadelphia, 1755. Printed 
 by Benjamin Franklin and D. Hall. Lent by the Earl of Leicester. 
 
 A present from Franklin to Thomas, Earl of Leicester. The inscription is in 
 Franklin's handwriting when he was a printer at Philadelphia, 
 
 525. CATO Major. Printed by Benj. Franklin. Lent by G. Tawse, Esq. 
 
 With presentation autograph from Franklin to General Washington. 
 
 CHARLES BRUCE.
 
 Clagfgf B* - ^Development in foreign Countries* 73 
 
 SECTION V. 
 
 PRODUCTIONS OF NATIVE PRESSES IN THE EAST. 
 Lent by Nicolas Triibner, Esq. 
 
 INDIA. 
 
 Bombay Presidency. 
 
 526. :g*jij9 iUaL. Shahnameh Firdusi. The Great Epic of Persia. 
 Published at Bombay. With illustrations. In Persian. 
 
 527. RAMAYANA, the celebrated Poem of Valmiki, with a Commentary 
 called Tilaka. Published at Bombay. In Sanskrit. 
 
 528. BALA Bhasha Vyakarana. A Prakrit Grammar. Published at 
 Bombay. In Prakrit. 
 
 529. ORIENTAL Eras. Published at Bombay. In Mahrathi. 
 
 530. BHAGAVADGITA. Bound in silk, Oriental style. Published at 
 Bombay. In Sanskrit. 
 
 531. VIKRAMORVASI. Gujarathi edition. Published at Bombay. In 
 Gujarathi. 
 
 532. HUZVARESH-PEHLEVI Glossary. Published at Bombay. In Huz- 
 varesh-Pehlevi. 
 
 533. GUJARATHI Huzvaresch Glossary. Published at Bombay. In 
 Gujarathi and Huzvaresh. 
 
 534. SINDHI Primer. Published at Kurachee. In Sindhi. 
 
 NORTH-WESTERN PROVINCES, PUNJAB, &c. 
 
 535. KALID i Afghani. Published at Peshawar. In Afghan. 
 
 536. ADI Granth. The Sacred Book of the Sikhs. Published at 
 Lahore. In Punjabi. 
 
 537. THE Koran. Published at Luckhnow. i6mo. In Arabic. 
 
 538. THE Koran. Another edition. 8vo. 
 
 539. THE Koran. Another edition. 4to. 
 
 540. .(jUsl &{~* Hyat i Afghani. History of Afghan. Published at 
 X/ukhnow. In Hindustani. 
 
 541. .olSjli*^ c-*lsF 'Ajaib Almakhlukat. The Wonders of Creation. 
 With many coloured illustrations. Published at Lucknow. In 
 Persian.
 
 74 Canon Celebration* 
 
 542. . JUi^s? As Sahih li Muslim hy Abul Husain Muslim ben al 
 
 Hajjaj. Published at Mirtah. In Arabic. 
 543- -(Sj^ r^ Sahih al Buchari. The most celebrated of the iix 
 
 great collections of the traditions about Muhammad. Published 
 at Mirtah. In Arabic. 
 
 544. GEOGRAPHICAL Description of the Panjab. Published at Lodiana. 
 In Panjabi. 
 
 545. BRIHAT Jataka. An astronomical work. Published at Benares. 
 In Sanskrit. 
 
 546. KASIKA. Commentary on Panini. Published at Benares. In 
 Sanskrit. 
 
 547. SINGHASANA Battisi. Published at Benares. In Hindi. 
 
 548. SELECTIONS (Hindi) by Sivaprasad. Published at Benares. In 
 Hindi. 
 
 549. . jH ^^4 Mizan-ul-Hugg. Controversy between Christians and 
 Muhammedans. Published at Agra. In Persian. 
 
 550. .(jx~> pZ* ^l^J^ Gulistan Scheich Sadi. Published at Delhi. 
 In Persian. 
 
 551. ROMANIZED Tibetan Dictionary. Published at Kyelang, in British 
 Lahoul. In Tibetan. 
 
 BENGAL. 
 
 552. SABDAKALPADRUMA. Large Sanskrit Dictionary, printed at Cal- 
 cutta in Bengali characters. Part XVII. (Will be completed in 
 about seven 4to. volumes.) In Sanskrit. 
 
 553. VACHASPATYA. Sanskrit Dictionary by Taranatha Tarkavachas- 
 pati. Part VIII. Published at Calcutta. In Sanskrit. 
 
 554. VRATAMALA. Published at Calcutta. In Bengali. 
 
 555. URIYA. Historical Books. Published at Serampore. In Uriya. 
 
 556. DICTIONARY. Assamese and English. Published by M. Bron- 
 son at Sibsagor. In Assamese and English. 
 
 557. BRUCKNER, Javaansche Spraakkunst. Published at Serampore, 
 In Javanese. 
 
 MADRAS. 
 
 558. MAHABHARATA. The great Epic Poem. Sanskrit printed in 
 Telugu characters at Madras. Vol. I. In Sanskrit.
 
 B* 2Defcelopment in jforeign Countries 75 
 
 559. DUKHNEE Unwari Soheilee. A Translation into the Dukhnee 
 tongue of Unwari Soheilee. Published at Madras. In Dukhnee. 
 
 560. THE Gural of Tiruvalluvar in Tamil. Printed at Madras. In 
 Tamil. 
 
 561. TAMIL Dictionary. Printed at Jaffna. In Tamil. 
 
 562. MALAYALAM Grammar, by Gundert. Printed at Mangalore. In 
 Malayalam. 
 
 563. BHAKTISARA. Printed at Mangalore. In Canarese. 
 
 564. NAGAVARMA'S Canarese Prosody, by Kittel. Published at Man- 
 galore. In Canarese. 
 
 565. GRAMMATICA Canarico-Latina a Bouteloup. Published at Banga- 
 lore. In Canarese. 
 
 CEYLON. 
 
 566. BALAVATARO. Pali Grammar in Cinghalese characters. Printed 
 at Colombo. In Pali. 
 
 567. SINGALEESCH Boek. Published at Colombo. In Cinghalese. 
 
 BRITISH BURMA. 
 
 568. MAHAGARZATHATGYEE. Published at Rangoon. In Burmese. 
 
 569. HOLY Bible in Sgau Karen. Published at Tavoy. In Karen. 
 
 SIAM. 
 
 570. TREATY of Friendship between Great Britain and Siam. Pub- 
 lished at Bangkok. In Siamese. 
 
 INDIAN ARCHIPELAGO. 
 BATAVIA. 
 
 571. .jj-uJI Jyll Religious Book. Printed at Batavia. In Malay. 
 
 572. RIEDEL, Inih e Beke. Printed at Batavia. In Malay dialect. 
 
 573. NEW Testament. Printed at Singapore. In Malay. 
 
 CHINA. 
 
 574. K'ANG-Hsi Tzu Tien. K'ang-Hsi's large Chinese Dictionary. 40 
 vols. in 6 cloth cases. Printed at Peking in 1717. In Chinese. 
 
 575.- NEW Testament in Chinese. 2 vols. Printed at Shanghai. In 
 
 Chinese. 
 576. CHINESE Bookseller's Catalogue of Works in Chinese, Mandschou, 
 
 and Tibetan.
 
 76 Ca.rton Celebration* 
 
 577. IMPRESSIONS from a. Lapidary Inscription at Keu Young-Kwan, 
 in six different kinds of character. In Chinese, &c. 
 
 578. MAP of Chinese Turkistan. Two sheets. 
 
 579. CHIN Kang ku jo po lo mi ching. Buddhist Ritual. In 
 Chinese. 
 
 JAPAN. 
 
 580. YEDO Encyclopaedia. 2 vols. Illustrated. In Japanese. 
 
 PERSIA. 
 
 581. THE Koran, with Persian Interlinear Translation. Published at 
 Teheran, 1260, A.H. In Arabic and Persian. 
 
 582. SCRIPTURE Geography and Chronology. In modern Syriac. 
 Published by the Missionaries at Ooromiah, 1856. In modern 
 Syriac. 
 
 SYRIA AND PALESTINE. 
 
 583. .\a.^ )a~s* Mohit ul Mohit. The Ocean of the Ocean. By 
 Butrus al Bustany. Vol. I. Printed at Beyrout. In Arabic. 
 
 584. . AaoVI AJ! Athar ul Adhar. General Dictionary in Arabic, by 
 Selim Gibrail el Churi and Selim M. Shahadah. Parts i and 2. 
 Printed at Beyrout. In Arabic. 
 
 585. .^^jjJ Tryodion. Liturgy in Arabic. Published at Jerusalem. 
 In Arabic. 
 
 TURKEY. 
 
 586. OTTOMAN Chronicles, by Vacif Effendi. Printed at Constanti- 
 nople. In Turkish. 
 
 587. AVEDAPEZ. Protestant Armenian Newspaper. Published at 
 Constantinople, 1859. In Armenian. 
 
 EGYPT. 
 
 588. .^.-j/JI *?\J Taj ul Arus min jawahei il Qamus. Large Arabic 
 Dictionary. Five volumes hitherto published at Bulaq. In 
 Arabic. 
 
 TUNIS. 
 
 589. .\Ljll El Muwatta, by the Imam Malik Ibn Anas. Printed at 
 Tunis. In Arabic.
 
 CLASS C. 
 
 THE HISTORY OF PRINTING ILLUSTRATED 
 
 BY THE PRINTED BIBLE, 14501877. 
 
 BY HENRY STEVENS, G M B, F s A. 
 
 |HE secular history of the HOLY SCRIPTURES is the sacred 
 history of PRINTING. The Biblewas the first book printed, 
 and the Bible is the last book printed. Between 1450 and 
 1877, an interval of four centuries and a quarter, the 
 Bible shows the progress and comparative development of 
 the art of printing in a manner that no other single book can ; and 
 Biblical bibliography proves that during the first forty years, at least, the 
 Bible exceeded in amount of printing all other books put together ; nor 
 were its quality, style, and variety a whit behind its quantity. 
 
 The honour of producing the first, and, as many think, the most 
 perfect book, is now ascribed to Gutenberg alone, Fust not coming in 
 for a share of the credit of the invention until after his famous lawsuit in 
 1455, when the Bible had been finished. We call it, therefore, the 
 GUTENBERG BIBLE, and have no sympathy for any French name 
 given to it simply because a copy found in a Paris library had the 
 honour of being described by a French bookseller. After this suit, when 
 Fust took over the business and associated Schoeffer with himself, there 
 was probably a dispersion of the craft from Mentz to Bamberg, Strasburg, 
 and other places, just as there subsequently was when Mentz in 1462 was 
 besieged and taken by Adolphus, Duke of Nassau. 
 
 As the Art spread from Mentz throughout Germany, Italy, France, and
 
 78 Canton Celebration. 
 
 the Low Countries, the Bible was generally the first, or among the first 
 books printed by each of the early printers, .though unquestionably during 
 the progress of these great volumes through the press the several presses 
 threw off a variety of smaller pieces, especially Indulgences and other ty- 
 pical or typographical aids of the Church, some of which perchance might 
 bear dates earlier than the Bibles themselves, which were on the anvils 
 at the same time. 
 
 Some half-dozen huge folio Bibles in Latin and German, besides the 
 magnificent Psalters of 1457 and 1459, had appeared in type before a 
 single volume of the Classics saw the " new lamp for the new learning." 
 First and foremost of the ancient Classics came forth Cicero's De Officiis, 
 in 1465, a little volume about the size of the Book of Genesis, followed 
 soon after by his De Oratore and Epistola ad Familiares. Then came the 
 ever-popular Virgil and Csesar in 1469, and Pliny the Elder the next year. 
 Ovid followed in 1471, and Valerius Maximus in 1472. Petrarch, Dante, 
 and Boccaccio were fortunate enough among the modern classics to be 
 set in type in 1470, 1471, and 1472, while the Canterbury Tales > of 
 Chaucer appeared some five or six years later from the press of 
 Caxton. The first book in Greek came from the Milan press in 1476, 
 followed by the first Greek classic author, dear old yEsop, in 1480, while 
 the great Homer himself (reminding one of his own grim joke of Poly- 
 phemus) was held back and not devoured by the press till 1488. 
 
 In a word, up to the time of the discovery of America, in 1492, Colum- 
 bus might have counted upon his fingers all the old classic authors 
 (including Ptolemy and Strabo in their unbecoming Latin dress) who 
 could throw any geographical light on the questions which the Great 
 Discoverer was discussing with the theologians of Spain ; while, covering 
 the same period, the editions of the Bible alone, and the parts thereof, 
 in many languages and countries, will sum up not far less than one 
 thousand, and the most of these of the largest and costliest kind. 
 
 We have been endeavouring for the last quarter of a century or more 
 to compile as complete a list of printed Bibles and Parts of Bibles as 
 possible from the earliest period to the present time, and the remarkable 
 result is a table of some 30,000 titles, representing about 35,000 volumes. 
 By throwing all this vast store of Biblical bibliography into one strictly 
 chronological list, we see at a glance what Biblical work was going on in 
 every part of the world under each year, or any given year, and compara- 
 tively how the production of the Holy Scriptures in one country or 
 language ranged with those of another. We see, for instance, that all 
 the earliest printed Bibles were in the Latin Vulgate, the first complete 
 edition of the Septuagint not having been issued from the press of Aldus 
 till the year 1518, the very year of the i4th German Bible. 
 
 The earliest printed Bibles in the modern European languages were the 
 first and second German Bibles by Mentelin and Eggesteyn, of Strasburg,
 
 79 
 
 of rather uncertain date, but certainly not later than 1466. In 1471 ap- 
 peared at Venice two translations into Italian the one by Malermi, 
 printed by Vindelin de Spira, and the other by Nicolas Jenson. In 1477 
 was printed the first New Testament in French by Buyer, at Lyons, and 
 the same year appeared the first edition of the Old Testament in Dutch, 
 printed at Delft by Jacob Jacobs zoen and Mauritius Yemants zoen. In 
 1480 was published the splendid Bible in the Saxon or Low German 
 language, from the press of Heinrich Quentel, of Cologne, followed by 
 a second edition in 1491, and a third in 1494. The Psalms, in Dutch, 
 first came out in 1480, in small octavo, and in Greek and Latin in 1481, 
 while the first Hebrew Pentateuch appeared in 1482. The entire Bible 
 done into French paraphrase was published by Guyard de Moulins in 
 1487. A full translation appeared in the Bohemian language, printed at 
 Prague in 1488. The same year appeared the -entire Old Testament in 
 Hebrew from the press of Abraham ben Chayim de' Tintori, at Soncino. 
 
 This chronological arrangement shows us also many noteworthy points, 
 such as that nearly all the earliest Bibles were huge folios ; that the first 
 Bibles printed at Rome and Venice appeared in 1471, and that the sixth 
 German Bible by G. Zainer, in 1475, at Augsburg, was the first with the 
 leaves folioed or numbered ; that the first quarto Bible appeared in 1475, 
 printed by John Peter de Ferratis at Placentia, which was also the 
 first book printed at Placentia ; that the first of Coburger's celebrated 
 Bibles appeared in Nuremberg in 1475, and that by the end of the cen- 
 tury no less than thirteen large folio Bibles had come from this house 
 alone ; that the four splendid Bibles printed in 1476 all bear the printers' 
 signatures, though it is difficult to say with certainty which was the first 
 viz., that of Moravus at Naples, Jenson at Venice, Gering, Crantz, 
 and Friburger at Paris, or that of F. de Hailbrun and N. de Frankfordia 
 at Venice ; that the first Bible with a distinct title-page was printed at 
 Venice, by George de Ravabenis in 1487, in small quarto ; and that the 
 first Bible in small octavo, or " the poor man's Bible," was the earliest, 
 or among the earliest books, from the press of Johann Froben, of Basle, 
 in 1491, and is certainly one of the neatest and tidiest Bibles in our 
 Collection. This splendidly illuminated and bound copy is lent us from 
 the Bodleian Library. 
 
 Prior to the discovery of America no less than twelve grand patri- 
 archal editions of the entire Bible, being of several different transla- 
 tions, appeared from time to time in the German language ; to which 
 add the two editions by the Otmars of Augsburg of 1507 and 1518, and 
 we have the total number of no less than fourteen distinct large folio pre- 
 Reformation, or ante-Lutheran Bibles. No other language except the 
 Latin can boast of anything like this number. 
 
 As the discovery of America was the greatest of all discoveries, so the 
 invention of the Art of Printing may be called the greatest of all in-
 
 BO CtUtoit Celebration, 
 
 ventions. But no sooner had Columbus reported his grand discovery 
 through the press than the Pope assumed the whole property in the un- 
 known parts of the earth, and divided it all at once between the two 
 little Powers in the Peninsula, wholly disregarding the rights and titles of the 
 other nations of Europe. The same little game of assumption has been 
 tried, from time to time, with regard to this great invention, but the press 
 has a protective power within itself, which the Church can smother only 
 with ignorance and mental darkness. 
 
 From this rapid survey it will be apparent that our earliest Bibles, 
 many of them printed most sumptuously on vellum, must have each cost 
 the price of a farm. Later they could be had for a cow, but now a morn- 
 ing's milking of a cow will procure for a farmer a first-class well-bound 
 Bible in his own language. 
 
 At this late day it is difficult to arrive at the precise dates of several 
 of the earliest and most important printed Bibles, most of the dates 
 having been first assumed by bibliographers without sufficient authority, 
 and subsequently followed by others without inquiry. From an inscrip- 
 tion by one Cremer, the illuminator and binder of the Gutenberg Bible, 
 now in the National Library of Paris, we know positively that the book 
 was printed before August, 1456. From another inscription in a copy of 
 Pfister's Bible, also in the Paris Library, the work is assigned to Bamberg, 
 before 1461, but the church register of Bamberg shows that this Bible 
 was printed prior to March, 1460. More recently it has been announced 
 and confirmed that the copy of the first of Mentelin's Latin Bibles, in the 
 Library of Freiburg in Breisgau, bears an inscription by the rubricator 
 showing that these important volumes had been printed prior to 1460 
 and 1461. 
 
 With these new data, and a new scrutiny by the light of recent biblio- 
 graphy, and new comparisons of our undated Bibles with books of 
 positive dates and known printers, brought together, like the present 
 Caxton Memorial Collection, to say nothing of the great aid derived from 
 our recent photo-bibliography, or means of safely comparing books in one 
 library with those of another, it is to be hoped that the day of more exact 
 bibliography is at hand. It will not surprise us to find that the order of 
 printing of the first seven of the great German Bibles, all of which are 
 without dates, may be hereafter somewhat modified, or that our new 
 scrutiny may even yet develop new or unrecognized editions in every de- 
 partment of Biblical research. 
 
 We therefore, for the extraordinary opportunity afforded us for com- 
 paring and collating rare Bibles and other valuable books in this unique 
 Caxton Memorial Collection, tender herewith our warmest thanks to each 
 and all of our contributors, and more especially to Her Majesty the Queen, 
 His Grace the Duke of Devonshire, the Earl Spencer, Earl of Jersey, Earl 
 of Leicester, the Archbishop of Canterbury, the Curators of the Bodleian
 
 81 
 
 Library, the University Library, Cambridge, the University Library, Edin- 
 burgh, Sion College, the British and Foreign Bible Society, the Advocates' 
 Library, Edinburgh, the Signet Library, Edinburgh, Mr. W. Amhurst Tys- 
 sen-Amhurst, Mr. Francis Fry, Mr. David Laing, Mr. Thomas Longman, 
 Mrs. Jolyffe, the Rev. Dr. Gott, Vicar of Leeds, the Dean of St. Paul's, 
 Mr. Henry White, Rev. Dr. Ginsburg, Mr. M. Ridgway, Mr. E. 
 S. Kowie, Mr. C. D. Sherborn, Mr. J. Mathers, Mr. George Tawse, Rev. 
 L. B. Kaspar, Sir Charles Reed, Mr. H. Cleaver, the University Press, 
 Cambridge, the University Press, Oxford, Mr. Thomas Stapleton, Mr. 
 A. Gardyner, Messrs. Bagster and Sons, Messrs. Spottiswoode and Co., 
 and others ; but still more are our thanks due to Mr. Henry J. Atkinson, 
 who has liberally lent us above four hundred editions of the Bible in all 
 languages. Some of these editions are of very considerable rarity and 
 value, while others, though not of the choicest or rarest kind, are, very 
 many of them, of the middle class of Biblical Bibliography, which are so 
 difficult to meet with and which are of such immense importance to the 
 student in arriving at a clear history of editions, versions, and transla- 
 tions. Scores of these editions are not in our national library, and we 
 know not where else to lay our hands upon them. 
 
 Our collection boasts of nearly all the earliest and most famous Bibles 
 and Psalters, together with representative editions of the later revisions, 
 translations, versions, and languages down to the present time, to the 
 extraordinary number of above one thousand editions. This unexpected 
 and overwhelming liberality of our patrons has very nearly overwhelmed 
 and buried the arranger and cataloguer, but he trusts that great biblio- 
 graphical good will eventually result from this rare opportunity of com- 
 parison, collation, and scrutiny. Rare Bibles, early New Testaments, the 
 Psalms, and other parts of the Scriptures are, it is well known, scattered 
 all over the country ; and we trust that people who possess them will 
 bring or send up these lost children, and have them identified and pro- 
 perly registered. We shall willingly undertake this additional labour for 
 the sake of the opportunity of discovering new and hitherto undescribed 
 editions. 
 
 The famous collection of Bibles in the Royal Library of Stuttgard is 
 said to exceed seven thousand editions; but by comparison of the 
 catalogue of our present Caxton Celebration Collection with the catalogue 
 by Adler, printed in 1787, the patient and curious reader will see that 
 more than one-half of our collection is not represented at Stuttgard. So 
 likewise of the extraordinarily rich collection of some five thousand titles 
 of Bibles in the library of Wolfenbiittel. The collection of Bibles and 
 parts thereof in the Lenox Library of New York in all languages, is pro- 
 bably unsurpassed in rare and valuable editions, especially in the English 
 language, by any library, public or private. Mr. Francis Fry, of Bristol, 
 the indefatigable collector, has succeeded in bringing together above one 
 
 c
 
 82 Canton Celebration. 
 
 thousand editions of the English Bible, Testaments, Psalms, &c., most 
 of them prior to 1700, to say nothing of above one hundred editions in 
 ancient and foreign languages. The Rev. Dr. Ginsburg, of Wokingham, 
 possesses a unique collection, astonishingly rich in early and rare Latin, 
 German and Hebrew Bibles and parts thereof, including, we believe, the 
 whole fourteen pre-Reformation German Bibles, and almost every edition 
 of Luther's early Bibles and parts, the genuine as well as the counterfeit 
 editions. Besides these his collection contains many other editions in 
 other languages, both ancient and modern, to the extent, in all, of be- 
 tween two and three thousand editions ; and, what is of infinite import- 
 ance to Bible and bibliographical students, the Doctor makes his 
 collection as free to them as to himself. But the Library of the British 
 Museum to-day contains probably by far the richest collection of Bibles 
 and Parts thereof in the world, numbering at present above sixteen 
 thousand titles ; but even this our Caxton Celebration Collection, so 
 hastily brought together, contains very many editions not to be found in 
 our national library. 
 
 Notwithstanding the active research of many eminent scholars for the 
 last three centuries, Biblical Bibliography is even now but in its infancy. 
 The subject is so vast that no general bibliographer can more than 
 indicate certain special and prominent editions. It is now more than 
 one hundred and fifty years since Le Long published in Latin the last 
 edition of his bibliography of the Bible. The work was excellent in its 
 day, but very imperfect in many departments, especially English. About 
 a century ago Masch re-edited and vastly improved certain parts of 
 Le Long, especially the editions of the Bible in the ancient languages. 
 He left the work, however, unfinished ; so that for Bibles in most of the 
 modern languages we have still to refer to Le Long. 
 
 In this brief sketch of the History of Printing, as illustrated by the 
 reproduction of the Bible by moveable types, we have left ourselves 
 space merely to allude to the first five editions of Erasmus's New Testa- 
 ment in Greek and Latin, 1516-35, a work which marks the beginning 
 of a new era in Biblical bibliography ; to the Psalter of Giustiniani in 
 five languages, printed at Genoa in 1516, with the first life of Columbus 
 in the long note on the nineteenth Psalm, in which are given some im- 
 portant particulars of Columbus's second voyage along the southern 
 coast of Cuba, nowhere else to be found ; to the first Bible in Greek, 
 the Septuagint from the press of Aldus of Venice, in 1518; and above 
 all to the first Great Polyglot Bible of Cardinal Ximenes, printed at 
 Alcala in six large folio volumes between the years 1514 and 1517, 
 though not published till 1520, the most memorable monument of typo- 
 graphy the world had yet seen. Nothing less than the inpouring wealth 
 of the Indies, combined with the overbearing power of Ximenes, at that 
 time could have collected the manuscripts, collated and edited them,
 
 and printed these splendid volumes in such a sumptuous manner in the 
 short space of fifteen years ! While Ximenes was building up this great 
 monument in Spain, Wolsey was about building Hampton Court. Two 
 Cardinal virtues ! It would be curious to inquire which cost the more 
 money, the Polyglot or the Palace, and which won the greater honour ! 
 
 This brings our running narration down to the time of Luther, Pro- 
 testant Germany, and Scripture-hungry England. The presses of Caxton 
 and his successors had been more than half-a-century in operation, and 
 yet not a chapter of the Bible had ever appeared, as such, printed in the 
 English language. It is true that in his Golden Legend Caxton had 
 printed in 1483 in English nearly the whole of the Pentateuch, and a 
 great part of the Gospels, under the guise of the lives of Adam, Abraham, 
 Moses, the Apostles, and others ; but all was mingled with so much of 
 priestly gloss and dross that though probably read in churches it was never 
 recognized as the Holy Scriptures. The Liber Festivalis of 1483 con- 
 tained also some Scripture paraphrases; and in 1509 Wynkyn de Worde 
 printed a fine edition of the Apocryphal Gospel of Nicodemus. These 
 were the nearest approaches that the English people made to the printed 
 Bible in our own tongue. It is true that many copies of the Bible and 
 New Testament translated into English by WyclirTe and his followers were 
 scattered throughout the country in manuscript, and had given educated 
 people and persons of quality a taste of the Book of Books. 
 
 It is not unlikely that had not the bones of WyclirTe, buried in the 
 little churchyard of Lutterworth, been dug up and burnt, and his ashes 
 cast into the Swift, by order of the Council of Constance, under the 
 pious protective benevolence of the Church and priesthood, in the first 
 quarter of the fifteenth century, Caxton in the last quarter of the 
 same century might have begun in England his great work of printing, 
 like most of the great printers of the Continent, with the Bible in his 
 native tongue, and thus have modernized Wycliffe's Bible, and cast it 
 into another and a rapider Swift. 
 
 But Caxton was prudent and wise, as well as a man of business. He 
 had witnessed the storm, and recognized the obstructive and selfish 
 power which gloried in mental darkness, and taught ignorance as the 
 peculiar knowledge and birthright of the people. It was a part of the 
 same piece of priestly wisdom that a few years later gave itself utterance 
 in a sermon at Paul's Cross, in these ever-memorable words : " We must 
 root out printing, or printing will root out us." So Caxton and his suc- 
 cessors, taking the prudent and business-like course, printed what was 
 most likely to sell in peace; and so the Scriptures in our vernacular tongue 
 saw not the dawn in England, but awaited the broad daylight of the Re- 
 formation, in the second quarter of the sixteenth century, long after they 
 were familiar to the Germans, the Italians, the Dutch, and the Bohemians. 
 
 The educated of England, however, were not ignorant of the Scrip-
 
 84 Canton Celebration* 
 
 tures, for Coburger of Nuremberg, and probably other continental 
 printers, had established warehouses in London, for the sale of Latin 
 Bibles, as early as 1480, and perhaps earlier. There is an instructive 
 letter in the Public Record Office from Coverdale and Grafton to Crom- 
 well, written from Paris the i2th of September, 1538, in behalf of their 
 host, Francis Regnault, who was then printing the "GREAT BIBLE" for 
 them : " Where as of long tyme he [Regnault] hath bene an occupier into 
 England more than xl. yere, he hath allwayes provyded soche bookes for 
 England, as they moost occupied, so y' he hath a great nombre at this 
 present in his handes as Prymers in Englishe, Missoles w* other soche 
 like : wherof now (by y e company of y e Booksellers in London) he is 
 utterly forbydden to make sale, to the utter undoying of the man. 
 Wherfore most humbly we beseke yo r lordshippe to be gracious and 
 favourable unto him, y* he may have lycence to sell those which he hath 
 done allready, so y' hereafter he prynte no moo in the english tong, 
 
 onlesse he have an english man y l is lerned, to be his correcto r 
 
 Yf yo r 1. shewe him this benefyte we shall not fare the worse in the 
 readynesse and due expedicion of this yo r 1. worke of the Byble, which 
 goeth well forwarde, and within few moneths will drawe to an ende," etc. 
 
 From the time of Luther the Continent was rilled with new and 
 cheaper issues of the Bible and every part of it, not only in Latin and 
 Greek, but in the modern languages. The history of Bible printing in 
 Germany, Switzerland, and the Low Countries, though in many instances 
 opposed and even prohibited, remains no secret or mystery. The French 
 and Italians printed extensively in the ancient languages, but the Church 
 managed to have small call for the Scriptures in the vulgar tongues which 
 the people could read and comprehend. The history of Luther's own 
 translations and publications of the Scriptures, 1522-34, first by instal- 
 ments as fast as he could get the parts ready, then by revisions and 
 complete works in 1534, is well known. But the bibliography of Luther's 
 early pieces, counterfeits, reprints, &c., requires careful revision. Again, 
 much is to be still settled in the Biblical bibliography of the many edi- 
 tions of the Bible and parts thereof, in various languages, printed by 
 Froschover of Zurich, from his little i6mo. Swiss-German Bible, in five 
 vols, 1527-29, and his folio revision of Luther in five parts, 1525-29, the 
 Prophets and Apocrypha done by Leo Jude, Zwingle, and others. 
 
 The story of the learned Robert Stephens and the printing of his 
 Bibles and New Testaments in Paris, as told by the late M. Firmin 
 Didot, is one of the most interesting in the literary history of printing 
 and printers. Yet though encouraged, protected, and favoured by 
 Francis as far as any king could protect a subject against the wiles of the 
 Church, at last poor Stephens was driven in exile to Geneva for his Bibles 
 and Testaments; so that to this day the Bibles and Testaments of 
 Robert Stephens remain the glory and the shame of France.
 
 C, l?ol >criptuce0. 85 
 
 Germany was not only boiling over for liberty and free Scriptures, but 
 scholars of advanced thoughts flocked thither from all parts of the world. 
 But Flanders was the paradise of printers, and Antwerp, at this time, the 
 very centre of it, because it enjoyed some special privileges for its 
 citizens within their own dwellings, by which the Burgomaster could 
 resist- imperial authority, and disregard imperial emissaries. Any 
 Belgian could print what he liked, and sell it if he could at home and 
 abroad. Hence, disregarding the counsel of St. Paul, according to an 
 old translator, against " making marchandize of the Word of God," it 
 became an extensive and lucrative business of the Low Countries to 
 supply England and France with printed Bibles and Testaments in their 
 own languages. Besides this, the Flemings themselves fanned the Re- 
 formation by producing a very large number of Bibles in their own 
 language, for their own consumption, between 1520 and 1550, though 
 the Emperor's Ordinance of 1529 was very stringent against heretical 
 or Lutheran books and anonymous printing of all kinds, especially the 
 Holy Scriptures in the vulgar tongues. 
 
 Finally the high tide of the Reformation reached England in 1526 in 
 the shape of a beautiful New Testament in English by William Tyndale. 
 The people soon got a taste of the Word of God in their own language, 
 and a Christian Association was formed in London to read and circulate 
 the Scriptures even in the Universities. Here read the stories of Garret 
 and Dalaber. Within the first ten years probably as many as fifteen dis- 
 tinct editions of Tyndale's New Testament in English, of not less than 
 three thousand copies each, were printed and sold. Tyndale himself 
 living abroad ran the gauntlet of persecution as few men had done, being 
 driven from place to place for six or seven years, till he was found out 
 and hunted down in 1534, imprisoned in May, 1535, and burnt in 
 1536. The public demand for his Testaments was very great, and no 
 power could check their importation, sale, and consumption. Edition 
 after edition appeared silently in England, but from whence nobody 
 cared to inquire. They were certainly not printed in England. Tyndale 
 himself was scented and ferreted out by English emissaries sent abroad 
 for the purpose, and run down like a wolf. Even his friends and fol- 
 lowers in England who could be proved to have read or to possess even 
 a New Testament were also hunted through London and the Universi- 
 ties as the greatest of criminals ; and this, too, even after the King had 
 replaced the Pope and become the chief head of the Church of England. 
 But all this raid and tirade of the learned doctors of divinity against 
 Scripture readers only lowered the Church whilst it raised the people. 
 Bibles, Psalms, Testaments, and other parts of the Bible thenceforth 
 increased in England to an extent wholly unknown in any other country 
 or nation. Though late in getting possession of -themselves and their 
 liberties, the people of England succeeded to a surprising degree ; basing
 
 86 Canton Celebration* 
 
 their rights and liberties more on their Bibles than anything else. No 
 wonder, then, that the editions of the Bible in English, since 1535, 
 have not only outnumbered those of any other nation, but in the aggre- 
 gate, including America, exceed those of all other languages. 
 
 With all these vast accumulations of Bibles and Biblical history, 
 what is at present the extent of our positive knowledge concerning the 
 history and production of our early English Bibles and Testaments prior 
 to 1550, or even later? More than a hundred industrious writers from 
 the time of Lewis to to-day, have ransacked every corner of Christendom 
 in search of facts respecting Tyndale, Coverdale, and Rogers. In 
 a wonderfully small degree they have gleaned a few items respecting the 
 persecuted Tyndale and his New Testaments, but many of these facts 
 require confirmation. As to Coverdale and our first Complete English 
 Bible, finished the 4th of October, 1535, THE MOST PRECIOUS VOLUME 
 IN OUR LANGUAGE, what do we know ? Absolutely next to nothing. 
 The volume itself tells us the day it was finished, but where it was 
 printed, or by whom, or for whom, or under what circumstances, no his- 
 torian or bibliographer has as yet given us any trustworthy information. 
 No literary mystery for the past three centuries has elicited so much 
 inquiry, or so many investigators, especially of late and latest years ; yet 
 up to the opening day of this Caxton Celebration, the 3oth of June, 
 1877, all is but mere conjecture. Some have assigned the production of 
 the volume to Lubeck, others to Frankfort, still others to Zurich, Ham- 
 burg, Cologne, Worms, Strasburg, and even Marlboro in the land of 
 Hesse ; while some say that it came from the press of Egenolph, others 
 detect in it the master hand of Froschover, and still others attribute it to 
 Quentel or some one else ; but all to no purpose. The very variety of 
 these conjectures proves their falsity, and shows that they are really and 
 truly mere conjectures, without the slightest base or foundation. 
 
 The woodcuts used in the " Coverdale Bible " have indeed been traced 
 into the possession of James Nicolson, printer in St. Thomas's Hospital, 
 South wark, in 1535, but not a scrap of the type used in that first English 
 Bible has ever yet, so far as we can learn, been seen or identified in any 
 other book printed at home or abroad. We have ourself, for more than 
 a quarter of a century, spent much time in comparing translations, type, 
 cuts, initial letters, and the general and particular style and make-up of 
 various Continental printers, mousing and groping among old books of all 
 sorts, in search of traces of Coverdale in 1534 and 1535. The results are 
 numerous, but entirely negative. We have had the satisfaction, from 
 time to time, of narrowing down the field of research, and positively con- 
 vincing ourself, first, that the book could not have come from the press 
 of Egenolph, then of Froschover, and so on, but never a bit of positive 
 testimony has greeted our eyes in favour of the true story. But at last, 
 when all our researches for new bibliographical fields to explore had been
 
 C, ^otp fecrfptureg, 87 
 
 exhausted, and just as we were forced to the conclusion that no analytical 
 exploration was ever likely to reward us, the long-kept secret dropped 
 into our open mouth of its own mere motion and ripeness, as if it desired 
 to be in time for the Caxton Celebration. We comprehended the whole 
 story in a minute, and realized it instantly with a thrill of delight we can 
 never attempt to describe, though it showed us how utterly vain and un- 
 profitable all our researches and comparisons of type, cuts, paper, water- 
 marks, inks, and other printer's etcetera had been. The naked facts 
 were before us in all their simplicity and truthfulness before we had time 
 to understand how far away our historical and antiquarian investigations, 
 primed by our so-called human reason, had drifted us. 
 
 Let us now return to Coverdale and his Bible. In his Preface to 
 the Reader, Coverdale says, " For the which cause (accordynge as I was 
 desyred anno 1534) I toke the more vpon me to set forth this specyall 
 translacyon." This important date, "anno 1534," was interpolated in 
 Froschover's [Hester's] edition of 1550, no doubt on good authority. 
 Coverdale also informs us, in the first paragraph of his Preface to the 
 Reader, after alluding manifestly to Tyndale, or perhaps to George 
 Joye, "which were not onely of rype knowledge, but wold also with al 
 theyr hartes haue perfourmed that they beganne eyf they had not had 
 impediment," etc. " These and other reasonable causes considered, I 
 was the more bold to take it in hande." He then tells us that various 
 translations were put into his hands which he was glad to " followe for the 
 most parte, accordynge as I was requyred. But to saye the trueth before 
 God, it was nether my laboure ner desyre to haue this worke put in 
 my hande ; neuertheles it greued me y l other nacyos shulde be more 
 plenteously prouyded for with y e Scripture in theyr mother tongue then we ; 
 therfore whan I was instantly requyred, though I coulde not do so well 
 as I wolde, I thought it yet my dewtye to do my best." Again, in his 
 Dedication to King Henry VIII., Coverdale says, " as the holy goost 
 moued other men to do the cost herof, so was I boldened in God, to 
 laboure in the same." These and several other expressions and explana- 
 tions of Coverdale in some of which he speaks of the translation as his 
 own, and in others of himself, as being employed or required to " set 
 forth," that is, to see the translation through the press have been com- 
 mented upon scores of times, but always without satisfaction. 
 
 But all these mysterious extracts will read much clearer when we add 
 that there was at that time a certain young man of position living in Ant- 
 werp, a great linguist, of good education and natural endowments so 
 high indeed as to enable him " to distinguish well light from darkness," 
 that is, to be a Protestant, who was the "begetter" of this "specyall transla- 
 cyon." In his youth he had been taught the art of printing ; and in 
 manhood his chosen profession or business, in which he manifested great 
 zeal, was in producing at Antwerp a translation of the Bible into English
 
 88 Carton Celebration, 
 
 " for the advancement of the Kingdom of Christ in England," says his 
 biographer ; " and for this purpose he employed a certain learned scholar 
 named MILES COVERDALE." 
 
 This simple statement, which we believe to be perfectly authentic, and 
 which has been lying under our noses in most of our libraries for two 
 centuries and a half unnoticed, narrows the matter down to ANTWERP, and 
 assigns the honour ofr producing our first English Bible to that city, an 
 honour which will be acknowledged by coming generations of English- 
 men as well as Americans, who, while they inquire, with guide-book in 
 hand, for the pictures of Rubens, will not forget the home of JACOB VAN 
 METEREN, the probable translator of our first Bible, who employed Miles 
 Coverdale to "set forth" and father "this specyall translacyon." All 
 honour to Miles Coverdale, the learned scholar, the modest self-sacrificing 
 student, the earnest simple-hearted Christian, who was unquestionably 
 the best proof-reader and corrector of his age ; to whom, perhaps, more 
 than any other one man of his time, William Tyndale himself not 
 excepted, the English language owes a debt of gratitude for its clearness, 
 pointedness, and simplicity. That he left in this our first complete 
 English Bible some few foreignisms and some inverted English is not 
 surprising when we find that the dozen corps of revisers since have not 
 seen fit or been able to exclude them. 
 
 Coverdale's duties and responsibilities in revising and setting forth 
 this special translation at Antwerp in 1534-35, at the cost and charges of 
 Jacob van Meteren, who was also, we believe, its original translator 
 out of " Douche and Latyn" into English, were, we take it, precisely 
 the same as when in 1537-38 he revised and set forth the Great Bible 
 in Paris at the cost and charges of Grafton and Whitchurch. In the 
 la'tter case he was the nominee of Thomas Cromwell, and similarly, we 
 suppose, when he was "instantly required" at Antwerp in 1534, he 
 received his appointment through Cromwell, who, it is well known, since 
 1510 had been in close and confidential personal connection with affairs 
 of the English Company of Adventurers at Antwerp. From 1527 
 to 1539 we know that Coverdale was on the most friendly and cordial 
 terms with Cromwell, yielding his mind, his services, and his judgment 
 to that great statesman, so much so that in 1535 he was probably the 
 only man who would have been allowed to put his name to a dedication 
 to the King, and Preface to the Reader of an English Bible. He was 
 employed and required not only to revise and see the Bible through the 
 press, but to father the translation. 
 
 There are a few interesting circumstances which we may not omit 
 even here, respecting Jacob van Meteren, his family and connections. 
 About the year 1480 William Ortelius and his family, on account of 
 their religion, removed from Augsburg to Antwerp, where the family 
 became one of the most distinguished. Not long after there removed
 
 , Ikolp >cnptureg, 89 
 
 from Breda to Antwerp Cornelius van Meteren and his family. Jacob, 
 the son of Cornelius van Meteren, married in 1534 (?) Ottilia, the 
 accomplished daughter of William Ortelius, and aunt to the afterwards 
 famous Abraham Ortelius, the Geographer. 
 
 These two Protestant families were very intimate, and were soon after 
 joined, by intermarriage, by an Englishman named John Rogers, alias 
 Thomas Matthew. Rogers had nominally taken the post of Chaplain 
 to the English Company of Adventurers, which had been held by Tyn- 
 dale, and perhaps by Coverdale. Tyndale having had, as all the world 
 knows, " impediment " in producing the Bible, Coverdale " was the more 
 bold to take it in hande." But Van Meteren soon found new and greater 
 impediment. The London bookbinders and stationers, finding the 
 market filled with foreign books, especially Testaments, made complaint 
 in 1533-34, and petitioned for relief; in consequence of which a statute 
 was passed compelling foreigners to sell their editions entire to some 
 London stationer in sheets, so that the binders might not suffer. This 
 new law was to come into operation about the beginning of 1535. In 
 consequence of this law, Jacob van Meteren, as his Bible approached 
 completion, was obliged to come to London to sell the edition. We 
 have reason to believe that he sold it to James Nicolson of Southwark, 
 who not only bought the entire edition, but the woodcuts, and probably 
 the punches and type ; but if the latter, they were doubtless lost in trans- 
 mission, as they have never turned up in any shape since. All the copies 
 of the Coverdale Bible, in the original condition, as far as we know, 
 have appeared in English binding, thus confirming this law of 1534. 
 
 While Van Meteren was absent in England, in 1535, the Imperial 
 authorities, instigated probably by some of the English emissaries at Ant- 
 werp, went to the house of Van Meteren to search it, ostensibly for the per- 
 son of Leonard Ortelius, the father of Abraham, and the uncle of Ottilia, to 
 arrest him as a Lutheran, but really to search for forbidden books, such as 
 English Bibles and New Testaments. The searchers, who were harsh and 
 cruel, gave Madame Ottilia great alarm. She prayed fervently to Almighty 
 God that they might not find what they were in search of, and promised that 
 if she and her's were protected, she would so mark this great providence 
 of God by naming the child she was about to give birth to, if a son, as to 
 commemorate the circumstances. Though the searchers frequently laid 
 their hands on the very chest that contained the hidden books, they did 
 not find them. On the gth of July, 1535, a son was born to her, and 
 keeping her promise she named him EMANUEL, that is, " GOD WITH us." 
 This boy, twin brother of the Coverdale Bible, became a distinguished 
 man, a scholar, and an historian. He passed most of his life in London 
 as merchant and Belgian Consul. He died the i8th of April, 1612, in his 
 77th year. He never forgot the circumstances preceding his birth, and 
 frequently wrote his name " Emanuel Quis-contra-nos ? " " If God be
 
 90 Canton Celebration* 
 
 with us, who can be against us ? " For this fitting appendage to his name 
 he was indebted to his cousin, DANIEL ROGERS, the distinguished diplo- 
 matist and Latin poet, the eldest son of John Rogers, the proto-martyr, 
 who, in 1536-37, " set forth" again at Antwerp for Jacob van Meteren, 
 under the assumed name of Thomas Matthew, a splendid edition of the 
 Bible, called now Matthew's Version, the whole edition of which was sold 
 to Grafton, as before the Coverdale Bible had been sold to Nicolson. A 
 mystery has long hung over " Matthew's Version," since it is well known 
 that part of it is Tyndale's, part Coverdale's, and only a portion revised 
 by Rogers himself. Matthew's New Testament has recently been proved 
 by Mr. Francis Fry, of Bristol, to be a reprint of Tyndale's last revision, 
 the edition of 1535-4, with the combined initials of Tyndale and Van 
 Meteren on the title page. Mr. Francis Fry, under his No. 
 4, calls this edition G H, but has hitherto been unable to 
 explain the monogram. Our suggestion is that the G 
 means the translator, GUILLAUME HYTCHINS, the assumed 
 name of William Tyndale ; the other letters being the initials of the 
 printer and proprietor, I v M, that is, JACOB VAN METEREN. If this be 
 true, the fact reconciles much. The property or copyright belonged to 
 Van Meteren, who, employing Rogers, had the right to produce Matthew's 
 Bible by combining in it parts of Tyndale and Coverdale, which were his 
 own property. 
 
 These are only a few of the circumstances that have come to light. 
 Further and more careful investigation may compel us to somewhat 
 modify some of these details, and to qualify others ; but, on the whole, 
 we trust that our hurried account is substantially correct. We are in- 
 debted for the larger part of our statement to the Rev. Symon Ruytinck, 
 the bosom friend of our EMANUEL Quis contra nos ? who was, we believe, 
 for a time connected with the Dutch Church of Austin Friars in London. 
 It is contained in a brief biographical notice by him of Emanuel van 
 Meteren, appended to that distinguished writer's History of Belgium, 
 published in the Flemish language at the Hague in 1614, and in French 
 at the same place in 1618. 
 
 In the precious volume of some 400 autograph letters, addressed by 
 many of the learned of the world between 1560 and 1595 to Abraham 
 Ortelius, belonging to this Dutch Church, and now preserved in the 
 Guildhall Library, are two very long autograph letters of our Emanuel 
 van Meteren, one or two of Daniel Rogers, and something of Rev. 
 Symon Ruytinck. Honour to them all, however remote and small the 
 light they throw on our dear old Coverdale Bible, and treble honour and 
 blessing on the memory of Jacob and Ottilia van Meteren, to whom we 
 owe our first Bible. They lived together happily, finished their great 
 work together, and perished together. Let their names become house- 
 hold words in England, and let them be loved and honoured together as
 
 C, l$olp ^crfptuceiS. 91 
 
 long as the language of the Coverdale Bible lasts. Towards the end of 
 the reign of Edward VI., finding Antwerp unsafe for them on account 
 of their religion, they resolved to remove with all their effects and penates 
 to London, and live under the young King, who had offered them an 
 asylum. On their passage from Antwerp the ship that bore them was 
 attacked by a French cruiser, burnt, and sunk ; and so perished Jacob 
 and Ottilia van Meteren. Though the sea holds their bones, their names 
 are now given up to be recorded with honour in England this Caxton 
 Memorial Year. 
 
 HENRY STEVENS. 
 4, Trafalgar Square, London, 
 July 25, 1877. 
 
 Postscriptum. For the continuation of these bibliographical Notes on the printed 
 Bibles in English and other languages from 1535 to 1877, and for the fuller Notes, of 
 which the above is but an epitome, the courageous reader is referred to our forthcoming 
 little book entitled OUR PRINTED BIBLES, 1450-1877. 
 
 THE COMPARATIVE DEVELOPMENT OF THE ART OF 
 
 PRINTING IN ENGLAND AND FOREIGN COUNTRIES, 
 
 ILLUSTRATED BY SPECIMENS OF THE HOLY 
 
 SCRIPTURES AND LITURGIES. 
 
 CHRONOLOGICALLY ARRANGED, 1450-1877. 
 SECTION I. Bibles. 
 
 611. 
 
 IBLE (Latin). Begin. [With the prologue of Saint Jerome.] 
 [FjRater ambrosius tua michi munuscu-/la perferens. detulit 
 simF "\ suauissimas litteras : etc. [Genesis begins Fol. 5 recto 
 col. i at the top. I]n principio creauit deus celu et terram. 
 End. [Fol. 641 verso, col. 2] Gratia dni nri ihesu cristi cu om- 
 nib; vobis ame. Gothic letters, Ed. Pr. 2 vols. [Mentz : Jo. 
 Gutenberg, 1450-55?] Folio. 15! by ni inches. 
 
 Lent by Earl Spencer. 
 
 Without title-page, pagination or signatures ; 641 leaves printed in double 
 columns, 42 lines to a full column ; the initials and rubrics are in MS. 
 throughout. The earliest book known, printed with moveable metal type ; was 
 formerly styled, unjustly to Germany, the " Mazarine Bible," but is now properly 
 called the Gutenberg Bible. Some copies, which may be called a second 
 issue, have 40 lines on the first eight pages, forty-one on the ninth, and the 
 rest forty-two, like the present copy. In this latter issue the three lines in red 
 at the beginning are in type, and not in manuscript, as in the 42 line issue.
 
 9 2 Canton Celebration* 
 
 612. PSALMS (Latin). Psalmorum Godex. Presens Psalmorum Codex 
 venustate capitalium decoratus, rubricationibusque sufficienter 
 distinctus, ad inventione artificiosa imprimendi ac caracterizandi 
 absque calami ulla exaracione sic effigiatus, et ad eusebiam del 
 Industrie est consummatus, per Johannem Fust civem maguntinum 
 et Petrum Schoffer de Gernszheim anno domini MCCCCLVII. 
 In vigilia Assumpcionis. [Mentz], 1457. Folio. 
 
 Lent by Her Majesty the Queen. 
 
 The Mentz Psalter on 138 leaves, the first book printed with a date and 
 names of the printers. This large and sumptuous volume, probably the most 
 magnificently printed book known, is on pure vellum. Indeed, we believe no 
 copies are known printed on paper. It measures i6 by 12 inches. 
 
 613. PSALMS (Latin). Begin. Beatus vir qui no abijt in cosilio impio9jZ. 
 [The Psalms, with the sacred canticles, creeds, prayers, and eccle- 
 siastical Hymns.] End. PResens psalmo^ codex: venustate 
 capitaliu. decoratus. rubricationibusc^ sufficienter distinctus. ad- 
 inuencone artificiosa imprimendi ac caracterizandi : absq^ ulla 
 calami exaracone sic effigiatus. et ad laudem dei ac honore sancti 
 Jacobi est osuat'. Per Joh'em fust cive magutinu. et Petru 
 Schoifher de Gernssheym clericu Anno dni Millesimo cccc.lix. 
 xxix. die mensis Augusti. Large Gothic letter. On vellum. 
 [Mentz], 1459. Folio. Lent by the Earl of Leicester. 
 
 The second edition of the Mentz Psalter, without pagination, signatures or 
 catchwords. 136 leaves, 23 lines in a page, with the plain chant noted through- 
 out. The large ornamental capitals are printed in two colours, the smaller in 
 red only. Nearly all the known copies of the first and second editions have 
 minute variations, especially in the subscriptions, which appear to have been 
 adapted to the particular church or monastery for which they were intended. 
 This volume contains the earliest printed text of the Athanasian Creed. 
 
 614. BIBLE (Second Latin). Begin. [F] Rater ambro-/sius tua michi mu- 
 nuscula p/ferens. etc. [Genesis begins Fol. 6 verso, col. i. at the 
 top. I]n principio creauit deus celu t terram. End. [Fol. 882 
 verso, col. 2. lin. 6] bis amen. Gothic letter. [Bamberg : Albert 
 Pfister, 1460?] Folio. 15^ by n inches. Lent by Earl Spencer. 
 
 Without title-page, pagination or signatures ; 882 leaves printed in double 
 columns, 36 lines to a full column. A copy in the Paris library has the rubrica- 
 tion dated 1461, proving that this Bible was printed prior to that date. But 
 the cover of the Church Register of Bamberg being composed partly of waste 
 leaves of this Bible, and the Register beginning with 21 March, 1460, it fol- 
 lows that these leaves were printed prior to this latter date. 
 
 615. BIBLE (Third Latin). Begin. [F] Rater ambrosius tua etc. [Genesis 
 begins fol. 3 verso, towards the bottom of col. 2. I]N principio 
 creauit deus celu et teram. End. [Fol. 477 recto col." i.] Gratia 
 dni nri ih'u xpi cu ofnibs vobis amen. Gothic letter. 2 vols. 
 [Strasburg: Jo. Mentelin, 1460 and 1461?] Folio. 15! by nf 
 inches. Lent by Earl Spencer.
 
 93 
 
 Without title-page, pagination, or signatures ; 477 leaves, printed in double 
 columns, 49 lines to a full column. The rubrics and initials are in MS. 
 throughout. A copy of this Bible is preserved in the library of Freiberg in 
 Breisgau, with the rubrications of the volumes dated 1460 and 1461, ranking 
 this edition as the third Latin Bible. 
 
 616. BIBLE (Fourth Latin). Begin. Incip epl'asci iheronimi ad paulinu 
 psbiteru : de omib' diuine historic libris. [Fol. 4 recto, col. i. 
 lin. 7.] Expl'. plogus. Jncip liber bresith que no? genesim dici- 
 mis. [Fol. 242 verso, col. 2. end] laudet dominu. Alleluia. [Vol. 
 2. Begin^ Epistola sancti ieronimi . . . . de libris salomonis. 
 End. [Fol. 239 recto, col. 2.] Gra dni nFi ihesu cristi cu omib' 
 vobis ame. [followed by the Colophon in seven lines.] Pns hoc 
 opusculu Artificosa adinuentione imffonendi seu caracterizandi. 
 absq^ calami exaracon etc. 2 vols. Gothic letter. Per ioh'ez 
 fust et Petru schoiffher de gerns'heym, in ciuitate Maguntn. 1462. 
 Folio. 16^ by 12^ inches. Magnificent copy on pure vellum. 
 
 Lent by Earl Spencer. 
 
 Without title-page, pagination or signatures ; vol. I has 242, and vol. 2, 
 239 leaves, printed in double columns, 48 lines to a full column. The 
 first edition of the Bible having date, name of printer and place. From a col- 
 lation of this with other copies on paper and vellum it appears that many of the 
 leaves were reprinted, as for example, the first five in vol. I, and fol. 90-96, 
 207-216, and 227-242; in vol. 2, fol. I, 51 recto, 121-124, ar >d 233-239, etc. 
 This magnificent copy is richly illuminated throughout in gold and colours. 
 
 617. BIBLE (Fourth Latin). Begin. Incip epl'a scl iheronimi ad paulinu 
 psbiteru, etc. Another copy printed on pure vellum. Per ioh'ef 
 fust et Petru schoiffher de gerns'heym, in ciuitate Maguntu, 1462. 
 Folio. Lent by Earl Jersey. 
 
 This magnificent copy, a duplicate of No. 616, with some variations, is also 
 splendidly illuminated throughout in brilliant colours, but the style of the 
 illuminations of the two copies, though both exceedingly well done, is widely 
 different. 
 
 618. BIBLE (Fourth Latin). Begin. Incip epl'a iheronimi etc. Perioh'e? 
 fust et Petru schoiffher de gerns'heym, in ciuitate Maguntn, 1462. 
 Folio. 16^ by n| inches. A superb copy printed on paper. 
 
 Lent by Henry Stevens, Esq. 
 
 This third copy is placed here as a good contrast with Nos. 616 and 617, 
 printed on pure vellum. As many of the leaves have rough edges, they show 
 that no copy on paper can be much taller or wider than this one, which is only 
 a large fragment of this first Bible, with date, names of printers, and place. 
 
 619. PSALMS (Latin). Psalterium, etc. 126 leaves, twenty long lines 
 in a full page, no signatures, catch-words or numbering. Large fine 
 type resembling [Albert Pfister's, Bamberg, 1462?]. 410. 
 
 Lent by the Bodleian Library. 
 
 620. BIBLE (First German). Begin. [BjRuder Ambrosius der hat, etc. 
 [Genesis commences fol. 4 recto, in col. i. I]n dem anegang
 
 94 Canton Celebration, 
 
 geschieff got etc. End. [fol. 400 verso, col. 2.] Die genade 
 vnsero herren ihe/su cristi sey mit vns alien Amen, [followed by 
 five leaves containing the titles and arguments of the Psalms] 
 End. in nach d'menig seiner grossung. Amen. [Strasburg : 
 Joannes Mentelin, 1466?] Folio. 15^ by ni inches. 
 
 Lent by Her Majesty the Queen. 
 
 Without title-page, pagination or register, 405 printed leaves in double 
 columns, 60 lines to a full column ; there is a blank leaf at the end of the 
 Gospels. A magnificent copy, richly illuminated in gold and colours. 
 
 621. BIBLE (First German). Begin. [B]Ruder Ambrosius der hat, etc. 
 Another very fine copy. [Strasburg: Joannes Mentelin, 1466?]. 
 Folio. Lent by Earl Spencer. 
 
 405 printed leaves, 2 columns, 60 lines in a full column. This is also 
 a splendid copy, beautifully illuminated in gold and colours, but in a style quite 
 different from No. 620, lent by Her Majesty the Queen. 
 
 622. BIBLE (Second German). Begin. [B]Ruder Ambrosius d'hat vns 
 brachtein deinegab etc. [preceded by two leaves containing the table 
 of rubrics. Genesis begins in col. i on the recto of fol. 6. A]N 
 de angang beschiiff got den hymel vn die erde. End. [fol. 400 
 verso, col. 2.] ... Die genad vnsers herren jhesu cristi sey mit 
 vns alien. Amen, [followed by five leaves containing the titles 
 and arguments of the Psalms] End. in nach d'meing seiner gros- 
 sung. Amen. [Strasburg: Heinrich Eggestyn, 1466?] Folio. 
 1 6 by n| inches. Lent by Earl Spencer. 
 
 Without title-page, pagination or register. 405 leaves printed in double 
 columns, 60 lines to a full column ; foil. 2, 103, and 157 have the verso blank. 
 
 623. BIBLE (Latin). Begin. [F]Rater ambrosi' tua etc. [Genesis begins 
 fol. 4 verso, col. 2, lin. 10. I]N principio creauit deus celu 1 
 terra. End. [Fol. 631 verso, col. 2.] vobis amen. [Followed by 
 a table of rubrics occupying four leaves.] Gothic letter. [Stras- 
 burg : H. Eggestein, 1468?] Folio. Lent by Earl Spencer. 
 
 Without title-page, pagination, or signatures ; 635 leaves, printed in double 
 columns, 41 lines to a full column. The rubrics and initials are in MS. 
 This is the first edition of the Latin Bible by Eggestein. This copy wants the 
 four leaves of the table of rubrics. 
 
 624. BIBLE (Latin). Begin. [F]Rater ambrosius tua mi/chi munus- 
 cula perferens, etc. [Genesis begins fol. 4, col. 2. I]N principio 
 creauit deus celu t terra. End. [Fol. 493 verso, col. 2, lin. 7.] 
 mini nri ihesu cristi cu omnibis vobis ame. Gothic letter. 
 [Strasburg: H. Eggestein, 1469?] Folio. 
 
 Lent by Earl Spencer. 
 
 Without title-page, pagination, or signatures ; 493 leaves, printed in double 
 columns, 45 lines to a full column ; the verses of foil. 124 and 330 are 
 blank ; the initials and rubrics are in MS. throughout. This edition is some- 
 times attributed to J. Baemler of Augsburg ; but the type is the same as that
 
 95 
 
 of the edition generally attributed to Eggestein. The book contains the same 
 paper-mark as that which is undoubtedly Eggestein, and is one of the marks 
 ascribed to him by Sotheby in the Typography of the fifteenth century. 
 
 625. BIBLE (Third German). Begin. Hie hept sich an die vorred oder die 
 epistel des heiligen priesters sant Jeronimi zu paulinum von al en 
 gotlichen historien d' briider vnder der Bible Das erst capitel. 
 End. Die genade vnsers herrn ihesu cristi sei mit vns alien. 
 Amen. Deo Gracjas End. Hje hebt sich an ein Register iiber 
 die biicher d Biblen, etc. [Augsburg? J. Pflanzmann? or C. 
 Fyner? Eslingen ? 1470?] Folio. 15^- by io| inches. 
 
 Lent by Earl Spencer. 
 
 Without title-page, signatures, or pagination. Printed in double columns, 
 54 lines to a full column. 
 
 626. BIBLE (Latin). Begin. [TjAbula omniu diuine scpture seu 
 biblie libro^z [occupying twenty-eight leaves. Fol. 29 begins] 
 Incipit epl'a sacti iheronimi ad paulinu etc. [Fol. 33 recto, coL 
 2.] Explicit plogus. Incipit liber bresith quem nos genesim 
 dicim'. End. [Fol. 724 recto, col. 2.] Explicit liber apocalipsis 
 bead Johannis apostoli. Gothic letter. 2 vols. [Cologne : 
 Ulric Zell, 1470?] Folio, ni by 8^ inches. 
 
 Lent by Earl Spencer. 
 
 Without title-page, pagination, or signatures ; 724 leaves, printed in double 
 columns, 42 lines to a full column. 
 
 627. BIBLE (Latin). Another edition. [Cologne: Ulrich Zell, 1470?] 
 
 Lent by the Bodleian Library. 
 Two columns of 42 lines to a full column. 
 
 628. BIBLE (Italian), Begin. [Fol. 7 recto.] Prologo. Qvi comincia 
 la solemne Epistola di Sancto Hieronymo .... reportata per 
 prologo sopra tutta la Biblia. [Foil. 1-6 are occupied by tables of 
 the books of the old Testament, and a table of chapters to the first 
 part. Fol. ii verso.] Biblia in lingva volgare tradutta : lo primo 
 libro secondo la lingva Greca etc. [Fol. 316 verso.] Finisse il 
 Psalterio di David. [Part 2, fol. i. Begin.'] Prologo. di. San, 
 Jeronimo. supra, ilibri. Disalomone. End. [Fol. 331 verso.] 
 Qvivi finisse Lapocalipsis et e il fine del novo testamento 
 M.CCCC.LXXI. In Kalende. de Octobrio. [followed by one leaf, 
 containing on the recto : Tabula de testamento nouo.] Two 
 parts. [Venice: N. Jenson,] 1471. Folio. 16^ by n inches. 
 
 Lent by Earl Spencer. 
 
 Without title-page, pagination, or signatures ; part I contains 316, and part 
 2, 332 leaves, printed in long lines, 50 lines to a full page ; the initial letters 
 are either left blank, or printed in small characters throughout. Foil. I and 6 
 of part I are blank on the recto and fol. 5 on the verso. Foil. 206 and 232 of 
 part 2 are blank on the verso.
 
 96 Canton Celeb cation* 
 
 629. BIBLE (Latin). [The Bible, Lat., Edited by J. Andreas.] Begin. 
 [Vol. i, fol. i, recto.] lo. An[drese] Episcopi Alerien ad Paulum 
 II. Venetum Pon. Max. epistola [verso], Sequitur tabula, etc. 
 [Fol. 2, verso]. Paulo II. Veneto summo Pont. Mathias 
 Palmerius foelicitate. [Line 30.] Aristeas ad Philocratem fratem 
 per Mathiam Palmeriu Pisanu e Greco in Latinu coversus [Fol. 
 17, recto]. Incipit epistola sancti Hieronymi ad Paulinu presby- 
 teru de omnibus divine historic libris [Fol. 20, recto, last line]. 
 Incipit liber Bresith quern nos Genesin dicimus I. \End.~\ Finis 
 Psalterii. [Vol. 2, fol. i, recto.] Epistola sacti Hieronymi 
 psbyteri ad Chromatiu et Heliodorum Episcopos de Libris 
 Salomonis [Colophon] Aspicis illustris lector quicunc^ libellos/ 
 Sicupis artificum nomina nosse : lege./ Aspera videbis cognomina 
 Teutona : forsun/ Mitiget ars musis inscia uerba uirum./ Coradus 
 suueynheym : Arnoldus panartzc^ magistri/ Rome impresserunt 
 talia multa simul/ Petrus cum fratro Francisco Maximus ambo/ 
 Huic operi aptatam contribuere domum/ M.CCCC.LXXI. [On 
 the recto of the following leaf], (Incipiunt interpretationes 
 Hebraicorum Nominum). 2 vols. Rome : Sweynheym .and 
 Pannartz, 1471. Folio. 15^ by n^ inches. Lent by Earl Spencer. 
 
 Without title-page, register, catchwords, or pagination. In vol. I there are 
 279 leaves, and in vol. 2, 341. The preliminary matter in vol. I occupies 18 
 leaves, foil. 15 and 16 being left blank. The " Interpretationes Hebraicorum 
 Nominum " at the end of vol. 2 occupy 62 leaves. The first Bible printed 
 in Rome ; only 275 copies were printed. 
 
 630. BIBLE (Latin). Begin. Incip expl'a sci iheronimi ad paulinu 
 psbiteru omibs divine historic libris. End. Pris hoc opus 
 
 pclarissimu. Alma in urbe magutina Artificiosa quadam 
 
 adinvencoe impremedi seu caracterizadi absq^ ulla calami 
 exaracone sic effigiatu. et ad eusebiam dei industrie ecsumatu p 
 Petru schoiffer de gernshez, etc. 2 vols. [Mentz] : Schoeffer, 
 1472. Folio. Lent by the Bodleian Library. 
 
 Without pagination, register, or catchwords ; 471 leaves ; printed in double 
 columns, 48 lines to a full column. This edition very closely resembles that 
 of 1462, but they are not identical, as has been supposed. 
 
 630*. BIBLE (Fourth German). 2 volumes, 408 and 104 leaves, in two 
 columns of 5 7 lines in a full column. [Nuremberg : Sensen- 
 schmidt und Frissner, 1470-73. Folio.] 
 
 Lent by the Rev. Dr. Ginsburg. 
 
 631. BIBLE (Fifth German). 2 vofs., 553 leaves, 2 columns of 58 
 lines in a full column. Augsburg: [Gunther Zainer?] 1473-75. 
 Folio. Lent by Earl Spencer.
 
 97 
 
 632. BIBLE (Latin). Begin. [FjRater abrosi' tua mi, etc. [Genesis 
 begins fol. 3 verso in the middle of col 2. I]N principio creauit 
 de' celu et terra. End. [Fol. 436 verso, col. i.] nostri ihesu 
 cristi cu omnib' vob' amen. Gothic letter. [Basle : Berthold 
 Rodt(?) and Bernard Richel, 1473 (?).] Folio. 
 
 Lent by the Rev. Dr. Ginsburg. 
 
 Without title-page, pagination, or signatures ; 436 leaves printed in double 
 columns, 50 and 48 lines to a full column. The first part, as far as the end of 
 the Psalms, fol. 220 verso, is printed in a type used by Berthold Rodt, and 
 the remainder in one used by Bernard Richel. The initials and rubrics of the 
 first part are in MS., while some of the initials in the second part are from 
 wood engravings. 
 
 633. BIBLE (Latin). Begin. Incipit epistola sancti iheronimi ad 
 paulinum etc. [being the commencement of the table of rubrics, 
 etc., which occupies four leaves, the verso of the last blank. Fol. 
 5] begin. [FjRater ambrosi' tua mi, etc. [Genesis begins fol. 
 8 recto, in the middle of col. 2. I]N principio creauit deus 
 celum et terra. End. [Fol. 537 recto, col. i.] Gra-/cia dni nri 
 ih'u xpi cu omibs vobis amen. Gothic letter. [Basle : Berthold 
 Rodt (?), 1474 (?)]. Folio. Lent by the Rev. Dr. Ginsburg. 
 
 Without title-page, pagination, or signatures ; 537 leaves, printed in double 
 columns, 47 lines to a full column. The rubrics and initials are in MS. 
 throughout. 
 
 634. BIBLE (Latin). Begin. Incipit epistola sancti iheronimi ad 
 pauli-/num presbiterum de omnibus divine historic libris. [Fol. 3 
 verso, col. 2, lin. n from the bottom.] Incipit liber bresich q; 
 nos genesim dicim'. End. [Fol. 461 verso, col. i] mini nostri 
 ihesu cristi cum omnib' vob' amen. Et sic est finis. [Fol. 462 
 recto.] VEnerabili viro do-/mino. Jacobo de ysenaco. Menar- 
 dus, etc. [A general notice of the Bible, ending fol. 465 verso, 
 col. 2, with seven Latin verses, begin\ Qui memor esse cupit 
 librorum bibliotece. [Fol. 466 recto]. Incipit tabula canonum, 
 etc. Gothic letter. [Basle : Bernard Richel, 1474 (?).] Folio. 
 
 Lent by Henry White, Esq. 
 
 Without title-page, pagination, or signatures ; 460 leaves, printed in double 
 columns, 48 lines to a full column. The initials are from wood engravings. 
 
 635. BIBLE (Sixth German). Begin. [Fol. i.] II Hie hobet an die 
 Epistel des heyligen priesters sant Jheronimi, etc. [preceded by 
 one leaf, containing the register of the books on the verso. 
 Fol. v. recto, col. i.] 1T Eyn end hat die vorred vnd hebet an das 
 buch Presith oder Genesis, etc. End. [Fol. ex.] 11 Diss durch- 
 leuchtigost werck der gantzen heyligen geschrifft. genandt die 
 Bibel fur all ander vorgedrucket teutsch biblen. lauterer. klarer. 
 
 11
 
 98 Cajton Celebration. 
 
 vnnd warer. .... hat hie ein ende, etc. Gothic letter. Augs- 
 purg : [Gunther Zainer, 1475 {?)] Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 Without title-page or register ; numeration Old Testament, i-ccccxxj ; 
 New Testament, i-cx. Printed in double columns, 58 and 59 lines to a full 
 column. The first Bible with the leaves folioed (?) 
 
 636. BIBLE (Sixth German). Another copy, very fine, measuring 18^ 
 by 13 inches. [Gunther Zainer, 1475?] Folio. 
 
 Lent by Earl Spencer. 
 
 637. BIBLE (Latin). Begin. Incip epl'a scti hieronimi ad paulinu psbi- 
 te'^ de olbs divine historic libris. [Fol. 4 recto, col. i, lin. 7.] 
 Expl plogus. Incipit liber bhresit que nos genesim dicimus. 
 End. Opus veteris nouiq^ testameti. Impressum ad laudez & 
 gloriam sancte ac indiuidue trinitatis, etc. Gothic letter. Per 
 Anthoniu Coberger, in regia ciuitate Nurmbergen, 1475. Folio. 
 
 Lent by Earl Spencer. 
 
 Without title-page, pagination, or signatures ; 481 leaves printed in double 
 columns, 48 lines to a full column. Koberger in 26 years printed 13 editions 
 of the Bible, of which this is the first. 
 
 638. BIBLE (Latin). Another copy. A. Coberger. Nuremberg, 1475. 
 Folio. Lent by Henry J. Atkinson, Esq. 
 
 639. BIBLE (Latin). Begin. Prologus in Genesim. Incipit epl'a 
 sancti Hieronymi, etc. [Fol. 3 verso, col. i, at the bottom.] 
 Explicit pfatio. Incipit liber Genesis qui dicit hebraice bresith. 
 End. [Fol. 421 verso, col. 2.] Explicit Biblia impressa Venetijs, 
 etc. [Fol. 422 recto.] Incipiut interptatioes hebraicoru nominu, 
 etc. Gothic letter, p Fraciscu de hailbrun & Nicolau de frank- 
 fordia socios, Venetijs, 1475. Small folio. Lent by Earl Spencer. 
 
 Without title-page, pagination, or signatures ; 454 leaves printed in double 
 columns (except the table of Hebrew names, which has three columns), 51 lines 
 to a full column. The initials are in MS, and the verso of the last leaf is 
 blank. This is the first Latin Bible printed at Venice. 
 
 640. BIBLE (Latin). Begin. Quia vestigia seqmur Joann. An. Epi 
 Aleriensis que nihil reliqsse coperium' quod ulteriori emendatione 
 egeat, preter pauxilla q vicio compositorum litterar, viciata sunt. 
 Ideoq^ epistola qua ipe pposuit omittere nolium, ne cuj' doctrina 
 imitamur, ejus odigna laude videamur supprimere. Joann[is] 
 An[drese] Episcopi Alerien[sis] ad Paulu secudum Venetum 
 Pon. Max. epistola. (Aristeas ad Philocrate fratrem per M. 
 Palmeriu e Greco in Latinum conversus. Interptationes hebrai-
 
 99 
 
 corum nominu.) Gothic letter. 2 vols. A. Frisner et J. Sen- 
 senschmit i nuremberga, 1475. Folio. Lent by Earl Spencer. 
 Without title-page, register, or pagination ; printed in double columns, 60 
 lines to a full column. The preliminary matter, including the prefaces of Saint 
 Jerome, occupies II leaves. The "Interpretationes," etc., are placed at the 
 end, after the imprint. Splendid copy on large paper, measuring 19 by 13 
 inches. 
 
 641. BIBLE (Latin). Begin. [FjRater ambrosius tua mihi munuscula 
 perferes : etc. [Fol. 3 recto, col. i, lin. 8 from the bottom] 
 Explicit pfatio Incip. Liber Genesis qui dicit' hebraice bresith. 
 [Fol. 284 verso, col. 2. End.] Vet' testametu a religiosis uiris 
 ac prudentissimis correctu atq^ p me iohane petru d'ferratis 
 cremonese placetie impssus. Anno dni Mcccc.lxx quinto felicit' 
 explicit. [Fol. 285 recto, col. i. Begin.] Incipit epistloa sancti 
 hieronimi . . . sup. libro quatuor euage-/lio^ [Fol. 357 verso, 
 col. 2. EndJ\ Explicit liber actuum apostolo'^ cum reli-/quis 
 noui libris testamenti etc. End. [Fol. 391 recto, col. 2.] Biblie 
 uocabulo^z interpretationes expliciut. Gothic letter, p iohane 
 petru d' ferratis, placetie, 1475. 4to. Lent by Earl Spencer. 
 
 Without title-page, pagination, or signatures ; 391 leaves, printed in double 
 columns, 60 lines to a full column. This is said to be the first printed book at 
 Placentia, and is believed to be the first Bible printed in quarto. 
 
 642. BIBLE (Latin). Begin. [FjRater Ambrosi' tua mihi munus-/cula 
 perferens : etc. [Genesis begins fol. 3 verso, col. i. lin. 14 from 
 the bottom I]N principio creauit de' celum & tr'a. End. [Fol. 
 425 recto, col. i.] domini nostri ihesu xpi cu omibs vobis ame. 
 [Strasburg? 1475 ?] Folio. Lent by the Rev. Dr. Ginsburg. 
 
 Without title-page, pagination, or signatures ; 425 leaves, printed in double 
 columns, 56 lines to a full column ; the initials and rubrics are in MS. through- 
 out ; fol. 7 verso, at the bottom of col. 2 two lines omitted in printing are 
 supplied in MS. and fol. 300 verso, one line is similarly supplied at the bottom 
 of col. 2. The versos of foil. 117 and 213 are blank. 
 
 643. BIBLE (Latin). Begin. [Sig. A i.] Prologus in Genesim. Feliciter 
 incipit. Incipit epl'a sancti Hierony-/mi etc. [preceded by one 
 leaf, containing on the verso : an epistle to Thomas Taqui, from 
 Blasius Romerus, with the answer of the former. Sig. A iii verso, 
 col. i.] Explicit pfatio. Incipit liber genesis qui dicit' hebraice 
 bresith. [eighth leaf of sig. tt. verso]. Explicit Biblia. Incipiut 
 interptationes he-/braicoru nominu, etc. End. Editum opus & 
 emedatu accuratissime ac deligeter, etc. Gothic letter. Impressit 
 M. Morauus ... In urbe Neapoli, 1476. Folio. Printed on 
 vellum. Lent by Earl Spencer. 
 
 Without title-page or pagination ; sign. A z & aa 11, 1m, mm yy, and 
 z. Printed in double columns, except the table of names, which is in three 
 columns. Query, is not this the first Bible with printer's signatures ?
 
 ioo Carton Celebration* 
 
 644. BIBLE (Latin). Begin. [Sig. A 2.] Prologus. Incipit epl'a sacti 
 Hieronymi ad Paulinu etc. [Genesis begins sig. A 5.] Incipit 
 liber genesis q dicitur hebraice bresith. End. Biblia impressa 
 Venetijs opera atc^ impensa Nicolai Jenson Gallici etc. (inter- 
 pretationes hebraicoru nominum etc.) Gothic letter. Printed 
 on vellum. Venetijs: N. Jenson, 1476. Folio. 
 
 Lent by Earl Spencer. 
 
 Without title-page or pagination ; sig. a 2 z. & 3, 4, A X. The first 
 leaf of sig. A and the last of sig. H are blank ; at the end is a table of the 
 register on one page in the copies on paper, but generally wanting like this 
 one when printed on vellum. This copy, printed on the thinnest and purest 
 vellum, is splendidly illuminated with gold and colours, including miniatures of 
 high art. 
 
 645. BIBLE (Latin). Another copy. Same edition as No. 644, but 
 printed on paper. Venetiis : Nicolas Jenson, 1476. Small folio. 
 
 Lent by Henry White, Esq. 
 
 This copy has the rare end leaf containing the register. It is still a question 
 whether this, No. 646, the Naples or the Paris Bible, all of 1476, was the first 
 Bible with printer's signatures. They all appeared with signatures the same 
 year. 
 
 645*. BIBLE (Latin). Begin. Epistola beati hieronymi ad paulinu 
 psby-teru de onibus diuine hystorie libris incipit. [Fol. 4 recto, 
 col. 2. lin. 7.] Incipit liber Bresith. que nos Genesim dicimus. 
 End. [Fol. 482 recto, col. 2]. Finit liber apocalipsis beati 
 iohannis apl'i. [followed by twenty Latin verses beginning :] 
 
 Me duce carpe viam ! qui celu ascendere gestis. 
 [and ending] 
 
 Jam tribus vndecimus lustris francos Ludouicus. 
 
 Rexerat ! vlricus martinus itemo^ michael. 
 
 Orti teutonia, hanc mihi composuere figura. 
 
 Parisij arte sua-me correcta vigilanter. 
 
 Venalem in vico iacobi sol aureus offert. 
 
 [Fol. 483. sig. A. j.] Interpretationes hebraicorum nominu 
 feliciter incipiunt. Gothic letter. Ulricus [Gering] Martinus 
 [Crantz] Michael [Friburger]. Parisij, [1476]. Folio. 14-5- by 
 1 1 inches. Lent by Earl Spencer. 
 
 Without title-page or pagination ; sign, to the table of names only, A C. 
 509 leaves, printed (except the table of names) in double columns, 48 lines to 
 a full column ; the table of names is printed in treble columns, 60 lines to a 
 full column. The initials are printed in small characters, the verso of fol. 
 482 is blank. This is the first Bible printed in Paris. 
 
 646. BIBLE (Latin). Begin, [sig. A 2.] Prologus in bibliam Incipit epl'a 
 sancti Hieronymi ad Paulinu etc. [Sig. A 4 verso, col. 2 at the 
 bottom.] Explicit pfatio. Incipit liber Genesis qui dicit hebraice 
 bresith. End. Explicit biblia Ipressa Venetijs etc. (interpta-
 
 101 
 
 tiones hebraicoru nominu etc. Gothic letter, p Fraciscu de 
 hailbrun t Nicolau d'frankfordia socios, Venetijs, 1476. Folio. 
 
 Lent by Hemy White, Esq. 
 
 Without title-page or pagination ; sign. A 2 y, j, :i 18. A C. The 
 first Bible with a date having printers' signatures ? see Nos. 643, 645, 645*. 
 
 647. BIBLE (Latin). Aurea Biblia. 1476. Folio. 
 
 Lent by Henry White, Esq. 
 
 648. BIBLE (Seventh German). Begin [Fol. i, recto]. Die epistel Ihero- 
 nimi zu Paulinum. End. [Fol. 332 recto] Diss durchleicht 
 igest werck d gantz en heyligen geschrift genandt die bibel . . . 
 hat hie eyn ende. Augspurg : [Gunther Zainer], 1477. Folio. 
 2 vols. 321 & 332 leaves. Lent by Earl Spencer. 
 
 Without title-page, register, and catchword. Printed in double columns, 
 51 lines to a full page. The first German Bible with a date. 
 
 649. BIBLE (Italian). [The Holy Bible, with the history of the Septua- 
 gint by Aristeas, translated into Italian by N. de Malermi.] Pt. i. 
 Begin. Registro de la prima parte de la Biblia. Pt. 2. Begin. 
 Registro del secondo libro. 2 pt. Venetia : Antonio Bolognese, 
 1477. Folio. Lent by Henry White, Esq. 
 
 Printed in double columns. Each part has a distinct register, without title- 
 page or pagination. Aristeas is at the end of part I : part 2 commences with 
 the Proverbs. 
 
 650. BIBLE (Latin). Begin. Incipit epl'a sancti hieronimi ad paulinii 
 etc. [Fol. 3 verso, col. 3. lin. 8 from the bottom]. Incipit liber 
 bresith quern nos genesim dicimus. End. [Fol. 461 verso, col. 2. 
 lin. 3.] Finit liber apocalipi beati iohanis apl'i. followed by the 
 Colophon. Fol. 462 recto. Begin. V]Eneabili viro dno iacobo 
 de ysenaco. Menard' solo noie monachus etc. [A general 
 notice of the Bible, followed by the Canons of Eusebius ; the 
 whole occupying six leaves.] Gothic letter, p Antonium Coburger 
 In regia ciuitate Nurnbergn, 1477. Folio. 
 
 Lent by the Rev. Dr. Ginsburg. 
 
 Without title-page, pagination, or signatures ; 467 leaves printed in double 
 columns, 51 lines to a full column. 
 
 651. BIBLE (Latin). Begin. Epistola. Incipit epistola sacti hieronimi 
 ad paulinu presbite^z de oib' diuine historic libris. [Genesis 
 begins fol. 3 verso, col. i.] Incipit liber bresich <^ nos genesim 
 dici'. End. [Fol. 390 recto, col. i] omibs vob amen. Et sic 
 est finis, [same page, col. 2 V]enerabili viro dno. Jacobo de 
 ysenaco. Menard' solo no-mie monach' etc. [A general notice 
 of the Bible, extending to the verso of fol. 393, col. i, and
 
 102 Canton Celebration* 
 
 ending with seven verses. Begin.] Qui memor esse cupit libro^z 
 bibliotece[and-W.] credentes verbis sacris saluare paratus I $t A3. 
 Gothic letter. [Nuremberg? Jo. Sensenschmidt ?], 1476. Folio. 
 
 Lent by the Rev. Dr. Ginsburg. 
 
 Without title-page, pagination, or signatures, 393 leaves printed in double 
 columns, 57 lines to a full column ; between fol. 17 and 18 half a leaf is 
 inserted with part of a single column printed on the verso, to supply an 
 omission at the end of fol. 18, col. 2. 
 
 652. NEW TESTAMENT (French). Begin. Cy commence la table du 
 nouuau testament. End. Cy finist lapocalipse et samblablement 
 le nouueau testament [translated by G. des Moulins] veu et 
 corrige par venerables personnes fres iullien macho et pierre sarget 
 [sic. i.e. Farget] etc. Bartholemieu buyer, lion, [1477 ?] 4to. 
 
 Lent by Earl Spencer. 
 
 Without title-page or pagination, sign, a c ; a t and A I. 299 leaves 
 printed in long lines, 28 lines to a full page, and two blank leaves, one at the 
 end of the table and another at the end of the book. The first edition of the 
 New Testament in French. 
 
 653. OLD TESTAMENT (First Dutch). Begin. Hier beghlt dat prologus 
 vader bible des ouersetters te duytsche vte latine. [Fol. 2, recto, 
 I.jNden beghin sciep god hemel en aerde, etc. End. Hier 
 eyndt de prophect malachias, etc. Jacob iacobs soen en 
 Mauritius Yemants Zoen van middelborch. Delf, 1477. Small 
 folio. 2 volumes. Lent by Earl Spencer. 
 
 The Book of Psalms was omitted in this edition, but appeared separately 
 three years later. Without title-page, register, catchwords, or pagination ; 
 printed in double columns, 38 lines to a full column. This is the first edition 
 of the Old Testament in the Dutch language. 
 
 654. OLD TESTAMENT (First Dutch). Hier beghlt dat prologus, etc. 
 Another fine large copy. Jacob iacobs soen en Mauritius Yemants 
 Zoen van Middelborch, Delf, 1477. 2 vols. Small folio. 
 
 Lent by the Dutch Church in Austin Friars. 
 
 655. BIBLE (Latin). Begin. [Sig. A 2.] Prologus in bibliam. Incipit 
 epistola sancti Hieronymi etc. [Genesis begins Sig. A 4 verso, 
 col. 2 at the top. I]N princi-pio crea-uit deus celu & terra, 
 (interptationes hebraico^ nominu etc.] Gothic letter. per 
 Leonardum vuild de Ratisbona expensis Nicolai de franckfordia, 
 Venetijs, 1478. Folio. Lent by the Rev. Dr. Ginsburg. 
 
 Without title-page or pagination ; Sign. A 2 y, j, 2 i 8, A C; at the end 
 is a table of the register on one page. 
 
 656. BIBLE (Latin). Begin. [Fol. A 2] Prologus in bibliam. Incipit 
 epla sancti Hieronymi ad Paulinu pbrem d' oib' dine historic
 
 C, Ikciip fecriptureg. 103 
 
 libris. End. Biblia impressa Venetiis, etc. (Interptationes hebra- 
 icoru nominu scdm ordinem alphabeti), Gothic letter. Opera 
 at<k irapesa T. de Reynsburch 1 Reynaldi de Novimagio. 
 Venetiis, 1478, Folio. Lent by the Rev. Dr. Ginsburg. 
 
 Without title-page or pagination ; the " Interptationes hebraicoru nominu" 
 are at the end after the imprint. 
 
 657. BIBLE (Latin), Begin. Incipit epia sancti Hieronimi ad Paulinu 
 presbite^ de oib' diuine historic libris. End. Anno incarnatonis 
 dnice. Miliesimo-quadringentesimoseptuagesimo octavo Mai vo 
 Kl' octauo decirao. Q^? insigne veteris nouiq^ testamenti opus. 
 Cum canonibs euagelistarumq^ concordantiis, etc. Gothic letter. 
 Per Antoniu Coburger, In oppido Nurnbergn, Mai vo Kl. 18. 
 1478. Folio. Lent by the Rev. Dr. Ginsburg. 
 
 Without title-page or register. Preceding the Epistle of Saint Jerome is a 
 leaf cootaining a table of the books ; the canons are placed after the imprint 
 and have no pagination. This is Coberger's third Latin edition. 
 
 658. BIBLE (Latin). Begin. [Fol. j,] Incipit epl'a sancti Hieronimi ad 
 Paulinu, etc. [preceded by one leaf containing an index of the 
 books on the verso. Genesis begins fol. iiij.] Liber Genesis. End. 
 [Fol. cccclxj.] .... insigne veteris nouiq^ testamenti opus, cum 
 canonibs euagelistarumq^ concordantijs .... finit feliciter. 
 [Then follows : Vjenerabili viro domino Jacobo de ysenaco. 
 Menard' . . monachus . . Rogatus nuper a vobis . . . qtenus aliqua 
 generalem t opediosam libro^z biblie oscriberem notitia etc. [and 
 afterwards] Incipit tabula canonu, etc. Gothic letter. Per Antoniu 
 Coburger, in oppido Nurnbergn. IV. Id. Nov. 1478. Folio. 
 
 Lent by the Rev. Dr. Ginsburg. 
 
 The collation of this, Coberger's fourth Latin edition, is the same as the 
 third, but it is a distinct edition. 
 
 659. NEW Testament (Latin). Signature in eights. 2 cols. 1478? 
 8vo. Lent by the Bodleian Library. 
 
 660. BIBLE (Latin). Begin. [Sig. A 2] Incipit epistola beati Hie- 
 ronymi ad Paulinum presbyterum de omnibus divine historic libris. 
 End. "Fontibus ex Grecis hebreorum cj 93 libris." " Emendata 
 satis et decorata simul. / Biblia sum pris supos ego tester et astra. / 
 Est impssa nee in arbe mini similis. / Singula q^ loca cu concor- 
 dantib' extat. / Orthographia simul q; bene pssa manet." Gothic 
 letter. [1479?] Folio. Lent by the Rev. Dr. Ginsburg. 
 
 Without title-page or pagination. This is supposed to be the first of the 
 editions distinguished by the appellation " Fontibus ex Graecis," in which case 
 it is of the date of 1479, or still earlier.
 
 104 Ca.rton Celebration, 
 
 66 1. BIBLE (Latin). Begin. Incipit epl'a Hieronimi ad Paulinu pres- 
 bite^ de oibs diuine historic libris. End. Anno icarnatois domi- 
 nice. Millesimo-qdri ge tesimo septuagesimonono sexto die 
 augusti. I^z Isigne veteris nouiq^ testameti op' cu canonibs 
 euagelistaruck 1 cordatiis, etc. (Interpretationes Hebraicorum 
 nominum.) Gothic letter. Per Antoniuz Coburger, In oppido. 
 Nurnbergn, 1479. Folio. Lent by the Rev. Dr. Ginsburg. 
 
 Without title-page or register. Printed in double columns, 5 1 lines to a full 
 column. The "Canons "and " Interpretations " are without pagination. This 
 is Coberger's fifth Latin Bible. 
 
 662. BIBLE (Latin). Begin. [Sig. A 2.] Prologus. Incipit epl'a Hie- 
 ronymi ad paulinum, etc. [Genesis begins sig. A 5.] Incipit 
 liber genesis qui dicit hebraice bresith. End. Biblia ipressa 
 Venetiis, etc. [Then folloAvs, sig. Q] Incipiunt interpretationes 
 hebraico^z nominum, etc. [and on the last leaf] Registrum biblie. 
 Gothic letter. Opera . . . Venetus : Nicolai Jenson, 1479. Folio. 
 
 Lent by the British and Foreign Bible Society. 
 Without title-page or pagination, signatures A z,% O, '!}. A v. 
 
 663. BIBLE (Eighth German). End. Diss durchleuchtigest werck d'ganc- 
 zen heilige geschrifft. genannt die Bibel fur all ander vorgedruckt 
 teutsch Bibeln. lauterer. felarer. vnd warer nach rechtem gemeyne 
 teutsch dan vorgedruckt. hat hye ein ende, etc. 2 Th. Augspurg : 
 Anthoni Sorg, 1480. Folio. Lent by the Rev. Dr. Ginsburg. 
 Without title-page or signatures ; each Th. is preceded by a register or index. 
 
 664. BIBLE (First German, low). Begin. [D] le born der ewyger wijsheyt 
 dat wort gsedes i de hogeste sprekz : etc. [Fol. 4 recto.] (Hijr 
 beghynt Genesis dat erste boeck der vijf boeckere Moysi, etc.) 
 End. Een salich ende hefft dat boek der hemelike apenbaringe. 
 sent Johans des ewangeliste . . vn dar mede de gantse bybel. dar 
 van gade dank unde loff sy in ewicheyt. Amen. [Cologne, 
 1480 ?] Folio. Lent by the Rev. Dr. Ginsburg. 
 
 Printed in double columns, without title-page, register, or pagination ; 57 
 lines to a full column. 
 
 665. BIBLE (Latin). Begin. Prologus in bibliam. Incipit epistola 
 sancti Hieronymi ad Paulinum presbyterum : de omnibus diuine 
 historic libris. (interpretations hebraicoru nominu, etc.) Gothic 
 letter. Venetijs : per Franciscum de hailbrun, 1480. 4to. 
 
 Lent by the Bodleian Library. 
 Without title-page or pagination. Signatures a y, j, z. z, 4-18, A D. 
 
 666. PSALMS (Greek and Latin). Begin. [Fol. 3, recto] AATIA 
 nPO$HTOT KAI BACIAEHC MEAOC. David prophetae et
 
 105 
 
 regis melos. [Preceded by loannes [Crestonus] placentinus 
 Monachus Reueredo patri & domino. D. Ludouico Donate 
 Episcopo Bergomensi, S. p. d. commencing on the verso of fol. 
 i.] End. Trdda/; vpuv <V ooov EWJVDJ. pedes nostrum in uiam pacis 
 [Edited by J. Crestonus]. Mediolani, 1481. Folio. niby8| 
 inches. Lent by Earl Spencer. 
 
 Eighty-one leaves, sig. a i-^z iii. This is the first of the editions 
 printed at Milan in 1481, and is known by its colophon : " Impressum Medio- 
 lani anno Mcccc. Lxxxi. die. xx. Septembris." It is printed in double columns, 
 containing 28 and 29 lines in a full column. No pagination or catchwords. 
 
 667. BIBLE (Latin). Begin. Incipit epl'a sancti Hieronimi ad Paulinu 
 presbite^z de oibs diuine historic libris. End. Anno incarna- 
 tionis duice. Millesimoquadringentesimooctuagesimo. Mai vero 
 Kl' octauo decimo. Q^ insigne veteris nouiq^ testamenti opus, 
 cum canonib' euangelistarumc^ concordantiis, etc. Per Anto- 
 niuz Coburger, In oppido Nurnbergn, 1480. Folio. 
 
 Lent by the Rev. Dr. Ginsburg. 
 
 Without title-page or register. Preceding the epistle of Saint Jerome is a 
 leaf containing a table of the books ; the canons are placed after the imprint, 
 and have no pagination. This is Coburger's sixth Latin edition. 
 
 668. BIBLE (Latin). [The Holy B. in Latin, according to the Vulgate 
 translation, with the Glossa Ordinaria of Walafridus Strabo, and 
 the Glossa interlinearis of Anselmus Scholasticus.] Begin. Epis- 
 tola beati Hieronimi presbiteri ad Paulinum presbiteru . . . incipit. 
 [Fol. 3 verso :] Glossa ordinaria incipit [Fol. 5 recto :] [I]N 
 pricipio creauit de' celum t terra, etc. Gothic letter. 4 vols. 
 [Venice? 1480?] Folio. Lent by the Sion College Library. 
 
 A manuscript note in Latin on the cover of vol. I. says that in 1480 this 
 book belonged to Giles de Bresc, Rector of S. Mary the Virgin outside 
 Malines, and that he bought it for 26 florins. 
 
 669. PSALMS (Dutch). leaves, lines. End. Hier eyndet die duytsch 
 Souter end es gheprent te Delf, 1480. i6mo. 
 
 Lent by the Bodleian Library. 
 
 278 leaves, 17 lines. Signatures abcdefghikl mnopqrfstv 
 wxyzABCDEFGHin eights and I in 6 leaves, in all 35 sheets, or 278 
 leaves. 
 
 670. BIBLE (Latin). Begin. Incipit epistola sancti Hieronymi ad ... 
 divine historic libris. Sig. a 5 recto, col. 2.] In principio 
 creavit de' . . . t'ra, etc. (Iterptatioes hebraicoru nominu s'm ordi- 
 nem alphabet!.) Gothic letter. 1481. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 Without title-page, pagination, or catchwords. Sig. a y, A Y, 1-13, 
 570 leaves, printed in double columns, 47 lines to a full column. This is one 
 of the "Fontibus ex Grsecis" editions. The Colophon, which is at the end of 
 the Apocalypse, is followed by the Rubric of the Proper Lessons and the "In- 
 terpretationes. "
 
 io6 Canton Celebration* 
 
 680. BIBLE (Latin). With Commentaries of De Lyra. 2 vols. Nurn- 
 bergn : Anthonius Coberger, 1481. Folio. 
 
 Lent by Matthew Ridgway, Esq. 
 
 681. BIBLE (Latin). Begin. Incipit epistola sancti Hieronym ad 
 Paulinu, etc. [Sig. a 5 recto, col. 2] i N principio creavit de' 
 celu 1 tra, etc. (Iterptatioes hebraicoru nominu s'm ordinem 
 alphabete.) Gothic letter. 1481. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 Without title-page, pagination, or catchwords. Sig. a y, A Y, 1-13, 570 
 leaves, printed in double columns, 47 lines to a full column. This is one of 
 the "Fontibus ex Grascis" editions. The colophon, which is at the end of the 
 Apocalypse, is followed by the Rubric of the Proper Lessons, and the "Inter- 
 pretationes." 
 
 682. PENTATEUCH (Hebrew). .n01 ttHTSI DipJIN 0121/1 D 
 Begin. .JTIWO On vellum. [Bologna : Abraham ben Chayim 
 de' Tintori, 1482.] Folio. Lent by Earl Spencer. 
 
 First edition of the Pentateuch in Hebrew. 
 
 683. VORAGINE (James de). The Golden Legende. \_Colophon\ 
 Thus endeth the legende named/ in latyn legenda aurea, that is 
 to saye/ in englysshe the golden legende, For/ lyke as golde 
 passeth in valewe alle/ other metalles, so thys legende excedeth/ 
 alle other bookes, wherin ben contey-/ned alle the hygh and grete 
 festys of/ our lord, the festys of our blessyd la/dy, the lyues pas- 
 syons and myracles/ of many other sayntes, and other hys-/toryes 
 and actes, as al allonge here/ afore is made mencyon, whiche 
 werke/ I haue accomplisshed at the commaundemente and 
 requeste of the noble and/ puyssaunte erle, and my special good/ 
 lord Wyllyam erle of arondel, 1 haue/ fynysshed it at Westmestre 
 the twenty/ day of nouembre, the yere of our lord/ M, CCCC, 
 Ixxxiij, T: the fyrst yere/ of the reygne of Kyng Rychard the/ thyrd 
 
 Qg me t5g#gan) Canton* Foiio. 
 
 Lent by the Rev. Dr. Gott. 
 
 First edition. Four preliminary leaves, comprising the Prologue and two 
 tables ; text in double columns, folioed I to ccccxliij. 
 
 This book is, we think, fairly placed among Bibles, because it contains a 
 translation into English of nearly the whole of the Pentateuch and a great part 
 of the Gospels, and hence must have been read extensively by the people, or to 
 the people, long before the Reformation, or the days of Tyndale and Cover- 
 dale. Historians of the English Bible appear to have overlooked the numerous 
 editions of this work. It was no doubt read in churches, and though the text 
 is mixed with much priestly gloss and dross, it nevertheless contains, in almost 
 a literal translation, a great portion of the Bible ; and it became thus one of the 
 principal instruments in preparing the way for the Reformation. The people 
 demanded the Scriptures in a purer form. The modifications and changes of 
 the text and form of the Golden Legend is a theme worthy the bibliographer.
 
 107 
 
 The future historian of our dear old English Bible should not fail to sift 
 
 Tina? %o %> ftncttx fya) tfyrf 
 $9 there nafte^/Ttn^ tte> fo& 33? 
 feu wand fclbcfl?t^m toggdct for to co# > 
 iKrttfJegr mm6t in tnawrof 6rc0i/ 7 verso, f S 
 
 column. This may take precedence of the Genevan Version in being called 
 the "Breeches Bible," as that was not published till 1560, more than three 
 quarters of a century later. 
 
 684. BIBLE (Ninth German). Begin. Das erst Blat. Hie hebet an die 
 Epistel des heyligen priesters sant Jheronimi etc. [fol. v. recto] 
 Hie hebt sich an. Genesis etc. End. [fol. ccccclxxxiij. verso. J 
 Disz durchleuchtigist werck der gantzen heyligen geschrifft. 
 genant dy bibel fur all and ' vorgetriicket teutsch bible, lauterer. 
 clarer vnd warer nach rechter gemeyner teutsch . . . gege dem 
 lateynischen text gerechtuertigt . . . mit vberschrifften . . . Vn mit 
 schonen figuren . . . hat hie ein ende. etc. Gothic letter. Nuren- 
 berg : durch anthonium Koburger, 1483. Folio. 15^ by n-j 
 inches. Lent by Henry J. Atkinson, Esq. 
 
 Without title-page or signatures ; printed in double columns, 50 lines in 
 a full column. The first German Bible printed at Nuremberg. With many 
 extraordinary woodcuts. 
 
 685. BIBLE (Ninth German). Begins. Das erst Blat. Hie hebet an die 
 Epistel, etc. Another copy. Very fine. Lent by Earl Spencer. 
 
 686. BIBLE (Latin). Begin. [Fol. a. 2.] Incipit epistola beati 
 Hieronymi ad Paulinum presbyterum de omnibus divine hystorie 
 libris. End. Exactum est inclyta in urbe venetia'^i sacro sanc- 
 tum biblie volumen &c. (F. Moneliensis a genua in sacrosanctam 
 ac sacratissima biblia Epl'a. Interpretaciones nominu hebraico- 
 rum.) Gothic letter. Caracteribus Magistri Johanis dicti magni. 
 Herbert de Siligenstat alemani, in urbe venetia^, 1483. Folio. 
 
 Lent by Henry White, Esq. 
 
 Without title-page or pagination ; the epistle of Franciscus Moneliensis is 
 on the verso of the first leaf, and the "Interpretaciones nominu hebraicorum" 
 are at the end, after the colophon. 
 
 687. BIBLE (French). In French paraphrase by Guyard de Moulins, 
 or Comestor, 1487. Folio. 
 
 Lent by the British and Foreign Bible Society. 
 
 688. BIBLE (Italian). La Biblia en lingua Volgare (per Nicolo di 
 Mallermi). End. Venetia : per Joan. Rosso Vercellese, 1487. 
 Folio. Lent by Henry White, Esq.
 
 <o8 Canton Celebration* 
 
 689. BIBLE (Latin). Venetiis : per Georgium rauabsnis, 1487. 4to. 
 
 Lent by Francis Fry, Esq. 
 
 This first Bible with a separate title-page is printed in two columns of 52 
 lines each. 
 
 690. BIBLE (First Bohemian). [The Holy Bible in Bohemian.] Begin. 
 Poezinagi Prwnie Knihy Moyziessowy. Capitola I. etc. w Mjes- 
 tie Starern Prazskem, 1488. Folio. Lent by Earl Spencer. 
 
 Printed in double columns, without numerals or catchwords, 47 lines to a 
 full page; register a. iii z. v. A Z, v. A. A. C. C. iiii. a. a. m. m. iiii. 
 At the end is a register of the Epistles and Gospels, printed alternately red 
 and black, signatures i iiii. 
 
 691. BIBLE (First Hebrew). [.D^JLTOl DW1J HTin] Begin, [fol. i 
 verso] .JTIW$"Q Editio Princeps. [Soncino : Abraham ben 
 Chayin de' Tintori, 1488.] Folio. Lent by the Rev. Dr. Ginsburg. 
 
 380 leaves without pagination, printed in double columns, 30 lines to a full 
 page. The Pentateuch is followed by the Five Rolls, which have a separate 
 register, as also the Prophets and the Hagiographa. De Rossi, Ann. Sec. 
 XV. p. 54. This is the first complete edition of the Bible. The whole Bible 
 had been printed previously in portions, viz., the Pentateuch, 1482, the Former 
 Prophets, 1485, the later Prophets, 1486, and the Hagiographa, 1487. 
 
 692. BIBLE (i2th German). 2 vols., 799 leaves, 2 columns, 48 lines, 
 woodcuts. Augspurg : Hen. Schonsperger, 1490. Folio. 
 
 Lent by the Bodleian Library. 
 
 693. BIBLE Picture Book (Dutch). Boeck van Ihesus Leven. Wood- 
 cuts. Zwolle : Peter van Os Breda, 1490. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 694. BIBLE (Second German Low). 2 vols., 2 columns, 66 lines in a full 
 column. With large woodcuts. Lubec, 1491. Folio. 
 
 Lent by Earl Spencer. 
 
 695. BIBLE (Latin). Biblia. (Epistola beati Hieronymi . . . de omnib' 
 divine historic libris. . . Translators biblie. Epistole et Evan- 
 gelia Per anni circulum Interptatioes hebriaco^ noum, etc.] 
 Gothic letter. Impensis . . . Nicolai Keslers, civis Basilicu 
 [Basle], 1491. Folio. Lent by Henry J. Atkinson, Esq. 
 
 Without pagination. Sig. a z, t, & E, A- Z, Aa, G.g., a c. Printed 
 in double columns, 56 lines to a full column. The Colophon, which is on the 
 verso of sig. F. f. J, is followed by the " Translatores biblie, etc." 
 
 696. BIBLE (Latin). Biblia integra, summata ; distincta: supemedata 
 utriusc^ testameti rcordatus illustrata. [Fol. a 2 recto :] Incipit 
 epistola beati Hieronymi ad Paulinu, &c. [New Test. Fol. i 
 recto.] Incipit epistola beati Hieronymi ad Damasum, &c. [Fol.
 
 109 
 
 A. i recto.] Interpretationes Nominu Hebraico. Gothic letter. 
 Per Johanem froben de Hammelburck, Basilee, 1491. 8vo. 
 
 Lent by the Bodleian Library. 
 
 491 leaves, without pagination or catchwords ; register, beginning at fol. 5, 
 a y, A Z, i-i I iiii, A E 7 in eights, except 1 1 which is in twelves. Printed 
 in double columns, 56 lines to a full column. Fol. a I and E 7 are blank. 
 This is said to be the first Bible printed in octavo, or in small form, and is 
 hence called the first edition of the " poor man's Bible." It is also the first 
 or one of the first books printed by Froben. This copy is splendidly illuminated. 
 
 697. BIBLE (Latin). In title, "Tu es Petrus." Venetiis, 1492. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 698. BIBLE (Latin). Biblia [on woodcut "Tu es Petrus."] Another 
 copy. Venetiis, 1492. 8vo. Lent by the Bodleian Library. 
 
 6980. PSALMS (German). Der Psalter/ zu Deutsch./ \Colophon\ <[ Ge- 
 truckt zu Vim vo Cun-/rad dinckmut. Anno salutis. M./cccc. 
 Vnnd im.xcii. Ulm, 1492. i6mo. 
 
 Lent by the Rev. Dr. Ginsburg. 
 
 Eight prel. leaves, the 7th and the recto of the 8th being blank ; Text, 17 
 lines on a page, a to z and jA to K 3 in eights. These Psalms are a literal 
 translation from the Latin Vulgate, into High German of the fifteenth century, 
 of a southern (Swabian) dialect. Added to the Psalms are the hymns of Isaiah, 
 Ezekiel, Anna, Moses, Abacuck, the Three Children, Zachariah, St. Augustine, 
 and the Athanasian Creed. This is a fine specimen of an early pocket edition of 
 the Psalms in the language of the people. The size of the page is 3^ in. by 
 2^ inches. 
 
 698^. BIBLE (Latin).. Biblia integra, etc. Finit p Johannem froben 
 cive Basilic. 6 Kal Nov. 1495. 8. Lent by Sion College. 
 
 699. BIBLE (Latin). Biblia, cum tabula noviter edita (Tabula alpha- 
 betica ex singulis libris 1 capitulis totius biblie . . . a G. Bruno. . . 
 summa cura composita.) End. Exacta est biblia presens Venetiis 
 summa lucubratione. (Interpretatides hebraicoru nominu pm ordi- 
 nem alphabeti.) Gothic letter. Venetiis: Bevilaqua, 1494. 
 4to. Lent by Matthew Ridgway, Esq. 
 
 700. BIBLE (Latin). Liber uite. Biblia cum glosis ordinarijs ; 
 et interlinearibus ; excerptis ex omnib' ferme ecclesie sancte 
 doctorib' ; simulq^ cum expositois Nicolai de lyra ; et cum con- 
 cordantijs I margine. (End. Glosa ordiaria vna cu postilF ve. f. 
 Nicolai de lyra. . . feliciter finit. . . . emedata . . . Bernardinu 
 gadolu, etc. 4 vols. Gothic letter. Venetiis : p. Paganinu de 
 paganinis, 1495. Folio. Lent by Henry White, Esq. 
 
 701. BIBLE (Latin). Biblia Correcta per Petrum Angelu de monte 
 ulmi. Venetiis: Hieronimus de Paganini, 1497. 8vo. 
 
 Lent by the Bodleian Library.
 
 1 o Canton Celebration* 
 
 702. BIBLE (Latin). Biblia Sacra Latina cum Glossa Ordinaria et 
 Postillis Nicola de Lyra. 6 Parts. Basilise, J. Petri de Langen- 
 dorff et Joan. Froben de Hamelburg, 1498. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 703. BIBLE (Latin). 2 col., 52 lines. Venetiis : per Symonum dictum 
 beuilaqua, 1498. 4to. Lent by M. Ridgway, Esq. 
 
 This is one of the Fontibus ex Graces editions. 
 
 704. BIBLE (Latin). Liber Vitse Biblia correcta per Petru angelu. 
 Venetia : Arte Paganmi de Paganinis, 1501. 8vo. 
 
 Lent by Earl Stanhope. 
 
 705. PSALMS (English). ^[ This treatise concernynge the fruytful-Say- 
 inges of/ Dauyde the kynge & prophete in the seuen penytecyal/ 
 psalmes Deuyded in seuen sermons was made and com-/plyed by 
 the ryght reuerente fader in god Johan fyssher/ Doctour of dy- 
 uynyte & bysshop of Rochester at the ex-/ortacion and sterynge of 
 the moost excellente pryncesse/ Margarete countesse of Ryche- 
 moute and Derby & Mo-/der to our souerayne lorde Kynge Hery 
 the vij on who-/se soule Jesu haue mercy./ [ Colophon\ Here endeth 
 the exposycyon of y e .vii. psalmes. Enpryn/ted at London in the 
 fletestrete at the sygne of y e sonne/ by Wynkyn de Worde. In the 
 yere of oure lorde. M/CCCCC. viii. y e .xvi. day of y e moneth of Juyn. 
 The/ xxiii. yere of y e reygne of our souerayne lorde kynge He/ry 
 the seuenth./ London, 1508. 4to. Lent by W. Harrison, Esq. 
 
 146 leaves without folios, pagination, or catchwords. Signatures aa to zz in 
 eights and fours alternately, and && in six leaves. Colophon on the recto of 
 && .iv. with Wynken de Worde's device on the reverse. This edition is dis- 
 tinguished from the others by the initial F at the beginning of the text having 
 the Portcullis of Westminster, and by the signatures being in double letters in 
 lower case. There are 32 lines on a page, and the Latin text is in larger letters 
 than the English. 
 
 706. QUINCUPLEX Psalterium. Gallicum, Romanum, Hebraicum, 
 Vetus, Conciliatum. Parisiis : Hen. Stephani', 1509. 4to. 
 
 Lent by Earl Spencer. 
 
 707. BIBLE (Latin). 6 vols. Paris: Wolfgang Hopyl, 1510. i6mo. 
 
 708. BIBLE (Latin). Biblia, Pars scunda. Josue Psalter. Paris : 
 Wolfgang Hopyl, 1510. i6mo. Lent by Rev. J. B. Ebsworth. 
 
 709. BIBLE (Latin). Paris : Simon Vostre, 1512. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 710. BIBLE (Latin). Lyon : J. Mareschal, 1514. 4to. 
 
 Lent by Henry J. Atkinson, Esq.
 
 Clasfsf C* ^olp >cripture0 1 1 1 
 
 711. BIBLIA Polyglotta. Hebr. Chald. Gr. Lat. Cardinalis Ximenez. 
 A. W. de Brocario. In Complutensi universitate (Alcala), 
 1514-17. Folio. 6 vols. Lent by Earl Spencer. 
 
 The first Polyglot Bible. Only 600 copies of it were printed, which were 
 not published until 1520. The work occupied fifteen years in execution, and 
 its cost was defrayed by Cardinal Ximenes. The first volume was completed 
 the loth January, 1514, and the last the loth July, 1517. The Licence of 
 Leo X. is dated 22nd March, 1520, but copies were not issued before 1522. 
 The Cardinal died the 8th of November, 1517, and the hitch in the publica- 
 tion of the work was probably owing to this circumstance. 
 
 715. BIBLE (Latin). Lyon, 1515. Folio. 
 
 Lent by Henry White, Esq. 
 
 716. BIBLE (Latin). Lyon: J. Sacon, 1515. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 717. BIBLE (Latin). Lyon: J. Sacon, for Ant. Koburger, 1516. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 718. NEW Testament (Greek and Latin). Novum Instrumentum 
 Erasmi. Gr. et Lat. Basil: Froben, 1516. Folio. 
 
 Lent by Earl Spencer. 
 
 The first Greek New Testament accompanied by a Latin translation is re- 
 ported to have been executed by Erasmus and Froben in five months. 
 
 719. NEW Testament (Greek and Latin). Nouum Instrumentum, 
 etc. Erasmus's first edition. Printed on vellum. Basilise : Fro- 
 ben, 1516. Folio. Lent by the Archbishop of Canterbury. 
 
 This is generally called the first New Testament in Greek, though it had 
 been printed two years before in the Ximenes Polyglot, but not issued till 
 1520. It had also been printed by Aldus, but in consequence of that printer's 
 death, was not published till 1518. See No. 721. 
 
 720. PSALMS (Polyglot). Psalterium. Hebr. Gr. Ar. Chald. Genuse : 
 P. P. Porrus, 1516. Folio. Studio Aug. Justiniani. 
 
 Lent by Earl Spencer. 
 
 A note on the nineteenth Psalm gives a short account of the life of Christo- 
 pher Columbus, especially of his second voyage along the southern coast of 
 Cuba, containing details of importance nowhere else told so fully. 
 
 721. BlBLE (Greek). Uacvra ra xareZoxw Katovpeva BIBAIA 6eiag 
 tWaSri yfafrj TraCKx-iou, re, KCU vea^. Sacra Scripturae Veteris 
 Novaque Omnia. Venetiis in sedibus Aldi et Andreae soceri, 
 1518. February. Folio. Lent by Earl Spencer. 
 
 First edition of the Septuagint. Contains the first Greek Old Testament 
 published, though it had been printed the previous year in the Ximenes Poly- 
 glot. This is a sumptuous copy on large paper. Aldus Pius Manutius, the 
 projector of this work, as well as its chief editor and printer, died in 1516, 
 before it was completed. Hence his father-in-law Andreas Asolanus' address 
 to Cardinal /Egidius the friend of Aldus.
 
 ii2 Canton Celebration* 
 
 722. BIBLE (Latin). Lily on title, Venetiis : L. A. de Giunta, 1519. 
 8vo. Lent by Henry J. Atkinson, Esq. 
 
 Containing cuts, the earliest metal engraving. 
 
 723. NEW Testament (Greek and Latin). Erasmus's second edition. 
 
 2 vols. Basiliae : Froben, 1519. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 724. BIBLE (Latin). Lyon : J. Mareschall, 1519. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 725. BIBLE (French). Paris: Jean Petit, 1520. Folio. 
 
 Lent by Edwin S. Kowie, Esq. 
 
 726. ACTS of the Apostles (German, Luther's). Printed on vellum. 
 1521. 8vo. Lent by Henry J. Atkinson, Esq. 
 
 727. CONCORDANCE (Latin). Basilise : J. Froben, 1521. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 728. NEW Testament (Greek). Hagenau : Thomas Anselmi, 1521. 
 4to. Lent by Henry J. Atkinson, Esq. 
 
 729. BIBLE (Latin). Printed in Italics. Basilise : J. Wolf, 1522. 
 4to. Lent by Henry J. Atkinson, Esq. 
 
 730. BIBLE (Latin). Lugduni : Jacob Sacon, 1522. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 731. BIBLE (Latin). Nurembergae : Peypus, 1522. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 732. NEW Testament (Latin). 2 vols. Argent. : J. Cnobloch, 
 1523. 8vo. Lent by Henry J.Atkinson, Esq. 
 
 733. BIBLE (Latin ?). Lyons: J. Mareschal, 1523. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 734. NEW Testament (French). (Transl. par Jacques le Fevre 
 d'Etaples.) Guilaume Vosterman, Anvers, 1523. 8vo. 
 
 Lent by the British and Foreign Bible Society. 
 
 735. BIBLE (German). Das Alt und neues Testaments der Martin 
 Luther. Gedrukt zu Nuremberg durch Frederichen Peypus, 1524. 
 
 3 vols. Folio. Printed on vellum. Lent by Earl Spencer. 
 These volumes want the Prophets and Apocrypha, which were not printed 
 
 by Luther till 1532, to render this edition complete. This is the world- 
 renowned copy printed on pure vellum, with the wood illustrations splendidly 
 coloured like miniatures.
 
 C* 3$olp fecn'pture^ 1 1 3 
 
 737. BIBLE (German). Strasburg, 1524. 
 
 Lent by the British and Foreign Bible Society. 
 
 738. BIBLE (Latin). Lyons: J. Marischal, 1525. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 739. BIBLE (Hebrew). 4 vols. Venet. : Bomberg, 1525. Folio. 
 
 Lent by the British and Foreign Bible Society. 
 
 740. BIBLE (Latin). Sacra Biblia ad LXX interpretum tralata. 
 Basilise : per Andream Cratandrum, 1526. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 741. BIBLE (Latin). Lugduni : Jacob Marischal, 1526. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 Curious plates at the end of Maccabseus. 
 
 742. HABACUC (German). Luther's. 1526. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 743. NEW Testament (English). [The Newe Testament in Englysshe, 
 by William Tyndale. Worms: Peter Schoeffer, 1526?]. 8vo. 
 
 Lent by the Dean and Chapter of St. PauVs Cathedral. 
 
 This is one of the rarest and most precious volumes in our language, being 
 the first complete edition of the New Testament by William Tyndale. Only 
 two copies are known, this and the one at Bristol. This one is very imper- 
 fect, while the Bristol copy wants only the title. 
 
 744. NEW Testament (English). Tyndale's first edition, supposed to 
 have been printed at Worms by Peter Schoeffer in 1526; a fac- 
 simile on vellum, illuminated, reprinted from the copy in the 
 Baptist College, Bristol. With an Introduction by Francis Fry. 
 1862. 8vo. Lent by Francis Fry, Esq. 
 
 Mr. Fry has rendered a great service in reproducing this rare volume with 
 so much care and fidelity. 
 
 745. BIBLE (Latin). Habes in hoc libro utriusque instrumenti novam 
 translatione aeditam a Santo Pagnino. Lugduni : Ant. du Ry, 
 1528-7. 410. Lent by Earl Spencer. 
 
 With Melancthon's autograph notes. 
 
 746. BIBLE (Latin). Another copy. Lugduni : per Ant. du Ry, 
 1528. 4to. Lent by Henry J. Atkinson, Esq. 
 
 First Bible divided into verses, but not divided exactly, as was afterwards 
 done by Robert Stephens in his sixth edition of 1555, subsequently adopted 
 by our English translators first in the Genevan version. 
 
 I
 
 in Cajton Celebration. 
 
 747. BIBLE (Dutch). Te Bibel. Antwerp: Willem Vostermann, 
 1528-31. Folio. Lent by Henry J. Atkinson, Esq. 
 
 748. NEW Testament (German). Das Neu Testament, Emser, 1528. 
 Folio. Lent by Henry White, Esq. 
 
 749. BIBLE (Latin). Coloniae : Quentel, 1529. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 750. NEW Testament (German). - Das gantz New Testament : So 
 durch den / Hochgelerten L. Hieronymun Emser verteiitscht, 
 mitt sampt seinen zugefug-/ten Summarien vnd Annotationen 
 vber yegliche capitel angezeigt, wie Mar-/tinus Luther dem rechten 
 Text (dem Huschischen exemplar nach) seins gefal-/lens, ab vnd 
 tzugethan, vnd verendert hab, Wie dan durch bitte etzlicher 
 Fiirsten/ vnd Herren gescheen, das er wol dem gemeynen volck 
 tzu niitz, das war/ vnd recht Euangelion, am truck ausz geen 
 lassen./ C Item ein new Register verordent vnd gemacht, 
 vorstetlicher dan vor gewest./ Auch dem kauffer vnnd gemeynen 
 man tzu gutt sindt hynden an getriickt, die/ Episteln ausz dem 
 alten Testament, die man in der Christlichen kirchen durchs Jar 
 helt, wol-/che dann der Emser in seyner Translation nicht bey 
 gesetzt hat, da mit nicht eym jeglichen/ not sey eyn gantze Bybel 
 tzu kauffen./ Anno M. cccc. xxix. Am. xxiu. tag des Augst- 
 monts./ \_Colophori\ Getruckt vnd volendet in der loblichen stat 
 Collen I durch Heronem Fuchs, vnnd auffs new mit fleysz durch- 
 leszen vnnd corrigirt/ vonn dem wirdigen doctor Johan Diten- 
 berger. Mit verlag vnnd belo-/nung des Ersamen vnnd fursich- 
 tigen burgers Peter Quentel. Im/ Jaer nach Christi vnsers 
 salichmachers geburt M.CCCC. / xxix. Am xxiu tag des Augst- 
 mants. Collen, 1529. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 Six preliminary leaves : text folioed from i to 204, and paged from 205 to 
 227. This Translation of Emser is opposed to Luther's, which is here pro- 
 nounced to be a falsification of the text. 
 
 751. BIBLE (Dutch, Protestant). Antwerp, 1529. Folio. 
 
 Lent by Henry White, Esq. 
 
 752. BIBLE (French). La Saincte Bible Frangoys, translated selon la 
 pure et entiere traduction de Sainct Hierome (par Jacques le 
 Fevre d'Estaples). En Anvers : par Martin Lempereur, 1530. 
 Folio. Lent by Henry White, Esq. 
 
 This splendid volume was long regarded as the first complete Bible in the 
 French language. It was translated by Le Fevre of Estaples from the Latin 
 Vulgate, and was so faithfully done as to become the basis of all other French 
 translations, both Roman Catholic and Protestant. It is however now rendered
 
 115 
 
 certain that the entire work had previously seen the light in six small octavo 
 Volumes, between the years 1523 and 1528, which volumes are so scarce that 
 no library, as far as we know, possesses a complete set. The New Testament 
 was printed by Simon cle Colines at Paris in 1523, and again in 1524. By an 
 order of the French Parliament, 28th August, 1525, the work was censured 
 and rigorously suppressed. The New Testament was in 1524 and 1525 re- 
 printed in Antwerp by Vosterman, and again in 1525 it was reprinted at Basle. 
 In 1528 Martin Lempereur printed the Pentateuch and the Prophets in two 
 volumes. The Psalms had been printed separately in 1525 by Colines at Paris. 
 Lempereur again reprinted some of the volumes in 1529 and 1532, in octavo. 
 
 753. PENTATEUCH (English). The fyrst boke of Moses called Genesis. 
 By William Tyndale. Marlborow : Hans Luft, 1530. 8vo. 
 
 Lent by Francis fry, Esq. 
 
 The five books of the Pentateuch have each separate titles, and were probably 
 issued separately. Genesis and Numbers are in black letter, while the other 
 three books are in Roman. 
 
 754. BIBLE (German). Zurich: Froschover, 1531. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 755. BIBLE (Latin). Paris : Robertus Stephanus, 1532. Folio. 
 
 This is Robert Stephens's second Bible, of which he edited and published 
 eight distinct editions between 1528 and 1556-7. 
 
 756. BIBLE (Dutch). Antwerp: Vosterman, 1533-4. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 757. BIBLE (Latin). Paris : R. Stephanus, 1534. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 This is Stephens's third Bible. 
 
 758. NEW Testament (English, Tyndale's). fl" The ne-/we Testament, 
 dyly/gently corrected and/ compared with the/ Greke by Willyam/ 
 Tindale ; and fynes-/shed in the yere of ou/re Lorde God./ 
 A. M. D. t. xxxiiij./ in the moneth of/ Nouember./ Antwerp : by 
 Marten Emperowr, 1534. 8vo. 
 
 Lent by W. Amhurst Tyssen-Amhurst, Esq. 
 
 Sixteen preliminary leaves, viz. Title within a woodcut border ; on the re- 
 verse, " C W. T. vnto the Reader." 17 pages ; " C A prologe into the .iiii. 
 Euangelystes "/ (**. ii. ) 3^ pp., the remaining half-page being occupied by 
 "CA warninge to ye reader if ought be/ scaped thorow necligence of the 
 prynter." Then comes, on ** .iiii./ " Willyam Tindale/ yet once more to the/ 
 christen reader."/ 9 pages : next page blank. Then follows the second title 
 CThe ne-/we Testa-/ment, C Imprinted at An-/werp by Marten/ Emperowr./ 
 Anno. M.D. xxxiiij./ On the reverse is "CThe bokes conteyned in the/ 
 newe Testament." 27 lines, the last 4 not numbered. The Text begins with 
 folio I (so in error for folio ii. ) on A. ii, with a small woodcut of St. Matthew 
 filling the space of 10 lines, nearly an inch wide. Revelations end on the top 
 of the reverse of folio ccclxxxiii. with "The encle of the newe/ testament.' / 
 Then follows on, "These are the Epistles ta-/ken oute of the olde testament,"
 
 "6 Cajton Celebration* 
 
 ending on the bottom of the recto of folio cccc with " C Here ende the epistls 
 of the olde/ Testament."/ Next come on the reverse of folio cccc. "C This is 
 the Table/ whe/re in you shall fynde/ the Epistles and/ the Gospels/ after the 
 vse of/ Salsbury." 18 pages, and 4 lines of the next page, followed immediately 
 by, " C These thinges have I added to fill/ vp the lesse with all."/ Occupying 
 the remainder of that and the following page, ending at the bottom of the recto 
 of Ee. viii. with " C The ende of this/ boke."/ The reveise of the last leaf 
 Ee. viii. is blank. The woodcut borders of the two titles are alike, except that 
 while the shield at the bottom of the first is blank, that in the second is occu- 
 pied by armorial bearings between the initials of Martin Kaiser, the Flemish 
 name of the printer, Martin Emperour. Preceding each of the four Gospels, 
 the Acts, and most of the Epistles, are small woodcuts, representing the Evan- 
 gelists and Apostles, nearly one inch wide, and one and three-eighths inches 
 high. In the Revelations are 22 woodcuts, two and three-eights inches by 3^ 
 inches. This is Mr. Fry's No. 3, where it is fully described. 
 
 759. PENTATEUCH (English). By William Tyndale. The fyrst boke of 
 Moses called Genesis. Newly corrected and amended by W. T. 
 (in roman type). [Marlborow : Hans Luft, 1534.] 8vo. 
 
 Lent by Earl Spencer. 
 
 William Tyndale' s corrected copy of the Pentateuch of 1534 is usually called 
 the second edition, but only the first book was reprinted ; the other four 
 books were not changed. The first edition appeared in 1530. A complete 
 copy of the whole five parts is of the highest rarity. 
 
 765. BIBLE (English). Biblia./ The Bible, that/ is, the holy Scripture 
 of the/ Olde and New Testament, faith-/fully and truly translated 
 out/ of Douche and Latyn/ into Englishe./ M.DXXXV./ [Myles 
 Coverdale.] \Colop)wn^\ Prynted in the yeare of our Lord 
 M.D.XXXV. and fynished the fourth daye of October. [Antwerp ? 
 Jacob van Meteren j>], 1535. Folio, nf by 8 inches. 
 
 Lent by the Earl of Leicester. 
 
 Eight preliminary leaves. The title is in black within a beautiful border 
 composed of four woodcuts. On the reverse, in a similar type to the text of 
 the Bible, are " The bokes of the whole Byble, how they are named/" &c., in 
 four columns under the headings, " Abbreuiacion," "Boke," "Chapters," 
 and "leafe." Then comes, on +. ii. the Dedication " Vnto the most 
 victorious Prynce/" &c. 5 pages, ending on the recto of + " w 'i tn "youre 
 graces humble sub-/iecte and daylye oratour,/ Myles Couerdale."/ On 
 the reverse begins, "A prologe./ Myles Couerdale Vnto the Christen 
 reader."/ with the initial C, six lines deep, 6 pages ; next follows on 
 the reverse of the leaf "The bokes of the hole Byble," occupying 2 pages ; 
 then comes in a smaller black letter, on the reverse of the last preliminary leaf, 
 "The first boke of/ Moses/ called/ Genesis/" I page. The Text is in six 
 parts, Genesis to Deuteronomy, Folios i to xc, recto, the reverse blank ; 
 Title, "The seconde par-/te of the olde Testament./ The bokeof Josua. "etc., 
 within a woodcut border composed of eight pieces, with " The boke of/ Josua. 
 What this boke conteyneth," on the reverse ; Text, Josua to Hester, Folios ij. 
 to cxx. verso, Signature aa ij to vv in sixes : The third Part, without separate 
 title-page, Job to Solomons Balettes, Folios i to lij, recto, Signatures Aa to 
 Ii iiij. Title to the fourth Part, within a woodcut border of nine pieces, " All 
 the Prophetes/ in Englishe./ Esay, Jeremy " &c., having on the reverse
 
 117 
 
 "The Prophet/ Esay./ What Esay conteyneth," one page ; Text, Esay to 
 Malachy, Folios ij to cij vjsrso, Signatures Aaa ij to Rrr vj. Title to the 
 fifth Part, " Apocripha/ The bokes," &c., within a woodcut border of 
 eight pieces, having on the reverse "The transzlatoure vnto the reader." 29 
 lines, and "The thirde boke of Esdras./ What this boke conteyneth." one 
 page ; Text, The Third boke of Esdras to the Second boke of the Machabees, 
 Folios ij to Ixxxiij (marked Ixxxi. ) Signatures A ij to O v, followed by one 
 blank leaf. Then comes the title to the sixth Part, "The new testament."/ 
 <fec., within a border of eight pieces, having on the reverse "The gospell of/ 
 S. Mathew./ What S. Mathew conteyneth," one page ; Text, Mathew to 
 Revelation, Folios ij to cxiij verso, concluding with "The ende of the new 
 testament." on the middle of the page. Underneath is "A faute escaped in 
 pryntinge the new Testament." four lines ; and then comes the colophon near 
 the bottom of the page, "Prynted in the yeare of oure Lorde M.D. xxxv./ and 
 fynished the fourth day of October. " Between the first and second parts is a 
 large woodcut map, I if by 15! inches square, entitled, " The desiripcion of the 
 londe of promes/ called Palestina/ Canaan/ or the holy londe."/ 
 
 Let no Englishman or American view this and the six following Bibles with- 
 out first lifting his hat, for they are seven extraordinary copies of the COVER- 
 DALE BIBLE, containing, with one important exception (the Marquis of 
 Northampton's copy), all the variations known of the most precious volume in 
 our language. For the latest notes on its history the reader is referred to our 
 Introduction to this collection of Bibles, pp. 86-91. Jacob van Meteren, of 
 Antwerp, printer and proprietor, and probably the translator, by whom Cover- 
 dale was employed to edit and see the work through the press, having sold the 
 edition to James Nicolson, of Southwark, that English printer and publisher 
 seems to have had as much trouble in working off his book as Simmons had in 
 selling Milton's " Paradise Lost," if we may judge by the number of new titles 
 and preliminary leaves found in different copies. First, we have here in the Earl 
 of Leicester's copy, Van Meteren's original Antwerp title, as first issued, with 
 part of the list of "The bokes of the hole Byble," ending with Malachi on the 
 reverse. Of course the second leaf would be a continuation of this list of "The 
 bokes " from the Apocrypha to Revelation, and hence we may infer that the 
 volume originally contained no dedication to Henry VIII and his dearest just 
 wife Anne [Bulleyn] or Jane [Seymour], for that would cause the dedication to 
 commence on the verso of the second leaf. Besides, we have in this copy of 
 the Earl of Leicester a unique leaf, containing the end of Coverdale's Prologue 
 to the Reader, in the Antwerp type of the body of the book. If our calcula- 
 tions are correct, Coverdale's Prologue to the Reader would commence on the 
 verso of the second leaf and end with this page in the Holkham copy, thus de- 
 monstrating almost to a certainty that there was originally no dedication to the 
 King. This being the case, Nicolson, towards the end of 1535, finding the 
 Convocation, Cranmer, Cromwell, and the King, more propitious towards free 
 Scriptures in English than they had been in Sir Thomas More's time when he 
 went over to Antwerp, had abundant reason for cancelling the Antwerp title 
 and reprinting all the preliminary matter, so as to admit the long and rather 
 fulsome dedication to Henry, which Coverdale probably concocted in London 
 to suit the occasion and to pave the way to a royal licence. These two unique 
 perfect leaves, the first and the last of the original four or six preliminary 
 leaves, therefore render this (the Earl of Leicester's copy) of unspeakable im- 
 portance in the bibliographical history of the Book. 
 
 Nicolson then, it seems, cancelling the originals, replaced them with eight 
 preliminary leaves, inserting Coverdale's Dedication of five pages and leaving 
 verso of title blank. A copy of Nicolson's first title with date 1535, the reverse
 
 n8 Canton Celebration* 
 
 blank, is in the library of the Marquis of Northampton ; very important as 
 proving that there was no delay in issuing the volume, as some writers have 
 claimed there was. Nicolson, it is well known, possessed the original wood- 
 cuts of the work, including the map and the title. The arrangement of the 
 title is very beautiful, and Nicolson, we think, somewhat improved upon the 
 original. He added two lines to the last motto so as to complete the sense, 
 instead of leaving it to end with &c. like the Antwerp title, but as his type was 
 larger than the foreign type, and the cartouche of the wood-block was confined, 
 he was obliged to drop one line, and hence were omitted the only words he 
 could well omit, "and truly .... out of Douche and Latyn," about which 
 omission pages and pages of pure nonsense have been written for and against 
 the honour and credit of Coverdale. It is true that the words left out tell 
 strongly in favour of the translation being done by a foreigner, but in the 
 London dedication Coverdale having mentioned his use of "fyue sundry inter- 
 preters" in "setting forth" the work, he and Nicolson avoided a seeming 
 contradiction by omitting these words. The omission, however, was unques- 
 tionably and simply a matter of the printer's taste and convenience, the truth 
 having been more fully and accurately explained by Coverdale himself, in his 
 Epistles to the King and to the Reader. Nicolson's first or separate edition of 
 the Dedication contains the name of Queen Anne, while the Dedication in his 
 folio reprint of 1537 has instead the name of Queen Jane, who was married 
 to the King, May 20, 1536, showing that it was printed after this date. 
 
 Nicolson not only sold off this original edition in 1535 and 1536, but he im- 
 mediately printed two other editions in English type, the one in folio and the 
 other in quarto, both bearing the date of 1537, though probably printed mostly 
 in 1536. It has been a much debated question as to which of these editions of 
 Nicolson was the earlier. We are inclined to give the precedence to the folio, 
 first because the preliminary leaves that appear in it were used to make up the 
 Antwerp edition with a title dated 1536, like the Earl of Jersey's and the 
 Gloucester Cathedral copies, having in the Dedication the name ot Jane ; and, 
 secondly, because neither the 1536 nor 1537 folio titles bear the words "Set 
 forth with the kinges moost gracious licence," which appear at the bottom of 
 the title of the quarto edition. It is not unlikely that when Grafton obtained 
 his licence to "set forth" the Matthew Bible in 1537, a similar favour was 
 granted to Nicolson for his three editions of the Coverdale Bible, though it 
 was too late to add these words to the titles. 
 
 766. BIBLE (English). Coverdale's. Fynished the fourth daye of 
 October, 1535. [Jacob van Meteren ? Antwerp?], 1535. Folio. 
 12-j by 8 inches. Lent by Earl Spencer. 
 
 This copy is imperfect. The title belongs to the Bible printed in 1549 by 
 Raynolde and Hyll. The dedication leaves containing the name of Queen 
 Jane are from the second' edition (folio) of the Coverdale Bible printed by 
 Nicolson, of Southwark. It also wants the map. 
 
 767. BIBLE (English). Coverdale's. Nearly complete. [Jacob van 
 Meteren? Antwerp?]. 1535. Folio. 
 
 Lent by the Sion College Library. 
 
 A MS. note pasted in the cover says this copy was borrowed by the British 
 Museum, August 19, 1772, to complete their copy by facsimiles taken from it. 
 Certain leaves then wanting in this copy have been added, since it appears now 
 to want only the original title-page and map. The name of Queen Jane is in 
 the Dedication.
 
 Clatfg C* l?olj> >ct;ipturc0, 119 
 
 768. BIBLE (English). Coverdale's. Another copy. [Antwerp? Jacob 
 van Meteren?], 1535. Folio. 
 
 Lent by the British and Foreign Bible Society. 
 This, is a good copy correctly made up with facsimile. 
 
 769. BIBLE (English). Coverdale's. Another copy. [Jacob van 
 Meteren? Antwerp?], 1535. Folio. 1 2 f by 7 f inches. 
 
 Lent by W. Amhurst Tyssen-Amhurst, Esq. 
 An excellent copy, but having some leaves supplied in facsimile. No map. 
 
 770. BIBLE (English). Coverdale's. [Antwerp? Jacob van Meteren ?], 
 1535. Folio. ia| by 7! inches. Lent by the Rev. Dr. Gott. 
 
 This copy has the titles and map in excellent facsimile ; otherwise a fine 
 copy. 
 
 771. BIBLE (English). && Biblia-O^ / The Byble : that/ is, the holy 
 Scrypture of the/ Olde and New Testament,/ faythfully translated 
 in/to Englyshe./ M.D. xxxvi./ S. Paul. II. Tessal. III./ Praye for 
 vs, that the word of God/ may haue fre passage 1 be glorified./ S. 
 Paul. Colloss. III./ Let the worde of Christe dwell in you/ plen- 
 teously in all wysdome, T:c./ Josue. I./ Let not the Boke of this 
 Lawe departe/ out of thy mouth, but exercyse thy selfe/ therin 
 daye and nyghte, y 4 thou mayest/ kepe and doe euery thynge ac- 
 cordynge/ to it that is wrytten therin./ \Colophon\ Prynted in the 
 yeare of oure Lorde M.D. xxxv./ and fynished the fourth daye of 
 October./ [Jacob van Meteren ? Antwerp?], 1535, and [James 
 Nicolson, Southwark], 1536. Folio. 12! by 7! inches. 
 
 Lent by the Earl of Jersey. 
 
 This is our seventh copy of the COVERDALE BIBLE, and though last by -no 
 means least. It is, we believe, the only copy known, perfect as it came from 
 the hands of the publisher Nicolson ; that is, with the title, reverse blank, and 
 the seven other preliminary leaves, together with the map as added by Nicolson ; 
 while the rest of the volume is as it came from Van Meteren. The Dedication 
 has the name of Queen Jane, showing that the seven leaves are the same as 
 those in Nicolson's folio of 1537. The map has the descriptive line at the top 
 in English type and not in the Antwerp type, showing that this impression 
 was taken off the block in England. We can trace this same block of the map 
 as late as the Bishop's Bible of 1574. We have said before that the blocks used 
 in the title and in the body of the book by Van Meteren at Antwerp all passed 
 into the possession of Nicolson, and can be traced in many books for many 
 years in England. Mr. Francis Fry, in his admirable book called The Bible by 
 Coverdale, 1535, has amply proved this. We do not, therefore, credit the oft- 
 repeated story that they are the cuts of Hans Sebald Behem of Nuremberg, or 
 that they were the identical cuts used by Christopher Froschover of Zurich. 
 There is a bare possibility that Froschover at Zurich got up the Coverdale 
 type, cuts, title, and map, and having used them in his folio German Bible of 
 1534, sold them at once and secretly to Van Meteren of Antwerp in time for 
 him to finish printing the Coverdale Bible by the 4th of October, 1535, and then
 
 :2o Canton Celebration* 
 
 sell the whole stock, books, type, cuts, &c., to Nicolson of Southwark, and so 
 escape the lynx-eyed imperial emissaries and spies. But there are heaps of 
 floating straws in the current against this argument, one of which is perhaps 
 sufficient to show that these cuts never saw Zurich. The large cut of the 
 Tabernacle, used twice, has the words COST, NORD, and sAifo (the v and the j 
 upside down), three unmistakable Flemish words, or such as would not have 
 been used in Zurich, Lyons, or Frankfort, but are well suited to the latitude of 
 Antwerp. We are rejoiced, therefore, to be privileged to place this world- 
 renowned Osterly copy at one end of our rank of seven matchless Coverdales, 
 with the equally celebrated Holkham copy at the other end. 
 
 It remains now to give a brief history of the several vain attempts made during 
 the last hundred years to satisfactorily complete our first Bible. In 1772 the 
 British Museum and Sion College copies were used to complete each other in 
 manuscript. About 1840 the late Mr. John Harris supplied the outer border 
 of the title of the British Museum copy by piecing it, and adding a facsimile of 
 the cuts from the same block title used in the edition of 1549, having the 
 centre inscription in Latin. But when the Holkham copy was brought to 
 light, in 1846, it was found that the original inscription was in English on the 
 right side as it was on the left. The Osterly copy confirmed this, though dated 
 1536. In December, 1849, Mr. Harris, having traced the Holkham title while 
 it was in London being bound by Lewis, made an excellent lithographic fac- 
 simile of both the title and the list of books on the back of it. The late Mr. 
 William Pickering in the meantime had a wood-cut made in facsimile of the 
 title of the Museum copy, as first restored by Harris, with the English inscrip- 
 tion on the one side and the Latin on the other. The fourth facsimile is an 
 off-tract from Harris's Holkham copy, made by him for Mr. George Offor, but 
 somewhat inferior to his own. A fifth kind of restoration is to take the title of 
 1549, cut out the centre, and put in the Coverdale title of 1535, but this leaves 
 the inscriptions all in Latin. The sixth facsimile is from Harris's original 
 Holkham stone with the Osterly inset of 1536, the reverse being left blank. 
 The seventh is from Harris's stone with the inset from the Marquis of Northamp- 
 ton's copy, with date 1535* reverse blank. Collectors, being very properly 
 puzzled how to use these several facsimiles to make up their copies, generally 
 insert as many as they can procure. Harris's original stone is still in existence, 
 together with the insets of the English titles of both 1535 and 1536. Nicolson 
 issued two sets of the Dedication, Prologue, &c., in seven leaves, one with the 
 name of Queen Anne, and the other with that of Queen Jane. Mr. Triphook 
 reprinted these leaves in old black letter, about 1825, in quasi facsimile. Mr. 
 Pickering had a " seeming" facsimile of the Anne leaves printed on old paper 
 at the Chiswick Press. Mr. Harris did them both in his best style, traced 
 and lithographed. Mr. George Offor did them both also in his style, and both 
 sets have more recently been reproduced in facsimile for Mr. Fiy. All these 
 issues are found in various copies, and, we believe, some copies have all of 
 them, or as many as procurable. Still, after all is said and done, no one has yet 
 seen of Van Meteren's original preliminary leaves any others besides the title 
 and the last one, as described above in the Earl of Leicester's copy. 
 
 772. BIBLE (French). La Bible en Francoys. Le Viel 
 
 Testament de Lebrieu : t le Nouveau du Grec. [By P. R. Oli- 
 vetan, assisted by J. Calvin.] Neufchastel : Pierre de Wingle, 
 1535. Folio. Lent by Earl Spencer. 
 
 The first Protestant French Bible, usually called the " Olivetan," from the 
 name of one of its translators.
 
 773. BIBLE (French). Illustrated. Paris, 1535. Folio. 
 
 Lent by Henry White, Esq. 
 
 774. NEW Testament (German). Das New Testament Deiidsch 
 (Luther's). Widerumb fleissig corrigiert. Printed on vellum. 
 Augspurg : Heinrich Stayner, 1535. 8vo. 
 
 Lent by the British and Foreign Bible Society. 
 
 775. NEW Testament (German). Luther's second edition. 153 . 
 Folio. Lent by Henry J. Atkinson, Esq. 
 
 776. BIBLE (English). The History of the Bible, circa 1535. 8vo. 
 
 Lent by the Rev. Dr. Gott. 
 
 777. BIBLE (Hebrew). With marginal notes in Greek. Basil ise : Ex 
 officina Frobeniana, 1536. 4to. Lent by Charles D. Skerborn, Esq. 
 
 779. NEW Testament (English). The newe Testament yet once agayne 
 corrected by Wylliam Tyndall, whereunto is added an exhortacion 
 to the same of Erasmus Rot. with an Englysshe Kalender and a 
 Table / necessary to fynde easly and lyghtely any story contayned 
 in the iiii. euangelistes 1 in the Actes of the Apostles. 1536. 8vo. 
 
 Lent by Earl Spencer. 
 
 At the end of the New Testament in this edition there follow the " Epystles 
 taken out of the Olde Testament / what are red in the Church after the use of 
 Salsburye upon certen dayes of the year." This fine, large, clean, perfect 
 and matchless copy is fully described by Mr. Fry under his No. 10. 
 
 780. NEW Testament (English). <[ The Newe Testament yet once 
 agayne corrected by Willyam Tyndale. [Antwerp?], 1536. 410. 
 
 Lent by the Rev. Dr. Gott. 
 
 This is called the Engraver's mark edition. A fine perfect copy, measuring 
 8 by 5^ inches. It is Mr. Fry's No. 9. 
 
 7^1. NEW Testament (English). Tyndale's. 1536. 4to. 
 
 Lent by the British and Foreign Bible Society. 
 
 782. NEW Testament (English). C The Newe Testament yet once 
 agyne corrected by Willyam Tindale. [Antwerp?], 1536. 410. 
 
 Lent by the Earl of Jersey. 
 
 This is called the Mole edition. A very fine tall copy on paper stained 
 yellow. Measures o^- by 5^ inches. Fry's No. 8. 
 
 783. NEW Testament (English). C The newe Testament yet once 
 agayne corrected by Willyam Tindale. [Antwerp ?], 1536. 4to. 
 
 Lent by W. Amhurst Tyssen-Amhurst, Esq. 
 
 This is called the Blank-Stone edition, and measures 8 by 6 inches. A 
 fine' and perfect copy. It is Fry's No. 7.
 
 122 Canton Celebration* 
 
 784. NEW Testament (Latin). Coloniae : Lupum, 1536. 32mo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 790. BIBLE (English, Coverdale's). 2* Biblia <t*/ The Byble, that/ 
 is the holy Scrypture of the/ Olde and New Testament, fayth-/ 
 fully translated in Englysh, and/ newly ouersene \ corrected./ 
 M.D.XXXVII./ [3 mottos as before] C Imprynted in Southwarke 
 for/ James Nycolson./ Folio. Lent by Francis Fry, Esq. 
 
 It is still a question whether this folio or Nicolson's 4to is the earlier impres- 
 sion. They both appeared in 1537. This reprint of the Coverdale Bible has 
 impressions of the original woodcuts and the map, but the type is the regular 
 black-letter English. Not a particle of the original Antwerp type has yet, as 
 far as we know, been identified in any other book. As the blocks and maps 
 came to England it is presumed the fount of type was lost or destroyed. 
 
 791. BIBLE (English, Coverdale). The Byble that is the holye Scryp- 
 ture of the Olde and Newe Testamente faythfully translated in 
 Englysh and newly ouersene and correcte. M.V C XXXVII. [the 3 
 texts as before] Imprynted in Southwarke in Saynt Thomas Hos- 
 pitale by James Nycolson. Set forth with the Kynges moost gra- 
 cious licence. 1537. 4to. Lent by Earl Spencer. 
 
 This is generally considered the third edition of the Coverdale Bible, the 
 second English Bible printed in England, but the first in the quarto form. 
 
 792. BIBLE (English, Matthew's). C The Byble,/ which is all the holy 
 Scrip-/ture: In whych are contayned the/ Olde and Newe Testa- 
 ment truly/ and purely translated into En-/glysh by Thomas 
 Matthew./ fl Esaye. j./ SP Hearcken to ye heaueris and, 
 thou earth geaue eare : For the/ Lorde speaketh./ M, D, xxxvn,/ 
 Set forth with the Kinges most gracyous lycece./ \Colophoii\ d The 
 ende of the newe Testament,/ and of the whole/ Byble,/' C To the 
 honoure and prayse of God/ was this Byble prynted and fy-/ 
 nesshed, in the yere of oure/ Lorde God a,/ M, D, xxxvn [Ant- 
 werp ? printed by Jacob van Meteren ? and published in London 
 by R. Grafton and E. Whitchurch,] 1537. Folio. 
 
 20 preliminary leaves, viz. Title, within an elaborate woodcut border, 
 having on the reverse, "2* These thynges ensuynge are ioyned with/ thys 
 present volume of the Byble."/ The second leaf begins on *. ij. with "The 
 Kalender," 4 pp., with "C An Almanack for .xv. ij. yeares," at the bottom 
 of the fourth page. The next leaf, *.iiij, begins "C An exhortacyon to the 
 studyeof the/ holy Scripture," etc. I page, with large flourished capitals I R at 
 the bottom nearly 2\ inches high ; on the reverse is " C The summe & con- 
 tent of all the holy/ Scripture," 2 pp. On the reverse of the fifth leaf begins 
 " C Rogers' Dedication " C To the moost noble and gracyous/ Prynce Kyng 
 Henry the eyght," etc. 3 pp., ending with " Youre graces faythfull &true sub- 
 iect/ Thomas Matthew." beneath which are two large flourished capitals, H R. 
 Then follows, on signature* *, " C To the Chrysten Readers." and "A table 
 of the pryncypall matters conteyned/ in the Byble," 26 pp. ; next comes " C The 
 names of all the/ bokes of the Byble," and "C A brief rehersall of the yeares 
 passed" etc. I page ; on the reverse of which is a large woodcut filling the
 
 123 
 
 whole page, representing Adam and Eve in Paradise ; Text, Genesis to Solo- 
 mon's Ballet, Ccxlvij. folioed leaves, the reverse of the last being blank. Then 
 comes a second title, in black and red, within a border composed of 16 wood- 
 cuts, "The Prophetes/ in English,"/ Esay to Malachy, having on the upper 
 corners of the reverse R G, and on the lower corners E W, (the initials pro- 
 bably of Richard Grafton and Edward Whitechurch) in large flourished 
 capitals, and in the centre a woodcut representing the angel touching the lips 
 of the prophet with a coal of fire from the altar ; Text, folioed j to xciiij, end- 
 ing at the centre of the reverse, and having the large initials of William Tyn- 
 dale below. Next follows the third title, in black and red, " C The Volume 
 of/ the bokes called Apocripha. "/ within a border of 15 woodcuts, having on 
 the reverse a prologue "C To the Reader," in long lines ; Text folioed ij to 
 Ixxxj. ending on the reverse, and followed by a blank leaf. Then comes in 
 black and red, within the same woodcut border as the first title, " ** The 
 newe/ Testament of/ oure sauyour Jesu Christ,/ newly and dylygently trans- 
 lated/ into Englyshe with annotacions/ in the Mergent to help the/ Reader to 
 the vnderstan-/dynge of the/ Texte./ C Prynted in the yere of/ oure Lorde 
 God./ M.D. xxxvu. /" reverse blank ; Text, Matthew to Revelations, folioed 
 ij. to Cix. ending on the recto. On the reverse begins "This is the Table/ 
 wherin ye shall fynde the Epi-/stles and the Gospels, after the/ vse of Salis- 
 bury," 5 pp. ; on the next leaf is the Colophon given above, reverse blank. 
 Really edited by John Rogers, the first martyr under Queen Mary, 1555- I* 
 was printed abroad, the expense of the work being defrayed by R. Grafton and 
 E. Whitchurch, two citizens of London. By Cranmer'sand Cromwell's influence 
 it received royal authority. It now appears tolerably evident that the enter- 
 prising foreign citizen of Antwerp, Jacob van Aleteren, who printed Coverdale's 
 Bible and sold the edition to Nicolson, with cuts, map, and probably the type 
 (lost), got up and printed this Bible also, and sold the whole edition to Grafton 
 and Whitchurch, together with the special plant thereto belonging. Rogers and 
 Van Meteren were relatives by marriage. See our Introduction, page 89-90. 
 
 793. BIBLE (English). Matthew's. [Antwerp? Printed by Jacob van 
 Meteren?] London: Grafton & Whitchurche, 1537. Another 
 copy. Folio. Lent by the Rev. Dr. Gott. 
 
 794. BIBLE (English). Matthew's. Another fine and perfect copy. 
 [Antwerp ? Printed by Jacob van Meteren ?] London : Grafton 
 and Whitchurch, 1537. Folio. Lent by the Bodleian Library. 
 
 795. BIBLE (German). Zurich : C. Froschover, 1538. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 796. BIBLE (Latin). Paris : Regnault, 1538. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 797. NEW Testament (English, Coverdale's). jut The new/ Testament 
 of oure/ Sauyour Jesu/ Christ./ Faythfully translated, &/ lately 
 correcte : wyth a/ true concordaunce in the/ margent, & many 
 neces-/sary annotacions decla-/rynge sondry harde pla-/ces 
 coteyned in the text./ C Eympret in the yeare/ of our Lorde 
 M.d. xxxviii./ \Colophon~\ C Imprynted at Antwerpe, by Matthew/ 
 Crom. In the yeare of oure Lorde/ M.D. xxxviii./ 8vo. 
 
 Lent by the British and Foreign Bible Society.
 
 124 Canton Celebration* 
 
 Eight preliminary leaves, viz. the Title, in red and black, in a small com- 
 partment surrounded by a beautiful and elaborate woodcut border, having on 
 the reverse "C An Almanack for xxxii. yeares." The second leaf begins on 
 *ij with the Kalendar which fills eight pages. The sixth leaf begins "G A 
 Prologe ynto/ the newe Testament." 5 pp. with the running titles in red. 
 On the reverse of the eighth leaf, above a woodcut, is " * A prologe of/ 
 Saynt Matthew." The Text in long lines, black letter, neither paged or 
 folioed, Matthew to Revelations, signatures A to Z, a to m, in eights, and end- 
 ing on the reverse of m viij, with " The ende of the new Testament." Then 
 comes " Here followe the/ Epystles of the olde Testament, whych are/ red in 
 the Churche after the vse of Salysbury,/ vpon certayne dayes of the yeare."/ 
 19 pp.; ending on the recto of o ij, followed by "5^ The Table,/ wherin ye 
 shall fynde the Epystles and/ the Gospels after the vse of Salysbury,"/ 9 pp. 
 and half of the following page, the rest of this and the next three pages being 
 occupied by "C The surnme &/ content of all the holy Scripture, both/ of the 
 olde and new Testament," ending with the colophon ; making in all 16 sequent 
 leaves. This is one of the most interesting of all the early editions of the New 
 Testament. It possesses many peculiarities, and little seems to be known of 
 its history. It is Coverdale's Version of the text, with Tyndale's Prologues. 
 The prologues of each of the Evangelists are placed before the books to which 
 they severally belong, and Coverdale's summaries of the chapters are placed 
 npt together before each book as in the edition of 1535, but separately before 
 each chapter. At the ends of a greater part of the chapters are Closes, 
 or Notes, in a smaller type, which appear here, as far as I can learn, for the 
 first time, and add considerably to the interest of this edition. They are quite 
 different from the Notes of Matthew as given in the first edition of 1537- The 
 woodcut illustrations are far more numerous than in any other edition, there 
 being nearly 200 cuts, above twenty of which fill the whole page. Many 
 of them are very spirited and beautiful. Matthew begins on the recto of A ; 
 Mark on the verso of E. vij. ; Luke on the recto of H. v. ; John on the verso 
 of H. iij ; Acts on the verso of Q viij ; Romans on the recto of X. vij. ; 
 Timothy on the recto of e. v. ; Hebrews on the verso of h. iij ; Revelations on 
 the verso of k. i. 
 
 This copy appears to have belonged to Henry VIII, having the arms 
 of that sovereign stamped on the covers. It corresponds in every thing but the 
 imprint at the end with the Grenville copy in the British Museum. 
 
 It was at one time stolen from the Library of the British and Foreign Bible 
 Society, and disposed of to a London Bookseller ; but it was afterwards 
 recovered through information given by Mr. F. Fry to Mr. Bullen of the 
 British Museum, who compiled the well-known Catalogue of the Bible Society's 
 Library. 
 
 798. NEW Testament (English and Latin, Coverdale's). The newe 
 tes-/tament both Latine and/ Englyshe ech correspondent 
 to/ the other after the vulgare texte, com-/munely called S. 
 Jeroms. Fayth-/fully translated by Myles/ Couerdale./ Anno. 
 M.CCCCC.XXXVIH./ Jeremie. xxn./ Is not my vvorde lyke a fyre 
 sayeth the/ Lorde, and lyke an hammer that/ breaketh the harde 
 stone ?/ Printed in Southwarkej by James Nicolson./ Set forth 
 wyth the Kyn/ges moost gracious licence./ 1538. 4to. 
 
 Lent by the Rev. Dr. Gott. 
 
 Six preliminary leaves, viz. Title in black and red, within a border composed 
 of four woodcuts, a column on each side supporting a head-piece containing in
 
 125 
 
 the centre a medallion with a male and a female head ; reverse blank : " C To 
 the moost noble,/ moost gracious, and cure moost dradde so-/'ueraigne lord 
 Kynge Henry y e eyght, etc. Sig. + ii. 3 pp.; On the reverse begins, "To 
 the Reader." 3 pp.; "An Almanack for .xviii. yeares." (the 1st, 3rd, and 5th 
 words in red) and a Kalendar, in red and black, 4 pp. in double columns, the 
 Almanack occupying only the first half of the first column. The text in double 
 columns, the Latin in roman type occupying the inner, and the English, in 
 black letter, the outer column, begins "C SANC-/TVM IESV CHRISTI/ euange- 
 liu secundu Matheii. " (the N in the first word being printed upside down) with 
 folio I [not marked] on A. i. and ends on the verso of folio 344, Vv. vi. fol- 
 lowed by, " C A table to finde the Epistles/ and Gospels vsually red in the 
 Church/ after Salysbury vse," 4 pp. in double columns. This is Nicolson's 
 first edition of Coverdale's New Testament, printed in Southwark while 
 Coverdale was in Paris, superintending the printing of The Great Bible. It is 
 a sightly volume, well printed, and on good paper ; but the proof reading was 
 so exceedingly bad, and the blunders of all sorts were so numerous, that Cover- 
 dale on receiving a copy in July 1538 was so mortified and annoyed, that he at 
 once put to press in Paris another edition more correct, which was finished in 
 November. His dedication to the King was written in Paris in Lent, 1538, 
 and sent to Nicolson, who issued the volume in time for Coverdale to receive 
 by chance a copy in Paris in July following. 
 
 799. NEW Testament (English, Coverdale's). C The new testamen 
 both in/ Latin and English after/ the vulgare texte :/ which is 
 red in/ the churche./ Translated and corrected by My-/les 
 Couerdale : and prynted in/ Paris, by Fraunces Regnault./ 
 M. ccccc. xxxviii/ in Nouembre./ Printed for Richard Grafton/ 
 and Edward Whitchurch/ cytezens of London./ Cum gratia \ 
 priuilegio regis./ 1538. 8vo. Lent by the Rev. Dr. Gott. 
 
 Title in red and black within a very beautiful architectural woodcut border, 
 reverse blank; Coverdale's Dedication "CTo the ryght honorable lorde 
 Cromwell" 2 pages, + ij ; "CTo the Reader." + iij, 2 pages; "fLAn 
 Almanack for .xvii. yeares." I page; Kalender 6 pp. next page blank ; in all 
 7 prel. leaves. Text, Matthew to Revelations, cclxxiiij folioed leaves, ending 
 with the 1 8th line on the reverse. In the centre of the same page begins, 
 '' C A table to fynde the Epist-/les and Gospels vsually red in the/ Church 
 after Salysbury vse," etc. filling that and the four next pages, concluding on 
 the reverse of M M iiii, with "C The ende of the table." This is Coverdale's 
 revised or authorized edition, printed at Paris under his own eye, in conse- 
 quence of the errors of Nicolson's edition printed in London during his absence. 
 The English text, the running titles, the folios, and the headings of the chap- 
 ters in English, are in a small black letter, while the Latin text occupying the 
 inner column and the marginal notes is in small roman type. There are forty- 
 nine lines in English, and sixty in Latin on a full page. There are no wood- 
 cuts, except one on the first leaf of the text. In his dedication to Cromwell 
 Coverdale gives the following interesting details respecting this and his pre- 
 vious editions, reprinted verbatim. " Trueth it is, that this last lent I 
 dyd with all hublenesse directe an Epistle vnto the kynges most noble 
 grace : trustinge, that the boke (wher vnto it was prefixed) shulde afterwarde 
 haue bene aswell correcte, as other bokes be. And because I coulde not be 
 present my selfe (by the reason of sondrye notable impedimetes) therfore in 
 asmoch as the new testsment, which I had set forth in English before, doth so 
 ;i^'ree wyth the latyo, I was hartely well contet, that the laiyn and it shulde be
 
 i26 c a_rto it Celeb cation* 
 
 set together : Prouyded allwaye, that the correctour shulde followe the true 
 copye of the latyn in anye wyse, and to kepe the true & right Englishe of the 
 same. And so doynge, I was cotet to set my name to it. And euen so I dyd : 
 trustinge, though I were absent & out of the lande, yet all shuld be well : 
 And (as God is my recorde) I knew none other, till this last Julye, that it was 
 my chauce here in these parties at a straungers hande, to come by a copye of 
 the saycle prynte. Which whan I had perused, I founde, that as it was dis- 
 agreable to my former translacion in English, so was not the true copye of the 
 latyn texte obserued, nether the english so correspondent to the same, as it 
 ought to be : but in many places both base, insensyble, & cleane contrary, not 
 onely to the phrase of oure language, but also from the vnderstondyng of the 
 texte in latyn. Wherof though no man to this ho. ire did wryte ner speake to 
 me, yet for asmoch as I am sworne to the 'trueth, I wyll fauoure no man to the 
 hynderaunce therof, ner to the maynteyning of anye thing that is contrary to 
 the ryght & iust furtheraunce of the same. And therfore, as my dewtye is to 
 be faythfull, to edifye, and with the vttemost of my power to put awaye 
 all occasions of euell, so haue I (though my businesse be greate ynough besyde) 
 endeuoured my selfe to wede out the fautes that were in the latyn & English 
 afore : trustinge, that this present correction maye be (vnto them that shall 
 prynt it herafter) a copye sufficient. But because I may not be myne owne 
 iudge, ner leane to myne owne pryuate opynion in thys or anye lyke worke of 
 the scripture, therfore (according to the dewtye that I owe vnto youre lord- 
 shippes office, in the Jurisdiction ecclesiasticall of oure most noble kynge) 
 I humbly offre it vnto the same, besechinge you, that (where as this copye hath 
 not bene exactly followed afore, the good hart and wyll of the doars may be 
 considered, & not be necligence of the worke : Specially, seing they be soch 
 men : which as they are glad to prynt and set forth any good thyng, so wyll 
 they be hartely well content, to haue it truly correcte, that they them selues of 
 no malyce ner set purpose haue ouersene. And for my parte (though it hath 
 bene daage to my poore name) I hartely remitte it, as I do also the ignoraunce 
 of those, (which not long agoo) reported, that at the prynting of a right 
 famous mans sermon, I had depraued the same, at the doyng wherof I was 
 thirtie myle from thence, neither dyd I euer set pene to it, though I was de- 
 syred. Now as concerning this texte of latyn, because it is the same that is 
 red in the church, & therfore comSly the more desyred of all men, I do not 
 doute, but after that it is examined of the lerned (to whom I most hartely 
 referre it) it shall instructe the ignoraut, stoppe the mouthes of euell speakers, 
 induce both the hearers and readers to fayth and good workes :". Marke 
 begins on the recto of E iij, Luke on the recto of H, John on the recto of 
 M vij, Acts on the recto of Q iij, Romans on the verso of V viij, Revelations 
 on the verso of JJ viij. 
 
 800. NEW Testament (English and Latin, Hollybush). The newe 
 tes-/tament both in Latine and/ Englyshe eche correspondente 
 to/ the other after the vulgare texte, com-/munely called S. 
 Jeromes. Fayth-/fullye translated by Johan/ Hollybushe./ Anno. 
 M.CCCCC.XXXVIII./ Jeremie. xxi./ Is not my worde lyke a fyre 
 sayeth the/ Lorde, and lyke an hammer that/ breaketh the harde 
 stone./ Prynted in Svuthwarkej by James Nicolson./ Set forth 
 wyth the Kyn-/ges moost gracious lycence./ 1538. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 Six preliminary leaves, viz. Title all in black, within a woodcut border like 
 the preceding edition, reverse blank : " C To the moost noble,/ moost
 
 C, ^olp >cc(ptuce0. 127 
 
 gracious, and oure moostdradde so-/ueraigne lord Kynge Henry y e eyght, kyng 
 of Englade/ and of Fraunce. Delender of Christes true fayth, and vnder/ God 
 the chefe and supreme heade of the church/ of Englande, Irelande, 1c./" 
 3 pages, signed by Afyles Couerdalc ; the C at the beginning of this 
 address is in red, while in the former edition it is black. On the 
 reverse begins, "To the Reader", 3 pages; "An Almanack for .xviii. 
 yeares." (These words are in black) occupying half of the first column, 
 and the Kalendar, the rest of that and the three following pages, as in 
 the first edition. The Text as in the first issue, begins " C SANC-" (the 
 N here printed correctly) with folio I (not marked) on A. i. and ends on the 
 reverse of folio 342, Vv. vi. "C A table to finde the Epistles/ and Gospels 
 vsually red in the churche/ after Salysbury vse." 4 pages in double columns. 
 This is Nicolson's Second Edition of Coverdale's New Testament, and 
 so closely resembles the first, that it is difficult to distinguish them without 
 having both before you. They are however distinct editions throughout, 
 though, being printed generally page for page, they are sometimes used 
 to make up each other. Nothing is known of Hollybush, whose name 
 appears on the title page. It is probably a pseudonym adopted by the 
 printer, in consequence of the complaints of Coverdale against the inaccura- 
 cies of the former edition. A great many changes were made in this edition, 
 both in the Latin and English texts, yet, from new blunders, it cannot 
 be called on the whole any more accurate than the first. 
 
 809. NEW Testament (Latin). 1538. 4to. 
 
 Lent by the Archbishop of Canterbury. 
 
 8 1 1. BIBLE (English, Taverner's). The Most/ Sacred Bible,/ Which is 
 the holy scripture, con-/teyning the old and new testament,/ trans- 
 lated into English, and newly/ recognised with great diligence/ 
 after most faythful exem-/plars, byRychard/Taverner./ igf Harken 
 thou heuen, and thou earth gyue/ eare : for the Lorde speaketh. 
 Esaie. i./ igg- Prynted at London in Fletestrete at/ the sygne of 
 the sonne by John Byd-/dell, for Thomas Barthlet./ ssr- Cvm 
 Privilegio/ ad imprimendum solum./ M. D. xxxix./ Folio. 
 
 Lent by Earl Spencer. 
 
 Title, within a border of four woodcuts, the top one having in the centre a 
 male and female head within a circle, the whole surrounded with a double 
 black line, reverse blank ; Dedication begins on $ir. ij. " To the most 
 noble, most mighty, and most/ redoubted prynce, kynge Henry the. VIII." 
 etc. i page ; on the reverse, " These thynges ensuynge are/ joyned w' this 
 present vo-/lume of the bible.", and " SaP" An exhortacion to the diligent' 
 studye of the holy scripture/ gathered out of the Bible "/ I page. The third 
 leaf begins " The Contentes of the Scriptvre " 2 pp. in long lines ; The fourth 
 leaf begins "The Names of the Bokes of the Byble.", i p. in two columns ; 
 on the reverse, " gig" A briefe rehersall of the yeres passed, "etc. filling about 
 a quarter of the page ; then comes " Igor A Table of the principal maters, 
 conteyned in the Bible.", filling in double columns that and the next twenty- 
 four pages : making in all 16 preliminary leaves. Text, in double columns, 
 Genesis to Solomon's Ballet, ccxxx folioed leaves, with signatures A to Z, Aa 
 to Oo in sixes, and Pp in eight leaves. Then follows a title without any border, 
 " The Boke of/ the Pro-/phetes." etc. reverse blank ; Text, beginning on 
 AA. ij. Esaye to Malachi, LXXXXI folioed leaves, sigs. AA. to PP. vij ; then 
 comes on PP viij. a third title, also without any border, " The Volvme of/
 
 128 Cajton Celebration* 
 
 the Bokes C.l-/led Apocripha. "/etc. reverse blank ; Text, Third book of Esdras 
 to Second Machabees, LXXV folioed leaves, followed by one blank leaf. Sigs. 
 Aaa to Mmm in sixes, and Nnn in four leaves. Then comes the New Testa- 
 ment title, within a border the same as the first title, reverse blank ; Text, 
 Matthew to Revelations, folios II to Ci, ending near the centre of the reverse, 
 sigs. A. ij. to R. v. Then follows "CThis is the Table wherin ye shall/ fyncle 
 the Epistles and the Gospels/ after the vse of Salisbury." 5 pp. in double 
 columns, ending at the bottom of the fifth page with this Colophon, " CTo the 
 honour and prayse of God, was this Byble/ prynted : and fynyshed, in the yere 
 of/ our Lorde God, a/ M. D. xxxix./ The last page is blank. This is generally 
 known as Taverner's Bible, and is very seldom found quite complete. This 
 copy, like all others I have seen, wants signature K, or folios 55 t 6 in 
 the New Testament. This hiatus of six leaves was probably intended to be 
 filled with a Prologue to the Epistle to the Romans. 
 
 812. BIBLE (English). Another copy. Recognised by Richard 
 Taverner. London : John Byddell for Thomas Berthelet, 1539. 
 Folio. Lent by the Rev. Dr. Gott. 
 
 813. BIBLE (English, "Great Bible"). C The Byble in/ Englyshe, 
 that is to saye the con-/tent of all the holy scrypture, bothe/ of y e 
 olde and newe testament, truly/ translated after the veryte of the/' 
 Hebrue and Greke textes, by y e dy-/lygent studye of dyuerse ex- 
 cellent/ learned men, expert in the forsayde/ tonges./ C Prynted 
 by Rychard Grafton I/ Edward Whitchurch./ Cum priuilegio ad 
 imprimen-/dum solum./ IS39-/ \Colophoti\ The ende of the new 
 Testamet :/ and of the whole Byble, Fynisshed in Apryll,/ Anno. 
 M. CCCCC. xxxix./ A dno factu est istud,/ Folio. 
 
 Lent by Earl Spencer. 
 
 Six preliminary leaves, viz. I. Title, in black and red within Holbein's beauti- 
 ful woodcut border, having on the reverse " C The names of all the bookes of 
 the Byble/ T: the content of the Chapters," etc. 2. * ii, "The Kalender/ 
 January,/ hath. xxxj. dayes. The mone .xxx./ (all these words in red) 2 leaves, 
 in red and black, having ' C An Almanach for. xix, yeares. / on the last half of 
 the verso of the third leaf, with three lines underneath in black, preceded by a 
 C in red. 4. * iiij, " C An exhortacyon to the studye of the holy/ Scripture 
 gathered out of the Byble."/ i page, the letter S in Scripture directly under 
 the letter r in exhortacyon. On the reverse " C The summe and content of all 
 the holy/ Scripture, both of the olde and new testament." 2 pp. ; the fifth leaf 
 beginning " loue to al me,". On the reverse "CA Prologue, expressynge 
 what is/ meant by certayn signes and tokens that we/ hanle set in the Byble. './ 
 the initial F filling the space of five lines, and the last line being ' ' for euer. 
 Amen." with "God saue the Kynge," in large letters 2\ inches below. 6. 
 " C A descripcyon and successe of the kyn-/ges of Juda and Jerusalem," etc. 
 beginning " Dauid raygned ouer Israel the .iij. c. xxix. yere " : On the middle 
 of the reverse begins " C Wyth what Judgement the bokes of the/ Olde Testa- 
 ment are to be red." The text is divided into five parts, each with separate 
 titles except the first : Part I, Genesis to Deuteronomiu, 84 leaves, Fo, j, to 
 Fo, Ixxxiiij, Genesis beginning with the initial I nine lines deep, and Deute- 
 ronomy ending in the middle of the recto with-" C The ende of the fyfth bo-/ke 
 of Moses, called in the Hebrue/ Elle Haddebarim, and in/ the Latin./ Deu-
 
 129 
 
 teronomium," reverse blank : Title "CThe second/ parte of the Byble con-/ 
 tayning these/ bookes." within a border composed of 16 woodcuts, the lower 
 left hand corner one representing three women kneeling before a man sitting, 
 reverse blank ; Text, Josua to Job, 122 leaves, Fo. ij. to Fo. cxxiij. beginning 
 "AFter the death of Mo- "/ and ending on the reverse of folio 123, followed 
 by a blank leaf. Title " C The thirde/ parte of the Byble con-/taynyng these/ 
 bookes."/ in a border of 16 woodcuts, the second one from the top on the 
 right hand side representing an old man kneeling to the king sitting, with a 
 soldier holding a halberd in his left hand standing behind the old man, reverse 
 blank. Text, Psalmes to Malachy, 133 leaves, Fo. ij. to Fo. cxxxiij. ending 
 on the middle of the recto with "synge. '. "/ for the last line, reverse blank. 
 The title of the fourth Part, unlike any of the other editions, is within the same 
 woodcut border as the first title, "CThe Volume of/ the bokes called Hagio- 
 grapha."/ having on the reverse, " To the Reader." fifty-four long lines ; Text, 
 The .iij. boke Of Esdras to The seconde boke Of the Machabees, 79 leaves, 
 Fo, ij. to Fo. Ixj, so misprinted for Fo. Ixxx. ending at the bottom of the 
 reverse with "now make an ende. " for the last line. The title of the fifth 
 Part, unlike that of any of the other editions, is within a border composed of 
 six woodcuts. "CThe newe Te-/stament in englyshe translated/ after the 
 Greke, cotaynlg/ these bookes. "/ reverse blank ; Text, Mathew to The Revela- 
 cyon, 102 leaves. Fo ii, to Fo. ciij, ending with the fourteenth line in the first 
 column of folio 103 with "Jesu. The grace of oure/ Lorde Jesu Christ/ be 
 with you/ all./ Amen."/ In the centre of the same column begins, "CA 
 Table to fynde/ the Epistles and Gospels vsually red in the/ chyrch, after 
 Salysbury vse," filling that and the three next pages, ending with the colophon 
 given above near the bottom of the reverse of the iO4th leaf. This is the first 
 edition of The Great Bible, commonly called Cranmer's Bible, of which, during 
 the years 1539, 1540, and 1541, there were seven distinct editions, reprinted 
 throughout, but so closely resembling each other that of five of them the leaves 
 of each begin and end alike, and are often used, ignorantly or dishonestly, to 
 make up each other. The same similarity exists between the two other 
 editions. There is little difference in the commercial value and bibliographical 
 interest of the seven editions. Any one of them complete, genuine, and in 
 good condition, is an ornament to any library, public or private. Indeed, 
 perfect copies are much rarer than is generally supposed. Mr. Lea Wilson, in 
 our days a most indefatigable collector of Bibles, was so extremely fortunate as 
 to possess the whole seven editions, every one of them perfect, or very nearly 
 so. It was a labour of years to complete them. But his labours were crowned 
 with success, and six of these magnificent volumes (all but this edition of I539 
 a perfect copy of which was already in the library) Mr. Panizzi added, after 
 Mr. Wilson's death, to the Libraiy of the British Museum, at the moderate 
 price of ,80 each. The other volume of Mr. Wilson's set, 1539, a truly mag- 
 nificent example, was sold by Mr. Pickering to Mr. Gardner, and in July, 1854, 
 was resold in Mr. Gardner's sale by auction for 121. Mr. Henry Huth is 
 now the owner of it. This edition of 1539 differs from all the others in several 
 particulars. I. Woodcuts are supported t>y a column or border on each side, 
 which is not the case in any of the other editions. 2. The border of the title 
 to the Apocripha is the same as that of the first title. 3. The New Testament 
 title is surrounded by a border of six woodcuts, while in all the other editions it 
 has the Holbein border. 4. There are pointing hands in the margins and text, 
 all of which have ruffles about the wrist, while in the other editions a part of 
 the hands are differently shaped with a cw^" round the wrist. 5. The stars in 
 the text of this edition are all six pointed, while in the other editions part of 
 them are five pointed. There are, however, minute variations on every page. 
 This splendid volume was printed in Paris by Fran9ois Regnault, for Grafton 
 
 K
 
 130 Canton Celebration* 
 
 and Whitchurch, in 1537 and 1538. Coverdale superintended the literary 
 part and saw it through the press as reviser and corrector, while Grafton 
 attended to the business matters. They were interrupted by the Inquisition 
 just before the work was finished, so that they had to escape with what they 
 could, and finish the work in London. The type and plant was apparently 
 got up secretly for this edition, as before in the cases of the Coverdale and the 
 Matthew Bibles, and after the interruption by the Inquisition, found their way 
 to London and were used in producing the six immediately subsequent editions 
 of the Great Bible. 
 
 814. BIBLE (English). The Great Bible. Another copy. London : 
 R. Grafton, April, 1539. Folio. Lent by the Rev. Dr. Gott. 
 
 815. BIBLE (English). The Great Bible. Third copy. London: R. E. 
 Whitchurche, April, 1539. Folio. Lent by Henry White, Esq. 
 
 816. BIBLE (English, Cranmer's, April). C The Byble/ in Englyshe, 
 that is to saye the con-/tet of al the holy scrypture, both/ of y e 
 olde, and newe testamet, with/ a prologe therinto, made by/ the 
 reuerende father in/ God, Thomas/ archbysshop/ of Cantor/bury, 
 C This is the Byble apoynted/ to the vse of the churches./ C 
 Prynted by Edward whytchurche/ Cum priuilegio ad imprimen- 
 dum solum./ M.D. xl./ \Colophoti\ The ende of the newe 
 Testament :/ and of the whole ByMe, Fynisshed in Apryll./ Anno 
 M.CCCCC.XL./ + A dno factu est istud./ Folio. 
 
 Lent by Earl Spencer. 
 
 Ten preliminary leaves : I, within the Holbein border, reverse blank. 2. 
 The Kalender. "January," to " Julye." the fifth line in January reading "xix 
 e , ', v' Sign. *ii (Star six points) : 3. The Kalender. " Augustus " to " Decem- 
 . ber," (xixth day of August misprinted xxix,) the last half of the reverse being 
 filled by "C Almanacke for, xviii, yeares." all in red except the C, which is 
 black : underneath are three lines, one black between two red, the last reading 
 " and syxe houres." 54. " C An exhortacyon to the studye of the holy/ Scrip- 
 ture gathered out of the Byble :'/ the S in Scripture being under n in An, and 
 the signature being *iiii (in 1539 it is * iiij, and in December, I54i there is 
 no signature) : on the reverse, " C The summe and content " etc. in the sixth 
 line of the fourth paragraph "affeccyon"; 5. " The contentes of the scripture, " 
 [continued] beginning, " loue to all men, after the example of Chryst." 
 On the reverse, " C A prologue, expressynge what is/ meant by certayn sygnes 
 and tokens that we/hauesetin the Byble."/ the last line reading " and prayse 
 foreuer. Amen."/ 6. "C A descrjpcyon and successe of the kyn-/ges of 
 Juda and Jerusalem," etc. beginning, " DAuid rayned ouer Israeli the. iii. C. 
 xxix. yere " etc. (the last line but one of the recto ending with "ad") and 
 ending on the middle of the reverse, "into spayne. " being the last line, the 
 lower half of the page being blank. 7. "The prologue,/ C A prologue or 
 preface made by the/ moost reuerende father in God, Thomas Archbyshop of 
 Canturbury,"/the initial F filling the space of five lines, and the Latin quota- 
 tions printed in the same type as the text. 8. The second leaf of Cranmer's 
 Prologue, beginning, "makers shulde be hadd in admiration for theyr hye 
 styles and obscure maner of wry tinge,"/ and the last four lines beginning 
 severally with the words "prestes," "dowes," "estate" and "beleue," catch 
 words "as also". 9. Third leaf of Cranmer's Prologue, the first line being 
 " Thyrdelye where, and in what audience. There and amonge those that
 
 131 
 
 bene studious to le-"/ and the last line of the recto beginning, " God, to ende 
 in matyers of hygh speculatyo," ending in the centre of the reverse, the last 
 being a full line. At the bottom of the page are large flourished capitals, 
 H. R. 2^ inches high, and immediately above them are the same capitals f of 
 an inch square, ip. " <T The names of all the bookes of the Byble/ and the 
 content of the Chapters of euery booke, with the nombre of the leaffe "/ etc. 
 reverse blank. Text, Genesis to Deuteronomium, 84 leaves, Fo. I [not 
 numbered] to Fo, Ixxxiiij, the first Chapter of Genesis beginning with the 
 initial I seven lines deep, " IN the begynnynge * God "/ and Deuteronomy 
 ending on the centre of the recto of folio 84 with "C The ende of the fyfth 
 boke of Moses, called in the Hebrue Elle/ Hadderbarim, and in the/ Latin./ 
 Deuteronomium."/ reverse blank. Title, " C The seconde/ parte of the Byble 
 con-/taynyng these bookes." Josua to Hiob, within a border of 16 wood- 
 cuts, the lower left-hand corner one representing Moses with horns on his 
 head standing before an army, the same as in the edition of December, 1541, 
 but in this edition the twelfth line of the title reads, "The. i. booke of y e 
 chronycles. " ; Text, Josua to Job, 122 leaves, Fo, ii, to Fo, cxxiij, ending on 
 the reverse with " the fourth generacion./ And so Job dyed,/ beynge old &/ 
 of a perfect age. "/+ C Josua, Chapter I. begins with the initial A six lines deep, 
 "After y e death of Moses the"/. Title, " C The thirde/ parte of the Byble 
 con-/taynyng these bookes."/ in a border of 16 woodcuts, the second one from 
 the top on the right-hand side representing the Genealogy of Alexander Mag- 
 nus. Text, Psalmes to Malachy, Fo, ii. to Fo, cxxxii, ending on the recto 
 with "thers, that I come not ad/ smyte the earth with/ cursynge."/ reverse 
 blank. Title, "C The Volume of/ the bokes called Hagiographa."/ within a 
 border of 16 woodcuts, the second one from the top on the right-hand side 
 representing a madman astride a hobby-horse. On the reverse, "To the 
 Reader." Text, Esdras to The seconde Booke Of the Machabees, Fo, ij, to 
 Fo. Ixxx, ending at the bottom of the reverse with " Je-/wes had the citye in 
 possessio : And here will/ I now make an ende."/ Title, within Holbein's 
 woodcut border, the same as the first title, " C The newe Te-/stamet in 
 englyshe translated/ after the Greke c5tayning/ these bookes."/ the arms of 
 Crumwell being retained, and the word newe in the first line in red. Text, 
 Mathew to The Reuelacion, Fo, ij, to Fo. ciii, (marked Fo. ciiii.) ending with 
 the I4th line on the first column of the recto of folio 103, " The grace of our 
 Lor-/de Jesu Christ be/.', wyth you. './all./ Amen."/ In the middle of 
 the same column begins, " C A Table to fynde/ the Epistles and Gospels 
 vsually red in the/ church, after Salysbury vse, wherof y e first/ lyne is the 
 Epistle, & the other the Gospell :"/ filling that and the three next pages, ending 
 on the reverse of folio 104 with the colophon given above, at the bottom of 
 the page. 
 
 The second edition of the " Great Bible," and the first containing Cranmer's 
 Preface. The price of this Bible was fixed by Royal Proclamation at ten 
 shillings unbound. Public copies were sometimes attached by a chain to one 
 of the pillars of the church, with the King's injunction that it should be read 
 with "Discretion, Honest Intent, Charity, Reverence, and Quiet behaviour." 
 
 817. BIBLE (English). Cranmer's. London: Richarde Grafton [or 
 Edward Whitchurch], Fynisshed in Apryll, 1540. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 8 1 8. BIBLE (English, Cranmer's, May.) <[ The Byble in/ Englysh, 
 that is to saye the content/ of all the holy scripture, both of the/ 
 olde and newe Testament with a/ Prologe thereinto, made by/
 
 132 Cttfton Celebration* 
 
 the reuerende father in/ God, Thomas/ archbyshop/ ,', of Cantor 
 ,', / bury. C This is the Byble appoynted/ to the use of y e 
 churches/ Prynted by Edwarde Whitchurch/ Cum priuilegio ad 
 imprimendum solum./ Finished the xxviii. daye of Maye/ Anno 
 Domini/ M.D. XLI./ \Colophon\ The ende of the newe Testa- 
 ment :/ and of the whole Byble, Fynysshed in Maye,/ Anno. 
 M. CCCCC. XL i. / + / C A diio factu est istud. Folio. 
 
 Lent by Mrs. Joliffe. 
 
 Six preliminary leaves, viz. I. Title, within the Holbein border, Crum- 
 well's arms effaced, with "C The names of all the bookes of the Byble," on 
 the reverse ; 2. First leaf of "The Kalender."/ * ii (Star 5 points) ninth line 
 in January reading "vb Joyce.', ix" ; 3. Second leaf of "The kalender."/ 
 * iii (Star six points) the twenty-ninth line in August, "c Decalla. Jhon bapt. 
 xxix " with " Almanacke for .xviij. yeares."/ occupying the lower half of the 
 verso 54. " C A prologue or preface made by the/ moost reuerende father in 
 God Thomas Archbysshop of Cantorburye"/ no signature ; 5. Second leaf of 
 Cranmer's Prologue, signature * * ; 6. Third leaf of Cranmer's Prologue, sig- 
 nature * * ii. ending in the middle of the reverse with the last line, "the 
 saluacyon of God."/ with the large initials H. R. below. Text, Genesis to 
 Deuteronomium, Fo. i to Fo. Ixxxiiij, the first line of Genesis being, "!N the 
 be-"/ and Deuteronomy ending on the middle of folio 84 with, "CThe ende 
 of the fyfth booke, / of Moses, called in the Hebrue. Elle-/haddebarim, and in 
 the Latin:/ Deuteronomium."/ reverse blank; Title, within a border of 16 
 woodcuts, " C The seconde/ parte of the Byble con-/taynynge these/ bookes."/ 
 reverse blank ; Text, Josua to Job, Fo. ii, to Fol. cxxiii, ending on the reverse, 
 and followed by one blank leaf ; Title, within a border of 16 woodcuts, 
 " C The thyrde/ parte of the Byble con-/taynynge these/ bookes. "/ " Zachary. 
 ,',/ reverse blank; Text, Psalmes to Malachy, Fo ij. to 133, falsely printed 
 Fo. cxxxii. ending in the centre of the recto with "chyldren to their fathers, 
 that/ I come not to smyte/ the earth wyth/ cursinge."/ reverse blank ; Title, 
 within a border of 16 woodcuts, " C The volume/ of the bookes called/ 
 Hagiographa."/ with "To the Reader" on the reverse in long lines ; Text, 
 Esdras to Machabees. Fo, ij. to Fo. Ixxx. ending at the bottom of the reverse 
 with, "And here/ wyll I nowe make an ende. "/ Then comes, within the 
 Holbein border, the arms of Crumwell being effaced, "CThe newe Te-/sta- 
 ment in englyshe translated/ after the Greke, cotaynynge/ these bookes : "/ 
 reverse blank ; Text, Mathew to Reyelacyon, Fo. ij. to Fo. ciiij. (so marked 
 for ciij.) ending with the fourteenth line in the first column of the recto with, 
 "The grace of our Lord/ Jesu Christ be/ with you/ all/ , ', Amen./ , ',/" In the 
 centre of the same column begins, " C A table to fynde the/ Epystles and 
 Gospels vsually red in the/ church, after Salysbury vse, wherof y e fyrst/ lyne 
 is the Epistle, t the other the Gospell : "/ filling that and the three next pages, 
 ending near the bottom of the verso with the Colophon given above. 
 
 819. BIBLE (English), with Cranmer's Prologue. London: Edward 
 Whitchurch, Maye, 1541. Folio. Lent by the Rev. Dr. Gott. 
 
 820. BIBLE (English, Cranmer's, July). IfThe Byble in/ Englyshe, 
 that is to saye the con-/tet of al the holy scrypture, both/ of y e 
 olde, and newe testamet, with/ a prologe therinto, made by/ the 
 reuerende father in/ God, Thomas/ archbyshop/ .vof Canter .'./
 
 C, ^olp io>criprure0* 133 
 
 bury,/ ^[ This is the Byble apoynted/ to the vse of the churches./ 
 ^[ Prynted by Rychard Grafton./ Cum priuilegio ad imprimendum 
 solum./ M.D. xl./ [Colophori] The ende of the newe Testament :/ 
 and of the whole Byble, Fynisshed in July,/ Anno. M. CCCCC. 
 XL./ A domino factum est istud/ This is the Lordes doynge. 
 Folio. Lent by the Archbishop of Canterbury. 
 
 Seven preliminary leaves, viz. I. Title, within Holbein's border, reverse 
 blank : 2. The first leaf of "The Kalender" with signature *ii (star five points) 
 the first line in January reading, 'iii A Circumcisyon ', ' i" 3. Second leaf of 
 "The Kalender," signature *iii (Star five points) the seventeenth line in 
 August containing ' Rufe martyr. , ', xxvii " ; On the reverse in the middle of 
 the page, " Almanacke for .xviii. yeares "/ 4. First leaf of " ^[ A prologue or 
 preface made by the/ moost reuerende father in God, Thomas Archbyshop of 
 Canterbury "/ the initial F being twelve lines deep, the twelfth line reading, 
 " se to reade, or to heare reclde ye scripture in theyr vulgar to- "/ signature +; 
 5. Second leaf of Cranmer's Prologue, + ii, the last line but one beginning, 
 "estate or codicyon soeuer they be, maye I thys booke learne all" ; 6. The 
 third leaf of Cranmer's Prologue, -f- iii, the thirtieth line beginning " God at all 
 auentures " ; ending on the middle of the reverse, the last line reading, 
 "ryght : wyll I shewe the saluation of God." Underneath are the large 
 flourished capitals H. R. 7. " ^[ The names of all the bookes of the Byble,/ 
 and the content of all the Chapters of euery booke, wyth the nombre of the 
 leafe/ where the bookes begynne."/ I page, reverse blank ; Text, Genesis to 
 Deuteronomium, 84 leaves, Fo. i. to Fo, Ixxxiiii, the last line of the first 
 chapter of Genesis reading "mornyng : was made the sixte daye." and Deu- 
 teronomy ending in the centre of the recto of folio 84. " fj The ende of the 
 fyfth booke/ of Moses, called in the Hebrue : Elle-;haddebarim, and in the 
 Latin/ Deuteronomium. "/ reverse blank ; Title, within a border of 1 6 wood- 
 cuts, " ^j The seconde/ parte of the Byble con-/taynyng these/ bookes.'/ the 
 first line being black (except the f[, which is red) and the second line being all 
 in red, reverse blank. Text, Josua to Job, Fo. ii to Fo, cxxiij, ending on the 
 reverse, followed by a blank leaf ; Title, within a border of sixteen woodcuts, 
 " C The thyrde/ parte of the Byble con-/taynynge these/ bookes."/ the word 
 " thyrde " being in black, reverse blank. Text, Psalmes to Malachy, Fo. ii 
 to Fo. cxxxij, ending on the recto with "and/ smyte the earth with/ 
 cursynge."/ reverse blank. Title, within a border of 1 6 woodcuts, "CThe 
 volume of/ the bokes called Hagiographa "/ the three words in the first line 
 being in red, and the second woodcut from the top, on the left-hand side, re- 
 presenting Daniel in the lion's den ; on the reverse, "To the Reader." in long 
 lines. Text, Esdras to Machabees, Fo. ii, to Fo, Ixxx, ending at the bottom 
 of the reverse ; Title, within the Holbein border, Crumwell's arms still re- 
 tained, "CThe newe Te-/stament in Englyshe translated/ after the Greke 
 c5taynynge/ these bookes."/ the first line of the title being all in black, except 
 the C, which is red ; reverse blank. Text, Mathew to Revelacyon, Fo, ij. to 
 Fo. ciij [not numbered] ending with the fourteenth line in the first column of 
 the recto with "The grace of our Lord/ Jesu Christ be/ wyth you all./ ,', 
 Amen. , ',/" In the middle of the same column begins, " C A Table to fynde 
 the/ Epistles and Gospels vsually red in the/ church, after Salysbury vse," fill- 
 ing that page and the three next, and ending with the colophon given above at 
 the bottom of the verso of the last leaf. 
 
 821. BIBLE (English, Cranmer's, December). ^[The Byble in/ 
 Englyshe, that is to saye the con-/tent of all the holy scrypture,
 
 134 Ceurton Celebration* 
 
 both/ of the olde 1 newe testament with/ a prologe therinto, made 
 by/ the reuerende father in/ God, Thomas/ archebysshop/ of Can- 
 tor-/bury,/ ^[ This is the Byble appoynted/ to the vse of the 
 churches/ ^[ Printed by Edward Whitchurch/ Cum priuilegio ad 
 imprimendum solum./ An. do. M.D. xl./ \Colophon\ The ende 
 of the newe Testament,/ and of the whole Bible, Finysshed in 
 December/ Anno. M.CCCCC. XLi./t/A domino factum est 
 istud/ This is the Lordes doynge./ Folio. 
 
 Lent by the University of Edinburgh. 
 
 Ten preliminary leaves, viz. I. The Title within Holbein's border, with the 
 arms of Crumwell effaced, reverse blank ; 2. First leaf of "The Kalender.'' 
 the fifteenth line in January reading, " A Maure Abbot. i?( xv," sign. * ii 
 (star 5 points). 3. Second leaf of " The Kalender." Signature *iii (star 6 
 points) with an " Almanacke for .xviij, yeares." occupying the last half of the 
 reverse M.d. xlix, being misprinted " M. xlix." 4. " An exhortacyon to the 
 studye of the holye/ Scripture gathered out of the Byble:/" no signature 
 (April 1539 has *iiij, and April 1540 has *iiii ;) on the reverse, " CThe summe 
 and content of all the holy/ Scripture, both of the olde and newe Testament."/ 
 sixth line of the fourth paragraph has, "affection"; 5. "The Contentes of 
 the Scripture,"/ having on the reverse, "<[ A prologue/ expressynge what is-' 
 meant by certayne sygnes and tokens, that we/ haue set in the Byble."/ Twelve 
 lines with large initial F, the last line reading " lefte them oute."/ 6. " <[ A 
 description and successe of the kyn-'ges of Juda and Jerusalem," etc. the initial 
 D, seven lines deep, beginning, " DAuid raygned ouer Israel the .C. xxix. yere 
 of theyr entrynge into the lande,"/ ending a little above the middle of the re- 
 verse with, " into Spayne." for the last line, the rest of the page blank ; 7. The 
 first leaf of Cranmer's Prologue, signature +, "CA prologue or preface made 
 by the/ moost reuerende father in God, Thomas Archbysshop of Cantorburye" 
 the third line beginning " entrye of this booke," ; 8. Second leaf of Cranmer's 
 Prologue, -signature + ii, recto beginning "makers shoulde be had in admira- 
 tion for theyr hye stiles and obscure maner and wrytynge,"/ and the verso end- 
 ing " se, and discerne what is truth."/ 9. The third leaf of Cranmer's 
 Prologue, * iij, the first line reading, "Thyrdely where and in what audience. 
 There and amonge those that ben studyous to "/ ending in the middle of the 
 verso with, "wyll I/ shewe the saluation of God."/ with the large flourished 
 capitals H. R. beneath ; 10. "C The names of all the bookes of the Byble,/ 
 and the content of all the Chapiters of euery boke, with the nombre of the 
 leafe/ where the bookes begyn."/ reverse blank. Text, Genesis to Deuterono- 
 mium. Fo. i, to Fol. Ixxxiiij, Genesis beginning with initial I fourteen lines 
 deep, "IN y e begyn-/nyng * god/ created hea-/uen 1 earth./ The erth/," and 
 Deuteronomy ending near the centre of the recto of folio 84. " <[ The ende 
 of the fifth booke/ of Moses, called in the Hebrewe Elle-/haddebarim : and in 
 the latyn/ Deuteronomium."/ reverse blank ; Title, within a border of 16 
 woodcuts, " ui The seconde/ parte of the Byble con-/tayninge these/ bookes./" 
 reverse blank ; Text, Josua to Job, Fo. ii, to Fol. cxxiii, Josua beginning with 
 the initial A seven lines deep, " Arter y e death of Moses ye/ seruaut of 
 y e Lord,"/ and Job ending on the reverse of folio 123 with "the fourth 
 
 feneracio./ And so Job dyed,/ beinge olde, 1 /of a perfecte/ age./ []'/ followed 
 y a blank leaf; Title, within a border of 16 woodcuts, " CThe thyrde/ parte 
 of the Byble con-/taynynge these/ bookes."/ reverse blank ; Text, Psalmes to 
 Malachy, Fo. ii to Fo. cxxxii. ending near the middle of the recto with 
 "fathers, that I come/ not 1 smyte the/ earth wyth/ cursinge."/ reverse blank ;
 
 135 
 
 Title, within a border of 16 woodcuts, " C The volume/ of the bookes called,/ 
 Hagiographia/" with, " To the Reader" on the reverse; Text, Esdras to 
 Machabees, Fo. ii. to Fo. Ixxx. ending at the bottom of the reverse with, "Je-; wes 
 had y e cytie in possessyo : And there wyll/ I nowe make an ende."/ Title, 
 within Holbein's border, Crumwell's arms effaced, " C The newe Te-/stamet 
 in englyshe, translated/ after the Greke, cotayning/ these bookes."/ reverse 
 blank : Text, Mathew to Revelations, Fo. ii. to Fo. ciii. ending with the four- 
 teenth line of the first column of the recto with, " The ende of the newe/ Tes- 
 tament."/ Underneath . in the same column is, "CA table to fynde the/ 
 Epistles and Gospels vsually red in the/ church, after Salysbury/ vse, wherof 
 y e fyrst/ lyne is the Epistle, *t the other the Gospell " : /filling that and the three 
 following pages, ending near the bottom of the reverse with the colophon 
 given above. 
 
 822. BIBLE (English). The Byble in Englyshe. Cum privilegio, 1541. 
 Fynyshed in November, 1540. Folio. Lent by Earl Spencer. 
 
 With Cranmer's Preface. Cromwell having been disgraced by Henry VIII, 
 in July, 1540, his arms are erased from the title-pige. The full collations of 
 the two November editions of 1540 and 1541, together with the two other 
 November editions partly reprinted, may be found in Mr. Francis Fry's excel- 
 lent book on the Great Bible. 
 
 823. BIBLE (English). Cranmer's. London : Whitchurch, November, 
 1541. Folio. Lent by the Archbishop of Canterbury. 
 
 824. BIBLE (English). Cranmer's. London : Edwarde Whitchurch, 
 November, 1541. Folio. Lent by Mrs. Joliffe. 
 
 825. BIBLE (English), Cranmer's. London : R. Grafton. Finysshed 
 in November, 1541. Folio. 
 
 Lent by the Archbishop of Canterbury. 
 
 826. NEW Testament (German). Freyburg, 1539. 8vo. 
 
 Lent by Henry J, Atkinson, Esq. 
 
 827. BIBLE (Latin). Lyon : Gryphius, 1540. 321110. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 828. CONCORDANCE (Latin). Lyon : J. Jiunte, 1540. 410. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 829. NEW Testament (English). Erasmus'. 1540. 4to. 
 
 Lent by the Archbishop of Canterbury. 
 
 830. NEW Testament (First Islandic). 1540. 
 
 Lent by the British and Foreign Bible Society. 
 
 831. BIBLE (Dutch). Antwerp : Henrick Peetersen, 1541. Folio. 
 
 Lent by Henry J. Atkinson, Esq.
 
 136 Canon Celebration* 
 
 832. BIBLE (Swedish). Biblia, thet ar, all then Helgha Scrifft pa 
 Swensko. [Translated from the German version of M. Luther by 
 O. Petri and L. Petri.] 6 parts. First edition. Upsala, 1541-40. 
 Folio. Lent by Henry White, Esq. 
 
 The Old Testament is in five parts, each with a separate numeration, and 
 the four latter with distinct title-pages ; the first four parts are dated 1540. 
 
 833. NEW Testament (Latin). Paris : Robertas Stephanus, 1541. 
 8vo. Lent by Henry J. Atkinson, Esq. 
 
 834. BIBLE '(Latin). Lyon : Gryphius, 1542. 321110. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 835. BIBLE (Latin). With woodcuts by Hans Sprengentklee. Lyon : 
 Roville, 1542. 410. Lent by Henry J. Atkinson, Esq. 
 
 840. BIBLE (Latin). Biblia Sacrosancta Testameti Veteris & noui, e 
 sacra Hebrseorum lingua Grsecorumque fontibus, consul tis simul 
 orthodoxis interpretib. religiosissime translata in sermonem 
 Latinum. [By Leo Juda, T. Bibliander and P. Cholinus. The 
 New Testament revised and corrected from the translation of 
 Erasmus by R. Gaulter. The whole edited by C. Pellican.] 
 (De omnibus sancte scripture libris eorumque praestantia. . . H. 
 Bullingeri expositio Argumenta in omnia tarn Veteris quam 
 Novi Testament! capita, elegiaco carmine conscripta per R. 
 Gualth.) 3 parts. Tiguri : Ch. Froschover, 1543. Folio. 
 
 Lent by Earl Spencer. 
 
 841. NEW Testament (Latin). Curious plates, Erasmus. Lyon : 
 Theobald Taganus, 1543. 321110. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 842. NEW Testament (Latin). Maintz : J. Schceffer, 1543. 32mo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 843. BIBLE (Latin). Venetia, 1544. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 844. BIBLE (Latin). Zurich: C. Froschover, 1544. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 845. BIBLE (German). Die gantze Bibel, das ist alle biicher allts unnd 
 neiiws Testaments, den ursprunglichen sepraachen nach, auffs 
 aller treiiwlichest verteiitschet. Darz" sind yetz und kommen 
 ein. . . Register . . . iiber die gantzen Bibel. Die jarzal und 
 rachnung der zeyten von Adamen biss an Christum, mit sampt 
 gwussen Concordantzen, Argumenten, Zalen und Figuren. (Von
 
 + ^olp fecriptucesaf* 137 
 
 alien bucheren heiliger und Gottlicher gschrifft ... an den Chris- 
 tenlichen Laser ein klarer Bericht. [by H. Bullinger.] With 
 woodcuts.] 2 parts. Zurich : Christoffel Froschouer, 1545. 
 Folio. Lent by the British and Foreign Bible Society. 
 
 Each part has a distinct title-page, pagination, and register. Printed 
 in double columns ; register in eights. 
 
 846. BIBLE (Latin). Robert Stephanus. 1546. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 847. BIBLE (Italian). La Biblia. Venice : Girolamo Scotto, 1547. 
 4to. Lent by Henry J. Atkinson, Esq. 
 
 848. NEW Testament (English). The newe Testament of the last 
 translacion. By Wylliam Tyndall. With Prologes and Annota- 
 cions in the merget. London : Wylliam Tylle, 1549-1548. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 This is Mr. Fry's No. 18, to which the reader is referred for a careful colla- 
 tion. 
 
 849. NEW Testament (English and Latin). London : William Powell, 
 1548-47. 4to. Lent by the Archbishop of Canterbury. 
 
 Mr. Fry's No. 16. 
 
 850. BIBLE (English). Matthew's version, revised by Becke. Lon- 
 don : Day and Seres, 1549. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 851. BIBLE (English). Matthew's version revised by Becke. London: 
 Day and Seres, 1549. Folio. Lent by Henry J. Atkinson, Esq. 
 
 852. BIBLE (English). Matthew's version, revised by Becke. London : 
 Daye and Seres, 1549. Folio. Lent by the Rev. Dr. Gott. 
 
 853. BIBLE (English). Matthew's. London : Thomas Raynalde and 
 William Hyll. Folio. Lent by Henry White, Esq. 
 
 860. BIBLE (English). Tyndale's. London, i549(?). Folio. 
 
 Lent by James Watkins, Esq. 
 
 86 1. NEW Testament (English and Latin) of Erasmus' translation. 
 London : William Powell, 1549. 4to. 
 
 Lent by the Archbishop of Canterbury. 
 
 86i*.BiBLE (Danish). Biblia, det er den gantske Hellige Scrifft, udsset 
 paa Danske. [By P. Palladius, O. Gyldenmund, H. Sinnesen, 
 and J. Machabseus.] First edition. Kobenhaffn, 1550. Folio. 
 
 Lent by the Rev. Dr. Ginsburg.
 
 138 Canton Celebration, 
 
 862. BIDLE (Latin). 3 vols. Lugduni : Gryphius, 1550. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 863. BIBLE (English, Coverdale's). C The whole/ Byble,/ that is the 
 holy scripture/ of the Olde and Newe testament/ faythfully trans- 
 lated into/ Englyshe by Myles Couerdale, and/ newly ouer/sene 
 and correcte./ M. D. L./ Pray for vs that the worde of God maye/ 
 have free passage 1 be glorified, ii. Tes. iii./ Prynted for Andrewe 
 Hester, dwellynge/ in Paules Churchyard at the sygne/ of the 
 whyte horse, and are/ there to be solde./ Set forth with the 
 Kynges/ mooste gracious licence. [Christopher Froschover, 
 Zurich, printed] London, A. Hester, 1550. 410. 
 
 8 prel. leaves, viz. Title in red and black, within an architectural woodcut 
 border, reverse blank ; " C The bokes of the hole Byble/ how they are named 
 in Englyshe and / Latyn, and howlonge they are/ wrytten in the allegations," 
 I p.; on the reverse, ", Vnto the moost victorious Prince & our moost/ 
 gracious soueraigne lorde, kynge Edwarde the syxte," 4 pp. signed "Your 
 graces moost humble/ and faithful subiect, Myles/ Couerdale ; " on the reverse 
 begins, " Myles Couerdale, to the Christen Reader." 5PP-5 The Kalender, 
 beginning with "An Almanacke for xiiii. yeares;" (from 1550)4 pp. The 
 Text begins with a woodcut representing the Creation of Eve on Signature A, 
 folio I. and ends with the Second Book of Machabees, with the tenth line on 
 the recto of Q Q iv. folio ccccxcim. the remainder of that page and the 
 reverse being blank ; then follows the Text of the New Testament, without 
 separate title, on Signature a a. folio I. and ends on the reverse of folio cxxi. 
 q q. i. Next comes The Table of the Epistles and Gospels. 5 pp. ending 
 with " To the honoure and prayse of God, was this Byble prynted and 
 fynished in the yeare of oure Sauoure Jesu Christ M. D. L. the xvj. daye of the 
 moncth of August." the reverse blank. This second foreign edition of the 
 Coverdale Bible is printed in double columns, in an angular German type, 
 similar to that of the first Edition, 1535, but smaller, and is now believed to 
 have come from the press of Christopher Froschover, of Zurich. The pre- 
 liminary leaves, however, must have been printed in England, as they are in 
 an entirely different type, being in small Old English letter. 
 
 863*.NE\v Testament (English, Tyndale's). London : Daye and Seres, 
 1550. 8vo. Lent by Francis Fry, Esq. 
 
 This is Mr. Fry's No. 26. 
 
 864. NEW Testament (English and Latin). C The new/ Testament in 
 Englishe after/ the greeke translation anne-/xed wyth the transla- 
 tion of/ Erasmus in Latin./ Whereunto is added a Kalendar, 
 and/ an exhortation to the readying of the/ holy scriptures made 
 by the same/ Erasmus wyth the Epistles taken/ out of the olde 
 testamet both in Latin/ and Englyshe. wheruto is added a ta-/ble 
 necessary to finde the Epistles and/ Gospels for euery sonday 1 
 holyday/ throughout the yere afcer the vse of/ the churche of 
 England nowe./ C Excusum Londini in officina Thomse
 
 139 
 
 Gaultier. pro. I. C./ Pridie Kalendas Decembris anno/ Domini. 
 M. D. L./ London, 1550. 8vo. Lent by Henry J. Atkinson, Esq. 
 
 14 prel. leaves, viz. Title in red and black within a broad border, with the 
 cypher of Edward Whitechurch at the bottom ; on the reverse <E An almanacke 
 for .xxii. yeares. "J. C. vnto the Christen reder." I page, reverse blank ; 
 "C An exhortacion to the diligent studye of scri-/pture, made by Erasmus 
 Roterodamus." 9 pages ; " C The summe and content of all the holye 
 scri-/pture," etc. 2 pages followed by one blank page; Kalendar 6 leaves; 
 Text, in double columns, the English in black letter, occupying the outer, and 
 the Latin in small roman type, the inner column, A to Hh. v. in eights ; then 
 comes "C The Epistles of the old testament." 5 pp. reverse blank ; followed 
 by " C A table to fynde the Epi-/stles and Gospels vsually reade in the/ 
 Church, accordynge vnto the booke of/ Common prayer :" 3 pp. the reverse of 
 the last leaf being blank, This is Tyndale's Translation, edited, as is gener- 
 ally, but erroneously, supposed, by Sir John Cheke, though I know not upon 
 what authority. All Tyndale's Prologues are omitted, and there are no notes. 
 The running titles and the contents of the chapters are in the same type as the 
 English text. The references, which are only on the outer margin, are 
 in small roman type, like that of the Latin text. There are 54 lines on a full 
 page. The paper, ink, and press work are good. There are no woodcuts or 
 ornamental capitals, except at the beginning of Mathew. 
 
 865. CONCORDANCE (First in English). Marbeck's. London : Richard 
 Grafton, 1550. Folio. Lent by Henry J. Atkinson, Esq. 
 
 866. NEW Testament (English). Coverdale's (really Tyndale's)- 
 Zurich : Ch. Froschover, 1550. i6mo. 
 
 Lent by the Archbishop of Canterbury. 
 
 867. BIBLE (German). Wittemberg: Hans Lufft, 1551. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 867*.BiBLE (English). Matthew's [nicknamed the Bug Bible]. Lon- 
 don : Nicolas Hyll, for Robert Toy, 1551. Folio. 
 
 Lent by the Archbishop of Canterbury. 
 
 See Psalm xci, 5. "So that thou shall not nede to be afraid for any 
 Btigges by nighte, nor for the arrow that flyeth by day." Our present version 
 reads " Thou shall not be afraid for ihe terror by night," etc. 
 
 868. BIBLE (English). Taverner's, revised by Becke, with third book of 
 Maccabees. London: John Daye, 1551. Folio. 
 
 Lent by Henry White, Esq. 
 
 869. BIBLE (English). Taverner's, by Becke, with third book of the 
 Macabees. London: John Daye, 1551. Folio. 
 
 Lent by the Rev. Dr. Gott 
 
 870. BIBLE (English). London, 1551. Folio. 
 
 Lent by Edward Paulson, Esq.
 
 140 Cajtoti Celebration* 
 
 871. NEW Testament (Greek and Latin). ATravra, ret rnj Kaivyg 
 Nouum lesv Christ! D. N. Testamentum cum duplici interpre- 
 tatione D. Erasmi et veteris Interpretis ; Harmonia item Evan- 
 gelica [by A. Osiander. Edited by R. Estienne]. 2 parts. 
 [Geneva] : ex Officina R. Stephani, 155'!. 8vo. 
 
 Part 2 has a distinct title-page and pagination, and the harmony is separately 
 paged. This is the first edition of the New Testament divided into verses 
 according to our present use. 
 
 872. NEW Testament (English). Tyndale's. Woodcuts. London : 
 Richard Jugge, 1552. 4to. Lent by F. Fry, Esq. 
 
 A woodcut in the I3th chapter of Matthew represents the Devil with a tail 
 and a wooden leg, sowing tares. 
 
 873. NEW Testament (Italian). II Nuovo Testamento (Rovillio). 
 2 vols. in i. Curious engravings. Lyon, 1552. 321110. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 874. BIBLE (English). Cranmer's. London : Edward Whitchurch, 
 1553. Folio. Lent by the Rev. Dr. Gott. 
 
 875. BIBLE (English). Cranmer's. London : Edward Whitchurch, 
 1553. Folio. Lent by Henry White, Esq. 
 
 876. BIBLE (Italian). La Bibbia. 1553. 
 
 Lent by the British and Foreign Bible Society. 
 
 877. BIBLE (Spanish). Biblia en Lengua Espanola traduzida palabra 
 por palabra de la verdad Hebrayca por muy excelentes letrados 
 vista y examinada por el officio de la Inquisicion. Con priuillegio 
 del yllustrissimo Senor Duque de Ferrara. Con yndustria y 
 deligencia de Duarte Pinel Portugues : estampada en Ferrara a 
 costa y despesa de Jeronimo de Vargas Espanol : en primero de 
 Marco de 1553. Black letter. Folio. Lent by Earl Spencer. 
 
 First edition of the Bible in Spanish for the use of Christians. The only 
 difference known between this and the version for the Jews is found in Is. vii., 
 14. The Jewish having " la mo9a" instead of "la virgen." 
 
 878. BIBLE (Old Testament). Biblia en lengua Espanola, traduzida 
 palabra por palabra dela verdad Hebrayca por muy excelentes 
 letrados, vista y examinada por el officio de la Inquisicion. 
 [Edited by D. Pinel and A. Usque.] Gothic letter. Large paper. 
 Ferrara, 1553. Folio. Lent by Earl Spencer. 
 
 On the verso of the title-page occurs the dedication " All yllustrissimo. . . . 
 Senor . . . Don Hercole da Esteel segundo : quarto Duque de Ferrara." Sub- 
 scribed "Jeronimo de Vargas y Duarie Pinel." The Colophon ends as follows :
 
 3 C* ^olp fecrfptureg. H 1 
 
 " estampada en Ferrara a costa . . . . de Jeronimo de Vargas Espafiol : en 
 primero de Mar9o de 1553." This edition does not contain the Apocrypha. 
 
 First impression of the Bible in Spanish. This version was for the use of 
 the Spanish Jews. 
 
 885. BIBLE (Spanish). Biblia en Lengua Espaiiola. Ferrara, 1553. 
 Folio. Lent by the British and Foreign Bible Society. 
 
 886. NEW TESTAMENT (Dutch). Antwerp : Hans van Ramundt, 
 
 1553. 8vo. Lent by Henry J. Atkinson, Esq. 
 
 887. NEW TESTAMENT (English). Tyndale's. London : Richarde 
 Jugge, 1553. 4to. Lent by the Archbishop of Canterbury. 
 
 888. NEW Testament (German). Curious cuts. Coin : Van der 
 Miilen, 1553. 8vo. Lent by Henry J. Atkinson, Esq. 
 
 889. BIBLE (Latin). Petit Bernard's cuts. Lyons : Johan. Tornaesius, 
 
 1554. 8vo. Lent by Henry J. Atkinson, Esq. 
 
 890. NEW Testament (Italian). Vol. i. Plates by Petit Bernard. 
 Lyons: De Tornes, 1556. 321110. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 891. BIBLE Picture Book. Figuren, &c. Engravings by Petit Bernard. 
 Lyons: J. van Tournes, 1557. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 892. NEW Testament (English, Geneva). The/ Newe Testa-/ment of 
 ovr Lord Ie-/sus Christ./ Conferred diligently with the Greke, 
 and best ap-/proued translations./ With the arguments, aswel 
 before the chapters, as for euery Boke/ & Epistle, also diuersities 
 of readings, and moste proffitable/ annotations of all harde places : 
 wherunto is added a copi-/'ous Table./ At 'Geneva/ Printed By 
 Conrad Badius./ M. D. LVII./ i6mo. 
 
 Lent by the Archbishop of Canterbury. 
 
 On the title page is a woodcut about i J inches square, representing Time 
 restoring Truth ; On the reverse in small italic letters is "The ordre of the 
 Bookes of the/ Newe testament," Then follows on *. ii. "The Epistle declar- 
 ing that/ Christ is the end of the Lawe, by John Caluin."/ 8 leaves ; "To the 
 Reader " **. ii. 4 pages and eight lines of the next ; then comes ' The Argv- 
 ment " filling the remainder of that page and the next. The text, The Holy 
 Gospel of lesvs/ Christe, writ/ by S. Matthew./ (a. i.) 430 folioed leaves ; 
 "The Tableof the Newe/ Testament. "/ folios43i to 455, "The Ende" being 
 on the recto, over the colophon. " Printed by Conrad Ba-/divs M. D. LVII./ 
 This/ x. of Ivne."/ On the reverse in 23 lines, italic type, are " Fautes com-
 
 142 Canton Celebration. 
 
 milled in Ihe Priming." Allhough ihis is Ihe firsl New Teslament in English 
 printed at Geneva, it is not, as some suppose, that which is usually called the 
 Genevan Version. That was published three years later. This edition was the 
 work of William Whittingham, afterwards Dean of Durham, but at the time 
 of its publication residing in exile at Geneva. It is beautifully printed in small, 
 clear, roman type, and is remarkable for two characteristics for the first time 
 here introduced inlo Ihe English translations, viz. the division of the text into 
 verses, and the use of italics to indicate those explanatory words not to be found 
 in the original tongues. This is not a new translation, but a revision of various 
 others, as the editor informs us in his epistle to the reader. " First as touchig 
 the perusing of the texl, il was diligenlly reuised by Ihe mosle approued Greke 
 examples, and conference of Iranslations in other tonges as the learned may 
 easely iudge, both by the faithful rendering of the sentence, and also by the 
 proprietie of the wordes, and perspicuitie of the phrase. Forthermore that the 
 Reader might be by all meanes proffited, I haue deuided the text into verses 
 and sectios, according to the best editions in other langages, and also, as to 
 this day the anciel Greke copies mencion, it was wont to be vsed. And be- 
 cause the Hebrewe and Greke phrases, which are strange to rendre in other 
 tongues, and also short, shulde not be to harde I haue sometyme interpreted 
 them without any whit diminishing Ihe grace of the sense, as our lagage doth 
 vse them, and sometyme haue put to thai worde, which lacking made the 
 sentence obscure, but haue set it in such letters as may easely be discerned 
 from the comun text." 
 
 893. NEW Testament (English) translated by Whittingham. Geneva : 
 Conrad Badius, 1557. i6mo. Lent by the Rev. Dr. Gott. 
 
 894. BIBLE (German, Weissenham). Ingolstatt : Ecken, 1558. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 895. BIBLE (Italian). Bibbia volgare. Curious engravings. Venice : 
 Malermi, 1558. Folio. Lent by Henry J. Atkinson, Esq. 
 
 896. BIBLE (Latin). Paris : C. Guillard, 1558. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 897. BIBLE (French). Lyon : Jan de Tournes, 1559. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 898. BIBLE (Dutch). Antwerp : Jacob van Liesueldt's widow, 1560. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 899: BIBLE (Dutch). Antwerp : Hans van Last, 1560. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 909. BIBLE (English, first Genevan). The Bible/ and/ Holy Scriptvres/ 
 Conteyned in/ the Olde and Newe/ Testament./ Translated Ac- 
 cor-/ding to the Ebrue and Greeke, and conferred With/ the best 
 translations in diuers langages./ With moste profitable Annota^/ 
 tions vpon all the hard places, and other things of great/ impor-
 
 C* ^olp >cn'pture# 143 
 
 tance as may appeare in the Epistle to the Reader./ At Geneva.j 
 Printed by Rovland Hall./ M. D. LX./ 4to. Lent by Earl Spencer. 
 
 Four prel. leaves. Text, Genesis to II Maccabees, 474 folioed leaves ; New 
 Testament, 122 leaves ; "A Briefe Table" HH.h. iii. to LL1. iii. 13 leaves, 
 followed by one page, " The order of the yeres from Pauls conuersion " etc. 
 reverse blank. 
 
 This Bible, the result of the labours of English exiles at Geneva during 
 Queen Mary's reign, was dedicated to Queen Elizabeth and though never 
 sanctioned for public use in churches, continued to be the household English 
 Bible for three quarters of a century. It is commonly known as the " Breeches " 
 Bible from that word occurring in Gen. iii. 7. 
 
 910. BIBLE (English). First Genevan version. Another copy. Geneva: 
 Rouland Hall, 1560. 410. Lent by Henry J. Atkinson, Esq. 
 
 911. BIBLE (English). First Genevan version. Another copy. Geneva: 
 Rouland Hall, 1560. 4to. Lent by Henry White, Esq. 
 
 This is one of the very few copies known on large and thick paper, though 
 somewhat cut down. 
 
 912. NEW Testament (English), by Whittingham and others [the second 
 issue]. Unique? Geneva, 1560. i6mo. 
 
 Lent by the Archbishop of Canterbury. 
 
 913. NEW Testament (Latin). Lyon, 1560. 321110. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 ji3*. PSALMS (English). The whole Psalter translated into English 
 Metre [by Archbishop Parker]. London: John Daye, [1560?] 
 4to. Lent by the Earl of Leicester. 
 
 914. BIBLE (English, Cranmer's). The Bi/ble in Englishe ac-/cording 
 to the translation of the great/ Byble/ 1561. / \Colof hon\ Im- 
 printed at/ London in Povvles/ Churcheyarde, by Ihon/ Cawoode./' 
 Prynter to the Quenes Maiestie./ Anno. M. D. LXI. Cum 
 priuilegio Regiae/ Maiestatis./ 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 915. BIBLE (Polish). Biblia. To iest. Kxieigi Stharego y Nowego 
 Zakonu, na Polski iexzyk, z pilnosciax bedlug Lacinskiey Bibliey 
 od Kosc'iola Krzesciariskiego powssechnego prizyiethey, nowo 
 wytozona [by J. Leopolita-Niez. With marginal references and 
 woodcuts]. Gothic letter. W. Krakowie, 1561. Folio. 
 
 Lent by Francis Fry, Esq. 
 
 916. NEW Testament (Latin). Plates. Paris: Jacob Kerver, 1562. 
 8vo. Lent by Henry J. Atkinson, Esq.
 
 H4 Cajton Celebration. 
 
 917. BIBLE (English, second Genevan). The Bible translated according 
 to the Ebrue and Greke, with most profitable annotations upon 
 the hard places, etc. Geneva [no printer's name], 1562-61. Folio. 
 
 Lent by Francis Fry, Esq. 
 
 A remarkable typographical error occurs in Matthew v. 9, " Blessed are the 
 place-makers : for they shall be called the children of God." 
 
 918. BIBLE (Polish). Biblia S'wieta, Tho iest, Ksiegi Staregoy Nowego 
 Zakonu, wtasnie z Zydowskiego, Greckiego, y Lacynskiego, nowo na 
 Polski iezyk z pilno.scia y wiernie wytozone [by S. Zaciusz, P. 
 Statoryusz, G. Orsacius, J. Trzecieski, J. Lubelczyk, and others; 
 edited by M. Radziwit] W. Brzesciu Litewskim, 1563. Folio. 
 
 Lent by Earl Spencer. 
 
 The second published version of the Polish Bible, made by Prince Radziwil 
 and the Protestant Reformers of Pinczow. The first Polish Bible was pub- 
 lished in 1561 by the Catholics. 
 
 919. BIBLE (Polish). Another copy. 1563. Folio. 
 
 Lent by the British and Foreign Bible Society. 
 
 920. BIBLE (Dutch). 1564. 8vo. Lent by Henry J. Atkinson, Esq. 
 
 921. BIBLE (Latin). Antverpise : Christ. Plantin, 1564. 321110. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 922. BIBLE (Greek). Basiliae : J. Hervagius, 1565. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 923. NEW Testament (Latin). With full-page cuts in Revelation. 
 Dilingse : S. Mayer, 1565. i6mo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 924. PSALMS (English). The Form of Prayers etc. used in the English 
 Church at Geneva, with the Psalms of David, in metre. Edin- 
 burgh : by Robert Lekprevik, 1565. 8vo. 
 
 Lent from the Advocates' Library. 
 
 The earliest edition of the Sternhold and Hopkins prepared for the Church 
 of Scotland. There are many subsequent republications. 
 
 925. BIBLE (English). Cranmer's version. Rouen : C. Hamillon, at 
 the cost and charges of Richard Carmarden, 1566. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 926. BIBLE (French). Geneve: Perrin, 1566. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 927. BIBLE (Italian). Bibbia Volgare. 2 vols. Venice, 1566. 410. 
 
 Lent by Henry J. Atkinson, Esq.
 
 C Hfolp fecriptureg. 145 
 
 928. PSALMS (Latin). Psalmorvm Da-/vidis Paraphrasis Poetica,/ nunc 
 primum edita,/ Authore Georgio Buchanano/ Scoto, poetarum nos- 
 tri saeculi facile/ principe./ Psalmi Aliqvot in ver-/sus item Graecos 
 nuper a dieursis/ translati./ Anno M. D. LXVI./ \Colophon\ Argen- 
 toratij Excudebat losias Rihelius./ M.D.LXVI./ i2mo. 
 
 Lent by David Laing, Esq. 
 
 Sixteen prel. leaves and 352 pp. This is generally believed to be the first 
 edition of this celebrated version of the Psalms, though Brunei thinks that the 
 Paris edition, without date, by Henry Stephens, is anterior, notwithstanding 
 the words " nunc primum edita " on this title-page. On this book rests in a 
 great measure the high reputation of George Buchanan as a poet and scholar. 
 He was born in 1506, and died in 1582. While imprisoned in a monastery in 
 Portugal, by order of the Inquisition, about 1550, he beguiled the tedium of 
 his confinement by translating the whole of the Psalms into Latin verse. 
 There are no less than twenty-nine varieties of metre. On the reverse of the 
 title is, "Index Festorum xxiiii." In the Kalendar, which occupies nine 
 leaves, there are twelve rude but exceedingly curious woodcuts representing the 
 signs of the Zodiac, and the habits and occupations of the good people about 
 Strasbourg. On the recto of B B iiij is the famous epigram of Buchan to 
 Mary, Queen of Scots, beginning : 
 
 " Nympha, Caledonioe quse nunc feliciter orse 
 Missa per innumeros sceptra tueris anosj' 
 
 929. NEW Testament (the first Welsh). Testament Newydd ein Arg- 
 hvydd Jesu Christ. Gwedy ei dynnu, yd y gadei yr ancyfiaith, au 
 yn ei gylydd or Groec a'r Llatin, gan newidio ffurf llythyreu y gariae- 
 dodi. Eb law hyny ymae pop gair a dibivvyt y vot yn andeallus, ai 
 o ran llediaith y'wlat, ai o ancynefinder y devnydd, wedy ei noti ai 
 eglurhau ar'ledemyl y tu dalen gydrychiol. [Preceded by an 
 " Almanach dros xxv. o vlynydden," &c. Translated by W. Sales- 
 bury and R. Davies, Bishop of St. Davids ; edited by the former, 
 with an Epistle by the latter, " i bop map eneid dyn o vewn ey 
 escopawt." First edition.] Black letter. [London] : H. Den- 
 ham, 1567. 4to. Lent by the British and Foreign Bible Society. 
 
 In long lines, thirty-one to the full page. The text is. not divided into 
 verses. 
 
 930. BIBLE (English). The Holie Bible. Richard Jugge, 1568. 2 
 vols. Folio. Lent by Earl Spencer. 
 
 The "Bishops'" Bible a revision of the "Great Bible" undertaken by 
 Archbishop Parker, with the assistance of eight bishops. It appeared "cum 
 privilegio regiae majestatis," and its use was sanctioned by Convocation in 
 1571. It is sometimes called the treacle Bible, from Jeremiah viii., 22: "Is 
 there no tryacle in Gilead ? " rendered rosin in the Douai version, and balm 
 in that of 1611. 
 
 931. BIBLE (English, first Bishops'). Another copy. London : 
 Richarde Jugge, 1568. Folio. Lent by Henry J. Atkinson, Esq. 
 
 932. BIBLE (French and Latin). 3 vols. Paris: Sebastian Nyuelle, 
 1568. 8vo. Lent by Henry J. Atkinson, Esq.
 
 146 Canton Celebration, 
 
 933. BIBLE (Latin). Lyon : Frellon, 1568. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 934. NEW Testament (Greek). 2 vols. Paris : Robertus Stephanus, 
 1568-9. 321110. Lent by Henry J. Atkinson, Esq. 
 
 935. BIBLE (English). Genevan. Geneva : John Crespin, 1568-70. 
 4to. Lent by Henry White, Esq. 
 
 936. PSALMS (Dutch). De C.L. Psalmen Dauids. Tot Noorwitz 
 Gheprint by Anthonium de Solemne, 1568. 8vo. 
 
 Lent by W. Amhurst Tyssen-Amhiirst, Esq. 
 
 937. BIBLE (English). The Bishops' version, the first edition in 410. 
 London: Richard Jugge, 1569. 410. 
 
 Lent by the Archbishop of Canterbury. 
 
 938. BIBLE (English). Bishops' version. First edition in 410. 
 Another copy. London : Richard Jugge, 1569. 4to. 
 
 Lent by the British and Foreign Bible Society. 
 
 939. BIBLE (Polyglot). Biblia Polyglotta. Antwerp : Plantinus, 
 1569-73. 8 vols. Folio. Lent by Earl Spencer. 
 
 Edited at the command of Philip II by Arias Montanus, of the University 
 of Alcala. Only 500 copies were printed, of which the greater part were lost 
 at sea. 
 
 940. BIBLE (Spanish). La Biblia. (C. de Reyna.) [Basle?], 1569. 
 4to. Lent by the British and Foreign Bible Society. 
 
 941. BIBLE (Spanish). Another copy. 1569. 4to. 
 
 Lent by Henry White, Esq. 
 
 942. NEW Testament (Dutch). 1569. i6ino. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 943. NEW Testament (Latin). Novvm lesv Christi Testamentvm. 
 Antverpiae : apud haeredes Arnoldi Birckmanni, 1570. i6mo. 
 
 Lent by Henry Stevens, Esq. 
 This copy belonged to Prince Henry, and has his monogram on the sides. 
 
 944. GOSPELS (Anglo-Saxon). The Gospels, &c. London : John 
 Daye, 1571. 4to. Lent by the Rev. Dr. Gott. 
 
 944. ^EW Testament (English). The/ Newe Te-/stament of/ ovr Lord 
 lesvs/ Christ./ Conferred with the Greke,/ and best approued/ 
 translations./ With the arguments, as vvel before the/ chapters, as 
 for euery Boke and Epistle,/ Also diuersities of readings, and/ most 
 profitable annotations of all harde places : vvhere-/imto is added a
 
 147 
 
 co-/pious Table./ Imprinted at/ London by T. V. for/ Christopher 
 Barker./ 15757 Cum priuilegio./ [C^/^onpage8i3J Im- 
 printed at London by Tho. Vautroullier/ for Christopher Barker./ 
 8vo. Lent by George Tawze, Esq. 
 
 The title is within an elaborate woodcut border having the royal arms at the 
 top, and " Cum priuilegio " in a compartment at the bottom ; on the reverse 
 " The ordre of the Bookes "/ in small italics ; the next leaf begins on * ij. 
 "The Epistle de-/claring that Christ/ is the end of the Law./ By lohn 
 Caluin."/ 16 pp. Then comes on C ij. "To the Reader mercy/ and peace 
 through/ Christ ovr Saviovr."/ 5 pp. ; on the reverse, in small italics, "The 
 argvment of/ the Gospell, writ by the foure Euangelists." I p. Text in 
 roman type, paged I to 813, ending with a tail-piece over the colophon. On 
 page 814 begins "A declaration/ of the Table to the/ New Testament," I p. ; 
 " A table of the principall things " etc. 815 to 850 in double columns. Then 
 follows "A perfect Supputation" etc. 3 pp. the next page blank. It is 
 very seldom that the last two leaves are to be found. The version, with some 
 very slight alterations, is the Genevan, first printed with the Old Testament in 
 1560 ; but Calvin's Epistle and Whittingham's Preface are taken from the 
 Geneva edition of 1557, as also are the Declaration and the Table at the end. 
 The translation and the notes differ very materially from Whittingham's edition. 
 
 945. NEW Testament (Basque). Jesvs Christ Gvre Javnaren Testa- 
 mente Berria. Rochellan, 1571. 8vo. 
 
 Lent by the British and Foreign Bible Society. 
 
 946. BIBLE (Latin). Heuteni. Venetia : Juntas, 1572. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 947. BIBLE (Latin). Antwerpiae : Apud Viduam & Heredes loannis 
 Stelsii, 1572. 8vo. Lent by Henry J. Atkinson, Esq. 
 
 948. BIBLE (English). Bishops' version. London: R. Jugge, 1573. 
 4to. Lent by Henry J. Atkinson, Esq. 
 
 949. BIBLE (English). The second folio, Bishops' version. London : 
 Richard Jugge, 1572. Folio. Lent by F, Fry, Esq. 
 
 950. BIBLE (Latin). Venetia: Bevilaqua, 1574. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 951. BIBLE (Latin). Heutenus. Venetia: Bevilaqua, 1576. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 960. BIBLE (English). Genevan. London: C. Parker, 1578. Folio. 
 
 Lent by the Archbishop of Canterbury. 
 
 961. BIBLE (English and Scotch). The Bible/ and Holy Script vres, 
 conteined in the/ Olde and Newe/ Testament./ Translated ac- 
 cording to the/ Ebrue & Greke, & conferred with the beste transla- 
 tions/ in diuers languages./ (.'.)/ With moste profitable Annota-
 
 148 Canon Celebration* 
 
 tions/ vpon all the hard places of the Holy Scriptvre,/ and other 
 things of great importance, mete for/ the Godly Reader./ Printed 
 in Edinbrvghl Be Alexander Arbuthnot, Printer to the Kingis 
 Maiestie, dwelling/ at ye Kirk of feild. I579-/ Cvm gratia et 
 Privilegio Regiar/ Maiestatis./ Folio. Lent by Earl Spencer. 
 
 Nine prel. leaves. On the title-page, above the imprint, is a woodcut re- 
 presenting the arms of Scotland, 3^ by 4f inches ; on the reverse, "The 
 names and order of all the Bookes/ of the olde & New Testament," I p. ; the 
 second leaf begins on (. '.) ij. "To the Richt Excellent Richt/ heich and 
 Michtie Prince lames the Sixt/ King of Scottis," etc. 3^ pp. dated at the end, 
 "From Edinburgh in our ge-/neral assemblie the tent day of/ lulie. 1579." 
 the rest of the page blank. Then comes "An dovble Calendare,/ to wit, the 
 Romane and the Hebrew-/ Calendare," etc. " Ane Almanake," etc. 7 pp. 
 On the reverse of the seventh leaf is " C A table to find out in what signe the 
 Moone is at any tyme for euer" ^ page, under which is " Rvles for vnder- 
 standing/ of this double Calendare," occupying that and half the next page, 
 and signed " R. Pont :" the remainder of this page is filled with verses, 
 "5<^ Of the incomparable treasure of the holy Scriptures." On the reverse 
 of the next, or eighth leaf, begins, " j$<^ A Description and svccesse/ of the 
 Kinges of Ivda and Jerusalem,"/ etc. i^ pp. ; then comes on the rest of the 
 page "An exhortation to the studie of the holie Scripture ;" on the reverse, 
 " Howe to take profile in reading of the holie Scripture " signed by T. Grashop, 
 I p. at the bottom of which is Arbuthnot's device copied from Richard Jugg's, 
 substituting his own arms at the bottom between the initials A. A. The 
 Text, Genesis to Second Maccabees, 503 folioed leaves, ending with "The 
 Third Boke of/ the Maccabees newlie translated out/ of the original Greke." 
 This third book however is not added, but next comes the title of "The/ Newe 
 Testament/ of ovr Lord Ie-/svs Christ./ Conferred diligently with the Greke, 
 and best approved/ translations in diuers languages./ [The arms of Scotland 
 the same as on the first title.] At Edinbvrgh/ J^. Printed by Thomas/ Bas- 
 sandyne./ M. D. LXXVI./ Cvm Privilegio./" Reverse blank ; the text, A. ij. 
 folioed 2 [misprinted l] to 125, ending on the middle of the reverse. Then 
 comes " A briefe Table of the Pro-/per names which are chiefly founde in the 
 olde Te-/stament, " in double columns not paged or folioed, but beginning on 
 the recto of X. vj. and ending at the middle of the verso of Y. iij. Then 
 follows on "A Table of the principal/ things that are conteined in the Bible," 
 etc. in treble columns, ending on the middle of the reverse of Z. vj. The rest 
 of that page, and the next are filled with " $<^ A Perfite svppvtation of the 
 yeres/ and times from Adam vnto Christ" brought down "vnto this present 
 yere of/ our Lord God 1576." On the reverse is "The Order of the yeres 
 from Pauls conuersion " etc. I p. The next leaf of this gathering is probably 
 blank, as no copy is known to contain more. This is the first edition of the 
 Bible printed in Scotland. It is the Genevan version, in roman type, in 
 double columns, with the marginal notes in smaller type than the text. There 
 are the usual woodcuts in Exodus, to be found in most of the early Genevan 
 versions. At the thirty-third chapter of Numbers is a detached map, another 
 at the fifteenth chapter of Josua, and at the end of Ezekiel is a plan of the 
 Temple. The present copy is large, clean, pure, and perfect. Before the 
 printing was completed Bassandyne died ; but in all the copies the title of the 
 New Testament bears his name, with date 1576. In 1579 the complete 
 volume was issued under sanction of the General Assembly of the Church of 
 Scotland, with a dedication to James the Sixth, and other preliminary leaves, 
 printed by Alex. Arbuthnot.
 
 + ^olp >criptuceg, 149 
 
 962. BIBLE (English). London: Christopher Barker, 1579? 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 963. BIBLE (Latin). First edition of Tremelius and Junius. London:./ 
 Middleton, 1580. 410. Lent by Henry J. Atkinson, Esq. 
 
 964. BIBLIA Sclavonica. H. Typis Joannis Theodori Jum-ex magna 
 Russia. Ostrobia, 1581. Folio. Lent by Earl Spencer. 
 
 965. BIBLE (English). Genevan. London: C. Barker, 1582. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 966. NEW Testament (English). The New Testament of JESUS CHRIST, 
 translated faithfully into English, out of the authentical Latin. 
 Cum privilegio. Rhemes : John Fogny, 1582. 4to. 
 
 Lent by Earl Spencer. 
 
 The Rheims New Testament, the result of the labours of Roman Catholic 
 priests, exiles from England in 1568. It is a secondary translation from the 
 Vulgate. 
 
 967. BIBLE Picture Book (Dutch). Figuren, etc. Van Borcht, 1582. 
 Obi. 410. Lent by Henry J. Atkinson, Esq. 
 
 968. BIBLE (Latin). Antwerp: Plantin, 1582. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 969. BIBLE (English). Genevan. London: C. Barker, 1583. Folio. 
 
 Lent by the Archbishop of Canterbury. 
 
 970. BIBLE (Latin). Antwerp: Plantin, 1583. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 971. BIBLE (Wendish). Biblia, tu ie Vse Svetv Pismv, Stariga inu 
 Noviga Testamenta, Slovenski, tolmazhena, skusi Jvria Dalmatina. 
 Bibel, das ist, die gantze Heilige Schrifft, Windisch. Wittemberg, 
 
 1584. Folio. Lent by the British and Foreign Bible Society. 
 
 972. BIBLE (Icelandic). Biblia, pad er, 611 Heilog Ritning vtlogd a 
 Norrcenu. [being the previous translations of various parts by O. 
 Gottskalksson, G. Einarsson, and G. Jonsson, revised and corrected 
 by G. Thorlaksson, and the remainder newly translated by him]. 
 Med formalum M. Lutheri. First edition. Holum, 1584. Folio. 
 
 With woodcuts, for the most part designed and engraved by Bishop G. 
 Thorlaksson. 
 
 973. BIBLE (English). The Bishops' version. London : Ch. Barker, 
 
 1585. Folio. Lent by Henry White, Esq. 
 
 974. BIBLE (Latin). Francofurt : Fabbriceus, 1585. 4to. 
 
 Lent by Henry J. Atkinson, Esq.
 
 150 Canton Celebration* 
 
 975. BIBLE (English, Genevan version). London: Christopher Barker, 
 1585. 4to. Black letter. Lent by Henry J. Atkinson, Esq. 
 
 976. BIBLE. Old Testament. H vrahaia AioAixn xara TOU<; 
 
 . . . Vetus Testamentum juxta Septuaginta, ex auctoritate Sixti V. 
 Pont. Max. editum. [By A. Carafa, P. Morinus, G. Sirletus, L. 
 Latinius, M. Victorius, P. Dominicanus, E. Sa, P. Parra, A. Agellius, 
 Laelius, F. Turrianus, P. Ciaconius, J. Maldonatus, P. Comitolus, 
 F. Ursinus, J. Livineius, B. Valverda, R. Bellarminus, and F. To- 
 letus.] L. P. Romse, 1586. Folio. Lent by Earl Spencer. 
 
 First printed edition of the Codex Vaticanus. It has formed the model for 
 every succeeding edition of the " Septuagint." 
 
 977. NEW Testament (English). Beza's. Englished by L. Tomson. 
 London: C. Barker, 1587. 321110. 
 
 Lent by the Rev. Dr. Gott. 
 
 978. BIBLE (English). 2 vols. London: Christopher Barker, 1587. 
 4to. Lent by Henry J. Atkinson, Esq. 
 
 979. BIBLE (Bohemian). Vol. IV. Isaiah to Malachi. 1587. 4to. 
 
 Lent by Pastor L. B. Kaspai . 
 
 This Bible was printed for the ancient Bohemian Brethren Church at the 
 private printing establishment of Count Zerotin in Kralice, near Brunn, 
 Moravia, in the year 1587. The original binding was made in 1588. 
 
 980. BIBLE (French). Geneve, 1588. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 981. BIBLE (French). First edition. 8 parts. Geneve, 1588. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 982. BIBLE (Hebrew). 2 vols. Hamburg : J. Wolfius, 1588. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 983. BIBLE (Latin). 2 vols. Lyons, 1588. 4to. 
 
 . Lent by Henry J. Atkinson, Esq. 
 
 984. BIBLE (the first Welsh). Y Beibl Cyssegr-Lan, Sef yr hen Des- 
 tament a'r Newydd. London: Deputies of C. Barker, 1588. 
 Folio. Lent by the British and Foreign Bible Society. 
 
 985. BIBLE (English, Genevan version). London : Deputies of Ch. 
 Barker, 1589. 4to. Lent by Henry J. Atkinson, Esq. 
 
 986. NEW Testament (English). L. Tomson's. London : Deputies of 
 Ch. Barker, 1589. 8vo. Lent by the Archbishop of Canterbury.
 
 990. NEW Testament (English). Genevan version. London : Christo- 
 pher Barker, 1589. 4to. Lent by Hemy J. Atkinson, Esq. 
 
 991. BIBLE (Latin). Biblia Sacra Vulgatae Editionis tribvs tomis dis- 
 tincta (ad concilii Tridentini praescriptum emendata, et a Sixto 
 V. P. M. recognita et approbata). [Edited by A. Carafa, F. No- 
 
 . bilius, A. Agellius, P. Morinus, A. Rocca, and Laelius.] 3 torn. 
 Romse : ex Typographic! Apostolica Vaticana, 1590. Folio. 
 
 Lent by Earl Spencer. 
 
 There are two title-pages, the first printed, and the second engraved. Com- 
 monly known as the Sixtine Bible. The first complete Latin edition pub- 
 lished by Papal authority. 
 
 992. BIBLE (Latin). Biblia sacra Vulgatae editionis, Sixti quinti . . . 
 jussu recognita atque edita [by M. A. Columna, W. Allen, B. de 
 Miranda, R. Bellarminus, A. Agellius, P. Morinus, F. Nobilius, 
 Laelius, B. Valverda, F. Toletus, A. Valerius, and F. Borromaeus. ] 
 Oratio Manassae, necnon libri duo qui sub libri tertij et quarti 
 Esdrae nomine circumferuntur . . . sepositi sunt, ne prorsus inter- 
 irent, etc. dementis VIII. auctoritate recognita. Romae : ex 
 typogr. vaticana, 1592. Folio. Lent by Earl Spencer. 
 
 There are two title-pages, one printed and the other engraved : the "Oratio 
 Manassae" and the third and fourth books of Esdras have a separate pagina- 
 tion. The Clementine Bible. The authentic text of the "Vulgate." This 
 edition is said to considerably differ from the Sixtine edition, but infallibility in 
 the church does not compass printer's stops and errors, or countenance them. 
 
 993. BIBLE (Latin). Londini, 1592-3. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 994. BIBLE (Latin). Tubinguas : G. Gruppenbach, 1593. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 995. BIBLE (Latin). Romae: Typ. Apost. vat, 1593. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 996. BIBLE (Latin). Tubingen : Gruppenbach, 1593. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 997. BIBLE (English). London : Deputies of Christopher Barker, 
 1594. 410. Lent by Henry J. Atkinson, Esq. 
 
 998. BIBLE (English). London: Deputies of Ch. Barker, 1594. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 999. BIBLE (Greek, Latin, and German). 2 vols. Hamburg : Lucius, 
 1596. Folio. Lent by Henry J. Atkinson, Esq.
 
 152 Ca.rton Celebration* 
 
 1000. BIBLE (Hebrew). 4 vols. 1595. i6mo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 TOOL BIBLE (Saxon). Hamburg: Lugium, 1596. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1002. NEW Testament (Latin). 2 vols. in i. Morges (Switzerland) : 
 Le Preux, 1596. Folio. Lent by Henry J. Atkinson, Esq. 
 
 1003. BIBLE (English). The Bible./ That is, the Holy/ Scriptvres 
 Con-/teined in the/ Olde and New/ Testament./ Translated 
 accor-/ding to the Ebrew and Greeke, and/ conferred with the 
 best transla-/ons in diuers languages./ With most Profitable 
 Anno-/tations vpon all the hard places, and other things/ of great 
 importance, as may appear in the/ Epistle to the Reader./ 
 C Imprinted at London by the De-/puties of Christopher Barker,/ 
 Printer to the Qveenes most excel-/lent Maiestie./ Anno 1597. 
 Cum priuilegio./ Folio. Lent by Francis Fry, Esq. 
 
 6 prel. leaves, viz. Title, reverse blank ; "To the most ver-/tvovs and 
 noble Qveene/ Elizabith," 3 pp.; "To ovr Beloved in the Lord," I p.; "A 
 Table containing the Cycle/ of the Sunne," etc. 2 pp.; Kalendar, 3 pp.; 
 "$O The Names and order of all the bookes," I p. Text, A. j., in double 
 columns, in roman type, Genesis to Malachi 360 folioed leaves ; Apocrypha 
 Aaaa. j. 77 leaves ; New Testament, Title and 129 leaves ; " C A breife 
 Table," Yyyyy. iiij. 9 unnumbered leaves. This is the Genevan version of 
 the text of both the Old and the New Testament, but the New Testament 
 is what is generally known as L. Tomson's translation, or revision. This 
 is, however, a popular error. The text is the Genevan version of 1 560, which 
 Tomson has not meddled with. He has only added a translation of Beza's and 
 Camerarius' Notes, Summaries, Expositions, and marginal references. The 
 Arguments preceding the Gospels, the Acts, etc., are omitted, though ex- 
 pressly mentioned in the title. 
 
 1004. NEW Testament (English). The/ Newe Testa-/ment of Ovr/ 
 Lord lesvs/ Christ./ C Faithfully traslated out/ of Greeke./ 
 Imprinted at Londonj by the" Deputies of Christopher Barker,/ 
 Printer to the Queenes most/ excellent Maiestie./ Anno I598./ 
 48mo. Lent by Francis Fry, Esq. 
 
 A to Xx in eights. In clear pearl type. Size of page 2j| X if inches. 
 The reverse of the title is blank. Text begins on A 2, and ends on the 
 reverse of Xx 8. This beautiful little volume is in the Geneva version. 
 There are thirty-one lines on a full page. The headings of the chapters and 
 the marginal references are in italic. 
 
 1005. NEW Testament (Latin and Greek). Geneva, 1598. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1006. BIBLE (Dutch). Antwerp : Jan Newrentorf and Jan van Keuber- 
 gen, 1599. Folio. Lent by Henry J. Atkinson, Esq.
 
 Clagg C Ikolp >cripture* 153 
 
 1007. BIBLE (English, Genevan). The/ Bible,/ that is,/ The Holy 
 Scriptvres/ conteined in the Old and New/ Testament./ Trans- 
 lated according to the Ebrew and Greeke, and/ conferred with the 
 best Translations in/ diuers Languages./ With most profitable 
 Annotations vpon all hard places,/ and other things of great 
 importance./ fl[ Imprinted at London/ by the Deputies of Chris- 
 topher Barker,/ Printer to the Queenes most/ Excellent Maiestie./ 
 I599-/ 4to. Lent by Francis Fry, Esq. 
 
 . 4 prel. leaves, including the woodcut and printed titles ; Text, Genesis to 
 Job, 190 folioed leaves; Psalms to Malachi, 127 leaves, one blank leaf; New 
 Testament, 121 folioed leaves; A briefe Table, n leaves. Date of Colophon, 
 J599- There were no less than six or eight editions of the Bible with the 
 date 1599, all purporting to be from the same printer, and so closely 
 resembling each other that it is difficult to distinguish them without having 
 them before you. This edition is described in Lea Wilson's admirable cata- 
 logue, under No. 84 of Bibles, and may be distinguished from the other by the 
 third line of the first verse of the first chapter of Esther, reading : 
 
 India euen vnto Ethiopa, ouer 
 
 The version is the Genevan, with Tomsori's revision of the notes of the New 
 Testament. It is in small roman type, in double columns, with the notes in 
 smaller type on both the inner and outer margins. 
 
 1008. BIBLE (Latin). Venetia : Zenaruni, 1599. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1009. NEW Testament (English). The/ New Testament/ of lesus 
 Christ faith-/fvlly translated into English,/ out of the authentical 
 Latin, diligently conferred with the/ Greeke, and other Editions 
 in diuers languages : With Ar/gvments of bookes and chapters : 
 Annotations,/ and other helpes, for the better vnderstanding of the 
 text,/ and specially for the discouerie of Corrvptions in di-/uers 
 late translations and for cleering Controver-/sies in Religion 
 of these dayes : By the English/ College then Resident in Rhemes. 
 Set Forth the second time, by the same College now/ returned to 
 Doway./ With addition to one new Table of Heretical 
 Cor/rvptions, the other Tables and Annotations somewhat/ aug- 
 mented. Printed at Antwerp / by Daniel Vervliet./ 1600. 
 With Privilege./ 4to. Lent by Henry J. Atkinson, Esq. 
 
 The title within a type-metal border, having on the reverse, the Approba- 
 tions of the first edition of 1582, and of the present edition. The next leaf a ij 
 begins with "The Preface to/ the Reader," II leaves ; " A Table of cer-/taine 
 Places of the New/ Testament corrvptly translated," 6 pp. in double columns ; 
 "The Explication of Certain/ vvordes in this Translation," 2 pp.; "The 
 Bookes of the New/ Testament" 3 pp.; on the reverse, "The Signification or 
 mea-/ning of the nvmbers and markes/ vsed in the New Testament," I p.; 
 "The Svmme of the /New Testament," etc. 2 pp.; Text, Mathew to the end 
 of Revelations, pp. 3 to 745. On the middle of page 745 begins "A Table 
 of the/ Epistles and Gospels," Signature B bbbb, 4^ pp.; on the reverse of
 
 154 Canton Celebration. 
 
 B bbbb iij "An ample and/ particvlar Table" of Controversies, 23 pp. in 
 double columns. The book is throughout in roman type, except the headings 
 of the chapters, which are in italics. The text is in large pica type in long 
 lines of three inches and three quarters, and the notes and marginal summaries 
 are in a smaller type. The annotations, which are very numerous and contro- 
 versial, are at the end of each chapter or book. The marginal summaries or 
 catch-clauses are only on the outer margins, while the inner margins are occu- 
 pied by references to other places, and by a column indicating the division into 
 verses. The matter is run on into paragraphs, but the beginning of each verse 
 is indicated by this mark, t The Preface to the Reader is historical and 
 critical, and of considerable interest on the important subject of translations 
 into the vulgar tongues. This translation is from the old Latin Vulgate. At 
 the end of the third chapter of Matthew is a slip pasted down containing the 
 words, " lurie, and from beyond Jordan. "the first three words having been 
 omitted in the text. This volume should go with No. 1024 of this catalogue, 
 so as to form a set of the complete Bible. 
 
 1010. NEW Testament (English). London : R. Barker, 1600. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1 01 1. NEW Testament (English). Bishop's and Rhemish version. Notes 
 by Wm. Fulke. London : R. Barker, 1601. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1012. NEW Testament (Greek). Franckfurt: Typis Wechelianis, 1601. 
 Folio. Lent by Henry J. Atkinson, Esq. 
 
 1013. BIBLE (English). The Bishops'. Authorised and appointed to 
 be read in Churches. London : Robert Barker, 1602. Folio. 
 
 Lent by Henry Stevens, Esq. 
 
 There appear to have been two different first titles issued with this last folio 
 edition of the Bishops' version ; one like that of the woodcut border of the 
 New Testament title, and the other like that used in the first edition of the 
 161 1 version. A recent writer says that the latter "had often done duty before, 
 notably in the Bishops' Bible of 1602." This is probably a mistake, for we 
 find this folio woodcut border of the 1611 version used in no other previous 
 edition except this 1602 Bishops', and in only a part of this. This handsome 
 volume was manifestly the model for the first issue of the 161 1 version, and the 
 revisions and corrections were probably posted on to a copy of this and then 
 deposited as copv with Barker. This last folio Bishops' differs almost as much 
 from the first Bishops' of 1568 as it does from the first 1611 itself, it had under- 
 gone so many changes and silent revisions. 
 
 1014. BIBLE (Spanish). La Biblia, seconda edicion, por C. de Valera. 
 Amsterdam, 1602. Folio. 
 
 Lent by the British and Foreign Bible Society. 
 
 1015. NEW Testament (English). L. Tomson. Dort : Isaac Canin, 
 1 603. 8vo. Lent by the Rev. Dr. Gott. 
 
 1016. BIBLE (English), Genevan version. London : R. Barker, 1606. 
 4to. Lent by Henry J. Atkinson, Esq.
 
 155 
 
 1017. BIBLE (English). Genevan version. London : R. Barker, 1606. 
 4to. Lent by the British and Foreign Bible Society. 
 This copy belonged to Prince Henry, and bears his monogram on the sides. 
 
 1018. BIBLE (English). Genevan. London : Robert Barker, 1606. 
 8vo. Lent by Sir Charles Reed. 
 
 1019. BIBLE (Italian). Deodati's, first edition. Geneva (?) 1607. Folio. 
 
 Lent by the British and Foreign Bible Society. 
 
 1020. BIBLE (Latin). Venetia, 1607. 410. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1021. BIBLE (Dutch). Leyden : Jacobszoon and Bowwensszoon, 1608. 
 Svo. Lent by Henry J. Atkinson, Esq. 
 
 1022. NEW Testament (Italian). II Nuovo Testamento. Geneva : 
 Diodati, 1608. i6mo. Lent by Henry J. Atkinson, Esq. 
 
 1023. BIBLE (English). Genevan version. London : R. Barker, 1609. 
 4to. Lent by Henry J. Atkinson, Esq. 
 
 1024. BIBLE (English, Doway). The/ Holie Bible/ Faithfvlly Trans, - 
 lated into English,/ ovt of the avthentical/ Latine./ Diligently 
 conferred with the Hebrew, Greeke,/ and other Editions in diuers 
 languages./ With Argvments of the Bookes, and Chapters :/ 
 Annotations. Tables : and other helpes,/ for better vnderstanding 
 of the text:/ for discouerie of Corrvptions/ in some late transla- 
 tions : and/ for clearing Controversies in Religion./ By the 
 English College at Doway./ Printed at Doway by Lavrence Kel- 
 lam,/ at the signe of the holie Lambe./ M. DC. ix. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 Two volumes. Vol. I. The title within a type-metal border, having on the 
 reverse, in Latin, " Approbatio." dated " Duaci. 8. Nouembris. 1609." 
 Then comes on t2, "To the right/ vvelbeloved English/ Reader," 12 pp.; 
 "The Svmme and Parti-ytion of the Holie Bible," 4 pp.; "The Argvment of 
 the Booke/ of Genesis." 2 pp.; The text, Genesis to Job, 1114 pp., followed 
 by "To the Cvrteovs Reader," I p., promising two Tables for this volume in 
 the next. Vol. II. Title, dated M. nc. X. having the approbation on the 
 reverse as to the first volume : " Proemial Annotations/ vpon the Booke of 
 Psalms." pp. 3 to 14 ; Text, Psalms to the Fovrth Book of Esdras, pp. 15 to 
 1071. "A Table of the Epistles," page 1072 ; "An Historical Table of the 
 Times," etc. pp. 1073 to 1096; "A particular Table of the/ most principal 
 Things," pp. 1097 to 1123; "Censura," page 1124; Errata of the two 
 volumes, I p. These two volumes are printed in a style nearly uniform with 
 the New Testament, 410, 1600, No. 1009. These three volumes should go 
 together to make the complete Bible. This is the first edition of the Roman 
 Catholic version of the Scriptures in English. It was translated about the 
 year 1 580, by some English exiles at Douai, to combat the various English 
 protestant versions. It is a remarkable circumstance that though these volumes
 
 156 Canton Celebration* 
 
 bear the dates of 1609 and 1610, they had not reached the hands of the trans- 
 lators of the 1611 version when their long Preface was written. There is dis- 
 tinct allusion to this work, as if to disclaim any knowledge of it. Or perhaps 
 the Preface may have been written before Nov. 1609, the date of the Approval 
 of Vol. I. This is sometimes called the rosin Bible, from the reading of 
 Jeremiah viii, 22, " Is there no rosin in Gilead ?" The Bishops', and other 
 early translations, had treacle. 
 
 1025. NEW Testament (Greek and Latin). Geneva: Stoer, 1609. 
 3 2 mo. Lent by Henry J. Atkinson, Esq. 
 
 1026. NEW Testament (Icelandic). Pad Nijca Testamentum. Holum, 
 1609. 8vo. Lent by David Laing, Esq. 
 
 1027. BIBLE (English, Genevan). The/ Bible :/ that is,/ The Holy 
 Scriptvres/ conteined in the Old and New/ Testament./ Trans- 
 lated according to the Ebrew and Greeke, and/ conferred with the 
 best Translations in/ diuers Languages./ C With most profitable 
 Annotations vpon all hard places,/ and other things of great im- 
 portance./ C Imprinted at/ London by Robert Barker,/ Printer 
 to the Kings most/ Excellent Maiestie./ 1610. 410. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 3 prel. leaves ; Text, Genesis to Malachi, A to Qq 7, in eights ; New Testa- 
 ment, Aaa to Qqq I ; Table, Qqq 2 to Rrr, 4. date of Colophon, 1611. This 
 is the Genevan version, with Tomson's revision of the notes of the New 
 Testament, and with Junius's Annotations on the Revelations. It is in small 
 roman type, closely resembling the six quarto editions of 1599. 
 
 1028. BIBLE (English, Genevan). The/ Bible,/ That Is,/ The holy 
 Scriptures con-/tained in the Old and/ New Testament./ C Trans- 
 lated according to the Ebrew and Greeke,/ and conferred with 
 the best Translations/ in diuers Languages./ C With most 
 profitable Annotations vpon all the/ hard places, and other things 
 of great/ importance./ Imprinted at/ London by Robert Barker,/ 
 Printer to the Kings most Excel-/lent Maiestie./ i6io./ Folio. 
 
 Lent by Francis Fry, Esq. 
 
 4 prel. leaves in roman type, viz. Title within a broad woodcut border, with 
 the royal arms at the top, and Cum priuilegio in a compartment at the bottom, 
 reverse blank ; " ^ To the Christian Reader." 2 pp. ; within a type-metal 
 border. "C Of the incomparable treasure," etc. I p. ; "How to profile in 
 reading," etc. I p. ; "C The names and order of all the Books," I p. ; on 
 the reverse is a large woodcut, filling the whole page, of Adam and Eve in 
 Paradise. Text in black letter. A to Mmmm 2, in sixes. "$<^Abriefe 
 Table " 8 leaves in roman letter. This is the Genevan version with Tomson's 
 
 revision of the notes of the New Testament. The text is in double columns, 
 in large black letter. The arguments of the books are in small roman type. 
 The summaries of the chapters are in italics, and the marginal notes are in 
 small black, and the references in small roman letter. The woodcut borders 
 of the titles of the Old and New Testaments are alike. At the beginning of 
 the Psalms there is a title, " This Second Part of the Bible," within a broad 
 woodcut border, with erect female figures on either side, reverse blank.
 
 157 
 
 1 028*. BIBLE (English, Genevan). The Bible, that is, the Holy Scrip- 
 tures, etc. London : R. Barker, 1610. 8vo. 
 
 Lent by Francis Fry, Esq. 
 
 This is, we believe, the last edition of the Bible of the Genevan version 
 printed in England in octavo. 
 
 1029. BIBLE (English, Genevan version). The Bible, that is, The 
 Holy Scriptures contained in the Olde and New Testament, 
 Translated according to the Hebrew and Greeke, &c. At Edin- 
 burgh Printed by Andro Hart, and are to be sold at his Buith, on 
 the North-side of the gate. Anno Dom. 1610. Folio. 
 
 Lent by David Laing, Esq. 
 
 This was long the standard and favourite edition of the Genevan Bible, be- 
 cause it was a handsome, well-printed book, remarkably free from typo- 
 graphical errors. 
 
 1030. BIBLE (English), Genevan and Tomson's. London : R. Barker, 
 161 1. Folio. Lent by the Archbishop of Canterbury. 
 
 1031. BIBLE (English). Genevan version. London: R. Barker, 1611. 
 4to. Lent by Henry J. Atkinson, Esq. 
 
 1032. PSALMS (English). The Psalmes of David in Prose and Meeter. 
 With Godly Prayers, &c. Printed at Edinburgh by Andro Hart. 
 1611. 8vo. Lent by David Laing, Esq. 
 
 1033. PSALMS (Latin). Paraphrasis Psalmorum Davidis Poetica auc- 
 tore Georgio Buchanano. Edinburgi, exct. Andreas Hart, 1611. 
 i8mo. Lent by David Laing, Esq. 
 
 1034. PSALMS (English). The Psalms in Prose and Metre with the 
 Tunes. Edinburgh: Andro Hart, 1611. 241110. 
 
 Lent by David Laing, Esq. 
 
 1035. BIBLE (English). The Holy Bible, newly translated out of the 
 original! Tongues and with former Translations diligently com- 
 pared and revised, by his Maiesties speciall commandment. 
 Appointed to be read in Churches. London: Robert Barker, 
 1611. With the first title engraved on copper by C. Boel of 
 Richmont. Folio. Lent by Henry Stevens, Esq. 
 
 This is the first or standard issue of the 1 6 1 1 version of the English Bible. There 
 was another separate issue of it the same year distinct throughout every leaf. 
 This pair, the parents of millions of our Bibles, we shall distinguish by calling 
 the first the GREAT HE BIBLE, and the other the GREAT SHE BIBLE, from 
 their respective readings of Ruth iii. 15, the one reading "he measured six 
 measures of barley, and laid it on her : and HE went into the city." The 
 other has "and SHE went into the city." These two editions, both standard 
 but varying in many places, were manifestly deposited in two different printing 
 houses as standard copy, because the subsequent editions in quarto and octavo, in 
 roman and black letter, run in pairs, he and she, and as a general rule the faults 
 of the one follow those of its own office-copy or parent. It is not difficult for 
 a practical- printer to point out the true original He Bible, and when that is
 
 T 58 Ca,rton Celebration* 
 
 ascertained many other arguments fall in peacefully. This he and she distinc- 
 tion is only one of a thousand. The first three or four editions were issued, 
 some copies with an engraved copper-plate title, and others with a woodcut 
 bordered title, but never with both. We have found the engraved title attached 
 to its follower in both of the 1611 issues, as well as that of 1613. These titles, 
 therefore, do not mark the edition ; nor do Speed's genealogies, with which the 
 king saddled and most unjustly burdened the version, as a private sop to a 
 favourite subject. Of the two distinct issues of 1611, some copies of each 
 with the engraved title, and others with the woodcut, it is of great consequence 
 to establish the priority of one or the other. Mr. Francis Fry after long and 
 patient investigation has, in his exceedingly important work on the subject, 
 pronounced decidedly in favour of the He Bible's being the original ; while Mr. 
 Scrivener, in the introduction to his Paragraph Bible, reverses Mr. Fry's de- 
 cision, and sets up the She Bible as the standard by priority. Our own 
 researches, both before and since Mr. Fry's opinion, have led us unequivocally 
 to the same conclusion as Mr. Fry. We do not find any authority for calling 
 it the Authorized Version, the words "Appointed to be read in Churches, ' 
 meaning not authorized, but, as explained in the preliminary matter, simply how 
 the Scriptures were pointed out or " appointed " for public reading. This 
 "Appointment" was afterwards shunted into the Prayer-Book and left out of 
 the Bibles ; but why the word appointed was left on some of the early title- 
 pages and omitted in others, and how it got gradually to mean aztthor/sed, we 
 leave to philologists, simply remarking that the 1602 Bishops' Bible, on which 
 our present version was modelled, had both the words "authorized" and 
 "appointed." The Puritans and Presbyterians did not require this "appoint- 
 ment," and hence in many editions it was omitted. We have no objection to 
 the modern suppression or omission by the University and Queen's Printers of 
 the long Preface, the Genealogies, and the "Appointment" of Scripture Read- 
 ings in Churches. We could spare also the Dedication. But with all these 
 omissions it is difficult to understand why the title is not also purified by 
 leaving out the words " Appointed to be read in Churches." 
 
 1036. BIBLE (English). The Holy Bible. Newly translated out of the 
 original tongues, and with the former translations diligently com- 
 pared and revised, by his Maiesties speciall Commandement. 
 London: Robert Barker, 1611. Fine copy of the He Bible, 
 with the woodcut title. Folio. Lent by Earl Spencer. 
 
 1037. BIBLE (English). The Holy Bible, etc. Appointed to be read in 
 Churches. London: Robert Barker, 1611. Folio. 
 
 Lent by Edward G. Allen, Esq. 
 
 This is the GREAT SHE BIBLE, of 1611 differing in every leaf from the GREAT 
 HE BIBLE. Like No. 1035 and 1036 it was issued, some copies with the 
 engraved and others with the woodcut title. This is certain, because we have 
 found both title-leaves attached to the followers. Neither title marks definitely 
 the edition, but there are many reasons to demonstrate that this is the second 
 or subsequent issue. It may have some better readings and some inferior, but 
 the editions are totally distinct, and unquestionably one is the parent of the 
 other. It was probably necessary, in order to multiply copies fast enough, to 
 have two standard copies in separate printing offices. The variations are 
 generally not of much importance, and are such as usually occur in copying 
 one book from another, with occasionally a slight correction, but oftener a 
 slight blunder.
 
 C* 1501? ^criptureg, 159 
 
 1038. BIBLE (English). The 1611 version. London: Robert Barker, 
 1613-11. Folio. Lent by Francis Fry, Esq, 
 
 This is generally a mixture of the sheets of the He and the She Bible, issued 
 with a new first title, but the New Testament title remaining unchanged. 
 
 1039. BIBLE (English). The/ Holy/ Bible,/ Conteyning the Old Testa- 
 ment/ and the New :/ Newly Translated out of the Originall/ 
 tongues : & with the former Translations/ diligently compared 
 and reuised, by his/ Maiesties special Comandement./ Appointed 
 to be read in Churches./ Jmprinted at London by Robert/ 
 Barker Printer to the Kings/ most Excellent Maiestie./ Anno 
 Dom. i6i2./ 4to. Lent by Henry J. Atkinson, Esq. 
 
 The title is beautifully engraved on copper by Jasper Isac, reverse blank. 
 Dedication to King James, A 2, 3 pp. in italics ; on the reverse of A 3, " The 
 Translators. To/ The Reader," 9 pp. in small roman type ; "5^ The names 
 and order of all the Bookes," I p., reverse blank; "The Genealogies," by 
 J. Speed, 18 leaves : "A Description of Canaan, and the bordering Countries," 
 on the back of a woodcut map of the Holy Land, 2 leaves ; the text is in 
 double columns, in roman type, Genesis to Revelations, A to Z, Aa to Zz, 
 Aaa to Zzz, [A] to [M], all in eights. This is the first edition of the Authorized 
 Version of the Bible printed in quarto. It is a He Bible. 
 
 1040. BIBLE (English). The second edition of the 1611 version in 4to, 
 roman type. She went. London : R. Barker, 1612. 410. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1041. BIBLE (English). The first edition of the 1611 version in octavo. 
 The He edition. London: R. Barker, 1612. 8vo. 
 
 Lent by Francis Fry, Esq. 
 
 1042. BIBLE (English). The second edition of the 1611 version in 
 octavo. The She edition. London: R. Barker, 1611. 8vo. 
 
 Lent by Francis Fry, Esq. 
 
 1043. BIBLE (English). 1611 version. London: Robert Barker, 1613. 
 Folio. Lent by Henry J. Atkinson, Esq. 
 
 This edition in smaller type cannot be confounded with either of the larger 
 folios. Some copies appeared with the 1611 engraved title, but most of them 
 have the woodcut title bearing the date of 1613. We have not observed in 
 this edition the distinction of he and she in Ruth iii. 15, but it may exist. 
 
 1044. BIBLE (English). The 1611 version, black letter, the He edition. 
 London : R. Barker, 1613. 410. Lent by Francis Fry, Esq. 
 
 1045. BIBLE (English). The 1611 version, black letter, the She edition. 
 London: R. Barker, 1613. 410. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1046. BIBLE (English). 1611 version, roman type. London: R. 
 Barker, 1613. 410. Lent by Henry J. Atkinson, Esq.
 
 160 Canton Celebration* 
 
 1047. PROVERBS, Job, &c. (Hebrew and Latin). Raphelingt. Antwerp : 
 Plantin, 1614-15. Lent by Henry J. Atkinson, Esq. 
 
 1048. BIBLE (English). The/ Bible :/ Translated according to the 
 Hebrew/ and Greeke, and conferred with the best Translati-/ons 
 in diuers languages : With most profitable Annotations vpon all 
 the hard places, and other things of great/ importance, as may 
 appeare in the Epi-/stle to the Reader./ And also a most profit- 
 able Concordance for the rea-/dy finding out of any thing in the 
 same conteined./ C Imprinted at/ London by Robert Barker,/ 
 Printer to the Kings most/ Excellent Maiestie./ 16157 4to. 
 
 Lent by Francis Fry, Esq. 
 
 Title witli verses on the back ; " C To the Christian Reader," C 3, i page ; 
 " How to take profit" etc. I page. Text in black letter, double columns, 
 Genesis to Malachi, 358 folioed leaves ; New Testament," 4 prel. leaves and 
 Text folioed 441 to 554. This is the last edition in quarto of the Genevan 
 Version printed in England. The Arguments, the notes and the running titles 
 are in small roman type. The contents of the chapters are in small italics. 
 
 1049. BIBLE (English). Genevan version. London : R. Barker, 1616. 
 Folio. Lent by Henry J. Atkinson, Esq. 
 
 This is the last folio edition of the Genevan version printed in England. 
 
 1050. BIBLE (English). London: R. Barker, 1616. 410. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1051. BIBLE (English). Doctrine of the Bible. London : T. Snodham, 
 1616. 8vo. (?) Lent by Henry J. Atkinson, Esq. 
 
 1052. BIBLE (English), 1611 version. London: Robert Barker, 1617. 
 Folio. Lent by Henry J. Atkinson, Esq. 
 
 1053. BIBLE (Latin). Tremellius and Junius. Geneva: Berjou, 1617. 
 Folio. Lent by Henry J. Atkinson, Esq. 
 
 1054. EPISTLES and Gospels (German and Bohemian). 1617. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1055. BIBLE (Hebrew). 4 vols. Genoa : Cepha. Elon, 1618. i6mo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1056. BIBLE (English). Black letter. London: Norton and Bill, 1619. 
 4to. Lent by H. Cleaver, Esq. 
 
 1057. BIBLE (German). 3 vols. Lubec : M. Herings, 1620. 321110. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1058. BIBLE (English). London: Bonham Norton and John Bill, 
 1620. 410. Lent by Henry J. Atkinson, Esq.
 
 161 
 
 1059. BIBLE (the second Welch). Y Bibl Cyssegr-Lan, etc. Bishop 
 Morgan's version, revised by R. Parry and J. Davies. Llundain 
 1620. Folio. Lent by the British and Foreign Bible Society. 
 
 1060. BIBLE (Latin). Osiander. Franckfurt : Tampach, 1622. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1061. BIBLE (Latin). Romae : A. Brougiotte, 1624. 32010. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1062. BIBLE (English). London: Bonham Norton and John Bill, 1625. 
 4to. Lent by Henry J. Atkinson, Esq. 
 
 1063. NEW Testament (Greek). Cambridge : T. Buck, 1625. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1064. BIBLE (Latin). Venetia : Junta, 1627. 410. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1065. BIBLE (English). London, 1628. 8vo. 
 
 Lent by James J. Parsloe, Esq. 
 
 1066. NEW Testament (English). Printers to the University of Cam- 
 bridge, 1628. 32mo. Lent by Henry J. Atkinson, Esq. 
 
 1067. NEW Testament (Greek). Sedan : Munoni, 1628. 32010. 
 (Smallest.) Lent by Henry J. Atkinson, Esq. 
 
 1068. NEW Testament (Latin). Antwerp: Plantin, 1629. 32010. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1069. BIBLE (English). Microbiblion/ or/ The Bibles/ Epitome :/ In 
 Verse./ Digested according to the/ Alphabet, that the Scriptures/ 
 we reade may more happily/ be remembred, and things/ forgotten 
 more ea-/sily recalled./ By Simon Wastell sometimes of/ Queenes 
 Colledge in Oxford./ London,! Printed for Robert Mylbourne,/ 
 and are to be sold at his shop/ at the signe of the Greyhound/ in 
 Paules Churchyard./ i62g.j 8vo. 
 
 6 prel. leaves, viz. Title, within a light border, reverse blank ; Dedica- 
 tion to Sir William Spencer, 2 leaves ; "To the Christian/ Reader," 2 leaves ; 
 Lines by George Wither, i page ; "The names of the Bookes," I p. Text, 
 B 506 pages, followed by four leaves. 
 
 1070. PSALMS (English), " with the Common Tunes in foure parts, by the 
 most expert Musicians in Aberdene." Aberdene : E. Raban, 1629. 
 24100. Lent by David Laing, Esq. 
 
 M
 
 162 Canton Celebration* 
 
 1071. BIBLE (English). The 1611 version. Cambridge: T. & J. 
 Buck, 1629. Small folio. Lent by Francis Fry, Esq. 
 
 The text of this fine edition appears to have undergone a thorough revision, 
 but by whom or upon what authority is not known. The pains taken in the 
 printing, proof-reading, punctuation, italics, etc. are manifest throughout. 
 But a little typographical error crept in here, we believe for the first time, 
 which, though corrected a hundred times, constantly reappeared for many 
 years, viz., Tim. iv., 16. Take heed unto thyself, and unto thy doctrine, for 
 the doctrine. 
 
 1072. BIBLE (English), 1611 version, roman type. London: Bonham 
 Norton and John Bill, 1629. 410. Lent by Francis Fry, Esq. 
 
 1073. BIBLE (English), 1611 version, roman type. London: R. Barker, 
 and assigns of John Bill, 1630. 410. Lent by F. Fry, Esq. 
 
 A recent writer, though he finds some slight variations, pronounces this and 
 the 1629 quarto practically the same edition, and that this one is without the 
 Apocrypha. He is mistaken ; the two editions are totally distinct, and vary 
 more than ordinary editions. His copy merely wanted the Apocrypha, as is 
 apparent by the first four leaves of the Apocrypha being the counterfoils of 
 Ccc 1-4, the last half-sheet of the Prophets. Besides, in the 1629 edition (No. 
 1072) there is a small * at the end of almost every sheet, a printer's mark 
 which we have observed in no other Bible. 
 
 1074. BIBLE (Hebrew). Amsterdam : Laurentii, 1630. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1075. BIBLE (English). The/ Holy Bible :/ Containing the/ Old Testa- 
 ment/ and the New./ Newly Translated out of the Originall/ 
 Tongues, and with the former Translations diligently compared 
 and reuised : By his/ Maiesties speciall Commandement./ Ap- 
 pointed to be read in Churches./ Printed at London by Robert 
 Barker,/ Printer to the Kings most Excellent/ Maiestie : And by 
 the As-/signes of lohn Bill./ Anno 16317 8vo. 
 
 Lent by the Bodleian Library. 
 
 The WICKED BIBLE. Title, within the woodcut border of 24 small and 4 
 larger oval medallions, with the royal arms on the reverse. Dedication to 
 King James, I p. ; " ^[ The Names of all the/ Bookes," in a border, i p. ; 
 Text in small roman type, double columns, Genesis to Revelations, A 3 to K kk 
 in eights. In 1855 Mr. Henry Stevens exhibited at the Royal Society of Anti- 
 quaries a fine and perfect copy of this long-lost, but much bescribbled-about 
 Bible, and at that time nick-named it " The Wicked Bible," from the fact that 
 the negative had been left out of the Seventh Commandment by a typographical 
 error. Selden and Collier, of our old writers, and many others since have failed 
 to name correctly the year of its publication, 1631. Four copies are now known, 
 one in the Lenox Libary, New York, one in the British Museum, this one 
 from the Bodleian, ; nd one in Glasgow. There were four octavo, roman type, 
 distinct editions the same year, 1631. This was suppressed, and Laud caused 
 a fine of .300, with which it is said he bought a font of Greek type for 
 Oxford. Mr. Scrivener in his Paragraph Bible, Introduction, page xviii gives 
 the date 1632, and says that a single copy is said to survive in the Library at
 
 163 
 
 Wolfenbiittel. On inquiry we are informed that no such book exists there, 
 or as far as known ever has, but on looking into the matter, the librarian 
 found a German edition of just a century later with the same extraordinary 
 omission, which makes Germany also to boast of its "Wicked Bible." We 
 have not been informed that a like authority exists in France. This is no 
 doubt a purely typographical error, and there are some ten or twelve others in 
 the same sheet. It is probably the wickedest error of the kind that ever 
 occurred ; but we have always had great sympathy for David in his agony over 
 proof sheets, ever since we learned from Cotton Mather that a blundering typo- 
 grapher made him exclaim in a Bible printed before 1702, ''''Printers have 
 persecuted me without a cause." Psalm cxix. 161. 
 
 1076. BIBLE (English). London : R. Barker and Assigns of John Bill, 
 1631. 8vo. Lent by Henry J. Atkinson, Esq. 
 
 1077. NEW Testament (Greek). Cambridge: 1632. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1078. BIBLE (English). The Holy Bible. With engraved title and 
 frontispiece. Edinburgh : Printed by the Printers to the King's 
 Majestic. Anno Dom. 1633. 8vo. Lent by David Laing, Esq. 
 
 The 1611 version and the earliest edition of it printed in Scotland. This 
 copy has at the end "The Psalmes of David in Meeter as they are sung in the 
 churches of Scotland. Edinburgh, 1633. But the tunes are not given. 
 
 1079. BIBLE (English). Cambridge : Printers to the University, 1633. 
 4to. Lent by Henry J. Atkinson, Esq. 
 
 1080. NEW Testament (English). Fourth edition, Rhenish version. 
 [Rouen] : John Cousturier, 1633. 4to. 
 
 Lent by Hemy J. Atkinson, Esq. 
 
 1 80 1. NEW Testament (English). London : R. Barker, 1633. 32mo. 
 
 Lent by 
 Bound back to front with the Common Prayer of same date, 
 
 1082. NEW Testament (Greek). Amsterdam: Bleau, 1633. 321110. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1083. NEW Testament (Greek). London: Whittaker, 1633. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1084. BIBLE (English). London : Robert Barker, 1634. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1085. BIBLE (English). The 1611 version. London: R. Barker and 
 Assigns of John Bill, 1634. 4to. Lent by Henry J. Atkinson, Esq. 
 
 1086. PSALMS (English). The Psalms in Prose and Metre. Edinburgh, 
 1634; with the title, 1640. i8mo. Lent by David Laing, Esq.
 
 1 64 Cajton Celebration. 
 
 1087. PSALMS (English). Another edition, with the tunes in foure parts 
 or mo. Edinburgh: Heires of Andro Hart, 1635. 8vo. 
 
 Lent from the Signet Library, 
 
 1088. PSALMS (English). Both prose and Metre. London: by T. C., 
 1635. i6mo. Lent by W. H. Sheehy, Esq. 
 
 1089. NEW Testament (Greek). London: R. Whittaker, [1635 ?] 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1090. BIBLE (English). London : Robert Barker, 1635. 4to. 
 
 Lent by Thomas Stapleton, Esq. 
 
 1091. BIBLE (English). Douay, and New Testament, Rhemes, 3 vols. 
 Rouen: John Cousturier, 1635. 4to. Lent by Henry White, Esq. 
 
 For the New Testament see above, No. 1080. 
 
 1092. BIBLE (French). Amsterdam : Laments, 1635. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1093. BIBLE (English). Cambridge : T. Buck and Roger Daniel, 1637. 
 4to. Lent by Henry J. Atkinson, Esq. 
 
 1094. BIBLE (English). Edinburgh, 1637. 8vo. 
 
 Jeremiah, iv, 17. "Because she hath been religious against me, saith the 
 Lord," for rebellious. 
 
 1095. BIBLE (Latin). Lyons: Villiers, 1637. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1096. BIBLE (Dutch), Leiden : Paulus Aertsz van Ravestyn, 1638. 
 8vo. Lent by Henry J. Atkinson, Esq. 
 
 1097. BIBLE (English). London : R. Barker and Assigns of J. Bill, 
 1638. Folio. With Psalms. Lent by Henry J. Atkinson, Esq. 
 
 1098. BIBLE (English). The Holy Bible [revised]. Cambridge : Tho. 
 Buck and Roger Daniel, 1638, Folio. 
 
 Lent by the University Press, Cambridge. 
 
 This, perhaps the finest Bible ever printed at Cambridge, being revised at 
 the time and carefully printed, has served as standard for many subsequent 
 editions. There are, however, some extraordinary errors in it which have led 
 smaller sheep astray. The famous typographical error that is said to have 
 cost Cromwell a ^1,000 as a bribe in the Roundhead times, is found here in 
 Acts vi. 3, " whom_y^ may appoint," instead of we, which, of course, clears 
 Cromwell. 
 
 1099. BIBLE (English). London: R. Barker and J. Bill, 1638. 8vo. 
 
 Lent by Henry J. Atkinson, Esq.
 
 165 
 
 1 1 10. PSALMS (American). The/ Whole/ Booke of Psalmes/ Faithfully/ 
 Translated into English/ Metre./ Whereunto is prefixed a dis- 
 course de-/claring not only the lawfullnes, but also/ the necessity 
 of the Heavenly Ordinance/ of singing Scripture Psalmes in/ the 
 Churches of/ God./ Coll. m./ Let the word of God dwell plen- 
 teously in/ you, in all wisdome, teaching and exhort-/ing one 
 another in Psalmes, Himnes, and/ spirituall Songs, singing to the 
 Lord with/ grace in your hearts./ lames v./ If any be afflicted, 
 let him pray, and if/ any be merry let him sing psalmes./ Im- 
 printed/ 1640.1 4to. Lent from the Bodleian Library. 
 
 Eight preliminary leaves (Signatures, *, **, in fours) viz. The title, within a 
 light type-metal border, reverse blank ; "The Preface," 12 pp., and 7 lines 
 on the next, the remainder of the twelfth page and the reverse being blank ; 
 Text, "The Psalmes/ In Metre"/' A to Z, and A a to LI 3, in fours, ending 
 with the fourth line on the reverse of L 1 3. The rest of that page (LI 3 verso) 
 is occupied with "An admonition to the Reader." On the recto of the last 
 leaf, L14, is "Faults escaped in printing," reverse blank. In all there are 144 
 leaves. Signatures * ** A.BCDEFGHIKLMNOPQRSTVWXYZ 
 Aa Bb cc Dd EC rf Gg Hh li Kk Ll, in all 37 sheets, or 148 leaves. 
 
 This first book in the English language printed in America is usually called 
 THE BAY-PsALM-BooK, from Massachusetts Bay. It was translated by 
 John Eliot, Thomas Welde and others, in Boston and Roxbury, and was 
 printed by Stephen Daye at Cambridge in New England. It is very rare even 
 in America, and this fine clean and perfect copy is believed to be the only one 
 known in Europe. Here is a sample : 
 
 O Blessed man, that in th' advice 
 of wicked doeth not walk : 
 
 nor stand in sinners way, nor sit 
 in chayre of scornfull folk. 
 
 2 But in the law of lehovah, 
 
 is his longing delight : 
 and in his law doth meditate, 
 by day and eke by night. 
 
 3 And he shall be like a tree 
 
 planted by water-rivers : 
 that in his season yeilds his fruit, 
 and his leafe never withers. 
 
 4 And all he doth, shall prosper well, 
 
 the wicked are not so : 
 but they are like vnto the chaffe, 
 which winde drives to and fro. 
 
 5 Therefore shall not ungodly men, 
 
 rise to stand in the doome, 
 nor shall the sinners with the just, 
 in their assemblie come. 
 
 6 For of the righteous men, the Lord 
 
 acknowledgeth the way : 
 but the way of vngodly men, 
 shall vtterly decay. 
 
 Psalm I. 
 
 mi. BIBLE (English). London: R. Barker and Assigns of John Bill, 
 
 1 640. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1 1 12. BIBLE (English). London: R. Barker and J. Bill. 1640. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1113. BIBLE (English). London: R. Barker and Assigns of John Bill, 
 1640. 4to. Lent by Henry J. Atkinson, Esq. 
 
 1114. BIBLE (Italian). Deodati's second edition. La Sacra Bibbia. 
 Geneva: Cheve't, 1641. Folio. Lent by Henry J. Atkinson, Esq.
 
 1 66 Canton Celebration* 
 
 1115. NEW Testament (Greek). Paris: Typ. Regis, 1642. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1116. BIBLE ^second Icelandic). With extraordinary woodcuts. Hoolum, 
 1 644. Folio. Lent by Henry White, Esq. 
 
 1117. BIBLE (Polyglot). Biblia Polyglotta. Lutetiae Parisiorum. Exc. 
 Antonius Vitre". 1645. Large Paper. 9 vols. Folio. 
 
 Lent by Earl Spencer. 
 
 The Paris Polyglot, published under the patronage of Guy Michael Le Jay, 
 who rejected Cardinal Richelieu's offer to re-imburse him for the sums spent in 
 the undertaking on condition that the Cardinal's name should be affixed to the 
 Bible instead of that of Le Jay. The first printed edition of the Samaritan 
 appeared in this Polyglot. 
 
 1118. BIBLE (Latin). 1645. 4to. Lent by Henry J. Atkinson, Esq. 
 
 1119. BIBLE (English). London: Robert Barker, 1647. 8vo. 
 
 Lent by the Bodleian Library. 
 With a fine view of London on the title-page. 
 
 1 1 20. NEW TESTAMENT (French). Le Nouveau Testament (with the 
 metrical Psalms). Charenton, 1647. 24mo. 
 
 Lent by the Rev. Dr. Gott. 
 
 1 12 1. BIBLE (French). Geneva : J. and P. Chouet, 1647. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1 122. NEW TESTAMENT (Latin). Cologniae : Gualter, 1647. 321110. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1123. BIBLE (English). Annotations (with text) by Diodati. London : 
 Miles Flescher, 1 648. 4to. Lent by Henry J. Atkinson, Esq. 
 
 1124. BIBLE (Latin). Amsterdam: Jansson, 1648. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1125. BIBLE (Latin). Venetia : Juntas and Baba, 1648. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1126. BIBLE (English). The Holy/ Bible/ Containing the/ Old and 
 New/ Testaments/ Newly Translated/ out of y e Original!/ Tongues, 
 and/ with the former/ Translations dili/gently compared,/ and re- 
 vised/ Londonl Printed/ by/ lohn Field/ Printer to the/ Parlia- 
 ment. 16537 32mo. Lent by Henry Stevens, Esq. 
 
 Title engraved by W. V., reverse blank. Text in double columns, pearl 
 type ; Genesis to Malachi, A 2 to Q q 2 in twelves ; New Testament title is 
 Q q 3 ; Text Q q 4 to D dd 1 1 ; ending with the colophon on the recto. 
 
 Kilburne informs us that 20,000 copies of this Bible were dispersed. It is 
 full of errors of the press, both by omitting words and sentences, and by change 
 of readings. Many of these errors were corrected, as they were discovered, by
 
 ^olp fem'ptureg. 167 
 
 cancelling the leaves. This copy possesses about half of the cancels. This 
 edition may be distinguished from the following by the whole of the first four 
 Psalms being upon the recto of folio A a 8, and by the running titles being in 
 capital letters. A very pretty little pearl Bible, measuring 4^- by 2j inches. 
 Among the typographical errors in some of the copies are such as these : 
 " Know ye not that the unrighteous shall inherit the kingdom of God."- 
 i Cor. vi. 9. "Ye cannot serve and Mammon" (God left out). Matt. vi. 24. 
 
 1127. BIBLE (English). The Holy/ Bible/ Containing y e / Old and New/ 
 Testaments/ Newly Translated/ out of y e Original/ Tongues, and, 
 with the former/ Translations/ diligently com-/pared and/ revised./ 
 London,! Printed by/ lohn Field, Printer to the/ Parliament,/ 
 i653./ 32mo. Lent by Henry Stevens, Esq. 
 
 Title engraved by L. Lucas, with the names of the Books on the reverse. 
 This is probably a Dutch counterfeit of the preceding. The running titles are 
 in lower case letters, and only the first two verses of the first Psalm are on the 
 recto of A a 4. 
 
 1128. BIBLE (English). London: J. Field, 1653. 32mo. 
 
 Lent by Henry J. Atkinson, Esq. 
 The edition with the first four Psalms all on one page. 
 
 1129. BIBLE (English). London: John Field, 1653. 32mo. 
 
 Lent by the Rev. Dr. Gott. 
 
 It is difficult to find two copies to correspond throughout, there were so 
 many cancels. Very many copies of some of the editions were seized and de- 
 stroyed, so the stoiy goes ; but others say only faulty sheets were cancelled and 
 destroyed. 
 
 1130. BIBLE (English). London: Giles Calvert, 1653. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1131. NEW Testament (English). London: Giles Calvert, 1653. 8vo. 
 In same book, Concordance, R. Barker, 1579. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1132. BIBLE (Greek). London: Roger Daniel, 1653. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1133. BIBLE (English). E. T. [Evan Tyler] for a society of Stationers. 
 London, 1655. 8vo. Lent by Henry J. Atkinson, Esq. 
 
 1134. BIBLE (Latin). Londini : E. T. and A. M., 1656. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1135. BIBLE (Polyglot). Biblia Sacra Polyglotta. Edidit Brianus 
 Waltonus. Londini: imprimebat Thomas Roycroft, 1657. 6vols. 
 Large folio. Lent by Earl Spencer. 
 
 One of the 12 copies struck off on large paper. By Cromwell's permission 
 the paper for this work was allowed to be imported free of duty, and honour- 
 able mention is made of him in the Preface. On the Restoration this courtesy
 
 1 68 Caxton Celebration* 
 
 was dishonourably withdrawn, and the usual Bible dedication sycophancy 
 transferred to Charles II at the expense of several cancels ; and in this, the 
 "Loyal" copy, so called in contradistinction to the "Republican," Crom- 
 well is spoken of as " maximus ille Draco." This is said to have been the first 
 work printed by subscription in England. 
 
 1136. BIBLE. Antwerp: Jan van Moerentorf, 1656. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1137. BIBLE (English). The Holy Bible. London : John Field, 1658. 
 With Psalms by Sternhold, Hopkins, and others. London : John 
 Field, 1658. 32mo. Lent by Henry Stevens, Esq. 
 
 The first page of the Psalms in the Bible ends with the second line of the 
 6th verse of chapter iv. With a fine view of London on the title-page. 
 
 1138. BIBLE (English). The Holy/ Bible/ Containing the/ Old Testa- 
 ment/ and the New/ Newly translated/ out of the originall Tongues/ 
 and with the former/ Translations diligently/ compared and re- 
 vised/ by his Majesties specall/ Command./ Appointed to be read 
 in Churches/ London,] Printed by John Field, one of His/ High- 
 ness's Printers, 1658. / 321110. Lent by Henry J. Atkinson, Esq. 
 
 Engraved title (Moses on the left, Aaron on the right, and a view of Lon- 
 don at the bottom), with the order of the books on the reverse ; Text in pearl 
 type, double columns, A 2 to D dd in twelves. 
 
 1139. BIBLE (English). The Holy/ Bible/ Containing the/ Old Testa- 
 ment/ and the New./ Newly translated/ out of the originall 
 tongues/ and with the former/ Translations diligently/ compared 
 and revised/ by his Majesties speciall/ Command./ Appointed to 
 be read in Churches./ London,! Printed by John Field one of His 
 Highness's Printers 1658. 321110. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 What has been written above about Field's pearl Bibles of 1653 applies 
 equally well to these of 1658. They abound in typographical errors, but owing 
 to repeated cancels, some copies are far less faulty than others. They are 
 collected now chiefly for their errors ; the more numerous and gross they are, 
 the higher the price. 
 
 1140. NEW Testament (French). With Psalms, 1666. Charenton : 
 Lucas, 1658. 8vo. Lent by Henry J. Atkinson, Esq. 
 
 1141. NEW Testament (Greek). First edition. Amsterdam: Elzevir, 
 1658. i6mo. Lent by Henry J. Atkinson, Esq. 
 
 1142. PSALMS (Gaelic). The first 50 Psalms and Shorter Catechisme; 
 translated into Gaelic by the Synod of Argyle. Glasgow : Aindra 
 Anderson, 1659. i8mo. Lent by David Laing, Esq. 
 
 1143. BIBLE (English). Cambridge, 1660. Lent by Henry White, Esq.
 
 169 
 
 1144. NEW Testament in Shorthand, by Rich. London, 1660? 32mo. 
 
 Lent by the British and Foreign Bible Society. 
 
 1145. BIBLE (English). London: H. Hills and John Field, 1660. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1146. BIBLE (Spanish). Amsterdam: J.Atkins, 1660. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1147. PSALMS (English). David's Harp strung and tuned. London: 
 Leake, 1662. Folio. Lent by Henry J. Atkinson, Esq. 
 
 1148. BIBLE (English). Good plates. Cambridge: John Field, 1663. 
 4to. Lent by Henry J. Atkinson, Esq. 
 
 1149. NEW Testament (first Syriac). Hamburg, 1663. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1 149*. BIBLE Picture Book (Latin). Theatrum Biblicum. Piscator, 
 1674. Obi. 4to. Lent by Henry J. Atkinson, Esq. 
 
 1150. BIBLE (English). London: Bill and Barker, 1665. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1151. BIBLE (French). Leyde : Philippe de Croy, 1665. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1152. BIBLE (French). J. A. and S. deTournes, 1665. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1153. BIBLE (German, Churfurst version). Wittemberg : Wurtens, 
 
 1665. Folio. Lent by Henry J. Atkinson, Esq. 
 
 1154. NEW Testament (Italian). Haarlem: Albertz, 1665. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1155. NEW Testament (Italian). II Nuovo Testamento (Diodati's). 
 Haerlem, 1665. i6mo. Lent by Henry J. Atkinson, Esq. 
 
 1156. BIBLE (English). Charles I.'s copy. Cambridge: J. Field, 
 
 1666. 4to. Lent by Henry J. Atkinson, Esq. 
 
 1157. NEW Testament (French). Beautiful plates. Paris: Muguet, 
 1666. 8vo. Lent by Henry J. Atkinson, Esq. 
 
 1158. PSALMS (English). A separate edition of the Common Psalm 
 Tunes. Printed at Aberdeen, 1666. Oblong 4to. 
 
 Lent by David Laing, Esq. 
 This probably never had a title-page.
 
 Canton Celebration* 
 
 1159. PSALMS (Greek and Latin). Cambridge: J. Field, 1666. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1160. BIBLE (English). Cambridge : John Field, 1668. 4to. 
 
 Lent by Sir Charles Reed. 
 
 1161. BIBLE (French). La Saincte Bible. Amsterdam: Loiiis et 
 Daniel Elzevier, 1669. Folio. 2 vols. Lent by Earl Spencer. 
 
 A magnificent copy on large paper. 
 
 1162. BIBLE (Latin). Coloniae : Egmond, 1670. 321110. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1163. BIBLE (English). [First title] The Bible. [Second title] Verbum 
 Sempiternum. Aberdene : John Forbes, 1670. 6410. 
 
 Lent by A. Gardyner, Esq. 
 
 A good specimen of the " Thumb Bible," measuring about one inch square 
 and nearly half-an-inch thick ; probably the smallest book in the exhibition. 
 
 1164. NEW Testament (German). Nuremberg: Endters, 1670. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1165. BIBLE (English). London: John Bill and C. Barker, 1671. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1166. NEW Testament (English). J. Bill and R. Barker, 1673. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1167. BIBLE (English). The Holy, etc. Oxford, 1675. 4to. 
 
 Lent by the Bodleian Library. 
 
 The first edition of the Bible printed in Oxford. A very neat and tidy 
 edition, but will not stand criticism. It is full of typographical errors and 
 changes in spelling, punctuation, and the use of italics. 
 
 1 1 68. NEW Testament (English). London: J. Bill and C. Barker, 
 1675. 410. Lent by Henry J. Atkinson, Esq. 
 
 1169. NEW Testament (French). Amsterdam: Widow de Schippers, 
 1677. i6mo. Lent by Henry J. Atkinson, Esq. 
 
 1170. BIBLE (French abridgment). Paris: Conterst, 1678. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1171. BIBLE (English). The Holy, etc. By his Majesty's Command. 
 Oxford, 1679. 4to. Lent by the Bodleian Library. 
 
 The second edition of the Bible printed at Oxford ; a very difficult book to 
 find quite perfect. 
 
 1172. BIBLE (Latin). Colognise : J. Noulaeus, 1679. 32mo. 
 
 Lent by Henry J. Atkinson, Esq.
 
 171 
 
 1173. BIBLE (Latin). Lyon : P. Guillim and Beaujollin, 1680. 410. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1174. BIBLE (Latin). London: Ponder, 1680. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1175. BIBLE Picture Book (Latin). Icones, etc. Genevae : S. de 
 Tournes, 1680. 8vo. Lent by Henry J. Atkinson, Esq. 
 
 1176. BIBLE Picture Book (German). Figuren, etc. Augsburg: Kysel, 
 1680. 410. Lent by Henry J. Atkinson, Esq. 
 
 1177. NEW Testament (French). London: R. Bentley, 1681. 8vo. 
 With Psalms, 1686. Lent by Henry J. Atkinson, Esq. 
 
 1178. BIBLE (English). Oxford, 1682. With Prayer and Psalms. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1179. BIBLE (Latin). Coloniae : Egmond, 1682. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1 1 80. BIBLE (English). Cambridge: John Hayes, 1683. 4to. 
 
 Lent by Henry J. Atkinson, Esq 
 
 1181. NEW Testament (Dutch, French, and English). Amsterdam: 
 S. S. Jacobus's widow, 1684. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1182. BIBLE (German). Ulm : Wagner, 1688. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1183. PSALMS (Gaelic). The Psalms, translated into Gaelic by Robert 
 Kirk. Edinburgh, 1684. i2mo. Lent by David Laing, Esq. 
 
 1184. BIBLE (Latin). Venetia: N. Pezzana, 1688. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1185. NEW Testament (Swedish). Stockholm: Nicolas Waukife, 1688. 
 8vo. Lent by Henry J. Atkinson, Esq. 
 
 1 1 86. NEW Testament (French). Amsterdam: Bleau, 1690. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1187. BIBLE (Irish). W. Bedel's and W. O'DonnelPs Irish Bible, re- 
 vised and printed at London by R. Ebheringtham in 1690. 
 
 Lent by David Laing, Esq. 
 
 A small volume for the use of the Highlanders, by the Rev. Robert Kirk, 
 M.A. at the expense of the Honourable Robert Boyle.
 
 172 Cajton Celebration, 
 
 1188. BIBLE (German). Zurich: Gessner, 1691. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1189. BIBLE Picture Book (English). London : Richard Blome, 1691. 
 8vo. Lent by Henry J. Atkinson, Esq. 
 
 1190. BIBLE (English). London: C. Bill and T. Newcomb, 1693. 
 8vo. Lent by Henry J. Atkinson, Esq. 
 
 1191. NEW Testament in Shorthand, by Abdy. London, 1695. i6mo. 
 
 Lent by 
 
 1192. BIBLE (Latin). Schmidt's version. Swesbourg : Spoor, 1697. 
 4to. Lent by Henry J. Atkinson, Esq. 
 
 1193. NEW Testament (French). Charenton : Collier, 1697. i6mo. 
 
 Lent by Henry J. Atkinson, Esq, 
 
 1194. NEW Testament (French). Amsterdam: John Bleav, 1697. 
 i6mo. Lent by Henry J. Atkinson, Esq. 
 
 1195. BIBLE (English). With Canne's preface and notes. London: 
 C. Bill and T. Newcomb, 1698. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1196. NEW Testament (Greek). Amsterdam: Wetsten, 1698. i6mo. 
 
 Lent by Henry J. Atkinson, Esq. 
 With Hebrew Bible, 1701, &c. 
 
 1197. BIBLE (English). With John Canne's notes. London: Charles 
 Bill and Executrix of Thomas Newcomb, 1700. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1198. GOSPELS (Greek and Latin). Harmonica Evangelica (J. Clarier). 
 Amsterdam: Huguedanorum, 1700. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1199. NEW Testament (English and Dutch). Amsterdam: Widow 
 Swart, 1700. 8vo. Lent by Henry J. Atkinson, Esq. 
 
 1 200. BIBLE (English). Bishop Lloyd's, with additional marginal refer- 
 ences. London : C. Bill and the Executrix of T. Newcomb, 1701. 
 Folio. Lent by the Archbishop of Canterbury. 
 
 1201. BIBLE (German). Nurnberg: Luther, 1702. 410. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1202. BIBLE (Latin). Venetiis : Bertani, 1702. 8vo. 
 
 Lent by Henry J. Atkinson, Esq.
 
 173 
 
 1203. BIBLE (English). London: C. Bill and T. Newcomb, 1703. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1204. BIBLE (English). Oxford : Printers to the University of Oxford, 
 1704. Lent by Henry J. Atkinson, Esq. 
 
 1205. BIBLE (German). Stuttgart: Metzler, 1704. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1206. NEW Testament (English). University Printers, Oxford, 1704. 
 3 2 mo. Lent by Henry J. Atkinson, Esq. 
 
 1207. BIBLE (German). Picture Bible. Augsburg: Kraussen, 1705. 
 Folio. Lent by Henry J. Atkinson, Esq. 
 
 1208. NEW Testament (English). University Press, Oxford, 1705. 410. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1209. BIBLE (English). London: C. Bill and T. Newcomb, 1707. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1 2 10. BIBLE (English). London: C. Bill and T. Newcomb, 1708. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1 21 1. BIBLE (English). The 1611 version with Genevan notes. Lon- 
 don: [Holland printed ?] 1708. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 121 2. BIBLE (Latin). Venetia: N. Pezzana, 1709. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1213. NEW Testament (French). Paris: D. Nully, 1709. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1214. NEW Testament (Greek). Amsterdam : Wetsten, 1711. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1215. BIBLE (Italian). La Sacra Santa Bibbia. Norimbergo : d'Erbergo, 
 1712. Folio. Lent by Henry J. Atkinson, Esq. 
 
 1216. BIBLE (Dutch). Antwerp: Moerentorf, 1713. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1217. BIBLE (English). The Holy Bible. Edinburgh : James Watson, 
 1716. 24mo. Lent by David Laing, Esq. 
 
 1218. NEW Testament (Greek). Lyon : Sacy, 1716. 32mo. 
 
 Lent by Henry J. Atkinson, Esq.
 
 174 Cajtcrn Celebration* 
 
 1219. PSALMS (English). London: Heptinstall, 1716. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1220. BIBLE (English). The 1611 version. Oxford: J. Baskett, 1717. 
 Imperial folio. 2 vols. Lent by Henry J. Atkinson, Esq. 
 
 Nicknamed the " Vinegar Bible," because the headline of Luke, chapter 20 
 reads, " the parable of the Vinegar, " instead of the Vineyard. Of this most 
 sumptuous of all the Oxford Bibles three copies at least were printed on vellum, 
 but as it was soon after its appearance styled "a Baskett-hM. of printer's 
 errors," its beautiful typography could not save it. Indeed it is now mainly 
 sought by collectors for its celebrated faults. 
 
 1 22 1. BIBLE (English). In verse. 3 vols. Illustrated. London : J. 
 Ward (by S. Wesley), 1717. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1222. NEW Testament (Latin). Venice: Pezzana, 1720. 321110. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1223. BIBLE (English). The Holy Bible, &c. By his Majesty's special 
 Command. Appointed to be read in churches. Edinburgh : 
 James Watson, 1722. Folio. 
 
 Lent by the Signet Library, Edinburgh. 
 
 This is a choice copy, on large paper, of perhaps the finest Book ever printed 
 in Scotland. 
 
 1224. BIBLE (English). London: John Baskett, T. Newcomb, and 
 Henry Hills, 1723. Folio. Lent by Henry J. Atkinson, Esq. 
 
 1225. BIBLE (French). Basle: Jan H off, 1724. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1226. NEW Testament (English). London: J. Baskett and H. Hills, 
 1725. 8vo. Lent by Henry J. Atkinson, Esq. 
 
 1227. BIBLE (Latin). Venetia : Pezzana, 1727. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1228. BIBLE (Hebrew). With Italian notes and curious plates. 1730. 
 4to. Lent by Henry J. Atkinson, Esq. 
 
 1229. BIBLE (German). Kupfer Bible. 4 vols. Augsburg: Scheuchzer, 
 1731. Folio. Lent by Henry J. Atkinson, Esq. 
 
 1230. PENTATEUCH (Portuguese). Amsterdam, 1732. 410. 
 
 Ltnt by Henry J. Atkinson, Esq. 
 
 1231. BIBLE (German). 2 vols. Vienna: Lehmann, 1733-34. Folio. 
 
 Lent by Henry J. Atkinson, Esq.
 
 175 
 
 1232. BIBLE Picture Book (French). 2-vols. Paris: Royaumont, 
 1736. 4to. Lent by Henry J. Atkinson, $fsy. 
 
 1233. BIBLE (Latin). Venetios : Zane, 1737. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1234. NEW Testament (English). Fifth edition. Rhemish version. 
 1738. Folio. Lent by Henry J. Atkinson, Esq. 
 
 1235. BIBLE (English). Oxford: J. Baskett, 1739. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1236. BIBLE (French). Cologne, 1739. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1237. BIBLE (German). Sandershausen : Bock, 1740. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1238. BIBLE (Latin). Venetise : Hertz, 1740. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1239. BIBLE (French). 2 vols. in one. Amsterdam: M. C. le Cene. 
 1741. Folio. Lent by Henry J. Atkinson, Esq. 
 
 1240. BIBLE (English). London: Thomas and Robert Baskett, 1744. 
 8vo. Lent by Henry J. Atkinson, Esq. 
 
 1241. BIBLE (Italian). La Sacra Biblia. Lipsiae : Muller (Bonn), 
 1744. 410. Lent by Henry J. Atkinson, Esq. 
 
 1242. BIBLE Picture Book (French). Figures, &c. Paris: Le Be, 
 1646. Folio. Lent by Henry J. Atkinson, Esq. 
 
 1243. CONCORDANCE (English). Nottingham : Ayscough (Pilkington), 
 1749. 4to. Lent by Henry J. Atkinson, Esq. 
 
 1244. BIBLE (Dutch). Utrecht: J. van Poolsum, 1750. 410. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1245. BIBLE (Latin). Ex Castellionis interpretatione. Leipzig: Breit- 
 kopf, 1750. 8vo. Lent by Henry J. Atkinson, Esq. 
 
 1246. PSALMS (English). A New Version of, &c. Translated by John 
 Barnard. Boston: J. Draper, 1.752. 8vo. 
 
 Lent by the Bodleian Library. 
 
 1247. BIBLE (English). London: T. Baskett, 1756. 8vo. 
 
 Lent by Henry J. Atkinson, Esq.
 
 1 76 Canton Celebration* 
 
 1248. BIBLE (Portuguese). Old Testament printed at Trangambar 
 1757, and New Testament, 1765. 
 
 Lent by the British and Foreign Bible Society, 
 
 1249. BIBLE (Sclavonic). 1757. Folio. 
 
 Lent by the British and Foreign Bible Society. 
 
 1250. NEW Testament (Greek). Glasgow : Foulis, 1739. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1251. BIBLE (Latin). 2 vols. in i. Venetia: Remondiniano, 1758. 
 Folio. Lent by Henry J. Atkinson, Esq. 
 
 1252. BIBLE (English). 2 vols. Oxford: Thomas Baskett, 1760. 321110. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1253. BIBLE (English). London: Corbett, 1761. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1254. BIBLE (Latin). 6 vols. Viennae : Trattner, 1761. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1255. NEW Testament (Greek). Oxford: Baskerville [Birmingham], 
 1763. 4to. Lent by Henry J. Atkinson, Esq. 
 
 1256. NEW Testament (Greek). Oxford: Baskerville [Birmingham], 
 1763. 8vo. Lent by Henry J. Atkinson, Esq. 
 
 1257. NEW Testament (Latin). Novum Testamentum. Juxta Exemplar 
 Millianum. Typis Joannis Baskerville. E Typographeo Claren- 
 doniano Sumptibus Academiae Oxonii, 1763. 
 
 Lent by the Oxford University Press. 
 
 1258. BIBLE (Latin). 2 vols. Venetia: N. Pezzana, 1765. Folio. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1259. BIBLE Picture Book (French). Les Peintures Sacre"es, etc. Paris : 
 De Summaville, 1665. Folio. Lent by Henry J. Atkinson, Esq. 
 
 1260. BIBLE (Hebrew). Halle: Simonis, 1767. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1261. BIBLE (English). The 1611 version [edited and revised by Rev. 
 Dr. Blayney] with new marginal references. Oxford : Wright and 
 Gill, 1769. Folio. Lent by Francis Fry, Esq. 
 
 This and the quarto edition, commonly called Dr. Blayney's Revisions, were 
 adopted as standards by the University Press, Oxford, in 1769, and are still the 
 Oxford Standard with some slight modifications.
 
 177 
 
 1262. BIBLE (English). The 1611 version [edited by Dr. Blayney]. 
 Oxford : Wright and Gill, 1769. 410. Lent by Francis fry, Esq. 
 
 1263. DANIEL (Greek and Latin). Romae : Typ. Prop. Fidei, 1772. 
 Folio. Lent by Henry J. Atkinson, Esq. 
 
 1264. BIBLE (English). Bristol: William Pine, 1774. i6mo. 
 
 Lent by Henry J. Atkinson, Esq. 
 With notes at the bottom to be retained or cut off. 
 
 1265. BIBLE (English). London: Pasham, 1776. 32010. 
 
 Lent by Henry J. Atkinson, Esq. 
 With notes at the bottom of the page to be retained or cut off. 
 
 1266. NEW Testament (Greek). 2vols.ini. London: Cornish, 1776. 
 8vo. Lent by Henry J. Atkinson, Esq. 
 
 1267. NEW Testament (Latin). Lond. : C. Bathurst, 1776. 8vo. 
 
 Lent by Hemy J. Atkinson, Esq. 
 
 1268. BIBLE (Dutch). 2 vols. Haarlem : Enschede, 1778. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1269. GENESIS (English). The 5ist chapter of Genesis, "Abraham 
 and the Stranger, or the Parable against Persecution." Written 
 in Scripture style by Dr. Franklin about 1769, while residing in 
 London as agent of some of the Colonies. Privately printed by 
 Franklin, at his private press at Passay, near Paris, about 1780. 
 8vo. Lent by Henry Stevens, Esq. 
 
 This is one of the original single leaves which Franklin used to insert in his 
 Bible at the end of Genesis, and read to his friend when they were discussing 
 toleration and persecution. He first gave a copy of it to Lord Kames in 1769, 
 who had asked Franklin for whatever he had published. Though then pro- 
 bably in manuscript, Lord Kames first printed it in his " Sketches" in 1774, 
 greatly to the annoyance of the Doctor, because it spoilt his little joke. This 
 copy is much worn and is slightly imperfect, but it is believed to be the only 
 genuine copy known, it having long been used by Franklin himself. The 
 authorship of the chapter and Franklin's part in it is fully told by Dr. Jared 
 Sparks in his Life of Franklin. 
 
 1270. BIBLE (English). 2 vols. Edinburgh : A. Kincaid, 1784. i6mo. 
 
 Lent by Henry J. Atkinson, Esq. 
 With Scotch Psalms. 
 
 1271. BIBLE (English). London: Scatcherd, 1790. 321110. 
 
 Lent by Henry J. Atkinson, Esq. 
 The notes at the bottom cut off in the binding. 
 
 272. BIBLE Picture Book (English). London: Richard Blome, 1691. 
 8vo. Lent by Henry J, Atkinson, Esq. 
 
 N
 
 178 Canton Celebration, 
 
 1273. BIBLE (English). A curious Hieroglyphick Bible; or select 
 passages in the Old and New Testaments, represented with 
 emblematical Figures, for the Amusement of Youth: the nth 
 edition. London: T. Hodgson, 1792. i2mo. 
 
 Lent by J. F. Thorpe, Esq. 
 
 1274. BIBLE (English). History of the Bible by way of Question and 
 Answer. By Dr. Isaac Watts. Hull : James and Gray, 1793. 
 8vo ? Lent by Henry J. Atkinson, Esq. 
 
 1275. BIBLE (English). 2 vols. Edinburgh: Mark and Charles Kerr, 
 1795. i6mo. Lent by Henry J. Atkinson, Esq. 
 
 1276. BIBLE (Dutch). Haarlem: Enschede, 1795-6. i6mo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1277. NEW Testament (Greek), 2 vols. London and Halle: Gresbach, 
 1796-1806. 8vo. Lent by Henry J. Atkinson, Esq. 
 
 1278. BIBLE (French). Amsterdam, 1797-6. i6mo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1279. BIBLE (English). Cambridge, 1798. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 With Wilberforce's autograph. 
 
 1280. NEW Testament (English). London: Gillet, 1798. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 See curious table of time for reading each book, &c. 
 
 1281. BIBLE (English). University Press, Oxford, 1801. 8vo. 
 
 Lent by Henry Stevens, Esq. 
 
 Proverbs xxvii. 2, " Let another man praise thee, and to thine own mouth," 
 for not; Zech. vi. I, "There came forth chariots out from between two 
 mountains," for four, and repeated in the 8vo. edition of 1810; Zech. xi. 17, 
 "Woe to the idle shepherd that leaveth the flock," for idol ; John xx. 29, 
 " Blessed are they that they have not seen," they added ; Rom. xvi. 18, "And 
 by good works and fair speeches deceive the hearts of the simple," for words ; 
 Jude 1 6, " These are murderers," for murmurers. 
 
 1282. BIBLE (English). The King's Printers, London, 1802. 4to. 
 
 Lent by Henry Stevens, Esq. 
 I Tim. v. 21. " I discharge thee before God," for I charge thee. 
 
 1283. BIBLE (Welsh). Crerfyeddi : Evans, 1802. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1284. BIBLE (English). Bristol: Farley, 1803. 32mo. 
 
 Lent by Henry J. Atkinson, Esq.
 
 C, IkolP >m'prure2L 179 
 
 1285. BIBLE (English). University Press, Oxford, 1804. 8vo. 
 
 Lent by Henry Stevens, Esq. 
 
 An Oxford Bible, pre-eminently distinguished for its typographical errors, 
 some few of which are the following : Numbers xxxv. 18. "The murderer 
 shall surely be put together" for to death. I Kings viii. 19. " Out of thy lions, " 
 for loins. Gal. v. 17. " For the flesh lusteth after the Spirit," for against. 
 
 1286. BIBLE (English). University Press, Cambridge, 1805. lamo. 
 
 Lent by Henry Stevens, Esq. 
 
 This is the famous "to remain Bible." The reader is said to "have had a 
 doubt about a comma, and on sending to the proper authority to inquire, the 
 answer came back that the comma was to remain. On this message being 
 sent up, the foreman, finding the two words written in pencil in the margin, 
 took out the comma and put in the words, to remain, which fortunately 
 happened neither to make sense or nonsense. The passage was in Gal. iv. 29. 
 " Persecuted him that was born after the Spirit to remain even so it is now," for. 
 "Spirit, even so it is now." This same error appeared in an 8vo edition, 1805-6, 
 printed for the Bible Society, as well as in another I2mo edition of 1819. 
 
 1287. BIBLE (English). King's Printers, London, 1806. 4to. 
 
 Lent by Henry Stevens, Esq. 
 
 Ezekiel xlvii. 10. "The,Jis/ies shall stand upon it" [the river] for fishers. 
 Repeated in the 410 edition of 1813 and the 8vo of 1823. 
 
 1288. BIBLE (English). University Press, Oxford, 1807. 8vo. 
 
 Lent by Henry Stevens, Esq. 
 Matthew xiii. 43. " Who hath ears to ear," for hear. Hebrews ix. 14. "How 
 
 much more shall the blood of Christ purge your conscience from good 
 
 works to serve the living God ? " for dead works. 
 
 1289. BIBLE (English). University Press, Oxford, 1810. 8vo. 
 
 Lent by Henry Stevens, Esq. 
 
 Luke xiv. 26. "If any man come to me, and hate not his father 
 
 yea, and his own wife also, he cannot be my disciple," for life. 
 
 1290. NEW Testament (English). Wycliffe's version by Baber. London: 
 Edwards, 1 8 10. 4to. Lent by Henry J. Atkinson, Esq. 
 
 1291. BIBLE Picture Book (English). Designs by Thurston and Craig. 
 Engraved by Bewick. London, 1810. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1292. NEW Testament (English). London: R. Edwards, 1811. 32mo. 
 
 Lent by Henry J. Atkinson. Esq. 
 
 1293. NEW Testament (Italian). T. Rutt, 1813. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1294. NEW Testament (Greek). London; Bagster, 1813. 32mo. 
 
 Lent by Henry J. Atkinson, Esq.
 
 i8o Carton Celebration* 
 
 1295. BIBLE (English). Edinburgh: Blair and Bruce, 1811. 32010. 
 
 Lent by Henry J. Atkinson, Esq. 
 Said to be the smallest Bible ever printed in Scotland. 
 
 1296. BIBLE (English). King's Printers, London, 1817. 8vo. 
 
 Lent by Henry Stevens, Esq. 
 John xvii. 25, "Righteous Father, the world hath known thee," not omitted. 
 
 1297. BIBLE (English). University Press, Cambridge, 1819. 12 mo. 
 
 Lent by Henry Stevens, Esq. 
 
 Malachi iv. 2, "Shall the Son of righteousness arise with healing in his 
 wings ; and shall go forth, and grow up as calves of the stall," for Sun, and ye 
 shall go forth. 
 
 1298. BIBLE (English). University Press, Oxford, 1820. i2mo. 
 
 Isaiah Ixvi. 9, " Shall I bring to the birth, and not cease to bring forth," for 
 cause. 
 
 1299. BIBLE (English). London: Portensian Bible Society, 1820. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1300. BIBLE (English). King's Printers, London, 1822. 241110. 
 
 Curious for its typographical errors. Psalm xviii. 50. "And sheweth 
 mercy to his appointed" for anointed. 
 
 1301. BIBLE (English). The King's Printers, London, 1823. 8vo. 
 
 Lent by Henry Stevens, Esq. 
 Genesis xxiv. 61. "And Rebekah arose, and her camels," for damsels. 
 
 1302. BIBLE (Italian). Bibbia Sacra. Rome, 1823. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1303. BIBLE (English). University Press, Cambridge, 1826. 24010. 
 
 Lent by Henry Stevens, Esq. 
 
 Psalm xlii. i. "As the heart panteth after the water-brooks," for hart. 
 This error repeated in the 2410 and I2mo editions of 1830. 
 
 1304. NEW Testament (Welsh and English). Dolgelley : Jones, 1827. 
 i6mo. Lent by Henry J. Atkinson, Esq. 
 
 1305. NEW Testament (Greek). London: Pickering, 1828. 32010. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1306. BIBLE Picture Book (French). Amsterdam: Jan Luiken, 1729. 
 Folio. Lent by Henry J. Atkinson, Esq. 
 
 1307. BIBLE (Italian). Bibbia Sacra (Child's Bible). Naples: Widow 
 Salvati, 1830. 8vo. Lent by Henry J. Atkinson, Esq.
 
 C ^olp >cripture0* 181 
 
 1308. BIBLE (Irish). (Bedel.) Dublin : Godwin, 1830. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1309. NEW Testament (Welsh and English). Rhydihain, 1831. Svo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1310. BIBLE (English). The Holy Bible, an exact reprint, page for page, 
 of the authorized version published in the year 1611. Printed at 
 the University Press by Samuel Collingwood and Co., printers to 
 the University. Oxford, 1833. 4to. 
 
 Lent by the University Press, Oxford. 
 
 1311. BIBLE (English). Another copy in Oxford case. Oxford: Uni- 
 versity Press, 1833. 4to. Lent by Henry J. Atkinson, Esq. 
 
 1312. BIBLE (Dutch). Biblia. dat is, de Gantsche H. Schrifture en 
 Apocryphe Boecken. By der Nedrl : Bybel Compagnie, Am- 
 
 * sterdam. Haarlem, 1843. Folio. 
 
 Lent from the Giiildhall Library. 
 
 This beautiful stereotyped folio edition in the old Dutch black letter and 
 orthography, with engravings, is the work of Messrs. Enschede en Zonen, of 
 Haarlem. 
 
 1313. BIBLE (Hebrew). Leipzig: Tauchnitz, Van der Hooght, and 
 Hahn, 1833. Svo. Lent by Henry J. Atkinson, Esq. 
 
 1314. BIBLE (English). The King's Bible, printed for presentation to 
 King William the Fourth. Cambridge : University Press, 1837. 
 4to. Lent by the University Press, Cambridge. 
 
 1315. BIBLE (Hebrew). Leipzig: Tauchnitz, Van der Hooght, and 
 Hahn, 1838. Svo. Lent by Henry J. Atkinson, Esq. 
 
 1316. BIBLE (English). Douay version. Belfast: Simms, 1839. Svo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1317. NEW Testament (English). Reprint of the Geneva New Testa- 
 ment of 1557. Large paper. Samuel Bagster, 1842? 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1318. BIBLE (English). Douay and Rhemes version. Dublin: Coyne, 
 1846. Svo. Lent by Henry J. Atkinson, Esq. 
 
 1319. NEW Testament (English). Wycliffe's version. London: Chis- 
 wick Press for W. Pickering, 1848. 410. 
 
 Lent by Henry J. Atkinson, Esq.
 
 182 Citrton Celebration* 
 
 1320. GOSPELS (English). The four Gospels, published under the 
 superintendence of C. Heath. London, 1849. 4to. 
 
 Lent by Arthur George Hockley, Esq. 
 
 This copy is printed on India paper, and mounted on the leaf to preserve 
 the level. Tissue paper is pasted round the India paper. Each page is sur- 
 rounded by a border illustration of the contents of the page. The borders and 
 engravings were designed by French artists. The engravings were made 
 ready and worked by the late Mr. Henry Hockley, of Hammersmith, at the 
 printing office of Mr. Strangeways, Castle Street, Leicester Square. This 
 copy is unique, being the only one worked on India paper. 
 
 1321. BIBLE (English). Wycliffe's version. The Holy Bible, containing 
 the Old and New Testaments, with the Apocryphal Books, in the 
 earliest English versions made from the Latin Vulgate by John 
 Wycliffe and his followers ; edited by the Rev. Josiah Forshall, 
 F.R.S., etc., late Fellow of Exeter College, and Sir Frederic 
 Madden, K.H., F.R.S., etc., Keeper of the MSS. in the British 
 Museum. Oxford : At the University Press, 1850. In 4 vols. 
 Royal 4to. Lent by the University Press, Oxford. 
 
 1322. BIBLE (English). London: Rigby [by Finch, Liverpool], 1855. 
 8vo. Lent by Henry J. Atkinson, Esq. 
 
 Of the Reformation Reformed. 
 
 1323. NEW Testament (Latin). Novum Testamentum. Accedunt 
 Parallela S. Scripturse Loca necnon Vetus Capitulorum notatio 
 et Canones Eusebii. E Typographeo Clarendoniano. Oxonii, 
 
 1 863. Lent by the Oxford University Press. 
 
 1324. NEW Testament (German). Leipzig: Brockhaus, 1864. 4to. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 1325. NEW Testament (English), with Engravings on Wood from 
 designs of Fra Angelo, Pietro Perugino, Francesco Francia, 
 Lorenzo di Credi, Fra Bartolomineo, Titian, Raphael, Gaudenzio 
 Ferrari, Daniel di Volterra, and others. London : Longmans, 
 
 1 864. Large paper. 4to. Lent by Thomas Longman, Esq. 
 Only 250 copies of this most exquisite specimen of English printing and high 
 
 art were taken off for this original impression, all on large paper. The work 
 was partly set up at the Chiswick Press, and wholly printed by Messrs. Clay. 
 The artists concerned are all named in the work, while Henry Shaw, F.S.A., 
 had the general supervision. On the wall adjacent Mr. Longman also exhibits 
 a large frame containing choice proofs of the title and eight of the finest pages 
 illustrated after the old masters. 
 
 1326. BIBLE. A description of the Great Bible, 1539. . . . also of the 
 Editions, in large folio, of the Authorized Version of the Holy 
 Scriptures. Printed in the years 1611, 1613, 1617, 1634, 1640. 
 By Francis Fry, F.S.A. London, 1865. Folio. 
 
 Lent by Francis Fry, Esq.
 
 C, lolp >cripture& 183 
 
 1327. NEW Testament (Hungarian). Pesth : Reicharal, 1866. 321110. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 Bibles (English} exhibited in separate glass case on the stairway, by the 
 University Press, Cambridge. Printed 1877. 
 
 1328. CAMBRIDGE Bible. Imperial 4to. 
 
 Great Primer type, marked in sections wherever any lesson begins and ends. 
 
 1329. CAMBRIDGE Bible. Imperial 410. 
 
 Great Primer type, printed in red and black. 
 
 1330. THE Lectionary Bible. With Apocrypha. Crown 8vo. 
 
 Nonpareil type. Marked in sections wherever any Lesson begins and ends. 
 
 1331. BIBLE. i6mo. 
 
 Nonpareil type, with marginal references. 
 
 1332. BIBLE. Crown 8vo. 
 
 Minion type, with marginal references. 
 
 1333. BIBLE. Fcap. 8vo. 
 
 Pearl type, with marginal references. 
 
 1334. CAMBRIDGE Paragraph Bible. Crown 410. 
 
 Printed in paragraphs, the text revised, references remodelled, with notes, 
 arid introduction by the Rev. F. H. Scrivener, M.A., LL.D. 
 
 1335. THE Student's Edition of the above. Crown 4to. 2 vols. 
 
 Printed on good writing-paper, with wide margins for MS. notes. 
 
 1336. CAMBRIDGE Prayer Book. Imperial 4to. 
 
 Double Pica type, with the rubrics printed in red. 
 
 1337. PRAYER-BOOK. Crown 8vo. 
 
 Bourgeois type, with rubrics, &c., in red. 
 
 1338. PRAYER-BOOK. Royal 241110. 
 
 Long Primer type, with rubrics, &c., in red. 
 
 1339. PRAYER-BOOK. Imperial 321110. 
 
 Bourgeois type, with rubrics, &c., in red. 
 
 1340. THE Complete Book of Church Services. Crown 8vo. 
 
 Brevier type. Containing the Prayer-Book, Proper Psalms, and Lessons 
 for Sundays and Holy Days, and the Daily Lessons of the Calendar, printed 
 in full. 
 
 1341. THE Book of Daily Lessons. Crown 8 vo. 
 
 Brevier type. Containing the Daily Lessons of the Calendar printed in full.
 
 184 Canton Celebration* 
 
 1342. OFFICES of the Church. 8vo. 
 
 With rubrics, &c., in red. 
 
 Oxford University Press Bibles and Prayer Books. 
 
 1343. OXFORD Reference Bible. Royal 4to. 1877. 
 
 This is the Standard Edition from which all the smaller Bibles are verified. 
 
 1344. OXFORD Reference Bible. Medium 4to. 1875. 
 
 1345. OXFORD Reference Bible. Post 4to. 1877. 
 
 1346. OXFORD Reference Bible. Royal 8vo. 1876. 
 
 1347. OXFORD Reference Bible. Demy 8vo. 1876. 
 
 1348. OXFORD Reference Bible. Crown 8vo. 1877. 
 
 1349. OXFORD Reference Bible, with border lines and headings in red. 
 8vo. 
 
 1350. OXFORD Reference Bible, printed from old stereo plates. 1876. 
 
 The only Oxford stereo edition. 
 
 1351. OXFORD Reference Bible. i6mo. 1877. 
 
 1352. OXFORD Reference Bible. Fcap. 8vo. 1877. 
 
 1353. OXFORD Reference Bible. i6mo. 1876. 
 
 1354. OXFORD Reference Bible. i6mo. 1875. 
 
 1355. OXFORD Bible. Folio. 1867. 
 
 1356. OXFORD Bible. Royal 4to. 1873. 
 
 1357. OXFORD Bible. Medium 4to. 1872. 
 
 1358. OXFORD Bible. Royal 8vo. 1876. 
 
 1359. OXFORD Bible. 8vo. 1875. 
 
 1360. OXFORD Bible. 8vo. 1877. 
 
 1361. OXFORD Bible. i6mo. 1877. 
 
 1362. OXFORD Bible. 8vo. 1859. 
 I 363- OXFORD Bible. Paragraph. 1859. 
 
 1364. OXFORD Bible. i6mo. Square. 1865. 
 
 1365. OXFORD Bible. i6mo. 1877.
 
 C, 3 
 
 185 
 
 1366. OXFORD Bible. 241110., with border lines. 1876. 
 
 1367. OXFORD Bible. 241110. 1876. 
 
 1368. OXFORD Bible. 241110. 1877. 
 ' 1369. OXFORD Bible. i6mo. 1866. 
 
 1370. OXFORD Bible. 241110. With border lines. 1877. 
 
 1371. OXFORD Bible. 24010. 1876. 
 
 1372. OXFORD Bible. 241110. Thin. 1877. 
 
 1373. OXFORD Bible. 48010. Printed by hand at the University 
 Press, 1849. 
 
 1374. OXFORD New Testament. 8vo. 1872. 
 
 1375. OXFORD New Testament. 8vo. 1876. 
 
 1376. OXFORD New Testament. i6mo. Square. 1877. 
 
 1377. OXFORD New Testament. 24010., with the marginal readings of 
 1611. 1829. 
 
 1378. OXFORD New Testament. 24010., in 12 parts. 1876. 
 
 1379. OXFORD New Testament. 32010., in 12 parts. 1876. 
 
 1380. OXFORD New Testament. 32010. 1876. 
 
 1381. OXFORD New Testament. 32010. 1876. 
 
 1382. OXFORD New Testament. 32010. 1876. 
 
 1383. OXFORD New Testameot. 48010. 1874. 
 1383-aOxFORD Prayer Book. Red rubrics. Royal folio. 1865. 
 1383^. OXFORD Prayer Book. Red rubrics. Demy folio. 1861. 
 1383^. OXFORD Prayer Book. Red rubrics. Royal 410. 1875. 
 
 1 383^. OXFORD Prayer Book. Red rubrics. Demy 410. 1875. 
 13831?. OXFORD Prayer Book. Red rubrics. Royal 8vo. 1874. 
 ^ OXFORD Prayer Book. Red rubrics. Demy 8vo. 1876. 
 
 ORD Prayer Book. Red rubrics. 8vo. 1876. 
 1 383^. OXFORD Baskerville Prayer Book. 1864.
 
 1 86 Canton Celebration* 
 
 1 383*. OXFORD Victoria Prayer Book. Red rubrics. 1876. 
 1 383;'. OXFORD Prayer Book. Red rubrics. 241110. 1876. 
 i383/.OxFORD Prayer Book. Red rubrics. 321110. 1877. 
 /. OXFORD Prayer Book. Red rubrics. 321110. 1876. 
 Prayer Book. Red rubrics. 481110. 1877. 
 Communion Service. Royal 4to. 1876. 
 1 3830. OXFORD Communion Service. Red rubrics. Royal 8vo. 1876. 
 I383/.OXFORD Prayer Book. Not rubricated. Folio. 
 1 383^. OXFORD Prayer Book. Not rubricated. 4to. 
 1383^ OXFORD Prayer Book. 8vo. 
 1 383.$-. OXFORD Prayer Book. 8vo. 
 1383^. OXFORD Prayer Book. Small 410. 
 
 1384. OXFORD Prayer Book. i6mo. 
 
 1385. OXFORD Prayer Book. 241110. 
 
 1386. OXFORD Prayer Book. 241110. 
 
 1387. OXFORD Prayer Book. 24100. 
 
 1388. OXFORD Prayer Book. 321110. 
 
 1389. OXFORD Prayer Book. 321110. 
 
 1390. OXFORD Prayer Book. 321110. Square. 
 
 1391. OXFORD Prayer Book. Royal 32mo. 
 
 1392. OXFORD Prayer Book. 32010. 
 
 1393. OXFORD Prayer Book. 48010. 
 
 1394. OXFORD Prayer Book. 48010. Thio. 
 
 1395. OXFORD Prayer Book. The smallest Prayer Book io the World. 
 
 1396. OXFORD Communion Services. Not rubricated. Royal 410. 
 J 397- OXFORD Commuoion Services. Demy 4to. 
 
 1398. OXFORD Commuoion Services. Imperial 8vo.
 
 187 
 
 1399. THE Book of Offices and Ordination Services. Crown 8vo. 
 
 1400. OXFORD Bible. Welsh folio. 
 
 1401. OXFORD Prayer. Welsh folio. 
 
 1402. OXFORD Altar Service. Welsh 8vo. 
 
 Bibles, &c., lent by Messrs. Bagster and Sons, exhibited in 
 glass case on staircase. 
 
 1403. BIBLIA Sacra Polyglotta. 
 
 1404. THE Comprehensive Bible. 
 
 1405. THE Bible of every Land. 
 
 1406. BIBLIA Ecclesiae Polyglotta. 
 
 1407. THE Hexaplar Psalter. 
 
 1408. THE English Hexapla. 
 
 1409. BIBLE (English). Coverdale's. 
 
 1410. NEW Testament. Tyndale's. Published in 1526. 
 
 1411. THE Commentary wholly Biblical. 
 
 1412. THE Codex Zacynthius. 
 
 1413. BIBLE (Hebrew and English). 
 
 1414. THE Septuagint, with an English Translation. 
 
 1415. THE Vulgate New Testament. Compared with the Douay ver- 
 sion of 1582. 
 
 1416. NEW Testament (Greek and English). 
 
 1417. NEW Testament (Syriac), with a Literal English Translation. 
 
 1418. COMMON Prayer, The Octaglot Book of. 
 
 Lent by Messrs. Eyre 6 Spottiswoode. 
 
 1419. CRANMER'S Bible, printed by Whitchurch. 1541. Folio. 
 
 This book is considered a very fine specimen, not having been washed or 
 cleaned. 
 
 1420. BIBLE, printed by Barker, King's printer, with Calendar in red 
 and black, illustrated Genealogy. 1611. Folio.
 
 1 88 Canon Celebration* 
 
 1421. BIBLE, printed by Barker, King's printer. 1613. Folio. 
 
 1422. PRAYER Book, Bible, and two Concordances by R. F. H., in one 
 vol. Printed by Barker, King's printer. 1614. 4to. 
 
 1423. BIBLE, with Calendar in red and black. 1617. Folio. 
 
 1424. BIBLE, printed by Bonham Norton and John Bill, King's printers. 
 1625. 
 
 1425. FIELD'S Bible. 
 
 1426. HOLY Bible, with "Annotations on the hard places." The first 
 Bible with annotations. 1683. 
 
 1427. COMMON Prayer, printed from engraved silver plates by permission 
 of Mr. John Baskett. With curious illustrations. 1717. 
 
 1428. HOLY Bible, printed by Baskett, King's printer. 1753. 
 
 1429. BIBLE, printed by Charles Eyre and William Strahan, successors as 
 King's printers to Baskett, and founders of the present firm of Eyre 
 and Spottiswoode. 1772. 
 
 1430. MINIATURE Prayer Book, printed by C Eyre and W. Strahan, 
 1774- 
 
 1431. MINIATURE Bible, on India paper. (See the thin Bible of 1875.) 
 1816. 
 
 1432. THE whole volume of Statutes at large, which at anie time heere- 
 tofore haue beene extant in print, since Magna Charta, Vntill the 
 xxix yeere of the reigne of our most gratious souereigne ladie 
 Elisabeth xxx. &c. &c. London Christopher Barker Printer to 
 the Queene's most excellent Maiestie 1587. 
 
 1433. PRINTED Statutes of Elisabeth. 1589-1593. 
 
 1434. THE Lectern Bible, with the Lessons marked with red lines at the 
 side of the text. 
 
 1435. THE Bible, with various Renderings and Readings by the best 
 Scholars. 
 
 1436. THE Student's Bible. Printed in red and black, on writing paper, 
 with wide margin for notes. 
 
 1437. THE Sunday School Teacher's Bible (with Appendix for Teachers). 
 Small 8vo.
 
 189 
 
 1438. THE Sunday School Teacher's Bible (with Appendix for Teachers). 
 Fcap. 8vo. 
 
 1439. THE Sunday School Teacher's Bible (with Appendix for Teachers). 
 Pearl i6mo. 
 
 1440. THE Sunday School Teacher's Bible (with Appendix for Teachers). 
 Pearl 241110. 
 
 1441. THE School Bible, with the proper names divided and accented 
 for pronunciation. 
 
 1442. THE Smallest Complete Bible, on India paper, date 1816. 
 
 1443. THE Smallest Complete Bible. (The miniature edition), 1875. 
 
 1444. THE Pica 410. Reference Bible (fine paper). 
 
 1445. THE 4to. Bible in Welsh. 
 
 1446. ROYAL 4to. Prayer Book (fine paper). 
 
 1447. THE Imperial 8vo. Altar Service (red rubricks). 
 
 1448. THE Smallest Prayer Book. 
 
 1449. THE Diamond 48mo. Prayer Book (red rubricks). 
 
 1450. THE Bourgeois 3 2 mo. American Prayer Book. 
 
 1 450*. BIBLE (English). [In Memoriam Gul. Caxton.] The Holy 
 Bible, containing the Old and New Testaments : Translated out 
 of the Original Tongues : and with the former Translations dili- 
 gently compared and revised, by His Majesty's special Command. 
 Appointed to be read in Churches. Oxford : Printed at the Uni- 
 versity Press ; London : Henry Frowde, Oxford University Press 
 Warehouse, 7, Paternoster Row ; New York : 42, Bleecker Street. 
 June 30, 1877. Cum Privilegio. Minion 161110. 
 
 Lent by Henry Stevens, Esq. 
 
 Facing the title is " Wholly printed and bound in twelve hours, on the 3Oth 
 day of June, 1877, for the Caxton Celebration." Only 100 copies were printed. 
 
 END OF BIBLES.
 
 190 Canon Celebration* 
 
 SECTION II. 
 LITURGIES. 
 
 1450^. 
 
 ITURGIES. Officia Ambrosii. Milan : Valdarfer, ' 1474. 
 4to. Lent by Earl Spencer. 
 
 First book printed by Valdarfer at Milan. Exhibited in Class B. 
 
 1450^. LITURGIES. Missale Romanum. Rome: Ulric Han, 1475. 
 Folio. Lent by Earl Spencer. 
 
 This is the second edition, the first having been printed by Zarotus at 
 Milan in 1474. This copy is printed on vellum. 
 
 1 45 or. LITURGIES. Officium B. Virginis. Naples: Moravus, 1478. 
 Small 8vo. Lent by Earl Spencer. 
 
 Printed on vellum. 
 
 1 45 od. LITURGIES. Breviarium secdm usum Sarum. Impensis Margaretae 
 comitissae Richmondias R. Pynson ad signum sancti Georgii. 
 4to. Lent by Earl Spencer. 
 
 1 45 oe. LITURGIES. Missale Fratrum Predicatorum. Venice: Andreas 
 Torresanus de Asula, 1496. Folio. Lent by Earl Spencer. 
 
 Printed on vellum. Exhibited in Class B. 
 
 1450/1 LITURGIES. Horae Beatae Virginis sec. Consuetudinem Rom. 
 Cur. Gr., 1497. Aldus. i6mo. Lent by Earl Spencer. 
 
 Exhibited in Class B. 
 
 1 45 S- LITURGIES. Missale Mozarabes. Toledo : Peter Hagembach, 
 1500. Folio. Lent by Earl Spencer. 
 
 This Missal, together with the Mozarabic Breviary of 1502, was compiled by 
 Cardinal Ximenes for the use of the Goths residing in Spain, who were known 
 by the name of " Mistarabes " or " Mozarabes " from the fact of some of their 
 ancestors having remained in that country on its conquest by the Moorish 
 Arabs. 
 
 1 450^. LITURGIES. Missale secdm usum Sarum. Richard Pynson. In- 
 ceptum et perfectum mandato et impensis .... Johis Morton 
 Presby. Cardinalis Cantuarien. Archiep. Jan. 1500. Folio. 
 
 Lent by Earl Spencer. 
 Printed on vellum. 
 
 1450*. LITURGIES. Missale Romanum. Venetiis, 1501. Svo. 
 
 Lent by Henry White, Esq.
 
 i45o/ LITURGIES. Breviarium Mozarabes secundum regulam Hysidori. 
 Toledo, 1502. Folio. Lent by Earl Spencer. 
 
 St. Isidore compiled the "Missale Gothicum" which was ordained by the 
 Council of Toledo, to be used in all churches in Spain in the seventh century. 
 Alphonso VI. after expelling the Moorish Arabs from Toledo in the eleventh 
 century endeavoured to substitute for it the Roman Missal. Exhibited in 
 Class B. 
 
 1450^. LITURGIES. Missale Vallisumbrose. Venice: Lucas Antonius de 
 Giunta, 1503. Folio. Lent by Earl Spencer. 
 
 Printed on vellum. Exhibited in Class B. 
 
 1 45o/. LITURGIES. Sarum Breviary (a unique fragment). Printed by 
 Thielman Kerver at Paris, forWynken de Worde. London, 1506. 
 Folio. Lent by John Eliot Hodgkin, Esq. 
 
 i45<D/. LITURGIES. Missale Carthusiensium. Venetiis, 1509. 
 
 Lent by Henry IVhite, Esq. 
 
 1450;*. LITURGIES. Missale Romanum. Paris, 1516. 
 
 Lent by Henry White, Esq. 
 
 1 45o<7. LITURGIES. The Book of Common Prayer. R. Grafton, Lon- 
 don. Mense Martij, 1549. Folio. 
 
 Lent by W. Amhurst Tyssen- Amhurst, Esq. 
 The first edition of the Book of Common Prayer. 
 
 i45o/.LiTURGiES. The Book of Common Prayer. E. Whitchurche, 
 London, Mense Junij, 1549. Folio. 
 
 Lent by W. Amhurst Tyssen-Amhurst, Esq. 
 
 1 450^. LITURGIES. Book of Common Prayer. Londini : E. Whitchurch, 
 1549. Folio. Lent by Birket Foster, Esq. 
 
 1 450^. LITURGIES. Missale Romanum. Venetiis, 1563. 
 
 Lent by Henry White, Esq. 
 
 1450^. LITURGIES. Bishop Carsewell's Liturgy. In Highland Gaelic. 
 Edinburgh, 1567. 12 mo. 
 
 Lent by the University Library, Edinburgh. 
 The first book printed in the Gaelic language. Exhibited in Class A. 
 
 1 450^. LITURGIES. Common Prayer. London: John Cawood, 1567. 
 4to. Lent by Henry J. Atkinson, Esq. 
 
 1 450^. LITURGIES. Common Prayer. London : John Day and Chris- 
 topher Barker, 1580. 410. Lent by Henry J. Atkinson, Esq. 
 
 1450?;. LITURGIES. Common Prayer. London, 1623. Folio. 
 
 Lent by James J. Parsloe, Esq.
 
 192 Canton Celebration* 
 
 1 4$ow. LITURGIES. The Book of Common Prayer, and Administration 
 of the Sacraments : and other Rites and Ceremonies of the 
 Church of England ; with the Psalter or Psalmes of David. Edin- 
 burgh : Printed by the Printers to the Kings most excellent Majestie. 
 Anno Dom. 1633. 8vo. Lent by D. Laing, Esq. 
 
 1 45 ox. LITURGIES. Common Prayer. Edinburgh, 1634. 8vo. 
 
 Lent by D. Laing, Esq. 
 
 Along with the Prayer Book is bound an edition of the Greek New Testa- 
 ment, printed at London for Richard Whittaker, 1633. Also an edition of 
 Sternhold and Hopkins' Psalms. London, 1634. 8vo. 
 
 14507. LITURGIES. The Booke of Common Prayer, and administration 
 of the Sacraments, and other parts of devine Service for the 
 Church of Scotland. Edinburgh : Printed by Robert Young, 
 Printer to the King's most excellent Majestie. 1637. Folio. 
 
 Lent by D. Laing, Esq. 
 
 This is the book known as "Laud's Liturgy." It was during the reading 
 of this service-book in the cathedral at Edinburgh, 23rd July, 1637, that Jenny 
 Gecldes threw her " fauld-stool " at the Dean of Edinburgh, who was officiating. 
 This caused a considerable tumult, followed by others, which finally led to the 
 renewal of the "Covenant," the invasion of England under Leslie, the Great 
 Civil War, and the destruction of the Episcopal Church in Scotland. 
 
 1450^. LITURGIES. Common Prayer. London : J. Bill, C. Barker, and 
 T. Newcomb, 1678. 8vo. Lent by Henry J. Atkinson, Esq. 
 
 1450/3. LITURGIES. Common Prayer, with the Psalms in Metre, translated 
 by King James the VI. Edinburgh : Printed by James Watson, 
 1712. 8vo. Lent by D. Laing, Esq. 
 
 1450^. LITURGIES. Common Prayer. London: John Baskett, T. New- 
 comb, and Henry Hills, 1718. 8vo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 14505-. LITURGIES (German). Regenspurg, 1753. 8vo. 
 
 Lent by Henry-J. Atkinson, Esq. 
 
 14506. LITURGIES (Swedish). Stockholm, 1772. i6mo. 
 
 Lent by Henry J. Atkinson, Esq. 
 
 14501. LITURGIES. Common Prayer. London: John Reeves, 1801. 
 8vo. Lent by Henry J. Atkinson, Esq. 
 
 14509. LITURGIES. Common Prayer. New York : Stanford and Lunds, 
 1 846. 8vo. Lent by Henry J. Atkinson, Esq.
 
 CLASS D. 
 
 SPECIMENS NOTICEABLE FOR RARITY OR FOR 
 
 BEAUTY AND EXCELLENCE OF 
 
 TYPOGRAPHY. 
 
 HE following list does not include all the specimens sent 
 to the Exhibition which are remarkable for rarity or beauty 
 of execution. Many of them have been placed in Classes 
 A, B, C, so that the history of the development of the 
 typographical art might be fully illustrated. 
 
 In Section I. will be found unique or rare books chrono- 
 logically arranged, and in Section II. specimens noticeable for beauty and 
 excellence of typography, likewise chronologically arranged. To many 
 of these works brief descriptive notes have been appended. Examples 
 of modern foreign typography are exhibited in one case, and the 
 reprints of rare books in another, so that better attention can be given 
 to these two classes of books. The general arrangement of the works 
 exhibited is, as far as possible, chronological, to follow the order of the 
 Catalogue. 
 
 SECTION I. 
 
 UNIQUE OR RARE BOOKS NOT FALLING IN 
 CLASSES A, B, or C. 
 
 Arranged chronologically to illustrate the Progress of Printing. 
 Fifteenth Century. 
 
 ALDIS, Hermannus de. Speculum pclarum iporum sacerdotum. 
 . . . editum maguntieque impesum. Mentz. 4to. circ. 1460. 
 
 Lent by Rev. J. Fuller Russell. 
 
 No other copy known, that formerly in the Mentz library being lost ; proba- 
 bly printed by Gutenberg.
 
 194 Cajton Celeb ration, 
 
 1452. SIFFRIDUS. Determinacones duarum questionum Siffridi quondam 
 Cyren episcopi ad Archipresulem metropolis Maguntine. Circ. 
 1460. 4to. Lent by Rev. J. Fuller Russell. 
 
 Of this edition no other copy has been discovered ; it is printed in the type of 
 the Hermannus de Saldis, also lent by Mr. Russell. 
 
 1453. AQUINAS seu de Aquino, Thomas. Summa de articulis fidei et 
 ecclesie sacramentis. s. 1. et a. 4to. 
 
 Lent by Rev. J. Fuller Russell. 
 Executed in same type as the Catholicon, 1460. 
 
 1454. CATHOLICON, seu grammatica et Lexicon Jo. de Janua. Folio. 
 Mentz, 1460. Lent by Earl Spencer. 
 
 Supposed to have been printed by Gutenberg. Vol. 2 will be found under 
 Class B. 
 
 1455. HISTORIES of Joseph, Daniel, Judith, and Esther. German. 
 Albert Pfister. Bamberg, 1462. Folio. With coloured woodcuts. 
 
 Lent by Earl Spencer. 
 
 The same type as that of the Pfister Bible. Exceedingly rare. No other 
 dated specimen from this press occurs until 1481. 
 
 1456. CICERO. De officiis et paradoxa. Mentz : Fust and Schoeffer, 
 1 465 . Lent by Earl of Leicester. 
 
 On vellum, with Melancthon's notes. 
 
 1457. BOCCACIO. II Decamerone. Valdarfer. Venice, 1471. Folio. 
 
 Lent by Earl Spencer. 
 
 First edition of the Decameron with a date. Only three other copies of it 
 are known to exist viz., at Blenheim, Paris, and Milan. This is the only 
 perfect one which escaped the Florentine bonfires to which the auditors of 
 Savonarola committed their books of amusement and ornaments of luxury. At 
 the sale of the Duke of Roxburgh's Library in 1812, after a contest between 
 Lord Spencer and the Duke of Marlborough, it was knocked down to the latter 
 at 2, 260, the largest price ever given for a single volume. At the sale of the 
 Duke of Marlborough's Library in Berkshire, some years after, Lord Spencer 
 obtained it for "j 50. 
 
 1458. GRATIANUS. Concordia discordantium Canonum Argent, per 
 H. Eggestyn, 1471. Folio. Lent by Earl Spencer. 
 
 Vol. I., rubricated. Vol. II., in Class B. 
 
 1459. OVID. Epistolae; Amores; de Arte amandi ; de remedio amoris. 
 Bononiae, 1471. (Vols. i and 2 in Class B.) First book printed 
 at Bologna. Folio. Lent by Earl Spencer. 
 
 1460. HORATIUS. Opera omnia. Arnoldus de Bruxella. Naples, 
 1474. 410. Unique. Lent by Earl Spencer.
 
 Clagfg ax l&are or Beautitul Specimens* 195 
 
 1461. MODUS, Le Roy. Livre de Chasse. Neyret. Chambery, 1486. 
 Folio. Lent by Earl Spencer. 
 
 First edition. Printed in the same year as the St. Alban's " Book of 
 Hawkyng and Huntyng." 
 Ant. Neyret was the first and only early printer here. 
 
 1462. SPECULUM Humanae Salvationis. 4to. 
 
 Lent by the Earl of Leicester. 
 With text and woodcuts in pale brown ink. 
 
 1463. DANTE. Divina Comoedia. Landino : Firenze, 1481. Folio. 
 
 Lent by David Laing, Esq., Edinburgh. 
 
 1464. POLYCHRONICON (The). Emprinted at Westminstre by Wynkyn 
 de Worde. 1495. Folio. Lent from Sion College Library. 
 
 1465. AQUINAS super libros sententiarum. Venice, Antonio de Strata, 
 1486. Folio. Vellum. Lent by H. White, Esq., F.S.A., F.G.S. 
 
 1466. SCHATZBEHALTER. Koberger. Nuremberg, 1491. 
 
 Lent by H. White, Esq. 
 With 95 wood engravings by Melchior Wohlgemuth, Albert Durer's master. 
 
 1467. ANTHOLOGIA Graeca cura Jo. Lascaris. Florence : F. de Alopa, 
 1494. Vellum. Lent by Earl Spencer. 
 
 First edition. One of the five books printed in capital Greek letters by 
 F. de Alopa. This appears to have been the presentation copy to Cardinal de 
 Medicis, afterwards Leo X. 
 
 1468. COLUMBUS, Chris.topher. Epistola Columbi. 1494. 4to. 
 
 Lent by Rev. J. Fuller Russell. 
 
 Excessively rare edition of the celebrated Letter of Columbus, containing his 
 account of the discovery of the Isles of America. The first and only edition 
 containing wo odcuts. 
 
 1469. VITAS Patrum. Wynkyn de Worde, 1495. Folio. 
 
 Lent by W. Harrison, Esq., F.S.A. 
 
 Translated out of Frensshe into Englysshe by Wyllyam Caxton of 
 Westmynstre, and fynysshed in the said towne of Westmynstre be my Wynkyn 
 de Worde. 
 
 1470. BRANDT, Sebastian. Stultifera navis : interpr : Jac. Locher, cogn. 
 Philomuso. Basil: Job. Bergmann de Olpe, 1497. i6mo. 
 
 Lent by H. White, Esq., F. S. A. 
 Original edition published at Basle. 
 
 Sixteenth Century. 
 
 1471. PETRARCH. Le cose vulgari. Venetiis : Aldus, 1501. 8vo. 
 Vellum. Lent by Earl Spencer.
 
 i9 6 Ca.rton Celebration* 
 
 1472. DANTE. Le terze rime di Dante. Venetiis : in sedibus Aldi, 
 1502. 8vo. Lent by Earl Beauchamp. 
 
 Edition recherchee. Brunei. 
 
 1473. OVID. Metamorphosis. Vol. I. Venetiis : Aldus, 1502. 
 
 Lent by Earl Spencer. 
 On vellum. Vols. II. and III. in Class B. 
 
 1474. LIBER Intrationum. London: Pynson, 1510. Folio. 
 
 Lent by H. White, Esq., F.S.A. 
 Illustrations of legal antiquities. 
 
 1475. ASSERIUS sive Asser. ^ilfredi regis res gestae. London : John 
 Day, 1514. Folio. Lent by S. Christie-Miller, Esq. 
 
 First book printed in Anglo-Saxon type. 
 
 1476. TEWRDANNCKH. Gedruckt in der Kayserlichen Stat Niirnberg 
 durch den eltern Hannsen Schonsperger zu Augspurg. 1517- 
 Vellum. Lent by Earl Spencer. 
 
 Allegorical poem composed by Melchior Pfinzing on the occasion of the 
 Emperor Maximilian's marriage to Princess Mary of Burgundy. Remarkable 
 for its peculiar type and wood engravings, supposed to be by Hans Schanf- 
 felein. 
 
 1477. HENRICUS VIII. Assertio septem Sacramentorum adversus Martin 
 Luther. Pynson, 1521. Lent by Earl Spencer. 
 
 First edition. One of the four impressions known to exist on vellum, of 
 which two are in the Vatican Library. 
 
 1478. FROISSART, John. Chronicles, translated out of Frenche into 
 oure Englysshe tongue, by John Bouchier knyghte, lorde Berners. 
 2 vols. London: R. Pynson, 1523-5. Folio. 
 
 Lent by H. White, Esq., F.S.A. 
 
 1479. KNOX'S Letter to the Lady Mary of Scotland and Knox's Appel- 
 lation, i vol. 1 2 mo. Geneva, 1558. 
 
 Lent from the Signet Library, Edinburgh. 
 
 1480. GOLTZ, Hubertus. Le imagini di imperattori. Illustrated. 
 An versa, 1577. Folio. Lent by John Evans, Esq., F.S.A. 
 
 1481. HOLINGSHED. Chronicles of England, Ireland, and Scotland. 
 2 vols. London, 1577. Folio. (Vol. I. in Class A.) 
 
 Lent by H. White, Esq., F.S.A. 
 
 1482. TARLETON, Richard. Tragical treatises, contaynyng sundrie dis- 
 courses and prety conceytes, in prose and verse. London : H. 
 Bynneman, 1578. i2mo. Lent by Sir C. Isham, Bart. 
 
 Unique copy of a work hitherto supposed to have entirely perished.
 
 2D. Edre or Beautiful ^pecimcng* 197 
 
 1483. HAKE, Edward. Newes out of Powles Churchyarde : now newly 
 renued and amplifyed according to the accidents of the present 
 time, 1579. Written in English satyrs. Imprinted at London by 
 John Charlewood and Richard J hones, 1579. 8vo. 
 
 Lent by Sir C. Isham, Bart. 
 Black letter, excessively rare, only two copies known. 
 
 1484. THE Faerie Queene. London, first edition. Printed for William 
 Ponsonbie, 1590. 410. Lent by H. White, Esq., F.S.A. 
 
 Contains only the first three books. At the end of the third book are five 
 stanzas omitted in subsequent editions, the author having replaced them with 
 three others. 
 
 1485. SPENSER, Edmund. Complaints containing sundrie small poems 
 of the world's vanitie, by Ed. Sp. ist edit. London, 1591. 
 4to. Lent by H. White, Esq., F.S.A. 
 
 Bound with this are the "Teares of the Muses," and Prosopopeia, &c., by 
 E. S. 
 
 1486. THE Faerie Queene. London. Printed for William Ponsonbie. 
 First complete edition containing the six books. 1596. 4to. 
 2 vols. Lent by H. White, Esq., F.S.A. 
 
 1487. BRANCH, Lady Helen. Epicedium; a funerall song, upon the 
 vertuous life and godly death of the Lady Helen Branch. [By 
 W. Har.] London : printed by Thomas Crede, 1594. 
 
 Lent by Sir C. Isham, Bart. 
 Excessively rare, only one other copy being known. 
 
 1488. BRANCH, Lady Helen. Monodia, an elegie, in commemoration 
 of the life and death of Dame Hellen Branch, widdowe. [By Jos. 
 Silvester.] Imprinted by Peter Short. [1594.] 4to. 
 
 Lent by Sir C. Isham, Bart. 
 
 1489. EMARICDULFE. Sonnets written by E. C, Esquier. London: 
 printed for Matthew Law, 1595. 8vo. 
 
 Lent by Sir C. Isham, Bart. 
 
 Unique copy of hitherto unknown work. Bound in the same cover are the 
 rare works : Barnefield, Cynthia, 1595. Griffin, Fidessa, 1596. Tofte, 
 Laura, 1597. 
 
 1490. [Mus/EUS.] Hero and Leander; begun by Christopher Marloe 
 and finished by George Chapman. London : printed by Felix 
 Kingston for Paule Linley, 1598. 4to. 
 
 Lent by Sir C. Isham, Bart. 
 
 A hitherto unrecorded edition, of which the Lamport Library possesses the 
 only two copies known. Bound at end, Francis Sabie's rare poem.
 
 198 Canon Celebration. 
 
 1491. THE Fisherman's tale in two parts. 1595. 4to. 
 
 Lent by Sir C. Isham, Bart. 
 
 1492. SHAKESPEARE, William. Venus and Adonis. Imprinted for 
 William Leake. London, 1599. 8vo. 
 
 Lent by Sir C. Isham, Bart. 
 
 Unique copy of a hitherto unknown edition. 
 
 1493. THE Passionate Pilgrim. London : printed for W. Jaggard, 1599. 
 
 Lent by Sir C. Isham, Bart. 
 Unique ; being the only perfect exemplar of the two copies known. 
 
 i493*.VARAMUND's Outrages of France, &c. Translated at Striveling, 
 Scotland. i2mo. London, 1573. 
 
 Lent from the Signet Library, Edinburgh. 
 
 Seventeenth Century. 
 
 1494. TOURNEUR, Cyril. The Transformed. Metamorphosis [in verse]. 
 London : printed by Valentine Sims, 1 600. 8vo. 
 
 Lent by Sir C. Isham, Bart. 
 
 Unique ; a hitherto unknown work, by the author of the Revengers Tragedie 
 and other productions. 
 
 1495. RODOMONTHS Infernall, or the Diuell conquered. Ariastos Con- 
 clusions. Of the marriage of Rogero with Bradamanth his Love, 
 and the fell fought battell between Rogero and Rodomonth. 
 Written in French by Phillip de Portes and paraphrastically trans- 
 lated by G. M. [Gervase Markham]. London : printed by V. S. 
 for Nicholas Ling, 1601. 8vo. Lent by Sir C. Isham, Bart. 
 
 Only two copies known. Excessively rare. 
 
 1496. BAS, William. Three pastoral elegies, of Anander, Anetor, and 
 Muridella. London : printed by V. S. for J. B., 1602. 4to. 
 
 Lent by Sir C. Isham, Bart. 
 Excessively rare ; only one other copy known, in Winchester College Library. 
 
 1497. BRETON, Nicholas. The Mother's Blessing (a poem). London : 
 by T. C. for John Smethick, 1602. 4to. 
 
 Lent by Sir C. Isham, Bart. 
 
 Almost unique ; the only other known copy, in the Bodleian Library, being 
 imperfect. 
 
 1498. SOUTHWELL, Robert. A Foure-fould Meditation of the Foure 
 Last Things, viz. : 
 
 i. Houre of Death. 2. Day of Judgement. 
 
 3. Paines of Hell. 4. Joyes of Heaven. 
 
 London: by G. Eld, for Francis Burton, 1606. 410. Composed 
 in a divine Poeme by R. S., the author of S. Peter's Complaint. 
 
 Lent by Sir C. Isham, Bart.
 
 2D Eaue or Beautiful >pecimeri0, 199 
 
 1499. SHAKESPEARE'S Sonnets, never before imprinted. London : by G. 
 Eld, 1609. 4to. Lent by Earl Spencer. 
 
 1500. JONSON, Ben. Works, ist edit. London, 1618. Folio. 
 
 Lent by H. White, Esq., F.S.A. 
 
 1501. SHAKESPEARE'S Works. Printed by Isaac Jaggard and Ed. Blount, 
 1623. Folio. Lent by Earl Spencer. 
 
 First edition, containing thirty-five plays printed from the MS. copies used 
 by the actors Heminge and Condell. The Play of Pericles did not appear 
 until in the third edition, although it had already been printed separately in 
 1609. 
 
 1502. SHAKSPEARE, William. Works. Second impression. London, 
 1632. Folio. Lent by Her Majesty the Queen. 
 
 With autograph of Charles I., " Dum Spiro sfero." This motto is also 
 written in Prynne's "Life of Laud," preserved in the Archiepiscopal Library, 
 Lambeth Palace. 
 
 1503. MILTON'S Comus. A Maske presented at Ludlow Castle, 1634, 
 on Michaelmasse Night, before the Earle of Bridgewater. London : 
 Humphrey Robinson, 1637. 4to. Lent by Earl Spencer. 
 
 The earliest printed production of Milton. 
 
 1504. MILTON, John. Paradise Lost ; a Poem in Ten Books. London: 
 printed for S. Simmons, 1669. 4to. 
 
 Lent by H. White, Esq., F.S.A. 
 
 1505. PARADISE Regained; a Poem in Four Books. To which is 
 added Samson Agonistes. The author John Milton. Printed by 
 J. M. for John Starkey, London, 1671. First edit. 
 
 Lent by H. White, Esq., F.S.A. 
 
 1506. BUNYAN, John. The Pilgrim's Progress. First edition. Lon- 
 don, 1678. 8vo. Lent by ' E. Stock, Esq. 
 
 Only two other copies known. 
 
 1507. BUNYAN, John. The Pilgrim's Progress. Second part. First 
 edition. London, 1684. 8vo. Lent by E. Stock, Esq. 
 
 1508. BUNYAN, John. The Holy War. First edition. London, 1682. 
 8vo. Lent by E. Stock, Esq. 
 
 Eighteenth Century. 
 
 1509. POPE, Alexander. Essay on Man; with other poems, transla- 
 tions, &c. ist edit. London, 1731-38. Folio. 
 
 Lent by H. WJiite, Esq., F.S.A.
 
 200 Cajton Celebration* 
 
 1510. GRAY, Thomas. Poems. London: J. Dodsley. ist edition. 
 1768. 4to. Lent by H. White, Esq., F.S.A. 
 
 1511. BURNS, Robert. Poems, chiefly in the Scottish dialect. First 
 edition. Kilmarnock, 1786. 8vo. Lent by D. Laing, Esq. 
 
 i5n*.THE Confession of Faith and the Larger and Shorter Catechisme, 
 first agreed upon by the Assembly of Divines at Westminster, and 
 now appointed by the Generall Assembly of the Kirk of Scotland 
 to be a part of Uniformity in Religion between the Kirks of 
 Christ in the three kingdoms. Amsterdam, Printed by Luice 
 Elsever, for Andrew Wilson, and are to be sold at his shop in 
 Edinburgh, 1649. i2mo. Lent by D. Laing, Esq. 
 
 The only book in English that is known, printed by the Elzevirs. 
 
 Books without date. 
 
 1512. DAVIES, Sir John. Epigrammes; Ovid, Elegies ; translated by 
 Christopher Marlowe. At Middleborough. n. d. 8vo. 
 
 Lent by Sir C. Isham, Bart. 
 
 Very rare edition, ordered to be burnt at Stationers' Hall, 1599. Bound 
 with Shakespeare's Venus and Adonis. 
 
 1513. PARABOLA. Directorium humanae vite alias parabole antiquoru 
 sapientu. s. 1. et a. Folio. Lent by Rev. J. Fuller Russell. 
 
 Extremely rare. 
 
 1514. TENORES novelli. Per Willi. le Tailleur ad instantiam Rich. 
 Pynson. s. 1. et a. 3rd edition. Littleton's Tenures printed at 
 Rouen. Folio. Lent by the Earl of Leicester. 
 
 1 509*. MILTON'S Works. 2 vols. Printed by Baskerville, 1758. 8vo. 
 
 Lent by James Hemington, Esq.
 
 Clagjaf 3X Eace or Beautiful Specimens. 201 
 
 Exhibited by the Library Committee of the Corporation of the 
 City of London. 
 
 PAGEANTS. 
 
 ROYAL PROCESSIONS AND ENTERTAINMENTS. 
 
 1517. THE Copie of a Letter sent in to Scotlande, of the ariuall and 
 landynge and moste noble marryage of the moste illustre Prynce 
 Philippe, Prynce of Spaine, to the most excellente Princes Marye 
 Quene of England, solemnisated in the citie of Winchester: and 
 howe he was receyued and installed at Windsore, and of his trium- 
 phyng entries in the noble citie of London. Whereunto is added a 
 brefe overture or openyng of the legacion of the most reverende 
 Father in God, Lorde Cardinall Poole, from the Sea apostolyke of 
 Rome, with the substaunce of his oracyon to the kyng and quenes 
 magestie, for the reconcilement of the realme of Englande to the 
 unitie of the Catholyke Churche. With the very copye also of the 
 supplycacio exhibited to their highnesses by the Three Estates 
 assembled in the Parlamente, wherin they, representing the whole 
 body of the realme and dominions of the same, have submitted 
 theselves to the Pope's Holynesse. By John Elder. 12 mo. 
 (Black letter.) London, John Waylande, at the signe of the Sunne 
 over agaynst the Conduit in Flete strete, 1555. 
 
 1518. THE Passage of our most drad soueraigne lady Quene Elyzabeth 
 through the citie of London to Westminster the daye before her 
 coronacion. 410. London. Printed by Richard Tottill at the 
 signe of the hand and Starre Flete-strete, 1558. 
 
 i5i8*.A SPEACH delivered to the Kinges most excellent Majestic in the 
 name of the Sheriffes of London and Middlesex. By Master 
 Richard Martine of the Middle Temple. 4to. Edinburgh, 1 603. 
 
 1519. B. JON : (B. Jonson) his part of King James his royall and mag- 
 nificent Entertainement through his honourable Cittie of London, 
 Thurseday the ist of March, 1603, so much as was presented in 
 the first and last of these triumphall arch's, with his Speach made 
 to the last presentation in the strand, erected by the inhabitants 
 of the Dutchy and Westminster. 410. London, 1 604. 
 
 i5i9*.THE magnificent Entertainment giuen to King James, Queene 
 Anne his wife, and Henry Frederick the Prince, upon the day of 
 His Majesties triumphant passage (from the Tower through his 
 honourable Citie (and Chamber) of London), being the 15 of 
 March, 1603, as well by the English as by the strangers ; with the 
 Speeches and Songes delivered in the severall pageants. By 
 Thomas Dekker. 4to. London, 1604.
 
 202 Canton Celebration. 
 
 1520. THE Arches of Triumph erected in honour of the high and mighty 
 prince James, the First of that name King of England, and the 
 Sixth of Scotland, at His Majesties entrance and passage through 
 his honourable Citty and Chamber of London upon the i5th day 
 of March, 1603. Invented by Stephen Harrison, joyner and archi- 
 tect, and graven by William Kip. Folio. London, 1604. 
 
 1521. THE most Royall and Honourable Entertainement of the famous 
 king Christiern the Fourth, King of Denmark, with a relation of 
 his meeting by our royall king, the prince, and nobles of our 
 realme ; with the royal passage, on Thursday the 3ist July, 
 through the citty of London, and honourable shewes there pre- 
 sented them. By Hen. Robarts. 4to. London, 1606. 
 
 1522. LONDON'S Love to the royal Prince Henrie, meeting him on the 
 river of Thames, at his returne from Richmonde, with a worthie 
 fleete of her cittizens, on Thursday the last of May, 1610 ; with a 
 briefe reporte of the water-fight, and Fire workes. 4to. London, 
 1 6 10. 
 
 1523. Heauens Blessing and Earths Joy ; or a true relation of the sup- 
 posed sea fights and fire-workes as were accomplished before the 
 royall celebration of al-beloved mariage of the two peerlesse par- 
 ragons of Christindome, Fredericke and Elizabeth, with triumphall 
 encomiasticke verses, consecrated to the immortall memory of 
 those happy and blessed nuptials. By John Taylor. 4to. Lon- 
 don, 1613. 
 
 1524. CIVITATIS Amor, the Citie's Loue ; an entertainement by water at 
 Chelsey and White-hall, at the receiuing of that illustrious hope of 
 Great Britaine, Charles, to bee created Prince of Wales, &c. ; also 
 the ceremonies on the occasion. 4to. London, 1616. 
 
 1525. Two Royal Entertainments, lately given to the most illustrious 
 prince Charles, Prince of Great Britaine, by the high and mighty 
 Philip the Fourth, King of Spaine, &c., at the feasts of Easter and 
 Pentecost. Translated out of the Spanish originals, printed at 
 Madrid. 4to. London, 1623. 
 
 1526. A TRUE discovrse of all the Royal Passages, Tryumphs, and Cere- 
 monies obserued at the contract and mariage of the high and 
 mighty Charles, King of Great Britaine, and the most excellentest 
 of ladies, the Lady Henrietta Maria of Burbon, sister to the most 
 Christian King of France. Together with her journey from Paris 
 to Bulloigne, and thence unto Douer in England, where the king 
 met her, and the manner of their enterview. As also the tryum- 
 phant solemnities which passed in their iournies from Douer to 
 the citie of London, and so to Whitehall. 4to. London, 1625.
 
 Clagg 2IX Eare or Beautiful >pecimen, 203 
 
 1527. OVATIO Carolina: the Triumph of King Charles, or the trium- 
 phant manner and order of receiving His Majesty into his city of 
 London, on Thursday the 25th day of November, Anno Dom. 
 1641, upon his safe and happy return from Scotland. With 
 Master Recorder's Speech to His Majestic and His Majesties most 
 gracious Answer. 4to. London, 1641. 
 
 1528. ENGLAND'S Comfort, and London's Joy: expressed in the royall, 
 triumphant, and magnificent entertainment of our dread soveraigne 
 lord King Charles, at his blessed and safe returne from Scotland, 
 on Thursday the 25th of November, 1641, by the right hon. 
 Richard Gurney, esq., lord mayor, with the right worshipfull 
 knights and aldermen, sheriffes, and companies of this famous 
 city of London. Together with the manner and forme how the 
 state is to bee observed and performed by the severall companies 
 on horsebacke and foot ; for the conducting of His Majesty, the 
 Queene, the Prince, and all the royall progeny to the Guild-hall, 
 London, to dinner, and from thence to His Majesties palace at 
 White-hall : also the severall speeches, and other verses presented 
 to his sacred person at that time. (With curious woodcuts.) 4to. 
 London, 1641. 
 
 1529. FIVE most noble Speeches, spoken to His Majesty, returning out 
 of Scotland into England. Also the relation after what manner, 
 and where, His Majestic knighted the lord mayor and the recorder 
 of London ; with a description of with what honourable triumph 
 His Majestic did ride into the city of London, &c. 4to. Lon- 
 don, 1641. 
 
 1530. KING Charles, his entertainment, and London's loyaltie ; being a 
 true relation and description of the manner of the cities welcome, 
 and expression of the subjects love to his royall majestic, at his 
 return from Scotland. 4to. London, 1641. 
 
 1531. MR. RECORDER'S Speech to the Lord Protector upon Wednesday 
 the eighth of Feb. 1653, being the day of His Highnesse enter- 
 tainment in London. 410. London, 1653. 
 
 1532. LONDON'S Glory, represented by Time, Truth, and Fame, before 
 King Charles II. at Guildhall, in 1660. 4to. London, 1660. 
 
 1533. A SHORT Representation, performed before the Lord General 
 Monck at Guildhall, Tuesday, April i ith, by three persons. 4to. 
 London, 1660.
 
 204 Carton Celebration* 
 
 1534. A RELATION of His Majesties Entertainment passing through the 
 city of London to his Coronation ; with a description of the tri- 
 umphal arches and solemnity. By John Ogilby. Folio. Lon- 
 don, 1661. 
 
 1535. THE Entertainment of his most excellent majestic Charles II., in 
 his passage through the city of London to his Coronation ; con- 
 taining an exact accompt of the whole solemnity ; the triumphal 
 arches, and cavalcade, delineated in sculpture ; the speeches and 
 impresses illustrated from antiquity. To these is added a brief 
 narrative of His Majestie's solemn Coronation, with his magnifi- 
 cent proceeding, and royal feast in Westminster Hall. By John 
 Ogilby. Folio. London, 1662. 
 
 1536. AQUA Triumphalis ; being a true relation of the honourable the 
 City of London's entertaining their sacred Majesties upon the 
 river of Thames and wellcoming them from Hampton Court to 
 Whitehall, expressed in several shews and pageants, the 23 day 
 of August, 1662. Written by John Tatham, gent. Folio. Lon- 
 don, 1662. 
 
 1537. THE King's Coronation, being an exact account of the Cavalcade, 
 with a description of the triumphal arches and speeches prepared 
 by the city of London for his late Majesty Charles the Second in 
 his passage from the Tower to Whitehall. By John Ogilby. 
 Published by William Morgan, His Majesties Cosmographer. 
 Folio. London, 1685. 
 
 LORD MAYORS' PAGEANTS. 
 
 1538. DESCENSUS Astroeas : the Device of a Pageant borne before M. 
 William Web, Lord Maior of the citie of London on the day he 
 tooke his oath, beeing the 29 of October, 1591. Whereunto is 
 annexed a speech deliuered by one clad like a sea nymph, who 
 presented a pinesse on the water, brauely rigd and mand, to the 
 lord maior, at the time he tooke barge to go to Westminster. 
 Done by G. Peele, Maister of Arts in Oxford. 4to. Printed for 
 William Wright. London, 1591. 
 
 1539 THE Triumphs of Truth, a solemnity vnparalleld for cost and mag- 
 nificence, at the confirmation of that worthy and true nobly- 
 minded gentleman Sir Thomas Middleton, knight, in the honour- 
 able office, &c. of the Lord Maior of the thrice famious citty of 
 London. Directed, written, and redeemed into forme, from the 
 ignorance of some former times and their common writer, by Thomas 
 Middleton. 410. London, 1613.
 
 Cla00 3D* Bare or Beautiful ^>pecimen^ 205 
 
 1540. THE manner of his Lordships entertainment on Michaelmas day 
 last, being the day of his honorable election, together with the 
 worthy Sir John Swinarton, knight, then Lord Maior, the learned 
 and iuditious Sir Henry Montague, maister recorder, and many of 
 the right worshipfull the aldermen of the citty of London, at that 
 most famous and admired worke of the running streame from 
 Amwell head into the cesterne neere Islington, being the sole 
 inuention, cost, and industry of that worthy Maister Hugh Middle- 
 ton, of London, Goldsmith, for the general! good of the citty. By 
 T. M. 410. London, 1613. 
 
 1541. METROPOLIS Coronata : the Triumphes of Ancient Drapery; or 
 Rich Cloathing of England, in a second yeeres performance. In 
 honour of the aduancement of Sir John Jolles, knight, to the office 
 of Lord Maior of London, and taking his oath for the same 
 authoritie, on Monday, being the 30 day of October, 1615. Per- 
 formed in heartie affection to him, and at the bountifull charges of 
 his worthy brethren the truely honourable society of Drapers, the 
 first that received such dignitie in this citie. Deuised and written 
 by A. M. [Anthony Munday], citizen and draper of London. 
 4to. Printed at London, by George Purslowe. 410. 1615. 
 
 1542. CHRYSANALEIA : the Golden Fishing, or honour of Fishmongers ; 
 applauding the aduancement of Mr. John Leman, alderman, to the 
 dignitie of Lord Maior of London ; taking his oath in the same 
 authority at Westminster, on Tuesday, being the 29 day of 
 October, 1616. Performed in hearty loue to him, and at the 
 charges of his worthy brethren, the ancient and right worshipfull 
 company of Fishmongers. Deuised and written by A. M. [Anthony 
 Munday], citizen and draper of London. 4to. Printed at Lon- 
 don by George Purslowe. 4to. 1616. 
 
 1543. [THE Fishmongers' Pageant on Lord Mayor's day, 1616. Chrysa- 
 naleia : the Golden Fishing, devised by Anthony Munday, citizen 
 and draper, represented in twelve plates by Henry Shaw, F.S.A., 
 from contemporary drawings in the possession of the worshipful 
 company of Fishmongers. Accompanied with various illustrative 
 documents, and an historical introduction, by John Gough 
 Nichols, F.S.A., London and Newcastle, citizen and stationer. 
 Folio. London, 1844.] 
 
 1544. TES Irenes Trophsea; or the Tryumphs of Peace, that celebrated 
 the solemnity of the right honourable Sir Francis Jones, knight, at 
 his inauguration into the maioraltie of London, on Monday, being 
 the 30 of October, 1620. At the particular cost and charge of the
 
 206 Ca,rton Celebration. 
 
 right worshipfull and ancient society of the Haberdashers. With 
 explication of the several! shewes and deuices. By J. S. [John 
 Squire]. Printed by Nicholas Okes. 4to. London, 1620. 
 
 1545. THE triumphs of health and prosperity. A noble solemnity per- 
 formed through the city, at the sole cost and charges of the 
 honourable fraternity of Drapers, at the inauguration of their most 
 worthy brother the right honourable Cuthbert Racket, lord mayor 
 of the famous city of London. By Tho. Middleton, gent. 4to. 
 London, 1626. 
 
 1546. LONDINI Speculum; or, London's Mirror, exprest in sundry 
 triumphs, pageants, and showes, at the initiation of the Right 
 honorable Richard Fenn, into the mairolty of the famous and 
 farre renowned city London. All the charge and expense of these 
 laborious projects, both by water and land, being the sole under- 
 taking of the right worshipful company of Habberdashers. Written 
 by Tho. Heywood. 410. London, 1637. 
 
 1547. PORTA Pietatis, or the port or harbour of piety; expressed in 
 sundry triumphes, pageants, and showes, at the initiation of the 
 right honourable Sir Mavrice Abbot, knight, into the mayoralty of 
 the famous and farre renowned city London. All the charge and 
 expence of the laborious projects, both by water and land, being 
 the sole undertaking of the right worshipfull company of Drapers. 
 Written by Thomas Heywood. 4to. London (J. Okes), 1638. 
 
 1548. LONDINI Status Pacatus, or London's peaceable estate; exprest 
 in sundry triumphs, pageants, and shewes, at the initiation of the 
 right honourable Henry Garway into the majoraty of the famous 
 and farre renowned city London. All the charge and expence of 
 the laborious projects, both by water and land, being the sole 
 undertakings of the right worshipful society of Drapers. Written 
 by Thomas Heywood. 4to. London (John Okes), 1639. 
 
 1549. CHARITY Triumphant; or the Virgin-Shew. Exhibited on the 
 29th of October, 1655, being the Lord Mayor's day. 4to. Lon- 
 don, 1655. 
 
 [Written by Edmund Gayton, and dedicated to Alderman John Dethicke, 
 lord mayor.] 
 
 1550. LONDON'S Triumphs, presented by Industry and Honour, with 
 other delightfull sccenes appertaining to them ; celebrated in 
 honour of the right honourable Sir John Ireton, knt, Lord Mayor 
 of the said city, on the 29 day of October, 1658, and done at the 
 costs and charges of the worshipful company of Cloth-workers. 
 By J. Tatham. 410. London, 1658.
 
 2IX Eare or Beautiful >pecimen0 207 
 
 1551. THE several Speeches made to Sir Richard Brown, lord mayor of 
 the city of London, on Monday, 2gth day of October, with the 
 manner of the celebration of this triumphant day ; and the vari- 
 ous scenes, figures, and pageants representing the Royal Oak and 
 its pendant leaves, etc. In verse and prose. 4to. London, 1660. 
 
 1552. LONDON'S Tryumphs, presented in several delightfull scoenes, 
 both on the water and land, and celebrated in honour to the de- 
 servedly honored Sir John Frederick, knight and baronet, Lord 
 Mayor of the city of London, at the costs and charges of the wor- 
 shipfull company of Grocers. By John Tatham. 4to. London, 
 1661. 
 
 1553. LONDINUM Triumphans : London's Triumphs celebrated, in hon- 
 our of the truely deserving Sir Anthony Bateman, knight, Lord 
 Mayor of the honourable city of London, and done at the costs 
 and charges of the right worshipful the company of Skinners, the 
 ZQth of October, 1663. By John Tatham. Printed by W. G., for 
 Henry Brome, at the Gun in Ivy lane. 410. London, 1663. 
 
 1554. LONDON'S Triumphs, celebrated the 2Qth of October, 1664, in 
 honour to the truely deserver of honour, Sir John Lawrence, 
 knight, Lord Maior of the honourable city of London : performed 
 at the cost of the worshipful company of Haberdashers, &c. By 
 John Tatham. London, 4to. 1664. 
 
 1555. LONDON'S Resurrection to Joy and Triumph, expressed in sundry 
 shews, shapes, scenes, speeches, and songs in parts, celebrious to 
 the much meriting magistrate Sir George Waterman, knight, Lord 
 Mayor of the city of London, at the peculiar and proper expences 
 of the worshipful company of Skinners, the King, Queen, and 
 Duke of York, and most of the nobility being present. Written 
 by Thomas Jordan. 4to. London, 1671. 
 
 1556. LONDON Triumphant; or the city in jollity and splendour: ex- 
 pressed in various pageants, shapes, scenes, speeches, and songs, 
 invented and performed for congratulation and delight of the 
 well-deserving Sir Robert Hanson, knight, Lord Mayor of the city 
 of London, at the cost and charges of the worshipful company of 
 Grocers ; His Majesty gracing the triumphs with his royal pre- 
 sence. Written by Thomas Jordan. 410. London, 1672. 
 
 1557. LONDON in its Splendor; consisting of triumphant pageants, 
 whereon are represented many persons richly arrayed, properly 
 habited, and significant to the design, with several speeches, and 
 a song suitable to the solemnity ; all prepared for the honour of 
 the prudent magistrate, Sir William Hooker, knight, Lord Mayor 
 of the city of London, at the peculiar expences of the worshipful
 
 208 Carton Celeb cation* 
 
 company of Grocers. As also a description of His Majesties royal 
 entertainment at Guildhall, by the city, in a plentiful feast and a 
 glorious banquet. Written by Tho. Jordan. Printed by W. G., 
 for Nath. Brook and John Playford. 4to. London, 1673. 
 
 1558. THE Triumphs of London; performed on Friday, October 29, 
 1675, for the entertainment of the right honourable and truly 
 noble pattern of prudence and loyalty, Sir Joseph Sheldon, knight, 
 Lord Mayor of the city of London ; containing a true description 
 of the several pageants, with the speeches spoken in each pageant, 
 together with the several songs sung at this solemnity : all set 
 forth at the proper costs and charges of the worshipful company 
 of Drapers. Designed, &c., by Thomas Jordan, gent. 4to. 
 London, 1675. 
 
 1559. LONDON'S Triumphs, expressed in sundry representations, pageants, 
 and shows, performed on Monday, October 30, 1676, at the in- 
 auguration and instalment of the right honourable Sir Thomas 
 Davies, knt, Lord Mayor of the city of London, containing a true 
 description of the several scenes and habits of the representers, 
 with the speeches spoken on each pageant. All the charge and ex- 
 pences of the industrious designs being at the sole undertaking of 
 the ancient and right worshipful society of Drapers ; being the 
 second year without intermission. By Thomas Jordan. 410. 
 London, 1676. 
 
 1560. LONDON'S Triumphs, illustrated with many magnificent structures 
 and pageants, on which are orderly advanced several stately repre- 
 sentations of poetical deities sitting and standing in great splendor 
 on several scenes in proper shapes ; with pertinent speeches, 
 jocular songs (sung by the city musick), and pastoral dancing; 
 performed October 29, 1677, for the celebration, solemnity, and 
 inauguration of the right honourable Sir Francis Chaplin, knt., 
 Lord Mayor of the city of London. All the charge and expences 
 of the industrious designs being the sole undertaking of the 
 ancient and right worshipful company of Clothworkers. By 
 Thomas Jordan, gent. 4to. London, 1677. 
 
 1561. LONDON in Luster, projecting many bright beams of triumph ; dis- 
 posed into several representations of scenes and pageants, performed 
 with great splendour, on Wednesday, October 29, 1679, at the 
 initiation and instalment of the right honourable Sir Robert Clay- 
 ton, knight, Lord Mayor of the city of London ; dignified with 
 various delightful variety of presenters, with speeches, songs, &c. 
 All set forth at the proper costs and charges of the worshipful 
 company of Drapers. Devised and composed by Thomas Jordan, 
 gent 4to. London, 1679.
 
 2D, Kare or Beautiful >pecimen0. 209 
 
 1562. LONDON'S Glory, or the Lord Mayor's Show; containing an illus- 
 trious description of the several triumphant pageants, on which 
 are represented emblematical figures, artful pieces of architecture, 
 and rural dancing, with the speeches spoken in each pageant : 
 also three new songs, the first in praise of the Merchant-Taylors, 
 the second the Protestants Exhortation, and the third the Plotting 
 Papists Litany, with their proper tunes, either to be sung or 
 play'd : performed on Friday, October xxix. 1680, for the enter- 
 tainment of the right honourable Sir Patience Warde, Knight, Lord 
 Mayor of the city of London, at the proper cost and charges of the 
 right worshipful company of Merchant-Taylors. Invented and 
 composed by Thomas Jordan, gent. 
 
 Pictoribus atque poetis 
 Quidlibet audendi semper fuit sequa potestas. 
 
 4to. London, 1680. 
 
 1563. LONDON'S Joy, or the Lord Mayor's Show, triumphantly exhibited 
 in various representations, scenes, and splendid ornaments, with 
 divers pertinent figures and movements ; performed on Saturday, 
 October xxix. 1681, at the inauguration of Sir John Moore, lent, 
 Lord Mayor of the city of London. With the several speeches and 
 
 . songs which were spoken on the pageants in Cheapside, and sung 
 in Guildhall during dinner. All the charges and expences of the 
 industrious designs being the sole undertaking of the worshipful 
 company of Grocers. By Thomas Jordan, gent. 4to. London, 
 1681. 
 
 1564. THE Lord Mayor's Show; being a description of the solemnity at 
 the inauguration of the truly loyal and right honourable Sir 
 William Prichard, knight, lord mayor of the city of London, 
 president of the honourable Artillery-Company, and a member of 
 the worshipful company of Merchant-Taylors. Perform'd on 
 Monday, September xxx., 1682, with several new loyal songs and 
 catches. 4to. London, 1682. 
 
 1565. THE Triumphs of London ; performed on Monday, October xxix. 
 1683, for the entertainment of the right honourable and truly noble 
 pattern of prudence and loyalty Sir Henry Tulse, knt., Lord Mayor 
 of the city of London, containing a description of the whole 
 solemnity. 4to. London, 1683. 
 
 1566. LONDON'S Royal Triumph for the City's loyal Magistrate: in an 
 exact description of several scenes and pageants, adorned with 
 many magnificent representations, performed on Wednesday, 
 October xxix. 1684, at the instalment and inauguration of the 
 
 p
 
 2io Ca,rton Celebration. 
 
 right honourable Sir James Smith, knight, Lord Mayor of the 
 city of London : illustrated with divers delightful objects of gal- 
 lantry and jollity, speeches and songs, single and in parts. Set 
 forth at the proper costs and charges of the worshipful company 
 of Drapers. Devised and composed by Tho. Jordan, gent. 4to. 
 London, 1684. 
 
 1567. LONDON'S Annual Triumph; performed on Thursday, October 
 29, 1685, for the entertainment of the right honourable Sir Robert 
 Jeffreys, kt., lord mayor of the city of London; with a description 
 of the several pageants, speeches, and songs made proper for the 
 occasion ; all set forth at the proper costs and charges of the wor- 
 shipful company of Iron-mongers. Composed by Matt. Taub- 
 man. 4to. London, 1685. 
 
 1568. LONDON'S Yearly Jubilee; performed on Friday, October xxix. 
 1686, for the entertainment of the right honourable Sir John 
 Peake, knt, Lord Mayor of the city of London ; with a descrip- 
 tion of the several pageants, speeches, and songs, made for the 
 occasion at the charge of the company of Mercers. By M. Taub- 
 man. 4to. London, 1686. 
 
 1569. LONDON'S Triumph, or the Goldsmiths' Jubilee; performed on 
 Saturday, Oct. 29, 1687, for the confirmation and entertainment 
 of the right hon. Sir John Shorter, knight, Lord Mayor of the 
 city of London ; containing a description of several pageants and 
 speeches made, proper for the occasion, together with a song, for 
 the entertainment of His Majesty, who, with His Royal Con- 
 sort, the Queen Dowager, their Royal Highnesses the Prince and 
 Princess of Denmark, and the whole Court honour his Lordship 
 this year with their presence. All set forth at the proper costs 
 and charges of the worshipful company of Goldsmiths. By M. 
 Taubman. Folio. London, 1687. 
 
 1570. LONDON'S Great Jubilee, restored and performed, on Tuesday, 
 October the 29th, 1689, for the entertainment of the right honour- 
 able Sir Thomas Pilkington, knt, Lord Mayor of the city of 
 London, containing a description of the several pageants and 
 speeches, together with a song for the entertainment of their 
 Majesties, who, with their royal highnesses the Prince and 
 Princess of Denmark, the whole Court, and both Houses of Par- 
 liament, honour his lordship this year with their presence. All 
 set forth at the proper costs and charges of the right worshipful 
 company of Skinners. By M[atthew] T[aubman]. 4to. London, 
 1689.
 
 Cla00 2D, Kare or Beautiful >pecfmen0 211 
 
 71. THE Triumphs of London; performed on Thursday, October 29, 
 
 1691, for the entertainment of the right honourable Sir Thomas 
 Stamp, knt, Lord Mayor of the city of London ; containing a 
 true description of the several pageants, with the speeches spoken 
 on each pageant. All set forth at the proper costs and charges of 
 the worshipful company of Drapers. By E. S. [Elkanah Settle.] 
 4to. London, 1691. 
 
 72. THE Triumphs of London; performed on Saturday, October 29, 
 
 1692, for the entertainment of the right honourable Sir John 
 Fleet, knt., Lord Mayor of the city of London ; containing a true 
 description of the several pageants, with the speeches spoken on 
 each pageant. All set forth at the proper costs and charges of 
 the worshipful company of Grocers, together with an exact relation 
 of the most splendid entertainments prepared for the reception of 
 their sacred Majesties. By E. S. [Elkanah Settle.] 4to. London, 
 1692. 
 
 73. THE Triumphs of London, prepared for the entertainment of the 
 right honourable Sir Thomas Lane, knight, Lord Mayor of the 
 city of London ; containing a full description of the pageants, 
 speeches, songs, and the whole solemnity of the day : performed 
 on Monday the 2gth of October, 1694. Set forth at the proper 
 cost and charges of the honourable company of Clothworkers. 
 [By E. Settle.] 4to. London, 1694. 
 
 74. THE Triumphs of London; performed on Tuesday, October 29, 
 1695, for the entertainment of the right honourable Sir John 
 Houblon, knt., Lord Mayor of the city of London, containing a 
 true description of the several pageants, with the speeches spoken 
 on each pageant. All prepared at the proper costs and charges 
 of the worshipful company of Grocers ; to which is added a new 
 song upon His Majesty's return. By E. S. [Elkanah Settle.] 410. 
 London, 1695. 
 
 75. GLORY'S Resurrection ; being the Triumphs of London revived, 
 for the inauguration of the right honourable Sir Francis Child, 
 knt., Lord Mayor of the city of London ; containing the descrip- 
 tion (and also the sculptures) of the pageants, and the whole 
 solemnity of the day. Set forth at the proper cost and charge of 
 the honourable company of Goldsmiths. Folio. London, 1698. 
 
 1576. THE Triumphs of London for the inauguration of the right honour- 
 able Sir Richard Levett, knt, Lord Mayor of the city of London ; 
 containing a description of the pageants, together with the publick
 
 212 Canon Celebration. 
 
 speeches and the whole solemnity of the day : performed on 
 Monday the 3oth day of October, anno 1699. All set forth at 
 the proper cost and charges of the honourable company of Haber- 
 dashers. [By E. Settle.] Folio. London, 1699. 
 
 1577. THE Triumphs of London for the inauguration of the right 
 honourable Sir William Gore, knt, Lord Mayor of the city of 
 London ; containing a description of the pageants, together with 
 the public speeches and the whole solemnity of the day : per- 
 formed on Wednesday the 29th of October, 1701. All set forth 
 at the proper cost and charges of the right honourable company 
 of Mercers. [By Elkanah Settle.] 4to. London, 1701. 
 
 1578. THE Triumphs of London at the inauguration of the right hon. 
 Sir Samuel Dashwood, knt, performed on Thursday the 29th of 
 October, 1702. All set forth at the cost and charge of the 
 honourable company of Vintners ; together with the relation of 
 Her Majesty's reception and entertainment at dinner in Guildhall. 
 Published by authority. [By Elkanah Settle.] 4to. London, 
 1702. 
 
 1579. THE Triumphs of London for the inauguration of the right hon. 
 Sir Charles Buncombe, knt., Lord Mayor, containing the descrip- 
 tion (and also the sculptures) of the pageants, and the whole 
 solemnity of the day : performed on Friday the 2gth of October, 
 anno 1708. All set forth at the proper cost and charge of the 
 honourable company of Goldsmiths. Published by authority. 
 [By Elkanah Settle.] 4to. London, 1708. 
 
 MISCELLANEOUS. 
 
 1580. ARNOLD E'S Chronicle. [The customs of London.] First edition. 
 Folio. [Antwerp, circa 1504.] 
 
 1581. ORDERS appointed to be executed in the cittie of London, for 
 setting roges and idle persons to worke, and for releefe of the 
 poore. 4to. London, 1580. 
 
 1582. A BREEFE Discourse, declaring and approving the necessarie and 
 inuiolable maintenance of the laudable Customs of London. 
 1 2mo. (At London, printed by Henrie Middleton for Rafe New 
 berie.) 1584.
 
 2D. IBUre or Beautiful &pecimen& 213 
 
 1583. THE order of my Lord Maior, the Aldermen, and the Sheriffes, 
 for their meetings, and wearing of their apparel, throughout 
 the yere. i2mo. Printed by John Windet. London, 1604. 
 
 1584. THE Carrier's Cosmographie ; or a briefe relation of the Innes, 
 Ordinaries, Hosieries, and other lodgings in and neere London, 
 where the carriers, waggons, foote-posts, and higglers doe usually 
 come. 4to. London, 1637. 
 
 1585. A REPLY as true as steel, to a rusty, rayling, ridiculous, lying 
 Libell, which was lately written by an impudent, unsoder'd Iron- 
 monger, and called by the name of an Answer to a foolish 
 pamphlet, entituled A Swarme of Sectaries and Schismatiques. 
 4to. London, 1641. 
 
 1586. AN Apology for Bishops, or a Plea for Learning. 4to. London, 
 1641. 
 
 1587. A MIROVR for Magestrates of Cyties; to which is added, a Touch- 
 stone for the Times; containing many perilous mischiefes that 
 bred in the bowels of the citie of London, for the infection 
 of some of thease sanctuaries of iniquitie. By George Whetstone, 
 gent. (Black letter.) 4to. London, 1584. 
 
 1588. THE Belman of London, bringing to light the most notorious 
 villanies that are now practised in the kingdom. [By Thomas 
 Decker.] Third edition. 410. London, 1608. 
 
 1589. LANTHORNE and Candle-light; or the Bell-man's second night's 
 walk, in which he brings to light a broode of more strange vil- 
 lanies then euer were till this yeare discouered. By Thomas 
 Dekker. 410. London, 1608. 
 
 1590. JOHN Stow's Survay of London. First edition. 1598. 
 
 BOOKS ON THE PLAGUE. 
 
 CERTAINE Sermons, concerning God's late visitation in the citie of 
 London and other parts of the land. Preached at St. Alphages 
 Church near Cripplegate, by William Cupper. i2mo. London, 
 
 1592. THE Arke of Noah, for the Londoners that remaine in the citie to 
 enter in, with their families, to be preserued from the deluge
 
 214 Canton Celebration, 
 
 of the Plague. Item, an exercise for the Londoners that are de- 
 parted out of the citie into the countrey, to spend their time till 
 they returne. Whereunto is annexed an epistle sent out of 
 the countrey to the afflicted citie of London. Made and written 
 by lames Godskall the yonger, preacher of the word. London, 
 1603. 
 
 1593. A SHORT dialogve concerning the Plagues Infection, published 
 to preserue bloud, through the blessing of God. i2mo. 
 London, 1603. 
 
 1594. THE wonderfull yeare 1603, wherein is shewed the picture 
 of London lying sicke of the Plague, &c. [By Thomas Decker.] 
 4to. London, n. d. 
 
 1595. THE seuen deadly sinnes of London, drawn in seuen seuerall 
 coaches through the seuen seuerall gates of the citie, bringing the 
 Plague with them. Opus septem dierum. By Tho. Dekker. 4to. 
 London, 1606. 
 
 1596. LONDON'S Remembrancer; or a true account of every particular 
 weeks Christnings and Mortality in the years of Pestilence. 410. 
 London, 1665. 
 
 1596*. YE Albion; an Hour with ye Giants of Guildhall. Privately 
 printed: Leeds. 321110. 1876. Lent by S. L. Nussey, Esq.
 
 2IX Kare or Beautiful &petimen0, 215 
 
 SECTION II. 
 
 SPECIMENS NOTICEABLE FOR BEAUTY AND 
 EXCELLENCE OF TYPOGRAPHY. 
 
 Arranged chronologically. 
 
 ONAVENTURA. Epistolse et tractatus. s. 1. et a. Folio. 
 
 Lent by 
 Remarkable for beauty of typography and paper. 
 
 1598. GLANVILLA, Bartholomseus de. De proprietatibus rerum. s. 1. 
 1488. Folio. Lent by the Earl of Leicester. 
 
 1599. BUCHANAN, George. Poemata. Lugd. Bat. Elzevir, 1620. 8vo. 
 
 Lent by Miss Coe. 
 
 1600. STRADA Famianus. De bello Belgico. Antwerp, typis Jno. 
 Cnolbari, 1625. 4to. Lent by Miss Coe. 
 
 1 60 1. FRANCE. Respublica sive status regni Gallias diversorum auctorum. 
 Lugd. Bat. Elzevir, 1626. 8vo. Lent by Miss Coe. 
 
 1602. TACITUS. Opera. Amstel. typis Elzevir, 1649. 8vo. 
 
 Lent by Miss Coe. 
 
 1603. FLORUS, L. Annaeus. Epitome historiae Romanse. Lugd. Bat. 
 Elzevir, 1638. 8vo. Lent by Miss CDC. 
 
 1604. THE Gigantick History of the two Famous Giants and other 
 Curiosities in Guildhall. London, 2nd edition, 1740. 641110. 
 
 Lent by 
 
 Nineteenth Century. 
 
 1605. WILLOUGHBY, Lady. Diary of Lady Willoughby, as relates to her 
 domestic history in the reign of Charles 1. London, 1844. 
 4to. Lent by J. C. Wilkins, Esq. 
 
 This was the first book printed in the revived old-face type of the seventeenth 
 century. 
 
 1606. BEAUTIES of Opera. London, 1844. 8vo. 
 
 Lent by H. G. Hackly, Esq. 
 Unique, the only copy on India paper.
 
 216 Carton Celebration, 
 
 1607. GRAY, Thomas. Elegy in a Country Churchyard. London, 1854. 
 8vo. Lent by H. G. Hockly, Esq. 
 
 Unique, the only copy worked on India paper. 
 
 1608. BLACK book of Taymouth. Edited for the Bannatyne Club. 
 Edinb., 1855. 410. Lent by Messrs. Constable. 
 
 1609. EDINBURGH. Catalogue of Archaeological Museum. Illustrated. 
 Edinb., 1856. 8vo. Lent by Messrs. Constable. 
 
 1610. LITTLE London Directory (The). The oldest printed List of 
 Merchants and Bankers. London, 1863. 8vo. 
 
 Lent by J. C. Wilkins, Esq. 
 
 1611. HAMER, John. The Smoker's Text Book. Leeds: J. Hamer, 
 1863. 32mo. Lent by G. Unwin, Esq. 
 
 1612. LAING, H. Descriptive catalogue of ancient Scottish Seals. 
 Edinb., 1866. 4to. Lent by Messrs. Constable. 
 
 1613. SHAW, Henry, F. S. A. Handbook of Art of Illumination. 
 London, 1866. 4to. Lent by J. C. Wilkins, Esq. 
 
 Large paper copy, especially noticeable for the fineness of the wood en- 
 gravings. 
 
 1614. GRAY, Thomas. Poems. Privately printed. London, 1867. 410. 
 
 Lent by J. C. Wilkins, Esq. 
 
 1615. LEE, F. G. The Altar Service-book. London, 1867. Folio. 
 
 Lent by J. C. Wilkins, Esq. 
 
 1616. BRUCE, J. C. The Roman Wall. 2nd edit. London, 1867. 
 4to. Lent by A. Reid, Newcastle-on-Tyne. 
 
 1617. FRASER, W. The Lennox Cartulary; history of the Lennox 
 family. Edinb., 1874. 4to. Lent by Messrs. Constable. 
 
 1618. KUNSTHANDWERK. Sammlung Kunstgewerbliche gegenstande 
 aller zeiten. Stuttgart, 1874. Folio. 
 
 Lent by G. Fischbach, Strasburg. 
 
 1619. STRASBURG. Album: siege et bombardment, 35 planches photo- 
 graphies; texte par Gustave Fischbach. Strasbourg, 1874. 410. 
 
 Lent by G. Fischbach, Strasburg. 
 
 1620. LAPIDARIUM SEPTENTRIONALE, or Roman rule in north of England. 
 London, 1875. Folio. Lent by A? Reid, Newcastle-on-Tyne.
 
 2D, Eace or Beautiful >pecimen2f, 21 7 
 
 1621. GOETHE, J. von. Faust. Munich, 1876. Folio. 
 
 Lent by Herr Kroner, Stuttgart. 
 Steel and copper-plate engravings. 
 
 1622. GOETHE, J. von. Faust. Translated by Theodore Martin. Illus- 
 trated. London, 1877. Folio. Lent by J. C. Wilkins, Esq. 
 
 1623. RHEINFAHRT. Schilderungen von derquellen des Rhein bis zum 
 Meere. Stuttgart, 1876. 410. Lent by A. Kroner, Sttittgart. 
 
 An illustrated itinerary of the Rhine. 
 
 1624. DIVINE Worship. London, 1877. 410. 
 
 Lent by J. C. Wilkins, Esq. 
 
 1625. PUNCHARD. King Saul and other Poems. London, 1877. 
 
 Lent by J. C. Wilkins, Esq. 
 
 1626. MUSEE Entomologique Illustre. Paris, 1877. 4to. 
 
 Lent by J. Rothschild, Paris. 
 Letter-press printing with woodcuts. 
 
 1627. BLANCH ERE, H. de la. Les oiseaux gibier. 
 
 Lent by J. Rothschild, Paris. 
 Specimen of chromo-typographic art. 
 
 1628. PENNELL, H. C." Pegasus Re-saddled. Illustrated. London, 
 1877. 4to, Lent by J. C. Wilkins, Esq. 
 
 1629. SCIRBNER'S Monthly. An Illustrated Magazine for the People. 
 (Various years.} New York. 4to. 
 
 Lent by the Publishers, Messrs. Scribner, New York. 
 
 1630. MALOT, Hector. Romain Kalbris. Paris, 1877. 410. 
 
 Lent by J. Rothschild, Paris. 
 Specimen of illustrated letter-press. 
 
 1631. PRINTING, specimens of modern, from press of Messrs. Cassell, 
 Petter and Galpin. On landing. 
 
 1632. SPECIMENS of modern printing, in many Oriental languages, viz., 
 Arabic, Bengali, Chinese, Gurmukhi, Hebrew, Hindi, Hindustani, 
 Pali, Persian, Pushto, Sanskrit, Sindhi, Turkish, from press of 
 Stephen Austin, Hertford. Staircase. 
 
 1633. SPECIMENS of modern printing from the firm of Messrs. Bradbury, 
 Agnew, and Co. 
 
 1634. SPECIMENS of modern printing from the Gresham Press. 
 
 Lent by Unwin Brothers.
 
 218 Carton Celebration. 
 
 1635. SPECIMENS of modern printing from press of Messrs. Rivingtons. 
 
 1636. SPECIMENS of modern printing from press of Messrs. Bellows, 
 Gloucester. 
 
 1637. Illustrated children's books, &c. &c. 
 
 Lent by Gustav Fischbach, Strasburg. 
 
 1638. HILTON, Walter. The Scale of Perfection, reprint of the edition 
 of 1659. Lent by John Philp, Esq. 
 
 1 638*. SHAKESPEARE'S Works, by J. P. Collier. Privately Printed 
 Edition. Lent by J. S. Hodson, Esq. 
 
 SECTION III. 
 FACSIMILE REPRODUCTIONS. 
 
 HERE are many ways of producing facsimiles of old books. 
 That now most common is the Photo-lithographic process, 
 by which the camera is used for each page, and the image 
 taken on a prepared gelatinous sheet ; this is transferred to 
 stone and printed. The fault of this process is that nothing is omitted, 
 and the modern scribbling must be reproduced as well as the text ; also 
 Lronmoulds and worm-holes are greatly exaggerated, and a crease in the 
 paper appears as a black line. Another way is with facsimile type cut 
 on purpose, the most unsatisfactory of all. The best is by careful and 
 slow tracing through transparent paper, and then transferring to stone. 
 When done conscientiously this is the only plan, although its cost as 
 compared with the other processes is a great hindrance to its use. 
 
 1639. THE Game and Play of the Chesse. Second edition. Folio. 
 c. 1481. Lent by the Printers' Corporation. 
 
 Printed in 1855 with types cut by the late V. Figgins, Esq., for the repro- 
 duction of this book, the profits of which were intended for the Printers' Cor- 
 poration. Presentation copy to the Corporation from V. Figgins, Esq. 
 
 1640. THE Governal of Helthe. 4to. c. 1490. 
 
 Lent by W. H. Ry lands, Esq. 
 
 Printed in 1858 with the types cut by the late V. Figgins, Esq., for his reprint 
 of the Chess-book. 
 
 1641. THE Moral Proverbs of Chrystine of Pise. Folio. 1478. 
 
 Lent by W. H. Rylands, Esq. 
 Printed in 1869 with the types of J. Figgins, Esq.
 
 ax 1EU or Beautiful >pectmen0, 219 
 
 1642. THE Ars Moriendi. 4to. c. 1491. 
 
 Lent by W. H. Rylands, Esq. 
 
 Printed in 1869 with the types cut by the late V. Figgins, Esq., for his 
 Chess-book. 
 
 1643. STATUTES of Henry VII. Folio, c. 1490. With Introduction 
 by John Rae, Esq. Lent by W. H. Rylands, Esq. 
 
 Traced by hand on transparent lithographic transfer-paper, and printed from 
 stone, 1869. 
 
 1644. THE Fifteen Oes and other Prayers. 4to. c. 1491. Photo- 
 lithograph by S. Ayling. Lent by Messrs. Griffith 6 Farran. 
 
 From the unique copy in the British Museum. 
 
 1645. THE Curial. Folio. 1484. Traced and printed by G. I. F. 
 Tupper, Esq., 1877. 
 
 1646. THE Dictes and Sayinges of the Philosophers. Folio. 1477. 
 
 Lent by Eliot Stock, Esq. 
 
 Photo-lithographed in 1877 as a memorial of the first book printed in England 
 with a date. 
 
 1647. CAXTON'S Ovid; Six Books of Ovid's Metamorphoses, translated 
 by W. C. 1480. 4to. (Roxburgh Club, 1819.) Printed from 
 a MS. in the Pepysian Library, Cambridge. (See No. 5, page 7.) 
 
 Lent by Sir Charles Reed. 
 
 1649. HERBERT, George. The Temple. London, 1633. 8vo. Fac- 
 simile reprint. London, 1876. 8vo. Lent by G. Unwtn, Esq. 
 
 1650. BUNYAN, John. The Pilgrim's Progress. London, 1678. 8vo. 
 London, 1874. 8vo. Lent by Messrs. Unwin Brothers. 
 
 Facsimile Reprint.
 
 CLASS E. 
 SPECIMENS OF PRINTING. 
 
 SECTION I. 
 
 PRINTING BY STEAM AND COMMERCIAL PRINTING. 
 
 1673. 
 
 PECIMENS of Letter-press Printing worked on Messrs. Degener 
 and Weiler's "Liberty "Treadle Printing Machine, by Mr. Win. 
 John Kelly of New York. Lent by Messrs. Degener and Weiler. 
 
 1674. AMERICAN Paper Money. Framed in three panels, viz., the United 
 States Fractional Currency, from first issue until stopped ; Ameri- 
 can Confederate War Money, from 50 cents to 100 dollars; and 
 specimens of Local Confederate War Money. 
 
 Lent by Andrew W. Tuer, Esq. 
 
 1675. CHARTER of the International Typographical Union, in seven 
 colours, worked without points on a Cylinder Machine by Messrs. 
 Russell, Morgan, and Co., of Cincinnati, U. S. A. 
 
 Lent by the Proprietors of the Paper and Printing Trades Journal. 
 
 1676. "YE Ordinaunce of Revel." A 410. programme, printed in old- 
 style, in red and black, on a specially manufactured paper in imi- 
 tation of the antique : spelling Chaucerian. 
 
 Lent by Messrs. Field and Tuer. 
 
 1677. POEM "On the Image of a Kneeling Angel," printed in modern 
 Caxton type by Messrs. Field and Tuer. 
 
 Lent by the Rev. Frederick Kill Harford.
 
 C* fepectmeng of $rintm0; 221 
 
 1678. FRAMED Specimen of Modern Printing in old-style direct on 
 leather, forming the cover of J. J. Tissot's Etchings, published at 
 50 guineas per copy. Lent by Messrs. Field and Tuer. 
 
 1679. SUMMONS of the Preceptory of the Holy Sanctuary. Printed from 
 Messrs. V. and J. Figgins' Caxton type, with two accompanying 
 envelopes, one with address in writing and the other with .the seal 
 of the Holy Sanctuary, framed in the form of a cross. 
 
 Lent by Messrs. Field and Tuer. 
 
 Exhibited by special permission of the late Great Prior, the Earl of Shrews- 
 bury and Talbot. 
 
 1 680. ILLUSTRATIONS (various) of Commercial Printing in Antique type. 
 
 Lent by Messrs. Field and Tuer. 
 
 1 68 1. ILLUSTRATIONS of Printing in Antique type, the form of letters 
 modelled in accordance with the requirements of popular taste. 
 
 Lent by Messrs. Field and Tuer. 
 Exhibited in the International Exhibition. 
 
 1682. REPRODUCTIONS of Early Initial Letters for book illustrations. 
 
 Lent by Messrs. Field and Tuer. 
 
 1683. BANK of England Notes. 
 
 Lent by the Directors of the Bank of England. 
 
 The Bank of England was established in 1694, and the first Bank Notes 
 were issued in 1699. These notes were only partially printed, the amounts 
 being filled in by the pen ; ,1 and 2 were issued up to 1825. The notes 
 were printed from copper-plates until 1834, then by Parkin's Transfer Process 
 and steel-plates until 1852, when the present system of printing from surface 
 or relief by electrotype was adopted. The machines used for that purpose are 
 double-platen, with four inking-tables and double rolling apparatus. An 
 average of 50,000 notes is printed daily. 
 
 1684. PRINTING of Dividend Book and Warrants of the Bank of 
 England. Lent by John Coe, Esq., by permission of the Directors of 
 
 the Bank of England. 
 
 The Names and Amounts of the Holders of Government Stocks are con- 
 tained in about 64 vols. of royal folio, of 80 sheets each, and require 250,000 
 warrants for their dividends (these are printed and numbered at one operation). 
 The names and amounts were written with the pen until the year 1866, when 
 the present system of printing from stereotype and dwarf type was adopted. 
 This is done by ingenious contrivances for composing, making-up, imposing, 
 and printing. The time occupied in printing the 64 vols. is eight days with 
 eight presses, and the time employed in printing the warrants is twelve days, 
 with eight presses.
 
 222 Cajton Celebration, 
 
 1685. SPECIMEN Pages of Old Style Book Work. 
 
 Lent by Messrs. Unwin Bros. 
 
 1686. BANK of England Notes printed in colours. Early examples of 
 Printing Colours in register from curved Stereotype Plates on 
 Machinery, invented by Edward Cowper and Augustus Apple- 
 gath, 1818 and 1820. 
 
 Lent by E. A. Cowper, C.E., and L. W. Applegath, Esqs. 
 
 These examples of printing bank notes in colours were executed in the Bank 
 of England by Edward Cowper and Augustus Applegath in 1819-20, on 
 special machinery invented by them, with the object of preventing forgery. 
 The colours were printed in register on a machine, in a way that no ordinary 
 forger could possibly accomplish. 
 
 The Bank of England decided on the adoption of these One Pound Notes in 
 colours in place of the old black One Pound Notes then in circulation, when 
 twelve machines were set for the work, and four millions of notes were printed 
 in the bank ; but before the actual issue of the notes, it was found possible to 
 issue gold so as to enable the old One Pound Notes to be called in altogether, 
 and this was accordingly done, and the new notes as well as the old were 
 destroyed. 
 
 The coloured notes were printed from curved stereotype plates, placed on 
 separate cylinders, each with its own inking apparatus, having end motion to 
 the inking and distributing rollers according to Edward Cowper's patent of 
 1818 (which principle of distribution is now universally adopted in printing 
 machines). The paper was held on to its cylinder by tapes, and was further 
 prevented from slipping on the leather on which it laid, in consequence of the 
 leather receiving ink from every third or fourth impression, owing to a sheet 
 of paper being then purposely omitted. In this way the register that could be 
 obtained in printing from curved stereotype plates was of the most perfect pos- 
 sible description, and allowed of intricate patterns and "Rose engine work" 
 being employed, that it would be almost impossible to print in any other way. 
 
 1687. VOLUME of the "Times" for 1814. Showing the first use of 
 steam in connection with the Printing Press on 2gth November. 
 
 Lent by John Walters, M.P. 
 
 1688. CARDINAL Wolsey on Printing. Printed in old style, red and 
 black. Lent by Benjamin Haram, Esq. 
 
 An extract from Lord Edward Herbert's "History of England under Henry 
 the Eighth," in which curious and antagonistic reasons connected with the art 
 of printing are given, in a request of Cardinal Wolsey to Pope Clement VII. 
 that he may be allowed to throw down a few superfluous monasteries in Eng- 
 land, and to employ the revenues to the building of a college at Oxford, and 
 another at Ipswich. 
 
 1689. COMPLETE Works printed in Oriental and other languages, in- 
 cluding Specimens of the Holy Scriptures, Prayer Books, &c. 
 
 Lent by Messrs. Gilbert and Rivington.
 
 , >pecimen0 of printing* 223 
 
 1690. SELECTED Specimens of Polyglot Printing. 
 
 Lent by Messrs. Gilbert and Rivington. 
 
 1691. COPY of Rivington's "New York Gazetteer," 1775, in two frames. 
 
 Lent by Messrs. Gilbert and Rivington. 
 
 1692. SPECIMEN of Hunt's Syllabic system for teaching the 500,000,000 
 illiterate heathen. Lent by Messrs. Gilbert and Rivington. 
 
 1693. SPECIMENS of Printing for the Blind. 
 
 Lent by Messrs. Gilbert and Rivington. 
 
 1694. BROADSIDE. Speech of the Prince of Orange to some of the 
 principal gentlemen of Somersetshire and Dorsetshire on their 
 coming to joyn His Highness at Exeter 15 November, 1688. 
 Exeter: printed by J. B., 1688. Lent by George Tawse, Esq. 
 
 1695. BROADSIDE. Proclamation by the Peers of the Realm requiring 
 all Persons to keep the Peace during the interregnum between the 
 flight of James the Second and the arrival of William, Prince of 
 Orange. In the Savoy, 1688. Lent by George Tawse, Esq. 
 
 1696. BROADSIDE. Proclamation declaring William and Mary, Prince 
 and Princess of Orange, to be King and Queen of England. " God 
 save King William and Queen Mary." London, printed for James 
 Partridge, Matthew Gillyflower and Samuel Heyrick, 1689. 
 
 Lent by George Tawse, Esq. 
 
 1697. BROADSIDE. An Instrument of Government for settling the Crown 
 of the Kingdom of Scotland upon William 3rd and Mary 2nd, 
 King and Queen of England, &c., being the Declamation of the 
 Estates of that Kingdom to be presented to the King and Queen 
 of England and Edinburgh, n April, 1689. 
 
 Lent by George Tawse, Esq. 
 
 1 698. SPECIMENS of Modern Commercial Engraving. 
 
 Lent by Messrs. Charles and Edwin Layton. 
 
 1699. SPECIMENS of Commercial Printing in Old Style. 
 
 Lent by Messrs. Unwin Brothers. 
 
 1700. OLD Style Ornamental Headings, Tail Pieces, &c. 
 
 Lent by Messrs. Unwin Brothers. 
 
 1701. SPECIMEN Pages of Facsimile, and other Old Style Book Work. 
 
 Lent by Messrs. Unwin Brothers.
 
 224 Ca,rton Celebration,. 
 
 1702. SPECIMENS of American Letter-press Printing, arranged in a 
 volume. The names are given in the order in which the exhibits 
 arrived. The following houses are represented : 
 
 J. S. Thompson and Co., Chicago. 
 
 Russell, Morgan, and Co., Cincinnati. 
 
 G. S. Newcomb and Co., Cleveland, Ohio. 
 
 Graves and Russell, Elmira, New York. 
 
 D. A. St. Clair, Wytheville, Virginia. 
 
 " Savannah Morning News," Steam Printing House, Savannah, 
 
 Ga. 
 
 Reuben W. Clark, Medina, O. 
 Major and Knapp, New York. 
 Julius Pick, New York. 
 National Bank Note Company, New York. 
 W. H. Brett and Co., Boston. 
 W. Mann, Philadelphia. 
 Goddard and Nye, Worcester. 
 Woodbury and Walker, Denver, Colorado. 
 McCalla and Stavely, Philadelphia. 
 The " Daily Freeman " Steam and Job Printing House (A. V. 
 
 Haight, Superintendent), Rondout, City of Kingston, New 
 
 York. 
 
 W. J. Kelly, New York. 
 S. Reed Johnston and Co., Pittsburgh. 
 George O. Scott, Denver. 
 
 " Gazette and Bulletin " Printing House, Williamsport, Pa. 
 Mills and Co., Des Moines, Iowa. 
 C. H. Houghton, Middlesboro', Mass. 
 Albert de Follett and Son, Brooklyn, New York. 
 J. B. Lippincott and Co., Philadelphia. 
 Charles W. Spurr, Boston : Specimens of Patent Prepared 
 
 Woods, in form of printed business cards. 
 The Union Steam Printing Company, Brooklyn, New York. 
 Siddall Brothers, Philadelphia. 
 A. S. Abell and Co., Baltimore. 
 Lent by the Proprietors of the Paper and Printing Trade? Journal. 
 
 Lent by Messrs. Bradbury, Wilkinson, and Co. 
 
 1703. SURFACE-PRINTING in colours anti-photographic. For bank 
 notes. 
 
 The blocks are not produced by ordinary methods of engraving. 
 
 1704. BANK Notes. A case of specimens of foreign notes anti-photo- 
 graphic.
 
 >pecumn0 of granting. 225 
 
 SECTION II. 
 
 NEWSPAPER PRINTING: EARLY COPIES 
 OF ENGLISH NEWSPAPERS. 
 
 The whole of the Newspapers exhibited under this Section are from the collection 
 of William Rayner, Esq., 133, Blenheim Crescent, Netting Hill, London, W., with 
 the exceptions mentioned at end of list. 
 
 HE origin of newspapers is a subject on which there has been 
 a large amount of controversy. All writers who have given atten- 
 tion to the matter are agreed that Nathaniel Butter's "Weekeley 
 Newes," which first appeared in 1622, fulfils all the conditions 
 of a newspaper, and that publication has generally been accepted as the 
 first English newspaper. There were, however, numerous printed news- 
 sheets issued from the press prior to the above date, which some writers 
 have regarded as newspapers. During the reigns of Elizabeth and 
 James I. a class of men came into existence who were known as news- 
 letter writers. \Vritten sheets of news were sent to any persons willing 
 to pay for them. As the demand increased, the news-letter writers were 
 compelled to call in the aid of the printing press, and printed news- 
 letters appeared from time to time. Finally, Nathaniel Butter, taking 
 advantage of the excitement in the country occasioned by the Thirty 
 Years' War, conceived the idea of bringing out a printed news-sheet 
 systematically. 
 
 It was for a long time believed that there was an " English Mercuric " 
 published in 1588, and that this was the first English newspaper; but in 
 a pamphlet by Mr. Thomas Watts, of the British Museum, published in 
 1839, this was clearly proved to be a forgery. 
 
 Early Newspapers. 
 
 1706. THE Continuation of our Weekely Avisoes. No. 32. July 6, 
 1632. 
 
 This was probably \he first newspaper printed in Great Britain. It originally 
 appeared in 1622, and was brought out by Nathaniel Butter. 
 
 ' ' If any gentleman or other accustomed to buy the weekly relations of newes 
 be desirous to continue the same, let them know that the writer, or transcriber 
 rather, of this newes, hath published two former newes, the one dated the 2nd 
 and the other the I3th of August, all of which do carry a like title with the 
 arms of the King of Bohemia on the other side the title page, and have de- 
 pendance one upon another ; which manner of writing and printing he doth 
 purpose to continue weekly by God's assistance, from the best and most certain 
 intelligence : farewell, this twenty third of August, 1622." 
 
 1707. THE Diurnall or The Heads of all the Proceedings in Parliament, 
 "From the 6th of December to the i3th thereof, 1641." 
 
 It contains particulars of the Irish rebellion, "wherein they voted O'Neale 
 guilty of high treason." 
 
 Q
 
 22.6 Canton Celebration* 
 
 1 708. A CONTINUATION of the True Diurnall of Passages in Parliament. 
 January 24, 1641-2. 
 
 "Printed for George Hutton at Turn-Style." 
 
 1709. SPECIALL Passages. No. 14. November 15, 1642. 
 
 Engagement between the royal and parliamentary forces at Brentford. 
 
 1710. A CONTINUATION of Certain Speciall and Remarkable Passages. 
 No. 26. October 28, 1642. 
 
 March of the King's troops on London. Field-works thrown up at Hyde 
 Park Corner. The battle of Edgehill. In No. 51, June 8th, 1643, there is 
 an account of the destruction of the altar, organ, and images at Westminster 
 Abbey. Colonel Cromwell assaults Newark. Between five and six thousand 
 tailors of the City of London work in the trenches. " Hellish plot " to betray 
 the City. No. 53, June 22nd, 1643, contains an account of the fight at 
 Chalgrove Field, when John Hampden was mortally wounded. In No. 15, 
 April II, 1644, we learn that, according to the ordinance of Parliament, no 
 business whatever or any kind of amusement be participated in on the Lord's 
 Day. The dressing of meat in private families is however allowed. 
 
 Illustrated Newspapers. 
 
 The earliest newspaper systematically illustrated was the " Mercurius 
 Civicus," the first number of which appeared on the 2nd of June, 1643. 
 No. 1 1 contains a portrait of the King and an engraving of a new weapon 
 called the " Round-head." The first newspaper, however, containing an 
 illustration was the "Weekeley Newes" of the 2oth of December, 1638, 
 which has an account of a " prodigious eruption of fire, which exhaled 
 in the middest of the Ocean Sea, over against the Isle of Saint Michael, 
 one of the Terceras, and the new Island which it hath made." The 
 illustration shows " the island, its length and breadth, and the places 
 where the fire burst out." 
 
 1711. MERCURIUS Civicus. No. 45. April 4, 1644. No. 64. August 
 15, 1644. 
 
 These papers contain portraits of King Charles I. , Queen Henrietta Maria, 
 and Prince Maurice, and also a woodcut of the Papal tiara, with the number 
 of the beast. 
 
 1712. A PERFECT Diurnall of the Passages in Parliament. No. 51. June 
 5, 1643. 
 
 1713. REMARKABLE Passages of the Occurrences of Parliament, am 
 Proceedings of the Armie. No. 5. December 15, 1643. 
 
 These papers have illustrated titles, representing the House of Commons i:
 
 Cla00 <E* >pecimen0 of glinting* 227 
 
 1714. CERTAINE Informations. No. 32. August 28, 1643. 
 
 The Cavaliers " have deflowered virgins and ravished matrons." The virgins 
 of Norwich subscribe money and equip a troop of horse called the " Maiden 
 Troop." The Cavaliers' "drabs " at Bristol insult the mayor and sheriffs. 
 
 1715. THE Complete Intelligencer and Resolver, in two parts, the first 
 giving Intelligence of the State of the Three Kingdomes, the 
 other, Resolving Doubts in the Present Differences. No. 3. 
 November 14, 1643. 
 
 The trial of Archbishop Laud. 
 
 1716. BRITAINE'S Rembrancer. No. i. March 19, 1644. 
 
 The trial of Archbishop Laud. 
 
 1717. THE Spie, Communicating Intelligence from Oxford. No. 8. 
 March 19, 1644. 
 
 Cromwell is shortly to "tutor this blood leech " (Prince Rupert). 
 
 1718. THE London Post. No. 5. September 10, 1644. 
 
 Surrender of the army of the Earl of Essex to the King's forces. 
 
 1719. THE Parliament Scout, Communicating his Intelligence to the 
 Kingdome. No. 65. September igih, 1644. 
 
 The House of Commons thanks Cromwell for his victory at Marston Moor. 
 
 1720. A DIARY, or an exact Journal. No. 34. January gth, 1645. 
 Printed for Matthew Walbancke, at Gray's-Inne Gate. 
 
 Archbishop Laud's sentence of death by hanging changed to that of be- 
 heading. 
 
 1721. MERCURIUS Britanicus. No. 82. May i2th, 1645. 
 
 This was the most successful of the Parliamentary prints. Each number 
 contains plenty of abuse of Aulicus, the King's newspaper. Mercurius 
 Britanicus was written by Marchmont Needham, who was originally an 
 attorney's clerk. The Parliament not having rewarded him according to his 
 own estimation of his merits, he, in 1648-9, brought out Mercurius Pragmaticits 
 in the King's interest. For this he was thrown into the Tower, and only 
 regained his liberty by promising to write the Mercurius Politicus in the 
 interest of the Independents. He subsequently wrote the official Weekly 
 Intelligence, but was dismissed from the post in 1659. He then went abroad, 
 but obtained a pardon at the Restoration. 
 
 In No. 6 (Oct. 3, 1643) Needham suggests a "sub-committee" to assist 
 Aulicus in lying. In No. 55 (Oct. 28, 1644) there are allusions to Attlicus's 
 "impudent false insinuations." In this number we read that Parliament gives 
 thanks to Almighty God for the capture of Newcastle by "our brethren" the 
 Scots. In No. 82 (May 12, 1645) we notice "Aulicus a libeller." In No, 
 87 (June 23, 1645) there is an account of the Battle of Naseby. "Wretched 
 Aulicus." " Another most impudent forgery" by Aulicus. 
 
 No price is mentioned on the early newspapers. They were probably sold 
 at ilfd. per copy, as Needham, in the Britanicus (No. 82, May 12, 1645), 
 alluding to some alleged Royalist successes, sarcastically observes, "Will ye 
 buy any three-halfpenny victories?"
 
 228 Canton Celebration* 
 
 1722. THE Kingdome's Weekly Post. October 15, 1645. 
 
 Capture of Basing House by "our great Commander Cromwell." Hugh 
 Peter says, with reference to the taking of this stronghold : " The Commander 
 of the Brigade (Cromwell) had spent much time with God in prayer the night 
 before the storm, and seldom fights without some Scripture to support him. 
 This time he rested on that blessed Word of God : ' They that make them 
 are like unto them, So is every one that trusteth in them.'" Psalm cxv., 8. 
 
 1723. MERCURIUS Diutinus. No. 8. January 20, 1646. 
 
 1724. THE Scotish Dove, sent out and returning. No. 155. October 
 15, 1646. 
 
 This paper has an illustration of a dove on the title-page. 
 King Charles with the Scots at Newcastle. 
 
 1725. PERFECT Occurrences of both Houses of Parliament and Martiall 
 Affairs. November 6, 1646. 
 
 In No. 13 of this paper (April 2, 1647) there is an advertisement referring 
 to the sale of a book entitled The Divine Right of Church Government, 
 "applauded by the clergy of England." We also read that a minister fixes 
 the Day of Judgment for April 3rd, 1647. In Perfect Occurrences (No. 17, 
 April 19, 1644) it is stated that a Royalist drummer deserting to the Parlia- 
 mentary troops is glad " the Lord hath brought him from amongst that sinful 
 and debauched Company of the Cavaliers." 
 
 1726. THE Military Actions of Europe. No. 2. November 2, 1646. 
 
 The House in Committee of Ways and Means to raise ^200,000 for the Scots, 
 in order to get the King into the possession of Parliament. 
 
 1727. THE Perfect Weekly Account. No. 35. August 31, 1647. 
 
 The royal children may sometimes visit their father at Hampton Court, pro- 
 vided that they return to Sion the same night. In No. 3 (Jan. 20, 1646-7) we 
 read that the Scots are counting the money at York before giving up the King 
 to the Parliament's Commissioners. In No. 19 (May 12, 1647) it is stated that 
 the "mazels and small Pox" are very rife in Edinburgh. 
 
 Royalist Newspapers. 
 
 1728. MERCURIUS Aulicus. April 9, 1643. 
 
 This paper was commenced on the 1st of January, 1642, at Oxford, the King 
 and his court being resident there. The "Court Mercury" was written by 
 Sir John Birkenhead. After the surrender of King Charles by the Scots to the 
 Parliament, numerous Royalist newspapers sprang into existence. They were 
 in all cases secretly printed. 
 
 1729. THE Parliament Kite or the Tell-tale Bird. No. 7. June 29, 
 1648. 
 
 " Printed in the veer of the Saints Fear. :>
 
 * >pecfmen0 of Diluting;* 229 
 
 1730. MERCURIUS Elencticus. No. 59. January 9, 1648. 
 
 The Martial General ordered to put in force the ordinance against these 
 "firebrands of sedition," Elencticus and Pragmaticus. 
 
 In No. 39 (Aug. 23, 1648) the King is called "that peerlesse Jewell of 
 Christendome." In No. 51 (Nov. 15, 1648) Elencticus speaks of the 
 "poisonous and malicious quills of Alilitaris and the Moderate" (rival news- 
 letters). In No. 54 (Dec. 6, 1648) we read of a proposal that " honourable and 
 victorious Fairfax or Cromwell" be elected king, " in whom dwelleth the spirit 
 of Truth, Meekness, and Holiness." In No. 55 (Dec. 12, 1648) it is stated 
 that St. Paul's Cathedral is filled with hay, horses, &c. In No. 57 (Dec. 26, 
 1648) we read that the House resolves that liberty of conscience be granted to 
 all, even though they be Papists and Episcopalians. In No. 59 (Jan. 9, 
 1648-9) there is a record of an "awful judgement" which happened to one of 
 the "saints" whilst teaching his horse to walk up the steps into St. Paul's 
 Cathedral. The horse fell over, and the trooper was killed. 
 
 1731. MERCURIUS Melancholicus. No. 29. March 20, 1648. 
 
 King Charles described as "the Glory of all Christendom." The Parlia- 
 ment fails to discover Melancholicus and "his brother Pragg" (Mercuritis 
 Pragmaticus). In No. 38 (May 15, 1648) we read "Great Charles lan- 
 guisheth," and the King is called "that sacred person." 
 
 1732. MERCURIUS Pragmaticus (FOR KING CHARLS II.). Part 2, No, 
 12. July 10, 1649. 
 
 In this number the Parliament's new seal is called "the State buttei print." 
 Mr. Owen, the Puritan divine, is styled "pulpit buffoone generall to Nose 
 Almighty" (Oliver Cromwell). This paper was written by Marchmont Need- 
 ham, formerly the writer of Mercurius Britannicus, a Parliament print. In 
 No. 22 (Feb. 15, 1648), it says : " Never such a dead time for newsmongers." 
 
 1733. THE Man in the Moon, discovering a world of Knavery under the 
 Sunne. No. 18. August 23, 1649. 
 
 "Jack Lilburn as factious a firebrand as ever ruined kingdom." 
 
 1734. AULICUS, his Hue and Cry sent forth after Britanicus, who is 
 generally reported to be a lost Man. London. Printed in the 
 dismall yeare si. Britanicus. 1645. 
 
 35. MERCURIUS Britanicus, his Welcome to Hell with the Devil's 
 Blessing to Britanicus. 1647. 
 
 These are Royalist pamphlets, in which Britaniciis (Marchmont Needham) 
 is overwhelmed with abuse and derision. 
 
 1736. THE Kingdome's Weekly Intelligencer. Sent abroad to prevent 
 misinformation. No. 163. June 20, 1648. 
 
 1737. THE Moderate. No. 22. Dec. 12, 1648. 
 
 This paper contains an article arguing the right of Parliament to settle the 
 form of government.
 
 230 Canton Celebration* 
 
 1738. THE Moderate Intelligencer. No. 202. February i, 1649. 
 
 1739. THE Armies Modest Intelligencer. No. 2. February i, 1649. 
 
 These papers contain accounts of the trial and execution of Charles I. 
 Under the heading of " Monday " (January 29th), The Armies Modest Intelli- 
 gencer says : "Little newes from any parts, onely the Scaffolds erected for the 
 King." 
 
 1740. A BRIEFE Relation of Some Affairs and transactions Civill and 
 Military, both Forraigne and Domestique. No. 28. March 5, 
 1649. 
 
 " Charles Stuart" at Beauvais. 
 
 1741. MERCURIUS Brittanicus. No. 7. June 5, 1649. 
 
 The abolition of kingly government proclaimed by the Lord Mayor at the 
 Royal Exchange. 
 
 1742. THE Impartiall Intelligencer. No. 23. August 15, 1649. 
 
 The late King's plate and jewellery to be sold. Prince Charles Stuart at 
 St. Germain's endeavouring to obtain a pension from the French King. 
 
 1 743. A MODEST Narrative of Intelligence for theRepublique of England 
 and Ireland. No. 25. September 22, 1649. 
 
 The siege and capture of Drogheda. 
 
 1744. SEVER ALL Proceedings in Parliament. No. 102. September n, 
 1651. "Printed at London for Robert Ibbitson, dwelling in 
 Smithfield, near Hosier Lane." 
 
 This paper contains two despatches from Cromwell to Mr. Speaker Lenthall 
 describing that "crowning mercy," the Battle of Worcester, fought on the 3rd 
 September, 1651. The watchwords of the Parliamentary soldiers were the 
 same as at the Battle of Dunbar fought exactly one year before, "The Lord 
 of Hosts," Isaiah li., 15. It also contains lists of the prisoners, commencing 
 with the Duke of Hamilton, and a proclamation against Charles Stuart, 
 offering ,1,000 for his capture. 
 
 1745. A PERFECT Account of the daily Intelligence from the Armies in 
 England, Scotland, and Ireland, the Navy at Sea, and other trans- 
 actions of and in relation to this Commonwealth. No. 115. 
 March 23, 1653. 
 
 Execution of the "Righteous Judgments of the Lord " against Sir Phelim 
 O'Neill, the Irish rebel. He was hanged, drawn, and quartered. 
 
 1746. MERCURIUS Democritus, or a True and Perfect Nocturnall, com- 
 municating many strange Wonders Out of the World of the 
 Moon, the Antipodes, Maggy-Land, Tenebris, Fary-land, Green- 
 land, and other adjacent Countries. Published for the right 
 understanding of all the Mad-Merry People of Great Bedlam. 
 No. 80. November 2, 1653. 
 
 The earliest facetious newspaper.
 
 >pecimen0 of ^rmtinff* 231 
 
 1747. PERFECT Proceedings of State Affairs. No. 297. June 7, 1655. 
 His Highness (the Lord Protector Cromwell) returns from Hampton Court 
 to Whitehall. 
 
 1 748. OCCURRENCES from Foreign Parts with an exact Accompt of the 
 Daily Proceedings in Parliament. No. 64. February 14, 1659. 
 Mr. Praise-God Barebones presents a petition to the House of Commons. 
 
 1749. A PERFECT Diurnal of the Daily Proceedings of Parliament. 
 No. 9. March 2, 1659. 
 
 The confession of Faith presented by the Westminster Assembly of Divines 
 adopted as the national religion. This print has by some been considered as 
 the first daily paper. It undoubtedly appeared daily, but was dependent for 
 publication on the sitting of Parliament, and contained nothing beyond the 
 transactions of the House. 
 
 1750. THE Weekly Intelligencer of the Commonwealth. No. i. May 10, 
 1659. 
 
 Doctor Owen "entertained" the House with a "comfortable sermon." The 
 House of Commons resolves to carry on the government without a King or 
 House of Peers. 
 
 1751. THE Public Intelligencer. No. 176. May 16, 1659. 
 
 Marchmont Needham forbidden to write the Weekly Intelligencer. Mr. John 
 Cann appointed to the post. 
 
 1752. MERCURIUS Politicus. No. 579. July 21, 1659. 
 
 The House of Commons votes ,29,640 in payment of the debts of Richard 
 Cromwell, son of the late Lord Protector. 
 
 1753. MERCURIUS Publicus. No. 47. November 22, 1660. 
 
 Disbandment of the army. 
 
 On the 3 1st August, 1663, Roger 1' Estrange was appointed "Surveyor of 
 the Printing Presses" and "Licenser of the Press." Twenty years pre- 
 viously Roger 1'Estrange was under sentence of death in the Tower, and his 
 life was saved only by Prince Rupert threatening to retaliate on some soldiers 
 ' of the Parliament whom he had taken prisoners. The liberty of the press 
 was virtually destroyed by Roger's appointment, and no new paper could 
 appear without a licence. In January, 1664, 1'Estrange started a paper, 
 which was published twice a week. The Monday edition was called The 
 Intelligencer, and the Thursday edition was named The Nnves. This paper was 
 published "with privilege;" but towards the close of 1665, Roger was out 
 of favour ; he lost his appointment, and The London Gazette took the place of 
 his paper. 
 
 1754. THE Intelligencer. Published for the satisfaction of the people. 
 No. 63. August 8, 1664.
 
 232 Canton Celebration* 
 
 1755. THE Newes. Published for the satisfaction of the people. No. 64. 
 August ii, 1664. 
 
 1756. THE London Gazette. No. 239. March 2, 1667. 2 pp. 
 
 This official paper first appeared as the Oxford Gazette in November, 1665, 
 the Court then being at Oxford in consequence of the Great Plague. It was 
 transferred to London in 1666, and has appeared twice weekly from that time 
 to the present. 
 
 1757. THE True Protestant Mercury. No. 108. January 18, 1681-2. 
 2 pp. 
 
 1758. THE Protestant Domestic Intelligence, or News from both City 
 and Country. No. 80. April 9, 1680. 2 pp. 
 
 This was the period of the Popish Plots, and the newspapers in existence 
 showed their fidelity to the reformed religion by introducing the word 
 "Protestant" in their titles. 
 
 1759. THE London Gazette. No. 1845. July 26, 1683. 4 pp. 
 
 This paper contains the address of the University of Oxford in Convocation 
 against " Certain pernicious books and damnable doctrines destructive to the 
 Sacred Persons of Princes." In alluding to the recently discovered Rye House 
 Plot, the address styles the Merry Monarch ' ' the breath of our nostrils " and 
 " the Anointed of the Lord." 
 
 1760. ADVICE from Parnassus. No. 3. February 9, 1680. 
 
 1761. THE Observator. No. 102. October 28, 1685. 
 
 This paper was written by Roger 1'Estrange for the purpose of palliating 
 King James's Roman Catholicism. The evils of the times are invariably 
 attributed to the Nonconformists. Roger received knighthood on the 3oth of 
 April, 1685, and was elected Member of Parliament for Winchester. In the 
 succeeding reign he was imprisoned in Newgate and the Marshalsea for pub- 
 lishing treasonable papers. He was excepted from the Bill of Grace, and died 
 in 1704, aged 88 years. Queen Mary made the following anagram on his 
 name : 
 
 Roger 1'Estrange. 
 
 Lye strange Roger. 
 
 1762. THE London Gazette. No. 2231. April 7, 1687. 
 
 It contains "His Majestie's (James II.) Gracious Declaration to all his 
 Loving Subjects for Liberty of Conscience." 
 
 1763. A FULL and True Relation of a Dreadful and Terrible Storm that 
 hapned at Forte St. George, in the East Indies, on the 3rd of 
 November, 1684.
 
 -fepecimeng of printing:* 233 
 
 1764. A TRUE Relation of the Late King's Death (Charles II.). Feb. 6, 
 1685. 
 
 Evelyn says in his diary: "The King died. I never can forget the inex- 
 pressible luxury and profaneness, gaming, and dissoluteness, and as it were 
 total forgetfulness of God (it being Sunday evening) which this day se'nnight 
 I was witness of. The King sitting toying with his concubines, Portsmouth, 
 Cleaveland, and Mazarine, and a French boy singing love songs, whilst above 
 twenty of the courtiers and other dissolute persons were at basset around a 
 large table, with a bank of at least .2,000 in gold before them. Six days 
 after all was dust." 
 
 These two printed news-sheets will illustrate the difference between the 
 regular newspaper and an occasional emanation from the printing press. 
 
 1765. THE True Protestant Mercury, or an Impartial History of the 
 Times, perform'd by a single sheet, Coming out every Friday. 
 No. i. Dec. 6, 1689. 2 pp. 
 
 1766. THE London Mercury. No. 6. February 26, 1692. 2 pp. 
 
 1767. THE Lacedemonian Mercury. No. 10. March n, 1692. 2 pp. 
 
 A continuation of The London Mercury. 
 
 1768. THE Ladies' Mercury. No. 2. March 6, 1693. 2 pp. 
 
 In No. I it says : -"We shall make it our study to avoid even the least 
 offensive syllable that may give any rude shock to the chastest ear. We declare 
 ourselves such Religious Homagers of Vertue and Innocence that we would 
 not force a Blush into a Virgin Cheek, having that true value for Beauty, as to 
 adorn it with no other Vermilion but its own." Notwithstanding these 
 elaborate assurances of propriety, the paper is grossly immoral. 
 
 1769. THE Jovial Mercury. No. 2. March 3, 1692. 2 pp. 
 
 Among the subjects discussed in this number is the following : "Whether 
 at the Skip of a Flea the Earth is mov'd out of its Center ?" It is decided in 
 the affirmative. 
 
 1770. MOMUS Ridens, or Comical Remarks on the Weekly Reports. 
 No. 19. March n, 1691. 2 pp. 
 
 A rhyming newspaper. The Turks defeated by the German Emperor. 
 Under the heading of "The Siege of Limerick" the following phrase 
 occurs : 
 
 "To march out with Bag and Baggage." 
 
 1771. MERCURIUS Reformatus, or the New Observator. Vol. 3. No. 2. 
 July 1 8, 1690. 2 pp. 
 
 1772. A CONTINUATION of the Proceedings of the Parliament in Scot- 
 land. No. 43. August 3, 1689. 2 pp.
 
 234 Canton Celebration* 
 
 1773. THE English Lucian or Weekly Discoverer of the Witty Intrigues, 
 Comical Passages, and Remarkable Transactions in Town and 
 Country. No. 6. Valentine's Day, 1698. 2 pp. 
 
 1774. THE Weekly Comedy as it is Dayly Acted at most Coffee Houses 
 in London. No. 7. June 21, 1699. 2 pp. 
 
 1775. A COLLECTION for Improvement of Husbandry and Trade. No. 
 563. May 7, 1703. 2 pp. 
 
 The earliest trade newspaper. 
 
 ' ' Whoever will buy or hire, sell or lett houses, lodgings or estates, want or 
 will put out apprentices, want servants or will go to service, will take or go to 
 board, will put to school or want scholars ; or will have anything else enquired 
 for, that is honourable for me to do, it may be entered in my books for half-a- 
 crown each, and it is probable I may help them." 
 
 " I want the next presentation to a living of 200 the year." 
 "I have very good New Spaw Water." 
 " If any wants a Wet Nurse, I can help." 
 
 This number contains suggestions for supplying the inland towns with fish, 
 a feat of some difficulty in those days of slow locomotion. 
 
 1776. THE Daily Courant. No. 3,166. Dec. 5, 1711. No. 3,260. 
 March 26, 1712. No. 5,635. Nov. 12, 1719. 
 
 This paper was commenced in 1702, and was ihe first daily newspaper. 
 
 1777. THE Post Boy. No. 1,233. April 10, 1703. No. 4744. Dec. 
 22, 1719. 2 pp. Dec. 13, 1711. 
 
 1778. THE Post Man. No. 1,108. March 25, 1703. No. 17,245. 
 July 7, 1719. 2 pp. 
 
 1779. THE Examiner. No. 49. July 5, 1711. Tory newspaper. 2pp. 
 
 At the commencement of the i8th century, party newspapers began to appear. 
 The principal writers on the side of the Tories were Dean Swift, Prior, Lord 
 Bolingbroke, and Bishop Atterbury ; and on the Whig side there were Defoe, 
 Addison, and Steele. Dean Swift, in a letter to Stella (October 10, 1711), 
 says : "A rogue that writes a newspaper, called the Protestant Post Boy, has 
 reflected on me in one of his papers, but the secretary (St. John) has taken him 
 up, and he shall have a squeeze extraordinary. He says, ' That an ambitious 
 Tantivy, missing of his towering hopes of preferment in Dublin, is come 
 over to vent his spleen on the late ministry, &c.' I'll Tantivy him with a 
 vengeance." 
 
 1780. THE Tatler. No. 246. Nov. 4, 1710. The complete volumes, 
 1709-10. 
 
 This paper was written by Addison and Steele, the latter being the principal 
 contributor. It was very successful and brought into existence numerous imi- 
 tations, among them the Tell- Tale, the Tory Tattler, the Tattling Harlot, and 
 the Female Tattler, by Mrs. Crackenthorpe, "A lady who knows everything." 
 It was discontinued, however, and made room for the Spectator.
 
 Cla00 C >pectmen0 of ^rintmff. 235 
 
 1781. THE Spectator. No. 131. July 31, 1711. No. 400. June 9, 
 1712. 2 pp. 
 
 This famous newspaper, of which 638 numbers appeared, met with the most 
 extraordinary success. Addison wrote 274 of the essays, Steele contributed 240, 
 and the remainder were furnished by various writers. 
 
 .782. THE Guardian. No. 20. April 3, 1713. 2 pp. Price 2d. 
 Written by Steele. 
 
 1783. THE LOVER. No. 12. March 23, 1714. 2 pp. Price zd. By 
 Marmaduke Myrtle, Gent. 
 
 This paper also was written by Steele. Among the other newspapers 
 founded by this indefatigable writer were the Whig Examiner, the Freeholder, 
 the Reader, the Plebeian, Chit Chat, the Tea Table, and the Town Talk. In 
 1714, he was expelled from the House of Commons for writing articles in the 
 Englishman and the Crisis, "assailing the conduct of the administration." 
 
 On the 1st of August, 1712, the \d. Stamp Duty was imposed on newspapers, 
 which had a most disastrous effect on the existing newspapers. 
 
 Dean Swift writing to Stella (Aug. 1712) says : "All Grubb Street is dead 
 and gone. No more ghosts or murders now for love or money." 
 
 Addison in the Spectator says : " This is the day on which many eminent 
 authors will probably publish their last works. I am afraid that few of our 
 weekly historians, who are men above all others that delight in war, will be able 
 to subsist under a stamp duty with an approaching peace. In short, the necessity 
 of carrying a stamp, and the impracticability of notifying a bloody battle, will, I 
 am afraid, both concur to the sinking of these thin folios which have every 
 other day related to us the history of Europe for several years past. A facetious 
 friend of mine, who loves a pun, calls this present mortality, ' The fall of the 
 leaf.' " 
 
 1784. SERIOUS Thoughts; or, A Golden Chain of Contemplations, 
 Divine and Moral. No. i. August 15, 1710. 
 
 The earliest religious newspaper. 
 
 "The first week of its Publication, I only ask the favour of your kind 
 Acceptance thereof : and afterwards, if you please to take it in at half a Crown 
 a quarter, it shall be Constantly delivered at your House, every day of its 
 Coming out ; but if you do not approve of it, be pleased to acquaint the 
 Messenger therewith, that he may desist bringing it any longer." 
 
 At this period (1710) there were twenty newspapers published in London. 
 
 1785. THE Evening Post. No. 1746. October 8, 1720. 4 pp. 
 
 This was the first evening newspaper. It originally appeared on the 6th 
 of September, 1709. A page or more of this paper was frequently left blank, 
 on which persons wrote their private letters. 
 
 1786. THE St. James's Evening Post. No. 789. June u, 1720. 4 pp. 
 No. 2,668. June 20, 1732. 
 
 An early evening newspaper. 
 
 1787. THE Daily Journal. No. 513. September 14, 1722. 2 pp.
 
 236 Canton Celebration* 
 
 1788. THE Flying Post or Postmaster. No. 4,622. September 15, 
 1722. No. 5,509. October 22, 1728. No. 5,600. February 6, 
 1728-9. 2 pp. 
 
 A Whig newspaper. 
 
 Dean Swift, writing to Stella, says : "These devils of Grub Street rogues, 
 that write the Flying Post and Medley, will not be quiet. They are always 
 mauling the Lord Treasurer and me. We have the dog under prosecution, 
 but Bolingbroke is not active enough ; but I hope to swing him. He is a 
 "Scotch rogue, one Redpath." The "dog" was fined 600. 
 
 1789. THE Trifler. No. 4. November 28, 1722. 2pp. By Timothy 
 Scribble, Esq. 
 
 1790. THE British Journal. No. 45. July 27, 1723. 4 pp. 
 
 1791. THE Daily Post. No. 1512. July 31, 1724. No. 1675. Feb- 
 ruary 6, 1725. No. 28,857. December 19, 1728. 2 pp. 
 
 The advertisements of Jonathan Wild, the thief-taker, frequently appear in 
 this paper. See the number of July 3151, 1724. 
 
 1792. MIST'S Weekly Journal. No. 18. July 3, 1725. Tory news- 
 paper. 4 pp. 
 
 1793. THE Daily Post Boy. No. 6,153. October 26, 1728. 2 pp. 
 
 A Tory newspaper. 
 
 In the year 1731 there were twenty-two journals published in London, and 
 twenty-three in the provinces, a total of forty-five in Great Britain. 
 
 1794. THE London Journal. No. 516. June 21, 1729. 4 pp. 
 
 1795. FOG'S Weekly Journal. No. 204. Sept. 30, 1732. 
 
 1 795*.THE Universal Spectator and Weekly Journal. No. 157. Octo- 
 ber 9, 1731. 4 pp. By Henry Stonecastle, of Northumberland, 
 Esq. 
 
 1796. THE Country Journal, or the Craftsman. No. 783. Dec. 4, 1731. 
 
 1-797. THE Weekly Register, or Universal Journal. No. 152. March 
 i ; 1733- 
 
 1798. THE Weekly Oracle, or Gentleman's Journal. No. 58. Jan. 16, 
 1736. 
 
 1799. COMMON Sense, or the Englishman's Journal. No. 96. Dec. 2, 
 1738. 
 
 1800. THE London Daily Post and General Advertiser. No. 352. 
 December 18, 1735. No. 1,770. June 26, 1740. 2 pp. May 
 13, 1740. 
 
 1801. THE General Evening Post. No. 1,902. December 5, 1745. 
 
 4 PP- 
 
 Prince Charles Stuart, "The Young Pretender," in Lancashire.
 
 >pecimen0 of printings 237 
 
 1802. THE Jacobite's Journal. By John Trott-plaid, Esq. No. 15. 
 March 12, 1748. 4 pp. 
 
 This paper was written by Henry Fielding, and, notwithstanding its title, 
 it was staunchly Hanoverian. 
 
 1803. OLD England; or, the Broadbottom Journal. By Argus Cent- 
 oculi, Inspector of Great Britain. No. 150. March 28, 1747. 
 No. 303. January 13, 1750. 4 pp. 
 
 1804. THE British Spy; or, New Universal London Weekly Journal. 
 No. 220. May 8, 1756. 4 pp. 
 
 The great earthquake at Lisbon. 
 
 1805. OWEN'S Weekly Chronicle and Westminster Journal. No. 452. 
 December 6, 1756. 4 pp. 
 
 1806. THE London Chronicle, or Universal Evening Post. No. 25. 
 February 26, 1757. 8 pp. No. 400. July 21, 1759. 
 
 1807. OWEN'S Weekly Chronicle, or Universal Journal. No. 20. 
 August 19, 1758. 8 pp. 
 
 1808. THE London Evening Post. No. 4,876. February 6, 1759. 
 4 pp. 
 
 1809. THE Public Advertiser. No. 9,239. June 9, 1764. 
 
 This paper originally appeared, in 1726, as the London Daily Post and 
 General Advertiser. In 1742 its first title was dropped, and it became known 
 as the General Advertiser. Again, in I75 2 it underwent another change of 
 name, and was styled the Public Advertiser. It was rendered famous by 
 the appearance of the letters of Junius in its columns, and on account of the 
 controversy which has since taken place with regard to their authorship. 
 These letters extended over a period of three years, commencing with the 2 1st 
 of January, 1769. 
 
 1810. LLOYD'S Evening Post. Vol. 1767. 
 
 1811. THE Middlesex Journal, or Chronicle of Liberty. No. 31. May 
 20, 1769. 
 
 1812. THE North Briton. No. 218. 'May n, 1771. Price z\d, 
 4 pp. 
 
 This paper was established by John Wilkes, assisted by John Churchill and 
 Lord Temple, in opposition to Dr. Smollett's paper, the Briton. In No. 45 
 the king was charged with falsehood in his speech on the opening of Parlia- 
 ment in 1762. Wilkes was arrested for this, and thrown into the Tower ; and 
 the House of Commons ordered "No. 45" to be burnt by the common hang- 
 man in Cheapside. The " Wilkes and Liberty" riots, the actions instituted 
 by Wilkes and his printer and publisher on account of their illegal arrest, and 
 the frequent elections of Wilkes for the City of London and the County of 
 Middlesex, caused intense public excitement for a lengthened period. 
 
 1813. THE Gazetteer and New Daily Advertiser. No. 15,505. October 
 23, 1778. 4 pp. Dec. 5, 1795. June 4, 1765.
 
 238 Cajtott Celebration* 
 
 1814. THE London Packet. No. 197. Jan. 30, 1771. July 16, 1787. 
 
 1815. THE Old British Spy and London Weekly Journal. No. 2,037. 
 June 26, 1779. Price \\d. 4 pp. 
 
 1816. THE Morning Herald and Daily Advertiser. No. 109. March 7, 
 1781. Price $d. 4 pp. Oct. 8, 1790. 
 
 This paper was discontinued on the 3ist of December, 1869, having been 
 in existence 88 years. 
 
 1817. THE London Courant and Westminster Chronicle. August 3, 
 
 1781. Price $d. 4 pp. 
 
 1818. THE Morning Chronicle and London Advertiser. No. 3772. 
 June 19, 1781. Price 3^. 4 pp. March 4, 1796. 
 
 This paper had an existence extending over ninety years. It was discon- 
 tinued in 1 86 1. 
 
 1819. THE British Gazette and Sunday Monitor. No. 124. August 4, 
 
 1782. Price $d. 4 pp. Oct. 14, 1827. 
 
 Mercurius Aiilicus, the King's news letter, brought out at Oxford, January 
 1642, was published on Sunday ; but with this exception, Johnson's British 
 Gazette was the first Sunday newspaper. At the commencement of the present 
 century it dropped the first half of its title and was known as the Sunday 
 Monitor. It subsequently descended so low as to become the organ of Joanna 
 Southcote, and it died in 1829. 
 
 1820. THE Westminster Journal and London Political Miscellany. By 
 Simon Gentletouch of Pall Mall, Esq. No. 2,149. J u ty J > J 786. 
 Price ^d. 4 pp. 
 
 1821. THE Daily Advertiser. No. 18,073. November 3, 1786. Price 
 2\d. 4 pp. Dec. 5, 1795. 
 
 1822. THE World. No. 483. July 16, 1788. Price 3^. 4 pp. 
 
 1823. THE Diary or WoodfalPs Register. No. 73. June 22, 1789. 
 Price $d. 4 pp. 
 
 This paper was edited by William Woodfall, brother of the printer and chief 
 proprietor of the Public Advertiser in which the letters of Junius appeared. 
 
 1824. THE Craftsman, or Say's Weekly Journal. No. 1,553. August 
 i5 1789- 4PP- Jan. 15, 1799. 
 
 1825. THE Argus. No. 772. April 27, 1791. Price ^d. 4 pp. 
 
 1826. THE Oracle. No. 646. June 23, 1791. Price ^d. 4 pp. 
 
 1827. THE Sun. No. 565. July 21, 1794. Price 4^. 4 pp. 
 
 1828. THE True Briton. No. 1,026. April 9, 1796. Price ^\d. 4 pp. 
 March 29, 1793.
 
 C >pecimen0 of ^rmtmff. 239 
 
 1829. THE General Evening Post. No. 10,016. January 7, 1797. 
 Price t\d. 4 
 
 1830. THE Express and the London Herald. No. 1,324. April 29, 
 1799. Prioe 6d. 4 pp. 
 
 1831. THE English Chronicle and Universal Evening Post. No. 3,240. 
 February 25, 1800. Price 6d. 4 pp. 
 
 1832. THE New Times. No. 5,709. December 10, 1818. Price yd. 
 4 pp. 
 
 "Not connected with the paper called the Times." 
 
 1833. THE Observer of the Times. No. 29. July 23, 1821. Price id. 
 4 pp. 
 
 This paper contains an account of the Coronation of George IV., accom- 
 panied by numerous illustrations. 
 
 1834. PHONETIC Journal (The). A Weekly Journal. 1876. 410. 
 
 Lent by Mr. Isaac Pitman, Bath. 
 
 1835. BELL'S Life in London. No. 169. May 22, 1825. 
 
 EARLY PROVINCIAL NEWSPAPERS. 
 
 The first newspaper printed and published regularly in a provincial 
 town was the " Mercurius Aulicus," which was commenced at Oxford on 
 the first of January, 1642. Its publication at Oxford was, however, de- 
 pendent upon the residence of the Court, and it cannot, therefore, be re- 
 garded as a mere local newspaper. When King Charles's fortunes were 
 on the wane and he was compelled to leave Oxford, the Royal Printing 
 Press was set up elsewhere. In " Perfect Occurrences of both Houses of 
 Parliament and Martiall Affairs" of January i, 1646-7, we read : "This 
 day (December 28) the King's letter came printed from Nwcastle, 
 printed by Stephen Buckley, Printer to the King's Majesty, 1646." 
 Again in 1665, when it was decided to start the " London Gazette," the 
 prevalence of the Plague in London caused the removal of the Court to 
 Oxford. From November, 1665, to February, 1666, the official print 
 appeared as the " Oxford Gazette," but on the subsidence of the Plague 
 and the return of the King to the metropolis, the government paper came 
 out as the " London Gazette." The first really local paper published in 
 the University city was the " Oxford Gazette," which made its appearance 
 in 1745. 
 
 The first provincial city or town to possess an undoubted local news- 
 paper was Edinburgh, the "Mercurius Caledonius" appearing on the 
 8th of January, 1661.
 
 240 
 
 Canton Celebration* 
 
 The following list contains, in chronological order, the places and 
 dates of publication of the first local newspapers until the year 1730 : 
 
 Edinburgh 
 
 Dublin 
 
 Worcester 
 
 Norwich 
 
 Nottingham 
 
 Newcastle 
 
 Stamford 
 
 Liverpool 
 
 Salisbury 
 
 York 
 
 Glasgow 
 
 Bristol 
 
 Canterbury 
 
 Exeter 
 
 Leeds 
 
 Northampton 
 
 Gloucester 
 
 Reading 
 
 Maidstone 
 
 Ipswich 
 
 Derby 
 
 Waterford 
 
 Manchester 
 
 Chester 
 
 1661 
 
 Mercurius Caledonius. 
 
 1685 
 
 Dublin News Letter. 
 
 1690 
 
 Worcester Postman (now Ber- 
 
 
 row's Worcester Journal). 
 
 1706 
 
 Norwich Postman. 
 
 1710 
 
 Nottingham Courant. 
 
 1711 
 
 Newcastle Courant. 
 
 1712 
 
 Stamford Mercury. 
 
 1712 
 
 Liverpool Courant. 
 
 1715 
 
 Salisbury Postman. 
 
 I7i5 
 
 York Mercury. 
 
 i7 J 5 
 
 Glasgow Courant. 
 
 i7 J S 
 
 Felix Farley's Journal. 
 
 1717 
 
 Kentish Post. 
 
 1719 
 
 Exeter Mercury. 
 
 1719 
 
 Leeds Mercury. 
 
 1720 
 
 Northampton Mercury. 
 
 1722 
 
 Gloucester Journal. 
 
 1723 
 
 Reading Mercury. 
 
 ^725 
 
 Maidstone Mercury. 
 
 1725 
 
 Ipswich Journal. 
 
 1727 
 
 Derby Postman. 
 
 1729 
 
 Waterford Flying Post. 
 
 1730 
 
 Manchester Gazette. 
 
 1730 
 
 Chester Courant. 
 
 1836. THE Worcester Postman (now Berrow's Worcester Journal). 
 Volumes 1712-14. 
 
 This paper is particularly interesting, it being the earliest provincial news- 
 paper exhibited. 
 
 1837. THE Salisbury Postman, or Packet of Intelligence from France, 
 Spain, Portugal, &c. No. i. September 27, 1715. 
 
 "If 200 Subscribe it shall be Deliver'd to any Private or Public House in 
 Town, every Mondav, Thursday, and Saturday Morning, by Eight of the 
 Clock, during the Winter Season ; and Six inthe Summer ; for Three Half- 
 pence each. It shall be always Printed in a Sheet and Half, and on a good 
 Paper ; but this containing the Whole Week's News can't be afforded under 2d. 
 
 Besides the News, we Perform all other Matters belonging to our Art and 
 Mystery; whether in Latin, Greek, Hebrew, Algebra, Mathematicks, &c. 
 
 Printed by Sam. Farley, at his Office adjoyning to Mr. Robert Silcocks, on 
 the Ditch in Sarum, Anno 1715." 
 
 1838. STAMFORD Mercury, being Historical and Political Observations 
 on the Transactions of Europe, together with Remarks on Trade.
 
 . >pecfmeng of printing:. 241 
 
 Vol. 10, No. 18. Thursday, November 7, 1717. Price Three 
 Half-pence. 12 pp. 
 
 Printed by Tho. Baily and Will. Thompson, at Stamford, in Lincolnshire, 
 1717- 
 
 1839. THE Reading Mercury. Feb. i and 8, 1723. 
 
 1840. THE Maidstone Mercury. No. 4. March 15, 1724-5. 
 
 A pictorial representation of Maidstone appears on the title-page. 
 
 1841. THE Thistle. By Sir William Wallace Knight. No. 5. March 
 
 13, 1734- 4 PP- 
 
 An early Edinburgh newspaper. 
 
 1842. IPSWICH Gazette. Vols. 1734-36. 
 
 1843. NORTHAMPTONSHIRE Journal. March 19, 1741. 
 
 1844. WILLIAM FLYN'S Hibernian Chronicle. Vol. 4, No. 4. January 
 13, 1772. 8 pp. 
 
 An early Cork newspaper. 
 
 1845. THE Oxford Gazette and Reading Mercury. No. 526. Dec. i, 
 
 '755- 
 
 1846. THE Kentish Post, or Canterbury News Letter. No. 4066. 
 Nov. 6, 1756. 4 pp. 
 
 1847. THE Bath Advertiser. Vol. 5, No. 230. March 8, 1760. 4 pp. 
 
 1848. THE Hartford Mercury. No. 18. September 18, 1772. 
 
 1849. THE Hibernian Journal (Dublin). No. 107. September 7, 1778. 
 
 1850. NORTHERN Star. No. 315. January 8, 1795. 4 pp. Price 2\d. 
 
 An early Belfast newspaper. 
 
 1851. LINCOLN, Rutland, and Stamford Gazette. No. 202. January 
 24, 1797. 4 pp. Price 
 
 1852. THE Portsmouth Gazette and Weekly Advertiser. No. 57. 
 August 4, 1794. 4 pp. Price 4^. 
 
 1853. THE Calcutta Gazette. No. 144. Nov. 30, 1786. 
 
 1854. THE Asiatic Mirror and Commercial Advertiser. Vol. 6, No. 
 280. June 19, 1793. 4 pp. 
 
 An early Calcutta newspaper. 
 
 1855. MADRAS Courier. No. 68. January 31, 1787. 
 
 R
 
 Canton Celebration* 
 
 1856. THE Cambrian and General Weekly Advertiser for Swansea and 
 the Principality of Wales. Vols. 1804-8. 
 
 The first newspaper printed in Wales. 
 
 Newspapers now in existence, and which were first published prior 
 to the year 1800. 
 
 Name of Paper. 
 
 Date of Origin. 
 
 Date of Copies exhibited. 
 
 London Gazette 
 
 1665 
 
 April 30, 1688. 
 
 Edinburgh Gazette 
 
 1690 
 
 
 Edinburgh Courant . 
 
 '1705 
 
 May 30, 1803. 
 
 Berrow's Worcester Journal 
 
 1690 
 
 
 Newcastle Courant . 
 
 1711 
 
 
 Dublin Gazette .... 
 
 171! 
 
 
 Stamford Mercury 
 
 1712 
 
 Nov. 7, 1717, March 
 
 
 
 21, 1765, Oct. 21, 
 
 
 
 1796. 
 
 Leeds Mercury .... 
 
 1719 
 
 Vols. 1719-20. 
 
 Northampton Mercury 
 
 1720 
 
 Volumes 1722-3 and 
 
 
 
 June n, 1796. 
 
 Norwich Mercury 
 
 1720 
 
 
 Gloucester Journal 
 
 1722 
 
 September 13, 1784. 
 
 Reading Mercury . . . 
 
 1723 
 
 Feb. i and 8, 1723, 
 
 
 
 Jan. 12, 1795. 
 
 Ipswich Journal. 
 
 1725 
 
 Vols. 1729-31, and 
 
 
 
 1736-43. 
 
 Salisbury Journal 
 
 1729 
 
 July 6, 1730, 
 
 
 
 July 10, 1739. 
 
 Chester Courant . ... 
 
 1730 
 
 Vols. 1760-1. 
 
 Derby Mercury .... 
 
 1732 
 
 
 Bristol Times and Mirror . 
 
 T 735 
 
 
 Belfast News Letter . 
 
 1737 
 
 
 Hereford Journal 
 
 1739 
 
 
 Aris's Birmingham Gazette 
 
 1741 
 
 
 Coventry Standard 
 
 1741 
 
 
 Keene's Bath Journal 
 
 1742 
 
 . . .' 
 
 Cambridge Chronicle 
 
 1744 
 
 February 23, 1790. 
 
 Sussex Advertiser . 
 
 1745 
 
 
 Aberdeen Journal 
 
 1748 
 
 
 Leicester Journal . . .... 
 
 1753 
 
 February 24, 1804 
 
 Oxford Journal .... 
 
 1753 
 
 Volume 1753. 
 
 Yorkshire Post (Leeds) 
 
 1754 
 
 
 Saunders's News Letter (Dublin). 
 
 1755 
 
 September 7, 1778.
 
 >pectmeng 
 
 243 
 
 Name of Paper. 
 
 Date of Origin. 
 
 Date of Copies exhibited. 
 
 Nottingham Journal . 
 
 I75 6 
 
 Jan. 10, 1756. 
 
 Bath Chronicle .... 
 
 1757 
 
 November 19, 1761. 
 
 Public Ledger .... 
 
 1759 
 
 December 31, 1800, 
 
 
 
 and Dec. i, 1777. 
 
 Norfolk Chronicle (Norwich) 
 
 1761 
 
 
 St. James's Chronicle 
 
 1763 
 
 October n, 1770, 
 
 
 
 March 21, 1782. 
 
 Exeter Flying Post 
 
 1763 
 
 
 Freeman's Journal (Dublin) 
 
 1763 
 
 March 16, 1776, and 
 
 
 
 Vol. 1768. 
 
 Newcastle Chronicle . 
 
 1764 
 
 
 Chelmsford Chronicle 
 
 1764 
 
 March 17, 1786. 
 
 Sherborne Journal 
 
 1764 
 
 
 Limerick Chronicle . 
 
 1766 
 
 
 Waterford Chronicle . 
 
 1766 
 
 
 Kilkenny Journal 
 
 1767 
 
 
 Kentish Gazette (Canterbury) . 
 
 1768 
 
 August 24, 1771. 
 
 Kentish Chronicle (Canterbury) . 
 
 1768 
 
 April 28, 1795. 
 
 Hampshire Chronicle 
 
 1772 
 
 May 24, 1790, and 
 
 
 
 Volume 1790. 
 
 Exeter and Plymouth Gazette 
 
 1772 
 
 
 Shrewsbury Chronicle 
 
 1772 
 
 Volume 1772. 
 
 Londonderry Journal . 
 
 1772 
 
 
 
 Morning Post .... 
 
 1772 
 
 September 20, 1781, 
 
 
 
 Feb. 1 6, 1796. 
 
 Chester Chronicle 
 
 1773 
 
 
 Cumberland Pacquet(Whitehaven) 
 
 1774 
 
 
 Kerry Post (Tralee) . 
 
 1774 
 
 
 Clare Journal (Ennis) 
 
 1776 
 
 
 Bury and Norwich Post 
 
 1782 
 
 
 Glasgow Herald 
 
 1782 
 
 
 Doncaster Gazette 
 
 1786 
 
 
 Maidstone Journal . 
 
 1786 
 
 
 Hull Pacquet .... 
 
 1787 
 
 
 The Times .... 
 
 1788 
 
 November 5, 1790, 
 
 
 
 April 5, 1808, and 
 
 
 
 Dec. 5, 1795. 
 
 Hue and Cry and Police Gazette 
 
 1790 
 
 October n, 1806. 
 
 York Herald . 
 
 1790 
 
 
 Bristol Mercury. . . . : . 
 
 1790 
 
 Vols. 1790, i, 2. 
 
 Observer ..... 
 
 I 79 I 
 
 October 5, 1823.
 
 244 
 
 Cajtoti Celebration* 
 
 Name of Paper. 
 
 Date of Origin. 
 
 Date of Copies exhibited. 
 
 Kentish Herald. 
 
 1792 
 
 November 10, 1792. 
 
 Bath Herald .... 
 
 1792 
 
 July 27, 1799. 
 
 Morning Advertiser . 
 
 1794 
 
 May 3, 1805. 
 
 Shrewsbury Journal . 
 
 1794 
 
 
 Worcester Herald 
 
 1794 
 
 
 Staffordshire Advertiser 
 
 1795 
 
 Jan. 3, 1795. 
 
 Bell's Weekly Messenger . 
 
 1796 
 
 June 12, 1814. 
 
 Kelso Mail .... 
 
 1797 
 
 
 Carlisle Journal .... 
 
 1798 
 
 
 Greenock Advertiser . 
 
 1799 
 
 
 Newspaper Curiosities. 
 
 1857. THE Sun. No. 14,289. June 28, 1838. Price One Shilling. 
 
 It contains an account of the Queen's Coronation, and is printed in gold. 
 
 1858. THE Thief. No. 12. July 7, 1832. Price 2 d. 
 
 It consists of extracts taken from the magazines and publications of the day. 
 
 1859. BERTHOLD'S Political Handkerchief. No. i. September 3, 1831. 
 
 A newspaper printed on cotton. "The lava of England's bankruptcy will 
 overspread the European world, overwhelming kings and aristocracies, but 
 cementing the democratic interests as it flows." 
 
 1860. THE Cab. No. 2. March 10, 1832. Price, a halfpenny. 
 
 "The Cab, the Cab's the thing." SHAKESPEARE (modern version). 
 
 1861. PEEPING Tom; or, Notes of London Life. No. 2. April 10, 
 1841. Price 2d. 
 
 " In all thy humours, whether grave or mellow, 
 Thou'rt such a touchy, testy, pleasant fellow, 
 Hast so much wit, and mirth, and spleen about thee, 
 That there's no living with thee nor without thee." 
 
 1862. THE Pittenweem Register. No. i. Nov. 14, 1844. 2 pp., one 
 blank. 
 
 A tiny newspaper." Size 9X4 inches. 
 
 1863. The Devil in London. No. i. Feb. 29, 1832. One penny. 
 4 pp. 
 
 "In these daies the Devil was sene publicly walking about the Stretes of 
 London. " Hollingshed.
 
 C+ fepectmeng of printing* 245 
 
 1864. A SLAP at the Church. No. i. Jan. 21, 1832. 4 pp. 
 
 "A religious establishment is no part of Christianity." Paley. 
 ' ' Though all the reverend frogs may hop and spit, 
 And croak ' damnation' for each proper hit, 
 
 "We will not be diverted from pursuing the even tenour of our way, till the 
 whole of the motley band are brought to a becoming end, and are exhibited to 
 the world 
 
 "Hung on the gibbet of a nation's curse." 
 
 1865. THE Fonotipic Journal. No. 3 (Nu Seriez). Ma, 1849. Pris 
 \d. Stampt 2d. 
 
 This journal styles itself : "The advocet ov fonetic spellin ; a record ov the 
 progres ov the ritin and printin reform ; and the organ of the Fonetic Sosieti 
 ov Grat Britn and Irland." "Conducted by Izac Pitman, Fonetic Instituzun, 
 5 Nelsun Plas, Bat." (Bath). 
 
 1866. L'EcHO. Dec. 23, 1870. 
 
 French newspaper published in Melbourne during the Franco-German War. 
 
 1867. LA Grande Motion du Pere Duchene. No. 34. 
 
 1868. L'AFFRANCHI. No. 18. April 19, 1871. 
 
 1869. LE Mot d'Ordre. No. 55. April 19, 1871. 
 
 These three papers were published in Paris during the Commune. 
 
 The following exhibits appear in the foregoing list. 
 
 1870. THE Stamford Mercury, November 7, 1717. 
 
 Lent by tfie Trustees of the Stamford Mercury. 
 
 1871. THE Oxford Gazette and Reading Mercury, December i, 1755. 
 
 Lent by George J. Cosburn, Esq. 
 
 1872. ADAMS'S Weekly Courant (Chester). Vols. 1760-1. 
 
 Lent by John Ramsden, Esq. 
 
 1873. THE Oxford Journal. Vol. 1753. Lent by the Proprietors. 
 
 1874. THE Bristol Mercury. Vols. 1790-1-2. 
 
 Lent by Messrs. C. and G. Somerton. 
 
 1875. THE Reading Mercury. Copies for February i and 8, 1723. 
 
 Lent by Messrs. IV. and F. Cowslade. 
 
 1876. THE Tatler. Complete. 1709-10. 
 
 Lent by Andrew W. Tuer, Esq. 
 
 1877. THE Freeman's Journal. Vol. 1768. Lent by Denis Begley, Esq. 
 
 1878. THE Shrewsbury Chronicle. Vol. 1772. Lent by John Watton, Esq.
 
 246 Canton Celebration* 
 
 1879. THE Staffordshire Advertiser. January 3, 1795. 
 
 Lent by J. L. Cherry, Esq., F.G.S. 
 
 1880. THE Ipswich Journal. Vols. 1729-31, 1736-43, and Ipswich 
 Gazette, 1734-6. Lent by If . Wright, Esq. 
 
 1 88 1. THE London Chronicle, July 21, 1759. Lent by B. Wimble, Esq. 
 
 i88i*.St. James's Chronicle, March 21, 1782, and the Times, April 5, 
 1 808. Lent by William Rivington, Esq. 
 
 1882. THE Worcester Postman, now Berrow's Worcester Journal. 
 Vols. 1712-14. Lent by C. H. Birbeck, Esq. 
 
 1883. THE Family Herald (first number). December 17, 1842. 
 
 Lent by J. S. Hodson, Esq. 
 
 1884. THE Leeds Mercury. Vol. 2, 1719-20. 
 
 Lent by Edward Baines, Esq. 
 
 1885. NORTHAMPTON Mercury. Vols. 1722-3, and Northamptonshire 
 Journal, March 19, 1741. Lent by John Taylor, Esq. 
 
 1886. THE Cambrian. Vols. 1804-8. 
 
 Lent by Howel Walters Williams, Esq. 
 
 1887. THE Salisbury Postman. September 27, 1715. 
 
 Lent by Messrs. Bennett Brothers. 
 
 1888. RIVINGTON'S New York Gazetteer, April 3, 1775 ; Salem Gazette, 
 1775. Lent by Messrs. Gilbert and Rivington. 
 
 1889. CRESSWELL'S Nottingham Journal, Jan. 10, 1756, and Bell's Life 
 in London, May 22, 1825. Lent by Warman Thorn, Esq. 
 
 1890. LLOYD'S Evening Post. Vol. 1767. 
 
 Lent by the Committee of Lloyd's. 
 
 1891. A VOLUME of Commonwealth Newspapers, including Severall Pro- 
 ceedings of Parliament (1650). The True Informer or Monthly 
 Mercury, Nov. 1648, and Perfect Occurrences of Every Daies 
 iournall in Parliament, Nov. 3, 1648; the Gloucester Journal, 
 September 13, 1784, and the London Packet, January 30, 1771. 
 
 Lent by Sir Charles Reed. 
 
 1892. Two Volumes of Eighteenth Century Newspapers. 
 
 Lent by Stephen Austin, Esq. 
 
 1893. A COLLECTION (13) of Eighteenth Century Newspapers. 
 
 Lent by the Corporation of the City of London.
 
 CLASS F. 
 PRINTED MUSIC. 
 
 HE various methods employed for producing printed 
 music have been engraving on wood (xylography), type 
 in two printings, type in one printing, engraving on 
 copper plates, and stamping on copper or pewter plates. 
 For the production of modifications of the ordinary 
 musical notation, such as tablature, all the above methods have 
 at various times been employed. The first book in which musical 
 characters were known to have been printed in England was Higden's 
 " Polychronicon," the production of Wynken de Worde in the year 1495, 
 some eighteen years after the introduction of the art of printing into 
 this country. A specimen of this work is exhibited in the present 
 collection, No. 1966. A reference to this copy will show that the notes 
 have been formed of pieces of metal, and the lines of " rule " lines of 
 metal imperfectly joined together. This is an important discovery, as it 
 appears to be the earliest example of music printed from separate pieces, 
 and not, as has always been believed since Sir John Hawkins's time, from 
 an engraved wooden block. The earliest example of music printed from 
 engraved wooden block which it has been possible to exhibit is " Opus- 
 culum Musices," by Nicolaus Burtius, printed at Bologna in 1487 (No. 
 1934), but there are several earlier examples known to exist, the oldest 
 being a work produced at Augsburg, by Hans Froschauer, in 1473. In 
 the first books printed for the service of the church, such as the Mentz 
 Psalter, the music was inserted entirely by hand. The next step was 
 that of printing the lines only, most frequently in red, see Nos. 1949 and 
 1 965 ; the notes would be afterwards inserted by hand. Dr. Chrysander, 
 in a recent article in the " Musical Times," states that " Apart from
 
 248 Carton Celebration, 
 
 other drawbacks to writing in the notes, it was very inconvenient from 
 the fact that writing ink, and paper which has to undergo .the process of 
 printing do not agree well together ; and the irregularity of the written 
 notes contrasted disagreeably with the mechanical regularity of the letter- 
 press. So they then made signs of notes in the form of types or punches, 
 covered them with printer's ink, and then pressed them one by one with 
 the hand upon or between the four red lines. This process was called, 
 in German, Patronendruck (pattern-printing). -On account of the clumsi- 
 ness of the signs and the imperfectness of the whole process, it is difficult 
 to determine in particular cases when this pattern-printing and when real 
 mechanical printing was employed." 
 
 This process {PatronendrucK) led naturally and at once to the produc- 
 tion of music from moveable types, but in two printings. A vast stride 
 was made when Ottavio Petrucci set up 'his press in Venice, in 1500, and 
 printed a series of musical works from moveable type in one printing as 
 well as in two. Among the earliest printers of music, contemporaries of 
 Petrucci, were Erhart Oeglin, of Augsburg, 1512, and Peter Schoeffer, of 
 Metz, 1513; his immediate successors being John Jacob Pasote, of 
 Parma, 1526; Pierre Attaignant, of Paris, 1529; Jacob Moderni of 
 Lyons, and Christian Egenolphum, of Frankfurt, 1532 ; Nicolas Fabrum, 
 of Leipzig, Octavius and Girolamo Scotto of Venice, George Rhav, of 
 Wittemberg, and Antonio Gardano, of Venice, 1537 ; Johan von Berg, 
 also called Montana, and his partner Ulrich Newber, of Nuremberg, 
 
 1549- 
 
 After this period the number of printers both at home and abroad 
 increased rapidly. In England, one of the earliest of this epoch was 
 Richard Grafton, the printer of " Merbecke's Booke of Common Praier 
 noted" in 1550 (No. 1943). He used moveable types, as did also John 
 Day (who printed, in 15 62, 'the first metrical translation of the book of 
 Psalms), Thomas Vautrollier and Thomas Est (or Snodham). The music 
 type employed by these printers was similar in character to that in common 
 use in Italy, Germany, and France. Soon, however, individual printers 
 sought to secure special founts of music type to themselves, as in 
 Barnard's "Selected Church Music," printed by Edward Griffin in 1641, 
 No. 2006, and in other books printed by William Godbid. In many 
 instances two or more "founts" of music type were used in the same 
 work, uniformity of appearance not being always studied either at this 
 or even in subsequent periods. 
 
 About the year 1660 "a new-tyed note" that is to say, a type which 
 could be so "ranged" as to make the heads of groups of quavers appa- 
 rently continuous, instead of detached, was introduced into England, but 
 sometimes, as in the later editions of "Simpson's Compendium," the old 
 and the new style of grouped quavers are employed in one and the same 
 book. William Pearson's " new London character," introduced in 1699,
 
 Cla00 f * printed 9u0ic, 249 
 
 marks a further improvement ; and then, shortly after, type-music printing 
 in England gave way for a time to engraved or stamped music. With 
 the exception of the works issued by Fougt, the type^rinting after Pearson 
 up to the year 1780 was of a very indifferent character, both in England 
 and abroad, the process of printing engraved music having improved in 
 proportion as the type-music printing deteriorated ; about the year 1750, 
 Fougt printed certain songs on single sheets with a considerably improved 
 type, which were sold at the rate of eighteen for one shilling. 
 
 It has hitherto been- asserted that to England belongs the honour of 
 having produced the first music-book printed from engraved plates, and 
 that the work entitled " Partfienia," of which two very fine copies are 
 shown in the Exhibition (Nos. 2257 and 2258), is the identical book; 
 the "Parthenia" was, however, published in 1611, and this Exhibition 
 contains an engraved music-book published in Rome in 1604 " Kaps- 
 berger's Arie" (No. 2243). Further search may be rewarded by dis- 
 covering an example of still earlier date, and of restoring to England the 
 claim of priority in the use of engraved music plates. Be that as it may, 
 the example set by Italy and England was soon followed by other 
 countries, France, Germany, and Holland. Every stroke and point in 
 the early works had to be made by the graver, but the thoroughly prac- 
 tical and labour-saving character of the Dutch people soon led to the 
 introduction of a new process that of stamping, by means of punches, 
 the heads of the notes and other characters. These ingenious people are 
 said to'have discovered a method of softening the plates of copper, so as 
 to make them, hitherto hard, susceptible of impressions from the punches. 
 They kept the secret of the process to themselves, and so secured the 
 monopoly of the work. Equally ingenious minds in England made the 
 attempt to rival the Dutch, and substituting pewter plates for copper, 
 were enabled to produce work, if not equal in quality, cheaper in cost. 
 Richard Meares and John Walsh produced stamped plates in London 
 about the year 1720; but, nevertheless, copper-plate music engraving 
 continued to be practised, particularly by the Bickhams, well known for 
 their productions in other branches of the art ; their work was remarkable 
 for the introduction of pictorial designs illustrative of either the words or 
 music. The books so printed were naturally costly, and eventually 
 decorative engraving was confined to frontispieces, tail-pieces, or eccentric 
 flourishes, as in " Boyce's Cathedral Music," No. 2324. 
 
 Until very recently it was the custom to print from the plates them- 
 selves. The demand for copies being limited, this process did little 
 harm to the material, some of the very copper-plates engraved so far 
 back as the year 1710, as of Corelli's Sonatas, being still in use. When 
 larger numbers of an engraved or stamped plate were required, impres- 
 sions from the plates were transferred to lithographic stones and then 
 printed. By this means thaiplates remained uninjured for a long period.
 
 250 Canton Celebration* 
 
 In lithography, the work required is drawn either on transfer-paper or 
 directly upon the stones. There is also a process of photo-zincography, 
 by means of which actual and correct facsimiles of original works may 
 be printed. 
 
 Specimens of tablature, or special notation for the lute, violin, flageolet, 
 &c., may be seen printed in various ways from wooden blocks, as in 
 Heckel's " Lautten Buch," 1562, No. 2239, and Barley's " New Book of 
 Tabliture," 1596, No. 2217, by engraved plates, as in Kapsberger's 
 "Arie," 1604, No. 2243, or by moveable types specially cut, as in 
 " Mace's Musick's Monument," 1676, No. 2226. Other modifications 
 of notation, such as the now popular tonic sol-fa, have been suggested 
 from time to time, and have been printed in various forms, but chiefly 
 from moveable types. 
 
 Several improvements have at various dates been suggested in the 
 manner of setting up and printing music from type. Major Beniowski 
 included certain forms of music phrases and chords which were of frequent 
 occurrence in his system of " Logotype " printing. The process invented 
 by Gustav Scheurmann was employed with a better, though not with a 
 completely successful result. Some specimens of the Scheurmann pro- 
 cess are included in the present exhibition. 
 
 It would be interesting and instructive to show the whole progress of 
 the art of music-printing in all its stages and suggested modifications, 
 from the earliest period to the present time. Such an exhibition would, 
 however, require a larger area than is now available ; a great number of 
 books have been placed at the disposal of the Committee, many of which 
 are not exhibited open for lack of space.
 
 jf , ^nttttU 9ugic, (Section i + ) 251 
 
 SECTION I. 
 
 MUSIC PRINTED FROM WOODEN BLOCKS. 
 ENGLAND. 
 
 1914. 
 
 OULAND, John. Micrologus. Folio. London : Thomas 
 Adams, 1 603. Sacred Harmonic Society. 
 
 1915. TURNER, William. Sound Anatomiz'd. London, 1724. 
 
 E. J. Hopkins, Esq. 
 
 1916. THE MUSICAL MISCELLANY ; being a Collection of Choice Songs, 
 set to the Violin and Flute, by the most eminent masters. 
 Sm. 8vo. London: John Wallis, 1729-31. 
 
 Alfred H. Littleton, Esq. 
 
 1917. OAKELEY, Frederick, the Rev. Laudes Diurnae. The Psalter, 
 with the Gregorian tones. i2mo. London, 1845. 
 
 W. A. .Barrett, Esq. 
 
 SCOTLAND. 
 
 1918. RAMSAY, Allan. The Gentle Shepherd : a Scots Pastoral 
 Comedy. Edinburgh, 1776. W. Henderson, Esq. 
 
 DENMARK. 
 
 1919. DEN rette Ordinants. i2mo. Kisbenhaffh (Copenhagen), 1562. 
 
 Alfred H. Littleton, Esq. 
 
 FRANCE. 
 
 1920. LES Bigarrures du Seigneur des Accords. i2mo. Paris: Jean 
 Richer, 1586. Charles Letts, Esq. 
 
 1921. ROUSSEAU, J. J. Dictionnaire de Musique. 41.0. Paris: Ballard, 
 1768. W. H. Cummings, Esq. 
 
 GERMANY. 
 
 1922. FLORES Musicae, seu omnis cantus Gregoriani. 4to. Strasburg: 
 Pryss, 1488. Earl Spencer. 
 
 1923. AGENDA Ecclesie Moguntinensis. 4to. [Mainz, c. 1490.] 
 
 T. W. Taphouse, Esq.
 
 252 Canton Celebration* 
 
 1924. RESPONSORIA Moguntina. 8vo. Mainz: Peter Schoefier, 
 c. 1510. Earl Beauchamp. 
 
 1925. REISCH, G. Margarita Philosophica. 410. Argentoratum (Stras- 
 burg) : Joannis Griininger, 1512. Alfred I L Littleton, Esq. 
 
 1926. REUCHLIN, Joannis. Phorcensis Scenica Progumnasmata. 410. 
 Leipzig: Valentine Schuman, 1515. Alfred H. Littleton, Esq. 
 
 1928. REUCHLIN, G. J. (Capnio). De Accentibus et Orthographia 
 Linguae Hebraicae. 4to. Hagenoae, in aedibus Thomae Aushe- 
 loni Badensis, 1518. Julian Marshall, Esq. 
 
 1929. XISTUS, Theodoricus. [Dietrich, Sixtus.] Magnificat Octo 
 Tonorum. i2mo. Argentorati (Strasburg) per Petrum Schceffe- 
 rum, & Mathiam Apiarium, 1535. Alfred H. Littleton, Esq. 
 
 1930. SPANGENBERG, Johan. Kirchengesenge Deudtsch auff die 
 Sontage und Fiirnemliche Feste. Folio. Magdeburg : Michael 
 Lotther, 1545. John Dobson, Esq. 
 
 1931. RHAVO, Georgio. Enchiridion utriusque Musicae Practicas ex 
 variis Musicorum libris pro pueris in Schola Witebergensis con- 
 gestum. i2mo. Witebergae : apud haeredes Georgii Rhav, 1551. 
 
 Alfred H. Littletan, Esq. 
 
 1932. ULENBERG, Caspar. Die Psalmen Davids in allerlei Teutsche 
 Gesangreimen bracht. Coin : durch Gewinum Calentum und die 
 Erben Johan Quartels, 1582. Alfred H. Littleton, Esq. 
 
 ITALY. 
 
 1933. GAFORIUS, Franchinus. Theoricum opus musice discipline. 4to. 
 Naples: Franciscus di Dino, 1480. Earl Spencer. 
 
 1934. BURTIUS, Nicolaus. Opusculum musices, cum defensione Gui- 
 donis Aretini. 4to. Bologna: Ugo de Rugeriis, 1487. 
 
 Earl Spencer. 
 
 1935. GAFORIUS, F. Practica Musicae. Folio. Milan, 1492. 
 
 Sacred Harmonic Society. 
 
 1936. GAFORIUS, F. Practica Musicae. Sm. folio. Milan, 1496. 
 
 Julian Marshall, Esq. 
 
 1937. GAFORIUS, F. De Harmonia Musicorum instrumentorum. Sm. 
 folio. Milan: Gotardus Pontanus, 1518. Earl Spencer. 
 
 1938. GAFORIUS, F. De Harmonia. Another copy. 
 
 Julian Marshall, Esq.
 
 jf ^rtnteti 9u0tc + (Section II,) 253 
 
 1939. ARON, Piero. Toscanello in Musica. Sm. folio. Venice : Marchio 
 Sessa, 1539. Julian Marshall, Esq. 
 
 1940. ARON, Piero. Toscanello in Musica. Another copy. 
 
 Alfred H. Littleton, Esq. 
 
 1941. VINCENTINO, Nicola. L'antica Musica. Folio. Rome: A. Barre, 
 1555. Sacred Harmonic Society. 
 
 1942. GALILEI, Vincentio. Dialogo della Musica Antica e della Mo- 
 derna. Folio. Fiorenza : Giorgio Marescotti, 1581. 
 
 Julian Marshall, Esq. 
 
 SWITZERLAND. 
 
 i942*.GLAREANUS, Henricus. Isagoge in Musice. 410. Basil, 1516. 
 
 Julian Marshall^ Esq. 
 
 SECTION II. 
 
 MUSIC PRINTED FROM TYPE, 
 
 (the staff lines in red and the notation in black). 
 
 ENGLAND. 
 
 ERBECKE, John. Booke of Common Praier Noted. Sm. 4to. 
 London: Richard Grafton, 1550. Alfred H. Littleton, Esq. 
 
 1944. MANUALS ad Usum per Celebris Ecclesie Sarisburiensis. 
 Sm. 4to. London, 1554. J. C. Wilkins, Esq. 
 
 1945. DYCE, William. The Book of Common Prayer, with Plain Tune. 
 Crown 410. London : Levey and Robson, 1843. 
 
 Messrs. Henderson, Rait, and Fenton. 
 
 1946. THE BOOK of Common Prayer. Cr. 8vo. London: Hender- 
 son, Rait, and Fenton, 1864. Messrs. Henderson, Rait, and Fenton. 
 
 1947. THE ORDER for the Consecration of an Altar according to the 
 Roman Pontifical. Fcap. 8vo. London : Henderson, Rait, and 
 Fenton, 1868. Messrs. Henderson, Rait, and Fenton.
 
 254 Canton Celebration* 
 
 AUSTRIA. 
 
 1948. MISSALE Secundum Rubricam Ecclesie Saltzburgensis. Sm. 
 folio. Vienna : Joannes Winterburger, 1506. 
 
 Alfred H. Littleton, Esq. 
 
 FRANCE. 
 
 1949. MISSALE Romanum. Folio. Lyons: Matthias Hus, 1485. 
 
 Alfred H. Littleton, Esq. 
 The staff only printed. 
 
 1950. MISSALE Romanum. Sm. 4to. Paris: Jacobus Kerver, 1583. 
 
 Charles Letts, Esq 
 
 1951. MISSALE Romanum. Sm. 4to. Paris, 1604. 
 
 W. H. Cummings, Esq. 
 
 1952. PROCESSIONALE. Sm. 410. Paris: Joannes de la Caille, 1671. 
 
 W. H. Cummings, Esq 
 
 GERMANY. 
 
 1953. MISSALE Secundum Breviarium Chori ecclesie Friaingen. Stt 
 folio. Augsburg (?) : Erhardus Ratdolt, 1492. 
 
 Alfred H. Littleton, Esq 
 
 1954. MISSALE secundum usum Ecclesie Ratisponensis. Folio. Bam 
 berg: Johannis Pfeyl, 1518. Alfred H. Littleton, Esq 
 
 1955. MISSALE ad usum insignis Ecclesie Sarum. Sm. folio. Francis 
 cus Byrckmani, 1527. Sacred Harmonic Society 
 
 1956. MISSALE Secundum Ritum Augustensis Ecclesiae. Folio. Dilin 
 gen: in sedibus Sebaldi Mayer, 1555. Julian Marshall, Esq 
 
 1957. VILSECKER, F. J. Officium Hebdomadae sanctae secundun 
 Missale et Breviarium Romanum. 8vo. Passaviae, 1842. 
 
 Messrs. Novello 6 Ci 
 
 ITALY. 
 
 1958. CANTORINUS ad eorum instructionem, qui cantum ad chorur 
 ptinentem discere concupiscunt. Sm. 8vo. Venice : Junta, i55c 
 
 Alfred H\ Littleton, Esi 
 
 1959. MISSALE Romanum. Folio. Venice: Junta, 1563. 
 
 Julian Marshall, s>
 
 f . ^ctnteo 9^u0tc + (Section ill.) 255 
 
 1960. PONTIFICALS Romanum. Folio. Venice : Junta, 1572. 
 
 W. H. Cummings, Esq. 
 
 1961. PONTIFICALE Romanum. Folio. Venice : Junta, 1582. 
 
 Julian Marshall, Esq. 
 
 1962. PSALTERIUM Chorale. Large folio. Rome : Nicolai Angeli, 1678. 
 
 W. H. Cummings, Esq. 
 
 SPAIN. 
 
 1963. MANUALE, seu Processionarium Minorum. Sm. 410. Madrid, 
 1672. Richard Redhead, Esq. 
 
 SWITZERLAND. 
 
 1964. AGENDA Parochialium Ecclesiarum. Sm. folio. Basil: M. 
 Wenssler & Jacobus de Kilchen, 1488. 
 
 Alfred H.- Littleton, Esq. 
 
 1965. HYMNARIUM. 410. No printed place or date. c. 1475. 
 
 Alfred H. Littleton, Esq. 
 The staff only printed. 
 
 SECTION III. 
 
 MUSIC PRINTED FROM TYPE, 
 (One printing only). 
 
 ENGLAND. 
 
 1966. 
 
 IGDEN, Ranulph. Polychronicon Englysshed by Syr Johan de 
 Trevysa. Sm. folio. Westminster : Wynkyn de Worde, 
 1495. Alfred H. Littleton, Esq. 
 
 The first book printed in England containing musical characters, 
 apparently printed from type. In the Polychronicon printed by Caxton (of 
 which the present book is a reprint), a space is left for the musical characters to 
 be rilled in by the illuminator. 
 
 1967. THE Whole Booke of Psalmes in foure partes, whiche may be song 
 to al musicall instruments, &c. Obi. 4to. London : John Day, 
 1563. John Dobson, Esq.
 
 256 Canton Celebration, 
 
 1969. TALLIS, Thomas, and BYRD, William. Cantiones. Obi. 4to. Lon- 
 don: Thomas Vautrollier, 1575. Sacred Harmonic Society. 
 
 1970. STERNHOLD, Thomas, HOPKINS, John, &c. The Whole Booke of 
 Psalmes, collected into english meter. Folio. London : John 
 Day, 1576. John Dobson, Esq. 
 
 1971. DAY, John. The Psalmes of David in English meter. Obi. 
 4to. London, John Day, 1579. IV. Glennie, Esq. 
 
 1972. STERNHOLD, HOPKINS, &c. The Whole Booke of Psalmes, col- 
 lected into English meter. 410. London: John Day, 1581. 
 
 John .Dobson, Esq. 
 
 1973. STERNHOLD, HOPKINS, &c. The Whole Booke of Psalmes; Col- 
 lected into english meeter. 410. London : John Day, 1583. 
 
 John Dobson, Esq. 
 
 1974. STERNHOLD, HOPKINS, &c. The Whole Booke of Psalmes. Col- 
 lected into English meter. Folio. London : Assignes of Richard 
 Day, 1585. John Dobson, Esq. 
 
 1975. BYRD, William. Psalmes, Sonets and Songs of Sadnes and 
 Pietie. 410. London: Thomas Est, c. 1587. 
 
 Sacred Harmonic Society. 
 
 1976. BYRD, W. Psalmes, Sonets and Songs of Sadnes and Pietie, 
 made into musicke of five parts. 410. London : Thomas East, 
 1588. W. H. Cummings, Esq. 
 
 1977. YONGE, Nicholas. Musica Transalpina. Madrigales translated, of 
 foure, five, and sixe parts. Sm. 4to. London : Thomas East, 
 1588. Alfred H. Littleton, Esq. 
 
 1978. STERNHOLD, HOPKINS, &c. The Whole Booke of Psalmes, col- 
 lected into English meetre. 4to. London : John Wolfe, for the 
 Assignes of Richard Day, 1590. John Dobson, Esq. 
 
 1979. DAMON, William. Psalms. 4to. London : T. Este, 1591. 
 
 Her Majesty the Queen. 
 
 1980. SONDRY AUTHORS. The W r hole Booke of Psalmes: with their 
 Wonted Tunes. 8vo. London: Thomas Est, 1592. 
 
 John Dobson, Esq. 
 
 1981. MORLEY, Thomas. A Plaine and Easie Introduction to Prac- 
 ticall Musicke. Sm. folio. London: Peter Short, 1597. 
 
 Sacred Harmonic Society.
 
 jf* printeti 9u0ic. (Section ill.) 257 
 
 1982. MORLEY, T. A Plaine and Easie Introduction. Another copy. 
 
 Julian Marshall, Esq. 
 
 1983. STERNHOLD, WHITTINGHAM, &c. The Whole Booke of Psalmes 
 collected into English meetre. 4to. London : John Windet, for 
 the Assignes of Richard Daye, 1598. John Dobson, Esq. 
 
 1984. DOWLAND, John. The Second Booke of Songs or Ayres. Folio. 
 London, 1600. Sacred Harmonic Society. 
 
 1985. MORLEY, T. The Triumphes of Oriana. 410. London: T. Est, 
 1 60 1 . Sacred Harmonic Society. 
 
 1986. THE PSALMES of David in Meetre, with divers Notes and Tunes 
 augmented to them. 8vo. London : Printed for the Com- 
 panie of Stationers. 1605. John Dobson, Esq. 
 
 1987. MORLEY, T. Canzonets. 4to. London, 1606. 
 
 Sacred Harmonic Society. 
 
 1988. STERNHOLD, HOPKINS, &c. The Whole Booke of Psalmes, Col- 
 lected into English Meeter. Folio. London : Printed for the 
 Company of Stationers, 1607. John Dobson, Esq. 
 
 1989. RAVENSCROFT, Thomas. Deuteromelia. 4to. London : Edward 
 Allde, 1 609. Sacred Harmonic Society. 
 
 1990. BYRDE, W. Gradualia ac Cantiones Sacrse. 4to. London : 
 Ricardus Redmerus, 1610. Her Majesty the Queen. 
 
 1991. BYRD, W. Psalmes, Songs and Sonnets : some solemne, others 
 joyfull, framed to the life of the words, fit for voyces or viols. 
 4to. London: Thomas Snodham, 1611. W. H. Cu turnings, Esq. 
 
 1992. STERNHOLD, HOPKINS, &c. The Whole Booke of Psalmes. 
 Collected into English Meeter. Folio. London : Printed for 
 the Company of Stationers, 1615. John Dobson, Esq. 
 
 1993. AMNER, John. Sacred Hymnes for Voyces and Vyols newly 
 composed. 4to. London: Edw. Allde, 1615. 
 
 W. H. Cummings, Esq. 
 
 1994. MORLEY, T. First book of Canzonets. 410. London: Thomas 
 Snodham, 1619. Her Maiesty the Queen. 
 
 s
 
 258 Cajton Celebration* 
 
 1995. STERNHOLD and HOPKINS. The Whole Booke of Psalmes. 
 London, 1622. Edward J. Hopkins, Esq. 
 
 1996. STERNHOLD, HOPKINS, &c. The Whole Booke of Psalmes. 
 Collected into English Meeter. Folio. London : Imprinted for 
 the Companie of Stationers, 1624. John Dobson, Esq. 
 
 1997. BEVIN, Elway. Brief and short instruction. 4to. London : R. 
 Young, 1631. Her Majesty the Queen, 
 
 1998. RAVENSCROFT, Thomas. The Whole Booke of Psalmes. 8vo. 
 London : T. Harper, 1633. Sacred Harmonic Society 
 
 1999. THE WHOLE book of Psalmes. 8vo. London : Stationers' Com- 
 pany, 16^3. IV. H. Cummin gs, Esq. 
 
 2000. BUTLER, Charles. The feminin Monarchic. 4to. Oxford: 
 William Turner, 1634. W. H. Cummings, Esq. 
 
 2001. BUTLER, C. The Principles of Musik. Sm. 8vo. London : 
 1636. Edivard J. Hopkins, Esq. 
 
 2002. LAWES, Henry. A Paraphrase on the Psalmes. 8vo. London : 
 John Leggatt, 1637. Sacred Harmonic Society. 
 
 2003. LAWES, H. A Paraphrase upon the Psalmes of David. By 
 Gfeorge] S[andys]. Set to new Tunes. Folio. London : John 
 Legatt, 1638. John Dobson, Esq. 
 
 2004. STERNHOLD, HOPKINS, &c. The Whole Booke of Psalmes, col- 
 lected into English metre. 4to. . Cambridge : Thomas Buck 
 and Roger Daniel, 1639. John Dobson, Esq. 
 
 2005. THE WHOLE Booke of Psalmes. London, 1640. 
 
 Edward J. Hopkins, Esq. 
 
 2006. BARNARD, John, the Rev. Selected Church Music. Folio. Lon- 
 don : Edward Griffin, 1641. Sacred Harmonic Society. 
 
 2007. LAWES, H. and W. Choice Psalmes. 4:0. London: James 
 Young, 1648. Sacred Harmonic Society. 
 
 2008. HILTON, John. Catch that Catch can, or A Choice Collection 
 of Catches, Rounds, and Canons for 3 or 4 Voyces. Sm. obi. 
 4to. London : for John Benson and John Playford, 1652. 
 
 Julian Marshall, Esq. 
 
 2009. WILSON, John, &c. Select Musicall Ayres and Dialogues. Sm, 
 folio. London, 1652. Julian Marshall, Esq.
 
 Jf, pcmteti ^u0ic (Section III.) 259 
 
 2010. WALTON, Izaak. The Compleat Angler. London : T. Maxes, 
 1653. Alfred Denison, Esq. 
 
 2012. PORTER, Walter. Mottets of Two Voyces. Sm. folio. London: 
 W. Godbid, 1657. Sacred Harmonic Society. 
 
 2013. WILSON, John. Psalterium Carolinum. Sm. folio. 1657. 
 
 Sacred Harmonic Society. 
 
 2014. PLAYFORD, John. Select Ayres and Dialogues. Sm. folio. Lon- 
 don : W. Godbid, 1659. W. H. Cummings, Esq. 
 
 2015. COURTLY Masking Ayres. Sm. obi. 4to. London: W. Godbid, 
 1662. Sacred Harmonic Society. 
 
 2016. LOCK, Matthew. Modern Church Music. Folio. London, 
 
 1666. Sacred Harmonic Society. 
 
 2018. PLAYFORD, J. The Musical Companion. Obi. 4to. London, 
 
 1667. W. H. Cummtngs, Esq. 
 
 2019. PLAYFORD, J. The Musical Companion. Another copy. 
 
 Sacred Harmonic Society. 
 
 2020. KING, William. Poems of Mr. Cowley and others. Sm. folio. 
 Oxford: Wm. Hall, 1668. Sacred Harmonic Society. 
 
 2021. TOMKINS, Thomas. Musica Deo Sacra. Sm. folio. London: W. 
 Godbid, 1668. Sacred Harmonic Society. 
 
 2022. LAWES, Henry. Select Ayres and Dialogues. Sm. folio. Lon- 
 don : W. Godbid, 1669. W. A. Barrett, Esq. 
 
 2023. MUSICK'S Recreation on the Viol, Lyra-way. Obi. 4to. London : 
 W. Godbid, for John Playford, 1669. Julian Marshall, Esq , 
 
 2024. LAWES, H. The Treasury of Musick. Folio. London : William 
 Godbid, 1669. Charles Kensington Salaman, Esq. 
 
 2025. PLAYFORD, J. Psalms and Hymns in Solemn Music in Foure 
 Parts. Folio. London : W. Godbid, 1671. John Dobson, Esq.
 
 260 Canton Celebratiott* 
 
 2026. LOCKE, M. The English Opera, or the Vocal musick in 
 " Psyche ; " with the instrumental therein intermix'd. 4to. Lon- 
 don, 1675. W. H. Cummings, Esq. 
 
 202 7. LOCKE, M. Another copy. Sacred Harmonic Society, 
 
 2028. CHOICE Ayres. Sm. folio. London : W. Godbid, 1676. 
 
 Sacred Harmonic Society. 
 
 2030. CHOICE Ayres, Songs and Dialogues. Sm. folio. London, 1683. 
 
 W. H. Ctimmings, Esq. 
 
 2031. PURCELL, Henry. A musical entertainment perform'd on Novem- 
 ber xxn, 1683, it being the festival of St. Cecilia. Sm. 4to. 
 London : J. Playford, Jun., 1684. W. H. Cummings, Esq. 
 
 2032. A NEW and Easie Method to Learn to Sing by Book. 8vo. 
 London, 1686. W. A. Barrett, Esq. 
 
 2033. BANQUET of Musick. A collection of the newest and best songs 
 sung at Court and at Publick Theatres. Sm. folio. London, 
 1687. W. H. Cummings, Esq. 
 
 2034. A COLLECTION of several Simphonies and Airs in Three Parts ; 
 Composed for Violins, Flutes and Hoe-boys. 4to. London : 
 Mr. William Nott, 1688. Julian Marshall, Esq. 
 
 2035. VINCULUM Societatis, or the Tie of Good Company. Sm. folio. 
 London, 1688. W. H. Cummings, Esq. 
 
 2036. PURCELL, Henry. Amphitryon, or the two Sosias. 410. London, 
 1690. W. H. Cummings, Esq. 
 
 2037. APOLLO'S BANQUET for the Violin. Sm. obi. 4to. London: Henry 
 Playford, 1690. W. Chappell, Esq. 
 
 2038. PURCELL, Henry. The Prophetess, or the History of Dioclesian. 
 Folio. London: J. Heptinstall, 1691. 
 
 Charles Kensington Salaman, Esq. 
 
 2039. THESAURUS Musicus. Sm. folio. London : J. Heptinstall, 
 1693. Sacred Harmon ic Society. 
 
 2040. THESAURUS Musicus. Another copy. W. H. Cummings, Esq. 
 
 2041. PLAYFORD, Henry. Harmonia Sacra. Sm. folio. London : William 
 Pearson and Edward Jones, 1693-1703. W. A. Barrett, Esq.
 
 Clagg f . pcintetJ Qu0ic, (Section III.) 261 
 
 2042. PURCELL, H. Songs to the new play of Don Quixote. Sm. folio. 
 London, 1694. W. H. Cummings, Esq. 
 
 2043. PURCELL, H. The Indian Queen as it is composed into an 
 opera. Sm. folio. London: J. Heptinstall, 1695. 
 
 W. H. Cummings, Esq. 
 
 2044. BLOW, John. Ode on the death of Mr. Henry Purcell, the words 
 by Mr. Dryden. Sm. folio. London, John Playford, 1696. 
 
 W. H. Cummings, Esq. 
 
 2045. PURCELL, H. Sonatas in four parts. Folio. London: J. 
 Heptinstall, 1697. W. H. Cummings, Esq. 
 
 2046. PLAYFORD, J. The Whole Book of Psalms. 8vo. London : 
 J. Heptinstall, 1697. W. A. Barrett, Esq. 
 
 2047. PURCELL, H. A Collection of Ayres composed for the Theatre. 
 Sm. folio. London, 1697. W. H. Cummings, Esq. 
 
 2048. PURCELL, H. Orpheus Britannicus. Folio. London : J. Hep- 
 tinstall, 1698. Charles Kensington Salaman, Esq. 
 
 2049. PLAYFORD, J. Twelve New Songs, Chiefly to encourage William 
 Pearson's New London Character. Sm. folio. London : W. 
 Pearson, 1699. Sacred Harmonic Society. 
 
 2050. BLOW, J. Amphion Anglicus. Folio. London : William 
 Pearson, 1700. Charles Kensington Salaman, Esq. 
 
 2051. PURCELL, H. Orpheus Britannicus. Folio. London : Henry 
 Playford, 1706. Charles Kensington Salaman, Esq. 
 
 2052. HARMONIA SACRA, or Divine Hymns and Dialogues, composed by 
 the best masters of the last and present age. Folio. London : 
 William Pearson, 1714. Charles Kensington Salaman, Esq. 
 
 2053. MAROT & BEZE. Les Pseaumes de David, mis en Vers Fra^ois. 
 8vo. Londres : Guillaume Pearson, 1722. John Dobson, Esq. 
 
 2054. GREEN, James. Book of Psalmody. 8vo. London : William 
 Pearson, 1725. W. H. Cummings, Esq. 
 
 2055. HARMONIA PERFECTA. 8vo. London: William Pearson, 1730. 
 
 W. H. Cummings, Esq. 
 
 2056. KELLER, Godfrey. Rules for Playing a Thorow-Bass. i2mo. 
 London: W. Pearson, 1731. W. A. Barrett, Esq.
 
 262 Canton Celebration* 
 
 2057. THE BOARDING SCHOOL. 8vo. London: J. Watts, 1733. 
 
 W. H. Cummings, Esq. 
 
 2058. TANS'UR, William. Royal Melody. Obi. 8vo. London : A. 
 Pearson, 1739. W. H. Cummings, Esq. 
 
 2059. TANS'UR, William. Sacred Mirth. 8vo. London, 1739. 
 
 W. H. Cummings, Esq. 
 
 2060. COLLECTION of Choicest Ballads. Folio. London: Fougt, 1750, 
 
 W. Chappell, Esq. 
 
 2061. ARNOLD, John. The Compleat Psalmodist. 8vo. London: 
 Robert Brown, 1756. W. A. Barrett, Esq. 
 
 2062. TANS'UR, William, Senior. The Psalm-Singers Jewel. 8vo, 
 London, 1759. ^ ^- -Barrett, Esq 
 
 2063. A SHORT INTRODUCTION to Vocal Musick. 4to. London, 1767, 
 
 W. A. Barrett, Esq. 
 
 2064. RAMEAU, Jean Philippe. Treatise of Music. 8vo. London, 
 1779. W. A. Barrett, Esq. 
 
 2065. PLAIN CHANT. Sm. 410. London: J. P. Coghlan, 1788. 
 
 W. H. Cummings, Esq. 
 
 2066. TATTERSHALL, Rev. W. Delchair. Improved Psalmody. 8vo 
 London : H. L. Galabin, 1795. ^ ^- Barrett, Esq. 
 
 2067. THE CALEDONIAN Musical Repository. Sm. crown 8vo. Lon- 
 don : B. Crosby, 1806. W. Henderson, Esq. 
 
 2068. CALLCOTT, William. A Musical Grammar. 2nd edition. 121110, 
 London : B. McMillan, 1809. W. A. Barrett, Esq. 
 
 2069. A VALUABLE Collection of Sacred Music, adapted to the Various 
 Metres in Watts. 8vo. Exeter: J. J. Williams, 1818. 
 
 John Dobson, Esq. 
 
 2083. HANDEL, George Frederic. Judas Maccabseus. Obi. 4to., 4 
 octavo pages displayed at once. London : J. A. Novello, 184-. 
 
 Messrs. Novello and Co. 
 
 2070. MOORE, Thomas, and BALFE, Michael William. The Irish 
 Melodies. Folio. London: J. A. Novello, 1859. 
 
 Messrs. Novello 6 Co. 
 
 2071. MACFARREN, W. Pianoforte Tutor. Folio. London: Hen 
 derson, Rait, and Fenton, 1862. 
 
 Messrs. Henderson, Rait, and Fenton
 
 jfv pnnteti ^usir* (Section III.) 263 
 
 2072. SLOPER, Lindsay. Pianoforte Tutor. Folio. London : Hen- 
 derson, Rait, and Fenton, 1863. 
 
 Messrs. Henderson, Rait, and Fenton. 
 
 2073. RIMBAULT, Edward Francis, and METCALFE, James Powell. The 
 Rounds, Catches, and Canons of England. Demy 4to. London : 
 Henderson, Rait, and Fenton, 1864. 
 
 Messrs. Henderson, Rait, and Fenton. 
 
 2074. RIMBAULT, E. F. Old English Carols. London : Henderson, 
 Rait, and Fenton, 1865. Messrs. Henderson, Rait, and Fenton. 
 
 2075. Music of the Divine Liturgy. 4to. London: Henderson, Rait, 
 and Fenton, 1869. Messrs. Henderson, Rait, and Fenton. 
 
 2076. Music for the Office of the Holy Eucharist. Imperial 8vo. 
 London : Henderson, Rait, and Fenton, 1869. 
 
 Messrs. Henderson, Rait, and Fenton. 
 
 2077. ELLIOTT, J. W. National Nursery Rhymes and Songs. 8vo. 
 London: Novello, Ewer, & Co., 1870. Messrs. Novello 6 Co. 
 
 2078. HAVERGAL, William Henry. Psalmody, and Century of Chants. 
 Fcap. 410. London : Henderson, Rait, and Fenton, 1871. 
 
 Messrs. Henderson, Rait, and Fenton. 
 
 2079. HOPKINS, Edward John. The Temple Tune Book. 4to. 
 London : Henderson, Rait, and Fenton, 1871. 
 
 Messrs. Henderson, Rait, and Fenton. 
 
 2080. STAINER, John. A Choir Book for the Office of Holy Com- 
 munion. 8vo. London: Novello, Ewer, and Co., 1873. 
 
 Messrs. Novello 6 Co. 
 
 2081. BARNEY, Joseph. The Hymnary. Imp. 8vo. London: Noyello, 
 Ewer, & Co., 1874. Messrs. Novello 6 Co. 
 
 2082. MEYERBEER, Giacomo. L'Etoile du Nord. 8vo. London : 
 Novello, Ewer, & Co., 1877. Messrs. Novello 6 Co. 
 
 SCOTLAND. 
 
 2084. THE PSALMES of David in Prose and Meeter. Cr. 8vo. Edin- 
 burgh : The Heires of Andrew Hart. 1635. IV. Henderson, JEsg. 
 
 2029. FORBES, John. Cantus. Sm. obi. 4to. Aberdeen: John Forbes, 
 1682. Sacred Harmonic Society. 
 
 2085 THE MELODIES of Scotland. 4to. Glasgow : George Brookman, 
 1834. W. A. Barrett, Esq.
 
 264 Canon Celebration, 
 
 2086. GRAHAM, George Farquhar. The Songs of Scotland. Royal 
 8vo. Printed from Sinclair's type. Edinburgh : Thomas Con- 
 stable, 1848-9. IV. Henderson, Esq. 
 
 AMERICA. 
 
 2087. THE Village Harmony : or, Youth's Assistant to Sacred Music. 
 Obi. 8vo. Newburyport : C. Norris and Co., 1815. 
 
 John Dobson, Esq. 
 
 2088. MASON, Lowell. The People's Tune Book. Obi. 410. New 
 York, 1860. IV. A. Barrett, Esq. 
 
 2089. GILBERT, W. B. The Church Chorister. i2mo. New York, 
 1872. W. A. Barrett, Esq. 
 
 2090. MASON, Luther Whiting. National Music Charts. Folio. Bos- 
 ton : Ginn Brothers, 1872. W. H. Cummings, Esq. 
 
 AUSTRIA. 
 
 2091. LISZT, Franz. Missa Solennis. Vienna? Austriacorum Typis Caes. 
 Reg. Status Officinse. Large folio. 1859. Messrs. Novella and Co. 
 
 DENMARK. 
 
 2092. BOERCHGREVEINCK, Melchior. Giardino novo bellissimo. Madri- 
 gali. 4to. Copenhagen : Henry Waltkirck, 1606. 
 
 Her Majesty the Queen. 
 
 FRANCE. 
 
 2O92.*MAROT and BEZE. Cent Cinquante Pseaumes de David, mis en 
 rime Frangoise. 8vo. Caen : Pierre Philippe, 1563. 
 
 JohnDobson, Esq. 
 
 2093. JAMBE DE FER, Philibert. Les CL. Pseaumes de David Musique 
 a quatre et a cinq parties. Obi. 4to. Lyons : Antoine Cercia et 
 Pierre de Mia, 1564. John Dobson, Esq. 
 
 2094. DE L'EsTOCART, Paschal. Cent Cinquante Pseaumes de David 
 Musique a Quatre, Cinq, Six, Sept, et Huit Parties. Obi. 410. 
 Lyons: Barthelemi Vincent, 1583. John Dobson, Esq. 
 
 2095. LE JEUNE, Claude. Dodecacorde. Obi. 4to. Rochelle, 1598. 
 
 Sacred Harmonic Society. 
 
 2096. LASSO, Orlando di. Missa Dixit Joseph. Large folio. Paris : 
 Pierre Ballard, 1607. Sacred Harmonic Society.
 
 jf, printed ^u0ic (Section III.) 265 
 
 2097. LE JEUNE, Claude. Pseaumes. Sm. 410. Paris : Pierre Ballard, 
 1608. Her Majesty the Queen. 
 
 2098. AMPHION SACRE. Recueilly de quelques excellens Musiciens de 
 ce temps a 4 et 5 voix. Sm. obi. 410. Lyons : Louis Muguet, 
 1615. Julian Marshall, Esq. 
 
 2099. LIVRE yme. des Chansons. Obi. 4to. Douay : Jean Bogart, 
 1617. Sacred Harmonic Society. 
 
 2100. RECUEIL de Chansons. 8vo. Paris: Robert Ballard, 1644. 
 
 W. H. Cummings, Esq. 
 
 2101. LE JEUNE, C. 150 Psalms. Obi. 8vo. Paris: R. Ballard, 1650. 
 
 Sacred Harmonic Society. 
 
 2102. DUMONT, Henri. Motets a deux Voix. 4to. Paris: R. Ballard, 
 1668. Sacred Harmonic Society. 
 
 2103. XIX. Livre de differents Auteurs. Obi. 8vo. Paris: C. Ballard, 
 1676. Sacred Harmonic Society. 
 
 2104. LULLI, Jean Baptiste. Proserpine. Folio. Paris: Christophe 
 Ballard, 1680. Her Majesty the Queen. 
 
 2105. NOUVELLE Me'thode pour apprendre le Plain Chant. 8vo. 
 Rouen : Seyer and Behrout, 1699. W. H. Cummings, Esq. 
 
 2106. MASSON, C. Nouveau Traite des regies pour la Composition de 
 la Musique. 8vo. Paris : Christopher Ballard, 1699. 
 
 M. Gustave Chouquet. 
 
 2107. DESTOUCHES, Andre, Cardinal. Amadis de Grece. Obi. 4to. 
 Paris: Christopher Ballard, 1699. Sacred Harmonic Society. 
 
 2108. DE LA NOUE, Sauve". CEuvres de Theatre. i2mo. Paris: 
 Duchesne, 1765. M. Gustave Chouquet 
 
 2109. ANTHOLOGIE Franchise, ou Chansons Choisies depuis le i3me 
 Siecle jusqu'a present. 8vo. Paris, 1765. 
 
 Charles K. Salaman, Esq. 
 
 2 1 10. ANTIPHONARIUM Romanum. Large folio. Paris: Augustinum- 
 Martinum Lottin, 1780. W. H. Cummings, Esq. 
 
 21 1 1. BERQUIN, M. Romances. i2mo. Paris: De rimprimerie de 
 Monsieur, 1788. Charles Letts, Esq.
 
 266 Carton Celebration. 
 
 2112. GRETRY, Andre E. M. Methode Simple pour apprendre & 
 preluder. 8vo. Paris : De L'imprimerie de la Republique, 
 An X. (1802). W. A. Barrett, Esq. 
 
 2113. GRETRY, A. E. M. Methode Simple. Sm. 8vo. Paris, An X. 
 (1802). W. A. Barrett, Esq. 
 
 2114. CHANTS Chretiens. 8vo. Paris, 1837. W. A. Barrett, Esq. 
 
 2115. LES PSEAUMES de David. Fcap. 8vo. Paris, 1856. 
 
 Richard Redhead, Esq. 
 
 2116. CANTUS Passionis. Large 4to. Paris: Simon Bacon, c. 1860. 
 
 W. A. Barrett, Esq. 
 
 2117. ELWART, A. Petit Traite D'Instrumentation. Sm. 8vo. Paris, 
 Ch. Noblet, 1862. W. A. Barrett, Esq. 
 
 2118. TIRON, Alex. Etudes sur la Musique Grecque. 8vo. Paris 
 Imprimerie Imperiale, 1866. M. Gustave Chouquet. 
 
 2119. WEKERLIN, J. D. Opuscules sur la Chanson Populaire. 8vo. 
 Paris : J. Baur, 1874. M. Gustave Chouquet. 
 
 Specimens of old types of Le Be, Pierre Ballard, and Robert Ballard. 
 
 GERMANY. 
 
 2 1 20. LUTHER, Martinus. Ueudsche Messe und Ordnung Gottes 
 diensts. 410. Wittemberg, 1526. John Dobson, Esq. 
 
 2121. KIRCHENGESANNG, Teutsch und Lateinisch. Folio. Niirnberg 
 Johann vom Berg und Ulrich Neuber, 1557. John Dobson, Esq. 
 
 2122. PSALMEN und Gcystliche Lieder welche von Frommen Christen 
 gemacht und zusamen gelesen sind. 8vo. Niirnberg : Valentin 
 Newber, 1563. John Dobson, Esq. 
 
 2123. KIRCHENGESANNG Teutsch und Lateinisch, davon in Newburgis- 
 cher und Zweybruckischer Gleichformiger Kirchenordnung Mel- 
 dung gechicht. Folio. Niirnberg: Dieterich Gerlatz, 1570. 
 
 Alfred H. Littleton, Esq. 
 
 2124. LASSO, Orlando di. Patrocinium Musices. Missae aliquot quinque 
 vocum. Secunda pars. Large folio. Monachii, Ad. Berg. 
 1574. Rev. Sir Frederick A. Gore Ousel ey, Bart. 
 
 2125. LASSO, Orlando di. Patrocinium Musices. Missae aliquot quinque 
 vocum. Large folio. Monachii, Ad. Berg. 1589. 
 
 Rev. Sir Frederick A. Gore Ouseley, Bart.
 
 Claggf JF prmteti 9u0fc* (Section III.) 267 
 
 2126. VECCHI, Horatio. Convivium Musicale. 4to. Nuremburg : 
 Paul Kauffmann, 1598. Her Majesty the Queen, 
 
 2127. CROCK, Joanne. Septem Psalmi Pcenitentiales sex vocum. 
 Norimbergae : C. Kauffmann, 1599. Julian Marshall, Esq. 
 
 2128. NESERO, Johanne. Hymni Sacri Melodijs & Numeris Musicis 
 compositi & collecti. 8vo. Wittebergge : Zacharias Lehman, 
 1600. John Dobson, Esq. 
 
 2129. HASLER, Leo. Cantiones Sacra. 4to. Nuremberg: Paul 
 Kauffmann, 1607. Sacred Harmonic Society. 
 
 2130. AMBROSIUM Lobwasser. Die Psalmen Davids, in Teutch 
 Reymen, &c. 241110. Hanau : Michael Schufelberger, 1650. 
 
 John Dobson, Esq. 
 
 2131. DRESZDENISCH Gesangbuch Christlicher Psalmen und Kirchen- 
 lieder. 4to. Dresden : Christian und Melchior Bergen, 1656. 
 
 John Dobson, Esq. 
 
 2132. LUST-UND Artzeney Garten des Koniglichen Propheten Davids 
 Das ist Der gantze Psalter. 8vo. Regenspurg : Christoff Fis- 
 chern, 1675. John Dobson, Esq. 
 
 2133. GEIST UND LEHR-REICHES Kirchen und Haus-Buch mit Noten 
 und Unterlegtem Bass. 4to. Dresden : Christophoro Matthesio, 
 1 694. Her Majesty the Queen. 
 
 2134. GEIST UND LEHR-REICHES Kirchen und Haus-Buch. Another 
 copy. John Dobson, Esq. 
 
 21 35- WAGENSEIL, John Christian. De libera civitate Noribergensi Com- 
 mentatio. 4to. Nuremberg : Wilhelm Kohles, 1697. 
 
 Alfred H. Littleton, Esq. 
 
 2136. MATTHESON, Johann. Grosse General-Bass Schule. 4to. Ham- 
 burg : Johann Christoph Kissners, 1731. 
 
 W. H. Cummings, Esq. 
 
 2137. MATTHESON, J. Melodisches Wissenschafdt. 4to. Hamburg : 
 Christian Herold, 1737. W. H. Cummings, Esq. 
 
 2138. MATTHESON, J. Der Vollkommene Capellmeister. Folio. 
 Hamburg: Christian Herold, 1739. Alfred H. Littleton, Esq.
 
 268 Ctuton Celeforattom 
 
 2139. STORLS, Johann Georg Christian. Weyland Hoch-Fiirstlich- 
 Wiirtembergischen Capell-Meisters und Stiffts-Organisten, Neu- 
 bezogenes Davidisches Harpfen-und Psalter-Spiel. Obi. 4to. 
 Stuttgardt : Johann Benedict Metzler, 1744. John Dobson, Esq. 
 
 2140. BACH, Carl Philipp Emanuel. Oden mit Melodien. Obi. 4to. 
 Leipxig : Johann Gottlob Immanuel Breitkopf, 1762. 
 
 Julian Marshall, Esq. 
 
 2141. CATALOGO delle Sinfonie. 8vo. Leipzig: Giovanno Gottlob, 
 Immanuel Breitkopf, 1762. Messrs. Breitkopf and Hartel. 
 
 214.2. MOZART, Leopold. Violin Schule. Sm. folio. Augsburg: 
 Jacob Lotter, 1769. W. H. Cummitigs, Esq. 
 
 2143. BREITKOPF, Bernard Theodor. Neue Lieder. Obi. 4to. Leipzig: 
 Bernhard Christoph Breitkopf und Sohn, 1770. 
 
 Messrs. Breitkopf and Hartel. 
 
 2145. BACH, C. P. E. Heilig mit z\vei Choren und einer Ariette. Large 
 folio. Hamburg, 1779. W. H. Cummings, Esq. 
 
 2146. TELEMANN, George Michael. Beytrag zur Kirchen Musik. 
 Folio. Konigsberg und Leipzig : Gottlieb Lebrecht Hartung, 
 1785. Charles Kensington Salaman, Esq. 
 
 2147. BACH, C. P. E. Resurrection. Folio. Leipzig: Breitkopf, 1787. 
 
 W. H. Cummings, Esq. 
 
 2433. E. T. P. A. Talestri. Full score. Obi. folio. Leipzig : 
 Bernard Christoph Breitkopf und Sohn. 17 . 
 
 Messrs. Breitkopf and Hartel. 
 
 2148. MOZART, W. A. Requiem. Full score. Obi. Leipzig: 
 Breitkopf and Hartel, 1800. Messrs. Breitkopf and Hartel. 
 
 214.9. NEU VERBESSERTES und vermehrtes Vesperbuch auf Noten, nach 
 den romischen Antiphonal. 321110. Luxemburg : Schmit- 
 Briick, 184-. Messrs. Novello and Co. 
 
 2150. PROSKE, Carolus. Musica Divina. 4to. Ratisbon : Frideric 
 Postet, 1853. W. A. Barrett, Esq. 
 
 2169. VON KOCHEL, Dr. Ludwig Ritter. Kronologisch-Thematisches 
 Vezeichniss sammtlicher Tonwerke Wolfgang Amade Mozart's. 
 8vo. Leipzig: Breitkopf and Hartel, 1862. 
 
 Messrs. Breitkopf and Hartel. 
 
 2144. BOHME, FRANZ M. Altdeutsches Liederbuch. 8vo. Leipzig: 
 Breitkopf and Hartel, 1877. Messrs. Breitkopf and Hartel.
 
 f Printed 9u0tc, (Section in,) 269 
 
 HOLLAND. 
 
 2151. IL HELICONE. Madrigali. Obi. 4to. Antwerp: P. Phalesia, 
 1616. Sacred Harmonic Society. 
 
 2152. 'T GROOT HOORNS, Enkhuyzer, Alkmaarder un Purmerender 
 Liede-Boek. 321110. Amsterdam : Johannes Kannewet, c. 1620. 
 
 Alfred H. Littleton, Esq. 
 
 2153. AMSTERDAMSE PEGASUS. Sm. obi. 4to. Amsterdam: Cornells 
 Willanssen, 1627. Alfred H. Littleton, Esq. 
 
 2154. DE CL. PSALMEN. 8vo. Amsterdam: Hendrick Laurenz, 1629. 
 
 W. H. Cummings, Esq. 
 
 2155. LE JEUNE, Claude. Les Pseaumes de David avec la Musicque. 
 i2mo. Leyden : Justus Livius, 1633. John Dobson, Esq. 
 
 2156. STARTER, J. J. Friesche Lust-Hof, beplant met verscheyden 
 stichtelijke Minne-Liedekens. Sm. obi. 4to. Amsterdam, 1634. 
 
 Sacred Harmonic Society. 
 
 2157. STARTER, J. J. Friesche Lust-Hof. Another copy. 
 
 Alfred H. Littleton, Esq. 
 
 2158. GASTOLDI, Giovanni Giachomo. Ballets. Obi. 4to. Amsterdam, 
 1648. Sacred Harmonic Society. 
 
 2159. PRINS, H. J. Medenblicher Scharve Zoodtje. Sm. obi. 
 Medenblick, 1650. W. H. Cummings, Esq. 
 
 2 1 60. PORTA, Francesco della. Cantiones. 410. Antwerp : M. Phalesia, 
 1650. Sacred Harmonic Society. 
 
 2161. MEIBOMIUS, Marcus. Antiquae Musicae auctores septem. Sm. 
 4to. Amsterdam: Lud. Elzevir, 1652. Julian Marshall, Esq. 
 
 2162. DE CL PSALMEN DAVIDS. 321110. Dordrecht, 1683. 
 
 W. A. Barrett, Esq. 
 
 2163. BROSSARD, Sebastian. Dictionaire de Musique. 8vo. Amster- 
 dam : Etienne Roger, 1709. W. H. Cummings, Esq. 
 
 2164. LES PSEAUMES DE DAVID. Sm. 8vo. Amsterdam : Charles 
 Wetsteins, 1710. W. H. Cummings, Esq. 
 
 2165. TRIEMER, J. Z. A New Version of the Psalms of David set to 
 Music. 8vo. Amsterdam : Antony Bruyn, 1753. 
 
 John Dobson, Esq.
 
 270 Canton Celebration. 
 
 2166. LES PSEAUMES DE DAVID. 8vo. Amsterdam, 1780. 
 
 .R. Redhead, Esq. 
 
 2167. HET BOEK DER PSALMEN. i2mo. Amsterdam, 1787. 
 
 W. A. Barrett, Esq. 
 
 2168. A SELECTION OF HYMNS for the use of the English Reformed 
 Church at Amsterdam. 121110. Haarlem : John Ensched^ and 
 Sons, 1821. John Dobson, Esq. 
 
 2170. HEX BOEK DER PSALMEN. 32mo. Amsterdam, 1865. 
 
 W. A. Barrett, Esq. 
 
 INDIA. 
 
 2171. DAY, William. Sacred Harmony, or a Selection from the New 
 Version Fitted to the Tunes used in Churches. 8vo. Madras : 
 Constantine Sampie, 1818. John Dobson, Esq. 
 
 2172. TAGORE, Souvindro Mohun. 50 Stanzas in Sanskrita. Large 8vo. 
 Calcutta : J. C. Bose & Co., 1875. 
 
 Charles Kensington Salaman, Esq. 
 
 2173. TAGORE, Sourindro Mohun. Songs of Jazudera. Sm. folio. 
 Calcutta : Central Press Company, 1875. 
 
 Alfred H. Littleton, Esq. 
 
 2174. TAGORE, Sourindo Mohun. English Verses set to Hindu Music. 
 8vo. Calcutta: J. N. Ghore, 1875. 
 
 Charles Kensington Salaman, Esq. 
 
 2175. KRISHNA Dhana Banerjea. Native Bengalee Instruction Book 
 for the Setar. Folio. Calcutta : J. C. Bose & Co. 
 
 Charles Kensington Salaman, Esq. 
 
 ITALY. 
 
 2176. ARCADELT, Giaches. Madrigali. Sm. obi. Venice: Plinio Pietra- 
 santa, 1557. W. H. Cummitigs, Esq. 
 
 2177. WILLAERT, Adrian. Musica Nova. 4to. Venice: F. Rampa- 
 gello, 1558. Sacred Harmonic Society. 
 
 2178. ZARLINO, Gioseffo. Le Institutioni Harmoniche. Sm. folio. 
 Venice: F. Semel, 1562. Sacred Harmonic Society. 
 
 2179. WILLAERT, A. Sacri e Santi Salmi. 410. Venice: F. Rampa- 
 gello, 1565. Sacred Harmonic Society.
 
 f * pnnteti $$u$it. (Section III.) 271 
 
 2180. ANIMUCCIA, Joannis, Magistri Cappellae Sacrosanctae Basilicas 
 Vaticanae. Missarum Liber primus. Large folio. Romas : apud 
 Haeredes Valerii e Aloysii Doricorum Fratrum Brixiensum, 1567. 
 
 Alfred H. Littleton, Esq. 
 
 2181. FIORINI, Gasparo. La Nobilta di Roma. 4:0. Venice: Girolamo 
 Scotto, 1573. Sacred Harmonic Society. 
 
 2182. SITIBUNDO, Guilemo. Antiphonae ad Magnificat. 4to. Venice: 
 J. Barilettum, 1574. Her Majesty the Queen. 
 
 2183. PALESTRINA, Giovanni Pier Luigi. Motecta Festorum Totius 
 Anni. Obi. 4to. Venice : A. Gardano, 1585. 
 
 Sacred Harmonic Society. 
 
 2184. GABRIELI, Andrea. II secundo libro di Madrigali a sei Voci. 
 Sm. 410. Venice : Angelo Gardano, 1586. 
 
 Alfred H. Littleton, Esq. 
 
 2185. MARENZIO, Luca. Madrigali. 4to. Venice : G. Vincenzi, 1586. 
 
 Sacred Harmonic Society. 
 
 2186. MARENZIO, Luca. Madrigali a Quatro Voci. Sm. 4to. Venice: 
 Ricciardo Amadino, 1587. Alfred H. Littleton, Esq. 
 
 2187. ZACCONI, Ludovico. Prattica di Musica. Sm. folio. Venice, 1592. 
 
 Alfred H. Littleton, Esq. 
 
 2188. GALILEI, Vincentio. Dialogo della Musica Antica e Moderna. 
 Folio. Florence, 1602. Sacred Harmonic Society. 
 
 2189. SCALETTA, Orazio. Cetra Spirituale. 4to. Milan, 1605. 
 
 Sacred Harmonic Society. 
 
 2 1 90. VENOSA, Carlo Gesualdo. Principe de Madrigali. Folio. Genoa : 
 G. Pavoni, 1613. Her Majesty the Queen. 
 
 An early instance of printing in score. 
 
 2191. VENOSA, C. G. Another copy. Sacred Harmonic Society. 
 
 2192. MONTEVERDE, Claudio. L'Orfeo, Favola in Musica. Folio. 
 Venice : Ricciardo Amadino, 1615. Her Majesty the Queen. 
 
 2193. TRABACI, Gio. Maria. II secondo libro de Ricercate & altri 
 varij Capricci. Folio. Naples, 1615. Julian Mars/tall, Esq. 
 
 2194. SEVERI. Salmi. Rome, 1615. Sacred Harmonic Society.
 
 272 Ccurtcm Celebration, 
 
 2195. FRESCOBALDI, Girolamo. Ricercari e Canzoni Franzcse fatte 
 sopra diversi oblighi in partitura. Folio. Rome : Bartolomeo 
 Zannetti, 1618. Julian Marshall, Esq. 
 
 2196. BONAFFINO, Filippo. Madrigali Concertate. 4to. Messina: 
 Pietro Brea, 1623. Sacred Harmonic Society. 
 
 2197. CARACCIO, Gio. Sudori Musicali. Folio. Venice: Gardano, 
 1626. Julian Marshall, Esq. 
 
 2198. CARRATE, Maritio. II primo libro di Motteti. Obi. 4to. Venice: 
 Gardano, 1647. Miss Mounsey. 
 
 2199. ROVETTO, Gio. Motetti. 4to. Venice: Alesandro Vincenti, 
 1650. W. H. Cummings, Esq. 
 
 2200. STROZZI, Barbara. Cantate, ariete a una, due, e tre voci. Opera 
 Terza. Folio. Venice: Gardano, 1654. Julian Marshall, Esq. 
 
 2201. BAGATTI, Francesco. Concerti Ecclesiastici. 4to. Milan: Gio. 
 Francesco, 1662. Her Majesty the Queen. 
 
 2202. FONTANA, Fabritio. Ricercari. Folio. Rome : Gio. Anglo 
 Mutio, 1677. Julian Marshall, Esq. 
 
 2203. COLONNA, Giovanni. Messa. 4to. Bologna : G. Monti, 1685. 
 
 Sacred Harmonic Society. 
 
 2204. BONONCINI, Gio. Maria. Musico Prattico. 4to. Bologna : 
 Giacomo Monti, 1688. W. H. Cummings, Esq. 
 
 2205. PENNA, Lorenzo. Le primi albori Musicali. Sm. 4:0. Bologna: 
 Pier-Maria Monti, 1696. Julian Marshall, Esq. 
 
 2206. BASSANI, Gioan. Battista. Salmi. 4to. Venice : Gioseppe Sala, 
 1697. W. H. Cummings, Esq. 
 
 2207. GASPARINI, Francesco. L'Armonico pratico al cimbalo. 4to. 
 Venice, 1708. W. H. Cummings, Esq. 
 
 2208. CIZZARDI, L. M. II Tutto in poco. Folio. Parma, 1711. 
 
 Julian Marshall, Esq. 
 
 2209. PRESEPI Presipio. Sacri trattenimenti. 8vo. Florence, 1722. 
 
 Sacred Harmonic Society. 
 
 2210. MARCELLO, Benedetto. Salmi. Large folio. Venice: Fortu- 
 niano Rosati, 1726. Her Majesty the Queen.
 
 f . pcmteti 9u0ic, (Section IV.) 273 
 
 2211. SABBATINI, F. Luigi Ant. La Vera Idea delle Musical! Numeriche. 
 Sm. folio. Venice, 1799. Julian Marshall, Esq. 
 
 2212. ALFIERI, Pietro. Saggio storico Teorico pratico del Canto Gre- 
 goriano e Romano. Rome, 1835. Messrs. Novella 6 Co. 
 
 2213. BIROM. Senate. Bologna: P. M. Monti, n. d. 
 
 Sacred Harmonic Society. 
 
 SWITZERLAND. 
 
 2214. STERNHOLD, HOPKINS. The Whole Booke of Psalmes, Collected 
 into English Metre. 4to. Geneva: John Crespin, 1568. 
 
 John Dobson, Esq. 
 
 221$. MAROT and BEZE. Les Pseaumes de David, Mis en rime 
 Franchise. 8vo. Geneva: Jean de Tournes, 1611. 
 
 John Dobson, Esq. 
 
 2216. LES Pseaumes de David. Lausanne, 1824. 
 
 W. H. Cummings, Esq. 
 
 SECTION IV. 
 
 TABLATURE AND OTHER MODIFICATIONS 
 OF NOTATION. 
 
 ENGLAND. 
 
 2217. 
 
 ARLEY, William. A new book of Tabliture, containing sundrie 
 easie and familiar Instructions. Sm. obi. 4to. London : 
 for William Barley, 1596. Julian Marshall, Esq. 
 
 2218. BARLEY, W. A new book of Tabliture. Another copy. 
 
 Sacred Harmonic Society. 
 
 2219. DOULAND, Robert. A Musicall Banquet. Folio. London : 
 Thomas Adams, 1610. Julian Marshall, Esq. 
 
 2220. CORKINE, William. Ayres to sing and play to the Lute. Folio. 
 London : William Stansby (?), 1610. Sacred Harmonic Society. 
 
 T
 
 274 Canton Celebration* 
 
 2221. CAMPIAN, Thomas. The Third and Fourth Booke of Ayres. 
 Folio. London, c. 1612. Sacred Harmonic Society. 
 
 2222. TAILOUR, Robert. Sacred Hymns. Consisting of Fifti Select 
 Psalms of David and others, paraphrastically turned into English 
 verse. And set to be sung in five parts, as also to the Viole 
 and Lute, or Orph-arion. 4to. London : Thomas Snodham, 
 1615. Alfred H. Littleton, Esq. 
 
 222$. MUSICK'S Recreation on the Lyra Viol. Obi. 4to. London: 
 John Playford, 1652. W. Chappell, Esq. 
 
 2224. PLAYFORD, John. Musick's Delight on the Cithren. Obi. 4to. 
 London : W. G., 1666. W. H. Cummings, Esq. 
 
 222$. YOUTH'S Delight on the Flageolet. Sm. obi. London : John 
 Clarke, c. 1670. W. Chappell, Esq. 
 
 2226. MACE, Thomas. Musick's Monument. Folio. London: T. 
 Ratcliffe and N. Thompson, 1676. Alfred H. Littleton, Esq. 
 
 2227. SIMPSON, Christopher. A Compendium of Practical Musick. 
 Sm. 8vo. London, 1678. W. A. Barrett, Esq. 
 
 2228. DE LA FOND, John Francis. A New System of Music. 8vo. 
 London, 1725. Sacred Harmonic Society. 
 
 2229. STEELE, Joshua. An Essay. 4to. London, 1775. 
 
 Sacred Harmonic Society. 
 
 2230. GLOVER, Sarah A. Manual of the Tetrachordal System. 321110. 
 Norwich, c. 1840. W. A. Barrett, Esq. 
 
 2231. TAYLOR, Sedley. Proposed improved Notation. Sm. 8vo. Lon- 
 don, 1875. C. K. Salaman, Esq. 
 
 2232. GALiN-Paris-Cheve". Elementary Course of Vocal Music. Sm. 
 4to. 1877. F. E. B. Bullen, Esq. 
 
 SCOTLAND. 
 
 2233. DAUNEY, William. Ancient Scottish Melodies. Sm. 4to. Edin- 
 burgh : The Edinburgh Printing and Publishing Company, 1838. 
 
 W. Henderson, Esq. 
 
 2234. BAPTIE, D. The Union School-Song Garland. Square 8vo. 
 Glasgow: W. Hamilton, 1874. W. A. Barrett, Esq. 
 
 Printed in Hamilton's patent " Union" musical notation.
 
 v printed 9u<$fc (Section IV.) 275 
 CHINA. 
 
 2235. Ch' in P'u : Music for the Lute. 8vo. 1802. 
 
 Alfred H. Littleton, Esq. 
 
 FRANCE. 
 
 2236. BOESSET, A. Airs de Cour avec la Tablature de Luth. 410. 
 Paris, 1624. 
 
 2237. CORBETT, Francisque. La Guitarre Royale. Tablature engraved 
 on copper by H. Bonneuil. Paris, 1671. Julian Marshall, Esq. 
 
 2238. ROUSSEAU. Nouveaux signes pour la Musique. Paris, 1782. 
 
 W. H. Cummings, Esq. 
 
 GERMANY. 
 
 2239. HECKEL, Wolf. Lautten Buch. Obi. 4to. Strasbourg, 1562. 
 
 Sacred Harmonic Society. 
 
 2240. STRAUBE, Rudolfo. Due Senate a Liuto Solo. Obi. 4to. 
 Leipzig: Engraved by Schonemann, 1746. 
 
 Julian Marshall, Esq. 
 
 HOLLAND. 
 
 2241. VALERIUS, Adrianus. Nederlandtsche Gedenck-Clanck. Obi. 
 4to. Haarlem, 1626. Alfred If. Littleton, Esq. 
 
 ITALY. 
 
 2242. CAROSO (da Sermonela), Fabritio. II Ballarino. 4to. Venice: 
 Francesco Ziletti, 1581. Alfred H. Littleton, Esq. 
 
 2243. KAPSBERGER, Gio. Girolamo. Arie, Villanelle, Motetti, &c. 
 Sm. folio. Rome, 1604-12. Julian Marshall, Esq. 
 
 2244. CAROSA. Nobilta di Dama. 8vo. Venice : Muschio, 1605. 
 
 Sacred Harmonic Society. 
 
 2245. MARTINI, Giambatista. Storia della Musica. Bologna, 1757. 
 
 Messrs. Novello 6 Co. 
 
 Music PRINTED IN TONIC SOL-FA NOTATION. 
 
 2246. ARABIC Tunes and Hymns. Messrs. J. Curwen and Sons. 
 
 Collection of tunes printed in the tonic sol-fa notation in Arabic character. 
 
 2247. JAPANESE Tunes. Messrs. J. Curwen and Sons. 
 
 Collection of tunes printed in the tonic sol-fa notation in Japanese character.
 
 276 Canton Celebration. 
 
 2248. TONIC SOL-FA Exercises. Messrs. J. Curwen and Sons. 
 
 Music printed for the use of the blind. 
 
 2249. SPECIMEN Sheet. Messrs. J. Curwen and Sons. 
 
 Tonic sol-fa music founts in present use for bookwork. 
 
 2250. SPECIMEN Sheet. Messrs. J. Curwen and Sons. 
 
 Tonic sol-fa music founts in present use for wall sheets, &c. 
 
 2251. THE Sol-fa Tune Book. 1841. Messrs. J. Curwen and Sons. 
 
 The first book of tunes printed in the tonic sol-fa notation. 
 
 2252. MANUAL of Music for the Young. Messrs. J. Curwen and Sons. 
 
 Tonic sol-fa instruction book in Chinese, by Rev. C. Douglas. 
 
 2253. INTRODUCTION to the Music of the West. 
 
 Messrs. J. Curwen and Sons. 
 An account of the ordinary staff notation for Chinese. 
 
 2254. TUNES and Hymns that Nourish the Heart. 
 
 Messrs. J. Curwen and Sons. 
 A collection of tonic sol-fa music adapted to Chinese readers. 
 
 2255. COLLECCION de Himnos Cristianos. Messrs. J. Curwen and Sons. 
 
 Tonic sol-fa hymns and tunes in Spanish, printed at Madrid. 
 
 2256. TIONA sy Fihirana. Messrs. J. Curwen and Sons. 
 
 Tonic sol-fa hymn and tune book printed at Antananarivo, Madagascar, by 
 the London Missionary Society. 
 
 SECTION V. 
 MUSIC PRINTED FROM ENGRAVED PLATES. 
 
 ENGLAND. 
 
 2257. 
 
 YRD, William, BULL, John, and GIBBONS, Orlando. Parthenia, 
 or the Maydenhead of the first musick ever printed for 
 the Virginalls. Sm. folio. London: Hole, sculpt, 1611. 
 
 Her Majesty the Queen. 
 
 2258. BYRD, William, BULL, J, and GIBBONS, O. Parthenia. Another 
 copy. Julian Marshall, Esq.
 
 F* Printed Stu0ic. (Section v.) 277 
 
 2259. SLATYER, W. The Psalmes of David in 4 Languages and in 
 4 Parts, set to ye Tunes of our Church. i2mo. London: 
 Thomas Harper, 1643. John Dobson, Esq. 
 
 2 25 9*. CHILD, William. Choise Musick. Sm. obi. folio. London, 
 John Playford, 1656. Sacred Harmonic Society. 
 
 2260. SIMPSON, Christopher. The Division- Violist. Folio. London : 
 William Godbid, 1659. Julian Marshall, Esq. 
 
 2017. SIMPSON, Christopher. The Division Violist. Another copy. 
 
 W. H. Cummings, Esq. 
 
 2261. MUSICK'S Hand-maide presenting New and Pleasant Lessons for 
 the Harpsycon. Sm. obi. 4to. London : for John Playford, 
 1663. Julian Marshall, Esq. 
 
 2262. SALMON, Thomas. Essay to the Advancement of Music. Sm. 
 8vo. London : J. Macock, 1672. W. H. Cummings, Esq. 
 
 2263. LOCKE, Matthew. Melothesia. Obi. 410. London, 1673. 
 
 Sacred Harmonic Society. 
 
 2264. LOCKE, M. Present Practice of Musick Vindicated. Sm. 8vo. 
 London : N. Brooke, 1673. W. H. Cummings, Esq. 
 
 2265. BOWMAN, Henry. Songs for Two and Three Voices. Folio. 
 Oxford, 1677. W. H. Cummings, Esq. 
 
 2266. PLAYFORD, John. The Whole Book of Psalms. London, 1677. 
 
 Edward J. Hopkins, Esq. 
 
 2267. BOWMAN, Henry. Songs. Folio. Engraved by Richard Davis. 
 Oxford, 1679. Sacred Harmonic Society. 
 
 2268. PURCELL, Henry. Sonnatas of Three Parts. Folio. Engraved 
 by Tho. Cross, Junior. London: J. Playford, 1683. 
 
 W. H. Cummings, Esq. 
 
 2269. THE DELIGHTFUL Companion for the Recorder or Flute. Obi. 
 4to. London : Playford, 1686. W. Chappell, Esq. 
 
 2270. PURCELL, H. New Songs in the Third Part of The Comical 
 History of Don Quixote. Sm. folio. London, 1696. 
 
 Sacred Harmonic Society. 
 
 2271. PURCELL, H. Choice Collection of Lessons for the Harpsi- 
 chord or Spinnet. Obi. 8vo. Westminster : Mrs. Frances Pur- 
 cell, 1696. W. H. Cummings, Esq. 
 
 2272. PURCELL, Daniell. Psalms set full for the Organ. Obi. 4to. 
 London, 1701. W, H. Cummings, Esq. 
 
 2273. ECCLES, Jno. General Collection of Songs. Folio. London : 
 J. Walsh, 1703. W. H. Cummings, Esq.
 
 278 Ca,rton Celebration, 
 
 2274. BLOW, William, and PURCELL, H. A Choice Collection of Les- 
 sons. Obi. 4to. London, 1705. Sacred Harmonic Society. 
 
 2275. CLAYTON, Thomas. Songs in the New Opera called Arsinoe, 
 Queen of Cyprus. Folio. London: J. Walsh, 1705. 
 
 Charles Kensington Salaman, Esq. 
 
 2276. SIRIS, P. The Art of Dancing. 4to. London, 1706. 
 
 W. A. Barrett, Esq. 
 
 2277. ISAAC, Mr., and WEAVER, John. A Collection of Ball-Dances 
 performed at Court. 4to. London: J. Vaillant, 1706. 
 
 Alfred H. Littleton, Esq. 
 
 2278. BONONCINI. Songs in the New Opera of Camilla. Folio. Lon- 
 don: John Cullen, 1707. Charles Kensington Salaman, Esq. 
 
 2279. READING, John. Book of New Songs. Folio. London : Bra- 
 bazon Aylmer, c. 1709. W. H. Cumm'ings, Esq. 
 
 2280. READING, John. Book of New Anthems. 4to. Engraved by 
 P. Bates. London, c. 1709. W. H. Cummings, Esq. 
 
 2281. CORELLI, Arcangelo. The Score of the Twelve Concertos. Large 
 folio. Engraved "with the utmost correctness" by Tho. Cross. 
 London, <r. 1710. W. A. Barrett, Esq. 
 
 2282. CLARKE, Jeremiah. Choice Lessons for the Harpsichord or 
 Spinett. Obi. 4to. London : C. King, J. Young, and J. Hare, 
 1711. Julian Marshall, Esq. 
 
 2823. HANDEL, George Frederic. Arie dell' Opera di Rinaldo. Folio. 
 London : J. Walsh, 1711. Charles Kensington Salaman, Esq. 
 
 2284. BABELL, William. Suits of the most Celebrated Lessons. Folio. 
 London, c. 1712. Sacred Harmonic Society. 
 
 2285. CROFT, William. Musicus Apparatus Academicus. Folio. 
 London : Engraven by Thomas Atkins, 1713. 
 
 Julian Marshall, Esq. 
 
 2286. HANDEL, G. F. Suite des pieces pour le Clavecin. Obi. folio. 
 London; Cluer, 1720. Charles Kensington Salaman, Esq. 
 
 2287. HANDEL, G. F. Floridant, an Opera. Folio. London : J. Walsh, 
 1720. W. A. Barrett, Esq. 
 
 2288. HINE, William. Harmonia Sacra Glocestriensis. Folio. 
 Gloucester, c. 1720. W. A. Barrett, Esq.
 
 Claw f . ^n'nteU 9u0tc (Section V.) 279 
 
 2289. BONONCINI, Giovanni. Cantate e Duetti. Obi. folio. London, 
 IT 21. W. H. Cummings, Esq. 
 
 2290. JACOBI, John Christian. Psalmodia Germanica; or, a Specimen 
 of Divine Hymns, with their Proper Tunes and Thorough Bass. 
 8vo. London : J. Young, 1722. John Dobson, Esq. 
 
 2291. BONONCINI, Giovanni. Funeral Anthem. Folio. Engraved by 
 T. Cross. London : Richard Meares, 1722. 
 
 W. H. Cummings, Esq. 
 
 2292. CHURCH, John. An Introduction to Psalmody. 8vo. London, 
 Engraved by T. Cross for R. Meares, 1723. John Dobson, Esq. 
 
 2293. CAREY, Henry. Cantatas. Folio. London, 1724. 
 
 W. H. Cummings, Esq. 
 
 2294. CROFT, William. Musica Sacra. Folio. 1724. 
 
 Edward J. Hopkins, Esq. 
 
 2295. LEVERIDGE, Richard. A Collection of Songs. 8vo. London, 
 1727. W. H. Cummings, Esq. 
 
 2296. PEPUSCH, John Christopher. Beggar's Opera. 8vo. London : 
 J. Watts, 1728. W. H. Cummings, Esq. 
 
 2297. HART, Philip. The Morning Hymn from the Fifth Book of 
 Milton's Paradise Lost. Folio. Engraved by Cross. London, 
 1728-9. Julian Marshall, Esq. 
 
 2298. PEPUSCH, J. C. The Beggar's Opera. 4to. London : John 
 Watts, 1729. Alfred H. Littleton, Esq. 
 
 2299. HART, Philip. Fugues for the Organ or Harpsichord, with Lessons 
 for the Harpsichord. Obi. folio. Engraved by Thomas Cross, 
 Senior. London, c. 1730. Julian Marshall, Esq. 
 
 2300. ROSEINGRAVE, Thomas. Voluntarys and Fugues made on purpose 
 for the Organ or Harpsicord. Folio. Engraved by T. Cross, 
 Senior. London, c. 1730. Julian Marshall, Esq. 
 
 2301. PRELLEUR, Peter. Modern Musick Master. 4to. Engraved by 
 J. Smith. London, 1731. W. H. Cummings, Esq. 
 
 2302. CAREY, H. Six Cantatas. Obi. 4to. London, 1732. 
 
 Julian Marshall, Esq.
 
 280 Canton Celebration* 
 
 2303. TOMLINSON, Kellom. The Art of Dancing explained by Reading 
 and Figures. Sm. folio. London, 1735. 
 
 Alfred H. Littleton, Esq. 
 
 2304. MUSICK. Folio. London: Bickham, 1737. 
 
 Mrs. Bartholomew. 
 
 2305. SONGS in the Opera of Flora. 8vo. London, 1737. Engraved by 
 G. Bickham, Junior. Sacred Harmonic Society. 
 
 2306. LAMPE, John Frederick. Songs and Duetts in the burlesque 
 Opera called The Dragon of Wantley. Folio. London : John 
 Walsh, 1737. Charles Kensington Salaman, Esq. 
 
 2307. LAMPE, J. F. The Musical Entertainer. Folio. Engraved by 
 George Bickham, Junior. London, 1737. 
 
 Sacred Harmonic Society. 
 
 2308. THE CHAPLET. 8vo. London: Walsh, 1738. 
 
 Her Majesty the Queen. 
 
 2309. AMARYLLIS. 8vo. London : M. Cooper, c. 1738. 
 
 Her Majesty the Queen. 
 
 2310. SCARLATTI, Domenico. XLII. Suites de Pieces. Obi. 4to. Lon- 
 don : B. Cooke, 1738. W. A. Barrett, Esq. 
 
 2311. BLOW, John, and others. Thesaurus Musicus. Folio. London, 
 1738. W. A. Barrett, Esq. 
 
 2312. CALLIOPE, or English Harmony. A Collection of the most cele- 
 brated English and Scots Songs. [" Printed on a fine Paper on 
 each side, which renders the Undertaking more compleat than 
 anything of the kind ever Publish'd."] 8vo. Engraved on 
 copper by Henry Roberts. London, 1739. 
 
 Alfred H. Littleton, Esq. 
 
 2313. GEMINIANI, Francesco. Sonate a Violino e Basso. Large folio. 
 London, 1739. W. A. Barrett, Esq. 
 
 2314. HANDEL, G. F. Suites des Pieces pour le Clavecin. Obi. 410. 
 London : J. Walsh, c. 1740. W. A. Barrett, Esq. 
 
 2315. CORELLI, Archangelo. 12 Sonatas or Solos for a Violin or Bass- 
 Violin or Harpsichord. Folio. London: John Walsh, c. 1740. 
 
 Charles Kensington Salaman, Esq.
 
 f . printeti 9u$ic, (Section V.) 281 
 
 2316. HANDEL, G. F. Six Concertos for the Harpsichord or Organ. 
 Folio. London : John Walsh, 1740. 
 
 Charles Kensington Salaman, Esq. 
 
 2317. GEMINIANI, Francesco. 12 Solos for a Violin with a thorough 
 Bass for the Harpsichord or Bass Violin. London : J. Walsh, c. 
 1740. Charles Kensington Salaman, Esq. 
 
 2318. ARNE, Thomas Augustin. Rule Britannia. Folio. London: 
 Henry Waylett, 1741. W. H. Cummings, Esq. 
 
 2319. PARADIES, Domenico. Sonate di gravicembalo. Folio. Lon- 
 don : John Johnson, c. 1747. Her MajesU the Queen. 
 
 2320. MUSARUM Brittanicarum Thesaurus : or, a choice collection of 
 English songs, dialogues and catches for two, three, and four voices, 
 in score. Sm. obi. 4to. Waltham, Leicestershire : William East, 
 1748. Alfred H. Littleton, Esq. 
 
 2321. EAST, William. The Voice of Melody. Obi. folio. Waltham, 
 Leicestershire, 1750. W. A. Barrett, Esq. 
 
 2322. MARCELLO, Benedetto. The first Fifty Psalms, adapted to the 
 English version by John Garth. Folio. London, 1757. En- 
 graved by Thomas Baker. Messrs. Cocks and Co. 
 
 2323. ARNE, T. A. Monthly Melody. Folio. 1760. Engraved by 
 R. Alderman. London : G. Kearsly. W. H. Cummings, Esq. 
 
 2324. BOYCE, William. Cathedral Music. Large folio. London, 1760. 
 
 W. H. Cummings, Esq. 
 
 2325. HAYES, William. Catches, Canons, and Glees. Obi. folio. 
 Oxford, 1763. W. H. Cummings, Esq. 
 
 2326. BREMNER, Robert. Rudiments of Music. 8vo. London, 1763. 
 
 W. H. Cummings, Esq. 
 
 2327. MOZART, J. G. Wolfgang. Senates pour le Clavecin. CEuvre II. 
 Obi. folio. London : Bremner, c. 1764. W. A. Barrett, Esq. 
 
 2328. WARING, W T illiam. The Complete Dictionary of Music. Trans- 
 lated from the original French of Mons. J. J. Rousseau. Royal 
 8vo. London, c. 1770. W. Henaerson, Esq. 
 
 2329. PSALMS, Hymns, and Anthems used in the Chapel of the Hospital 
 for the Maintenance and Education of Young Children. 8vo. 
 London, 1774. W. A. Barrett, Esq.
 
 282 Cajton Celeb cation. 
 
 2330. SMITH, Stafford John. Collection of English Songs. Folio. 
 Engraved by Johannis Scherer. London : J. Bland, 1779. 
 
 IV. H. Cummings, Esq. 
 
 2331. THE ORGANIST'S Pocket Companion. London, 17 . 
 
 Edward J. Hopkins, Esq. 
 
 2332. STEVENS, Richard John Samuel. Sacred Music. Folio. Lon- 
 don, 1804. W. A. Barrett, Esq. 
 
 2333. CROTCH, William. Elements of Musical Composition. 4to. 
 London, 1812. W. A. Barrett, Esq. 
 
 2334. FAWCETT, John. Roberts' Melodia Sacra. Sm. obi. 4to. 18 , 
 
 Messrs. Novello 6 Co. 
 
 2335. MANTEL, J. C. Six Sets of Lessons for the Harpsichord 01 
 Organ. Folio. London : Wm. Smith. Richard Redhead, Esq. 
 
 2336. CORELLI, Arcangelo. Sonatas. Folio. Engraved by Thomas 
 Cross. London. Messrs. Henderson, Rait, 6 Fenton. 
 
 SCOTLAND. 
 
 2337. CORRI, Domenico. Select Collection of the most admired Songs, 
 Duetts, &c. Folio. Edinburgh: John Corri, c. 1775. Engraved 
 by James Johnson. W. H. Cummings, Esq. 
 
 The first music book printed with " A proper accompaniment" for Harpsi- 
 chord, called by the author, Corri's New System. 
 
 2338. JOHNSON, James. The Scots Musical Museum. Engraved by 
 Johnson. Edinburgh : Johnson, 1787. W. Henderson, Esq. 
 
 2339. THOMSON, George. A Select Collection of Original Scottish Airs 
 for the Voice. Large folio. Edinburgh : J. Moir, 1801. 
 
 W. Henderson, Esq. 
 
 2340. SMITH, R. A. The Irish Minstrel. Royal 8vo. Edinburgh: 
 Robert Purdie, 1825. W. Henderson, Esq. 
 
 2341. JOHNSON, James. The Scots Musical Museum. New edition 
 by W. Stenhouse. 8vo. Edinburgh : William Blackwood & Sons, 
 1853. W. Henderson, Esq. 
 
 The engraved plates same as employed in edition of 1787. 
 
 IRELAND. 
 
 2342. BUNTING, William. A General Collection of the Ancient Irish 
 Melodies. Folio. Dublin : Gough, 1790. W. Henderson, Esq.
 
 Cla00 jf. printed ^u0tc, (Section v*) 283 
 
 AMERICA. 
 
 2343. BAYLEY. Daniel. The Psalm-Singer's Assistant. i2mo. Boston: 
 W. M'Alpine, 1767. John Dobson, Esq. 
 
 AUSTRIA. 
 
 2344. MUFFAT, Theofilo. Componimenti Musicali per il Cembalo. 
 Austria. Obi. folio. Engraved by G. C. Leopold. Vienna, 
 1727. Julian Marshall, Esq. 
 
 FRANCE. 
 
 2345. CANTATES Fran9oises. Folio. Engraved by H. de Baussen. 
 Paris, c. 1700. Her Majesty the Queen. 
 
 2346. LULLY, J. B. Phae'ton. Folio. Paris, 1709. 
 
 M. Gustave Chouquet. 
 
 2347. COUPERIN. Pieces de Clavecin. Large folio. Engraved by 
 Berey. Paris, 1713. Julian Marshall, Esq. 
 
 2348. COUPERIN. L'Art de toucher le Clavecin. Folio. Engraved by 
 Berey. Paris, 1717. Julian Marshall, Esq. 
 
 2349. LE Sage and D'Orneral. Le theatre de la Foire. i2mo. Paris: 
 Etienne Ganeau, 1721. Charles Letts, Esq. 
 
 2350. HANDEL, G. F. Suite de Pieces pour le Clavecin. Folio. 
 Engraved by Madame Leclair. Paris, c. 1733. 
 
 Julian Marshall, Esq. 
 
 2351. DUBREUIL. Dictionaire lyrique portatif. 8vo. Paris : Lacombe, 
 1766. M. Gustave Chouquet. 
 
 2352. CARPENTIER, J. Recueils de Menuets, &c. Folio. Engraved 
 by Madame Renault. Paris, c. 1770. W. A. Barrett, Esq. 
 
 2353. ECKARD, J. G. Menuet d'Exaudet avec des Variations pour le 
 Clavecin. Obi. folio. Engraved by Petit. Paris, c. 1770. 
 
 Julian Marshall, Esq. 
 
 2354. HULLMANDEL, . N. J. Recueil de Petits Airs. Obi. folio. En- 
 graved by Madame Oger. Paris, c. 1780. Julian Marshall, Esq. 
 
 2355. CHABANON. De la Musique. 8vo. Paris: Pissot, 1785. 
 
 M. Gustave Chouquet.
 
 284 Carton Celebration, 
 
 2356. CHORON, A. Principes elementaires. Folio. Paris, An VIII. 
 (1800). W. A. Barrett, Esq. 
 
 2357. KASTNER. Instrumentation. Folio. Paris, 1836. 
 
 W. A. Barrett, Esq. 
 
 GERMANY. 
 
 2358. MURSCHHAUSER, Franz Xavier. Prototypon longobiere Organi- 
 cum. Obi. 4to. Nuremberg, <:. 1700. Julian Marshall, Esq. 
 
 2359. VERACINI, Francesco Maria. Senate k Violino Solo e Basso. 
 Op. I. Obi. folio. Dresden, 1721. Julian Marshall, Esq. 
 
 2360. BACH, J. S. Clavir Ubung bestehend in Prseludien, Allemanden, 
 Couranten, Sarabanden, Giguen, Menuetten, und andern Galan- 
 terien ; denen Liebhabern zur Gemiiths Ergoezung verfertiget. 
 Sm. obi. 410. Leipsic : In Verlegung des Autoris, 1727. 
 
 Alfred H. Littleton, Esq. 
 Engraved on copper by the composer himself. 
 
 2361. BINDER, Christlieb Sigismondo. Sei Suonate per il Cembalo. 
 Op. I. Obi. folio. Engraved by M. Keijl. Dresden, c. 1730. 
 
 Julian Marshall, Esq. 
 
 2362. BACH, C. P. E. Exempel in Sechs Sonaten. Large folio. Leipzig, 
 1752-62. Julian Marshall, Esq. 
 
 2363. BACH, C. P. E. Versuch liber die wahre Art das Clavier zu spielen. 
 Large folio. Berlin: S. L. Winter, 1759. 
 
 Her Majesty the Queen. 
 
 HOLLAND. 
 
 2364. PEPUSCH, J. C. Senates a un Violon Seul et un Basse Continue. 
 Obi. folio. Amsterdam : Etienne Roger, c. 1712. 
 
 W. A. Barrett, Esq. 
 
 ITALY. 
 
 2365. FRESCOBALDI, G. II primo libro delle Canzone. Obi. folio. Rome: 
 Mazotti, 1628. Her Majesty the Queen. 
 
 2366. FRESCOBALDI, G. Toccate d'intavolatura di cimbalo et Organo. 
 Folio. Rome: Nicolo Borbone, 1637. Julian Marshall, Esq. 
 
 2367. FRESCOBALDI, G. Canzoni alia Francese. Folio. Venice : Al- 
 lesandro Vincenti, 1645. Her Majesty the Queen.
 
 f. ^cinteti 9u0tc. (Section VI.) 285 
 
 2368. CORELLI, Arcangelo. Violone o cimbalo. Obi. folio. En- 
 graved by Gasparo Pietra Santa. Rome : Filippo Farinelli, 1700. 
 
 W. H. Cummings, .Esq. 
 
 2369. SCARLATTI, Domenico. Essercizi per Gravicembalo. Large obi. 
 folio. Engraved by B. Fortier. Venice, c. 1728. 
 
 Julian Marshall, Esq. 
 
 2370. TESSARINI, Carlo. II Maestro, e Discipolo. Divertimenti da 
 Camera a due Violini. Op. 2. Obi. folio. Urbino, 1734. 
 
 Julian Marshall, Esq. 
 
 2371. SALA, Nicolo. Regole del Contrapunto Pratico. Large folio. 
 Naples, 1794. Sacred Harmonic Society. 
 
 2372. ALFIERI, Pietro. Accompagnamento coll' Organo de' Toni 
 Ecclesiastic! e sulla Melodia del Te Deum. Rome : Pietro Pit- 
 torelli, 1840. Messrs. Novella and Co. 
 
 MEXICO. 
 
 2373. MISSA Gothica seu Mozarabica. Folio. Angelopoli (Puebla), 
 1770. Julian Marshall, Esq. 
 
 SECTION VI. 
 MUSIC PRINTED FROM STAMPED PLATES. 
 
 ENGLAND. 
 
 2374. 
 
 REENE, Maurice, Dr. Spenser's Amoretti. London : J. Walsh, 
 c. 1730. W. A. Barrett, Esq. 
 
 2375. BACH, Giovanni Christiano. Sei Canzonette a due. 
 Op. IV. Obi. 4to. London, c. 1760. Julian Marshall, Esq. 
 
 2376. RILEY, William. Parochial Music Corrected. 4to. London, 
 1762. W. A. Barrett, Esq. 
 
 2377. HALE, Thomas. Social Harmony. 4to. London, 1763. 
 
 W. A. Barrett, Esq.
 
 286 Canton Celeb cation. 
 
 2378. MOZART, J. G. Wolfgang (age de huit ans). Six Senates pour le 
 Clavecin. (Euvre III. Folio. London : Printed for the Author 
 and Sold at his Lodgings at Mr. Williamson in Thrift Street, 
 Soho, 1765. Julian Marshall, Esq. 
 
 2379. MOZART, J. G. Wolfgang. Six Senates. Another copy. 
 
 Messrs. Henderson, Rait, and Fenton. 
 
 2380. ARNE, T. A. Artaxerxes, an Opera. Obi. folio. London, c. 
 1766. W. A. Barrett, Esq. 
 
 2381. ARNE, T. A. Artaxerxes in Score. Folio. London, c. 1770. 
 
 W. A. Barrett, Esq. 
 
 2382. BYRD, William. Canon for Eight Voices. Large folio. Lichfield : 
 John Alcock, 1770. W. H. Cummings, Esq. 
 
 2383. BURNEY, Charles. La Musica che si canta annualmente nelle 
 Funzioni della Settimana Santa, Capella Pontificia. Folio. Lon- 
 don : Robert Bremner, 1771. Charles Kensington Salaman, Esq. 
 
 2384. HAYES, Philip. Harmonia Wiccamica. Obi. folio. London, 
 1780. W. A. Barrett, Esq. 
 
 2385. JONES, William, the Rev. A Treatise on the Art of Music. Sm. 
 folio. Colchester: W. Keymer, 1784. W. A. Barrett, Esq. 
 
 2386. HANDEL, G. F. Alexander Balus. (Arnold.) Folio. London, 
 c. 1785. W. A. Barrett, Esq. 
 
 2387. STORAGE, Stephen. The Haunted Tower, an Opera. Obi. folio. 
 London, 1789. W. A. Barrett, Esq. 
 
 2388. CORFE, Joseph. Beauties of Handel. Obi. folio. London, 1800. 
 
 W. A. Barrett, Esq. 
 
 2389. SHIELD, William. Introduction to Harmony. 410. London, 
 1800. W. A. Barrett, Esq. 
 
 2390. MOLLER, John Christian. A Compleat Book of Instructions. 
 Obi. folio. London, 1804. W. A. Barrett, Esq. 
 
 2391. WEBB, Richard, the Rev. A Collection of Madrigals. Folio. 
 London, 1808. W. H. Cummings, Esq. 
 
 2392. NOVELLO, V. Sacred Music. Folio. London, 1811. 
 
 Messrs. Novello o^ Co.
 
 f . printeti S^u0tc (Section VI,) 287 
 
 2393. LOGIER, Jean Baptiste. Companion to the Chiroplast. Folio. 
 London, 1817. IV. A. Barrett, Esq. 
 
 2394. NOVELLO, V. The Fitzwilliam Music. Large folio. London : 
 J. A. Novello, 1825. Charles Kensington Salaman, Esq. 
 
 2395. Goss, John. Parochial Psalmody. i6mo. London, 1826. 
 
 W. A. Barrett, Esq. 
 
 2395*.PuRCELL, H. Sacred Music. Large folio. Messrs. Novello 6 Co' 
 
 2 395 f. NOVELLO, Vincent. Studies in Madrigalian Scoring. Large 
 folio. 183 . Messrs. Novello and Co. 
 
 2396. RIMBAULT, E. F. Little Lays for Little Learners. Sm. 4to. 
 London, 1842. W. A. Barrett, Esq. 
 
 2397. PURCELL, Henry. The Yorkshire Feast-Song. Folio. London : 
 Novello, Ewer, & Co., 1877. .Messrs. Novello 6- Co. 
 
 SCOTLAND. 
 
 2400. NEUSTEDT, Charles. Air Ecossais. Folio. Edinburgh : Home 
 and Macdonald, 1877. Messrs. Home and Macdonald. 
 
 2401. REID Concert Libretto. 8vo. Edinburgh: Home and Macdonald, 
 1877. Messrs. Home and Macdonald. 
 
 2402. GRAND Arpeggios. Folio. Edinburgh : Home and Macdonald, 
 1877. Messrs. Home and Macdonald. 
 
 DENMARK. 
 
 2403. BERGGREEN, A. P. Danske Folke-Sange og Melodier. Obi. 8vo. 
 Copenhagen, 1860. Charles Kensington Salaman, Esq. 
 
 FRANCE. 
 
 x 
 
 2404. CHORON, Alexandre. Principes de Composition des Ecoles 
 d'ltalie. Folio. Paris, 1808. Messrs. Cocks and Co. 
 
 2405. VILBAC, Renaud De. Echos de 1'Enfance. Large 4to. Paris : 
 Enoch pere et fils, 1876. Messrs. Enoch and Son. 
 
 2406. BENEDICT, Sir Julius. Overture to the Tempest. Sm. folio. 
 Paris : Enoch pere et fils, 1877. Messrs. Enoch and Son.
 
 288 Canton Celebration, 
 
 GERMANY. 
 
 2407. HAYDN, Joseph. 12 Pieces pour le Pianoforte. Obi. Leipzig: 
 Breitkopf and Hartel, 1800. Messrs. Breitkopf and Htirtel. 
 
 2408. BEETHOVEN, L. van. First Symphony. Full score. Bergedorf, 
 near Hamburg : Dr. Fr. Chrysander, 186 . Messrs. Schottand Co. 
 
 2409. GLUCK, Christophe. Iphigenie en Aulide. Full score. Folio. 
 Leipzig: Breitkopf and Hartel, 1873. 
 
 Messrs. Breitkopf and Hartel. 
 
 2410. RUPP, H. Die Walkiire fur Pianoforte. Mayence : B. Schott's 
 Sohne, 1875. Messrs. Schott and Co. 
 
 2411. WAGNER, Richard. Gotterdammerung. Full score. Mayence : 
 B. Schott's Sohne, 1876. Messrs. Schott and Co. 
 
 2412. MOZART, W. A. Requiem. Full score. Folio. Leipzig: 
 Breitkopf and Hartel, 1877. Messrs. Breitkopf and Hartel. 
 
 HUNGARY. 
 
 2413. LISZT, Franz. Ungarische Volkslieder. Folio. Pesth, 1860. 
 
 Charles Kensington Salaman, Esq. 
 
 ITALY. 
 
 2415. MORAUDI, Giovanni. Senate per Organo. Obi. folio. Milan: 
 Ricordi, 1808. Signor Giulio Ricordi. 
 
 2416. CRESCENTINI, Girolamo. Raccolta di Esercizj per il Canto. 
 Folio. Milan : Ricordi, 1818. Signor Giulio Ricordi. 
 
 2417. CATRUFO, G. Vocalizzi o Studi per la Voce. Folio. Milan: 
 Ricordi, 1820. Signor Giulio Ricordi. 
 
 2418. POLLINI, Francesco. Stabat Mater. Obi. folio. Milan : Ricordi, 
 1821. Signor Giulio Ricordi. 
 
 2419. ROSSINI, Gioachino. Maometto II. Obi. folio. Milan: Ricordi, 
 1823. Signor Giulio Ricordi. 
 
 24i9*.RossiNi, G. Guglielmo Tell. Full score. 8vo. Florence: 
 G. G. Guidi, 1860. Messrs. Novello and Co. 
 
 2420. PERI, Jacopo. La Prima Opera in Musica (1600), Euridice 
 Large 8vo. Firenze, 1863. Charles Kensington Salaman, Esq.
 
 jf. printed Sl^ugjic. (Section VII.) 289 
 
 2421. VERDI, Giuseppe. Ai'da, Folio. Milan: Ricordi, 1872. 
 
 Signer Giulio Ricordi. 
 
 RUSSIA. 
 
 2422. UKRAINIENS, Kosaques, &c. Folio. St. Petersbourg, c. 1800. 
 
 W. H. Cummings, Esq. 
 
 2423. RUSSIAN National Music. 4to. Moscow: A. Typunez, 1853. 
 
 Charles Kensington Salaman, Esq. 
 
 SWEDEN. 
 
 2424. SKALDE Styken. i6mo. Stockholm, 1800. W. A. Barrett, Esq. 
 
 SECTION VII. 
 
 MUSIC PRINTED BY LITHOGRAPHIC AND OTHER 
 PROCESSES NOT PREVIOUSLY CLASSIFIED. 
 
 ENGLAND. 
 
 2425. 
 
 ELY, Alfred. Long Live the Queen. Folio. London : 
 I. W. Mould, c. 1866. W. H. Cummings, Esq. 
 
 2426. HANDEL, G. F. The Messiah. Obi. folio. London : 
 Vincent Brooks, Day, and Son, 1868. Messrs. Novello 6 Co. 
 Photolithographed from the original manuscript. 
 
 2427. SPECIMENS of Lithographic and Letterpress Music, in frames. 
 
 Messrs. Home and Macdonald. 
 
 FRANCE. 
 
 2428. COUSSEMAKER, Ed. de. Histoire de 1'Harmonie de Moyen Age. 
 4to. Paris: Victor Didron, 1852. M. Gustave Chouquet. 
 
 2429. DIDRON, Aine. L'Office du Treizieme Siecle. 4to. Paris : F. 
 Chandon, aine", 1853. Percy D. Hawker, Esq. 
 
 2430. MEREAUX, Ame'de'e. Les Clavecinistes de 1637 \ 1790. Folio. 
 Paris: Heugel and Co., c. 1854. M. Gustave Chouqud. 
 
 2431. DURAND, L. Decouverte et Demonstrations de la Similitude des 
 Gammes. 8vo. Paris, 1864. M. G^^stave Chouquet. 
 
 u
 
 290 Canton Celebration* 
 
 2432. RAHN, Bernardin. Journal de Composition Musicale. 8vo. 
 Paris, c. 1870. W. A. Barrett, Esq. 
 
 HUNGARY. 
 
 2434. BLAHANE Kedveltdalai 24 Valoga Holtmagyar nepdal. Folio. 
 Enckhangra zongora-kiseret es-atirattal ellatta Abranyi Korn'el. 
 Budapest, Taborszky es Parsch, 1860. 
 
 Charles Kensington Salaman, Esq. 
 
 MEXICO. 
 
 2435. MARZAN, J. La Corona del Imperio. Marcha Militar. Folio. 
 1866. Charles Kensington Salaman, Esq. 
 
 2436. IRADIER. El Chin-Chin Chan Cancion Habanera. Folio. H. 
 Nagel y Cia. Charles Kensington Salaman, Esq. 
 
 SPAIN. 
 
 2437. FUERTES, Mariano Soriano. Historia de la Musica Espanola. 
 8vo. Barcelona: D. Narciso Ramirez, 1855. W. A. Barrett, Esq. 
 
 SWEDEN. 
 
 2438. SODERMANN, Aug. Ett Brondbrollop. Folio. Stockholm : Elkan 
 & Schildknecht. Charles Kensington Salaman, Esq. 
 
 HE following exhibits lent by the Italian Government, as re- 
 presented by His Excellency the Minister of Instruction, have 
 
 been kindly selected by the librarians of the Biblioteca Vittorio 
 
 Emanuele, Biblioteca Casanatense, and Biblioteca Angelica, all in 
 Rome, but having arrived after the opening of the Exhibition, are shown 
 in cases by themselves, and are necessarily catalogued as an Appendix 
 to this Class. 
 
 2439. GAFORIUS, Franchinus. Theoricum opus inusice discipline. 4to. 
 Naples : Franciscus di Dino, 1480. 
 
 Printed from wooden blocks. 
 
 2440. MISSALE Secundum morem sancte Romane Ecclesie. 1485. 
 
 Type (red and black). 
 
 2441. BURTIUS, Nicolaus. Opusculum Musices. 4to. Bologna : Ugo 
 de Rugeriis, 1487. 
 
 Printed from wooden blocks.
 
 , printed 9u0ic. 291 
 
 2442. GAFORIUS, Franchinus. Theorica Musicae. Folio. Milan : 
 Joannis Petri de Cimatis, 1492. 
 
 Printed from wooden blocks. 
 
 2443. GAFORIUS, Franchinus. Pratica Musicae. Folio. Milan, 1496. 
 
 Printed from wooden blocks. 
 
 2444. FABER, Jacobus. Elementa Musicalia. Paris : Joannis Higmanus, 
 1496. 
 
 Printed from wooden blocks. 
 
 2445. GAFORIUS, Franchinus. Pratica Musicae utriusque cantus. Folio. 
 Venice: Augustinus de Zannis, 1512. 
 
 Printed from wooden blocks. 
 
 2446. PROCESSIONALS Romanum cum officio mortuorum et missa pro 
 defunctis. Venice: Junta, 1513. 
 
 Type (red and black). 
 
 2447. LIBER Quindecim Missarum a diversis auctoribus edite per 
 Andream Antiquum de Montona. Folio. Rome, 1516. 
 
 Printed from wooden blocks. 
 
 2448. LIBER Quindecim Missarum. Another copy. 
 
 2449. MISSALE Aquileyensis. Venice: Petrus Liechtenstein, 1517. 
 
 Type (red and black). 
 
 2450. REUCHLIN, Johannis. De accentibus et orthographia linguae 
 Hebraicae. 410. Hagenoae, in aedibus Thomae Ausheloni Ba- 
 densis, -1518. 
 
 Printed from wooden blocks. 
 
 2451. MISSALE Pornamiense. 1524. 
 
 Type (red and black). 
 
 2452. FOLIANUS, Ludovicus. Musica Theorica. Venice: Jo. Antonius 
 et Fratres de Sabio, 1529. 
 
 2453. ARON, Piero. Toscanello in Musica. Sm. folio. Venice : Ber- 
 nardino et Matheo di Vitali, 1529. 
 
 2454. VANNEO, Stephano. Recanetum de Musica Aurea. Folio. Rome: 
 Valerium Doricum, 1533. 
 
 2455. VANNEO, Stephano. Another copy. 
 
 Printed from wooden blocks. 
 
 2456. LANFRANCO, Giovan Maria. Scintille di Musica. 8vo. Brescia : 
 Ludovico Brittanico, 1533. 
 
 Printed from wooden blocks. 
 
 2457. LUSCINIUS, Ottomarus. Musurgia seu praxis musica. Argento- 
 rati, Schottus, 1536. 
 
 Printed from wooden blocks. 
 
 2458. COMPENDIUM Musices. Berne: Mathias Apiarius, 1539. 
 
 Printed from wooden blocks.
 
 292 Canton Celebration, 
 
 2459. REGULE Musicales. Lugduni: Jacobum Modernum dePinquent 
 1540. 
 
 Type (red and black). 
 
 2459#.CANTORINUS ad eorum instructionem qui cantum ad chorur 
 
 ptinentem discere concupiscunt. Sm. 8vo. Venice, 1550. 
 
 Type (red and black). 
 
 2459^. MORALIS, Christophori. Magnificat omni-tonum cum quatuo 
 vocibus. Folio. Venice: Antonio Gardano, 1562. 
 Type. 
 
 2459*r.ANiMucciA, Jo. Canticum beatae Marise Virginis. Folio. Roma 
 apud haereees Val. et Al. Doricorum, 1568. 
 Type. 
 
 2459</.ZARLiNO, Gioseffo. Le Istitutioni Harmoniche. Sm. folk 
 Venice, Senese, 1562. 
 
 Type. 
 
 2459^. PRAENESTINI, Joannis. Missarum. Rome: Aloysiis Doricorur 
 Fratuum, 1570. 
 
 Type. 
 
 2459/. CAROSO, Fabritio. II Ballarino. Venice: Francisco Ziletti, 1581 
 
 Tablature (type). 
 
 2459^-. FLUDD, Roberto. De Naturae Simia seu Technica macrocosnr 
 historia in partes undecim divisa. (?) Rome, 1618. 
 Engraved. 
 
 W. A. BARRETT. 
 
 W. H. CUMMINGS. 
 
 A. H. LITTLETON.
 
 CLASS G. 
 
 BOOK ILLUSTRATIONS AND OTHER SPECIMENS 
 
 OF ENGRAVINGS, PRINTING IN COLOURS, 
 
 AND OTHER PROCESSES. 
 
 NY one entering the main upper room of the Caxton 
 Exhibition will notice a large variety of prints affixed to 
 the walls. Some represent work perfect in itself, whilst 
 others represent, in various stages, illustrations of the pro- 
 cesses through which it has passed. Let us ask ourselves 
 n what sense do these illustrations represent printing, and what relation- 
 ship do they bear to each other? The answers are simple enough. 
 Fhey represent the growth of illustrative art in connection with printing 
 rom its first dawn, as shown in the early wood-cuts and the highly 
 inished and delicate specimens of copper-plate engraving, down to the 
 arious processes for which the present day is distinguished. All these 
 arieties are knit together by the ceaseless desire of the artist to achieve 
 greater freedom of utterance and a larger field for his work. The 
 lifference comes out in contrasting the books of the present with those 
 >f the past. In the manuscript books which preceded the introduction 
 >f printing, the illustrations with which they were enriched were of 
 lecessity the work of the artist himself, and thus the whole value of 
 iis teaching rested within the covers of the Missal or Psalter, and 
 icrished as the book perished. At the present day all this is changed, 
 i>ut how gradually and with what tentative effort is best told by the 
 ixamples which are hanging on the walls or enclosed in the cases. 
 
 It would seem probable that metal-plate engraving preceded the 
 ntroduction of ordinary block printing. The system of enchasing and 
 nriching silver and steel expanded with the growth of art. In the Print- 
 loom of the British Museum may be seen some special examples of rare
 
 294 Canton Celebration* 
 
 beauty, as also the mode by which the artist tested the progress of his 
 work in the earlier instances by sulphur casts, and in the later instances 
 by impressions on paper ; in the same way as engravers on silver obtain 
 an impression of their work at the present day. The transition from 
 such productions to that of ordinary copper-plate engraving and printing, 
 using the skill for the purposes of illustration, was both obvious and 
 direct. It is curious as illustrating this point, that the Dante of 1481, 
 in the Grenville Library in our National Museum, is illustrated with 
 nineteen copper-plate engravings, two of which are impressed on the 
 same paper as that of the text, while the remainder are pasted on. 
 
 The step from metal-plate engraving to that of utilizing wood-blocks 
 for the same purpose was at once natural and easy. It was obvious that 
 the block which could furnish an adequate material for producing 
 perfectly formed letters could, without any great difficulty, furnish the 
 same vehicle for illustrative purposes. It may be noted that amongst the 
 earliest printed books, this embryo form of illustration manifests itself, either 
 in the shape of initial letters or small ornamentations at the end of the 
 chapters. The idea of using wood-blocks for the purposes of illustration 
 having once taken root, it was not slow to manifest its power, and in a 
 very short time the artistic skill of Albrecht Diirer and others gave to the 
 world a series of illustrations, many of which to-day adorn the Caxton 
 Celebration under the heading of the Caspari Collection. This collec- 
 tion is especially valuable as illustrating the growth of wood-engraving 
 from its earliest efforts up to the most finished productions of to-day. 
 
 The skill of the first wood engravers was essentially the skill of the 
 artists speaking through a new medium. They were artists even more 
 than they were engravers, for many learnt engraving that their thoughts 
 might be properly interpreted. It is easy to understand the intense 
 sense of pleasure with which they devoted themselves to their work. 
 To them, the introduction of printing opened a new world and a new 
 sense of power. The previous efforts had been for the exclusive enjoy- 
 ment of the few, but the process of engraving gave their teaching to man- 
 kind. The novelty wore off, as all novelty does wear off, and with the 
 stale breath of custom arose a new class of handicraftsmen, who were 
 translators of other men's thoughts. The art of engraving, no doubt, 
 suffered in one sense by the change, but gained in another : if artists 
 no longer devoted their time to carrying out the engraver's work, they 
 were still enabled to sketch on the wood, allowing the inferior skill to 
 carry out the more technical work. 
 
 Among the earlier wood-engravings there is great breadth, vigour and 
 beauty, but there is at the same time an absence of the delicacy and 
 minute finish which was obtainable from copper-plate engraving. It thru 
 happened that, although the two processes developed side by side, th( 
 etchings of Rembrandt and others, and the introduction of mezzotint
 
 v Book 3IUu0tratton0, etc. 295 
 
 and aquatint gradually gave to copper-plate engraving a superiority in 
 delicacy, force and finish, which won for it a nominal superiority, and it 
 has been left for wood engraving in our own day to contest the supre- 
 macy in the work of Bewick, Whymper, Dalziel, Swain and others. A 
 series of woodcuts by these artist-engravers may be seen on the walls 
 facing the Caspari Collection, and which well illustrate the difference 
 between our own time and four hundred years ago. 
 
 One of the earliest efforts in connection with wood-engraving was to 
 apply to the work the addition of colour, and although the earliest 
 examples have not the skill which characterizes the work of to-day, yet 
 it is impossible to ignore the knowledge and taste which was then mani- 
 fested. Any one who will refer to the earlier illustrations of the Caspari 
 Collection will note, that not only were tint-blocks in constant use, but 
 they are prepared with a vigour and skill that indicate the touch of the 
 artist. In our own day we have gone far beyond, and we have been 
 enabled to do so by absorbing improvements made in connection with 
 other descriptions of work. For instance, the discoveries of aquatint 
 and zincography have both been utilized, to obtain at once greater 
 freedom of outline and greater softness and modulation of tint. In 
 some of the examples exhibited by Messrs. Leighton, Marcus Ward, 
 Whymper and others, may be seen delicacies of tint and finish in many 
 cases approaching those to be found in a fine water-colour drawing. The 
 great value of many of these productions is, that they are printed by 
 steam presses and produced in enormous quantities at comparatively 
 small cost. They represent in the fullest sense of the term the appre- 
 ciative taste of our day. 
 
 In the art of printing, for art it may fairly be called, discoveries arise 
 in constant succession, now in one branch and now in another, but 
 always adding to the grandeur of the scope of the art itself. One of 
 those which has served greatly to modify our conceptions of printing was 
 that of lithography, for it at first sight seemed to bring the pencil of the 
 artist into direct association with the printing press. It has not quite 
 ; realized its original idea, but it has approached to it so closely that for 
 many purposes it has left little to be desired. In the collection of Messrs. 
 ! Hanhart may be seen some of the earliest efforts of lithography, and 
 representing as they do the handiwork of Stothard, West, Fuseli, and 
 | other great artists, they represent fairly enough the feeling with which 
 i artists were willing to accept the new handmaid. In passing, it may be 
 i noted that much of the fineness of tint which now characterizes our block 
 colour printing, is due to the teaching of lithography, for it placed before 
 the world a higher standard than had been previously attained. 
 
 The association of photography with printing is the last, and will 
 probably form the greatest step that has yet been made. Photography 
 has been utilized in a large variety of ways : it has been used for photo-
 
 296 Canton Celebration* 
 
 graphing directly on to the block, for the purpose of the wood-engraver; 
 on to the stone, for the purpose of the lithographer; and also in a variety 
 of ways for reproducing by printing the photograph itself. Some of 
 these are marvellous for the delicacy and beauty of the work. In 
 some instances, as in the productions of Durand and Goupil, for example, 
 it is difficult to draw a distinction between the photograph and the 
 printed copy, so perfect is the reproduction. In others, as in the photo- 
 gravure, of which a large series of examples are in the present Exhibition, 
 it is only necessary to say that the delicacy, beauty, and vigour are 
 very conspicuous. One other discovery may be noted, that of steno- 
 chromy ; it is both curious and unique. It consists of a solid block of 
 colour, made up of a variety of tints so as to constitute the whole of a 
 picture, and is printed by a process which consumes a minute portion of 
 the block at each impression, so that eventually the block is eaten away. 
 The finish to the picture is, in some instances, given by the Woodburytype, 
 and the effect is very delicate. There are several other applications of Pho- 
 tography, each of which no doubt possesses merits of its own ; they are 
 too minute to come within the scope of this introduction ; but they will 
 be found at the right hand on entering the room from the main staircase. 
 Throughout the whole changes which the art of engraving has under- 
 gone, two points are conspicuous : one is the modification of the vehicle 
 by which the artist, whether writer or draughtsman, is brought more de- 
 finitely into connection with the great mass of the world ; the other is the 
 constantly increasing facility for the dissemination of the teaching itself. 
 
 SECTION I. Woodcuts. 
 
 2460. 
 JTAS Patrum. About 1470. Sine loco et anno. 
 
 Lent by J. E. Hodgkin, Esq., F.S.A. 
 
 An edition nearly akin to "Hain, *5<5c>3," but not identical. In low 
 Saxon, with some of the quaintest cuts of the period. Interesting as being 
 the same work which Caxton " reduced into Englyshe from the Frenshe." 
 
 2461. VALTURIUS de re militari. J. of Verona. 1472. Folio. 
 
 Lent by Earl Spencer. 
 First dated book executed in Italy with wood -engravings. 
 
 2462. BREYDENBACH, Johannes de. Peregrinatio. Mentz : Erard 
 Reuwich, 1486. Folio. Lent by Earl Spencer. 
 
 One of the first books of travels printed, and the first illustrated with 
 folding views. 
 
 2463. NUREMBERG Chronicle. Koberger, 1493. Folio. 
 
 Lent by H. White, Esq. 
 
 Compiled by H. Schedel, a physician of Nuremberg, and containing 
 woodcuts by Wohlgemuth, Albrecht Durer's master, and Pleydenwurff. 
 
 There must have been a large number of copies printed, as it is by no means 
 an uncommon book.
 
 d5. Book Illustration^, etc* 297 
 
 2464. NUREMBERG Chronicle. A second copy. 
 
 Lent by Sir Charles Reed. 
 
 2465. POLIPHILI Hypnerotomachia. Venice. Aldus, 1499. Folio. 
 
 Lent by Earl Spencer. 
 
 First edition. The wood-engravings are supposed to have been designed 
 by Giovanni Bellini. Of this work there are numerous copies known. 
 
 2466. MONTE Sancto di Dio. Nicolo di Lorenzo. Florence, 1477. 
 4to. Lent by Earl Spencer. 
 
 First book known containing copper-plate engravings, which are supposed 
 to have been designed by Sandro Boticelli, and executed by Baccio Baldini. 
 
 2467. PTOLEMJEUS. Latine. Arnoldus Buckinck. Rome, 1478. 
 Folio. Lent by Earl Spencer. 
 
 The second printed book containing copper-plate engravings. This work 
 was commenced by Sweynheym, who died before its completion. 
 
 2468. DANTE. La Divina Commedia. Col commento di Christophero 
 Landino, Nicolo di Lorenzo della Magna. Florence, 1481. 
 Folio. Lent by Earl Spencer. 
 
 Contains twenty copper-plates, supposed to have been designed by Boti- 
 celli and engraved by Baccio Baldini. 
 
 2469. GEMINI, Thomas. " Compendiosa totius Anatomic delineatio 
 &c. exarata per Thomam Geminum Londini." With a curious, 
 elaborate, and ornamental title-page, with the Royal Arms in the 
 centre, and numerous other full-page copper-plate engravings. 
 First edition. Folio. Colophon, " Londini in officina loanni 
 Herforde : Anno Domini 1545." 
 
 Lent by Messrs. S. and B. Nock. 
 
 This is the first edition of the first illustrated book with the engraver's 
 name, containing copper-plate engravings, and the first work containing cop- 
 per-plates of any merit. 
 
 2470. GENEALOGIE des Roys de France. Paris. Pierre Vidone, for 
 Galliot Du Pre*. 1520. Vellum. 
 
 Lent by J. E. Hodgkin, Esq., F.S.A. 
 
 A roll, with illuminated miniatures, beautifully printed. Said to be 
 unique. 
 
 2471. THEURDANCKH. Augspurg, 1519. Lent by H. White, Esq. 
 
 A chivalric and allegorical poem, written by Melchior Pfinzing, on the cele- 
 bration of the marriage of Maximilian I. and Mary of Burgundy. It contains 
 a series of woodcuts, some of them executed by Hans Schaufelain.
 
 298 Cajton. Celebration* 
 
 Selection of Wood-engravings, Chiaro-oscuros, &c., illustrating the pro- 
 gress of Book illustration. Lent by Michael Caspari, Esq. 
 
 GERMAN WOODCUTS. 
 
 2472. ANONYMOUS. Christ on the Cross. Schrot Blatt. 
 
 2473. ANONYMOUS. Death with Hour-glass attacking a Nun. 
 
 2474. ANONYMOUS. Saint Agnes. 
 
 2475. ANONYMOUS. Jesus adored by Moses, John, Mary, &c. 1470? 
 
 2476. ANONYMOUS. An Indulgence for Pilgrims, under the patronage 
 of Saint Wolfgang. Block print. 
 
 2477. ANONYMOUS. The Three Maries at the Sepulchre and the Resur- 
 rection. Block print. 
 
 2478. ANONYMOUS. A Female Saint. Block print. 
 
 2479. ANONYMOUS. Burial of Christ, the three Maries bewailing. Block 
 print. 
 
 2480. ANONYMOUS. The Madonna and Child, with St. Catherine, and 
 two other Females with their heads crowned. Block print. 
 
 2481. ANONYMOUS. Christ on the Cross, with the Madonna and St. 
 John. Block print. 
 
 2482. ANONYMOUS. A composition in eight compartments, four of 
 them having letterpress. Block print. 
 
 2483. ANONYMOUS. St. Peter and St. Paul holding the Sudarium. 
 
 2484. ANONYMOUS. Specimen of block printing. White letters on black 
 ground. Eight lines, with border beneath. 
 
 2485. ANONYMOUS. The Infant Christ holding a Lily, with the name 
 " Jesus " inscribed on a black ground, three skulls and cross bones ; 
 in two compartments. Block print. 
 
 2486. ANONYMOUS. Christ as the Redeemer holding a globe, German 
 inscriptions around. 1474. 
 
 2487. ANONYMOUS. Six book illustrations : Birth of Christ ; The Angels 
 appearing to the Shepherds ; Presentation ; Adoration of Magi ; 
 Flight into Egypt ; Joseph as the Carpenter ; and four initial 
 letters. 1470-1475.
 
 (B. Book Illustration^, etc* 299 
 
 Lent by Michael Caspari, Esq. 
 
 2488. ANONYMOUS. Two subjects : The Birth of Christ ; Adoration of 
 Shepherds. 1475. 
 
 2489. ANONYMOUS. The Last Judgment. In the Maniere criblee. 
 
 2490. ANONYMOUS. Christ crucified on a Tree in the form of the Cross, 
 Saints and Angels above, other Angels offering Flowers. 1475. 
 
 2491. ANONYMOUS. The symbols of the Evangelists. 1480. 
 
 2492. ANONYMOUS. A representation of Purgatory. 1480. 
 
 2493. ANONYMOUS. Adam and Eve supporting an Arch, Bird's nest, 
 and a Lion. 
 
 2494. ANONYMOUS. Scenes from the life of Christ, Saints introduced ; 
 probably published by Koburger. 1480-1485. 
 
 2495. ANONYMOUS. Doctors of the Law in consultation under an Arch 
 decorated with foliage. 1480. 
 
 2496. ANONYMOUS. Five subjects from the Koburger Bible of 1483 : 
 Job, Esther, Tobit, and subjects from the Apocalypse. 
 
 2497. THE Trinity; probably by Wechtlin. 1485 ? 
 
 2498. ANONYMOUS. The Almighty accompanied by Angels. From 
 Mandeville's Travels, Strassburg, 1488. 
 
 2499. ANONYMOUS. Sanct Lebuin. 1489. 
 
 2500. ANONYMOUS. A Bishop kneeling before an Altar ; coloured. 1490. 
 
 2501. ANONYMOUS. Christ crucified on a Tree in the form of the 
 Cross, with Eagle above. 1490. 
 
 2502. ANONYMOUS. Christ on the Cross, Mary Magdalen and St. John 
 standing at the sides, The Evangelists at the corners. 1490. 
 
 2503. ANONYMOUS. Saint sitting under Trees, reading a Book which is 
 lying on a Pulpit ; the emblems of the Evangelists in the corners. 
 White on a black ground. Pomerium. 1490. 
 
 2504. ANONYMOUS. Madonna and Child crowned by two Angels. The 
 emblems of the Evangelists in the corners. 1490. 
 
 2505. WOHLGEMUTH ; attributed to. Seven subjects : Adam and Eve ; 
 Finding of Moses ; Presentation ; Massacre of the Innocents ; 
 Christ walking on the Sea ; Driving out the Money-changers ; 
 Washing the feet of his Disciples. From " Schatzbehalter." 1491.
 
 300 
 
 Canton Celebration. 
 
 Lent by Michael Caspari, Esq. 
 
 2506. ANONYMOUS. A Pilgrim, from "Fasciculus Temporum." 1492. 
 
 2507. WOHLGEMUTH. Title and principal Cuts from the Niirenberg 
 Chronicle. 1493. 
 
 2508. ANONYMOUS. From Terentias, Gruninger in Strasburg, 1496. 
 Representing a Theatre in the Olden Time. 
 
 2509. ANONYMOUS. From the Ship of Fools by Sebastian Brandt, first 
 illustrated edition, 1497. 
 
 2510. ANONYMOUS. Ten subjects : Title and principal Cuts from the 
 Cologne Chronicle. 1499. 
 
 2511. DURER, Albrecht. The Adoration of the Magi. 
 
 2512. DURER, Albrecht. St. Christopher. 
 
 2513. DURER, Albrecht. The Great Passion. 
 
 2514. DURER, Albrecht. The Little Passion. 
 
 2515. DURER, Albrecht. The Apocalypse, with Latin text. 
 
 2516. DURER, Albrecht. The Apocalypse in three different states. 
 
 2517. DURER, Albrecht. The Life of the Virgin. 
 
 2518. DURER, Albrecht. Mary crowned by two Angels. 
 
 2519. DURER, Albrecht. Holy Family with the Rabbits. 
 
 2520. DURER, Albrecht. The Holy Trinity. 
 
 2521. CRANACH, Lucas. Repose in Egypt. 
 
 2522. CRANACH, Lucas. The Entombment, from the set of the Passion. 
 
 .2523. CRANACH, Lucas. Two subjects : The Apostles St. Thomas and 
 St. Matthew. 
 
 2524. CRANACH, Lucas. The Martyrdom of St. James the Greater. 
 
 2525. CRANACH, Lucas. Decapitation of St. John. 
 
 2526. CRANACH, Lucas. St. Jerome penitent. 
 
 2527. CRANACH, Lucas. St. Catherine. 
 
 2528. CRANACH, Lucas. The Great Stag Hunt. 
 
 2529. CRANACH, Lucas. The Tournament of 1506.
 
 Cla00 <& Book JUugtrattong, etc* 301 
 
 Lent by Michael Caspari, Esq. 
 
 2530. CRANACH, Lucas. The Tournament with Lances. 
 
 2531. CRANACH, Lucas. The Tournament with tapestry of Samson 
 struggling with the Lion. 
 
 2532. CRANACH, Lucas. The Tournament with Swords. 
 
 2533. CRANACH, Lucas, jun. The Four Evangelists. 
 
 2534. CRANACH, Lucas, jun. Portrait of Augustus, Elector of Saxony. 
 
 2535. BURGKMAIR, Hans. Bathsheba bathing; in richly ornamented 
 border. 
 
 2536. BURGKMAIR, Hans. Three subjects: Saints of the House of 
 Austria. 
 
 2537. GRAF, Urs. Joab killing Amasa. 
 
 2538. GRAF, Urs. Two sheets of Title Borders. 
 
 2539. GRIEN, Hans Baldung. Christ at the foot of the Cross. 
 
 2540. GRIEN, Hans Baldung. A group of Horses. 
 
 2541. GRIEN, Hans Baldung. Portrait of Caspar Hedion. 
 
 2542. GRIEN, Hans Baldung. The Stag Hunt in Loserwald. 
 
 2543. ALTDORFER, Albrecht. Ten subjects from the set of the "Fall 
 of Man and his Redemption." 
 
 2544. ALTDORFER, Albrecht. Virgin and Child in an Altarpiece. 
 
 2545. ALTDORFER, Albrecht. St. Jerome praying. 
 
 2546. SCHAUFELEIN, Hans. Christ bearing the Cross. 
 
 2547. SCHAUFELEIN, Hans. The Adoration of the Magi. 
 
 2548. SCHAUFELEIN, Hans. The Resurrection. From the set of the 
 Passion. 
 
 2549. SCHAUFELEIN, Hans. Two subjects from the Theurdanckh, 1517. 
 With letterpress. 
 
 2550. SPRINGINKLEE, Hans. Adoration of Shepherds. 
 
 2551. SPRINGINKLEE, Hans. St. Jerome kneeling in prayer. 
 
 2552. HOLBEIN, Hans. Illustrations to the Dance of Death, 1562, not 
 appearing in any other edition.
 
 302 Canton Celebration* 
 
 Lent by Michael Caspari, Esq. 
 
 2553. HOLBEIN, Hans. The Patron Saints of the City of Fryburg. 
 
 2554. HOLBEIN, Hans. Children playing around a Vase. 
 
 2555. HOLBEIN, Hans. A Dagger Sheath, with figure of " Fortuna." 
 
 2556. HOLBEIN, Hans. Erasmus with the Terminus, in three states. 
 
 2557. HOLBEIN, Hans. Portrait of Johan Stoefler. 
 
 2558. HOLBEIN, Hans. Portrait of Johann Indagine, undescribed. 
 
 2559. HOLBEIN, Hans. Title, with the Apostles Peter and Paul. First 
 State. 
 
 2560. HOLBEIN, Hans. Border with frieze of Tritons; and children 
 playing. 
 
 2561. HOLBEIN, Hans. Title, with the Death of Lucrecia. 
 
 2562. HOLBEIN, Hans. Title, with the Death of Cleopatra. 
 
 2563. HOLBEIN, Hans. Border, with Dance of Peasants ; and Peasants 
 chasing the Fox which stole the Goose. 
 
 2564. HOLBEIN, Hans. Title, with Solomon accompanied by an assem- 
 blage of Philosophers. 
 
 2565. HOLBEIN, Hans. A Landscape near the seaside, where a tree is 
 introduced on which Death is sitting holding an hour-glass ; on 
 the right a banquetting party. With description in German un- 
 derneath, illustrating the bad effects of intemperance in love, 
 drink, and play. Curious and undescribed. 
 
 2566. HOLBEIN, Ambroise. Book title, the Calumny of Apelles. 
 
 2567. HOLBEIN, Ambroise. Book title, " Hercules Gaulois." 
 
 2568. HOLBEIN, Ambroise. Book title, " Imago vitse aulicae." 
 
 2569. LUTZELBERGER, ascribed to ; Portrait of David Byrglin. 
 
 2570. ANONYMOUS. Portrait of Geiler v. Keisersperg. 
 
 2571. NECKER, Jost de. The Dance of Death, Peasant and Judge. 
 
 2572. NECKER, David de. The Flight into Egypt. 
 
 2573. BEHAM, Hans Sebald. Holy Family seated under a Tree. 
 
 2574. K AND EL, David. Portrait of Hieronymus Musarius Vicentinus.
 
 Cla00 d5+ Book illustration^, etc* 303 
 
 Lent by Michael Caspari, Esq. 
 
 2575. FLOTNER, Peter. Ornament, with two foxes accompanied by 
 grotesque figures. 
 
 2576. SCHOEN, Erhard. Soldier in Armour sitting under the portal of 
 a House. 
 
 2577. ANONYMOUS. St. John preaching; baptizing of Christ ; Decapi- 
 tation. Undescribed. 
 
 2578. AMMAN, Jost. Portrait of the Duke of Wittemberg, in a rich 
 border. 
 
 2579. AMMAN, Jost. Emblematical subject. A man holding his knee 
 on a bull and stabbing him with a dagger. 
 
 2580. AMMAN, Jost. Four subjects : Faith, Hope, Concord and Fortune. 
 From " Wappen und Stammbuch." 
 
 2581. AMMAN, Jost. Twelve subjects : Illustrations to his Book of 
 Trades. 
 
 2582. AMMAN, Jost. The Seven Liberal Arts. 
 
 2583. SOLIS, Virgilius. Bible Illustrations. Adam and Eve, and Jacob's 
 dream. 
 
 2584. SOLIS, Virgilius. Portrait of Frederic of the Palatinate. 
 
 2585. SOLIS, Virgilius. The Arms of the Pfinzing Family. 
 
 2586. SCHWARZENBERG, Melchior. Allegorical Piece: Justice, Peace, 
 and Liberty. 
 
 2587. LORCH, Melchior. Woman riding on Horseback, with Child 
 behind her; carrying Geese. 
 
 2588. LORCH, Melchior. The Deluge. 
 
 2589. SCHARFFENBERGK, George. View of the City of Gorlitz, 1566. 
 
 2590. STUBER, Wolf. Adoration of Shepherds. 
 
 2591. STIMMER, Tobias. Portrait of D. Stephani Brechteli. 
 
 2592. STIMMER, Tobias. Portrait of Carl Mieg. 
 
 2593. HOLTZMEYER, Peter. Frieze with floral ornaments, and a child 
 in one corner. 
 
 2594. UNGER, T. Georg. Two genre pieces
 
 304 Canton Celebration* 
 
 Lent by Michael Caspari, Esq. 
 
 2595. UNGER, T. G. Gottlieb. The Women of Weinsberg, the artist's 
 most important work. 
 
 2596. UNGER, T. G. Various genre pieces. 
 
 2597. GUBITZ, F. W. Various vignettes. 
 
 2598. GUBITZ, F. W. The Departure from Regensburg. In two states. 
 
 2599. HOFEL, Bl. An Old Woman with Prayer Book. 
 
 2600. RICHTER, Ludwig. Vignette of trumpets. With inscription, 
 " Thanks to the Lord." 
 
 2601. GABER, A. Bible subjects. 
 
 2602. FLEGEL, J. G., after W. Kaulbach. The Witches in Macbeth, 
 drawn on the block by Professor Eichens. 
 
 2603. PLETSCH, Oscar. Bible subjects. 
 
 2604. ANONYMOUS. The Head of Christ, and the Madonna and Child. 
 
 2605. ANONYMOUS. Portrait of Hans Sachs. Title, with Vignette. 
 
 2606. ANDREAE, C. The Prodigal Son. Designed for a vignette. 
 
 2607. ANONYMOUS. The Trinity, with figures of Christ, Moses, the 
 Evangelists, &c. Title to " The Seven Ravens." 
 
 MISCELLANEOUS SUBJECTS. 
 
 2608. THE Master R. P. A rich border in the maniere criblee, May- 
 ence. 1518. 
 
 2609. WECHTLIN, in the style of. Title-page with a Satyr family, &c. 
 In the maniere criblee. 1518. 
 
 2610. ANONYMOUS. Title with floriated and intricate pattern of orna- 
 mentation. 1518. 
 
 2611. DURER, Albrecht. Title with Satyrs chained together. 
 
 2612. DURER, Albrecht. Title with subject of the Baptism of Christ. 
 
 2613. CRANACH, Lucas. Title, with Christ on the Cross, surrounded by 
 angels. 1523. 
 
 2614. WORMS, Anton von. Title, the Labours of Hercules.
 
 <B. Book Jllugtcattong, etc* 305 
 
 Lent by Michael Caspari, Esq. 
 
 2615. ANONYMOUS. Rich border, with portrait of Duke Hendrick of 
 Saxony in armour. 1541. 
 
 2616. SOLIS, Virgilius. Titles to Old and New Testaments, subjects in 
 compartments. 1560. 
 
 2617. HOLBEIN, Hans. Titles to Galenus, Basel, 1562 : Venice, 1565, 
 from the same design, but cut by a different hand. 
 
 2618. SCHWARZENBERG, Melchior. Title to a book of architectural 
 designs. 1564. 
 
 2619. AMMAN. Jost. Title of Old Testament, with subjects in compart- 
 ments, coloured. 1564. 
 
 2620. LEVY, A. Subject, representing a man uncovering his bosom, with 
 two other men in the background, in the style of Francesco 
 Goya, probably French work. 
 
 DUTCH WOODCUTS. 
 
 2621. ANONYMOUS. An Indulgence for Pilgrims, with representation 
 of the Trinity. End of 1 5th century. 
 
 2622. METSIS, Quintin. 1480-1488. Bible subjects. 
 
 2623. LEYDEN, Lukas van. Adam and Eve. 
 
 '2624. LEYDEN, Lukas van. The garments of Joseph shown to J.acob. 
 
 2625. LEYDEN, Lukas van. The three Heroes of Israel. 
 
 2626. LEYDEN, Lukas van. Virgil suspended in a Basket. 
 
 2627. BOSCH, Hieronymus. The Temptation of St. Anthony. 
 
 2628. ASSEN, Walther van. SS. Ann and Elizabeth ; the Flight into 
 Egypt. 
 
 2629. ASSEN, Walther van. The Flagellation. From a set of the 
 Passion. 
 
 2630. ASSEN, Walther van. A Lady riding upon a Mule, Philip IL, 
 Charles V., and the Emperor Maximilian on Horseback. 
 
 2631. KIRMER, Michael. Title in compartments. 1534. 
 
 2632. BRAY, Dirk de. The Sudarium, printed in two colours. 
 
 2633. BRAY, Dirk de. Landscape in an oval.
 
 306 Canton Celebration* 
 
 Lent by Michael Caspari, Esq. 
 
 2634. BRAY, Dirk de. Portrait of Solomon de Bray. 
 
 2635. SICHEM, Christoph van. Head of a Man, after Matham, 1613. 
 
 2636. SICHEM, Christoph van. Head, after Golrzius, 1607. 
 
 2637. JEGHER, Christoffel. Arabesque, with an Angel introduced. 
 
 2638. JEGHER, Christoffel, after Rubens. Christ and St. John with 
 Lamb. 
 
 2639. JEGHER, Christoffel, after Rubens. Temptation of Christ. 
 
 2640. JEGHER, Christoffel, after Rubens. Hercules killing Cacus. 
 
 2641. JEGHER, Christoffel, after Rubens. Repose in Egypt. 
 ->642. JEGHER, Christoffel, after Rubens. " Le Jardin d' Amour." 
 
 SPANISH WOODCUT. 
 
 643. MORANTE, Bartolome'e. Branch of Tree, with Birds and But- 
 terfly. 1630. 
 
 ITALIAN WOODCUTS. 
 
 2644. ANONYMOUS. Title border, with figure of Christ and embellished 
 with grotesque ornamentation, c. 1480. 
 
 2645. ANONYMOUS. Five Illustrations to "Poliphili Hypnerotomachia." 
 1499. 
 
 2646. MONTAGNA, Benedetto. Title illustrated with a vignette of the 
 Resurrection of Christ, with Cross and Lamb. 1501. 
 
 2647. ANONYMOUS. Triumph of Julius Csesar, after Andrea Mantegna. 
 
 2648. ANONYMOUS. Subject from Roman History. A triumphal March, 
 with Death on the left leaning against a tree. 
 
 2649. MANTEGNA, Andrea. Christ on the Cross, Virgin and Child in 
 the Clouds surrounded by Saints. 
 
 2650. MANTEGNA, Andrea. Coronation and Burial of the Virgin. 
 
 265 1. MANTEGNA, Andrea. Christ on the Cross, with St. John and Mary. 
 
 2652. ANONYMOUS. Rich border, two Angels holding a Shield orna- 
 mented with grotesque figures. In the maniere criblee.
 
 5, Book 3]llu0tratlon0, etc* 307 
 
 Lent by Michael Caspari, Esq. 
 
 2653. MANTEGNA, Andrea, attributed to. Rich title border, enclosing 
 subject of the Presentation in the Temple. 
 
 2654. MANTEGNA, Andrea, attributed to. Rich title border, with com- 
 position of Christ carried to Heaven by Angels, and adored by the 
 Apostles. 
 
 2655. ANONYMOUS. The Expulsion of Adam and Eve, top and bottom 
 enriched with floral ornamentation, with vignettes of the Sun and 
 Moon, &c. Dated 1503. 
 
 2656. ANONYMOUS. Cain and Abel, from the same work. 
 
 2657. CALCAR, Jean de. Bust of Vesalius. 1542. 
 
 2658. BOLDRINI, Nicolo, after Titian. Betrayal of Samson. 
 
 2659. BOLDRINI, Nicolo, after Titian. The Six Saints. 
 
 2660. BOLDRINI, Nicolo, after Titian. Landscape, with Woman milking 
 a Cow. 
 
 2661. VICENTINO, Guiseppe Nicoletto, after Raffaello. Massacre of the 
 Innocents. 
 
 2662. CAMBIASI. Triumph of Galathea. 
 
 2663. SCOLARI, Giuseppe. St. Jerome in the Desert. 
 
 2664. PORTA, G. del Salviati. Christ on the Cross embraced by the 
 Magdalen, with Mary and John standing near. 
 
 2665. CORIOLANO, J. B. St. Borromeo before an Altar. 
 
 2666. BELEMO, Antonio, after Parmigiano. Adonis with Bow and 
 Arrow. 
 
 2667. NUVOLONE, C. F. The Holy Family. 
 
 FRENCH WOODCUTS 
 
 2668. ANONYMOUS. Bible illustrations. 1470-1480. 
 
 2669. ANONYMOUS. The Trinity, Tree of Jesse, and the Madonna. 
 In the maniere criblee. 1490-1495. 
 
 2670. ANONYMOUS. Emperor and the Seven Electors. In the maniere 
 criblee. 1490-1495.
 
 308 Cajtotx Celebration, 
 
 Lent by Michael Caspari, Esq. 
 
 2671. ANONYMOUS, from a Livre d'Heures, Simon Vostre, Adoration of 
 the Shepherds, Magi, and Massacre of the Innocents. 1498- 
 1500. On vellum. 
 
 2672. ANONYMOUS, from a Livre d'Heures, Simon Vostre. Complete 
 set of the Dance of Death. 1498-1500. On vellum. 
 
 2673. ANONYMOUS, from a Livre d'Heures, Simon Vostre. Borders. 
 1498-1500. 
 
 2674. ANONYMOUS, from a Livre d'Heures, Antoine Kerver. The Pre- 
 sentation, and the Raising of Lazarus. 1498-1500. On vellum. 
 
 2675. ANONYMOUS, from a Livre d'Heures, Gilles Hardouyn. The Salu- 
 tation, Crucifixion, Mary adored, Conversion of St. Paul. All in 
 the maniere criblee, printed on vellum. 1498-1500. 
 
 2676. ANONYMOUS. Christ on the Cross, first leaf of a New Testament ; 
 the Trinity and the Evangelists. 1500. 
 
 2677. ANONYMOUS. The Creation, first leaf of an Old Testament. 
 1505-10. 
 
 2678. ANONYMOUS. Saint writing, with Popes and Bishops, in border 
 of compartments with Moses, the Prophets, Evangelists, &c. 
 In the maniere criblee. 1510. 
 
 2679. ANONYMOUS. The Tree of Justice. An Emperor standing on the 
 Root, and holding the branches. In the maniere criblee. 1510. 
 
 2680. ANONYMOUS. Tree of Consanguinity. An Emperor standing upon 
 the Tree, holding its branches. In the maniere criblee. 1510. 
 
 2681. ANONYMOUS. Illustrations to " Lancelot du Lac." Leaves 58, 81. 
 
 2682. ANONYMOUS. Title border, with subject of Christ on the Cross, 
 with St. John and Mary. Printed on vellum. 1515-20. 
 
 2683. ANONYMOUS. Book illustrations from "Galien Romaunt." 1525. 
 
 2684. ANONYMOUS. Illustration from Pierre de Crescens, with subject; 
 Husbandry. 1532. In four compartments. 
 
 2685. ANONYMOUS. Illustration from Pierre de Crescens, illustrating 
 Sowing and Reaping. 1532. 
 
 2686. TORY, Geofroy. Flight into Egypt. 1525-30. 
 
 2687. TORY, Geofroy. Title, with printer's device of R. Stepbani. 
 At the top, exquisite vignette, 1546.
 
 Claefg (B+ Boofc 3!lto2ftcation& etc* 309 
 
 Lent by Michael Caspari, Esq. 
 
 2688. TORY, Geofroy. Aaron as High Priest. 1546. 
 
 2689. WOEIRIOT, Pierre. Group of figures in Roman Costume. 
 
 2690. JOLLAT, M. A Warrior in Armour. 
 
 2691. JOLLAT, M. Group of Soldiers and Civilians before a tent; 
 Artillerymen loading a Cannon. In two compartments. 
 
 2692. BERNARD, Solomon, called "le petit Bernard." Illustration to 
 the Apocalypse. 
 
 2693. BERNARD, Solomon, called "le petit Bernard." Bible illustrations. 
 
 2694. ANONYMOUS. Christ on the Cross, which the Magdalen embraces, 
 Mary and John standing near. 
 
 2695. TORTOREL, Jean. "L'Enterprinse d'Amboise." 
 
 2696. ECMAN, Eduardo, after Jaques Callot. Battle of King Tessi. 
 1620. 
 
 2697. BREVIERE, after Grandville. The Owl and the Hare. 
 
 2698. JONNARD. Wolves and the Sheep. From Dore's Fables. 
 
 2699. LIGNY, Ad. The Two Goats. From Dora's Fables. 
 
 2700. PANNEMAKER, Dom. The Deluge, Jesus Praying. From Dore"s 
 Bible. 
 
 2701. PANNEMAKER, Dom. The Finding of Moses ; Christ and the 
 little Children. From Dord's Bible. 
 
 2702. TRICHON-MONVOISIN. Dante and Laura. From Dore's Dante. 
 
 2703. LAPLANTE, after Giacomelli. Vignette from Michelet, " L'Oiseau, 
 Suite du Rossignol." 
 
 2704. HILDEBRAND, after Giacomelli. Vignette from Michelet, 
 " L'Oiseau." 
 
 2705. JOUARD, after Durand. Christ and Woman at the Well. From 
 the life of Jesus.
 
 310 Canton Celebration, 
 
 Lent by Michael Caspari, Esq. 
 
 ENGLISH WOODCUTS. 
 2706. TITLE with illustration, Dives and Lazarus. Printed by Pynson. 
 
 2707. TITLE. Printed by Richard Hearn. 1641. Design bearing the 
 date of 1574. 
 
 2708. ALKEN, Henry. Group of Animals. 
 
 2709. ARMSTRONG. An illustration to a Ballad, " Sir Patrick Spence." 
 
 2710. AUSTIN, Samuel. Bible subjects. 
 
 2711. BLAKE, William. Illustrations to a Nurse's Song; inscribed 
 " Eclogue." 
 
 2712. BYFIELD, John. Portrait, and four illustrations to Grimm's 
 German Stories, after G. Cruikshank. 
 
 2713. BAGG, Thomas. The Twelve Months. 
 
 2714. BRANSTON, Frederick William. " Faith," " Rescued." 
 
 2715. BRANSTON, Frederick William. "Elephant in the Moon." 
 
 2716. CRUIKSHANK, George. Six Proofs. Three Courses and a Des- 
 sert ; Gentleman in Black, &c. 
 
 2717. CLENNELL, Luke. The Finding of Moses. 
 
 2718. CLENNELL, Luke. " The Soul engaged." 
 
 2719. CLENNELL, Luke. Ship at Sea. From Falconer's Shipwreck. 
 
 2720. DUDLEY, Henry. Old Seal. Said to be one of the finest speci- 
 mens of wood-engraving ever executed. 
 
 2721. DUDLEY, Henry. A Vault, engraved on the block without the 
 design being indicated upon it by the artist in the first instance. 
 
 2722. DALZI EL, Fitzgerald. " Lily's Ball." 
 
 2723. HOLE, Henry. "Seed sown." With letterpress. 
 
 2724. HUGHES, Jane. Illustrations to sonnets entitled the "Passionate 
 Pilgrim," and " Venus and Adonis." 
 
 2725. JACKSON, John, after Harvey. Subject from Northcote's Fables. 
 
 2726. JACKSON, W., after John Gilbert. Welcome Guests at Mardon 
 Hall.
 
 + Boofe 31llu0trattong, etc* 311 
 
 Lent by Michael Caspari, Esq. 
 
 2727. LEECH, John. Various subjects after his designs. 
 
 2728. LEE, John. Illustration to an Eastern Story. 
 
 2729. LANDELLS, Ebenezer. Two Bible subjects and four designs from 
 Northcote's Fables. 
 
 2730. LINTON, Henry. Christ with Lily, and Child in a Cradle sleeping. 
 
 2731. LINTON, William James. A Fruit Piece. 
 
 2732. MEASOM, William. Fairy Subject. 
 
 2733. MOSSES, Thomas. Shepherd Boy, after Reynolds ; Death of Ab- 
 salom ; the Harlot's Progress, after Hogarth. 
 
 2734. NESBIT, Charlton. St. Nicholas Church, Newcastle. 
 
 2735. NESBIT, Charlton. The Daughters of Jerusalem. Sinners hiding. 
 
 2736. NESBIT, Charlton, after Harvey. Subject from Northcote's Fables. 
 
 2737. Powis, William Henry. View of Mount Vesuvius. 
 
 2738. SCOTT, Thomas. Portrait of the Reverend Thomas Scott. 
 
 2739. SEARS, Matthew U. W. Child sitting in Chair with Playthings 
 before him. 
 
 2740. SMITH, John Orrin, after Harvey. Views of Elba and Florence. 
 
 2741. THOMAS, William, after Fitzgerald. Fairyland. 
 
 2742. THOMAS, W., after J. Philipp. Gossip at a Well. 
 
 2743. THOMPSON, John, after Mulready. Illustration to the Vicar of 
 Wakefield. 
 
 2744. THOMPSON, John. Illustrations to Shakespeare. 
 
 2745. THOMPSON, John, after Harvey. Portrait of Northcote, from his 
 Fables. 
 
 2746. THOMPSON, John, after Horsley. The Village Dance. 
 
 2747. THOMPSON, John, after Mulready. Maidens playing Harps. 
 
 2748. THOMPSON, John, after G. Cruikshank. Tales of Irish Life. 
 
 2 749. VIZETELLI, Frank, after Birket Foster. Studies of Children, &c. 
 
 2750. VIZETELLI, Frank. Title-page, with ornamentation. 
 
 2751. WILLIAMS, Samuel. An Altar Piece.
 
 312 Canton Celebration* 
 
 Lent by Michael Caspari, Esq. 
 
 2752. ANONYMOUS. Young Man lying under a Tree, a Veiled Woman 
 hovering over him : A Flower-piece. 
 
 AMERICAN WOODCUTS. 
 
 2753. ANDERSON, called the American Bewick. The Creation; Nathan 
 reproving David. 
 
 2754. ANDERSON. " Fezzan Ram." 
 
 2755. DAVIS, J. P. Party Rowing, Old Barns Tenantry. 
 
 2756. IVENGLING, F. Indians, Sea, Rocks, and Icebergs. Vignette. 
 
 2757. KING, F. S. " For Cupid Dead," " Interval in the Swamps." 
 
 2758. MINTON, J. "Torpedoes?" 
 
 2759. NICHOLS, D. Portrait of Shakespeare. In the maniere criblee. 
 
 2760. SPIEGLE. Two Portraits, one of Benvenuto Cellini. 
 
 PRINTS IN CHIARO-OSCURO. 
 Italian. 
 
 2761. CARPI, Ugo da. After Raffaello. David cutting off the Head of 
 Goliath. 
 
 2762. CARPI, Ugo da. After Parmigiano. Diogenes. 
 
 2763. CARPI, Ugo da. After Raffaello. Hercules killing the Lion. 
 
 2764. CARPI, Ugo da. After Parmigiano. Saturn. First and second 
 state. 
 
 2765. CARPI, Ugo da. After Peruzzi. Envy driven from the Temple 
 of Muses. 
 
 2766. ANDREANI, Andrea. After Beccafumi. The Sacrifice of Abra- 
 ham. From the pavement of the Cathedral at Siena. 
 
 In ten sheets complete. 
 
 2767. ANDREANI, Andrea. After Ligozzi. Virgin and Child accom- 
 panied by Saints. First and second state. 
 
 2768. ANDREANI, Andrea. After Jacopo Ligozzi. Virtue. First and 
 second state. 
 
 2769. ANDREANI, Andrea. Fortunio. An allegorical subject of Death.
 
 + Book 3|llu0tcatton0, etc* 
 
 Lent by Michael Caspari, Esq. 
 
 2770. VICENTINO, Joseph Nicolo. After Parmigiano. Christ healing 
 the Lepers. First state. 
 
 2771. TRENTA, Antonio da. After Parmigiano. Martyrdom of Peter 
 and Paul. 
 
 2772. TRENTA, Antonio da. After Parmigiano. A Man seated ; seen 
 from behind. 
 
 2773. CORIOLANO, Bartholomew. After Guido Reni. An allegory, 
 two Females seated. 
 
 2774. CORIOLANO, Bartholomew. After Guido Reni. Virgin, Child, 
 and St. John. First state. 
 
 2775. CORIOLANO, Bartholomew. After Guido Reni. Alliance of Peace 
 and Abundance. First state. 
 
 2776. ANONYMOUS. After Beccafumi. St. Philip. 
 
 2777. ANONYMOUS. Silenus supported by a Nymph, and attended by 
 Satyrs. 
 
 2778. GABO, Giolito. Madonna and Child. 
 
 2779. ZANETTI, A. M. Jacob finding Leah and Rachel at the Well. 
 
 German. 
 
 2780. WECHTLIN, Johannes, attributed to. Cain killing Abel. 
 
 2781. CRANACH, Lucas. St. Christopher. 
 
 2782. ANONYMOUS. Adoration of the Shepherds. 1548. 
 
 2783. BUSINGK, Ludwig. After Lallemand. The Lovers. 
 
 2784. RUPPRECHT, F. C. Madonna and Child. 
 
 Dutch. 
 '2785. TEUNISSEN, Cornelius. The Last Supper. 
 
 2786. GOLTZIUS, Heinrich. Hercules killing Cacus. 
 
 2787. GOLTZIUS, Heinrich. Neptune and Flora. 
 
 2788. GOLTZIUS, Heinrich. Four landscapes. 
 
 2789. BLOEMAERT, Abraham. Holy Family.
 
 314 Canton Celebration* 
 
 Lent by Michael Gasman, Esq. 
 
 2790. JEGHER, Christoffel. After Rubens. Portrait of a Man wearing 
 a Beard. 
 
 2791. MOREELSEN, Paul. Death of Lucretia. 
 
 English, 
 
 2792. SKIPPE, John. The Entombment ; Six Monks. 
 
 2793. JACKSON, J. B. The Finding of Moses. 
 
 COLOUR PRINTING. 
 
 2794. FLOTNER, Peter. A Soldier. 
 
 2795. ANONYMOUS. Book title, Wittenberg, 1522. 
 
 2796. ANONYMOUS. Book title, Hannssen Schobsser. Munich, 1524. 
 
 2797. GUBITZ, F. W. Christ with Globe. After Cranach. Printed, ac- 
 cording to Jackson and Chatto, from at least ten blocks. 
 
 2798. GUBITZ, F. W. Title and two illustrations. 
 
 2799. FLEGEL, J. G. Vignette. After L. Richter. Inscribed, " Ich habe 
 mem Liebchen," &c. 
 
 End of the Caspari Collection. 
 
 Lent by C. W. H. Wyman, Esq. 
 
 2800. LIGNOTINT. Two frames, showing examples of Binfield's ligno- 
 tint transfers, with woodcut and original drawing in each. 
 
 Lent by J. Ph. Berjeau, Esq. 
 
 2801. WOODEN Block: being a page of the Biblia Pauperum as repro- 
 duced by J. Ph. Berjeau. 
 
 Lent by Dalziel Brothers. 
 
 2802. VARIOUS Designs. Drawn by William Harvey. Engraved by 
 Dalziel Brothers. 
 
 2803. SUBJECTS from Alison's Europe. Drawn by Sir John Gilbert. 
 R.A. Engraved by Dalziel Brothers. 
 
 2804. PICTURES of English Landscape. Drawn by Birket Foster. 
 Engraved by Dalziel Brothers.
 
 Boofc 3!Uu0tratton0, etc. 315 
 
 2805. THE Parables of our Lord. Drawn by J. E. Millais, R.A. 
 Engraved by Dalziel Brothers. 
 
 2806. ILLUSTRATION to the Sleeping Beauty. Drawn by Richard Doyle. 
 Engraved by Dalziel Brothers. 
 
 2807. SCENES from the Arabian Nights. Drawn by T. Dalziel. En- 
 graved by Dalziel Brothers. 
 
 2808. ENGLISH Landscapes. Drawn by J. W. North. Engraved by 
 Dalziel Brothers. 
 
 2809. RUSTIC Life. Drawn by G. I. Pinwell. Engraved by Dalziel 
 Brothers. 
 
 2810. HIGHLAND Scenes. Drawn by J. T. Reid. Engraved by Dalziel 
 Brothers. 
 
 2811. DESIGNS by various artists. Engraved by Dalziel Brothers. 
 
 2812. GRAPHOTYPE Specimens illustrating the Graphotype Process. 
 
 Lent by the Misses Bewick. 
 
 2813. PROOFS of Wood-Engravings by Thomas Bewick. 
 
 Lent by the Proprietors of the " Illustrated London News." 
 
 2814. SPECIMENS of Wood Engravings from the "Illustrated London 
 News." 
 
 2815. THE first volume of the "Illustrated London News." 
 
 Lent by Harry Soane, Esq. 
 
 2816. BOOK Plates. Prints of Heraldic Devices, from blocks executed 
 in old-style. 
 
 Lent by F. Peter Segitier, Esq. 
 
 2817. THE Dead Christ, with the Virgin Mary and St. John. 
 
 Chiaroscuro woodcut by Andrea Andreani, after a work of Alessandro 
 Casolani, dedicated to Visconti Gonzaga of Mantua, 1593. Brought to England 
 by William Young Ottley, Esq. Containing life-size figures. 
 
 Lent by Mason Jackson, Esq. 
 
 2818. A HISTORY of Quadrupeds, by Thomas Bewick. 
 
 2819. A HISTORY of British Birds, by Thomas Bewick. Two volumes.
 
 316 Cajtott Celebration* 
 
 2820. A TREATISE on Wood-Engraving, by Jackson and Chatto. First 
 edition. 
 
 2821. DIPLOMA of the Highland Society. Engraved on wood by Luke 
 Clennell, a pupil of Thomas Bewick. 
 
 2822. ST. Nicholas Church, Newcastle-on-Tyne. Engraved on wood by 
 Charlton Nesbit, a pupil of Thomas Bewick. 
 
 2823. THE Death of Dentatus. Drawn and engraved on wood by 
 William Harvey, a pupil of Thomas Bewick. 
 
 2824. SPECIMENS of Wood-Engraving by the late John Jackson. 
 
 Lent by the Proprietors of" The Graphic." 
 
 2825. DRAWINGS on Wood, Photograph on Wood, Electrotype, Stereo- 
 type, Wax Mould, Blocked Block, Boxwood for Engraving, &c. 
 
 2826. ORIGINAL Drawings on paper. 
 
 2827. PROOFS of the same designs engraved. 
 
 Lent by J. Swain, Esq. 
 
 2828. SPECIMEN of Wood-engraving by J. Swain. 
 
 Lent by A. Brothers, Esq. 
 
 2829. TRIUMPH of Maximilian II., by Hans Burgkmair. 
 
 Specimens illustrating the earliest invention of Photographing on Wood, 
 for engraving. Lent by Robert Langton, Esq. 
 
 2830. A PHOTOGRAPH of the Moon, being a page from the " Art Jour- 
 nal" for August, 1854, fully describing the process. 
 
 2831. PHOTOGRAPH of a Roman Sepulchral Slab found in the River Rib- 
 ble, Lancashire. Engraved for Mr. W. A. Abram's " History of 
 Blackburn." 
 
 2832. THE Coronation of King Edward the Confessor at Westminster. 
 Engraved for Heginbotham's "History of 'Stockport." 
 
 2833. A PORTION of the Marriage Service, with Rubrics, from a four- 
 teenth century MS. in the Chetham College Library, Manchester. 
 
 2834. SELF-ACTING " Mule," photographed from the machine for a new 
 edition of " Encyclopaedia Britannica," article "Cotton." 
 
 2835. "MULE" for ditto.
 
 Book Jllu0ti*atton0, etc, 317 
 
 Lent by Henry Ltnton, Esq. 
 
 2836. THE Sword-bearer. From an etching by Rembrandt. 
 
 2837. EPHRAIM Bonus. From an etching by Rembrandt. 
 
 2838. ECCE Homo. From an etching by Van Dyck. 
 
 2839. PRISONERS in the Vaults of the Hotel de Ville, Paris. From a 
 drawing by Gavarni. 
 
 2840. FRUIT piece. From a drawing by John Gilbert, R.A. 
 
 2841. THE Cat. From the painting by Mieris. 
 
 2842. A DOMINICAN Monk. From a photograph by Lake Price. 
 
 2843. A MONK showing Relics. From a drawing by John Gilbert, R.A. 
 
 2844. THE Manor House. From a drawing by Samuel Read. 
 
 2845. TITIAN'S Schoolmaster. From the painting by Moroni. 
 
 2846. Miss BOWLES. From the painting by Sir Joshua Reynolds. 
 
 2847. JOSEPH Governor of Pharaoh's Granaries. From the painting by 
 L. Alma Tadema, A.R.A. 
 
 2848. AN Audience at Agrippa's. From the painting by L. Alma Ta- 
 dema, A. R.A. 
 
 Several of the above were printed at a " Stanhope " press by Messrs. Levy, 
 Robson, and Franklin, formerly of New Street, Fetter Lane. Others are 
 artist's proofs. 
 
 Lent by Edward Whymper, Esq. 
 
 2849. SPECIMENS. Wood Engraving. 
 
 Lent by Thomas JoJ in Lawrence, Esq. 
 BOXWOOD Blocks. Prepared for wood engraving. 
 
 Lent by Reginald W. Palgrave, Esq. 
 
 2851. THE Miraculous Draught of Fishes ; and Death of Ananias, both 
 after Raffaello. By Ugo Da Carpi, a painter and engraver, born in 
 Rome about 1486. 
 
 He invented a description of engraving on wood in imitation of drawings by 
 the old masters, known as " Chiaro-oscuro, " which was afterwards carried to a 
 much higher point of perfection by other engravers. The method of production 
 was by engraving various wooden blocks for the outline and tints, and printing 
 one over the other. The examples exhibited, as are the majority attributed to 
 Ugo da Carpi, of which between fifty and sixty are known, are masterly, but 
 somewhat slight. See also Nos. 2761 to 2793, Caspari collection.
 
 3i 8 Cajton Celebration* 
 
 2852. ANDREANI, Andrea. The Virgin and Child. 
 
 A painter and engraver, born at Mantua, about 1540. He settled in Rome, 
 and followed in the footsteps of Ugo Da Carpi, whose productions he much 
 excelled. 
 
 2853. SAINT Christopher carrying the infant Jesus. By Lucas Cranach. 
 
 An illustrious painter and engraver, and contemporary of Albrecht Diirer, 
 born 1470-2. The works of Lucas Cranach the younger are often mistaken 
 for those of the father, and Bartsch is of opinion that the elder Cranach nevei 
 engraved on wood, but the preponderance of evidence is the other way. Foui 
 examples of his cuts in " Chiaro-scuro " are known. 
 
 Lent by Messrs. Hewlett and Son. 
 
 2854. " PRECIOUS Stones and Gems." Specimens of Book illustrations 
 with plates from blocks. 
 
 Lent by John Leighton, Esq., F.S.A. 
 
 2855. WOOD engraving. Various specimens engraved from designs bj 
 John Leighton, F.S.A. 
 
 Lent by Charles Pr<ztorius, Esq. 
 
 2856. GRIEN, Hans Baldung. Christ and the Apostles. A set of sto 
 very rare woodcuts. 
 
 2857. LEYDEN, Lucas Van. The Influence of Women upon celebrated 
 Men. Three from a set of rare woodcuts. 
 
 2858. BURGKMAIR, Hans. Portrait of Johann Paungartner from a rare 
 woodcut. 
 
 All from the Fitzwilliam Museum at Cambridge. 
 
 SECTION II. Copper-plates. 
 
 Lent by Messrs. Frederick Muller and Co. 
 2859. 
 
 ETAL Engraving of about 1450. Christ on the Cross, St. John 
 and Mary. In the maniere criblee. 
 
 This probably unique plate was found in a manuscript Missal, written 
 in 1459. 
 
 Lent by Messrs. Bradbury, Wilkinson, and Co. 
 2860. EXAMPLES of Copper-plate Printing. Nature-printing, &c.
 
 Book 31llu0txationg, etc* 319 
 
 Lent by Benjamin Pardon, Esq. 
 
 2861. CHRIST'S Entry into Jerusalem. i6th century. 
 
 Lent by T. Fisher Unwin, Esq. 
 
 2862. DE Droeve Ellendigheden van den Oorloogh seer derdigh en 
 Konstigh Afgebeeldt door Jaques Callot. Loreyns Edelman, en 
 in druck vytgegeuen door. Gerret van Schagen. Leon. Schenk 
 Excudit. 
 
 Eighteen etchings illustrating the miseries of war. 
 
 Lent by C. H. Jeens, Esq. 
 
 2863. SPECIMENS of Engraving Foreign Postage Stamps and Bank 
 Notes. Engraved by C. H. Jeens. 
 
 Lent by G. IV. Reid, Esq., E.S.A. 
 
 2864. LIEVENS, Jan. Bust of an Old Man. Very rare. 
 
 2865. ANONYMOUS. After Parmigiano. Christ curing the Paralytic. 
 
 2866. VICENCE, Nicoletto. After Parmigiano. The Adoration of the 
 Magi. In two states. 
 
 2867. CARPI, Hugo da. After Raffaello. The Miraculous Draught of 
 Fishes. First state. 
 
 SECTION III. Printing in Colours from raised Blocks. 
 
 Specimens shouting the development of Stenochromy, lent by 
 E* Meyerstein^ Esq. 
 
 2868. 
 HEETwith 70 distinct shades of Colour printed at one impression. 
 
 2869. SHEET with 674 distinct shades of Colour printed at one 
 impression. 
 
 2870. SHEET with Diagram showing the Colours of the Spectrum. 
 
 2871. FIRST Specimen of Printing Curved Lines (on Reps). Steno- 
 chromy. 
 
 2872. SPECIMEN of Decorative Printing on thick Cloth. Bouquet.
 
 320 Canton Celebration. 
 
 2873. " HARLEQUIN." This Specimen contains upwards of 800 Shades oi 
 Colour, and was specially designed and printed to prove that an 
 almost unlimited number of colours can be printed at one opera- 
 tion. 
 
 2874. THE Tiger Hunt. Copy of Water-colour Drawing by Mr. Huttula. 
 
 2875. Swiss Scenery. Copy of Water-colour Drawing by Mr. A. Hertel, 
 
 2876. ERIN'S Daughters. Copy of Oil Painting by Mr. F. G. Kinnaird 
 
 2877. LANDSCAPE, Winter scene. Copy of Oil Painting by Mr. A. R. 
 de Leeuw. 
 
 2878. UNDERPRINT of the above. 
 
 2879. MOONLIGHT on the Scheldt. COPY of Oil Painting by Douzette. 
 
 2880. MADONNA di San Sisto, after Raffaello. Copy of Oil Painting 
 from the Dresden Gallery. 
 
 2881. A COTTAGE. With a Woodburytype Photograph printed over it, 
 and Steno and Woodburytype separate. 
 
 2882. " YOUR Ancestors." With a Woodburytype Photograph printed 
 over it. 
 
 2883. THE Barber's Shop. Showing the Steno and the Woodburytype 
 Photograph separately. 
 
 2884. RADDE'S International Colour Scale, in Cloth-covered, Gold- 
 lettered Box, 12^ by io| by 2 inches, containing : An Isolator, A 
 Colour Index, 30 moveable Scales of Spectral Colours, 12 move- 
 able Scales of Grey Tints together 42 Scales, each shaded in 21 
 gradations from Black into White, or total, 882 tints of Colouj 
 printed at one operation. 
 
 Lent by A. Brothers, Esq. 
 
 2885. LES Oiseaux Gibier. With illustrations in Chromotypography. 
 
 The sheets are arranged in the order of a procession as originally designec 
 by Hans Burgkmair. 
 
 Lent by M. Fischbach^ Esq. 
 
 2886. COPY of Ancient Banner of Strasburg, in Chromo-Typography.
 
 Book Illustrations, etc. 321 
 
 Lent by George Unwin, Esq. 
 
 2887. THE St. Bernard Dogs. Bagster Process. Finished Print in 
 twenty-five workings. 
 
 288 7*. The first Illustrations of Printing in Colours from Blocks by 
 Steam Power (1851). Lent by G. C. Leighton, Esq. 
 
 Lent by Edward IVhymper, Esq. 
 
 2888. PRINTING in Colours from raised Blocks, i. Reproduction in 
 seventeen printings of a water-colour drawing, entitled " Each a 
 share of the Burden," showing the appearance of the print in its 
 successive stages. Printed at an ordinary Albion Press. 2. 
 Reproduction in thirteen printings of a water-colour drawing by 
 Sir John Gilbert, R.A., entitled "The Village Blacksmith," show- 
 ing impressions of the thirteen printings, and the appearance of 
 the print at its successive stages. Printed on an ordinary Albion 
 press. 
 
 Lent by Abraham Johnson, Esq. 
 
 2889. SPECIMEN of Colour Printing. 
 
 Lent by Messrs. Howlett and Son. 
 
 2890. SPECIMENS of modern Gold Printing on Satin. 
 
 SECTION IV. Lithographs. 
 
 Lent by C. W. H. Wyman, Esq. 
 
 2891. 
 
 J^I LOT Y Album. " L'histoire de la Lithographic. La Litho- 
 graphic inventee par Aloys Senefelder a Munich. L'origine 
 historique et les progres de cette invention importante, 
 spe"cialement 1'art de dessin sur pierre d'apres tous les pro- 
 cedes depuis les premiers essais en 1808 et les epreuves ulterieures 
 a Munich." 
 
 The first part contains lithographs from the year 1808 until 1831, and the 
 second from 1831 to 1866, mostly pictures from the Munich Picture Gallery; 
 the impressions are all from first editions. The book contains some superb 
 examples of chalk drawings. It is the property of Herren Piloty and Loeble, 
 of Munich, and the lithographs are many of them very rare. 
 
 892. PORTFOLIO of Early Lithographs. 
 
 Sixteen specimens by David Cox, J. D. Harding, and other well-known 
 artists ; and six of Furness Abbey by Louis Haghe. 
 
 Y
 
 322 Canton Celebration* 
 
 2893. SENEFELDER Album. Herausgegeben von Ferdinand Schlotke. 
 Hamburg, 1871. 
 
 Published at Hamburg, November 6th, 1871, exactly one hundred years from 
 the birth of Senefelder. The plates in it exhibit interesting facsimiles of Sene- 
 felder's earliest attempts, with the various improvements in the process oi 
 lithography from those of 1797-98, 1800, 1803-5, an d 1808, down to the latest 
 examples of colour-printing. There are also representations of various presses 
 from the earliest, in 1797, to the steam machine of to-day. The text in German 
 chiefly consists of long extracts from Senefekler's work on the Art of Litho- 
 graphy. This book was compiled and produced by Herr Ferdinand Schloke, 
 himself an eminent lithographer of Hamburg, as a tribute of admiration to the 
 inventor of the art. 
 
 2894. JOSEPH and his Brethren. By Owen Jones and Henry Warren. 
 
 2895. SCENES from Winter's Tale. 
 
 2896. SCENES of Scottish Story. Engravings by William Ballingall. 
 
 2897. PRINTING Times. New Series. Vols. i and 2. 1875, 1876. 
 
 2898. SENEFELDER'S Lithography. The English translation published 
 by Ackerman in 1819. 410. 
 
 2899. HULLMANDEL'S Art of Drawing on Stone. 1824. Small 410., 
 with plates. 
 
 2900. HULLMANDEL'S Manual of Lithography. Third edition, 1832. 
 8vo. 
 
 2901. FIRST Attempts at Lithography. Executed in Stuttgart in 1807. 
 
 An interesting and very rare series of examples of lithography in various 
 styles, being the first attempts made at Stuttgart. 
 
 2902. SPECIMENS of Improvements in Lithographic Printing. By Hull- 
 mandel. 
 
 These examples, although comparatively early, are extremely good, and com 
 pare favourably with much of the work of a like kind executed at the presen 
 time. 
 
 2903. STONE of Senefelder's Portrait, and of an Etruscan design. Bot' 
 given in Senefelder's complete course of Lithography. 
 
 By a happy circumstance these two stones, which were printed in Senefelder' 
 work, "L'Art de la Lithographic, 1819," have been preserved, and are no\ 
 the property of M. J. Walter, head of the firm of MM. Walter freres, lithe 
 graphers, of Paris. 
 
 2904. PORTRAIT of Andre, Senefelder's associate, who introduced lithe 
 graphy into England under the name of Polyautography. 
 
 2905. PORTRAIT of William Day, the first partner of Louis Haghe. 
 Baugniet.
 
 Cla00 (25, Book 3Illu0tratton0, etc* 323 
 
 2906. COPPERPLATE Portrait of Louis Prang of Boston, leading chromo- 
 lithographer in the United States. 
 
 2907. ART Treasures of the Manchester Exhibition. 
 
 2908. A THOUSAND-AND-ONE Initial Letters. By Owen Jones. 
 
 2909. WELCOME to Alexandra. By Owen Jones. 
 
 2910. PARADISE and the Peri. By Owen Jones and Albert Warren. 
 
 2911. A HAPPY Trio. Painted by Louis Haghe, and chromolitho- 
 graphed by Risden. 
 
 Although long since become eminent as a painter, Louis Haghe commenced 
 his career in this country as a lithographer, and to him England owes some of 
 her best examples of early artistic work on stone. Louis Haghe was for 
 years associated with the late Mr. Day, the title of the firm being Day and 
 Haghe, afterwards Day and Son. Mr. Haghe paints and draws with his left 
 hand. 
 
 Lent by S. W. Kershaw, Esq., M.A. 
 
 2912. OUTLINES in lithography of the choice illuminated MSS. in the 
 Lambeth Library. Plate paper proofs. 
 
 Contains a facsimile of the Gospel of Mac Durnan (ix. Century), noted for 
 its great rarity. 
 
 Lent by Thomas Kell, Esq. 
 
 2913. PLAYING at School. After Birket Foster. 
 
 2914. THE Goatherd. After Birket Foster. 
 
 2915. BELLAGIO, Lake of Como. After Birket Foster. 
 
 2916. THE Ferry Boat. After Birket Foster. 
 
 2917. THE Dead Gull. After Birket Foster. 
 
 2918. GEMS of Art. A series of 12 subjects. After Birket Foster. 
 
 2919. THE Hill-side. After Birket Foster. 
 
 2920. THE Gamekeeper. After J. Hardy. 
 
 A set of progressive printings illustrating the method of producing a chromo- 
 lithograph from 1 5 separate stones. 
 
 2921. Example from Engraving on Stone. 
 
 2922. Example from Ink Work on Stone. 
 
 Lent by Michael Ifanhart, Esq. 
 
 2923. SPECIMENS of Polyautography by Andre. 1801. Drawn on stone 
 by B. West, R.A., Henry Fuseli, R.A., Thomas Stothard, R.A., 
 James Barry, &c., &c.
 
 324 Canton Celebration* 
 
 2924. SKETCHES on stone by Nicholson. Printed on toned paper. 1820 
 
 2925. VIEWS in Scotland, by Nicholson. Printed on India paper. 1825 
 
 2926. FACSIMILES of Sketches. 1832, Drawn on stone by Samuel Proul 
 Printed on tinted paper. 
 
 2927. SKETCHES at Home and Abroad, in black and tint, by J. "C 
 Harding. 1834. 
 
 2928. VIEWS in Egypt, on stone, by Louis Haghe after David Roberta 
 R.A., in black and two tints. 1856. 
 
 2929. IMITATION of Sketches by modern artists. Drawn on stone b 
 R. Lane, A.R.A. 1826. 
 
 2930. H.R.H. the Duchess of Kent and H.R-H. the Princess Victoris 
 on stone, by Richard Lane, A.R.A. after Sir George Haytei 
 1834. 
 
 2931. LE Bourgeois Gentilhomme and companion, on stone by T. H 
 Maguire. 1854. 
 
 2932. CHATSWORTH, 1852. Group of Portraits, the Duke of Devor 
 shire, &c. Drawn from life direct on stone by C. Baugniet 1852 
 
 2933. PORTRAIT of Albert Smith on stone, by Richard Lane, A.R.A 
 1851. 
 
 2934. DRAWINGS on stone by G. Cattermole. Printed by HullmandeV 
 litho-tint process. 1841. 
 
 2935. DRAWING in Mezzo-tint on stone, by Richard Westall, R.A. 182* 
 
 2936. EARLY Experiments in Chromolithography, by Engelmann an 
 Hanhart. 1835. 
 
 2937. THE Old English Squire. After a drawing by Frederic Taylor. 
 
 2938. WOODEN Walls of Old England. After painting by Clarksc 
 Stanfield, R.A. 1862. 
 
 2939. WILD Roses and Water Lilies. After Birket Foster. 1872. 
 
 2940. SPRING Gatherings. After W. Hunt. 1863. 
 
 2941. FRUIT. After W. Hunt. 1862. 
 
 2942. WINTER and Summer in the Alps. After water-colour drawin 
 by Elijah Walton. 1876.
 
 Book 3]Utt0tration0, etc* 325 
 
 2943. SEA-Shore. After water-colour drawing by Birket Foster. 1869. 
 
 2944. BRIDGE of Badia. After T. M. Richardson. 1870. 
 
 2945. SENEFELDER Lithography, the original German edition, 1818. 
 i vol. 4to. 
 
 2946. SPECIMENS of Polyautography. 1801. 
 
 2947. LITHOGRAPHIC Impressions of Sketches from Nature, by F. 
 Nicholson. 1821. 
 
 2948. SENEFELDER, Alois, Portrait of, 1843. 
 
 2949. HANHART, Michael, Senior, Portrait of. 1848. 
 
 2950. ENGELMANN, Gottfried, Portrait of. 
 
 2951. HULLMANDEL, Charles, Portrait o 1851. 
 
 Lent by Charles Terry and Co. 
 
 2952. SCRIPTURE Cartoons illustrating the Life of Christ, designed as 
 permanent and cheap wall-prints for schools, &c. ; washable and 
 waterproof. 
 
 Lent by M, F. Schumann. 
 
 2953. DIRECT Transfer Process. Originals and Copies, printed from 
 stone. 
 
 No photo-apparatus required. A very cheap process, invented by Mr. Fritz 
 Schumann, of Copenhagen, to transfer old prints to stone direct without 
 damaging the original. 
 
 Lent by Mrs. Henry Kingsley. 
 
 2954. STUDY from Rembrandt van Ryn. 
 
 2955. PORTRAIT of Rembrandt van Ryn. 
 
 2956. PORTRAIT of a Cardinal. 
 
 2957. Two Old Men, after Abraham Teniers. 
 
 Lent by Messrs. Maclure and Macdonald. 
 
 2958. TRANSFER Lithography from plain and granulated papers. 
 
 2959. ILLUSTRATION of the Economic Reproduction of Impressions 
 from Stone, from fine art steel and copper plates, assisted by 
 lithographic tint stones.
 
 326 Cajton Celebration* 
 
 2960. SPECIMENS of Photo-lithography, Combined Photography, am 
 Chromo-lithography ; latest development ; Landscapes, Portraits 
 &c., &c. 
 
 2961. A FEW sheets of a lithographic illustrated comic paper " Glasgo\ 
 Looking Glass," by A. Maclure. Published in 1825. 
 
 2962. PRISE de Constantine, and Retraite de Constantine, six subjects 
 Par Raffet. Paris, 1837. 
 
 Lent by F. Pitman, Esq. 
 
 2963. A RELIC of Westminster in Caxton's time. Water-colour drawing 
 By Paul Sandy. 
 
 2964. AN American Memorial of the First Printer in Lithography. 
 
 2965. SPECIMENS of Lithography applied to the printing of Shorthand. 
 
 Lent by Messrs. Goupil 6 Co. 
 
 2966. " LE GueV' Lithograph after A. Bonheur, by S. Tessier. 
 
 2967. " L'ABREUVOIR." Lithograph after A. Bonheur, by S. Tessier. 
 
 Lent by J. W. Last, Esq. 
 
 2968. CAXTON Examining his First Proof Sheet from his Printing Pres 
 in Westminster Abbey, 1477. 
 
 Chromo-lithograph of the original picture by Wehnert, sent forexhibitio 
 by Mrs. Cropp. Specimen of chromo printing by Vincent Brooks, Day an 
 Son. 
 
 Lent by G. N. Hanhart, Esq. 
 
 2969. WAILING Place of the Jews, Jerusalem, Holy Rock. Six views i 
 Norway, Mosque of Omar. Chromo-lithograph. 
 
 Lent by G. W. Reid, Esq., F.S.A. 
 
 2970. LORD Cosmo Russell, after Sir Edward Landseer, lithograph b 
 Richard Lane. 
 
 2972. KELLERHOVEN, F. After Filipino Lippi. St. Bernard and th 
 Virgin. In Chromo-lithography. 
 
 2973. KELLERHOVEN, F. After Quintin Massys. The Descent from th 
 Cross. In Chromo-lithography.
 
 Boofc ^lustrations, etc* 327 
 
 SECTION V. Photographs. 
 
 Lent by Messrs. Brauneck and Maier. 
 
 2974. PHOTOGRAPHIC Prints. Thirty-eight specimens of Permanent 
 Photographs produced by machinery of their own invention. 
 
 SECTION VI. Zincographs, 6rv. 
 
 Lent by Messrs. Leitch and Co. 
 
 2976. 
 
 HOTO-GRAVURE. Proofs from various blocks, surface and 
 copper plate in intaglio, obtained by the aid of photography. 
 
 Lent by Messrs. Frederick Midler and Co. 
 
 2977. REPRODUCTION in Photolithography by A. Kroon at Amsterdam, 
 after the procede-Asser, of two unique copper engravings, repre- 
 senting an archers' concourse and the prizes distributed at Amster- 
 dam in the i7th century. 
 
 Lent by Messrs. Bradbury, Agnew, and Co. 
 
 2978. NATURE-PRINTING. Specimen plates and process. 
 
 A process for printing exactly Ferns and other flat botanical objects 
 direct from "nature." 
 
 2979. NATURE-PRINTED Ferns. Folio and 8vo. edition. 
 
 2980. NATURE-PRINTED Sea-weeds. 8vo. 
 
 Exhibiting the " Nature-printing Process" as improved and worked in this 
 country. 
 
 Lent by J. C. Wilkins, Esq. 
 
 2981. ELECTRO-PHOTOGRAPHY, or etching on glass. 
 
 Specimens of an early photographic process of book illustration. 
 
 Lent by C. W. H. Wyman, Esq. 
 
 2982. DOLLY Varden. After Frith, by Risden. 
 
 2983. SPECIMENS of Processes, i. Photo-gravure. 
 
 2984. SPECIMENS of Processes. 2. Photo-lithography.
 
 328 Canton Celebration, 
 
 2985. SPECIMENS of Processes. 3. Type-high Blocks. 
 
 2986. SPECIMENS of Processes. 4. Colour-printing Processes. 
 
 2987. SPECIMENS of Processes. 5. Various, including Autotype, Wood- 
 bury-type, Heliotype, &c., &c. 
 
 Lent by J. Ph. Berjean, Esq. 
 
 2988. ZINC Plate. From an early illustration to the Apocalypse. 
 
 2989. SLATE Block. From a manuscript in Sanscrit. 
 
 Lent by the Woodbury Permanent Photographic Printing Company. 
 
 2990. WOODBURY-TYPE Printing. Negative, Relief, Mould, and Printing 
 Press. Prints produced by the Woodbury-type Process. 
 
 Lent by L. Warnerke, Esq. 
 
 2991. PHOTO-ENGRAVING. Raised blocks for surface-printing produced 
 from steel and wood engravings and pen-and-ink drawing ; also 
 prints from the same. 
 
 Lent by George Unwin, Esq. 
 
 2992. GLYPHOGRAPHY. Specimens of printing from raised copper 
 blocks. By Edward Palmer. 
 
 2993. SAVAGE'S History of Printing, 1822. Containing specimens of 
 coloured printing from blocks. 
 
 Lent by Messrs. Unwin Brothers. 
 
 2994. PHOTO-LITHOGRAPHY. Specimens of Lace, Curtains, and Anti- 
 macassars, reduced from actual size. Plate-paper proofs. 
 
 Lent by the Typographic Etching Company. 
 
 2995. PHOTOGRAPHIC Engravings. Specimens of engravings for letter- 
 press printing produced by the Typographic Etching process. 
 
 2996. PHOTOGRAPHIC Engravings. Specimens of engravings for letter- 
 press printing produced by the Typographic Etching Company's 
 photo-relief process. 
 
 2997. PHOTOGRAPHIC Engravings. Specimens of engravings for copper- 
 plate printing produced by Alfred Dawson's photo-intaglio process.
 
 (35* Boofc 3|llu0tratton0, etc* 3 2 9 
 
 Photo-gravures from Picttires, lent by Messrs. Goupil and Company. 
 
 2998. " EN Reconnaissance," after E. Detaille. 
 
 2999. " LE Quai aux Fleurs," after F. Girard. 
 
 3000. " LE Repos a la Ferme," after A. Moreau. 
 
 3001. "UNE Kermesse au moyen age," after A.' Moreau. 
 
 3002. "LE Petit Lever d'une Femme a la Mode," after Palmaroli. 
 
 3003. " LE Depart pour 1'Eglise," after Kaemmerer. 
 
 3004. " UNE Noce sous le Directoire," after Kaemmerer. 
 
 3005. " LA Captive," after Mme. de Chatillon. 
 
 3006. " LE Depart du Bateau de Sauvetage," after Mesdag. 
 
 3007. " LE Retour du Bateau de Sauvetage," after Mesdag. 
 
 3008. " UNE Bonne Histoire," after Herrmann-Leo. 
 
 3009. " LA Justice au bon vieux temps," after Cortazzo. 
 
 3010. "LE Pere Joseph," after Gerome. 
 
 301 1. "LA Rentrde au Couvent," after Zamacoi's. 
 v 3012. "UN Concert Florentin," after Sorbi. 
 
 3013. "EN Penitence," after L. Perrault. 
 
 3014. "LES Femmes Savantes," after Rossi. 
 
 3015. "UNE Premiere Affaire;" after Juglar. 
 
 Photographic raised Blocks for Surface-printing^ &c. Lent by Messrs. 
 Manning and Son. 
 
 3016. REDUCED Block from Specimen-sheet, " Caxton showing first 
 proof to King Edward the Fourth." 
 
 3017. A MYTHOLOGICAL Battle piece. Proof from a steel plate. 
 
 3018. VIEW of a Castle, from proof of a woodcut from page 84 -of 
 " The Land we live in." 
 
 3019. CHECK. "The London Bank, Limited." Proof from a copper 
 plate.
 
 33 Canton Celebration, 
 
 3020. SHAKESPEARE'S " As you Like it." From a print published by 
 Boydell. 
 
 3021. SPECIMEN from pen-and-ink ruled page. 
 
 3022. SPECIMEN from manuscript music. 
 
 3023. SCROLLS from proof. 
 
 Lent by the Proprietors of the " Graphic." 
 
 3024. ENGRAVINGS produced by the Typographic Etching Process. 
 
 Lent by F. Pitman, Esq. 
 
 3025. THE Triumph of the Emperor Maximilian I. By Hans Burgkmair. 
 Photolithographed for the Holbein Society by A. Brothers. 
 
 Lent by Goupil 6 Co. 
 
 3026. CUP designed for Henry VIII. intended as a present for Jane 
 Seymour. By Hans Holbein. 
 
 Reproduction from the original drawing in the Bodleian Library, Oxford, 
 in photo-gravure. Two impressions, one printed in ordinary brown ink, the 
 other in colours. 
 
 Lent by Messrs. Seeley &> Co. 
 
 3027. REPRODUCTIONS of early Engravings, by Monsieur Amand Durand. 
 Illustrating the portfolio, 1877. 
 
 Lent by Louis W. Applegath, Esq. 
 
 3028. EXAMPLES of Letterpress Printing of fine rose engine work from 
 curved stereotype plates. 
 
 3029. EXAMPLE of Copper-plate Printing from curved plates, in many 
 water-colour inks. 
 
 3030. EXAMPLES of Printing. Continuous paper with large surfaces and 
 uniform colour. 
 
 Lent by John Leighton, Esq., f.S.A. 
 
 3031. FRAME of Etchings; printed from relief by John Leighton, F.S.A. 
 
 3032. NOTES on Books and Bindings. Broadside to hang in the Library. 
 By Lohn Leighton, F.S.A.
 
 d5, Book 3|Uu0tcarton& etc* 331 
 
 Lent by the Patent Printing Surface Company. 
 
 3033. CASE of various Samples of Printing upon various substances. 
 
 3034. WINDOWS printed by the press, and afterwards burned in the 
 ordinary way. 
 
 Reproductions from Fine Engravings in Heliogravure. Lent by Amand 
 Durand, through G. IV. Reid, Esq. F.S.A. 
 
 ITALIAN SCHOOL. 
 
 3036. ANONYMOUS. Fifteenth Century. The Assumption of the Virgin. 
 
 3037. ANONYMOUS. Fifteenth Century. Judith with the Head of Holo- 
 fernes. 
 
 3038. MODENA, Nicoletto da. The Nativity. 
 
 3039. MODENA, Nicoletto da. Virgin and Child with Angels. 
 
 3040. MODENA, Nicoletto da. Mars, standing, with architectural back- 
 ground. 
 
 3041. ROBETTA. Christ taking leave of his Mother. 
 
 3042. CAMPAGNOLA, Giulio. Christ and the Samaritan Woman. 
 
 3043. CAMPAGNOLA, Giulio. Saint John the Baptist. 
 
 3044. MANTEGNA, Andrea. The Burial of Christ. 
 
 3045. MANTEGNA, Andrea. The Man of Sorrows. 
 
 3046. THE Master I. F. T. Hercules killing the Hydra. 
 
 3047. FRANCIA, Jacomo. Female Saint supporting a small Picture of 
 the Madonna. 
 
 3048. FRANCIA, Jacomo. The Holy Family. 
 
 3049. FRANCIA, Jacomo. Venus and Cupid. 
 
 3050. RAIMONDI, Marc Antonio. Adam and Eve eating the Forbidden 
 Fruit. 
 
 3051. RAIMONDI, Marc Antonio. Adam and Eve driven out of Para- 
 dise.
 
 332 Cttjton Celebration* 
 
 3052. RAIMONDI, Marc Antonio. The Massacre of the Innocents. 
 
 3053. RAIMONDI, Marc Antonio. Mary Magdalen at the Feet of Christ. 
 
 3054. RAIMONDI, Marc Antonio. Mary and Martha ascending the 
 Steps of the Temple. 
 
 3055. RAIMONDI, Marc Antonio. The Madonna seated on the Clouds. 
 
 3056. RAIMONDI, Marc Antonio. Holy Family near some Ruins. 
 
 3057. RAIMONDI, Marc Antonio. The Descent from the Cross. 
 
 3058. RAIMONDI, Marc Antonio. Christ seated in the Clouds between 
 the Madonna and St. John. 
 
 3059. RAIMONDI, Marc Antonio. Lucretia stabbing herself. 
 
 3060. ANONYMOUS. School of M. Antonio. An Allegory, with a Youth 
 feeding a Calf, &c. 
 
 GERMAN SCHOOL. 
 
 3061. MANIERE Criblee. The Annunciation. 
 
 3062. MANIERE Criblee. St. Anthony. 
 
 3063. MANIERE Criblee. St. Martin. 
 
 3064. MASTER G. S. of 1466. The Virgin enthroned. 
 
 3065. VEIT STOSS. The Raising of Lazarus. 
 
 3066. SCHONGAUER, Martin. Christ bearing the Cross. 
 
 3067. SCHONGAUER, Martin. The Conversion of Saul. 
 
 DUTCH SCHOOL. 
 
 3068. RYN, Rembrandt Van. Head of the Painter. 
 
 3069. RYN, Rembrandt Van. Rembrandt resting his arms on a stone 
 cill. 
 
 3070. RYN, Rembrandt Van. Rembrandt drawing. 
 
 3071. RYN, Rembrandt Van. The Triumph of Mordecai. 
 
 3072. RYN, Rembrandt Van. The Raising of Lazarus. 
 
 3073. RYN, Rembrandt Van. Beggars receiving Alms.
 
 L Boofe 3|llu0tcation0, etc, 333 
 
 3074. RYN, Rembrandt Van. Landscape. "The three Trees." 
 
 3075. RYN, Rembrandt Van. Landscape. " The Dutch Hay-barn." 
 
 3076. RYN, Rembrandt Van. Landscape, with a " Mill-sail seen above a 
 Cottage." 
 
 3077. RYN, Rembrandt Van. Portrait of " Young Haaring." 
 
 3078. RYN, Rembrandt Van. Portrait of Jan Asselyn. 
 
 3079. RYN, Rembrandt Van. Portrait of the Burgomaster Six. 
 
 3080. RYN, Rembrandt Van. Portrait of Doctor Faustus. 
 
 3081. RUISDAEL, Jacob. Landscape, with Oak Tree. 
 
 FRENCH SCHOOL. 
 
 3082. DUVET, Jean. St. John, writing the Apocalypse. 
 
 Lent by G. W. Reid, Esq. 
 
 3083. CHARLET. " Adieu ! Banissez toute sensibilite"," 
 
 3084. CHARLET. "Tu as le respiration trop long." 
 
 3085. CHARLET. "Quand on a passe." 
 
 3086. CHARLET. " J'ai vu le Nil," &c. 
 
 3087. BELLANGE. " Le Depart du Consent." 
 
 3088. BELLANGE. " Cre'" 
 
 3089. BELLANGE. "Suffit mon Capitaine." 
 
 3090. RAFFET. " Le Bouillon du passage." 
 
 3091. RAFFET. " Le Moral est effecte," &c. 
 
 3092. RAFFET. " II est defendu de Fumer." 
 
 3093. GERICAULT. The Farrier's Shop. 
 
 3094. GERICAULT. The Farrier's Shop, larger.
 
 CLASS H. 
 
 PORTRAITS AND AUTOGRAPHS OF 
 
 PRINTERS, PUBLISHERS, AND 
 
 CELEBRATED AUTHORS. 
 
 SECTION I. 
 PORTRAITS IN OIL, &c., OF PRINTERS. 
 
 AKER, William, eminent classical printer, of Ingram 
 Court. 1742-1785. Crayon drawing. 
 
 Lent by R. Cradock Nichols, Esq. 
 
 3116. BALDWIN, Charles., printer of the St. James's 
 Chronicle. Lent by the Stationers' Company. 
 
 3117. BASKERVILLE, John. 1706-1775. Lent by W. Blades, Esq. 
 
 Celebrated for his types, his " vellum " paper, and his press work. 
 
 3118. BENSLEY, Thomas, printer, of Bolt Court, London. 17 -18 
 
 Lent by Edward Gardner, Esq. 
 
 Famous for his " fine " printing. He was the first, in connection with 
 Konig, to introduce printing-machines. Painted by Jas. Ramsay, 1802. 
 
 3119. BLAEW, William, printer and geographer, of Amsterdam. 1571- 
 1638. Lent by W. Blades, Esq. 
 
 Friend of Tycho F-rahe. His son Jans was the first improver of the old 
 wooden printing-press.
 
 anti #utoffi:aplj0 335 
 
 3120. BOWYER, William, printer. 1663-1737. Half length. 
 
 Lent by the Stationers' Company. 
 Father of the celebrated printer and scholar. 
 
 3121. CASLON, William, type founder. 1682-1766. 
 
 Lent by W. H. Caslon and Co. 
 
 The father of modern type-founders. He began punch-cutting in 1720, and 
 his types were so excellent that England, instead of importing all her best 
 from Holland, soon began to export. Exhibited on the landing with the 
 Caslon exhibit. 
 
 3122. CASLON, William, type-founder. 1720-1778. 
 
 Lent by W. H. Caslon and Co. 
 
 The second of the name. He succeeded to his father's foundry. Exhibited 
 on the landing. 
 
 3123. CASLON, Elizabeth, type-founder. Died 1809. 
 
 Lent by W. H. Caslon and Co. 
 
 Widow of Henry, son of the second William Caslon. Upon the death of 
 her husband in 1778, she succeeded to the business in conjunction with the 
 third William Caslon and the widow of William Caslon II. Exhibited on the 
 landing. 
 
 3124. CAVE, Edward, printer, St. John's Gate. 1691-1754. Painted 
 by F. Kyte, 1740. Lent by John Brau Nichols, Esq. 
 
 Friend of Dr. Johnson. Originator and printer of the " Gentleman's Maga- 
 zine," 1731. 
 
 3125. CONSTABLE, Archibald, printer and publisher, of Edinburgh. 
 1775-1827. Painted in 1823 by Sir Henry Raeburn. 
 
 Lent by Thomas Constable, Esq. 
 He published Scott's novels, " Edinburgh Review," &c. 
 
 3126. EYRE, Charles, parliamentary printer. Lent by G. E. Eyre, Esq. 
 
 In 1769 Mr. Eyre took possession of the reversion of the Patent of King's 
 printer. He appointed Mr, Strahan as his printer, who, in 1770, purchased a 
 share of the Patent. 
 
 3127. FARLEY, Felix, of Bristol, printer. Miniature on ivory. 
 
 Lent by W. Blades, Esq. 
 The first newspaper in Bristol was " Felix Farley's Journal," 1715. 
 
 3128. FAULKNER, George, printer, alderman of Dublin, c. 1700- 
 1775. Lent by Stephen Austin, Esq. 
 
 Apprenticed to the celebrated William Bowyer. Settled in Dublin about 
 1726, and became confidential printer to Dean Swift. Foote ridiculed him on 
 the stage, for which Faulkner obtained ^300 damages in a court of law. 
 " Here sleeps George Faulkner, printer, once so dear 
 To humourous Swift and Chesterfield's gay peer."
 
 33 6 Canton Celebration* 
 
 3129. FRANKLIN, Dr. Benj., printer and statesman. 1706-1790. Painted 
 by Thomas Chamberlain, 1752. 
 
 Lent by Madame Van Der Weyer. 
 
 Purchased from the Franklin family by Joshua Bates, Esq., whose daughter, 
 Madame Van Der Weyer, is the present owner. 
 
 3130. FRANKLIN, Dr. Benj. Attributed to Sir Joshua Reynolds. 
 
 Lent by Miss Spottiswoode. 
 
 Dr. Franklin was very intimate with Andrew Strahan, his Majesty's printer, 
 for whom the portrait was painted, and from whom, in direct descent, it has 
 passed to the present owner. 
 
 3131. FRANKLIN, Dr. Benj. 1706-1790. Lent by Sturgis, Esq. 
 
 3132. FROBEN, John, printer at Basle. 1460-1527. 
 
 Lent by W. Blades, Esq. 
 Began to print, 1494. Intimate friend of Erasmus. 
 
 3133. FRY, Edmund, M.D., type-founder. 1785-1832. 
 
 Lent by Arthur Fry, Esq. 
 
 Succeeded Joseph Fry, his father, about 1790. Was a practical punch- 
 cutter, and especially famous for his skill in Eastern characters. Sold hir. 
 foundry, which included some founts from the old English foundries, in 1828, 
 to Mr. Thorowgood, who transferred it to Fann Street. Dr. Fry published 
 " Pantographia " in 1799. Painted by Frederique Boileau. 
 
 3134. GUTENBERG, John. A contemporary drawing. Lent by Mrs. Stowe. 
 
 3135. GUY, Thomas, M.P., printer and bookseller. 
 
 Lent by the Stationers' Company. 
 Painted after the original at Guy's Hospital by Vanderbaum. 
 
 3136. HANSARD, Luke, parliamentary printer. 1752-1828. 
 
 Lent by W. Blades, Esq. 
 
 3137. HODSON, James Shirley, printer, secretary of the Printers' Pension 
 Society for 33 years. 1794-1869. 
 
 Lent by the Printers' Pension, &C. Corporation. 
 
 3138. JACKSON, William, an excellent type-founder. Apprentice oi 
 Caslon I. Lent by W. Blades, Esq. 
 
 3139. JAMES, Thomas. 1660-1735. 
 
 Lent by the President and Fellows of Sion College, London. 
 Was printer to the Corporation of London, and a benefactor to the library 
 of Sion College. 
 
 3140. JAMES, Mistress. Widow of John James. 
 
 Lent by the President and Governor of Sion College, London. 
 
 After her husband's death she carried on the business, and was City printer 
 
 for some years. She had great intelligence, and was the only woman ever 
 
 allowed to dine in Hall at Sion College. She is depicted in the full Sunday 
 
 dress of a citizen's wife, temp. William and Mary.
 
 Clagg % portrait^ an& #uto0;rapt)g* 337 
 
 3141. JENKINS, Thomas, printer, of Swansea. 1780-1870. 
 
 Lent by Howel W. Williams, Esq. 
 
 Originated "The Cambrian " newspaper in 1804, of which he was Proprietor 
 and Editor for 50 years. A miniature. 
 
 3142. JENKINS, Thomas, printer, of Swansea. 1780-1870. 
 
 Lent by Howel W. Williams, Esq 
 A crayon portrait. 
 
 3143. NICHOLS, John, F.S.A., learned printer. 1745-1766. 
 
 Lent by the Stationers' Company. 
 Three-quarters seated. Painted by John Wood after John Jackson, R.A. 
 
 3144. NICHOLS, John, F.S.A., learned printer. 1745-1766. 
 
 Lent by Robert Cradock Nichols, Esq. 
 A tinted drawing by Edridge executed for " Cadell's Portraits." 
 
 3145. NICHOLS, John Bowyer, F.S.A., printer and author. 1779-1863. 
 
 Lent by Robert Cradock Nichols, Esq. 
 Pencil drawing by Hopwood. 
 
 3146. NICHOLS, John Gough, printer and antiquary. 1806-1873. 
 
 Lent by Robert Cradock Nichols, Esq. 
 
 3147. POWELL, Jos. M., printer and journalist. 1822-1874. 
 
 Lent by A. j. Powell, Esq. 
 
 Founder in 1863 of "The Printers' Register," the oldest English journal 
 devoted to the printing trade. 
 
 3148. RICHARDSON, Samuel, printer and celebrated novelist. 
 
 Lent by the Stationers' Company. 
 Three-quarters standing. Painter not known. 
 
 3149. SPOTTISWOODE, Andrew, Esq., M.P. Painted for the Carlton 
 Club. 
 
 5150. STRAHAN, William, King's printer. 1715-1785. 
 
 Lent by the Stationers' Company. 
 
 Three-quarters seated. Painted by John Wood after Sir Joshua Reynolds. 
 Was M.P. for Malmsbury together with the illustrious Charles James Fox. 
 When young the celebrated Benjamin Franklin was his fellow-workman, and 
 their friendship lasted their whole lives, notwithstanding the following letter 
 written in the year 1775. 
 
 3151. STRAHAN, Andrew, M. P., King's printer. 17 -18 . 
 
 Lent by the Stationers' Company. 
 
 Son of William Strahan. Three-quarters seated. Painted by William 
 Owen, R.A. 
 
 3152. WILKINS, John, printer, of the " Chiswick Press." 1817-1869. 
 Crayon. Lent by J. C. Wilkins, Esq. 
 
 z
 
 33 8 Canton Celebration 
 
 3153. WILLIAMS, John, printer, of Swansea. Painted by Pelham. 
 
 Lent by Howel W. Williams, Esq. 
 
 3154. WILSON, John, celebrated Scottish vocalist and operatic tenor 
 of the Theatre Royal, London. 1800-1849. 
 
 Lent by W. Henderson, Esq. 
 
 Served his apprenticeship as a compositor, and afterwards was a reader in 
 the firm of Ballantyne and Co. An autograph letter accompanies this por- 
 trait. 
 
 3155. WOODFALL, William. 1745-1803. Lent by W. Blades, Esq. 
 
 Printer and editor of the " Morning Chronicle," and parliamentary re- 
 porter. Painted by Sage. 
 
 SECTION II. 
 
 ENGRAVED PORTRAITS OF PRINTERS AND 
 PUBLISHERS. 
 
 ENGLISH. 
 Lent by W. Blades, Esq. 
 
 MES, Joseph, F.R.S., F.S.A. 1689-1759. Thomas Hodgetts sc. 
 Bibliographer and author of " Typographical Antiquities." 
 
 3157. AMES, Joseph. Another. (Sine nota.) 
 
 3158. BAGFORD, John. 1650-1716. H. Howard pinx. G. Vertue 
 sc. 1728. 
 
 Formed a large collection of title-pages by tearing them out of books. 
 Erected a printing press on the frozen Thames in 174- 
 
 3159. BAGFORD, John. (Sine nota.) 
 
 3160. BARBER, John, Lord Mayor of London. 1676-1741. IB. Dand- 
 ridge pinx. Faber fecit. 
 
 City printer, 1709, and the first of his craft who sat on the civic throne. 
 
 3161. BARBER, John. 1733. 
 
 3162. BASKERVILLE, John, type-founder and printer, Birmingham. 
 1706-1775. 
 
 The whole foundry of this celebrated printer was sold to Beaumarchais, the 
 French dramatist, who printed an edition of Voltaire with Baskerville's types ; 
 after which time there is no notice of them. An autograph letter from 
 Baskerville to M. Pierres, printer, Paris, concerning a supply of his types, is 
 hung beside this portrait. It is dated Birmingham, 2 Dec. 1773.
 
 Clagg % p>ortrait# auto &utog;capl)& 339 
 
 Lent by W. Blades, Esq. 
 
 3163. BOWYER, William. 1699-1777. Engraved by Basire. 
 
 Eminent as a printer, a scholar, and a critic. Printer to House of Com- 
 mons, 1729; to House of Lords, 1767 ; wrote "Origin of Printing," 1776. 
 
 3164. BOWYER, Guglielmus, architectus verborum setat. LXXVIII. Jac. 
 Basire ad vivum del. et sc. 
 
 3165. BOWYER, William. Published by G. Jones. 
 
 3166. BRICE, Andrew (of Exeter). 1690-1773. Jackson del. Wood- 
 man sc. 
 
 Very eccentric as printer, author, and comedian. Edited the " Topographic 
 Dictionary." 
 
 3167. BRICE, Andrew. Another. Engraved by Ed. Lenney, 1794. 
 
 3168. BRICE, Andrew. Another. (Sine notd.} 
 
 3169. BRICE, Andrew. Another. (Sine notd.} 
 
 3170. BULMER, William. 1757-1830. 
 
 One of the best printers of his age. His chef-d'oeuvre was the folio Shake- 
 speare, 1791-1802. 
 
 3171. BULMER, William. 
 
 From "Bibliotheca Spenceriana. " 
 
 3172. CASLON, Gulielmus. Typorum librariorum Artifex Londinensis. 
 1692-1766. Kyte pinx. 1740. Faber fecit. 
 
 The originator of the celebrated type-foundry bearing his name, and the 
 most artistic punch-cutter of the i8th century. 
 
 3173. CASLON, William. Another. (Sine notd.} 
 
 3174. CASLON, Mrs. E. Died 1795. Engraved by E. Lenney. 
 
 Widow of Caslon II. She carried on the foundry successfully for many 
 years. 
 
 3175. CAVE, Edward. 1691-1754. Painted by F. Kyte and engraved 
 by J. Basire. 
 
 Friend of Johnson. Founded " Gentleman's Magazine " in 1731, and printed' 
 it at St. John's Gate. 
 
 3176. CAVE, Edward. F. Kyte del. 1740. E. Scriven sc. 
 
 3177. CAVE, Edward. W. Kyte, 1740. T. Worlidge p.
 
 340 Canton Celebration, 
 
 Lent by W. Blades, Esq. 
 
 3178. DAY, John, 1562. 1522-1584. 
 
 Printer of the Reformation, ^itatis 40. " Life is Death and Death is 
 Life." His motto was "Arise, I say, for it is Day." 
 
 3179. DAY, John. Another. T. Wight sc. 
 
 3180. EATON, Daniel Isaac. 1764-1820. Abbot pinx. Sharpe sculp. 
 
 " Frangas non flectes." Styled himself "Printer to the Majesty of the 
 People." Was tried three times for sedition. 
 
 3180*. EYRE, George, King's printer. 1794-1837. 
 
 Lent by G. E. Eyre, Esq. 
 
 3181. GENT, Thomas, of York, printer, aet. 80. 1691-1778. W. 
 Doughty pinx. T. French sc. 
 
 An eccentric printer and author, who wrote some valuable works on the 
 antiquities of Yorkshire, and an amusing autobiography. 
 
 3182. GENT, Thomas. Another. (Sine nota.} 
 
 3183. GENT, Thomas. Another. P. Rothwell sc. 1812. 
 
 3184. HEARNE, Thomas. 1678-1735. 
 
 Had the title of Architypographus, Oxon. Was an indefatigable antiquary. 
 Hearnius behold ! in Closet close y-pent, 
 Of sober face, with learned Dust besprent ; 
 TV future Ages will his Dulness last, 
 Who hath preserv'd the Dulness of the past. 
 
 3185. HERBERT, William. 1718-1795. Published 1809. 
 
 Editor and enlarger of Ames's ' ' Typographical Antiquities. " 
 
 3186. JACKSON, Joseph, Letter-founder. 1723-1792. 
 
 An apprentice of Caslon I., and an excellent punch-cutter. 
 
 3187. KIRGATE, T. Painted and etched by E. E. 
 
 The practical printer of the Strawberry Hill Press. 
 
 3188. LIPSIUS, Justus Iscanus, was the glory of his time, the first in- 
 ventor of printing at the Roeling Press. Aged 36. R. Gaywood 
 fecit. P. Stent exc. 
 
 3189. MOXON, Joseph. 1629-1686. 
 
 Hydrographer to the King, printer and type-founder in London from i65< 
 to 1683 ; author of " Mechanick Exercises," 410., London, 1683, the firs 
 
 book on the printer's art in the English language. 
 
 * 
 
 3190. NICHOLS, John, F.S.A. 1744-1826. 
 
 Apprentice of W. Bowyer. Wrote and printed "Literary Anecdotes, 
 1812-11;.
 
 , f>omait# auto &utorapl)& 341 
 
 ^ Blades, Esq. 
 
 3192. NICHOLS, John, F.S.A. Painted by J. Jackson, R.A. Engraved 
 by C. Heath. 1812. 
 
 3193. NICHOLS, John, F.S.A. Engraved by A. Cardon, from a drawing 
 by H. Edridge. 
 
 3194. NICHOLS, John, F.S.A. Painted by J. Jackson, R.A. Engraved 
 by J. Basire. 
 
 3195. NICHOLS, John, F.S.A. Painted by J. Jackson, R.A. Engraved 
 by W. J. Fry. 
 
 3196. NICHOLS, John, F.S.A. (Sine notd.} 
 
 3197. NICHOLS, John, F.S.A. (Sine notd.~) 
 
 3198. OGILVIUS, Johannes. 1600-1676. P. Lilly pinxit. Guil. 
 Faithorne sc. 
 
 Printer to King Charles II. Translated Virgil and Homer into English 
 verse. 
 
 3199. SPOTTISWOODE, Andrew. Painted by Thos. Phillips, R.A. 
 Engraved by J. Bromley. 
 
 3200. STRAHAN, William, King's printer. 1715-1785. Painted by Sir 
 Joshua Reynolds. Engraved by J. Jones. 1792. 
 
 3201. TAYLOR, Richard, F.L.S., printer. 1781-1859. 
 
 Lent by J. C. Bloomfield, Esq. 
 Thirteen years Treasurer to the Printers' Pension, &c. Corporation. 
 
 3202. TONSON, Jacob. 1656-1736. Kneller pinx. Faber fecit 1733. 
 
 Bookseller and printer. Rowe says of him : 
 
 " Thou, Jacob Tonson, wert, to my conceiving, 
 The cheerfullest, best honest fellow living." 
 
 3203. WALTER, John, founder of the "Times" Newspaper. 1738- 
 1812. Engraved on wood from the bust at Bearwood by Vizi- 
 telly. 2. Woodcut of Bearwood. 3. Autograph letter of John 
 Walter, dated Sept. 9, 1812. 
 
 3204. WIGHT, John, printer. (Engraved on wood as his mark.) Printed 
 1551 to 1558. 
 
 3205. WIGHT, John. Another. 
 
 " Welcome the wyght that bringeth such light." 
 
 3206. WOODFALL, William. 1745-1803. Small oval. 1795. 
 
 The title-page of Vol. I. of "Report of the Debates in the Two Houses of 
 Parliament."
 
 342 Canon Celebration* 
 
 FRENCH. 
 Lent by W. Blades, Esq. 
 
 3207. CLAYE, F., printer, Paris. (A private plate.) 
 
 3208. COIGNARD, Joan. Bapt. Regis et Academ. Gallise Typographus. 
 A. Pesne pinx. 1724. Petit sc. 1732. 
 
 3209. DIDOT, Pierre, 1'aind, Typographic frangais. 1761-1853. J. T 
 Wedgwood sc. . 
 
 Enlarged from a medal by Veyrat. 
 
 3210. DIDOT, Firmin. 1764-1836. G. Staal. 
 
 Equally celebrated as author, typefounder, and printer. 
 
 3211. DIDOT, Ambroise Firmin. 1790-1875. G. Staal. 
 
 Son of Firmin Didot, who by his talents in all departments of literature, art, 
 and typography, brought the fame of this celebrated family of printers to its 
 highest point. 
 
 3212. GERING, Ulric, circa 1440-1510. 
 
 Introduced the printing-press to France, 1469. 
 
 3213. LE MERCIER, Pierre Aug'ustin. 1666-1734. Imprimeur ordi- 
 naire de la Ville. Van Loo pinx. T. Daulle sc. 
 
 3214. LEONARD, Fredericus, Bruxellensis, Regis Serenissimi Delphini 
 et Cleri Gallicani Architypographus, a5t. LXVI. 1616-1682. 
 Rigaud pinx. Edelinck sc. 
 
 3215. MOREL, Claude, printer at Paris, set. 52. (Sine notd.} 1574-1626. 
 
 3216. PANCKOUCKE, A. C. J. 1736-1799. Thouron pinx. Lith. de 
 Langlume. 
 
 Editor and printer of " Le Monitetir." 
 
 3217. PANCKOUCKE, C. L. F. 1780-1844. Lith. de Langlume, 1820. 
 
 Printer of Paris and editor of " Les Victoires des 
 
 3218. SIMON, Pierre Guillaume. Imprimeur du Parlement. Born 1722. 
 Pougin de St. Aubin pinx. Ingouf Junr. sc. 1786. 
 
 3219. STEPHANUS, Robertus. 1503-1559. 
 
 Printer of many Bibles. Fled to Geneva, 1551. 
 
 3220. STEPHANUS, Rob'tus. Another. (Sine notd} 
 
 3221. VITRE, Antonius. Regis et Cleri Gallicani Typographus. 
 1595-1674. P. Champaigne pinx. Morin sc. 
 
 Typefounder and printer of the Royal Printing Office, Paris. Cast the first 
 Syriac.
 
 . portrait^ anfc ^utoffcap!)^ 343 
 
 GERMAN. 
 
 Lent by W. Blades, Esq. 
 
 3222. AGRICOLA, Conrad, University printer at Altdorf. 1557-1617. 
 T. G. Beck sc. 
 
 3223. BREITK.OPF, Joh. Gott. Imman. 1719-1794. Wachsmann sc. 
 
 Printer and scholar. Improved music types, 1755. "History of Printing," 
 1774. " Origin of Playing Cards," 1784. 
 
 3224. BARTHEL, Christ., printer at Leipzig. 1682-1755. 
 
 3225. BAUMANN, George, Junr., printer at Breslau. 1618-1650. 
 
 The " Stadtbuchdruckerei " at Breslau, which was established in 1 504, is still 
 carried on. 
 
 3226. BERGEN, Gimel. Born at Lubeck, 1543. Printer at Dresden. 
 
 3227. BROCKHAUS, F. A., publisher and printer. 1772-1823. 
 
 Lithograph portrait and autograph letter, 1816. 
 
 3228. DUMLERUS, Jeremias, printer and bookseller at Nurenberg. 
 1598-1667. yEtatis suse LXIX. 
 
 3229. ENDTER, Georg, der Allter. 1562-1630. Cornelius Nicolaus 
 Schurtz sc. 
 
 Famous printer at Nurenberg. His right hand on the head of his son, beside 
 whom is a dog, and beneath the monogram H A E. 
 
 3230. ENDTER, Johannes Andreas. 1625-1673. 
 
 3231. ENDTER, Michael. 1613-1682. 
 
 3232. ENDTER, Wolfgang, Junior. 1622-1655. 
 
 3233. ENDTER, Wolfgang Mauritius. 1653-1697. 
 
 3234. ENDTER, Wolfgang, Senior. 1593-1659. 
 
 3235. ENDTERUS, Georgius, Senior. 1562-1630. (Sine notd.) 
 
 3236. ENDTERUS, Balthasar Joachim, printer at Nurenberg. 1649- 
 1719. 
 
 3237. ENDTER, Peter Frid., printer at Nurenberg. 1653-1715. 
 
 3238. ENDTERUS, Georgius Andreas, printer at Nurenberg. 1654-1717. 
 yEtatis suae LXIV. Beck sc. 
 
 3239. ENDTERUS, Johan. Dan., printer of Nurenberg. 1681-1726.
 
 344 Cajton Celebration* 
 
 Lent by W. Blades, Esq. 
 
 3240. FAUST, Johan, Artis impressoriae inventor seu rectius emendator 
 felicissimus. i5th century. 
 
 One of the celebrated trio, Gutenberg, Faust, and Schoaffer, to whom is due 
 the invention of printing. 
 
 3241. FAUST, Johan. Another. Rosmaester sc. 
 
 3242. FAUST, Johan. Another. (Sine nota.} 
 
 3243. FELSECKER, W. E., printer of Nurenberg. 1626-1680. 
 
 i 
 
 3244. FELSECKER, Adam Jonathan, Norimbergensis Civis, Bibliopola 
 et Typographus. 1683-1729. Schmidt sc. 
 
 3245. FEYERABENDUS, Sigismondus. 1527-1592. I. Sadeler sc. 
 
 Celebrated for the magnificent woodcuts with which he adorned the books 
 he printed. 
 
 3246. FEYERABEND, Sigismund. On wood by Jost Amman. 
 
 3247. GERHARD, Christ., printer at Nurenberg. 1624-1681. M. 
 Roster sc. 
 
 3248. GUTENBERG, Joh. B. 1400-1468. 
 
 The inventor of moveable types. Engraved by Schuler from an old original 
 painting. 
 
 3249. GUTENBERG, John. A woodcut. 
 
 3250. GUTENBERG, John. De Larmessin sc. 
 
 3251. GUTENBERG, John. Composed in stigmatype by Herr Fasol, of 
 Vienna. 
 
 3252. GUTENBERG, Johannes. 
 
 The statue by Thorwaldsen erected at Mayence, 1837. 
 
 3253. HARDTWICK, Constantinus, of Nurenberg, senator, typefounder, 
 and punch-cutter. 1650 to 1715. 
 
 The celebrated punch-cutter Fleischman, of the Haarlem Foundry, served 
 his apprenticeship to him. 
 
 3254. HEIN, M. G. Learned printer of Nurenberg. 1659-1719. T. 
 G. Beck sc. 
 
 3255. HOLSTIUS, Johan, burgomaster and printer at Bremen. 1648 
 to c. 1731. 
 
 3256. KOBURGER, Anthony, printer at Nurenberg. Died 1513.
 
 Class % portrait^ anti &utog;capl)0+ 345 
 
 Lent by W. Blades, Esq. 
 
 3257. KOELER, Henningus Norimbergensis, Civis et Typographus. 
 1599-1656. 
 
 3258. KOELER, Henning, aetat. 30. Printer of Nuremberg. 
 
 3259. LAUER, Johann, printer, Nuremberg. 1560-1641. 
 
 3260. LUCHTMANN, Jeron., Buchdrucker. 
 
 A small etching. 
 
 3261. LUFFT, Johannes, printer and bookseller of Wittemberg. 1495- 
 
 r 554- 
 
 Printed many of Luther's tracts. 
 
 3262. MENTELINUS, Johannes, Argentoratensis. 1410-1478. M. 
 Roster sc. 
 
 First printer at Strasbourg. 
 
 3263. OPERINUS, Joannes, of Basle. 1507-1568. 
 
 Celebrated printer of the Greek Classics. 
 
 3264. PETREIUS, Johannes, Doctus Typographus Norimbergensis. 
 1497-1550. Schiibler sc. 
 
 A learned printer, who excelled in the accuracy of his Latin and Greek 
 typography. 
 
 3265. RHAUUS, Georgius, Wittemberg. 1488-1548. 
 
 Driven from Leipsic, he settled at Wittemberg, and there printed many 
 important works for the Lutherans. 
 
 3266. SARTORIUS, D., printer and bookseller, 1529-1592. Ingold- 
 stadiensis. 
 
 3267. SCHEFFER, Petrus, de Gernsheim, Civis et Typographus Mogun- 
 tinus, Gener Johannis Faustii, primarii artis typographicae inven- 
 toris. 1420-30 to 1505. 
 
 One of the celebrated trio who invented moveable types. 
 
 3268. SCHEFFER, P. (Sine notd.) 
 
 3269. SEBALD, C. A., printer of Nuremberg. 
 
 An oval etching. 
 
 3270. STELTERUS, Johannes, of Konigsburg, printer to the King of 
 Prussia. 1685 to c. 1731. 
 
 3271. WAGNER, Matthew, Typographus Ulmensis optime meritus. 
 1648-1694. T. G. Beck sc. 
 
 3272. WINKLER, Andreas, printer at Breslau. 1498-1575.
 
 34 6 Canton Celebration* 
 
 DUTCH. 
 
 Lent by W. Blades, Esq. 
 
 3273. BLAEU, Guilielmus. 1571-1638. "Indefessus agendo." J. 
 Falck sc. 
 
 Printer to Tycho Brahe, the astronomer, and improver of the original wooden 
 press. 
 
 An autograph letter, signed, dated Amsterdam, 1606. 
 
 3274. COORNHERT, Dirk Volckerszoon, author and printer at Haarlem. 
 1522-1590. 
 
 3275. COSTER, Laur. Primus artis typographic^ inventor. J. V. 
 Campden pinx. J. v. Veldt sc. 
 
 Recent researches have entirely disproved the existence of Coster as a I5th 
 century printer, who for a long time was considered as the inventor of printing. 
 
 3276. COSTER, Laur. J. Saenredam fecit. A. Romanus exc. 
 
 3277. COSTER, Laur. Statue in Medical Garden, Haarlem. Jelgersma 
 del. Van der Laan fee. 1740. 
 
 3278. COSTER, Laur. Three small busts. 
 
 3279. COSTER, Laur. J. Van Campen pinx. P. Volyn sc. 
 
 3280. COSTER, Laur. C. van Noorde. 
 
 From the statue erected by John Enschede. 
 
 3281. COSTER, Laur. Statue. Jelgersma inv. Van der Laan fee. 
 
 3282. COSTER, Laur. Moxon sc. 
 
 The true effigies of, delineated from his monumental stone statue erected at 
 Haarlem. 
 
 3283. COSTER, Laurence Janszoon. Van der Laan sc. Saenredam f. 
 A. Romanus exc. 
 
 3284. COSTER, Laurence Janszoon. J. van Campen del. De Lar- 
 messin sc. 
 
 3285. COSTER, Laurence Janszoon. 
 
 Woodcut, full length. 
 
 3286. COSTER, Laurence Janszoon. 
 
 3287. COSTER, Laurence Janszoon. Houbraken sc. 
 
 Frontispiece to Maittaire's "Annales," contains portraits of Coster, Guten- 
 berg, Faust, Aldus, and Frobenius.
 
 auto utog;capt)& 347 
 
 Lent by W. Blades, Esq. 
 
 3288. ELZEVIER, Daniel, printer at Amsterdam. 1626-1680. Litho- 
 graphed by C. Last. 
 
 3289. ENSCHEDE, Johannes, Lettergieter en Boekdrukker. 1708-1781. 
 C. v. Noorde sc. 1768. 
 
 Founder of the Haarlem Type Foundry. 
 
 3290. FLEISCHMAN, J. M. Konstig Letter stempel snyder. 1701-1768. 
 C. v. Noorde sc. 
 
 A very clever and artistic punch-cutter. 
 
 3291. FLEISCHMAN, J. M., punch-cutter, for the Enschede firm of 
 Haarlem. Engraved by R. Vinkeles, 1798. 
 
 3292. MORETUS, Balthazar. 1574-1641. De Larmessin sc. 
 
 Son-in-law and successor of Christopher Plantin, of Antwerp. 
 
 3293. RAPHELENGIUS, Franciscus. 1539-1597. De L'Armessin sc. 
 
 Professor of Hebrew at Leyden, and printer at Antwerp, where he succeeded 
 the celebrated Plantin. 
 
 3294. VAN ZUREN, John, printer of Haarlem. 1 6th century. Engraved 
 by H. Goltzius and with autograph signature. 
 
 Lent by Frederick Midler and Co., Amsterdam. 
 
 3295. KOSTER, Laurens, pretended inventor of typography (Haarlem, 
 1429). Three woodcuts, published about 1630 by A. Roman, 
 Haarlem, 1630. 
 
 3296. KOSTER, Laurens. Another. Engraved by P. Saenredam. 
 
 First state with A. Roman's address ; changed afterwards into that of P. 
 Casteleyn. 
 
 3297. KOSTER, Laurens. Another. After J. Van Campen by J. Van 
 Velde. 
 
 3298. KOSTER, Laurens. Another. Engraved by J. Houbraken, 1764. 
 
 3299. VAN ZUREN, Joh., printer at Haarlem. i6th century. Engraved 
 by H. Goltzius. 
 
 With autograph signature. 
 
 3300. RAPHELENGIUS, Franc., printer and professor in Oriental lan- 
 guages at Leiden, son-in-law to Plantin. By De Larmessin. 
 
 3301. MORET, Balth., printer in Antwerp. " Plantini nepos." After 
 C. Quellinus by C. Galle.
 
 348 Canton Celebration* 
 
 Lent by Frederick Mutter and Co., Amsterdam. 
 
 3302. ELZEVIER, Daniel, printer in Amsterdam. Lithographed by C. 
 Last. 
 
 3303. BLAEU, W., famous printer in Amsterdam, publisher of the 
 Great Atlas. By T. Falck. 
 
 3304. MORTIER, P., publisher at Amsterdam. English mezzotint. (By 
 Faber ?) 
 
 Proof before letters. 
 
 3305. DE LA FOND, publisher at Amsterdam of the Gazette de Hol- 
 lande. By P. Lombart. 
 
 3306. ENSCHEDE, J., type-founder and printer at Haarlem. By C. Van 
 Noorden. 
 
 3307. FLEISCHMAN, J. M., type-cutter for the Ensched Firm at 
 Haarlem. By R. Vinkeles, 1768. 
 
 3308. FLEISCHMAN, J. M. Another. With his instruments. By C. 
 van Noorden. 
 
 3309. FEYERABEND, S., famous printer and publisher at Franckfort. By 
 T. Sadeler, 1587. 
 
 3310. MERIAN, M., editor and engraver at Franckfort. 
 
 3311. ENDTER, Joh. A., bookseller at Nurnberg. By B. Kilian. 
 
 3312. FROBENIUS, famous editor in Basel. After Holbein, by L. Viss- 
 cher. 
 
 Proof before letters. 
 
 3313. FROBENIUS. Another. 
 
 With letters. 
 
 3314. FROBENIUS. Another. Mezzotint by W. Vaillant. 
 
 3315. MOREL, Claude, printer in Paris, set. 52. 
 
 Without name of engraver. 
 
 3316. JOMBERT, Ch. A., bookseller in Paris. After Cochin, by Aug. de 
 St. Aubin. 
 
 3317. BODONI, G., famous Italian printer. After Bodoni, by Mussi.
 
 Cla00 3* portraits anti #utopaplj0* 349 
 
 ITALIAN, SWISS, AND BELGIAN. 
 Lent by W. Blades, Esq. 
 
 3318. BODONI, J. BAPT., Italian Printer. After Bodoni, by Mussi. 
 
 3319. BODONIO, Joanni Baptistas, Cath. Maj. Typographo Nemini in 
 Arte secundo. 1740-1813. 
 
 Celebrated printer of Parma. His chief work was an edition of Homer. 
 
 3320. BODONIO, Joanni Baptistae. Autograph letter, dated Parma, 1805. 
 
 3321. BRAKE, Tycho, astronomer and printer. 1546-1601. 
 
 Established a complete printing office on the island of Uranienberg. 
 
 3322. BRAKE, Tycho, setatis suse 40. 
 
 3323. FROBENIUS, Johan. 1460-1547. 
 
 Printer at Basle and friend of Erasmus. 
 
 3324. FROBENIUS, Johannes, Typograph. Basiliensis. 
 
 Inscribed to Dr. Tanner, Chancellor of Norwich. 
 
 3325. FROBENIUS, Johannes. 1460-1547. Mezzotint by W. Vaillant. 
 
 3326. FROBENIUS, Johannes, engraved by Audinet from a painting by 
 Holbein. 
 
 3327. FROBENIUS, Johannes. Visscher fecit. 
 
 3328. FROSCHOVER, Christopher, printer and bookseller at Zurich. 
 Fleischmann sc. 
 
 Began to print 1522, and for fifty years issued excellent and well -printed 
 books. 
 
 3329. MANUTIUS, Aldus Pius. 1449-1515. Four portraits in one 
 frame. 
 
 The most celebrated printer among the many that Italy has produced. 
 
 3330. MANUTIUS, Aldus Pius. Aug. St. Aubin fecit. 
 
 3331. MANUTIUS, Paulus. 1511-1574. 
 
 Printer to Pope Pius IV. at Rome. 
 
 3332. MANUTIUS, Paulus. De Larmessin sc. 
 
 3333- OPERINUS, Joannes, Basiliensis. 1507-1562. Three portraits in 
 one frame. 
 
 Professor of Greek at the University of Basle.
 
 350 Canton Celebration* 
 
 Lent by W. Blades, Esq. 
 
 3334. PLANTIN, Christopher, Architypographus regius. 1514-1590. 
 H. Goltzius fee. 
 
 Celebrated printer of Antwerp. His printing office still remains the same 
 as in the sixteenth century, and has been purchased as a museum by the City of 
 Antwerp. 
 
 3335. PLANTIN, Christopher. Michael Rosier sc. 
 
 3336. PLANTIN, Christopher. Monogram, AP. 
 
 3337. PLANTIN, Christopher. (From Dibdin, "Bib. Dec.") 
 
 3338. PLANTIN, Christopher. E. de Boulonois fecit. 
 
 3339. PLANTIN, Christopher. An autograph letter, 1563. 
 
 Lent by W. Henderson, Esq. 
 
 3340. CONSTABLE, Archibald. 
 
 3341. SCOTT, Sir Walter. 
 
 Lent by the Printers' Pension, &>c. Corporation. 
 
 3342. BILLING, Thomas, printer. 1777-1865. 
 
 Twenty-one years Collector to the Printers' Pension Society. 
 
 3343. POPE, Charles, printer. 1806-1873. 
 
 Twenty-three years Collector to the Printers' Corporation, 
 
 3343*.DARKiN, James John, printer. 1807-1869. 
 
 Twentr-five years Secretaiy to the Printers' Almshouse Society. 
 
 SECTION III. 
 
 ENGRAVED PORTRAITS OF CELEBRATED MEN AT 
 ONE TIME PRINTERS. 
 
 3344- 
 
 IBDIN, Rev. Thos. Frognall, M.A. 1770-1847. Engraved by 
 W. Meyer from a drawing by Wageman. 
 
 Celebrated bibliographer. Edited and enlarged Herbert's and 
 Ames's "Typographical Antiquities." 
 
 3345. EGAN, Pierce. C. Turner sc. 
 
 Compositor and successful playwright. 
 
 3346. FRANKLIN, Benjamin. 1706-1790. Duplessis pinx. J. Thomp- 
 son sc. 
 
 His first important advancement in public life he attributed to the superior 
 manner in which he executed some printing for the Assembly of Pennsylvania. 
 
 3347. FRANKLIN, Benjamin. Engraved for the "Select Portrait 
 Gallery."
 
 Clagg $t> ^ortrairg anti &utopapf)0 351 
 
 Lent by W. Blades, Esq. 
 
 3348. FRANKLIN, Benjamin. Aug. Fox sc. 
 
 3349. FRANKLIN, Benjamin. Duplessis pinx. W. J. Edwards sc. 
 
 3350. FRANKLIN, Benjamin, LL.D. and F.R.S. Engraved from an 
 original picture by John Lodge. 
 
 3351. GUY, William, founder of Guy's Hospital. 1644-1724. "Dare 
 quam accipere." Bacon inv. Bartolozzi sc. 
 
 Was an extensive printer and seller of cheap Bibles, and about 1710 leased 
 the Clarendon Press, Oxford. His warehouse was in Lombard Street. 
 
 3352. STATUE OF GUY. Basire del. Engraved by M. Middleton. 
 
 3353. LEYBOURN, Gulielmus. Philom. Anno aetatis 27. 1626-1690. 
 
 Printer of London, and an eminent mathematical author. 
 
 3354. LEYBOURN, Gulielmus. Anno aetatis 30. R. Gaywood fecit. 
 
 3355. LEYBOURN, Gulielmus. Anno aetatis 48. R. White del. et sc. 
 
 3356. MARGARET, Duchess of Burgundy, died 1503. Engraved from 
 the original, formerly in the possession of T. Kerrick, M.A. 
 
 Received William Caxton into her household about 1469, and employed him 
 to translate into English " Le Recueil des Histoires de Troye," which was put 
 to press about 1474, and is the first book printed in English. 
 
 3357. MARGARET, Duchess of Burgundy. Drawn on stone by John 
 Tupper, Esq. 
 
 3358. MARGARET, Countess of Richmond. 1441-1509. R. B. Har- 
 raden del. W. T. Fry sc. 
 
 Mother of King Henry VII., and a patron of William Caxton, who printed 
 for her " Blanchardine and Eglantine" and the "Fifteen Oes." 
 
 3359. PRESTON, William. 1740-1818. Painted by Drummond. En- 
 graved by Thomson. 
 
 Compositor in the office of William Strahan, and afterwards partner with 
 Andrew Strahan. Wrote "Illustrations of Masonry." 
 
 3360. RICHARDSON, Samuel, printer and novelist. 1689-1761. High- 
 more pinx. Car. Watson sc. 
 
 3361. RICHARDSON, Samuel. Engraved by Schiavonetti. 
 
 3362. RICHARDSON, Samuel. Engraved by J. M. Bernigeroth. 1756. 
 
 3363. RICHARDSON, Samuel, "Author of Clarissa." 
 
 3364. RICHARDSON, Samuel. Engraved by Basire. In the same frame 
 are Richardson's house at Parson's Green, and the title-page to 
 " Pamela."
 
 352 Canton Celebration* 
 
 Lent by IV. Blades, Esq. 
 
 3365. GEORGE JOHN, EARL SPENCER. 1758-1834. 1819. 
 
 Celebrated book-collector, who formed the magnificent library at Althorp. 
 
 3366. WALPOLE, Horatio, Earl of Orford. 1717-1797. J. Reynolds 
 pinx. G. Scharf litho. 
 
 Established the Strawberry Hill Press, 1752. 
 
 3367. WALPOLE, Horatio, Earl of Orford. (Sine notd.} In the same 
 frame is a portrait of his printer Kirgate, etched by E. Edward. 
 
 3368. WALPOLE, Horatio, Earl of Orford. Drawn by W. Evans. 
 Engraved by H. Meyer. 1811. 
 
 3369. BLACKSTONE, Judge. 1723-1780. Painted by Gainsborough. 
 Engraved by J. Hall. 
 
 Was in his youth a practical printer. 
 
 3370. COWPER, William. 1731-1800. 1824. Drawn by Jackson, 
 R.A. Engraved by W. Haddon. 
 
 Had a printing-press in his residence, where he "set up" and printed some 
 of his poems with his own hand. 
 
 3371. KEELEY, Robert. 1793-1869. 
 
 For many years a practical printer. Was apprenticed to Luke Hansard. 
 
 3372. MONTGOMERY, James, printer, poet and journalist, of Sheffield. 
 1771-1854. 
 
 3373. TOWERS, Dr. 1737-1799- Drummond pinx. Engraved by 
 Earn. 1796. 
 
 Political and historical writer. In his youth a printer. 
 
 3374. WIGHT, John, printer. (Engraved on wood as his mark.) 
 Printed 1551 to 1558. 
 
 3375. WIGHT, John. Another. 
 
 "Welcome the wyght that bringeth such light." 
 
 3376. WILKES, John, Lord Mayor of London. Pine pinx. Dickinson 
 fecit. 
 
 Erected a printing-press in his private residence, whence he issued some 
 political squibs, and an infamous work entitled "An Essay on Woman," as a 
 parody on Pope's celebrated "Essay on Man." 
 
 3377. BUCKINGHAM, James Silk, journalist. 1786-1855. A woodcut. 
 
 3378. DIDOT, Ambroise Firmin, 1876. 
 
 A photograph. 
 
 3379. LIPSIUS, Justus Iscanus, was the glory of his time, the first 
 inventor of printing at the Roeling Press. Aged 36. R. 
 Gaywood fecit. P. Stent exc.
 
 Class % portrait anfc utog;cap!)S, 353 
 
 Lent by W. Blades, Esq. 
 
 3380. POMPADOUR, Mde. d'E. Marq. de. 1721-1764. Schenau del. 
 Littrdt sc. 1764. 
 
 Mad. de Pompadour, mistress of Louis XV., patroness of literature, pur- 
 chased a small but complete printing office, and placed it in her own apart- 
 ments at Versailles. There she assisted in the production of some verses of 
 Corneille, which were illustrated by etchings from her own hand. 
 
 3381. POMPADOUR, Madame de. Another. 
 
 3382. BERANGER, P. Jean de, French poet, originally a printer. 1780- 
 
 1857- 
 
 In the same frame is an autograph note of the poet. 
 
 3383. BERANGER. Another. (Sine nota.} 
 
 3384. MARSHALL, Brune. 1763-1815. Lith. de Delpech. 
 
 Was a working printer in his youth. 
 
 3385. RESTIF DE LA BRETON. 1734-1806. L. Binet del. L. Berthet inc. 
 
 Was for many years foreman in a printing office at Paris before he became 
 famous as a novelist. 
 
 3386. RICHELIEU, Cardinal Armandus Joannes Du Plessis, Due de. 
 1585-1642. 
 
 Founder of the Royal Printing Office, Paris. 
 
 3387. RICHELIEU, Cardinal. Another. P. de lode sc. 
 
 3388. TALLIEN, J. L., French Revolutionist. 1769-1820. Bouteville 
 del. I. Jones sculpsit. 
 
 Was for many years a working printer. 
 
 3389. BEAUMARCHAIS, P. A. C. de, dramatist and printer. 1732-1799. 
 Grave par Hopwood. 
 
 3390. CHATEAUBRIAND, F. A. Vicomte de, author and statesman. 
 1768-1848. 
 
 3391. DURER, Albrecht, H. painter, engraver, and typographer. 
 1471-1528. Engraved on wood. 
 
 3392. DURER, Alb. Painted by himself. Engraved by Lasinio. 
 
 3393- DURER, Albert, engraver and typographer. 1471-1528. Painted 
 by himself. Engraved by G. Cooke. 
 
 3394. DURER, Albrecht. Anno 1608. Kilian sc. 
 
 3395. DURER, Alb. (Sine nota.} 
 
 From an English plate. 
 A A
 
 354 Canton Celebration. 
 
 Lent by W. Blades, Esq. 
 3396. DURER, Alb. Alberto Duro Pittore. A. P. del. G. Vascellini 
 
 me. 
 
 SECTION IV. 
 VIEWS, INTERIORS, &c. 
 
 3397- 
 
 AXTON, William, Examining the first Printed Sheet from his 
 Printing-press in Westminster Abbey, A.D. 1474. Painted 
 %& by A. H. Wehnert. Engraved by 
 
 3398. CAXTON Submitting his Proof Sheet to John Esteney, Abbot ot 
 Westminster in 1477. James E. Doyle pinxit. Engraved by 
 W. Walker. 
 
 3399. AUCHINLECK. The Private Press of Mr. Alexander Boswell, 
 Auchinleck, Ayrshire, whence between 1811 and 1820 issued 
 many black-letter reprints. 
 
 3400. STRAWBERRY HILL PRESS, i. Title-page to "Gray's Odes," as a 
 specimen of Kirgate's printing. 2. The "Press" at Strawberry 
 Hill, with Kirgate the printer advancing. 3. Autograph letter 
 of Kirgate inquiring about an Engraver. Dated from Strawberry 
 Hill, July 21, 1788. 
 
 3401 . INTERIOR of Composing Room and Press Room. Delattin (?) fee. 
 
 3402. ARMS of the German printers, granted by the Emperor Frederick. 
 
 3403. GUTENBERG in his Printing Office. Painted by Niemann. Litho. 
 by Zollner & Schlick, 1840. 
 
 3404. INTERIOR of a Type Foundry. Mansfeld sc. 
 
 3405. INTERIOR of Printing Office, Vienna. 1805. 
 
 3406. INTERIOR of Printing Office, Paris. Fessard sc. 
 
 3407. PRINTING Office at Haarlem, 1740. Zaenredam inv. Van Veldt sc. 
 
 3408. PANFILO CASTALDI explaining the Art of Printing to young 
 Gutenberg, about the year 1430. 
 
 The Italians have lately celebrated at Feltre the discovery of moveable type? 
 by Castaldi, to whom they have erected a fine monument.
 
 Ciasg ty. portrait^ anti autograph 355 
 
 SECTION V. 
 
 AUTOGRAPHS OF PRINTERS. 
 Lent by W. Blades, Esq. 
 
 349- 
 ICHOLS, John, F.S.A., printer, 1745-1827. 
 
 3410. BENSLEY, T., printer. Letter to Messrs. Cadell and 
 Davies, mentioning "Nelson's Life" and "Pleasures of 
 Memory." Dated Bolt Court, Dec. 14, 1809. 
 
 3411. GUY, Thomas, bookseller, founder of Guy's Hospital. 
 
 Signature to a warrant, 16 Dec., 1713. 
 
 3412. MORES, Edward Rowe, author of "A Dissertation upon English 
 Type-founders and Founderies." Three pages, part of which is 
 " copy " for that work, with memorandum by W. Bowyer, at the 
 end. Dated June 10, 1773. 
 
 3413. SAVAGE, William. Letter to J. B. Nichols, accompanying the 
 Prospectus of his work on " Printing Inks." March 23, 1832. 
 
 SECTION VI. 
 AUTOGRAPHS AND PORTRAITS OF LITERARY MEN. 
 
 Lent by the Library Committee of the Corporation of London. 
 
 HAKESPEARE, William. Autograph to a Deed of Purchase 
 of a house in Blackfriars, March loth, 1612-13. 
 
 Lent by Sir Charles Reed, L.L.D., F.S.A. 
 34i4*.ADDisoN, Joseph, essayist. 1672-1719. Sign?ture. 
 
 3415. BACON, Francis, Lord Verulam, 1561-1626, philosopher. Signa- 
 ture, "Fr. Verulam Can." Aug. 8, 1618. 
 
 3416. BAINES, Edward, Leeds, founder of the Leeds Mercury. 
 
 3417. BAXTER, Richard, English nonconformist divine. 1615-1691. 
 His own copy of " Church History," with marginal corrections. 
 
 3418. BELOE, William, critic and translator. 1756-1817. Letter. Theo- 
 balds. Feb. 12, 1859. 
 
 3419. BENTHAM, Jeremy, philosopher. 1748-1832. Fragment. "In- 
 troducing Horatio Nelson." Oct. 28, 1772.
 
 356 Canton Celebration, 
 
 Lent by Sir Charles Reed, L.L.D., F.S.A. 
 
 3420. BLAIR, Hugh, D.D., philosopher. 
 
 3421. BOWLES, Rev. W. L., poet. 1762-1850. " Frosty Night." MS. 4to. 
 
 3422. BREWSTER, Sir David, philosopher. 1761-1868. Edinburgh, 
 1850. A. 1. s. 
 
 3423. BROUGHAM, Henry, Lord. 
 
 3424. BROWNING, Elizabeth B., poetess. 1809-1861. Portrait, with 
 autograph signature. 
 
 3425. BRYANT, W. Cullen, poet and journalist, b. 1794. Boston, 
 United States, Oct. 3, 1872. 
 
 3426. BUFFON, Comte G. L. Le Clerc de, naturalist. 1707-1788. A. n. s. 
 
 3427. BULWER, E. L., novelist and dramatic author, b. 1806. Albany, 
 Feb. 29, 1836. L. a. s. 
 
 As to abolition of taxes on knowledge. 
 
 3428. BURKE, Edmund, orator, statesman, and philosopher. 1730-1 797. 
 i page. Folio. N. s. 
 
 3429. BURLEIGH, Lord Chancellor. 
 
 3430. BYRON, Lord George Gordon, poet. 1788-1824. "English 
 Bards and Scotch Reviewers." 2 pp. MS. 4to. 
 
 3431. CAMPBELL, Thomas, poet. 1777-1844. "If strewn his ashes 
 to the wind." 6 lines signed. 
 
 3432. CAREY, William, D.D., translator, English orientalist, &c. 1762- 
 1834. Serampore. 
 
 3433. CARLYLE, Thomas, essayist, historian, &c. b. 1795. Cheyne Row, 
 Chelsea, May 21, 1844. 
 
 " I care not for the spelling, but the punctuation I should like to have 
 exact." 
 
 3434. CLARENDON, Edward Hyde, Earl of, statesman and historian. 
 1608-1674. A Signed Receipt. June 16, 1713. 
 
 3435. CLARKE, Adam, LL.D., commentator and oriental scholar. 
 1760-1832. Note. June 19, 1810. 
 
 3436. COBBETT, William, political writer. 1762-1835. Kensington, 
 Sept. u, 1824. L. a. s. 
 
 As to his grammar. "The Pater-Nostre booksellers make a great outcry 
 against us. They say we sell too cheap." Also curious directions to his 
 printer. 
 
 3437- COLENSO, J. W., Bishop of Natal, mathematician. March 16, 1863. 
 Refers to his "Commentary on the Romans."
 
 portraits anti #tttopapI)2L 357 
 
 Lent by Sir Charles Reed, LL.D., F.S.A. 
 
 3438. COLERIDGE, Samuel Taylor, moral philosopher, poet and essayist. 
 1772-1834. Highgate, Nov. 10, 1823. A. 1. s. 
 
 Assigns reasons for declining to lecture in the town of Leeds. 
 
 3439. COWPER, William, poet. 1731-1800. Aug. 6, 1780. 4 pp. 4to. 
 A. 1. s. 
 
 3440. CRABBE, George, poet. 
 
 3441. CUNNINGHAM, Allan, poet, &c. 1784-1842. "The Rebel's 
 Lament." MS. April i, 1841. 
 
 3442. DIBDIN, T. F., bibliographer. 1770-1847. L. a. s. 
 
 To Mr. Johnes, of Hafod: "Are your 'Caxtons' (unless otherwise 
 expressed in the Catalogue) perfect, and is the ' St. Alban's Chronicle ' 
 perfect," &c. 
 
 3443. DICKENS, Charles, novelist. 1812-1870. 
 
 3444. DODDRIDGE, Philip, D.D., commentator and hymn writer 
 1702-1751. Northampton. 4 pp. 4to. A. 1. s. 
 
 "I have a Latin letter to write to Count Zinzendorf, who has been in the 
 Moravian Society in Yorkshire, and leaves England on Tuesday next." 
 
 3445. DODSLEY, Robert, bookseller, poet, and dramatist. 1703-1764. 
 Autograph document. To Earl of Oxford. Account for books, 1741. 
 
 3446. EDGEWORTH, Richard Lovell. 1744-1817. 
 
 Letter. Clifton, Aug. 18, 1793. 
 
 3447. EDGEWORTH, Maria, novelist. 1767-1849. 
 
 3448. EDWARDS, Jonathan, theological writer, metaphysician. 1703- 
 1758. Stockbridge, Massachusetts, Dec. n, 1755. A. 1. s. 
 
 3449. ELLIOTT, Ebenezer, poet. 1781-1849. Sonnet, "What is Reli- 
 gion? " 4to. s. 
 
 "This is religion, saith the Bard of Trade." 
 
 3450. FERGUSON, Adam, D.D., philosopher and author, 1724-1816. 
 Edinburgh, Dec. 13, 1809. 
 
 3451. FOSTER, John, essayist and reviewer. 1770-1843. Fol. p. initials. 
 
 Bourton, Nov. 4. " I have been perniciously engaged this week or two 
 with the Relation Historique of Humboldt, who is now to take precedence 
 of all our travellers." 
 
 3452. FRANCIS, Sir Philip.
 
 358 Canton Celebration* 
 
 Lent by Sir Charles Reed, LL.D., F.S.A. 
 
 3453. FRANKLIN, Benjamin, printer, philosopher, and statesman. 
 1706-1790. Letter. 4 pp. 4to. Philadelphia, Mar. i, 1755. 
 
 Refers to his correspondence with the Royal Society in reference to experi- 
 ments in electricity. 
 
 3454. GOETHE, Johann W. von, dramatist, author, naturalist, savant, and 
 poet. 1749-1832. 1830. A. n. s. 
 
 3455. GUY, Thomas, bookseller, and founder of Guy's Hospital. 
 
 3456. HEMANS, Felicia, poetess. 1794-1835. MS. Notes. 
 
 3457. HENRY, Matthew, commentator. 1663-1712. "MS. Notes of 
 Sermon." 
 
 - 3458. HERSCHELL, Sir John, F. W., astronomer. 1792-1862. MS. 
 Address. 1864. Holograph. 
 
 3459. HOGG, James. "The Ettrick Shepherd," poet and romance 
 writer. 1772-1835. A. n. s. 
 
 3460. HOOD, Thomas, poet and humourist. 1798-1845. Lake House, 
 1829. A. 1. s. 
 
 3461. HONE, William, satirist and journalist. 1779-1842. Epitaphs. 
 For himself and W. Upcott. 
 
 3462. HONE, William, satirist and journalist. 1779-1842. Poor 
 Humphrey's Calendar, 1829. First edition. 
 
 3463. HUGO, Victor, poet, dramatist, and novelist, b. 1826. Mar. 
 24, 1834. To M. Guizot. 
 
 3464. IRVING, Washington, American biographer and novelist. 1783- 
 1859. May 1 8, 1842. L. a. s. 
 
 3465. JEFFREY, Francis, essayist. 
 
 3466. JERROLD, Douglas, humourist and dramatic author. Putney. 
 Refers to his Magazine, July 10, 1854. A. n. s. 
 
 3467. JOHNSON, Samuel, lexicographer, philologist, moralist and poet. 
 1709-1784. Bolt Court, April 12, 1784. A. 1. s. 
 
 "Introducing his god-son to Ozias Humphrey." 
 
 3468. JONSON, Ben. Autograph signature in a copy of Juvenal, 1612. 
 
 3469. KITTO, John, D.D., F.S.A., litterateur. 1804-1854. Sep. 12, 
 1870. A. 1. s.
 
 Cla&ai ^ portrait^ anfc &utopapf)0. 359 
 
 Lent, by Sir Charles Reed, LL.D., F.S.A. 
 
 3470. KNIGHT, Charles, publisher and historian. 1791-1870. A. 1. s. 
 
 Relating to the "Penny Magazine," shown with the "Penny Magazine," 
 vol. I. 
 
 3471. LAMB, Charles, essayist and poet. 1775-1834. 8vo. Charac- 
 teristic note, signed C. L. 
 
 3472. LANCASTER, James, founder of the Lancasterian School system. 
 
 3473. LANDON, L. E., poetess. 
 
 3474. LONGFELLOW, Henry W., poet and novelist, b. 1807. Cam- 
 bridge, U. S. A., Oct. 3, 1873. 
 
 Lines from his "Psalm of Life," MS. signed. 
 
 3475. LONGFELLOW, Henry W. Photograph. Philadelphia, 1876. 
 
 3476. LUTHER, Martin, reformer. 1483-1546. Holograph letter. Wit- 
 temberg, 1525. 
 
 3477. MACAULAY, Thomas Babington, historian. 
 
 3478. MACKINTOSH, Sir J., historian. Born June 30, 1825. To Henry 
 Brougham. 
 
 3479. MAHON, Lord, historian. A. 1. Loake's Hill, High Wycombe. 
 
 3480. MARTINEAU, Harriet, authoress and historian. A. 1. s. 
 
 3481. MELANCTHON, Philippus Schwarzerd, theologian and reformer. 
 1497-1560. Fo. pr. holograph, signed "Philippus." 
 
 3482. MITFORD, Mary Russel, authoress. 1787-1855. Three Mile 
 Cross. Jul. 22, 1847. A. 1. s. 
 
 3483. MOORE, Thomas, Irish poet. 1779-1852. Sloperton. March 20, 
 1841. Sonnet, MS. 
 
 3484. MONTGOMERY, James, poet and journalist. 1771-1855. Sheffield, 
 Aug. 12, 1829. L. a. s. 
 
 " Like a hare that has been hunted a hundred times to all but death, I start 
 and tremble and fly off at the slightest intimation of a new demand upon my 
 exhausted and miserably irritable brain," &c. 
 
 3485. MORISON, John, D.D., translator. Macao, May 16, 1811. 
 
 3486. MURRAY, Lindley, grammarian. 1745-1826. York, ist of 7010. 
 1812. L. a. s. 
 
 3487. NEWTON, Isaac, geometrician and philosopher. 1642-1727. 
 Signature, June 12, 1718.
 
 360 Canton Celebration. 
 
 Lent by Sir Charles Reed, LL.D., F.S.A. 
 
 3488. NEWTON, John, D.D., hymn writer, &c. 1725-1807. Coleman 
 Street Buildings, June i3th, 1786. 
 
 3489. PENN, William, author, and founder of Pennsylvania. 1644-1718. 
 
 Receipt for six months' annuity, August 23, 1706. 
 
 3490. PEPYS, Samuel, " Diary," &c. 1633-1703. Sig. to Royal Warrant, 
 Feb. 15, 1673. 
 
 3491. POPE, Alexander, poet and critic. 1688-1744. Receipt for his 
 " Homer's Iliads," and note signed A. P. 
 
 3492. PORTER, Jane, novelist. 1776-1850. A. 1. s. 
 
 "To George Virtue, Esq. 
 
 "By which time I hope my Scottish heroes, clad in the fair new panoplies 
 you have provided for them, may have brought golden success to the gate of 
 their friendly new leader." 
 
 3493. RAMSAY, Allan, poet. 
 
 3494. READE, Charles, novelist. Born 1814. June 26, 1870. 
 
 " I am spending more in postage than ever, besides time, paper, and seal- 
 ing-wax." 
 
 3495. REID, Thomas, D.D., philosopher. 1710-1796. 4 pp. 4to. 
 Glasgow College, Nov. 14, 1785. 
 
 3496. ROBERTSON, William, D.D. Edinburgh, Apl. 27, 1806. L. a. s. 
 To Henry Brougham. 
 
 3497. ROSCOE, William, historian. Liverpool, July 18. 
 
 3498. SCHILLER, Johann. C. F. von, poet, dramatist and historian. 
 1759-1805. Weimar, Feb. 17, 1802. 
 
 3499. SCOTT, Walter, romance writer, poet and historian. 1771-1832. 
 Abbotsford, Sept. 5, 1813. A. 1. s. 
 
 "The laurel has been offered to me in the most flattering manner by H. R. H. 
 the Prince Regent, but I did not feel justified at snatching at one of the few 
 situations of emolument open to those who have made literature their exclusive 
 profession. " 
 
 3500. SHELLEY, P. B., poet. 1792-1822. 4to. 4 pp. Dublin, April, 1813. 
 L. a. s. 
 
 3501. SHERIDAN, Richard Brinsley, statesman, orator and dramatist. 
 1751-1816. Promissory note, May 23, 1781. 
 
 3502. SIMSON, Robert, mathematician. 1687-1768. L. a. s. 
 
 Respecting the first edition of Euclid.
 
 361 
 
 Lent by Sir Charles Reed, LL.D., F.S.A. 
 
 3503. SMITH, Adam, LL.D., economist and moralist. 1723-1790. 4to. 
 L. a. s. To Thomas Cadell. 
 
 3504. SOUTHEY, Robert, poet and biographer. 1774-1843. 
 
 A tale of Paraguay, "To Edith May Southey," n. d. MS. 
 
 3505. STEWART, Dugald, mathematician and philosopher. 1753-1828. 
 Nov. 1812. L. a. s. 
 
 3506. TAYLOR, Isaac, line engraver. 1740-1818. L. a. s. 
 
 3507. TAYLOR, Jane. 1783-1824. "Apple Blossoms." MS. 4to. 
 Signed Q. Q. 
 
 3508. TENNYSON, Alfred, D.C.L., F.R.S., poet laureate. Born 1809. 
 Buckingham Gate. L. a. s. 
 
 3509. TONSON, Jacob, bookseller and publisher. 1656-1736. Auto- 
 graph document, with portrait. May 25, 1721. 
 
 3510. TURNER, Charles, engraver. Mezzotinto, 1773-1837. 
 
 3511. TURNER, Sharon, historian. 1768-1847. L. a. s. 
 
 Refers to Swift and Eben. Elliott. 
 
 3512. VALPY, R., D.D., grammarian and classical scholar. 1754-1836. 
 
 Reading, July i. L. a. s. 
 
 31513. WATTS, Isaac, D.D., essayist and hymn writer. 1674-1748. 
 A. 1. s. 
 
 3514. WEBSTER, Noah, grammarian and lexicographer. 1758-1843. 
 Amherst, U.S., Oct. 24, 1814. L. a. s. 
 
 3515. WESLEY, Charles, divine and hymn writer. 1708-1788. Auto- 
 graph lines. 
 
 " Still let me his remembrance bless, 
 Still on his dearest image dwell." 
 
 3516. WHITGIFT, John, Archbishop of Canterbury. 1530-1604. Sig- 
 nature to a Grant, March, 1599. 
 
 3517. WHITTIER, J. Greenleaf, poet. "The Centennial Hymn," com- 
 posed for the Republic, 1876. Transcribed and signed at Ames- 
 bury, and note. 
 
 3518. WOLCOT, T. (Peter Pindar). 
 
 3519. WORDSWORTH, poet. 
 
 3520. ZIMMERMAN, J. G., philosopher. 1728-1795. A. 1. s.
 
 362 Canton Celebration. 
 
 Lent by Sir Charles Reed, LL.D., RS.A. 
 
 3521. Two Albums containing autographs of literary and scientific men, 
 among which are Dr. Arnold, Rugby, Matthew Arnold, Shirley 
 Brooks, Wilkie Collins, Lord Houghton, Mark Lemon, Lord 
 Macaulay, George Augustus Sala, Sir Walter Scott, W. M. 
 Thackeray, A. Trollope, Martin Tupper, Professor Blackie. 
 
 3522. CRABBE, George, poet. 1754-1832. A. 1. s. Trowbridge. 
 Jan. 19, 1831. 
 
 3523. RAMSAY, Allan, poet. Moggy of Donfarling. Russ. 
 
 3524. PINDAR, Peter (T. Walcot). A. 1. s. Fowey, Jan. 5, 1806. To 
 Mr. Phillips, bookseller, Bridge Street, London. 
 
 3525. BURGHLEY, W. Cecil, Lord. Aug. 1516. 
 
 3526. LANCASTER, James, educationist and author. A. 1. s. On his 
 scheme for raising schools. 
 
 3527. CRUICKSHANK, George, engraver. A. 1. s. Dec. 18, 1856. Refers 
 to " The Fairy Ring." 
 
 3528. AN Easy Method to found a Public Academy by a tax on books. 
 Folio. 
 
 3529. BROUGHAM, Lord Henry. A. n. s. To Edward Baines. 
 
 3530. KNIGHT, Charles, printer and historian. A. n. s. "The rage for 
 fiction tells us what is most popular in the literature of the day." 
 
 3531. FRANCIS, Philip, sig. The reputed author of Junius. Aug. 1779. 
 
 3532. TURNER, Charles, engraver. 
 
 3533- GUIZOT, historian. A. n. s. Val Richer, Sept. 25, 1852. 
 
 3534. LANDON, L. E., Miss. 4to. A. s. 
 
 3535. STRYPE, John, ecclesiastical historian. 1643-1737. MS. adver- 
 tisement of Stowe's Survey of London, 1760. 
 
 Lent by W. Henderson, Esq. 
 
 3538. BURNS, Robert, poet. 1759-1796. Signature on title-page of 
 "The Observer," a collection of Moral Essays, 1788. Sir. W. 
 Scott, James Ballantine, Archibald Constable, Lockhart, Robert 
 Cadell, Sir William Forbes, Dr. Chalmers, Macaulay, John Wil- 
 son, G. Thomson.
 
 * portraits an& #utog;capt)^ 363 
 
 Lent by H. Stevens, Esq. 
 
 3539- FRANKLIN, Benj. Printer and Statesman. A. 1. s. To Andrew 
 Strahan, M.P., King's Printer : " We were long friends you are 
 now my enemy," referring to the war which had just been declared 
 between England and the United States of America. Dated 
 July 5, 1775. 
 
 Lent byj. C. Wilkins, Esq. 
 
 3540. SHAKESPEARE, William. A Facsimile of the engraved portrait 
 after Droeshout in the title of the First Folio.
 
 CLASS I. 
 BOOKS RELATING TO PRINTING. 1 
 
 Lent by William Blades, Esq. 
 
 OTHING shows more plainly the national estimation in 
 which any subject is held than the chronology, the quality, 
 and the quantity of books published concerning it. 
 Arranged chronologically, such a catalogue is specially 
 suggestive as showing that the public interest is not inter- 
 mittent nor capricious, and while the quality points to the 
 class of readers, the quantity is a good test of the popular demand. 
 
 Germany, as the birthplace of the Art of Printing, has an earlier and 
 more complete literature upon its history and practice than any other 
 country. France also has a long catalogue of important works upon the 
 subject. Then follow England, Holland, Belgium and America. In 
 other countries the produce has been slight, and in some is wanting alto- 
 gether. To the honour of Iceland, however, we may add that there is 
 an excellent history of the art in the Icelandic tongue. 
 
 The following list, which, excluding bibliography, is confined to typo- 
 graphy in its biographical, historical, and practical aspects, could be very 
 much enlarged were it not confined to books actually in the exhibition. 
 At the same time no important work in any language is absent ; and the 
 English section especially shows how many attempts have been made 
 to educate the masses as well as the special workman in the history and 
 practice of William Caxton's wonderful art. 
 
 3563. ABBOTT, J. The Harper Establishment, New York : an Account 
 of. 8vo. New York, 1856. 
 
 1 Catalogued by W. H. Overall, Esq., Guildhall Library, London.
 
 31* 2Boofcs relating to printing 365 
 
 * 
 
 Lent by William Blades, Esq. 
 
 3564. ADAMS, Thomas F. Typographia : a Brief Sketch of the Origin, 
 Rise and Progress of the Typographic Art. 8vo. Philadelphia, 
 1837- 
 
 3565. ADAMS, Thomas F. Typographia. Third edition. 1845. 
 
 3566. AMES, Joseph, F. R. S. Typographical Antiquities, being an 
 Historical Account of Printing in England : with some Memoirs 
 of our Antient Printers, and a Register of the Books printed by 
 them from 1471 to 1600, with an Appendix concerning Printing in 
 Scotland and Ireland to the same time. 4to. London, 1749. 
 
 This laborious work has formed the foundation of all succeeding works upon 
 typographical antiquities. 
 
 3567. AMES, Joseph, F.R.S., F.S.A. Typographical Antiquities, or an 
 Historical Account of the Origin and Progress of Printing in Great 
 Britain and Ireland. Considerably augmented by William Her- 
 bert. 3 vols. 410. London, 1785-90. 
 
 3568. AMES, Joseph, F.R.S. Typographical Antiquities, greatly en- 
 larged, with copious notes, by T. F. Dibdin, D.D. 4 vols. 410. 
 London, 1810-19. 
 
 3569. ASTLE, Thomas, F.R.S., F.S.A. The Origin and Progress of 
 Writing, as well Hieroglyphic as Elementary. 410. London, 1784. 
 
 The 9th chapter is headed, " Some Account of the Origin and Progress of 
 Printing." 
 
 3570. ATKYNS, Richard. The Original and Growth of Printing: 
 Collected out of History, and the Records of this Kingdome. 
 4to. London, 1664. 
 
 Portrait of Charles II. seated on his Throne, by Loggan. 
 
 3571. BAGFORD, John. The Invention and Progress of Printing. 
 
 (Memoirs of the Royal Society, IV. pp. 261-268.) 
 
 3572. BAGFORD, John. An Essay on the Invention of Printing. 
 
 (Memoirs of the Royal Society, V. pp. 50-53.) 
 
 3573. BEVAN, S. Phillips, F.G.S. British Manufacturing Industries. 
 Edited by. 8vo. London, 1876. 
 
 Paper, Printing and Bookbinding, Engraving, Photography, Toys. 
 
 3574. BERJEAU, J. Ph. Early Dutch, German, and English Printers' 
 Marks. 8vo. London, 1866. 
 
 3575. BIDWELL, Geo. H. Treatise on the Imposition of Forms, em- 
 bracing a System of Rules and Principles for Laying the Pages 
 applicable to all Forms. 8vo. New York, 1866.
 
 366 Carton Celebration. 
 
 Lent by William Blades, Esq. 
 
 3576. BIDWELL, Geo. H. Treatise on the Imposition of Forms. Second 
 edition. 8vo. New York, 1875. 
 
 Useful for an incompetent compositor. 
 
 3577. BLADES, William. The Life and Typography of William Caxton, 
 England's First Printer, with Evidence of his Typographical con- 
 nection with Colard Mansion, the Printer at Bruges. 2 vols. 4to. 
 1861-63. 
 
 3578. BLADES, William. A List of Medals, Jettons, Tokens, &c., in 
 connection with Printers and the Art of Printing. 8vo. London, 
 1869. 
 
 3579. BLADES, William. How to tell a Caxton, with some Hints where 
 and how the same might be found. 8vo. London, 1870. 
 
 3580. BLADES, William. Shakspere and Typography, being an attempt 
 to show Shakspere's Personal Connection with, and Technical 
 Knowledge of the Art of Printing. 8vo. London, 1872. 
 
 3581. BODONIANA. A Collection of Printed Documents connected with 
 the National Festival held in honor of Giambattista Bodoni. 
 Folio. Saluzzio, 1872. 
 
 3582. BRADSHAW, Henry. Memoranda, chiefly concerning Early 
 Printed Books and Manuscripts, and the Older Literature of 
 Different Nations. No. i. 8vo. Cambridge, 1866. 
 
 3583. BRADSHAW, Henry. Memoranda concerning the Printer of 
 the Historia S. Albani. 8vo. Cambridge, 1868. 
 
 3584. BRADSHAW, Henry. List of the Founts of Type and Woodcut 
 Devices used by Printers in Holland in the Fifteenth Century. 
 8vo. London, 1871. 
 
 3585. BRIMMER, George. The Composing Room. A Serio-Comico- 
 Satirico-Poetico Production Oh ! 8vo. London, 1835. 
 
 3586. CAREY, Annie. The History of a Book. 8vo. London, 1874. 
 
 3587. CAXTON, William, Life of. 8vo. London, 1828. 
 
 3588. CAXTON, William, A Catalogue of Books printed by (or ascribed 
 to the press of). Compiled by William Blades. 4to. London, 
 1865. 
 
 Printed on vellum.
 
 3|* Boofc0 relating: to Dinting;, 367 
 
 Lent by William Blades, Esq. 
 
 3589. CHALMERS, George. The Life of Thomas Ruddiman, A.M., the 
 keeper, for almost fifty years, of the Library belonging to the 
 Faculty of Advocates at Edinburgh : to which are subjoined new 
 anecdotes of Buchanan. 8vo. London, 1794. 
 
 He began life as a printer ; he gives a list of the works which he printed. 
 The Latin Grammar he was both author and printer of. 
 
 3590. COWIE, Mr. Printers' Pocket-Book and Manual. i2mo. Lon- 
 don, 1825 ? 
 
 3591. CRISP, W. F. The Printers' Universal Book of Reference and 
 Every-Hour Office Companion, edited by. 8vo. London, 1875. 
 
 3592. CRISP, W. F. Punctuation Simplified. 8vo. Great Yarmouth and 
 London, n. d. 
 
 3593. DIBDIN, T. F., M.A. An account of some early printed English 
 Books in the Library of the Earl Spencer, being a portion of the 
 Bibliotheca Spenceriana. 8vo. London, 1825. 
 
 3594. DIRCKS, Henry C. E. Jordantype, otherwise called "Electro- 
 type," its early history, being a Vindication of the Claims of C. J. 
 Jordan as the Inventor of Electro-Metallurgy. 8vo. London, 
 1852. 
 
 3595. DREW, Benjamin. Pens and Types ; or, Hints and Helps for those 
 1 who Write, Print, or Read. 8vo. Boston, 1874. 
 
 3596. EVESHAM. The Revelation to the Monk of, 1196. Edited from 
 the unique copy in the British Museum, the edition printed by 
 William de Machlinia about 1482. By Edward Arber. (English 
 reprints.) 8vo. London, 1869. 
 
 Contains the history of the Machlinia Press, which was the first in the City 
 of London. 
 
 3597. FOURNIER. The Introduction to Fournier's Treatise on Typo- 
 graphy, translated by Charles E. Keymer. 4to. Gloucester, 1866. 
 
 3598. FRANKLIN, Benjamin, LL.D., the private life of the late. Ori- 
 ginally written by himself, and now translated from the French. 
 8vo. London, 1793. 
 
 3599. FRANKLIN Statue, Record of the Proceedings and Ceremonies 
 pertaining to the erection of the, in Printing-house Square, New 
 York, presented by Albert de Groot to the Press and Printers of 
 the City of New York. 8vo. New York, 1872. 
 
 3600. FRANCIS, J. Printing at Home, with full instructions for amateurs. 
 Second' edition. i2mo. Rochford, Essex, 1873.
 
 368 Canton Celebration. 
 
 Lent by William Blades, Esq. 
 
 3601. FURNIVALL, F. J. Pynson's Contracts, with Herman for printing 
 his Vulgaria, and with Palsgrave for his Lesclaircissement, with 
 Pynson's letter of Denizenation. 8vo. London, n. d. 
 
 3602. GENT, Mr. Thomas, the Life of, Printer of York. 8vo. 
 London, 1832. 
 
 3603. GRAHAM, John. The Compositor's Text Book for instructions in 
 the elements of the Art of Printing. 8vo. Glasgow, 1848. 
 
 3604. GRANT, James. The Newspaper Press : its origin, progress, and 
 present position. 3 vols. 8vo. London, 1871-72. 
 
 3605. GRESWELL, Rev. W. Parr. Annals of Parisian Typography, con- 
 taining an account of the earliest typographical establishments in 
 Paris. 8vo. London, 1818. 
 
 3606. GRESWELL, E., B.D. A View of the early Parisian Greek Press ; 
 including the lives of the Stephani ; notices of other contemporary 
 Greek Printers of Paris. 2 vols. 8vo. Oxford, 1833. 
 
 3607. HALLAM, Henry. The Invention of Paper and the Invention of 
 Printing. i2mo. London, 1852. 
 
 3608. HANSARD, Luke, many years printer to the House of Commons, 
 Biographical Memoir of. With portrait. 4to. London, 1829. 
 
 3609. HANSARD, T. C. Typographia : an Historical Sketch of the Origin 
 and Progress of the Art of Printing ; with Practical Directions for 
 conducting every Department in an Office : with a Description of 
 Stereotype and Lithography. 8vo. London, 1825. 
 
 The best text-book upon all technical matters connected with typography ; 
 it contains several portraits. 
 
 3610. HANSARD, T. C. Treatises on Printing and Type-founding. 8vo. 
 Edinburgh, 1841. 
 
 3611. HARPEL, Oscar H. Typograph, or Book of Specimens. 8vo. 
 Cincinnati, 1870. 
 
 3612. HILL, A. F. Secrets of the Sanctum. An Inside View of an 
 Editor's Life. 8vo. Philadelphia, 1875. 
 
 3613. HORNE, Thomas Hartwell. An Introduction to the Study of 
 Bibliography, with several chapters on the History of Printing. 2 
 vols. Svo. London, 1814.
 
 1 + 2Book0 relating; to ^rintmg:, 369 
 
 Lent by William Blades, Esq. 
 
 3614. HOUGHTON, T. S. The Printer's Practical Everyday Book, with 
 emendations and additions by Geo. Marshall. 8vo. Preston, 
 i875- 
 
 3615. HUDSON, Frederic. Journalism in the United States from 1690 
 to 1872. 8vo. New York, 1873. 
 
 3616. HUMPHREYS, H. Noel. A History of the Art of Printing, from its 
 invention to the middle of the i6th century. Folio. London, 
 1867. 
 
 3617. JACKSON, John. A Treatise on Wood Engraving, Historical and 
 Practical. 8vo. London, 1839. 
 
 3618. JOHNSON, E. C. Tangible Typography, or How the Blind Read. 
 8vo. London, 1853. 
 
 3619. JOHNSON, J. Typographia, or the Printer's Instructor, including 
 an account of the origin of Printing. 2 vols. 321110. London, 
 1824. 
 
 3620. KELLY, James. The Printer's Carnival, and other Poems. 8vo. 
 Airdrie, 1875. 
 
 3621. KNIGHT, Charles. The Old Printer and the Modern Press. 8vo. 
 London, 1854. 
 
 3622. KNIGHT, Charles. William Caxton, the First English Printer. 
 i2mo. London, 1844. 
 
 3623. LATHAM, H., M.A. Oxford Bibles and Printing in Oxford. 
 1 2 mo. Oxford, 1870. 
 
 3624. LATHAM, H., M.A. Oxford Bibles and Printing in Oxford. A 
 second edition. 8vo. Oxford, 1876. 
 
 3625. LEMOINE, Henry. Typographical Antiquities. History, Origin, 
 and Progress of the Art of Printing from its first invention in 
 Germany to the end of the seventeenth century, and from its 
 Introduction into England by Caxton to the present time. 8vo. 
 London, 1797. 
 
 3626. LEMOINE, Henry. Typographical Antiquities. History, Origin, 
 and Progress of the Art of Printing. 8vo: London, 1813. 
 
 3627. LEWIS, John. The Life of Mayster Wyllyam Caxton of the Weald 
 of Kent ; the first Printer in England. With portrait of Caxton. 
 8vo. London, 17. 37-
 
 370 Canton Celebration* 
 
 Lent by William Blades, Esq. 
 
 3628. LINDE, Dr. A. Van Der. The Haarlem Legend of the Invention 
 of Printing by Lourens Janszoon Coster, critically examined. 
 Translated from the Dutch by J. H. Hessels. 8vo. London, 
 1871. 
 
 3629. LITERATURE. An Essay upon, or an Inquiry into the Antiquity 
 and Original of Letters, with the methods made use of by the 
 Antients to supply the want of Letters.. 8vo. London, 1726. 
 
 Embraces an account of the invention of Printing. 
 
 3630. LUCKOMBE, P., M.T.A. The History and Art of Printing. In 
 two parts. 8vo. London, 1771. 
 
 3631. LYNCH, Thomas. The Printer's Manual. A Practical Guide for 
 Compositors and Pressmen. 8vo. Cincinnati, 1872. 
 
 Contains some excellent technical instructions. 
 
 3632. McCREERY, John. The Press. A Poem. Published as a speci- 
 men of Typography. In two parts. 4to. Liverpool, 1803-1827. 
 
 A printer-poet. 
 
 3633. MACINTOSH, Charles A. Popular Outlines of the Press, Ancient 
 and Modern; or a Brief Sketch of the Origin and Progress of 
 Printing. 8vo. London, 1859. 
 
 3634. MACKELLAR, Thomas. The American Printer : a Manual of 
 Typography. 8vo. Philadelphia, 1873. 
 
 3635. MACKIE, Alexander. Italy and France. An Editor's Holiday. 
 8vo. London, 1874. 
 
 Contains notices of several of the chief printing-offices in France and Italy. 
 The author is the inventor of Mackie's Automatic Type-Composing Machine. 
 
 3636. McNEiLE, Rev. Hugh, M.A. A Lecture on the Life of Dr. 
 Franklin, delivered at the Liverpool Royal Amphitheatre, i7th 
 November, 1841, &c. With an Engraving of the Press at which 
 Franklin worked in London, printed on that press. 8vo. Lon- 
 don, 1842. 
 
 3637. MARTHENS, John F. Typographical Bibliography. A list of 
 books in the English Language on Printing and its Accessories. 
 4to. Pittsburgh, 1875. 
 
 Copy sent by the author for exhibition. 
 
 3638. MEMOIRS of a Printer's Devil. 8vo. Gainsbro', 1794. 
 
 3639. MILTON, John. Areopagitica. 4to. London, 1644. 
 
 An Essay on the freedom of the Press. Arber's reprint, 1868.
 
 31* Boofcg relating to printing, 371 
 
 Lent by William Blades, Esq. 
 
 3640. MOXON, Joseph. Mechanick Exercises ; or, the Doctrine of 
 Handy-works applied to the Art of Printing. 2 parts. 4to. 
 London, 1683. 
 
 This is a very rare work upon typography, printed on the west side of 
 Fleet-ditch, at the sign of Atlas. 
 
 3641. MUNSELL, Charles. A Collection of Songs of the American 
 Press, and other Poems relating to the Art of Printing. 8vo. 
 Albany, N. Y., 1868. 
 
 3642. MUNSELL, J. The Typographical Miscellany. 8vo. Albany, 
 U. S., 1850. 
 
 3643. NICHOLS, John, F.S.A. Memoir of. 8vo. London, 1874. 
 
 3644. OTTLEY, William Young, F.S.A. An Inquiry concerning the 
 Invention of Printing, in which the systems of Meerman, Hein- 
 ecken, Santander, and Koning are reviewed. 4to. London, 1863. 
 
 3645. PALMER, S. The General History of Printing, from its first 
 invention in the City of Mentz to its first progress and propagation 
 thro' the most celebrated Cities in Europe, particularly its in- 
 troduction, rise and progress in England, the Characters of the 
 most celebrated Printers from 1520 to 1550, with an account of 
 their works. 4to. London, 1732. 
 
 This is entirely historical and of little value, being very inaccurate. 
 
 3646. PAPER, the making of. 8vo. n. d. 
 
 3647. PARTINGTON, C. F. The Printer's Complete Guide ; containing 
 a Sketch of the History and Progress of Printing to its present 
 state of Improvement. 8vo. London, 1831. 
 
 3648. PARTON, James. The Life of Horace Greeley, Editor of the "New 
 York Tribune." 8vo. Boston, 1869. 
 
 3649. PEARSON, Emily C. Gutenberg and the Art of Printing. 8vo. 
 Boston (U. S.), 1871. Illustrated. 
 
 3650. POWER, John. A Handy-Book about Books. 8vo. London, 
 1870. 
 
 A good deal of information about printers and printing. 
 
 3651. PRINTERS. Printer, The, and Printing in the Fifteenth and the 
 Nineteenth Centuries. A review in the " Quarterly Review " of 
 1833. 8vo. London, 1833. 
 
 3652. PRINTERS. Pressmen's Guide, The. Brooklyn, 1873.
 
 372 Canon Celebration, 
 
 Lent by William Blades, Esq. 
 
 3653. PRINTER'S Calculator, 1876. Ruse's Imposition simplified, 1875. 
 Newman's Guide to Printing, 1876. 
 
 3654. PRINTERS. Compositors' Guide to the London Printing Offices, 
 containing a List for the use of those in search of Employment, 
 and other useful Information. 8vo. London, 1875. 
 
 3655. PRINTERS. Chapel Rules. Messrs. Wyman and Sons. 1875. 
 
 3656. PRINTERS. Printers' Strike, 1791. An Account of the Rise and 
 Progress of the Dispute between the Masters and Journeymen 
 Printers, exemplified in the trial at large, with remarks thereupon, 
 and the Speeches of Messrs. Knapp, Raine, and Hovell. Pub- 
 lished for the benefit of the Men in Confinement. 8vo. London, 
 1799. 
 
 3657. PRINTERS. The Trial of John Peter Zenger, of New York, 
 Printer, who was lately Try'd and Acquitted for Printing and Pub- 
 lishing a Libel against the Government. 4to. London, 1738. 
 
 3658. PRINTERS. Press, Voices from the. A Collection of Sketches, 
 Essays, and Poems by Practical Printers, edited by James J. 
 Brenton. 8vo. New York, 1850. 
 
 3659. PRINTERS. Poets and Poetry of Printerdom. Edited by Oscar 
 H. Harpel. 8vo. Cincinnati, 1875. 
 
 3660. PRINTING. Letters of the Danish Protestant Missionaries and 
 others in the East Indies, &c. Third edition. 121110. London, 
 1718. 
 
 1. The Art of cutting Words with iron tools on palm leaves. 
 
 2. The Damulian Language and Dictionary, prepared by the 
 Missionaries. 
 
 3. Introduction of a Printer and Printing-press from England. 
 
 4. Books printed by the Missionaries; Type Foundry, and 
 Paper Mill. 
 
 3661. PRINTING, a Concise History of the Origin and Progress of. By 
 Wm. Bowyer and J. Nichols. 8vo. London, 1770. 
 
 3662. PRINTING, the Origin of. In two Essays. Second edition. 8vo. 
 London, 1776. 
 
 3663. PRINTING, the History of. 8vo. London, 1855. 
 
 3664. PRINTING, the History of. i2mo. London, 1862. 
 
 3665. PRINTING, the History of, with Copies of the Stationers' Com- 
 pany Charters, &c. 8vo. London, n. d. 
 
 3666. PRINTING: its Dawn, Day, and Destiny. 410. London, 1858.
 
 3|. Bookg relating to printing:, 373 
 
 Lent by William Blades, Esq. 
 
 3667. PRINTING Press, the. Three Numbers. 8vo. Chicago, 1876. 
 
 3668. PRINTING, Rusher's new mode of. Rasselas, Prince of Abyssinia. 
 By Dr. Johnson. Printed with patent types in a manner never 
 before attempted. 8vo. Banbury, 1804. 
 
 3669. PRINTING. Caxton and the Art of Printing. 8vo. London, 
 
 1852. 
 
 3670. PRINTING Machine, Specification of William Nicholson for a. 
 Folio. London, 1856. 
 
 3671. PRINTING Machine, Letterpress, Specification of Thomas Prosser. 
 Folio. London, 1856. 
 
 3672. PRINTING Machines, Specifications of Joseph Bramah. Folio. 
 London, 1856. 
 
 3673. PRINTING Presses, Specification of John Brown. Folio. London, 
 1856. 
 
 3674. PRINTING and Stamping Presses, Specification of A. F. de Heine. 
 Folio. London, 1856. 
 
 3675. PRINTING Machines, Specifications of F. Koenig. Folio. Lon- 
 don, 1856. 
 
 3676. PRINTING of Music, Types for the, Specification of H. Fougt. 
 Folio. London, 1856. 
 
 3677. PRINTING Music, Specification of Samuel Arnold. Folio. Lon- 
 don, 1856. 
 
 3678. PRINTING on Silk, Metal Cases to hold Types for, &c. Also 
 raised letters, printing-presses, &c. Folio. London, 1856. 
 
 3679. PRINTING. Stereotypes, Specification of Henry Johnson, for 
 Logotypes. Folio. London, 1856. 
 
 3680. PRINTING Type, Punches for Stamping the Matrices of, Dies, &c., 
 Specification of Robert Barclay. Folio. London, 1856. 
 
 3681. PRINTING Type, Specification of William Rusher. Folio. Lon- 
 don, 1856. 
 
 3682. PRINTING. The Game of the Chesse : a Moral Treatise on the 
 Duties of Life. The first book printed in England by William 
 Caxton, 1474. Reprinted in Phonetic spelling. 8vo. London. 
 n. d. 
 
 3683. "PRINTING. Heliotype Process, the, Described and Illustrated, 
 with twelve specimens. 4to. London.
 
 374 Ca.rton Celebration. 
 
 Lent by William Blades, Esq. 
 
 3684. PRINTING. The London Scale of Prices for Compositors' Work, 
 agreed upon April i6th, 1810, with Explanatory Notes, and the 
 Scales of Leeds, York, Dublin, &c. 8vo. London, 1835. 
 
 3685. "PRINTING. The Printers', Lithographers', Engravers', Book- 
 
 binders', and Stationers' Business Guide, edited by W. F. Crispe. 
 8vo. London, 1876. 
 
 3686. PUNCTUATION, A Treatise on, and on other matters relating to 
 Correct Writing and Printing, by an Old Printer. 8vo. London, 
 1870. 
 
 3687. RAMALEY, David. Employing Printers' Price List for Job- 
 Printing. 8vo. Saint Paul, Minn., N. Y., 1873. 
 
 3688. RINGWALT, J. Luther. American Encyclopaedia of Printing. 
 8vo. Philadelphia, 1871. 
 
 3689. SANTANDER, M. de la Serna. An Historical Essay on the Origin 
 of Printing, translated from the French of. 8vo. Newcastle, 
 1819. 
 
 Translated by Thomas Hodgson for the Typographical Society of New- 
 castle-upon-Tyne. 
 
 3690. SHEAHAN, James W. The Printer. 8vo. Chicago, 1869. 
 
 3691. SHEPHERDSON, William. Starting a " Daily " in the Provinces. 
 8vo. London, 1876. 
 
 An interesting account of the birth and progress of the " Sheffield Daily 
 Telegraph," by Joseph Pearce, Printer. 
 
 3692. SINGER, S. W. Some Account of the Book printed at Oxford in 
 1468, under the title of Exposicio Sancti Jeronimi in simbolo 
 Apostolorum ; in which is examined its claim to be considered 
 the first book printed in England. 8vo. London, 1812. 
 
 3693. SKEEN, William. Early Typography. An Essay on the Origin 
 of Letter-press Printing in the fifteenth century. 8vo. London 
 (Colombo), 1872. 
 
 The author was the Government printer at Colombo. 
 
 3694. SMITH, John. The Printer's Grammar : wherein are Exhibited, 
 Examined, and Explained, the Superficies, Gradation, and 
 Properties of the different sorts of Metal Types cast by Letter 
 Founders : sundry Alphabets of Oriental and some other Lan- 
 guages, &c. 8vo. London, 1755. 
 
 A practical work on types and composition, which has formed the basis of 
 all subsequent grammars.
 
 31. Books relating: to printing:. 375 
 
 Lent by William Blades, Esq. 
 
 3695. SOUTHWARD, John. A Dictionary of Typography. 410. London, 
 1870-71. Second edition. 8vo. London, 1875. 
 
 3696. STARK, Adam. Printing : its Antecedents, Origin, History, and 
 Results. - i2mo. London, 1855. 
 
 3697. STOWER, C. The Printer's Grammar, or an Introduction to the 
 Art of Printing. 8vo. London, 1808. 
 
 3698. STOWER, C. The Printer's Price-Book. 8vo. London, 1814. 
 
 3699. SAVAGE, William. Practical Hints on Decorative Printing, with 
 Illustrations engraved on Wood and printed in Colours at the 
 Type Press. 4to. London, 1822. 
 
 A most interesting work. The colour-printing is exceedingly good. 
 
 3700. SAVAGE, William. A Dictionary of the Art of Printing. 8vo. 
 London, 1841. 
 
 An excellent book of reference for a printer. 
 
 3701. THAYER, W. M. How Benjamin Franklin, the Printer Boy, 
 made his Mark. 8vo. Edinburgh and London, n. d. 
 
 3702. THOMAS, Isaiah, LL.D. The History of Printing in America, 
 with a Biography of Printers and an Account of Newspapers ; 
 with a Catalogue of American Publications previous to the Revo- 
 lution of 1776. Second edition. 2 vols. 8vo. Albany, 1874. 
 
 3703. TIMPERLEY, C. H. The Printers' Manual. 8vo. London, 1838. 
 
 3704. TIMPERLEY, C. H. Encyclopaedia of Literary and Typographical 
 Anecdote : being a Chronological Digest of the History of 
 Literature and Printing from the earliest period to the present 
 time. A second edition, to which are added a continuation to the 
 present time, and a Practical Manual of Printing. 8vo. London, 
 1842. 
 
 This is Timperley's Dictionary of Printers and Printing with a new title. 
 
 3705. TIMPERLEY, C. H. Songs of the Press, and other Poems relative 
 to the Art of Printers and Printing, edited by. 8vo. London, 
 
 1845. 
 
 3706. TRUMBULL, G. Pocket Typographia. A brief practical Guide to 
 the Art of Printing. i2mo. Albany, 1846. 
 
 3707. VINNE, Theo. L. de. The Printer's Price List. A Manual for 
 the Use of Clerks and Book-keepers in Job Printing Offices. 8vo. 
 New York, 1871.
 
 376 Canton Celebration* 
 
 Lent by William Blades, Esq. 
 
 3708. WATSON, James. The History of the Art of Printing, containing 
 an Account of its Invention and Progress in Europe ; with the 
 Names of the Famous Printers and the Works printed by them, 
 and a Preface by the Publisher to the Printers of Scotland. 8vo. 
 Edinburgh, 1713. 
 
 3709. WEST, W. Fifty Years' Recollections of an Old Bookseller, con- 
 sisting of Anecdotes, Characteristic Sketches, and Original Traits 
 and Eccentricities of Authors, &c. 8vo. Cork, 1835. 
 
 A great deal about printers and printing. 
 
 3710. WILSON, John. A Treatise on English Punctuation; designed 
 for Letter-writers, Authors, Printers, and Correctors of the Press. 
 23rd edition. 8vo. New York, 1871. 
 
 The first edition, intended solely for the use of printers, was issued in 1826. 
 
 FRENCH. 
 
 3711. ALKAN, Aine. Annales de la Typographic franaise et etrangere. 
 8vo. Paris, 1847. 
 
 3712. ALKAN, Aine". Notice sur P. J. Fessin, Fondeur en caracteres. 
 8vo. Paris, 1853. 
 
 3713. ALKAN, Aine. Discours, accompagne de Notes typographiques 
 et bibliographiques. 2me. edition. 8vo. Paris, 1856. 
 
 3714. ALKAN, Aine. Les Femmes Compositrices d'Imprimerie sous la 
 Revolution fran9aise en 1794. 8vo. Paris, 1862. 
 
 3715. ALKAN, Aine. Notice sur L. C. Silvestre, ancien Libraire- 
 Editeur. 8vo. Paris, 1868. 
 
 3716. ALKAN, Aine. Notice sur L.-C. Silvestre, ancien libraire-e'diteur 
 et ancien proprietaire des salles de vente connues sous son nom. 
 8vo. Paris, 1868. 
 
 3717. ALKAN, Aine. Notice Necrologique sur Just-Jean Etienne Roy, 
 homme de lettres, 1'un des collaborateurs des librairies Mame k 
 Tours, Lefort a Lille, Martial Ardant Freres a Limoges. 410. 
 Paris, 1871. 
 
 3718. ALKAN, M., Aind Discours prononce le 6 Avril, 1856, lors de sa 
 reception comme Membre honoraire de la Societe fraternelle des 
 Protes des Imprimeries typographiques de Paris, accompagne de 
 notes typographiques et bibliographiques. 8vo. Paris, 1856.
 
 f 
 
 31 Book0 relating; to printing:. 377 
 
 William Blades, Esq. 
 
 3719. BERNARD, Auguste. Voyage Typographico-archeologique en 
 Allemagne et en Belgique. 2 me. Excursion. Aout, 1852. 
 
 3720. BERNARD, Aug. De 1'Origine et des De'buts de I'lmprimerie en 
 Europe. 2 torn. Paris, 1853. 
 
 3721. BERNARD, Aug. Les Estienne et les types Grecs de Frangois 
 I. 8vo. Paris, 1856. 
 
 3722. BERNARD, Aug. Geofroy Tory, peintre et graveur, premier im- 
 primeur royal, reformateur de 1'orthographe et de la typographic 
 sous Francois I. 8vo. Paris, 1857. Seconde edit. 8vo. Paris, 
 1865. 
 
 3723. BERNARD, Aug. Histoire de I'lmprimerie Royale du Louvre. 
 8vo. Paris, 1867. 
 
 3724. BERTRAND-QUINQUET, M. Traitd de rimprimerie. 4to. Paris, 
 1799. 
 
 3725. BOISSE, M. D'Escodeca De. Exposition Universelle de 1855. 
 Quelques details sur les produits de I'lmprimerie Impe'riale de 
 France. 8vo. Paris, 1855. 
 
 3726. BOUTMY, Eugene. Les Typographies Parisiens, suivis d'un petit 
 Dictionnaire de la Langue verte Typographique. 8vo. Paris, 
 1874. 
 
 3727. BIBLIOPHILE, le Livre du. 8vo. Paris, 1874. 
 
 3728. BREBAN, Corrard de. Recherches sur 1'establissement et 1'exercice 
 de I'lmprimerie a Troyes. 8vo. Paris, 1873. 
 
 3729. BRUNET, Gustave. Imprimeurs Imaginaires et Libraires suppose's, 
 e"tude bibliographique. 8vo. Paris, 1866. 
 
 3730. BRUN, M. Manuel pratique et abrege" de la Typographic Fran- 
 gaise. Seconde edition. 8vo. Bruxelles, 1826. 
 
 3731. CAMPBELL, M. F. A. G. Annales de la Typographic Neerlandaist 
 au XVe. siecle. 8vo. La Haye, 1874. 
 
 3732. CHEVILLIER, Andre'. L'Origine de I'lmprimerie de Paris, Disser- 
 tation historique et critique. 4to. Paris, 1 694. 
 
 3733- CLAYE, Jules. Manuel de 1'Apprenti Compositeur. ame. edition. 
 8vo. Paris, 1874. 
 
 3734. DAUNOU, M. Analyse des opinions diverses sur 1'Origine de 
 ITmpriinerie. 8vo. Paris, 1803.
 
 37 8 Canton Celebration* 
 
 Lent by William Blades, Rsq. 
 
 3735- DELANDINE, Ant. F. Histoire Abre"ge"e de PImprimerie, ou precis 
 sur son origine, son establissement en France. 8vo. Paris, n. d. 
 
 3736. DIDOT, A. Firmin. Essai sur la Typographic. 8vo. Paris, 1851. 
 
 3737. DIDOT, Ambroise Firmin. Essai Typographique et Bibliographique 
 sur 1'histoire de la Gravure sur Bois. 8vo. Paris, 1863. 
 
 3738. DIDOT, Ambroise F. Observations sur 1'Orthographe ou Orto- 
 grafie Frangaise suivies d'une histoire de la reforme orthographique 
 depuis le XVe. siecle jusqu'a nos jours. 2me. edit. Paris, 1868. 
 
 3739. DIDOT, A. Firmin. Aide Manuce et PHelle'msme a Venise. 8vo. 
 Paris, 1875. 
 
 3740. DUDIN, M. Art du relieur, augmentee de tout ce qui a ete e"crit 
 de mieux sur ces matieres en Allemagne, en Angleterre, en Suisse, 
 en Italic, etc., par J. E. Bertrand. 4to. Paris, 1820. 
 
 3741. DUPRAT, F. A. Histoire de 1'Imprimerie Imperiale de France, 
 suivie des specimens des Types Strangers et Frangais de cet 
 etablissement. 8vo. Paris, 1861. 
 
 3742. DUPRAT, F. A. Aperc,u sur les progres de la Typographic depuis 
 le XVIe. siecle et sur 1'etat actuel de 1'Imprimerie de Paris. 8vo. 
 Paris, 1863. 
 
 3743. DUPONT, Paul. Histoire de 1'Imprimerie. 2 torn. 8vo. Paris, 
 1854. 
 
 3744. DURER, Albert, a Venise et dans les Pays-Bas. Autobiographic, 
 Lettres, Journal de Voyages ; Papiers divers, traduits de I'Allemand 
 avec des Notes et une Introduction par Charles Narrey. Folio. 
 Paris, 1866. 
 
 3745. EGGER, M. Lettre de, de la Fabrication et du Prix du Papier 
 dans I'Antiquite". 8vo. Paris, 1857. 
 
 3746. ESTIENNE, Robert. Les Censures des Theologiens de Paris . . . 
 avec la reponse d'iceluy Robert Estienne. 8vo. [Paris], 1552. 
 Reimprime par Jules Guillaume Fick. Geneve, 1866. 
 
 3747. EVEN, Edward van. Notice sur Pierre Werrecoren, imprimeur a 
 St. Maertensdyk, en Ze'lande (1478). Extrait du tome VIII. du 
 Bulletin du Bibliophile Beige. 8vo. Bruxelles, 1851. 
 
 3748. FERTEL, M. D. La Science pratique de ITmprimerie, contenant 
 des instructions tres-faciles pour se perfectionner dans cet Art. 
 4to. Saint Omer, 1723.
 
 3J t 23oofe0 relating: to pn'ntmg;. 379 
 
 Lent by William Blades, Esq. 
 
 3749. FISCHER, G. Essai sur les Monumens typographiques de Jean 
 Gutenberg, Mayenc.ais, Inventeur de PImprimerie. 410. Mayence, 
 an X. A portrait of Gutenberg. 
 
 3750 FOURNIER Le Jeune, M. Traite's Historiques et Critiques sur 
 1'Origine et les Progres de I'lmprimerie. 8vo. Paris, 1758-60. 
 
 3751. FOURNIER Le Jeune, M. De 1'Origine et des Productions de 
 I'lmprimerie primitive en taille de bois. 8vo. Paris, 1759. 
 
 3752. FOURNIER Le Jeune, M. Manuel Typographique, utile aux gens 
 de Lettres. 2 torn. 8vo. Paris, 1764. 
 
 3753. FOURNIER, Henri. Traite de la Typographic. 8vo. Paris, 1825. 
 3rd edition. 8vo. Tours, 1870. 
 
 3754. FRANKLIN, Alfred. La Sorbonne, ses origines, sa Bibliotheque, 
 les debuts de I'lmprimerie k Paris, et la succession de Richelieu. 
 Deuxieme edition. 8vo. Paris, 1875. 
 
 3755. FRERE, Ed. De PImprimerie et de la Librairie k Rouen, dans les 
 XVe. et XVIe. siecles, et de Martin Morin, celebre Imprimeur 
 Rouennais. 4to. Rouen, 1843. 
 
 3756. FREY, A. Manuel nouveau de Typographic. 2 torn. i2mo. 
 Paris, 1835. 
 
 3757- GAGNIERE, A. Histoire de la Presse sous la Commune du 18 
 Mars au 24 Mai, 1871. 8vo. Paris, 1872. 
 
 ,758. GERONVAL, A. de. Manuel de PImprimeur. i2mo. Paris, 1826. 
 
 3759- GRIMONT, Ferd. La Presse Parisienne : Catalogue general des 
 Journaux politiques, litteraires, scientifiques et industriels, .parais- 
 sant au mois de Juillet, 1857. 8vo. Paris, 1857. 
 
 3760. GUTENBERG, Jean, Premier Maitre Imprimeur : ses faits et discours 
 les plus dignes d'admiration, et sa mort. Ce recit fidele, ecrit par 
 Fr. Dingelstedt, est ici traduit de Pallemand en Francois par Gus- 
 tave Revilliod. Folio. Geneve, 1858. 
 
 Several very interesting illustrations. 
 
 3761. HATIN, Eugene. Bibliographic historique et critique de la Presse 
 Pdriodique Franaise. 8vo. Paris, 1866. 
 
 3762. HELBIG, H. Notes et Dissertations relatives a PHistoire de 
 PImprimerie. 8vo. Bruxelles, n. d. 
 
 3763. HOFFMANN, L. F. Essai d'une liste chronologique des ouvrages 
 et dissertations concernant PHistoire de PImprimerie en Belgique 
 et en Hollande. 8vo. Bruxelles, 1859.
 
 380 Ca.rton. Celebration, 
 
 Lent by William Blades, Esq. 
 
 3764. HOLTROP, J. W. Thierry Martens d'Alost, e"tude Bibliographique. 
 8vo. La Haye, 1867. 
 
 3765. HULST, Felix van. Chr. Plantin. 2me. edition. 8vo. Liege, 1846. 
 
 3766. IMPRIMERIE. Description d'une Nouvelle presse execute'e pour 
 le service du Roi. 4to. Paris, 1783. 
 
 3767. IMPRIMERIE. Recherches historiques et critiques sur 1'etablisse- 
 ment de 1'Art Typographique en Espagne et en Portugal. 8vo. 
 Paris, 1830. 
 
 3768. IMPRIMERIE. Listes Alphabdtiques d'une petite Collection de 
 portraits d'Imprimeurs, de Libraires, de Fondeurs de Caracteres, 
 et Correcteurs d'Epreuves. 4to. Leide, 1836-61. 
 
 3769. IMPRIMERIE. Histoire de 1'Invention de I'lmprimerie par les 
 Monuments. Folio. Paris, 1840. 
 
 3770. L'IMPRIMERIE, la Librairie, et la Papeterie a 1'Exposition Univer- 
 selle de 1851. Rapport du XVIIe. Jury. 2me. edit. Paris, 1854. 
 
 377.1. IMPRIMERIE. Typographes et gens de lettres. 8vo. Paris, 1864. 
 
 3772. L'IMPRIMERIE. Journal de la Typographic, de la Lithographic, et 
 des Industries Accessoires. 4to. Paris, 1864-67. 
 
 3773. IMPRIMERIE. Album d'impressions typographiques en couleur de 
 I'lmprimerie de G. Silbermann a Strasbourg. Folio. Strasbourg, 
 1872. 
 
 3774. ISEGHEM, A. F. van. Biographie de Thierry Martens d'Alost, 
 premier imprimeur de la Belgique. 8vo. Malines, 1858. 
 
 3775- JANIN, Jules. Le Livre. 8vo. Paris, 1870. 
 
 3776. JOUAUST, D. Imprimerie, Editions de Bibliophiles. i2mo. 
 Paris, 1872. 
 
 3777. KONING, Jacques. Dissertation sur 1'Origine, 1'Invention, et le 
 Perfectionnement de LTmprimerie. 8vo. Amsterdam, 1819. 
 
 3778. LABORDE, Le"on de. Debuts de Flmprimerie a Strasbourg, ou 
 Recherches sur les Travaux Mysterieux de Gutenberg dans cette 
 ville, et sur le Proces qui lui fut intente" en 1439 ^ cette Occasion. 
 8vo. Paris, 1840. 
 
 3779. LACROIX, Paul, Edouard Fournier, et Ferdinand Serd Histoire de 
 I'lmprimerie et des Arts et Professions qui se rattachent a la 
 Typographic. 8vo. Paris, 1852.
 
 Class 3. Books relating to printing 381 
 
 Lent by William Blades, Esq. 
 
 3780. LAMBINET, P. Recherches Historiques, Litteraires et Critiques, 
 sur 1'Origine de I'lmprimerie ; particulierement sur ses premiers 
 e"tablissemens, au XVe. siecle, dans la Belgique, maintenant reunie 
 a la Republique Franchise. 8vo. Bruxelles, n. d. 
 
 3781. LEFEVRE, The"otiste. Guide pratique duCompositeurd'Imprirnerie. 
 8vo. Paris, 1872-3. 
 
 3782. LUCHET, A. Recit de 1'inauguration de la Statue de Gutenberg. 
 8vo. Paris, 1840. 
 
 3783. MADDEN, J. P. A. Lettres d'un Bibliographic et etudes sur 
 Gutenberg et sur Schoiffer et sur les Origines de rimprimerie. 2 
 torn. Paris, 1868-75. 
 
 3784. MANSION, Colard, Notice sur, Libraire et Imprimeur de la ville 
 de Bruges en Flandre dans le quinzieme siecle. 8vo. Paris, 
 1829. 
 
 3785. MARCH AND, Prosper. Histoire de 1'Origine et des premiers pro- 
 gres de rimprimerie. 4to. La Haye, 1740. 
 
 3786. SUPPLEMENT to the above. 410. Paris, 1775. 
 
 3787. MAUREL, F. L'Imprimerie au Japon. 41.0. Paris, 1572. 
 
 3788. MEERMAN, M. Plan du Traite des Origines Typographiques. 
 8vo. 1762. 
 
 3789. MEERMAN, M. De 1'Invention de I'lmprimerie, ou Analyse des 
 deux ouvrages public's sur cette matiere. 8vo. Paris, 1809. 
 
 3790. MEERSCH, P. C. Van der. Recherches sur la Vie et les Travaux 
 des Imprimeurs Beiges et Neerlandais. 8vo. Gaudet, Paris, 
 1856. 
 
 3791. METZ, Essai Philologique sur les commencemens de la Typo- 
 graphic a, et sur les Imprimeurs de cette Ville, pulse" dans les 
 materiaux d'une histoire litteraire, biographique, et bibliographique 
 de Metz et de sa province. 8vo. Metz, 1828. 
 
 3792. MOMORO, Ant. Franc. Traite ele"mentairc de I'lmprimerie, ou le 
 Manuel de ITmprimeur. 8vo. Paris, 1786. 
 
 3793. MONET, A. L. Le conducteur ,de Machines typographiques. 
 Guide pratique. 8vo. Paris, 1872. 
 
 3794. MOOCK, L. Traite* pratique complet d'lmpression photcgraphique 
 aux encres grasses. 8vo. Paris, 1874. 
 
 3795. MOTTEROZ, M. Essai sur les gravures chimiques en relief. 8vo. 
 Paris, 1871.
 
 382 Canton Celebration* 
 
 Lent by William Blades, Esq. 
 
 3796. OSMONT, J. B. L. Dictionnaire Typographique, Historique, et 
 Critique des Livres rares, singuliers, estimes et recherche's en tous 
 genres. 2 torn. Paris, 1768. 
 
 3797. PAEILE, Ch. Essai Historique et Critique sur 1'Invention de 
 I'lmprimerie. 8vo. Paris, 1859. 
 
 3798. PAROY, M., Le Mis de. Precis sur la Stereotypie, prced d'un 
 coup d'oeil rapide sur 1'Origine de I'lmprimerie et de ses progres. 
 8vo. Paris, 1822. 
 
 3799. PIETERS, Charles. Annales de I'lmprimerie Elsevirienne, ou 
 Histoire de la Famille des Elsevier et de ses editions. 8vo. 
 Gand, 1851. 
 
 3800. PINCHART, Alexandre. Recherches sur les Cartes a jouer et sur 
 leur fabrication en Belgique depuis 1'annee 1379 jusqu'a la fin du 
 XVIIIe. siecle. 8vo. Bruxelles, 1870. 
 
 3801. POUY, Ferdinand. Recherches Historiques et Bibliographiques 
 sur I'lmprimerie et la Librairie et sur les Arts et Industries qui 
 s'y rattachent dans le departement de la Somme. 8vo. Paris, 
 1863. 
 
 3802. RENOUARD, Ant. Aug. Annales de I'lmprimerie des Aide, ou 
 Histoire des trois Manuce et de leurs editions. 8vo. 3 torn, in i. 
 Paris, 1825. 
 
 3803. RENOUARD, 'Ant. Aug. Annales de I'lmprimerie des Estienne, 
 ou Histoire de la Famille des Estienne et de ses editions. 8vo. 
 Paris, 1837-38. 
 
 3804. REUME, -A. De. Recherches Historiques, Genealogiques, et 
 Bibliographiques sur les Elsevier. 8vo. Bruxelles, 1847. 
 
 3805. ROCHELLE, J. F. Nee de la. Eloge Historique de Jean Gens- 
 fleisch dit Guttenberg, Premier Inventeur de 1'Art Typographique 
 a Mayence. 8vo. Paris, 1811. 
 
 Portrait of Gutenberg. 
 
 3806. RUELENS, Charles. La question de 1'Origine de I'lmprimerie et le 
 Grand Concile Typographique. 8vo. Bruxelles, 1855. 
 
 3807. RUELENS, C. et A. De Backer. Annales Plantiniennes depuis la 
 Fondation de I'lmprimerie Plantinienne a Anvers jusqu'k la mort 
 de Chr. Plantin (1555-1589). 8vo. Paris, 1866. 
 
 3808. SIENNICKI, S. Joseph. Les Elzevir de la Bibliotheque de 
 1'Universite Impdriale de Varsovie. 8vo. Varsovie, 1874.
 
 3* Boofeg relating; to printing;,. 383 
 
 Lent by William Blades, Esq. 
 
 3809. SILVESTRE, L. C. Marques Typographiques, ou Recueil des Mono- 
 grammes, Chiffres, Enseignes, Emblemes, &c., qui ont exerce en 
 France, depuis Fintroduction de rimprimerie en 1470. 8vo. 
 Paris, 1853. 
 
 3810. SILVIUS, Guillaume, Imprimeur D'Anvers, quelques Notes sur. 
 (1560-1579.) 8vo. Bruxelles, 1862. 
 
 3811. VLISSINGEN, P. van. Epreuves d'une premiere Imprimerie javan- 
 aise .... a la fonderie de Jean Enschede et Fils. 4to. 
 Harlem, 1824. 
 
 3812. VINCARD, M. L'Art du Typographe. 2me. edition. 8vo. 
 Paris, 1823. 
 
 3813. VINCENT, J. B. Essai sur 1'Histoire de I'lmprirnerie en Belgique 
 depuis le XVe. jusqu'a la fin du XVIIIe. Siecle. 8vo. 
 Bruxelles, 1867. 
 
 3814. VRIES, A. De. Eclaircissemens sur 1'Histoire de 1'Invention de 
 rimprimerie. Traduit du Hollandais par J. J. F. Noordziek. 
 8vo. La Haye, 1843. 
 
 3815. WALTHER, Dr. C. F. Catalogue Bibliographique et raisonne des 
 Editions Elzeviriennes de la Bibliotheque Imperiale publique 
 de St. Petersbourg. 8vo. St. Petersbourg, 1864. 
 
 3816. WERDET, Edmond. De la Librairie Franchise, son passe, son pre- 
 sent, son avenir, avec Notices Biographiques sur les Libraires. 
 8vo. Paris, 1860. 
 
 3817. WERDET, Edmond. Histoire du Livre en France depuis les temps 
 les plus recules jusqu'en 1789. 8vo. Paris, 1862. 
 
 3818. WERDET, Edmond. Etudes Bibliographiques sur la famille des 
 Didot. 1713-1864. 8vo. Paris, 1864. 
 
 3819. WINARICKY, Rev. C. Jean Gutenberg, ne en 1412, a Kuttenberg 
 en Boheme. Essai Historique et Critique. 8vo. Bruxelles, 1847. 
 
 GERMAN. 
 
 3820. ^EBi, J. L. Die Buchdruckerei zu Beromiinster im funfzehnten 
 Jahrhundert. 8vo. Einsiedeln, New York, and Cincinnati, 1870. 
 
 3821. ANDENCKEN, gepriesenes, von Erfindung der Buchdruckerey wie 
 solches in Leipzig beym Schluss des dritten Jahrhunderts von den 
 gesammten B^chdruckern daselbst gefeyert worden. 410. In den 
 Buchdruckereyen in Leipzig, 1740.
 
 384 Carton Celebration* 
 
 Lent by William Blades, Esq. 
 
 3822. BACHMANN, J. H. Neues Handbuch der Buchdruckerkunst. 
 8vo. Weimar, 1876. 
 
 3823. BACHMANN, J. H. Die Schriftgiesserei. 4to. Leipzig, 1868. 
 
 3824. BACHMANN, J. H. Die Schule des Musiknoten-Satzes. 4to. 
 Leipzig, 1875. 
 
 3825. BAUR, E. C. Primitiae typographicae Spirensis, oder Nachrichten 
 von der ersten und beriihmten Drachischen Buchdruckerey in der 
 Reichs-Stadt Speyer und denen in dem XVten bis zu Anfang des 
 XVIten Seculi daselbst gedruckten merckwiirdigen Btichern, wie 
 auch dem ersten und raren Speyrischen Neuen Testament. 8vo. 
 Speyer, 1764. 
 
 The history of printing in general and of Speyrischen printing in particular. 
 
 3826. BIBLIOGRAPHISCHE Adversaria, Nos. 2, 3. 8vo. Gravenhage, 
 1873- 
 
 3827. BLANCK, J. L. Bildnisse beriihmter Kiinstler Buchhandler Buch- 
 drucker und anderer Manner welche sich so wohl in als Ausserhalb 
 Teutschland verdient gemacht. Folio. Nurnberg, 1779. 
 
 It contains fifty-one portraits of printers, engravers, &c. 
 
 3828. BLUMENFELD, J. C. Die drei Tage Gutenbergs in Strassburg oder 
 eine Darstellung dessen, was man gesehen und gehort an diesen 
 drei grossen Tagen. 12 mo. Strassburg, 1840. 
 
 3829. BREITKOPF, J. G. I. Nachricht von der Stempelschneiderey und 
 Schriftgiesserey. Zur Erlauterung der Enschedischen Schriftprobe. 
 4to. Leipzig, 1777. 
 
 Reviewing the comparative merits of the founcleries of Fournier le Jeune 
 and Enschede. 
 
 3830. BRESLAU. Geschichte der seit dreihundert Jahren in, befindlichen 
 Stadtbuchdruckerey als ein beitrag zur allgemeinen Geschichte der 
 buchdruckerkunst. 4to. Breslau, 1804. 
 
 Portraits of Fust, Schoffer, Winkler, and Baumann, junior. 
 
 3831. BROCKHAUS, F. H. Zur Erinnerung an das funfzigjahrige Jubi- 
 la'um der firma F. A. Brockhaus. 410. Leipzig, 1857. 
 
 3832. BROCKHAUS, H. E. Friedrich Arnold Brockhaus, sein leben und 
 wirken nach briefen und andern Auszeichnungen geschildert. 2 
 Theil. 8vo. Leipzig, 1872-6. 
 
 3833. BUCHDRUCKERKUNST. Annalen der Typographic. Centralorgan 
 fur die technischen und materiellen interessen der Presse. 410. 
 Leipzig, 1870.
 
 31* Boofe0 relating: to printing 386 
 
 Lent by William Blades, Esq. 
 
 3834. BUCHDRUCKERKUNST. Typographia oder die Buchdruckerkunst, 
 eine Erfindung der Deutschen ; bei Gelegenheit der vierten Har- 
 lemer Secularfeier zur Ehre dieser Kunst in Erinnerung gebracht. 
 8vo. Essen, 1823. 
 
 3835. BUCHDRUCKERKUNST. Druckwerken, Die Herstellung von. 8vo. 
 Leipzig, 1868. 
 
 3836. BUCHDRUCKERKUNST. Abhandlung von der Buchdruckerkunst, 
 und einiger dahin gehorigen Stiicken des Alterthums. 8vo. 
 Bremen, 1740. 
 
 3837. BUCHDRUCKERKUNST. Reutlingen. Die Feier des Vierten Jubel- 
 festes der Buchdruckerkunst in Reutlingen am Johannis Feiertage 
 24 Junii, 1840. 8vo. Reutlingen, 1840. 
 
 3838. BUCHDRUCKEREY. Die wohl-eingerichtete, mit hundert-und ein 
 und zwanzig Teutsch-Lateinisch-Griechisch-und Hebraischen 
 Schrifften, &c. Oblong 410. Niirnberg, 1733. 
 
 3839. BUCHDRUCKEREY. Gepriesenes Andencken von erfindung der. 
 4to. Leipzig, 1740. 
 
 3840. BUCHDRUCKERKUNST. Die . . . Buchdruckerkunst und Schrift- 
 giesserey mit ihren Schriften, Formaten und alien dazu gehorigen 
 Instrumenten abgebildet auch klarlich beschrieben, &c. Mit einer 
 Vorrede Herrn Johann Erhard Kappens. 4 Bde. 8vo. Leipzig, 
 
 1740-5- 
 
 3841. BUCHDRUCKERKUNST. Das vierte Sacularfest der Erfindung der 
 Buchdruckerkunst begangen zu Stuttgart am 24 und 25 Juni, 
 1840. 4to. Stuttgart, 1840. 
 
 3842. BUCHDRUCKERKUNST. Dinten-Fass. Das auf alle Falle wohlein- 
 gerichtete, und die corrigirten Schreiberey-Materialien, &c. Zu 
 finden in Leipzig, bey dem Schreibe-Meister Johann Stapsen. 8vo. 
 Leipzig, 1736. 
 
 3843. BUCHDRUCKERKUNST. Tinten-Fass. Das auss neue wohl zube- 
 reitete, oder, Anweisung wie man gute schwarze, buntfarbige, auch 
 andere curiose Tinten zubereiten . . . soil. Dritte Auflage. 8vo. 
 Helmstadt, 1733. 
 
 3844. CAMPBELL, F. A. G. Bibliographische Adversaria. No. i. De 
 beginselen der boekdrukkunst te Rotterdam, door. 8vo. 
 's Gravenhage, 1873. 
 
 3845. CLESSEN, W. J. J. Drittes Jubel-Fest der Buchdruckerkunst. 
 8vo. Gotha, 1740. 
 
 c c
 
 386 Canton Celebration. 
 
 Lent by William Blades, Esq. 
 
 3846. DIDOT, Ambroise Firmin. Gutenberg, Jean ou Hans Gensfleisch. 
 Extrait de la Nouvelle Biographie Generate publiee par MM. 
 Firmin Didot Freres et Fils. 8vo. 1856. 
 
 3847. DIE Fest-tage der Buchdruckers. Eine Sammlung von Prologen 
 Festgriissen, Tafelliedern, Toasten, etc. i6mo. Leipzig, 1868. 
 
 3848. DITTRICH, Robert. Anleitung zum Satz der Musiknoten-Typen. 
 4to. Leipzig, 1872. 
 
 3849. DRESDEN. Der loblichen Buchdrucker-Gesellschafft zu Dresden 
 Jubel-Geschichte A. 1740, den 24 und 25 Junii. Mit einer 
 Vorrede Herrn Christian Schottgens. 410. Dresden, 1740. 
 
 3850. ED, C. M. Kurzgefasste Geschichte des Buchdrucks von C- M. 
 Ed, Buchdrucker. 8vo. Hamburg, 1839. 
 
 3851. EHE, Dr. A. v. Leben und Wirken Albrecht Diirer's. 8vo. 
 Nordlingen, 1869. _ 
 
 3852. ERFURT. Thuringisch-Erfurter Gedenkbuch der vierten Sacular- 
 Jubelfeier der erfindung der Buchdruckerkunst, 26-27 J un \ 1840. 
 8vo. Erfurt, 1840. 
 
 With a portrait of Gutenberg. 
 
 3853. FALKENSTEIN, Dr. Karl. Geschichte der Buchdruckerkunst in 
 ihrer Entstehung und Ausbildung. Ein Denkmal zur vierten 
 Sacular-Feier der Erfindung der Typographic. 410. Leipzig, 1856. 
 
 3854. FABRICIUS, J. F. Notizen iiber die Einfiihrung und erste Aus- 
 breitung der Buchdruckerkunst in Amerika. 8vo. Hamburg, 1841. 
 
 3855. FABRICIUS, J. F. Typologie, die Lehre und Kunde von Abdriicken 
 oder von Buchstaben iiberhaupt. 8vo. Hamburg, 1844. 
 
 3856. FERBER, L. Der Rund- und Bogen-Satz. 8vo. Offenbach, 1876. 
 
 3857. FONTENELLE, T. and Poisson, P. Vollstandiger Unterricht iiber 
 alle Schreib-, Zeichnungs-, und Druck-Materialien. 8vo. Ulm, 
 1831. 
 
 3858. FORMAT-BUECHLEIN, Neu auffgesetztes, oder Vorgestellte Nach- 
 richtungs-Figuren wie man auff der loblichen kunst Buchdruckerey 
 in alien . . . Formaten die Columnen recht ordentlich ausschies- 
 sen und stellen soil, &c. 1673. 
 
 3859. FRANKE, Carl August. Katechismus der Buchdruckerkunst und 
 der verwandten Geschaftsvveige. 8vo. Leipzig, 1872. 
 
 3860. FRESE, J. H. Die doppelte Buch- und Geschaftsfuhrung fiir 
 Buchdruckereien. 4to. Leipzig, 1859.
 
 3J . Book-* relating to printing;. 387 
 
 Lent by William Blades, Esq. 
 
 3861. FREYBERG, Christian August. Von den allerersten und altesten 
 Buchdruckern zu Dressden, &c. 4to. Dressden, 1740. 
 
 3862. FREYBERGEN, Christian August. Reliquien von der Dressdnischen, 
 und iibrigen Ober Sachsischen Buchdrucker-Historie gesammelt, 
 &c. 410. Dressden, 1741. 
 
 3863. GESSNER, Chn. Friedr., der in der Buchdruckerei wohl unterrich- 
 tete Lehr-Junge oder : bey der Loblichen Buchdruckerkunst 
 nothige und niizliche Anfangsgriinde, darinnen alles, was bey 
 selbiger in Acht zu nehmen u. zu lernen vorfallt, von einem 
 Kunstvenvandten mitgetheilet wird. 8vo. Leipzig, 1743. 
 
 Type-specimens of the Ehrhardt and Zincken type-foundries. 
 
 3864. GOLOWATZKIJ, Jakow Feodorowitsch. Sweipolt Fiol und seine 
 Kyrillische Buchdruckerei in Krakau von Jahre 1491. 8vo. 
 Vienna, 1876. 
 
 3865. GOZE, Dr. Ludwig. Aeltere geschichte der Buchdruckerkunst in 
 Magdeburg, i. Abtheilung : die drucker des XV. Jahrhunderts 
 mit 5 artistischen beilagen. 8vo. Magdeburg, 1872. 
 
 3866. GROTEFEND, C. L. Geschichte der Buchdruckereien in den 
 Hannoverschen und Braunschweigischen Landen. . 8vo. Hann- 
 over, 1840. 
 
 3867. GUTENBERG. Beschreibung des Festes dem Andenken des erfin- 
 ders der Buchdruckerkunst Johann Gensfleisch Zum, gefeiert in 
 Mainz am 4 Oktober, 1824. 8vo. Mainz, '1824. 
 
 3868. GUTENBERG. Gedenbuch an die festlichen Tage der Inauguration 
 des Gutenberg-Denkmals zu Mainz, 13-16 August, 1837. 8vo. 
 Mainz, 1837. 
 
 3869. GUTENBERG. Kurzer Abriss der Lebensbeschreibung. Nebst 
 Nachrichten uber die Errichtung und Einweihung seines Denk- 
 mals von Thorwaldsen zu Mainz. Svo. Mainz, 1840. 
 
 3870. HALTAUS, Dr. Karl. Album deutscher Schriftsteller zu vierten 
 Sacularfeier der Buchdruckerkunst. Svo. Leipzig, 1840. 
 
 The introduction treats of the invention of printing, and the Album consists 
 of pieces, mostly original, contributed by the most celebrated living authors and 
 authoresses of Germany. 
 
 3871. HASPER, W. Handbuch der Buchdruckerkunst. Svo. Carlsruhe 
 und Baden, 1835. 
 
 A technical work by a practical printer.
 
 388 Canton Celebration, 
 
 Lent by Willicdn Blades, Esq. 
 
 3872. HASSLER, Dr. K. D. Die Buchdrucker-Geschichte Ulm's zur 
 vierten Sacularfeier der Erfindung der Buchdruckerkunst. 4to. 
 Ulm 1840. 
 
 3873. HERING, Arthur. Anleitung zur Holzschneide-Kunst. 8vo. 
 Leipzig, 1873. 
 
 3874. HUG, J. Leonhard. Die Erfindung der Buchstabenschrift ihr 
 Zustand und friihester Gebrauch im Alterthum. 4to. Ulm, 1801. 
 
 3875. HUPFAUER, Paul. Druckstiicke aus dem xv Jahrhunderte, welche 
 sich in der Bibliothek des regulirten Chorstiftes Beuerberg 
 befinden. Mit 23 holtzschnitten. 8vo. Augsburg, 1794. 
 
 3876. IHM, B. A. Die bunten Farben in der Buchdruckerei und 
 insbesondere deren Druck auf der Schnellpresse. Ein Handbuch 
 zur prachtischen Erlernung und Forthilfe. 8vo. Wien and 
 Leipzig, 1874. 
 
 3877. JUBELZEUGNISSE, Oeffentliche, welche bey dem von einigen 
 Buchdruckern zu Halle den 25 Jul., 1740, Erneuerten Andenken 
 der vor dreyhundert Jahren erfundenen Buchdruckerkunst. 4to 
 Halle, 1741. 
 
 3878. KADE, Dr. E. Die vierte Siicularfeier der Buchdruckerkunst zu 
 Leipzig am 24, 25, 26, Juni, 1840. Eine Denkschrift im Auftrage 
 des Comite zur Feier der Erfindung der Buchdruckerkunst 
 verfasst. 4to. Leipzig: Ausgegeben am Johannistage, 1841. 
 
 3879. KLEINKNECHT, Conrad D. Gott-geheiligte Evangelisch-Luther- 
 ische Buchdrucker-Jubel-Freude. 8vo. Ulm, 1742. 
 
 3880. KLEMMEN, Joh. Ch. Das Angedencken des dritten Jubel- 
 Fests der edlen Buchdrucker-kunst auf der Universitat Tubingen 
 (welches) theils wie dieses Jubel-Fest A. 1740. 4to. Tubingen, 
 1740. 
 
 3881. KOEHLER, J. D. Hochverdiente und aus bewahrten Urkunden 
 wohlbeglaubte Ehren-Rettung Johann Guttenbergs, eingebohrnen 
 Burgers in Mayntz, aus dem alten Rheinlandischen Adelichen 
 Geschlechte derer von Sorgenloch, genannt Gansefleisch, wegen 
 der ersten Erfindung det nie gnug gepriesenen Buchdrucker- 
 Kunst in der Stadt Mayntz, zu unverganglichen Ehren der 
 Teutschen Nation. 4to. Leipzig, 1741. 
 
 3882. KONNECKE, Dr. G. Ein unbekannter Druck von William 
 Caxton aus dem Jahre 1483, in der Bibliotheca Hechto-Heineana 
 z.u Halberstadt aufgefunden. 8vo. Marburg, 1874.
 
 31. Bookg relating; to ^rintmff. 389 
 
 Lent by William Blades, Esq. 
 
 3883. KRAMERS, D. Daniel. D. Hieronymi Hornschuchs wohl unter- 
 vveisener Corrector. 8vo. Leipzig, 1739. 
 
 3884. KIESEWETTER, Dr. L. Gcdrangte Geschichte der Buchdrucker- 
 kunst von ihrer Erfindung bis auf unsere Tage. 8vo. Glogau, 
 1840. 
 
 3885. LAPPENBURG, J. M. Zur Geschichte der Buchdruckerkunst in 
 Hamburg am 24 Juni, 1840. 4to. Hamburg, 1840. 
 
 3886. LEMPERTZ, Heinrich. Beytrage zur altern Geschichte der Buch- 
 druck und Holzschneidekunst. i. Heft, mit abbildungen. 2. 
 Vermehrte Auslage. 4to. Kdln, 1839. 
 
 3887. LEMPERTZ, Heinrich. Bilder-hefte zur Geschichte des Biicher- 
 handels und der mit demselben venvandten Kiinste und Gewerbe. 
 Folio. Koln, 1853-65. 
 
 3888. LESSEL, J. C. Die edle Buchdruckerkunst (als ein von Gott 
 Geschencktes Hulffs-Mittel zur Fortpflantzung des Glaubens) im 
 Jahr Christi 1740, den 24 Junii am Tage St. Johannis des 
 Tauffers, bey dem Dritten Jubel-Feste. 410.4 Brief, 1740. 
 
 3889. LESSER, Fried. Christ. Typographia Jubilans, das ist : Kurtzge- 
 fasste Historic der Buchdruckerey. 8vo. Leipzig, 1740. 
 
 3890. LICHTENBERGER, J. F. Geschichte der Erfindung der Buch- 
 druckerkunst zur ehrenrettung Strassburgs und vollstandiger 
 Widerlegung der Sagen von Harlem. 8vo. Strassburg, 1824. 
 
 3891. LISCH, G. C. F. Geschichte der Buchdruckerkunst in Meklen- 
 burg, bis zum Jahre 1540. 8vo. Schwerin, 1839. 
 
 It gives a history of several of the early printers of Roslock. 
 
 3892. LORCK, C. B. Die Graphischen Kiinste auf der Ausstellung zu 
 Wien. 8vo. Leipzig, 1874. 
 
 3893. MAHNCKE, G. H. Johannes von Guttenberg, Erfinder der 
 Buchdruckerkunst, und Doctor Johann Faust oder die Zeichen 
 der Zeit. 8vo. Hamburg, 1809. 
 
 3894. MAITTAIRE, Mich. A. M. Annales Typographic! ab Artis in- 
 ventse origine ad annum M.D. 4to. Hagae, 1719. 
 
 Portraits of Gutenberg, Faustus, Costerus, Manucius, and Frobenius.
 
 390 dxi'ton Celebration. 
 
 Lent by William Blades, Esq. 
 
 3895. MARAHRENS, August. Vollstandiges theoretisch-praktisches 
 Handbuch der Typographic nach ihrem heutigen Standpunkt. 
 Herausgegeben von August Marahrens, Buchdrucker. 2 vols. 
 in one. 8vo. Leipzig, 1870. 
 
 Practical throughout, the first vol. being upon composition, and the second 
 upon press work. 
 
 3896. MARAHRENS, Aug. Vollstandiges Real-Lexikon der Buchdrucker- 
 kunst, und der ihr verwandten Graphischen Kiinste und Ge- 
 werbe. 8vo. Fulda, 1876. 
 
 3897. METZ, Fried. Geschichte des Buchhandels und der Buchdrucker- 
 kunst. 8vo. Darmstadt, 1834. 
 
 3898. MEYER, Dr. Heinrich. Gutenberg's Album. 8vo. Braunschweig, 
 1840. 
 
 Pieces in praise of printing in nearly every known language, ancient and 
 modern, except Irish and Welsh. 
 
 3899. MEYER, L. E. Die Buchdruckerkunst in Augsburg bei ihrem 
 Entstehen. Eine Denkschrift zur Feier des vierten Sakular- 
 Festes der Erfindung Guttenbergs. 8vo. Augsburg, 1840. 
 
 3900. MEZGER, G.*C. Augsburgs alteste Druckdenkmale und Form- 
 schneiderarbeiten welche in der vereignigten Konigl. Kreis und 
 Stadtbibliothek daselbst aufbewahrt werden. 4to. Augsburg, 
 1840. 
 
 37 woodcuts. 
 
 3901. MOHR, Louis. Das Haus Berger-Levrault in Strassburg. 8vo. 
 Strassburg, 1876. 
 
 3902. NEUBURGER, Hermann. Encyklopadie der Buchdruckerkunst. 
 8vo. Leipzig, 1844. 
 
 3903. PANZERS, M. Georg Wolfgang. Aelteste Buchdruckergeschichte 
 Niirnbergs oder Verzeichniss aller von Erfindung der Buchdruc- 
 kerkunst bis 1500 in Niirnberg gedruckten Biicher mit literarischen 
 Anmerkungen. 4to. Niirnberg, 1789. 
 
 3904. PETZHOLDT, Dr. Julius. Bibliotheca Bibliographica. Kritisches 
 verzeichniss der das gesammtgebiet der bibliographic betreffenden 
 litteratur des in-und auslandes. In systematischer ordnung. 
 8vo. Leipzig, 1866. 
 
 3905. PUTTER, J. S. Der Buchernachdruck nach a'chten Grundsatzen 
 des Rechts, gepriift. 4to. Gottingen, 1774.
 
 Class 3!* 15ooM relating to ^rinting*. 391 
 
 Lent by William Blades, Esq. 
 
 3906. REDINGER, Jacob. Neu-Auffgesetztes Formal-Buchlein, worinnen 
 alle figuren abgefasset wie man die Columnen recht ordentlich 
 ausschiessen und stellen soil, so wohl in grossals Kleinen for- 
 maten. 4to. Franckfurt am Mayn, 1679. 
 
 3907. REICHART, P. G. Die Druckorte des- 15 Jahrhunderts nebst 
 Angabe der Erzeugnisse ihrer erstjahrigen typographischen Wirk- 
 samkeit. Mit einem Anhange : Verzeichniss der je ersten Typo- 
 graphen und jener Druckorte, deren allererste Drucker bis jetzt 
 unbekannt geblieben sind. 4to. Augsburg, 1853. 
 
 3908. SCHAAB, C. A. Die geschichte der Erfindung der Buchdrucker- 
 kunst durch Johann Gensfleisch genannt Gutenberg zu Mainz, 
 pragmatisch aus den quellen bearbeitet. 8vo. 3 Band. Mainz, 
 1830. 
 
 Portraits of Gutenberg, Schoffer, and Fust. 
 
 3909. SCHWABE, C. L. Die Erfindung der Buchdruckerkunst und ihrige 
 Folgen. 8vo. Leipzig, 1840. 
 
 3910. SCHMATZ, D. M. Neu-vorgestelltes auf der loblichen Kunst 
 Buchdruckerey gebrauchliches Format-Buch. 8vo. Sultzbach, 
 1684. 
 
 3911. SCHMIDT, Dr. Job. Eine Christliche, Danck Predige. Wegen 
 der im Jahr 1440 neu-erfundenen sehr nutzlichen Buchdrucker- 
 Kunst Gehalten in Strassburg an 1640. 64mo. 1678. 
 
 This volume, which measures 2^ in. by if in., is the well-known sermon of 
 Dr. Schmidt from the text " Gross sind die werck dess HErrn." 
 
 3912. SCHULZ, Otto August. Gutenberg oder Geschichte der Buch- 
 druckerkunst von ihrem Ursprung bis zur Gegenwart. 8vo. 
 Leipzig. 1 840. 
 
 3913. SCHWETSCHKE, Gustav. Vorakademische Buchdruckergeschichte 
 der Stadt Halle. Eine Festschrift. Mit einem Anhange : I. Ehren- 
 Rettung des sachsischen Merseburg, als des Druckorts " Marsi- 
 polis " und " Merssborg" von 1473, un d mithin als der altesten 
 norddeutschen Druckstatte. II. Supplementarisches zu Hain, 
 Ebert, Schaab und Wetter. 410. Halle, 1840. 
 
 3914. SMALIAN, Hermann. Practisches Handbuch fur Buchdrucker im 
 verkehr mit Schriftgiessereien. 8vo. Danzig, 1874. 
 
 3915. SOTZMANN, M. Alteste Geschichte der Xylographie und der 
 Druckkunst uberhaupt besonders in der Anwendung auf den 
 Bilddruck. 8vo. Leipzig, 1837.
 
 392 Canton Celebration* 
 
 Lent by William Blades, Esq. 
 
 3916. STOCKMEYER, Immanuel und Reber Balthasar. Beitrage zur 
 Easier Buchdruckergeschichte. Zur Feier des Johannistages 
 MDCCCXL. Herausgegeben von der Historischen Gesellschaft 
 zu Basel. 4to. Basel, 1840. 
 
 3917. STRASBURGER Industrie Schule. Gutenberg Erfinder der Buch- 
 druckerkunst, eine historische Skizze mit mehreren Zeichnungen 
 und Facsimile autographisch ausgefiihrt von den Zoglingen der 
 Strasburger Industrie Schule. Lithographed. 4to. Strasburg, 
 1840. 
 
 3918. STUCKRAD, Georg. Programm fur das Gutenbergs-Jubilaum 
 des neunzehnten Jahrhunderts. 8vo. Offenbach, 1837. 
 
 3919. TAUBEL, C. G. Orthotypographisches Handbuch ; oder Anleitung 
 zur grundichen Kenntniss derjenigen theile der Buchdrucker- 
 kunst. 8vo. Leipsig, 1788. 
 
 3920. TAUBEL, C. G. Praktisches Handbuch der Buchdruckerkunst 
 fur Anfanger. 8vo. Leipzig, 1791. 
 
 3921. TAEUBEL, C. G. Allgemeines theoretisch-practisches Worter- 
 buch der Buchdruckerkunst und Schriftgiesserey, in welchem alle 
 bey der Ausiibung derselben vorkommende und in die damit 
 verwandten Ktinste, Wissenschaften und Gewerbe einschlagenden 
 Kunstworter nach alphabetischer Ordnung deutlich und ausfiihr- 
 lich erklart werden. 2 Bande. 4to. Wien, 1805. 
 
 Frontispiece, a printing-office. 
 
 5922. TAUBEL, C. G. Vollstandiges theoretisch-practisches Lehrbuch 
 der Buchdruckerkunst fiir Angehende Schriftsetzer und Drucker 
 in den Buchdruckereyen. 2 Theil. 8vo. Wien, 1809-10. 
 
 3923. TENTZEL, W. E. Discours von Erfindung der loblichen Buch- 
 druckerkunst in Teutschland. 121110. Gotha, 1700. 
 
 3924. WALDOW, A. Typographische Bibliothek. 13 parts. 8vo. 
 Leipzig, 1865-72. 
 
 A series of essays on the practical part of printing. 
 
 3925. WALDOW, Alexander. Die Buchdruckerkunst in ihrem tech- 
 nischen und Kaufmannischen Betriebe. Erste Band. Vom 
 Satz. 4to. Leipzig, 1874. 
 
 3926. WELCKER, Ph. H. Festgedicht bei der vierten Sacularfeier der 
 Buchdruckerkunst und beim Jubilaum des zweihundertjahrigen 
 Bestehens der Engelhard-Reyherschen Buchdruckerei in Gotha. 
 8vo. Gotha (1840).
 
 31 + Boofcg relating; to ^rintmij. 393 
 
 Lent by William Blades, Esq. 
 
 3927. WERTHERN, Johann D. Warhafftige Nachrichten der so alt- als 
 beriihmten Buchdrucker-Kunst, in welchen vom Ursprung und 
 Fortgang der Buchdruckereyen, von 1440 an, biss ietzo 1721 und 
 denen darinn eingefiihrten Gebrauchen auch eingeschlichenen 
 Missbrauchen und Unordnungen gehandelt wird, alles aus 
 bewahrtesten Urkunden, und selbst-eigener vieljahrigen Erfahrung 
 mit grossem Fleiss und Kosten zusammengetragen und aus 
 unpartheyischen Gemiithe dem Publico mitgetheilet. Franck- 
 furth und Leipzig. 4to. 1721. 
 
 3928. WESSELY, J. E. Anleitung zur kenntniss und zum sammeln der 
 werke des Kunstdruckes. 8vo. Leipzig, 1876. 
 
 On engraving upon wood, copper, and stone. 
 
 3929. WIEN. Geschichte der K. K. Hof-und Staats-Druckerei in Wien 
 von einem Typographen dieser Anstalt. 8vo. Wien, 1851. 
 
 3930. ZAPF [G. W.], H. Ueber meine literarische Reise in einige 
 Kloster Baierns im Jahre 1780. 8vo. Augsburg, 1782. 
 
 3931. ZAPF [G. W.] Ehre Herrn Bonaventura II. des hochlobl. Stifts 
 Rheinau wiirdigsten Pralaten gegen die Unverschamtheit Herrn 
 F. J. Sulzers gerettet. Svo. [Augsburg], 1783. 
 
 3932. ZAPF [G. W.] Ueber meine literarische Reise in einen Theil 
 von Baiern, Franken und Schwaben im Jahre 1782. Svo. Augs- 
 burg, 1783. 
 
 3933. ZAPF [G. W.] Litterarische Reisen, erstes Bandchen. Svo. 
 Augsburg, 1796. 
 
 3934. DENKSCHRIFT der Museumgesellschaft in Zurich. Zur Feier des 
 24 Junius, 1840. 410. Zurich, 1840. 
 
 ITALIAN. 
 
 3935. BERNARDI, Ab. Dott. lac. Cav. Intorno a Panfilo Castaldi da 
 Feltre e alia invenzione dei caratteri mobili per la Stampa. 4to. 
 Milano, 1866. 
 
 3936. BODONI. Vita del Cavaliere Giambattista Bodoni Tipografo 
 Italiano, e catalogo cronologico delle sue edizioni. 2 torn. 410. 
 Parma, 1816. 
 
 3937. BODONI, Giambattista, La prefazione al Manuale Tipografico di. 
 Svo. Firenze, 1874.
 
 394 Canton Celebration* 
 
 Lent by William Blades, Esq. 
 
 3938. BONI, Mauro. Lettere sui primi libri a stampa di alcune citta e 
 terre dell' Italia superiore, parte sinora sconosciuti parte nuovai 
 mente illustrati. 4to. Venezia, 1794. 
 
 3939. BROFFERIO, G. Cenni storici intorno all' arte tipografica e suo- 
 progressi in Piemonte dalP invenzione della stampa sino al 1835, 
 dettati dalF avvocato Angelo Brofferio giusta le memorie ed i 
 documenti somministratigli dal tipografo, editore e librajo 
 Giuseppe Pomba e da questo ora pubblicati. 8vo. Milano, 
 1876. 
 
 The history of printing in Piedmont to 1835. 
 
 3940. CERUTI, Antonio. Lettere inedite di dotti Italiani des Secolo XVI. 
 tratte dagli autografi della biblioteca Ambrosiana. 8vo. Milano, 
 1867. 
 
 Contains four letters from Paulus Manutius, printer, to G. V. Pinelli, 
 written A.D. 1560. 
 
 3941. LECHI, Luigi. Delia Tipografia Bresciana nel Secolo decimo- 
 quinto. Memorie di. 4to. Brescia, 1854. 
 
 3942. MANNI, D. Maria. Vita di Pietro Perna, Lucchese diligentissimo 
 Impressore in Basilea. 8vo. Lucca, 1763. 
 
 3943. MAZZUCOTELLI, A. L'Arte del Guttemberg ossia la stampa. 8vo. 
 Torino, 1863. 
 
 3944. MINOTTO, A. S. Monument! a Vittorino de' Rambaldoni e 
 Panfilo Castaldi in Feltre. 4to. Feltre, 1869. 
 
 This is in support of the claims to the invention of printing by Castaldi. 
 
 3945. ORLANDI, P. A. Origine e progress! della stampa o sia dell' 
 arte impressoria ; e notizie dell' opere stampate dall' anno 
 M.CCCC.LVII. sino all' anno M.D. 410. Bologna, 1722. 
 
 Several plates of printer's marks in the text. 
 
 3946. OTTINO, G. La stampa periodica. II commercio dei libri e la 
 tipografia in Italia. 8vo. Milano, 1875. 
 
 Statistics of all the newspapers, and serials, and printing-offices in Italy, with 
 a full bibliography at the end. 
 
 3947. PALAZZI, M. Gio. Andrea. I Discorsi di, sopra 1'Imprese : recitati 
 nell' Academia d'Urbino. 8vo. Bologna, 1575. 
 
 3948. PANIZZI, A. Chi era Francesco da Bologna? 8vo. Londra, 
 1858. 
 
 This tract was printed privately by Sir A. Panizzi at the Chiswick Press, 
 its object being to prove that the artist who designed and cut the Aldine 
 types was no other than the celebrated painter II Francia.
 
 3!+ Boofeg relating; to printing;* 395 
 
 Lent by William Blades, Esq. 
 
 3949. Pozzi, Alfeo. L'ltalia sotto i varj suoi aspetti. 8vo. Milan, 
 1868. 
 
 A detailed account of how the festival in honour of Castaldi, the inventor of 
 printing, was originated by a few workmen at Milan. 
 
 3950. POZZOLI, Giulio. Nuovo Manuale di Tipografia ossia Guida 
 pratica pel combinatori di caratteri, pei torcolieri, macchinisti, 
 legatori di libri ecc. Seconda Edizione. 8vo. Milano, 1873. 
 
 3951. PRALORAN, Giovanni. Delle Origini e del primato della stampa 
 tipografica. 8vo. Milano, 1868. 
 
 3952. TOMMASEO, N. DiGiampietro Vieusseux e dell' andamento della 
 Civilta Italiana in un quarto di secolo. Seconda Edizione. 8vo. 
 Firenze, 1864. 
 
 Vieusseux was the originator and proprietor of the first newspaper published 
 in Florence. 
 
 3953. TORRINI, Dr. Luigi. Sulle Officine tipografiche Riminesi. 4to. 
 Bologna, 1866. 
 
 3954. VERMIGLIOLI, G. B. La Tipografia Perugina del secolo XV. 8vo. 
 Perugia, 1820. 
 
 3955- VOLPI-COMINIANA. Annali della Tipografia Volpi-Cominiana 
 colle notizie intorno la vita e gli studj de' Fratelli Volpi. 8vo. 
 Padova, 1809. 
 
 Portrait of Volpi. 
 
 3956. ZACCARIA, G. Catalogo ragionato di opere stampate per Francesco 
 Marcolini da Forli. 8vo. Fermo, 1850. 
 
 DUTCH. 
 
 3957. AMPZING, Sam. Beschryvinge ende Lof der Stad Haerlem. 
 Mitsgaders Petri Scriverii Lavre-Kranz voor Lavrens Koster, eerste 
 Vinder vande Boekdrvckerye. 410. Haerlem, 1628. 
 
 3958. BAUDET, P. J. H. Leven en Werken van Willem Jansz. Blaeu. 
 8vo. Utrecht, 1871. 
 
 3959. BOEKDRUKKUNST, Uitvinding der. 8vo. Haarlem, 1854. 
 
 3960. CATALOGUS van Voonverpen ingezonden ter algemeene Typo- 
 graphische Tentoonstelling gehouden te Haarlem, bij gelegenheid 
 der plegtige Onthulling van het metalen Standbeeld van Lourens 
 Janzoon Coster. 8vo. Haarlem, 1856.
 
 39 6 Canton Celebration, 
 
 Lent by William Blades, Esq. 
 
 3961. ELSEVIER, W. J. C. Rammelan. De voormalige Drukkerij op het 
 Raadhuis der Stadt Leyden. Ao. 1577-1610. Medegedeeld in de 
 maandelijksche vergadering van de Maatschappij der Neder- 
 landsche letterkunde. 8vo. 1857. 
 
 3962. EVEN, E. van. Rudolf Loeffs, drukker te Bommel, 1491. Overge- 
 drukt uit de Kronijk van het Historisch Genootschap te Utrecht. 
 4to. (Utrecht), 1853. 
 
 3963. GERLINGS, H. Haarlemsche Bijdragen bijeengebragt. 8vo. 
 Haarlem, 1869. 
 
 3964. GERLINGS, H. Het Leven van Theodorus Schrevelius (Dirk 
 Schrevel). 8vo. n. d., n. p. 
 
 3965. JACOB, J. L. C. Bonaventuur en Abraham Elzevier, kleine letter- 
 kundige bijdrage. i2mo. 1841. 
 
 3966. KONING, J. Bijdragen tot de geschiedenis der Boekdrukkunst. 
 8vo. Haarlem, 1818. 
 
 3967. KONING, J. Over de Antwerpsche Boekprinters der vijftiende eeuw. 
 8vo. Amsterdam, 1828. 
 
 3968. KORTEBRANT, Jakob. Lof der Druckkunste, te Haerlem uitge- 
 vonden door Laurens Janszoon Koster, omtrent het Jaer 
 MCCCCXL. ; op haer derde Eeuwgetijde. 4to. Delf, 1740. 
 
 3969. LANGENDYK, Pieter. Lofdicht op het Eerbeeld van Laurens 
 Koster, eersten Vinder der Drukkunst, Kunstig uitgehouwen door 
 Mr. G. v. Heerstal, en opgerecht binnen de stadt Haarlem, in den 
 Artseynhof, in den Jaare 1722. 410. Haarlem, 1723. 
 
 3970. LAURIER-KRANS, gevlogten om't hoofd van Laurens Koster, 
 eerste uitvinder der Boekdrukkunst binnen Haarlem. 4to. 
 Haarlem, 1726. 
 
 A curious woodcut of Koster. 
 
 3971. LEDEBOER, A. M., het geslacht van Waesberghe. Eene bijdrage 
 tot de geschiedenis der Boekdrukkunst en van den boekhandel in 
 Nederland. 8vo. Rotterdam, 1859. 
 
 3972. LEDEBOER, A. M. De Boekdrukkers Boekverkoopers en uitgevers 
 in Noord-Nederland. 410. Deventer, 1872. 
 
 3973. LOOSJES, Vincent. Gedenkschriften wegens het vierde Eeuwgetijde 
 van de uitvinding der Boekdrukkunst door Lourens Janszoon 
 Koster van stadswege gevierd te Haarlem, 10-11 July, 1823. 8vo. 
 Haarlem, 1824.
 
 31* Books relating: to printing, 397 
 
 Lent by William Blades, Esq. 
 
 3974. NOORDZIEK, J. J. F. Gedenkboek der Costers-Feesten van 15, 
 1 6 en 17 Julii, 1856. 8vo. 1858. 
 
 3975. PARNAS Vreuchden, ter onsterfelijker gedagtenis over het derde 
 eeuwjaar van de uitvinding der noit volpreese Boek-drukkonst, 
 door Laurens Jansz. Koster, in zyn leven schepen der stad Haar- 
 lem. 4to. Haarlem, 1740. 
 
 A rare copper-plate portrait of Coster. 
 
 3976. ROEST, M. De Wetenschappelijke moraliteit van Dr. A. van Der 
 Linde een poosje maar te luchten gehangen, ten gerieve der lexers 
 van diens spectator-opstellen en boek over " De Haarlemsche 
 Costerlegende." 8vo. Amsterdam, 1870. 
 
 3977. SCHELTEMA, J. en J. Koning. Vier briefen over de laatste 
 tegenspraak van het regt van Haarlem op de uitvinding der Druk- 
 kunst. 8vo. 1823. 
 
 3978. SCHELTEMA, J. Levensschets van Laurens Janszoon Koster. 
 8vo. (Amsterdam), 1834. 
 
 3979. SCHINKEL, A. D. Verlolg van de Handschriften en oude drukken 
 (incunabulen), enz deel uitmakende van. 8vo. n. p. 1857. 
 
 3980. SEIZ, J. C. Het derde Jubeljaar der uitgevondene Boekdruk- 
 konst. 8vo. Haerlem, 1740. 
 
 3981. WESTREENEN, W. H. J. van. Verhandeling over de uitvinding 
 der Boekdrukkunst ; in- Holland vorspronkelijk uit^edacht te 
 Strassburg verbeterd en te Mentz voltooid. 8vo. Hage, 1 809. 
 
 LATIN. 
 
 3982. ALDO Manuzio. Lettres et Documents, 1495-1515. Armand 
 Baschet collexit et adnotavit sumptibus Antonii Antonelli. 8vo. 
 Venetiis, 1867. 
 
 3983. ALMELOVEEN, Theo. Jan. ab. M.D. De vitis Stephanorum ce- 
 lebrium Typographorum dissertatio Epistolica. Subjecta est H. 
 Stephani querimonia Artis typographicse. 8vo. Amstelaedami, 
 1683. 
 
 3984. AUGSBURG, Notitia historico-litteraria de libris ab artis typogra- 
 phioe inventione usque ad annum MCCCCLXXVIIII. impressis : in 
 Bibliotheca liberi ac Imperialis Monasterii ad SS. Udalricum et 
 Afram Augustse extantibus. Partes I. et II. 4to. Augusts 
 Vindelicorum, 1788.
 
 39 8 Carton Celebration* 
 
 Lent by William Blades, Esq. 
 
 3985. BECQUIGNOLLE, Johannes Carolus. De Statu Typographic su- 
 periorurn temporum ad hodiernum comparato. 410. Halae 
 Salicae, 1740. 
 
 3986. BEUGHEM, C. Incunabula Typographise. i2mo. Amstelodami, 
 1688. 
 
 3987. CLAROMONTIUS, God. In statuam laureatam L. Costeri. Folio. 
 Amsterdam, 1723. 
 
 3988. FRITSCH, Ahasver. Dissertationes duae historico-politicae, altera 
 de abusibus typographiae tollendis, altera de Zygenorum origine, 
 vita, ac moribus. Editio altera. 4to. Jenae, 1664. 
 
 3989. INGOLSTADIUM. Bibliothecae Academics Ingolstadiensis Incuna- 
 bula typographica, seu libri ante annum 1500 impressi circiter 
 mille et quadringenti, quos disposuit, descripsit, et notis illustravit 
 Sebastianus Seemiller. Fasciculi I. et II. 4to. Ingolstadii, 
 1787-8. 
 
 3990. JUDEX, Matthaeus. De Typographiae inventione, et de prselorum 
 legitima inspectione, libellus brevis et utile. 8vo. Copenhagii, 
 1566. 
 
 3991. JUNGENDRES, Sebastianus Jacobus. Epistola de Libris accuratius 
 imprimendis, qua in mendorum typographicorum causas studiose 
 inquiritur, et quomodo ilia sint removenda luculenter demonstran- 
 tur. 4to. Francofurti ad Motn. 1721. 
 
 3992. HIRSCHIUS, Carolus Christianus. Librorum ab anno I. usque ad 
 annum L. sec XVI. typis exscriptorum, ex libraria quadam supel- 
 lectile Norimbergse privatis sumptibus in communem usum col- 
 lecta et observata, millenarius I. 4to. Noribergoe, 1736. 
 
 3993. LACKMANN, A. H. Annalium typographicorum, selecta qusedam 
 capita. 4to. Hamburgi, 1740. 
 
 Cap. VI. Initia typographise Kiliensis. Cap. VIII. Typographia domestica 
 et typi privatorum. 
 
 3994. LAIRE, Francisci Xaver. Specimen historicum typographise ro- 
 manse XV. saeculi. 4to. Romse, 1778. 
 
 3995. LEICHIUS, J. H. De origine et incrementis typographias Lip- 
 siensis liber singularis, ubi varia de litterariis urbis studiis et viris 
 doctis, qui in ea claruerunt, inseruntur. 410. Lipsiae, 1 740. 
 
 A curious and instructive work. 
 
 3996. LICHTENBERGER, lo. Frid. Initia typographica. 4to. Argento- 
 rati, 1811.
 
 31* Books relating: to fruiting;* 399 
 
 Lent by William Blades, Esq. 
 
 3997. MAITTAIRE, Mich. A.M. Annales Typographic! ab anno M.I), 
 ad annum MD.XXXVI. continuati Opera. 4to. Hagae, 1722. 
 
 3998. MALLINKROT, Bernard. De ortu ac progressu artis Typographic^ 
 dissertatio historica, a Bernardo a Mallinkrot. 4to. Colonice 
 Aggrippinae, 1640. 
 
 3999. MEERMANNUS, G. Conspectus originum typographicarum. 8vo. 
 [Hagae Comitis], 1761. 
 
 4000. MEERMAN, Gerard. Origines Typographicae. 2 vols. 410. 
 Hagae. 1765. 
 
 Portraits of Meerman and Coster. 
 
 4001. PAULUS, Pater. De Germanise Miraculo Optimo, Maximo Typis 
 literarum earumque differentiis, dissertatio qua simul Artis Typo- 
 graphicaa universam rationem explicat. Lipsiae, 1710. 
 
 4002. REIF, A. De originibus typographicis programma Academicum. 
 I. -IV. quo praelectiones suas denvo auspicatur. 4to. Ingolstadii, 
 1785- 
 
 4003. RoTH-ScHOLTZ, Frid. Icones bibliopolarum et typographorum 
 de republica litteraria bene meritorum ab incunabulis typographiae 
 ad nostra usque tempora. Norimbergae et Altdorfii, 1726-29. 
 
 4004. SCHELTEMA, Petrus. Diatribe in Hadriani Junii vitam, ingenium, 
 familiam. merita literaria. 8vo. Amstelodami, 1836. 
 
 4005. SCHCEPFLIN, Jo. D. Vindiciae Typographies^ 4to. Argentorati, 
 1760. 
 
 Few works have been more quoted by the controversialists on both sides 
 than this. 
 
 4006. SCHWARTZ, C. G. Primaria quaedam documenta de brigine Typo- 
 graphic. 4to. Altorfii, 1740. 
 
 4007. SEIZ, J. C. Annus tertius saecularis inventse artis typographies, 
 sive brevis historica Enarratio de inventione nobilissimae artis 
 typographies, &c. 8vo. Harlemi, Urbe nobilissimae artis typo- 
 graphicae inventrice [1743]. 
 
 Translated from the original Dutch, published in 1740. 
 
 4008. TYPOGRAPHIA. Q. B. V. De initiis Typographiae physiologicis. 
 4to. Rintelii, 1740. 
 
 4009. UNGERUS, Christianus Theophilus. De Aldi Pii Manutii vita 
 meritisque in rem literatam . . . cura Samuelis Lutheri Geret. 
 410. Vitembergae, 1753.
 
 400 Canton Celebration. 
 
 Lent by William Blades, Esq. 
 
 4010. WOLFF, J. C. Monumenta typographica, quae artis hujus prae- 
 stantissimae originem, laudem, et abusum posteris produnt, instau- 
 rata. 2 vols. 8vo. Hamburg, 1740. 
 
 A most interesting collection of essays and poetry on the art of printing, 
 drawn from all quarters. 
 
 VARIOUS LANGUAGES. 
 
 4011. CABALLERO, R. D. Breve examen acerca de los primeros 
 tiempos del arte tipografico en Espana. 8vo. Madrid, 1866. 
 
 4012. FORSOK till Historia om Sveriges Boktryckerier. 8vo. Stock- 
 holm, 1871. 
 
 4013. JONSSON, Jon. Soguagrip um, Prentsmidjur og Prentara a Islan- 
 di. 8vo. Reykjavik, 1867. 
 
 This is the only work in Icelandic on printing, and is confined entirely to 
 the introduction of the art to that island. Chapter I. narrates the establish- 
 ment of the first press at Holum by its bishop, John Areson, who appointed 
 John Mattiason as manager, the first book issued being a Breviary, dated 1534. 
 
 4014. LENGREN, C. Kort Berattelse ow Bok-Trycke-riets Begynnelse 
 och Fortgang, i gemen och Afwen uti Swerige, da ahr efter 
 Christi bord, mdccxl. des tredje Jubilaeum uti Europa firades. 
 4to. Stockholm, 1740. 
 
 It gives a list of printers in Sweden from the earliest period up to 1740; 
 
 4015. MENDEZ, F. Tipografia Espanola, o Historia de la introduccion, 
 propagacion y progresos del Arte de la Imprenta en Espana. Se- 
 gunda edicion corregida y adicionada por Don Dionisio Hidalgo. 
 8vo. Madrid, 1861. 
 
 4016. MENDEZ, Francisco. Typographia Espanola, o Historia de 
 la Introduccion, propagacion y progresos del Arte de la Imprenta 
 en Espana. Tomo I. 4to. Madrid, 1796. 
 
 No more published. 
 
 4017. PRINTERS, Swedish, Biographical Notices of. Folio sheet 
 Stockholm : Norstedt & Soner, 1873. 
 
 4018. PyKOBO^CTBO AJIH TIinorPAOII^HKOBT,. 8vo. St. Peters- 
 burgh, 1874. 
 
 Entirely devoted to explaining the practice of typography in all its parts. 
 
 4019. SOHM, Peter. Musaeum Typographicum Sohmianum, eller For- 
 teckning pa de Bocker och Skrifter ow Boktryckeri-Konsten och 
 dess Historia, Jemte Portraiter, &c. Svo. Stockholm, 1815.
 
 Cla00 3!. Bookgf relating to printing;, 401 
 
 Lent by William Blades, Esq. 
 
 4020. URSIN, Georg. Pr. Bogtrykkerkunstens Opfindelse og Udvikling 
 
 1 400 Aar. En Festgave til dens fjerde Jubilaeum. 8vo. Kjben- 
 havn, 1840. 
 
 Lent by Sir Charles Reed, F.S.A. 
 
 4021. TYPOGRAPHICAL Antiquities, or an historical account of the origin 
 and progress of Printing in Great Britain and Ireland. Begun by 
 the late Joseph Ames, F.R. and A.S.S., considerably augmented 
 by William Herbert. 4to. 3 volumes. London, 1785. 
 
 4022. THE History and Art of Printing, by P. Luckombe, M.T.A. 
 8vo. London, 1771. 
 
 4023. THE Printer's Grammar, or Introduction to the Art of Printing, 
 containing a concise history of the Art with the improvements 
 in the practice of Printing for the last 50 years. By C. Slower, 
 printer. 4to. London, 1808. 
 
 Lent by Herr Theod. Goebel. 
 
 4024. MEYER, Johann Heinrich. Journal fur Buchdruckerkunst, 
 Schriftgiesserei und die verwandten Facher. 410. Braun- 
 schweig, i vol., 1834-5-6. Also i vol., 1876. 
 
 The first and last volumes of the oldest existing serial devoted to Printing 
 and the associated Arts. 
 
 Lent by James Fenton, Esq. 
 
 4025. TYPOGRAPHIA, an historical sketch of the Origin and Progress of 
 the Art of Printing. By T. C. Hansard. 8vo. London, 1825. 
 
 2 vols. 
 
 Lent by Mr. Jos. M. Powell. 
 
 4026. THE Printer's Register bound from the commencement, 1863 to 
 1877. 4to. 
 
 Lent by Messrs. Field and Tuer. 
 
 4027. THE Paper and Printing Trades' Journal (complete set). 
 
 Lent by the London Society of Compositors. 
 
 4028. WORKING Man. The Working Man's way in the World, being 
 the Autobiography of a Journeyman Printer. 8vo. London. 
 n. d. 
 
 4029. PRINTER, The. London. 8vo. n. d. 
 
 Practical. 
 D D
 
 402 Canton Celebration* 
 
 Lent by William Blades, Esq. 
 
 4030. PRINTER, The. A Serial. Nos. i to 18, November, 1843 to 
 1845. London. 4to. 
 
 4031. CRAPELET, G. A. Etudes pratiques et litteraires sur la Typo- 
 graphic. 8vo. Paris, 1837. 
 
 4032. FOURNIER, le Jeune. Dissertation sur 1'Origine et les Progres de 
 1'art de graver en bois. 8vo. Paris, 1758. 
 
 4033. AMES, Jos. Typographical Antiquities, enlarged by William 
 Herbert. 3 vols. 4to. London, 1786. 
 
 Lent by F. Leypoldt, Esq. 
 
 4034. THE Publishers' Price-List Annual. 1876. 
 
 4035. THE Publishers' Weekly. Vol. 10. 
 
 4036. THE Publishers' Weekly. Christmas and Exhibition Numbers. 
 
 4037. THE American Library Journal. Vol. i. Parts i to 9.
 
 CLASS K. 
 CURIOSITIES AND MISCELLANIES. 
 
 LIST OF MEDALS CONNECTED WITH PRINTERS AND 
 THE ART OF PRINTING. 
 
 Lent by W. Blades, Esq. 
 
 The Collection, a large portion of which is here exhibited, may almost claim as its 
 title "The Medallic History of Printing ;" for here are represented great and learned 
 Printers of all ages and many countries : Gutenburg, Faust, and Schceffer of Germany ; 
 Aldus and Bodoni of Italy ; Martens and Froben of Belgium ; the Estiennes and 
 Didots of France ; and many others. Here, too, are the commemorative Medals 
 which were struck in many cities of Germany, Holland and France, when in 1740, in 
 1825, in 1837, and in 1840, the larger part of Europe held a Jubilee in honour of the 
 First Printers. Early Printing-guilds are also represented, and, lastly, medals of 
 notable men who, as amateurs or otherwise, have at some time been Printers. 
 
 GERMANY. 
 
 4058. 
 
 OHN GUTENBERG, the Inventor of Printing. A Plaque. 
 Born at Mayence, c. 1390; migrated to Strasbourg, 1420 ; matured 
 his plans for printing from separate moveable types and issued the 
 first printed book with a date, The Mayence Psalter, in 1457. Died 
 neglected in 1468. 
 
 4059. Sigismund Feierabend, Frankfort, 1585. "^Etat. 57." Rev. An 
 Allegorical Device, with unknown engraver's Monogram, "VM." 
 or " VN." 
 
 Born 1528 ; died 1585. Pious and patriotic as a citizen ; learned and 
 accurate as a printer.
 
 404 Canon Celebration* 
 
 Lent by William Blades, Esq. 
 JUBILEE OF 1740. 
 
 4060. GOTHA. Aurora in her Chariot, as symbolical of the dawning 
 light of the Press. Rev. Inscription. Christian Vermuth sc. 
 
 4061. LEIPSIG. Gutenberg and Faust face to face. Rev. A Printing- 
 press, &c. " Ars victura dum litteris prsetium manebit." Das- 
 sier sc. 
 
 4062. NUREMBERG. Arms of the City and of the Curators. Rev. In- 
 scription. Nurnberger sc. 
 
 The reverse of this curious medal states that it was struck for the eight 
 printers then established in the city. Hence it is known as "The Eight 
 Printers' Medal." 
 
 4063. NUREMBERG. A Printing-press, above which flies Fame, blowing 
 her Trumpet over the World. Rev. Inscription. Vestner sc. 
 
 4064. NUREMBERG. Germany receiving from heaven the Printers' 
 Charter. Rev. Inscription. 
 
 4065. NUREMBERG. Germany crowned by Wisdom ; on one side is a 
 Printing-press. Rev. An Altar, upon which lies the first printed 
 Bible. Vestner sc. 
 
 4066. RATISBON. The Arms of the City illuminated from heaven. A 
 Press and Compositor's frame. Rev. Inscription. 
 
 4067. BRESLAU. Busts of Gutenberg and Faust. ./?m Inscription. 
 
 4068. LEIPSIG. Typographia and " Spes O fidissima Musis." A Muse 
 holding out a MS., while a Winged Genius shows her a Printed 
 Book. Koch sc. 
 
 4069. ERASMUS. " Er : Ro : Imago, ad. viva, effigie. expressa. 1.5.3.1. 
 Rev. Bust of the God Terminus. " Concede Nulli." 
 
 4070. BRONNER, Johann Carl, Frankfort, 1793. Allemand sc. 
 
 An eminent printer, born 1738; died 1813. His Life is published in two 
 vols. 8vo. This medal was struck in his honour by the Lodge of Freemasons 
 to which he belonged. 
 
 4071. GRASS and Earth, Breslau, 1804. 
 
 Private and very rare ; struck by the firm to commemorate the 3ooth anni- 
 versary of their printing-office, established in 1504.
 
 lu Curiosities anfc $isceUanies 405 
 
 Lent by William Blades, Esq. 
 PRINTERS' FESTIVAL, 1837. 
 
 4072. AUGSBURG, 1837. The Thorwaldsen Statue of Gutenberg erected 
 at Mayence. Rev. Inscription. Neuss sc. 
 
 4073. MAYENCE, 1837. Bust of Gutenberg. Rev. The Thorwaldsen 
 Statue. 
 
 4074. MAYENCE, 1837. The Thorwaldsen Statue. Rev. Gutenberg 
 explaining to Schoeffer his grand discovery of Moveable Types. 
 Lorenz sc. 
 
 Nos. 12, 13, and 14 are in memory of the erection at Mayence of a noble 
 statue of Gutenberg, designed and modelled by the celebrated sculptor Thor- 
 waldsen. 
 
 JUBILEE OF 1840. 
 
 4075. AUGSBURG. The Thorwaldsen Statue. Rev. "Arte sua litteras 
 auxit." Neuss sc. 
 
 4076. COLOGNE. Bust of Gutenberg. Rev. Arms of Mayence, Cologne, 
 and Strasburg on the reverse. On the ribband, "Und es war 
 licht." Kramer sc. 
 
 4077. STUTTGART. Bust of Gutenberg. ^^.Inscription. Heindelsc. 
 
 4078. FRANKFURT. The Memorial to Gutenberg, Fust, and Schoeffer, 
 erected in the City, 1840. Rev. Inscription. Wilhelm sc. 
 
 4079. BERLIN. Bust. Rev. Gutenberg sitting before a Printing-press 
 examining his First Proof. Konig sc. 
 
 4080. BERLIN. Bust of Gutenberg. Rev. Printers' Arms, and Legend. 
 Kriiger sc. 
 
 4081. WOLFENBUTTEL. Upon an Altar a Flame. "Aliis inserviendo 
 consumer." Rev. View of the Wolfenbuttel Library. " Amicis 
 C. Schonemann." 
 
 Private medal, struck by the librarian for his friends. 
 
 4082. MAYENCE. Bust. Rev. Mayence crowning Gutenberg, near to 
 whom is a Press. Erhardt sc. 
 
 4083. MAYENCE. Bust. Rev. Gutenberg in his Printing-office reading 
 Proof. Loos D. Konig sc. 
 
 4084. BAMBERG. A Printing-press. Rev. The City of Bamberg.
 
 406 Canton Celebration, 
 
 Lent by William Blades, Esq. 
 
 4085. LEIPZIG. A Printing-press on a. Cloud, beneath which is the City 
 of Mayence. Wartig sc. 
 
 4086. BASLE. Bust of Frobenius. Rev. Inscription. Bovy sc. 
 
 Froben is a celebrated name in typographical annals. He was a great friend 
 of Erasmus. 
 
 4087. MEDAL to commemorate the Freedom of the Press, and the 
 Bavarian Constitution, 1848. Dreutwett sc. 
 
 A curious instance of the danger of being too sure of the future. 
 
 4088. FESTIVAL in Germany, 1834, to commemorate the first printed 
 German Bible in 1534. 
 
 4089. LEIPZIG. To commemorate the Gutenberg Festival, 1840. 
 
 4090. HESSE. Freedom of the Press, 1848. 
 
 4091. VOLKHARDT, Albert. Printer at Augsburg, 1804-63. 
 
 4092. SPORK, Count, 1726. Established a Press for printing instructive 
 works at Lissa in Poland. 
 
 4093. WALDSTEIN, Baron de. Bust of. Rev. His Arms. 
 
 FRANCE. 
 
 4094. STRASBOURG, 1840. Bust of Gutenberg. Rev. A rude Press. "Et 
 la lumiere fut." Emmerick sc. 
 
 4095. STRASBOURG, 1840. Jubilee Medal. The Statue erected by David 
 d'Angers. 
 
 4096. PARIS, 1848. The National Printing-office. Paris personified 
 seated upon a Throne. By her side a Stanhope Press. Rev. 
 Imprimerie Nationale. Farochon sc. 
 
 4097. PARIS, 1843. The Imperial Printing-office. Bust of Napoleon III. 
 Rev. Imprimerie Imperiale. Barre sc. 
 
 4098. LYONS, 1840. Guild Medal. Science surrounded by Books, &c. 
 " Bibliopolae et Typographi Lugdun." Rev. Arms of the City of 
 Lyons and of the Guild. 
 
 4099. PARIS, 185-. Henri Estienne. Bust. ^^.Allegorical. Fauginet sc. 
 
 4100. COMMEMORATIVE MEDAL, 1830. The Newspaper Press personi- 
 fied, with her foot on the Globe. Beneath is " Liberte de la 
 Presse." Rev. The names of the Editors and Writers connected 
 with the Parisian Press who were successful in opposing the 
 oppressive restrictions of July 25, 1830. Caqud sc.
 
 Clasaft T&> Ctmotfitieg and ^(0ccllanic0. 407 
 
 William Blades, Esq. 
 
 4101. GUTENBERG, John, 1818. Bust. Rev. Inscription. Gayrard sc. 
 
 [Series Numismatica Virorum illustrium.] 
 
 4102. THE Didot Family, 1823. Bust of "Pierre Didot 1'ain^, Typo- 
 graphe Frangais." Rev. Printing-press as improved by Jules 
 Didot. Veyrat sc. 
 
 For many years the Didot family have held the highest position in France as 
 learned printers. 
 
 The obverse of this medal is used again for 69 and 70. 
 
 4103. THE Didot Family, 1827. Rev. "Nouveaux signes de ponctuation 
 . employes chez J. Didot Paine." 
 
 4104. THE Didot Family, 1830. Two animals representing the letters 
 J. D. (Jules Didot), imitated from initials engraved for a splendid 
 edition of La Fontaine's Fables. Veyrat and Susemiel sc. 
 
 4105. DIDOT, Firmin, 1857. Bust of. Rev. "Stephanorum yEmulus, 
 Musarum Cultor." Girodet del. ; Barre sc. 
 
 4106. CHATEAUBRIAND, F. A. Vicomte de. Bust of. Rev. " Liberte de 
 la Presse, 1833." Caqud sc. 
 
 Born 1768 ; died 1848. Struck in memory of the celebrated press prosecu- 
 tion in 1832. 
 
 4107. PANCOUCKE, C. L. F., 1820. Victory galloping in her chariot 
 over all Europe. 
 
 Struck to commemorate the beautiful edition of Les Victaires et Conqu&es des 
 Franfais, printed by Pancoucke. 
 
 4108. GUILD Medal, Paris, 1847. An open Volume in the rays of the 
 Sun. " Ex utroque Lux." Rev. Arms of the Booksellers and 
 Printers of Paris. 
 
 4109. DANEL, Leonard, Lille. "A Mr. Leonard Danel le personnel de 
 son Imprimerie, 6 Novembre, 1863." 
 
 4110. CORMENIN de la Haie, L. M., Vicomte, 1840. Bust. Rev. A 
 Printing-press without any legend. Rogat sc. 
 
 Cormenin is celebrated as the author of numerous political pamphlets against 
 the Government of Louis Philippe. His nom de plume was "Timon." 
 
 4111. CORMENIN de la Haie, L. M., Vicomte, with profile to the left, 
 and with an allegorical reverse. ig5 2 - Rogat sc 
 
 4112. PANCOUCKE, C. L. F. 1820. Barre sc. 
 
 A magnificent medal to commemorate the printing by Pancoucke ofLaDts- 
 cription dt FEgypte.
 
 408 Canton Celebration* 
 
 Lent by William Blades, Esq. 
 
 4113. PANCOUCKE, C. L. F. 1836. Barre sc. 
 
 A beautiful medal in commemoration of the printing of Traduction des 
 Auteurs Latines. 
 
 4114. GUTENBERG, Head of, as No. 62. Rev. " Societe pour la defense 
 de la Propriety litteraire." Emmerick sc. 
 
 4115. BERANGER, Pierre Jean. Bust of. Montagny sc. 
 
 4116. BERANGER, Pierre Jean. Bust of. 1857. David et Bauchery sc. 
 
 4117. BERANGER, Pierre Jean. Bust of. 1857. Franky Magniadas sc. 
 
 The poet Beranger passed a portion of his youth in a printing-office. To a 
 young and aspiring compositor who sent him a poetical effort, begging his 
 opinion, he thus wrote (22nd Dec. 1849), " I have no desire to discourage you 
 in the double profession upon which you have entered, but I fear that to be a 
 versifier is incompatible with success as a printer. I can only say that, per- 
 sonally, I have often repented having dropped the composing-stick for the 
 pen." 
 
 4118. CHATEAUBRIAND, F. A. Vicomte de. Bust. Rev. Inscription com- 
 memorative of the Printing of his complete works. Bovy sc. 
 
 4119. DESESSARTZ, John, Cardinal, Line. Fac. Med. P. Paris, 177-. 
 Duviv sc. 
 
 Established a printing-press in his private house, at which he often employed 
 his leisure. 
 
 4120. BRUNE, G. M. A., Marshal of France. Anno IX. (1800-1801.) 
 Salvirch sc. 
 
 One of Napoleon's best generals. Upon the Emperor's return from Elba 
 he was appointed Commander of the Army of the Var. Assassinated by the 
 mob at Avignon, after the Battle of Waterloo. 
 
 Marshal Brune amused his leisure by composing and printing, for which 
 purpose he established a small but complete printing-office in his own house, 
 Rue de la Harpe, Paris. 
 
 4121. GIRARDIN, Emile de, Paris. Bust of. Borrel sc. 
 
 In 1831 he undertook, together with M. Casimir Perier, to reform the news- 
 paper press of Paris and reduce its price. In 1835 he started the Pantheon, 
 in 100 vols., at one franc each, and in 1836 The Press, a daily paper. The 
 whole newspaper press opposed him, and he had to fight four duels. He de- 
 fended strongly the liberty of the press in 1832. 
 
 4122. DUPONT, Paul. Medal of the Benefit Club connected with his 
 Printing-office. 
 
 4123. DUPONT, Paul. Busts of Gutenberg and Senefelder. Rev. Mono- 
 gram P. D. 
 
 4124. LANGE, LeVy & Cie,, Printers, Paris. An octagon medal, " Mem- 
 bres du Conseil."
 
 Class H* Curiosities anti Miscellanies 49 
 
 William Blades, Esq. 
 
 4125. CHAIX et Cie., Printers, Paris. Apprentices' Medal. 
 
 4126. PARIS. Association des Imprimeurs de Paris. 
 
 ITALY. 
 
 4127. ALDUS Pius Manutius, Venice, c. 1500. Bust of. Rev. an Anchor 
 and Dolphin. Francesca da Bologna sc. (?) 
 
 Born 1449 ; died 1515. Aldus is deservedly famous for being the first to 
 issue in a correct form, through the medium of the Press, the works of the old 
 Hebrew, Greek, and Latin authors. His beautiful device of the Dolphin and 
 Anchor, so well known in the annals of typography, was borrowed from the 
 reverse of a denarius of the Roman Emperor Titus, as he himself tells us. 
 
 Mr. Panizzi has shown that the types of Aldus were cut by Francesca da 
 Bologna, the celebrated painter, better known as "II Francia." It is not 
 improbable that this medal is also from his hands. 
 
 4128. BODONI, J. B., Parma, 1800. Bust. Rev. Inscription: " Civi 
 optimo decurioni solertiss. artis typographicse coryphaeo eruditiss. 
 ex xii. virum Parm. decreto." 
 
 Born 1470 ; died 1813. Was a Compositor at the Propaganda Press, Rome. 
 Appointed chief of the Ducal Printing-office at Parma in 1768, whence he 
 issued editions of the Classics which made him famous throughout all Europe. 
 
 4129. BODONI, J. B., 1802. Bust. Rev. Inscription : " Inter Typo- 
 graphos Cultor et Artifex venustatis elegantissimus." 
 
 4130. BODONI. The inauguration of the Statue to Bodoni. Saluzzo, 
 1872. 
 
 4131. CASTALDI, Panfilo, Milan, 1868. Bust, surrounded by printing 
 implements. Calvi sc. 
 
 Castaldi has been put forward of late years by Italians, and Italians only, 
 as the real inventor of Printing. They assert that Castaldi revealed his dis- 
 covery to Gutenberg, who appropriated it. A statue has been erected to the 
 Italian "Claimant" at Feltre. 
 
 4132. MILAN, 1867. Society Medal of Al Pio Institute Tipografico. 
 
 4133. FELTRE, 1868. Commemorative Medal of the Primo Congresso 
 Tipografico. Calvi sc. 
 
 4134. VIESSEUX D'ONEGLIA, G. P. Rev. "Per quarant' anni benemerito 
 della Civilta Italiana compieva 1'ottantesimo della vita a 29 Set- 
 tembre, 1859." Ferraris sc. 
 
 This beautiful medal was struck to commemorate the Both birthday of this 
 respected Printer of Florence.
 
 410 Canton Celebration. 
 
 Lent by William Blades, Esq. 
 
 4135. POMBA, J., Turin, 1837. Gaetazzi sc. 
 
 Struck by the Chev. Pomba, the celebrated Printer of Turin, in remem- 
 brance of the successful conclusion of his great publication of the Latin 
 and Italian Classics. The bust of the editor, Signor Bucherino, is on the 
 obverse. 
 
 4136. BOLOGNA, 1869. Commemorative Medal. A Printing Machine, 
 upon which the Sun is shining ; upon the rays are the names 
 " Gutenberg Castaldi." Rev. Arms of Bologna. Calvi sc. 
 
 Struck for the second Typographical Congress and Exhibition of Fine 
 Printing. 
 
 DENMARK. 
 
 4137. BRAKE, Tycho, Uranienbourg. Bust. Rev. Arms, and the year 
 1595- 
 
 This celebrated Astronomer established a printing-office at Uranienberg, 
 upon the Island of Hveen, which had been given to him by Frederick II., 
 King of Denmark, for the erection of an Observatory. Here he printed his 
 observations. His friend and assistant, Willem Blaeu, was the first to make 
 improvements upon the old wooden presses. 
 
 4138. BRAKE, Tycho. Bust and Rev. Inscription. 
 
 HOLLAND. 
 
 GUILD MEDALS. 
 
 4139. AMSTERDAM. Guild of St. Luke. Obv. A Bull, the emblem of 
 St. Luke, supporting the Arms of the Guild. Rev. Ornamental 
 design for reception of member's name. 
 
 Before the invention of Printing the Guilds of St. Luke embraced all the 
 trades directly concerned with the manufacture of manuscripts. It was natural 
 that Printers at first should also belong to them. Thus Thierry Martens was 
 of St. Luke's Guild, Antwerp, as well as Gerard Leeu and Godfrey Back, all 
 well known Typographers. In later years Printers formed Guilds of their 
 own under the protection of St. John. 
 
 4140. AMSTERDAM. Printer? and Bookbinders' Guild, c. 1639. A 
 Printing-press, with the Master's name, " Johannes Wilmerdonk." 
 Rev. Binders' tools. 
 
 4141. MIDDLEBOURG. Bookbinders' and Printers' Guild, 1631. " Zach- 
 arias Roman, Deken." Also a mortuary medal. 
 
 4142. MIDDLEBOURG. Boekvercopers en Druckers Gilt. Nine medals, 
 dating from 1651 to 1734.
 
 Curiosities and ^tecellameg, 411 
 
 Lent by William Blades, Esq. 
 
 4143. HAARLEM. Jeton de presence, c. 1640. Typography resting her 
 arm upon a Printing-press. Rev. The Ship of Damietta, " Vicit 
 vim Virtus." 
 
 4144. HAARLEM, c. 1660. A Figure representing Haarlem holding in 
 her hand the Ship of Damiette, and standing before a Printing- 
 press. " Dam : capt : Typ : inv : Urb : defen :" (Damietta cap- 
 tured, Typography invented, and the City defended). 
 
 4145. HAARLEM. Representation of the bronze Statue of Coster, 
 erected in the Market-place, 1856. " De Orbe meruit, Patria 
 posuit." Rev. The Sun dispersing the Clouds. 
 
 The reverse refers to the increased favour with which the claims of Coster 
 were then being received. 
 
 4146. COSTER, Laurence, Haarlem. The Statue of Coster on one 
 side; on the other, a Statue of Junius the Historian. Van 
 Noorde sc. 
 
 John Enschede, Type-founder at Haarlem, placed in his courtyard two 
 statues, one of Coster and one of Junius, both i'rom the chisel of Van Noorde. 
 From these statues this medal was engraved in 1768. 
 
 4147. HAARLEM. Bust of Coster, with a Printing-press. " Alter Cad- 
 mus." Rev. Arms of Haarlem, " Hinctotum spargunturin orbem 
 litterse." 1740. Van Swindern sc. 
 
 4148. HAARLEM. Bust of Coster. Rev. Typographia holding as a 
 garland the Arms of the Jubilee Committee. 1740. Van 
 Swindern sc. 
 
 4149. HAARLEM. Bust of Coster. Rev. Inscription on the invention 
 of Printing. 1740. Holtzhey sc. 
 
 4150. HAARLEM. Bust of Coster. Rev. A boldly engraved Printing- 
 press. 1740. Marshoorn sc. 
 
 4151. HAARLEM. A personification of Haarlem sitting on a throne. 
 One of the Cupids is holding the first book printed by Coster. 
 Rev. Coster in the Haarlem Wood holding up the letter A. 
 " Typographia hie primum inventa." 1740. Holtzhey sc. 
 
 4152. HAARLEM. Science a Printing-press, Books, &c. " Laus Urbi 
 Lux Orbi." Rev. Inscription. 1823. Braemt sc. 
 
 4153. HAARLEM. Showing the Monument erected in the Haarlem 
 Wood in 1823 to the memory of Coster. De Vries sc.
 
 412 Canton Celebration. 
 
 Lent by William Blades, Esq. 
 
 BELGIUM. 
 
 4154. MARTENS, Thierry, Alost. Bust of Martens. Alex. Geefs sc. 
 Rev. The Monument erected at Alost in 1856. John Geefs sc. 
 
 Thierry Martens, long believed to be the first, was certainly the second and 
 most celebrated printer in Belgium. 
 
 4155. MONTANUS, B. Arias, Antwerp, 1569. Bust of. ^Etat. 43. 
 Rev. Archimedes crying out E-jfnua. 
 
 Montanus, the friend and correspondent of the most learned men of his 
 time, was Press-reader to the celebrated printer, Christopher Plantin, of 
 Antwerp. 
 
 4156. WAHLEN, Auguste, Brussels. To commemorate the publication 
 of " Moeurs et costumes de tous les Peuples." 
 
 4157. BRUSSELS, 1854. Memo rial Medal. Typography standing mourn- 
 fully with her right arm upon an idle Press. Rev. A list of Names 
 of Committee-men. 
 
 Struck by the United Printers of Brussels in acknowledgment of the services 
 of the Committee appointed to treat upon the question of Copy-right. 
 
 ENGLISH AND AMERICAN. 
 
 4158. MED ALLET of Eaton the Demagogue. "Frangas non flectes." 1795. 
 " Printer to the Majesty of the People." 
 
 4159. TOKENS of W. Gye, Printer of Bath. 1794. 
 
 4160. TOKENS of Denton, Printer in Mead's Row, Lambeth. 
 
 One of these represents the gateway at Lambeth Palace. 
 
 4161. A TOKEN of the Franklin Press issued from Watts's Printing 
 Office, London. 
 
 4162. FRANKLIN, Benjamin, 1836. " Eripuit ccelo fulmen, Sceptrumque 
 Tyrannis." Dupre sc. 
 
 Printer, Philosopher, Statesman. Born 1704; died 1790. Worked as a 
 pressman at Watts's Printing-office, Wild Court, Strand. 
 
 4163. FRANKLIN and Mentyon. Barre sc. 
 
 4164. FRANKLIN, Benjamin. "Fulminis Tyrannidisque Domitor." 
 Lageman fecit. 
 
 4165. FRANKLIN, Benjamin. "Penny saved is a penny gained." E. 
 Sigel sc. 
 
 4166. FRANKLIN, Benjamin. Godel f.
 
 L Ctm'ogfftiegf an& 9&cellame& 413 
 
 Lent by William Blades, Esq. 
 MISCELLANEOUS. 
 
 4167. RICHELIEU, Armandus Joannes, Cardinalis de. " Tandem Victor 
 Sequor." 1650. Large medal. 
 
 Cardinal Richelieu instituted a Society of Booksellers and Printers in 1633, 
 under whose auspices were issued beautiful service-books, which soon became 
 sought for through all Christendom. In 1640 the Cardinal, after having 
 established the Royal Printing-office at the Louvre, erected another at his own 
 chateau, where he printed several works which are now highly prized. He 
 was born at Paris, 1588, and died 1642. 
 
 4168. RICHELIEU, Armanus, Joan., Card. de. Large oval medal. 
 
 4169. RICHELIEU, A. J., Card. de. "Mens sidera volvit." 1631. I. 
 Warin sc. 
 
 4170. RICHELIEU, Armand. lo. Car. Dux de. "Quoqunque Voles." 
 1639. 
 
 4171. RiCHELiEU,Card.de. " Intelligit super Egenum." 1635. 
 
 4172. RICHELIEU, Card. de. "Hoc duce tuta." 1636. 
 
 4173. DURER, Albert, Nuremberg. Head, with the AD Monogram and 
 1514. A Plaque. Durer sc. 
 
 Born 1471 ; died 1528. The fame of Albert Durer as an artist has so com- 
 pletely eclipsed all his other claims upon our admiration, that even biblio- 
 graphers have overlooked the fact of his having been a letterpress printer. 
 
 4174. FOURTEEN varieties of Medals struck in honour of Durer. 
 
 4175. DURER, Agnes. A Plaque with Monogram AD, 1508. 
 
 Upon the death of her husband in 1528, the widow continued the business 
 for some years. The imprint to her books was "In sedib. viduae Durianse." 
 
 4176. ANCIENT Printers' Devices and Trade-Marks, collected in 5 410. 
 volumes as follows : 
 
 Vol. i. England. 
 
 Vol. 2. France. 
 
 Vol. 3. Germany and Switzerland. 
 
 Vol. 4. Holland and Belgium. 
 
 Vol. 5. Italy and Spain. 
 
 Lent by F. Hendriks, Esq., F.S.S. 
 
 4177. PRINTERS' Marks. Copy of Fr. Rothscholtz's Insignia Bibliopo- 
 larum et Typographorum. Folio. Nuremberg, 1 830. 
 
 Lent by F. Hendriks, Esq., F.S.S.
 
 4H Canton. Celebration. 
 
 4178. PRINTERS' Marks: -Balaux ; Baligault ; Boulle; Birchmann, 
 with lion and griffin ; Behem ; Curio, two ; Chevallon, two ; 
 Crate, Trinity ; Comin de Trine ; ColincEus, two ; Episcopius, 
 two ; Fradin ; Froschover, seven ; Gesner ; Galliot du Pre, two ; 
 Giunta, with lions ; Guillaume Eustace ; Hornbien ; Huquetau ; 
 Griininger ; Kerver ; Lenoir ; Marechal ; M. Martin Morin ; 
 Parcus ; Plato de Benedictis ; Petit, four ; Roy and Pernot ; 
 
 1 Ravanus ; Rembolt, three ; Symon Vincent ; Schott, two ; Stephen 
 Bariquaud ; Schuman ; Vuolrab ; Vincent Portonariis ; Ziletti, 
 two. 
 
 Lent by John Coode floere, Esq. 
 
 4179. PRINTERS' Marks. J. Schoffer, Mentz, 1540; F. Behem, Mentz, 
 1541; V. Schuman, Leipzig, 1516; Valentin Curio (?), two; 
 Melchior Noverian, Cologne, 1543 ; A. Birchmann, Cologne, 
 I 539- 
 
 4180. PRINTERS' Marks. J. Schott, Strasburg, two, 1502 ; Griininger, 
 Strasburg, 1521; Mylius, Strasburg, 1540; Cuoblouchus, Stras- 
 burg, 1524; Wuolf. Cephal, Strasburg, 1525; Babellius Cephal ; 
 Froschover, Zurich, three, 1531, 1557, 1529 ; Gesner, Zurich. 
 
 4181. PRINTERS' Marks. Oporinus, two, 1554; Parcus, 1548; Cratander, 
 three, 1526, 1532, 1523; Froben ; Guarinus, 1575 ; Episcopius, 
 two, 1555. 
 
 4182. PRINTERS' Marks. Plantin, Antwerp; Plantin, Antwerp, 
 1566 ; Nutius, Antwerp, two, 1576, 1581; Santandrianus (?), 
 1577 ; Binneman, London, 1574; Cambridge University. 
 
 4183. PRINTERS' Marks. Morin, Rouen, 1497 ; G. Eustace, Paris, 1509 ; 
 L. Hornbien, Paris, 1512; G. Colinoeus, Paris, 1528; Requault, 
 Paris, 1506; Lenoir (?) ; Petit, Paris, 1502; Petit, Paris; Rem- 
 boldt, Paris; Galliot du Pre, Paris, 1532. 
 
 4184. PRINTERS' Marks. Guillard-Chevallon, 1551; Baliqualt ; 
 Chevallon, 1526; Badius; Joland Bonhomme, 1547; J. Macaeus, 
 1577; Kerver, 1547; O. Petit, 1545. 
 
 4185. PRINTERS' Marks. Huquetau; Boulle, 1537; Vincent de Por- 
 tonariis, 1540; Symon Vincent; Symon Vincent, 1529; Constan- 
 tin Fradin; E. Baland, 1520. 
 
 4186. PRINTERS' Marks. Stephen de Bariquaud, Lyons, 1516; Roy and 
 Pernot, Lyons, 1554; Giunta, Lyons; Mareschal, Lyons; Forli, 
 Venice, 1551 ; Comin de Trine, Venice, 1547 ; Giolito, Venice, 
 two, 1548, 1559; Ziletti, Venice, 1560; Ravanus, Venice, 1552; 
 L. Giunta, Venice; Vincent, Venice, 1558.
 
 Clagfg IL Curio0itit0 and ^i0cellam0 415 
 
 4187. PRINTERS' Marks. Plato de Benedictis, Bologna, 1493 > Tolomeo 
 Janiculo, Vicenza, 1529; Aldus, Venice ; Aldus, Venice, 1526; 
 Percachinus, Padua, 1562 ; L. Rodwiccus, Lisbon (?). 
 
 4188. TITLES. St. Augustin, title back, Basle, 1505; Bible, Basle, 1569 ; 
 De Disciplinis, Cologne, 1536; Luther, Captiv. Baby. 1524 (?) ; 
 Haymon. Epis., Cologne, 1539. 
 
 4189. TITLES. St. Bernard, Paris; Lyndevvode Provincial, London, 
 1525- 
 
 4189*. TITLES. St. Augustin, 1520; Catalogus Sanctorum, 1524 ; T. 
 Aquinas; St. Jerome; T. Aquinas, 1540. 
 
 4190. CHINESE Xylographic Printing Instruments, as used from the loth 
 century A.D. Lent by Thomas Jenner, Esq. 
 
 4191. CHINESE Types, wood and metal. Lent by Thomas Jenner, Esq. 
 
 4192. BOOK of Buddhist Prayers, from the Emperor's Palace. 
 
 Lent by Thomas Jenner, Esq. 
 
 4193. CHINESE Sacred Scriptures : 
 
 1. Morrison's translation, Macao, 1813-22. 
 
 2. Marshman's translation, Serampore, 1815-22. 
 
 3. Gutzlaff's translation. 
 
 4. Delgates' version. Lent by Thomas Jenner, Esq. 
 
 4194. JAPANESE Xylographic Book, containing facsimiles of the writing 
 of celebrated authors. Lent by Thomas Jenner, Esq. 
 
 4195. CHINESE Diagram. Lent by Thomas Jenner, Esq. 
 
 4196. ORATIO Dominica in 155 languages. Folio. Rome, 1806. 
 
 Published under the auspices of Napoleon I. 
 
 Lent by Thomas Jenner, Esq. 
 
 4197. SPECIMENS of Printing in small type : 
 
 1. Homeri Ilias et Odyssea. Pickering, 1831. 
 
 2. De Imitatione Christi. Paris, 1858. 
 
 _ 3. Bijou Almanack, 1838. Lent by Thomas Jenner, Esq. 
 
 4198. SPECIMEN of Small Type. Smoker's Text-Book, 1863. 
 
 Lent by George Unwin, Esq. 
 
 4199. SPECIMEN Sheets of Works in Native Characters and Languages 
 printed for the Indian Market, without the intervention of type. 
 The Gulistan. 
 
 Qaida i urdu, ist edition. 
 Qaida i urdu, 2nd edition.
 
 4i 6 Canton Celebration* 
 
 Karfma. 
 
 Copy Slips for Elementary Schools. 
 
 Quran. The Koran. 
 
 Muntakhab-i-bustan. 
 
 Q'Aida Baghdad!. 
 
 Gospel of St. Matthew in Urdu. 
 
 Indian Vernacular Series, Nos. i and 2. 
 
 Lent by Messrs. Spottiswoode and Co. 
 
 4200. CASE of Specimens of Books and Maps for the Blind. 
 Exhibited by the British and Foreign Blind Association for Pro- 
 moting the Education and Employment of the Blind. 
 
 The importance of printing in raised characters for the blind may be easily 
 understood when it is stated that about I in every 1,000 of the population is 
 sightless, giving a blind population of 30,000 for the United Kingdom, and 
 probably about 200,000 for the British Empire. These people having one 
 sense less than their seeing competitors, must receive as good an education as 
 possible, in order, in some degree, to compensate for this loss, so that to the 
 blind as to the seeing the printing press becomes the great agent of civilization 
 and progress. 
 
 Embossed printing for the blind was first introduced by M. Haiiy, of Paris, 
 in 1784, and the character he adopted was the large italic or script character. 
 This was afterwards changed to the ordinary printed character used by the 
 seeing, but this also has been long since abandoned in France for the form 
 here exhibited, which goes by the name of its blind inventor, M. Louis Braille, 
 who introduced it into Paris in 1834. It has been gradually adopted in most 
 parts of the civilized world, and is now used more or less in almost all British 
 institutions. Its advantages consist mainly in the facility with which it can be 
 written by the blind ; it is far more legible by touch than any form of the 
 roman letter, and can either be written or printed in full or with any amount 
 of short-hand contractions, suited to the wants and capacity of those for whom 
 it is intended. The latest improvement in this form of printing has been the 
 method of printing on both sides of the paper, by which space and legibility 
 are gained. A specimen of the stereotype plates, which are entirely the work 
 of the blind themselves, is exhibited, and specimens of embossed maps. 
 
 4201. TYPOGRAPHIC Specimen Sheets, i. The printers' address to the 
 Queen (Caroline) and her Majesty's tribute to the press in answer. 
 Printed by John Johnson, author of Typographia, 1820. 2. The 
 Address of Congratulation from the letterpress printers of London 
 to Queen Caroline, and her Majesty's second tribute to the press 
 in answer. Printed by John Johnson, 1821. 3. Memorial of 
 William Caxton, Wynken de Worde, Richard Pynson and their suc- 
 cessors, executed in type and brass rule, containing over 60,000 
 moveable pieces of metal and about 150 patterns of flowers. 
 Printed by John Johnson, 1824. Lent by Andrew W. Tuer, Esq. 
 
 4202. INITIAL Letters, Head and Tail-Pieces, Ornaments, &c. A large 
 collection, in one volume, arranged alphabetically. 
 
 Lent by Messrs. Field and Tuer.
 
 417 
 
 4203. SPECIMENS of Typography. By W. Bennett (2), D. Chalmers and 
 Co. (containing 25,000 pieces), G. Cornwall (2 : James S. Lawson, 
 compositor, each containing upwards of 30,000 pieces), and W. 
 Cruickshank, at G. Mackay's office (containing nearly 20,000 
 pieces), all executed for the Aberdeen Mechanics' Institute Exhi- 
 bition, 1840. Lent by J. Fenton, Esq. 
 
 4204. SPECIMEN of Typography. View of the Free Church College, 
 Edinburgh, by R. Ramsay, containing upwards of 12,000 pieces. 
 
 Lent by J. Fenton, Esq. 
 
 4205. SPECIMEN of Typography. Memorial of William Caxton. Edward 
 Lewis, compositor. G. and J. Watson, printers, Tring. 
 
 Lent by J. Fenton, Esq. 
 
 4206. SPECIMEN with 22,000 pieces by George Nichols, London. 
 
 Lent by J. Fenton, Esq. 
 
 4207. SPECIMEN with 4,500 pieces by Ebenezer Parkes, London, 1844. 
 
 Lent by J. Fenton, Esq. 
 
 4208. THE Early Printers in the Netherlands, i. Monuments typo- 
 graphiques des Pays-Bays au 156 siecle. Collection de facsimiles 
 d'apres les originaux conserves a la Bibliotheque Royale de la 
 Haye et ailleurs, par J. W. Holtrop, bibliothe'caire en chef de la 
 bibliotheque Royale de la Haye, 1868. 2. Annales de la Typo- 
 graphic Neerlandaise au 156 siecle, par M. F. A. G. Campbell, 
 bibliothecaire de la bibliotheque Royale de la Haye, 1874. 
 
 Lent by M. Martinus Nijhoff, of the Hague. 
 
 4209. AMERICA. The American Encyclopoedia of Printing. Edited by 
 J. Luther Ringwalt. Lent by Messrs. J. B. Lippincott and Co, 
 
 4210. DUBLIN. Williamson's Green Printing. 1764. 
 
 Lent by Edward Solly, Esq., F.R.S. 
 
 4211. PARIS. Livre rouge, 1790. Lent by Edward Solly, Esq., F.R.S. 
 
 4212. LONGMAN'S Trade Catalogue, January ist, 1807, priced. 
 
 Lent by Sir Charles Reed. 
 
 4213. EARLY Printing in two colours. Golz. Imagini di tutti Imperatori, 
 &c. Antwerp, 1557. Lent by John Evans, Esq., D.C.L., F.R.S. 
 
 4214. HORN-BOOK, temp. Car. I. Found at Ashley Green, Bucks. 
 
 Lent by A. Smith- Dorrien, Esq. 
 E E
 
 4i 8 Canton Celebration* 
 
 4215. HORN-BOOK, probably temp. Jac. i. 
 
 Lent by John Evans, Esq., D.C.L., F.R.S. 
 
 4216. HORN-BOOK, temp. Chas. II. Lent by Sir Charles Reed. 
 
 42 1 7. ROMAN Stamp of Bronze, query for printing on pottery. 
 
 Lent by John Evans, Esq., D.C.L., F.R.S. 
 
 4218. BANK Notes, early and obsolete, mostly foreign. 
 
 Lent by Mrs. John Evans. 
 
 4219. LOTTERY Ticket, 1791. Tax Receipts, Hearth Money, &c. 9 
 Specimens. Chap. Books Scotch, 3 specimens. Stirling, Edin- 
 burgh, and Glasgow. Lent by Sir Charles Reed. 
 
 4220. HEATH, C, engraver. Note. November i, 1843. 
 
 Lent by Sir Charles Reed. 
 
 4221. BARTLETT, H., Highgate. Refers to plate of Jerusalem. 
 
 Lent by Sir Charles Reed. 
 
 4222. BEGGARS. (Plates.) Lent by Sir Charles Reed. 
 
 4223. CORONATION Tickets. George IV. 1821. 
 
 Lent by Sir Charles Reed. 
 
 4224. HILL'S, Rowland, Postage Cover. Two pence. (Mulready, R.A.) 
 
 Lent by Sir Charles Reed. 
 
 4225. PARIS. Three Newspapers printed in Paris during the Commune, 
 1871 ; also one printed in Melbourne, for French people, during 
 the Franco-German war. Lent by Messrs. Enoch and Sons. 
 
 4226. HANDBILL. Fcap. folio. The first meeting of letterpress printers 
 respecting the evil of machinery. Lent by G. A. Spottiswoode, Esq. 
 
 4227. PROPOSALS for discovering a great improvement which William 
 Pine, printer, of Bristol, and Isaac Moore, letter-founder, London, 
 have made in the Art of Printing, both in the construction of the 
 
 .press and in the manner of Beating and Pulling. 
 
 Lent by W. Blades, Esq. 
 
 4228. ADVERTISEMENT. Post folio. Mr. Cunningham's (printer of 
 Southampton) discovery of a substitute for Urine in making and 
 preserving Printing Balls, adopted at a meeting of master-printers, 
 December nth, 1801. Lent by W. Blades, Esq. 
 
 4229. PRESSMEN'S Bills (1735-1743), Printers' Charges and Trade Ac- 
 counts (1749-50), Letters, Receipts, Bills, and an Indenture (1716- 
 1753). Lent by Messrs. Smith and Ebbs.
 
 Jk. Curfogitieg and S^tecellameg* 419 
 
 4230. BOWDLER'S Poems. 8vo. 1787. Lent by John W. Janns, Esq. 
 
 A remarkable specimen of book-edge ornamentation, with notes and parti- 
 culars from Notes and Queries upon this book and kindred subjects. 
 
 4231. FACSIMILE Almanack. Lent by W. Douglas Hamilton, Esq. 
 
 4232. PIGEON Express Despatch for a newspaper. 
 
 Lent by J. Allen, Esq. 
 
 4233. APPLICATION of Printing to Meteorological Instruments. 
 
 Lent by Messrs. Joseph, Davis, and Co. 
 
 4234. DIALS and Scales of Barometers unmounted, and specimens of 
 same mounted complete for use and in action. 
 
 Lent by Messrs. Joseph, Davis, and Co. 
 
 4235. BLOCKS of Pocock's first Reading made Easy. Two impressions 
 of the blocks used by Pocock in his first Reading made Easy, and 
 the blocks. One missing. Lent by Alfred John Dunkin, Esq. 
 
 4236. BROAD Sheet Almanack. 1514. Jasper Laet. 
 
 Lent by E. Housman, Esq. 
 
 4237. CHILD'S Book, Jemima Placie. London : John Marshall and Co. 
 Engraving. Lent by Sir Charles Reed. 
 
 4238. ALMANACK'S Volume. Stationers and others. 1691. 
 
 Lent by Sir Charles Reed. 
 A Priuy Councell Almanacke every year given near Hampden. 
 
 4239. A PRIMER. With curious woodcut. Lent by Sir Charles Reed. 
 
 4240. CHAP-BOOKS. 
 
 A Garland. Allen and Dale. 
 
 Roy's Wife, &c. Glasgow. 1823. 
 
 A Man's a Man, &c. Stirling. 
 
 The Pleasant and Delightful. 
 
 History of Jack and the Giants. Nottingham. Printed for 
 
 the Running Stationers. 
 
 The Renowned History of the Seven Champions of Chris- 
 tendom. Newcastle. 
 A new invented Horn-Book. Lent by Sir Charles Reed. 
 
 4241. IN Honour of William Caxton. Some rules for the Conduct of 
 Life. Lent by Messrs. Field and Tuer. 
 
 A private reprint of a work presented by the Corporation of the City of 
 London to every apprentice on whom its freedom is conferred. The letter- 
 press is old-style, with an introductory page set entirely in Caxton type, and is 
 printed on specially prepared old-style paper, the binding is in character with 
 the letter-press.
 
 420 Canton Celebration* 
 
 4242. EARLY Proclamations and Royal Speeches. 
 
 Lent by George Tawse, Esq. 
 
 4243. SPECIMENS of Embossed Printing for the Blind. From stereotype 
 plates (which are shown). 
 
 Lent by the British and Foreign Blind Association. 
 
 4244. SPECIMENS of Embossed Printing for the Blind. From moveable 
 types. Lent by Messrs. Gilbert and Rivington. 
 
 4245. HUNT'S Syllabic System for teaching 500,000,000 illiterate 
 heathen. Lent by Messrs. Gilbert and Rivington. 
 
 4246. OBSOLETE Bank Notes. 
 
 Sweden, 10 daler, 1666. 
 Sweden, 25 daler, 1716. 
 Norway, 10 rixdaler, 1695. 
 Denmark, i mark, 1713. 
 Denmark, local Thomse. 
 Denmark, local Tristed, 1815. 
 London, Cheque or Note. 
 
 Child's Bank Note, 1729. 
 
 Child's Bank Note, 1750. 
 United Colonies of America. 
 
 South Carolina, 5*., 1723. 
 
 Pennsylvania, is., 1755. 
 
 Annapolis, Maryland, 8 dollars, 1770. 
 
 Philadelphia, is. 6d., 1776. 
 
 Reverse of the above, 1776. 
 Demarara, 5 stivers. 
 Brandenburg, Prussia, 5 thaler, 1764. 
 Saxony, i reiches thaler, 1772. 
 Austria, 10 gulden, 1806. 
 Poland, 100 florins, 1794. 
 Hungary, 100 gulden, signed by Kossuth, 1848. 
 Papal States, 15 scudi, 1796. 
 France, Louis XVII., " De par le Roi," 5 livres. 
 French Republic, 10,000 francs, 1794. 
 Paris local note. 
 
 Isles de France et de Bourbon, 5 livres Tournois, 1788. 
 Surinam Card Money. Two sides of notes. 
 Republic of Haiti, deux gourdes, 1827. 
 Bloemfontein, five shillings, 1868. 
 
 Lent by Mrs. John Evans.
 
 , Curio0t'tte0 anD 
 
 4247. SAILING Directions for Rivers Elbe and Weser. Demy 8vo. 
 1 795. Lent by Messrs. Smith and Ebbs. 
 
 4248. SAILING Directions for Hispaniola, Jamaica, &c. Demy 8vo. 
 1 799. Lent by Messrs. Smith and Ebbs 
 
 4249. VARIOUS "Rent Receipt forms," &c. Printed in 1739 to I 75- 
 
 Lent by Messrs. Smith and Ebbs. 
 
 4250. VARIOUS Old Printed Forms for Trinity House. Printed on 
 Tower Hill from 1762 to . Lent by Messrs. Smith and Ebbs. 
 
 4251. CURIOUS Copy of "Honest Verdict of a Jury of Independent 
 Englishmen." 1833. Printed in gold on satin. 
 
 Lent by Messrs. Hewlett and Son. 
 
 4252. RECEIPTS for Taxes, 1674-1691. 
 
 4253. CLIPP'D Money. 
 
 4254. CONVEX Lights. 
 
 4255. THE London Directory, 1793. 
 
 4256. BRADSHAW'S Guide. 
 
 4257. FIVE Chap Books. Newcastle, 1800-22. 
 
 Lent by Sir Charles Reed. 
 
 4258. POLAR Almanack for 1854, printed on board H.M.S. "Enterprise :; 
 in Camden Bay, lat. 70 N., long. 145 W. 
 
 Lent by Thomas Hester, Esq. 
 
 4259. SPECIMENS of a new process for printing direct upon the surface 
 of substances of a hard, brittle, or corrugated character. 
 
 Lent by the Printing Surface Company. 
 
 4260. CAXTON Memorial. Account of the Meeting held in 1847 at the 
 instigation of the Rev. H. Milman, D.D. 
 
 Lent by J. S. Hodson, Esq.
 
 CLASS L. 
 
 THE RISE AND PROGRESS OF TYPOGRAPHY AND 
 TYPE-FOUNDING IN ENGLAND. 
 
 COLLECTION of type specimens contains, in proportion 
 to its completeness, a history both exhaustive and simple. 
 In any survey of the rise and progress of Typography the 
 primary reference is naturally made to such an authority, 
 not only as giving details of names, places, andMates, but as 
 disclosing the development of an invention, the cultivation 
 of an industry, and the advance of an art, by marked stages, from its 
 crude beginning to its present refinement. 
 
 The history of type-founding in England may be naturally divided 
 into three distinct periods infancy, languid progress, and revival and 
 development. 
 
 In the first stage we find the early printers combining in one the pro- 
 fession of printer and type-founder, and accordingly any specimen of 
 their types must be sought for in their books. It does not come within 
 the scope of this sketch to enter into a detailed examination of the cha- 
 racters adopted by these pioneers of the art, but it is interesting, in view 
 of the present multiplication of designs, to recall the fact that in the whole 
 of Caxton's works we meet with no more than eight founts, viz. : six sizes 
 of secretary, and two of black. His successors Wynkyn de Worde, 
 Pynson, and Faques made considerable advances, both in punch-cutting 
 and founding, as their works testify. By Pynson the Roman character was 
 introduced into England, and there is some reason to believe that he 
 supplied other printers with types cast from his own matrices. To these 
 three succeeded others of little distinction, till the name of John Day, in 
 1567, arrests us at the close of the first stage of the art. 
 
 It is at this time that the first reference to type-founding, as a distinct
 
 3U 'ftppe and otljei: printing SIpaterialjaf. 423 
 
 branch of trade, occurs ; and Day is recorded to have produced Saxon 
 and Greek founts, as well as the Italic and a variety of other characters. 
 Closely following on this is the Star Chamber decree, restricting the 
 number of founders to four, under episcopal appointment, who should 
 have no more than two apprentices each, and " one boy for the pulling 
 off of the knots of metal from the type." Under such conditions type- 
 founding started on a separate existence. Further restrictive measures 
 followed, forbidding, among other things, the casting of any type without 
 the sanction of the master and wardens of the Company of Stationers. 
 Notwithstanding these decrees the number of founders grew, and their 
 founts multiplied. The adoption of printing by the centres of learning 
 encouraged the production of foreign and Oriental founts, and the Uni- 
 versity of Oxford was enriched by the gifts of Dr. Fell and Mr. Junius. 
 Music, signs, and flowers also appeared in type. The secretary was 
 revived, and introduced the cursorial ; the fancy and flowered letters 
 which, almost from the first, had replaced the hand-painted initials of the 
 earliest books, were greatly improved. Larger ornamentations were 
 carved on wood ; the flowers suggested an ample variety in design and 
 decoration ; the old black fairly yielded to the Roman, which now 
 appeared on graduated bodies from Canon to Brevier. In 1668 the first 
 specimen bearing the name of an English founder was issued by Mr. 
 Moxon, who subsequently attempted to reduce the art to set rules of 
 proportion and measurement, illustrating his theories with elaborate 
 plates. But, notwithstanding all this advancement, the trade languished. 
 Besides Moxon, the University of Oxford alone published specimens. 
 The native talent of Grover, Andrews, Mitchell, and James, was unan- 
 preciated, and most of the best editions of Queen Anne's reign were the 
 impression of Dutch letter. One man, Mr. James, accumulated in his 
 own possession the stock of all the other founders; nor was it till his 
 foundry in turn came to the auctioneer's hammer that a specimen of its 
 punches appeared. Thus far we find no more than the two specimens 
 above named surviving to record a long period of mediocrity in genius, 
 but gradual though languid advancement, when the accident which 
 turned the attention of William Caslon to the art of type-founding 
 at once marks the era of its revival, and the introduction to its present 
 perfection. 
 
 It appears only natural that the generation which produced for print- 
 ing Bowyer, Nicholls, Watts, and Bettenham, should also give to type- 
 founding William Caslon. Indeed it is noteworthy that not a few of the 
 subsequent strides in the art were made under the encouragement of 
 some famous and generous printer. Caslon's first production was an 
 Arabic, in 1720. In 1734 his sheet contained specimens of thirty-eight 
 founts, and from that time the tide turned in favour of English type- 
 founding. The foreign trade ceased. English type was again used to print
 
 424 Cajton Celebration* 
 
 English books nay, even found its way abroad. The genius of Basker- 
 ville, eccentric as it was, lent further impetus to the revival. After Caslon 
 arose his son, and his two apprentices, Cottrell and Jackson, who in turn 
 established foundries which flourish to this day. To them succeeded, in 
 London, Figgins, Fry, Thome ; in Sheffield, Blake and Garnett ; in 
 Scotland, Wilson and Miller, each doing his share in the development of 
 the art, and assisting toward its present excellence. It is only possible 
 to glance rapidly at the changes which have taken place during the past 
 140 years. Of the 38 founts in Caslon's first sheet, 14 only are Roman, 
 7 are titling, 2 are black, and the remaining 15 are ancient or Oriental. 
 Then by degrees we find fresh faces and sizes. The Roman appeared 
 as an open letter, or increased suddenly in bulk till it reached to Cot- 
 trell's unprecedented 1 2-line ; the borders became more varied and less 
 formal; the curves and slopes of the mediaeval gave place to the perpen- 
 diculars and hair-serifs of the modern cut ; the third Caslon's cast 
 ornaments appeared, "adjusted curiously to paper;" music was exhibited 
 in specimen; the fat faces of Thorne were largely affected; the variations 
 on the Roman increased in boldness and elaboration ; the old black fell 
 into the hands of the decorators ; scripts the marvel of their age were 
 produced. And all this time wood-letter cutting and engraving were 
 keeping pace with the sister art. Then the multiplication of newspapers 
 called for uniform series of faces ; the increased power of machinery 
 necessitated a harder alloy for casting, and consequently brought about 
 an increased fineness of impression ; the commercial world was supplied 
 with its Mercantiles and Court hands ; the advertising press demanded 
 and received .additional display and improved taste in the fancy letter 
 a.id Clarendons of recent years. The type specimens in turn set the 
 taste to the press. A revulsion occurred against crowding and mono- 
 tony, and refinement and delicacy took the place of gross profusion and 
 ornament. A revival of the mediaeval ensued, and we recognize now the 
 old forms in a more graceful garb ; the titling and display letter 
 naturally followed the tendency, and modern old-style printing has now 
 become a science. 
 
 Such is a rapid outline of the recent development of typography. 
 What it may yet become it is impossible to forecast. At present it seems 
 by no means effete or exhausted, and it is even possible that at some 
 future time the specimens of the present day may bear to the history of 
 the art a relation similar to that which is now borne by the productions 
 of Moxon, Fell, and James. 
 
 Of the machinery and processes for the production of type it is only 
 necessary to say that those now in use are but improvements on the 
 earliest methods. 
 
 The punch, matrix, and mould are coeval with the introduction of 
 printing into England, and it appears to be an established fact that
 
 Cla<30 1L t!Tppe auto otljer printing Materials* 425 
 
 Caxton's types were so produced. As regards the two former, the 
 handiwork of some of our ancestors has scarcely been surpassed to this 
 day. The mould, of necessity, has undergone improvements, but it was 
 not till the commencement of the present century that the American or 
 lever mould appeared as a first rival to the venerable hand mould. 
 The refinement of the serifs next suggested the pump for producing a 
 stronger jet than could be obtained by a ladle and the jerk of the 
 caster's arm ; and the pump and lever-mould combined suggested the 
 casting machine of the present day. This, too, has experienced im- 
 provement, and the crank-handle has generally yielded to steam. 
 
 The other processes breaking off, rubbing, setting up, and dressing 
 still to a large extent are performed by hand ; but the mechanical 
 genius of the age is already overtaking them, and we find machines 
 which combine in one every process of production, from the molten 
 metal to the finished type. 
 
 The composition of type metal has met with many changes. The 
 necessity for some alloy which would enable the lead to bear the 
 pressure to which it was exposed was early felt, and we find nearly every 
 metal, at some time or other, introduced into the combination. During 
 the last century the founders have produced successively their type 
 metal, their hard metal, and their extra-hard metal ; and types are now 
 cast which will endure for years the ordeal of the stereo-foundry, and 
 defy even the formidable cylinders of modern machinery. 
 
 SECTION I. 
 OLD TYPES, PUNCHES, MATRICES, &c. 
 
 Lent by the University Press, Oxford. 
 
 " Punchions " and Matrices from Dr. Fell's collection, given to the Univer- 
 sity of Oxford, A.D. 1666, viz. : 
 
 4280. 
 
 UNCHES, Matrices, and specimen of Music Type of the seven- 
 teenth century. 
 
 4281. PUNCHES and Matrices, roman and italic, of 3-line Pica, 
 containing in the italic, beside the usual double letters, matrices 
 for casting in one piece tf, Jb, ft, Jh, and other combinations and 
 ligatures.
 
 426 Carton Celebration, 
 
 4282. PUNCHES and Matrices, in brass, of 4-line Pica roman and 
 Greek capitals. 
 
 4283. DOUBLE Box, the upper sliding into the lower, containing Pica 
 roman and italic matrices. The small capitals not justified. 
 
 4284. DOUBLE PICA Greek Matrices, containing, beside the ordinary 
 Greek characters, small capitals and 118 ligatures. 
 
 4285. ENGLISH Black Matrices. 
 
 4286. COPTIC Matrices. 
 
 4287. HEBREW and Sclavonic Matrices. 
 
 4288. SYRIAC Matrices. 
 
 4289. PUNCHES of Coptic, Samaritan, Arabic, and Syriac. 
 
 4290. THIRTY-THREE Matrices of old flowers and borders. 
 
 4291. GOTHIC, Runic, and Anglo-Saxon Punches given to the University 
 of Oxford by Mr. Francis Junius in 1676. Also the Punches cut 
 for Elstob's " Anglo-Saxon Grammar," given to the University by 
 S. Bowyer in 1753. 
 
 The faces of these punches are protected by a thick coating of resin. 
 
 4292. MATRICES of Junius' Anglo-Saxon, and also of Elstob's, with 
 specimen of type. 
 
 4293. SPECIMEN of old Icelandic Type, " Dutch height." 
 
 4294. Box of Great Primer Greek Punches, cut by the celebrated Bas- 
 kerville, from whom they were purchased by the University about 
 the year 1760. 
 
 These are the only relics in England of the celebrated Birmingham foundry. 
 
 4295. SET of floriated Initial Letters in wood, 1 2-line Pica. 
 
 4296. SET of Initial Letters in wood, " Dutch bloomers," i4-line Pica, 
 temp. William III. (?) 
 
 4297. SET of ditto, smaller, 5-line Pica. 
 
 4298. Two old Tail-pieces in wood. 
 
 4299. THREE Coats-of-Arms of the University of Oxford in wood, temp. 
 Charles I. to George III. 
 
 4300. VIEW of the Sheldonian Theatre, Oxford, used in title-pages.
 
 Cla0g 1L Cppe anli otljec printing ^ateriate. 427 
 
 4301. Two Views of the Clarendon Building, Oxford, formerly used for 
 title-pages. 
 
 4302. Two old Hand-moulds for casting type, without springs. 
 
 4303. Two printer's Ball-stocks. 
 
 Lent by Messrs. H. W. Caslon and Co. 
 
 4304. FIRST Specimen-sheet of William Caslon's types. 1735. 
 
 4305. Ditto, framed with modern in comparison. 
 
 4306. EARLY Caslon Hand-moulds, in use 1720 to about 1750. 
 
 4307. Ditto Script Moulds, slanting and locking bodies. 
 
 4308. Ditto Quadrat Moulds. 
 
 4309. SPRING Lever Mould, supposed to be the first. 
 
 4310. EARLY Caslon Lead-mould. 
 
 4311. PUNCHES cut by William Caslon I. 1720. 
 
 4312. MATRICES from ditto. 
 
 4313. TYPES cast from ditto, finished and unfinished. 
 
 4314. CASLON'S earliest Music Type. 
 
 4315. COLLECTION of Sanspareil Matrices, showing oldest and largest, 
 &c. 
 
 4316. BRASS Model Letters, for casting type in sand. 
 
 4317. TYPES cast in sand moulds from ditto. 
 
 4318. Two brass Engravings of very old coach and steamer. 
 
 43 1 9. MODEL of modern Type-casting Machine. 
 
 4320. MACHINE Moulds, as now in use, for large and small letter. 
 
 4321. MODERN-CUT Punches, large and small. 
 
 4322. MATRICES from ditto. 
 
 4323. TYPES from ditto, finished and unfinished. 
 
 4324. METAL Furniture, old kind, French, and adjusting.
 
 428 Carton Celebration* 
 
 4325. COPY of Specimen-book. 1764. 
 
 4326. Ditto. 1785. 
 
 4327. MODERN Specimen-book. 2 copies. 
 
 Lent by Messrs. Reed &* Fox. 
 
 4328. Old Hand Mould of the Fann Street Foundry. 
 
 4329. Old Hand Mould for casting circular body. 
 
 4330. Hand lever mould. 
 
 4331. A CASE of old Matrices, from the Collection of Dr. Edmund 
 Fry, containing : 
 
 1. Pica Black, bought at James' sale, 1782. Supposed to be 
 upwards of 300 years old, but erroneously described by Han- 
 sard and Dr. Fry as Caxton's. 
 
 2. English Black, bought at James' sale. Formerly Wolfe's, the 
 City Printer in 1581. 
 
 3. Long Primer and Brevier Black, also bought at James' sale. 
 Of Dutch origin. 
 
 4. Long Primer and Small Pica Black Matrices, from punches 
 cut by Dr. Fry. 
 
 5. MATRICES of the Alexandrian Greek. Bought at James' sale, 
 in the catalogue of which (p. 10) they are advertised as having 
 belonged to Wynkyn de Worde. 
 
 4332. EARLY Specimen Books. 3 vols. 8vo. 
 
 4333. MODERN Specimen Books. 2 vols. 410. 
 
 Lent by C. W. H. Wyman, Esq. 
 
 4334. DERRIEY Album of Specimens. 4to. 
 
 4335. SMALL Model of Derriey's Mitreing-machine. 
 
 4336. Two small Models of Derriey's Paging-machines. 
 
 4337. SPECIMEN Case of Ornaments.
 
 3U 'Cppe and otfjec Ranting S^ateriatgL 429 
 
 4338. Ditto Flourishes, &c. 
 
 4339. SPECIMENS of Fancy and Shaded Rules, &c. 
 
 4340. A BIOGRAPHY of the late C. J. Derriey, of Paris, with portrait 
 
 4341. INSTRUMENTS used by the celebrated Dutch punch-cutter, Joan 
 Michael Fleischmann, born at Nuremberg in 1701, died at 
 Amsterdam, 1768. Lent by MM. Enschede et Fils. 
 
 A collection of punch-cutting tools, a mould, and a small wooden printing- 
 press used by Fleischmann for proving his specimens. With a portrait. 
 
 4342. Two words of logotypes, as used by John Walter of the " Times," 
 in 1785. The letters are cemented together at the bottom into 
 words. Lent by Austin Wood, Esq. 
 
 SECTION II. 
 TYPE-CASTING MACHINES. 
 
 4344- 
 g HAND Type-Casting Machine. Lent by Messrs. Reed and Fox. 
 
 4345. JOHNSON and ATKINSON'S Type-Casting Machine. 
 
 Lent by the Patent Type-Founding Company. 
 
 In this machine, which is driven by steam power, the types are cast, rubbed, 
 dressed, and rendered fit for use by the printer without being touched by hand.
 
 43 Carton Celebration* 
 
 SECTION III. 
 
 TYPES, PLATES, AND OTHER MATERIALS USED IN 
 THE VARIOUS PROCESSES OF MUSIC PRINTING. 
 
 4346. 
 
 OPPER Music Plates. Engraved by Thomas Cross (3 plates). 
 Portrait of Corelli, page i, page 69. Messrs. Cocks <5r> Co. 
 
 4347. COPPER Music Plate. Stamped. Messrs. Cramer & Co. 
 
 4348. MODERN Pewter Music Plate. Stamped. Messrs. Enoch & Sons. 
 
 4349. OLD Pewter Music Plate. Stamped. Messrs. Novello 6 Co. 
 
 4350. STEREOTYPE Music Plate. Henderson, Rait, 6 Fenton. 
 
 4351. STEREOTYPE Music Plate. Messrs. Novello 6 Co. 
 
 4352. ELECTROTYPE Music Plate. Henderson, Rait, 6 Fenton. 
 4353- ELECTROTYPE Music Plate. Messrs. Novello 6 Co. 
 
 4354. SiLVER-Washed Music Plate. Henderson, Rait, 6 Fenton. 
 
 4355. PAGE of Ruby Music Type. Henderson, Rait, &> Fenton. 
 
 4356. BLOCKS used in the Cowper process of Music Printing, with 
 printed specimens. W. Clowes 6 Sons. 
 
 The notes are copper inserted in wooden blocks. 
 
 4357- PUNCHES, Matrices and Rules, and printed specimen of the 
 Scheurmann Process of Music Printing, 1856-59. 
 
 Henderson, Rait, 6 Fenton.
 
 1L ^ppe anfc ottjer printing Materials* 431 
 
 SECTION IV. 
 TYPEFOUNDERS' SPECIMEN BOOKS (SELECTED). 
 
 BRITISH. 
 
 4358- 
 
 ANDBILL by William Caxton. " If it plese ony man spiritual 
 or temporal to bye ony pyes of two and thre comemoracios of 
 salisburi use enprynted after the forme of this preset lettre 
 whiche ben wel and truly correct late hym come to west- 
 monester in to the almonesrye at the reed pale and he shal have 
 them good chepe. Supplico stet cedula." Date ante 1480. 
 
 An advertisement of an Ordinale of the Church of Salisbury, printed by 
 Caxton in similar type to this handbill. 
 
 REGUL/E Trium Ordinum Literarum Typographicarum ; or the 
 Rules of the Three Orders of Print-Letters, viz.: the Roman, Italick, 
 English, Capitals and Small ; showing how they are compounded 
 of Geometrick Figures and mostly made by Rule and Compass. 
 Useful for Writing Masters, Painters, Carvers, Masons and others 
 that are lovers of Curiosity ; by Joseph Moxon, Hydrographer to 
 the King's Most Excellent Majesty. London. Printed for 
 Joseph Moxon on Ludgate Hill at the sign of Atlas, 1676. 410. 
 
 Lent by William Blades, Esq. 
 
 Dedicated to the Worshipful Sir Christopher Wren, Knight, Surveyor to his 
 Majesty's Buildings. With 38 pp. of plates. 
 
 A SPECIMEN by William Caslon, Letter-founder in Chiswell Street, 
 London. 1734. Large post broadside. 
 
 His first specimen, containing 38 founts, and 7 varieties of flowers. 
 
 Ditto. Framed with modern in comparison. 
 
 See contents of the Caslon Exhibit, lent by H. W. Caslon and Co, 
 
 A SPECIMEN of the Printing Letter of the late Mr. Henry Woodfall, 
 without Temple Bar, London ; with a Catalogue of all his Printing 
 Materials ; which will be Sold by Auction on Monday, November 
 9th, 1 747 at the Castle Tavern in Paternoster Row, to begin at 
 Four in the Afternoon. 410. Lent by James Fenton, Esq. 
 
 With a list of purchasers at end, and prices given.
 
 43 2 Ca.rton. Celebration* 
 
 4363. A SPECIMEN of the Printing Letter of Mr. George Woodfall, 
 Charing Cross, who is leaving off that branch of business ; with a 
 Catalogue of all his Printing Materials, which will be Sold by 
 Auction on Monday, September i4th, 1761, at the Sun Tavern in 
 Ludgate Street. To begin at Seven o'clock. 410. 
 
 Lent by Barnes Fenton, Esq. 
 With a list of purchasers' names at end, and prices given. 
 
 4364. A SPECIMEN of Printing Types by William Caslon and Son. 
 Printed by Dry den Leach. London, 1764. 8vo. 
 
 See contents of the Caslon Exhibit, lent by H. W. Caslon and Co. 
 
 ' ' This new foundery was begun in the year 1 720 & finished 1 763, & will (with 
 God's leave) be carried on, improved & enlarged by William Caslon & Son, 
 Letter Founders in London." 
 
 The first Typefounder's specimen book issued in England. 
 
 4365. Ditto. Ditto. Lent by William Blades, Esq. 
 
 4366. A SPECIMEN of Printing Types by Tho. Cottrell, Letter-founder 
 in Nevils Court, Fetter Lane, London. 8vo. 
 
 Lent by William Blades, Esq. 
 
 "This Foundery was begun in the year 1757, and will (with God's leave) be 
 carried on, improved, and enlarged by Thomas Cottrell, Letter Founder in 
 London. 
 
 "N.B. Served my apprenticeship to William Caslon Esq." 
 
 4367. Ditto. Ditto, unbound, in paper cover. 
 
 Lent by James Fenton, Esq. 
 
 4368. A SPECIMEN of the several sorts of Printing Types belonging to 
 the University of Oxford at the Clarendon Printing House, 1768 
 [including a fount of Baskerville's Greek]. Together with a specimen 
 of the Gothic, Runic, Icelandic, and Saxon characters, with Roman, 
 Italick, and Black, given to the University of Oxford by Mr. 
 Francis Junius about the year 1677. (All pica body.) 8vo. 
 
 Lent by G. A. Spottiswoode, Esq. 
 
 This specimen also comprises new letters purchased in the years 1768 to 
 1774, among which is a long-primer Syriac by Caslon. Dr. Fell's gift of 
 " punchions " and matrices to the University was made in 1666, and 
 Mr. Junius' in 1676. 
 
 4369. A SPECIMEN of Printing Types by William Caslon, Letter-founder, 
 London. 8vo. Lent by William Blades, Esq. 
 
 A reprint by Luckombe, being pp. 134-173 of his "History and Art of- 
 Printing, 1770." 
 
 4370. A SPECIMEN of Cottrell's Doomsday Letter, 1770. 8vo. 
 
 Lent by William Blades, Esq. 
 This also is a reprint by Luckombe, being page 174 of his work.
 
 3L 'ftppe anti otljec printing: Catenate. 433 
 
 4371. A SPECIMEN of Printing Types by Isaac Moore and Co., Letter- 
 founders in Queen Street, near Upper Moorfields, London. 1770. 
 Framed Sheet. Lent by A. W. Tuer, Esq. 
 
 Better known as Fry and Pine's Foundry, begun in 1764, of which Isaac 
 Moore was manager. 
 
 4372. A DISSERTATION upon English Typographical Founders and 
 Founderies by Edward Rowe Mores, A.M., and A.S.S., 1778. 
 8vo. Lent by William Blades, Esq. 
 
 4373- A CATALOGUE and Specimen of the large and extensive Printing 
 Type-foundry of the late ingenious Mr. John James, Letter- 
 founder, formerly of Bartholomew Close, deceased ; including 
 several other Founderies, English and foreign. Improved by the 
 Reverend and Learned Edward Rowe Mores, deceased. Com- 
 prehending a great variety of punches and matrices of the 
 Hebrew, Samaritan, Syriac, Arabic, yEthiopic, Alexandrian, Greek, 
 Roman, Italic, Saxon, Old English, Hibernian, Script, Secretary, 
 Court-Hand, Mathematical, Musical, and other characters, Flowers 
 and Ornaments: which will be sold by Auction by Mr. Paterson 
 at his Great Room (No. 6), King Street, Covent Garden, London, 
 on Wednesday, 5th June, 1782, and the 3 following days; to 
 begin exactly at 12 o'clock. To be viewed on Wednesday, May 
 2 Qth, and to the time of sale. Catalogues with specimen of the 
 Types may be had at the place of Sale. (Price one shilling.) 8vo. 
 Lent from the- Library of the London Institution. 
 
 This foundry was begun in 1710 by Thomas James, father to John James, 
 who with great difficulty procured his first matrices from Holland. It sub- 
 sequently absorbed the foundries of Rolij, Grover (father and son), Moxon, 
 Andrews (father and son), Head, Mitchell, Ilive, and others. Among the 
 punches and matrices for sale are some by De Worde and Pynson. 
 
 4374. A SPECIMEN of Printing Types, being some of the sizes cast in 
 the letter foundry of Dr. Alex. Wilson and Sons. Glasgow, 1783. 
 i page. Folio. Lent by A. W. Tuer, Esq. 
 
 Reprint, from the second edition of Chambers' Encyclopedia. 
 
 4375. A SPECIMEN of Large letter by William Caslon, London, 1785. 
 Two sheets framed. Lent by A. W. Tuer, Esq. 
 
 From 7-line to ig-line ; capitals, lower case and figures. Cast in sand. 
 
 4376. A SPECIMEN of Printing Types by William Caslon, Letter-founder 
 to His Majesty. London. Printed by Galabin and Baker, 1785. 
 8vo. 
 
 See contents of the Caslon Exhibit, lent by H. W. Caslon and Co. 
 
 4377. Ditto. ditto. Lent by James Fenton, Esq. 
 
 F F
 
 434 Cajton. Celebration* 
 
 4378. A SPECIMEN of Printing Types by William Caslon, Letter-founder 
 to His Majesty, 1785. Folio, 4 pp. Lent by A. W. Tuer, Esq. 
 
 Reprint, from the second edition of Chambers' Encyclopaedia. 
 
 4379. Two framed Specimen Sheets of Semi-open Letters, old style type, 
 from 7-lines to ig-lines Pica, capitals and lower case. Founder and 
 date unknown. Lent by A. W. Tuer, Esq. 
 
 4380. A SPECIMEN of Cast Ornaments on a new plan by William Caslon, 
 Letter-founder to His Majesty. London. Printed by J. W. 
 Galabin, 1786. 8vo. Lent by Talbot B. Reed, Esq. 
 
 The first specimen of Cast Ornaments by an English founder. 
 
 4381. A SPECIMEN of Printing Types by Joseph Fry and Sons, Letter- 
 founders to the Prince of Wales. London, printed in the year 
 1786. 8vo. Lent by William Blades, Esq. 
 
 4382. A SPECIMEN of Brass Card Borders on an entire new principle, by 
 C. and A. Paas, Engravers to their Majesties. No. 53 Holborn, 
 London. Printed by T. Rickaby, 1788. 8vo. 
 
 Lent by William Blades, Esq. 
 
 4383. SPECIMEN of Printing Types by Vincent Figgins, Letter-founder, 
 Swan Yard, Holborn Bridge, London. 1793. 8vo. 
 
 Lent by William Blades, Esq. 
 His first specimen, containing 31 Oriental and 7 Roman founts. 
 
 4384. SPECIMEN of Metal Cast Ornaments curiously adjusted to paper 
 by Edmund Fry and Isaac Steele, Letter-founders to the Prince 
 of Wales, London. Printed by T. Rickaby, 1794. 8vo. 
 
 Lent by W. Blades, Esq. 
 
 4385. A SPECIMEN of Printing Types by Fry and Steele, Letter-founders 
 to the Prince of Wales, Type Street, London. Printed by T. 
 Rickaby, London, 1795. 8vo. Lent by W. Blades, Esq. 
 
 4386. SPECIMEN Sheet of Head and Fable Cuts for Dilworth's Spelling 
 Book, cast on Hard Metal, and curiously adjusted to paper on the 
 best Turkey box. Price ,4 $.4. By Fry and Steele, Letter- 
 founders, Type Street, London, Framed. 
 
 Lent by A. W. Tuer, Esq. 
 
 4387. A SPECIMEN of Printing Types by William Caslon, Letter-founder 
 to the King. Salisbury Square, London. Jan. 1798. 8vo. 
 
 Lent by W. Blades, Esq. 
 
 The third William Caslon retired from Chiswell Street and purchased Mr. 
 Jackson's foundry in 1792.
 
 Clagg %. '(Ippe anD otljec Dinting i^ateciate* 435 
 
 4388. A SPECIMEN of Cast Ornaments by William Caslon, Letter- 
 founder to the King. London. Printed by C. Whittingham, 
 
 1798. 8vo. Lent by IV. Blades, Esq. 
 
 4389. PANTOGRAPHIA, containing accurate copies of all the known Alpha- 
 bets in the world, together with an English explanation of the 
 peculiar force or power of each letter ; to which are added speci- 
 mens of all the well-known authenticated Oral Languages, forming 
 a comprehensive digest of Phonology. By Edmund Fry, Letter- 
 founder, Type Street, London. Printed by Cooper and Wilson, 
 
 1799. 8vo. Lent by A. W. Tuer, Esq. 
 
 With a dedication to Sir Joseph Banks, Bart., K.B., President of the Royal 
 Society. 
 
 4390. A SPECIMEN of Printing Types by Fry, Steele and Co., Letter- 
 founders to the Prince of Wales. London. Printed in the year 
 
 1800. 8vo. Lent by W. Blades, Esq. 
 
 4391. THORNE'S Specimen of Printing Types, Barbican, 1803. No title 
 page. 8vo. Lent by W. Blades, Esq. 
 
 Apprentice and successor to Cottrell. 
 
 4392. SPECIMEN of Metal Cast Ornaments curiously adjusted to paper 
 by Fry and Steele, Letter-founders to the Prince of Wales, Type 
 Street, London. Printed in the year 1805. 8vo. 
 
 Lent by W. Blades, Esq. 
 
 4393. A SPECIMEN of Modern Cut Printing Types, by Alex. Wilson and 
 Sons, Letter-founders, Glasgow. James Hedderwick and Co., 
 Printers, Bell Street, Glasgow, 1812. 4to. 
 
 Lent by S. Bremner, Esq. 
 
 4394. SPECIMEN of Printing Types by William Miller & Co., Edin- 
 burgh, 1815. Lent by Messrs. Miller and Richard. 
 
 The first specimen of this foundry. 
 
 4395- SPECIMEN of Printing Types by Edmund Fry, Letter-founder to 
 the King and Prince Regent, Type Street, London, 1816. 8vo. 
 
 Lent by S. Bremner, Esq. 
 
 4396. A SPECIMEN of Printing Types, &c. by Blake, Garnett, & Co. 
 
 (successors to Mr. W. Caslon of London) Letter-founders, Sheffield. 
 
 Bvo. Paper cover. Lent by Messrs. Stephenson, Blake, & Co. 
 
 "Blake, Garnett, and Co. beg leave respectfully to inform the trade that 
 
 they have purchased the whole of Mr. W. Caslon's foundry, &c."
 
 43 6 Ca,rton Celebration, 
 
 4397. SPECIMEN of Printing Types by L. I. Pouchee at the New Foundry, 
 Great Wild Street, Lincoln's Inn Fields, London, 1819. 8vo. 
 
 Lent by S. Bremner, Esq. 
 Agent in England for Henri Didot's Polymatype. 
 
 4398. A SPECIMEN of Book and Newspaper Printing Types by Hugh 
 Hughes, Letter-cutter and Founder, 23, Dean Street, Fetter Lane. 
 No date. 8vo. Lent by S. Bremner, Esq. 
 
 An engraver; formerly partner with Mr. Thorne, Barbican. 
 
 4399. THOROWGOOD'S new specimen of Printing Types, late R. Thome's, 
 No. 2, Fann Street, Aldersgate Street, London. A liberal discount 
 on export orders. 8vo. 1821. Lent by Messrs. Reed and Fox. 
 
 4400. SPECIMEN of the last modern cut Printing Types by A. Bessemer, 
 Letter-founder, Hitchin, Herts, 8vo. 1821. 
 
 Lent by S. Bremner, Esq. 
 
 4401. SPECIMEN of Printing Types by William Miller, Letter-founder to 
 His Majesty for Scotland. Edinburgh, printed by James Ballan- 
 tyne and Co., 1822. 4to. Lent by S. Bremner, Esq. 
 
 4402. SPECIMEN of Modern Printing Types by Alex. Wilson and Sons, 
 Glasgow, 1823. 410. Lent by S. Bremner, Esq. 
 
 4403. SPECIMEN of Printing Types by Vincent Figgins, Letter-founder, 
 West Street, West Smithfield, London, 1824. 8vo. 
 
 Lent by S. Bremner, Esq. 
 
 4404. SPECIMEN of the last modern cut Printing Types by A. Bessemer 
 and J. J. Catherwood, Letter-founders, Hitchin, Herts. (J. J. 
 Catherwood, late of the Chiswell Street Foundry, London.) 1825. 
 8vo. Lent by W. Blades, Esq. 
 
 4405. SUPPLEMENT to Blake, Garnett, and Co.'s Specimen. 1826. 8vo. 
 Paper cover. Lent by S. Bremner, Esq. 
 
 4406. SPECIMEN of Printing Types by Blake, Garnett, and Co. (successors 
 to Mr. W. Caslon of London), Letter-founders, Allen Street, 
 Sheffield, 1827. 8vo. Lent by S. Bremner, Esq. 
 
 4407. SPECIMENS of Printing Types cast at Austin's Imperial Letter 
 Foundry, Worship Street, Shoreditch, London, 1827. 8vo. 
 
 Lent by S. Bremner, Esq. 
 An engraver, by whom several of Wilson's and Miller's early founts were cut.
 
 Cla00 Ti tEppe anti otljec printing; S^aterial^ 437 
 
 4408. SPECIMEN of Printing Types by Vincent Figgins, Letter-founder, 
 London, 1827. i6mo. Paper cover. 
 
 Lent by S. Bremner, Esq. 
 
 4409. SUPPLEMENTS to Blake, Garnett, & Co.'s Specimen. 1827 and 
 1828. 8vo. Paper covers. Lent by S. Bremner, Esq. 
 
 4410. SPECIMEN of Modern Printing Types, by Alex. Wilson and Sons, 
 Letter-founders, Glasgow, 1828. 410. 
 
 Lent by S. Bremner, Esq. 
 
 4411. SPECIMEN of Printing Types by Caslon and Livermore, Letter- 
 founders, Chiswell Street, London. Bensley, Printer, 1830. 8vo. 
 
 Lent by S. Bremner, Esq. 
 
 4412. SPECIMEN of the last modern cut Printing Types, by A. Bessemer, 
 Letter-founder, 54, Red Lion Street, Clerkenwell, London, 
 1830. 8vo. Lent by S. Bremner, Esq. 
 
 4413. THOROWGOOD'S Specimens of Greeks, Hebrews, and Foreign Cha- 
 racters, late the property of Dr. Edmund Fry. Title and first page 
 only. 1830. 8vo. Lent by S. Bremner, Esq. 
 
 4414. SELECT Specimen of Printing Types by Blake and Stephenson, 
 Sheffield, 1830. 8vo. Lent by S. Bremner, Esq. 
 
 4415. SPECIMEN of Printing Types by Blake and Stephenson (successors 
 to Mr. W. Caslon, of London), Letter-founders, Sheffield, 1831. 
 8vo. Lent by Messrs. Stephenson, Blake, and Co. 
 
 This book contains an interesting autograph memorandum by Mr. Hansard, 
 author of " Typographia." 
 
 4416. SPECIMEN of Vizetelly, Branston, and Co.'s Cast Metal Ornaments, 
 produced by a new and improved method, greater in number and 
 variety, superior in design and execution, and considerably cheaper 
 in price than any collection hitherto offered to the notice of the 
 printers. 76, Fleet Street, London, January, 1832. 4to. 
 
 Lent by James Fenton, Esq. 
 The new method referred to is the soldering of the casts on metal mounts. 
 
 4417. SPECIMEN of Printing Types by Vincent Figgins, Letter-founder, 
 West Street, West Smithfield, London, 1832. 8vo. 
 
 Lent by S. Bremner, Esq.
 
 438 Canton Celebration. 
 
 4418. ADDITIONS and Supplement to the Specimen of the Fann Street 
 Foundry, 1830 and 1832. Two Books. Paper covers. 8vo. 
 
 Lent by S. Bremner, Esq. 
 
 4419. SPECIMEN of Printing Types by Blake and Stephenson (successors 
 to Mr. W. Caslon, of London), Letter-founders, Sheffield, 1833. 
 8vo. Lent by W. Blades, Esq. 
 
 4420. SPECIMEN of Modern Printing Types cast at the Letter-foundry 
 of Alex. Wilson and Sons, Glasgow, 1833. 4to. 
 
 Lent by S. JBremner, Esq. 
 
 4421. SPECIMEN of Printing Types by Caslon and Livermore, Letter- 
 founders, Chiswell Street, London. Bensley, Printer, 1834. 8vo. 
 
 Lent by A. W. Tuer, Esq. 
 
 4422. SPECIMEN of Printing Types by Vincent Figgins, Letter-founder, 
 West Street, West Smithfield, London, 1835. 8vo. 
 
 Lent by S. Bremner, Esq. 
 
 4423. SUPPLEMENT to Blake and Stephenson's Specimen of Printing 
 Types. Sheffield, 1836. 8vo. Lent by S. Bremner, Esq. 
 
 4424. SPECIMEN of Book and Newspaper Type from the Foundry of 
 Vincent and James Figgins. London, 1838. 4to. 
 
 4425. A SPECIMEN of the Printing Types in the Fann Street Foundry, 
 W. Thorowgood and Co. London, 1838. 
 
 Lent by S. Bremner, Esq. 
 
 4426. A SPECIMEN of Printing Types by William Miller and Co., Letter- 
 founders to Her Majesty for Scotland. Printed by Oliver and 
 Boyd, Tweedale Court, 1838. 4to. Lent by S. Bremner, Esq. 
 
 4427. SPECIMEN of Printing Types by Blake and Stephenson (successors 
 to Mr. W. Caslon, of London), Letter-founders. Sheffield, 1839. 
 8vo. 
 
 4428. A SPECIMEN of Printing Types by William Miller and Co., Letter- 
 founders to Her Majesty for Scotland. Printed by Oliver and 
 Boyd, Tweedale Court, 1839. 4to. Lent by S. Bremner, Esq. 
 
 4429. A SPECIMEN Book of Types cast at the Austin Letter-foundry by 
 Wood and Sharwoods, No. 120, Aldersgate Street, London, 1839. 
 4to. Lent by A. W. Tuer, Esq.
 
 Class $ 31. ^Tppe anto orljer printing S^atertalsf. 439 
 
 4430. SPECIMEN of Modern Printing Types cast at the Letter-foundry 
 of Duncan Sinclair and Sons, Whiteford House, Edinburgh, 1840. 
 4to. Lent by S. Bremner, Esq. 
 
 4431. SPECIMEN of Printing Types by Stephenson, Blake, and Co., 
 Letter-founders, Sheffield, 1842. 8vo. 
 
 Lent by A. W. Tuer, Esq. 
 
 4432. SPECIMEN of Printing Types by V. and J. Figgins (successors to 
 Vincent Figgins), Letter-founders, West Street, West Smithfield, 
 London, 1842. 8vo. Lent by C. Poplett, Esq. 
 
 4433. SPECIMEN of Two-line Letters, Book and Newspaper Founts, and 
 Metal Rules and Borders, by Alex. Wilson and Sons, London, 
 Edinburgh, and Glasgow, 1843. Long 4to. 
 
 Lent by S. Bremner, Esq. 
 
 4434. GLASGOW Letter-foundry, London. Specimens of Punches and 
 Matrices for Sale by Auction on the premises, Great New Street, 
 Gough Square, by V. and J. Collier, 25th and 26th of June (no 
 date of year). 4to. 
 
 The Glasgow Foundry was incorporated in 1851 with the Caslon Foundry. 
 
 4435. SPECIMEN of Printing Types by Stephenson, Blalce, and Co., 
 Letter-founders, Sheffield, 1847. 8vo. 
 
 Lent by Messrs. Stephenson, Blake, and Co. 
 
 4436. SPECIMEN of Fifteen Hundred Metal Ornaments, polytyped by S. 
 and T. Sharwood, 1 20, Aldersgate Street, London. 4to. 
 
 Lent by James Fenton, Esq. 
 
 4437. FANN Street Letter-foundry, London. A General Specimen of 
 Printing Types. Robert Besley and Co., late W. Thorowgood 
 and Co. 1850. 4to. Lent by Messrs. Reed and Fox. 
 
 4438. A SPECIMEN Book of Types cast by S. and T. Sharwood, at their 
 Austin Letter-foundry, No. 120, Aldersgate Street, London, 1854. 
 4to. 
 
 4439. CATALOGUE of the Materials of an eminent Type-foundry for Sale 
 by Private Contract. Application to be made to Mr. Joseph M. 
 Powell, 3, Bouverie Street, 1870. Lent by W. Blades, Esq. 
 
 The stock of John Sinclair, Whiteford House, Edinburgh. 
 
 4440. MODERN Specimen Books by H. W. Caslon and Co., Chiswell 
 Street, 1877. Two copies. 
 
 See contents of the Caslon Exhibit, lent by H. W. Caslon and Co.
 
 440 Canton Celebration. 
 
 4441. FANN Street Letter-foundry, London. A General Specimen of 
 Printing Types. Reed and Fox (late R. Besley and Co.), 1877. 
 4to. Lent by Messrs. Reed and Fox. 
 
 With early specimens in comparison. 
 
 4442. A FRAMED Specimen of Printing Types of the Fann Street 
 Foundry, London, 1877. Lent by Messrs. Reed and Fox. 
 
 4443. SPECIMEN of Printing Types by Stephenson, Blake, and Co., 
 Letter-founders, Sheffield and London, 1877. 
 
 Lent by Messrs. Stephenson, JBlake, and Co. 
 
 4444. SPECIMENS of Wood Letter, old and new. 
 
 Lent by Messrs. Miller and Richard. 
 
 4445. SPECIMENS of Printing Types by Miller and Richard, Letter- 
 founders to Her Majesty for Scotland. Edinburgh and London, 
 1877. .Z>/ by Messrs. Miller and Richard. 
 
 4446. A SPECIMEN of Gem Type (being a page from John Bellows' 
 French and English Dictionary, new edition). 
 
 Lent by Messrs. Miller and Richard. 
 
 HOLLAND. 
 
 Collection of early Dutch Specimen Books and Sheets lent by MM. Jean 
 Enschede et Fits, ffaerlem, viz. : 
 
 4447. ATHIAS, Amsterdam, 1683; with i page containing characters cut 
 by C. Van Dyk for the Maison Elzevir. 
 
 4448. Succ. Jan Jacobsz Schipper, Amsterdam. 
 
 4449. 5ucc. Wed. Clyburg, Amsterdam, 1705 ; with a catalogue of his 
 sale. 
 
 4450. Succ. Jan Roman, Amsterdam, 1767, a page same as Athias; 
 also catalogue of his sale. 
 
 4451. R. and H. F. WETSTEIN, Amsterdam, 1740. 
 
 4452. Succ. Hendrick Floris Wetstein, 1743. 
 
 4453. VEUVE DIRK VOSKENS, 1677. 
 
 4454. Succ. Veuve Dirk Voskens et Fils. 
 
 4455. Succ. Voskens et Clerk, 1780; with catalogue of sale.
 
 %. ^ppe anto otljec printing; 9atetfalx. 44 1 
 
 4456. Succ. A. G. Mappa, Rotterdam. 
 445 7. ISAAC VAN DER PUTTE, Amsterdam. 
 
 4458. Succ. Hendrick Van der Putte. 
 
 4459. ANTHONIE ET HENDRICK BRUYN, Amsterdam. 
 
 4460. HERMANUS UYTWERF, Amsterdam; 3 pp. of characters cut by Van 
 der Velde. 
 
 4461. Succ. R. C. Alberts et H. Uytwerf, 1750. 
 
 4462. JOANNES DAUU EN Co. (Joannes Dauu en Jan Smid), Rotterdam, 
 1780. 
 
 4463. Succ. J. de Groot, 1781. 
 
 4464. Succ. Harmsen, 1818. 
 
 4465. BROUWER AND WEYER, Amsterdam. 
 
 4466. J. L. PFEIFFER, Amsterdam. 
 
 4467. C. NOZEMAN, Haerlem, 1760; with catalogue of sale. 
 
 4468. WII<LEM CUPY, Amsterdam, i p. of Hebrews. 
 
 4469. JACOBUS FRANCISCUS ROSART, Haerlem, 1714-1777. 
 
 4470. The same, Brussels ; 2 pp. flowers. 
 
 4471. Succ. Veuve Decellier, Brussels, Specimen; no title page. 
 
 4472. FRERES PLOOS VAN AMSTEL, Amsterdam, 1767-1780. 
 
 4473. ISAAC AND JOHN ENSCHEDE, Haerlem. i sheet, the last of 
 Wetstein. Ditto, the first of Enschede. Specimens, 1744, 1748, 
 
 4474. Succ. Jean Enschede", Specimen, 1768-1773. 
 
 4475. Succ. Jean Ensched et fils, Specimen, 1806, 1816, 1877. 
 
 4476. PROEVE der Drukkerye van Mr. Abraham Elzevir in sijn Leven 
 Drukker van der Universiteyt tot Leyden. Bestaande in vier 
 schoone Druk-Parssen, waar onder drie met kopere Degels zijn, 
 als mede verscheyde Soorten van Arabische, Sirische Samari- 
 taanische, ^thiopische, Cursijfsche, Hoog-en Neerduytsche, en 
 meere andere Letteren, &c. Welche verkocht sal werden tot 
 Leyden in de Academy, op Maandag den 20 February, 1713. 's
 
 44 2 Canton Celebration* 
 
 morgens ten 9, tmren pre9ys. Alles sel daags te vooren van de 
 Gegadinge konnen gesein warden, en de Catalogus is te bekomen 
 by, Fran^oys Heeneman, op de Haarlem-straat in de Vergulde 
 Son. 4to. Lent by W. Blades, Esq. 
 
 Abraham Elzevir died at Leyden, July 30, 1712. His printing-office and 
 Type-foundry was sold in February of the following year, and passed into 
 several hands, realizing only 2,000 florins. 
 
 4477. VERSAMELING van een Party Curieuse Letteren in allerlei Soorten, 
 Volgens de Proeven daar van in deze Catalogus opgegeven. Alle 
 by een Vergaderd, en nagelaten op de Drukkery van Wylen de 
 Heer Rudolph Wetstein waar by zyn vier schoone Druk-Parssen 
 alle met yzere Fondamenten, en Kopere Platen onder de Degels ; 
 De Verkopinge van deze zal gehouden werden ten Huyse Hen- 
 drick Floris Wetstein, op de Beschyt-market, op Woensdag den 
 13 Maart 1743. Alwaar daags voor de Verkoping, den s'morgens 
 van 9 tot 12, en namiddags van 2 tot 5 uren alles zal te sien 
 zyn. De Catalogus is te be komen te Amsterdam by A. Schoo- 
 nenburg. 4to. Lent by W. Blades, Esq. 
 
 Wetstein's foundry at Amsterdam was sold on March I3th, I743> and pur- 
 chased by Isaac and John Enschede, who removed it to Haerlem, where it 
 formed the foundation of their celebrated foundry. 
 
 4478. PROEF van Letteren, welke gegoten worden in de Nieuwe 
 Letter-gietery van Izaak en Job. Enschede te Haerlem. 8vo. 
 1 743. Lent by W. Blades, Esq. 
 
 The first specimen book of this firm, with a frontispiece awarding the 
 invention of printing to Koster, of Haerlem. 
 
 4479. PROEF van Letteren welke gegoten worden in de Nieuwe Letter- 
 Gietery van Izaak en Joh. Enschede te Haerlem. Tweede 
 vermeerderde Uytgave. Vermeerderd en verbeterd tot het Jaar 
 1748. 8vo. Lent by W. Blades, Esq. 
 
 4480. PROEF van Letteren die gegoten worden in de nieuwe Gieterye 
 van C. Nozeman & Comp. te Haerlem, 1756. 
 
 Lent by James Fenton, Esq. 
 
 Described by Enschede as a "pasteur remonstrant." His foundry was 
 sold in lots, November II, 1760, and subsequently came into possession of the 
 Haerlem Foundry. 
 
 4481. PROEF van Letteren welke gegoten worden in de Nieuwe Letter- 
 Gietery van Izaak en Joh. Enschede te Haerlem. Derde Uyt- 
 gave. Vermeerderd en verbeterd tot het Jaar 1757. 8vo. 
 
 Lent by W. Blades, Esq. 
 
 Containing portrait of John Enschede, and engraved frontispiece ; also a 
 preface giving a short account of the foundry.
 
 + ^pe and otljer printing St^ateriate* 443 
 
 4482. PROEF van Letteren welke gegoten worden in de Niewe Haer- 
 lemsche Lettergietery van J. Enschede, 1768. 8vo. 
 
 Lent by W. Blades, Esq. 
 
 With portraits of John Enschede, Junius, Fleischman (the punch-cutter), 
 Koster, and a representation of the interior of the foundry. The titles of the 
 founts are given in Dutch, French, English, and German. 
 
 4483. PROEVE van Letteren welke gevonden worden ter Boekdrukkerye 
 van Herdingh en Du Mortier te Leyden. 1793. 8vo. 
 
 Lent by W. Blades, Esq. 
 Afterwards united with the Haerlem Foundry. 
 
 4484. PROEVE van eenige Nieuwe Schriften, van eene Nieuwe Snede, 
 welke onder anderen voorhanden zyn en gegoten worden op de 
 Lettergietery onder de firma Gebroeders Ploos van Amstel ; op 
 de Leydsche graft te Amsterdam. 1796. 8vo. 
 
 Lent by W. Blades, Esq. 
 This foundry was also absorbed by the Haerlem Foundry. 
 
 4485. SPECIMEN des Caracteres Typographiques Anciens qui se trouvent 
 dans la collection typographique de Joh. Enschede" et Fils, Im- 
 primeurs a Haerlem. 1867. 4to. Lent by W. Blades, Esq. 
 
 With interesting account of the foundry, life of Fleischman, remarks on Van 
 Dyck, Rosart, and various other punch-cutters and type-founders, &c. The 
 Enschede Foundry absorbed the foundries of the Wetsteins, Dirk Voskens 
 (which included the foundry of J. Bleau, the co-worker of Tycho Brahe), Hen- 
 drick der Bruyn, Van der Putte, Van der Welde, Uytworf, Nozeman, and 
 Ploos van Amstel (which included the foundries of Athias, Elzevir, and Jan 
 Roman). 
 
 GERMANY. 
 
 4486. TYPORUM et Characterum Officinal Chalcographies, Georgii 
 Leopoldi Fuhrmanni, Civis et Bibliopolse Norici, tarn ad linguas, 
 Germanicam, Latinam, Graecam, quam ad Gallicam, Germanicam- 
 que Testudinis Tabulaturam novam ; Notas item musicas figurales, 
 quas vocant, et Chorales, pertinentium : Cum multis idgenusaliis ad 
 Typographiam spectantibus : Concinnata et exhibita a possessore 
 supradicto. Nurembergae, 1616. 4to. Lent by W. Blades, Esq. 
 
 With an introduction giving an account of the origin of printing, followed by 
 the poem, "Artis Typographic* Quaerimonia," in Latin verse, by Henr. 
 Sphephanus. On title-page is a woodcut representing the interior of Fuhr- 
 mann's printing-office. 
 
 4487. ScHRiFT-Probe oder Kurzes Verzeichniss derjenigen Hebraisch, 
 Griechisch, Lateinisch und Teutschen Schriften, welche in Herrn 
 Bernhard Christoph Breitkopfs Schriftgiesserey allhier befindlich 
 sind. Dabey man mehrentheils bemerket hat, von wem eine 
 jede Schrift in Messing oder Stahl ist geschnidten worden, 1739. 
 Leipsig. Lent by W. Blades, Esq.
 
 444 Cai'ton Celebration. 
 
 4488. SCHRIFT proben aus der Giesserey von Geo. Decker. Berlin, 1813. 
 8vo. Lent by James Fenton, Esq. 
 
 4489. PROBE-Blatter der Andreaischen Schriftgiesserey in Frankfort-am- 
 Main, 1823. 9 sheets. Lent by Messrs. Reed 6 Fox. 
 
 4490. SCHRIFT proben der Buchdruckerey von Dr. Carl Wolff in 
 Miinchen. 1825. 410. Lent by W. Blades, Esq. 
 
 4491. PROBEN aus der Schriftschneiderei Schrift-und Metall-Buchstaben 
 Giesserei von F. Dresler und Rost-Fingerlin in Frankfurt-am- 
 Main. 1832. Gedruckt bei Streng und Schneider. 410. 
 
 Lent by Talbot B. Reed, Esq. 
 
 4492. SCHRIFT proben der Hof-Buchdruckerei von C. Macklot, Karls- 
 ruhe, ausgegeben am 24 Juni, 1840. 8vo. 
 
 Lent by W. Blades, Esq. 
 
 4493. ALPHABETE Orientalischer und Occidentalischer Sprachen, zum 
 Gebrauch fur Schriftsetzer und Correctoren, zusammengestellt 
 von Friedrich Ballhorn. Leipsig ; in Commission bei F. A. 
 Brockhaus. 1853. Lent by James Fenton, Esq. 
 
 4494. LISTE der Hieroglyphischen Typen aus der Schriftgiesserei des 
 Herrn F. Theinhardt in Berlin. Preis 3 Mark. Berlin, Buch- 
 druckerei der Konigl. Akademei der Wissenschaften (G. Voght) 
 Universitatsstrasse 8. 1875. 8vo. Lent by W. Blades, Esq. 
 
 A curious collection of hieroglyphic alphabets of 25 classes, including men, 
 women, gods, animals, birds, fishes, vegetables, &c. 
 
 4495. FOUNDERS' Specimen Book, with Music and Oriental Languages, 
 1733. Lent by M. Fischbach, Esq. 
 
 AUSTRIA. 
 
 4496. SPECIMEN Characterum in neo-erecta Typorum Fusura Posonii 
 apud Johannem Michaelem Landerer Typographum Existentium. 
 Anno 1770. 8vo. Lent by W. Blades, Esq. 
 
 Printing was not introduced into Posen (Presburg), the capital of Lower 
 Hungary, till the year 1612. 
 
 4497. ScHRiFT-und Druck-Proben der Kaiserlich-Koniglichen Hof-und 
 Staatsdruckerei. Wien, 1850. Series complete in i vol. Impe- 
 rial folio. Lent by Nicholas Triibner, Esq. 
 
 This magnificent work, compiled by the late Aloys von Auer, Director of the 
 Imperial Royal Printing Office at Vienna, was exhibited in single sheets, 
 selected, at the London International Exhibition of 1862. It comprises alpha- 
 bets of all the known languages of the world, dead or living, and complete 
 specimens of oriental, archaic, and mediaeval founts, besides a large number of 
 book illustrations ancient and modern, charts, ornaments, &c. A full de- 
 scription by Mr. Triibner of this remarkable work accompanies the specimen.
 
 1U Cppe and otljer printing; 9aterial0, 445 
 
 4498. ALFABETE des Gesammten Erdkreises aus der K. K. Hof-und 
 Staatsdruckerei, in Wien. Zweite Auflage. Wien, Druck und 
 Verlag der Kaiserlich-Koniglichen Hof-und Staatsdruckerei, 1876. 
 4to. Lent by IV. Blades, Esq. 
 
 A large collection of foreign alphabets of every language, issued by the State 
 Printing Office at Vienna. 
 
 ITALY. 
 
 INDICE de Caratteri, con PInuentori & nomi de essi, esistenti 
 nella Stampa Vaticana, & Camerale. All' Ill mo et R mo Sig. il Sig. 
 Francesco, Card. Barberino. In Roma, 1628. 4to. 
 
 Lent by W. Blades, Esq. 
 
 Printed on green coarse paper. Containing ancient, Oriental, and Roman 
 founts, many of them cast for the missionaries of the Propaganda. With a 
 dedication to Cardinal Barberino, nephew to Pope Urban VIII. Bodoni learnt 
 his art at this office. 
 
 FRANCE. 
 
 4500. EPREUVE du premier Alphabeth, droit et penche", orne"e de quadres 
 et de cartouches. Graves par ordre du Roi pour 1'Imprimerie 
 Royale par Louis Luce, et finis en 1740. 32mo. 
 
 Lent by W. Blades, Esq. 
 
 A curious specimen, bound, of a minute Roman fount, with italic and flowers. 
 10 pp. 
 
 4501. EPREUVES generales des Caracteres qui se trouvent chez Claude 
 Lamesle, Fondeur de Caracteres d'Imprimerie. A Paris, 1742. 
 8vo. Lent by MM. Enschede et Fils, Haerlem. 
 
 4502. EPREUVES des Caracteres de la Fonderie de Nicolas Gando, A 
 Paris, de rimprimerie de Jacques Guerin. 1 745. 410. 
 
 Lent by MM. Enschede et Fils. 
 
 4503. LES Caracteres de rimprimerie par Fournier le Jeune. A Paris, 
 Place de 1'Estrapade, Rue des Postes, 1764. 8vo. 
 
 Lent by W. Blades, Esq. 
 
 Fournier's foundry was the most ancient in France, being commenced by 
 Guilliaine le Be, to whose great-grandson Fournier the elder was manager. 
 
 4504. ESSAI d'une nouvelle Typographic, orne"e de Vignettes, Fleurons, 
 Trophees, Filets, Cadres et Cartels, inventes, dessines et executes 
 par L. Luce, Graveur du Roi, pour son Imprimerie Royale. Dedie"e
 
 446 Canton Celebration, 
 
 au. Roi. A Paris. De 1'Imprimerie de J. Barbon, rue de Ma- 
 thurins. 4to. 1771. Lent by W. Blades, Esq. 
 
 "Get Ouvrage, compose, desine et execute par Louis Luce, graveur du 
 Roi, pour son Imprimerie Royale, a ete commence en Fannee 1740, et fini en 
 1770." 
 
 Containing copy of Royal patent, and extract from the registers of the Royal 
 Academy of Sciences, in reference to M. Luce's type. 
 
 4505. EPREUVE des Caracteres de la Fonderie de Joseph Gille, graveur 
 et fondeur des caracteres de rimprimerie des Departmens de la 
 Guerre, Marine, et Affaires Etrangeres, A Paris. 1773. 4to. 
 
 Lent by MM. Enschede et Fils. 
 
 4506. EPREUVES de la Fonderie de F. G. Levrault, Rue des Juifs No. 
 33 a Strasbourg, de 1'Imprimerie de F. G. Levrault, Imprimeur 
 du Roi. Folio. 1815. Lent by W. Blades, Esq. 
 Including a page of " Caracteres anglois, ou dans le genre de Baskerville." 
 
 4507. EPREUVES des Caracteres graves et fondus par Leger, neveu et 
 successeur de Didot, Quai des Augustins No. 17 a Paris. 5 
 royal sheets. 1819. Lent by Messrs. Reed and Fox. 
 
 4508. CARACTERES graves et Fondus par Mole jeune, Graveur et 
 Fondeur brevete du Roi. 14 sheets royal. 1815 and 1819. 
 
 Lent by Messrs. Reed and Fox. 
 Including a specification of his patented French Furniture, 1815. 
 
 4509. FEUILLES d'Epreuve de la Fonderie de Firmin Didot, Rue Jacob 
 No. 24, Paris. 1817 to 1821. 4 sheets. 
 
 Lent by W. Blades, Esq. 
 
 4510. SPECIMEN des Nouveaux Caracteres de la Fonderie et de rimpri- 
 merie de P. Didot, 1'Aine, Chevalier de 1'Ordre Royale de Saint 
 Michel, Imprimeur du Roi et de la Chambre de Paris, Dedie a 
 Jules Didot mon Fils, Chevalier de la Legion d'Honneur a Paris. 
 Chez P. Didot I'Aine' et Jules Didot, fils. Rue du Pont de Lodi 
 No. 6. 1819. 4to. Lent by W. Blades, Esq. 
 
 The founts are all designated according to M. Didot's new system of points, 
 by numbered bodies, Pica corresponding nearly to 12 of such points. The 
 book contains a supplement, with three original odes by M. P. Didot. 
 
 4511. SPECIMEN des Caracteres graves et fondus par Firmin Didot. 
 Rue Jacob No. 24, a Paris. 3 sheets. 1817 to 1821. 
 
 Lent by Messrs. Reed and Fox. 
 
 4512. FONDERIE Polymatype de Henri Didot et Cie., Rue de Petit- 
 Vaurigard No. 13, a Paris. 2 sheets. 
 
 Lent by Messrs. Reed and Fox.
 
 3L Cppe anti otljer printing: ^ateruil0. 447 
 
 45 1 3. EPREUVES de la Fonderie de Gando et Fils, Graveurs et Fondeurs 
 a Paris et Bruxelles. 3 sheets of Vignettes, 2 sheets of Roman 
 and Titling. Lent by Messrs. Reed and Fox. 
 
 4514. EPREUVES des Caracteres Grave's et Fondus par Petibon, Rue 
 des Noyers 3, a Paris. 1841. 410. 
 
 Lent by Messrs. Reed and Fox. 
 
 4515. LAURENT et Deberny. Epreuves des Caracteres. Fonderie 
 Typographique. Paris. Rue Visconti 17, pres le Palais des 
 Beaux Arts. Folio. Lent by Messrs. Reed and Fox. 
 
 4516. GRAVURE et Fonderie de C. Derriey. Specimen Album. Paris, 
 Rue Notre-Dame-des-Champs, 6 et 12. 1862. 4to. 
 
 Lent by MM. Bert/tier et Cte., Paris. 
 
 Born 1808, died 1877. He was celebrated not only as a typefounder, but as 
 a mechanic, and invented several machines in connection with printing. 
 
 45 1 7. Ditto. ditto. Lent by S. Bremner, Esq. 
 
 45 1 8. ALBUM d'Impressions Typographiques en Couleur de PImprimerie 
 de G. Silbermann a Strasbourg et Paris. 1872. 410. 
 
 Lent by MM. Berthier et Cie. 
 
 BELGIUM. 
 
 4519. SPECIMENS of Flowers by Jacobus Franciscus Rosart. Brussels. 
 2 pp. Lent by MM. Enschede et Fils. 
 
 4520. EPREUVES des Caracteres de la Fonderie de Veuve Dcellier, a 
 Bruxelles. No title-page. 8vo. Lent by MM. Enschede et Fils. 
 
 Successor to Rosart. 
 
 4521. EPREUVES des Caracteres de la Fonderie de J. L. de Boubers, a 
 Bruxelles. 1777. 8vo. Lent by MM. Enschede et Fils. 
 
 The name of M. Rosart fils, or ofGille, after each fount, indicates by whom 
 the punches were cut. 
 
 4522. EPREUVES des Caracteres de Foudriat et Pennequin, Graveurs et 
 Fondeurs, Rue Villa-Hermosa, No. 766, a Bruxelles. 3 sheets. 
 Folio. Lent by Messrs. Reed and Fox. 
 
 RUSSIA. 
 
 4523. ALPHABETS of European and Asiatic Languages, with instructions 
 for correcting proof. By R. Nippert. St. Petersburg. 1859. 
 8vo. Lent by C. W. H. Wyman, Esq. 
 
 A manual for compositors and readers on the composition of foreign 
 languages.
 
 448 Canton Celebration* 
 
 4524. SPECIMEN of Plain and Ornamental Type of the printing-office in 
 connection with the Imperial Academy of Sciences. St. Peters- 
 burg, 1862. 8vo. Lent by C. W, H. Wyman, Esq. 
 
 4525. DAS Gebet des Herrn in den Sprachen Russlands. St. Peters- 
 burg, 1870. 8vo. Lent by C. IV. If. Wyman, Esq, 
 
 The Lord's Prayer in 108 dialects of the Russian language. 
 
 4526. SPECIMEN of Type of the printing-office of the Imperial Academy 
 of Sciences. St. Petersburg, 1870. 4to. 
 
 Lent by C. W. H. Wyman, Esq. 
 
 The first printing-press was introduced into St. Petersburg in 1710, by Peter 
 the Great. The Imperial Academy of Sciences was founded in i7 2 5' an ^ the 
 printing-office in connection with it opened in 1728. This specimen includes 
 the Lord's Prayer in 325 languages, besides illustrations of relief printing, 
 nature printing, and printing for the blind. 
 
 SPAIN. 
 
 4527. MUESTRARIO 5 de la Fundicion Tipografica de Don Juan 
 Aguado. Madrid, Calle del Cid, Numero 4, Barrio de Reco- 
 letos. Folio. Lent by W. Blades, Esq. 
 
 JAPAN. 
 
 4528. SPECIMENS of the Type-foundry Tskiji at Tokei. 1876. 4to. 
 
 Lent by W. Blades, Esq. 
 A specimen of the first Japanese foundry. 
 
 CANADA. 
 
 4529. SPECIMENS of Printing Types, plain and ornamental, Rules, Bor- 
 ders, Cuts, &c., from the Montreal Type-foundry, Charles T. Pals- 
 grave, proprietor. Montreal, i, St. Helen's Street; and Toronto, 
 33, Colborne Street. 1865. 4to. 
 
 UNITED STATES. 
 
 4530. SPECIMENS of Printing Types, &c., cast and made by George 
 Bruce, No. 13, Chambers Street, City of New York, Sept. 1853. 
 8vo. Lent by Messrs. Reed and Fox. 
 
 This foundry was established in 1813. 
 
 4531. SPECIMENS of Plain and Ornamental Printing Types, Borders, 
 Ornaments, Rules, &c., made at the Type and Electro-type 
 Foundry of James Conner and Sons, 29, 31, and 33, Beekman 
 Street, New York, 1859. 4to. Lent by Messrs. Reed and Fox.
 
 lL t tlTppe anU otljec printing S^aterial^ 449 
 
 4532. SUPPLEMENTARY Specimens from the Cincinnati Type-foundry. 
 Horace Wells, Agent. 4to. Lent by Messrs. Reed and Fox. 
 
 4533. SELECTIONS of Plain and Ornamental Printing Types, Borders, 
 Rules, Cuts, &c., made by Farmer, Little, & Co., 63 and 65, Beekman 
 Street, New York, 1868. 410. Lent by Messrs. Reed and Fox. 
 
 Originally White's foundry, established 1810. 
 
 4534. ABRIDGED Specimen Book, Bruce's New York Type-foundry, 1869. 
 
 Lent by Messrs. Geo. Bruce, Son, and Co. 
 
 4535. THE Printer's Handybook of Specimens, exhibiting the choicest 
 productions of every description ; made at the Johnson Type- 
 foundry, comprising every article essential for a book, newspaper, 
 or job printing-office. McKellar, Smith, and Jordan, Office and 
 Foundry, 606-614, Sanson Street, Philadelphia, 1876. 
 
 This foundry, established 1796, was originally Binney and Ronaldson's, 
 who purchased the materials brought in 1775 by Dr. Franklin from France. 
 Their first specimen was issued 1812. 
 
 4536. SPECIMEN of the Johnson Type Foundry, McKellar, Smith, and 
 Jordan, Philadelphia. 1876. Folio. 
 
 Lent by Messrs. McKellar, Smith, and Jordan. 
 A magnificent edition, prepared for the Philadelphia Exhibition of 1876. 
 
 4537. THE Specimen Book of Collins and McLeester, Philadelphia, 
 with Supplement, 1877. 
 
 SECTION V. 
 
 THE INSTRUMENTS AND APPLIANCES OF THE LETTER- 
 PRESS PRINTER. 
 
 T is by no means a rash assertion that four-fifths of those 
 who daily con their favourite newspaper or skim over the 
 fashionable three-volume novel have but the very faintest 
 idea of the means by which their literary pabulum is pro- 
 duced. If asked to describe the process of making a book 
 they would probably reply that it was the joint product of the author, 
 the printer, and the binder ; but though they would have little difficulty 
 in describing the labours of the first, they would be at a loss to explain 
 the functions of the others. A few words, then, anent the practice of 
 the art of printing will be welcome to most of the visitors to this Exhibi- 
 tion, to whom the purposes of many of the exhibits will thus be rendered 
 intelligible. 
 
 G G
 
 450 Canton Celebration, 
 
 On receiving the manuscript, or " copy " as it is technically called, the 
 first thing the printer has to do is to determine upon the size of the type to 
 be used, and the width and length of the pages of the future printed book. 
 Having done this, he delivers the copy to the compositor whose duty it is 
 to set it up in type. The types are kept in " cases," or shallow trays, 
 divided intoanumber of compartments or "boxes," onefor each character; 
 a pair of these cases contains a " fount " of type, i.e. a quantity of each 
 letter of the alphabet, together with points, signs and " spaces," or pieces 
 of metal for obtaining the blanks between the words. The compositor 
 places a pair of these cases on his " frame ; " that nearer to him contains 
 the small letters and spaces and is called the " lower case," the farther 
 contains the capital letters and the signs, and is called the "upper case." 
 One by one he takes from the boxes the letters required, and places them 
 in the little tray, or " composing stick," he holds in his left hand ; adding 
 after each word the necessary " space ; " and so on until he has set a 
 line the full width of his stick. If the line is not exactly the width, he 
 must "justify " it, that is, he must place more spaces between the words. 
 This done, he sets up another line upon the first, and so on till his stick 
 is full. He then lifts the " matter " (the composed types) out of the 
 stick and places it upon a long tray or " galley." The same process goes 
 on until the galley is full, and then it is taken to the "galley press," the 
 types are inked and a proof is " pulled " (printed). The proof is read 
 by the " reader," who marks all the mistakes in it, and on its being 
 returned to the compositor that functionary makes the needful correc- 
 tions in the matter. He then takes a sufficient number of lines to make 
 a " page," ties them round with string, and transfers the page to the 
 " imposing surface " a table with a smooth iron top. When he has as 
 many pages on the surface as are required for printing upon one side of 
 the sheet of paper he imposes the " forme," that is, he places the pages in 
 such positions that when the sheet is printed and folded they will fall in 
 the proper order. Next he takes a " chase," or frame of iron, which 
 encloses the whole forme, and then he lays between the pages some 
 pieces of wood or " furniture," so that there may be the proper margin, 
 and when this is done he places some long, wedge-shaped sticks at the 
 side and foot of the forme (hence they are called " side and foot sticks"), 
 and between these and the chase inserts small wooden wedges called 
 " quoins ; " these are driven up by means of the " mallet " and " shoot- 
 ing stick," and the forme is thus "locked up " in the chase, so that it 
 may be carried about without fear of any of the types falling out. To 
 ensure that no types are sticking up higher than others, he " planes " the 
 forme by passing over it a flat piece of- wood, and then carries it off to 
 the press or machine. Here another proof is pulled, and when it is 
 finally revised, the forme is "worked off" by the pressmen or the 
 machine-minder as the case may be that is to say, the proper number
 
 U ^Tppe anti otljer pntttlnry 92aterial3* 451 
 
 of sheets are printed from it. It is the pressman's duty to see that the 
 impression is even, that the ink is properly distributed, that the wood- 
 cuts, if there are any, are properly " brought up " (so printed that the 
 various degrees of light and shade are produced), and that the pages 
 duly " register," or fall exactly on the back of one another. 
 
 Such is a brief outline of the operations of the printing office of the 
 present day. In the earliest times they were somewhat simpler. The 
 types were taken from the boxes and placed at once in a shallow tray or 
 " coffin," which had a bottom to prevent them from falling out. The 
 first printers were not particular as to the evenness in length of their lines, 
 as may be seen from their works, but this barbarism soon disappeared, 
 and lines were justified as at present. When the coffin was full, strips 
 of wood were placed at the side and foot, and the forme tightened by 
 means of screws. The chase, at first made of wood, came into use 
 about the end of the sixteenth century. 
 
 The earliest illustration of a printing-press is to be found in a book 
 printed by Jodocus Badius Ascensius, of Lyons, in 1507. The same 
 printer issued another and a larger illustration in later years, and an in- 
 teresting woodcut is to be found in Amman's Book of Trades, 1568. 
 It would appear that the original press was all of wood, with the ex- 
 ception of the " bed " (the place where the type lies), which was of 
 smooth stone. The " platen " (the flat piece that presses upon the 
 paper) was very small, and the impression was given by means of a screw 
 turned by a straight handle. There was no spring in the impression, the 
 pull was a dead one. The ink was very liquid, and was applied by balls 
 of sheepskin stuffed with wool. The first improvement in the press was 
 made in the beginning of the seventeenth century by Willem Jansen 
 Blaew, of Amsterdam, who strengthened it, and gave a spring to the im- 
 pression. This press, with slight improvements, remained in vogue till 
 the year 1800, when Charles Mahon, third Earl Stanhope, invented one 
 made of iron with a series of powerful levers which enabled the platen 
 to be greatly enlarged. His press is the foundation of those used at the 
 present day, namely, the Columbian, invented by George Clymer, of 
 Philadelphia, and patented in England in 1817, and the Albion, invented 
 by R. W. Cope, of London, in 1824. These presses are worked by 
 hand and require two workmen. They are being superseded by " Ma- 
 chines," driven by steam or treadle. 
 
 Printing machines are of three kinds : platen machines, ordinary 
 cylinder machines, and rotary machines. In the first, the type is on a 
 flat bed, and receives the impression from a flat surface ; in the second, 
 the bed is flat, and is made to pas's under a revolving cylinder which gives 
 the impression ; in the third, the type is placed on the periphery of one 
 cylinder and is pressed by another. The principles of the second and 
 third kinds were patented by William Nicholson in 1790, but the first
 
 452 Canton Celebration* 
 
 actual machine was made here by Frederick Konig, a Saxon, in 1810. It 
 was of the platen kind, and not very successful. Two years later he 
 made a cylinder machine, and in 1814 erected at the Times office a 
 double or " two-feeder " machine that is to say, a machine that would 
 print two sheets at once. 
 
 According to the kinds of work that they are intended for, printing 
 machines are divided into fast newspaper machines, book machines, and 
 jobbing machines. The first class is chiefly composed of rotary machines, 
 the second comprises both cylinder and platen machines driven by steam 
 power, though the former greatly preponderate, while the third consists 
 of small cylinder and platen machines worked by steam or by treadle. 
 
 Of book machines we have, first, the " perfecting " machine (one that 
 prints the sheet on both sides), which generally comprises two large 
 cylinders such as that invented by Cowper and Applegath in 1818-24; 
 secondly, the large-cylinder gripper machine, invented by Napier in 
 1824, and the small-cylinder gripper machine, first made by Main, in 
 1851, and at the present time the most usual of all; and thirdly, the 
 large platen machine, a development of the hand press. This last is 
 now rapidly becoming obsolete. 
 
 Jobbing machines comprise small editions of the cylinder book ma- 
 chines, and a new kind of platen machine introduced into this country 
 from the United States in 1867. During the ten years which have 
 elapsed since that date, it has been generally adopted throughout the 
 country. It is only made in small sizes, and is for the most part driven 
 by treadle by the lad who works it. 
 
 A few years ago, all cylinder machines required a lad to " lay on " or 
 " feed " the sheets to be printed, and another to take them off, or " fly " 
 them. Of late, however, they have been fitted with automatic flyers, 
 which dispense with the attendance of one of the boys. Feeding is still 
 performed by hand, though machines have been constructed to super- 
 sede manual labour in this department. The last brought out in this 
 country is the invention of an ingenious American. 
 
 Most newspapers were originally printed on ordinary single cylinder 
 machines. The Times, however, as has been already stated, procured 
 from Konig a two-feeder machine, and this was capable of producing 
 1,100 impressions an hour. Cowper and Applegath subsequently im- 
 proved it, so that it would print 2,000, and in 1827 they constructed a 
 machine with four impression cylinders, which would turn out 6,000 im- 
 pressions per hour. This was used at the Times office till 1847, when 
 Applegath brought out his eight-feeder vertical rotary machine, capable 
 of producing 12,000 impressions an hour. In 1852 Hoe's rotary 
 machine was introduced from America. A ten-feeder of this kind, as 
 used by the leading London papers, would print 20,000 per hour. 
 
 These machines printed only on one side. The next advance was
 
 * ^Tppe and otljec printing; 9aterial0, 453 
 
 made by Marinoni, of Paris, who constructed a machine to print 10,000 
 perfect papers per hour, with little more than half the number of men 
 required by the Hoe. His machine was adopted by the proprietors of 
 the Echo in 1868, and may be remembered by those who visited these 
 galleries during the International Exhibition of 1872. 
 
 Newspapers of the present day are for the most part printed on what 
 are called " Web " machines, the principle of which was to some extent 
 foreshadowed by Nicholson in the last century, but the first actual 
 machine in which the practical difficulties were overcome was invented 
 and exhibited by Mr. (now Sir) Rowland Hill in 1835-6. Owing, how- 
 ever, to the refusal of Government to allow the Newspaper Duty Stamp 
 to be impressed on the paper as it passed through the machine the 
 adoption of such machines was at that time rendered impossible, and 
 the practical application of the principle was not made until a dozen 
 years ago, when it was contemporaneously effected in the United States 
 by Mr. Charles Bullock, and in this country by Messrs. Macdonald and 
 Calverley, of the Times office. The machine invented by the latter is 
 called the "Walter Press," and is constructed to print from a reel of 
 paper some five miles in length, and to separate and deliver more than 
 1 2,000 perfect sheets per hour, with the attendance of but one man and 
 two boys. Several other machines are now made on the same principle, 
 some of them delivering the papers folded as well as printed. 
 
 Though of late years the development of the printing press has been 
 very rapid, the mechanical appliances of the compositor have remained 
 almost unchanged. Attempts have been made to substitute machinery 
 for manual labour in the operation of type-setting, but they have not yet 
 been successful, and its use is quite exceptional. Specimens of all the 
 best machines of this kind are shown in operation in this Exhibition, and 
 their leading features are described in the body of the catalogue. 
 
 ARTHUR C. J. POWELL. 
 
 PRINTING MACHINERY, APPLIANCES, AND MATERIAL. 
 
 The machinery is driven by a twelve horse-power portable steam-engine and 
 boiler, lent by Messrs. Ransome and Sims ; by a three and a half horse-power "Otto " 
 silent gas-engine lent by Messrs. Crossley Bros., and by a small gas-engine lent by 
 Messrs. Louis Simon & Sons. 
 
 4538. A COMPOSITOR'S Case as used by Caxton, showing all the com- 
 binations and double letters in his founts. Lent by Mt. W. Blades. 
 
 4539- WOODEN Composing Stick. Belgium. 1 6th century. Fixed measure 
 for a folio page. An exact facsimile of one in the Plantin 
 Museum, Antwerp. Lent by Mr. W. Blades.
 
 454 Canton Celeb cation* 
 
 4540. IRON Composing Stick for a single line of pica, with moveable 
 slide. French. i8th cent. Lent by Mr, W. Blades. 
 
 4541. AN old Wooden " Tenacle " or " Visorium," used in Germany by 
 compositors to hold "copy." Lent by Mr. W. Blades. 
 
 4542. AN old Wooden " Tenacle " or " Visorium." i8th cent. 
 
 Lent by Mr. W. Blades. 
 
 4543. A MODERN "Copy-holder" in brass manufactured. 
 
 Lent by Mr. W. Blades. 
 
 4544. A MODERN " Copy-holder." Iron. Lent by Mr. W. Blades. 
 
 4545. A COMPLETE Composing Room of the present day, comprising 
 types, brass rules, cases, frames, composing-sticks, galleys, imposing 
 surface, chases, apparatus for locking-up, stereotype formes, racks 
 for cases, galleys, formes, chases, leads, furniture, &c. 
 
 Lent by Messrs. Miller & Richard. 
 
 4546. THE Walbrook Case and Frame. Lent by Messrs. Harrild 6 Sons. 
 
 The cases are specially arranged to meet the convenience of the compositor. 
 The lower case is made to slide under the upper case. The frame is fitted 
 with a galley rest and other appliances. 
 
 4547. MACPHAIL'S Frame. Lent by Mr. Joseph M. Powell. 
 
 Fitted with galley rest, and contrived so that the compositor may use a case 
 in the rack without removing or running the risk of upsetting it. 
 
 4548. MACKIE'S Steam Type Composer. Lent by Mr. Alexander Mackie. 
 
 The apparatus consists of two distinct parts, a perforater and a composer. 
 The former is fitted with keys, similar to those of a pianoforte, upon which the 
 operator spells out the matter to be set up. As the keys are depressed holes 
 are perforated in a band of paper of unlimited length. The band when perfo- 
 rated is transferred to the composer, which, being driven by steam power, 
 automatically sets up the types in a long line. The perforated band plays the 
 same part in the composer as the card does in the Jacquard loom. Justifying 
 and distributing are performed by hand. 
 
 4549. HATTERSLEY'S Type Composing, Distributing and Justifying 
 Machines. 
 
 In the composing machine the types are stored in rows on two horizontal 
 galleys, being separated by brass partitions and kept in their places by elastic 
 bands. On the operator depressing a key, a type is shot through a grooved 
 V-shaped guide-plate by a steel piston into a small slide beneath. The matter 
 may be set in long lines, but usually it is set at once to the measure required, 
 a bell signalling the operator when to stop. By a movement the line is pressed 
 into a composing stick (holding about 40 lines), where it is at once justified. 
 
 With the justifying apparatus, the type is set as before till the bell signals, 
 when a lead is dropped in, and it and the unjustified line are pressed into the
 
 Cla0# 3U ^Eppe and otljec printing Catenate. 455 
 
 composing stick. This is repeated till the stick is full, when it is removed to 
 the justifying apparatus, at which the operator, by an arrangement, moves a 
 line opposite the end of a galley, when he puts in the required spaces. 
 The leads are mechanically thrown out or left in as required. 
 
 At the distributor, the brass partitioned galleys before mentioned are placed 
 side by side upon a hinged inclined plane. By an apparatus termed a dis- 
 tributing stick, the operator takes a line of matter from the end of a galley. 
 With the aid of a short plate and index bar conveniently placed, the operator 
 distributes the type into the proper partitions. 
 
 4550. WORKING Models of Kastenbein's Type Composing and Dis- 
 tributing Machines, Lent by Mr. Charles Kastenbein. 
 
 In Kastenbein's composer the types are kept in iron tubes placed vertically 
 at the top of the machine. On a key being depressed an iron finger pushes the 
 undermost type from its tube into a grooved V-shaped conducting plate, at the 
 bottom of which it is deposited in a receptacle. The matter is set up in a long 
 line, the division of it into lines of the required measure, and the justifying, 
 being done by a separate operator aided by a simple apparatus attached to the 
 machine. 
 
 In the distributor the tubes before mentioned are placed in a row at the base 
 of an A-shaped grooved conducting plate. The matter is placed in an adjustable 
 galley at the top of the machine and under the eye of the operator. As the 
 keys are successively depressed the types are made to descend through the 
 grooves in the conducting plate to their proper tubes, being guided in their 
 transit by means of switches corresponding in action to the "points" of a 
 railway. 
 
 4551. THE " Clowes" Type Composing Machine (Hooker's Patent). 
 
 Lent by Messrs. W. Clowes and Sons. 
 
 In this machine a small but powerful magnet discharges an individual type 
 with certainty, whenever contact with the galvanic battery is made with the 
 particular wire belonging to that magnet. Each wire is furnished with a 
 separate little copper plate, the whole being arranged on a board exactly in the 
 same order as the compartments in a compositor's "lower case," so that any 
 compositor or other person can at once work the machine by touching the 
 copper plates with the contact-wire. The types are carried by tapes to the 
 collector. 
 
 4552. A WORKING Model of Muller's Type Composing Machine. 
 
 Lent by Mr. M. L. Muller. 
 
 The types are stored in vertical grooves, behind which, on a level with the 
 lowermost extremity, is a brass platform with an endless band of leather con- 
 stantly passing over it. On a key being depressed, the type is pushed between 
 the platform, and the leather band, and is drawn by the latter to the delivery 
 channel, whence it passes into the composing-stick. 
 
 4553. HEINEMANN'S Type Composing and Distributing Machine. 
 
 Lent by Herr Lg. Heinemann. 
 
 The upper part of the frame holds a row of type holders ; the lower 
 supports a slide, which moves easily in grooves on the frame. By pressing a 
 handle the type is passed from the holder into a receptacle corresponding to a 
 composing-stick. By laying it down horizontally and reversing the action, 
 the machine is used for distributing into the appropriate type holders.
 
 456 Canton Celebration* 
 
 4554. A WOODEN Two-pull Press with iron screw. The platen of wood 
 and slung up with " Garters." Wooden tympan-frame, Ball-rack, 
 &c. On the bed is a stone upon which was placed the forme. 
 Supposed to be one of the first presses set up in the City of Bath 
 early in the i8th century. Lent by Mr. W. Blades. 
 
 All presses were made of wood until the commencement of the present 
 century. The platens were very small and necessitated two pulls to each 
 forme. 
 
 4555. AN ancient Wooden Printing Press of double foolscap size. 
 
 Lent by Messrs. Henderson, Rait, and Fenton. 
 
 4556. TOY Press. Used by King Charles I. Lent by Mr. John Coe. 
 
 4557. DUTCH (wooden) Printing Press. Used by Herr Fleischmann. 
 
 Lent by Messrs. Enschede. 
 
 4558. A STANHOPE Press. Lent by Messrs. Nichols and Son. 
 
 The first iron press. Invented by the third Earl of Stanhope in 1800. The 
 system of levers adopted for producing the impression enabled a much 
 larger forme to be printed at one time than with the previous presses. The 
 press exhibited is supposed to be the first iron press ever made. It was con- 
 structed in 1800 by Mr. Walker from designs furnished by the Earl, and was 
 sold by him to Mr. Bulmer (Shakespeare Press), where it remained till 1854, 
 when it passed into the hands of the exhibitors. 
 
 4560. A COLUMBIAN Press. Lent by Mr. Joseph M. Powell, 
 
 The Columbian Press was invented by George Clymer, of Philadelphia, and 
 patented in this country in 1817. With the exception of the Albion (see 
 No. 4564), it is the only hand-press now made. 
 
 4562. THE original Inking-table and Roller for the Hand-press, invented 
 by Edward Cowper in 1 8 1 8. Lent by Mr. E. A. Cowper. 
 
 4563. THE Albion Press as invented by R. W. Cope in 1824. 
 
 Lent by Messrs. Hopkinson and Cope. 
 
 4564. AN Albion Press of the present day. 
 
 Lent by Messrs. Hopkinson and Cope. 
 
 4565. A SMALL Albion Press of the present day. 
 
 Lent by Mr. Fred. Ullmer. 
 
 4566. THE Alexandra Press (an Albion Press with a few modifications). 
 
 Lent by Messrs. Blades, East and Blades. 
 
 4567. A MODEL of part of James M. Napier's Platen Machine. 
 
 Lent by Messrs. D. Napier and Son. 
 
 This model shows the arrangement of Mr. James M. Napier's Patent Platen 
 Machine in respect of the improved means of distributing the ink and inking 
 the forme, as well as in the improved mechanism for securing a powerful and 
 dwelling impression.
 
 JL. ^ppe an& otljec printing; fi^atttfaigf* 457 
 
 4568. THE " Minerva " Treadle Platen Machine. 
 
 Lent by Messrs. H. S. Cropper and Co. 
 
 This machine was introduced into England from America in 1867. It is there 
 called the "Gordon Press," after its inventor. 
 
 4569. IRON Ball-rack and Inking-ball. Lent by Messrs. Nichols and Son. 
 
 4570. THE " Universal " Treadle Platen Machine. 
 
 Lent by Messrs. Hopkinson and Cope. 
 
 4571. THE " Bremner " Treadle Platen Machine. 
 
 Lent by Messrs. Harrild and Sons. 
 
 4572. A " LIBERTY " Treadle Platen Machine, made by Degener and 
 Weiler, of New York. Lent by Messrs. Degener and Weiler. 
 
 4573- THE " Model " Printing Press. 
 
 Lent by Messrs. C. G. Squintani and Co. 
 A platen hand-press somewhat similar to the "Liberty," and self-inking. 
 
 4574. THE "Quadrant " Cylinder Printing Machine, worked by treadle, 
 and fitted with flyers for delivering the printed sheets auto- 
 matically. Lent by Mr. Joseph M. Powell. 
 
 4575. A SINGLE Cylinder Printing Machine (double royal size) with 
 taking-off apparatus. Lent by Messrs. Miller and Richard. 
 
 4576. THE Registered " Bremner" Single Cylinder Machine, with flyers. 
 
 Lent by Messrs. Harrild and Sons. 
 
 4577. THE "Excelsior" Cylinder Printing Machine, fitted with flyers. 
 
 Lent by Mr. W. Hester. 
 
 4578. PAYNE'S Single Cylinder " Wharfedale " Machine. 
 
 Lent by Messrs. Hopkinson and Cope. 
 
 4579- THE Anglo-French Perfecting Machine. 
 
 Lent by Messrs. Hopkinson &> Cope. 
 
 In single- cylinder machines the sheets are printed on one side only ; in per- 
 fecting machines they are delivered with both sides printed. 
 
 4580. A LARGE-CYLINDER Perfecting Machine. 
 
 Lent by Messrs. Dry den and Foord. 
 
 Apart from improvements in matters of detail, this is the machine invented 
 by Cowper and Applegath in 1818-1823. 
 
 4581. A MODEL in metal of Cowper and Applegath's Perfecting 
 Machine, invented by them 1818-1823. 
 
 Lent by Mr. E. A. Cou'per. 
 
 In this machine the principle (now universally adopted) of distributing the 
 ink transversely as well as longitudinally, was first introduced and patented by 
 E. Cowper in the year 1818 ; it was further improved in 1823 by A. Apple- 
 gath, by the use of diagonal distributing rollers. In the newspaper and per-
 
 458 Canton Celebration, 
 
 fecting machines, the ink was so distributed on a flat table, whilst in the curved 
 stereotype, bank note, and other two and three-colour machines, it was distri- 
 buted on a portion of the cylinder. 
 
 4582. A MODEL in wood of Cowper and Applegath's Perfecting 
 Machine, invented by them 1818-1823. 
 
 Lent by Mr. E. A. Cowper. 
 
 4583. PARTS of a Rotary Printing Machine, invented by the exhibitor in 
 1835, for printing from wedge-shaped types, or curved stereotype 
 plates, upon a reel or web of paper. 
 
 Lent by Sir Rowland If ill, K. C.B. 
 This was the first actual attempt at web printing. 
 
 4584. THE " Whitefriars " Rotary Machine, invented by the Exhibitors. 
 
 Lent by Messrs. Pardoe and Davis. 
 
 This machine prints from curved stereo plates affixed to a cylinder. It is 
 fed with sheets by hand. 
 
 4585. NEWSUM'S Rotary Two-Colour Machine. 
 
 Lent by Messrs. New sum, Wood and Dyson. 
 
 Two formes are placed in beds on opposite sides of an irregular-shaped drum. 
 The impression cylinder advances and retires to meet the type, and auto- 
 matically delivers the sheet when printed. 
 
 4586. SERVANTE'S Rotary Two Colour Machine. 
 
 Lent by Messrs. Hopkinson and Cope. 
 
 This machine prints from stereo plates only. It can be used as a perfecting 
 machine as well as for two-colour work. 
 
 4587. ASHLEY'S Automatic Paper Feeder. Lent by Mr. B. F. Fuller. 
 
 A pile of paper is placed at one end of the printing machine. The topmost 
 sheet is lifted by hollow fingers exhausted of air by means of a fan, and by 
 them transferred to a set of rollers and a slide, where it is automatically ad- 
 justed for register, and placed in. position to be seized by the grippers of the 
 impression cylinder. 
 
 4588. AN iron Lever Galley Press. Lent by Messrs. Miller and Richard. 
 
 4589. A PROOF Galley Press. Lent by Messrs. Miller and Richard. 
 
 4590. POWELL'S Web Galley Press, for automatically inking types in the 
 galley and pulling proofs upon a reel of paper. 
 
 Lent by Mr. Joseph M. Powell. 
 
 4591. A ROLLER Galley Press. Lent by Mr. W. Hester. 
 
 4592. A HAND Roller, for pulling proofs. 
 
 Lent by Mr. Joseph M. Powell.
 
 Cla00 1L Cppe ant) otfjer feinting; S^ateriate, 459 
 
 4593. A MITREING Machine. Lent by Messrs. Miller and Richard. 
 
 This machine is for cutting brass rule at various angles so that it may form 
 corners neatly. 
 
 4594. A MACHINE for cutting Brass Rule and Leads. 
 
 Lent by Messrs. Miller and Richard. 
 
 4595. A HAND Paging Machine, for numbering consecutively, alternately, 
 or in duplicate. Lent by Mr. Joseph M. Powell. 
 
 4596. A SMALL Hand Paging Machine. Lent by Mr. Joseph M. Powell. 
 
 4597. A PERFORATING Machine, worked by treadle. 
 
 Lent by Mr. Joseph M. Powell. 
 
 4598. A PERFORATING Machine, worked by hand. 
 
 Lent by Mr. Joseph M. Powell. 
 
 4599. AN Apparatus for Lifting Formes. Lent by M*. T. G. Daw. 
 
 4600. THE process of Printing as exercised by the Chinese. 
 
 Lent by Mr. Thomas Jenner. 
 
 4601. ALISOFF'S Mechanical Printer or Type Writer: a machine for 
 printing without setting up type. Lent by Mr. C. G. Kleberg- 
 
 4602. THE Remington Type Writer. 
 
 Lent by the Remington Sewing Machine Company. 
 
 4603. A RAILWAY Ticket Printing Machine. 
 
 Lent by Messrs. Waterlow and Sans, Limited. 
 
 4604. A MACHINE for Counting Railway Tickets. 
 
 Lent by Messrs. Waterlou> and Sons, Limited. 
 
 4605. A MACHINE for Wetting Paper in the Web. 
 
 Lent by Messrs. Slater and Palmer. 
 
 4606. GILL'S Hot Rolling Machine for finishing printed sheets. 
 
 Lent by Messrs. Fur nival and Co. 
 
 4607. AN " Express " Guillotine Cutting Machine, with steam Press. 
 
 Lent by Messrs. Furnival and Co. 
 
 4608. A BOOK-FOLDING Machine. 
 
 Lent by Messrs. Louis Simon and Son. 
 
 4609. THE Boomer and Boschert Screw Press. 
 
 Lent by Messrs. J. Ladd and Co.
 
 460 Cajton Celebration* 
 
 4610. A GLASS Case, containing various materials and appliances for 
 Printing. Lent by Mr. Frederick Ullmer. 
 
 4611. A CASE containing specimens of Printing Inks and Machinery Oils. 
 
 Lent by Messrs. A. B. Fleming and Co. 
 
 4612. A CASE of "Protean" Wood Types. Lent by Mr. G. Shore. 
 
 46 1 3. TYPES used in printing the Dividend Books at the Bank of England, 
 and specimens of printing executed at the same establishment. 
 
 Lent by the Governor and Company of the Bank of England. 
 
 Drawings, Photographs, &c. 
 
 4614. A DRAWING of the "Walter Press." 
 
 Lent by Mr. John Walter, M.P. 
 
 This is the machine used for printing the "Times." It was patented in 
 1866 by Mr. J. C. Macdonald and Mr. J. Calverley, both of the "Times" office. 
 
 4615. A PHOTOGRAPH of a Cylinder Printing Machine for numbering, 
 dating, and signing Bank Notes, as used at the Bank of England. 
 
 Lent by Messrs. D. Napier and Son. 
 
 4616. A PHOTOGRAPH of Napier's Double Gripper Perfecting Machine. 
 
 Lent by Messrs. D. Napier and Son. 
 
 4617. A PHOTOGRAPH of a Tape and Gripper Perfecting Machine. 
 
 Lent by Messrs. D. Napier and Son. 
 
 4618. A PHOTOGRAPH of Napier's Double Platen Machine. 
 
 Lent by Messrs. D. Napier and Son 
 
 4619. A PHOTOGRAPH of a Double Platen Machine for printing Bank 
 Notes, as used at the Bank of England. 
 
 Lent by Messrs. D. Napier and Son. 
 
 4620. A DRAWING of a Perfecting Machine invented by Cowper and 
 Applegath. Lent by Mr. E. A. Cowper. 
 
 4621. A DRAWING of a News Machine invented by Cowper and Apple- 
 gath. . Lent by Mr. E. A. Cowper. 
 
 4622. Nine DRAWING of a Rotary Machine for printing from a web of 
 paper, patented by the exhibitor in 1835. 
 
 Lent by Sir Rowland Hill, K. C.B. 
 
 4623. A DRAWING of an Old Printing Machine in use about 1820. 
 
 Lent by Mr. W. S. Parsons.
 
 . %wt anl> otljer printing 9ateciate. 461 
 
 4624. A DRAWING of Bacon and Donkin's Steam Printing Machine, 
 used at the Cambridge University Press in 1820. 
 
 Lent by Mr. W. S. Parsons. 
 
 4625. DRAWING of Cowper's Curved Stereotype Plate Perfecting Ma- 
 chine. Lent by Mr. E. A. Cowper. 
 
 4626. DRAWING of Cowper's Curved Stereotype Plate Two-Colour 
 Printing Machine. Lent by Mr. E. A. Cowper. 
 
 4627. DRAWING of Inking Table and Roller for Hand Press. 
 
 Lent by Mr. E. A. Cowper.
 
 CLASS M. 
 STEREOTYPING AND ELECTROTYPING. 
 
 | HE process of setting up a book or newspaper is so slow 
 and so expensive that it is seldom resorted to for the pro- 
 duction of duplicate forms for printing. So long as the 
 appetite for literature remained small, a single edition 
 worked from the original form sufficed to satisfy it. But 
 as soon as it increased it became manifest that means of 
 duplication, and of preserving matter for a subsequent reprint without 
 locking up a vast quantity of valuable type, must be sought for. It was 
 this want that led to the invention of the stereotype. To whom the 
 credit is due is difficult to say. Like many other discoveries this seems 
 to have been made almost simultaneously in various countries. Plates 
 cast by Miiller in the office of Lutchmann of Leyden, and bearing the 
 date 1715, are among the curiosities in this collection. So far as Britain 
 is concerned the invention is generally accredited to William Ged, a 
 goldsmith of Edinburgh, who first made a stereotype in 1735. His pro- 
 ducts are much superior to those just mentioned, and would not be 
 altogether discreditable to a founder of the present day. 
 
 Ged tried to get his invention patronised by London printers, but 
 owing to the prejudices of the pressmen and the unfairness of his partners, 
 failed to do so. Returning to Edinburgh he printed from stereotype a 
 school edition of Sallust, a copy of which forms part of the collection in 
 this exhibition. He died in 1749, and for sixty years nothing further 
 was heard of the stereotype. In 1809, however, Dr. Tilloch, of Edinburgh, 
 re-invented it, and the fame of the process having some time aftenvards 
 reached the ears of the enterprising Earl of Stanhope, the latter used his 
 powerful influence to make its use general throughout the trade, and 
 finally succeeded in doing so. The stereotype is now one of the most 
 important adjuncts to the art of printing.
 
 anti 
 
 There are two methods of casting stereo plates : the old and the new. 
 In the former the page of type is laid on a flat surface and carefully 
 cleaned ; then a little oil is brushed over it, and afterwards plaster of 
 Paris, made to the consistency of thick cream, is poured on. This, when 
 dry, forms a mould ; to cast a plate, it is dipped into molten metal (an 
 alloy of lead and antimony). The latter, when cool, is removed, planed, 
 and trimmed, and, lastly, mounted on wood. The plaster process is now 
 used chiefly where very fine lines have to be reproduced, or where the 
 stereo is to be taken from a wood-block, which will not stand a great 
 heat. 
 
 In the new process a moistened sheet of papier mache, made of layers 
 of tissue and blotting-paper pasted together, is laid on the surface of the 
 types. It is then beaten in with a hard brush, and by this means a 
 mould is formed. The mould is dried on a hot chamber and then 
 placed in a casting-box, through an orifice in which molten metal is 
 poured. The plate thus cast is finished in the same way as before de- 
 scribed. From a mould of this kind as many as seventy plates have 
 been taken. 
 
 If the casting-box-be curved instead of flat a curved plate will be pro- 
 duced. Plates of this kind are required for rotary newspaper machines. 
 The rapidity of the paper process is shown by the fact that a mould has 
 been taken from a page of the Times, and a curved plate cast, trimmed, 
 and affixed to the printing machine in the astonishingly short space of 
 ten minutes. 
 
 Stereo metal is not so hard as type metal, and the fine lines of 
 engravings cast in it are apt to wear away soon. Another process is 
 therefore used for taking casts of woodcuts, viz., that of Electrotyping. 
 In this a mould is taken in wax, to which is affixed a copper wire. The 
 mould when cold is brushed over with plumbago, and then placed in a 
 bath of sulphate of copper, the wire being connected with the negative 
 or zinc pole of an electric battery. The galvanic action decomposes the 
 liquid in the bath, and deposits a layer of copper upon the mould. 
 When this is thick enough it is removed and " backed " with stereo 
 metal till the whole is about an eighth of an inch thick. The back is 
 then planed and the electrotype mounted on wood for use. Electro- 
 types can now be curved to suit rotary machines. 
 
 Of late years, raised blocks for printing have been produced by photo- 
 graphy without the aid of the engraver. The usual course is to take a 
 photograph of the subject required, and to transfer it to a plate of surface 
 metal. This is afterwards subjected to the action of a strong acid which 
 eats away the uncovered portions, leaving the lines standing in relief. 
 Very excellent work is now produced by this means. 
 
 ARTHUR C. J. POWELL.
 
 464 Canton Celebration* 
 
 SECTION I. 
 APPARATUS FOR STEREOTYPING AND ELECTROTYPING. 
 
 (In the Annexe, reached by passing through the Engine-room^ 
 
 4645- 
 
 COMPLETE Apparatus for Stereotyping by the plaster pro- 
 cess. Lent by Messrs. J. and B. Dellagana. 
 
 4646. A COMPLETE Apparatus for Stereotyping by the paper 
 process. Lent by Messrs. J. and B. Dellagana. 
 
 This method of stereotyping was introduced from the Continent by Mr. 
 Dellagana in 1856. 
 
 4647. NICHOLSON'S Apparatus for Stereotyping by the paper process. 
 
 Lent by Mr. Joseph M. Powell. 
 
 4648. A COMPLETE Apparatus for Electrotyping. 
 
 Lent by Messrs. J. and B. Dellagana. 
 
 4649. THE Process of Transfer Zincography by which raised blocks for 
 surface printing are produced. 
 
 Lent by Messrs. J. and B. Dellagana. 
 
 4651. SHANKS and JOHNSON'S Engraving Machine, for producing 
 moulds from which stereo-plates can be cast. 
 
 Lent by the Patent Type Founding Co. 
 
 465 1*. METHOD of Mounting Stereotype Plates for Printing. 
 
 Lent by the inventor, R. Clay, Esq. 
 
 SECTION II. 
 
 SPECIMENS OF STEREOTYPE AND ELECTROTYPE 
 PLATES AND BLOCKS, &c. 
 
 4652. 
 
 RIGINAL Casts of various Pages made in the years 1700-1726, 
 in the printing office of Messrs. Luchtmans and Co., by the 
 process invented by Rev. Muller, at Leiden. 
 
 Lent by Messrs. E. J. Brill. 
 
 4653. ORIGINAL Cast of Pages of the Book of Common Prayer, made^ 
 by William Ged about 1735. Lent by the Royal Institution.
 
 $. Stereotyping; and Clectrotpping;* 465 
 
 4654. AN Abstract of the whole doctrine of the Christian Religion, 
 with observations by John Anastatius Freylinghausen. Stereo- 
 typed and printed by A. Wilson, 1804. 
 
 Lent by W. H. Cummings, Esq. 
 Said to be the first book stereotyped in England. 
 
 4655. SALLUST, said to be the first book printed from Stereotype in 
 Great Britain Lent by the Royal Institution. 
 
 This work was stereotyped by William Ged, of Edinburgh. Its title runs 
 as follows : " Sallustii Historiae, Edinburgi, Gulielmus Ged, Aurifaber, 
 Edinensis, non Typis mobilibus, ut vulgo fieri solet, sed Tabellis seu Laminis 
 fusis, Excudebat. MDCCXLIV." 
 
 4656. SALLUST, a second copy. Lent by the Faculty of Advocates. 
 
 4657. ORIGINAL Cast of Pages of the above. (1744.) 
 
 Lent by the Faculty of Advocates. 
 
 4658. AN Old Stereotype Plate, cast about 1805. 
 
 Lent by the Cambridge University Press. 
 
 This plate is exhibited by permission of the President of Queen's College, 
 Cambridge. 
 
 4659. STEREOTYPE Plates, and the Book printed therefrom, used by 
 Charles, third Earl Stanhope, about the years 1805 and 1806. 
 
 Lent by Earl Stanhope. 
 
 4660. VARIOUS specimens of stereotype plates, both flat and curved, and 
 of electrotypes. Lent by Messrs. J. and B. Dellagana. 
 
 4661. A GLASS Case containing specimens of patent curved electros for 
 rotary machines ; an electro from a large woodcut ; electro pieces 
 from the same woodcut with boundary rules put round, making 
 perfect engravings for use in smaller books than the original ; an 
 electro taken from a piece of leather direct ; a papier mache 
 mould with cast from the same ; a plaster mould with cast from 
 the same ; a wax mould for electrotyping, and an electro from the 
 same, &c. Lent by Messrs. Richardson, Koolman, and Isger. 
 
 4662. A COLLECTION of photo raised blocks for printing. 
 
 Lent by Messrs. Manning and Son. 
 
 4663. ELECTROTYPE of wood engravings, with impressions taken there, 
 from. Lent by Messrs. Cassell, Fetter, and Galpin. 
 
 H H
 
 466 Canton Celebration* 
 
 4664. EARLY Specimens of Stereotyped Border Ornaments covered 
 with a copper face. Lent by Mr. B. West. 
 
 4665. STEREOTYPE Border Ornaments with a copper facing fastened to 
 a roller to adapt it for Cylindrical Printing, 1847. 
 
 Lent by Mr. B. West. 
 
 4666. AN Electrotype of a page of the Bible from a Gutta Percha 
 Mould taken in 1848. Lent by Mr. B. West.
 
 CLASS N. 
 
 SECTION I. 
 
 MACHINERY AND APPLIANCES FOR LITHOGRAPHY AND 
 COPPER-PLATE PRINTING. 
 
 HE invention of Lithography proceeded from a purely 
 accidental discovery made by Alois Senefelder, of Prague, 
 about the year 1796. Having tried to get impressions 
 from copper-plates upon which he had written with greasy 
 ink, he one day used this ink for writing a chance memo- 
 randum on a piece of polished stone that lay handy on 
 the occasion. Fate afterwards impelled him to attempt to raise this 
 writing with acid, and to print from it. His essay was so far satisfactory 
 that he determined to prosecute his idea, and though at first only par- 
 tially successful, he ultimately founded an art which has made more 
 rapid strides towards perfection than any other. 
 
 The principles of lithography rest upon several chemical facts. The 
 first of them is that greasy substances adhere strongly to calcareous 
 stone; the second, that greasy substances have great affinity for one an- 
 other, and equally great antipathy to water ; the third, that calcareous 
 stone readily imbibes moisture. The process of the art, therefore, is to 
 draw the subject reversed in greasy ink upon a finely- polished limestone, 
 of the kind found chiefly at Solhofen, in Bavaria ; then to brush the 
 whole over with a solution of gum-arabic, to prevent the lines from 
 spreading and to assist the unoccupied parts of the stone in resisting the 
 ink. When this has remained on some little time, it is washed off, and 
 the stone damped with a wet cloth and inked with a leather roller. A
 
 468 Canton Celebration* 
 
 proof is now taken on the press, and if it is correct the stone is etched 
 by being washed over with weak nitric acid ; then it undergoes repeated 
 processes of gumming and washing, and finally is rubbed over with tur- 
 pentine to get rid of the writing ink. The stone is now fit for use, and 
 is laid on the bed of the press. To print from it a wet cloth is first 
 passed over it, and then it is inked with the leather roller ; the ink will 
 not remain on the wetted surface of the stone, but will adhere to the 
 greasy design. A sheet of paper is now laid on it, and upon that a plate 
 of zinc ; over all comes the leather tympan. The whole is now raised by 
 a lever to the level of the scraper placed across the press, and is passed 
 under it by turning a handle. On the lever power being removed, the 
 stone-bed is returned to its proper position, the tympan raised, and the 
 printed sheet removed. This process is repeated for each subsequent 
 impression. 
 
 Lithographic printing is now executed on cylinder machines, the first 
 of which was introduced into this country from France in 1860. In this 
 process, which is much more expeditious than printing by hand, the 
 damping* as well as the inking of the stone, is performed automatically, 
 by rollers specially contrived for the purpose. 
 
 In the comparatively short space of some sixty or seventy years, litho- 
 graphy has been raised from its earliest infancy to a state of efficiency 
 which enables intricate oil and water-colour paintings to be reproduced 
 with a faithfulness which borders on the marvellous. Of late years 
 photography has been engaged as a handmaid, and the limits that will be 
 reached by the sister arts combined cannot even be guessed at. The 
 freedom which lithography allows to the artist greater than that allowed 
 by any other process of printing renders it especially suitable for the 
 multiplication of works of art. 
 
 Copper-plate printing is the process of obtaining impressions from en- 
 gravings incised in plates of metal. The invention of the art is generally 
 ascribed to Finiguerra and Baldini, of Florence, but some give the 
 honour to Martin Schoengaur, of Antwerp. The engraving of the plates 
 is the work of a special class of artists, and does not in any way concern 
 the printer. His work is of a very simple nature. After the plate has 
 been heated, he daubs the whole of the surface of the plate over with 
 thick ink, which he removes from the parts not intended to print, first 
 with a rag, and then with the palm of his hand, polishing with whitening. 
 When no ink remains, except what lies in the engraved lines, the sheet 
 of paper is laid on the plate, and both passed under the roller of a 
 powerful press, which squeezes the paper into the interstices in the plate 
 and thus transfers the ink from them to it. Copper-plate printing, as may 
 be readily imagined, is a very slow process. 
 
 ARTHUR C. J. POWELL.
 
 Copperplate printing:, Hitljoffrapljp an& ^Ijotopapljp* 469 
 
 4687. 
 
 ENEFELDER'S Press, made from the original Patent Speci- 
 fication taken out in England by Alois Senefelder, the inventor 
 of lithography in 1801, and actually at work. 
 
 Lent by Messrs. Blades, East, and Blades. 
 
 4688. A MODERN Lithographic Press for hand power. 
 
 Lent by Messrs. Madure and Macdonald. 
 
 4689. A LITHOGRAPHIC Printing Machine. 
 
 Lent by Messrs. Newsiim, Wood, and Dyson. 
 
 4690. CHROMO-LITHO Stones, showing the various stages of the process 
 of printing in colours. Lent by Messrs. Blades, East, and Blades. 
 
 4691. A COPPER-PLATE Printing Press, and Engraved Copper Plates. 
 
 Lent by Messrs. Virtue and Co. 
 
 4693. THE Process of Copper-plate Printing. 
 
 Exhibited by Messrs. Virtue and Co. 
 
 4695. LITHOTYPE and printing from stone by the means of transfers 
 from the type. Lent by the Lithotype Company. 
 
 Type and stone, with transfer on it.
 
 CLASS O. 
 
 PAPER. 
 
 4714. 
 
 ATER-MARKS~ A collection of 482 specimens of old 
 paper from the year 1339 to 1600, being blank leaves cut 
 off from original and dated records in the Gelderland 
 Archives, all having different water-marks, in three volumes, 
 viz. : 
 
 Vol. i. I 339' I 399 J 94 specimens. 
 Vol. 2. 1400-1499, 219 specimens. 
 Vol. 3. 1500-1600, 169 specimens. 
 
 Lent by Frederick Muller, Esq. 
 
 4715. WATER-Marks. Fifty specimens from the same collection. 
 
 1340-1399, ii specimens. 
 1401-1499, 26 specimens. 
 1509-1579, 13 specimens. 
 
 Lent by N. Triibner, Rsq. 
 
 These collections were formed hy the learned author of the History and An- 
 tiquities of Gelderland, Mr. G. Van Hasselt (1751-1825), with the object of 
 publishing a work on old paper and paper-marks, of which the prospectus (in 
 French) only appeared (Arnheim, J. H. Macleuran, 1811). A copy of this 
 prospectus and an English translation in the handwriting of Mr. Van Hasselt, 
 are also exhibited. The majority of those in Mr. Triibner's collection are not 
 figured by Sotheby. 
 
 4716. WATER-Marks. 40 sheets fcap. folio, with water-marks, from 1540 
 to Lent by Messrs. Smith and Ebbs. 
 
 4717. WATER-Marks. 2 sheets of paper showing water-marks of the first 
 French empire. Lent by Mrs. M. Cowden Clarke.
 
 D. paper* 471 
 
 4718. MOULDS for handmade paper, with water-mark, with a specimen 
 of the paper. Lent by J. C. Wilkins, Esq. 
 
 4719. TRADE-Marks of the Dartford Paper Mills. 
 
 Lent by A. J. Dunkin, Esq. 
 
 47 20. WATER-Marks. Large single sheet (4 feet, 4^ inches, by 3 feet, 
 6 inches) of hand-made paper, comprising all the water-marks at 
 present used in the currency of the Bank of England and the 
 Government of India. Lent by Messrs. Portal. 
 
 4721. ANOTHER frame of paper water-marks, containing obsolete designs 
 for Bank of England notes, date about 1780. 
 
 Lent by Messrs. Portal. 
 
 4722. COLLECTION of Ancient Water-Marks formed by Canon Von 
 Biillingen, consisting of 474 specimens, among which 64 varieties 
 of the bull's head ; 34 of Gothic P ; 14 of the crown ; 53 of the 
 snake and staff; 12 of the hand ; and 32 of the foolscap, &c., 
 &c. The earliest specimens go back to 1363, the crescent and 
 the cross ; two orbs and the cross ; and the crossbow, neither of 
 which is figured by Sotheby. The bull's head commences with 
 1390 ; the Gothic P with 1486 ; the crown with 1476 ; the snake 
 and staff with 1570; the hand with 1476; the foolscap with 
 1479 ; an d coat armour, crests, &c., date from an early period. 
 The whole of the water-marks have been carefully covered in ink 
 by Canon von Biillingen. Lent by N. Trubner, Esq. 
 
 47 2 2*. COLLECTION of Old Water-Marks. Lent by Mrs. Cole. 
 
 4723. " PAPER-Making by Hand in actual operation, as practised about 
 1650. Exhibited by Messrs. Portal. 
 
 4724. A COLLECTION of Forty-four specimens of Japanese, Chinese, 
 Javanese, and other Oriental Paper, formed by the late Prof. L. 
 C. Treviranus, Professor of Botany at Bonn in 1864, with pencil 
 notes in the Professor's handwriting. 
 
 Nineteen specimens of Japanese printing and writing paper. 
 Five specimens of Japanese silk paper. 
 Eight specimens of Japanese coloured paper. 
 Two specimens of Japanese embossed paper. 
 Two specimens of Japanese metallic paper. 
 Seven specimens of Chinese and Javanese paper. 
 One specimen of unprepared papyrus. 
 
 Lent by Nicolas Trubner, Esq.
 
 47 2 Ccuton Celebration* 
 
 4725. REPRESENTATION of the Dutch Paper Mill of Maistre Jean Ville- 
 dary (seventeenth century), which served as a trade-mark for 
 paper wrappers, and copy of the same in phototype. 
 
 Lent by Frederick Muller, Esq. 
 
 4726. Two other figures of Dutch Paper Mills, trade-marks of "fine 
 foolscap," and "the Arms of Amsterdam" two renowned Dutch 
 papers. Lent by Frederick Midler, Esq. 
 
 4727. DUTCH Paper Trade-Marks. Three blocks for woodcuts (seven- 
 teenth century^ one representing a paper mill. 
 
 Lent by Messrs. P. Smith van Gelder and Sons. 
 
 4728. MODEL of Paper Making Machine. One-eighth full size. 
 
 Lent by B. Donkin 6 Co. 
 
 4729. MODEL of Rag Engine. Lent by B. Donkin 6- Co. 
 
 4730. MODEL of Spherical Revolving Rag Boiler. 
 
 Lent by B. Donkin 6 Co. 
 
 4731. PORTION of a Dandy Roll. Lent by B. Donkin 6- Co. 
 
 4732. SAMPLES of Paper Machine Wires. Lent by B. Donkin 6 Co. 
 
 4733. WATER-Marks. Special water-marked sheet, made for this Cele- 
 bration, with portrait of Caxton. Also several other water-marked 
 papers and bank notes. A window transparency. 
 
 Exhibited by T. H. Sounders and Co. 
 
 4734. HISTORICAL Account of the substances which have been used for 
 Paper. Printed on the first useful paper manufactured solely 
 from straw. Lent by G. Tawse, Esq. 
 
 ELZEVIR PRESS : PRINTED BY JOHN C. WILKINS AND VF.RNON, 
 9, CASTLE STREET, CHANCERY LANE.
 
 A 001385860
 
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