THE LIBRARY OF THE UNIVERSITY"; OF CALIFORNIA LOS ANGELES IN MEMORY OF MRS. VIRGINIA B. SPORER THE MODERN LIBRARY OF THE WORLD'S BEST BOOKS A HAZARD OF NEW FORTUNES THE MODERN LIBRARY RECENT PUBLICATIONS OSCAR WILDE Dorian Gray Poems STRINDBERG Married KIPLING Soldiers Three STEVENSON Treasure Island HENRIK IBSEN A Dolls' House, Etc. Hedda Gabler, Etc. ANATOLE FRANCE The Red Lily The Crime of Sylvestre Bonnard DE MAUPASSANT Mademoiselle Fifi, Etc. DOSTOYEVSKY Poor People MAETERLINCK A Miracle of St. Antony, Etc. SCHOPENHAUER Studies in Pessimism SAMUEL BUTLER The Way of All Flesh GEORGE MEREDITH Diana of the Crossways G. B. SHAW An Unsocial Socialist GEO. MOORE Confessions of a Young Man THOMAS HARDY Mayor of Casterbridge THOS. SELTZER Best Russian Stories NIETZSCHE Beyond Good and Evil Thus Spake Zarathustra TURGENEV Fathers and Sons SWINBURNE Poems WM. DEAN HOWELLS A Hazard of New Fortunes W. S. GILBERT The Mikado and others GUSTAVE FLAUBERT Madame Bovary JAMES STEPHENS Mary Mary ANTON CHEKHOV Rothschild's Fiddle, Etc. ARTHUR SCHNITZLER Anatole and others SUDERMANN Dame Care LORD DUNSANY A Dreamer's Tales G. K. CHESTERTON The Man Who Was Thursday H. G. WELLS The War in the Air Ann Veronica HAECKEL, WEISMANN, Etc Evolution in Modern Thought Other Titles in Preparation A HAZARD OF NEW FORTUNES BY WILLIAM DEAN HOWELLS INTRODUCTION BY ALEXANDER HARVEY TWO VOLUMES IN ONE 1ODER xppc @ BONI AND LIVERIGHT, INC. PUBLISHERS .' . .' . NEW YORK Printed in the United States of America COPYRIGHT, 1889, BY WILLIAM DEAN HOWELLS WILLIAM DEAN HOWELLS Three significant facts challenge our attention at the outset in considering the work of William Dean Howells as an author. In the first place he is a literary artist perhaps one of the very greatest of literary artists. In the next place he is the champion of realism against romanticism. Finally he had no college education. He is a self-taught man. In characterizing Howells as a literary artist we meai that his work has beauty, precisely as the sculpture of the Greeks has beauty. There is in his writing the "thrill" derivable from contemplation of, say, a statue by Praxiteles, or a beautiful woman. All of us are not sufficiently sophis- ticated to account for the nature of this pleasure in reading Howells. It is a secret of style and that secret has baffled generations of great critics. Shakespeare had this secret, and so had Virgil and Milton. The English language is a more exquisite instrument because of the beauty of the man- ner of Howells when he tells his story. This explains the difficulty of indicating the greatest work of the author of "A Hazard of New Fortunes." Every one of his novels has this inexplicable charm of style. Nor must it be supposed that it is a charm appreciable only by the initiated. A stylist of true power can charm even the casual reader with his manner. It is the spell of beauty. Who can say wh ; there is in the spell of a woman's beauty, or in the spell of a beauty exemplified in the work of Corot? There are artists who can introduce this effect of beauty into what- ever they achieve, be they poets, painters, sculptors, archi- 2041731 x INTRODUCTION tects or musicians. Howells is in that great company. The proof is afforded by stories like "A Modern Instance," one of the most beautifully constructed novels in the English language. Beauty is not necessarily power in the sense that Balzac has power. Balzac is at times strangely deficient in beauty from the artistic standpoint. Compare his "Eugenie Grandet" with "The Rise of Silas Lapham." In this tale of the Boston merchant Howells has woven an exquisite tapestry of words and phrases. The realism for which Howells stands involves a rather more complex literary idea than that of mere beauty. Real- ism as a term in literary criticism is difficult to define in a phrase that will pass muster with its friends. Speaking generally, Howells stands for a reflection of what to him is life. There must be a strict fidelity to facts of human ex- perience. The reader must be vividly impressed with the idea that the people of whom he reads in a novel are like himself, people who say and do what he would or say in the same circumstances, or, if not, that they are people of a kind he has met, even if they be different from himself. This: conception of the functions of the novelist implies an amaz- ing capacity for observation of life, for the analysis of char- acter. The "plot" of the story must exclude the element of the purely imaginative, the fantastic, the wildly ex- travagant in the "romantic" or unreal definition of those terms. Life must not be spun out of the writer's head but studied at first hand. The young person reading -Howells is, therefore, never misled into a view of life based upon dream elements. His head is never filled with "nonsense." The young girl is not set to a task of reverie, with a fairy prince in the background ready to save her from terrible adventures with heavy villains. It might be thought that Howells has given himself a hard task. He takes the daily lives of American men and women, some of them in Europe, and without varying a jot from the actualities of their experience he proceeds about the busi- INTRODUCTION xi ness of telling a story. The result is intensely exciting. This is the miracle of the Howells' method. It is very dif- ficult to convey to an "outsider" the nature of the excite- ment afforded by reading Howells. A summary of his most tremendous "plot" is like a record of a commonplace summer in a conventional atmosphere. We listen to the talk of people we have all met, saying the things we have all heard. There is no marked eccentricity of character delineation in the Dickens manner no Wilkins Micawbers come up out of the void, no great "Mel" of the Meredithian order stuns us. The young ladies are very young sometimes and very ladylike in Howells. Their names are the names we all know. Howells enters more closely into the details of everyday life than most novelists care to do. The furnish- ings of a room, the appearance of a hotel dining palace, the swish of a dress these things concern him tremendously. The physical aspect of a young man or of an old one will concern him also. Why do we revel in these commonplaces? One expla- ,^ nation is undoubtedly the quality of the Howells' humor. He is one of the most exquisite humorists in the language so exquisite, indeed, that it is difficult to see how he could be happily translated into any other language than his own. There is no "horseplay" in the Howells' humor, no display of qualities associated with the American name in this field. It would be unfair to compare it with that of Jane Austen, although Howells has all her delicacy, all her subtlety. He has more action. The humor is not merely in the "slyness" of the manner. Howells has a different attitude to life. The humor of Jane Austen is feminine and Anglo-Saxon whereas that of Howells is steeped in flavors that are Gallic. There is something paradoxically French in the humor of Howells, a quality almost Celtic in its gusto. Nevertheless, it is a humor of the kind which most critics agree to call "quiet." Still, he can be uproarious in his effect upon the reader. This feature of his work emerges most conspicuously in his xii INTRODUCTION dialogue. It has wit without extravagance of the forced note, reality without dullness. It grows out of the situation in which the characters find themselves. It is saturated with the gloriously high spirits of youth, its freshness, its readi- ness to see the bright light through whatever gloom. The life story of Howells is very significant in the light of the fact that his educational opportunities in the insti- tutional meaning of the term were so few. He was born in Ohio in a very small town as long ago as 1837. His father was a printer in the professional sense of the word, that is to say a man of unusual education and of wide culture, who combined the functions of publisher and editor in the con- duct of a paper that had won for itself local influence and political importance. Howells learned to set type when he was a mere boy. A genius so striking as his was sure to illustrate the well-worn truth that nothing really worth learn- ing can ever be taught. There is something ridiculous in the notion that anyone could have "taught" William Dean How- ells to "write." His entry upon the formal literary career was preceded by a period of activity in his father's establish- ment as typesetter and proofreader and then as reporter in the legislature for a newspaper in Columbus. He had sent his first contributions to The Atlantic Monthly before the outbreak of our Civil War. They were poems as well as essays. For writing the "campaign" life of Lincoln he was made consul at Venice. There never was a time when Howells did not study liter- ature that of continental Europe as well as that of the Anglo-Saxon world. His facility in the acquisition of Euro- pean tongues was a matter of course in one with his sense of words. He seems to have paid more attention to Italian literature than to that of the French, but here a general remark is dangerous. No writer gets the French spirit so completely in all that relates to literature on its artistic side. "My Literary Passions" is the most arresting revela- tion of the unfolding of a writer's mind. He is Puritanical INTRODUCTION xiii as well as realistic here. Those tendencies accentuated themselves when he returned to his native land, working in New York and going to Boston later the period of his service in The Atlantic Monthly. He reviewed, noted, sketched, read, edited long before he won his way as a novel- ist, long before he deemed himself equipped for the part. The conception of the novelist's art formed by Howells ren- ders a work of fiction by an inexperienced young man an absurdity, a contradiction in terms. We need not wonder, then, if his great novels are the work of his maturity. Howells won for Boston its fame for "culture" with those directly outside its influence. He created the Boston young lady, famous for her doubts, her philosophy, her scruples and her delicacies. The inner exclusive world of scholars and professors, with its sprinkling of scholar merchants and intellectual politicians knew of this position of Boston. How- ells took the fame of the town in this detail into the street. His Bostonians are known wherever the language they speak has echoed. He rediscovered the Athens of America and made it the theme of paragraphs in the newspapers. In "fact, the possibilities of American life as dealt with in the realistic manner were a surprise to the readers of novels. It ought to be pointed out here, nevertheless, that Howells brought to his realism a genius for style, a humor of the rarest kind, a dramatic instinct that could make the most of the slightest situation, a knowledge of the American char- acter altogether unprecedented and an experience in the circles he described which no other man of his generation could be given credit for. This is a very important point in estimating the theory of realism against romanticism upon which his art is based. Had he been a mediocrity his real- ism would have had no vogue. His imitators are for the most part beneath contempt, being destitute of his rare equipment. It has been insisted that "A Hazard of New Fortunes" is the most "important" of all the novels of Howells. The xiv INTRODUCTION coming of a new time is distinctly foreseen by the artist who created this masterpiece. The somewhat smug and com- placent America which told itself that all the problems of "democracy" had been solved is here given a blow. It was a great blow at the time. It might be thought a gentle tap on the cheek in this age. The nation is in the first faint breath of the spirit that was to bring Socialism to all man- kind as the central economic idea of a world proletariat. The things which the book is concerned with are common- places now, but the picture of the time when they were strange and new is vivid. We have the humor, the dialogue, the insight into character, the dramatic instinct for the su- preme moment, the style and the plot the combination of many merits into a single effect which is the gift of Howells, the power that makes "A Hazard of New Fortunes" a work of art as well as a wonderful story. ALEXANDER HARVEY. "We have the humor, the dialogue, the instinct into char- acter, the dramatic instinct for the supreme moment, the style and the plot the combination of many merits into a single effect which is the gift of Howells, the power that makes 'A Hazard of New Fortunes' a work of art as well as a wonderful story." A HAZARD OF NEW FORTUNES VOL. I A HAZAED OF NEW FORTUNES. PART FIRST. I. "Now, you think this thing over, March, and let me know the last of next week," said Fulkerson. He got up from the chair which he had been sitting astride, with his face to its back, and tilting toward March on its hind-legs, and came and rapped upon his table with his thin bamboo stick. " What you want to do is to get out of the insurance business, anyway. You acknowledge that yourself. You never liked it, and now it makes you sick ; in other words, it 's killing you. You ain't an insurance man by nature. You're a natural-born literary man; and you 've been going against the grain. Now, I offer you a chance to go with the grain. I don't say you 're going to make your everlasting fortune, but I'll give you a living salary, and if the thing suc- ceeds you '11 share in its success. We '11 all share in its success. That's the beauty of it. I tell you, VOL. I. 1 2 A HAZARD OF NEW FORTUNES. March, this is the greatest idea that has been struck since " Fulkerson stopped and searched his mind for a fit image "since the creation of man." He put his leg up over the corner of March's table and gave himself a sharp cut on the thigh, and leaned forward to get the full effect of his words upon his listener. March had his hands clasped together behind his head, and he took one of them down long enough to put- his inkstand and mucilage-bottle out of Fulkerson's way. After many years' experiment of a moustache and whiskers, he now wore his grizzled beard full, but cropped close ; it gave him a certain grimness, corrected by the gentleness of his eyes. "Some people don't think much of the creation of man, nowadays. Why stop at that 1 Why not say since the morning stars sang together ? " "No, sir; no, sir! I don't want to claim too much, and I draw the line at the creation of man. I 'm satisfied with that But if you want to ring the morning stars into the prospectus, all right; I won't go back on you." " But I don't understand why you 've set your mind on me," March said. "I haven't had any magazine experience, you know that ; and I haven't seriously attempted to do anything in literature since I was married. I gave up smoking and the Muse together. I suppose I could still manage a cigar, but I don't believe I could " "Muse worth a cent." Fulkerson took the thought out of his mouth and put it into his own A HAZARD OF NjBW FORTUNES. 3 words. " I know. Well, I don't want you to. I don't care if you never write a line for the thing, though you needn't reject anything of yours, if it happens to be good, on that account. And I don't want much experience in my editor ; rather not have it. You told me, didn't you, that you used to do some newspaper work before you settled down?" "Yes; I thought my lines were permanently cast in those places once. It was more an accident than anything else that I got into the insurance business. I suppose I secretly hoped that if I made my living by something utterly different, I could come more freshly to literature proper in my leisure." " I see ; and you found the insurance business too many for you. Well, anyway, you've always had a hankering for the inkpots ; and the fact that you first gave me the idea of this thing shows that you've done more or less thinking about magazines." " Yes less." "Well, all right. Now don't you be troubled. jt know what I want, generally speaking, and in this particular instance I want you. I might get a man of more experience, but I should probably get a man of more prejudice and self-conceit along with him, and a man with a following of the literary hangers-on that are sure to get round an editor sooner or later. I want to start fair; and I've found out in the syndicate business all the men that are worth having. But they know me, and they 4 A HAZARD OF NEW FORTUNES. don't know you, and that 's where we shall have the pull on them. They won't be able to work the thing. Don't you be anxious about the experience. I Ve got experience enough of my own to run a dozen editors. What I want is an editor who has taste, and you Ve got it ; and conscience, and you 've got it ; and horse-sense, and you Ve got that. And I like you because you 're a Western man, and I 'm another. I do cotton to a Western man when I find him off East here, holding his own with the best of 'em, and showing 'em that he 's just as much civilised as they are. We both know what it is to have our bright home in the setting sun ; heigh "? " " I think we Western men who Ve come East are apt to take ourselves a little too objectively, and to feel ourselves rather more representative than we need," March remarked. Fulkerson was delighted. " You Ve hit it ! We do ! We are ! " " And as for holding my own, I 'm not very proud of what I Ve done in that way ; it 's been very little to hold. But I know what you mean, Fulkerson, and I Ve felt the same thing myself ; it warmed me toward you when we first met. I can't help suffus- ing a little to any man when I hear that he was born on the other side of the Alleghanies. It 's per- fectly stupid. I despise the same thing when I see it in Boston people." Fulkerson pulled first one of his blond whiskers and then the other, and twisted the end of each into a point, which he left to untwine itself. He fixed A HAZARD OF NEW FORTUNES. 5 March with his little eyes, which had a curious innocence in their cunning, and tapped the desk im- mediately in front of him. " What I like about you is that you 're broad in your sympathies. The first time I saw you, that night on the Quebec boat, I said to myself, ' There 's a man I want to know. There 's a human being.' I was a little afraid of Mrs. March and the children, but I felt at home with you thoroughly domesticated before I passed a word with you ; and when you spoke first, and opened up with a joke over that fellow's tableful of light literature and Indian moccasins and birch-bark toy canoes and stereoscopic views, I knew that we were brothers spiritual twins. I recognised the Western style of fun, and I thought, when you said you were from Boston, that it was some of the same. But I see now that it 's being a cold fact, as far as the last fifteen or twenty years count, is just so much gain. You know both sections, and you can make this thing go, from ocean to ocean." "We might ring that into the prospectus, too," March suggested, with a smile. " You might call the thing From Sea to Sea. By the way, what are you going to call it ? " "I haven't decided yet; that's one of the things I wanted to talk with you about. I had thought of The Syndicate-, but it sounds kind of dry, and it don't seem to cover the ground exactly. I should like something that would express the co-operative character of the thing ; but I don't know as I can get it." 6 A HAZARD OF NEW FORTUNES. " Might call it The Mutual" " They 'd thiiik it was an insurance paper. No, that won't do. But Mutual comes pretty near the idea. If we could get something like that, it would pique curiosity ; and then if we could get paragraphs afloat explaining that the contributors were to be paid according to the sales, it would be a first- rate ad." He bent a wide, anxious, inquiring smile upon March, who suggested lazily, "You might call it The Round-Robin. That would express the central idea of irresponsibility. As I understand, every- body is to share the profits and be exempt from the losses. Or, if I'm wrong, and the reverse is true, you might call it The Army of Martyrs. Come, that sounds attractive, Fulkerson ! Or what do you think of The Fifth Wheel 1 That would forestall the criticism that there are too many literary periodicals already. Or, if you want to put forward the idea of complete independence, you could call it The Free Lance ; or " " Or The Hog on Ice either stand up or fall down, you know," Fulkerson broke in coarsely. "But we '11 leave the name of the magazine till we get the editor. I see the poison 's beginning to work in you, March; and if I had time, I'd leave the result to time. But I haven't. I've got to know inside of the next week To come down to business with you, March, I shan't start this thing unless I can get you to take hold of it." He seemed to expect some acknowledgment, and A HAZARD OF NEW FORTUNES. 7 March said, " Well, that 's very nice of you, Fulkerson." "No, sir; no, sir! I've always liked you, and wanted you, ever since we met that first night. I had this thing inchoately in my mind then, when I was telling you about the newspaper syndicate business beautiful vision of a lot of literary fellows breaking loose from the bondage of publishers, and playing it alone " " You might call it The Lone Hand ; that would be attractive," March interrupted. " The whole West would know what you meant." Fulkerson was talking seriously, and March was listening seriously ; but they both broke off and laughed. Fulkerson got down off the table, and made some turns about the room. It was growing late ; the October sun had left the top of the tall windows ; it was still clear day, but it would soon be twilight ; they had been talking a long time. Fulkerson came and stood with his little feet wide apart, and bent his little lean, square face on March: " See here ! How much do you get out of this thing here, anyway ? " " The insurance business 1 " March hesitated a moment, and then said, with a certain . effort of re- serve, "At present about three thousand/' He looked up at Fulkerson with a glance, as if he had a mind to enlarge upon the fact, and then dropped his eyes without saying more. Whether Fulkerson had not thought it so much or not, he said, ."Well, I'll give you thirty-five 8 A HAZARD OF NEW FORTUNES. hundred. Come ! And your chances in the suc- cess." " We won't count the chances in the success. And I don't believe thirty-five hundred would go any further in New York than three thousand in Boston." " But you don't live on three thousand here 1 " " No ; my wife has a little property." " Well, she won't lose the income if you go to New York. I suppose you pay six or seven hundred a year for your house here. You can get plenty of flats in New York for the same money ; and I understand you can get all sorts of provisions for less than you pay now three or four cents on the pound. Come ! " This was by no means the first talk they had had about the matter; every three or four months during the past two years the syndicate man had dropped in upon March to air the scheme and to get his im- pressions of it. This had happened so often that it had come to be a sort of joke between them. But now Fulkerson clearly meant business, and March had a struggle to maintain himself in a firm poise of refusal. " I dare say it wouldn't or it needn't cost so very much more, but I don't want to go to New York ; or my wife doesn't. It 's the same thing." " A good deal samer," Fulkerson admitted. March did not quite like his candour, and he went on with dignity. " It 's very natural she shouldn't. She has always lived in Boston ; she 's attached to A HAZARD OF NEW FORTUNES. 9 - the place. Now, if you were going to start The Fifth Wheel in Boston " Fulkerson slowly and sadly shook his head, but decidedly, " Wouldn't do. You might as well say St. Louis or Cincinnati. There 's only one city that belongs to the whole country, and that's New York." " Yes, I know," sighed March ; " and Boston be- longs to the Bostonians ; but they like you to make yourself at home while you 're visiting." " If you '11 agree to make phrases like that, right along, and get them into The Round-Robin some- how, I '11 say four thousand," said Fulkerson. " You think it over now, March. You talk it over with Mrs. March ; I know you will, anyway ; and I might as well make a virtue of advising you to do it. Tell her I advised you to do it, and you let me know before next Saturday what you've decided." March shut down the rolling top of his desk in the corner of the room, and walked Fulkerson out before him. It was so late that the last of the chore- women who washed down the marble halls and stairs of the great building had wrung out her floor-cloth and departed, leaving spotless stone and a clean damp smell in the darkening corridors behind her. " Couldn't offer you such swell quarters in New York, March," Fulkerson said as he went tack-tack- ing down the steps with his small boot-heels. " But I Ve got my eye on a little house round in West Eleventh Street, that I 'm going to fit up for my 1* 10 A HAZARD OF NEW FORTUNES. bachelor's hall in the third story, and adapt for The Lone Hand in the first and second, if this thing goes through ; and I guess we '11 be pretty comfortable. It's right on the Sand Strip no malaria of any kind." " I don't know that I 'm going to share its salu- brity with you yet," March sighed in an obvious travail which gave Fulkerson hopes. " Oh yes, you are," he coaxed. " Now, you talk it over with your wife. You give her a fair, unpre- judiced chance at the thing on its merits, and I 'm very much mistaken in Mrs. March if she doesn't tell you to go in and win. We 're bound to win ! " They stood on the outside steps of the vast edifice beetling like a granite crag above them, with the stone groups of an allegory of life-insurance fore- shortened in the bas-relief overhead. March ab- sently lifted his eyes to it. It was suddenly strange after so many years' familiarity, and so was the well- known street in its Saturday-evening solitude. He asked himself, with prophetic homesickness, if it were an omen of what was to be. But he only said musingly, " A fortnightly. You know that didn't work in England. The Fortnightly is published once a month now." " It works in France," Fulkerson retorted. " The Revue des Deux Mondes is still published twice a month. I guess we can make it work in America with illustrations." " Going to have illustrations ? " " My dear boy ! What are you giving me 1 Do A HAZARD OF NEW FORTUNES. 11 I look like the sort of lunatic who would start a thing in the twilight of the nineteenth century with- out illustrations 1 Come off ! " " Ah, that complicates it ! I don't know anything about art." March's look of discouragement con- fessed the hold the scheme had taken upon him. " I don't want you to ! " Fulkerson retorted. " Don't you suppose I shall have an art man 1 " " And will they the artists work at a reduced rate too, like the writers, with the hopes of a share in the success 1 " " Of course they will ! And if I want any par- ticular man, for a card, I '11 pay him big money besides. But I can get plenty of first-rate sketches on my own terms. You '11 see ! They '11 pour in ! " "Look here, Fulkerson," said March, "you'd better call this fortnightly of yours The Madness of the Half -Moon ; or Bedlam, Broke Loose wouldn't be bad ! Why do you throw away all your hard earn- ings on such a crazy venture ? Don't do it ! " The kindness which March had always felt, in spite of his wife's first misgivings and reservations, for the meny, hopeful, slangy, energetic little creature trembled in his voice. They had both formed a friendship for Fulkerson during the week they were together in Quebec. When he was not working the newspapers there, he went about with them over the familiar ground they were showing their children, and was simply grateful for the chance, as well as very entertaining about it all. The children liked him, too ; when they got the clew to his intention, 12 A HAZARD OF NEW FORTUNES. and found that he was not quite serious in many of the things he said, they thought he was great fun. They were always glad when their father brought him home on the occasion of Fulkerson's visits to Boston ; and Mrs. March, though of a charier hospi- tality, welcomed Fulkerson with a grateful sense of his admiration for her husband. He had a way of treating March with deference, as an older and abler man, and of qualifying the freedom he used toward every one with an implication that March tolerated it voluntarily, which she thought very sweet, and even refined. "Ah, now you're talking like a man and a brother " said Fulkerson. "Why, March, old man, do you suppose I 'd come on here and try to talk you into this thing if I wasn't morally, if I wasn't perfectly, sure of success ? There isn't any if or and about it. I know my ground, every inch ; and I don't stand alone on it," he added, with a significance which did not escape March. " When you've made up your mind, I can give you the proof ; but I 'm not at liberty now to say anything more. I tell you it 's going to be a triumphal march from the word go, with coffee and lemonade for the procession along the whole line. All you 've got to do is to fall in." He stretched out his hand to March. " You let me know as soon as you can." March deferred taking his hand till he could ask, " Where are you going 1 " " Parker House. Take the half-past ten for Xew York to-night." A HAZARD OF NEW FORTUNES. 13 "I thought I might walk your way." March looked at his watch. " But I shouldn't have time. Good-bye ! " He now let Fulkerson have his hand, and they exchanged a cordial pressure. Fulkerson started off at a quick, light pace. Half a block away he stopped, turned round, and seeing March still stand- ing where he had left him, he called back joyously, " I Ve got the name ! " What ? " " Every Other Week? . It isn't bad." Ta-ta 1 " IL ALL the way up to the South End March pro- longed his talk with Fulkerson, and at his door in Nankeen Square he closed the parley with a plump refusal to go to New York on any terms. His daughter Bella was lying in wait for him in the hall, and she threw her arms round his neck with the exuberance of her fourteen years, and with some- thing of the histrionic intention of her sex. He pressed on, with her clinging about him, to the library, and, in the glow of his decision against Fulkerson, kissed his wife, where she sat by the study lamp reading the Transcript through her first pair of eye-glasses : it was agreed in the family that she looked distinguished in them, or at any rate cultivated. She took them off to give him a glance of question, and their son Tom looked up from his book for a moment ; he was in his last year at the high-school, and was preparing for Harvard. "I didn't get away from the office till half-past five," March explained to his wife's glance, "and then I walked. I suppose dinner's waiting. I'm sorry, but I won't do it any more." At table he tried to be gay with Bella, who A HAZAUD OF NEW FORTUNES. 15 babbled at him with a voluble pertness, which her brother had often advised her parents to check in her, unless they wanted her to be universally despised. " Papa, "she shouted, at last, "you 're not listening !" As soon as possible his wife told the children they might be excused. Then she asked, "What is it, Basil 1 " " What is what 1 " he retorted, with a specious brightness that did not avail. " What is on your mind I " " How do you know there 's anything 1 " " Your kissing me so when you came in, for one thing." "Don't I always kiss you when I come in ? " " Not now. I suppose it isn't necessary any more. Cela va sans baiser." " Yes, I guess it 's so ; we get along without the symbolism now." He stopped, but she knew that he had not finished. " Is it about your business 1 Have they done anything more." " No ; I 'm still in the dark. I don't know whether they mean to supplant me, or whether they ever did. But I wasn't thinking about that. Ful- kerson has been to see me again." " Fulkerson 1 " She brightened at the name, and March smiled too. " Why didn't you bring him to dinner 1 " " I wanted to talk with you Then you do like him?" 16 A HAZARD OF NEW FORTUNES. " What has that got to do with it, Basil 1 " " Nothing ! nothing ! That is, he was boring away about that scheme of his again. He 's got it into definite shape at last." " What shape 1 " March outlined it for her, and his wife seized its main features with the intuitive sense of affairs which makes women such good business-men, when they will let it. " It sounds perfectly crazy," she said finally. " But it mayn't be. The only thing I didn't like about Mr. Fulkerson was his always wanting to chance things. But what have you got to do with it?" " What have I got to do with it ? " March toyed with the delay the question gave him ; then he said, with a sort of deprecatory laugh, " It seems that Fulkerson has had his eye on me ever since we met that night on the Quebec boat. I opened up pretty freely to him, as you do to a man you never expect to see again, and when I found he was in that news- paper syndicate business, I told him about my early literary ambitions " " You can't say that / ever discouraged them, Basil," his wife put in. "I should have been will- ing, any time, to give up everything for them." " Well, he says that I first suggested this brilliant idea to him. Perhaps I did; I don't remember. When he told me about his supplying literature to newspapers for simultaneous publication, he says I asked, ' Why not apply the principle of co-opera- A HAZARD OF NEW FORTUNES. 17 tion to a magazine, and run it in the interest of the contributors 1 ' and that set him to thinking, and he thought out his plan of a periodical, which should pay authors and artists a low price outright for their work, and give them a chance of the profits in the way of a percentage. After all, it isn't so very dif- ferent from the chances an author takes when he publishes a book. And Fulkerson thinks that the novelty of the thing would pique public curiosity, if it didn't arouse public sympathy. And the long and short of it is, Isabel, that he wants me to help edit it." " To edit it ? " His wife caught her breath, and she took a little time to realise the fact, while she stared hard at her husband to make sure he was not joking. " Yes. He says he owes it all to me ; that I in- vented the idea the germ the microbe." His wife had now realised the fact, at least in a degree that excluded trifling with it. " That is very honourable of Mr. Fulkerson ; and if he owes it to you, it was the least he could do." Having recog- nised her husband's claim to the honour done him, she began to kindle with a sense of the honour itself, and the value of the opportunity. "It's a very high compliment to you, Basil ; a very high compliment. And you could give up this wretched insurance business that you 've always hated so, and that 's making you so unhappy now that you think they 're going to take it from you. Give it up, and take Mr. Fulkerson's offer ! It 's a perfect inter' 18 A HAZARD OF NEW FORTUNES. position, coming just at this time ! Why, do it ! Mercy!" she suddenly arrested herself, "he wouldn't expect you to get along on the possible profits 1 " Her face expressed the awfulness of the notion. March smiled reassuringly, and waited to give himself the pleasure of the sensation he meant to give her. " If I '11 make striking phrases for it and edit it too, he '11 give me four thousand dollars." He leaned back in his chair, and stuck his hands deep into his pockets, and watched his wife's face, luminous with the emotions that flashed through her mind doubt, joy, anxiety. " Basil ! You don't mean it ! Why, take it ! Take it instantly \ Oh, what a thing to happen ! Oh, what luck ! But you deserve it, if you first suggested it. What an escape, what a triumph over all those hateful insurance people ! Basil, I 'm afraid he '11 change his mind ! You ought to have accepted on the spot. You might have known I would approve, and you could so easily have taken it back if I didn't. Telegraph him now ! Run right out with the despatch ! Or we can send Tom ! " In these imperatives of Mrs. March's there was always much of the conditional. She meant that he should do what she said, if it were entirely right ; and she never meant to be considered as having urged him. "And suppose his enterprise went wrong?" her husband suggested. "It won't go wrong. Hasn't he made a success of his syndicate ? " "He says so yes." A HAZARD OF NEW I ORTUNES. 19 " Very well, then, it stands to reason that he '11 succeed in this, too. He wouldn't undertake it if he didn't know it would succeed ; he must have capital." "It will take a great deal to get such a thing going ; and even if he 's got an Angel behind him " She caught at the word : " An Angel ? " " It 's what the theatrical people call a financial backer. He dropped a hint oi something of that kind." "Of course, he's got an Angel," said his wife, promptly adopting the word. " And even if he hadn't, still, Basil, I should be willing to have you risk it. The risk isn't so great, is it? We shouldn't be ruined if it failed altogether. With our stocks we have two thousand a year, anyway, and we could pinch through on that till you got into some other business afterward, especially if we 'd saved something out of your salary while it lasted. Basil, I want you to trj T it ! I know it will give you a new lease of life to have a congenial occupation." March laughed, bit his wife persisted. " I 'm all for your trying it, Basil ; indeed I am. If it 's an experiment, you can give it up." "It can give me up, too." " Oh, nonsense ! I guess theie 's not much fear of that. Now, I want you to telegraph Mr. Fulkerson, so that he '11 find the despatch waiting for him when he gets to New York. I '11 take the whole responsibility, Basil, and I '11 risk all the conse- quences." III. MARCH'S face had sobered more and more as she followed one hopeful burst with another, and now it expressed a positive pain. But he forced a smile, and said : " There 's a little condition attached. Where did you suppose it was to be published ?" " Why, in Boston, of course. Where else should it be published 1 " She looked at him for the intention of his question so searchingly that he quite gave up the attempt to be gay about it. " No," he said gravely, " it 's to be published in New York." She fell back in her chair. " In New York ? " She leaned forward over the table toward him, as if to make sure that she heard aright, and said, with all the keen reproach that he could have expected, " In New York, Basil ! Oh, how could you have let me go on ? " He had a sufficiently rueful face in owning, " I oughtn't to have done it, but I got started wrong. I couldn't help putting the best foot forward at first or as long as the whole thing was in the air. I didn't know that you would take so much to the general enterprise, or else I should have mentioned A HAZARD OF NEW FORTUNES. 21 the New York condition at once ; but of course that puts an end to it." "Oh, of course," she assented sadly. "We couldn't go to New York." " No, I know that," he said ; and with this a per- verse desire to tempt her to the impossibility awoke in him, though he was really quite cold about the affair himself now. " Fulkerson thought we could get a nice flat in New York for about what the interest and taxes came to here, and provisions are cheaper. But I should rather not experiment at my time of life. If I could have been caught younger, I might- have been inured to New York, but I don't believe I could stand it now." " How I hate to have you talk that way, Basil ! You are young enough to try anything anywhere ; but you know I don't like New York. I don't approve of it. It 's so big, and so hideous ! Of course I shouldn't mind that ; but I 've always lived in Boston, and the children were born and have all their friendships and associations here." She added, with the helplessness that discredited her good-sense and did her injustice, " I have just got them both into the Friday afternoon class at Papanti's, and you know how difficult that is." March could not fail to take advantage of an occa- sion like this. " Well, that alone ought to settle it. Under the circumstances it would be flying in the face of Providence to leave Boston. The mere fact of a brilliant opening like that offered me on The Microbe, and the halcyon future which Fulkerson A HAZARD OF NEW FORTUNES. promises if we '11 come to New York, is as dust in the balance against the advantages of the Friday afternoon class." " Basil," she appealed solemnly, " have I ever in- terfered with your career ?" " I never had any for you to interfere with, my dear." " Basil ! Haven't I always had faith in you ? And don't you suppose that if I thought it would really be for your advancement, I would go to New York or anywhere with you V " No, my dear, I don't," he teased. " If it would be for my salvation, yes, perhaps ; but not short of that ; and I should have to prove by a cloud of wit- nesses that it would I don't blame you. I wasn't born in Boston, but I understand how you feel. And really, my deai," he added, without irony, "I never seriously thought of asking you to go to New York. I was dazzle 1 by Fulkerson's offer, I J ll own that ; but his choice of me as editor sapped my con- fidence in him." " I don't like to hear you say that, Basil," she en- treated. "Well, of course there were mitigating circum- stances. I could se) that Fulkerson meant to keep the whip-hand himself, and that was reassuring. And besides, if the Reciprocity Life should happen not to want my services any longer, it wouldn't be quite like giving up a certainty ; though, as a matter of business, I let Fulkerson get that impression ; I felt rather sneaking to do it. But, if the worst A HAZARD OF NEW FORTUNES. 23 comes to the worst, I can look about for something to do in Boston ; and, anyhow, people don't starve on two thousand a year, though it 's convenient to have five. The fact is, I'm too old to change so radically. If you don't like my saying that, then you are, Isabel, and so are the children. I've no right to take them from the home we 've made, and to change the whole course of their lives, unless I can assure them of something, and I can't assure them of anything. Boston is big enough for us, and it 's certainly prettier than New York. I always feel a little proud of hailing from Boston ; my pleasure in the place mounts the further I get away from it. But I do appreciate it, my dear, I 've no more desire to leave it than you have. You may be sure that if you don't want to take the children out of the Friday afternoon class, I don't want to leave my library here, and all the ways I 've got set in. We '11 keep on. Very likely the company won't supplant me, and if it does, and Watkins gets the place, he'll give me a subordinate position of some sort. Cheer up, Isabel ! I have put Satan and his angel, Fulkerson, behind me, and it 's all right. Let 's go in to the children." He came round the table to Isabel, where she sat in a growing distraction, and lifted her by the waist from her chair. She sighed deeply. " Shall we tell the children about it ? " " No. What 's the use, now ? " " There wouldn't be any," she assented. When C 24 A HAZARD OF NEW FORTUNES. they entered the family room, where the boy and girl sat on either side of the lamp working out the lessons for Monday which they had left over from the day before, she asked, " Children, how would you like to live in New York 1 " Bella made haste to get in her word first. "And give up the Friday afternoon class ? " she wailed. Tom growled from his book, without lifting his eyes, "I shouldn't want to go to Columbia. They haven't got any dormitories, and you have to board round anywhere. Are you going to New York 1 " He now deigned to look up at his father. " No, Tom. You and Bella have decided me against it. Your perspective shows the affair in its true proportions. I had an offer to go to New York, but I Ve refused it." IV. MARCH'S irony fell harmless from the children's preoccupation with their own affairs, but he knew that his wife felt it, and this added to the bitterness which prompted it. He blamed her for letting her provincial narrowness prevent his accepting Fulker- son's offer quite as much as if he had otherwise entirely wished to accept it. His world, like most worlds, had been superficially a disappointment. He was no richer than at the beginning, though in marrying he had given up some tastes, some prefer- ences, some aspirations, in the hope of indulging them later, with larger means and larger leisure. His wife had not urged him to do it; in fact, her pride, as she said, was in his fitness for the life he had renounced ; but she had acquiesced, and they had been very happy together. That is to say, they made up their quarrels or ignored them. They often accused each other of being selfish and indifferent, but she knew that he would always sacrifice himself for her and the children ; and he, on his part, with many gibes and mockeries, wholly trusted in her. They had grown practically tolerant of each other's disagreeable traits ; and the danger VOL. I. 2 26 A HAZARD OF NEW FORTUNES. that really threatened them was that they should grow too well satisfied with themselves, if not with each other. They were not sentimental, they were rather matter-of-fact in their motives ; but they had both a sort of humorous fondness for senti- mentality. They liked to play with the romantic, from the safe vantage-ground of their real practi- cality, and to divine the poetry of the commonplace. Their peculiar point of view separated them from most other people, with whom their means of self- comparison were not so good since their marriage as before. Then they had travelled and seen much of the world, and they had formed tastes which they had not always been able to indulge, but of which they felt that the possession reflected distinction on them. It enabled them to look down upon those who were without such tastes ; but they were not ill-natured, and so they did not look down so much with contempt as with amusement. In their un- fashionable neighbourhood they had the fame of being not exclusive precisely, but very much wrapt up in themselves and their children. Mrs. March was reputed to be very cultivated, and Mr. March even more so, among the simpler folk around them. Their house had some good pictures, which her aunt had brought home from Europe in more affluent days, and it abounded in books on which he spent more than he ought They had beautified it in every way, and had un- consciously taken credit to themselves for it. They felt, with a glow almost of virtue, how perfectly it A HAZARD OF NEW FORTUNES. 27 fitted their lives and their children's, and they believed that somehow it expressed their characters that it was like them. They went out very little ; she remained shut up in its refinement, working the good of her own'; and he went to his business, and hurried back to forget it, and dream his dream of intellectual achievement in the flattering atmosphere of her sympathy. He could not conceal from him- self that his divided life was somewhat like Charles Lamb's, and there were times when, as he had ex- pressed to Fulkerson, he believed that its division was favourable to the freshness of his interest in literature. It certainly kept it a high privilege, a sacred refuge. Now and then he wrote something, and got it printed after long delays, and when they met on the St. Lawrence, Fulkerson had some of March's verses in his pocket-book, which he had cut out of a stray newspaper and carried about for years, because they pleased his fancy so much ; they formed an immediate bond of union between the men when their authorship was traced and owned, and this gave a pretty colour of romance to their acquaintance. But for the most part, March was satisfied to read. He was proud of reading criti- cally, and he kept in the current of literary interests and controversies. It all seemed to him, and to his wife at second-hand, very meritorious ; he could not help contrasting his life and its inner elegance with that of other men who had no such resources. He thought that he was not arrogant about it, because he did full justice to the good qualities of those 28 A HAZARD OF NEW FORTUNES. other people ; he congratulated himself upon the democratic instincts which enabled him to do this ; and neither he nor his wife supposed that they were selfish persons. On the contrary, they were very sympathetic ; there was no good cause that they did not wish well ; they had a generous scorn of all kinds of narrow-heartedness ; if it had ever come into their way to sacrifice themselves for others, they thought they would have done so, but they never asked 1 why it had not come in their way. They were very gentle and kind, even when most elusive ; and they taught their children to loathe all manner of social cruelty. March was of so watchful a conscience in some respects that he denied himself the pensive pleasure of lapsing into the melancholy of unfulfilled aspirations ; but he did not see that if he had abandoned them, it had been for what he held dearer ; generally he felt as if he had turned from them with a high altruistic aim. The practical expression of his life was that it was enough to provide well for his family; to have cultivated tastes, and to gratify them to the extent of his means ; to be rather distinguished, even in the simplification of his desires. He believed, and his wife believed, that if the time ever came when he really wished to make a sacrifice to the fulfilment of the aspirations so long postponed, she would be ready to join with heart and hand. When he went to her room from his library, where she left him the whole evening with the children, he found her before the glass thoughtfully A HAZARD OF NEW FORTUNES. 29 removing the first dismantling pin from her back hair. " I can't help feeling," she grieved into the mirror, " that it 's I who keep you from accepting that offer. I know it is ! I could go West with you, or into a new country anywhere ; but New York terrifies me. J don't like New York, I never did ; it dis- heartens and distracts me ; I can't find myself in it; I shouldn't know how to shop. I know I 'm foolish and narrow and provincial," she went on ; " but I could never have any inner quiet in New York ; I couldn't live in the spirit there. I suppose people do. It can't be that all those millions " " Oh, not so bad as that ! " March interposed, laughing. " There aren't quite two." "I thought there were four or five. Well, no matter. You see what I am, Basil. I 'm terribly limited. I couldn't make my sympathies go round two million people; I should be wretched. I sup- pose I'm standing in the way of your highest interest, but I can't help it. We took each other for better or worse, and you must try to bear with me " She broke off and began to cry. " Stop it ! " shouted March. " I tell you I never cared anything for Fulkerson's scheme or enter- tained it seriously, and I shouldn't, if he 'd pro- posed to carry it out in Boston." This was not quite true : but in the retrospect it seemed suffi- ciently so for the purposes of argument. "Don't eay another word about it. The thing 's over now, and I don't want to think of it any more. We 30 A HAZARD OF NEW FORTUNES. couldn't change its nature if we talked all night. But I want you to understand that it isn't your limitations that are in the way. It's mine. I shouldn't have the courage to take such a place ; I don't think I 'm fit for it ; and that 's the long and short of it." "Oh, you don't know how it hurts me to haye you say that, Basil." The next morning, as they sat together at break- fast, without the children, whom they let lie late on Sunday, Mrs. March said to her husband, silent over his fish-balls and baked beans : " We will go to New York. I Ve decided it." " Well, it takes two to decide that," March re- torted. " We are not going to New York." " Yes, we are. I 've thought it out. Now, listen." " Oh, I 'm willing to listen," he consented airily. " You Ve always wanted to get out of the insur- ance business, and now with that fear of being turned out which you have, you mustn't neglect this offer. I suppose it has its risks, but it's a risk keeping on as we are; and perhaps you will make a great success of it. I do want you to try, Basil. If I could once feel that you had fairly seen what you could do in literature, I should die happy." " Not immediately after, I hope," he suggested, taking the second cup of coffee she had been pour- ing out for him. " And Boston ? " "We needn't make a complete break. We can keep this place for the present, anyway ; we could A HAZARD OF NEW FORTUNES. 31 let it for the winter, and come back in the summer next year. It would be change enough from New York." " Fulkerson and I hadn't got as far as to talk of a vacation." " No matter. The children and I could come. And if you didn't like New York, or the enterprise failed, you could get into something in Boston again ; and we have enough to live on till you did. Yes, Basil, I 'm going." " I can see by the way your chin trembles that nothing could stop you. You may go to New York if you wsh, Isabel, but I shall stay here." " Be serious, Basil. I 'm in earnest." " Serious 1 If I were any more serious I should shed tears. Come, my dear, I know what you mean, and if I had my heart set on this thing Fulkerson always calls it 'this thing' I would cheerfully accept any sacrifice you could make to it. But I 'd rather not offer you up on a shrine I don't feel any particular faith in. I 'm very comfortable where I am ; that is, I know just where the pinch comes, and if it comes harder, why, I 've got used to bearing that kind of pinch. I 'm too old to change pinches." " Now, that does decide me." "It decides me, too." "I will take all the. responsibility, Basil," she pleaded. " Oh yes ; but you '11 hand it back to me as soon as you've carried your point with it. There's nothing mean about you, Isabel, where responsibility 32 A HAZARD OF NEW FORTUNES. is concerned. No; if I do this thing Fulkerson again ! I can't get away from ' this thing ' ; it 's ominous I must do it because I want to do it, and not because you wish that you wanted me to do it. I understand your position, Isabel, and that you 're really acting from a generous impulse, but there's nothing so precarious at our time of life as a generous impulse. When we were younger we could stand it ; we could give way to it and take the consequences. But now we can't bear it. We must act from cold reason even in the ardour of self-sacrifice." " Oh, as if you did that ! " his wife retorted. " Is that any cause why you shouldn't ? " She could not say that it was, and he went on trium- phantly : " No, I won't take you away from the only safe place on the planet, and plunge you into the most perilous, and then have you say in your> revulsion of feeling that you were all against it from the first, and you gave way because you saw I had my heart set on it." He supposed he was treating the matter humorously, but in this sort of banter between husband and wife there is always much more than the joking. March had seen some pretty feminine inconsistencies and trepidations which once charmed him in his wife hardening into traits of middle-age, which were very like those of less interesting older women. . The sight moved him with a kind of pathos, but he felt the result hinder- ing and vexatious. She now retorted that if he did not choose to take her at her word he need not, but that whatever he A HAZARD OF NEW FORTUNES. 33 did she should have nothing to reproach herself with ; and, at least, he could not say that she had trapped him into anything. " What do you^mean by trapping ? " he demanded. " I don't know what you call it," she answered ; " but when you get me to commit myself to a thing by leaving out the most essential point, / call it trapping." " I wonder you stop at trapping, if you think I got you to favour Fulkerson's scheme, and then sprung New York on you. I don't suppose you do, though. But I guess we won't talk about it any more." He went out for a long walk, and she went to her room. They lunched silently together in the presence of their children, who knew that they had been quarrelling, but were easily indifferent to the fact, as children get to be in such cases ; nature defends their youth, and the unhappiness which they behold does not infect them. In the evening, after the boy and girl had gone to bed, the father and mother resumed their talk. He would have liked to take it up at the point from which it wandered into hostilities, for he felt ifc lamentable that a matter which so seriously con- cerned them should be confused in the fumes of senseless anger ; and he was willing to make a tacit acknowledgment of his own error by recurring to the question, but she would not be content with this, and he had to concede explicitly to her weak- ness that she really meant it when she had asked 2* 34 A HAZARD OF NEW FORTUNES. him to accept Fulkerson's offer. He said he knew that ; and he began soberly to talk over their pro- spects in the event of their going to New York. " Oh, I see you are going ! " she % twitted. " I 'm going to stay," he answered, " and let them turn me out of my agency here ! " and in this bitter- ness their talk ended. V. His wife made no attempt to renew their talk before March went to his business in the morning, and they parted in dry offence. Their experience was that these things always came right of them- selves at last, and they usually let them. He knew that she had really tried to consent to a thing that was repugnant to her, and in his heart he gave her more credit for the effort than he had allowed her openly. She knew that she had made it with the reservation he accused her of, and that he had a right to feel sore at what she could ,not help. But he left her to brood over his ingratitude, and she- suffered him to go heavy and unfriended to meet the chances of the day. He said to himself that if she had assented cordially to the conditions of Fulkerson's offer, he would have had the courage to take all the other risks himself, and would have had the satisfaction of resigning his place. As it was, he must wait till he was removed ; and he figured with bitter pleasure the pain she would feel when he came home some. day and told her he had been sup- planted, after it was too late to close with Fulkerson. He found a letter on his desk from the secretary, 36 A HAZARD OF NEW FORTUNES. " Dictated," in type-writing, which briefly informed him that Mr. Hut boll, 1~ Inspector of Agencies, would be in Boston on Wednesday, and would call at his office during the forenoon. The letter was not different in tone from many that he had formerly received ; but the visit announced was out of the usual order, and March believed he read his fate in it. During the eighteen years of his connection with it first as a subordinate in the Boston office, and finally as its general agent there he had seen a good many changes in the Reciprocity ; presidents, vice-presidents, actuaries, and general agents had come and gone, but there had always seemed to be a recognition of his efficiency, or at least sufficiency, and there had never been any manner of trouble, no question of accounts, no apparent dissatisfaction with his management, until latterly, when there had begun to come from headquarters some suggestions of enterprise in certain ways, which gave him his first suspicions of his clerk Watkins's willingness to succeed him ; they embodied some of Watkins's ideas. The things proposed seemed to March un- dignified, and even vulgar ; he had never thought himself wanting in energy, though probably he had left the business to take its own course in the old lines more than he realised. Things had always gone so smoothly that he had sometimes fancied a peculiar regard for him in the management, which he had the weakness to attribute to an appreciation of what he occasionally did in literature, though in saner moments he felt how impossible this was. A HAZARD OF NEW FORTUNES. 37 Beyond a reference from Mr. Hubbell to some piece of March's, which had happened to meet his eye, no one in the management ever gave a sign of con- sciousness that their service was adorned by an obscure literary man ; and Mr. Hubbell himself had the effect of regarding the excursions of March's pen as a sort of joke, and of winking at them, as he might have winked if once in a way he had found him a little the gayer for dining. March wore through the day gloomily, but he had it on his conscience not to show any resentment toward Watkins, whom he suspected of wishing to supplant him, and even of working to do so. Through this self-denial he reached a better mind concerning his wife. He determined not to make her suffer needlessly, if the worst came to the worst ; she would suffer enough, at the best, and till the worst came he would spare her, and not say any- thing about the letter he had got. But when they met, her first glance divined that something had happened, and her first question frustrated his generous intention. He had to tell her about the letter. She would not allow that it had any significance ; but she wished him to make an end of his anxieties, and forestall whatever it might portend by resigning his place at once. She said she was quite ready to go to New York ; she had been thinking it all over, and now she really wanted to go. He answered, soberly, that he had thought it over, too ; and he did not wish to leave Boston, where he had lived so long, or try a new 38 A HAZARD OF NEW FORTUNES. way of life if he could help it. He insisted that he was quite selfish in this ; in their concessions their quarrel vanished ; they agreed that whatever hap- pened would be for the best ; and the next day he went to his office fortified for any event. His destiny, if tragical, presented itself with an aspect which he might have found comic if it had been another's destiny. Mr. Hubbell brought March's removal, softened in the guise of a promo- tion. The management at New York, it appeared, had acted upon a suggestion of Mr. Hubbell's, and now authorised him to offer March the editorship of the monthly paper published in the interest of the company ; his office Avould include the author- ship of circulars and leaflets, in behalf of life insur- ance, and would give play to the literary talent which Mr. Hubbell had brought to the attention of the management ; his salary would be nearly as much as at present, but the work would not take his whole time, and in a place like New York he could get a great deal of outside writing, which they would not object to his doing. Mr. Hubbell seemed so sure of his acceptance of a place in every way congenial to a man of literary tastes, that March was afterward sorry he dismissed the proposition with obvious irony, and had need- lessly hurt Hubbell's feelings ; but Mrs. March had no such regrets. She was only afraid that he had not made his rejection contemptuous enough. " And now," she said, " telegraph Mr. Fulkerson, and we will go at once." A HAZARD OF NEW FORTUNES. 39 "I suppose I could still get Watkins's former place," March suggested. " Never ! " she retorted. " Telegraph instantly ! " They were only afraid now that Fulkerson might have changed his mind, and they had a wretched day in which they heard nothing from him. It ended with his answering March's telegram in person. They were so glad of his coming, and so touched by his satisfaction with his bargain, that they laid all the facts of the case before him. He entered fully into March's sense of the joke latent in Mr. Hubbell's proposition ; and he tried to make Mrs. March believe that he shared her resentment of the indignity offered her husband. March made a show of willingness to release him in view of the changed situation, saying that he held him to nothing. Fulkerson laughed, and asked him how soon he thought he could come on to New York He refused to reopen the ques- tion of March's fitness with him ; he said they had gone into that thoroughly, but he recurred to it with Mrs. March, and confirmed her belief in his good-sense on all points. She had been from the first moment defiantly confident, of her husband's ability, but till she had talked the matter over with Fulkerson, she was secretly not sure of it ; or, at least, she was not sure that March was not right in distrusting himself. When she clearly un- derstood, now, what Fulkerson intended, she had no longer a doubt. He explained how the enterprise differed from others, and how he needed for its D 40 A HAZARD OF NEW FORTUNES. direction a man who combined general business experience and business ideas with a love for the thing, and a natural aptness for it. He did not want a young man, and yet he wanted youth its freshness, its zest such as March would feel in a thing he could put his whole heart into. He would not run in ruts, like an old fellow who had got hack- neyed ; he would not have any hobbies ; he would not have any friends nor any enemies. Besides, he would have to meet people, and March was a man that people took to ; she knew that herself ; he had a kind of charm. The editorial management was going to be kept in the background, as far as the public was concerned; the public was to suppose that the thing ran itself. Fulkerson did not care for a great literary reputation in his editor he implied that March had a very pretty little one. At the same time the relations between the contributors and the management were to be much more inti- mate than usual. Fulkerson felt his personal dis- qualification for working the thing socially, and he counted upon Mr. March for that ; that was to say, he counted upon Mrs. March. She protested he must not count upon her ; but it by no means disabled Fulkerson 's judgment in her view that March really seemed more than anything else a fancy of his. He had been a fancy of hers ; and the sort of affectionate respect with which Ful- kerson spoke of him laid for ever some doubt she had of the fineness of Fulkerson's manners, and recon- ciled her to the graphic slanginess of his speech. A HAZARD OF NEW FORTUNES. 41 The affair was now irretrievable, but she gave her approval to it as superbly as if it were submitted in its inception. Only, Mr. Fulkerson must not sup- pose she should ever like New York. She would not deceive him on that point. She never should like it. She did not conceal, either, that she did not like taking the children out of the Friday even- ing class ; and she did not believe that Tom would ever be reconciled to going to Columbia. She took courage from Fulkerson's suggestion that it was pos- sible for Tom to come to Harvard even from New York ; and she heaped him with questions concern- ing the domiciliation of the family in that city. He tried to know something about the matter, and he succeeded in seeming interested in points necessarily indifferent to him. VL IN the uprooting and transplanting of their home that followed, Mrs. March often trembled before distant problems and possible contingencies, but she was never troubled by present difficulties. She kept up with tireless energy ; and in the moments of de- jection and misgiving which harassed her husband she remained dauntless, and put heart into him when he had lost it altogether. She arranged to leave the children in the house with the servants, while she went on with March to look up a dwelling of some sort in New York. It made him sick to think of it ; and when it came to the point, he would rather have given up the whole enterprise. She had to nerve him to it, to repre- sent more than once that now they had no choice but to make this experiment. Every detail of part- ing was anguish to him. He got consolation out of the notion of letting the house furnished for the winter ; that implied their return to it ; but it cost him pangs of the keenest misery to advertise it ; and when a tenant was actually found, it was all he could do to give him the lease. He tried his wife's love and patience as a man must to whom the future A HAZARD OF NEW FORTUNES. 43 is easy in the mass, but terrible as it translates itself piecemeal into the present. He experienced remorse in the presence of inanimate things he was going to leave as if they had sensibly reproached him, and an anticipative homesickness that seemed to stop his heart. Again and again his wife had to make him reflect that his depression was not prophetic. She convinced him of what he already knew ; and per- suaded him against his knowledge that he could be keeping an eye out for something to take hold of in Boston if they could not stand New York. She ended by telling him that it was too bad to make her comfort him in a trial that was really so much more a trial to her. She had to support him in a last access of despair on their way to the Albany depot the morning they started to New York ; but when the final details had been dealt with, the tickets bought, the trunks checked, and the hand- bags hung up in their car, and the future had massed itself again at a safe distance and was seven hours and two hundred miles away, his spirits began to rise and hers to sink. He would have been willing to celebrate the taste, the domestic refinement of the ladies' Avaiting-room in the depot, where they had spent a quarter of an hour before the train started. He said he did not believe there was another station in the world where mahogany rocking-chairs were pro- vided ; that the dull red warmth of the walls was as cosey as an evening-lamp, and that he always hoped to see a fire kindled on that vast hearth, and under that aesthetic mantel, but he supposed now he never 44 A HAZARD OF NEW FORTUNES. should. He said it was all very different from tnat tunnel, the old Albany depot, where they had waited the morning they went to New York when they were starting on their wedding journey. " The morning, Basil ! " cried his wife. " We went at night ; and we were going to take the boat, but it stormed so ! " She gave him a glance of such reproach that he could not answer anything, and now she asked him whether he supposed their cook and second girl would be contented with one of those dark holes where they put girls to sleep in New York flats, and what she should do if Margaret, especially, left her. He ventured to suggest that Margaret would probably like the city ; but if she left, there were plenty of other girls to be had in New York. She replied that there were none she could trust, and that she knew Margaret would not stay. He asked her why she took her, then ; why he did not give her up at once ; and she answered that it would he inhuman to give her up just in the edge of the winter. She had promised to keep her ; and Margaret was pleased with the notion of going to New York, where she had a cousin. " Then perhaps she '11 be pleased with the notion of staying," he said. " Oh, much you know about it ! " she retorted ; and in view of the hypothetical difficulty and his want of sympathy, she fell into a gloom, from which she roused herself at last by declaring that if there was nothing else in the flat they took, there should be a light kitchen and a bright sunny bedroom for A HAZARD OF NEW FORTUNES. 45 Margaret. He expressed the belief that they could easily find such a flat as that, and she denounced his fatal optimism, which buoyed him up in the absence of an undertaking, and let him drop into the depths of despair in its presence. He owned this defect of temperament, but he said that it compensated the opposite in her character. " I suppose that 's one of the chief uses of marriage ; people supplement each other, and form a pretty fair sort of human being together. The only draw- back to the theory is that unmarried people seem each as complete and whole as a married pair." She refused to be amused ; she turned her face to the window and put her handkerchief up under her veil. It was not till the dining-car was attached to their train that they were both able to escape for an hour into the care-free mood of their earlier travels, when they were so easily taken out of themselves. The time had been when they could have found enough in the conjectural fortunes and characters of their fellow-passengers to occupy them. This phase of their youth had lasted long, and the world was still full of novelty and interest for them; but it re- quired all the charm of the dining-car now to lay the anxieties that beset them. It was so potent for the moment, however, that they could take an objec- tive view at their sitting cosily down there together, as if they had only themselves in the world. They wondered Avhat the children were doing, the chil- dren who possessed them so intensely when present, 46 A HAZARD OF NEW FORTUNES. and now, by a fantastic operation of absence, seemed almost non-existent. They tried to be homesick for them, but failed ; they recognised with comfortable self-abhorrence that this was terrible, but owned a fascination in being alone ; at the same time they could not imagine how people felt who never had any children. They contrasted the luxury of din- ing that way, with every advantage except a band of music, and the old way of rushing out to snatch a fearful joy at the lunch-counters of the Worcester and Springfield and New Haven stations. They had not gone often to New York since their wed- ding journey, but they had gone often enough to have noted the change from the lunch-counter to the lunch-basket brought in the train, from which you could subsist with more ease and dignity, but seemed destined to a superabundance of pickles, whatever you ordered. They thought well of themselves now that they could be both critical and tolerant of flavours not very sharply distinguished from one another in their dinner, and they lingered over their coffee and watched the autumn landscape through the windows. " Not quite so loud a pattern of calico this year," he said, with patronising forbearance toward the painted woodlands whirling by. "Do you see how the foreground next the train rushes from us and the background keeps ahead of us, while the middle distance seems stationary 1 I don't think I ever noticed that effect before. There ought to be A HAZARD OF NEW FORTUNES. 47 something literary in it : retreating past and advanc- ing future, and deceitfully permanent present: something like that 1 " His wife brushed some crumbs from her lap before rising. "Yes. You mustn't waste any of these ideas now." " Oh no ; it would be money out of Fulkerson's pocket." VII. THEY vent to a quiet hotel far down-town, and took a small apartment which they thought they could easily afford for the day or two they need spend in looking up a furnished flat. They were used to staying at this hotel when they came on for a little outing in New York, after some rigid winter in Boston, at the time of the spring exhibitions. They were remembered there from year to year ; the coloured call-boys, who never seemed to get any older, smiled upon them, and the clerk called March, by name even before he registered. He asked if Mrs. March were with him, and said then he sup- posed they would want their usual quarters ; and in a moment they were domesticated in a far interior that seemed to have been waiting for them in a clean, quiet, patient disoccupation ever since they left it two years before. The little parlour, with its gilt paper and ebo.iised furniture, was the lightest of the rooms, but it was not very light at noonday without the gas, which the bell-boy now flared up for them. The uproar of the city came to it in a soothing murmur, and they took possession of its peace and comfort with open celebration. After all* A HAZARD OF NEW FORTUNES. 49 they agreed, there teas no place in the world so de- lightful as a hotel apartment like that ; the boasted charms of home were nothing to it ; and then the magic of its heing always there, ready for any one, every one, just as if it were for some one alone : it was like the experience of an Arabian Nights hero come true for all the race. " Oh, why can't we always stay here, just we two ! " Mrs. March sighed to her husband, as he came out of his room rubbing his face red with the towel, while she studied a new arrangement of her bonnet and hand-bag on the mantel. " And ignore the past 1 I 'm willing. I 've no doubt that the children could get on perfectly well without us, and could find some lot in the scheme of Providence that would really be just as well for them." " Yes ; or could contrive somehow never to have existed. I should insist upon that. If they are, don't you see that we couldn't wish them not to be ? " " Oh yes ; I see your point ; it 's simply incon- trovertible." She laughed, and said : " Well, at any rate, if we can't find a flat to suit us we can all crowd into these three rooms somehow, for the winter, and then browse about for meals. By the week we could get them much cheaper; and we could save on the eating, as they do in Europe. Or on some- thing else." " Something else, probably," said March. " But we won't take this apartment till the ideal furnished VOL. I. 3 50 A HAZARD OF NEW FORTUNES. flat winks out altogether. We shall not have any trouble. We can easily find some one who is going South for the winter, and will be glad to give up their flat ' to the right party ' at a nominal rent. That's my notion. That's what the Evanses did one winter when they came on here in February. All but the nominality of the rent." " Yes, and we could pay a very good rent and still save something on letting our house. You can settle yourselves in a hundred different ways in New York, that is one merit of the place. But if every- thing else fails, we can come back to this. I want you to take the refusal of it, Basil. And we '11 com- mence looking this very evening as soon as we 've had dinner. I cut a lot of things out of the Herald as we came on. See here ! " She took a long strip of paper out of her hand- bag with minute advertisements pinned transversely upon it, and forming the effect of some glittering nondescript vertebrate. "Looks something like the sea-serpent," said March, drying his hands on the towel, while he glanced up and down the list. "But we shan't have any trouble. I 've no doubt there are half a dozen things there that will do. You haven't gone up-town ? Because we must be near the Every Other Week office." " No ; but I wish Mr. Fulkerson hadn't called it that ! It always makes one think of ' jam yesterday and jam to-morrow, but never jam to-day,' in Through the Looking-glass. They 're all in this region." A HAZARD OF NEW FORTUNES. 51 They were still at their table, beside a low window, where some sort of never-blooming shrub symme- trically balanced itself in a large pot, with a leaf to the right and a leaf to the left and a spear up the middle, when Fulkerson came stepping square- footedly over the thick dining-room carpet. Ho wagged in the air a gay hand of salutation at sight of them, and of repression when they offered to rise to meet him ; then, with an apparent simultaneity of action he gave a hand to each, pulled up a chair from the next table, put his hat and stick on the floor beside it, and seated himself. " Well, you 've burnt your ships behind you, sure enough," he said, beaming his satisfaction upon them from eyes and teeth. " The ships are burnt," said March, " though I 'm not sure we did it alone. But here we are, looking for shelter, and a little anxious about the disposition of the natives." "Oh, they're an awful peaceable lot," said Ful- kerson. " I 've been round amongst the caciques a little, and I think I 've got two or three places that will just suit you, Mrs. March. How did you leave the children ? " " Oh, how kind of you ! Very well, and very proud to be left in charge of the smoking wrecks." Fulkerson naturally paid no attention to what she said, being but secondarily interested in the chil- dren at the best. " Here are some things right in this neighbourhood, within gunshot of the office, and if you want you can go and look at them to- 52 A HAZARD OF NEW FORTUNES. night ; the agents gave me houses where the people would be in." " We will go and look at them instantly," said Mrs. March. "Or, as soon as you've had coffee with us." " Never do," Fulkerson replied. He gathered up his hat and stick. " Just rushed in to say Hello, and got to run right away again. I tell you, March, things are humming. I 'm after those fellows with a sharp stick all the while to keep them from loafing on my house, and at the same time I 'm just bubbling over with ideas about The Lone Hand wish we could call it that ! that I want to talk up with you." " Well, come to breakfast," said Mrs. March cor- dially. " No ; the ideas will keep till you Ve secured your lodge in this vast wilderness. Good-bye." " You 're as nice as you can be, Mr. Fulkerson," she said, " to keep us in mind when you have so much to occupy you." " I wouldn't have anything to occupy me if I hadn't kept you in mind, Mrs. March," said Ful- kerson, going off upon as good a speech as he could apparently hope to make. "Why, Basil," said Mrs. March, when he was gone, " he 's charming ! But now we mustn't lose an instant. Let 's see where the places are." She ran over the half-dozen agents' permits. "Capital first-rate the very thing every one. Well, I consider ourselves settled ! We can go back to the children to-morrow if we like, though I rather think A HAZARD OF NEW FORTUNES. 53 I should like to stay over another day and get a little rested for the final pulling up that's got to come. But this simplifies everything enormously, and Mr. Fulkerson is as thoughtful and as sweet as he can be. I know you will get on well with him. He has such a good heart. And his attitude toward you, Basil, is beautiful always so respectful ; or not that so much as appreciative. Yes, appreciative that 's the word ; I must always keep that in mind." " It 's quite important to do so," said March. " Yes," she assented seriously, " and we must not forget just what kind of flat we are going to look for. The sine qua nons are an elevator and steam- heat, not above the third floor, to begin with. Then we must each have a room, and you must have your study and I must have my parlour ; and the two girls must each have a room. With the kitchen and dining-room, how many does that make 1 " "Ten." "I thought eight. Well, no matter. You can work in the parlour, and run into your bedroom when anybody comes ; and I can sit' in mine, and the girls must put up with one, if it 's large and sunny, though I Ve always given them two at home. And the kitchen must be sunny, so they can sit in it. And the rooms must all have outside light. And the rent must not be over eight hundred for the winter. We only get a thousand for our whole house, and we must save something out of that, so as to cover the expenses of moving. Now, do you think you can remember all that ? " " Not the half of it," said March. " But you can ; 54 A HAZARD OF NEW FORTUNES. or if you forget a third of it, I can come in with my partial half, and more than make it up." She had brought her bonnet and sack downstairs with her, and was transferring them from the hat- rack to her person while she talked. The friendly door-boy let them into the street, and the clear October evening air inspirited her so, that as she tucked her hand under her husband's arm and began to pull him along, she said, " If we find something right away and we 're just as likely to get the right flat soon as late ; it 's all a lottery we '11 go to the theatre somewhere." She had a moment's panic about having left the agents' permits on the table, and after remembering that she had put them into her little shopping-bag, where she kept her money (each note crushed into a round wad), and had left that on the hat-rack, where it would certainly be stolen, she found it on her wrist. She did not think that very funny, but after a first impulse to inculpate her husband, she let him laugh, while they stopped under a lamp, and she held the permits half a yard away to read the numbers on them. " Where are your glasses, Isabel ? " " On the mantel in our room, of course." " Then you ought to have brought a pair of tongs." " I wouldn't get off second-hand jokes, Basil," she said ; and " Why, here ! " she cried, whirling round to the door before which they had halted, " this is the very number. Well, I do believe it 's a sign ! " One of those coloured men who soften the trade of A HAZARD OF NEW FORTUNES. 55 janitor in many of the smaller apartment houses in New York by the sweetness of their race, let the Marches in, or, rather, welcomed them to the pos- session of the premises by the bow with which he acknowledged their permit. It was a large, old mansion cut up into five or six dwellings, but it had kept some traits of its former dignity, which pleased people of their sympathetic tastes. The dark mahogany trim, of sufficiently ugly design, gave a rich gloom to the hallway, which was wide, and paved with marble ; the carpeted stairs curved aloffc through a generous space. " There is no elevator ? " Mrs. March asked of the janitor. He answered, " No, ma'am ; only two flights up," so winningly that she said " Oh ! " in courteous apology, and whispered her husband as she followed lightly up, " We '11 take it, Basil, if it 's like the rest. " " If it 's like him, you mean." " I don't wonder they wanted to own them," she hurriedly philosophised. " If I had such a creature, nothing but death should part us, and I should no more think of giving him his freedom \ " "No; we couldn't afford it," returned her husband. The apartment the janitor unlocked for them, and lit up from those chandeliers and brackets of gilt brass in the form of vine bunches, leaves, and ten- drils in which the early gas-fitter realised most of his conceptions of beauty, had rather more of the ugliness than the dignity of the hall. But the rooms were E 56 A HAZARD OF NEW FORTUNES. large, and they grouped themselves in a reminiscence of the time when they were part of a dwelling, that had its charm, its pathos, its impressiveness. Where they were cut up into smaller spaces, it had been done with the frankness with which a proud old family of fallen fortunes practises its economies. The rough pine floors showed a black border of tack- heads where carpets had been lifted and put down for generations ; the white paint was yellow with age ; the apartment had light at the front and at the back, and two or three rooms had glimpses of the day through small windows let into their corners ; another one seemed lifting an appealing eye to heaven through a glass circle in its ceiling ; the rest must darkle in perpetual twilight. Yet something pleased in it all, and Mrs. March had gone far to adapt the different rooms to the members of her family, when she suddenly thought (and for her to think was to say), " Why, but there 's no steam- heat ! " "No, ma'am," the janitor admitted, "But dere 's grates in most o' de rooms, and dere 's furnace-heat in de halls." "That's true," she admitted, and having placed her family in the apartments, it was bard to get them out again. " Could we manage 1 " she referred to her husband. " Why, 7 shouldn't care for the steam-heat if What is the rent 1 " he broke off to ask the janitor. " Nine hundred, sir." March concluded to his wife, "If it were furnished. A HAZARD OF NEW FORTUNES. 57 " Why, of course ! What could I have been think- ing of 1 We 're looking for a furnished flat," she explained to the janitor, " and this was so pleasant and home-like, that I never thought whether it was furnished or not." She smiled upon the janitor, and he entered into the joke and chuckled so amiably at her flattering oversight on the way downstairs that she said, as she pinched her husband's arm, " Now, if you don't give him a quarter, I '11 never speak to you again, Basil ! " " I would have given half a dollar willingly to get, you beyond his glamour," said March, when they were safely on the pavement outside. " If it hadn't "been for my strength of character, you 'd have taken an unfurnished flat without heat and with no elevator, at nine hundred a year, when you had just sworn me to steam-heat, an elevator, furniture, and eight hundred." " Yes ! How could I have lost my head so com- pletely 1 " she said, with a lenient amusement in her aberration which she was not always able to feel in her husband's. " The next time a coloured janitor opens the door to us, I '11 tell him the apartment doesn't suit at the threshold. It 's the only way to manage you, Isabel." " It 's true. I am in love with the whole race. I never saw one of them that didn't have perfectly angelic manners. I think we shall all be black in heaven that is, black-souled. " " That isn't the usual theory," said March. 3* 58 A HAZARD OF NEW FORTUNES. " Well, perhaps not," she assented. " Where are we going now 1 Oh yes, to the Xenophon ! " She pulled him gaily along again, and after they had walked a block down and half a block over, they stood before the apartment-house of that name, which was cut on the gas lamps on either side of the heavily spiked, aesthetic-hinged black door. The titter of an electric bell brought a large, fat Buttons, with a stage effect of being dressed to look small, who said he would call the janitor, and they waited in the dimly splendid, copper-coloured interior, admir- ing the whorls and waves into which the wall-paint was combed, till the janitor came in his gold-banded cap, like a continental porlier. When they said they would like to see Mrs. Grosvenor Green's apartment he owned his inability to cope with the affair, and said he must send for the Superintendent ; he was either in the Herodotus or the Thucydides, and would be there in a minute. The Buttons brought him a Yankee of browbeating presence in plain clothes almost before they had time to exchange a frightened whisper in recognition of the fact that there could be no doubt of the steam-heat and elevator in this case. Half stifled in the one, they mounted in the other eight stories, while they tried to fceep their self-respect under the gaze of the Superintendent, which they felt was classing and assessing them with unfriendly accuracy. They could not, and they faltered abashed at the threshold of Mrs. Grosvenor Green's apartment, while the Superintendent lit the gas in the gangway that he A HAZARD OF NEW FORTUNES. 59 called a private hall, and in the drawing-room and the succession of chambers stretching rearward to the kitchen. Everything had been done by the architect to save space, and everything to waste it by Mrs. Grosvenor Green. She had conformed to a law for the necessity of turning round in each room, and had folding-beds in the chambers ; but there her subordination had ended, and wherever you might have turned round she had put a gimcrack so that you would knock it over if you did turn. The place was rather pretty and even imposing at first glance, and it took several joint ballots for March and his wife to make sure that with the kitchen there were only six rooms. At every door hung a portiere from large rings on a brass rod ; every shelf and dressing-case and mantel was littered with gim- cracks, and the corners of the tiny rooms were curtained off, and behind these portieres swarmed more gimcracks. The front of the upright piano had what March called a short-skirted portiere on it, and the top was covered with vases, with dragon candlesticks, and with Jap fans, which also expanded themselves bat-wise on the walls between the etch- ings and the water-colours. The floors were covered with filling, and then rugs, and then skins ; the easy-chairs all had tidies, Armenian and Turkish and Persian ; the lounges and sofas had embroidered cushions hidden under tidies. The radiator was concealed by a Jap screen, and over the top of this some Arab scarfs were flung. There was a super- abundance of clocks. China pugs guarded the 60 A HAZARD OF NEW FORTUNES. hearth ; a brass sunflower smiled from the top of either andiron, and a brass peacock spread its tail before them inside a high filigree fender ; on one side was a coal-hod in repoussd brass, and on the other a wrought-iron wood-basket. Some red Japan- ese bird-kites were stuck about in the necks of spelter vases, a crimson Jap umbrella hung opened beneath the chandelier, and each globe had a shade of yellow silk. March, when he had recovered his self-command a little in the presence of the agglomeration, com- forted himself by calling the bric-a-brac Jamescracks, as if this was their full name. The disrespect he was able to show the whole apartment by means of this joke strengthened him to say boldly to the Superintendent that it was altogether too small ; then he asked carelessly what the rent was. " Two hundred and fifty." The Marches gave a start, and looked at each other. " Don't you think we could make it do 1 " she asked him, and he could see that she had mentally saved five hundred dollars as the difference between the rent of their house and that of this flat. " It has some very pretty features, and we could manage to squeeze in, couldn't we ? " " You won't find another furnished flat like it for no two fifty a month in the whole city," the Superin- tendent put in. They exchanged glances again, and March said carelessly, "It's too small." A HAZARD OF NEW FORTUNES. 61 " There 's a vacant flat in the Herodotus for eighteen hundred a year, and one in the Thucydides for fifteen," the Superintendent suggested, clicking his keys together as they sank down in the elevator ; " seven rooms and a bath." "Thank you," said March, "we're looking for a furnished flat." They felt that the Superintendent parted from them with repressed sarcasm. " O Basil, do you think we really made him think it was the smallness and not the dearness ? " " No, but we saved our self-respect in the attempt ; and that's a great deal." " Of course, I wouldn't have taken it, anyway, with only six rooms, and so high up. But what prices ! Now, we must be very circumspect about the next place." It was a janitress, large, fat, with her arms wound up in her apron, who received them there. Mrs. March gave her a succinct but perfect statement of their needs. She failed to grasp the nature of them, or feigned to do so. She shook her head, and said that her son would show them the flat. There was a radiator visible in the narrow hall, and Isabel tacitly compromised on steam-heat without an ele- vator, as the flat was only one flight up. When the son appeared from below with a small kerosene hand-lamp, it appeared that the flat was unfur- nished, but there was no stopping him till he had shown it in all its impossibility. When they got safely away from it and into the street March said, 62 A HAZARD OF NEW FORTUNES. " Well, have you had enough for to-night, Isabel 1 Shall we go to the theatre now ? " "Not on any account. I want to see the whole list of flats that Mr. Fulkerson thought would be the very thing for us." She laughed, but with a certain bitterness. " You '11 be calling him my Mr. Fulkerson next, Isabel." " Oh no ! " The fourth address was a furnished flat without a kitchen, in a house with a general restaurant. The fifth was a furnished house. At the sixth a pathetic widow and her pretty daughter wanted to take a family to board, and would give them a private table at a rate which the Marches would have thought low in Boston. Mrs. March came away tingling with compassion for their evident anxisty, and this pity naturally soured into a sense of injury. " Well, I must say I have completely lost confidence in Mr. Fulkerson's judgment. Anything more utterly different from what I told him we wanted I couldn't imagine. If he doesn't manage any better about his business than he has done about this, it will be a perfect failure." " Well, well, let 's hope he '11 be more circumspect about that," her husband returned, with ironical propitiation. " But I don't think it 's Fulkerson's fault altogether. Perhaps it's the house-agents'. They're a very illusory generation. There seems to be something in the human habitation that cor- A HAZARD OF NEW FORTUNES. 63 rupts the natures of those who deal in it, to buy or sell it, to hire or let it. You go to an agent and tell him what kind of a house you want. He has no such house, and he sends you to look at something altogether different, upon the well-ascer- tained principle that if you can't get what you want, you will take what you can get. You don't sup- pose the ' party ' that took our house in Boston was looking for any such house ? He was looking for a totally different kind of house in another part of the town." " I don't believe that ! " his wife broke in. " Well, no matter. But see what a scandalous rent you asked for it." " We didn't get much more than half ; and, be- sides, the agent told me to ask fourteen hundred." " Oh, I 'm not blaming you, Isabel. I 'm only analysing the house-agent, and exonerating Fulker- son." " Well, I don't believe he told them just what we wanted ; and at any rate, I 'm done with agents. To-morrow, I 'm going entirely by advertisements." VIII. MRS. MARCH took the vertebrate with her to the Vienna Coffee-house, where they went to breakfast next morning. She made March buy her the Herald and the fVorld, and she added to its spiny convolutions from them. She read the new adver- tisements aloud with ardour and with faith to believe that the apartments described in them were every one truthfully represented, and that any one of them was richly responsive to their needs. "Elegant, light, large, single, and outside flats " were offered with " all improvements bath, ice-box, etc." for $25 and $30 a month. The cheapness was amazing. The Wagram, the Esmeralda, the Jacinth, advertised them for $40 and 860, "with steam-heat and eleva- tor," rent free till November. Others, attractive from their air of conscientious scruple, announced " first-class flats; good order ; reasonable rents." The Helena asked the reader if she had seen the " cabinet finish, hard-wood floors, and frescoed ceilings" of its $50 flats ; the Asteroid affirmed that such apart- ments, with " six light rooms and bath, porcelain wash-tubs, electric bells, and hall-boy," as it offered for $75 were unapproached by competition. There A HAZARD OF NEW FORTUNES. 65 was a sameness in the jargon which tended to con- fusion. Mrs. March got several flats on her list which promised neither steam-heat nor elevators ; she forgot herself so far as to include two or three as remote from the down-town region of her choice as Harlem. But after she had rejected these the nondescript vertebrate was still voluminous enough to sustain her buoyant hopes. The waiter, who remembered them from year to year, had put them at a window giving a pretty good section of Broadway, and before they set out on their search they had a moment of reminiscence. They recalled the Broadway of five, of ten, of twenty years ago, swelling and roaring with a tide of gaily painted omnibuses and of picturesque traffic that the horse-cars have now banished from it. The grind of their wheels and the clash of their harsh bells im- perfectly fill the silence that the omnibuses have left, and the eye misses the tumultuous perspective of former times. They went out and stood for a moment before Grace Church, and looked down the stately thorough- fare, and found it no longer impressive, no longer characteristic. It is still Broadway in name, but now it is like any other street. You do not now take your life in your hand when you attempt to cross it ; the Broadway policeman who supported the elbow of timorous beauty in the hollow of his cotton-gloved palm and guided its little fearful boots over the crossing, while he arrested the billowy omnibuses on either side with an imperious glance, is gone, and all 66 A HAZARD OF NEW FORTUNES. that certain processional, barbaric gaiety of the place is gone. " Palmyra, Baalbec, Timour of the Desert," said March, voicing their common feeling of the change. They turned and went into the beautiful church, and found themselves in time for the matin service. Rapt far from New York, if not from earth, in the dim richness of the painted light, the hallowed music took them with solemn ecstasy ; the aerial, aspiring Gothic forms seemed to lift them heavenward. They came out, reluctant, into the dazzle and bustle of the street, with a feeling that they were too good for it, which they confessed to each other with whimsical consciousness. " But no matter how consecrated we feel now," he said, "we mustn't forget that we went into the church for precisely the same reason that we went to the Vienna Cafe for breakfast to gratify an aesthetic sense, to renew the faded pleasure of travel for a moment, to get back into the Europe of our youth. It was a purely Pagan impulse, Isabel, and we 'd better own it." " I don't know," she returned. " I think we re- duce ourselves to the bare bones too much. I wish we didn't always recognise the facts as we do. Some- times I should like to blink them. I should like to think I was devouter than I am, and younger and prettier." ' Better not ; you couldn't keep it up. Honesty is the best policy even in such things." " Xo ; I don't like it, Basil. I should rather wait A HAZARD OF NEW FORTUNES. 67 till the last day for some of my motives to come to the top. I know they 're always mixed, but do let me give them the benefit of a doubt sometimes." " Well, well, have it your own way, my dear. But I prefer not to lay up so many disagreeable sur- prises for myself at that time." She would not consent. " I know I am a good deal younger than I was. I feel quite in the mood of that morning when we walked down Broadway on our wedding journey. Don't you ? " " Oh yes. But I know I 'm not younger ; I 'm only prettier." She laughed for pleasure in his joke, and also for unconscious joy in the gay New York weather, in which there was no arribre pensde of the east wind. They had crossed Broadway, and were walking over - to Washington Square, in the region of which they now hoped to place themselves. The primo tenore statue of Garibaldi had already taken possession of the place in the name of Latin progress, and they met Italian faces, French faces, Spanish faces, as they strolled over the asphalte walks, under the thinning shadows of the autumn-stricken sycamores. They met the familiar picturesque raggedness of southern Europe with the old kindly illusion that somehow it existed for their appreciation, and that it found adequate compensation for poverty in this. March thought he sufficiently expressed his tacit sympathy in sitting down on one of the iron benches with his wife, and letting a little Neapolitan put a superfluous shine on his boots, while their desultory comment 68 A HAZARD OF NEW FORTUNES. wandered with equal esteem to the old-fashioned American respectability which keeps the north side of the square in vast mansions of red brick, and the international shabbiness which has invaded the southern border, and broken it up into lodging- houses, shops, beer gardens, and studios. They noticed the sign of an apartment to let on the north side, and as soon as the little boot-black could be bought off they went over to look at it. The janitor met them at the door and examined them. Then he said, as if still in doubt, "It has ten rooms, and the rent is twenty-eight hundred dollars." "It wouldn't do, then," March replied, and left him to divide the responsibility between the paucity of the rooms and the enormity of the rent as he best might. But their self-love had received a wound, and they questioned each other what it was in their appearance made him doubt their ability to pay so much. "Of course we don't look like New-Yorkers," sighed Mrs. March, " and we 've walked through the Square. That might be as if we had walked along the Park Street mall in the Common before we came out on Beacon. Do you suppose he could have seen you getting, your boots blacked in that way ? " " It 's useless to ask," said March. " But I never can recover from this blow." " Oh pshaw ! You know you hate such things as badly as I do. It was very impertinent of him." A HAZARD OF NEW FORTUNES. 69 " Let us go back, and ^eraser I'infdme by paying him a year's rent in advance and taking immediate possession. Nothing else can soothe my wounded feelings. You were not having your boots blacked : why shouldn't he have supposed you were a New- Yorker, and I a country cousin ? " "They always know. Don't you remember Mrs. Williams's going to a Fifth Avenue milliner in a Worth dress, and the woman's asking her instantly what hotel she should send her hat to 1 " " Yes ; these things drive one to despair. I don't wonder the bodies of so many genteel strangers are found in the waters around New York. Shall we try the south side, my dear 1 or had we better go back to our rooms and rest a while 1 " Mrs. March had out the vertebrate, and was con- sulting one of its glittering ribs, and glancing up from it at a house before which they stood. " Yes, it 's the number ; but do they call this being ready October 1st 1 ?" The little area in front of the base- ment was heaped with a mixture of mortar, bricks, laths, and shavings from the interior ; the brown- stone steps to the front door were similarly bestrewn ; the doorway showed the half-open rough pine carpenter's hatch of an unfinished house ; the sashless windows of every story showed the activity of workmen within ; the clatter of hammers and the hiss of saws came out to them from every open- ing. " They may call it October 1st," said March, "be- cause it 's too late to contradict them. But they 'd F 70 A HAZARD OF NEW FORTUNES. better not call it December 1st in my presence ; I '11 let them say January 1st, at a pinch." " AVe will go in and look at it anyway," said his wife ; and he admired how, when she was once within, she began provisionally to settle the family in each of the several floors with the female instinct for domiciliation which never failed her. She had the help of the landlord, who was present to urge forward the workmen apparently ; he lent a hopeful fancy to the solution of all her questions. To get her from under his influence March had to represent that the place was damp from undried plastering, and that if she stayed she would probably be down with that New York pneumonia which visiting Bos- tonians are always dying of. Once safely on the pavement outside, she realised that the apartment was not only unfinished, but unfurnished, and had neither steam-heat nor elevator. " But I thought we had better look at everything," she explained. " Yes, but not take everything. If I hadn't pulled you away from there by main force you 'd have not only died of New York pneumonia on the spot, but you 'd have had us all settled there before we knew what we were about." " Well, that 's what I can't help, Basil. It 's the only way I can realise whether it will do for us. I have to dramatise the whole thing." She got a deal of pleasure as well as excitement out of this, and he had to own that the process of setting up house-keeping in so many different places was not only entertaining, but tended, through as- A HAZARD OF NEW FORTUNES. 71 sociation with their first beginnings in house-keep- ing, to restore the image of their early married days, and to make them young again. It went on all day, and continued far into the night, until it was too late to go to the theatre, too late to do anything but tumble into bed and simul- taneously fall on sleep. They groaned over their reiterated disappointments, but they could not deny that the interest was unfailing, and that they got a great deal of fun out of it all. Nothing could abate Mrs. March's faith in her advertisements. One of them sent her to a flat of ten rooms which promised to be the solution of all their difficulties ; it proved to be over a livery-stable, a liquor store, and a milliner's shop, none of the first fashion. Another led them far into old Greenwich Village to an apartment-house, which she refused to enter be- hind a small girl with a loaf of bread under one arm and a quart can of milk under the other. In their search they were obliged, as March com- plained, to the acquisition of useless information in a degree unequalled in their experience. They came to excel in the sad knowledge of the line at which respectability distinguishes itself from shabbiness. Flattering advertisements took them to numbers of huge apartment-houses chiefly distinguishable from tenement-houses by the absence of fire-escapes on their facades, till Mrs. March refused to stop at any door where there were more than six bell-rat- chets and speaking-tubes on either hand. Before the middle of the afternoon she decided against 72 A HAZARD OF NEW FORTUNES. ratchets altogether, and confined herself to knobs, neatly set in the door-trim. Her husband was still sunk in the superstition that you can live anywhere you like in New York, and he would have paused at some places where her quicker eye caught the fatal sign of " Modes " in the ground-floor windows. She found that there was an east and west line beyond which they could not go if they wished to keep their self-respect, and that within the region to which they had restricted themselves there was a choice of streets. At first all the New York streets looked to them ill-paved, dirty, and repulsive ; the general infamy imparted itself in their casual impression to streets in no wise guilty. But they began to notice that some streets were quiet and clean, and, though never so quiet and clean as Boston streets, that they wore an air of encouraging reform, and suggested a future of greater and greater domesticity. Whole blocks of these down-town cross streets seemed to have been redeemed from decay, and even in the midst of squalor a dwelling here and there had been seized, painted a dull-red as to its brick-work, and a glossy black as to its wood-work, and with a bright brass bell-pull and door knob and a large brass plate for its key-hole escutcheon, had been endowed with an effect of purity and pride which removed its shabby neighbourhood far from it. Some of these houses were quite small, and imaginably within their means ; but, as March said, somebody seemed always to be living there himself, and the fact that none of them were to rent kept A HAZARD OF NEW FORTUNES. 73 Mrs. March true to her ideal of a flat. Nothing prevented its realisation so much as its difference from the New York ideal of a flat, which was in- flexibly seven rooms and a bath. One or two rooms might be at the front, the rest crooked and cornered backward through increasing and then decreasing darkness till they reached a light bedroom or kitchen at the rear. It might be the one or the other, but it was always the seventh room with the bath ; or if, as sometimes happened, it was the eighth, it was so after having counted the bath as one. In this case the janitor said you always counted the bath as one. If the flats were advertised as having "all light rooms," he explained that any room with a window giving into the open air of a court or shaft was counted a light room. The Marches tried to make out why it was that these flats were so much more repulsive than the apartments which every one lived in abroad ; but they could only do so upon the supposition that in their European days they were too young, too happy, too full of the future, to notice whether rooms were inside or outside, light or dark, big or little, high or low. " Now we 're imprisoned in the present," he said, "and we have to make the worst of it." In their despair he had an inspiration, which she declared worthy of him : it was to take two small flats, of four or five rooms and a bath, and live in both. They tried this in a great many places ; but they never could get two flats of the kind on the VOL. I. 4 74 A HAZARD OF NEW FORTUNES. same floor where there was steam-heat and an elevator. At one place they almost did it. They had resigned themselves to the humility of the neighbourhood, to the prevalence of modistes and livery-stablemen (they seem to consort much in New York), to the garbage in the gutters and the litter of paper in the streets, to the faltering slats in the surrounding window-shutters and the crumbled brown-stone steps and sills, when it turned out that one of the apartments had been taken between two visits they made. Then the only combination left open to them was of a ground-floor flat to the right and a third-floor flat to the left. Still they kept this inspiration in reserve for use at the first opportunity. In the meantime there were several flats which they thought they could almost make do : notably one where they could get an extra servant's room in the basement four flights down, and another where they could get it in the roof five flights up. At the first the janitor was respectful and enthusiastic ; at the second he had an effect of ironical pessimism. When they trembled on the verge of taking his apartment, he pointed out a spot in the kalsomining of the parlour ceiling, and gratuitously said, Now such a thing as that he should not agree to put in shape unless they took the apart- ment for a term of years. The apartment was unfurnished, and they recurred to the fact that they wanted a furnished apartment, and made their escape. This saved them in several other extremities ; but short of extremity they could not keep their different A HAZARD OF NEW FORTUNES. 75 requirements in mind, and were always about to decide without regard to some one of them. They went to several places twice without intend- ing : once to that old-fashioned house with the pleasant coloured janitor, and wandered all over the apartment again with a haunting sense of familiarity, and then recognised the janitor and laughed ; and to that house with the pathetic widow and the pretty daughter who wished to take them to board. They stayed to excuse their blunder, and easily came by the fact that the mother had taken the house that the girl might have a home while she was in New York studying art, and they hoped to pay their way by taking boarders. Her daughter was at her class now, the mother concluded ; and they encouraged her to believe that it could only be a few days till the rest of her scheme was realised. " I dare say we could be perfectly comfortable there," March suggested when they had got away. " Now if we were truly humane we would modify our desires to meet their needs and end this sicken- ing search, wouldn't we ? " " Yes, but we 're not truly humane," his wife answered, "or at least not in that sense. You know you hate boarding ; and if we went there I should have them on my sympathies the whole time." " I see. And then you would take it out of me." " Then I should take it out of you. And if you are going to be so weak, Basil, and let every little thing work upon you in that way, you 'd better not 76 A HAZARD OF NEW FORTUNES. come to New York. You'll see enough misery here." "Well, don't take that superior tone with me, as if I were a child that had its mind set on an unde- sirable toy, Isabel." " Ah, don't you suppose it 's because you are such a child in some respects that I like you, dear ? " she demanded, without relenting. " But I don't find so much misery in New York. I don't suppose there 's any more suffering here to the population than there is in the country. And they 're so gay about it all. I think the outward aspect of the place and the hilarity of the sky and air must get into the people's blood. The weather is simply unapproachable ; and I don't care if it is the ugliest place in the world, as you say. I sup- pose it is. It shrieks and yells with ugliness here and there, but it never loses its spirits. That widow is from the country. When she 's been a year in New York she '11 be as gay as gay as an L road." He celebrated a satisfaction they both had in the L roads. " They kill the streets and avenues, but at least they partially hide them, and that is some comfort ; and they do triumph over their prostrate forms with a savage exultation that is intoxicating. Those bends in the L that you get in the corner of Washington Square, or just below the Cooper Institute they 're the gayest things in the world. Perfectly atrocious, of course, but incom- parably picturesque ! And the whole city is so," said March, "or else the L would never have got A HAZARD OF NEW FORTUNES. 77 built here. New York may be splendidly gay or squalidly gay; but, prince or pauper, it's gay always." "Yes, gay is the word," she admitted, with a sigh. " But frantic. I can't get used to it. They for- get death, Basil ; they forget death in New York." " Well, I don't know that I Ve ever found much advantage in remembering it." "Don't say such a thing, dearest." He could see that she had got to the end of her nervous strength for the present, and he proposed that they should take the Elevated road as far as it would carry them into the country, and shake off their nightmare of flat-hunting for an hour or two ; but her conscience would not let her. She con- victed him of levity equal to that of the New- Yorkers in proposing such a thing; and they dragged through the day. She was too tired to care for dinner, and in the night she had a dream from which she woke herself with a cry that roused him too. It was something about the children at first, whom they had talked of wistfully before falling asleep, and then it was of a hideous thing with two square eyes and a series of sections grow- ing darker and then lighter, till the tail of the monstrous articulate was quite luminous again. She shuddered at the vague description she was able to give ; but he asked, " Did it offer to bite you 1 " "No. That was the most frightful thing about it; it had no mouth." 78 A HAZARD OF NEW FORTUNES. March laughed. " Why, my dear, it was nothing but a harmless New York flat seven rooms and a bath." "I really believe it was," she consented, recog- nising an architectural resemblance, and she fell asleep again, and woke renewed for the work before them. IX. THEIR house-hunting no longer had novelty, but it still had interest ; and they varied their- day by taking a coupe", by renouncing advertisements, and by reverting to agents. Some of these induced them to consider the idea of furnished houses ; and Mrs. March learned tolerance for Fulkerson by accepting permits to visit flats and houses which had none of the qualifications she desired in either, and were as far beyond her means as they were out of the region to which she had geographically restricted herself. They looked at three-thousand and four-thousand dollar apartments, and rejected them for one reason or another which had nothing to do with the rent ; the higher the rent was, the more critical they were of the slippery inlaid floors and the arrangement of the richly decorated rooms. They never knew whether they had deceived the janitor or not ; as they came in a coupe", they hoped they had. They drove accidentally through one street that seemed gayer in the perspective than an L road. The fire-escapes, with their light iron balconies and ladders of iron, decorated the lofty house fronts ; the roadway and sidewalks and door-steps swarmed 80 A HAZARD OF NEW FORTUNES. with children; women's neads seemed to show at- every window. In the basements, over which nights of high stone steps led to the tenements, were green- grocers' shops abounding in cabbages, and provision stores running chiefly to bacon and sausages, and cobblers' and tinners' shops, and the like, in pro- portion to the small needs of a poor neighbourhood. Ash barrels lined the sidewalks, and garbage heaps filled the gutters; teams of all trades stood idly about ; a peddler of cheap fruit urged his cart through the street, and mixed his cry with the joyous screams and shouts of the children and the scolding and gossiping voices of the women ; the burly blue bulk of a policeman defined itself at the corner ; a drunkard zigzagged down the sidewalk toward him. It was not the abode of the extremest poverty, but of a poverty as hopeless as any in the world, trans- mitting itself from generation to generation, and establishing conditions of permanency to which human life adjusts itself as it does to those of some incurable disease, like leprosy. The time had been when the Marches would have taken a purely aesthetic view of the facts as they glimpsed them in this street of tenement-houses ; when they would have contented themselves with saying that it was as picturesque as a street in Naples or Florence, and with wondering why nobody came to paint it ; they would have thought they were sufficiently serious about it in blaming the artists for their failure to appreciate it, and going- abroad for the picturesque when they had it here A HAZARD OF NEW FORTUNES. 81 under their noses. It was to the nose that the street made one of its strongest appeals, and Mrs. March pulled up her window of the coupe". " Why does he take us through such a disgusting street ? " she de- manded, with an exasperation of which her husband divined the origin. " This driver may be a philanthropist in dis- guise," he answered, with dreamy irony, " and may want us to think about the people who are not merely carried through this street in a coupe", but have to spend their whole lives in it, winter and summer, with no hopes of driving out of it, except in a hearse. I must say they don't seem to mind it. I haven't seen a jollier crowd anywhere in New York. They seem to have forgotten death a little more completely than any of their fellow-citizens, Isabel. And I wonder what they think of us, making this gorgeous progress through their midst. I suppose they think we 're rich, and hate us if they hate rich people ; they don't look as if they hated anybody. Should we be as patient as they are with their discomfort ? I don't believe there 's steam-heat or an elevator in the whole block. Seven rooms and a bath would be more than the largest and, genteelest family would know what to do with. They wouldn't know what to do with the bath anyway." His monologue seemed to interest his wife apart from the satirical point it had for themselves. "You ought to get Mr. Fulkerson to let you work some of these New York sights up for Every Other Week, Basil ; you could do them very nicely." 4.* 82 A HAZARD OF NEW FORTUNES. "Yes; I've thought of that. But don't let's leave the personal ground. Doesn't it make you feel rather small and otherwise unworthy when you see the kind of street these fellow-beings of yours live in, and then think how particular you are about locality and the number of bell-pulls 1 I don't see even ratchets and speaking-tubes at these doors. ;> He craned his neck out of the window for a better look, and the children of discomfort cheered him, out of sheer good feeling and high spirits. " I didn't know I was so popular. Perhaps it 's a recognition of my humane sentiments." " Oh, it 's very easy to have humane sentiments, and to satirise ourselves for wanting eight rooms and a bath in a good neighbourhood, when we see how these wretched creatures live," said his wife. " But if we shared all we have with them, and then settled down among them, what good would it do ? " " Not the least in the world. It might help us for the moment, but it wouldn't keep the wolf from their doors for a week ; and then they would go on just as before, only they wouldn't be on such good terms with the wolf. The only way for them is to keep up an unbroken intimacy with the wolf ; then they can manage him somehow. I don't know how, and I 'm afraid I don't want to. Wouldn't you like to have this fellow drive us round among the halls of pride somewhere for a little while 1 Fifth Avenue or Madison, up-town 1 " " No ; we 've no time to waste. I 've got a place near Third Avenue, on a nice cross street, and I A HAZARD OF NEW FORTUNES. 83 want him to take us there." It proved that she had several addresses near together, and it seemed best to dismiss their coup6 and do the rest of their after- noon's work on foot. It came to nothing ; she was not humbled in the least by what she had seen in the tenement-house street ; she yielded no point in her ideal of a flat, and the flats persistently refused to lend themselves to it. She lost all patience with them. " Oh, I don't say the flats are in the right of it," said her husband, when she denounced their stupid inadequacy to the purposes of a Christian home. " But I 'm not so sure that we are either. I 've been thinking about that home business ever since my sensibilities were dragged in a coup6 through that tenement-house street. Of course no child born and brought up in such a place as that could have any conception of home. But that 's because those poor people can't give character to their habitations. They have to take what they can get. But people like us that is, of our means do give character to the average flat. It 's made to meet their tastes, or their supposed tastes ; and so it 's made for social show, not for family life at all. Think of a baby in a flat ! It 's a contradiction in terms ; the flat is the negation of motherhood. The flat means society life ; that is, the pretence of social life. It 's made to give artificial people a society basis on a little money too much money, of course, for what they get. So the cost of the building is put into marble halls and idiotic decoration of all kinds. I don't 84 A HAZARD OF NEW FORTUNES. object to the conveniences, but none of these flats have a living-room. They have drawing-rooms to foster social pretence, and they have dining-rooms and bedrooms ; but they have no room where the family can all come together and feel the sweetness of being a family. The bedrooms are black-holes mostly, with a sinful waste of space in each. If it were not for the marble halls, and the decorations, and the foolishly expensive finish, the houses could be built round a court, and the flats could be shaped something like a Pompeiian house, with small sleep- ing closets only lit from the outside and the rest of the floor thrown into two or three large cheerful halls, where all the family life could go on, and society could be transacted unpretentiously. Why, those tenements are better and humaner than those flats ! There the whole family lives in the kitchen, and has its consciousness of being ; but the flat abolishes the family consciousness. It's confine- ment without coziness ; it 's cluttered without be- ing snug. You couldn't keep a self-respecting cat in a flat ; you couldn't go down cellar to get cider. No : the Anglo-Saxon home, as we know it in the Anglo- Saxon house, is simply impossible in the Franco- American flat, not because it 's humble, but because it's false." "Well, then," said Mrs. March, "let's look at houses." He had been denouncing the flat in the abstract, and he had not expected this concrete result. But he said, " We will look at houses, then." X. NOTHING mystifies a man more than a woman's aberrations from some point at which he supposes her fixed as a star. In these unfurnished houses, without steam or elevator, March followed his wife about with patient wonder. She rather liked the worst of them best ; but she made him go down into the cellars and look at the furnaces ; she exacted from him a rigid inquest of the plumbing. She followed him into one of the cellars by the fitful glare of successively lighted matches, and they enjoyed a moment in which the anomaly of their presence there on that errand, so remote from all the facts of their long-stablished life in Boston, realised itself for them. " Think how easily we might have been murdered and nobody been any the wiser ! " she said when they were comfortably out-doors again. "Yes, or made way with ourselves in an access of emotional insanity, supposed to have been induced by unavailing flat-hunting," he suggested. She fell in with the notion. "I'm beginning to feel crazy. But I don 't want you to lose your head, Basil. And I don't want you to sentimentalise any G 86 A HAZARD OF NEW FORTUNES. of the things you see in New York. I think you were disposed to do it in that street we drove through. I don't believe there 's any real suffering not real suffering among those people j that is, it would be suffering from our point of view, but they Ve been used to it all their lives, and they don't feel their discomfort so much." " Of course I understand that, and I don't propose to sentimentalise them. I think when people get used to a bad state of things they had better stick to it ; in fact they don't usually like a better state so well, and I shall keep that firmly in mind." She laughed with him, and they walked along the L-bestridden avenue, exhilarated by their escape from murder and suicide in that cellar, toward the nearest cross-town track, which they meant to take home to their hotel. " Now to-night we will go to the theatre," she said, "and get this whole house business out of our minds, and be perfectly fresh for a new start in the morning." Suddenly she clutched his arm. " Why, did you see that man ? " and she signed with her head toward a decently dressed person who walked beside them, next the gutter, stooping over as if to examine it, and half halting at times. "No. What?" " Why, I saw him pick up a dirty bit of cracker from the pavement and cram it into his mouth and eat it down as if he were famished. And look ! he 's actually hunting for more in those garbage heaps ! " This was what the decent-looking man with the A HAZARD OF NEW FORTUNES. 87 hard hands and broken nails of a workman was doing like a hungry dog. They kept up with him, in the fascination of the sight, to the next corner, where he turned down the side street still searching the gutter. They walked on a few paces. Then March said, " I must go after him," and left his wife standing. " Are you in want hungry 1 " he asked the man. The man said he could not speak English, monsieur. March asked his question in French. The man shrugged a pitiful, desperate shrug, " Mais, monsieur " March put a coin in his hand, and then suddenly the man's face twisted up ; he caught the hand of this alms-giver in both of his, and clung to it. " Monsieur ! monsieur ! " he gasped, and the tears rained down his face. His benefactor pulled himself away, shocked and ashamed, as one is by such a chance, and got back to his wife, and the man lapsed back into the mystery of misery out of which he had emerged. March felt it laid upon him to console his wife for what had happened. " Of course we might live here for years and not see another case like that ; and of course there are twenty places where he could have gone for help if he had known where to find them." "Ah, but it's the possibility of his needing the help so badly as that!" she answered. "That's 88 A HAZARD OF NEW FORTUNES. what I can't bear, and I shall not come to a place where such things are possible, and we may as well stop our house-hunting here at once." " Yes 1 And what part of Christendom will you live in ? Such things are possible everywhere in our conditions." " Then we must change the conditions " *' Oh no ; we must go to the theatre and forget them. We can stop at Brentano's for our tickets as we pass through Union Square." " I am not going to the theatre, Basil. I am going home to Boston to-night. You can stay and find a flat," He convinced her of the absurdity of her position, and even of its selfishness ; but she said that her mind was quite made up irrespective of what had happened ; that she had been away from the children long enough ; that she ought to be at home to finish up the work of leaving it. The word brought a sigh. " Ah, I don't know why we should see nothing but sad and ugly things now. When we were young " / O " Younger," he put in. " We 're still young." " That 's what we pretend, but we know better. But I was thinking how pretty and pleasant things used to be turning up all the time on our travels in the old days. Why, when we were in New York here on our wedding journey the place didn't seem half so dirty as it does now, and none of these dis- mal things happened." " It was a good deal dirtier," he answered ; "and_I A HAZARD OF NEW FORTUNES. 89 fancy worse in every way hungrier, raggeder, more wretchedly housed. But that wasn't the period of life for us to notice it. Don't you remember, when we started to Niagara the last time, how everybody seemed middle-aged and commonplace; and when we got there there were no evident brides ; nothing but elderly married people ] " " At least they weren't starving," she rebelled. " No, you don't starve in parlour cars and first- class hotels ; but if you step out of them you run your chance of seeing those who do, if you 're get- ting on pretty well in the forties. If it 's the un- happy who see unhappiness, think what misery must be revealed to people who pass their lives in the really squalid tenement-house streets I don't mean picturesque avenues like that we passed through." " But we are not unhappy," she protested, bring- ing the talk back to the personal base again, as women must to get any good out of talk. " We 're really no unhappier than we were when we were young." " We 're more serious." " Well, I hate it ; and I wish you wouldn't be so serious, if that 's what it brings us to." "I will be trivial from this on," said March. " Shall we go to the Hole in the Ground to-night 1 " "I am going to Boston." " It 's much the same thing. How do you like that for triviality 1 It 's a little blasphemous, I '11 allow." " It 's very silly," she said. At the hotel they found a letter from the agent 90 A HAZARD OF NEW FORTUNES. who had sent them the permit to see Mrs. Gros- venor Green's apartment. He wrote that she had heard they were pleased with her apartment, and that she thought she could make the terms to suit. She had taken her passage for Europe, and was very anxious to let the flat before she sailed. She would call that evening at seven. " Mrs. Grosvenor Green ! " said Mrs. March. " Which of the ten thousand flats is it, Basil 1 " 11 The gimcrackery," he answered. " In the Xenophon, you know." " Well, she may save herself the trouble. I shall not see her. Or yes I must I couldn't go away without seeing what sort of creature could have planned that fly-away flat. She must be a perfect " " Parachute," March suggested. "No : anybody so light as that couldn't come down." "Well, toy balloon." " Toy balloon will do for the present," Mrs. March admitted. " But I feel that naught but herself can be her parallel for volatility." When Mrs. Grosvenor Green's card came up they both descended to the hotel parlour, which March said looked like the saloon of a Moorish day-boat ; not that he knew of any such craft, but the decora- tions were so Saracenic and the architecture so Hudson Riverish. They found there on the grand central divan a large lady whose vast smoothness, placidity, and plumpness set at defiance all their pre- conceptions of Mrs. Grosvenor Green, so that Mrs. March distinctly paused with her card in her hand A HAZARD OF NEW FORTUNES. 91 before venturing even tentatively to address her. Then she was astonished at the low calm voice in which Mrs. Green acknowledged herself, and slowly proceeded to apologise for calling. It was not quite true that she had taken her passage for Europe, but she hoped soon to do so, and she confessed that in the meantime she was anxious to let her flat. She was a little worn out with the care of house-keeping Mrs. March breathed, " Oh yes ! " in the sigh with which ladies recognise one another's martyrdom and Mr. Green had business abroad, and she was going to pursue her art studies in Paris ; she drew in Mr. Ilcomb's class now, but the instruction was so much better in Paris ; and as the Superintendent seemed to think the price was the only objection, she had ventured to call. " Then we didn't deceive him in the least," thought Mrs. March, while she answered sweetly : " No ; we were only afraid that it would be too small for our family. We require a good many rooms." She could not forego the opportunity of saying, "My husband is coming to New York to take charge of a literary periodical, and he will have to have a room to write in," which made Mrs. Green bow to March, and made March look sheepish. "But we did think the apartment very charming (It icas architecturally charming," she pro- tested to her conscience), "and we should have been so glad if we could have got into it." She followed this with some account of their house-hunting, amid soft murmurs of sympathy from Mrs. Green, who 92 A HAZARD OF NEW FORTUNES. said that she had been through all that, and that if she could have shown her apartment to them she felt sure that she could have explained it so that they would have seen its capabilities better. Mrs. March assented to this, and Mrs. Green added that if they found nothing exactly suitable she would be glad to have them, look at it again ; and then Mrs. March said that she was going back to Boston her- self, but she was leaving Mr. March to continue the search, and she had no doubt he would be only too glad to see the apartment by daylight. " But if you take it, Basil," she warned him, when they were alone, " I shall simply renounce you. I wouldn't live in that junk shop if you gave it to me. But who would have thought she was that kind of look- ing person ? Though of course I might have known if I had stopped to think once. It 's because the place doesn't express her at all that it 's so unlike her. It couldn't be like anybody, or anything that flies in the air, or creeps upon the earth, or swims in the waters under the earth. I wonder where in the world she 's from ; she 's no Xew- Yorker ; even we can see that ; and she 's not quite a country person either ; she seems like a person from some large town, where she 's been an aesthetic authority. And she can't find good enough art instruction in New York, and has to go to Paris for it ! Well, it 's pathetic, after all, Basil. I can't help feeling sorry for a person who mistakes herself to that extent." " I can't help feeling sorry for the husband of a person who mistakes herself to that extent. What A HAZARD OF NEW FORTUNES. 93 is Mr. Grosvenor Green going to do in Paris while she 's working her way into the Salon ? " " Well, you keep away from her apartment, Basil ; that 's all I 've got to say to you. And yet I do like some things about her." "I like everything about her but her apartment," said March. " I like her going to be out of the country," said his wife. " We shouldn't be overlooked. And the place was prettily shaped, you can't deny it. And there was an elevator and steam-heat. And the loca- tion is very convenient. And there was a hall-boy to bring up cards. The halls and stairs were kept very clean and nice. But it wouldn't do. I could put you a folding bed in the room where you wrote, and we could even have one in the parlour " " Behind a portiere 1 I couldn't stand any more portieres ! " "And we could squeeze the two girls into one room, or perhaps only bring Margaret, and put out the whole of the wash. Basil ! " she almost shrieked, " it isn't to be thought of ! " He retorted, " I 'm not thinking of it, my dear." Fulkerson came in just before they started for Mrs. March's train, to find out what had become of them, he said, and to see whether they had got anything to live in yet. " Not a thing," she said. " And I 'm just going back to Boston, and leaving Mr. March here to do anything he pleases about it. He has carte blanche." "But freedom brings responsibility, you know, 94 A HAZARD OF NEW FORTUNES. Fulkerson, and it 's the same as if I 'd no choice. I 'm staying behind because I 'm left, not because I expect to do anything." " Is that so ] " asked Fulkerson. " Well, we must see what can be done. I supposed you would be all settled by this time, or I should have humped myself to find you something. None of those places I gave you amount to anything ? " " As much as forty thousand others we Ve looked at," said Mrs. March. "Yes, one of them does amount to something. It comes so near being what we want that I 've given Mr. March particular in- structions not to go near it." She told him about Mrs. Grosvenor Green and her flats, and at the end he said " Well, well, we must look out for that. I '11 keep an eye on him, Mrs. March, and see that he doesn't do anything rash, and I won't leave him till he 's found just the right thing. It exists, of course ; it must in a city of eighteen hundred thousand people, and the only question is where to find it. You leave him to me, Mrs. March ; I '11 watch out for him." Fulkerson showed some signs of going to the station when he found they -\vere not driving, but she bade him a peremptory good-bye at the hotel door. "He's very nice, Basil, and his way with you is perfectly charming. It 's very sweet to see how really fond of you he is. But I didn't want him stringing along up to Forty-second Street with us, and spoiling our last moments together." At Third Avenue they took the Elevated, for A HAZARD OF NEW FORTUNES. 95 which she confessed an infatuation. She declared it the most ideal way of getting about in the world, and was not ashamed when he reminded her of how she used to say that nothing under the sun could induce her to travel on it. She now said that the night transit was even more interesting than the day, and that the fleeting intimacy you formed with people in second and third floor interiors, while all the usual street life went on underneath, had a domestic intensity mixed with a perfect repose that was the last effect of good society with all its security and exclusiveness. He said it was better than the theatre, of which it reminded him, to see those people through their windows : a family party of work-folk at a late tea, some of the men in their shirt sleeves ; a woman sewing by a lamp ; a mother laying her child in its cradle ; a man with his head fallen on his hands upon a table ; a girl and her lover leaning over the window-sill together. What suggestion ! what drama ! what infinite interest ! At the Forty-second Street station they stopped a minute on the bridge that crosses the track to the branch road for the Central Depot, and looked up and down the long stretch of the elevated to north and south. The track that found and lost itself a thousand times in the flare and tremor of the innu- merable lights ; the moony sheen of the electrics mixing with the reddish points and blots of gas far and near; the architectural shapes of houses and churches and towers, rescued by the obscurity from all that was ignoble in them, and the coming and 96 A HAZARD OF NEW FORTUNES. going of the trains marking the stations with vivider or fainter plumes of flame-shot steam formed an incomparable perspective. They often talked after- ward of the superb spectacle, which in a city full of painters nightly works its unrecorded miracles ; and they were just to the Arachne roof spun in iron over the cross street on which they ran to the depot ; but for the present they were mostly inarticulate before it. They had another moment of rich silence when they paused in the gallery that leads from the elevated station to the waiting-rooms in the Central Depot and looked down upon the great night trains lying on the tracks dim under the rain of gas-lights that starred without dispersing the vast darkness of the place. What forces, what fates, slept in these bulks which would soon be hurling themselves north and east and west through the night ! Now they waited there like fabled monsters of Arab story ready for the magician's touch, tractable, reckless, will-less organised lifelessness full of a strange semblance of life. The Marches admired the impressive sight with a thrill of patriotic pride in the fact that the whole world perhaps could not afford just the like. Then they hurried down to the ticket offices, and he got her a lower berth in the Boston sleeper, a"nd went with her to the car. They made the most of the fact that her berth was in the very middle of the car ; and she promised to write as soon as she reached home. She promised also that having seen the limitations of New York in respect to flats, she A HAZARD OF NEW FORTUNES. 97 would not be hard on him if he took something not quite ideal Only he must remember that it was not to be above Twentieth Street nor below Wash- ington Square ; it must not be higher than the third floor; it must have an elevator, steam-heat, hall- boys, and a pleasant janitor. These were essentials ; if he could not get them, then they must do without. But he must get them. VOL. L 5 XL MRS. MARCH was one of those wives who exact a more rigid adherence to their ideals from their hus- bands than from themselves. Early in their married life she had taken charge of him in all matters which she considered practical. She did not include the business of bread-winning in these ; that was an affair that might safely be left to his absent-minded, dreamy inefficiency, and she did not interfere with him there. But in such things as rehanging the pic- tures, deciding on a summer boarding-place, taking a seaside cottage, repapering rooms, choosing seats at the theatre, seeing what the children ate when she was not at table, shutting the cat out at night, keep- ing run of calls and invitations, and seeing if the fur- nace was damped, he had failed her so often that she felt she cou'd not leave him the slightest discretion in regard to a flat. Her total distrust of his judg- ment in the matters cited and others like them con- sisted with the greatest admiration of his mind and respect for his character. She often said that if he would only bring them to bear in such exigencies he would be simply perfect ; but she had long given up his ever doing so. She subjected him, therefore, to A HAZARD OF NEW FORTUNES. 99 an iron code, but after proclaiming it she was apt to abandon him to the native lawlessness of his tem- perament. She expected him in this event to do as he pleased, and she resigned herself to it with con- siderable comfort in holding him accountable. He learned to expect this, and after suffering keenly from her disappointment with whatever he did he waited patiently till she forgot her grievance and began to extract what consolation lurks in the irre- parable. She would almost admit at moments that what he had done was a very good thing, but she reserved the right to return in full force to her original condemnation of it; and she accumulated each act of independent volition in witness and warning against him. Their mass oppressed but never deterred him. He expected to do the wrong thing when left to his own devices, and he did it without any apparent recollection of his former mis- deeds and their consequences. There was a good deal of comedy in it all, and some tragedy. He now experienced a certain expansion, such as husbands of his kind will imagine, on going back to his hotel alone. It was, perhaps, a revulsion from the pain of parting; and he toyed with the idea of Mrs. Grosvenor Green's apartment, which, in its preposterous unsuitability, had a strange attraction. He felt that he could take it with less risk than anything else they had seen, but he said he would look at all the other places in town first. He really spent the greater part of the next day in hunting up the owner of an apartment that had neither steam- 100 A HAZARD OF NEW FORTUNES. heat nor an elevator, but was otherwise perfect, and trying to get him to take less than the agent asked. By a curious psychical operation he was able, in the transaction, to work himself into quite a passionate desire for the apartment, while he held the Gros- venor Green apartment in the background of his mind as something that he could return to as alto- gether more suitable. He conducted some simul- taneous negotiation for a furnished house, which enhanced still more the desirability of the Grosvenor Green apartment. Toward evening he went off at a tangent far up-town, so as' to be able to tell his wife how utterly preposterous the best there would be as compared even with this ridiculous Grosvenor Green gimcrackery. It is hard to report the pro- cesses of his sophistication ; perhaps this, again, may best be left to the marital imagination. He rang at the last of these up-town apartments as it was falling dusk, and it was long before the janitor appeared. Then the man was very surly, and said if he looked at the flat now he would say it was too dark, like all the rest. His reluctance irritated March in proportion to his insincerity in proposing to look at it at all. He knew he did not mean to take it under any circumstances ; that he was going to use his inspection of it in dishonest justification of his disobedience to his wife ; but he put on an air of offended dignity. "If you don't wish to show the apartment," he said, " I don't care to see it." The man groaned, for he was heavy, and no doubt A HAZARD OF NEW FORTUNES. 101 dreaded the stairs. He scratched a match on his thigh, and led the way up. March was sorry for him, and he put his fingers on a quarter in his waistcoat-pocket to give him at parting. At the same time, he had to trump up an objection to the flat. This was easy, for it was advertised as con- taining ten rooms, and he found the number eked out with the bath-room and two large closets. " It 's light enough," said March, "but I don't see how you make out ten rooms." " There 's ten rooms," said the man, deigning no proof. March took his fingers off the quarter, and went downstairs and out of the door without another word. It would be wrong, it would be impossible, to give the man anything after such insolence. He reflected, with shame, that it was also cheaper to punish than forgive him. He returned to his hotel prepared for any desperate measure, and convinced now that the Grosvenor Green apartment was not merely the only thing left for him, but was, on its own merits, the best thing in New York. Fulkerson was waiting for him in the reading-room, and it gave March the curious thrill with which a man closes with temptation when he said : " Look here ! Why don't you take that woman's flat in the Xenophon ? She 's been at the agents again, and they Ve been at me. She likes your look or Mrs. March's and I guess you can have it at a pretty heavy discount from the original price. I 'm author- H 102 A HAZARD OF NEW FORTUNES. ised to say you can have it for one seventy-five a month, and I don't believe it would be safe for you to offer one fifty." March shook his head, and dropped a mask of virtuous rejection over his corrupt acquiescence. " It 's too small for us we couldn't squeeze into it." " Why, look here ! " Fulkerson persisted. " How many rooms do you people want ? " " I 've got to have a place to work " " Of course ! And you Ve got to have it at the Fifth Wheel office." "I hadn't thought of that," March began. "I suppose I could do my work at the office, as there 's not much writing " " Why, of course you can't do your work at home. You just come round with me now, and look at that flat again." "No; I can't do it." "Why?" " I I Ve got to dine." " All right," said Fulkerson. " Dine with me. I want to take you round to a little Italian place that I know." . One may trace the successive steps of March's descent in this simple matter with the same edifica- tion that would attend the study of the self-delusions and obfuscations of a man tempted to crime. The process is probably not at all different, and to the philosophical mind the kind of result is unimpor- tant ; the process is everything. Fulkerson led him down one block and half A HAZARD OF NEW FORTUNES. 103 across another to the steps of a small dwelling-house, transformed, like many others, into a restaurant of the Latin ideal, with little or no structural change from the pattern of the lower middle-class New York home. There were the corroded brown- stone steps, the mean little front door, and the cramped entry with its narrow stairs by which ladies could go up to a dining-room appointed for them on the second floor ; the parlours on the first were set about with tables, where men smoked cigarettes between the courses, and a single waiter ran swiftly to and fro with plates and dishes, and exchanged unintelligible outcries with a cook be- yond a slide in the back parlour. He rushed at the new-comers, brushed the soiled table-cloth? before them with a towel on his arm, covered its worst stains with a napkin, and brought them, in their order, the vermicelli soup, the fried fish, the cheese- strewn spaghetti, the veal cutlets, the tepid roast fowl and salad, and the wizened pear and coffee which form the dinner at such places. " Ah, this is nice ! " said Fulkerson, after the laying of the charitable napkin, and he began to recognise acquaintances, some of whom he described to March as young literary men and artists with whom they should probably have to do ; others were simply frequenters of the place, and were of all nationalities and religions apparently at least, several were Hebrews and Cubans. "You get a pretty good slice of New York here," he said, " all except the frosting on top. That you Avon't find 104 A HAZARD OF NEW FORTUNES. much at Maroni's, though you will occasionally. I don't mean the ladies ever, of course." The ladies present seemed harmless and reputable looking people enough, but certainly they were not of the first fashion, and, except in a few instances, not Americans. " It 's like cutting straight down through a fruit-cake," Fulkerson went on, " or a mince-pie, when you don't know who made the pie ; you get a little of everything." He ordered a small flask of Chianti with the dinner, and it came in its pretty wicker jacket. March smiled upon it with tender reminiscence, and Fulkerson laughed. " Lights you up a little. I brought old Dryfoos here one day, and he thought it was sweet-oil j that 's the kind of bottle they used to have it in at the country drug-stores." " Yes, I remember now ; but I M totally forgotten it," said March. " How far back that goes ! Who 's Dryfoos ? " " Dryfoos ? " Fulkerson, still smiling, tore off a piece of the half-yard of French loaf which had been supplied them, with two pale, thin disks of butter, and fed it into himself. "Old Dryfoos ] Well, of course ! I call him old, but he ain't so very. About fifty, or along there." " No," said March, " that isn't very old or not so old as it used to be." "Well, I suppose you've got to know about him, anyway," said Fulkerson thoughtfully. " And I 've been wondering just how I should tell you. Can't always make out exactly how much of a Bostonian A HAZARD OF NEW FORTUNES. 105 you really are ! Ever been out in the natural gas c6uritry ? " " No," said March. " I 've had a good deal of curiosity about it, but I Ve never been able to get away except in summer, and then we always pre- ferred to go over the old ground, out to Niagara and back through Canada, the route we took on our wedding journey. The children like it as much as we do." " Yes, yes," said Fulkerson. " Well, the natural gas country is worth seeing. I don't mean the Pittsburg gas-fields, but out in Northern Ohio and Indiana around Moffitt that 's the place in the heart of the gas region that they Ve been booming so. Yes, you ought to see that country. If you haven't been West for a good many years, you haven't got any idea how old the country looks. You remember how the fields used to be all full of stumps ? " "I should think so." " Well, you won't see any stumps now. All that country out around Moffitt is just as smooth as a checker-board, and looks as old as England. You know how we used to burn the stumps out ; and then somebody invented a stump-extracter, and we pulled them out with a yoke of oxen. Now they just touch 'em off with a little dynamite, and they Ve got a cellar dug and filled up with kindling ready for house-keeping whenever you want it. Only they haven't got any use for kindling in that country all gas. I rode along on the cars through those 5* 106 A HAZARD OF NEW FORTUNES. level black fields at corn-planting time, and every once in a while I'd come to a place with a piece *of ragged old stove-pipe stickin' up out of the ground, and blazing away like forty, and a fellow ploughing all round it and not minding it any more than if it was spring violets. Horses didn't notice it, either. Well, they Ve always known about the gas out there ; they say there are places in the woods where it 's been burning ever since the country was settled. " But when you come in sight of Moffitt my, oh my ! Well, you come in smell of it about as soon. That gas out there ain't odourless, like the Pittsburg gas, and so it 's perfectly safe ; but the smell isn't bad about as bad as the finest kind of benzine. Well, the first thing that strikes you when you come to Moffitt is the notion that there has been a good warm, growing rain, and the town 's come up overnight That 's in the suburbs, the annexes, and additions. But it ain't shabby no shanty-town business ; nice brick and frame houses, some of 'em Queen Anne style, and all of 'cm looking as if they had come to stay. And when you drive up from the dep6t you think everybody 's moving. Every- thing seems to be piled into the street ; old houses made over, and new ones going up everywhere. You know the kind of street Main Street always used to be in our section half plank-road and turnpike, and the rest mud-hole, and a lot of stores and doggeries strung along with false fronts a story higher than the back, and here and there a decent building with the gable end to the public; and a court-house and A HAZARD OF NEW FORTUNES. 107 jail and two taverns and three or four churches. Well, they 're all there in Moffitt yet, but architecture has struck it hard, and they Ve got a lot of new buildings that needn't be ashamed of themselves anywhere ; the new court-house is as big as St. Peter's, and the Grand Opera-house is in the highest style of the art. You can't buy a lot on that street for much less than you can buy a lot in New York or you couldn't when the boom was on; I saw the place just when the boom was in its prime. I went out there to work the newspapers in the syndicate business, and I got one of their men to write me a real bright, snappy account of the gas ; and they just took me in their arms and showed me everything. Well, it was wonderful, and it was beautiful, too ! To see a whole community stirred up like that was just like a big boy, all hope and high spirits, and no discount on the remotest future ; nothing but perpetual boom to the end of time I tell you it warmed your blood. Why, there were some things about it that made you think what a nice kind of world this would be if people ever took hold together, instead of each fellow fighting it out on his own hook, and devil take the hindmost. They made up their minds at Moffitt that if they wanted their town to grow they 'd got to keep their gas public property. So they extended their corporation line so as to take in pretty much the whole gas region round there ; and then the city took posses- sion of every well that was put down, and held it for the common good. Anybody that 's a mind to 108 A HAZARD OF NEW FORTUNES. come to Moffitt and start any kind of manufacture can have all the gas he wants free ; and for fifteen dollars a year you can have all the gas you want to heat and light your private house. The people hold on to it for themselves, and, as I say, it 's a grand sight to see a whole community hanging together and working for the good of all, instead of splitting up into as many different cut-throats as there are able-bodied citizens. See that fellow *? " Fulkerson broke off, and indicated with a twirl of his head a short, dark, foreign-looking man going out of the door. " They say that fellow 's a Socialist. I think it 's a shame they 're allowed to come here. If they don't like the way we manage our affairs, let 'em stay at home," Fulkerson continued. "They do a lot of mischief, shooting off their mouths round here. I believe in free speech and all that ; but I 'd like to see these fellows shut up in jail and left to jaw each other to death. We don't want any of their poison." March did not notice the vanishing Socialist. He was watching, with a teasing sense of familiarity, a tall, shabbily dressed, elderly man, who had just come in. He had the aquiline profile uncommon among Germans, and yet March recognised him at once as German. His long, soft beard and moustache had once been fair, and they kept some tone of their yellow in the gray to which they had turned. His eyes were full, and his lips and chin shaped the beard to the noble outline which shows in the beards the Italian masters liked to paint for their Last Suppers. A HAZARD OF NEW FORTUNES. 109 His carriage was erect and soldierly, and March presently saw that he had lost his left hand. He took his place at a table where the overworked waiter found time to cut up his meat, and put -everything in easy reach of his right hand. " Well," Fulkerson resumed, " they took me round everywhere in Moffitt, and showed me their big wells lit 'em up for a private view, and let me hear them purr with the soft accents of a mass-meeting of locomotives. Why, when they let one of these wells loose in a meadow that they 'd piped it into temporarily, it drove the flame away forty feet from the mouth of the pipe and blew it over half an acre of ground. They say when they let one of their big wells burn away all winter before they had learned how to control it, that well kept up a little summer all around it ; the grass stayed green, and the flowers bloomed all through the winter. / don't know whether it's so or not. But I can believe anything of natural gas. My ! but it was beautiful when they turned on the full force of that well and shot a roman candle into the gas that 's the way they light it and a plume of fire about twenty feet wide and seventy-five feet high, all red and yellow and violet, jumped into the sky, and that big roar shook the ground under your feet ! You felt like saying, 'Don't trouble yourself; I'm perfectly con- vinced. I believe in Moffitt.' We-e-e-ll! " drawled Fulkerson, with a long breath, " that V where I met old Dryfoos." " Oh yes ! Dryfoos," said March. He observed 110 A HAZARD OF NEW FORTUNES. that the waiter had brought the old one-handed German a towering glass of beer. " Yes," Fulkerson laughed. " We Ve got round to Dryfoos again. I thought I could cut a long story short, but I seem to be cutting a short story long. If you 're not in a hurry, though " Not in the least. Go on as long as you like." " I met him there in the office of a real-estate man speculator, of course ; everybody was, in Moffitt ; but a first-rate fellow, and public-spirited as all get- out ; and when Dryfoos left he told me about him. Dryfoos was an old Pennsylvania Dutch farmer, about three or four miles out of Moffitt, and he 'd lived there pretty much all his life ; father was one of the first settlers. Everybody knew he had the right stuff in him, but he was slower than molasses in January, like those Pennsylvania Dutch. He 'd got together the largest and handsomest farm any- where around there ; and he was making money on it, just like he was in some business somewhere ; he was a very intelligent man ; he took the papers and kept himself posted ; but he was awfully old- fashioned in his ideas. He hung on to the doctrines as well as the dollars of the dads ; it was a real thing with him. Well, when the boom began to come he hated it awfully, and he fought it. He used to write communications to the weekly news- paper in Moffitt they've got three dailies there now and throw cold water on the boom. He couldn't catch on no way. It made him sick to hear the clack that went on about the gas the A HAZARD OF NEW FORTUNES. Ill whole while, and that stirred up the neighbour- hood and got into his family. Whenever he'd hear of a man that had been offered a big price for his land and was going to sell out and move into town, he 'd go and labour with him and try to talk him out of it, and tell him how long his fifteen or twenty thousand would last him to live on, and shake the Standard Oil Company before him, and try to make him believe it wouldn't be five years before the Standard owned the whole region. "Of course he couldn't do anything with them. "When a man 's offered a big price for his farm, he don't care whether it 's by a secret emissary from the Standard Oil or not ; he 's going to sell and get the better of the other fellow if he can. Dryfoos couldn't keep the boom out of his own family even. His wife was with him. She thought whatever he said and did was just as right as if it had been thundered down from Sinai. But the young folks were sceptical, especially the girls that had been away to school. The boy that had been kept at home because he couldn't be spared from helping his father manage the farm was more like him, but they contrived to stir the boy up with the hot end of the boom too. So when a fellow came along one day and offered old Dryfoos a cool hundred thousand for his farm, it was all up with Dryfoos. He 'd V liked to 'a' kept the offer to himself and not done anything about it, but his vanity wouldn't let him do that ; and when he let it out in his family the girls outvoted him. They just made him sell. 112 A HAZARD OF NEW FORTUNES. " He wouldn't sell all. He kept about eighty acres that was off in one piece by itself, but the three hundred that had the old brick house on it, and the big barn that went, and Dryfoos bought him a place in Moffitt and moved into town to live on the interest of his money. Just what he had scolded and ridiculed everybody else for doing. Well, they say that at first he seemed like he would go crazy. He hadn't anything to do. He took a fancy to that land-agent, and he used to go and set in his office and ask him what he should do. ' I hain't got any horses, I hain't got any cows, I hain't got any pigs, I hain't got any chickens. I hain't got anything to do from sun up to sundown.' The fellow said the tears used to run down the old fellow's cheeks, and if he hadn't been so busy him- self he believed he should 'a' cried too. But most o' people thought old Dryfoos was down in the mouth because he hadn't asked more for his farm, when he wanted to buy it back and found they held it at a hundred and fifty thousand. People couldn't believe he was just homesick and heartsick for the old place. Well, perhaps he was sorry he hadn't asked more ; that 's human nature too. " After a while something happened. That land- agent used to tell Dryfoos to get out to Europe with his money and see life a little, or go and live in Washington, where he could be somebody ; but Dryfoos wouldn't, and he kept listening to the talk there, and all of a sudden he caught on. He came into that fellow's one day with a plan for cutting A HAZARD OF NEW FORTUNES. 113 up the eighty acres he 'd kept into town lots ; and he 'd got it all plotted out so well, and had so many practical ideas about it, that the fellow was aston- ished. He went right in with him, as far as Dryfoos would let him, and glad of the chance ; and they were working the thing for all it was worth when I struck Moffitt. Old Dryfoos wanted me to go out and see the Dryfoos & Hendry Addi- tion guess he thought may be I 'd write it up ; and he drove me out there himself. Well, it was funny to see a town made : streets driven through ; two rows of shade-trees, hard and soft, planted ; cellars dug and houses put up regular Queen Anne style, too, with stained glass all at once. Dryfoos apolo- gised for the streets because they were hand-made ; said they expected their street-making machine Tuesday, and then they intended to push things." Fulkerson enjoyed the effect of his picture on March for a moment, and then went on : " He was mighty intelligent, too, and he questioned me up about my business as sharp as I ever was ques- tioned ; seemed to kind of strike his fancy ; I guess he wanted to find out if there was any money in it. He was making money, hand over hand, then ; and he never stopped speculating and improving, till he 'd scraped together three or four hundred thousand dollars ; they said a million, but they like round numbers at Moffitt, and I guess half a million would lay over it comfortably and leave a few thousands to spare, probably. Then he came on to New York." 114 A HAZARD OF NEW FORTUNES. Fulkerson struck a match against the ribbed side of the porcelain cup that held the matches in the centre of the table, and lit a cigarette, which he began to smoke, throwing his head back with a leisurely effect, as if he had got to the end of at least as much of his story as he meant to tell without prompting. March asked him the desired question. "What in the world for ? " Fulkerson took out his cigarette and said, with a smile : " To spend his money, and get his daughters into the old Knickerbocker society. May be he thought they were all the same kind of Dutch." " And has he succeeded ? " " Well, they 're not social leaders yet. But it 's only a question of time generation or two espe- cially if time's money, and if Every Other Week is the success it's bound to be." " You don't mean to say, Fulkerson," said March, with a half doubting, half-daunted laugh, "that he's your Angel ? " " That 's what I mean to say," returned Fulkerson. <; I ran onto him in Broadway one day last summer. If you ever saw anybody in your life, you 're sure to meet him in Broadway again, sooner or later. That 's the philosophy of the bunco business; country people from the same neighbourhood are sure to run up against each other the first time they come to New York. I put out my hand, and I said, ' Isn't this Mr. Dryfoos from Moffitt ? ' He didn't seem to have any use for my hand j he let me keep it, and A HAZARD OF NEW FORTUNES. 115 he squared those old lips of his till his imperial stuck straight out. Ever see Bernhardt in L'fitrangere 1 Well, the American husband is old Dryfoos all over ; no moustache, and hay-coloured chin-whiskers cut slanting from the corners of his mouth. He cocked his little gray eyes at me, and says he, ' Yes, young man. My name is' Dryfoos, and I 'm from Moffitt. But I don't want no present of Longfellow's Works, illustrated ; and I don't want to taste no fine teas ; but I know a policeman that does ; and if you 're the son of my old friend Squire Strohfeldt, you 'cl better get out.' ' Well, then,' said I, ' how would you like to go into the newspaper syndicate busi- ness 1 ' He gave another look at me, and then he burst out laughing, and he grabbed my hand, and he just froze to it. I never saw anybody so glad. " Well, the long and the short of it was that I asked him round here to Maroni's to dinner ; and before we broke up for the night we had settled the financial side of the plan that's brought you to New York. I can see," said Fulkerson, who had kept his eyes fast on March's face, " that you don't more than half like the idea of Dryfoos. It ought to give you more confidence in the thing than you ever had. You needn't be afraid," he added, with some feeling, " that I talked Dryfoos into the thing for my own advantage." "Oh, my dear Fulkerson !" March protested, all the more fervently because he was really a little guilty. " Well, of course not ! I didn't mean you were. 116 A HAZARD OF NEW FORTUNES. But I just happened to tell him what I wanted to go into when I could see my way to it, and he caught on of his own accord. The fact is," said Fulkerson, " I guess I 'd better make a clean breast of it, now I 'm at it. Dryfoos wanted to get something for that boy of his to do. He's in railroads himself, and he's in mines and other things, and he keeps busy, and he can't bear to have his boy hanging round the house doing nothing, like as if he was a girl. I told him that the great object of a rich man was to get his son into just that fix, but he couldn't seem to see it, and the boy hated it himself. He 's got a good head, and he wanted to study for the ministry when they were all living together out on the farm ; but his father had the old-fashioned ideas about that. You know they used to think that any sort of stuff was good enough to make a preacher out of ; but they wanted the good timber for busi- ness ; and so the old man wouldn't let him. You '11 see the fellow ; you '11 like him ; he 's no fool, I can tell you ; and he 's going to be our publisher, nominally at first and actually when I ; ve taught him the ropes a little." XII. FULKERSON stopped and looked at March, whom he saw lapsing into a serious silence. Doubtless he divined his uneasiness with the facts that had been given him to digest. He pulled out his watch and glanced at it. " See here, how would you like to go up to Forty-sixth Street with me, and drop in on old Dryfoos ? Now 's your chance. He 's going West to-morrow, and won't be back for a month or so. They '11 all be glad to see you, and you '11 understand things better when you 've seen him and his family. I can't explain." March reflected a moment. Then he said, with a wisdom that surprised him, for he would have liked to yield to the impulse of his curiosity : " Perhaps we 'd better wait till Mrs. March comes down, and let things take the usual course. The Dryfoos ladies will want to call on her as the last-comer, and if I treated myself en garqon now, and paid the first visit, it might complicate matters." " Well, perhaps you 're right," said Fulkerson. " I don't know much about these things, and I don't believe Ma Dryfoos does either." He was on his legs lighting another cigarette. "I suppose the 118 A HAZARD OF NEW FORTUNES. girls are getting themselves up in etiquette, though. Well, then, let 's have a look at the Every Other Week building, and then, if you like your quarters there, you can go round and close for Mrs. Green's flat." March's dormant allegiance to his wife's wishes had been roused by his decision in favour of good social usage. " I don't think I shall take the flat/' he said. "Well, don't reject it without giving it another look, anyway. Come on ! " He helped March on with his light overcoat, and the little stir they made for their departure caught the notice of the old German ; he looked up from his beer at them. March was more than ever impressed with something familiar in his face. In compensation for his prudence in regard to the Dryfooses he now indulged an impulse. He stepped across to where the old man sat, with his bald head shining like ivory under the gas-jet, and his fine patriarchal length of bearded mask taking picturesque lights and shadows, and put out his hand to him. " Lindau ! Isn't this Mr. Lindau ? " The old man lifted himself slowly to his feet with mechanical politeness, and cautiously took March's hand. " Yes, my name is Lindau," he said slowly, while he scanned Mai'ch's face. Then he broke into a long cry. " Ah-h-h-h-h, my dear poy ! my yong friendt ! my my Idt is Passil Marge, not zo ? Ah, ha, ha, ha ! How gladt I am to zee you ! Why, I am gladt ! And you rememberdt me ? You remember Schiller, and Goethe, and Uhland 1 And A HAZARD OF NEW FORTUNES. 119 Indianapolis ? You still lif in Indianapolis 1 It sheers my hardt to zee you. But you are lidtle oldt too ? Tventy-five years makes a difference. Ah, I am gladt ! Dell me, idt is Passil Marge, not zo 1 " He looked anxiously into March's face, with a gentle smile of mixed hope and doubt, and March said : " As sure as it's Berthold Lindau, and I guess it 's you. And you remember the old times 1 You were as much of a boy as I was, Lindau. Are you living in New York 1 Do you recollect how you tried to teach me to fence 1 I don't know how to this day, Lindau. How good you were, and how patient ! Do you remember how we used to sit up in the little parlour back of your printing office, and read Die Eiluber and Die Theilang der Erde and Die Glocfce 1 And Mrs. Lindau 1 Is she with "Deadt deadt long ago. Eight after I got home from the war tventy years ago. But tell me, you are married 1 Children 1 Yes ! Goodt ! And how oldt are you now 1 " " It makes me seventeen to see you, Lindau, but I Ve got a son nearly as old." "Ah, ha, ha! Goodt! And where do you lif ? " "Well, I'm just coming to live in New York," March said, looking over at Fulkerson, who had been watching his interview with the perfunctory smile of sympathy that people put on at the meet- ing of old friends. " I want to introduce you to my friend Mr. Fulkerson. He and I are going into a literary enterprise here." 120 A HAZARD OF NEW FORTUNES. " Ah ! zo ? " said the old man, with polite interest. He took Fulkerson's proffered hand, and they all stood talking a few moments together. Then Fulkerson said, with another look at his watch, " Well, March, we 're keeping Mr. Lindau from his dinner." " Dinner ! " cried the old man. " Idt 's better than breadt and meadt to see Mr. Marge ! " " I must be going, anyway," said March. " But I must see you again soon, Lindau. Where do you live ? I want a long talk." "And I. You will find me here at dinner-time," said the old man. " It is the best place ;" and March fancied him reluctant to give another address. To cover his consciousness he answered gaily, " Then, it 's (mf wiedersehen with us. Well ! " "Also ! " The old man took his hand, and made a mechanical movement with his mutilated arm, as if he would have taken it in a double clasp. He laughed at himself. "I w anted to gif you the other handt too, but I gafe it to your gountry a goodt while ago." " To my country ? " asked March, with a sense of pain, and yet lightly, as if it were a joke of the old man's. " Your country too, Lindau ] " The old man turned very grave, and said, almost coldly, " What gountry hass a poor man got, Mr. Marge ? " " Well, you ought to have a share in the one you helped to save for us rich men, Lindau," March re- turned, still humouring the joke. A HAZARD OF NEW FORTUNES. 121 The old man smiled sadly, but made no answer as he sat- down again. " Seems to be a little soured," said Fulkerson, as they went down the steps. He was one of those Americans whose habitual conception of life is unalloyed prosperity. When any experience or observation of his went counter to it he suffered something like physical pain. He eagerly shrugged away the impression left upon his buoyancy by Lindau, and added to March's continued silence, " What did I tell you about meeting every man in New York that you ever knew before 1 " " I never expected to meet Lindau in the world again," said March, more to himself than to Fulker- son. " I had an impression that he had been killed in the war. I almost wish he had been." " Oh, hello, now ! " cried Fulkerson. March laughed, but went on soberly. " He was a man predestined to adversity, though. When I first knew him out in Indianapolis he was starving along with a sick wife and a sick newspaper. It was before the Germans had come over to the Eepublicans generally, but Lindau was fighting the anti-slavery battle just as naturally at Indianapolis in 1858 as he fought behind the barricades at Berlin in 1848. And yet he was always such a gentle soul ! And so generous ! He taught me German for the love of it ; he wouldn't spoil his pleasure by taking a cent from me ; he -seemed to get enough out of my being young and enthusiastic, and out of prophesying great things for me. I wonder what VOL. I. 6 122 A HAZARD OF NEW FORTUNES. the poor old fellow is doing here, with that one hand of his ? " "Not amassing a very handsome pittance, I should say," said Fulkerson, getting back some of his lightness. " There are lots of two-handed fellows in New York that are not doing much better, I guess. May be he gets some writing on the German papers." "I hope so. He's one of the most accomplished men ! He used to be a splendid musician pianist and knows eight or ten languages." "Well, it's astonishing," said Fulkerson, "how much lumber those Germans can carry around in their heads all their lives, and never work it up into anything. It 's a pity they couldn't do the acquiring, and let out the use of their learning to a few bright Americans. We could make things hum, if we could arrange 'em that way." He talked on, unheeded by March, who went along half-consciously tormented by his lightness in the pensive memories the meeting with Lindau had called up. Was this all that sweet, unselfish nature could come to ? What a homeless old age at that meagre Italian table d'hote, with that tall glass of beer for a half-hour's oblivion ! That shabby dress, that pathetic mutilation ! He must have a pension, twelve dollars a month, or eighteen, from a grateful country. But what else did he eke out with 1 "Well, here we are," said . Fulkerson cheerily. He ran up the steps before March, and opened the carpenter's temporary valve in the door frame, and A HAZARD OF NEW FORTUNES. 123 led the way into a darkness smelling sweetly of unpainted wood- work and newly dried plaster ; their feet slipped on shavings and grated on sand. He scratched a match, and found a candle, and then walked about up and down stairs, and lectured on the advantages of the place. He had fitted up bachelor apartments for himself in the house, and said that he was going to have a flat to let on the top floor. " I didn't offer it to you because I supposed you 'd be too proud to live over your shop ; and it 's too small, anyway ; only five rooms." " Yes, that 's too small," said March, shirking the other point. "Well, then, here's the room I intend for your office," said Fulkerson, showing him into a large back parlour one flight up. " You '11 have it quiet from the street noises here, and you can be at home or not as you please. There '11 be a boy on the stairs to find out. Now, you see, this makes the Grosvenor Green flat practicable, if you want it." March felt the forces of fate closing about him and pushing him to a decision. He feebly fought them off till he could have another look at the flat. Then, baffled and subdued still more by the unex- pected presence of Mrs. Grosvenor Green herself, who was occupying it so as to be able to show it effectively, he took it. He was aware more than ever of its absurdities ; he knew that his wife would never cease to hate it ; but he had suffered one of those eclipses of the imagination to Avhich men of his temperament are subject, and in which he could 124 A HAZARD OF NEW FORTUNES. see no future for his desires. He felt a comfort in irretrievably committing himself, and exchanging the burden of indecision for the burden of responsibility. " I didn't know," said Fulkerson, as they walked back to his hotel together, " but you might fix it up with that lone widow and her pretty daughter to take part of their house here." He seemed to be reminded of it by the fact of passing the house, and March looked up at its dark front. He could not have told exactly why he felt a pang of remorse at the sight, and doubtless it was more regret for having taken the Grosvenor Green flat than for not having taken the widow's rooms. Still he could not forget her wistfulness when his wife and he were looking at them, and her disappointment when they decided against them. He had toyed, in his after- talk to Mrs. March, with a sort of hypothetical obligation they had to modify their plans so as to meet the widow's want of just such a family as theirs ; they had both said what a blessing it would be to her, and what a pity they could not do it ; but they had decided very distinctly that they could not. Now it seemed to him that they might ; and he asked himself whether he had not actually departed as much from their ideal as if he had taken board with the widow. Suddenly it seemed to him that his wife asked him this too. "I reckon," said Fulkerson, " that she could have arranged to give you your meals in your rooms, and it would have come to about the same thing as house-keeping." A HAZARD OF NEW FORTUNES. 125 " No sort of boarding can be the same as house- keeping," said March. "I want my little girl to have the run of a kitchen, and I want the whole family to have the moral effect of house-keeping. It's demoralising to board, in every way; it isn't a home, if anybody else takes the care of it off your hands." " Well, I suppose so," Fulkerson assented ; but March's words had a hollow ring to himself, and in his own mind he began to retaliate his dissatisfac- tion upon Fulkerson. He parted from him on the usual terms out- wardly, but he felt obscurely abused by Fulkerson in regard to the Dryfooses, father and son. He did not know but Fulkerson had taken an advantage of him in allowing him to commit himself to their en- terprise without fully and frankly telling him who and what his backer was ; he perceived that with young Dryfoos as the publisher and Fulkerson as the general director of the paper there might be very little play for his own ideas of its conduct. Perhaps it was the hurt to his vanity involved by the recognition of this fact that made him forget how little choice he really had in the matter, and how, since he had not accepted the offer to edit the in- surance paper, nothing remained for him but to close with Fulkerson. In this moment of suspicion and resentment he accused Fulkerson of hastening his decision in regard to the Grosvenor Green apart- ment ; he now refused to consider it a decision, and said to himself that if he felt disposed to do so he 126 A HAZARD OF NEW FORTUNES. would send Mrs. Green a note reversing it in the morning. But he put it all off till morning with his clothes, when he went to bed ; he put off even think- ing what his wife would say ; he cast Fulkerson and his constructive treachery out of his mind too, and invited into it some pensive reveries of the past, when he still stood at the parting of the ways, and could take this path or that. In his middle life this was not possible ; he must follow the path chosen long ago, wherever it led. He was not master of himself, as he once seemed, but the servant of those he loved ; if he could do what he liked, perhaps he might renounce this whole New York enterprise, and go off somewhere out of the reach of care ; but he could not do what he liked, that was very clear. In the pathos of this conviction he dwelt compassion- ately upon the thought of poor old Liudau ; he resolved to make him accept a handsome sum of money more than he could spare, something that he would feel the loss of in payment of the lessons in German and fencing given so long ago. At the usual rate for such lessons, his debt, with interest for twenty odd years, would run very far into the hundreds. Too far, he perceived, for his wife's joyous approval ; he determined not to add the interest ; or he believed that Lindau would refuse the interest ; he put a fine speech in his mouth, making him do so ; and after that he got Lindau employment on Every Other Week, and took care of him till he died. Through all his melancholy and munificence he A HAZARD OF NEW FORTUNES. 127 was aware of sordid anxieties for having taken the Grosvenor Green apartment. These began to as- sume visible, tangible shapes as he drowsed, and to become personal entities, from which he woke, with little starts, to a realisation of their true nature, and then suddenly fell fast asleep. In the accomplishment of the events which his reverie played with, there was much that retroac- tively stamped it with prophecy, but much also that was better than he forboded. He found that with regard to the Grosvenor Green apartment he had not allowed for his wife's willingness to get any sort of roof over her head again after the removal from their old home, or for the alleviations that grow up through mere custom. The practical work- ings of the apartment were not so bad ; it had its good points, and after the first sensation of oppres- sion in it they began to feel the convenience of its arrangement. They were at that time of life when people first turn to their children's opinion with deference, and, in the loss of keenness in their own likes and dislikes, consult the young preferences which are still so sensitive. It went far to reconcile Mrs. March to the apartment that her children were pleased with its novelty ; when this wore off for them, she had herself begun to find it much more easily manageable than a house. After she had put away several barrels of gimcracks, and folded up screens and rugs and skins, and carried them all off to the little dark store-room which the flat developed, she perceived at once a roominess and coziness in it 128 A HAZARD OF NEW FORTUNES. unsuspected before. Then, when people began to call, she had a pleasure, a superiority, in saying that it was a furnished apartment, and in disclaiming all responsibility for the upholstery and decoration. If March was by, she always explained that it was Mr. March's fancy, and amiably laughed it off with her callers as a mannish eccentricity. Nobody really seemed to think it otherwise than pretty ; and this again was a triumph for Mrs. March, because it showed how inferior the New York taste was to the Boston taste in such matters. March submitted silently to his punishment, and laughed with her before company at his own eccen- tricity. She had been so preoccupied with the adjustment of the family to its new quarters and circumstances that the time passed for laying his misgivings, if they were misgivings, about Fulkerson before her, and when an occasion came for express- ing them they had themselves passed in the anxieties of getting forward the first number of Every Other Week. He kept these from her too, and the biisiness that brought them to New York had apparently dropped into abeyance before the questions of domestic economy that presented and absented themselves. March knew his wife to be a woman of good mind and in perfect sympathy with him, "but he understood the limitations of her perspective ; and if he was not too wise, he was too experienced to intrude upon it any affairs of his till her own were reduced to the right order and proportion. It would have been folly to talk to her of Fulkerson's A HAZARD OF NEW FORTUNES. 129 % conjecturable uncandour while she was in doubt whether her cook would like the kitchen, or her two servants would consent to room together ; and till it was decided what school Tom should go to, and whether Bella should have lessons at home or not, the relation which March was to bear to the Dry- fooses, as owner and publisher, was not to be dis- cussed with his wife. He might drag it in, but he was aware that with her mind distracted by more immediate interests he could not get from her that judgment, that reasoned divination, which he relied upon so much. She would try, she would do her best, but the result would be a view clouded and discoloured by the effort she must make. He put the whole matter by, and gave himself to the details of the work before him. In this he found not only escape, but reassurance, for it became more and more apparent that whatever was nominally the structure of the business, a man of his qualifications and his instincts could not have an insignificant place in it. He had also the consolation of liking his work, and of getting an instant grasp of it that grew constantly firmer and closer. The joy of knowing that he had not made a mistake was great. In giving rein to ambitions long forborne he seemed to get back to the youth when he had indulged them first ; and after half a lifetime passed in pursuits alien to his nature, he was feeling the serene happi- ness of being mated through his work to his early love. From the outside the spectacle might have had its pathos, and it is not easy to justify such an 6* 130 A HAZARD OF XFAV FORTUNES. experiment as he had made at his time of life, except upon the ground where he rested from its con- sideration the ground of necessity. His work was more in his thoughts than himself, however, and as the time for the publication of the first number of his periodical came nearer, his cares all centred upon it. Without fixing any date, Fulkerson had announced it, and pushed his announcements with the shameless vigour of a born advertiser. He worked his interest with the press to the utmost, and paragraphs of a variety that did credit to his ingenuity were afloat everywhere. Some of them were speciously unfavourable in tone ; they criticised and even ridiculed the principles on -which the new departure in literary journalism was based. Others defended it ; others yet denied that this rumoured principle was really the principle. All contributed to make talk. All proceeded from the same fertile invention. March observed with a degree of mortification that the talk was very little of it in the New York pres ; there the references to the novel enterprise were slight and cold. But Fulkerson said : " Don't mind that, old man. It's the whole country that makes or breaks a thing like this ; Xew York has very little to do with it. Now if it were a play, it would be different. New York does make or break a play ; but it doesn't make or break a book ; it doesn't make or break a magazine. The great mass of the readers are outside of New York, and the rural districts are what we have got to go for. A HAZARD OF NEW FORTUNES. 131 They don't read much in New York ; they write, and talk about what they Ve written. Don't you worry." The rumour of Fulkerson's connection with the enterprise accompanied many of the paragraphs, and he was able to stay March's thirst for employment by turning over to him from day to day heaps of the manuscripts which began to pour in from his old syndicate writers, as well as from adventurous volunteers all over the country. With these in hand March began practically to plan the first number, and to concrete a general scheme from the material and the experience they furnished. They had intended to issue the first number with the new year, and if it had been an affair of literature alone, it would have been very easy ; but it was the art leg they limped on, as Fulkerson phrased it. They had not merely to deal with the question of specific illustrations for this article or that, but to decide the whole character of their illustrations, and first of all to get a design for a cover which should both ensnare the heedless and captivate the fastidious. These things did not come properly within March's province that had been clearly understood and for a while Fulkerson tried to run the art leg him- self. The phrase was again his, but it was simpler to make the phrase than to run the leg. The diffi- cult generation, at once stiff- backed and slippery, with Avhich he had to do in this endeavour, reduced even so buoyant an optimist to despair, and after wasting some valuable weeks in trying to work the K 132 A HAZARD OF NEW FORTUNES. artists himself, he determined to get an artist to work them. But what artist ? It could not be a man with fixed reputation and a following : he would be too costly, and would have too many enemies among his brethren, even if he would con- sent to undertake the job. Fulkerson had a man in mind, an artist too, who would have been the very thing if he had been the thing at all. He had talent enough, and his sort of talent would reach round the whole situation, but, as Fulkerson said, he was as many kinds of an ass as he was kinds of an artist PART SECOND. I. THE evening when March closed with Mrs. Green's reduced offer, and decided to take her apartment, the widow whose lodgings he had rejected sat with her daughter in an upper room at the back of her house. In the shaded glow of the drop-light she was sewing, and the girl was drawing at the same table. From time to time, as they talked, the girl lifted her head and tilted it a little on one side so as to get some desired effect of her work. "It's a mercy the cold weather holds off," said the mother. " We should have to light the furnace, unless we wanted to scare everybody away with a cold house ; and I don't know who would take care of it, or what would become of us, every way." " They seem to have been scared away from a house that wasn't cold," said the girl. " Perhaps they might like a cold one. But it 's too early for cold yet. It's only just in the beginning of No- vember." " The Messenger says they 've had a sprinkling of snow." 134 A HAZARD OF NEW FORTUNES. " Oh yes, at St. Barnaby ! I don't know when they don't have sprinklings of snow there. I'm awfully glad we haven't got that winter before us." The widow sighed as mothers do who feel the contrast their experience opposes to the hopeful recklessness of such talk as this. " We may have a worse winter here," she said darkly. " Then I couldn't stand it," said the girl, " and I should go in for lighting out to Florida double- quick." " And how would you get to Florida 1 " demanded her mother severely. " Oh, by the usual conveyance Pullman vesti- buled train, I suppose. What makes you so blue, mamma 1 " The girl was all the time sketching away, rubbing out, lifting her head for the effect, and then bending it over her work again without looking at her mother. " I am not blue, Alma. But I cannot endure this this hopefulness of yours." " Why ? What harm does it do 1 " " Harm ? " echoed the mother. Pending the effort she must make in saying, the girl cut in : " Yes, harm. You Ve kept your despair dusted off and ready for use at an instant's notice ever since we came, and what good has it done 1 I'm going to keep on hoping to the bitter end. That 's what papa did." It was what the Rev. Archibald Leighton had done with all the consumptive's buoyancy. The morning he died he told them that now he had A HAZARD OF NEW FORTUNES. 135 turned the point and was really going to get well. The cheerfulness was not only in his disease, but in his temperament. Its excess was always a little against him in his church-work, and Mrs. Leighton. was right enough in feeling that if it had not been for the ballast of her instinctive despondency he would have made shipwreck of such small chances of prosperity as befell him in life. It was not from him that his daughter got her talent, though he had left her his temperament intact of his widow's legal thirds. He was one of those men of whom the country people say when he is gone that the woman gets along better without him. Mrs. Leigliton had long eked out their income by taking a summer boarder or two, as a great favour, into her family ; and when the greater need came, she frankly gave up her house to the summer-folks (as they call them in the country), and managed it for their comfort from the small quarter of it in which she shut her- self up with her daughter. The notion of shutting up is an exigency of the rounded period. The fact is, of course, that Alma Leigliton was not shut up in any sense Avhatever. She was the pervading light, if not force, of the house. She Avas a good cook, and she managed the kitchen with the help of an Irish girl, while her mother looked after the rest of the house-keeping. But she was not systematic ; she had inspiration but not discipline, and her mother mourned more over the days when Alma left the whole dinner to the Irish girl than she rejoiced in those when one of 136 A HAZARD OF NEW FORTUNES. Alma's great thoughts took form in a chicken-pie of incomparable savour or in a matchless pudding. The off-days came when her artistic nature was express- ing itself in charcoal, for she drew to the admiration of all among the lady boarders who could not draw. The others had their reserves ; they readily conceded that Alma had genius, but they were sure she needed instruction. On the other hand, they were not so radical as to agree with the old painter who came every summer to paint the elms of the St. Barnaby meadows. He contended that she needed to be a man in order to amount to anything; but in this theory he was opposed by an authority of his own sex, whom the lady sketchers believed to speak with more impartiality in a matter concerning them as much as Alma Leighton. He said that instruction would do, and he was not only younger and handsomer, but he was fresher from the schools than old Harrington, who, even the lady sketchers could see, painted in an obsolescent manner. His name was Beaton Angus Beaton ; but he was not Scotch, or not more Scotch than Mary Queen of Scots was. His father was a Scotchman, but Beaton was born in Syracuse, New York, and it had taken only three years in Paris to obliterate many traces of native and ancestral manner in him. He wore his black beard cut shorter than his moustache, and a little pointed ; he stood with his shoulders well thrown back and with a lateral curve of his person when he talked about art, which would alone have carried conviction even if he had not had a thick, A HAZARD OF NEW FORTUNES. 137 dark bang coming almost to the brows of his mobile grey eyes, and had not spoken English with quick, staccato impulses, so as to give it the effect of epigrammatic and sententious French. One of the ladies said that you always thought of him as having spoken French after it was over, and accused herself of wrong in not being able to feel afraid of him. None of the ladies were afraid of him, though they could not believe that he was really so de- ferential to their work as he seemed ; and they knew, when he would not criticise Mr. Harrington's work, that he was just acting from principle. They may or may not have known the difference with which he treated Alma's work ; but the girl herself felt that his abrupt, impersonal comment recognised her as a real sister in art. He told her she ought to come to New York, and draw in the League, or get into some painter's private class ; and it was the sense of duty thus appealed to which finally resulted in the hazardous experiment she and her mother were now making. There were no logical breaks in the chain of their reasoning from past success with boarders in St. Barnaby to future success with boarders in New York. Of course the outlay was much greater. The rent of the furnished house they had taken was such that if they failed their experiment would be little less than ruinous. But they were not going to fail ; that was what Alma contended, with a hardy courage that her mother sometimes felt almost invited failure, if it did not deserve it. She was one of those people 138 A HAZARD OF NEW FORTUNES. who believe that if you dread harm enough it is less likely to happen. She acted on this superstition as if it were a religion. " If it had not been for my despair, as you call it, Alma," she answered, " I don't know where we should have been now." " I suppose we should have been in St Barnaby," said the girl. " And if it 's worse to be in Xew York, you see what your despair's done, mamma. But what 's the use 1 You meant well, and I don't blame you. You can't expect even despair to come out always just the way you want it. Perhaps you 've used too much of it." The girl laughed, and Mrs. Leighton laughed too. Like every one else, she was not merely a prevailing mood, as people are apt to be in books, but was an irregularly spheroidal character, with surfaces that caught the different lights of circumstance and reflected them. Alma got up and took a pose before the mirror, which she then transferred to her sketch. The room was pinned about with other sketches, which showed with fantastic indistinctness in the shaded gas-light. Alma held up the drawing. " How do you like it 1 '' Mrs. Leighton bent forward over her sewing to look at it. "You've got the man's face rather weak." "Yes, that's so. Either I see all the hidden weakness that 's in men's natures, and bring it to the surface in their figures, or else I put my own weakness into them. And anyway, it's a draw- back to their presenting a truly manly appearance. A HAZARD OF NEW FORTUNES. 139 As long as I have one of the miserable objects before me, I can draw him ; but as soon as his back 's turned I get to putting ladies into men's clothes. I should think you 'd be scandalised, mamma, if. you were a really feminine person. It must be your despair that helps you to bear up. But what 's the matter with the young lady in young lady's clothes 1 Any dust on her 1 " " What expressions ! " said Mrs. Leighton. " Really, Alma, for a refined girl you are the most unrefined ! " " Go on about the girl in the picture ! " said Alma, slightly knocking her mother on the shoulder, as she stood over her. " I don't see anything to her. What 's she doing 1" " Oh, just being made love to, I suppose." " She 's perfectly insipid ! " " You 're awfully articulate, mamma ! Now, if Mr. Wetmore was to criticise that picture he'd draw a circle round it in the air, and look at it through that, and tilt his head first on one side and then on the other, and then look at you, as if you were a figure in it, and then collapse a while, and moan a little and gasp, ' Isn't your young lady a little too too ' and then he 'd try to get the word out of you, and groan and suffer some more ; and you 'd say, ' She is, rather,' and that would give him courage, and he 'd say, ' I don't mean that she 's so very ' 'Of course not.' 'You understand?' ' Perfectly. I see it myself, now.' ' Well then,' and he 'd take your pencil and begin to draw ' I 140 A HAZARD OF NEW FORTUNES. should give her a little more Ah 1 ' f Yes, I see the difference.' ' You see the difference ? ' And he 'd go off to some one else, and you 'd know that you'd been doing the wishy-washiest thing in the world, though he hadn't spoken a word of criticism, and couldn't. But he wouldn't have noticed the expression at all ; he 'd have shown you where your, drawing was bad. He doesn't care for what he calls the literature of a thing ; he says that will take care of itself if the drawing's good. He doesn't like my doing these chic things ; but I 'm going to keep it up, for / think it 's the nearest Avay to illustrating." She took her sketch and pinned it up on the door. "And has Mr. Beaton been about, yet?" asked her mother. " No," said the girl, with her back still turned ; and she added, " I believe he 's in New York ; Mr. Wetmore 's seen him." "It's a little strange he doesn't call." " It would be if he were not an artist. But artists never do anything like other people. He was on his good behaviour while he was with' us, and he 's a great deal more conventional than most of them ; but even he can't keep it up. That 's what makes me really think that women can never amount to anything in art. They keep all their appointments, and fulfil all their duties just as if they didn't know anything about art. Well, most of them don't. We 've got that new model to-day." " What new model ? " A HAZARD OF NEW FORTUNES. 141 " The one Mr. Wetmore was telling us about the old German ; he 's splendid. He 's got the most beautiful head ; just like the old masters' things. He used to be /Humphrey Williams's model for his biblical pieces ; but since he 's dead, the old man hardly gets anything to do. Mr. Wetmore says there isn't anybody in the Bible that Williams didn't paint him as. He 's the Law and the Prophets in all his Old Testament pictures, and he 's Joseph, Peter, Judas Iscariot, and the Scribes and Pharisees in the New." " It 's a good thing people don't know how artists work, or some of the most sacred pictures would have no influence," said Mrs. Leighton. " Why, of course not ! " cried the girl. " And the influence is the last thing a painter thinks of or supposes he thinks of. What he knows he 's anxious about is the drawing and the colour. But people will never understand how simple artists are. When I reflect what a complex and sophisticated being / am, I in afraid I can never come to anything in art. Or I should be if I hadn't genius." " Do you think Mr. Beaton is very simple ? " asked Mrs. Leighton. " Mr. Wetmore doesn't think he 's very much of an artist. He thinks he talks too well. They believe that if a man can express himself clearly he can't paint." " And what do you believe 1 " " Oh, / can express myself, too." The mother seemed to be satisfied with this evasion. 142 A HAZARD OF NEW FORTUNES. After a while she said, " I presume he will call when he gets settled." The girl made no answer to this. " One of the girls says that old model is an educated man. He was in the war, and lost a hand. Doesn't it seem a pity for such a man to have to sit to a class of affected geese like us as a model? I declare it makes me sick. And we shall keep him a week, and pay him six or seven dollars for the use of his grand old head, and then what will he do? The last time he Avas regularly employed was when Mr. Mace was working at his Damascus Massacre. Then he wanted so many Arab sheiks and Christian elders that he kept old Mr. Lindau steadily employed for six months. Now he has to pick up odd jobs where he can." " I suppose he has his pension," said Mrs. Leigh- ton. " No ; one of the girls " that was the way Alma always described her fellow-students ' : says he has no pension. He didn't apply for it for a long time, and then there was a hitch about it, and it was some- thinged vetoed, I believe she said." ' Who vetoed it 1 " asked Mrs. Leighton, with some curiosity about the process, which she held in reserve. " I don't know whoever vetoes things. I wonder what Mr. Wetmore docs think of us his class. "Wo must seem perfectly crazy. There isn't one of us really knows what she 's doing it for. or what she expects to happen when she 's done it. I suppose A HAZARD OF NEW FORTUNES. 143 every one thinks she has genius. I know the Nebraska widow does, for she says that unless you have genius it isn't the least use. Everybody 's puzzled to know what she does with her baby when she 's at work whether she gives it soothing syrup. I wonder how Mr. Wetmore can keep from laughing in our faces. I know he does behind our backs." Mrs. Leighton's mind wandered back to another point. " Then if he says Mr. Beaton can't paint, I presume he doesn't respect him very much." "Oh, he never said he couldn't paint. But I know he thinks so. He says he 's an excellent critic." "Alma," her mother said, with the effect of break- ing off, " what do you suppose is the reason he hasn't been near us ? " " Why, I don't know, mamma, except that it would have been natural for another person to come, and he 's an artist at least, artist enough for that." " That doesn't account for it altogether. He was very nice at St. Barnaby, and seemed so interested in you your work." " Plenty of people were nice at St. Barnaby. That rich Mrs. Horn couldn't contain her joy when she heard we were coming to New York, but she hasn't poured in upon us a great deal since we got here." " But that 's different. She 's very fashionable, and she 's taken up with her own set. But Mr. Beaton 's one of our kind." " Thank you. Papa wasn't quite a tombstone - cutter, mamma." 144 A HAZARD OF NEW FORTUNES. " That makes it all the harder to bear. He can't be ashamed of us. Perhaps he doesn't know where we are." " Do you wish to send him your card, mamma 1 " The girl flushed and towered in scorn of the idea. " Why, no, Alma," returned her mother. "Well, then," said Alma. But Mrs. Leighton was not so easily quelled. She had got her mind on Mr. Beaton, and she could not detach it at once. Besides, she was one of those women (they are commoner than the same sort of men) whom it does not pain to take out their most intimate thoughts and examine them in the light of other people's opinions. " But I don't see how he can behave so. He must know that " " That ivhat, mamma ? " demanded the girl. " That he influenced us a great deal in coming " " He didn't. If he dared to presume to think such a thing " " Now, Alma," said her mother with the clinging persistence of such natures, " you know he did. And it 's no use for you to pretend that we didn't count upon him in in every way. You may not have noticed his attentions, and I don't say you did, but others certainly did ; and I must say that I didn't expect he would drop us so." " Drop us ! " cried Alma, in a fury. " Oh ! " " Yes, drop us, Alma. He must know where we are. Of course, Mr. Wetmore 's spoken to him about you, and it 's a shame that he hasn't been near us. A HAZARD OF NEW FORTUNES. 145 I should have thought common gratitude, common decency, would have brought him after after all we did for him." " We did nothing for him nothing ! He paid his board, and that ended it." " No, it didn't, Alma. You know what he used to say about its being like home, and all that; and I must say that after his attentions to you, and all the things you told me he said, I expected some- thing very dif " A sharp peal of the door-bell thrilled through the house, and as if the pull of the bell-wire had twitched her to her feet, Mrs. Leighton sprang up and grappled with her daughter in their common terror. They both glared at the clock and made sure that it was five minutes after nine. Then they aban- doned them some moments to the unrestricted play of their apprehensions. VOL. I 1 IL " WHY, Alma," whispered the mother, " who in the world can it be at this time of night ? You don't suppose he " " Well, I 'm not going to the door anyhow, mother, I don't care who it is; and of course he wouldn't be such a goose as to come at this hour." She put on a look of miserable trepidation, and shrank back from the door, while the hum of the bell died away in the hall. " What shall we do 1 " asked Mrs. Leighton helplessly. " Let him go away whoever they are," said Alma. Another and more peremptory ring forbade them refuge in this simple expedient. " Oh dear ! what shall we do ? Perhaps it 's a despatch." The conjecture moved Alma to no more than a rigid stare. " I shall not go," she said. A third ring more insistent than the others followed, and she said : " You go ahead, mamma, and I '11 come behind to scream .if it 's anybody. We can look through the side-lights at the door first." A HAZARD OF NEW FORTUNES. 147 Mrs. Leighton fearfully led the way from the back chamber where they had been sitting, and slowly descended the stairs. Alma came behind and turned up the hall gas-jet with a sudden flash that made them both jump a little. The gas inside rendered it more difficult to tell who was on the threshold, but Mrs. Leighton decided from a timor- ous peep through the scrims that it was a lady and gentleman. Something in this distribution of sex emboldened her ; she took her life in her hand, and opened the door. The lady spoke. " Does Mrs. Leighton live heah 1" she said, in a rich, throaty voice ; and she feigned a reference to the agent's permit she held in her hand. "Yes," said Mrs. Leighton; she mechanically occupied the doorway, while Alma already quivered behind her with impatience of her impoliteness. " Oh," said the lady, who began to appear more and more a young lady, " Ah didn't know but Ah had mistaken the ho'se. Ah suppose it 's rather late to see the Apawtments, and Ah most ask you to pawdon us." She put this tentatively, with a delicately growing recognition of Mrs. Leighton as the lady of the house, and a humorous intelligence of the situation in the glance she threw Alma over her mother's shoulder. " Ah 'm afraid we most have frightened you." " Oh, not at all." said Alma ; and at the same time her mother said, " Will you walk in, please ? " The gentleman promptly removed his hat and made the Leigh tons an inclusive bo\v. " You awe L 148 A HAZARD OF NEW FORTUNES. very kind, madam, and I am sorry for the trouble we awe giving you." He was tall and severe-look- ing, with a grey, trooperish moustache and iron- grey hair, and, as Alma decided, iron-grey eyes. His daughter was short, plump, and fresh-coloured, with an effect of liveliness that did not all express itself in her broad-vowelled, rather formal speech, with its odd valuations of some of the auxiliary verbs, and its total elision of the canine letter. "We awe from the Soath," she said, "and we arrived this mawning, but we got this cyahd from the brokah just befo' dinnah, and so we awe rathah late." "Not at all; it's only nine o'clock," said Mrs. Leighton, in condonation. She looked up from the card the young lady had given her, and explained, " We haven't got in our servants yet, and we had to answer the bell ourselves, and " " You were frightened, of coase," said the young lady caressingly. The gentleman said they ought not to have come so late, and he offered some formal apologies. "We should have been just as much scared any time after five o'clock," Alma said to the sympathetic intelligence in the girl's face. She laughed out. " Of coase ! Ah would have my hawt in my moath all day long too, if Ah was living in a big hoase alone." A moment of stiffness followed ; Mrs. Leighton would have liked to withdraw from the intimacy of the situation, but she did not know how. It was A HAZARD OF NEW FORTUNES. 149 very well for these people to assume to be what they pretended ; but, she reflected too late, she had no proof of it except the agent's permit. They were all standing in the hall together, and she prolonged the awkward pause while she examined the permit. " You are Mr. Woodburn 1 " she asked, in a way that Alma felt implied he might not be. " Yes, madam ; from Charlottesboag, Virginia," he answered, with the slight umbrage a man shows when the strange cashier turns his check over and questions him before cashing it. Alma writhed internally, but outwardly remained subordinate ; she examined the other girl's dress, and decided in a superficial consciousness that she had made her own bonnet. " I shall be glad to show you my rooms," said Mrs Leighton, with an irrelevant sigh. " You must excuse their being not just as I should wish them. We 're hardly settled yet." " Don't speak of it, madam," said the gentleman, " if you can overlook the trouble we awe giving you at such an unseasonable houah." " Ah 'm a hoase-keepah mahself," Miss Woodburn joined in, " and Ah know ho' to accyoant fo' every- thing." Mrs. Leighton led the way upstairs, and the young lady decided upon the large front room and small side-room on the third story. She said she could take the small one, and the other was so large that her father could both sleep and work in it. She seemed not ashamed to ask if Mrs. Leighton's 150 A HAZARD OF NEW FORTUNES. price was inflexible, but gave way laughing when her father refused to have any bargaining, with a haughty self-respect which he softened to deference for Mrs. Leighton. His impulsiveness opened the way for some confidences from her, and before the affair was arranged she was enjoying in her quality of clerical widow the balm of the Virginians' reverent sympathy. They said they were Church people themselves. " Ah don't know what yo' mothah means by yo' hoase not being in oddah," the young lady said to Alma, as they went downstairs together. " Ah 'm u great hoase-keepah mahself, and Ah mean what Ah say." They had all turned mechanically into the room where the Leightons were sitting when the Wood- burns rang. Mr. Woodburn consented to sit down, and he remained listening to Mrs. Leighton while his daughter bustled up to the sketches pinned round the room, and questioned Alma about them. " Ah suppose you awe going to be a great aw- tust?" she said, in friendly banter, when Alma owned to having done the things. " Ah Ve a great notion to take a few lessons mahself. Who 's yo' teachah ? " Alma said she was drawing in Mr. Wetmore's class, and Miss Woodburn said : " Well, it 's just beautiful, Miss Leighton; it's grand. Ah suppose it 's raght expensive, now ? Mali goodness ! we have to cyoant the coast so much nowadays, it seems to me we do nothing but cyoant it. Ah 'd like to bah something once without askin' the price." A HAZARD OF NEW FORTUNES. 151 " Well, if you didn't ask it," said Alma, " I don't believe Mr. Wetmore would ever know what the price of his lessons was. He has to think, when you ask him." "Why, he most be chomming," said Miss Wood- burn. "Perhaps Ah maght get the lessons for nothing from him- Well, Ah believe in my soul Ah '11 trah. Now ho' did you begin ? and ho' do you expect to get anything oat of it 1 " She turned on Alma eyes brimming with a shrewd mixture of fun and earnest, and Alma made note of the fact that she had an early nineteenth-century face, round, arch, a little coquettish, but extremely sen- sible and unspoiled-looking, such as used to be painted a good deal in miniature at that period ; a tendency of her brown hair to twine and twist at the temples helped the effect ; a high comb would have completed it, Alma felt, if she had her bonnet off. It was almost a Yankee country-girl type ; but perhaps it appeared so to Alma because it was, like that, pure Anglo-Saxon. Alma herself, with her dull dark skin, slender in figure, slow in speech, with aristocratic forms in her long hands, and the oval of her fine face pointed to a long chin, felt her- self much more Southern in style than this bloom- ing, bubbling, bustling Virginian. "I don't know," she answered slowly. " Going to take po'traits," suggested Miss Wood- burn, " or just paint the ahdeal 1 " A demure bur- lesque lurked in her tone. "I suppose I don't expect to paint at all," said 152 A HAZARD OF NEW FORTUNES. Alma. "I 'm going to illustrate books if anybody will let me." " Ah should think they 'd just joamp at you," said Miss Woodburn. "Ah '11 tell you what let 's do, Miss Leighton : you make some pictures, and Ah '11 wrahte a book fo' them. Ah 've got to do some- thing. Ah maght as well wrahte a book. You know we Southerners have all had to go to woak. But Ah don't mand it. I tell papa I shouldn't ca' fo' the disgrace of bein' poo' if it wasn't fo' the incon- venience." " Yes, it 's inconvenient," said Alma ; " but you forget it when you 're at work, don't you think ? " " Mah, yes ! Perhaps that 's one reason why poo' people have to woak so hawd to keep their mands off their poverty." The girls both tittered, and turned from talking in a low tone with their backs toward their elders, and faced them. "Well, Madison," said Mr. Woodburn, "it is time we should go. I bid you good night, madam," he bowed to Mrs. Leighton. "Good night," he bowed again to Alma. His daughter took leave of them in formal phrase, but with a jolly cordiality of manner that deforma- lised it. "We shall be roand raght soon in the mawning, then," she threatened at the door. "We shall be all ready for you," Alma called after her down the steps. " Well, Alma 1 " her mother asked, when the door closed upon them. A HAZARD OF NEW FORTUNES. 153 "She doesn't know any more about art" said Alma, " than nothing at all. But she 's jolly and good-hearted. She praised everything that was bad in my sketches, and said she was going to take lessons herself. When a person talks about taking lessons, as if they could learn it, you know where they belong artistically." Mrs. Leighton shook her head with a sigh. " I wish I knew where they belonged financially. We shall have to get in two girls at once. I shall have to go out the first thing in the morning, and then our troubles will begin." "Well, didn't you want them to begin? I will stay home and help you get ready. Our prosperity couldn't begin without the troubles, if you mean boarders, and boarders mean servants. I shall be very glad to be afflicted with a cook for a while myself." " Yes ; but we don't know anything about these people, or whether they will be able to pay us. Did she talk as if they were well off ] " " She talked as if they were poor ; poo' she called it." "Yes, how queerly she pronounced," said Mrs. Leighton. " Well, I ought to have told them that I required the first week in advance." " Mamma ! If that 's the way you 're going to act "Oh, of course, I couldn't, after he wouldn't let her bargain for the rooms. I didn't Iike4,hat." " / did. And you can see that they were perfect 7* 154 A HAZARD OF NEW FORTUNES. ladies ; or at least one of them." Alma laughed at herself, but her mother did not notice. " Their being ladies won't help if they Ve got no money. It '11 make it all the worse." " Very well, then ; we have no money, either. We 're a match for them any day there. We can show them that two can play at that game," III. ANGUS BEATON'S studio looked at first glance like many other painters' studios. A grey wall quad- rangularly vaulted to a large north light ; casts of feet, hands, faces hung to nails about ; prints, sketches in oil and water-colour stuck here and there lower down ; a rickety table, with paint and palettes and bottles of varnish and siccative tossed comfortlessly on it ; an easel, with a strip of some faded mediaeval silk trailing from it ; a lay figure simpering in incomplete nakedness, with its head on one side, and a stocking on one leg, and a Japanese dress dropped before it ; dusty rugs and skins kick- ing over the varnished floor ; canvases faced to the mop-board ; an open trunk overflowing with cos- tumes : these features one might notice anywhere. But besides there was a bookcase with an unusual number of books in it, arid there was an open colonial writing-desk, claw-footed, brass-handled, and scutcheoned, with foreign periodicals French and English littering its leaf, and some pages of manu- script scattered among them. Above all, there was a sculptor's revolving stand, supporting a bust which Beaton was modelling, with an eye fixed as simul- 156 A HAZARD OF NEW FORTUNES. taneously as possible on the clay and on the head of the old man who sat on the platform beside it. Few men have been able to get through the world with several gifts to advantage in all ; and most men seem handicapped for the race if they have more than one. But they are apparently immensely interested as well as distracted by them. When Beaton was writing, he would have agreed, up to a certain point, with any one who said litera- ture was his proper expression ; but then, when he was painting, up to a certain point, he would have maintained against the world that he was a colourist and supremely a colourist. At the certain point in either art he was apt to break away in a frenzy of disgust, and wreak himself upon some other. In these moods he sometimes designed elevations of buildings, very striking, very original, very chic, very everything but habitable. It was in this way that he had tried his hand on sculpture, which he had at first approached rather slightingly as a mere decorative accessory of architecture. But it had grown in his respect till he maintained that the ac- cessory business ought to be all the other way : that temples should be raised to enslmne statues, not statues made to ornament temples ; that was putting the cart before the horse with a vengeance. This was when he had carried a plastic study so far that the sculptors who saw it said that Beaton might have been an architect, but would certainly never be a sculptor. At the same time he did some hurried, nervous things that had a popular charm, A HAZARD OF NEW FORTUNES. 157 and that sold in plaster reproductions, to the profit of another. Beaton justly despised the popular charm in these, as well as in the paintings he sold from time to time ; he said it was flat burglary to have taken money for them, and he would have been living almost wholly upon the bounty of the old tombstone-cutter in Syracuse if it had not been for the syndicate letters which he supplied to Fulkerson for ten dollars a week. They were very well done, but he hated doing them after the first two or three, and had to be punched up for them by Fulkerson, who did not cease to prize them, and who never failed to punch him up. Beaton being what he was, Fulkerson was his creditor as well as patron ; and Fulkerson being what he was, had an enthusiastic patience with the elusive, facile, adaptable, unpractical nature of Beaton. He was very proud of his art-letters, as he called them ; but then Fulkerson was proud of everything he secured for his syndicate. The fact that he had secured it gave it value ; he felt as if he had written it himself. One art trod upon another's heels with Beaton. The day before he had rushed upon canvas the con- ception of a picture which he said to himself was glorious, and to others (at the table d'hote of Maroni) was not bad. He had worked at it in a fury till ^he light failed him, and he execrated the dying -day. But he lit his lamp, and transferred the pro- cess of his thinking from the canvas to the opening of the syndicate letter which he knew Fulkerson 158 A HAZARD OF NEW FORTUNES. would be coming for in the morning. He remained talking so long after dinner in the same strain as he had painted and written in that he could not finish his letter that night. The next morning, while he was making his tea for breakfast, the postman brought him a letter from his father enclosing a little cheque, and begging him with tender, almost deferential, urgence to come as lightly upon him as possible, for just now his expenses were very heavy. It brought tears of shame into Beaton's eyes the fine smouldering, float- ing eyes that many ladies admired, under the thick bang and he said to himself that if he were half a man he would go home and go to work cutting grave- stones in his father's shop. But he would wait, at least, to finish his picture ; and as a sop to his con- science, to stay its immediate ravening, he resolved to finish that syndicate letter first, and borrow enough money from Fulkerson to be able to send his father's cheque back ; or if not that, then to return the sum of it partly in Fulkerson's cheque. While he still teemed with both of these good intentions the old man frqm whom he was modelling his head of Judas came, and Beaton saw that he must get through with him before he finished either the picture or the letter ; he would have to pay him for the time any- way. He utilised the remorse with which he was tingling to give his Judas an expression which he found novel in the treatment of that character a look of such touching, appealing self-abhorrence that Beaton's artistic joy in it amounted to rapture ; between the breathless moments when he worked in A HAZARD OF NEW FORTUNES. 159 dead silence for an effect that was trying to escape him, he sang and whistled fragments of comic opera. In one of the hushes there came a blow on the outside of the door that made Beaton jump, and swear with a modified profanity that merged itself I'n apostrophic prayer. He knew it must be Fulker- son, and after roaring, " Come in ! " he said to the model, " That '11 do this morning, Lindau." Fulkerson squared his feet in front of the bust, and compared it by fleeting glances with the old man as he got stiffly up, and suffered Beaton to help him on with his thin shabby overcoat. " Can you come to-morrow, Lindau ? " "No, not to-morrow, Mr. Peaton. I haf to zit for the young lad ties." " Oh ! " said Beaton. " Wetmore's class ? Is Miss Leighton doing you ? " " I don't know their namess," Lindau began, when Fulkerson said " Hope you haven't forgotten mine, Mr. Lindau ? I met you with Mr. March at Maroni's one night." Fulkerson offered him a universally shakable hand. " Oh yes ! I am gladt to zee you again, Mr. Vulkerzon. And Mr. Marge he don't zeem to gome any more ? " " Up to his eyes in work. Been moving on from Boston and getting settled, and starting in on our enterprise. Beaton here hasn't got a very flattering likeness of you, hey ? Well, good morning," he said, for Lindau appeared not to have heard him, and was escaping with a bow through the door. 160 A HAZARD OF NEW FORTUNES. Beaton lit a cigarette which he pinched nervously between his lips before he spoke. " You 've come for that letter, I suppose, Fulkerson ? It isn't done." Fulkerson turned from staring at the bust to which he had mounted. " What you fretting about that letter for ? I don't want your letter." Beaton stopped biting his cigarette, and looked at him. " Don't want my letter ? Oh, very good ! " he bristled up. He took his cigarette from his lips, and blew the smoke through his nostrils, and then looked at Fulkerson. " No ; / don't want your letter ; I want you." Beaton disdained to ask an explanation, but he internally lowered his crest, while he continued to look at Fulkerson without changing his defiant countenance. This suited Fulkerson well enough, and he went on with relish : " I 'm going out of the syndicate business, old man, and I 'm on a new thing." He put his leg over the back of a chair and rested his foot on its seat, and with one hand in his pocket, he laid the scheme of Every Other Week before Beaton with the help of the other. The artist went about the room, meanwhile, with an effect of indifference which by no means offended Fulkerson. He took some water into his mouth from a tumbler, which he blew in a fine mist over the head of Judas, before swathing it in a dirty cotton cloth ; he washed his brushes and set his palette ; he put up on his easel the picture he had blocked on the day before, and stared at it with a gloomy face ; then he gathered the sheets of his I A HAZARD OF NEW FORTUNES. 161 unfinished letter together and slid them into a drawer of his writing-desk. By the time he had finished and turned again to Fulkerson, Fulkerson was saying : " I did think we could have the first number out by New- Year's ; but it will take longer than that a month longer ; but I 'm not sorry, for the holidays kill everything ; and by February, or the middle of February, people will get their breath again, and begin to look round and ask what 's new. Then we '11 reply in the language of Shakespeare and Milton, Every Other Week ; and don't you forget it." He took down his leg and asked, " Got a pipe of 'baccy anywhere ? " Beaton nodded at a clay stem sticking out of a Japanese vase of bronze on his mantel. "There's yours," he said ; and Fulkerson said, " Thanks," and filled the pipe, and sat down and began to smoke tranquilly. Beaton saw that he would have to speak now. " And what do you want with me 1" " You 1 Oh yes " Fulkerson humorously drama- tised a return to himself from a pensive absence. " Want you for the art department." Beaton shook his head. " I 'm not your man, Fulkerson," he said compassionately. " You want a more practical hand; one that's in touch with what 's going. I 'm getting further and further away from this century and its claptrap. I don't believe in your enterprise ; I don't respect it, and I won't have anything to do with it. It would choke me, that kind of thing." 162 A HAZARD OF NEW FORTUNES. " That 's all right," said Fulkerson. He esteemed a man who was not going to let himself go cheap. " Or if it isn't, we can make it. You and March will pull together first-rate. I don't care how much ideal you put into the thing ; the more the better. I can look after the other end of the schooner myself." " You don't understand me," said Beaton. " I 'm not trying to get a rise out of you. I 'm in earnest. "What you want is some man who can have patience with mediocrity putting on the style of genius, and with genius turning mediocrity on his hands. I haven't any luck with men ; I don't get on with them; I'm not popular." Beaton recognised the fact with the satisfaction which it somehow always brings to human pride. " So much the better ! " Fulkerson was ready for him at this point. " I don't want you to work the old established racket the reputations. When I want them I '11 go to them with a pocketful of rocks knock-down argument. But my idea is to deal with the volunteer material. Look at the way the periodicals are carried on now ! Names ! names ! names ! In a country that 's just boiling over with literary and artistic ability of every kind the new fellows have no chance. The editors all engage their material. I don't believe there are fifty volunteer contributions printed in a year in all the New York magazines. It 's all wrong ; it 's suicidal. Evefry Other Week is going back to the good old anonymous system, the only fair system. It 's worked well in literature, and it will work well in art" A HAZARD OF NEW FORTUNES. 16$ " It won't work well in art," said Beaton. " There you have a totally different set of conditions. What you '11 get by inviting volunteer illustrations will be a lot of amateur trash. And how are you going to submit your literature for illustration ? It can't be done. At any rate, J won't undertake to do it." " We '11 get up a School of Illustration," said Fulkerson, with cynical security. " You can read the things and explain 'em, and your pupils can make their sketches under your eye. They wouldn't be much further out than most illustrations are if they never knew what they were illustrating. You might select from what comes in and make up a sort of pictorial variations to the literature without any particular reference to it. Well, I understand you to accept ? " " No, you don't." " That is, to consent to help us with your advice and criticism. That 's all I want. It won't commit you to anything ; and you can be as anonymous as anybody." At the door Fulkerson added : " By the way, the new man the fellow that 's taken my old syndicate business will want you to keep on ; but I guess he 's going to try to beat you down on the price of the letters. He's going in for retrench- ment. I brought along a cheque for this one ; I 'm to pay for that." He offered Beaton an envelope. " I can't take it, Fulkerson. The letter 's paid for already." Fulkerson stepped forward and laid the envelope on the table among the tubes of paint. "It isn't the letter merely. I thought you M 164 A HAZARD OF NEW FORTUNES. wouldn't object to a little advance on your Every Other Week work till you kind of got started." Beaton remained inflexible. " It can't be done, Fulkerson. Don't I tell you I can't sell myself out to a thing I don't believe in ? Can't you under- stand that 1" " Oh yes ; I can understand that first-rate. I don't want to buy you ; I want to borrow you. It 's all right. See 1 Come round when you can ; I 'd like to introduce you to old March. That 's going to be our address." He put a card on the table beside the envelope, and Beaton allowed him to go without making him take the cheque back. He had remembered his father's plea ; that unnerved him, and he promised himself again to return his father's poor little cheque and to work on that picture and give it to Fulkerson for the cheque he had left and for his back debts. He resolved to go to work on the picture at once ; he had set his palette for it ; but first he looked at Fulkerson's cheque. It was for only fifty dollars, and the canny Scotch blood in Beaton rebelled ; he could not let this picture go for any such money ; he felt a little like a man whose generosity has been trifled with. The conflict of emotions broke him up, and he could not work. IV. THE day wasted away in Beaton's hands ; at half- past four o'clock he went out to tea at the house of a lady who was At Home that afternoon from four till seven. By this time Beaton was in possession of one of those other selves, of which we each have several about us, and was again the laconic, staccato, rather worldlified young artist whose moments of a controlled utterance and a certain distinction of manner had commended him to Mrs. Horn's fancy in the summer at St. Barnaby. Mrs. Horn's rooms were large, and they never seemed very full, though this perhaps was because people were always so quiet. The ladies, who out- numbered the men ten to one, as they always do at a New York tea, were dressed in sympathy with the low tone every one spoke in, and with the sub- dued light which gave a crepuscular uncertainty to the few objects, the dim pictures, the unexcited up- holstery, of the rooms. One breathed free of bric-a brae there, and the new-comer breathed softly as one does on going into church after service has begun. This might be a suggestion from the voiceless be haviour of the man-servant who let you in, but it 166 A HAZARD OF NEW FORTUNES. was also because Mrs. Horn's At Home was a cere- mony, a decorum, and not festival. At far greater houses there was more gaiety, at richer houses there was more freedom ; the suppression at Mrs. Horn's was a personal, not a social, effect ; it was an efflux of her character, demure, silentious, vague, but very correct. Beaton easily found his way to her around the grouped skirts and among the detached figures, and received a pressure of welcome from the hand which she momentarily relaxed from the teapot. She sat behind a table put crosswise of a remote corner, and offered tea to people whom a niece of hers received provisionally or sped finally in the outer room. They did not usually take tea, and when they did they did not usually drink it; but Beaton was feverishly glad of his cup ; he took rum and lemon in it, and stood talking at Mrs. Horn's side till the next arrival should displace him : he talked in his French manner. "I have been hoping to see you," she said. "I wanted to ask you about the Leightons. Did they really come ? " " I believe so. They are in town yes. I haven't seen them." " Then you don't know how they 're getting on that pretty creature, with her cleverness, and poor Mrs. Leighton 1 I was afraid they were venturing on a rash experiment. Do you know where they are ? " "In West Eleventh Street somewhere. Miss Leighton is in Mr. Wetmore's class." A HAZARD OF NEW FORTUNES. 167 " I must look them up. Do you know their number 1 " "Not at the moment. I can find out." " Do," said Mrs. Horn. " What courage they must have, to plunge into New York as they've done ! I really didn't think they would. I wonder if they Ve succeeded in getting anybody into their house yet 1 " " I don't know," said Beaton. "I discouraged their coming all I could," she sighed, "and I suppose you did too. But it's quite useless trying to make people in a place like St. Barnaby understand how it is in town." "Yes," said Beaton. He stirred his tea, while inwardly he tried to believe that he had really discouraged the Leightons from coming to New York. Perhaps the vexation of his failure made him call Mrs. Horn in his heart a fraud. "Yes," she went on. "It is very, very hard. And when they won't understand, and rush on their doom, you feel that they are going to hold you respons " Mrs. Horn's eyes wandered from Beaton; her voice faltered in the faded interest of her remark, and then rose with renewed vigour in greeting a lady who came up and stretched her glove across the teacups. Beaton got himself away and out of the house with a much briefer adieu to the niece than he had meant to make. The patronising compassion of Mrs. Horn for the Leicjhtons filled him with mdigrna- 168 A HAZARD OF NEW FORTUNES. tion toward her, toward himself. There was no reason why he should not have ignored them as he had done ; but there was a feeling. It was his nature to be careless, and he had been spoiled into recklessness ; he neglected everybody, and only remembered them when it suited his whim or his convenience ; but he fiercely resented the inatten- tion of others toward himself. He had no scruple about breaking an engagement or failing to keep an appointment ; he made promises without thinking of their fulfilment, and not because he was a faith- less person, but because he was imaginative, and expected at the time to do what he said, but was fickle, and so did not. As most of his shortcomings were of a society sort, no great harm was done to anybody else. He had contracted somewhat the circle of his acquaintance by what some people called his rudeness, but most people treated it as his oddity, and were patient with it. One lady said she valued his coming when he said he would come because it had the charm of the unexpected. "Only it shows that it isn't always the unexpected that happens," she explained. It did not occur to him that his behaviour was immoral ; he did not realise that it was creating a reputation if not a character for him. While we are still young we do not realise that our actions have this effect. It seems to us that people will judge us from what we think and feel. Later we find out that this is impossible ; perhaps we find it out too late ; some of us never find it out at all. A HAZARD OF NEW FORTUNES. 169 In spite of his shame about the Leightons Beaton had no present intention of looking them up or sending Mrs. Horn their address. As a matter of fact, he never did send it ; but he happened to meet Mr. Wetmore and his wife at the restaurant where he dined, and he got it of the painter for himself. He did not ask him how Miss Leighton was getting on ; but Wetmore launched out, with Alma for a tacit text, on the futility of women generally going in for art. " Even when they have talent they Ve got too much against them. Where a girl doesn't seem very strong, like Miss Leighton, no amount of chic is going to help." His wife disputed him on behalf of her sex, as women always do. " No, Dolly," he persisted ; " she 'd better be home milking the cows and leading the horse to water." " Do you think she 'd better be up till two in the morning at balls and going all day to receptions and luncheons 1 " " Oh, I guess it isn't a question of that, even if she weren't drawing. You knew them at home," he said to Beaton. " Yes." " I remember. Her mother said you suggested me. Well, the girl has some notion of it ; there 's no doubt about that. But she's a woman. The trouble with these talented girls is that they 're all woman. If they weren't, there wouldn't be much chance for the men, Beaton. But we Ve got Provi- VOL. I. 8 170 A HAZARD OF NEW FORTUNES. dence on our own side from the start. I 'm able to watch all their inspirations with perfect composure. I know just how soon it 's going to end in nervous breakdown. Somebody ought to marry them all and put them out of their misery." " And what will you do with your students who are married already 1 " his wife said. She felt that she had let him go on long enough. " Oh, they ought to get divorced." " You ought to be ashamed to take their money if that's what you think of them." " My dear, I have a wife to support." Beaton intervened with a question. " Do you mean that Miss Leighton isn't standing it very well 1 " " How do I know ? She isn't the kind that bends ; she 's the kind that breaks." After a little silence Mrs. Wetmore asked, " Won't you come home with us, Mr. Beaton ? " " Thank you ; no. I have an engagement." " I don't see why that should prevent you," said Wetmore. " But you always were a punctilious cuss. Well ! " Beaton lingered over his cigar ; but no one else whom he knew came in, and he yielded to the three- fold impulse of conscience, of curiosity, of inclina- tion, in going to call at the Leightons'. He asked for the ladies, and the maid showed him into the parlour, where he found Mrs. Leighton and Miss Wood burn. The widow met him with a welcome neatly marked by resentment ; she meant him to feel that A HAZARD OF NEW FORTUNES. 171 his not coining sooner had been noticed. Miss Woodburn bubbled and gurgled on, and did what she could to mitigate his punishment, but she did not feel authorised to stay it, till Mrs. Leighton, by studied avoidance of her daughter's name, obliged Beaton to ask for her. Then Miss Woodburn caught up her work, and said, " Ah '11 go and tell her, Mrs. Leighton." At the top of the stairs she found Alma, and Alma tried to make it seem as if she had not been standing there. " Mali goodness, chald ! there 's the handsomest young man asking for you down there you evah saw. Ah told you' mothah Ah would come up fo' you." " What who is it t " " Don't you know 1 But ho' could you 1 He 's got the most beautiful eyes, and he wea's his hai' in a bang, and he talks English like it was something else, and his name 's Mr. Beaton." " Did he ask for me ? " said Alma, with a dreamy tone. She put her hand on the stairs rail, and a little shiver ran over her. " Didn't I tell you 1 Of coase he did ! And you ought to go raght down if you want to save the poo' fellah's lahfe ; you' mothah's just freezin' him to death." V. "SHE is;" cried Alma. "Tchk!" She flew down- stairs, and flitted swiftly into the room, and fluttered up to Beaton, and gave him a crushing hand-shake. " How very kind of you to come and see us, Mr. Beaton ! When did you come to New York ? Don't you find it warm here ? We 've only just lighted the furnace, but with this mild weather it seems too early. Mamma does keep it so hot !" She rushed about opening doors and shutting registers, and then came back and sat facing him from the sofa with a mask of radiant cordiality. " How have you been since we saw you 1" "Very well," said Beaton. "I hope you're well, Miss Leighton ?" " Oh, perfectly ! I think New York agrees with us both wonderfully. I never knew such air. And to think of our not having snow yet ! I should think everybody would want to come here ! Why don't you come, Mr. Beaton ? " Beaton lifted his eyes and looked at her. " I I live in New York," he faltered. " In New York city / " she exclaimed. A HAZARD OF NEW FORTUNES. 173 " Surely, Alma," said her mother, " you remember Mr. Beaton's telling us he lived in New York." " But I thought you came from Rochester ; or was it Syracuse 1 I always get those places mixed up." " Probably I told you my father lived at Syracuse. I Ve been in New York ever since I came home from Paris," said Beaton, with the confusion of a man who feels himself played upon by a woman. " From Paris ! " Alma echoed, leaning forward, with her smiling mask tight on. " Wasn't it Munich, where you studied 1 " " I was at Munich too. I met Wetmore there." " Oh, do you know Mr. Wetmore 1 " " Why, Alma," her mother interposed again, " it was Mr. Beaton who told you of Mr. Wetmore." "Was it? Why, yes, to be sure. It was Mrs. Horn ; she suggested Mr. Ilcomb. I remember now. I can't thank you enough for having sent me to Mr. Wetmore, Mr. Beaton. Isn't he delightful? Oh yes, I'm a perfect Wetmorian, I can assure you. The whole class is the same way." " I just met him and Mrs. Wetmore at dinner," said Beaton, attempting the recovery of something that he had lost through the girl's shining ease and steely sprightliness. She seemed to him so smooth and hard, with a repellent elasticity from which he was flung off. " I hope you 're not working too hard, Miss Leighton ? " " Oh no ! I enjoy every minute of it, and grow stronger on it. Do I look very much wasted away ? " 174 A HAZARD OF NEW FORTUNES. She looked him full in the face, brilliantly smiling, and intentionally beautiful. " No," he said, with a slow sadness ; " I never saw you looking better." " Poor Mr. Beaton ! " she said, in recognition of his doleful tune. " It seems to be quite a blow." " Oh no " " I remember all the good advice you used to give me about not working too hard, and probably it's that that 's saved my life that and the house-hunt- ing. Has mamma told you of our adventures in get- ting settled 1 Some time we must. It was such fun ! And didn't you think we were fortunate to get such a pretty house ? You must see both our parlours." She jumped up, and her mother followed her with a bewildered look as she ran into the back parlour and flashed up the gas. " Come in here, Mr. Beaton. I want to show you the great feature of the house." She opened the low windows that gave upon a glazed veranda stretching across the end of the room. " Just think of this in New York ! You can't see it very well at night, but when the southern sun pours in here all the after- noon " " Yes, I can imagine it," he said. He glanced up at the bird-cage hanging from the roof. " I suppose Gypsy enjoys it." " You remember Gypsy ? " she said ; and she made a cooing, kissing little noise up at the bird, who responded drowsily. " Poor old Gypsum ! "Well, he shan't be disturbed. Yes, it's Gyp's de- A HAZARD OF NEW FORTUNES. 175 light, and Colonel Woodburn likes to write here in the morning. Think of us having a real live author in the house ! And Miss Woodburn : I ; m so glad you Ve seen her ! They 're Southern people." " Yes, that was obvious in her case." " From her accent ? Isn't it fascinating ? I didn't believe I could ever endure Southerners, but we 're like one family with the Woodburns. I should think you 'd want to paint Miss Woodburn. Don't you think her colouring is delicious ? And such a quaint kind of eighteenth-century type of beauty ! But she's perfectly lovely every way, and every- thing she says is so funny. The Southerners seem to be such great talkers ; better than we are, don't you think ? " " I don't know," said Beaton, in pensive dis- couragement. He was sensible of being manipu- lated, operated, but he was helpless to escape from the performer or to fathom her motives. His pensiveness passed into gloom, and was degenerat- ing into sulky resentment when he went away, after several failures to get back to the old ground he had held in relation to Alma. He retrieved something of it with Mrs. Leighton; but Alma glittered upon him to the last with a keen impene- trable candour, a childlike singleness of glance, covering unfathomable reserve. "Well, Alma," said her mother, when the door had closed upon him. " Well, mother." Then, after a moment, she said, with a rush : " Did you think I was going to let him 176 A HAZARD OF NEW FORTUNES. suppose we were piqued at his not coming? Did you suppose I was going to let him patronise us, or think that we were in the least dependent on his favour or friendship ? " Her mother did not attempt to answer her. She merely said, " I shouldn't think he would come any more." " Well, we have got on so far without him ; per- haps we can live through the rest of the winter." " I couldn't help feeling sorry for him. He was quite stupefied. I could see that he didn't know what to make of you." " He 's not required to make anything of me," said Alma. " Do you think he really believed you had for- gotten all those things ? " " Impossible to say, mamma." " Well, I don't think it was quite right, Alma." " I '11 leave him to you the next time. Miss Woodburn said you were freezing him to death when I came down." " That was quite* different. But there won't be any next time, I 'm afraid," sighed Mrs. Leighton. Beaton went home feeling sure there would not. He tried to read when he got to his room ; but Alma's looks, tones, gestures, whirred through and through the woof of the story like shuttles ; he could not keep them out, and he fell asleep at last, not because he forgot them, but because he forgave them. He was able to say to himself that he had been justly cut off from kindness which he knew A HAZARD OF NEW FORTUNES. 177 how to value in losing it. He did not expect ever to right himself in Alma's esteem ; but he hoped some day to let her know that he had understood. It seemed to him that it would be a good thing if she should find it out after his death. He ima- gined her being touched by it under those circum- stances. 8* VI. IN the morning it seemed to Beaton that he had done himself injustice. "When he uncovered his Judas and looked at it, he could not believe that the man who was capable of such work deserved the punishment Miss Leighton had inflicted upon him. He still forgave her, but in the presence of a thing like that he could not help respecting himself ; he believed that if she could see it she would be sorry that she had cut herself off from his acquaintance. He carried this strain of conviction all through his syndicate letter, which he now took out of his desk and finished, with an increasing security of his opinions and a mounting severity in his judgments. He retaliated upon the general condition of art among us the pangs of wounded vanity, which Alma had. made him feel, and he folded up his manuscript and put it in his pocket, almost healed of his humi- liation. He had been able to escape from its sting so entirely while he was writing that the notion of making his life more and more literary commended itself to him. As it was now evident that the future was to be one of renunciation, of self-forget- ting, an oblivion tinged with bitterness, he formlesslj A HAZARD OF NEW FORTUNES. 179 reasoned in favour of reconsidering his resolution against Fulkerson's offer. One must call it reason- ing, but it was rather that swift internal dramatisa- tion which constantly goes on in persons of excitable sensibilities, and which now seemed to sweep Beaton physically along toward the Every Other Week office, and carried his mind with lightning celerity on to a time when he should have given that journal such quality and authority in matters of art as had never been enjoyed by any in America before. With the prosperity which he made attend his work he changed the character of the enterprise, and with Fulkerson's enthusiastic support he gave the public an art journal of as high grade as Les Lettres et les Arts, and very much that sort of thing. All this involved now the unavailing regret of Alma Leighton, and now his reconciliation with her : they were married in Grace Church, because Beaton had once seen a marriage there, and had intended to paint a picture of it some time. Nothing in these fervid fantasies prevented his responding with due dryness to Fulkerson's cheery " Hello, old man ! " when he found himself in the building fitted up for the Every Other Week office. Fulkerson's room was back of the smaller one occupied by the book-keeper ; they had been respec- tively the reception-room and dining-room of the little place in its dwelling-house days, and they had been simply and tastefully treated in their trans- formation into business purposes. The narrow old trim of the doors and windows had been kept, and N 180 A HAZARD OF NEW FORTUNES. the quaintly ugly marble mantels. The architect had said, Better let them stay : they expressed epoch, if not character. " Well, have you come round to go to work ? Just hang up your coat on the floor anywhere," Fulkerson went on. " I Ve come to bring you that letter," said Beaton, all the more haughtily because he found that Fulkerson was not alone when he welcomed him in these free and easy terms. There was a quiet-look- ing man, rather stout, and a little above the middle height, with a full, close-cropped iron-grey beard, seated beyond the table where Fulkerson tilted him- self back, with his knees set against it ; and leaning against the mantel there was a young man with a singularly gentle face, in which the look of goodness qualified and transfigured a certain simplicity. His large blue eyes were somewhat prominent ; and his rather narrow face was drawn forward in a nose a little too long perhaps, if it had not been for the full chin deeply cut below the lip, and jutting firmly forward. "Introduce you to Mr. March, our editor, Mr. Beaton," Fulkerson said, rolling his head in the direction of the elder man ; and then nodding it toward the younger, he said, " Mr. Dryfoos, Mr. Beaton." Beaton shook hands with March, and then with Mr. Dryfoos, and Fulkerson went on gaily : " We were just talking of you, Beaton well, you know the old saying. Mr. March, as I told you, is our editor, and Mr. Dryfoos has charge A HAZARD OF NEW FORTUNES. 181 of the publishing department he's the counting- room incarnate, the source of power, the fountain of corruption, the element that prevents journalism being the high and holy thing that it would be if there were no money in it." Mr. Dryfoos turned his large mild eyes upon Beaton, and laughed with the uneasy concession which people make to a character when they do not quite approve of the character's language. " What Mr. March and I are trying to do is to carry on this thing so that there won't be any money in it or very little ; and we 're planning to give the public a better article for the price than it 's ever had before. Now here 's a dummy we've had made up for Every Other Week, and as we 've decided to adopt it, we would naturally like your opinion of it, so 's to know what opinion to have of you." He reached forward and pushed toward Beaton a volume a little above the size of the ordinary duodecimo book; its ivory white pebbled paper cover was prettily illustrated with a water- coloured design irregularly washed over the greater part of its surface : quite across the page at top, and narrowing from right to left as it descended. In the triangular space left blank the title of the periodical and the publisher's imprint were tastefully lettered so as to be partly covered by the background of colour. " It 's like some of those Tartarin books of Dau- det's," said Beaton, looking at it with more interest than he suffered to be seen. "But it's a book, not a magazine." He opened its pages of thick mellow 182 A HAZARD OF NEW FORTUNES. white paper, with uncut leaves, the first few pages experimentally printed in the type intended to be used, and illustrated with some sketches drawn into and over the text, for the sake of the effect. " A Daniel a Daniel come to judgment ! Sit down, Dan'el, and take it easy." Fulkerson pushed a chair toward Beaton, who dropped into it. " You 're right, Dan'el ; it 's a book, to all practical intents and purposes. And what we propose to do with the American public is to give it twenty-four books like this a year a complete library for the absurd sum of six dollars. We don't intend to sell 'em it 's no name for the transaction but to give J em. And what we want to get out of you beg, borrow, buy, or steal from you is an opinion whether we shall make the American public this princely present in paper covers like this, or in some sort of flexible boards, so they can set them on the shelf and say no more about it. Now, Dan'el, come to judgment, as our respected friend -Shylock remarked." Beaton had got done looking at the dummy, and he dropped it on the table before Fulkerson, who pushed it away, apparently to free himself from partiality. " I don't know anything about the business side, and I can't tell about the effect of either style on the sales ; but you '11 spoil the whole character of the cover if you use anything thicker than that thickish paper." " All right ; very good ; first-rate. The ayes have it. Paper it is. I don't mind telling you that we had decided for that paper before you came in. Mr. A HAZARD OF NEW FORTUNES. 183 March wanted it, because he felt in his bones just the way you do about it, and Mr. Dryfoos wanted it, because he 's the counting-room incarnate, and it's cheaper; and I wanted it, because I always like to go with the majority. Now what do you think of that little design itself ? " " The sketch 1 " Beaton pulled the book toward him again and looked at it again. " Rather decora- tive. Drawing 's not remarkable. Graceful ; rather nice." He pushed the book away again, and Fulker- son pulled it to his side of the table. " Well, that 's a piece of that amateur trash you despise so much. I went to a painter I know by the way, he was guilty of suggesting you for this thing, but I told him I was ahead of him and I got him to submit my idea to one of his class, and that's the result. Well, now, there ain't anything in this world that sells a book like a pretty cover, and we 're going to have a pretty cover for Every Other Week every time. We 've cut loose from the old traditional quarto literary newspaper size, and we've cut loose from the old two-column big page magazine size ; we 're going to have a duodecimo page, clear black print, and paper that'll make your mouth water; and we're going to have a fresh illustration for the cover of each number, and we ain't a-going to give the public any rest at all. Sometimes we're going to have a delicate little landscape like this, and sometimes we're going to have an indelicate little figure, or as much so as the law will allow." 184 A HAZARD OF NEW FORTUNES. The young man leaning against the mantelpiece blushed a sort of protest. March smiled and said dryly, "Those are the numbers that Mr. Fulkerson is going to edit himself." "Exactly. And Mr. Beaton here is going to supply the floating females, gracefully airing them- selves against a sunset or something of that kind." Beaton frowned in embarrassment, while Fulkerson went on philosophically. "It's astonishing how you fellows can keep it up at this stage of the pro- ceedings ; you can paint things that your harshest critic would be ashamed to describe accurately; you're as free as the theatre. But that's neither here nor there. What I'm after is the fact that we 're going to have variety in our title-pages, and we are going to have novelty in the illustrations of the body of the book. March, here, if he had his own way, wouldn't have any illustrations at all." "Not because I don't like them, Mr. Beaton," March interposed, " but because I like them too much. I find that I look at the pictures in an illustrated article, but I don't read the article very much, and I fancy that 's the case with most other people. You've got to doing them so prettily that you take our eyes off the literature, if you don't take our minds off." " Like the society beauties on the stage : people go in for the beauty so much that they don't know what the play is. But the box office gets there all the same, and that's what Mr. Dryfoos wants." Fulkerson looked up gaily at Mr. Dryfoos, who smiled deprecatingly. A HAZARD OF NEW FORTUNES. 185 "It was different," March went on, "when the illustrations used to be bad. Then the text had some chance." "Old legitimate drama days, when ugliness and genius combined to storm the galleries," said Ful- kerson. " We can still make them bad enough," said Beaton, ignoring Fulkerson in his remark to March. Fulkerson took the reply upon himself. " Well, you needn't make 'em so bad as the old-style cuts ; but you can make them unobtrusive, modestly re- tiring. We Ve got hold of a process something like that those French fellows gave Daudet thirty-five thousand dollars to write a novel to use with ; kind of thing that begins at one side, or one corner, and spreads in a sort of dim religious style over the print till you can't tell which is which. Then we Ve got a notion that where the pictures don't behave quite so sociably, they can be dropped into the text, like a little casual remark, don't you know, or a comment that has some connection, or may be none at all, with what's going on in the story. Some- thing like this." Fulkerson took away one knee from the table long enough to open the drawer, and pull from it a book that he shoved toward Beaton. " That 's a Spanish book I happened to see at Bren- tano's, and I froze to it on account of the pictures. I guess they 're pretty good." " Do you expect to get such drawings in this country ? " asked Beaton, after a glance at the book. " Such character such drama ? You won't" 186 A HAZARD OF NEW FORTUNES. ""Well, I'm not so sure," said Fulkerson, "come to get our amateurs warmed up to the work. But- what I want is to get the physical effect, so to speak get that-sized picture into our page, and set the fashion of it. I shouldn't care if the illustration was sometimes confined to an initial letter and a tail-piece." " Couldn't be done here. We haven't the touch. We 're good in some things, but this isn't in our way," said Beaton stubbornly. " I can't think of a man who could do it ; that is, amongst those that would." " Well, think of some woman, then," said Fulker- son easily. "I've got a notion that the women could help us out on this thing, come to get 'em interested. There ain't anything so popular as. female fiction ; why not try female art 1 " " The females themselves have been supposed to have been trying it for a good while," March sug- gested ; and Mr. Dryf oos laughed nervously ; Beaton remained solemnly silent. "Yes, I know," Fulkerson assented. "But I don't mean that kind exactly. What we want to do is to work the ewig WeiUiche in this concern. We want to make a magazine that will go for the women's fancy every time. I don't mean with recipes for cooking and fashions and personal gossip about authors and society, but real high-tone litera- ture that will show women triumphing in all the stories, or else suffering tremendously. We 've got to recognise that women form three-fourths of the A HAZARD OF NEW FORTUNES. 1*87 reading public in this country, and go for their tastes and ttyeir sensibilities and their sex-piety along the whole line. They do like to think that women can do things better than men ; and if we can let it leak out and get around in the papers that the managers of Every Other Week couldn't stir a peg in the line of the illustration they wanted till they got a lot of God-gifted girls to help them, it '11 make the fortunes of the thing. See 1 " He looked sunnily round at the other men, and March said : " You ought to be in charge of a Siamese white elephant, Fulkerson. It 's a disgrace to be connected with you." " It seems to me," said Beaton, " that you 'd better get a God-gifted girl for your art editor." Fulkerson leaned alertly forward, and touched him on the shoulder, with a compassionate smile. "My dear boy, they haven't got the genius of organisation. It takes a very masculine man for that a man who combines the most subtle and refined sympathies with the most forceful purposes and the most ferruginous will power. Which his name is Angus Beaton, and here he sets ! " The others laughed with Fulkerson at his gross burlesque of flattery, and Beaton frowned sheepishly. " I suppose you understand this man's style," he growled toward March. " They do, my son," said Fulkerson. " They know that I cannot tell a lie." He pulled out his watch, and then got suddenly upon his feet. " It 's quarter of twelve, and I 've got an appoint- 188 A HAZARD OF NEW FORTUNES. ment. Beaton rose too, and Fulkerson put the two books in his lax hands. " Take these along, Michelangelo Da Vinci, my friend, and put your multitudinous mind on them for about an hour, and let us hear from you to-morrow. We hang upon your decision." " There 's no deciding to be done," said Beaton. "You can't combine the two styles. They'd kill each other." " A Dan'el, a Dan'el come to judgment ! I knew you could help us out ! Take 'em along, and tell us which will go the furthest with the ewig Weibliche. Dryfoos, I want a word with you." He led the way into the front room, flirting an airy farewell to Beaton with his hand as he went. VII. MARCH and Beaton remained alone together for a moment, and March said : " I hope you will think it worth while to take hold with us, Mr. Beaton. Mr. Fulkerson puts it in his own way, of course ; but we really want to make a nice thing of the magazine." He had that timidity of the elder in the presence of the younger man which the younger, preoccupied with his own timidity in the presence of the elder, cannot imagine. Besides, March was aware of the gulf that divided him as a literary man from Beaton as an artist, and he only ventured to feel his way toward sympathy with him. " We want to make it good ; we want to make it high. Fulker- son is right about aiming to please the women, bub of course he caricatures the way of going about it." For answer, Beaton flung out, " I can't go in for a thing I don't understand the plan of." March took it for granted that he had wounded some exposed sensibility of Beaton's. He continued still more deferentially : " Mr. Fulkerson's notion I must say the notion is his, evolved from his syndi- cate experience is that we shall do best in fiction to confine ourselves to short stories, and make each 190 A HAZARD OF NEW FORTUNES. number complete in itself. He found that the most successful things he could furnish his newspapers were short stories ; we Americans are supposed to excel in writing them ; and most people begin with them in fiction ; and it 's Mr. Fulkerson's idea to work unknown talent, as he says, and so he thinks he can not only get them easih', but can gradually form a school of short-story writers. I can't say I follow him altogether, but I respect his experience. We shall not despise translations of short stories, but otherwise the matter will all be original, and of course it won't all be short stories. We shall use sketches of travel, and essays, and little dramatic studies, and bits of biography and history ; but all very light, and always short enough to be completed in a single number. Mr. Fulkerson believes in pic- tures, and most of the things would be capable of illustration." " I see," said Beaton. " I don't know but this is the whole affair," said March, beginning to stiffen a little at the young man's reticence. " I understand. Thank you for taking the trouble to explain. Good morning." Beaton bowed him- self off, without offering to shake hands. Fulkerson came in after a while from the outer office, and Mr. Dryfoos followed him. fi Well, what do you think of our art editor ? " " Is he our art editor ? " asked March. " I wasn't quite certain when he left." " Did he take the books ? " A HAZARD OF NEW FORTUNES. 191 " Yes, he took the books." " I guess he 's all right, then." Fulkerson added, in concession to the umbrage he detected in March, " Beaton has his times of being the greatest ass in the solar system, but he usually takes it out in per- sonal conduct. When it comes to work, he's a regular horse." " He appears to have compromised for the present by being a perfect mule," said March. " Well, he 's in a transition state," Fulkerson allowed. " He 's the man for us. He really under- stands what we want. You '11 see ; he '11 catch on. That lurid glare of his will wear off in the course of time. He 's really a good fellow when you take him off his guard ; and he 's full of ideas. He 's spread out over a good deal of ground at present, and so he 's pretty thin ; but come to gather him up into a lump, there 's a good deal of substance to him. Yes, there is. He 's a first-rate critic, and he 's a nice fellow with the other artists. They laugh at his univer- sality, but they all like him. He 's the best kind of a teacher when he condescends to it ; and he 's just the man to deal with our volunteer work. Yes, sir, he's a prize. Well, I must go now." Fulkerson went out of the street door and then came quickly back. "By-the-by, March, I saw that old dynamiter of yours round at Beaton's room yesterday." " What old dynamiter of mine ? " " That old one-handed Dutchman friend of your youth the one we saw at Maroni's " 192 A HAZARD OF NEW FORTUNES. " Oh Lindau ! " said March, with a vague pang of self-reproach for having thought of Lindau so little after the first flood of his tender feeling toward him was past " Yes, our versatile friend was modelling him as Judas Iscariot. Lindau makes a first-rate Judas, and Beaton has got a big thing in that head if he works the religious people right. But what I was thinking of was this it struck me just as I was going out of the door : Didn't you tell me Lindau knew forty or fifty different languages 1 " " Four or five, yes." " Well, we won't quarrel about the number. The question is, why not work him in the field of foreign literature ? You can't go over all their reviews and magazines, and he could do the smelling for you, if you could trust his nose. Would he know a good thing?" " I think he would," said March, on whom the scope of Fulkerson's suggestion gradually opened. "He used to have good taste, and he must know the ground. Why, it 's a capital idea, Fulkerson ! Lindau wrote very fair English, and he could trans- late, with a little revision." "And he would probably work cheap. Well, hadn't you better see him about it ? I guess it '11 be quite a windfall for him." " Yes, it will. I '11 look him up. Thank you for the suggestion, Fulkerson." " Oh, don't mention it ! /don't mind doing Every Other Week a good, turn now and then when it comes A HAZARD OF NEW FORTUNES. 193 in my way." Fulkerson went out again, and this time March was finally left with Mr. Dryfoos. " Mrs. March was very sorry not to be at home when your sisters called the other day. She wished me to ask if they had any afternoon in particular. There was none on your mother's card." " No, sir," said the young man, with a flush of embarrassment that seemed habitual with him. " She has no day. She 's at home almost every day She hardly ever goes out." " Might we come some evening ? " March asked. " We should be very glad to do that, if she would excuse the informality. Then I could come with Mrs. March." " Mother isn't very formal," said the young man. " She would be very glad to see you." "Then we'll come some night this week, if you will let us. "When do you expect your father back ? " "Not much before Christmas. He's trying to settle up some things at Moffitt." " And what do you think of our art editor ? " asked March, with a smile, for the change of subject. "Oh, I don' J know much about such things," said the young man, with another of his embarrassed flushes. " Mr. Tulkerson seems to feel sure that he is the one for us." " Mr. Fulkerson seemed to think that / was the one for you, too," said March; and he laughed. " That 's what makes me doubt his infallibility. But he couldn't do worse with Mr. Beaton." Mr. Dryfoos reddened and looked down, as if VOL. I. 9 194 A HAZARD OF NEW FORTUNES. unable or unwilling to cope with the difficulty of making a polite protest against March's self-de- preciation. He said after a moment: "It's new business to all of us except Mr. Fulkerson. But I think it will succeed. I think we can do some good in it." March asked rather absently, " Some good?" Then he added : " Oh yes ; I think we can. What do you mean by good ? Improve the public taste 1 Elevate the standard of literature 1 Give young authors and artists a chance 1 " This was the only good that had ever been in March's mind, except the good that was to come in a material way from his success, to himself and to his family. " I don't know," said the young man ; and he looked down in a shamefaced fashion. He lifted his , head and looked into March's face. " I suppose I was thinking that some time we might help along. If we were to have those sketches of yours about life in every part of New York " March's authorial vanity was tickled. " Fulkerson has been talking to you about them ? He seemed to think they would be a card. He believes that there 's no subject so fascinating to the general average of people throughout the country as life in New York City ; and he liked my notion of doing these things." March hoped that Dryfoos would answer that Fulkerson was perfectly enthusiastic about his notion ; but he did not need this stimulus, and at any rate he went on without it. " The fact is, it 's something that struck my fancy the moment A HAZARD OF NEW FORTUNES. 195 I came here ; I found myself intensely interested in the place, and I began to make notes, consciously and unconsciously, at once. Yes, I believe I can get something quite attractive out of it. I don't in the least know what it will be yet, except that it will be very desultory ; and I couldn't at all say when I can get at it. If we postpone the first number till February I might get a little paper into that. Yes, I think it might be a good thing for us," March said, with modest self-appreciation. " If you can make the comfortable people under- stand how the uncomfortable people live, it will be a very good thing, Mr. March. Sometimes it seems to me that the only trouble is that we don't know one another well enough ; and that the first thing is to do this." The young fellow spoke with the seriousness in which the beauty of his face resided. Whenever he laughed his face looked weak, even silly. It seemed to be a sense of this that made him hang his head or turn it away at such times. " That 's true," said March, from the surface only. " And then, those phases of low life are immensely picturesque. Of course we must try to get the con- trasts of luxury for the sake of the full effect. That won't be so easy. You can't penetrate to the dinner- party of a millionaire under the wing of a detective as you could to a carouse in Mulberry Street, or to his children's nursery with a philanthropist' as you can to a street-boy's lodging-house." March laughed, and again the young man turned his head away. " Still, something can be done in that way by tact and patience." VIIL THAT evening March went with his wife to return the call of the Dryfoos ladies. On their way up- town in the Elevated he told her of his talk with young Dryfoos. " I confess I was a little ashamed before him afterward for having looked at the matter so entirely from the aesthetic point of view. But of course, you know, if I went to work at those things with an ethical intention explicitly in mind, I should spoil them." " Of course," said his wife. She had always heard him say something of this kind about such things. He went on : " But I suppose that 's just the point that such a nature as young Dryfoos' can't get hold of, or keep hold of. We 're a queer lot, down there, Isabel perfect menagerie. If it hadn't been that Fulkerson got us together, and really seems to know what he did it for, I should say he was the oddest stick among us. But when I think of my- self and my own crankiness for the literary depart- ment ; 'and young Dryfoos, who ought really to be in the pulpit, or a monastery, or something, for pub- lisher ; and that young Beaton, who probably hasn't a moral fibre in his composition, for the art man, I A HAZARD OF NEW FORTUNES. 197 don't know but we could give Fulkerson odds and still beat him in oddity." His wife heaved a deep sigh of apprehension, of renunciation, of monition. "Well, I'm glad you can feel so light about it, Basil." " Light ? I feel gay ! With Fulkerson at the helm, I tell you the rocks and the lee shore had better keep out of the way." He laughed with pleasure in his metaphor. "Just when you think Fulkerson has taken leave of his senses he says or does something that shows he is on the most inti- mate and inalienable terms with them all the time. You know how I've been worrying over those foreign periodicals, and trying to get some transla- tion from them for the first number ? Well, Ful- kerson has brought his centipedal mind to bear on the subject, and he's suggested that old German friend of mine I was telling you of the one I met in the restaurant the friend of my youth." " Do you think he could do it ? " asked Mrs. March sceptically. " He 's a perfect Babel of strange tongues ; and he 's the very man for the work, and I was ashamed I hadn't thought of him myself, for I suspect he needs the work." "Well, be careful how you get mixed up with him, then, Basil," said his wife, who had the natural misgiving concerning the friends of her husband's youth that all wives have. "You know the Ger- mans are so unscrupulously dependent. You don't know anything about him now." 198 A HAZARD OF NEW FORTUNES. " I 'm not afraid of Lindau," said March. " He was the best and kindest man I ever saw, the most high-minded, the most generous. He lost a hand in the war that helped to save us and keep us possible, and that stump of his is character enough for me." " Oh, you don't think I could have meant any- thing against him ! " said Mrs. March, with the tender fervour that every woman who lived in the time of the war must feel for those who suffered in it. " All that I meant was that I hoped you Avould not get mixed up with him too much. You're so apt to be carried away by your impulses." " They didn't carry me very far away in the direc- tion of poor old Lindau, I 'm ashamed to think," said March. " I meant all sorts of fine things by him after I met him ; and then I forgot him, and I had to be reminded of him by Fulkerson." She did not answer him, and he fell into a re- morseful reverie, in which he rehabilitated Lindau anew, and provided handsomely for his old age. He got him buried with military honours, and had a shaft raised over him, with a medallion likeness by Beaton and an epitaph by himself, by the time they reached Forty -second Street ; there was no time to write Lindau's life, however briefly, before the train stopped. i They had to walk up four blocks and then half a block across before they came to the indistinctive brown-stone house where the Dryfooses lived. It was larger than some in the same block, but the next neighbourhood of a huge apartment-house A HAZARD OF NEW FORTUNES. 199 dwarfed it again. March thought he recognised the very flat in which he had disciplined the surly janitor, but he did not tell his wife; he made her notice the transition character of the street, which had been mostly built up in apartment-houses, with here and there a single dwelling dropped far down beneath and beside them, to that jag-toothed effect on the sky-line so often observable in such New York streets. " I don't know exactly what the old gentleman bought here for," he said, as they waited on the steps after ringing, "unless he expects to turn it into flats by-and-by. Otherwise, I don't believe he '11 get his money back." An Irish serving-man, with a certain surprise that delayed him, said the ladies were at home, and let the Marches in, and then carried their cards upstairs. The drawing-room, where he said they could sit down while he went on this errand, was delicately decorated in white and gold, and fur- nished with a sort of extravagant good taste ; there was nothing to object to the satin furniture, -the pale, soft, rich carpet, the pictures, and the bronze and china bric-a-brac, except that their costliness was too evident ; everything in the room meant money too plainly, and too much of it. The Marches recognised this in the hoarse whispers which people cannot get their voices above when they try to talk away the interval of waiting in such circumstances ; they conjectured from what they had heard of the Dryfooses that this tasteful luxury in nowise expressed ^ their civilisation. " Though 200 A HAZARD OF NEW FORTUNES. when you come to that," said March, " I don't know that Mrs. Green's gimcrackery expresses ours." " Well, Basil, / didn't take the gimcrackery. That was your " The rustle of skirts on the stairs without arrested Mrs. March in the well-merited punishment which she never failed to inflict upon her husband when the question of the gimcrackery they always called it that came up. She rose at the entrance of a bright-looking, pretty-looking, mature, youngish lady, in black silk of a neutral implication, who put out her hand to her, and said, with a very cheery, very lady-like accent, " Mrs. March ? " and then added to both of them, while she shook hands with March, and before they could get the name out of their mouths, " No, not Miss Dryfoos ! Neither of them; nor Mrs. Dryfoos. Mrs. MandeL The ladies will be down in a moment Won't you throw off your sacque, Mrs. March ? I 'm afraid it 's rather warm here, coming from the outside." " I will throw it back, if you '11 allow me," said Mrs. March, with a sort of provisionally, as if, pending some uncertainty as to Mrs. Mandel's quality and authority, she did not feel herself justified in going further. But if she did not know about Mrs. Mandel, Mrs. Mandel seemed to know about her. " Oh, well, do ! " she said, with a sort of recognition of the propriety of her caution. " I hope you are feeling a little at home in New York We heard so much of your trouble in getting a flat, from Mr. Fulkerson." A HAZARD OF NEW FORTUNES. 201 " Well, a true Bostonian doesn't give up quite so soon," said Mrs. March. " But I will say New York doesn't seem so far away, now we 're here." " I 'm sure you '11 like it. Every one does." Mrs. Mandel added to March, " It 's very sharp out, isn't it ? " " Rather sharp. But after our Boston winters I don't know but I ought to repudiate the word." " Ah, wait till you have been here through March !" said Mrs. Mandel. She began with him, but skil- fully transferred the close of her remark, and the little smile of menace that went with it, to his wife. " Yes," said Mrs. March, " or April, either. Talk about our east winds ! " " Oh, I 'm sure they can't be worse than our winds,*' Mrs. Mandel returned caressingly. "If we escape New York pneumonia," March laughed, " it will only be to fall a prey to New York malaria as soon as the frost is out of the ground." " Oh, but you know," said Mrs. Mandel, " I think our malaria has really been slandered a little. It 's more a matter of drainage of plumbing. I don't believe it would be possible for malaria to get into this house, we 've had it gone over so thoroughly." Mrs. March said, while she tried to divine Mrs. Mandel's position from this statement, " It 's certainly the first duty." " If Mrs. March could have had her way, we should have had the drainage of our whole ward put in order," said her husband, "before we ventured to take a furnished apartment for the winter." 9* 202 A HAZARD OF NEW FORTUNES. Mrs. Mandel looked discreetly at Mrs. March for permission to laugh at this, but at the same moment both ladies became preoccupied with a second rust- ling on the stairs. Two tall, well-dressed young girls came in, and Mrs. Mandel introduced, "Miss Dryfoos, Mrs. March ; and Miss Mela Dryfoos, Mr. March," she added, and the girls shook hands in their several ways with the Marches. Miss Dryfoos had keen black eyes, and her hair was intensely black. Her face, but for the slight inward curve of the nose, was regular, and the small- ness of her nose and of her mouth did not weaken her face, but gave it a curious effect of fierceness, of challenge. She had a large black fan in her hand, which she waved in talking, with a slow, watchful nervousness. Her sister was blonde, and had a profile like her brother's ; but her chin was not so salient, and the weak look of the mouth was not corrected by the spirituality or the fervour of his eyes, though hers were of the same mottled blue. She dropped into the low seat beside Mrs. Mandel, and inter- twined her fingers with those of the hand which Mrs. Mandel let her have. She smiled upon the Marches, while Miss Dryfoos watched them in- tensely, with her eyes first on one and then on the other, as if she did not mean to let any expression of theirs escape her. " My mother will be down in a minute," she said to Mrs. March. " I hope we 're not disturbing her. It is so good A HAZARD OF NEW FORTUNES. 203 of you to let us come in the evening," Mrs. March replied. " Oh, not at all," said the girl. " We receive in the evening." " When we do rece'ive," Miss Mela put in. " We don't always get the chance to." She began a laugh, which she checked at a smile from Mrs. Mandel, which no one could have seen to be reproving. Miss Dryfoos looked down at her fan, and looked up defiantly at Mrs. March. " I suppose you have hardly got settled. We were afraid we would dis- turb you when we called." " Oh no ! We were very sorry to miss your visit. We are quite settled in our new quarters. Of course, it's all very different from Boston." " I hope it 's more of a sociable place there," Miss Mela broke in again. " I never saw such an unsoci- able place as New York. We Ve been in this house three months, and I don't believe that if we stayed three years any of the neighbours would call." " I fancy proximity doesn't count for much in New York," March suggested. Mrs. Mandel said : " That's what I tell Miss Mela. But she is a very social nature, and can't reconcile herself to the fact." " No* I can't," the girl pouted. " I think it was twice as much fun in Moffitt. I wish I was there now." " Yes," said March, " I think there 's a great deal more enjoyment in those smaller places. There 's not so much going on in the way of public amuse- 2(H A HAZARD OF NEW FORTUNES. ments, and so people make more of one another. There are not so many concerts, theatres, operas " " Oh, they 've got a spendid opera-house in Moffitt. It 's just grand," said Miss Mela. " Have you been to the opera here, this winter ? " Mrs. March asked of the elder girl She was glaring with a frown at her sister, and detached her eyes from her with an effort. " What did you say ? " she demanded, with an absent blunt- ness. " Oh yes. Yes ! We went once. Father took a box at the Metropolitan." " Then you got a good dose of Wagner, I sup- pose ? " said March. " What ? " asked the girl. " I don't think Miss Dryfoos is very fond of Wagner's music," Mrs. Mandel said. "I believe you are all great Wagnerites in Boston ? " " I 'm a very bad Bostonian, Mrs. Mandel. I suspect myself of preferring Verdi," March answered. Miss Dryfoos looked down at her fan again, and said, " I like Trovatore the best." "It's an opera I never get tired of," said March, and Mrs. March and Mrs. Mandel exchanged a smile of compassion for his simplicity. He detected it, and added, " But I dare say I shall come down with the Wagner feyer in time. I've been exposed to some malignant cases of it." "That night we were there," said Miss Mela, "they had to turn the gas down all through one part of it, and the papers said the ladies were awful mad because they couldn't show their diamonds. I L A HAZARD OF NEW FORTUNES. 205 don't wonder, if they all had to pay as much for their boxes as we did. We had to pay sixty dollars." She looked at the Marches for their sensation at this expense. March said : " Well, I think I shall take my box by the month, then. It must come cheaper, whole- sale." " Oh no, it don't," said the girl, glad to inform" him. " The people that own their boxes, and that had to give fifteen or twenty thousand dollars apiece for them, have to pay sixty dollars a night whenever there 's a performance, whether they go or not." " Then I should go every night," March said. " Most of the ladies were low neck " March interposed, " Well, I shouldn't go low neck" The girl broke into a fondly approving laugh at his drolling. " Oh, I guess you love to train ! Us girls wanted to go low neck, too ; but father said we shouldn't, and mother said if we did she wouldn't come to the front of the box once. Well, she didn't, anyway. We might just as well 'a' gone low neck. She stayed back the whole time, and when they had that dance the ballet, you know she just shut her eyes. Well, Conrad didn't like that part much, either ; but us girls and Mrs. Mandel, we brazened it out right in the front of the box. We were about the only ones there that went high neck. Conrad had to wear a swallow-tail ; but father hadn't any, and he had to patch out with a white cravat. You couldn't see what he had on in the back o' the box, anyway." 206 A HAZARD OF NEW FORTUNES. Mrs. March looked at Miss Dryfoos, who was waving her fan more and more slowly up and down, and who, when she felt herself looked at, returned Mrs. March's smile, which she meant to be ingratiat- ing and perhaps sympathetic, with a flash that made her start, and then ran her fierce eyes over March's face. " Here comes mother," she said, with a sort of breathlessness, as if speaking her thought aloud, and through the open door the Marches could see the old lady on the stairs. She paused half-way down, and turning, called up : " Coonrod ! Coonrod ! You bring my shawl down with you." Her daughter Mela called out to her, " Now, mother, Christine '11 give it to you for not sending Mike." "Well, I don't know where he is, Mely, child," the mother answered back. " He ain't never around when he 's wanted, and when he ain't, it seems like a body couldn't git shet of him, nohow." "Well, you ought to ring for him," cried Miss Mela, enjoying the joke. Her mother came in with a slow step ; her head shook slightly as she looked about the room, perhaps from nervousness, perhaps from a touch of palsy. In either case the fact had a pathos which Mrs. March confessed in the affection with which she took her hard, dry, large, old hand when she was introduced to her, and in the sincerity which she put into the hope that she was well. "I'm just middlin'," Mrs. Dryfoos replied. "I A HAZARD OF NEW FORTUNES. 207 ain't never so well, nowadays. I tell fawther I don't believe it agrees with me very well here ; but he says 1 11 git used to it. He 's away now, out at Moffitt," she said to March, and wavered on foot a moment before she sank into a chair. She was a tall woman, who had been a beautiful girl, and her grey hair had a memory of blondeness in it like Lindau's, March noticed. She wore a simple silk gown, of a Quakerly grey, and she held a handker- chief folded square, as it had come from the laun- dress. Something like the Sabbath quiet of a little wooden meeting-house in thick Western woods ex- pressed itself to him from her presence. " Laws, mother ! " said Miss Mela ; " what you got that old thing on for ? If I 'd 'a' known you 'd V come down in that ! " " Coonrod said it was all right, Mely," said her mother. Miss Mela explained to the Marches : " Mother was raised among the Dunkards, and she thinks it 's wicked to wear anything but a grey silk even for dress up." " You hain't never heared o' the Dunkards, I reckon," the old woman said to Mrs. March. " Some folks calls 'em the Beardy Men, because they don't never shave ; and they wash feet like they do in the Testament. My uncle was one. He raised me." " I guess pretty much everybody 's a Beardy Man nowadays, if he ain't a Dunkard ! " Miss Mela looked round for applause of her sally, 208 A HAZARD OF NEW FORTUNES. but March was saying to his wife : " It 's a Pennsyl- vania German sect, I believe something like the Quakers. I used to see them when I was a boy." " Aren't they something like the Mennists 1 " asked Mrs. MandeL " They 're good people," said the old woman, " and the world 'd be a heap better off if there was more like 'em." Her son came in and laid a soft shawl over her shoulders before he shook hands with the visitors. " I am glad you found your way here," he said to them. Christine, who had been bending forward over her fan, now lifted herself up with a sigh and leaned back in her chair. " I 'm sorry my father isn't here," said the young man to Mrs. March. " He 's never met you yet ? " " No ; and I should like to see him. We hear a great deal about your father, you know, from Mr. Fulkerson." "Oh, I hope you don't believe everything Mr. Fulkerson says about people," Mela cried. "He's the greatest person for carrying on when he gets going / ever saw. It makes Christine just as mad when him and mother get to talking about religion ; she says she knows he don't care anything more about it than the man in the moon. I reckon he don't try it on much with father." " Your fawther ain't ever been a perfessor," her mother interposed ; " but he 's always been a good church-goin' man." A HAZARD OF NEW FORTUNES. 209 " Not since we come to New York," retorted the girl. " He 's been all broke up since he come to New York," said the old woman, with an aggrieved look. Mrs. Mandel attempted a diversion. " Have you heard any of our great New York preachers yet, Mrs. March 1 " " No, I haven't," Mrs. March admitted ; and she tried to imply by her candid tone that she intended to begin hearing them the very next Sunday. "There are a great many things here," said Conrad, "to take your thoughts off the preaching that you hear in most of the churches. I think the city itself is preaching the best sermon all the time." " I don't know that I understand you," said March. Mela answered for him. " Oh, Conrad has got a, lot of notions that nobody can understand. You ought to see the church he goes to when he does go. I 'd about as lief go to a Catholic church myself ; I don't see a bit o' difference. He's the greatest crony with one of their preachers ; he dresses just like a priest, and he says he is a priest." She laughed for enjoyment of the fact, and her brother cast down his eyes. Mrs. March, in her turn, tried to take from it the personal tone which the talk was always assuming. "Have you been to the fall exhibition 1" she asked Christine ; and the girl drew herself up out of the abstraction she seemed sunk in. " The exhibition 1 " She looked at Mrs. Mandel. "The pictures of the Academy, you know," Mrs. 210 A HAZARD OF NEW FORTUNES. Mandel explained. " Where I wanted you to go the day you had your dress tried on." " Xo ; we haven't been yet. Is it good ? " She had turned to Mrs. March again. " I believe the fall exhibitions are never so good as the spring ones. But there are some good pictures." " I don't believe I care much about pictures," said Christine. "I don't understand them." " Ah, that 's no excuse for not caring about them," said March lightly. " The painters themselves don't, half the time." The girl looked at him with that glance at once defiant and appealing, insolent and anxious, which he had noticed before, especially when she stole it toward himself and his wife during her sister's babble. In the light of Fulkerson's history of the family, its origin and its ambition, he interpreted it to mean a sense of her sister's folly and an ignorant will to override his opinion of anything incongruous in themselves and their surroundings. He said to himself that she was deathly proud too proud to try to palliate anything, but capable of anything that would put others under her feet. Her eyes seemed hopelessly to question his wife's social quality, and he fancied, with not unkindly interest, the inexperienced girl's doubt whether to treat them with much or little respect. He lost himself in fancies about her and her ideals, necessarily sor- did, of her possibilities of suffering, of the triumphs and disappointments before her. Her sister would A HAZARD OF NEW FORTUNES. 211 accept both with a lightness that would keep no trace of either ; but in her they would sink lastingly deep. He came out of his reverie to find Mrs. Dryfoos saying to him in her hoarse voice " I think it 's a shame, some of the pictur's a body sees in the winders. They say there 's a law aginst them things ; and if there is, I don't understand why the police don't take up them that paints 'em. I hear tell, since I been here, that there 's women that goes to have pictur's took from them that way by men painters." The point seemed aimed at March, as if he were personally responsible for the scandal, and it fell with a silencing effect for the moment. Nobody seemed willing to take it up, and Mrs. Dryfoos went on, with an old woman's severity : " I say they ought to be all tarred and feathered and rode on a rail. They 'd be drummed out of town in Moffitt." Miss Mela said, with a crowing laugh : " I should think they would ! And they wouldn't anybody go low neck to the opera-house there, either not low neck the way they do here, anyway." " And that pack of worthless hussies," her mother resumed, " that come out on the stage, and begun to kick " " Laws, mother ! " the girl shouted, " I thought you said you had your eyes shut ! " All but these two simpler creatures were abashed at the indecorum of suggesting in words the com- mon-places of the theatre and of art. " Well, I did, Mely, as soon as I could believe my .f 212 A HAZARD OF NEW FORTUNES. eyes. I don't know what they 're doin' in all their churches, to let such things go on," said the old woman. " It 's a sin and a shame, / think. Don't you, Coonrod ? " A ring at the door cut short whatever answer he was about to deliver. " If it 's going to be company, Coonrod," said his mother, making an effort to rise, "I reckon I better go upstairs." "It's Mr. Fulkerson, I guess," said Conrad. "He thought he might come ; " and at the mention of this light spirit Mrs. Dryfoos sank contentedly back in her chair, and a relaxation of their painful ten- sion seemed to pass through the whole company. Conrad went to the door himself (the serving-man tentatively appeared some minutes later) and let in Fulkerson's cheerful voice before his cheerful person. " Ah, how d' ye do, Conrad ? Brought our friend, Mr. Beaton, with me," those within heard him say ; and then, after a sound of putting off overcoats, they saw him fill the doorway, with his feet set square and his arms akimbo. IX. " AH ! hello ! hello ! " Fulkerson said, in recognition of the Marches. " Regular gathering of the clans. How are you, Mrs. Dryfoos ? How do you do, Mrs. Mandel, Miss Christine, Mela, Aunt Hitty, and all the folks ? How you wuz 1 " He shook hands gaily all round, and took a chair next the old lady, whose hand he kept in his own, and left Conrad to introduce Beaton. But he would not let the shadow of Beaton's solemnity fall upon the company. He began to joke with Mrs. Dryfoos, and to match rheumatisms with her, and he included all the ladies in the range of appropriate pleasantries. "I've brought Mr. Beaton along to-night, and I want you to make him feel at home, like you do me, Mrs. Dryfoos. He hasn't got any rheumatism to speak of ; but his parents live in Syracuse, and he 's a kind of an orphan, and we've just adopted him down at the office. When you going to bring the young ladies down there, Mrs. Mandel, for a cham- pagne lunch ? I will have some hydro-Mela, and Christine it, heigh 1 How 's that for a little starter ? We dropped in at your place a moment, Mrs. March, and gave the young folks a few pointers about their 214 A HAZARD OF NEW FORTUNES. studies. My goodness ! it does me good to see a boy like that of yours ; business, from the word go ; and your girl just scoops my youthful affections. She 's a beauty, and I guess she 's good too. Well, well, what a world it is ! Miss Christine, won't you show Mr. Beaton that seal ring of yours 1 He knows about such things, and I brought him here to see it as much as anything. It 's an intaglio I brought from the other side," he explained to Mrs. March, " and I guess you '11 like to look at it. Tried to give it to the Dryfoos family, and when I couldn't, I sold it to 'em. Bound to see it on Miss Christine's hand somehow ! Hold on ! Let him see it where it belongs, first ! " He arrested the girl in the motion she made to take off the ring, and let her have the pleasure of showing her hand to the company with the ring on it. Then he left her to hear the painter's words about it, which he continued to deliver dissyllabically as he stood with her under a gas jet, twisting his elastic figure and bending his head over the ring. " Well, Mely, child," Fulkerson went on, with an open travesty of her mother's habitual address, " and how are you getting along ? Mrs. Mandel hold you up to the proprieties pretty strictly ? Well, that 's right. You know you 'd be roaming all over the pasture if she didn't." The girl gurgled out her pleasure in his funning, and everybody took him on his own ground of privileged character. He brought them all together in their friendliness for himself, and before the A HAZARD OF NEW FORTUNES. 215 evening was over he had inspired Mrs. Mandel to have them served with coffee, and had made both the girls feel that they had figured brilliantly in society, and that two young men had been devoted to them. " Oh, I think he 's just as lovely as he can live ! " said Mela, as she stood a moment with her sister on the scene of her triumph, where the others had left them after the departure of their guests. " Who 1 " asked Christine deeply. As she glanced down at her ring, her eyes burned with a softened fire. She had allowed Beaton to change it himself from the finger where she had worn it to the finger on which he said she ought to wear it. She did not know whether it was right to let him, but she was glad she had done it. " Who ? Mr. Fulkerson, goosie-poosie ! Not that old stuck-up Mr. Beaton of yours ! " " He is proud," assented Christine, with a throb of exultation. Beaton and Fulkerson went to the elevated station with the Marches ; but the painter said he was going to Avalk home, and Fulkerson let him go alone. " One way is enough for me," he explained. " When I walk up, I don't walk down. By -by, my son ! " He began talking about Beaton to the Marches as they climbed the station stairs together. " That fellow puzzles me. I don't know anybody that I have such a desire to kick, and at the same time that I want to flatter up so much. Affect you that way 1 " he asked of March. 216 A HAZARD OF NEW FORTUNES. " Well, as far as the kicking goes, yes." " And how is it with you, Mrs. March 1 " " Oh, I want to flatter him up." "No; really? Why? Hold on! I've got the change." Fulkerson pushed March away from the ticket- office window, and made them his guests, with the inexorable American hospitality, for the ride down- town. " Three ! " he said to the ticket-seller ; and when he had walked them before him out on the platform and dropped his tickets into the urn, he persisted in his inquiry, " Why ? " "Why, because you always want to flatter con- ceited people, don't you ? " Mrs. March answered, with a laugh. "Do you? Yes, I guess you do. You think Beaton is conceited 1 " " Well, slightly, Mr. Fulkerson." "I guess you're partly right," said Fulkerson, with a sigh, so unaccountable in its connection that they all laughed. " An ideal ' busted ' ? " March suggested. " No, not that, exactly," said Fulkerson. " But I had a notion may be Beaton wasn't conceited all the time." " Oh ! " Mrs. March exulted, " nobody could be so conceited all the time as Mr. Beaton is most of the time. He must have moments of the direst modesty, when he 'd be quite flattery-proof." " Yes, that 's what I mean. I guess that 's what makes me want to kick him. He 's left compliments on my hands that no decent man would." A HAZARD OF NEW FORTUNES. 217 " Oh ! that 's tragical," said March. " Mr. Fulkerson," Mrs. March began, with change of subject in her voice, " who is Mrs. Mandel ? " " Who 1 What do you think of her ? " he re- joined. " I '11 tell you about her when we get in the cars. Look at that thing ! Ain't it beautiful 1 " They leaned over the track, and looked up at the next station, where the train, just starting, throbbed out the flame-shot steam into the white moonlight. "The most beautiful thing in New York the one always and certainly beautiful thing here," said March; and his wife sighed, "Yes, yes." She clung to him, and remained rapt by the sight till the train drew near, and then pulled him back in a panic. " Well, there ain't really much to tell about her," Fulkerson resumed, when they were seated in the car. " She 's an invention of mine." " Of yours ? " cried Mrs. March. " Of course ! " exclaimed her husband. " Yes at least in her present capacity. She sent me a story for the syndicate, back in July some time, along about the time I first met old Dryfoos here. It was a little too long for my purpose, and I thought I could explain better how I wanted it cut in a call than I could in a letter. She gave a Brooklyn address, and I went to see her. I found her," said Fulkerson, with a vague defiance, "a perfect lady. She was living with an aunt over there ; and she had seen better days, when she was VOL. I. 10 218 A HAZARD OF NEW FORTUNES. a girl, and worse ones afterward. I don't mean to say her husband was a bad fellow ; I guess he was pretty good ; he was her music-teacher ; she met him in Germany, and they got married there, and got through her property before they came over here. Well, she didn't strike me like a person that could make much headway in literature. Her story was well enough, but it hadn't much sand in it; kind of well, academic, you know. I told her so, and she understood, and cried a little ; but she did the best she could with the thing, and I took it and syndicated it. She kind of stuck in my mind, and the first time I went to see the Dryfooses they were stopping at a sort of family hotel then till they could find a house " Fulkerson broke off alto- gether, and said, "I don't know as I know just how the Dryfooses stnick you, Mrs. March 1 " " Can't you imagine ? " she answered. Avith a kindly smile. "Yes; but I don't believe I could guess how they would have struck you last summer when I first saw them. My ! oh my ! there was the native earth for you. Mely is a pretty wild colt now, but you ought to have seen her before she was broken to harness. And Christine 1 Ever see that black leopard they got up there in the Central Park ? That was Christine. Well, I saw what they wanted. They all saw it nobody is a fool in all directions, and the Dryfooses are in their right senses a good deal of the time. Well, to cut a long story short, I got Mrs. Mandel to take 'em in hand the old lady A HAZARD OF NEW FORTUNES. 219 as well as the girls. She was a born lady, and always lived like one till she saw Mandel ; and that something academic that killed her for a writer was just the very thing for them. She knows the world well enough to know just how much polish they can take on, and she don't try to put on a bit more. See ? " " Yes, I can see," said Mrs. March. " Well, she took hold at once, as ready as a hospital-trained nurse ; and there ain't anything readier on this planet. She runs the whole concern, socially and economically, takes all the care of house-keeping off the old lady's hands, and goes round with the girls. By-the-by, I 'm going to take my meals at your widow's, March, and Conrad's going to have his lunch there. I 'in sick of brows- ing about." " Mr. March's widow 1 " said his wife, looking at him with provisional severity. " I have no widow, Isabel," he said, " and never expect to have, till I leave you in the enjoyment of my life insurance. I suppose Fulkerson means the lady with the daughter, who wanted to take us to board." " Oh yes. How are they getting on, I do wonder 1 " Mrs. March asked of Fulkerson. " Well, they 've got one family to board ; but it 's a small one. I guess they '11 pull through. They didn't want to take any day boarders at first, the widow said ; I guess they have had to come to it." " Poor things ! " sighed Mrs. March. " I hope they '11 go back to the country." 220 A HAZARD OF NEW FORTUNES. " Well, I don't know. When you 've once tasted New York You wouldn't go back to Boston, would you ? " "Instantly." Fulkerson laughed out a tolerant incredulity. BEATON lit his pipe when he found himself in his room, and sat down before the dull fire in his grate to think. It struck him there was a dull fire in his heart a great deal like it, and he worked out a fanciful analogy with the coals, still alive, and the ashes creeping over them, and the dead clay and cinders. He felt sick of himself, sick of his life and of all his works. He was angry with Fulkerson for having got him into that art department of his, for having bought him up ; and he was bitter at fate because he had been obliged to use the money to pay some pressing debts, and had not been able to return the check his father had sent him. He pitied his poor old father ; he ached with compassion for him ; and he set his teeth and snarled with con- tempt through them for his own baseness. This was the kind of world it was ; but he washed his hands of it. The fault was in human nature, and he reflected with pride that he had at least not in- vented human nature ; he had not sunk so low as that yet. The notion amused him ; he thought he might get a Satanic epigram out of it some way. But in the meantime that girl, that wild animal, 222 A HAZARD OF NEW FORTUNES. she kept visibly, tangibly before him ; if he put out his hand he might touch hers, he might pass his arm round her waist. In Paris, in a set he knew there, what an effect she would be with that look of hers, and that beauty, all out of drawing ! They would recognise the flame quality in her. He imagined a joke about her being a fiery spirit, or nymph, naiad, whatever, from one of her native gas wells. He began to sketch on a bit of paper from the table at his elbow vague lines that veiled and revealed a level, dismal landscape, and a vast flame against an empty sky, and a shape out of the flame that took on a likeness, and floated detached from it. The sketch ran up the left side of the sheet and stretched across it. Beaton laughed out. Pretty good to let Fulkerson have that for the cover of his first number! In black and red it would be effective ; it would catch the eye from the news stands. He made a motion to throw it on the fire, but held it back, and slid it into the table drawer, and smoked on. He saw the dummy with the other sketch in the open drawer, which he had brought away from Fulker- son's in the morning and slipped in there, and he took it out and looked at it. He made some criticisms in line with his pencil on it, correcting the drawing here and there, and then he respected it a little more, though he still smiled at the feminine quality ' a young lady quality. In spite of his experience the night he called upon the Leightons, Beaton could not believe that Alma no longer cared for him. She played at having A HAZARD OF NEW FORTUNES. 223 forgotten him admirably, but he knew that a few months before she had been very mindful of him. He knew he had neglected them since they came to New York, where he had led them to expect interest, if not attention ; but he was used to neglecting people, and he was somewhat less used to being punished for it punished and forgiven. He felt that Alma had punished him so thoroughly that she ought to have been satisfied with her work and to have forgiven him in her heart afterward. He bore no resentment after the first tingling moments were past ; he rather admired her for it ; and he would have been ready to go back half an hour later, and accept pardon, and be on the footing of last summer again. ^Even now he debated with himself whether it was too late to call ; but decidedly a quarter to ten seemed late. The next day he determined never to call upon the Leightons again ; but he had no reason for this ; it merely came into a transitory scheme of conduct, of retirement from the society of women altogether ; and after dinner he went round to see them. He asked for the ladies, and they all three received him, Alma not without a surprise that intimated itself to him, and her mother with no appreciable relent- ing; Miss Woodburn, with the needlework which she found easier to be voluble over than a book, expressed in her welcome a neutrality both cordial to Beaton and loyal to Alma. " Is it snowing out-do's 1 " she asked briskly, after the greetings were transacted. " Mah goodness ! " 224 A HAZARD OF NEW FORTUNES. she said, in answer to his apparent surprise at the question. " Ah mahght as well have stayed in the Soath, for all the winter Ah have seen in New York yet." ' "We don't often have snow much before New- Year's," said Beaton. " Miss Woodburn is wild for a real Northern winter," Mrs. Leighton explained. "The othah naght Ah woke up and looked oat of the window and saw all the roofs covered with snow, and it turned oat to be nothing but moonlaght. I was never so disappointed in mah lahfe," said Miss Woodburn. " If you '11 come to St. Barnaby next summer, you shall have all the winter you want," said Alma. " I can't let you slander St. Barnaby in that way," said Beaton, with the air of wishing to be understood as meaning more than he said. " Yes ? " returned Alma coolly. " I didn't know you were so fond of the climate." " I never think of it as a climate. It 's a landscape. It doesn't matter whether it's hot or cold." "With the thermometer twenty below, you'd find that it mattered," Alma persisted. "You don't mean it goes doan to that in the summah ? " Miss Woodburn interposed. " Well, not before the Fourth of the July after," Alma admitted. "Is that the way you feel about St. Barnaby too, Mrs. Leighton ? " Beaton asked, with affected desolation. A HAZARD OF NEW FORTUNES 225 " I shall be glad enough to go back in the summer," Mrs. Leigh ton conceded. " And I should be glad to go now," said Beaton, looking at Alma. He had the dummy of Every Other Week in his hand, and he saw Alma's eyes wandering toward it whenever he glanced at her. " I should be glad to go anywhere to get out of a job I Ve undertaken," he continued, to Mrs. Leighton. "They're going to start some sort of a new illustrated magazine, and they've got me in for their art department. I 'm not fit for it ; I 'd like to run away. Don't you want to advise me a little, Mrs. Leighton ] You know how much I value your taste, and I 'd like to have you look at the design for the cover of the .first number : they 're going to have a different one for every number. I don't know whether you '11 agree with me, but I think this is rather nice." He faced the dummy round, and then laid it on the table before Mrs. Leighton, pushing some of her work aside to make room for it, and standing over her while she bent forward to look at it. Alma kept her place, away from the table. " Mah goodness ! Ho' exciting ! " said Miss Woodburn. " May anybody look ? " " Everybody," said Beaton. " Well, isn't it perfectly chawming ! " Miss Wood- burn exclaimed. " Come and look at this, Miss Leighton," she called to Alma, who reluctantly approached. 10* 226 A HAZARD OF NEW FORTUNES. " What lines are these 1 " Mrs. Leighton asked, pointing to Beaton's pencil scratches. "They're suggestions of modification," he re- plied. " I don't think they improve it much. What do you think, Alma 1 " "Oh, I don't know," said the girl, constraining her voice to an effect of indifference, and glancing carelessly down at the sketch. " The design might be improved; but I don't think those suggestions would do it." "They 're mine," said Beaton, fixing his eyes upon her with a beautiful sad dreaminess that he knew he could put into them ; he spoke with a dreamy remoteness of tone : his wind-harp stop, Wetmore called it. " I supposed so," said Alma calmly. " Oh, mah goodness ! " cried Miss Woodburn. " Is that the way you awtusts talk to each othah ? Well, Ah 'm glad Ah 'm not an awtust unless I could do all the talking." "Artists cannot tell a fib," Alma said, "or even act one," and she laughed in Beaton's upturned face. He did not unbend his dreamy gaze. "You're quite right. The suggestions are stupid." Alma turned to Miss Woodburn : " You hear ? Even when we speak of our own work." " Ah nevah hoad anything lahke it ! " "And the design itself 1 ? " Beaton persisted. " Oh, I 'm not an art editor," Alma answered, with a laugh of exultant evasion. A HAZARD OF NEW FORTUNES. 227 A tall, dark, grave-looking man of fifty, with a swarthy face, and iron-grey moustache and imperial and goatee, entered the room. Beaton knew the type ; he had been through Virginia sketching for one of the illustrated papers, and he had seen such men in Bichmond. Miss Woodburn hardly needed to say, " May Ah introduce you to mah fathaw, Co'nel Woodburn, Mr. Beaton 1 " The men shook hands, and Colonel Woodburn said, in that soft, gentle, slow Southern voice with- out our Northern contractions : " I am very glad to meet you, sir; happy to make yo' acquaintance. Do not move, madam," he said to Mrs. Leighton, who made a deprecatory motion to let him pass to the chair beyond her; "I can find my way." He bowed a bulk that did not lend itself readily to the devotion, and picked up the ball of yarn she had let drop out of her lap in half rising. " Yo' worsteds, madam." " Yarn, yarn, Colonel Woodburn ! " Alma shouted. " You 're quite incorrigible. A spade is a spade ! " . "But sometimes it is a trump, my dear young lady," said the Colonel, with unabated gallantry ; "and when yo' mothah uses yarn, it is worsteds. But I respect worsteds even under the name of yarn : our ladies my own mothah and sistahs had to knit the socks we wore all we could get in the woe." "Yes, and aftah the woe," his daughter put in. "The knitting has not stopped yet in some places. Have you been much in the Soath, Mr. Beaton ? " Q 228 A HAZARD OF NEW FORTUNES. Beaton explained just how much. "Well, sir," said the Colonel, "then you have seen a country making gigantic struggles to retrieve its losses, sir. The south is advancing with enor- mous strides, sir." " Too fast for some of us to keep up," said Miss Woodburn, in an audible aside. " The pace in Charlottesboag is pofectly killing, and we had to drop oat into a slow place like New York." " The progress in the South is material now/' said the Colonel ; " and those of us whose interests are in another direction find ourselves isolated isolated, sir. The intellectual centres are still in the No'th, sir ; the great cities draw the mental activity of the country to them, sir. Necessarily New York is the metropolis." " Oh, everything comes here," said Beaton, im- patient of the elder's ponderosity. Another sort of man would have sympathised with the Southerner's willingness to talk of himself, and led him on to speak of his plans and ideals. But the sort of man that Beaton was could not do this ; he put up the dummy into the wrapper he had let drop on the floor beside him, and tied it round with string while Colonel Woodburn was talking. He got to his feet with the words he spoke, and offered Mrs. Leighton his hand. " Must you go ? " she asked, in surprise. " I am on my way to a reception," he said. She had noticed that he was in evening dress ; and now she felt the vague hurt that people invited nowhere A HAZARD OF NEW FORTUNES. 229 feel in the presence of those who are going some- where. She did not feel it for herself, but for her daughter ; and she knew Alma would not have let her feel it if she could have prevented it. But Alma had left the room for a moment, and she tacitly indulged this sense of injury in her behalf. " Please say good night to Miss Leigh ton for me," Beaton continued. He bowed to Miss Woodburn, " Good night, Miss Woodburn," and to her father bluntly, "Goodnight." " Good night, sir," said the Colonel, with a sort of severe suavity. " Oh, isn't he chawming ! " Miss Woodburn whis- pered to Mrs. Leighton when Beaton left the room. Alma spoke to him in the hall without. " You knew that was my design Mr. Beaton. Why did you bring it 1 " " Why 1 " He looked at her in gloomy hesita- tion. Then he said : "You know why. I wished to talk it over with you, to serve you, please you, get back your good opinion. But I 've done neither the one nor the other ; I Ve made a mess of the whole thing." Alma interrupted him. " Has it been accepted ? " "It will be accepted, if you will let it." " Let it ? " she laughed. " I shall be delighted." She saw him swayed a little toward her. " It 's a matter of business, isn't it ? " " Purely. Good night." When Alma returned to the room, Colonel Wood- burn was saying to Mrs. Leighton : " I do not contend 230 A HAZARD OF NEW FORTUNES. that it is impossible, madam, but it is very difficult in a thoroughly commercialised society, like yours, to have the feelings of a gentleman. How can a business man, whose prosperity, whose earthly salva- tion, necessarily lies in the adversity of some one else, be delicate and chivalrous, or even honest ? If we could have had time to perfect our system at the South, to eliminate what was evil and develop what was good in it, we should have had a perfect system. But the virus of commercialism was in us too; it forbade us to make the best of a divine institution, and tempted us to make the worst. Now the curse is on the whole country ; the dollar is the measure of every value, the stamp of every success. What does not sell is a failure ; and what sells succeeds." "The hobby is oat, man deah," said Miss Wood- burn, in an audible aside to Alma. " Were you speaking of me, Colonel Woodburn ? " Alma asked. " Surely not, my dear young lady." "But he's been saying that awtusts are just as greedy aboat money as anybody," said his daughter. " The law of commercialism is on everything in a commercial society," the Colonel explained, softening the tone in which his convictions were presented. "The final reward of art is money, and not the pleasure of creating." " Perhaps they would be willing to take it all oat in that, if othah people would let them pay their bills in the pleasure of creating," his daughter teased. "They are helpless, like all the rest," said her A HAZARD OF NEW FORTUNES. 231 father, with the same deference to her as to other women. "I do not blame them." " Oh, mah goodness ! Didn't you say, sir, that Mr. Beaton had bad manners ? " Alma relieved a confusion which he seemed to feel in reference to her. " Bad manners ? He has no manners ! That is, when he 's himself. He has pretty good ones when he 's somebody else." Miss Woodburn began, " Oh, mah " and then stopped herself. Alma's mother looked at her with distressful question, but the girl seemed perfectly cool and contented ; and she gave her mind pro- visionally to a point suggested by Colonel Wood- burn's talk. " Still, I can't believe it was right to hold people in slavery, to whip them and sell them. It never did 'seem right tome," she added, in apology for her extreme sentiments to the gentleness of her adversary. "I quite agree with you, madam/' said the Colonel. " Those were the abuses of the institution. But if we had not been vitiated on the one hand and threatened on the other by the spirit of com- mercialism from the North and from Europe too those abuses could have been eliminated, and the institution developed in the direction of the mild patriarchalism of the divine intention." The Colonel hitched his chair, which figured a hobby careering upon its hind legs, a little toward Mrs. Leighton, and the girls approached their heads, and began to whisper; they fell deferentially silent when the 232 A HAZARD OF NEW FORTUNES. Colonel paused in his argument, and went on again when he went on. At last they heard Mrs. Leighton saying, "And have you heard from the publishers about your book yet ? " Then Miss Woodburn cut in, before her father could answer : " The coase of commercialism is on that too. They are trahing to fahnd oat whethah it will pay." " And they are right quite right," said the Colonel. " There is no longer any other criterion ; and even a work that attacks the system must be submitted to the tests of the system." "The system won't accept destruction on any othah tomes," said Miss Woodburn demurely. XL AT the reception, where two men in livery stood aside to let him pass up the outside steps of the house, and two more helped him off with his over- coat indoors, and a fifth miscalled his name into the drawing-room, the Syracuse stone-cutter's son met the niece of Mrs. Horn, and began at once to tell her about his evening at the Dryfooses'. He was in very good spirits, for so far as he could have been elated or depressed by his parting with Alma Leighton he had been elated ; she had not treated his impudence with the contempt that he felt it deserved ; she must still be fond of him ; and the warm sense of this, by operation of an obscure but well-recognised law of the masculine being, disposed him to be rather fond of Miss Vance. She was a slender girl, whose semi-aesthetic dress flowed about her with an accentuation of her long forms, and redeemed them from censure by the very frankness with which it confessed them; nobody could have said that Margaret Vance was too tall. Her pretty little head, which she had an effect of choosing to have little in the same spirit of judicious defiance, had a good deal of reading in it ; she was proud to 234 A HAZARD OF NEW FORTUNES. know literary and artistic fashions as well as society fashions. She liked being singled out by an exterior distinction so obvious as Beaton's, and she listened with sympathetic interest to his account of those people. He gave their natural history reality by drawing upon his own ; he reconstructed their plebeian past from the experiences of his childhood and his youth of the pre-Parisian period ; and he had a pang of suicidal joy in insulting their ignorance of the world. " What different kinds of people you meet ! " said the girl at last, with an envious sigh. Her reading had enlarged the bounds of her imagination, if not her knowledge ; the novels nowadays dealt so much with very common people, and made them seem so very much more worth while than the people one met. She said something like this to Beaton. He answered: "You can meet the people I'm talking of very easily, if you want to take the trouble. It 's what they came to New York for. I fancy it 's the great ambition of their lives to be met." "Oh yes," said Miss Vance fashionably, and looked down ; then she looked up and said intel- lectually : " Don't you think it 's a great pity ? How much better for them to have stayed where they were and what they were ! " "Then you could never have had any chance of meeting them," said Beaton. " I don't suppose you intend to go out to the gas country 1 " "No," said Miss Vance, amused. "Not that I shouldn't like to go." A HAZARD OF NEW FORTUNES. 235 " What a daring spirit ! You ought to be on the staff of Every Other Week" said Beaton. " The staff Every Other Week 1 What is it ? " " The missing link ; the long-felt want of a tie between the Arts and the Dollars." Beaton gave her a very picturesque, a very dramatic sketch of the theory, the purpose, and the personnel of the new enterprise. Miss Vance understood too little about business of any kind to know how it differed from other enterprises of its sort. She thought it was de- lightful ; she thought Beaton must be glad to be part of it, though he had represented himself so bored, so injured, by Fulkerson's insisting upon having him. "And is it a secret 1 ? Is it a thing not to be spoken of 1 " " Tut? altro ! Fulkerson will be enraptured to have it spoken of in society. He would pay any reasonable bill for the advertisement." " What a delightful creature ! Tell him it shall all be spent in charity." "He would like that He would get two para- graphs out of the fact, and your name would go into the ' Literary Notes' of all the Newspapers." " Oh, but I shouldn't want my name used ! " cried the girl, half horrified into fancying the situa- tion real. "Then you'd better not say anything about Every Other Week. Fulkerson is preternaturally unscrupulous." March began to think so too, at times. He was 236 A HAZARD OF NEW FORTUNES. perpetually suggesting changes in the make-up of the first number, with a view to its greater vividness of effect. One day he came in and said : " This thing isn't going to have any sort of get up and howl about it, unless you have a paper in the first number going for Bevans's novels. Better get Maxwell to do it." " Why, I thought you liked Bevans's novels ? " "So I do; but where the good of Every Other Week is concerned I am a Roman father. The popular gag is to abuse Bevans, and Maxwell is the man to do it. There hasn't been a new maga- zine started for the last three years that hasn't had an article from Maxwell in its first number cutting Bevans all to pieces. If people don't see it, they '11 think Every Other Week is some old thing." March did not know whether Fulkerson was joking or not. He suggested, " Perhaps they '11 think it 's an old thing if they do see it." " Well, get somebody else, then ; or else get Maxwell to write under an assumed name. Or I forgot ! He '11 be anonymous under our system anyway. Now there ain't a more popular racket for us to work in that first number than a good, swingeing attack on Bevans. People read his books and quarrel over 'em, and the critics are all against him, and a regular flaying, with salt and vinegar rubbed in afterward, will tell more with people who like good old-fashioned fiction than anything else. / like Bevans's things, but, dad burn it ! when it comes to that first number, I 'd offer up anybody." A HAZARD OF NEW FORTUNES. 237 " What an immoral little wretch you are, Fulker- son ! " said March, with a laugh. Fulkerson appeared not to be very strenuous about the attack on the novelist. " Say !" he called out gaily, " what should you think of a paper defending the late lamented system of slavery 1 " " What do you mean, Fulkerson 1 " asked March, with a puzzled smile. Fulkerson braced his knees against his desk, and pushed himself back, but kept his balance to the eye by canting his hat sharply forward. "There's an old cock over there at the widow's that 's written a book to prove that slavery was and is the only solu- tion of the labour problem. He's a Southerner." " I should imagine," March assented. " He 's got it on the brain that if the South could have been let alone by the commercial spirit and the pseudo-philanthropy of the North, it would have worked out slavery into a perfectly ideal condition for the labourer, in which he would have been insured against want, and protected in all his personal rights by the state. He read the introduc- tion to me last night. I didn't catch on to all the points his daughter 's an awfully pretty girl, and I was carrying that fact in my mind all the time too, you know but that 's about the gist of it." " Seems to regard it as a lost opportunity ? " said March. " Exactly ! What a mighty catchy title, heigh ? Look well on the title-page." " Well written ? " 238 A HAZARD OF NEW FORTUNES. " I reckon so ; I don't know. The Colonel read it mighty eloquently." " It mightn't be such bad business," said March, in a muse. " Could you get me a sight of it without committing yourself 1 " " If the Colonel hasn't sent it off to another publisher this morning. He just got it back with thanks yesterday. He likes to keep it travel- ling." " Well, try it. I 've a notion it might be a curious thing." " Look here, March," said Fulkerson, with the effect of taking a fresh hold ; "I wish you could let me have one of those New York things of yours for the first number. After all, that 's going to be the great card." " I couldn't, Fulkerson ; I couldn't, really. I want to philosophise the material, and I 'm too new to it all yet. I don't want to do merely superficial sketches." " Of course ! Of course ! I understand that. Well, I don't want to hurry you. Seen that old fellow of yours yet ? I think we ought to have that translation in the first number ; don't you ? We want to give 'em a notion of what we 're going to do in that line." "Yes," said March; "and I was going out to look up Lindau this morning. I Ve inquired at Maroni's, and he hasn't been there for several days. I 've some idea perhaps he 's sick. But they gave me his address, and I 'm going to see." A HAZARD OF NEW FORTUNES. 239 " Well, that 's right. We want the first number to be the key-note in every way." March shook his head. " You can't make it so. The first number is bound to be a failure always, as far as the representative character goes. It 's invari- ably the case. Look at the first numbers of all the things you 've seen started. They 're experimental, almost amateurish, and necessarily so, not only be- cause the men that are making them up are com- paratively inexperienced like ourselves, but because the material sent them to deal with is more or less consciously tentative. People send their adventur- ous things to a new periodical because the whole thing is an adventure. I 've noticed that quality in all the volunteer contributions ; it 's in the articles that have been done to order even. No; I've about made up my mind that if we can get one good striking paper into the first number that will take people's minds off the others, we shall be doing all we can possibly hope for. I should like," Marcli added, less seriously, " to make up three numbers ahead, and publish the third one first." Fulkerson dropped forward and struck his fist on the desk. " It 's a first-rate idea. Why not do it 1 " March laughed. " Fulkerson, I don't believe there 's any quackish thing you wouldn't do in this cause. From time to time I 'm thoroughly ashamed of being connected with such a charlatan." Fulkerson struck his hat sharply backward. " Ah, dad burn it ! To give that thing the right kind of start I 'd walk up and down Broadway between two 240 A HAZARD OF NEW FORTUNES. boards, with the title-page of Every Other JFeek facsimiled on one and my name and address on the " He jumped to his feet and shouted, "March, I'll doit!" " What ? " 11 1 '11 hire a lot of fellows to make mud-turtles of themselves, and I '11 have a lot of big facsimiles of the title-page, and I '11 paint the town red ! " March looked aghast at him. " Oh, come, now r Fulkerson ! " ' : I mean it. I was in London when a new man had taken hold of the old Cornhill, and they were trying to boom it, and they had a procession of these mud-turtles that reached from Charing Cross to Temple Bar. ' Cornhill Magazine. Sixpence. Not a dull page in it.' I said to myself then that it was the livest thing I ever saw. I respected the man that did that thing from the bottom of my heart. I wonder I ever forgot it. But it shows what a shaky thing the human mind is at its best." " You infamous mountebank ! " said March, with great amusement at Fulkerson's access; "you call that congeries of advertising instincts of yours the human mind at its best ? Come, don't be so diffi- dent, Fulkerson. Well, I 'm off to find Lindau, and when I come back I hope Mr. Dryfoos will have you under control. I don't suppose you '11 be quite sane again till after the first number is out. Perhaps- public opinion will sober you then." " Confound it, March ! How do you think they will take it ? I swear I 'm getting so nervous I don't A HAZARD OF NEW FORTUNES. 241 know half the time which end of me is up. I believe if we don't get that thing out by the first of February it '11 be the death of me." " Couldn't wait till Washington's Birthday 1 I was thinking it would give the day a kind of distinc- tion, and strike the public imagination, if " "No, I'll be dogged if I could!" Fulkerson lapsed more and more into the parlance of his early life in this season of strong excitement. " I believe if Beaton lags any on the art-leg I '11 kill him." "Well, / shouldn't mind your killing Beaton," said March tranquilly, as he went out. He went over .to Third Avenue and took the Elevated down to Chatham Square. He found the variety of people in the car as unfailingly entertaining as ever. He rather preferred the east side to the west side lines, because they offered more nationalities, conditions, and characters to his inspection. They draw not only from the uptown American region, but from all the vast hive of populations swarming between them and the East Kiver. He had found that, according to the hour, American husbands going to and from business, and American wives going to and from shopping, prevailed on the Sixth Avenue road, and that the most picturesque admix- ture to these familiar aspects of human nature were the brilliant eyes and complexions of the American Hebrews, who otherwise contributed to the effect of well-clad comfort and citizen-self-satisfaction of the crowd. Now and then he had found himself in a car mostly filled with Neapolitans from the constructions VOL. I. 11 242 A HAZARD OF NEW FORTUNES. far up the line, where he had read how they are worked and fed and housed like beasts ; and listening to the jargon of their unintelligible dialect, he had occasion for pensive question within himself as to what notion these poor animals formed of a free republic from their experience of life under its con- ditions ; and whether they found them practically very different from those of the immemorial brigandage and enforced complicity with rapine under which they had been born. But, after all, this was an infrequent effect, Ijowever massive, of travel on the west side, whereas the east offered him continual entertainment in like sort. The sort was never quite so squalid. For short distances the lowest poverty, the hardest pressed labour, must walk; but March never entered a car without encountering some interesting shape of shabby adversity, which was almost always adversity of foreign birth. New York is still popularly supposed to be in the control of the Irish, but March noticed in these east side travels of his what must strike every observer re- turning to the city after a prolonged absence : the numerical subordination of the dominant race. If they do not out-vote them, the people of Germanic, of Slavonic, of Pelasgic, of Mongolian stock out- number the prepotent Celts; and March seldom found his speculation centred upon one of these. The small eyes, the high cheeks, the broad noses, the puff lips, the bare, cue-filleted skulls, of Russians, Poles, Czechs, Chinese ; the furtive glitter of Italians ; the blonde dulness of Germans ; the cold quiet of A HAZARD OF NEW FORTUNES. 243 Scandinavians fire under ice were aspects that he identified, and that gave him abundant suggestion for the personal histories he constructed, and for the more public-spirited reveries in which he dealt with the future economy of our heterogeneous common- wealth. It must be owned that he did not take much trouble about this ; what these poor people were thinking, hoping, fearing, enjoying, suffering ; just where and how they lived ; who and what they individually were these were the matters of his waking dreams as he stared hard at them, while the train raced further into the gay ugliness the shape- less, graceless, reckless picturesqueness of the Bowery. There were certain signs, certain facades, certain audacities of the prevailing hideousness that always amused him in that uproar to the eye which the strident forms and colours made. He was interested in the insolence with which the railway had drawn its erasing line across the Corinthian front of an old theatre, almost grazing its fluted pillars, and flouting its dishonoured pediment. The colossal effigies of the fat women and the tuft-headed Circassian girls of cheap museums; the vistas of shabby cross streets; the survival of an old hip-roofed house here and there at their angles ; the Swiss chalet, histrionic decorative- ness of the stations in prospect or retrospect ; the vagaries of the lines that narrowed together or stretched apart according to the width of the avenue, but always in wanton disregard of the life that dwelt, and bought and sold, and rejoiced or sorrowed, and clattered or crawled, around, below, R 244 A HAZARD OF NEW FORTUNES. above were features of the frantic panorama that perpetually touched his sense of humour and moved his sympathy. Accident and then exigency seemed the forces at work to this extraordinary effect ; the play of energies as free and planless as those that force the forest from the soil to the sky ; and then the fierce straggle for survival, with the stronger life persisting over the deformity, the mutilation, the destruction, the decay of the weaker The whole at moments seemed to him lawless, godless ; the absence of intelligent, comprehensive purpose in the huge disorder, and the violent struggle to subordinate the result to the greater good, pene- trated with its dumb appeal the consciousness of a man who had always been too self-enwrapt to per- ceive the chaos to which the individual selfishness must always lead. But there was still nothing definite, nothing better than a vague discomfort, however poignant, in his half recognition of such facts ; and he descended the station stairs at Chatham Square, with a sense of the neglected opportunities of painters in that locality. He said to himself that if one of those fellows were to see in Naples that turmoil of cars, trucks, and teams of every sort, intershot with foot- passengers going and coming to and from the crowded pavements, under the web of the railroad tracks overhead, and amidst the spectacular approach of the streets that open into the square, he would have it down in his sketch-book at once. He decided simultaneously that his own local studies must be A HAZARD OF NEW FORTUNES. 245 illustrated, and that he must come with the artist and show him just which bits to do, not knowing that the two arts can never approach the same material from the same point. He thought he would particularly like his illustrator to render the Dickensy, cockneyish quality of the shabby-genteel ballad-seller of whom he stopped to ask his way to the street where Lindau lived, and whom he instantly perceived to be, with his stock in trade, the sufficient object of an entire study by himself. He had his ballads strung singly upon a cord against the house wall, and held down in piles on the pave- ment with stones and blocks of wood. Their control in this way intimated a volatility which was not perceptible in their sentiment. They were mostly tragical or doleful : some of them dealt with the wrongs of the working-man ; others appealed to a gay experience of the high seas; but vastly the greater part to memories and associations of an Irish origin ; some still uttered the poetry of planta- tion life in the artless accents of the end-man. Where they trusted themselves, with syntax that yielded promptly to any exigency of rhythmic art, to the ordinary American speech, it was to strike directly for the affections, to celebrate the domestic ties, and, above all, to embalm the memories of angel and martyr mothers, whose dissipated sons deplored their sufferings too late. March thought this not at all a bad thing in them ; he smiled in patronage of their simple pathos ; he paid the tribute of a laugh when the poet turned, as he some- 246 A HAZARD OF NEW FORTUNES. times did, from his conception of angel and martyr motherhood, and portrayed the mother in her more familiar phases of virtue and duty, with the retribu- tive shingle or slipper in her hand. He bought a pocketful of this literature, popular in a sense which the most successful book can never be, and enlisted the ballad vendor so deeply in the effort to direct him to Lindau's dwelling by the best way that he neglected another customer, till a sarcasm on his absent-mindedness stung him to retort, " I 'm a-try- ing to answer a gentleman a civil question ; that 's where the absent-minded comes in." It seemed for some reason to be a day of leisure with the Chinese dwellers in Mott Street, which March had been advised to take first. They stood about the tops of basement stairs, and walked two and two along the dirty pavement, with their little hands tucked into their sleeves across their breasts, aloof in immaculate cleanliness from the filth around them, and scrutinising the scene with that cynical sneer of faint surprise to which all aspects of our civilisation seem to move their superiority. Their numbers gave character to the street, and rendered not them, but what was foreign to them, strange there; so that March had a sense of missionary quality in the old Catholic church, built long before their incursion was dreamt of. It seemed to have come to them there, and he fancied in the statued saint that looked down from its fa9ade something not so much tolerant as tolerated, something pro- pitiatory, almost deprecative. It was a fancy, of A HAZARD OF NEW FORTUNES. 247 course ; the street was sufficiently peopled with Christian children, at any rate, swarming and shrieking at their games ; and presently a Chris- tian mother appeared, pushed along by two police- men on a handcart, with a gelatinous tremor over the paving and a gelatinous jouncing at the curb- stones. She lay with her face to the sky, sending up an inarticulate lamentation ; but the indifference of the officers forbade the notion of tragedy in her case. She was perhaps a local celebrity; the children left off their games, and ran gaily trooping after her; even the young fellow and young girl exchanging playful blows in a robust flirtation at the corner of a liquor store suspended their scuffle with a pleased interest as she passed. March understood the un- willingness of the poor to leave the worst conditions in the city for comfort and plenty in the country when he reflected upon this dramatic incident, one of many no doubt which daily occur to entertain them in such streets. A small town could rarely offer anything comparable to it, and the country never. He said that if life appeared so hopeless to him as it must to the dwellers in that neighbour- hood he should not himself be willing to quit its distractions, its alleviations, for the vague promise of unknown good in the distance somewhere. But what charm could such a man as Lindau find in such a place ? It could not be that he lived there because he was too poor to live elsewhere : with a shutting of the heart, March refused to believe this as he looked round on the abounding evidences 248 A HAZARD OF NEW FORTUNES. of misery, and guiltily remembered his neglect of his old friend. Lindau could probably find as cheap a lodging in some decenter part of the town ; and in fact there was some amelioration of the prevailing squalor in the quieter street which he turned into from Mott. A woman with a tied-up face of toothache opened the door for him when he pulled, with a shiver of foreboding, the bell knob, from which a yard of rusty crape dangled. But it was not Lindau who was dead, for the woman said he was at home, and sent March stumbling up the four or five dark flights of stairs that led to his tenement. It was quite at the top of the house, and when March obeyed the German-English " Komm ! " that followed his knock, he found himself in a kitchen where a meagre breakfast was scattered in stale fragments on the table before the stove. The place was bare and cold ; a half-empty beer bottle scarcely gave it a convivial air. On the left from this kitchen was a room with a bed in it, which seemed also to be a cobbler's shop : on the right, through a door that stood ajar, came the German-English voice again, saying this time, " Hier 1 " XII. MARCH pushed the door open into a room like that on the left, but with a writing-desk instead of a cobbler's bench, and a bed, where Lindau sat propped up, with a coat over his shoulders and a skull-cap on his head, reading a book, from which he lifted his eyes to stare blankly over his spectacles at March. His hairy old breast showed through the night-shirt, which gaped apart ; the stump of his left arm lay upon the book to keep it open. " Ah, my tear yo'ng friendt ! Passil ! Marge ! Iss it you 1 " he called out joyously, the next moment. " Why, are you sick, Lindau 1 " March anxiously scanned his face in taking his hand. Lindau laughed. " No ; I 'm all righdt. Only a lidtle lazy, and a lidtle eggonomigal. Idt's jeaper to stay in pedt sometimes as to geep a fire a-goin' all the time. Don't wandt to gome too hardt on the 'bvafer Mann, you know : " Braver Mann, er schafft mir zu essen." You remember ? Heine ? You readt Heine still 1 Who is your favourite boet now, Passil ? You write 11* 250 A HAZARD OF NEW FORTUNES. some boetry yourself yet 1 No 1 "Well, I am gladt to zee you. Brush those baperss off of that jair. Well, idt is goodt for zore eyess. How didt you findt where I lif 1 " " They told me at Maroni's," said March. He tried to keep his eyes on Lindau's face, and not see the discomfort of the room, but he was aware of the shabby and frowsy bedding, the odour of stale smoke, and the pipes and tobacco shreds mixed with the books and manuscripts strewn over the leaf of the writing-desk. He laid down on the mass the pile of foreign magazines he had brought under his arm. " They gave me another address first." "Yes. I have chust gome here," said Lindau. " Idt is not very cay, heigh 1 " " It might be gayer," March admitted, with a smile. " Still," he added soberly, " a good many people seem to live in this part of the town. Appa- rently they die here too, Lindau. There is crape on your ojitside door. I didn't know but it was for you." " Xodt this time," said Lindau, in the same humour. " Berhaps some other time. We geep the ondertakers bretty pusy down here." "Well," said March, "undertakers must live, even if the rest of us have to die to let them." Lindau laughed, and March went on : " But I 'm glad it isn't your funeral, Lindau. And you say you 're not sick, and so I don't see why we shouldn't come to business." " Pusiness 1 " Lindau lifted his eyebrows. " You gome on pusiness 1 " A HAZARD OF NEW FORTUNES. 251 "And pleasure combined," said March, and he went on to explain the service he desired at Lindau's hands. The old man listened with serious attention, and with assenting nods that culminated in a spoken expression of his willingness to undertake the trans- lations. March waited with a sort of mechanical expectation of his gratitude for the work put in his way, but nothing of the kind came from Lindau, and March was left to say, " Well, everything is understood, then ; and I don't know that I need add that if you ever want any little advance on the work " " I will ask you," said Lindau quietly, " and I thank you for that. But I can wait ; I ton't needt any money just at bresent." As if he saw some appeal for greater frankness in March's eye, he went on : "I tidn't gome here begause I was too boor to lif anywhere else, and I ton't stay in pedt begause I couldn't haf a fire to geep warm if I wanted it- I 'm nodt zo padt off as Marmontel when he went to Paris, i 'in a lidtle loaxurious, that is all. If I stay in pedt it 's zo I can fling money away on some- things else. Heigh 1 " " But what are you living here for, Lindau ? " March smiled at the irony lurking in Lindau's words. " Well, you zee, I foundt I was begoming a lidtle too moch of an aristograt. I hadt a room oap in Creenvidge Willage, among dose pig pugs over on the west side, and I foundt" Lindau's voice lost 252 A HAZARD OF NEW FORTUNES. its jesting quality, and his face darkened " that I was beginning to forget the boor ! " " I should have thought," said March, with im- partial interest, " that you might have seen poverty enough, now and then, in Greenwich Village to remind you of its existence." " Nodt like here," said Lindau. " Andt you must zee it all the dtime zee it, hear it, smell it, dtaste it or you forget it. That is what I gome here for. I was begoming a ploated aristograt. I thought I was nodt like these beople down here, when I gome down once to look aroundt; I thought I must be somethings else, and zo I zaid I better take myself in time, and I gome here among my brothers the beccars and the thiefs ! " A noise made itself heard in the next room, as if the door were furtively opened, and a faint sound of tiptoeing and of hands clawing on a table. " Thiefs ! " Lindau repeated, with a shout. "Lidtle thiefs, that gabture your breakfast. Ah ! ha ! ha ! " A wild scurrying of feet, joyous cries and tittering, and a slamming door followed upon his explosion, and he resumed in the silence: "Idtis the children cot pack from school. They gome and steal what I leaf there on my daple. Idt 's one of our lidtle chokes ; we onderstand each other; that's all righdt. Once the goppler in the other room there he used to chase 'em ; he couldn't onderstand their lidtle tricks. Now dot goppler's teadt, and he ton't chase 'em any more. He was a Bohemian. Gindt of grazy, I cuess." " Well, it 's a sociable existence," March suggested. A HAZARD OF NEW FORTUNES. 253 "But perhaps if you Ijet them have the things without stealing " Oh no, no ! Most nodt mage them too gonceitedt. They mostn't go and feel themselfs petter than those boor millionairss that hadt to steal their money." March smiled indulgently at his old friend's vio- lence. "Oh, there are fagots and fagots, you know, Lindau ; perhaps not all the millionaires are so guilty." " Let us speak German," cried Lindau, in his own tongue, pushing his book aside, and thrusting his skull-cap back from his forehead. " How much money can a man honestly earn without wronging or oppressing some other man ? " " Well, if you '11 let me answer in English," said March, " I should say about five thousand dollars a year. I name that figure because it 's my experience that I never could earn more ; but the experience of other men may be different, and if they tell me they can earn ten, or twenty, or fifty thousand a year, I'm not prepared to say they can't do it." Lindau hardly waited for his answer. " Not the most gifted man that ever lived, in the practice of any art or science, and paid at the highest rate that exceptional genius could justly demand from those who have worked for their money, could ever earn a million dollars. It is the landlords and the merchant princes, the railroad kings and the coal barons (the oppressors to whom you instinctively give the titles of tyrants) it is these that make the millions, but no 254 A HAZARD OF NEW FORTUNES. man earns them. What artist, what physician, what scientist, what poet was ever a millionaire 1 " "I can only think of the poet Rogers," said March, amused by Lindau's tirade. " But he was as excep- tional as the other Rogers, the martyr, who died with warm feet." Lindau had apparently not under- stood his joke, and he went on, with the American ease of mind about everything : " But you must allow, Lindau, that some of those fellows don't do so badly with their guilty gains. Some of them give work to armies of poor people Lindau furiously interrupted. " Yes, when they have gathered their millions together from the hunger and cold and nakedness and ruin and despair of hundreds of thousands of other men, they ' give work ' to the poor ! They give work ! They allow their helpless brothers to earn enough to keep life in them ! They give work ! Who is it gives toil, and where will your rich men be when once the poor shall refuse to give toil ? Why, you have come to give me work ! " March laughed outright. " Well, I 'm not a millionaire, anyway, Lindau, and I hope you won't make an example of me by refusing to give toil. I dare say the millionaires deserve it, but I 'd rather they wouldn't suffer in my person." " No," returned the old man, mildly relaxing the fierce glare he had bent upon March. "No man deserves to suffer at the hands of another. I lose myself when I think of the injustice in the world. But I must not forget that I am like the worst of them." A HAZARD OF NEW FORTUNES. 255 " You might go up Fifth Avenue and live among the rich awhile, when you're in danger of that," suggested March. " At any rate," he added, by an impulse which he knew he could not justify to his wife, "I wish you 'd come some day and lunch with their emissary. I 've been telling Mrs. March about you, and I want her and the children to see you. Come over with these things and report." He put his hand on the magazines as he rose. "I will come," said Lindau gently. " Shall I give you your book ? " asked March. " No ; I gidt oap bretty soon." " And and can you dress yourself 1 " " I vhistle, and one of those lidtle fellowss comess. We haf to dake gare of one another in a blace like this. Idt iss nodt like the worldt," said Lindau gloomily March thought he ought to cheer him up. " Oh, it isn't such a bad world, Lindau ! After all, the average of millionaires is small in it." He added, " And I don't believe there 's an American living that could look at that arm of yours and not wish to lend you a hand for the one you gave us all." March felt this to be a fine turn, and his voice trembled slightly in saying it. Lindau smiled grimly. " You think zo 1 I wouldn't moch like to drost 'em. I've driedt idt too often." He began to speak German again fiercely : " Besides, they owe me nothing. Do you think I knowingly gave my hand to save this oligarchy of traders and tricksters, this aristocracy 256 A HAZARD OF NEW FORTUNES. of railroad wreckers and stock gamblers and mine- slave drivers and mill-serf owners 1 No ; I gave it to the slave ; the slave ha ! ha ! ha ! whom I helped to unshackle to the common liberty of hunger and cold. And you think I would be the beneficiary of such a state of things 1" "I'm sorry to hear you talk so, Lindau," said March ; "very sorry." He stopped with a look of pain, and rose to go. Lindau suddenly broke into a laugh and into English. " Oh, well, it is only dalk, Passil, and it toes me goodt. My parg is worse than my pidte, I cuess. I pring these things roundt bretty soon. Good-bye, Passil, my tear poy. Auf iciedersehen / " XIII. MARCH went away thinking of what Lindau had said, but not for the impersonal significance of his words so much as for the light they cast upon Lindau himself. He thought the words violent enough, but in connection with what he remembered of the cheery, poetic, hopeful idealist, they were even more curious than lamentable. In his own life of comfortable reverie he had never heard any one talk so before, but he had read something of the kind now and then in blatant labour newspapers which he had accidentally fallen in with, and once at a strikers' meeting he had heard rich people de- nounced with the same frenzy. He had made his own reflections upon the tastelessness of the rhetoric, and the obvious buncombe of the motive, and he had not taken the matter seriously. He could not doubt Lindau's sincerity, and he wondered how he came to that way of thinking. From his experience of himself he accounted for a prevailing literary quality in it ; he decided it to be from Lindau's reading and feeling rather than his reflection. That was the notion he formed of some 258 A HAZARD OF NEW FORTUNES. things he had met with in Euskin to much the same effect; he regarded them with amusement as the chimeras of a rhetorician run away with by his phrases. But as to Lindau, the chief thing in his mind was a conception of the droll irony of a situation in which so fervid a hater of millionaires should be working, indirectly at least, for the prosperity of a man like Dryfoos, who, as March understood, had got his money together out of every gambler's chance in speculation, and all a schemer's thrift from the error and need of others. The situation was not more incongruous, however, than all the rest of the Every Other Week affair. It seemed to him that there were no crazy fortuities that had not tended to its existence, and as time went on, and the day drew near for the issue of the first number, the sense of this intensified till the whole lost at moments the quality of a waking fact, and came to be rather a fantastic fiction of sleep. Yet the heterogeneous forces did co-operate to a reality which March could not deny, at least in their presence, and the first number was representa- tive of all their nebulous intentions in a tangible form. As a result, it was so respectable that March began to respect these intentions, began to respect himself for combining and embodying them in the volume which appealed to him with a novel fascination, when the first advance copy was laid upon his desk. Every detail of it was tiresomely familiar already, but the whole had a A HAZARD OF NEW FORTUNES. 259 fresh interest now. He now saw how extremely fit and effective Miss Leighton's decorative design for the cover was, printed in black and brick-red on the delicate grey tone of the paper. It was at once attractive and refined, and he credited Beaton with quite all he merited in working it over to the actual shape. The touch and the taste of the art editor were present throughout the number. As Fulker- son said, Beaton had caught on with the delicacy of a humming-bird and the tenacity of a bull-dog to the virtues of their illustrative process, and had worked it for all it was worth. There were seven papers in the number, and a poem on the last page of the cover, and he had found some graphic com- ment for each. It was a larger proportion than would afterward be allowed, but for once in a way it was allowed. Fulkerson said they could not expect to get their money back on that first number anyway. Seven of the illustrations were Beaton's ; two or three he got from practised hands ; the rest were the work of unknown people which he had suggested, and then related and adapted with unfailing in- genuity to the different papers. He handled the illustrations with such sympathy as not to destroy their individual quality, and that indefinable charm which comes from good amateur work in whatever art. He rescued them from their weak- nesses and errors, while he left in them the evi- dence of the pleasure with which a clever young man, or a sensitive girl, or a refined woman had done them. Inevitably from his manipulation, S 260 A HAZARD OF NEW FORTUNES. however, the art of the number acquired homo- geneity, and there was nothing casual in its ap- pearance. The result, March eagerly owned, was better than the literary result, and he foresaw that the number would be sold and praised chiefly for its pictures. Yet he was not ashamed of the litera- ture, and he indulged his admiration of it the more freely because he had not only not written it, but in a way had not edited it. To be sure, he had chosen all the material, but he had not voluntarily put it all together for that number ; it had largely put itself together, as every number of every magazine does, and as it seems more and more to do, in the experience of every editor. There had to be, of course, a story, and then a sketch of travel. There was a literary essay and a social essay ; there was a dramatic trifle, very- gay, very light ; there was a dashing criticism on the new pictures, the new plays, the new books, the new fashions ; and then there was the translation of a bit of vivid Russian realism, which the editor owed to Lindau's explora- tion of the foreign periodicals left with him ; Lindau was himself a romanticist of the Victor Hugo sort, but he said this fragment of Dostoyevski was good of its kind. The poem was a bit of society verse, with a backward look into simpler and wholesomer experiences. Fulkerson was .extremely proud of the number; but he said it was too good too good from every point of view. The cover was too good, and the paper was too good, and that device of rough edges, A HAZARD OF NEW FORTUNES. 261 which got over the objection to uncut leaves while it secured their aesthetic effect, was a thing that he trembled for, though he rejoiced in it as a stroke of the highest genius. It had come from Beaton at the last moment, as a compromise, when the problem, of the vulgar croppiness of cut leaves and the unpopularity of uncut leaves seemed to have no solution but suicide. Fulkerson was still morally crawling round on his hands and knees, as he said, in abject gratitude at Beaton's feet, though he had his qualms, his questions ; and he declared that Beaton was the most inspired ass since Balaam's. " We 're all asses, of course," he admitted, in semi- apology to March ; " but we 're no such asses as Beaton." He said that if the tasteful decorativeness of the thing did not kill it with the public outright, its literary excellence would give it the finishing stroke. Perhaps that might be overlooked in the impression of novelty which a first number would give, but it must never happen again. He implored March to promise that it should never happen again ; he said their only hope was in the immediate cheapening of the whole affair. It was bad enough to gire the public too much quantity for their money, but to throw in such quality as that was simply ruinous; it must be stopped. These were the expressions of his intimate moods ; every front that he presented to the public wore a glow of lofty, of devout exultation. His pride in the number gushed out in fresh bursts of rhetoric to every one whom he could get to talk with him about it. He 262 A HAZARD OF NEW FORTUNES. worked the personal kindliness of the press to the utmost. He did not mind making himself ridiculous or becoming a joke in the good cause, as he called it. He joined in the applause when a humorist at the club feigned to drop dead from his chair at Fulker- son's introduction of the topic, and he went on talk- ing that first number into the surviving spectators. He stood treat upon all occasions, and he lunched attaches of the press at all hours. He especially befriended the correspondents of the newspapers of other cities, for, as he explained to March, those fellows could give him any amount of advertising simply as literary gossip. Many of the fellows were ladies who could not be so summarily asked out to lunch, but Fulkerson's ingenuity was equal to every exigency, and he contrived somehow to make each of these feel that she had been possessed of exclusive information. There was a moment when March. conjectured a willingness in Fulker- son to work Mrs. March into the advertising depart- ment, by means of a tea to these ladies and their friends which she should administer in his apart- ment, but he did not encourage Fulkerson to be explicit, and the moment passed. Afterward, when he told his wife about it, he was astonished to find that she would not have minded doing it for Ful- kerson, and he experienced another proof of the bluntness of the feminine instincts in some direc- tions, and of the personal favour which Fulkerson seemed to enjoy with the whole sex. This alone was enough to account for the willingness of these A HAZARD OF NEW FORTUNES. 263 correspondents to write about the first number, but March accused him of sending it to their addresses with boxes of Jacqueminot roses and Huyler candy. Fulkerson let him enjoy his joke. He said that he would do that or anything else for the good cause, short of marrying the whole circle of female correspondents. March Avas inclined to hope that if the first number had been made too good for the country at large, the more enlightened taste of metropolitan journalism would invite a compensating favour for it in New York. But first Fulkerson and then the event proved him wrong. In spite of the quality of the magazine, and in spite of the kindness which so many newspaper men felt for Fulkerson, the notices in the New York papers seemed grudging and pro- visional to the ardour of the editor. A merit in the work was acknowledged, and certain defects in it for which March had trembled were ignored ; but the critics astonished him by selecting for censure points which he was either proud of or had never noticed ; which being now brought to his notice he still could not feel were faults. He owned to Fulkerson that if they had said so and so against it, he could have agreed with them, but that to say thus and so was preposterous ; and that if the advertising had not been adjusted with such generous recognition of the claims of the different papers, he should have known the counting-room was at the bottom of it. As it was, he could only attribute it to perversity or stupidity. It was 264 A HAZARD OF NEW FORTUNES. certainly stupid to condemn a magazine novelty like Every Other Week for being novel ; and to augur that if it failed, it would fail through its departure from the lines on which all the other prosperous magazines had been built, was in the last degree perverse, and it looked malicious. The fact that it was neither exactly a book nor a magazine ought to be for it and not against it, since it would invade no other field ; it would prosper on no ground but its own. XIV. THE more March thought of the injustice of the New York press (which had not, however, attacked the literary quality of the number) the more bitterly he resented it ; and his wife's indigna- tion superheated his own. Every Other Week had become a very personal affair with the whole family ; the children shared their parents' disgust ; Bella was outspoken in her denunciations of a venal press. Mrs. March saw nothing but ruin ahead, and began tacitly to plan a retreat to Boston, and an establish- ment retrenched to the basis of two thousand a year. She shed some secret tears in anticipation of the privations which this must involve ; but when Fulkerson came to see March rather late the night of the publication day, she nobly told him that if the worst came to the worst she could only have the kindliest feeling toward him, and should not regard him as in the slightest degree responsible. " Oh, hold on, hold on ! " he protested. " You don't think we Ve made a failure, do you ? " "Why, of course," she faltered, while March re- mained gloomily silent. " Well, I guess we '11 wait for the official count, , VOL. I. 12 266 A HAZARD OF NEW FORTUNES. first. Even New York hasn't gone against us, and I guess there 's a majority coming down to Harlem River that could sweep everything before it, anyway." " What do you mean, Fulkerson 1 " March de- manded sternly. " Oh, nothing ! Only, the News Company has ordered ten thousand now ; and you know we had to give them the first twenty on commission." " What do you mean 1 " March repeated ; his wife held her breath. "I mean that the first number is a booming success already, and that it 's going to a hundred thousand before it stops. That unanimity and variety of censure in the morning papers, combined with the attractiveness of the thing itself, has cleared every stand in the city, and now if the favour of the country press doesn't turn the tide against us, our fortune's made." The Marches remained dumb. " Why, look here ! Didn't I tell you those criticisms would be the making of us, when they first began to turn you blue this morning, March ? " "He came home to lunch perfectly sick," said Mrs. March ; " and I wouldn't let him go back again." " Didn't I tell you so ? " Fulkerson persisted. March could not remember that he had, or that he had been anything but incoherently and hysteric- ally jocose over the papers, but he said, " Yes, yes I think so." " I knew it from the start," said Fulkerson. " The only other person who took those criticisms in the right spirit was Mother Dryfoos I've just been A HAZARD OF NEW FORTUNES. 267 bolstering up the Dryfoos family. She had them, fead to her by Mrs. Mandel, and she understood them to be all the most flattering prophecies of success. Well, I didn't read between the lines to that extent, quite ; but I saw that they were going 1 to help us, if there was anything in us, more than anything that could have been done. And there was something in us ! I tell you, March, that seven- shooting self-cocking donkey of a Beaton has given us the greatest start ! He 's caught on like a mice. He 's made the thing awfully cJiic ; it 's jimmy ; there 's lots of dog about it. He 's managed that process so that the illustrations look as expensive as first-class wood-cuts, and they're cheaper than chromos. He 's put style into the whole thing." " Oh yes," said March with eager meekness, " it 's Beaton that's done it." Fulkerson read jealousy of Beaton in Mrs. March's face. " Beaton has given us the start because his work appeals to the eye. There 's no denying that the pictures have sold this first number; but I expect the literature of this first number to sell the pictures of the second. I 've been reading it all over, nearly, since I found how the cat was jumping; I was anxious about it, and I tell you, old man, it's good. Yes, sir ! I was afraid may be you had got it too good, with that Boston refinement of yours ; but I reckon you haven't. 1 11 risk it. I don't see how you got so much variety into so few things, and all of them palpitant, all of 'em on the keen jump with ^actuality." 268 A HAZARD OF NEW FORTUNES. The mixture of American slang with the jargon of European criticism in Fulkerson's talk made March smile, but his wife did not seem to notice it in her exultation. " That is just what I say," she broke in. " It 's perfectly wonderful. I never was anxious about it a moment, except, as you say, Mr. Fulker- son, I was afraid it might be too good.'' They went on in an antiphony of praise till March said, "Really, I don't see what's left me but to strike for higher wages. I perceive that I'm indispensable." " Why, old man, you 're coming in on the diwy, you know," said Fulkerson. They both laughed, and when Fulkerson was gone, Mrs. March asked her husband what a diwy was. " It 's a chicken before it 's hatched " " No ! Truly 1 " He explained, and she began to spend the diwy. At Mrs. Leighton's Fulkerson gave Alma all the honour of the success ; he told her mother that the girl's design for the cover had sold every number, and Mrs. Leighton believed him. "Well, Ah think Ah maght have some of the glory," Miss Woodburn pouted. "Where am Ah comin' in ? " "You're coming in on the cover of the next number," said Fulkerson. " We 're going to have your face there ; Miss Leighton's going to sketch it in." He said this reckless of the fact that he had already shown them the design of the second A HAZARD OF NEW FORTUNES. 269 number which was Beaton's weird bit of gas-country landscape. "Ah don't see why you don't wrahte the fiction for your magazine, Mr. Fulkerson," said the girl. This served to remind Fulkerson of something. He turned to her father. "I'll tell you what, Colonel Woodburn, I want Mr. March to see some chapters of that book of yours. I 've been talking to him about it." " I do not think it would add to the popularity of your periodical, sir," said the Colonel, with a stately pleasure in being asked. "My views of a civilisation based upon responsible slavery would hardly be acceptable to your commercialised society." "Well, not as a practical thing, of course," Fulkerson admitted. "But as something retro- spective, speculative, I believe it would make a hit. There's so much going on now about social ques- tions; I guess people would like to read it." " I do not know that my work is intended to amuse people," said the Colonel, with some state. "Mah goodness! Ah only wish it was, then," said his daughter; and she added: "Yes, Mr. Fulkerson, the Colonel will be very glad to submit po'tions of his woak to yo' edito'. We want to have some of the honaw. Perhaps we can say we helped to stop yo' magazine, if we didn't help to stawt it." They all laughed at her boldness, and Fulkerson said, " It '11 take a good deal more than that to stop Every Other Week. The Colonel's whole book couldn't do it." Then he looked unhappy, for 270 A HAZARD OF NEW FORTUNES. Colonel Woodburn did not seem to enjoy his re- assuring words ; but Miss Woodburn came to his rescue. " You maght illustrate it with the po'trait of the awthor's daughtaw, if it's too late for the covah." "Going to have that in every number, Miss Woodburn," he cried. " Oh, mah goodness ! " she said, with mock humility. Alma sat looking at her piquant head, black, unconsciously outlined against the lamp, as she sat working by the table. " Just keep still a moment!" She got her sketch-block and pencils, and began to draw; Fulkerson tilted himself forward and looked over her shoulder ; he smiled outwardly ; inwardly he was divided between admiration of Miss Woodburn's arch beauty and appreciation of the skill which reproduced it ; at the same time he was trying to remember whether March had authorised him to go so far as to ask for a sight of Colonel Woodburn's manuscript. He felt that he had trenched upon March's province, and he framed one apology to the editor for bringing him the manuscript, and another to the author for bringing it back "Most Ah hold raght still like it was a photo- graph ? " asked Miss Woodburn, " Can Ah toak ? * "Talk all you want," said Alma, squinting her eyes. " And you needn't be either adamantine, nor yet wooden." " Oh, ho' very good of you ! Well, if Ah can toak go on, Mr. Fulkerson ! " A HAZARD OF NEW FORTUNES. 271 " Me talk ? I can't breathe till this thing is done ! " sighed Fulkerson ; at that point of his mental ' drama the Colonel was behaving rustily about the return of his manuscript, and he felt that he was looking his last on Miss Woodburn's profile. " Is she getting it raght ? " asked the girl. " I don't know which is which," said Fulkerson. " Oh, Ah hope Ah shall ! I don't want to go round feelin' like a sheet of papah half the time." " You could rattle on, just the same," suggested Alma. " Oh, now ! Jost listen to that, Mr. Fulkerson. Do you call that any way to toak to people ? " " You might know which you were by the colour," Fulkerson began, and then he broke off from the personal consideration with a business inspiration, and smacked himself on the knee : " We could print it in colour ! " Mrs. Leighton gathered up her sewing and held it with both hands in her lap, while she came round, and looked critically at the sketch and the model over her glasses. " It 's very good, Alma," she said. Colonel Woodburn remained restively on his side of the table. " Of course, Mr. Fulkerson, you were jesting, sir, when you spoke of printing a sketch of my daughter." "Why, I don't know If you object " " I do, sir decidedly," said the Colonel. " Then that settles it, of course," said Fulkerson. " I only meant " " Indeed it doesn't ! " cried the girl. " Who 's to 272 A HAZARD OF NEW FORTUNES. know who it 's from ? Ah 'm jost set on havin* it printed ! Ah 'm going to appear as the head of Slavery in opposition to the head of Liberty." " There '11 be a revolution inside of forty-eight hours, and we '11 have the Colonel's system going wherever a copy of Every Other Week circulates," said Fulkerson. "This sketch belongs to me," Alma interposed. " I 'm not going to let it be printed." " Oh, mah goodness ! " said Miss Woodburn, laughing good-hum ouredly. " That 's becose you were brought up to hate slavery." " I should like Mr. Beaton to see it," said Mrs. Leighton in a sort of absent tone. She added, to Fulkerson : " I rather expected he might be in to- night." " Well, if he comes we '11 leave it to Beaton," Fulkerson said, with relief in the solution, and an anxious glance at the Colonel, across the table, to see how he took that form of the joke. Miss Woodburn intercepted his glance and laughed, and Fulkerson laughed too, but rather forlornly. Alma set her lips primly and turned her head first on one side and then on the other to look at the sketch. " I don't think we '11 leave it to Mr. Beaton, even if he comes." "We left the other design for the cover to Beaton," Fulkerson insinuated. " I guess you needn't be afraid of him." " Is it a question of my being afraid ? " Alma asked ; she seemed coolly intent on her drawing. A HAZARD OF NEW FORTUNES. 273 "Miss Leighton thinks he ought to be afraid of her," Miss Woodburn explained. " It 's a question of his courage, then ? " said Alma. "Well, I don't think there are many young ladies that Beaton 's afraid of," said Fulkerson, giving him- self the respite of this purely random remark, while he interrogated the faces of Mrs. Leighton and Colonel Woodburn for some light upon the tendency of their daughters' words. He was not helped by Mrs. Leighton's saying, with a certain anxiety, "I don't know what you mean, Mr. Fulkerson." " Well, you 're as much in the dark as I am my- self, then," said Fulkerson. "I suppose I meant that Beaton is rather a favourite, you know. The women like him." Mrs. Leighton sighed, and Colonel Woodburn rose and left the room. 12* XV. 1 IN the silence that followed, Fulkerson looked from one lady to the other with dismay. " I seem to have put my foot in it, somehow," he suggested, and Miss Woodburn gave a cry of laughter. " Poo' Mr. Fulkerson ! Poo' Mr. Fulkerson ! Papa thoat you wanted him to go." " Wanted him to go ? " repeated Fulkerson. " We always mention Mr. Beaton when we want to get rid of papa." "Well, it seems to me that I have noticed that he didn't take much interest in Beaton, as a general topic. But I don't know that I ever saw it drive him out of the room before ! " " Well, he isn't always so bad," said Miss Wood- burn. " But it was a case of hate at first sight, and it seems to be growin' on papa." " Well, I can understand that," said Fulkerson. " The impulse to destroy Beaton is something thafc everybody has to struggle against at the start" " I must say, Mr. Fulkerson," said Mrs. Leighton in the tremor through which she nerved herself to differ openly with any one she liked, "I never had to struggle with anything of the kind, in regard to A HAZARD OF NEW FORTUNES. 275 Mr. Beaton. He has always been most respectful and and considerate, with me, whatever he has been with others." " Well, of course, Mrs. Leighton ! " Fulkerson came back in a soothing tone. " But you see you 're the rule that proves the exception. I was speaking of the way men felt about Beaton. It 's different with ladies ; I just said so." "Is it always different ? " Alma asked, lifting her head and her hand from her drawing, and staring at it absently. Fulkerson pushed his hands both through his whiskers. " Look here ! Look here ! " he said. " Won't somebody start some other subject ? We haven't had the weather up yet, have we ? Or the opera 1 What is the matter with a few remarks about politics ? " " Why I thoat you lahked to toak about the staff of yo' magazine," said Miss Woodburn. "Oh, I do!" said Fulkerson. " But not always about the same member of it. He gets monotonous, when he doesn't get complicated. I Ve just come round from the Marches'," he added, to Mrs. Leighton. " I suppose they Ve got thoroughly settled in their apartment by this time." Mrs. Leighton said something like this whenever the Marches were mentioned. At the bottom of her heart she had not forgiven them for not taking her rooms ; she had liked their looks so much ; and she was always hoping that they were uncomfortable or dissatisfied ; she could not help wanting them punished a little. T 276 A HAZARD OF NEW FORTUNES. "Well, yes; as much as they ever will be," Fulkerson answered. " The Boston style is pretty different, you know; and the Marches are old- fashioned folks, and I reckon they never went in much for bric-a-brac. They Ve put away nine or ten barrels of dragon candlesticks, but they keep finding new ones." " Their landlady has just joined our class," said Alma. " Isn't her name Green ? She happened to see my copy of Every Other Week, and said she knew the editor ; and told me." " Well, it 's a little world," said Fulkerson. " You seem to be touching elbows with everybody. Just think of your having had our head translator for a model." " Ah think that your whole publication revolves aroand the Leighton family," said Miss Woodburn. "That's pretty much so," Fulkerson admitted. " Anyhow, the publisher seems disposed to do so." " Are you the publisher ? I thought it was Mr. Dryfoos," said Alma. "It is." "Oh!" The tone and the word gave Fulkerson a dis- comfort which he promptly confessed. "Missed again." The girls laughed, and he regained something of his lost spirits, and smiled upon their gaiety, which lasted beyond any apparent reason for it. Miss Woodburn asked, "And is Mr. Dryfoos senio' anything like ouah Mr. Dryfoos ] " A HAZARD OF NEW FORTUNES. 277 "Not the least." " But he 's jost as exemplary ? " "Yes; in his way." " Well, Ah wish Ah could see all those pinks of puffection togethath, once." "Why, look here ! I 've been thinking I 'd celebrate a little, when the old gentleman gets back. Have a little supper something of that kind. How would you like to let me have your parlours for it, Mrs. Leighton ? You ladies could stand on the stairs, and have a peep at us, in the bunch." " Oh, mah ! What a privilege ! And will Miss Alma be there, with the othah contributors 1 Ah shall jost expah of envy ! " "She won't be there in person," said Fulkerson, " but she '11 be represented by the head of the art department." " Mah goodness ! And who '11 the head of the publishing department represent 1 " " He can represent you," said Alma. "Well, Ah want to be represented, someho'." "We'll have the banquet the night before you appear on the cover of our fourth number," said Fulkerson. "Ah thoat that was doubly fo'bidden," said Miss Woodburn. " By the stern parent and the envious awtust." " We '11 get Beaton to get round them, somehow. I guess we can trust him to manage that." Mrs. Leighton sighed her resentment of the implication. 278 A HAZARD OF NEW FORTUNES. " I always feel that Mr. Beaton doesn't do him- self justice," she began. Fulkerson could not forego the chance of a joke. " Well, may be he would rather temper justice with mercy in a case like his." This made both the younger ladies laugh. " I judge this is my chance to get off with my life," he added, and he rose as he spoke. " Mrs. Leighton, I am about the only man of my sex who doesn't thirst for Beaton's blood most of the time. But I know him and I don't. He 's more kinds of a good fellow than people gener- ally understand. He don't wear his heart upon his sleeve not his ulster sleeve, anyway. You can always count me on your side when it 's a question of finding Beaton not guilty if he '11 leave the State." Alma set her drawing against the wall, in rising to say good night to Fulkerson. He bent over on his stick to look at it. "Well, it's beautiful," he sighed, with unconscious sincerity. Alma made him a courtesy of mock modesty. " Thanks to Miss Woodburn." " Oh no ! All she had to do was simply to stay put." " Don't you think Ah might have improved it if Ah had looked better ? " the girl asked gravely. " Oh, you couldn't ! " said Fulkerson, and he went off triumphant in their applause and their cries of "Which? which?" Mrs. Leighton sank deep into an accusing gloom when at last she found herself alone with her daughter. "I don't know what you are thinking A HAZARD OF NEW FORTUNES. 279 about, Alma Leightou. If you don't like Mr. Beaton " "I don't." " You don't ? You know better than that. You know that you did care for him." " Oh ! that 's a very different thing. That 's a thing that can be got over." " Got over ! " repeated Mrs. Leighton, aghast. " Of course, it can ! Don't be romantic, mamma. People get over dozens of such fancies. They even marry for love two or three times." " Never ! " cried her mother, doing her best to feel shocked, and at last looking it. Her looking it had no effect upon Alma. " You can easily get over caring for people ; but you can't get over liking them if you like them because they are sweet and good. That's what lasts. I was a simple goose, and he imposed upon me because he was a sophisticated goose. Now the case is reversed.'* " He does care for you, now. You can see it. Why do you encourage him to come here 1 " "I don't," said Alma. "I will tell him to keep away if you like. But whether he comes or goes, it will be the same." " Not to him, Alma ! He is in love with you ! " " He has never said so." " And you would really let him say so, when you intend to refuse him ? " "I can't very well refuse him till he does say so." This was undeniable. Mrs. Leighton could only demand in an awful tone, " May I ask why if you 280 A HAZARD OF NEW FORTUNES. cared for him ; and I know you care for him still you will refuse him 1 " Alma laughed. "Because because I'm wedded to my Art, and I 'm not going to commit bigamy, whatever I do." " Alma ! " " Well, then, because I don't like him that is, I don't believe in him, and don't trust him. He's fascinating, but he 's false and he 's fickle. He can't help it, I dare say." " And you are perfectly hard. Is it possible that you were actually pleased to have Mr. Fulkerson tease you about Mr. Dryfoos 1 " " Oh, good night, now, mamma ! This is becom- ing personal." PART THIRD. I. THE scheme of a banquet to celebrate the initial success of Every Other Week expanded in Fulkerson's fancy into a series. Instead of the publishing and editorial force, with certain of the more representa- tive artists and authors sitting down to a modest supper in Mrs. Leighton's parlours, he conceived of a dinner at Delmonico's, with the principal literary and artistic people throughout the country as guests, and an inexhaustible hospitality to reporters and correspondents, from whom paragraphs, prophetic and historic, would flow weeks before and after the first of the series. He said the thing was a new de- parture in magazines ; it amounted to something in literature as radical as the American Revolution in politics : it was the idea of self-government in the arts; and it was this idea that had never yet been fully developed in regard to it. That was what must be done in the speeches at the dinner, and the speeches must be reported. Then it would go like wildfire. He asked March whether he thought Mr. Depew could be got to come ; Mark Twain, he was 282 A HAZARD OF NEW FORTUNES sure would come; he was a literary man. They ought to invite Mr. Evarts, and the Cardinal and the leading Protestant divines. His ambition stopped at nothing, nothing but the question of expense ; there he had to wait the return of the elder Dryfoos from the West, and Dryfoos was still delayed at Moffitt, and Fulkerson openly confessed that he was afraid he would stay there till his own enthusiasm escaped in other activities, other plans. Fulkerson was as little likely as possible to fall under a superstitious subjection to another man ; but March could not help seeing that in this possible measure Dryfoos was Fulkerson's fetish. He did not revere him, March decided, because it was not in Fulkerson's nature to revere anything ; he could like and dislike, but he could not respect. Apparently, however, Dryfoos daunted him somehow ; and be- sides the homage which those who have not pay to those who have, Fulkerson rendered Dryfoos the tribute of a feeling which March could only define as a sort of bewilderment. As well as March could make out, this feeling was evoked by the spectacle of Dryfoos's unfailing luck, which Fulkerson was fond of dazzling himself with. It perfectly consisted with a keen sense of whatever was sordid and selfish in a man on whom his career must have had its inevitable effect. He liked to philosophise the case with March, to recall Dryfoos as he was when he first met him still somewhat in the sap, at Moffitt, and to study the processes by which he imagined him to have dried into the hardened speculator, without even the A HAZARD OF NEW FORTUNES. 283 pretence to any advantage but his own in his ven- tures. He was aware of painting the character too vividly, and he warned March not to accept it exactly in those tints, but to subdue them and shade it for himself. He said that where his advantage was not concerned, there was ever so much good in Dryfoos, and that if in some things he had grown inflexible, he had expanded in others to the full measure of the vast scale on which he did busi- ness. It had seemed a little odd to March that a man should put money into such an enterprise as Every Other Week and go off about other affairs, not only without any sign of anxiety but without any sort of interest. But Fulkerson said that was the splendid side of Dryfoos. He had a courage, a magnanimity, that was equal to the strain of any such uncertainty. He had faced the music once for all, when he asked Fulkerson what the thing would cost in the different degrees of potential failure ; and then he had gone off, leaving everything to Fulkerson and the younger Dryfoos, with the instruction simply to go ahead and not bother him about it. Fulkerson called that pretty tall for an old fellow who used to bewail the want of pigs and chickens to occupy his mind. He alleged it as another proof of the versa- tility of the American mind, and of the grandeur of institutions and opportunities that let every man grow to his full size, so that any man in America could run the concern if necessary. He believed that old Dryfoos could step into Bismarck's shoes, and run the German Empire at ten days' notice, or 284 A HAZARD OF NEW FORTUNES. about as long as it would take him to go from New York to Berlin. But Bismarck would not know anything about Dryfoos's plans till Dryfoos got ready to show his hand. Fulkerson himself did not pretend to say what the old man had been up to, since he -went West. He was at Moffitt first, and then he was at Chicago, and then he had gone out to Denver to look after some mines he had out there, and a railroad or two ; and now he was at Moffitt again. He was supposed to be closing up his affairs there, but nobody could say. Fulkerson told March the morning after Dryfoos returned that he had not only not pulled out at Moffitt, but had gone in deeper, ten times deeper than ever. He was in a royal good-humour, Fulker- son reported, and was going to drop into the office on his way up from the street (March understood Wall Street) that afternoon. He Avas tickled to death with Every Other Week so far as it had gone, and was anxious to pay his respects to the editor. March accounted for some rhetoric in this, but let it flatter him, and prepared himself for a meeting about which he could see that Fulkerson was only less nervous than he had shown himself about the public reception of the first number. It gave March a disagreeable feeling of being owned and of being about to be inspected by his proprietor ; but he fell back upon such independence as he could find in the thought of those two thousand dollars of income be- yond the caprice of his owner, and maintained an outward serenity. A HAZARD OF NEW FORTUNES. 285 He was a little ashamed afterward of the resolu- tion it had cost him to do so. It was not a question of Dryfoos's physical presence : that was rather effective than otherwise, and carried a suggestion of moneyed indifference to convention in the grey business suit of provincial cut, and the low, wide- brimmed hat of flexible black felt. He had a stick with an old-fashioned top of buck-horn worn smooth and bright by the palm of his hand, which had not lost its character in fat, and which had a history of former work in its enlarged knuckles, though it was now as soft as March's, and must once have been small even for a man of Mr. Dryfoos's stature ; he was below the average size. But what struck March was the fact that Dryfoos seemed furtively conscious of being a country person, and of being aware that in their meeting he was to be tried by other tests than those which would have availed him as a shrewd speculator. He evidently had some curiosity about March, as the first of his kind whom he had en- countered ; some such curiosity as the country school trustee feels and tries to hide in the presence of the new schoolmaster. But the whole affair was of course on a higher plane ; on one sid.e Dryfoos was much more a man of the world than March was, and he probably divined this at once, and rested himself upon the fact in a measure. It seemed to be his preference that his son should introduce them, for he came upstairs with Conrad, and they had fairly made acquaintance before Fulkerson joined them. Conrad offered to leave them at once, but his 286 A HAZARD OF NEW FORTUNES. father made him stay. "I reckon Mr. March and I haven't got anything so private to talk about that we want to keep it from the other partners. Well, Mr. March, are you getting used to New York yet 1 It takes a little time." " Oh yes. But not so much time as most places. Everybody belongs more or less in New York ; nobody has to belong here altogether." "Yes, that is so. You can try it, and go away if you don't like it a good deal easier than you could from a smaller place. Wouldn't make so much talk, would it 1 " He glanced at March with a jocose light in his shrewd eyes. " That is the way I feel about it all the time : just visiting. Xow, it wouldn't be that way in Boston, I reckon 1 " " You couldn't keep on visiting there your whole life," said March. Dryfoos laughed, showing his lower teeth in a way that was at once simple and fierce. " Mr. Fulkerson didn't hardly know as he could get you to leave. I suppose you got used to it there. I never been in your city." "I had got used to it; but it was hardly my city, except by marriage. My wife 's a Bostonian." " She 's been a little homesick here, then," said Dryfoos, with a smile of the same quality as his laugh. " Less than I expected," said March. " Of course she was very much attached to our old home/' " I guess my wife won't ever get used to New York," said Dryfoos, and he drew in his lower lip A HAZARD OF NEW FORTUNES. 287 with a sharp sigh. " But my girls like it ; they 're young. You never been out our way yet, Mr. March ? Out West 1 " "Well, only for the purpose of being born, and brought up. I used to live in Crawfordsville, and then Indianapolis." "Indianapolis is bound to be a great place," said Dryfoos. " I remember now, Mr. Fulkerson told me you was from our State." He went on to brag of the West, as if March were an Easterner and had to be convinced. " You ought to see all that country. It 's a great country." " Oh yes," said March, " I understand that." He expected the praise of the great West to lead up to some comment on Every Other Week ; and there was abundant suggestion of that topic in the manuscripts, proofs of letter-press and illustrations, with advance copies of the latest number strewn over his table. But Dryfoos apparently kept himself from looking at these things. He rolled his head about on his shoulders to take in the character of the room, and said to his son, " You didn't change the woodwork .after all." " No ; the architect thought we had better let it be, unless we meant to change the whole place. He liked its being old-fashioned." "I hope you feel comfortable here, Mr. March," the old man said, bringing his eyes to bear upon him again after their tour of inspection. " Too comfortable for a working-man," said March, he thought that this remark must brine; them to 288 A HAZARD OF NEW FORTUNES. some talk about his work, but the proprietor only smiled again. " I guess I shan't lose much on this house," he returned, as if musing aloud. "This down-town property is coming up. Business is getting in on all these side streets. I thought I paid a pretty good price for it, too." He went on to talk of real estate, and March began to feel a certain resentment at his continued avoidance of the only topic in which they could really have a common interest. " You live down this way somewhere, don't you 1 " the old man concluded. "Yes. I wished to be near my work." March was vexed with himself for having recurred to it ; but afterward he was not sure but Dryfoos shared his own diffidence in the matter, and was waiting for him to bring it openly into the talk. At times he seemed wary and masterful, and then March felt that he was being examined and tested ; at others so simple that March might well have fancied that he needed encouragement, and desired it. He talked of his wife and daughters in a way that invited March to say friendly things of his family, which appeared to give the old man first an undue pleasure, and then a final distrust. At moments he turned, Avith an effect of finding relief in it, to his son and spoke to him across March of matters which he was un- acquainted with ; he did not seem aware that this was rude, but the young man must have felt it so ; he always brought the conversation back, and once at some cost to himself when his father made it personal. A HAZARD OF NEW FORTUNES. 289 " I want to make a regular New York business man out of that fellow," he said to March, pointing at Conrad with, his stick. " You s'pose I 'm ever going to do it ? " "Well, I don't know," said March, trying to fall in with the joke. "Do you mean nothing but a business man ? " The old man laughed at whatever latent meaning he fancied in this, and said, " You think he would be a little too much for me there ? Well, I Ve seen enough of 'em to know it don't always take a large pattern of a man to do a large business. But I want him to get the business training, and then if he wants to go into something else, he knows what the world is, anyway. Heigh ? " " Oh yes ! " March assented, with some compassion for the young man reddening patiently under his father's comment. Dryfoos went on as if his son were not in hearing. " Now that boy wanted to be a preacher. W 7 hat does a preacher know about the world he preaches against, when he 's been brought up a preacher ? He don't know so much as a bad little boy in his Sunday-school ; he knows about as much as a gH. I always told him, You be a man first, and then you be a preacher, if you want to. Heigh ? " " Precisely." March began to feel some compas- sion for himself in being witness of the young fellow's discomfort under his father's homily. " When we first come to New York, I told him, Now here 's your chance to see the world on a big VOL. I. 13 290 A HAZARD OF NEW FORTUNES. scale. You know already what work and saving and steady habits and sense will bring a man to ; you don't want to go round among the rich ; you want to go among the poor, and see what laziness, and drink, and dishonesty, and foolishness will bring men to. And I guess he knows, about as well as anybody ; and if he ever goes to preaching he '11 know what he's preaching about." The old man smiled his fierce, simple smile, and in his sharp eyes March fancied contempt of the ambition he had balked in his son. The present scene must have been one of many between them, ending in meek submission on the part of the young man whom his father perhaps without realising his cruelty treated as a child. March took it hard that he should be made to suffer in the presence of a co-ordinate power like himself, and began to dislike the old man out of pro- portion to his offence, which might have been mere want of taste, or an effect of mere embarrassment before him. But evidently, whatever rebellion his daughters had carried through against him, he had kept his dominion over this gentle spirit unbroken. March did not choose to make any response, but to let him continue, if he would, entirely upon his own impulse. II. A SILENCE followed, of rather painful length. It was broken by the cheery voice of Fulkerson, sent before him to herald Fulkerson's cheery person. " Well, I suppose you 've got the glorious success of Every Other Week down pretty cold in your talk by this time. I should have been up sooner to join you, but I was nipping a man for the last page of the cover. I guess we '11 have to let the Muse have that for an advertisement instead of a poem the next time, March. Well, the old gentleman given you boys your scolding 1 " The person of Fulkerson had got into the room long before he reached this question, and had planted itself astride a cliair. Fulkerson looked over the chair back, now at March, and now at the elder Dryfoos as he spoke. March answered him. "I guess we must have been waiting for you, Fulkerson. At any rate we hadn't got to the scolding yet" " Why, I didn't suppose Mr. Dryfoos could 'a' held in so long. I understood he was awful mad at the way the thing started off, and wanted to give you a piece of his mind, when he got at you. I inferred as much from a remark that he made." March and U A HAZARD OF NEW FORTUNES. Dryfoos looked foolish, as men do when made the subject of this sort of merry misrepresentation. " I reckon my scolding will keep awhile yet," said the old man dryly. "Well, then, I guess it's a good chance to give Mr. Dryfoos an idea of what we Ve really done just while we 're resting, as Artemus Ward says. Heigh, March ? " " I will let you blow the trumpet, Fulkerson. I think it belongs strictly to the advertising depart- ment," said March. He now distinctly resented the old man's failure to say anything to him of the magazine ; he made his inference that it was from a suspicion of his readiness to presume upon a recog- nition of his share in the success, and he was deter- mined to second no sort of appeal for it. "The advertising department is the heart and soul of every business," said Fulkerson hardily, " and I like to keep my hand in with a little practice on the trumpet in private. I don't believe Mr. Dry- foos has got any idea of the extent of this thing. He 's been out among those Rackensackens, where we were all born, and he 's read the notices in their seven by nine dailies, and he 's seen the thing selling on the cars, and he thinks he appreciates what's been done. But I should just like to take him round in this little old metropolis awhile, and show him Every Oilier Week on the centre tables of the millionaires the Vanderbilts and the Astors and in the homes of culture and refinement everywhere, and let him judge for himself. It's the talk of the clubs A HAZARD OF NEW FORTUNES. 293 and the dinner-tables ; children cry for it ; it 's the Castoria of literature, and the Pearline of art, the Won't-be-happy-till-he-gets-it of every enlightened man, woman, and child in this vast city. I knew we could capture the country ; but, my goodness ! I didn't expect to have New York fall into our hands at a blow. But that 's just exactly what New York has done. Every Other Week supplies the long-felt want that 's been grinding round in New York and keeping it awake nights ever since the war. It's the culmination of all the high and ennobling ideals of the past " How much," asked Dryfoos, " do you expect to get out of it the first year, if it keeps the start it 's got?" " Comes right down to business, every time ! " said Fulkerson, referring the characteristic to March with a delighted glance. " Well, sir, if everything works right, and we get rain enough to fill up the springs, and it isn't a grasshopper year, I expect to clear above all expenses something in the neighbourhood of twenty-five thousand dollars." " Humph ! And you are all going to work a year editor, manager, publisher, artists, writers, printers, and the rest of 'em to clear twenty-five thousand dollars 1 I made that much in half a day in Moffitt once. I see it made in half a minute in Wall Street, sometimes." The old man presented this aspect of the case with a good-natured contempt, which in- cluded Fulkerson and his enthusiasm in an obvious liking. 294 A HAZARD OF NEW FORTUNES. His son suggested, " But when \ve make that money here, no one loses it." "Can you prove that?" His father turned sharply upon him. " Whatever is won is lost. It '& all a game ; it don't make any difference what you bet on. Business is business, and a business man takes his risks with his eyes open." " Ah, but the glory ! " Fulkerson insinuated with impudent persiflage. "I hadn't got to the glory yet, because it 's hard to estimate it ; but put the glory at the lowest figure, Mr. Dryfoos, and add it to the twenty-five thousand, and you 've got an annual income from Every Other Week of dollars enough to construct a silver railroad, double-track, from this office to the moon. I don't mention any of the sister planets because I like to keep within bounds." Dryfoos showed his lower teeth for pleasure in Fulkerson's fooling, and said, " That 's what I like about you, Mr. Fulkerson : you always keep within bounds.", "Well, I ain't a shrinking Boston violet, like March here. More sunflower in my style of diffi- dence ; but I am modest, I don't deny it," said Ful- kerson. " And I do hate to have a thing overstated." "And the glory you do really think there's something in the glory that pays ? " " Not a doubt of it ! I shouldn't care for the paltry return in money," said Fulkerson, with a burlesque of generous disdain, " if it wasn't for the glory along with it." A HAZARD OF NEW FORTUNES. 295 " And how should you feel about the glory, if there was no money along with it ? " " Well, sir, I 'm happy to say we haven't come to that yet." "Now, Conrad, here," said the old man, with a sort of pathetic rancour, " would rather have the glory alone. I believe he don't even care much for your kind of glory, either, Mr. Fulkerson." Fulkerson ran his little eyes curiously over Conrad's face and then March's, as if searching for a trace there of something gone before which would enable him to reach Dryfoos's whole meaning. He apparently resolved to launch himself upon con- jecture. " Oh, well, we know how Conrad feels about the things of this world, anyway. I should like to take 'em on the plane of another sphere, too, sometimes ; but I noticed a good while ago that this was the world I was born into, and so I made up my mind that I would do pretty much what I saw the rest of the folks doing here below. And I can't see but what Conrad runs the thing on business prin- ciples in his department, and I guess you '11 find it so if you look into it. I consider that we 're a whole team and big dog under the wagon with you to draw on for supplies, and March, here, at the head of the literary business, and Conrad in the counting-room, and me to do the heavy lying in the advertising part. Oh, and Beaton, of course, in the art. I 'most for- got Beaton Hamlet Avith Hamlet left out." Dryfoos looked across at his son. " "Wasn't that the fellow's name that was there last night ? " 296 A HAZARD OF NEW FORTUNES. " Yes," said Conrad. The old man rose. " Well, I reckon I got to be going. You ready to go up-town, Conrad 1 " "Well, not quite yet, father." The old man shook hands with March, and went downstairs, followed by his son. Fulkerson remained. " He didn't jump at the chance you gave him to compliment us all round, Fulkerson," said March, with a smile not wholly of pleasure. Fulkerson asked with as little joy, in the grin he had on, "Didn't he say anything to you before I came in ? " " Not a word." " Dogged if I know what to make of it," sighed Fulkerson, "but I guess he's been having a talk with Conrad that 's soured on him. I reckon may be he came back expecting to find that boy reconciled to the glory of this world, and Conrad 's showed him- self just as set against it as ever." "It might have been that," March admitted pen- sively. "I fancied something of the kind myself from words the old man let drop." Fulkerson made him explain, and then he said, "That's it, then; and it's all right. Conrad '11 come round in time ; and all we 've got to do is to have patience with the old man till he does. I know he likes you." Fulkerson affirmed this only interrogatively, and looked so anxiously to March for corroboration that March laughed. " He dissembled his love, "lie said; but afterward A HAZARD OF NEW FORTUNES. 297 in describing to his wife his interview with Mr. Dryfoos he was less amused with this fact. When she saw that he was a little cast down by it, she began to encourage him. "He's just a common, ignorant man, and probably didn't know how to express himself. You may be perfectly sure that he 's delighted with the success of the magazine, and that he understands as well as you do that he owes it all to you." " Ah, I 'm not so sure. I don't believe a man 's any better for having made money so easily and rapidly as Dryfoos has done, and I doubt if he 's any wiser. I don't know just the point he 's reached in his evolution from grub to beetle, but I do know that so far as it's gone the process must have in- volved a bewildering change of ideals and criterions. I guess he 's come to despise a great many things that he once respected, and that intellectual ability is among them what we call intellectual ability. He must have undergone a moral deterioration, an atrophy of the generous instincts, and I don't see why it shouldn't have reached his mental make-up. He has sharpened, but he has narrowed ; his sagacity has turned into suspicion, his caution to meanness, his courage to ferocity. That 's the way I philoso- phise a man of Dryfoos's experience, and I am not very proud when I realise that such a man and his experience are the ideal and ambition of most Ameri- cans. I rather think they came pretty near being mine, once." " No, dear, they never did," his wife protested. 13* 298 A HAZARD OF NEW FORTUNES. "Well, they're not likely to be, in the future. The Dryfoos feature of Every Other Week is thoroughly distasteful to me." "Why, but he hasn't really got anything to do with it, has he, beyond furnishing the money 1 " "That's the impression that Fulkerson has allowed us to get But the man that holds the purse holds the reins. He may let us guide the horse, but when he likes he can drive. If we don't like his driving, then we can get down." Mrs. March was less interested in this figure of speech than in the personal aspects involved. " Then you think Mr. Fulkerson has deceived you ? " " Oh no ! " said her husband, laughing. " But I think he has deceived himself, perhaps." "How 1 " she pursued. "He may have thought he was using Dryfoos, when Dryfoos was using him, and he may have supposed he was not afraid of him when he was very much so. His courage hadn't been put to the test, and courage is a matter of proof, like pro- ficiency on the fiddle, you know : you can't tell whether youVe got it till you try." " Nonsense ! Do you mean that he would ever sacrifice you to Mr. Dryfoos 1 " " I hope he may not be tempted. But I 'd rather be taking the chances with Fulkerson alone, than with Fulkerson and Dryfoos to back him. Dryfoos seems somehow to take the poetry and the pleasure out of the thing." Mrs. March was a long time silent. Then she A HAZARD OF NEW FORTUNES. 299 began, "Well, my dear, / never wanted to come to New York " " Neither did I," March promptly put in. "But now that we're here," she went on, "I'm not going to have you letting every little thing dis- courage you. I don't see what there was in Mr. Dryfoos's manner to give you any anxiety. He 's just a common, stupid, inarticulate country person, and he didn't know how to express himself, as I said in the beginning, and that 's the reason he didn't say anything." " Well, I don't deny you 're right about it." " It 's dreadful," His wife continued, " to be mixed up with such a man and his family, but I don't be- lieve he '11 ever meddle with your management, and till he does, all you need do is to have as little to do with him as possible, and go quietly on your own way." " Oh, I shall go on quietly enough," said March. " I hope I shan't begin going stealthily." " Well, my dear," said Mrs. March, " just let me know when you 're tempted to do that. If ever you sacrifice the smallest grain of your honesty or your self-respect to Mr. Dryfoos, or anybody else, I will simply renounce you." " In view of that I 'm rather glad the management of Every Other Week involves tastes and not convic- tions " said March. III. THAT night Dryfoos was wakened from his after- dinner nap by the sound of gay talk and nervous giggling in the drawing-room. The talk, which was Christine's, and the giggling, which was Mela's, were intershot with the heavier tones of a man's voice ; and Dryfoos lay awhile on the leathern lounge in his library, trying to make out whether he knew the voice. His wife sat in a deep chair before the fire, with her eyes on his face, waiting for him to wake. " Who is that out there 1 " he asked, without opening his eyes. "Indeed, indeed I don't know, Jacob," his wife answered. " I reckon it 's just some visitor of the girls." "Was I snoring?" "Not a bit. You was sleeping as quiet! I did hate to have 'em wake you, and I was just goin' out to shoo them. They've been playin' something, and that made them laugh." " I didn't know but I had snored," said the old man, sitting up. "No," said his wife. Then she asked wistfully, " Was you out at the old place, Jacob 1 " A HAZARD OF NEW FORTUNES. 301 "Yes." "Did it look natural?" " Yes ; mostly. They 're sinking the wells down in the woods pasture." " And the childern's graves 1 " " They haven't touched that part. But I reckon we got to have 'em moved to the cemetery. I bought a lot." The old woman began softly to weep. " It does seem too hard that they can't be let to rest in peace, pore little things. I wanted you and me to lay there too, when our time come, Jacob. Just there, back o' the beehives, and under them shoomakes my, I can see the very place ! And I don't believe I '11 ever feel at home anywheres else. I woon't know where I am when the trumpet sounds. I have to think before I can tell where the east is in New. York ; and what if I should git faced the wrong way when I raise ? Jacob, I wonder you could sell it ! " Her head shook, and the fire-light shone on her tears, as she searched the folds of her dress for her pocket. A peal of laughter came from the drawing-room, and then the sound of chords struck on the piano. " Hush ! Don't you cry 'Liz'beth ! " said Dryfoos. " Here ; take my handkerchief. I 've got a nice lot in the cemetery, and I 'm goin' to have a monument, with two lambs on it like the one you always liked so much. It ain't the fashion, any more, to have family buryin'-grounds ; they're collectin' 'em into the cemeteries, all round." 302 A HAZARD OF NEW FORTUNES. " I reckon I got to bear it," said his wife, muffling her face in his handkerchief. " And I suppose the Lord kin find me, wherever I am. But I always did want to lay just there. You mind how we used to go out and set there, after milkin', and watch the sun go down, and talk about where their angels was, and try to figger it out 1 " " I remember, 'Liz'beth." The man's voice in the drawing-room sang a snatch of French song, insolent, mocking, salient ; and then Christine's attempted the same strain, and another cry of laughter from Mela followed. " Well, I always did expect to lay there. But I reckon it's all right It won't be a great while, now, any way. Jacob, I don't believe I 'm agoin' to live very long. I know it don't agree with me here." "Oh, I guess it does, 'Liz'beth. You're just a little pulled down with the weather. It's coming spring, and you feel it ; but the doctor says you 're all right I stopped in, on the way up ; and he says so." "I reckon he don't know everything," the old woman persisted. "I've been runnin' down ever since we left Moffitt, and I didn't feel any too well there, even. It 's a very strange thing, Jacob, that the richer you git, the less you ain't able to stay where you want to, dead or alive." "It's for the children we do it," said Dryfoos. " We got to give them their chance in the world." " Oh, the world ! They ought to bear the yok A HAZARD OF NEW FORTUNES. 303 in their youth, like we done. I know it's what Coonrod would like to do." Dryfoos got upon his feet. "If Coonrod '11 mind his own business, and do what I want him to, he '11 have yoke enough to bear." He moved from his wife, without further effort to comfort her, and pottered heavily out into the dining-room. Beyond its obscurity stretched the glitter of the deep draw- ing-room. His feet, in their broad, flat slippers, made no sound on the dense carpet, and he came unseen upon the little group there near the piano. Mela perched upon the stool with her back to the keys, and Beaton bent over Christine, who sat with a banjo in her lap, letting him take her hands and put them in the right place on the instrument. Her face was radiant with happiness, and Mela was watching her with foolish, unselfish pleasure in her bliss. There was nothing wrong in the affair to a man of Dryfoos's traditions and perceptions, and if it had been at home in the farm sitting-room, or even in his parlour at Moffitt, he would not have minded a young man's placing his daughter's hands on a banjo, or even holding them there ; it would have seemed a proper attention from him if he was courting her. But here, in such a house as this, with the daughter of a man who had made as much money as he had, he did not know but it was a liberty. He felt the angry doubt of it which beset him in regard to so many experiences of his changed life ; he wanted to show his sense of it, if it was a liberty, but he did 304 A HAZARD OF NEW FORTUNES. not know how, and he did not know that it was so. Besides, he could not help a touch of the pleasure in Christine's happiness which Mela showed ; and he would have gone back to the library, if he could, without being discovered. But Beaton had seen him, and Dryfoos, with a nonchalant nod to the young man, came forward. " What you got there, Christine 1 " " A banjo," said the girl, blushing in her father's presence. Mela gurgled. " Mr. Beaton is learnun' her the first position." Beaton was not embarrassed. He was in evening dress, and his face, pointed with its brown beard, showed extremely handsome above the expanse of his broad white shirt-front. He gave back as non- chalant a nod as he had got, and without further greeting to Dryfoos, he said to Christine, "No, no. You must keep your hand and arm so." He held them in position. "There ! Now strike with your right hand. See ? " "I don't believe I can ever learn," said the girl, with a fond upward look at him. " Oh yes, you can," said Beaton. They both ignored Dryfoos in the little play of protests which followed, and he said, half jocosely, half suspiciously, "And is the banjo the fashion, now ? " He remembered it as the emblem of low- down show business, and associated it with end-men, and blackened faces, and grotesque shirt collars. " It 's all the rage," Mela shouted in answer for alL A HAZARD OF NEW FORTUNES. 305 "Everybody plays it. Mr. Beaton borrowed this from a lady friend of his. " " Humph ! Pity I got you a piano, then," said Dry- foos. " A banjo would have been cheaper." Beaton so far admitted him to the conversation as to seem reminded of the piano by his mentioning it. He said to Mela, " Oh, won't you just strike those chords 1 " and as Mela wheeled about and beat the keys, he took the banjo from Christine and sat down with it. " This way ! " He strummed it, and mur- mured the tune Dryfoos had heard him singing from the library, while he kept his beautiful eyes floating on Christine's. "You try that, now; it's very simple." " Where is Mrs. Mandel ? " Dryfoos demanded, trying to assert himself. Neither of the girls seemed to have heard him at first in the chatter they broke into over what Beaton proposed. Then Mela said absently, "Oh, she had to go out to see one of her friends that 's sick," and she struck the piano keys. " Come ; try it, Chris ! " Dryfoos turned about unheeded, and went back to the library. He would have liked to put Beaton out of his house, and in his heart he burned against him as a contumacious hand ; he would have liked to dis- charge him from the art department of Every Other Week at once. But he was aware of not having treated Beaton with much ceremony, and if the young man had returned his behaviour in kind, with an electrical response to his own feeling, had he any 306 A HAZARD OF NEW FORTUNES. right to complain 1 After all, there was no harm in his teaching Christine the banjo. His wife still sat looking into the fire. " I can't see," she said, "as we've got a bit more comfort of our lives, Jacob, because we Ve got such piles and piles of money. I wisht to gracious we was back on the farm this minute. I wisht you had held out ag'inst the childern about sellin' it ; 'twould 'a' bin the best thing fur 'em, I say. I believe in my soul they '11 git spoiled here in New York. I kin see a change in 'em a'ready in the girls." Dryfoos stretched himself on the lounge again. "I can't see as Coonrod is much comfort, either. Why ain't he here with his sisters ? What does all that work of his on the East side amount to 1 It seems as if he done it to cross me, as much as any- thing." Dryfoos complained to his wife on the basis of mere affectional habit, which in married life often survives the sense of intellectual equality. He did not expect her to reason with him, but there was help in her listening, and though she could only soothe his fretfulness with soft answers which were often wide of the purpose, he still went to her for solace. " Here, I 've gone into this newspaper busi- ness, or whatever it is, on his account, and he don't seem any more satisfied than ever. I can see he hain't got his heart in it." " The pore boy tries ; I know he does, Jacob ; and he wants to please you. But he give up a good deal when he give up bein' a preacher ; I s'pose we ought remember that." A HAZARD OF NEW FORTUNES. 307 "A preacher!" sneered Dryfoos. "I reckon bein' a preacher wouldn't satisfy him now. He had the impudence to tell me this afternoon that he would like to be a priest ; and he threw it up to me that he never could be, because I 'd kept him from studyin'." "He don't mean a Catholic priest not a Roman one, Jacob," the old woman explained wistfully. " He 's told me all about it. They ain't the kind o' Catholics we been used to ; some sort of 'Pisco- palians ; and they do a heap o' good amongst the poor folks over there. He says we ain't got any idea how folks lives in them tenement-houses, hun- derds of 'em in one house, and whole families in a room ; and it burns in his heart to help 'em like them Fathers, as he calls 'em, that gives their lives to it He can't be a Father, he says, because he can't git the eddication, now; but he can be a Brother ; and I can't find a word to say ag'inst it, when it gits to talkin', Jacob." "I ain't saying anything against his priests, 'Liz'beth," said Dryfoos. " They 're all well enough in their way ; they Ve given up their lives to it, and it 's a matter of business with them, like any other. But what I'm .talking about now is Coonrod. I don't object to his doin' all the charity he wants to, and the Lord knows I've never been stingy with him about it. He might have all the money he wants, to give round any way he pleases." " That 's what I told him once, but he says money ain't the thing or not the only thing you got to X 308 A HAZARD OF NEW FORTUNES. give to them poor folks. You got to give your time, and your knowledge, and your love I don't know what all you got to give yourself, if you expect to help 'em. That 's what Coonrod says." " "Well, I can tell him that charity begins at home," said Dryfoos, sitting up, in his impatience. " And he 'd better give himself to us a little to his old father and mother. And his sisters. What 's he doin' goin' off there, to his meetings, and I don't know what all, an' leavin' them here alone ? " " Why, ain't Mr. Beaton with 'em ? " asked the old woman. " I thought I beared his voice." " Mr. Beaton ! Of course, he is ! And who 's Mr. Beaton, anyway?" " W T hy, ain't he one of the men in Coonrod's office ? I thought I beared " " Yes, he is ! But who is he 1 What's he doing round here ? Is he makin' up to Christine ? " " I reckon he is. From Mely's talk, she 's about crazy over the fellow. Don't you like him, Jacob 1 " " I don't know him, or what he is. He hasn't got any manners. Who brought him here 1 How 'd he come to come, in the first place ? " "Mr Fulkerson brung him, I believe," said the old woman patiently. " Fulkerson ! " Dryfoos snorted. " Where 's Mrs. Mandel, I should like to know ? He brought her, too. Does she go trapsein' off this way, every even- ing?" "No, she seems to be here pretty regular most o' the time. I don't know how we could ever git along A HAZARD OF NEW FORTUNES. 309 without her, Jacob ; she seems to know just what to do, and the girls would be ten times as outbreakin* without her. I hope you ain't thinkin' o' turnin' her off, Jacob 1 " Dryfoos did not think it necessary to answer such a question. " It 's all Fulkerson, Fulkerson, Fulker- son. It seems to me that Fulkerson about runs this family. He brought Mrs. Mandel, and he brought that Beaton, and he brought that Boston fellow ! I guess I give him a dose, though ; and I '11 learn Fulkerson that he can't have everything his own way. I don't want anybody to help me spend my money. I made it, and I can manage it. I guess Mr. Fulker- son can bear a little watching, now. He 's been travelling pretty free, and he 's got the notion he 's driving, may be. I 'm agoing to look after that book a little myself." " You '11 kill yourself, Jacob," said his wife, " tryin' to do so many things. And what is it all fur 1 I don't see as we 're better off, any, for all the money. It 's just as much care as it used to be when we was all there on the farm together. I wisht we could go back, Ja " " We can't go back ! " shouted the old man fiercely. " There 's no farm any more to go back to. The fields is full of gas wells and oil wells and hell holes generally ; the house is tore down, and the barn 's g oin' " " The barn ! " gasped the old woman. " Oh, my ! " " If I was to give all I 'm worth this minute, we couldn't go back to the farm, any more than them 310 A HAZARD OF NEW FORTUNES. girls in there could go back and be little children. I don't say we 're any better off, for the money. I Ve got more of it now than I ever had ; and there 's no end to the luck ; it pours in. But I feel like I was tied hand and foot. I don't know which way to move ; I don't know what 's best to do about any- thing. The money don't seem to buy anything but more and more care and trouble. We got a big house that we ain't at home in ; and we got a lot of hired girls round under our feet that hinder and don't help. Our children don't mind us, and we got no friends or neighbours. But it had to be. I couldn't help but sell the farm, and we can't go back to it, for it ain't there. So don't you say anything more about it, 'Liz'beth." " Pore Jacob ! " said his wife. " Well, I woon't, dear." IV. IT was clear to Beaton that Dryfoos distrusted him; and the fact heightened his pleasure in Christine's liking for him. He was as sure of this as he was of the other, though he was not so sure of any reason for his pleasure in it. She had her charm ; the charm of wildness to which a certain wildness in himself responded ; and there were times when his fancy contrived a common future for them, which would have a prosperity forced from the old fellow's love of the girl. Beaton liked the idea of this compulsion better than he liked the idea of the money ; there was something a little repulsive in that ; he imagined himself rejecting it ; he almost wished he was enough in love with the girl to marry her without it ; that would be fine. He was taken with her in a certain measure, in a certain way ; the question was in what measure, in Avhat way. It was partly to escape from this question that he hurried down town, and decided to spend with the Leightons the hour remaining on his hands before it was time to go to the reception for which he was dressed. It seemed to him important that he should see Alma Leighton. After all, it was her charm that 312 A HAZARD OF NEW FORTUNES. was most abiding with him; perhaps it was to be final. He found himself very happy in his present relations with her. She had dropped that barrier of pretences and ironical surprise. It seemed to him that they had gone back to the old ground of com- mon artistic interest which he had found so pleasant the summer before. Apparently she and her mother had both forgiven his neglect of them in the first months of their stay in New York ; he was sure that Mrs. Leighton liked him as well as ever, and if there was still something a little provisional in Alma's manner at times, it was something that piqued more than it discouraged; it made him curious, not anxious. He found the young ladies with Fulkerson when he rang. He seemed to be amusing them both, and they were both amused beyond the merit of so small a pleasantry, Beaton thought, when Fulkerson said, " Introduce myself, Mr. Beaton : Mr. Fulkerson of Every Other Week. Think I've met you at our place." The girls laughed, and Alma explained that her mother was not very well, and would be sorry not to see him. Then she turned, as he felt, per- versely, and went on talking with Fulkerson and left him to Miss Woodburn. She finally recognised his disappointment: "Ah don't often get a chance at you, Mr. Beaton, and Ah 'm just goin' to toak yo' to death. Yo' have been Soath yo'self, and yo' know ho' we do toak." " I 've survived to say yes," Beaton admitted. "Oh, now, do you think we toak so much mo' A HAZARD OF NEW FORTUNES. 313 than you do in the No'th ? " the young lady depre- cated. " I don't know. I only know you can't talk too much for me. I should like to hear you say Soath and hoase and aboat for the rest of my life." " That 's what Ah call raght personal, Mr. Beaton. Now Ah 'm goin' to be personal, too." Miss Wood- burn flung out over her lap the square of cloth she was embroidering, and asked him, "Don't you think that 's beautiful 1 Now, as an awtust a great awtust 1 " " As a great awtust, yes," said Beaton, mimicking her accent. " If I were less than great I might have something to say about the arrangement of colours. You 're as bold and original as Nature." "Really 1 Oh, now, do tell me yo' favo'ite colo', Mr. Beaton." "My favourite colour? Bless my soul, why should I prefer any ? Is blue good, or red wicked ? Do people have favourite colours ? " Beaton found himself suddenly interested. " Of co'se they do," answered the girl. " Don't awtusts 1 " , " I never heard of one that had consciously." " Is it possible 1 I supposed they all had. Now mah favo'ite colo' is gawnet. Don't you think it 's a pretty colo' ? " " It depends upon how it 's used. Do you mean in neckties 1 " Beaton stole a glance at the one Fulkerson was wearing. Miss Woodburn laughed with her face bowed upon VOL. I 14 314 A HAZARD OF NEW FORTUNES. her wrist. " Ah do think you gentlemen in the Xo'th awe ten tahms as lahvely as the ladies." " Strange," said Beaton. "In the South Soath, excuse me ! I made the observation that the ladie& were ten times as lively as the gentlemen. What is that you 're working 1 " " This ? " Miss "\Voodburn gave it another flirt, and looked at it with a glance of dawning recogni- tion. " Oh, this is a table-covah. Wouldn't you lahke to see where it 's to go 1 " " Why, certainly." " Well, if you '11 be raght good I 'U let yo' give me some professional advass about putting something in the co'ners or not, when you have seen it on the table." She rose and led the way into the other room. Beaton knew she wanted to talk with him about something else ; but he waited patiently to let her play her comedy out. She spread the cover on the table, and he advised her, as he saw she wished,, against putting anything in the corners ; just run a line of her stitch around the edge, he said. "Mr. Fulkerson and Ah, why, we 've been having a regular faght aboat it," she commented. " But we both agreed, fahnally, to leave it to you ; Mr. Ful- kerson said you 'd be sure to be raght. Ah 'm so glad you took mah sahde. But he 's a great admahrer of yours, Mr. Beaton," she concluded demurely, sug- gestively. " Is he 1 Well, I 'm a great admirer of Fulker- son's," said Beaton, with a capricious willingness to A HAZARD OF NEW FORTUNES. 315 humour her wish to talk about Fulkerson. " He 's a capital fellow; generous, magnanimous, with quite an ideal of friendship, and an eye single to the main chance all the time. He would advei'tise Every Other Week on his family vault." Miss Woodburn laughed, and said she should tell him what Beaton had said. " Do. But he 's used to defamation from me, and he '11 think you 're joking." "Ah suppose," said Miss Woodburn, "that he's quahte the tahpe of a New York business man." She added, as if it followed logically, "He's so different from what I thought a New York business man would be." " It 's your Virginia tradition to despise business," said Beaton rudely. Miss Woodburn laughed again. " Despahse it ? Mah goodness ! we want to get into it, and ' woak it fo' all it's wo'th,' as Mr. Fulkerson says. That tradition is all past. You don't know what the Soath is now. Ah suppose mah fathaw despahses business, but he 's a tradition himself, as Ah tell him." Beaton would have enjoyed joining the young lady in anything she might be going to say in derogation of her father, but he restrained himself, and she went on more and more as if she wished to account for her father's habitual hauteur with Beaton, if not to excuse it. " Ah tell him he don't iinderstand the rising generation. He was brought up in the old school, and he thinks we J re all just lahke he was when he was young, with all those 316 A HAZARD OF NEW FORTUNES. ahdeals of chivalry and family ; but mah goodness ! it 's money that cyoants no'adays in the Soath, just lahke it does everywhere else. Ah suppose, if we could have slavery back in the fawm mah fathaw thinks it could have been brought up to, when the commercial spirit wouldn't let it alone, it would be the best thing ; but we can't have it back, and Ah tell him we had better have the commercial spirit, as the next best thing." Miss Woodburn went on, with sufficient loyalty and piety, to expose the difference of her own and her father's ideals, but with what Beaton thought less reference to his own unsympathetic attention than to a knowledge finally of the personnel and materiel of Every Other Week, and Mr. Fulkerson's relation to the enterprise. "You most excuse my asking so many questions, Mr. Beaton. You know it's all mah doing that we awe heah in New York. Ah just told mah fathaw that if he was evah goin' to do anything with his wrahtings, he had got to come No'th, and Ah made him come. Ah believe he 'd have stayed in the Soath all his lahfe. And now Mr. Fulkerson wants him to let his editor see some of his wrahtings, and Ah wanted to know something aboat the magazine. We awe a great deal excited aboat it in this hoase, you know, Mr. Beaton," she concluded, with a look that now transferred the Interest from Fulkerson to Alma. She led the way back to the room where they were sitting, and went up to triumph over Fulkerson with Beaton's decision about the table-cover. A HAZARD OF NEW FORTUNES. 317 Alma was left with Beaton near the piano, and he began to talk about the Dryfooses, as he sat down on the piano stool. He said he had been giving Miss Dryfoos a lesson on the banjo ; he had borrowed the banjo of Miss Vance. Then he struck the chord he had been trying to teach Christine, and played over the air he had sung. " How do you like that ? " he asked, whirling round. " It seems rather a disrespectful little tune, some- how," said Alma placidly. Beaton rested his elbow on the corner of the piano, and gazed dreamily at her. " Your perceptions are wonderful. It is disrespectful. I played it, up there, because I felt disrespectful to them." " Do you claim that as a merit ? " " No, I state it as a fact. How can you respect such people ?" "You might respect yourself, then," said the girl. " Or perhaps that wouldn't be so easy, either." " No, it wouldn't. I like to have you say these things to me," said Beaton impartially, " Well, I like to say them," Alma returned. " They do me good." " Oh, I don't know that that was my motive." "There is no one like you no one," said Beaton, as if apostrophising her in her absence. " To come from that house, with its assertions of money you can hear it chink ; you can smell the foul old bank- notes ; it stifles you into an atmosphere like this, is like coming into another world." 318 A HAZARD OF NEW FORTUNES. "Thank you," said Alma. "I'm glad there isn't that unpleasant odour here ; but I wish there was a little more of the chinking." " No, no ! Don't say that ! " he implored. " I like to think that there is one soul uncontaminated by the sense of money in this big, brutal, sordid city." "You mean two," said Alma, with modesty. "But if you stifle at the Dryfooses', why do you go there ?" " Why do I go 1 " he mused. " Don't you believe in knowing all the natures, the types, you can ? Those girls are a strange study : the young one is a simple, earthly creature, as common as an oat-field ; and the other a sort of sylvan life : fierce, flashing, feline- Alma burst out into a laugh. " What apt allitera- tion ! And do they like being studied ? I should think the sylvan life might scratch." " No," said Beaton, with melancholy absence, " it only purrs." The girl felt a rising indignation. "Well, then, Mr. Beaton; I should hope it would scratch, and bite, too. I think you've no business to go about studying people, as you do. It 's abominable." " Go on," said the young man. "That Puritan con- science of yours ! It appeals to the old Covenanter strain in me likeavoice of pre-existence. Go on ' " Oh, if I went on I should merely say it was not only abominable, but contemptible." "You could be my guardian angel, Alma," said the young man, making his eyes more and more slumbrous and dreamy. A HAZARD OF NEW FORTUNES. 319 " Stuff ! I hope I have a soul above buttons ! " He smiled, as she rose, and followed her across the room. " Good night, Mr. Beaton," she said. Miss Woodburn and Fulkerson came in from the other room. " What ! You 're not going, Beaton 1 " " Yes ; I 'm going to a reception. I stopped in on my way." " To kill time," Alma explained. "Well," said Fulkerson gallantly, "this is the last place I should like to do it. But I guess I'd better be going too. It has sometimes occurred to me that there is such a thing as staying too late. But with Brother Beaton, here, just starting in for an evening's amusement, it does seem a little early yet. Can't you urge me to stay, somebody 1 " The two girls laughed, and Miss Woodburn said, " Mr. Beaton is such a butterfly of fashion ! Ah wish Ah was on mah way to a pawty. Ah feel quahte envious." "But he didn't say it to make you," Alma ex- plained with meek softness. "Well, we can't all be swells. Where is your party, anyway, Beaton 1 " asked Fulkerson. " How do you manage to get your invitations to those things ? I suppose a fellow has to keep hinting round pretty lively, heigh ? " Beaton took these mockeries serenely, and shook hands with Miss Woodburn, with the effect of having already shaken hands with Alma, She stood with hers clasped behind her. V. BEATON went away with the smile on his face which he had kept in listening to Fulkerson, and carried it with him to the reception. He believed that Alma was vexed with him for more personal reasons than she had implied ; it flattered him that she should have resented what he told her of the Dryfooses. She had scolded him in their behalf apparently; but really because he had made her jealous by his interest, of whatever kind, in some one else. What followed, had followed naturally. Unless she had been quite a simpleton she could not have met his provisional love-making on any other terms; and the reason why Beaton chiefly liked Alma Leighton was that she was not a simpleton. Even up in the country, when she was overawed by his acquaintance, at first, she was not very deeply overawed, and at times she was not overawed at alL At such times she astonished him by taking his most solemn histrionics with flippant incredulity, and even burlesquing them. But he could see, all the same, that he had caught her fancy, and he admired the skill with which she punished his neglect when they met in New York. He had really come very near A HAZARD OF NEW FORTUNES. 321 forgetting the Leightons ; the intangible obligations of mutual kindness which hold some men so fast, hung loosely upon him ; it would not have hurt him to break from them altogether ; but when he recog- nised them at last, he found that it strengthened them indefinitely to have Alma ignore them so com- pletely. If she had been sentimental, or softly reproachful, that would have been the end ; he could not have stood it ; he would have had to drop her. But when she met him on his own ground, and obliged him to be sentimental, the game was in her hands. Beaton laughed, now, when he thought of that, and he said to himself that the girl had grown immensely since she had come to New York ; nothing seemed to have been lost upon her ; she must have kept her eyes uncommonly wide open. He noticed that especially in their talks over her work ; she had profited by everything she had seen and heard ; she had all of Wetmore's ideas pat ; it amused Beaton to see how she seized every useful word that he dropped, too, and turned him to technical account whenever she could. He liked that ; she had a great deal of talent ; there was no question of that ; if she were a man there could be no question of her future. He began to construct a future for her ; it included provision for himself too ; it was a common future, in which their lives and work were united. He was full of the glow of its prosperity when he met Margaret Vance at the reception. The house was one where people might chat a long time together without publicly committing 14* 322 A HAZARD OF NEW FORTUNES. themselves to an interest in each other except such as grew out of each other's ideas. Miss Vance was there because she united in her catholic sympathies or ambitions the objects of the fashionable people and of the aesthetic people who met there on common ground. It was almost the only house in New York where this happened often, and it did not happen very often there. It was a literary house, primarily, with artistic qualifications, and the frequenters of it were mostly authors and artists ; Wetmore, who was always trying to fit everything with a phrase, said it was the unfrequenters who were fashionable. There was great ease there, and simplicity ; and if there was not distinction, it was not for want of distinguished people, but because there seems to be some solvent in New York life that reduces all men to a common level, that touches everybody with its potent magic and brings to the surface the deeply underlying nobody. The effect for some tempera- ments, for consciousness, for egotism, is admirable ; for curiosity, for hero-worship, it is rather baffling. It is the spirit of the street transferred to the draw- ing-room ; indiscriminating, levelling, but doubtless finally wholesome, and witnessing the immensity of the place, if not consenting to the grandeur of reputations or presences. Beaton now denied that this house represented a salon at all, in the old sense ; and he held that the salon was impossible, even undesirable, with us, when Miss Vance sighed for it. At any rate, he said that this turmoil of coming and going, this A HAZARD OF NEW FORTUNES. 323 bubble and babble, this cackling and hissing of con- versation was not the expression of any such civilisa- tion as had created the salon. Here, he owned, were the elements of intellectual delightfulness, but he said their assemblage in such quantity alone denied the salon; there was too much of a good thing. The French word implied a long evening of general talk among the guests, crowned with a little chicken at supper, ending at cock-crow. Here was tea, with milk or with lemon baths of it and claret cup for the hardier spirits throughout the evening. It was very nice, very pleasant, but it was not the little chicken not the salon. In fact, he affirmed, the salon descended from above, out of the great world, and included the aesthetic world in it. But our great world the rich people, were stupid, with no wish to be otherwise; they were not even curious about authors and artists. Beaton fancied himself speaking impartially, and so he allowed himself to speak bitterly ; he said that in no other city in the world, except Vienna, perhaps, were such people so little a part of society. " It isn't altogether the rich people's fault," said Margaret ; and she spoke impartially, too. " I don't believe that the literary men and the artists would like a salon that descended to them. Madame Geoffrin, you know, was very plebeian ; her husband was a business man of some sort." "He would have been a howling swell in New York," said Beaton, still impartially. Wetmore came up to their corner, with a scroll Y 324 A HAZARD OF NEW FORTUNES. of bread and butter in one hand and a cup of tea in the other. Large and fat, and clean shaven, he looked like a monk in evening dress. " We were talking about salons," said Margaret. " Why don't you open a saloon yourself 1 " asked Wetmore, breathing thickly from the anxiety of getting through the crowd without spilling his tea. " Like poor Lady Barberina Lemon 1 " said the girl, with a laugh. " What a good story ! That idea of a woman who couldn't be interested in any of the arts because she was socially and traditionally the material of them ! We can never reach that height of nonchalance in this country." " Not if we tried seriously 1 " suggested the painter. *' I 've an idea that if the Americans ever gave their minds to that sort of thing, they could take the palm or the cake, as Beaton here would say just as they do in everything else. When we do have an aristocracy, it will be an .aristocracy that will go ahead of anything the world has ever seen. Why don't somebody make a beginning, and go in openly for an ancestry, and a lower middle class, and an hereditary legislature, and all the rest ? We Ve got liveries, and crests, and palaces, and caste feeling. We 're all right as far as we Ve gone, and we Ve got the money to go any length." " Like your natural-gas man, Mr. Beaton," said the girl, with a smiling glance round at him. " Ah ! " said Wetmore, stirring his tea, " has Beaton got a natural-gas man 1 " "My natural-gas man," said Beaton, ignoring A HAZARD OF NEW FORTUNES. 325 Wetmore's question, " doesn't know how to live in, his palace yet, and I doubt if he has any caste feeling. I fancy his family believe themselves victims of it. They say one of the young ladies does that she never saw such an unsociable place as New York ; nobody calls." " That 's good ! " said Wetmore. " I suppose they 're all ready for company too : good cook, furni- ture, servants, carriages 1 " " Galore," said Beaton. " Well, that 's too bad. There 's a chance for you, Miss Vance. Doesn't your philanthropy embrace the socially destitute as well as the financially ? Just think of a family like that, without a friend, in a great city ! I should think common charity had a duty there not to mention the uncommon." He distinguished that kind as Margaret's by a glance of ironical deference. She had a repute for good works which was out of proportion io the works, as it always is, but she was really active in that way, under the vague obligation, which we now all feel, to be helpful. She was of the church which seems to have found a reversion to the imposing ritual of the past the way back to the early ideals of Christian brotherhood. "Oh, they seem to have Mr. Beaton," Margaret answered, and Beaton felt obscurely nattered by her reference to his patronage of the Dryfooses. He explained to Wetmore, " They have me because they partly own me. Dryf oos is Fulkerson's financial backer in Every Other Week." 326 A HAZARD OF NEW FORTUNES. " Is that so ? "Well, that 's interesting too. Aren't you rather astonished, Miss Vance, to see what a pretty thing Beaton is making of that magazine of his?" " Oh," said Margaret, " it 's so very nice, every way ; it makes you feel as if you did have a country, after all. It 's as chic that detestable little word ! as those new French books." " Beaton modelled it on them. But you mustn't suppose he does everything about Every Other Week ; he 'd like you to. Beaton, you haven't come up to that cover of your first number, since. That was the design of one of my pupils, Miss Vance a little girl that Beaton discovered down in New Hampshire last summer." " Oh yes. And have you great hopes of her, Mr. Wetmore 1 " " She seems to have more love of it and knack for it than any one of her sex I Ve seen yet. It really looks like a case of art for art's sake, at times. But you can't tell. They 're liable to get married at any moment, you know. Look here, Beaton, when your natural-gas man gets to the picture-buying stage in his development, just remember your old friends, will you 1 You know, Miss Vance, those new fellows have their regular stages. They never know what to do with their money, but they find out that people buy pictures, at one point. They shut your things up in their houses where nobody comes ; and after a while they overeat themselves they don't know what else to do and die of apoplexy, and A HAZARD OF NEW FORTUNES. 327 leave your pictures to a gallery, and then they see the light. It 's slow, but it 's pretty sure. Well, I see Beaton isn't going to move on, as he ought to do ; and so I must. He always ^tas an unconventional creature." Wetmore went away, but Beaton remained, and he outstayed several other people who came up to speak to Miss Vance. She was interested in every- body, and she liked the talk of these clever literary, artistic, clerical, even theatrical people, and she liked the sort of court with which they recognised her fashion as well as her cleverness ; it was very pleasant to be treated intellectually as if she were one of themselves, and socially as if she was not habitually the same, but a sort of guest in Bohemia, a distinguished stranger. If it was Arcadia rather than Bohemia, still she felt her quality of distin- guished stranger. The flattery of it touched her fancy, and not her vanity ; she had very little vanity. Beaton's devotion made the same sort of appeal ; it was not so much that she liked him as she liked being the object of his admiration. She was a girl of genuine sympathies, intellectual rather than sentimental. In fact she was an intellectual person, whom qualities of the heart saved from being dis- agreeable, as they saved her on the other hand from being worldly or cruel in her fashionableness. She had read a great many books, and had ideas about them, quite courageous and original ideas ; she knew about pictures she had been in Wetmore 's class; she was fond of music; she was willing to under- 328 A HAZARD OF NEW FORTUNES. stand even politics ; in Boston she might have been agnostic, but in New York she was sincerely religious; she was very accomplished, and perhaps it was her goodness that prevented her feeling what was not best in Beaton. " Do you think," she said, after the retreat of one of the comers and goers left her alone with him again, " that those young ladies would like me to call on them 1 " " Those young ladies ? " Beaton echoed. " Miss Leigh ton and " t{ No ; I have been there with my aunt's cards already." "Oh yes," said Beaton, as if he had known of it; he admired the pluck and pride with which Alma had refrained from ever mentioning the fact to him, and had kept her mother from mentioning it, which must have been difficult. " I mean the Miss Dryfooses. It seems really barbarous, if nobody goes near them. We do all kinds of things, and help all kinds of people in some ways, but we let strangers remain strangers unless they know how to make their way among us." " The Dryfooses certainly wouldn't know how to make their way among you," said Beaton, with a sort of dreamy absence in his tone. Miss Vance went on, speaking out the process of reasoning in her mind, rather than any conclusions she had reached. "We defend ourselves by trying to believe that they must have friends of their own, or that they would think us patronising, and A HAZARD OF NEW FORTUNES. 329 wouldn't like being made the objects of social charity ; but they needn't really suppose anything of the kind." "I don't imagine they would," said Beaton. "I think they 'd be only too happy to have you come. But you wouldn't know what to do with each other, indeed, Miss Vance." " Perhaps we shall like each other," said the girl "bravely, " and then we shall know. What church are they of ? " " I don't believe they 're of any," said Beaton. u The mother was brought up a Dunkard." " A Dunkard ? " Beaton told what he knew of the primitive sect, with its early Christian polity, its literal interpretation of Christ's ethics, and its quaint ceremonial of foot- washing; he made something picturesque of that. "The father is a Mammon-worshipper, pure and simple. I suppose the young ladies go to church, but I don't know where. They haven't tried to con- vert me." " I '11 tell them not to despair after I 've con- verted them" said Miss Vance. "Will you let me use you as a point d'appui, Mr. Beaton ? " " Any way you like. If you 're really going to see them, perhaps I 'd better make a confession. I left your banjo with them, after I got it put in order." " How very nice ! Then we have a common in- terest already." "Do you mean the banjo, or 1 " " The banjo, decidedly. Which of them plays 1 " 330 A HAZARD OF NEW FORTUNES. " Neither. But the eldest heard that the banjo was ' all the rage,' as the youngest says. Perhaps you can persuade them that good works are the rage too." Beaton had no very lively belief that Margaret would go to see the Dryfooses ; he did so few of the things he proposed that he went upon the theory that others must be as faithless. Still, he had a cruel amusement in figuring the possible encounter between Margaret Vance, with her intellectual elegance, her eager sympathies and generous ideals, and those girls with their rude past, their false and distorted perspective, their sordid and hungry selfishness, and their faith in the omnipotence of their father's wealth wounded by their experience of its present social impotence. At the bottom of his heart he sympathised with them rather than with her ; he was more like them. People had ceased coming, and some of them were going. Miss Vance said she must go too, and she was about to rise, when the host came up with March ; Beaton turned away. " Miss Vance, I want to introduce Mr. March, the editor of Every Other Week. You oughtn't to be restricted to the art department. We literary fellows think that arm of the service gets too much of the glory nowadays." His banter was for Beaton, but he was already beyond ear-shot, and the host went on : " Mr. March can talk with you about your favourite Boston. He 's just turned his back on it." "Oh, I hope not!" said Miss Vance. "I can't imagine anybody voluntarily leaving Boston." A HAZARD OF NEW FORTUNES. 331 "I don't say he's so bad as that," said the host, committing March to her. " He came to New York because he couldn't help it like the rest of us. I never know whether that's a compliment to New York or not." They talked Boston a little while, without finding that they had common acquaintance there ; Miss Vance must have concluded that society was much larger in Boston than she had supposed from her visits there, or else that March did not know many people in it. But she was not a girl to care much for the inferences that might be drawn from such conclusions ; she rather prided herself upon despising them ; and she gave herself to the pleasure of being talked to as if she were of March's own age. In the glow of her sympathetic beauty and elegance he talked his best, and tried to amuse her with his jokes, which he had 'the art of tingeing with a little serious- ness on one side. He made her laugh; and he flat- tered her by making her think ; in her turn she charmed him so much by enjoying what he said that he began to brag of his wife, as a good husband always does when another woman charms him ; and she asked, Oh, was Mrs. March there ; and would he introduce her ? She asked Mrs. March for her address, and whether she had a day; and she said she would come to see her, if she would let her. Mrs. March could not be so enthusiastic about her as March was, but as they walked home together they talked the girl over, and agreed about her beauty and 332 A HAZARD OF NEW FORTUNES. her amiability. Mrs. March said she seemed very unspoiled for a person who must have been so much spoiled. They tried to analyse her charm, and they succeeded in formulating it as a combination of intellectual fashionableness and worldly innocence. " I think," said Mrs. March, " that city girls, brought up as she must have been, are often the most innocent of all. They never imagine the wickedness of the world, and if they marry happily they go through life as innocent as children. Everything combines to keep them so ; the very hollowness of society shields them. They are the loveliest of the human race. But perhaps the rest have to pay too much for them." " For such an exquisite creature as Miss Vance," said March, "we couldn't pay too much." A wild laughing cry suddenly broke upon the air at the street- crossing in front of them. A girl's voice called out, " Run, run, Jen ! The copper is after you." A woman's figure rushed stumbling across the way and into the shadow of the houses, pursued by a burly policeman. " Ah, but if that 's part of the price ? " They went along fallen from the gay spirit of their talk into a silence which he broke with a sigh. " Can that poor wretch and the radiant girl we left yonder really belong to the same system of things ? How impossible each makes the other seem ! " END OF VOL. I. A HAZARD OF NEW FORTUNES VOL. IL A HAZARD OF NEW FORTUNES. PART THIRD. VI. MRS. HORN believed in the world and in society and its unwritten constitution devoutly, and she tolerated her niece's benevolent activities as she toler- ated her aesthetic sympathies because these things, however oddly, were tolerated even encouraged by society; and they gave Margaret a charm. They made her originality interesting. Mrs. Horn did not intend that they should ever go so far as to make her troublesome ; and it was with a sense of this abeyant authority of her aunt's that the girl asked her approval of her proposed call upon the Dryfooses. She explained as well as she could the social destitution of these opulent people, and she had of course to name Beaton as the source of her knowledge concerning them. "Did Mr. Beaton suggest your calling on them ?" " No ; he rather discouraged it." " And why do you think you ought to go in this VOL. II. 1 2 A HAZARD OF NEW FORTUNES. particular instance ? New York is full of people who don't know anybody." Margaret laughed. " I suppose it 's like any other charity : you reach the cases you know of. The others you say you can't help, and you try to ignore them." " It 's very romantic," said Mrs. Horn. " I hope you've counted the cost; all the possible conse- quences." Margaret knew that her aunt had in mind their common experience with the Leightons, whom, to give their common conscience peace, she had called upon with her aunt's cards and excuses, and an invitation for her Thursdays, somewhat too late to make the visit seem a welcome to New York. She was so coldly received, not so much for herself as in her quality of envoy, that her aunt experienced all the comfort which vicarious penance brings. She did not perhaps consider sufficiently her niece's guiltlessness in the expiation. Margaret was not with her at St. Barnaby in the fatal fortnight she passed there, and never saw the Leightons till she went to call upon them. She never complained : the strain of asceticism, which mysteriously exists in us all, and makes us put peas, boiled or unboiled, in our shoes, gave her patience with the snub which the Leightons presented her for her aunt. But now she said with this in mind, " Nothing seems simpler than to get rid of people if you don't want them. You merely have to let them alone." 'It isn't so pleasant, letting them alone," said Mrs. Horn. A HAZARD OF NEW FORTUNES. 6 " Or having them let you alone," said Margaret ; for neither Mrs. Leighton nor Alma had ever come to enjoy the belated hospitality of Mrs. Horn's Thursdays. "Yes, or having them let you alone," Mrs. Horn courageously consented. "And all that I ask you, Margaret, is to be sure that you really want to know these people." " I don't," said the girl seriously, " in the usual way." "Then the question is whether you do in the unusual way. They will build a great deal upon you," said Mrs. Horn, realising how much the Leightons must have built upon her, and how much out of proportion to her desert they must now dis- like her ; for she seemed to have had them on her mind from the time they came, and had always meant to recognise any reasonable claim they had upon her. " It seems very odd, very sad," Margaret returned, " that you never can act unselfishly in society affairs. If I wished to go and see those girls just to do them a pleasure, and perhaps because if they 're strange and lonely, I might do them good, even it would be impossible." " Quite," said her aunt. " Such a thing would be Quixotic. Society doesn't rest upon any such basis. It can't ; it would go to pieces, if people acted from unselfish motives." " Then it 's a painted savage ! " said the girl. " All its favours are really bargains. Its gifts are for gifts back again." 4 A HAZARD OF NEW FORTUNES. "Yes, that is true," said Mrs. Horn, with no more sense of wrong in the fact than the political economist has in the fact that wages are the measure of necessity and not of merit. ' You get what you pay for. It's a matter of business." She satisfied herself with this formula, which she did not invent, as fully as if it were a reason ; but she did not dis- like her niece's revolt against it. That was part of Margaret's originality, which pleased her aunt in pro- portion to her own conventionality ; she was really a timid person, and she liked the show of courage which Margaret's magnanimity often reflected upon her. She had through her a repute, with people who did not know her well, for intellectual and moral qualities ; she was supposed to be literary and charit- able ; she almost had opinions and ideals, but really fell short of their possession. She thought that she set bounds to the girl's originality because she recog- nised them. Margaret understood this better than her aunt, and knew that she had consulted her about going to see the Dryfooses out of deference, and with no expectation of luminous instruction. She was used to being a law to herself, but she knew what she might and might not do, so that she was rather a by-law. She was the kind of girl that might have fancies for artists and poets, but might end by marrying a prosperous broker, and leavening a vast lump of moneyed and fashionable life with her cul- ture, generosity, and good-will. The intellectual interests were first with her, but she might be equal to sacrificing them ; she had the best heart, but she A HAZARD OF NEW FORTUNES. 5 might know how to harden it ; if she was eccentric, her social orbit was defined ; comets themselves traverse space on fixed lines. She was like every one else, a congei'ies of contradictions and inconsist- encies, but obedient to the general expectation of what a girl of her position must and must not finally be. Provisionally, she was very much what she liked to be. Z VII. MARGARET VANCE tried to give herself some reason for going to call upon the Dryfooses, but she could find none better than the wish to do a kind thing. This seemed queerer and less and less sufficient as she examined it, and she even admitted a little curiosity as a harmless element in her motive, without being very well satisfied with it. She tried to add a slight sense of social duty, and then she decided to have no motive at all, but simply to pay her visit as she would to any other eligible strangers she saw fit to call upon. She perceived that she must be very careful not to let them see that any other impulse had governed her ; she determined, if possible, to let them patronise her ; to be very modest and sincere and diffident, and, above all, not to play a part. This was easy, compared with the choice of a man- ner that should convey to them the fact that she was not playing a part. When the hesitating Irish serving-man had acknowledged that the ladies were at home, and had taken her card to them, she sat waiting for them in the drawing-room. Her study of its appointments, with their impersonal costliness, gave her no suggestion how to proceed; the two A HAZARD OF NEW FORTUNES. T sisters were upon her before she had really decided, and she rose to meet them with the conviction that she was going to play a part for want of some chosen means of not doing so. She found herself, before she knew it, making her banjo a property in the little comedy, and professing so much pleasure in the fact that Miss Dryfoos was taking it up ; she had herself been so much interested by it. Anything, she said, was a relief from the piano ; and then, between the guitar and the banjo, one must really choose the banjo, unless one wanted to devote one's whole natural life to the violin. Of course, there was the mandolin ; but Margaret asked if they did not feel that the bit of shell you struck it with inter- posed a distance between you and the real soul of the instrument ; and then it did have such a faint, mosquitoy little tone ! She made much of the ques- tion, which they left her to debate alone while they gazed solemnly at her till she characterised the tone of the mandolin, when Mela broke into a large, coarse laugh. "Well, that's just what it does sound like," she explained defiantly to her sister. "I always feel like it was going to settle somewhere, and I want to hit myself a slap before it begins to bite. I don't see what ever brought such a thing into fashion." Margaret had not expected to be so powerfully seconded, and she asked, after gathering herself to- gether, " And you are both learning the banjo ? " " My, no ! " said Mela, " I Ve gone through enough with the piano. Christine is learning it." 8 A HAZARD OF NEW FORTUNES. " I 'm so glad you are making my banjo useful at the outset, Miss Dryfoos." Both girls stared at her, but found it hard to cope with the fact that this was the lady friend whose banjo Beaton had lent them. "Mr. Beaton mentioned that he had left it here. I hope you '11 keep it as long as you find it useful." At this amiable speech even Christine could not help thanking her. " Of course," she said, " I expect to get another, right off. Mr. Beaton is going to choose it for me." "You are very fortunate. If you haven't a teacher yet I should so like to recommend mine." Mela broke out in her laugh again. " Oh, I guess Christine's pretty well suited with the one she's got," she said, with insinuation. Her sister gave her a frowning glance, and Margaret did not tempt her to explain. " Then that 's much better," she said. " I have a kind of superstition in such matters ; I don't like to make a second choice. In a shop I like to take the first thing of the kind I 'm looking for, and even if I choose further I come back to the original." " How funny ! " said Mela. " Well, now, I 'm just the other way. I always take the last thing, after I 've picked over all the rest. My luck always seems to be at the bottom of the heap. Now, Christine, she 's more like you. I believe she could walk right up blindfolded and put her hand on the thing she wants every time." " I 'm like father," said Christine, softened a little by the celebration of her peculiarity. " He says the A HAZARD OF NEW FORTUNES. 9 reason so many people don't get what they want is that they don't want it bad enough. Now, when I want a thing, it seems to me that I want it all through." "Well, that's just like father, too," said Mela. " That 's the way he done when he got that eighty- acre piece next to Moffitt that he kept when he sold the farm, and that 's got some of the best gas wells on it now that there is anywhere." She addressed the explanation to her sister, to the exclusion of Mar- garet, who, nevertheless, listened with a smiling face and a resolutely polite air of being a party to the conversation. Mela rewarded her amiability by say- ing to her finally, " You never been in the natural- gas country, have you ? " " Oh no ! And I should so much like to see it ! " said Margaret, with a fervour that was partly voluntary. " Would you 1 Well, we 're kind of sick of it, but I suppose it would strike a stranger." "/never got tired of looking at the big wells when they lit them up," said Christine. " It seems as if the world was on fire." " Yes, and when you see the surface-gas ournun' down in the woods, like it used to by our spring- house so still, and never spreadun' any, just like a bed of some kind of wild-flowers when you ketch sight of it a piece off." They began to tell of the wonders of their strange land in an antiphony of reminiscences and descrip- tions ; they unconsciously imputed a merit to them- 1* 10 A HAZARD OF NEW FORTUNES. selves from the number and violence of the wells on their father's property ; they bragged of the high civilisation of Moffitt, which they compared to its advantage with that of New York. They became excited by Margaret's interest in natural gas, and forgot to be suspicious and envious. She said, as she rose, "Oh, how much I should like to see it all ! " Then she made a little pause and added, " I 'm so sorry my aunt's Thursdays are over ; she never has them after Lent, but we 're to have some people Tuesday evening at a little concert which a musical friend is going to give with some other artists. There won't be any banjos, I 'm afraid, but there '11 be some very good singing, and my aunt would be so glad if you could come with your mother." She put down her aunt's card on the table near her, while Mela gurgled, as if it were the best joke, " Oh, my ! Mother never goes anywhere ; you couldn't get her out for love or money." But she was herself overwhelmed with a simple joy at Mar- garet's politeness, and showed it in a sensuous way, like a child, as if she had been tickled. She came closer to Margaret and seemed about to fawn physi- cally upon her. " Ain't she just as lovely as she can live ? " she demanded of her sister when Margaret was gone. "I don't know," said Christine. "I guess she wanted to know who Mr. Beaton had been lending her banjo to." < A HAZARD OF NEW FORTUNES. 11 " Pshaw ! Do you suppose she 's in love with him 1 " asked Mela, and then she broke into her hoarse laugh at the look her sister gave her. " Well, don't eat me, Christine ! I wonder who she is, any- way 1 I'm. goun' to git it out of Mr. Beaton the next time he calls. I guess she 's somebody. Mrs. Mandel can tell. I wish that old friend of hers would hurry up and git well or something. But I guess we appeared about as well as she did. I could see she was afraid of you, Christine. I reckon it 's gittun' around a little about father; and when it does I don't believe we shall want for callers. Say, are you goun' 1 To that concert of theirs ? " "I don't know. Not till I know who they are first." " Well, we Ve got to hump ourselves if we 're goun' to find out before Tuesday." As she went home Margaret felt wrought in her that most incredible of the miracles, which, neverthe- less, any one may make his experience. She felt kindly to these girls because she had tried to make , them happy, and she hoped that in the interest she had shown there had been none of the poison of flattery. She was aware that this was a risk she ran in such an attempt to do good. If she had escaped this effect she was willing to leave the rest with Providence. VIII. THE notion that a girl of Margaret Vance's tradi- tions would naturally form of girls like Christine and Mela Dryfoos would be that they were abashed in the presence of the new conditions of their lives, and that they must receive the advance she had made them with a certain grateful humility. However they received it, she had made it upon principle, from a romantic conception of duty ; but this was the way she imagined they would receive it, because she thought that she would have done so if she had been as ignorant and unbred as they. Her error was in arguing their attitude from her own temperament, and endowing them, for the purposes of argument, with her perspective. They had not the means, intel- lectual or moral, of feeling as she fancied. If they had remained at home on the farm where they were born, Christine would have groAvn up that embodiment of impassioned suspicion which we find oftenest in the narrowest spheres, and Mela would always have been a good-natured simpleton ; but they would never have doubted their equality with the wisest and the finest. As it was, they had not learned enough at school to doubt it, and the splendour of their father's A HAZARD OF NEW FORTUNES. 13 success in making money had blinded them for ever to any possible difference against them. They had no question of themselves in the social abeyance to which they had been left in New York. They had been surprised, mystified; it was not what they had expected ; there must be some mistake. They were the victims of an accident, which would be re- paired as soon as the fact of their father's wealth had got around. They had been steadfast in their faith, through all their disappointment, that they were not only better than most people by virtue of his money, but as good as any ; and they took Margaret's visit, so far as they investigated its motive, for a sign that at last it was beginning to get around ; of course, a thing could not get around in New York so quick as it could in a small place. They were confirmed in their belief by the sensation of Mrs. Mandel when she returned to duty that afternoon, and they con- sulted her about going to Mrs. Horn's musicale. If she had felt any doubt at the name for there were Horns and Horns the address on the card put the matter beyond question ; and she tried to make her charges understand what a precious chance had be- fallen them. She did not succeed ; they had not the premises, the experience, for a sufficient impression ; and she undid her work in part by the effort to explain that Mrs. Horn's standing was independent of money ; that though she was positively rich, she was comparatively poor. Christine inferred that Miss Vance had called because she wished to be the first to get in with them since it had begun to get 14 A HAZARD OF NEW FORTUNES. around. This view commended itself to Mela too, but without warping her from her opinion that Miss Vance was all the same too sweet for anything. She had not so vivid a consciousness of her father's money as Christine had; but she reposed perhaps all the more confidently upon its power. She was far from thinking meanly of any one who thought highly of her for it ; that seemed so natural a result as to be amiable, even admirable; she was willing that any such person should get all the good there was in such an attitude toward her. They discussed the matter that night at dinner before their father and mother, who mostly sat silent at their meals; the father frowning absently over his plate, with his head close to it, and making play into his mouth with the back of his knife (he had got so far toward the use of his fork as to despise those who still ate from the edge of their knives), and the mother partly missing hers at times in the nervous tremor that shook her face from side to side. After a while the subject of Mela's hoarse babble and of Christine's high-pitched, thin, sharp forays of assertion and denial in the field which her sister's voice seemed to cover, made its way into the old man's consciousness, and he perceived that they were talking with Mrs. Mandel about it, and that his wife was from time to time offering an irrelevant and mistaken comment. He agreed with Christine, and silently took her view of the affair some time before he made any sign of having listened. There had been a time in his life when other things besides his A HAZARD OF NEW FORTUNES. 15 money seemed admirable to him. He had once respected himself for the hard-headed, practical common-sense which first gave him standing among his country neighbours ; which made him supervisor, school trustee, justice of the peace, county commis- sioner, secretary of the Moffitt County Agricultural Society. In those days he had served the public with disinterested zeal and proud ability ; he used to write to the Lake Shore Farmer on agricultural topics ; he took part in opposing, through the Moffitt papers, the legislative waste of the people's money ; on the question of selling a local canal to the railroad company, which killed that fine old State work, and let the dry ditch grow up to grass, he might have gone to the Legislature, but he contented himself with defeating the Moffitt member who had voted for the job. If he opposed some measures for the general good, like high-schools and school libraries, it was because he lacked perspective, in his intense individualism, and suspected all expense of being spendthrift. He believed in good district schools, and he had a fondness, crude but genuine, for some kinds of reading history, and forensics of an elementary sort. With his good head for figures he doubted doctors and despised preachers ; he thought lawyers were all rascals, but he respected them for their ability ; he was not himself litigious, but he enjoyed the intel- lectual encounters of a difficult lawsuit, and he often attended a sitting of the fall term of court, when he went to town, for the pleasure of hearing the 16 A HAZARD OF NEW FORTUNES. speeches. He was a good citizen, and a good hus- band. As a good father, he was rather severe with his children, and used to whip them, especially the gentle Conrad, who somehow crossed him most, till the twins died. After that he never struck any of them ; and from the sight of a blow dealt a horse he turned as if sick. It was a long time before he lifted himself up from his sorrow, and then the will of the man seemed to have been breached through his affections. He let the girls do as they pleased the twins had been girls ; he let them go away to school, and got them a piano. It was they who made him sell the farm. If Conrad had only had their spirit he could have made him keep it, he felt; and he resented the want of support he might have found in a less yielding spirit than his son's. His moral decay began with his perception of the opportunity of making money quickly and abun- dantly, which offered itself to him after he sold hi& farm. He awoke to it slowly, from a desolation in which he tasted the last bitter of homesickness, the utter misery of idleness and listlessness. When he broke down and cried for the hard-working, whole- some life he had lost, he was near the end of this season of despair, but he was also near the end of what was best in himself. He devolved upon a meaner ideal than that of conservative good citizen- ship, which had been his chief moral experience : the money he had already made without effort and without merit bred its unholy self-love in him; he began to honour money, especially money that had A HAZARD OF NEW FORTUNES. 17 "been Avon suddenly and in large sums ; for money that had been earned, painfully, slowly, and in little amounts, he had only pity and contempt. The poison of that ambition to go somewhere and be somebody which the local speculators had instilled Into him began to work in the vanity which had succeeded his somewhat scornful self-respect ; he re- jected Europe as the proper field for his expansion ; lie rejected Washington ; he preferred New York, whither the men who have made money and do not yet know that money has made them, all instinctively turn. He came where he could watch his money "breed more money, and bring greater increase of its kind in an hour of luck than the toil of hundreds of men could earn in a year. He called it speculation, stocks, the street ; and his pride, his faith in himself, mounted with his luck. He expected, when he had sated his greed, to begin to spend, and he had formu- lated an intention to build a great house, to add another to the palaces of the country-bred million- aires who have come to adorn the great city. In the meantime he made little account of the things that occupied his children, except to fret at the ungrateful indifference of his son to the interests that could alone make a man of him. He did not know whether his daughters were in society or not ; with people coming and going in the house he would have supposed they must be so, no matter who the people were ; in some vague way he felt that he had hired society in Mrs. Mandel, at so much a year. He never met a superior himself, except now and then a man of twenty or 18 A HAZARD OF NEW FORTUNES. thirty millions to his one or two, and then he felt his soul creep within him, without a sense of social inferiority ; it was a question of financial inferiority ; and though Dryfoos's soul bowed itself and crawled, it was with a gambler's admiration of wonderful luck. Other men said these many-millioned millionaires were smart, and got their money by sharp practices to which lesser men could not attain ; but Dryfoos believed that he could compass the same ends, by the same means, with the same chances ; he respected their money, not them. When he now heard Mrs. Mandel and his daughters talking of that person, whoever she was, that Mrs. Mandel seemed to think had honoured his girls by coming to see them, his curiosity was pricked as much as his pride was galled. " Well, anyway," said Mela, " I don't care whether Christine's goun' or not ; / am. And you got to go with me, Mrs. Mandel." "Well, there's a little difficulty," said Mrs. Mandel, with her unfailing dignity and politeness. " I haven't been asked, you know." " Then what are we goun' to do 1 " demanded Mela, almost crossly. She was physically too amiable, she felt too well corporeally, ever to be quite cross. "She might 'a' knowed well known we couldn't 'a' come alone, in New York. I don't see why we couldn't. I don't call it much of an invitation." " I suppose she thought you could come with your mother," Mrs. Mandel suggested. " She didn't say anything about mother. Did she, A HAZARD OF NEW FORTUNES. 19 Christine 1 Or, yes, she did, too. And I told her she couldn't git mother out. Don't you remember?" " I didn't pay much attention," said Christine. "I wasn't certain we wanted to go." " I reckon you wasn't goun' to let her see that we cared much," said Mela, half reproachful, half proud of this attitude of Christine. " Well, I don't see but what we got to stay at home." She laughed at this lame conclusion of the matter. " Perhaps Mr. Conrad you could very properly take him without an express invitation " Mrs. Mandel began. Conrad looked up in alarm and protest. "I I don't think I could go that evening " "What's the reason?" his father broke in harshly. "You 're not such a sheep that you 're afraid to go into company with your sisters ? Or are you too good to go with them ? " " If it 's to be anything like that night when them hussies come out and danced that way," said Mrs. Dryfoos, " I don't blame Coonrod for not wantun* to go. I never saw the beat of it." Mela sent a yelling laugh across the table to her mother. "Well, I wish Miss Vance could V heard that ! Why, mother, did you think it was like the ballet ? " " Well, I didn't know, Mely, child," said the old woman. " I didn't know what it was like. I hain't never been to one, and you can't be too keerf ul where you go, in a place like New York" " What 's the reason you can't go ? " Dryfoos 20 A HAZARD OF NEW FORTUNES. ignored the passage between his wife and daughter in making this demand of his son, with a sour face. " I have an engagement that night it 's one of our meetings " " I reckon you can let your meeting go for one night," said Dryf oos. " It can't be so important as all that, that you must disappoint your sisters." "I don't like to disappoint those poor creatures. They depend so much upon the meetings " " I reckon they can stand it for one night," said the old man. He added, " The poor ye have with you always." " That 's so, Coonrod," said his mother. "It 's the Saviour's own words." " Yes, mother. But they 're not meant just as father used them." " How do you know how they were meant 1 Or how I used them ? " cried the father. " Now you just make your plans to go with the girls, Tuesday night. They can't go alone, and Mrs. Mandel can't go with them." " Pshaw ! " said Mela. " We don't want to take Conrad away from his meetun', do we, Chris 1 " " I don't know," said Christine, in her high, fine voice. " They could get along without him for one night, as father says." " Well, I 'm not agoun' to take him," said Mela, " Now, Mrs. Mandel, just think out some other way. Say ! What 's the reason we couldn't get somebody else to take us just as well ? Ain't that rulable ?" " It would be allowable " A HAZARD OF NEW FORTUNES. 21 " Allowable, I mean" Mela corrected herself. "But it might look a little significant, unless it was some old family friend." " Well, let 's get Mr. Fulkerson to take us. He 's the oldest family friend we got." " I won't go with Mr. Fulkerson," said Christine serenely. " Why, I 'm sure, Christine," her mother pleaded, " Mr. Fulkerson is a very good young man, and very nice appearun'." Mela shouted, " He 's ten times as pleasant as that old Mr. Beaton of Christine's ! " Christine made no effort to break the constraint that fell upon the table at this sally, but her father said, " Christine is right, Mela. It wouldn't do for you to go with any other young man. Conrad will go with you." " I 'm not certain I want to go, yet," said Chris- tine. " Well, settle that among yourselves. But if you want to go, your brother will go with you." " Of course, Coonrod '11 go, if his sisters wants him to," the old woman pleaded. " I reckon it ain't agoun' to be anything very bad ; and if it is, Coon- rod, why you can just git right up and come out." " It will be all right, mother. And I will go, of course." "There, now, I knowed you would, Coonrod. Now, fawther ! " This appeal was to make the old man say something in recognition of Conrad's sacri- fice. 2A 22 A HAZARD OF NEW FORTUNES. " You '11 always find," he said, " that it 's those of your own household that have the first claim on you." " That 's so, Coonrod", urged his mother. " It 's Bible truth. Your fawther ain't a perfesser, but he always read his Bible. Search the Scriptures. That 's what it means." " Laws !" cried Mely, " a body can see, easy enough from mother, where Conrad's wantun' to be a preacher comes from. I should V thought she 'd 'a' wanted to been one herself." " Let your women keep silence in the churches," said the old woman solemnly. " There you go again, mother ! I guess if you was to say that to some of the lady ministers nowa- days, you 'd git yourself into trouble." Mela looked round for approval, and gurgled out a hoarse laugh. IX. THE Dryfooses went late to Mrs. Horn's musicale in spite of Mrs. Mandel's advice. Christine made the delay, both because she wished to show Miss Vance that she was not anxious, and because she had some vague notion of the distinction of arriving late at any sort of entertainment. Mrs. Mandel insisted upon the difference between this musicale and an ordinary reception ; but Christine rather fancied disturbing a company that had got seated, and perhaps making people rise and stand, while she found her way to her place, as she had seen them do for a tardy comer at the theatre. Mela, whom she did not admit to her reasons or feelings always, followed her with the servile admiration she had for all that Christine did ; and she took on trust as somehow successful the result of Christine's obstinacy, when they were allowed to stand against the wall at the back of the room through the whole of the long piece begun just before they came in. There had been no one to receive them ; a few people, in the rear rows of chairs near them, turned their heads to glance at them, and then looked away again. Mela had her 24 A HAZARD OF NEW FORTUNES. misgivings ; but at the end of the piece Miss Vance came up to them at once, and then Mela knew that she had her eyes on them all the time, and that Christine must have been right. Christine said nothing about their coming late, and so Mela did not make any excuse, and Miss Vance seemed to expect none. She glanced with a sort of surprise at Conrad, when Christine introduced him; Mela did not know whether she liked their bringing him, till she shook hands with him, and said, " Oh, I am very glad indeed ! Mr. Dryfoos and I have met) before." Without explaining where or when, she led them to her aunt and presented them, and then said, "I'm going to put you with some friends of yours," and quickly seated them next the Marches. Mela liked that well enough; she thought she might have some joking with Mr. March, for all his wife was so stiff; but the look which Christine wore seemed to forbid, provisionally at least, any such recreation. On her part, Christine was cool with the Marches. It went through her mind that they must have told Miss Vance they knew her; and perhaps they had boasted of her intimacy. She relaxed a little toward them when she saw Beaton leaning against the wall at the end of the row next Mrs. March. Then she conjectured that he might have told Miss Vance of her acquaintance with the Marches, and she bent forward and nodded to Mrs. March across Conrad, Mela, and Mr. March. She conceived of him as a sort of hand of her father's, but she was willing to take them at their A HAZARD OF NEW FORTUNES. 25 apparent social valuation for the time. She leaned back in her chair, and did not look up at Beaton after the first furtive glance, though she felt his eyes on her. The music began again almost at once, before Mela had time to make Conrad tell her where Miss Vance had met him before. She would not have minded interrupting the music ; but every one else seemed so attentive, even Christine that she had not the courage. The concert went on to an end without realising for. her the ideal of pleasure which one ought to find in society. She was not exacting, but it seemed to her there were very few young men, and when the music was over, and their opportunity came to be sociable, they were not very sociable. They were not introduced, for one thing ; but it appeared to Mela that they might have got introduced, if they had any sense ; she saw them looking at her, and she was glad she had dressed so much ; she was dressed more than any other lady there, and either because she was the most dressed of any person there, or because it had got around who her father was, she felt that she had made an impression on the young men. In her satisfaction with this, and from her good nature, she was contented to be served with her refreshments after the concert by Mr. March, and to remain joking with him. She was at her ease ; she let her hoarse voice out in her largest laugh ; she accused him, to the admiration of those near, of getting her into a perfect gale. It appeared VOL. II. 2 26 A HAZARD OF NEW FORTUNES. to her, in her own pleasure, her mission to illustrate to the rather subdued people about her what a good time really was, so that they could have it if they wanted it. Her joy was crowned when March modestly professed himself unworthy to monopolise her, and explained how selfish he felt in talking to a young lady when there were so many young men dying to do so. " Oh, pshaw dyun', yes ! " cried Mela, tasting the irony. " I guess I see them ! " He asked if he might really introduce a friend of his to her, and she said, Well, yes, if he thought he could live to get to her ; and March brought up a man whom he thought very young and Mela thought very old. He was a contributor to Every Other Week, and so March knew him ; he believed himself a student of human nature in behalf of literature, and he now set about studying Mela. He tempted her to express her opinion on all points, and he laughed so amiably at the boldness and humorous vigour of her ideas that she was delighted with him. She asked him if he was a New-Yorker by birth ; and she told him she pitied him, when he said he had never been West. She professed her- self perfectly sick of New York, and urged him to go to Moffitt if he wanted to see a real live town. He wondered if it would do to put her into literature just as she was, with all her slang and brag, but he decided that he would have to subdue her a great deal : he did not see how he could reconcile the facts of her conversation with the facts of her appearance : A HAZARD OF NEW FORTUNES. 27 her beauty, her splendour of dress, her apparent right to be where she was. These things perplexed him; he was afraid the great American novel, if true, must be incredible. Mela said he ought to hear her sister go on about New York when they first came ; but she reckoned that Christine was getting so she could put up with it a little better, now. She looked significantly across the room to the place where Christine was now talking with Beaton ; and the student of human nature asked, Was she here ? and, Would she introduce him ? Mela said she would, the first chance she got ; and she added, They would be much pleased to have him call. She felt herself to be having a beautiful time, and she got directly upon such intimate terms with the student of human nature that she laughed with him about some peculiarities of his, such as his going so far about to ask things he wanted to know from her ; she said she never did believe in beating about the bush much. She had noticed the same thing in Miss Vance when she came to call that day ; and when the young man owned that he came rather a good deal to Mrs. Horn's house, she asked him, Well, what sort of a girl was Miss Vance, any- way, and where did he suppose she had met her brother ? The student of human nature could not say as to this, and as to Miss Vance he judged it safest to treat of the non-society side of her char- acter, her activity in charity, her special devotion to the work among the poor on the East Side, which she personally engaged in. 28 A HAZARD OF NEW FORTUNES. " Oh, that 's where Conrad goes, too ! " Mela inter- rupted. "I'll bet anything that's where she met him. I wisht I could tell Christine ! But I suppose she would want to kill me, if I was to speak to her now" The student of human nature said politely, " Oh, shall I take you to her ? " Mela answered, " I guess you better not ! " with a laugh so significant that he could not help his inferences concerning both Christine's absorption in the person she was talking with, and the habitual violence of her temper. He made note of how Mela helplessly spoke of all her family by their names, as if he were already intimate with them ; he fancied that if he could get that in skilfully, it would be a valuable colour in his study ; the English lord whom she should astonish with it, began to form himself out of the dramatic nebulosity in his mind, and to whirl on a definite orbit in American society. But he was puzzled to decide whether Mela's willingness to take him into her confidence on short notice was typical or personal : the trait of a daughter of the natural-gas millionaire, or a foible of her own. Beaton talked with Christine the greater part of the evening that was left after the concert. He was very grave, and took the tone of a fatherly friend ; he spoke guardedly of the people present, and mode- rated the severity of some of Christine's judgments of their looks and costumes. He did this out of a sort of unreasoned allegiance to Margaret, whom he was in the mood of wishing to please by being A HAZARD OF NEW FORTUNES. 29 very kind and good, as she always was. He had the sense also of atoning by this behaviour for some reckless things he had said before that to Christine ; he put on a sad, reproving air with her, and gave her the feeling of being held in check. She chafed at it, and said, glancing at Margaret in talk with her brother, " I don't think Miss Vance is so very pretty, do you ? " " I never think whether she 's pretty or not," said Beaton, with dreamy affectation. " She is merely perfect. Does she know your brother ? " " So she says. I didn't suppose Conrad ever went anywhere, except to tenement-houses." "It might have been there," Beaton suggested. " She goes among friendless people everywhere." "May be that's the reason she came to see us I" said Christine. Beaton looked at her with his smouldering eyes, and felt the wish to say, " Yes, it was exactly that," but he only allowed himself to deny the possibility of any such motive in that case. He added, " I am so glad you know her, Miss Dryfoos. I never met Miss Vance without feeling myself better and truer, somehow ; or the wish to be so." "And you think we might be improved too?" Christine retorted. "Well, I must say you're not very flattering, Mr. Beaton, anyway." Beaton would have liked to answer her ac- cording to her cattishness, with a good clawing sarcasm that would leave its smart in her pride ; but he was being good, and he could not change all 30 A HAZARD OF NEW FORTUNES. at once. Besides, the girl's attitude under the social honour done her interested him. He was sure she had never been in such good company before, but he could see that she was not in the least affected by the experience. He had told her who this person and that was; and he saw she had understood that the names were of consequence; but she seemed to feel her equality with them all. Her serenity was not obviously akin to the savage stoicism in which Beaton hid his own consciousness of social inferiority ; but having won his way in the world so far by his talent, his personal quality, he did not conceive the simple fact in her case. Christine was self-possessed because she felt that a knowledge of her father's fortune had got around, and she had the peace which money gives to ignorance ; but Beaton attributed her poise to indifference to social values. This, while he in- wardly sneered at it, .avenged him upon his own too keen sense of them, and, together with his temporary allegiance to Margaret's goodness, kept him from retaliating Christine's vulgarity. He said, "I don't see how that could be," and left the question of flattery to settle itself. The people began to go away, following each other up to take leave of Mrs. Horn. Christine watched them with unconcern, and either because she would not be governed by the general movement, or be- cause she liked being with Beaton, gave no sign of going. Mela was still talking to the student of human nature, sending out her laugh in deep gurgles A HAZARD OF NEW FORTUNES. 31 amidst the unimaginable confidences she was making him about herself, her family, the staff of Every Other Week, Mrs. Mandel, and the kind of life they had all led before she came to them. He was not a blind devotee of art for art's sake, and though he felt that if one could portray Mela just as she was she would be the richest possible material, he was rather ashamed to know some of the things she told him ; and he kept looking anxiously about for a chance of escape. The company had reduced itself to the Dryfoos groups and some friends of Mrs. Horn's who had the right to linger, when Margaret crossed the room with Conrad to Christine and Beaton. " I 'm so glad, Miss Dryfoos, to find that I was not quite a stranger to you all when I ventured to call, the other day. Your brother and I are rather old ac- quaintances, though I never knew who he was before. I don't know just how to say we met where he is valued so much. I suppose I mustn't try to say how much," she added with a look of deep regard at him. Conrad blushed and stood folding his arms tight over his breast, while his sister received Margaret's confession with the suspicion which was her first feeling in regard to any new thing. What she concluded was that this girl was trying to get in with them, for reasons of her own. She said : " Yes ; it 's the first / ever heard of his knowing you. He 's so much taken up with his meetings, he didn't want to come to-night." Margaret drew in her lip before she answered, without apparent resentment of the awkwardness or 32 A HAZARD OF NEW FORTUNES. ungraciousness, whichever she found it, " I don't wonder ! You become so absorbed in such work that you think nothing else is worth while. But I 'm glad Mr. Dryfoos could come with you ; I 'm so glad you could all come ; I knew you would enjoy the music. Do sit down " No," said Christine bluntly ; " we must be going. Mela ! " she called out, " come ! " The last group about Mrs. Horn looked round, but Christine advanced upon them undismayed, and took the hand Mrs. Horn promptly gave her. " Well, I must bid you good night." " Oh, good night," murmured the elder lady. " So very kind of you to come." " I Ve had the best kind of a time," said Mela cordially. " I hain't laughed so much, I don't know when." " Oh, I 'm glad you enjoyed it," said Mrs. Horn in the same polite murmur she had used with Christine ; but she said nothing to either sister about any future meeting. They were apparently not troubled. Mela said over her shoulder to the student of human nature, " The next time I see you I '11 give it to you for what you said about Moffitt." Margaret made some entreating paces after them, but she did not succeed in covering the retreat of the sisters against critical conjecture. She could only say to Conrad, as if recurring to the subject, " I hope we can get our friends to play for us some night. I know it isn't any real help, but such things take A HAZARD OF NEW FORTUNES. 33 the poor creatures out of themselves for the time being, don't you think ? " " Oh yes," he answered. " They 're good in that way." He turned back hesitatingly to Mrs. Horn, and said, with a blush, " I thank you for a happy evening." " Oh, I am very glad," she replied in her murmur. One of the old friends of the house arched her eyebrows in saying good night, and offered the two young men remaining seats home in her carriage. Beaton gloomily refused, and she kept herself from asking the student of human nature, till she had got him into her carriage, "What is Moffitt, and what did you say about it 1 " "Now you see, Margaret," said Mrs. Horn, with bated triumph, when the people were all gone. "Yes, I see," the girl consented. "From one point of view, of course it 's been a failure. I don't think we've given Miss Dryfoos a pleasure, but perhaps nobody could. And at least we've given her the opportunity of enjoying herself." "Such people," said Mrs Horn philosophically, "people with their money must of course be re- ceived sooner or later. You can't keep them out. Only, I believe I would rather let some one else begin with them. The Leightons didn't come 1 " " I sent them cards. I couldn't call again." Mrs. Horn sighed a little. "I suppose Mr. Dryfoos is one of your fellow-philanthropists ? " "He's one of the workers," said Margaret "I 2* 34 A HAZARD OF NEW FORTUNES. met him several times at the Hall, but I only knew his first name. I think he 's a great friend of Father Benedict; he seems devoted to the work. Don't you think he looks good ? " " Very," said Mrs. Horn, with a colour of censure in her assent. "The younger girl seemed more amiable than her sister. But what manners ! " " Dreadful ! " said Margaret, with knit brows, and a pursed mouth of humorous suffering. "But she appeared to feel very much at home." "Oh, as to that, neither of them was much abashed. Do you suppose Mr. Beaton gave the other one some hints for that quaint dress of hers ? I don't imagine that black and lace is her own invention. She seems to have some sort of strange fascination for him." "She's very picturesque," Margaret explained. "And artists see points in people that the rest of us don't." " Could it be her money ? " Mrs. Horn insinuated. " He must be very poor. " "But he isn't base," retorted the girl with a generous indignation that made her aunt smile. " Oh no ; but if he fancies her so picturesque, it doesn't follow that he would object to her being rich." " It would with a man like Mr. Beaton ! " " You are an idealist, Margaret. I suppose your Mr. March has some disinterested motive in paying court to Miss Mela Pamela, I suppose, is her name. He talked to her longer than her literature would have lasted." A HAZARD OF NEW FORTUNES. 35 "He seems a very kind person," said Margaret. " And Mr. Dryfoos pays his salary ? " "I don't know anything about that. But that wouldn't make any difference with him." Mrs. Horn laughed out at this security ; but she was not displeased by the nobleness which it came from. She liked Margaret to be high-minded, and was really not distressed by any good that was in her. The Marches walked home, both because it was not far, and because they must spare in carriage hire at any rate. As soon as they were out of the house, she applied a point of conscience to him. "I don't see how you could talk to that girl so long, Basil, and make her laugh so." " Why, there seemed no one else to do it, till I thought of Kendricks." " Yes, but I kept thinking, Now he 's pleasant to her because he thinks it's to his interest. If she had no relation to Every Other Week, he wouldn't waste his time on her." " Isabel," March complained, " I wish you wouldn't think of me in he, him, and his : I never personalise you in my thoughts : you remain always a vague unindividualised essence, not quite without form and void, but nounless and pronounless. I call that a much more beautiful mental attitude toward the object of one's affections. But if you must he and him and his me in your thoughts, I wish you 'd have more kindly thoughts of me." 36 A HAZARD OF NEW FORTUNES. " Do you deny that it 's true, Basil ? " " Do you believe that it 's true, Isabel 1 " "' No matter. But could you excuse it if it were ? " *' Ah, I see you 'd have been capable of it in my place, and you're ashamed." " Yes," sighed the wife, " I 'm afraid that I should. But tell me that you wouldn't, Basil ! " " I can tell you that I wasn't. But I suppose that in a real exigency, I could truckle to the proprietary Dryfooses as well as you." " Oh no ; you mustn't, dear ! I 'm a woman, and I 'm dreadfully afraid. But you must always be a man, especially with that horrid old Mr. Dryfoos. Promise me that you '11 never yield the least point to him in a matter of right and wrong ! " " Not, if he 's right and I 'm wrong 1 " " Don't trifle, dear ! You know what I mean. Will you promise ? " " I '11 promise to submit the point to you, and let you do the yielding. As for me, I shall be adamant. Nothing I like better." "They're dreadful, even that poor, good young fellow, who's so different from all the rest; he's awful, too, because you feel that he 's a martyr to them." "And I never did like martyrs a great deal," March interposed. "I wonder how they came to be there," Mrs. March pursued, unmindful of his joke. "That is exactly what seemed to be puzzling Miss Mela about us. She asked, and I explained A HAZARD OF NEW FORTUNES. 37 as well as I could; and then she told me that Miss Vance had corne to call on them and invited them; and first they didn't know how they could come till they thought of making Conrad bring them. But she didn't say why Miss Vance called on them. Mr. Dryfoos doesn't employ her on Every Other Week. But I suppose she has her own vile little motive." " It can't he their money ; it can't be ! " sighed Mrs. March. "Well, I don't know. We all respect money." " Yes, but Miss Vance's position is so secure. She needn't pay court to those stupid, vulgar people." " Well, let 's console ourselves with the belief that she would, if she needed. Such people as the Dryfooses are the raw material of good society. It made up of refined or meritorious people professors and litterateurs, ministers and musicians, and their families. All the fashionable people there to-night were like the Dryfooses a generation or two ago. I dare say the material works up faster now, and in a season or two you won't know the Dryfooses from the other plutocrats. They will a little better than they do now; they'll see a difference, but nothing radical, nothing painful. People who get up in the world by service to others through letters, or art, or science may have their modest little misgivings as to their social value, but people that rise by money especially if their gains are sudden never have. And that 's the kind of people that form our nobility ; there 's no use 2B 38 A HAZARD OF NEW FORTUNES. pretending that we haven't a nobility; we might as well pretend we haven't first-class cars in the presence of a vestibuled Pullman. Those girls had no more doubt of their right to be there than if they had been duchesses : we thought it was very nice of Miss Vance to come and ask us, but they didn't ; they weren't afraid, or the least embarrassed ; they were perfectly natural like born aristocrats. And you may be sure that if the plutocracy that now owns the country ever sees fit to take on the outward signs of an aristocracy titles, and arms, and ancestors it won't falter from any inherent question of its worth. Money prizes and honours itself, and if there is anything it hasn't got, it believes it can buy it." " Well, Basil," said his wife, " I hope you won't get infected with Lindau's ideas of rich people. Some of them are very good and kind." " Who denies that ? Not even Lindau himself. It's all right. And the great thing is that the evening's enjoyment is over. I 've got my society smile off, and I 'm radiantly happy. Go on with your little pessimistic diatribes, Isabel; you can't spoil my pleasure." " I could see," said Mela, as she and Christine drove home together, "that she was as jealous as she could be, all the time you was talkun' to Mr. Beaton. She pretended to be talkun' to Conrad, but she kep' her eye on you pretty close, I can tell you. I bet she just got us there to see how him A HAZARD OF NEW FORTUNES. 39 and you would act together. And I reckon she was satisfied. He 's dead gone on you, Chris." Christine listened with a dreamy pleasure to the flatteries with which Mela plied her in the hope of some return in kind, and not at all because she felt spitefully toward Miss Vance, or in anywise wished her ill. " Who was that fellow with you so long ? " asked Christine. "I suppose you turned yourself inside out to him, like you always do." Mela was transported by the cruel ingratitude. " It 's a lie ! I didn't tell him a single thing." Conrad walked home, choosing to do so because he did not wish to hear his sisters' talk of the even- ing, and because there was a tumult in his spirit which he wished to let have its way. In his life with its single purpose, defeated by stronger wills than his own, and now struggling partially to fulfil itself in acts of devotion to others, the thought of women had entered scarcely more than in that of a child. His ideals were of a virginal vagueness ; faces, voices, gestures had filled his fancy at times, but almost passionlessly ; and the sensation that he now indulged was a kind of worship, ardent, but reverent and exalted. The brutal experiences of the world make us forget that there are such natures in it, and that they seem to come up out of the lowly earth as well as down from the high heaven. In the heart of this man well on toward thirty there had never been left the stain of a base thought ; not that, suggestion and conjecture had not visited him, but 40 A HAZARD OF NEW FORTUNES. that he had not entertained them, or in anywise made them his. In a Catholic age and country, he would have been one of those monks who are sainted after death for the angelic purity of their lives, and whose names are invoked by believers in moments of trial, like San Luigi Gonzaga. As he now walked along thinking, with a lover's beati- fied smile on his face, of how Margaret Vance had spoken and looked, he dramatised scenes in which he approved himself to her by acts of goodness and unselfishness, and died to please her for the sake of others. He made her praise him for them, to his face, when he disclaimed their merit, and after his death, when he could not. All the time he was poignantly sensible of her grace, her elegance, her style ; they seemed to intoxicate him ; some tones of her voice thrilled through his nerves, and some looks turned his brain with a delicious, swooning sense of her beauty ; her refinement bewildered him. But all this did not admit the idea of possession, even of aspiration. At the most his worship only set her beyond the love of other men as far as beyond his own. PAET FOURTH. I. NOT long after Lent, Fulkerson set before Dry- foos one day his scheme for a dinner in celebration of the success of Every Other Week. Dryfoos had never meddled in any manner with the conduct of the periodical; but Fulkerson easily saw that he was proud of his relation to it, and he proceeded upon the theory that he would be willing to have this relation known. On the days when he had been lucky in stocks, he was apt to drop in at the office on Eleventh Street, on his way uptown, and listen to Fulkerson's talk. He was on good enough terms with March, who revised his first impressions of the man, but they had not much to say to each other, and it seemed to March that Dryfoos was even a little afraid of him, as of a piece of mechanism he had acquired, but did not quite understand ; he left the working of it to Fulkerson, who no doubt bragged of it sufficiently. The old man seemed to have as little to say to his son ; he shut himself up with Fulkerson, where the others could hear the man- 42 A HAZARD OF NEW FORTUNES. ager begin and go on with an unstinted flow of talk about Every Other Week ; for Fulkerson never talked of anything else if he could help it, and was always bringing the conversation back to it if it strayed. The day he spoke of the dinner he rose and called from his door, "March, I say, come down here a minute, will you? Conrad, I want you, too." The editor and the publisher found the manager and the proprietor seated on opposite sides of the table. " It 's about those funeral baked meats, you know," Fulkerson explained, " and I was trying to give Mr. Dryfoos some idea of what we wanted to do. That is, what I wanted to do," he continued, turning from March to Dryfoos. " March, here, is opposed to it, of course. He 'd like to publish Every Other Week on the sly; keep it out of the papers, and off the news-stands ; he 's a modest Boston petunia, and he shrinks from publicity ; but I am not that kind of herb myself, and I want all the publicity we can get beg, borrow, or steal for this thing. I say that you can't work the sacred rites of hospitality in a better cause, and what I propose is a little dinner for the purpose of recognis- ing the hit we 've made with this thing. My idea was to strike you for the necessary funds, and do the thing on a handsome scale. The term little dinner is a mere figure of speech. A little dinner wouldn't make a big talk, and what we want is the big talk, at present, if we don't lay up a cent. My notion was that pretty soon after Lent, now, when everybody is feeling just right, we should begin to A HAZARD OF NEW FORTUNES. 43 send out our paragraphs, affirmative, negative, and explanatory, and along about the first of May we should sit down about a hundred strong, the most distinguished people in the country, and solemnise our triumph. There it is in a nutshell. I might expand and I might expound, but that's the sum and substance of it." Fulkerson stopped, and ran his eyes eagerly over the faces of his three listeners, one after the other. March was a little surprised when Dryfoos turned to him, but that reference of the question seemed to give Fulkerson particular pleasure : " What do you think, Mr. March 1 " The editor leaned back in his chair. "I don't pretend to have Mr. Fulkerson's genius for advertis- ing ; but it seems to me a little early yet. . We might celebrate later when we 've got more to cele- brate. At present we 're a pleasing novelty, rather than a fixed fact." " Ah, you don't get the idea ! " said Fulkerson. " What we want to do with this dinner is to fix the fact." " Am I going to come in anywhere ? " the old man interrupted. " You 're going to come in at the head of the pro- cession ! We are going to strike everything that is imaginative and romantic in the newspaper soul with you and your history and your fancy for going in for this thing. I can start you in a paragraph that will travel through all the newspapers, from Maine to Texas and from Alaska to Florida. We 44 A HAZARD OF NEW FORTUNES. have had all sorts of rich men backing up literary enterprises, but the natural-gas man in literature is a new thing, and the combination of your pic- turesque past and your aesthetic present is some- thing that will knock out the sympathies of the American public the first round. I feel," said Fulkerson, with a tremor of pathos in his voice, " that Every Other Week is at a disadvantage before the public as long as it 's supposed to be my enter- prise, my idea. As far as I 'm known at all, I 'm known simply as a syndicate man, and nobody in the press believes that I Ve got the money to run the thing on a grand scale; a suspicion of insolvency must attach to it sooner or later, and the fellows on the press will work up that impression, sooner or later, if we don't give them something else to work up. Now, as soon as I begin to give it away to the correspondents that you're in it, with your untold millions that in fact it was your idea from the start, that you originated it to give full play to the humanitarian tendencies of Conrad here, Avho 's always had these theories of co-operation, and longed to realise them for the benefit of our strug- gling young Avriters and artists " March had listened with growing amusement to the mingled burlesque and earnest of Fulkerson's self-sacrificing impudence, and with wonder as to how far Dryfoos was consenting to his preposterous proposition, when Conrad broke out, "Mr. Fulker- son, I could not allow you to do that. It would not be true ; I did not wish to be here ; and and what I A HAZARD OF NEW FORTUNES. 45 think what I wish to do that is something I will not let any one put me in a false position about. No ! " The blood rushed into the young man's gentle face, and he met his father's glance with 'defiance. Dryfoos turned from him to Fulkerson without speaking, and Fulkerson said caressingly, "Why, of course, Coonrod ! I know how you feel, and I shouldn't let anything of that sort go out uncontra- dicted afterwards. But there isn't anything in these times that would give us better standing with the public than some hint of the way you feel about such things. The public expects to be interested, and nothing would interest it more than to be told that the success of Every Other Week sprang from the first application of the principle of Live and let Live to a literary enterprise. It would look particularly well, coming from you and your father, but if you object, Ave can leave that part out ; though if you approve of the principle I don't see why you need object. The main thing is to let the public know that it owes this thing to the liberal and enlightened spirit of one of the foremost capitalists of the country, and that his purposes are not likely to be betrayed in the hands of his son. I should get a little cut made from a photograph of your father, and supply it gratis with the paragraphs." "I guess," said the old man, "we will get along without the cut." Fulkerson laughed. " Well, well ! Have it your own way. But the sight of your face in the patent 46 A HAZARD OF NEW FORTUNES. outsides of the country press, would be worth half a dozen subscribers in every school district through- out the length and breadth of this fair land." " There was a fellow," Dryfoos explained in an aside to March, "that was getting up a history of MofFett, and he asked me to let him put a steel engraving of me in. He said a good many promi- nent citizens were going to have theirs in, and his price was a hundred and fifty dollars. I told him I couldn't let mine go for less than two hundred, and when he said he could give me a splendid plate for that money, I said I should want it cash. You never saw a fellow more astonished when he got it through him that I expected him to pay the two hundred." Fulkerson laughed in keen appreciation of the joke. " Well, sir, I guess Every Other IPeek will pay you that much. But if you won't sell at any price, all right ; we must try to worry along without the light of your countenance on the posters, but we got to have it for the banquet." " I don't seem to feel very hungry, yet," said the old man drily. " Oh, I'appetit vient en mangeant, as our French friends say. You'll be hungry enough when you see the preliminary Little Neck clam. It 's too late for oysters." " Doesn't that fact seem to point to a postpone- ment till they get back, sometime in October," March suggested. " No, no ! " said Fulkerson, " you don't catch on A HAZARD OF NEW FORTUNES, 47 to the business end of this thing, my friends. You 're proceeding on something like the old exploded idea that the demand creates the supply, when every- body knows, if he 's watched the course of modern events, that it 's just as apt to be the other way. I contend that we Ve got a real substantial success to celebrate now ; but even if we hadn't, the celebra- tion would do more than anything else to create the success, if we got it properly before the public. People will say, Those fellows are not fools ; they wouldn't go and rejoice over their magazine unless they had got a big thing in it. And the state of feeling we. should produce in the public mind would make a boom of perfectly unprecedented grandeur for E. 0. W. Heigh ? " He looked sunnily from one to the other in suc- cession. The elder Dryfoos said, with his chin on the top of his stick, "I reckon those Little Neck clams will keep." "Well, just as -you say," Fulkerson cheerfully assented. " I understand you to agree to the general principle of a little dinner ? " " The smaller the better," said the old man. "Well, I say a little dinner because the idea of that seems to cover the case, even if we vary the plan a little. I had thought of a reception, may be, that would include the lady contributors and artists, and the Avives and daughters of the other contribu- tors. That would give us the chance to ring in a lot of society correspondents and get the thing written up in first-class shape. By the way ! " cried 48 A HAZARD OF NEW FORTUNES. Fulkerson, slapping himself on the leg, "why not have the dinner and the reception both ? " " I don't understand," said Dryfoos. " Why, have a select little dinner for ten or twenty choice spirits of the male persuasion, and then about ten o'clock, throw open your palatial drawing-rooms and admit the females to champagne, salads, and ices. It is the very thing ! Come ! " " What do you think of it, Mr. March ? " asked Dryfoos, on whose social inexperience Fulkerson's words projected no very intelligible image, and who perhaps hoped for some more light. "It's a beautiful vision," said March, "and if it will take more time to realise it I think I approve. I approve of anything that will delay Mr. Fulker- son's advertising orgie." " Then," Fulkerson pursued, " we could have the pleasure of Miss Christine and Miss Mela's company ; and may be Mrs. Dryfoos would look in on us in the course of the evening. There's no hurry, as Mr. March suggests, if we can give the thing this shape. I will cheerfully adopt the idea of my honourable colleague." March laughed at his impudence, but at heart he was ashamed of Fulkerson for proposing to make use of Dryfoos and his house in that way. He fancied something appealing in the look that the old man turned on him, and something indignant in Conrad's flush ; but probably this was only his fancy. He reflected that neither of them coiild feel it as people of more worldly knowledge would, and A HAZARD OF NEW FORTUNES. 49 he consoled himself with the fact that Fulkerson was really not such a charlatan as he seemed. But it went through his mind that this was a strange end for all Dryfoos's money -making to come to ; and he philosophically accepted the fact of his own humble fortunes when he reflected how little his money could buy for such a man. It was an "honourable use that Fulkerson was putting it to in Every Other Week ; it might be far more creditably spent on such an enterprise than on horses, or wines, or women, the usual resources of the brute rich ; and if it were to be lost, it might better be lost that way than in stocks. He kept a smiling face turned to Dryfoos while these irreverent considerations occu- pied him, and hardened his heart against father and son and their possible emotions. The old man rose to put an end to the interview. He only repeated, " I guess those clams will keep till fall." But Fulkerson was apparently satisfied with the progress he had made ; and when he joined March for the stroll homeward after office hours, he was able to detach his mind from the subject, as if content to leave it. " This is about the best part of the year in New York," he said. In some of the areas the grass had sprouted, and the tender young foliage had loosened itself from the buds on a sidewalk tree here and there ; the soft air was full of spring, and the deli- cate sky, far aloof, had the look it never wears at any other season. " It ain't a time of year to* com- VOL. II. 3 50 A HAZARD OF NEW FORTUNES. plain much of, anywhere; but I don't want any- thing better than the month of May in New York. Farther South it 's too hot, and I 've been in Boston in May when that east wind of yours made every nerve in my body get up and howl. I reckon the weather has a good deal to do with the local temperament. The reason a New York man takes life so easily with all his rush is that his climate don't worry him. But a Boston man must be rasped the whole while by the edge in his. air. That accounts for his sharpness ; and when he 's lived through twenty-five or thirty Boston Mays, he gets to thinking that Providence has some par- ticular use for him, or he wouldn't have survived, and that makes him conceited. See ? " " I see," said March. " But I don't know how you're going to work that idea into an advertise- ment, exactly." " Oh, pshaw, now, March ! You don't think I 've got that on the brain all the time 1 " " You were gradually leading up to Every Other Week, somehow." " No, sir ; I wasn't. I was just thinking what a different creature a Massachusetts man was from a Virginian. And yet I suppose they 're both as pure English stock as you'll get anywhere in America. March, I think Colonel Woodburn's paper is going to make a hit." " You 've got there ! When it knocks down the sale about one-half, I shall know it 's made a hit." "I'm not afraid," said Fulkerson. "That thing A HAZARD OF NEW FORTUNES. 51 is going to attract attention. It's well written you can take the pomposity out of it, here and there and it 's novel. Our people like a bold strike, and it 's going to shake them up tremendously to have serfdom advocated on high moral grounds as the only solution of the labour problem. You see in the first place he goes for their sympathies by the way he portrays the actual relations of capital and labour ; he shows how things have got to go from bad to worse, and then he trots out his little old hobby, and proves that if slavery had not been interfered with, it would have perfected itself in the interest of humanity. He makes a pretty strong plea for it." March threw back his head and laughed. " He 's converted you ! I swear, Fulkerson, if we had accepted and paid for an article advocating canni- balism as the only resource for getting rid of the superfluous poor, you 'd begin to believe in it." Fulkerson smiled in approval of the joke, and only said, "I wish you could meet the colonel in the privacy of the domestic circle, March. You 'd like him. He 's a splendid old fellow ; regular type. Talk about spring ! You ought to see the widow's little back yard these days. You know that glass gallery just beyond the dining-room 1 Those girls have got the pot-plants out of that, and a lot more, and they've turned the edges of that back yard, along the fence, into a regular bower ; they Ve got sweet peas planted, and nasturtiums, and we shall be in a blaze of glory about the beginning of June. 52 A HAZARD OF NEW FORTUNES. Fun to see 'em work in the garden, and the bird bossing the job in his cage under the cherry-tree. Have to keep the middle of the yard for the clothes- line, but six days in the week it's a lawn, and I go over it with a mower myself. March, there ain't anything like a home, is there 1 Dear little cot of your own, heigh ? I tell you, March, when I get to pushing that mower round, and the colonel is smok- ing his cigar in the gallery, and those girls are pottering over the flowers, one of these soft evenings after dinner, I feel like a human being. Yes, I do. I struck it rich when I concluded to take my meals .at the widow's. For eight dollars a week I get good board, refined society, and all the advantages of a Christian home. By the way, you've never had much talk with Miss Woodburn, have you, March ? " " Not so much as with Miss Woodburn's father." "Well, he is rather apt to scoop the conversation. I must draw his fire, sometime, when you and Mrs. March are around, and get you a chance with Miss "\Voodburn." " I should like that better, I believe," said March. " Well, I shouldn't wonder if you did. Curious, but Miss Woodburn isn't at all your idea of a Southern girl. She 's got lots of go ; she 's never idle a minute ; she keeps the old gentleman in first- class shape, and she don't believe a bit in the slavery solution of the labour problem ; says she 's glad it 's gone, and if it 's anything like the effects of it, she 's glad it went before her time. No, sir, she 's as full of snap as the liveliest kind of a Northern girl A HAZARD OF NEW FORTUNES. 53 None of that sunny Southern languor you read about." "I suppose the typical Southerner, like the typical anything else, is pretty difficult to find," said March. " But perhaps Miss Woodburn represents the new South. The modern conditions must be producing a modern type." " Well, that 's what she and the colonel both say. They say there ain't anything left of that Walter Scott dignity and chivalry in the rising generation ; takes too much time. You ought to see her sketch the old-school, high-and-mighty manners, as they sur- vive among some of the antiques in Charlottesburg. If that thing could be put upon the stage it would be a killing success. Makes the old gentleman laugh in spite of himself. But he 's as proud of her as Punch, anyway. Why don't you and Mrs. March come round oftener ? Look here ! How would it do to have a little excursion, somewhere, after the spring fairly gets in its work ? " "Reporters present ? " " No, no ! Nothing of that kind ; perfectly sin- cere and disinterested enjoyment." " Oh, a few handbills to be scattered around : 'Buy Every Other Week, 1 'Look out for the next number of Every Oilier Week,' 'Every Other Week at all the news-stands.' Well, I '11 talk it over with Mrs. March. I suppose there 's no great hurry." March told his wife of the idyllic mood in which he had left Fulkerson at the widow's door, and sha said he must be in love. 2C 54 A HAZARD OF NEW FORTUNES. " "Why, of course ! I wonder I didn't think of that. But Fulkerson is such an impartial admirer of the whole sex that you can't think of his liking one more than another. I don't know that he showed any unjust partiality, though, in his talk of 'those girls,' as he called them. And I always rather fancied that Mrs. Mandel he's done so much for her, you know ; and she is such a well-balanced, well- preserved person, and so lady-like and correct : "Fulkerson had the word for her: academic. She 's everything that instruction and discipline can make of a woman ; but I shouldn't think they could make enough of her to be in love with." "Well, I don't know. The academic has its charm. There are moods in which I could imagine myself in love with an academic person. That regularity of line ; that reasoned strictness of contour ; that neatness of pose ; that slightly con- ventional but harmonious grouping of the emotions and morals you can see how it would have its charm, the Wedgwood in human nature 1 I wonder where Mrs. Mandel keeps her urn and her willow." " I should think she might have use for them in that family, poor thing ! " said Mrs. March. " Ah, that reminds me," said her husband, " that we had another talk with the old gentleman, this afternoon, about Fulkerson's literary, artistic, and advertising orgie, and it 's postponed till October." " The later the better, I should think," said Mrs. March, who did not really think about it at all, but whom the date fixed for it caused to think of the A HAZARD OF NEW FORTUNES. 55 intervening time. " We have got to consider what we will do about the summer, before long, Basil." " Oh, not yet, not yet," he pleaded, with that man's willingness to abide in the present, which is so trying to a woman. " It 's only the end of April." " It will be the end of June before we know. And these people wanting the Boston house another year complicates it. We can't spend the summer there, as Ave planned." " They oughtn't to have offered us an increased rent ; they have taken an advantage of us. " " I don't know that it matters," said Mrs. March. " I had decided not to go there." " Had you 1 This is a surprise." " Everything is a surprise to you, Basil, when it happens." " True ; I keep the world fresh, that way." " It wouldn't have been any change to go from one city to another for the summer. We might as well have stayed in New York." " Yes, I wish we had stayed," said March, idly humouring a conception of the accomplished fact. " Mrs. Green would have let us have the gim- crackery very cheap for the summer months ; and we could have made all sorts of nice little excursions and trips off, and been twice as well as if we had spent the summer away." " Nonsense ! You know we couldn't spend the summer in New York." " I know I could." "What stuff 1 You couldn't manage." 56 A HAZARD OF NEW FORTUNES. "Oh yes, I could. I could take my meals at Fulkerson's widow's ; or at Maroni's, with poor old Lindau : he 's got to dining there again. Or, I could keep house, and he could dine with me here." There was a teasing look in March's eyes, and he broke into a laugh, at the firmness with which his wife said, " I think if there is to be any house-keep- ing, I will stay, too ; and help to look after it. I would try not intrude upon you and your guest." " Oh, we should be only too glad to have you join us," said March, playing with fire. " Very well, then, I wish you would take him off to Maroni's, the next time he comes to dine here ! " cried his wife. The experiment of making March's old friend free of his house had not given her all the pleasure that so kind a thing ought to have afforded so good a woman. She received Lindau at first with robust benevolence, and the high resolve not to let any of his little peculiarities alienate her from a sense of his claim upon her sympathy and gratitude, not only as a man who had been so generously fond of her husband in his youth, but a hero who had suffered for her country. Her theory was that his mutilation must not be ignored, but must be kept in mind as a monument of his sacrifice, and she fortified Bella with this conception, so that the child bravely sat next his maimed arm at table and helped him to dishes he could not reach, and cut up his meat for him. As for Mrs. March herself, the thought of his mutilation made her a little faint; she was not A HAZARD OF NEW FORTUNES. 57 without a bewildered resentment of its presence as a sort of oppression. She did not like his drinking so much of March's beer, either ; it was no harm, but it was somehow unworthy, out of character with a hero of the war. But what she really could not reconcile herself to was the violence of Lindau's sentiments concerning the whole political and social fabric. She did not feel sure that he should be allowed to say such things before the children, who had been nurtured in the faith of Bunker Hill and Appomattox, as the beginning and the end of all possible progress in human rights. As a woman she was naturally an aristocrat, but as an American she was theoretically a democrat ; and it astounded, it alarmed her, to hear American democracy denounced as a shuffling evasion. She had never cared much for the United States Senate, but she doubted if she ought to sit by when it was railed at as a rich man's club. It shocked her to be told that the rich and poor were not equal before the law in a country where justice must be paid for at every step in fees and costs, or where a poor man must go to war in his own person, and a rich man might hire some one to go in his. Mrs. March felt that this rebellious mind in Lindau really somehow outlawed him from sympathy, and retroactively undid his past suffering for the country : she had always particu- larly valued that provision of the law, because in forecasting all the possible mischances that might befall her own son, she had been comforted by the thought that if there ever was another war, and Tom 3* 58 A HAZARD OF NEW FORTUNES. were drafted, his father could buy him a substitute. Compared with such blasphemy as this, Lindau's declaration that there was not equality of opportunity in America, and that fully one-half the people were debarred their right to the pursuit of happiness by the hopeless conditions of their lives, was flattering praise. She could not listen to such things in silence, though, and it did not help matters when Lindau met her arguments with facts and reasons which she felt she was merely not sufficiently instructed to combat, and he was not quite gentlemanly to urge. "I am afraid for the effect on the children," she said to her husband. " Such perfectly distorted ideas Tom will be ruined by them." " Oh, let Tom find out Avhere they 're false," said March. "It will be good exercise for his faculties of research. At any rate, those things are getting said nowadays ; he '11 have to hear them sooner or later." " Had he better hear them at home ? " demanded his wife. "Why, you know, as you're here to refute them, Isabel," he teased, " perhaps it 's the best place. But don't mind poor old Lindau, my dear. He says him- self that his parg is worse than his pidte, you know." "Ah, it's too late now to mind him," she sighed. In a moment of rash good feeling, or perhaps an exalted conception of duty, she had herself proposed that Lindau should come every week and read German with Tom ; and it had become a question first how they could get him to take pay for it, and A HAZARD OF NEW FORTUNES. 59 then how they could get him to stop it. Mrs. March never ceased to wonder at herself for having brought this about, for she had warned her husband against making any engagement with Lindau which would bring him regularly to the house : the Germans stuck so, and were so unscrupulously dependent. Yet, the deed being done, she would not ignore the duty of hospitality, and it was always she who made the old man stay to their Sunday evening tea when he lingered near the hour, reading Schiller and Heine and Uhland with the boy, in the clean shirt with which he observed the day ; Lindau's linen was not to be trusted during the week. She now concluded a season of mournful reflection by saying, "He will get you into trouble, somehow, Basil." "Well, I don't know how, exactly. I regard Lindau as a political economist of an unusual type ; but I shall not let him array me against the consti- tuted authorities. Short of that, I think I am safe." "Well, be careful, Basil; be careful. You know you are so rash." " I suppose I may continue to pity him ? He is such a poor, lonely old fellow. Are you really sorry he 's come into our lives; my dear ? " "Xo, no; not that. I feel as you do about it; but. I wish I felt easier about him sure, that is, that we 're not doing wrong to let him keep on talk- ing so." . " I suspect we couldn't help it," March returned lightly. " It 's one of what Lindau calls his 'brincibles' to say what he thinks." II. THE Marches had no longer the gross appetite for novelty which urges youth to a surfeit of strange scenes, experiences, ideas; and makes travel, with all its annoyances and fatigues, an inexhaustible delight. But there is no doubt that the chief pleasure of their life in New York Avas from its quality of foreignness : the flavour of olives, which, once tasted, can never be forgotten. The olives may not be of the first excellence ; they may be a little stale, and small and poor, to begin with, but they are still olives, and the fond palate craves them. The sort which grew in New York, on lower Sixth Avenue and in the region of Jefferson Market and on the soft exposures south of Washington Square, were none the less acceptable because they were of the commonest Italian variety. The Marches spent a good deal of time and money in a grocery of that nationality, where they found all the patriotic comestibles and potables, and re- newed, their faded Italian with the friendly family in charge. Italian table-wholes formed the adventure of the week, on the day when Mrs. March let her domestics go out, and went herself to dine abroad A HAZARD OF NEW FORTUNES. 61 with her husband and children ; and they became adept in the restaurants where they were served, and which they varied almost from dinner to dinner. The perfect decorum of these places, and their im- munity from offence in any, emboldened the Marches to experiment in Spanish restaurants, where red pepper and beans insisted in every dinner, and where once they chanced upon a night of ollapodrida, with such appeals to March's memory of a boyish ambition to taste the dish that he became poetic and then pensive over its cabbage and carrots, peas and bacon. For a rare combination of international motives they prized most the table-d'hote of a French lady, who had taken a Spanish husband in a second marriage, and had a Cuban negro for her cook, with a cross-eyed Alsatian for waiter, and a slim young South American for cashier. March held that some- thing of the catholic character of these relations expressed itself in the generous and tolerant variety of the dinner, which was singularly abundant for fifty cents, without wine. At one very neat French place he got a dinner at the same price with wine, but it was not so abundant ; and March inquired in fruitless speculation why the table-d'Mte of the Italians, a notoriously frugal and abstemious people, should be usually more than you wanted at seventy- five cents and a dollar, and that of the French rather less for half a dollar. He could not see that the frequenters were greatly different at the different places; they were mostly Americans, of subdued manners and conjecturably subdued fortunes, with 62 A HAZARD OF NEW FORTUNES. here and there a table full of foreigners. There was no noise and not much smoking anywhere ; March liked going to that neat French place because there Madame sat enthroned and high behind a comptoir at one side of the room, and everybody saluted her in going out. It was there that a gentle-looking young couple used to dine, in whom the Marches became effectlessly interested, because they thought they looked like that when they were } r oung. The wife had an aesthetic dress, and defined her pretty head by Avearing her back-hair pulled up very tight under her bonnet; the husband had dreamy eyes set wide apart under a pure forehead. " They are artists, Aiigust, I think," March suggested to the waiter, when he had vainly asked about them. " Oh, hartis, cedenly," August consented ; but Heaven knows whether they were, or what they were : March never learned. This immunity from acquaintance, this touch-and- go qualit} 7 in their New York sojourn, this almost loss of individuality at times, after the intense identification of their Boston life, was a relief, though Mrs. March had her misgivings, and questioned whether it were not perhaps too relaxing to the moral fibre. March refused to explore his con- science ; he allowed that it might be so ; but he said he liked now and then to feel his personality in that state of solution. They went and sat a good deal in the softening evenings among the infants and dotards of Latin extraction in Washington Square, safe from all who ever knew them, and A HAZARD OF NEW FORTUNES. Dd enjoyed the advancing season, which thickened the foliage of the trees and flattered out of sight the churchwarden's gothic of the University Building. The infants were sometimes cross, and cried in their weary mothers' or little sisters' arms ; but they did not disturb the dotards, who slept, some with their heads fallen forward, and some with their heads fallen back; March arbitrarily distinguished those with the drooping faces as tipsy and ashamed to confront the public. The small Italian children raced up and down the asphalte paths, playing American games of tag and hide-and-whoop ; larger boys passed ball, in training for potential champion- ships. The Marches sat and mused, or quarrelled fitfully about where they should spend the summer, like sparrows, he once said, till the electric lights began to show distinctly among the leaves, and they looked round and found the infants and dotards gone and the benches filled with lovers. That was the signal for the Marches to go home. He said that the spectacle of so much courtship as the eye might take in there at a glance was not, perhaps, oppres- sive, but the thought that at the same hour the same thing was going on all over the country, wherever two young fools could get together, was more than he could bear ; he did not deny that it was natural, and, in a measure, authorised, but he declared that it was hackneyed ; and the fact that it must go on for ever, as long as the race lasted, made him tired. At home, generally, they found that the children had not missed them, and were perfectly safe. It 64 A HAZARD OF NEW FORTUNES. was one of the advantages of a flat that they could leave the children there whenever they liked with- out anxiety. They liked better staying there than wandering about in the evening with their parents, whose excursions seemed to them somewhat aimless, and their pleasures insipid. They studied, or read, or looked out of the window at the street sights ; and their mother always came back to them with a pang for their lonesomeness. Bella knew some little girls in the house, but in a ceremonious way ; Tom had formed no friendships among the boys at school such as he had left in Boston ; as nearly as he could explain, the New York fellows carried canes at an age when they would have had them broken for them by the other boys at Boston : and they were both sissy ish and fast. It was probably prejudice ; he never could say exactly what their demerits were, and neither he nor Bella was apparently so homesick as they pretended, though they answered inquirers, the one that New York was a hole, and the other that it was horrid, and that all they lived for was to get back to Boston. In the meantime they were thrown much upon each other for society, which March said was well for both of them ; he did not mind their cultivating a little gloom and the sense of a common wrong ; it made them better com- rades, and it was providing them with amusing reminiscences for the future. They really en- joyed Bohemianising in that harmless way : though Tom had his doubts of its respectability; he was very punctilious about his sister, and went round A HAZARD OF NEW FORTUNES. 65 from his own school every day to fetch her home from hers. The whole family went to the theatre a good deal, and enjoyed themselves together in their desultory explorations of the city. They lived near Greenwich Village, and March liked strolling through its quaintness toAvard the water-side on a Sunday, when a hereditary Sabbata- rianism kept his wife at home ; he made her observe that it even kept her at home from church. He found a lingering quality of pure Americanism in the region, and he said the very bells called to wor- ship in a nasal tone. He liked the streets of small brick houses, with here and there one painted red, and the mortar lines picked out in white, and with now and then a fine wooden portal of fluted pillars and a bowed transom. The rear of the tenement- houses showed him the picturesqueness of clothes- lines fluttering far aloft, as in Florence ; and the new apartment-houses, breaking the old sky-line with their towering stories, implied a life as alien to the American manner as anything in continental Europe. In fact, foreign faces and foreign tongues prevailed in Greenwich Village, but no longer German or even Irish tongues or faces. The eyes and ear-rings of Italians twinkled in and out of the alleyways and basements, and they seemed to abound even in the streets, where long ranks of trucks drawn up in Sunday rest along the curb- stones suggested the presence of a race of sturdier strength than theirs. March liked the swarthy, strange visages ; he found nothing menacing for 66 A HAZARD OF NEW FORTUNES. the future in them ; for wickedness he had to satisfy himself as he could with the sneering, insolent, clean-shaven mug of some rare American of the b'hoy type, now almost as extinct in Xew York as the dodo or the volunteer fireman. When he had found his way, among the ash-barrels and the groups of decently dressed church-goers, to the docks, he experienced a sufficient excitement in the recent arrival of a French steamer, whose sheds were thronged with hacks and express-wagons, and in a tacit inquiry into the emotions of the passengers, fresh from the cleanliness of Paris, and now driving up through the filth of those streets. Some of the streets were filthier than others ; there was at least a choice ; there were boxes and barrels of kitchen offal on all the sidewalks, but not everywhere manure-heaps, and in some places the stench was mixed with the more savoury smell of cooking. One Sunday morning, before the winter was quite gone, the sight of the frozen refuse melt- ing in heaps, and particularly the loathsome edges of the rotting ice near the gutters, with the strata of waste-paper and straw litter, and egg-shells and orange-peel, potato-skins and cigar-stumps, made him unhappy. He gave a whimsical shrug for the squalor of the neighbouring houses, and said to him- self rather than the boy who was with him : " It 's curious, isn't it, how fond the poor people are of these unpleasant thoroughfares ? You always find them living in the worst streets." " The burden of all the wrong in the world comes A HAZARD OF NEW FORTUNES. 67 on the poor," said the boy. " Every sort of fraud and swindling hurts them the worst. The city wastes the money it 's paid to clean the streets with, and the poor have to suffer, for they can't afford to pay twice, like the rich." March stopped short. " Hallo, Tom ! Is that your wisdom ? " " It 's what Mr. Lindau says," answered the boy doggedly, as if not pleased to have his ideas mocked at, even if they Avere second-hand. " And you didn't tell him that the poor lived in dirty streets because they liked them, and were too- lazy and worthless to have them cleaned ? " " No ; I didn't." " I 'm surprised. What do you think of Lindau, generally speaking, Tom ? " " Well, sir, I don't like the way he talks about some things. I don't suppose this country is per- fect, but I think it 's about the best there is, and it don't do any good to look at its drawbacks all the time." " Sound, my son," said March, putting his hand on the boy's shoulder and beginning to walk on. " Well ? " " Well, then, he says that it isn't the public frauds only that the poor have to pay for, but they have to pay for all the vices of the rich ; that when a specu- lator fails, or a bank cashier defaults, or a firm suspends, or hard times come, it's the poor who have to give up necessaries where the rich give up luxuries." 68 A HAZARD OF NEW FORTUNES. " Well, well ! And then ?" "Well, then I think the crank comes in, in Mr. Lindau. He says there 's no need of failures or frauds or hard times. It's ridiculous. There always have been and there always will be. But if you tell him that, it seems to make him perfectly furious." March repeated the substance of this talk to his wife. " I 'm glad to know that Tom can see through such ravings. He has lots of good common-sense." It was the afternoon of the same Sunday, and they were sauntering up Fifth Avenue, and admiring the wide old double houses at the lower end ; at one corner they got a distinct pleasure out of the gnarled elbows that a pollarded wistaria leaned upon the top of a garden wall for its convenience in looking into the street, he said. The line of these comfortable dwellings, once so fashionable, was continually broken by the facades of shops ; and March professed him- self vulgarised by a want of style in the people they met in their walk to Twenty-third Street. " Take me somewhere to meet my fellow-exclusives, Isabel," he demanded. " I pine for the society of my peers." He hailed a passing omnibus, and made his wife get on the roof with him. "Think of our doing such a thing in Boston ! " she sighed, with a little shiver of satisfaction in her immunity from recogni- tion and comment. "You wouldn't be afraid to do it in London or Paris?" A HAZARD OF NEW FORTUNES. 69 "No; we should be strangers there just as we are in New York. I wonder how long one could be a stranger here." " Oh, indefinitely, in our way of living. The place is really vast, so much larger than it used to seem, and so heterogeneous." When they got down very far uptown, and began to walk back by Madison Avenue, they found themselves in a different population from that they dwelt among ; not heterogeneous at all ; very homo- geneous, and almost purely American ; the only qualification was American Hebrew. Such a well- dressed, well-satisfied, well-fed looking crowd poured down the broad sidewalks before the handsome,, stupid houses that March could easily pretend he had got among his fellow-plutocrats at last. Still he expressed his doubts whether this Sunday after- noon parade, which seemed to be a thing of custom, represented the best form among the young people of that region ; he wished he knew ; he blamed himself for becoming of- a fastidious conjecture ; he could not deny the fashion and the richness and the indigeneity of the spectacle ; the promenaders looked New Yorky ; they were the sort of people whom you would know for New Yorkers elsewhere, so well equipped and so perfectly kept at all points. Their silk hats shone, and their boots ; their f rocka had the right distension behind, and their bonnets; perfect poise and distinction. The Marches talked of these and other facts of their appearance, and curiously questioned whether 2 D 70 A HAZARD OF NEW FORTUNES. this were the best that a great material civilisation could come to; it looked a little dull. The men's faces were shrewd and alert, and yet they looked dull; the women's were pretty and knowing, and yet dull. It was, probably, the holiday expression of the vast, prosperous commercial class, with unlimited money, and no ideals that money could not realise ; fashion and comfort were all that they desired to compass, and the culture that furnishes showily, that decorates and that tells ; the culture, say, of plays and operas, rather than books. Perhaps the observers did the promenaders in- justice; they might not have been as common- minded as they looked. "But/' March said, "I understand now why the poor people don't come up here and live in this clean, handsome, respectable quarter of the town ; they would be bored to death. On the whole, I think I should prefer Mott Street myself." In other walks the Marches tried to find some of the streets they had wandered through the first day of their wedding journey in New York, so long ago. They could not make sure of them ; but once they ran down to the Battery, and easily made sure of that, though not in its old aspect. They recalled the hot morning, when they sauntered over the trodden weed that covered the sickly grass-plots there, and sentimentalised the sweltering paupers who had crept out of the squalid tenements about for a breath of air after a sleepless night. Now the paupers were gone, and where the old mansions A HAZARD OF NEW FORTUNES. 71 that had fallen to their use once stood, there towered aloft and abroad those heights and masses of many- storied brick-work for which architecture has yet no proper form and aesthetics no name. The trees and shrubs, all in their young spring green, blew briskly over the guarded turf in the south wind that came up over the water ; and in the well-paved alleys the ghosts of eighteenth- century fashion might have met each other in their old haunts, and exchanged stately congratulations upon its vastly bettered con- dition, and perhaps puzzled a little over the colossal lady on Bedloe's Island, with her lifted torch, and still more over the curving tracks and chalet-stations of the Elevated road. It is an outlook of unrivalled beauty across the bay, that smokes and flashes with the innumerable stacks and sails of commerce, to the hills beyond, where the moving forest of masts halts at the shore, and roots itself in the groves of the many-villaged uplands. The Marches paid the charming prospect a willing duty, and rejoiced in it as generously as if it had been their own. Perhaps it was, they decided. He said people owned more things in common than they were apt to think ; and they drew the consolations of proprietorship from the excellent management of Castle Garden, which they penetrated for a moment's glimpse of the huge rotunda, where the emigrants first set foot on our continent. It warmed their hearts, so easily moved to any cheap sympathy, to see the friendly care the nation took of these humble guests ; they found it even pathetic to hear the proper authority calling 72 A HAZARD OF NEW FORTUNES. out the names of such as had kin or acquaintance waiting there to meet them. No one appeared troubled or anxious ; the officials had a conscien- tious civility ; the government seemed to manage their welcome as well as a private company or cor- poration could have done. In fact, it was after the simple strangers had left the government care that March feared their woes might begin ; and he would have liked the government to follow each of them to his home, wherever he meant to fix it within our borders. He made note of the looks of the licensed runners and touters waiting for the immigrants out- side the government premises ; he intended to work them up into a dramatic effect in some sketch, but they remained mere material in his memorandum- book, together with some quaint old houses on the Sixth Avenue road, which he had noticed on the way down. On the way up, these were superseded in his regard by some hip-roof structures on the Ninth Avenue, which he thought more Dutch- looking. The perspectives of the cross-streets to- ward the river were very lively, with their turmoil of trucks and cars and carts and hacks and foot- passengers, ending in the chimneys and masts of shipping, and final gleams of dancing water. At a very noisy corner, clangorous with some sort of iron- working, he made his wife enjoy with him the quiet sarcasm of an inn that called itself the Homelike Hotel, and he speculated at fantastic length on the gentle associations of one who should have passed his youth under its roof. III. FIRST and last, the Marches did a good deal of travel on the Elevated roads, which, he said, gave you such glimpses of material aspects in the city as some violent invasion of others' lives might afford in human nature. Once, when the impulse of adventure was very strong in them, they went quite the length of the West side lines, and saw the city pushing its way by irregular advances into the country. Some spaces, probably held by the owners for that rise in value which the industry of others providentially gives to the land of the wise and good, it left vacant comparatively far down the road, and built up others at remoter points. It was a world of lofty apartment-houses beyond the Park, springing up in isolated blocks, with stretches of invaded rusticity between, and here and there an old country-seat standing dusty in its budding vines with the ground before it in rocky upheaval for city foundations. But wherever it went or wherever it paused, New York gave its peculiar stamp ; and the adventurers were amused to find One Hundred and Twenty-fifth Street inchoately like Twenty-third Street and Fourteenth Street in its shops and VOL. II. 4 74 A HAZARD OF NEW FORTUNES. shoppers. The butchers' shops and milliners' shops on the avenue might as well have been at Tenth as at One Hundredth Street. The adventurers were not often so adventurous. Tliev recognised that in their willingness to let / o o ^ their fancy range for them, and to let speculation do the work of inquiry, they were no longer young. Their point of view was singularly unchanged, and their impressions of New York remained the same that they had been fifteen years before : huge, noisy, ugly, kindly, it seemed to them now as it seemed then. The main difference was that they saw it more now as a life, and then they only regarded it as a spectacle ; and March could not release himself from a sense of complicity with it, no matter what whimsical, or alien, or critical attitude he took. A sense of the striving and the suffering deeply possessed him ; and this grew the more intense as he gained some knowledge of the forces at work forces of pity, of destruction, of perdition, of sal- vation. He wandered about on Sunday not only through the streets, but into this tabernacle and that, as the spirit moved him, and listened to those who dealt with Christianity as a system of economics as well as a religion. He could not get his wife to go with him ; she listened to his report of what he heard, and trembled ; it all seemed fantastic and menacing. She lamented the literary peace, the intellectual refinement of the life they had left behind them ; and he owned it was very pretty, but he said it was not life it was death-in-life. She A HAZARD OF NEW FORTUNES. 75 liked to hear him talk in that strain of virtuous self- denunciation, but she asked him, " Which of your prophets are you going to follow?" and he answered, "All all! And a fresh one every Sunday." And so they got their laugh out of it at last, but with some sadness at heart, and with a dim consciousness that they had got their laugh out of too many things in life. What really occupied and compassed his activities, in spite of his strenuous reveries of work beyond it, was his editorship. On its social side it had not fulfilled all the expectations which Fulkerson's radiant sketch of its duties and relations had caused him to form of it. Most of the contributions came from a distance ; even the articles written in New York reached him through the post, and so far from having his valuable time, as they called it, consumed in interviews with his collaborators, he rarely saw any of them. The boy on the stairs, who was to fence him from importunate visitors, led a life of luxurious disoccupation, and whistled almost unin- terruptedly. When any one came, March found himself embarrassed and a little anxious. The visitors were usually young men, terribly respectful, but cherishing, as he imagined, ideals and opinions chasmally different from his ; and he felt in their presence something like an anachronism, something like a fraud. He tried to freshen up his sympathies on them, to get at what they were really thinking and feeling, and it was some time before he could under- stand that they were not really thinking and feeling T6 A HAZARD OF NEW FORTUNES. anything of their own concerning their art, but were necessarily, in their quality of young, inexperienced men, mere acceptants of older men's thoughts and feelings, whether they were tremendously conserva- tive, as some were, or tremendously progressive, as others were. Certain of them called themselves realists, certain romanticists ; but none of them seemed to know what realism was, or what romanti- cism ; they apparently supposed the difference a difference of material. March had imagined himself taking home to lunch or dinner the aspirants for editorial favour whom he liked, whether he liked their work or not ; but this was not an easy matter. Those who were at all interesting seemed to have engagements and preoccupations ; after two or three experiments with the bashfuller sort those who had come up to the metropolis with manuscripts in their hands, in the good old literary tradition he wondered whether he was otherwise like them when he was young like them. He could not flatter himself that he was not ; and yet he had a hope that the world had grown worse since his time, which his wife encouraged. Mrs. March was not eager to pursue the hospitali- ties which she had at first imagined essential to the literary prosperity of Every Other Week ; her family sufficed her ; she would willingly have seen no one out of it but the strangers at the weekly table-d'Jtote dinner, or the audiences at the theatres. March's devotion to his work made him reluctant to delegate it to any one ; and as the summer advanced, and A HAZARD OF NEW FORTUNES. 77 the question of where to go grew more vexed, he showed a man's base willingness to shirk it for him- self by not going anywhere. He asked his wife why she did not go somewhere with the children, and he joined her in a search for non-malarial regions on the map when she consented to entertain this notion. But when it came to the point she would not go; he offered to go with her then, and then she would not let him. She said she knew he would be anxious about his work ; he protested that he could take it with him to any distance within a few hours, but she would not be persuaded. She would rather he stayed; the effect would be better with Mr. Fulkerson; they could make excursions, and they could all get off a week or two to the sea-shore near Boston the only real sea-shore in August. The excursions were practically confined to a single day at Coney Island ; and once they got as far as Boston on the way to the sea-shore near Boston ; that is, Mrs. March and the children went ; an editorial exi- gency kept March at the last moment. The Boston streets seemed very queer and clean and empty to the children, and the buildings little ; in the horse- cars the Boston faces seemed to arraign their mother with a down-drawn severity that made her feel very guilty. She knew that this was merely the Puri- tan mask, the cast of a dead civilisation, which people of very amiable and tolerant minds were doomed to wear, and she sighed to think that less than a year of the heterogeneous gaiety of New York should have made her afraid of it. The sky 78 A HAZARD OF NEW FORTUNES. seemed cold and grey; the east wind, which she had always thought so delicious in summer, cut her to the heart. She took her children up to the South End, and in the pretty square where they used to live they stood before their alienated home, and looked up at its close-shuttered windows. The tenants must have been away, but Mrs. March had not the courage to ring and make sure, though she had always promised herself that she would go all over the house when she came back, and see how they had used it ; she could pretend a desire for some- thing she wished to take away. She knew she could not bear it now ; and the children did not seem eager. She did not push on to the seaside ; it would be forlorn there without their father ; she was glad to go back to him in the immense, friendly homelessness of New York, and hold him answer- able for the change, in her heart or her mind, which made its shapeless tumult a refuge and a consola- tion. She found that he had been giving the cook a holiday, and dining about hither and thither with Fulkerson. Once he had dined with him at the widow's (as they always called Mrs. Leighton), and then had spent the evening there, and smoked with Fulkerson and Colonel Woodburn on the gallery overlooking the back yard. They were all spending the summer in New York. The widow had got so good an offer for her house at St. Barnaby for the summer that she could not refuse it ; and the "\Voodburns found New York a watering-place of A HAZARD OF NEW FORTUNES. 79 exemplary coolness after the burning Augusts and Septembers of Charlottesburg. " You can stand it well enough in our climate, sir," the colonel explained, " till you come to the September heat, that sometimes runs well into October ; and then you begin to lose your temper, sir. It 's never quite so hot as it is in New York at times, but it's hot longer, sir." He alleged, as if something of the sort were necessary, the example of a famous South-western editor who spent all his summers in a New York hotel as the most luxurious retreat on the continent, consulting the weather forecasts, and running off on torrid days to the mountains or the sea, and then hurrying back at the promise of cooler weather. The colonel had not found it necessary to do this yet ; and he had been reluctant to leave town, where he was working up a branch of the inquiry which had so long occupied him, in the libraries, and studying the great problem of labour and poverty as it continually presented itself to him in the streets. He said that he talked with all sorts of people, whom he found monstrously civil, if you took them in the right way ; and he went everywhere in the city without fear and apparently without danger. March could not find out that he had ridden his hobby into the homes of want which he visited, or had proposed their enslave- ment to the inmates as a short and simple solution of the great question of their lives ; he appeared to have contented himself with the collection of facts for the persuasion of the cultivated classes. It 80 A HAZARD OF NEW FORTUNES. seemed to March a confirmation of this impression that the colonel should address his deductions from these facts so unsparingly to him ; he listened with a respectful patience, for which Fulkerson after- ward personally thanked him. Fulkerson said it was not often the colonel found such a good listener; generally nobody listened but Mrs. Leighton, who thought his ideas were shocking, but honoured him for holding them so conscientiously. Fulkerson was glad that March, as the literary department, had treated the old gentleman so well, because there was an open feud between him and the art department. Beaton was outrageously rude, Fulkerson must say ; though as for that, the old colonel seemed quite able to take care of himself, and gave Beaton an un- qualified contempt in return for his unmannerlmess. The worst of it was, it distressed the old lady so ; she admired Beaton as much as she respected the colonel, and she admired Beaton, Fulkerson thought, rather more than Miss Leighton did ; he asked March if he had noticed them together. March had noticed them, but without any very definite im- pression except that Beaton seemed to give the whole evening to the girl. Afterward he recollected that he had fancied her rather harassed by his devotion, and it was this point that he wished to present for his wife's opinion. " Girls often put on that air, she said. " It 's one of their ways of teasing. But then, if the man was really very much in love, and she was only enough in love to be uncertain of herself, she might very well A HAZARD OF NEW FORTUNES. 81 seem troubled. It would be a very serious question. Girls often don't know what to do in such a case." "Yes," said March, "I've often been glad that I was not a girl, on that account. But I guess that on general principles Beaton is not more in love than she is. I couldn't imagine that young man being more in love with anybody, unless it was himself. He might be more in love with himself than any one else was." " Well, he doesn't interest me a great deal, and I can't say Miss Leighton does either. I think she can take care of herself. She has herself very well in hand." "Why so censorious?" pleaded March. "I don't defend her for having herself in hand; but is it a fault 1 " Mrs. March did not say. She asked, " And how does Mr. Fulkerson's affair get on ? " "His affair 1 ? You really think it is one? Well, I 've fancied so myself, and I 've had an idea of some time asking him ; Fulkerson strikes one as truly domesticable, conjugable at heart ; but I Ve waited for him to speak." " I should think so." " Yes. He 's never opened on the subject yet. Do you know, I think Fulkerson has his moments of delicacy." " Moments ! He 's all delicacy in regard to women." " Well, perhaps so. There is nothing in them to rouse his advertising instincts." 4* IV. THE Dryfoos family stayed in town till August Then the father went West again to look after his interests; and Mrs. Mandel took the two girls to one of the great hotels in Saratoga. Fulkerson said that he had never seen anything like Saratoga for fashion, and Mrs. Mandel remembered that in her own young ladyhood this was so for at least some weeks of the year. She had been too far withdrawn from fashion since her marriage to know whether it was still so or not. In this, as in so many other matters, the Dryfoos family helplessly relied upon Fulkerson, in spite of Dryfoos's angry determination that he should not run the family, and in spite of Christine's doubt of his omniscience ; if he did not know everything, she was aware that he knew more than herself. She thought that they had a right to have him go with them to Saratoga, or at least go up and engage their rooms beforehand ; but Fulker son did not offer to do either, and she did not quite see her way to commanding his services. The young ladies took what Mela called splendid dresses with them ; they sat in the park of tall, slim trees which the hotel's quadrangle enclosed, and listened A HAZARD OF NEW FORTUNES. 83 to the music in the morning, or on the long piazza in the afternoon and looked at the driving in the street, or in the vast parlours by night, where all the other ladies were, and they felt that they were of the best there. But they knew nobody, and Mrs. Mandel was so particular that Mela was prevented from continuing the acquaintance even of the few young men who danced with her at the Saturday- night hops. They drove about, but they went to places without knowing why, except that the carriage man took them, and they had all the privileges of a proud exclusivism without desiring them. Once a motherly matron seemed to perceive their isolation, and made overtures to them, but then desisted, as if repelled by Christine's suspicion, or by Mela's too instant and hilarious good-fellowship, which ex- pressed itself in hoarse laughter and in a flow of talk full of topical and syntactical freedom. From time to time she offered to bet Christine that if Mr. Fulkersori was only there they would have a good time ; she wondered what they were all doing in New York, where she wished herself ; she rallied her sister about Beaton, and asked her why she did not write and tell him to come up there. Mela knew that Christine had expected Beaton to follow them. Some banter had passed between them to this effect ; he said he should take them in on his way home to Syracuse. Christine would not have hesitated to write to him and remind him of his promise; but she had learned to distrust her literature with Beaton since he had laughed at the 84 A HAZARD OF NEW FORTUNES. spelling in a scrap of writing which dropped out of her music-book one night. She believed that he would not have laughed if he had known it was hers ; but she felt that she could hide better the deficiencies which were not committed to paper; she could manage with him in talking ; she was too ignorant of her ignorance to recognise the mistakes she made then. Through her own passion she perceived that she had some kind of fascination for him ; she was graceful, and she thought it must be that ; she did not understand that there was a kind of beauty in her small, irregular features that piqued and haunted his artistic sense, and a look in her black eyes beyond her intelligence and inten- tion. Once he sketched her as they sat together, and flattered the portrait without getting what he wanted in it ; he said he must try her some time in colour ; and he said things which, when she made Mela repeat them, could only mean that he admired her more than anybody else. He came fitfully, but he came often, and she rested content in a girl's in- definiteness concerning the affair ; if her thought went beyond love-making to marriage, she believed that she could have him if she wanted him. Her father's money counted in this; she divined that Beaton was poor ; but that made no difference ; she would have enough for both ; the money would have counted as an irresistible attraction if there had been no other. The affair had gone on in spite of the sidelong looks of restless dislike with which Dryfoos regarded A HAZARD OF NEW FORTUNES. 85 it ; but now when Beaton did not come to Saratoga it necessarily dropped, and Christine's content with it. She bore the trial as long as she could; she used pride and resentment against it; but at last she could not bear it, and with Mela's help she wrote a letter, bantering Beaton on his stay in New York, and playfully boasting of Saratoga. It seemed to them both that it was a very bright letter, and would be sure to bring him ; they would have had no scruple about sending it but for the doubt they had whether they had got some of the words right. Mela offered to bet Christine anything she dared that they were right, and she said, Send it anyway ; it was no difference if they were wrong. But Christine could not endure to think of that laugh of Beaton's, and there remained only Mrs. Mandel as authority on the spelling. Christine dreaded her authority on other points, but Mela said she knew she would not interfere, and she undertook to get round her. Mrs. Mandel pro- nounced the spelling bad, and the taste worse; she forbade them to send the letter; and Mela failed to get round her, though she threatened, if Mrs. Mandel would not tell her how to spell the wrong words, that she would send the letter as it was; then Mrs. Mandel said that if Mr. Beaton appeared in Saratoga she would instantly take them both home. When Mela reported this re- sult, Christine accused her of having mismanaged the whole business; she quarrelled with her, and they called each other names. Christine declared 86 A HAZARD OF NEW FORTUNES. that she would not stay in Saratoga, and that if Mrs. Mandel did not go back to New York with her she should go alone. They returned the first week in September ; but by that time Beaton had gone to see his people in Syracuse. Conrad Dryfoos remained at home with his mother after his father went West. He had already taken such a vacation as he had been willing to allow himself, and had spent it on a charity farm near the city, where the fathers with whom he worked among the poor on the East side in the winter had sent some of their wards for the summer. It was not possible to keep his recrea- tion a secret at the office, and Fulkerson found a pleasure in figuring the jolly time Brother Conrad must have teaching farm work among those paupers and potential reprobates. He invented details of his experience among them, and March could not always help joining in the laugh at Conrad's humourless helplessness under Fulkerson's bur- lesque denunciation of a summer outing spent in such dissipation. They had time for a great deal of joking at the office during the season of leisure which penetrates in August to the very heart of business, and they all got on terms of greater intimacy if not greater friendliness than before. Fulkerson had not had so long to do with the advertising side of human nature without developing a vein of cynicism, of no great depth, perhaps, but broad, and underlying his whole point of view ; he made light of Beaton's solemnity, A HAZARD OF NEW FORTUNES. 87 as he made light of Conrad's 'humanity. The art editor, with abundant sarcasm, had no more humour than the publisher, and was an easy prey in the manager's hands ; but when he had been led on by Fulkerson's flatteries to make some betrayal of ego- tism, he brooded over it till he had thought how to revenge himself in elaborate insult. For Beaton's talent Fulkerson never lost his admiration ; but his joke was to encourage him to give himself airs of being the sole source of the magazine's prosperity. No bait of this sort was too obvious for Beaton to swallow ; he could be caught with it as often as Ful- kerson chose; though he was ordinarily suspicious as to the motives of people in saying things. With March he got on no better than at first. He seemed to be lying in wait for some encroachment of the literary department on the art department, and he met it now and then with anticipative reprisal. After these rebuffs, the editor delivered him over to the manager, who could turn Beaton's contrary- mindedness to account by asking the reverse of what he really wanted done. This was what Fulkerson said ; the fact was that he did get on with Beaton; and March contented himself with musing upon the contradictions of a charac- ter at once so vain and so offensive, so fickle and so sullen, so conscious and so simple. After the first jarring contact with Dryfoos, the editor ceased to feel the disagreeable fact of the old man's mastery of the financial situation. None of the chances which might have made it painful S8 A HAZARD OF NEW FORTUNES. occurred ; the control of the whole affair remained in Fulkerson's hands ; before he went West again, Dryfoos had ceased to come about the office, as if, having once worn off the novelty of the sense of owning a literary periodical, he was no longer in- terested in it. Yet it was a relief, somehow, when he left town, which he did not do without coming to take a formal leave of the editor at his office. He seemed willing to leave March with a better impression than he had hitherto troubled himself to make ; he even said some civil things about the magazine, as if its success pleased him ; and he spoke openly to March of his hope that his son would finally become interested in it to the exclusion of the hopes and purposes which divided them. It seemed to March that in the old man's warped and toughened heart he perceived a disappointed love for his son greater than for his other children ; but this might have been fancy. Lindau came in with some copy while Dryfoos was there, and March introduced them. When Lindau went out, March explained to Dryfoos that he had lost his hand in the war ; and he told him something of Lindau's career as he had known it. Dryfoos appeared greatly pleased that Every Other Week was giving Lindau work. He said that he had helped to enlist a good many fellows for the war, and had paid money to fill up the Moffitt County quota under the later calls for troops. He had never been an Abolitionist, but he had joined the Anti-Nebraska party in '55, and he had voted A HAZARD OF NEW FORTUNES. 89 for Fremont and for every Republican President since then. At his own house March saw more of Lindau than of any other contributor, but the old man seemed to think that he must transact all his busi- ness with March at his place of business. The transaction had some peculiarities which perhaps made this necessary. Lindau always expected to receive his money when he brought his copy, as an acknowledgment of the immediate right of the labourer to his hire ; and he would not take it in a cheque because he did not approve of banks, and regarded the whole system of banking as the capi- talistic manipulation of the people's money. He would receive his pay only from March's hand, because he wished to be understood as working for him, and honestly earning money honestly earned ; and sometimes March inwardly winced a little at letting the old man share the increase of capital won by such speculation as Dryfoos's, but he shook off the feeling. As the summer advanced, and the artists and classes that employed Lindau as a model left town one after another, he gave largely of his increasing leisure to the people in the office of Every Other Week. It was pleasant for March to see the respect with which Conrad Dryfoos always used him, for the sake of his wound and his grey beard. There was something delicate and fine in it, and there was nothing unkindly on Fulkerson's part in the hostilities which usually passed between him and Lindau. Fulkerson bore himself reverently at 90 A HAZARD OF NEW FORTUNES. times too, but it was not in him to keep that up, especially when Lindau appeared with more beer aboard than, as Fulkerson said, he could manage ship-shape. On these occasions Fulkerson always tried to start him on the theme of the unduly rich ; he made himself the champion of monopolies, and enjoyed the invectives which Lindau heaped upon him as a slave of capital ; he said that it did him good. One day, with the usual show of writhing under Lindau's scorn, he said, " Well, I understand that although you despise me now, Lindau " I ton't desbise you," the old man broke in, his nostrils swelling and his eyes naming with excite- ment, "I bity you." " Well, it seems to come to the same thing in the end," said Fulkerson. " What I understand is that you pity me now as the slave of capital, but you would pity me a great deal more if I was the master of it." " How you mean ? " " If I was rich." " That would tebendt," said Lindau, trying to control himself. "If you hat inheritedt your money, you might pe innocent ; but if you hat mate it, efery man that resbectedt himself would haf to ask how you mate it, and if you hat mate moch, he would know " " Hold on ; hold on, now, Lindau ! Ain't that rather un-American doctrine 1 We're all brought up, ain't we, to honour the man that made his A HAZARD OF NEW FORTUNES. 91 money, and look down or try to look down ; some- times it 's difficult on the fellow that his father left it to ? " The old man rose and struck his breast. "On- Amerigan ! " he roared, and, as he Avent on, his accent grew more and more uncertain. " What iss Amerigan 1 Dere iss no Ameriga any more ! You start here free and brafe, and you glaim for efery man de righdt to life, liperty, and de bursuit of habbiness. And where haf you entedt? No man that vorks vith his handts among you hass the liperty to bursue his habbiness. He iss the slafe of some richer man, some gompany, some gorporation, dat crindts him down to the least he can lif on, and that rops him of the marchin of his earnings that he might pe habby on. Oh, you Amerigans, you haf cot it down goldt, as you say ! You ton't puy foters; you puy lechislatures and goncressmen ; you puy gourts; you puy gombetitors; you pay infentors not to infent ; you atfertise, and the gounting-room sees dat de etitorial-room toesn't tink." " Yes, we Ve got a little arrangement of that sort with March here," said Fulkerson. " Oh, I am sawry," said the old man contritely, " I meant noting bersonaL I ton't tink we are all cuilty or gorrubt, and efen among the rich there are goodt men. But gabidal " his passion rose again " where you find gabidal, millions of money that a man hass cot togeder in fife, ten, tventy years, you findt the smell of tears and ploodt ! Dat iss what I say. And you cot to loog oudt for yourself when 92 A HAZARD OF NEW FORTUNES. you meet a rich man whether you meet an honest man." " "Well," said Fulkerson, " I wish I was a subject of suspicion with you, Lindau. By the way," he added, " I understand that you think capital was at the bottom of the veto of that pension of yours." "What bension? What feto ? " The old man flamed up again. " No bension of mine was efer fetoedt. I renounce my bension, begause I would sgorn to dake money from a gofernment that I ton't peliefe in any more. Where you hear that story ? " "Well, I don't know," said Fulkerson, rather embarrassed. "It's common talk." " It 's a gommon lie, then ! When the time gome dat dis iss a free gountry again, then I dalfe a bension again for my woundts ; but I would sdarfe before I dake a bension now from a rebublic dat is bought oap by monobolies, and ron by drusts and gompanies, and railroadts andt oil gompanies. " Look out, Lindau," said Fulkerson. " You bite yourself mit dat dog some day." But when the old man, with a ferocious gesture of renunciation, whirled out of the place, he added : " I guess I went a little too far that time. I touched him on a sore place ; I didn't mean to ; I heard some talk about his pension being vetoed from Miss Leighton." He addressed these exculpations to March's grave face, and to the pitying deprecation in the eyes of Conrad Dryfoos, whom Lindau's roaring wrath had sum- moned to the door. "But I'll make it all right with him the next time he comes. I didn't know A HAZARD OF NEW FORTUNES. 93 he was loaded, or I wouldn't have monkeyed with him." " Lindau does himself injustice when he gets to talking in that way," said March. " I hate to hear him. He 's as good an American as any of us ; and it 's only because he has too high an ideal of us " " Oh, go on ! Eub it in rub it in ! " cried Ful- kerson, clutching his hair in suffering, which was not altogether burlesque. " How did I know he had renounced his ' bension ' 1 Why didn't you tell me 1 " " I didn't know it myself. I only knew that he had none, and I didn't ask, for I had a notion that it might be a painful subject." Fulkerson tried to turn it off lightly. " "Well, he 's a noble old fellow ; pity he drinks." March would not smile, and Fulkerson broke out : " Dog on it ! I '11 make it up to the old fool the next time he comes. I don't like that dynamite talk of his ; but any man that 's given his hand to the country has got mine in his grip for good. Why, March ! You don't suppose I wanted to hurt his feelings, do you?" " Why, of course not, Fulkerson." But they could not get away from a certain ruefulness for that time, and in the evening Fulker- son came round to March's to say that he had got Lindau's address from Conrad, and had looked him up at his lodgings. " Well, there isn't so much bric-a-brac there, quite, as Mrs. Green left you ; but I 've made it all right with Lindau, as far as I 'm concerned. I told him I 94 A HAZARD OF NEW FORTUNES. didn't know when I spoke that way, and I honoured him for sticking to his { brincibles ' ; / don't believe in his brincibles ; and we wept on each other's necks al least, he did. Dogged if he didn't kiss me before I knew what he was up to. He said I was his chenerous yong friendt, and he begged my barton if he had said anything to wound me. I tell you it was an affecting scene, March; and rats enough round in that old barracks where he lives to fit out a first-class case of delirium tremens. What does he stay there for ? He 's not obliged to ? " Lindau's reasons, as March repeated them, affected Fulkerson as deliciously comical ; but after that he confined his pleasantries at the office to Beaton and Conrad Dryfoos, or, as he said, he spent the rest of the summer in keeping Lindau smoothed up. It is doubtful if Lindau altogether liked this as well. Perhaps he missed the occasions Fulkerson used to give him of bursting out against the mil- lionaires ; and he could not well go on denouncing as the slafe of gabidal a man who had behaved to him as Fulkerson had done, though Fulkerson's servile relations to capital had been in nowise changed by his nople gonduct. Their relations continued to Avear this irksome character of mutual forbearance ; and when Dry- foos returned in October and Fulkerson revived the question of that dinner in celebration of the success of Every Other Week, he carried his complaisance to an extreme that alarmed March for the consequences. V. " You see," Fulkerson explained, " I find that the old man has got an idea of his own about that banquet, and I guess there 's some sense in it. He wants to have a preliminary little dinner, where we can talk the thing up first half a dozen of us ; and he wants to give us the dinner at his house. Well, that J s no harm. I don't believe the old man ever gave a dinner, and he 'd like to show off a little ; there 's a good deal of human nature in the old man, after all. He thought of you, of course, and Colonel "Woodburn, and Beaton, and me at the foot of the table ; and Conrad ; and I suggested Kendricks : he 's such a nice little chap ; and the old man him- self brought up the idea of Lindau. He said you told him something about him, and he asked why couldn't we have him, too; and I jumped at it." " Have Lindau to dinner 1 " asked March. " Certainly ; why not 1 Father Dryfoos has a notion of paying the old fellow a compliment for what he done for the country. There won't be any trouble about it. You can sit alongside of him, and cut up his meat for him, and help him to things " " Yes, but it won't do, Fulkerson ! I don't be- 96 A HAZARD OF NEW FORTUNES. lieve Lindau ever had on a dress-coat in his life, and I don't believe his 'brincibles' would let him wear one." "Well, neither had Dryfoos, for the matter of that. He's as high-principled as old Pan-Electric himself, when it comes to a dress-coat," said Ful- kerson. " We 're all going to go in business dress ; the old man stipulated for that." "It isn't the dress-coat alone," March resumed. " Lindau and Dryfoos wouldn't get on. You know they 're opposite poles in everything. You mustn't do it. Dryfoos will be sure to say something to outrage Lindau's ' brincibles,' and there '11 be an ex- plosion. It's all well enough for Dryfoos to feel grateful to Lindau, and his wish to honour him does him credit ; but to have Lindau to dinner isn't the way. At the best, the old fellow would be very unhappy in such a house ; he would have a bad conscience ; and I should be sorry to have him feel that he 'd been recreant to his ' brincibles ' ; they 're about all he 's got, and whatever we think of them, we're bound to respect his fidelity to them." March warmed toward Lindau in taking this view of him. "I should feel ashamed if I didn't protest against his being put in a false posi- tion. After all, he 's my old friend, and I shouldn't like to have him do himself injustice if he is a crank." " Of course," said Fulkerson, with some trouble in his face. "I appreciate your feeling. But there ain't any danger," he added buoyantly. " Anyhow, A HAZARD OF NEW FORTUNES. 97 you spoke too late, as the Irishman said to the chicken when he swallowed him in a fresh egg. I 've asked Lindau, and he 's accepted with blayzure; that 's what he says." March made no other comment than a shrug. "You'll see," Fulkerson continued, "it'll go off all right. I '11 engage to make it, and I won't hold anybody else responsible." Jn the course of his married life March had learned not to censure the irretrievable; but this was just what his wife had not learned ; and she poured out so much astonishment at what Fulker- son had done, and so much disapproval, that March began to palliate the situation a little. "After all, it isn't a question of life and death; and, if it were, I don't see how it's to be helped now." " Oh, it 's not to be helped now. But I am sur- prised at Mr. Fulkerson." "Well, Fulkerson has his moments of being merely human, too." Mrs. March would not deign a direct defence of her favourite. " Well, I 'm glad there are not to be ladies." "I don't know. Dryfoos thought of having ladies, but it seems your infallible Fulkerson over- ruled him. Their presence might have kept Lindau and our host in bounds." It had become part of the Marches' conjugal joke for him to pretend that she could allow nothing wrong in Fulkerson, and he now laughed with a VOL. II. 5 98 A HAZARD OF NEW FORTUNES. mocking air of having expected it when she said : " Well, then, if Mr. Fulkerson says he will see that it all comes out right, I suppose you must trust his tact. I wouldn't trust yours, Basil. The first wrong step was taken when Mr. Lindau was asked to help on the magazine." " Well, it was your infallible Fulkerson that took the step, or at least suggested it. I 'm happy to say /had totally forgotten my early friend." Mrs. March was daunted and silenced for a moment. Then she said : " Oh, pshaw ! You know well enough he did it to please you." " I 'm very glad he didn't do it to please you t Isabel," said her husband, with affected seriousness. "Though perhaps he did." He began to look at the humorous aspect of the affair, which it certainly had, and to comment on the singular incongruities which Every Other Week was destined to involve at every moment of its career. " I wonder if I 'm mistaken in supposing that no other periodical was ever like it. Perhaps all periodicals are like it. But I don't believe there 's another publication in New York that could bring together, in honour of itself, a fraternity and equality crank like poor old Lindau, and a belated sociological crank like Woodburn, and a truculent speculator like old Dryfoos, and a humanitarian dreamer like young Dryfoos, and a sentimentalist like me, and a nondescript like Beaton, and a pure advertising essence like Fulkerson, and a society spirit like Kendricks. If we could only allow on A HAZARD OF NEW FORTUNES. 99 another to talk uninterruptedly all the time, the dinner would be the greatest success in the world, and we should come home full of the highest mutual respect. But I suspect we can't manage that even your infallible Fulkerson couldn't work it and I 'm afraid that there'll be some listening that'll spoil the pleasure of the time." March was so well pleased with this view of the case that he suggested the idea involved to Fulker- son. Fulkerson was too good a fellow not to laugh at another man's joke, but he laughed a little rue- fully, and he seemed worn with more than one kind of care in the interval that passed between the present time and the night of the dinner. Dryfoos necessarily depended upon him for advice concerning the scope and nature of the dinner, but he received the advice suspiciously, and contested points of obvious propriety with per- tinacious stupidity. Fulkerson said that when it came to the point he would rather have had the thing, as he called it, at Delmonico's or some other restaurant ; but when he found that Dryfoos's pride was bound up in having it at his own house, he gave way to him. Dryfoos also wanted his woman-cook to prepare the dinner, but Fulkerson persuaded him that this would not do; he must have it from a caterer. Then Dryfoos wanted his maids to wait at table, but Fulkerson convinced him that this would be incongruous at a man's dinner. It was decided that the dinner should be sent in from Frescobaldi's, and Dryfoos went with Fulkerson to discuss it with 2F 100 A HAZARD OF NEW FORTUNES. the caterer. He insisted upon having everything explained to him, and the reason for having it, and not something else in its place; and he treated Fulkerson and Frescobaldi as if they were in league to impose upon him. There were moments when Fulkerson saw the varnish of professional politeness cracking on the Neapolitan's volcanic surface, and caught a glimpse of the lava fires of the cook's nature beneath ; he trembled for Dryfoos, who was walking rough-shod over him in the security of an American who had known how to make his money, and must know how to spend it ; but he got him safely away at last, and gave Frescobaldi a wink of sympathy for his shrug of exhaustion as they turned to leave him. It was at first a relief and then an anxiety with Fulkerson that Lindau did not come about after accepting the invitation to dinner, until he appeared at Dryfoos's house, prompt to the hour. There was, to be sure, nothing to bring him ; but Fulkerson was uneasily aware that Dryfoos expected to meet him at the office, and perhaps receive some verbid acknowledgment of the honour done him. Dryfoos, he could see, thought he was doing all his invited guests a favour ; and while he stood in a certain awe of them as people of much greater social experience than himself, regarded them with a kind of con- tempt, as people who were going to have a better dinner at his house than they could ever afford to have at their own. He had finally not spared ex- pense upon it; after pushing Frescobaldi to tho A HAZARD OF NEW FORTUNES. 101 point of eruption with his misgivings and suspicions at the first interview, he had gone to him a second time alone, and told him not to let the money stand between him and anything he would like to do. In the absence of Frescobaldi's fellow-conspirator he restored himself in the caterer's esteem by adding whatever he suggested ; and Fulkerson, after trem- bling for the old man's niggardliness, was now afraid of a fantastic profusion in the feast. Dryfoos had reduced the scale of the banquet as regarded the number of guests, but a confusing remembrance of what Fulkerson had wished to do remained with him in part, and up to the day of the dinner he dropped in at Frescobaldi's and ordered more dishes and more of them. He impressed the Italian as an American original of a novel kind ; and when he asked Fulkerson how Dryfoos had made his money, and learned that it was primarily in natural gas, he made note of some of his eccentric tastes as pecu- liarities that were to be caressed in any future natural-gas millionaire who might fall into his hands. He did not begrudge the time he had to give in explaining to Dryfoos the relation of the different wines to the different dishes; Dryfoos was apt to substitute a costlier wine where he could for a cheaper one, and he gave Frescobaldi carte blanche for the decoration of the table with pieces of artistic confectionery. Among these the caterer designed one for a surprise to his patron and a delicate recognition of the source of his wealth, which he found Dryfoos very willing to 102 A HAZARD OF NEW FORTUNES. talk about, when he intimated that he knew what it was. Dryfoos left it to Fulkerson to invite the guests, and he found ready acceptance of his politeness from Kendricks, who rightly regarded the dinner as a part of the Every Other Week business, and was too sweet and kind-hearted, anyway, not to seem very glad to come. March was a matter of course ; but in Colonel Woodburn Fulkerson encountered a re- luctance which embarrassed him the more because he was conscious of having, for motives of his own, rather strained a point in suggesting the colonel to Dryfoos as a fit subject for invitation. There had been only one of the colonel's articles printed as yet, and though it had made a sensation in its way, and started the talk about that number, still it did not fairly constitute him a member of the staff, or even entitle him to recognition as a regular con- tributor. Fulkerson felt so sure of pleasing him with Dryfoos's message that he delivered it in full family council at the widow's. His daughter re- ceived it with all the enthusiasm that Fulkerson had hoped for, but the colonel said stiffly, " I have not the pleasure of knowing Mr. Dryfoos." Miss Wood- burn appeared ready to fall upon him at this, but controlled herself, as if aware that filial authority had its limits, and pressed her lips together without saying anything. ' Yes, I know," Fulkerson admitted. " But it isn't a usual case. Mr. Dryfoos don't go in much for the conventionalities; I reckon he don't know A HAZARD OF NEW FORTUNES. 103 much about 'em, come to boil it down; and he hoped" here Fulkerson felt the necessity of in- venting a little " that you would excuse any want of ceremony ; it 's to be such an informal affair, any- way ; we 're all going in business dress, and there ain't going to be any ladies. He 'd have come himself to ask you, but he 's a kind of a bashful old fellow. It 's all right, Colonel Woodburn." " I take it that it is, sir," said the colonel cour- teously, but with unabated state, " coming from you. But in these matters we have no right to burden our friends with our decisions." " Of course, of course," said Fulkerson, feeling that he had been delicately told to mind his own business. " I understand," the colonel went on, " the relation that Mr. Dryfoos bears to the periodical in which you have done me the hono' to print my papah, but this is a question of passing the bounds of a purely business connection, and of eating the salt of a man whom you do not definitely know to be a gentle- man." " Mah goodness ! " his daughter broke in. "If you bah your own salt with his money " "It is supposed that I earn his money before I buy my salt with it," returned her father severely. " And in these times, when money is got in heaps, through the natural decay of our nefarious com- mercialism, it behooves a gentleman to be scrupulous that the hospitality offered him is not the profusion of a thief with his booty. I don't say that Mr. 104 A HAZARD OF NEW FORTUNES. Dryfoos's good-fortune is not honest. I simply say that I know nothing about it, and that I should prefer to know something before I sat down at his board." " You 're all right, colonel," said Fulkerson, " and so is Mr. Dryfoos. I give you my word that there are no flies on his personal integrity, if that's what you mean. He 's hard, and he 'd push an advantage, but I don't believe he would take an unfair one. He 's speculated and made money every time, but I never heard of his wrecking a railroad or belonging to any swindling company or any grinding monopoly. He does chance it in stocks, but he 's always played on the square, if you call stocks gambling." " May I think this over till morning 1 " asked the colonel. " Oh, certainly, certainly," said Fulkerson eagerly. "I don't know as there's any hurry." Miss Woodburn found a chance to murmur to him before he went : " He '11 come. And Ah 'm so much oblahged, Mr. Fulkerson. Ah jost know it 's all you' doing, and it will give papa a chance to toak to some new people, and get away from us evahlastin' women for once." " I don't see why any one should want to do that," said Fulkerson, with grateful gallantry. "But I '11 be dogged," he said to March when he told him about this odd experience, " if I ever expected to find Colonel Woodburn on old Lindau's ground. He did come round handsomely this morning at breakfast and apologised for taking time to think A HAZARD OF NEW FORTUNES. 105 the invitation over before he accepted. ' You under- stand,' he says, ' that if it had been to the table of some friend not so prosperous as Mr. Dryfoos your friend Mr. March, for instance it would have been sufficient to know that he was your friend. But in these days it is a duty that a gentleman owes himself to consider whether he wishes to know a rich man or not. The chances of making money disreputably are so great that the chances are against a man who has made money if he 's made a great deal of it.'" March listened with a face of ironical insinuation. " That was very good ; and he seems to have had a good deal of confidence in your patience and in your sense of his importance to the occasion " " No, no," Fulkerson protested, " there 's none of that kind of thing about the colonel. I told him to take time to think it over ; he 's the simplest-hearted old fellow in the world." "I should say so. After all, he didn't give any reason he had for accepting. But perhaps the young lady had the reason." " Pshaw, March ! " said Fulkerson. 5* VI. So far as the Dryfoos family was concerned, the dinner might as well have been given at Frescobaldi's rooms. None of the ladies appeared. Mrs. Dryfoos was glad to escape to her own chamber, where she sat before an autumnal fire, shaking her head and talking to herself at times, with the foreboding of evil which old women like her make part of their religion. The girls stood just out of sight at the head of the stairs, and disputed which guest it was at each arrival ; Mrs. Mandel had gone to her room to write letters, after beseeching them not to stand there. When Kendricks came, Christine gave Mela a little pinch, equivalent to a little mocking shriek ; for, on the ground of his long talk with Mela at Mrs. Horn's, in the absence of any other admirer, they based a superstition of his interest in her; when Beaton came, Mela returned the pinch, but awkwardly, so that it hurt, and then Christine involuntarily struck her. Frescobaldi's men were in possession everywhere : they had turned the cook out of her kitchen and the waitress out of her pantry ; the reluctant Irishman at the door was supplemented by a vivid Italian, A HAZARD OF NEW FORTUNES. 107 who spoke French with the guests, and said, " Bien, Monsieur" and " Toute suite" and " Mercif " to all, as he took their hats and coats, and effused a hospi- tality that needed no language but the gleam of his eyes and teeth and the play of his eloquent hands. From his professional dress-coat, lustrous with the grease spotted on it at former dinners and parties, they passed to the frocks of the elder and younger Dryfoos in the drawing-room, which assumed infor- mality for the affair, but did not put their wearers wholly at their ease. The father's coat was of black broadcloth, and he wore it unbuttoned ; the skirts were long, and the sleeves came down to his knuckles ; he shook hands with his guests, and the same dry- ness seemed to be in his palm and throat, as he huskily asked each to take a chair. Conrad's coat was of modern texture and cut, and was buttoned about him as if it concealed a bad conscience within its lapels; he met March with his entreat- ing smile, and he seemed no more capable of coping with the situation than his father. They both waited for Fulkerson, who went about and did his best to keep life in the party during the half- hour that passed before they sat down at dinner. Beaton stood gloomily aloof, as if waiting to be approached on the right basis before yielding an inch of his ground; Colonel Woodburn, awaiting the moment when he could sally out on his hobby, kept himself intrenched within the dignity of a gentleman, and examined askance the figure of old Lindau as he stared about the room, with his fine 108 A HAZARD OF NEW FORTUNES. head up, and his empty sleeve dangling over his wrist. March felt obliged to him for wearing a new coat in the midst of that hostile luxury, and he was glad to see Dryfoos make up to him and begin to talk with him, as if he wished to show him particular respect, though it might have been because he was less afraid of him than of the others. He heard Lindau saying, " Boat, the name is Choarman ? " and Dryfoos beginning to explain his Pennsylvania Dutch origin, and he suffered himself, with a sigh of relief, to fall into talk with Kendricks, who was always pleasant ; he was willing to talk about some- thing besides himself, and had no opinions that he was not ready to hold in abeyance for the time being out of kindness to others. In that group of impas- sioned individualities, March felt him a refuge and comfort with his harmless dilettante intention of some day writing a novel, and his belief that he was meantime collecting material for it. Fulkerson, while breaking the ice for the whole company, was mainly engaged in keeping Colonel Woodburn thawed out. He took Kendricks away from March and presented him to the Colonel as a person Avho, like himself, was looking into social con- ditions; he put one hand on Kendricks' shoulder, and one on the colonel's, and made some flattering joke, apparently at the expense of the young fellow, and then left them. March heard Kendricks pro- test in vain, and the colonel say gravely : " I do not wonder, sir, that these things interest you. They constitute a problem which society must solve or A HAZARD OF NEW FORTUNES. 109 which will dissolve society," and he knew from that formula, which the colonel had once used with him, that he was laying out a road, for the exhibition of the hobby's paces later. Fulkerson came back to March, who had turned toward Conrad Dryfoos, and said, " If we don't get this thing going pretty soon, it'll be the death of me," and "just then Frescobakli's butler came in and announced to Dryfoos that dinner was served. The old man looked toward Fulkerson with a troubled glance, as if lie did not know what to do ; he made a gesture to touch Lindau's elbow. Fulkerson called out, "Here's Colonel Woodburn, Mr. Dryfoos," as if Dryfoos were looking for him ; and he set the example of what he was to do by taking Lindau's arm himself. "Mr. Lindau is going to sit at my end of the table, alongside of March. Stand not upon the order of your going, gentlemen, but fall in at once." He contrived to get Dryfoos and the colonel before him, and he let March follow with Kendricks. Conrad came last with Beaton, who had been turning over the music at the piano, and chafing inwardly at the whole affair. At the table Colonel Woodburn was placed on Dryfoos's right, and March on his left. March sat on Fulkerson's right, with Lindau next him ; and the young men occupied the other seats. " Put you next to March, Mr. Lindau," said Ful- kerson, " so you can begin to put Apollinaris in his champagne-glass at the right moment ; you know his little weakness of old; sorry to say it 's grown on him," 110 A HAZARD OF NEW FORTUNES. March laughed with kindly acquiescence in Ful- kerson's wish to start the gaiety, and Lindau patted him on the shoulder. " I know hiss veakness. If he liges a class of vine, it iss begause his loaf ingludes efen hiss enemy, as Shakespeare galled it." " Ah, but Shakespeare couldn't have been thinking of champagne," said Kendricks. "I suppose, sir," Colonel Woodburn interposed with lofty courtesy, " champagne could hardly have been known in his day." " I suppose not, colonel," returned the younger man deferentially. " He seemed to think that sack and sugar might be a fault ; but he didn't mention champagne." " Perhaps he felt there was no question about that," suggested Beaton, who then felt that he had not done himself justice in the sally. " I wonder just when champagne did come in," said March. " I know when it ought to come in," said Fulker- son. " Before the soup ! " They all laughed, and gave themselves the air of drinking champagne out of tumblers every day, as men like to do. Dryfoos listened uneasily ; he did not quite understand the allusions, though he knew what Shakespeare was, well enough ; Conrad's face expressed a gentle deprecation of joking on such a subject, but he said nothing. The talk ran on briskly through the dinner. The young men tossed the ball back and forth; they made some wild shots, but they kept it going, and A HAZARD OF NEW FORTUNES. \ll they laughed when they were hit. The wine loosed Colonel Woodburn's tongue ; he became very com- panionable with the young fellows ; with the feeling that a literary dinner ought to have a didactic scope, he praised Scott and Addison as the only authors fit to form the minds of gentlemen. Kendricks agreed with him, but wished to add the name of Flaubert as a master of style. " Style, you know," he added, "is the man." "Very true, sir; you are quite right, sir," the colonel assented ; he wondered who Flaubert was. Beaton praised Baudelaire and Maupassant; he said these were the masters. He recited some lurid verses from Baudelaire ; Lindau pronounced them a disgrace to human nature, and gave a passage from Victor Hugo on Louis Napoleon, with his heavy German accent, and then he quoted Schiller. " Ach, boat that iss peaudifool ! Not zo 1 " he demanded of March. " Yes, beautiful ; but, of course, you know I think there 's nobody like Heine ! " Lindau threw back his great old head and laughed, showing a want of teeth under his moustache. He put his hand on March's back. " This poy he wass a poy den wass so gracy to pekin reading Heine that he gommence with the tictionary bevore he knows any crammar, and ve bick it out vort by vort togeder." " He was a pretty cay poy in those days, heigh, Lindau 1 " asked Fulkerson, burlesquing the old man's accent, with an impudent wink that made Lindau himself laugh. " Back in the dark ages, I 112 A HAZARD OF NEW FORTUNES. mean, there in Indianapolis. Just how long ago did you old codgers meet there, anyway 1 " Fulkerson saw the restiveness in Dryfoos's eye at the purely literary course the talk had taken ; he had intended it to lead up that way to business, to Every Other Week ; but he saw that it was leaving Dryfoos too far out, and he wished to get it on the personal ground, where everybody is at home. " Ledt me zee," mused Lindau. " AVass it in fifty-nine or zixty, Passil 1 Idt wass a year or dwo pefore the war proke oudt, anyway." " Those were exciting times," said Dryfoos, making his first entry into the general talk. " I went down to Indianapolis with the first company from our place, and I saw the red-shirts pouring in every- where. They had a song " Oh, never mind the weather, but git over double trouble, For we 're bound for the land of Canaan. " The fellows locked arms and went singin' it up and down four or five abreast in the moonlight ; crowded everybody else off the sidewalk. " " I rememper, I rememper," said Lindau, nodding his head slowly up and down. "A coodt many off them nefer gome pack from that landt of Ganaan, Mr. Dryfoos ? " " You 're right, Mr. Lindau. But I reckon it was worth it the country we 've got now. Here, young man ! " He caught the arm of the waiter who was going round with the champagne bottle. " Fill up Mr. Lindau's glass, there. I want to drink the A HAZARD OF NEW FORTUNES. 113 health of those old times with him. Here 's to your empty sleeve, Mr. Lindau. God bless it ! No offence to you, Colonel Woodburn," said Dryfoos, turning to him before he drank. " Not at all, sir, not at all," said the colonel. " I will drink with you, if you will permit me." " We '11 all drink standing," cried Fulkeroon. " Help March to get up, somebody ! Fill high the bowl with Samian Apollinaris for Coonrod ! Now, then, hurrah for Lindau ! " They cheered, and hammered on the table with the butts of their knife-handles. Lindau remained seated. The tears came into his eyes ; he said, " I thank you, chendlemen," and hiccoughed. ' I 'd V went into the Avar myself," said Dryfoos, " but I was raisin' a family of young children, and I didn't see how I could leave my farm. But I helped to fill up the quota at every call, and when the volunteering stopped I went round with the sub- scription , paper myself ; and we offered as good bounties as any in the State. My substitute was killed in one of the last skirmishes in fact, after Lee's surrender and I 've took care of his family, more or less, ever since." " By the Avay, March," said Fulkerson, "what sort of an idea AA^ould it be to have a good war-story might be a serial in the magazine 1 The war has never fully panned .out in fiction yet. It was used a good deal just after it was over, and then it was dropped. I think it 's time to take it up again. I believe it would be a card." 114 A HAZARD OF NEW FORTUNES. It was running in March's mind that Dryfoos had an old rankling shame in his heart for not having gone into the war, and that he had often made that explanation of his course without having ever been satisfied with it. He felt sorry for him ; the fact seemed pathetic ; it suggested a dormant nobleness in the man. Beaton was saying to Fulkerson, " You might get a series of sketches by substitutes; the substitutes haven't been much heard from in the war literature. How would ' The Autobiography of a Substitute ' do ? You might follow him up to the moment he was killed in the other man's place, and inquire whether he had any right to the feelings of a hero when he was only hired in the place of one. Might call it ' The Career of a Deputy Hero.'" " I fancy," said March, " that there was a great deal of mixed motive in the men who went into the war as well as in those who kept out of it. We canonised all that died or suffered in it, but some of them must have been self-seeking and low-minded, like men in other vocations." He found himself saying this in Dryfoos's behalf ; the old man looked at him gratefully at first, he thought, and then sus- piciously. Lindau turned his head toward him and said : " You are righdt, Passil ; you are righdt. I haf zeen on the fieldt of pattle the voarst eggsipitions of human paseness chelousy, fanity, ecodistic bridte. I haf zeen men in the face off death itself gofferned by motif es as low as as pusiness motif es." A HAZARD OF NEW FORTUNES. 115 "Well," said Fulkerson, "it would be a grand thing for Every Other Week if we could get some of those ideas worked up into a series. It would make a lot of talk." Colonel Woodburn ignored him in saying, "I think, Major Lindau " " High brifate ; prefet gorporal," the old man in- terrupted, in rejection of the title. Kendricks laughed and said, with a glance of appreciation at Lindau, " Brevet corporal is good." Colonel Woodburn frowned a little, and passed over the joke. " I think Mr. Lindau is right. Such exhibitions were common to both sides, though if you gentlemen will pardon me for saying so, I think they were less frequent on ours. We were fighting more immediately for existence ; we were fewer than you were, and we knew it ; we felt more intensely that if each were not for all, then none was for any." The colonel's words made their impression. Dry- foos said with authority, "That is so." " Colonel Woodburn," Fulkerson called out, " if you '11 work up those ideas into a short paper say three thousand words I '11 engage to make March take it." The colonel went on without replying : " But Mr. Lindau is right in characterising some of the motives that led men to the cannon's mouth as no higher than business motives, and his comparison is the most forcible that he could have used. I was very much struck by it" The hobby was out, the colonel was in the saddle 2G 116 A HAZARD OF NEW FORTUNES. with so firm a seat that no effort sufficed to dislodge him. The dinner went on from course to course with barbaric profusion, and from time to time Ful- kerson tried to bring the talk back to Every Other Week. But perhaps because that was only the ostensible and not the real object of the dinner, which was to bring a number of men together under Dryfoos's roof, and make them the wit- nesses of his splendour, make them feel the power of his wealth, Fulkerson's attempts failed. The colonel showed how commercialism was the poison at the heart of our national life ; how we began as a simple, agricultural people, who had fled to these shores with the instinct, divinely implanted, of build- ing a State such as the sun never shone upon before ; how we had conquered the wilderness and the savage ; how we had flung off, in our struggle with the mother-country, the trammels of tradition and precedent, and had settled down, a free nation, to the practice of the arts of peace ; how the spirit of commercialism had stolen insidiously upon us, and the infernal impulse of competition had embroiled us in a perpetual warfare of interests, developing the worst passions of our nature, and teaching us to trick and betray and destroy one another in the strife for money, till now that impulse had exhausted itself, and we found competition gone and the whole economic problem in the hands of monopolies the Standard Oil Company, the Sugar Trust, the Rubber Trust, and what not. And now what was the next thing ? Affairs could not remain as they A HAZARD OF NEW FORTUNES. 117 were ; it was impossible ; and what was the next thing 1 The company listened for the main part silently. Dryfoos tried to grasp the idea of commercialism as the colonel seemed to hold it ; he conceived of it as something like the dry-goods business on a vast scale, and he knew he had never been in that. He did not like to hear competition called infernal ; he had always supposed it was something sacred ; but he approved of what Colonel Woodburn said of the Standard Oil Company; it was all true; the Stan- dard Oil had squeezed Dryfoos once, and made him sell it a lot of oil-wells by putting down the price of oil so low in that region that he lost money on every barrel he pumped. All the rest listened silently, except Lindau ; at every point the colonel made against the present condition of things he said more and more fiercely, " You are righdt, you are righdt." His eyes glowed, his hand played with his knife-hilt. When the colonel demanded, " And what is the next thing ? " he threw himself forward, and repeated, " Yes, sir ! What is the next thing ] " " Natural gas, by thunder ! " shouted Fulkerson. One of the waiters had profited by Lindau's posture to lean over him and put down in the middle of the table a structure in white sugar. It expressed Frescobaldi's conception of a derrick, and a touch of nature had been added in the flame of brandy, which burned luridly up from a small pit in the centre of the base, and represented the gas in 118 A HAZARD OF NEW FORTUNES. combustion as it issued from the ground. Fulkerson burst into a roar of laughter with the words that recognised Frescobaldi's personal tribute to Dryfoos. Everybody rose and peered over at the thing, while he explained the work of sinking a gas-well, as he had already explained it to Frescobaldi. In the midst of his lecture he caught sight of the caterer himself, where he stood in the pantry doorway, smiling with an artist's anxiety for the effect of his masterpiece. " Come in, come in, Frescobaldi ! We want to congratulate you," Fulkerson called to him. " Here, gentlemen ! Here 's Frescobaldi's health." They all drank ; and Frescobaldi, smiling bril- liantly and rubbing his hands as he bowed right and left, permitted himself to say to Dryfoos, " You are please ; no 1 You like ? " " First-rate, first-rate ! " said the old man j but when the Italian had bowed himself out and his guests had sunk into their seats again, he said dryly to Fulkerson, " I reckon they didn't have to torpedo that well, or the derrick wouldn't look quite so nice and clean." " Yes," Fulkerson answered, " and that ain't quite the style that little wiggly-waggly blue flame that the gas acts when you touch off a good vein of it. This might do for weak-gas ; " and he went on to explain : " They call it weak-gas when they tap it two or three hundred feet down ; and anybody can sink a well in his backyard and get enough gas to light and heat his house. I remember one fellow A HAZARD OF NEW FORTUNES. 119 that had it blazing up from a pipe through a flower- bed, just like a jet of water from a fountain. My, my, my ! You fel you gentlemen ought to go out and see that country, all of you. Wish we could torpedo this well, Mr. Dryfoos, and let 'em see how it works ! Mind that one you torpedoed for me 1 You know, when they sink a well," he went on to the company, " they can't always most generally sometimes tell whether they're goin' to get gas or oil or salt-water. Why, when they first began to bore for salt-water out on the Kanawha, back about the beginning of the century, they used to get gas now and then, and then they considered it a failure ; they called a gas-well a blower, and give it up in disgust ; the time wasn't ripe for gas yet. Now they bore away sometimes till they get half-way to China, and don't seem to strike anything worth speaking of. Then they put a dynamite torpedo down in the well and explode it. They have a little bar of iron that they call a Go-devil, and they just drop it down on the business end of the torpedo, and then stand from under, if you please ! You hear a noise, and in about half a minute you begin to see one, and it begins to rain oil and mud and salt-Avater and rocks and pitchforks and adoptive citizens ; and when it clears up the derrick 's painted got a coat on that '11 wear in any climate. That's what our honoured host meant. Generally get some visiting lady, when there 's one round, to drop the Go-devil. But that day we had to put up with Conrad here. They offered to let 1 20 A HAZARD OF NEW FORTUNES. me drop it, birt I declined. I told 'em I hadn't much practice with Go-devils in the newspaper syndicate business, and I wasn't very well myself, anyway. Astonishing," Fulkerson continued, with the air of relieving his explanation by an anecdote, " how reckless they get using dynamite when they 're torpedoing wells. We stopped at one place where a fellow was handling the cartridges pretty freely, and Mr. Dryfoos happened to caution him a little, and that ass came up with one of 'em in his hand, and began to pound it on the buggy-wheel to show us how safe it was. I turned green, I was so scared ; but Mr. Dryfoos kept his colour, and kind of coaxed the fellow till he quit. You could see he was the fool kind, that if you tried to stop him he 'd keep on hammering that cartridge, just to show that it wouldn't explode, till he blew you into Kingdom Come. When we got him to go away, Mr. Dryfoos drove up to his foreman. ' Pay Sheney off, and discharge him on the spot,' says he. ' He 's too safe a man to have round ; he knows too much about dynamite.' I never saw anybody so cool" Dryfoos modestly dropped his head under Fulker- son's flattery and, without lifting it, turned his eyes toward Colonel Woodburn. "I had all sorts of men to deal with in developing my property out there, but I had very little trouble with them, gene- rally speaking." " Ah, ah ! you foundt the labouring-man reasonable dractable tocile ? " Lindau put in. "Yes, generally speaking," Dryfoos answered. A HAZARD OF NEW FORTUNES. 121 " They mostly knew which side of their bread was buttered. I did have one little difficulty at one time. It happened to be when Mr. Fulkerson was out there. Some of the men tried to form a union " " No, no ! " cried Fulkerson. " Let me tell that ! I know you wouldn't do yourself justice, Mr. Dry- foos, and I want 'em to know how a strike can be managed, if you take it in time. You see, some of those fellows got a notion that there ought to be a union among the working-men to keep up wages, and dictate to the employers, and Mr. Dryfoos's foreman was the ringleader in the business. They under- stood pretty well that as soon as he found it out that foreman would walk the plank, and so they watched out till they thought they had Mr. Dry- foos just where they wanted him everything on the keen jump, and every man worth his weight in diamonds and then they come to him, and told him to sign a promise to keep that foreman to the end of the season, or till he was through with the work on the Dryfoos and Hendry Addi- tion, under penalty of having them all knock off. Mr. Dryfoos smelt a mice, but he couldn't tell where the mice was ; he saw that they did have him, and he signed, of course. There wasn't anything really against the fellow, anyway ; he was a first-rate man, and he did his duty every time ; only he 'd got some of those ideas into his head, and they turned it. Mr. Dryfoos signed, and then he laid low." March saw Lindau listening with a mounting in- VOL. II. 6 122 A HAZARD OF NEW FORTUNES. tensity, and heard him murmur in German, " Shame- ful ! shameful!" Fulkerson went on : " Well, it wasn't long before they began to show their hand, but Mr. Dryfoos kept dark. He agreed to everything ; there never was such an obliging capitalist before ; there wasn't a thing they asked of him that he didn't do, with the greatest of pleasure, and all went merry as a marriage-bell till one morning a whole gang of fresh men marched into the Dryfoos and Hendry Addition, under the escort of a dozen Pinkertons with repeating rifles at half-cock, and about fifty fellows found them- selves out of a job. You never saw such a mad set" " Pretty neat," said Kendricks, who looked at the affair purely from an aesthetic point of view. " Such a coup as that would tell tremendously in a play." " That was vile treason," said Lindau in German to March. " He 's an infamous traitor ! I cannot stay here. I must go." He struggled to rise, while March held him by the coat, and implored him under his voice, "For Heaven's sake, don't, Lindau ! You owe it to your- self not to make a scene, if you come here." Some- thing in it all affected him comically ; he could not help laughing. The others were discussing the matter, and seemed not to have noticed Lindau, who controlled himself and sighed : " You are right. I must have patience." Beaton was saying to Dryfoos, " Pity your Pinker- tons couldn't have given them a few shots before they left." A HAZARD OF NEW FORTUNES. 123 "No, that wasn't necessary," said Dryfoos. "I succeeded in breaking up the union. I entered into an agreement with other parties not to employ any man who would not swear that he was non-union. If they had attempted violence, of course they could have been shot. But there was no fear of that. Those fellows can always be depended upon to cut each other's throats in the long-run." "But sometimes," said Colonel Woodburn, who had been watching throughout for a chance to mount his hobby again, " they make a good deal of trouble first. How was it in the great railroad strike of '77 1 " "Well, I guess there was a little trouble that time, colonel," said Fulkerson. "But the men that undertake to override the laws and paralyse the industries of a country like this generally get left in the end." " Yes, sir, generally ; and up to a certain point, always. But it 's the exceptional that is apt to happen, as well as the unexpected. And a little reflection will convince any gentleman here that there is always a danger of the exceptional in your system. The fact is, those fellows have the game in their own hands already. A strike of the whole body of the Brotherhood of Engineers alone would starve out the entire Atlantic seaboard in a week ; labour insurrection could make head at a dozen given points, and your government couldn't move a man over the roads without the help of the engineers." " That is so," said Kendrick, struck by the 124 A HAZARD OF NEW FORTUNES. dramatic character of the conjecture. He imagined a fiction dealing with the situation as something already accomplished. "Why don't some fellow do the Battle of Dorking act with that thing 1 " said Fulkerson. " It would be a card." " Exactly what I was thinking, Mr. Fulkerson," said Kendricks. Fulkerson laughed. " Telepathy clear case of mind-transference. Better see March, here, about it. I'd like to have it in Every Other Week. It would make talk." " Perhaps it might set your people to thinking as well as talking," said the colonel. "Well, sir," said Dryfoos, setting his lips so tightly together that his imperial stuck straight out- ward, " if I had my way, there wouldn't be any Brotherhood of Engineers, nor any other kind of labour union in the whole country." " What ! " shouted Lindau. " You would sobbress the unionss of the voarking-men ? " " Yes, I would." "And what would you do with the unionss of the gabidalists the drosts and gompines, and boolss ? Would you dake the righdt from one and gif it to the odder 1 " " Yes, sir, I would," said Dryfoos, with a wicked look at him. Lindau was about to roar back at him with some furious protest, but March put his hand on his shoulder imploringly, and Lindau turned to him to A HAZARD OF NEW FORTUNES. 125 say in German, " But it is infamous infamous ! What kind of man is this 1 Who is he ? He has the heart of a tyrant." Colonel Woodburn cut in. " You couldn't do that, Mr. Dryfoos, under your system. And if you attempted it, with your conspiracy laws, and that kind of thing, it might bring the climax sooner than .you expected. Your commercialised society has built its house on the sands. It will have to go. But I should be sorry if it went before its time." " You are righdt, sir," said Lindau. " It would be a bity. I hobe it will last till it feelss its rotten- ness, like Herodt. Boat, when its hour gomes, when it trops to bieces with the veight off its own gorrubtion what then ? " " It 's not to be supposed that a system of things like this can drop to pieces of its own accord, like the old Eepublic of Venice," said the colonel. " But when the last vestige of commercial society is gone, then we can begin to build anew ; and we shall build upon the central idea, not of the false liberty you now worship, but of responsibility responsibility. The enlightened, the moneyed, the cultivated class shall be responsible to the central authority em- peror, duke, president ; the name does not matter for the national expense and the national defence, and it shall be responsible to the working-classes of all kinds for homes and lands and implements, and the opportunity to labour at all times. The working- classes shall be responsible to the leisure class for the support of its dignity in peace, and shall be 126 A HAZARD OF NEW FORTUNES. subject to its command in war. The rich shall warrant the poor against planless production and the ruin that now follows, against danger from without and famine from within, and the poor " " No, no, no ! " shouted Lindau. " The State shall do that the whole beople. The men who voark shall have and shall eat ; and the men that will not voark, they shall sdarfe. But no man need sdarfe. He will go to the State, and the State will see that he haf voark, and that he haf foodt. All the roadts and mills and mines and landts shall be the beople's and be ron by the beople for the beople. There shall be no rich and no boor ; and there shall not be war any more, for what bower wouldt dare to addack a beople bound togeder in a broderhood like that 1 " "Lion and lamb act," said Fulkerson, not well knowing, after so much champagne, what words he was using. No one noticed him, and Colonel Woodburn said coldly to Lindau, "You are talking paternalism, sir." " And you are dalking feutalism ! " retorted the old man. The Colonel did not reply. A silence ensued, which no one broke till Fulkerson said : " Well, now, look here. If either one of these millenniums was brought about, by force of arms, or otherwise, what would become of Every Other Week ? Who would want March for an editor? How would Beaton sell his pictures ? Who would print Mr. Kendricks' little society verses and short stories ? What would become of Conrad and his srood A HAZARD OF NEW FORTUNES. 127 works ? " Those named grinned in support of Ful- kerson's diversion, but Lindau and the colonel did not speak ; Dryfoos looked down at his plate, frown- ing. A waiter came round with cigars, and Fulker- son took one. " Ah," he said, as he bit off the end, and leaned over to the emblematic masterpiece, where the brandy was still feebly flickering, " I wonder if there '& enough natural gas left to light my cigar." His effort put the flame out and knocked the derrick over ; it broke in fragments on the table. Fulkerson cackled over the ruin : " I wonder if all Moffitt will look that way after labour and capital have fought it out together. I hope this ain't ominous of any- thing personal, Dryfoos ? " " I '11 take the risk of it," said the old man harshly. He rose mechanically, and Fulkerson said to Fres- cobaldi's man, " You can bring us the coffee in the library." The talk did not recover itself there. Lindau would not sit down ; he refused coffee, and dismissed himself with a haughty bow to the company ; Colonel Woodburn shook hands elaborately all round, when he had smoked his cigar ; the others followed him. It seemed to March that his own good-night from Dryfoos was dry and cold. VII. MARCH met Fulkerson on the steps of the office next morning, when he arrived rather later than his wont. Fulkerson did not show any of the signs of suffering from the last night's pleasure which painted themselves in March's face. He flirted his hand gaily in the air, and said, " How 's your poor head ? " and broke into a knowing laugh. " You don't seem to have got up with the lark this morning. The old gentleman is in there with Conrad, as bright as a biscuit ; he 's beat you down. Well, we did have a good time, didn't we? And old Lindau and the colonel, didn't they have a good time 1 I don't suppose they ever had a chance before to give their theories quite so much air. Oh my, how they did ride over us ! I ! m just going down to see Beaton about the cover of the Christmas number. I think we ought to try it in three or four colours, if we are going to observe the day at all." He was off before March could pull himself together to ask what Dryfoos wanted at the office at that hour of the morning ; he always came in the afternoon on his way uptown. The fact of his presence renewed the sinister mis- A HAZARD OF NEW FORTUNES. 129 givings with which March had parted from him the night before, but Fulkerson's cheerfulness seemed to gainsay them ; afterwards March did not know whether to attribute this mood to the slipperiness that he was aware of at times in Fulkerson, or to a cynical amusement he might have felt at leaving him alone to the old man, who mounted to his room shortly after March had reached it. A sort of dumb anger showed itself in his face ; his jaw was set so firmly that he did not seem able at once to open it. He asked, without the cere- monies of greeting, "What does that one-armed Dutchman do on this book 1 " 11 What does he do ? " March echoed, as people are apt to do with a question that is mandatory and offensive. " Yes, sir, what does he do ? Does he write for it?" " I suppose you mean Lindau," said March. He saw no reason /or refusing to answer Dryfoos's de- mand, and he decided to ignore its terms. " No, he doesn't write for it in the usual way. He translates for it; he examines the foreign magazines, and draws my attention to anything he thinks of interest. But I told you about this before " " I know what you told me, well enough. And I know what he is. He is a red-mouthed labour- agitator. He 's one of those foreigners that come here from places where they 've never had a decent meal's victuals in their lives, and as soon as they get their stomachs full, they begin to make trouble be- 6* 130 A HAZARD OF NEW FORTUNES. tween our people and their hands. There 's where the strikes come from, and the unions and the secret societies. They come here and break our Sabbath, and teach their atheism. They ought to be hung ! Let 'em go back if they don't like it over here. They want to ruin the country." March could not help smiling a little at the words, which came fast enough now in the hoarse staccato of Dryfoos's passion. "I don't know whom you mean by they, generally speaking ; but I had the impres- sion that poor old Lindau had once done his best to save the country. I don't always like his way of talking, but I know that he is one of the truest and kindest souls in the world ; and he is no more an atheist than I am. He is my friend, and I can't allow him to be misunderstood." " I don't care what he is," Dryfoos broke out, " I won't have him round. He can't have any more work from this office. I want you to stop it. I want you to turn him off." March was standing at his desk, as he had risen to receive Dryfoos when he entered. He now sat down, and began to open his letters. " Do you hear 1 " the old man roared at him. " I want you to turn him off." " Excuse me, Mr. Dryfoos," said March, succeed- ing in an effort to speak calmly, " I don't know you, in such a matter as this. My arrangements as editor of Every Other Week were made with Mr. Fulkerson. I have always listened to any sugges- tion he has had to make." A HAZARD OF NEW FORTUNES. 131 " I don't care for Mr. Fulkerson ! He has nothing to do with it," retorted Dryfoos ; but he seemed a little daunted by March's position. " He has everything to do with it as far as I am. concerned," March answered, with a steadiness that he did not feel. " I know that you are the owner of the periodical, but I can't receive any suggestion from you, for the reason that I have given. Nobody but Mr. Fulkerson has any right to talk with me about its management." Dryfoos glared at him for a moment, and de- manded threateningly : " Then you say you won't turn that old loafer off? You say that I have got to keep on paying my money out to buy beer for a man that would cut my throat if he got the chance ? " " I say nothing at all, Mr. Dryfoos," March answered. The blood came into his face, and he added : " But I will say that if you speak again of Mr. Lindau in those terms, one of us must leave this room. I will not hear you." Dryfoos looked at him with astonishment ; then he struck his hat down on his head, and stamped out of the room and down the stairs ; and a vague pity came into March's heart that was not altogether for himself. He might be the greater sufferer in the end, but he was sorry to have got the better of that old man for the moment ; and he felt ashamed of the anger into which Dryfoos's anger had surprised him. He knew he could not say too much in de- fence of Lindau's generosity and unselfishness, and 132 A HAZARD OF NEW FORTUNES. he had not attempted to defend him as a political economist. He could not have taken any ground in relation to Dryfoos but that which he held, and he felt satisfied that he was right in refusing to receive instructions or commands from him. Yet somehow he was not satisfied with the whole affair, and not merely because his present triumph threatened his final advantage, but because he felt that in his heat he had hardly done justice to Dryfoos's rights in the matter ; it did not quite console him to reflect that Dryfoos had himself made it impossible. He was tempted to go home and tell his wife what had happened, and begin his preparations for the future at once. But he resisted this weakness and kept mechanically about his work, opening the letters and the manuscripts before him with that curious double action of the mind common in men of vivid imagi- nations. It was a relief when Conrad Dryfoos, having apparently waited to make sure that his father would not return, came up from the counting- room and looked in on March with a troubled face. "Mr. March," he began, "I hope father hasn't been saying anything to you that you can't overlook. I know he was very much excited, and when he is excited he is apt to say things that he is sorry for." The apologetic attitude taken for Dryfoos, so different from any attitude the peremptory old man would have conceivably taken for himself, made March smile. " Oh no. I fancy the boot is on the other leg. I suspect I've said some things your father can't overlook, Conrad." He called the A HAZARD OF NEW FORTUNES. 133 young man by his Christian name partly to dis- tinguish him from his father, partly from the in- fection of Fulkerson's habit, and partly from a kind- ness for him that seemed naturally to express itself in that way. "I know he didn't sleep last night, after you all went away," Conrad pursued, " and of course that made him more irritable; and he was tried a good deal by some of the things that Mr. Lindau said." "I was tried a good deal myself," said March. "Lindau ought never to have been there." " No." Conrad seemed only partially to assent. "I told Mr. Fulkerson so. I warned him that Lindau would be apt to break out in some way. It wasn't just to him, and it wasn't just to your father, to ask him." "Mr. Fulkerson had a good motive," Conrad gently urged. " He did it because he hurt his feelings that day about the pension." " Yes, but it was a mistake. He knew that Lindau was inflexible about his principles, as he calls them, and that one of his first principles is to denounce the rich in season and out of season. I don't remember just what he said last night ; and I really thought I 'd kept him from breaking out in the most offensive way. But your father seems very much incensed." " Yes, I know," said Conrad. " Of course, I don't agree with Lindau. I think there are as many good, kind, just people among the rich as there are among the poor, and that they are 134 A HAZARD OF NEW FORTUNES. as generous and helpful. But Lindau has got hold of one of those partial truths that hurt worse than the whole truth, and " " Partial truth ! " the young man interrupted. " Didn't the Saviour himself say, ' How hardly shall they that have riches enter into the kingdom of God'?" " Why, bless my soul ! " cried March. " Do you agree with Lindau 1 " " I agree with the Lord Jesus Christ," said the young man solemnly, and a strange light of fanati- cism, of exaltation, came into his wide blue eyes. "And I believe he meant the kingdom of heaven upon this earth, as well as in the skies." March threw himself back in his chair and looked at him with a kind of stupetaction, in which his eye wandered to the doorway, where he saw Fulker- son standing, it seemed to him a long time, before he heard him saying, " Hello, hello ! What 's the row? Conrad pitching into you on old Lindau's account, too ? " The young man turned, and after a glance at Fulkerson's light, smiling face, went out, as if in his present mood he could not bear the contact of that persiflant spirit. March felt himself getting provisionally very angry again. "Excuse me, Fulkerson, but did you know when you went out what Mr. Dryfoos wanted to see me for ? " "Well, no, I didn't exactly," said Fulkerson, taking his usual seat on a chair, and looking over A HAZARD OF NEW FORTUNES. 135 the back of it at March. " I saw he was on his ear about something, and I thought I'd better not monkey with him much. I supposed he was going to bring you to book about old Lindau, somehow." Fulkerson broke into a laugh. March remained serious. "Mr. Dryfoos," he said, willing to let the simple statement have its own weight with Fulkerson, and nothing more, " came in here and ordered me to discharge Lindau from his employment on the magazine to turn him off, as he put it." " Did he ? " asked Fulkerson, with unbroken cheer- fulness. " The old man is business, every time. Well, I suppose you can easily get somebody else to do Lindau's work for you. This town is just running over with half -starved linguists. What did you say ? " " What did I say ? " March echoed. " Look here, Fulkerson ; you may regard this as a joke, but / don't. I 'm not used to being spoken to as if I were the foreman of a shop, and told to discharge a sen- sitive and cultivated man like Lindau, as if he were a drunken mechanic; and if that's your idea of me " " Oh, hello, now, March ! You mustn't mind the old man's way. He don't mean anything by it he don't know any better, if you come to that." " Then / know better," said March. " I refused to receive any instructions from Mr. Dryfoos, whom, I don't know in my relations with Every Other Week> and I referred him to you." ' 136 A HAZARD OF NEW FORTUNES. " You did ? " Fulkerson whistled. " He owns the thing ! " " I don't care who owns the thing," said March. "My negotiations were with you alone from the beginning, and I leave this matter with you. What do you wish done about Lindau ? " "Oh, better let the old fool drop," said Fulkerson. " He '11 light on his feet somehow, and it will save a lot of rumpus." " And if I decline to let him drop ? " "Oh, come, now, March; don't do that," Fulker- son began. " If I decline to let him drop," March repeated, " what will you do ? " " I '11 be dogged if I know what I '11 do," said Ful- kerson. " I hope you won't take that stand. If the old man went so far as to speak to you about it, his mind is made up, and we might as well knock under first as last." "And do you mean to say that you would not stand by me in what I considered my duty in a matter of principle 2 " "Why, of course, March," said Fulkerson coax- ingly, " I mean to do the right thing. But Dryfoos owns the magazine " " He doesn't own me" said March, rising. " He has made the little mistake of speaking to me as if he did ; and when" March put on his hat and took his overcoat down from its nail " when you bring me his apologies, or come to say that, having failed to make him understand they were necessary, you A HAZARD OF NEW FORTUNES. 137 are prepared to stand by me, I will come back to this desk. Otherwise my resignation is at your service." He started toward the door, and Fulkerson inter- cepted him. " Ah, now, look here, March ! Don't do that ! Hang it all, don't you see where it leaves me 1 Now, you just sit down a minute, and talk it over. I can make you see I can show you . Why, confound the old Dutch beer-buzzer ! Twenty of him wouldn't be worth the trouble he 's makin'. Let him go, and the old man '11 come round in time.' r "I don't think we've understood each other exactly, Mr. Fulkerson," said March, very haughtily. " Perhaps we never can ; but I '11 leave you to think it out." He pushed on, and Fulkerson stood aside to let him pass, with a dazed look and a mechanical move- ment. There was something comic in his rueful bewilderment to March, who was tempted to smile, but he said to himself that he had as much reason to be unhappy as Fulkerson, and he did not smile. His indignation kept him hot in his purpose to suffer any consequence rather than submit to the dictation of a man like Dryfoos ; he felt keenly the degradation of his connection with him, and all his resentment of Fulkerson's original un candour re- turned ; at the same time his heart ached with fore- boding. It was not merely the work in which he had constantly grown happier that he saw taken from him ; but he felt the misery of the man who stakes the security and plenty and peace of home 138 A HAZARD OF NEW FORTUNES. upon some cast, and knows that losing will sweep from him most that most men find sweet and pleasant in life. He faced the fact, which no good man can front without terror, that he was risking the support of his family, and for a point of pride, of honour, which perhaps he had no right to consider in view of the possible adversity. He realised, as every hireling must, no matter how skilfully or gracefully the tie is contrived for his wearing, that he belongs to another, whose will is his law. His indignation was shot with abject impulses to go back and tell Fulkerson that it was all right, and that he gave up. To end the anguish of his struggle he quickened his steps, so that he found he was reaching home almost at a run. VIII. HE must have made more clatter than he sup- posed with his key at the apartment door, for his wife had come to let him in when he flung it open. " Why, Basil," she said, " what 's brought you back ? Are you sick 1 You 're all pale. Well, no wonder ! This is the last of Mr. Fulkerson's dinners you shall go to. You 're not strong enough for it, and your stomach will be all out of order for a week. How hot you are ! and in a drip of perspiration ! Now you'll be sick." She took his hat away, which hung dangling in his hand, and pushed him into a chair with tender impatience. "What is the matter? Has anything happened ? " " Everything has happened," he said, getting his voice after one or two husky endeavours for it ; and then he poured out a confused and huddled state- ment of the case, from which she only got at the situation by prolonged cross-questioning. At the end she said, " I knew Lindau would get you into trouble." This cut March to the heart. " Isabel ! " he cried reproachfully. " Oh, I know," she retorted, and the tears began 140 A HAZARD OF NEW FORTUNES. to come. " I don't wonder you didn't want to say much to me about that dinner at breakfast. I noticed it ; but I thought you were just dull, and so I didn't insist. I wish I had, now. If you had told me what Lindau had said, I should have known what would have come of it, and I could have advised you " " Would you have advised me," March demanded curiously, " to submit to bullying like that, and meekly consent to commit an act of cruelty against a man who had once been such a friend to me 1 " " It was an unlucky day when you met him. I suppose we shall have to go. And just when we had got used to New York, and begun to like it. I don't know where we shall go now ; Boston isn't like home any more ; and we couldn't live on two thousand there ; I should be ashamed to try. I 'm sure I don't know where we can live on it. I sup- pose in some country village, where there are no schools, or anything for the children. I don't know what they'll say when we tell them, poor things." Every word was a stab in March's heart, so weakly tender to his own; his wife's tears, after so much experience of the comparative lightness of the griefs that weep themselves out in women, always seemed wrung from his own soul ; if his children suffered in the least through him, he felt like a murderer. It was far worse than he could have imagined, the way his wife took the affair, though he had imagined certain words, or perhaps only looks, from her that were bad enough. He had allowed for trouble, but trouble on his account : a sympathy that might A HAZARD OF NEW FORTUNES. 141 burden and embarrass him ; but lie had not dreamt of this merely domestic, this petty, this sordid view of their potential calamity, which left him wholly out of the question, and embraced only what was most crushing and desolating in the prospect. He could not bear it. He caught up his hat again, ajid with some hope that his wife would try to keep him, rushed out of the house. He wandered aimlessly about, thinking the same exhausting thoughts over and over, till he found himself horribly hungry ; then he went into a restaurant for his lunch, and when he paid, he tried to imagine how he should feel if that were really his last dollar. He went home toward the middle of the afternoon, basely hoping that Fulkerson had sent him some conciliatory message, or perhaps was waiting there for him to talk it over ; March was quite willing to talk it over now. But it was his wife who again met him at the door, though it seemed another woman than the one he had left weeping in the morning. " I told the children," she said, in smiling ex- planation of his absence from lunch, " that perhaps you were detained by business. I didn't know but you had gone back to the office." " Did you think I would go back there, Isabel ? " asked March, with a haggard look. " Well, if you say so, I will go back, and do what Dryfoos ordered me to do. I 'm sufficiently cowed between him and you, I can assure you." " Nonsense," she said. " I approve of everything you did. But sit down, now, and don't keep walk- 142 A HAZARD OF NEW FORTUNES. ing that way, and let me see if I understand it per- fectly. Of course I had to have my say out." She made him go all over his talk with Dryfoos again, and report his own language precisely. From time to time, as she got his points, she said, " That was splendid," " Good enough for him ! " And " Oh, I 'm so glad you said that to him ! " At the end she said, " Well, now, let 's look at it from his point of view. Let 's be perfectly just to him before we take another step forward." " Or backward," March suggested ruefully. " The case is simply this : he owns the magazine." " Of course." "And he has a right to expect that I will con- sider his pecuniary interests " " Oh, those detestable pecuniary interests ! Don't you wish there wasn't any money in the world ? " " Yes ; or else that there was a great deal more of it And I was perfectly willing to do that. I have always kept that in mind as one of my duties to him, ever since I understood what his relation to the magazine was." " Yes, I can bear witness to that in any court of justice. You 've done it a great deal more than I could, Basil. And it was just the same way with those horrible insurance people." "I know," March went on, trying to be proof against her flatteries, or at least to look as if he did not deserve praise ; " I know that what Lindau said was offensive to him, and I can understand how he felt that he had a right to punish it. All I say is that he had no right to punish it through me." A HAZARD OF NEW FORTUNES. 143 " Yes," said Mrs. March askingly. "If it had been a question of making Every Other Week the vehicle of Lindau's peculiar opinions though they 're not so very peculiar ; he might have got the most of them out of liuskin I shouldn't have had any ground to stand on, or at least then I should have had to ask myself whether his opinions would be injurious to the magazine or not." "I don't see," Mrs. March interpolated, "how they could hurt it much worse than Colonel Wood- burn's article crying up slavery." " Well," said March impartially, " we could print a dozen articles praising the slavery it 's impossible to have back, and it wouldn't hurt us. But if we printed one paper against the slavery which Lindau claims still exists, some people would call us bad names, and the counting-room would begin to feel it. But that isn't the point. Lindau's connection with Every Other Week is almost purely mechanical ; he 's merely a translator of such stories and sketches as he first submits to me, and it isn't at all a ques- tion of his opinions hurting us, but of my becom- ing an agent to punish him for his opinions. That is what I wouldn't do; that's what I never will do." " If you did," said his wife, " I should perfectly despise you. I didn't understand how it was before. I thought you were just holding out against Dryfoos because he took a dictatorial tone with you, and because you wouldn't recognise his authority. But now I 'm with you, Basil, every time, as that horrid little Fulkerson says. But who would have ever 144 A HAZARD OF NEW FORTUNES. supposed he would be so base as to side against you?" "I don't know," said March thoughtfully, "that we had a right to expect anything else. Fulkerson's standards are low ; they 're merely business standards, and the good that 's in him is incidental, and some- thing quite apart from his morals and methods. He 's naturally a generous and right-minded creature, but life has taught him to truckle and trick, like the rest of us." "It hasn't taught you that, Basil." " Don't be so sure. Perhaps it 's only that I 'm a poor scholar. But I don't know, really, that I despise Fulkerson so much for his course this morn- ing as for his gross and fulsome flatteries of Dryfoos last night. I could hardly stomach it." His wife made him tell her what they were, and then she said, "Yes, that was loathsome; I couldn't have believed it of Mr. Fulkerson." "Perhaps he only did iD to keep the talk going, and to give the old man a chance to say something," March leniently suggested. " It was a worse effect because he didn't or couldn't folloAv up Fulkerson's lead." " It was loathsome, all the same," his wife insisted. "It's the end of Mr. Fulkerson, as far as I'm con- cerned." "I didn't tell you before," March resumed, after a moment, " of my little interview with Conrad Dryfoos after his father left," and now he went on to repeat what had passed between him and the young man. A HAZARD OF NEW FORTUNES. 145 " I suspect that he and his father had been having aome words before the old man came up to talk with me, and that it was that made him so furious." " Yes, but what a strange position for the son of such a man to take ! Do you suppose he says such things to his father ? " " I don't know ; but I suspect that in his meek way Conrad would say what he believed to anybody. I suppose we must regard him as a kind of crank." " Poor young fellow ! He always makes me feel sad somehow. He has such a pathetic face. I don't believe I ever saw him look quite happy, except that night at Mrs. Horn's, when he was talking with Miss Vance ; and then he made me feel sadder than ever." " I don't envy him the life he leads at home, with those convictions of his. I don't see why it wouldn't be as tolerable there for old Lindau himself." " Well, now," said Mrs. March, " let us put them all out of our minds and see what we are going to do ourselves." They began to consider their wa} r s and means, and how and where they should live, in view of March's severance of his relations with Every Other Week, They had not saved anything from the first year's salary ; they had only prepared to save : and they had nothing solid but their two thousand to count upon. But they built a future in which they easily lived on that and on what March earned with his pen. He became a free lance, and fought in whatever cause he thought just ; he had no ties, no chains. They went back to Boston Avith the VOL. II. 7 146 A HAZARD OF NEW FORTUNES. heroic will to do what was most distasteful ; they would have returned to their own house if they had not rented it again ; but, any rate, Mrs. March helped out by taking boarders, or perhaps only letting rooms to lodgers. They had some hard struggles, but they succeeded. " The great thing," she said, " is to be right. I 'm ten times as happy as if you had come home and told me that you had consented to do what Dryfoos asked, and he had doubled your salary." " I don't think that would have happened in any event," said March dryly. " Well, no matter. I just used it for an example." They both experienced a buoyant relief, such as seems to come to people who begin life anew on whatever terms. " I hope we are young enough yet, Basil," she said, and she would not have it when he said they had once been younger. They heard the children's knock on the door ; they knocked when they came home from school so that their mother might let them in. " Shall we tell them at once 1 " she asked, and ran to open for them before March could answer. They were not alone. Fulkerson, smiling from ear to ear, was with them. " Is March in ? " he asked. " Mr. March is at home, yes," she said very haughtily. " He 's in his study," and she led the way there, while the children went to their rooms. " Well, March," Fulkerson called out at sight of him, " it 's all right ! The old man has come down." A HAZARD OF NEW FORTUNES. 147 " I suppose if you gentlemen are going to talk business " Mrs. March began. " Oh, we don't want you to go away," said Ful- kerson. " I reckon March has told you, anyway." "Yes, I've told her," said March. "Don't go, Isabel. What do you mean, Fulkerson ? " " He 's just gone on up home, and he sent me round with his apologies. He sees now that he had no business to speak to you as he did, and he with- draws everything. He 'd 'a' come round himself if I 'd said so, but I told him I could make it all right." Fulkerson looked so happy in having the whole affair put right, and the Marches knew him to be so kindly affected toward them that they could not refuse for the moment to share his mood. They felt themselves slipping down from the moral height which they had gained, and March made a clutch to stay himself with the question, " And Lindau 1 " "Well," said Fulkersou, "he's going to leave Lindau to me. You won't have anything to do with it. I '11 let the old fellow down easy." "Do you mean," asked March, " that Mr. Dryfoos insists on his being dismissed ? " "Why, there isn't any dismissing about it," Ful- kerson argued. " If you don't send him any more work, he won't do any more, that's all. Or if he comes round you can He 's to be referred to me. !> March shook his head, and his wife, with a sigh, felt herself plucked up from the soft circumstance of their lives, which she had sunk back into so quickly, and set beside him on that cold peak of principle 21 148 A HAZARD OF NEW FORTUNES. again. "It won't do, Fulkerson. It's very good of you and all that, but it comes to the same thing in the end. I could have gone on without any apology from Mr. Dryfoos ; he transcended his authority, but that 's a minor matter. I could have excused it to his ignorance of life among gentlemen; but I can't consent to Lindau's dismissal it comes to that, whether you do it or I do it, and whether it's a positive or a negative thing because he holds this opinion or that." "But don't you see," said Fulkerson, "that it's just Lindau's opinions the old man can't stand 1 He hasn't got anything against him personally. I don't suppose there 's anybody that appreciates Lindau in some ways more than the old man does." " I understand. He wants to punish him for his opinions. Well, I can't consent to that, directly or indirectly. We don't print his opinions, and he has a perfect right to hold them, whether Mr. Dryfoos agrees with them or not." Mrs. March had judged it decorous for her to say nothing, but she now went and sat down in the chair next her husband. " Ah, dog on it ! " cried Fulkerson, rumpling his hair with both his hands. '' What am I to do 1 The old man says he 's got to go." " And I don't consent to his going," said March, " And you won't stay if he goes 1 " " I won't stay if he goes." Fulkerson rose. "Well, well! I've got to see about it. I 'm afraid the old man won't stand it, A HAZARD OF NEW FORTUNES. 149 March ; I am, indeed. I wish you 'd reconsider. I I 'd take it as a personal favour if you would. It leaves me iu a fix. You see I 've got to side with one or the other." March made no reply to this, except to say, " Yes, you must stand by him, or you must stand by me." " Well, well ! Hold on a while ! I '11 see you in the morning. Don't take any steps " " Oh, there are no steps to take," said March, with a melancholy smile. " The steps are stopped ; that's all." He sank back into his chair when Ful- kerson was gone, and drew a long breath. " This is pretty rough. I thought we had got through it." "No," said his wife. "It seems as if I had to make the fight all over again." " Well, it 's a good thing it 's a holy war." " I can't bear the suspense. Why didn't you tell him outright you wouldn't go back on any terms I " " I might as well, and got the glory. He '11 never move Dryfoos. I suppose we both would like to go back, if we could." "Oh, I suppose so." They could not regain their lost exaltation, their lost dignity. At dinner Mrs. March asked the children how they would like to go back to Boston to live. " Why, we 're not going, are we ? " asked Tom without enthusiasm. "I was just wondering how you felt about it, now," she said, with an underlook at her husband. "Well, if we go back," said Bella, "I want to 150 A HAZARD OF NEW FORTUNES. live on the Back Bay. It 's awfully Micky at the South End." " I suppose I should go to Harvard," said Tom, " and I 'd room out at Cambridge. It would be easier to get at you on the Back Bay." The parents smiled ruefully at each other, and in view of these grand expectations of his children, March resolved to go as far as he could in meeting Dryfoos's wishes. He proposed the theatre as a distraction from the anxieties that he knew were pressing equally on his wife. " We might go to the Old Homestead," he suggested, with a sad irony, which only his wife felt. "Oh yes, let's!" cried Bella. While they were getting ready, some one rang, and Bella went to the door, and then came to tell her father that it was Mr. Lindau. " He says he wants to see you just a moment. He's in the parlour, and he won't sit down, or anything." " What can he want 1 " groaned Mrs. March, from their common dismay. March apprehended a storm in the old man's face. But he only stood in the middle of the room, looking very sad and grave. " You are coing oudt," he said. " I won't geep you long. I haf gome to pring pack dose macassines, and dis mawney. I can't do any more voark for you ; and I can't geep the mawney you haf baid me a'ready. It iss not hawnest mawney that hass been oarned py voark ; it iss mawney that hass peen male py sbeculation, and the obbression off lapour, and the necessity of the boor, A HAZARD OF NEW FORTUNES. 151 py a man . Here it is, efery tollar, efery zent. Dake it ; I feel as if dere vas ploodt on it." " Why, Lindau," March began, but the old man interrupted him. " Ton't dalk to me, Passil ! I could not haf believedt it of yon. When you know how I feel about dose tings, why tidn't you dell me wfiose mawney you bay oudt to me ? Ach, I ton't plame you I ton't rebroach you. You haf nefer thought of it ; boat I / have thought, and I should be cuilty, I must share that man's cuilt, if I gept hiss mawney. If you hat toldt me at the peginning if you hat peen frank with me boat it iss all righdt ; you can go on ; you ton't see dese tings as I see them; and you haf cot a family, and I am a free man. I voark to myself, and when I don't voark, I sdarfe to myself. But I geep my handts glean, voark or sdarfe. Gif him hiss mawney pack ! I am sawry for him ; I would not hoart hiss feelings, boat I could not pear to douch him, and hiss mawney iss like boison ! " March tried to reason with Lindau, to show him the folly, the injustice, the absurdity of his course ; it ended in their both getting angry, and in Lindau's going away in a whirl of German that included Basil in the guilt of the man whom Lindau called his master. "Well," said Mrs. March. "He is a crank, and I think you 're well rid of him. Now you have no quarrel with that horrid old Dryfoos, and you can keep right on." 152 A HAZARD OF NEW FORTUNES. "Yes," said March, "I wish it didn't make me feel so sneaking. What a long day it 's been ! It seems like a century since I got up." "Yes, a thousand years. Is there anything else left to happen?" " I hope not I 'd like to go to bed." "Why, aren't you going to the theatre?" wailed Bella, coming in upon her father's desperate ex- pression. " The theatre ? Oh yes, certainly ! I meant after we got home," and March amused himself at the puzzled countenance of the child. " Come on ! Is Tom ready 1 " VIII. FULKERSON parted with the Marches in such trouble of mind that he did not feel able to meet that night the people whom he usually kept so gay at Mrs. Leighton's table. He went to Maroni's for his dinner, for this reason, and for others more obscure. He could not expect to do anything more with Dryfoos at once ; he knew that Dryfoos must feel that he had already made an extreme concession to March, and he believed that if he was to get any- thing more from him it must be after Dryfoos had dined. But he was not without the hope, vague and indefinite as it might be, that he should find Lindau at Maroni's, and perhaps should get some concession from him, some word of regret or apology which he could report to Dryfoos, and at least make the means of reopening the affair with him ; perhaps Lindau, when he knew how matters stood, would back down altogether, and for March's sake would withdraw from all connection with Every Other Week himself, and so leave everything serene. Fulkerson felt capable, in his desperation, of delicately suggest- ing such a course to Lindau, or even of plainly advising it : he did not care for Lindau a great 7* 154 A HAZARD OF NEW FORTUNES. deal, and he did care a great deal for the magazine. But he did not find Lindau at Maroni's ; he only found Beaton. He sat looking at the doorway as Fulkerson entered, and Fulkerson naturally came and took a place at his table. Something in Beaton's large-eyed solemnity of aspect invited Ful- kerson to confidence, and he said, as he pulled his napkin open and strung it, still a little damp (as the scanty, often-washed linen at Maroni's was apt to be), across his knees, "I was looking for you this morning, to talk with you about the Christmas number, and I was a good deal worked up because I couldn't find you ; but I guess I might as well have spared myself my emotions." "Why ?" asked Beaton briefly. " Well, I don't know as there 's going to be any Christmas number." " Why 1 " Beaton asked again. " Row between the financial angel and the literary editor about the chief translator and polyglot smeller." " Lindau ? " "Lindau is his name." " What does the literary editor expect after Lindau 's expression of his views last night 1 " " I don't know what he expected, but the ground he took with the old man was that as Lindau's opinions didn't characterise his work on the maga- zine he would not be made the instrument of punishing him for them : the old man wanted him turned off, as he calls it." A HAZARD OF NEW FORTUNES. 155 "Seems to be pretty good ground," said Beaton impartially, while he speculated, with a dull trouble at heart, on the effect the row would have on his own fortunes. His late visit home had made him feel that the claim of his family upon him for some repayment of help given could not be much longer delayed ; with his mother sick and his father grow- ing old, he must begin to do something for them, but up to this time he had spent his salary even faster than he had earned it : when Fulkerson came in he was wondering whether he could get him to increase it, if he threatened to give up his work, and he wished that he was enough in love with Margaret Vance, or even Christine Dryfoos, to marry her, only to end in the sorrowful conviction that he was really in love with Alma Leighton, who had no money, and who had apparently no wish to be married for love, even. "And what are you going to do about it ? " he asked listlessly. " Be dogged if I know what I 'm going to do about it," said Fulkerson. " I 've been round all day, trying to pick up the pieces row began right after break- fast this morning and one time I thought I 'd got the thing all put together again. I got the old man to say that he had spoken to March a little too authoritatively about Lindau ; that in fact he ought to have communicated his wishes through me ; and that he was willing to have me get rid of Lindau, and March needn't have anything to do with it. I thought that was pretty white, but March says the apologies and regrets are all well enough in their 156 A HAZARD OF NEW FORTUNES. way, but they leave the main question where they found it." " What is the main question 1 " Beaton asked, pouring himself out some Chianti ; as he set the flask down he made the reflection that if he would drink water instead of Chianti he could send his father three dollars a week, on his back debts, and he resolved to do it. " The main question, as March looks at it, is the question of punishing Lindau for his private opinions ; he says that if he consents to my bounc- ing the old fellow it 's the same as if he bounced him." " It might have that complexion in some lights," said Beaton. He drank off his Chianti, and thought he would have it twice a week, or make Maroni keep the half-bottles over for him, and send his father two dollars. ' And what are you going to do now ? " " That 's what I don't know," said Fulkeraon ruefully. After a moment he said desperately, " Beaton, you 've got a pretty good head ; why don't you suggest something ? " "Why don't you let March go ?" Beaton suggested. " Ah, I couldn't," said Fulkerson. " I got him to break-up in Boston and come here; I -like him; nobody else could get the hang of the thing like he has ; he 's a friend." Fulkerson said this with the nearest approach he could make to seriousness, which was a kind of unhappiness. Beaton shrugged. " Oh, if you can afford to have deals, I congratulate you. They 're too expensive for me. Then, suppose you get rid of Dryfoos 1 " A HAZARD OF NEW FORTUNES. 157 Fulkerson laughed forlornly. " Go on, Bildad. Like to sprinkle a few ashes over my boils 1 Don't mind me \ " They both sat silent a little Avhile, and then Beaton said, " I suppose you haven't seen Dryfoos the second time ?" " Xo. I came in here to gird up my loins with a little dinner before I tackled him, But something seems to be the matter with Maroni's cook. / don't want anything to eat." "The cooking's about as bad as usual," said Beaton. After a moment, he added ironically, for he found Fulkerson's misery a kind of relief from his own, and was willing to protract it as long as it was amusing : " Why not try an envoy extraordinary and minister plenipotentiary ? " " What do you mean ? " " Get that other old fool to go to Dryfoos for you !" " Which other old fool ? The old fools seem to be as thick as flies." " That Southern one." "Colonel Woodburn ?" " Mmmmm." " He did seem to rather take to the colonel ! " Fulkerson mused aloud. " Of course he did. Woodburn, with his idiotic talk about patriarchal slavery, is the man on horse- back to Dryfoos's muddy imagination. He 'd listen to him abjectly, and he'd do whatever Woodburn told him to do." Beaton smiled cynically. Fulkerson got up and reached for his coat and 158 A HAZARD OF NEW FORTUNES. hat. "You've struck it, old man." The waiter came up to help him on with his coat ; Fulkerson slipped a dollar in his hand. " Never mind the coat ; you can give the rest of my dinner to the poor, Paolo. Beaton, shake ! You Ve saved my life, little boy, though I don't think you meant it." He took Beaton's hand and solemnly pressed it, and then almost ran out of the door. They had just reached coffee at Mrs. Leighton's when he arrived, and sat down with them, and began to put some of the life of his new hope into them. His appetite revived, and after protesting that he would not take anything but coffee, he went back and ate some of the earlier courses. But with the pressure of his purpose driving him forward, he did not conceal from Miss Woodburn, at least, that he was eager to get her apart from the rest for some reason. When he accomplished this, it seemed as if he had contrived it all himself, but perhaps he had not wholly contrived it. " I 'm so glad to get a chance to speak to you alone," he said at once ; and while she waited for the next word he made a pause, and then said desperately, " I want you to help me ; and if you can't help me, there 's no help for me." " Mah goodness," she said, " is the case so bad as that ? What in the woald is the trouble 1 " " Yes, it 's a bad case," said Fulkerson. " I want your father to help me." " Oh, I thoat you said me \ " " Yes ; I want you to help me with your father. A HAZARD OF NEW FORTUNES. 159 I suppose I ought to go to him at once, but I 'm a little afraid of him." " And you awe not afraid of me ? I don't think that's very flattering, Mr. Fulkerson. You ought to think Ah 'm twahce as awful as papa." " Oh, I do ! You see, I 'm quite paralysed be- fore you, and so I don't feel anything." " Well, it 's a pretty lahvely kyand of paralysis. But go on." "I will I will. If I can only begin." " Pohaps Ah maght begin fo' you." " No, you can't. Lord knows, I 'd like to let you. Well, it 's like this." Fulkerson made a clutch at his hair, and then, after another hesitation, he abruptly laid the whole affair before her. He did not think it necessary to state the exact nature of the offence Lindau had given Dryfoos, for he doubted if she could grasp it, and he was profuse of his excuses for troubling her with the matter, and of wonder at himself for having done so. In the rapture of his concern at having perhaps made a fool of himself, he forgot why he had told her ; but she seemed to like having been confided in, and she said, " Well, Ah don't see what you can do with you' ahdeals of friendship, except stand bah' Mr. Mawch." " My ideals of friendship ? What do you mean ? " " Oh, don't you suppose we know ? Mr. Beaton said you we' a pofect Bahyard in friendship, and you would sacrifice anything to it." "Is that so ?" said Fulkerson, thinking how easily 160 A HAZARD OF NEW FORTUNES. he could sacrifice Lindau in this case. He had never supposed before that he was so chivalrous in such matters, but he now began to see it in that light, and he wondered that he could ever have entertained for a moment the idea of throwing March over. " But, Ah most say" Miss Woodburn went on, " Ah don't envy you you' next interview with Mr. Dryfoos. Ah suppose you '11 have to see him at once aboat it." The conjecture recalled Fulkerson to the object of his confidences. " Ah, there 's where your help comes in. I 've exhausted all the influence / have with Dryfoos " " Good gracious, you don't expect Ah could have any ! " They both laughed at the comic dismay with which she conveyed the preposterous notion ; and Fulkerson said, "If I judged from myself, I should expect you to bring him round instantly." " Oh, thank you, Mr. Fulkerson," she said, with mock-meekness. " Not at all. But it isn't Dryfoos I want you to help me with ; it 's your father. I want your father to interview Dryfoos for me, and I I 'm afraid to ask him." " Poo' Mr. Fulkerson ! " she said, and she in- sinuated something through her burlesque compas- sion that lifted him to the skies. He swore in his heart that the woman never lived who was so witty, so wise, so beautiful, and so good. " Come raght with me this minute, if the cy oast's clea'." She A HAZARD OF NEW FORTUNES. 161 vrent to the door of the dining-room and looked in across its gloom to the little gallery where her father sat beside a lamp reading his evening paper ; Mrs. Leighton could be heard in colloquy with the cook below, and Alma had gone to her room. She bec- koned Fulkerson with the hand outstretched behind her, and said, " Go and ask him." " Alone ! " he palpitated. " Oh, what a cyowahcl ! " she cried, and went with him. "Ah suppose you'll want me to tell him aboat it." " Well, I wish you 'd begin, Miss Woodburn," he said. " The fact is, you know, I 've been over it so much I 'm kind of sick of the thing." Miss Woodburn advanced, and put her hand on her father's shoulder. " Look heah, papa ! Mr. Fulkerson wants to ask you something, and he wants me to do it fo' him." The colonel looked up through his glasses with the sort of ferocity elderly men sometimes have to put on in order to keep their glasses from falling off. His daughter continued : " He 'h got into an awful difficulty with his edito' and his proprieto', and he wants you to pacify them." " I do not know whethah I understand the case exactly," said the colonel, " but Mr. Fulkerson may command me to the extent of my ability." " You don't understand it aftah what Ah Ve said?" cried the girl. " Then Ah don't see but what you '11 have to explain it you'self, Mr. Fulkerson." "Well, Miss Woodburn has been so luminous 162 A HAZARD OF NEW FORTUNES. about it, colonel," said Fulkerson, glad of the joking shape she had given the affair, '' that I can only throw in a little side light here and there." The colonel listened, as Fulkerson went on, with a grave diplomatic satisfaction. He felt gratified, honoured, even, he said, by Mr. Fulkerson's appeal to him ; and probably it gave him something of the high joy that an affair of honour would have brought him in the days when he had arranged for meetings between gentlemen. Next to bearing a challenge, this work of composing a difficulty must have been grateful. But he gave no outward sign of his satisfaction in making a rtsumt of the case so as to get the points clearly in his mind. " I was afraid, sir," he said, with the state due to the serious nature of the facts, "that Mr. Lindau had given Mr. Dryfoos offence by some of his questions at the dinner-table last night." "Perfect red rag to a bull," Fulkerson put in; and then he wanted to withdraw his words at the colonel's look of displeasure. " I have no reflections to make upon Mr. Lindau," Colonel Woodburn continued, and Fulkerson felt grateful to him for going on ; "I do not agree with Mr. Lindau ; I totally disagree with him on socio- logical points ; but the course of the conversation had invited him to the expression of his convictions, and he had a right to express them, so far as they had no personal bearing." "Of course," said Fulkerson, while Miss Wood- burn perched on the arm of her father's chair. A HAZARD OF NEW FORTUNES. 163 "At the same time, sir, I think that if Mr. Dryfoos felt a personal censure in Mr. Lindau's questions concerning his suppression of the strike among his workmen, he had a right to resent it." "Exactly," Fulkerson assented. "But it must be evident to you, sir, that a high- spirited gentleman like Mr. March I confess that my feelings are with him very warmly in the matter could not submit to dictation of the nature you describe." " Yes, I see," said Fulkerson ; and with that strange duplex action of the human mind, he wished that it was his hair, and not her father's, that Miss Woodburn was poking apart with the corner of her fan. "Mr. Lindau," the colonel concluded, "was right from his point of view, and Mr. Dryfoos was equally right. The position of Mr. March is perfectly correct " His daughter dropped to her feet from his chair arm. " Mah goodness ! If nobody 's in the wrong, ho' awe you evah going to get the mattah straight 1 " "Yes, you see," Fulkerson added, "nobody can give in." "Pardon me," said the colonel, "the case is one in which all can give in." "I don't know which '11 begin," said Fulkerson. The colonel rose. "Mr. Lindau must begin, sir. We must begin by seeing Mr. Lindau, and securing from him the assurance that in the expression of his peculiar views he had no intention of offering any 2K 164 A HAZARD OF NEW FORTUNES. personal offence to Mr. Dryfoos. If I have formed a correct estimate of Mr. Lindau, this will be perfectly simple." Fulkerson shook his head. "But it wouldn't help. Dryfoos don't care a rap whether Lindau meant any personal offence or not. As far as that is concerned, he 's got a hide like a hippopotamus. But what he hates is Lindau's opinions, and what he says is that no man who holds such opinions shall have any work from him. And what March says is that no man shall be punished through him for his opinions, he don't care what they are." The colonel stood a moment in silence. " And what do you expect me to do under the circum- stances ? " " I came to you for advice I thought you might suggest " " Do you wish me to see Mr. Dryfoos ? " "Well, that's about the size of it," Fulkerson admitted. "You see, colonel," he hastened on, "I know that you have a great deal of influence with him ; that article of yours is about the only thing he 's ever read in Every Other Week, and he 's proud of your acquaintance. Well, you know," and here Fulkerson brought in the figure that struck him so much in Beaton's phrase, and had been on his tongue ever since, "you're the man on horseback to him; and he 'd be more apt to do what you say than if anybody else said it." " You are very good, sir," said the colonel, trying to be proof against the flattery, "but I am afraid A HAZARD OF NEW FORTUNES. 165 you overrate my influence." Fulkerson let him ponder it silently, and his daughter governed her impatience by holding her fan against her lips. Whatever the process was in the colonel's mind, he said at last : "I see no good reason for declining to act for you, Mr. Fulkerson, and I shall be very happy if I can be of service to you. But" he stopped Fulkerson from cutting in with precipitate thanks "I think I have a right, sir, to ask what your course will be in the event of failure 1 " " Failure 1 " Fulkerson repeated, in dismay. " Yes, sir. I will not conceal from you that this mission is one not wholly agreeable to my feelings." " Oh, I understand that, colonel, and I assure you that I appreciate, I " There is no use trying to blink the fact, sir, that there are certain aspects of Mr. Dryfoos's character in which he is not a gentleman. We have alluded to this fact before, and I need not dwell upon it now. I may say, however, that my misgivings were not wholly removed last night." " No," Fulkerson assented ; though in his heart he thought the old man had behaved very well. " What I wish to say now is that I cannot consent to act for you, in this matter, merely as an interme- diary whose failure would leave the affair in statu quo." " I see," said Fulkerson. " And I should like some intimation, some assur- ance, as to which party your own feelings are with in the difference." 166 A HAZARD OF NEW FORTUNES. The colonel bent his eyes sharply on Fulkerson ; Miss "Woodburn let hers fall ; Fulkerson felt that he was being tested, and he said, to gain time, " As between Lindau and Dryfoos 1 " though he knew this was not the point. " As between Mr. Dryfoos and Mr. March," said the colonel. Fulkerson drew a long breath, and took his cour- age in both hands. " There can't be any choice for me in such a case. I 'in for March, every time." The colonel seized his hand, and Miss Woodburn said, " If there had been any choice fo' you in such a case, I should never have let papa sti' a step with you." " Why, in regard to that," said the colonel, with a literal application of the idea, " was it your inten- tion that we should both go 1 " " Well, I don't know ; I suppose it was." " I think it will be better for me to go alone," said the colonel ; and, with a colour from his experience in affairs of honour, he added : " In these matters a principal cannot appear without compromising his dignity. I believe I have all the points clearly in mind, and I think I should act more freely in meeting Mr. Dryfoos alone." Fulkerson tried to hide the eagerness with which he met these agreeable views. He felt himself ex- alted in some sort to the level of the colonel's senti- ments, though it would not be easy to say whether this was through the desperation bred of having committed himself to March's side, or through the A HAZARD OF NEW FORTUNES. 167 buoyant hope he had that the colonel would succeed in his mission. " I J m not afraid to talk with Dry- foos about it," he said. "There is no question of courage," said the colonel. " It is a question of dignity of personal dignity." " Well, don't let that delay you, papa," said his daughter, following him to the door, where she found him his hat, and Fulkerson helped him on with his overcoat. " Ah shall be jost wald to know ho' it's toned oat." " Won't you let me go up to the house with you ?" Fulkerson began. " I needn't go in " " I prefer to go alone," said the colonel. " I wish to turn the points over in my mind, and I am afraid you would find me rather dull company." He went out, and Fulkerson returned with Miss Woodburn to the drawing-room, where she said the Leightons were. They were not there, but she did not seem disappointed. "Well, Mr. Fulkerson," she said, "you have got an ahdeal of friendship, su' enough." " Me ? " said Fulkerson. " Oh, my Lord ! Don't you see I couldn't do anything else ? And I 'm scared half to death, anyway. If the colonel don't bring the old man round, I reckon it 's all up with me. But he '11 fetch him. And I 'm just prostrated with gratitude to you, Miss Woodburn." She waved his thanks aside with her fan. " What do you mean by its being all up with you 1 " " Why, if the old man sticks to his position, and 168 A HAZARD OF NEW FORTUNES. I stick to March, we've both got to go overboard together. Dryfoos owns the magazine ; he can stop it, or he can stop us, which amounts to the same thing, as far as we 're concerned." " And then what 1 " the girl pursued. " And then, nothing till we pick ourselves up." "Do you mean that Mr. Dryfoos will put you both oat of your places ? " " He may." " And Mr. Mawch takes the risk of that jost fo' a principle 1 " " I reckon." " And you do it, jost fo' an ahdeal ? " " It won't do to own it. I must have my little axe to grind, somewhere." " Well, men awe splendid," sighed the girl. " Ah will say it." " Oh, they 're not so much better than women," said Fulkerson, with a nervous jocosity. " I guess March would have backed down if it hadn't been for his wife. She was as hot as pepper about it, and you could see that she would have sacrificed all her husband's relations sooner than let him back down an inch from the stand he had taken. It 's pretty easy for a man to stick to a principle if he has a woman to stand by him. But when you come to play it alone " " Mr. Fulkerson," said the girl solemnly, " Ah will stand bah you in this, if all the woald tones against you." The tears came into her eyes, and she put out her hand to him. A HAZARD OF NEW FORTUNES. 169 " You will 1 " he shouted, in a rapture. " In every way and always as long as you live ? Do you mean it 1 " He had caught her hand to his breast and was grappling it tight there, and drawing her to him. The changing emotions chased each other through her heart and over her face : dismay, shame, pride, tenderness. " You don't believe," she said hoarsely, " that I meant that ? " "No, but I hope you do mean it ; for if you don't, nothing else means anything." There was no space, there was only a point of wavering. " Ah do mean it." When they lifted their eyes from each other again it was half-past ten. " No' you most go," she said. " But the colonel our fate ? " " The co'nel is often oat late, and Ah 'm not afraid of any fate, no' that we Ve taken it into ouah own hands." She looked at him with dewy eyes of trust, of inspiration. " Oh, it 's going to come out all right," he said. "It can't come out wrong now, no matter what happens. But who 'd have thought it, when I came into this house, in such a state of sin and misery, half an hour ago " " Three houahs and a half ago ! " she said. " No' you most jost go. Ah'm tahed to death. Good night. You can come in the mawning to see papa." She opened the door, and pushed him out with enrapturing violence, and he ran laughing down the steps into her father's arms. f VOL. II. 8 170 A HAZARD OF NEW FORTUNES. " Why, colonel ! I was just going up to meet you." He really thought he would walk off his exultation in that direction. "I am very sorry to say, Mr. Fulkerson," the colonel began gravely, " that Mr. Dryfoos adheres to his position." " Oh, all right," said Fulkerson, with unabated joy. "It's what I expected. Well, my course is clear ; I shall stand by March, and I guess the world won't come to an end if he bounces us both. But I 'm everlasting obliged to you, Colonel Woodburn, and I don't know what to say to you. I I won't detain you now ; it 's so late. I '11 see you in the morning. Good ni " Fulkerson did not realise that it takes two to part. The colonel laid hold of his arm and turned away with him. "I will walk toward your place with you. I can understand why you should be anxious to know the particulars of my interview with Mr. Dryfoos ;" and in the statement which followed he did not spare him the smallest. It out- lasted their walk, and detained them long on the steps of the Every Other Week building. But at the end, Fulkerson let himself in with his key as light of heart as if he had been listening to the gayest promises that fortune could make. By the time he met March at the office next morning, a little, but only a very little, misgiving saddened his golden heaven. He took March's hand with high courage, and said, "Well, the old man sticks to his point, March." He added, with the A HAZARD OF NEW FORTUNES. 171 sense of saying it before Miss Woodburn, " And / stick by you. I've thought it all over, and I'd rather be right with you than wrong with him." "Well, I appreciate your motive, Fulkerson," said March. "But perhaps perhaps we can save over our heroics for another occasion. Lindau seems to have got in with his, for the present." He told him of Lindau's last visit, and they stood a moment looking at each other rather queerly. Fulkerson was the first to recover his spirits. "Well," he said cheerily, "that let's us out." " Does it 1 I 'm not sure it lets me out," said March; but he said this in tribute to his crippled self-respect rather than as a forecast of any action in the matter. " Why, what are you going to do 1 " Fulkerson asked. " If Lindau won't work for Dryfoos you can't make him." March sighed. " What are you going to do with this money 1 " He glanced at the heap of bills he had flung on the table between them. Fulkerson scratched his head. "Ah, dogged if / know. Can't we give it to the deserving poor, somehow, if we can find 'em 1 " "I suppose we Ve no right to use it in any way. You must give it to Dryfoos." " To the deserving rich 1 Well, you can always find them. I reckon you don't want to appear in the transaction ; / don't, either ; but I guess I must." Fulkerson gathered up the money and carried it to Conrad. He directed him to account 172 A HAZARD OF NEW FORTUNES. for it in his books as conscience-money, and he enjoyed the joke more than Conrad seemed to do when he was told where it came from. Fulkerson was able to wear off the disagreeable impression the affair left during the course of the forenoon, and he met Miss Woodburn with all a lover's buoyancy when he went to lunch. She was as happy as he when he told her how fortunately the whole thing had ended, and he took her view that it was a reward of his courage in having dared the worst. They both felt, as the newly plighted always do, that they were in the best relations with the beneficent powers, and that their felicity had been especially looked to in the disposition of events. They were in a glow of rapturous content with themselves and radiant worship of each other; she was sure that he merited the bright future opening to them both, as much as if he owed it directly to some noble action of his own ; he felt that he was indebted for the favour of Heaven entirely to the still incredible accident of her preference of him over other men. Colonel Woodburn, who was not yet in the secret of their love, perhaps failed for this reason to share their satisfaction with a result so unexpectedly brought about. The blessing on their hopes seemed to his ignorance to involve certain sacrifices of personal feeling at which he hinted in suggesting that Dryfoos should now be asked to make some abstract concessions and acknowledgments ; his daughter hastened to deny that these were at all A HAZARD OF NEW FORTUNES. 173 necessary ; and Fulkerson easily explained why. The thing was over ; what was the use of opening it up again ? "Perhaps none," the colonel admitted. But he added, " I should like the opportunity of taking Mr. Lind au's hand in the presence of Mr. Dryfoos, and assuring him that I considered him a man of principle and a man of honour ; a gentleman, sir, whom I was proud and happy to have known." " Well, Ah 've no doabt," said his daughter demurely, "that you'll have the chance some day; and we would all lahke to join you. But at the same tahme, I think Mr. Fulkerson is well oat of it fo' the present." PAET FIFTH. SUPERFICIALLY, the affairs of Every Other Week settled into their wonted form again, and for Fulker- son they seemed thoroughly reinstated. But March had a feeling of impermanency from what had happened, mixed with a fantastic sense of shame toward Lindau. He did not sympathise with Lindau's opinions, he thought his remedy for existing evils as wildly impracticable as Colonel Woodburn's. But while he thought this, and while he could justly blame Fulkerson for Lindau's presence at Dryfoos's. dinner, which his zeal had brought about in spite of March's protests, still he could not rid himself of the reproach of uncandour with Lindau. He ought to have told him frankly about the ownership of the magazine, and what manner of man the man was whose money he was taking. But he said that he never could have imagined that he was serious in his preposterous attitude in regard to a class of men who embody half the prosperity of the country; and he had moments of revolt against his own humiliation before Lindau, in which he found it A HAZARD OF NEW FORTUNES. 175 monstrous that he should return Dryfoos's money as if it had been the spoil of a robber. His wife agreed with him in these moments, and said it was a great relief not to have that tiresome old German coming about. They had to account for his absence evasively to the children, whom they could not very well tell that their father was living on money that Lindau disdained to take, even though Lindau was wrong and their father was right. This heightened Mrs. March's resentment toward both Lindau and Dryfoos, who between them had placed her husband in a false position. If anything, she resented Dryfoos's conduct more than Lindau's. He had never spoken to March about the affair since Lindau had renounced his work, or added to the apologetic messages he had sent by Fulkerson. So far as March knew, Dryfoos had been left to suppose that Lindau had simply stopped for some reason that did not personally affect him. They never spoke of him, and March was too proud to ask either Fulkerson or Conrad whether the old man knew that Lindau had returned his money. He avoided talking to Conrad, from a feeling that if he did, he should involuntarily lead him on to speak of his differences with his father. Between himself and Fulkerson, even, he was uneasily aware of a want of their old perfect friendliness. Fulkerson had finally behaved with honour and courage ; but his provisional reluctance had given March the measure of Fulkerson's character in one direction, and he could not ignore the fact that it was smaller than he could have wished. 176 A HAZARD OF NEW FORTUNES. He could not make out whether Fulkerson shared his discomfort or not. It certainly wore away, even with March, as time passed, and with Fulkerson, in the bliss of his fortunate love, it was probably far more transient, if it existed at all. He advanced into the winter as radiantly as if to meet the spring, and he said that if there were any pleasanter month of the year than November, it was December, especially when the weather was good and wet and muddy most of the time, so that you had to keep indoors a long while after you called anywhere. Colonel Woodburn had the anxiety, in view of his daughter's engagement, when she asked his consent to it, that such a dreamer must have in regard to any reality that threatens to affect the course of his reveries. He had not perhaps taken her marriage into account, except as a remote contingency ; and certainly Fulkerson was not the kind of son-in-law that he had imagined in dealing with that abstrac- tion. But because he had nothing of the sort definitely in mind, he could not oppose the selection of Fulkerson with success ; he really knew nothing against him, and he knew many things in his favour ; Fulkerson inspired him with the liking that every one felt for him in a measure ; he amused him, he cheered him ; and the Colonel had been so much used to leaving action of all kinds to his daughter that when he came to close quarters with the question of a son-in-law, he felt helpless to decide it, and he let her decide it, as if it were still to be decided when it was submitted to him. She A HAZARD OF NEW FORTUNES. 177 was competent to treat it in all its phases : not merely those of personal interest, but those of duty to the broken Southern past, sentimentally dear to him, and practically absurd to her. No such South as he remembered had ever existed to her know- ledge, and no such civilisation as he imagined would ever exist, to her belief, anywhere. She took the world as she found it, and made the best of it. She trusted in Fulkerson ; she had proved his magna- nimity in a serious emergency ; and in small things she was willing fearlessly to chance it with him. She was not a sentimentalist, and there was nothing fantastic in her expectations ; she was a girl of good sense and right mind, and she liked the im- mediate practicality as well as the final honour of Fulkerson. She did not idealise him, but in the highest effect she realised him ; she did him justice, and she would not have believed that she did him more than justice if she had sometimes known him to do himself less. Their engagement was a fact to which the Leighton household adjusted itself almost as simply as the lovers themselves; Miss Woodburn told the ladies at once, and it was not a thing that Fulkerson could keep from March very long. He sent word of it to Mrs. March by her husband ; and his engagement perhaps did more than anything else to confirm the confidence in him which had been shaken by his early behaviour in the Lindau epi- sode, and not wholly restored by his tardy fidelity to March. But now she felt that a man who 8* 2L 178 A HAZARD OF NEW FORTUNES. wished to get married so obviously and entirely foi love was full of all kinds of the best instincts, and only needed the guidance of a wife to become very noble. She interested herself intensely in balancing the respective merits of the engaged couple, and after her call upon Miss Woodburn in her new character she prided herself upon recognising the worth of some strictly Southern qualities in her, while maintaining the general average of New England superiority. She could not reconcile her- self to the Virginian custom illustrated in her having been christened with the surname of Madi- son ; and she said that its pet form of Mad, which Fulkerson promptly invented, only made it more ridiculous. Fulkerson was slower in telling Beaton. He was afraid, somehow, of Beaton's taking the matter in the cynical way ; Miss Woodburn said she would break off the engagement if Beaton was left to guess it or find it out by accident, and then Fulkerson plucked up his courage. Beaton received the news with gravity, and with a sort of melancholy meek- ness that strongly moved Fulkerson's sympathy, and made him wish that Beaton was engaged too. It made Beaton feel very old; it somehow left him behind and forgotten; in a manner, it made him feel trifled with. Something of the unfriendli- ness of fate seemed to overcast his resentment, and he allowed the sadness of his conviction that he had not the means to marry on to tinge his recognition of the fact that Alma Leighton would not have A HAZARD OF NEW FORTUNES. 179 wanted him to marry her if he had. He was now often in that martyr mood in which he wished to help his father ; not only to deny himself Chianti, but to forego a fur-lined overcoat which he intended to get for the winter. He postponed the moment of actual sacrifice as regarded the Chianti, and he bought the overcoat in an anguish of self-reproach. He wore it the first evening after he got it in going to call upon the Leightons, and it seemed to him a piece of ghastly irony when Alma complimented his picturesqueness in it, and asked him to let her sketch him. " Oh, you can sketch me," he said, with so much gloom that it made her laugh. "If you think it's so serious, I'd rather not." " No, no ! Go ahead ! How do you want me ? " " Oh, fling yourself down on a chair in one of your attitudes of studied negligence ; and twist one corner of your moustache with affected absence of mind." "And you think I'm always studied, always affected 1 " " I didn't say so." " I didn't ask you what you said." " And I won't tell you what I think." "Ah, I know what you think." " What made you ask, then ? " The girl laughed again with the satisfaction of her sex in cornering a man. Beaton made a show of not deigning to reply, and put himself in the pose she suggested frowning. 180 A HAZARD OF NEW FORTUNES. " Ah, that 's it. But a little more animation. " As when a great thought strikes along the brain, And flushes all the cheek.' " She put her forehead down on the back of her hand and laughed again. " You ought to be photo- graphed. You look as if you were sitting for it." Beaton said : " That 's because I know I am being photographed, in one way. I don't think you ought to call me affected. I never am so with you ; I know it wouldn't be of any use." " Oh, Mr. Beaton, you natter." " No, I never flatter you." " I meant you flattered yourself." "How?" " Oh, I don't know. Imagine." " I know what you mean. You think I can't be sincere with anybody." " Oh, no I don't." " What do you think ? " "That you can't try." Alma gave another victorious laugh. Miss Woodburn and Fulkerson would once have both feigned a great interest in Alma's sketching Beaton, and made it the subject of talk, in which they approached as nearly as possible the real interest of their lives. Now they frankly remained away, in the dining-room, which was very cozy after the dinner had disappeared ; the colonel sat with his lamp and paper in the gallery beyond; Mrs. Leighton was about her housekeeping affairs, in the content she always felt when Alma was with Beaton. A HAZARD OF NEW FORTUNES. 181 " They seem to be having a pretty good time in there," said Fulkerson, detaching himself from his own absolute good time as well as he could. " At least Alma does," said Miss Woodburn. " Do you think she cares for him 1 " " Quahte as moch as he desoves." " What makes you all down on Beaton around here ? He 's not such a bad fellow." " We awe not all doan on him. Mrs. Leighton isn't doan on him." " Oh, I guess if it was the old lady, there wouldn't be much question about it." They both laughed, and Alma said, " They seem to be greatly amused with something in there." "Me, probably," said Beaton. "I seem to amuse everybody to-night." " Don't you always ? " "I always amuse you, I'm afraid, Alma." She looked at him as if she were going to snub .him openly for using her name ; but apparently she decided to do it covertly. " You didn't at first. I really used to believe you could be serious once." " Couldn't you believe it again ? Now 1 " " Not when you put on that wind-harp stop." "Wetmore has been talking to you about me. He would sacrifice his best friend to a phrase. He spends his time making them." "He's made some very pretty ones about you." " Like the one you just quoted ? " " No, not exactly. He admires you ever so much. He says ." She stopped, teasingly. 182 A HAZARD OF NEW FORTUNES. " What 1 " "He says you could be almost anything you wished, if you didn't wish to be everything." "That sounds more like the school of "Wetmore. That's what you say, Alma. Well, if there were something you wished me to be, I could be it." " We might adapt Kingsley : ' Be good, sweet maid, and let who will be clever.' " He could not help laughing. She went on: "I always thought that was the most patronising and exasperating thing ever addressed to a human girl ; and we Ve had to stand a good deal in our time. I should like to have it applied to the other ' sect ' a while. As if any girl that was a girl would be good if she had the remotest chance of being clever." " Then you wouldn't wish me to be good ? ' Beaton asked. "Not if you were a girl." "You want to shock me. Well, I suppose I deserve it. But if I were one-tenth part as good as you are, Alma, I should have a lighter heart than I have now. I know that I 'm fickle, but I 'm not false, as you think I am." " Who said I thought you were false 1 " " No one," said Beaton. " It isn't necessary, when you look it live it." " Oh, dear ! I didn't know I devoted my whole time to the subject." " I know I 'm despicable. I could tell you some- thing the history of this day, even that would make you despise me." Beaton had in mind his A HAZARD OF NEW FORTUNES. 183 purchase of the overcoat, which Alma was getting in so effectively, with the money he ought to have sent his father. " But," he went on darkly, with a sense that what he was that moment suffering for his selfishness must somehow be a kind of atonement, which would finally leave him to the guiltless enjoy- ment of the overcoat, "you wouldn't believe the depths of baseness I could descend to." " I would try," said Alma, rapidly shading the collar, " if you 'd give me some hint." Beaton had a sudden wish to pour out his remorse to her, but he was afraid of her laughing at him. He said to himself that this was a very wholesome fear, and that if he could always have her at hand he should not make a fool of himself so often. A man conceives of such an office as the very noblest for a woman; he worships her for it if he is magnanimous. But Beaton was silent, and Alma put back her head for the right distance on her sketch. " Mr. Fulkerson thinks you are the sublimest of human beings for advising him to get Colonel Woodburn to interview Mr. Dryfoos about Lindau. What have you ever done with your Judas ? " " I haven't done anything with it. Nadel thought he would take hold of it at one time, but he dropped it again. After all, I don't suppose it could be popularised. Fulkerson wanted to offer it as a premium to subscribers for Every Other Week, but I sat down on that." Alma could not feel the absurdity of this, and she 184 A HAZARD OF NEW FORTUNES. merely said, " Every Other Week seems to be going on just the same as ever." " Yes, the trouble has all blown over, I believe Fulkerson," said Beaton, with a return to what they were saying, " has managed the whole business very well. But he exaggerates the value of my advice." " Very likely," Alma suggested vaguely. " Or no ! Excuse me ! He couldn't, he couldn't ! She laughed delightedly at Beaton's foolish look of embarrassment. He tried to recover his dignity in saying, " He 's a very good fellow, and he deserves his happiness " "Oh, indeed!" said Alma perversely. "Does any one deserve happiness 1 " "I know I don't," sighed Beaton. " You mean you don't get it." "I certainly don't get it." "Ah, but that isn't the reason." " What is ? " " That 's the secret of the universe." She bit in her lower lip, and looked at him with eyes of gleans ing fun. " Are you never serious 1 " he asked. " With serious people always.' " / am serious ; and you have the secret of my happiness ." He threw himself impulsively forward in his chair. " Oh, pose, pose ! " she cried. " I won't pose," he answered, " and you have got to listen to me. You know I 'm in love with you ; and I know that once you cared for me. Can't that A HAZARD OF NEW FORTUNES. 185 time won't it come back again 1 Try to think so, Alma ! " " No," she said, briefly and seriously enough. "But that seems impossible. What is it I've done what have you against me ? " " Nothing. But that time is past. I couldn't recall it if I wished. Why did you bring it up ? You Ve broken your word. You know I wouldn't have let you keep coming here if you hadn't promised never to refer to it." " How could I help it ? With that happiness near us Fulkerson " " Oh, it 's that 1 I might have known it ! " "No, it isn't that it's something far deeper. But if it 's nothing you have against me, what is it, Alma, that keeps you from caring for me now as you did then ? I haven't changed." "But / have. I shall never care for you again, Mr. Beaton ; you might as well understand it once for all. Don't think it's anything in yourself, or that I think you unworthy of me. I 'm not so self- satisfied as that ; I know very well that I 'm not a perfect character, and that I Ve no claim on perfec- tion in anybody else. I think women who want that are fools ; they won't get it, and they don't deserve it. But I 've learned a good deal more about myself than I knew in St. Barnaby, and a life of work, of art, and of art alone that's what I've made up my mind to." " A woman that 's made up her mind to that has no heart to hinder her ! " 186 A HAZARD OF NEW FORTUNES. " Would a man have that had done so 1" " But I don't believe you, Alma. You 're merely laughing at me. And besides, with me you needn't give up art. We could work together. You know how much I admire your talent. I believe I could help it serve it ; I would be its willing slave, and yours, Heaven knows ! " " I don't want any slave nor any slavery. I want to be free always. Now do you see 1 I don't care for you, and I never could in the old way ; but I should have to care for some one more than I believe I ever shall to give up my work. Shall we go on ? " She looked at her sketch. " No, we shall not go on," he said, gloomily as he rose. " I suppose you blame me," she said, rising too. " Oh no ! I blame no one or only myself. I threw my chance away." " I 'm glad you see that ; and I 'm glad you did it. You don't believe me, of course. Why do men think life can be only the one thing to women ? And if you come to the selfish view, who are the happy women 1 I 'm sure that if work doesn't fail me, health won't, and happiness won't." " But you could work on with me " " Second fiddle. Do you suppose I shouldn't be woman enough to wish my work always less and lower than yours ? At least I Ve heart enough for that ! " " You Ve heart enough for anything, Alma. I was a fool to say you hadn't." A HAZARD OF NEW FORTUNES. 187 " I think the women who keep their hearts have an even chance, at least, of having heart " " Ah, there 's where you 're wrong ! " " But mine isn't mine to give you, anyhow. And now I don't want you ever to speak to me about this again." " Oh, there 's no danger ! " he cried bitterly. " I shall never willingly see you again." " That 's as you like, Mr. Beaton. We Ve had to "be very frank, but I don't see why we shouldn't be friends. Still, we needn't, if you don't like." " And I may come I may come here as as usual 1 " " Why, if you can consistently," she said, with a smile, and she held out her hand to him. He went home dazed, and feeling as if it were a bad joke that had been put upon him. At least the affair went so deep that it estranged the aspect of his familiar studio. Some of the things in it were not very familiar ; he had spent lately a great deal on rugs, on stuffs, on Japanese bric-a-brac. When he saw these things in the shops he had felt that he must have them ; that they were necessary to him ; and he was partly in debt for them, still without having sent any of his earnings to pay his father. As he looked at them now he liked to fancy some- thing weird and conscious in them as the silent wit- nesses of a broken life. He felt about among some of the smaller objects on the mantel for his pipe. Before he slept he was aware, in the luxury of his despair, of a remote relief, an escape ; and after all, 188 A HAZARD OF NEW FORTUNES. the understanding he had come to with Alma was only the explicit formulation of terms long tacit between them. Beaton would have been puzzled more than he knew if she had taken him seriously. It was inevitable that he should declare himself in love with her ; but he was not disappointed at her rejection of his love ; perhaps not so much as he would have been at its acceptance, though he tried to think otherwise, and to give himself airs of tragedy. He did not really feel that the result was worse than what had gone before, and it left him free. But he did not go to the Leightons again for so long a time that Mrs. Leighton asked Alma what had happened. Alma told her. " And he won't come any more 1 " her mother sighed, with reserved censure. " Oh, I think he will. He couldn't very well come the next night. But he has the habit of coming, and with Mr. Beaton habit is everything even the. habit of thinking he 's in love with some one." " Alma," said her mother, " I don't think it 's very nice for a girl to let a young man keep coming to see her after she 's refused him." " Why not, if it amuses him and doesn't hurt the girl?" " " But it does hurt her, Alma. It it 's indelicate. It isn't fair to him ; it gives him hopes." " Well, mamma, it hasn't happened in the given case yet. If Mr. Beaton comes again I won't see him, and you can forbid him the house." A HAZARD OF NEW FORTUNES. 189 " If I could only feel sure, Alma," said her mother, taking up another branch of the inquiry, " that you really knew your own mind, I should be easier about it." " Then you can rest perfectly quiet, mamma. I do know my own mind ; and what 's worse, I know Mr. Beaton's mind." " What do you mean ? " " I mean that he spoke to me the other night simply because Mr. Fulkerson's engagement had broken him all up." "What expressions!" Mrs. Leigh ton lamented. " He let it out himself," Alma went on. " And you wouldn't have thought it was very flattering yourself. When I 'm made love to, after this, I prefer to be made love to in an off-year, when there isn't another engaged couple anywhere about." " Did you tell him that, Alma ? " " Tell him that ! What do you mean, mamma ? I may be indelicate, but I 'm not quite so indelicate as that." " I didn't mean you were indelicate, really, Alma, but I wanted to warn you. I think Mr. Beaton was very much in earnest." " Oh, so did he !" " And you didn't ? " " Oh yes, for the time being. I suppose he 's very much in earnest with Miss Vance at times, and with Miss Dryfoos at others. Sometimes he 's a painter, and sometimes he 's an architect, and sometimes he 's a sculptor. He has too many gifts too many tastes." 190 A HAZARD OF NEW FORTUNES. " And if Miss Vance, and Miss Dryfoos ' " Oh, do say Sculpture and Architecture, mamma ! It 's getting so dreadfully personal ! " " Alma, you know that I only wish to get at your real feeling in the matter." " And you know that I don't want to let you especially when I haven't got any real feeling in the matter. But I should think speaking in the abstract entirely that if either of those arts was ever going to be in earnest about him, it would want his exclusive devotion for a week at least." "I didn't know," said Mrs. Leighton, "that he was doing anything now at the others. I thought he was entirely taken up with his work on Every Other Week" " Oh, he is ! he is ! " "And you certainly can't say, my dear, that he hasn't been very kind very useful to you, in that matter." "And so I ought to have said yes out of grati- tude ? Thank you, mamma ! I didn't know you held me so cheap." "You know whether I hold you cheap or not, Alma. I don't want you to cheapen yourself. I don't want you to trifle with any one. I want you to be honest with yourself." " Well, come now, mamma ! Suppose you begin. I 've been perfectly honest with myself, and I 've been honest with Mr. Beaton. I don't care for him, and I 've told him I didn't ; so he may be supposed to know it If he comes here after this, he 11 come A HAZARD OF NEW FORTUNES. 191 as a plain, unostentatious friend of the family, and it's for you to say whether he shall come in that capacity or not. I hope you won't trifle with him, and let him get the notion that he 's coming on any other basis." Mrs. Leighton felt the comfort of the critical attitude far too keenly to abandon it for anything constructive. She only said, " You know very well, Alma, that 's a matter I can have nothing to do with." " Then you leave him entirely to me 1 " " I hope you will regard his right to candid and open treatment." " He 's had nothing but the most open and candid treatment from me, mamma. It 's you that want to play fast and loose with him. And to tell you the truth, I believe he would like that a good deal better ; I believe that if there 's anything he hates, it's openness and candour." Alma laughed, and put her arms round her mother, who could not help laughing a little too. n. THE winter did not renew for Christine and Mela the social opportunity which the spring had offered. After the musicale at Mrs. Horn's, they both made their party-call, as Mela said, in due season but they did not find Mrs. Horn at home, and neither she nor Miss Vance came to see them after people returned to town in the fall. They tried to believe for a time that Mrs. Horn had not got their cards ; this pretence failed them, and they fell back upon their pride, or rather Christine's pride. Mela had little but her good-nature to avail her in any exi- gency, and if Mrs. Horn or Miss Vance had come to call after a year of neglect, she would have received them as amiably as if they had not lost a day in coming. But Christine had drawn a line, beyond which they would not have been forgiven ; and she had planned the words and the behaviour with which she would have punished them if they had appeared then. Neither sister imagined herself in anywise inferior to them ; but Christine was sus- picious, at least, and it was Mela who invented the hypothesis of the lost cards. As nothing happened A HAZARD OF NEW FORTUNES. 193 to prove or to disprove the fact, she said, " I move we put Coonrod up to gittun' it out of Miss Vance, at some of their meetin's." " If you do," said, Christine, " I '11 kill you." Christine, however, had the visits of Beaton to console her, and if these seemed to have no definite aim, she was willing to rest in the pleasure they gave her vanity ; but Mela had nothing. Sometimes she even wished they were all back on the farm. " It would be the best thing for both of you," said Mrs. Dryfoos, in answer to such a burst of desperation. " I don't think New York is any place for girls." " "Well, what I hate, mother,' said Mela, ' is, it don't seem to be any place for young men, either." She found this so good when she had said it that she laughed over it till Christine was angry. " A body would think there had never been any joke before." "I don't see as it's a joke," said Mrs. Dryfoos.