fornia nal y LIBRARY UNIVERSITY OF CALIFORNIA SAN DIEGO UNIVERSITY LIBRARY UNIVERSITY OF CALIFORNIA SAN DIEGO Donated in memory of John W. Snvder by His Son and Daughter A PRONOUNCING DICTIONARY OF MUSICAL TERMS. A PRONOUNCING DICTIONARY OF MUSICAL TERMS COMPILED AND EDITED BY HARRY NEWTON REDMAN BOSTON KNIGHT & MILLET COPYRIGHT 1901, BY KNIGHT & MILLET. LIST OF CONTENTS, PACK RULES FOR THE PRONUNCIATION OF FRENCH, GERMAN, AND ITALIAN i PRONOUNCING DICTIONARY OF MUSICAL TERMS . . i PRONUNCIATION OF THE NAMES OF THE CHIEF COMPOSERS AND ARTISTS 123 ABBREVIATIONS 127 TERMS AND ABBREVIATIONS IN SONATAS .... 139 RULES FOR THE PRONUNCIATION OF FRENCH, GERMAN, AND ITALIAN FRENCH. VOWELS : a is pronounced like a in Italian, but somewhat shorter, and is often rendered similar to the English a. a like ah. e like n in cut. 6 like ay in day. e like e in where, e like a in German, i or i like ee in feet. Short \ is the same as in English. as in Italian. u like it in German. DIPHTHONGS : ai as in bait, ai before /-final or // should be rendered as a diphthong (ah'-ee), but slightly separated, al and ei like 6. eu, eu, and oeu like o in German. 01 like oh-dk', but so slightly separated that it sounds like one syllable. OU and ou like oo in toot. ii RULES FOR THE PRONUNCIATION OF eau like long o without the vanish u. Vowels and diphthongs are rendered nasal when fol- lowed by n, m t nd, nt, or mt at the end of a sylla- ble except in the verbal ending of the third person plural. CONSONANTS : Consonants are pronounced the same as in English, except in the following cases : C the same as s in song before e, e, -ze). To abandon oneself to the influence of music. Abbandonasi, //. (ab-ban-do-wa-ze). Without restraint. Abbellare, //. (ab-bel-/-re). To embellish with ornaments. Abcidiren, Ger. (ab-se-<#r-'n). A series of exercises in which the names of the notes are used instead of words. Abbellime'nto, It. (ab-bel-le-fwJw-to). An embellishment. a, ale ; a, add ; a, care ; a, arm ; e, eve ; , end ; I, ice ; I, ill ; 6, old ; 6, odd ; 6, done ; oo, moon ; u, lute ; ii, but ; ii, (French). 2 PRONOUNCING DICTIONARY Abblasen, Ger. (a^-bla-z'n). To sound or flourish the trumpet. Abendglocke, Ger. (a-bend-^/W-e). Evening bell, curfew. Abendlied, Ger. (o-bend-led). Evening-song. Abendmusik, Ger. (a-bend-i00-zik). Evening music. Abendstandchen, Ger. (a-bend-j^Afi/-khen). A serenade. Abenteuerlich, Ger. (a-ben-/te>-likh). Bold, strange. Abgehend, Ger. (a'3-ga-hend). Dying away. Abgestossen, Ger. (atf-ghe-shtos-s'n). Short, detached. Abgeleiteter akkord, Ger. (a^-ghe-li-te-ter ak-kord). An inversion of a chord. Ab initio, Lat. (ab m-^-shi-6). From the commencement. Abkurzungen, Ger. (a'3-kiirt-soong-en). Abbreviations. Abnehmend, Ger. (a^-na-mend). Softening the tone. Abrege", Fr. (a-bra-zha). To abridge. Abruptio, Lat. (ab-r^-shi-o). A sudden stop. Absatz, Ger. (atf-satz). A melodic phrase. Abschwellen, Ger. (o^-schvel-1'n). Diminishing. Abspielen, Ger. (a^-shpe-1'n). To perform on an instrument. Abstimmung, Ger. (a^-shtim-moongk). Discordance. Abstossen, Ger. (o^-shtos-s'n). To detach. To play staccato. A capp^lla, It. (a kap-/d/-la). In the church or chapel style. A cappriccio, //. (a kap^>r^-she-6). In a capricious style. AccarezzeVole, It. (ak-ka-ret-zJ-v5-le). Caressing, coaxing. Accelerando, //. (at-chel-a-ra-d6). Gradually growing faster. Accent. Stress or emphasis placed on certain tones. Acce'nto, It. (at-cAdn-to). Emphasis laid upon certain notes. Accentuate, //. (at-chen-tocni-re). To accentuate. a, ale ; a, add ; a, care ; a, arm ; e, eve ; e, end ; I, ice ; I, //// OF MUSICAL TERMS 3 Acciaccato, It. (at-che-ak-/a-to). Violently. Acciaccatura, It. (at-che-ak-ka-/). To tune musical instruments. AgeVole, It. (a^'J-vo-le). Light. Aggiustam6nte, //. (ad-je-oos-ta-w-khe). Sounding-board of an organ. Arco, //. (>-ko). Bow. Ardito, //. (ar-fl?-to). Spirited, bold. Aria, It. (a-re-a). Air, melody. Arietta, It. (a-re-#-ta). A short aria. Ariette, Fr. (a-re-et). A long aria. Arioso, It. (a-re-J-zo). A style betweeen the aria and reci- tative. In instrumental music this term has the same meaning as cantabile. a, ale ; a, add ; a, care ; a, arm ; e, eve ; e, end ; I, ice : T, *'//; OF MUSICAL TERMS I I Arpa, It. (aV-pa). Harp. Arpege, Fr. (ar-pazh). Breaking a chord. Arpeggio, //. (ar-pad-je-6). A broken chord. Arsis, Gk. (a>-sis). Up-beat. As,_Ger. (as). The note A flat. As dur, Ger. (as door). The key of A-flat major. As moll, Ger. (as moll). The key of A-flat minor. Assai, It. (as-j4-ta). At will. B. The seventh note of the natural diatonic scale. The Germans call B, " H." Bacas, Sp. (b'a.-&ds). Quick tune on the guitar. Badinage, Fr. (bad-i-nazA). Playfulness. 6, old ; 6, odd : 6, done : oo, moon : ft, lute ; u, but ; ii, (French). 12 PRONOUNCING DICTIONARY Bagatelle, Fr. (bag-a-#/). A trifle. Baguette, Fr. (bz-gket). A drum-stick. A violin-stick. Bal, Fr. (bal). Ball. BaldamSnte, It. (bal-da-w-te). Boldly. Bar. A vertical line dividing measures on the staff. Barytone. The male voice intermediate between bass and tenor. Also a name given to the euphonium. Bass. The lowest male voice. The lowest part of a musical composition. Also a term used in place of contra-bass. Bass-clef. F-clef on the fourth line. Basso, It. (bds-so). A term used at times in place of bass. Basso cantante, It. (bds-so kan-Ai'-te). Vocal bass. Basso contfnuo, It. (i>as-so kon-#-noo-o). Thorough bass. Baton. A stick used by conductors in beating time. Bauernlied, Ger. (fow-ern-led). A rustic ballad. Beat. The motion of the hand or foot in marking time. Bedeckt, Ger. (be-dttt). Stopped. Begleiten, Ger. (be-^/f-t'n). To accompany. Begleitung, Ger. (be-^/f-toongk). An accompaniment. Beispiel, Ger. (<$f-spel). An example. Belebt, Ger. (be-lebt). Animated. Bmol, Fr. (ba-mol). A term used to denote a flat (|>). Ben, It. (ban). Well ; very. Berceuse, Fr. (ber-siiss). A cradle-song. Bes, Ger. (bes). The note B double flat. Bestimmt, Ger. (bes-tfw*/). Decided. Betont, Ger. (be-tont). Accented. Bewegt, Ger. (be-vffgt). Agitated. Bien chante", Fr. (beyanA chan^-ta). Molto cantabile. Bis, Lat. (bis). Twice. Bizzarro, It. (bet-foafr-ro). Fantastical. a, ale ; a, add ; a, care ; a, arm ; e, eve ; e, end : T, ice ; I, /'// ; OF MUSICAL TERMS 13 Blase-instrume'nte, Ger. (/a-ze-m-stroo-*/#-te). Wind in- struments. Blech-instrume'nte, Ger. (blekh-in-stroo-w/w-te). Brass in- struments. B mol, Fr. (ba mol). The note B flat. B moll, Ger. (bd mol). The key of B-flat minor. Bogen, Ger. (M-g'n). Bow, slur, or tie. Bourdonnement, Fr. (boor-don-mon^). Humming, singing. Bourre", Fr. (boor-ra). An old dance of Spanish or French origin. Brace. The sign j used to connect two or more staves. Branle, Fr. (branA-le). An old French dance in 4-4 time. Bratsche, Ger. (ra-tsche). The viola. Braut-lied, Ger. (&rz-d6). Decreasing. Calcando, //. (kal-Azw-do). Increasing. Calma, It. (ter). Choir-master; con- ductor of an orchestra. Capo, It. (M-po). Beginning or head. Capriccio, //. (ka-/r#-che-o). A composition written in a capricious style. Carezzevdle, //. (ka-ret-tsa-z/^-la). Soothingly. Carillon, Fr. (ka-re-yon^). Chime. Carita, It. (ka-r^-ta). Feeling. Carmen, Ger. (Mr-men). A song, a tune. Carol. A name given to songs of praise, joy, and exulta- tion. Of such character are the songs which celebrate Christmas and Easter. Cassa, It. (>a'.r-sa). A bass drum. Cavatina, It. (ka-va-^-na). A short song. The term is frequently used by opera composers to indicate a vocal air of less extent than the aria, and with little or no embellishment. Caxa, Sp. (kax-a). A drum. Cdez, Fr. (sa-da). Decrescendo ; also to follow the voice. Celere, It. (cAd-le-ra). Rapid. Celeste, Fr. (sa-/rf). Celestial, heavenly. Celestina, //. (cha-les-/-na). An organ stop. Cento. A composition formed by selections from one com- poser's works. Ces, Ger. (tses). C t>. 6, old ; o, odd ; 6, done ; oo, moon ; u, lute ; ii, but ; u, (French}. 1 6 PRONOUNCING DICTIONARY Cetra, It. (cka-tra). A small harp. Chaconne. An instrumental composition in i time and slow tempo, usually founded on a ground bass. Chamade, Pr. (sha-z&/). Signal for a parley or surrender by beat of drum. Chamber-music. Vocal or instrumental compositions whose nature renders them more suitable for performance in a room or small hall than in halls of large dimension. Under this head are placed sonatas for one or more instruments, songs, string-quartets, etc. Chanson, Fr. (shan/fc-son/fc). A song. Chansonnette, Fr. (shan/fc-son-#). A short song. Chant de noel, Fr. (shanb diih no-el). A Christmas carol. Characterstucke, Ger. (^a-rac-ter-shtiick-e). A name given to short instrumental compositions of a descriptive style. Chef, Fr. (shef). Chief. Chest-register. The lower register of the voice. Chest tones, i , > i he lowest register of the voice. Chest voice. j Chest, wind. A reservoir in an organ for holding air. Chiaro, It. (ke-a-ro). Clear, brilliant tone. Chiave, It. (ke-a-va). A clef, or key. Chevrotement, Fr. (she-vrot-monA). A tremor or shake in singing. Choeur, Fr. (kuhr). Choir, chorus. Chor, Ger. (k5r). Chorus. Choral. An early German Protestant church hymn-tune, or a hymn-tune of that style. Chord. Two or more tones of different pitch united accord- ing to the laws of harmony. a, ale ; a, add ; &, care ; a, arm ; e, eve ; e, end ; I, ice ; i, ill ; OF MUSICAL TERMS I/ Chorus. A body of singers ; also a composition written for them. Chroma, Gr. (kro-ma). The chromatic signs. Chromatic. Proceeding by semitones ; also relating to those tones that are foreign to a given key. Cinq, Fr. (sanAk). Five. Cinque-pace. An old dance having a five-step movement. Cis, Ger. (tsls). C 1 Clams, Lat. (//a'-rus). Loud, clear, bright. Clave, Lat. (/a-ve). A key ; a cleft. Clavier, Ger. (klay^r). The pianoforte. Clavis, Lat. (/ Of the; than the. Delle, It. (ddl-\e). Dello, It. (ddl-\o). J a, ale ; a, add ; &, care ; a, arm ; e, eve ; e, end ; T, ice ; T, ill ; OF MUSICAL TERMS 21 Deliberate, It. (de-le-ba-ra-to). Deliberate. Delicate, It. (del-e-&z-t6). In a delicate style. Delirfo, //. (de-/-re-o). Frenzy. Deliziosame'nte, //. (de-le-tse-6-za-/wJ-to). In a devotional style. Deztra, Lot. (dex-tra.). Right. Di, It. (de). Of, from, to. Diatonic. A term used to describe the tones of the major or minor scale. Di chiaro, It. (de ke-a-ro). Clearly. Di c6lto, It. (de kol-to). At once. Difficile, It. (defy?-che-le). Difficult. Di gala, It. (de ^vi'-la). Merrily. Dilue'ndo, It. (de-loo-J-d5). Dying away. Diminuendo, It. (de-me-noo-^-do). Diminishing in loud ness. Di nu6vo, It. (de noo-J-v5). Again, anew. Dis, Ger. (dez). D 1 Discant. The treble or soprano voice. Disinv61to, It. (dez-en-zJ/-to). Free, graceful. Distinto, //. (des-^-t5). Distinct. Divisi, It. (de-w-ze). Divided. 6, old; o, odd ; 6, done ; oo, moon ; u, lute ; ii, but ; ii, (French). 22 PRONOUNCING DICTIONARY Div6to, It. (de-3w-toj. Devoutly. Do. The Italian name for C. It is also the name of the first degree of any scale. D61ce, It. (atf/-che). Sweet, soft. Dole"nte, It. (do-/-por-ta). Carried away by feeling. Empress^, Fr. (anA-pres-sa). Eager, in haste. En elargissant, Fr. (an a-lar-zhis-sanA). Same as allargando. Eneigia, //. (en-^r-je-a). Energy. Eneigico, ft. (en- % \ manner. Fantastisch, Ger. (fan-&w-tish). ' Farandole, Fr. (fa.-ra.nA- Jo/). A lively dance of Southern France in 6-8 time. Fastdso, It. (fas-/J-zo). Pompous. Feier, Ger. (ft-er). Festival. Feier-gesang, Ger. (Jt-ei-ghe-sdngA). Festival hymn. Feierlich, Ger. ( /V-er-likh). Festive, solemn. Fein, Ger. (fin). Delicate, refined. Fermame'nte, It. (far-ma-wzdw-te). With firmness. Fermata, It. (far-wza-tay. A pause, hold, interruption. F6rmo, //. (fdr-mo). Firm, decided. Fer6ce, //. (fa-rJ-che). Wild, fierce. a, ale ; a, add ; a care ; a, arm ; e, eve ; e, end ; i, ice ; I, ill ; OF MUSICAL TERMS 2/ Fervente, It. (far-#-do). Gay, brisk. Gai, Fr. (ga). Lively, gay. Gajame'nte, It. (ga-ya-/#-te). Gaily, cheerfully. Galante, Fr. (ga-lan^) and It. (ga-/a-te). Graceful. Galanterstyl, Ger. (ga-/a^-er-shtel). Free style; ideal style. Gamut. A scale, or staff ; also an old English term for the key of G. Ganz, Ger. (gants). Whole, entire ; also, all, very. Ganz langsam, Ger. (gants lang-sa.m). Very slowly. Ganze note, Ger. (^a'w-tse wo-te). A whole note. Garbatamente, It. (gar-ba-ta-wzJ-te). Gracefully. Gargdntear, Sp. (gar-^aw-te-ar). To quaver; to warble. Gauche, Fr. (gozh). Left. Gaudlnte, It. (ga-oo-end, Ger. (htryjr-^-bend). ) Bringing into prom- Hervdrtretend, Ger. (har^r-tre-tend). ) inence. Herzig, Ger. (Atrt-zig). 1 Herzlich, Gtr. (Aerts-\ikh). } Hirtlich, Ger. (h!rt-\\\sh). Pastoral. His, Ger. (his). B*. Hoch, Ger. (hokh). High, acute. Hochfeierlich, Ger. (Ao&A-ft-er-likb). Very solemn. H6chmuth, Ger. (hoJik-moot). Pride, dignity. Hdhe, Ger. (^<$-he). High pitch; high register. H6heit, Ger. (Ao-tiit). Dignity. Hold. The character /r\ placed over or under a note indi- 6, old ; o, odd ; 6, done ; oo, moon ; u, lute ; u, but ; u, (French). 34 PRONOUNCING DICTIONARY eating that such a note is to be prolonged beyond its time-value. The hold is also placed over a bar or double-bar indicating a pause before proceeding to the next measure or movement. It may also indicate the end of the composition. Homophone, Fr. The enharmonic of any tone, as f of ef, g of fx. Homophonic. In modern music a term used for composi- tions in plain harmony. Humoresque. ) A title given to compositions of a humorous Humoreske. > or fantastic style. Hiirtig, Ger. (A00r-t\g). Quick, swift. Hymn. A religious or sacred song, usually intended to be sung by a congregation. II, It. (el). The. IlaritA, It. (e-lar-e-Ai). Hilarity. II piu f6rte possible, It. (el pe-oo for-te p6s-j^-be-le). As loud as possible. II volteggidre, It. (el vol-ted-je-a-re). Crossing the hands in playing the piano. Immer, Ger. (#-mer). Always. Impatie*nte, It. (em-pa-te--hft). Clearness. Klarlich, Ger. (/5r-likh). Clearly. Klavier, Ger. (kla-fer). In modern usage, a pianoforte of any kind. Klein, Ger. (kiln). Small ; minor. Klingbar, Ger. (klfng-\)i.r). Resonant. K6misch, Ger. (&dm-ish). Comical. Komponieren, Ger. (kom-p6--ren). To compose. Komp6nist, Ger. (kom-/J-nist). Composer. Konzeit, Ger. (kon-tstrt). Concert; concerto. Konzeitmeister, Ger. (kon-ts2rt-mts-ter). Leader, first violin. Kopf, Ger. (k5pf). Head. Kopfstimme, Ger. (/<^/"-shtim-me). Head-voice. Kraft, Ger. (kraft). Energy, force. Kraftig, Ger. (&ra/-tig). Vigorous. Kriegerisch, Ger. (^ri?-gher-ish). Martial, warlike. Kriegs-gesang, Ger. (kregs-g\&-sangk). \ Kriegs-lied, Ger. (kregs-led). ) Kiihn, Ger. (kiin). Short. Kunst, Ger. (koonst). Art. Kurz, Ger. (koorts). Short. Kiirzen, Ger. (>&>-tsen). To abridge. Kurz und bestimmt, Ger. (koorts oond be-sfitfmt). Short and decided. a, ale ; a, add ; a, care ; a, arm ; e, eve ; e, end ; I, ice ; i, ill ; OF MUSICAL TERMS 39 Kurzung, Ger. (/&r-tsoongk). Abbreviation. La, Fr, and It. (la). The note A ; also the sixth degree of the diatonic scale. La chasse, Fr. (la shass). Hunting style. Lacrimoso. It. (Ia-cre-#z0-zo) . } } Mournful. Lagnevole, It. (lan-ya-z/0-le). ) La de"stra, It. (la das-tr'a.). The right hand. Lamentdbile, It. (la-men-ta-be-le). ^ Lamentando, It. (la-men -tan-do). I In a sad, lamenting Lamente'vole, It. (la-men-&?-vo-le). f style. Lament6so, It. (la-menVJ-zo). Lampons, Fr. (lan^-pon/z). Drinking songs. Landler, Ger. (land-\zr). A slow waltz belonging to South Germany and Austria. Land-lied, Ger. (land-led). A rustic song. Langsam, Ger. (tdng-sam). Slow. Langsamer, Ger. (/aM^--sa-mer). Slower. Languemente, //. (lan-gue-/w Plaintive, languishing. Languido, It. (/a-gue-do). ) Largam6nte, It. (ya.r-ga.-man te). In a broad style without changing the time. [marked. Largando, It. (lar-^a-do). Somewhat slower and more Large, Fr. (larzh). Sostenuto. Lar ghetto, //. (lar-^-J^-tS). A movement not quite so slow as large. Larghissimo, It. (lar-^-se-mo). Extremely slow. Largo, It. (far-go). Broad, slow, and stately ; the slowest tempo-mark. 6, old ; 6, odd ; 6, done ; oo, moon ; u, lute ; u, but ; u, (French ) . 40 PRONOUNCING DICTIONARY Lastimosame'nte, Sp. (las-te-mo-za-* Lightly. Leggiero, //. (led-je-J-ro). ) Leicht, Ger. (likht). Light, brisk, easy. Leidenschaft, Ger. (/f-d'n-shaft). Passion, vehemence, fer- vency. Leidenschaftlich, Ger. (/ii/-en-shaft-likh). Passionately. Leise, Ger. (//-ze). Soft, low. Leitakkord, Ger. (Kt-ak-kord). Leading chord, one that suggests its own resolution. Leiter, Ger. (#-ter). Scale. Leiter-fremd, Ger. (/f-ter-fremd). Accidental flats or sharps which do not belong to the key. Leitm6tiv, Ger. (\it-mo-tif). Leading motive. A musical phrase used to indicate a character or an incident in an opera, oratorio, or music drama. The leitmotiv is also found in various pieces of program-music. Leit-ton, Ger. (/#-ton). Leading-note. Lno, //. (Id-no). Faint, feeble. Lent, Fr. (lanA). Slow. Lentame'nte, //. (len-ta->wJ-te). Slowly. 6, old ; 8, odd ; 6, done ; oo, moon ; u, lute ; u, but ; ii, (French). 42 PRONOUNCING DICTIONARY Lentando, It. (len-/a-do). Slackening the tims. Lentement, Fr. (lan^t-manA). ) , . Lenteme'nte, It. (lan-te-/ Lentissimo, It. (len-ter-se-mo). Very slow. Lento, It. (/Jw-to). Slow. Lesser. Minor, smaller. Lestame'nte, It. (\es-t'a.-mdn-te). Briskly. Lestezza, It. (les-/ff/-tsa). Briskness. Lestissimo, It. (les-tef-se-mo). Very brisk. L6sto, It. (Ids-to). Lively, brisk. Letterale, It. (let-te>a'-le). Literal. Letteralm^nte, //. (let-ter-al-zaw-te). Literally. Leve'zza, //. (le-w^-tsa). Lightness, levity. Liaison, Fr. (le a-zon^). A tie. Liberame"nte, It. (le-be-ra-z^-te). ) Freel easily< Librement, Fr. (lebr-manh). ) Libero, It. (/^-be-ro). Free, unrestrained. Li6, Fr. (li-d). Tied, legato. Liebeslied, Ger. (/?-bes-led). Love-song. Lieblich, Ger. (/^3-likh). Sweet, lovely, charming. Lie", coulant, Fr. (li-a koo-lan^). Slurred, flowing. Lied, Ger. (led). Song. Liedchen, Ger. (/(? Majesty, dignity. Maestate, It. (ma-es-^'-te.) ) MaesteVole, It. (ma-es-M-vo-le). Majestic. Maestevolissimo, It. (ma-es-ta-vo-/ A march. Marsch, Ger. (marsh). ) Marciale, //. (mar-che-a-le). Martial. Mari6na, Sp. (ma-re- J-na). A Spanish dance. Markiert, Ger. (mar-kert). Accented, marked. Markiren, Ger. (mar-^-r'n). To mark, to accent. Marqu6, Fr. (mar-ka). Marked, accented. a, ale ; a, add ; a, care ; a, arm ; e, eve ; e, end ; !, ice ; i, *'//; OF MUSICAL TERMS 47 Marquer, Fr. (mar-ka). To mark, to accent. Marseillaise, Fr. (mar-sal-yaz). The Marseilles hymn ; the national anthem of France. Martele, Fr. (mar-te : la). j HammereA Stron j M . Martellare, //. (mar-tel-/a-re). [ cented Martellato, //. (mar-tel-/a-to). ) Marziale, It. (mar-tse-a-le). Martial, warlike. Mascherata, It. (ma-skeVa-ta). Masquerade. Mass, Ger. (mass). Measure, time. Massig, Ger. (mas-sig). Measured, moderate. Massima, It. (mas-se-ma.). A semibreve. Matinata, It. (ma-te-wa-ta). A morning serenade. Mattutino delle tenebre, It. (mat-too-^-no dal-le te-w^-bre). The service of the Tenebrae. Maul-trommel, Ger. (mowl-tr5m-mel). A Jew's harp. Mazurka, Ger. (mz-tsoor-ka). A Polish dance of lively character, in | or f time, with a peculiar rhythm. Measure. The space between two bars. A metrical unit of fixed time-value having a regular accent, and forming the smallest metrical subdivision of a composition. Mede'simo, //. (me-dT Melody. Melodic, Fr. (md-lo-de). ) Melodeon. A kind of small reed organ. Mel6dico, It. (ma-/ Mest6so, It. (mes-to-zo). ) Me"sure, Fr. (ma-ziir). Measure. Metal, Sp. (ma.-tal). Strength; compass of the voice. Metallo, It. (ma-/a/-lo). A ringing quality of voice. Meter, metre. The rhythmic element of music; the sym metrical grouping of musical rhythms ; the construction and pulsation of the phrase in music. M6zza v6ce, It. (mdt-ts'a. w-che). Half power; half voice. MSzzo, It. (mdt-tso). Half. Mzzo f6rte, It. (mdt-tso for-te). Half as loud as forte. Mezzo ligato, //. (mdt-tso le-^a-to). A variety of pianoforte touch requiring a forcible stroke rather than a sudden return of the finger. Me"zzo piano, It. (mdt-tso pe-#-no). Not so loud as mezza forte, and not so soft as piano. Me"zzo soprano, It. (mdt-tso so-#ra-no). The female voice between soprano and alto. Mi. Name of the note E in France, Italy, etc. Third de- gree of the diatonic scale. Middle C. One lined C. Treble. Bass. r\ -&>- ** -G- 5, old ; 6, odd ; 6, done ; oo, moon ; u, lute ; u, but ; ii, (french). PRONOUNCING DICTIONARY Middle voices. Tenor and alto voices. Mi diese, Fr. (me dl-dz). Ej. Mignon, Fr. (men-yon^). Favorite. Militairement, Fr. (mil-e-tdr-ma.r\A). ' MihtarmSnte, //. (me-le-tar-* It. Modem. Mod^rno, (mo-Mr-no), y Modinha, (mo-Jen-a.). A Portuguese song. M6do, It. (mo-do). Mode; style. Modulation. Passing from one key to another. Moduliren, Ger. (mo-doo-^-r'n). To modulate. Modulo, Lat. (mo-du-lo). To modulate, to compose. Moll, Ger. (moll). Minor. Moll akkord, Ger. (mol ak-kord). Minor chord. Moll dreiklang, Ger. (mol m m ^ m *m m _ m ^ The Frailer or inverted mordent consists of a written note followed by the note on the next degree above played in the same manner as the mordent. It has the sign of the mordent but without the cross-stroke (/^v). A nearly obsolete mordent sign is, ++, the inverted mordent *^ N.B. Some writers have used these terms in the oppo- site sense, giving the mordent an upper auxiliary note. 3i,ale; a, add ; a, care ; a, arm ; e,eve; e, end ; I, ice ; i,ill ; OF MUSICAL TERMS 53 Morndo, It. (mo-rdn-do). Dying away. Mormorando, ft. (mor-mo-ran-do). Very soft, subdued tone. M6sso, //. (mos-so). Moved. Motet. A sacred composition of the anthem style. Motif, Fr. (mo-tef). A motive. Motive. A short phrase or figure. M6tO, //. (mo-to). Motion. Motteggiando, //. (m8t-tad-je-a-do). Bantering. Muance, Fr. (m\i-anAs). A change or variation of notes. Munter, Ger. (moon-ter). Lively. Munterkeit, Ger. (moon-ter-kit). Vivacity. Musica, Lat. (mu-si-ka), and It. (wtfo-ze-k'a).^ . Musik, Ger. (moo-zik). Miita, //. (moo-ta). Change. A term much used in orches- tral scores, meaning that the performer is to change the pitch or key of his instrument. Mute. A contrivance used to deaden the tone of an instrument. Math, Ger. (moot). Spirit. Muthig, Ger. (moo-tig). Spirited, bold. Muthwillig, Ger. (moot-vft-lig). Mischievous, lively. Mutiren, Ger. (moo-#-r'n). To change the voice. Nach, Ger. (nakh). After, according to, at. Nachahmung, Ger. (nak-a-moongk). Imitation. Nach belieben, Ger. (nakh be-#-b'n). At pleasure. Nach dem tact spielen, Ger. (nakh dem takt skpe-Yr\). To play in time. Nach-druck, Ger. (na6A-drook). Accent, emphasis. Nachdriicklich, Ger. (wa'/fc/i-driik-Hkh. \ _ -,..-, . c Emphatic, forcible. Nachdrucksam, Ger. (naikA-druk.-sa.rn). ) 6, old ; 6, odd ; &, done ; oo, moon ; u, lute ; u, but ; ii, (French}. 54 PRONOUNCING DICTIONARY Nachfolge, Ger. (aA-fol-ghe). Following after, succes- sion. Nach-hall, Ger. (ndkh-\\a.\\). Reverberation, echo. Nachklang, Ger. (aA-klangk). Echo. Nachklingen, Ger. ( Naive ; unaffected. Naiv, Fr. (na-^). ) Narrante, It. (nar-raw-te). In narrative style. Natur, Ger. (na-toor). Natural. Natural. The sign ft Naturale, It. (na-too-ra-le). Unaffected, natural. Neapolitan Sixth. A major chord founded on the flat supertonic of any key. Key of C Major. Key of C Minor. a, ale ; a, add ; a, care ; a, arm ; e, eve ; e, end ; I, ice ; i, ill , OF MUSICAL TERMS 55 Neben-note, Ger. (d-b'n-J-te). Auxiliary note. Necessario, It. (na-ches-ja-re-6). A term indicating that the passage referred to must not be omitted. Neglige'nte, It. (nal-ye^Vfw-te). Negli, It. (, Nett, Ger. (net). > Neatly, clearly. Nettam6nte, It. (net-ta-z Nonuplet. A group of nine notes of the same time-value, performed in the time proper to six or (more generally) eight of the same kind belonging to the regular rhythm. Nota, Lat. and It. (no-fa). A note. Nota bu6na, It. (no-ta boo-J-na). An accented note. Notation. The art of expressing musical tones or ideas by means of written characters. Note. The character used to represent a musical tone and its time value. Nuance, Fr. (nii-anAs). A term referring to the " shading " of vocal or instrumental music ; the change of time force, and expression indicated by the composer or introduced by the performer, ^va). ) 0-vo). ) Nu6va, It. (noo-J-va). ^ Nu6vo, It. (noo-0-vo) 0, It. Or. rtwi- it.- T ,-L ui- - -> } Indispensable : applied to a Obbhgati. It. (ob-ble-ea-te). / ,., , .. ,. , ._, , ,_ .. _. > temporary solo in an or- Obbhgdto, //. (ob-ble-ra-to). V ,_*__. chestral work. Ober, Ger. (<>-ber). Upper, over, higher. Ober-manual, Ger. (J-ber ma-noo-a/). The upper manual. Ober-stimme, Ger. (<^ber sAttm-me). ) _ />v ii. , s- ^-i." ^ ( The upper part. Ober-theil, Ger. (o-ber-tfl). Obertura, Sp. (o-\xi-too-riC). Overture. a, ale ; a, add ; a, care ; a, arm ; e, eve ; e, end ; T, ice ; i, *'// ; OF MUSICAL TERMS $? Ober-werk, Ger. (J-ber-vSrk). The upper manual. Obligat, Ger. (6b-li-gat). ) ,YL ,-,./( Obbhgato. Oblig6, Fr. (8b-le-zha). ) Oblique motion. When one part moves, while the other remains stationary. Obsiste'nte, Sp. (ob-sis-/J-te). Resounding. Ocio, Sp. (J-the-6). Slowly. With ease. Octave. The interval between the first and eighth tones of a diatonic scale. An interval between any tone and that seven degrees above. Octet. i Octette, Fr. (6k-tet). I A composition for eight voices or Octuor, Fr. (ok-twor). f instruments. Oktett, Ger. (6k-///). J Octochord. ) . ( An instrument of eight strings. Octogenary. ) Octuplet. A group of eight notes of the same time-value, performed in the time proper to six notes of the same kind belonging to the regular rhythm. Oder, Ger. (J-der). Or, or else. Oeuvre, Fr. (ovr). Work. Offen, Ger. (of-Pn). Open, parallel. Offenbar, Ger. (^/"-f'n-bar). Open, manifest. Ohne, Ger. (-ne). Without. Oktave, Ger. (6k-/-fe). Octave. Olio. A medley. Ombra, It. (om-bra). Shading, nuance. Omnes, Lat. (^-nes). 1 ^ See Tutti . Omnia, Lat. (^w-ni-a). ) Omnitonic. A term used to designate any instrument ca- pable of producing all tones. 6, old ; 8, odd ; o, done ; oo, moon ; u, lute ; u, but ; ii, (French}. 58 PRONOUNCING DICTIONARY Ondeggiame'nto, //. (6n-dad-je-a-w0-ra). f Partizidne, It. (par-te-tse-0-ne). J Part-writing. The art of combining two or more vocal or instrumental parts. Sometimes used instead of the term counterpoint. Paso de gargante, Sp. (pa-so de gar-tf-ta). Trill of the voice. Passage. A repeated figure. A section of a composition. Passaggio, //. (pas-sad-je-6). A passage, modulation, or bravura embellishment. Passing-notes. Notes foreign to the chords which they accompany, ascending or descending in diatonic or chromatic progression from one essential note of a chord to an essential note of the following chord. Passionatame'nte, It. (pas-se-5-na-ta-w^). Pathetically. Pathetisch, Ger. (pa-tet-ish). Pathetic. Patim^nto, It. (pa-te-wa-to). Grief. Paulatinam^nte, It. (pa-oo-la-^-na-wJw-te). Gently. Pausa, It. (pa-oo-za). Pause. A hold expressed by the sign /TN, which denotes that the note or rest over which it is placed is to be prolonged at the pleasure of the performer. Paventato, /A (pa-ven-^o-to). Afraid, fearful. Pavent6so, It. (pa-ven-/fj-z5). In a style expressive of fear. Pean. A paean ; a song of praise. Pedale, It. (pa-o^-le), Ger. (pe-a-le), and Fr. (pa-ar-do). -\ Flange 1 vole, It. (pe-'an-v?-vo-le). > Plaintive. Piangevolme'nte, It. (pe-an-ga-vol-/ Pigta, It. (pe- A little. Pochino, It. (po-te-no). Pochissimo, It. (po-kes-j^-mo). As little as possible. P6CO, //. (/J-k5). Little. P6co a p6co, It. (po-ko a po-ko). Little by little. Poggiato, It. (pod-je-a-to). Leaned or dwelt upon. P6i, It. (po-e). Then, thereafter. Poi a poi, It. (po-e a po-e). By degrees. Point, Fr. (pwanA). A dot. [hold. /r\ Point d'arret, de repos, Fr. (pwan/5 d'ar-rat diih repo). A Point final, Fr. (pwan^ ie-ndl). The last pause. Point d'orgue, Fr. (pwan/fc d'org). A hold; a cadenza; an organ-point. Points detaches, Fr. (pwan/fc da-td-sha). Staccato-dots. o, old ; o, odd ; 6, done ; oo, moon ; u, lute ; u, but ; ii, (French), 64 PRONOUNCING DICTIONARY Pointe, Fr. (pwant). i. In violin-playing, the head or point of the bow. 2. In organ-playing, the toe. Pointer, Fr. (pwanA-ta). To perform staccato. Polyphonic (p61-i/^-ik). Contrapuntal. Polyphony (pS-^-o-ny). Counterpoint in the broadest sense. Pompos, Ger. (pom-/&). Pompous, majestic. Pomposame'nte, It. (p8m-po-za-w-do el tam-po). Ac- celerating the tempo. Ray. This syllable is used in place of Re in the Tonic Sol-fa system. Re. Name of the note D in Italy, etc. The second degree of the diatonic scale. Re 1 be'mol, Fr. (ra ba-mol). The note Db. Recht, Ger. (rekht). Right. Recht hand, Ger. (rekt hand). Right hand. Rcit, Fr. (ra-se). An instrumental or vocal solo part. The principal part in a piece of concerted music. Recitando, //. (ra-che-/-do). , In declamatory style. Recitante, It. (ra-che-te-te). ) Re'citant. Fr. (ra-se-tanA). ) , . \_ '? One who plays or sings a solo. Recitante, Fr. (ra-se-tante.)) R^citatif , Fr. (ra.-se-ta.-tef). \ Recitative ; musical decla- Recitativ, Ger. (ret-si-Ai'-tif). mation ; a style of de- Recitativo, ft. (ra-che-ta-A?-vo). ) clamatory singing. Recte, Lot. (r/-te). Right, straight, forward. Recte et retro, Lat. (rek-te et r the answer, in Repercussio, Lot. (rep-er-^j-si-o). \ . J a fugue. Repercussion. A frequent repetition of the same sound. RSpercuter, Fr. (ra-per-/tw-ta). To repercuss, to rever- berate. Repetatur, Lat. (rep-e-^'-tur). Let it be repeated. Repetieren, Ger. (ra-pa-te-r'n). To repeat. Repetizi6ne, It. (re-pa-te-tse-^-ne). Repetition. Replica, It. (rbat-/to?-ta). A kind of trill. Ricantare, //. (re-kan-Ai'-re). To sing again. Ricordanza, It. (re-kor- Rimette'ndo, It. (re-met-/if-do). Holding back, or retard- ing the tempo. Rinforzame'nto, It. (ren-for-tsa-wJw-to). Reinforcement. Rinforzando, //. (ren-f 5r-tsan-do) . Strengthening, empha- sizing. Rinforzare, It. (ren-for-tai'-re). To reinforce; to emphasize. Rinforzato, It. (ren-for-taz-to). With special emphasis, when used for a single tone or chord ; sudden increase in loudness, when used for a short passage or phrase. Rinf6rzo, It. (ren-fir-tso). Strengthened. Rintronato, It. (ren-tro-a-to). Resounded, reechoed. Ripetizidne, //. (re-pe-te-tse-^ne). Repetition. Ripi^no, It, (re-pe-J-no). Equivalent to Tutti. Ripigliare, It. (re-pel-ye- positions of a lively char- Scherzo, It. (j&Sr-tso). V } J acter. 8cherz6so, //. (skar-/jj-zo). See Scherzando. Schiettam^nte, It. (ske-at-ta-*wr-vark). The reed stops of an organ, or a reed stop. Schnell, Ger. (shnell). Fast, rapid. Schneller, Ger. (shnel-ler). Faster; also an inverted mor- dent, /vv Schollrohr, Ger. (sholl-ror). Trumpets, bugles, brass wind instruments. Schreibart, Ger. (j^rf-bart). Style. Schreiend, Ger. (s&rt-end). Strident, shrill, screaming. a, ale ; a, add ; a, care ; a, arm ; e, eve ; e, end ; i, ice ; T, ill; OF MUSICAL TERMS 8 1 Schreiwerk, Ger. (s/iri-va.rk). Shrill-work; acute, or mix- ture stops. Schrittmassig, Ger. (sArtt-mds-sig). Moderate in pace. Schusterfleck, Ger. (shoos-ier-Jl^k). Rosalia. Schwach, Ger. (shvakh). Soft, weak. Schwacher, Ger. (sAva-ker). Softer. Schwacher taktteil, Ger. (jvfcz/J-ker tak-til). The weak beat. Schwarmer, Ger. (shvar-mer). A rauscher (a rapidly re- peated note). Schwebung, Ger. (shve-boongk). In musical acoustics, a Beat. Similar to Tremulant. Schweigen, Ger. (sAvi-ghen). To be silent. Scbweigezeichen, Ger. (sAvi-ghe-tst-khen). A rest. Schwellen, Ger. (shvel-1'n). To increase. Schwellton, Ger. (shvel-ton). Messa di voce. Schwer, Ger. (shvar). Heavy, difficult. Schwer-miithig, Ger. (stivdr-mu-iig). Sad, melancholy. Schwindend, Ger. (sAvfod-end). Dying away. Morendo. Schwingung, Ger. (j^ztfwf-oongk). Vibration of a string. Schwungvoll, Ger. (shvoong-io\). With swing and passion. Scintillante, It. and Fr. (shm-til-/a-te). Brilliant. Sci61ta, It. (she-&J-d5). Second. Sec6ndo partito, It. (sa-Jkon-do par-/-to). The second part. Secular music. Music other than that intended for devo- tional purposes. Secunde, Ger. (se-&0on-de). A second. Secundiren, Ger. (se-koon-^r-en). To play the second part. Segnare, //. (san-_ya-re). To beat time. Se'gno, It. (sdn-yo). A sign. See Al segno, also Dal segno. The signs used are ^! :m.% , -A.. The above terms direct the performer to repeat from the /r\ place marked by the sign to the word Fine or to a double-bar marked with a hold. If Sometimes only the sign is given. Se"gue, //. (jl). The leading-note. Note sensi- ble is another term for the leading-note. Sentie, Fr. (sa.nA-te). Expressed, felt. Sentimentale, Fr. (san-te-;w o i E- / -iv f Solo, alone. Seule, Fr. (sul). i Seventh. An interval containing seven decrees. Severam^nte, //. (se-ver-a-/waw-te). Strict interpretation of tempo and expression marks. Seve'rita, It. (se-z'J-re-ta). Severity, strictness. Sexta, Lot. (j/jr-ta). Sixth. Interval of a sixth. A sixth part. Sexte, Ger. (sex-te). A sixth. Sextet, ) A composition for six voices o r Sextett, Ger. (sex-tet). > instruments. Sextole, Lot. (sex-to-\e). } . \ A sextuplet. Sextolet, (j- ill; OF MUSICAL TERMS 87 S&rtus, Lat. (j/jr-tus). A sixth part. Sfogato, //. (sfo-^a-to). Light, airy. A direction in vocal music meaning that the passage thus marked must be rendered in a light and airy manner. Sf6rza, //. (s/ar-tsa). Forced, with energy. "I The abbreviations of these terms are commonly ap- plied to a single tone or Sforzando, //. (sf5r-/ja-do). > chord, and denote that SforzitO, It. sfor-/ja-to . the notes so marked are to be performed with spe- J cial stress. Sforzare la v6cc, It. (sfor-tsa-re la z/J-che). To sing with emphasis. SfuggitO, It. (sfoody'Mo). Avoided, shunned. Shake. Trill. Sharp. The sign Jf. The sharp when placed before a ncte or on a degree of the staff raises its pitch one half- tone. Si, //. (se). It, one. Seventh degree of the diatonic scale. Name of the note B in France and Italy. Si leva il sordino, //. (se /J-va el sor-a7-no). Take off the mute. Si levano i sordini, //. (se le-m-no e sor-a'r-no). Take off the mutes. Si piace, //. (se pe-oi-che). At pleasure. Si replica, //. (se r " islancio." Slargando. It. (slar-^vzw-do). ) \ Growing slow. Slargandosi, //. (slar-gan-^iJ-ze). ) S lent and 0, It. (slen-Ai'-d5). Slargando. Slissato, It. (sles-za-to). Slurred. Slur. The sign ^""^ which, when placed over or under two or more notes, indicates that the passage is to be performed legato. Smaniante. It. (sma-ne-a-te). ^ _ / In an impetuous, passion- Smaniato, //. (sma-ne-a-to). > ' \ ate style. SmaniOso, //. (sma-ne-o-zo). ) Sminu^ndo, //. (sme-noo-Jw-do). ) Diminishing and decreas- Sminuito, It. (sme-noo-if-to). ) ing in speed and force. Smore'ndo, It. (smo-r3n-do). Dying away. Smorfi6so, //. (smor-fe-J-zo). Affected expression. Smorzando, It. (sm5r-tai-do). Dying away. Soave, //. (so-a-ve). Soft, sweet, suave. Soavem^nte, It. (so-a-ve-zfw-te). Suavely. Sogg^tto, It. (sod-jat-to). Subject, theme. Sognando, It. (son-ydn-do). In a dreamy style. Sob. Term given to the syllable sol in the Tonic sol-fa system. Soiree musicale, Fr. (swa-ia. mii-ze-^ ful, plaintive. Sostenendo, ft. (sos-t-J-d6). ( See sostenuto . Sosten^nte, It. (s6s-te-^-te). ( Sostenuto, It. (sos-te-<7-ta). ^ Spartita, //. (spar-#-ta). ' . f A partitura. Spartito, //. (spar-fc-to). Sparte, Ger. (spar-te). ^ Spasshaft, Ger. (sApass-ha.h). Scherzando. SpezzatO, It. (spet-/ja-to). Divided. SpianAta, /A (spe-a-a-ta). ) > Smooth, even, tranqun. Spianato, //. (spe-a-wa-to). ) Spiccatamlnte, //. (spek-ka-ta->rt-te). Brilliantly. Spiccato, //. (spek-yta-to). A variety of springing-bow in violin-playing. Spiel, Ger, (shpel). Play, performance. Spielart, Ger. (shpel-art). Style or system of playing. Spiel manieren, Ger. (shpel ma-e-led). Sterbend, Ger. (sAt?r-bend). Morendo. Sterbe-ton, Ger.(sht^r-\>e-ton). A tone diminishing insensibly. Stso, It. (std-zo). Extended, prolonged. Stso m6to, It. (std-zo mo-id). A slow movement. St6sso, It. (ftds-so). Same as steso. Stibacchiato, It. (ste-bak-ke-a-to). Relaxing, retarding the time. Stich, Ger. (shtikh). A dot or point. Stil, Ger. (shtil). ^ Stile, It. (j^-le). ( Style. Stilo, It. (ste-\o). ) Still, Ger. (shtil). Calm, tranquil. Stimme, Ger. (s/itfm-me). Voice, part. Stimm ansatz, Ger. (shtim a-sats). Attack of a vocal tone. Stimm bander, Ger. (shtim &?-der). Vocal chords. Stimm bildung, Ger. (shtim bil-doongk). Training of the voice. Stimm buch, Ger. (shtim bookh). A part book. Stimm fuhrer, Ger. (shtim fiihrer). Leader in a chorus. Stimm fuhrung, Ger. (shtim /w/fc-roongk). Leading of the parts. Stimm mittel, Ger. (shtim mftt'l). Vocal powers. Stimm umfang, Ger. (shtim / A division of a figure. A closing Streite, Fr. (stret). \ . \ passage taken in faster tempo. StrStto, It. (strdl-\.o). ) Strid6nte, //. (stre- The sound of a Strombettata, It. (strom-bet-Ja-ta). \ trumpet. Stromentato, It. (stro-men-/a-t6). Instrumented. Strom^nto, It. (stro mdn-\.o). Instrument. Stuck, Ger. (shtiik). A piece. Stufe, Ger. (sAtoo-fe). Step, degree. Sturmisch, Ger. (shtiirm-\sh). Passionate, impetuous. Su, It. (soo). On, upon; near, by. Suave, //. (swa-ve). See Soave. Sub, Lat. (sub). Under. Subdominant. The under-dominant. The fourth degree of the diatonic scale. Subitame'nte, It. (soo-be-ta-wJ-te). ) . . . ' , _ . ' t Quickly, suddenly. Subito, It. (jw-be-to). Submediant. The sixth degree of the diatonic scale. Subsemitone. The sub-tonic, or leading tone. Subtonic. The leading note. Suffocato, It. (soof-fo-&z-t6). Muffled, damped. Suivez, Fr. (swe-va). Same as Colla parte. Follow, con- tinue, go on ; simile. Sujet, Fr. (sii-zha). Subject. Sul, //. (sool). On the. Sul ponticello, It. (sool p6n-te- \ manner. mdn-te). Sur, Fr. (siir). On, over, upon. Sur une corde, Fr. (siir line kord). See Sopra una corda. Sus-dominante, Fr. (su-do-mi-ndnAt). Superdominant. Suss, Ger. (siiss). Sweetly. Sus-tonique, Fr. (su-td- Held, sustained. Teniito, It. (ta-^-to). ) Tepidame'nte, It. (ta-pe-da-/w Tetrachord. The interval of a perfect fourth. The scale progression of four tones comprising a perfect fourth. Tetratone. An augmented fourth. Thema, Ger. (fc?-ma). \ Theme, Fr. (tern). f 1 eme ' Thesis, G/6. (tha-sis). The down beat, strong beat. Third. An interval consisting of three degrees. Example. Major. Augmented. Minor. Diminished. Thorough-bass. A kind of musical short-hand in which the chords to be written or played with a given bass are indicated by figures placed over or under the given part. Threnody. A dirge. A song of lamentation. Tie. A curved line joining two notes of the same pitch intended to be rendered as one note equal in time value to the two given notes. Tief, Ger. (tef). Low, grave, deep. Tierce, Fr. (ters). Third. Tige, Fr. (teg). Stick of a bow ; drumstick. Timbre, Fr. (tan/4br). ) , ( Quality of tone. Timbro, //. (tern-bio). J 6, old ; 8, odd ; 6, done ; oo, moon ; u, lute ; u, but ; ii, (French). 106 PRONOUNCING DICTIONAKY Time. Tempo ; duration of notes, number and duration of beats in a measure. Time signature. The sign placed after the clef and its accompanying sharps or flats, usually in the form of a fraction. f The following are the present time signatures. Alia Breve jjf. Every measure contains four beats, each represented by a half note or its equivalent. Common time g or jj. Four beats, each repre- sented by a quarter note or its equivalent. Alia Cappella jj* or %. The same time signature as Alia Breve. Every measure contains two beats, each represented by a half note or its equivalent. Sometimes incorrectly called Alia 7. U 2 2 o u Breve. ? Two quarter beats to each measure. g Four eighth beats to each measure. Eight eighth beats to each measure. Two eighth beats to each measure. /ts Four sixteenth beats to each measure. 1 6 ^ Four beats, each represented by a dotted half note or its equivalent. Q Four beats, each represented by a dotted quarter note or its equivalent. Four beats, each represented by a dotted eighth note or its equivalent. 12 2 Two beats, each represented by a dotted whole ^ note or its equivalent. a, ale ; a, add ; a, care ; a, arm ; e, eve ; e, end ; I, ice ; I, ill ; OF MUSICAL TERMS 107 Two beats, each represented by a dotted half note or its equivalent. Two beats, each represented by a dotted quarter note or its equivalent. j^L Two beats, each represented by a dotted eighth note or its equivalent. ^i Eight beats, each represented by a dotted eighth note or its equivalent. ? or 3 Three beats, each represented by a whole note or its equivalent. Three beats, each represented by a half note or its equivalent. ? Three beats, each represented by a quarter note or its equivalent. g Three beats, each represented by an eighth note or its equivalent. j^. Three beats, each represented by a sixteenth note or its equivalent. Three beats, each represented by a dotted half note or its equivalent. g* Three beats, each represented by a dotted quarter note or its equivalent. JQ Three beats, each represented by a dotted eighth note or its equivalent. 5 Five beats, each represented by a quarter note or its equivalent. | Five beats, each represented by an eighth note or its equivalent. o, old ; 8, odd ; 6, done ; oo, moon ; \\.,lute ; u, but ; u, (French}. IO8 PRONOUNCING DICTIONARY Q E ^ & rVi five eighth notes. i I five sixteenth notes. Three beats; each beat has the value of ] Three beats ; each beat has the value of i o w j J Seven beats, each represented by a quarter note 6* I or its equivalent. | Seven beats, each represented by an eighth note $ I or its equivalent. With the foregoing table should be included the double time signatures which seem to be much used by the modern Russian composers, H, II, Jl, etc. The double time signature denotes that the movement is made up of measures in the two kinds of time indicated, without regard to the order in which the changes occur. Timidame'nte, //. (te-me-da-z Down-bow. Tir6, Fr. (te-ra). Todesgesang. Ger. (/J-des-ghe-jawevJ). ) ' \ A funeral song. Todeshed, Ger. (to-fes-led). Todtenlied, Ger. (tod-i'n-led). Funeral song or anthem. Ton, Ger. (ton). A tone, mode, key, octave-scale, pitch. Ton abstand, Ger. (ton a^-shtand). Interval. a, ale ; a, add ; a, care ; a, arm; e, eve ; e, end ; I, ice ; I, ill ; OF MUSICAL TERMS 109 Tonarten verwandschaft, Ger. (#-ar-t'n fer-z/JW-he). Pitch. Ton-kunde, Ger. (#Jw-koonde). Science of music. Tonkunst, Ger. (A7#-koonst). Art of music, music. Ton-lage, Ger. (ton-ta-ghe) . Register, pitch. Ton-leiter, Ger. (?-/f-ter). A scale. Ton malerei, Ger. (ton ma-\ an/4-te-ar). Whole tone. Ton majeur, Fr. (ton/* ma-zhur). Major key. Ton mineur, Fr. (too# mf-nur). Minor key. Ton ouvert, Fr. (tonfi oo-vdr). An open or natural tone, as on a horn or trumpet. Ton relatif, Fr. (ton/4 rel-a-A?/"). Related key. Tonic. "I Tonica, It. (tf-ne-ka). f- The keynote of a scale. Tonika, Ger. (to-ne-ka). Tonique, Fr. (to-nek). J Tonic chord. The triad having for its root the keynote. Tonisch, Ger. (ton-ish). Tonic. T6no, It. (A?-n6). Key, tone. Tonos, Gk. (/J-nos). ) . , . . f A tone, a mode. Tonus, Lot. (to-nus). ) Tostam^nte, It. (tos-ta-wJ-te). Quick and bold. Tostfssimo, It. (tos-ter-se-mo). With great rapidity. T6sto, It. (tos-to). Rapid. Toujours, Fr. (too-zhoor). Same as sempre. Trad61ce, It. (tra- Sad, gloomy. Trubc, Ger. (triib-e). j Tucket. A flourish of trumpets. Tumultu6so, It. (too-mool-too-J-zo). Agitated, impetuous. Tune. Melody, air. Tu6no, //. (two-no). A tone ; a mode. -ka).) -ko. ) Turco, //. (toor-ko). Turn. The sign as. Written. Played. Tusch, Ger. (toosh). A flourish given by the wind-instru- ments of an orchestra to denote welcome or applause. A flourish of trumpets accompanied by a roll of drums, the flourish performed three times. Tutta, It. (toot-la). ^ Tiitti, It. (tatf-te). > Whole, all. TiittO, //. (toot-to). ) . TiittO Arco, //. (toot-to ar-ko). Whole bow. Uber, Ger. (-ber). Over, above. 6, old ; o, odd ; 6, done ; oo, moon ; u, lute ; u, but ; u, (French). 114 PRO NO UNCING DIG TIONA R Y Ubergang, Ger. (ii-\&*-giingk} . Modulation, transition. Uberleitung, Ger. (-ber-/z-toongk). Transitional passage. tibermassig, Ger. (u-ber-mds-sig). Augmented (intervals). Ubung, Ger. (-boongk). Practice; exercise. Ubungen, GVr.(w-boon-ghen). Exercises. Uguale, It. (oo-gwa-le). Equal, even, like. Ugualita, It. (oo-gwa-le-te'). Equality. Ugualme'nte, It. (oo-gwal-z A, or an. Uno, It. (oo-no). ) Una COrda, It. (oo-na. kor-d). A term used in pianoforte music indicating that the soft pedal is to be used. Una v61ta, It. (w-na jw/-ta). Once. Und, Ger. (oondt). And. Undecuplet. A group of eleven notes of the same time- value to be rendered in the time of six or eight of the same kind in the regular rhythm. Under-song. Burden, refrain. Undulazione, It. (oon-doo-la-tse-^-ne). The vibrato effect on bow-instruments. Unendlich, Ger. (oon-a/-6r). > Value (time-value). Val6re, //. (va-/^re). ) Variante, It. (va-re- Veemnte, It. (va-*w ( Spirited, hvelv. Vivo, //. (ve-vo). Voce, //. (vff-che). Part, voice. Voil6e, Fr. (vwa-\&). Veiled. VoLs, Fr. (vwa). Part, voice. Vokal, Ger. (/?-kal). Vocal. Volante, It. (v5-/a-te). Swift, light. Volata, It. (vo-/a-ta). TTi4* /~ i - 7- t -\ f A short vocal trill or run. Volate, Ger. (voVa-te). J A fi h id series of notfis Volatinc, /J?. (vo-la-tf-ne). ) Volkslied, Ger. (fdlks-\e&). Folk-song. Voll, Ger. (foil). Full. V61ta, //. (z/J/-ta). A turn or time (ending), as prima volta, first time ; secondo volta, second time. V61ti, It. (zv/-te). Turn over. V61ti subito, //. (vo/-te j^^-be-to). Turn over at once. Volubilme'nte, //. (vo-loo-bel-zJ-te). Fluently. Voluntary. A title given to the various organ pieces used to open a church service. Vom, Ger. (fom). From the. Vorder satz, Ger. (for-der sats). First subject or theme. Vorgeiger, Ger. (for-^vfcf-ghe'r). Leader, first violin. Vorhalt, Ger. (/Sr-halt). Suspension. Vorhaltslosung, Ger. (/Ma/-toongk). Retardation. Zwei, Ger. (tsvi). Two. Zweihandig, Ger. (tof-han-dig). Two bands. Zweistimmig, Ger. (te'f-shtim-mlg). For two parts, or voices. Zwischen, Ger. (fsvtsA-en). Intermediate, between. Zwischenspiel, Ger. (/jr/fr^-en-shpel). Interlude, intermezzo. Zwischen-stille, Ger. (tsvfsfi-en-shttl-\). A pause. 6, old ; 6, odd ; 6, done ; oo, moon; u, lute ; u, but ; ii, (Frenth). PRONUNCIATION OF THE NAMES OF THE CHIEF COMPOSERS AND ARTISTS Auber (Oh-bare'). Adam (Ah'-dahm). Boito (Boy-ee'-toe). Bargiel (Bahr'-geel). Biilow (Bee'low). Bach (Bahch). Beethoven (Bay'-toven). Bellini (Bellee'nee; final syllable short). Berlioz (Bair'-lee-oz). Bizet (Bee'zay). Brahms (Brahms ; broad " ah "). Bruch (Brooch; hard "ch," guttural). Calve (Kahl'-veh). Chaminade (Shah'-mee-nahd). Cherubini (Kair-oo-bee'-nee; final short). Chopin (Sho'-pang). Clementi (Kleh-ment'-ee; final syllable short). Couperin (Koop'-er-rang). Cramer (Krah'-mer). Cui (Koo'-ee). Czerny (Churn'-y). D'Albert (Dahl'bear). Delibes (Day-leeb'). 123 124 PRONUNCIATION OF NAMES OF De Reszke (Deh-Resch'-keh). Diabelli (Dee-ah-bel'-lee). Donizetti (Doh-nee-tset'-tee). Dvorak (Dvor-zhak). Faure (For). Flotow (Floh'-to). Franchetti (Frahn-ket'-tee ; final short). Frank (Frahnk). Franz (Frahnz). Fuchs (Fooks). Gade (Gah'-deh). Glazounow (Glah-tsoo'-noff). Oluck (Gloock). Godard (Go'-dar). Gounod (Goo'-no). Grieg (Greeg). Guilmant (Geel'-mong). Halevy (Hah-lay'-vy). Handel (Hand'-el). Haydn (High'-dn). Herold (Hair'-old). Jensen (Yen'-sen). Kjerulf (Kcher'-oolf ; guttural " ch "). Lachner (Lahch-ner ; guttural " ch "). Leoncavallo (Lay'-on-kah-vah'-lo). Liszt (Least). Loewe (Lay'-ve). CHIEF COMPOSERS AND ARTISTS 125 Mascagni (Mahs-cahn'-yee). Massenet (Mahs'-say-nay). Mattel (Mah-tay'-ee). Mendelssohn (Mend'-l-sohn). Meyerbeer (My'-er-bare). Moscheles (Mosh'-eh-les). Moszkowski (Mosh-koffs'-kee). Mozart (Mo'-tsart). Napravnik (Nah-prahv'-nick). Nicode 1 (Nick'-oh-day). Offenbach (Of '-fen-bach ; guttural " ch "). Ouseley (Ooze'-ley). Paderewski (Pah-der-eff'-skie). Palestrina (Pah-les-tree'-na). Pergolesi (Pair-go-lay'-zy). Puccini (Poo-cheen'-ie). Raff (Rahff). Rameau (Rah'-mo'). Reinecke (Rye'-neck-eh). Rheinberger (Rine'-bair-ger). Rossini (Ros-see'-nee). Rubinstein (Roo'-bin-stine). Saint-Saens (Sane-sahng) impossible to give quite cor- rectly ; last syllable somewhat nasal. Scharwenka (Shar-venk'-er). Schytte (Shee'-tay). Scarlatti (Scahr-laht'-tee ; last short). Schubert (Shoo'-bairt ; the " t " very light). Schumann (Shoo'-mahnn). Sgambati (Sgahm-bah'-tee ; last short). 126 PRONUNCIATION OF NAMES Tschaikowsky (Tschy-koff'-skee). Verdi (Vair'-dee). Volkmann (Folk'-mahnn). Wagner (Vahg'-ner). Weber (Vay'-ber). Widor (Vee'-dor). ABBREVIATIONS A. Alto. Accel. . Accelerando. Accelo. ) Ace. \ Accom. > Accompaniment. Accomp. ) Accres. Accrescendo. Adgo. or Ado. Adagio. Ad lib. Ad libitum. Affett. Affettuoso. Affrett. Affrettando. Ago. or Agito. Agitato. Allo. Allegro. Allgtto. All'ott. All'ottava. l ' 0tt ' i All. } All'c l'8va. ) All' Al seg. Al segno. And n o. Andantino. Andte. Andante. Animo. Animato. Arc. Coll'arco, or Arcato. Ard. Ardito. Arpo. Arpeggio. At. ^ A tern. > A tempo. A temp. ' 127 1 28 ABB RE VIA TIONS Aug. ) Augmented, Augn. } By augmentation, B. Basso, bass. Bar. Baritone. B. C. Basso continue. B. G. Basso generale, or Bassus generalis. Bl. Blasinstrumente. Br. Bratschen. Brill. Brillante. C. * time. j. Alia Breve time ; also Semi Breve or double time. C. a. Coll'arco. Cad. Cadenza. Cal. Calando. Calm. Calmato. Cant. Canto. Cantab. Cantabile. C. b. Contrabasso. C. B. Col basso. Cb. Contrabasse. C. D. Colla destra. 'Cello. Violoncello. Cemb. Cembalo. C. F. Canto fermo. Ch. Choir, choir-organ. Chal. Chalumean. Chor. Chorus. C. 1. Canto primo. C. L. Col legno Clar. Clarinet. Clar. Clarino. ABB RE VIA TIONS 1 29 Clartto. Clarinetto. Co. Come. Col c. Col canto. Coll'ott. ) \ Coll' ottava. C. 8va. ) Com. Comodo. Con espr. Con espressione. Cor. Cornet or Corno. Co. So. Come sopra. C. P. Colla parte. Cres. ) . f Crescendo. Cresc ' C. S. Colla sinistra; also come sopra. C to . Concerto. C. voc, Colla voce. Dal. S. Dal segno. D. C. Da capo. Decresc. Decrescendo. Delic. Delicamente. Dest. Destra. Diap. Diapason, or Diapasons. Dim. Diminuendo, diminution. Div. Divisi. Dol. Dolce. Dolcis. Dolcissimo. Dopp. Fed. Doppio pedale. Energ. Energicamente. Espr., or Espress. Espressivo. Exp., or Ezpr. Orgue expressif. f . or for. Forte. Fag. Fagotto. 1 30 ABB RE VIA TIONS Falset. Falsetto. ff . or fff . Fortissimo. Fl. Flauto. Flag. Flageolet. F F.'org fp. Forte piano. Fz. or Forz. Forzando. ) J Ged. Gedampft. G. 0. \ Great organ. G. Org. ) Grand orgue. Grand. Grandioso. Graz. Grazioso. Gt. Great organ. Hauptw. Hauptwerk (Great organ). Haul. Hautboy. H. C. Haute-contre (high tenor). Hlzbl. or Hzbl. Holzblas 3 - Hptw. or H. W. Hauptwerk. Hr. or Hrn. Homer. Incalz. Incalzando. Intro. Introduction. Inv. Inversion. K. F. Kleuie Flote. Leg. Legato. Legg. Leggero, Leggiero. L. H. Left hand, linke hand. Lo. Loco. ABB RE VIA TIONS I 3 I Lao. Luogo. Lusing. Lusingando. Maest. Maestoso. Magg. Maggiore. Man. Manual. Mane. Mancando. Marc. Marcato. M. D. Mano destra, or main droite, Men. Meno. Met. Metronome. Mez. Mezzo. Mf . Mezzo forte. Mfz. Mezzo forzando. M. G. Main gauche. M. M. Maelzel's metronome. Mod., Modto. Moderate. Mor. Morendo. Mp. Mezzo piano. M. S. Manuscript, Manosinistra. M. V. Mezza voce. Ob. Oboe. Obbl. Obbligato. Oberst. Oberstimme. Oberw. or Obw. Oberwerk. Oh. Fed. Ohne Pedal. 0. M. Obermanual. Op. Opus. Opp. Oppure. Orch. Orchester, orchestra. Org. Organ. Ott, Ova, 8a or 8va. Ottava. I 3 2 ABB RE VIA TIONS 0. W. Oberwerk. F. | } Pianoforte. i. ) Fed. Pedal. Perd. Perdendosi. pf . piu forte. P. F. Pfte. Piang. Piangendo. Pianiss. Pianissimo. Pizz. Pizzicato. pmo., pp. | ppp-j PPPP- Pianissimo. Prin. Principal. Raddol. Raddolcendo. Rail. Rallentando. Recit. Recitative. ri., rfz., rinf., rinfz. Rinforzando. R. H. Right hand, rechte hand. Rilas. Rilasciando. Rip. Ripieno. Risol. Risoluto. Ritard. Ritardando. Rit., Riten. Ritenuto. Salic. Salicional. Scherz. Scherzando. Seg. Segue. Sem. or Semp. Sempre. Sf., sfz., sff. Sforzanda Sim. Simile. Sin. Sinister. Sinf. Sinfonia. S. int. Senza interruzione. ABBRE VIA TIONS 1 3 3 Slent. Slentando. Smorz. Smorzando. 80S., Sost. Sostenuto. Sp. Spitze. S. P. Senza pedale. Spir. Spirituoso. S. S. or Sord. Senza sordini. S. T. Senza tempo. Stacc. Staccato. St. D. or St. Diap. Stopped diapason. Stent. Stentando. ) String insruments. ' ) Streichinstrumente. String. Stringuendo. Sw. Swell-organ. Sym. Symphony. T. C. Tre corde. Temp. Tempo. Tempo I. mpo primo. Ten. Tenuto. Timp. _ T Timpani. T. P. Tempo primo. Tr. Trill, trumpet. Tratt. Trattenuto. Trem. Tremolando, Tremulant Tromb, Trombe. Tromboni. Tromp. Trompete. T. S. Tasto solo. U. C. Una corda. Unis. Unisono. 1 34 ABB RE VIA TIONS Va. Viola. Var. Variation. Vc., Velio, VllO. Violoncello. Viol., VI., Vno. Violino. Viv. Vivace. V. S. Volti Subito. Vv., Vin. Violini. ABBREVIATIONS BY NUMBERS AND WORDS. A 2. Both instruments rendering the same part in unison. !<> First voice or instrument. no. Second voice or instrument. jma Prima. jmo Prfmo. nda c. Seconda Corda. n iza C. Terza Corda. IVt* C. Quarta Corda. 4to. Quartetto. jfo- Quintetto. &to. Sestetto. jtto. Septetto. SIGNS. . Dot. Staccato. No longer used as a sign of sforzato. t I Staccatissimo. Martellato. -r- Forte tenuto. Marcato. Mezzo staccato. Portamento. Written. Played. ABB RE VIA TIONS 135 Two or more dots placed above a note, in violin music, indicates the number of notes of equal time-value into which the given note is to be divided. ^~_ _^ Mezzo legato. Sign used in vocal music denoting that the notes 2 under which the sign is placed are to be sung to one syllable. /rs Hold. > Repeat the chord or figure (Abbreviation). Written. Written. Played. liO>|| Breve, or Double note ; time-value equal to two whole notes. Written. (Abbreviation.) Played. (Abbreviation.) 1 3 6 ABB RE VIA TIONS A form of tremolo in which the lower note alternates with the upper note as rapidly as possible, the tremolo having the time-value of one whole note. The four notes at (a) are played in the same manner as the chord (b). (Abbreviation.) Direct. Continue the figure. -- Commonly called " whole rest," which is, however, rather misleading, inasmuch as the sign indicates one of two meanings, either the whole measure is silent, or a part of the measure equal in time- value to a whole note is silent. (a) (d) The " whole rest " at (a) (b) (c) and (d) indicates that the whole measure is silent. Example (e) is a quotation from the Missa Papae Mar- celli by Palestrina ; it is in Alia Breve time. The rest in the first measure has the time-value of a whole note. ABB RE VIA TIONS Written. 137 I The double G clef, used in some choral works for the tenor part ; it denotes that the part is to be sung an octave lower than written. True Pitch. 1 Written. Con 8va bassa. Played. (Abbreviation.) - <5j Written. ^P | r \ j- -= H (Abbr 4 8 '*" i.~ . f 1 ^ u , (d), tremu (e) /vw), (f) (a) Inverted mordent ; (b) mordent ; (c) turn ; (d), (e), (f), trill First ending ; second ending. > or -=c Rinforzando. AV> Sforzato. 1 or Fed. | Modern signs for using the damper (loud) pedal of the pianoforte. 2 Crescendo, r Decrescendo. TERMS AND ABBREVIATIONS IN SONATAS. Anhang (Ger.) Coda. (Abbr. Anh.) Durchfuhrungssatz (Ger.) Development. (Abbr. DS.) Hauptsatz (Ger.) Principal theme. (Abbr. HS.) Mittelsatz (Ger.) Middle theme. (Abbr. MS.) Ruckgang (Ger.) Returning passage. (Abbr. Rg.) Schluss-satz (Ger.) Close (Cadence). (Abbr. Schls.) Seitensatz (Ger) Secondary theme. (Abbr. SS.) Uebergang (Ger.) Transition. (Abbr. Ug.) Zwisschenatz (Ger) Intermediate theme. (Abbr. Zws.) A POCKET MUSIC VOLUME * Waltzes of Johann Strauss With a Biographical Introduction by HBNRY T. FiNc,a Photogravure Portrait of the Author, and 112 pages of Music. J* Thfe volume of music and biography combined, being issued in a shape and size convenient for the pocket, is an altogether unique and attractive idea. The music is printed from finely engraved plates, is admirably clear and distinct, and can be easily read. It will appeal to all book-lovers, because of its attractive style and dress, as well as its convenient and handy shape. It has a literary interest and value quite unusual for a book of its kind, owing to the biographical foreword on the Strauss family by Mr. Finck, who is a most competent authority. Collectors of Musical literature as well as all musicians and lovers of music will welcome this unique and useful book. This volume will be followed by others of a like character, the titles of which will be announced from time to time. Square i6mo (size 5x7 inches) bound in full flexible leather, gilt top $1.35 Jl KNIGHT & MI LLE T 221 Columbus Avenue, BOSTON. RICHARD WAGNER His Life and Works By ADOLPHB JULLIEN, Translated from the French. With an In- troduction by B. J. Lang. Illustrated with fifteen Portraits of Wagner and one hundred and thirteen text-cuts ; scenes from his operas, views of theatres, autographs and numerous caricatures. Extract from Mr. Lang's Introduction : " In view of the fact that almost the whole of our English Wag- neriana has come from Germany, this French biography is of uncommon interest. The standpoint from which Jullien writes is absolutely new. . . . The illustrations are authentic and of great value. The examples of caricature here given are eminently well chosen, and throw a fantastic and suggestive lignt over the admirably written picture of this wonderful man's life. " He possesses rare qualifications for the task of doing full justice to the genius and character of the master, without prejudice or partiality. Although an avowed disciple, he does not suffer his judgment to be warped by feeling ; the temper and tone throughout the work is judicial, and the careful research and evident knowledge evinced, give weight to his cpinions and full confidence in his statements of fact." To all lovers and students of Wagner as well as all who are fond of musical research, this volume will be of great interest. Two volumes, octavo (size 7 1-4 x 10 inches) maroon cloth, gilt tops . . $3.00 for the set. J* KNIGHT & MI LL E T 221 Columbus Avenue, BOSTON. University of California SOUTHERN REGIONAL LIBRARY FACILITY 405 Hilgard Avenue, Los Angeles, CA 90024-1388 Return this material to the library from which It was borrowed. UC SOUTHERN REGION, j ^%XN - IIIHIIIIIII ||