954 6926 UC-NRLF our LT\ OUR MARY ANNfi. A FARCE, fin <&ne &ct. JOHN BALDWIN BUCKSTONE, ESQ. MEMBER OF THE DRAMATIC AUTHORS* SOCIETY. As performed at the THEATRE ROYAL, DRURY LANE. CORRECTLY PRINTED FROM THE PROMPTER'S COPY WITH REMARKS, THE CAST OF CHARACTERS, COSTUME, SCENIC ARRANGEMENT, SIDES OF ENTRANCE AND EXIT, AND RELATIVE POSITIONS OF THE DRAMATIS PERSON*. ILLUSTRATED WITH AN ETCHING, BY PIERCE EGAN THE YOUNGER, FROM A DRAWING TAKEN DURING THE REPRESENTATION. LONDON : CHAPMAN AND HALL, 186, STRAND. jD First performed, January 18, 1838. , g"j r I M -an , f Mr> Bl dj COLONEL ALBERT. Riding-frock, with sable) collar, travelling-cap, tight light pantaloons, hessian V Mr. COOPER. boots . . . . . . . J JONATHAN TUNKS. White oldfashioned coat, trimmed with white buttons and broad lappels, long red waistcoat, white knee-breeches/Marge silver buckles, blue stockings, shoes and silver buckles, white laced neckcloth, flaxen wig, white hat and favour, white gloves ..... SOLOMON. Light blue oldfashioned coat, white ^ double-breasted waistcoat, light blue knee-breeches, I , rriM1>frniu . red stockings, black shoes and buckles, red wig, f r black hat, white favour . . . . . J THOMAS. Brown coat, white waistcoat, blue ) breeches, and male peasants similar dresses to Tho- >Mr. MEARS. mas and Solomon . . . . J ERNESTINE. First dress. Travelling cloak, riding^ hat and feather. Second dress. Hair dressed with I , blue ribbons, dark jacket, striped petticoat, light blue f M stockings, shoes and buckles . . . .J MARY ANNE. White muslin dregs, white hat) Mic< Pnftl trimmed with white ribbons . . . . } M AUNT WINIFRED. Blue dress with black laced ) .. _ , monte,red petticoat, bluestockings,shoes and buckles J Mj Female peasants in holiday dresses, wearing white favours and bouquets . Peasants, male and female .... Scene A village in Germany. Time of representation, fifty minutes. EXPLANATION OF STAGE DIRECTIONS. L. means first entrance, left. R. first entrance, right. S. E. L., second entrance, left. S. E. R., second entrance, right. U. E. L., upper entrance, left. U. E. R., upper entrance, right. C., centre. L. C., left centre, R. C., right centre. T. E.]L., third entrance, left. T. E. R., third entrance right. Observing you are supposed to face the audience. OUR MARY ANNE. SCENE. A garden, gate, ajid iron railings at the back, in the distance the country On R. H. 2 E., a farm-house On L. H. 3 E. a cottage A garden-gate, occupying the 2 E. L. H. Laughijig heard, SOLOMON and THOMAS enter at the back, from R. H., with a party of peasants, male and female, all in holiday costume, and decorated with bouquets and white favours. Sol. Come along, my friends, come along it's almost time the happy couple were at church what a beautiful morning for the wedding ! I hope the evening will be like it, for our dance on the lawn ; then perhaps the little delicate girl, who will then be honoured by being my partner may become my partner for life who knows? eh? ha! ha! Now, where's Jonathan, he ought to be dressed by this time, Tho. He invited me, and all of us, here to breakfast. Sol. Did he, indeed ? how noble of him ! he certainly has been very generous since he has been in love but that always makes a change in one's disposition ; for my part I have break- fasted, I was too hungry to wait. Tho. Here's aunt Winifred. Enter DAME WINIFRED,/?/! R. H. cottage. All. Ah, aunt ! good morning, aunt. Sol. How well you look, aunt ! Win. Now, my friends, my nephew, Jonathan, will soon be among you, he's just shaving, and has desired me to give you your breakfast, it's quite ready for you in the harbour come, follow me. Sol. How's Mary Anne, isn't she a little nervous ? Win. Not more than is becoming in a young girl, on such an occasion as being married. Sol. She is also getting ready, I suppose? Win. Yes; her two maids are with her, and we must be at the church in twenty minutes, so there is no time to lose come along stop Solomon, Jonathan wants to speak to you, about something, very, very particular. Sol. Then I'll wait here, because I've had my breakfast. Win. Come along, my friends, we have no time to lose. [WINIFRED, THOMAS, and all the party go off, R. H. 3 E. Sol. Jonathan wants to speak to me, very, very particular. Urn ! I don't know what to make of him, lately since his wedding-day has been fixed, he seems to hare something on his mind to be sure, matrimony is a very great risk, and A 2 6 OUR MARY ANNE. enough to make the boldest heart a little fidgety what is it he has to say, I wonder? surely he can't want "to borrow any money ? if he does, he ought not to ask me, because I am his friend people ought never to borrow money of a friend, it's not using him well always apply to a man you don't care about, then if you never pay, there is no friendship sacrificed. (JONATHAN speaks within, R. H. 2 E.) Jon. I'm coming, Solomon, don t go away. Sol. No, it must be something else he wants me for ; for since his old father died he has succeeded to the stewardship of the colonel's estate here, and is very well to do ; here he is. Enter JON AT HAN, /row house. R. H. 2 E. Jon. Now, Solomon, here I am my friends are all at break- fast and oh dear (sighs.) Sol. What's the matter ? are you frightened now you are really going to be married 1 ? Jon. A little. Sol. You love Mary Anne? Jon. Yes. Sol. And she loves you ? Jon. Yes. Sol. Then what is the matter? Jon. I have a great depression of spirits. Sol. That you can't account for ? J** - NS *X> . R - L. WHITING, BEAUFOKT HOl'SE, STRAND. Syracuse, N. Y. Stockton, Calif. THE UNIVERSITY OF CALIFORNIA LIBRARY