DONNA DIANA DONNA DIANA DONNA DIANA BY RICHARD BAGOT AUTHOR OF 'A ROMAN MYSTERY, 5 'CASTING OF NETS,' 'THE JUST AND THE UNJUST* LONGMANS, GREEN, AND CO, 91 AND 93 FIFTH AVENUE, NEW YORK 1902 COPYRIGHT, 1902, BY LONGMANS, GREEN, AND CO. All rights reserved DONNA DIANA CHAPTEE I IT was ten minutes to twelve on the last night of the year 1900. Fleecy clouds, now gray,, now edged with brightest silver, drifted across a sky of deepest violet colour, and above them, calm, cold, indifferent, rode the winter moon. The piazza of the Capitol was wellnigh deserted. A couple of policemen paced up and down in front of the Capitoline Museums. They had sauntered up to two indi- viduals, the only other occupants of the silent square, and had separated again, murmuring ' Forestieri ! ? to each other, with a shrug of the shoulders. Eome was burying another century. Some of her people were thronging the basilicas in which the Te Deum was being sung, where the altars were ablaze with candles and the air fragrant with incense, dedicating a new era to the crucified Christ. Others were crowding the restaurants and the wine-shops, sacrificing to human nature, or eating, drinking, and making merry in their own homes surrounded by their families and intimates. From below, away beyond the little piazza of the Ara Cceli, rose the confused hum of the town, the rattle of wheels, the distant rumble of electric trams, and the cries of the sellers of hot cakes and roasted chestnuts. But in the shadow of the Capitol it was very quiet. The great Emperor looked down from his horse upon 1 434872 2 LOKNA DIANA * , i . . . , . , . . i c i < 4 e J the 1 'restless "city, and the white moonlight, falling upon his stately figure, glanced upon the scattered patches of gold yet adhering to the bronze. The couple which had attracted the attention of the guardie stood beneath the statue gazing up at it. ' How indifferent he is ! ' exclaimed the elder of the two men. He spoke in low tones, as though fearful of disturbing the stillness, and then he looked round the piazza curiously. ' It was good to come here on this night/ he added. e I am glad we came, Lino. But there is something terrible about it, something oppressive. I feel Rome. It grips one/ His companion glanced at him. 'You would have gone to St. Peter's if I had let you alone/ he said. * Yes, I should have gone to St. Peter's.' Don Michelangelo's eyes flashed in the moonlight. They were typical Roman eyes, large and soft, and the dusky violet of the night sky seemed to be reflected in them. ' I should have gone to St. Peter's/ repeated the other ; 'but it is better here.' At that moment the great bell of the Capitol began to toll. Michelangelo Savelli laid his hand on his com- panion's arm. 'Let us see another century dawn upon the Forum/ he said; and the two young men crossed the piazza and began to descend the narrow passage leading from the Capitoline Hill. At the top of the flight of steps they stopped and leaned over the low parapet. There was a pause in the procession of clouds overhead, and the Forum beneath lay bathed in soft, silvery light, a vista of broken columns and shat- tered temples that stretched away to the Colosseum just discernible through the luminous haze. To the right loomed the sombre mass of the Palatine, cypress-crowned, and between the sullen strokes of the great bell booming DONNA DIANA 3 above the mournful cries of owls flitting through the halls of the Caesars fell upon the ears of the two men as they stood in silence looking on the scene at their feet. Suddenly the bell ceased. The clock above them struck the hour, and then the air resounded with the clangour and clash of the church bells of Christian Eome saluting the advent of another Christian century, while the deeper tones of the bell of the Capitol, tolling no longer, but ringing out with quickly-repeated strokes, seemed to domi- nate the rest with a note of warning. And the ruins of Imperial Eome, the sanctuaries of forgotten gods, slept in the moonlight, careless that men yonder in the modern city were dedicating a new age to a new deity. ' Buon secolo, Eddie ! ' The elder of the two midnight pilgrims to the Capitol started. His thoughts had been travelling far back in the past, or far onward into the future he scarcely knew which. He smiled a little at the mixture of Italian and English words, and then grasped his friend's outstretched hand. ' A happy New Year, Lino/ he answered in his native English tongue. ' Many happy New Years though it would not be of much use wishing you a century of them, as you did to me just now; but I am much obliged, all the same/ Michelangelo Savelli, known to his intimates as Lino, gave an impatient sigh. ' That is the pity of it/ he replied, relapsing into Eng- lish, which language he spoke easily and correctly, with a slight accent that lent a peculiar charm to his intona- tion. 'How can any year be happy when each brings a man nearer to his last?' Edmund laughed gently. ' My dear Lino/ he replied, ' you are young enough not to mind the years passing.' ' But I do mind I hate it ! It is unfair. Just as one is learning something of life pouf ! there is an end ! ' 4 DONNA DIANA ( Or a beginning ! ' The young Eoman shrugged his shoulders. ' Who knows ! ? he said briefly. ' At any rate/ he added, ' there is an end of this world ! And I like this world, Eddie; it is quite good enough for me. It is quite good enough for most people, if it comes to that. Everybody says, " Adveniat regnum tuum " ; but when they think it is really coming it is another matter altogether! Why, in the earthquake the other day, even the Pope ' Vane interrupted him. ' Never mind the Pope/ he said ; ' he is a little out of the picture here to-night. Come, Lino, it is chilly. Let us get back into the present. What do you say? Shall we go to Aragno's on our way home and have some coffee to warm us ? ' Lino Savelli hesitated a moment. ' I think I must go to Palazzo San Rocco/ he said. ( They have gone to Mass, and were to return to supper. I promised I would come in. Why not accompany me, Eddie ?' Edmund Vane shook his head. * I am not intimate enough with the Princess/ he answered, 'to pay her a visit unasked at this hour. Be- sides, I am not dressed for the purpose/ 'That is nonsense. I am not dressed, either, and no- body will be in evening clothes. As for not being intimate enough with my aunt, San Eocco why, you are intimate enough with me, and I take you. She will be delighted. Of course you must come ! ' And Lino took his friend's arm and turned down a narrow by-street leading in the direction of the Palazzo San Rocco. ' You always manage to get your own way, so I suppose I must come with you/ said Vane, laughing. ' Oh, ma questo e bello ! ' exclaimed Lino, bursting forth into Italian. ( I always get my own way, do I ? I did not know it. In fact, you are quite wrong. Perhaps in a new century things will be different. But up to now ' And a quick, significant gesture completed his sentence. DONNA DIANA 5 They passed from the dark side-streets into the Corso Vittorio Emanuele, brilliant with electric light, and thronged by crowds returning from the churches and par- ties of noisy revellers on their way from one osteria to another. The contrast with the scene they had just left was as unpleasing to Lino Savelli, Eoman though he was, as .to his English friend. They hurried across the broad thor- oughfare and plunged once more into the comparative quiet of the Via dei Cestari, which street would lead them almost directly into the quarter where the Palazzo San Eocco was situated. The friendship between Edmund Vane and Michel- angelo Savelli had been of some five years' standing. It had begun under circumstances painful enough, but cal- culated to bring to the surface the best qualities of both young men. Lino Savelli, indeed, when Edmund Vane first saw him, was little more than a boy. Vane remem- bered well their first meeting. He was returning from a shooting expedition in Somaliland, and he and his caravan had been obliged to cross Abyssinian territory. In the course of his eight months' travelling in search of big game the war between Italy and Abyssinia had broken out. The terrible drama of Adowa had been en- acted. Miscalculation at home of the enemy's strength and insufficient organization at the front had borne their inevitable results. The silent heroism of the rank and file of the Italian troops, and the gallantry of the majority of their officers, had passed almost unnoticed amidst the wrangling of po- litical parties in Montecitorio and the recriminations of the Italian press. Edmund Vane recollected, as though it had been yester- day, the halt on Abyssinian ground and the encampment near a spot where fresh and pure water was to be found. It was September, and the first rains had fallen after the long, hot summer. He remembered, too, how, when they were preparing to 6 DONNA DIANA .strike their camp and continue their march, the head Somali guide had come to him with the information that a white man was lying ill in a hut some half a mile away ; how he was being tended by an old Copt, who could not understand a word the sick man said. Vane recollected how, led by the guide, he reached the hut, and how, stoop- ing down, he had entered the evil-smelling place. He re- membered that, and how the flies buzzed. Stretched on some skins there lay a black, inert mass; and when he bent over and touched this mass, the black- ness seemed to fly up in his face, settle again, and buzz angrily. And then he had raised the white cloth that the old Copt had striven to keep over the sick man's face, and had seen the flies glue themselves to the quivering eye- lids, to the parted lips and drawn nostrils; and he had looked away with a shudder of disgust, of which the next instant he had felt ashamed. Very tenderly he removed the loathsome insects, which seemed to struggle and fight to return to their prey. Then the dark-blue eyes had opened and looked at Edmund Vane wearily, and a few incoherent words in Italian came from the parched lips. It was a delicate, high-bred face he looked upon, and, wasted though it was by pain and fever, a singularly attractive one. A glance at a military tunic lying on the floor of the hut showed that the boy was an officer of the Italian cavalry. That day Vane moved him to the camp, and by easy stages they bore him to the coast. The remainder of the party continued their homeward journey, but Vane had insisted on remaining with the lad. None but he could speak or understand Italian, and for six long weeks he nursed Lino Savelli, until the fever left him and strength returned. Michelangelo Savelli had been one of the prisoners taken on the fatal day of Adowa nearly seven months before, and had been eventually drafted, together with some scores of fellow-captives, to the camp of one of the great Ras, whence he had at last succeeded in making DONNA DIANA 7 his escape. Exposure, fatigue, and hunger had brought on enteric fever. Utterly exhausted, he had lain himself down to die, with the terrible fear lest his body might be found by Abyssinians and mutilated as he had seen the corpses of others of his countrymen mutilated. Luckily for him, the old Coptic Christian had found him, and had compassion on him, concealing him from his more savage brethren who likewise professed the name of Christ. The cheerful patience and pluck shown by the young Eoman throughout his illness made a great impression upon his English rescuer, as well as his peculiar charm of manner and good looks. On Lino Savelli's side was gratitude profound and warm to Edmund Vane for having refused to leave him to die among strangers, and it was not to be wondered at if a strong attachment had grown up between the two. ' You have saved my life/ Lino had said to him simply, when he became strong enough to think, and to realize all that Vane had done for him ; ' I shall never forget it never. I know you English think we are capricious and treacherous I have read it in your books. Perhaps we are some of us but not we Eomans of the old Eoman blood. Some day, perhaps, I will repay you my debt.' And Edmund Vane had told him to lie still, and not to talk nonsense or, as he expressed it, rot. CHAPTER II THE Palazzo San Rocco lay in the quarter of the city known as the Campo Marzio. Edmund Vane had often been into it on afternoons when the Princess di San Rocco received, and had occa- sionally attended one of the formal evening parties she was in the habit of giving at rare intervals in the course of the winter and spring. This, however, did not imply any special degree of intimacy, and certainly not such as to warrant intrusion into the midst of a family festival on New Year's Night. But Lino would listen to no objections, and Vane knew that, as so close a friend of her nephew, the Princess would not be likely to make him feel an unwelcome guest. Moreover, Casa San Rocco interested him, and he was by no means sorry to have an opportunity of catching a glimpse, however passing, of the family life of its members. A walk of five minutes or so beyond the Pantheon brought the two to the house. The great doors leading into the court-yard were closed, and Lino Savelli gave them three sharp blows with the heavy iron knocker. The sound reverberated through the silent square, and re- echoed in the quadrangle of the palace. Presently a small panel in the centre of the door slid back, disclosing a grat- ing whence a pair of eyes peered suspiciously, while their owner delivered himself imperiously of the usual Roman challenge ' Chi e?' In the same instant, however, recognising Lino, the porter threw open one of the doors. * They have returned from church ? ' Lino asked of him. ' Si, signorino, they have returned, a quarter of an hour 8 DONNA DIANA 9 ago. That is why I had closed the gates. I wish their Excellencies a good year/ 6 Buon anno, Antonio/ replied Lino, at the same time slipping a few francs into the porter's hand ' and buon secolo ! 9 The old man shuffled into his lodge, where he blew up a speaking-tube. He had known Lino Savelli since the latter was a baby. ' Ma che secolo ! 7 he grumbled as he listened for the answering whistle ; 1 1 shall be lucky if I see a year of it. The remainder will be passed quietly enough at San Lo- renzo. If their Excellencies will go upstairs/ he added, as the windows on the first floor of the court-yard, hitherto in darkness, were suddenly illumined by a glow of electric light. A servant stood at an open door on the landing of the great staircase waiting to receive them. From him they learned that the Princess and the rest of the family were at supper, and they followed the man to the dining-room. There were about a dozen people standing round a table in the centre of the room, and Edmund Vane saw that it was, as he had anticipated, purely a family gathering. Princess San Eocco cut short his apologies for his in- trusion with a few words of welcome that quickly relieved him from all embarrassment. f Of course Lino brought you/ she said with a smile, speaking in French. ( He did quite rightly. And you proposed to go to Aragno for your coffee on New Year's Night, too! Fabrizio/ she added, turning to her hus- band, ' did you ever hear of such an idea ? ' ' I have heard of such an idea, certainly, Maria/ 'replied the Prince ; i but in this case it was not at all a necessary idea not at all, I can assure Mr. Vane.' Edmund Vane bowed. The Principe di San Rocco was a heavy, matter-of-fact man, depressed in manner and expression and somewhat corpulent of figure, but cour- ; teous withal, and of a certain dignity of bearing. In the meantime Vane was offering his good wishes to 10 DONNA DIANA the daughters of the house with whom he was already acquainted, and the Princess introduced him to the re- mainder of the party, including a middle-aged German lady, at once governess, dame de compagnie, and watch- dog in Casa San Eocco. On the supper-table were plates full of sandwiches and bonbons, a few bottles of champagne, and red wine from the San Eocco vineyards. The Princess made room for her foreign guest to stand beside her, and his glass was filled with champagne. It was sweet champagne, of a rich pink in colour, and Edmund, as he wished his hostess a good year and emptied the glass, thought with distinct regret of the cup of black coffee he had proposed to drink at Aragno's. As to the Princess, she supped off sandwiches and mar- j-ons glaces, eating them alternatively, with a fine dis- regard for the digestion. After a few minutes Vane was able to observe his sur- roundings at greater leisure. His attention was arrested by the face of a young girl whom he had not before noticed, and to whom he had certainly not been presented. She was laughing and talking with Lino Savelli, and formed the centre of a little group of the younger members of the party, who had withdrawn themselve's from the supper- table to the further end of the room. Her beauty was so striking that almost involuntarily Vane's wandering glances returned to fix themselves upon it. It did not surprise him that he had not been introduced to her. It was evident that she was scarcely more than seventeen, and he knew how rigid were the rules of eti- quette by which young girls are fenced and hedged about in Eoman society; nevertheless, he would have liked to know who she was. The two daughters of the house he knew well enough, for he had repeatedly met them at balls and evening par- ties, at which they followed the Princess about the rooms very types of propriety, with an occasional expression DONNA DIANA 11 on their faces suggesting some impatience at being obliged to keep up appearances as jeunes filles. He saw them, too,, on most afternoons, driving with their mother in the San Eocco family carriage, with its handsome horses and coachman and footman in gorgeous though ill-fitting liv- eries, looking listlessly in front of them as the high ba- rouche rumbled down the Corso or round the Villa Bor- ghese. But he had certainly never seen this girl with the small, graceful head of a Greek goddess; with the large, soft brown eyes that reminded him of those of a fawn; with the warm, rich colouring of a youthful Bacchus. He had heard much of the beauty of Italian women be- fore he came to Italy, and, like most foreigners, had been considerably disappointed at finding comparatively little of it among the women of the upper class, especially in Eome. Though in the streets beauty in both sexes was common enough, in the Eoman drawing-rooms he had found it somewhat of a rarity. But here was beauty indeed beauty that was just emerging from its childish phase into the first bloom of womanhood. The sound of Princess San Eocco's voice recalled Vane to a sense of the proprieties. A latent fear lest he might have offended against them was not entirely dispelled by his hostess's remark. It was evident that she had observed his distraction, and had followed the direction of his too frequent glances. Possibly, also, she read the look of inquiry in his eyes. ' Our young people are amusing themselves/ she said, as the sound of crackers being pulled came from the little group at the end of the dining-room; and then she added, as Vane thought somewhat constrainedly : ' That is my niece, Diana Savelli. She is a handsome child, is she not?' ' Handsome, Princess ! She is beautiful ! ' replied Edmund. The Princess looked at him a little scrutinizingly. c A mere child/ she said rather coldly. ' She is at the 12 DONNA DIANA Sacre Cceur, and occasionally is permitted to come to us on some great festival/ 'But not a sister of Lino's?' hazarded her guest. e A cousin. The daughter of a brother of mine who died long ago/ answered Princess San Eocco. ' She will be a very beautiful woman/ said Vane. Again he became conscious of the Princess's eyes rest- ing upon him questioningly, and he noticed that her tone was colder than ever as, after a slight pause, she replied: * Possibly, monsieur. But the world will not see much of the beauty that you are kind enough to say you find in her. Such as it is, it is dedicated to God.' Edmund Vane experienced a sudden feeling of revul- sion and pity. A Eoman Catholic himself, the Princess's words, and all that they implied, should not have surprised him so much. He was vaguely conscious of this, and won- dered at the sense of anger which had possessed him as he listened to them. At that moment a merry peal of laughter, light and joyous as the note of a bird, reached him, and he saw Donna Diana Savelli snatch the motto of a cracker from one of her cousins and hold it high above her head. The Princess smiled. ' The child is full of spirits/ she observed, ' but she has the vocation. It is wonderful. To look at her, you would not think that she had fixed her heart upon entering religion. But you, Monsieur Vane, as a Catholic, know that these things are beyond our powers to reason upon.' Princess San Rocco paused, and looked at Vane as though expecting him to reply. The words, however, that rose to his lips were such as could not be spoken. He felt that he had already been guilty of an indiscretion in mak- ing any remark concerning a member of Princess San Rocco's family to whom she had not presented him. Further comment could not but be taken as a liberty. The Princess was right. He was a Catholic, and as a Catholic it was not for him to question a vocation to a religious life. Moreover, Edmund Vane was perfectly well DONNA DIANA 13 aware that, had Donna Diana not been so bewilderingly beautiful, he would have been quite indifferent as to whether or not she had such a vocation. He had been brought up to regard conventual life as the highest of all callings. In later years he had come to look upon it rather in the light of a safety-valve for superfluous piety a piety which might prove embarrassing, or even irritating, when pent up within the family circle. This latter attitude was probably due to the fact that he had an elder sister who, having quarrelled with an earthly fiance in the days of her engagement, had turned for consolation to a spiritual bridegroom possessed of the golden gift of silence. But that this young human creature, full of life, yet without the knowledge of its joys, unconscious of the power of her beauty, should be condemned or condemn herself to the living death of the cloister was surely a monstrous thing a spurning of God's gift of humanity. It was with a sense of relief that Vane saw Lino Savelli separate himself from his cousins and approach him. He longed now to get away from the Palazzo San Rocco and back to his own apartment in the modern quarter of Rome an apartment he had sub-rented from a wealthy American widow, the owner of a pronounced twang, a reverential spirit towards even the most spurious of Roman titles, and a pearl necklace, to which and to her cook she owed much of her social success in the Eternal City. After a few more minutes passed in conversation Vane bade the Prince and Princess good-night. Lino also took his leave, and accompanied his friend down the gloomy staircase. Their way lay together, as Lino also inhabited the higher quarter of the town. Lighting their cigars, they walked through the network of narrow streets between the Palazzo San Rocco and the Corso and crossed the Piazza Colonna, still crowded with loiterers and noisy with the tongues of many nations. ' What a beautiful girl your cousin is, Lino ! ? said Vane 14 DONNA DIANA suddenly, when they had gained the comparative quiet of the Via Tritone. ' Diana, I suppose you mean ? Yes, she is beautiful ! ' responded Lino briefly. ' It is a great waste/ he added, stopping to relight his cigar. ' A great waste surely not ! 9 ' Surely yes, Eddie ! No man will be the better for it neither will she herself, poor child ! ' Vane kept silence. He rather wished to learn Lino's views on his cousin's destiny, and did not think it neces- sary to tell him what he had gathered from the Princess. ' They keep her in the Sacre Coeur,' he continued ' you know, at the Trinita dei Monti and when she leaves it she is going to be a nun. We are a strange race, we Latins ! ' ' I have a sister who is a nun,' observed Vane ; ' but she is not like Donna Diana,' he added, with a little smile. ' The Church is the same in all countries ; it must have its devotees.' 'And its victims,' rejoined Lino. Edmund looked at him quickly. He knew that this young Roman, born of a family attached to the traditions of Papal Eome, the nephew of a Cardinal, was practically an unbeliever in the claims of the Church to which he nominally belonged. That such a thing should be had per- plexed, and even pained, him when he had first come to Rome. In the early days of his friendship with Lino these subjects had never been mentioned between them. It was only when their friendship had become closer and more intimate that he had realized the tranquil indiffer- ence towards the dogmatic religion of his country which seemed to be a part of Lino Savelli's nature. He had not been long in Rome, however, before discov- ering that Lino, except in the honesty of his scepticism, was no great exception to a very large number of men of all ages and of all classes. Edmund Vane was forced to admit, moreover, when he thought about the matter at all, that his own faith was his rather by accident of heredity DONNA DIANA 15 than by exercise of reason, nor had he ever particularly wished that it should be otherwise a comfortable frame of mind, encouraged by the creeds of all the ages. Lino's remark fell unpleasantly on Vane's ear, and the feelings of mingled pity and indignation, of which as a Catholic he was conscious of being a little ashamed, stirred again within him, as they had stirred when he learned the destiny of Donna Diana Savelli from her aunt's lips. ' A victim ! ' he repeated. ( But that sounds horrible, Lino horrible, and incredible also! We are not in the Middle Ages/ c How do you know ? ' asked his companion briefly. Vane looked a little taken back, and then he laughed. ' Oh, well/ he replied, ' if we were, you would not be smoking- a cigar, in the first instance; and, in the next, you would probably be reflecting on your heresies in the Castle of Sant' Angelo/ 'Rome is so old, so very old/ said Lino Savelli medita- tively. e A tolerably well-worn platitude, almost worthy of that Imperial utterer of platitudes, Marcus Aurelius, but not particularly apropos/ ' You think not ? but I tell you that in Eome we are still in the Middle Ages we have never got out of them, if, indeed, we have reached them. That is what foreigners will never understand. They come here and judge us from the outside. They even take furnished apartments for a few months in order to write books about us/ Don Michelangelo Savelli stopped short in the middle of the pavement, as every Eoman must do when he wishes to emphasize an argument in the open street. In the semi- deserted Via Tritone, at two o'clock in the morning, the obstruction to the foot-traffic was not great ; but he would equally have stopped on the narrow pavement of the Corso at four o'clock in the afternoon. ( I tell you what it is, Eddie/ he continued impetuously. ( There never will be a true book written about Rome until the writer takes the soul out of a human body^ and lays it 16 DONNA DIANA bare and dissects it, as the doctors take a corpse and stretch it on the table of the dissecting-room, and open it out for the world to see its disease.' 'Your simile is rather brutal/ observed Vane with a smile. 1 Perhaps, but it is true. Men come here, and they look at the external body of Kome, and moralize over it accord- ing to their individual temperaments. You are all alike, you foreigners. The Germans take Eome sentimentally, between their " bocks " at the beer-shop in the Via San Giuseppe; you English attempt to turn it into a Holy City; the Americans, as the gateway leading, not into Paradise, but into Society." ' And you Eomans how do you take it ? 9 ' We Eomans ? Well, knowing the pitiful humanity of the thing, we do not take it very seriously. You see, we are accustomed to it. There is no novelty, no freshness, no mystery, for us nothing, in short, to sentimentalize about/ Vane winced a little. Eome still held his gods. They walked on for a few minutes in silence. 'But your cousin, Donna Diana/ said Edmund at length. Do you mean to say that she is going into a con- vent against her will ? ' Lino Savelli looked at him with some surprise. ' Of course not/ he replied. ( It is her ideal. She longs for it, as some girl of the people, who has been told that she will please the public, longs to go on the stage/ He spoke seriously, but all the Eoman love of irony which Vane had learned to detect lurked in his words. ' Then, why did you use the expression " victim/' if that is so ? ' asked the latter. 'Because I regard her as a victim a victim to sug- gestion/ ' You cannot mean that, Lino ! ' exclaimed Vane. 'But I do mean it. Do you suppose that I have not done all I could to reason with her, with my aunt, with all of them, in fact ? But you know what women feel DONNA DIANA 17 about such things. Eeligion is their province; we men cannot interfere with their ideas about it. Besides, in Diana's case there is nobody to do so.' 'But,, surely, her uncle ' ' My uncle, San Eocco, do you mean ? ' and Lino laughed a little. ' You do not know him, or you would never think that he would commit himself to an opinion upon the subject. And our other uncle, Diana's and mine well, he is neither a man nor a woman ; he is a Cardinal ! ' They had arrived at the Piazza Barberini by this time, and here Lino Savelli bade his friend good-night and turned up the Via Quattro Fontane. Vane lingered a little while in the piazza, listening to the sound of the fountain, and watching the drops of water sparkle in the moonlight as they fell into the basin beneath. It was his second year in Eome. He had come the year before partly in response to the earnestly ex- pressed wishes of Lino that he should do so, and glad to think that through the latter's good offices he would have an opportunity of becoming acquainted with the real Eome, and not merely with that spurious Eome presented to foreigners through the medium of guides and hand- books, or, more deceptive still, through the tinted spec- tacles of the Anglo-American society of the Italian capital. Possibly, had it not been for his friendship with a Eoman belonging to one of the few Eoman houses of gen- uinely ancient descent in a city in which high-sounding titles not infrequently supply the place of pureness of blood, Vane would never have come to Eome at all. The life of a capital did not particularly appeal to him, and he had heard Eome described as the happy hunting- ground of elderly ladies of all nationalities, more especially those of the Anglo-Saxon race. Thirty years of age, his own master, and possessed of a tolerably good income, Edmund Vane had been able to indulge in the two forms of amusement most congenial to him, namely, travel and sport. That he did both intelr 18 DONNA DIANA ligently was not a little to his credit, considering the train- ing of his earlier years. Born of Catholic parents, he had as a boy been sur- rounded by all those mental and spiritual boundaries which the Church of Eome is ever compelled to raise against the threatening demons of reason and independ- ence of thought. Nor, when he exchanged the strictly orthodox if somewhat stagnant life of an old Roman Cath- olic family in England for the schools and colleges of his co-religionists, had his mental horizon been greatly enlarged. The boundaries were always there fixed, inexorable; the appeal to the senses, subtle, intangible, perpetual, were ever present to meet each incipient development of the reason, wrapping it round and moulding its youthful plia- bility in the moulds cast in the workshops of such masters as Aquinas and Liguori. And then reason had slept the sleep of the Lotos that so often passes into death. Death indeed came, but physically, and that to Edmund's father. At one-and-twenty Edmund Vane found himself independent in the world, and, as not infrequently happens in the case of an only son, with no profession. To travel in wild countries in pursuit of big game had been the ideal of his boyish days. If books had been but coldly looked upon at Silverside, the Vanes' place in Lan- cashire, sport had never been interfered with. To destroy life has never been deemed so dangerous an occupation to the soul as to seek to understand it; and Edmund Vane, like most young fellows of his age and class, destroyed a good deal. He had seen many men and many countries since those youthful days; and little by little, almost imperceptibly, the old boundaries had receded, disclosing fresh ground on which as yet he feared to tread. Sometimes he wondered whether this fear were not the result of a weakness in the system in which his mind had DOOTA DIANA 19 received its training; and whether he should not have been able to tread boldly, confident in his strength. But the old influences retained their power. The ques- tions he put to himself sometimes in the silence of night- watches under tropical stars, or in the desert places of the old, wise East questions which he would have liked to ask of others he felt had been answered to him long ago. The answers might not be satisfactory often were cer- tainly not so; but, remembering their authority, he sighed and let them pass. And so he had drifted to Eome, whither drift so many of those who question. He had come the first time with an almost careless cer- tainty that at Eome doubts, scarcely definable as yet, would be dissipated; that problems which propounded themselves in far-off places among men of other creeds and other races would be solved in this, the centre of in- fallible authority. Nay, that solution would not even be required when these problems should be tested by the light of divinely-inspired truth. But that first year in Eome had solved no problems, dissipated no doubts. On the contrary, it had raised up new ones questions demanding an answer with a certain imperiousness at which Vane wondered, a little vexed with himself that he could not, here in the centre of Catholi- cism, dismiss them from his mind with the same facility as, when they became too persistent, he had been hitherto able to do. And, having once come to Eome, he had come again as do most men. An intense desire had taken possession of him to study from within this complex thing: half shrine, half bottega half metropolis, half little cathedral town this magnet which for well-nigh thirty centuries had attracted the love and hate, the scorn and reverence, the fear, the hope, and the despair of mankind. As he had said to Lino Savelli at the Capitol that night, Eome gripped him, but whether with a spiritual embrace he hardly knew. CHAPTER III THE Countess Verini had long overcome the initial diffi- culties attendant upon the formation of a reputation for cleverness, and her salon at Rome was a recognised institu- tion. On Tuesday, Friday, and Sunday evenings she re- ceived in her apartment near the Corso. The female element was not so largely represented in Casa Verini. Not unnaturally, perhaps, its mistress did not greatly encourage native female talent, though she was ever ready and eager to welcome it when foreign and merely de passage. The consequence was that, more especially on Sunday nights, a dozen to twenty men were usually to be found in the Countess's drawing-rooms at any hour from ten o'clock until one in the morning; and perhaps two, or at the most three, other women besides herself. Edmund Vane had met Countess Verini on several occa- sions at the house of one of the select female spirits of her intellectual coterie, and also at various dinners. Learning that he was of a family well known in England, that he had travelled a good deal, and also that he had a good income, she had come to the conclusion that he might be interesting, and had told him she would be pleased to see him on her evenings. Vane had availed himself at rare intervals of her invitation, partly because it was only civil to do so, and also because, from all he had heard of her, he thought her house might prove amusing. He had, as usual, applied to Lino Savelli for information concerning the Countess Verini's surroundings. The longer he lived in Rome the more profoundly thankful he felt at having a guide and counsellor who could enable him to avoid the pitfalls that lurk in the path of those walking DONNA DIANA 21 unwarily through the narrow ways of Eoman society. He had realized that these tracks crossed each other perpetually, in the most unexpected places, and that in some of them there was mud. ( Countess Verini's world ? 9 Lino had replied, with a slight shrug of the shoulders, ' well, it is " le monde ou Fon s'ennuie." Are you interested in schemes ? ' ' Schemes ? ' asked Edmund vaguely. ' I mean, schemes for the improvement of other people's intellects/ ' Not in the least. I have enough to do in attempting to improve my own.' ' Oh ! but you would be interested in them. It is very amusing. Perhaps, if you make yourself unusually agree- able, you will be asked to join a course of lectures on Dante that is to say, you will be asked to join in the payment of the lecturer. You will, in fact, belong to a body of people firmly persuaded that they have discovered Dante and some other comparatively unknown genius.' ' Oh, I see souls ! ' e Souls ? not at all bodies ' said Lino dryly. Vane laughed. ( They used to be called " souls " with us a few years ago,' he said. ' Yes, it is much the same thing, I suppose.' ' Well/ replied Vane, ( I think it proved to be so, some- times.' True to his determination to abandon sight-seeing during his second visit to Boom, and devote himself, however reluctantly, to the society of the place, Edmund Vane had gone several times to the Countess Verini's evenings after this little conversation. At first the social life of Eome had bored him considerably. He had confided his feelings to an elderly French diplomat, well acquainted not only with the Eoman world, but with many others. ' Ah, mon cher,' the latter had said to him frankly, ( you find Eoman society uninteresting? well, so it is deadly uninteresting to those who do not create an interest for themselves. 22 DONNA DIANA 'You must be in love with somebody, preferably with somebody else's wife, if you would find the society of this town amusing/ 'But I am not in love with anybody's wife/ Vane objected. 'And what does that matter?' replied Monsieur de Villebois. ( It is very easy to pretend that you are. You have only to fix upon the lady, and, if you persevere, you will end by believing that you are in love with her. So will her husband probably, and that will give an interest to the affair. Believe me, it is an excellent thing. It supplies well, just the necessary amount of excitement to a life which is, after all, somewhat uneventful. But whatever you do, do not fall in love in the Anglo-American world, for, if you do so, you will have a very bad time of it. The old ladies will dissect you and your fiancee with their tongues ! ' And Vane had smiled at the old diplomat's cynicism, while he mentally compared the difference between the French and the English outlook on life. Later he had come to feel that there was a certain amount of truth in Monsieur de Villebois's words, when allowance had been made for his national prejudices. Until he had seen Donna Diana Savelli, Vane had regarded Eoman society as a part of Eome that he could very well afford to observe at his leisure. Unlike many foreigners, he had nothing to gain from it; his position in his own country was too well assured for that. Gradu- ally, however, he had become aware that the impressions he had received on first beholding Donna Diana at the Palazzo San Eocco had increased rather than diminished their hold upon his mind. He argued that it was absurd to suppose himself to be in love with a person whom he had seen only once, and with whom he had never inter- changed a word, or even a direct look. But a sense of some mystery surrounding this beautiful Eoman girl destined to the cloister perpetually suggested itself to him. A longing to unravel this mystery, should it really exist, DONNA DIANA 23 to discover what psychological power was at work in Donna Diana, strong enough to silence the voices of Nature, had little by little taken possession of him. Some instinct seemed to warn him that the sudden impulse of indignation and pity he had experienced on learning from Princess San Eocco of the future in store for her niece was not a false instinct. But how should he arrive at a conclusion that could satisfy him? Donna Diana Savelli was inaccessible to him. Any real acquaintance with a girl brought up ac- cording to the traditions of an old-fashioned Eoman house would have been difficult enough for a young man to form ; in the case of Donna Diana, just concluding her education in the Sacre Cceur, and already vowed to a religious life, it was an impossibility. Perhaps the very hopelessness of satisfying his curiosity caused the latter to increase, or stirred within him some- thing akin to the spirit of chivalry. However this might be, the fact remained that Donna Diana's face and form haunted him with an almost annoy- ing persistency; and more than once, when attempting to draw Lino into conversation about his cousin, Edmund had felt almost angry with him for displaying so little surprise that at eighteen she should already have de- termined to renounce the world. At length he had come to the conclusion that, if he desired to solve a problem which, rightly or wrongly, he believed to exist, he could only do so by mixing freely in the society of which Donna Diana, had she so chosen, would have been a member. De Villebois was right. To find society interesting it was necessary to have an interest, an object. At least, he reflected, this object of his was less likely to lead to undesirable complications than might be the result of forcing himself to make love to somebody else's wife. Also, it was more in accordance with his individual tastes, and with his ideas of what was honourable and what was base in a man's dealings towards his fellow-men. 24 DONNA DIANA And so, for this carnival-time at least the Roman car- nival season extending from the New Year to the beginning of Lent Vane determined to perform the round of the Roman social treadmill, drawing a line only at the tea- parties, and this from a sense of something due to his man- hood. On this particular Sunday evening, having dined in the black world at a house in the Piazza Santi Apostoli, Vane remembered that it was some time since he had paid the Countess Verini a visit. His dinner-party had not been a very exhilarating function, comprising, as it had done, an old and worthy Cardinal, an English Bishop paying his visit ad limina Apostolorum, and various shining lights among the English Roman Catholic laity at that moment in Rome in the character of pilgrims. A change of colour, he thought, would be a decided relief. The Cardinal had talked to him for some time after dinner, holding his hand and patting it the while an embarrassing process, making conversation difficult. The Countess Verini would certainly not pat his hand; he was not literary or artistic enough for that. But in any case it was more amusing to pretend to be clever than to pretend to be pious. Vane found Countess Verini's drawing-room fuller than usual. A glance at the sofa on which his hostess was sitting showed him that a ( lion ' was spending the evening in Casa Verini. Countess Verini was listening with an ex- pression of rapt attention on her face to the words falling from the lips of a short, dark man of an unwholesome com- plexion who was sitting next her, only remarkable at first sight for the forbidding expression of his countenance, and for the possession of an elaborately embroidered shirt-front, in the centre of which glittered a large yellow diamond stud. Groups of people were standing about the sofa, and Edmund was about to make his way through them in order to salute his hostess, when a prolonged e Hush-sh ! ' went round the room. DONNA DIANA 25 ' He is going to read a scene from his new drama, " Le Vittime," ' whispered somebody at Edmund's elbow, and, looking round, he recognized Monsieur de Villebois. ' He has mistaken the title/ the latter added with a chuckle. ' He should have called it " Le Spudorate." ' The lion rose languidly from the sofa and took up a position in the centre of the room, and again an imperious 4 Hush-sh-sh ! ' was heard, while Countess Verini leaned her head back on the sofa cushions and closed her eyes. Suddenly the great maestro looked round with a pained expression. ' The light ! 9 he said, passing his hand over his eyes and through his hair. ' It is too much. The scene is tender an idyll of the night of the night and of love, you understand. Cara Contessa, a single lamp so ! ' he added, as at a rapid sign from Countess Verini the electric light was reduced to one rose-shaded globe that threw a subdued glow on the poet's person. The scene was long and the language unquestionably beautiful. The pure, classic Italian flowed like a limpid stream of melody, but it flowed over ugly places, slimy rocks, in the recesses of which lurked evil things. The passion rang false, and while singing of love the song never shook itself free from lust. Art was there, but it was the art that suggests, deceives, and falls back into the dust. The poem came to an end at last, and Vane wished it were not contrary to the customs of polite society to kick the poet. The pruriency of it did not shock him, but the effeminate, cat-like cruelty masquerading as love disgusted him. A murmur of reverent applause followed the closing words. Countess Verini rose from her sofa and grasped the poet's hands warmly. ( It is magnificent ! ' she exclaimed. ' Such power and such exquisite pathos! You are great, Carusio, great as Dante, as Shakespeare, as Goethe were great! Nay, who knows whether you are not greater ? For you appeal to the soul, to the spirit, where they appealed to the intellect/ 26 DOXNA DIANA < Oh la, la ! ' murmured Monsieur de Villebois. ' But the compliment is doubtful.' ' Ah, Contessa,' replied the poet in a harsh, unmusical voice, 'the great men you mention lived in other times. They were great, certainly very great. But in these days the artist has to penetrate the furthest depths of the pas- sions developed by our advanced civilization. Dante, Shakespeare yes, certainly they began what the great ones of our day will complete.' Countess Verini's restless glance fell on Edmund Vane. ' Ah, Mr. Vane ! ' she exclaimed in English. ( I did not see you before. You arrived in time, I hope, for the treat Carusio has given us ? Carusio, I think you do not know Mr. Vane an Englishman, but an Englishman with other ideas in his head than sport and what do you call that dreary game they play at the Villa Doria golf, is it not ? ' Edmund bowed a little coldly to the poet, and Countess Verini resumed her place on the sofa, motioning him to sit beside her. ( Well, Mr. Vane, it is three weeks that I do not see you,' she said in her somewhat broken English. ' You have been well occupied, no doubt. In Rome there is so much for the mind/ All the time the Countess Verini was speaking her eyes roamed quickly round the room. Edmund commenced an apology for his delay in coming to see her, but immediately became conscious that his hostess was not listening to a word he said. Suddenly she called to a young man standing a few paces off. 6 Marco, you know Mr. Vane, do you not ? But of course you do your brother's friend ; ' and without waiting for a reply she hurried across the room to her lion. Don Marco Savelli advanced and shook hands with Edmund. He was very unlike his brother Michelangelo, though he had something of the latter's good looks. Lino's frank expression was altogether absent from his elder brother's countenance, as also were his pleasant smile and DONNA DIANA 27 graceful,, yet manly, bearing. Marco's eyes were black in colour and furtive, while his face was pale and somewhat dissipated-looking. Edmund had met him many times, but had always felt intuitively that Don Marco disliked him, though the latter had never been anything but civil in his manner towards the foreigner who had saved his brother's life. Vane could only suppose he unconsciously showed that he reciprocated his dislike. He knew Marco to be high in favour with his uncle the Cardinal; whereas Lino was regarded by that ecclesiastic as a black sheep, or rather, perhaps, as a white one. Don Marco was attached to the clerical party, and had been educated at Mondragone under the eye of the Jesuits. There had even been at one time some idea of his entering the priesthood in accordance with Cardinal Savelli's strongly expressed wishes. He had continued to remain a layman, however, without forfeiting his uncle's regard a regard which his younger brother had hopelessly lost by making no secret of his scepticism concerning dogmatic religion generally and the claims of the Vatican in particular. The breach had been definitely made when Lino had insisted upon entering the Italian army; and from what Vane had heard, though he had never heard it from Lino, he had reason to believe that Don Marco had been instru- mental in encouraging the Cardinal's resentment rather than in seeking to allay it. C I could not prevail on your brother to come here to- night/ Edmund remarked, more for the sake of saying something than because he had any desire to talk of Lino. The latter smiled a little sneeringly. ( The Countess Verini's salon is not much in Lino's line,' he observed. 'No doubt he is gambling at the club or improving his mind at a cafe-chantant. I did not know that you cared about our world,' he added. Vane was not a man to take offence easily, but the other's tone irritated him. It was unmistakably patronizing and a little contemptuous. c As you appear to know so little of your brother's tastes/ 28 DONNA DIANA he replied dryly, ( I can hardly expect you to know much of mine. Lino, I believe, is neither gambling nor at a cafe-chantant, but at the opera/ Don Marco's sallow face flushed and his black eyes gleamed angrily. Then he recovered himself. ' It would be such a good thing/ he said, ( if you could persuade our dear Lino to take life more seriously. I am afraid he spends a great deal of money on well, on not very profitable objects/ ' You forget/ Vane replied, ' that I am not your brother's keeper. Lino amuses himself. Why not? But I believe he thinks there are other things than money worth having in the world.' . Edmund knew that Don Marco Savelli, though by no means a fair specimen of the modern Roman youths of the upper class, was nevertheless of a type still far too numerous among them an indolent, extravagant young fellow, com- pletely unscrupulous where money was concerned, but yet possessing to the full that exaggerated sense of self- importance which has ever been the bane of the Roman noblesse. It was no part, however, of Edmund's policy to quarrel with Marco Savelli; on the contrary, he had every reason to be on friendly terms with him. ' I met Cardinal Savelli the other night at the Palazzo San Rocco/ he said, fearing that his manner had been a little too dry. ' He was kind enough to ask me to come see him, which I have not yet been able, to do. What hour would be convenient to him, do you think, to receive me?' Marco was all smiles at once. ' Of course/ he replied, ( my uncle would be delighted. In fact, he was talking about you the other day, and told me he had met you. You go often to the Palazzo San Rocco, do you not? Naturally, being so intimate with Lino, you are au mieux with the family.' ' I go there very seldom/ answered Vane. ' Sometimes when the Princess receives ' DONNA DIANA 29 Marco looked at him a little suspiciously -a quick look from beneath his heavy, half-closed eyelids. ' Oh/ he said indifferently, ' I thought you were a frequent visitor. But of course I do not know ! Lino is the favourite in Casa San Eocco; I do not very often go there. I find it dull very dull. And my cousins they are estimable girls, but they are dull also; and well, frankly, my dear Vane, I do not suppose that you find them good-looking ? ' Vane hesitated for a moment; Don Marco was looking at him inquisitively. ' What do you expect me to say ? 9 he replied, laughing. ' They are, at least, very amiable, which to a stranger like myself is more important than their looks/ Marco smiled. 'You should be a diplomat/ he observed a little satiri- cally ; and then he added suddenly : ' But I think you have met another cousin of mine and of theirs at Palazzo San Rocco I mean, my cousin Diana Savelli/ 6 Yes, I have met her/ answered Edmund quietly ; ' that is to say, I have seen her, but I was not presented to her/ Don Marco laughed. 6 You need not regret the fact of not having been pre- sented, I mean. My aunt probably did not wish you to waste your time/ \ ' To waste my time ! ' repeated Vane. He felt that Marco Savelli was fencing with him, and he rather enjoyed the feeling. He had before now ex- perienced the sensation when talking to other Romans. It had sometimes amused him to follow the strange combina- tion of subtlety and ingenuousness of the average Roman when engaged in trying to outwit a foreigner, and to notice his child-like assumption, fatal to the ends he may have in view, that every foreigner, and especially every English- man, must necessarily be a fool. ' Certainly/ continued Marco. e Did you not know my cousin Diana is going to be a nun ? ? ' Really!' replied Vane indifferently. 30 DONNA DIANA Marco looked at him hard again. 'Yes/ he said. 'It is odd that you should not have known that Lino should not have told you/ 'I don't particularly see why he should have told me/ observed Edmund. 'It is strange, is it not, that a girl like Diana should choose such a life?' proceeded Marco. ' It is not uncommon.' ' No, of course not, in the case of ugly girls. But in her case well, one cannot but admire her for her holiness. It is useless to reason with that kind of thing. Indeed, we should be thankful that the world contains such pure spirits, ready to devote themselves to a life of prayer in order to avert God's anger from its wickedness.' Vane glanced at him, and then hoped that his glance did not betray the contempt he felt. ' You did not tell me the hour at which Cardinal Savelli receives visitors/ he said. ' Oh, but do not trouble yourself, my dear Vane ! I hardly know what to say; you see, it is difficult to find him. In the mornings, if he is not summoned to the Vatican, he is occupied receiving people on business, and in the afternoons he usually goes for a drive. My uncle leads a very retired life, and does not entertain at all, or I would ask you to come to breakfast with us, as I live with him, you know/ Just then Countess Verini interrupted them. She re- turned to her sofa, followed by the poet and several other men. 'We are discussing/ she said, 'the gospel of Tolstoi. Carusio says that he lacks sympathy with the beautiful; that he is tedious grand poseur, in short. What do you say, monsieur ? ' she added, turning to Monsieur de Ville- bois. ' Madame/ replied the latter, ' I regret to say that I have not the time to read him; but I accept Carusio's opinion. He should be an admirable critic of the defects he finds in Count Tolstoi.' DONNA DIANA 31 ' It is true. Do you hear, Carusio ? you are an admir- able critic/ said Countess Verini. Vane laughed to himself. Monsieur de Villebois' sense of humour was always refreshing in Eoman drawing-rooms, the more so because it was distinctly an exotic. He and Vane had become very good friends, owing no doubt to the fact that he found Edmund capable of appreciating his little cynicisms. ' Let us escape, mon cher,' he whispered, pressing Vane's arm. ' If we must continue to admire each other's talents, we shall do so more comfortably at the Circolo della Caccia!' It was very easy to slip out of the rooms unobserved by their hostess, for the lion on the sofa was roaring as gently as any sucking-dove; and Countess Verini was en- gaged in sympathizing with one of her female guests who had lately opened a shop, the profits of which were to be devoted to*charity, at the difficulty she experienced in balancing her accounts. CHAPTER IV ' THAT is a visit which need not be repeated for a month/ said Monsieur de Villebois with a sigh of relief, as he and Vane found themselves once more in the open streets. The night was mild and balmy, midwinter though it was; and, instead of repairing to the Caccia Club, close at hand, the two men preferred to walk along the Corso. 'At least we shall breathe some fresh air/ continued De Villebois. ' Carusio's intellectual atmosphere is too redolent of what shall I say? of patchouli/ Edmund laughed. ( You define it exactly/ he replied. e But Madame Verini amuses me. Is she a clever woman, or a fool ? ' ' Socially she is clever ; intellectually ' And Mon- sieur de Vilebois paused expressively. ( She has a mar- vellous talent for playing upon the vanity of clever people for extracting some of their ideas and reproducing them to her admirers as her own. But, look you, she is not a woman to be ignored here in Rome. She knows the ropes, and some of them she has the means of pulling. You are not intimate with the Countess Verini no?' 6 Not at all ! I have the slightest possible acquaintance with her. I don't know why she invites me to her house, for I am certainly neither literary nor artistic/ said Vane, smiling. ' Oh, as to that, it does not signify. You are one of the few Englishmen here who go into society. You are rich, and you are a Catholic.' 'A Catholic!' interrupted Edmund. 'But I thought that Countess Verini was very independent in her views.' ' So she is/ said Monsieur de Villebois dryly. ' Her Catholicism, like her Bohemianism, is an affaire de poll- DONNA DIANA 33 tique, as it is with most of us. Going to Mass does not prevent her from having her admirers, neither does going to Confession on the contrary.' ' And Count Verini?' ' Count Verini is in Persia, or in Japan anywhere, indeed, that you choose. He does not often take his leave ; but when he does, like a sensible man, he prefers to spend it in Paris/ ' Do you know him ? ' asked Edmund. ' I have never had the pleasure of meeting him/ said Monsieur de Villebois gravely, ' but I have often heard his wife talk of him.' ( And Madame Verini consoles herself in his absence,' said Vane, smiling. ' Oh, not at all ! She consoles others politically, you understand, and artistically.' ( But I don't understand.' ' No ? Perhaps not. It is natural. You have not yet been long enough in Eome. The Countess Verini adores success. A successful artist, politician, even a successful priest, is a delight to her. Moreover, she is very charitable, and always ready to assist people to lucrative posts in their profession/ Vane looked at him doubtfully. ' I wonder what you mean to imply/ he said, laughing. ' But nothing disagreeable, mon cher ! I only want to make you understand that Countess Verini is not what you might think she was a precieuse ridicule and nothing more. There is much method in her madness. Eome is a very curious place. There are a great many strings, and the ends of them are to be found in the most unexpected quarters. No doubt you, like most of your nation, and more especially like your Catholic compatriots, come to Eome firmly persuaded that there are only two strings one of which is being pulled by the devil, and the other by the Holy Ghost. And you apportion the pullers ac- cording to your individual religious and political preju- dices. Well, it is a great mistake. There is one big, strong 34 DONNA DIANA rope, and quite a number of smaller cords by which it is worked/ ( And your big, strong rope is ' ' Money, my dear friend, money and always money. In most places people are content to admit that money means power. In Rome it is very generally recognised that power means money. It is a more dangerous maxim than the other/ ' It is odious ! ' exclaimed Edmund, ' and I do not believe it not, at all events, so far as the Church is concerned. Allow me, at least, to continue in my belief that the Holy Ghost pulls that string. For all I know, money may be the moving spirit of the social and political part of Rome indeed, I have heard that it is so. But the Church stands above and apart from that life disowns it, in fact.' Monsieur de Villebois paused for a moment in his walk. c My dear Mr. Vane/ he replied, ' I, like yourself, am a Catholic by profession, and though, like the large majority of Catholics in the world, the indignant denials of the priests and the "good" Catholics notwithstanding, I do not by any means believe in all the fantasias of the theo- logians, I am very far indeed from judging Catholicism by Vaticanism, or from holding the former responsible for the corruption of the latter. Do not misunderstand me on this point, I beg of you.' e I am beginning to understand your position/ said Vane. ' Last year I should not have understood so much.' ' I never discuss these points with English Roman Catho- lics/ continued Monsieur de Villebois, 'for either, like yourself, they are too superficially acquainted with what I may call the central machinery of their faith, or, if they have realized its workings so far as the English mind can realize them too of ten, like the man in the parable, their last state is worse than their first. They become fanatics.' Vane kept silence. He knew that his companion had some right to speak of matters appertaining to Rome, and DONNA DIANA 35 especially on those connected with the Roman Church. Monsieur de Yillebois had been for years Conseiller at the French Embassy to the Vatican before he retired from the diplomatic service; and for some time, during a period of acute friction between his Government and the Holy See, he had filled the post of Charge d ? Affaires in the absence of his chief, officially supposed to have returned to France on indefinite leave. 'But we were talking of Countess Verini/ De Villebois resumed, 'and perhaps you do not see the connection. Between ourselves, my friend, she is one of those women who are hanging on to the smaller cords. Here the latter are generally manipulated by women. The Countess Verini has been the chere amie of several political personages, some of whom have been bitter enemies, politically as well as privately. It must often have been sufficiently di- verting. < She has talent, for she has never compromised herself or her friends too deeply. After all, women of that kind can always protect themselves by going regularly to Mass. In your country they affect philanthropy and visit the poor, do they not ? ' ( Evidently/ said Edmund, ' I have only seen one side of the Countess Verini's character. She seems to be a very versatile lady, but interesting, I should say, to observe from a distance. I do not quite understand the literary and artistic pose, however.' 'Ah, as to that/ replied Monsieur de Villebois, 'like the confessional, it is a protection. Art enjoys the same prerogative as charity/ 'I have only been two or three times to her evenings/ said Vane, ' so I have hardly realized who are the habitues of her salon. I saw Don Marco Savelli there to-night. Is he a constant attendant ? I noticed that Countess Verini called him by his Christian name. They are not relations, I think?' Monsieur Villebois smiled. ( Certainly not/ he replied. ' Countess Verini is not a 36 DONNA DIANA Eoman she comes from the South of Italy. As for Marco Savelli, he is a string voila tout!' 6 A very frail string, I should imagine/ said Edmund, a little contemptuously. ( Possibly, but a long one. A string that reaches across the Tiber, and the other end of which is in the Vatican. I saw you talking to him/ continued Monsieur de Villebois. ( He is very different from his brother/ ( I should think he was, indeed ! ' exclaimed Vane. ' There is not much love lost between them, I imagine. Not that Lino has ever said anything to me to warrant my thinking so/ he added hastily. ' Do you know this uncle, the Cardinal ? ' asked Monsieur de Villebois. 'I have met him at the Palazzo San Eocco/ said Ed- mund. ' He asked me to come to see him, and it was that I was speaking about to Don Marco. ( It struck me he did not seem very anxious that I should call on his uncle, for when I asked him at what hour the Cardinal received visitors he was very vague, and rather put me off.' De Villebois nodded his head. ' Ah/ he observed, ( Marco Savelli is determined not to allow the Cardinal to make up his quarrel with Lino. No doubt he feared lest the latter might employ you as an ambassador of peace. What else did you talk about, if it is not an indiscreet question ? 9 ' Not at all indiscreet/ replied Vane. f We talked of his relations, the San Eocco. He appeared anxious to know if I had made the acquaintance of his cousin, Donna Diana.' 'Ah, Donna Diana/ observed Monsieur de Villebois meditatively ' yes ? And have you made her acquaintance, Monsieur Vane ? ' Edmund Vane glanced at him quickly. He thought he detected a trace of something more than idle curiosity in Monsieur de Villebois' voice as he asked the question. He wondered if the ex-diplomat were e pumping ' him, and if so what his object in doing so might be. DONNA DIANA 37 ' No/ he answered, truthfully enough. A fleeting smile passed over Monsieur de Villebois' face. ' But you have seen her ? ' he asked. ' I have seen her, yes ; but I was not introduced to her/ 'Ah! You were in Casa San Rocco on New Year's Night, were you not ? ' Vane looked at him with surprise. ' Yes/ he answered, ' I was. But how do you know, monsieur ? ' The other laughed. ' My dear friend/ he said, ' the question shows how little you know Rome. Do you suppose that everyone is not aware that Lino Savelli took you to supper at the Palazzo San Rocco on the last night of the year? When you are better acquainted with this little wile de province, you will understand that half of it knows all that the other half is doing and a great deal that it has never done. For the rest, it was indiscreet of Lino but he is always impetuous, that dear boy ! ' Edmund felt a little uncomfortable. ' Indiscreet? Then Fm afraid it was still more indis- creet of me to go. I told Lino I did not much like doing so/ ' It was an indiscretion from some people's point of view ; ' said Monsieur de Villebois. ( New Year's Night is regarded here as a time for families and their most intimate friends to meet. For instance/ he added, glancing at Edmund, 'had strangers been expected Donna Diana would not have appeared. Casa San Rocco is an old- fashioned house.' 'But the Princess received me very cordially/ said Vane, 'and so did the Prince. At least, they did not make me feel de trop in any way. I should certainly not have gone had Lino not made such a point of it. Now you have made me feel very uncomfortable.' 'You have no reason to be so/ returned Monsieur de Villebois. ' So far as the Prince and Princess are con- cerned, their welcome was perfectly sincere; I am sure of 38 DONNA DIANA that. Nevertheless, your presence was a surprise. How- ever, you are not to be pitied/ ' Really ? ' said Vane, smiling. ' I am glad of that.' ' Certainly not/ answered Monsieur de Villebois. ' You have had an opportunity of looking at Donna Diana Savelli. It is an opportunity not, as a rule, afforded to young men ; and, pardon me, my dear friend, but I hear Rome has heard that you made the most of it/ Vane was conscious of a blush, and hoped that it might pass unobserved in the glare of the electric lamps. ' Well,' he replied, laughing a little constrainedly, ' a man might be excused for looking more than once at Donna Diana Savelli.' ' So I believe,' said Monsieur de Villebois, with a passing gleam of amusement in his eyes. f I have never have had the good fortune to behold her, but I judge from report. The worst of it is,' he added, 'that men are very seldom content to stop short at looking, especially men of your age, and it is not considered good manners to observe other people's fiancees too closely, Monsieur Vane.' * But Donna Diana is not fiancee' said Edmund quickly. ' Certainly she is,' returned Monsieur de Villebois. ( She will wear her bridal clothes and her bridal veil, and then she will be handed over to her husband. Ah, la pauvre petite!' and he broke off abruptly. Vane turned to him quickly. ( I understand what you mean now/ he said. ' Is it not monstrous, ridiculous? I have only once seen that girl,' he continued, ' but, all the same, when I heard it I felt as though I were being told of some cowardly crime. What does it all mean, De Villebois ? ' In his indignation Edmund scarcely noticed that he had dropped the prefix of ' monsieur' in addressing his com- panion. The latter smiled at his eagerness. ( I cannot tell what it means/ he answered quietly. ' It is never very easy to know what things mean in Rome. There are always wheels within wheels. But I agree with DONNA DIANA 39 you as to the monstrosity of the thing. Has Lino talked to you about it ? ' ' A little. He deplored it, but he seems to regard it with comparative indifference, which is strange in anybody of his nature and independence of ideas/ ' No, it is not strange/ replied De Villebois. e It is not so easy to break away from old traditions and customs, and Lino Savelli, though he thinks for himself, is never- theless a Koman of the old blood. We Latins seldom in- terfere with the women in matters which are supposed to be connected with religion. If it were not for this, both France and Italy would long ago have thrown off much of their faith in dogma, and no Latin country would possess a nominal State Church. Indifference on the part of the men and fanaticism on the part of the women are the two supporters of Catholicism in these modern days. And the Koman, above all men, does not take his faith very seriously. Indeed, having been bred and born in the shadow of St. Peter's, he is filled with a mild wonder at those who do/ 'But Lino has, I believe, expostulated with Princess San Rocco on Donna Diana's determination/ said Vane. ' No doubt ; but his remonstrances would have little effect/ answered De Villebois. e Princess San Rocco is a devoted Catholic; that is to say, according to her lights she is a very good woman. But her lights burn in the Vatican, and she is unable to see any others. Moreover, her brother, the second surviving brother of Donna Diana's father, is a Cardinal/ ( That is true/ observed Edmund ; c and Cardinal Savelli is also guardian to his niece/ Monsieur de Villebois looked up quickly. ' What do you say ? ' he asked. Vane repeated his words, and De Villebois was silent for a moment or two. ' That is a very interesting piece of news/ he said presently. 'I had not happened to hear it before. But are you sure it is correct?' 40 DONNA DIANA ' My authority, of course, is Lino/ answered Vane. ' He did not speak of it as if it were any mystery. But what sort of a man is Cardinal Savelli ? ' he added. ' When I saw him he gave me the impression of being an amiable, easy-going ecclesiastic. I was rather surprised, for he was not what I imagined him to be/ ' And what had you imagined him to be ? ' asked Mon- sieur de Villebois. ' Well, I expected to see a man of stronger personality. I had always heard of him as a Cardinal of some influence/ ' He has some influence in Rome/ said Monsieur de Villebois, ' because he is one of the few members of the Sacred College who is of noble blood. Moreover, he is sup- posed to be rich and a miser, two qualities that would secure him a certain degree of sympathy and attention on the other side of the Tiber/ 'But surely/ said Vane, 'he would never countenance Donna Diana's ideas if he were not convinced that they were the result of a genuine vocation ? ' Monsieur de Villebois laughed gently. ' My dear Vane/ he said ' for I will follow your good example and drop formalities you remind me that I am talking to an English Catholic. A genuine vocation in a girl of eighteen ! But where does the mind come in ? and what, in the name of humanity, becomes of human nature ? Good-night, my dear friend. My way lies across the Ripetta. You have told me quite an interesting piece of news, but I shall keep it to myself. I only hope that I may hear you have been guilty of another indiscretion, and that you and the charming Donna Diana will meet again. There is never much to talk about in Rome, though there is an enormous amount to occupy the thoughts ; ? and Monsieur de Villebois shook hands, raised his hat, and left Edmund Vane standing at the corner of Via Condotti. CHAPTEE V CARDINAL SAVELLI'S carriage stood in the porte-cochere of his residence in the Via Giulia, waiting to take him to the Villa Doria, where, it being a bright, crisp day in January, he had proposed to take a little gentle exercise by walking up and down under the ilex avenues. It was a well-appointed carriage, differing in that re- spect from the funereal-looking equipages hired from liv- ery-stables by his fellow-eminences. A pair of handsome, black Hungarian horse champed impatiently at their bits, as though resenting the delay in their owner's appearance, and the coachman, in his neat black livery, bore no resem- blance to the greasy-looking domestics suggestive of hy- brids between undertaker's assistants and decayed waiters by whom the princes of the Church are usually attended when abroad in the streets of Eome. The carriage had been ordered for three o'clock; but it was considerably past that hour, and the Cardinal, gener- ally methodical in his habits, was still in his private study. In the ante-chamber of his apartment a couple of serv- ants dozed in high-backed chairs on each side of a table covered with red baize, on which was an inkstand, a couple of rusty steel-nibbed pens, and an open book for visitors to inscribe their names, as on royalty. A clock on a con- sole, flanked by a pair of gilt-bronze candlesticks, ticked solemnly the only sound audible save the heavy breath- ing of the domestics and the muffled beating of the horses' hoofs stamping restlessly in the court-yard below. A curtain of red damask at the end of the ante-chamber disclosed through its half-open folds a second and larger apartment, with gilded chairs set formally round it. In the centre of the room was a dais beneath a crimson velvet 41 42 DONNA DIANA canopy; on it stood a single armchair with its seat turned to the wall, and at some height above it hung a portrait of Leo XIII. Suddenly the electric bell over the entrance-door rang two or three times in quick succession. The servants shuffled to their feet and went to answer it. A short, dark man stepped hurriedly across the thresh- old. He was clad in a rusty-black soutane, and, but for the patch of violet silk showing beneath a frayed and some- what dirty collar, might have been taken for any one of the unattached priests to be met with by hundreds in the streets of Borne. 'I am late/ he said, handing his bulky umbrella and dusty felt hat to one of the servants. ' His Eminence is at home, I suppose ?' ' His Eminence expected monsignore at two o'clock. It is now nearly half -past three.' 'I know, I know/ returned the ecclesiastic, wiping his forehead with a coloured silk pocket-handkerchief. ' I was detained. Kindly let His Eminence know that I am here. He is alone, I conclude?' 'Yes, monsignore, he is alone. If monsignore will ac- commodate himself I will announce him.' Monsignor Tomei followed the servant into the adjoin- ing room, and sat down by a large table on which stood a tall ivory crucifix, mounted on a pedestal of tortoise- shell and lapis-lazuli. His restless black eyes, small and set closely together, glanced furtively round the room, and then fixed themselves on the door through which the man- servant had disappeared. Monsignor Tomei's countenance was hardly a pleasant one. A physiognomist might have discerned cruelty in it; a phrenologist would have qualified him as a man likely to possess dangerous instincts. The mouth, curving down- wards at the corners, and projecting lower lip looked the more disagreeable by reason of the blue-black bristles on his ill-shaven cheeks and chin. Monsignor Tomei had not long to wait for his audience. DONNA DIANA 43 The servant reappeared almost immediately,, and, drawing back the portiere, motioned him to enter the Cardinal's room, noiselessly closing the door behind him as soon as the priest had done so. The latter began to excuse his unpunctuality. It was not his fault, he explained rapidly, letting loose a torrent of unnecessary words. He had been detained by the delay of others in keeping their appointments. He The Cardinal checked him with a slight gesture. ' It is of no consequence, monsignore, since you are here at last/ he observed. ' Please be seated. I wish to speak with you on an important matter.' Monsignor Tomei sat down, placing a puffy, white hand on each knee. Cardinal Savelli hesitated for a moment. Of the two he seemed to be the more nervous and ill at ease; for he walked to the door as though to make sure that it was closed, and cleared his throat once or twice before finally seating himself at his writing-table. ' I regret to say/ he began, ' that I am again obliged to ask for your help and advice regarding a very tiresome affair, monsignore.' . Monsignor Tomei bowed. ' I am completely at your Eminence's service/ he replied. 'A most tiresome affair/ repeated the Cardinal; 'the more so because it is of a private and personal nature.' And he paused again, tapping an ivory paper-knife nerv- ously on the table. Monsignor Tomei looked at him quickly. ' Don Marco ? ' he began. Cardinal Savelli shook his head. ' No/ he replied. ' This time it is not Don Marco ; but, all the same, it is a matter of money, my dear friend. It is always money ! ' and he sighed impatiently. Monsignor Tomei's small eyes became suddenly smaller. ' Am I to understand that your Eminence needs money ? ' he asked quickly. The Cardinal nodded. 44 DONNA DIANA ' Yes,' he said, ' I need money and at once ! ' 'But, Eminence ' 'At once, I say! You understand me, monsignore? That is why I have sent for you. You must find it for me. Much everything depends upon it ! ' Monsignor Tomei removed his hands from his knees, and began to rub them softly together. ' If one might know the sum, and your Eminence's reason for needing it so imperatively, it would facilitate matters/ he said gently. Cardinal Savelli shifted his position in his chair and looked, not at his visitor, but at a painting hanging on the opposite wall. ' The sum/ he said quickly, ' is one hundred thousand lire. It is not so very large a sum, after all ! ' Monsignor Tomei made no remark, but his gaze grew more inquiring. f I require this money in order to replace a similar sum lent upon mortgage to me by one of our credit banks/ continued the Cardinal ' a bank in which I am personally interested/ he added. Monsignor Tomei nodded his head. 'I understand, Eminence/ he replied. ' The bank finds itself obliged to call in the money/ proceeded Cardinal Savelli, 'and I must find it, mon- signore. Any delay on my part would be unseemly, you understand? And it is not a matter that I should wish talked about. The Italian press one has to be so careful, you know.' 'And your Eminence wishes me to procure this sum of money for you ? ' asked Monsignor Tomei. ' My dear friend, yes ; it is not the first time you have assisted me with your good advice.' ' It is not the first time, no/ Monsignor Tomei replied ; ' but advice costs nothing, whereas what your Eminence requires will cost a hundred thousand francs, and further expenses. However, we must consider what can be done to enable you to meet this call with as little inconvenience DONNA DIANA 45 as possible. Perhaps your Eminence will allow me to ex- amine the papers relating to this loan? It would then be easier to judge of your position regarding it.' The Cardinal hesitated. ' Oh ! ' he replied, i as to my position, it is a little pecu- liar indeed, complicated. I am a trustee and director of this bank, monsignore, and as such well, in my capacity ' Monsignor Tomei spread out his hands with an apolo- getic gesture. ' If I am putting the case incorrectly, your Eminence will pardon me ? ' he said. e You are in the position of being both creditor and debtor at the same time is it not so ? 9 ( That is precisely it/ returned Cardinal Savelli eagerly. ' The exact position/ he added, with a little sigh as though of relief that the case had been stated for him. Monsignor Tomei 7 s eyes contracted until they looked like two glistening black beads. 6 1 do not think it will be necessary for me to repeat my request that your Eminence should allow me to see the documents referring to this loan/ he said suavely. ( The matter seems to be perfectly clear.' The Cardinal looked at him almost apologetically. ( It is very simple/ he replied. ' I am responsible for the replacement of this money. The necessity for repay- ment has come sooner than I could have foreseen at an inconvenient moment, indeed ! ' 'Bepayments are generally inconvenient, at whatever moment they are required/ murmured Monsignor Tomei. f Per Bacco ! if they are not inconvenient ! ' ejaculated Cardinal Savelli, with more levity of manner than he had yet displayed. ' The last year has been a very bad one for me, amico mio. First of all, the failure of that French house you know of; then that unfortunate affair of Mar- co's; now, this sudden call upon me to repay money which I thought I was perfectly safe in ' ' Making a temporary use of/ supplemented Monsignor '46 DONNA DIANA Tomei, as the Cardinal hesitated for a moment. e As your Eminence says/ he continued, 'the year has been a bad one. In that I agree. Don Marco Savelli's indiscretions are expensive and then those brigands of French; but as for its being so simple a matter to find a hundred thou- sand francs, there I do not agree. It is a question of buy- ing the money, and the rate of interest will be high. The security that your Eminence is able to offer is not, unfor- tunately, such as can command a four or five per cent, interest.' The Cardinal moved uneasily in his chair. ' I know/ he said, a little irritably ; ' but one must make sacrifices. It is imperative. The money, whatever rate of interest may be demanded for it, I must have. We can- not allow any doubts to be cast on the management of one of our financial institutions, monsignore. Deficits are things that must be confined to similar organizations con- ducted by Italian officials. Besides, any delay in meeting its liabilities would inevitably lead to the solvency of this bank being suspected; and you are very well aware, mon- signore, how ready the freemasons and the anti-Catholics are to insinuate scandals concerning our undertakings/ ' Altro, Eminenza ! 9 replied Monsignor Tomei. ' The enemies of the Church are very unscrupulous; and those who are, like yourself, highly placed are jealously watched and criticised. A humble priest such as I am has more freedom of action than a Prince of the Church/ Cardinal Savelli sighed. * Precisely/ he observed. ' Our enemies lie in wait for us at every step in these days. Formerly we 9 'Lay in wait for them/ interposed Monsignor Tomei. 'It was certainly a better arrangement. But, with your Eminence's leave, we will return to our business. It will not be easy to procure this money; nevertheless, I think that I could do so. But, before borrowing it, a little re- flection would be well/ ( Reflection ! ' repeated the Cardinal. e Caro monsi- gnore, I have reflected for a week. I reflected, also, be- DONNA DIANA 47 fore I borrowed this money from the Credit Bank. No amount of reflection will do away with the fact that it must be repaid/ ' And so, sooner or later, must the money you propose to borrow in order to repay it/ said Monsignor Tomei. 6 The latter sum/ he continued, ' will, as I said just now, have to be repaid with interest. This interest will, I should imagine, be considerably higher than that which your Eminence is at present paying.' Cardinal Savelli's eyes dropped suddenly. c No doubt of course/ he answered, a little hurriedly. Monsignor Tomei pulled out his snuff-box. ' It is not good finance/ he observed, taking a liberal pinch of the contents. ' Good finance/ said the Cardinal dryly, ( is for people with full pockets/ Monsignor Tomei smiled. c I venture to disagree, Eminence/ he returned. ' Good finance is knowing how to utilize the fulness of other people's pockets, without revealing the emptiness of one's own. I am prepared, of course, to try to negotiate this loan, if your Eminence can think of no other way by which the money you require can be raised. Frankly, I do not recommend it. It is but adding another embarrassment in the place of that with which you now have to contend. Is there no possibility of temporizing with the authorities of the bank? Your Eminence has not, perhaps, taken then entirely into your confidence.' ' There is no question of temporizing/ answered the Cardinal. 'You must understand, monsignore, that it would not be seemly that I should do so. The money is, in fact, part of the reserve capital, that must be shown to be intact at the half-yearly examination of the books.' Monsignor Tomei remained silent for a few moments. 'Your Eminence has other capital at your command/ he observed. Cardinal Savelli shook his head. e No/ he said impatiently ; ' I understand your sugges- 48 DONNA DIANA tion, but to resort to that is impossible. I will not do it, monsignore.' * But if it has been resorted to before ? ' * I will not do it/ repeated the Cardinal almost angrily. ' If that money has been touched before, it is all the more necessary not to touch it again. Besides, in that instance, the reason for having recourse to it was very different a family reason that justified the step.' Monsignor Tomei spread out his hands with an apolo- getic gesture. 'I quite understand your Eminence's scruples/ he re- plied, 'but, in my humble position, they may be carried further than would be prudent. You recognised the ne- cessity of applying a portion of Donna Diana Savelli's fortune to meet liabilities incurred by her cousin Don Marco. In fact, you employed family capital to protect family honour a very legitimate use to make of it, and one that Donna Diana would doubtless have sanctioned had she been in a position to do so.' ' Quite true/ said Cardinal Savelli ; ' but that was an exceptional case. Poor Marco's difficulties did not arise from any fault of his own. Had they been caused by gambling, or by women, or anything of that nature, I should not have devoted a part of my ward's fortune towards their settlement.' Monsignor Tomei coughed discreetly. ' Quite so, Eminence, quite so/ he answered. c As you say, you decided to use some of Donna Diana's money for family reasons on that occasion. I would only suggest that this also might be regarded as a family matter. If Don Marco is her cousin, you are her uncle her father's only surviving brother. To borrow from your niece a sum of a hundred thousand francs a sum that for three years she has no right to touch, and therefore will not miss is surely a better course to adopt than to go to a money- lender for it. Much may happen in three years. Your Eminence's affairs may be in a more satisfactory state than is, unfortunately, the case at present.' DONNA DIANA 49 Cardinal Savelli rose from his seat and paced up and clown the room. ' It is impossible/ he said ; ' I cannot do it. You must think of some other way, monsignore/ ( I have already suggested the other alternative/ said Monsignor Tomei. ' It it that you should arrange with the bank for a continuance of the loan/ 'And I/ returned the Cardinal irritably, 'have already told you that I do not intend to do so.' ' If your. Eminence would entrust the matter to me, I might be able to arrange with the bank. A little question of additional interest, perhaps ' ' Basta, monsignore ! ' exclaimed Cardinal Savelli sud- denly. ( I do not wish to hear any more suggestions on that subject. You understand me? I do not wish it.' Monsignor Tomei bowed, and a slightly sarcastic ex- pression came into his eyes. e I have assured your Eminence already that I under- stand perfectly/ he replied. ' It only remains for me to beg you to consider the position from a financial point of view. You have, after all, asked for my advice upon that, and not upon questions relating to to other subjects. Speaking as a man of business, I should say: Why borrow money at a high rate of interest when you can borrow it without paying interest at all? And again: Why go to strangers when the affair can be easily arranged at home ? ' ' What you say is very true/ replied the Cardinal ; ' but I do not like it. It would be the second time, and the money is in trust/ ( The money your Eminence borrowed from the Credit Bank was equally in trust/ said Monsignor Tomei dryly. ( In the latter case/ he added, ' the money belonged to the poor to workmen and peasant proprietors and may be required at any moment. In the former instance it belongs to the rich to a young lady who cannot require it for three years/ ( It is a matter of borrowing in either case/ said the Cardinal, a little eagerly. 50 DONNA DIANA 'But certainly, Eminence, I look at it in this way. As trustee for Donna Diana Savelli's capital, you have a perfect right to invest it in such a manner as to assure a proper return. Does it matter whether the interest upon it is paid by you, or by a company or a Government? By employing a portion of Donna Diana's fortune you will be saving yourself perhaps ten per cent, interest, or even more, which would be demanded by any stranger advancing you such a sum as you need. And yet you would be able to pay Donna Diana as high a rate of interest as she could receive from any investment in which you, as her trustee, could legally place her money/ e Yes ; but the security ? 9 asked the Cardinal. c The security/ returned Monsignor Tomei, ' is at least as good as that which your Eminence has given to the Credit Bank/ Cardinal Savelli resumed his seat, and did not immedi- ately reply. e But I have never yet been able to replace the first sum/ he said at length uneasily; 'and now, if I am to take a hundred thousand francs more ' ' But your Eminence has not had sufficient time/ inter- rupted Monsignor Tomei, 'and, as you say, things have gone badly. These jubilees of the Holy Father and constant pilgrimages to Eome they are very good things for the soul, si capisce, but they are very bad things for the pocket except for the pocket of the Pope/ 'But, monsignore ' remonstrated the Cardinal. 6 It is true, Eminence. In France, in Belgium every- where, in short they have produced a miseria. But a miseria! What would your Eminence have ? When people give their money to the Holy Father, they will not give it to St. Anthony of Padua, or even to the Madonna, and still less will they give it to support our journals. It is very natural. They are sure of seeing the Pope, but the Madonna and the saints do not show themselves so readily, and, after all, it is dull work to pay one's money and see nothing. In the meantime, Rome eats up everything, and DONNA DIANA 51 our undertakings abroad,, and even in other parts of Italy, suffer, as your Eminence is very well aware/ Cardinal Savelli waved his hand deprecatingly. 6 We hear complaints/ he observed ; ' but it is necessary to show the world that Eome is still the centre of Chris- tianity, the Holy City whither all the nations of the earth repair. If Leo XIII. has done nothing else, he has shown, not Eome alone, but all Italy, how, notwithstanding the spoliation of the Papacy by freemasons and anti-Catholics, the Pope still wields a power more far-reaching than that of any other Sovereign. You must not lose sight of polit- ical expediency, monsignore. Had the Holy Father con- tinued the policy of his predecessor the policy of Achilles Eome would soon have learned to live" without the Vatican, and not, as it largely does at present, to live upon it/ Monsignor Tomei took another pinch of snuff. e l am no politician, Eminence/ he remarked. ( The regulations of the Anno Santo, diverting the offerings of the faithful from local shrines and privileged altars to Eome, have certainly not found favour everywhere. But doubtless the Holy Father has his own good reasons. After all, money is safer gathered at first-hand; it does not al- ways bear transmission. But, with regard to the matter concerning which your Eminence has summoned me, I should like to learn your decision. I have a friend who, perhaps, would advance the money, but for a year only, and I fear the rate of interest demanded would be high. Whereas ' and Monsignor Tomei paused significantly. Cardinal Savelli moved impatiently in his chair. ' A decision implies an alternative/ he said with a quick sigh. 'I have none. I cannot borrow the money for a year only. If it were for three years, it might be worth while to pay a high interest/ c Ah yes, much may happen in three years, as I said before/ replied Monsignor Tomei. 'And three years, Eminence/ he added, 'is the precise period for which you could safely employ some of Donna Diana's fortune 52 DONNA DIANA to enable you to tide over your present difficulties. It would be satisfactory to your Eminence to feel that you could not be called upon to repay the money until the expiration of that period/ 'Yes, yes, that is true/ answered the Cardinal hastily. ' Perhaps it would be the safer course to adopt. After all/ he continued, ' it is merely borrowing the money. I should pay the legitimate interest, of course, so that my niece's estate would not suffer. I have scruples, certainly; for this unlucky business obliges me still further to delay the repayment of the previous sum I had to borrow from Donna Diana's capital. But before three years have elapsed circumstances must alter, monsignore. Unfortunately, we are all mortal, and in the natural order of things we may expect great changes at any moment/ Monsignor Tomei gave him a shrewd glance. ' Of course/ he observed, ( at the Holy Father's advanced age ' ' Exactly/ interrupted Cardinal Savelli ; ' one must be prepared. And I am, fortunately, on good terms with each one of those whom the Holy Spirit may call upon to succeed him. But, between ourselves, monsignore, I have hopes that, even during the lifetime of His Holiness, an office may be conferred upon me which will bring with it some increase to my income; but this, you understand, is in strict confidence.' Monsignor Tomei bowed, and looked at the Cardinal inquiringly. ' The Cardinal- Vicar/ continued the latter, ' is, as you know, not unlikely to retire. The Eoman clergy are dis- satisfied. Foreign elements have been introduced among the parochial authorities of the city, and there has been much heart-burning in consequence.' Monsignor Tomei nodded. ( We, too, have our little camorra/ he said, with a smile. 'And why not? In these days every trade must protect itself.' The Cardinal smiled also. DONNA DIANA 53 4 We Romans do not love ref orms/ he observed, c unless they are carried out by ourselves/ ' I have heard your Eminence mentioned as the Cardinal- Vicar's possible successor/ said Monsignor Tomei. ' If I may be permitted to say so/ he continued, e such an appoint- ment would give great satisfaction. Your Eminence,, being a Roman, would soon be able to remove all causes of com- plaint/ The Cardinal smiled a gratified, deprecatory smile. ' Certainly/ he began, ' a Roman is better able to under- stand the temper of the secular clergy of this city;' and then he looked quickly and doubtfully at his visitor. ' Ma, per carita, monsignore/ he added hurriedly; 'not a word to any other person of what I have told you. What you have heard are rumours, merely idle rumours. You know the jealousies, the intrigues, here in Rome. If I were sup- posed to be talking of myself as a fit and proper successor to the present occupant of the post, there would be many eager to compromise me with the Holy Father.' 6 Your Eminence may rely upon me to be silent/ replied Monsignor Tomei. 'I may conclude, then/ he added, 'that you will take my advice to arrange the settlement of the present little difficulty at home. With the prospects before your Eminence, I think that my advice is sound.' Cardinal Savelli rose from his chair. ' Yes/ he said slowly ; 'I see no better way. And I have no doubt that I shall be able to arrange the matter without troubling you again, monsignore.' The Cardinal extended his hand as he uttered the last words, and at the same time touched the button of the electric bell at the side of his writing-table. Monsignor Tomei bowed as he took Cardinal Savelli's hand, and just touched the ring upon it with his lips. The Cardinal accompanied him to the door of the apartment. ' Tell Giovanni he need not wait with the carriage/ he said to the servant who had entered the room as the bell rang ; ' I shall not go out.' Monsignor Tomei followed the man to the entrance-hall, 54 DONNA DIANA where he took up his hat and umbrella, and, passing down the staircase, emerged into the Via Giulia. Once fairly in the open street, he paused, cleared his throat, and spat vigorously. Then he muttered the single word ' Imbecille ! ' and walked across the' Piazza, Farnese and on through the Campo dei Fiori. The cowled, bronze figure of Giordano Bruno, one of the few tolerable modern statues erected in Eome, attracted his attention for a moment. ' Poor Giordano ! ' he said. ( They burned you because you were an honest man.' CHAPTER VI THE short Roman winter was over. It was already the Holy Week, and Rome was crowded to overflowing with tourists and pilgrims of all nations. Every afternoon streams of cabs, carriages, and pedestrians flowed down the Via Merulana towards St. John Lateran or across the bridges over the Tiber leading to the Borgo Vecchio and the Vatican. The great basilicas were thronged with people listening to the mournful music accompanying the office of Tenebrae, or, as night drew on, anxious to witness the exposition of the great relics of the Passion in the mys- terious semi-darkness of St. Peter's. Those who have the good sense to leave the city at such seasons, with its bustling streets and its churches, in which curiosity is more conspicuous than devotion, and scepticism more apparent than faith, and to wander off to the quiet places of the Roman Compagna, are gainers in comiort both bodily and spiritual, unless, indeed, they belong to that large body which, having eyes, sees not. There, away beyond the city walls, are being chanted no wearisome chants of things dead or of doubtful things to come, but the glorious song of life, triumphant, question- less, of an ever-recurring victory over death, serenely con- fident in the goodness and wisdom of a Creator in whom the human passions have no place nor counterpart. The soft breeze of spring, fragrant with the scent of yellow jonquils and snow-white narcissi, ripples over the grassy plains and patches of growing wheat, bearing with it in varying cadences the song of innumerable larks or the distant, broken notes of a nightingale trying its newly- found voice in the thickets of bramble and briar-rose hidden 56 DONNA DIANA away in one of the little ravines abounding in the Eoman Campagna. Away over a broad sea of brightest green the blue sky meets the blue mountains, the latter flecked with patches of white where the towns and villages of the Castelli Ro- mani nestle among their spurs. The melancholy that broods over the land in late autumn and winter, and again in the summer heats, the spirit of disillusion and decay which haunts the roads to Rome, is laid to rest for a brief space during the months when spring reigns. Then the old gods live again. Pan peeps from between the broad acanthus leaves ; you can hear his pipes playing, if you choose. Fauns and dryads stir in the oak-woods that have escaped the destructive folly of the modern possessors of the soil, and nymphs sing softly to themselves in the half-hidden streams. Apollo still sweeps his lyre. You may hear its tender melody in the growing grass, in the happy hum of insects, in the joyous love-notes of the birds, if you have ears to hear. Yonder in the city men kill their God in the spring-time, and bury him, restoring him to life after the third day. and celebrate his resurrection, as they have celebrated his birth, by a larger consumption of the flesh of his slain creatures. But away from the haunts of men God's other creatures have never killed Him. At His bidding they have lain themselves down for a little space to rest and to sleep, knowing that in due season He would bid them awake again to fulfil their eternal duties in strength, happiness, and love. Edmund Vane and Lino Savelli, having both agreed that a long ride in the Campagna would be preferable to the streets of Rome on a Thursday in Holy Week, had mounted their horses outside the Porta Salaria and ridden across country to some miles beyond Prima Porta. On the occasion of his first visit, Edmund had dutifully attended the ceremonies of the Settimana Santa, as was natural and fitting for any Catholic finding himself in DONISTA DIANA 57 Eome at that season. He had been the reverse of. im- pressed by what he had witnessed. The symbolic formal- ities wearied him, while the irreverent curiosity of the tourists disgusted him. Something of a musician himself, he could never listen to the famous male soprani of the Papal choirs without a feeling of impatience and irritation at the studied appeal to the more superficial senses by which they sought to produce their effects, a feeling that developed into repul- sion whenever he chanced to look upon the singers. The visits to the sepulchres on Holy Thursday, a custom followed by the large majority of Romans in a spirit neither more nor less devotional than that which moves many English families to eat roast beef and Yorkshire -pudding on Sundays, had no particular attraction either for Lino Savelli or himself. They had cantered for miles over the soft, springy turf, inhaling the pungent scent of wild thyme crushed beneath the horses' hoofs, reining up every now and then to look at the glorious colours creeping over the Sabine hills, or to listen to the cuckoos calling to each other in the wooded ridges above the Tiber. Sometimes, too, they had stopped to give the half of a Toscano cigar to a peasant, or to some shepherd, satyr-like, with nether limbs clad in shaggy goat- skins, ferocious of aspect yet courteous and gentle of de- meanour when not offended, his good-will more easily won by the gift of a mozzicone, or cigar-end, than by the offer- ing of money. And the good-will of a Campagna shepherd, as Edmund had learned by experience, is not to be despised when four or five of his handsome, snowy-white sheep-dogs rush upon a stranger, unarmed, perhaps, save with a riding- whip, with all the apparent desire to tear him from his saddle. The sun was sinking towards the west when Vane and his companion turned their horses' heads towards Eome. Leaving the open country, they eventually emerged into the high-road a mile or so from Prima Porta. Lino had been unusually silent during their ride, and 58 DONNA DIANA Vane could not help thinking that something had occurred to annoy or trouble him. Like all Romans, he was grave sometimes; but though on rare occasions Edmund had seen him display a very healthy anger, and had witnessed a sudden boiling over of the hot Roman blood, he knew that his friend was sweet-tempered enough, and that the ten- dency traditionally ascribed to the Roman character to brood over real or imaginary wrongs was altogether alien to Lino's nature. No doubt, Vane thought, he was worried by money troubles or by some little love affairs. Lino was young, unusually good-looking, and not overburdened with this world's goods, a combination of circumstances tolerably certain occasionally to place both his purse and his heart in difficulties. Unlike many young fellows of his class in Rome, Lino Savelli was no gambler; but, then, he was no ascetic in other ways for the following of which ready money might be desirable. Lino had his ' passions de plage ' occasionally. As intimate friends, he and Edmund had sometimes discussed such objects together. Vane was no stern moralist, nor one of those who affect to ignore the simple facts of human nature. He had his own ideas as to right and wrong. Not to injure the innocent or to take advantage of the poverty of others, and not to wrong the husbands or lovers of other women, formed the boundary lines of his morality as regarded the relation of sex. His observation of Lino Savelli, as well as the opin- ions he had heard him express, had long ago convinced him that the latter held similar ideas to his own on such points. He was obliged to confess, however, that in this respect Lino differed from very many of his compatriots, to whom such scruples would have been unintelligible. 'You are very silent/ Edmund observed with a smile, as they rode quietly along the road towards Rome. c Has anything happened? or perhaps, if it has, you don't want to talk about it.' 'Oh, nothing, 3 replied Lino 'that is to say, nothing particular. I have been annoyed at something my aunt DONNA DIANA 59 San Rocco told me yesterday, and I lost my temper and made myself disagreeable about it.' 6 1 see family affairs/ 6 In a way, yes. People have been making mischief. It is a very favourite employment of one V relatives, I find, and of one's friends/ Vane laughed. 6 That is the same everywhere/ he remarked. ' Relations, as somebody said, are disagreeable acquaintances inflicted upon us by Providence. But it is no use losing one's temper about what they say; it only pleases them/ Lino looked at him and laughed. 6 Anyhow,' he said, ' I lost mine yesterday, and gave it them all round on the head, as we say here/ ( And said a good many unwise things, I have no doubt/ ( Perhaps I did, Eddie. That is partly what is troubling me. I am not like you, he added. ' When I get in a rage out it must come. You can be in a much worse rage, you English, and yet you manage to keep it all in. I could never do that; I should burst, I think/ ' Yes/ responded Vane, smiling, ' I quite believe you would. Fortunately/ he continued, ' your rages do not occur very frequently. The last was when ? oh, I remem- ber! when we saw that fellow beating his mule over the head in the Via Capo le Case/ The blood rushed to Lino's face. ' I would have beaten his brains out the brute ! ' he exclaimed. ' As it was ' ( Oh, as it was, you hurt him considerably, and it was lucky you didn't get a knife into you/ interrupted Edmund. ' I hope you were less violent yesterday/ he added, laughing. e It was not a case of fists/ said Lino seriously, ' only of tongues/ ( Ah ! they hurt much more sometimes, and the bruises take longer to heal/ f That is just what I am afraid of/ said Lino. 'One often does more harm than good by speaking one's mind. It 60 DONNA DIANA was about Diana, Eddie/ he added hastily ; ' I do not see why I should not tell you. I told my uncle San Kocco and my aunt that I thought they were mad to encourage Diana to bury herself in a convent; I said I thought that when she leaves the Sacre Cceur, which she is to do almost im- mediately, she should be made to see something of the world before making up her mind to renounce it.' ' And what did the Prince say ? ' asked Vane. ' My uncle ? Oh, he remembered that he had an appoint- ment at the club, and left the room. My aunt remained, and that old German woman. We had a scene.' f And what was the result ? ' inquired Edmund, a little eagerly. Lino Savelli struck his boot impatiently with his riding- whip. 6 What is the invariable result of arguing with women about religion ? ' he asked. ' Not that I attempted to do so,' he added ; ' but my aunt refused to see that there was any other side of the question. She answered all my objections by repeatedly declaring that it was sacrilege to attempt any interference with the vocation of a soul dedicated to the service of God. At last I lost my temper, like an idiot.' ' And what did you say, Lino ? ' ' I said it would be better to think less about Diana's soul, and allow her body to have a chance. After that there was a row. My aunt was furious; and Frau von Eaben cried, and put her fingers in her ears. My aunt declared that she had always taken my part with the Cardinal, and had tried to shut her eyes to my irreligion ; but that when Diana returned from the Sacre Coeur she would not have me in the house, lest I should disturb the poor child's mind.' Vane became suddenly grave. The turn matters had taken did not at all suit his plans. e The Princess will probably forget it,' he remarked presently. 'No, she will not forget it. There are those who will DONNA DIANA 61 take care not to allow her to do so/ said Lino angrily. ' It is not her fault/ he added. ' The idea has been put into her head, as it has been into Diana's/ 6 But, Lino if you don't mind my asking you the ques- tion what made you get upon the subject with Princess San Rocco ? ' asked Edmund. Lino Savelli's eyes fell suddenly, and he looked discon- certed. ' Ah, well, Eddie/ he replied hesitatingly c we were talking about Diana, you know. My aunt said she did not wish her to see strangers, and I said I thought it a great mistake not to let her see a few people outside the family circle. That is how it all began. Then we argued, and I dare say I made remarks I had better not have made.' Vane looked at him searchingly. A new light was begin- ning to dawn upon him, and he suspected that Lino had not told him by any means all that had passed. If his suspicions were correct, Edmund felt that his friend's preoccupied manner was fully to be accounted for. Since the night of the New Year he had only twice seen Donna Diana Savelli. On one occasion he had accompanied Lino to the Palazzo San Rocco on a Thursday afternoon that happened also to be a saint's day. They had immediately been admitted by the servants waiting in the anticamera, and in one of the drawing-rooms had found Donna Diana alone with her two cousins. Lino had presented Edmund to Diana, and they had talked together for some little time without the least shyness or embarrassment at least, on the girl's part. The interview had been interrupted by the Princess returning to the room, and almost immediately afterwards the latter had said something in a low voice to her niece, who at once left it. This meeting had made a very distinct impression on Vane's mind, namely, that Donna Diana was not entirety destitute of a will of her own. He had detected a little passage of arms between the cousins as he and Lino unexpectedly entered the room. He saw Donna Diana's brown eyes flash with a look of 62 DONNA DIANA determination, and noticed, also, a decided shake of her head in reply to something whispered to her by Donna Maria, the younger of the Princess's daughters. It was evident that she did not mean to be sent away, and that she meant Lino to present his English friend to her. Some- how the little display of petulancy, slight though it was, afforded Edmund a strange satisfaction. On one occasion, also, he had dined in Diana's company at the Palazzo San Rocco. It was Lino's birthday, and Vane had been invited to join the family dinner in his honour. He had sat far away from Donna Diana, at the opposite side of the table. That evening, though he had scarcely any opportunity of conversing with her, Edmund finally awoke to the fact that he had fallen very decidedly in love. More discreet than he had been on the first occa- sion of their meeting, he endeavoured not to allow his gaze to wander too frequently in Donna Diana's direction; yet, do what he would, he was unable to keep his eyes from resting sometimes upon her. He would like to have watched every gesture, to have followed every movement of the beautiful high-bred head, every expression passing over that lovely face set in its wealth of dark, chestnut hair. More than once, as he looked across the dinner- table, it was to meet Marco Savelli's gaze fixed upon him suspiciously. He felt that the latter was watching him jealously, and that for some reason or. other -Marco resented his presence. The feeling that he was being watched aroused in Edmund a feeling of impatience, and eventually of irritation. He looked steadily at Marco for a moment or two a look of quiet surprise whereat the latter instantly withdrew his gaze and began a conver- sation with his neighbor. The recollection of these little episodes flashed through Vane's mind as he listened to Lino's words. He felt con- vinced that, although delicacy might prevent his com- panion from saying so, he had himself been the cause of the discussion at the Palazzo San Rocco that Lino had partly related. DONNA DIANA 63 i It was not an easy matter, however, to induce Lino to speak more openly. He had no reason to suppose that the latter had any suspicion as to the state of his feelings towards his cousin Diana. Moreover, if, after all, he were not really regarded by the Princess and the rest of the family as a dangerous element, and his suspicions were but the result of a guilty conscience, he might place both Donna Diana and himself in a false position by attempting to make it easy for Lino to speak to him on the subject. They rode on for a few minutes in silence. Once or twice Lino seemed as if he were about to renew the con- versation, and then he checked himself. Usually he was at no loss for words, and was apt at least, when talking to Vane to say all that might come into his head. Ed- mund felt that he had said enough, however, to enable him to tastare il terreno, as Lino would have expressed it in his own tongue. f It appears to me, my dear fellow/ he observed quietly, c that, if the Princess objects to your cousin seeing stran- gers, she cannot like my visits. Whenever I have happened to meet Donna Diana at the Palazzo San Rocco, I have certainly been the only stranger there.' Lino lighted a cigarette and puffed at it for a moment or two before answering. ( Yes/ he replied simply, e you have. I suppose you are almost the only young man outside her own family to whom Diana has ever spoken since she was a child/ ' And the Princess, as I say, objects/ said Vane. ' Yet/ he added, ' I cannot flatter myself that I am a very dan- gerous person, Lino. Donna Diana has probably never given me an instant's consideration.' ' That is not the question/ said Lino dryly. 6 Then, what is the question ? 9 c Oh,' well/ began Lino doubtfully, ( the question is, that the world is -full of infernal busybodies ! ' he con- cluded, breaking out into sudden rage. ' Certainly/ responded Edmund calmly ; ' but in this case who are they, and what are they busy about ? ' 64 DONNA DIANA ' If you want to know, they are my uncle the Cardinal in the first instance one may excuse him, for, after all, he is a priest and my brother, who should have been a priest; and in the next instance that old spy of a German my aunt has in the house/ 6 1 understand/ said Vane. ( They object to my coming to the Palazzo San Rocco lest I should see too much of Donna Diana. Is it not so, Lino? You need not mind telling me the truth/ ' I don't suppose it would make very much difference to you if you did give up going to the Palazzo San Bocco/ replied Lino. Vane did not answer, and the other looked at him keenly. 'Would it?' he repeated. Edmund gave an embarrassed laugh. ' I don't quite know ; it depends/ he answered. ' And upon what, Eddie ? 9 Vane hesitated for a moment; then he rode straight at his fence. ' It depends/ he said quietly, ' upon your cousin, Donna Diana.' Lino looked at him for a moment, and then he burst out laughing. ' The pious people were right, then ! ' he exclaimed. ' Oh, but it is curious how much they know of our earthly passions. That old German trust a religious old maid for scenting out love ! ' Then he became suddenly grave again. 'But is it really true, Eddie, what you are say- ing? You are not joking? It depends upon Diana, you say?' ' I'm afraid so, Lino. It is ridiculous, of course.' ' Yes ; love is generally ridiculous at least, it is better as a comedy than as a tragedy.' Vane felt as though the warm April air had grown suddenly chill, and he shivered a little. c But what could they know ? ' he asked hastily. ' Noth- ing from Donna Diana, certainly. How should they?' DONNA DIANA 65 ( Nothing from Diana no! How should they indeed! Poor child! she does not know what love means yet. And when she does know well, I am not sure what the result will be/ ( Comedy or tragedy ? ' said Edmund, forcing himself to speak lightly. Lino glanced at him. 6 They are very near neighbours in this Italy of ours/ he replied, ' and love often brings them nearer still. I do not know what to say, Eddie. I am glad for your sake and for Diana's; at least, I should be glad if everything could go well and smoothly. Diana would make any man happy who knew how to be worthy of her; and you I know you are worthy of any woman's love. Dio mio ! ' he continued in Italian, 'they should be thankful to see the girl so well married. But, once these signori della Mesa get hold of the women of a family, there is no knowing what folly may happen ; and then comedy may be turned into tragedy, for the exaltation of our Holy Mother the Church.' Lino spoke bitterly enough; but Edmund had been suf- ficiently long in Italy to realize that men might speak bitterly against the Church and yet not be anti-Catholic, and that it was the body political and social Italians like Lino Savelli detested, and by no means invariably the body spiritual. 6 Listen, Lino ! ' he said after a pause, edging his horse closer to that of his companion. ( I have told you how it is with me, and I am not going to say anything more about my own feelings. We English do not gush about those things, except in novels or on the stage; neither, I think, do you Eomans, for that matter. I have come across a good many women in my day, and with some of them I have been in love you know the kind of love but I have never seen any woman yet whom I wished for as a wife until I saw your cousin. I can't analyze the feeling, but it is there. At the same time I know, of course, that Donna Diana is quite unconscious of having 66 DONNA DIANA produced it, and could not understand or reciprocate it even were she not so. I am not at all sure, moreover, that I wish to awaken such feelings in her/ ' And why not ? ? asked Lino. 6 Because by doing so I might bring unhappiness to her. She is contented now and happy, confident that the world holds no fairer destiny for her than the one she has chosen. Have I any right to thrust myself into her life, and to attempt to alter her choice?' Lino Savelli held up his hand. ' One moment, Eddie/ he said. ' Are you sure that choice has been given to her? I, for my part, am certain that it has not. Otherwise I might answer you that you had no right to seek to unsettle her decision, though cloistered monks and nuns alike are to me an anachronism, and the fewer there are in a country, the better for the progress of 'that country. Diana has had no choice, I tell you, and never will have any unless you give it to her ! ' ' But why ? ' exclaimed Vane. * I do not know I never have known/ replied Lino. < " Diana means to be a nun " that is what we have heard for some time now, ever since she went to the Sacre Cceur. I suppose I was so accustomed to hear it that I grew to regard it as a matter of course. When I returned from Africa it was told me as a settled thing. I expostulated at first, as I have told you, but nobody paid any attention to the ideas of a cavalry soldier on such subjects.' 'But latterly you have expostulated again/ said Ed- mund. ' What made you do so after having accepted the situation for so long?' Lino looked at him and smiled. ' Why/ he replied, ' I suppose I may tell you now. I imagined that you admired Diana very much. You have asked me a good many questions about her, if you re- member. I confess I suspected that you had fallen in love with her, and it seems I was not mistaken.' ' And so you thought you would try to fight my battle for me ? ' said Edmund. ' That was like you, Lino.' DONNA DIANA 67 * I thought I would try to reason with my aunt/ answered Lino. ' I have never . said a word to Diana. I could not speak plainly enough to her to make her under- stand; and, besides, I was not sure of your sentiments. But I soon found that others had noticed your admira- tion with no very great pleasure, I am afraid/ ( And I suppose the Princess told you that she did not want you to bring me to the house any more ? ? said Vane. tf Yes not on any occasion when Diana was likely to be there. That was what made me angry. I am afraid I did your cause more harm than good, and my aunt declared that you must have confided to me your love for Diana. Luckily, I was able to assure her that you had never even hinted at such a thing to me, and she believed me. That is what has been worrying me the feeling that I may have given you away. Now, I do not see what is to be done, for you and Diana will certainly not- be allowed to meet again/ ' It would not be of much use if we did meet/ said Vane gloomily. e I am not so sure of that, Eddie. You would have to be very patient, and approach her very gradually; but in the end I believe her nature would triumph over these morbid fancies that have been instilled into her/ 1 1 wonder why your brother dislikes me so much ? ' said Edmund abruptly. Lino shrugged his shoulders. ( If he does/ he observed, ' I should say it was because you were so interfering as to save my life. He would have had more money had I died in Abyssinia/ Vane glanced at him. It was the first time he had heard Lino express an opinion about his brother. ' Marco lives upon the Cardinal/ continued Lino, ' and other people live upon Marco; your friend the Countess Verini, for instance, is supposed to have got a good deal out of him. My uncle has paid his debts more than once, I believe. His Eminence is under the impression that Marco is unlucky on the Bourse. It is not my business 68 DONNA DIANA to undeceive him. But why do you think he dislikes you, Eddie? You never told me that before.' ' Why should I have told you ? It does not matter very much.' ( You think not ? ' said Lino. ' I wish I could agree with you. Marco has great influence with the Cardinal, and if the latter chose to favour your suit with Diana we should hear very little more of her vocation for religion. How your affair is to be furthered God only knows! It is no use disguising the fact that you will encounter powerful influences fighting against you.' ' The most powerful influence will probably be that of Donna Diana herself/ said Vane. ' Love and marriage are not things that have entered into her little world. It is absurd, Lino/ he added, ' a silly dream of mine upon which I should never have allowed my mind to dwell. You had better forget that we ever discussed the matter, and I will try to forget also. And yet ' He broke off with a little sigh. ' Fiano ! ' ejaculated Lino. < Let us look at the affair quietly. There is no reason to be in a hurry. In the first place, are you sure that you are in love with Diana ? ' c Oh, very sure, and equally so that she is never likely to be in love with me.' ' A mere detail, that last.' ' A detail, you call it ? ' ' Certainly. She has got to be shown that there is a possibility of her being in love, with you or with some other man it does not particularly matter with whom. No, you need not be offended, Eddie, I am talking quite good sense, for a wonder. She must be made to think, not of spiritual lovers, but of lovers of flesh and blood.' 'You look upon Diana as scarcely more than a child, but you forget -that she will soon be eighteen, and at that age our girls are already women.' ' She must be made to think, I tell you, to wonder, until a little curiosity to explore this unknown thing called DONNA DIANA 69 love comes to her. After that we shall see. Diana will be very different from the women of her race if she stops half way in her explorations. Of course,, if you can be the man to arouse this curiosity in her, so much the better.' 'But how can I be that man?' Lino was silent for a moment or two. ( I think it depends very much upon yourself/ he said presently. 6 How do you mean ? ' asked Vane. ' Well, do not be angry if I put things crudely. It de- pends whether you are merely attracted by Diana's beauty or whether there is some deeper and more durable attrac- tion. Considering that you have had so little opportunity of knowing her, it seems to me to be doubtful. I am not a believer in love at first sight. In passion, yes, if you like, but, my dear Eddie, in this case passion won't pull you through the difficulties you will have to face in order to procure its satisfaction.' 6 1 see,' replied Vane ; ' you want to be sure that I am enough in earnest to warrant my striving to obtain your cousin's love. Well, being human, it would be absurd to deny that I was attracted in the first instance by her beauty; but I was also attracted by the singularity of her position. That position seemed to me to be unnatural, unjust. Then another feeling took possession of me, and it has never left me. It is a longing to possess the right to give Donna Diana everything of which I believe that she will be unjustly deprived if she is encouraged in re- nouncing the world when she is ignorant of what the world may contain for her. Perhaps this feeling has supplied the place of a closer acquaintance with your cousin; at any rate, it has satisfactorily proved to me that she has some deeper attraction for me than the material attraction of her beauty, though that may be powerful enough.' Lino Savelli held out his hand. ' If it is like that with you,' he said, ' I will do all I can to help you, Eddie. I have always wished that some 70 DONNA DIANA man would come forward to save Diana from herself and from those who are influencing her mind, but I little thought that man would be yourself. If it had been other- wise with you, I am not sure that I should have helped you. I think I should have told you to look elsewhere, for your own sake, as well as for Diana's/ Edmund Vane grasped his hand for a moment. He felt that it was a compact between them, and that Lino would do all in his power to assist his cause, if only out of re- membrance for what he (Edmund) had done for him in the past. ' Thank you, Lino/ he said simply. ' Evidently, you do not regard it as a very hopeful business/ he added with a slight laugh, the latter prompted by a very English desire to avoid anything approaching sentimentality. ' It will not be easy/ replied Lino. ' You must re- member that, as I think I once told you, the Cardinal is Diana's guardian. He might resign her dot to a con- vent, but I doubt his being willing to do so to a hus- band/ ' I don't care a damn about her dot I ' said Vane ener- getically. Lino laughed. ' I don't suppose you do/ he replied. ' If you had been one of us, you would have cared about it very much, and you would probably have retired from your position direct- ly you suspected any difficulty in its forthcoming. That is a powerful weapon in the Cardinal's hands. He has absolute control over Diana's fortune until she is one-and- twenty, and he knows well enough that he would only have to raise difficulties in order to scare away any Italian suitor who might take a fancy to her. Unluckily, Marco knows it also.' 'Your brother? But what has he to do with it?' asked Vane. e I don't know, Eddie ; but that is one of the things we shall have to find out. You and I will have to be quite open with one another in this business. Hitherto, DONNA DIANA 71 whatever I may have thought about it, I have kept to my- self, for the sake of the family. You have wondered why a girl like Diana should have been allowed to develop such strong religious ideas at her age. I have wondered also, the more so because Diana and I used to play to- gether when she was a child and I was a boy. It did not take me long to understand that it was better to keep my surprise to myself, and not attempt to account for things that were no business of mine/ 'I dare say you were right/ said Edmund. 'I do not understand all the intricacies of family life in your country/ ' No, that is just it. You do not understand. For that matter we do not always understand them ourselves; for strange elements often enter in upon them, producing strange results. In my country, Eddie, one of these elements goes by the name of religion. It is occasionally made to serve many purposes, some of which are certainly very good but others of which are very base.' Vane looked at him earnestly. ' I do not like to ask you what you mean to imply/ he said after a pause. ( No, do not ask me yet. When I am able to give you a definite answer, I will do so. In the meantime avoid the Palazzo San Eocco. Diana will be there for Easter, and she will not return to the Sacre Cceur that I know. How long it may be before she enters upon her novitiate I do not know as yet. You must trust to me for a little while 'to do what I can for you.' Edmund nodded. ' Of course/ he replied. And Lino, without saying anything more, made his horse break into a trot. The sun was setting as they mounted the hill above Tor di Quinto and looked down on the lower part of Eome. The cupola of St. Peter's, purple-black, stood out against a background, flame-coloured, and shot here and there with broad rays as of molten gold. Neither Vane nor 72 DONNA DIANA his companion spoke much until they reached the Porta del Popolo, where they had directed a groom to await them and lead the horses home, riding within the gates of the city being both disagreeable and unsafe on account of the worn pavements, that are often slippery as glass when any moisture is in the air. CHAPTER VII 'THE sacrifice of God/ said Cardinal Savelli, 'is a pure spirit/ Princess San Rocco sighed. ' I know, Camillo/ she replied. ' Of course, we must not presume to interfere with His ways, but ' Cardinal Savelli looked at his sister with some surprise. ( You are regretting the world for Diana ? ' he asked in- credulously. ' I should have thought, Vittoria, that you would be thankful to feel she was preserved from it.' 'But I am thankful/ replied Princess San Rocco; 'I would not have it otherwise. Only, one cannot help won- dering you "know, what the world might have had in store for the child.' The Cardinal waved his hand a little impatiently. ' We know what the world has in store for each of us/ he said. e A few joys, perhaps, and a great many troubles and temptations. Diana will have joys, too, and peace, which is the fulness of joy. Do you not suppose that God knows better than we can know what He is shielding her from by calling upon her to give up the world ? ' ' Quite true/ observed the Princess. ' Of course, I see it all in the same light as you do. But lately I have had some misgivings. Fabrizio ' ' What has Fabrizio been saying ? ' asked the Cardinal. 'He never says very much, you know, but I can see he feels that Diana should see something of the world before beginning her novitiate. I don't agree with him, of course; but, you see, Camillo, other people might think the same thing. They cannot know how different Diana is from other girls of her age, or understand that she has no desire except to enter religion. 5 73 74 DONNA DIANA ' Fabrizio ! ' repeated Cardinal Savelli somewhat scorn- fully. 6 1 do not think you need pay much heed to what he says on such subjects,' he added, with a smile. ' I never do/ said the Princess tranquilly. ' But lat- terly he has recurred to the question several times. I really think he is not quite easy in his mind about it. He is fond of Diana, you know and of Lino.' Cardinal Savelli frowned. ( Ah, Lino ! 9 he observed, looking at his sister inquir- ingly. ' He, of course, would be on the side of the world. I hope that Fabrizio has not been discussing the matter with Lino, Vittpria?' ' Not that I am aware of. But Lino discussed it with me a few days ago/ ' I don't mean the tourists one sees about the streets, but the men like Mr. Vane, you know. We used to peep through the grille at the forestieri who come to Benediction at the Trinita dei Monti Madame de Bonneval says some of them come because they think Mendelssohn plays the organ and we could always tell the English gentlemen/ Frau von Eaben held up her hands in horror, and let her knitting fall into her lap. f Tiana ! ' she exclaimed, her German accent becoming more and more obtrusive as her anger increased. ' What you are saying is scandalous a fergogna for a young girl, a girl who is going to be a nun, too ! If you are in love with this Englishman, who has no more manners than than a pig, you may as well confess it.' Nothing short of uncontrollable resentment would have caused Frau von Eaben so far to forget the proprieties of the Italian language as to make use of the simile in question. She snapped it out, however the plain, vulgar word porco, that lost nothing of its indignity in the manner of her pronouncing it. Diana looked at her. There was an expression of bewil- dered amazement in her eyes, and the colour rose and deepened on her brow. ' In love ? > she repeated in a low voice. < I ? And with Mr. Vane? ? And then she smiled, and stood looking down upon Frau von Kaben doubtfully. ( That is absurd/ DONNA DIANA 99 she continued after a pause f quite absurd. Besides, what is love ? I have tried to feel it for our Lord, you know, but I suppose that is not quite the same thing as as ' Frau von Eaben recovered herself rapidly, her anger giving place to annoyance with herself for being so pre- cipitate. ' I was only joking/ she said hurriedly. i Of course it is absurd. How should you be in love with Mr. Vane when you have only seen him a few times? As to the other that other love it is not different at all, really. It will come to you some day, if you continue to love our Lord/ ' But I have never seen Him at all/ observed Diana thoughtfully. Frau von Raben darted a keen glance at her. Decidedly, she thought, Diana was not so easy to understand as she had been a few months ago. She shook her head gravely. ' The lusts of the eye/ she replied ' you must beware of the lusts of the eye ; at least, as regards the human form. The blessed lineaments of the Divine Form are known to us all, and they should satisfy us. You will gaze upon these with the eye of the soul, and He will give them to you for your enjoyment. Come, Diana, the sun is not so warm now, and the Princess said we might use the carriage this afternoon, as she does not want it. We will drive out by Monte Mario and get a little country air/ Diana left the room to put on her things for driving, and Frau von Raben lingered for a moment or two in order to pick up her dropped stitches. CHAPTER IX COUNTESS VERINT had had a long day. To begin with, she had gone to Mass, heing one of those people, who, however they may elect to finish the day, prefer to make their conventional sacrifice to the Deity at the beginning of it. Then she had gone to her dressmaker a sacrifice that she owed to society. Of the two, the visit to the dressmaker had been the more trying, since it was not so easy to reason with the latter on the question of credit. After breakfast she had attended a conference de- livered by a learned Hindoo, who, possessed of a fine con- tempt for the traditions of caste and a nice taste in plati- tudes, was enjoying a European trip at the expense of Western female intellect. The lecture which had lasted from three o'clock until five, had been comforting, even if at times confusing, and then Countess Verini had gone to tea at the house of a disciple of the lecturer, whither had also adjourned some of the elect among his audience. Here had been discussed more than one soul-inspiring topic; indeed, the field covered was catholic in its comprehensiveness, ranging as it did by easy gradations from Brahman philosophy to the fausse-couche of a friend that had occurred the day before. It was scarcely to be wondered at if Countess Verini felt fatigued by dinner-time. Fortunately, it was not one of her evenings for receiving, and, having put on a loose tea- gown, she retired after dinner to her sitting-room. Here she lay down on a sofa and began to read, not her notes taken during that afternoon's lecture, but the more modern philosophy to be found in the " Journal d'une Femme de Chambre/ 100 DONNA DIANA , ., \ ^ ] 101 To say that Countess Verini received on only three even- ings of the week would not have been strictly accurate. When she was not dining out, she was at home to certain visitors. Her servants knew how to distinguish these visitors without any instructions on the subject of what use should be Countess Vermi's maid,, who had been in her service some years, had they not so known? Moreover, they knew which visitor expected to pay his visits without fear of being disturbed by the arrival of another intimate friend of the house. At half-past ten o'clock Countess Verini was still en- grossed in her study of modern manners. ' I wonder if Adele keeps a journal/ she said to herself at intervals, as she turned over the leaves. ' I'm. sure I hope not! Dreadfully indiscreet, I consider it, putting such an idea into servants' heads/ Suddenly her reading was interrupted by the distant jingle of the telephone-bell ringing in the ante-room, and a minute or two afterwards a servant entered and asked if the Signora Contessa received. ' Who is it ? ' she asked. 6 Don Marco Savelli, Eccellenza/ Countess Verini glanced at her book. It amused her, and she really was tired. 6 Very well. Say that I will receive him. Where does Don Marco telephone from ? ' she added. ' From the Scacchi Club, Eccellenza/ The man was about to leave the room, when Countess Verini stopped him. ' I am not at home to anybody else/ she said. ' And tell Don Marco, that as I can only receive him for a few min- utes, I think he may not find it worth the while to come/ When the servant had left the room, Countess Verini threw aside the silken quilt that she had drawn over her feet, and, rising from the sofa, groped for the shoes she had kicked off. Then she arranged her hair before the looking-glass, and finally sat down in a low arm-chair by the side of a Louis Quinze table on which were lilies of 102 DOXNA DIANA . the valley, and among them a photograph of Count Verini. There were photographs of Count Verini all over his wife's apartment, and in her bedroom he shared the post of honour with St. Joseph, to the lasting amusement of her French maid, who was possessed of a sense of humour and a lurking sympathy with husbands obliged by force of circumstances to form part of a menage a trois. 6 1 wonder/ said Countess Verini to herself, ' if he has got the money ? ' And then she glanced at her reflection in a mirror opposite and smiled a little. She certainly had no reason to be dissatisfied with what she saw in the looking-glass. It reflected the image of a handsome woman of about five-and-thirty years of age, with masses of jet- black hair piled closely on her head. The features were regular and strongly marked, with something about the setting of the dark blue-black eyes and the moulding of the nose and chin that suggested a strain of Jewish blood. 'Even the loose folds of the tea-gown Countess Verini wore could not conceal the fact that she possessed a superb figure, and the delicate, coffee-coloured lace about her neck and shoulders only served to bring its well-modelled lines into greater evidence. Perhaps the fault of Countess Verini's face lay in its expression, which when the features were in repose was apt to be hard and discontented. As her features never were in repose, however, when she was in the world, or, at any rate, very rarely so, this did not endanger her reputation for good looks or sweetness of temper. In other capitals, possibly, the Countess Verini would have been regarded as a passably good-looking woman, with an undeniably fine figure. But in Eome a reputation for beauty is more easily obtained; and, the Eomans having a traditional regard for ruins, when once acquired it has the additional advantage of wearing well. Some people said disagreeable things about Countess Verini. She was one of those Roman ladies whose supposed sayings and doings were much gossiped about and discussed round the tea-tables of the elderly English and American DONNA DIANA 103 ladies who haunt Eome and strive to compass the ac- quaintance of the Italians, whom they are never weary of abusing. Such as these shook their heads and gave God superfluous thanks that they were not as the foreign women. In the genuine Eoman world people held their tongues about Countess Verini, or smiled indulgently and talked of her artistic temperament. The noise of a door opening behind her disturbed Countess Vermi's train of thoughts, in this instance of a distinctly material nature. The servant held aside the portiere as he announced Don Marco Savelli, and Countess Verini, without turning her head, extended a white hand and a partly bared arm from the depth of her chair. Marco bent over her hand and kissed it. ' I thought I should find you alone this evening/ he said, 'but I telephoned in order to make sure/ Countess Verini looked at him inquiringly. ' I am dead tired/ she replied, ' body and mind. I have been to Ram Lai's conference, you know. If you had come later you would have found me in bed/ ' It is a pity, then- -' began Marco. Countess Verini interrupted him. ' I suppose you have not come to talk nonsense/ she said a little irritably. ' I never talk nonsense/ replied Marco, and Countess Verini gave her shoulders an almost imperceptible shrug. ' I have come to tell you that I cannot get the money, Laura/ continued Marco hurriedly. ' It is impossible. You must make the people wait/ Countess Verini tapped her foot upon the carpet. ' They won't wait/ she said briefly, ' and I must have the money. Have you consulted Tomei?' ' Yes, he can do nothing that is, nothing at present. It is a bad moment/ ( The Cardinal, Marco/ said Countess Verini tentatively ' could not Tomei speak to him ? You might have been unlucky on the Bourse again, you know/ 104 DONNA DIANA Marco Savelli shook his head. ' It is too soon/ he answered. ' Besides, you know how the money was found last time.' Laura Verini took two cigarettes from a little silver box on the table. ( It soothes the nerves/ she said, as Marco lighted one for her. 'And why cannot Tomei persuade the Cardinal to draw again from the same source ? ' she asked. ( We could make it worth his while/ Marco was cautious even in his love affairs, and Laura Verini, like many another woman, was fond of money, or, rather, was fond of spending it. He knew that she could be depended upon to keep silence as to the withdrawal of a part of Diana's capital as long as she thought that the money had gone to pay her own debts. Laura Yerini shot a rapid glance at her companion as he sat in silence. e If you manage Tomei properly, he will find the money/ she said presently. Marco shook his head. 6 It is too dangerous/ he replied. e If Diana were younger, it would be simple enough. But she is eigh- teen, and in three years' time can claim her fortune. What would be said if only a portion of it were forth- coming ? ' 'But the sum is not so very large/ returned Countess Verini. ' Her fortune is a million francs, is it not ? That is a sum which bears dipping into. And your uncle is so sure to be appointed to some post the emoluments of which would increase his income. I have heard him mentioned as the future Cardinal- Vicar. Besides, he is rich, Marco. It is useless to deny it, though very likely he conceals the fact from you. There, I don't blame him; but, then, I know you better than he does.' ' People think he is rich,' said Marco, ' but I believe he has spent most of his capital. There were calls upon him, you know, at one time.' Countess Verini laughed. DONNA DIANA 105 ' No doubt/ she replied. ( He must have been very good-looking twenty years ago.' ( But it was very certain/ continued Marco, ' that, were he as well off as people imagine, he would not have been obliged to draw upon Diana's capital in order to to help me.' Countess Verini leaned back among the cushions of her chair and blew little wreaths of smoke into the air. ' The girl always means to be a nun ? ' she asked medi- tatively. ' Yes, of course/ answered Marco eagerly. ' And why " of course " ? I do not see any " of course " about it. She must be an imbecile.' ' Possibly. But it is to be hoped that nobody will tell her so/ Marco returned dryly. ( And this money it is hers absolutely when she is of age?' ' Absolutely.' 'And if she dies?' ( It would be divided between a good many relatives should she die unmarried before she is of age. Those were the terms of her father's will.' ' I see. It is far better that she should be a nun/ said Countess Verini. 6 At least, she will not want all her money if she takes the veil/ said Marco. ' A portion of it, I suppose, would have to be paid over to the convent, and the remainder she could employ to benefit her relations left to struggle with the difficulties of living in the world.' Countess Verini smiled a little satirically. ' An excellent arrangement/ she observed, ' but one that is of not much use in the present. You are like every other man, Marco you think and plan only for your own benefit. It is nothing to you that I am in want of money.' Marco Savelli took hold of the white hand reposing daintily upon the arm of her chair. ( Laura ! ' he exclaimed. ' How can you say such such a thing ! it is unjust, unfair ! If I had the money, I would 106 DONNA DIANA give it to you. But I dare not go to my uncle so soon with the same story. Tomei declares that he would not believe me. You must have patience. By degrees, perhaps, we shall be able to do something/ Laura Verini drew her hand away. ( Your uncle has all that money in his power/ she said, with a little sigh, 'and he has used some of it once. Why cannot he use it again? He would do anything for you, but you will do nothing for me. And it is you who are unfair and unjust; you take everything I have to give, and and ' Marco slipped from his chair and knelt beside her, passing one of his arms round her while his disengaged hand disarranged the lace about her breast and throat. The faint perfume clinging about her seemed to rise to his head and make him dizzy, while the soft touch of the delicate flesh under his fingers maddened him. Laura Verini lay passively in his arms for a moment or two. Then she shook herself free from him with a half- smile upon her lips. ' Do not be silly, Marco/ she said. ( Supposing one of the servants should come into the room! I didn't mean what I said just now. Let us talk the thing over sensibly. If your cousin Diana has set her mind upon going into a convent, she will probably want to take her money with her.' 'But not all of it/ insisted Marco. 'And why not?' e Oh, because 9 Marco broke off abruptly. ' Because ? ' 'Why should the convent have all her money?' he resumed. ' If Diana does not require it, there are others of her family who do so. Moreover, as I said just now, if she dies while under age it would be divided. Of course, her father never contemplated that she would develop this craze for religion, or he would probably not have left her so much/ Laura Verini looked at him curiously. 'You are laying your plans far in the future/ she ob- DONNA DIANA - 107 served, 'and you and I can be frank with each other of course your cousin's religious craze, as you call it, is very lucky for you. If she had not got it, she would de- velop a craze for matrimony, and her husband would want to see her dot. From his point of view, your uncle is quite right to encourage her religious ardour a priest could do no less and from your point of view you are quite right to second him.' Marco Savelli twisted a cigarette between his fingers without replying. ' All the same/ proceeded Countess Verini quietly, ' I think that you are making a mistake.' 6 What do you mean, Laura ? ' ' Why do you trouble yourself about the future ? It ap- pears to me to be absurd to do so. Your cousin is much younger than you, and nuns live long. There is nothing to kill them except old age that is to say, if they are content to confine themselves to spiritual emotions. There is no genuine waste of nervous tissue with the latter. You say a portion of her fortune will be required by the con- vent she enters. Well, why do you not encourage her to leave all her fortune to it? The idea should please her, as she is so devote/ 6 Leave all her fortune to a convent ? ? repeated Marco. ' What good would that do ? ' Countess Yerini smiled. 'Dear Marco, you are a little dense this evening. In- deed, on this point I think you have always been so. The longer this girl's money can remain in the custody of your uncle, the better you will be pleased is it not so ? 9 'Yes,' said Marco. ' Bene ! As soon as she is of age, she might sign a deed of gift of her capital in favour of the Superior of her con- vent. The nuns might wish to buy an establishment in Home in the Ludovisi quarter, for instance and the money would be very useful.' e And my uncle would have to hand over a million francs to some old woman to buy land with/ exclaimed Marco. 108 DONNA DIANA Countess Verini laughed gently. ' Oh no, my dear Marco ; the Cardinal would have to do nothing of the kind. Listen to me, and I will tell you all that would happen. It is delightfully simple, and I wonder that you have not thought of it for yourself. Of course your uncle would consider it to be his duty to guard against his niece parting with her capital in a momentary fit of enthusiasm. The gift might take effect when your cousin was twenty-five years old. In the meantime the capital would not need to be disturbed. Between the ages of eighteen and twenty-five there are seven years, you understand? The Cardinal might naturally continue to administer your cousin's affairs even after she had come of age/ Marco Savelli nodded. ( Yes/ he said, ' I see what you mean. You are very business-like, Laura. But in the end the capital would have to be paid over; and supposing it were not there to pay?' ' It would be very unfortunate/ replied Countess Verini dryly. ' But a religious institution especially a female religious institution is easier to deal with in the case of an unpaid dot than a husband; the former cannot afford to abandon its spiritual pretensions, you must re- member.' Marco sat for some moments biting his nails in silence. 'You mean that Diana should be encouraged to endow her convent with her capital/ he said at length, ' and that the convent would be content to wait at any rate six or seven years for the money.' f Precisely/ returned Countess Verini. ( Much may happen in six or seven years.' 6 That is all very well, Laura ; but supposing Diana de- clines to entertain the idea ? ' 'Did she decline to entertain the idea of becoming a nun?' e Oh, that is so different ! She has a vocation/ replied Marco. DONNA DIANA 109 His voice assumed a pious tone as he spoke, and his eyes dropped furtively. Countess Verini looked at him and smiled. ' No, dear friend/ she said, ' do not treat me to your ecclesiastical manner, I beg of you ! No doubt it becomes you in the Via Giulia, but here, in my sitting-room, it is a little out of the picture. I put mine away in the morn- ings, after Mass/ ' But she has a vocation/ interrupted Marco, a little angrily. ' Besides/ proceeded Countess Verini, without heeding him, ' it is all nonsense, you know. Of course, she has a religious vocation just as much as our conscripts have a military vocation. Oh, do not think that I am blaming anybody; I am all for women going into convents. It reduces competition. All I mean is that there is no reason to keep up any comedy with me on the subject/ ' I don't know what you mean by comedy, Laura/ said Marco sulkily. ( But you know perfectly well, caro mio I Only do not defeat your own ends that is all. You would be very glad to have your share of your cousin's money si capisce. And, as she can at the same time benefit you and your own soul by doing so, it is quite natural that you should encourage her to become a nun. But why wait for her money when you already have it practically in your power ? ' Marco Savelli's naturally sallow face grew a shade paler. ' But it is not in my power/ he said in a low voice ; ' it is the hands of my uncle/ c Sciocchezze ! ' replied Laura Verini. ' As I said before, he has used it for you once, and he will do so again. It is only the first step that costs. Get Tomei on your side. You told me yourself that the Cardinal does not move a finger financially without consulting him ! 9 6 That is true/ said Marco. ' But I am no particular favourite of Monsignor Tomei/ he added. c And, Laura, if he were to find where the money really went, and were to tell my uncle ? ' 110 DONNA DIANA 6 It would scandalize them both terribly, of course/ interposed Countess Verini sarcastically. ' And yet the Cardinal might make allowances. He might remember, perhaps, that you did not miraculously change your mas- culine nature by becoming a priest/ Laura Verini leaned forward and laid her hand on Marco's. ' If once I had this sum I am in such need of/ she continued hurriedly, ' I should be easy in my mind. You will get it for me, Marco, will you not? You see, I come to you, though I know you are poor. There are others who are rich the money would be nothing to them who would give to me readily. But, then, they would want to be paid, Marco ; ' and she stopped, looking down into his eyes and stooping towards him till her lips nearly touched his. e And me you will repay me, Laura ? ' he exclaimed passionately. ' You ? Ah, yes ! ' answered Laura Verini with a little laughing sigh 'yes. But, then, I love you, Marco, so the debt will be easy to pay/ The soft, deep gong of a travelling clock on the writing- table struck twelve, and Countess Verini started and dis- engaged herself from Marco's embrace. 'But you are too premature/ she exclaimed, smiling. e Do you want to touch the interest before lending the money ? Via, Marco ! it is too late already, and I well, I have told you several times that I am very tired. Do me the favour of ringing the bell, and one of the servants shall light you down the staircase, for it is very certain that the porter will have turned out the gas, and if you are found in the morning with a broken neck there will be a scandal/ CHAPTER X DIANA SAVELLI had not been many weeks at the Palazzo San Rocco before she began to find her life there somewhat dreary. She missed her companions at the Sacre C'ceur, and more than all the rest she missed Madame de Bon- neval. At first the change had possessed something of the charms of comparative novelty. It was pleasant no longer to be obliged to do certain things at certain hours, to feel that she was at home., and not, in a sense, at school. The Princess was invariably kind to her, though, as Diana had said to Cardinal Savelli, she could never bring herself to remember that her niece was no longer a child; and the Prince was as fond, or perhaps even fonder, of her than he was of his own daughters. But Diana did not see very much of her uncle except at breakfast and dinner. In the mornings Prince San Rocco was occupied with his private affairs, and soon after the mid-day breakfast he would take a little gentle exercise about the streets of the city, retiring to his club later in the afternoon, where he could play whist, or talk to his friends until it was time to re- turn home to dinner. With her cousins Giulia and Maria Petrucci, Diana felt that she had little in common, and being so many years younger than they, it was scarcely to be wondered at if there was not much sympathy between them. If the truth were told, Princess San Rocco's daugh- ters were not a little jealous of Diana's beauty, and had it, not been that they were able to console themselves with the comfortable assurance that her good looks would shortly be concealed from the eyes of men, it is probable that their jealousy would have been more strongly manifested. As it was, Donna Maria Petrucci, the younger and better- looking of the two sisters, never lost an opportunity of re- 111 112 DONNA DIANA minding Diana that the latter was not destined to a worldly life, and that she should strive in consequence to cultivate a greater reservation of demeanour. In fact, Donna Maria snubbed her cousin whenever she had an opportunity of doing so, and Diana, whose temper would occasionally rise in revolt, would commune with herself afterwards and acknowledge, perhaps a little ruefully, that no doubt Maria was right, and that laughter and high spirits were unbe- coming in a girl who was to be a cloistered nun. In her intercourse with Frau von Eaben, Diana had grown to be very reserved. Some instinct told her that the latter was watching her. At times Frau von Eaben would talk in a mysteriously sympathizing strain, as though inviting her confidence. This perplexed Diana not a little, as she was unconscious of having anything definite to confide either to Frau von Eaben or to any- body else. One thing she could not help noticing, namely, that neither Frau von Eaben nor her cousin, Maria Pe- trucci, were ever weary of abusing the Englishman whom Lino had brought to the house. It was very unfair, Diana thought, to abuse, simply because he happened to be a foreigner, the man who had saved Lino's life. Frau von Eaben would constantly hold forth upon the enormities perpetrated by the English in South Africa on Boer women and children as a proof of their brutality towards women in general and their own wives in particular. Diana listened, and wondered. It was strange that one belong- ing to such a race should have acted as Mr. Vane had acted by her cousin Lino. She had so often heard the latter talk of the English in quite other terms, and well, she pre- ferred to accept Lino's opinion rather than Frau von Eaben's. Prince San Eocco, too, had little sympathy with the anti-English sentiments of his family, and dismissed the tales of English atrocities with a shrug of the shoul- ders, as manufactured in Brussels and the Hague, and joy- fully reproduced by such reliable authorities as the organs, official and otherwise, of the Vatican. Not that the Principe di San Eocco was by any means DONNA DIANA 113 in harmony with the majority of his compatriots of the upper class in his refusal to credit anti-English canards. Though the great mass of the more intelligent Italians of the commercial and lower classes maintained the tradi- tional friendship of their country towards England, and took the accusations of the journalists and the priests at more or less than their true worth, the so-called aris- tocracy, as a rule, was too ready to allow its total igno- rance of the military, political, and geographical situation to fan the flames of a species of sentimental enthusiasm for a small nation believed to be fighting only for the inde- pendence of its territory. As for Diana, the subject did not greatly interest her. It struck her as a little inconsistent of Frau von Eaben and her cousins to blame Edmund Vane for not adding himself to the number of his brutal compatriots who were shooting women and children in South Africa; and, more in order to annoy Frau von Raben than from any deeply- seated convictions, she would stoutly affirm her pro-Brit- ish sympathies, to the delight of the Prince and the in- dignation of the remainder of the family. April was over, and May had come with its long, warm days and flower-scented air. The tourists were leaving the city hurriedly, possessed by visions of that mysterious disease diagnosed by them as Roman fever, but by the doctors as bilious chill the result of overfatigue and hotel diet. And with the departure of the tourists Rome begins to resume her true life. The beggars in the strangers' quar- ter of the town, who have been professedly dying of hun- ger during the winter and early spring, retire with their earnings to their native villages in the Ciociacia, and the rest of the human parasites who prey upon the foreigner disappear with them. In the city are roses roses everywhere. The sweet yel- low and white Banksias cluster on the golden-brown ruins of ancient palaces and temples, clothing the russet stems of the stone pines, or peeping from among the sombre 114 DONNA DIANA foliage of the cypress in the gardens. In the green glades of the Villa Borghese and the Villa Doria the air resounds with the song of birds liquid notes of thrushes and black- birds, the fitful melody of nightingales, or now and again the soft, rich call of a golden oriole. In the streets, during the mid-day quiet, and again in the stillness of the night, when the southern stars hang low in the violet sky and wandering fire-flies flit through the air, the snbdued laughter of the fountains falls pleas- antly on the ear. For Kome is the City of Waters as Florence is the City of Flowers, and a Roman sojourning in foreign capitals misses above all other things the moun- tain waters that his ancestor brought across the Campagna to gladden the heart of his native town. Of all the gardens remaining within the walls of Rome, there is certainly none of such extent, or of more varied beauty, than that belonging to the Palazzo Castelnuovo. The tourist and the sightseer know it not, nor even suspect its existence, for it is never shown to the public, and lies in a quarter of the city seldom explored by foreigners. Nevertheless, within its precincts are groves of palm and ilex trees, silent pools of water, and flowing streams ; long vistas, through glades of roses and natural arches formed by flowering creepers climbing from tree to tree, to where the dark, frowning mass of the Colosseum blocks the far distance. Here and there rise the ruins of ancient temples. The roses have invaded them also, and stray through the broken masonry, their delicate petals replacing the gilding and the marble. And, since the incongruous must ever be present in Rome, among the roses and the ruins, almost side by side with the palm-trees and rare flowering shrubs, there are cabbages. On an island in the centre of a miniature lake, sur- rounded by tall palms, and weeping-willows drooping to the water's edge, stands a casino of white stucco and glass, the interior of which is at once a fernery and a summer- house. From its little terrace, access to which is given by a bridge from the mainland, stretches away a view of DONNA DIANA 115 wondrous beauty. To the right are the domes and towers of Rome, while to the left the soft outline of the Alban Hills rises above the undulating plain of the Campagna and closes the distant horizon. This island was a favourite retreat of Diana Savelli on afternoons when she was able to avail herself of Princess Castelnuovo's permission to roam about in the gardens of the Palazzo Castelnuovo. Here she would bring her books and sit, intending to read, though often the volume lay unheeded on her lap while her thoughts travelled far away. As the days grew warmer she came repeatedly to the Castelnuovo gardens, generally accompanied by Frau von Eaben, but occasionally, when the latter was wanted to drive her cousins, by Princess San Rocco's maid, an elderly female whom Diana greatly preferred as a companion to Frau von Raben. Ersilia did not talk unless Diana en- couraged her to do so, whereas Frau von Raben was sel- dom silent for very long. Moreover and this fact was sufficient to make Diana regard her with friendliness Ersilia had a great admiration for Don Michelangelo Sa- velli. Like the porter at the Palazzo San Rocco, she had known Lino when he was a boy, and, in common with all the old servants of Casa San Rocco, was devoted to him. On this particular afternoon in May Frau von Raben had retired to bed with, as she expressed it, a e male di sto- maco' not a stomach-ache, indeed, but an attack of in- digestion and Diana, escorted by Ersilia, had left the Palazzo San Rocco about four o'clock, and had driven to the Palazzo Castelnuovo. It was still hot for walking, and Diana went to her favourite seat on the island, to read, dream, or throw pieces of biscuit to the gold-fish, and watch them fight and jostle each other in their eagerness to snatch at the unaccustomed delicacy. It was very quiet in the gardens. Only the church clocks striking the hour and the distant cries of the street-sellers broke the stillness. The great block of building forming the Palazzo Castelnuovo dominated the gardens on one side, but most of the windows were closed, for Princess 116 DONNA DIANA Castelnuovo was absent from Eome. Diana settled her- self comfortably in a wicker chair, while Ersilia seated herself at a little distance and began turning over the leaves of a well-worn, paper-covered volume which she extracted from her pocket. The rustling of the leaves attracted Diana's attention. She did not know that Ersilia was given to reading, unless it were newspapers, such as the Messaggiero, or perhaps the Vera Roma. ' What is your book, Ersilia ? ' she asked presently. The latter looked up with an apologetic smile. ' Oh/ she replied, 6 it is not a book that would interest the signorina ; it is the " Libro dei Sogni." To-day is Friday, and to-morrow I shall play an ambo at the Lotto/ Diana laughed. ' For shame, Ersilia ! ' she said. ( You will only lose your money. And what numbers are you looking out in the " Libro dei Sogni"?' The woman smiled again and hesitated. ' It is a combinazione,' she answered mysteriously, ' The numbers may come out who knows? and then I shall win sixty lire.' ' And what are your numbers ? ' repeated Diana. Ersilia shook her head decisively. c Per carita ! ' she exclaimed. ' It spoils the luck to tell the numbers; one must keep them to one's self and sleep upon them. I do not often play, signorina; it is a fooFs game, the Lotto, and all very well for men. But this Saturday I shall play two lire on Rome. It is a great deal of money to risk, but we shall see.' ' You will certainly lose your two lire,' replied Diana, smiling, ( and then you will be sorry, and you will call the Government bad names,' she added, returning to her own book once more. Half an hour or so passed, and presently Ersilia began to fidget. She looked at her watch several times, and glanced at Diana reading a few paces from her. Seeing DONNA DIANA 117 that the latter was absorbed in her book, the old servant rose and walked quietly away behind the casino. 6 Fifty-six for love that is crossed, and thirteen for a nun/ she murmured to herself. ( Perhaps I am a fool not to play a terno, but whoever knew anybody to win a terno ? All the same, it is a pity not to play on the Englishman.' And so, muttering to herself, Ersilia turned down a side- path that led through the ilex-trees, under which the shade was deep and cool, and where the sun, scarcely penetrating between the sombre, green leaves, cast little chequered patterns of light on the turf beneath. At the end of this path was a low, castellated gateway leading through the massive walls by which the garden was surrounded into a narrow by-street without. Here she paused and waited. The deep tones of the church clock of Santa Maria Maggiore near by struck five, and then the half-hour, and Ersilia started nervously. ' A quarter of an hour late/ she said to herself impa- tiently, as if unpunctuality mattered in Eome, where no- body is ever punctual, except, perhaps, the tax-collector and the patronesses of charity balls. Suddenly a low Pss-t from outside the gateway fell on her ears, and Ersilia drew back the bolt of the iron door. At the same moment a key was inserted into the lock from without. The door was pushed slowly and cautiously open, and Lino Savelli's form appeared on the further side of it. 6 And where is the other the Englishman ? ' exclaimed Ersilia, forgetting formalities in her excitement. ' Waiting a few yards away/ answered Lino briefly. ' Is all well, Ersilia? If so, I will call him.' ' All is well, Eccellenza/ returned Ersilia. ' The signo- rina is sitting on the island, reading, and alone ; madame, God be thanked! is in bed, sick, with a linseed poultice on the stomach. His Excellency received my note?' 6 Yes, and we are here. It was too good an opportunity to be lost/ returned Lino. He gave a low whistle as he spoke, and Edmund Yane 118 DONNA DIANA appeared from behind a corner of the wall and joined them. The door was closed and relocked, and then Lino bade Ersilia leave them and keep watch at the main entrance into the garden, lest anybody should come into it from the house. ' Brava, Ersilia ! ' said Lino, as the woman left them ; ' she has acted her part admirably so far, and so has old Antonio. He got me the key for twenty-four hours, you know, from Princess Castelnuovo's porter for a considera- tion. I had a duplicate made, in order to be able to use it when a suitable occasion offered itself. Now, Eddie/ he added, ' you will go and place yourself over there, among those palm-trees and roses. It is a very romantic spot, and you will wait patiently/ Vane looked nervous and ill at ease. ' It is like a scene in a comic opera/ he said, with a con- strained laugh. 'It's all very well, Lino/ he continued, ' but I don't half like this hole-and-corner business. It is rather mean, you know.' ' We have got to fight people with their own weapons/ continued Lino Savelli, 'and you can trust your cause to me, Eddie. I will not do anything mean by Diana, be sure of that. Now go ; we have no time to waste ; ' and, without waiting for a reply, Lino left him and walked in the direction of the casino. CHAPTER XI DIANA'S book had slipped from her lap and lay on the marble pavement of the terrace. It was not an exciting volume, being, in fact, an expurgated edition of the f Lives of the "Saints/ lent to her by Frau von Raben. An absorbing interest in the eccentricities of the heroes and heroines of religious fiction had not been sustainable, and Diana had gradually succumbed to a sleepful sensa- tion for which it would be unfair to hold the characters in her book as wholly responsible. The pleasant warmth of the May afternoon, the sound of the water falling from a fountain some few yards away, the drowsy humming of bees at work among the blossoms of the orange-trees, had caused her to pass unconsciously from wakeful dreams into the realms of sleep, nor had she noticed that Ersilia was no longer sitting near her, consulting the famous volume containing the clue to the making of her fortune at the State Lottery. But there were other reasons for her drowsiness. For some days Diana had complained of headache and of a general sense of lassitude. Princess San Rocco had noticed that her niece was look- ing pale, and had remarked that a few weeks of country air would do her good. It was only the beginning of May, however, and to leave Rome for Magnano, the country place belonging to Prince San Rocco, situated some miles from Viterbo, before St. Peter's Day, would have been contrary to the custom and tradition of the family. So Princess San Rocco had only talked of change of air, and Frau von Raben had suggested remedies of a simple yet drastic character, that, had she administered them betimes to herself, would have averted the attack from which she was suffering. 119 120 DONNA DIANA It was certainly not natural to Diana to fall asleep in the afternoon. Though brief, her slumber was restless, and disturbed by evil dreams, in which early Christians, Frau von Raben, and Madame de Bonneval played prom- inent parts. Matters had reached a point at which Lino was about to be handed over to a lion in the Colosseum, when Diana awoke with a little cry to find him standing before her. She looked at him half bewildered for a moment or two, and then, starting up from her chair, held out her two hands with a glad laugh. 6 Lino ! so at last you have come ! ' she exclaimed ; then she drew back and stopped, hesitating. ' I remember/ she continued slowly. ' I thought we were at home, and that you had come in to see us. But why have you come here, Lino ? and where is Ersilia ? ' Diana looked round still half frightened, conscious that here was something unusual, and wondering what her cousin's appearance meant. ' Do not be afraid, Diana,' said Lino gently ; ' Ersilia is not far away. I am here because I want to speak to you. What has frightened you? Some silly dream? for you were asleep a moment ago.' Diana passed her hand over her eyes. ' I suppose I fell asleep,' she said, ' and yes, it is com- ing back to me now! I had a horrible dream, Lino about you. They were going to kill you and they were giving you to a wild beast.' Lino laughed. ' Cara Diana,' he interrupted, ' you seem to have had a very ordinary nightmare.' 'Yes,' continued Diana; 'but, Lino, it was the face of the creature that frightened me : it was horrible Marco's face. And then it sprang upon you; and I awoke, and you were standing and looking at me;' and she shud- dered a little. 'Where is Ersilia?' she added. 'Ersilia should be here : why has she left me ? ' Diana was about to call for her, when Lino interposed. DONNA DIANA 121 ' Hush ! ' he said. ' Do not call ; she knows that I am with you, and has only gone away while I am speaking to you.' ' But you should not be here/ said Diana, looking at him doubtfully. ' If my aunt knew, she would be angry. How did you get into the garden, Lino ? ' ( Never mind how I got in/ he answered. ( Now that I am here, I am going to stop for a little while to talk to you/ ' I wish you would go/ returned Diana hurriedly. ' If any one found you here it is not right.' ( There is nothing to be afraid of/ Lino insisted ; ' no- body will disturb us. I came here because there is no other way of seeing you/ 'But you can see me at Palazzo San Kocco, when you choose to come/ ' No, Diana, I cannot ! ' exclaimed Lino. ( They do not want me to see you. That is why I have stayed away lately/ Diana looked at him in astonishment. 6 Why should they not want you to see me ? ' she asked incredulously. ' It is ridiculous to say that, Lino/ ' My aunt told me she did not want me in the house while you were there/ returned Lino. 'But why? What harm could you do me?' ' Oh, the harm of unsettling your mind ; or, rather, the harm of trying to make you think for yourself, instead of allowing others to think for you/ 6 1 don't know what you mean, Lino/ said Diana, a little wearily. Her head throbbed strangely, and the sen- sation of malaise that she had felt for some days seemed to be more pronounced. * No ; that is just it ! you do not know what I mean/ returned Lino. ' Well/ he continued, * I am going to try to make you understand, though I'm blessed if I know how to set about it. You see, Diana, I don't want to offend you, and, of course, you know that I'm not religious and all that sort of thing/ 122 DONNA DIANA Diana Savelli smiled. ' Of course I do/ he answered. c I have heard it said a hundred times a day. I suppose that men don't think it worth while to trouble themselves much about religion unless they are old or ill.' Lino glanced at her. e Cara la mia cugina ! ' he observed. ' Since when have you become cynical?' ' I am not sure what being cynical means/ replied Diana ; ' but I think that is true. It is quite right for women to devote themselves to religion, and to pray for those who are careless of it.' Lino gave an impatient movement. The ground had been well prepared to receive the seed cast upon it. ' And so you are going to shut yourself up in a convent in order to pray for them/ he answered gently. 'But, Diana, do you really believe that God is a fetich requiring perpetually to be appeased ? Have you never thought that perhaps men need good women in the world, just because they are good?' 6 No doubt/ replied Diana. ' But there are plenty of good women in the world.' 'And a very fair proportion of bad ones/ said Lino under his breath. ' You see/ proceeded Diana, ' I am not good at all ; in reality, I am very bad. But God has given me a vocation for religious life probably to keep me from being worse.' 'I understand/ said Lino gravely, though a suspicion of a smile hovered round his lips. ' But supposing you could do somebody great good by remaining in the world more good than any number of prayers could do what then, Diana?' 6 There is no such person/ answered Diana; ' therefore it is of no use to suppose anything of the kind. Nobody wants me in the world; and I am glad of it, for I think the world must be a very tiresome place from all one hears about it.' ' Ah, you think that nobody wants you ? ' returned Lino DONNA DIANA 123 quickly. ' They have told you that, I suppose, among other things. But are you quite sure, Diana ? ' ' Of course I am sure ! Who should want me ? Uncle San Eocco and my aunt have children of their own, and certainly Giulia and Maria don't need me. But what is the use of talking of these things ? What I do not under- stand, Lino, is why they should not want you to see me. You have never told me that/ Lino hesitated for a moment. It was not an easy matter to approach his subject; but time was pressing, and Vane was waiting patiently a few dozen yards away. 6 Listen, Diana/ he said at length, ' and I will tell you why. They were afraid lest I should tell you that some- body does need you somebody who loves you, and who wants you to love him in return. Do you understand now? I mean that real love is offered to you -the love for which you were surely intended. They would have kept you in ignorance of it; but knowing the man who offers you his love, and that he is worthy of you, I deter- mined you should not remain ignorant that you should, at least, have the opportunity of choosing for yourself what your life is to be.' Diana turned away from him in silence. A gudden wave of colour passed over her face, leaving it as suddenly pale. It seemed to Lino that she trembled a little, and leaned against the marble balustrade at the water's edge as if for support. Her features assumed the expression that had startled Cardinal Savelli and perplexed Frau von Eaben the look, half inquiring, half incredulous, from under the slightly-bent brow the suspicion of scorn in the curves of the lips and finely-cut nostrils. Suddenly she turned again, and looked at Lino with a certain quiet dignity that had before now reduced her cousins Donna Giulia and Donna Maria to silence. ' I do not need any man's love,' she said in a low voice ; ' and I do not know what it means this love that you all talk about.' ' Santissimo Dio ! ' ejaculated Lino Savelli to himself. 124 DONNA DIANA ' But how is she to be taught what it means ? I have come here to ask you something, Diana/ he continued quietly. Diana looked at him questioningly. f To do something for you ? ' she asked. e Yes, to do something for me, and for somebody who is very dear to me somebody to whom I owe my life/ Diana drew a sharp breath. ' * Mr. Vane ! ' she said quickly. ' Is it Mr. Vane whom you mean the man whom you said who 9 and she stopped short abruptly. ( Come/ said Lino, ( let us walk a little, and I will tell you. It is quite true, Diana, he loves you. Ah ! but you must get accustomed to that word; there is nothing to be ashamed of in the love of an honest man, and you have no right to despise it. Do you think that I would ask you to listen to him if his love could do you any harm ? ' ' But it is useless, Lino useless ! ' exclaimed Diana. ' I have told you this love is not for me ! It is very kind of Mr. Vane, but you must tell him that it is impossible. Tell him > Lino drew her gently down the avenue of ilex-trees lead- ing from the little lake. 'Vane saved my life/ he repeated, 'and he deserves more gratitude at our hands than he has received. And, besides/ he added, ' you know that he admires you, Diana, though you may not have known that he loves you.' ' I know that they think so/ answered Diana simply. 6 Maria and Frau von Eaben are always talking about it. But you must tell him, Lino/ Lino turned down a little by-path that ended in a green glade, above which waved groups of tall palm-trees. Masses of crimson roses clustered about their stems, strew- ing the grass beneath with their fallen petals. * No, Diana/ he replied, ' I will tell him nothing. He is here to plead his own cause with you, and it is you who must tell him your decision when you have heard what he has got to say/ CHAPTER XII DIANA started back as Lino uttered the last words, and half turned as though to seek refuge in flight. 6 Here ! ' she exclaimed f Mr. Vane here ! ' and then she looked at Lino in helpless bewilderment. Before she had recovered from her dismay Vane stood before her. Diana's eyes remained as though riveted to the turf beneath her feet, and her colour came and went rapidly. Edmund Vane, hat in hand, stood silent- ly looking at her. For a moment or two not a word was spoken by any one of the three. Even a nightin- gale singing to his mate sitting on her nest in the un- dergrowth below him ceased his song, perhaps from curiosity to watch how human beings conducted their love affairs. At length Diana raised her eyes from the ground and spoke. 6 Lino/ she said hurriedly, ( you should not have brought me here. You and Mr. Vane should not have come ' and then she broke off abruptly, conscious that her cousin had disappeared. ( Donna Diana/ said Edmund appealingly, c do not be angry with Lino or with me; indeed, indeed, there was no other way to speak with you/ Diana's eyes flashed with sudden fire; her presence of mind was returning to her, and with it her spirit. 'But there was no necessity to speak with me/ she re- plied coldly, though her voice trembled. 'You do not understand, perhaps, for you are a foreigner. With us such things are not allowed, and and they are wrong/ she concluded a little lamely. * Your cousin is not a foreigner/ said Edmund quietly. 125 126 DONNA DIANA ' and he knows your customs, yet, Donna Diana, he brought me here/ Diana Savelli made no reply. 'It is you who do not understand/ Vane continued. ' Will you be patient and listen for a little while ? I know that my being here must seem to you an intrusion, an im- pertinence ; that men in your country do not speak to young girls of their love for them unless ' 'I have nothing to do with love/ interrupted Diana in a low voice. Vane looked at her, and as he looked he almost smiled. The assertion was belied by the lips that uttered it. ' Forgive me/ he returned, ' but how do you know ? ' Once again Diana was silenced.^ Then a quick sense of resentment took possession of her. There was something in this Englishman that she had never before experienced something masterful that -at once roused her pride. Yet she was conscious of a strange thrill of satisfaction, and her anger turned against her- self because of it. ' How do you know ? ' replied Vane, and his eyes sought hers as he spoke. 'You do not know at all; that is the ridiculous part of the whole business.' Diana beat her foot on the turf. 6 Kidiculous ! ' she exclaimed. ' But certainly. Do you call that cold, pale shadow you are worshipping love? Oh, I know w r hat you have been told; I have heard it all before. Kemember that I am a Catholic, and that I have a sister who became a nun.' Diana became interested. There was much of the child in her yet, and something, perhaps, of a child's cunning. She felt instinctively that here was a safer subject for dis- cussion. ( Tell me about her/ she said. e She became a nun because well, because she had a bad temper and quarrelled with her lover. I hope you will not become a nun if you have a bad temper, Donna Diana, and -' DONNA DIANA 127 The rest of the sentence remained unspoken, but Diana felt his eyes reading her face. ' Oh ! ' she said as he paused. It was not a very intelligent observation, but she could think of nothing else to say. ( It is quite true/ proceeded Edmund gravely. ' It was very foolish of her, but she thought she had a vocation. And you you also think you have a vocation, do you not ? ' His tone had lost that touch of insistence which had roused such mingled feelings in Diana's mind. It was gentle and tender, though Diana thought that she detected incredulity in it. Confidence came back to her. This friend of Lino's was certainly easy to talk to, and he did not say things she had dreaded to hear, even though she did not know what they might be. If only her head would stop throbbing and that strange feeling of un- easiness would leave her! 'But I have a vocation/ she began almost pleadingly. 'You say you are a Catholic, so you will understand. I heard my aunt say that you would/ ' Ah ! ' exclaimed Edmund. 6 1 have always had it for so many years. Of course, God meant me to live for him. Lino said just now that you that ' 'Yes?' said Vane very gently 'what did Lino say?' 'That you wanted to speak to me about about love; well, I > She staggered a little and put her hand to her head, and Edmund saw that she had become very pale. Taking her hand, he drew her quietly to a seat under the palm-trees a few paces away. ' You are tired, Donna Diana/ he said. ' Sit down for a few minutes, and I will stand near you.' Diana suffered him to lead her to the seat unresist- ingly, apparently unconscious that her hand was resting in his. Vane was not unconscious of it; a thrill passed through him, and he had need of all his mastery over himself. 128 DONNA DIANA * It is nothing,' said Diana ; c but I felt giddy, and my head pains me. What I wanted to say was that it is of no use to talk to me about about love. It is very kind of you to think of me, but it is better that you should know. I have never thought about the love of human beings. Perhaps you do not understand, for you are a man.' Vane looked at her, a look of mingled longing and reverence. She was so far above him, he thought almost with shame so far above any man in her simple, trust- ing purity. What if she were right, if she were being called by a higher love? He continued to gaze at her in silence for a few moments, and as he did so his mind went back to the days of his childhood. The stories he had heard of the love of Christ and of the Madonna and the saints re- turned to him. He had been very happy in those days, and heaven had seemed a familiar place, very near the nursery. A sudden burst of soft, glad melody from the rose- thickets near by interrupted his train of thoughts. The nightingale had resumed its song, and the passionate, triumphant notes fell on Vane's ear like a protest. 'I understand/ he said; 'but you how can I make you 'understand without offending you? If you were older, if you had passed through love and had found it bitter, you would have some right to do this thing, to shut yourself away from the world. But you have never thought that the world may want you, and that God did not put you into it for nothing.' c God wants me/ replied Diana simply. 'Oh and for what?' Diana looked up at him quickly. The tone of his voice was brusque, almost impatient. 6 For Himself/ she said slowly, ' and to pray to Him for those who are in the world. That is why I have no need of any man's love. Why, it would not be right for me even to think of it.' DONNA DIANA 129 Vane bit his lips. Surely it was useless to attempt to contend against this foregone conclusion on Diana's part. Was anything human left in her, he wondered ; and if so, how could he arouse it into consciousness without offence against a purity that even while it exasperated him com- manded his admiration ? It did more than command his admiration, indeed; for, by one of the numerous ironies lurking in human destiny, purity is often the fuel that feeds desire. ' But if you have never known a man's love ! ' he ex- claimed suddenly. ' Who has there been to teach you what love may be? Will your dead Christ teach you, or the saints? They will take your love, but what will they give you in return, unless it be self-satisfaction ? ' Diana winced as though he had struck her. ' You have no right to say such things you are a Cath- olic ! ' she answered indignantly. Vane laughed a little bitterly. ' And you/ he returned, ' have no right to sacrifice your- self on the altar of an imaginary love. Will you listen patiently, Donna Diana? I love you, and I am not ashamed to tell you so. I am not asking you whether you love me. I know that you do not that you cannot love me. But I want you to know that in this world which you are going to renounce love is waiting for you, should you ever care to accept it. You have three years before you in which to make up your mind three years before you need take those final vows that must separate you from all earthly love, from all natural joys and inter- ests. It may be that in the course of these three years you may see things in a different light. You may come to un- derstand that God does not always require the sacrifice of our human nature which He has created; that love is not the least of the blessings He has given to the world. If you should ever come to feel this,- if you should ever have reasons to suspect that your vocation for religion is due not so much to the dictates of conscience as to the sugges- tion of those by whom you are surrounded, will you 130 DONNA DIANA think of me and of the love I offer you? That is all I have come here to ask of you/ In his eagerness Vane had drawn nearer to the wooden bench on which Diana was sitting. He stood over her, and his eyes looked down steadfastly and frankly into hers. Something in their gaze seemed to hold Diana as though enchained, and for a few moments she returned it in silence. Only the nightingale sang louder. There was no other sound save the rustling of the palm-leaves stirred by the evening-breeze, the gentle murmur of a fountain, and the distant noise of the traffic in the streets. Deep, purple shadows were creeping stealthily across the slopes of the Campagna to the Alban Hills, still bathed in golden light, while in the nearer foreground the fragments of ruined temples and the vast semi-circle of the Colosseum were clothing themselves in tints that slowly changed from pink to rosiest red as the sun sank lower towards the heights of Monte Mario. With an effort Diana Savelli withdrew her gaze from Vane's face. She was conscious of the effort a strange consciousness that caused her a vague sensation of wonder, a feeling as though some chord had been struck that touched an answering note in her, calling forth a thrill half of pleasure and half of pain. She shrank back from him, trembling a little, and very gently Edmund took her hand. 6 Donna Diana/ he said in a low voice, 'will you do what I ask you? It is not so very much to ask. If you remain convinced that the course you have decided upon will bring you happiness, I will never attempt to turn you from it. But if, as time goes on, your convictions should become less sure, will you remember the love I offer you, and consider whether it also may not bring you happiness ? ' Diana withdrew her hand from his, neither did Edmund seek to retain it. Something in Vane's manner, tender and respectful at the same time, touched her strangely; DONNA DIANA 131 while his fear, evident even to her inexperience, lest his words should offend her, inspired her with trust in him. She could understand now the affection which existed be- tween her cousin Lino and Mr. Vane. He was thinking of her happiness before his own, as he had thought of Lino's safety when the latter was lying at death's door in a savage land, .rather than of his own. The abuse she had so often heard showered upon him of late seemed doubly unjust to her. Nobody knew him as he really was, except Lino and this last thought was accompanied by a little touch of feminine pride herself. There was more of sympathy than shyness in Diana Savelli's glance as she answered him. e I do not know why you should offer me your love/ she said simply, 'and I am sorry ah yes, believe me, I am very sorry for I do not want you to think me un- grateful. It is not that; but I am different from other girls, you know: I have this vocation, and I cannot and dare not disobey it. It must be a good thing, I think, that other love, when it comes from honourable men like you; but you must give it to somebody who can return it, and you must not think of me/ ' You cannot forbid me to think of you/ Vane replied. Diana shook her head. ( But you should not do so/ she said gravely. ' It is not right any more than it would be right for me to think of you. You must remember/ she added with a slight smile, 'that I belong to God. It is as though I were fiancee no?' Edmund started. He recollected how Princess San Rocco had used this same expression, and the simile that Monsieur de Villebois had employed in connection with it. A vision rose up before him of this girl, decked in her bridal clothes, passing through the mockery of the bridal ceremony a ceremony grotesque were it not for its pitiful tragedy, rendered the more pitiful by the ac- quiescence of the victim. For a moment the man tri- umphed over the Catholic. 132 DONNA DIANA * No ! ' he burst out impetuously, ' and a thousand times no! What you are saying is nothing but a vile subter- fuge a gloss invented by the priests to hide the outrage committed on human nature in the name of Him who gave that nature. Ah, dear, will you not use your own reason your own eyes? Will you not read what God is writing all around you? Those devils, they have told you that Christ is to be your bridegroom; and you because you are good and pure you believe them ! ' Vane checked himself abruptly, conscious that his pas- sion was hurrying him on to say things better left unsaid. Diana looked at him doubtfully. He had expected her to be angry, but he read only wonder in her eyes. ' Forgive me, Donna Diana, he continued. e I was wrong to speak to you like that, but you cannot under j stand. If you told me that you were going to give your- self to another man well, I would rather hear that from you.' She leaned back on the seat, and was silent for a moment. ' There is nothing to forgive,' she said at length, a little wearily. ' I think you speak so because because you wish me well. But you do not believe in my vocation. Why do you not, when everybody else believes in it?' Vane hesitated. How should he answer her, or tell her all his thoughts? 'Your cousin Lino does not believe in it,' he replied, after a pause. 'Lino? Oh, but Lino is different. It is very dread- ful, but he does not believe in any of those things. But it is quite true I belong to God. As I said before, you must not think me ungrateful; and I I am glad to think that you like me/ Vane's eyes brightened. ' You are glad ? ' he exclaimed. ' But yes ! you are Lino's friend. I know how much he likes you, and all you did for him.' Edmund's face fell suddenly. DONNA DIANA 133 1 Ah, it is for Lino's sake ! 9 he said. ' Well, even that is better than nothing, Donna Diana, But I want more than that. You know what I asked you to do for me just now?' ' That, if I ever change my mind, I would remember what you have offered me ? ' said Diana slowly. ' Yes/ She looked at him gravely and steadily. ' I will promise that/ she continued ; ' but you must not think I shall change my mind. All the same, I shall never forget.' Vane took her hand and raised it for a moment to his lips. ' That is all I ask of you,' he said very gently. ' And I, too I shall never forget ! ' And then he left her, and passed across the lawn among the palm-trees and the roses towards the gate by which he and Lino Savelli had entered the gardens. The latter was waiting for him impatiently. ' We have been here long enough, Eddie,' he exclaimed, ' and I have smoked at least a dozen cigarettes while you and Diana have been talking nonsense to each other. It is all horribly improper, and you seem to have forgotten that you are not in England.' He looked at Vane curiously as he spoke, and the latter laughed nervously. ' I don't think we talked much nonsense,' he replied. ' I am glad of that,' said Lino dryly. ( But may one know the result of the conversation? Are you and Diana going to ask me to help you to run away with each other?' Vane shook his head. ( If Donna Diana ever needs a man's love,' he answered, ' she knows now where to find it. But,' he added, ' I don't think she ever will need it. They have killed her woman's nature.' Lino smiled. 'Vedremo/ he said, ' nature, especially our Italian na- 134 DONNA DIANA ture, is not so easy to kill. That Diana's nature is numbed and deadened is very probable; but we must continue to fight the influences that are paralyzing it.' At this moment Ersilia joined them. From the posi- tion she had taken up on the steps of the palace she had seen Vane leave the group of palms. ' The signorino said ten minutes/ she grumbled, looking at Lino disapprovingly, ' and the clocks have struck the quarter three times. It is a thing unheard of,' she added, ' and their Excellencies will please to go at once, before harm comes of it.' She opened the door, and peered cautiously up and down the narrow street. Only a cart laden with artichokes was visible, and a lad beside it singing to himself. e For the love of God, go ! ' she exclaimed, almost push- ing the two men through the gateway. ' I go back to the signorina; she should be at home by now.' She found Diana sitting where Vane had left her. The -girl was very pale and sat looking straight before her, ap- parently lost in thought. ' It is certain that . she has been listening to other tales than those of the Madonna and the saints,' said Ersilia to herself. ' And a very good thing, too/ she added, f so long as nothing else has happened; but that is impossible, for the Englishman is not a mascalzone.' Diana started as the woman approached her. 'I am going home, Ersilia/ she said, 'and you did wrong to let them come.' Ersilia looked at her confusedly. 6 It was no harm/ she said ; ' Don Michelangelo and the other wanted to see you so much I had not the heart to refuse them, signorina/ * It was wrong/ repeated Diana, ' but since they have come there is no more to be said. I will not come here again, Ersilia these gardens are not healthy. I feel so ill that I am sure I have the fever, and my head throbs so.' She shivered as she spoke, though Ersilia, taking one of her hands, found it burning hot. DONNA DIANA 135 'Let us come at once, signorina/ said the latter, and they left the gardens together, the porter letting them out through the court-yard of the Palazzo Castelnuovo. ' It must certainly be a terno/ said Ersilia to herself as they drove to the Palazzo San Rocco. ' Love, a nun and an Englishman; the devil is in, the middle of it if the numbers do not come out to-morrow. But two lire are a great deal of money.' CHAPTER XIII MONSIGNOR TOMEI belonged to the Church Militant. The pen being mightier than the sword, and also much safer, he preferred the former weapon, and had succeeded in making some reputation for himself in the ranks of Italian clerical journalists. His particular province in Catholic journalism might have been described as finan- cial rather than political; although, in recent years, the haute politique and the haute finance of the infallible Church have become strangely dependent on each other, and prices have risen since Christ was sold for thirty pieces of silver. Monsignor Tomei, indeed, owed his honorary title of monsignore to his ability in writing up spiritual specu- lations in a manner so convincing as to contribute to their pecuniary success. Besides his journalistic occupations, Monsignor Tomei filled the office of deputato ecdesiastico to more than one conventual establishment a post best defined as that of financial manager and adviser to female religious com- munities in need of a man of business who is at the same time a priest. Monsignor Tomei inhabited a little apartment on the third floor of a house in the Via della Croce, consisting of a bedroom and sitting-room, and a small kitchen, out of which opened a still smaller room occupied by the woman who acted as his housekeeper, cook, and general attendant. Like Mrs. Tinker at Sir Pitt Crawley's mansion in Great Gaunt Street, Monsignor Tomei's housekeeper gen- erally ' dined with the family' when he was alone and, unless they came on business, Monsignor Tomei rarely had visitors. 136 DONNA DIANA 137 It was an hour after mid-day, and the family had dined off a large dish of rice, in the midst of which were scat- tered morsels of the interior organs belonging to more than one species of animal; a frittura, also composed of interiors with an occasional piece of exterior flesh; a dish of artichokes fried in oil alia Giudea, or according to the Jewish taste ; a piece of Gorgonzola cheese, and a consider- able quantity of red wine of the Castelli Komani. Monsignor Tomei had retired into his sitting-room, leav- ing his housekeeper to clear away the empty plates and dishes and sweep the breadcrumbs off the wine-stained tablecloth. It was the room in which he received such as came to consult him upon their temporal affairs. The only signs of his priestly calling were a crucifix occupy- ing a prominent position over the writing-table, and a pic- ture of the Assumption, that left the beholder in some doubt as to whether the original model selected by the artist to represent the central figure had been altogether justified in sitting for the subject. The writing-table itself was as untidy and unpractical as is so often the case with the writing-tables of Italian business men. An ink-bottle standing in a dirty white saucer and a few impossible-looking steel-nibbed pens formed its furniture. In the place of blotting-paper, a second saucer containing some sand stood in the midst of letters, pamphlets, and newspaper cuttings. The cruci- fix looked decidedly out of place among its surroundings, but Monsignor Tomei was of opinion, and perhaps rightly so, that it inspired his clients with confidence. The mid-day meal completed, it was the hour when Monsignor Tomei was in the habit of indulging in a siesta. He settled himself in his arm-chair, and, placing a sec- ond chair in front of him, put his large feet upon it. His soutane was scarcely adapted to a recumbent posture, for the ends of a pair of long white drawers, tied at the ex- tremities by pieces of tape, protruded beyond its dusty, black edges. When, after smoking the half of a black toscano cigar, he felt sleep overpowering him, he would 138 DONNA DIANA place his snuff-stained silk pocket-handkerchief lightly over his face. But to-day sleep did not seem inclined to visit Mon- signor Tomei. He had spent a busy morning. The nuns of a convent, the affairs of which he managed, had laid up for themselves treasure in this world in the shape of a house and church in an eligible quarter of Rome. The property in question had been bought from another relig- ious community, which, owing to a lack of interest on the part of the faithful in its patron saint, had found itself involved in pecuniary difficulties. The saint, 'indeed, was no longer in fashion ; he had become a bore an unpardon- able error in a saint. The convent buildings had been completed and occupied, but the church attached to them remained half built, the Superior of the community being well aware that an unfinished church was more likely to appeal to the pockets of the faithful than an unfinished residence. But it was after the disposal of their property that pecuniary troubles had arisen. The purchasers, as time went on, fell into arrear in the payment of the instal- ments of the purchase-money, and finally found themselves unable to pay at all. Then followed disputes, -and, on the part of the vendors, threats of eviction and appeals to the Italian law-courts. At a critical moment the Reverend Mother of the defaulting community had sought the ad- vice and assistance of Monsignor Tomei, who had been formally appointed deputato ecdesiastico to the convent. It was to the interests of both parties to find a way out of the difficulties if possible, and this without having re- course to the Italian tribunals, the more so because, partly from a reluctance to acknowledge the authority of Italian civil institutions in Rome, but still more from a desire to evade the duties levied by the Government on the sale of their property, the transfer of the latter had never been legally registered, and the actual occupants were therefore, in the eyes of the law, rightful possessors of land and fabrics for which they had never paid. Monsignor Tomei had spent an anxious and somewhat DONNA DIANA 139 stormy morning at the convent in question, which occu- pied a site where a few years ago the cypress and ilex-trees of a famous villa cast their grateful shade over cool glades, now replaced by broad modern thoroughfares; where, in- stead of the song of birds and the murmur of fountains, the rattle of wheels and the discordant clanging of the gongs of electric trams fall hideously on the ear. The representatives of the contending parties had met not exactly in the spirit of charity, and still less in accord- ance with the teaching of certain parables to be found in Holy Writ and Monsignor Tomei had striven to tem- porize on behalf of the nuns for whom he acted. One of the chief difficulties with which he had to deal was the fact that the nuns had improved the property. They had, indeed, completed the building of the church, thereby impoverishing themselves to the extent of being unable to complete the payments for their tenement. It soon became clear to Monsignore Tomei that the nuns had been far from wise, for their creditors were doubly anxious to regain possession of an improved tenement. Nevertheless, scandal must be avoided if it were possible to avoid it. Such were the orders from official quarters, not to be ignored or disobeyed. Monsignor Tomei did not remember having had to deal with a more complicated piece of business. He had used every argument to induce the aggrieved community in question to delay taking any action against the Mother Su- perior of the convent until he should have exhausted every effort to find money sufficient at least to pay up the ar- rears already owing, if not to guarantee the remainder of the sum still due. If he had been successful in delaying any extreme measures being taken, it was largely owing to the reputation he possessed of being an able man of business, and to the fact of his being known to be in Car- dinal Savelli's confidence. The latter, indeed, had brought his influence to bear on the creditors in favour of the Mother Superior. He had advocated delay in taking legal proceedings, and suggested that some compromise might 140 DONNA DIANA be arrived at whereby the scandal of publicity might be avoided. It is all very well, however, to talk of compromise and delay. The nuns had no money left to pay the daily ex- penses of life, so great had been their eagerness to finish and decorate their church. It had not seemed good to the Mother Superior that the house of the community should be complete in every detail, while the House of God lacked a roof and much else besides. Cardinal Savelli had sympathized with the nuns in the matter, and had even encouraged them to resume building operation on the church, but Monsignor Tomei did not look at bricks and mortar with a spiritual eye. Had he been consulted at the time, he certainly would have advised the Mother Superior to continue the policy of the former possessors of the convent, and allow its roof- less church to stand as a reproach to the God-fearing public. Monsignor Tomei puffed at his cigar and moved rest- lessly in his chair. He did not care about the nuns, and he certainly did not care about the body of foreign monks which was proposing to evict them from their convent. But he did care about the commission he would have re- ceived had he been able to bring the matter to a settlement. He did not advise his clients for nothing, or accept their offers of praying for him at the altar in part payment of his services, any more than he wrote articles in the re- ligious newspapers for nothing. The latter, it is true, paid very badly; but, then, it sometimes happened that his writings brought him cheques from persons other than the editors for whose newspapers they were written. Dur- ing the last year or so his articles on the marvellous answers to prayer, and on the cures vouchsafed at the recently erected shrine of the Madonna delle Ceneri, not far from Naples, had received due acknowledgment from its grate- ful guardians. The latter dreamed of a new Lourdes arising under the shadows of Vesuvius; of an improved railway service; of hotels, hospitals, shops for the sale of DONNA DIANA 141 religious bric-a-brac, and all the other incentives to com- merce similar to those which had changed the little Pyren- nean village into a prosperous watering-place. Finding sleep to be out of the question, Monsignor Tomei left his arm-chair and sat himself down at his writ- ing-table, proposing to correct a paper he had written for a Roman journal on ( The Progress and Prospects of Cathol- icism in England/ He knew absolutely nothing about England, and had never visited that country; but he had acquaintances among the English Roman Catholics in Rome, whose statements on the subject he believed to be correct. Besides, periodical returns of the number of con- verts made in that heretical land were to be read in the columns of the organs of the Vatican returns forwarded from an official Catholic quarter in London, and, emanat- ing from such a source, surely beyond suspicion as to their veracity. The subject was not one that greatly interested Monsignor Tomei, but it had to be written -up, and he wrote it up. He was engaged in this occupation, and was reading, with some satisfaction, through a paragraph describing the approaching formation of a Catholic Central Party in the British Parliament, which was to exercise the same control as its counterpart in the German Reichstag. An English constituency in the North had returned a Roman Catholic candidate, and it was upon this foundation that Monsignor Tomei's article was built. .It was quite a con- vincing piece of work, however ; and as he read it he smiled at his own ability as a journalist. A ring at the bell of the entrance-door disturbed him, and a moment afterwards he heard his housekeeper expos- tulating with the visitor. e Monsignore was out/ he heard her declare e had been out since the early morning. When would he return? Mat how could one know? Perhaps not till the Ave Maria. 9 Monsignor Tomei listened approvingly. He was very seldom at home to those who came without having made DONNA DIANA an appointment, and anybody who arrived at an hour when Christians were taking a little repose must want to be paid, and not to pay. He rose from his chair and opened the door just suf- ficiently to enable him to peer out into the little pas- sage. 6 Of course, if he 'is out, he is out/ responded a man's voice impatiently. ( But if it is merely that he is not re- ceiving, kindly tell him that Don Marco Savelli wishes to speak with him.' Monsignor Tomei opened the door wider and stepped into the passage. ' A thousand pardons ! ' he exclaimed. ' But I was oc- cupied, deeply occupied, and I had given orders that no- body should be admitted. Of course, to you, Don Marco, it is a different thing. Come in, I beg of you; I am en- tirely at your service.' 'You are alone?' asked Marco. c Yes, I am alone;' and Monsignor Tomei ushered his visitor into his study. ' One moment,' he added, opening the window. ' The room is full of cigar-smoke my after- breakfast cigar, you know, that I permit myself when I am alone, except in Lent and on fast-days, when we should deprive ourselves of such indulgences.' The fresher atmosphere was welcome, but Monsignor Tomei speedily reclosed the window. ' Nothing is so dangerous as a current of air,' he ob- served, and then he drew a chair forward for his visitor. There was a pause, during which the two men looked at each other. Monsignor Tomei leaned back in his chair and crossed his feet, rubbing his hands gently together, while his small black eyes travelled furtively over the other's face. 'A most unexpected honour,' he observed. 'I regret that you should have been kept waiting. Had I known beforehand ' Marco bowed gracefully. ' Do not mention it,' he replied. ( I know that I come at DONNA DIANA 143 a most inconvenient hour, monsignore; but I wished to be sure of finding you/ ' His Eminence ? ' asked Monsignor Tomei. ' You come from him I have no doubt, Don Marco. He is well, I hope?' 6 My uncle is very well/ returned Marco ; ' but I am not here on any business of his. Indeed, he has no idea that I have come to see you. And you will oblige me, mon- signore, by not mentioning my visit to him not, at all events, for the present.' Monsignor Tomei bowed. ' Certainly I will not mention it/ he began, ' if you pre- fer that I should not do so ; ' and then he paused in- quiringly. ' You can understand that I wish to save him from any unnecessary annoyances/ continued Marco suavely. ' My uncle is not so young as he was, and well, as people grow older they sometimes forget that they were once young themselves.' 6 It is perhaps as well/ observed Monsignor Tomei dryly. Marco Savelli laughed. 6 Oh, for themselves no doubt it is as well/ he replied ; ' but for others who are still young it is embarrassing, you know, and leads to misunderstandings. You are in my uncle's confidence, monsignore, so I have come to consult you before approaching him with my difficulties.' Monsignor Tomei looked at him. ' I need not ask the nature of your difficulties, Don Marco/ he said with a smile. ' It is the privilege of youth to be in difficulties. But I do not see how I can assist you, if, as I conclude, they are of a worldly nature; and if they are of another kind, I do not think you would come to me to seek spiritual advice.' c I do not need any advice/ answered Marco a little sulkily. Monsignor Tomei's slightly sarcastic tone irritated him. He felt that the priest distrusted him, and the distrust was certainly mutual. It is unpleasant to be obliged to 144 DONNA DIANA confide in a person in whom one has no faith ; but, after all, confidences in this world are not always prompted by trust in the confidant. *I do not need advice/ he repeated, 'but money/ < You mean/ said Monsignor Tomei, ' that you need ad- vice as to how to get money.' ' Well, yes, if you choose to put it so/ returned Marco. 6 It should be very simple for you/ remarked Monsignor Tomei. ( You are Don Marco Savelli. Why do you not marry one of these rich Americans who come to the Grand Hotel ? Or you could even go to New York or London, and call yourself Prince or Marchese, as other young men like you have done. Even if you could not marry dollars, you might borrow some on the strength of your title; and as for the repayment well, you could do as other young men have done. It is not at all incumbent upon you to recognise your creditors when they come to Rome at least, so I have heard.' Marco looked at him without betraying any surprise. ' Of course/ he replied, ' with my name I could always marry a rich wife. After all, one gives these nobodies a very good return for their money. But at present it would not suit me to marry.' Monsignor Tomei's manner became more ecclesiastical. e Marriage is a great safeguard/ he observed, helping himself to a pinch of snuff; 'the passions of youth are very insidious. It is often less expensive, too, in the long- run than than other entanglements/ he added, relapsing into worldliness. Marco looked down. * It does not always prevent other entanglements/ he said. ' Ah no unhappily not ! A deplorable fact, my dear Don Marco, but human nature is weak very weak. We read that the spirit is willing, -but that the flesh is weak. But in reality it is generally the other way ! At any rate, a rich marriage smooths many difficulties you will not deny that. Why not contract one?' DONNA DIANA 145 Marco shrugged his shoulders impatiently. ' It would not suit me/ he repeated. 6 In course of time, perhaps who knows?' Monsignor Tomei tapped his snuff-box. ' It is worth thinking about/ he observed. ' In the meantime, Don Marco, what do you wish me to do for you?' ' I am in want of ready money/ replied Marco Savelli hurriedly, ' and there is plenty of ready money in the fam- ily, as you know, monsignore. My uncle found it for me once. I want him to do so again.' ' More unlucky speculations ? ' asked Monsignor Tomei, with a somewhat enigmatical smile. Marco hesitated. ' Obligations of a private nature/ he replied. ' My uncle would not understand.' ' I think that His Eminence would understand perfectly well, said Monsignor Tomei. e It is possible that he might sympathize for, as you said just now, he is no longer young. But I fear that the Cardinal is in no position to help you/ he added. ' There have been many calls upon him lately, Don Marco; and you must remember that it is not so very long ago since he consented to take a step which was somewhat irregular in order to enable you to meet certain demands upon you.' ' They were debts of honour/ said Marco. Monsignor Tomei glanced at him, and his thick lips curled a little. 6 No doubt ! ' he replied quietly. ' But you could scarcely expect His Eminence to draw from the same source a sec- ond time in order to defray these debts.' ' I do not see why he should object to do so/ returned Marco. ' My cousin Diana will not require the money for three years.' 6 And what do you require at this moment ? ' asked Mon- signor Tomei. Marco paused for an instant before replying. ' Twenty-five thousand francs/ he said briefly. 146 DONNA DIANA Monsignor Tomei shook his head. ( It is impossible/ he answered. ' The Cardinal would never consent. He has already taken too much from Donna Diana Savelli's fortune'; and here he checked himself abruptly. Marco looked at him suspiciously. f He has taken a hundred thousand francs before on my account/ he said; 'and if he took twenty-five thousand more, that would only make a hundred and twenty-five thousand. It is not much out of the capital sum/ 6 It is not much to take, but it is a good deal to replace/ replied Monsignor Tomei. ' Besides/ he added, 'your uncle very naturally has scruples of conscience the money is in trust for Donna Diana. It is very true that she is going to be a nun, but she will need her fortune all the same. Her convent will require it.' Monsignor Tomei spoke with some eagerness, and Marco Savelli fixed a scrutinizing gaze upon him. The suspi- cion that Diana's fortune had been tampered with by his uncle for other purposes than to provide him with money deepened in his mind. Monsignor Tomei's embarrassment, slight as it was, and hidden beneath a ready flow of lan- guage, had not escaped him. None knew better than he how lavishly words are employed in Kome to conceal facts. ' I quite understand my uncle's feelings/ he observed quietly. c Of course, had any part of Donna Diana's for- tune been used for other than purely family motives, it would be very reprehensible. That, however, is not to be thought of for a moment the very idea of it is an injus- tice to the Cardinal. You say that Diana's convent will require her money, monsignor.' ' Certainly/ replied the latter. * It is customary for a nun to bring a dot with her. And in the case of a lady of Donna Diana Savelli's name and rank, known to possess money of her own, no doubt a larger sum would be expected than from more ordinary individuals. His Eminence, of course, is well aware of this.' DONNA DIANA 147 ' It is also customary for a young girl to bring a dot to her husband/ said Marco dryly. Monsignor Tomei gave a very visible start. Then he recovered himself and laughed gently. 6 Just so, my dear Don Marco just so ! ' he replied. ' That, if you remember, is exactly what I ventured to sug- gest to you a few minutes ago. After all, it is the same thing, only in the case of the nun the bridegroom is the Church/ And he laughed again. ' Precisely/ replied Marco Savelli ; c but a spiritual bride- groom is sometimes more accommodating than a bride- groom of flesh and blood/ 'No doubt/ answered Monsignor Tomei; 'but the latter in the present instance need not enter into our calcula- tions/ ' I am not so sure of that, monsignore/ said Marco meaningly. Monsignor Tomei gave a little exclamation of surprise. 'But, Don Marco ' he began. Marco Savelli sprang up from his chair impetuously. c Yes/ he continued, f I am not at all sure that we shall not have to deal with another aspirant to my cousin Diana's fortune. In that case the whole of her capital would have to be forthcoming. You are aware that it is in trust until she is twenty-one only in the event of her being unmar- ried. Should she marry, she could demand its release, provided she married with the consent of her family/ i Diavolo ! 9 exclaimed Monsignor Tomei. ( No, Don Marco, I was not aware of that. His Eminence has con- sulted me about Donna Diana Savelli's affairs, but he omitted to mention what you tell me/ e He thought it of no importance, I conclude/ said Marco carelessly. { Nevertheless, the fact is so ; and, mon- signore, the Church is not the only suitor in the field. You will understand, therefore, that it may become of im- portance at any moment/ e Donna Diana has a lover, then ? ' asked Monsignor Tomei. 148 DONNA DIANA ' Oh yes, she has a lover/ answered Marco bitterly ' a foreigner, who has fallen in love with her face, or with her money what do I know? She thinks nothing about him, and my aunt San Kocco has been warned, so they have had no opportunity of meeting lately. But love is infectious, as well as contagious, and if she gets ideas into her head ' ' But she must not get ideas into her head/ interrupted Monsignor Tomei. ' No/ agreed Marco. c It would be a very dreadful thing a sacrilege as I have explained to my uncle and to my aunt San Kocco. They quite agree. So decided a voca- tion as that of Diana should be guarded as a sacred thing. Do you not agree with me also, monsignore?' Monsignor Tomei's eyes contracted until the two pupils looked like two points of black steel. ' The thought is horrible ! ' he said. ' The girl pardon me if I speak so unceremoniously of your cousin, Donna Diana is already as it were vowed to the service of Al- mighty God. Ah no; certainly His Eminence will not see her ravished from the arms of her lawful spouse ! You have spoken to him, you say?' 'Yes/ replied Marco; 'and not I only, but also Frau von Eaben, whom you know. But there are dangerous influences at work, monsignore. This foreigner is an Eng- lishman Vane of whom you have heard, of course.' 'Ah, Don Michelangelo's friend!' Monsignor Tomei's countenance assumed an expression far from pleasing. He hated Lino Savelli as only some priests and the professionally pious can hate those who spoil the market by thinking for themselves in matters of faith. Marco Savelli looked at him with a slight smile, scarcely less disagreeable than the scowl which overspread the coarser features o'f the other. 'You can hardly expect my brother Lino to be on the side of religion/ he said. ' The business is of his making. He introduced this foreigner into Palazzo San Eocco, and DONNA DIANA 149 my aunt was not suspicious at first, because Vane is a Catholic, although he is an Englishman. It was supposed that he would not think of Diana when he knew she was to be a nun. But how can anyone know what an English- man will do? The two have been acting in collusion, of course, and had it not been for Frau von Kaben's watch- fulness more harm might have been done/ 'They are great friends, I have heard/ observed Mon- signor Tomei meditatively. Marco shrugged his shoulders. ' Yes/ he replied contemptuously ; ( it is very romantic. My brother gives out that this Englishman saved his life. I do not believe in these great friendships. However, it is no affair of mine. I dare say that they are tired of it, and probably the Englishman thinks he might as well marry and get Diana's dot' Monsignor Tomei rubbed his hands together with a little more alacrity. c It is very curious/ he remarked, glancing at Marco from under his eyelids ' very curious indeed ! ' c Naturally/ pursued Marco, ' Lino would feel bound to help him to do so/ Monsignor Tornei nodded. ' Naturally/ he assented. Then he added somewhat ab- ruptly: 'But I do not see what all this has to do with what I understand to be the object of your visit, Don Marco. You want His Eminence to advance you a further sum of money, and you are aware that in order to do so he would be obliged again to draw upon Donna Diana's for- tune. If, as you say, the Cardinal has been warned that his ward has a suitor, he will be all the more reluctant further to diminish capital that he might be required to produce at any moment/ Marco Savelli muttered an oath under his breath. c He must not be required to produce it to any suitor! ' he exclaimed angrily. e There is no real likelihood of such a thing. If I thought that Diana were in love with this canaglia of a foreigner, I would soon find means to pre- 150 DONNA DIANA vent him from troubling her peace of mind any more. No, no, monsignore; things are not gone so far as that yet! Diana is not in love with him, and is still in love with the idea of entering religion. If I believed she was thinking about him ' and he paused abruptly, while an evil look of hatred and anger crossed his countenance. Monsignor Tomei watched him quietly. ' Of course/ he said calmly, ' you would be perfectly right to prevent such a scandal ; ' it would be an affair of honour to do so.' ' I do not want any publicity/ muttered Marco. ' There are other ways ' 'Yes, certainly there are other ways/ returned Mon- signor Tomei. 6 But if Diana adheres to her determination there is no fear of the emergency arising/ said Marco slowly. ' It is our duty to guard her from anything that might make her waver from anything that might interfere with the holy state of her mind. Do you not agree with me?' * Undoubtedly, Don Marco/ 'I have thought the whole matter over very carefully/ Marco continued, ' and it seems to me that Diana's money is likely to prove a great temptation to well, to men like this Vane, for instance. Probably, if he were to hear that she had no fortune to bring to a husband, he would soon turn his attention elsewhere/ 'But I do not understand/ said Monsignor Tomei. 'Donna Diana cannot make away with her own for- tune ' He was about to add 'whatever others may do for her/ but checked himself in time. Marco Savelli glanced at him. 'Nevertheless/ he replied, 'that is exactly what she can do ! 9 Monsignor Tomei leaned forward in his chair and gazed at him inquiringly. ' She is giving herself to religion/ proceeded Marco, ' so why should she not make arrangements to devote her fortune to the convent she means to enter? Of course, DONNA DIANA 151 the money could not be paid over until she was of age ; but she would regard an anticipatory deed of gift as binding upon her, though, as signed by a minor, it would have no. legal value. The convent, no doubt, would feel justified in enlarging its property, or in incurring greater outlay, should the authorities know that in a few years the extra capital would fall in.' Monsignor Tomer's eyes gleamed, and his expression be- came keen and alert as he listened. 'But,' he interposed, 'I do not see how such a scheme would help you. And you must recollect that Donna Diana has still to pass through her novitiate. She might change her mind during its course, and refuse to take the final vows. If she did take them, and insisted upon ful- filling her promise to endow the convent with a part, or with the whole, of her fortune, you would merely be placing some old Mother Superior in the place of a hus- band. I do not see your point, Don Marco.' Marco hesitated for a moment or two. 6 1 thought,' he said at length, ' that, in the event of my cousin showing a disposition to benefit her community, the latter would be likely to be more accommodating should there be some little delay in paying over the money, or some deficit in the capital when paid, than a husband would be in the case of a dot' Monsignor Tomei looked at his visitor almost ad- miringly. ' Ah,' he exclaimed, ( I begin to see your meaning ! It is certainly an idea. Between ourselves, Don Marco, I may tell you that the longer your cousin Donna Diana's capital can remain in the hands of His Eminence, the better; and I gather that delay in finally paying it over is the chief object you have in view. If she should really form the laudable desire to endow the community she en- ters, no doubt some understanding could be arrived at with the representatives of that community which would be beneficial to all parties/ 'And in that case,' said Marco, c my uncle would no 152 DONNA DIANA doubt be more willing to repeat what he did for me on a former occasion/ . Monsignor Tomei shook his head. ' Ah/ he replied, ' I fear that it would be very difficult to persuade His Eminence as to the advisability of such a course. Besides, if you will forgive me for asking the question, what reasons would you give for needing the money? You could scarcely plead financial losses a sec- ond time. The Cardinal would begin to make inquiries, and Well, Rome is a small place, Don Marco, and there are always people ready to talk.' ( One has obligations ' began Marco. ' Of course of course ! * interrupted Monsignor Tomei, with a wave of his hand. ' That is the unfortunate part of being born of being a man, in short a layman, I mean. However, we need not discuss the subject. I would readily help you if I could; but what can I do? 5 f You said just now that the longer Donna Diana's cap- ital can remain in my uncle's hands, the better,' replied Marco. ' Can you not tell him so, monsignore ? ' ' Oh/ said Monsignor Tomei, ' I think His Eminence fully realizes that fact.' Marco gave him a rapid glance. 'If that is the case/ he observed, ' cannot you impress upon him that the best way to insure delay in accounting for it is to encourage my cousin to adopt the course I have described ? She will listen to him, and my aunt, Princess San Rocco, will listen also. Perhaps, monsignore, you may even know of some religious community to which Diana's money, or such part of it as she desired to bestow, might be very useful in the future.' Monsignor Tomei did not reply immediately. He re- sorted again to his snuff-box, and took one or two liberal pinches, after which he blew his nose loudly. ' His Eminence told me some time ago that he had ar- ranged for Donna Diana Savelli to pass her novitiate in a convent out of Rome/ he remarked presently ; e but he did not tell me where, or even tell me the name of the Order.' DONNA DIANA 153 6 1 believe/ said Marco, ( that the convent is at Florence the ' Monsignor Tomei looked up quickly. ' Ah yes/ he observed, and then he added, ' Of course, in my business capacity I have the management of the financial affairs of more than one conventual establish- ment in my business capacity, my dear Don Marco. Che . vuole ? a man must live, and it is not every priest who can live by the altar, as was intended by Domeneddio!' Marco Savelli looked at him and smiled quietly. ( Naturally/ he said, i it is in your business capacity that I am seeking your co-operation, monsignore.' The words were very simple, but Monsignor Tomei un- derstood them in the sense they were intended. to convey. The two men gazed at each other steadily for an instant, and it was characteristic of the Roman love of intrigue that mutual contempt was more than tempered by a cer- tain mutual admiration of the means employed to arrive at a good understanding. CHAPTER XIV THE opening year, of the new century had not been en- tirely propitious to Cardinal Savelli. In common with the majority of the Cardinals of the Curia, he had his enemies. The Papal Court, its spiritual pretensions not- withstanding, is no freer from petty jealousies and back- stair intrigues than the Court of any ruler in no wise claiming Divine vicegerence. In the silent halls of the vast palace that seems to stand in dignified seclusion a perpetual protest against the new Rome and all that the latter represents the threads of the world's webs are be- ing gathered up as carefully and as indefatigably as once they were in that other pontifical and imperial palace on the Palatine Hill. Of the varied objects that arrest the attention of the thoughtful walker through the streets of Rome, surely none can do so more forcibly than the Vatican. Believer or unbeliever, saint or cynic, who can contemplate it un- moved ? unless, indeed, he belong to that vast body which chiefly associates it with Baedeker, and wanders through its galleries, gazing on the beautiful, lifeless things of marble- and paint, without bestowing a thought on the great living machine silently working around him; on the sublime strength and the pitiful weakness of humanity from which that machine draws its universal power. Within the halls of the Vatican are all the pomp and circumstance of a Court. Prelates and Cardinals, richly robed, move through the ante-chambers, and Ambassadors from the monarchs of the world pass to audience. The clash of swords borne by the soldiers on guard resounds in the palace of the representative of the Prince of Peace. The cynic smiles and the unbeliever scoffs. The believer 154 DONNA DIANA 155 in the teaching of Christ, even if he be a Catholic nay, perhaps because he is a Catholic goes away saddened with the words 'My kingdom is not of this world ' ring- ing in his ears. Where are the poor and the sick, the halt, the maimed, and the blind? These do not go to Court, but the wise men who bring presents realizable commodities, such as gold, frankin- cense, and myrrh. But the true power of the Vatican the spiritual power is not here. You may see its reflection in the faces of some among those who pass on their way to the presence- chamber. They bring no gifts, and perchance they have waited years for the crowning moment of their lives the moment when they shall kneel before the Vicar of Christ and receive his benediction. On the countenances of the courtiers you may read the love of the Church; but on the faces of these, the humble labourers in God's vineyard, is written a very different love the love of God. They are toil-stained, these workers, and seem to bear with them the atmosphere of the surroundings in which they labour. You may look into eyes that have grown weary with gazing on suffering, and on sin that has produced it. You may study features of men and women, both young and old, and read what has been written by care, responsibility, and sympathy. This Bishop of a far-away diocese, in partibus infide- lium, with pinched, shrivelled face, and hands shaking from fever, has faced more perils than St. Paul. That Belgian priest, he has worked unnoticed and with- out thought of reward among the artisans of Liege or Charleroi ; that French nun, she has taken her life in her hand in the Congo or in Tonquin, in order to give a few hours' solace to the wounded and the sick; and there are others more obscure than they, wrestling with the evil of drink in the slums of some Northern city, or wearing out their lives in combating the monotonous immorality of some country village. And so they pass to the presence-room, between the 156 DONNA DIANA purple-robed monsignori and the prelates of the pontifical household, humble witnesses to the power of that other kingdom, the Sovereign of which holds His Court in their own hearts. But the great machine around them grinds on, crush- ing, absorbing, assimilating. Between the labourer and his Employer there stands the middleman the Church political, the Church financial levying toll on his labours, utilizing them to advance the triumph of a system born less of Christ than of Caesar, even exploiting faith, hope, and charity in order to secure further dominion over the destinies of man. Cardinal Savelli had passed the greater part of his life in the atmosphere of the Vatican. The second of four brothers, and member of an old Roman house, he had become a priest more in order to carry on the traditions of the family than from any very decided vocation. The Savelli, indeed, had the reputation of being somewhat wild, and Don Luigi in his youth had lived up to that reputation. Even as a monsignore and a handsome man of forty, he had caused tongues in Rome to wag, and on one occa- sion it had been deemed advisable to entrust him with an Apostolic mission, entailing his absence from the Holy City during more than a year. There were also stories after his elevation to the purple ; but, then, in Rome there are always stories, and even dear friends not infrequently attribute to each other all the crimes mentioned in the Decalogue, and some that are tactfully omitted therefrom. Cardinal Luigi's eldest brother, Prince Savelli, had long ago dissipated his lands and most of his money. For years he had inhabited a small apartment in Paris the casket containing the ashes of certain pleasures, overindulgence in which had wrecked both his constitution and his fortune. A son of the house of the Savelli was tolerably sure of making his way in the Church, and promotion had come DONNA DIANA 157 easily and quickly to Don Luigi. The Savelli, indeed, had remained faithful in their political adherence to the Holy See, and had never intermarried save with the ' blackest ' Italian families. As he advanced in years, Monsignor Savelli became an ideal courtier as well as ecclesiastic, and it was only after his elevation to the cardinalate that he had begun to make enemies among his fellow- Eminences and the groups devoted to their respective interests. Perhaps the fact that he happened to be a gentleman accounted for some of the jealousy with which Cardinal Savelli was regarded in certain ecclesiastical quarters. However this might be, the influence he had at one time undoubtedly possessed had in some mysterious manner seemed to slip away from him without any apparent cause. At one moment, if not actually among the papabili., as those Cardinals supposed to have some probability of elec- tion to the pontifical office are familiarly termed, his name was at least mentioned as a possible successor to the venerable occupant of St. Peter's chair. Very soon, however, people who professed to be able to gauge the official atmosphere of the Vatican began to shake their heads when Cardinal Savelli's name was men- tioned in any such connection. Rumour had it, as one of the reasons for his fall from power, that he had been too open in his disapproval of the policy adapted by the Vatican towards the French Republic. It is possible that he had been so, for, like many Romans, he had little love for the French, and certainly none for a Republican Gov- ernment. There was, however, another report current among those claiming to be well informed on such matters. It was al- leged that Cardinal Savelli had been, if not culpable of, at least indirectly responsible for, certain financial errors entailing considerable loss to the Papal exchequer. In- stances were not wanting of similar errors on the part of others having been visited by prompt disgrace. So promi- nent a personage as Cardinal Savelli could not, of course, 158 DONNA DIANA be openly censured, but it was averred that the necessary scapegoat had been found in the person of an ecclesiastic of lower rank, who had been promptly relegated to take charge of the souls in a distant town in the Abruzzi, a town he would not be likely to leave until, worn out by disappointment and heart-broken by uncongenial sur- roundings, he should be carried to the cemetery beyond its walls. The bestowal elsewhere of the office which Cardinal Savelli had hoped to obtain had been the first unmistak- able mark afforded him of the change in his position. Nevertheless, he had been quick to read in a hundred little details, trifling as yet, but significant enough to one versed in the ways of a Court, evidences of his impending loss of favour. Perhaps Cardinal Savelli would have felt his altered position less keenly had the latter not called forth other troubles. His adversaries in the ecclesiastical world, not content with intriguing against him within the Vatican, had seized the opportunity to hint that his financial con- ditions were not so prosperous as had hitherto been be- lieved. It was never suggested that Cardinal Savelli had derived any personal advantage from the ill-considered speculations on the part of the Vatican for which he had been held responsible. People shook their heads, and said that he evidently had not so good a head for money as had been generally supposed; and it was only natural, this fact once admitted, that doubt should be cast upon the state of his own pecuniary affairs. It is marvellous how rapidly surmises crystallize into assertions. The birds of the air soon carried the matter across the Tiber and into the business circles of the city. Tradesmen began to send their bills in to the Cardinal's secretary; not, as formerly, by post at the usual seasons, but by hand, with a receipt stamp already affixed. Of greater inconvenience was the pressure for the repayment of the principal of certain loans, a renewal of which, hitherto granted without difficulty, was now declared to DONNA DIANA 159 be impossible. It was in vain that Cardinal Savelli called Monsignor Tomei to his assistance. The latter had hitherto treated his patron's embarrassments as passing matters of no great gravity. He had always succeeded by one means or another in enabling the Cardinal to meet the calls made upon him. It is true that old obligations were discharged by incurring new ones, but Cardinal Savelli, being of a Roman princely family, was not greatly disturbed by such petty detail as this. Of late, however, Monsignor Tomei had assumed a more apprehensive attitude. It had been somewhat of a shock to the Cardinal when Monsignor Tomei had frankly informed him that he had, so to speak, touched the extreme limit of his credit, and that he, Monsignor Tomei, could do no more in the way of negotiating further loans on his behalf. The more immediate result of this piece of intelligence was that Cardinal Savelli reduced the number of his men-servants by one; changed his cook, to whom he had given a hun- dred lire a month, and engaged another at a salary of sev- enty lire; and commissioned Monsignor Tomei to sell for him one of his jewelled episcopal rings. After making these domestic economies he had felt easier in his mind. ' I suppose I ought to sell my horses/ he observed plain- tively to Monsignor Tomei when they were discussing the situation together, 'and hire a pair of hearse-horses by the month.' Cardinal Savelli could scarcely have given a more con- vincing sign that he realized the gravity of his financial position than by making a similar suggestion. In other capitals the suppression of carriages and horses is the first step on the road to retrenchment, but in Eome it is one of the very last. There are families who will live in absolute discomfort, and yet maintain a carriage and pair with which to impress the loungers in the Corso. * Of course,' replied Monsignor Tomei to this remark. 'Your Eminence cannot walk within the city, and as you certainly cannot take a cab or the tram to one of the 160 DONNA DIANA gates, a carriage is a necessity. But hiring is cheaper. You could then put down your stables.' Cardinal Savelli sighed impatiently. ' No doubt/ he replied, with a wave of his hand. ' We will consider it, monsignore we will consider it. One is forced to keep up appearances, you know/ 'Your Eminence will do well to consider any step that will curtail current expenses/ observed Monsignor Tomei gloomily. ' It is certainly very unfortunate/ he added, and then he checked himself and glanced at Cardinal Savelli apologetically. 'What is very unfortunate?' asked the Cardinal. Monsignor Tomei hesitated. ' I was about to say/ he replied, ' that it is certainly annoying to think of the money which is in your Em- inence's hands money which might be of so much use at the present moment if it could be touched.' ' It is useless to think of that/ said Cardinal Savelli. * One of the things which troubles me the most is finding myself unable as yet to replace what has been already taken from that money/ he added. 'But by strict economy during the next three years much may be done.' ' Unless Donna Diana Savelli should require her fortune before the expiration of that time/ observed Monsignor Tomei. Cardinal Savelli looked at him quickly. ' She is not entitled to it before she is of age/ he re- turned. 'But if she were to marry?' ' To marry ! ' re-echoed the Cardinal. ' Why should she marry? The idea is preposterous! Besides, she cannot do so without my consent as her guardian.' 'But somebody might want to marry her/ suggested Monsignor Tomei. ' She is known to have money, and your Eminence is aware that young people are apt to fall in love.' Cardinal Savelli frowned. DONNA DIANA 161 c Love is for those who live in the world/ he replied. ' My niece, monsignore, will not be of the world. In a few weeks' time she will commence her novitiate. I have already arranged for her reception into a convent at Flor- ence. Between ourselves, I shall be relieved when she is there. It is a responsibility for my sister to have her at the Palazzo San Kocco, and I fear some silly things have already been said in her presence by her cousins. They have got an idea into their heads that a young English- man who has visited there admires her.' e Precisely/ observed Monsignor Tomei. The Cardinal glanced at him. * You have heard of it ? ' he asked with some surprise. * I have certainly heard it remarked that a friend of Don Michelangelo appeared to admire her/ answered Mon- signor Tomei. ' Ah, I wonder whom you heard this from ? ' asked Car- dinal Savelli curiously. ' I did not suppose that it had been talked about out of the family/ he added. ' I do not remember who my informant was/ said Mon- signor Tomei carelessly; 'but those things are always talked about. Some servant has gossiped, probably, or perhaps the young man himself. Indeed, now I come to think of it, I believe Don Michelangelo has spoken openly about it/ Cardinal Savelli tapped his foot impatiently on the ground. ' A ridiculous idea ! ' he exclaimed ; ' but, luckily, as I was saying, in a few weeks my niece will be out of harm's way/ Monsignor Tomei was silent, but he gave his shoulders a barely perceptible shrug. 'You surely do not suppose that there is anything in it?' demanded Cardinal Savelli quickly. 6 There is generally something in a young man ! ' Mon- signor Tomei observed, with an expressive gesture. The Cardinal smiled faintly. * Si capisce ! ' he replied. ' But they have had little or 162 DONNA DIANA no opportunity of seeing each other and my niece is a mere child still.' Cardinal Savelli hesitated a little as he uttered these words. He suddenly recollected his last interview with Diana, and how he had then realized that she was a child no longer, but a girl fast developing into woman- hood. ( A very little is needed to arouse a young girl's sus- ceptibilities/ said Monsignor Tomei, ' and Donna Diana Savelli is, I am told, beautiful enough to make any man fall in love with her at first sight at least, any one of our young men. But in this case we are dealing with an Englishman. Is it not. so, Eminence?' ' Yes/ replied the Cardinal, ' and that makes the affair still more impossible. To be sure, he is not a Protestant; but there is something of the Protestant in all English- men, unless they are converts and then they are much more Catholic than we are. It is the land of exaggera- tions.' 'If he had really fallen in love with Donna Diana on account of her beauty, one could sympathize with him/ proceeded Monsignor Tomei. * It would be less serious, too, for there is plenty of beauty to be had in the world, when one is young and a layman.' 'Less serious?' repeated the Cardinal. * I should say so, Eminence. A pretty face is easy to find, but a million of francs are another affair altogether. And they are practical, the English.' Cardinal Savelli turned quickly towards him. 'Ah/ he exclaimed, 'you think this Englishman wants her money ? and yet they say he is rich. Whom have you heard this from, monsignore?' Monsignor Tomei's manner became slightly mysterious. 'In my world, Eminence, one hears many things/ he replied evasively, 'especially things relating to the moral and financial difficulties of people in what is called so- ciety. This Mr. Vane ' But Mr. Vane is a foreigner/ interrupted the Cardinal. DONNA DIANA 163 ' True, Eminence ; but Don Michelangelo Savelli is not a foreigner/ Cardinal Savelli looked perplexed. ' What has Don Michelangelo Savelli got to do with it ? ' he asked. ' The two are friends, certainly, and one can understand that he might like to take Vane's part.' 6 Exactly. It might be worth his while to do so. Self- interest, Eminence, is not invariably dissociated from friendship.' ' No, indeed,' remarked Cardinal Savelli dryly. ' I have had lately to learn the truth of your observation. But you arouse my curiosity, monsignore. As you know, I am in entire ignorance of my nephew Michelangelo's affairs. He has chosen to throw in his lot with our adversaries, and to take up a position of which I strongly disapprove. The little that reaches me concerning his mode of life certainly does not tend to lessen my disapproval. No doubt you know considerably more about him than I do.' Monsignor Tomei coughed discreetly. ( Of course,' he replied, ' it is no affair of mine ; and if one was to listen to all the tales one hears of the pecuniary straits in which young men like Don Michelangelo find themselves, there would be enough to do/ Cardinal Savelli looked genuinely astonished. ( Pecuniary straits ? ' he repeated. ' I have been told that he gambles. His brother has often deplored the fact ; but, then, Marco declares that he is very lucky, and that he usually wins. I have never heard of him asking for help from any of the family. To be sure, he would not apply to me, but I should certainly have been told had he done so elsewhere.' 'I think,' said Monsignor Tomei slowly, 'that Don Michelangelo has been more fortunate in his friends than in his cards.' ' Friends do not pay one's debts,' said Cardinal Savelli curtly; 'they only help one to add to them.' e Perhaps I should have said in his friend,' proceeded Monsignor Tomei. 164 DONNA DIANA 'Do you mean to say that this Englishman has paid my nephew's debts ? 9 exclaimed the Cardinal. ' But it is ridiculous, monsignore! Those are things which are not done/ He paused, and his face, naturally high-coloured, be- came redder. His pride was touched. It was not fitting that a Savelli should take money from a stranger. Monsignor Tomei looked at him with an expression of mingled curiosity and amusement, much as a cat looks at the mouse it has maimed. 'Don Michelangelo's life is well, like the life of any other young man of the world,' he said. ' Your Eminence knows that his income is not large. In the last few months more than one inquiry has been addressed to me as to his solvency. It seems that credit has been given to him the more readily owing to the fact that he is your Eminence's nephew/ 'Ah/ exclaimed Cardinal Savelli, 'he has traded upon that ! ' ' I would not do him an injustice,' returned Monsignor Tomei. ' The money-lenders, of course, make it their business to learn all they can about their clients. In the case of Don Michelangelo, the fact of his being so closely connected with your Eminence would naturally give them confidence in dealing with him. I do not mean to imply that he has wilfully traded upon the relationship.' * It is the same thing/ said the Cardinal angrily. 'Whether he has or has not done so is a detail/ re- sumed Monsignor Tomei. 'The fact remains/ he con- tinued, 'that Don Michelangelo's more pressing debts have been paid. Your Eminence, as you said just now, would doubtless have been aware of it had they been settled by any member of the family. The inference is that they have been paid by his English friend.' ' It is incredible ! ' muttered the Cardinal. ' Such friendships are unusual, certainly/ said Mon- signor Tomei dryly. ' They are even romantic. But the English are very eccentric, and well, it may be a case DONNA DIANA 165 of David and Jonathan/ he concluded, with an almost imperceptible shrug of the shoulders and raising of his black eyebrows. 'But the motive ' began Cardinal Savelli. 'Oh, as to the motive, one can never tell/ interrupted Monsignor Tomei. ' It is a matter which rests between Don Michelangelo and Mr. Vane. People do not pay money for nothing, that is certain; they need repayment in some form or another. If Mr. Vane has fallen in love with Donna Diana Savelli, it is not difficult to conceive that he may have found it convenient to remind her cousin of the latter's obligations towards him.' ' I see/ replied the Cardinal thoughtfully. ' He would consider himself repaid by gaining my niece's affec- tions/ ' And her dot' supplemented Monsignor Tomei. ' ' Don Michelangelo could hardly refuse his assistance under the circumstances. Besides, one never knows; this Mr. Vane may have some other hold over him/ 'But I would never consent to such a marriage/ said Cardinal Savelli decidedly; 'and without my consent it could not take place.' Monsignor Tomei remained silent for a few moments. e If I might venture to make a suggestion/ he began presently. 'My dear friend/ returned the Cardinal, 'make any suggestions you please. I had never given this matter any great attention, believing it to be merely a question of a young man's very natural admiration for a pretty girl, an admiration that would speedily be transferred elsewhere when the object of it was removed. From what you tell me, however, it would seem to be as much a matter of money as of love, and the collusion you have hinted at is disgraceful. What is your suggestion?' 'Your Eminence has already forestalled it/ answered Monsignor Tomei. 'It is that you should remove the object of admiration elsewhere.' 'But if I am removing it? In a few weeks, as I say, 166 DONNA DIANA my niece will be in a convent, and in the meantime Vane has no chance of seeing her/ ' I was not alluding to Donna Diana's person/ said Monsignor Tomei, 'but to her dot. The latter might be removed to a convent also. Then we should see whether the Englishman would continue to fancy himself in love. We should see also whether Don Michelangelo would be so anxious to assist his friend/ ' But it is impossible ! ' exclaimed the Cardinal. ' I could only hand over my niece's fortune to a convent when she becomes a professed nun. Besides, you, of all people, monsignore, know how inconvenient it would be to do anything of the kind before I am legally bound to do it/ ' Nevertheless,' persisted Monsignor Tomei quietly, ' I think that by a little careful management an arrangement might be made whereby Donna Diana would be protected from these intrigues, and your Eminence relieved from the financial difficulties in which you find yourself involved/ Cardinal Savelli sighed. 'I wish I could see how such a combination is to be arrived at/ he replied. ' In any case, Donna Diana would be expected to bring her dowry to the convent she elects to enter/ said Mon- signor Tomei. * A portion of it might be reserved for her to dispose of at death, but your Eminence is aware that such a practice is not looked upon with favour by the heads of religious communities. When they are so fortunate as to secure a rich recruit, it is natural that they should prefer his or her capital to remain intact. This being so, an anticipatory note executed by Donna Diana pledging herself to endow the Order she eventually joins with her fortune would be of great practical value to that Order, though it would have no legal value, being executed by a minor. Of course, I am basing my argu- ment on the supposition that she remains firm in her determination to take her final vows. The only two things DONNA DIANA 167 that could interfere with that determination would be, to speak plainly, love or death/ Cardinal Savelli gave a slight shudder. ' It is true/ he said in a low voice, and then he glanced at Monsignor Tomei uneasily. ' The latter is not in our hands/ he continued ; e but have we any right to prevent the former from ever reaching her ? ' Monsignor Tomei looked at him with an air of surprise, which, if not genuine, was at least well feigned. 'But, Eminence/ he replied, 'who can presume to in- terfere with the ways of Almighty God? He has thought fit to endow Donna Diana with a vocation to a higher life to choose her for Himself/ 'He has endowed her with human nature as well a woman's nature/ answered the Cardinal, and there was a touch of impatience in his voice and manner. ' As long as she was a child/ he added, 'it did not seem un- fitting this destiny she has chosen. Children are nearer to God than grown-up people. But now, when one looks at her, it is another thing. One looks, and thinks of how it might be with her, and of the joys that she will never know in this life the joys of love, of maternity, the satisfying of her womanhood/ And he sighed again. ' The Church advocates the repression of human nature, not its satisfaction/ observed Monsignor Tomei somewhat unctuously. Cardinal Savelli gave him a quick look, in which there was a momentary expression of contempt. ' I was not thinking of the Church, monsignore/ he replied coldly. ' In our predecessors' days, here in Eome, we are told that the augurs occasionally laid aside their supernatural pretensions when in each other's company/ Monsignor Tomei affected not to notice the sarcasm, although he appreciated it. ' It is very natural that your Eminence should regret Donna Diana's determination to enter religion when you consider it from a worldly point of view/ he remarked suavely. 'If there are any grounds for supposing her to 168 DONNA DIANA be in love, it would, of course, be most unfair not to leave her absolutely free to decide as her conscience might dictate. But I imagine that there are no such grounds/ he added. 6 Certainly not/ replied the Cardinal. ' So far, al- though the state of my niece's mind has been very care- fully watched by those around her, there is nothing to lead to the suspicion- that any conception of material love has disturbed it.' 'A clear proof of Almighty God's intentions regarding her/ said Monsignor Tomei. 'It may be so/ returned Cardinal Savelli. 'As you say, we dare not presume to interfere with a genuine voca- tion, and my niece has certainly given us every reason to believe her vocation to be genuine. At any rate, mon- signore, it shall not be disturbed by a fortune-hunter.' 6 1 should not go so far as to say that this Englishman is a mere fortune-hunter/ said Monsignor Tomei, 'for we know him to be rich. It is conceivable that he ad- mires Donna Diana Savelli quite apart from her money.' Cardinal Savelli looked at him doubtfully. 'I do not understand/ he said. 'A few moments ago you advocated the immediate surrender of my niece's for- tune to a religious community on the grounds that the knowledge of her dot being disposed of would frighten away this admirer of hers; now you confess that you believe him to be in love with her, and not with her money.' Monsignor Tomei attempted to speak, but the Cardinal silenced him with a wave of his hand. 'In any case/ he continued, 'your suggestion does not seem to me to be very sound, monsignore. Both Mr. Vane and my nephew Michelangelo would be per- fectly well aware that the money could not legally be disposed of by Donna Diana until she was of age. More- over, though I quite understand that my nephew might desire to help his friend to attain his object, I do not see what pecuniary advantages he would gain by doing so.' DONNA DIANA 169 Monsignor Tomei began to lose his patience. 'Listen, Eminence/ he replied. 'If you permit this intrigue for it is an intrigue to continue, you may find yourself confronted at any moment by grave difficulties. The paying over of Donna Diana's do t to a husband would mean ruin. You would have to produce the whole of it, and, let us speak frankly, the whole of it is no longer in existence to produce. You do not understand how Don Michelangelo Savelli benefits by endeavouring to bring about an alliance between his friend and his cousin. I will tell your Eminence. Don Michelangelo is in his friend's debt. Horses, cards, women these things run away with money; and the Englishman has paid, on the understanding, no doubt, that Don Michelangelo helps him to gain Donna Diana's love. And Don Michelangelo, as your Eminence knows, is no good Catholic. Having failed to influence his cousin against our holy religion in other ways, he is now endeavouring to prevent her from fulfilling her vocation by throwing in her path tempta- tion to carnal desires.' ' But he will not succeed,' said Cardinal Savelli. ' God will protect His own.' 6 He is doing so by placing in your Eminence's hands a means whereby his aims may be defeated,' returned Monsignor Tomei. Cardinal Savelli sighed. ' It is strange,' he said, ' how different Michelangelo is from his brother. My niece must indeed be protected, monsignore, and I shall take steps to hasten her recep- tion into the convent at Florence. The sooner she com- mences her novitiate, the better.' e I quite agree with your Eminence,' said Monsignor Tomei, * and I would add, The sooner Donna Diana's fortune is safely disposed of, the better. Its bestowal upon a religious community could not, of course, take effect for the present; nevertheless ' e I have never discussed the question of her fortune with my niece,' interrupted Cardinal Savelli. 'A girl 170 DONNA DIANA of her age does not' trouble her head about such mat- ters.' , ' She would probably have no objection to sign any document concerning it that your Eminence advised/ suggested Monsignor Tomei. 6 No/ replied the Cardinal hesitatingly. ' But why make any change in the situation ? It will be time enough to discuss those matters with her when she is about to take her vows.' Monsignor Tomei spread out his hands with an apol- ogetic gesture. 6 Of course/ he said, ' your Eminence knows best. I only presume to offer a suggestion from a business point of view, feeling that its adoption would not only serve as a check to certain designs upon Diana's happiness and peace of mind, but also afford you a guarantee that you would not be called upon to disburse a sum of money which is not available.' Cardinal Savelli passed the gold chain to which his jewelled cross was attached nervously through his hands. ' Naturally/ he replied, * one must look at these things from a business point of view/ ' Precisely, Eminence ; it is only right to do so. Per- haps you will allow me to explain more fully my sugges- tion that Donna Diana Savelli should be brought to see the advisability of signing an anticipatory note testify- ing to her intention of endowing her Order with her fortune, when the latter is no longer in trust.' Cardinal Savelli nodded silently. ' It is a matter of business/ repeated Monsignor Tomei, 'and I speak as a business man. Your Eminence is in possession of the facts concerning the unfortunate dispute in connection with the convent in Via Lombardia.' 'Altro!' exclaimed the Cardinal. ' I do not know which of the contending communities is the more tire- some ! ' Monsignor Tomei laughed gently. * We have succeeded in effecting a compromise/ he con- DONNA DIANA 171 tinned, 'and the nuns will remain where they are. At least, I have prevented the quarrel from becoming a public scandal.' Cardinal Savelli nodded approvingly. ' Bene, bene ! ' he murmured. ' Nothing is so deplor- able as publicity. But what have the nuns in the Via Lombardia to do with our subject, monsignore ? ' 1 They need money/ replied Monsignor Tomei. ( The property is valuable, and will increase in value. Your Eminence knows the Reverend Mother a most estimable person. A nun with such a dowry as Donna Diana Sa- velli could bring would be very welcome there/ he added abruptly. Cardinal Savelli shaded his eyes with his hand, a habit with him when thinking deeply. 'But the money/ he said presently in a low voice. 6 That would always have to be paid. You are merely substituting the Mother Superior for Mr. Vane; that is all your scheme results in, monsignore/ Monsignor Tomei smiled. It was the same objection that he had himself made to Marco. ' Not at any rate for three years/ he replied ; c and even then arrangements might be made. It is on this point that I venture to believe I might be of some service to your Eminence. My idea would be that Donna Diana's promise to make over the whole of her fortune to the convent should not take effect for another three years after her final entry into the community.' Cardinal Savelli lookecl up quickly. ' Ah ! ' he exclaimed with an accent as if of relief. ' It would indeed give me breathing - space ! Six years so much may happen in six years ! ' e Exactly/ said Monsignor Tomei. ' It is, if one may say so, a respite.' The tone of his voice was scarcely pleasant; but Car- dinal Savelli, occupied with his own thoughts, did not notice this. ' The certainty that in a few years' time so considerable 172 DONNA DIANA a sum would fall in would be of great pecuniary value to the community in the present/ added Monsignor Tomei. 'As much can sometimes be done in Eome by promising to pay money as by actually paying it,' he added with a short, harsh laugh. e It is a question of judicious manage- ment.' 'It would necessitate a change of plans,' said the Car- dinal. ' I had intended that my niece should undergo her novitiate at Florence, as I have told you.' ' Tinder the circumstances,' replied Monsignor Tomei, ' I should suggest that Donna Diana should pass her novitiate with the nuns in Via Lombardia.' f We must consider it, monsignore,' said Cardinal Sa- velli. ' I am beyond measure disgusted at what I hear from you concerning my nephew Michelangelo,' he added; ' but it only coincides with hints which his brother Marco has given me from time to time as to the wildness of his life. Of course, Marco has not said anything definite. He is generous, and though he disapproves of his brother, he would not wish to injure him. Indeed, he says all he can say in his favour. However, we will dismiss the sub- ject for the present. It becomes doubly my duty to pro- tect my niece from these discreditable intrigues.' ' The more so because Don Michelangelo is striving not only to advance his own interest at his cousin Donna Diana's expense, but to prevent her from obeying the voice of her conscience/ said Monsignor Tomei. ' Your Em- inence/ he added, 'is def ending % not only the welfare of your niece's soul, but also the authority of the Church.' ( Yes/ returned Cardinal Savelli decidedly, ' the author- ity of the Church my nephew has too little respect for that. I suppose, monsignore/ he continued suddenly, ' that Marco has no knowledge of what you have told me. It would be as well, perhaps, for me to consult him before taking any decided steps.' 'I never see Don Marco/ replied Monsignor Tomei, ' except on the rare occasions when we meet in your Em- inence's presence. He may, of course, have heard what DONNA DIANA 173 I have heard, but I do not think it probable. My infor- mation comes to me quite accidentally. There is no reason why I should not be frank with your Eminence. A well-known money-lender in this city referred to me through a mutual acquaintance, as being a person likely to be well informed as to Don Michelangelo's affairs. It appears that Don Michelangelo had asked for the renewal of certain bills drawn by him that had become due. Nat- urally, I declined to furnish any information. Soon after- wards I heard, to my surprise, that the bills had been redeemed, and that Don Michelangelo had presented a cheque for their amount, drawn in his favour on a London bank by an Englishman named Vane, of whose solvency the money-lender had assured himself by making inquiries of an English banker here in Kome.' Cardinal Savelli rose from his chair and extended his hand. ' It is an extraordinary story,' he said, c and had it not been for you, monsignore, I should probably not have heard of it. Marco would not care to mention anything so little to his brother's credit, even if he were aware of it, which, you say, is not at all likely. I will speak to him about it, and we can then decide as to what should be done.' Monsignor Tomei took his leave. He was on the whole very well satisfied with the result of his interview. Car- dinal Savelli, it was clear, was suspicious and mortified in his family pride. It would only need a little more tightening of the bonds in which he held him, Monsignor Tomei thought, and the reinvestment of Donna Diana Savelli's fortune might be regarded as already confided to his management. CHAPTEK XV THE month of May was already well advanced, and Home was fast assuming its summer aspect. The sunny sides of the streets and piazze were deserted, save, perhaps, by a few English tourists and an occasional dog. From mid- day until four o'clock an unusual silence seemed to pos- sess the city, broken only by the monotonous cries of the sellers of acqua acetosa to cool the blood, or the vendors of strawberries from Nemi, and fresh vegetables from the market-gardens without the walls. The foreign society was rapidly dispersing, and though the Eoman and official world yet remained, the yearly round of social functions was over, and people had leisure to realize how weary they had become of each other. It was the season when Eome is pleasantest when no- body wants to be taken round the Forum or into St. Peter's, and the ' days ' of Eoman hostesses have become as nightmares of the past. After his meeting with Donna Diana Savelli in the gardens of the Palazzo Castelnuovo, Edmund Vane had become unusually restless. The thought that Eome held within its walls the being he longed to possess that she was so near and yet so inaccessible to him was a per- petual torture. Since that day he had never beheld Diana. The idea of again attempting to see her at the Palazzo Castelnuovo he had dismissed from his mind as not only imprudent, but also unfair upon her. He could not doubt but that she had understood him, and he felt that his only hopes of arousing her love lay in showing her his deter- mination not to attempt to force his own upon her. It might be that she would reflect over what she had heard from him, and that, through reflection, doubts would arise 174 DONNA DIANA 175 in her mind as to whether she had not been too precipitate in electing to abjure all earthly love. That some such doubts should come to her was the most he at present dared to hope. In the meantime, no tidings of any sort concerning Diana had reached him. To Lino Savelli's annoyance and his own, the former had been obliged to leave Eome in order to go through a short course of cavalry manoeuvres with his late regiment at Turin. This course was merely one of the periodical recalls to military duty to which officers and men who have undergone their term of service with the colours are liable. It would not entail an absence of more than three weeks ; nevertheless, Vane could not but feel that Lino's departure had come at a singularly in- opportune moment. As long as the latter was in Eome there was always a link with the Palazzo San Eocco; for even if all other sources of information as to the doings of its inmates were temporarily closed to him, a few min- utes' conversation with the old porter, Antonio, would speedily have made Lino acquainted with all that might be happening within its walls. Edmund had hoped that pos- sibly Ersilia might have made some communication to Lino* before the latter's departure, but no word had come from her; and, to make matters worse, Lino, on going to the porter's lodge in the courtyard of the Palazzo San Eocco, had found Antonio absent from his post, being confined to bed with lumbago. Sometimes Vane thought that he, too, would leave Eome. He tried to force an interest in its art and antiquities, in which he had once found pleasure. He would wander through the cool galleries of the Vatican under the im- pression that he was looking at the sculptures; but would usually end by finding himself dreaming in the little court of Belvedere, where the fountain, gurgling in its marble basin, and the joyous screaming of the swifts, circling in the blue sky above him, seemed to soothe his restless thoughts. He had even pretended to a well-known archae- ologist that he was interested in ancient Eoman remains, 176 DONNA DIANA with the result that he had been compelled to stand for hours under a broiling sun, while the latest discoveries unearthed in the Forum were restored to their pristine con- dition through the erudite imagination of the enthusiastic professor. Edmund Vane would certainly not have ventured to con- fess to his guide that the principal impression derived from such visits was as of having spent some hours in an ill-ventilated main-drain with somebody at his elbow at- tempting to explain away bad smells by means of Roman history. It was with no archaeological interest that Vane wan- dered on to the Palatine one warm afternoon towards the end of May. The Palatine was one of his favourite resorts in Rome, especially in late spring-time, when the bases of the brown ruins are wreathed in wildflowers; when the nightingales and thrushes make music in the halls of the Cassars as the long shadows of evening fall across the Forum; when the cool breeze sweeps up from the sea, gently swaying the tops of the cypress-trees and causing the roses to scatter their red petals on the old mosaic floors, to be gathered up, perchance, in the night-time by ghostly hands, and strewn before imperial guests at some spectral banquet. Vane strolled carelessly onwards towards the top of the hill, and turned down the narrow pathway that leads along its edge. The massive arches at its extremity shone, golden- coloured, in the westering sun, and through them, fitting frames to water-colour sketches fairer and more delicate than ever limned by mortal artist, he could discern the blue distances of the Alban Hills and the great green plain stretching away to Ostia and the sea. The Palatine was almost deserted. A civil custode came up to him and offered his services, retiring with a laugh when Vane explained that he had come to enjoy the fresh air and the view, and not to reconstruct the palace of the emperors. It was with a start of surprise, therefore, that, after he DONNA DIANA 177 had been sitting for some minutes on the capital of a shattered column, he heard a voice behind him pronounce his name, and, turning, found himself confronted by Monsieur de Villebois. ' Good-evening, my dear Vane/ the latter said, with a quiet smile. ' You are brooding over the past ? I did not know you studied the antiquities.' tf And you ? ' replied Edmund, as he shook hands with him. ' I ? I have studied them during the last six months in the drawing-rooms of my acquaintances. Next winter I shall study them again. As you are aware, my dear friend, the Roman season is over, and the antiquities are resting/ Edmund laughed. Monsieur de Villebois' little cyni- cisms were always refreshing. ' I came to the Palatine to enjoy Nature,' he said. Monsieur de Villebois chuckled. 'For an Englishman,' he observed, 'that reply is ad- mirable. But I have always said it you have de I'esprit. And what have you been doing with yourself lately? I have not seen you in the world. I hear that Lino Savelli has gone to Turin. And you are you not going to do as everybody else, and leave Rome just as the life here be- comes tolerable ? ' f No,' replied Vane ; ( I am not thinking of leaving Rome at present.' Monsieur de Villebois looked at him shrewdly. ( Ah ! ' he said ; ' even though the Princess San Rocco no longer receives ? ' e I have not been to the Palazzo San Rocco since Easter,' said Edmund. ' That is what comes of being indiscreet,' returned Mon- sieur de Villebois. * You should have pretended to be in love with Donna Giulia, or with Donna Maria. Then your visits would have been encouraged. I have heard that you are in disgrace ; and not you only, but your friend Lino also,' 178 DONNA DIANA f Do you mean to say that Princess San Kocco has talked about it ? ' asked Vane quickly. ' The Princess ? Oh no, not that I know of ; but other people have talked about it. The Countess Verini has a story but it is no use repeating what one hears in Borne/ broke off Monsieur de Villebois abruptly. ' Countess Verini ! ' exclaimed Edmund. ' What can she know of my motive for not going to the Palazzo San Rocco?' ' Very little, probably/ said Monsieur de Villebois dryly. 6 A sufficient reason to make a woman talk/ ' I should very much like to hear what she has said/ re- turned Edmund. The other hesitated for a moment. ' Well/ he replied, ' I do not see why you should not know. Indeed, it would only be friendly on my part to tell you, for very often the person chiefly concerned in a story is the last to hear it. Only, my dear Vane, you must not be offended; and, above all, you must not lose your temper. You will not commit either folly? Then I will tell you what Countess Verini says about you. It appears I am only quoting her, remember that Donna Diana Savelli complained to her aunt, Princess San Rocco, that you were making love to her/ Edmund gave utterance to his feelings in English. ( Damn Countess Verini ! ' he muttered. Monsieur de Villebois smiled. He did not know much of the English language, but he was acquainted with its most popular expression. ' I quite agree with you/ he said ; * but it is no use being premature. Yes, you made love to Donna Diana Savelli but in your brutal English way, you know. You did not explain the state of your feelings to her relatives before approaching her, and you tried to take advantage of her inexperience to force your affections upon her, though you knew that she was destined to a religious life. Naturally, Countess Verini is deeply shocked at your attempts to cor- rupt the mind of a young girl about to enter a convent. I DONNA DIANA 179 think I once explained to you that she is very punctual in her attendance upon what she calls her religious duties/ * Go on, De Villebois/ said Vane shortly, as Monsieur de Villebois paused. 'What else does Countess Verini say?' ' Oh, a great deal,' continued the latter ( some things, indeed, which I should prefer not to tell you/ 6 But I would rather hear them/ said Edmund. ' I re- gard it as a friendly act on your part to tell me what is being said. Probably, as you observed just now, I should be the last person to hear it. It is amusing, though/ he added suddenly ; ( for only a day or two ago I met Countess Verini walking in the Piazza di Spagna, and she upbraided me for not coming to see her. Why should she wish to see a person whom she is abusing so freely ? ' Monsieur de Villebois shrugged his shoulders. ' My dear Vane/ he replied, ( it is not at all diverting to abuse one's enemies; the real pleasure is to take away the characters of one's friends. Countess Verini in that re- spect resembles another lady with whom both you and I are acquainted. I have seen the latter kiss a dear friend on both cheeks, and give her at least two illegitimate babies before she had got downstairs. But I am wrong to say that Countess Verini is mauvaise langue, like our friend the Principessa Giannini. Eeally clever women are seldom ill- natured; it does not pay well in the long-run. Countess Verini knows her world, and generally has a good word to say for everybody in it. But, being a religious woman, she is scandalized at your behaviour. To meet a young girl dedicated to the service of the Church ' Edmund started guiltily. ' How on earth did she know ? ' he broke in. Then, con- scious of Monsieur de Villebois' calm, penetrating gaze, he checked himself abruptly. ' I was about to say/ proceeded the latter quietly, ' that to meet a young girl of whose intention to become a nun you had been duly informed, and immediately to try to 180 DONNA DIANA make love to her, is naturally shocking to religious people such as the Countess Verini.' Vane breathed more freely. He had wondered for a moment whether Ersilia had betrayed the fact of Lino and himself having met Diana in the gardens of the Palazzo Castelnuovo. For Diana's sake he did not wish that it- should be known he had ever spoken with her except in her aunt's house. Nevertheless, his uneasiness had not escaped the observation of the diplomatist at his elbow. ' Decidedly/ thought Monsieur de Villebois, 'they have met in secret and he has spoken to her. Of course, my dear Vane/ he continued, lighting a cigarette with some de- liberation as he spoke, ' you are as well able as I am to put two and two together. It is no business of mine whether Countess Verini's stories are true or false. I may have my own opinion as to their veracity, but that is another matter.' ' I should like to know your opinion/ said Edmund. Monsieur de Villebois glanced at him with a slight smile. 6 My opinion is/ he replied, ' that there is a great deal of smoke and some fire. In other words, Countess Verini's assertions are based upon facts. Naturally, her informant is Marco Savelli, and Marco Savelli is not likely to look favourably on your enterprise. It is not you, however, who are likely to be most damaged by these stories.' ' That is the worst of it/ said Edmund. ' I should not care at all what stories might be circulated in Eome con- cerning me, but I do care that Donna Diana Savelli should not be gossiped about.' f Donna Diana will not suffer either/ returned Monsieur de Villebois. ' There are plenty of people who would be ready to sympathize with you both, if it were not for other tales which are being spread. Your friend Lino will suffer more than either of you/ ( Lino ! ' exclaimed Vane. < Why should he be dragged into the business ? ' 'But he is very much dragged in/ said Monsieur de Villebois. ' Shall I be frank with you ? ' he continued. ' It is said that in order to gain his goodwill and assistance DONNA DIANA 181 you have paid his debts. Had people thought it an affair of love, their sympathies would have been aroused. There are not wanting those who look with little approval on girls like Donna Diana Savelli being encouraged to go into con- vents ; but it has been made to figure as an affair of money.' Vane's face flushed angrily. e I should be glad if you would explain/ he said briefly. Monsieur de Villebois lighted another cigarette. ' Certainly/ he repeated ; ( an affair of money. You can understand how such an aspect of the case kills the romance of it, and, therefore, any sympathy it might have excited. Unfortunately for you, and for herself poor child! Donna Diana has a good dot, as dots go in this country. If you think that ces messieurs of the Church are going to let a million of francs fall into the pockets of a husband you are very much mistaken. Of course, you and Lino Savelli are held up to obloquy for presuming to inter- fere with the ways of Almighty God, whereas in reality you are interfering with the course of the almighty dollar." ' And so I have bought Lino's assistance by paying his debts/ said Vane, with a short laugh, ( and am to be repaid by his cousin's dot. A very honourable arrangement, and equally creditable both to Lino and to myself.' f That is what has been said/ replied Monsieur de Ville- bois quietly. ' I need hardly say," he added, ( that I do not believe a word of it. Had I done so, I should not have mentioned the story to you.' ' The thing would be absurd were it not insulting/ said Edmund angrily. ' To begin with, I don't believe Lino has any debts to speak of, and if he had, he certainly would not have allowed me to pay them. We can both of us afford to regard the assertion as to our supposed motives as too contemptible to be refuted.' Monsieur de Villebois shook his head. ' You may ignore it/ he said, ( or contradict it, and prove it to be false, but it will not be of much use. If once you cross the pecuniary or political path of the sacristy in 182 DONNA DIANA this country, the basest motives are certain to be imputed to you. In these days it is generally recognised as too dangerous to take away the life of an obnoxious individual. It is safer, and sometimes equally effective, to take away his character. The professionally religious are experts in the latter process : they poison with words now/ Vane's face suddenly assumed a dogged expression. ' There is one thing they forget/ he said, ' and that is that they are dealing with an English gentleman. I am not at all afraid of ces messieurs, as you call them, and am quite indifferent as to what they may say of me. But it is otherwise as regards Lino Savelli. He belongs to the country, whereas I am merely an independent foreigner, to whom the good or the bad word of Eoman society is a very trifling matter. For Lino's sake, De Villebois, I will find out who has started this story that I have paid his debts, and he or she will have to confess that it is false. Donna Diana's name need not be brought into the affair ; it will be very easy to prove that her cousin has never re- ceived any money from me/ Monsieur de Villebois laid his hand on his companion's arm. ' Now you are losing your temper,' he said, ' and the matter is not worth it. Let your friends and Lino's con- tradict the story for you, but take no notice of it yourself. After all, you are dealing with very little dogs, you know ; you can afford to let them yap/ ( I can yes ; but Lino ' Oh, the very people who will abuse him for taking your money will secretly admire him for having been astute enough to get it out of you. Lino can take very good care of himself. The story is clever, decidedly, because, as I say, it will estrange sympathy from you, if it is true that you wish to marry Donna Diana Savelli. Do you mind telling me if it is true ? ' added Monsieur de Villebois. c Believe me, I do not ask you the question out of mere curiosity/ Vane glanced at him for a moment. ' It is perfectly true that I want to marry Donna Diana DONNA DIANA 183 Savelli/ he replied, after a pause ; ' but it is also true that she does not want to marry me/ 'How do you know?' returned Monsieur de Villebois abruptly. ' Have you asked her ? ' 6 Yes/ answered Edmund simply. Monsieur de Villebois gave a quiet laugh. 'Do you mean to tell me/ he said, 'that you actually managed to propose to her under the noses of Princess San Eocco and those two Gorgons of daughters ? But it is in- credible. Nobody but an Englishman would have dreamed of attempting such a thing/ 6 It was not exactly done under Princess San Rocco's nose/ said Edmund, smiling. 'I had an opportunity of speaking to Donna Diana alone, and well, she refused me/ Monsieur de Villebois sniffed impatiently. f I suppose she repeated her lesson to you ? ' he said. 'Her lesson?' ' But, of course ! What does she know of love ? ' ' That is exactly what she said/ replied Vane dryly. 'No doubt; they always say it. But pardon me if I am indiscreet did you not give her a little elementary instruction ? ' Edmund shook his head. ' I tried to make her understand/ he replied ; ' but what can one say to a young girl with such ideals in her mind ? One's tongue is tied. Even to speak to her of love seemed like committing a sacrilege/ Monsieur de Villebois glanced at him. Surprise mingled with something like admiration were expressed in his look. ' I understand your delicacy of feeling/ he said. ' I fear that many young men would not have been so scrupulous ; but I think you English respect certain things more than we of the Latin races, and you are chivalrous to women very chivalrous. Then, I am right in doubting the accu- racy of Countess Verini's statement to the effect that Donna Diana Savelli had been alarmed by your protesta- tions, and had complained to her aunt of your conduct to- wards her ? ' 184 DONNA DIANA < I feel quite sure that Donna Diana was neither alarmed nor offended by anything I said to her/ replied Vane quietly, ' and I should think it highly improbable that she ever mentioned our interview/ ' It was unknown to any third person, then ? ' asked Monsieur de Villebois. ' Lino was with me. He left us alone for a few minutes, after having warned his cousin of what I wished to say to her/ ' Ah ! Lino was your abettor, and nobody else ? ' ' Donna Diana's maid was with her, an old servant de- voted to her and to Lino. I am sure, from what Lino has told me, that she is to be trusted/ Monsieur de Villebois considered for a moment. ( It is strange/ he said presently. ' Countess Verini is not likely to get her information from anybody but Marco Savelli. She is not one of the Princess San Eocco's very limited world, and I should doubt her having anything but the barest acquaintance with other members of the family save Marco. With the latter, indeed, her acquaintance can scarcely be called bare/ Vane began to laugh. ( Well/ he said dryly, ' I don't know, De Villebois/ Monsieur de Villebois chuckled appreciatively. ' You are malicious, my dear friend/ he observed. ' I did not intend any jeu de mots. It would be interesting to know Marco Savelli's motive for inventing these stories, for I feel sure that we may assume them to have originated with him/ ( I do not know why he should dislike me/ said Edmund ; ( but he certainly does so. I conclude it is simply because I am a friend of his brother. I should not have thought it could matter to him whether his cousin Donna Diana be- comes a nun or marries me/ ( It would not matter to him/ replied Monsieur de Ville- bois, 'were it not for the fact that Donna Diana Savelli has a considerable fortune/ ' I should not want her fortune/ returned Vane, ' whereas DONNA DIANA 185 the convent she enters will want it. I do not see how Marco Savelli benefits by opposing me.' Monsieur de Villebois smiled. 6 There are always arrangements to be made with le bon Dieu' he said, ' and there are sometimes arrangements to be made with His servants/ ' What do you mean ? ' asked Edmund. ( Merely that those who have the management of Donna Diana's affairs probably prefer dealing with a spiritual spouse to dealing with so material a bridegroom as yourself. Do you remember telling me some months ago that Cardinal Savelli was his niece's guardian and trustee ? ' ' Perfectly/ answered Edmund. ' You said that it was an interesting piece of news to you.' ' So it was a very interesting piece of news/ said Mon- sieur de Villebois. ' It afforded me a clue to many things that had puzzled me. One of those things was the equa- nimity with which Donna Diana Savelli's determination to abjure the world has been viewed by her relations. Her beauty, her fortune, and her name might surely have made a good marriage almost a certainty for her. I could never understand why her religious mania for I consider re- ligion to be a mania when it interferes with the legitimate development of human nature should have been encour- aged.' ' And can you understand now ? ' asked Vane. e I con- fess/ he added, ' that I am always unable to do so.' 6 Yes/ replied Monsieur de Villebois slowly, ' I think I am able to understand now. I suspect that if Donna Diana had been portionless we should have heard very little of her religious vocation, and a great deal more of her beauty and her charm.' ' You think the Church wants to get hold of her money ? ' said Edmund. Monsieur de Villebois shrugged his shoulders. tf The Church has got hold of it/ he replied. ' But it is in trust until she is of age/ returned Edmund. 186 DONNA DIANA 6 You surely do not mean to imply that Cardinal Savelli has tampered with her fortune ? ' he added. ' I have no right to imply anything of the kind/ answered Monsieur de Villebois, ' but I have heard reports lately con- cerning His Eminence Savelli that make me suspicious. 1 have lived in Eome many years, my dear Vane, and I have known of some very strange things being done for the sake of money in this Holy City, and not a few of them have been done by individuals vowed to poverty.' ' But Cardinal Savelli is not vowed to poverty/ objected Vane. ' Certainly not neither to poverty nor to chastity, but only to celibacy/ replied Monsieur de Villebois. ' As I said before, there are always des accommodements avec le del. I do not mean to suggest that Cardinal Savelli has used his niece's money for private purposes, but he is, after all, an ecclesiastic. In these days the religious congregations are many times richer and more powerful in Rome than they were under the temporal sovereignty of the popes, notwith- standing the persecutions which Leo XIII. is obliged to deplore at stated intervals with his tongue in his cheek. Cardinal Savelli, you must know, is not too well looked upon by some of the more influential French communities but that is neither here nor there.' ( I do not see why it should signify to him whether Donna Diana enters a religious community or not/ said Edmund. 'In Rome/ replied Monsieur de Villebois, 'it is never of any use to look at things on the surface. The under- currents should be studied. In this case reports have been spread about you and Donna Diana Savelli. Lino Savelli and yourself are alleged to have entered into an arrange- ment which, did it exist, would certainly not be very credit- able to either of you. I can assure you that these stories originate with Countess Verini. I have heard them from several people, each of whom has heard them in her house. The coincidence interested me, for I have always noticed that Countess Verini is one of the few who know how to live in a glass house comfortably and without fear of being DONNA DIANA 187 disturbed. I paid her a visit one evening and told her the stories in strict confidence, of course. It is a plan which seldom fails, that of confiding a story to the person with whom you have reason to suspect it originates.' ' And what did Countess Verini say ? ' asked Vane. ' Quite enough to show me that my suspicions were cor- rect/ answered Monsieur de Villebois. ' For some reason/ he continued, ' it is fairly certain that Marco Savelli has told her to circulate these reports/ ' But for what reason ? ' ' That/ replied Monsieur de Villebois, ' remains to be dis- covered. You must remember that Cardinal Savelli keeps Marco, and that Marco ' ' Exactly/ interrupted Edmund. "'You can never tell what influences may be at work/ Monsieur de Villebois proceeded. ' One thing is very clear, namely, that it is not intended Donna Diana should marry. Your appearance on the scene has frightened Marco Savelli, and possibly the Cardinal also. You tell me that the girl has refused you, but, all the same, she will think of what she has learned from you. Oh yes, she will think of it, my friend, for she is a woman/ ' I wish I could believe that/ said Vane. ' You may be certain of it/ returned Monsieur de Ville- bois. ' Very likely you will not have succeeded in arous- ing her love, but you will have aroused her curiosity. It is the first step. It was so with Eve, was it not? That is why they are all afraid of you/ ' There is not much to be afraid of/ said Edmund. ' I am powerless. I dare say I shall never see Donna Diana again ; and she will be told that I am after her money, no doubt, if she is suspected of thinking about me at all. But I do not suppose that my name will ever be mentioned to her/ he added, after a pause. ' Nobody is likely to know of our having met elsewhere than in Palazzo San Eocco/ 'We will hope not/ remarked Monsieur de Villebois gravely. c In the meantime/ he continued, ' take my ad- vice and ignore these stories. Above all, do not tell your 188 DONNA DIANA friend Lino of them. He would fly in a rage, and then there is no knowing what might happen.' * " Chi va piano, va sano." To quote such a copy-book proverb is almost as bad as uttering a platitude; but, all the same, it is an excellent maxim, especially here in Rome/ ' I am likely to go very piano, for lack of opportunity to do otherwise/ said Vane, a little bitterly. ( The opportunity may come/ replied Monsieur de Ville- bois. ' Perhaps Donna Diana will reconsider her determi- nation. When Lino returns, he should be able to help your cause, even if only indirectly. Perhaps I, too, may be able to discover some clue to Marco Savelli's motives for seeking to prejudice people against his brother and you. I am con- vinced that, whatever part the Cardinal may be playing, he is largely influenced by Marco, and that money is at the bottom of it all/ At this moment the distant sound of a bell ringing at the gates of the Palatine warned them that the latter was about to be closed to the public, and they hastened down the hill towards the entrance, turning every now and then to look at the evening lights falling on the ruins of the Imperial palace. The nightingales were answering each other in the gardens around them, and already the bats were beginning to flutter out from the crannies of the masonry, while every now and then the melancholy notes of the little owls that haunt the Palatine and the Colos- seum fell upon their ears. From the city below rose the confused clangour of church-bells ringing the Ave Maria. The red glow on the ruins gradually faded away, to be re- placed by a ghostly gray, and the cypresses stood out against the darkening sky like sombre mourners watching over the grave of a mighty past. Monsieur de Villebois and Edmund Vane passed out of the iron gates and turned towards the Capitol, pausing for a moment to look down on the Forum. As they leaned against the parapet, a man who had been standing a few paces off moved up nearer to them. Vane looked at him, DONNA DIANA 189 and then turned away with a little exclamation of im- patience. ' What is the matter ? ' asked Monsieur de Villebois, who overheard it. ' Oh, nothing/ said Edmund carelessly, as they walked away together, ' only that fellow who came towards us annoys me. I am always running up against him, and he stares at one rather unpleasantly. Some guide, I suppose, who wants employment/ Monsieur de Villebois turned round sharply, but the man had disappeared from the spot where he had been standing. ' How often have you noticed him ? ' he asked. ' At least four or five times during the last few days,' replied Vane. ( I conclude that we take our walks in the same direction, but it is an odd coincidence/ ( Very odd/ said his companion thoughtfully. ' You do not wander in out-of-the-way places by yourself, I sup- pose ? ' he added. ( I wander where the spirit moves me/ answered Vane, laughing. ' Then/ observed Monsieur de Villebois, ( if I were you, I should carry a revolver/ Edmund Vane looked at him with astonishment. ( A revolver ! ' he repeated. ' Why should I carry a re- volver ? I have never had the least annoyance in Rome. I should say the town was as safe as London indeed, much safer. It is far better lighted, to begin with/ ( It is quite safe for ordinary people, certainly/ ' And am I not an ordinary person ? ' ( It is safe for those who go about their own business, provided that business does not clash with other people's interests/ said Monsieur de Villebois quietly. ' Do you mean to say you think that fellow is watching me ? ' exclaimed Edmund. 'We are in Borne/ replied the other, 'and mediaeval customs have not quite died out. That is one of the charms of the place. I do not suppose the fellow would interfere with you, but he may be employed to watch your move- 190 DONNA DIANA merits. In any case, I recommend a revolver. You are not obliged to use it, but the sight of one has a very salutary effect sometimes/ Edmund laughed again. ' It is probably a mere coincidence/ he observed. e I sup- pose/ he added, ( that in former times I should have gone about in fear for my life from bravos hired by Marco Sa- velli. But, as you say, in modern Eome people's characters are taken away when they make themselves obnoxious, not their lives/ ' There have been instances of both being taken at the same time/ replied Monsieur de Villebois dryly, 'even in modern Rome/ The two walked on together till they reached the Piazza d'Ara Cceli, and there Monsieur de Villebois bade Ed- mund good-night. The latter continued his way and crossed the Corso Vittorio Emanuele, turning down one of the side-streets leading in the direction of the Piazza San Luigi dei Francesi, where he wished to leave a card. His errand accomplished, he walked through some of the vicoli towards the Piazza Colonna, and, somewhat to his surprise, suddenly found himself opposite to the Palazzo San Eocco, having followed a narrow street that he imagined would prove to be a short-cut. The porter was standing at the entrance to the palace, and Edmund felt inclined to cross the little piazza to ask him if he had recovered from his lumbago. Prudence, however, decided him to continue on his way, and though old Antonio looked across at him, he apparently did not recognise Vane. Edmund had walked some yards, when he heard steps following him, and presently a low Pss-t! arrested his attention. Turning round, he saw Antonio hurrying after him. 'I saw your Excellency passing/ the old man said quickly. ' Perhaps you will see Don Michelangelo to- night?' ' Don Michelangelo is not in Rome/ said Edmund ; < he has gone to Turin for a few weeks. Are they all well in DONNA DIANA 191 Casa San Eocco? I am glad to see you about again/ he added. The old porter looked round him suspiciously, as though to make sure that he was not observed. ' I wanted your Excellency to give this to Don Michel- angelo/ he said, holding a note out to Edmund ; ' but if he is out of Eome ' and he stopped and rubbed his head doubtfully. f He is certainly out of Rome, but I can send it to him/ said Vane. ' Are they all well in casa ? ' he repeated. ' The note, Eccellenza/ said Antonio hurriedly ' if your Excellency will read it you will know, and you will tell Don Michelangelo but you will not tell anybody else that I gave it to you ? ' And, without waiting for Vane's reply, he thrust the paper into the latter's hand and walked away as fast as age and infirmity would allow. Edmund also walked on before opening the missive. His eyes had no sooner fallen on the contents than he stopped short with an exclamation of dismay. The note bore no signature, and was evidently written by a servant, but it informed Don Michelangelo Savelli that his cousin Donna Diana was ill with typhoid fever. For a moment Edmund hesitated as to whether he would not retrace his steps and question the porter. Antonio's dread of being seen speaking to him, however, had been so evident that Vane decided not to do so. The first thing to be done was to communicate with Lino, and Edmund walked hastily on, resolved to telegraph to him from the nearest office. The sound of wheels behind him caused him to turn round suddenly, thinking that if it proved to be an empty cab he would jump into it and drive direct to the central telegraph office at San Silvestro. The cab was unoccupied, and as he stopped the driver he saw a few yards away from him the individual whose frequent appear- ance he had been inclined to attribute to chance. That the man had been following him Vane had now no doubt, and he must have seen Antonio hurry after him and give him the note. The certainty that he was being ( shad- 192 DONNA DIANA owed' was distinctly an unpleasant feeling, and Edmund was conscious of a slight shiver as he recollected Monsieur de Villebois' warning. The man, whoever he might be, had as good a right to be walking in that particular street as Edmund himself, and had done nothing to justify any remonstrance on his part. Affecting not to have observed him, Edmund jumped into the cab and directed the coach- man in a loud voice to drive to the Piazza di Spagna. It was only when he had gone some distance that he changed the direction for that of San Silvestro. The fact that he was being watched, however, was of very secondary importance, and the tidings of Diana's illness drove all other thoughts from his mind. He felt tolerably certain that the note had been written by Ersilia, and that she had confided it to Antonio to convey to Lino Savelli as quickly as possible. Vane read it again, and saw that it bore the date of the day before. This, at least, was some consolation, for it enabled him to hope that Diana had not been lying ill many days. He remembered her sudden at- tack of faintness in the Castelnuovo Gardens, and how she had complained of the pain in her head. The fever had evidently been coming on then, and might not actually have declared itself until some days later. But Edmund was haunted by the sense of some mystery, some evil hanging over both Diana and himself, that he could not clearly dis- tinguish. He thought of De Villebois' hints of intrigues being car- ried on for the purpose of acquiring power over Diana's fortune. Somewhat of a cynic and distrustful of things Koman the French ex-diplomat might be, and Vane made full allowance for his prejudices as a foreigner and a Frenchman. He had frequently heard his own compa- triots misjudge the Italians, and had marvelled at their stupidity in venturing sweepingly to condemn a race of whose very language they were usually ignorant, and whose innate refinement was by no means always appreciable to their Anglo-Saxon nature. But he was obliged to confess that De Villebois at least DONNA DIANA 193 Had experience and some right to express his opinions. The latter not only knew the Italian language well, but his of- ficial position during long years of residence in Rome had brought him into contact with all classes of the community. Edmund Vane despatched his telegram to Lino, briefly acquainting him with the fact of Diana's illness, and tell- ing him that he was writing to him by that evening's post. Having done this, he drove on to his apartment. He would, he thought, try to find Monsieur de Villebois at home after dinner, and consult him as to the latest development of affairs, in which that elderly man of the world had shown himself disposed to take so kindly an interest. CHAPTEE XVI FRAU VON RABEN had been praying in the Church of San Luigi dei Francesi. She did not attend that place of worship out of affection for the French, but because it happened to be situated conveniently near the Palazzo San Rocco. It was late in the afternoon,, and -the church was almost deserted. A few women were kneeling before the various altars, and one or two old men were dozing upon their chairs, waking up every now and then with a start to cross themselves. Her devotions concluded, Frau von Raben rose, and went to an iron stand on which candles were burning in front of a statue of Notre Dame de Lourdes. In a long box divided into three partitions were candles varying in size according to their price. Frau von Raben looked at them and hesitated. Finally she chose one from among those of medium length, and, after dropping her fifty centimes into the tronc, lighted it and fixed it in a vacant socket. She felt a little thrill of self-complacency as she did so.. Instincts due to both sex and race had prompted the selection of the cheapest size of votive candle, but un- willingness to risk the efficacy of her prayer for the sake of saving twenty-five centimes triumphed. The fact was that Frau von Raben's prayers had not been conceived in a purely altruistic spirit; hence the dilemma that had arisen regarding the choice of candles. Like the latter, her needs were of a composite nature. She had prayed that Diana Savelli might be brought safely through the dangerous illness from which she was suffering, and that the fever in which the girl was lying helpless and half delirious might leave her. But Frau von Raben had also prayed that Diana should 194 DONNA DIANA 195 not lose her vocation, and that nothing should be per- mitted to interfere with her entering into religion. She had never really liked Diana, and during the few weeks that the latter had been under her charge in the Palazzo San Rocco she had liked her less than ever. Frau von Raben prided herself upon her influence over young people, and upon her capacity for reading their characters. She had soon become aware, however, that Diana was not disposed to be susceptible to this influence, and the discovery had annoyed her considerably. There is little doubt that, had her prayers been offered solely for Diana's recovery, Frau von Raben would have contented herself with a candle priced at twenty-five centimes, and would have taken the risks entailed by the shorter period it occupied in burning. She did not wish Diana to die, certainly, since to do so would have been distinctly un- christian. Moreover, she had no very sure idea as to what would become of Diana's money should she succumb to her illness. Frau von Raben had quite persuaded herself that it was her duty both towards Diana Savelli, and towards the Church to which she was so zealous a convert, to do all in her power to encourage the former in her deter- mination to take the veil. She had persuaded herself, also, that Marco Savelli's evident anxiety lest his cousin should change her mind proceeded from a laudable desire that no worldly considerations should triumph over a religious vocation. In the course of their conversations together concern- ing the state of Diana's mind, and the spiritual dangers to which she was being exposed from Edmund Vane's un- concealed admiration, Frau von Raben had not failed to gather from Marco that she would be laying both Cardinal Savelli and himself under a deep debt of obligation to her should she succeed in counteracting any influence that either his brother or his brother's friend might have gained over Diana. Marco, indeed, had hinted at some tangible 196 DONNA DIANA recognition of this obligation something of more present utility than being remembered by the Cardinal at his daily Mass, though the latter privilege had also been as- sured to her. Marco Savelli had speedily discovered the keen interest taken by the elderly German lady in those simple matters of e very-day life that are now dignified by the name of sexual problems. His experience and training had been such as to cause him to feel no surprise that so pious a person as Frau von Eaben should possess this interest. Having unravelled most of these problems, at first theo- retically in the lecture-rooms of his seminary, and after- wards more practically elsewhere, with greater or less satis- faction to himself, he was able partly to assuage Frau von Raben's thirst for knowledge as to how best to deal with them. The two had discussed these questions in so far as they affected t)iana with much of that freedom which has invariably been conceded to the religious investigator. The result had been a conviction on Frau von Raben's part that she had a mission, which mission was to consist in protecting from violation a sanctuary specially chosen by Almighty God for His own. That this sanctuary hap- pened to be nothing more nor less than Diana's body was a detail which, to be fair upon them, neither Frau von Raben nor Marco Savelli suffered to enter into their argu- ment. They preferred to call it her soul; for Frau von Raben, like many of her race, was metaphysical, and Marco had to recollect that he was not conversing with a theo- logical student. For some little time Frau von Raben, her senses being keenly alert to detect any signs of incipient problems, had thought that she had perceived in Diana symptoms which aroused her suspicions. It had not escaped her that the girl betrayed a certain unwillingness to talk about her vocation for religion which gave place to a marked im- patience when the subject was insisted upon. Only a few months previously, Diana had been wont to become en- thusiastic on the advantages and joys of the life to which DONNA DIANA 197 she proposed to devote herself so much so, indeed, that Frau von Eaben sometimes found herself regretting that the Princess San Rocco's daughters had not some of the beauty which had been lavished upon their cousin. She did not, indeed, venture to confess even to herself that she thought Donna Maria or Donna Giulia Petrucci would have made a better use of it; but, all the same, when she looked at Diana, the latters beauty certainly did seem to be a little superfluous under the circumstances, and Frau von Eaben would smother a sigh born of a sentimen- tality partly pious, but also partly profane. A few days before her illness had finally declared itself in the form of typhoid, Diana Savelli had displayed an irritability at the mention of her approaching departure for the convent in which she was to pass her novitiate that had surprised and startled not only Frau von Raben, but also Princess San Rocco. The latter had expostulated with her niece, and recommended a visit to Father Ghe- rardi in his confessional at the Church of the Gesu, a Jesuit Father who had been for many years the spiritual adviser to the San Rocco family. Frau von Raben had abstained from open reproof, but had emitted sighs at intervals, accompanied by mysterious allusions to the weak- ness of the flesh. It was certainly not without premedi- tation that she repeatedly dragged up the name of Edmund Vane, and encouraged Donna Maria and Donna Giulia to abuse the English generally and Vane in particular. The manoeuvre had succeeded only too well. Diana, already feverish and really ill, completely lost control over herself, and turned upon Frau von Raben and her cousins in a whirlwind of indignation, upbraiding the latter for their ingratitude towards the man who had saved the life of a member of their family. Winged words passed, and matters reached a climax when Donna Giulia sneer- ingly observed that, after all, it was very natural that Diana should defend her admirer. Diana, white and trembling with rage, laughed in her cousin's face. ' You are jealous,' she exclaimed ' jealous ! If Mr. 198 DONNA DIANA Vane had ever taken the trouble to notice you, you would have declared that the English were perfect ! ' And then she had burst into a hysterical fit of crying. It was not a very dignified scene, and Frau von Kaben led Diana away to her room. That evening the girl grew rapidly worse, and it soon became evident that she was in a high fever. The doctor who attended Casa San Eocco was sent for, and shook his head when he examined her. She was certainly going to have an illness, he declared, but until another twenty-four hours had elapsed he could not determine what that illness might be. In the meantime, Frau von Eaben congratulated her- self upon her perspicacity. She had proved to her com- plete satisfaction the connection she had suspected to exist between Diana's sudden loss of enthusiasm for her reli- gious vocation and her defence of this Englishman whose name she had embraced with so much fervour. It is not too much to say that Frau von Eaben thor- oughly enjoyed the situation. She felt that she was about to take part in a spiritual contest in which there was a sufficient amount of material element to make it inter- esting. The girl's nature was asserting itself, and every good Christian knew that nature must, or should be, crushed. That Diana's interest in her cousin Lino Sa- velli's friend was anything more than a passing fancy on her part for the man who so evidently admired her, Frau von Eaben had no cause to suspect. She could not, indeed, have been inspired to know how a spiritual enemy had utilized so very material a weapon as a chill upon her own stomach in order to carry on the warfare. It was clear to her that Diana's mind was being influenced by carnal desires, and that Diana had yet to learn how these jould be satisfied by other than purely carnal means. Frau von Eaben lost no time in informing Don Marco Savelli of her conviction that his brother's friend had made a greater impression upon Diana than she had hitherto believed to be the case. In her note describing the scene which had taken place between Diana and her cousins DONNA DIANA 199 she likewise acquainted him with the fact of the girl's illness, which on the following day the doctor formally pronounced to be typhoid fever. Her letter brought an urgent request from Marco Sa- velli that she would come to the Via Giulia, where he would be sure to be able to speak with her alone, if she would time her visit so as to arrive while the Cardinal was taking his usual drive. Frau von Eaben was only too ready to discuss the latest developments of Diana's 'case/ as she called it, and the following afternoon found her at Cardinal Savelli's house. The Cardinal's carriage, with the black Hungarian horses, unsold as yet, was standing in the porte cochere when she reached his residence. Mindful of Marco's hint, she walked up and down the street until she saw it drive away, and caught a glimpse of its occupant as it passed her. Then she entered the house, and rang at the door of the Cardinal's apartment. In reply to her question as to whether the Cardinal was at home, and whether he would receive her, the servant informed her that His Eminence had gone out only a few minutes since. Frau von Eaben expressed surprise and disappointment. ( Perhaps Don Marco is at home ? ' she asked. ' My business was with His Eminence,' she continued, 'but no doubt Don Marco will see me if you will tell him that I am here.' She followed the man into the reception-room, and sat down while he went to acquaint Marco Savelli of her arrival. In a few minutes the latter joined her. 6 My uncle will not be back for two hours/ he said, ' so we shall be quite undisturbed. I am yery glad that you have been able to come, madame. I fear that my cousin Diana is very seriously ill ; ? and he looked at Frau von Eaben inquisitively. Frau von Eaben nodded. ' She is certainly very ill/ she replied, ' and she must 200 DONNA DIANA be worse before she is better if she gets over the crisis when it comes. But it is not the state of her body that gives me the most uneasiness/ she added, sighing. 'Do you mean to say that you think she is really in love with that cursed foreigner ? ' asked Marco. Frau von Eaben pursed up her lips and hesitated for a moment. ' In love ? ' she repeated. ' It depends on what you call love. You must remember that Diana has reached an age when girls become susceptible to er the calls of nature. No, Don Marco, I do not think Diana has really fallen in love with that bear of an Englishman. She has had no opportunity of doing so, fortunately. But he has suc- ceeded in awakening her curiosity/ 6 Oh, her curiosity/ said Marco significantly. ' That is generally a very good beginning/ Frau von Raben dropped her eyes. ( Exactly/ she replied. ( It is always dangerous when young people begin to inquire into well, into things, you know. Besides, Diana is devoted to Don Michelangelo, and the idea that this Englishman saved his life naturally surrounds him with a halo of romance in her eyes. As I told you in my note, there was quite a scene when your cousins laughed at him. It is evident to me that she ' ' Has been making him the object of her virginal cu- riosity/ supplemented Marco Savelli, as Frau von Raben paused and hesitated. ( Well, yes/ she resumed. ' She might very easily do that without being consciously in love with him/ Marco looked at her and smiled. It was not a very pleasant smile. 'You seem to have studied the subject/ he observed. Frau von Raben's sallow face momentarily assumed a salmon-coloured hue. ' I have had so much to do with young people/ she re- plied, ' and of course, I understand the nature of my own sex. If Diana had seen more of this young man if she had ever been alone with him I should be more uneasy. DONNA DIANA 201 As it is, I regard the matter as merely due to natural development. It is impossible that she can be actually in love, either with him or with any other man. Moreover, I have had many conversations with her, and have often been struck by the complete indifference she formerly dis- played towards such subjects.' Marco Savelli did not reply for a moment. f And what do you think has caused her to lose that in- difference ? ' he asked presently. 'But I have told you. A girl's curiosity, developed under purely physical conditions. What else would have caused her to lose it? Indeed, as Diana has this voca- tion, it will not be a bad thing, perhaps, if she has lost it. She will turn to the consolation of a spiritual love the more readily if her imagination becomes more intense/ ' Of course, that is quite true/ replied Marco. ' But I do not see/ he added, 'how spiritual embraces could be properly appreciated by anybody who had never known the desire for material ones/ Frau von Raben, notwithstanding the number of years she had spent in a Roman household, had never been able to detect the native irony. ' Ah/ she said, with a sigh, ' it is no doubt a compensa- tion that ecstasy of feeling the embraces of a spiritual bridegroom. This is just what I meant when I said per- haps Diana's loss of indifference would not be a misfor- tune for her. After all, the body and the soul must be united in this life, and the sexual desires of the one, rightly employed, may serve to render more ardent the spiritual longings of the other.' It was Frau von Raben's favourite subject, and she had ceased to feel any shyness in discussing it with Marco Savelli in connection with Diana's future. If she could have known that her observations were repeated, with a mimicry of her voice, manner, and Teutonic accent, for the delectation of Countess Verini in the privacy of the latter's sitting-room, it is probable that she might have been more reticent. 202 DONNA DIANA ' It must be most interesting/ said Marco Savelli, as Frau von Raben, with folded hands, sat and gazed at him; 'and anyone like myself, who has studied certain branches of theology, knows that you have excellent au- thority for what you say/ . 'What must be most interesting?' asked Frau von Raben, a little puzzled. e Well, the process of attempting to combine sacred and profane love. Now I come to think of it, I never am quite sure which is which when I look at Titian's rep- resentations of them in the Borghese Gallery. It shows what a philosopher the man must have been/ * Ah, yes ! ' exclaimed Frau von Raben. ' It is a ques- tion of psychology such holy men as St. Alfonso Liguori and St. Ignatius understood that.' 'It is certainly a question of psychology,' said Marco. 'But,' he continued, 'to return to Diana is it not a little sudden, this curiosity concerning things to which she has hitherto been indifferent? I confess I do not understand her outburst of indignation on this English- man's behalf, unless she is more in love with him than we think. You say that since Easter she has never seen him ; but are you quite sure of this, madame ? ' ' Of course I am sure,' replied Frau von Raben. ' How could she have seen him? Diana has never left Palazzo San Rocco unless accompanied by the Princess or myself. The thing is impossible.' 'Ah! Either you or my aunt have always been with her you are quite sure of that?' returned Marco. 'But perfectly sure! Twice, or perhaps three times, she went to spend the afternoon in the Castelnuovo Gar- dens, accompanied by the Princess's maid, old Ersilia; but, of course, there she would be quite safe, and Ersilia is trustworthy.' 'Nevertheless,' returned Marco, 'I am convinced that they have met. You must question Ersilia, madame. As for Vane, I will have him watched. We must find out where he goes, and what he does. I meant to have it DONNA DIANA 203 done before, but,, knowing that he could not go to Palazzo San Eocco any more, I thought he might be let alone.' ' It is impossible/ repeated Frau von Kaben. f He could never have seen Diana again. But I will talk to Ersilia. She had strict orders never to lose sight of Diana, even when they were inside the gardens of Palazzo Castel- nuovo. But why does this Englishman remain in Eome ? ' she added impatiently. ' That is what I mean to find out,' said Marco dryly. 6 He has been here too long, and he may find the air of Rome unhealthy if he stays much longer. I suppose,' he added abruptly, 'that Diana's fever is not so high as to make her at all delirious?' ' I am told that she wanders at intervals/ replied Frau von Raben. e You are told ? Then you do not go to her room ? ' Frau von Raben looked a little confused. ' Sick people take strange fancies into their heads/ she replied. ( Of course, my wish was to nurse Diana, but she becomes so excited whenever I approach her that the doctor says it is better she should not see me in the room.' 'But she has a nurse, I suppose?' 'Yes a nun, and Ersilia. She is impatient even of the Princess being with her, and is always begging that Madame de Bonneval may come to her.' 'Madame de Bonneval?' ' One of the ladies of the Sacre Cceur/ exclaimed Frau von Raben. ' Diana is always talking of her. I saw her once a hideous woman; but they say that she is a great lady. Of course, she cannot come, for, as you know, the ladies of the Sacre Cceur cannot go out for such objects unless by special permission of the Superior, and such permissions are only given under extremely exceptional circumstances. Besides, any affection for a pupil in the Sacre Cceur is at once remarked, and the lady, whoever she may be, who manifests it is transferred to another house. Madame de Bonneval would probably not care to risk such a rebuke by asking for leave to visit Diana.' 204 DONNA DIANA ( So/ observed Marco Savelli thoughtfully, ' the only people who are likely to hear anything Diana may say when she is delirious are Ersilia and this nursing- Sister.' 6 For the moment yes. But she may get over her ob- jection to my being in her room.' ( Or, if the fever increases, she will not know whether you are in it or not,' rejoined Marco. * It is unfortunate/ he added, ' for we should very likely learn something from what she says.' ( You may be sure that I shall keep my ears open,' said Frau von Eaben. 'But I cannot believe that any com- munications have passed between Mr. Vane and Diana. She has been weaving a little romance around him that is all. As for the Englishman, why do you not get him out of Eome ? Then there would be an end to everything. Do you know how he employs his time here ? ' Marco Savelli shrugged his shoulders. ' Che ne so io ! ' he replied contemptuously. ( You must ask my brother Lino about that. I believe that he leads a very quiet life, as far as one knows.' * Oh, as far as one knows, I dare say/ returned Frau von Eaben. Marco glanced at her inquiringly. 6 It will not be difficult to find out his habits/ he said ; 'but when they are found out I do not see what good it will do to know them.' 'Unless they are bad.' Marco smiled slightly. 'And if they are not bad?' he asked. 'But they are sure to be bad. Why is he not in his own country, or murdering those poor Boers in the Trans- vaal, if they are not bad?' demanded Frau von Eaben, with unconscious inconsistency. 'If they are not bad/ she added, ' it will be very easy to say that they are/ ' That is true/ said Marco thoughtfully. ' He might be compromised in some way. It would be very useful, in case of Diana's recovery, for then it could be explained DONNA DIANA 205 to her that he was a mauvais sujet, and that nobody would have anything to do with him/ ' Precisely/ observed Frau von Eaben dryly. ' There are so many things that may be said of a man which can- not easily be disproved; and if Diana has any romantic ideas about him, a little scandal would be very useful, as you say/ Marco Savelli nodded. ' You are quite right/ he said, with a short laugh. ' We must be prepared for all emergencies; and in these days much the best way of dealing with troublesome people is to discredit them. But do you really think that Diana is beginning to regret her decision to become a nun?' he continued. Frau von Eaben hesitated. ' I am not sure/ she replied. ' She appears to shrink from talking about it, which she was formerly always ready to do. Something has certainty unsettled her. I was very much struck by a remark she made to Maria during the scene I told you of. She accused Maria of being jealous/ ' That is the remark of a woman, not of a child/ said Marco. 'Exactly. It tells its own story/ ' Vane must be got out of the way ! ' exclaimed Marco angrily. ( If she dies, of course it will not matter ; we need not trouble ourselves any more about him. But if she lives ' ' Ah, if she lives and there is no reason why she should not live he will always be a danger, until she has actually taken her vows/ ' This Madame de Bonneval had she a great influence over Diana at the Sacre Cceur ? ' asked Marco. ' Diana was certainly very fond of her/ Frau von Eaben replied. ( As to influence/ she added, ' that I cannot tell you. As I said just now, anything like favouritism is severely discouraged in the Sacre Cceur/ 6 1 will ask my uncle about her/ said Marco. ' He will 206 DONNA DIANA be able to ascertain who and what she is. If permission could be obtained for her to do so, it might have a good effect if she visited Diana. She would hardly be likely to say anything to dissuade her from entering religion; and if Diana has developed difficulties in her own mind, Madame de Bonneval might help her to get rid of them/ ' Possibly/ answered Frau von Eaben. ' When Diana is convalescent she might be useful. But the permission will have to be demanded through very high quarters. No doubt His Eminence could have the matter so rep- resented to the Mother Superior that an exception might be made. After all, it would be for the good of the Church and for the welfare of the poor child's soul. And now, Don Marco, I must leave you. I shall be wanted at Palazzo San Eocco. I will keep you duly informed of what may happen, and, naturally, you will hear from His Eminence how Diana's illness progresses. He is informed of her state every two or three hours, and yesterday he came himself/ ' So he told me/ said Marco. ' My uncle is really ter- ribly anxious about her, madame. I had no idea he had so deep an affection for her. It is really quite pathetic. You can understand my wish that he should not have the additional sorrow of feeling that anything had occurred to disturb Diana's peace of mind. He has so often told me how thankful he was that she had such a marvellous vocation. If he thought she was being tempted to re- nounce it, I believe it would have a most serious effect upon him.' ' Ah, yes, indeed ! ' sighed Frau von Eaben, as she rose from her chair and commenced putting on a pair of well- worn black gloves. ' It would be a terrible shock to His Eminence. Of course, as Diana's guardian, he feels doubly responsible for her spiritual welfare. But you must not be uneasy, Don Marco. I feel sure that we shall succeed in guarding Diana from harm, and that the Car- dinal will have the joy of seeing her being led in her DONNA DIANA 20? bridal clothes to the embraces of her spiritual Spouse, who will initiate her into the highest mysteries of love/ Marco Savelli accompanied her to the ante-room, where he took leave of her, and returned to his own sitting-room. Then he lighted a cigarette and laughed gently. 6 She is really very droll ! ' he said to himself. ' Such a delightful mixture of piety and prurience. I wish I could take her to see Laura. She would certainly amuse Laura very much/ CHAPTEE XVII DIANA'S illness was so far pursuing a normal course. The fever was high, but she had never as yet lost consciousness, and though at times she would become slightly delirious, she soon regained her lucidity. As long as Ersilia and the nurse were in attendance upon her, she would remain tranquil, but when Princess San Rocco visited her, as she did several times in the course of the day, Diana soon became restless and uneasy, while any attempt on the part of Frau von Raben to enter the room invariably excited her and caused her temperature to rise. She seemed, indeed, to have a nervous dread of being left alone with Fran von Raben, and implored both Ersilia and the Sister not to allow the latter to approach her. At first Frau von Raben had insisted on taking her share of the nursing; but Ersilia represented to the doctor the bad effect that her presence had upon the patient, and he in turn suggested to the Princess that Frau von Raben would do better to keep away from the sick-room until Donna Diana should be more herself. Frau von Raben expressed herself as bitterly hurt by Diana's extraordinary conduct. She had always suspected that Diana disliked her, and thought it quite probable that in her lucid moments the girl was afraid of what she might unconsciously reveal in her presence should she begin to wander in her mind. Under pretence of trying to ascertain how Diana had contracted her fever, Frau von Raben had questioned Ersilia very sharply as to what had happened at the Pa- lazzo Castelnuovo on the days when she had been in her charge. Ersilia, however, was more than equal to the occasion. DONNA DIANA 209 She detested Frau von Eaben. To begin with, the latter was a German, and Ersilia hated the sight of a German, for had they not killed her -young brother at Solferino? It was quite in vain that the Princess had tried to ex- plain to her that Austria had been the guilty party, and that Frau von Eaben was not an Austrian. They all spoke the same barbarous language, which sounded like dogs snarling over a bone, and that was quite enough for Ersilia. In the next place, Frau von Eaben hated Ersilia's fa- vourite, Lino Savelli. Even had there been nothing else against her, these two facts were sufficient to cause the old Eoman servant to regard lying to the dame de com- pagnie as almost a matter of duty, and she lied accord- ingly, with all the simple dignity in which a Eoman knows how to clothe a lie, when absolutely necessary to tell one ; for a Eoman . of the people is high bred and courteous in lying as in many other things. Moreover, Ersilia had given her word to Lino Savelii that she would help him to bring about a meeting between his friend and his cousin Diana, and she would have suf- fered her tongue to be torn from her mouth rather than betray him. * I was told never to lose sight of Donna Diana, and I never did lose sight of her/ she replied, in answer to Frau von Eaben's repeated questions. ' As to the fever/ she added, 'it is very natural that she should take it, sitting all the afternoon over those tiresome ponds. In the streets, now, there would be no danger, and she would have had men and women to look at instead of stupid fish/ ( And nobody came into the garden you were quite undisturbed?' Frau von Eaben had asked finally. Ersilia looked at her stolidly. 'But certainly people came/ she said tranquilly. ' Ah ! 9 exclaimed Frau von Eaben eagerly. ( And who were these people? It is your duty to tell me, you know, Ersilia. You should have reported it before. But you 210 DONNA DIANA need not be afraid; only you must tell me truthfully who they were/ ' Of course it is my duty to tell you/ said Ersilia. ' I do not know how it is that I forgot to mention it. Sicuro ! Two men came, and they certainly disturbed us very much. It was very unpleasant ' 'Yes, yes, but who were they?' repeated Frau von Raben. 'I insist upon knowing who they were. If you do not tell me, I shall speak to Her Excellency.' e Oh/ replied Ersilia, ' they were gardeners, and they were carting manure. It smelt very bad. I have since thought that perhaps it was from this Donna Diana took the fever.' Frau von Raben turned away impatiently. c Stupid idiot ! ' she muttered to herself in German, while Ersilia walked composedly out of the room. Her suspicions were quite set at rest, however, by Ersilia's stupidity. Indeed, she had never believed that there could have been any clandestine meeting between Diana and Edmund Vane, and she had questioned the old serv- ant more in order to be able to satisfy Marco Savelli that she had done so than from expectation of learning any- thing from her. Diana was approaching the end of the second week of her illness. During the last three or four days there had been a satisfactory diminution in her temperature, and she appeared to be stronger and better in consequence. Frau von Raben had not attempted to enter the sick- room since the Princess had conveyed to her the doctor's suggestion that she should not do so. She had contented herself with asking stiffly as to Diana's progress, and with assuming an air of one who had received an un- merited injury. This attitude caused Princess San Rocco to feel sorry that Diana should have taken a nervous dis- like to her, a feeling which became accentuated when Frau von Raben would announce her intention of going to church to pray for Diana's restoration to health. As Diana was less feverish,, Princess San Rocco thought DONNA DIANA that, in fairness to Frau von Raben, she should try to reason with her on the subject, and to make her under- stand that it was a little unkind to exclude from her room anyone who had been so good to her. Diana was filled with compunction and remorse. She did not like Frau von Raben that was perfectly true; but she did not want to hurt her feelings, and it disturbed her to think that she had done so. ' Of course she can come and see me,' she said to the Princess; and then she hesitated a little. There had never been any great sympathy between Diana and her aunt, notwithstanding the latter's kindness towards her niece and sincere affection for her. As Diana had told Cardinal Savelli, the Princess could never realize that she was no longer a child. The consequence was that the girl was reserved with her. Princess San Rocco had fallen into the error of thinking that her niece had not much in her, and, this being the case, the Princess thought it was no doubt all for the best that she should have preferred the peaceful life of the cloister. Princess San Rocco herself was an indolent woman, rather bored with life in general, and yet not particularly inclined to make it more interesting. Nevertheless, she was kind-hearted, and, though by no means bigoted, sjn- cerely attached to her religion. Her niece's vocation for a religious life had been a source of genuine satisfaction to her. She was convinced that such vocations were among the highest gifts of God, and that they should be honoured and encouraged accordingly. It was natural, perhaps, that Princess San Rocco should have formed her judgment upon Diana's vocation more or less according to Cardinal Savelli's ideas upon the sub- ject. She was fond of her brother, and proud of the high position he had attained in the Church, while his opinion and episcopal authority carried greater weight with her than she was perhaps fully aware of. If there had ever been a time when she had been inclined to regret that Diana, instead of making some brilliant marriage such 212 DONNA DIANA as her beauty and name might well have secured her, had elected to abandon the world for the sake of her religion, the knowledge that her brother approved the step and considered that it would be wrong to restrain the girPs enthusiasm had been sufficient to convince her that her niece was indeed singularly favoured. Princess San Eocco was grieved, therefore, when Diana, after hesitating for a moment, said shyly: ' Will you ask Frau von Raben not to talk to me about the convent? I do not want to speak about those things with her/ The Princess had received more than one mysterious hint from Frau von Eaben as to the change she had no- ticed in Diana, and her fears that some evil influences were at work to upset the girl's peace of mind. ' I will tell her so if you wish it,' she said to her niece gravely. 'But I cannot understand why you should want to avoid the subject with Frau von Raben. Hitherto you have always liked to talk about it.' ' I know/ answered Diana ; 6 but Frau von Raben does not understand, and she makes me think of things I do not want to think of.' ' What do you mean, Diana ? ' asked the Princess, with some astonishment. Diana's face flushed suddenly. ' I cannot explain, aunt,' she said slowly, ' but she al- ways talks to me of things I do not understand and and I do not like it. Madame de Bonneval never talked to me like that. But Frau von Raben always seems to think I must have feelings which I have not got, and tries to explain them to me. They trouble me/ she added wearily, ' and I do not want to think about them.' 'But what things?' asked the Princess. e Oh, all sorts of things/ said Diana vaguely. ' It does not matter, and I am sure she means to be very kind.' Princess San Rocco looked at her inquiringly, and then she passed her hand gently over Diana's brow. ' Do not trouble yourself about it, f iglia mia ! ' she said DONNA DIANA 213 soothingly. ' You must only think of getting well now. Poor Frau von Raben was sorry that you did not want her to come to see you; she has thought so much of you. Every day she goes to pray for you, and she has had Mass said that you may soon be well, so you must not be un- grateful to her. And I think that you should not be afraid of talking to her about your vocation when you are better, as you have always done. You should keep it ever before you, Diana, and always remember what a privilege has been granted to you. For it would be a dreadful thing if you allowed worldly thoughts to upset your mind, when, please God, you will so soon begin your novitiate/ Diana did not reply, and the Princess, looking at her again, saw that she was flushed and was growing restless. ' The child is not herself from the fever/ she thought. e She has taken some strange ideas into her head about poor Von Raben, and has very likely dreamed them. Per- haps Frau von Raben perplexed her with some of her arguments before she was taken ill. I often tell her she forgets what a child Diana really is. It is not like talking to Maria or Griulia. I must give her a hint to avoid speak- ing of anything to Diana that may exite her. If anybody is to talk to her about religion, my brother had far better do so/ ' I will tell Frau von Raben she may come to you later on/ she said aloud to Diana. ( She will not remain long, but I know it will be a great pleasure to her to see you, now that you are a little better. She will feel that her prayers for you have been heard, poor thing! Now you must keep quite quiet, and I will send Ersilia to sit with you, for Sister Agnese has gone to get some sleep.' And Princess San Rocco, after adjusting Diana's pillows, kissed her and left the room to summon her maid. CHAPTER XVIII THE improvement in Diana's condition was maintained, and on the following day she told Ersilia that she hoped Fran von Raben would pay her a visit. The first expres- sion of this wish brought no response. Ersilia pretended not to hear, and suddenly discovered that it was time for Diana to take some nourishment, while a repetition of the suggestion elicited distinct disapproval. Madama, Ersilia declared, could very well remain where she was. Neither she nor Sister Agnese wanted her in the sick-room, and the fewer people the signorina saw the better. Diana smiled a little. She felt very weak, and in her heart quite agreed with Ersilia; but Princess San Rocco's observation that she should not be ungrateful had dwelt in her mind. After all, she was ungrateful. Frau von Raben had been praying for her, though she, Diana, had fretfully implored that she might be kept away from her room. That Ersilia shared her dislike of Frau von Raben was no secret to her, and, indeed, she had overheard her telling Sister Agnese that madama was an old busybody. 6 But, Ersilia/ she demurred, ( I should like Frau von Raben to come. Now I am better it would be very unkind not to see her. A few days ago I felt so ill, and I really don't believe I always knew what I was talking about/ ' Altro ! ' said Ersilia dryly. ' What you talked about does not matter at all ; but it is just as well that madama did not hear you.' e Oh ! ' exclaimed Diana. ' I hope I did not say unkind things of her! I seem to remember now; I had horrid dreams about her and Lino and ' She broke off abruptly, and looked at Ersilia almost timidly. 814 DONNA DIANA 215 No allusion to the meeting with Lino Savelli and Vane had ever been made to her by Ersilia, and she herself had shrunk from mentioning the subject to the old servant. The latter glanced at her shrewdly. ' You talked a great deal/ she said ; ' but there was no- body to hear you except Sister Agnese and myself, and Sister Agnese does not pay much attention to what sick people say. She has had too much to do with them. She told me of a young lady she nursed not long ago who used the most dreadful language when she was delirious but language to make an ox-driver feel ashamed ! Che vuole ? it only shows that we are all alike at bottom ! ' and Ersilia shrugged her shoulders philosophically. Diana lay still and looked at her. She was conscious of a strange indifference as to whether she had used bad lan- guage or not, but was too weak to be surprised at it. It seemed to her that she had a vague recollection of plead- ing with Lino's English friend not to make her think of things which troubled her new things to which she had formerly given only passing thoughts as being outside her world. She remembered the look in his eyes, the tones of his voice as he told her of his love for her. The feeling that something was wanted of her, something that she alone had power to give or to withhold, had been a fresh expe- rience, a sensation wholly delightful because so mysterious and unfathomable a glimpse, as it were, through a half- opened door of pleasant ways, leading she knew not whither. Yes ! she had something to give which was desired by this man who had been so strong and yet so tender in the plead- ing of his cause. Of course, she remembered now. It had all come back to her as a dream, indeed, but as a dream that had stirred in her strange fancies, half -acknowledged longings to be free to tread the paths suddenly revealed to her. She wondered if she had spoken aloud in these dreams, and wished that she could bring herself to ask Ersilia the question. If only Madame de Bonneval had been with her it would have been easier, for she would have understood. 216 DONNA DIANA But Frau von Eaben! Diana shivered a little as she thought of Frau von Eaben's curiosity, and of the ques- tions she would be sure to ask. It would seem like a sacrilege to allow her access to her thought, and she gave a sigh of relief that she had been kept away from her room, little suspecting that it was owing to Ersilia's diplomacy with the doctor and Sister Agnese if madama's attempts to share in her nursing had hitherto been frustrated. ' This afternoon, Ersilia/ Diana said presently, ' I will see Frau von Eaben. I do not want her to think me un- grateful. You will tell her, will you not ? ' Ersilia sniffed contemptuously. ' If the signorina insists/ she answered unwillingly ; ' but it would be better to wait. The doctor orders complete quiet, and madama's voice is like a barrel-organ with the rain in it.' Diana smiled. ( I will ask her not to stop very long/ she said ; ' but it would be unkind not to see her, and, besides, my aunt wishes it. 9 Ersilia looked at her, and hesitated for a moment. ' You are very weak, signorina/ she said at length, ' and, ebbene ! I will tell you. Madama is a mischief-maker ! She has been trying to find out from me whom you saw in the Castelnuovo Gardens the other day. Not that she learned anything, for, God be praised ! a Eoman can outwit a Ger- man any day. But you must be on your guard. Madama hates Don Michelangelo, and the Englishman also, and she will work them ill if she can. Do not let her question you, signorina. You can always pretend not to understand what she means. God knows what suspicions she has got into her head; but you have only to say nothing, and all will be well/ Diana blushed violently. ' I wish they had never come to the garden ! 9 she mur- mured. Ersilia shrugged her shoulders. ' Why shouldn't they have come ? ' she retorted. ' You DONNA DIANA 217 are not a prisoner, and you are not a nun yet. I dare say the Englishman does not intend that you ever shall be a nun, and small blame to him ! ' ' Ersilia ! > 'But certainly I say small blame to him/ repeated Er- silia stolidly. Having once broken silence, she was deter- mined to speak her mind, even at the risk of exciting her patient. ( Nuns are all very well, and I have nothing against them, but it is women like madama who should be nuns old women, dried up. Oh, you need not be horri- fied, signorina ! What do you suppose Domeneddio made young men and young women for simply to make fools of them and of Himself too ? ' And Ersilia ended with an abrupt recommendation to her amazed listener to 'go out fishing/ a contemptuous Romanesco form of dismissing an untenable proposition. Diana closed her eyes wearily. ' Do not talk to me any more, Ersilia/ she said. ' I am so tired; I want to sleep/ Late in the afternoon, after the doctor had visited her and had pronounced himself satisfied with her condition, Diana again insisted upon seeing Frau von Raben, and Ersilia was reluctantly obliged to take her message. Frau von Raben entered her room soon afterwards and sat down at her bedside, after remarking somewhat huf- fily that she was very pleased Diana now felt equal to re- ceiving a visit from her. Diana noticed that she had brought her knitting, and for some time she lay in silence, watching with a kind of fascination the stitches diminishing on the needles, for Frau von Raben was, as usual, engaged upon turning a heel. Every now and then Diana would look up from the stock- ing to find Frau von Raben's gaze fixed upon her curiously, and when their eyes met the latter would sigh deeply. The heel, the silence, and the sighs combined had a distinctly depressing effect, and made Diana feel extremely nervous. It was a relief when Frau von Raben observed : ' I have been trying to think how you could have caught 218 DONNA DIANA your illness, Diana. It is very mysterious, for you have not been away from Palazzo San Rocco, and nobody has ever caught a fever here/ ( The doctor says I may have had it in me for some time/ answered Diana. ' I have often felt unwell of late. Per- haps at the Sacre Cceur -' ' Oh, no, the Sacre Cceur is healthy enough/ said Frau von Eaben decidedly. ' If you had caught it there other girls would probably have contracted it also ; but we have made inquiries, and none of them have been ill. Of course, you may have got it in the gardens at the Palazzo Castel- nuovo. For instance, you and Ersilia noticed a very bad smell, did you not, on the last afternoon you were there, when those men were carrying some manure ? ' Diana looked at her with surprise. ' No/ she replied, ' I do not remember noticing any bad smell. Besides, there were no men carrying manure/ Frau von Raben's needles worked more quickly than ever. 'You must have forgotten/ she said quietly. 'Do you mean to say that you saw no men in the gardens that afternoon ? ' Diana was conscious that Frau von Raben was looking at her closely. 6 1 certainly did not see them or smell any bad smell/ she repeated. 'You saw no men nobody at all?' persisted Frau von Raben. Diana remembered Ersilia's warning. 6 1 don't know what you mean/ she said, with an effort, and her face flushed painfully as she uttered the words. ' But it is very simple. You can surely remember whether you saw anybody in the gardens or not/ Diana's eyes flashed with a sudden anger. ' I saw nobody/ she said sullenly. For a minute or two neither spoke again, and Frau von Raben knitted rapidly. 'It is very odd/ she remarked presently, 'that Ersilia DONNA DIANA 219 should remember seeing two men two gardeners, she says and that you should recollect nothing about it.' Diana did not reply. ' However/ proceeded Frau von Eaben, ' no doubt your memory is confused, and, after all, it does not much mat- ter where or how you got this illness. As it was Almighty God's will that you should have it, we may be sure it was sent you for some merciful purpose. We have so much time for meditation, for reflection, in sickness, and the de- sires of the flesh, to which we have perhaps attached so much importance when we were in health, become marvel- lously insignificant when we are ill.' ' I can think better when I am well/ said Diana. Frau von Eaben moved impatiently in her chair. Diana was certainly a very difficult person to talk to, she thought. ( Ah/ she replied, ( that is a proof that when you are in health you should strive never to give way to unworthy thoughts, for then they will not trouble you when illness overtakes you. I do not wish to say anything that may distress you, Diana, but I cannot help feeling that you have been unsettled in your mind of late. Perhaps you have thought me unsympathetic, but if you have you have wronged me very much. You must recollect that I have been a girl myself oh, some years ago, of course but still, one remembers a girl's feelings, a girl's temptations. I have thought lately that those temptations have been threatening to become too strong for you, and that you have been in danger of forgetting your vocation to higher things than earthly love.' Frau von Eaben paused, and, laying down her knitting, looked at Diana searchingly. ' Of course/ she resumed, ' we cannot help our human nature ; it is a burden that we must bear. And when we grow to womanhood it makes itself felt oh yes, decidedly it makes itself felt! But we need not seek to satisfy it materially, even though others may tempt us to do so ; that is reserved for lower natures natures which have never felt the yearning for spiritual love. But think how dif- 220 DONNA DIANA f erent it has been with you, Diana ! You have a Lover who will satisfy all your longings, who will give you de- lights that no mere carnal love could ever afford you.' Diana raised herself in her bed and pushed her hair nervously off her forehead while Frau von Eaben was speaking. Her eyes grew bright and restless, and her breath came in short, hurried gasps. 6 Why do you talk to me about it ? ' she exclaimed ' why, why ? Do you want to force me to think of those things ? I never did think of them until you began to speak of them to me. But now I wish I had known yes, I wish I had known. Do you suppose I thought about love when I wished to give myself to God ? Did God look at me, speak to me, tell me that He wanted me myself? And now, what has come to me I do not know, but I cannot love God not like that and I dare not love a man, for God would be angry/ She sank back on the pillows trembling, and the bright red flush on her face faded, to be replaced by a deadly pallor. For once in her life Frau von Eaben was frightened. 6 Diana/ she said hurriedly, ' you misunderstand me. I did not mean to excite you. I ' But Diana did not notice her. She lay exhausted, with closed eyes, breathing rapidly. Suddenly she raised herself again, and looked at Frau von Eaben, her large brown eyes blazing with an angry scorn. 6 Madame de Bonneval ! I want Madame de Bonneval ! She is a good woman, and she will understand. But you you are a devil ! What was it Lino said ? " Men want good women in the world." Ah, but I am not good any more ' She broke off suddenly, and began to sob convulsively. Frau von Eaben looked at her for a moment in bewilder- ment, and, turning, hurried to the door in order to sum- mon Ersilia or the nurse. She saw the latter sitting by an open window at the end of a long passage outside the room Diana occupied. DONNA DIANA 221 ' I fear Donna Diana is not so well/ she called to her. ' I have been sitting with her, and suddenly she became ter- ribly excited. You had better go to her at once/ Sister Agnese looked very grave. 'I hope she has not been talking too much/ she said. ( Her temperature was scarcely above normal when I left her, but anything that excited her would send it up, and might bring on a relapse/ She hurried to Diana's room, followed by Frau von Eaben, and when they reached it they found Diana talking wildly to herself. CHAPTER XIX THE modern substitute for the cavaliere servente in Rome enjoys an office that cannot, assuredly, be called a sine- cure. Who of us, happening to explore the by-paths of Roman society, has not been struck with the infinite patience of the genus a patience irresistibly calling to mind the long- sufferance of that other creature whose loves at least in Italy are popularly supposed to kindle in the month of May ? Who among us, again, has not wondered at the dis- cipline to which Tizio or Caio is subjected by his mistress pitied him for being obliged to follow her to tea-parties, to receptions, to so-called charity balls, her tickets for which he has to pay as well as his own ? The Countess Verini was no exception to the generality of those ladies in Rome who find a husband insufficient to their needs and requirements. To be sure, Count Verini, instead of living with his wife and Marco Savelli, preferred, as Monsieur de Villebois had been careful to explain to Edmund Vane shortly after the latter had made her ac- quaintance, to reside in Persia or Japan, although there was really no necessity for his doing so at any rate, so far as Rome was concerned. Having her cavaliere servente, Countess Verini took very good care that he should serve her out of doors as well as in. She did not care to afficlier herself with him to any great extent in society, and thus Marco Savelli was saved from the necessity to trot about Rome at her heels, a walking advertisement of his mistress's charms, in the same way that others in his position were compelled to do. There was a very good reason, indeed, why neither of them desired that their relations towards each other should DONNA DIANA 223 be too much criticised. Cardinal Savelli would not, per- haps, have felt called upon to protest otherwise than of- ficially, should the fact that his nephew had a liaison with a married woman reach his ears. But, were the Cardinal once to suspect that the liaison was of a somewhat costly nature, he might consider it to be his duty to regard the matter from a moral point of view, and pecuniary complica- tions might arise in consequence. The news of Diana's illness had come as an unpleasant surprise both to Countess Verini and Marco. So far mat- ters had been progressing fairly favourably towards the realization of their scheme. Monsignor Tomei had proved himself to be an invaluable coadjutor, for not only had he succeeded in convincing Cardinal Savelli that it would be an admirable thing for Diana to endow with her fortune the convent she was about to enter, but he had actually been able to place before the Cardinal a proposition whereby her capital might remain undisturbed until three years should have elapsed from the time of the pronouncement of her final vows as a cloistered nun. Marco Savelli had not deemed it either necessary or prudent to inquire too particularly as to the nature of the arguments used by Monsignor Tomei to persuade the Car- dinal as to the advantages of the proposal in question. In- deed, as the monsignore had given him to understand, Cardinal Savelli had not as yet definitely consented to the scheme ; but Monsignor Tomei also hinted that it was ab- solutely necessary for His Eminence to delay as long as pos- sible the moment when he should be obliged to pay over to his ward her million of francs. He had, further, pointed out that as, in any case, the convent which Donna Diana finally entered would expect to see her dot, the Cardinal would almost certainly recognise the. advantages of con- cluding negotiations which he, Monsignor Tomei, in his capacity of financial adviser to a convent willing to re- ceive Donna Diana on the terms mentioned, was empowered to arrange. Monsignor Tomei's hopeful view of the situation had 224: DONNA DIANA relieved Marco's mind considerably. To say the truth, he was terribly in need of a little ready money, and, between pressure on the part of his creditors and reproaches on the part of Laura Verini for not enabling her to satisfy the demands of her own creditors, life had of late become decid- edly difficult. Countess Verini's influence over Marco had increased not a little in the course of the last year or so. She knew how to humour him, and she never made him jealous, even when she stroked poets' hands. He had become accustomed to his life with her, and custom counts for a good deal in un- lawful as well as in lawful love. Lately, however, it had become evident to Marco Savelli that, if harmony was to reign between himself and Laura, he must assist her to clear herself from certain pecuniary entanglements which threatened to become serious. Count Verini, it is true, made his wife a very fair allowance with which to conduct her establishment during his absence. But Countess Verini was of too artistic a temperament to trouble herself much about economy, and rarely paid a bill if she could possibly avoid doing so. As long as it had seemed probable that Monsignor Tomei would succeed in persuading Cardinal Savelli of the ad- vantages of dealing with Diana's capital in the manner suggested, Marco had been comparatively easy in his mind. He had even gone so far as to promise Countess Verini that if she could find means of inducing her more pressing cred- itors to wait until the autumn, he would then be in a posi- tion to prove to her the genuineness of his devotion. Once the manipulation of the capital in question were confided to Monsignor Tomei, he had little doubt of being able to divert a portion of it to his own uses, for Monsignor Tomei and he now understood one another admirably, and neither would feel it necessary to enter into embarrassing ex- planations. But Frau von Raben's reports as to the possibility of a change occurring in Diana's mind had disquieted Marco considerably. The only possible cause for such symptoms DONNA DIANA 225 as Frau von Raben believed that she discovered in Diana must be attributed to her having been conscious of Vane's admiration for her. Of this Marco felt perfectly sure; and his hatred of the Englishman whom his brother had in- troduced into Palazzo San Eocco increased accordingly, as well as his anger against Lino. That in some way or another influences were at work to keep alive in Diana's heart any impression Vane might have made upon it, Marco felt not the slightest doubt ; and his suspicions once aroused, he had determined to find out whether or not they were justified. He would certainly have Vane watched. Such manoeuvres were not unknown in Eome, and it would not be difficult to find persons in the city who, once their man were pointed out to them, would follow him like sleuth-hounds. He had communicated this idea both to Monsignor Tomei and to Laura Verini, and they had urged him to. put it into practice without delay. To Monsignor Tomei, indeed, the plan had specially commended itself, and he had been able to suggest an individual who might be trusted to ' shadow ' a suspected person without fear of detection. i At least/ the priest had observed, ( we shall find out what this foreigner does with himself, even if we find out nothing else. Foreigners are apt to go in search of very strange adventures in Rome,' he added significantly, e and more than one has lost his life under well, under cir- cumstances into which his relatives found it advisable not to insist upon too close an inquiry. We must find out his tastes. It is tolerably sure that he will have tastes of some kind or other/ ' And if they turn out to be altogether harmless ? ' in- quired Marco. Monsignore slightly shrugged his shoulders. ' But they must not turn out to be harmless/ he said briefly. Marco Savelli smiled. 'I see,' he replied. f l had thought of that mysell It is a good way/ 226 DONNA DIANA ' Oh/ returned Monsignor Tomei, ' it is a very good way. I told you so before, Don Marco, if you remember/ Diana Savelli's unexpected illness had to a certain extent upset Marco's calculations, and this in a manner which neither he nor Monsignor Tomei could have foreseen. There was, indeed, every reason to believe that Diana would re- cover from it. The reports from Palazzo San Rocco had hitherto been favourable to this supposition; for the pe- riods of fever had sensibly decreased, and, though it had risen at night, Cardinal Savelli had been informed that on the last two mornings his niece's temperature had scarcely been above the normal thirty-seven degrees. The doctor, however, would by no means admit all danger to be passed, since there had been no signs as yet of anything like a crisis having been overcome by his patient. The fever had not yet had time to run its course, and, for another ten days at least, the tendency to relapse, so common in typhoid, would have to be carefully guarded against. The extent to which Cardinal Savelli had been affected by Diana's illness had first of all surprised and then alarmed Marco. He had described it to Frau von Raben as pathetic; but, as the days went on, he could not fail to observe that his uncle was distressing himself more deeply than Diana's comparatively satisfactory condition would naturally account for. That this should be so perplexed Marco considerably, and his perplexity gave way to- uneasi- ness and alarm at certain remarks which his uncle more than once let fall in the course of their conversation to- gether about Diana. It had almost seemed as if Cardinal Savelli were doubt- ful in his own mind as to the justice of allowing his niece to take the veil while she was as yet so ignorant of the world she wished to renounce. More than once he recurred to the subject of Diana's youth and beauty, to the happy life she might have led in the world with a husband and children, and he would sigh deeply, as though reproaching himself for the part he had taken in encouraging her idea. Marco had not failed to inform Monsignor Tomei of the DONNA DIANA 227 Cardinal's attitude, and he had at once seen that the former was seriously impressed by what he heard. 'His Eminence is a man of impulses/ he said, shaking his head. ( I have often noticed/ he continued, looking at Marco furtively, ' that, in his case, the Prince of the Church has not wholly absorbed the aristocrat of the world. It is very natural. Your uncle has lived, Don Marco oh yes, he has certainly lived in his time and the old instincts are strong. After all, one can understand his regrets at Donna Diana's decision, from a worldly point of view. Her beauty, I am told, is marvellous, and it seems a pity that it should be wasted/ ' But we cannot venture to oppose the manifest will of God/ said Marco. ( Certainly not ! ' replied Monsignor Tomei, rubbing his hands gently together as he spoke. 'Most certainly not! His Eminence, however, will not need to be reminded of that by us. His own sense of what is due to Almighty God of what is due to the Church will cause him to banish from his mind any worldly considerations regarding Donna Diana. But I am glad you have mentioned this fact, Don Marco. His Eminence sometimes does me the honour to listen to my opinions, although I am only a humble priest. It is possible that I may be able to calm his misgivings/ e They will pass/ said Marco a little contemptuously. ( Money considerations outweigh sentiment, in the long- run. And you say, monsignore/ he added suddenly, e that it would not be at all convenient to my uncle to produce Donna Diana's capital.' Monsignor Tomei cleared his throat noisily, and then took a liberal pinch of snuff. ' No/ he said slowly, ' it would certainly not be conve- nient. Indeed, I do not think His Eminence quite realizes how inopportune it would be. He is careless about money matters. There, again, his class and training assert them- selves. Our Eomans of the aristocrazia have always con- sidered it to be beneath their dignity to regard such things.' 228 DONNA DIANA ' I have never asked you why it would be inconvenient to produce the money ? ' observed Marco Savelli. Monsignor Tomei looked at him calmly. He had been expecting the question for a question he felt it to be for some time. ' That is a matter I could not fully explain/ he answered, ' without betraying His Eminence's confidence. I think, however, that I may give you some idea of how the Cardinal is situated strictly between ourselves, of course. Some time ago indeed it is now some years ago His Emi- nence, in his desire to prove a faithful steward of Donna Diana's fortune, was prevailed upon to invest a portion of it in securities at that moment returning a considerably higher rate of interest than was being then obtained. He was ill-advised very ill-advised. Payment of interest was virtually suspended, and the shares owned by His Eminence have long since become unsaleable. The money is not lost, for there is every reason to believe that in a few years' time it will prove to have been well invested. But, in the mean- while, it is so much capital locked up. Your uncle natu- rally reproaches himself for having been led into what might be regarded as speculating with his ward's fortune ; and I may say that, had I then been his adviser in such matters, I should have dissuaded him from doing so. More recently His Eminence was obliged to borrow from Donna Diana's money for an object which is already well known to you/ concluded Monsignor Tomei. f Of course/ said Marco hurriedly. ' That was purely a family matter; and my cousin, when the circumstances were explained to her, was quite willing that a small sum should be advanced from her fortune.' ' The consent of a minor does not hold good/ observed Monsignor Tomei ; ( but it was, as you say, a family affair. Donna Diana, however, could, on attaining her majority, legally demand the payment of her fortune intact plus the interest accumulated during her minority were she dis- posed to do so, or were others, acting on her behalf, to ad- vance the claim. The question is: How could His Emi- DONNA DIANA 229 nence find a million and some hundred thousands of francs ? And if he could not produce the sum, what would be said ? ' Marco Savelli hesitated for a moment or two before replying. ' There have been no other unfortunate investments made., I suppose/ he asked, ' and no further money bor- rowed from my cousin's capital than the sum we already know of ? ' The tones of his voice were full of suspicion, and he looked at Monsignor Tomei searchingly. The latter re- turned his gaze unflinchingly. ' Most decidedly not/ he replied. ( I am surprised at the suggestion, Don Marco/ ' I did not know/ returned Marco somewhat confusedly. i You say that my uncle is so careless about money matters that he does not understand them, in short/ ' If the money were not forthcoming/ pursued Mon- signor Tomei, without noticing Marco's remark, ' people would undoubtedly say that His Eminence had made away with it a most unworthy suspicion, and one which His Eminence would naturally make any sacrifice to avoid in- curring. Happily, however, no sacrifice need be made on your uncle's part save that of resigning himself to welcome the destiny our Lord, in His wisdom, has allotted to Donna Diana, if it be His will that she be restored to health/ ' In fact/ said Marco, ' he must be shown that pecuniary considerations, as I said just now, outweigh sentiment/ His black eyes were fixed on Monsignor Tomei with an expression in which a half-humorous contempt was scarcely concealed, and the latter was conscious of it. Monsignor Tomei was in error, however, in attributing this expression to any disgust that Marco might feel at his dishonesty. It was the contempt of the ex-seminarist for the hypocrisy of the priest. ' It is scarcely a pecuniary question/ Monsignor Tomei said quietly ; ' but rather a question of honour, and honour, at least, is of more importance than sentiment. Leaving 230 DONNA DIANA aside the spiritual aspect of the affair, His Eminence would have no reason to fear any call being made upon him to produce Donna Diana's capital by the time she attained her majority. It would only be in the case of immediate necessity to pay over that he would find himself embar- rassed. And this immediate necessity, Don Marco, could only arise in the event of marriage settlements having to be made. Of course, if Donna Diana should choose to marry a man sufficiently in love with her to waive all claim to her fortune until she was of age, matters would be perfectly simple so far as your uncle is concerned. But the spiritual side of the question is very different. It would be a grievous sin to throw obstacles in Donna Diana's way, as she has elected to devote herself to religion.' ' Quite so,' agreed Marco. ' The obstacles must, on the contrary, be removed. I will be quite open with you, mon- signore. There appear to me to be two obstacles: one of them is this infernal foreigner, and the other, I begin to suspect, will be my uncle's strange hesitation in continuing to encourage Diana to pursue the path she has chosen. As for the Englishman, of course, he wants her money, and, as we know, it is to my brother Lino's interest to help him to get it/ ' It should not be difficult to dispose of the Englishman/ observed Monsignor Tomei. ' Socially, if possible ; if not, there are other ways/ 'But my uncle? If, in his present state of mind, he thought Diana was in love, or even doubtful as to her voca- tion, he might persuade himself that it was his duty to give her opportunities of changing her intentions.' ' My dear Don Marco,' replied Monsignor Tomei suavely, 'we must protect His Eminence from himself, by which I mean that we must protect him from listening to the dictates of his worldly nature, and remind him of his duty as a Prince c4 the Church. I shall take an early oppor- tunity of going to see him. Indeed, I must do so, for I have several matters of business to discuss with him, among others the proposals of this convent which it has been sug- DONNA DIANA 231 gested that Donna Diana Savelli should join. I think you may safely leave me to deal with this obstacle. Of course, you will not neglect opportunities you may have of reasoning with His Eminence as to the spiritual risks of interfering with anything so sacred as a young person's vocation for religion. As to the other obstacle, I think I may safely leave it to you to deal with. You will find the man whose services I recommend thoroughly compe- tent. He possesses,, moreover, a knowledge of the mala vita of this misgoverned city that may be useful should it be- come expedient to well, to compromise your brother's friend. A little money may be necessary, but in Rome a great deal can be accomplished for a hundred francs.' Marco Savelli repeated the drift of this conversation with Monsignor Tomei to Countess Verini. 'Of course Vane wants the girl's money/ she observed, ' and he will get it too, what is left of it, unless you are careful, Marco. It would be interesting to know how much she really thinks of him, though what there is to think about heaven only knows ! ' 6 You never liked him,' said Marco. f I ! Imagine if I liked him ! A perfect bear ! One does not expect good manners from English people, but I asked him here to my evenings. He came twice, I think, or three times ; and never came again. That is ridiculous when one receives nearly every evening in the week. But you must be cautious, Marco. He has many friends in Rome, and Lino is more popular than you are.' 'How can Diana think much about him,' replied Marco, ' unless, indeed, there has been something going on which we know nothing about ? ' * It is to be hoped she does think about him,' said Laura Verini. ( Why ? ' asked Marco wonderingly. ' That is just what we want to prevent.' Countess Verini smiled. ' I always said you were dense,' she returned, e and you don't understand women.' 232 DONNA DIANA ' Oh, I don't understand women. At all events, I under- stand you, Laura/ t Do you ? ' she asked, laughing. ' Then you are cleverer than I thought. I do not understand myself. What woman does ? As for your cousin Diana, it is to be hoped that she thinks Vane a hero a demigod, if you will. The higher the pedestal upon which she has set him in her imagination, the more angry and disillusioned she will be when he tumbles off it. And you must so arrange that his fall shall be severe, Marco such a fall that it will not be easy for him to pick himself up again. The girl will be disgusted, and, what is perhaps of more importance, the Cardinal will be cured of any sentimental ideas he may have developed regarding her love affair/ ( It will be quite interesting/ said Marco, with a short laugh. ' Of course, it will be interesting. It is generally interest- ing to take away people's characters. In the present instance it will also be profitable. But there is one thing which rather puzzles me, Marco. Are you quite sure of Monsignor Tomei ? Eemember that he is a priest. There are priests and priests, of course, but we know the type to which Tomei belongs. What guarantee have you that, while professing to work for you, he may not be working against you ? ' 6 The man is a mascalzone' replied Marco. ' It has been a mere question of making it worth his while. Promises are cheap things to make, and when we have done with him we can get rid of him. I know something about him. He is scarcely in the odour of sanctity in Apostolic circles; but he has been useful, so he is left alone/ 6 In what way useful ? ' asked Countess Verini. ' He has a ready pen/ answered Marco, ' and has served as a decoy oh, not for souls, but for soldi. Tomei is a peasant nothing more nor less; but he has the peasant's shrewdness, and has acquired a certain education that en- ables him to appeal to his class. It is fortunate for the Vatican that it has such servants. Men like Tomei can so easily be disgraced and their services disowned when they become too prominent/ CHAPTER XX To Edmund Vane's intense relief, Lino Savelli returned from Turin some days sooner than he had expected would be the case. Since he had first learned of Diana's illness, Edmund had several times received news of her condition, and on two occasions the old porter of the Palazzo San Rocco had been the bearer. The latter had evidently been on the watch for him, and had pursued the same tactics affect- ing not to see him when Edmund passed through the piazza opposite the palace, but following him until he had turned down the narrow by-street beyond it. The suspicion that his movements were being watched had made Vane very careful as to his proceedings. The day after Ersilia's letter to Lino had been consigned to him by Antonio, he had passed the Palazzo San Rocco at the same hour, keeping a keen watch to see if he were again followed by the individual who had appeared to be ' shad- owing ' him. He saw nothing of the latter, however, and, to his satisfaction, Antonio was sitting at the gateway of the palace evidently expecting that he should pass. As the reports of Diana were fairly satisfactory, and it was clear that her life was in no immediate danger, Edmund had given Antonio his address, adding in a few hurried words that it would be safer to communicate with him by post, at any rate, until Don Michelangelo should return to Rome. At the same time he had pressed into the old man's hand a couple of banknotes of a hundred francs each, bid- ding him give one of them to Ersilia and retain the other for himself. For the last few days Edmund had heard nothing. Be- coming uneasy in his mind, he had several times bent his 233 234: DONNA DIANA steps in the direction of the Palazzo San Rocco, and had lingered for as long as he dared in the immediate vicinity. But Antonio had always been invisible, and Edmund was fain to content himself with the thought that no news was probably good news. Monsieur de Villebois, indeed, had undertaken to try to find out the truth about Donna Diana Savelli's illness, but even he had been able to gather no particulars beyond the fact, generally known in the houses he visited, that Princess San Rocco's niece was suffering from a mild attack of typhoid fever. As Diana was only known to the Roman world by reputation as being singularly lovely and very devote, nobody took any great interest in her illness. Prob- ably nobody would have taken any at all were it not for the gossip which had circulated concerning Vane's alleged at- tempt to secure her affections. The disseminators of this gossip, however, had, according to Monsieur de Villebois, somewhat defeated their own ends by insisting too much upon Diana Savelli's contemptuous indifference to any- thing so worldly as love. A few people, certainly, had been roused to virtuous indignation by the insinuation that Michelangelo Savelli's English friend had bribed him to second his attempts to induce Diana to renounce the cloister for matrimony ; but these were for the most part the profes- sionally pious, or elderly ladies nourishing a secret passion for a favourite confessor, and ever ready, therefore, to exercise the gift of tongues in defence of the Church. The majority smiled, and talked of Diana Savelli's dot, while the cynical contented themselves with observing that Lino Savelli and his friend were fighting the priests over a girl's money; the odds were largely in favour of the priests. A letter Vane had received from Lino, in which the latter announced that he would return to Rome in a few days' time, determined him to wait patiently without attempting to learn any further details from the Palazzo San Rocco. One thing at least afforded Edmund a certain degree of satisfaction. He had never again beheld the individual whom he had suspected of dogging his footsteps. He had DONNA DIANA 235 walked about as usual, by night as well as by day, but though he had been constantly on his guard, nothing had occurred further to arouse his suspicions. He had finally dismissed the matter from his mind as a mere coincidence ; nor did he even remember to mention it to Lino Savelli when the latter, immediately upon his return to Rome, came to see him. Vane gathered from Lino that he had heard twice from Princess San Rocco after Diana had been taken ill, the second letter being merely to tell him that as his cousin was going on so well, and the typhoid fever was of so mild a character, she should not write again. Prince San Rocco had also written to his nephew a rare occurrence, and one that caused Lino some surprise. It was evident to him, from the tone of the latter epistle, that the Prince was not entirely satisfied about Diana.. He did not dwell much upon her illness, and clearly regarded it as not affording cause for more anxiety than any attack of typhoid, however slight, must necessarily give. But Lino, who knew his uncle well, was able to read between the lines of his letter, and to gather that he had some misgivings in his mind as to whether or not Diana were really as happy and contented in her mind as she was declared to be. The Prince's language was guarded enough. No men- tion of Vane, or allusion to him, occurred in the letter, but more than once the writer expressed his doubts as to whether his niece's desire to enter a convent were not some- what unnatural in a girl of her age and temperament, and whether she would not have been happier fulfilling the or- dinary duties of a woman's life. Lino had smiled to himself as he read this. It was ex- actly what he had suggested 'to his uncle when Diana re- turned from the Sacre Coaur. He wondered what had taken place since he had been at Palazzo San Rocco to cause the Prince to admit the possibility of a cloistered life being an unnatural state of existence for a young girl. Had Diana's meeting with Vane produced a more rapid change in her sentiments than he and. Eddie had ever dared ex- 236 DONNA DIANA pect or even to hope ? This was what Lino longed to ascer- tain, though, unless he could see Diana herself, there was little chance of his being able to do so. His uncle's letter, however, would give him an excellent excuse for going to the Palazzo San Rocco, since at the end of it the Prince expressed a wish that he would come to see him as soon as he returned to Rome. Lino showed the letter to Vane, who, naturally enough, urged him to lose no time in going to see its writer. ( Find out all you can for me/ Edmund said to him earnestly. ' Perhaps/ he added, ' you will see Donna Diana/ and he paused hesitatingly. Lino smiled. ' Be assured that I will do all I can, Eddie/ he replied. ' I may not be allowed' to see Diana, but, at any rate, I shall see my Uncle San Rocco. I am convinced that something must have happened to make him write like this. As long as he thought Diana was contented with her choice, he would hold his tongue, for, as I have told you, we do not interfere with our women folk in their religious ideas. To do so would bring the priests about our ears, and there would very quickly be domestic storms brewed in the sacristy teapots. My uncle is very well aware of this, and he likes a quiet life/ 'But he would not tolerate Donna Diana being led to take such a step as she proposes without being convinced that it was her absolute desire?' asked Vane. ' I am sure that he would not/ answered Lino quickly. ( My uncle is fond of Diana, and, besides, he is a galan- tuomo. Any suspicion of coercion or of undue influence being brought to bear on her would make him furious, so, I am convinced, it would my aunt/ Vane looked doubtful, and did not reply, while Lino, who, like most Italians, was quick to read expressions of countenance, continued : ' My aunt, to be sure, would scarcely credit the possibility of such a thing, and neither of them are very acute observ- ers of human nature. It would probably never strike them DONNA DIANA 237' that Diana's enthusiasm for the convent might be the result of suggestion. My aunt, at least, would naturally prefer to believe it to be the effect of divine inspiration/ ' And the Prince ? ' asked Edmund. ' Oh, he would find it more convenient to believe the same story. He would probably never trouble himself to dispute it, unless something occurred to open his eyes very wide indeed/ 'But what can have occurred even partially to have opened his eyes?' demanded Vane. 'Your uncle's letter implies a doubt as to Donna Diana's happiness. The ques- tion is, What has given him this doubt ? ' e Of that I know as much, or as little, as you do,' replied Lino. 'But I hope to find out. I have my suspicions as to what may have happened, certainly.' ' And what are they ? ' asked Edmund quickly. ' My dear Eddie, I am not going to tell you,' said Lino smiling ' not yet, at all events. And now tell me some- thing of Rome, and what you have been doing since I left. Have you seen much of your friend, De Villebois ? ' ' More of him than anybody else,' replied Vane. ' As for what Rome has been doing, I do not think there is anything new to tell you about that. If I am to believe De Villebois, it has been telling lies.' Lino Savelli laughed. 'You are right,' he said; 'there is nothing new about that. It is many years now since a Roman asked what truth was. He never got an answer, by the way. But the sav- ing grace of a Roman lie is that nobody believes it except, perhaps, old English ladies in the Via Gregoriana.' ' Don't jeer at my compatriots, Lino ! ' said Vane. ' I don't spare my own, so it is all fair,' returned Lino. ' And they really are funny, you know, your old ladies, with their caps, and their pet monsignori whom they feed dur- ing the winter, and their odd ideas about Italy and the Italians! I remember being presented to one of them: Lady Merton ? was that her name ? Oh la, la ! I was in uniform, and she looked at me as though I were a serpent, 238 DONNA DIANA then she asked me why we held reviews on Sundays, and asserted that we did so in order to prevent our soldiers from going to Mass/ Vane laughed. ( You must not judge us by Lady Merton and her pious coterie/ he said. ( I must admit they are peculiar, and their piety occasionally causes them to forget their man- ners. It is strange how seldom very holy people have a sense of humour.' 6 And what is the latest Eoman story?' asked Lino. Edmund glanced at him for a moment before replying. ' Well,' he said, ' it regards you and me, Lino. Kidicu- lous nonsense, of course; and as you declare that nobody believes lies in Eome, though a good many people tell them, it is of very little importance. It has been said that I have made it worth your while to help me to obtain Donna Diana's affection.' Lino Savelli looked at him with astonishment. ' Made it worth my while ? ' he repeated. ' What do you mean, Eddie?' ' Simply that in consideration of a sum of money which I am to pay to you when I have secured your cousin and her dot or which has been paid for, of course, there are two versions of the story you have agreed to do all in your power to turn Donna Diana from her resolution to enter religion. It is an honourable transaction, is it not ? ' Vane added, with a quiet laugh. Lino uttered an exclamation of contempt, and his eyes gleamed with anger. He bore a strange likeness at that moment, Edmund thought, to his cousin Diana. He threw up his head haughtily, as Vane had seen Diana do more than once. ' Honourable? Oh yes, no doubt it is honourable according to the conception of honour existing among those who have started the story. What do you expect from that canaglia?' 'But how do you know who started it?' inquired Ed- mund. DONNA DIANA 239 Lino Savelli turned sharply towards him. ' Do you not know ? ' he asked abruptly. coherently and even with eloquence . . . it is a most interesting story, which should please the reader of romantic tastes and sustain the author's reputation." NEW YORK TRIBUNE. "The characters in the book are all entertaining, and many of them are droll, while a few, like the conscientious Mr. Fishwick, the attorney, arid the cringing parasite, Mr. Thomasson, are, in their own way, masterpieces of character study. Take it all in all, ' The Castle Inn ' is in many ways the best work which has yet come from Mr. Weyman's pen." COMMERCIAL ADVERTISER, NEW YORK. " Mr. Weyman has surpassed himself in ' The Castle Inn.' From coyer to cover the book teems with adventure and romance, and the love episode is delicious. Julia will live as one of the most graceful heroines in the literature of pur time. . . . We get an excellent idea of the doings of fashionable society in the time when George III. was young, and altogether the volume can be heartily recommended as the besi thing that Weyman has done, and, in the opinion of one, at least, the most fascinating book of the season." HOME JOURNAL, NEW YORK. LONGMANS, GBEEN, & CO,, 91-93 FITTH ATE,, NEW YOBK. IN SPITE OF ALL By EDNA LYALL AUTHOR OF "DONOYAN," " DOREEN," "HOPE, THE HERMIT," ETC., ETC. Crown 8vo, cloth, $1.5O " The days when England was rent with civil war, when Puritan and Cava- lier fought for Parliament and King ; when Cromwell's Roundheads struggled heroically against the lawless Charles and finally won this is the period chosen for this splendid story . . . while of necessity there is abundance of war, the story is, above all, one of love tried and triumphant . . . Finely written, full of striking pictures of men and events. The book is full of people with whom each of us is familiar through reading history, and every one of them is drawn with rare fidelity to truth. The tale should have a hearty welcome from all classes of readers." NASHVILLE AMERICAN. " The 1 romance . . . the familiar one of a Royalist maiden and a Puritan lover who espoused the cause of the people . . . is of deep interest and the story thrills with the excitement of conflicts and adventures, mingled with the gentle influences of love. The book is pleasing in all respects, and the story is exceedingly well told^ holding interest to the end. "EVERY EVENING, WILMINGTON, DEL. " This story of 532 pages is one which will win its thousands of readers, as a story of love and trial, war and separation, must when handled with the skill which this author's training has given her." MAIL AND EXPRESS, N. Y. " It has much historic interest . . . A pretty romance holds the reader's interest all through the book. The hero is a Puritan, while the girl he loves, Hilary, as sweet and wilful and true a maid as could have been found in those stormy times, is a bishop's niece and therefore a Royalist in all her sympathies. There are strong dramatic scenes in the book the battlefield and the political intrigue of court life are portrayed and also the religious strife existing at the time. The bigotry of the Church and the fanaticism of many of the Puritans is well portrayed. The book, like all that this author has written, is interesting and wholesome." REPUBLICAN, DENVER, COL. "The story is clean, pure and wholesome, has plenty of adventure and a goodly amount of love-making, and is written in an easy, pleasant strain that makes it an entertaining book. " BALTIMORE AMERICAN. "Is well worth the reading." CHURCHMAN, N. Y. " The high moral tone of the book and its historical accuracy will commend it to the better class of novel readers." CONGREGATIONALIST, BOSTON. "The latest book by Edna Lyall may safely be said to be one of the best of recent historical novels." BOSTON TRANSCRIPT. LONGMANS, GBEEN, & CO., 91-93 FIFTH AVENUE, NEW TOBK. CYNTHIA'S WAY By Mrs. ALFRED SIDGWICK AUTHOR OF "THE INNER SHRINE," "THE GRASSHOPPERS," ETC. Crown 8vo, cloth, $1.5O " This is a tale of an heiress that is not met with every day. Cynthia Blount is a millionairess whose wish it is to be loved for her own sake and not for her material wealth. As a means to this end she takes a situation, which has been offered to a friend, as English governess in a German family. . . . German family life is very intimately and faithfully depicted, and most of the characters are well drawn and interesting. * Cynthia's Way ' is well worth reading." DAILY CHRONICLE, NEWCASTLE, ENG. This is an unusually interesting book . . . it is so artistically handled, SO delightfully unravelled that one forgets and forgives ... for light, inter- esting literature, a joy to the traveller, this dainty book has not been surpassed in many moons." SPIRIT OF THE TIMES, NEW YORK. " A delightful story of German life. . . . Altogether the story deserves higher praise than it is possible to give to the ruck of current fiction." JOURNAL, PROVIDENCE, R. I. " It is a most amusing novel. . . . For the fairness of the book it would be unsafe to vouch, but there can be no doubt that it is entertaining. Even a German might smile over it. "REPUBLICAN, SPRINGFIELD, MASS. "The dialogue of the book fairly sparkles, and the light fiction of the year offers no more charming medium of pleasure." DENVER REPUBLICAN. ".This is an amusing, clever book, full of humorous scenes, a satirical under- standing of the lighter sides of character, done with a light touch and much taste." COMMERCIAL ADVERTISER, N. Y. "There are so few really bright and entertaining novels this season that 4 Cynthia's Way ' will be gladly seized upon by hungry novel readers. The style is very taking and amusing." BOSTON BEACON. " This is a taking story, humorous and brisk, with a flavor of originality that makes it appetizing." FREE PRESS, DETROIT, MICH. " A most readable story of pure tone and interesting matter . . . can be heartily recommended to anyone liking a wholesome tale of interesting people." COURIER-JOURNAL, LOUISVILLE, Kv. " Mrs. Sidgwick's new novel, ' Cynthia's Way 'her cleverest piece of work thus far reminds us strongly of ' The Benefactress." The same fresh, vivacious, and femininely ironical style marks the two stories and wins upon the reader with irresistible beguilement No one will put down the history of Cynthia, we Imagine, until the last page is reached." N. Y. TRIBUNE. LONGMANS, GREEN, & 00., 91-93 FIPTH AVENUE, NEW YOEK. THE WHIRLIGIG By MAYNE LINDSAY AUTHOR OF "THE VALLEY OF SAPPHIRES With 3 full-page Illustrations by Maurice Grieffenhagen Crown 8vo, $1 .25 "Crisp and clever diction, thrilling yet always possible situations, with strength sustained throughout, are the features of the story. It is a perfect romance." LLOYDS' NEWS. " Fairly takes one off his feet with its crowded, impetuous, bustling succes- sion of events. The story is well told and holds the interest. . . . The story while discoursing of dangerous things does it lightly and with a skillful hand." COURIER-JOURNAL, LOUISVILLE, KY. ' ' Makes stirring reading . . . the action takes place within three days, and the reader is carried along breathlessly from one chapter to another." CHICAGO TRIBUNE. "And surely it is a 'Whirligig' which Mayne Lindsay has devised, abun- dant in well-preserved mystery, with the proper amount of sword-play and the due complement of broken heads, and full of exciting yet possible situations. Mr. Lindsay, though comparatively a new writer, shows nothing of the amateur in this dashing, roystering story, which, aside from its incidents, is good in charac- ter drawing." DETROIT FREE PRESS. " The author is a young and comparatively new writer, but has shown un- usual skill and ingenuity in this novel. Seldom has an author succeeded in crowding two days of a man's life so full of stirring, unexpected events as are here provided for the hero. " CHICAGO EVENING POST. "A sparkling, very prettily turned little romance, whimsical and pictur- esque." NEW YORK TIMES. "Among stories of adventure it would be hard to match ' The Whirligig.' . . . It starts in a quiet, if unconventional, way, but once fairly launched on the stream of narrative, the reader is carried along, in breathless, eager haste to the very end. It is a story to thrill the pulses and keep one on the edge of ardent curiosity as to what is going to turn up next." THB BEACON, BOSTON. " There is no dozing or drowsing to be done over this novel. It is a swiftly moving tale of breathless excitement It is drawn according to a familiar pat- tern ; but it has merits of its own that will compel the attention and absorbed interest of every reader who once takes it up. The writer is new, but should soon become well known and popular, if he can do this sort of thing again." PHILADELPHIA TIMES. LONGMANS, GBEEN, & CO., 91-93 FIPTH AVENUE, NEW YORK THE CHEVALIER D'AURIAC. A ROMANCE. BY S. LEVETT YEATS. AUTHOR OF "THE HONOUR OF SAVELU," ETC, ETC. 1 2mo, cloth, ornamental, $1.25. " The story is full of action, it is alive from cover to cover, and is so compact with thrill. ing adventure that there is no room for a dull page. The chevalier tells his own story, but he is the most charming of egoists. He wins our sympathies from the outset by his boyish naivete, his downright manliness and bravery. . . . Not only has Mr. Yeats written an excellent tale of adventure, but he has shown a close study of character which does not bor- row merely from the trappings of historical actors, but which denotes a keen knowledge of human nature, and a shrewd insight into the workings of human motives. . . . The fashion of the period is kept well in mind, the style of writing has just that touch of old- fashioned formality which serves to veil the past from the present, and to throw the lights and shadows into a harmony of tone. . . . The work has literary quality of a genuine sort in it, which raises it above a numerous host of its fellows in kind/' BOOKMAN, NEW YORK. "... A story of Huguenot days, brim full of action that takes shape in plots, sud- den surprises, fierce encounters, and cunning intrigues. The author is so saturated with the tunes of which he writes that the story is realism itself. . . . The story is brilliant and thrilling, and whoever sits down to give it attention will reach the last page with regret" GLOBE, BOSTON. "... A tale of more than usual interest and of genuine literary merit . . . The characters and scenes in a sense seem far removed, yet they live in our hearts and seem contemporaneous through the skill and philosophic treatment of the author. Those men and women seem akin to us; they are flesh and blood, and are impelled by human motives as we are. One cannot follow the fortunes of this hero without feeling refreshed and benefited." GLOBE-DEMOCRAT, ST. Louis. " A book that may be recommended to all those who appreciate a good, hearty, rollicking story of adventure, with lots of fierce fighting and a proper proportion of love-making. . . There is in his novel no more history than is necessary, and no tedious detail ; it is a story inspired by, but not slavishly following, history. . . . The book is full of incident, and from the first chapter to the last the action never flags. ... In the Chevalier the author has conceived a sympathetic character, for d' Auriac is more human and less of a puppet than most heroes of historical novels, and consequently there are few readers who will not find en- joyment in the story of his thrilling adventures. . . . This book should be read by all who love a good story of adventures. There is not a dull page in it." NEW YORK SUN. "A capital story of the Dumas- Weyman order. . . . The first chapters bring one right into the thick of the story, and from thence on the interest is unflagging. The Cheva- lier himself is an admirably studied character, whose straightforwardness and simplicity, bravery, and impulsive and reckless chivalry, win the reader's sympathy. D'Auriac has something of the intense vitality of Dumas's heroes, and the delightful improbabilities through which he passes so invincibly have a certain human quality which renders them akin to our day. Mr. Levett Yeats has done better in this book than in anything else he has written." PICAYUNE, NEW ORLEANS. "The interest in the story does not lag for an instant; all is life and action. The pict- uresque historical setting is admirably painted, and the characters are skilfully drawn, espe- cially that of the king, a true monarch, a brave soldier, and a gentleman. The Chevalier is the typical hero of romance, fearing nothing save a stain on his honor, and with such a hero there can not but be vigor and excitement in every page of the story." MAIL AND EXPRESS, NEW YORK. " As a story of adventure, pure and simple, after the type originally seen in Dumas'i 'Three Musketeers,' the book is well worthy of high praise. OUTLOOK, NEW YORK. " We find all the fascination of mediaeval France, which have made Mr. Weyman's stories such general favorites. . . . We do not see how any intelligent reader can take it up without keen enjoyment" LIVING CHURCH, CHICAGO. LONGMANS, GBEEN, & 00., 91-93 FHTH AVE., NEW TORE. THIS BOOK IS DUE ON THE LAST DATE STAMPED BELOW AN INITIAL FINE OF 25 CENTS WILL BE ASSESSED FOR FAILURE TO RETURN THIS BOOK ON THE DATE DUE. THE PENALTY WILL INCREASE TO SO CENTS ON THE FOURTH DAY AND TO $1.OO ON THE SEVENTH DAY OVERDUE. *WK 5261935 LD 21-100m-8,'34 UNIVERSITY OF CALIFORNIA LIBRARY