mes Ik. fIDofDtt PAULINE FORE MOFFITT LIBRARY UNIVERSITY OF CALIFORNIA GENERAL LIBRARY, BERKELEY C->^ , MEMORIES AND OTHER VERSES Photographed by William Keith. MEMORIES AND OTHER VERSES BY EDWARD ROBESON TAYLOR " Forenoon and afternoon and night, Forenoon, And afternoon, and night, Forenoon, and what! The empty song repeats itself. No more ? Yea, that is Life : make this forenoon sublime, This afternoon a psalm, this night a prayer, And Time is conquered, and thy crown is won. ' ' Life. EDWARD ROWLAND SILL. "I praise Thee, Father, though Thou thrust Me crying in the common dust, Not as I will but as I must." A Canticle of Common Things. ARTHUR CHRISTOPHER BENSON. ONE HUNDRED COPIES PRINTED FOR PRIVATE CIRCULATION AT SAN FRANCISCO IN THE MONTH OF DECEMBER AND YEAR NINETEEN HUNDRED. Copyright, 7000, */ EDWARD ROBESON TAYLOR Printed by The Stanley- Taylor Company San Francisco TO MY SONS EDWARD DuWITT TAYLOR AND HENRY HUNTLY TAYLOR TABLE OF CONTENTS MEMORIES: V*' ",... . i The Master ... . f , : ; . . _ f , , t . 3 Memory's Bells ....... 4 Visions . . . . . .,.,.. 5 Memories . . . . . . , . 6 In Time of May . . . , ; ,. t - ; 7 With Memory as Steersman ..... 8 A Summer Day ..... ^ 9 On a Walk 10 In the Autumn Woods . . . ,. v ; n A Winter Day . . . . . . .12 To the Missouri . . . . /,,' .. : 13 The Dreams of Long Ago . . , ... ^. .. . 14 HELICONIAN ECHOES: j . V i, \ 15 Theseus and Ariadne . . . . ;* . . 17 Icarus . . . . . ^ . ^ . i 8 Iphigenia . . . . , . . 19 Orestes . . . . .. . ',.*'" . 20 Circe . . . -**f . ', v . 21 Ulysses and Calypso .... "*'..** \ ' 22 Antigone ...... .', . 23 Orpheus and Eurydice ..... 24 Narcissus . . . . */ ; . .25 IN MEMORIAM: ~. . , . * *'?' . 27 In Memory of Helen Stanford Taylor . . . 29 In Memory of Bruno Lane Putzker . ' .- ^ ' . . 47 In Memory of George Bonny . . , *" *. * J . 48 IN MEDITATION: 51 Scorn Not the Singer . . . '" . . -53 My Sonnet Prison . . . . . . 54 Edelweiss . . . . . . 55 Unaccomplished . . . . . 56 Dante and Beatrice . . . . . 57 To the Owl that alighted above the Picture of Athens . 5 8 Man's Heritage . . . . . . 59 Mystery . . . .... 60 Near Midnight of December 3 1 , 1899 . . .61 Invocation . . . . . . . 62 Compensation . . . . . . 63 Concord ....... 64 Work and Service . . . . . -65 Consummation . . . . . . 65 J. w ' . 6 5 Spring ........ 66 On the Rubicon . . . . . . .66 The Axe '.;* 67 The Brook 68 To William Keith on his Painting, on his Sixtieth Birthday, a Picture entitled "The Last Gleam" . . 70 Suggested by Looking at a Picture Painted by William Keith entitled The Mountain" . . . . 71 Suggested by Looking at a Picture Painted by William Keith entitled "Into the Mystery " . . . . 72 On a Picture Painted by the Poet, Lloyd Mifflin, entitled "A Quiet Hour" . . . . ' . . 73 Vowels . . . . . . .74 Artemis . . . . . . . 75 Golden Verses . . . . .''.'' 76 To Shelley .77 Rudyard Kipling . . . . . . 77 At Edwin Markham's Private Recital . . . -78 To Professor Mace wen . . . . . 79 One of a Kind . . *. " T *, / - , . , . . 84 IN MEDITATION CONTINUED: On Reading the Life of Henry George Written by his Son Henry George, Jr. . . . . -85 Faith . . . . ' . ' * f n m A .A A- 35 *,' v; -m VIII From out a wood where waters ran As only joyful waters can, Where flower and tree with rapture heard The ecstasy of many a bird, And in the air was such a lull That everything of peace seemed full, I sudden came upon a cave With brooding gloom as of the grave, And peering in the darksome nave, Awe-struck I saw upon a stone A mother bowed in grief alone. 36 IX Oh, mournful joy to call to mind What often comes at memory's beck : To see around each other's neck, Like honeysuckles intertwined, The arms of mother and of her Whom Death forbids dear Love to stir. 37 A music fell upon mine ear As though from some celestial sphere, Then sudden ceased, and discord's clang Throughout my heart remorseless rang. Alas ! what awful woe In human heart may grow ! What dreadful thought to stab a man, That Heaven from Hell is but a span ! XI Alone I lay on desert sands, No water near my palsied hands, Above me vultures* ravening bills, And in my heart the grief that kills. 'Twas but a dream, as well you say, And as a dream, has passed away ; Then let us kneel beside her bier And beg the faith that casts out fear. 39 XII ' ..-".. How far I've come since I was born To be thus stricken and forlorn ; To halt beside Life's rugged road And pray for strength to bear my load. 40 XIII An angel met me in the wood And led me where her sister stood ; Then each one kissed me on the cheek, But not a word did either speak. They vanished, but I knew that they Had brought me flower of peace that day. XIV The fog rolls in as it has rolled For years that never can be told, And all the sky is dull and gray As in the far-off, olden day ; And hearts still ache Until they break, As it has been since Death held sway, But though the fog be deeper rolled The sun's above it as of old ; No sky can be so dull and gray But that the blue will have its way ; And hearts will wake For love's dear sake, As it has been since Life held sway. XV A woman, great of form and face, Who seemed to be of Sorrow's race, Led me away from sun-bright air, And from the trees and blossoms fair, To lonely depth of solemn wood Where but the sombre cypress stood. She gently breathed a wordless prayer, Then left me strangely dreaming there ; And when I waked, a newer grace Was round me as with love's embrace, And forth I went in heartened mood Beneath the spell of chastening' s good. 43 XVI What note is this which sweeps Along the mountain steeps, Where neither flower nor tree Nor verdured thing can be ? ' Tis Life's great trumpet blown By lips that heroes own : "The death-strewn Past is gone The Present's yours; march on!" 44 XVII The world overflows its cup of woe, Each heart has felt the knife of pain ; But I would have my soul to know That all is best, that God doth reign. 45 O Grief that is darker than night ! O Sympathy brighter than light ! Mysterious twins, I have heard Your awfullest, kindliest word. TO PROFESSOR AND MRS. PUTZKER ON THE DEATH AT MANILA OF THEIR SON BRUNO LANE PUTZKER ' -5 \ February 12, 1899 Beneath Manila's far, relentless skies Your lovely, hero-hearted boy lies dead, Who from your nurturing arms so lately sped To serve his country's flag in great emprise ; And as mine ear is saddened with your cries Which spring from hearts as yet uncomforted, With freshened pain I hear death's trumpet dread Bid sorrow's legions troop before mine eyes. For my dear one was lost in battle, too Not where great War decrees tremendous doom, But where he strove beyond his strength to bear ; And may these twain, to duty here so true, Roam free the asphodelian fields of bloom, No more to taste the marah of despair. 47 IN MEMORY OF GEORGE BONNY January 4, 1900 You that loved him, gather here Round his bier. Let the roses heaping rest On his breast. In his heart their sweets were hived While he lived, And he might unquiet be If that we Did not give his bed of death Their dear breath. Mid their fragrance let us say, As we pray, How he nursed a patient mood Filled with good Good that flowed without an end To his friend ; How, whatever stress might be, Equal he ; 48 How with every breath he drew He was true ; How he charmed us with his word, As we heard Stingless wit and ready sense Flowing: thence ; . . : V-:^ How he walked affection's ways All his days ; And how Beauty's conquering art Held his heart, Till he seemed her very child Undefiled. Gather then with roses here Round his bier, And in heaps upon his breast Let them rest. 49 *"" ' ' 2 H ***"* In Meditation "The soul, Forever and forever longer than soil is brown and solid longer than water ebbs and flows.'* WALT WHITMAN. "What I can ne'er express, yet cannot all conceal." BYRON'S CHILDE HAROLD. SCORN NOT THE SINGER Scorn not the singer though his tremulous lay Ring not along the arches of the sky. Content the daisy's lowly sweets to try As o'er the mead it wings its modest way ; For nectar-laden it may chance to stray Near some lone heart that beats to hopeless cry, And yielding sweetness as it passes by Bid Promise point to new, rewardful day. O Poesy, thou mightiest of the Nine, Now more than ever do we need the aid Of e'en the humblest votary of thine ; Now when, as old ideals begin to fade, In stress of doubt we question the divine And mid its splendors dare to be afraid. 53 MY SONNET PRISON Full oftentimes my friends have said to me : " Give o'er the sonnet, since thou dost but lie At leaden length beneath its narrow sky A slave imprisoned when thou mightst be free. Though true it is the masters loved by thee Have in that cage sung strains that cannot die, Yet they were those who could all bonds defy, And soar at will in Art's immensity. " Then I to them : " No eagle's wings are mine, That tempt the vastness of immortal song, To rest at last on fame-encrowned years. Leave me my prison bars, to me divine, Where with the Muse I have communed so long, And on her breast have shed memorial tears/' 54 EDELWEISS " To-morrow from Zermatt we'll see the grand, Far Theodule and soaring Matterhorn ; And then, O joy ! as though for us just born, In luring nook the Edelweiss will stand." The morrow's breeze the peak and glacier fanned, And fanned the form of her that crushed and torn Lay like uprooted lily pale and lorn, The fatal Edelweiss within her hand. Her body fouled with stains they bore far up From precipice's foot to church's arms, And would have earthed it 'neath memorial stone ; But vain the offer of this final cup : For she who fled the city's roars and harms Now found that even in death it claimed its own. 55 UNACCOM PUSHED He parcelled off from Beauty's vast demesne One little spot that seemed so very fair, He thought his soul might rest securely there, Triumphant in a spring of fadeless green ; And in the distance looming clear were seen Great towers that wooed such empyreal air, They mocked alike man's ravage and his care, Beaming like stars eternally serene. Then came the Muse and whispered in his ear Seductive sweetnesses that so beguiled, He dared a tower of his own to rear ; But scarce one dawn beheld it, when a wild Wind smote it, and in night that knew no gleam It crashed to fragments as a shattered dream. DANTE AND BEATRICE TO A. S. T. O world-compelling Dante, who the sea Of Poesy so stirred from shore to shore, That even as yet its surging thunders roar In tones undying as eternity ; With master spirit so supremely free It scorned all bonds and swept through every lore, On wisdom's pinions at the last to soar To empyreal world of ecstasy ! The crown of sorrows with its thorns was thine ; But in thy bosom blazed the fire divine That lit thy track to Paradise from Hell ; And she who gendered its immortal light Has starred forevermore the matchless might Disputeless miracle of woman's spell. 57 TO THE OWL THAT ALIGHTED ABOVE THE PICTURE OF ATHENS HUNG IN ONE OF THE LECTURE HALLS OF RUTGERS COLLEGE TO PROFESSOR JACOB COOPER O thou, wise bird Athene made her own, Did instinct's pulses beat within thy breast When in this college hall thy wings found rest Above the picture of her matchless throne ? Or wast thou here at favoring moment blown By breeze favonian, to remind us lest Our faith in old ideals, so long professed, Be like the Parthenon's columns overthrown? It matters not ; we take thee as thou art, And house thee safe and warm in every heart, For ne'er before was spectacle like this ; And now we feel the centuries backward rolled, While in supernal splendor as of old Upsoars the temple-crowned Acropolis. Published in The Indtftndtnt (N. Y.) May 26, 1900. MAN'S HERITAGE TO REV. HORATIO STEBBINS Immortal Man, what treasure falls to thee! The ages million-yeared whose life-blood still Flows through the channels of thy good and ill As will thine own through those that are to be ; The prisoned secrets yearning to be free ; The infinite-sounding harmonies that fill All space and being ; and that supremest Will Which weaves the web of life's great mystery. Dig where thou wilt and thou shalt jewels find, As will thy brother in no less degree Who searches centuries hence with deeper mind ; For thou art ruled by such divine decree, And in the Eternal's breast art so enshrined, Thy wealth can feel no bound's extremity. 59 MYSTERY What notes of mystery in our being sound ! The unimaginable depths of space; The multitudinous worlds in pauseless race Toward far-off goals beyond all dreaming' s bound; This orb of ours whereon man sits encrowned A God and Devil void of any place Where Life and Death meet not in fierce embrace To what deep purpose thought has never found. There is no great or small : this grain of sand Its secret holds, as does the shaping hand Which fast cements it in the building's wall ; And this vain butterfly, that only can In winged rapture hasten to its fall, Mysterious is as thy great soul, O Man ! 60 ., / i ' NEAR MIDNIGHT OF DECEMBER THIRTY-FIRST, 1899 In retrospective dream I watch my fire, Erst bright with flame, to embers now decline, As thee, once young and lusty Ninety-nine, Within the arms of Time I see expire. And as thou sink'st to death, War's clamorings dire More horrent scream than when life first was thine, While man now drinks his brother's blood for wine With bestial, unappeasable desire. Thou seem'st of evil wrought, but so did they Thy vanished kin ; yet man still holds his way Through all the maze and tangle of despair ; Still Love uprears her palaces divine ; No deed's to do but finds some arm to dare, And God still lets His stars in glory shine. 61 INVOCATION As kind as thou hast been to me, O Sleep, Since first as friends we met, be kinder now: Lay thy most velvet touch upon my brow, And in thy syrups all my being steep ; If there be hushful chamber far and deep Where thou alone oblivion dost allow, Bear me to it, sweet one, and then do thou Still in thine arms my wearied senses keep. Let not one dream thy watchful guard break through, To mar the blessedness of such repose, Or tempt me forth to mingle more with men. At times such horrors rise before the view That life seems raging in a hell of woes, With earth scarce better than a slaughter-pen. ,<,M, viaitt n; ttrtc *iH efcr! Hit* boO 62 COMPENSATION TO P. C. L. inimitably vast the ocean rolls Before me as its wreck-strewn shore I tread, And in its depths I view the unnumbered dead That stare for aye at unaccomplished goals. So, round the world my sorrowing sight controls The sea of life, with waves from slaughter red, That heave forevermore above the bed Where lie the hopes and aims of myriad souls. Yet in that ocean's breast the pulses beat, To send rich blood through every country's veins, Bespeaking services of mutual good ; And in this sea Joy still the heart constrains ; Here Duty's jewels are ; and here Love's seat, Divine as that which over all doth brood. CONCORD c TO E. D. T. AND H. H. T. This graceful blade of springing grass behold, And this poor, stolid weed that droops near by, H Then range once more with wonder-ravished eye O'er worlds on worlds through space's vastness rolled ; Look on this marvellous tree whose years untold Still mock at death, where, as we dreaming lie, Dear Memory breathes her softly-saddened sigh On past-gone days of purple and of gold. O grass and weed ! O rolling suns and tree ! O immemorial dreams so bitter-sweet ! Kin each to all in God's immensity ; In tiniest speck the world-force is complete, And e'en the Universe itself doth beat In tune to one eternal harmony. I WORK AND SERVICE Through work and service thou mayst see The inmost heart of liberty. And make thy sum of days to be One fused organic harmony. CONSUMMATION Strength to resist temptation's subtlest bait, Unquailing fortitude mid every fate, Laborious zeal to do the task at hand, With Love and Faith in unrestrained command; If thou hast them, through all the seas of stress Thy soul shall reach the port of blessedness. J. w. His cottage looks in quiet down Upon the far, outspreading town, Whose joys and woes with spirit art Sing in the palace of his heart. SPRING '.' ' *,c> * " ' J v / TO HELEN "'"'... v - '. j < Balm-breathing Spring trips o'er the hills To music of the gladsome rills, And every bud is stirred, As now the mating bird The fragrant air with throated rapture fills. And as we walked, sweet daughter mine, This morn beneath Spring's dewy sign, I heard thy budding heart Perform its joyful part Harmonious in that symphony divine. ON THE RUBICON July 24, 1900 v . The merry songsters' minstrelsy, The river singing ceaselessly, My two boys tramping by my side, While round us rose the summer's tide. 66 THE AXE After Henri de Re*gnier Listen. The icy wind on roadway's pebbles here Makes slowly, surely sharp workman no eye can see Its norther's bills and scythes as keen as steel can be. Listen. Time's footfall sounds upon the cross-road drear. Listen. Afar e'en now the flowers are stripped and sere ; The neighboring mead's a-cold; and this majestic tree At breath so murderous shakes and shudders fearsomely ; While trickles drop by drop its Dryad's life-blood dear. The woodmen, binding bark and fagots, wend their way Alas ! thy towering stature and thy strength to slay ; Thy shade has marked the hour for thee to be laid low ; But when some autumn eve is proud to see thee die, Amid thy golden limbs that all dismembered lie, Then calmly, grandly fall beneath the axe's blow. 67 ;*: ;; : \V . . . ' . . .. < '. \ f V-- r THE BROOK * After Theophile Gautier , . >. ' i / -\ % - .' . . ~ ' * . ' Between two stones, in shady nook, From spring that oozes near a lake, In merriest humor runs a brook As though some far-off goal to make. *' ,* ' s f ' "'''."' ' <" f ~ v j It murmurs: Oh, what joy is mine! Below the ground what night to see ! And now my banks with verdure shine, While skies admire themselves in me. ^ * *' The azure myosotis cries To me, Forget me not, I pray ! I feel the tails of dragon-flies My bosom scratch in sportive play; From out my cup the bird drinks free; ^ M^y* And after winding far, who knows But that the vales, rocks, towers will be Bathed by my wave that grandly flows ? , I , t , -' I * * ''*,* . 'r , * . * I shall embroider with my spume Stone bridge and quay's granitic wall, And bear great steamers as they fume Toward boundless ocean, end of all. 68 Thus talks the brook in chattering craze ; In it a hundred projects grow ; Like water boiling in a vase No self-restraint its soul can know. But tomb and cradle stand anear ; The giant dies a pygmy small : To trouble born, the brook falls sheer Into the lake that drinks it all. . \ \ .' s . TO WILLIAM KEITH ON THE OCCASION OF HIS PAINTING, ON HIS SIXTIETH BIRTHDAY, A PICTURE ENTITLED "THE LAST GLEAM" Suffused with golden hue thy landscape lies Where restful oaks forbid their leaves to stir, And where, mid thoughts of days no time can blur, I see thy fruitful art still upward rise. For many a year, indomitably wise, Thou hast of nature been interpreter, Nor hast thou needed but thy soul's own spur To paint such day as on this canvas dies Not dies, but lives : for its last gleaming ray Shall light these sheep upon their homeward way Long after thy great heart can beat no more; And while the living shepherds pass away, This one of thine in all his radiant store Shall help to wreathe thee with undying bay. 70 SUGGESTED BY LOOKING AT A PICTURE PAINTED BY WILLIAM KEITH EN- TITLED "THE MOUNTAIN" TO J. W, What wrecks of Time and Storm are crumbling here ! The rocks that seemed eternal shattered lie, And pines that sang their glorias to the sky In mute dismemberment stretch prone and drear. Beneath this gloomful shade, wide-spreading near. What hidden things in loneliness may sigh, What spirits of the Past may wander by, Their cheeks bedewed with immemorial tear ! But look beyond : the towering summits glow With grand magnificence of dazzling light, That tints with rainbow hues their bosomed snow ; And as I gaze, with secret, magic might My soul seems lifted from the glooms below To faiths that blaze immaculately bright. SUGGESTED ON LOOKING AT A PICTURE PAINTED BY WILLIAM KEITH EN- TITLED "INTO THE MYSTERY" The palpitating splendors of the West In mystery tremble through the wood, as Day With noiseless footfall slowly steals away To Night's star-lighted palace and to rest. Save where these cavaliers spur on with zest, As if some fateful message to convey For leagues beyond, all sounds of sad or gay Lie stirless on the landscape's lovely breast. And should we ask these horsemen in their pride What word it is they carry on their ride, And what dear heart to hear it breathed would break, They sure would say : That word is ours alone ; To Dreamland only is that loved one known, Yet we shall ride forever for her sake. 72 s ON A PICTURE PAINTED BY THE POET, LLOYD MIFFLIN, ENTITLED "A QUIET HOUR" With splendor's pageantry the lordly day Is marching to its death: for now the sun Has o'er the battling clouds such victory won, He floods the west with glory-flaming ray. His foes retire, while 'neath his regal sway The placid river, all its day's frets done, Dreams of the nearing stars, and joys to run With vesper music on its radiant way. Within the boat, that lightly glides along As though 'twere leaf from neighboring islet blown, An idle fisher plies an idle oar. Here Quiet broods with all her lovely throng, And here in them my torn heart finds its own, And for a moment hopes to grieve no more. 73 J "/ / :;>:: .::- VOWELS After Arthur Rimbaud Vowels, A black, E white, I red, U green, O blue, Some day I'll tell your hidden births in cunning wise. A, bodice black and shaggy formed of brilliant flies Enclosing stench's foul, intolerable crew, Gulfs darkness ; E, white tents, the fleecy mists of skies, Proud glacier's lance, blonde kings, tremors that umbels woo ; I, purples, blood spat out, smile of dear lips that sue When passion shakes the soul or sweet repentance sighs ; U, cycles, emerald seas with tremulous waves divine ; Peace of the meadow's breast, peace of each wrinkled line That on great, studious faces magically lies ; O, clarion's voice supreme, with stridors loud and strange, Hushed silences the worlds and angels ever range ; O, the Omega, ray of her deep violet eyes. 74 ARTEMIS After Gerard de Nerval ' * " ' ''' Jt- ' ' f IT in ' '-J '^f '""** The Thirteenth comes again . . . Yet still the first is here ; Alway the sole dear one, or only hour for me : For art thou, Queen, the first or last one to appear ? Art thou, King, lover sole, or last that is to be ? Love them who loved you well from cradle to the bier ; She whom I loved alone still loves me tenderly ; 'Tis death or she that's dead . . . O joy! O agony ! The rose she holds, ah, that's the hollyhock so dear. St. Neapolitan, with hands whence flames arise ; Flower of St. Gudule thou violet-hearted rose: Hast thou now found thy cross in desert of the skies ? White roses, fall ! You mock our Gods in foulest wise ; Fall, ye white phantoms, down from out your heaven that glows : The Saint of the abyss is holier to mine eyes ! 75 GOLDEN VERSES After Gerard de Nerval Free-thinking Man ! believest that thy thought alone Pervades this world where life in everything streams bright ? The forces in thy hand are at thy freedom's might, But of thy counsels nought the Universe has known. A spirit stirring free the beast can call his own ; Each flower's a soul by Nature brought to being's light ; In Love's deep mystery e'en the metal is bedight ; All feel, and in thy breast each rears puissant throne. Fear thou, in darksome wall, an eye that watches thee ! In matter's self a voice incorporate with it cries . . . Oh, never be it raised to serve impiety ! In some obscure one oft a God all hidden lies ; And like the nascent eye which veiling lids enclose, Beneath its shell of stone a pure, sweet spirit grows. NOTE. The title of this sonnet is " Vers Dores," by which, I venture to suggest, the poet intends to characterize the verse as gnomic in contradistinction to his symbolic, imaginative verse. The difference is plainly indicated by comparing his "Artemis" with this sonnet. In Littre\ we find this : " Vers d'or ou vers dore's, vers gnomiques attri- bues a Pythagore." The French text from which this version was made, as well as that from which the versions were made of " Artemis " and "Vowels," was taken from Mr. Arthur Symons' very interesting volume entitled "The Symbolist Movement in Literature." 76 TO SHELLEY Bright seraph of the cloud and air, Couldst thou have left thine eyry there, And felt ,the earth beneath thy feet Till life for thee was all complete ; Or had the waves not swept thee down Thou wouldst have worn still richer crown ; But why regret ? thy lyric lay Still wings its rapturing, skyey way, While that brute world which gave thee blows Now on thy tomb Love's roses throws. RUDYARD KIPLING 'Tis not for beauty that to him we go, Nor for the gilded dust of by-gone days ; But for the forceful, unimpeded flow Of hottest blood that fills unwonted ways ; For strifes and loves, for pleasures and for pains, That roll tumultuous in the Present's veins. 77 AT EDWIN MARKHAM'S PRIVATE RECITAL May 5, 1899 Of old, when wassail held its roisterous way Amid the warriors fresh from lust and gore, For them the Minstrel swept his harp-strings o'er, And loudly sang his rudely-fashioned lay ; But now, in pauses of the violin's play, The Poet reads from out his harvest store, To those who thirst for spirit-wakening lore, His moving numbers till with him they pray Pray to be " kind and patient as a tree;" Pray for a spirit which, while cc propt with power," Shall ever be " as simple as a flower ; " Pray that the Christ in all men's hearts may be, So that their cruelties and greeds shall fall Before dear Love triumphant over all. 7 W TO PROFESSOR WILLIAM MACEWEN OF GLASGOW UNIVERSITY, SCOTLAND (WRITTEN ON THE OCCASION OF HIS DELIVERY OF THE FIRST COURSE OF LANE MEDICAL LECTURES AT COOPER MEDICAL COLLEGE, SAN FRANCISCO, IN SEPTEMBER, 1896) Hail, and all hail, thou glorious soul From over seas ! Not often do our fates control Such days as these Days that are filled with stirring thought From your overflowing treasure caught. And all the more we press your hand In welcome here, For does not every heart expand In Burns's year? The hundredth since he laid him down With Love's and Fame's immortal crown ; Expand at least to him who brings From Scotia's strand, On Science's all-willing wings, To this far land, A message that shall strike its root, To bear soul-satisfying fruit. 79 i I What pulse does not the faster beat At Scotia's name ? In what world's garden shall we greet More flowers of fame, That watered with perpetual dews Their freshness they can never lose ? And midst them all see Hunter raise His lofty head, As he the world of life surveys, That he might spread Such splendor of achievement round, He seemed to stand on magic ground. By right divine he lives with those Colossal few, That on the centuries repose, To there renew From out the crystal fount of Truth Their sempiternal, glorious youth. He deemed that Law's great coil entwines All forms and things No more the star which deathless shines, Than fly that wings Its tiny self in summer's air, To perish in a moment there. -' ' . 80 To him the universal course One harmony was, That knew no weakening of its force, Nor lawless pause, But ran to music's ordered play Through nature's vast, unending day. His comprehensive genius sought All realms to see ; In countless forms of life he wrought Incessantly, Pursuing with prodigious care Each wonder to its secret lair. No respite was for him, nor ease ; Toil piled on toil ; Labor was all his soul could please, And heaping spoil So rich mankind still ponders o'er The varied richness of its store. The Abbey took him to her breast, r j ,'*_***' * And this was well ; For sure no more deserving guest With her doth dwell ; But when Westminster's walls are gone, John Hunter's name shall still live on. 81 Old Scotia's many deathless names I may not sing, But this great one so starlike flames, I thought to bring My meed at such a time as this Might not be taken as amiss ; For you are one of those who stand In Hunter's line, And serve to make your marvellous land So radiant shine, That Scotland's soil exhaustless seems In all that Science hopes or dreams. For you the very gates of life Are opened wide, Wherethrough the all unerring knife May safely glide, Bearing upon its glittering edge The boundless bliss of healing's pledge. Even cranial walls oppose in vain : For breaking through, You seize the demons of the brain, By faultless clew, And set their tortured victims free, That life and joy again may be. 82 And we who sit beneath your voice, And at your feet, With feeling's deepest note rejoice, For here doth meet All that can keep our hearts in tune To this inestimable boon. Hail and all hail, once more, all hail, To you and yours ! And when you bend your homing sail For Scotia's shores, Be sure you'll take across the blue Remembrance dear as man e'er knew. ONE OF A KIND One of the genial tribe of critics, who Can run your volumed years of labor through Quite at a glance, and then with lofty scorn Wonder such verse should ever have been born, Deemed that I gave my poor, applausive word Too freely to the ones my heart preferred, And for such promiscuity he banned My rhymes forever from the Muses' land. But who except the paltriest soul would stay The humblest hand that holds one leaf of bay, Or close the lips which tremble with the praise Of any man that walks unworldly ways? Most worthy critic, you are safe enough; Next week will be forgot your wretched stuff, While those you prick with your envenomed pen Will roam delighted in the hearts of men. ON READING THE LIFE OF HENRY GEORGE WRITTEN BY HIS SON HEN- RY GEORGE, JR. Again I hear his dauntless voice, Again my heart with his is one, Again I hear great souls rejoice At deathless work supremely done, And see once more the millions stirred At his incomparable word. FAITH Though man be lost in maze of mystery's land, 'Tis his to feel if not to understand, And hear the heartening voice that ever sings Of all the deep divinity of things. PASSION-FLOWER After Mme. la Comtesse de Chambrun Behold the flower I choose, Now that my years decline : The Passion's flower some Have called it, but the name Of flower of Life I give as mine. What matters it ? 'Tis all the same : For see, it has the crown of thorns, The ladder mounting to the sky, And sponge where drops divine by turns Of hyssop and of honey lie. The green of hope within it glows, Here sorrow spreads her violet hue, 'Tis joy, 'tis suffering, and it knows The cradle and the coffin too. 'Tis then the flower I choose, Now that my years decline ; With tint like that which pales The day that cannot last, 'Tis both the Future and the Past. NOTE. The original of the exquisite lyric from which this version was made was drawn to ijr attention by Professor E. B. Lamare. 86 HER RESTING PLACE She rests not where the bending flowers Can spill their perfume over her, But in the cells of loveliest flowers Her body's atoms once more stir, To give those blooms a brighter hue Than e'er before their petals knew ; While in the urn her ashes lie, White as her soul that cannot die. THE VOYAGE O Youth, when setting sail For golden lands, Careless what winds prevail, What life demands, Such gorgeous colors spread before thine eye, Such rainbows span the far-uplifted sky, When setting sail. O Age, when furling sail Rrom fruitless lands, Whose soul has felt the bale Of life's demands, Such dark-hued colors spread before thine eye, Such near-descending clouds hide all the sky, When furling sail. DESPAIR NOT Despair not, for the infinite is thine Thine which is part of an eternal whole In all its good and evil so divine, Thou scarce canst know how precious is thy soul, 88 VOICES From out the azure's depths serenely falling, At times I hear celestial voices calling, And then in spirit-flight I soar from murky night, To seek their presence in the fields of Light. And by their marvellous tones the air is shaken, Until I feel my fearsome soul awaken To faiths that set it free ; And calm as one might be, I dare to ask what death can come to me. 89 WHITHER Ah, my Songs beloved, Whither do ye go ? O beloved Poet, That we cannot know. Who can tell what roses Will to-morrow bloom, Or what wings be folded In relentless gloom? We abide the future, As the greatest must Sure to find the laurel Or be less than dust. 90