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M 1’" 11': A ;‘2 5M , i"; "43' I} . a“: ,- 1: 5, ’ .‘f; I!» , ,1 MATTHIAS HIZTHERIIN no flRCHlTECTURAL Jam KS 46 KEARNY STREET ' /SAN FRANCIS ) CAL. Pfizil‘f film '“ [III ma: inns Jam-Jr‘s I Wan/mm f ‘4. an?! A ‘w n w t V, , . ‘mv w '3 fi ’ f the old “(I 0 upon the gen world and the new entfort u no preee great contest, which ha: drawn 0 I T n d E P M O C. “There rt‘w'l.n ‘ iii..- w thyme 1.; ..r’F~B-i.. E_~.'.P.'..,P..v. Pi .5325“; :n. _.,. . 5.21.. ”7...”... r. . a x: a 8 PI PI a I 1.! pi. F strutfifiu ,, {.5 rbwafirii I»; . «wrihfrsfiulr r .rl Fern... r {binary b I. TOWER The remainder of the block on which it stands is also owned by The Tribune—has been named Tribune Square by the Chicago City Council—and BUNE I Now under construct for occupancy in 1925. Ion harmony with the architecture of The Tower. 1n will be developed 000 prize mater! rwa: [IE/42’, (12y ordinanee; lzarue been (hanged [0 permit greater ’ . e0 ‘e/orefourfloarr have been added to the origina/prize-winn/ng derigrz. T/zir i/[mtratiarz SINCE the $1 height. (’7 TI: 'ard. *7. 6feet a/zo-z'e i’l/Iid/igarz 8011/6 5 a; Z! rLUZ picture: T/IE Tower 7/ appear rw/Ierz (ample/ed. It rwi/l rim 4 V‘me“, ,1 .... S: M” MMM M M L ‘ u WV‘filA. ~ «Mitts 5\ \~ .\~ \ .\ ~ #4..» \ \ \ \ \. . .. \ \ . M \\.w \\\ NAV \&\\\ \W..\\ N. \\\\\ \\\.\.\\.\ 1-,. no... ‘ , THE INTERNATIONAL COMPETITION FOR A NEW ADMIN ISTRATIO N BUILDING FOR THE CHICAGO TRIBUNE MC MXXII CONTAINING ALL THE DESIGNS SUBMITTED IN RESPONSE TO THE CHICAGO TRIBUNE’S $100,000 OFFER COMMEMORATING ITS SEVENTY FIFTH ANNIVERSARY, JUNE IO, 19 22 Architectgra T H G t R Y P 0 C TABLE OF CONTENTS INTRODUCTION. . . . . . Tages 1 1‘0 15 PROGRAM oft/1e Competz'tz'efl . “ 17 to 36 REPORT OFJURY OF AWARD . . “ 37 to 47 BIOGRAPHIES OF WINNERS . . “ 49 to 63 HONORABLE MENTION . . . “ 65 to 69 ARCHITECTS Lz'sz‘ea’éy Natz'om . “ 70 2‘0 85 fl ARCHITECTS Listedfl/p/zaéez‘z'ea/[y ‘ 86 to 95 LIST OF DESIGNS in Order Received “ 95 to 103 FIRST PRIZE WINNER . . . ‘P/az‘ex 1 1‘0 12 SECOND PRIZE WINNER . . . “ 13 2‘0 19 THIRD PRIZE WINNER . . . “ 20 to 24 DESIGNS: Um'tea’ States . . . “ 25 2‘0 170 DESIGNS: Forezgfl . . . . “ 171 t0281 - HE craving for beauty thus set forth by The Tribune is im- bued with romance; with that ' high Romance which is the , essence, the vital impulse, that inheres in all the great works of man in all places and all times, that vibrates in his loftiest thoughts, his heroic deeds, his otherwise inexplicable sacrifices, and which forms the halo of his great compassions, and of the tragedy within the depths of his sorrows. So deeply seated, so persistent, so perennial in the heart of humanity is this ineflable pres— ence, that,_suppressed in us, we decay and die. For man is not born to trouble, as the sparks fly upward; he is born to hope and to achieve.” LOUIS H. SULLIVAN in the Arc/zz'z‘ectura/ Record ”N-‘«A ~ , INTRODUCTION .. - HE Chicago Tribune’s One """ Hundred Thousand Dollar Architectural Competition, announced on June 1 0, I 92 2, , attained a three-fold objective: " ‘ It coincided with the seven- ty- -fifth anniversary of The Chicago Tribune, coming as a fitting commemoration of three- fourths of a century. of amazing growth and brilliant achievement. It had for its prime motive the enhancement of civic beauty; its avowed purpose was to secure for Chicago the most beautiful office building in the world. It aimed to provide for the world’s greatest newspaper a worthy structure, a home that would be an inspiration to its own workers as well as a model for generations of newspaper publishers. Diamond Iuéi/e‘e THE Chicago Tribune made its initial appear- ance on June 10, I 84.7—four hundred copies printed on a hand press in a single room in a building at Lake and La Salle Streets. Chicago was then a frontier town with a population ofabout I 6,000. Out of the tiny hamlet settled on a swamp has come a roaring metropolis— fourth city ofthe world. The Chicago Tribune, truly part ofChicago and meshed with its destiny, has also grown; four major wars has it reported, -.L.;:§{ 1 £29.... The first issue of The Chicago Trié- une, I710): 10, 1847, was printed in a building on the southwest corner of Lake and La Salle Streets. --the Mexican, the Civil, the Spanish- American,theWorld War; it fought for Lincoln and still fights for what Lin- coln fought for; it has covered nine- teen presidential campaigns, the World’s Fair;- through strikes, pan- ics, Violent social and racial disturb- ances it has come- each day contributing no mean share to the po- litical,social, and economic development'ofChi- cago and the Middle West. Today The Tribune numbers in its employ over thirty-one hundred men and women, whose efforts, co-ordinated, produce over four million Tribunes every week. With such a historic background, with such achievement to record, with such an organi— zation for which to provide “headquarters”—it is little wonder that The Chicago Tribune did its utmost to make its new Administration Building one that would achieve in architec- tural expression what The Tribune had achieved as a living factor in the life of the community. The Tribune had helped materially in the building of a world-city in a new world; it would give to Mat city Me ultimate in civic ex- pression—Me war/07’s most éeautifu/ ajice éui/diizg. ”a 2 l3”- ) <.-:\\\\\n\. x V. \x i“ /; 2%; EEV \§ IE: s ‘1' ' ‘1 W/ WHEN the Tribune Building, at Madison and Dearborn Sts., an eighteen story, $ I ,800,000 structure, was erected in 1902, it was con- sidered adequate for The Tribune’s mechanical and housing requirements for a long time to come. But in less than twenty years, because of tremendously increased circulation and ampli- fied organization it was outgrown. A new site was considered—one removed from the con— gested “Loop,” yet centrally located. Chicago’s downtown district had already spread to the south and west, but these expansions had meant merely the erection of ofiice buildings and the resultant increase of business activity in the localities affected by the expansion. The de— velopment of North Michigan Avenue, how- ever, promised just the proper co-ordination of effort between property owners and city officials to achieve a far greater measure of civic beauty. At this time Michigan Avenue, which had come to be the main traflic artery to the north, wound a tortuous way over the river. Various measures were proposed and discussed and final- ly $1 3,000,000 was voted to straighten, widen and improve it.* In 1919 The Tribune purchased property which, with Michigan Avenue improvements *COLONEL ROBERT R. MCCORMICK, co-editor of The Tribune, says in this connection: “In 1904 or ’05, Carter Harrison appointed a committee of aldermen to work in conjunction with a similar committee of the South Park Board to devise means of widening Michigan Avenue. Henry Foreman was Chairman of this committee and I was Secretary. At that time Mr. Lawson favored a plan for a. tunnel from Randolph street and Michigan boulevard to some place on the north side (I believe preferably the present outer drive). “Another plan suggested was double-decking Michigan Avenue originally to “H319”- WW ' ”MW'WW‘PM any amen-35w”. ‘ r 2 v, _-. w, . —,-.. aura-rwfiy at: completed, would number 4.31 to 4.39 North Michigan Avenue. On part of this property (see pages 25 and 28), The Tribune Plant was erected, in Igzo—frankly a building built for the swift and eflicient production of Tribunes. The Tribune Tower was to stand between The Plant and the Boulevard. This site is a most happy one for a building of great beauty. It will command a general View from all directions —it is the salient point of the potential wonder mile of North Michigan Avenue—place for the world’s most beautiful office building! Chasing tfie ”4727261“ ANNOUNCEMENT of The Tribune Tower Competition came onJune 10, I 92 2. The date 4 set for the closing of the contest was Novem- ber I, 1922. One month’s grace was allowed for the arrival of drawings from distant points. By December I, 1922, the final date, two hundred and four designs were received. Fifty-nine more designs were received after the competition closed. Two hundred and sixty designs are reproduced in this volume. Thejury of award, comprising Alfred Granger connect with Rush street, but afterwards with the idea of connecting with Pine street at Ohio. “Our committee had two other members, Ernest Graham and Jarvis Hunt. Jarvis Hunt, in my presence, made the first suggestion of the present boulevard although he advocated a still wider boulevard than the one we have. “Our committee recommended the improvement substantially as it has been built, but Mayor Dunne’s board of local improvements was hostile. The pro- is“ was later taken up by the Chicago Plan Commission, and the rest is public istory. . ” -..,g{ 4 Br..- of the American In- stitute of Architects and Capt. Joseph M. Patterson, Col. Robert R. McCor- mick, Edward S. Beck and Holmes Onderdonk of The Tribune,was assisted by an advisory com- mittee, conSIStlng of B. M. Winston, chairman; Alder- man Dorsey Crowe, Alderman E. I. Frankhauser, Sheldon Clark, Harry A. Wheeler and Joy Morton. By November 23, one week before the win- ners were to be announced, twelve designs had been selected by the advisory committee—any one of which, they reported, would be “a credit to Chicago, Michigan Avenue and The Trib- une.” These numbers were: 47 104 151 78 18 83 go 72 23 69 111 141 On November 29, with the jury of award and the advisory committee tentatively com- mitted to a decision, design Number 187 was cleared through the customs from Finland. Jury and committee, hurriedly re—assembled, were so struck with the colossal beauty of the eleventh hour entry that they immediately in- “$53“ In 1849 the ofiiee of The Trikzme was moved to a room over Gray’s grocery store at the northwest cor- ner of Lake and Clark Streets, mov- ing a year later to 173 Lake Street. eluded it in the designs to be considered in the final decision. (See page 4.2, Report of the Jury of Award). On December 3, 1922, the decision of the jury was announced as unanimously in favor of the following order of award: @eszgn Numéer 6 9 by JOHN MEAD HOWELLs and RAYMOND M. HOOD NewYork First ‘Prz'ze . . . $50,000 Design N uméer I 8 7 by ELIEL SAARINEN Helsingfors, Finland Secomz’ Trz'ze . . $20,000 @esz'gfl N uméer 9 0 by HOLABIRD 8c ROCHE Chicago T/zz'rd‘Prz'ze . . $10,000 The remainder of the total of $100,000 goes in $2,000 allotments to the following ten American architects who were invited to enter the competition and who did enter: “5(6)?- Bliss 8c Faville . . . . San Francisco Bertram G. Goodhue . . New York City James Gamble Rogers . . “ Benj aminWistar Morris . ' “ John Mead Howells } Associates “ Raymond M. Hood Holabird 8: Roche . . . . Chicago Jarvis Hunt . . . . . . . “ - D. H. Burnham 8: Co. . . . “ Schmidt, Garden 8: Martin . . “ Andrew Rebori . . . . . . “ T wenty-tflree Cozm trier Represented THE Tribune Tower Competition brought world—wide response because it was given world— wide publicity. Announcements appeared in metropolitan newspapers in the United States, in The Tribune’s European Edition, in other newspapers throughout Europe, in architectural trade journals. From June, 1922, until Janu- ary, 1923, a series of pages in Rotogravure and Coloroto was run in The Sunday Tribune, giving examples of architectural achievement through the ages. This attracted wide attention, and gave weekly evidence of The Tribune’s high resolve. Thus the artistic thought, the architectural ideas, oftwenty-three countries were drawn into the competition. The architects of the world inadvertently formed a league, as it were, for new and bold treatment of the theme of the «em» skyscraper—one that is to make architectural history for generations to come. Triémze Tower Deng/725 Séawfi 172 Twenty-seven Cities AFTER the award in the Tribune Tower Competition had been made, the Tribune re- ceived requests from all parts of the country for the exhibition of the original drawings entered in the contest. These requests were from art institutes, art associations, architectural schools, from nearly all chapters ofthe American Institute of Architects, and from large univer- sities and educational institutions ofthe country. On January I, 1923 The Tribune made an announcement stating that, “For the stimu- lation and encouragement of better designs in skyscraper architecture, its appreciation by the public, and the consequent achievement of beauty in big buildings, The Tribune will under- take a traveling exhibition of many ofthe draw- ings entered in the Competition. “The importance ofsuch an exhibit in further— ing the advance of architecture, especially in the study of the skyscraper, cannot well be exagger- ated. The designs in some instances have cost the architects competing from $ 1,000 to $ I 0,000 each. With twenty—three countries rep— resented, the exhibition will show the ideas of the great architects from all parts of the world.” The entire expense of the exhibition was borne by The Chicago Tribune. One hundred “fig 8 B... and thirty-five perspective drawings, each 36x 66", were selected for the exhibition. All of them were framed and all were insured for a sum aggregating $150,000. To insure safety of the drawings and quick delivery, the designs were shipped only by express, making 27 stops and covering 7,500 miles, the shipment weigh- ing 5,200 pounds. It was decided that the first exhibit should be made at the University of Illinois. The Tribune, on December 8th and I Ith, 192 2 had received requests from David Kinley, President of the University and from L. H. Provine, in charge of the Department ofArchitecture—“We hope that it may be possible to have these draw— ings for exhibition at the University of Illinois in the near future. Our department is your de— partment as we belong to this great state of Illinois and it would be a fine recognition of the University if these drawings were available for exhibition purposes here before they are sent out on any extended tour of exhibition.” The University of Illinois has the largest en- rollment of any school of architecture in the country. The exhibition was received at the University with open arms. The installation of the exhibit at other art institutes and universities was more elaborate, but nowhere were the draw- ings received with more appreciation. Some of the professors and students spent their entire time studying the designs during the three days they were shown at the University. “egg 9 g..- Afterwards the drawings were exhibited at many of the principal universities and colleges in the country, George Washington University, St. Louis, Mo., University of Nebraska, Lincoln, Neb., University of Michigan, Ann Arbor, Mich., Carnegie Institute of Technology, Pittsburgh, Pa., Syracuse University, Syracuse, N. Y., * Mc Gill University, Montreal, Canada, Harvard University, Cambridge, Mass., Massachusetts School of Technology, Boston, Mass., Yale University, New Haven, Conn., Princeton University, Princeton, N.J., Pennsylvania State College, State College, Pa. and the University of Pennsylvania, Philadelphia, Pa. Everywhere the students at these institutes and universities greatly appreciated the oppor- tunity to study the drawings. The architectural student sees much more in a drawing than the layman and the impression created by the eX- hibition of all the best drawings submitted in one of the great competitions of architectural history will be lasting. Many students stated that they had learned more architecture in three * The following is typical of the comment received by The Chicago Tribune concerning the Exhibit: Mr. HOLMES ONDERDONK, April 5, 1923. c/o Chicago Tribune, Chicago, Illinois. My dear Mr. Onderdonk: It is but fitting that we should write you a word of appreciation in connection with the Exhibition of the competitive drawings for the Chicago Tribune Tower which we had here at the University in this Department last week. . . . It has been of invaluable service to the students of the Department. They literally camped in the Exhibition room and for all that the Exhibition was here just before the Easter vacation, our students certainly made the most of it. The Exhibition attracted a wide interest both of college people and of city folks and the press of the city gave certain publicity to the Exhibition. ....,g{ 10 E..- days viewing The Tribune drawings than they had learned in several months in their classes. On the tour of the country, in addition to uni- versities and colleges, the exhibition was also made at many important public institutions—at the Minneapolis Institute of Arts, Minneapolis, Minn., at the request of Russell A. Plimpton, Director of the Institute—at the Detroit new public library under the auspices ofthe Michigan Society of Architects—at the Cleveland School of Arts under the auspices of the Cleveland Chapter of the American Institute of Architects —in the hall of the Women’s Club at York, Pa., under the auspices of the Southern Pennsylvania Chapter ofthe American Institute ofArchitects —at the Armory at Scranton, Pa. under the auspices of the Scranton Society of Architects —at the United States National Museum, Washington, D. C., at the request of Frederic A. Delano of Washington—at the Montreal Art Gallery at the joint request of the Art Associ— ation of Montreal, the Architectural Depart- ment of McGill University and the Province of Quebec Association of Architects. This is the greatest thing of its kind, without doubt, since Architecture has been a profession and nothing better could have been done for the education of students of Architecture, and the public as well, as has been done in sending this Exhibition through the country. In my opinion it will prove to be an educational factor in a measure similar to what the great expositions have been. We all recall what an impetus was given to the study of Architecture and to architectural development by the World’s Fair. I believe this Exhibition will have a similar effect, in a measure, and I commend you people highly for going to the trouble and expense of sending this Exhibition around the country. . . FREDERICK W. REVELS, Director Syracuse University, Department of Architecture, College of Fine Arts, Syracuse, N. Y. “Sink"- For a week, in connection with a motion picture exhibition of other Tribune activities, the drawings were shown at the Waldorf- Astoria Hotel, New York, at the Convention of the American Newspaper Publishers’ Associ- ation. They were also shown at Kansas City on the main floor of the Gloyd Building under the auspices of the Kansas City Chapter of the American Institute of Architects and the Kansas City Art Institute, and at Peoria, Illinois, under the auspices of the Central Illinois Chapter of the American Institute of Architects in Con- vention Hall of the Peoria Life Building. At Chicago in May 1923, an exhibition of eighty-five drawings was made for fifteen days at the Art Institute, occupying the entire center gallery at the top of the main stairway. 25,000 people visited the Institute during this period. The Tribune, in December 192 2, had placed all the drawings on display for a month at the Lake Shore Trust 85 Savings Bank Building, 605 North Michigan Avenue, before the travel- ing exhibition was undertaken, and consequently Chicago people have had a splendid opportun- ity to see the drawings. At the time this was written, the exhibit was still on tour and before July I, 1923 will be shown at the John Herron Art Gallery, Indian— apolis, the Milwaukee Art Institute, Milwaukee, Wis., the Madison Art Gallery, Madison, Wis., and the Albright Art Gallery, Buffalo, N. Y. «a 12 ,3..- “THERE is no " l / " / . W? precedent for this // Q great contest, which .. - has drawn upon the / ” - genius of the old world and the new. The competitive method is adopted in the case of public buildings with in— creasing frequency, but the newTribune Building will be the first privately owned edifice the design for which was awarded in a prize competition open to the world. There never has been such a contest and it is very doubtful that there ever will be another. .Tll .s n\ III \ m. K“ .‘\- u \\ ‘3 L: ”as; tllll “The Tribune’s desire to erect the most beauti- ful and distinctive office building in the world, we believe, is now certain of fulfillment. The response to the ofTer of The Tribune was worthy of the occasion. Three designs receive prizes, but there are a dozen or more any one of which if erected would, in our opinion, easily surpass any office building in Chicago and com— pare favorably with the highest achievements in this field of architecture anywhere. “Thus the competition has achieved in a note- worthy way not only The Tribune’s purpose *From The Tribune’s Editorial Page of Dewitt/yer 3, 1922. mag 13 lg?“ In 1852 The Trib- une moved into the Evans Block at 53 Clark Street. It was on the west side of the street just of q/ the alley between Lake and Randolph Streets, where the dshland Block now stands. The circu- lation of The Trih- une at this time was 1, Reproduction of an advertisement i n “La Libre Belgique” an- nouncing The Chi- cago Tribune Com- petition. 100,0000000annnxauxlnnnnles t0 Prom” for itself the most beautiful a LA CHICAGO TRIBUNE» a été fondée lo _ . ‘ 10Juin 485.7, Pour célébrer son septant‘e-cinquiémo a n d d 1 S t 1 n C t 1 V e anniversaire, le journal proiette la construction d’nn nouvel immeuble qul devrait constituer an ' ' ° monument d’une beauté majestueuse, one mnvre b 11 11d 1 n g, b U t 1 t S capable d’inspirer les iournaux do l’Univers antler et qui serait un‘local digne d’u plus grind journal secondary Obj €Ct to du monde. Pour arrixvern réaliser le plan le plus pariah, Ia Stimulate architect— C CHICAGQ TRIBUNE ) offre100,(l00 dollars d0 0"“ a“ WWW ural genius and bring Le concours est libre et international. Chaque concurrent est invite a fournir desfdesslns f0 1‘ t T] W O I‘ k S O f montrant lcs‘élévations Oucst et’Sud et la perspec- tive vue du Sud~0uest. sans plans, détaillées des beauty. It is hoped spécifications. Les demandesde participatiom dolvent etre intro- ' . _ ‘duites avant le W“ Aout 1922. Les plans seronl sou- all the hlghly merl mis entre ce'te date et le Ier Novembre 1922. Pour tous-rcnseignementsles aichitectes dbsireux t O r 1 O u S d C S 1 g n S de participer an ce concours sont priés ‘aie s’adres. ‘ ‘ sel- sans délai 9. MM le Colonel “.11. Mo (Lox-nick Wthh have falled Of et le Capitainé Patterson, dinecleurs de la « CHI. CAGO TRIBUNE). aux bureaux a Paris, 3, me receiving prizes Will Lumartinc. Op @112 whimnnr arm“; appeal to individu- M" ' als and corpora— tions intending to build. At least a score are much above the average of the best modern office building and would be a credit to any city or street in the world. It is The Tribune’s hope that these splendid designs will be realized as many as possible, in Chicago. The designs, collectively speaking, are the most important expression ofmodern utilitarian architecture ever presented for analysis and comparison. They may be considered an encyclopedia of the archi— tecture of the skyscraper. Genius, exceptional talent, experience, ingenuity, and inspiration have contributed richly and we are confident its influence will be Widespread and lasting. “The greatest architectural contest of history will result not only in achievement of what The Tribune announced as its desire, the most beautiful and distinctive oflice building in the “$14)!"- world, but it will produce many other beauti- ful buildings. It will give Chicago an archi- tectural gem of the first water and it will add permanently to the resources of the modern architect a mine of new ideas and suggestions. This was the hope of The Tribune and it has been fully realized.” “$1513.- PROGRAM OF THE COMPETITION " “ HE Chicago Tribune proposes to erect an office building upon its North Michigan Avenue property for the housing of its executive and business departments, the project to include enlarged quarters for the steadily ex- panding departments now operating in the Plant Building. The new structure will be erected directly in front of the Plant with a frontage of 100 feet along Michigan Boulevard, and will become the headquarters of this great city newspaper. In ad- dition to ample facilities for present operations, the building will be adaptable to the future expansion of all departments. To erect the most beautiful and distinctive office building in the world is the desire of The Tribune, and in order to obtain the design for such an edifice, this competition has been instituted. In opening the competition, The Chicago Tribune is following a well-recognized method of procedure and is being guided by the recommendations and usage of the American Institute of Architects as outlined in the Standard Form of Competition Program. The Competition will be of international scope, qualified Architects of established reputation in all parts of the world being eligible, and not more than ten (10) Architects or firms of Architects of repute in the United States will be specially invited to submit designs. The names of the specially in- vited Competitors will be announced simultaneously with the publication of the Program of the Competition. Archi— tects wishing to submit designs under the general invitation shall file their applications and credentials mentioned here— inafter, on or before October 1, 1922. At that time the full list of Competitors will be available. Each of the specially invited Architects will be compensated to the extent of $2,000, but no compensation other than the opportunity to win one of the prizes shall be available to the Competitors who participate under the general invitation. ....,g{ 17 l3” r, ,: E k l . fx‘ V: r i“ , d r The ten best designs selected from those submitted in re- sponse to the general invitation shall be given equal con- sideration with the designs of the specially invited Com- petitors. Final judgment upon the twenty or less designs will then be made by the Jury of Award, whereupon cash prizes will be awarded as follows: For the winning design, an award of ...... $50,000 For the design placed second. . . . . . . . . . . . 20,000 For the design placed third... . .. . . . . .. .. 10,000 It is understood that the winner of the Competition if properly qualified shall be engaged by the Owner as Archi- tect for the building, and that the above—mentioned $50,000 awarded for the winning design shall be included as a part of his fee. Should the award result in the selection of a Competitor who in the opinion of the Owner is not properly equipped to execute this commission, the Owner shall pay the cash prize of $50,000 to the said Competitor for the winning design and require him to associate with a qualified Architect of the Owner’s selection as hereinafter set forth, and in that event the name of the winning Competitor shall appear upon all plans as “Associate Architect.” After the award the Owner reserves the right to reduce the building size and to make such changes in the “Condi- tions and Requirements of the Building” (Part IV) as it may consider advisable. However it is understood that these changes are to be made from the drawings submitted in competition without expense to the Owner by the Com- petitor or Architect selected by the Owner for the execution of the commission, but any expense involved through changes required after proceeding with working drawings and specifications, shall be borne by the Owner. The Architect appointed for the execution of the project shall have the full and usual authority of Architect of the Work during the construction of the building, under and in accordance with the terms of the schedule of charges and the principles of professional practice of the American In- stitute of Architects. He will be required to enter into a contract of agreement with said Owner in the terms here- inafter stated. "if 18 B6,». Throughout the pro- gram the word “Owner” is used to indicate either The Tribune Building Corporation as the Owner or those to whom the Owner has delegated the authority. In the use of the word “Architect” or ”Competitor,” the sin- gular number shall in— clude either an individual, a firm of Architects, or two or more Architects associated for the purpose of this Competition. Man- datory provisions are so indicated. Failure to com— ply with any mandatory requirement of the pro— gram will preclude an award to a Competitor, or will con- stitute grounds for the annulment of any award in his favor. I . Proposed Building: The proposed building will be erected upon the unoccu- pied portion of The Tribune property at 431 North Michi- gan Ave. The building site has a frontage of one hundred (100) feet on Michigan Avenue and extends one hundred thirty-five feet eleven and one-half inches (BY-11%”) east along Austin Avenue. 2. flutflorz’z‘y: The Tribune Building Corporation has authorized Colonel Robert R. McCormick and Captain Joseph M. Patterson'ito select an Architect to prepare plans for, and supervise the erection of the building. 3. flrcfliteéium/ Adviser.- The Owner has appointed as its Professional Adviser, Howard L. Cheney, A. I. A., 7 South Dearborn Street, to prepare this program and to act as its adviser in the conduct of this Competition. flea 19 B9... In 1869 lee Tril- une was installed in the fin! building of its own construc- tion, a $225,000.00 four-Jtory structure at Dearoorn and Madison Streett. This building was destroyed in the Chi— cago Fire in 1871. 4. Competitors: In order tO participate in this Competition, Architects must file applications on or before October 1, 1922, accom- panied by sufficient evidence Of their education, ability, and experience to satisfy the Owner and the Professional Ad- viser. The Owner reserves the full and uncontrolled right to pass upon the eligibility Of all applicants to participate in the Competition. It is a mandatory condition that any associate-ship, as one Competitor by and between Archi- tects generally practicing separately and desiring jointly to participate in this Competition, must be stated in the appli- cation mentioned hereinabove as well as furnishing the evi- dence of education, ability and experience of each; if the applicants’ evidence is satisfactory to the Owner, the names shall be bracketed as one Competitor. 5. [my offlwam’: The Owner agrees that there shall be a Jury of Award consisting of five members as follows: One Architect who has been approved by the Illinois Chapter of the American Institute of Architects and four members of The Tribune Building Corporation. The Personnel Of the Jury Of Award shall be as follows: ALFRED GRANGER, A. I. A. COLONEL ROBERT R. MCCORMICK CAPTAIN JOSEPH M. PATTERSON EDWARD S. BECK HOLMES ONDERDONK 6. flat/2077):}; oftfle jury: The Owner agrees that the Jury above named shall select the ten best designs from among those submitted 1n response to the eneral 1nvitation to the Competition; these will then be grogmith the ten or less designs submitted by the spec1T7fiv1fed-Compet1tors, and the Jury in final judg— ment will select from the twenty or less designs the one which 13 adjudged by them the most meritorious, also the des1gn§fOr the seconH‘and Wrd” awards A written report will be sent tO them Owner deSIgnating the three prize designs by numbers. The Ownemrwwiall then consider the designs “.51 20 )3..- ranked first, second, and third in conjunction with the re- port of the Jury, whereupon, without learning the identity of the Competitors, it will name as the winner of the Com— petition the author of the design selected by the Jury for the award of the first prize. 7. Examination of Designs and flwara’: The Professional Adviser will examine the designs to as- certain whether they comply With the mandatory require- ments of the program, and will report to the Jury any instance of failure to comply with these mandatory require— ments. The Owner further agrees that the Jury shall satisfy itself with the accuracy of the report of the Professional Ad- viser and shall place out of competition any design which does not comply with these mandatory requirements. The Jury will carefully study the program and any modifications thereof which have been made through communications (see Section 11). Careful consideration will then be given to all designs and the final judgment made as hereinbefore provided. In making the recommendations and awards the Jury will affirm that it has made no effort to learn the identity of the various Competitors, and that it has remained in ignorance of such identity until after the awards have been made. ‘ 8. Report offmy. Upon selection of the winning design the Jury shall make a full report embodying its reasons for said selection and the classification of the two designs placed next in order of merit. After the award a copy of this report accompanied by the names of the prize winners will be sent by the Professional Adviser to each of the twenty or less Architects whose de- signs have received consideration in the final judgment. 9. Ex/ziéition of Drawings.- The Chicago Tribune reserves the right to publish any or all of the designs submitted. 10. Use of Features of Unsuccessful Designs: Nothing original in any design other than of the design awarded First prize shall be used without the consent of, _...,§{ 21 gin ( 2‘14 me wad or compensation to, the author of the design in which it appears. In case the Owner desires to make use of any individual feature of an unsuccessful design the same may be obtained by compensation to the designer to be mutually agreed upon. 11. Communications (Mandaz‘my): If any Competitor desires information of any kind what- ever in regard to the Competition or the program, he shall ask for this information by anonymous letter addressed to the Professional Adviser, and in no other way, and a copy of this letter and the answer thereto will be sent simultane- ously to each Competitor, but no request received after October 15, 1922, will be answered. I2. 7726 flflmymz'zjy ofmez'flgs (Mafia/army): The drawings to be submitted shall bear no name nor mark which could serve as a means of identification, nor shall any such name or mark appear upon the wrapper of the drawings, nor shall any Competitor directly, or in— directly, reveal the identity of his design or hold commu- nication regarding the Competition with the Owner or with any member of the Jury, or with the Professional Adviser, except as provided for under “Communications” (see Sec- tion 11). It is understood that in submitting a design, each Competitor thereby affirms that he has complied with the foregoing provisions in regard to anonymity, and agrees that any Violation of them renders null and void this agree- ment and any agreement arising from it. With each set of drawings must be enclosed a plain, opaque, sealed envelope without any superscription or mark of any kind, same containing the name and address of the Competitor. These envelopes shall be opened by the Pro— fessional Adviser after the final selection has been made and in the presence of the Jury of Award. 13. Delivery of Drawings (Mafla’atorjy): The Drawings submitted in this Competition shall be enclosed in portfolios, or securely wrapped and properly protected with stiff boards. The drawings together with the typewritten statement called for under the heading of -..,g{ 22 i9” “Drawings” (see Section 7/ ///// . , 15G) shall be Without any %/////////////// ’//////”' mark of identification / and shall be enclosed in a / sealed wrapper, on the outside of which shall be lettered in typewriting the words “Drawings for the New Tribune Build- ing” and nothing else. This sealed package shall be accompanied by a seal- ed, unmarked, opaque envelope enclosing the name and address of the Competitor. The isealed package and the envelope shall be enclosed in a sealed wrapper to make one package, unmarked except for the address in type- writing: Howard L. Cheney, Room 1202, 7 South Dear- born Street, Chicago, Illinois. NW/ - " h// // ///" a W // ' /\ I A!“ 4 : ll ‘ "gr ‘5} All ill.“ WE I‘M" UPI-1!. The package above described must be delivered prepaid by an express company or other public carrier and in no other way, to the above address not later than 12 o’clock noon on the first day of November, 1922. As a means of providing against the possibility of elimination of a package coming from a distant point, the delivery of which package has been delayed not more than thirty (30) days beyond the mentioned date on account of delay in transportation without fault on the part of the Competitor, the Jury will take into account the date mark of the express company or other public carrier at the point of shipment and at its dis- cretion may admit such delayed package to the Competition. 14/ . Site: The site of the building is the west portion of The Tribune property bounded by Michigan Avenue, Austin Avenue, St. Clair Street, and the adjoining public alley as shown on the accompanying plat. The building site has a frontage of one hundred (100) feet on Michigan Avenue and one hundred M43 23 lg?"— The ruin: replaced with a hatter huild- ing of five stories. In thi: huilding was housed The Trihune until 1901, when it was strapped to make way for The Trihune Building. thirty—five feet eleven and one—half inches (135’11%”) along Austin Avenue. 15. Drawings (Mandatory). All drawings submitted shall be prepared according to the following list and at the scales given. No other drawings than those enumerated shall be submitted. A. Sketch floor plan at the Michigan Avenue level, show- ing accurately the arrangement of the main entrance lobby, the stair and elevator distribution, and the connection of the new building with The Tribune Plant. Scale one- eighth (%;) inch to one (1) foot. Sheet size inside of border line 24 inches by 30 inches. B. Sketch plan of a typical ofiice floor. Scale one—eighth (%) inch to one (1) foot. Sheet size inside of border line 24 inches by 30 inches. C. Michigan Avenue (west) elevation. Scale one-eighth (V8) inch to one (1) foot. Sheet size inside of border line 24 inches by 60 inches. D. Austin Avenue (south) elevation. Scale one-eighth (%) inch to one (1) foot. Sheet size inside of border line 30 inches by 60 inches. E. Longitudinal section from west to east. Scale one- eighth (%) inch to one (1) foot. Sheet size inside of border line 30 inches by 60 inches. F. Perspective drawing of the building from the south- west. Scale one-eighth (%) inch to one (1) foot. Inside size of frame 30 inches by 60 inches. Presentatz'm ofmez'ngs: G. With each set of drawings shall be enclosed a brief typewritten description or explanation of the design, con- taining such information as the drawings cannot supply, or commenting upon any points of the design which the Com- petitor may desire to call to the attention of the Jury. H. No flaps shall be attached to any drawings, and no alternate drawings shall be submitted. 1. The drawings shall be on high grade drawing paper and shall be mounted on plain white mounting boards. J. The drawings shall be rendered in black and white, and no colors shall be used. «a 24 a»— [flu/1 (17‘(‘/1//(’(‘/ 16/10 upp/M/for (’il/i‘Ili/(‘(’ [0 Mm (OH/pc’z/[z'mz wax supp/[ed wit/z a program, a p/zolo 0f [/16 yz'lefmm t/ze 5011//1-zc(1v/, 7‘1’p7w/1n‘li01/ q/ iC/H'w/z IX y/mmz (1/1006, and (z Wimp/mt [zzyozzt 0f [/16 xitv, 5/1015}; 011 [/26 71896! two pages. ,i liiiili 13.9 v.9. Jabs- , 1‘1 4 . 3: 43 25,3; .8 32:3 TESS .5qu LE; . “““ I; 4&1! Hr? w 1H... 4.... E ‘ 1;”. .535.— ..2 3.55:; 6 Ii. , 1.... .... .x 23.5.1.1!» 7.3.2.: ,JmNt ," u ‘7‘ J ‘ R _ . . » \M/(! H — v 1|1 a .\»I ‘ .5 .... an V— firm w 4. VA Tm % I lg n. .F _ #52. .t , w (1.9.4....Q3 J, j: 3] WJ :7... x/dvzls‘orv fl7‘f/Zlfl’é‘f HOWA R1) 11. CHENEY $23.: .865 ‘llkiur. 5.8459 s. N «322: ._ 4. 1 _ _ .12; 193 1 (on 3 11111 1 . .. 1 . 111 1 L .h d l bin b: ..v , 1 1 1 {III I! 1“1 ‘1 11 l . '1. ll .1‘1‘111 1 .. I!“ 3900 1 1 1 1 1 1 1|— _ Olllul 0| I1 1 11 1 mji? 0f Tri/xzmc’ P/zmz and whim/y. T/zc 'l'rz’émze Tower ix [0 wrap} [/26 spam dirafb 771me of [/16 P/(ml‘ On [/16 5276 Z'Hflllifdic’fl, //y a don/#6 [my 2017/ he cra‘z‘c’a’ (z p/(mz‘for Jim/(me vie-w mar/66d tail]; (1 xing/e 10/2276 [2726. [/16 priming of (Io/07010 mm’ Rologmmrc. ”Wig/m Buz/n’mg 2'12 [q/Z‘faregrozmn’. K. A single human figure six feet tall shall be shown at the picture plane of the perspective and each elevation to show the scale, but no architectural, floral, or other acces- sories of any kind shall be shown on, or around, the eleva- tions or perspective drawings except such features as are common to the property. L. There shall be no notes nor general descriptive mat— ter printed or written on the drawings. M. Each sheet shall have a plain border consisting of a single line showing a uniform outside margin of one and one-half inches. I (5. flgreenzent Between Owner and Competitors: In consideration of the submission of drawings in this Competition and the mutual promises enumerated in the subjected “Conditions of Contract Between Architect and Owner,” the Owner agrees and each Competitor agrees, if selected by the Owner as Architect for the building, imme-' MW“.— mhs‘dv diately to enter 1nto a contract contalning aH the Con- ditions” here following, and until such contract is executed to be bound by the said “Conditions.” I 7. Conditions of C ontrafz" Between Arc/Zita? and Owner: DUTIES OF THE ARCHITECT A. Design: The Architect is to design the entire build- ing and is to design, or direct the design, of its constructive engineering and decorative work, and the fixed equipment forming an internal part of the building proper. B. Drawing: and Specifications: The Architect is to make such revision of his competitive scheme as may be necessary to complete the preliminary studies for the ap- proval of said Owner; and he is to provide all necessary drawings and specifications for the proper conduct of the work. The Architect agrees that at the option of the Owner, he will revise, change, or reduce the plans, and in such case the fee to be paid to the Architect shall be based upon the cost of the building after such revisions, changes, or reductions have been incorporated in the drawings, and providing such revisions, changes, or reductions are made ”*5! 29B» My The TribuneifBuild. ing, at Madison and Dearéorn Streets, erected in 1902 at a ear! of $1,800,000. from the sketches sub- mitted in competition. However, if such revi- sions, changes, or reduc— tions are authorized by the Owner or its delegated representatives after working drawings and specifications have been approved by them, the Architect shall be paid the expense of making such changes. It is stipu- lated that the Architect shall at his own expense make such revisions and alterations of working drawings and specifica- tions as shall be necessary to ensure the proper construction and completion of the building as described in this program inclusive of its sup- plementary notes. MI I‘ n u uni . \I \ i' | s ,n .\. 14 \ \II‘ “lfllnlflrll‘xfl ‘ . i ‘ \ i 7- . ... ‘ ,. ‘ ' ‘ iii ‘5‘ A “-A' i. i\ i _ =, . — a k,. if:- ; All drawings and specifications, as instruments of service, are to remain the property of the Architect, except the signed contract drawings and the signed specifications, and one (1) record copy on linen at one—eighth (%) inch scale to one (1) foot of the complete plans, elevations, and sections together with scale detail sheets and specifications amended to correspond with the building and equipment as executed. C. A’dministmtion: The Architect is to prepare or ad- vise as to all forms connected with the making of proposals and contracts, assume all responsibility in the taking of estimates and awarding of all contracts as directed by the Owner, issue all certificates of payment to contractors, keep proper accounts and costs record, and generally to discharge the necessary administrative duties connected with the work. D. Engineering Services: The Architect shall at his own expense furnish the complete services of engineers for structural and sanitary works, heating and ventilating, all electric light and power lighting. E. Supervision: The Architect is to supervise the exe- cution of all the work committed to his control. He shall mag 30 B‘..- provide competent superintendence continuously through- out the period of construction. DUTIES OF THE OWNER A. Payments: The Owner is to pay for the Architect’s complete services a sum equal to seven per cent (7%) upon the cost of the work, payments on account as follows: the fifty thousand dollar ($50,000) prize for the winning of the Competition within ten days after the award (this amount to apply upon and to be included in the Architect’s fee as hereinbefore stipulated only if the winner of the first prize is selected by the Owner as the Architect of the building); upon the completion of the contract working drawings and specifications, two-fifths (%) additional of the total esti- mated fee; and for supervision and administration the re- mainder of the fee from time to time as the work progresses. B. Transportation: The costs of transportation and liv- ing expenses incurred by the Architect and his assistants while traveling in discharge of duties connected with the work shall be borne by the Architect. C. General Information: The Owner agrees to give to the Architect full information as to the requirements of the work. D. Surveys and Tests: The Owner agrees to pay for all necessary surveys, borings, and tests connected with the work. E. Clerk of the Works: The expense of a Clerk of the Works shall be borne by the Owner. I 8 . Conditions and Requirements oftfie Building.- A. It cannot be reiterated too emphatically that the pri— mary objective of The Chicago Tribune in instituting this Competition is to secure the design for a structure dis- tinctive and imposing—the most beautiful office building in the world. Careful consideration must be given to the development of the design into a building highly practical in its function. While it is not required that an exhaustive study be made of the detailed mechanical requirements of this problem, never— theless, it will be necessary for each Competitor to familiar— ize himself with the requirements of modern city newspaper _.3 31 g..- , M, "v,- .v—wwuquwm-m _nr~aW The Triéunc Plant, erected in 1920, at Michigan Boulevard and Austin Avenue, in front of which The Tribune Tower will stand. publication in order to demonstrate to the Owner, if successful in winning the award, his thorough grasp of the problem and his ability to achieve its successful solution. B. Each Competitor is referred to the accom- panying plat which indi- cates the present side- walks and grades along the site of the proposed building. The exact lo— cation and dimensions of the present Plant Build- ing which occupies the east section of the proper- ty is also shown. Indi— cation is made of the column centering and the locations of the eight caissons which have already been placed under the present temporary press-room extension. C. The lower stories of the new building will be used by various Tribune departments. The upper stories will be available for public office space. D. It is assumed that the building will be made solid over the entire available building site up to a height of at least one hundred seventy-five (175) feet. From this point the Competitor may step back the building as he sees fit, bearing in mind that the Chicago Building Ordinance per— mits the occupation of a building for office purposes up to a height of two hundred sixty (260) feet. The use of a tower as a feature in the design is left to the judgment of each Competitor. Should a tower be con- sidered, its limit of height must not exceed 400 feet above the Michigan Avenue grade level. The area of the tower or a portion of the building extending above the two hundred sixty (260) foot limit must not exceed thirty-six hundred (3600) square feet. E. The number of oflice stories is left to the judgment of each Competitor. The heights of the lower stories must -..,,3{ 32 )3...» correspond with those of the adjoining Plant Building. The stories above shall be approximately eleven feet six inches (11’—6") from floor to floor. F. From the Michigan Avenue grade level to the two hundred sixty (260) foot limit of height for the main por- tion of the building the depth of reveal or distance from the property line to the inside face of the plaster walls of the building is limited to six (6) feet on both Michigan Avenue and Austin Avenue. G. The exterior building materials are left to the judg- ment of each Competitor. H. Each Competitor must fully comply with the Build- ing Ordinance of the City of Chicago. The program of this Competition is approved by the Committee on Competitions of the American In- stitute of Architects, Illinois Chapter, in form and method of procedure only. Afmwers to .Qz'testz'om Suomz'ttea' t} Competitors QUESTIONS which have been sent in and are irrelevant to the Program requirements for the building are not herein considered. Where questions submitted have been of a similar nature and refer to particular sections in the Pro- gram, explanations have been given to each paragraph in question. 14 Correction On the blueprint “Plan at Building Site” along St. Clair Street, the depth of the property is 100’-0” and the column centering should read as follows: 1,-4”, 20'—2”, 19,-0”, 19,-0”, 19,-0", 20,-2”, 1,—4”. Quextzbn: Are the column centers as shown on the ”Plan at Building Site” to be considered as mandatory? 14725712287“: They are. Competitors must observe the col- umn centering indicated on the “Plan at Building Site,” with the correction as noted above. However, intermediate column lines may be established in an East and West direction between the 24’-0" bay and the Michigan Avenue property line. The five bays as indicated along Michigan Avenue must be maintained upon the established column “$33 l3” "f Few a; centers. It will be necessary to establish a new line of col- umns along the west face of the present six story Plant Building, inasmuch as the present columns are not sufli- ciently strong to carry the new structure. Possible inter- ference with the presses by the establishing of columns over the present caissons in the Extension of the Press Room need not be considered. Part 2—Sectz'o7z 15 -F Questz'afl: Under Section 15 of Part 2, the drawings re- quired in Paragraphs A to F inclusive are of certain sizes measured inside of border lines; the perspective is required to be 30” X 60” (inside size of frame). From a perusal of Paragraphs I and M under the same heading, it would appear that all drawings shall be mounted on mounting boards, which seems to conflict with the requirements as to the frame for the perspective. Answer: All drawings shall be mounted as specified in Paragraph I of Section 15. The use of a frame for the per- spective drawings is permitted. If unframed, it shall be 30” X 60” in size inside of border lines with a uniform margin of 1%” as required under Paragraph M of Section 15. If a frame is used, its inside size shall be 30” X 60”. Part 2—Secz‘z'07z 15—] Questz’m: Does the requirement, “The drawings shall be rendered in black and white and no colors shall be used,” mean that the rendering may be in pencil, pen and ink, black water color wash, or India Ink wash? 147251067“: The drawings including the elevations and per— spective shall be in monotone. The rendering both as to line and wash work shall be done in black water color wash or India Ink wash. Shades and shadows shall be used. This section was altered in order to give Competitors greater freedom in the rendering of their drawings in mono- tone without confining the wash work to India Ink. Part 2—Sectz'07z 15-L “There shall be no notes nor general descriptive matter printed or written on the drawings.” was 34 )3...- Question: Does this exclude title and scale of drawings, and title of various rooms, etc., on plans? Answer: It does not exclude title and general informa- tion necessary to the drawings. This paragraph refers par- ticularly to unnecessary notes and descriptive matter on drawings. Part 4—Sectz'o7z I 8—14, D 5-9 F Quertz'on: To what extent, if any, are conditions and re- quirements mandatory as referred to in Part 4, Section 18, Paragraphs A. D. & F.? 1472312287": Section 18—A. As Competitors will observe from a careful study of the requirements for drawings to be submitted in this Competition under Part 2, Section 15, A-F, it IS unnecessary for the purpose of this Competition to know the mechanical needs of The Chicago Tribune or to be concerned with the plans for developing and extending the various departments which will occupy space in the new Building. The purpose and desire of The Tribune in in- stituting this Competition is to secure primarily a distinctive and beautiful exterior design. In awarding the cash prizes, therefore, judgment will be governed largely by the Com- petitor’s conception of the exterior of the proposed Build- ing. However, it will be highly necessary for the successful Competitor to demonstrate to the Owners his thorough grasp of The Tribune’s project and his ability to achieve its successful solution in order to receive consideration for appointment as Architect of the Building. (See foreword of the Program, Second Paragraph on Page 18.) Section 18, D. & F. It is to be considered that the Building shall be carried up solid to a height of at least 175’ without the provision of a light court. This necessitates the elimination of the present west Windows in the Plant Building. If the main portion of the Building is carried above 175’, a light court can be used. The provision for stepping back the Building above a minimum height of 175’ should in no way be confused with the requirement of Para- graph F, which limits the reveal from the property line to the inside face of the plaster walls of the Building to 6’ on both Michigan Avenue and Austin Avenue. The depth of reveal referred to applies to the exterior wall treatment only, and governs the depth of a continuous wall carried to a «a 3 5 p..- maximum height of 260’ above the Michigan Avenue grade level. A recessed loggia or a monumental entrance reveal would not be considered a violation of this requirement. Question: Section 18-D. As to the height of 260’ allowed by The Chicago Building Ordinance in Part 4, Section 18-D, may this height be taken from the upper or lower level on Michigan Avenue? Answer: The 260’ limit of height as allowed by The Chi- cago Building Ordinance shall be taken from the upper level on Michigan Avenue; also the 400’ limit of height for towers. Question: Section 18—D. The provision in the Program states that a tower may be used above the 260’ level to a height not exceeding 400’ and not greater in area than 3600 square feet. Does not this instruction allow the Competi- tors to use a tower of any desired shape and allow the placing of same in any position whatever in relation to the Building below as long as the specified area of 3600 sq. ft. is not exceeded? Answer: The Chicago Building Ordinance states that a tower, “Shall not occupy more than one—quarter of the street frontage of any building,”——“no tower, dome, or spire shall exceed thirty-six hundred (3600) square feet in area, and in no case shall the area exceed fifteen percent of the total area of the building on which it is erected.” Competitors need not be confused with the apparent ambiguity of the Pro- gram requirements for a tower as compared with the re- quirements for towers in The Chicago Building Ordinance. In the preparation of drawings in this Competition for the design of The Tribune Building, the frontage requirements governing the tower dimensions in The Chicago Building Ordinance can be disregarded and a Competitor is per- mitted to use such dimensions for a tower as he may see fit providing, however, that he does not exceed the maximum allowable area of 3600 sq. ft. The maximum area of 3600 sq. ft. will be permitted inasmuch as the entire Tribune property will be considered in the computation of the tower area. HOWARD L. CHENEY, fldvisory flrclzz'tect August 20, 1922 «a 36 law" REPORT OF THE JURY OF AWARD -- ~ HE competition for a monu- mental building conduéted by The Chicago Tribune under the auspices of the American Institute of Architects has " ='-3 been something unique in the history of American architecture. It is the first time that any corporation, civic, commercial or political (and The Tribune as a great newspaper represents all three types) has recognized the importance of a commercial building as a force for beauty and inspiration in the daily life of the average American citizen. The program for the competition was first prepared by the owners of The Tribune and then submitted to the Committee on Compe— titions of the A. I. A. at the fifty-fifth annual convention of the Institute, and after some modifications had been made, was unanimously approved by the Committee on Competitions and announced to the profession by President Kendall as the last oHicial act of his adminis- tration, at the banquet given to the convention held in the famous Palace of Fine Arts of the World’s Columbian Exposition on June 9,1 92 2. It seemed most fitting that the announcement of what The Tribune proposes to do for the improvement of American commercial archi- -°.,§{ 37 lg“- teé’ture should be made under the dome of the beautiful building which the American Institute of Architects is trying to preserve for the in- spiration of future generations because The Tribune has been foremost in abetting the A. LA. in this most laudable purpose. The Tribune specially invited ten architects of established reputation to submit designs for their proposed Administration Building and at the same time extended a general invitation to the architects of the world to enter the com- petition. The prizes offered were so large and the re- quirements ofthe competition so simple (in the way of drawings asked for) and the conditions regulating the final judgment so absolutely fair that it was hoped many architects would feel inspired to enter. That hope has been realized with notable results. Of the 189 designs sub- mitted, 54. were from foreign countries, 135 from architects from all over the United States. The Jury has spent many hours in careful study of plans, elevations, sections and per- spective drawings before attempting to arrive at any decision. Greatest care has been taken to literally follow the mandatory conditions of the program, and because of non-compliance with these conditions, a number of drawings were necessarily eliminated from the competi- tion, among those being design No. 60, sub— mitted by one of the architects specially invited. After daily examination of the drawings by “9% 38 E .._ Co/me/ R056” R. :flfi'C/jrmz’ré‘ Member Jury of Award -';¢?{ 39 }.‘,¢ -— a min 7036p]; filed/fl “Patterson Member Jury of Award --->52{ 40 3<--— the Jury of Award, individually and collectively, a first ballot was taken among the jury on No- vember 13th, the results of which were— First prize . . . design No. 69 Second prize . . design No. 90 Third prize . . design No. 104. On November 2 Ist the Advisory Committee, W consisting of representatives rom the Tcago City Council, the Chicago City Plan Commis- sion and the North Central Association, sub- mitted to the Jury of Award the following report of their study of the drawings: Dear Sirs: The Advisory Committee, after a careful and exhaustive investigation of the 167 beautiful designs submitted you in connection with the Architectural Competition for an Administra— tion Building for The Chicago Tribune, beg to make the following report of our findings: The designs we have selected are numbered thus: 47 104 I5I 78 18 83 90 72 23 69 III 141 We have made these selections without know- ing the identity of any of the competitors, and the numbers were selected without preference, and we regret that many meritorious designs— could not be considered because theArchiteé’c did not comply with the mandatory require- ments contained in the program. «a 41 B” .4 w...— //} J The Committee further reports that any of plants submitted expressed the highest ideal in architectural design and the Committee believes that the selection of any one of the numbers herewith presented would be a credit to Chi- cago, Michigan Avenue and The Tribune. We wish to express our appreciation to The Tribune for the opportunity of having a part in this great undertaking. Yours very truly, (signed) B. M.WINST0N C/zaz'rman As the date for the reception of drawings from foreign competitors had been placed one month later than for American drawings because of difficulties in transportation, no final decision could be arrived at before December Ist. On November 27th a second secret ballot of the Jury was taken. Between these two ballots fifty foreign designs had been received, but the result of the second ballot was exactly the same as the first, namely 69, go and 104. for Ist, 2d and 3d places, respectively. On the morning of November 3th, a con- signment from Finland Was rece1ved which, when opened disclosed two designs of such as- tonishing merit that the Jury had been in almost constant session from ligvgrfinber 29th until the morning of December Ist. WM The final decision, arrived at after exhaustive study of the three designs chosen on the first “ea 42 }g(-o.. and second ballots and design No. 187, one of the designs in the Finnish consignment was: First prize . . . No. 69 Second prize . No. 187 Third prize . . No. 90 The Jury was absolutely of one mind in the awarding of the Ist and 2d prizes. For the 3d prize there was a difference of Opinion, four voting for No. 90, and one, the Chairman of the Jury, for No. 104. In View of the fact that the majority vote for No. 90 as third prize winner was so over— whelming the minority voter at once withdrew his vote and moved that the decision of the award be made unanimous. Of the designs submitted and complying in in every way with the mandatory conditions of the program, 25 are of such unusual merit that the Jury feels that any one of these would fulfill The Tribune’s desire to erect the most beautiful office building in the world. That out of these 25 designs, 3 should have stood out from the first as having such surpassing merit, they that held first place with the Jury until the arrival of the design from Finland on practically the last day of the competition is indicative of the fairness of the final decision. Had not design No. I 87 been of such unusual beauty and shown such a remarkable under- standing of the requirements of an American oflice building as to compel its being awarded ....,g.{ 43 E..- g t E i : second place on its self—evident merit the final and first ballots of the Jury would have remained the same. In the Architectural profession this compe- tition has, for siX months, been of paramount interest and its influence upon the American mind towards the profession of Architecture will last for generations. The program of the competition repeatedly states that the main desire on the part of The Tribune is to create a building of surpassing beauty. Never before has the “quality of beauty” been recognized as ofcommercial value by an American business corporation, and yet all the greatest architecture of the past has been based upon beauty as its fundamental essential. To the trained architect the quality of beauty in plan and in the design as expressing the plan has always been the goal to be striven for. Let us hope that the results ofThe Tribune Com- petition may impress this essential upon the mind ofAmerican business so emphatically that the whole aspect of our American cities may be permanently influenced thereby. One gratifying result of this world competi- tion has been to establish the superiority of American design. Only one foreign design stands out as possessing surpassing merit, and this truly wonderful design did not come from France, Italy or England, the recognized cen- ters of European culture, but from the little northern nation of Finland. “,3 44 la"- J/frm’ Granger, J. 1. 12/. Chairman Jury of Award Edit. 5'. Ber/c Ho/mm Ul/(Z/WYIIOHA’ Msmbcr Jury of Award Altrmlwr Jury of Award _.~I "la- ,L—l-np FA! kvfl ' «gm/W ,0, ' 77 Z . 2%};7/ Par! of [/23 Tribune Tower Ex/zz’éi/ (25 it appeared (2/ [/16 jrt [mlz'tzz/c’, C/zz'mgo The two Finnish designs express a unity of composition, a grasping of the problem as a whole, which was not achieved by any of the other foreign competitors nor by any of the American ones, but this unity of composition and truthful expression of the plan have been qualities which have brought about the unani- mous decision of the Jury. When the winning design is executed we feel that the judgment of the Jury will be more than justified and The Tribune amply com- pensated for what it has done to elevate Com- mercial Architecture into the realm of the Fine Arts and create for its own administrative head- quarters the most beautiful oflice building in the world to date, a fitting monument to the founders of the pioneer newspaper of the great middle west. Respectfully submitted, ALFRED GRANGER C/zaz'rman offmy of flwam’ .093 47 }%°' BIOGRAPHIES OF THE PRIZE WINNERS Yo/m Mead Howe/[5 Mr. Howells is 54 years old, born in Cambridge, Massa- chusetts. He is the son of \Villiam Dean Howells, American novelist. He was educated at the lV'Iassachusetts Institute of Technology and at Harvard, and he earned the diploma of the Ecole de Beaux Arts in Paris. Among his most notable works are buildings for Harvard, Yale, and Columbia Uni— versities, and for banks and trust companies in New York, San Francisco, and Seattle. He is a member of the American Institute of Architects and the American Institute of Arts and Letters, and president of the‘ New York Society of Diplomzed Architects, Paris. Raymmd M. Hood Mr. Hood graduated from the Massachusetts Institute of Technology in the class of 1903, and then spent six years abroad in travel and study, during which time he obtained the diploma of the Ecole Nationale Des BeauX—Arts. His first oflice work was with Cram, Goodhue 81 Ferguson in Boston and New York. Later he was associated with Palmer 3: Hornbostel, and for three years he had charge of the oflice of Henry Hornbostel in Pittsburgh. He engaged in business for himself in 1914. The Hotel Du Pont in \Vil— mington is one of his best works. This year (1923), as an associate of Howells, he went abroad to arrange for the building of the University of Brussels which is being given to Belgium by the Commission for the Relief in Belgium. For four years, he has been Chairman of the Committee on Education of the Beaux—Arts Society. Mr. Hood was born in Rhode Island 42 years ago. I \‘I ”I! U l )—‘ \_9._z ( 1") l 9‘ :1 V‘s» Raw/110110] .1]. Hom/ Elie! Saarinm l\Ir. Saarinen was born in Finland in 1873. In 1897 he passed his final examination at the Polytechnic Institute in Helsingfors. During the period 1896—1905 he was a partner in the firm of architects Lindgren, Gesellius & Saarinen, which carried out amongst other work the Finnish Pavilion at the \Vorld’s Exhibition in Paris, in 1900, and the National Museum in Helsingfors. From 1907 up to the time of writ— ing, l\Ir. Saarinen has carried on business as an architect in his own name and under his guidance the following public buildings have been erected: Townhall, in Joonsuu; Townhall, in Lahtis; Helsingfors l\Iain Railway station; Bank building, in Reval. Besides winning prizes in many competitions at home, Mr. Saarinen was a victor in the following international competitions: 1st Prize: Estobank, Reval 1st Prize: Gewerbe—Vereinshus, Rigd 2nd Prize: Private house, Essen—Ruhr 2nd Prize: In town plan competition for a new capital (Yas Canberra), in Australia lst Prize: Town plan competition in Reval By special invitation, 1\Ir. Saarinen also took part in the competition for a Peace Palace at The Hague, and negotia— tions were carried on with a view to utilizing his project as a foundation for the erection of the Palace. In 1916, he was requested to act as judge (in place of Professor Otto \Vagner, Vienna) in the competition for a House of Parliament in Yas Canberra, and also called in to give expert opinion in regard to town planning projects in Budapest, Reval and Bergen. In 1903 he was offered a professorship of architecture at the Kunstgewerbeschule in Dusseldorf, and in 1905 was elected a member of the Imperial Academy of Art in St. P tersburg, whilst in 1921, he was elected a member of the Finnish Academy of Art. In 1919, Mr. Saarinen received the honorary title of Professor. l \1; ‘ 9-4" 0 l \ I \—y-l 1‘» I 8/ Saarz'fi 672 Z 6‘ Ho/aéz'm' é? Rat/16 The firm ofHolabird 8; Roche dates back from September, 1883. Mr. Holabird was born in Dutchess County, New York, September 11, 1854. He graduated from St. Paul, Minnesota, High School in 1873 and entered West Point the same year, remaining two years. He then came to Chicago, and entered the oH-ice of \V. L. B. Jenney and remained there a number of years. It was at this office the acquain- tance of Mr. l\'Iartin Roche was made. Mr. Roche was born in Cleveland, Ohio, in 1855, but has lived in Chicago since early childhood. In 1896, Mr. Edward A. Renwick, who had been closely allied with the firm for a number of years, became a partner. The firm as it stands today (1923) consists of five members, Mr. John A. Holabird, only surviving son of Mr. Holabird, and lVTr. John \V. Root, son of the late l\1r. John \V. Root, of Burn— ham 8: Root, having been taken into partnership in 1920. Public and mercantile structures designed and constructed in Chicago and throughout the country by Holabird & Roche include: the hIarquette Building, Old Colony Build— ing, south end of Blonadnock, Tribune, Otis, Lumber EX— change Buildings, Cook County Court House and City Hall, i\1onroe Building, Mandel Bros., Boston Store, Roths- child 6; Company, Fort Sheridan Military Post. The hotels include the Congress, La Salle, Fort Dearborn, Sherman and others. Holabird 8: Roche received the first prize in the compe— tition for the Chicago Stadium, now under construction in Grant Park. Edit. J. meick ~ > . . ‘ Martin Rodze ll/m. Holabz'm’ 70/211 R00! 2 _ I ’ , ‘ » 70/277 Holaéz'm’ ARCHITECTS AWARDED HONORABLE MENTION Arehitect“ Albert J. Rousseau Ann Arbor, Michigan Alfred Fellheimer Steward Wagner New York City Claude Bragdon Rochester, New York Butler 8: Corse New York City Ernesto Fuchs Guadalajara, Jal., Mexico Ralph Thomas Walker McKenzie,Voorhees 8c Gmelin New York City Lucian E. Smith New York City Kenneth McDonald J13, Maurice Couchot San Francisco, California Peter J. Weber Chicago Plate N u méer 35 158 43 37 256 96 110 29 4O ‘ Listed in the order in which designs were received. -043 65 Es“ 4 a .6,“ Architect Jarvis Hunt Chicago Hewitt 8: Brown Minneapolis, Minn. D. H. Burnham 8: Co. Chicago Thomas J. George New York City Guy Lowell Boston Schmidt, Garden 8: Martin Chicago Edmund S. Campbell Chicago George F. Schreiber Chicago Richard Yoshijiro Mine Urbana, Illinois Arthur Frederick Adams Kansas City, Mo. Andrew N. Rebori Chicago Mag 66 196°— Plait Nu méer 118 98 44 115 28 95 100 101 82 25 94 Architect Louis Bourgeois Francis E. Dunlap Charles L. Morgan Chicago Bertram G. Goodhue New York City B. H. and C. N.Whinston New York City Frank Fort New York City Henry Hornbostel Eric Fisher Wood Pittsburgh, Pennsylvania Benjamin Wistar Morris New York City Alfred Morton Githens New York City James Gamble Rogers New York City Franciszek Lilpop K. Jankowski W arsaw, Poland Hugh G. Jones Montreal, Canada mesa 67 Ear- w w. w I ,wgakwmwwwww-wfiqu - “'7‘, r... . . aw ,. . ,. 7.7.x» ,: . . . 1 - ,_ ,- l,“ 7-11-w arm: a «- Plate N uméer 33 97 39 9O 91 45 111 27 261 182 NAHAMAMHW-u- ”111.41-“ ,. ,W}?~_ drclu'tect Charles H. Bebb Carl F. Gould Seattle, Washington Felix Gabarrocas Havana, Cuba Joseph Schartz Luxemburg Otto Hoffman Austria Friedr. Stuhmke Berlin, Germany Nicolas Wassiliell Belgrade, Serbia Gregory 8: Saunders London, England Hutton 8: Taylor Glasgow, Scotland Jules Van den Hende Ghent, Belgium Barry Hammond Dierks Paris, France Meischke 8c Schmidt Rotterdam, Holland “$168139“ Plate Nu mber 73 183 255 172 206 265 189 262 178 191 234 Architect Pierre Le Bourgeois Nancy, France Giuseppe Boni Rome, Italy Crawfurd Jensen L. W. Wilhelmsen Olaf Boye Christiania, Norway L.Bode Amsterdam, Holland Hermann Herter Zurich, Switzerland A. Hamilton Scott John A.W. Grant Edinburgh, Scotland Lechner Jeno Budapest, Hungary Lechner Lorand Kautzky Tivadar Budapest, Hungary Lippincott 8c Billson Auckland, New Zealand _..,5{ 69 law- Plate Nu mber 195 247 258 243 270 263 244 245 257 ARCHITECTS WHO SUBMITTED DESIGNS By Nations UNITE[)STATES Architect ARTHUR FREDERICK ADAMS 718 Delaware St., Kansas City, Missouri MORRIS ADLER Care Adler 81 Herzbrun 236 West 55th St., New York City, N. Y. ARRASMITH & GAUCER E. E. NEWCOMB, Associate 310 Columbia Building, Louisville, Kentucky JOHN L. BAKER 140 West 105th St., New York City BAKEWELL & BROWN JOHN BAUR, Associated 251 Kearny St., San Francisco, Cal. E. F. BARGMAN 1408 Jarvis Ave., Chicago, Illinois T. P. BARNETT COMPANY Arcade Building, St. Louis, Missouri CHAS. H. BEBB CARL F. GOULD 710 Hoge Building, Seattle, Washington WILLIAM GORDON BEECHER 763 Calvert Building, Baltimore, Maryland BELLOWS & ALDRICH 8 Beacon Street, Boston, Massachusetts WM. QUINCY BENDUS 701 Steinway Hall Building, Chicago, Illinois WILLIAM BERG 229 East Kingsbridge Road, New York, N. Y. WALTER DABNEY BLAIR 154 East 61st Street, New York City, N. Y. Afi7ogw Plate N umber 25 75 30 112 41 151 161 73 36 Architect BLISS 81 FAVILLE Balboa Building, San Francisco, California LOUIS BOURGEOIS CHAS. L. MORGAN FRANCIS DUNLAP, Associates 1630 Monroe Building, Chicago, Illinois CLAUDE BRAGDON 414 Cutler Building, Rochester, N. Y. GLENN BROWN 81 BEDFORD BROWN I 502 H Street, N. W., Washington, D. C. RICHARD W. BUCKLEY 875 West I8oth Street, New York City, N. Y. L. S. BUFFINGTON 3508 Aldrich Avenue, South, Minneapolis, Minn. D. H. BURNHAM 81 CO. 209 South La Salle Street, Chicago, Illinois BUTLER & CORSE 2 West 47th Street, New York City EDWARD PEARCE CASEY ARTHUR DELLON A. DURANT SNEDEN, Associates I49 Broadway, New York City EDMUND S. CAMPBELL Art Institute, Chicago, Illinois COLTON & KNECHT 5 34 Houseman Building, Grand Rapids, Mich. H. L. COPELAND Farmers Agency Building, Walla Walla, Wash. HARRY F. CUNNINGHAM 1219 Conn. Avenue, Washington, D. C. DENNISON 81 HIRONS 288 Lexington Avenue, New York City VICTOR A. DE PROSSE Hudson, New York LOUIS G. DITTOE 101 I Commercial Tribune Bldg, Cincinnati, 0. EDWIN SHERRILL DODGE I 5 Exchange Street, Boston, Massachusetts ”,3 71 i?"- Plate Nu 771 bar 1.04 33 43 74 108 145 44 37 105 100 150 152 114 131 144 85 79 Architect JOHN IRVING DORR Hobart, Indiana WILLIAM DRUMMOND 10 South La Salle Street, Chicago, Illinois C. A. ECKSTORM 1005 Tacoma Building, Chicago, Illinois H. W. J. EDBROOKE 512 Tabor Opera House Block, Denver, Colo. DOUGLAS D. ELLINGTON Wabash Building, Pittsburgh, Pennsylvania ALFRED FELLHEIMER STEWARD WAGNER 7 East Forty-Second Street, New York City EUGENE C. FISHER P. O. Box 90, Chicago, Illinois FRANK FORT Care McKim, Meade & White IOI Park Avenue, New York City, N. Y. MATHEW L. FREEMAN Mississippi Agricultural 8i Mechanical College CLYDE N. FRIz NELSON FRIZ 2010 Lexington Building, Baltimore, Maryland GARBER & VVOODWARD Union Central Building, Cincinnati, Ohio THOMAS J. GEORGE 100 Maiden Lane, N. Y. PAUL GERHARDT 64 West Randolph Street, Chicago, Illinois JOHN R. GIESKE 1682 6th Avenue, Huntington, West Virginia ALFRED MORTON GITHENS I4I East 45th Street, New York City, N. Y. MOISE H. GOLDSTEIN N. C. CURTIS, Associates Hibernia Building, New Orleans, Louisiana -143 7 2 E9..- Plate N umber 157 134 113 156 143 158 155 90 162 128 78 115 109 159 160 136 111 77 Architect BERTRAM G. GOODHUE 2 West 47th Street, New York City ERIC GUGLER 101 Park Avenue, New York City CHAS. HA FNER I 87 Highland Avenue, Somerville, Mass. HECTOR O. HAMILTON 342 Madison Avenue, New York City HAVEN 81 HOYT 220 Devonshire Street, Boston, Massachusetts HELLMUTH 81 HELLMUTH Demenil Bldg., 119 N. 7th Street, St. Louis, Mo. ROBERT HELMER 1 14 21st Street, Elmhurst, L. I., New York HELMLE 81 CORBETT 130 West 42d Street, Nemeork, N. Y. HERDING & BOYD Title Guaranty Building, St. Louis, Missouri PAUL HERMANN 4610 Magnolia Avenue, Chicago, Illinois RUDOLPH A. HEROLD 430 Forum Building, Sacramento, California HEWITT 8: BROWN 1200 Second Ave., South, Minneapolis, Minnesota ED. SHEPARD HEWITT 597 Fifth Avenue, New York City, N. Y. HOLABIRD & ROCHE 104 South Michigan Avenue, Chicago, Illinois HOLYOKE, JEMNE & DAVIS 649 Endicott Building, St. Paul, Minnesota HENRY HORNBOSTEL & ERIC FISHER WOOD, Associated Century Building, Pittsburgh, Pennsylvania JOHN MEAD HOWELLs RAYMOND M. HOOD, Associated 367 Lexington Avenue, New York City JULIUS H. HUBER 2039 Greenleaf Avenue, Chicago, Illinois “.331 7 3 i3“ Plate N uméer 97 76 146 153 72 32 71 141 154 119 98 31 20 to 24 69 91 1t012 133 '1 l l l ‘‘‘‘‘ Arc/zinc: FRANKLIN JAMES HUNT 22 W. 84th Street, New York HUNT & HUNT 28 East 2Ist Street, New York City JARVIS HUNT 30 North Michigan Avenue, Chicago, Illinois HUESTIS & HUESTIS 145 Chestnut Street, Springfield, Massachusetts GEORGE KELLER 24. Park Terrace, Hartford, Connecticut DAVID C. LANCE 434 East North Avenue, Baltimore, Md. A. F. M. LANCE 897 Riverside Drive, New York JENS FREDERICK LARSON Hanover, New Hampshire J. D. LELAND & COMPANY 41 Mount Vernon Street, Boston, Mass. CHARLES H. LENCH 20 West 190th Street, New York City ROBERT LOEBECK 10 West Huron Street, Chicago, Illinois LOUIS LOTT 35 East Ist Street, Dayton, Ohio GUY LOWELL 12 West Street, Boston, Massachusetts KENNETH MACDONALD, JR. 8: MAURICE C. COUCHOT 234 Pine Street, San Francisco, California MAHER & WINCHESTER 177 Huntington Avenue, Boston, Massachusetts CHARLES A. MCCARTHY Room I204, State—Lake Building, Chicago DANIEL F. MCLAUGHLIN S. E. Corner 12th St. & Michigan Ave., Chicago care Illinois Central R. R. PHILIP MERZ 1205 Pennsylvania Building, Philadelphia, Penn. MERRITT HARRISON & TURNOCK Suite 500, Board of Trade, Indianapolis, Indiana ”,3 74 9.... Plate N uméer 92 70 118 130 132 123 107 63 125 64 66 65 28 29 67 53 68 142 81 Architect MINCHIN, SPITz & CO. 19 West Jackson Boulevard, Chicago, Illinois RICHARD YOSHIJIRO MINE I I 18 South Third Street, Champaign, Illinois ROSSEL EDWARD MITCHELL 1319 F Street, Northwest, Washington, D. C. EMIL M. MLINAR FREDERICK A. CHAPMAN LAWRENCE W. MARKES, Associates 345 Madison Avenue, New York City DAVID H. MORGAN Connell Building, Scranton, Pennsylvania BENJAMIN WISTAR MORRIS 101 Park Avenue, New York City MURPHY 81 OLMSTED 1413 H Street, Washington, D. C. BENJAMIN FRANKLIN OLSON 19 South La Salle Street, Chicago, Illinois HAROLD E. PADDON Herald Building, I 3 50 Broadway, New York City CHARLES PAFF 81 CO. 7 Dey Street, New York City PALMER & PLONSKY 63 William Street, New York City PARKINSON & DOCKENDORFF La Crosse, Wisconsin ERICH J. PATELSKI I 57 West Randolph St., Chicago, Illinois L. BAYLOR PENDLETON De Menil Building, St. Louis, Missouri J. H. PHILLIPS BRUCE RABENOLD 681 Fifth Avenue, New York City ALBERT RANDOLPH ROSS JOHN SLOAN, Associates 50 East 4ISt Street, New York City ANDREW REBORI 332 South Michigan Avenue, Chicago, Illinois -c¢g{ 75 Be... Plate Number 139 82 55 54 26 45 163 62 61 60 83 59 165 38 102 84 94 Architect HERBERT HUGH RIDDLE 122 South Michigan Avenue, Chicago, Illinois FRANK J. ROBINSON 90 The Fenway, Boston, Massachusetts J. GAMBLE ROGERS 367 Lexington Avenue, New York RONNEBERG, PIERCE & HAUBER 10 South La Salle Street, Chicago, Illinois ALBERT]. ROUSSEAU 319 East Jefferson Street, Ann Arbor, Michigan SAMSON, DODD & PIERPONT 6 Thomas Street, Providence, Rhode Island EUGENE SCHOEN 282 West 4th Street, New York City, N. Y. SCHMIDT GARDEN & MARTIN 104 South Michigan Avenue, Chicago, Illinois GEORGE F. SCHREIBER 105 West Monroe Street, Chicago, Illinois J. A. SCHWEINFURTH 1110 Exchange Building, 53 State Street, Boston, Massachusetts SHAW & HEPBURN 177 State Street, Boston, Massachusetts SIEG 81 MCDANIEL 807 Central Bank Building, Memphis, Tennessee EDWIN H. SILVERMAN ARTHUR W. HALL, Associated I 3 5 South 17th Street, Philadelphia, Pennsylvania SIMON & SIMON 249 South Juniper Street, Philadelphia, Penn. WILLIAM L. SKIDMORE Box 1060, Pocatello, Idaho DELOS H. SMITH Union Trust Building, Washington, D. C. LUCIAN E. SMITH 2 West 47th Street, New York City RICHARD H. SMYTHE 62 Montague Street, Brooklyn, New York “,3 76 lg“- Plate N umber 58 88 27 166 35 127 122 95 101 138 93 148 52 56 147 51 110 129 Architect SPENCER & POWERS 5 North La Salle Street, Chicago, Illinois N. S. SPENCER 8: SON 1 8 3o Calumet Avenue, Chicago, Illinois STEBBINS 81 HAXBY CYRUS Y. BISSELL FRANK POST, Associated 320 Auditorium Building, Minneapolis, Minnesota WALTER T. STEILBERG 908 Flatiron Building, San Francisco, California I. N. PHELPS STOKES 100 William Street, New York City ADOLPH SUCK 94 Arlington Street, Hyde Park, Boston, Mass. FREDERICK J. TEICH 64 West Randolph Street, Chicago, Illinois B. PELLINI F. TRIPPUTI G. DE KERMOROCH, Associated I 10 West 80th Street, New York City VICTOR VANDERBILT 2612 West 45th Street, Minneapolis, Minn. VAN PELT & THOMPSON HENRY S. CHURCHILL, Associated 126 East 59th Street, New York City R. W. VARNEY WELLINGTON J. SCHAEFER, Associated 220 South Michigan Avenue, Chicago, Illinois J. M. VINK Suite 305, 2053 East 83rd Street, Cleveland, 0. RALPH THOMAS WALKER, MCKENZIE, VOORHEES 81 GMELIN, Associated 342 Madison Avenue, New York City, N. Y. MEAD WALTER 4730 Malden Street, Chicago, Illinois WARD & BLOHME 454. California Street, San Francisco, Cal. P. J. WEBER 213 Fisher Building, Chicago, Illinois «a 77 13... Plate Number 106 80 57 140 126 164 149 137 117 99 135 103 96 47 124 40 Architect WEEKS & DAY 921 California Commercial Union Building San Francisco, California EMILE WEIL Whitney Central Building, New Orleans, La. B. H. & C. N. WHINSTON 2 Columbus Circle, New York City, N. Y. WILLIAM PARKER WHITNEY 122 South Michigan Avenue, Chicago, Illinois WIGHT & WIGHT First National Bank Building, Kansas City, Mo. STANTON D. WILLARD 535 Mills Building, San Francisco, California ALBERT WOOD 3513 Woodward Avenue, Detroit, Michigan JOHN WYNKOOP 30 Church Street, New York City HAROLD ZOOK 104 South Michigan Boulevard, Chicago, Illinois AUSTRALIA WALTER BURLEY GRIFFIN 395 Collins Street, Melbourne, Australia AUSTRIA ALOIs AUGENFELD Vienna, Austria ARTHUR JOSEPH BERGER Doeblergasse, Dr. 1., Vienna, Austria WILHELM HEJDA RUDOLF TROPSCH Pohlgasse 54, Vienna, Austria OTTO HOFFMANN Doeblinger Hauptstr. 33, Vienna,Austria VVERKSTATT JUR MASSENJORM, GEs M. B. H. Wien XIX., Doblingerhauptstrasse I 3 a, Austria BELGIUM JULES VAN DEN HENDE 225 Boulevard Du Chateau, Ghent, Belgium NO NAME Antwerp, Belgium —-o.)g{ 7 8 $0.- Plate N umber 42 48 39 49 50 46 167 89 116 171 175 224 174 172 176 178 177 Architect CANADA HUGH G. JONES Drummond Building, Montreal, Canada JOHN M. LYLE 230 Bloor St., West, Toronto, Canada S. H. PENLINGTON 4 Courcellette Road, Balmy Beach Toronto, Canada WATERS 81 WILKES 43 Scott Street, Toronto, Canada CUBA A. BALZARETTI, R. CHAUMONT Empedrado l6, Havana, Cuba FELIX CABARROCAS I Tejadillo St., Havana, Cuba DENMARK GUNNAR B. PETERSEN I42 Ge Kongevei, Copenhagen, Denmark ANTON ROSEN Rosenvengets Alle 9, Copenhagen, Denmark ENGLAND WM. GARDNER 14 Victoria Place, Newport, England J. S. GIBSON 81 W. S. A. GORDON 5 Old Bond Street, London, England GREGORY 81 SAUNDERS Care Sir Edwin Lutyens, R. O. 7 Apple Tree Yard, York Street, St. James, London, England PERKINS & BROCKLEHURST Raymond House 32, Theobald’s Road Gray’s Inn, London, England Plate Nu méer 182 180 179 181 184 183 185 188 187 189 186 *Design Omitted by Request of Competitor _.°.,:,{ 79 E99- Architect FINLAND ELIEL SAARINEN Helsingfors, Finland DWIGHT G. WALLACE BERTELL GRENMAN (Chicago) Associates EINAR SJOSTROM JARL EKLUND Helsingfors, Finland FRANCE J. BATTEUX 9, Rue Richard Lenoix, Rennes, France PIERRE LE BOURGEOIS 9.7 Rue Victor Hugo, Nancy, France HENRI GEORGES CHASSAGNIOLE 44 Rue de Bruxelles, Paris, France HENRI DEVILLE 78 Place St., Georges, Nancy, France B. H. DIERKS Care Colonel Sawyer, 18 Rue de Montpensier Palais Royal, Paris, France ADOLPH Loos Hotel Negresco, Nice, France H. MONESTEL Toulon, France GERMANY ALEX BAERWOLD Berlin, Germany KARL BARTH Rossen b. Merseburg, Wiesbaden, Germany BRANDT BROTHERS Charlottenstrasse 5 5, Berlin, Germany PETER BIRKENHOLZ Munchen, Germany Plat: N umber 13t019 190 193 195 192 191 196 194 214 212 201 223 *Design Omitted by Request of Competitor -3 0% 80 lg?” Architect HERIBERT FREIHERR VON LUTTWITz Augustastrasse 68, Breslau, Germany RUDOLPH ECKMANN Grindelallee 126 pt., Hamburg, Germany WALTER FISCHER Falkenbergstrasse 12, Magdeburg, Germany W. FUNKE Promenade Strasse I 5, Munchen, Germany HCH. GEI LING Magdeburg, Germany WALTER GROPIUS ADOLPH MEYER, Associate Weimar, Germany F. P. GROSSMANN Hohenzollernstrasse 3, Berlin, Germany HAMMERSEN & HAARMANN Rolandstrasse 7, Osnabruck, Germany WILHELM HEIGEL Friedrickstrasse, Konigsfeld, Germany HENTZE & RICHTER Alsterdamm 10/ I I, Hamburg, Germany CLEMENS HOLZMEISTER Templstrasse 2, Innsbruck, Germany KLUM & BEITTER Kissingen, Germany LUDWIC KOLOCH Victoriastrasse 33, Aachen, Germany ERNST KOPP Saarow, Germany H. W. KRUGER HERMAN ZEss Blumenau 134, Hamburg, Germany EWA LD KRUGER Brackwede, Germany Lossow & KUHNE Waisenhausstrasse 8, Dresden, Germany HEINRICH MOSSDORF Ehrensteinstrasse 9.8, Leipzig, Germany ”8181b”- Plate N umber 222 202 221 220 207 197 216 213 211 198 217 215 233 204 227 218 203 232 Architect CARL MUSSBECK Schwanthalerstr 41, Munchen, Germany EMILE POHLE, ADOLPH OTT, Associates I Kampstrasse 55, Dortmund, Germany CARL—HERMANN RUDLOFF Sternstrasse 45, Breslau, Germany MAX RONNEBURGER Remscheid, Germany FRITZ SACKERMANN Hohenlimburg, Germany THILO SCHODER Prinzenplatz I , Gera, Germany FRITZ SCHRODER Philosophenweg I, Heidelberg, Germany GERHARD SCHROEDER Fraenkelplatz 9, Breslau, Germany KARL SIEBEN 81 W. DYCK Aachen, Germany ROBERT STERN Apostelnkloster 20, Cologne, Germany BRUNO TAUT Stephanobrucke, Magdeburg, Germany STAHLER 81 HORN Neustadt I4, Coblenz, Germany MARTIN STANDKE Gubener-Strasse 21, Berlin, Germany FRIEDR. STUHMKE Kreuzberg-Strasse I 5, Berlin, Germany MAX TAUT Linkstrasse 20, Berlin, Germany HOLLAND A. VAN BAALEN Amsterdam, Holland L. BODE I ste Atjehstraat 63, Amsterdam, Holland B. BIJVOET—J. DUIKER Zandvoort, Holland flag 82 1,350.- Plat: Nu mber 208 200 205 226 225 219 210 228 224 209 231 199 230 206 229 241 243 238 Architect F. H. Douw VAN DER KRAP 76 van Loostraat, S. Gravenhage, Holland MEISCHKE 8: SCHMIDT Nieuwehaven I 3 3A, Rotterdam, Holland H. F. MERTENS Rubenslaan 9, Bilthoven near Utrecht, Holland D. ROOSENBURG I I A Kerkhoflaan, The Hague, Holland H. F. SIJMONS Laren N. H., Holland D. F. SLOTHOUWER Amsterdam, Holland M. C. VAN STRATEN Leiderdorp, Holland D. A. VAN ZANTEN Hilversum, Holland HUNGARY LECHNER JENo Budapest, Hungary LECHNER LORAND KAUTZKY TIVADAR IKER HORTHY Budapest, Hungary ITALY GIUSEPPE BONI Via Nomentana No. 299. A., Rome, Itlay SAVERIO DIOGUARDI Bari, Italy ANTONIO GALIFFA S. Egidio alla Vibrata Piovincia di Teramo, Italy GUIDo GUERRIERO Via Verrocchio I 8, Milan, Italy MARCELLO PIACENTINI Piazza Grazioli 5, Rome, Italy Plate Number 242 234 239 235 236 240 237 244 245 247 248 253 249 246 *Dexign Omitted 6} Request of Competitor “’3 83 B..- Architect VITTORIO PINO Rome, Italy ALDO SCARZELLA ALBERTO SCARZELLA CRESCENTINO CASELLI, Associates Carrara, Italy ARTURO TRICOMI Via Pontano 61, Naples, Italy GIUSEPPE VAGO Via Balbo 39, Rome, Italy LUXEBLBURG JOSEPH SCHARTZ 43 rue d Itzeg, Bonnevoie, Luxemburg MEXICO ERNESTO FUCHS Guadalajara, Jal., Mexico NEW’ZEALAND LIPPINOOTT AND BILLSON 420 N. Z. Insurance Building Auckland, New Zealand IVORWAY FINN BERNER Bergen, Norway CRAWFURD JENSEN L. W. WILHELMSEN OLAF BOYE Christiania, Norway NI LS TVEDT Bergen, Norway POLAND FRANCISZEK LILPOP KA ROL JANKOWS KI Warsaw, Poland _.o.3§{ 84 E60“- Plate N umber 252 250 254 251 255 256 257 259 258 260 261 Plate Architect N u mber SCOTLAND HUTTON & TAYLOR 262 212 Bath Street, Glasgow, Scotland A. HAMILTON SCOTT 263 JOHN A. W. GRANT, Associate 103 Stevenson Drive, Glasgow, Scotland JAMES SALMON 264 48 Jane St., Blythswood Square, Glasgow, Scotland SIERJ3IA NICOLAS WASSILIEFF 265 Belgrade, Serbia SI?AIIV PEDRO GUIMON EOUIGUREN 266 Jardines No. 10—20, Bilbao, Spain GONZALEZ VILLAR 267 La Coruna, Spain SWITZERLAND ALEXANDER GYARFAS 272 Zurich 8, Switzerland ~Kreuzstrasse 6o HERMANN HERTER 270 Wolfbactestr 39, Zurich, Switzerland P. HURLIMANN 273 Seengen, Argovie, Switzerland G. NIEDERMANN 269 K. HIPPENMEIER, Associate 52 Reiterstrasse, Zurich, Switzerland R. S. RUTSCHI 268 Talstr. 9.0, Zurich, Switzerland STEGER & EGENDER 271 Fraumunsterstrasse I 3, Zurich, Switzerland APJOPJYBJOIIS Plate N umbers, 274, 281, 277, 279, 275, 276, 280, 278 ”figsga fl/pflaéeflm/ly ADAMS, ARTHUR FREDERICK, Kansas City ADLER, MORRIS B., New York ALDRICH & BELLOWS, Boston, Mass. ARRASMITH & GAUCER, Louisville, Ky. AUGENFELD, ALOIS, Vienna, Austria BAALEN, A. VAN, Amsterdam BAERWOLD, ALEX, Berlin, Germany BAKER, JOHN L., New York BAKEWELL 8: BROWN, San Francisco, Cal. BALZARETTI, A., Havana, Cuba BARGMAN, E. F., Chicago BARNETT, T. P., COMPANY, St. Louis, MO. BARTH, KARL, Wiesbaden, Germany BATTEUX, J., Rennes, France BAUR, JOHN, San Francisco, Cal. BEBB, CHAS. H., Seattle, Wash. BEECHER, WILLIAM GORDON, Baltimore, Md. BEIT’I‘ER, KLUM 81, Kissingen, Germany BELLOWS 81 ALDRICH, Boston, Mass. BENDUS, WM. QUINCY, Chicago BERG, WILLIAM, New York BERGER, ARTHUR & JOSEPH, Vienna, Austria BERNER, FINN, Bergen, Norway BIJVOET, B., Zandvoort, Holland BILLSON, LIPPINCOTT, New Zealand BIRKENHOLZ, PETER, Munchen, Germany BISSELL, CYRUS Y., Minneapolis, Minn. BLAIR, WALTER DABNEY, New York BLISS & FAVILLE, San Francisco, Cal. BLOHME, WARD 81, San Francisco, Cal. BODE, L., Amsterdam, Holland BONI, GIUSEPPE, Rome, Italy BOURGEOIS, LOUIS, Chicago BOURGEOIS, PIERRE LE, Nancy, France BOYD, W. VV., JR., St. Louis, MO. BOYE, OLAF, Christiania, Norway BRAGDON, CLAUDE, Rochester, New York BRANDT BROTHERS, Berlin “93 86 E..- Plate N umber 25 75 87 30 175 177 214 112 41 184 151 161 212 193 41 73 36 215 87 86 121 173 259 238 257 223 57 120 104 124 243 247 33 195 141 258 43 201 Architect BROCKLEHURST, PERKINS 81, London BROWN, BAKEWELL 81, San Francisco, Cal. BROWN, BEDFORD 81 GLENN, Washington, D.C. BROWN, HEWITT 81, Minneapolis, Minn. BUCKLEY, RICHARD W., New York BUFFINGTON, L. S., Minneapolis, Minn. BURNHAM, D. H., 81 Co., Chicago BUSCH, BRUNO, Leipzig, Germany BUTLER 81 CORSE, New York CABARROCAS, FELIX, Havana, Cuba CAMPBELL, EDMUND 8., Chicago CASELLI, CRESCENTINO, Carrara, Italy CASEY, Edward Pearce, New York CHAPMAN, FREDERICK A., New York CHASSAGNIOLE, HENRI GEORGES, Paris CHAUMONT, R., Havana, Cuba CHURCHILL, HENRY S., New York COLTON, HARRY L., Grand Rapids, Mich. COPELAND, H. L., Walla Walla, Wash. CORBETT, HELMLE 81, New York CORSE, BUTLER 81, New York COUCHOT, MAURICE C., San Francisco CUNNINGHAM, Harry E, Washington, D. C. CURTIS, N. C., New Orleans DAVIS, HOLYOKE, JEMNE 81, St. Paul, Minn. DAY, WEEKS 81, San Francisco, Cal. DENNISON 81 HIRONS, New York DE PROSSE, Victor A., Hudson, New York DEVILLE, HENRI, Nancy, France DIERKS, BARRY HAMMOND, Paris DILLON, ARTHUR, New York DIOGUARDI, SAVERIO, Bari, Italy DITTOE, LOUIS G., Cincinnati, 0. DOCKENDORFF, PARKINSON 81, La Crosse, Wis. DODD 81 PIERPONT, SAMSON, Providence, R. I. DODGE, EDWIN SHERRILL, Boston, Mass. DORR, JOHN IRVING, Hobart, Ind. DRUMMOND, WILLIAM, Chicago Plate N umber 186 41 74 98 108 145 44 232 37 183 100 250 105 54 192 184 99 150 152 34 37 29 114 77 69 42 131 144 191 105 248 85 59 127 79 157 134 *Design Omitted by Request of Competitor ....°.)Z;{ 87 Bee. Architect Nigger DUIKER, J., Zandvoort, Holland 238 DUNLAP, FRANCIS, Chicago 33 DYCK, W., Aachen, Germany 224 ECKMANN, RUDOLPH, Hamburg, Germany 202 ECKSTORM, C. A., Chicago 113 EDBROOKE, H. W. J., Denver, Colo. 156 EGENDER, STEGER &, Zurich, Switzerland 271 EGUIGUREN, PEDRO GUIMON, Bilbao, Spain 266 EKLUND, JARL, Helsingfors, Finland 190 ELLINGTON, DOUGLAS D., Pittsburgh, Penn. 143 FAVILLE, BLISS 81, San Francisco, Cal. 104 FELLHEIMER, ALFRED, New York 158 FISCHER, WALTER, Magdeburg, Germany 221 FISHER, EUGENE C., Chicago 155 FORT, FRANK, New York 90 FREEMAN, MATHEW L., 162 Mississippi A. 81 M. College FRIz, NELSON, CLYDE N. FRIz &, Baltimore, Md. 128 FUCHS, ERNESTO, Guadalajara, Jal. Mexico 256 FUNKE, W., Munchen, Germany 220 GALIFFA, ANTONIO, Italy 253 GARBER & WOODWARD, Cincinnati, 0. 78 GARDEN & MARTIN, SCHMIDT, Chicago 95 GARDNER, WM., Newport, England 188 GAUGER, ARRASMITH &, Louisville, Ky. 30 GEILING, HCH., Magdeburg, Germany 207 GEORGE, THOMAS J., New York 115 GERHARDT, PAUL, Chicago 109, 159, 160 GIBSON, J. 8., London 187 GIESKE, JOHN R., Huntington, W. Va. 136 GITHENS, ALFRED MORTON, New York 111 GMELIN, MCKENZIE, VOORHEES &, New York 96 GOLDSTEIN, MOISE H., New Orleans, Louisiana 77 GOODHUE, BERTRAM G., New York 97 GORDON, W. S. A., London, England 187 GOULD, CARL F., Seattle, Wash. 73 GRANT, JOHN A. W., Glasgow, Scotland 263 ......§{ 88 3a,..- Architect GREGORY & SAUNDERS, London GRENMAN, BERTELL, Chicago GRIFFIN, WALTER BURLEY, Australia GROPIUS, WALTER, Weimar, Germany GROSSMAN, F. P., Berlin GUERRIERO, GUIDO, Milan, Italy GUGLER, ERIC, New York GUNTHER, WALTER, Magdeburg, Germany GYARFAS, A., Zurich, Switzerland HAARMANN & HAMMERSEN, Osnabruck, Germany HAFNER, CHAS., Somerville, Mass. HAHN, HANNS, Leipzig HALL, ARTHUR W. , Philadelphia, Penn. HAMILTON, HECTOR 0., New York HAMMERSEN & HAARMANN, Germany HARRISON, MERRITT, & TURNOCK, Indianapolis HAUBER, RONNEBERG, PIERCE 81, Chicago HAVEN 81 HOYT, Boston HAXBY, STEBBINS &, Minneapolis HEIGEL, WILHELM, Konigsfeld, Germany HEJDA, WILHELM, Vienna HELLMUTH 81 HELLMUTH, St. Louis HELMER, ROBERT, Elmhurst, New York HELMLE & CORBETT, New York HENTZE & RICHTER, Hamburg, Germany HEPBURN, SHAW &, Boston HERDING, FRANK, St. Louis HERMANN, PAUL, Chicago HEROLD, RUDOLPH A., Sacramento, Cal. HERTER, HERMANN, Zurich HEWITT, EDWARD SHEPARD, New York HEWITT 8: BROWN, Minneapolis, Minn. HIPPENMEIER, K., Zurich HIRONs, DENNISON 81, New York HOFFMANN, OTTO, Vienna HOLABIRD & ROCHE, Chicago HOLYOKE, JEMNE & DAVIS, St. Paul mag 89 la?“ Plate Nu méer 189 13 to 19 171 197 216 249 76 231 272 213 146 232 52 153 213 81 166 72 57 211 174 32 71 34 198 93 141 154 119 270 31 98 269 131 172 20 to 24 69 ,. . .. ___. 4-..- -_._. .4.-.“ Architect HOLZMEISTER, CLEMENS, Innsbruck, Germany HOOD, RAYMOND M., New York HORN, STAHLER 81, Coblenz, Germany HORNBOSTEL, HENRY, Pittsburgh HOWELLs, JOHN MEAD, New York HOYT, HAVEN &, Boston HUBER, JULIUS H., Chicago HUESTIS 81 HUESTIS, Springfield, Mass. HUNT, F. J., New York HUNT 81 HUNT, New York HUNT, JARVIS, Chicago HURLIMANN, P., Argovie, Switzerland HUTTON & TAYLOR, Glasgow JANKOWSKI, KAROL, Warsaw, Poland JEMNE & DAVIS, HOLYOKE, St. Paul, Minn. JENO, LECHNER, Budapest JENSEN, CRAWFURD, Christiania, Norway JONES, HUGH G., Montreal KELLER, GEORGE, Hartford, Conn. KERMOROCH, G. DE, New York KING, FRANK, Tribune Cartoonist, Chicago KLUM & BEITTER, Kissingen, Germany KNECHT, COLTON 81, Grand Rapids, Mich. KOLOOH, LUDWIG, Aachen, Germany KOPP, ERNST, Saarow, Germany KRUGER, H. W., Hamburg, Germany KRUGER, EWALD, Brackwede, Germany KUHNE, LOSSOW &, Dresden LANGE, DAVID C., Baltimore, Md. LANGE, A. F. M., New York LARSON, JENS FREDRICK, Hanover, N. H. LELAND, J. D., & COMPANY, Boston LENCH, CHARLES H., Hew York LILPOP, FRANCISZEK, Warsaw LIPPINCOTT & BILLSON, Aukland, New Zealand LOEBECK, ROBERT, Chicago LOOS, ADOLF, Nice, France LORAND, LECHNER, Budapest LOSSOW 81 KUHNE, Dresden mega 90 Ff“.— Plate N umber 217 1t012 199 91 1 to 12 72 133 130 94 70 118 273 262 261 69 244 258 182 132 137 168 216 150 233 204 227 218 203 123 107 63 125 64 261 257 66 196 245 203 Plate Architect N uméer LOTT, LOUIS, Dayton, Ohio 65 LOWELL, GUY, Boston 28 LUTTWITZ, HERIBERT FREIHERR VON, Breslau, Germany 222 LYLE, JOHN M., Toronto, Canada 180 MACDONALD, KENNETH, JR., San Francisco, Cal. 29 MAHER & WINCHESTER, Boston 67 MARKES, LAWRENCE W., New York 54 MARTIN, SCHMIDT, GARDEN 81, Chicago 95 MASSENFORM, WERKSTATT FUR, Vienna 176 MCCARTHY, CHARLES A., Chicago 53 MCDANIEL, SIEG 81, Memphis, Tenn. 148 MCKENZIE, VOORHEES & GMELIN, New York 96 MCLAUGHLIN, DANIEL F., Chicago 68 MEISCHKE & SCHMIDT, Rotterdam 234 MERRITT HARRISON & TURNOCK, Indianapolis 81 ME RTENS, H. F., Holland 239 MERz, PHILIPP, Philadelphia 142 MEYER, ADOLPH, Weimar, Germany 197 MINCHIN, SPITz & Co., Chicago 139 MINE, RICHARD YOSHIJIRO, Urbana, Ill. 82 MITCHELL, ROSSEL EDWARD, Washington, DC. 55 MLINAR, EMIL M., New York 54 MONESTEL, H., Toulon, France 194 MORGAN, CHAS. L., Chicago 33 MORGAN, DAVID H., Scranton, Penn. 26 MORRIs, BENJAMIN WISTAR, New York 45 MOSSDORF, HEINRICH, Leipzig 232 MURPHY & OLMSTED, Washington, D. C. 163 MUSSBECK, CARL, Munchen, Germany 208 NESSELROTH, S., New York 60 NEWCOMB, E. E., Louisville, Ky. 30 NIEDERMANN, G., Zurich 269 OLMSTED, MURPHY 81, Washington, D. C. 163 OLSON, BENJAMIN FRANKLIN, Chicago 62 ORR, CAREY, Tribune Cartoonist, Chicago 170 OTT, ADOLPH, Dortmund, Germany 200 PADDON, HAROLD E., New York 61 PAFF, CHARLES 81 Co., New York 60 ”.3 91 E..- drchitect PALMER 8Z PLONSKY, New York PARKINSON 81 DOCKENDORFF, La Crosse, Wis. PATELSKI, ERICH J., Chicago PELLINI, B., New York PENDLETON, L. BAYLOR, St. Louis PENLINGTON, S. H., Toronto PERKINS & BROCKLEHURST, London PETERSEN, GUNMAR B., Copenhagen PHILLIPS, J. H., New York PIACENTINI, MARCELLO, Rome PIERCE & HAUBER, RONNEBERG, Chicago PIERPONT, SAMSON, DODD 8t, Providence, R. I. PINO, VITTORIO, Rome PLONSKY, PALMER &, New York POHLE, EMILE, Dortmund, Germany POST, FRANK, Minneapolis, Minn. POWERS, SPENCER 8i, Chicago RABENOLD, BRUCE, New York REBORI, ANDREW, Chicago RICHTER, HENTZE 81, Hamburg, Germany RIDDLE, HERBERT HUGH, Chicago ROBINSON, FRANK ]., Boston ROCHE, HOLABIRD 81, Chicago ROGERS, JAMES GAMBLE, New York RONNEBERG, PIERCE 81 HAUBER, Chicago RONNEBURGER, MAX, Remscheid, Germany ROSEN, ANTON, Copenhagen ROSENBERG, D., The Hague, Holland Ross, ALBERT RANDOLPH, New York City ROUSSEAU, ALBERT J., Ann Arbor, Mich. RUDLOFF, CARL-HERMANN, Breslau, Germany RUTSCHI, R. S. , Zurich, Switzerland SAARINEN, ELIEL, Helsingfors, Finland SACKERMANN, FRITZ, Hohenlimburg, Germany SALMON, JAMES, Glasgow, Scotland SAMSON, DODD 8t PIERPONT, Providence, R. I. SAUNDERS, GREGORY 8i, London SCARZELLA, ALBERTO, Carrara, Italy Plate N umber 83 59 165 137 38 179 186 185 102 246 166 127 252 83 200 57 106 102 94 198 58 88 20 to 24 27 166 226 2|: 235 84 35 205 268 13 to 19 225 264 127 189 250 *Design Omitted [2y Request of Competitor «a 92 3.3..- Architect SCARZELLA, ALDO, Carrara, Italy SCHAEFER, WELLINGTON J., Chicago SCHA RTz, JOSEPH, Luxemburg SCHMIDT, GARDEN 8: MARTIN, Chicago SCHMIDT, MEISCHKE &, Rotterdam, Holland SCHODER, THILO, Gera, Germany SCHOEN, EUGENE, New York SCHREIBER, GEORGE E, Chicago SCH RODER, FRITZ, Heidelberg, Germany SCH ROEDER, GERHARD, Breslau, Germany SCHUTz, KURz, Magdeburg, Germany SCHWEINFURTH, J. A., Boston, Mass. SCOTT, A. HAMILTON, Glasgow, Scotland SHAW 8: HEPBURN, Boston SIEBEN, KARL, Aachen, Germany SIEG & MCDANIEL, Memphis SI LVERMAN, EDWIN H., Philadelphia SIJMONS, H. F., Laren, Holland SIMON 81 SIMON, Philadelphia S JOSTROM, EINAR, Helsingfors, Finland SKIDMORE, WILLIAM L., Pocatello, Idaho SLOAN, JOHN, New York SLOTHOUWER, D. F., Amsterdam SMITH, DELOS H., Washington, D. C. SMITH, LUCIAN E., New York SMYTHE, RICHARD H., Brooklyn SNEDEN, A. DURANT, New York SPENCER & POWERS, Chicago SPENCER, N. S., 81 SON, Chicago SPITZ, MINCHIN & CO., Chicago STAHLER & HORN, Coblenz, Germany STANDKE, MARTIN, Berlin STEBBINS & HAXBY, Minneapolis STEGER 81 EGENDER, Zurich, Switzerland STEILBURG, WALTER T., San Francisco STERN, ROBERT, Cologne, Germany STOKES, I. N. PHELPS, New York STRATEN, M. C. VAN, Leiderdorp, Holland Plat: N umber 250 135 255 95 234 219 122 101 210 228 231 138 263 93 224 148 52 56 190 147 84 236 51 110 129 105 106 80 139 199 230 57 271 140 209 126 240 *Design Omitted by Request of Competitor «Si 9313‘"- Architect STUHMKE, FRIEDR., Berlin SUCK, ADOLPH, Hyde Park, Mass. TAUT, BRUNO, Magdeburg, Germany TAUT, MAX, Berlin TAYLOR, HUTTON 8:, Glasgow, Scotland TEICH, FREDERICK J., Chicago THOMPSON, VAN PELT &, New York TIVADAR, KAUTZKY, Budapest TRICOMI, ARTURO, Naples TRIPPUTI, F., New York TROPSCH, RUDOLPH, Vienna TURNOCK, MERRITT HARRISON 8:, Indianapolis TVEDT, NI LS, Bergen, Norway VACO, GIUSEPPE, Rome VAN BAALEN, A., Amsterdam VAN DEN HENDE, JULEs., Ghent, Belgium VANDEREILT, VICTOR, Minneapolis VAN DER KRAP, F. H. DOUW, S. Gravenhage, Holland VAN PELT 81 THOMPSON, New York VAN STRATEN, MARIAUT C., Leiderdorp, Holland VAN ZANTEN, D. A., Hilversum, Holland VARNEY, R. W., Chicago VILLAR, GONZALEZ, La Coruna, Spain VINK, J. M., Cleveland VOORHEES 81 GMELIN, MCKENZIE, New York WAGNER, STEWARD, New York WALKER, RALPH THOMAS, New York WALLACE, DWIGHT G., Chicago, Ill. WALTER, MEAD, Chicago WALTERS & WILKES, Toronto WARD & BLOHME, San Francisco WASSILIFF, NICOLAS, Belgrade WEBER, P. J., Chicago WEEKS & DAY, San Francisco WEI L, EMILE, New Orleans WHINSTON, B. H. & C. N., New York mag 94 Ban- ‘ Plate Number 206 164 231 229 262 149 99 245 254 137 174 81 260 251 241 178 117 242 99 240 237 135 ' 267 103 96 158 96 13 to 19 47 181 124 265 40 42 48 39 drdu'tec! WILKES, WATERS 8:, Toronto WHITNEY, WILLIAM PARKER, Chicago WIGHT 81 WIGHT, Kansas City, Mo. WILHELMSEN, L. W., Christiania, Norway WILLARD, STANTON D., San Francisco WILLIAMS, GAAR, Tribune cartoonist, Chicago WINCHESTER, MAHER 81, Boston WOOD, ALBERT, Detroit WOOD, ERIC FISHER, Pittsburgh WOODWARD, GARBER &, Cincinnati WYNKOOP, JOHN, New York ZEss, HERMANN, Hamburg ZOOK, R. HAROLD, Chicago ANONYMOUS Plate Number 181 49 50 258 46 169 67 167 91 61 89 227 116 Plate Numéers, 177, 274, 281, 277, 279, 275, 276, 280, 278 In t/ze order in w/rze/r l/ze deyz'gm were received Design N umber 1 Victor A. De Prosse, New York 2 John Irving Dorr, Hobart, Indiana 3 William L. Skidmore, PocatellO, Idaho 4 E. F. Bargman, Chicago I 5 Ronneberg, Pierce & Hauber, Chicago 6 Albert J. Rousseau, Ann Arbor, Mich. 7 C. A. Eckstorm, Chicago 8 Palmer 81 Plonsky, New York 9 Charles Hafner, Somerville, Mass. 10 Richard W. Buckley, New York 11 Parkinson 81 Dockendorfi, La Crosse, Wis. 12 * Alfred Fellheimer Steward Wagner, New York Plate N u mber 144 157 147 151 166 35 113 83 146 108 59 158 *Braekets indicate Associate Architect: ”,3 95 g..- Den'gn Nu mber * 13 14 15 16 17 18 19 2O 21 22 23 24 25 26 27 28 29 3O 31 32 33 34 35 36 37 38 39 4O 41 42 43 44 45 46 47 Eugene Schoen, New York Eugene C. Fisher, Chicago H. F. Mertens, Bilthoven, Holland D. Roosenburg, The Hague Jens Fredrick Larson, Hanover, N. H. Claude Bragdon, Rochester, N. Y. Sieg & McDaniel, Memphis, Tenn. Frank J. Robinson, Boston Mathew L. Freeman, Miss. A. & M. College Adolph Suck, Hyde Park, Mass. Butler & Corse, New York Hector 0. Hamilton, New York Richard Haviland Smythe, Brooklyn Victor Vanderbilt, Minneapolis L. S. Bufl-ington, Minneapolis Emile Weil, New Orleans Herbert Hugh Riddle, Chicago Daniel F. McLaughlin, Chicago William Parker Whitney, Chicago Edward Pearce Casey Arthur Dillon A. Durant Sneden, New York Ernesto Fuchs, Guadalajara, Jal. Mexico Walter Dabney Blair, New York Maher 8: Winchester, Boston Wight 81 Wight, Kansas City, Mo. J. A. Schweinfurth, Boston H. L. Copeland, Walla Walla, Wash. Ward 81 Blohme, San Francisco Bruce Rabenold ‘ J. H. Phillips, New York Ralph Thomas Walker McKenzie, Voorhees & Gmelin, New York Moise H. Goldstein N. C. Curtis, New Orleans Weeks & Day, San Francisco T. P. Barnett Company, St. Louis, Mo. Albert Randolph Ross ‘ John Sloan, New York Julius H. Huber, Chicago Lucian E. Smith, New York mag 96 $.39... Plat: N umber 122 155 239 235 63 43 148 88 162 164 37 153 129 117 145 48 58 68 49 105 256 120 87 50 138 152 124 102 96 77 42 161 84 133 110 Design Plate Number Number 48 {Kenneth MacDonald, Jr. . 29 Maurice C. Couchot, San Francrsco 49 Perkins & Brocklehurst, London 186 50 Charles H. Lench, New York 64 51 Merritt Harrison & Turnock, Indianapolis 81 52 Edward Shepard Hewitt, New York 31 53 Paul Gerhardt, Chicago 109 54 Peter J. Weber, Chicago 40 55 Paul Gerhardt, Chicago 159 56 Paul Gerhardt, Chicago 160 57 Mead Walter, Chicago 47 58 Williams Drummond, Chicago 134 59 Benjamin Franklin Olson, Chicago 62 60 Jarvis Hunt, Chicago 118 61 Garber & Woodward, Cincinnati 78 62 Frederick J. Teich, Chicago 149 63 Louis G. Dittoe, Cincinnati 85 64 Murphy 81 Olmsted, Washington, D.'_C. 163 65 I. N. Phelps Stokes, New York 126 66 Hunt & Hunt, New York 70 67 Hewitt 81 Brown, Minneapolis 98 68 John Wynkoop, New York 89 69 {John Mead Howells 1 to 12 Raymond M. Hood, New York 70 Louis Lott, Dayton, Ohio 65 71 Robert Helmer, New York 71 72 D. H. Burnham & Co., Chicago 44 73 {Bakewell 81 Brown . 41 John A. Baur, San Francxsco 74 John M. Lyle, Toronto 180 75 Harold E. Paddon, New York 61 76 Thomas J. George, New York 115 77 William Berg, New York 121 78 Guy Lowell, Boston 28 79 Waters 81 Wilkes, Toronto 181 Stebbins & Haxby 80 Cyrus Y. Bissell , 57 {Frank Post, Minneapolis 81 Spencer & Powers, Chicago 106 82 Robert Loebeck, Chicago 66 83 Schmidt, Garden 81 Martin, Chicago 95 Mg 97 E... Duign N u mber 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 l k { 1 Paul Hermann, Chicago Edmund S. Campbell, Chicago Erich]. Patelski, Chicago Charles A. McCarthy, Chicago Wm. Q. Bendus, Chicago Minchin, Spitz 81 Co., Chicago Holabird & Roche, Chicago R. W. Varney, Chicago R. H. Zook, Chicago N. S. Spencer 81 Son, Chicago Franklin James Hunt, New York George F. Schreiber, Chicago Hellmuth 8: Hellmuth, St. Louis, Mo. Richard Yoshijiro Mine, Urbana, Ill. Douglas D. Ellington, Pittsburgh Frank Herding W. W. Boyd, Jr., St. Louis, Mo. Arrasmith 81 Gauger E. E. Newcomb, Louisville, Ky. Bliss & Faville, San Francisco Samson, Dodd & Pierpont, Providence, R. I. Holyoke, Jemne & Davis, St. Paul, Minn. Arthur Frederick Adams, Kansas City, Mo. Delos H. Smith, Washington, D. C. Rudolph A. Herold, Sacramento, Cal. Stanton D. Willard, San Francisco Wm. Gordon Beecher, Baltimore, Md. L. Baylor Pendleton, St. Louis, Mo. Edwin H. Silverman Arthur W. Hall, Philadelphia Andrew Rebori, Chicago Louis Bourgeois Francis E. Dunlap Chas. L. Morgan, Chicago Frederick A. Chapman {Emil M. Mlinar Lawrence W. Markes, New York David H. Morgan, Scranton, Pa. Bertram G. Goodhue, New York Haven & Hoyt, Boston Helmle 8: Corbett, New York ”’3 98R"- Plat: Nu mbtr 154 100 165 53 86 139 20to 24 135 116 93 92 101 32 82 143 141 30 104 127 69 25 51 106 46 36 38 52 94 33 54 26 97 72 34 Design Plate Number Numéer 118 Dennison & Hirons, New York 131 119 David C. Lange, Clemson College, S. C. 123 120 Colton 81 Knecht, Grand Rapids 150 121 J. M. Vink, Cleveland, Ohio 103 122 H. W. J. Edbrooke, Denver, Colo. 156 123 {Van Pelt 81 Thompson 99 Henry S. Churchill, New York 124 Albert Wood, Detroit 167 {B Pellini 125 G. de Kermoroch 137 F. Tripputi, New York 126 A. F. M. Lange, New York 107 127 B. H. 8: C. N. Whinston, New York 39 128 Harry F. Cunningham, Washington, D. C. 114 129 J. D. Leland & Company, Boston 125 130 Shaw & Hepburn, Boston 93 131 Huestis & Huestis, Springfield, Mass. 130 132 Frank Fort, New York 90 133 Edwin Sherrill Dodge, Boston 79 134 Simon & Simon, Philadelphia 56 135 {HenrvHornbostel . 91 Eric F lsher Wood, Pittsburgh 136 {Glenn Brown . 74 Bedford Brown, Washington, D. C. 137 {Charles Paf‘f & Co. 60 S. Nesselroth, New York 138 Philipp Merz, Philadelphia 138 139 Eric Gugler, New York 76 140 Benjamin Wistar Morris, New York 45 14] Alfred Morton Githens, New York 111 142 John R. Gieske, Huntington, W. Va. 136 143 James Gamble Rogers, New York 27 144 Rossell Edward Mitchell, Washington, D. C. 55 145 {nglgcfnliiriiilBaltimore 128 146 Bellows & Aldrich, Boston 87 147 Morris B. Adler, New York 75 148 John L. Baker, New York 112 149 {ElaigllJziidevlvlflff Warsaw, Poland 261 150 Hugh G. Jones, Montreal 182 "%i{ 99 B... 295i}; 22 1613;” 151 {Chas H. Bebb 73 Carl F. Gould, Seattle, Wash. 152 George Keller, Hartford, Conn. 132 153 Walter T. Steilberg, San Francisco 140 154 S. H. Penlington, Toronto 178 155 Saverio Dioguardi, Bari, Italy 248 156 Felix Cabarrocas, Havana, Cuba ‘ 183 157 Joseph Schartz, Luxemburg 255 158 Henri Georges Chassagniole, Paris 192 159 Anonymous 281 160 Martin Standke, Berlin 230 161 Anonymous 277 162 Mariaut C. van Straten, Leiderdorp, Holland 240 163 D. A. Van Zanten, Hilversum, Holland 237 164 B. Bijvoet, J. Duiker, Zandvoort, Holland 238 165 Otto Hoffman, Vienna 172 166 Friedr. Stuhmke, Berlin 206 167 Nicolas Wassilieff, Belgrade, Serbia 265 168 H. Monestel, Toulon, France 194 169 Steger 81 Egender, Zurich, Switzerland 271 170 Gregory 81 Saunders, London 189 171 Hutton 81 Taylor, Glasgow 262 172 Anonymous 274 173 Henri Deville, Nancy, France * 174 Jules Van den Hende, Ghent, Belgium 178 175 Barry Hammond Dierks, Paris 191 . . Gi o 176 {35788. AJSGrolrdon, London 187 177 Meischke & Schmidt, Rotterdam 234 178 James Salmon, Glasgow 264 179 Pierre Le Bourgeois, Nancy, France 195 180 Giuseppe Boni, Rome 247 {Crawfurd Jensen 181 L. W. Wilhelmsen 258 Olaf Boye, Christiania 182 L. Bode, Amsterdam 243 183 Finn Berner, Bergen, Norway 259 184 Nils Tvedt, Bergen, Norway 260 185 Hermann Herter, Zurich, Switzerland 270 *Design Omitted [2y Request of Competitor «a 100 a». Dui Plate Num er A H l S Number . ami ton co 186 {John A. W. Granttt, Glasgow 263 Eliel Saarinen, Helsingfors, Finland 187 {Dwight G. Wallace}Ch. 13t° 19 Bertell Grenman 1cago Einar S'os rom 188 {Jarl Ekiunii, Helsingfors, Finland 190 F. Hamm rsen 189 {L Haarmznn, Osnabruck, Germany 213 190 Frank King, Tribune Cartoonist, Chicago 168 191 R. S. Rutschi, Zurich, Switzerland 268 192 Peter Birkenholz, Munchen, Germany 223 193 Karl Barth, Wiesbaden,'Germany 212 194 H. F. Sij mons, Laren, Holland * 195 Anonymous 279 196 J. Batteux, Rennes, France 193 197 Vittorio Pino, Rome 252 198 Lechner Jeno, Budapest 244 199 D. F. Slothouwer, Amsterdam 236 2.00 Gaar Williams, Tribune Cartoonist, Chicago 169 201 Fritz Sackermann, Hohenlimburg, Germany 225 r Lorand 202 {F233; Tivadar, Budapest 245 203 Alexander Gyarfas, Zurich 272 204 Lippincott 81 Billson, Melbourne, Australia 257 205 Carl Mussbeck, Munchen, Germany 208 206 Adolf Loos, Nice, France 196 207 {1%. ghljghfdiit, Havana, Cuba 184 208 F. H. Douw van der Krap, Holland 242 209 Anonymous 275 210 Carey Orr, Tribune Cartoonist, Chicago 170 211 Anonymous 177 212 A. Van Baalen, Amsterdam 241 213 {E. Hiiiinnriilggr, Zurich 269 214 Guido Guerriero, Milan _ 249 215 {EldiiifllffnTIggfch Vienna 174 *Design Omitted éy Request of Competitor -..,g{ 101 E3..- .4 “A “AA.AA__._._._.MAM “AMM _ .12- Dm'gn Plate Number Numétr 216 Gonzalez Villar, La Coruna, Spain 267 217 Werkstatt fur Massenform, Vienna 176 {Aldo Scarzella 218 Alberto Scarzella 250 Crescentino Caselli, Carrara, Italy 219 Gunmar B. Petersen, Copenhagen 185 220 Anonymous 276 221 Anton Rosen, Copenhagen * 222 Marcello Piacentini, Rome 246 223 Giuseppe Vago, Rome 251 224 Arthur and Joseph Berger, Vienna 173 225 Antonio Galiffa, Italy 253 226 W. Funke, Munchen, Germany 220 227 Stahler 81 Horn, Coblenz, Germany 199 228 . Alex Baerwold, Berlin 214 229 Brandt Brothers, Berlin 201 230 Hch. Geiling, Magdeburg, Germany 207 231 Hentze & Richter, Hamburg 198 232 Clemens Holzmeister, Innsbruck, Germany 217 233 F. P. Grossman, Berlin 216 234 Walter Fischer, Magdeburg, Germany 221 235 Heinrich Mossdorf, Leipzig, Germany 232 Assistants: Hanns Hahn, Bruno Busch 236 Max Taut, Berlin 229 237 Bruno Taut, Magdeburg, Germany 231 Assistants: Walter Gunther, Kurz Schutz 238 Gerhard Schroeder, Breslau, Germany 228 239 Anonymous 280 Walter Gro ius, 240 {Adolf Meyeii, Germany 197 241 Ludwig Koloch, Aachen, Germany 233 242 Lossow & Kuhne, Dresden, Germany 203 243 Rudolph Eckmann, Hamburg, Germany 202 244 Ewald Kruger, Brackwede, Germany 218 245 Fritz Schroeder, Heidelberg, Germany 210 246 Max Ronneburger, Remscheid, Germany 226 Alb. H. W. Kru er 247 {Hermann Zess, Hamburg, Germany 227 248 HeribertFreiherrvon Luttwitz,Breslau,Germany 222 249 Carl—Hermann Rudlon, Breslau, Germany 205 *Desz'gn Omitted by Request of Competitor _...€.{ 102 B9... Design Plate Numétr Number 250 Thilo Schoder, Germany ’ 219 251 Ernst Kopp, Saarow, Germany 204 252 Robert Stern, Cologne, Germany 209 253 Wilhelm Heigel, Konigsfeld, Germany 211 254 Anonymous 278 Karl Sieben 255 {W. Dyck, Aachen, Germany 224 256 Arturo Tricomi, Naples, Italy 254 257 Walter Burley Griflin, Melbourne, Australia 171 258 P. Hurlimann, Argovie, Switzerland 273 259 Klum and Beitter, Kissingen, Germany 215 Emile Pohle 260 {Adolph Ott, Dortmund, Germany 200 261 Pedro Guimon Eguiguren, Bilbao, Spain 266 262 Wm. Gardner, Newport, England 188 263 Alois Augenfeld, Vienna, Austria 175 «a 103 )9»— THE PRIZE WINNERS Soul/z west Perspective JOHN MEAD HOWELLs RAYMOND M. HOOD fluoeiaie flrr/zz'teett New York City Plate Numeer 1 FIRST PRIZE The design is before ever3 thing else an expression of The Tribune. The structure is carried to its full height as a square on the Michigan Avenue front only, thus always giving the same 1m— pression from wherever seen, and showing the same from all points as The Tribune landmark. We feel that in this design we have produced a unit. It is not a tower or top, placed on a bu1ld1ngv—1t 1s all one bu1lding. It climbs into the air naturally, carrying up its main structural lines, and binding them together with a high open parapet. Our disposition of the main structural piers on the exterior has been adopted to give the full utilization of the corner light 111 the offices, and the view up and down the Avenue Our desire has been not so much an archaeological expression of am particular style as to express in the exterior the essentially American problem Of skyscraper construction, with its continued vertical lines and its inserted horizontals. It 1s onl3'carr31ng for— mud to a final expression what man3 of us architects have tried already under more or less hampering conditions in various cities. We have wished to make this landmark the study of a beautiful and vigorous form, not of. an extraordinary form. The area of the cross section of the central motif of the top plus the area of its several supports is 3,360 square feet, and thus within the 3 ,600 square feet allowed, the frontage of the top on the street being also with the building law. It 1s perhaps not 11ecess11r3 to call attention to the fact that the upper part of the building has been designed not only for its own outline and composition, but for the possibilities of illumina— tion and reflected lighting at night. —Ho:t'e//5 {63’ Hood u «kW/m , Um, m gm Plate Number 1 Michigan flvemw Elevation JOHN MEAD HOWELLS RAYMOND M. HOOD fljsociate flrr/ziterls Plate N umaer 2 FIRST PRIZE Plate Number 2 flzzslz'n flowing Elevzzlimz JOHN MEAD HOWELLS RAYMOND M. HOOD Jsxoriate Jrv/zz‘la‘t; P/(zte Numéer 'w 3 FIRST PRIZE Plate Number 3 S mi 071 JOHN MEAD HOWELLS RAYMOND M. HOOD Juariatc Jrc/zitects P/zzte Number 4 FIRST PRIZE m umnnos‘ m. naQttfi-“K m ucua n 32.: M 5.19- man up manna: nu: mwvu 4 m un- .u—d «no. r.” Plate Number 4 Entrame F/oor P/(m JOHN MEAD HOWELLS RAYMOND M. HOOD Jaunm'ate Jrv/ziterty P/zzle NHmI/m‘ W FIRST PRIZE Typim/ F/OOI‘ P/(m ....qu ‘ mum - sin-n I f 1*. -:: -—-.1 1mm LLJYR: LI *i t ’ t'hl'l'Ifl", , . 4". F \‘l Plate Number 5 V, (f [N leefOllowing seven plates were reproduced from a Plaster 1W0a’el JOHN MEAD HOWELLS RAYMOND M. H001) tissoez'ate xire/zz'teets Plate Number 6 FIRST PRIZE W mm, W W W W .. gnu“ W66 vv'vv V! 4 I W. WM) \- A." N"‘ l HAW. § §x§ KW , l’l;1tr_\vumlwrh JOHN MEAD HOWELLS RAYMOND M.,H00D_ Associate Architect: Plate Numéer f 7 FIRST PRIZE“. my \Vumlwr t 1 I I) JOHN MEAD HOWELLS RAYMOND M. HOOD issorz'zzte JN/zitevt: Plate Numéer 8 FIRST PRIZE , , wy/rflx/V/iévzfiwii, M . , I w n f Wfiniy ,, lk'l‘ 5' UH] \. ‘ITL‘ A Pl JOHN MEADHOWELLS . . RAYMOND M.HOOD . s V __ ' ' ’ Associate Architects ~ v -. \ , Plate N umfier FIRST PRIZE._ ': lfc Number 9 ( I’l JOHN MEAD HOWELLS RAYMOND M. H001) flssociate flrthilccts Plate N umlzer 1 0 FIRST PRIZE .7! . , ._ w» w, — , M . . _ W a a . 113.563.. , .i. 1%: . 1......) 1: ,3 t...,..;,1.,,,.3.1,}... 1-..: fi駧§§$. 1,1 ,1 .1 .1 ,1 ,1 I. :v A..- . 1.x . ‘1: I...“ .92.; 35.1. : 191,111. «I... 31.59.. 1..., , €¥§ g fl , Q a Q g C i Q. . . )1... . 3‘ .5... 3.92158: 4.1:. 71.1.... 92.6!!5ix3'5; §§5§ .1... .14.... .. .\ , “k . (rigs? 4:5,... 1, 2......3iirgf 2.115 ., . c... . ,. .fi ... Q a .d ,1.“ .94.» . _\$5.2.. r: .5 r 5 i! . 5x$ .1... €23.44... . {.32. b (:5. k§§§§ 39.01.12 ., £92....)gz. ,2 9:15. ,.,. I: .. a...“ I! w ».l , ‘ fl g. .Q. ¢ ‘ , _ . .. .‘2: a .2192; ‘iata. I’latc Number 1H JOHN MEAD HOWELLS RAYMOND M. HOOD Axsociate rim/2116615 Plate Numéer 1 1 FIRST PRIZE ,4\ 3v 2,, M, Ir 4, hgl‘ 1m \um L I) Detail JOHN MEAD HOWELLS; RAYMOND M. HOOD Associate Architect: Plate Number 12 FIRST PRIZE Southwest Perspective ELIEL SAARINEN Helsingfors, Finland DWIGHT G. WALLACE BERTELL GRENMAN Chicago, Ill. Ahmeiate flirlzitertt Plate Numéer 13 SECOND PRIZE Of the design of Elie] Saarinen, Ca'zzrded serond prize, Louis H. Sli/[il(172,i71 t/ie xire/ziteetm‘rz/ Record, 50.5" ' u . it is a voice, resonant and 1ich, ringing amidst the wealth and ioy of lite. In utterance sublime and melodious, it proph- esies a time to come, and not so tar away, when the wretched 11nd the yearning, the sordid, and the fierce, shall escape the bond— age and the mania of fixed ideas“ QualitVing as it does in every technical re- gard, and conforming to the mandatorV items of the oHicial program of instructions, it goes freely in advance, and, with the steel frame as a thesis, displays a high science of design such as the world up to this day had neither known or surmised. In its single solidarity of concentrated intention, there is reV ealed a logic ot a new order, the logic of liV 111g things; and this inexorable logic of life is most graciously accepted and set forth in fluenCV of form. Rising from the earth 111 suspiration as of the earth and as of the universal genlus of man, it ascends 111 beautV lofty and serene . until its lovely crest seems at one with the sky. ” ($5,, ,a, 4 .3 «HS, V5.4} i .nfiig; r . » «I1,lluv¢.lx§wu , ,wn 2H. finsz. «33$ 3;??? Wfluk fi: m .s 1,. .5! Plate Number 13 Michigan flvenue Elevation ELIEL SAARINEN Helsingfors, Finland DWIGHT G. \VALLACE BERTELL GRENMAN Chicago, Ill. flssociate Jn‘lzz'terts Plate Numéer 14 SECOND PRIZE Plate Number 14 flmlin flvemte E/evalz'on ELIEL SAARINEN Helsingfors, Finland DWIGHT G. WALLACE BERTELL GRENMAN Chicago, 111. Associate flrdziterls Plate Numh’r 15 SECOND PRIZE § xx§ x$§ wétqw§ : $1 \ 4? Plate Number 15 i S eetz'on I ELIEL SAARINEN - Helsingfors, Finland DWIGHT G. WALLACE ‘/ BERTELL GRENMAN Chicago, 111. Associate Architects Plate N umber 16 SECOND PRIZE ? MW”. ’H. _ a...” ”w!” - ,4er, ’ ”E «:7 x ..£. ,. x-wfmx .....,,,‘ ,, i «flu/m .4 fr 3 3 9w @wpw .u ,_ 'I L x . x4 4— L. I , ‘ r I s 3 _ .3 n . ., . ., “Loihw . . r . u . . U . . . . a .. . . «(Wyrrfim Emma.:.m1m .x m}... h . r . ; Plate Number 16 Entrance Floer Plcm ELIEL SAARINEN Helsingfors, Finland DWIGHT G. WALLACE BERTELL GRENMAN Chicago, Ill. Associate Architects Plate Number 17 SECOND PRIZE Typical Floor Plcm Plate Number 17 Detail for Rendering ELIEL SAARINEN Helsingf‘ors, Finland DWIGHT G. \VALLACE BERTELL GRFNMAN Chicago, Ill. [1550“.{1/6’ Jre/zitevtj Plate Nmnéer 18 SECOND PRIZE ate A Tumber 18 Pl Dani/for Rendering ELIEL SAARINEN Helsingfors, Finland DWIGHT G. WALLACE BERTELL GRENMAN Chicago, Ill. 4‘155061'1116 jrc/zz'tecls P/ale Numhr 19 SECOND PRIZE Plate Number 19 Southwest Perspective HOLABIRD & ROCHE' Chicago Plate Number 20 THIRD PRIZE 7 25%. #53 gnaw»? $4.2 m5, 27, Z75 WE 5 / , x _ , . , , , , , W??? WWW/Ede;§?%§_ wzfiiéza ,, Mai/$2413? , 221: 43/21 :1: £274,272 w / fiflga , w, , 3,: wkxgjé (flier/fa}; 23.934, 4433‘ ? w m saga. is 236%; . M m V 4 w w, Zzfig ? .L. , wax/ii §§ my a, WWWW, “by Plate Nu mbcr 20 . w I. r: z ; A . A ~ 3. X . ~ ’1! ~,,‘ ii a . . Cs , , " _ ”‘n‘ty‘x V 1‘ x Y ‘J .u ‘ , . . ,. «T l \ w . 'r ,. . ‘4 Michigan Avenue Elevation HOLABIRD & ROCHE Chicago ’ Plate Number 21 THIRD PRIZE -_ “Am In; La. m w‘ w. ‘ Plate Number I] u“;»m¢fl u. .- _ n My u‘-:’W. nun. fluslin fl venue Elevatibn HOLABIRD & ROCHE Chicago Plate Number 22 THIRD PRIZE ’ , “ 2 I , ‘ v ‘ ' L; O Fgfl¢ _ 3,, kit»? Win» , , rag: LEA M , i. . mem I’lzlfc Number A‘trhhfl: .‘ m ‘ .m..v~an..-u '1- “ 1- ' Section 2 ' HOLABIRD & ROCHE Chicago , Plate Numécr - ~ 23 THIRD PRIZE 42;“. l FL» ‘ \ .3 Marc \umlxu' HOLABIRD & ROCHE Chicago Plale Numéer 24 THIRD PRIZE Entrance Floor Plan Typical Floor Plan . Ohm l I: 3;. sugr uh er -' xmmumur _ In: .sasam~ Him y ., ; x t '4 '(MW “N3 . ~2..:,::£ ‘fitchigm humus - fl . V _>pdca..‘c.~r.>44a .1“ HFF1\/\J\2\J 'p?:y.v.i3w.,,‘t$li . , it t t y “ .>n£c_.dc.r.¢>u,.u f \f \I. \f \f v I I ‘3 I i t t t ALE « “‘9er «xx ‘1 L~ FL OHM, 4 ,Luwnc I . .. ,... ..,i m Plate Number 24 MAW». . my”. .. v... DESIGNS ? 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Marc Number ‘1] FRANKLIN :JAMES ' I " 'New'»'—Y9fk,_ 1’. ‘ Flak Number : an», , v-whm .ng, m a W Plum Number 9 SHAW & HEPBURN ' ' . Boston, Mass. ' Plate Number 93 “MW” "ununv A \ mw’ l) , 7 late Rumba ()3 :lem... X... 1.. EMPTMTI 13 12 ma 1%. as ,1... 1.: 7V vi. i. ”f... 7.1 3. «é w? w? ‘ 3 §§$§§§833 .3 $311.9: wmfim * \ ART-IN .M. &. N E D m ,G T, m ..M .C, S $0 * Plate Nu mber 95 ‘ Chic¥a \ Marc \um‘lwr ‘1 RALPH THOMAS WALKER MCKENZIE, VOORHEES & GMELIN nyorizzlc j7‘vliiln‘tx New York City P/{llt’ Numéer ()6 gnu 4fi2¥§ have ' (finmgo « dnlmu: * I I H, (v. ‘F’V . .ug. Plate Number W) Plate Number 97 .N 3k .DIM. 98 ,: é. a?) . h V 2 5.22:7??? 12:4,, 2 Y; 1 5,2122, h wfii , . , $§4~W P] are Number 96 VAN iPELT 1&1-ITHOMPSZGR f? ‘HENRY S; CHURCHILL : Aksaqiatéfltfizitem ' ' New York City Plat: Nu’finén , P‘» é; ’ .» Iii ifinh W M? I i I m _ TRIBUNE; WAN Marc \umlwr ‘N ‘ {EDMUND S. CAMPBELL ’ Chicago I ' 'PIate Number 100: ‘ ..A »$.. .‘ :. . . k .. . Plate Number 100 ( 'JGEORGE F. 'SCHREIBER' " ' Chicago ' Plate Numbé'r r01 Plate Number 10] ‘ J, H PHILLIPS “ ' ' Assogiate Archway New York City I I‘Pfate Numfier / "102 Mair. a .4.“ «1.. m K”? w. 5% 5L a? tr, P. P. I Clevelandomo . - 1.03 _ “a t. .4.V. .4 4444 «44.24? #44... ESE VT? Eéi 4.444444% M 4 4 4 4.. 44544 44444444444. T44 44424444444484.4444 4.444 4.4 .4444 454.7% ET? ullnllllv I‘ll Plate Number 103 o BLISS & FAVILLE - San Francisco, Calif. Plate Number I '104, , , .2“, , J "11‘. '71 " '33” , w ““7 ' ~ 3? 72' a??? , V (q x‘ '5 £46 1 2 :21 ink, 1‘s. Ii *1... o u Plate Number 10-]- EDWARD PIERCE CASEY - ARTHUR DILLON" A. DURANT SNEDEN- Associate Architect: New York City‘ > Plate N umber 105 lawn...» .w«.....3 mug/yaw ’ n.- p . . . . . W )CI‘ H) I UH] \' RTE Pl in" SPENCER & POWERS » I f Chicago Plate Number 106 ' gm... fig 19.1.1. CIflH/ {vb/3V.” (PL (vi/(Ir /(irII/(:Tuv(1rs far...» r. /rL..L/r.r. {1/ L. (LIL « L riffL L, , n L T!!! 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PHELPS STOKES 3 ' ‘New York' City Plate Number ‘ 126 Plate Number 120 . 4 g \ , 7 , ‘ SAMSON, DODD & PI'ERPONT g ’ 5 ‘ > (A .. PrOvidénce, R. ‘I. h ' Plat? Numée'r 127 o ;ai,§¢il12€. riétf It £219.11 w.‘ [L “a? . MM. .i’,’ f 7 '3 , V 1, I 15’ L4 u 4. m' ‘1 y,‘f-~-~+——~ _h >- ’1' ' 4mmai‘ . ~.—.¢w.... gm? ._——¢~ 3 In! ”Lu .4“ M ../., ,, ~me .. .. / Plate Number 12 _.R_ F N. m Y_ L. C NELSON FRIZ Associate Arthitem' Balt Md. 1more, Plate N umber 128 '1 '1 m m w 3 I 3 .. g g it ~‘ ‘ "fl 34%” I“?! It“ I!" ‘3‘ ’-u Ifl I Z 8 E l '9 W! E I H E H E ‘ um Int! 1:42. we: aw: In: In! 12:! m '3“! m ‘3’! ma mm ma '2 “fl Ira If! EH Iflllflfl ‘3 WW ma vi “a ‘fl m“ 3* ”a ti rN *fl lfll kn IWIIEH '21! kahuna mammary-an ma mu If! ' 1Y;Vf!!»1} 1! ' j :6 II It Ilf Mum \umlwr 135’ RICHARD: HAVILAN‘D SMYTHE ' - fi/Broamyn,;N.Y. ‘ V=PlateNiqnfierfl ' ” ”1‘29 ' ' 1,,3 MINCHIN, SPITZ &:Co. Chicago P/ate Numétr 13‘) it“; s. a k “-46 ‘) fl \ 1 . I .L \, .I. x] ‘I U C t )l , .. ) [.1 \VALTER T. 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NoNYMofigj ' - 277 VJ Tn . . , u Jinan w wsfiW. i. .3 .HJ» ; ffi,.,.,§fi.4wmag . _ rtL. :1 l1... 5,5. y u 2 u ‘ wusgg gig-1»: t2} IV v.3 S L ¢./ 1 :2; Is! :“1;..:_,~; , , Plate Number 277 Plate Number ,, :.. 99' v .1. I .191? ‘~~é6~..:r' v‘ 4.5, ! , 5' )— Plilft Numlwr ‘, 3 . g g . “m.4....§ ..mmnw/ _ If: h. ,4V V ,«V A"? V v.1: 13¢. , c z, ., ...... Plate Number 279 ANONYMOUS Plate N umber 280 28H Plate Numbcr ANONYMOUS Plate Number 281 g t .=_.:.m....r.im.«.l_._’gw¢W: ‘ .2» a, Li: finfl .,.....l..._ ,1; M74,” M ,«F; a F fi E z I 2 ”7:: w: H w; z; aflldn. :74“. F...” r wrb. ‘wnunmnuu-wm-nmunn: ivuunnun-uunwrnnnnnuuuu Plate Number 281 . a. A.A,.A. .l- .A. AVA. A.A.A.A, AAAiA.,A.A.,A.AM,AhA _ .A 1 l QizeWGN=H0w and WI} THREE hundred and sixty-five mornings each year The Chicago Tribune is delivered to hundreds of thousands of readers. Without ap- parent effort it appears afresh each morning, telling what the world has been doing during the preceding twenty-four hours — illustrating the report with photographs and drawings— enlivening it with cartoons -— offering features both entertaining and instructive. Each day’s Tribune contains far more words than the average book—involves greater prob- lems of typography and make-up—and must be distributed to hundreds of readers in thousands of towns and cities before its ink is quite dry. JOSEPH MEDILL The Chicago Tribune has written a book, “The W G N,” to satisfy the interest which many people have in the detailed processes of newspaper publishing— to show how the world’s greatest newspaper directs and utilizes the efforts of 2600 men and women to print four million Tribunes every week. “The W G N” contains 304 pages and more than 100 illus- trations. It clearly sets forth every step in the processes of the various departments — Edi- torial, Advertising, Circulation, Mech- anical, and the making of newsprint in The Tribune’s mill from pulp wood from Tribune forests. It outlines the history of The Chicago Tribune from the days when it was little more than a printing shop up over Gray’s grocery store on the corner of Lake and Clark streets. Editor and Publisher, in reviewing “The W G N,” says: “ Many angles of newspaper making which publishers usually like to regard as confidential are laid wide open for all to see and profit by if they can. 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Reporters, Publishers, City Editors, Adver- tising Men, Constant Reader, Paper Manu- facturers, Printers— all will find this book an interesting and accurate delineation of the manufacture of a modern newspaper. “The W G N” may be obtained from your book-seller, or it will be mailed postpaid on receipt of $2.00 by the Business Survey, 1711 Tribune Building, Chicago. iv" (V L" v-wfv‘wnrvvviygivvur‘rv‘ym' ‘ WV V va ”Hwy "1" w ' “an, 6V T" “9‘9"”. w 4’. n V» r\ 1.1.4.141 3.1.1311 Jr. Jib? .137 4.1.1.1 13...: 4.11.. 1.ka 1’»... ti»! 1?} mm. ' ’EFEW ‘ .{IVDI‘II 1... 317.1. M iilflfizflif hfi‘ ‘3‘?! NH“ CD37EBHD‘HE ‘.1 ~ 3 ' “1&1. 1 ,,\ \\| “NH \‘H .3121 ..1) .1 1 immatm ‘m' " "1.5.3,“ limb iii 1.. 1. \\ \\ \\ 1. «.u '1. -_ ..1. 3- ., <1 1 3.1.436. as“ s r: '. .1 12$ in . a.“ 1 ,-1 11.2. ... .;..1.; : .“%""W<9WW WW ' . ..r:.....1?nm.l.....z.4.. 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