<.. HHH>t>rn:tr*»tinnhH I gtorrs AgriGiiltiiral College \ i Cost ■-- 1 •rrnTr'i'iMJuxi BOOK 372.89.M298 c. 1 MALTBY # MAP MODELING IN GEOGRAPHY Pill 3 T1S3 OOllflbMfl 7 This Book may be kept out TIVO IVEEKS only and is subject to a fine of TWO CENTS a day thereafter. It will be due on the day indicated below. FEB24 ^--<^-^\ AG I 2 60 MODELING BOARD WITH MAP OF NORTH AMERICA. Map Modeling in Geography INCLUDING THE USE OF SAND, CLAY, PUTTY, PAPER PULP, PLASTER OF PARIS, AND OTHER MATERIALS CHALK MODELING IN ITS ADAPTATION TO PURPOSES OF ILLUSTRATION FULLY ILLUSTRATED BY Dr. ALBERT ELIAS MALTBY, A.M., C.E. Principal of Slippery Rock State Normal School, Pa. NEW YORK AND CHICAGO : E. L. KELLOGG & CO, Copyright, 1894 BY ALBERT E. MALTBY All rights reserved TO MY MOTHER RACHEL EMELINE MALTBY THIS BOOK IS DEDICATED AS A TRIBUTE OF LOVE AND HONOR PREFACE. The use of modeling as a means of symbolizing the various land forms in geography has become so valuable in these days of advanced methods in teaching, that it is thought these abstracts from the practical methods of a schoolroom may be found help- ful to many teachers. Any application of the anthropomorphic idea of fashioning or making will follow the law of all child-thought in that the unknown is assimilated to the known. The child is really and directly familiar with only one mode of origin, and that is the making of things. One of the great joys of children is to be able to make things ; and this desire, which is indeed very great, should be utilized in their instruction. All the elements of geographical science are found near every schoolhouse ; therefore the home district should be studied first. Ritter says, " Wherever our home is, there lie all the materials that we need for the study of the entire globe." The available language of geography can alone render these home elements valuable ; and modern educators are almost unani- mous in the claim that speech, modeling, pictures, sketches, and maps form the primal language of the science. These symbols, however, are of use only when they fix a mental picture of the thing represented, and do not fix attention upon themselves. Through the constructive phase of the imagination, unseen places and peoples must be brought vividly before the mind, and the pupils may then translate them into the language of models, chalk models, pictures, and maps. Geogra'phy is truly a study of the earth as the home of man, 5 6 Preface, and should become '' a school of culture for the human race, and an essential Hnk in the chain of sciences." All molding or draw- ing that simply reproduces the form of the map, without enlarg- ing and completing the pupil's concept of surface structure, fails of its intended object. It becomes a hindrance rather than an aid, since it fails to build up in the mind a concept of the country or continent as a unit. The teacher will, however, use modeling as a means, not as an end, and thus make it a power in good instruction. A. E. M. State Normal School, Slippery Rock, Pa., May 10, 1895. TABLE OF CONTENTS. PAGE Dedication 4 Preface 5 A. Map Modeling in Geography 9-1 5 1 Elementary Geography 9 Materials in Sand-modeling 11 Value of Relief-maps 14 Primary Work 16-44 I. The Fields 17 II. The Slope 19 III. The Hill 21 IV. A Primary Lesson on Hills 22 V. Local Geography 24 VI. The Spring 28 VII. A Brook Basin 30 VIII. Mountains 31 IX. A River Valley 34 X. An Active Volcano. 1 36 XL Volcanoes II. Vesuvius 39 XII. Volcanoes III. The Middle Seas 43 Nature Study 45-65 I. An Observation Lesson 46 11. The Common Rocks 47-50 1. Scale of Hardness 47 2. Quartz 48 3. Granite 48 4. Sandstone 49 5. Hornblende 49 6. Limestone 49 7. Marble 50 III. A Lesson on Coal 50 IV. A Field Lesson 52 V. Children's Report of the Lesson 56 7 8 Contents. PAGE VI. The Great Father of Waters 58 VII. A Line upon the Sand 61-65 1. From the School-yard to the Stars 61 2. A Meridian Line 62 Advanced Work in Sand-modeling 66 I. From the Predominant Mountain Sj^stem 66 J . North America 68 II. Modeling from the Flat Layer of Sand 72 I . Africa 76 III. Molding upon an Outline 76 IV. Molding from a Central Mass 76-105 1. A Lesson with the Molding-board (South America) yj 2. A Progressive Sand-map: South America 82 3. Directions for Molding North America 85 4. Africa 88 5. Australia 90 6. Asia 92 7. Europe 94 8. How to Mold Europe in Sand. (Pupils' Work.) 96 9. Contrasts and Resemblances 100-105 1. North America and South America 100 2. Europe and Asia loi 3. Northern Continents and Southern Continents 103 4. The Old World and the New World (Tate) 104 Advanced Modeling in Papier-mache 106-129 I. Pulp-making 106 II. Folding a Map-scale 108 III. Molding North America in Papier-mache 109 IV. Modeling South America 114 V. Molding Africa , 118 VI. Modeling Australia 120 VII. Molding Asia 123 VIII. Molding Europe 125 Advanced Modeling in Other Media 130 I. Putty molding 130 1. Plain Putty. , 130 2. Colored Putty 130 Contents. PAGE II. Molding in Plaster of Paris 135 III. Maps of Finest Finish 136 IV. One Use of Relief-maps , 137 Chalk-modeling 143 1. Map Drawing 143 2. Illustrative Sketching. 149 B. Map Modeling in History 1 52-223 I. Lessons in Home Geography 155-197 1. The Spring in the Pasture 155 2. Forms of Land 1 59 3. Products 1 64 4. Occupations 169 5. Underground Products 172 6. Manufacturing 178 7. Bird Trades 182 8. Buying and Selling 184 9. Races of Men 187 10. Other Occupations 192 11. Local Products 196 II. Some Studies in Associated Lines 198-223 1. A Myth — The Stepmother Flower 198 2. The Little Plant That Longed to be Useful 201 3. What the Young Oak Said 207 4. A Queer Counting Device 212 5. A Study of the History of a State 213 MAP MODELING IN GEOGRAPHY. ELEMENTARY GEOGRAPHY. If there is any study in which it is especially important that a proper and intelligent beginning should be made, that branch is geography. Teachers often fail to make proper presentation of the subject because they do not study their pupils, and therefore cannot understand what the children need. The author of Eviile says : '' Nature requires children to be children before they are men ;" and also, "A child has neither the strength nor the judg- ment of a man, but he is capable of feeling and hearing as well, or at least nearly so." Teachers fail through neglect of the proper study of the natural propensities of children. In children the creative faculty is strongly developed, and is manifested in an infinite number of ways. Watch that httle child as he plays in his father's garden. He has no knowledge of geography as a sci- ence, yet he has gained what the Gemans call Erdkunde — earth- knowledge. Here he has represented the course of a stream by his furrows and ditches in the soft and yielding soil ; there he ex- amines into the effect of water upon his little wheel placed at the fall made in the stream which he has dammed up to form a minia- ture pond. Everything must subserve to this impulse toward formation. Here a splendid mansion stands in all its glory of colored blocks ; there a thriving village extends along the plain. Roads of sawdust or of sand lead from the mansion to the vil- lage, while a miniature forest of beautiful green moss crowns the neighboring hill. Even an artificial sea is not forgotten ; and, lo Map ModeUng in Geography. perhaps, a little brother leads out the whole menagerie of Noah's ark to graze upon the surrounding meadows. Rivers and canals, bridges, dams, mills, seaports, — all are there. Who can demon- strate the many-sided significance, the glorious possibilities of the proper application of these plays of childhood } Play, which is the poetry of childhood, is an activity which ministers to the needs of the child, but it is also a guide to the teacher in deter- mining upon a method of instruction. It is a powerful force to be used in the work of education. The true teacher learns some of his best lessons from his pupils. Let us learn a lesson here. Let us remember with Rousseau that our first instructors are our feet, hands, and eyes. Substituting books for the natural means of obtaining knowledge is not teaching us to reason, but teaching us to use the reasoning of others ; it is teaching us to believe a great deal, and never to kiwzu anything. How then should elementary geography be taught in our schools ? The answer seems obvious. Utilize from the start the natural creativ^e longing of the child. We shall gain if we let the children lead us. We know that a proper exercise of the crea- tive power produces most happy results in their education. This is especially true when the thing made takes some definite form. Bring the sand-table into the scJioolrooni. The molding-board then becomes a powerful means of cultivating the idea of form. It aids in teaching the children to see. Seeing, as an art, has been much neglected. Children must be taught to observe accurately, and then to reflect on their observations. Open their eyes to the beautiful things of the world in which they live. The teaching them becomes objective; the children acquire ideas from the ob- ject of thought, and learn to express them correctly. By far too many people go through life without ever realizing that the eyes must be educated to see, as well as the tongue to speak. With young children, especially, it will not do for the teacher Map Modeling in Geography, ii to adopt the lecture system of recitation. No amount of words, however simple and well chosen, will avail much unless the child is brought to express himself on the subject in his own language. Short, clear, and intelligible questions should be given in order to excite him to observe what is before him, to recollect what he has learned, and to bring together his stock of knowledge for the materials for an answer. *' From observation and memory there is only one step to reflection, "says Pestalozzi. Karl Ritter, who first brought geography to the rank of a sci- ence, says : " The most natural method is the one which makes the child famiHar with reality first ; which lays a sound founda- tion of geographical knowledge, gained through actual observa- tion of that part of nature which surrounds the child. Here he is to learn to see. Whether he lives in the city or in the hamlet, on the mountain or in the valley, it is certainly not within the four walls, not from maps, and not from text-books, but in nature alone that knowledge of nature will be gained by him. Nature ever remains the same ; she knows no typographical errors, no blunders in drawing, no want of discretion. Nature's teaching is always perfect." This elementary method combines all the requirements of science ; it furnishes the stratum of concrete knowledge from which abstract ideas are drawn. Amid nature the child learns to knov/ the country in all its various conditions, and learns to recognize it even on the flat-surfaced representation, the map. When this genuine elementary instruction is given, all difficulties of subsequent instruction in geography are removed. MATERIALS IN SAND-MODELING. In many respects the sand-heap of the playground is the ideal form for the presentation of this medium of symbolizing, and its introduction into the kindergarten in this primitive form is fre- 12 Map Modeling in Geography. quently seen. The needs of the ordinary public school demand a more convenient form, however, and this need, is met by the use of the molding-table, the molding-board, and the modeling- pan. In order that good work may be done in the classroom, it is necessary that provision be made for at least one large modeling- board. A small table, with strips of board t^Mee inches \vide nailed around the edges, will make a very good molding-board Fig. I. for use in a school. The top of the table should have its width and length in the proportion of four to five (Fig. i). A very ser- viceable movable molding-table is shown in the frontispiece. Any carpenter can make one readily from the details shown in the illustrations. The board shown in Fig. 2 is 32 inches wide and 40 inches long. In order to use the following plans in molding the conti- nents, the space within which the modeling is to be done may be marked off upon the board when the dimensions of the molding- Map Modeling in Geography. 13 table are not as four to five. If the board permits, mark an ob- long rectangle 32'' X 40", and divide the sides according to the directions given in the m^odeling of the several continents. The individual molding-board found most serviceable in gen- ==iai Fig. 2, eral use is about 16 inches wide and 20 inches long. A strip of wood about one inch wide should be nailed around the edp:es in order to hold the sand in place (see Fig. 3). Fig. 3. Modeling-pans, somewhat smaller than the modeling-boards, are in use in some schools. The important point to be observed is to individualize the work wherever it is possible so to do. 14 Map Modeling in Geography. The sand used should be either the molding-sand used in the foundry, or clean sharp sand from the lake or river. It should be kept in a convenient box, and moistened occasionally. Do not attempt to stir or mix the sand, but pour over it a small quantity of Avater a few hours before the material is wanted for use. The water will soak evenly into the mass, and the sand will remain in position when placed upon the board in the model of the hill or continent. Some teachers prefer to use dry white sand, meal, salt, and other materials. These substances may be used in place of the moist sand without any considerable changes in the mode of using. Pebbles from the brook or beach, fragments of minerals, and many other materials will be suggested by the child. To him the world itself is one big house where everything has been made by somebody, or at least fetched from somewhere. The teacher must call to her aid the children and their parents. The supply of useful material will then be limited only by the resources of the various homes represented in the school. Value of Relief-maps. — The objection is sometimes made against the use of relief-maps that they do not correctly repre- sent the surface of the earth, since the altitudes, in comparison with horizontal distances, are of necessity very much exagger- ated. The same reasoning would prevent the civil engineer from using profiles to represent the elevations obtained in his topo- graphical surveys, for the exaggeration of elevation in the profile is exactly that which attains prominence in the relief-map. The diagrams that geographers have long employed to represent ele- vations are sivn^ly profiles, and must be abandoned in all teaching if this objection to the relief-map is valid. But the fact is that such objections are in reality baseless. We must seek after gen- eral concepts of continental outline and organization. The flat map is, in respect to elevation at least, unmixed untruth; and even h4ap Modeling in Geography. 15 the coast-lines in many places must necessarily be very imper- fect. Compare these shore-lines, as given in any school geogra- phy, with a topographical m.ap of a small portion of the shore ; the inaccuracy is seen at once, yet the value of the school map is not in reality impaired. The general truth of oiitli?ie is impressed, and zve leave the details in their proper relation. So, in reference to the third dimension of form, it becomes necessary to avoid the error of the entire absence of elevation by the smaller error of exaggeration. The apparently excessive prominence given to the elevations in modeling is, however, exactly that which the eye gives to all objects when seen in their natural relation to the horizontal distance. The height of any hill appears much greater than the facts of measurement of base and altitude will warrant. The eye naturally neglects horizontal distance. No- tice the effect of close approach to an object in the picture of Satan's Tower, Wyoming (Fig. 4). No teacher would insist that a general truth in regard to the base and the altitude of a given triangle could not be shown with- out the accurate construction of the lines and angles in their relations. Still, that is exactly the problem that we have before us. We wish to show the slopes of a river-basin, and exhibit the effects of elevation. We step to the blackboard and draw two lines meeting at an angle, and ask that these may be supposed to represent the slopes of the basin. Is it a valid objection to state that if the two slopes were actually platted to scale the eye could not distinguish where the tingle appeared ? Relief-maps have been used by the best geographers to illus- trate the facts of the science, and objections to such use are most apt to come from those teachers who are afraid of anything in- volving any expenditure of energy. '' It is no wonder," says Locke, '' if those who make the fashion suit it to what they have, and not to what their pupils need." i6 Map Modeling in Geography, PRIMARY WORK. The use of the sand-heap and sand-table in the primary grades should be made definite in purpose. The more we are able to make the modeling a means whereby the child symbolizes what he has observed, the greater will be the mental gain of the child through the use of the medium. The child has already gained many ideas about fields, hills, roads, streams, clouds, storms, trees, animals, and people. These must be used in obtaining ideas regarding remote regions. Let the teacher and pupil talk together as the modeling progresses, the child forming a mental picture as the slope or hill is molded by his hands. Thus the relief form comes into its true relation as a symbol, and the child sees the slope, hill, range, or chain. He outlines the continent, makes mountains here and valleys there ; now he sees high cliffs, and sandy beaches, harbors and mouths of rivers. He shows the lines of watercourses, marks the places of swamps and deserts, forest glades, and all the varied panorama that one would behold while making the actual journey. To him — t/ie continent-builder — the living world-mass rises up in miniature. What he has seen of streams and lands, of roads and cities, forms the basic m.ate- rial for picturing to himself the distant places. Having first become acquainted with nature as it exists under different conditions of surface, climate, and culture, the child knows the thing to be symbolized ; the symbol then has value, and not till then. Map Modeling in Geography. 17 Fig. 5. ULtnnnn K* The Fields. 1. The children are gathered around the large molding-board or sand-table. 2. A quantity of sand sufficient to cover an oblong space near the centre is placed on the table. 3. Some of the children are allowed to make it look like [re- present] the meadow. They will smooth it out flat, and perhaps suggest the placing of a fence around it. i8 Map Modeling in Geography, 4. Let them build a fence around it, using sticks, shoe-pegs, pebbles, or other available material. Let them divide it into smaller fields, marking them to denote the various kinds, — the corn-lands, meadows, and wheat-fields. Houses may be represented by paper forms or kindergarten ^ w Fig. 7. Fig. 6. blocks. The bridge over the stream, and many other representa- tions may be made by the employment of paper-folding. Use blue yarn or string to represent the stream or brook. Draw white string over a piece of blue crayon. When the children have modeled the level fields, arranged the houses, bridges, etc., each child should draw with the side of the crayon a chalk model (Fig. 5) of the field. The details may then be drawn into the gray mass. The pencil may be used in a similar manner. Chalk-modeling has been largely used in the illustration of this little book. The sketches have in all cases been copied from the blackboard work, and are intended to show the general effects that may be produced by the use of the flat side of the crayon. The pictures are drawn in less than one minute each, with effects requiring much longer time when the attempt is made to repro- duce them. Map Modeling in Geography. 19 '^^^^^^f^^. m^ Fig Hcsson )IK. The Slope. 1. Children mold the side of a hill, or a slope of ground. 2. Let the pupils pour some Avater down the slope. Did you ever see water flowing down a slope ? In the rain. Each little rill wears its furrow in the surface. Uniting, they form a rivulet, and wear a broader and deeper channel. Where does the rain come from ? But how did the clouds gather rain and let it come down to the earth ? See how muddy the water has become in the little stream. Did you ever see the pools of muddy water formed in the hollows of the road ? Water flows from a higher to a lower level. 20 Map Modeling in Geography. The water carries the fine soil down the slope. Does it take the sand so far ? The little rills cannot move the larger pebbles. But the large stream along the roadside may move quite large stones. Where will the mud of the water be left ? Is there a long slope near the school ? What kind of soil covers the surface. Do you know what is underneath ? Find some sand ; some fine loam of the meadow. Bring clay from the banks of the stream. Here is sova^ gravel. Some day when the dark water is rushing down the slope of the roadway, go out and dip up a glassful of the water. Let it stand all night in the glass. What is it that you find at the bottom ? Mjp Modeling in Geography. 21 Fig. The Hill. 1. The child may now be led to represent the hill by model- ing it in the sand. 2. Let him model some hill known to him by name. 3. Call attention to the different kinds of slopes. 4. Show that the hills and valleys must occur together. How are hills covered ? Can you describe White's hill ? What does water do to hills ? How many slopes must the bed of a stream have ? The drops of rain make the r///, and the rill its little fiirroiv. Rills make rivulets^ and rivulets make a gully in the hillside. Rivulets make torrents, and these, working with greater force, tear out deep gorges in the slopes of the hills. Valleys in plains are mainly the result of the wear of the sur- face by running water. But the great valleys of the earth were formed by folds in the crust. Such a lesson on local geography is here shown : 22 Mclp Modeling in Geography. A Primary Lesson on Hills. The purpose of the lesson may be to make a beginning in the study of the science of geography, and to engage the young children in the important operation of learning how to observe the facts in nature. To this work the children will be able to bring all their knowledge obtained through previous observation of the earth's surface differences ; also their constructive tenden- cies will be utilized. The teacher should bring to the work her own experiences as a child, her acquired knowledge of child nature, and her personal knowledge of each individual in the class. "■ All the little boys and girls in Johnny's class may go to the sand-table and work in the sand until I have finished the number lesson with Charley's class. Let me see how quiet you can be, and what you can do with the sand." During the lesson in number, the little children to whom per- mission has been given are busily but quietly engaged in heaping up the sand in piles. After the dismissal of the class in number, and when all the older pupils are provided with work, the teacher passes to the back part of the room and begins the lesson in geography. '' Mabel, what have 3^ou been making?" I have been making a sand-pile. '' John and Robert have made two large heaps. What do you call yours, boys ? " Mine looks like a big hill. This is the hill near grandfather's house. '' Agnes has made a hill, too." It is a little hill. A small hill. A. low hill. '' We will call it a low hill, but what shall we say of this one that Henry has molded ? " It is a tall hill. We may call it a large hill. It is a narrow hill. I made it for a very high hill. '' Let us call it a high hill. Tell me something about yours, Ida." My Map Modeling in Geography, 23 hill is steep. This hill is flat on the top. '' Robert, what can you say about yours ? " Mine is a long, steep hill like grand- father's hill. It is a good hill to slide down in the winter. '• Did you ever slide down a steep hill ? " Tom Jones took me with him. "I would be afraid to go down," says Agnes. "■ Did you go down on a sled ? " '' We went down in the old cutter, — oh, so fast ! " says Robert. " That was not a very safe thing to do, I should think. What made the cutter go so fast, Edith ? " The hill was so high and steep. We went down the side of the hill. In the winter, when the snow is on the ground, we may slide down the side of the hill. Water runs down the hill and carries the sand and pebbles along, too. In the summer. ^' Your sled made a track in the snow when you were carried so swiftly to the bottom. Does the water make a track in the side of the hill ? Let us try it on these Httle hills." 24 Primary Molding in Sand. Fig. io. arsson v. Local Geography. The large molding-board is covered with a thin layer of damp sand. Teacher. — Children, you see that the sand on this board is spread out flat; how many of you have ever seen any land which was flat or level? Hands rise. Charles. — Y2X\\^r?> meadow-lot is level. Henry. — Our sheep-pasture is flat. Eddie. — Uncle pastures his sheep on the hill back of the barn. Teacher. — So all pastures are not alike, it seems. Etta, what do we call land which is quite flat and even? Etta. — A large piece of land which is level or even is called a plain. Teacher. — Eddie may make the sand in the molding-board look some- what like his uncle's sheep-pasture. Wi^at did he call the pasture, Etta? Etta. — He said that it was a hill, (While Eddie is working, the other children watch closely. Eddie finishes.) Teacher. — How did you make the hill, Eddie ? Eddie. — I heaped the sand in a pile, and made it rise a little at a time until it reached this steep place where I have put in these little bits of stone for rocks. One of Uncle Frank's sheep fell over the rocks last spring. Primary Molding in Sand, 25 Teacher. — What do we call those places at which the land rises up ? Dick. Dtck.—WWXs. Teacher. — How many ever saw a hill as steep as this one which Eddie has molded ? (Many hands rise.) Charlie. Charles. — The hill by Mr. White's house is nearly as steep as one side of that. James. — Dry Hill is steeper. 'Tis fun to slide down there in the winter. Teacher. — Annie, what do we call the sides of hills } Annie. — We call them slopes. Teacher. — James, what shall we call this slope on the left? James. — A gentle slope. Teacher. — And this one on the right, Gertie.'^ Gertie. — A sharp slope. Teacher. — Better, an abrupt slope. Eddie, where did the sheep fall over } Eddie (pointing out the place on the molded hill). — Here, where it goes straight down. Teacher. — What do we call a place where the slope is not gradual, but seems to go straight down ? Florence. Florence. — 1 do not know. Teacher. — Lottie may tell us. Lottie. — It is called a precipice. Teacher. — Eddie's uncle pastures sheep on the hill ; with what do you think that hill is covered, Dick.^ Dick. — There must be plenty of grass. Eddie. — But there are bushes and young trees, too. Teacher. — What else do we find on hills, very often } Charles. Charles. — The top of White's hill is covered with large trees. Teacher. — James. Ja7nes. — Dry Hill has no covering at its very top — nothing but dry rocks. Teacher. — Here are some little pebbles and bits of stone. James may mold Dry Hill. Eddie. Eddie. — He must make it near mine, for Dry Hill is near Uncle Frank's pasture. Teacher. — Yes. Let us call the sheep- pasture Uncle Frank's hill. Now, how does Dry Hill differ from Uncle Frank's hill } Etta. Etta. — It is much higher. James, — The slopes are steeper. 26 Primary Molding in Sand, Gertie. — It has no grass at the top. Dick. — The rocks are larger. Teacher.— Q\i2.x\^s may mold White's hill. Here are some spruce twigs for trees. Florence may mold a hill too. James may describe Dry Hill. Ja7ne5.—T\i& hill is broad and high, and the slopes are steep. The top is dry and rocky. 7>^r///^^//^r.— Where are the great coffee regions of South America? Ans.—V>X2.T:\\ produces more than half of the coffee consumed in the world. Colombia, Venezuela, and Guiana produce large quantities of coffee. Teacher. — In what parts is cotton raised ? Ans. — Cotton is raised in Guiana and Brazil. Teacher.— Yox the next lesson the class may determine the wheat, cocoa, sugar, wool, and cattle regions of South America; also, tht characteristic plants and animals of the plateaus. This outline, which James has prepared, may be used in the study of Brazil. Advanced Work in Sand Modeling. 85 Brazil. I. Location. 6. Occupations of Inhabitants. 2. Boundaries. 7. Characteristic Animals. 3. Extent. 8. Cities. 4. Population. {a) Capitals. 5- Products. {b) Seaports. {a) Animal. 9. Commerce. (b) Vegetable. 10. Government. {e) Mineral. II. History. Outlines of this kind should be assigned to pupils as part of their regular work. The lesson as here given was used for advanced pupils, but the same general plan may be followed in all grades. The blocks used in the kindergarten may take the place of the colored squares and triangles, and other supplies be used for the location of the metals, etc. However, all the material necessary may readily be prepared by any of the brighter pupils. As the map grows from day to day, the interest increases, and strong impres- sions are made. In one recitation, a little girl brought for the purpose of locating the coffee regions a number of strips of card- board to which roasted coffee beans were attached. Her idea might be extended, and the cotton regions, wheat regions, etc., be similarly located. North America. The board upon which these maps are molded Is 32 inches wide and 40 inches long, or in the proportion of four in width to five in length. The sand is gathered in a conical heap near the center of the board. Lessons similar to those given on South An^ericc^ should accompany the modeling. 86 Sand Map of North America. DIRECTIONS FOR MODELING. a. Divide the right side of the board into thirds and mark the upper one (Fig. 44). b. Divide the lower side into halves and mark the center. c. Gather the sand in a conical pile a little above the center of the board. 1. Draw the material in a broad band toward the corner A^ narrowing the line of sand as it approaches the corner, and giv- ing it a slight bend to the south. 2. Draw the sand from the center, in a gradually diminishing band, toward the middle point at the bottom, and then draw it in a curve toward the corner D. 3. Return to the center, and draw some of the sand nearly out to the upper third marked on the right-hand side of the board. 4. Draw some of the sand in a broad oval toward the lower corner at C, 5. Do the same in a smaller oval toward the lower right-hand corner at D. 6. 7, 8, 9. Model the peninsulas of Florida, California, and Yucatan, and remove the circular mass, 6, to form Hudson Bay. 10. Model the coast-line according to any good outline map. 11. Model the primary and secondary mountain ranges, and locate the rivers, etc. In this plan for molding North America, the first movement and the second, i and 2, give the main axis of the continent. The triangular form is then obtained by 3 ; while 4 broadens the western plateau, and 5 gives the secondary highlands of the east. Hudson Bay and Labrador are modeled in 6, while the other peninsulas are given by 7, 8, and 9. The characteristic features of this continent are the great Advanced Work in Sand Modeling. 87 highland system on the west, forming half of the entire conti. nent; the narrow highland region of the east ; the great central Jf /--^ 1^^. ^ \2\JI ■A •2 ii Fig. 44. plain resulting from the union of the inner slopes of these two systems ; the remarkable chain of lakes ; the two inland seas ; 88 Molding Africa in Sand, and the union of the waters into a few great systems. The pre- dominant character of the vast main highland of the continent is that of immense plateaus, while the eastern highland consists of parallel ridges or folds. The western highland is of vast extent, and of great height ; it is unbroken from the Arctic to the isthmus of Tehuantepec. The low eastern highland is broken entirely across by two valleys, through either of which the heart of the continent is reached. The Rocky Mountain system forms the great watershed of the continent, and is its controlling feature. All that is charac- teristic of the continent is alhed to this great land mass in greater or less degree. Africa. DIRECTIONS FOR MODELING. a. Bisect the upper, lower, and left-hand sides of the board, and place the proper marks. b. Mark the upper third of the right-hand side. c. Gather the sand a little above the center of the board. 1. Draw the sand in a broad, increasing mass toward the corner A^ and carry it nearly to the centers of the upper and left sides (Fig. 45). 2. Pull the sand in a broad and slightly-decreasing mass from the center nearly to the middle point at the bottom of the board. 3. Draw the line of sand, with an upward sweep and a narrow- ing mass, nearly out to the upper third on the right. 4. Draw the sand in an oval mass slightly toward the upper right corner at B. 5. Model the shore by any good outline map. Advanced Work in Sand Modeling. 89 6. Locate the main axis and the other mountain ranges, the rivers, the deserts, and other natural features of the continent. Africa somewhat resembles South America in form, but its 3i 6 / / / 1 I^--.4 c 2. Fig. 45. 0) plan of structure combines that of the Old World and of the New. It may be considered in two parts, the southern having, like the American continents, its greatest extent from north to south ; 90 Sand Map of Australia. while the northern part extends from east to west. The whole continent forms one vast plateau, which is surmounted by short, irregular mountain ranges. The first movement, i, extends the northern part as a broad plateau, and introduces the new east and west axis ; while in 2 the north and south line of the main axis appears. The other movements, 3 and 4, are simple extensions modifying the main form. Australia. DIRECTIONS FOR MODELING. a. Divide the upper side of the board into thirds and mark the right-hand division. b. Bisect the left side, and then bisect the lower half of the side, placing the proper marks. c. Gather the material at the center. 1 . Draw the sand in a broad oval toward the lower right-hand corner at D (Fig. 46). 2. Draw the material in a broad, angular band nearly out to the two points on the left. 3. Scoop out a small quantity of the sand at the top, and draw it in a tapering band toward the point on the upper side. 4. Model the shore-Hne and axes of the continent, and locate the main river basin. Australia resembles Africa more closely than any other continent. The primary mountain system is in the east, and is for the most part composed of broad plateaus. The sec- ondary systems are in the west and north. Africa terminates in a plateau, while Australia is terminated by a great low plain which descends by long slopes from the interior of the continent. Advanced Work in Sand Modeling, 91 In modeling this continent, the first movement, i, gives the predominant system, the second, 3, gives the western Fig. 46. plateau, while the third, 3, completes the main axis by add- ing York peninsula. 92 Molding Asia in Sand. Asia. DIRECTIONS FOR MODELING. a. Divide the upper, lower, and left sides into two parts, and place the usual markers. b Bisect the lower half of the left side. c. Trisect the right-hand side, and place pinches of sand at the points. 1. Draw the sand in a broad, angular band toward the corner B and the central point at the top, narrowing as the sand is drawn out nearly to B (Fig. 47). 2. Draw the material in a wide, flat band toward the two points on the left. 3. Draw the sand in a broad mass toward the lower third of the right-hand side and the lower corner at Dy drawing it out in a narrow line toward the corner D. 4. Draw the material in a short, pointed mass toward the cen- tral point of the lower side. 5. Pull the sand in an oval toward the upper third on the right. 6. 7. Model narrow bands of the material to show the penin- sulas of Kamtchatka and Corea. 8. Model the indentation for the Persian Gulf, and complete the outline of the continent. 9. Mold the mountains of the great central mass, and locate the secondary ranges. Indicate the rivers, lakes, basins, deserts, peaks, and other features of the great continent. Asia is characterized by the immense mass of elevated land forming the interior of the continent ; by a series of great pro- jections along the eastern and southern coasts ; and by its band of islands and narrow peninsulas parallel to the coasts of the eastern Advanced Work in Sand Modeling. 93 projections, and inclosing remarkable border seas. It forms with Europe one double continent, with one general plan of structure, but with differences in the details of the two continents. .Jk. -^ ""\k 1 \^^ -"'mm^m \ 12 ■'V - 3 ;' 1 Fig. 47. D The pile of sand at S will represent the great central mass of elevated land ; so the first move, i, is to draw the sand north- ward in a broad band to represent the almost uninterrupted slope 94 Molding Europe in Sand. which descends to the Arctic ocean on the north. The second move, 2, will mark the westward extension of the main axis of the continent by the Hindoo Koosh mountains, while the width of this band will represent the slope toward the Caspian and Aral seas on the west. At 3 we extend the main axis in the moun- tains of southern China. Move 4 marks the peninsula of Hin- dostan, one of the remarkable series of projections that charac- terize the continent. One of the secondary axes is molded in the movement of the sand at 5. The peninsulas of Kamtchatka, Corea, and Arabia are molded by 6, 7, and 8. The Ural and Soliman mountains mark the line of separation between the two parts of the one great continental mass of Eurasia. Europe. DIRECTIONS FOR MODELING. a. Bisect the right and left sides, and mark as usual. b. Bisect the upper half of the right side, and the lower half of the left side. c. Gather the sand in a conical pile to the right of the center of the board. 1. Draw the sand toward the corner B, and outward to the lower point on the right ; and let the upper part of the mass ex- tend to the upper right-hand mark (Fig. 48). 2. Draw the material in a band toward the quarter-point on the left, and then make a sharp bend toward the corner C. 3. Draw a portion of the sand toward the corner Dy and make it extend only a very short distance. 4. Draw a pointed mass toward the center of the lower side. 5. Mold a part of the sand by drawing it first toward the corner A, and then with a sharp curve drawing it toward the corner (7. Advanced Work in Sand Modeling, 95 6, 7, 8. Model the peninsulas of Italy and Jutland, and the in- dented Bay of Biscay. Complete the outline. •' ^ -'"' N^ V'' 3 ^ jj Fig. 48. 9. Model the central mass of the Alps, and the mountains of Spain and Scandinavia. Locate the river basins. Europe resembles Asia in the number and position of its southern peninsulas. It may be divided into two parts. High 96 Original Work in Sand Modeling, Europe and Low Europe. The highlands are in the interior, with a belt of plains west, north, and east of them, while their peninsulas prolong them to the south. The first move, i, spreads out the sand toward the north in the great low plain without a single mountain range. The low swell of the Valdai Hills forms the principal watershed of the continent. Move 2 draws the heap of sand westward to repre- sent the main axis of the continent, and the great Iberian penin- sula. The third move, 3, extends this main axis of the continent in a curve which reaches from the Straits of Gibraltar to the shores of Asia Minor. The central Alps form the highest point of the continent. The fourth move, 4, molds the basis of the Turco-Grecian peninsula ; while 6 outlines the Italian peninsula. The secondary systems of the continent are modeled by move- ments 5 and I, while the seventh movement 7, gives the pen- insula of Jutland. HOW TO MOLD EUROPE IN SAND. These plans for modeling this continent were prepared by the pupils. In the plans the long sides of the lap-boards are as- sumed to extend from right to left. At any one recitation the entire class modeled according to a plan dictated by one of the pupils. No. I. Divide the western side into three equal parts, marking the points of division i and 2. Divide the eastern side into three equal parts, 3 and 4. Divide the northern side into sixths, marking the points, be- ginning at the left, 5,6, 7, 8, 9. Advanced Work in Sand Modeling. 97 Divide the southern side into halves, and the eastern half into thirds ; mark the points lo, ii, 12, beginning at the left. Place the soil in the center, the long sides of the board being horizontal. Draw the soil in a somewhat narrow line toward the point 2 on the west. Draw the soil in a broad band northeast toward points 3 and 9 ; also southeast toward point 4. Draw the soil toward 7 and 8, and then push it southward in a curve, not extending farther west than point 6. Draw some of the soil in narrow bands toward points 11 and 12 on the south, forming the Italian and Turco-Grecian penin- sulas. Finish by outline map, marking the mountains and river sys- tems. Lottie Kimple. No. 2. Divide the northern side of the board into halves, the eastern side into thirds, the western side into fourths, and the southern side into halves, and bisect the eastern half. Placing the hands upon the central pile, push some of the sand toward the northeast corner of the board. Returning the hands to the center of the sand, draw out a narrow band to the lowest mark on the west. Push the sand in a mass toward the center of the northern side, and from that point draw some sand in a narrow strip toward the southwest, to form the Scandinavian peninsula. Now draw the sand toward the most southern marker on the east. Draw out two narrow bands toward the marks on the south. Shape the coast-lines carefully according to outHne map. S. M. Ely. 98 Plans by Pupils. No. 3. Turn the board so that the longest sides shall be horizontal. Divide the northern side into halves, and bisect the eastern half. Divide the eastern side into two equal parts, and then bisect the southern half. Divide the southern side of the board into fifths. Divide the western side into two equal parts, and then bisect the southern half. Place the hands upon the clay at the center, and draw it to the most easterly marker on the northern side. Draw the clay in a broad band toward the two points on the east. Draw out the clay in a narrowing line toward the lower point on the western side. Draw out the clay in two short lines toward the extremities of the central fifth on the southern side. Mold in the shore-hne carefully according to a good outline map. Represent the mountains-chains, and principal rivers. Dorothea M. Loucks. No. 4. Draw the molding-clay into a heap a Httle to the west of the center. Divide the northern and the eastern borders into fourths. Divide the southern border into halves. Divide the west side into thirds, and then trisect the lower third. 1. Place the hands upon the mold at the center and draw the clay southward, ending in a narrow band at the bisecting point on the southern border. 2. Next draw the mold toward the southwestern corner, the Advanced Work in Sand Modeling. 99 southern limit of Spain being in a straight line with the most southern point of division on the western border. 3. Then push the mold toward the most eastern fourth on the northern border, terminating just east of that point. 4. Push the clay north and west about one-third the distance from the center to the western border. 5. Draw the molding-clay in a band toward the southern fourth of the eastern side. 6. Complete the coast, making the eastern end of the Cauca- sus mountains, the southern point of the Crimea, and the shore of the Gulf of Genoa all in line with the southern fourth on the eastern border. Make the northern extremity of the Baltic Sea in line with the most northern fourth on the eastern border. A. E. White. loo Comparative Study of Continents. dPeosmpi^ical Contracts! anti Kejsemblancesi. In connection with the work in modeHng the continents the students should be called upon to make comparisons for finding the likenesses and differences between the various continents. The following samples of such work are taken from the class- room, except the last, which is from Tales Philosophy of Educa- tion. COMPARISON OF NORTH AMERICA AND SOUTH AMERICA. RESEMBLANCES. 1. Both are triangular in shape. 2. '* " wide at the north. 3. " " narrow at the south. 4. " have the primary highland in the west and near the largest ocean. 5. " " a secondary highland in the east. 6. " " a central plain divided into two parts by a transverse water-parting. 7. " " their rivers collected into large systems. 8. They are alike in the position of their large rivers, as in the case of the Mississippi and La Plata, St. Lawrence " Amazon, MacKenzie ^* Orinoco, Yukon " Magdalena. 9. They are alike in the position of their highest mountains. Mt. Logan in British America, Mt. Illampu in Bolivia. 10. Both have a set of islands off the southeastern coast. Comparative Study of Continents. loi DIFFERENCES. 1. The coast of North America is deeply indented, while that of South America is not. 2. The transverse mountain range in North America is low, while in South America it is much higher. 3. The ranges of the secondary highland in North America are close together ; those of South America are spread apart. 4. The largest river of North America flows south ; that of South America flows east. 5. The central plain of North America is thickly inhabited, while that of South America is almost uninhabited. 6. North America was settled by people from northern and central Europe, while South America was settled by people from southern Europe. 7. The cities of North America are found all over the coun- try ; those of South America are near the coast. 8. North America is principally in the North Temperate Zone, while South America lies mostly in the Torrid Zone. Louise M. Weller. Nov. 8, 1894. COMPARISON OF EUROPE AND ASIA. RESEMBLANCES. The predominant systems of Europe and Asia are both in the south. The culminating points of both are in the south, in the pre- dominant mountain systems, and near the deepest oceans. Both have their greatest length from east to west. Both extend toward the south in three great peninsulas. Both lie largely in the North Temperate Zone. Both have great low plains in the north. I02 Comparative Study of Continents. Asia is drained by a great number of river systems having few tributaries. The plateau of Thibet forms the drainage center from which the rivers flow north, south, east, and west. Europe is drained by a great number of small rivers. Some rise in the predominant mountain system, yet the majority in the low elevations of the Valdai Hills. DIFFERENCES. In Europe the secondary systems are in the north and east. In Asia they surround the predominant system. In Europe the great low plain lies between the predominant and secondary systems. In Asia it is on the north and west, and lies between the mountain systems of Asia and the secondary system of the Urals. Asia is about five times as large as Europe. Asia has nearly twice as much coast-line as Europe, but in proportion to area Europe has three times as much coast-line as Asia. Europe has one hundred and ninety square miles of surface for one mile of sea-coast. Asia has five hundred square miles of surface for every mile of sea-coast. Europe is more indented than Asia. The area of the peninsulas compared with that of its entire area is one to four in Europe. In Asia it is one to five and a half. Ida Hamilton. Nov. lo, 1894. Comparative Study of Continents, 103 COMPARISON OF NORTHERN AND SOUTHERN CONTINENTS. Taken in successive pairs: — the Americas ; Europe and Africa; Asia and Australia. RESEMBLANCES. Both continents are characterized by river systems. The Atlantic Ocean receives the water of most of the river systems of both continents. The largest rivers of both continents take their rise in the primary mountain systems of each. The primary mountain system in both northern and southern continents is near the Pacific Ocean. . Both continents have primary and secondary highlands. Both continents contain extensive lake systems. Both continents contain extensive plains. The culminating points of both continents are near the coast. DIFFERENCES. The coast-line of the northern continent is deeply indented, while that of the southern continent is very regular. The length of coast-line in the northern continent is much greater in proportion to the area than the length of coast-line in the southern continent. The northern continents combined are much larger than the southern continents. The northern continent is characterized by inland and border seas ; the southern by gulfs and bays. The northern continent lies mainly in the North Temperate Zone ; the southern continent lies almost entirely in the Torrid Zone. I04 Comparative Study of Continents. The northern continent is densely inhabited, while the south- ern continent is comparatively thinly settled. The inhabitants of the northern continent are highly civilized, while those of the southern have made little progress in the way of civilization. The cities of the northern continent are scattered in all parts of the continent, while those of the southern continent are con: fined to the coast. Jennie Gilliland. Nov. 7, 1894. THE OLD AND NEW WORLD. CONTRASTS. The Old World. History, Ancient. The principal mass of the Old World, Asia and Europe, extends from east to west, over one-half of the circum- ference of the globe. The mountain ranges run from east to west. Asia, — Europe, — lies within the tor- rid, north temperate, and north frigid zones. Mountain ranges somewhat central. Rivers of Europe small. Traversed by different mountain chains. Vast table-lands or plateaus. The mountains and plateaus of Asia cover five-sevenths of its surface. Great volcanoes on the islands. Coast-line of Europe very much in- dented. Inhabitants white, dark, black, etc. Animals: Lion, tiger, leopard, ele- phant, giraffe, cow, crocodile, night- ingale, etc. The New World. History, Modern. The New World extends from north to south, over two-fifths of the cir- cumference of the globe. The mountain ranges run from north to south. America comprehends all climatic zones, and hence presents a greater variety of phenomena. The mountain range extends like a band along the western border. Great water basins. Rivers and lakes very large. One mountain chain, the Andes and Rocky Mountains. Vast plains which form two-thirds of its surface. Volcanoes on the continent. Coast-line not so much indented as Europe, but more indented than Asia or Africa. Native inhabitants chiefly red men. Animals: American lion, jaguar, panther, grizzly bear, buffalo, alliga- tor, mocking-bird, etc. Comparative Study of Continents. 105 RESEMBLANCES. Land in two great masses, Europe and Africa in the west, and Asia in the east. Isthmus of Suez connects Africa with Europe and Asia. The coast-line of Europe is more broken or indented than that of Asia, and still more than that of Africa. Europe better adapted for human society than Asia or Africa. Europe i mile of coast to 150 of sur- face; Africa i mile of coast to 620 of surface; Asia i mile of coast to 460 of surface. The direction of the land corre- sponds with the general direction of the mountain masses. The southern extremity terminates in a point directed toward the south- ern ocean, while they go widening toward the north. The peninsulas have nearly all the same direction. The highest mountain in the Hima- laya is a little more than 5 miles above the level of the sea. Land in two great masses, North and South America. Isthmus of Panama connects North with South America. The coast-line of North America is more broken or indented than that of South America. North America better adapted for human society than South America. North America i mile of coast to 230 of surface; South America i mile of coast to 380 of surface. The same as in the Old World. The same as in the Old World. The same as in the Old World. The highest mountain in the Andes is nearly five miles above the level of the sea. •^Tate's Philosophy of Education, io6 Modeling in Paper Pulp. atiiianceD iHoDelms* PULP MAKING. Few teachers of geography will dispute the value of relief- maps as aids in school v/ork, but many are not acquainted with the proper use and preparation of the most serviceable materials for the construction of such maps. Many substances have been used in the class-room by the writer, but none have given greater satisfaction thdin paper pulp. This material is so clean, so pliable, and so easily manipulated that pupils and teachers having little knowledge of the art of modeling can make very good rehef-maps, while the skillful in hand and artistic in soul can show results which will surprise all who are unacquainted with the many uses of the material known as papier-mache. That the schoolboy of the past was an adept in the crude manufacture of papier-mache we must candidly admit, and we are free to say, from our own experience, that some of the present urchins are not far behind in the matter. The skillful caster of the paper ^' wad " relied upon its well-known plasticity and adhe- siveness when he strove to decorate the ceiling with these marks of his lack of interest in his geography lesson. We have long since come to sympathize with him in the matter of disgust with that species of teaching in which the searching out of long lists of names of unimportant places formed so large a part, but it is only in recent years that we have learned to utilize the natural creative longing of the child and turn this ''wad-making" to account. Set the boys in the class at the work in the right way and they will soon learn to prepare a fine grade of papier-mache for Pulp Making, 107 class use. The paper used may be the waste sheets from the pencil tablets, or common newspapers may be made into a fine, serviceable pulp scarcely tinged with gray. Tear the paper into small pieces not more than an inch square, and fill a common water-pail or jar with the bits of paper. Pour over this a gallon of boiling water, and let the paper soak four or five hours. Then d'rain off the excess of zvater, and macerate the mass by thrusting a rough stick down into it again and again, " jobbing " it until the whole is reduced to a pasty mass. After about fifteen min- utes of energetic work, the '' ne'er do well " of your class will present to you the best of paper pulp, very sm^ooth and fine, taking impressions from the very hnes of the hand. More than this, the boy will have learned that he can do some things well, and will be the most eager to apply the material to its intended use. When the pulp is ready for use, the material may be used in the construction of relief-maps of all kinds. Mold these upon squares of pine board or heavy pasteboard, modeling the various relief features according to some good physical map. When the map becomes dry, it will be found that fairy fingers have been at work reducing and beautifying the whole. These maps may be tinted and finished with v/ater-color as perfectly as the best What- man paper. The shore-line should be lightly tinted in blue by means of a brush dipped in a solution of indigo or Prussian blue. In this use of the bits of paper, we see illustrated the pJiilosophy of the reimiants. The following method of folding a map scale is here given because it is believed that to insure a fair degree of accuracy in the drawing of the map of a continent, construction lines are es- sential wherever the best degree of success is desired. The scale of miles here presented is 400 to the inch, and by allowing 160,000 square miles per square inch, the approximate areas of io8 Folding the Map Scale. the continents may be calculated with ease. In the higher classes this work will not fail to arouse interest. a FOLDING THE MAP SCALE. Take a strip of paper one inch wide and twelve inches long. 1. Mark the upper end of it a and the lower end b (Fig. 49). 2. Fold the strip in half, placing b over a, Mark the central crease 6". 3. Fold the upper end a down to the central crease, and mark the new crease 3''. 4. Divide the lower half of the strip into three equal parts, and mark the lower crease 2'\ 5. Fold b up to 6, and mark the crease i". 6. Reverse crease 2, and push the paper toward a so that i and 2 cannot be seen. 7. Turn the strip over so that all the marks are hidden from view. 8. Fold the end b up to touch the back of crease i. Mark the new crease ^". If the strip of paper be taken as twelve inches in length, this scale may be used in measuring any number of inches or half inches. Thus the distance from ^ to 6 is six inches ; that from ^ to 3 is three inches; from 2 to b \s two inches; from i to 2 is one inch ; from 6 to ' 2 is four inches, etc. Half inches may be laid off by the fold at the lower end of the scale. ■ ^^' This scale may be used in preparing the out- lines for maps to be used in the regular work of the classes in 6' 'A V- s^:^J^4, ■^■^, ' 4 "4i ^ y 's? ^^ Fig. 50. pulp map of north america. Modeling in Paper Pulp. 109 geography and history, or in the making of outlines for pulp maps. Diagrams for all of the continents may be made easily by use of this scale. It is not necessary that the piece of paper should be an exact number of inches long. The size of the map desired will fix the length of the strip, and the foldings as given above will show the proportional number of the new units. Any good maps of the continents may be used in making the outlines, but for convenience we have given diagrams for all the continents. When the strip is taken twelve inches long, the scale becomes 400 miles to the inch. MAPS IN PAPIER MACHI!. North America. The modeling of pulp maps should be done upon smooth pine boards, and the work mounted upon card-board afterward. Thin boards may be fastened together by nailing cleats at the back. Upon such a molding-board the outline of the conti- nent should be drawn to a convenient scale, say 400 miles to the inch. The accompanying diagram may be used for the purpose. In making a set of such maps it is well to adopt some uniform scale, since better ideas of relative sizes may thus be given. Measure the vertical AB = 11 inches ; the horizontal BC = 6 inches. Draw AC. Lay off AB == 7 inches, and AG = 2 inches. Draw BB = 6 inches, and B)F= 2 inches. Draw ABy BC, FC, and GF. For larger maps use double or triple these dimensions. The pulp prepared and the outHne drawn or traced, the pupils are ready to mold the map. Three or more pupils can work at a map at one time, and the teacher should allow each member of a class to do some of the work, especially if one large map of double the dimensions here given is made by the entire class. no Molding North America, The pulp should be spread out in a uniform flat layer, carefully molded up to the shore-lines of the continent. This may be done by using a pointed stick to cut and push back the pulp at the proper points. Thus the indented eastern coast, and even Fig. 51. the labyrinth of islands of the northern coast may be modeled. Bo not slight the northern coast. The islands, to be sure, may not be of so great importance as those farther south, but habits Modeling in Paper Pulp, m of slighting the work should not here be formed. The produc- tion of the map of the continent outlined in the flat will be suffi- cient for at least one lesson-period. The children should be questioned in regard to the form of the continent, its indented coasts, and the general relation to other land bodies. The regu- lar matter of the general lesson upon the continent should be given by some pupils while the others are modeling the map. Next day the pupils can locate the parts of the continent where the plateau sections are to be represented by somewhat increased thickness of pulp. Get a physical or relief map and study the plateaus and moun- tains of North America. Let the pupils dampen the parts where the plateaus are to be placed, and spread the fresh pulp out in a thin layer. The mountain ranges will rise above these sections, Fig. 52. but do not attempt to represent the mountains at this stage of the work. Put on the pulp in small quantities, and let the pupils be careful to make the work delicate. The plateau section which forms the basis of the Rocky-mountain system extends from the Arctic Ocean to the Isthmus of Panama. The broadest part lies within the United States, and is about 1000 miles in width. It is the broadest mountain system of the globe. In the molding, this plateau will be represented by a band of pulp about 5 inches wide (scale 200) at its broadest part, and covering the whole of Alaska, British Columbia, and Mexico, except the low section along the sea-coast. In like manner the long and moun- tainous isthmus of Central America may be represented. On the eastern side of the continent may be molded the narrow base of 112 Molding North America, the Appalachian Highlands ; also the plateau of Labrador with the Height of Land extending completely across the Great Cen- tral Plain, and dividing it into northern and southern slopes nearly equal in extent. This should blend neatly into the flat portions first laid on. Having finished the basal plateaus, the primary and secondary mountain systems may be molded. Place quantities of pulp in masses along the western coast upon the main plateau. Two lofty ranges cross the western plateau, — the Rocky mountains and the system of the Sierra Nevada. Numerous short ranges lie between. These mountains may be represented by making little elevations and modeling the peaks and ridges by means of a button-hook or smooth piece of wood. The highest peaks should be carefully located, and the lines of volcanoes repre- sented. Thus we should locate the Central American group, the wonderful Mexican group with Orizaba and Popocatepetl, the California and Oregon groups, and the long line of the peninsula of Alaska. The secondary systems of the eastern part should be molded in much the same manner as the primary system, but of course should be made much lower in elevation. Let the molded map now be set aside to dry. In two or three days there will be found upon the board a map reduced in thickness and yet keeping all the detail of the children's work, — a pure white map upon which fairy fingers would seem to have been working to reduce and render beautiful the whole. The map thus made will take water-color as perfectly as the best Whatman paper, and great beauty of finish may be given- to the work. The entire shore-line should be lightly tinted in blue by means of a brush dipped in a solution of indigo or Prussian blue. The rivers should be carefully traced in pencil from source to mouth. Thus any mistakes can be corrected, and then the whole river system finished in ink. It will be well to make a careful Modeling in Paper Pulp. 113 study of these systems, since the subject may be presumed to be more useful to our pupils than the study of systems more remote. No pupil who has traced these various river systems of North America, carefully following each river and tributary from source to mouth, can fail to have the general facts firmly impressed upon his memory. He will thus remember that the Mississippi, with its branches, affords a greater amount of inland navigation than all the streams, great and small, which drain Europe. North America is noted for its great lakes. Along the Hne of contact of the oldest geological formations of the continent they stretch out in a series that includes the five great lakes of the St. Lawrence ; Winnepeg of the Saskatchewan ; and Athabasca, Great Slave, and Great Bear of the Mackenzie system. These should be represented on the map by depressions touched with blue water-color. In advanced classes the work upon the water-centers of the continent may be easily shown by marks placed in the proper places. The volcanic peaks may be distinguished by gluing gold- foil upon the peaks molded to represent them. The volcanoes of Mexico and of Alaska should be marked in this way. After the map is completed it may be removed from the board, and then glued to a sheet of pasteboard or to a piece of muslin. Strips of wood nailed at the ends give finish to the map. In re- moving the pulp map from tbe board a case-knife may be used. The children will learn to make the maps very easily, and the teacher will be surprised at the results which may be obtained. The whole operation of modeHng should be used as a means and not as an eitd, still the results will not be such that the teacher will care to see them entirely lost to service in the succeeding terms. We have in mind a school where the entire series of relief- maps of the continents — beautifully modeled in white and gold and blue, with a dash of sienna or yellow here and there to mark tt4 Molding South America, a desert or a depression below the sea — adorns the walls of the school room, and the entire cost of the set was only sixty cents. But the feeling of power and ownership, which comes to those children when they see their own work, cannot be estimated in dollars and cents. And shall we then call it valueless ? South America. According to a scale of 200 miles to the inch, South America would he represented 23 inches long and 16 inches wide. Use double the dimensions given in the diagram if a large map is wanted. Draw the vertical AB = 23 inches; measure 6 inches to C; draw a horizontal line, and lay off CD = 12, and C£ = 4; also CF = 4 inches. . Draw AD, DB, AE, and EF. Another excellent size is given by increasing each dimension by one half itself. On such plan AB becomes lyf, AC= 4I, CD = 9, CE — 3, and CF= 3. Having prepared the pulp and drawn the outline, the pupils are ready to mold the map. The pulp is spread out in a uniform layer about one-fourth inch thick, the pupils carefully modeling it up to the shore-lines. The production of the map of the conti- nent outlined in the flat will furnish enough work for one lesson- period, but the children should be questioned in regard to the triangular form of South America, and the coast-line unbroken by great gulfs or large enclosed seas. Then the pupils may locate the parts of the continent where the plateau sections are to be represented by somewhat increased thickness of the paper pulp. These sections are : i. The Plateau of the Andes ; 2. The Plateau of Brazil ; 3. The Plateau of Guiana. Of these plateaus, that of the Andes is by far the most promi- Modeling in Paper Pulp, tiS nent. It should be represented on the map by an irregular band of increased elevation, varying from one-half inch to two inches in width (scale 200), and stretching along the entire western Fig. 53. coast. This should blend into the flat portion which represents the Great Central Plain, extending along the whole eastern base of the Andes, and interrupted only by the low plateaus of Brazil ii6 Molding South America, and Guiana. The great plain is usually considered under three divisions: i. The Llanos of the Orinoco; 2. The Selvas of the Amazon ; 3. The Pampas of La Plata. The water-sheds divid- ing these sections are insignificant in elevation. The pupils may now proceed to mold the mountains of the continent. Place quantities of the pulp in parallel ridges or lines along the western coast upon the Andean plateau. These will form the border wall of the plateau, and should be molded into peaks and elevations by means of a spatula or a common steel button-hook. The elevations should not exceed one-quarter inch in height, The Andean system should be formed of two lines of elevations in the central portion, of three lines at the northern extremity, and of one at the southern extremity. The general chain of the Andes is nowhere broken through, and thus the great mountain system forms a complete separation between the waters which fall into the Pacific and those which flow into the At- lantic. The chief peaks of the Andes, such as Aconcagua, Illampu, and Nevada de Sorata, should be located, as should also the vari- ous groups of lofty volcanoes. The broad table-land of Brazil should be crossed by several irregular ranges of low mountains, the highest ranges situated along the southeastern coast. The mountains of Guiana, consisting of the Acarai and Pacarayma ranges, may be represented by elevations somewhat higher than those of Brazil. A full lesson period may well be spent in tracing the courses of the rivers. Do this at first in pencil, — mistakes can be erased, — and then go over the lines with blue ink or water-color. The rivers should be traced from source to mouth. The main tribu- taries of the Amazon should be shown upon the map. In a com- plete map the wonderful little river, the Cassiquiare, which con- nects the Rio Negro of the Amazonian system with the Orinoco, Modeling in Paper Pulp, 117 will be traced in position. La Plata and its tributaries draining the Pampas of the south, should also be shown. In the central portion of the plateau section of the Andes, a little depression may be painted blue to represent Lake Titicaca, the highest large lake in the world. The Desert of Atacama may be shown by a dash of color, such as sepia or sienna. The groups of volcanoes may be distinguished by gluing small pieces of gold-foil upon the tips of the elevations molded to rep- resent them. Thus may be represented the volcano Tolima, and the linear groups of the plateau of Quito containing Chimborazo and Pichincha, Cayambe, and the famous Cotoapaxi, the highest active volcano in the world. The volcanoes of the central group, Arequipa and Sahama, and the remarkable Chilean range, includ- SoUTHyXMCKlC/l Fig. 54. ing Antuco and Corcovado, should also be shown upon the com- plete map. The map should be removed from the board, and glued to a sheet of heavy pasteboard. A thin case-knife passed under the map will readily enable one to raise it from the board. Large maps may be fastened to the mounting card by brass paper- clasps. Strips of wood tacked to the upper and lower edges of the chart will give completeness to the map. Use the modeling as a means^ not as an end. Teachers will be surprised to find that the children will make maps far more beautiful than anything they could draw in the given time, if they are allowed to make use of this simple medium in molding. Pupils in my own classes have improved upon my instructions, 1 1 8 Molding Africa . and have modeled maps in which Hght gray pulp made from newspapers represented the lowlands, while the pure white pulp was used for the mountains and plateaus. A single trial will convince any one of the value of the mate- rial. Africa. To make the diagram for Africa, draw the horizontal base line AB = 12 inches. Measure westward BC =^ i-J inches, and bisect AC dit D. Lay off DE = 4J inches north, DF — i inch east, and FG = 8 inches south. Draw the horizontal GII=^ ij inches east. Lay off BI = I inch to the west of D. Draw GI, and make IK =z i|- inches. Draw GA, and the horizontal westward through K to L in GA. Lay off DM ^^ 3 inches northward from D, and MN = 3 inches eastward from M. Draw the lines MN, NC and BH. Describe the arc AE with / as a center and AI as the radius. Draw the outline of the continent, and then model the map according to the directions given for the work upon North America. It will be noticed that Africa is the largest of the con- tinents, after Asia. It has a uniform contour, and consists of one great elevated plateau. There are no great, connected mountain systems. Its plan of structure combines that of the Old World and of the New. In form the continent resembles South America, but the primary mountains are found in the eastern instead of in the western part. Model the main peaks of these mountains, Kenia and Kilma Njaro. Of the two ranges on either side of the Vic- toria Nyanza, the western or Ruwenzori range is that which was anciently called "The Mountains of the Moon." The secondary m^ountain ranges are the Atlas, the Cameroons, and the Snow mountains. Model these mountains in 2:>osition, Fig. 53. pulp map of south america. Modeling in Paper Pulp. 119 and mark the general slope of the continent from south to north, as shown in the basin of the river Nile, extending over 30 degrees of latitude. Trace this river in position, and also the Congo, AL-^L Fig. 56. Niger, and Zambesi. Although Africa has these great rivers, it is the dryest of the continents. When the pulp map is ready, mark the position of the great lakes Victoria Nyanza, Albert Nyanza, and Tanganyika ; also Lake Tchad, I20 Molding Australia, Locate the great Desert of Sahara, the Libyan and Nubian deserts in the north, and the Kalahari desert in the south. These may be tinted with sienna. The Nile river overflows its banks for several months each year. It thus stretches a band of verdure across the desert re- gion through which it flows to the sea. This beautiful valley, with the delta at the mouth, was the seat of Egyptian civilization, next to that of the plains of the Tigris and Euphrates, the oldest in the world. Australia. Draw a horizontal base line, AB, from Shark Bay to Brisbane, making it 6 inches in length (Fig. 57). Lay off 2} inches from A to C, and draw a Hne perpendicular to AB. Measure 3 inches upward to D (Victoria, North Australia), and | inch to E (Great Bight). Draw DF = i| inches, parallel to AB. Measure i inch to the left from B to G, and draw GH = 3J inches, perpen- dicular to AB. The point H locates Hobarttown in Tasmania. Draw through A the line // perpendicular to AB, and make AT = I inch (Northwest Cape), and A/ = i|- inches southward from A. Draw BB, FB, BH, HE, EJ, and DI. Locate the head of the Gulf of Carpentaria dX K = i^ inches from D. Draw the coast-line. Draw the outline of the continent, or, if more rapid work is desired, the shore-line may be traced by placing a piece of black tracing-paper between the board and the map, and then passing the pencil point around the entire outline. Mold the flat layer of pulp as given in the directions for molding the other continents ; then mold the plateau sections and watersheds. The typical structure of a continent is as follows : Modeling in Paper Pulp, 121 1. K primary highland region on one side. 2. Secondary higJilands on the opposite side, trending toward the primary. 3. A depression between the two systems. Australia well illustrates this plan of structure in its simplest form, and so asserts its claim to the title of continent. No isl- and, however great its extent, shows such conformation. It should be noticed that AustraHa resembles Africa more closely than any other continent. On the eastern side of the continent, the basis of the predomi- nant system of mountains should extend from York Peninsula on the north to Portland Bay on the south. Let the basin of the Murray be shown, and also the valleys of its tributaries, the Dar- ling and the Lachlan. Mold the lowlands of the lake region, and mark the Grey and FHnders ranges. The land in the west and northwest regions of Australia has the character of a tableland of moderate height studded with groups of small mountains. On the general level of the tableland are vast plains, sometimes sink- ing into low swamps. Nearly the whole of this section should be finished as a low tableland. In the southern portion of the continent, near the Great Aus- tralian Bight, lies the Great Victoria Desert. This may be marked upon the relief-map by an irregular patch of buff color. The ranges of the predominant mountain system may now be molded. The Australian Alps, containing the peaks Mount Kosciusko and Mount Hotham, the Blue Mountains, Liverpool Range, etc., belong to this system. In the north and west are secondary systems of comparatively small elevation. No consid- erable mountains have been discovered in the interior of the con- tinent, but there are many low ranges and some groups of mount- ains. Central Mount Stuart, Mount Leichhardt, Mount Wilson, and others may be shown on the molded map. The low water- 122 Molding Australia. shed between the rivers of the Gulf of Carpentaria and the Vic- toria river may also be represented. The rivers should now be outlined with a pencil, taking care that the courses be run from source to mouth. This will be found one of the most interesting Fig. 57. and instructive lessons for the pupils. Lakes Eyre, Gairdner, Torrens, and Austin should be located and marked. The Great Barrier Reef, extending one thousand miles along the northeastern coast, may be represented by a line in white. It will add much to the beauty and practical utility of this map if the islands of the East Indies be molded in their relative Modeling in Paper Pulp. 123 positions in regard to Asia and Australia. The numerous volca- noes of the section, when shown upon the map, will readily sug- gest the name *' Sea of Fire " for the Pacific. Asia. Draw a base line AB from the Bosphorus to Yezo, and let this be 14 inches long (Fig. 58). From A drop a perpendicular 6 inches to C (Bab-el-Mandeb). Draw the perpendicular BD 51^ inches to Berhing Strait. Lay off AE to the right 5|- inches, and drop the perpendicular 7 inches to /^(Cape Comorin). Draw the horizontal line FG 4^ inches to the right (Cape Cambodia). From A lay off to the right 3J inches to B" (head of Caspian Sea) ; also 6i inches to /, from which erect the perpendicular//, 4 inches to /, the northern extremity of the Urals. Draw H/, JD, and BG. Find the point K (Calcutta) where the lines FD and HG would intersect. Find, also, the point L (Hydrabad) where HF and CB would intersect. Complete the outline by any good map. This outline of Asia is arranged for the meridian of Cal- cutta. Having drawn the outline of the continent and noted its remarkable peninsulas and chains of islands, the pupils may pro- ceed to mold the mountain masses of the continent in detail. Model the immense mass of elevated land that forms the interior of the continent. This mass is crowned by the great mountain- knot of Pamir — " the roof of the world." Radiating from this we find the highest mountains of the globe. Four great ranges, the Himalaya, Kuen lun, Karakorum, and Yung Ling mountains extend from east to west, and form mountain barriers crowned with colossal mountain peaks. After the great plateau of Thibet is molded, these ranges may be modeled in position. Some of the highest peaks should be 124 Molding Asia, shown in position. Mounts Everest, Kunchinjunga, Dhawal- aghiri, and other important crests will appear upon a good map. Model the secondary mountain systems according to any good physical map. Notice the position of the great plains of Asia. Here all of Fig. 58. the great plains are on the borders of the continent, terminating the slopes from the main highlands which are in the center. Thus the rivers of the continent find their way to the sea in long and nearly parallel courses, with little tendency to combination. This fact will become very clear to the pupil as he traces the Modeling in Paper Pulp. 125 courses of the rivers from their hydrographic center in the great plateau down the slopes and into the ocean. Thus the Amoor, the Yang-tse-kiang, Hoang-ho — that great " Sorrow of Han " — will be traced ; so also the Ganges, Brahmapootra, and the In- dus ; the Arctic rivers Obi, Yenisei, and the Lena. The great desert regions of this continent should be shown by coloring the regions with a light wash of sienna, or light brown. Lakes and seas should also appear in position. Europe. Draw the line AB = yi inches to represent the base-line from Oporto to the eastern extremity of the Caucasus Mountains. Lay off 4 inches from A to C, and draw through C a line perpendicu- lar to AB. Lay off upon this line 4J inches to D (North Cape) ; then 31 inches to E, the head of the Baltic Sea ; and 2 inches to /*^(Riga). Lay off CG = li inches southward (Cape Matapan). Draw a horizontal through D, and lay off 3 inches westward to H (North Cape, Iceland), and lay off DI, 2J inches eastward to a point in the Ural Mountains. Draw AD and BI, and drop a per- pendicular from H to AB at /. The line H/ cuts A£) at K (Brest). Draw KG, cutting AB at L (Genoa). Draw KF and CH, cutting KF Sit M (Copenhagen) and AD at N (The Naze). Draw IG, cutting AB at O, the mouth of the Danube. At A draw a line perpendicular to AB, and make AP = ^ inch (Cape Finisterre), and AR = 1 inch (Strait of Gibraltar). Draw the lines P/ and PL, and complete the outline of the continent. After the pulp has been prepared and the outline of the con- tinent drawn, the pupils may be allowed to mold the map. The production of the map of this continent outlined in the flat will be sufficient for one or two lesson-periods. Europe has a very long line of junction with Asia, therefore the best maps will 126 Molding Europe. show parts of this outlying continent. In some cases it is well to model Europe and Asia as one great land mass. In order that the Mediterranean Sea may be properly shown, Africa should be modeled in part. These may be shown simply in the flat, without the mountains and plateaus. Fig. 59. Procure a good physical map and study the plateaus and mountains of Europe. Dampen the parts where the plateaus are to be placed, and spread out the fresh pulp in a thin layer. Put on the pulp in small quantities, and take care to make the work delicate. Europe in its western part is mainly a network of moun- Modeling in Paper Pulp, 127 tain chains, without very extensive plateaus. The whole eastern part consists of a vast low plain continued in a moderately wide strip bordering the Baltic and North seas, and extending to the Bay of Biscay. The dividing line between these two sections is formed by the secondary mountain system consisting of the Car- pathian, Sudetic, and Riesen mountains, and lower ranges ex- tending nearly to the shores of the North Sea. The continent may be considered naturally under two great divisions, High Europe and Low Europe. A line drawn from the mouth of the Rhine to that of the Dniester marks this division. Mold the basis of the central highlands, leaving narrow bands of depression to mark the valleys of the Danube, the Po, and the Garonne, etc. Cover the three peninsulas, the Spanish, Italian, and Grecian, which constitute the southern highlands. The eastern part of the Scandinavian peninsula belongs to the Great Low Plain ; the western part forms the Scandinavian Plateau. On the coast of Norway are found those most remarkable forma- tions — deep, narrow, vertical arms, or rather fingers of the sea — known as fiords. The sea is thus admitted to the very heart of the Scandinavian Alps, and the perpendicular walls of these transverse valleys are often several thousand feet high. The fiords may be represented by transverse cuts in the shore-line of the plateau. Low Europe is bordered on nearly every side by mountains. On the east are the Urals, on the south the Caucasus, on the southwest the secondary highlands of the continent, and on the northwest the highlands of Scandinavia. The greater part of this section should be left in plain relief, since it is nearly uni- form in surface and character, and v/ithout natural subdivisions, if we except such as are made by the inland seas. This plain is slightly elevated near the centre, where the Valdai Hills, iioo feet above the sea-level, form the principal watershed of Europe. 128 Molding Europe. Having located the basal plateau sections of Europe, it now remains to mold the primary and secondary mountain systems. The main system is composed of a highly complex series of mountain chains extending along the northern shores of the Mediterranean in a great curve from Gibraltar to Asia Minor. The central part is highest, the Alps forming the culminating point of the continent in Mont Blanc, 15,787 feet high. The sharp peak of the Matterhorn, the broader Wetterhorn, Monte Rosa, and the Pic du Midi should be molded in miniature. More than four hundred peaks of the Alps rise above the snow-hne. The modeling of mountain ranges and the formation of val- leys are closely connected. When elevations were first formed on the surface of the earth valleys appeared between them as necessarily as shadows follow light. The Alps are formed of numerous ranges divided by comparatively deep valleys, which tend toward parallelism with the general direction of the whole mass ; but in many parts deep transverse valleys intersect the prevailing directions of the ridges, and serve to facilitate the mi- gration of animals and plants, as well as to increase the trade between nations. These deep depressions between mountains are called passes. The chief passes of the Alps have been known and frequented from a period antecedent to authentic history. The famous Pass of St. Bernard, the Pass of St. Gotthard, and the Simplon Pass may be represented in place. The Pyrenees and the Cantabrian Mountains, with the Apennines and Balkans complete the main system. The secondary mountain chains of Europe may now be molded. The ranges of Scandinavia, the Caucasus, with Mount Elburz, the highest peak of Europe (18,526 feet), and the Urals should be located. The latter should have a very broad base, since the slopes, both on the European and Asiatic sides, are so gradual that the traveller looks upon the elevations rather as pine-clad heights than as a great mountain chain. Molding Europe, 129 The British Isles form part of the great continental plain, but are separated from it by submarine plains, situated in the North Sea, 300 feet below the surface. The inconsiderable elevations of Scotland and Wales may be shown by slight ridges in relief. Some of the snow-capped peaks of the Pyrenees, the Scandi- navian Alps, and the Caucasus ranges should be represented. Outline the rivers in pencil, and then trace over in blue ink. The snow-crowned Alps form the hydrographic center for High Europe. Even in the hottest and driest seasons the reserves, accumulated in the form of glaciers during a long preceding period of years, are available to maintain the regular flow of the greater streams. The entire system of the Alps is drained by four large rivers, the Rhone, the Danube, the Rhine, and the Po. The Danube, rising in the Black Mountains, follows the general eastward slope, and passes, through transverse gaps, a number of ranges lying directly across its course. The Rhine and the Rhone pass through transverse valleys in the Swiss Alps and the Jura. The center for Low Europe lies in the Valdai Hills, from which streams radiate in every direction. These streams all enter the four inland seas which border upon the great European plain. The longest river of Europe, the Volga, flows toward that vast depression which separates Europe from Asia. That por- tion of the depression which is below the sea level may be shown on the map by a light wash of a greenish-yellow color. Unless the map be made upon a large scale, it will not be necessary to represent the mountain lakes of Europe. The lakes v/hich are found in the lowlands which surround the Baltic Sea should be shown. These are lakes Ladoga and Onega in Russia, and Wener and Wetter in Sweden. Complete the map by placing gold-foil upon the peaks repre- senting the volcanoes Etna, Vesuvius, Stromboli, and Vulcano ; also Mount Hecla and the other volcanoes of Iceland. I30 Modeling in Putty. PUTTY-MOLDING. Among the many art media which are at the service of teach- ers of geography in the construction of reHef-maps, common putty occupies no insignificant place. This material is pliable and easily manipulated, therefore teachers and pupils possessing but moderate abilities in the art of molding can readily produce very serviceable relief-maps. In order to get the best results, colored putty should be used. There are certain conventional tints which may be used to repre- sent the various natural conditions of land and its variations of level. The teacher who intends to construct serviceable reHef- maps should procure putty in the following colors, which any glazier or painter will readily make : 1. Green. — The color known as "Nile green," formed by mixing with the putty a little Prussian blue and chrome yellow, making a light tint. 2. Brown. — A warm shade of brown, formed by mixing umber and Indian red with the putty. 3. Yellow. — A tint resembling '' Naples yellow,*' formed by adding yellow ochre to the putty. 4. Buff. — A shade formed by mixing equal quantities of (2) and (3). Raw sienna gives nearly the same color. In a relief-map of any continent, lowlands and valleys may be represented in green, mountains in brown, lakes in blue, and deserts in buff. '* Naples yellow " is the conventional color for plateaus, but in most cases it will be better to represent both highlands and mountains in brown. Relief-maps should be molded upon boards specially prepared for the purpose. For use in the class-room a very convenient form may be made by nailing strips on the ends of short lengths of thin pine boards. The strips prevent warping. The molding- Fig. 6o. map of south america in plain putty. Modeling in Putty. 131 boards used for the continents may be 13 by 16 inches. Since the map is intended to remain upon the board, the general ap- pearance of the work may be much improved by painting the boards Hght blue. The continent and its neighboring islands will then stand out in strong relief. Instead of the thin boards here recommended, squares and oblongs of book-board may be used ; but the putty will not adhere so readily, and the pieces are apt to warp. If a set of relief-maps of the continents be constructed, it will be well to adopt some uniform scale, since better ideas of the rel- ative sizes can thus be obtained. With the boards 13 by 16, a scale of 400 miles to the inch may be employed. The following directions are such as may be found useful in locating the main points in the outline of South America. South America. Draw a vertical line AB, and make it i \\ inches long. Meas- ure downward 3 inches upon this line to the point Cy through which draw the horizontal line ED^ making CE 2 inches to the left, and CD 6 inches to the right. Lay off on AB 2 inches from C to F. Draw the lines AE, AD, DB and EF, MOLDING THE MAP. Locate upon the board the points A, B, C, D, E, and F. Take a small ball of green putty (No. i) about one inch in diam- eter and soften it in the hand until thoroughly pliable. Place the piece of putty in the center of the outline and press it out- ward to the points marked. Make the layer of green perfectly flat and about -^^ inch thick. Mold in the shore-line according to the outline as given in the text-book, using a pointed stick in 132 Molding South America, making the indentation of the coast. Finish the flat surface by- passing the palm of the hand Hghtly over the whole. Some teachers may prefer to %\y^ the children the outline of the shore and let them mold to the limit thus set. In that case, a good plan is to cut out a pattern in thin cardboard, and trace around the edge. The method employed may be varied to suit the end desired. With very young children the outline must be given if accurate maps are desired at once. Whatever be the method employed, it is probable that the production of the map of the continent outlined in the flat will furnish enough work for each member of the class during one lesson-period. Pupils should be questioned in regard to the triangular form of the continent, and the coast-line unbroken by great gulfs or large enclosed seas. Prepare some brown putty (No 2) and spread it out in thin patches upon the parts of the continent where the plateau sec- tions are to be represented. These sections are : 1. The Plateau of the Andes. 2. The Plateau of Brazil. 3. The Plateau of Guiana. Of these plateaus, that of the Andes is by far the most prom- inent. It should be represented on the map by an irregular band in brown varying from one-quarter inch to one inch in width, and stretching along the entire western coast. The portion of the map left green will represent the Great Central Plain, which, extending along the whole eastern base of the Andes, is interrupted only by the low plateaus of Brazil and Guiana. This great plain is usually considered under three divisions : I. The Llanos of the Orinoco. \ ) K^^ Fig. 6i. map of australia in colored puity Modeling in Putty. 133 2, The Selvas of the Amazon. 3. The Pampas of the La Plata. The watersheds dividing these sections are insignificant. The student may now proceed to mold the mountains of the continent. Roll out between the palms of the hands Httle strips of brown putty, and place them in parallel lines along the western coast upon the Andean plateau. These will form the border-walls of the plateau, and should be molded into peaks and elevations by means of a horn spatula or a common steel button- hook. The elevations should not exceed one-eighth of an inch in height. The system should be formed of two lines of eleva- tions in the central portion, of three lines at the northern ex- tremity, and of one at the southern extremity. The general chain of the Andes is nowhere broken through, and thus the great mountain system forms a complete separation between the waters which fall into the Pacific and those which flow in the Atlantic. The chief peaks of the Andes, such as Illampu, Aconcagua, and Nevada de Sorata, should be located, and may be marked with little touches of white paint. The various groups of lofty volca- noes may be readily distinguished by deftly placing small pieces of gold-foil upon the tips of the elevations molded to represent them. Thus may be represented the volcano Tolima, and the linear groups of the Plateau of Quito, containing Chimborazo and Pichincha, Cayambe, and the famous Cotopaxi, the highest active volcano in the world. The volcanoes of the central group, Are- quipa and Sahama, and the remarkable Chihan range, including Antuco and Corcovado, should also be shown upon the map. The broad tableland of Brazil should be crossed by several irregular ranges of low mountains, the highest ranges situated along the southeastern coast. The mountains of Guiana, consisting of the Acarai and Paca- 134 Molding South America, rayma ranges, may be represented by elevations about equal in altitude to those of Brazil. The next lesson may consist of tracing the courses of the rivers of South America. If the students can be supplied with little perforating needles such as are used in the kindergarten, these may be used in marking out the river-courses. A sharp penknife may be used instead. The rivers should be traced from source to mouth. The main tributaries of the Amazon should be shown upon the map. In a complete map the wonderful little river, the Cassiquiare, which connects the Rio Negro of the Amazonian system with the Ori- noco, will be traced in position. The La Plata and its tributa- ries draining the pampas of the South should be shown. In the central portion of the plateau section of the Andes a little depression may be lightly touched with blue paint to repre sent Lake Titicaca, the highest large lake in the world. The Desert of Atacama, on the western coast of the continent, may be represented by a small patch of buff putty. The shade may be formed by mixing No. 2 and No. 3. SUBDIVISION OF THE WORK. Lesson I. — Basal lines or outline. Lesson II. — Flat layer of green, with shore-line. Lesson III. — Plateaus and deserts. Lesson IV. — Mountains and rivers. Lesson V. — Lakes and details of finish. Putty may be kept very soft and pliable by covering it with water. When it is needed for use a portion may be placed in hot water, and it will then become exceedingly soft, but not adhe- sive or disagreeable in any way. Practice-boards, consisting of plain lengths of common pine, may be used until some little skill is attained in the Modeling in Plaster. 135 manipulation of the putty. Colored putty costs about ten cents a pound. By following the directions given in a preceding section the other continents may be molded in colored putty. MOLDING IN PLASTER OF PARIS. Plaster is not a medium which will be found quite so useful for general purposes as some other media, but there are still many cases in which it is the best substance to employ. Where it is desirable to make many copies of a given map, and the mat- ter of time is the chief element to be considered, or where it is necessary that a very high degree of finish shall be given to the work, then it becomes the medium par excellence. The best method to be pursued in the production of a set of copies of a relief-model is as follows : Let the relief to be copied be one of the delicate putty maps, made according to the directions given under the heading '' Putty Molding." Brush lightly the whole surface of the map with a thin coating of oil, wax, or graphite. Tack a rim or border of thin strips, one inch deep, completely around the board upon which the map is molded. Prepare the thin paste of plaster, and pour it into the mold thus made. Let it become firm, and then remove it by tapping smartly the strips nailed to the sides of the board. This becomes a new matrix from which any number of copies can be made. Nail some inch strips together to form a confining frame for the matrix. Coat the matrix with oil or graphite, and then fill with plaster. A few sharp taps will allow the removal of a perfectly clean and white copy of the original map. This may now be elaborated by fine work upon the rivers, etc., and may be made to take any of the delicate tints employed in water-color painting. Where it is desirable to make maps for 136 Plaster Casts. use in all the ward schools of a city system, many of these clean, white copies may be made. By having the various continents molded in different schools, fine sets of rehef-maps may be made for use in all the schools of a city. This medium, like the papier-mache, has the great advantage of taking water-colors and India ink well, and thus readily lends itself to the highest grade of work. In order that the student and teacher may be able to avail themselves properly of this beautiful medium, we give the following list of desirable colors to be used in tinting : China white. Yellow ochre, Lemon yellow, Raw sienna, Vermilion, Venetian red, Rose madder, Carmine, Burnt sienna. Raw umber. Sepia, Gamboge, Indigo, Emerald green, Prussian blue, India ink. All the conventional tints employed in geographical repre- sentation may be obtained from these, and their use will add greatly to the beauty of the maps made. Of course the only limit is the artistic talent of the molder. It is understood that the maps from which the molds are made must be perfectly dry and hard, otherwise the matrices can- not readily be made. MAPS OF FINEST FINISH. A simple extension of the processes given before will g\vQ a method for production of rehef maps of a quality not surpassed in this country. Let a plaster mold be made as in the directions given, and into this pour a thin layer of fine, smooth pulp, con- Fig. 62. map of asia in plaster of paris. Paper Casts, 137 sistlng of macerated paper. This may then be backed by a thick, coarser pulp made of manilla, brown paper, etc. Another process which gives excellent results is as follows : Soak sheets of Whatman's best draughting paper in a size of glue and paste. Take pieces of the required dimensions, and, pasting them together in layers, press them down into the mold of the map. Dry these layers by placing the mold in an oven ; then back the layers with pulp, or with plaster of Paris. When it is desirable to finish the map in water-colors, the first layer should be soaked in pure water, and the size or paste be applied to one side only and after the sheet has been laid in the mold. Maps made in this way become very strong and durable, and are capable of taking very high finish. We hope the day is not far distant when maps of the above description will be made in great numbers in our own country. ONE USE OF RELIEF MAPS. The following double lesson given by Mr. Small, a pupil- teacher, shows one use which may be made of the relief-maps after they have been molded by the pupils. Subject : Cultivated and Uncultivated Products of South America. Point. — I. To obtain from the pupils the statements given in the plan below. 2. To fix firmly in their minds the knowledge gained. Preparation by Pupils. — i. Study of the text in a good Inter- mediate Geography. 2. A little well-directed reading. 138 Use of Relief Maps, 3. Acquired concepts of the general physical features of the continent, through previous work and molding the relief in putty, clay, or paper-pulp. 4. Individual maps ; each pupil's molded work before him during the recitation. Preparation by the Teacher. — i. Selection of lesson-plan. 2. Consultation of Manual of Commerce. 3. Molding of individual map. Plan and Matter. — i. Review of previous lesson on physical features. 2. Vegetable products are — cultivated and uncultivated. 3. Cabinet-woods, dye-woods, palms, india-rubber, cinchona- sarsaparilla, Brazil nuts, and cassava are the principal wild pro- ductions of South America. 4. The cabinet-woods, — mahogany, rosewood, ebony, etc., — the dye-woods, india-rubber and palms, are mainly found along the Amazon. 5. Cassava is produced in greatest abundance in Brazil. 6. Cinchona or Peruvian bark is obtained in Peru, United States of Colombia, Ecuador, and Bolivia. 7. Coffee, sugar, cotton, tobacco, indigo, and rice are the prin- cipal cultivated vegetable productions of South America. 8. Brazil yields more than half the coffee used in the world. 9. Brazil is the chief coffee, sugar, and cotton producing dis- trict of South America, but Guiana and Venezuela are also im- portant districts. 10. Venezuela and Brazil produce indigo. 11. General drill in spelling, etc. METHOD. Teacher. — Who can tell me upon what the vegetable productions of a country depend ? Harry. — Upon the soil and climate. A Model Lesson, 139 Teacher. — Since the soil and climate, as you have learned, differ much in the various countries, what must follow in regard to the productions ? Bertha. — The productions are different. Teacher. — In your last lesson you have molded South America. Etta may tell me to which hemisphere the continent belongs. Etta.—'SiOViXh. America lies in the Western Hemisphere. Teacher. — In what zones does the continent lie, Charlie? Charlie. — It is in the Torrid and South Temperate Zones. Teacher. — Through what part does the equator pass, Gracie ? Grade. — Through the northern part. Teacher. — What portion of the continent is in the Torrid Zone, Helen } Helen. — About three-quarters of the continent lie in the Torrid Zone. Teacher. — Class may show me where the equator crosses the continent. Each pupil points out the place upon his map. Teacher. — Where is the chief mountain system situated, Ella ? Ella. — It extends along the entire Western coast. Here the teacher conducts a rapid review of the previous les- son upon physical features, climate, soil, etc. The pupils locate the various parts named. Much of the zest of recitation appears to come from the fact that each child is dealing with a map which he has made his own. Teacher. — Since the greater part of South America is in the Torrid Zone, what kind of productions should we expect to find, Lottie } Lottie. — The productions common to the Torrid Zone, mainly. Teacher. — What two general classes of vegetable productions do we have, Edna? Edna. — Cultivated and uncultivated. Teacher. — Name some cultivated products, Harry? Harry. — Corn and wheat. Teacher. — Helen may name some uncultivated prodnjctions we have in this country. Helen. — The timber-trees. Teacher. — Who can name some uncultivated vegetable products of South America ? I40 Suggestive Work, ^//^.—Cabinet-woods. Teacher. — What are cabinet-woods? Etta. — Wood used in making fine furniture. Teacher. — Clara may name some. Clara. — Mahogany and rosewood. Chairs and sofas are sometimes made of mahogany, and pianos of rosewood. Teacher. — Harry } Harry. — Sister has an easel made of satinwood and ebony. The children are asked to spell these various words, and the teacher writes a list upon the blackboard. Teacher. — Name other uncultivated products of South America, Edna } Edna. — Dye-woods. Grade. — Cocoanuts and other fruits of palms. Ella. — India-rubber. Teacher. — What is india-rubber, Helen. Hele?i. — India-rubber is a gum-like or resinous substance obtained from the milky sap of a tree. Teacher. — What use is made of it in this country, Charles ? Charles. — It is used in making boots, shoes, water-proof clothing, erasers, and many other articles. Teacher. — There is also a tree called cow tree or milk tree, which yieds an abundance of nutritious sap. From what are all of these various things obtained, Gracie } Grade. — They are obtained from trees. Teacher. — Where do we always find trees, Mac ? Mac. — In forests. Teacher. — Where do we find the principal forests of South America Lottie ? Lottie. — In the plains of the Amazon. Teacher. — Lawrence may tell us the name which is sometimes given to these plains. Lazurence. — Sel vas. Teacher. — What does that word mean, Mac } Mac. — Woods or forest plains. Teacher. — Where are the dye-woods, cabinet-woods, india-rubber trees, cow trees and palm trees of South America found, Edna ? Edna. — In the forests along the banks of the Amazon, in Brazil, A Model Lesson. 141 Teacher. — Class may point out on maps. Yes, that is right. But have we named all the wild products, Harry ? Harry. — I can name two others — Peruvian bark and sarsaparilla. Teacher. — Any others, Charles ? Charles. — Cassava or tapioca. Heleji, — Brazil nuts. Teacher. — In what zone is cassava produced ? Grade. — In the Torrid Zone. Teacher. — In what particular country of South America is it produced, Harry ? Harry. — In Brazil. Teacher. — Class may point out the country. Yes, that is right, Charles. Now we have all found it. What is the name of the plant from which cassava is made } Helen. — It is called the manioc shrub, and the root when scraped to a pulp is pressed and dried, and then ground to flour called cassava. The starch of the roots is known as the tapioca of commerce. Teacher. — The manufacture of the manioc-flour and tapioca is one of the leading industries of the country. Much tapioca is now produced from the planted shrubs, so we cannot call this strictly an uncultivated product. Where is cinchona or Peruvian bark found, Bertha.? Bertha. — ll is found in Peru. (Maps.) Teacher. — Well, Helen ? Helen. — It is found, too, in Bolivia, Ecuador, and United States of Colombia. Teacher. — In what plateau are all of these countries which produce this bar ? Helen. — The plateau of the Andes. Teacher. — In which half of the section, Charles ? Charles. — The northern half of the Andean plateau. Teacher. — Of what use is this bark, Ella ? Ella. — It is used as medicine. Quinine is made from cinchona or Peru- vian bark. Teacher. — What other medicinal plant did Harry name, Helen.? Helen. — Sarsaparilla. Teacher. — Where in South America does sarsaparilla grow } Helen. — In Venezuela, United States of Colombia, Ecuador, and Peru. (Maps used.j 142 Products of South America. Teachc7\ — What kind of vegetable products are these which we have named ? Class. — Uncultivated. Teacher. — These may all be included in the term forest products. Let us name them. C/a^^.— (Reading from the blackboard.) Cabinet woods, Dye woods, Fruits of palms, India-rubber, Peruvian bark, Sarsaparilla, Brazil nuts. Cassava, etc. Teacher. — What other kind of vegetable products are there, Etta ? Etta. — Cultivated products. Teacher. — Name the principal cultivated vegetable productions of South America ? Grade. — Coffee, sugar, and cotton. Harry. — Tobacco and indigo. Lottie. — Bananas. Teacher. — Spell that word, Lottie. Children are required to give descriptions of the various products named. The words are written upon the board. Teacher. — What must be the nature of the climate and soil in these places where coffee, sugar, and cotton grow, Edna ? Edna. — The climate must be warm and moist, and the soil rich. Teacher. — What countries of South America have such conditions, Bertha ? Bertha. — Brazil, Guiana, and Venezuela, principally. (Maps.) Teacher. — Then these products are found in what countries, Harry r Harry. — They are all found in greatest abundance in Brazil, but Guiana produces large quantities of cotton and sugar, while Venezuela produces superior grades of sugar and coffee. Teacher. — How does Brazil rank with other countries in the production of coffee, Ella? Chalk Modeling. 143 Ella. — Brazil yields more than half of the coffee consumed in the world, and the United States takes fully one-half of the quantity exported. Teacher. — In what zone does the indigo plant flourish, Mac? Mac. — In the Torrid Zone. Teacher. — We shall then find this plant in the northern part of South America, but in what countries, Etta.'* Etta. — In Venezuela and Brazil. Teacher. — Class may name the cultivated vegetable products. Class. — (Reading from the blackboard.) Coffee, Sugar, Cotton, Tobacco, Indigo, Bananas, Rice, Cocoa, etc. General Drill. — Pupils name, spell, describe, and point out on relief-maps the various localities in which the productions are found. CHALK-MODELING AND MAP-DRAWING. Map-drawing is now generally recognized as an important auxiliary in the study of geography; but many teachers make the mistake of regarding it as an end^ and not as a means. Cartog- raphy, or the production of finished and mathematically accu- rate maps, is work for engineers and topographers, not for students in our public schools ; and while we will yield to none in our appreciation of beautiful work of this kind, still it is beHeved that the acquisition of the habit of close observation, and the attainment of skill in representation are of far greater importance than the mere production of maps possessing artistic finish. A gentleman once told us that one thing which struck him as 144 Map Drawing. particularly noticeable in the school-life in Japan, was the power the little boys possessed of representing by a few rapidly-drawn lines the object to which they wished to direct attention. Draw- ing was with them a second language. Now it is psychologically true that drawing is a means of concept expression : — a language by means of which we may express sight impressions. It is in its practical application of this truth that the German method of teaching geography trends in the right direction. The rough diagram or sketch In which the German lad seeks to express his concept of the relative shape and outline of the Americas, may be crude indeed, yet the simple sketch fascinates us — interprets to us something which we may never have grasped before. How often the elaborate work, full of the most marvelous detail, only excites our wonder ! It tells us nothing ; it teaches nothing. We are all inclined to flatter ourselves by imagining that we know more than we can express, but the truth is that we can only draw or represent so much of a thing as we can see^ or in other words, so much as we can realize. It follows from this, that we can expect little good from any system of map-drawing in which tracing dim outlines occupies any considerable part, if, at the same time, much original work be not done on such maps. The pupils should often be required to produce maps without the aid of either outHne or construction lines. Even the production of what some one has sneeringly called " nondescripts " will go far to show to the teacher what actual concepts the children have of the form of the continent which they have been studying. The early sketch-maps may be, probably will be, in their honest hardness of outline, far less pretty than those of more pretentious ignorance ; but while those who have never learned the alphabet of the true art of map-making can make no prog- ress, those who base their work upon a sound foundation will Chalk Modeling, 145 find that every sketch-map they make is an education of hand and eye and brain. Let any teacher study the plan which he will himself adopt Fig. 63. when tracing any outline, and then find whether he has by the process obtained any concept of the form of the whole. In nine cases out of ten it will be found that the effort to concentrate H^ Map Sketching, the mind upon the detail focuses the eye upon a very limited portion of the outline, and prevents the retention of any con- cept of the entire form. "■ Sketch the tree first as a whole," said a famous artist to his pupils, *' do not try to grow a trunk onto the branches." How often children are required to work at the leaves and branches of continents before studying and drawing the trunk-forms ! With young pupils, the power to imitate should mainly be relied upon in the work. If it be possible, send them all to the blackboard, and have them block in, with the flat side of the crayon, the mass of the continent. But you say, " The work looks so rough, so crude." Yes, the first attempts may be poor ; but improvement soon begins, and the end shows that the plan is a correct one. The difficulty here, as in all kinds of real wo'rk, lies in the trouble of thinking, to escape which we sometimes catch at the most laborious trifling. When the child looks at a form in order to draw it, there is a strong act of the will, and this causes true growth of the mind. This form of drawing or chalk-modeling is one of the most valuable aids in the teaching of geography. In the hands of skillful pupils and teachers it be- comes a source of never-ending delight. Modeling the continent in sand should precede the drawing of the form, and it would be well if the representation of the sur- face in color could also precede drawing. Where it is not prac- ticable to employ water-colors in the representation of the con- tinental masses, colored crayons may be used with good effect. From the modeled continent as formed upon the molding-board the continent as a mass should be drawn in green chalk ; next the plateaus and mountains in brown or yellow ; then the rivers in bright blue. When mountains occur upon the map, they should be drawn before the rivers, except in case the rivers form a part of the the boundary line. The mountains at once give the Construction Lines, 147 direction in which the land slopes, and therefore show the courses in which the rivers flow. In drawing a river, the line should be drawn from the source to the mouth. A child will very soon understand that it is only reasonable to trace a river in the direc- tion in which it really flows. It is believed that with more advanced pupils the original development of the outlines of the continents by means of accu- rate construction lines may be made interesting, and the energy expended not be lost. The system is as old as the time of Ritter, and has the sanction of that great geographer. If the measure- ments be given in inches and the work done to scale, much skill of a practical value will be gained. Pupils take pride in making good maps, and it should be remembered that they take little delight where learning is not doing. Cartography in its higher forms does not belong to our school- rooms ; still there is one use which may be made of any good system of construction lines, aside from their use for purposes of map-drawing: pupils in the higher classes may easily calculate the areas of the continents from such lines. Besides the maps which are usually made in our schools, maps should be made showing the rain-belts, forest regions, deserts, plains, plateaus, staple products, races of men, density of population, religions, ancient empires, manufacturing interests, commercial lines of travel, sections visited by noted discoverers and explorers, territory after conquest, colonization, etc. In many schools, especially in the rural districts, there are no opportunities for teaching the productions of a country as shown in the lessons on the Progressive Sand Map. In such cases a passable substitute may be made thus : Let an outline of the country to be studied be drawn upon a large sheet of manilla paper. The lines of the coast may be made most effective by shading in blue. Now paste upon the map the products of the 148 Product Maps. country In their proper localities. Wheat, oats, barley, rice, wool, cotton, iron-ore, gold and silver leaf, cabinet woods, coffee- beans, etc., may all be easily fastened to the paper with glue. If the pupils are asked to bring the various products, there will be no difficulty through lack of quantity. Such product-maps give freshness and variety even in schools where the molding-board is in daily use. The same method may be pursued in the produc- tion of botanical charts of a district, county, or state. The following method, suggested by a correspondent for one of our educational papers, gives a splendid opportunity for drill upon map-sketching as well as a good change from routine work for both teachers and pupils. Let one of the pupils be sent to the board to draw an outline map of a country, and let the others at their seats draw upon slates or upon paper. Allow fifteen or twenty minutes for the drawing of the map, and as many more for the study of the same. Now let one of the pupils stand at the board and question the class upon the various features of the country, making use mean- while of the map drawn. When one pupil has exhausted his stock of ready questions, let other members of the class continue the questioning. The teacher must see that the pupils bring out the leading features by their questions, and should supply any omitted points. The method is of great value, since pupils are led to inde- pendent study. Never were words more true than these of Rousseau : " If your head always directs your pupil's hands, his own head will become useless to him." The Eye and the Hand, 149 ILLUSTRATIVE SKETCHING. Teachers will find that their work in the class-room will be rendered more effective if they will cultivate a taste for light sketching, in order that they may thereby acquire the power to illustrate their work at any moment. If we study a picture care- fully, we shall find that the principal points are all brought out by a few strong Hnes. Teachers should strive to gain that power of the eye which will enable them to seize upon these main points of a picture, and then by constant practice acquire that control of hand which will enable them to represent the thing desired. Some teachers may think that this is a sort of Egyptian tyranny, to bid them make bricks, having not yet any of the materials. But let us look at the matter. Have we not failed in duty in denying the soul some of its possibilities of development by neglecting to train the sense of sight ? We do not cultivate this sense, which is by no means naturally strong with the Eng- lish race. Through our belief that we can do nothing in this line, we have come to the conclusion that we are thereby relieved of all responsibility for the cultivation and the training of the hand and eye in others. Elementary training in sketch-drawing should be a part of the course in every school in which teachers are prepared for their work. The line of work should be specially directed towards the attainment of genuine control of the hand. The direction of the classes in sketching should be placed in the hands of per- sons possessing artistic skill. But those teachers who have had no chances to obtain good training may do much to improve themselves in this respect, if they will but think so, and try. Make a bold stroke to emanci- pate yourselves from the slavery of the belief that you can do I50 Seeing and Doing. nothing. At first your attempts will be crude and poor — very poor, perhaps— but the next time that you try you will do better. Soon you will begin to take pride in your work, and the ready interest excited in the children will be your stimulus. Never mind if occasionally they do become your critics, and mistake your horse for a cow, or the cat for a sheep. Perhaps you will find that the fault may lie in the fact that you have not suffi- ciently emphasized the characteristic points of the animal ; and this, because your own percepts and concepts may not be so clear as you may have supposed. A very common fault v/ith beginners, and one which it will be well to guard against carefully, is false finish — labor thrown away by the employment of methods which take more time than other methods, while, at the same time, the result may be much inferior. For example, fine lines and cross-hatching should not be employed in shading in cases where chalk, charcoal, or the stump will give a shade of better quality in less time. Economy in labor, wherever it is not artistically an evil, should be observed. Get a few sketches by good artists, and notice how in their work these men give rapidity of execution, not by hurry- ing the hand, but by adopting the most summary means of ex- pression. The natural world presents itself to the eye as a series of patches or spaces full of gradations of light and shade and color, but having no real lines. Not that the teacher will not find it useful at times to use that purity and firmness of outline which is a characteristic of the best Greek art, Avhile at the same time it is the style which a child naturally adopts in his own first efforts ; but in making sketches, in general, the teacher should aim to see and represent the large masses of light and shade, and thus to convey impressions and ideas rapidly and accurately. Illustrative Sketching. 151 Fig. 64.— The Geyser, 152 Historical Maps. MAP MODELING IN HISTORY. Map modeling in connection with the work in history has considerable educational value, since everything that tends to make clear the geographical relation between various nations will aid in the understanding of their history. The most natural association is that ot time and place, and all the points that tend to fix the place in memory will tend to impress the time relation in a corresponding degree. The imagination is of course the faculty to which the strongest appeals must be made ; but as we model the coast-line of Greece in our study of the history of that country, we shall find that the peculiar charm of an intimate blending of land and sea could not fail to make navigators of the Greeks. It incited them to active commercial intercourse with other nations. The connection between the physical character of a country and the history of its people is most intimate. As we take up the individual events of history, an accurate knowledge and expression of the physical features becomes a v»ry important part in the thorough study of causes and effects. No teacher who has ever used the molding-board in the course of a lesson in history will ever return to that senseless memoriz- ing and repeating of meaningless words so long forming the bulk of this work in our common schools. Take, for example, the early history of the Western part of Pennsylvania. The long parallel ridges of the Alleghanies seemed, like huge fences, to confine the English people to the country east of the mountains. The pasture of the eastern slopes of the mountains was not, however, to be the limit. In 1754 the gov- ernor of Virginia sent Washington to take possession of the fT: III " P " .' III I I II f i ll ^-?^ ■^^ ^'^^t^ r^ ii-: i ^ r - a: ST'niW;^- 'ep'\ ,^Hy Fi(. 65. ,:^ PAPIER-MACHE MAP OF BURGOYNE'S INVASION. Saratoga and Gettysburg. 153 country, and the young major selected a spot where the Alle- ghany and Monongahela rivers unite to form the Ohio. As the teacher molds these valleys meeting at the point at which the great city of Pittsburgh now is found, the power of its position will be seen more clearly. Fort Duquesne was the seal that the French placed to confirm the wisdom of Washington. In the study of the various battlefields mentioned in the his- tory of our country the teacher may use the molding-board with excellent effect. Bunker Hill, Saratoga, and many others are examples of those that are best adapted to such representation. The whole campaign of Burgoyne's invasion is the subject of the papier-mache map. Fig. 65, modeled by Wood Bishop of the public schools of Wilmerding, Pa. Fig. 66 shows the further ap- plication of the same idea, although it is impossible to reproduce in the photograph the colored inks used in the marking of the various details of the map. The great battlefield of Gettysburg may be modeled and the advantage of the selection of the terrible fishhook "position" of Cemetery Hill be made plain. During Wednesday night and Thursday morning the two armies were concentrating on the two ridges which were to be the line of battle. Then began the great artillery contest. The cannonade was fierce and incessant, and many shells were thrown into the town. Both sides fought with great bravery, but neither could drive the other out of posi- tion. On Friday morning General Lee did not desire to make the attack. He saw the superiority of the federal position, and tried to entice the Union troops out of it and down into the val- ley. The confederates marched out of Gettysburg and retired to the seminary, but gained nothing by the movement. All day the battle raged v/ith great fierceness in charge and countercharge. At last about four o'clock occurred the sanguinary struggle that Whitelaw Reid has called the great final charge. In this great 154 Historical Maps, onward rush the High-water Mark of the rebellion was reached. Pickett's division lost six-sevenths of its officers and men ; while the federals under Gibbon, their strength diminished one-half, still held the crest. The confederates gathered up their broken fragments, formed lines, and slowly marched away. It was not a rout, but a bitter, crushing defeat. Fig. 66a. Although no model can take the place of the idealizing forces of a vivid imagination, there can be no doubt of the value of the representation of the relief forms in this relation. Lookout Mountain, Missionary Ridge, and the Shenandoah Valley — that "■ Valley of Death " — may become more than mere names if their relief forms are properly understood. e>ie.«?s;?) Fig. 66. Home Geography. 155 lejsjsonis ixi f ome cefeosmpi^r. Fig. 67. Ursson K. The Spring in the Pasture. These lessons in Home Geography are taken from '* Home, ReHef, and Life," a series of geographical studies copyrighted by the author in 1892. They are here inserted in order to suggest lines of similar work to teachers who may use the preceding les- sons in map modeHng. All work of this kind must have its own local coloring, and can be useful in transcription only as it is made the means whereby the teacher makes the brooks and mountains speak to the children. Guyot says that in teaching geography the child must first be 156 Home Geography. made acquainted with nature as it exists under conditions of sur- face, climate, and culture ; he must know the thing to be symbol- ized, before the symbol can have any definite value. Oral lessons on the home neighborhood must be given, that the children may become conscious that they possess knowledge acquired through their own powers of observation, and may use these concepts, obtained from the geography of their own locality, in building up images of more remote regions. A child has taken his first steps in geographical study when he has made a careful study of a small portion of the earth's surface, and has made a map of the school-ground. In giving such primary notions of this great study, which Rit- ter calls "a great school of culture for the human race," the teach- ers in our country schools possess natural advantage over those less fortunately located in cities. Still, there are many objects access- ible in the least varied neighborhood, and these may be made the basis for future ideas of rivers, lakes, plains, and mountains. A child's penetration is keener, and his judgment fairer, than most teachers imagine. Although his knowledge is limited, he may be led to make inquiry into much that is useful if he but come under the instruction of the skillful teacher. I would have every teacher draw ; if but the rudest sketches, draw. The les- son may be given thus : I saw Jennie coming through the pasture on her way to school. What is a pasture, Johnny? " A place where sheep, or horses, or cows stay." Yes, but why do we keep them in the pasture ? '' To eat the grass." But do the animals need anything besides grass ? "■ They want water, too." Where can they find that, James ? '' There is a brook in our pasture." (Hands rise.) Carrie. *^ There is a big spring in our pasture, and the water comes right out of the hill." *-*X^M^,^' >> -^H^-^iT,. Fig. 66a. — map of battle of Gettysburg. IVater Forms. 157 What is a spring, Carrie? "A place where the water comes out of the ground." "A brook flows from our spring." And James says there is a brook in his father's pasture. " That's the very same brook." How does a brook differ from a spring? "A brook is water flowing through the fields, and a spring is water coming out of the ground." That is good. Now, children, let us make a little picture of the spring and the brook. Right here at the bottom of the hilly ground, just as Carrie says, the water comes out of the hill. Do you see the spring? (Sketches rapidly; Fig. 67.) Here the land slopes down to . , the spring. Henry, did you \\L ever see a and it was mosses and spring? "Yes, a big one with ferns and tall ^^ grass near it." Good. See Fig. 68. the grass and the ferns. It is near the fence. So the same water goes into Jimmy's pasture. How the plants love the water ! Some of them seem to run right into the brook. Yes, Johnny, *' the plants need water as much as the cows do." The grass could not grow if the water did not come. "From the clouds." " Comes down as rain." Yes. Then it soaks through the ground and comes out at the foot of the hill. How funny, that hills should have feet. " Where they stand on the level ground, of course." See where the land slopes Fig, 6g, down to the spring. (Draws ...^ "*" •'"- -^ ,^.. .-.'- ~2 '^Z;^^'^-^^^ ^^ '^^z €?-:^'7^'^^^€'^C€' ^^ ^C^ ^fZtZ-€^'^^ 'f^€^^ What are some other men doing ? Tom insists that we must put down ^' Fishermen." Write the list that we have made, and think of some others. (The perspective which the children will give to these various callings will be as varied as the homes from which your pupils come.) 172 Home Geography, Fig. 77. Underground Products. The farmers by taking care of their farms give food to man- kind. What is the word that tells what these men are doing? " Farming." And now you may give some words showing what other men are doing. "Mining, manufacturing, trading." Do ''The Fullness Thereof/' 173 you remember some of the forms of land and water? (Children name forms.) James says, '' The whole earth is made up of land, water, and the fullness thereof." (This answer is just as the little Fig. 78. boy gave it, and his manner showed that it meant considerable to him. See Psalm 24. i. It is this ^'fullness thereof" that so many teachers neglect in their geography work.) 174 Coal Mines. Yes ; the things we find in the water and in the ground are very important. What is this ? " A lump of coal." *' It came from the coal-bank.'" " That is what some people call a small coal mine." '' It is in the side of a hill." Let us make the sketch of one. Here is the tool-house, and here the track, and the coal- dump. ''The cars and mules are in the mine." (Luckily for the inartistic teacher.) (Fig. y^.) " The mine is dark." " Father digs Fig. 7g. I. Horseback. 2. Upper Layer. 3. Slate. 4. Lower Layer. 5, Clay. coal." " The miners wear lamps on their hats." How is the coal taken out? "The men dig it out with picks.'' (Fig. 78.) " Father says that the coal in our coal-bank lies in two thick layers." '' Level like a table." " Horizontal layers." Let us draw these layers of coal. " Our coal rests on shale and clay." Here is the layer of clay and shale. '' A thick layer of coal." "Then a layer of black stone." We call that shale, but in some Uses of Coal. 175 mines the layer is of slate. '' Now comes another layer of coal, and then a layer of hard stone to make the roof of the mine.' " Father calls that the ' horseback.' " It is sandstone in many cases. George has been in the mines. Men put in timbers to support the roof-stone. The passages are sometimes called galleries, especially when one is above the others. (Fig. 79.) How useful the coal is! ''It gives us heat." " To burn in stoves and grates." "To make the engines go." "The locomo- FiG. 80. WHAT WILTJF, BROUGHT NEXT DAY. (Technically the Neuro/teris, one of the most abundant fossil ferns.) tives, and engines in the mills." Can you name any other uses ? " Coke is made from coal." " They use coke in changing iron into steel." The gas for lighting the streets of cities is made from coal. " But we have gas-wells here." " Natural gas." " It came from the coal, too." " Most people use coal-oil to light their houses." Do you know another name for that? " Petroleum." These all come from the coal, men say, and there are many other coal-products. " Coal-tar." Yes, and some very beautiful dyes are made from petroleum. 176 Forms of Coal, Do you know what is made from the clay that is under the coal? "Mr. Hammond, my uncle, makes fire-brick from the clay." "In Westmoreland county." "At Bolivar." "To line the inside of stoves and furnaces." That protects the iron. Willie says, " I found some prints of leaves on a piece of coal.'* " Limbs and bark." These belong to plants. Did the coal come from plants? "We think it did." How much it has been changed ! Willie may bring the leaf-coal into class to-morrow. " Ferns." These were much larger than those which grow in our swamps. How many in class have ever seen any other kind of coal ? None. Here is a piece of coal, found in the eastern part of our state. Compare it with that which is found here. " It is harder." " It does not break into layers." " That is bright all over." There are two kinds of coal. (Bzmmznous.) (Anthracite,) THE GREAT HARD COAL STATE SOFT PENNSYLVANIA, Fig. 81. (first map of state.) Products of Coal. 177 A State, — Pennsylvania. A County, — Westmoreland. A County, — Butler. A Village, — Slippery Rock. A Village, — Bolivar. The coal-products are : HARD COAL, ^^g j natural, SOFT COAL, ' ( manufactured. COKE, COAL-TAR, PETROLEUM, DYES. (From the underlying clay, Fire-brick.) (The writer includes in this lesson some things which are generally regarded as anything but elemental ; still to little children who may see these sights in our state, a row of flaming coke- ovens a mile long, or the volcanic outbursts of great steel works, are nothing unusual, " Do Ye Nexte Thinge " is inscribed upon the walls of the great school at Eton.) ,78 Coke Ovens. Fig. 82. aesson UK. Manufacturing. Many persons are engaged in f arguing and 7ni7img, and now we should learn something about what other men do to support themselves and their families. In our last lesson we learned something about the men who dig the coal. ^' They are called miners." "George's father is a miner.'' The men who load the coal are called helpers or simply laborers. " Mules are used in hauling the coal along the gangway." " Not all of the roof is called Jiorseback.'' No, only that part which bulges into the coal and sometimes cuts off the layer. Name the common coal- products. (Review of previous work.) Tommy speaks of Coke. " It is made just by burning coal." Tradesmen, 179 " It isn't burnt up to ashes, but heated in large stone ovens." Men call that roasting the coal. Only the soft black bituminous coal is used. *' It is called coking coal^ because it forms coke." This is the most important of the bituminous coals, and the coke is used as fuel in MAKING pig-iron and steel. " When the coal is put into the ovens it swells, and melts or runs together into large pieces." " Water is then thrown in to quench the coke, which is then raked out of the ovens." '' W^e use ' bee-hive ' ovens." Do you know why they are called by that name ? *' Like bee-hives." '' Not much like the bee-hives which my father has for his bees." " Like the bee-hives which we see iw pictures." I saw the men building one of the ovens, and they used wooden frames shaped like parts of a huge orange. Over these the men built an arched wall of fire-brick for the inside lining of the oven. The ovens are built in long rows (Fig. 82), near the mines. In the Connells- ville coke region there are nearly twenty thousand ovens. Coke is sent to all parts of the country. It is used in the melting of silver and gold as well as in the melting of iron. Thousands of men get their living by making coke from the coal which the miners dig in the mines. What do some other men do? " Mr. Brown makes lumber at his saw-mill." '' He buys logs, and saws them into lumber." "^ sawyer'' ''Mr. Sampson makes boots and shoes." ''A shoanakery " My father has a grist-mill, and grinds the wheat and corn to make flour and meal." " We call the men who make flour, millers'' The men who made the fire-brick were brick-makers, and the men who laid the stone and brick in building the coke ovens were masons. These men work at their own TRADES. Can you namie some other trades? "The carpenter." "He builds and repairs houses." " The tailor, who makes clothes." The harness-maker, blacksmith, cooper, cabinet-maker, and carriage- i8o Tradesman. maker.'' "They earn their living by making things and seUing them to other men." We shall say that most of them live by Here is our list of men who work at trades : Brick-makers, Millers, Blacksmiths, Coke-makers, Carpenters, Carriage-makers, Masons, Tailors, Coopers, Sawyers, Saddlers, Cabinet-makers. Write the names for some trades in which the men do not make or manufacture things. (Idea of a profession to be de- veloped from this afterwards.) (Painters, etc.) Some kinds of manufacturing require that a great number of men be employed together in order that the best results be reached. Large sums of money are needed in the building oi the works, so some men who have Capital form and are commonly known as The men who are engaged in the manufacture of coke form companies which also work mines of coal. One of these is the Union Coal and Coke Co., of Greenville, Pa., which works the mines nearest to us. (Keister.) The great steel works at Brad- dock, Pa., are operated by a great company that is engaged in The Iron City. i8i the manufacture of steel, and also of the coke used in the process. Our nearest city, Pittsburg, is noted for its manufactures, and is often called the IRON CITY. Large quantities of steel rails are made. (Teacher draws map upon board.) Here is the Iron City. We will make this small circle to mark the place upon the rivers. Here is Philadelphia; here Harrisburg; and this is Al- toona among, the mountains. What is made in Philadelphia ? Fig. 83. ''Saws are made there." "The saws in our sloyd-room are marked ' Henry Disston & Sons, Philadelphia.'" '' At Altoona locomotives are made." "At Harrisburg there are large foun- dries and machine-shops." " Mr. Black was elected to go to Harrisburg to make laws'' That is a different kind of manufact- uring, most people think. Draw the maps upon paper or upon your slates. (Fig. 83.) How shall we bring the saws from Phila- delphia to Pittsburg } 1 82 Trades, Bird Trades. The swallow is a mason, And underneath the eaves He builds a nest, and plasters it With mud and hay and leaves. Of all the weavers that I know, The oriole is the best ; High on the branches of the tree She hangs her cozy nest. The woodpecker is hard at work — A carpenter is he — And you may hear him hammering His nest high up a tree. Some little birds are miners ; Some build upon the ground ; And busy little tailors, too, Among the birds are found. — Ex, This little poem, written on a square of cardboard, is handed t«o some member of the class. John may read the selection about the birds. (John reads.) Even the birds have trades. A great emperor of Russia learned the trade of shipbuilding, that he might know- when his ships were properly built. We should honor all men who work at trades. Let us name some of the trades. (Review.) Here we may study what the cooper does at his trade : The Cooper. 183 THE COOPER. f barrels, hogsheads I tubs 1. What he makes. -{ pails I kegs [ casks f adz I plane 2. His tools -j drawing-knife mallet chisel ' Kinds of wood t ( wooden noons { . ^ ( iron staves heads 3. Materials used. ( oak I beech (fir i Placing staves. 4. Making the barrels, etc. I Driving on the hoops. ( Putting in heads 84 Ocaipations, Fig. 84. iLesson VM:^. Buying and Selling. Some men do not earn all of their money by their trades alone. What does Mr. Coulter do ? " He makes tin-ware and sells it, but he buys stoves in the city and sells to the farmers and village people." Mr. Bingham keeps a hardware store. He sells axes, saws, and tools of all sorts used by carpenters, masons, miners, and others. " The farmers buy their plows, harrows, hay-rakes, and other farm implements at his store." " Mowing machines," '' Seed-drills." Mr. Kerr sells ^r^^^nV^. '' Sugar, tea, coffee, flour, butter, lard, spices, and all such things." Mr. Christy keeps dry-goods. '' All kinds of cotton and woolen cloth and silk-goods." '' Laces, ribbons, and buttons." But he keeps boots and shoes, too." Yes, in many country stores the stock is very wide. Woo Toy. 185 Mrs. McCarnes keeps a millinery store. " Ladies' hats and bonnets." " Ribbons, collars, and laces." "Woo Toy has the laundry'' "He washes clothes." *' He says, * no payee, no washee' " " When I take brother's collars and cuffs down there, he gives me a little piece of yellow paper with such queer marks on it." " I lost the paper one day, and he wouldn't give me the clothes at first." "Wing Lee, who works for him, uses a queer little frame when he counts up what you owe him." " Little wooden buttons." (Fig. 84.) " I asked him to show me how to use it, but he asked me whether I couldn't count. But he showed me how to use the counting-frame at last." " He said, ' Clos washee, number one, chop, chop, missey.' " That meant that he would wash the clothes well very soon. "What funny talk ! " Some people call it Pigeon English. Only those who come from English ports in China talk that way. After they have been here a short time they talk much bet- ter. Woo Toy and Wing Lee write numbers in characters like these. (Fig. 85.) There are seven other figures used in writing numbers, but these are the first ten. " These two men are yellow." ^^' ^' "Mr. Brooks keeps the barber shop." " He is a black man." " A negro." " Barbers have for their work the shaving of beards, and cutting and dressing the hair." Mr. Ramsey bakes bread and cakes. His place of BUSINESS is called the bakery. -— f i/ih ^ 2 urh "*, 3 San m ^ 5ze R q) woo A 6 Juk ± 7 tseik A S' pa k f ke^ + ^Oshih i86 Places of Business, Mr. Glutton has the drug-store ^ and Mrs. Hunt keeps a book- store, Mr. Martin carries on his business as a butcher, and keeps the meat shop. So, also, we find the trade of the weaver represented by those men and women who work in the woolen-mill on Wolf Creek, and by Mrs. Carter, who weaves carpets on an old-fashioned loom. " Rag-carpets." '' Quite pretty carpets, too, with stripes of yel- low and black, and red and gray." Now we have some more kinds of trades to add to our list, and we can make this list of the PLACES OF BUSINESS of the t^i^C-^^'^^^d'. PLACES OF BUSINESS. The Grocery, Meat-shop — and Hardware - Dry-goods Flour and Feed Millinery - Drug - Book The Bakery. Stores. These merchants buy GoODS in large quantities [WHOLESALE] and sell in smaller quantities to the users or consumers [RETAIL]. (According to the degree of advancement of the children the teacher should here give exer- cises in the writing of common bills of goods, receipts, etc. There is nothing to prevent the lesson in arithmetic taking a geographical aspect and impressing a general truth.) John may pass to the board and add to the list men who work at trades. (The class names them.) " Weavers^ hitchers^ laun- dry men, tin-smiths, bakers, etc'' "And barbers." Yes, Tommy. A Picture Gallery, 187 Fig. 86. Races of Men. Here is another thought which we may express. All of these men are not of the same kind or race. " They differ in color." Also, in character and in speech. '■'■ The white people or race." " The yellow race." " The black race." " The red men or Indians." My teacher, - - - Woo Toy, - - - . Mr. Brooks, - The Indians, . _ _ The Lecturer's Companion, White '\ Yellow I Black \ Red Brown Races of Men. The minister who was lecturing brought with him a boy who was brown. '' A Malay, that's what the minister called him." Each child in the lower grade may be interested in making a series of mounted pictures of the principal races of men. Fold 1 88 A Picture Gallery, the closed envelope from the square of colored paper, according to the usual directions given in paper-folding ; then make the folds indicated in Fig. Z^. Have the children cut out the pict- ures found in newspapers and periodicals and use them in making the little picture gallery. Fig. 87 shows what a child will bring to show for the Chinese. Fig. 87. Others have mounted pictures of Standing Bear, Sitting Bull, Fred Douglass, and Phillips Brooks. At the close of each lesson the children must put away all bits of paper cast aside while cutting out the pictures. Gum traga- canth dissolved in water makes a very cheap and clean paste. A wooden toothpick is a neat little implement for use in applying the paste. With a little care there need be no necessity for soil- ing hands, desks, or clothing. Outline from '' Edtication of Man.'' 189 In connection with the lessons the following may be used : TRADES AND PROFESSIONS. [Oufline from Froebel's " Education of Man."] Section 40. Mabej F. McCarnes, Teacher. '' I consider it to be the first and most important part of the education of children to lead them early to think." 40. Information that the child gains from the employments of those around him. 1. The child of the Farmer — Learns to distinguish between the different grains, their uses, and the adaptability of the different soils to them. 2. Of the Sportsman — To understand the aiming and care of a gun. 3. Of the Blacksmith — The principle of the expansion of metals by heat. 4. Of the Merchant— The principle of the balance ; the characteristics of the seeds and other articles sold, and the difference between weight and gravity. 5. Of the Fishermen — Some of the habits of fish. 6. Of the Bark-peeler and Tanner — How to tan leather. 7. Of the Shoemaker — How to stretch leather. 8. Of the Doctor— The simple laws of health. 9. Of the Wagon-maker — The plan of axles, etc. 10. Of the Printer — The reversion of the model, and the printing from the type. iQo Selection from kuskin. II. Of the Carpenter, Joiner y Cooper, etc. — An idea of the plane and chisel ; of the preparation of iron, the use of different woods, and to distinguish between them. Selection from Ruskin. " People never have had clearly explained to them the true functions of a merchant with respect to other people. I should like the reader to be very clear about this. " Five great intellectual professions, relating to daily necessities of life, have hitherto existed — three exist necessarily in every civiHzed nation : " The Soldier's profession is to defend it. " The Pastor's, to teach it. " The Physician's, to keep it in health, " The Lawyer's, to enforce justice in it. " The Merchant's, to provide for it. " That is to say, he has to understand to their very root the qualities of the thing he deals in, and the means of obtaining or producing it ; and he has to apply all his sagacity and energy to the producing or obtaining it in perfect state, and distributing it at the cheapest possible price where it is most needed. " And because the production or obtaining of any commodity involves necessarily the agency of many lives and hands, the mer- chant becomes in the course of his business the master and gov- ernor of large masses of men in a more direct, though less con fessed, way than a military officer or pastor ; so that on him falls, in great part, the responsibility for the kind of life they lead ; and it becomes his duty, not only to be always considering how to produce what he sells in the purest and cheapest forms, but how to make the various employments involved in the production, or transference of it, most beneficial to the men employed. . . , Selection from Ruskin. 191 " Two main points he has in his providing function to maintain : first, his engagements (faithfulness to engagements being the real root of all possibilities in commerce) ; and, secondly, perfectness and purity of the thing provided ; so that rather than fail in any engagement or consent to any deterioration, adulteration, or un- just and exorbitant price of that which he provides, he is bound to meet fearlessly any form of distress, poverty, or labor, which may, through maintenance of these points, come upon him." 192 Professions, Other Occupations. How do the persons who keep stores and other places of busi- ness let the people know what things are for sale ? " They put up sigJisy What are these signs like ? James may write one on the blackboard. James writes : GLUTTON BROS., Drug Store. *' In the city I saw a big bowl upon a post in front of the drug- store." That is called a mortar and pestle. The clerk uses a small mortar and pestle when he grinds and mixes the drugs. " The barber has a tall pole striped with red and white." " I can't see what that means." Long ago barbers performed the duties of surgeons, and the stripes represented the winding of the bandage around the arm of the patient. The persons who do such work now are called surgeons or doetors. " They take care of the health of people." "They help us to become well again." "We should be careful of our health." " By exercise." Little doc- tors at home. Those that educate the children are called teachers. Doctors and teachers follow PROFESSIONS. Can you name other men who have professions? "The lawyer writes deeds and other papers, and gives advice about law." " He argues cases in court." The minister or pastor has charge of a church or congregation. "The sexton?" No, not in the same way. "He preaches." "We call our minister the rector.'' "St. Marks." Very well. Let us make the list. Professions. 193 Men having Professions. Surgeon. Minister. Doctor. Lawyer. Teacher. (Others) These are very useful men. How did we decide to bring the saws from Philadelphia to Pittsburg? (Fig. 88.) We will take the rails made at Pittsburg and lay a track to Philadelphia. At Altoona we will put an en- gine on the track and run to Harrisburg. Then we will take some Fig. 88 (By a boy of fifteen.) Commerce. cars at Harrisburg and run down to Philadelphia. Here we can load the cars with sloyd saws and other things, and run back to Pittsburg. The men have laid the track already, and the work is done. (Some rough sketching.) '' A railroad." " Many men work for 194 Commerce and Government, the railroad company." " The man who runs the engine is the engineer'' The man who helps him is the fireman. He who collects the fares and has charge of the whole train is the con- ductor. The men who help him are brakesmen, baggagemen, etc. The trainmen are : — Conductor, Brakesmen, Engineer, Baggageman, Fireman, Express Agent, Postal Agent, and others. The trains carry goods from one part of the country to an- other. So the cars are great aids in Letters are carried on the cars to the POST-OFFICES. The man that attends to the mail and sees to its distribution is the postmaster, and he is an officer. Do you know how to send a let- ter ? Where should the stamp be placed ? "■ The address should be written plainly." '' We should put a stamp on the upper right corner of the letter." ''Two cents." (Fold the closed en- velope, and have children write the address of some friend.) The postmaster is called an ofificer ; can you name some other officers ? " The constable.'' " The tax-collector, school director, bnrgess, justice of the peace," etc. '^ A policeman in the city." "The mayor." '' A sheriff d^t Homestead." "The governor sent troops to help him keep order." " President Cleveland is now at Washington." These are Commerce and Government, 195 Policeman, Sheriff, Mayor, Governor, President Officers for Government, Postmaster, School Director, Tax Collector, Constable, Justice of the Peace, Burgess. 196 Animals, ILtnmn XK« Local Products. We may make written lists of the animals, vegetables, and minerals found within our school district. Animal, Vegetable, and Mineral Productions OF WOLFORD SCHOOL DISTRICT, SLIPPERY ROCK, BUTLER . COUNTY, PA. Frances E. Hays, "C" class. Illula S. Animals. Christley, Teacher Fox, Guinea-hen, Humming-bird, Hornet, Horse, Duck, Ladybird, Yellowjacket, Cow, Goose, Toad, Wasp, Pig, Peafowl, Frog, Honey-bee, Sheep, Pigeon, Tortoise, Potato-bug, Goat, Robin, Crab, Snake-feeder, Dog, Wren, Lizard, Weevil, Cat, Sparrow, Tree-frog, Cabbage-worm, Rabbit, Blackbird, German Carp, Tomato-worm, Groundhog, Crow, Blacksnake, Rose-bug, Opossum, Hawk, House-snake, Firefly, Norway rat, Yellowbird, Garter-snake, Earth-worm, Field-mouse, Screech-owl, Rattlesnake, Centipede, Barn-mouse, Barn-owl, Water-snake, Flea, Gray squirrel. Woodpecker, Bumblebee, Gnat, Flying squirrel. Sap-sucker. Ant, Sheep-tick, Chipmunk, Bluejay, Cricket, Gadfly, Pine-squirrel, Meadow-lark, Moth, Roach, Skunk, Whippoorwill, Horsefly, Miller, Raccoon, Bobolink, Butterfly, Caterpillar, Musk rat, Chippie, Grasshopper, Beetle, Mink, Oriole, Snail, Ladybug, Weasel, Summer swallow, Cut-worm, Katydid, Bat, Quail, Mosquito, Cimicidae, Chicken, Pheasant, Spider, Apple-tree borer, Turkey, Turtle-dove, House-fly, Vegetables. Anoplura. Potato, Pear, Chickweed, Ornamental beet, Tomato, Cherry, Golden-rod, Four-o'clock, Cabbage, Chokecherry, White-oak, Nasturtium, Beet, Raspberry, Black-oak, Hyacinth, Turnip, Strawberry, Red-oak, Nicotiana, Parsnip, Blackberry, Swamp-oak, Marigold, Celery, Elderberry, Ash, Honeysuckle, l/egetables and Minerals, 197 Beans, Dewberry, Maple, Fern, Pease, Juneberry, Chestnut, Moss. Lettuce, Huckleberry, Hickory, Caladium, Kohl Rabi, Gooseberry, Gum, Crape-myrtle, Cauliflower, Wild-plum, Wild cherry, Ivy, Radish, Grape, Dogwood, Mignonette, Onion, Currant, Ironwood, Daisy, Salsify, Quince, Locust, Violet, Spinach, Crab-apple, Linden, Lady-slipper, Sage, Wheal, Black walnut. Dahlia, Parsley, Oats, White walnut, Aster, Cucumber, Corn, Alder, Hydrangea, Muskmelon, Rye, Sassafras, Bleeding-heart, Pumpkin, Buckwheat, Elm, Peony, Eggplant, White clover, Poplar, Flowering Almond, Peppers, Mammoth clover, Willow, Megarrhiza Califor- Squash, Medium clover. White-thorn, nica. Mushroom, Alsike clover, Balm-of-Gilead, Clematis, Peppermint, Timothy grass. Geranium, Snowball, Hops, Red-top grass. Fuchsia, Lilac, Rhubarb, Wild grass. Calla-lily, Verbena, Horseradish, Fall grass, Leopard-lily, Heliotrope, Mustard, Blue-grass, Cactus, Garland or Mock Carrot, Burdock, Tulip, Orange, Rutabaga, Plantain, Poppy, Symplocarpus, Catnip, Smartweed, Rose, Mulberry, Caraway, Ragweed, Pink, Apricot, May-apple, Nettle, Feverfew, Sea-onion, Asparagus, Parsley, Pansy, Oxalis, Chives, Mullein, Sweetpea, Snapdragon, Garlic, Canada-thistle, Forget-me-not, Bridal-wreath, Apple, Common thistle, Chrysanthemum, Peach, Texas burr. Gladiolus, Plum, Tansy, Marshmallow, Minerals. Iron-ore, Flagstone, Fire-clay, Gas, Coal, Sandstone, Brick-clay, Water. Limestone, Sand, Oil, The dictionary had been consulted when Cimicidse and Anoplura were added to the hst. Let us hope that these last two are not very generally distributed in the district. How many of our children are able to recognize a dozen minerals, know the names of one hundred and four animals common in the locality, or can name one hundred and sixty vegetables. Old dame Nature is a wonderful teacher of children. 198 The Queen of the Pansies. ^ome ^tutiiejS m ajSjSociateti Linesi* Study I, A Myth — The Stepmother Flower. II. The Little Plant that Longed to be Useful. III. What the Young Oak Said. IV. A Queer Counting Device. V. A Study of the History of a State. Fig. 89.- I. — A Myth. The Stepmother Flower. In the hands of the skillful teacher many beautiful myths may be used to advantage in giv- ng increased interest to many of the facts in sci- ence. Interest is emotional rather than intellect- ual, but it is, nevertheless, the indispensable basis for higher development. The problem of teach- ing a child any technical, scientific facts, con- cerns not so much the manner of giving him sensations regarding them, nor yet power to un- derstand them, but rather how to arouse such interest as will lead him to set his mind at work upon themi. Many of these stories, coming up to us out of the folk-lore of the race, act upon the child's nature through the subtle element, sym- pathy, and the growing mind is ^ ^ , held to matter which misfht other- -Cruel Queen of the fc- Pansies, wise fail to secure recognition, The Queen of the Pansies. 199 The Cruel Queen of the Pansies. During the spring term the children in the school received in structions in some of the simpler facts of botany, and learned about sepals, petals, calyxes and corollas. Attention was given, also, to the beautiful colors found in the flowers. Nellie's mother takes great pride in her choice varieties of pansies, and many bouquets of the rich, velvety beauties find their way into the schoolroom now that the duties of school life have been taken up again. The teacher received some of the pansies this morning, and said : " Children, shall I tell you the legend of the pansy to-day? Little Nellie has brought some beautiful ones to me this morning, and I want you to take a long look at them be- i fore I begin the story. Harry may pass this pansy to his seat-mate as soon as he has looked at it carefully, Susan may give this to Mary, and Josie this one to Gertrude." After a number of flowers were thus dis- tributed, the teacher said : '' Count the pet- als ; now the sepals." ''It has five petals (Fig. 90) and five sepals," says Harry. ''Look for the little man deep (See 5, Fig. 91) down in the center of the flower." "I have found him." "So have L" "He has a yellow cloak over his shoulders." The attention of the chil- dren was drawn to the great lower petal which seems to spread itself out as if it were proud of its gorgeous beauty. (3). " What a splendid velvet dress ! " " Do you see the two plain petals? (i, i) The upper ones have only plain colors." ' But the other two petals (2, 2) are very handsome and much like the large one." "All embroidered with gold like the lar^e petal." Fig. 90. 200 The Qjt ecu's Dj lighter , " Listen now, my children, to the story as it is told to the little children in Germany. *' A long time ago there lived a king who had a very beautiful wife and two' charming, accomplished daughters. But death claimed the mother, and after a time their father married a queen who also had two daughters. But the stepmother was very jealous of any praise given the king's daughters. She tried to I-* make them unhappy in all possible ways, and dressed them in plain clothes that she might make them miserable and envious of K> her own daughters, whom she dressed in the richest and costliest fabrics. The king's daughters, however, cared nothing for costly dresses, but rather sought ways for adorning their minds and becoming useful to their father and his people. "The queen's own daughters, although decked with the most costly jewels and clothed with garments only less beautiful than those of the queen herself, were still unable to excite the love and admiration of the king's subjects, and still less the love of many young princes who came to woo the king's daughters. The queen became very angry, and resolved to offer every insult to those two stepdaughters. Around the throne (Fig. 90) in the court-room of the palace were five massive chairs of green bronze. * You shall have but one chair together,' said the wicked queen to the modest princesses, her stepdaughters. Do you wish to see the green chair upon which the two princesses are seated ? Then pull off the two upper petals of the pansy." " I see it now," says Sarah, "how cruel the old queen was!" (i) "But to her Fig. qt. The Poor Old King. 201 own daughters," continued the teacher, ''she gave each a chair, and you may see them by pulHng off the two side petals. (2, 2.) " But there were five women and five chairs, and how could the queen find an excuse for putting her two stepdaughters upon one chair ? ' Ah, I have it,' said she. ' My robes are so elegant and costly that I fear they would be crushed were I to sit upon one chair. I really need two chairs that I may spread out my beautiful robes and take proper care of them.' Pull off the large petal, May." Now all the children were able to see that the queen had occupied two chairs. " But the queen was not satisfied by merely making her step- daughters uncomfortable, she even tried to withhold their food from them. At last the king became so indignant that he ban- ished the queen and her daughters from his kingdom. Now the queen in her youth had been a sorceress, and had learned magic from an old wizard. While living with the king she had forgotten much of the art, and the old wizard was dead. So she thought, and thought, and thought, and finally recovered so much of her wonderful powers that she was able to carry out her vows of vengeance and have the king again under her control. She con- demned him to sit forever upon his throne with his feet plunged in boiling water." The teacher then showed the poor old king seated on his throne in the center of the five chairs. '* See, he is clad in his golden robes of state, and just beneath him is the tub (4) of boiling water. Look at his poor parboiled legs and feet." (5). As the teacher spoke, the sac or spur (4) of the pansy was gently slit with a pin, and the feet disclosed. (Fig. 91.) II. The Little Plant That Longed to be Useful. Near the banks of a southern river, in the warm, rich soil of the fields, a little plant was growing with many of its companions. 202 The Cotton-plant Day by day it had been growing — simply growing — since that morning in April when the negroes had put the little green seeds into the ground. It had lain there in its warm earth-bed until the rain came from the clouds and soaked down to the little seed and said, '' Grow, little seed, grow ! " So to the little seed there came a queer feeling, as if its little green jacket would burst. " I can grow," thought the little seed, '' and I will.''' Now with a little seed, to tJiink is to act ; so out through the green sack or jacket it thrust a little white foot down into the rich, brown earth. And now from the very top of the green sack a Httle head peeped out. '' Come up, come up, my little one ! " said the great sun as a warm smile spread over his broad face. And the little plant came up, and grew and grew. The days went by, and the plant put forth dark green, five- lobed leaves (Fig. 92), filled vv^ith blue veins in which the sap, its blood, was flowing. Men came with hoes and kept down the weeds that tried to choke the plant. How the young plant en- joyed the sight of its companions, as in long and regular rows they stretched across the broad field ! Some of them seemed larger and handsomer than itself, but the little plant knew that against the great superiority of others there is no remedy but love ; so it just kept on loving and admiring them. Growing, too so very fast that now the plant was almost as high as your desks. Then it thought and thought ; and with a plant, to tJiiiik is to act, and each thought means a blossom. Such a beautiful straw-colored blossom each one was ! Five dainty yellow petals, each with a purple spot at its base (Fig. 92). The whole flower looked very much like a hollyhock. Indeed, there was nothing strange about that, for the little plant was first cousin to the proud hollyhocks up by the mansion, and hoped to Thought and Action. 203 see them at the annual reunion of the Mallow family. To be sure, the hollyhocks were very tall and stately, and held their heads up very high that they might show their beautiful flowers in all their tints of rose, purple, and yellow, and sometimes purest white. Had they not come all the way from Syria ? But our little plant knew that it is better to be useful than to be beautiful, so it kept on growing. Yet the hollyhocks need not have looked so scornfully upon Fig. 92. it, for Pliny, an old Roman author who lived many years ago, had found a quaint Arabic name for our httle friend, and called it Gossypimn. But then the negroes did not use that name ; they called our little plant — COTTON. How beautiful its pale yellow blossoms were in the morning sunshine! Each pretty flower was held up by the fingers of a little hand through the three-parted sleeve with its laces and fringes at the wrist. And deep down in each blossom there was a little green pocket. 204 The Lordly Hollyhocks, All the brothers and sisters of our little plant had been think- ing, too, and the whole rich field looked like a vast garden of flowers. The little plant could see the yellow blossoms all over the cotton-field. As the sun rose high at noon, many of the blossoms became pure white. Were its own blossoms taking on that beautiful creamy white ? The little cotton-plant blushed at the thought of its own loveliness, and a flush of delicate pink spread over the pretty petals. Surely the lordly hollyhocks could not be scornful now ! As the sun went down the flush on the petals became deeper, and in the morning many flowers had changed to a most beautiful pink in color. How glad the little plant was ! But then, one cannot be beautiful always. Soon the sun came up to fade the flowers, and the rain and wind came to tear them, until all their beauty and use seemed gone. Still the little plant held up its arms and hands to the sun. And now the little green three-cornered pockets grew larger and larger, day by day, as the little hands still clutched them. " I shall be of use some day," said the little plant to itself, as it dreamed of its lovely blossoms through the long, sultry days of summer. Little seeds were growing in the pockets, and resting on beds of downy softness. How very warm the days were, and how the sun did scorch the pockets until they became quite brown ! The little cotton- plant thought, and — Pop ! pop ! ! The brown pockets were burst open, and the top of the plant seemed covered with snow. Had a storm of ready-made snowballs fallen upon the cotton-field ? (Fig. 93-) Soon some colored people came into the field and com- menced to pick off the bolls of cotton fibre which the plants had produced. And down from the mansion-house the owner of the plantation came with his little daughter Etta. As they The Cotton-field. 205 passed along the field, the little cotton-plant heard the father saying : " The cotton is picked and carried in bags to the cotton-gin. Fig. 93. This machine separates the seeds from the fiber of the cotton. Then the cotton is pressed into big bundles or bales, and these 2o6 Cotton Picking. are carried away by steamers to distant towns, and made into calico, gingham, sheeting, or musHn. Tlie Hindoos make some musHn so fine that when it is laid upon the grass and covered with dew it looks like a spider's web. They call them ivcbs of woven wind. The little plant wondered what would become of its fluffy globes of pure white cotton, and hoped that they might be made Fig, 94. into such beautiful fabrics as those of which the father was speak- ing. Then it would be of some use. " Papa, papa, let me pick some" cotton," cried Etta as she passed along the path. (Fig. 94.) The plant seemed to stretch out to her its hands to give up the ten beautiful bolls of cotton that it held. So, when Etta's father told her she might pick the cotton, the little girl gathered Voices of the Trees. 207 all that the plant had, and put the pure white bolls into the large basket. The little plant was now at leisure to watch the men and women as they came day after day to gather the ripened cotton. For the cotton did not ripen all at once. When you put corn into a popper, some of the kernels will pop out sooner than others ; and in the same way the bolls of cotton pop out under the heat of the southern sun. The cotton continued to ripen and open for some months, but the little plant still stood there in the field. "Whatever will become of my treasure of cotton that the little girl gathered ? " said the plant to itself. Along the path a sleepy old mule was coming, dragging a cart loaded with cotton. "■ I am sure that something useful will be made from it, and that I have lived to some purpose. That is all one needs to know to be happy. I wonder why the webs of woven wind — " Just then the wheel of the cotton-cart came crushing down upon the little plant, and its life was ended. Wouldn't you like to know, too, what became of the ten cotton bolls that Etta gathered ? III. What the Young Oak Said. Children, have you ever heard the voices among the forest trees ? Did you ever hear the trees whispering to themselves, or sighing or sobbing, oh, so sorrowfully? Have you not heard them singing or chanting, now soft and low in sweetest melody, now loud and clear in grand, triumphant chorus ? And then, how the great old oaks speak to us of strength and power as they spread wide their kindly arms, making shade for weary children ! Yes, and the laughing, happy maples, brightest and most cheer- 2o8 J/oices of the Trees. ful of trees ; as the sunshine plays among their leaves, the whole summer seems to lie hidden there. " Once I rode through the dark wood, and the trees seemed to weep and moan as the wind swept through them," says Lettie. " At home we have two old oaks which bend toward each other and seem to be speaking in loving tones ; we call them the ' Affectionate Oaks,' " says Mary. " But, Miss Christley, I never heard the trees say anything," says Tom. What did the pussy-willows tell you ? Did they not tell you that spring had come ? "I did not think of that." And then the tall and slender iron-wood and maple saplings seem to laugh and say, ''The brooks are open, come a-fishing, Tom." To-day we brought some beautiful young oaks and maples from the woods and set them out upon the lawn. "They will be great trees some day." " Two kinds of maples in the woods." " Hard and soft." '* Different leaves." " White oaks, red oaks, pin oaks, and black oaks." Can we make the young trees tell their story? Let us go out into the woods to-day and see. The snows have melted away, and warm rains have come. Here we are under this great oak, which is such a big, kind-hearted tree that we feel something of trust coming into our hearts as we look at the grand tree's gnarled branches. " A goodly tree it is; And, towering to the skies, The fury of the wind defies; From age to age in virtue strong, Inured to stand and suffer wrong." Take that stick and push aside some of the dead leaves. Pick up some of the acorns, — the cradles in which the baby oaks lie sleeping. ''Did you say sleeping .f* " This one is awaking; The Oak in its Cardie. 209 for here the cradle shell is softened, and the germ has swollen and burst through to send the young oak's baby foot, the radicle, down into the soft, black earth. " See the cradle's delicate pink lining." (Fig. 95.) But look at the one that Johnny brings us. (Fig. 96.) Here the delicate pinkish-green head shoots upward to the light. This head is called the ///^;;2z//r. " Loaks like a plume." "How fast it grows!" "What does the baby oak eat?" He lives upon starch. "Stored up for him in his cradle." Fig. 95. In the heart of a seed Buried deep, so deep, A dear little plant Lay fast asleep. "Wake ! " said the sunshine " And creep to the light," " Wake ! " said the voice Of the raindrop bright. The little plant heard, And it rose to see What the wonderful Outside world raidit be. Break open the brown cradle shell and see the two thick loaves of bread. "White, with a tinge of green." The young oak is nourished by this food while the little radicle enters into the black soil and puts forth little branches and fibres all covered with fine white hairs. Through these branches the young oak drinks up water from the soil. " Bread and water." "Starch." We shall prove the starch to be in the acorn when we go back to the class-room. So the young oak is nourished by the starch-food of the two loaves. Some call these cotyledons. 2IO Uses of Oak, grand ling After a few days the young oak shows a well grown root and stem, and sends out broad pink-green leaves. Mary has found one of the large oak-babies. How beautiful it is ! See, there is no more food in the shriveled acorn (Fig. 97), and so the young oakling must draw all of his food from the earth and the air. This he has learned to do, and the now useless cradle falls a v/ a y. What a little sap- it is ! Don't you think it will become a great red oak tree some day and have many a beautiful leaf? Do you hear ivhat the oakling says to you ? ' Learn to depend upon your own, efforts." ''Self-reliance." ''Grow- ing upward." Back from our forest visit, now in quiet class-room. "Oak for the solid floors, oak in desks and tables." " Panels in doors." " The seats and chairs of oak sometimes." " Fur- niture for houses." Useful, valuable wood. " Bark for tanning leather." Live oak \ox ships. " Corks fromi the bark of Spanish oaks." Gallnuts are obtained from oaks, and are used F^^- 97- in making ink and medicines. These are not fruits like acorns, but swellings caused by insects that puncture the bark of the oak Testing for Starch. 211 twigs and lay their eggs in the wounds. The so-called oak-apples found on the leaves of our red oaks are gallnuts, but are not valu- able like those found in Western Asia, because they do not con- tain so much tanmn or ink-producing acid. Shall we find the starch in the acorn? Let me put these grains of -starch into this tube (A) with some water, and Charlie Fig. 98. may hold it over the lamp until the water boils. Here is another tube with water, and I shall put into it these pieces of oak-bread from the acorns. Mary may boil this (B) over the lamp. Now I take these two little crystals (potassium iodide) and drop one into each tube. Hold the tubes over the lamp again until the water boils. The crystals are now dissolved. Into the starch liquid I put three drops of this acid (hydrochloric), and see ! 212 The Chimpu. " The liquid is blue." Chemists say that the starch has been colored blue. Mary may take this little dropping-glass and put three drops of the acid into the other tube which has the pieces of acorn in it. '' Look ! " '' It is blue like the other." " There is starch in acorns." A wise man has said, " Read Nature in the language of experiment." IV. A Queer Counting Device. The Chimpu Used by Peruvian and Bolivian Indians. The chimpu is a reckoning device still employed in some re- mote parts of Peru and Bolivia. It consists principally of a cer- FiG. 99. — The Chimpu. tain number of cords tied together at one of their extremities and Correlation. 213 along which slide small perforated balls. The cords are of differ- ent colors, and the balls are made of the shells of various fruits. These balls can be strung all at the same time upon all the cords, or upon a certain number only. The Indian thus has a m.eans of creating for himself categories of juxtaposed numbers corresponding in our processes to as many columns as there are cords in the apparatus. If, as it happens, moreover, the native calculator decides that the balls strune a single time shall represent units, that those through which two cords pass shall equal tens, etc., he will be able to represent any number whatever. He will figure, for example, as in the draw- ing, the number 4456 by stringing 6 balls on one cord, 5 on two cords, 4 on three cords, and 4 on four cords. The little instru- ment once tied at tlie lower extremity, as it was previously at the upper, will indefinitely preserve the quadruple numbers which have been confided to it. V. A Study of the History of a State. Successful teachers of geography and history will readily ad- mit that these two branches of study are very closely related, and cannot be separated in the logical development of either. The geographic treatment of history is essential to the clear under- standing of the physical conditions of human society. Historical study is made much more attractive to the child when his own interest can be made to pass into the narrative through full illus- trations from biography, and the careful introduction of the de- tails of local history. Nor have we far to seek the reason for this increased attention and interest. The association of ideas through contiguity in time and place, together with the correla- tions of cause and effect, etc., will offer full explanation. But in these days teachers are beginning to tire of the endless preaching of the bare ps}'cliological truths, and are rather disposed to ask 2 14 Historical Maps. with St. Paul, not '* What wilt thou have me believe ? " but " What wilt thou have mc to do ? " If the submission of the fol- lowing plan for "doing" should afford help to my fellow-workers, the purpose of this study will be accomplished. In all the older states the places of note are very numerous, and many of the younger states possess spots no less sacred in the history of American liberty. The historical events and noted names associated with the history of the great state of Pennsyl- vania may all be grouped about the three great rivers of the state. Let the teacher or pupil prepare a simple outline of the state, drawn upon manilla paper, and with the courses of the rivers carefully marked. Now, as the text-book is studied, let the pupils be instructed" to note carefully all facts having a direct bearing upon the history of their own state, and have these names indicated in the proper places upon the chart. Thus, it will be found that in the period preceding the Revolution, the grouping occurs about the Delaware and the two branches of the Ohio. In the eastern part of the state the great name of Penn overshadows the whole section, while Pitt is associated with all the names and places of the western part. The central portion, afterwards so celebrated through the bloody struggle at Gettys- burg, has few associations with that earlier time ; the settlement of John Harris upon the Susquehanna marking the capital at Harrisburg. Commencing at the eastern part of the state, we have the Swedes at Chester in 1638; Wm. Penn at Philadelphia, 1682 ; Daniel Boone born in Berks Co., 1735; coal used as fuel, 1768; John Harris at the Susquehanna, 1726. Then we may go westward along the Mason and Dixon line, run out as a boundary in 1763-7. This afterwards became the idixwows slave line. Above it we find Ft. Necessity; then the battlefield at Braddock, 1755 ; Ft. Duquesne, 1754; Ft. Venango and Ft. Le Boeuf northward to Lake Erie. The little town of Kittanning localizes this period Historical Maps, 215 2i6 . Epochs in History. for some of us who come from this old Indian village on the '* large stream." And these old names, associated through the French and Indian war, we find illumined by that of Washington. (See Fig. lOO.) In the period of the Revolution the region between the Sus- quehanna and the Delaware comes into prominence. The name of Washington overshadows all. We find Independence declared at Philadelphia, 1776 ; Trenton, and the crossing of the Delaware, 1776; Chadd's Ford, Brandy wine, and Germantown, 1777; Valley Forge, 1777-8, with La Fayette and Steuben, the old drill master, so sorely needed. Pulaski, with his consecrated banner, rises from the old nunnery at Moravian Bethlehem, 1778, while the same year sees Queen Esther sv/eep down with the Tories and her Indians to the massacre at Wyoming. Howe, the British general, keeps guard over Philadelphia, while the spirit of Franklin directs, even across the broad Atlantic, the actions of the congress as it flies from Philadelphia to Lancaster and York. (See Fig. loi.) As the war closes, Harrisburg is founded in 1785, and becomes the capital of the state in 1812. Dr. Joseph Priestley, the dis- coverer of oxygen, 1774, comes to this country from England in 1794 to pass the last ten years of his life, David Bradford leads in the Whisky Rebellion, of 1794, and " Light Horse Harry" comes up from Virginia to quell the insurrection. Could he dream that his greater son would lead the hosts to battle among the hills at Gettysburg? At Erie, in 1796, ** Mad Anthony Wayne," returning from the Northwest Territory, dies leaving the Indians to dread the return of '' Big Wind " should they dare to m.ake war upon the Americans. Fifty-one years before, in Ches- ter county, in the opposite corner of the state, this brave com- mander first saw the light of earth. In making these charts the names maybe printed in chalks of From 177^ to iSoo. 217 2i8 Value to the Eye-Minded. different colors, and these may be '' fixed " or prevented from rubbing by spraying with a httle absolute alcohol. Teachers of history must not '' strain at a gnat and swallow a camel," at least in the matter of dates. We have Authority for all which we have given, and although all authorities do not agree, — and our cuts would not allow of the day and month, — still we would not have the MOTIVE of the work lost in any quib- bles as to dates. Some may even dispute the treaty of peace, or the purchase of lands by Penn ; still a monument in Philadelphia marks the spot, called by the Indians Shackamaxon, where, under a spreading elm, the formal treaty is said to have been made. In the studio of an artist may be seen many broadly executed sketches called '' studies," and we have these in mind when we name our sketch from a teacher's class-room '' A Study of the History of a State." We have sought for main impressions, and do not claim that there may not be a dash of misplaced color in the picture. After all is said, the '' new education," in the teaching of the subject, has passed beyond the mere microscopic accuracy of chronological tables, and would grasp something of the philosophy of history. An old German proverb says, '' What goes into the mind through the eyes never comes out again." It is to such associa- tions of the concrete in teaching that the old Moravian school- master, Comenius, appealed when he gave to the world his *' Orbis Pictus." In our study of the state of Pennsylvania we shall be some- what arbitrary in our separation of the events into time-periods, although we have taken up four periods which were best suited to our own class-work. We would not in any way limit the series of maps to the four here given, and could wish these to be taken rather as suggestions than as models. Let us say, then, that the A Period of Local Development. ^19 Fig. 102. 220 Perry's Victory, third period shall extend from the close of the eighteenth century to the breaking out of the Civil War (1800 — 1861). (Fig. 102.) In the eastern section we find the United States Bank with its first charter, extending from 1791 to 181 1 ; then the reorganized bank, from 1817 to 1836. Passing now to the western river, we find Aaron Burr (1806) expecting to draw recruits from the upper Allegheny to aid him in his ambitious designs to seize the Spanish possessions in Mexico and establish himself in power as Cortez, had done be- fore him. The northwestern part of the state is overshadowed by the name of Perry. At Erie a fleet was built from the trees of the virgin forest ; and, moving down to the w^estern end of the lake, the young commander, who had never seen a naval battle, gained his famous victory over one of Nelson's veterans. " We have met the enemy and they are ours,'' rings through this section of the state as, on September 10, the children in our country schools still celebrate the victory. We do not know w^hat wise instructor started such concrete teaching, but it certainly must have its in- fluence upon the youthful minds. What need to go to classic Greece to seek out spots sacred to liberty ? We have them here ! Points in the orbit of that strange offshoot of Puritan stock, '' Old Ossawatomie," are found in Beaver and Crawford counties. At Darlington academy the youth learned lessons in freedom and truth. Our grand old commonwealth may well be proud that her soil has been trodden by the feet of him of whom Victor Hugo could write the fitting tribute, '' For Christ, like Christ." And Wendell Phillips could say : '* Well, men say he failed. Soldiers call Bunker Hill a de- feat, but liberty dates from it, though Warren lay dead on the field. Actually, a man had been found ready to die for an idea. God be thanked for old John Brown." Volcanic Forces in History. 221 Fig. 103 ^22 Lincoln the First American. But we must not dwell too long here. The region of the Susquehanna must claim a share of our attention. The public- school law, originated in 1834, was championed by Thaddeus Stevens. At Towanda, in 1846, lived David Wilmot, the author of the famous '' Proviso," of which Horace Mann said, '' I would pass it, rebellion or not." Lancaster was the home, as it is the burial-place, of President Buchanan (1857-61). At Carlisle, in 1861, that pure and noble patriot. Gen. Thomas, offered his ser- vices to his country rather than to his state ; although he might have followed the example set by his fellow-Virginian, Gen. Robt. E. Lee. With Stanton at Pittsburg, Thomas at Carlisle, and Thaddeus Stevens to lead the way toward the nation's capital, the Civil War comes fairly into view (Fig. 103). But reverent hands must lift the curtain here. The graves at Gettysburg mark well the field on which the armies of twenty- eight states fought to decide the question of mankind's right to freedom. The noble sons of Pennsylvania — Meade, Hancock, Reynolds, Zook, and hosts of others — gained an undying fame ; but Lincoln, the type of the true American, overshadows all the place. We hear his words as the battle-field becomes the resting-place of heroes : *' We cannot dedicate, we cannot consecrate, we cannot hallow, this ground. The brave men, living and dead, who struggled here have consecrated it far above our power to add or detract. The world will little note, nor long remember, what we say here, but it can never forget what they did here. It is rather for us — that we highly resolve that the nation shall, under God, have a new birth of freedom ; and that government of the people, by the people, and for the people shall not perish from the earth." In Philadelphia, in 1876, the Centennial brings together the North and the South to celebrate in peace the nation's birthday. We Seek the Fountains of History, 223 The name of Grant is here associated, and also that of the nation's guest, Dom Pedro. But this exiled emperor of Brazil is dead. His last conscious words were an expression of his deep affection for his country, and his regret that he could not go back there to die. His death will probably put an end to all attempts to revive the Brazilian empire. At Pottsville and at Mauch Chunk, in 1877, the " Mollie Maguires " expiated their crimes in a section associated with the massacres by Tories and Indians. The same year saw the ter- rible railroad riots at Pittsburg, during which the city was com- pletely in the power of the rioters, who defied the sheriff, and boasted that no body of troops could subdue them. In the year 1889 the valley of the Conemaugh was swept by the great flood. In this great disaster nearly the whole of the city of Johnstown was destroyed, and thousands lost their lives. On the banks of the Monongahela, at Homestead, July 6, 1892, occurred the famous labor riots, in which the employment of Pinkerton detectives was resisted. Not the least among the names upon the roll of honor of this great state is that of James G. Blaine. This noted statesman was born in Washington county in 1830, and died in Washington, D.C., on Friday, January 27, 1893. He had long represented Maine in the councils of the nation. By the study of the present we may bring ourselves into closer relations with the past; and adopting a scientific method in our work, we seek after fountains of history rather than for foundations. Mm 10 iM