Received by bequest from Albert H. Lybyer Professor of History University of Illinois 1916-1949 Return this book on or befere the Latest Date stamped below. A charge is made on all overdue books. University of Illinois Library L161—H41 \ I Be - vl rth aS + bs 4) ‘ THE UNIFORM EDITION OF THE PLAYS OF J. M. BARRIE THE ADMIRABLE CRICHTON Copvricnt, 1918, By J. M. BARRIE Printed in the United States of America All rights reserved under the International Copyright Act. Performance forbidden and right of representation reserved. Application for the right of performing this play must be made to Charles Frohman, Inc., Empire Theatre, New York. Digitized by the Internet Archive In 2022 with funding from University of Illinois Uroana-Champaign Alternates https://archive.org/details/admirablecrichtoOObarr_1 ACT I AT LOAM HOUSE, MAYFAIR A moment before the curtain rises, the Hon. Ernest Woolley drives up to the door of Loam House in May- fair. There is a happy smile on his pleasant, in- significant face, and this presumably means that he is thinking of himself. He is too busy over nothing, this man about town, to be always thinking of himself, but, on the other hand, he almost never thinks of any other person. Probably Ernest’s great moment is when he wakes of a morning and realises that he really is Ernest, for we must all wish to be that which is our ideal. We can conceive him springing out of bed light-heartedly and waiting for his man to do the rest. He is dressed in excellent taste, with just the litile bit more which shows that he is not without a sense of humour: the dandiacal are often saved by carrying a smile at the whole thing in their spats, let us say. Ernest left Cambridge the other day, a member of the Atheneum (which he would be sorry to have you con- found with a club in London of the same name). He is a bachelor, but not of arts, no mean epigrammatist (as you shall see), and a favourite of the ladies. He 3 4 THE ADMIRABLE CRICHTON - [acr is almost a celebrity in restaurants, where he dines frequently, returning to sup; and during this last year he has probably paid as much in them for the privilege of handing his hat to an attendant as the rent of a working-man’s flat. He complains brightly that he as hard up, and that if somebody or other at West- minster does not look out the country will go to the dogs. He is no fool. He has the shrewdness to float with the current because it 1s a labour-saving process, but he has sufficient pluck to fight, of fight he must (a brief contest, for he would soon be toppled over). He has a light nature, which would enable him to bob up cheerily in new conditions and return unaltered to the old ones. His selfishness is his most endearing quality. If he has his way he will spend his life like a cat in pushing his betters out of the soft places, and until he is old he will be fondled in the process. He gives his hat to one footman and his cane to another, and mounts the great staircase unassisted and undirected. As a nephew of the house he need show no credentials even to Crichton, who is guarding a door above. It would not be good taste to describe Crichton, who as only a servant; uf to the scandal of all good houses he is to stand out as a figure in the play, he must do wt on his own, as they say in the pantry and the boudoir. 1.] THE ADMIRABLE CRICHTON 5 We are not going to help him. We have had mis- givings ever since we found his name in the title, and we shall keep him out of his rights as long as we can. Even though we softened to him he would not be a hero in these clothes of servitude; and he loves his clothes. How to get him out of them? It would require a cataclysm. To be an indoor servant at all rs to Crichton a badge of honour ; to be a butler at thirty ws the realisation of his proudest ambitions. He is devotedly attached to his master, who, in his opinion, has but one fault, he 1s not sufficiently contemptuous of his infervors. We are vmmediately to be introduced to this solitary failing of a great English peer. This perfect butler, then, opens a door, and ushers Ernest into a certain room. At the same moment the curtain rises on this room, and the play begins. It vs one of several reception-rooms in Loam House, not the most magnificent but quite the softest ; and of a warm afternoon all that those who are anybody crave for ws the softest. The larger rooms are magnificent and bare, carpetless, so that rt 1s an accomplishment to keep one’s feet on them; they are sometimes lent for charitable purposes; they are also all in use on the night of a dinner-party, when you may find yourself alone in one, having taken a wrong turning; or alone, save for two others who are within hailing distance. 6 THE ADMIRABLE CRICHTON - [act This room, however, is comparatively small and very soft. There are so many cushions in it that you wonder why, uf you are an outsider and don’t know that it needs six cushions to make one fair head comfy. The couches themselves are cushions as large as beds, and there 1s an art of sinking into them and of waiting to be helped out of them. There are several famous paintings on the walls, of which you may say ‘Jolly thing that,’ without losing caste as knowing too much; and in cases there are glorious miniatures, but the daughters of the house cannot tell you of whom; ‘there 1s a catalogue somewhere. There are a thousand or so of roses in basins, several library novels, and a row of weekly illustrated newspapers lying against each other like fallen soldiers. If any one disturbs this row Crichton seems to know of it from afar and appears noiselessly,and replaces the wanderer. One thing unexpected in such a room is a great array of tea things. Ernest spots them with a twinkle, and has his epigram at once unsheathed. He dallies, however, before delivering the thrust. ERNEST. I perceive, from the tea cups, Crichton, that the great function is to take place here. 1.] THE ADMIRABLE CRICHTON 7 CRICHTON (with a respectful sic:.). Yes, sir. ERNEST (chuckling heartlessly). The servants’ hall coming up to have tea in the drawing-room ! (With terrible sarcasm.) No wonder you look happy, Crichton. CRICHTON (under the knife). No, sir. ERNEST. Do you know, Crichton, I think that with an effort you might look even happier. (CRICHTON smiles wanly.) You don’t approve of his lordship’s compelling his servants to be his equals—once a month? CRICHTON. It is not for me, sir, to disapprove of his lordship’s Radical views. ERNEST. Certainly not. And, after all, it is only once a month that he is affable to you. CRICHTON. On all other days of the month, sir, his lordship’s treatment of us is everything that could be desired. ERNEST. (This is the epigram.) Tea cups! Life, Crichton, is like a cup of tea; the more heartily we drink, the sooner we reach the dregs. CRICHTON (obediently). Thank you, sir. ERNEST (becoming confidential, as we doe when 8 THE ADMIRABLE CRICHTON _ [acr we have need of an ally). Crichton, in case I should be asked to say a few words to the servants, I have strung together a little speech. (His hand strays to his pocket.) I was wonder- ing where I should stand. - (He tries various places and postures, and comes to rest leaning over a high chair, whence, in dumb show, he addresses a gathering. CRICHTON, with the best in- tentions, gives him a footstool to stand on, and departs, happily unconscious that ERNEST in some dudgeon has kicked the footstool across the room.) ERNEST (addressing an umaginary audience, and desirous of startling them at once). Suppose you were all little fishes at the bottom of the sea (He ws not quite satisfied with his position, though sure that the fault must le with the chair for being too high, not with him for being too short. CRICHTON’S suggestion was not perhaps a bad one after all. He lifts the stool, but hastily conceals tt behind him on the entrance of the LADIES CATHERINE 1.] THE ADMIRABLE CRICHTON 9 and AGATHA, two daughters of the house. CATHERINE is twenty, and AGATHA two years younger. They are very fashionable young women indeed, who might wake up for a dance, but they are very lazy, CATHERINE being two years lazier. than AGATHA.) ERNEST (uneasily jocular, because he is con- cealing the footstool). And how are my little friends to-day ? AGATHA (contriving to reach a settee). Don’t be silly, Ernest. If you want to know how we are, we are dead. Even to think of entertain- ing the servants is so exhausting. CATHERINE (subsiding nearer the door). Be- sides which, we have had to decide what frocks to take with us on the yacht, and that is such a mental strain. ERNEST. You poor over-worked things. (Hvi- dently AGATHA ts his favourite, for he helps her to put her feet on the settee, while CATHERINE has to dispose of her own feet.) Rest your weary limbs. CATHERINE (perhaps in revenge). But why have you a footstool in your hand? 10 THE ADMIRABLE CRICHTON _ [acr AGATHA. Yes? ERNEST. Why? (Brilliantly; but to be sure he has had time to think 2 out.) You see, as the servants are to be the guests I must be butler. I was practising. This is a tray, observe. (Holding the footstool as a tray, he minces across the room like an accomplished footman. The gods favour him, for just here LADY MARY enters, and he holds out the footstool to her.) Tea, my lady ? (LADY MARY 2s a beautiful creature of twenty-two, and is of a natural hauteur which ws at once the fury and the envy of her sisters. If she chooses she can make you seem so insignificant that you feel you might be swept away with the crumb-brush. She seldom chooses, because of the trouble of preening herself as she does tt; she ws usually content to show that you merely tire her eyes. She often seems to be about to go to sleep in the middle of a re- mark: there is quite a long and anxious pause, and then she continues, like a clock 1.] THE ADMIRABLE CRICHTON 11 that hesitates, bored in the middle of its strike.) LADY MARY (arching her brows). It is only you, Ernest; I thought there was some one here (and she also bestows herself on cushions). _ ERNEST (a little piqued, and deserting the foot- stool). Had a very tiring day also, Mary? LADY MARY (yawning). Dreadfully. Been trying on engagement-rings all the morning. ERNEST (who ws as fond of gossip as the oldest club member). What’s that? (To AGATHA.) Is it Brocklehurst ? (The energetic AGATHA nods.) You have given your warm young heart to Brocky ? (LADY MARY ws wmpervious to his humour, but he continues bravely.) I don’t wish to fatigue you, Mary, by insisting on a verbal answer, but if, without straining yourself, you can signify Yes or No, won’t you make the effort? (She indolenily flashes a ring on her most important finger, and he starts back melodramatically.) 12 THE ADMIRABLE CRICHTON [act The ring! Then I am too late, too late! (Fixing LADY MARY sternly, like a prosecuting counsel.) May I ask, Mary, does Brocky know? Of course, it was that terrible mother of his who pulled this through. Mother does everything for Brocky. Still, in the eyes of the law you will be, not her wife, but his, and, therefore, I hold that Brocky ought to be informed. Now (He discovers that their languorous eyes have closed.) If you girls are shamming sleep in the ex- pectation that I shall awaken you in the manner beloved of ladies, abandon all such hopes. (CATHERINE and AGATHA look up without speaking.) LADY MARY (speaking without looking up). You impertinent boy. ERNEST (eagerly plucking another epigram from his quiver). I knew that was it, though I don’t know everything. Agatha, I’m not young enough to know everything. (He looks hopefully from one to another, 1.] THE ADMIRABLE CRICHTON 13 but though they try to grasp this, his brillzance baffles them.) AGATHA (his secret admirer). Young enough? ERNEST (encouragingly). Don’t you see? I’m not young enough to know everything. AGATHA. I’m sure it’s awfully clever, but it ’s so puzzling. (Here CRICHTON ushers in an athletic, pleasani-faced young clergyman, MR. TRE- HERNE, who greets the company.) CATHERINE. Ernest, say it to Mr. Treherne. ERNEST. Look here, Treherne, I’m _ not young enough to know everything. TREHERNE. How do you mean, Ernest? BRNEST (a little netiled). I mean what I say. LADY MARY. Say it again; say it more slowly. ERNEST. I ’m—not—young—enough—to— know—everytking. TREHERNE. I see. What you really mean, my boy, is that you are not old enough to know everything. ERNEST. No, I don’t. 14 THE ADMIRABLE CRICHTON — [act TREHERNE. I assure you that’s it. LADY MARY. Of course it is. CATHERINE. Yes, Ernest, that ’s it. (ERNEST, in desperation, appeals to CRICHTON. ) ERNEST. I am not young enough, Crichton, to know everything. (Ii ws an anxious moment, but a smile is at length extorted from CRICHTON as with a corkscrew.) CRICHTON. Thank you, sir. (He goes.) ERNEST (relieved). Ah, if you had that fellow’s head, Treherne, you would find something better to do with it than play cricket. I hear you bowl with your head. TREHERNE (with proper humility). I’m afraid cricket is all I’m good for, Ernest. CATHERINE (who thinks he has a heavenly nose). Indeed, it isn’t. You are sure to get on, Mr. Treherne. TREHERNE. Thank you, Lady Catherine. CATHERINE. But it was the bishop who told me so. He said a clergyman who breaks both ways is sure to get on in England. 1. THE ADMIRABLE CRICHTON 15 TREHERNE. I’m jolly glad. (The master of the house comes in, accom- panied by LORD BROCKLEHURST. The EARL OF LOAM is a widower, a philan- thropist, and a peer of advanced ideas. As a widower he 1s at least able to interfere in the domestic concerns of his house—to rummage in the drawers, so to speak, for which he has felt an rtching all his blame- less life; his philanthropy has opened quite a number of other drawers to him; and his advanced ideas have blown out his figure. He takes wn all the weightiest monthly reviews, and prefers those that are uncut, because he perhaps never looks better than when cutting them; but he does not read them, and save for the cutting ut would suit him as well merely to take in the covers. He writes letters to the papers, which are printed in a type to scale with himself, and he is very jealous of those other correspondents who get his type. Let laws and learning, art and commerce die, but leave the big type 16 THE ADMIRABLE CRICHTON _ [act to an intellectual aristocracy. He vs really the reformed House of Lords which will come some day. Young LORD BROCKLEHURST 7s nothing save for his rank. You could pick him up by the handful any day in Preca- dilly or Holborn, buying socks—or selling them.) LORD LOAM (expansively). You are here, Ernest. Feeling fit for the voyage, Treherne? TREHERNE. Looking forward to it enor- mously. LORD LOAM. That’s right. (He chases his children about as if they were chickens.) Now then, Mary, up and doing, up and doing. Time we had the servants in. They enjoy it so much. LADY MARY. They hate it. LORD LOAM. Mary, to your duties. (And he points severely to the tea-table.) ERNEST (twinkling). Congratulations, Brocky. LORD BROCKLEHURST (who deiests humour). Thanks. ERNEST. Mother pleased? I. THE ADMIRABLE CRICHTON If LORD BROCKLEHURST (with dignity). Mother is very pleased. ERNEST. That’s good. Do you go on the yacht with us? LORD BROCKLEHURST. Sorry I can’t. And look here, Ernest, I will not be called Brocky. ERNEST. Mother don’t like it? LORD BROCKLEHURST. She does not. (He leaves ERNEST, who forgives him and begins to think about his speech. CRICHTON enters.) LORD LOAM (speaking as one man to another). We are quite ready, Crichton. (CRICHTON is distressed.) LADY MARY (sarcastically). How Crichton en- joys it! LORD LOAM (frowning). He is the only one who doesn’t; pitiful creature. CRICHTON (shuddering under his lord’s dts- pleasure). I can’t help being a Conservative, my lord. LORD LOAM. Be a man, Crichton. You are the same flesh and blood as myself. CRICHTON (in pain). Oh, my lord! LORD LOAM (sharply). Show them in; 18 THE ADMIRABLE CRICHTON _ [act and, by the way, they were not all here last time. CRICHTON. All, my lord, except the merest trifles. LORD LOAM. - It must be every one. (Lower- ang.) And remember this, Crichton, for the time being you are my equal. (Testily.) Ishall soon show you whether you are not my equal. Do as you are told. (CRICHTON departs to obey, and his lord- ship 1s now a general. He has no pity for his daughters, and uses a terrible threat.) And girls, remember, no condescension. ‘The first who condescends recites. (This sends them skurrying to their labours.) By the way, Brocklehurst, can you do any- thing ? LORD BROCKLEHURST. How do you mean? LORD LOAM. Can you do anything—with a penny or a handkerchief, make them disappear, for instance? LORD BROCKLEHURST. Good heavens, no. LORD LOAM. It’s a pity. Every one in ~~ 1.] THE ADMIRABLE CRICHTON 19 our position ought to be able to do something. Ernest, I shall probably ask you to say a few words; something bright and sparkling. ERNEST. But, my dear uncle, I have pre- pared nothing. LORD LOAM. Anything impromptu will do. ERNEST. Oh—well—if anything strikes me on the spur of the moment. (He unostentatiously gets the footstool into position behind the chair. cRIcH- TON reappears to announce the guests, of whom the first 1s the housekeeper.) CRICHTON (reluctantly). Mrs. Perkins. LORD LOAM (shaking hands). Very delighted, Mrs. Perkins. Mary, our friend, Mrs. Perkins. LADY MARY. How do you do, Mrs. Perkins? Won’t you sit here? : LORD LOAM (threateningly). Agatha! AGATHA (hastily). How do you do? Won’t you sit down? LORD LOAM (introducing). Lord Brockle- hurst—my valued friend, Mrs. Perkins. (LORD BROCKLEHURST bows and escapes. He has to fall back on ERNEST.) 20 THE ADMIRABLE CRICHTON _ [acr LORD BROCKLEHURST. For heaven’s sake, Ernest, don’t leave me for a moment; this sort of thing is utterly opposed to all my principles. ERNEST (azrily). You stick to me, Brocky, and I ’Il pull you through. CRICHTON. Monsieur Fleury. ERNEST. The chef. LORD LOAM (shaking hands with the chef). Very charmed to see you, Monsieur Fleury. FLEURY. Thank you very much. (FLEURY bows to AGATHA, who is not effuswe.) LORD LOAM (warningly). Agatha—recita- tion! (She tosses her head, but immediately finds a seat and tea for M. FLEURY. TREHERNE and ERNEST move about, making themselves amiable. LADY MARY is presiding at the tea-tray.) CRICHTON. Mr. Rolleston. LORD LOAM (shaking hands with his valet). How do you do, Rolleston ? (CATHERINE looks after the wants of ROLLESTON.) 1.] THE ADMIRABLE CRICHTON 21 CRICHTON. Mr. Tompsett. (TOMPSETT, the coachman, its _ received with honours, from which he shrinks.) CRICHTON. Miss Fisher. (This superb creature ts no less than LADY MARY'S maid, and even LORD LOAM is a little nervous.) LORD LOAM. This is a pleasure, Miss Fisher. ERNEST (unabashed). If I might venture, Miss Fisher (and he takes her unto himself). CRICHTON. Miss Simmons. LORD LOAM (f0 CATHERINE’S maid). You are always welcome, Miss Simmons. ERNEST (perhaps to kindle jealousy in MISS FISHER). At last we meet. Won't you sit down ? CRICHTON. Mademoiselle Jeanne. LORD LOAM. Charmed to see you, Made- moiselle Jeanne. (A place ts found for aGaTHA’s maid, and the scene is now an animated one; but still our host thinks his girls are not sufficiently sociable. He frowns on LADY MARY.) 22 THE ADMIRABLE CRICHTON _ [act LADY MARY (77 alarm). Mr. Treherne, this is Fisher, my maid. LORD LOAM (sharply). Your what, Mary? LADY MARY. My friend. CRICHTON. Thomas. LORD LOAM. How do you do, Thomas? (The first footman gives him a reluctant hand.) CRICHTON. John. LORD LOAM. How do you do, John? (ERNEST signs to LORD BROCKLEHURST, who hastens to him.) ERNEST (2ntroducing). Brocklehurst, this is John. I think you have already met on the door-step. CRICHTON. Jane. (She comes, wrapping her hands miserably in her apron.) LORD LOAM (doggedly). Give me your hand, Jane. CRICHTON. Gladys. ERNEST. How do you do, Gladys. You know my uncle? LORD LOAM. Your hand, Gladys. (He bestows her on AGATHA.) 1.] THE ADMIRABLE CRICHTON 23 CRICHTON. ‘Tweeny. (She ws a very humble and frightened kitchenmaid, of whom we are to see more.) LORD LOAM. So happy to see you. FISHER. John, I saw you talking to Lord Brocklehurst just now; introduce me. LORD BROCKLEHURST (at the same moment to ERNEST). That ’s an uncommon pretty girl; if I must feed one of them, Ernest, that ’s the one. (But ERNEST tries to pari him and FISHER as they are about to shake hands.) ERNEST. No you don’t, it won’t do, Brocky. (To Miss FISHER.) You are too pretty, my dear. Mother wouldn’t like it. (Duescovering TWEENY.) Here ’ssomething safer. Charming girl, Brocky, dying to know you; let me in- troduce you. Tweeny, Lord Brocklehurst— Lord Brocklehurst, Tweeny. (BROCKLEHURST accepis his fate; but he still has an eye for FISHER, and some- thing may come of this.) LORD LOAM (severely). They are not all here, Crichton. 24 THE ADMIRABLE CRICHTON [act CRICHTON (with a sigh). Odds and ends. (A STABLE-BOY and a PAGE are shown in, and for a moment no daughter of the house advances to them.) LORD LOAM (with a roving eye on his children). Which is to recite? (The last of the company are, so to say, embraced.) LORD LOAM (fo TOMPSETT, as they partake of tea together). And how are all at home? TOMPSETT. Fairish, my lord, if ’tis the horses you are inquiring for? LORD LOAM. No, no, the family. How’s the baby? TOMPSETT. Blooming, your lordship. LORD LOAM.