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 THE "CAIRO STREET; 
 
 AIDWAY PLAISANCE. 
 
 The all-pervading charm which everywhere surrounds the 
 name of Egypt may be traced back to the days of our 
 childhood, to the time when we first heard the story of 
 Moses and of Pharaoh's- daughter, of Joseph and his brethren, and the flight 
 of the Holy Family into Egypt. It is the charm which tha teaching of 
 Biblical history has impressed upon our minds when most capable of 
 reception, and the beauty of the impressions have made us loth to destroy 
 them. Hence, in all that pertains to Egypt, we have more than a passing 
 interest. Indeed there has been a hope in the hearts of all of us that some 
 day we might be able to visit this land of our fondest dreams, but time and 
 money have been a chasm too broad to be bridged by many, and to most 
 Americans it has been a case of deferred hope and a sad heart. Is it not 
 pleasant to know that, in a measure, this delightful dream is to be realized? 
 At Paris, in 1889, the Ttui da Caire was pronounced a great success, 
 though little was then attempted, but'itwas a suggestion to some bright 
 minds in Chicago, and capital was interested to an amount sufficient to 
 build at the Exposition of 1893, the Cairo Street not the exact reproduction 
 of any one street in Cairo, but a composite structure which combines the 
 most beautiful architectural features of Cairo. To secure this end, the aid 
 of the Egyptian Government was invoked, and, after due consideration, the 
 Khedive gave permission to his governmental architect, Max Herz, to pre- 
 
 COPYHIGHT, 1893, BY EGYPT-CHICAGO EXPOSITION CO. 
 
 2
 
 
 pare designs and plans. Later, Mr. Herz was permitted to visit America to 
 superintend the construction of the Cairo Street in person. As a result, 
 there now stands in the center of the Midway Plaisance, under the 
 shadow of the Ferris Wheel, the brightest gem of the Columbian 
 Exposition. A glorious achievement in its entirety, a matchless triumph in 
 detail. It is a restored Cairo, in the days of its unimpaired splendor. Its 
 mosque and fountain are transcendantly beautiful; the balconies, which 
 everywhere o'erhang the street, are veritable gems, ornamented as they are 
 with antique Meshrebieh, much of it seasoned with the age of centuries. 
 Beautifu as it is, the architecture alone would be but a poor reflex of that of 
 Cairo said to be the liveliest ana most picturesque city in the world, and so 
 Mr. George Pangalo, or Cairo, has brought from Egypt a throng of natives 
 who wil people this miniature city. This population is thoroughly repre- 
 sentative and the street fairly swarms with Egyptians, Arabs, Nubians 
 and Soudanese. 
 
 To reach Cairo, enter the Plaisance at the Woman's Building; stroll 
 down the broad avenue if you are fond of walking and have time, other- 
 wise use a rolling chair, or, better still, enter a car of the sliding railway and 
 be instantaneously transported to the very gate of the City. Your 
 first glance may be a disappointment. Like all Mohammedan 
 towns, its exterior is most uninviting. Plastered walls, irregular .^-, 
 buildings, here and there pierced with grated openings, present 
 a forbidding aspect, which is only relieved by the stately 
 minaret, which rises from the center of this mass. Enter the 
 eastern portal, which is low and broad, and you realize 
 your dream of the Orient. You forget the magnitude of
 
 
 STRCP.T LOOKING EAST.
 
 the buildings in Jackson Park and the "sky scrapers" of 
 Chicago, and enter into the strange life which is before 
 ypu. There is nothing to remind you of the igth century, 
 save the costumes of the visitors who are there, like 
 yourself, and whom you might wish elsewhere, that you 
 might enjoy your dream. Passing the shops at the 
 entrance, step into the Cafe and seat yourself. As you sip 
 your Mocha and enjoy its fragrance, glance down the street, for through 
 the arches of this Cafe may be had its best view. Directly in front of you 
 stands the Mosque, which is a counterpart of that of the Sultan Kait Bay, 
 in all save the minaret, that being a reproduction in its entirety of the mina- 
 ret of the Mosque of Abou Bake Mazhar, the most beautiful in all Cairo. 
 Later, when you visit the Mosque, notice the massive doors and their orna- 
 mentation. The metal ornaments are rich in their tracery, and still more 
 gorgeous in the sublime coloring of centuries of corrosion. In the sanctuary, 
 which is truth itself in its fidelity to its model, gaze with wonder upon the 
 decorations, the draperies and the pendant lamps, all rich in the colors which 
 were grand when new, but now glorified by the refining influences of nature. 
 If you are curious about the worship of the Mohammedan, step into the visi- 
 tor's gallery, when the Muezzin calls the faithful to prayer, and see them at 
 their devotions. 
 
 Across the street is the restored dwelling of a rich Arab of the i7th 
 century, Gamal El Din El Yahbi. The facade is more elaborate than is 
 usual in the street, Huge balconies extend from the upper stories, and 
 Meshrebieh, rich with the color of age, suggests a luxurious interior. Enter 
 the handsome portal, and as the doors swing open examine the beauty of 
 
 5
 
 A\OSQUE.
 
 their traceries so exquisitely inlaid with ivory. Ascend to the living apart- 
 ments of this house and wonder at the luxurious and refined life the owner 
 must have led. The costly decorations, gilded ceilings, mosaics, elaborate 
 draperies, beautiful rugs, all proclaim rich ease and refined luxury. 
 
 Further down the street, well removed from the houses on either side, 
 stands a marble pavilion the walls of the lower story pierced with arched 
 windows, while above are light arcades, covered with Arabesques and 
 crowned with o'er-spreading balconies. The ground floor is, in Cairo, used 
 as a drinking fountain, and the upper for a Kuttab or Moscjue school. Here 
 the pavilion will be put to the same purpose, some of the time, but visitors 
 will be permitted to use the upper room as an observatory during the 
 greater portion of the season. In Cairo the Sebil is known as that of 
 Abderrah an Khat Hoadi. It is the finest example of that type of architecture 
 in Cairo. To the right of the Sebil is located the entrance to the theatre, where 
 are given the wild, weird performances peculiar to the race. In the selection 
 of performers Mr. Pangalo was careful only to secure the most expert. The 
 sword dancers, candle dancers, those who perform the Dans du Ventre, 
 are the bright particular stars of the Egyptian firmanent, while the musicians 
 who accompany them are as weird and picturesque as the dancers them- 
 selves. The theatre is not dependent, however, upon the performers for 
 interest, for its decorations ar"e well worthy of a visit. 
 
 To the left of the Sebil, is located the Okala. The handsomest portal 
 in the street gives you entrance to the interior where 
 a scene of indescribable beauty awaits. A quadran 
 gular Court, upon all sides of which rise pointed 
 arches one above the other, again surrounded by
 
 MOUSE op GA/*\AL EL DIN EL YAHBI
 
 TYPES or CAIRO.
 
 galleries supported on groined arches, while above, the blue sky is made 
 oriental by the contrast. Here busy merchants ply their trade, the colors of 
 their garb and wares being a part of its decoration. Beautiful as it is by 
 day, the scene at night surpasses it. The sky is then dotted with stars and 
 quaint Egyptian lamps in myriad tints give lustre to the mysterious glow. 
 If these are special features of the street, do not think that here they end. 
 From your present point of view, the houses all have interest. They re- 
 semble one another, yet are different in color and effect. The stone brackets 
 which jut out and hold up the walls of the upper stories are all true repro- 
 ductions of some good Arabic type. The upper stories furnish the architec- 
 tural beauties of the street, while as far as the eye can see, the lower floors 
 are occupied by shops, not the shops of Europe, but the type of Cairo, rec- 
 tangular niches cut in the walls, in which the merchant sits surrounded by 
 his wares. To visit all of these (there are sixty-one in the street), will 
 be one continual journey of delight, for here you will find all that the great 
 bazars of Cairo can boast. Every quarter of the Nile country contributes 
 to the great variety, and as you visit one shop after another, you will find 
 not only the ivories, jewelry, potteries, brass work, embroideries, etc., 
 which you expect, but as well Soudanese arms and draperies, 
 gold and silver coins of ancient Egyptian dynasties, genuine 
 mummies, beetles, national costumes of Egypt, toilet 
 articles, Lotus soap, and myriads of household articles, 
 which must appeal to modern decorative instincts. In your 
 journey about the street you will also find the artisans at 
 work, the manufacturers of slippers, the silk weavers at 
 their looms, the siwan (tent) makers and embroiderers, seal
 
 -. - 
 
 THEATRE.
 
 engravers, silversmiths making the famous filigree work 
 of the Soudan, goulahs (jars) shaped and decorated by 
 native workmen, candy makers, manufacturers of musical 
 instruments engravers, wood and ebony carvers, decorat- 
 ors, etc., all jusy at their peculiar industries. Look at the 
 barber! his every look and manner of operation so different. 
 The merchant will be found as interesting as his wares, and go not to 
 him dreaming that he knows not your language. He has been dealing with 
 English men and women all his life. But Cairo would not be complete 
 without the donkey. You were not in the street a moment before you 
 heard the donkey boy crying the virtues of his beast in unmistakable Eng- 
 lish. He is a character, this donkey boy (or man as the case may be), al- 
 though he is never called other than boy. His calling is hereditary. The 
 son following in the footsteps of the father, generation after generation. 
 
 Turn where you will, you are not likely to escape the importunate street 
 vender, or the donkey boy. The driver of the stately camel may seek your 
 custom, but it will be with a dignity akin to the "ship of the desert," 
 now so gaily bedecked. 
 
 But if this city is attractive in its every day life, what shall be said of 
 it when it puts on its holiday garb. Go into the street in the morning and 
 see the gayety of the wedding procession which the artist has faithfully 
 depicted ; though this is one of the festivals which never identically repeats 
 itself. The populace puts on its best attire and joy reigns 
 supreme. The wrestler, the musician, the torch bearer, camels, 
 priests and women make up an escort for the bride, while the 
 crowd of sight seers help swell the chord of enthusiasm. Then 
 
 V 
 
 12
 
 there is the ceremony of the "Moulid" or birthday festival, 
 where joy and pleasure are indulged in to the fullest extent. 
 The street is filled for a time with tents of elaborate descrip- 
 tion, and conjurers, astrologers, necromancers, snake 
 charmers and dancers perform their most marvelous feats. 
 Every variety of life is here represented, and you will find it 
 sufficiently versatile to create an unimpaired interest. It is an object lesson 
 of oriental life of great educational importance. For a moment leave the 
 Arabian or modern Egyptian to his pleasures and step into the realm of 
 ancient Egypt, as portrayed in the ancient Temple of Luxor, now completely 
 restored. This is an exact reproduction, of a temple built by Amenoph III, 
 1550 B. C., and is the only one ever restored. On the outer walls are 
 sculptured battle scenes as well as those representing the worshipping of the 
 divinities. The two obelisks are exact reproductions of the original obelisks. 
 They are seventy-five feet high and five feet square at the base. The obelisk 
 to the right of the entrance has sculptured on it in hieroglyphics a dedication 
 to the World's Columbian Exposition. 
 
 Entering this temple the visitor's attention will be attracted by obelisks, 
 statues and sphinxes, a gateway flanked by pyramidal towers and hierogly- 
 phic inscriptions copied from the ancient monuments. Amenoph III, eigh- 
 teenth^ dynasty, 1550 B. C.; Rameses II, nineteenth dynasty, 140x3 B. C. 
 and Nectanebo II, thirtieth dynasty, 345 B. C., are the heroes 
 of the historical scenes. Amon-Ra, Maut and Khons are in 
 the shrine as the trinity of Thebes. The judgment of the 
 deacon with the fate of the justified and the condemned, the 
 death and resurrection of the Son of God are illustrated. 
 
 14
 
 Here is also a colossal statue of Phi and a sarcophagus of the Sacred 
 Bull of the later Ptolemic period. This Temple is a perfect storehouse of 
 Ancient Egyptiana. 
 
 Just north of the Temple the Soudanese contingent has pitched its 
 siwans, and there will the strange people from the Soudan and from Nubia 
 repeat their daily life as at home. The Soudanese have traveled to some 
 extent but these Nubians are the first to leave the borders of Egypt. Their 
 peculiarities will prove interesting. 
 
 This little book is written simply as a suggestion. To describe the 
 beauties, the quaintness or the picturesqueness of the Cairo Street would be 
 impossible in a volume so small. Only a journey there will satisfy an 
 interest once excited. Visit it when basking in the heat of the midday sun, 
 or bathed in the glowing colors of departing day, it is alike beautiful. Go 
 when the cold grey moonlight illumines it, when the mysterious gloom of 
 night hangs upon it and its grandeur will appeal to every fiber of your being. 
 It is a marvellous creation, artistic in conception, truthful in the interpretation 
 of its beautiful models, a revelation in the perfection of its accomplishment. 
 When the Columbian Exposition shall have become a thing of the past and 
 its memories hazy with the flight of time, if 
 there shall be one spot which shall remain 
 brighter than all the rest, that one will be 
 its beautiful Cairo Street, in the Midwrv 
 Plaisance. W. J. H.