Univerfity of Illinois Library Friends atUcbana-Champaign Gift of Helen Bess Cone BOOKfiTACiLS I The person charging this material is re- sponsible for its return to the library from which it was withdrawn on or before the Latest Date stamped below. Theft, mutilation, and underlining of books are reasons for disciplinary action and may result in dismissal from the University. To renew call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN /MOV- OCT 30 1987 HAY 2? 138 B HI L161— O-1096 Croxlep f^bition r mt OTorfeg of ii-very ill/' said the Doctor, feeling Piet-^ )ulse. Volumes VII-VIII 9t tfje feign of tfte Cat anb J&acket a JBacftelor's; €mb\i&f)mm J^onorme 9nb ©tter fetoneg MttP of (finglisff) anb Jf rtnct) literature Craxlep Cbition Wt^t Morfeg of Jlonore be pal^ac Volumes VII-VIII !3t tte ^(gn of tlie Cat anb leiacket ^ JBaci)elot'£; Csitabltsitment 5|onorme S>ociEtp of Cnglis^l) anb Jf rencl) literature CONTENTS PART I ix^TRODUCTION - AT THE SIGN OF THE CAT AND RACKET- . - - - (La Maiscn du Chat-qui-Pelote) THE BALL AT SCEAUX {Le Bal de Sgeaux) THE PURSE .... (Z« Bourse) MADAME FIRMIANI {Mme. Ftrmiant) THE CELIBATES— I PIERRETTE . . , - {Pierrette) THE CELIBATES— II THE VICAR OF TOURS {Le Cure de Tours) VOL. 4—1 iv CONTENTS PART II PAGE INTRODUCTION ix THE CELIBATES— III A BACHELOR'S ESTABLISHMENT - - - I ( Un Menage de garden) HONORINE 299 {Honorine) (Translator, Clara Bbll ) AT THE SIGN OF THE CAT AND RACKET THE CELIBATES, AND OTHER STORIES INTRODUCTION {n the very interesting prefatse, dated July 1842, which Bal- zac prefixed to the first collection of the Comedie Humaine, he endeavors, naturally enough, to represent the division into Scenes de la Vie Parisienne, etc., as a rational and reasoned one. Although not quite arbitrary, it was of course to a great extent determined by considerations which were not those of design; and we did not require the positive testi- mony which we find in the Letters to tell us that in the author's view, as well as in our own, not a few of the stories might have been shifted over from one division to another, and have filled their place just as well in the other as in the one. La Maison du Chat-qui-Pelote, however, which originally bore the much less happy title of "Gloire et Malheur," was a Scene de la Vie Privee from the first, and it bears out better than some of its companions its author's expressed intention of making these "scenes" represent youth, whether Parisian or Provincial. Few of Balzac's stories have united the gen- eral suffrage for touching grace more than this; and there are few better examples of his minute Dutch-painting than the opening passages, or of his unconquerable delight in the details of business than his sketch of Monsieur Guillaume's^ establishment and its ways. The French equivalent of the Complete Tradesman" of Defoe lasted much longer than his English counterpart; but, except in the smaller provincial towns, he is said to be uncommon now. As for the plot, it X INTRODUCTION such a stately name can be given to so delicate a sketch, it is of course open to downright British judgment to pronounce the self-sacrifice of Lebas more ignoble than touching, the conduct of Theodore too childish to deserve the excuses some- times possible for passionate inconstancy, and the character of Augustine angelically idiotic. This last outrage, if it were committed, would indeed only be an instance of the irrecon- cilable difference which almost to the present day divides English and French ideas of ideally perfect girlhood, and of that state of womanhood which corresponds thereto. The candeur adorable which the Frenchman adores and exhibits in the girl; the uncompromising, though mortal, passion of the woman ; are too different from any ideal that we have en- tertained, except for a very short period in the eighteenth "century. But there are few more pathetic and charming im- personations of this other ideal than Augustine de Sommer- vieux. All the stories associated with La Maison du Chat-qui- Pelote, according to French standards — all, perhaps, accord- ing to all but the very strictest and oldest-fashioned of Eng- lish — are perfectly free from the slightest objection on the score of that propriety against which Balzac has an amusing: if not quite exact tirade in one of his books. And this is evidently not accidental, for the preface above referred to is an elaborate attempt to rebut the charge of impropriety, and to show that the author could draw virtuous as well as unvirtuous characters. But they are not, taking them as a whole, and omitting the "Cat and Racket" itself, quite ex- amples of putting the best foot foremost. Le Bal de Sceaux, with its satire on contempt for trade, is in some ways more like Balzac's young friend and pupil Charles de Bernard than \ike himself; and I believe it attracted English notice INTRODTjCTION xi pretty early. At least I seem, when quite a boy, and long before I read the Comedie Ilumaine, to have seen an English version or paraphrase of it. La Bourse, though agreeable, is a little slight. I should rank Madame Firmiani a good deal higher than these two, though it also is a little slight, and though it is not in Balzac's most characteristic or important manner. Eather, perhaps, does it remind us of the "Physiolo- gies" and the other social "skits'^ and sketches which he was writing for the Caricature and other papers at the time. Still, the various descriptions of the heroine have a point and sparkle which are almost peculiar to the not quite mature work of men of genius; and the actual story has a lightness which, perhaps, would have disappeared if Balzac had handled it at greater length. As for bibliography. La Maison du Chat-qui-Pelote, under the title above referred to, saw the light first with other Scenes de la Vie Privee in 1830. But it was not dated as of the previous year till five years later, in its third edition; while the title was not changed till the great collection itself. Of its companions, Le Bal de Sceaux was an original one, iind seems to have been written as well as published more or less at the same time. It at first had an alternative title, Ou le Pair de France, which was afterwards dropped. La Bourse was early, but not quite so early as these. It appeared in, and was apparently written for, the second edi- tion of the Scenes de la Vie Privee, published in May 1832. In 1835 it was moved over to the Scenes de la Vie Parisienne, between which and the Vie Privee there is in fact a good deal of cross and arbitrary division. But when the full Comedie took shape it moved back again. La Vendetta, which be- longs with this group of stories, has been reserved for a later volume. xii INTRODUCTION Madame Firmiani was first published in the Revue de Paris for February 1832 ; then became a Conte Philosophique, and still in the same year a Scene de la Vie Parisienne. It was in the 1842 collection that it took up its abode in the Scenes de la Vie Privee, Les Celilataires, the longest number of the original Comedie under a single title, next to Illusions per dues, is not, like that book, connected by any unity of story. Indeed, the general bond of union is pretty weak ; and though it is quite true that bachelors and old maids are the heroes and heroines ofiall three, it would be rather hard to establish any other bond of connection, and it is rather unlikely that any one unprompted would fix on this as a sufficient ground of partnership. Two at least of the component parts, however, are of very high excellence. I do not myself think that Pierrette, which opens the series, is quite the equal of its companions. Written, as it was, for Countess Anna de Hanska, Balzac's step-daughter of the future, while she was still very young, it partakes necessarily of the rather elaborate artificiality of all attempts to suit the young person, of French attempts in par- ticular, and it may perhaps be said of Balzac's attempts most of all. It belongs, in a way, to the Arcis series — the series which also includes the fine Tenebreuse Affaire and the un- finished Depute d' Arcis — but is not very closely connected therewith. The picture of the actual Celihataires, the brother and sister Eogron, with which it opens, is in one of Balzac's best-known styles, and is executed with all his usual mastery both of the minute and of the at least partially repulsive, show- ing also that strange knowledge of the bourgeois de Paris which, somehow or other, he seems to have attained by dint of rNTI«]rDUCTIX3N xill unknown foregatherings in his ten years of apprenticeship. But when we come to Pierrette herself, the story is, I think^ rather less satisfying. Her persecutions and her end, and the devotion of the faithful Brigaut and the rest, are pathetic no doubt, but tend (I hope it is not heartless to say it) Just a very little towards sensihlerie. The fact is that the thing is not quite in Balzac's line. The other and shorter constituent of the book, Le Cure de Tours, is certainly on a higher level, and has attracted the most magnificent eulogies from some of the novelist's ad- mirers. I think both Mr. Henry James and Mr. Wedmore have singled out this little piece for detailed and elaborate praise, and there is no doubt that it is a happy example of a kind in which the author excelled. The opening, with its evi- dent but not obtruded remembrance of the old and well- founded superstition — derived from the universal belief in some form of Nemesis — that an extraordinary sense of happi- ness, good luck, or anything of the kind, is a precursor of mis- fortune, and calls for some instant act of sacrifice or humilia- tion, is very striking; and the working out of the vengeance of the goddess by the very ungoddess-like though feminine hand of Mademoiselle Gamard has much that is commend- able. Nothing in its well exampled kind is better touched off than the Listomere coterie, from the shrewdness of Mon- sieur de Bourbonne to the selfishness of Madame de Listo- mere. 1 do not know that the old maid herself — cat, and far worse than cat as she is — is at all exaggerated, and the sketch of the coveted appartement and its ill-fated mohilier is about as good as it can be. And the battle between Madame de Listomere and the Abbe Troubert, which has served as a model for many similar things, has, if it has often been equaled, not often been surpassed. xiv INTRODUCTION I cannot, however, help thinking that there is more than a little exaggeration in more than one point of the story. The Abbe Birotteau is surely a little too much of a fool; the Abbe Troubert an lago a little too much wanting in verisi- militude; and the central incident of the clause about the furniture too manifestly improbable. Taking the first and the last points together, is it likely that any one not quite an idiot should, in the first place, remain so entirely ignorant of the value of his property; should, in the second, though, ignorant or not, he attached the greatest possible pretium affectionis to it, contract to resign it for such a ridiculous con- sideration; and should, in the third, take the fatal step with- out so much as remembering the condition attached thereto? If it be answered that Birotteau was idiot enough to do such a thing, then it must be observed further that one's sympath}' is frozen by the fact. Such a man deserved such treatment. And, again, even if French justice was, and perhaps is, as much influenced by secret considerations as Balzac loves to represent it, we must agree with that member of the Listo- mere society who pointed out that no tribunal could possibly uphold such an obviously iniquitous bargain. As for Trou- bert, the idea of the Jesuitical ecclesiastic (though Balzac was not personally hostile to the Jesuits) was a common one at the time, and no doubt popular, but the actual personage seems to me nearer to Eugene Sue's Eodin in some ways than I could have desired. These things, however, are very much a case of "As You Like It" or "As It Strikes You," and I have said that Le Cure de Tours strikes some good judges as of exceptional merit, while no one can refuse it merit in a high degree. I should not, except for the opening, place it in the very highest class of the Comedie, but it is high beyond all doubt in the second. INTRODUCTION XV Pierrette, which was earlier called Pierrette Lorrain, was issued in 1840, first in the Siecle, and then in volume form, published by Souverain. In both issues it had nine chapter or book divisions with headings. With the other Celihataires it entered the Comedie as a Scene de la Vie de Province in 1843. Le Cure de Tours (which Balzac had at one time intended to call by the name of the Cure's enemy, and which at first was simply called by the general title Les Celihataires) is much older than its companions, and appeared in 1832 in the Scenes de la Vie Privee. It was soon properly shifted to the Vie de Province, and as such in due time joined the Comedie bearing its present title. G-. S. [The third part of Les Celihataires, not being connected with the others, is included in a separate volume^ under its own title of Un Menage de gargon.] AT THE SIGN OF THE CAT AND RACKET Dedicated to Mademoiselle Marie de Montheau ' Half-way down the Kue Saint-Denis, almost at the corned of the Eue du Petit-Lion, there stood formerly one of those delightful houses which enable historians to reconstruct old Paris by analogy. The threatening walls of this tumbledown abode seemed to have been decorated with hieroglyphics. For what other name could the passer-by give to the Xs and Vs which the horizontal or diagonal timbers traced on the front, outlined by little parallel cracks in the plaster? It w^as evi- dent that every beam quivered in its mortices at the passing of the lightest vehicle. This venerable structure was \?rowned by a triangular roof of which no example will, ere if.ong, be seen in Paris. This covering, warped by the ex- tremes of the Paris climate, projected three feet over the j'oadway, as much to protect the threshold from the rainfall as to shelter the wall of a loft and its sill-less dormer-window. This upper story was built of planks, overlapping each other like slates, in order, no doubt, not to overweight the frail house. One rainy morning in the month of March, a young man, carefully wrapped in his cloak, stood under the awning of a shop opposite this old house, which he was studying with the enthusiasm of an antiquary. In point of fact, this relic of the civic life of the sixteenth century offered more than one problem to the consideration of an observer. Each story presented some singularity; on the first floor four tall, narrow windows, close together, were filled as to the lower panes with boards, so as to produce the doubtful light by which a clever salesman can ascribe to his goods the color 2 AT THE SIGN OF THE CAT AND RACKET his customers inquire for. The young man seemed very scornful of this part of the house; his eyes had not yet rested on it. The windows of the second floor, where the Venetian blinds were drawn up, revealing little dingy muslin curtains behind the large Bohemian glass panes, did not in- terest him either. His attention was attracted to the third floor, to the modest sash-frames of wood, so clumsily wrought that they might have found a place in the Museum of Arts and Crafts to illustrate the early efforts of French carpentry. These windows were glazed with small squares of glass so green that, but for his good eyes, the young man could not have seen the blue-checked cotton curtains which screened the mysteries of the room from profane eyes. Now and then the watcher, weary of his fruitless contemplation, or of the silence in which the house was buried, like the whole neigh- borhood, dropped his eyes towards the lower regions. An in- voluntary smile parted his lips each time he looked at the shop, where, in fact, there were some laughable details. A formidable wooden beam, resting on four pillars, which appeared to have bent under the weight of the decrepit house, had been encrusted with as many coats of different paint ay there are of rouge on an old duchess' cheek. In the middle of this broad and fantastically carved joist there was an old painting representing a cat playing rackets. This picture was what moved the young man to mirth. But it must be said that the wittiest of modern painters could not invent so comical a caricature. The animal held in one of its fore- paws a racket as big as itself, and stood on its hind legs to aim at hitting an enormous ball, returned by a man in a fine embroidered coat. Drawing, color, and accessories, all were treated in such a way as to suggest that the artist had meant to make game of the shop-owner and of the passing observer. Time, while impairing this artless painting, had made it yet more grotesque by introducing some uncertain features which must have puzzled the conscientious idler. For instance, the cat's tail had been eaten into in such a way that it might now have been taken for the figure of a spectator — so long. AT THE SIGN OP THE CAT AND RACKET 3 and thick, and furry were the tails of our forefathers' cats. To the right of the picture, on an azure field which ill-dis- guised the decay of the wood, might be read the name "Guillaume," and to the left, "Successor to Master Chevrel." Sun and rain had worn away most of the gilding parsi- moniously applied to the letters of this superscription, in which the Us and Vs had changed places in obedience to the laws of old-world orthography. To quench the pride of those who believe that the world is growing cleverer day by day, and that modern humbug surpasses everything, it may be observed that these signs, of which the origin seems so whimsical to many Paris merchants, are the dead pictures of once living pictures by which our roguish ancestors contrived to tempt customers into their houses. Thus the Spinning Sow, the Green Monkey, and others, were animals in cages whose skill astonished the passer-by, and whose accomplishments prove the patience oi* the fifteenth-century artisan. Such curiosities did more to enrich their fortunate owners than the signs of "Providence," "Good-faith," "Grace of God," and "Decapitation of John the Baptist," which may still be seen in the Eue Saint-Denis. However, our stranger was certainly not standing there to admire the cat, which a minute's attention sufficed to stamp on his memory. The young man himself had his peculiarities. His cloak, folded after the manner of an antique drapery, showed a smart pair of shoes, all the more remarkable in the midst of the Paris mud, because he wore white silk stockings, on which the splashes betrayed his impatience. He had just come, no doubt, from a wedding or a ball; for at this early hour he had in his hand a pair of white gloves, and his black hair, now out of curl, and flowing over his shoulders, showed that it had been dressed d la Caracalla, a fashion in- troduced as much by David's school of painting as by the mania for Greek and Eoman styles which characterized the early years of this century. In spite of the noise made by a few market gardeners, who, being late, rattled past towards the great market-place at a 4 AT THE SIGN OP THE CAT AND RACKET gallop, the busy street lay in a stillness of which the magic charm is known only to those who have wandered through deserted Paris at the hours when its roar, hushed for a mo- ment, rises and spreads in the distance like the great voicd of the sea. This strange young man must have seemed as curious to the shopkeeping folk of the "Cat and Eacket" a? the "Cat and Racket" was to him. A dazzlingly white cravat made his anxious face look even paler than it really was. The fire that flashed in his black eyes, gloomy and sparkling by turns, was in harmony with the singular outline of his features, with his wide, flexible mouth, hardened into a smile. His forehead, knit with violent annoyance, had a stamp of doom. Is not the forehead the most prophetic feature of a man? When the stranger's brow expressed passion the fur- rows formed in it were terrible in their strength and energy; but when he recovered his calmness, so easily upset, it beamed with a luminous grace which gave great attractiveness to a countenance in which joy, grief, love, anger, or scorn blazed out so contagiously that the coldest man could not fail to be impressed. He was so thoroughly vexed by the time when the dormer- window of the loft was suddenly flung open, that he did not observe the apparition of three laughing faces, pink and v/hite and chubby, but as vulgar as the face of Commerce as it is seen in sculpture on certain monuments. These three faces, framed by the window, recalled the puffy cherubs floating among the clouds that surround God the Father. The apprentices snuffed up the exhalations of the street with an eagerness that showed how hot and poisonous the atmos- phere of their garret must be. After pointing to the singular sentinel, the most jovial, as he seemed, of the apprentices retired and came back holding an instrument whose hard metal pipe is now superseded by a leather tube; and they all grinned with mischief as they looked down on the loiterer, and sprinkled him with a fine white shower of which the scent proved that three chins had just been shaved. Stand- ing on tiptoe, in the farthest corner of their loft, to enjoy AT THE SIGN OF THE CAT AND RACKET 5 their victim's rage, the lads ceased laughing on seeing the haughty indifference with which the young man shook his cloak, and the intense contempt expressed by his face as he glanced up at the empty window-frame. At this moment a slender white hand threw up the lower half of one of the clumsy windows on the third floor by the aid of the sash runners, of which the pulley so often suddenly gives way and releases the heavy panes it ought to hold up. The watcher was then rewarded for his long waiting. The face of a young girl appeared, as fresh as one of the white cups that bloom on the bosom of the waters, crowned by a frill of tumbled muslin, which gave her head a look of ex- quisite innocence. Though wrapped in brown stuff, her neck and shoulders gleamed here and there through little open- ings left by her movements in sleep. No expression of em- barrassment detracted from the candor of her face, or the calm look of eyes immortalized long since in the sublimf? works of Raphael; here were the same grace, the same repos(? as in these Virgins, and now proverbial. There was a de - lightful contrast between the cheeks of that face on which sleep had, as it were, given high relief to a superabundance of life, and the antiquity of the heavy window with its clumsy shape and black sill. Like those day-blowing flowers, which in the early morning have not yet unfurled their cups, twisted by the chills of night, the girl, as yet hardly awake, let her blue eyes wander beyond the neighboring roofs to look at the sky; then, from habit, she east them down on the gloomy depths of the street, where they immediately met those of her adorer. Vanity, no doubt, distressed her at being seen in undress ; she started back, the worn pulley gave way, and the sash fell with the rapid run, which in our day has earned for this artless invention of our forefathers an odious name.* The vision had disappeared. To the young man the most radiant star of morning seemed to be hidden by a cloud. During these little incidents the heavy inside shutters that protected the slight windows of the shop of the "Cat and * Fenfire it la Qvillotine. AT THE SIGN OF THE GAT AND RAGKET Racket" had been removed as if by magic. The old door with its knocker was opened back against the wall of the entry by a man-servant, apparently coeval with the sign, who, with a shaking hand, hung upon it a square of cloth, on which were embroidered in yellow silk the words : "Guillaume, suc- cessor to Chevrel." Many a passer-by would have found it difficult to guess the class of trade carried on by Monsieur Guillaume. Between the strong iron bars which protected ■his shop windows on the outside, certain packages, wrapped in brown linen, were hardly visible, though as numerous as herringsi swimming in a shoal. Notwithstanding the primi- tive aspect of the Gothic front, Monsieur Guillaume, of all the merchant clothiers in Paris, was the one whose stores were always the best provided, whose connections were the most extensive, and whose commercial honesty never lay under the slightest suspicion. If some of his brethren in business made a contract with the Government, and had not the re- quired quantity of cloth, he was always ready to deliver it, however large the number of pieces tendered for. The wily dealer knew a thousand ways of extracting the largest profits without being obliged, like them, to court patrons, cringiag to them, or making them costly presents. When his fellow- tradesmen could only pay in good bills of long date, he would mention his notary as an accommodating man, and managed to get a second profit out of the bargain, thanks to this ar- rangement, which had made it a proverb among the traders of the Rue Saint-Denis: "Heaven preserve you from Mon- sieur Guillaume's notary !" to signify a heavy discount. The old merchant was to be seen standing on the threshold of his shop, as if by a miracle, the instant the servant with- drew. Monsieur Guillaume looked at the Rue Saint-Denis,' at the neighboring shops, and at the weather, like a man disembarking at Havre, and seeing France once more after a long voyage. Having convinced himself that nothing had changed while he was asleep, he presently perceived the stranger on guard, and he, on his part, gazed at the pa- triarchal draper as Humboldt may have scrutinized tLe At the sign of the Cat and Racket I AT THE SIGN 01' THE CAT AND RACKET 7 first electric eel he saw in America. Monsieur Guillaume wore loose black velvet breeches, pepper-and-salt stockings, and square-toed shoes with silver buckles. His coat, with square-cut fronts, square-cut tails, and square-cut collar, clothed his slightly bent figure in greenish cloth, finished with white metal buttons, tawny from wear. His gray hair was so accurately combed and flattened over his yellow pate that it made it look like a furrowed field. His little green eyes, that might have been pierced with a gimlet, flashed beneath arches faintly tinged with red in the place of eyebrows. Anxieties had wrinkled his forehead with as many horizontal lines as there were creases in his coat. This colorless face expressed patience, commercial shrewdness, and the sort of wily cupidity which is needful in business. At that time these old families were less rare than they are now, in which the characteristic habits and costume of their calling, sur- viving in the midst of more recent civilization, were preserved as cherished traditions, like the antediluvian remains found by Cuvier in the quarries. The head of the Guillaume family was a notable upholder of ancient practices ; he might be heard to regret the Provost of Merchants, and never did he mention a decision of the Tribunal of Commerce without calling it the Sentence of the Consuls. Up and dressed the first of the household, in obe- dience, no doubt, to these old customs, he stood sternly await- ing the appearance of his three assistants, ready to scold them in case they were late. These young disciples of Mercury knew nothing more terrible than the wordless assiduity with which the master scrutinized their faces and their movements on Monday in search of evidence or traces of their pranks. But at this moment the old clothier paid no heed to his ap- prentices; he was absorbed in trying to divine the motive of the anxious looks which the young man in silk stock- ings and a cloak cast alternately at his signboard and into the depths of his shop. The daylight was now brighter, and enabled the stranger to discern the cashier's corner enclosed by a railing and screened bv old orreen silk curtains, where 8 AT THE SIGN OF THE CAT AND RACKET were kept the immense ledgers, the silent oracles of the house. The too inquisitive gazer seemed to covet this little nook, and to be taking the plan of a dining-room at one side, lighted by a skylight, whence the family at meals could easily see the smallest incident that might occur at the shop-door. So much affection for his dwelling seemed suspicious to a trader who had lived long enough to remember the law of maximum prices; Monsieur Guillaume naturally thought that this sinister personage had an eye to the till of the Cat and Eacket. After quietly observing the mute duel which was going on between his master and the stranger, the eldest of the apprentices, having seen that the young man was stealthily watching the windows of the third floor, ventured to place himself on the stone flag where Monsieur Guillaume was standing. He took two steps out into the street, raised his head, and fancied that he caught sight of Mademoiselle Augustine Guillaume in hasty retreat. The draper, annoyed by his assistant's perspicacity, shot a side glance at him; but the draper and his amorous apprentice were suddenly relieved from the fears which the young man's presence had excited in their minds. He hailed a hackney cab on its way to a neighboring stand, and jumped into it with an air of affected indifference. This departure was a balm to the hearts of the other two lads, Avho had been somewhat uneasy as to meeting the victim of their practical joke. "Well, gentlemen, what ails you that you are standing there with your arms folded?" said Monsieur Guillaume to his three neophytes. "In former days, bless you, when I was in Master Chevrel's service, I should have overhauled more than two pieces of cloth by this time." "Then it was daylight earlier," said the second assistant, whose duty this was. The old shopkeeper could not help smiling. Though two of these young fellows, who were confided to his care by their fathers, rich manufacturers at Louviers and at Sedan, had only to ask and to have a hundred thousand francs the day when they were old enough to settle in life, Guillaume re- AT THH SIGN OF THE CAT AND llAOKET 0 garded it as his duty to keep them under the rod of an old- world despotism, unknown nowadays in the showy modern shops, where the apprentices expect to be rich men at thirty. He made them work like negroes. These three assistants were equal to a business which would harry ten such clerks as those whose sybaritical tastes now swell the columns of the budget. Not a sound disturbed the peace of this solemn house, where the hinges were always oiled, and where the meanest article of furniture showed the respectable cleanliness which reveals strict order and economy. The most waggish of the three youths often amused himself by writing the date of its first appearance on the Gruyere cheese which was left to their ten- der mercies at breakfast, and which it was their pleasure to leave untouched. This bit of mischief, and few others of the same stamp, would sometimes bring a smile on the face of the younger of Guillaume's daughters, the pretty maiden who has just now appeared to the bewitched man in the street. Though each of the apprentices, even the eldest, paid a round sum for his board, not one of them would have been bold enough to remain at the 'master's table when dessert was served. When Madame Guillaume talked of dressing the salad, the hapless youths trembled as they thought of the thrift with which her prudent hand dispensed the oil. They could never think of spending a night away from the house without having given, long before, a plausible reason for such an irregularity. Every Sunday, each in his turn, two of them accompanied the Guillaume family to mass at Saint-Leu, and to vespers. Mesdemoiselles Virginie and Augustine, simply attired in cotton print, each took the arm of an apprentice and walked in front, under the piercing eye of their mother, who closed the little family procession with her husband, accustomed by her to carry two large prayer-books, bound in black morocco. The second apprentice received no salary. As for the eldest, whose twelve years of perseverance and dis- cretion had initiated him into the secrets of the house, he was paid eight hundred francs a year as the reward of his labors. On certain family festivals he received as a gratuity to AT THE SIGN OP THE CAT AND RACKET some little gift, to which Madame Guillaume's dry and wrinkled hand alone gave value — netted purses, which she took care to stuff with cotton wool, to show off the fancy stitches, braces of the strongest make, or heavy silk stockings. Sometimes, but rarel}^, this prime minister was admitted to share the pleasures of the family when they went into the country, or when, after waiting for months, they made up their mind to exert the right acquired by taking a box at the theatre to command a piece which Paris had already for- gotten. As to the other assistants, the barrier of respect which formerly divided a master draper from his apprentices was so firmly established between them and the old shopkeeper, that they would have been more likely to steal a piece of cloth than to infringe this time-honored etiquette. Such reserve may now appear ridiculous ; but these old houses were a school of honesty and sound morals. The masters adopted their apprentices. The young man's linen was cared for, mended, and often replaced by the mistress of the house. If an apprentice fell ill, he was the object of truly maternal attention. In a case of danger the master lavished his money in calling in the most celebrated physicians, for he was not answerable to their parents merely for the good conduct and 1;raining of the lads. If one of them, whose character was unimpeachable, suffered misfortune, these old tradesmen knew how to value the intelligence he had displayed, and they did not hesitate to entrust the happiness of their daughters to men whom they had long trusted with their fortunes. Guillaume was one of these men of the old school, and if he had their ridiculous side, he had all their good qualities; and Joseph Lebas, the chief assistant, an orphan without any fortune, was in his mind destined to be the husband of Vir- ginie, his elder daughter. But Joseph did not share the sym- metrical ideas of his master, who would not for an empire have given his second daughter in marriage before the elder. The unhappy assistant felt that his heart was wholly given to Mademoiselle Augustine, the younger. In order to justify V AT THE SIGN OF THE CAT AND RACKET 11 this passion, which had grown up in secret, it is necessary to inquire a little further into the springs of the absolute gov- ernment which ruled the old cloth-merchant's household. Guillaume had two daughters. The elder, Mademoiselle Virginie, was the very image of her mother. Madame Guillaume, daughter of the Sieur Chevrel, sat so upright in the stool behind her desk, that more than once she had heard some wag bet that she was a stuffed figure. Her long, thin face betrayed exaggerated piety. Devoid of attractions or of amiable manners, Madame Guillaume commonly decorated her head — that of a woman near on sixty — 'wdth a cap of a particular and unvarying shape, with long lappets, like that of a widow. In all the neighborhood she was known as the "portress nun." Her speech was curt, and her movements had the stiff precision of a semaphore. Her eye, with a gleam in it like a cat's, seemed to spite the world because she was so ugly.^ Mademoiselle Virginie, brought up, like her younger sister, under the domestic rule of her mother, had reached the age of eight-and-twenty. Youth mitigated the graceless effect which her likeness to her mother sometimes gave to her features, but maternal austerity had endowed her with two great qualities which made up for everything. She was patient and gentle. Mademoiselle Augustine,, who was but just eighteen, was not like either her father or her mother. She was one of those daughters whose total ab- sence of any physical affinity with their parents makes one believe in the adage: "God gives children." Augustine was little, or, to describe her more truly, delicately made. Full of gracious candor, a man of the world could have found no fault in the charming girl beyond a certain meanness of gesture or vulgarity of attitude, and sometimes a want of ease. Her silent and placid face was full of the transient .melancholy which comes over all young girls who are too weak to dare to resist their mother's will. The two sisters, always plainly dressed, could not gratify the innate vanity of womanhood but by a luxury of cleanli- ness which became them wonderfully, and made them har- 12 AT THE SIGN OF THE CAT AND RACKET monize with the polished counters and the shining shelves, on which the old man-servant never left a speck of dust, and with the old-world simplicity of all they saw about them. As their style of living compelled them to find the elements of happiness in persistent work, Angustine and Virginie had hitherto always satisfied their mother, who secretly prided herself on the perfect characters of her two daugh- ters. It is easy to imagine the results of the training they, had received. Brought up to a commercial life, accustomed to hear nothing but dreary arguments and calculations about trade, having studied nothing but grammar, book-keeping, a little Bible-history, and the history of France in Le Ragois, and never reading any book but those their mother would sanction, their ideas had not acquired much scope. They knew perfectly how to keep house ; they were familiar .with the prices of things ; they understood the difficulty of amass- ing money; they were economical, and had a great respect for the qualities that make a man of business. Although their father was rich, they were as skilled in darning as in embroidery ; their mother often talked of having them taught to cook, so that they might know how to order a dinner and scold a cook with due knowledge. They knew nothing of the pleasures of the world; and, seeing how their parents spent their exemplary lives, they very rarely suffered their eyes to wander beyond the walls of their hereditary home, which to their mother was the whole universe. The meetings to which family anniversaries gave rise filled in the future of earthly joy to them. When the great drawing-room on the second floor was to be prepared to receive company — Madame Roquin, a Demoiselle Chevrel, fifteen months younger than her cousin, and bedecked with diamonds; young Rabourdin, employed in the Finance Office; Monsieur Cesar Birotteau, the rich per-' fumer, and his wife, known as Madame Cesar; Monsieur Camusot, the richest silk mercer in the Rue des Bourdonnais, with his father-in-law, Monsieur Cardot, two or three old bankers, and some itiiniaculatc ladies — the arrangements, AT THE SIGN OP THE CAT AND RACKET 13 made necessary by the way in which everything was packed away — the plate, the Dresden china^ the candlesticks, and the glass — made a variety in the monotonous lives of the three women, who came and went and exerted themselves as nuns would to receive their bishop. Then, in the evening; when all three were tired out with having wiped, rubbed, unpacked, and arranged all the gauds of the festival, as the girls heJped their mother to undress, Madame Guillaume would say to them, "Children, we have done nothing to- day." When, on very great occasions, "the portress nun" allowed dancing, restricting the games of boston, whist, and back- gammon within the limits of h^r bedroom, such a concession was accounted as the most unhoped felicity, and made them happier than going to the great balls, to two or three of which Guillaume would take the girls at the time of the Carnival. And once a year the worthy draper gave an entertain^ ment, when he spared no expense. However rich and fash- ionable the persons invited might be, they were careful not to be absent ; for the most important houses on the exchange had recourse to the immense credit, the fortune, or the time-honored experience of Monsieur Guillaume. Still, the excellent merchant's two daughters did not benefit as much as might be supposed by the lessons the world has to offer to young spirits. At these parties, which were indeed set down in the ledger to the credit of the house, they wore dresses the shabbiness of which made them blush. Their style of dancing was not in any way remarkable, and their mother's surveillance did not allow of their holding any con- versation with their partners beyond Yes and No. Also, the law of the old sign of the Cat and Kacket commanded that they should be home by eleven o'clock, the hour when balls and fetes begin to be lively. Thus their pleasures, which seemed to conform very fairly to their fathei-'s position, were often made insipid by circumstances which were part of the family habits and principles* 14 AT THE SIGN OF THE CAT AND RACKET As to their usual life^, one remark will sufficiently paint it. Madame Guillaume required her daughters to be dressed very early in the morning, to come down every day at the same hour, and she ordered their employments with monastic regu- larity. Augustine, however, had been gifted by chance with a spirit lofty enough to feel the emptiness of such a life Her blue eyes would sometimes be raised as if to pierce the depths of that gloomy staircase and those damp store-rooms. After sounding the profound cloistral silence, she seemed to be listening to remote, inarticulate revelations of the life of passion, which accounts feelings as of higher value than things. And at such moments her cheek would flush, her idle hands would lay the muslin sewing on the polished oak counter, and presently her mother would say in a voice, of which even the softest tones were sour, "Augustine, my treas- ure, what are you thinking about?" It is possible that two romances discovered by Augustine in the cupboard of a cook Madame Guillaume had lately discharged — Hippolyte Comte de Douglas and Le Comte de Comminges — may have con- tributed to develop the ideas of the young girl, who had de- voured them in secret, during the long nights of the past winter. And so Augustine's expression of vague longing, her gentle voice, her jasmine skin, and her blue eyes had lighted in poor Lebas' soul a flame as ardent as it was reverent. From an easily understood caprice, Augustine felt no affection for the orphan; perhaps because she did not know that he loved her. On the other hand, the senior apprentice, with his long legs, his chestnut hair, his big hands and powerful frame, had found a secret admirer in Mademoiselle Virginie, who, in spite of her dower of fifty thousand crowns, had as yet no suitor. Nothing could be more natural than these two pas- sions at cross-purposes, born in the silence of the dingy shop, as violets bloom in the depths of a wood. The mute and constant looks which made the young people's eyes meet by sheer need of change in the midst of persistent work and cloistered peace, was sure, sooiaer or later, to give rise to AT THE SIGN OP THE CAT AND RACKET 15 « feelings of love. The habit of seeing always the same face leads insensibly to our reading there the qualities of the souL and at last effaces all its defects. "At the pace at which that man goes, our girls will soon have to go on their knees to a suitor !" said Monsieur Guil- laume to himself, as he read the first decree by which Na- poleon drew in advance on the conscript classes. From that day the old merchant, grieved at seeing his eld- est daughter fade, remembered how he had married Made- moiselle Chevrel under much the same circumstances as those of Joseph Lebas and Virginie. A good bit of business, to marry off his daughter, and discharge a sacred debt by re- paying to an orphan the benefit he had formerly received from his predecessor under similar conditions ! Joseph Lebas, who was now three-and-thirty, was aware of the ob- stacle which a difference of fifteen years placed between Au- gustine and himself. Being also too clear-sighted not to un- derstand Monsieur Guillaume's purpose, he knew his inex- orable principles well enough to feel sure that the second would never marry before the elder. So the hapless as- sistant, whose heart was as warm as his legs were long and his chest deep, suffered in silence. This was the state of affairs in the tiny republic which, in the heart of the Eue Saint-Denis, was not unlike a de- pendency of La Trappe. But to give a full account of events as well as of feelings, it is needful to go back to some months before the scene with which this story opens. At dusk one evening, a young man passing the darkened shop of the Cat and Racket, had paused for a moment to gaze at a picture which might have arrested every painter in the world. The shop was not yet lighted, and was as a dark cave beyond which the dining-room was visible. A hanging lamp shed the yellow light which lends such charm to pictures of the Dutch school. The white linen, the silver, the cut glass, were brilliant accessories, and made more picturesque by strong -contrasts of light and shade. The figures of the head of the family and his wife, the faces of the apprentices, and the 16 AT THE SIGN OF THE GAT AND RACKET pure form of Augustine, near whom a fat chubby-cheeked maid was standing, composed so strange a group; the heads were so singular, and every face had so candid an expres- sion ; it was so easy to read the peace, the silence, the modest way of life in this family, that to an artist accustomed to render nature,, there was something hopeless in any attempt ito depict this scene, come upon by chance. The stranger was a young painter, who, seven years before, had gained the first prize for painting. He had now just come back from Rome. His soul, full-fed with poetry; his eyes, satiated with Raphael and Michael Angelo, thirsted for real nature after long dwelling in the pompous land where art has every- where left something grandiose. Right or wrong, this was his personal feeling. His heart, which had long been a prey to the fire of Italian passion, craved one of those modest and meditative maidens whom in Rome he had unfortunately seen only in painting. From the enthusiasm produced in his excited fancy by the living picture before him, he naturally passed to a profound admiration for the principal figure; Augustine seeined to be pensive, and did not eat; by the ar- rangement of the lamp the light fell full on her face, and her bust seemed to move in a circle of fire, which threw up the shape of her head and illuminated it with almost super- natural effect. The artist involuntarily compared her to an exiled angel dreaming of heaven. An almost unknown emo- tion, a limpid, seething love flooded his heart. After remain- ing a minute, overwhelmed by the weight of his ideas, he tore himself from his bliss, went home, ate nothing, and could not sleep. The next day he went to his studio, and did not come out of it till he had placed on canvas the magic of the scene of which the memory had, in a sense, made him a devotee; his happiness was incomplete till he should possess a faithful portrait of his idol. He went many times past the house of the Cat and Racket; he even ventured in once or twice, under a disguise, to get a closer view of the bewitching creature that Madame Guillaume covered with her wing. For A\ THE SIGN OP THE CAT AND RACKET 1*? eight whole months, devoted to his love and to his brush, he was lost to the sight of his most intimate friends, forgetting the worlds the theatre, poetry, music, and all his dearest habits. One morning Girodet broke through all the barriers with which artists are familiar, and which they know how to evade, ^vent into his room, and woke him by asking, ^^What ;are you going to send to the Salon The artist grasped his friend's hand, dragged him off to the studio, uncovered a small easel picture and a portrait. After a long and eager study of the two masterpieces, Girodet threw himself on his comrade's neck and hugged him, without speaking a word. His feelings could only be expressed as he felt them — soul to soul. "You are in love ?" said Girodet. They both knew that the finest portraits by Titian, Ea- phael,, and Leonardo da Vinci, were the outcome of the en- thusiastic sentiments by which, indeed, under various con- ditions, every masterpiece is engendered. The artist only bent his head in reply. "How happy are you to be able to be in love, here, after coming back from Italy ! But I do not advise you to send such works as these to the Salon," the great painter went on. "You see, these two works will not be appreciated. Such true coloring, such prodigious work, cannot yet be understood ; the public is not accustomed to such depths. The pictures we paint, my dear fellow, are mere screens. We should do better to turn rhymes, and translate the antique poets! There is more glory to be looked for there than from our luckless can- vases V Notwithstanding this charitable advice, the two pictures were exhibited. The Interior made a revolution in painting. It gave birth to the pictures of genre which pour into all our exhibitions in such prodigious quantity that they might be supposed to be produced by machinery. As to the portrait, few artists have forgotten that lifelike work; and the public, which as a body is sometimes discerning, awarded it the crown which Girodet himself had hung over it. The twc? 18 AT THE SIGN OF THE CAT AND RACKET pictures were surrounded by a vast throng. They fought for places, as women say. Speculators and moneyed men would have covered the canvas with double napoleons, but the artist obstinately refused to sell or to make replicas. An enormous sum was offered him for the right of engraving them, and the print-sellers were not more favored than the amateurs. Though these incidents occupied the world, they were not of a nature to penetrate the recesses of the monastic solitude in the Eue Saint-Denis. However, when paying a visit to Madame Guillaume, the notary's wife spoke of the exhibi- tion before Augustine, of whom she was very fond, and ex- plained its purpose. Madame Roquin's gossip naturally in- spired Augustine with a wish to see the pictures, and with courage enough to ask her cousin secretly to take her to the Louvre. Her cousin succeeded in the negotiations she opened with Madame Guillaume for permission to release the young girl for two hours from her dull labors. Augustine was thus able to make her way through the crowd to see the crowned work. A fit of trembling shook her like an aspen leaf as she recognized herself. She was terrified, and looked about her to find Madame Eoquin, from whom she had been separated by a tide of people. At that moment her frightened eyes fell on the impassioned face of the young painter. She at once recalled the figure of a loiterer whom, being curious, she had frequently observed, believing him to be a new neighbor. "You see how love has inspired me," said the artist in the timid creature's ear, and she stood in dismay at the words. She found supernatural courage to enable her to push through the crowd and join her cousin, who was still strug- gling with the mass of people that hindered her from getting to the picture. "You will be stifled !" cried Augustine. "Let us go." But there are moments, at the Salon, when two v/omen are not always free to direct their steps through the galleries. By the irregular course to which they were compelled by the press. Mademoiselle Guillaume and her cousin were pushed AT THl^] SIGN OF THE CAT AND RACKET 19 to within a few steps of the second picture. Chance thus brought them, both together, to where they could easily see the canvas made famous by fashion, for once in agreement with talent. Madame Eoquin's exclamation of surprise was lost in the hubbub and buzz of the crowd; Augustine invol- untarily shed tears at the sight of this wonderful study. Then, by an almost unaccountable impulse, she laid her finger on her lips, as she perceived quite near her the ecstatic face of the young painter. The stranger replied by a nod, and pointed to Madame Eoquin, as a spoil-sport, to show Au- gustine that he had understood. This pantomime struck the young girl like hot coals on her flesh; she felt quite guilty as she perceived that there was a compact between herself and the artist. The suffocating heat, the dazzling sight of beauti- ful dresses, the bewilderment produced in Augustine's brain by the truth of coloring, the multitude of living or painted- figures, the profusion of gilt frames, gave her a sense of in- toxication which doubled her alarms. She would perhaps have fainted if an unknown rapture had not surged up in her heart to vivify her whole being, in spite of this chaos of sensations. She nevertheless believed herself to be under the power of the Devil, of whose awful snares she had been warned by the thundering words of preachers. This mo- ment was to her like a moment of madness. She found her- self accompanied to her cousin^s carriage by the young man, radiant with joy and love. Augustine, a prey to an agita- tion new to her experience, an intoxication which seemed to abandon her to nature, listened to the eloquent voice of her heart, and looked again and again at the young painter, be- traying the emotion that came over her. Never had the bright rose of her cheeks shown in stronger contrast with the whiteness of her skin. The artist saw her beauty in all its bloom, her maiden modesty in all its glory. She herself felt a sort of rapture mingled with terror at thinking that her presence had brought happiness to him whose name was on every lip, and whose talent lent immortality to transient scenes. She was loved ! It was impossible to doubt it. When 20 AT THE SIGN OP THE CAT AND RACKET she no longer saw the artist, these simple words still echoed in her ear, "Yon see how love has inspired me !" And the throbs of her heart, as they grew deeper, seemed a pain, her heated blood revealed so many nnknown forces in her being. She affected a severe headache to avoid replying to her cousin's questions concerning the pictures ; but on their return Madame Eoquin could not forbear from speaking to Madame Guillaume of the fame that had fallen on the house of the Cat and Racket, and Augustine quaked in every limb as she heard her mother say that she should go to the Salon to see her house there. The young girl again declared herself suffering, and obtained leave to go to bed. "That is what comes of sight-seeing,'^ exclaimed Monsieur Guillaume — "a headache. And is it so very amusing to see vn a picture what you can see any day in your own street? Don't talk to me of your artists ! Like writers, they are a atarveling crew. Why the devil need they choose my house to flout it in their pictures?" "It may help to sell a few ells more of cloth," said Joseph Lebas. This remark did not protect art and thought from being condemned once again before the judgment-seat of trade. As may be supposed, these speeches did not infuse much hope into Augustine, who, during the night, gave herself up to the first meditations of love. The events of the day were like a dream, which it was joy to recall to her mind. She was initiated into the fears, the hopes, the remorse, all the ebb and flow of feeling which could not fail to toss a heart so simple and so timid as hers. What a void she perceived in this gloomy house ! What a treasure she found in her soul ! To be the wife of a genius, to share his glory ! What ravages must such a vision make in the heart of a girl brought up among such a family ! What hopes must it raise in a young creature who, in the midst of sordid elements, had pined for a life of elegance! A sunbeam had fallen into the prison. Augustine was suddenly in love. So many of her feelings were soothed that she succumbed without reflection. At AT THE SIGN OF THE CAT AND RACKET 21 eighteen does not love hold a prism between the world and the eyes of a young girl? She was incapable of suspecting the hard facts which result from the union of a loving woman with a man of imagination^ and she believed herself called to make him happy, not seeing any disparity between herself and him. To her the future would be as the present. When, next day, her father and mother returned from the Salon, their dejected faces proclaimed some disappointment. In the first place, the painter had removed the two pictures; and then Madame Guillaume had lost her cashmere shawl. But the news that the pictures had disappeared from the walls since her visit revealed to Augustine a delicacy of senti- ment which a woman can always appreciate, even by instinct. On the morning when, on his way home from a ball, Theo- dore de Sommervieux — for this was the name which fame had stamped on Augustine's heart — had been squirted on. by the apprentices while awaiting the appearance of his art- less little friend, who certainly did not know that he was there, the lovers had seen each other for the fourth time only since their meeting at the Salon. The difficulties which the rule of the house placed in the way of the painter's ardent nature gave added violence to his passion for Augustine. How could he get near to a young girl seated in a counting- house between two such women as Mademoiselle Virginie and Madame Guillaume ? How could he correspond with her when her mother never left her side? Ingenious, as lovers are, to imagine woes, Theodore saw a rival in one of the assistants, to whose interests he supposed the others to be devoted. If he should evade these sons of Argus, he would yet be wrecked under the stern eyes of the old draper or of Madame Guillaume. The very vehemence of his passion hindered the young painter from hitting on the ingenious expedients which, in prisoners and in lovers, seem to be the last effort of intelligence spurred by a wild craving for lib- erty, or by the fire of love. Theodore wandered about the neighborhood with the restlessness of a madman, as though movement might inspire him with some device. After racking 22 AT THE SIGN OF THE CAT AND RACKET his imagination, it occurred to him to bribe the blo\78y waiting-maid with gold. Thus a few notes were exchanged at long intervals during the fortnight following the ill-starred morning when Monsieur Guillaume and Theodore had so scrutinized one another. At the present moment the young couple had agreed to see each other at a certain hour of the day, and on Sunday, at Saint-Leu, during Mass and vespers. Augustine had sent her dear Theodore a list of the relations and friends of the family, to whom the young painter tried to get access, in the hope of interesting, if it were possible, in his love affairs, one of these souls absorbed in money and trade, to whom a genuine passion must appear a quite monstrous speculation, a thing unheard-of. Nothing meanwhile, was altered at the sign of the Cat and Racket. If Augustine was absent-minded, if, against all obedience to the domestic code, she stole up to her room to make signals by means of a jar of flowers, if she sighed, if she were lost in thought, no one observed it, not even her mother. This will cause some surprise to those who have entered into the spirit of the household, where an idea tainted with poetry would be in startling contrast to persons and things, where no one could venture on a gesture or a look which would not be seen and analyzed. Nothing, however, could be more natural: the quiet barque that navigated the stormy waters of the Paris Exchange, under the flag of the Cat and Racket, was just now in the toils of one of these tempests which, returning periodi- cally, might be termed equinoctial. For the last fortnight the five men forming the crew, with Madame Guillaume and Mademoiselle Virginie, had been devoting themselves to the hard labor, known as stock-taking. Every bale was turned over, and the length yerified to ascer- tain the exact value of the remnant. The ticket attached to each parcel was carefully examined to see at what time the piece had been bought. The retail price was fixed. Monsieur Guillaume, always on his feet, his pen behind his ear, was like a captain commanding the working of the ship. His sharp tones, spoken through a trap-door, to inquire into the AT THE SIGN OP THE CKT AND RACKET 23 depths of the hold in the cellar-store, gave utterance to the barbarous formulas of trade-jargon, which find expression only in cipher. ''How much H.N.Z. "All sold."— "What is left of Q. X.?"— "Two ells."— "At what price ?"— "Fifty- five three." — "Set down A. at three, with all of J. J., all of M. P., and what is left of V. D. 0." — A hundred other in- junctions equally intelligible were spouted over the counters like verses of modern poetrj^ quoted by romantic spirits, to excite each other's enthusiasm for one of their poets. In the evening Guillaume, shut up with his assistant and his wife, balanced his accounts, carried on the balance, wrote to debtors in arrears, and made out bills. All three were busy over this enormous labor, of which the result could be stated on a sheet of foolscap, proving to the head of the house that there was so much to the good in hard cash, so much in goods, so much in bills and notes ; that he did not owe a sou ; that a hundred or two hundred thousand francs were owing to him ; that the capital had been increased; that the farmlands, the houses, or the investments were extended, or repaired, or doubled. Whence it became necessary to begin again with increased ardor, to accumulate more crown-pieces, without its ever entering the brain of these laborious ants to ask — "To what end?" Favored by this annual turmoil, the happy Augustine es- caped the investigations of her Argus-eyed relations. At last, one Saturday evening, the stock-taking was finished. The figures of the sum-total showed a row of O's long enough to allow Guillaume for once to relax the stern rule as to dessert which reigned throughout the year. The shrewd old draper rubbed his hands, and allowed his assistants to remain at table.. The members of the crew had hardly swallowed their thimbleful of some home-made liqueur, when the rumble of a carriage was heard. The family party were going to see Cendrillon at the Varietes, while the two younger ap- prentices each received a crown of six francs, with permission to go wherever they chose, provided they were iu by mid- night. 24 AT THE SIGN OF THE CAT AND RACKHT Notwithstanding this debauch, the old cloth-merchant was shaving- himself at six next morning, put on his maroon- colored coat, of which the glowing lights afforded him peren- nial enjoyment, fastened a pair of gold buckles on the knee- straps of his ample satin breeches; and then, at about seven o'clock, while all were still sleeping in the house, he made his way to the little office adjoining the shop on the first floor. Daylight came in through a window, fortified by iron bars, and looking out on a small yard surrounded by such black walls that it was very like a well. The old merchant opened the iron-lined shutters, which were so familiar to him, and threw up the lower half of the sash window. The icy air of the courtyard came in to cool the hot atmosphere of the little room, full of the odor peculiar to offices. The merchant remained standing, his hand resting on the greasy arm of a large cane chair lined with morocco, of which the original hue had disappeared; he seemed to hesitate as to seating himself. He looked with affection at the double desk, where his wife's seat, opposite his own, was fitted into a little niche in the wall. He contemplated the numbered boxes, the files, the implements, the cash box — objects all of immemorial origin, and fancied himself in the room with the shade of Master Chevrel. He even pulled out the high stool on which he had once sat in the presence of his de- parted master. This stool, covered with black leather, the horse-hair showing at every corner — as it had long done, without, however, coming 6ut — he placed with a shaking hand on the very spot where his predecessor had put it, and then, with an emotion difficult to describe, he pulled a bell, which rang at the head of Joseph Lebas' bed. When this decisive blow had been struck, the old man, for whom, no doubt, these reminiscence? v,^ero too much, took up three or four bills of exchange, and looked at them without seeing them. Suddenly Joseph Lebas stood before him. "Sit down there," said Guillaume, pointing to the stooL AT THE SIGN OF THE CAT AND RACKET 25 As the old master draper had never yet bid his assistant be seated in his presence, J oseph Lebas was startled. "What do you think of these notes ?" asked Guillaume. "They will never be paid/' "Why?'' "Well, I heard that the day before yesterday £]tienne and Co. had made their payments in gold." "Oh, oh !" said the draper. "Well, one must be very ill to. show one's bile. Let us speak of something else. — J oseph, the stock-taking is done." "Yes, monsieur, and the dividend is one of the best you have ever made." "Do not use new-fangled words. Say the profits, Joseph. Do you know, my boy, that this result is partly owing to you ? And I do not intend to pay you a salary any longer. Madame Guillaume has suggested to me to take you into partnership. — *^Guillaume and Lebas ;' will not that make a good business name ? We might add, ^and Co.' to round off the firm's signa- ture." Tears rose to the eyes of Joseph Lebas, who tried to hide them. "Oh, Monsieur Guillaume, how have I deserved such kind- ness? I only do my duty. It was so much already that you should take an interest in a poor orph " He was brushing the cuff of his left sleeve with his right hand, and dared not look at the old man, who smiled as ho thought that this modest young fellow no doubt needed, as he had needed once on a time, some encouragement to com- plete his explanation. "To be sure," said Virginie's father, "you do not alto- gether deserve this favor, Joseph. You have not so much confidence in me as I have in you. (The young man looked up quickly.) You know all the secrets of the cash-box. For the last two years I have told you of almost all my concerns. I have sent you to travel in our goods. In short, I have noth- ing on my conscience as regards you. Bid you — you have a soft place, and you have never breathed a word of it." Jo- , 26 AT THE SIGN OF THE CAT AND RACKET sepli Lebas blushed. "Ah, ha!" cried Guillaume, ''^so you thought you could deceive an old fox like me? When you knew that I had scented the Lecocq bankruptcy "What, monsieur?" replied Joseph Lebas, looking at his master as keenly as his master looked at him, "you knew that I was in love ?" "I know everything, you rascal," said the worthy and cun- ning old merchant, pulling the assistant's ear. "And I for- give you — I did the same myself." "And you will give her to me ?" "Yes — with fifty thousand crowns; and I will leave you as much by will, and we will start on our new career under the name of a new firm. We will do good business yet, my boy !" added the old man, getting up and flourishing his arms. "I tell you, son-in-law, there is nothing like trade. Those who ask what pleasure is to be found in it are simpletons. To be on the scent of a good bargain, to hold your own on 'Change, to watch as anxiously as at the gam- ing-table whether Etienne and Co. will fail or no, to see a regiment of Guards march past all dressed in your cloth, to trip your neighbor up — honestly of course ! — to make the goods cheaper than others can; then to carry out an under- taking which you have planned, which begins, grows, totters, and succeeds ! to know the workings of every house of busi- ness as well as a minister of police, so as never to make a mistake; to hold up your head in the midst of wrecks, to have friends by correspondence in every manufacturing town ; is not that a perpetual game, J oseph ? That is life, that is ! I shall die in that harness, like old Chevrel, but taking it easy now, all the same." In the heat of his eager rhetoric, old Guillaume had scarcely looked at his assistant, who was weeping copiously. "Why, Joseph,, my poor boy, what is the matter ?" "Oh, I love her so ! Monsieur Guillaume, that my heart fails me; I believe " "Well, well, boy," said the old man, touched, "you are happier than you know, by Gad ! For she loves you 1 know it." AT THE SIGN OF THE CAT AND RACKET 27 And he blinlved his little green eyes as he looked at the young man. "Mademoiselle Augustine! Mademoiselle Augustine!" ex- claimed Joseph Lebas in his rapture. He was about to rush out of the room when he felt him- self clutched by a hand of iron, and his astonished master spun him round in front of him once more. "What has Augustine to do with this matter?" he asked, in a voice which instantly froze the luckless Joseph. "Is it not she that — ^that — I love?" stammered the as- sistant. Much put out by his own want of perspicacity, Gruillaume sat down again, and rested his long head in his hands to consider the perplexing situation in which he found him- self. Joseph Lebas, shamefaced and in despair, remained standing. "Joseph," the draper said with frigid dignity, "I wslh speaking of Virginie. Love cannot be made to order, I know. I know, too, that you can be trusted. We will for- get all this. I will not let Augustine marry before Virginie. — Your interest will be ten per cent." The young man, to whom love gave I know not what power of courage and eloquence, clasped his hand, and spoke in his turn — spoke for a quarter of an hour, with so much warmth and feeling, that he altered the situation. If the question had been a matter of business, the old tradesman would have had fixed principles to guide his decision ; but, tossed a thou- sand miles from commerce, on the ocean of sentiment, with- out a compass, he floated, as he told himself, undecided in the face of such an unexpected event. Carried away by his fatherly kindness, he began to beat about the bush. "Deuce take it, Joseph, you must know that there are ten years between my two children. Mademoiselle Chevrel was no beauty, still she has had nothing to complain of in me. Do as I did. Come, come, don't cry. Can you be so silly? What is to be done? It can be managed perhaps. There is always some way out of a scrape. And we men are not 28 AT THE SIGN OF THE OAT AND RACKET always devoted Celadons to our wives — you understand? Madame Guillaume is very pious. . . . Come. By Gad, boy, give your arm to Augustine this morning as we go to Mass." These were the phrases spoken at random by the old draper, and their conclusion made the lover happy. He was already thinking of a friend of his as a match for Mademoiselle Vir- ginie, as he went out of the smoky office, pressing his future father-in-law's hand, after saying with a knowing look that all would turn out for the best. "What will Madame Guillaume say to it?" was the idea that greatly troubled the worthy merchant when he found himself alone. At breakfast Madame Guillaume and Virginie, to whom the draper had not as yet confided his disappointment, cast meaning glances at Joseph Lebas, who was extremely embar- rassed. The young assistant's bashfulness commended him to his mother-in-law's good graces. The matron became so cheerful that she smiled as she looked at her husband, and allowed herself some little pleasantries of time-honored ac- ceptance in such simple families. She wondered whether Joseph or Virginie were the taller, to ask them to compare their height. This preliminary fooling brought a cloud to the master's brow, and he even made such a point of decorum that he desired Augustine to take the assistant's arm on their way to Saint-Leu. Madame Guillaume, surprised at this manly delicacy, honored her husband with a nod of approval. So the procession left the house in such order as to suggest no suspicious meaning to the neighbors. "Does it not seem to you, Mademoiselle Augustine," said the assistant, and he trembled, "that the wife of a merchant whose credit is as good as Monsieur Guillaume's, for in- stance, might enjoy herself a little more than Madame your mother does? Might wear diamonds — or keep a carriage? For my part, if I were to marry, I should be glad to take all the work, and see my wife happy. I would not put her into the counting-house. In the drapery business, you see, AT THE SIGN OF THE CAT AND RACKET 29 a woman is not so necessary now as formerly. Monsieur Guillaume was quite right to act as he did — and besides^ his wife liked it. But so long as a woman knows how to turn her hand to the book-keeping, the correspondence, the retail business, the orders, and her housekeeping, so as not to sit idle, that is enough. At seven o'clock, when the shop is shut, I shall take my pleasures, go to the play, and into company. — But you are not listening to me." "Yes, indeed. Monsieur Joseph. What do you think of painting? That is a fine calling." "Yes. I know a master house-painter. Monsieur Lourdois. He is well-to-do." Thus conversing, the family reached the Church of Saint- Leu. There Madame Guillaume reasserted her rights, and, for the first time, placed Augustine next herself, Virginie taking her place on the fourth chair, next to Lebas. During the sermon all went well between Augustine and Theodore, who, standing behind a pillar, worshiped his Madonna with fervent devotion; but at the elevation of the Host, Madame Guillaume discovered, rather late, that her daughter Augus- tine was holding her prayer-book upside down. She was about to speak to her strongly, when, lowering her veil, she interrupted her own devotions to look in the direction where her daughter's eyes found attraction. By the help of her spectacles she saw the young artist, whose fashionable ele- gance seemed to proclaim him a cavalry officer on leave rather than a tradesman of the neighborhood. It is difficult to con- ceive of the state of violent agitation in which Madame Guil- laume found herself — she, who flattered herself on having brought up her daughters to perfection — on discovering in Aug-ustine a clandestine passion of which her prudery and ignorance exaggerated the perils. She believed her daughter to be cankered to the core. "Hold your book right way up, miss," she muttered in a low voice, tremulous with wrath. She snatched away the tell-tale prayer-book and returned it with the letter-press right way up. "Do not allow your eyes to look anj^here 30 AT THE SIGN OF THE CAT AND RACKET but at your prayers/' she added, "or I shall have something to say to you. Your father and I will talk to you after church." These words came like a thunderbolt on poor Augustine. She felt faint; but, torn between the distress she felt and the dread of causing a commotion in church, she bravely con- cealed her anguish. It was, however, easy to discern the stormy state of her soul from the trembling of her prayer-, book, and the tears which dropped on every page she turned. From the furious glare shot at him by Madame Guillaume the artist saw the peril into which his love affair had fallen ; he went out, with a raging soul, determined to venture all. '^'^Go to your room,, miss !" said Madame Guillaume, on their return home; "we will send for you, but take care not to quit it.'' The conference between the husband and wife was con- ducted so secretly that at first nothing was heard of it. Virginie, however, who had tried to give her sister courage by a variety of gentle remonstrances, carried her good nature so far as to listen at the door of her mother's bedroom where the discussion was held, to catch a word or two. The first time she went down to the lower floor she heard her father exclaim, "Then, madame, do you wish to kill your daughter ?" "My poor dear !" said Virginie, in tears, "papa takes your part." "And what do they want to do to Theodore?" asked the innocent girl. Virginie, inquisitive, went down again; but this time she stayed longer; she learned that Joseph Lebas loved Augus- tine. It was written that on this memorable day, this house, generally so peaceful, should be a hell. Monsieur Guillaume brought Joseph Lebas to despair by telling him of Augus- tine's love for a stranger. Lebas, who had advised his friend to become a suitor for Mademoiselle Virginie, saw all his hopes wrecked. Mademoiselle Virginie, overcome by hearing that Joseph had, in a way, refused her, had a sick headache. The dispute that had arisen from the discussion AT THE SIGN OF THE CAT AND RACKET 31 between Monsieur and Madame Guillanme, when, for the third time in their lives, they had been of antagonistic opinions, had shown itself in a terrible form. Finally, at half-past four in the afternoon, Augustine, pale, trembling, and with red eyes, was haled before her father and mother. The poor child artlessly related the too brief tale of her love. Reassured by a speech from her father, who promised to listen to her in silence, she gathered courage as she pronounced to her parents the name of Theodore de Sommervieux, with a mischievous little emphasis on the aristocratic de. And yielding to the unknown charm of talking of her feelings, she was brave enough to declare with innocent decision that she loved Monsieur de Sommervieux, that she had written to him, and she added, with tears in her e3^es : "To sacrifice me to another man would make me wretched." "But, Augustine, you cannot surely know what a painter is ?" cried her mother with horror. "Madame Guillaume said the old man, compelling her to silence. — "Augustine," he went on, "artists are generally little better than beggars. They are too extravagant not to be always a bad sort. I served the late Monsieur Joseph Vernet, the late Monsieur Lekain, and the late Monsieur Noverre. Oh, if you could only know the tricks played on poor Father Chevrel by that Monsieur Noverre, by the Chev- alier de Saint-Georges, and especially by Monsieur Philidor ! They are a set of rascals ; I know them well ! They all have a gab and nice manners. Ah, your Monsieur Sumer , Somm " "De Sommervieux, papa." "Well^ well, de Sommervieux, well and good. He can never have been half so sweet to you as Monsieur le Chevalier de Saint-Georges was to me the day I got a verdict of the consuls against him. And in those days they were gentlemen of quality." "But, father, Monsieur Theodore is of good family, and he wrote me that he is rich ; his father was called Chevalier de Sommervieux before the Revolution." 32 AT THE SIGN OF THE CAT AND RACKET At these words Monsieur Guillaume looked at his terrible better half, who, like an angry woman, sat tapping the floor with her foot while keeping sullen silence; she avoided even casting wrathful looks at Augustine, appearing to leave to Monsieur Guillaume the whole responsibility in so grave a matter, since her opinion was not listened to. Nevertheless, in spite of her apparent self-control, when she saw her hus- band giving way so mildly under a catastrophe which had no concern with business, she exclaimed : "Eeally, monsieur, you are so weak with your daughters! However The sound of a carriage, which stopped at the door, inter- rupted the rating which the old draper already quaked at. In a minute Madame Roquin was standing in the middle of the room, and looking at the actors in this domestic scene : "I know all, my dear cousin," said she, with a patronizing air. Madame Roquin made the great mistake of supposing that a Paris notary's wife could play the part of a favorite of fashion. "I know all/' she repeated, "and I have come into Noah's Ark, like the dove, with the olive-branch. I read that alle- gory in the Genie du Christianisme/' she added, turning to Madame Guillaume; "the allusion ought to please you, cousin. Do you know," she went on, smiling at Augustine, "that Monsieur de Sommervieux is a charming man? He gave me my portrait this morning, painted by a master's hand. It is worth at least six thousand francs." And at these words she patted Monsieur Guillaume on the arm. The old draper could not help making a grimace with his lips, which was peculiar to him. "I know Monsieur de Sommervieux very well," the Dove ran on. "He has come to my evenings this fortnight past, and made them delightful. He has told me all his woes, and commissioned me to plead for him. I know since this morning that he adores xVugustine, and he shall have her. A.h, cousin, do not shake your head in refusal. He will be AT THE SIGN OF THE CAT AND RACKET 33 created Baron, I can tell you, and has just been made Clieva- lier of the Legion of Honor, by the Emperor himself, at the Salon. Koquin is now his lawyer, and knows all his affairs. Well ! Monsieur de Sommervieux has twelve thousand francs a year in good landed estate. Do you know that the father- in-law of such a man may get a rise in life — be mayor of his arrondissement, for instance. Have we not seen Monsieur Dupont become a Count of the Empire, and a senator, all because he went as mayor to congratulate the Emperor on his entry into Vienna? Oh, this marriage must take place ! For my part, I adore the dear young man. His behavior to Augustine is only met with in romances. Be easy, little one, you shall be happy, and every girl will wish she were in your place. Madame la Duchesse de Carigliano, who comes to my *At Homes/ raves about Monsieur de Sommervieux. Some spiteful people say she only comes to me to meet him; as if a duchess of yesterday was doing too much honor to a Chevrel, whose family have been respected citizens these hundred years ! "Augustine," Madame Roquin went on, after a short pause, "I have seen the portrait. Heavens ! How lovely it is ! Do you know that the Emperor wanted to have it? He laughed, and said to the Deputy High Constable that if there were many women like that at his court while all the kings visited it, he should have no difficulty about preserving the peace of Europe. Is not that a compliment?" The tempests with which the day had begun were to re- semble those of nature, by ending in clear and serene weather. Madame Roquin displayed so much address in her harangue, she was able to touch so many strings in the dry hearts of Monsieur and Madame Guillaume, that at last she hit on one which she could work upon. At this strange period com- merce and finance were more than ever possessed by the crazy mania for seeking alliance with rank; and the generals of the Empire took full advantage of this desire. Monsieur Guillaume, as a singular exception, opposed this deplorable craving. His favorite axioms were that, to secure happiness, 34 AT THE SIGN OF THE CAT AND RACKET a woman must marry a man of her own class; that every one was punished sooner or later for having climbed too high; that love could so little endure under the worries of a household, that both husband and wife needed sound good qualities to be happy; that it would not do for one to be far in advance of the other, because, above everything, they must understand each other; if a man spoke Greek and his wife Latin, they might come to die of hunger. He had himself invented this sort of adage. And he compared such marriages to old-fashioned materials of mixed silk and wool, in which the silk always at last wore through the wool. Still, there is so much vanity at the bottom of man's heart that the pru- dence of the pilot who steered the Cat and Eacket so wisely gave way before Madame Eoquin's aggressive volubility. Austere Madame Guillaume was the first to see in her daughter's affection a reason for abdicating her principles and for consenting to receive Monsieur de Sommervieux, whom she promised herself she would put under severe inqui- sition. The old draper went to look for Joseph Lebas, and inform him of the state of affairs. At half-past six, the dining-room immortalized by the artist saw, united under its skylight, j^onsieur and Madame Eoquin, the young painter and his charming Augustine, Joseph Lebas, who found his happiness in patience, and Mademoiselle Virginie, convalescent from her headache. Monsieur and Madame Guillaume saw in per- spective both their children married, and the fortunes of the Cat and Eacket once more in skilful hands. Their satisfac- tion was at its height when, at dessert, Theodore made them a present of the wonderful picture which they had failed to see, representing the interior of the old shop, and to which they all owed so much happiness. "Isn't it pretty!" cried Guillaume. "And to think that any one would pay thirty thousand francs for that !" "Because you can see my lappets in it," said Madame Guillaume. "And the cloth unrolled!" added Lebas; "you might take it up in your hand." AT THE SIGN OF THE CAT AND RACKET 35 ^'Drapery always comes out well/' replied the painter. "We should be only too happy, we modern artists, if we could touch the perfection of antique drapery." "So you like drapery V cried old Guillaume. ^^ell, then, by Gad ! shake hands on that, my young friend. Since you can respect trade, we shall understand each other. And why should it be despised? The world began with trade, since Adam sold Paradise for an apple. He did not strike a good bargain though!" And the old man roared with honest laughter, encouraged by the champagne, which he sent round with a liberal hand. The band that covered the young artist's eyes was so thick that he thought his future parents amiable. He was not above enlivening them by a few jests in the best taste. So he too pleased every one. In the evening, when the drawing-room, furnished with what Madame Guillaume called "everything handsome," was deserted, and while she flitted from the table to the chimney-piece, from the can- delabra to the tall candlesticks, hastily blowing out the wa^- lights, the worthy draper, who was always clear-sighted when money was in question, called Augustine to him, and seating her on his knee, spoke as follows : — "My dear child, you shall marry your Sommervieux since you insist; you may, if you like, risk your capital in happi- ness. But I am not going to be hoodwinked by the thirty thousand francs to be made by spoiling good canvas. Money that is lightly earned is lightly spent. Did I not hear that hare-brained youngster declare this evening that money was made round that it might roll. If it is round for spend- thrifts, it is flat for saving folks who pile it up. Now, my child, that fine gentleman talks of giving you carriages and diamonds ! He has money, let him spend it on you ; so be it. It is no concern of mine. But as to what I can give you, .1 will not have the crown-pieces I have picked up with so much toil wasted in carriages and flippery. Those who spend too fast never grow rich. A hundred thousand crowns, which is your fortune, will not buy up Paris. It is all very well to look forward to a few hundred thousand francs to be yours 36 AT THE SIGN OF THE CAT AND RACKET some da,y; I shall keep you waiting for them as long as pos- sible, by Gad ! So I took your lover aside, and a man who managed the Lecoeq bankruptcy had not much difficulty in persuading the artist to marry under a settlement of his wife's money on herself. I will keep an eye on the marriage contract to see that what he is to settle on you is safely tied up. So noWj, my child, I hope to be a grandfather, by Gad ! I will begin at once to lay up for my grandchildren; but swear to me, here and now, never to sign any papers relating to money without my advice ; and if I go soon to join old father Chevrel, promise to consult young Lebas, your brother-in-law.'* "Yes, father, I swear it." At these words, spoken in a gentle voice, the old man kissed his daughter on both cheeks. That night the lovers slept as soundly as Monsieur and Madame Guillaume. Some few months after this memorable Sunday the high altar of Saint-Leu was the scene of two very different wed- dings. Augustine and Theodore appeared in all the radiance of happiness, their eyes beaming with love, dressed with ele- gance, while a fine carriage waited for them. Virginie, who had come in a good hired fly with the rest of the family, humbly followed her younger sister, dressed in the simplest fashion like a shadow necessary to the harmony of the pict- ure. Monsieur Guillaume had exerted himself to the utmost in the church to get Virginie married before Augustine, but the priests, high and low, persisted in addressing the more elegant of the tv/o brides. He heard some of his neighbors highly approving the good sense of Mademoiselle Virginie, who was making, as they said, the more substantial match, and remaining faithful to the neighborhood ; while they fired a few taunts, prompted by envy of Augustine, who was marry- ing an artist and a man of rank; adding, with a sort of dis- may, that if the Guillaumes were ambitious, there was an end to the business. An old fan-maker having remarked that such a prodigal would soon bring his wife to beggary, father Guil- laume prided himself in petto for his prudence in the matter AT THE SIGN OF THE CAT AND RACKET 3V of marriage settlements. In tlie evening, after a splendid ball, followed by one of those substantial suppers of which the memory is dying out in the present generation, Monsieur and Madame Guillaume remained in a fine house belonging to them in the Rue du Colombier, where the wedding had been held; Monsieur and Madame Lebas returned in their fly to the old home in the Eue Saint-Denis, to steer the good ship Cat and Racket. The artist, intoxicated with happiness, car- ried off his beloved Augustine, and eagerly lifting her out of their carriage when it reached the Rue des Trois-Freres, led her to an apartment embellished by all the arts. The fever of passion which possessed Theodore made a yeai' fly over the young couple without a single cloud to dim the blue sky under which they lived. Life did not hang heavy on the lovers' hands. Theodore lavished on every day inexhaust- ible fioriture of enjoyment, and he delighted to vary the transports of passion by the soft languor of those hours of repose when souls soar so high that they seem to have for- gotten all bodily union. Augustine was too happy for re- flection; she floated on an undulating tide of rapture; she thought she could not do enough by abandoning herself to sanctioned and sacred married love; simple and artless, she had no coquetry, no reserves, none of the dominion which a worldly-minded girl acquires over her husband by ingenious caprice; she loved too well to calculate for the future, and never imagined that so exquisite a life could come to an end. Happy in being her husband's sole delight, she believed that her inextinguishable love would always be her greatest grace in his eyes, as her devotion and obedience would be a perennial charm. And, indeed, the ecstasy of love had made her so brilliantly lovely that her beauty filled her with pride, and gave her confidence that she could always reign over a man so easy to kindle as Monsieur de Sommervieux. Thus her position as a wife brought her no knowledge but the lessons of love. In the midst of her happiness, she was still the simple child who had lived in obscurity in the Rue Saint-Denis, and 38 AT THE SIGN OF THE CAT AND RACKET she never thought of acquiring the manners, the informa- tion, the tone of the world she had to live in. Her words being the words of love, she revealed in them, no doubt, a certain pliancy of mind and a certain refinement of speech; but she used the language common to all women when they find themselves plunged in passion, which seems to be their element. When, by chance, Augustine expressed an idea that did not harmonize with Theodore's, the young artist laughed, as we laugh at the first mistakes of a foreigner, though they end by annoying us if they are not corrected. In spite of all this love-making, by the end of this year, as delightful as it was swift, Sommervieux felt one morning the need for resuming his work and his old habits. His wife was expecting their first child. He saw some friends again. During the tedious discomforts of the year when a young wife is nursing an infant for the first time, he worked, no doubt, with zeal, but he occasionally sought diversion in the fashionable world. The house which he was best pleased to frequent was that of the Duchesse de Carigliano, who had at last attracted the celebrated artist to her parties. When Augustine was quite well again, and her boy no longer re- quired the assiduous care which debars a mother from social pleasures, Theodore had come to the stage of wishing to know the joys of satisfied vanity to be found in society by a man who shows himself with a handsome woman, the object of envy and admiration. To figure in drawing-rooms with the reflected lustre of her husband's fame, and to find other women envious of her, was to Augustine a new harvest of pleasures; but it was the last gleam of conjugal happiness. She first wounded her husband's vanity when, in spite of vain efforts, she betrayed her ignorance, the inelegance of her language, and the nar- rowness of her ideas. Sommervieux's nature, subjugated for nearly two years and a half by the first transports of love, now, in the calm of less new possession, recovered its bent and habits, for a while diverted from their channel. Poetry, painting, and the subtle joys of imagination have inalienable AT THE SIGN OB^ THE CAT AND BACKET 39 rights over a lofty spirit. These cravings of a powerful soul had not been starved in Theodore during these two years; they had only found fresh pasture. As soon as the meadows of love had been ransacked, and the artist had gathered roses and cornflowers as the children do, so greedily that he did not see that his hands could hold no more, the scene changed. When the painter showed his wife the sketches for his finest compositions he heard her exclaim, as her father had done, "How pretty!" This tepid admiration was not the outcome of conscientious feeling, but of her faith on the strength of love. Augustine cared more for a look than for the finest pict- ure. The only sublime she know was that of the heart. At last Theodore could not resist the evidence of the cruel fact — his wife was insensible to poetry, she did not dwell in his sphere, she could not follow him in all his vagaries, his in- ventions, his joys and his sorrows; she walked groveling in the world of reality, while his head was in the skies. Com- mon minds cannot appreciate the perennial sufferings of a being who, while bound to another by the most intimate af- fections, is obliged constantly to suppress the dearest flights of his soul, and to thrust down into the void those images which a magic power compels him to create. To him the tor- ture is all the more intolerable because his feeling towards his companion enjoins, as its first law, that they should have no concealments, but mingle the aspirations of their thought as perfectly as the effusions of their soul. The demands of nature are not to be cheated. She is as inexorable as necessity, which is, indeed, a sort of social nature. Sommervieux took refuge in the peace and silence of his studio, hoping that the habit of living with artists might mould his wife and develop in her the dormant germs of lofty intelligence which some superior minds suppose must exist in every being. But Augustine was too sincerely religious not to take fright at the tone of artists. At the first dinner Theodore gave, she heard a young painter say, with the childlike lightness, which to her was unintelligible, and which redeems a jest from the taini- 40 AT THE SIGN OF THE CAT AND RACKET of profanity, "But, madame, your Paradise cannot be more beautiful than EaphaeFs Transfiguration! — Well, and I got tired of looking at that." Thus Augustine came among this sparkling set in a spirit of distrust which no one could fail to see. She was a restraint on their freedom. Now an artist who feels restraint is piti- less ; he stays away, or laughs it to scorn. Madame Guillaume, among other absurdities, had an excessive notion of the dignity she considered the prerogative of a married woman; and Au- gustine, though she had often made fun of it, could not help a slight imitation of her mother's primness. This extreme propriety, which virtuous wives do not always avoid, suggested a few epigrams in the form of sketches, in which the harm- less jest was in such good taste that Sommervieux could not take offence; and even if they had been more severe, these pleasantries were after all only reprisals from his friends. Still, nothing could seem a trifle to a spirit so open as Theodore's to impressions from without. A coldness insen- sibly crept over him, and inevitably spread. To attain con- jugal happiness we must climb a hill whose summit is a nar- row ridge, close to a steep and slippery descent : the painter's love was falling down it. He regarded his wife as incapable of appreciating the moral considerations which justified him in his own eyes for his singular behavior to her, and believed himself quite innocent in hiding from her thoughts she could not enter into, and peccadilloes outside the jurisdiction of a bourgeois conscience. Augustine wrapped herself in sullen and silent grief. These unconfessed feelings placed a shroud between the husband and wife which could not fail to grow thicker day by day. Though her husband never failed in consideration for her, Augustine could not help trembling as she saw that he kept for the outer world those treasures of wit and grace that he formerly would lay at her feet. She soon began to find a sinister meaning in the jocular speeches that are current in the world as to the inconstancy of men. She made no complaints, but her demeanor conveyed re- proach. AT THE SIGN OF THE CAT AND RACKET 41 Three years after her marriage this pretty young woman, who dashed past in her handsome carriage, and lived in a sphere of glory and riches to the envy of heedless folk inca- pable of taking a just view of the situations of life, was a prey to intense grief. She lost her color; she reflected; she made comparisons ; then sorrow unfolded to her the first les- sons of experience. She determined to restrict herself bravely within the round of duty, hoping that by this generous con- duct she might sooner or later win back her husband's love. But it was not so. When Sommervieux, tired with work, came in from his studio, Augustine did not put away her work so quickly but that the painter might find his wife mending the household linen, and his own, with all the care of a good housewife. She supplied generously and without a murmur the money needed for his lavishness; but in her anxiety to husband her dear Theodore's fortune, she was strictly eco- jnomical for herself and in certain details of domestic man- agement. Such conduct is incompatible with the easy-going habits of artists, who, at the end of their life, have enjoyed ;it so keenly that they never inquire into the causes of their ruin. It is useless to note every tint of shadow by which the brilliant hues of their honeymoon were overcast till they were lost in utter blackness. One evening poor Augustine, who had for some time heard her husband speak with enthu- siasm of the Duchesse de Carigliano, received from a friend certain malignantly charitable warnings as to the nature of the attachment which Sommervieux had formed for this cele- brated flirt of the Imperial Court. At one-and-twenty, in all the splendor of youth and beauty, Augustine saw herself de- serted for a woman of six-and-thirty. Feeling herself so wretched in the midst of a world of festivity which to her was a blank, the poor little thing could no longer understand the admiration she excited, or the envy of which she was the object. Her face assumed a different expression. Melan- choly tinged her features with the sweetness of resignation and the pallor of scorned love. Ere long she too was courted 42 AT THE SIGN OF THE CAT AND IlACIvET by the most fascinating men; but she remained lonely an(i virtuous. Some contemptuous words whigh escaped her hus- band filled her with incredible despair. A sinister flash showed her the breaches which, as a result of her sordid edu- cation, hindered the perfect union of her soul with Theo- dore's; she loved him well enough to absolve him and con- demn herself. She shed tears of blood, and perceived, too late, that there are mesalliances of the spirit as well as of rank and habits. As she recalled the early raptures of their union, she understood the full extent of that lost happiness, and accepted the conclusion that so rich a harvest of love was in itself a whole life, which only sorrow could pay for. At the same time, she loved too truly to lose all hope. At one-and-twenty she dared undertake to educate herself, and make her imagination, at least, worthy of that she admired. "If I am not a poet," thought she, "at any rate, I will under- stand poetry." Then, with all the strength of will, all the energy which every woman can display when* she loves, Madame de Som- mervieux tried to alter her character, her manners, and hei' habits; but by dint of devouring books and learning un- dauntedly, she only succeeded in becoming less ignorant. Lightness of wit and the graces of conversation are a gift of nature, or the fruit of education begun in the cradle. She could appreciate music and enjoy it, but she could not sing with taste. She understood literature and the beauties of poetry, but it was too late to cultivate her refractoiy memory. She listened with pleasure to social conversation, but she could contribute nothing brilliant. Her religious notions and home-grown prejudices were antagonistic to the complete emancipation of her intelligence. Finally, a foregone conclu- sion against her had stolen into Theodore's mind, and this she could not conquer. The artist would laugh at those who flattered him about his wife, and his irony had some founda- tion; he so overawed the pathetic young creature that, in his presence, or alone with him, she trembled. Hampered by her too eager desire to please, her wits and her knowledge AT THE SIGN OF THE CAT AND RACKET 43 vanished in one absorbing feeling. Even her fidelity vexed the unfaithful husband, who seemed to bid her do wrong by stigmatizing her virtue as insensibility. Augustine tried in vain to abdicate her reason, to yield to her husband's caprices and whims, to devote herself to the selfishness of his vanity. Her sacrifices bore no fruil Perhaps they had both let the moment slip when souls may meet in comprehension. One day the young wife's too sensitive heart received one of those blows which so strain the bonds of feeling that they \ seem to be broken. She withdrew into solitude. But before long a fatal idea suggested to her to seek counsel and comfort in the bosom of her family. So one morning she made her way towards the grotesque fagade of the humble, silent home where she had spent her childhood. She sighed as she looked up at the sash-window, whence one day she had sent her first kiss to him who now shed as much sorrow as glory on her life. Nothing was changed in the cavern, where the drapery business had, how- ever, started on a new life. Augustine's sister filled her mother's old place at the desk. The unhappy young woman met her brother-in-law with his pen behind his ear ; he hardly listened to her, he was so full of business. The formidable symptoms of stock-taking were visible all round him; he begged her to excuse him. She was received coldly enough by her sister, who owed her a grudge. In fact, Augustine, in her finery, and stepping out of a handsome carriage, had never been to see her but when passing by. The wife of the prudent Lebas, imagining that want of money was the prime cause of this early call, tried to keep up a tone of reserve which more than once made Augustine smile. The painter's wife perceived that, apart from the cap and lappets, her mother had found in Virginie a successor who could uphold the ancient honor of the Cat and Eacket. At breakfast she observed certain changes in the management of the house which did honor to Lebas' good sense ; the assistants did not rise before dessert; they were allowed to talk, and the abun- dant meal spoke of ease without luxury. The fashionable 44 AT THE SIGN OF THE CAT AND RACKBTT woman found some tickets for a box at the Francais, where she remembered having seen her sister from time to time. Madame Lebas had a cashmere shawL over her shonlderSj of which the value bore witness to her husband's generosity to her. In short, the couple were keeping pace with the times. During the two-thirds of the day she spent there, Augustine was touched to the heart by the equable happiness, devoid, to be sure, of all emotion, but equally free from storms, enjoyed by this well-matched couple. They had ac- cepted life as a commercial enterprise, in which, above all, they must do credit to the business. Not finding any great love in her husband, Virginie had set to work to create it. Having by degrees learned to esteem and care for his wife, the time that his happiness had taken to germinate was to Joseph Lebas a guarantee of its durability. Hence, when Augustine plaintively set forth her painful position, she had to face the deluge of commonplace morality which the tradi- tions of the Rue Saint-Denis furnished to her sister. "The mischief is done, wife," said Joseph Lebas ; "we must try to give our sister good advice." Then the clever trades- man ponderously analyzed the resources which law and custom might offer Augustine as a means of escape at this crisis; he ticketed every argument, so to speak, and arranged them in their degrees of weight under various categories, as though they were articles of merchandise of different qualities; then he put them in the scale, weighed them, and ended by showing the necessity for his sister-in-law's taking violent steps which could not satisfy the love she still had for her husband; and, indeed, the feeling had revived in all its strength when she heard Joseph Lebas speak of legal proceedings. Augustine thanked them, and returned home even more undecided than she had been before consulting them. She now ventured to go to the house in the Rue du Colombier, intending to confide her troubles to her father and mother; for she was like a sick man who, in his desperate plight, tries every pre- scription, and even puts faith in old wives' remedies. The old people received their daughter with an effusiveness AT THE SIGN OF THE CAT AND RACKET 48 thai touched her deeply. Her visit brought them some little change, and that to them was worth a fortune. For the last four years they had gone their way in life like navigators without a goal or a compass. Sitting by the chimney corner, they would talk over their disasters under the old law of maximum, of their great investments in cloth, of the way they had weathered bankruptcies, and, above all, the famous failure of Lecoc^, Monsieur Guillaume's battle of Marengo.' Then, when they had exhausted the tale of lawsuits, they recapitulated the sums total of their most profitable stock- takings, and told each other old stories of the Saint-Denis quarter. At two o'clock old Guillaume went to cast an eye on the business at the Cat and Racket ; on his way back he called at all the shops, formerly the rivals of his own, where the young proprietors hoped to inveigle the old draper into some risky discount, which, as was his wont, he never refused point-blank. Two good Normandy horses were dying of their own fat in the stables of the big house; Madame Guillaume never used them but to drag her on Sundays ta high, mass at the parish church. Three times a week the worthy couple kept open house. By the influence of his son-in-law Sommervieux, Monsieur Guillaume had been named a member of the con- sulting board for the clothing of the Army. Since her hus- band had stood so high in office, Madame Guillaume had decided that she must receive; her rooms were so crammed with gold and silver ornaments, and furniture, tasteless but of undoubted value, that the simplest room in the house looked like a chapel. Economy and expense seemed to be struggling for the upper hand in every accessory. It was as though Monsieur Guillaume had looked to a good investment, even in the purchase of a candlestick. In the midst of this bazaar, where splendor revealed the owner's v/ant of occu- pation, Sommervieux's famous picture filled the place of honor, and in it Monsieur and Madame Guillaume found their chief consolation, turning their eyes, harnessed with eye-glasses, twenty times a day on this presentment of their past life, to them so active and amusing. The appearance 46 AT THE SIGN OF THE CAT AND RACKET of this mansion and these rooms, where everything had an aroma of staleness and mediocrity, the spectacle offered by these two beings, cast away, as it were, on a rock far from the world and the ideas which are life, startled Augustine; she could here contemplate the sequel of the scene of which the first part had struck her at the house of Lebas — a life of stir without movement, a mechanical and instinctive exist- ence like that of the beaver; and then she felt an indefinable pride in her troubles, as she reflected that they had their source in eighteen months of such happiness as, in her eyes, was worth a thousand lives like this; its vacuity seemed to her horrible. However, she concealed this not very charitable feeling, and displayed for her parents her newly-acquired ac- complishments of mind, and the ingratiating tenderness that love had revealed to her, disposing them to listen to her mat- rimonial grievances. Old people have a weakness for this kind of confidences. Madame Guillaume wanted to know the most trivial details of that alien life, which to her seemed almost fabulous. The travels of Baron de la Hontan, which she began again and again and never finished, told her noth- ing more unheard-of concerning the Canadian savages. "What, child, your husband shuts himself into a room with naked women ! And you are so simple as to believe that he draws them?" As she uttered this exclamation, the grandmother laid her spectacles on a, little work-table, shook her skirts, and clasped her hands on her knees, raised by a foot-warmer, her favorite pedestal. "But, mother, all artists are obliged to have models." "He took good care not to tell us that when he asked leave to marry you. If I had known it, I would never have given my daughter to a man who followed such a trade. Eeligion forbids such horrors; they are immoral. And at what time of night do you say he comes home ?" "At one o'clock — two " The old folks looked at each other in utter amazement. "Then he gambles?" snid Monsieur Guillaume. "In my day only gamblers stayed out so late." AT THE SIGN^OF THE CAT AND RACKET 47 Augustine made a face that scorned the accusation. "He must keep you up through dreadful nights waiting for him/' said Madame Guillaume. "But you go to bed, don't you ? And when he has lost, the wretch wakes you." "No, mamma, on the contrary, he is sometimes in very- good spirits. Not unfrequently, indeed, when it is fine, he suggests that I should get up and go into the woods." "The woods ! At that hour ? Then have you such a small set of rooms that his bedroom and his sitting-rooms are not enough, and that he must run about ? But it is just to give you cold that the wretch proposes such expeditions. He wants to get rid of you. Did one ever hear of a man settled in life, a well-behaved, quiet man galloping about like a warlock?" "But, my dear mother, you do not understand that he must have excitement to fire his genius. He is fond of scenes which " "I would makes scenes for him, fine scenes !" cried Mad- ame Guillaume, interrupting her daughter. "How can you show any consideration to such a man? In the first place, I don't like his drinking water only; it is not wholesome. Why does he object to see a woman eating? What queer notion is that ! But he is mad. All you tell us about him is impossible. A man cannot leave his home without a word, and never come back for ten days. And then he tells you he has been to Dieppe to paint the sea. As if any one painted the sea! He crams you with a pack of tales that are too absurd." Augustine opened her lips to defend her husband; but Madame Guillaume enjoined silence with a wave of her hand, which she obeyed by a survival of habit, and her mother went on in harsh tones : "Don't talk to me about the man ! He never set foot in a church excepting to see you and to be mar- ried. People without religion are capable of anything. Did Guillaume ever dream of hiding anything from me, of speud- ing three days without saying a word to me, and of chatter- ing afterwards like a blind magpie?" "My dear mother, you judge superior people too severely. 48 AT THE S1G:^ of the cat and JftACKEJT If their ideas were the same as other folks', they would not be men of genius/' "Very well, then let men of genius stop at home and not get married. What ! A man of genius is to make his wife miserable? And because he is a genius it is all right! Genius, genius ! It is not so very clever to say black one minute and white the next, as he does, to interrupt other people, to dance such rigs at home, never to let you know which foot you are to stand on, to compel his wife never to be amused unless my lord is in gay spirits, and to be. dull when he is dull." "But, mother, the very nature of such imaginations '' "What are such ^imaginations' ?" Madame Guillaume went on, interrupting her daughter again, "Fine ones his are, my word ! What possesses a man that all on a sudden, without consulting a doctor, he takes it into his head to eat nothing but vegetables? If indeed it were from religious motives, it might do him some good — but he has no more religion than a Huguenot. Was there .ever a man known who, like him, loved Iiorses better than his fellow-creatures, had his hair curled like a heathen, laid statues under muslin coverlets, shut his shutters in broad day to work by lamp-light? There, get along; if he were not so grossly immoral, he would be fit to shut up in a lunatic asylum. Consult Monsieur Loraux, the priest at Saint Sulpice, ask his opinion about it all, and he will tell you that your husbaoid does not behave like a Chris- tian." "Oh, mother, can you believe ?" "Yes, I do believe. You loved him, and yon can see none of these things. But I can remember in the early days after your marriage, I met him in the Champs-Elysees. He wns on horseback. Well, at one minute he was galloping as hard 'as he could tear, and then pulled up to a walk. I said to myself at that moment, '^There is a man devoid of judgment.' '' "Ah, ha!" cried Monsieur Guillaume, '%ow wise I was to have your money settled on yourself with such a queer fellow loT a husband!" AT THE SIGN OF TUK OAT AND RACKET 49 When Augustine was so imprudent as to set forth her seri- ous grievances against her husband, the two old people were speechless with indignation. But the word ^^divorce" was ere long spoken by Madame Guillaume. At the sound of the word divorce the apathetic old draper seemed to wake up. Prompted by his love for his daughter, and also by the ex- citement which the proceedings would bring into his unevent- ful life, father Guillaume took up the matter. He made him- self the leader of the application for a divorce, laid down the lines of it, almost argued the case ; he offered to be at all the charges, to see the lawyers, the pleaders, the Judges, to move heaven and earth. Madame de Sommervieux was frightened, she refused her father^s services, said she would not be sepa- rated from her husband even if she were ten times as mi- Chappy, and talked no more about her sorrows. After being overwhelmed by her parents with all the little wordless and eonsoling kindnesses by which the old couple tried in vain to make up to her for her distress of heart, Augustine went ,away, feeling the impossibility of making a superior mind i'.ntelligible to weak intellects. She had learned that a wife must hide from every one, even from her parents, woes for which it is so difficult to find sympathy. The storms and .sufferings of the upper spheres are appreciated only by the lofty spirits who inhabit there. In every circumstance we can only be judged by our equals. Thus poor Augustine found herself thrown back on the horror of her meditations, in the cold atmosphere of her home. Study was indiiferent to her, since study had not brought her back her husband's heart. Initiated into the secret of these souls of fire, but bereft of their resources, she was compelled to share their sorrows without sharing their pleasures. She was disgusted with the world, which to her seemed mean and small as compared with the incidents of passion. In short, her life was a failure. One evening an idea flashed upon her that lighted up her dark grief like a beam from heaven. Such an idea could never have smiled on a heart less pure, less virtuous than ^50 AT THE SIGN OF THE GAT AND RACKET laers. She determined to go to the Duchesse de Carigliano, not to ask her to give her back her husband's heart, but to learn the arts by which it had been captured; to engage the interest of this haughty fine lady for the mother of her lover's children ; to appeal to her and make her the instrument of her future happiness, since she was the cause of her present ^vretchedness. So one day Augustine, timid as she was, but armed with supernatural courage, got into her carriage at two in the after- noon to try for admittance to the boudoir of the famous coquette, who was never visible till that hour. Madame de Sommervieux had not yet seen any of the ancient and mag- nificent mansions of the Faubourg Saint-Germain. As she made her way through the stately corridors, the handsome staircases, the vast drawing-rooms — full of flowers, though it was in the depth of winter, and decorated with the taste peculiar to women born to opulence or to the elegant habits of the aristocracy, Augustine felt a terrible clutch at her heart ; she coveted the secrets of an elegance of which she had never had an idea; she breathed an air of grandeur which explained the attraction of the house for her husband. When she reached the private rooms of the Duchess she was filled with jealousy and a sort of despair, as she admired the luxu- rious arrangement of the furniture, the draperies and the hangings. Here disorder was a grace, here luxury affected a certain contempt of splendor. The fragrance that floated in the warm air flattered the sense of smell without offending it. The accessories of the rooms were in harmony with a view, through plate-glass windows, of the lawns in a garden planted with evergreen trees. It was all bewitching, and the art of it was not perceptible. The whole spirit of the mistress of these rooms pervaded the drawing-room where Augustine awaited her. She tried to divine her rival's character from the aspect of the scattered objects; but there was here some- thing as impenetrable in the disorder as in the symmetry, and to the simple-minded young wife all was a sealed letter. All that she could discern was that, as a woman, the Duchess wae a superior person. Then a painful thought came over her. AT THE SIGN OP THE CAT AND RACKET 51 "Alas ! And is it true," she wondered, "that a simple and [oving heart is not all-sufficient to an artist; that to balance the weight of these powerful souls they need a union with feminine souls of a strength equal to their own? If I had been brought up like this siren, our weapons at least might have been equal in the hour of struggle." "But I am not at home !" The sharp, harsh words, though spoken in an undertone in the adjoining boudoir, were heard by Augustine, and her heart beat violently. "The lady is in there," replied the maid. "You are an idiot! Show her in," replied the Duchess, whose voice was sweeter, and had assumed the dulcet tones of politeness. She evidently now meant to be heard. Augustine shyly entered the room. At the end of the dainty boudoir she saw the Duchess lounging luxuriously on an ottoman covered with brown velvet and placed in the (Centre of a sort of apse outlined by soft folds of white muslin ,)ver a yellow lining. Ornaments of gilt bronze, arranged with exquisite taste, enhanced this sori of dais, under which the Duchess reclined like a Greek statue. The dark hue of the velvet gave relief to every fascinating charm. A sub- dued light, friendly to her beauty, fell like a reflection rather than a direct illumination. A few rare flowers raised their perfumed heads from costly Sevres vases. At the moment when this picture was presented to Augustine's astonished eyes, she was approaching so noiselessly that she caught a glance from those of the enchantress. This look seemed to say to some one whom Augustine did not at flrst perceive, "Stay ; you will see a- pretty woman, and make her visit less of a bore." On seeing Augustine, the Duchess rose and made her sit down by her, "And to what do I owe the pleasure of this visit, madame ?" she said with a most gracious smile. "Why all this falseness ?" thought Augustine, replying only with a bow. Her silence was compulsory. The young woman saw before 52 AT THE SIGN OF THE CAT AND llACKET her a superfluous witness of the scene. This personage waS;, of all the Colonels in the army^ the youngest, the most fash- ionahle, and the finest man. His face, full of life and youth, but already expressive, was further enhanced by a small mous- tache twirled up into points, and as black as jet, by a full imperial, by whiskers carefully combed, and a forest of black hair in some disorder. He was whisking a riding whip with an air of ease and freedom which suited his self-satisfied ex- pression and the elegance of his dress; the ribbons attached to his button-hole were carelessly tied, and he seemed to pride himself much more on his smart appearance than on his courage. Augustine looked at the Duchesse de Carigliano, and indicated the Colonel by a sidelong glance. All its mute appeal was understood. "Good-bye, then, Monsieur d'Aiglemont, we shall meet in the Bois de Boulogne." These words were spoken by the siren as though they were the result of an agreement made before Augustine's arriva], and she winged them with a threatening look that the officer deserved perhaps for the admiration he showed in gazing at the modest flower, which contrasted so well with the haughty Duchess. The young fop bowed in silence, turned on the heels of his boots, and gracefully quitted the boudoir. At this instant, Augustine, watching her rival, whose eyes seemed to follow the brilliant officer, detected in that glance a senti- ment of which the transient expression is known to every woman. She perceived v/ith the deepest anguish that her visit would be useless; this lady, full of artifice, was too greedy of homage not to have a ruthless heart. "Madame," said Augustine in a broken voice, "the step I am about to take will seem to you very strange; but there is a madness of despair which ought to excuse an3d;hing. I understand only too well why Theodore prefers your house to any other, and why your mind has so much power over his. Alas! I have only to look into myself to find more than ample reasons. But I am devoted to my husband, mad- ame. Two years of tears have not effaced his image from my AT THE SIGN OF THE CAT AND RACKET 53 heart, though I have lost his. In my folly I dared to dream of a contest with you ; and I have come to you to ask you by what means I may triumph over yourself. Oh, madame/' cried the young wife, ardently seizing the hand which her rival allowed her to hold, "I will never pray to God for my own happiness with so much fervor as I will beseech Him for yours, if you will help me to win back Sommervieux's regard — I will not say his love. I have no hope but in you. Ah ! tell me how you could please him, and make him forget the first days " At these words Augustine broke down, suffocated with sobs she could not suppress. Ashamed of her weakness, she hid her face in her handkerchief, which she bathed with tears. "What a child you are, my dear little beauty!" said the Duchess, carried away by the novelty of such a scene, and touched, in spite of herself, at receiving such homage from the most perfect virtue perhaps in Paris. She took the young wife's handkerchief, and herself wiped the tears from her eyes, soothing her by a few monosyllables murmured with gracious compassion. After a moment's silence the Duchess, grasping poor Augustine's hands in both her own — hands that had a rare character of dignity and powerful beauty — said in a gentle and friendly voice: "My first warning is to advise you not to weep so bitterly; tears are disfiguring. We must learn to deal firmly with the sorrows that make us ill, for love does not linger long by a sick-bed. Melancholy, at first, no doubt, lends a certain attractive grace, but it ends by dragging the features and blighting the loveliest face. And besides, our tyrants are so vain as to insist that their slaves should be always cheerful." "But, madame, it is not in my power not to feel. How is it possible, without suffering a thousand deaths, to see the face which once beamed with love and gladness turn chill, colorless, and indifferent? I cannot control my heart!" "So much the worse, sweet child. But I fancy I know all your story. In the first place, if your husband is unfaithful to you, understand clearly that I am not his accomplice. If 64 AT THE SIGN OF THE CAT AND RACKET I was anxious to have him in my drawing-room, it was, I own, out of vanity; he was famous, and he went nowhere. I like you too much already to tell you all the mad things he has done for my sake. I will only reveal one, because it may perhaps help us to bring him back to you, and to pun- ish him for the audacity of his behavior to me. He will end by compromising me. I know the world too well, my dear, to abandon myself to the discretion of a too superior man. You should know that one may allow them to court one, but marry them — that is a mistake! We women ought to admire men of genius, and delight in them as a spectacle, but as to living with them? Never. — No, no. It is like wanting to find pleasure in inspecting the machinery of the opera instead of sitting in a box to enjoy its brilliant illu- sions. But this misfortune has fallen on you, my poor child, has it not ? Well, then, you must try to arm yourself against tyranny." "Ah, madame, before coming in here, only seeing you as I came in, I already detected some arts of which I had no suspicion." "Well, come and see me sometimes, and it will not be long before you have mastered the knowledge of these trifles, im- portant, too, in their way. Outward things are, to fools, half of life ; and in that matter more than one clever man is a fool, in spite of all his talent. But I dare wager you never could refuse your Theodore anything !" "How refuse anything, madame, if one loves a man?" "Poor innocent, I could adore you for your simplicity. You should know that the more we love the less we should allow a man, above all, a husband, to see the whole extent of our passion. The one who loves most is tyrannized over, and, which is worse, is sooner or later neglected. The one who wishes to rule should " "What, madame, must I then dissimulate, calculate, be- come false, form an artificial character, and live in it ? How is it possible to live in such a way? Can you " she hesi- tated; the Duchess smiled. AT THE SIGN OF THE CAT AND RACKET 55 "My dear child/' the great lady went on in a serious tone, "conjugal happiness has in all times been a speculation, a business demanding particular attention. If you persist in talking passion while I am talking marriage, we shall soon cease to understand each other. Listen to me," she went on, assuming a confidential tone. "I have been in the way of seeing some of the superior men of our day. Those who have married have for the most part chosen quite insignificant wives. Well, those wives governed them, as the Emperor gov- erns us; and if they were not loved, they were at least re- spected. I like secrets — especially those which concern women —well enough to have amused myself by seeking the clue to the riddle. Well, my sweet child, those worthy women had the gift of analyzing their husbands' nature; instead of taking fright, like you, at their superiority, they very acutely noted the qualities they lacked, and either by possessing those qualities, or by feigning to possess them, they found means of making such a handsome display of them in their hus- bands' eyes that in the end they impressed them. Also, I must tell you, all these souls which appear so lofty have Just a speck of madness in them, which we ought to know how to take advantage of. By firmly resolving to have the upper hand and never deviating from that aim, by bringing all our actions to bear on it, all our ideas, our cajoler}^, we sub- jugate these eminently capricious natures, which, by the very mutability of their thoughts, lend us the means of influenc- ing them." "Good heavens !" cried the young wife in dismay. "And this is life. It is a warfare " "In which we must always threaten," said the Duchess, laughing. "Our power is wholly factitious. And we must never allow a man to despise us; it is impossible to recover from such a descent but by odious manoeuvring. Come," she - added, "I will give you a means of bringing your husband to his senses." She rose with a smile to guide the young and guileless ap- prentice to conjugal arts through the labyrinth of her palace. 86 AT THE SIGN OP THE CAT AND RACKET They came to a back-staircase, which led up to the reception rooms. As Madame de Carigliano pressed the secret spring- lock of the door she stopped, looking at Augustine with an inimitable gleam of shrewdness and grace. "The Due de Carigliano adores me/' said she. "Well, he dare not enter by this door without my leave. And he is a man in the habit of commanding thousands of soldiers. He knows how to face a battery, but before me — ^he is afraid V' Augustine sighed. They entered a sumptuous gallery, where the painter's wife was led by the Duchess up to the portrait painted by Theodore of Mademoiselle Guillaume. On seeing it, Augustine uttered a cry. "I knew it was no longer in my house,'' she said, "but — here! "My dear child, I asked for it merely to see what pitch of idiocy a man of genius may attain to. Sooner or later I should have returned it to you, for I never expected the pleasure of seeing the original here face to face with the copy. While we finish our conversation I will have it carried down to your carriage. And if, armed with such a talis- man, you are not your husband's mistress for a hundred years, you are not a woman, and you deserve your fate." Augustine kissed the Duchess' hand, and the lady clasped her to her heart, with all the more tenderness because she would forget her by the morrow. This scene might perhaps have destroyed for ever the candor and purity of a less vir- tuous woman than Augustine, for the astute politics of the higher social spheres were no more consonant to Augustine than the narrow reasoning of Joseph Lebas, or Madame Guil- laume's vapid morality. Strange are the results of the false positions into which we may be brought by the slightest mis- take in the conduct of life! Augustine was like an Alpine cowherd surprised by an avalanche; if he hesitates, if he listens to the shouts of his comrades, he is almost certainly lost. In such a crisis the heart steels itself or breaks. Madame de Sommervieux returned home a prey to such agitation as it is difiicult to describe. Her conversation with AT THE SIGN OP THE CAT AND RACKET 57 the Duchesse de Carigliano had roused in her mind a crowd of contradictory thoughts. Like the sheep in the fable, full of courage in the wolf's absence, she preached to herself, and laid down admirable plans of conduct; she devised a thou- sand coquettish stratagems; she even talked to her hus- band, finding, away from him, all the springs of true eloquence which never desert a woman; then, as she pictured to herself Theodore^s clear and steadfast gaze, she began to quake. When she asked whether monsieur were at home her voice shook. On learning that he would not be in to dinner, she felt an unaccountable thrill of joy. Like a criminal who has appealed against sentence of death, a respite, however short, seemed to her a lifetime. She placed the portrait in. her room, and waited for her husband in all the agonies of hope. That this venture must decide her future life, she felt too keenly not to shiver at every sound, even the low ticking of the clock, which seemed to aggravate her terrors by doling them out to her. She tried to cheat time by various devices. The idea struck her of dressing in a way which would make her exactly like the portrait. Then, knowing her husband's restless temper, she had her room lighted up with unusual brightness, feeling sure that when he came in curiosity would bring him there at once. Midnight had struck when, at the call of the groom, the street gate was opened, and the artist's carriage rumbled in over the stones of the silent courtyard. "What is the meaning of this illumination?" asked Theo- dore in glad tones, as he came into her room. Augustine skilfully seized the auspicious moment; she threw herself into her husband's arms, and pointed to the portrait. The artist stood rigid as a rock, and his e3^es turned alternately on Augustine, on the accusing dress. The frightened wife, half-dead, as she watched her husband's nhangeful brow — that terrible brow — saw the expressive fur- rows gathering like clouds; then she felt her blood curdling in her veins when, with a glaring look, and in a deep hollow voice, he began to question her: 58 AT THE SIGN OF THE CAT AND BACKET ^^here did you find that picture ?" "The Duchesse de Carigliano returned it to me/' "You asked her for it?" "I did not know that she had it." The gentleness, or rather the exquisite sweetness of this angel's voice, might have touched a cannibal, but not an artist in the clutches of wounded vanity. "It is worthy of her !" exclaimed the painter in a voice of thunder. "I will be revenged !" he cried^ striding up and down the room. "She shall die of shame; I will paint her! Yes, I will paint her as Messalina stealing out at night from the palace of Claudius." "Theodore !" said a faint voice. "I will kill her !" "My dear " "She is in love with that little cavalry colonel, because he rides well " "Theodore !" "Let me be!" said the painter in a tone almost like a roar. It would be odious to describe the whole scene. In the end the frenzy of passion prompted the artist to acts and words which any woman not so young as Augustine would have ascribed to madness. At eight o'clock next morning Madame Guillaume, sur- prising her daughter, found her pale, with red eyes, her hair in disorder, holding a handkerchief soaked with tears, whiLL* she gazed at the floor strewn with the torn fragments of a dress and the broken pieces of a large gilt picture-frame. Au- gustine, almost senseless with grief, pointed to the wreck with, a gesture of deep despair. "I don't know that the loss is very great !" cried the old mistress of the Cat and Eacket. "It was like you, no doubt ; but I am told that there is a man on the boulevard who paints lovely portraits for fifty crowns." "Oh, mother !" "Poor child, you are quite right," replied Madame Guil- AT THE SIGN OB^ THE CAT AND RACKET 59 iaume, who misinterpreted the expression of her daughter's glance at her. "True^, my child, no one ever can love you as fondly as a mother. My darling, I guess it all; but confide your sorrovs^s to me, and I will comfort you. Did I not tell you long ago that the man was mad! Your maid has told me pretty stories. Why, he must be a perfect monster Augustine laid a finger on her white lips, as if to implore a moment's silence. During this dreadful night misery had led her to that patient resignation which in mothers and lov- ing wives transcends in its effects all human energy, and per- haps reveals in the heart of women the existence of certain chords which God has withheld from men. An inscription engraved on a broken column in the ceme- tery at Montmartre states that Madame de Sommervieux died at the age of twenty-seven. In the simple words of this epitaph one of the timid creature's friends can read the last scene of a tragedy. Every year, on the second of November, the solemn day of the dead, he never passes this youthful monument without wondering whether it does not need a stronger woman than Augustine to endure the violent em- brace of genius? "The humble and modest flowers that bloom in the valley," he reflects, "perish perhaps when they are transplanted too near the skies, to the region where storms gather and the sun is scorching." THE BALL AT SCEAUX To Henri de Balzac, his brother Honore, The Comte de Fontaine, head of one of the oldest families in Poitou, had served the Bourbon cause with intelligence and bravery during the war in La Vendee against the Ee- public. After having escaped all the dangers which threat- ened the royalist leaders during this stormy period of modem history, he was wont to say in jest, "I am one of the men who gave themselves to be killed on the steps of the throne." And the pleasantry had some truth in it, as spoken by a man left for dead at the bloody battle of Les Quatre Chemins. Though ruined by confiscation, the staunch Vendeen steadily refused the lucrative posts offered to him by the Emperor Napoleon. Immovable in his aristocratic faith, he had blindly obeyed its precepts when he thought it fitting to choose a companion for life. In spite of the blandishments of a rich but revolu- tionary parvenu, who valued the alliance at a high figure, he married Mademoiselle de Kergarouet, without a fortune, but belonging to one of the oldest families in Brittany. When the second revolution burst on Monsieur de Fon- taine he was encumbered with a large family. Though it was no part of the noble gentleman's views to solicit favors, he yielded to his wife's wish, left his country estate, of which the income barely sufficed to maintain his children, and came to Paris. Saddened by seeing the greediness of his former comrades in the rush for places and dignities under the new Constitution, he was about to return to his property when he received a ministerial despatch, in which a well-known mag- nate announced to him his nomination as marechal de camp, or brigadier-general, under a rule which allowed the officers 31\ 62 THE BALL AT SCEAUX of the Catholic armies to count the twenty submerged years of Louis XVIII/s reign as years of service. Some days later he further received, without any solicitation, ex officio, the crosses of the Legion of Honor and of Saint-Louis. Shaken in his determination by these successive favors, due, as he supposed, to the monarch's remembrance, he was no longer satisfied with taking his family, as he had piously done every Sunday, to cry "Vive le Roi" in the hall of the Tuileries when the royal family passed through on their way to chapel; he craved the favor of a private audience. The audience, at once granted, was in no sense private. The royal drawing-room was full of old adherents, whose powdered heads, seen from above, suggested a carpet of snow. There the Count met some old friends, who received him somewhat coldly; but the princes he thought adorable, an enthusiastic expression which escaped him when the most gracious of his masters, to whom the Count had supposed himself to be known only by name, came to shake hands with him, and spoke of him as the most thorough Vendeen of them all. Notwithstanding this ovation, none of these august persons thought of inquiring as to the sum of his losses, or of the money he had poured so generously into the chests of the Catholic regiments. He discovered, a little late, that he had made war at his own cost. Towards the end of the evening he thought he might venture on a witty allusion to the state of his affairs, similar, as it was, to that of many other gen- tlemen. His Majesty laughed heartily enough; any speech that bore the hall-mark of wit was certain to please him ; but he nevertheless replied with one of those royal pleasantriefi whose sweetness is more formidable than the anger of a re- buke. One of the King's most intimate advisers took an op- portunity of going up to the fortune-seeking Vendeen, and made him understand by a keen and polite hint that the time had not yet come for settling accounts with the sovereign; that there were bills of much longer standing than his on the books, and there, no doubt, they would remain, as part of the history of the Eevolution. The Count prudently withdrew THE BALL AT SCEAUX «3 from the venerable group, which formed a respectful semi- circle before the august family; then, having extricated his sword, not without some difficulty, from among the lean legs which had got mixed up with it, he crossed the courtyard of the Tuileries and got into the hackney cab he had left on the quay. With the restive spirit, which is peculiar to the no- bility of the old school, in whom still survives the memory of the League and the day of the Barricades (in 1588), ho bewailed himself in his cab, loudly enough to compromise him, over the change that had come over the Court. "For- merly," he said to himself, "every one could speak freely to the King of his own little affairs; the nobles could ask him a favor, or for money, when it suited them, and nowadays one cannot recover the money advanced for his service with- out raising a scandal ! By Heaven ! the cross of Saint-Louis and the rank of brigadier-general will not make good the three hundred thousand livres I have spent, out and out, on the royal cause. I must speak to the King, face to face, in his own room." This scene cooled Monsieur de Fontaine's ardor all the more effectually because his requests for an interview were never answered. And, indeed, he saw the upstarts of the Empire obtaining some of the offices reserved, under the old monarchy, for the highest families. "All is lost !" he exclaimed one morning. "The King has certainly never been other than a revolutionary. But for Monsieur, who never derogates, and is some comfort to his faithful adherents, I do not know what hands the crown of France might not fall into if things are to go on like this. Their cursed constitutional system is the worst possible gov- ernment, and can never suit France. Louis XVIII. and Monsieur Beugnot spoiled everything at Saint Ouen." The Count, in despair, was preparing to retire to his estate, abandoning, with dignity, all claims to repayment. At this moment the events of the 20th March (1815) gave warning of a fresh storm, threatening to overwhelm the legitimate monarch and his defenders. Monsieur de Fontaine, like one 64 THE BALL AT SCEAUX of those generous souls who do not dismiss a sei*vant in a torrent of rain, borrowed on his lands to follow the routed monarchy, without knowing whether this complicity in emi- gration would prove more propitious to him than his past devotion. But when he perceived that the companions of the King^s exile were in higher favor than the brave men who had protested, sword in hand, against the establishment of the republic, he may perhaps have hoped to derive greater profit from this journey into a foreign land than from active and dangerous service in the heart of his own country. Nor was his courtier-like calculation one of these rash specula- tions which promise splendid results on paper, and are ruin- ous in effect. He was — to quote the wittiest and most success- ful of our diplomates — one of the faithful five hundred who shared the exile of the Court at Ghent, and one of the fifty thousand who returned with it. During the short banish- ment of royalty. Monsieur de Fontaine was so happy as to be employed by Louis XVIII., and found more than one opportunity of giving him proofs of great political honesty and sincere attachment. One evening, when the King had nothing better to do, he recalled Monsieur de Fontaine's wit- ticism at the Tuileries. The old Vendeen did not let such a happy chance slip ; he told his history with so much vivacity that a king, who never forgot anything, might remember it at a convenient season. The royal amateur of literature also observed the elegant style given to some notes which the dis- creet gentleman had been invited to recast. This little suc- cess stamped Monsieur de Fontaine on the King's memory as one of the loyal servants of the Crown. At the second restoration the Count was one of those special envoys who were sent throughout the departments charged with absolute jurisdiction over the leaders of revolt; but he used his terrible powers with moderation. As soon as this temporary commission was ended, the High Provost found a seat in the Privy Council, became a deputy, spoke little, listened much, and changed his opinions very considerably. Certain circumstances, unknown to historians, brought him THE BALL AT SCEAT3X 65 into such intimate relations with the Sovereign, that one day, as he came in, the shrewd monarch addressed him thus : "My friend Fontaine, I shall take care never to appoint you to be director-general, or minister. Neither you nor I, as em- ployes, could keep our place on account of our opinions. Eepresentative government has this advantage: it saves Us the trouble We used to have, of dismissing Our Secretaries of State. Our Council is a perfect inn-parlor, whither public opinion sometimes sends strange travelers; however. We can always find a place for Our faithful adherents." This ironical speech was introductory to a rescript giving Monsieur de Fontaine an appointment as administrator in the office of Crown lands. As a consequence of the intelligent attention with which he listened to his royal Friend's sar- ssasms, his name always rose to His Majesty's lips when a commission was to be appointed of which the members were to receive a handsome salary. He had the good sense to hold his tongue about the favor with which he was honored, and knew how to entertain the monarch in those familiar chats in which Louis XVIII. delighted as much as in a well- written note, by his brilliant manner of repeating political anecdotes, £'.nd the political or parliamentary tittle-tattle — if the expres- f ion may pass — which at that time was rife. It is well known lhat he was immensely amused by every detail of his Oouv- ernementahilite — a word adopted by his facetious Majesty. Thanks to the Comte de Fontaine's good sense, wit, and taot, every member of his numerous family, however young, ended, as he jestingly told his Sovereign, in attaching him- self like a silkworm to the leaves of the Pay-List. Thus, by the King's intervention, his eldest son found a high and fixt,:d position as a lawyer. The second, before the restora- tion a mere captain, was appointed to the command of a legion on the return from Ghent; then, thanks to the con- fusion of 1815, when the regulations were evaded, he passed into the bodyguard, returned to a line regiment, and found himself after the affair of the Trocadero a lieutenant-general with a commission in the Guards. The youngest, appointed 66 THE BALL AT SCEAUX sous-prefet, ere long became a legal official and director of a municipal board of the city of Paris, where he was safe from changes in the Legislature. These bounties, bestowed without parade, and as secret as the favor enjoyed by the Count, fell unperceived. Though the father and his three sons each had sinecures enough to enjoy an income in salaries almost equal to that of a chief of department, their political good fortune excited no envy. In those early days of the constitutional system, few persons had very precise ideas of the peaceful domain of the civil service, where astute favor- ites managed to find an equivalent for the demolished abbeys. Monsieur le Comte de Fontaine, who till lately boasted that he had not read the Charter, and displayed such indigna- tion at the greed of courtiers, had, before long, proved to his august master that he understood^ as well as the King himself, the spirit and resources of the representative system. At the same time, notwithstanding the established careers open to his three sons, and the pecuniary advantages derived from four official appointments, Monsieur de Fontaine was the head of too large a family to be able to re-establish his fortune easily and rapidly. His three sons were rich in prospects, in favor, and in talent ; but he had three daughters, and was afraid of weary- ing the monarch's benevolence. It occurred to him to men - tion only one by one, these virgins eager to light their torches. The King had too much good taste to leave his work incom- plete. The marriage of the eldest with a Eeceiver- General, Planat de Baudry, was arranged by one of those royal speeches which cost nothing and are worth millions. One evening, when the Sovereign was out of spirits, he smiled on hearing of the existence of another Demoiselle de Fontaine, for whom he found a husband in the person of a young magistrate, of inferior birth, no doubt, but wealthy, and whom he created Baron. When, the year after, the Vendeen spoke of Made- moiselle Emilie de Fontaine, the King replied in his thin, sharp tones, ''Amicus Plato sed magis arnica Natiof' Then, a few days later, he treated his "friend Fontaine" to a THE BALL AT SCEAUX 07 quatrain, harmless enough, which he styled an epigram, in which he made fun of these three daughters so skilfully in- troduced, under the form of a trinity. Nay, if report is to be believed, the monarch had found the point of the jest in the Unity of the three Divine Persons. "If your Majesty would only condescend to turn the epi- gram into an epithalamium ?" said the Count, trying to turn the sally to good account. •'Though I see the rhyme of it, I fail to see the reason," retorted the King, who did not relish any pleasantry, how- ever mild, on the subject of his poetry. From that day his intercourse with Monsieur de Fontaine showed less amenity. Kings enjoy contradicting more than people think. Like most youngest children, Emilie de Fon- taine was a Benjamin spoilt by almost everybody. The King's coolness, therefore, caused the Count all the more regret, be- cause no marriage was ever so difficult to arrange as that of this darKng daughter. To understand all the obstacles we must make our way into the fine residence where the official was housed at the expense of the nation. Emilie had spent her childhood on the family estate, enjoying the abuiidanc(i which suffices for the joys of early youth ; her lightest wishes had be^Q law to her sisters, her brothers, her mother, and even her father. All her relations doted on her. Having com<.^ to years of discretion just when her family was loaded with the favors of fortune, the enchantment of life continued. The luxury of Paris seemed to her just as natural as j», wealth of flowers or fruit, or as the rural plenty which ha(,l been the joy of her first years. Just as in her childhood shd had never been thwarted in the satisfaction of her playful desires, so now, at fourteen, she was still obeyed when she> rushed into the whirl of fashion. Thus, accustomed by degrees to the enjoyment of money, elegance of dress, of gilded drawing-rooms and fine carriages, became as necessary to her as the compliments of flattery, sin- cere or false, and the festivities and vanities of court life. Like most spoiled children, she tyrannized over those who 68 THE BALL AT SCEAUX loved her, and kept her blandishments for those who were in- different. Her faults grew with her growth, and her parents were to gather the bitter fruits of this disastrous education. At the age of nineteen Emilie de Fontaine had not yet been pleased to make a choice from among the many young men whom her father's politics brought to his entertainments. Though so young, she asserted in society all the freedom of mind that a married woman can enjoy. Her beauty was so remarkable that, for her, to appear in a room was to be its queen; but, like sovereigns, she had no friends, though she was everywhere the object of attentions to which a finer nature than hers might perhaps have succumbed. Not a man, not even an old man, had it in him to contradict the opinions of a young girl whose lightest look could rekindle love in the coldest heart. She had been educated with a care which her sisters had not enjoyed ; painted pretty well, spoke Italian and English, and played the piano brilliantly; her voice, trained by the best masters, had a ring in it which made her singing irre- sistibly charming. Clever, and intimate with every branch of literature, she might have made folks believe that, as Mas- carille says, people of quality come into the world knowing everything. She could argue fluently on Italian or Flemish painting, on the Middle Ages or the Renaissance ; pronounced at haphazard on books new or old, and could expose the de- fects of a work with a cruelly graceful wit. The simplest thing she said was accepted by an admiring crowd as a fetfah of the Sultan by the Turks. She thus dazzled shal- low persons; as to deeper minds, her natural tact enabled her to discern them, and for them she put forth so much fascination that, under cover of her charms, she escaped their scrutiny. This enchanting veneer covered a careless heart; the opinion — common to many young girls — that no one else dwelt in a sphere so lofty as to be able to understand the merits of her soul; and a pride based no less on her birth than on her beauty. In the absence of the overwhelming sentiment which, sooner or later, works havoc in a woman's THE UAiAj AT SCEAUX 69 heart, she spent her young ardor in an immoderate love of distinctions, and expressed the deepest contempt for persons of inferior birth. Supremely impertinent to all newly-created nobility, she made every effort to get her parents recognized as equals by the most illustrious families of the Saint-Ger- main quarter. These sentiments had not escaped the observing eye of Monsieur de Fontaine, who more than once, when his two elder girls were married, had smarted under Emilie's sarcasm. Logical readers will be surprised to see the old Eoyaiist be- stowing his eldest daughter on a Ecceiver-General, possessed, indeed, of some old hereditary estates, but whose name was not preceded by the little word to which the throne owed so many partisans, and his second to a magistrate too lately Baronified to obscure the fact that his father had sold fire- wood. This noteworthy change in the ideas of a noble on the verge of his sixtieth year — an age when men rarely renounce their convictions — was due not merely to his unfortunate resi- dence in the modern Babylon, where, sooner or later, country folks all get their corners rubbed down; the Comte de Fon- taine's new political conscience was also a result of the King^s advice and friendship. The philosophical prince had taken pleasure in converting the Vendeen to the ideas required by the advance of the nineteenth century, and the new aspect of the Monarchy. Louis XVIII. aimed at fusing parties as Napoleon had fused things and men. The legitimate King, who was not less clever perhaps than his rival, acted in a contrary direction. The last head of the House of Bour- bon was just as eager to satisfy the third estate and the crea- tions of the Empire, by curbing the clerg}^, as the first of the Napoleons had been to attract the grand old nobility, or to endow the Church. The Privy Councillor, being in the secret of these royal projects, had insensibly become one of the most prudent and influential leaders of that moderate party which most desired a fusion of opinion in the interests of the nation. He preached the expensive doctrines of constitu- tional government, and lent ail his weight to encourage the 70 THE BALL AT SCEAUX political see-saw which enabled his master to rule France in the midst of storms. Perhaps Monsieur de Fontaine hoped that one of the sudden gusts of legislation, whose unexpected efforts then startled the oldest politicians, might carry him up to the rank of peer. One of his most rigid principles was to recognize no nobility in France but that of the peer- age — the only families that might enjoy any privileges. "A nobility bereft of privileges/' he would say, "is a tooi without a handle.^' As far from Lafayette's party as he was from La Bour- donnaye's, he ardently engaged in the task of general recon- ciliation, which was to result in a new era and splendid for- tunes for France. He strove to convince the families who frequented his drawing-room, or those whom he visited, how few favorable openings would henceforth be offered by a civil or military career. He urged mothers to give their boys a start in independent and industrial professions, explaining that military posts and high Government appointments must at last pertain, in a quite constitutional order, to the younger sons of members of the peerage. According to him, the peo- ple had conquered a sufficiently large share in practical gov- ernment by its elective assembly, its appointments to law- offices, and those of the exchequer, which, said he, would al- ways, as heretofore, be the natural right of the distinguished men of the third estate. These new notions of the head of the Fontaines, and the prudent matches for his eldest girls to which they had led, met with strong resistance in the bosom of his family. The Comtesse de Fontaine remained faithful to the ancient be- liefs which no woman could disown, who, through her mother, belonged to the Eohans. Although she had for a while opposed the happiness and fortune awaiting her two eldest girls, she yielded to those private considerations which husband and wife confide to each other when their heads are resting on the same pillow. Monsieur de Fontaine calmly pointed out to his wife, by exact arithmetic, that their resi- dence in Paris, the necessity for entertaining, the magnifi- THE BALL AT SCEAUX 71 cence of the house which made up to them now for the priva- tions so bravely shared in La Vendee, and the expenses of their sons, swallowed up the chief part of their income from salaries. They must therefore seize, as a boon from heaven, the opportunities which offered for settling their girls with such wealth. Would they not some day enjoy sixty — eighty — a hundred thousand francs a year? Such advantageous matches were not to be m.et with every day for girls without a portion. Again, it was time that they should begin to think of economizing, to add to the estate of Fontaine, and re-estab- lish the old territorial fortune of the family. The Countess yielded to such cogent arguments, as every mother would have done in her place, though perhaps with a better grace; but she declared that Emilie, at any rate, should marry in such a way as to satisfy the pride she had unfortunately con- tributed to foster in the girl's young soul. Thus events, which ought to have brought joy into the family, had introduced a small leaven of discord. The Re- ceiver-General and the young lawyer were the objects of a ceremonious formality which the Countess and Emilie con- trived to create. This etiquette soon found even ampler op- portunity for the display of domestic tyranny; for Lieuten- ant-General de Fontaine married Mademoiselle Mongenod, the daughter of a rich banker; the President very sensibly found a wife in a young lady whose father, twice or thrice a millionaire, had traded in salt; and the third brother, faith- ful to his plebeian doctrines, married Mademoiselle Grosse- tete, the only daughter of the Receiver-General at Bourges. The three sisters-in-law and the two brothers-in-law found the high sphere of political bigwigs, and the drawing-rooms of the Faubourg Saint-Germain, so full of charm and of per- sonal advantages, that they united in forming a little court round the overbearing Emilie. This treaty between interest and pride was not, however, so firmly cemented but that the young despot was, not unfrequently, the cause of revolts in her little realm. Scenes, which the highest circles would not have disowned, kept up a sarcastic temper among all the mem- 72 THE BALL AT SCEAUX bers of this powerful family; and this, without seriously diminishing the regard they professed in public, degenerated sometimes in private into sentiments far from charitable. Thus the Lieutenant- General's wife, having become a Baronne, thought herself quite as noble as a Kergarouet, and imagined that her good hundred thousand francs a year gave her the right to be as impertinent as her sister-in-law Emilie, whom she would sometimes wish to see happily married, as she announced that the daughter of some peer of France had married Monsieur So-and-So with no title to his name. The Vicomtesse de Fontaine amused herself by eclipsing Emilie in the taste and magnificence that were conspicuous in her dress, her furniture, and her carriages. The satirical spirit in which her brothers and sisters sometimes received the claims avowed by Mademoiselle de Fontaine roused her to wrath that a perfect hailstorm of sharp sayings could hardly mitigate. So when the head of the family felt a slight chill in the King's tacit and precarious friendship, he trembled all the more because, as a result of her sisters' de- fiant mockery, his favorite daughter had never looked so high. In the midst of these circumstances, and at a moment when this petty domestic warfare had become serious, the monarch, whose favor Monsieur de Fontaine still hoped to regain, was attacked by the malady of which he was to die. The great political chief, who knew so well how to steer his bark in the midst of tempests, soon succumbed. Certain then of favors to come, the Comte de Fontaine made every effort to collect the elite of marrying men about his youngest daugh- ter. Those who may have tried to solve the difficult problem of settling a haughty and capricious girl, will understand the trouble taken by the unlucky father. Such an affair, carried out to the liking of his beloved child, would worthily crown the career the Count had followed for these ten years at Paris. From the way in which his family claimed salaries under every department, it might be compared with the House of Austria, which, by intermarriage, threatens to per- vade Europe. The old Vendeen was not to be discouraged THE BALL AT SCBAUX 73 in bringing forward suitors, so much had he his daughter's happiness at heart, but nothing could be more absurd thap the way in which the impertinent young thing pronounced her verdicts and judged the merits of her adorers. It might have been supposed that, like a princess in the Arabian Nights, Emilie was rich enough and beautiful enough to choose from among all the princes in the world. Her objec- tions were each more preposterous than the last: one had too thick knees and was bow-legged, another was short- sighted, this one's name was Durand, that one limped, and almost all were too fat. Livelier, more attractive, and gayer than ever after dismissing two or three suitors, she rushed into the festivities of the winter season, and to balls, where her keen eyes criticised the celebrities of the day, delighted in encouraging proposals which she invariably rejected. Nature had bestowed on her all the advantages needed for playing the part of Celimene. Tall and slight, Emilie de Fontaine could assume a dignified or a frolicsome mien at her will. Her neck was rather long, allowing her to affect beautiful attitudes of scorn and impertinence. She had cul- tivated a large variety of those turns of the head and femi- nine gestures, which emphasize so cruelly or so happily a hint or a smile. Fine black hair, thick and strongly-arched eye- brows, lent her countenance an expression of pride, to which her coquettish instincts and her mirror had taught her to add terror by a stare, or gentleness by the softness of her gaze, by the set or the gracious curve of her lips, by the coldness or the sweetness of her smile. When Emilie meant to conquer a heart, her pure voice did not lack melody; but she could also give it a sort of curt clearness when she was minded to paralyze a partner's indiscreet tongue. Her col- orless face and alabaster brow were like the limpid surface of a lake, which by turns is rippled by the impulse of a breeze and recovers its glad serenity when the air is still. More than one young man, a victim to her scorn, accused her of acting a part; but she justified herself by inspiring her detractors with the desire to please her, and then subjecting 74 THE "BALL AT SCEAUX them to all her most contemptuous caprice. Among the young girls of fashion, not one knew better than she how to assume an air of reserve when a man of talent was intro- duced to her, or how to display the insulting politeness which treats an equal as an inferior, and to pour out her imperti- nence on all who tried to hold their heads on a level with hers. Wherever she went she seemed to be accepting homage rather than compliments, and even in a princess her airs and manner would have transformed the chair on which she sat into an imperial throne. Monsieur de Fontaine discovered too late how utterly the education of the daughter he loved had been ruined by the tender devotion of the whole family. The admiration which the world is at first ready to bestow on a young girl, but for which, sooner or later, it takes its revenge, had added to Emilie's pride, and increased her self-confidence. Universal Gubservience had developed in her the selfishness natural to spoilt children, who, like kings, make a plaything of every- thing that comes to hand. As yet the graces of youth and the charms of talent hid these faults from every eye; faults all the more odious in a woman, since she can only please by self-sacrifice and unselfishness; but nothing escapes the eye of a good father, and Monsieur de Fontaine often tried to explain to his daughter the more important pages of the mysterious book of life. Vain effort ! He had to lament his daughter's capricious indocility and ironical shrewdness too often to persevere in a task so difficult as that of correct- ing an ill-disposed nature. He contented himself with giving her from time to time some gentle and kind advice; but he had the sorrow of seeing his tenderest words slide from his daughter's heart as if it were of marble. A father's eyes are slow to be unsealed, and it needed more than one experi- ence before the old Koyalist perceived that his daughter's rare caresses were bestowed on him with an air of conde- scension. She was like young children, who seem to say to their mother, "Make haste to kiss me, that I may go to play." In short;, Emilie vouchsafed to be fond of her parents. But THE BALL AT SCEAUX 75 often, by those sudden whims, which seem inexplicable in young girls, she kept aloof and scarcely ever appeared; she complained of having to share her father's and mother's heart with too many people ; she was jealous of every one, even of her brothers and sisters. Then, after creating a desert about her, the strange girl accused all nature of her unreal solitude and her wilful griefs. Strong in the experience of her twenty years, she blamed fate, because, not knowing that the mainspring of happiness is in ourselves, she de- manded it of the circumstances of life. She would have fled to the ends of the earth to escape a marriage such as those of her two sisters, and nevertheless her heart was full of hor- rible jealousy at seeing them married, rich, and happy. In short, she sometimes led her mother — who was as much a victim to her vagaries as Monsieur de Fontaine — ^to suspect that she had a touch of madness. But such aberrations are quite inexplicable; nothing is commoner than this unconfessed pride developed in the heavfc of young girls belonging to families high in the social scale, and gifted by nature with great beauty. They are almost all convinced that their mothers, now forty or fifty years of age, can neither sympathize with their young souls, nor con- ceive of their imaginings. They fancy that most mothers, jealous of their girls, want to dress them in their own way with the premeditated purpose of eclipsing them or robbing them of admiration. Hence, often, secret tears and dumb revolt against supposed tyranny. In the midst of these woes, which become very real though built on an imaginary basis^, they have also a mania for composing a scheme of life, while casting for themselves a brilliant horoscope ; their magic con- sists in taking their dreams for reality ; secretly, in their long meditations, they resolve to give their heart and hand to none but a man possessing this or the other qualification; and they paint in fancy a model to which, whether or no, the future lover must correspond. After some little experience of life, and the serious reflections that come with years, by dint of seeing the world and its prosaic round, by dint of 76 THE BALL AT SCEAUX observing unhappy examples, the brilliant hues of their ideal are extinguished. Then, one fine day, in the course of events, they are quite astonished to find themselves happy without the nuptial poetry of their day-dreams. It was on the strength of that poetry that Mademoiselle Emilie de Fontaine, in her slender wisdom, had drawn up a programme to which a suitor must conform to be accepted. Hence her disdain and sarcasm. J "Though young and of an ancient family, he must be af. peer of France," said she to herself. "I could not bear not to see my coat-of-arms on the panels of my carriage among the folds of azure mantling, not to drive like the princes down the broad walk of the Champs-Elysees on the days of Longchamps in Holy Week. Besides, my father says that it will some day be the highest dignity in France. He must be a soldier — but I reserve the right of making him retire; and he must bear an Order, that the sentries may present arms to us." And these rare qualifications would count for nothing if this creature of famcy had not a most amiable temper, a fine figure, intelligence, and, above all, if he were not slender. To be lean, a personal grace which is but fugitive, especially under a representative government, was an indispensable condition. Mademoiselle de Fontaine had an ideal standard which was to be the model. A young man who at the first glance did not fulfil the requisite conditions did not even get a second look. "Good Heavens ! see how fat he is !" was with her the ut- most expression of contempt. To hear her, people of respectable corpulence were inca- pable of sentiment, bad husbands, and unfit for civilized so- ciety. Though it is esteemed a beauty in the East, to be fat seemed to her a misfortune for a woman; but in a man it was a crime. These paradoxical views were amusing, thanks to a certain liveliness of rhetoric. The Count felt nevertheless that by-and-by his daughter's affections, of which the absurdity would be evident to some women who were not THE BALL AT SCEAUX 77 less clear-sighted than merciless, would inevitably become a subject of constant ridicule. lie feared lest her eccentric notions should deviate into bad style. He trembled to think that the pitiless world might already be laughing at a young woman who remained so long on the stage without arriving at any conclusion of the drama she was playing. More than one actor in it, disgusted by a refusal, seemed to be waiting for the slightest turn of ill-luck to take his revenge. The in- different, the lookers-on were beginning to weary of it; ad- miration is always exhausting to human beings. The old Vendeen knew better than any one that if there is an art in choosing the right moment for coming forward on the boards of the world, on those of the Court, in a drawing-room or on the stage, it is still more difficult to quit them in the nick of time. So during the first winter after the accession of Charles X., he redoubled his efforts, seconded by his three sons and his sons-in-law, to assemble in the rooms of his official residence the best matches which Paris and the various deputations from departments could offer. The splendor of his entertainments, the luxury of his dining-room, and his dinners, fragrant with truffies, rivaled the famous banquets by which the ministers of that time secured the vote of their parliamentary recruits. The Honorable Deputy was consequently pointed at as a most influential corrupter of the legislative honesty of the il- lustrious Chamber that was dying as it would seem of indiges- tion. A whimsical result ! his efforts to get his daughter mar- ried secured him a splendid popularity. He perhaps found some covert advantage in selling his truffies twice over. This a^ccusation, started by certain mocking Liberals, who made up by their flov/ of words for their small following in the Chamber, was not a success. The Poitevin gentleman had always been so noble and so honorable, that he was not once the object of those epigrams which the malicious journalism of the day hurled at the three hundred votes of the centre, at the Ministers, the cooks, the Directors-General, the princely Amphitryons, and the official supporters of the Yiliele Min- istry. 78 THE BALL AT SCBAUX At the close of this campaign, during which Monsieur de Fontaine had on several occasions brought out all his forces, he believed that this time the procession of suitors would not be a mere dissolving view in his daughter's eyes ; that it was time she should make up her mind. He felt a certain in- ward satisfaction at having well fulfilled his duty as a father. And having left no stone unturned, he hoped that, among so many hearts laid at Emilie's feet, there might be one to which her caprice might give a preference. Incapable of repeating such an effort, and tired, too, of his daughter's conduct, one morning, towards the end of Lent, when the business at the Chamber did not demand his vote, he deter- mined to ask what her views were. While his valet was ar- tistically decorating his bald yellow head with the delta of powder which, with the hanging ''ailes de pigeon/' completed his venerable style of hairdressing, Emilie's father, not with- out some secret misgivings, told his old servant to go and desire the haughty damsel to appear in the presence of the head of the family. Joseph," he added, when his hair was dressed, "take away that towel, draw back the curtains, put those chairs square, shake the rug, and lay it quite straight. Dust every- thing. — Now, air the room a little by opening the window." The Count multiplied his orders, putting Joseph out of breath, and the old servant, understanding his master's in- tentions, aired and tidied the room, of course the least cared for of any in the house, and succeeded in giving a look of harmony to the files of bills, the letter-boxes, the books and furniture of this sanctum, where the interests of the royal demesnes were debated over. When Joseph had reduced this chaos to some sort of order, and brought to the front such things as might be most pleasing to the eye, as if it were ? shop front, or such as by their color might give the effect of a kind of official poetry, he stood for a minute in the midst of the labyrinth of papers piled in some places even on the fioor, admired his handiwork, jerked his head, and went. The anxious sinecure-holder did not share his retainer's THE BALL AT SCBAUX 79 favorable opinion. Before seating himself in his deep chair, whose rounded back screened him from draughts, he looked round him doubtfully, examined his dressing-gown with a hostile expression, shook off a few grains of snuff, carefully wiped his nose, arranged the tongs and shovel, made the fire, pulled up the heels of his slippers, pulled out his little queue of hair which had lodged horizontally between the collar of his waistcoat and that of his dressing-gown, restoring it to its perpendicular position; then he swept up the ashes of the hearth, which bore witness to a persistent catarrh. Finally, the old man did not settle himself till he had once more looked all over the room, hoping that nothing could give occasion to the saucy and impertinent remarks with which his daughter was apt to answer his good advice. On this occasion he was anxious not to compromise his dignity as a father. He daintily took a pinch oi snuff, cleared his throat two or three times, as if he were about to demand a count out of the House; then he heard his daughter's light step, and she came in humming an air from II Barhiere. "Good-morning, papa. What do you want with me so early?" Having sung these words, as though they were the refrain of the melody, she kissed the Count, not with the familiar tenderness which makes a daughter's love so sweet a thing, but with the light carelessness of a mistress confident of pleasing, whatever she may do. "My dear child/^ said Monsieur de Fontaine, gravely, "I. sent for you to talk to you very seriously about your future prospects. You are at this moment under the necessity of making such a choice of a husband as may secure you durable happiness " "My good father," replied Emilie, assuming her most coax- ing tone of voice to interrupt him, "it strikes me that the armistice on which we agreed as to my suitors is not yet ex- pired." "Emilie, we must to-day forbear from jesting on so impor- tant a matter. For some time past the efforts of those who most truly love you, my dt;ar child, have been concentrated 80 THE BALL AT SCEAUX on the endeavor to settle you suitably; and you would be guilty of ingratitude in meeting with levity those proofs of kindness which I am not alone in lavishing on you." As she heard these words, after flashing a mischievously inquisitive look at the furniture of her father's study, the young girl brought forward the armchair which looked as if it had been least used by petitioners, set it at the side of the fireplace so as to sit facing her father, and settled herself in so solemn an attitude that it was impossible not to read in it a mocking intention, crossing her arms over the dainty trimmings of a pelerine a la neige, and ruthlessly crushing its endless frills of white tulle. After a laughing side glance at her old father's troubled face, she broke silence. "I never heard you say, my dear father, that the Govern- ment issued its instructions in its dressing-gown. However," and she smiled, "that does not matter ; the mob are probably not particular, l^ow, what are your proposals for legislation, and your official introductions ?" "I shall not always be able to make them, headstrong girl ! — Listen, Emilie. It is my intention no longer to compromise my reputation, which is part of my children's fortune, b}' recruiting the regiment of dancers which, spring after spring, you put to rout. You have already been the cause of many dangerous misunderstandings with certain families. I hope to make you perceive more truly the difficulties of your posi- tion and of ours. You are two-and-twenty, my dear child, and you ought to have been married nearly three years since. Your brothers and your two sisters are richly and happily provided for. But, my dear, the expenses occasioned by these marriages, and the style of housekeeping you require of your mother, have made such inroads on our income that I can hardly promise you a hundred thousand francs as a marrini^e portion. From this day forth I shall think only of providina for your mother, who must not be sacrificed to her children. Emilie, if I were to be taken from my family^ Madame do Fontaine could not be left at anybody's mercy, and ought to enjoy the affluence which I have given her too late as the THE BALL AT SCEAUX 81 reward of her devotion in my misfortunes. You see, my child, that the amount of your fortune bears no relation to your notions of grandeur. Even that would be such a sacrifice as I have not hitherto made for either of my children; but they have generously agreed not to expect in the future any compensation for the advantage thus given to a too favored child." "In their position !" said Emilie, with an ironical toss of her head. "My dear, do not so depreciate those who love you. Only the poor are generous as a rule ; the rich have always excellent reasons for not handing over twenty thousand francs to a relation. Come, my child, do not pout, let us talk rationally. — Among the young marrying men have you noticed Mon- sieur de Manerville ?" "Oh, he minces his words — he says Zules instead of J ules ; he is always looking at his feet, because he thinks them small, and he gazes at himself in the glass ! Besides, he is fair. I don't like fair men." "Well, then. Monsieur de Beaudenord "He is not noble ! he is ill made and stout. He is dark, it is true. — If the two gentlemen could agree to combine their fortunes, and the first would give his name and his figure to the second, who should keep his dark hair, then — per- haps " "What can you say against Monsieur de Eastignac?" "Madame de Nucingen has made a banker of him," she said with meaning. "And our cousin, the Yicomte de Portendnere ?" "A mere boy, who dances badly ; besides, he has no fortune And, after all, papa, none of these people have titles, I want, at least, to be a countess like my mother," "Have you seen no one, then, this winter—?'^ "No, papa." "What then do you want?" "The son of a peer of France/' 82 •THE BALL AT SCBAUX "My dear girl, you are mad !" said Monsieur de Fontaine, rising. But he suddenly lifted his eyes to heaven, and seemed to find a fresh fount of resignation in some religious thought; then, with a look of fatherly pity at his daughter, who herself was moved, he took her hand, pressed it, and said with deep feeling: "God is my witness, poor mistaken child, I have conscientiously discharged my duty to you as a father — con- scientiously, do I say ? Most lovingly, my Emilie. Yes, God knows ! This winter I have brought before you more than one good man, whose character, whose habits, and whose 1;emper were known to me, and all seemed worthy of you. My child, my task is done. From this day forth you are the arbiter of your fate, and I consider myself both happy and unhappy at finding myself relieved of the heaviest of paternal functions. I know not whether you will for any long time, now, hear a voice which, to you, has never been stern; but remember that conjugal happiness does not rest so much on brilliant qualities and ample fortune as on reciprocal es- teem. This happiness is, in its nature, modest, and devoid of show. So now, m}^ dear, my consent is given beforehand, whoever the son-in-law may be whom you introduce to me; but if you should be unhappy, remember you will have no right to accuse your father. I shall not refuse to take proper steps and help you, only your choice must be serious and final. I will never twice compromise the respect due to my white hairs." The affection thus expressed by her father, the solemn tones of his urgent address, deeply touched Mademoiselle de Fon- taine; but she concealed her emotion, seated herself on her father's knees — for he had dropped all tremulous into his chair again — caressed him fondly, and coaxed him so en- gagingly that the old man's brow cleared. As soon as Emilie thought that her father had got over his painful agitation, she said in a gentle voice : "I have to thank you for jour graceful attention, my dear father. You have had your room 8et in order to receive your beloved daughter. You did not THE. BALL AT SCEAUX 83 perhaps know that you would find her so foolish and so head- strong. But, papa., is it so difficult to get married to a peer of France? You declared that they were manufactured by dozens. At least, you will not refuse to advise me." "No, my poor child, no; — and more than once I may have occasion to cry, ^Beware !^ Remember that the making of peers is so recent a force in our government machinery that the}/ have no great fortunes. Those who are rich look to becoming richer. The wealthiest member of our peerage has not half the income of the least rich lord in the English Upper Chamber. Thus all the French peers are on the lookout for great heiresses for their sons, wherever they may meet with them. The necessity in which they find them- selves of marrying for money will certainly exist for at least two centuries. "Pending such a fortunate accident as you long for — and this fastidiousness may cost you the best years of your life— your attractions might work a miracle, for men often marry for love in these days. When experience lurks behind so sweet a face as yours it may achieve wonders. In the first place, have you not the gift of recognizing virtue in the greater or smaller dimensions of a man's body? This is no small matter ! To so wise a young person as you are, I need not enlarge on all the difficulties of the enterprise. I am sure that you would never attribute good sense to a stranger be- cause he had a handsome face, or all the virtues because he had a fine figure. And I am quite of your mind in thinking that the sons of peers ought to have an air peculiar to themselves, and perfectly distinctive manners. Though nowadays no external sign stamps a man of rank, those young men will have, perhaps, to you the indefinable something that will reveal it. Then, again, you have your heart well in hand, like a good horseman who is sure his steed cannot bolt. Luck be with you, my dear!" "You are making game of me, papa. Well, I assure you that I would rather die in Mademoiselle de Conde's convent than not be the wife of a peer of France." THE BALL AT SCEAUX She slipped out of her father's arms, and, proud of being her own mistress, went off singing the air of Cara non du- hitare, in the "Matrimonio Segreto." As it happened, the family were that day keeping the anniversary of a family fete. At dessert, Madame Planat, the Eeceiver-General's wife, spoke with some enthusiasm of a young American owning an immense fortune, who had fallen passionately in love with her sister, and made through her the most splendid proposals. ^'^A banker, I rather think," observed Emilie carelesslyo ^^I do not like money dealers." '^But, Emilie," replied the Baron de Yillaine, the husband of the Count's second daughter, "you do not like lawyers either; so that if you refuse men of wealth who have not titles, I do not quite see in what class you are to choose a husband." "Especially, Emilie, with your standard of slimness," added the Lieutenant-General. "I know what I want," replied the young lady. "My sister wants a fine name, a fine young man, fine pros- pects, and a hundred thousand francs a year," said the Baronne de Fontaine. "Monsieur de Marsay, for instance." "I know, my dear," retorted Emilie, "that I do not mean to make such a foolish marriage as some I have seen. More- over, to put an end to these matrimonial discussions, I hereby declare that I shall look on anyone who talks to me of mar- riage as a foe to my peace of mind." An uncle of Emilie's, a vice-admiral, whose fortune had just been increased by twenty thousand francs a year in con- sequence of the Act of Indemnity, and a man of seventy, feeling himself privileged to say hard things to his grand- niece, on whom he doted, in order to mollify the bitter tone of the discussion now exclaimed: ' "Do not tease my poor little Emilie; don't you see she is waiting till the Due de Bordeaux comes of age !" The old man's pleasantry was received with general laughter. THE BAIJ. AT SCEAUX 85 "Take care I don't marry you, old fool replied the young girl, whose last words were happily drowned in the noise. "My dear children," said Madame de Fontaine, to soften this saucy retort, "Emilie, like you, will take no advice but her mother's." "Bless me ! I shall take no advice but my own in a matter which concerns no one but myself," said Mademoiselle de Fontaine very distinctly. At this all eyes were turned to the head of the family. Every one seemed anxious as to what he would do to assert his dignity. The venerable gentleman enjoyed much consid- eration, not only in the world; happier than many fathers, he was also appreciated by his family, all its members having a just esteem for the solid qualities by which he had been able to make their fortunes. Hence he was treated with the deep respect which is shown by English families, and some aristocratic houses on the continent, to the living representa- tive of an ancient pedigree. Deep silence had fallen; and the guests looked alternately from the spoilt girl's proud and sulky pout to the severe faces of Monsieur and Madame de Fontaine. "I have made my daughter Emilie mistress of her own fate," was the reply spoken by the Count in a deep voice. Eelations and guests gazed at Mademoiselle de Fontaine with mingled curiosity and pity. The words seemed to de- clare that fatherly affection was weary of the contest with a character that the whole family knew to be incorrigible. The sons-in-law muttered, and the brothers glanced at their wives with mocking smiles. From that moment every one ceased to take any interest in the haughty girl's prospects of mar- riage. Her old uncle was the only person who, as an old sailor, ventured to stand on her tack, and take her broadsides, without ever troubling himself to return her fire. When the fine weather was settled, and after the budget was voted, the whole family — a perfect example of the par- liamentary families on the northern side of the Channel who 86 THE BALL AT SCEAUX have a footing in every government department, and ten votes in the House of Commons — flew away like a brood of young birds to the charming neighborhoods of Aulnay, An- tony, and Chatenay. The wealthy Receiver-General had lately purchased in this part of the world a country-house for his wife, who remained in Paris only during the session. Though the fair Emilie despised the commonalty, her feeling was not carried so far as to scorn the advantages of a fortune ac- quired in a profession; so she accompanied her sister to the sumptuous villa, less out of affection for the members of her family who were visiting there, than because fashion has or- dained that every woman who has any self-respect must leave Paris in the summer. The green seclusion of Sceaux an- swered to perfection the requirements of good style and of the duties of an official position. As it is extremely doubtful that the fame of the '^Bal de Sceaux" should ever have extended beyond the borders of the Department of the Seine, it will be necessary to give some account of this weekly festivity, which at that time was important enough to threaten to become an institution. The environs of the little town of Sceaux enjoy a reputation due to the scenery, which is considered enchanting. Perhaps it is quite ordinar}^ and owes its fame only to the stupidity of the Paris townsfolk, who, emerging from the stony abyss in which they are buried, would find something to admire in ihe flats of La Beauce. However, as the poetic shades of Aulnay, the hillsides of Antony, and the valley of the Bieve are peopled with artists who have traveled far, by for- eigners who are very hard to please, and by a great many pretty women not devoid of taste, it is to be supposed that the Parisians are right. But Sceaux possesses another attrac- tion not less powerful to the Parisian. In the midst of a garden whence there are delightful views, stands a large ro- tunda open on all sides, with a light, spreading roof sup- ported on elegant pillars. This rural baldachino shelters a dancing-floor. The most stuck-up landowners of the neigh- borhood rarely fail to make an excursion thither once or THE BALL AT SCEAUX 87 twice during the season, arriving at this rustic palace jf Terpsichore either in dashing parties on horseback, or In the light and elegant carriages which powder the philosoph- ical pedestrian with dust. The hope of meeting some women of fashion, and of being seen by them — and the hope, less often disappointed, of seeing young peasant girls, as wily aa judges — crowds the ballroom at Sceaux with numerous swarms of lawyers' clerks, of the disciples of ^sculapius, and other youths whose complexions are kept pale and moist by the damp atmosphere of Paris back-shops. And a good many bourgeois marriages have had their beginning to the sound of the band occupying the centre of this circular ball- room. If that roof could speak, what love-stories could it not tell ! This interesting medley gave the Sceaux balls at that time a spice of more amusement than those of two or three places of the same kind near Paris ; and it had incontestable advan- tages in its rotunda, and the beauty of its situation and its gardens. Emilie was the first to express a wish to play at being common folk at this gleeful suburban entertainment, and promised herself immense pleasure in mingling with the crowd. Everybody wondered at her desire to wander through such a mob; but is there not a keen pleasure to grand people in an incognito? Mademoiselle de Fontaine amused herself with imagining all these town-bred figures; she fancied her- self leaving the memory of a bewitching glance and smile stamped on more than one shopkeeper's heart, laughed before- hand at the damsels' airs, and sharpened her pencils for the scenes she proposed to sketch in her satirical album. Sun- day could not come soon enough to satisfy her impatience. The party from the Villa Planat set out on foot, so as not to betray the rank of the personages who were about to honor the ball with their presence. They dined early. And the month of May humored this aristocratic escapade by one of its finest evenings. Mademoiselle de Fontaine was quite surprised to find in the rotunda some quadrilles made up of persons who seemed to belong to the upper classes. Here and there. 88 THE BAI L AT SCEAUX indeed, were some young men who look as thongh they must have saved for a month to shine for a day; and she perceived several couples whose too hearty glee suggested nothing con- jugal; still, she could only glean instead of gathering a harvest. She was amazed to see that pleasure in a cotton dress was so very like pleasure rohed in satin, and that the girls of the middle class danced quite as well as ladies — nay, sometimes better. Most of the women were simply and suit- ably dressed. Those who in this assembly represented the ruling power, that is to say, the country-folk, kept apart with wonderful politeness. In fact, Mademoiselle Emilie had to study the various elements that composed the mixture before i^he could find any subject for pleasantry. But she had not time to give herself up to malicious criticism, nor opportunity for hearing many of the startling speeches which caricaturists <50 gladly pick up. The haughty young lady suddenly found a flower in this wide field — the metaphor is reasonable — whose splendor and coloring worked on her imagination with all the fascination of novelty. It often happens that we look at a dress, a hanging, a blank sheet of paper, with so little heed that we do not at first detect a stain or a bright spot which afterwards strikes the eye as though it had come there at the very instant when we see it; and by a sort of moral phenomenon somewhat resembling this, Mademoiselle de Fontaine discovered in a young man the external perfec- tions of which she had so long dreamed. Seated on one of the clumsy chairs which marked the boundary line of the circular floor, she had placed herself at the end of the row formed by the family party, so as to be able to stand up or push forward as her fancy moved her, treating the living pictures and groups in the hall as if she were in a picture gallery; impertinently turning her eye- glass on persons not two yards away, and making her remarks as though she were criticising or praising a study of a head, a painting of genre. Her eyes, after wandering over the vast moving picture, were suddenly caught by this figure, which seemed to have been placed on purpose in one corner of the THE BALL AT SCIJAUX 89 canvas, and in the best light, like a person out of all propor- tiou with the rest. The stranger, alone and absorbed in thought, leaned lightly against one of the columns that supported the roof; his arms were folded, and he leaned slightly on one side as though he had placed himself there to have his portrait taken by a painter. His attitude, though full of elegance and dignity, was devoid of affectation. Nothing suggested that he had half turned his head, and bent it a little to the right like Alexander, or Lord Byron, and some other great men, for the sole purpose of attracting attention. His fixed gaze followed a girl who was dancing, and betrayed some strong feeling. His slender, easy frame recalled the noble propor- tions of the Apollo. Fine black hair curled naturally over a high forehead. At a glance Mademoiselle de Fontaine ob- served that his linen was fine, his gloves fresh, and evidently bought of a good maker, and his feet small and well shod in boots of Irish kid. He had none of the vulgar trinkets displayed by the dandies of the National Guard or the Love- laces of the counting-house. A black ribbon, to which am eye-glass was attached, hung over a waistcoat of the most fashionable cut. Never had the fastidious Emilie seen a man's eyes shaded by such long, curled lashes. Melanchohi' and passion were expressed in this face, and the complexioi< was of a manly olive hue. His mouth seemed ready to smile, unbending the corners of eloquent lips; but this, far from hinting at gaiety, revealed on the contrary a sort of patheti'? grace. There was too much promise in that head, too much distinction in his whole person, to allow of one's saying, "What a handsome man!" or "What a fine man!" Onf: wanted to know him. The most clear-sighted observer, on seeing this stranger, could not have helped taking him for a 'clever man attracted to this rural festivity by some powerful motive. All these observations cost Emilie only a minute's atten- tion, during which the privileged gentleman under her severe scrutiny became the object of her secret admiration. She 90 THE BALL AT SCEAUX did not say to herself, "He must be a peer of France !" but, "Oh, if only he is noble, and he surely must be " With- out finishing her thought, she suddenly rose, and followed by her brother the General, she made her way towards the column, affecting to watch the merry quadrille; but by a stratagem of the eye, familiar to women, she lost not a gesture of the young man as she went towards him. The stranger politely moved to make way for the newcomers, and went to lean against another pillar. Emilie, as much nettled by his politeness as she might have been by an impertinence, uegan talking to her brother in a louder voice than good 'caste enjoined; she turned and tossed her head, gesticulated eagerly, and laughed for no particular reason, less to amuse her brother than to attract the attention of the imperturbable stranger. None of her little arts succeeded. Mademoiselle de Fontaine then followed the direction in which his eyes were fixed, and discovered the cause of his indifference. In the midst of the quadrille, close in front of them, a pale girl was dancing ; her face was like one of the divinities which Girodet has introduced into his immense composition of French Warriors received by Ossian. Emilie fancied that she recognized her as a distinguished milady who for some months had been living on a neighboring estate. Her partner was a lad of about fifteen, with red hands, and dressed in nanl^een trousers, a blue coat, and white shoes, which showed that the damseFs love of dancing made her easy to please in the matter of partners. Her movements did not betray her apparent delicacy, but a faint fiush already tinged her white cheeks, and her complexion was gaining color. Made- moiselle de Fontaine went nearer, to be able to examine the young lady at the moment when she returned to her place, while the side couples in their turn danced the figure. But the stranger went up to the pretty dancer, and leaning over, said in a gentle but commanding tone : "Clara, my child, do not dance any more." Clara made a little pouting face, bent her head, and finally smiled. When the dance was over, the young man wrapped THE BALL AT SCEAUX 91 her in a cashmere shawl with a lover's care, and seated her in a place sheltered from the wind. Very soon Mademoiselle de Fontaine, seeing them rise and walk round the place as if preparing to leave, found means to follow them under pretence of admiring the views from the garden. Her brother lent himself with malicious good-humor to the divagations of her rather eccentric wanderings. Emilie then saw the at- tractive couple get into an elegant tilbury, by which stood a mounted groom in livery. At the moment when, from his high seat, the young man was drawing the reins even, she caught a glance from his eye such as a man casts aimlessly at the crowd; and then she enjoyed the feeble satisfaction of seeing him twice turn his head to look at her. The young lady did the same. Was it from jealousy? imagine you have now seen enough of the garden," said her brother. "We may go back to the dancing." "I am ready," said she. "Do you think the girl can be a relation of Lady Dudley's?" "Lady Dudley may have some male relation staying with her," said the Baron de Fontaine ; "but a young girl ! — !" Next day Mademoiselle de Fontaine expressed a wish to take a ride. Then she gradually accustomed her old uncle and her brothers to escorting her in very early rides, excel- lent, she declared, for her health. She had a particular tancy for the environs of the hamlet where Lady Dudley was living. Notwithstanding her cavalry manoeuvres, she did not meet the stranger so soon as the eager search she pursued might have allowed her to hope. She went several times to the "Bal de Sceaux" without seeing the young Englishman who had dropped from the skies to pervade and beautify her dreams. Though nothing spurs on a young girl's infant pas- sion so effectually as an obstacle, there was a time when Made- moiselle de Fontaine was on the point of giving up her strange and secret search, almost despairing of the success of an enterprise whose singularity may give some idea of the boldness of her temper. In point of fact> she might have wandered long about the village of Chatenay wnhout meeting 92 THE BALL AT SCBAUX her Unknown. The fair Clara — since- that was the name Emilie had overheard — was not English, and the stranger who escorted her did not dwell among the flowery and fra- grant bowers of Chatenay. One evening Emilie, out riding with her nncle, who, during the fine weather, had gained a fairly long truce from the gout, met Lady Dudley. The distinguished foreigner had with her in her open carriage Monsieur Vandenesse. Emilie recognized the handsome couple, and her suppositions were at once dissipated like a dream. Annoyed, as any woman must be whose expectations are frustrated, she touched up her horse so suddenly that her uncle had the greatest difficulty in following her, she had set off at such a pace. am too old, it would seem, to understand these youthful spirits," said the old sailor to himself as he put his horse to a canter; "or perhaps young people are not what they used to be. But what ails my niece? Now she is walking at a foot-pace like a gendarme on patrol in the Paris streets. One might fancy she wanted to outflank that worthy man, who looks to me like an author dreaming over his poetry, for he has, I think, a notebook in his hand. My word, I am a great simpleton ! Is not that the very young man we are in search of !" At this idea the old admiral moderated his horse's pace so as to follow his niece without making any noise. He had played too many pranks in the years 1771 and soon after, a time of our history when gallantry was held in honor, not to guess at once that by the merest chance Emilie had met the Unknown of the Sceaux gardens. In spite of the film which age had drawn over his gray eyes, the Comte de Kerga- rouet could recognize the signs of extreme agitation in his niece, under the unmoved expression she tried to give to her features. The girl's piercing eyes were fixed in a sort of dull amazement on the stranger, who quietly walked on in front of her. "Ay, that's it," thought the sailor. "She is following him as a pirate follows a merchantman. Then, when she has lost THE BALL AT SCEAtTX sight of him, she will be in despair at not knowing who it is she is in love with, and whether he is a marquis or a shop- keeper. Eeally these young heads need an old fogy like me always by their side . . P He unexpectedly spurred his horse in such a way as to make his niece's bolt, and rode so hastily between her and the young man on foot that he obliged hira to fall back on to the grassy bank which rose from the roadside. Then, abruptly drawing up, the Count exclaimed : "Couldn't you get out of the way ?" "I beg your pardon, monsieur. But I did not know that it lay with me to apologize to you because you almost rode me down." "There, enough of that, my good fellow!" replied the sailor harshly, in a sneering tone that was nothing less than insulting. At the same time the Count raised his hunting- crop as if to strike his horse, and touched the young fellow's shoulder, saying, "A liberal citizen is a reasoner; every rea- soner should be prudent." The young man went up the bankside as he heard the sarcasm; then he crossed his arms, and said in an excited tone of voice, "I cannot suppose, monsieur, as I look at your white hairs, that you still amuse yourself by provoking duels " '^hite hairs!" cried the sailor, interrupting him. "You lie in your throat. They are only gray." A quarrel thus begun had in a few seconds become so fierce that the younger man forgot the moderation he had tried to preserve. Just as the Comte de Kergarouet saw his niece coming back to them with every sign of the greatest uneasi- ness, he told his antagonist his name, bidding him keep silence before the young lady entrusted to his care. The stranger could not help smiling as he gave a visiting card to the old man, desiring him to observe that he was living in a country-house at Chevreuse; and, after pointing this out to him, he humed away. "You very nearly damaged that poor young counter- d4 THE BALL AT SCEAUX jumper, my dear," said the Count, advancing hastily to meet Emilie. "Do you not know how to hold your horse in? — And there you leave me to compromise my dignity in order to screen your folly; whereas if you had but stopped, one of your looks, or one of your pretty speeches — one of those you can make so prettily when you are not pert^ — would have set everything right, even if you had broken his arm.'' "But, my dear uncle, it was your horse, not mine, that caused the accident. I really think you can no longer ride; you are not so good a horseman as you were last year. — But instead of talking nonsense '' "Nonsense, by Gad! Is it nothing to be so impertinent to your uncle?" "Ought we not to go on and inquire if the young man is hurt ? He is limping, uncle, only look "No, he is running; I rated him soundly." "Oh, yes, uncle ; I know you there "Stop," said the Count, pulling Emilie's horse by the bridle, "I do not see the necessity of making advances to some shopkeeper who is only too lucky to have been thrown down by a charming young lady, or the commander of La Belle-PouUr "Why do you think he is anything so common, my dear uncle ? He seems to me to have very fine manners." "Every one has manners nowadays, my dear." "No, uncle, not every one has the air and style which come of the habit of frequenting drawing-rooms, and I am ready to lay a bet with you that the young man is of noble birth." "You had not long to study him." "No, but it is not the first time I have seen him." "Nor is it the first time you have looked for him," replied the admiral with a laugh. Emilie colored. Her uncle amused himself for some time with her embarrassment; then he said: "Emilie, you know that I love you as my own child, precisely because you are the only member of the family who has the legitimate pride THE BALL AT SCEAUX 95 of high birth. Devil take it, child, who could have believed that sound principles would become so rare? Well, I will be your confidant. My dear child, I see that this young gentleman is not indifferent to you. Hush ! All the family would laugh at us if we sailed under the wrong flag. You know what that means. We two will keep our secret, and I promise to bring him straight into the drawing-room/' ^'When, uncle?" . "To-morrow." "But, my dear uncle, I am not committed to anything "Nothing whatever, and you may bombard him, set fire to him, and leave him to founder like an old hulk if you choose. He won't be the first, I fancy ?" "You are kind, uncle !" As soon as the Count got home he put on his glasses, quietly took the card out of his pocket, and read, "Maxi- milien Longueville, Kue du Sentier." "Make yourself happy, my dear niece," he said to Emilie., "you may hook him with an easy conscience; he belongs to one of our historical families, and if he is not a peer of France, he infallibly will be." "How do you know so much?" "That is my secret." "Then do you know his name?" The old man bowed his gray head, which was not unlike a gnarled oak-stump, with a few leaves fluttering about it, withered by autumnal frosts ; and his niece immediately began to try the ever-new power of her coquettish arts. Long familiar with the secret of cajoling the old man, she lav- ished on him the most childlike caresses, the tenderest names ; she even went so far as to kiss him to induce him to di- vulge so important a secret. The old man, who spent his life in playing off these scenes on his niece, often paying for them with a present of jewelry, or by giving her his box at the opera, this time amused himself with her entreaties, and, above all, her caresses. But as he spun out this pleasure too long, Emilie grew angry, passed from coaxing to sar- 96 THE BALL AT SCEAUX casm and sulks; then, urged by curiosity, she recovered her- self. The diplomatic admiral extracted a solemn promise from his niece that she would for the future he gentler, less noisy, and less wilful, that she would spend less, and, above ail, tell him everything. The treaty being concluded, and signed b}'' a kiss impressed on Emilie's white brow, he led her into a corner of the room, drew her on to his knee, held the 2ard under the thumbs so as to hide it, and then uncovered the letters one by one, spelling the name of Longueville; but he firmly refused to show her anything more. This incident added to the intensity of Mademoiselle de Fontaine^s secret sentiment, and during chief part of the night she evolved the most brilMant pictures from the dreams with which she had fed her hopes. At last, thanks to chance, to which she had so often appealed, Emilie could now see something very unlike a chimera at the fountain-head of the imaginary wealth with which she gilded her married life. Ignorant, as all young girls are, of the perils of love and marriage, she was passionately captivated by the externals of marriage and love. Is not this as much as to say that her feeling had birth like all the feelings of extreme youth — sweet but cruel mistakes, which exert a fatal influence on the lives of yoiing girls so inexperienced as to trust their own judgment to take care of their future happiness? Next morning, before Emilie was awake, her uncle had hastened to Chevreuse. On recognizing, in the courtyard of an elegant little villa, the young man he had so determinedly insulted the day before, he went up to him with the press- ing politeness of men of the old court. "Why, my dear sir, who could have guessed that I should have a brush, at the age of seventy-three, with the son, or the grandson, of one of my best friends. I am a vice-admiral ^ monsieur; is not that as much as to say that I think no more of fighting a duel than of smoking a cigar? Why, in my time, no two young men could be intimate till they had seen the color of their blood ! But ^sdeath, sir, last evening, sailor- like^ I had taken a drop too much grog on board, and I ran THE BALL AT SOKAUX 97 you down. Shake hands; I would rather take a hundred re- buffs from a Longueville than cause his family the smallest regret." However coldly the young man tried to behave to the Comte de Kergarouet, he could not long resist the frank cor- diality of his manner, and presently gave him his hand. ''You were going out riding/' said the Count. "Do not let me detain you. But, unless you have other plans, I beg you will come to dinner to-day at the Villa Planat. My nephew, the Comte de Fontaine, is a man it is essential that you should know. Ah, ha! And I propose to make up to you for my clumsiness by introducing you to five of the prettiest women in Paris. So, so, young man, your brow is clearing ! I am fond of young people, and I like to see them happy. Their happiness reminds me of the good times of my youth, when adventures were not lacking, any more than duels. We were gay dogs then ! Nowadays you think and worry ovei everything, as though there had never been a fifteenth and a sixteenth century." "But, monsieur, are we not in the right? The sixteenth century only gave religious liberty to Europe, and the nine- teenth will give it political lib " "Oh, we will not talk politics. I am a perfect old woman — ultra you see. But I do not hinder young men from being revolutionary, so long as they leave the King at liberty to dis^ perse their assemblies." When they had gone a little way, and the Count and his companion were in the heart of the woods, the old sailor pointed out a slender young birch sapling, pulled up his horse, took out one of his pistols, and the bullet was lodged in the heart of the tree, fifteen paces away. "You see, my dear fellow, that I am not afraid of a duel," he said with comical gravity, as he looked at Monsieur Longueville. "^^or am I," replied the young man, promptly cocking his pistol ; he aimed at the hole made by the Comte's bullet;^ and sent his own in close to it. 98 THE BALL AT SCEAUX 'That is what I call a well-educated man/' cried the ad- miral with enthusiasm. During this ride with the youth, whom he already regarded as his nephew, he found endless opportunities of catechizing him on all the trifles of which a perfect knowledge consti- tuted, according to his private code, an accomplished gentle- man. "Have you any debts he at last asked of his companion, after many other inquiries. "No, monsieur." > ""^What, you pay for all you have?'' "Punctually; otherwise we should lose our credit, and every sort of respect." "But at least you have more than one mistress? Ah, you blush, comrade! Well, manners have changed. All these notions of lawful order, Kantism, and liberty have spoilt the young men. You have no Guimard no\\, no Duthe, no creditors — and you know nothing of heraldry; why, my dear young friend, you are not fully fledged. The man who does not sow his wild oats in the spring sows them in the winter. If I have but eighty thousand francs a year at the age of seventy, it is because I ran through the capital at thirty. Oh! with my wife — in decency and honor. However, youx imperfections will not interfere with my introducing you at the Pavilion Planat. Remember, you have promised to come, and I shall expect you." "What an odd little old man !" said Longueville to himself. "He is so jolly and hale; but though he wishes to seem a good fellow, I will not trust him too far." Next day, at about four o'clock, when the house party were dispersed in the drawing-rooms and billiard-roon), a servant announced to the inhabitants of the Villa Planat, "Monsieur de Longueville." On hearing the name of the old admiral's protege, every one, down to the player who was about to miss his stroke, rushed in, as much to study Mademoiselle de Fontaine's countenance as to judge of this phoenix of men, who had earned honorable mention to the THE BALL AT SCEAUX 99 detriment of so many rivals. A simple but elegant style of dress, an air of perfect ease, polite manners, a pleasant voice with a ring in it which fonnd a response in the hearer's heart- strings, won the good-will of the family for Monsieur Longueville. He did not seem unaccustomed to the luxury of the Eeceiver-General's ostentatious mansion. Though his conversation was that of a man of the world, it was easy to discern that he had had a brilliant education, and that his Imowledge was as thorough as it was extensive. He knew so well the right thing to say in a discussion on naval archi- tecture, trivial, it is true, started by the old admiral, that one of the ladies remarked that he must have passed through the Nicole Poly technique. "And I think, madame," he replied, "that I may regard it as an honor to have got in." In spite of urgent pressing, he refused politely but firmly l[o be kept to dinner, and put an end to the persistency of the (ladies by saying that he was the Hippocrates of his young i«ister, whose delicate health required great care. "Monsieur is perhaps a medical man?" asked one of Emilie's sisters-in-law with ironical meaning. "Monsieur has left the £lcole Polytechnique," Mademoiselle de Fontaine kindly put in; her face had flushed with richer color, as she learned that the yonng lady of the ball was Monsieur Longueville's sister. "But, my dear, he may be a doctor and yet have been to the ^lcole Polytechnique — is it not so, monsieur?" "There is nothing to prevent it, madame," replied the young man. Every eye was on Emilie, who was gazing with uneasy curiosity at the fascinating stranger. She breathed more freely when he added, not without a smile, "I have not the honor of belonging to the medical profession; and I even gave up going into the Engineers in order to preserve my in- dependence." "And you did well," said the Count. "But how can you regard it as an honor to be a doctor?" added the Breton 100 THE BALL AT SCEAUX nobleman. '^Ah, my young friend, such a man as yon "Monsieur le Comte, I respect every profession that has a useful purpose.'^ ^^ell, in that we agree. You respect those professions, I imagine, as a young man respects a dowager." Monsieur Longueville made his visit neither too long nor too short. lie left at the moment when he saw that he had pleased everybody, and that each one's curiosity about him had been roused. "He is a cunning rascal said the Count, coming into the drawing-room after seeing him to the door. Mademoiselle de Fontaine, who had been in the secret of this call, had dressed with some care to attract the young man's eye; but she had the little disappointment of finding that he did not bestow on her so much attention as she thought she deserved. The family were a good deal surprised at the silence into which she had retired. Emilie generally dis- played all her arts for the benefit of newcomers, her witty prattle, and the inexhaustible eloquence of her eyes and at - titudes. Whether it was that the young man's pleasing voic() and attractive manners had charmed her, that she was se- riously in love, and that this feeling had worked a change in her, her demeanor had lost all its affectations. Being simple and natural, she must, no doubt, have seemed more beauti- ful. Some of her sisters, and an old lady, a friend of tbv family, saw in this behavior a refinement of art. They sup- posed that Emilie, judging the man worthy of her, intended to delay revealing her merits, so as to dazzle him suddenhf when she found that she pleased him. Every member of\ the family was curious to know what this capricious creature thought of the stranger; but when, during dinner, every one chose to endow Monsieur Longueville with some fresh quality which no one else had discovered. Mademoiselle de Fontaine sat for some time in silence. A sarcastic remark of her uncle's suddenly roused her from her apathy; she said, somewhat epigrammatically, that such heavenly perfection must cover some great defect, and that she would take good care how she judged so gifted a man at first sight. THE BALL AT SCEAUX 101 "Those who please everybody, please nobody," she added; "and the worst of all faults is to have none." Like all girls who are in love, Emilie cherished the hope of being able to hide her feelings at the bottom of her heart by putting the Argus-eyes that watched on the wrong tack; but by the end of a fortnight there was not a member of the large family party who was not in this little domestic secret. When Monsieur Longueville called for the third time, Emilie believed it was chiefly for her sake. This discovery gave her such intoxicating pleasure that she was startled as she re- flected on it. There was something in it very painful to her pride. Accustomed as she was to be the centre of her world, she was obliged to recognize a force that attracted her out- side herself ; she tried to resist, but she could not chase from iier heart the fascinating image of the young man. Then came some anxiety. Two of Monsieur Longueville's ([ualities, very adverse to general curiosity, and especially to Mademoiselle de Fontaine's, were unexpected modesty and discretion. He never spoke of himself, of his pursuits, or of his family. The hints Emilie threw out in conversation, and the traps she laid to extract from the young fellow some facts concerning himself, he could evade with the adroitness of a diplomatist concealing a secret. If she talked of paint- ing, he responded as a connoisseur; if she sat down to play, he showed without conceit that he was a very good pianist; one evening he delighted all the party by joining his delight- ful voice to Emilie's in one of Cimarosa's charming duets. But when they tried to find out whether he were a profes- sional singer, he baffled them so pleasantly that he did not afford these women, practised as they were in the art of read- ing feelings, the least chance of discovering to what social sphere he belonged. However boldly the old uncle cast the' boarding-hooks over the vessel, Longueville slipped away cleverly, so as to preserve the charm of mystery; and it was easy to him to remain the "handsome Stranger" at the Villa, because curiosity never overstepped the bounds of good breed- ing. 102 THE BALL AT SCEAUX Emilie, distracted by this reserve, hoped to get more out of the sister than the brother, in the form of confidences. Aided by her uncle, who was as skilful in such manoeuvres as in handling a ship, she endeavored to bring upon the scene the hitherto unseen figure of Mademoiselle Clara Longueville. The family party at the Villa Planat soon ex- pressed the greatest desire to make the acquaintance of so amiable a young lady, and to give her some amusement. An informal dance was proposed and accepted. The ladies did not despair of making a young girl of sixteen talk. Notwithstanding the little clouds piled up by suspicion and created by curiosity, a light of joy shone in Emilie^s soul., for she found life delicious when thus intimately connected with another than herself. She began to understand the rela- tions of life. Whether it is that happiness makes us better, or that she was too fully occupied to torment other people, she became less caustic, more gentle, and indulgent. Thij» change in her temper enchanted and amazed her family. Per» haps, at last, her selfishness was being transformed to love. It was a deep delight to her to look for the arrival of heit bashful and unconfessed adorer. Though they had not ut- tered a word of passion, she knew that she was loved, anc'i with what art did she not lead the stranger to unlock thn stores of his information, which proved to be varied! Shi perceived that she, too, was being studied, and that madii her endeavor to remedy the defects her education had en- couraged. Was not this her first homage to love, and a bitter reproach to herself? She desired to please, and she was en- chanting; she loved, and she was idolized. Her family, knowing that her pride would sufficiently protect her, gave her enough freedom to enjoy the little childish delights which give to first love its charm and its violence. More than once the young man and Mademoiselle de Fontaine walked, tete-d- tete, in the avenues of the garden, where nature was dressed like a woman going to a ball. More than once they had those conversations, aimless and meaningless, in which the emptiest phrases are those which cover the deepest feelings. THE BALL AT SCEAUX 103 They often admired together the setting sun and its gorgeous coloring. They gathered daisies to pull the petals off, and sang the most impassioned duets, using the notes set down by Pergolesi or Rossini as faithful interpreters to express tiieir secrets. The day of the dance came. Clara Longueville and her brother, whom the servants persisted in honoring with the noble de, were the principal guests. For the first time in her life Mademoiselle de Fontaine felt pleasure in a young girl's triumph. She lavished on Clara in all sincerity the gracious petting and little attentions which women generally give each other only to excite the jealousy of men. Emilie had, indeed, an object in view ; she wanted to discover some secrets. But, being a girl. Mademoiselle Longueville showed even more mother-wit than her brother, for she did not even look as if she were hiding a secret, and kept the conversation to subjects unconnected with personal interests, while, at the same time, she gave it so much charm that Mademoiselle de Fontaine was almost envious, and called her "the Siren." Though Emilie had intended to make Clara talk, it was Clara, in fact, who questioned Emilie; she had meant to judge her, and she was judged by her; she was constantly provoked to find that she had betrayed her own character in some reply which Claza had extracted from her, while her modest and candid manner prohibited any suspicion of perfidy. There was a moment \vhen Mademoiselle de Fontaine seemed sorry for an ill-judged sally against the commonalty to which Clara had led her. "Mademoiselle," said the sweet child, "I have heard so much of you from Maximilien that I had the keenest desire to know you, out of affection for him ; but is not a wish to know you a wish to love you ?" "My dear Clara, I feared I might have displeased you by speaking thus of people who are not of noble birth." "Oh, be quite easy. That sort of discussion is pointless in these days. As for me, it does not affect me. I am beside the question." Ambitious as the answer might seem, it filled Mademoiselle 104 THE BALL xiT SCEAUX de Fontaine with the deepest joy ; for, like all infatuated peo- ple, she explained it, as oracles are explained, in the sense that harmonized with her wishes; she began dancing again in higher spirits than ever, as she watched Longueville, whose figure and grace almost surpassed those of her imaginary ideal. She felt added satisfaction in believing him to be well bom, her black eyes sparkled, and she danced with all the pleasure that comes of dancing in the presence of the being we love. The couple had never understood each other so well as at this moment; more than once they felt their finger tips thrill and tremble as they were married in the figures of the dance. The early autumn had come to the handsome pair, in the midst of country festivities and pleasures; they had abandoned themselves softly to the tide of the sweetest senti- ment in life, strengthening it by a thousand little incidents which any one can imagine ; for love is in some respects always the same. They studied each other through it all, as much as lovers can. '^Well, well; a flirtation never turned so quickly into a love match." said the old uncle, who kept an eye on the two young people as a naturalist watches an insect in the mi- croscope. This speech alarmed Monsieur and Madame Fontaine. The old Vendeen had ceased to be so indifferent to his daughter's', prospects as he had promised to be. He went to Paris to seek information, and found none. Uneasy at this mystery., and not yet knowing what might be the outcome of the in- quiry which he had begged a Paris friend to institute with reference to the family of Longueville, he thought it his duty to warn his daughter to behave prudently. The fatherly ad- monition was received with mock submission spiced with irony. ''At least, my dear Emilie, if you love him, do not own it to him." "My dear father, I certainly do love him ; but I will await your permission before I tell him so." THE BALL AT SCEAUX 105 "But remember, Emilie, you know nothing of his family or his pursuits." "I may be ignorant, but I am content to be. But, father, you wished to see me married; you left me at liberty to make my choice; my choice is irrevocably made — what more is needful?" ^^It is needful to ascertain, my dear, whether the man of your choice is the son of a peer of France," the venerable gentleman retorted sarcastically. Emilie was silent for a moment. She presently raised her head, looked at her father, and said somewhat anxiously, "Are not the Longuevilles ?" "They became extinct in the person of the old Due de Eostein-Limbourg, who perished on the scaffold in 1793. He was the last representative of the last and younger branch." "But, papa, there are some very good families descended from bastards. The history of France swarms with princes bearing the bar sinister on their shields." "Your ideas are much changed," said the old man, with a smile. The following day was the last that the Fontaine family were to spend at the Pavilion Planat. Emilie, greatly dis- turbed by her father's warning, awaited with extreme im- patience the hour at which young Longueville was in the habit of coming, to wring some explanation from him. She went out after dinner, and walked alone across the shrub- bery towards an arbor fit for lovers, where she knew that the eager youth would seek her; and as she hastened thither she considered of the best way to discover so important a matter without compromising herself — a rather difficult thing! Hitherto no direct avowal had sanctioned the feel- ings which bound her to this stranger. Like Maximilien, she had secretly enjoyed the sweetness of first love ; but both were equally proud, and each feared to confess that love. Maximilien Longueville, to whom Clara had communicated her not unfounded suspicions as to Emilie's character, was by 106 THE BALL AT SCEAUX turns c'arried away b}^ the violence of a young man's passion^ and held back by a wish to know and test the woman to whom he would be entrusting his happiness. His love had not hindered him from perceiving in Emilie the prejudices which marred her young nature; but before attempting to counteract them, he wished to be sure that she loved him, for he would no sooner risk the fate of his love than of his life. He had, therefore, persistently kept a silence to which his looks, his behavior, and his smallest actions gave the lie. On her side, the self-respect natural to a young girl, aug- mented in Mademoiselle de Fontaine by the monstrous vanity founded on her birth and beauty, kept her from meeting the declaration half-way, which her growing passion sometimes urged her to invite. Thus the lovers had instinctively under- stood the situation without explaining to each other their secret motives. There are times in life when such vagueness pleases youthful minds. Just because each had postponed speaking too long, they seemed to be playing a cruel game of suspense. He was trying to discover whether he was beloved, by the effort any confession would cost his haughty mistress; she every minute hoped that he would break a too respectful si- lence. Emilie, seated on a rustic bench, was reflecting on all that had happened in these three months full of enchantment. Her father's suspicions were the last that could appeal to her ; she even disposed of them at once by two or three of those reflections natural to an inexperienced girl, which, to her, seemed conclusive. Above all, she was convinced that it was impossible that she should deceive herself. All the summer through she had not been able to detect in Maximilien a single gesture, or a single word, which could indicate a vul- gar origin or vulgar occupations ; nay more, his manner of dis- cussing things revealed a man devoted to the highest inter- ests of the nation. "Besides," she reflected, "an office clerk, a banker, or a merchant, would not be at leisure to spend a whole season in paying his addresses to me in the midst of THE BALL AT SCEAUX lov woods and fields; wasting his time as freely as a nobleman who has life before him free of all care." She had given herself up to meditations far more interest- ing to her than these preliminary thoughts, when a slight rustling in the leaves announced to her that Maximilien had been watching her for a minute, not probably without ad- miration. ^'Do you know that it is very wrong to take a young gir\ thus unawares?'' she asked him, smiling. \ "Especially when they are busy with their secrets," replied Maximilien archly. "Why should I not have my secrets? You certainly have yours." "Then you really were thinking of your secrets ?" he went on, laughing. "No, I was thinking of yours. My own, I know." "But perhaps my secrets are yours, and yours mine," cried the young man, softly seizing Mademoiselle de Fontaine's hand and drawing it through his arm. After walking a few steps they found themselves under a dump of trees which the hues of the sinking sun wrapped in a haze of red and brown. This touch of natural magic lent a certain solemnity to the moment. The young man's free and eager action, and, above all, the throbbing of his surging heart, whose hurried beating spoke to Emilie's arm, stirred her to an emotion that was all the more disturbing because it was produced by the simplest and most innocent circumstances. The restraint under which young girls of the upper class live gives incredible force to any explosion of feel- ing, and to meet an impassioned lover is one of the greatest dangers they can encounter. Never had Emilie and Maxi- milien allowed their eyes to say so much that they dared never speak. Carried away by this intoxication, they easily forgot the petty stipulations of pride, and the cold hesitancies of suspicion. At first, indeed, they could only express them- selves by a pressure of hands which interpreted their happy thoughts. 108 THE BALL AT SCEAUX After slowly pacing a few steps in long silence, Made- moiselle de Fontaine spoke. "Monsieur, I iiave a question to ask you/' she said, trembling, and in an agitated voice. "But, remember, I beg, that it is in a manner compulsory on me, from the rather singular position I am in with regard to my family/' A pause, terrible to Emilie, followed these sentences, which she had almost stammered out. During the minute while it lasted, the girl, haughty as she was, dared not meet the flashing eye of the man she loved, for she was secretly con- scious of the meanness of the next words she added: "Are you of noble birth ?" As soon as the words were spoken she wished herself at the bottom of a lake. "Mademoiselle," Longueville gravely replied, and his face assumed a sort of stern dignity, "I promise to answer you truly as soon as you shall have answered in all sincerity a question I vail put to you !" — He released her arm, and the girl suddenly felt alone in the world, as he said: "What is your object in questioning me as to my birth ?" She stood motionless, cold, and speechless. "Mademoiselle," Maximilien went on, "let us go nt "'irther if we do not understand each other. I love you," he said, in a voice of deep emotion. "Well, then," he added, as he heard the joyful exclamation she could not suppress, "why ask me if I am of noble birth?" "Could he speak so if he were not?" cried a voice within her, which Emilie believed came from the depths of her heart. She gracefully raised her head, seemed to find new life in the young man's ga^e, and held out her hand as if to rene.\«' the alliance. "You thought I cared very much for dignities ?'^ said she with keen archness. "I have no titles to offer my wife," he replied, in a half- sportive, half-serious tone. "But if I choose one of high rank, and among women whom a wealthy home has accus- tomed to the luxury and pleasures of a fine fortune^ I know THE BALI. AT S(1EAUX 109 what such a choice requires of me. Love gives everything," he added lightly, "but only to lovers. Once married, they need something more than the vault of heaven and the carpet of a meadow." "He is rich," she reflected. "As to titles, perhaps he only wants to try me. He has been told that I am mad about titles, and bent on marrying none but a peer's son. My prig- gish sisters have played me that trick." — "I assure you, mon- sieur," she said aloud, "that I have had very extravagant ideas about life and the world ; but now," she added pointedly, looking at him in a perfectly distracting way, "I know where true riches are to be found for a wife." "I must believe that you are speaking from the depths of your heart," he said, with gentle gravity. "But this winter, my dear Emilie, in less than two months perhaps, I may be proud of what I shall have to offer you if you care for the pleasures of wealth. This is the only secret I shall keep locked here," and he laid his hand on his heart, "for on its success my happiness depends. I dare not say ours." "Yes, yes, ours !" Exchanging such sweet nothings, they slowly made their way back to rejoin the company. Mademoiselle de Fontaine had never found her lover more amiable or wittier: his light figure, his engaging manners, seemed to her more charm- ing than ever, since the conversation which had made her to some extent the possessor of a heart worthy to be the envy of every woman. They sang an Italian duet with so much expression that the audience applauded enthusiastically. Their adieux were in a conventional tone, which concealed their happiness. In short, this day had been to Emilie like a chain binding her more closely than ever to the Stranger's fate. The strength and dignity he had displayed in the scene when they had confessed their feelings had perhaps im- pressed Mademoiselle de Fontaine with the respect without which there is no true love. When she was left alone in the drawing-room with her father, the old man went up to her affectionately, held her 110 THE BALI. AT SCEAUX hands, and asked her whether she had gained any light as to Monsieur Longueville's family and fortune. "Yes, my dear father/' she replied, "and I am happier than I could have hoped. In short, Monsieur de Longueville is the only man I could ever marry." "Very well, Emilie," said the Count, "then I know what remains for me to do." "Do you know of any impediment?" she asked, in sincere alarm. "My dear child, the young man is totally unknown to me; but unless he is not a man of honor, so long as you love him, he is as dear to me as a son." "Not a man of honor!" exclaimed Emilie. "As to that, I am quite easy. My uncle, who introduced him to us, will answer for him. Say, my dear uncle, has he been a filibuster, an outlaw, a pirate?" "I knew I should find myself in this fix!" cried the old sailor, waking up. He looked round the room, but his niece had vanished "like Saint-Elmo's fires," to use his favorite expression. "Well, uncle," Monsieur de Fontaine went on, "how could you hide from us all you knew about this young man? You must have seen how anxious we have been. Is Monsieur de Longueville a man of family ?" "I don't know him from Adam or Eve," said the Comte de Kergarouet. "Trusting to that crazy child's tact, I got him here by a method of my own. I know that the boy shoots with a pistol to admiration, hunts well, plays wonder- fully at billiards, at chess, and at backgammon; he handles the foils, and rides a horse like the late Chevalier de Saint- Georges. He has a thorough knowledge of all our vintages. He is as good an arithmetician as Bareme, draws, dances, and sings well. The devil's in it ! what more do you want ? If that is not a perfect gentleman, find me a bourgeois who knows all this, or any man who lives more nobly than he does. Does he do anything, I ask you ? Does he compromise his dignity by hanging about an office, bowing down before THE BATJi AT SCBAUX 111 the upstarts you call Directors-General ? He walks upright. He is a man. — However, 1 have just found in my waistcoat pocket the card he gave me when he fancied I wanted to cut his throat, poor innocent. Young men are very simple- minded nowadays ! Here it is.^' "Eue du Sentier, No. 5/' said Monsieur de Fontaine, try- ing to recall among all the information he had received, something which might concern the stranger. "What the devil can it mean? Messrs. Palma, Werbrust & Co., whole- sale dealers in muslins, calicoes, and printed cotton goods, live there. — Stay, I have it: Longueville the deputy has an ' interest in their house. Well, but so far as I know, Longue- ville has but one son of two-and-thirty, who is not at all like our man, and to whom he gave fifty thousand francs a year that he might marry a minister's daughter; he wants to be made a peer like the rest of ^em. — I never heard him men- tion this Maximilien. Has he a daughter? What is this girl Clara ? Besides, it is open to any adventurer to call him- self Longueville. But is not the house of Palma, Werbrust & Co. half ruined by some speculation in Mexico or the In- dies? I will clear all this up.'' "You speak a soliloquy as if you were on the stage, and seem to account me a cipher," said the old admiral sud- denly. "Don't you know that if he is a gentleman, I have more than one bag in my hold that will stop any leak in his fortune ?" "As to that, if he is a son of Longueville's, he will want nothing; but," said Monsieur de Fontaine, shaking his head from side to side, "his father has not even washed ojffi the stains of his origin. Before the Eevolution he was an at- torney, and the de he has since assumed no more belongs to him than half of his fortune." "Pooh ! pooh ! happy those whose fathers were hanged !" cried the admiral gaily. Three or four days after this memorable day, on one of those fine mornings in the month of November, which show 112 THE BALL AT SCEAUX the boulevards cleaned by the sharp cold of an early frost, Mademoiselle de Fontaine, wrapped in a new style of fur cape,, of which she wished to set the fashion, went out with two of her sisters-in-law, on whom she had been wont to discharge her most cutting remarks. The three women were tempted to the drive, less by their desire to try a very elegant carriage, and wear gowns which were to set the fashions for the win- ter, than by their wish to see a cape which a friend had observed in a handsome lace and linen shop at tjie corner of the Eue de la Paix. As soon as they were in the shop the Baronne de Fontaine pulled Emilie by the sleeve, and pointed out to her Maximilien Longueville seated behind the desk,' and engaged in paying out the change for a gold piece to one of the workwomen with whom he seemed to be in con- sultation. The "handsome stranger" held in his hand a parcel of patterns, which left no doubt as to his honorable profession. Emilie felt an icy shudder, though no one perceived it. Thanks to the good breeding of the best society, she com- pletely concealed the rage in her heart, and answered her sis- ter-in-law with the words, "I knew it," with a fulness of intonation and inimitable decision which the most famous actress of the time might have envied her. She went straight up to the desk. Longueville looked up, put the patterns in his pocket with distracting coolness, bowed to Mademoiselle de Fontaine, and came forward, looking at her keenly. "Mademoiselle," he said to the shopgirl, who followed him, looking very much disturbed, "I will send to settle that ac- count; my house deals in that way. But here," he whis- pered into her ear, as he gave her a thousand-franc note, "take this — it is between ourselves. — You will forgive me. I trust, mademoiselle," he added, turning to Emilie. "You will kindly excuse the tyranny of business matters." "Indeed, monsieur, it seems to me that it is no concern of mine," replied Mademoiselle de Fontaine, looking at him with a bold expression of sarcastic indifference which might have made any one believe that she now saw him for the first time. THE BALL AT SCEAUX 113 ''Do you really mean it?" asked Maximilien in a broken voice. Emilie turned her back upon him with amazing insolence. These words, spoken in an undertone, had escaped the ears of her two sisters-in-law. When, after buying the cape, the three ladies got into the carriage again, Emilie, seated with her back to the horses, could not resist one last compre- hensive glance into the depths of the odious shop, where she saw Maximilien standing with his arms folded, in the at- titude of a man superior to the disaster that had so suddenly fallen on him. Their eyes met and flashed implacable looks. Each hoped to inflict a cruel wound on the heart of a lover. In one instant they were as far apart as if one had been in 'China and the other in Greenland. Does not the breath of vanity wither everything? Made- ]noiselle de Fontaine, a prey to the most violent struggle that can torture the heart of a young girl, reaped the richest har- vest of anguish that prejudice and narrow-mindedness ever isowed in a human soul. Her face, but just now fresh and velvety, was streaked with yellow lines and red patches; the I)aleness of her cheeks seemed every now and then to turn green. Hoping to hide her despair from her sisters, she would laugh as she pointed out some ridiculous dress or passer-by; but her laughter was spasmodic. She was more deeply hurt by their unspoken compassion than by any satirical comments for which she might have revenged her- self. She exhausted her wit in trying to engage them in a conversation, in which she tried to expend her fury in senseless paradoxes, heaping on all men engaged in trade the bitterest insults and witticisms in the worst taste. On getting home, she had an attack of fever, which at first assumed a somewhat serious character. By the end of a month the care of her parents and of the physician restored her to her family. Every one hoped that this lesson would be severe enough to subdue Emilie's nature; but she insensibly fell into her old habits and threw herself again into the world of fashion. 114 THE BALL AT SCEAUX She declared that there was no disgrace in making a mistake. If she, like her father, had a vote in the Chamber, she would move for an edict, she said, by which all merchants, and especially dealers in calico, should be branded on the fore- head, like Berri sheep, down to the third generation. She wished that none but nobles should have a right to wear the antique French costume, which was so becoming to the courtiers of Louis XV. To hear her, it was a misfortune for France, perhaps, that there was no outward and visible difference between a merchant and a peer of France. And a hundred more such pleasantries, easy to imagine, were rapidly poured out when any accident brought up the subject. But those who loved Emilie could see through all her banter a tinge of melancholy. It was clear that Maximilien Longueville still reigned over that inexorable heart. Some- times she would be as gentle as she had been during the brief summer that had seen the birth of her love ; sometimes, again, she was unendurable. Every one made excuses for hei' inequality of temper, which had its source in sufferings at once secret and known to all. The Comte de Kergarouet had some influence over her, thanks to his increased prodi- gality, a kind of consolation which rarely fails of its effect on a Parisian girl. The first ball at which Mademoiselle de Fontaine appeared was at the Neapolitan ambassador's. As she took her place in the first quadrille she saw, a few yards aw^y from her, Maxi- milien Longueville, who nodded slightly to her partner. ^'Is that young man a friend of yours?'' she asked, with a scornful air. "Only my brother,'^ he replied. Emilie could not help starting. "Ah !" he continued, "and he is the noblest soul living " "Do you know my name?" asked Emilie, eagerly inter- rupting him. "No, mademoiselle. It is a crime, I confess, not to re- member a name which is on every lip — I ought to say in every heart. But I have a valid excuse. I have but just THE BALL AT SCEAUX 115 arrived from Germany. My ambassador, who is in Paris on leave, sent me here this evening to take care of his amiable wife, whom you may see yonder in that corner." "A perfect tragic mask!" said Emilie, after looking at the ambassadress. "And yet that is her ballroom face !" said the young mm, laughing. "I shall have to dance with her ! So I thought I might have some compensation." Mademoiselle de Fon- taine courtesied. "I was very much surprised," the voluble young secretary went on, "to find my brother here. On ar- riving from Vienna I heard that the poor boy was ill in bed, and I counted on seeing him before coming to this ball; but good policy will not always allow us to indulge family affection. The Padrona della casa would not give me time to call on my poor Maximilien." "Then, monsieur, your brother is not, like you, in diplomatic employment." "i^o," said the attache, with a sigh, "the poor fellow sacri- ficed himself for me. He and my sister Clara have renounced their share of my father's fortune to make an eldest son of me. My father dreams of a peerage, like all who vote for the ministry. Indeed, it is promised him," he added in an undertone. "After saving up a little capital my brother joined a banking firm, and I hear he has just effected a speculation in Brazil v/hich may make him a millionaire. You see me in the highest spirits at having been able, by my diplomatic connections, to contribute to his success. I am impatiently expecting a dispatch from the Brazilian Lega- tion, which v/ill help to lift the cloud from his brow. What do you think of him?" "Well, your brother's face does not look to me like that of a man busied with money matters." The young attache shot a scrutinizing glance at the ap- parently calm face of his partner. "What !" he exclaimed, with a smile, "can young ladies read the thoughts of love behind a silent brow ?" "Your brother is in love, then?" she asked, betrayed into a movement of euriobitys 116 THE BALL AT SCEAUX "Yes; my sister Clara^ to whom he is as devoted as a mother, wrote to me that he had fallen in love this summer with a very pretty girl; but I have had no further news of the affair. Would you believe that the poor boy used to get up at five in the morning, and went off to settle his business that he might be back by four o'clock in the country where the lady was? In fact, he ruined a very nice thor- oughbred that T had given him. Forgive my chatter, made- moiselle; I have but just come home from Germany. For a year I have heard no decent French, I have been weaned from French faces, and satiated with Germans, to such a degree that, I believe, in my patriotic mania, I could talk to the chimeras on a French candlestick. And if I talk with a lack of reserve unbecoming in a diplomatist, the fault is yours, mademoiselle. Was it not you who pointed out my brother? When he is the theme I become inexhaustible. I should like to proclaim to all the world how good and generous he is. He gave up no less than a hundred thou- sand francs a year, the income from the Longueville prop- erty." If Mademoiselle de Fontaine had the benefit of these im- portant revelations, it was partly due to the skill with which she continued to question her confiding partner from the moment when she found that he was the brother of hei' scorned lover. "And could you, without being grieved, see your brother selling muslin and calico?" asked Emilie, at the end of the third figure of the quadrille. "How do you know that?" asked the attache. "Thank God, though I pour out a flood of words, I have already acquired the art of not telling more than I intend, like all the other diplomatic apprentices I know." "You told me, I assure you." Monsieur de Longueville looked at Mademoiselle de Fon- taine with a surprise that was full of perspicacity. A sus- picion flashed upon him. He glanced inquiringly from his brother to his partner, guessed everything, clasped his hands, THE BALL AT SOEAUX 117 fixed his eyes on the ceiling, and began to laugh, saying, "I am an idiot! You are 'the handsomest person here; my brother keeps stealing glances at you ; he is dancing in spite of his illness, and you pretend not to see him. Make him happy," he added, as he led her back to her old uncle. ^^1 shall not be jealous, but I shall always shiver a little at call- ing you my sister " The lovers, however, were to prove as inexorable to each other as they were to themselves. At about two in the morning, refreshments were served in an immense corridor, where, to leave persons of the same coterie free to meet each other, the tables were arranged as in a restaurant. By one of those accidents which always happen to lovers. Made- moiselle de Fontaine found lierself at a table next to that at which the more important guests were seated. Maxi- milien was one of the group. Emilie, who lent an attentive ear to her neighbors' conversation, overheard one of those dialogues into which a young woman so easily falls with a young man who has the grace and style of Maximilien Longueville. The lady talking to the young banker was a Neapolitan duchess, whose eyes shot lightning flashes, and whose skin had the sheen of satin. The intimate terms on which Longueville affected to be with her stung Mademoiselle de Fontaine all the more because she had just given her lover back twenty times as much tenderness as she had ever felt for him before. "Yes, monsieur, in my country true love can make every kind of sacrifice," the Duchess was saying, with a simper. "You have more passion than Frenchwomen," said Maxi- milien, whose burning gaze fell on Emilie. "They are all vanity." "Monsieur," Emilie eagerly interposed, "is it not very wrong to calumniate your own country. Devotion is to be found in every nation." "Do you imagine, mademoiselle," retorted the Italian, with a sardonic smile, "that a Parisian would be capable of fol- lowing her lover all over the world?" 118 THE BALL AT SCEAUX ^^Oh, madame, let ns understand each other. She would follow him to a desert and live in a tent, but not to sit in a shop." A disdainful gesture completed her meaning. Thus, under the influence of her disastrous education, Emilie for the sec- ond time killed her budding happiness, and destroyed its prospects of life. Maximilien's apparent indifference, and a woman's smile, had wrung from her one of those sarcasms whose treacherous zest always led her astray. "Mademoiselle,'' said Longueville, in a low voice, under cover of the noise made by the ladies as they rose from the table, "no one will ever more ardently desire your happi- ness than I; permit me to assure you of this, as I am taking leave of you. I am starting for Italy in a few days." "With a Duchess, no doubt?" "No, but perhaps with a mortal blow." "Is not that pure fancy?" asked Emilie, with an anxious glance. "No," he replied. "There are wounds which never heal." "You are not to go," said the girl, imperiously, and she smiled. "I shall go," replied Maximilien, gravely. "You will find me married on your return, I warn you," she said coquettishly. "I hope so." "Impertinent wretch !" she exclaimed. "How cruel a re- venge !" A fortnight later Maximilien set out with his sister Clara for the warm and poetic scenes of beautiful Italy, leaving Mademoiselle de Fontaine a prey to the most vehement re- gret. The young Secretar}^ to the Embassy took up his brother's quarrel, and contrived to take signal vengeance on Emilie's disdain by making known the occasion of the lovers' separation. He repaid his fair partner with interest all the sarcasm with which she had formerly attacked Maxi- milien, and often made more than one Excellency smile by describing the fair foe of the counting-house, the amazon THE BALL AT SCEAUX 119 who preached a crusade against bankers, the young girl whose love had evaporated before a bale of muslin. The Comte d(? Fontaine was obliged to use his influence to procure an ap- pointment to Eussia for Auguste Longueville in order to pro- tect his daughter from the ridicule heaped upon her by this dangerous young persecutor. Not long after, the Ministry being compelled to raise a levy of peers to support the aristocratic party, trembling in the Upper Chamber under the lash of an illustrious writer, gave Monsieur Guiraudin de Longueville a peerage, with the title of Vicomte. Monsieur de Fontaine also obtained a peerage, the reward due as much to his fidelity in evil days as to his name, which claimed a place in the hereditary Chamber. About this time Emilie, now of age, made, no doubt, some f.erious reflections on life, for her tone and manners changed perceptibly. Instead, of amusing herself by saying spiteful things to her uncle, she lavished on him. the most affec- i;ionate attentions ; she brought him his stick with a persever- ing devotion that made the cynical smile, she gave him her arm, rode in his carriage, and accompanied him in all his drives; she even persuaded him that she liked the smell of tobacco, and read him his favorite paper La Quotidienne in the midst of clouds of smoke, which the malicious old sailor intentionally blew over her; she learned piquet to be a match for the old Count; and this fantastic damsel even listened without impatience to his periodical narratives of the battles of the Belle-Poule, the manoeuvres of the Vilh de Paris, M. de Suffren's first expedition, or the battle of Aboukir. Though the old sailor had often said that he knew his longi- tude and latitude too well to allow himself to be captured by a young corvette, one fine morning Paris drawing-rooms heard the news of the marriage of Mademoiselle de Fontaine to the Comte de Kergarouet. The young Countess gave splendid entertainments to drown thought ; but she, no doubt, found a void at the bottom of the whirlpool ; luxury was in- elfectual to disguise the emptiness and grief of her sorrow- 120 THE BALL AT SCEAUX ing soul; for the most part, in spite of tlie flashes of as- amed gaiety, her beautiful face expressed unspoken melan- choly. Emilie appeared, however, full of attentions and consideration for her old husband, who, on retiring to his rooms at night, to the sounds of a lively band, would often say, "I do not know myself. Was I to wait till the age of seventy-two to embark as pilot on board the Belle Emilie after twenty years of matrimonial galleys?" The conduct of the young Countess was marked by such strictness that the most clear-sighted criticism had no fault to find with her. Lookers on chose to think that the vice-ad- miral had reserved the right of disposing of his fortune to keep his wife more tightly in hand; but this was a notion as insulting to the uncle as to the niece. Their conduct was indeed so delicately judicious that the men who were most interested in guessing the secrets of the couple could never decide whether the old Count regarded her as a wife or a/3 a daughter. He was often heard to say that he had rescued his niece as a castaway after shipwreck; and that, for his part, he had never taken a mean advantage of hospitality when he had saved an enemy from the fury of the storm. Thougli the Countess aspired to reign in Paris and tried to keejj pace with Mesdames the Duchesses de Maufrigneuse and de Chaulieu, the Marquises d'Espard and d'Aiglemont, tht) Comtesses Feraud, de Montcornet, and de Eestaud, Madame de Camps, and Mademoiselle des Touches, she did not yield to the addresses of the young Vicomte de Portenduere, who made her his idol. Two years after her marriage, in one of the old drawing- rooms in the Faubourg Saint-Germain, where she was ad- mired for her character, worthy of the old school, Emilie heard the Vicomte de Longueville announced. In the corner of the room where she was sitting, playing piquet with the Bishop of Persepolis, her agitation was not observed; she turned her head and saw her former lover come in, in all the freshness of youth. His father's death, and then that of his brother, killed by the severe climate of Saint-Petersburg, had THE BALL AT SCEAUX 12i placed on Maximilien's head the hereditary plumes of the French peer's hat. His fortune matched his learning and his merits; only the day before his youthful and fervid elo- quence had dazzled the Assembly. At this moment he stood before the Countess, free, and graced with all the advantages she had formerly required of her ideal. Every mother with a daughter to marry made amiable advances to a man gifted with the virtues which they attributed to him, as they admired his attractive person; but Emilie knew, better than any one, that the Vicomte de Longueville had the steadfast nature in which a wise woman sees a guarantee of happiness. She looked at the admiral who, to use his favorite expression, seemed likely to hold his course for a long time yet, and cursed the follies of her youth. At this moment Monsieur de Persepolis said with Epis- copal grace: "Fair lady, you have thrown away the king of hearts — I have won. But do not regret your money. I keep )t for my little seminaries." Paris, December 1820. THE PURSE To Sofka. "Have you observed, mademoiselle, that the painters and sculptors of the Middle Ages, when they placed two figures in adoration, one on each side of a fair Saint, never failed to give them a family lilieness? When you here see your name among those that are dear to me, and under whose auspices I place my works, remember that touching harmony, and you will see in this not so much an act of homage as an expression of the ibrotherly affection of your devoted servant, "De Balzac." For souls to whom effusiveness is easy there is a delicious hour that falls when it is not yet night, but is no longer day ; the twilight gleam throws softened lights or tricksy reflec- tions on every object, and favors a dreamy mood which vaguely weds itself to the play of light and shade. The silence which generally prevails at that time makes it par- ticularly dear to artists, who grow contemplative, stand a few paces back from the pictures on which they can no longer work, and pass judgment on them, rapt by the subject whose most recondite meaning then flashes on the inner eye of genius. He who has never stood pensive by a friend^s side in such an hour of poetic dreaming can hardly understand its in- expressible soothingness. Favored by the clear-obscure, the material skill employed by art to produce illusion entirely disappears. If the work is a picture, the figures represented seem to speak and walk; the shade is shadow, the light is day; the flesh lives, eyes move, blood flows in their veins, and (123) 1^4 THE PURSE stuffs have a changing sheen. Imagination helps the realism of every detail, and only sees the beauties of the work. At that hour illusion reigns despotically; perhaps it wakes at nightfall ! Is not illusion a sort of night to the mind, which we people with dreams? Illusion then unfolds its wings, it bears the soul aloft to the world of fancies, a world full of voluptuous imaginings, where the artist forgets the real world, yesterday and the morrow, the future — everything down to its miseries, the good and the evil alike. At this magic hour a young painter, a man of talent, who saw in art nothing but Art itself, was perched on a step- ladder which helped him to work at a large high painting, now nearly finished. Criticising himself, honestly admiring himself, floating on the current of his thoughts, he then lost himself in one of those meditative moods which ravish and elevate the soul, soothe it, and comfort it. His reverie had no doubt lasted a long time. Night fell. Whether he meant to come down from his perch, or whether he made some ill- judged movement, believing himself to be on the floor — the event did not allow of his remembering exactly the cause of his accident — he fell, his head struck a footstool, he lost con- sciousness and lay motionless during a space of time of which he knew not the length. A sweet voice roused him from the stunned condition into which he had sunk. When he opened his eyes the flash of a bright light made him close them again immediately; but through the mist that veiled his senses he heard the whis- pering of two women, and felt two young, two timid hands on which his head was resting. He soon recovered conscious- ness, and by the light of an old-fashioned Argand lamp he could make out the most charming girl's face he had ever seen, one of those heads which are often supposed to be a freak of the brush, but which to him suddenly realized the theories of the ideal beauty which every artist creates for him- self and whence his art proceeds. The features of the un- known belonged, so to say, to the refined and delicate type of Pmdhon's school, but had also the poetic sentiment which THE PURSE 125 Girodet gave to the inventions of his phantasy. The freshness of the temples, the reguJar arch of the eyebrows, the purity of outline, the virginal innocence so plainly stamped on every feature of her countenance, made the girl a perfect creature. Her figure was slight and graceful, and frail in form. Her dress, though simple and neat, revealed neither wealth nor penury. As he recovered his senses, the painter gave expression to his admiration by a look of surprise, and stammered some confused thanks. He found a handkerchief pressed to his forehead, and above the smell peculiar to a studio, he recog- nized the strong odor of ether, applied no doubt to revive him from his fainting fit. Finally he saw an old woman, look- ing like a marquise of the old school, who held the lamp and was advising the young girl. ^'Monsieur," said the younger woman in reply to one of the questions put by the painter during the few minutes when he was still under the influence of the vagueness that the shock had produced in his ideas, "my mother and I heard the noise of your fall on the floor, and we fancied we heard a groan. The silence following on the crash alarmed us, and we hurried up. Finding the key in the latch, we happily took the liberty of entering, and we found you lying motionless on the ground. My mother went to fetch what was needed to bathe your head and revive you. You huYe cut your forehead — there. Do you feel it?'' "Yes, I do now," he replied. "Oh, it will be nothing," said the old mother. "Happily your head rested against this lay-figure." "I feel infinitely better," replied the painter. "I need nothing further but a hackney cab to take me home. The porter's wife will go for one." He tried to repeat his thanks to the two strangers; but dt each sentence the elder lady interrupted him, saying, "To- morrow, monsieur, pray be careful to put on leeches, or to be bled, and drink a few cups of something healing. A fall may be dajigerous." 126 THE rURSE The young girl stole a look at the painter and at the pict- ures in the studio. Her expression and her glances revealed perfect propriety; her curiosity seemed rather absence of mind, and her eyes seemed to speak the interest which women feel, with the most engaging spontaneity, in everything which causes us suffering. The two strangers seemed to forget the painter's works in the painter's mishap. When he had re- assured them as to his condition they left, looking at him with an anxiety that was equally free from insistence and from familiarity, without asking any indiscreet questions, or trying to incite him to any wish to visit them. Their pro- ceedings all bore the hall-mark of natural refinement and good taste. Their noble and simple manners at first made no great impression on the painter, but subsequently, as he re- called all the details of the incident, he was greatly struck by them. When they reached the floor beneath that occupied by the painter's studio, the old lady gently observed, "Adelaide, you left the door open." "That was to come to my assistance," said the painter, with a grateful smile. 'TTou came down just now, mother," replied the young girl, with a blush. "Would you like us to accompany you all the way down- stairs ?" asked the mother. "The stairs are dark." "No, thank you, indeed, madame ; I am much better." "Hold tightly by the rail." The two women remained on the landing to light the young man, listening to the sound of his steps. In order to set forth clearly all the exciting and unexpected interest this scene might have for the young painter, it must be told that he had only a few days since established his studio in the attics of this house, situated in the darkest and, therefore, the most muddy part of the Eue de Suresnes, almost opposite the Church of the Madeleine, and quite close to his rooms in the Kue des Champs-Elysees. The fame his THE PURSE 127 talent had won him having made him one of the artists most dear to his country, he was beginning to feel free from want, and, to use his own expression, was enjoying his last privations. Instead of going to his work in one of the studios near the city gates, where the moderate rents had hitherto been in proportion to his humble earnings, he had gratified a wish that was new every morning, by sparing himself a long walk, and the loss of much time, now more valuable than ever. No man in the world vrould have inspired feelings of greater interest than Hippolyte Schinner if he would ever have consented to make acquaintance ; but he did not lightly entrust to others the secrets of his life. He was the idol of a necessitous mother, who had brought him up at the cost of the severest privations. Mademoiselle Schinner, the daugh- ter of an Alsatian farmer, had never been married. Her tender soul had been cruelly crushed, long ago, by a rich man, who did not pride himself on any great delicacy in his love affairs. The day when, as a young girl, in all the radiance of her beauty and all the triumph of her life, she suffered, at the cost of her heart and her sweet illusions, the disenchantment which falls on us so slowly and yet so quickly — for we try to postpone as long as possible our be- lief in evil, and it seems to come too soon — that day was a whole age of reflection, and it was also a day of religious thought and resignation. She refused the alms of the man who had betrayed her, renounced the world, and made a glory of her shame. She gave herself up entirely to her motherly love, seeking in it all her joys in exchange for the social pleasures to which she bid farewell. She lived by work, saving up a treasure in her son. And, in after years, a day, an hour repaid her amply for the long and weary sacrifices of her indigence. At the last exhibition her son had received the Cross of the Legion of Honor. The newspapers, unanimous in hailing an unknown genius, still rang with sincere praises. Artists themselves acknowledged Schinner as a master, and dealers 128 THE PURSE covered his canvases with gold pieces. At five-and-twenty Hippolyte Schinner^ to whom his mother had transmitted lier woman^s soul, understood more clearly than ever his position in the world. Anxious to restore to his mother the pleasures of which society had so long robbed her, he lived for her, hoping by the aid of fame and fortune to see her one day happy, rich, respected, and surrounded by men of mark. Schinner had therefore chosen his friends among the most honorable and distinguished men. Fastidious in the selection of his intimates, he desired to raise still further a position which his talent had placed high. The work to which he had devoted himself from boyhood, by compelling him to dwell in solitude — the mother of great thoughts — had left him the beautiful beliefs which grace the early days of life. His adolescent soul was not closed to any of the thousand bashful emotions by which a young man is a being apart, whose heart abounds in joys, in poetry, in virginal hopes, puerile in the eyes of men of the world, but deep be- cause they are single-hearted. He was endowed with the gentle and polite manners which speak to the soul, and fascinate even those who do not under- stand them. He was well made. His voice, coming from, his heart, stirred that of others to noble sentiments, and bore witness to his true modesty by a certain ingenuousness of tone. Those who saw him felt drawn to him by that attrac- tion of the moral nature which men of science are happily unable to analyze ; they would detect in it some phenomenon of galvanism, or the current of I know not what fluid, and express our sentiments in a formula of ratios of oxygen and electricity. These details will perhaps explain to strong-minded persons and to men of fashion why, in the absence of the porter whom he had sent to the end of the Eue de la Madeleine to call him a coach, Hippolyte Schinner did not ask the man's wife any questions concerning the two women whose kindness of heart had shown itself in his behalf. But though he replied Yes or No to the inquiries, natural under the circumstances. THE PURSE 129 which the good woman made as to his accident, and the friendly intervention of the tenants occupying the fourth floor, he could not hinder her from following the instinct of her kind; she mentioned the two strangers, speaking of them as prompted by the interests of her policy and the subter- ranean opinions of the porter's lodge. "Ah," said she, ^^they were, no doubt. Mademoiselle Lesei- gneur and her mother, who have lived here these four years. We do not yet know exactly what these ladies do; in the morn- ing, only till the hour of noon, an old woman who is half deaf, and who never speaks any more than a wall, comes in to help them ; in the evening, two or three old gentlemen, with loops of ribbon, like you, monsieur, come to see them, and often stay very late. One of them comes in a carriage with servants, and is said to have sixty thousand francs a year. However, they are very quiet tenants, as you are, monsieur; ,md economical ! they live on nothing, and as soon as a letter :is brought they pay for it. It is a queer thing, monsieur, the ifnother's name is not the same as the daughter's. Ah, but when they go for a walk in the Tuileries, mademoiselle is very ifmart, and she never goes out but she is followed by a lot *;if young men; but she shuts the door in their face, and she j.s quite right. The proprietor would never allow " The coach having come, Hippolyte heard no more, and went home. His mother, to whom he related his adventure, dressed his wound afresh, and would not allow him to go to the studio next day. After taking advice, various treatments were prescribed, and Hippolyte remained at home three days. During this retirement his idle fancy recalled vividly, bit by bit, the details of the scene that had ensued on his fainting fit. The young girl's profile was clearly projected against the darkness of his inward vision; he saw once more the» mother's faded features, or he felt the touch of Adelaide's, hands. He remembered some gesture which at first had not greatly struck him, but whose exquisite grace was thrown into relief by memory ; then an attitude, or the tones of a melodious voice, enhanced by the distance of remembrance, suddenly 130 THE PUR8i£i rose before him, as objects plunging to the bottom of deep waters come back to the surface. So, on the day when he could resume work, he went early to his studio; but the visit he undoubtedly had a right to pay to his neighbors was the true cause of his haste ; he had already forgotten the pictures he had begun. At the moment when a passion throws off its swaddling clothes, inexplicable pleasures are felt, known to those who have loved. So some readers will understand why the painter mounted the stairs to the fourth floor but slowly, and will be in the secret of the throbs that followed each other so rapidly in his heart at the mo- ment when he saw the humble brown door of the rooms in- habited by Mademoiselle Leseigneur. This girl, whose name was not the same as her mother's, had aroused the young painter's deepest sympathies; he chose to fancy some simi- larity between himself and her as to their position, and at- tributed to her misfortunes of birth akin to his own. All the time he worked Hippol5rte gave himself veiy willingly to thoughts of love, and made a great deal of noise to compel the two ladies to think of him, as he was thinking of them, He stayed late at the studio and dined there; then, at about seven o'clock, he went down to call on his neighbors. No painter of manners has ventured to initiate us — perhaps out of modesty — ^into the really curious privacy of certain Parisian existences, into the secret of the dwellings whence emerge such fresh and elegant toilets, such brilliant women,, who, rich on the surface, allow the signs of very doubtful comfort to peep out in every part of their home. If, here, the picture is too boldly drawn, if you find it tedious in places, do not blame the description, which is, indeed, part and par- cel of my story; for the appearance of the rooms inhabited by his two neighbors had a great influence on the feelings and hopes of Hippolyte Schinner. The house belonged to one of those proprietors in whom there is a foregone and profound horror of repairs and deco- ration, one of the men who regard their position as Paris house-owners as a business. In the vast chain of moral THE PURSE 135 species, these people hold a middle place between the miser and the usurer. Optimists in their own interests, they are all faithful to the Austrian status quo. If you speak of moving a cupboard or a door, of opening the most indis- pensable air-hole, their eyes flash, their bile rises, they rear like a frightened horse. When the wind blows down a few chimney-pots they are quite ill, and deprive themselves of an evening at the Gymnase or the Porte-Saint-Martin Theatre^ '^on account of repairs.^' Hippolyte, who had seen the per- formance gratis of a comical scene with Monsieur Molineux as concerning certain decorative repairs in his studio, was not surprised to see the dark greasy paint, the oily stains, spots, and other disagreeable accessories that varied the woodwork. And these stigmata of poverty are not altogether devoid of poetry in an artist's eyes. Mademoiselle Leseigneur herself opened the door. On recognizing the young artist she bowed, and at the same time, with Parisian adroitness, and with the presence of mind that pride can lend, she turned round to shut a door in a glass par- tition through which Hippolyte might have caught sight of some linen hung by lines over patent ironing stoves, an old camp-bed, some wood-embers, charcoal, irons, a filter, the household crockery, and all the utensils familiar to a small household. Muslin curtains, fairly white, carefully screened this lumber-room — a capJiarnaum, as the French call such a domestic laboratory, — which was lighted by windows looking out on a neighboring yard. Hippolyte, with the quick eye of an artist, saw the uses, the furniture, the general effect and condition of this first room, thus cut in half. The more honorable half, which served both as ante-room and dining-room, was hung with an old salmon-rose-colored paper, with a flock border, the manu- facture of Eeveillon, no doubt ; the holes and spots had been carefully touched over with wafers. Prints representing the battles of Alexander, by Lebrun, in frames with the gilding rubbed oli. wer^ symmetrically arranged on the walls. In 132 THE PURSE the middle stood a massive mahogany table, old-fashioned in shape, and worn at the edges. A small stove, whose thin straight pipe was scarcely visible, stood in front of the chim- ney-place, bnt the hearth was occupied by a cupboard. By a strange contrast the chairs showed some remains of former splendor ; they were of carved mahogany, but the red morocco seats, the gilt nails and reeded backs, showed as many scars as an old sergeant of the Imperial Guard. This room did duty as a museum of certain objects, such as are never seen but in this kind of amphibious household; nameless objects with the stamp at once of luxury and penury. Among other curiosities Hippolyte noticed a splendidly fin- ished telescope, hanging over the small discolored glass that decorated the chimney. To harmonize with this strange (jollection of furniture, there was, between the chim- mey and the partition, a wretched sideboard of painted wood, pretending to be mahogany, of all woods the most impossible to imitate. But the slippery red quarries, ihe shabby little rugs in front of the chairs, and all j;he furniture, shone with the hard rubbing cleanliness which 'lends a treacherous lustre to old things by making their de- tects, their age, and their long service still more conspicuous. An indescribable odor pervaded the room, a mingled smell of the exhalations from the lumber room, and the vapors of. the dining-room, with those from the stairs^ though the win- dow was partly open. The air from the street fluttered the dusty curtains, which were carefully drawn so as to hide the window bay, where former tenants had testified to their pres- ence by various ornamental additions — a sort of domestic fresco. Adelaide hastened to open the door of the inner room, where she announced the painter with evident pleasure. Hippolyte, who, of yore, had seen the same signs of poverty in his' mother's home, noted them with the singular vividness of impression which characterizes the earliest acquisitions of memory, and entered into the details of this existence better than any one else would have done. As he recognized the facts THE PURSE 133 of his life as a child, tlio kind young fellow felt neither scorn for disguised misfortane nor pride in the luxury he had lately conquered for his mother. "Well, monsieur, I hope you no longer feel the effects of your fall/' said the old lady, rising from an antique armchair that stood by the chimney, and offering him a seat. "No, madanie. 1 have come to thank you for the kind care you gave me, and above all mademoiselle, who heard me fall.'' As he uttered this speech, stamped with the exquisite stu- pidity given to the mind by the first disturbing symptoms of true love, Hippolyte looked at the young girl. Adelaide wa^ lighting the Argand lamp, no doubt that she might get rid of a tallow candle fixed in a large copper flat-candlestick, and graced with a heavy fluting of grease from its guttering. She, answered with a slight bow, carried the flat candlestick mid the ante-room, came back, and after placing the lamp on th(!! chimney shelf, seated herself by her mother, a little behind the painter, so as to be able to look at him at her ease, whil(? apparently much interested in the burning of the lamp; tb^ flame, checked by the damp in a dingy chimney, sputtered as it struggled with a charred and badly-trimmed wick. Hip- polyte, seeing the large mirror that decorated the chimney- piece, immediately fixed his eyes on it to admire Adelaide. Thus the girl's little stratagem only served to embarrass them both. While talking with Madame Leseigneur, for Hippolyte called her so, on the chance of being right, he examined the room, but unobtrusively and by stealth. The Egyptian figures on the iron fire-dogs were scarcely visible, the hearth was so heaped with cinders; two brands tried to meet in front of a sham log of firo-brick, as carefully buried as a miser's treasure could ever be. An old Aubusson carpet, very much faded, very much mended, and as worn as a pensioner's coat, did not cover the whole of the tiled floor, and the cold struck to his feet. The walls were hung with a reddish paper, imitating figured silk with a yellow pattern. In the middle of the wall opposite the windows the painter 134 THE PURSE saw a crack, and the outline marked on the paper of double- doors, shutting off a recess where Madame Le&eigneur slept no doubt, a faet ill disguised by a sofa in front of the door. Facing the chimney, above a mahogany chest of drawers of handsome and tasteful design, was the portrait of an officer of rank, which the dim light did not allow him to see well; but from what he could make out he thought that the fearful daub must have been painted in China. The window-curtains of red silk were as much faded as the furniture, in red and yellow worsted work, if this room ^^contrived a double debt to pay/' On the marble top of the chest of drawers was a costly malachite tray, with a dozen coffee cups magnificently painted, and made, no doubt, at Sevres. On the chimney shelf stood the omnipresent Empire clock: a warrior driving the four horses of a chariot, whose wheel bore the numbers of the hours on its spokes. The tapers in the tall candlesticks were yellow with smoke, and at each corner of the shelf stood a porcelain vase crowned with artificial flowers full of dust and Btnck into moss. In the middle of the room Hippolyte remarked a card- table ready for play, with new packs of cards. For an ob- server there was something heartrending in the sight of this misery painted up like an old woman who wants to falsify her face. At such a sight every man of sense must at once have stated to himself this obvious dilemma — either these two women are honesty itself, or they live by intrigue and gambling. But on looking at Adelaide, a man so pure-minded as Schinner could not but believe in her perfect innocence, and ascribe the incoherence of the furniture to honorable causes. "My dear," said the old lady to the young one, "I am cold ; make a little fire, and give me my shawl." Adelaide went into a room next the drawing-room, where she no doubt slept, and returned bringing her mother a cashmere shawl, which when new must have been very eostly; the pattern was Indian; but it was old, faded, and full of darns, and matched the furniture. Madame Lesei- THE PURSE 135 gneur wrapped herself in it very artistically, and with the readiness of an old woman wlio wishes to make her words seem truth. The young girl ran lightly off to the lumber- room and reappeared with a bundle of small wood, which she gallantly threw on the fire to revive it. It would be rather difficult to reproduce the conversation which followed among these three persons. H.ippolyte, guided by the tact which is almost always the outcome of misfortune suffered in early youth, dared not allow himself to make the least remark as to his neighbors' situation, as he saw all about him the signs of ill-disguised poverty. The simplest question would have been an indiscretion, and could only be ventured on by old friendship. The painter was nevertheless absorbed in the thought of this concealed penury, it pained his generous soul; but knowing how offensive every kind of pity may be, even the friendliest, the disparity between his thoughts and his words made him feel uncomfortable. The two ladies at first talked of painting, for women easily guess the secret embarrassment of a first call; they them.* selves feel it perhaps, and the nature of their mind supplie?i them with a thousand devices to put an end to it. By ques- tioning the young man as to the material exercise of his art, and as to his studies, Adelaide and her mother emboldened him to talk. The indefinable nothings of their chat, animated by kind feeling, naturally led Hippolyte to flash forth remark?;^ or reflections which showed the character of his habits and of his mind. Trouble had prematurely faded the old lady's face, formerly handsome, no doubt ; nothing was left but the more prominent features, the outline, in a word, the skeleton of a countenance of which the whole effect indicated great shrewdness with much grace in the play of the eyes, in which could be discerned the expression peculiar to women of the old Court ; an expression that cannot be defined in words. Those fine and mobile features might quite as well indicate bad feelings, and suggest astuteness and womanly artifice carried to a high pitch of wickedness, as reveal the refined delicacy of a beautiful soul. 136 THE PURSE Indeed, the face of a woman has this element of mj^stery to puzzle the ordinary observer, that the difference between frankness and duplicity, the genius for intrigue and the genius of the heart, is there inscrutable. A man gifted with a pene- trating eye can read the intangible shade of difference pro- duced by a more or less curved line, a more or less deep dimple, a more or less prominent feature. The appreciation of these indications lies entirely in the domain of intuition ; this alone can lead to the discovery of what every one is interested in con- cealing. The old lady's face was like the room she inhabited ; it seemed as difficult to detect whether this squalor covered vice or the highest virtue, as to decide whether Adela'ide's mother was an old coquette accustomed to weigh, to calculate, to sell everything, or a loving woman, full of noble feeling and amiable qualities. But at Schinner's age the first impulse of the heart is to believe in goodness. And indeed, as he studied Adelaide's noble and almost haughty brow, as he looked into her eyes full of soul and thought, he breathed, so to speak, the sweet and modest fragrance of virtue. In the course of the conversation he seized an opportunity of discussing portraits in general, to give himself a pretext for examining the frightful pastel, of which the color had flown, and the chalk in many places fallen away. "You are attached to that picture for the sake of the like- ness, no doubt, mesdames, for the drawing is dreadful?" he said, looking at Adelaide. "It was done at Calcutta, m great haste," replied the mother, in an agitated voice. She gazed at the formless sketch with the deep absorption which memories of happiness produce when they are roused and fall on the heart like a beneficent dew to whose refreshin,oc touch we love to yield ourselves up; but in the expression of the old lady's face there were traces too of perennial regret. At least, it was thus that the painter chose to interpret her attitude and countenance, and he presently sat down again by her side. "Madame," he said, "in a very short time the colors of that THE rURSE 137 pastel will have disappeared. The portrait will only survive in your memory. Where you will still see the face that is dear to you, others will see nothing at all. Will you allow me to reproduce the likeness on canvas? It will be more perma- nently recorded then than on that sheet of paper. Grant me, I beg, as a neighborly favor, the pleasure of doing you this service. There are times when an artist is glad of a respite from his greater undertakings by doing work of less lofty pretensions, so it will be a recreation for me to paint that head.'^ The old lady flushed as she heard the painter's words, and Adelaide shot one of those glances of deep feeling which seem to flash from the soul. Hippolyte wanted to feel some tie linking him with his two neighbors, to conquer a right to mingle in their life. His offer, appealing as it did to the liveliest affections of the heart, was the only one he could possibly make; it gratified his pride as an artist, and could not hurt the feelings of the ladies. Madame Leseigneur accepted, without eagerness or reluctance, but with the self - possession of a noble soul, fully aware of the character of bonds formed by such an obligation, while, at the same time, they are its highest glo/y as a proof of esteem. "I fancy," said the painter, "that the uniform is that of a naval officer" "Yes," she said, "that of a captain in command of a vessel. Monsieur de Rouville — my husband — died at Batavia in consequence of a wound received in a fight with an English ship they fell in with off the Asiatic coast. He com- manded a frigate of fifty-six guns, and the Revenge carried ninety-six. Ihe struggle was very unequal, but he defended his ship so bravely that he held out till nightfall and got away. When I came back to France Bonaparte was not yet in power, and I was refused a pension. When I applied again for it, quite lately, I was sternly informed that if the Baron de Rouville had emigrated I should not have lost him; that by this time he would have been rear-admiral; finally, bis Excellency quoted I know not what degree of forfeiture. 138 THE PURSB I took this step, to which I was urged by my friends, only for the sake of my poor Adelaide. I have always hated the idea of holding out my hand as a beggar in the name of a grief which deprives a woman of voice and strength. I do not like this money valuation for blood irreparably spilt " ^'Dear mother, this subject always does you harm." In response to this remark from Adelaide, the Baronne Leseigneur bowed, and was silent. "Monsieur,^' said the 3''oung girl to Hippolyte, "I had sup- posed that a painter's work was generally fairly quiet?" At this question Schinner colored, remembering the noise he had made. Adelaide said no more, and spared him a false- hood by rising at the sound of a carriage stopping at the door. She went into her own room, and returned carrying a pair of tall gilt candlesticks with partly burnt wax candles, which she quickly lighted, and without waiting for the bell to ring, she opened the door of the outer room, where she set the lamp down. The sound of a kiss given and received found an echo in Hippolyte^s heart. The young man's im- patience to see the man who treated Adelaide with so much familiarity, was not immediately gratified; the newcomers had a conversation, which he thought very long, in an under- tone, with the young girl. At last Mademoiselle de Eouville returned, followed by two men, whose costume, countenance, and appearance are a long story. The first, a man of about sixty, wore one of the coats in- vented, I believe, for Louis XVIII., then on the throne, in which the most difficult problem of the sartorial art had been solved by a tailor who ought to be immortal. That artist certainly understood the art of compromise, which was the moving genius of that period of shifting politics. Is it not a rare merit to be able to take the measure of the time ? This coat, which the young men of the present day may conceive to be fabulous, was neither civil nor military, and might pass for civil or military by turns. Fleurs-de-lis were em- broidered on the lapels of the back skirts. The gilt buttons THE PURSE 139 also bore fleurs-de-lis; on the shoulders a pair of straps cried out for useless epaulettes; these military appendages were there like a petition without a recommendation. This old gentleman's coat was of dark blue cloth, and the buttonhole had blossomed into many colored ribbons. He, no doubt, always carried his hat in his hand — a three-cornered cocked hat, with a gold cord — for the snowy wings of his powdered hair showed not a trace of its pressure. He might have been taken for not more than fifty years of age, and seemed to enjoy robust health. While wearing the frank and loyal ex- pression of the old emigres, his countenance also hinted at the easy habits of a libertine, at the light and reckless passions of the Musketeers formerly so famous in the annals of gal- lantry. His gestures, his attitude, and his manner proclaimed that he had no intention of correcting himself of his royalism, of his religion, or of his love affairs. A really fantastic figure came in behind this specimen of "Louis XIV.'s light infantry" — a nickname given by the Bonapartists to these venerable survivors of the Monarchy. To do it Justice it ought to be made the principal object in the picture, and it is but an accessory. Imagine a lean, drj^ man, dressed like the former, but seeming to be only his re- flection, or his shadow, if you will. The coat, new on the first, on the second was old; the powder in his hair looked less white, the gold of the fleurs-de-lis less bright, the shoulder straps more hopeless and dog^s eared; his intellect seemed more feeble, his life nearer the fatal term than in the former. In short, he realized EivaroFs witticism on Champcenetz, "He is the moonlight of me.'' He was simply his double, a paler and poorer double, for there was between them aH the difference that lies between the first and last impress^or^ of a lithograph. This speechless old man was a mystery to the painter, anaX always remained a mystery. The Chevalier, for he was a Chevalier, did not speak, nobody spoke to him. Was he a friend, a poor relation, a man who followed at the old gaV lanf s heels as a lady companion does at an old lady's ? Di;l 140 THE PURSE he fill a place midway between a dog, a parrot, and a friend? Had he saved his patron's fortune, or only his life ? Was he the Trim to another Captain Toby? Elsewhere, as at the Baronne de Kouville's, he always piqued curiosity without satisfying it. Who, after the Restoration, could remember the attachment which, before the Revolution, had bound this man to his friend's wife, dead now these twenty years ? The leader, who appeared the least dilapidated of these wrecks, came gallantly up to Madame de Rouville, kissed her hand, and sat down by her. The other bowed and placed himself not far from his model, at a distance represented by two chairs. Adelaide came behind the old gentleman's arm* chair and leaned her elbows on the back, unconsciously imi« tating the attitude given to Dido's sister by Guerin in his famous picture- Though the gentleman's familiarity was that of a father, his freedom seemed at the moment to annoy the young girl. "What, are you sulky with me?" he said. Then he shot at Schinner one of those side-looks full of shrewdness and cunning, diplomatic looks, whose expression betrays the discreet uneasiness, the polite curiosity of well- bred people, and seems to ask, when they see a stranger, "Is he one of us?" "This is our neighbor," said the old lady, pointing to Hip- polyte. "Monsieur is a celebrated painter, whose name must be known to you in spite of your indifference to the arts." The old man saw his friend's mischievous intent in sup- pressing the name, and bowed to the young man. "Certainly," said he. "I heard a great deal about his pic- tures at the last Salon. Talent has immense privileges," ho added, observing the artist's red ribbon. "That distinction, which we must earn at the cost of our blood and long service, you win in your youth; but all glory is of the same kindrod," he said, laying his hand on his Cross of Saint-Louis. Hippolyte murmured a few words of acknowledgment, and was silent again, satisfied to admire with growing enthusiasm the beautiful girl's head that charmed him so much. He THE PCIRSlfi 141 was soon lost in contemplation, completely forgetting the extreme misery of the dwelling. To him Adelaide's face stood out against a luminous atmosphere. He replied briefly to the questions addressed to him, which, by good luck, he heard, thanks to a singular faculty of the soul which some- times seems to have a double consciousness. Who has not known what it is to sit lost in sad or delicious meditation, lis- tening to its voice within, while attending to a conversation or to reading? An admirable duality which often helps us to tolerate a bore ! Hope, prolific and smiling, poured out before Aim a thousand visions of happiness; and he refused to con- sider what was going on around him. As confiding as a child, it seemed to him base to analyze a pleasure. After a short lapse of time he perceived that the old lady and her daughter were playing cards with the old gentleman. As to the satellite, faithful to his function as a shadow, he stood behind his friend's chair watching his game, and an.- swering the player's mute inquiries by little approving nods, repeating the questioning gestures of the other countenance. "Du Halga, I always lose," said the gentleman. "You discard badly," replied the Baronne de Eouville. "For three months now I have never won a single game/ said he. "Have you the aces?" asked the old lady. "Yes, one more to mark," said he. , "Shall I come and advise you ?" said Adelaide. "No, no. Stay where I can see you. By Gad, it would be losing too much not to have you to look at !" At last the game was over. The gentleman pulled out his purse, and, throwing two louis d'or on the table, not without temper — "Forty francs," he exclaimed, "the exact sum. — Deuce take it! It is eleven o'clock." "It is eleven o'clock," repeated the silent figure, looking at the painter. The young man, hearing these words rather more distinctly than all the others, thought it time to retire. Coming back 142 THE PURSE to the world of ordinary ideas, he foand a few comrr/onplace remarks to make, took leave of the Baroness, her daughter, and the two strangers, and went away, wholly possessed by the first raptures of true love, without attempting to analyze the little incidents of the evening. On the morrow the young painter felt the most ardent de- sire to see Adelaide once more. If he had followed the call of his passion, he would have gone to his neighbor's door at six in the morning, when he went to his studio. However, he still was reasonable enough to wait till the afternoon. But as soon as he thought he could present himself to Madame de Eouville, he went downstairs, rang, blushing like a girl, shyly asked Mademoiselle Leseigneur, who came to let him in, to let him have the portrait of the Baron. "But come in," said Adelaide, who had no doubt heard him come down from the studio. The painter followed, bashful and ont of countenance, not knowing what to say, happiness had so dulled his wit. To see Adelaide, to hear the rustle of her skirt, after longing for a whole morning to be near her, after starting up a hundred time — "I will go down now" — and not to have gone ; this was to him life so rich that such sensations, too greatly prolonged, would have worn out his spirit. The heart has the singular power of giving extraordinary value to mere nothings. What joy it is to a traveler ,to treasure a blade of grass, an un- familiar leaf, if he has risked his life to pluck it! It is the same with the trifles of love. The old lady was not in the drawing-room. When the young girl found herself there, alone with the painter, she brought a chair to stand on, to take down the picture; but perceiving that she could not unhook it without setting hei foot on the chest of drawers, she turned to Hippolyte, and said with a blush : "I am not tall enough. Will you get it down A feeling of modesty, betrayed in the expression of her face and the tones of her voice, was the real motive of her request; and the young man, understanding this, gave her THE PURSE 143 one of those glances of intelligence which are the sweetest language of love. Seeing that the painter had read her soul, Adelaide cast down her eyes with the instinct of reserve which is the secret of a maiden's heart: Hippolyte, finding nothing to say, and feeling almost timid, took down the pict- ure, examined it gravely, carrying it to the light of the win- dow, and then went away, without saying a word to Made- moiselle Leseigneur but, "I will return it soon/' During this brief moment they both went through one of those storms of agitation of which the effects in the soul may be compared to those of a stone flung into a deep lake. The most delightful waves of thought rise and follow each other, indescribable, repeated, and aimless, tossing the heart like the circular ripples, which for a long time fret the waters, starting from the point where the stone fell. Hippolyte returned to the studio bearing the portrait. His easel was ready with a fresh canvas, and his palette set, his brushes cleaned, the spot and the light carefully chosen. And till the dinner hour he worked at the painting with the ardor artists throw into their whims. He went again that evening to the Baronne de Kouville's, and remained from nine till eleven. Excepting the different topics of conversa- tion, this evening was exactly like the last. The two old men arrived at the same hour, the same game of piquet was played, the same speeches made by the players, the sum lost by Ade- laide's friend was not less considerable than on the previous evening ; only Hippolyte, a little bolder, ventured to chat with the young girl. A week passed thus, and in the course of it the painter's feelings and Adelaide's underwent the slow and delightful transformations which bring two souls to a perfect under- standing. Every day the look with which the girl welcomed her friend grew more intimate, more confiding, gayer, and more open; her voice and manner became more eager and more familiar. They laughed and talked together, telling each other their thoughts, speaking of themselves with the simplicity of two children who have made friends in a day^ 144 THE rURSE as much as if they had met constantly for three years. Schin- ner wished tc be taught piquet. Being ignorant and a novice, he, of course, made blunder after blunder, and, like the old man, he lost almost every game. Without having spoken a word of love the lovers knew that they were all in all to one an- other. Hippolyte enjoyed exerting his power over his gentle little friend, and many concessions were made to him by Adelaide, who, timid and devoted to him, was quite deceived by the assumed fits of temper, such as the least skilled lover and the most guileless girl can affect; and which they con- stantly play off, as spoilt children abuse the power they owe to their mother's affection. Thus all familiarity between the girl and the old Count was soon put a stop to. She under- stood the painter's melancholy, and the thoughts hidden in the furrows on his brow, from the abrupt tone of the few words he spoke when the old man unceremoniously kissed Adelaide's hands or throat. Mademoiselle Leseigneur, on her part, soon expected her lover to give a short account of all his actions; she was so unhappy, so restless when Hippolyte did not come, she scolded him so effectually for his absence, that the painter had to give up seeing his other friends, and now went nowhere. Ade- laide allowed the natural jealousy of women to be perceived when she heard that sometimes at eleven o'clock, on quitting the house, the painter still had visits to pay, and was to be seen in the most brilliant drawing-rooms of Paris. This mode of life, she assured him, was bad for his health; then, with the intense conviction to which the accent, the emphasis, and the look of one we love lend so much weight, she asserted that a man who was obliged to expend his time and the charms of his wit on several women at once could not be the object of any very warm affection. Thus the painter was led, as much by the tyranny of his passion as by the exactions of a girl in love, to live exclusively in the little apartment where everything attracted him. And never was there a purer or more ardent love. On both sides the same trustfulness, the same delicacy, gave their THE PURSE 145 passion increase without the aid of those sacrifices by which many persons try to prove their affection. Between these two there was such a constant interchange of sweet emotion that they knew not which gave or received the most. A spontaneous affinity made the union of their souls a close one. The progress of this true feeling was so rapid that two months after the accident to which the painter owed the happiness of knowing Adelaide, their lives were one life. From early morning the young girl, hearing footsteps over- head, could say to herself, "He is there." When Hippolyte went home to his mother at the dinner hour he never failed to look in on his neighbors, and in the evening he flew there at the accustomed hour with a lover's punctuality. Thus the most tyrannical woman or the most ambitious in the matter of love could not have found the smallest fault with the young painter. And Adelaide tasted of unmixed and un- bounded happiness as she saw the fullest realization of tho ideal of which, at her age, it is so natural to dream. The old gentleman now came more rarely ; Hippolyte, who had been jealous, had taken his place at the green table, and shared his constant ill-luck at cards. And sometimes, in the midst of his happiness, as he considered Madame de Eouville'fc' disastrous position — for he had had more than one proof of her extreme poverty — an importunate thought would haunt him. Several times he had said to himself as he went home, "Strange ! twenty francs every evening ?" and he dared not confess to himself his odious suspicions. He spent two months over the portrait, and when it was finished, varnished, and framed, he looked upon it as one of his best works. Madame la Baronne de Eouville had never spoken of it again. Was this from indifference or pride? The painter would not allow himself to account for this si- lence. He joyfully plotted with Adelaide to hang the pict- ure in its place when Madame de Eouville should be out. So one day, during the walk her mother usually took in the Tuileries, iVdelaide for the first time went up to Hippolyte's studio, on the pretext of seeing the portrait in the good 146 THE PURSE light in which it had been painted. She stood speechless and motionless, but in ecstatic contemplation, in which all a woman's feelings were merged. For are they not all com- prehended in boundless admiration for the man she loves? When the painter, uneasy at her silence, leaned forward to look at her, she held out her hand, unable to speak a word, but two tears fell from her eyes. Hippolyte took her hand, and covered it with kisses; for a minute they looked at each other in silence, both longing to confess their love, and not daring. The painter kept her hand in his, and the same glow, the same throb, told them that their hearts were both beating wildly. The young girl, too greatly agitated, gently drew away from Hippolyte, and said, with a look of the utmost simplicity: "You will make my mother very happy." "What, only your mother?'' he asked. "Oh, I am too happy." The painter bent his head and remained silent, frightened at the vehemence of the feelings which her tones stirred in his heart. Then, both understanding the perils of the situa- tion, they went downstairs and hung up the picture in its place. Hippolyte dined for the first time with the Baroness, who, greatly overcome, and drowned in tears, must needs em- brace him. In the evening the old emigre, the Baron de Eouville's old comrade, paid the ladies a visit to announce that he had just been promoted to the rank of vice-admiral. His voyages by land over Germany and Eussia had been counted as naval campaigns. On seeing the portrait he cordially shook the painter's hand, and exclaimed, "By Gad ! though my old hulk does not deserve to be perpetuated, I would gladly give five hundred pistoles to see myself as like as that is to my dear old Eouville." At this hint the Baroness looked at her young friend and smiled, while her face lighted up with an expression of sudden gratitude. Hippolyte suspected that the old admiral wished to offer him the price of both portraits while paying for his THE PURSE) 147 own. His pride as an artist, no less than his jealousy per- haps, took offence at the thought, and he replied : "Monsieur, if I were a portrait-painter I should not have done this one." The admiral bit his lip, and sat down to cards. The painter remained near Adelaide, who proposed a dozen hands of piquet, to which he agreed. As he played he ob- served in Madame de Rouville an excitement over her game which surprised him. Never before had the old Baroness manifested so ardent a desire to win, or so keen a joy in fingering the old gentleman's gold pieces. During the even- ing evil suspicions troubled Hippolyte's happiness, and filled him with distrust. Could it be that Madame de Eouville lived by gambling? Was she playing at this moment to pay off some debt, or under the pressure of necessity? Perhaps she had not paid her rent. The old man seemed shrewd enough not to allow his money to be taken with impunity. What interest attracted him to this poverty-stricken house, he who was rich? Why, when he had formerly been so familiar with Adelaide, had he given up the rights he had acquired, and which were perhaps his due ? These involuntary reflections prompted him to watch the old man and the Baroness, whose meaning looks and certain sidelong glances cast at Adelaide displeased him. "Am I being duped ?'' was Hippolyte's last idea — horrible, scathing, for he believed it just enough to be tortured by it. He determined to stay after the departure of the two old men, to confirm or dissipate his suspicions. He drew out his purse to pay Adelaide ; but, carried away by his poignant thoughts, he laid it on the table, falling into a reverie of brief duration ; then, ashamed of his silence, he rose, answered some commonplace question from Madame de Rouville, and went close up to her to examine the withered features while he was talking to her. He went away, racked by a thousand doubts. He had gone down but a few steps when he turned back to fe.ch the for- gotten purse. ''I left my purse here !" he said xo the young girl. -I? 148 THE PURSE "No/' she said, reddening. "I thought it was there," and he pointed to the card' table. Not finding it, in his shame for Adelaide and the Baroness, he looked at them with a blank amazement that made them laugh, turned pale, felt his waistcoat, and said, "I must have made a mistake. I have it somewhere no doubt." In one end of the purse there were fifteen louis d'or, and in the other some small change. The theft was so flagrant, and denied with such effrontery, that Hippolyte no longer felt a doubt as to his neighbors' morals. He stood still on the stairs, and got down with some difficulty ; his knees shook, he felt dizzy, he was in a cold sweat, he shivered, and found himself unable to walk, struggling, as he was, with the iigonizing shock caused by the destruction of all his hopes. And at this moment he found lurking in his memory a num- ber of observations, trifling in themselves, but which cor- i'oborated his frightful suspicions, and which, by proving the ^jertainty of this last incident, opened his eyes as to the char- acter and life of these two women. Had they really waited till the portrait was given them before robbing him of his purse ? In such a combination the theft was even more odious. The painter recollected that for the last two or three evenings Adelaide, while seeming to examine with a girl's curiosity the particular stitch of the worn silk netting, was probably counting the coins in the purse, while making some light jests, quite innocent in appear- ance, but no doubt with the object of watching for a moment when the sum was worth stealing. "The old admiral has perhaps good reasons for not marry- mg Adelaide, and so the Baroness has tried " But at this hypothesis he checked himselt, not finishing his thought, which was contradicted by a very just reflection, "If the Baroness hopes to get me to marry her daughter/' thought he, "they would not have robbed me." Then, clinging to his illusions, to the love that already had taken such deep, root, he tried to find a justification in THE PURSE 149 some accident. "The purse must have fallen on the floor," said he to himself, "or I left it lying on my chair. Or per- haps I have it about me — I am so absent-minded He searched himself with hurried movements, but did not find the ill-starred purse. His memory cruelly retraced the fatal truth, minute by minute. He distinctly saw the purse lying on the green cloth; but then, doubtful no longer, he excused Adelaide, telling himself that persons in misfortune should not be so hastily condemned. There was, of course, some secret behind this apparently degrading action. He would not admit that that proud and noble face was a lie. At the same time the wretched rooms rose before him, denuded of the poetry of love which beautifies everything; he saw them dirty and faded, regarding them as emblematic of an inner life devoid of honor, idle and vicious. Are not our feelings written, as it were, on the things about us ? Next morning he rose, not having slept. The heartache, that terrible malady of the soul, had made rapid inroads. To lose the bliss we dreamed of, to renounce our whole future, is a keener pang than that caused by the loss of known happi- ness, however complete it may have been; for is not Hope better than Memory? The thoughts into which our spirit is suddenly plunged are like a shoreless sea, in which we may swim for a moment, but where our love is doomed to drown and die. And it is a frightful death. Are not our feelings the most glorious part of our life? It is this partial death which, in certain delicate or powerful natures, leads to the terrible ruin produced by disenchantment, by hopes and pas- sions betrayed. Thus it was with the young painter. He went out at a very early hour to walk under the fresh shade of the Tuileries, absorbed in his thoughts, forgetting every- thing in the world. There by chance he met one of his most intimate friends, a school-fellow and studio-mate, with whom he had lived on better terms than with a brother. "Why, Hippolyte, what ails you ?" asked Fran9ois Souchet, 150 THE rURSB the young sculptor who had just won the first prize, and was soon to set out for Italy. "I am most unhappy/' replied Hippolyte gravely. "Nothing but a love affair can cause you grief. Money, glory, respect — you lack nothing." Insensibly the painter was led into confidences, and con- fessed his love. The moment he mentioned the Rue de Suresne, and a young girl living on the fourth floor, "Stop, stop," cried Souchet lightly. "A little girl I see every morn- ing at the Church of the Assumption, and with whom I have a flirtation. But, my dear fellow, we all know her. The mother is a Baroness. Do you really believe in a Baroness living up four flights of stairs ? Brrr ! Why, you are a relic of the golden age ! We see the old mother here, in this ave- nue, every day; why, her face, her appearance, tell every- thing. What, have you not known her for what she is by the way she holds her bag?" The two friends walked up and down for some time, and several young men who knew Souchet or Schinner joined them. The painter's adventure, which the sculptor regarded as unimportant, was repeated by him. "So he, too, has seen that young lady !" said Souchet. And then there were comments, laughter, innocent mock- ery, full of the liveliness familiar to artists, but which pained Hippol3i:e frightfully. A certain native reticence made him uncomfortable as he saw his heart's secret so carelessly handled, his passion rent, torn to tatters, a young and un- known girl, whose life seemed to be so modest, the victim of condemnation, right or wrong, but pronounced with such reckless indifference. He pretended to be moved by a spirit of contradiction, asking each for proofs of his assertions, and their jests began again. "But, my dear boy, have you seen the Baroness' shawl?" asked Souchet. "Have you ever followed the girl when she patters off to church in the morning ?" said J oseph Bridau, a young dauber in Gros' studio. THE PURSE 151 "Oh, the mother has among other virtues a certain gray gown, which I regard as typical/' said Bixiou, the cari- caturist. "Listen, Hippolyte," the sculptor went on. "Come here at about four o'clock, and just study the walk of both mother and daughter. If after that you still have doubts ! well, no one can ever make anything of you ; you would be capable of marrying your porter's daughter." Torn by the most conflicting feelings, the painter parted from his friends. It seemed to him that Adelaide amd her mother must be superior to these accusations, and at the bot- tom of his heart he was tilled with remorse for having sus- pected the purity of this beautiful and simple girl. He went to his studio, passing the door of the rooms where Adelaidi} was, and conscious of a pain at his heart which no man can misapprehend. He loved Mademoiselle de Eouville so pas^ sionately that, in spite of the theft of the purse, he still worshiped her. His love was that of the Chevalier des Grieux admiring his mistress, and holding her as pure, even on the cart which carries such lost creatures to prison. "Why should not my love keep her the purest of women? Why abandon her to evil and to vice without holding out a resc iinfi: hand to her?" The idea of this mission pleased him. Love makes a gain of everything. Nothing tempts a young man more than to play the part of a good genius to a woman. There is some- thing inexplicably romantic in such an enterprise which ap- peals to a highly-strung soul. Is it not the utmost stretch of devotion under the loftiest and most engaging aspect? Is there not something grand in the thought that we love enough still to love on when the love of others dwindles and dies ? Hippolyte sat down in his studio, gazed at his picture without doing anything to it, seeing the figures through tears that swelled in his eyes, holding his brush in his hand, going up to the canvas as if to soften down an effect, but not touch- ing it. Night fell, and he was still in this attitude. Roused from his moodiness by the darkness, he went downstairs, met 152 THE PURSE the old admiral on the way, looked darkly at him as he bowed, and Hed. He had intended going in to see the ladies, but the sight of Adelaide's protector froze his heart and dispelled his purpose. For the hundredth time he wondered what interest could bring this old prodigal, with his eighty thousand francs a year, to this fourth story, where he lost about forty francs every evening ; and he thought he could guess what it was. The next and following days Hippolyte threw himself into his work, and to try to conquer his passion by the swift rush of ideas and the ardor of composition. He half succeeded. Study consoled him, though it could not smother the memories of so many tender hours spent with Adelaide. One evening, as he left his studio, he saw the door of the ladies' rooms half open. Somebody was standing in the re- cess of the window, and the position of the door and the staircase made it impossible that the painter should pass ivithout seeing Adelaide. He bowed coldly, with a glance of supreme indifference; but judging of the girl's suffering by his own, he felt an inward shudder as he reflected on the bitterness which that look and that coldness must produce in a loving heart. To crown the most delightful feast which ever brought joy to two pure souls, by eight days of disdain, of the deepest and most utter contempt ! — A frightful conclu- sion. And perhaps the purse had been found, perhaps Ade- laide had looked for her friend every evening. This simple and natural idea filled the lover with fresh remorse; he asked himself whether the proofs of attachment given him by the young girl, the delightful talks, full of the love that had so charmed him, did not deserve at least an inquiry; were not worthy of some justification. Ashamed of having resisted the promptings of his heart for a whole week, and feeling himself almost a criminal in this mental struggle, he called the same evening on Madame de Eouville. All his suspicions, all his evil thoughts vanished at the sight of the young girl, who had grown pale and thin. ^'Good heavens! what is the matter?" he asked her, after greeting the Baroness. THE PURSE 153 Adelaide made no reply, but she gave him a look of deep melancholy, a sad, dejected look, which pained him. "You have, no doubt, been working hard,-' said the old lady. "You are altered. We are the cause of your seclusion. That portrait had delayed some pictures essential to your reputa- tion." Hippolyte was glad to find so good an excuse for his rude- ness. /' "Yes,'' he said, "I have been very busy, but I have been Buffering " At these words Adelaide raised her head, looked at her lover, and her anxious eyes had now no hint of reproach. "You must have thought us quite indifferent to any good or ill that may befall you ?" said the old lady. "I was wrong," he replied. "Still, there are forms of pain which we know not how to confide to any one, even to a friendship of older date than that with which you honor me." "The sincerity and strength of friendship are not to be measured by time. I have seen old friends who had not a tear to bestow on misfortune," said the Baroness, nodding; sadly. "But you — what ails you?" the young man asked Ade- laide. "Oh, nothing," replied the Baroness. "Adelaide has sat up late for some nights to finish some little piece of woman's Work, and would not listen to me when I told her that a day more or less did not matter " Hippolyte was not listening. As he looked at these tw(» noble, calm faces, he blushed for his suspicions, an.d ascribed the loss of his purse to some unknown accident. This was a delicious evening to him, and perhaps to her (too. There are some secrets which young souls understand so well. Adelaide could read Hippolyte's thoughts. Though he could not confess his misdeeds, the painter knew them, and he had come back to his mistress more in love, and more affectionate, trying thus to purchase her tacit forgiveness. 154 THE PURSE Adelaide was enjoying such perfect, such sweet happiness, that she did not think she had paid too dear for it with all the grief that had so cruelly crushed her soul. And yet, this true concord of hearts, this understanding so full of magic charm, was disturbed by a little speech of Madame de Eou- ville's. "Let us have our little game," she said, "for my old friend Kergarouet will not let me off." These words revived all the young painter's fears; he col- ored as he looked at Adelaide's mother, but he saw nothing in her countenance but the expression of the frankest good- nature; no double meaning marred its charm; its keenness was not perfidious, its humor seemed kindly, and no trace of remorse disturbed its equanimity. He sat down to the card-table. Adelaide took side with the painter, saying that he did not know piquet, and needed n- partner. All through the game Madame de Eouville and her daugh- ter exchanged looks of intelligence, which alarmed Hippolyte all the more because he was winning ; but at last a final hand left the lovers in the old lady's debt. To feel for some money in his pocket the painter took his hands off the table, and he then saw before him a purse which Adelaide had slipped in front of him without his noticing it ; 1;he poor child had the old one in her hand, and, to keep her i?ountenance, was looking into it for the money to pay her mother. The blood rushed to Hippolyte's heart with such force that he was near fainting. The new purse, substituted for his own, and which con- tained his fifteen gold louis, was worked with gilt beads. The rings and tassels bore witness to Adelaide's good taste, and she had no doubt spent all her little hoard in ornamenting this pretty piece of work. It was impossible to say with greater delicacy that the painter's gift could only be repaid by some proof of affection. Hippolyte, overcome with happiness, turned to look at .Adelaide and her mother, and saw that they were treinulous THE PURSE 155 with pleasure and delight at their little trick. He felt him- self mean, sordid, a fool; he longed to punish himself, to rend his heart. A few tears rose to his eyes ; by an irresistible impulse he sprang up, clasped Adelaide in his arms, pressed her to his heart, and stole a kiss; then with the sim- ple heartiness of an artist, "I ask her for my wife !" he ex- claimed, looking at the Baroness. Adelaide looked at him with half-wrathful eyes, and Mad- ame de Rouville, somewhat astonished, was considering her reply, when the scene was interrupted by a ring at the bell. The old vice-admiral came in, followed by his shadow, and Madame Schinner. Having guessed the cause of the grief her son vainly endeavored to conceal, Hippolyte's mother had made inquiries among her friends concerning Adelaide. Very justly alarmed by the calumnies which weighed on the young girl, unknown to the Comte de Kergarouet, whose name she learned from the porter's wife, she went to report them to the vice-admiral ; and he, in his rage, declared "he would crop all the scoundrels' ears for them." Then, prompted by his wrath, he went on to explain to Madame Schinner the secret of his losing intentionally at cards, because the Baronne's pride left him none but these ingenious means of assisting her. When Madame Schinner had paid her respects to Madame de Rouville, the Baroness looked at the Comte de Kergarouet, at the Chevalier du Halga— the friend of the departed Comt- esse de Kergarouet— at Hippolyte, and Adelaide, and said, with the grace that comes from the heart, "So we are a family party this evening." Paris, May 183X MADAME FIRMIANI To my dear Alexandre de Berny, from his old friend De Balzac. Many tales, rich in situations, or made dramatic by the endless sport of chance, carry their plot in themselves, and can be related artistically or simply by any lips without the smallest loss of the beauty of the subject; but there are some incidents of human life to which only the accents of the heart can give life; there are certain anatomical details, so to speak, of which the delicacy appears only under the most skilful infusions of mind. Again, there are portraits which demand a soul, and are nothing without the more ethereal features of the responsive countenance. Finally, there are certain things which we know not how to say, or to depict, without I know not what unconceived harmonies that are under the influence of a day or an hour, of a happy con- junction of celestial signs, or of some occult moral predisposi- tion. Such revelations as these are absolutely required for the telling of this simple story, in which I would fain interest some of those naturally melancholy and pensive souls which are fed on bland emotions. If the writer, like a surgeon by the side of a dying friend, has become imbued with a sort of respect for the subject he is handling, why should not the reader share this inexplicable feeling? Is it so difficult to throw oneself into that vague, nervous melancholy which sheds gray hues on all our surroundings, which is half an illness, though its languid suffering is sometimes a pleasure? If you are thinking by chance of the dear friends you have lost; if 3^ou are alone, and it is night, or the day is dying, (157) 158 MADAME FIRMIANI read this narrative ; otherwise, throw the book aside, here. If yon have never buried some kind aunt, an invalid or poor, you will not understand these pages. To some, they will be odorous as of musk; to others, they will be as colorless, as strictly virtuous as those of Florian. In short, the reader must have known the luxury of tears; must have felt the wordless grief of a memory that drifts lightly by, bearing a shade that is dear but remote ; he must possess some of those remembrances that make us at the same time regret those whom the earth has swallowed, and smile over vanished joys. And now the author would have you believe that for all the wealth of England he would not extort from poetry even one of her fictions to add grace to this narrative. This is a true story, on which you may pour out the treasure of your sensibilities, if you have any. In these days, our language has as many dialects as there are men in the great human family. And it is a really curious and interesting thing to listen to the different views or ver- sions of one and the same thing, or event, as given by the various species which make up the monograph of the Parisian — the Parisian being taken as a generic term. Thus you might ask a man of the matter-of-fact type, "Do you know Madame Firmiani?" and this man would interpret Madame Firmiani by such an inventory as this: "A large house in the Eue du Bac, rooms handsomely furnished, fine pictures, a hundred thousand francs a year in good securities, and a husband who was formerly receiver-general in the de- partment of Montenotte." Having thus spoken, j'^our matter- of-fact man — stout and roundabout, almost always dressed in black — draws up his lower lip, so as to cover the upper lip, and nods his head, as much as to say, "Very respectable peo- ple, there is nothing to be said against them." Ask him no more. Your matter-of-fact people state everything in figures, dividends, or real estate — a great word in their dictionary. Turn to your right, go and question that young man, wha belongs to the lounger specie: and repeat your inquiry. MADAME FIRMIANI 159 "Madame Firmiani says he. "Yes, yes, I know her very well. I go to her evenings. She receives on Wednesdays; a very good house to know." Madame Firmiani is always meta- morphosed into a house. The house is not a mere mass of stones architecturally put together ; no, this word, in the lan- guage of the lounger, has no equivalent. And here your lounger, a dry-looking man, with a pleasant smile, saying clever nothings, hut always with more acquired wit than natural wit, bends to your ear, and says with a knowing air "I never saw Monsieur Firmiani. His social position con- sists in managing estates in Italy. But Madame Firmiani is French, and spends her income as a Parisian should. Sh(i gives excellent tea ! It is one of the few houses where you really can amuse yourself, and where everything they giv(3 you is exquisite. It is very difficult to get introduced, and the best society is to be seen in her drawing-rooms." Then the lounger emphasizes his last words by gravely taking a pinch of snuff; he applies it to his nose in little dabs, and seems to be saying: "I go to the house, but do not count on my introducing you." To folks of this type Madame Firmiani keeps a sort of inn without a sign. "Why on earth can you want to go to Madame Firmiani's? It is as dull there as it is at Court. Of what use are brains if they do not keep you out of such drawing-rooms, where, with poetry such as is now current, you hear the most trivial little ballad just hatched out." You have asked one of your friends who comes under the class of petty autocrats — men who would like to have the universe under lock and key, and have nothing done without their leave. They are miserable at other people's enjoyment, can forgive nothing but vice, wrong-doing, and infirmities, and want nothing but proteges. Aristocrats by taste, they are republicans out of spite, simply to discover many inferiors among their equals. "Oh, Madame Firmiani, my dear fellow, is one of those adorable women whom Nature feels to be a sufficient excuse 160 MADAME FIRMIANI for all the ugly ones she has created by mistake; she is be- witching, she is kind ! I should like to be in power, to be king, to have millions of money, solely (and three words are whispered in your ear). Shall I introduce you to her?" This young man is a Schoolboy, known for his audacious bearing among men and his extreme shyness in private. ''^Madame Firmiani cries another, twirling his cane in the air. "I will tell you what I think of her. She is a woman of between thirty and thirty-five, face a little passee, fine eyes, a flat figure, a worn contralto voice, dresses a great deal, rouges a little, manners charming; in short, my dear fellow, the remains of a pretty woman which are still worthy of a passion." This verdict is pronounced by a specimen of the genus 'Coxcomb, who, having just breakfasted, does not weigh his words, and is going out riding. At such moments a coxcomb is pitiless. "She has a collection of magnificent pictures in her house. Go and see her," says another; "nothing can be finer." You have come upon the species Amateur. This indi- vidual quits you to go to Perignon's, or to Tripet's. To him Madame Firmiani is a number of painted canvases. A Wife. — "Madame Firmiani? I will not have you go there." This phrase is the most suggestive view of all. — Mad- ame Firmiani ! A dangerous woman ! A siren ! She dresses well, has good taste ; she spoils the night's rest of every wife. — The speaker is of the species Shrew. An Attache to an Embassy. — "Madame Firmiani? From Antwerp, is not she? I saw that woman, very hand- some, about ten years ago. She was then at Rome." Men of the order of Attaches have a mania for utterances a la Talleyrand, their wit is often so subtle that their per- ception is imperceptible. They are like those billiard players who miss the balls with infinite skill. These men are not generally great talkers; but when they talk it is of nothing less than Spain, Vienna, Italy, or Saint-Petersburg. The names of countries act on them like springs ; you press them, and the machinery Dlavs all its tunes. MADAME FIRMIANI 161 ''Does not that Madame Firmiani see a great deal of the Faubourg Saint-Germain?" This is asked by a person who desires claims to distinction. She adds a de to everybody's name — to Monsieur Dupin, senior, to Monsieur Lafayette; she flings it right and left and spatters people with it. She spends her life in anxieties as to what is correct; but, for her sins, she lives in the unfashionable Marais, and her husband was an attorney — but an attorney in the King's Court. "Madame Firmiani, monsieur ? I do not know her." This man is of the class of Dukes. He recognizes no woman who has not been presented. Excuse him ; he was created Duke by Napoleon. '''Madame Firmiani? Was she not a singer at the Italian opera house?" — A man of the genus Simpleton. The indi- viduals of this genus must have an answer to everything. They would rather speak calumnies than be silent. Two OLD Ladies {the wives of retired lawyers). — The First (she has a cap with bows of ribbon, her face is wrinkled, her nose sharp, she holds a prayer-book, and her voice is harsh). — "What was her maiden name? — this Madame Firmiani ?" The Second (she has a little red face like a lady-apple, and a gentle voice). — "She was a Cadignan, my dear, niec(i of the old Prince de Cadignan, and cousin, consequently, to the Due de Maufrigneuse." Madame Firmiani then is a Cadignan. Bereft of virtues, fortune, and youth, she would still be a Cadignan; that, like u prejudice, is always rich and living. An Eccentric. — "My dear fellow, I never saw any clogj/ in her ante-room; you may go to her house without compro- mising yourself, and play there without hesitation; for if there should be any rogues, they will be people of quality, consequently there is no quarreling." An Old Man of the species Observer. — "You go to Madame Firmiani's, my dear fellow, and you find a handsome woman lounging indolently by the fire. She vnll scarcely move from her chair; she rises only to greet women, or am- 162 MADAME FIRMiANl bassadors, or dukes — people of importance. She is very gracious, she charms you, she talks well, and likes to talk of everything. She bears eYery indication of a passionate soul, but she is credited with too many adorers to have a lover. If suspicion rested on only two or three intimate visitors, we might know which was her cavaliere servente. But she is all mystery; she is married, and we have never seen her hus- band ; Monsieur Firmiani is purely a creature of fancy, like the third horse we «re made to pay for when traveling post, and which we never see; Madame, if you believe the profes- sionals, has the finest contralto voice in Europe, and has not sung three times since she came to Paris; she receives num- bers of people, and goes nowhere.'^ The Observer speaks as an oracle. His words, his anec- dotes, his quotations must all be accepted as truth, or you risk being taken for a man without knowledge of the world, with- out capabilities. He will slander you lightly in twenty draw- ing-rooms, where he is as essential as the first piece in the ))ill — pieces so often played to the benches, but which once upon a time were successful. The Observer is a man of forty, never dines at home, and professes not to be dangerous to women; he wears powder and a maroon-colored coat; he can .always have a seat in various boxes at the Theatre des "Bouffons. He is sometimes mistaken for a parasite, but ho has held too high positions to be suspected of sponging, and, indeed, possesses an estate, in a department of which the name has never leaked out. ^'Madame Firmiani? Why, my dear boy, she was a mis- tress of Murat's.'^ This gentleman is a Contradictory. They supply the errata to every memory, rectify every fact, bet you a hundred to one, are cock-sure of everything. You catch them out in a single evening in flagrant delicts of ubiquity. They assert that they were in Paris at the time of Mallet's conspiracy, forgetting that half an hour before they had crossed the Beresina. The Contradictories are al- most all members of the Legion of Honor; they talk very loud, have receding foreheads, and play high. MADAME FIRMIANI 163 "Madame Firmiani, a hundred thousand francs a year? Are you mad? Keally some people scatter thousands a year with the liberality of authors, to whom it costs nothing to give their heroines handsome fortunes. But Madame Firmiani is a flirt who ruined a young fellow the other day, and hin- dered him from making a very good marriage. If she were not handsome, she would be penniless.^' This speaker you recognize : he is one of the Envious, and we will not sketch his least feature. The species is as well- known as that of the domestic felis. How is the perpetuity of envy to be explained? A vice which is wholly unprofit- able ! People of fashion, literary people, very good people, and people of every kind were, in the month of January 1824, giving out so many different opinions on Madame Firmiani that it would be tiresome to report them all. We have only aimed at showing that a man wishing to know her, without choosing, or being able, to go to her house, would have been equally justified in the belief that she was a widow or a wife — silly or witty, virtuous or immoral, rich or poor, gentle or devoid of soul, handsome or ugly; in fact, there were as many Mesdames Firmiani as there are varieties in social life, i»r sects in the Catholic Church. Frightful thought! We are all like lithographed plates, of which an endless number of copies are taken off by slander. These copies resemble or differ from the original by touches so imperceptibly slight that, but for the calumnies of our friends and the witticisms of newspapers, reputation would depend on the balance struck by each hearer between the limping truth and the lies to which Parisian wit lends wings. Madame Firmiani, like many other women of dignity and noble pride, who close their hearts as a sanctuary and scorn the world, might have been very hardly judged by Monsieur de Bourbonne, an old gentleman of fortune, who had thought a good deal about her during the past winter. As it hap- pened, this gentleman belonged to the Provincial Land- owner class, folks who are accustomed to inquire into every- '12 164 MADAME FIRMIANI thing, and to make bargains with peasants. In this business a man grows keen-witted in spite of himself, as a soldier, in 'the long run, acquires the courage of routine. This inquirer, a native of Touraine, and not easily satisfied by the Paris dialects, was a very honorable gentleman who rejoiced in a nephew, his sole heir, for whom he planted his poplars. Their more than natural affection gave rise to m.uch evil-speaking, which individuals of the various species of Tourangeau formulated with much mother wit; but it would be useless to record it; it would pale before that of Parisian tongues. When a man can think of his heir without displeasure, as he sees fine rows of poplars improving every day, his affec- tion increases with each spadeful of earth he turns at the foot of his trees. Though such phenomena of sensibility may be uncommon, they still are to be met with in Tour- aine. This much-loved nephew, whose name was Octave de Camps, was descended from the famous Abbe de Camps, so well known to the learned, or to the bibliomaniacs, which is not the same thing. Provincial folks have a disagreeable habit of regarding young men who sell their reversions with a sort of respectable horror. This Gothic prejudice is bad for speculation, which the Government has hitherto found it necessary to encourage. Now, without consulting his uncle, Octave had on a sudden disposed of an estate in favor of the speculative builders. The chateau of Yillaines would have been demolished but foi the offers made by his old uncle to the representatives of the demolishing fraternity. To add to the testator's wrath . a friend of Octave's, a distant relation, one of those cousins irith small wealth and great cunning, who lead their pru- dent neighbors to say, "I should not like to go to law with him !" had called, by chance, on Monsieur de Bourbonne and informed him that his nephew was ruined. Monsieur Octave de Camps, after dissipating his fortune for a certain Madame Firmiani, and not daring to confess his sins, had been reduced to giving lessons in mathematics, pending MADAME FIHMIANI 165 his coining into his uncle's leavings. This distant cousin — a sort of Charles Moor — had not been ashamed of giving this disastrous news to the old country gentleman at the hour when, sitting before his spacious hearth, he was digest- ing a copious provincial dinner. But would-be legatees do not get rid of an uncle so easily as they could wish. This uncle, thanks to his obstinacy, refusing to believe the dis- tant cousin, came out victorious over the indigestion brought on by the biography of his nephew. Some blows fall on the heart, others on the brain; the blow struck by the distant cousin fell on the stomach, and produced little effect, as the good man had a strong one. Monsieur de Bourbonne, as a worthy disciple of Saint Thomas, came to Paris without telling Octave, and tried to get information as to his heir's insolvency. The old gentle- man, who had friends in the Faubourg Saint- Germain — the Listomeres, the Lenoncourts, and the Vandenesses — heard so much slander, so much that was true, and so much that was false concerning Madame Firmiani, that he deter- mined to call on her, under the name of Monsieur de Roux- ellay, the name of his place. The prudent old man took care, in going to study Octave's mistress — as she was said to be — to choose an evening when he knew that the young man was engaged on work to be well paid for; for Madame Firmiani was always at home to her young friend, a circumstance that no one could account for. As to Octave's ruin, that, un- fortunately, was no fiction. Monsieur de Eouxellay was not at all like a stage uncle. As an old musketeer, a man of the best society, who had his successes in his day, he knew how to introduce himself with a courtly air, remembered the polished manners of the past, had a pretty wit, and understood almost all the roll of no- bility. Though he loved the Bourbons with noble frankness, believed in God as gentlemen believe, and read only the Quotidienne, he was by no means so ridiculous as the Liberals of his department would have wished. He could hold his ovvn with men about the Court, so long as he was not expected 166 MADAME FIRMIANI to talk of Mose, or the play, or romanticism, or local color, or railways. He had not got beyond Monsieur de Voltaire, Monsieur le Comte de Buffon, Peyronnet, and the Chevalier Gluck, the Queen's private musician. "Madame," said he to the Marquise de Listomere, to whom he had given his arm to go into Madame Firmiani's room, "if this woman is my nephew's mistress, I pity her. How can she bear to live in the midst of luxury and know that he is in a garret? Has she no soul? Octave is a fool to have in- vested the price of the estate of Villaines in the heart of a Monsieur de Bourbonne was of a Fossil species, and spoke only the language of a past day. "But suppose he had lost it at play?'' "Well, madame, he would have had the pleasure of play- ing."^ "You think he has had no pleasure for his money? — ^Look, here is Madame Firmiani." The old uncle's brightest memories paled at the sight of his nephew's supposed mistress. His anger died in a polit