/ fi a 3 . a c t ^ d > c i / OESTERLE LIBRARY 320 E. SCHOOL AVENUE PPERVILLE, ILLINOIS 60566 83170 Collins, W* (L&> OESTERLE LIBRARY ^PTH CENTRAL CQLLKIE, v DATE DUE 6.CX 14 JAN 3 1 1383 m o 4 m urn cd APR 2 4 tt FF B :■ B A GAYLORD PRINTED IN U.S.A. 83 i THE COLLEGE AND SEMINARY LIBRARY Naperville, Illinois m Presented by LLOYD SMITT 83 ID ID ID ID ID ID ID ID (D ID ID ID ID CD ID ID 83 “ WHAT DO YOU MEAN BY THAT ? YOU UGLY BRUTE, YOU’VE GOT A CLEAN SHIRT ON 1 ” —Frontispiece, Vol. XYI., page 324. THE WORKS OF WILKIE COLLINS VOLUME SIXTEEN WITH FRONTISPIECE THE DEAD SECRET A NOVEL % 4 LITTLE NOVEL MISS BERTHA AND THE YANKEE New York PETER FENELON COLLIER, PUBLISHER . I > ^ - b y THE DEAD SECRET BOOK /. f CHAPTER I. THE TWENTY— THIRD OF AUGUST, 1829. “Will she last out the night, I wonder?” “Look at the clock, Mathew.” “Ten minutes past twelve! She has lasted the night out. She has lived, Robert, to see ten minutes of the new day.” These words were spoken in the kitchen of a large country-house situated on the west coast of Cornwall, The speakers were two of the men- servants composing the establishment of Captain Treverton, an officer in the navy, and the eldest male representative of an old Cornish family. Both the servants communicated with each other restrainedly, in whispers — sitting close together, and looking round expectantly toward the door whenever the talk flagged between them. “It’s an awful thing,” said the elder of the men, “for us two to be alone here, at this dark 6 WORKS OF WILKIE COLLINS. time, counting out the minutes that our mistress has left to live!” “Robert,” said the other, “you have been in the service here since you were a boy — did you ever hear that our mistress was a play-actress when our master married her?” “How came you to know that?” inquired the elder servant, sharply. “Hush!” cried the other, rising quickly from his chair. A bell rang in the passage outside. “Is that for one of us?” asked Mathew. “Can’t you tell, by the sound, which is which of those bells yet?” exclaimed Robert, contempt- uously. “That bell is for Sarah Leeson. Go out into the passage and look.” The younger servant took a candle and obeyed. When he opened the kitchen-door, a long row of bells met his eye on the wall opposite. Above each of them was painted, in neat black letters, the distinguishing title of the servant whom it was specially intended to summon. The row of letters began with Housekeeper and Butler, and ended with Kitchen-maid and Footman’s Boy. Looking along the bells, Mathew easily dis- covered that one of them was still in motion. Above it were the words Lady’s Maid. Observ- ing this, he passed quickly along the passage, and knocked at an old-fashioned oak door at the end of it. No answer being given, he opened the door and looked into the room. It was dark and empty. “Sarah is not in the housekeeper’s room,” said THE DEAD SECRET. 7 Mathew, returning to his fellow-servant in the kitchen. “She is gone to her own room, then,” rejoined the other. “Go up and tell her that she is wanted by her mistress.” The bell rang again as Mathew went out. “Quick! — quick!” cried Robert. “Tell her she is wanted directly. Wanted,” he continued to himself in lower tones, “perhaps for the last time!” Mathew ascended three flights of stairs — passed half-way down a long arched gallery — and knocked at another old-fashioned oak door. This time the signal was answered. A low, clear, sweet voice, inside the room, inquired who was waiting without? In a few hasty words Mathew told his errand. Before he had done speaking the door was quietly and quickly opened, and Sarah Leeson confronted him on the threshold, with her candle in her hand. Not tall, not handsome, not in her first youth — shy and irresolute in manner— simple in dress to the utmost limits of plainness — the lady’s- maid, in spite of all these disadvantages, was a woman whom it was impossible to look at with- out a feeling of curiosity, if not of interest. Few' men, at first sight of her, could have resisted the desire to find out who she was; few would have been satisfied with receiving for answer, She is Mrs. Treverton’s maid ; few would have re- frained from the attempt to extract some secret information for themselves from her face and manner; and none, not even the most patient 8 WORKS OF WILKIE COLLINS. and practiced of observers, could have succeeded in discovering more than that she must have passed through the ordeal of some great suffer- ing at some former period of her life. Much in her manner, and more in her face, said plainly and sadly : I am the wreck of something that you might once have liked to see; a wreck that can never be repaired —that must drift on through life unnoticed, unguided, unpitied — drift till the fatal shore is touched, and the waves of Time have swallowed up these broken relics of me for- ever. This was the story that was told in Sarah Leeson’s face — this, and no more. No two men interpreting that story for them- selves, would probably have agreed on the nature of the suffering which this woman had under- gone. It was hard to say, at the outset, whether the past pain that had set its ineffaceable mark on her had been pain of the body or pain of the mind. But whatever the nature of the affliction she had suffered, the traces it had left were deep- ly and strikingly visible in every part of her face. Her cheeks had lost their roundness and their natural color; her lips, singularly flexible in movement and delicate in form, had faded to an unhealthy paleness; her eyes, large and black and overshadowed by unusually thick lashes, had contracted an anxious startled look, which never left them, and which piteously expressed the painful acuteness of her sensibility, the in- herent timidity of her disposition. So far, the marks which sorrow or sickness had set on her were the marks common to most victims of THE BEAD SECRET 9 mental or physical suffering. The one extra- ordinary personal deterioration which she had undergone consisted in the unnatural change that had passed over the color of her hair. It was as thick and soft, it grew as gracefully, as the hair of a young girl ; but it was as gray as the hair of an old woman. It seemed to contra- dict, in the most startling manner, every per- sonal assertion of youth that still existed in her face. With all its haggardness and paleness, no one could have looked at it and supposed for a moment that it was the face of an elderly wo- man. Wan as they might be, there was not a wrinkle in her cheeks. Her eyes, viewed apart from their prevailing expression of uneasiness and timidity, still preserved that bright, clear moisture which is never seen in the eyes of the old. The skin about her temples was as deli- cately smooth as the skin of a child. These and other physical signs which never mislead, showed that she was still, as to years, in the very prime of her life. Sickly and sorrow-stricken as she was, she looked, from the eyes downward, a woman who had barely reached thirty years of age. From the eyes upward, the effect of her abundant gray hair, seen in connection with her face, was not simply incongruous — it was abso- lutely startling; so startling as to make it no paradox to say that she would have looked most natural, most like herself, if her hair had been dyed. In her case, Art would have seemed to be the truth, because Nature looked like falsehood. What shock had stricken her hair, in the very 10 WORKS OF WILKIE COLLINS. maturity of its luxuriance, with the hue of an unnatural old age? Was it a serious illness, or a dreadful grief, that had turned her gray in the prime of her womanhood? That question had often been agitated among her fellow-servants, who were all struck by the peculiarities of her personal appearance, and rendered a little suspi- cious of her, as well, by an inveterate habit that she had of talking to herself. Inquire as they might, however, their curiosity was always baf- fled. Nothing more could be discovered than that Sarah Leeson was, in the common phrase, touchy on the subject of her gray hair and her habit of talking to herself, and that Sarah Lee- son’s mistress had long since forbidden every one, from her husband downward, to ruffle her maid’s tranquillity by inquisitive questions. She stood for an instant speechless, on that momentous morning of the twenty-third of Au- gust, before the servant who summoned her to her mistress’s death-bed — the light of the candle flaring brightly over her large, startled, black eyes, and the luxuriant, unnatural gray hair above them. She stood a moment silent — her hand trembling while she held the candlestick, so that the extinguisher lying loose in it rattled incessantly — then thanked the servant for calling her. The trouble and fear in her voice, as she spoke, seemed to add to its sweetness; the agita- tion of her manner took nothing away from its habitual gentleness, its delicate, winning, femi- nine restraint. Mathew, who, like the other servants, secretly distrusted and disliked her for THE DEAD SECRET. 11 differing from the ordinary pattern of professed lady’s-maids, was, on this particular occasion, so subdued by her manner and her tone as she thanked him, that he offered to carry her candle for her to the door of her mistress’s bed-chamber. She shook her head, and thanked him again, then passed before him quickly on her way out of the gallery. The room in which Mrs. Treverton lay dying was on the floor beneath. Sarah hesitated twice before she knocked at the door. It was opened by Captain Treverton. The instant she saw her master she started back from him. If she had dreaded a blow she could hardly have drawn away more suddenly, or with an expression of greater alarm. There was nothing in Captain Treverton’s face to war- rant the suspicion of ill-treatment, or even of harsh words. His countenance was kind, hearty, and open ; and the tears were still trickling down it which he had shed by his wife’s bedside. 4 4 Go in, ’ ’ he said, turning away his face. 4 4 She does not wish the nurse to attend; she only wishes for you. Call me if the doctor — ” His voice faltered, and he hurried away without at- tempting to finish the sentence. Sarah Leeson, instead of entering her mis- tress’s room, stood looking after her master attentively, with her pale cheeks turned to a deathly whiteness — with an eager, doubting, questioning terror in her eyes. When he had disappeared round the corner of the gallery, she listened for a moment outside the door of the 12 WORKS OF WILKIE COLLINS. sick-room — whispered affrightedly to herself, 4 ‘Can she have told him?” — then opened the door, with a visible effort to recover her self- control; and, after lingering suspiciously on the threshold for a moment, went in. Mrs. Treverton’s bed-chamber was a large, lofty room, situated in the western front of the house, and consequently overlooking the sea- view. The night-light burning by the bedside displayed rather than dispelled the darkness in the corners of the room. The bed was of the old- fashioned pattern, with heavy hangings and thick curtains drawn all round it. Of the other objects in the chamber, only those of the largest and most solid kind were prominent enough to be tolerably visible in the dim light. The cabi- nets, the wardrobe, the full-length looking-glass, the high-backed arm-chair, these, with the great shapeless bulk of the bed itself, towered up heav- ily and gloomily into view. Other objects were all merged together in the general obscurity. Through the open window, opened to admit the fresh air of the new morning after the sultriness of the August night, there poured monotonously into the room the dull, still, distant roaring of the surf on the sandy coast. All outer noises were hushed at that first dark hour of the new day. Inside the room the one audible sound was the slow, toilsome breathing of the dying wo- man, raising itself in its mortal frailness, awful- ly and distinctly, even through the far thunder- breathing from the bosom of the everlasting sea. “Mistress,” said Sarah Leeson, standing close THE DEAD SECRET. 13 to the curtains, but not withdrawing them, “my master has left the room, and has sent me here in his place.” “ Light! — give me more light.” The feebleness of mortal sickness was in the voice; but the accent of the speaker sounded resolute even yet — doubly resolute by contrast with the hesitation of the tones in which Sarah had spoken. The strong nature of the mistress and the weak nature of the maid came out, even in that short interchange of words spoken through the curtain of a death- bed. Sarah lit two candles with a wavering hand — placed them hesitatingly on a table by the bed- side — waited for a moment, looking all round her with suspicious timidity — then undrew the curtains. The disease of which Mrs. Treverton was dying was (me of the most terrible of all the maladies that afflict humanity, one to which women are especially subject, and one which undermines life without, in most cases, showing any remark- able traces of its corroding progress in the face. No uninstructed person, looking at Mrs. Trever- ton when her attendant undrew the bed-curtain, could possibly have imagined that she was past all help that mortal skill could offer to her. The slight marks of illness in her face, the inevitable changes in the grace and round ness of its outline, were rendered hardly noticeable by the marvel- ous preservation of her complexion in all the light and delicacy of its first girlish beauty. There lay her face on the pillow — tenderly framed 14 WORKS OF WILKIE COLLINS. in by the rich lace of her cap, softly crowned by her shining brown hair — to all outward appear- ance, the face of a beautiful woman recovering from a slight illness, or reposing after unusual fatigue. Even Sarah Leeson, who had watched her all through her malady, could hardly believe, as she looked at her mistress, that the Gates of Life had closed behind her, and that the beckon- ing hand of Death was signing to her already from the Gates of the Grave. Some dog’s-eared books in paper covers lay on the counterpane of the bed. As soon as the cur- tain was drawn aside Mrs. Treverton ordered her attendant by a gesture to remove them. They were plays, underscored in certain places by ink lines, and marked with marginal annota- tions referring to entrances, exits, and places on the stage. The servants, talking downstairs of their mistress’s occupation before her marriage, had not been misled by false reports. Their master, after he had passed the prime of life, had, in very truth, taken his wife from the ob- scure stage of a country theater, when little more than two years had elapsed since her first appearance in public. The dog’s-eared old plays had been once her treasured dramatic library; she had always retained a fondness for them from old associations; and, during the latter part of her illness, they had remained on her bed for days and days together. Having put away the plays, Sarah went back to her mistress; and, with more of dread and be- wilderment in her face than grief, opened her THE DEAD SECRET. 15 lips to speak. Mr. Treverton held up her hand, as a sign that she had another order to give. “Bolt the door,” she said, in the same enfee- bled voice, but with the same accent of resolu- tion which had so strikingly marked her first request to have more light in the room. “Bolt the door. Let no one in, till I give you leave.’ ’ “No one?” repeated Sarah, faintly. “Not the doctor? not even my master?” “Not the doctor — not even your master,” said Mrs. Treverton, and pointed to the door. The hand was weak; but even in that momentary action of it there was no mistaking the gesture of command. Sarah bolted the door, returned irresolutely to the bedside, fixed her large, eager, startled eyes inquiringly on her mistress’s face, and, suddenly bending over her, said in a whisper: “Have you told my master?” “No,” was the answer. “I sent for him, to tell him — I tried hard to speak the words — it shook me to my very soul, only to think how I should best break it to him — I am so fond of him! I love him so dearly! But I should have spoken in spite of that, if he had not talked of the child. Sarah! he did nothing but talk of the child — and that silenced me.” Sarah, with a forgetfulness of her station which might have appeared extraordinary even in the eyes of the most lenient of mistresses, flung her- self back in a chair when the first word of Mrs. Treverton’s reply was uttered, clasped her trem- bling hands over her face, and groaned to her- 16 WORKS OF WILKIE COLLINS. self, “Oh, what will happen! what will happen now!” Mrs. Treverton’s eyes had softened and moist- ened when she spoke of her love for her hus- band. She lay silent for a few minutes; the working of some strong emotion in her being expressed by her quick, hard, labored breathing, and by the painful contraction of her eyebrows. Ere long, she turned her head uneasily toward the chair in which her attendant was sitting, and spoke again — this time in a voice which had sunk to a whisper. 4 ‘ Look for my medicine, ’ ’ said she ; “ 1 want it. 5 ’ Sarah started up, and with the quick instinct of obedience brushed away the tears that were rolling fast over her cheeks. “The doctor,” she said. “Let me call the doctor.” “No! The medicine — look for the medicine.” “Which bottle? The opiate — ” “No. Not the opiate. The other.” Sarah took a bottle from the table, and looking attentively at the written direction on the label, said that it was not yet time to take that medi- cine again. “Give me the bottle.” “Oh, pray don’t ask me. Pray wait. The doctor said it was as bad as dram-drinking, if you took too much.” Mrs. Treverton’s clear gray eyes began to flash; the rosy flush deepened on her cheeks ; the com- manding hand was raised again, by an effort, from the counterpane on which it lay. THE DEAD SECRET. 17 “ Take the cork out of the bottle,” she said, “and give it to me. I want strength. No mat- ter whether I die in an hour’s time or a week’s. Give me the bottle.” “No, no — not the bottle!” said Sarah, giving it up, nevertheless, under the influence of her mistress’s look. “There are two doses left. Wait, pray wait till I get a glass.” She turned again toward the table. At the same instant Mrs. Treverton raised the bottle to her lips, drained it of its contents, and flung it from her on the bed. “She has killed herself!” cried Sarah, run- ning in terror to the door. “Stop!” said the voice from the bed, more resolute than ever, already. “Stop ! Come back and prop me up higher on the pillows.” Sarah put her hand on the bolt. “Come back!” reiterated Mrs. Treverton. “While there is life in me, I will be obeyed. Come back!” The color began to deepen per- ceptibly all over her face, and the light to grow brighter in her widely opened eyes, Sarah came back; and with shaking hands added one more to the many pillows which sup- ported the dying woman’s head and shoulders. While this was being done the bed-clothes be- came a little discomposed. Mrs. Treverton shuddered, and drew them up to their former position, close round her neck. “Did you unbolt the door?” she asked. “No.” “I forbid you to go near it again. Get my 18 WORKS OF WILKIE COLLINS. writing-case, and the pen and ink, from the cab- inet near the window.” Sarah went to the cabinet and opened it; then stopped, as if some sudden suspicion had crossed her mind, and asked what the writing materials were wanted for. “ Bring them, and you will see.” The writing-case, with a sheet of note-paper on it, was placed upon Mrs. Treverton’s knees; the pen was dipped into the ink, and given to her; she paused, closed her eyes for a minute, and sighed heavily; then began to write, saying to her waiting-maid, as the pen touched the paper — “Look.” Sarah peered anxiously over her shoulder, and saw the pen slowly and feebly form these three words : To my Husband . “Oh, no! no! For God’s sake, don’t write it!” she cried, catching at her mistress’s hand — but suddenly letting it go again the moment Mrs. Treverton looked at her. The pen went on; and more slowly, more fee- bly, formed words enough to fill a line — then stopped. The letters of the last syllable were all blotted together. “Don’t!” reiterated Sarah, dropping on her knees at the bedside. “Don’t write it to him if you can’t tell it to him. Let me go on bearing what I have borne so long already. Let the Secret die with you and die with me, and be never known in this world — never, never, never!” “The Secret must be told,” answered Mrs. Treverton. “My husband ought to know it, THE DEAD SECRET. 19 and must know it. I tried to tell him, and my courage failed me. I cannot trust you to tell him, after I am gone. It must be written. Take you the pen; my sight is failing, my touch is dull. Take the pen, and write what I tell you.” Sarah, instead of obeying, hid her face in the bed-cover, and wept bitterly. “Y.ou have been with me ever since my mar- riage,” Mrs. Treverton went on. “You have been my friend more than my servant. Do you refuse my last request? You do ! Fool ! look up and listen to me. On your peril, refuse to take the pen Write, or I shall not rest in my grave. Write , or, as true as there is a heaven above us y I will come to you from the other world /” Sarah started to her feet with a faint scream. “You make my flesh creep!” she whispered, fixing her eyes on her mistress’s face with a stare of superstitious horror. At the same instant, the overdose of the stim- ulating medicine began to affect Mrs. Treverton’s brain. She rolled her head restlessly from side to side of the pillow — repeated vacantly a few lines from one of the old play-books which had been removed from her bed — and suddenly held out the pen to the servant, with a theatrical wave of the hand, and a glance upward at an imagi- nary gallery of spectators. “Write!” she cried, with an awful mimicry of her old stage voice. “Write!” And the weak hand was waved again with a forlorn, feeble imitation of the old stage gesture. Closing her fingers mechanically on the pen 20 WORKS OF WILKIE COLLINS, that was thrust between them, Sarah, with her eyes still expressing the superstitious terror which her mistress’s words had aroused, waited for the next command. Some minutes elapsed before Mrs. Treverton spoke again. She still retained her senses sufficiently to be vaguely conscious of the effect which the medicine was producing on her, and to be desirous of combat- ing its further progress before it succeeded in utterly confusing her ideas. She asked first for the smelling-bottle, next for some Eau de Cologne. This last, poured on to her handkerchief and applied to her forehead, seemed to prove success- ful in partially clearing her faculties, Her eyes recovered their steady look of intelligence; and, when she again addressed her maid, reiterating the word “Write,” she was able to enforce the direction by beginning immediately to dictate in quiet, deliberate, determined tones. Sarah’s tears fell fast; her lips murmured fragments of sentences in which entreaties, expressions of penitence and exclamations of fear were all strangely mingled together; but she wrote on submissively, in wavering lines, until she had nearly filled the first two sides of the note-paper. Then Mrs. Treverton paused, looked the writing over, and, taking the pen, signed her name at the end of it, With this eff ort, her powers of re- sistence to the exciting effect of the medicine seemed to fail her again. The deep flush began to tinge her cheeks once more, and she spoke hurriedly and unsteadily when she handed the pen back to her maid. THE DEAD SECRET. 21 “Sign!” she cried, beating her hand feebly on the bed-clothes. “Sign c Sarah Leeson, wit- ness.’ No! — write ‘Accomplice.’ Take your share of it; I won’t have it shifted on me. Sign, I insist on it! Sign as I tell you.” Sarah obeyed; and Mrs. Treverton, taking the paper from her, pointed to it solemnly, with a return of the stage gesture which had escaped her a little while back. “You will give this to your master,” she said, “when I am dead; and you will answer any questions he puts to you as truly as if you were before the judgment-seat.” Clasping her hands fast together, Sarah re- garded her mistress, for the first time, with steady eyes, and spoke to her for the first time in steady tones. “If I only knew that I was fit to die,” she said, “oh, how gladly I would change places with you!” “Promise me that you will give the paper to your master,” repeated Mrs. Treverton. “Prom- ise — no! I won’t trust your promise — I’ll have your oath. Get the Bible — the Bible the clergy- man used when he was here this morning. Get it, or I shall not rest in my grave. Get it, or 1 will come to you from the other world ” The mistress laughed as she reiterated that threat, The maid shuddered, as she obeyed the command which it was designed to impress on her. “Yes, yes — the Bible the clergyman used,” continued Mrs. Treverton, vacantly, after the 22 WORKS OF WILKIE COLLINS. book had been produced. 4 ‘The clergyman — a poor weak man — I frightened him, Sarah. He said: ‘ Are you at peace with all the world?’ and I said: ‘All but one.’ You know who.” “The Captain’s brother? Oh, don’t die at enmity with anybody. Don’t die at enmity even with pleaded Sarah. “The clergyman said so too,” murmured Mr. Treverton, her eyes beginning to wander child- ishly round the room, her tones growing suddenly lower and more confused. “ ‘You must forgive him,’ the clergyman said. And I said: ‘No, I forgive all the world, but not my husband’s brother. ’ The clergyman got up from the bed- side, frightened, Sarah. He talked about pray- ing for me and coming back. Will he come back?” “Yes, yes,” answered Sarah. “He is a good man — he will come back — and oh, tell him that you forgive the Captain’s brother! Those vile words he spoke of you when you were married will come home to him some day. Forgive him — forgive him before you die!” Saying those words, she attempted to remove the Bible softly out of her mistress’s sight. The action attracted Mrs. Treverton’s attention, and roused her sinking faculties into observation of present things. “Stop!” she cried, with a gleam of the old resolution flashing once more over the dying dim- ness of her eyes. She caught at Sarah’s hand with a great effort, placed it on the Bible, and held it there. Her other hand wandered a little THE DEAD SECRET. 23 over the bed-clothes, until it encountered the writ- ten paper addressed to her husband. Her fingers closed on it, and a sigh of relief escaped her lips. “Ah! ” she said, “I know what I wanted the Bible for. Fm dying with all my senses about me, Sarah ; you can’t decei ve me even yet. ’ ’ She stopped again, smiled a little, whispered to her- self rapidly, “Wait, wait, wait!” then added aloud, with the old stage voice and the old stage gesture: “No! I won’t trust you on your prom- ise. I’ll have your oath. Kneel down. These are my last words in this world — disobey them if you dare!” Sarah dropped on her knees by the bed. The breeze outside, strengthening just then with the slow advance of the morning, parted the win- dow-curtains a little, and wafted a breath of its sweet fragrance j oyously into the sick-room. The heavy beating hum of the distant surf came in at the same time, and poured out its unresting music in louder strains. Then the window-cur- tains fell again heavily, the wavering flame of the candle grew .steady once more, and the awful silence in the room sank deeper than ever. “Swear!” said Mrs. Treverton. Her voice failed her when she had pronounced that one word. She struggled a little, recovered the power of utterance, and went on: “Swear that you will not destroy this paper after I am dead.” Even while she pronounced these solemn words, even at that last struggle for life and strength, the ineradicable theatrical instinct showed, with a fearful inappropriateness, how firmly it kept 24 WORKS OF WILKIE COLLINS. its place in her mind. Sarah felt the cold hand that was still laid on hers lifted for a moment- saw it waving gracefully toward her — felt it de- scend again, and clasp her own hand with a trembling, impatient pressure. At that final appeal, she answered, faintly: “I swear it.” “Swear that you will not take this paper away with you, if you leave the house, after I am dead.” Again Sarah paused before she answered — again the trembling pressure made itself felt on her hand, but more weakly this time — and again the words dropped affrightedly from her lips: “I swear it.” “Swear!” Mrs. Treverton began for the third time. Her voice failed her once more ; and she struggled vainly to regain the command over it. Sarah looked up, and saw signs of convulsion beginning to disfigure the white face — saw the fingers of the white, delicate hand getting crooked as they reached over toward the table on which the medicine- bottles were placed. “You drank it all,” she cried, starting to her feet, as she comprehended the meaning of that gesture. “Mistress, dear mistress, you drank it all — there is nothing but the opiate left. Let me go — let me go and call — ” A look from Mrs. Treverton stopped her before she could utter another word. The lips of the dying woman were moving rapidly. Sarah put her ear close to them. At first she heard nothing THE DEAD SECRET. 25 but panting, quick-drawn breaths — then a few broken words mingled confusedly with them: “I haven’t done — you must swear — close, close, come close — a third thing — your master — swear to give it — ” The last words died away very softly. The lips that had been forming them so laboriously parted on a sudden and closed again no more. Sarah sprang to the door, opened it, and called into the passage for help ; then ran back to the bedside, caught up the sheet of note-paper on which she had written from her mistress’s dic- tation, and hid it in her bosom. The last look of Mrs. Treverton’s eyes fastened sternly and reproachfully on her as she did this, and kept their expression unchanged, through the momen- tary distortion of the rest of the features, for one breathless moment. That moment passed, and, with the next, the shadow which goes before the presence of death stole up and shut out the light of life in one quiet instant from all the face. The doctor, followed by the nurse and by one of the servants, entered the room; and, hurrying to the bedside, saw at a glance that the time for his attendance there had passed away forever. He spoke first to the servant who had followed him. “Go to your master,” he said, “and beg him to wait in his own room until I can come and speak to him.” Sarah still stood — without moving or speaking, or noticing any one — by the bedside. The nurse, approaching to draw the curtains 26 WORKS OF WILKIE COLLINS. together, started at the sight of her face, and turned to the doctor. “I think this person had better leave the room, sir?” said the nurse, with some appearance of contempt in her tones and looks. “She seems unreasonably shocked and terrified by what has happened.” “Quite right,” said the doctor. “It is best that she should withdraw. — Let me recommend you to leave us for a little while,” he added, touching Sarah on the arm. She shrank back suspiciously, raised one of her hands to the place where the letter lay hid- den in her bosom, and pressed it there firmly while she held out the other hand for a candle. “You had better rest for a little in your own room,” said the doctor, giving her a candle. “Stop, though,” he continued, after a moment’s reflection. “I am going to break the sad news to your master, and I may find that he is anxious to hear any last words that Mrs. Treverton may ha\re spoken in your presence. Perhaps you had better come with me, and wait while I go into Captain Treverton’s room.” “No! no! — oh, not now— not now, for God’s sake!” Speaking those words in low, quick, pleading tones, and drawing back affrightedly to the door, Sarah disappeared without waiting a moment to be spoken to again. “A strange woman!” said the doctor, address- ing the nurse. “Follow her, and see where she goes to, in case she is wanted and we are obliged THE DEAD SECRET. 27 to send for her. I will wait here until you come back.” When the nurse returned she had nothing to report but that she had followed Sarah Leeson to her own bedroom, had seen her enter it, had listened outside, and had heard her lock the door, “A strange woman!” repeated the doctor. “One of the silent, secret sort.” “One of the wrong sort,” said the nurse. “She is always talking to herself, and that is a bad sign, in my opinion. I distrusted her, sir, the very first day I entered the house.” CHAPTER II. THE CHILD. The instant Sarah Leeson had turned the key of her bedroom door, she took the sheet of note- paper from its place of concealment in her bosom — shuddering, when she drew it out, as if the mere contact of it hurt her — placed it open on her little dressing-table, and fixed her eyes eagerly on the lines which the note contained. At first they swam and mingled together before her. She pressed her hands over her eyes, for a few min- utes, and then looked at the writing again. The characters were clear now — vividy clear, and, as she fancied, unnaturally large and near to view. There was the address: “To my Hus- band”; there the first blotted line beneath, in her dead mistress’s handwriting; there the lines 28 WORKS OF WILKIE COLLINS. that followed, traced by her own pen, with the signature at the end — Mrs. Treverton’s first, and then her own. The whole amounted to but very few sentences, written on one perishable fragment of paper, which the flame of a candle would have consumed in a moment. Yet there she sat, read- ing, reading, reading, over and over again; never touching the note, except when it was ab- solutely necessary to turn over the first page; never moving, never speaking, never raising her eyes from the paper. As a condemned prisoner might read his death-warrant, so did Sarah Leeson now read the few lines which she and her mistress had written together not half an hour since. The secret of the paralyzing effect of that writ- ing on her mind lay, not only in itself, but in the circumstances which had attended the act of its production. The oath which had been proposed by Mrs. Treverfcon under no more serious influence than the last caprice of her disordered faculties, stimu- lated by confused remembrances of stage words and stage situations, had been accepted by Sarah Leeson as the most sacred and inviolable engage- ment to which she could bind herself. The threat of enforcing obedience to her last commands from beyond the grave, which the mistress had uttered in mocking experiment on the superstitious fears of the maid, now hung darkly over the weak mind of Sarah, as a judgment which might de- scend on her, visibly and inexorably, at any mo- ment of her future life. When she roused her- THE DEAD SECRET. 29 self at last, and pushed away the paper and rose to her feet, she stood quite still for an instant, before she ventured to look behind her. When she did look, it was with an effort and a start, with a searching distrust of the empty dimness in the remoter corners of the room. Her old habit of talking to herself began to resume its influence, as she now walked rapidly backward and forward, sometimes along the room and sometimes across it. She repeated inces- santly such broken phrases as these : “How can I give him the letter? — Such a good master; so kind to us all. — Why did she die, and leave it all to me ? — I can’t bear it alone; it’s too much for me.” While reiterating these sentences, she vacantly occupied herself in putting things about the room in order, which were set in perfect order already. All her looks, all her actions, betrayed the vain struggle of a weak mind to sustain itself under the weight of a heavy responsibility. She arranged and re-arranged the cheap china orna- ments on her chimney-piece a dozen times over — put her pin-cushion first on the looking-glass, then on the table in front of it — changed the position of the little porcelain dish and tray on her wash-hand-stand, now to one side of the basin and now to the other. Throughout all these trifling actions the natural grace, delicacy, and prim neat- handedness of the woman still waited mechanically on the most useless and aimless of her occupations of the moment. She knocked nothing down, she put nothing awry; her footsteps at the fastest made no sound — the 30 WORKS OF WILKIE COLLINS. very skirts of her dress were kept as properly and prudishly composed as if it was broad daylight and the eyes of all her neighbors were looking at her. From time to time the sense of the words she was murmuring confusedly to herself changed. Sometimes they disjointedly expressed bolder and more self-reliant thoughts. Once they seemed to urge her again to the dressing-table and the open letter on it, against her own will. She read aloud the address, “To my Husband,” and caught the letter up sharply, and spoke in firmer tones. “Why give it to him at all? Why not let the secret die with her and die with me, as it ought? Why should he know it? He shall not know it!” Saying those last words, she desperately held the letter within an inch of the flame of the can- dle. At the same moment the white curtain over the window before her stirred a little, as the freshening air found its way through the old- fashioned, ill-fitting sashes. Her eye caught sight of it, as it waved gently backward and forward. She clasped the letter suddenly to her breast with both hands, and shrank back against the wall of the room, her eyes still fastened on the curtain with the same blank look of horror which they had exhibited when Mrs. Treverton had threatened to claim her servant’s obedience from the other world. “Something moves,” she gasped to herself, in a breathless whisper. “Something moves in the room. THE DEAD SECRET, 33 had hidden it on leaving her mistress’s bed- -side. She then stole across the nursery on tiptoe to- ward the inner room. The entrance to it, to please some caprice of the child’s, had been arched, and framed with trellis - work, gayly colored, so as to resemble the entrance to a sum- mer-house. Two pretty chintz curtains, hanging inside the trellis- work, formed the only barrier between the day-room and the bedroom. One of these was looped up, and toward the opening thus made Sarah now advanced, after cautiously leaving her candle in the passage outside. The first object that attracted her attention in the child’s bedroom was the figure of the nurse- maid, leaning back, fast asleep, in an easy-chair by the window. Venturing, after this discovery, to look more boldly into the room, she next saw her master sitting with his back toward her, by the side of the child’s crib. Little Rosamond was awake, and was standing up in bed with her arms round her father’s neck. One of her hands held over his shoulder the doll that she had taken to bed with her, the other was twined gently in his hair. The child had been crying bitterly, and had now exhausted herself, so that she was only moaning a little from time to time, with her head laid wearily on her father’s bosom. The tears stood thick in Sarah’s eyes as they looked on her master and on the little hands that lay round his neck. She lingered by the raised curtain, heedless of the risk she ran, from mo- ment to moment, of being discovered and ques- B Vol — 16 34 WORKS OF WILKIE COLLINS. tioned — lingered until she heard Captain Trever- ton say soothingly to the child: 4 ‘ Hush, Rosie, dear! hush, my own love! Don’t cry any more for poor mamma. Think of poor papa, and try to comfort him.” Simple as the words were, quietly and tenderly as they were spoken, they seemed instantly to deprive Sarah Leesonof all power of self-control. Reckless whether she was heard or not, she turned and ran into the passage as if she had been flying for her life. Passing the candle she had left there, without so much as a look at it, she made for the stairs, and descended them with headlong rapidity to the kitchen-floor. There one of the servants who had been sitting up met her, and, with a face of astonishment and alarm, asked what was the matter. “I’m ill— I’m faint — I want air,” she an- swered, speaking thickly and confusedly. “Open the garden door and let me out.” The man obeyed, but doubtfully, as if he thought her unfit to be trusted by herself. “She gets stranger than ever in her ways,” he said, when he rejoined his fellow- servant, after Sarah had hurried past him into the open air. “Now our mistress is dead, she will have to find another place, I suppose. I, for one, shan’t break my heart when she’s gone. Shall you?” THE DEAD SECRET. 35 CHAPTER III. THE HIDING OF THE SECRET. The cool, sweet air in the garden, blowing freshly over Sarah’s face, seemed to calm the violence of her agitation. She turned down a side walk, which led to a terrace and overlooked the church of the neighboring village. The daylight out of doors was clear already. The misty auburn light that goes before sunrise was flowing up, peaceful and lovely, behind a line of black- brown moorland, overall the eastern sky. The old church, with the hedge of myrtle and fuchsia growing round the little cemetery in all the luxuriance which is only seen in Cornwall, was clearing and brightening to view, almost as fast as the morning firmament itself. Sarah leaned her arms heavily on the back of a gar- den-seat, and turned her face toward the church. Her eyes wandered from the building itself to the cemetery by its side, rested there, and watched the light growing warmer and warmer over the lonesome refuge where the dead lay at rest. 4 ‘Oh, my heart! my heart!” she said. “What must it be made of not to break?” She remained for some time leaning on the seat, looking sadly toward the churchyard, and pondering over the words which she had heard Captain Treverton say to the child. They seemed to connect themselves, as everything else now 36 WORKS OF WILKIE COLLINS. appeared to connect itself in her mind, with the letter that had been written on Mrs. Treverton’s death-bed. She drew it from her bosom once more, and crushed it up angrily in her fingers. “Still in my hands! still not seen by any eyes but mine!” she said, looking down at the crum- pled pages. “Is it all my fault? If she was alive now — if she had seen what I saw, if she had heard what I heard in the nursery — could she expect me to give him the letter?” Her mind was apparently steadied by the re- flection which her last words expressed. She moved away thoughtfully from the garden-seat, crossed the terrace, descended some wooden steps, and followed a shrubbery path which led round by a winding track from the east to the north side of the house. This part of the building had been uninhabited and neglected for more than half a century past. In the time of Captain Treverton’s father the whole range of the north rooms had been stripped of their finest pictures and their most valuable furniture, to assist in redecorating the west rooms, which now formed the only inhabited part of the house, and which were amply suffi- cient for the accommodation of the family and of any visitors who came to stay with them. The mansion had been originally built in the form of a square, and had been strongly forti- fied. Of the many defenses of the place, but one now remained — a heavy, low tower (from which and from the village near, the house de- rived its name of Porthgenna Tower), standing THE DEAD SECRET. 37 at the southern extremity of the west front. The south side itself consisted of stables and outhouses, with a ruinous wall in front of them, which, running back eastward at right angles, joined the north side, and so completed, the square which the whole outline of the build- ing represented. The outside view of the range of north rooms, from the weedy, deserted garden below, showed plainly enough that many years had passed since any human creature had inhabited them. The window-panes were broken in some places, and covered thickly with dirt and dust in others. Here, the shutters were closed — there, they were only half opened. The untrained ivy, the rank vegetation growing in fissures of the stone-work, the festoons of spiders’ webs, the rubbish of wood, bricks, plaster, broken glass, rags, and strips of soiled cloth, which lay beneath the win- dows, all told the same tale of neglect. Shad- owed by its position, this ruinous side of the house had a dark, cold, wintry aspect, even on the sunny August morning when Sarah Leeson strayed into the deserted northern gar- den. Lost in the labyrinth of her own thoughts, she moved slowly past flower-beds, long since rooted up, and along gravel walks overgrown by weeds; her eyeswandering mechanically over the prospect, her feet mechanically carrying her on wherever there was a trace of a footpath, lead where it might. The shock which the words spoken by her master in the nursery had communicated to 38 WORKS OF WILKIE COLLINS. her mind, had set her whole nature, so to speak, at bay, and had roused in her, at last, the moral courage to arm herself with a final and desperate resolution. Wandering more and more slowly along the pathways of the forsaken garden, as the course of her ideas withdrew her more and more completely from all outward things, she stopped insensibly on an open patch of ground^ which had once been a well-kept lawn, and which still commanded a full view of the long range of uninhabited north rooms. “What binds me to give the letter to my mas- ter at all?” she thought to herself, smoothing out the crumpled paper dreamily in the palm of her hand. “My mistress died without making me swear to do that. Can she visit it on me from the other world, if I keep the promises I swore to observe, and do no more? May I not risk the worst that can happen, so long as I hold re- ligiously to all that I undertook to do on my oath?” She paused here in reasoning with herself — her superstitious fears still influencing her out of doors, in the daylight, as they had influenced her in her own room, in the time of darkness. She paused — then fell to smoothing the letter again, and began to recall the terms of the solemn engagement which Mrs. Treverton had forced her to contract. What had she actually bound herself to do? ISTot to destroy the letter, and not to take it away with her if she left the house. Beyond that, Mrs. Treverton ’s desire had been that the letter should THE DEAD SECRET. 39 be given to her husband. Was that last wish binding on the person to whom it had been con- fided? Yes. As binding as an oath? No. As she arrived at that conclusion, she looked up. At first her eyes rested vacantly on the lonely, deserted north front of the house; gradually they became attracted by one particular window ex- actly in the middle, on the floor above the ground —the largest and the gloomiest of all the row; suddenly they brightened with an expression of intelligence. She started ; a faint flush of color flew into her cheeks, and she hastily advanced closer to the wall of the house. The panes of the large window were yellow with dust and dirt, and festooned about fantas- tically with cobwebs. Below it was a heap of rubbish, scattered over the dry mould of what might once have been a bed of flowers or shrubs. The form of the bed was still marked out by an oblong boundary of weeds and rank grass. She followed it irresolutely all round, looking up at the window at every step — then stopped close under it, glanced at the letter in her hand, and said to herself abruptly — “I’ll risk it!” As the words fell from her lips, she hastened back to the inhabited part of the house, followed the passage on the kitchen-floor which led to the housekeeper’s room, entered it, and took down from a nail in the wall a bunch of keys, having a large ivory label attached to the ring that con- nected them, on which was inscribed, “Keys of the North Rooms.” * 40 WORKS OF WILKIE COLLINS. She placed the keys on a writing-table near her, took up a pen, and rapidly added these lines on the blank side of the letter which she had written under her mistress’s dictation — “If this paper should ever be found (which I pray with my whole heart it never may be), I wish to say that I have come to the resolu- tion of hiding it, because I dare not show the writing that it contains to my master, to whom it is addressed. In doing what 1 now propose to do, though I am acting against my mistress’s last wishes, I am not breaking the solemn en- gagement which she obliged me to make before her on her death-bed. That engagement forbids me to destroy this letter, or to take it away with me if I leave the house. I shall do neither — my purpose is to conceal it in the place, of all others, where I think there is least chance of its ever being found again. Any hardship or misfortune which may follow as a consequence of this de- ceitful proceeding on my part, will fall on my- self. Others, I believe in my conscience, will be the happier for the hiding of the dreadful Secret which this letter contains.” She signed those lines with her name — pressed them hurriedly over the blotting-pad that lay with the rest of the writing materials on the table — took the note in her hand, after first folding it up — and then, snatching at the bunch of keys, with a look all round her as if she dreaded being secretly observed, left the room. THE DEAD SECRET. 41 All her actions since she had entered it had been hast} T and sadden; she was evidently afraid of allowing herself one leisure moment to re- flect. On quitting the housekeeper’s room, she turned to the left, ascended a back staircase, and un- locked a door at the top of it. A cloud of dust flew all about her as she softly opened the door; a mouldy coolness made her shiver as she crossed a large stone hall, with some black old family portraits hanging on the walls, the canvasses of which were bulging out of the frames. Ascend- ing more stairs, she came upon a row of doors, all leading into rooms on the first floor of the north side of the house. She knelt down, putting the letter on the boards beside her, opposite the key-hole of the fourth door she came to after reaching the top of the stairs, peered in distrustfully for an in- stant, then began to try the different keys till she found one that fitted the lock. She had great difficulty in accomplishing this, from the violence of her agitation, which made her hands tremble to such a degree that she was hardly able to keep the keys separate one from the ether. At length she succeeded in opening the door. Thicker clouds of dust than she had yet met with flew out the mo- ment the interior of the room was visible; a dry, airless, suffocating atmosphere almost choked her as she stooped to pick up the letter from the floor. She recoiled from it at first, and took a few steps back toward the staircase. But she recovered her resolution immediately. 42 WORKS OF WILKIE COLLINS. “I can’t go back now!” she said, desperately, and entered the room. She did not remain in it more than two or three minutes. When she came out again her face was white with fear, and the hand which had held the letter when she went into the room held nothing now but a small rusty key. After locking the door again, she examined the large bunch of keys which she had taken from the housekeeper’s room, with closer atten- tion than she had yet bestowed on them. Besides the ivory label attached to the ring that connected them, there were smaller labels, of parchment, tied to the handles of some of the keys, to indicate the rooms to which they gave admission. The particular key which she had used had one of these labels hanging to it. She held the little strip of parchment close to the light, and read on it, in written characters faded by time— “ The Myrtle Room ” The room in which the letter was hidden had a name, then ! A prettily sounding name that would attract most people, and keep pleasantly in their memories. A name to be distrusted by her, after what she had done, on that very account. She took her housewife from its usual place in the pocket of her apron, and, with the scissors which it contained, cut the label from the key. Was it enough to destroy that one only? She lost herself in a maze of useless conjecture; and ended by cutting off the other labels, from no THE DEAD SECRET. 43 other motive than instinctive suspicion of them. Carefully gathering up the strips of parchment from the floor, she put them, along with the little rusty key which she had brought out of the Myrtle Room, in the empty pocket of her apron. Then, carrying the large bunch of keys in her hand, and carefully locking the doors that she had opened on her way to the north side of Porth- genna Tower, she retraced her steps to the house- . keeper’s room, entered it without seeing anybody, and hung up the bunch of keys again on the nail in the wall. Fearful, as the morning hours wore on, of meeting with some of the female servants, she next hastened back to her bedroom. The candle she had left there was still burning feebly in the fresh daylight. When she drew aside the win- dow-curtain, after extinguishing the candle, a shadow of her former fear passed over her face, even in the broad daylight that now flowed in upon it. She opened the window, and leaned out eagerly into the cool air. Whether for good or for evil, the fatal Secret was hidden now — the act was done. There was something calming in the first consciousness of that one fact. She could think more composedly, after that, of herself, and of the uncertain future that lay before her. Under no circumstances could she have ex- pected to remain in her situation, now that the connection between herself and her mistress had been severed by death. She knew that Mrs. 44 WORKS OF WILKIE COLLINS. Treverton, in the last days of her illness, had earnestly recommended her maid to Captain Treverton’s kindness and protection, and she felt assured that the wife’s last entreaties, in this as in all other instances, would be viewed as the most sacred of obligations by the husband. But could she accept protection and kindness at the hand of the master whom she had been acces- sory to deceiving, and whom she had now com- mitted herself to deceiving still? The bare idea of such baseness was so revolting that she ac- cepted, almost with a sense of relief, the one sad alternative that remained — the alternative of leaving the house immediately. And how was she to leave it? By giving formal warning, and so exposing herself to ques- tions which would be sure to confuse and terrify her? Could she venture to face her master again, after what she had done — to face him, when his first inquiries would refer to her mistress, when he would be certain to ask her for the last mourn- ful details, for the slightest word that had been spoken during the death-scene that she alone had witnessed? She started to her feet, as the cer- tain consequences of submitting herself to that unendurable trial all crowded together warningly on her mind, took her cloak from its place on the wall, and listened at her door in sudden suspicion and fear. Had she heard footsteps? Was her master sending for her already? No; all was silent outside. A few tears rolled over her cheeks as she put on her bonnet, and felt that she was facing, by the performance of that THE DEAD SECRET. 45 simple action, the last, and perhaps the hardest to meet, of the cruel necessities in which the hid- ing of the Secret had involved her. There was no help for it. She must run the risk of betray- ing everything, or brave the double trial of leav- ing Porthgenna Tower, and leaving it secretly. Secretly — as a thief might go? Without a word to her master? without so much as one line of writing to thank him for his kindness and to ask his pardon? She had unlocked her desk, and had taken from it her purse, one or two letters, and a little book of Wesley’s Hymns, before these considerations occurred to her. They made her pause in the act of shutting up the desk. “Shall I write?” she asked herself, “and leave the letter here, to be found when I am gone?” A little more reflection decided her in the affirmative. As rapidly as her pen could form the letters she wrote a few lines addressed to Cap- tain Treverton, in which she confessed to having kept a secret from his knowledge which had been left in her charge to divulge; adding, that she honestly believed no harm could come to him, or to any one in whom he was interested, by her failing to perform the duty intrusted to her; and ended by asking his pardon for leaving the house secretly, and by begging, as a last favor, that no search might ever be made for her. Having sealed this short note, and left it on the table, with her master’s name written outside, she list- ened again at the door; and, after satisfying her- self that no one was yet stirring, began to descend the stairs at Porthgenna Tower for the last time. 46 WORKS OF WILKIE COLLINS. At the entrance of the passage leading to the nursery she stopped. The tears which she had restrained since leading her room began to flow again. Urgent as her reasons now were for effecting her departure without a moment’s less of time, she advanced, with the strangest incon- sistency, a few steps toward the nursery door. Before she had gone far, a slight noise in the lower part of the house caught her ear and in- stantly checked her further progress. While she stood doubtful, the grief at her heart — a greater grief than any she had yet betrayed —rose irresistibly to her lips, and burst from them in one deep gasping sob. The sound of it seemed to terrify her into a sense of the danger of her position, if she delayed a moment longer. She ran out again to the stairs, reached the kitchen- floor in safety, and made her escape by the garden door which the servant had opened for her at the dawn of the morning. On getting clear of the premises at Porthgenna Tower, instead of taking the nearest path over the moor that led to the high-road, she diverged to the church; but stopped before she came to it, at the public well of the neighborhood, which had been sunk near the cottages of the Porth- genna fishermen. Cautiously looking round her, she dropped into the well the little rusty key which she had brought out of the Myrtle Room; then hurried on, and entered the church- yard. She directed her course straight to one of the graves, situated a little apart from the rest. On the headstone were inscribed these words: THE DEAD SECRET. 47 SACRED TO THE MEMORY OF Ijugl) J) 0 1 10 f) e a i, AGED 26 YEARS. HE MET WITH HIS DEATH THROUGH THE FALL OF A ROCK IN PORTHGENNA MINE, DECEMBER 1?TH, 1823. Gathering a few leaves of grass from the grave, Sarah opened the little book of Wes- ley’s Hymns which she had brought with her from the bedroom of Porthgenna Tower, and placed the leaves delicately and carefully be- tween the pages. As she did this, the wind blew open the title-page of the Hymns, and dis- played this inscription on it, written in large, clumsy characters— “ Sarah Leeson, her book. The gift of Hugh Pol wheal.” Having secured the blades of grass between the pages of the book, she retraced her way to- ward the path leading to the high-road. Arrived on the moor, she took out of her apron pocket the parchment labels that had been cut from the keys, and scattered them under the furze-bushes. “Gone,” she said, “as I am gone! God help and forgive me — it is all done and over now!” With those words she turned her back on the old house and the sea- view below it, and followed the moorland path on her way to the high-road. 48 WORKS OF WILKIE COLLINS. Four hours afterward Captain Treverton de- sired one of the servants at Purthgenna Tower to inform Sarah Leeson that he wished to hear all she had to tell him of the dying moments of her mistress. The messenger returned with looks and words of amazement, and with the letter that Sarah had addressed to her master in his hand. The moment Captain Treverton had read the letter, he ordered an immediate search to be made after the missing woman. She was so easy to describe and to recognize, by the prema- ture grayness of her hair, by the odd, scared look in her eyes, and by her habit of constantly talk- ing to herself, that she was traced with certainty as far as Truro. In that large town the track of her was lost, and never recovered again. Rewards were offered ; the magistrates of the district were interested in the case ; all that wealth and power could do to discover her was done — and done in vain. No clew was found to sug- gest a suspicion of her whereabouts, or to help in the slightest degree toward explaining the nature of the secret at which she had hinted in her letter. Her master never saw her again, never heard of her again, after the morning of the twenty-third of August, eighteen hundred and twenty-nine. THE DEAD SECRET. 49 BOOK //. CHAPTER I. FIFTEEN YEARS AFTER The church of Long Beckley (a large agricul- tural village in one of the midland counties of England), although a building in no way re- markable either for its size, its architecture, or its antiquity, possesses, nevertheless, one advan- tage which mercantile London has barbarously denied to the noble cathedral church of St. Paul. It has plenty of room to stand in, and it can con- sequently be seen with perfect convenience from every point of view, all around the compass. The large open, space around the church can be approached in three different directions. There is a road from the village, leading straight to the principal door. There is a broad gravel walk, which begins at the vicarage gates, crosses the churchyard, and stops, as in duty bound, at the vestry entrance. There is a footpath over the fields, by which the lord of the manor, and the gentry in general who live in his august neighborhood, can reach the side door of the building, whenever their natural humility may incline them to encourage Sabbath observance in the stables by going to church, like the lower sort of worshipers, on their own legs. 50 WORKS OF WILKIE COLLINS. At half-past seven o’clock on a certain fine summer morning, in the year eighteen hundred and forty-four, if any observant stranger had happened to be standing in some unnoticed cor- ner of the churchyard, and to be looking about him with sharp eyes, he would probably have been the witness of proceedings which might have led him to believe that there was a con- spiracy going on in Long Beckley, of which the church was the rallying-point, and some of the most respectable inhabitants the principal lead- ers. Supposing him to have been looking for- ward toward the vicarage as the clock chimed the half-hour, he would have seen the vicar of Long Beckley, the Reverend Doctor Chennery, leaving his house suspiciously, by the back way, glancing behind him guiltily as he approached the gravel walk that led to the vestry, stopping mysteriously just outside the door, and gazing anxiously down the road that led from the village. Assuming that our observant stranger would, upon this, keep out of sight, and look down the road, like the vicar, he would next have seen the clerk of the church — an austere, yellow-faced man — a Protestant Loyola in appearance, and a working shoemaker by trade — approaching with a look of unutterable mystery in his face, and a bunch of big keys in his hands. He would have seen the vicar nod in an abstracted manner to the clerk, and say: “Fine morning, Thomas. Have you had your breakfast yet?” He would have heard Thomas reply, with a suspicious regard for minute particulars: “I have had a cup of tea THE DEAD SECRET. 51 and a crust, sir.” And he would then have seen these two local conspirators, after looking up with one accord at the church clock, draw off together to the side door which commanded a view of the footpath across the fields. Following them — as our inquisitive stranger could not fail to do— he would have detected three more conspirators advancing along the footpath. The leader of this treasonable party was an elderly gentleman, with a weather - beaten face and a bluff, hearty manner. His two followers were a young gentleman and a young lady, walking arm-in-arm, and talking together in whispers. They were dressed in the plainest morning cos- tume. The faces of both were rather pale, and the manner of the lady was a little flurried. Otherwise there was nothing remarkable to ob- serve in them, until they came to the wicket- gate leading into the churchyard; and there the conduct of the young gentleman seemed, at first sight, rather inexplicable. Instead of holding the gate open for the lady to pass through, he hung back, allowed her to open it for herself, waited till she had got to the churchyard side, and then, stretching out his hand over the gate, allowed her to lead him through the entrance, as if he had suddenly changed from a grown man to a helpless little child. Noting this, and remarking also that, when the party from the fields had arrived within greeting distance of the vicar, and when the clerk had used his bunch of keys to open the church-door, the young lady’s companion was 52 WORKS OF WILKIE COLLINS. led into the building (this time by Doctor Chen- nery’s. hand), as he had been previously led through the wicket-gate, our observant stranger must have arrived at one inevitable conclusion — that the person requiring such assistance as this was suffering under the affliction of blind- ness. Startled a little by that discovery, he would have been still further amazed, if he had looked into the church, by seeing the blind man and the young lady standing together before the altar rails, with the elderly gentleman in parental attendance. Any suspicions he might now en- tertain that the bond which united the conspira- tors at that early hour of the morning was of the hymeneal sort, and that the object of their plot was to celebrate a wedding with the strictest secrecy, would have been confirmed in five min- utes by the appearance of Doctor Chennery from the vestry in full canonicals, and by the reading of the marriage service in the reverend gentle- man’s most harmonious officiating tones. The ceremony concluded, the attendant stranger must have been more perplexed than ever by observing that the persons concerned in it all separated, the moment the signing, the kissing and con- gratulating duties proper to the occasion had been performed, and quickly retired in the vari- ous directions by which they had approached the church. Leaving the clerk to return by the village road, the bride, bridegroom and elderly gentle- man to turn back by the footpath over the fields, and the visionary stranger of these pages to van- THE DEAD SECRET. 53 ish out of them in any direction that he pleases — let us follow Doctor Chennery to the vicarage breakfast-table, and hear what he has to say about his professional exertions of the morning in the familiar atmosphere of his own family circle. The persons assembled at the breakfast were, first, Mr. Phippen, a guest; secondly, Miss Sturch, a governess; thirdly, fourthly and fifthly, Miss Louisa Chennery (aged eleven years), Miss Amelia Chennery (aged nine years), and Master Robert Chennery (aged eight years). There was no mother’s face present to make the household picture com- plete. Doctor Chennery had been a widower since the birth of his youngest child. The guest was an old college acquaintance of the vicar’s, and he was supposed to be now stay- ing at Long Beckley for the benefit of his health. Most men of any character at all contrive to get a reputation of some sort which individualizes them in the social circle amid which they move. Mr. Phippen was a man of some little character, and he lived with great distinction in the estima- tion of his friends on the reputation of being A Martyr to Dyspepsia. Wherever Mr. Phippen went, the woes of Mr. Phippen’s stomach went with him. He dieted himself publicly, and physicked himself publicly. He was so intensely occupied with himself and his maladies, that he would let a chance acquain- tance into the secret of the condition of his tongue at five minutes’ notice; being just as perpetually 54 WORKS OF WILKIE COLLINS. ready to discuss the state of his digestion as peo- ple in general are to discuss the state of the weather. Ou this favorite subject, as on all others, he spoke with a wheedling gentleness of manner, sometimes in softly mournful, some- times in languidly sentimental tones. His po- liteness was of the oppressively affectionate sort, and he used the word 4 ‘dear” continually in ad- dressing himself to others. Personally, he could not be called a handsome man. His eyes were watery, large, and light gray; they were always rolling from side to side in a state of moist ad- miration of something or somebody. His nose was long, drooping, profoundly melancholy — if such an expression may be pormitted in reference to that particular feature. For the rest, his lips had a lachrymose twist; his stature was small; his head large, bald, and loosely set on his shoul- ders ; his manner of dressing himself eccentric, on the side of smartness; his age about five-and- forty; his condition that of a single man. Such was Mr. Phippen, the Martyr to Dyspepsia, and the guest of the vicar of Long Beckley. Miss Sturch, the governess, may be briefly and accurately described as a young lady who had never been troubled with an idea or a sensation since the day when she was born. She was a little, plump, quiet, white - skinned, smiling, neatly-dressed girl, wound up accurately to the performance of certain duties at certain times; and possessed of an inexhaustible vocabulary of commonplace talk, which dribbled placidly out of her lips whenever it was called for, always in THE DEAD SECRET. 55 the same quantity, and always oi the same qual- ity, at every hour in the day, and through every change in the seasons. Miss Sturch never laughed, and never cried, but took the safe middle course of smiling perpetually* She smiled when she came down on a morning in January, and said it was very cold. She smiled when she came down on a morning in July, and said it was very hot. She smiled when the bishop came once a year to see the vicar; she smiled when the butcher’s boy came every morning for orders. Let what might happen at the vicarage, noth- ing ever jerked Miss Sturch out of the one smooth groove in which she ran perpetually, al- ways at the same pace. If she had lived in a royalist family, during the civil wars in En- gland, she would have rung for the cook, to order dinner, on the morning of the execution of Charles the First. If Shakespeare had come back to life again, and had called at the vicar- age at six o’clock on Saturday evening, to ex- plain to Miss Sturch exactly what his views were in composing the tragedy of Hamlet, she would ha^e smiled and said it was [extremely interesting, until the striking of seven o’clock; at which time she would have left him in the middle of a sentence, to superintend the house- maid in the verification of the washing- book. A very estimable young person, Miss Sturch (as the ladies of Long Beckley were accustomed to say) ; so judicious with the children, and so at- tached to her household duties; such a well-regu- lated mind, and such a crisp touch on the piano; 56 WORKS OF WILKIE COLLINS. just nice-looking enough, just well-dressed enough, just talkative enough; not quite old enough, perhaps, and a little too much inclined to be embraceably plump about the region of the waist— but, on the whole, a most estimable young person— very much so, indeed. On the characteristic peculiarities of Miss Sturch’s pupils it is not necessary to dwell at very great length. Miss Louisa’s habitual weak- ness was an inveterate tendency to catch cold. Miss Amelia’s principal defect was a disposition to gratify her palate by eating supplementary dinners and breakfasts at unauthorized times and seasons. Master Robert’s most noticeable fail- ings were caused by alacrity in tearing his clothes and obtuseness in learning the Multiplication Table. The virtues of all three were of much the same nature — they were well grown, they were genuine children, and they were boister- ously fond of Miss Sturch. To complete the gallery of family portraits, an outline, at the least, must be attempted of the vicar himself. Doctor Chennery was, in a physical point of view, a credit to the Establish- ment to which he was attached. He stood six feet two in his shooting-shoes; he weighed fif- teen stone; he was the best bowler in the Long Beckley cricket-club; he was a strictly orthodox man in the matter of wine and mutton; he never started disagreeable theories about people’s future destinies in the pulpit, never quarreled with any- body out of the pulpit, never buttoned up his pockets when the necessities of his poor brethren THE DEAD SECRET. 5 (Dissenters included) pleaded with him to open them. His course through the world was a steady march along the high and dry middle of a safe turnpike road. The serpentine side-paths of con- troversy might open as alluringly as they pleased on his right hand and on his left, but he kept on his way sturdily, and never regarded them. In- novating young recruits in the Church army might entrappingly open the Thirty-nine Arti- cles under his very nose, but the veteran’s wary eye never looked a hair-breadth further than his own signature at the bottom of them. He knew as little as possible of theology, he had never given the Privy Council a minute’s trouble, in the whole course of his life, he was innocent of all meddling with the reading or writing of pamphlets, and he was quite incapable of find- ing his way to the platform of Exeter Hall. In short, he was the most unclerical of clergymen — but, for all that, he had such a figure for a surplice as is seldom seen. Fifteen stone weight of upright muscular flesh, without an angry spot or sore place in any part of it, has the merit of suggesting stability, at any rate — an excellent virtue in pillars of all kinds, but an especially precious quality, at the present time, in a pillar of the Church. As soon as the vicar entered the breakfast- parlor the children assailed him with a chorus of shouts. He was a severe disciplinarian in the observance of punctuality at meal-times; and he now stood convicted by the clock of being too late for breakfast by a quarter of an hour. 58 WORKS OF WILKIE COLLINS. “Sorry to have kept you waiting, Miss Sturch,” said the vicar; “but I have a good excuse for being late this morning.” “Pray don’t mention it, sir, ’’said Miss Sturch, blandly rubbing her plump little hands one over the other. “A beautiful morning. I fear we shall have another warm day — Robert, my love, your elbow is on the table. — A beautiful morn- ing, indeed!” “Stomach still out of order — eh, Phippen?” asked the vicar, beginning to carve the ham. Mr. Phippen shook his large head dolefully, placed his yellow forefinger, ornamented with a large turquoise ring, on the center check of his light-green summer waistcoat — looked piteously at Doctor Chennery, and sighed — removed the finger, and produced from the breast pocket of his wrapper a little mahogany case — took out of it a neat pair of apothecary’s scales, with the ac- companying weights, a morsel of ginger, and a highly polished silver nutmeg-grater. “Dear Miss Sturch will pardon an invalid?” said Mr. Phippen, beginning to grate the ginger feebly into the nearest tea-cup. “Guess what has made me a quarter of an hour late this morning,” said the vicar, looking mysteriously all round the table. “Lying in bed, papa,” cried the three chil- dren, clapping their hands in triumph. “What do you say, Miss Sturch?” asked Doc- tor Chennery. Miss Sturch smiled as usual, rubbed her hands as usual, cleared her throat softly as usual, THE DEAD SECRET. 59 looked at the tea-urn, and begged, with the most graceful politeness, to be excused if she said nothing. “Your turn now, Phippen,” said the vicar. “Come, guess what has kept me late this morning.” “My dear friend,” said Mr. Phippen, giving the doctor a brotherly squeeze of the hand, “don’t ask me to guess — I know! I saw what you eat at dinner yesterday — 1 saw what you drank after dinner. No digestion could stand it — not even yours. Guess wha,t has made you late this morning? Pooh! pooh! I know. You dear, good soul, you have been taking physic!” “Haven’t touched a drop, thank God, for the last ten years!” said Doctor Chennery, with a look of devout gratitude. “No, no; you’re all wrong. The fact is, I have been to church; and what do you think I have been doing there? Listen, Miss Sturch — listen, girls, with all your ears. Poor blind young Frankland is a happy man at last — I have married him to our dear Rosamond Treverton this very morning!” “Without telling us, papa!” cried the two girls together in their shrillest tones of vexation and surprise. “Without telling us, when you know how we should have liked to see it!” “That was the very reason why I did not tell you, my dears,” answered the vicar. “Young Frankland has not got so used to his affliction yet, poor fellow, as to bear being publicly pitied and stared at in the character of a blind bridegroom. He had such a nervous horror of being an object 60 WORKS OF WILKIE COLLINS. of curiosity on his wedding-day, and Rosamond, like a kind-hearted girl as she is, was so anxious that his slightest caprices should be humored, that we settled to have the wedding at an hour in the morning when no idlers were likely to be lounging about the neighborhood of the church. I was bound over to the strictest secrecy about the day, and so was my clerk Thomas. Except- ing us two, and the bride and bridegroom, and the bride’s father, Captain Treverton, nobody knew — ” “Treverton!” exclaimed Mr. Phippen, hold- ing his tea-cup, with the grated ginger in the bottom of it, to be filled by Miss Sturch. “Trev- erton! (No more tea, dear Miss Sturch,) How very remarkable ! I know the name. (Fillup with water, if you please.) Tell me, my dear doctor (many, many thanks; no sugar — it turns acid on the stomach), is this Miss Treverton whom you have been marrying (many thanks again; no milk, either) one of the Cornish Trevertons?” “To be sure she is!” rejoined the vicar. “Her father, Captain Treverton, is the head of the family. Not that there’s much family to speak of now. The Captain, and Rosamond, and that whimsical old brute of an uncle of hers, Andrew Treverton, are the last left now of the old stock— a rich family, and a fine fam- ily, in former times — good friends to Church and State, you know, and all that — ” “Do you approve, sir, of Amelia having a second helping of bread and marmalade?” asked THE DEAD SECRET. 61 Miss Sturch, appealing to Doctor Chennery, with the most perfect unconsciousness of interrupting him. Having no spare room in her mind for putting things away in until the appropriate time came for bringing them out, Miss Sturch always asked questions and made remarks the moment they occurred to her, without waiting for the beginning, middle, or end of any con- versations that might be proceeding in her pres- ence. She invariably looked the part of a lis- tener to perfection, but she never acted it except in the case of talk that was aimed point-blank at her own ears. “Oh, give her a second helping, by all means !” said the vicar, carelessly; “if she must over-eat herself, she may as well do it on bread and mar- malade as on anything else.” “My dear, good soul,” exclaimed Mr. Phip- pen, “look what a wreck I am, and don’t talk in that shockingly thoughtless way of letting our sweet Amelia over-eat herself. Load the stomach in youth, and what becomes of the digestion in age? The thing which vulgar peo- ple call the inside — I appeal to Miss Sturch’s in- terest in her charming pupil as an excuse for going into physiological particulars — is, in point of fact, an Apparatus. Digestively considered, Miss Sturch, even the fairest and youngest of us is an Apparatus. Oil our wheels, if you like; but clog them at your peril. Farinaceous pud- dings and mutton-chops; mutton-chops and fari- naceous puddings — those should be the parents’ watch- words, if I had my way, from one end of 62 WORKS OF WILKIE COLLINS. England to the other. Look here, my sweet child — look at me. There is no fun, dear, about these little scales, but dreadful earnest. See! I put in the balance on one side dry bread (stale, dry bread, Amelia!), and on the other some ounce weights. ‘Mr. Phippen, eat by weight. Mr. Phippen ! eat the same quantity, day by day, to a hair-breadth. Mr. Phippen! exceed your al- lowance (though it is only stale, dry bread) if you dare!’ Amelia, love, this is not fun— this is what the doctors tell me — the doctors, my child, who have been searching my Apparatus through and through for thirty years past with little pills, and have not found out where my wheels are clogged yet. Think of that, Amelia — think of Mr. Phippen’s clogged Apparatus — and say ‘No, thank you,’ next time. Miss Sturch, I beg a thousand pardons for intruding on your province; but my interest in that sweet child — Chennery, you dear, good soul, what were we talking about? Ah! the bride — the interesting bride! And so she is one or the Cornish Trevertons? I knew something of An- drew years ago. He was a bachelor, like my- self, Miss Sturch. His Apparatus was out of order, like mine, dear Amelia. Not at all like his brother, the Captain, I should suppose? And so she is married? A charming girl, I have no doubt. A charming girl!” “No better, truer, prettier girl in the world,” said the vicar. “A very lively, energetic person,” remarked Miss Sturch. THE DEAD SECRET. 63 “How I shall miss her!” cried Miss Louisa. “Nobody else amused me as Rosamond did, when I was laid up with that last bad cold of mine.” “She used to give us such nice little early supper- parties,” said Miss Amelia. “She was the only girl I ever saw who was fit to play with boys,” said Master Robert. “She could catch a ball, Mr. Phippen, sir, with one hand, and go down a slide with both her legs together.” •“Bless me!” said Mr. Phippen. “What an extraordinary wife for a blind man! You said he was blind from his birth, my dear doctor, did you not? Let me see, what was his name? You will not bear too hardly on my loss of memory, Miss Sturch? When indigestion has done with the body, it begins to prey on the mind. Mr. Frank Something, was it not?” “No, no — Frankland,” answered the vicar, “Leonard Frankland. And not blind from his birth by any means. It is not much more than a year ago since he could see almost as well as any of us.” “An accident, I suppose!” said Mr. Phippen. “You will excuse me if I take the arm-chair? — a partially reclining posture is of great assist= ance to me after meals. So an accident hap- pened to his eyes? Ah, what a delightfully easy chair to sit in !” “Scarcely an accident,” said Doctor Chennery. “Leonard Frankland was a difficult child to bring up: great constitutional weakness, you 64 WORKS OF WILKIE COLLINS. know, at first. He seemed to get over that with time, and grew into a quiet, sedate, orderly sort of boy— as unlike my son there as possible — very amiable, and what you call easy to deal with. Well, he had a turn for mechanics (I am telling you' all this to make you understand about his blindness), and, after veering from one occupa- tion of that sort to another, he took at last to watch-making. Curious amusement for a boy; but anything that required delicacy of touch, and plenty of patience and perseverance, was just the thing to amuse and occupy Leonard. ' I always said to his father and mother, ‘Get him off that stool, break his magnifying-glasses, send him to me, and I’ll give him a back at leap-frog, and teach him the use of a bat.’ But it was no use. His parents knew best, I suppose, and they said he’must be humored. Well, things went on smoothly enough for some time, till he got an- other long illness — as I believe, from not taking exercise enough. As soon as he began to get round, back he went to his old watch-making occupations again. But the bad end of it all was coming. About the last work he did, poor fellow, was the repairing of my watch — here it is; goes as regular as a steam-engine. I hadn’t got it back into my fob very long before I heard that he was getting a bad pain at the back of his head, and that he saw all sorts of moving spots before his eyes. ‘String him up with lots of port wine, and give him three hours a day on the back of a quiet pony’ — that was my advice. Instead of taking it, they sent for doctors from THE DEAD SECRET. 65 London, and blistered him behind the ears and between the shoulders, and drenched the lad with mercury, and moped him up in a dark room. No use. The sight got worse and worse, flickered and flickered, and went out at last like the flame of a candle, His mother died — luckily for her, poor soul — before that happened. His father was half out of his mind; took him to oculists in London and oculists in Paris. All they did was to call the blindness by a long Latin name, and to say that it was hopeless and useless to try an operation. Some of them said it was the result of the long weaknesses from which he had twice suffered after illness. Some said it was an apoplectic effusion in his brain. All of them shook their heads when they heard of the watch-making. So they brought him back home, blind; blind he is now; and blind he will remain, poor dear fellow, for the rest of his life.” “You shock me; my dear Chennery, you shock me dreadfully,” said Mr. Phippen. “Especially when you state that theory about long weakness after illness. Good heavens ! Why, I have had long weaknesses — I have got them now. Spots did he see before his eyes? I see spots, black spots, dancing black spots, dancing black bilious spots. Upon my word of honor, Chennery, this comes home to me — my sympathies are pain- fully acute — I feel this blind story in every nerve of my body; I do, indeed!” “You would hardly know that Leonard was • blind, to look at him,” said Miss Louisa, strik- C— Yol. 16 66 WORKS OF WILKIE COLLINS. ing into the conversation with a view to restor- ing Mr. Phippen’s equanimity. “Except that his eyes look quieter than other people’s, there seems no difference in them now. Who was that famous character you told us about, Miss Sturch, who was blind, and didn’t show it any more than Leonard Frankland?” “Milton, my love. I begged you to remember that he was the most famous of British epic poets,” answered Miss Sturch with suavity. “He poetically describes his blindness as being caused by ‘so thick a drop serene.’ • You shall read about it, Louisa. After we have had a lit- tle French, we will have a little Milton, this morning. Hush, love, your papa is speaking.” “Poor young Frankland!” said the vicar, warmly. “That good, tender, noble creature I married him to this morning seems sent as a consolation to him in his affliction. If any hu- man being can make him happy 'for the rest of his life, Rosamond Treverton is the girl to do it.” “She has made a sacrifice,” said Mr. Phip- pen; “but I like her for that, having, made a— sacrifice myself in remaining- single. It seems indispensable, indeed, on the score of humanity, that I should do so. How could I conscientious- ly inflict such a digestion as mine on a member of the fairer portion of creation? Ho; I am a sacrifice in my own proper person, and I have a fellow-feeling for others who are like me. Did she cry much, Chennery, when you were marry- ing her?” “Cry !” exclaimed the vicar, contemptuously. THE DEAD SECRET. 67 “Rosamond Treverton is not one of the puling, sentimental sort, I can tell you. A fine buxom, warm-hearted, quick-tempered girl, who looks what she means when she tells a man she is go- ing to marry him. And, mind you, she has been tried. If she hadn’t loved him with all her heart and soul, she might have been free months ago to marry anybody she pleased. They were en- gaged long before this cruel affliction befell young Frankland— the fathers, on both sides, having lived as near neighbors in these parts for years. Well, when the blindness came, Leonard at once offered to release Rosamond from her engagement. You should have read the letter she wrote to him, Phippen, upon that. I don’t mind confessing that I blubbered like a baby over it when they showed it to me. I should have married them at once the instant I read it, but old Frankland was a fidgety, punc- tilious kind of man, and he insisted on a six- months’ probation, so that she might be certain of knowing her own mind. He died before the term was out, and that caused the marriage to be put off again. But no delays could alter Rosamond — six years, instead of six months, would not have changed her. There she was this morning as fond of that poor, patient blind fellow as she was the first day they were en- gaged. c You shall never know a sad moment, Lenny, if I can help it, as long as you live’— these were the first words she said to him when we all came out of church. ‘I hear you, Rosa- mond,’ said I. ‘And you shall judge me, too, 6S WORKS OF WILKIE COLLINS. Doctor/ says she, quick as lightning. { ¥e will come back to Long Beckley, and you shall ask Lenny if I have not kept my word/ With that she gave me a kiss that you might have heard down here at the vicarage, bless her heart! We’ll drink her health after dinner, Miss Sturch — we’ll drink both their healths, Phip. pen, in a bottle of the best wine I have in my cellar.” 144 WORKS OF WILKIE COLLINS. find the right person, and to send her to West Winston; and, moreover, he would infinitely prefer employing a woman with whose character and capacity he was himself acquainted. He therefore proposed that Mrs. Frankland should be trusted for a few hours to the care of her maid, under supervision of the landlady of the Tiger’s Head, while he made inquiries in the neighborhood. If the inquiries produced no sat- isfactory result, he should be ready, when he called in the evening, to adopt Mr. Frankland’s idea of telegraphing to London for a nurse. On proceeding to make the investigation that he had proposed, Mr. Orridge, although he spared no trouble, met with no success. He found plenty of volunteers for the office of nurse, but they were all loud-voiced, clumsy-handed, heavy- footed countrywomen, kind and willing enough, but sadly awkward, blundering attendants to place at the bedside of such a lady as Mrs. Frankland. The morning hours passed away, and the afternoon came, and still Mr. Orridge had found no substitute for the invalided nurse whom he could venture to engage. At two o’clock he had half an hour’s drive be- fore him to a country-house where he had a child- patient to see. “ Perhaps I may remember some- body who may do, on the way out or on the way back again,” thought Mr. Orridge, as he got into his gig. “I have some hours at my disposal still before the time comes for my evening visit at the inn.” Puzzling his brains, with the best intention in THE DEAD SECRET* 145 the world, all along the road to the country- house, Mr. Orridge reached his destination with- out having arrived at any other conclusion than that he might just as well state his difficulty to Mrs. Nor bury, the lady whose child he was about to prescribe for. He had called on her when he bought the West Winston practice, and had found her one of those frank, good-humored, middle-aged women who are generally desig- nated by the epithet “ motherly.’ ’ Her hus- band was a country squire, famous for his old politics, his old stories, and his old wine. He had seconded his wife’s hearty reception of the new doctor, with all the usual jokes about never giving him any employment, and never letting any bottles into the house except the bottles that went down into the cellar. Mr. Orridge had been amused by the husband and pleased with the wife; and he thought it might be at least worth while, before he gave up all hope of find- ing a fit nurse, to ask Mrs. Norbury, as an old resident in the West Winston neighborhood, for a word of advice. Accordingly, after seeing the child, and pro- nouncing that there were no symptoms about the little patient which need cause the slightest alarm to anybody, Mr. Orridge paved the way for a statement of the difficulty that beset him by asking Mrs. Norbury if she had heard of the “ interesting event” that had happened at the Tiger’s Head. “You mean,” answered Mrs. Norbmy, who was a downright woman, and a resolute speaker 146 WORKS OF WILKIE COLLINS. of the plainest possible English — “You mean, have I heard about that poor unfortunate lady who was taken ill on her journey, and who had a child born at the inn? We have heard so much, and no more — living as we do (thank Heaven!) out of reach of the West Winston gos- sip. How is the lady? Who is she? Is the child well? Is she tolerably comfortable? poor thing! * Can I send her anything, or do any- thing for her?” “You would do a great thing for her, and ren- der a great assistance to me,” said Mr. Orridge, “if you could tell me of any respectable woman in this neighborhood who would be a proper nurse for her.” “You don’t mean to say that the poor creature has not got a nurse!” exclaimed Mrs. Norbury. “She has had the best nurse in West Win- ston,” replied Mr. Orridge. “But, most unfort- unately, the woman was taken ill this morning, and was obliged to go home. I am now at my wit’s end for somebody to supply her place. Mrs. Frankland has been used to the luxury of being well waited on ; and where I am to find an attendant who is likely to satisfy her, is more than I can tell.” “Frankland, did you say her name was?” in- quired Mrs. Norbury. “Yes. She is, I understand, a daughter of that Captain Treverton who was lost with his ship a year ago in the West Indies. Perhaps you may remember the account of the disaster in the newspapers?” TH E DEAD SECRET. 147 ■‘Of course I do! and I remember the Captain too. I was acquainted with him when he was a young man, at Portsmouth. His daughter and I ought not to be strangers, especially under such circumstances as the poor thing is placed in now. I will call at the inn, Mr. Orridge, as soon as you will allow me to introduce myself to her. But, in the meantime, what is to be done in this difficulty about the nurse? Who is with Mrs. Frankland now?” “Her maid; but she is a very young woman, and doesn’t understand nursing duties. The landlady of the inn is ready to help when she can ; but then she has constant demands on her time and attention. I suppose we shall have to telegraph to London and get somebody sent here by railway.” “And that will take time, of course. And the new nurse may turn out to be a drunkard or a thief, or both — when you have got her here,” said the outspoken Mrs. Norbury. “Dear, dear me! can't we do something better than that? I am ready, I am sure, to take any trouble, or make any sacrifice, if I can be of use to Mrs. Frankland. Do you know, Mr. Orridge, I think it would be a good plan if we consulted my housekeeper, Mrs. Jazeph. She is an odd wo- man, with an odd name, you will say; but she has lived with me in this house more than five years, and she may know of somebody in our neighborhood who might suit you, though I don’t.” With those words, Mrs. Norbury rang the bell, and ordered the servant who answered 148 WORKS OF WILKIE COLLINS. it to tell Mrs. Jazeph that she was wanted up- stairs immediately. After the lapse of a minute or so a soft knock was heard at the door, and the housekeeper en- tered the room. Mr. Orridge looked at her, the moment she ap- peared, with an interest and curiosity for which he was hardly able to account. He judged her, at a rough guess, to be a woman of about fifty years of age. At the first glance, his medical eye detected that some of the intricate machinery of the nervous system had gone wrong with Mrs. Jazeph. He noted the painful working of the muscles of her face, and the hectic flush that flew into her cheeks when she entered the room and found a visitor there. He observed a strangely scared look in her eyes, and remarked that it did not leave them when the rest of her face became gradually composed. 6 4 That woman has had some dreadful fright, some great grief, or some wasting complaint,” he thought to himself. “I wonder which it is?” 4 ‘This is Mr. Orridge, the medical gentleman who has lately settled at West Winston,” said Mrs. Nor bury, addressing the housekeeper. “He is in attendance on a lady who was obliged to stop, on her journey westward, at our station, and who is now staying at the Tiger’s Head. You have heard something about it, have you not, Mrs. Jazeph?” Mrs. Jazeph, standing just inside the door, looked respectfully toward the doctor, and an- swered in the affirmative. Although she only THE DEAD SECRET. 149 said the two common words, “Yes, ma’am/’ in a quiet, uninterested way, Mr. Orridge was struck by the sweetness and tenderness of her voice. If he had not been looking at her, he would have supposed it to be the voice of a young woman. His eyes remained fixed on her after she had spoken, though he felt that they ought to have been looking toward her mistress. He, the most unobservant of men in such things, found himself noticing her dress, so that he re- membered, long afterward, the form of the spot- less muslin cap that primly covered her smooth gray hair, and the quiet brown color of the silk dress that fitted so neatly and hung around her in such spare and disciplined folds. The little confusion which she evidently felt at finding herself the object of the doctor’s attention did not betray her into the slightest awkwardness of gesture or manner. If there can be such a thing, physically speaking, as the grace of re- straint, that was the grace which seemed to gov- ern Mrs. Jazeph’s slightest movements; which led her feet smoothly over the carpet, as she ad- vanced when her mistress next spoke to her; which governed the action of her wan right hand as it rested lightly on a table by her side, while she stopped to hear the next question that was addressed to her. “Well,” continued Mrs. Nor bury, “this poor lady was just getting on comfortably, when the nurse who was looking after her fell ill this morning; and there she is now, in a strange place, with a first child, and no proper attend- 150 WORKS OF WILKIE COLLINS. ance — no woman of age and experience to help her as she ought to be helped. We want some- body fit to wait on a delicate woman who has seen nothing of the rough side of humanity. Mr. Orridge can find nobody at a day’s notice, and I can tell him of nobody. Can you help us, Mrs. Jazeph? Are there any women down in the village, or among Mr. Norbury’s tenants, who understand nursing, and have some tact and tenderness to recommend them into the bargain?” Mrs. Jazeph reflected for a little while, and then said, very respectfully, but very briefly also, and still without any appearance of inter- est in her manner, that she knew of no one whom she could recommend. ‘‘Don’t make too sure of that till you have thought a little longer,” said Mrs. Norbury. “I have a particular interest in serving this lady, for Mr. Orridge told me just before you came in that she is the daughter of Captain Treverton, whose shipwreck — ” The instant those words were spoken, Mrs. Jazeph turned round with a start, and looked at the doctor. Apparently forgetting that her right hand was on the table, she moved it so suddenly that it struck against a bronze statuette of a dog placed on some writing materials. The statuette fell to the ground, and Mrs. Jazeph stooped to pick it up with a cry of alarm which seemed strangely exaggerated by comparison with the trifling nature of the accident. “Bless the woman! what is she frightened THE DEAD SECRET. 151 about? 9 ’ exclaimed Mrs. Norbury, 4; The dog is not hurt — put it back again! This is the first time. Mrs Jazeph, that I ever knew you do an awkward thing. You may take that as a compliment, I think. Well, as I was saying, this lady is the daughter of Captain Treverton, whose dreadful shipwreck we all read about in the papers. I knew her father in my early days, and on that account 1 am doubly anxious to be of ser- vice to her now. Do think again. Is there nobody within reach who can be trusted to nurse her?” The doctor, still watching Mrs. Jazeph with that secret medical interest of his in her case, had seen her turn so deadly pale when she started and looked toward him that lie would not have been surprised if she had fainted on the spot. He now observed that she changed color again when her mistress left off speaking. The hectic red tinged her cheeks once more with two bright spots. Her timid eyes wandered uneasily about the room; and her fingers, as she clasped her hands together, interlaced themselves mechani- cally. 4 4 That would be an interesting case to treat,” thought the doctor, following every nerv- ous movement of the housekeeper’s hands with watchful eyes. 4 4 Do think again,” repeated Mrs. Norbury. 44 I am so anxious to help this poor lady through her difficulty, if I can.” 44 I am very sorry,” said Mrs. Jazeph, in faint, trembling tones, but still always with the same sweetness in her voice — 4 4 very sorry that I can think of no one who is fit; but — ” 152 WORKS OF WILKIE COLLINS. She stopped. No shy child on its first intro- duction to the society of strangers could have looked more disconcerted than she looked now. Her eyes were on the ground; her color was deepening; the fingers of her clasped hands were working together faster and faster every moment. 6 4 But what?” asked Mrs. Norbury. “I was about to say, ma’am,” answered Mrs. Jazeph, speaking with the greatest difficulty and uneasiness, and never raising her eyes to her mistress’s face, “that, rather than this lady should want for a nurse, I would — considering the interest, ma’am, which you take in her — 1 wcnid, if you thought you could spare me — ” 44 What, nurse her yourself!” exclaimed Mrs. Norbury. 4 4 Upon my word, although you have got to it in rather a roundabout way, you have come to the point at last, in a manner which does infinite credit to your kindness of heart and your readiness to make yourself useful. As to sparing you, of course I am not so selfish, under the circumstances, as to think twice of the in- convenience of losing my housekeeper. But the question is, are you competent as well as will- ing? Have you ever had any practice in nurs- ing?” 44 Yes, ma’am,” answered Mrs. Jazeph, still without raising her eyes from the ground. 4 4 Shortly after my marriage” (the flush disap- peared and her face turned pale again as she said those words), 4 4 I had some practice in nursing, and continued it at intervals until the time of THE DEAD SECRET. 153 my husband’s death. I only presume to offer myself, sir,” she went on, turning toward the doctor, and becoming more earnest and self-pos- sessed in her manner as she did so — “1 only pre- sume to offer myself, with my mistress’s per= mission, as a substitute for a nurse until some better qualified person can be found.” “What do you say, Mr. Orridge?” asked Mrs, Nor bury. It had been the doctor’s turn to start when he first heard Mrs. Jazeph propose herself for the office of nurse. He hesitated before he answered Mrs. Norbury's question, then said: “I can have but one doubt about the propriety of thankfully accepting Mrs. Jazeph’s offer.” Mrs. Jazeph’s timid eyes looked anxiously and perplexedly at him as he spoke. Mrs. Nor bury, in her downright, abrupt way, asked immediately what the doubt was. “I feel some uncertainty,” replied Mr. Or- ridge, “as to whether Mrs. Jazeph — she will par- don me, as a medical man, for mentioning it — as to whether Mrs. Jazeph is strong enough, and has her nerves sufficiently under control, to per- form the duties which she is so kindly ready to undertake.” In spite of the politeness of the explanation, Mrs. Jazeph was evidently disconcerted and dis- tressed by it. A certain quiet, uncomplaining sadness, which it was very touching to see, over- spread her face as she turned away, without an- other word, and walked slowly to the door. “Don’t go yet!” cried Mrs. Norbury, kindly, 154 : WORKS OF WILKIE COLLINS. “or, at least, if you do go, come back again in five minutes, I am quite certain we shall have something more to say to you then.” Mrs, Jazeph’s eyes expressed her thanks in one grateful glance. They looked so much brighter than usual while they rested on her mistress’s face that Mrs. Nor bury half doubted whether the tears were not just rising in them at that moment. Before she could look again, Mrs. Jazeph had courtesied to the doctor and had noiselessly left the room. “Now we are alone, Mr. Orridge,” said Mrs, Norbury, “1 may tell you, with all submission to your medical judgment, that you are a little exaggerating Mrs. Jazeph’s nervous infirmities. She looks poorly enough, I own; but, after fi\re years’ experience of her, I can tell you that she is stronger than she looks, and I honestly think you will be doing good service to Mrs Frank- land if you try our volunteer nurse, at least for a day or two. She is the gentlest, tenderest creature I ever met with, and conscientious to a fault in the performance of any duty that she undertakes. Don’t be under any delicacy about taking her away. I gave a dinner-party last week, and shall not give another for some time to come. I never could have spared my house- keeper more easily than I can spare her now.” “I am sure I may offer Mrs. Frankland’s thanks to you as well as my own,” said Mr. Or ridge. “After what you have said, it would be ungracious and ungrateful in me not to follow your advice. But will you excuse me if I ask THE DEAD SECRET. 155 one question? Did you ever hear that Mrs. Jazeph was subject to fits of any kind?” “Never.” “Not even to hysterical affections, now and then?” “Never, since she has been in this house.” “You surprise me, there is something in her look and manner—” “Yes, yes; everybody remarks that at first; but it simply means that she is in delicate health, and that she has not led a very happy life (as I suspect) in her younger days. The lady from whom I had her (with an excellent character) told me that she had married unhappily, when she was in a sadly poor, unprotected state. She never says anything about her married troubles herself; but I believe her husband ill-used her. However, it does not seem to me that this is our business. I can only tell you again that she has been an excellent servant here for the last five years, and that, in your place, poorly as she may look, I should consider her as the best nurse that Mrs. Frankland could possibly wish for, under the circumstances. There is no need for me to say any more. Take Mrs. Jazeph, or telegraph to London for a stranger — the decision of course rests with you.” Mr. Orridge thought he detected a slight tone of irritability in Mrs. Norbury’s last sentence. He was a prudent man; and he suppressed any doubts he might still feel in reference to Mrs. Jazeph’s physical capacities for nursing, rather than risk offending the most important lady in 150 WORKS OF WILKIE COLLINS. the neighborhood at the outset of his practice in West Winston as a medical man. “I cannot hesitate a moment after what you have been good enough to tell me,” he said. “Pray believe that I gratefully accept your kind- ness and your housekeeper’s offer.” Mrs. Norbury rang the bell. It was answered on the instant by the housekeeper herself. The doctor wondered whether she had been listening outside the door, and thought it rather strange, if she had, that she should be so anxious to learn his decision. “Mr. Orridge accepts your offer with thanks,” said Mrs. Norbury, beckoning to Mrs. Jazeph to advance into the room. “I have persuaded him that you are not quite so weak and ill as you look.” A gleam of joyful surprise broke over the housekeeper’s face. It looked suddenly younger by years and years, as she smiled and expressed her grateful sense of the trust that was about to be reposed in her. For the first time, also, since the doctor had seen her, she ventured on speak- ing before she was spoken to. “When will my attendance be required, sir?” she asked. “As soon as possible,” replied Mr. Orridge. How quickly and brightly her dim eyes seemed to clear as she heard that answer! How much more hasty than her usual movements was the movement with which she now turned round and looked appealingly at her mistress ! “Go whenever Mr. Orridge wants you,” said THE DEAD SECRET. 157 Mrs. Norbury. “I know your accounts are al- ways in order, and your keys always in their proper places. You never make confusion, and you never leave confusion. Go, by all means, as soon as the doctor wants you.” “I suppose you have some preparations to make?” said Mr. Orridge. “None, sir, that need delay me more than half an hour,” answered Mrs. Jazeph. “This evening will be early enough,” said the doctor, taking his hat, and bowing to Mrs. Norbury. “Come to the Tiger’s Head and ask for me. I shall be there between seven and eight. Many thanks again, Mrs. Norbury.” “My best wishes and compliments to your patient, doctor.” “At the Tiger’s Head, between seven and eight this evening,” reiterated Mr. Orridge, as the housekeeper opened the door for him. “Between seven and eight, sir,” repeated the soft, sweet voice, sounding younger than ever, now that there was an under-note of pleasure running through its tones. CHAPTER IY. THE NEW NURSE. As the clock struck seven, Mr. Orridge put on his hat to go to the Tiger’s Head. He had just opened his own door, when he was met on the step by a messenger, who summoned him imme- 158 WORKS OF WILKIE COLLINS. diately to a case of sudden illness in the poor quarter of the town. The inquiries he made satisfied him that the appeal was really of an urgent nature, and that there was no help for it but to delay his attendance for a little while at the inn. On reaching the bedside of the patient, he discovered symptoms in the case which ren- dered an immediate operation necessary. The performance of this professional duty occupied some time. It was a quarter to eight before he left his house, for the second time, on his way to the Tiger’s H,ead. On entering the inn door, he was informed that the new nurse had arrived as early as seven o’clock, and had been waiting for him in a room by herself ever since. Having received no orders from Mr. Orridge, the landlady had thought it safest not to introduce the stranger to Mrs. Frank- land before the doctor came. 4 'Did she ask to go up into Mrs. Frankland’s room?” inquired Mr. Orridge. “Yes, sir,” replied the landlady. “And I thought she seemed rather put out when I said that I must beg her to wait till you got here. Will you step this way, and see her at once, sir? She is in my parlor.” Mr. Orridge followed the landlady into a little room at the back of the house, and found Mrs. Jazeph sitting alone in the corner furthest from the window. He was rather surprised to see that she drew her veil down the moment the door was opened. “I am sorry you should have been kept wait- THE DEAD SECRET. 159 ing,” he said; “but I was called away to a pa- tient. Besides, I told you between seven and eight, if you remember; and it is not eight o’clock yet.” “I was very anxious to be in good time, sir,” said Mrs. Jazeph. There was an accent of restraint in the quiet tones in which she spoke which struck Mr. Or- ridge’s ear, and a little perplexed him. She was, apparently, not only afraid that her face might betray something, but apprehensive also that her voice might tell him more than her words expressed. What feeling was she anxious to conceal? Was it irritation at having been kept waiting so long by herself in the landlady’s room? “If you will follow me,” said Mr. Orridge, “I will take you to Mrs. Frankland immediately.” Mrs. Jazeph rose slowly, and, when she was on her feet, rested her hand for an instant on a table near her. That action, momentary as it was, helped to confirm the doctor in his convic- tion of her physical unfitness for the position which she had volunteered to occupy. “You seem tired,” he said, as he led the way out of the door. “Surely, you did not walk all the way here?” “No, sir. My mistress was so kind as to let one of the servants drive me in the pony-chaise.” There was the same restraint in her voice as she made that answer; and still she never attempted to lift her veil. While ascending the inn stairs Mr. Orridge mentally resolved to watch her first 160 WORKS OF WILKIE COLLINS. proceedings in Mrs. Frankland’s room closely, and to send, after all, for the London nurse un- less Mrs. Jazeph showed remarkable aptitude in the performance of her new duties. The room which Mrs. Frankland occupied was situated at the back of the house, having been chosen in that position with the object of remov- ing her as much as possible from the bustle and noise about the inn door. It was lighted by one window overlooking a few cottages, beyond which spread the rich grazing grounds of West Somer- setshire, bounded by a long monotonous line of thickly wooded hills. The bed was of the old- fashioned kind, with the customary four posts and the inevitable damask curtains. Ifc projected from the wall into the middle of the room, in such a situation as to keep the door on the right hand of the person occupying it, the window on the left, and the fireplace opposite the foot of the bed. On the side of the bed nearest the window the curtains were open, while at the foot, and on the side near the door, they were closely drawn. By this arrangement the interior of the bed was necessarily concealed from the view of any per- son on first entering the room. “How do you find yourself to-night, Mrs. Frankland?” asked Mr. Orridge, reaching out his hand to undraw the curtains. “Do you think you will he any the worse for a little freer circulation of air?” “On the contrary, doctor, I shall be all the better,” was the answer. “But I am afraid — in case you have ever been disposed to consider THE DEAD SECRET. 161 me a sensible woman — that my character will suffer a little in your estimation when you see how I have been occupying myself for the last hour.” Mr. Orridge smiled as he undrew the curtains, and laughed outright when he looked at the mother and child. Mrs. Frankland had been amusing herself, and gratifying her taste for bright colors, by dressing out her baby with blue ribbons as he lay asleep. He had a necklace, shoulder-knots, and bracelets, all of blue ribbon; and, to com- plete the quaint finery of his costume, his mother’s smart little lace cap had been hitched comically on one side of his head. Rosamond herself, as if determined to vie with the baby in gayety of dress, wore a light pink jacket, ornamented down the bosom and over the sleeves with bows of white satin ribbon. Laburnum blossoms, gathered that morning, lay scattered about over the white counterpane, intermixed with some flowers of the lily of the valley, tied up into two nosegays with strips of cherry-colored rib- bon. Over this varied assemblage of colors, over the baby’s smoothly rounded cheeks and arms, over his mother’s happy, youthful face, the ten- der light of the May evening poured tranquil and warm. Thoroughly appreciating the charm of the picture which he had disclosed on undraw- ing the curtains, the doctor stood looking at it for a few moments, quite forgetful of the errand that had brought him into the room. He was only recalled to a remembrance of the new nurse F— Vol 16 162 WORKS OF WILKIE COLLINS. by a chance question which Mrs. Frankland ad- dressed to him. “J can’t help it, doctor,” said Rosamond, with a look of apology. “ I really can’t help treating my baby, now I am a grown woman, just as I used to treat my doll when I was a little girl. Did anybody come into the room with you? Lenny, are you there? Have you done dinner, darling, and did you drink my health when you were left at dessert all by yourself?” “Mr. Frankland is still at dinner,” said the doctor. “But I certainly brought some one into the room with me. Where, in the name of won- der, has she gone to? — Mrs. Jazeph!” The housekeeper had slipped round to the part of the room between the foot of the bed and the fireplace, where she was hidden by the curtains that still remained drawn. When Mr. Orridge called to her, instead of joining him where he stood, opposite the window, she appeared at the other side of the bed, where the window was behind her. Her shadow stole darkly oyer the bright picture which the doctor had been admir- ing. It stretched obliquely across the counter- pane, and its dusky edges touched the figures of the mother and child. “Gracious goodness! who are you?” exclaimed Rosamond. “A woman or a ghost?” Mrs. Jazeph’s veil was up at last. Although her face was necessarily in shadow in the posi- tion which she had chosen to occupy, the doctor saw a change pass over it when Mrs. Frankland spoke. The lips dropped and quivered a little; THE DEAD SECRET. 163 the marks of care and age about the mouth deepened; and the eyebrows contracted sud- denly, The eyes Mr. Orridge could not see; they were cast down on the counterpane at the first word that Rosamond uttered. Judging by the light of his medical experience, the doctor con- cluded that she was suffering pain, and trying to suppress any outward manifestation of it. “An affection of the heart, most likely,” he thought to himself. “She has concealed it from her mistress, but she can’t hide it from me.” “Who are you?” repeated Rosamond. “And what in the world do you stand there for — be- tween us and the sunlight?” Mrs. Jazeph neither answered nor raised her eyes. She only moved back timidly to the fur- thest corner of the window. “Did you not get a message from me this afternoon?” asked the doctor, appealing to Mrs. Frankland. “To be sure I did,” replied Rosamond. “A very kind, flattering message about a new nurse. ” “There she is,” said Mr. Orridge, pointing across the bed to Mrs. Jazeph. “You don’t say so!” exclaimed Rosamond. “But of course it must be. Who else could have come in with you? I ought to have known that. Pray come here — (what is her name, doctor? Joseph, did you say? — No? — Jazeph?) — pray come nearer, Mrs. Jazeph, and let me apologize for speaking so abruptly to you. I am more obliged than I can say for your kindness in com- ing here, and for your mistress’s good-nature in 164 WORKS OF WILKIE COLLTNS. resigning you to me. I hope I shall not give you much trouble, and I am sure you will find the baby easy to manage. He is a perfect angel, and sleeps like a dormouse. Dear me! now 1 look at you a little closer, I am afraid you are in very delicate health yourself. Doctor, if Mrs. Jazeph would not be offended with me, I should almost feel inclined to say that she looks in want of nursing herself.” Mrs. Jazeph bent down over the laburnum blossoms on the bed, and began hurriedly and confusedly to gather them together. “I thought as you do, Mrs. Frankland,” said Mr. Orridge. “But I have been assured that Mrs. Jazeph’s looks belie her, and that her ca- pabilities as a nurse quite equal her zeal.” “Are you going to make all that laburnum into a nosegay?” asked Mrs. Frankland, notic- ing how the new nurse was occupying herself. “How thoughtful of you! and how magnificent it will be! I am afraid you will find the room* very untidy. I will ring for my maid to set it to rights.” “If you will allow me to put it in order, ma’am, I shall be very glad to begin being of use to you in that way,” said Mrs. Jazeph. When she made the offer she looked up, and her eyes and Mrs. Frankland’s met. Rosamond instantly drew back on the pillow, and her color altered a little. “How strangely you look at me!” she said. Mrs. Jazeph started* at the words, as if some- thing had struck her, and moved away suddenly to the window. THE DEAD SECRET. 165 “You are not offended with me, I hope?” said Rosamond, noticing the action. “I have a sad habit of saying anything that comes uppermost. And I really thought you looked just now as if you saw something about me that frightened or grieved you. Pray put the room in order, if you are kindly willing to undertake the trouble. And never mind what 1 say; you will soon get used to my ways — and we shall be as comfortable and friendly — ” Just as Mrs. Frankland said the words “com- fortable and friendly,” the new nurse left the window, and went back to the part of the room where she was hidden from view, between the fireplace and the closed curtains at the foot of the bed. Rosamond looked round to express her surprise to the doctor, but he turned away at the same moment so as to occupy a position which might enable him to observe what Mrs. Jazeph was doing on the other side of the bed-curtains. When he first caught sight of her, her hands were both raised to her face. Before he could decide whether he had surprised her in the act of clasping them over her eyes or not, they changed their position, and were occupied in removing her bonnet. After she had placed this part of her wearing apparel, and her shawl and gloves, on a chair in a corner of the room, she went to the dressing-table, and began to arrange the various useful and ornamental objects scattered about it. She set them in order with remarkable dexterity and neatness, showing a taste for ar- rangement, and a capacity for discriminating 166 WORKS OF WILKIE COLLINS. between things that were likely to be wanted and things that were not, which impressed Mr. Orridge very favorably. He particularly noticed the carefulness with which she handled some bot- tles of physic, reading the labels on each, and ar- ranging the medicine that might be required at night on one side of the table, and the medicine that might be required in the day-time on the other. When she left the dressing-table, and oc- cupied herself in setting the furniture straight, and in folding up articles of clothing that had been thrown on one side, not the slightest move- ment of her thin, wasted hands seemed ever to be made at hazard or in vain. Noiselessly, mod- estly, observantly, she moved from side to side of the room, and neatness and order followed her steps wherever she went. When Mr. Orridge resumed his place at Mrs. Frankland’s bedside, his mind was at ease on one point at. least — it was perfectly evident that the new nurse could be depended on to make no mistakes. 4 4 What an odd woman she is,” whispered Rosamond. 4 4 Odd, indeed,” returned Mr. Orridge, 4 4 and desperately broken in health, though she may not confess to it. However, she is wonderfully neat-handed and careful, and there can be no harm in trying her for one night— that is to say, unless you feel any objection.” 4 4 On the contrary,” said Rosamond, 44 she rather interests me. There is something in her face and manner — I can’t say what — that makes me feel curious to know more of her. I must get THE DEAD SECRET. 167 her to talk, and try if I can’t bring out all her peculiarities. Don’t be afraid of my exciting myself, and don’t stop here in this dull room on my account. I would much rather you went downstairs, and kept my husband company over his wine. Do go and talk to him, and amuse him a little — he must be so dull, poor fellow, while I am up here; and he likes you, Mr. Or- ridge — he does, very much. Stop one moment, and just look at the baby again. He doesn’t take a dangerous quantity of sleep, does he? And, Mr. Orridge, one word more: When you have done your wine, you will promise to lend my husband the use of your eyes, and bring him upstairs to wish me good-night, won’t you?” Willingly engaging to pay attention to Mrs. Frankland’s request, Mr. Orridge left the bedside As he opened the room door, he stopped to tell Mrs. Jazeph that he should be downstairs if she wanted him, and that he would give her any in- structions of which she might stand in need later in the evening, before he left the inn for the night. The new nurse, when he passed by her, was kneeling over one of Mrs. Frankland’s open trunks, arranging some articles of clothing which had been rather carelessly folded up. Just be- fore he spoke to her, he observed that she had a chemisette in her hand, the frill of which was laced through with ribbon. One end of this ribbon she appeared to him to be on the point of drawing out, when the sound of his footsteps disturbed her. The moment she be- came aware of his approach she dropped the 168 WORKS OF WILKIE COLLINS. chemisette suddenly in the trunk, and covered it over with some handkerchiefs. Although this proceeding on Mrs. Jazeph’s part rather surprised the doctor, he abstained from showing that he had noticed it. Her mistress had vouched for her character, after five years’ experience of it, and the bit of ribbon was intrinsically worthless. On both accounts, it was impossible to suspect her of attempting to steal it; and yet, as Mr. Orridge could not help feeling when he had left the room, her conduct, when he surprised her over the trunk, was exactly the conduct of a per- son who is about to commit a theft. 4 ‘Pray don’t trouble yourself about my lug- gage,” said Rosamond, remarking Mrs. Jazeph’s occupation as soon as the doctor had gone. “That is my idle maid’s business, and you will only make her more careless than ever if you do it for her. 1 am sure the room is beautifully set in order. Come here and sit down and rest your- self. You must be a very unselfish, kind-hearted woman to give yourself all this trouble to serve a stranger. The doctor’s message this afternoon told me that your mistress was a friend of my poor, dear father’s. I suppose she must have known him before my time. Any way, I feel doubly grateful to her for taking an interest in me for my father’s sake. But you can have no such feeling; you must have come here from pure good-nature and anxiety to help others. Don’t go away, there, to the window. Come and sit down by me.” Mrs. Jazeph had risen from the trunk, and THE DEAD SECRET. 169 was approaching the bedside — when she suddenly turned away in the direction of the fire-place, just as Mrs. Frankland began to speak of her father. “Come and sit here,” reiterated Rosamond, getting impatient at receiving no answer. “What in the world are you doing there at the foot of the bed?” The figure of the new nurse again interposed between the bed and the fading evening light that glimmered through the window before there was any reply. “The evening is closing in,” said Mrs. Jazeph, “and the window is not quite shut. I was think- ing of making it fast, and of drawing down the blind— if you had no objection, ma’am?” “Oh, not yet! not yet! Shut the window, if you please, in case the baby should catch cold, but don’t draw down the blind. Let me get my peep at the view as L ng as there is any light left to see it by. That long flat stretch of grazing- ground out there is just beginning, at this dim time, to look a little like my childish recollec- tions of a Cornish moor. Do you know anything about Cornwall, Mrs. Jazeph?” “I have heard — ” At those first three words of reply the nurse stopped. She was just then engaged in shutting the window, and she seemed to find some difficulty in closing the lock. “What have you heard?” asked Rosamond. “I have heard that Cornwall is a wild, dreary country,” said Mrs. Jazeph, still busying herself with the lock of the window, and, by conse- 170 WORKS OF WILKIE COLLINS. quence, still keeping her back turned to Mrs. Frankland. “ Can’t you shut the window, yet?” said Rosa- mond. 4 ‘My maid always does it quite easily. Leave it till she comes up— I am going to ring for her directly. I want her to brush my hair and cool my face with a little Eau de Cologne and water.” “I have shut it, ma’am,” said Mrs Jazeph, suddenly succeeding in closing the lock. “And if you will allow me, I should be very glad to make you comfortable for the night, and save you the trouble of ringing for the maid.” . Thinking the new nurse the oddest woman she had ever met with, Mrs. Frankland accepted the offer. By the time Mrs. Jazeph had prepared the Eau de Cologne and water, the twilight was falling softly over the landscape outside, and the room was beginning to grow dark. “Had you not better light a candle?” sug- gested Rosamond. “I think not, ma’am,” said Mrs. Jazeph, rather hastily. “I can see quite well without.” She began to brush Mrs. Frankland’s hair as she spoke; and, at the same time, asked a ques- tion which referred to the few words that had passed between them on the subject of Cornwall. Pleased to find that the new nurse had grown familiar enough at last to speak before she was spoken to, Rosamond desired nothing better than to talk about her recollections of her native coun- try. But, from some inexplicable reason, Mrs. Jazeph’s touch, light and tender as it was, had THE DEAD SECRET. 171 such a strangely disconcerting effect on her, that she could not succeed, for the moment, in collect- ing her thoughts so as to reply, except in the briefest manner. The careful hands of the nurse lingered with a stealthy gentleness among the locks of her hair ; the pale, wasted face of the new nurse approached, every now and then, more closely to her own than appeared at all needful. A vague sensation of uneasiness, which she could not trace to any particular part of her — which she could hardly say that she really felt, in a bodily sense, at all— seemed to be float- ing about her, to be hanging around and over her, like the air she breathed. She could not move, though she wanted to move in the bed; she could not turn her head so as to humor the action of the brush; she could not look round; she could not break the embarrassing silence which had been caused by her own short, dis- couraging answer. At last the sense of oppres- sion — whether fancied or real — irritated her into snatching the brush out of Mrs. Jazeph’s hand. The instant she had done so, she felt ashamed of the discourteous abruptness of the action, and confused at the alarm and surprise which the manner of the nurse exhibited. With the strong- est sense of the absurdity of her own conduct, and yet without the least power of controlling herself, she burst out laughing, and tossed the brush away to the foot of the bed. “Pray don’t look surprised, Mrs. Jazeph,” she said, still laughing without knowing why, and without feeling in the slightest degree amused. m WORKS OF WILKIE COLLINS. “I’m very rude and odd, I know. You have brushed my hair delightfully; but — I can’t tell how — it seemed, all the time, as if you were brush- ing the strangest fancies into my head. I can’t help laughing at them — I can’t indeed ! Do you know, once or twice, I absolutely fancied, when your face was closest to mine, that you wanted to kiss me! Did you ever hear of anything so ridiculous? I declare I am more of a baby, in some things, than the little darling here by my side!” Mrs. Jazeph made no answer. She left the bed while Rosamond was speaking, and came back, after an unaccountably long delay, with the Eau de Cologne and water. As she held the basin while Mrs. Frankland bathed her face, she kept away at arms-length, and came no nearer when it was time to offer the towel. Rosamond began to be afraid that she had seriously offended Mrs. Jazeph, and tried to soothe and propitiate her by asking questions about the management of the baby. There was a slight trembling in the sweet voice of the new nurse, but not the faintest tone of sullenness or anger, as she simply and quietly answered the inquiries addressed to her. By dint of keeping the conversation still on the subject of the child, Mrs. Frankland succeeded, little by little, in luring her back to the bedside — in tempting her to bend down admiringly over the infant — in emboldening her, at last, to kiss him tenderly on the cheek. One kiss was all that she gave; and she turned away from the bed, after it, and sighed heavily. THE DEAD SECRET. 173 The sound of that sigh fell very sadly on Rosamond’s heart. Up to this time the baby’s little span of life had always been associated with smiling faces and pleasant words. It made her uneasy to think that any one could caress him and sigh after it. “I am sure you must be fond of children,” she said, hesitating a little from natural delicacy of feeling. “But will you excuse me for noticing that it seems rather a mournful fondness? Pray — pray don’t answer my question if it gives you any pain — if you have any loss to deplore; but — but I do so want to ask if you have ever had a child of your own?” Mrs. Jazephwas standing near a chair wheq that question was put. She caught fast hold of the back of it, grasping it so firmly, or perhaps leaning on it so heavily, that the woodwork cracked. Her head dropped low on her bosom. She did not utter, or even attempt to utter, a single word. Fearing that she must have lost a child of her own, and dreading to distress her unnecessarily by venturing to ask any more questions, Rosa- mond said nothing, as she stooped over the baby to kiss him in her turn. Her lips rested on his cheek a little above where Mrs. Jazeph’s lips had rested the moment before, and they touched a spot of wet on his smooth warm skin. Fearing that some of the water in which she had been bathing her face might have dropped on him, she passed her fingers lightly over his head, neck, and bosom, and felt no other spots of wet any- 1?4 WORKS OF WILKIE COLLINS. where. The one drop that had fallen on him was the drop that wetted the cheek which the new nurse had kissed. The twilight faded over the landscape, the room grew darker and darker; and still, though she was now sitting close to the table on which the candles and matches were placed, Mrs. Ja- zeph made no attempt to strike a light. Rosa- mond did not feel quite comfortable at the idea of lying awake in the darkness, with nobody in the room but a person who was as yet almost a total stranger ; and she resolved to have the can- dles lighted immediately. “Mrs. Jazeph,” she said, looking toward the gathering obscurity outside the window, “I shall be much obliged to you, if you will light the candles and pull down the blind. I can trace no more resemblances out there, now, to a Cornish prospect; the view has gone altogether.” “Are you very fond of Cornwall, ma’am?” asked Mrs. Jazeph, rising, in rather a dilatory manner, to light the candles. “Indeed I am,” said Rosamond. “I was born there; and my husband and I were on our way to Cornwall when we were obliged to stop, on my account, at this place. You are a long time getting the candles lighted. Can’t you find the match-box?” Mrs. Jazeph, with an awkwardness which was rather surprising in a person who had shown so much neat-handedness in setting the room to rights, broke the first match in attempting to light it, and let the second go out the instant THE DEAD SECRET. 175 after the flame was kindled. At the third at- tempt she was more successful ; but she only lit one candle, and that one she carried away from the table which Mrs. Frankland could see, to the dressing-table, which was hidden from her by the curtains at the foot of the bed. “Why do you move the candle?” asked Rosa- mond. “I thought it was best for your eyes, ma’am, not to have the light too near them,” replied Mrs. Jazeph; and then added hastily, as if she was unwilling to give Mrs. Frankland time to make any objections — “And so you were going to Cornwall, ma’am, when you stopped at this place? To travel about there a little, I sup- pose?” After saying these words, she took up the second candle, and passed out of sight as she carried it to the dressing-table. Rosamond thought that the nurse, in spite of her gentle looks and manners, was a remarkably obstinate woman. But she was too good-natured to care about asserting her right to have the candles placed where she pleased; and when she answered Mrs. Jazeph’s question, she still spoke to her as cheerfully and familiarly as ever. “Oh, dear no! Not to travel about,” she said, “but to go straight to the old country-house where I was born. It belongs to my husband now, Mrs. Jazeph. I have not been near it since I was a little girl of five years of age. Such a ruinous, rambling old place! You, who talk of the dreariness and wildness of Cornwall, would 176 WORKS OF WILKIE COLLINS. / be quite horrified at the very idea of living in Porthgenna Tower.” The faintly rustling sound of Mrs. Jazeph’s silk dress, as she moved about the dressing-table, had been audible all the while Rosamond was speaking. It ceased instantaneously when she said the words 4 4 Porthgenna Tower”; and for one moment there was a dead silence in the room. “You, who have been living all your life, I suppose, in nicely repaired houses, cannot imag- ine what a place it is that we are going to, when I am well enough to travel again,” pursued Rosamond. “What do you think, Mrs. Jazeph, of a house with one whole side of it that has never been inhabited for sixty or seventy years past? You may get some notion of the size of Porthgenna Tower from that. There is a west side that we are to live in when we get there, and a north side, where the empty old rooms are, which I hope we shall be able to repair. Only think of the hosts of odd, old-fashioned things that we may find in those uninhabited rooms! I mean to put on the cook’s apron and the gar- dener’s gloves, and rummage all over them from top to bottom. How I shall astonish the house- keeper, when I get to Porthgenna, and ask her for the keys of the ghostly north rooms!” A low cry, and a sound as if something had struck against the dressing-table, followed Mrs. Frankland’s last words. She started in the bed and asked eagerly what was the matter. “Nothing,” answered Mrs. Jazeph, speaking so constrainedly that her voice dropped to a whis- THE DEAD SECRET. \77 per. “Nothing, ma’am — nothing, I assure you. I struck my side, by accident, against the table— pray don’t be alarmed ! — it’s not worth noticing.” “But you speak as if you were in pain,” said Rosamond. “No, no — not in pain. Not hurt — not hurt, indeed.” While Mrs. Jazeph was declaring that she was not hurt, the door of the room was opened, and the doctor entered, leading in Mr. Frankland. “We come early, Mrs. Frankland, but we are going to give you plenty of time to compose yourself for the night,” said Mr. Orridge. He paused, and noticed that Rosamond’s color was heightened. “I am afraid you have been talk- ing and exciting yourself a little too much,” he went on. “If you will excuse me for venturing on the suggestion, Mr. Frankland, I think the sooner good-night is said the better. Where is the nurse?” Mrs. Jazeph sat down with her back to the lighted candle when she heard herself asked for. Just before that, she had been looking at Mr. Frankland with an eager, undisguised curiosity, which, if any one had noticed it, must have ap- peared surprisingly out of character with her usual modesty and refinement of manner. “I am afraid the nurse has accidentally hurt her side more than she is willing to confess,” said Rosamond to the doctor, pointing with one hand to the place in which Mrs. J azeph was sit- ting, and raising the other to her husband’s neck as he stooped over her pillow. 178 WORKS OF WILKIE COLLINS. Mr. Orridge, cn inquiring what had happened, could not prevail on the new nurse to acknowl- edge that the accident was of the slightest conse- quence. He suspected, nevertheless, that she was suffering, or, at least, that something had hap- pened to discompose her; for he found the great- est difficulty in fixing her attention, while he gave her a few needful directions in case her services were required during the night. All the time he was speaking, her eyes wandered away from him to the part of the room where Mr. and Mrs. Frankland were talking together. Mrs. Jazeph looked like the last person in the world who would be guilty of an act of impertinent curiosity; and yet she openly betrayed all the characteristics of an inquisitive woman while Mr. Frankland was standing by his wife’s pil- low. The doctor was obliged to assume his most peremptory manner before he could get her to attend to him at all. “And now, Mrs. Frankland,” said Mr. Or- ridge, turning away from the nurse, “as I have given Mrs. Jazeph all the directions she wants, I shall set the example of leaving you in quiet by saying good-night.” Understanding the hint conveyed in these words, Mr. Frankland attempted to say good- night too, but his wife kept tight hold of both his hands, and declared that it was unreasonable to expect her to let him go for another half-hour at least. Mr. Orridge shook his head, and began to expatiate on the evils of over-excitement, and the blessings of composure and sleep. His re- THE BEAD SECRET. 179 monstrances, however, would have produced very little effect, even if Rosamond had allowed him to continue them, but for the interposition of the baby, who happened to wake up at that moment, and who proved himself a powerful aux- iliary on the doctor’s side, by absorbing all his mother’s attention immediately. Seizing his opportunity at the right moment, Mr. Orridge quietly led Mr. Frankland out of the room, just as Rosamond was taking the child up in her arms. He stopped before closing the door to whisper one last word to Mrs. Jazeph. “If Mrs. Frankland wants to talk, you must not encourage her,” he said. “As soon as she has quieted the baby, she ought to go to sleep. There is a chair- bedstead in that corner, which you can open for yourself when you want to lie down. Keep the candle where it is now, behind the curtain. The less light Mrs. Frankland sees, the sooner she will compose herself to sleep.” Mrs. Jazeph made no answer; she only looked at the doctor and courtesied. That strangely scared expression in her eyes, which he had noticed on first seeing her, was more painfully apparent than ever when he left her alone for the night with the mother and child. “She will never do,” thought Mr. Orridge, as he led Mr. Frankland down the inn stairs. “ We shall have to send to London for a nurse, after all.” Feeling a little irritated by the summary man- ner in which her husband had been taken away from her, Rosamond fretfully rejected the offers of assistance which were made to her by Mrs. 180 WORKS OF WILKIE COLLINS. Jazeph as soon as the doctor had left the room. The nurse said nothing when her services were declined; and yet, judging by her conduct, she seemed anxious to speak. Twice she advanced toward the bedside — opened her lips — stopped— and retired confusedly, before she settled herself finally in her former place by the dressing-table. Here she remained, silent and out of sight, until the child had been quieted, and had fallen asleep in his mother’s arms, with one little pink, half- closed hand resting on her bosom. Rosamond could not resist raising the hand to her lips, though she risked waking him again by doing so. As she kissed it, the sound of the kiss was followed by a faint, suppressed sob, proceeding from the other side of the curtains at the lower end of the bed. “ What is that?” she exclaimed. “Nothing, ma’am,” said Mrs, Jazeph, in the same constrained, whispering tones in which she had answered Mrs. Frankland’s former question. “I think I was just falling asleep in the arm-chair here; and I ought to have told you perhaps that, having had my troubles, and being afflicted with a heart complaint, I have a habit of sighing in my sleep. It means nothing, ma’am, and I hope you will be good enough to excuse it.” Rosamond’s generous instincts were aroused in a moment. “Excuse it!” she said. “I hope I may do better than that, Mrs. Jazeph, and be the means of relieving it. When Mr. Orridge comes to- THE DEAD SECRET. 181 morrow you shall consult him, and I will take care that you want for nothing that he may order. No! no! Don’t thank me until I have been the means of making you well — and keep where you are, if the arm-chair is comfortable. The baby is asleep again; and I should like to have half an hour’s quiet before I change to the night side of the bed, Stop where you are for the present: I will call as soon as I want you.” So far from exercising a soothing effect on Mrs. Jazeph, these kindly meant words produced the precisely opposite result of making her restless. She began to walk about the room, and confus- edly attempted to account for the change in her conduct by saying that she wished to satisfy herself that all her arrangements were properly made for the night. In a few minutes more she began, in defiance of the doctor’s prohibition, to tempt Mrs. Frankland into talking again, by asking questions about Porthgenna Tower, and by re- ferring to the chances for and against its being chosen as a permanent residence by the young married couple. “Perhaps, ma’am,” she said, speaking on a sudden, with an eagerness in her voice which was curiously at variance with the apparent in- difference of her manner — “Perhaps when you see Porthgenna Tower you may not like it so well as you think you will now. Who can tell that you may not get tired and leave the place again after a few days — especially if you go into the empty rooms? I should have thought — if 182 WORKS OF WILKIE COLLINS. you will excuse my saying so, ma’am — I should have thought that a lady like you would have liked to get as far away as possible from dirt and dust, and disgreeable smells.” “I can face worse inconveniences than those, where my curiosity is concerned,” said Rosa- mond. 4 ‘And I am more curious to see the un- inhabited rooms at Porthgenna than to see the Seven Wonders of the World. Even if we don’t settle altogether at the old house, I feel certain that we shall stay there for some time.” At that answer, Mrs. Jazeph abruptly turned away and asked no more questions. She retired to a corner of the room near the door, where the chair- bedstead stood which the doctor had pointed out to her — occupied herself for a few minutes in making it ready for the night — then left it as suddenly as she had approached it, and began to walk up and down once more. This unaccount- able restlessness, which had already surprised Rosamond, now made her feel rather uneasy — especially when she once or twice overheard Mrs. Jazeph talking to herself. Judging by words and fragments of sentences that were audible now and then, her mind was still running, with the most inexplicable persistency, on the subject of Porthgenna Tower. As the minutes wore on, and she continued to walk up and down, and still went on talking, Rosamond’s uneasiness be- gan to strengthen into something like alarm. She resolved to awaken Mrs. Jazeph, in the least offensive manner, to a sense of the strangeness of her own conduct, by noticing that she was THE DEAD SECRET. 183 talking, but by not appearing to understand that she was talking to herself. “What did you say?” asked Rosamond, put- ting the question at a moment when the nurse’s voice was most distinctly betraying her in the act of thinking aloud. Mrs. Jazeph stopped, and raised her head va- cantly, as if she had been awakened out of a heavy sleep. “I thought you were saying something more about our old house,” continued Rosamond. “I thought I heard you say that I ought not to go to Porthgenna, or that you would not go there in my place, or something of that sort.” Mrs. Jazeph blushed like a young girl. “I think you must have been mistaken, ma’am,” she said, and stooped over the chair-bedstead again. Watching her anxiously, Rosamond saw that, while she was affecting to arrange the bedstead, she was doing nothing whatever to prepare it for being slept in. What did that mean? What did her whole conduct mean for the last half- hour? As Mrs, Frankland asked herself those questions, the thrill of a terrible suspicion turned her cold to the very roots of her hair. It had never occurred to her before, but it suddenly struck her now, with the force of positive con- viction, that the new nurse was not in her right senses. All that was unaccountable in her behavior— her odd disappearances behind the curtains at the foot of the bed; her lingering, stealthy, over- 184 WORKS OF WILKIE COLLINS. familiar way of using the hair-brush ; her silence at one time, her talkativeness at another; her restlessness, her whispering to herself, her affec- tation of being deeply engaged in doing some- thing which she was not doing at all— every one of her strange actions (otherwise incomprehen- sible) became intelligible in a moment on that one dreadful supposition that she was mad. Terrified as she was, Rosamond kept her pres- ence of mind. One of her arms stole instinctive- ly round the child; and she had half raised the other to catch at the bell-rope hanging above her pillow, when she saw Mrs. Jazeph turn and look at her. A woman possessed only of ordinary nerve would, probably, at that instant have pulled at the bell-rope in the unreasoning desperation of sheer fright. Rosamond had courage enough to calculate consequences, and to remember that Mrs. Jazeph would have time to lock the door, before assistance could arrive, if she betrayed her suspicions by ringing without first assigning some plausible reason for doing so. She slowly closed her oyes as the nurse looked at her, partly to convey the notion that she was composing her- self to sleep — partly to gain time to think of some safe excuse for summoning her maid. The flurry of her spirits, however, interfered with the exercise of her ingenuity. Minute after minute dragged on heavily, and still she could think of no assignable reason for ringing the bell. She was just doubting whether it would not be safest to send Mrs. Jazeph out of the room, THE DEAD SECRET. 185 on some message to her husband, to lock the door the moment she was alone, and then to ring — she was just doubting whether she would boldly adopt this course of proceeding or not, when she heard the rustle of the nurse’s silk dress approaching the bedside. Her first impulse was to snatch at the bell- rope; but fear had paralyzed her hand; she could not raise it from the pillow. The rustling of the silk dress ceased. She half unclosed her eyes, and saw that the nurse was stopping midway between the part of the room from which she had advanced and the bedside. There was nothing wild or angry in her look. The agitation which her face expressed was the agitation of perplexity and alarm. She stood rapidly clasping and unclasping her hands, the image of bewilderment and distress — stood so for nearly a minute — then came forward a few steps more, and said inquiringly, in a whisper: “Not asleep? not quite asleep yet?” Rosamond tried to speak in answer, but the quick beating of her heart seemed to rise up to her very lips, and to stifle the words on them. The nurse came on, still with the same per- plexity and distress in her face, to within a foot of the bedside — knelt down by the pillow, and looked earnestly at Rosamond — shuddered a lit- tle, and glanced all round her, as if to make sure that the room was empty — bent forward — hesi- tated — bent nearer, and whispered into her ear these words: 186 WORKS OF WILKIE COLLINS. “ When you go to Porthgenna, keep out of the Myrtle Room!” The hot breath of the woman, as she spoke, beat on Rosamond’s cheek, and seemed to fly in one fever-throb through every vein of her body. The nervous shock of that unutterable sensation burst the bonds of the terror that had hitherto held her motionless and speechless. She started up in bed with a scream, caught hold of the bell- rope, and pulled it violently. “Oh, hush! hush!” cried Mrs. Jazeph, sink- ing back on her knees, and beating her hands together despairingly with the helpless gesticu- lation of a child. Rosamond rang again and again. Hurrying footsteps and eager voices were heard outside on the stairs. It was not ten o’clock yet — nobody had retired for the night — and the violent ring- ing had already alarmed the house. The nurse rose to her feet, staggered back from the bedside, and supported herself against the wall of the room, as the footsteps and the voices reached the door. She said not another word. The hands that she had been beating together so violently but an instant before hung down nerve= less at her side. The blank of a great agony spread over all her face, and stilled it awfully. The first person who entered the room was Mrs. Frankland’s maid, and the landlady fol- lowed her. “Fetch Mr. Frankland,” said Rosamond, faintly, addressing the landlady. “I want to speak to him directly. — You,” she continued. THE DEAD SECRET. 187 beckoning to the maid, “sit by me here till your master comes. I have been dreadfully fright- ened. Don’t ask me questions; but stop here.” The maid stared at her mistress in amazement; then looked round with a disparaging frown at the nurse. When the landlady left the room to fetch Mr. Frankland, she had moved a little away from the wall, so as to command a full view of the bed. Her eyes were fixed with a look of breathless suspense, of devouring anx- iety, on Rosamond’s face. From all her other features the expression seemed to be gone. She said nothing, she noticed nothing. She did not start, she did not move aside an inch, when the landlady returned, and led Mr. Frankland to his wife. “Lenny! don’t let the new nurse stop here to- night — pray, pray don’t!” whispered Rosamond, eagerly catching her husband by the arm. Warned by the trembling of her hand, Mr. Frankland laid his fingers lightly on her tem- ples and on her heart. “Good heavens, Rosamond! what has hap- pened? I left you quiet and comfortable, and now — ” “I’ve been frightened, dear — dreadfully fright- ened, by the new nurse. Don’t be hard on her, poor creature ; she is not in her right senses — I am certain she is not. Only get her away quiet- ly — only send her back at once to where she came from. I shall die of the fright, if she stops here. She has been behaving so strangely — she has spoken such words to me — Lenny! Lenny! don’t 188 WORKS OF WILKIE COLLINS. let go of my hand. She came stealing up to me so horribly, just where you are now; she knelt down at my ear, and whispered — oh, such words !” “Hush, hush, love!” said Mr. Frankland, get- ting seriously alarmed by the violence of Rosa- mond’s agitation. “Never mind repeating the words now; wait till you are calmer — I beg and entreat of you, wait till you are calmer. I will do everything you wish, if you will only lie down and be quiet, and try to compose yourself before you say another word. It is quite enough for me to know that this woman has frightened yon, and that you wish her to be sent away with as little harshness as possible. We will put off all further explanations till to-morrow morning. I deeply regret now that I did not persist in carrying out my own idea of sending for a proper nurse from London. Where is the landlady?” The landlady placed herself by Mr. Frank- land’s side. “Is it late?” asked Leonard. “Oh no, sir; not ten o’clock yet.” “Order a fly to be brought to the door, then, as soon as possible, if you please. Where is the nurse?” “Standing behind you, sir, near the wall,” said the maid. As Mr. Frankland turned in that direction, Rosamond whispered to him: “Don’t be hard on her, Lenny.” The maid, looking with contemptuous curios- ity at Mrs. Jazeph, saw the whole expression of her countenance alter, as those words were THE DEAD SECRET. 189 spoken. The tears rose thick in her eyes, and flowed down her cheeks. The deathly spell of stillness that had lain on her face was broken in an instant. She drew back again, close to the wall, and leaned against it as before. “Don’t be hard on her !” the maid heard her repeat to herself, in a low sobbing voice. “Don’t be bard on her! Oh, my God! she said that kindly — she said that kindly, at least!” “I have no desire to speak to you, or to use you unkindly,” said Mr. Frankland, imperfect- ly hearing what she said. 46 I know nothing of what has happened, and I make no accusations. I find Mrs. Frankland violently agitated and frightened.; I hear her connect that agitation with you — not angrily, but compassionately— and, instead of speaking harshly, I prefer leaving it to your own sense of what is right, to decide whether your attendance here ought not to cease at once. I have provided the proper means for your conveyance from this place; and I would suggest that you should make our apologies to your mistress, and say nothing more than that circumstances have happened which oblige us to dispense with your services.” “You have been considerate toward me, sir,” said Mrs, Jazeph, speaking quietly, and with a certain gentle dignity in her manner, “and I will not prove myself unworth} r of your forbearance by saying what I might say in my own defense.” She advanced into the middle of the room, and stopped where she could see Rosamond plainly. Twice she attempted to speak, and twice her 19 ,; WORKS OF WILKIE COLLINS. voice failed her. At the third effort she suc- ceeded in controlling herself. ^ “ Before I go, ma’am.” she said, “I hope you will believe that I have no bitter feeling against you for sending me away. I am not angry — pray remember always that I was not angry, and that I never complained.” There was such a forlornness in her face, such a sweet, sorrowful resignation in every tone of her voice during the utterance of these few words, that Rosamond’s heart smote her. “Why did you frighten me?” she asked, half relenting. “Frighten you? How could I frighten you? Oh, me ! of all the people in the world, how could I frighten you?” Mournfully saying those words, the nurse went to the chair on which she had placed her bonnet and shawl, and put them on. The landlady and the maid, watching her with curious eyes, de- tected that she was again weeping bitterly, and noticed with astonishment, at the same time, how neatly she put on her bonnet and shawl. The wasted hands were moving mechanically, and were trembling while they moved — and yet, slight thing though it was, the inexorable instinct of propriety guided their most trifling actions still. On her way to the door, she stopped again at passing the bedside, looked through her tears at Rosamond and the child, struggled a little with herself, and then spoke her farewell words — “God bless you, and keep you and your child THE DEAD SECRET. 191 happy and prosperous,” she said. “I am not angry at being sent away. If you ever think of me again, after to-night, please to remember that I was not angry, and that I never complained.” She stood for a moment longer, still weeping, and still looking through her tears at the mother and child — then turned away and walked to the door. Something in the last tones of her voice caused a silence in the room. Of the four per- sons in it not one could utter a word, as the nurse closed the door gently, and went out from them alone. CHAPTER Y. A COUNCIL OF THREE. On the morning after the departure of Mrs. Jazeph, the news that she had been sent away from the Tiger’s Head by Mr. Frankland’s di- rections, reached the doctor’s residence from the inn just as he was sitting down to breakfast. Finding that the report of the nurse’s dismissal was not accompanied by any satisfactory expla- nation of the cause of it, Mr. Orridge refused to believe that her attendance on Mrs. Frankland had really ceased. However, although he de- clined to credit the news, he was so far disturbed by it that he finished his breakfast in a hurry, and went to pay his morning visit at the Tiger’s Head nearly two hours before the time at which he usually attended on his patient. 192 WORKS OP WILKIE COLLINS. On his way to the inn, he was met and stopped by the one waiter attached to the establishment. 44 1 was just bringing you a message from Mr. Frankland, sir,” said the man. “He wants to see you as soon as possible.” 4 4 Is it true that Mrs. Frankland’s nurse was sent away last night by Mr. Frankland’s order?” asked Mr. Orridge. 4 4 Quite true, sir,” answered the waiter. The doctor colored, and looked seriously dis- composed. One of the most precious things we have about us — especially if we happen to belong to the medical profession — is our dignity. It struck Mr. Orridge that he ought to have been consulted before a nurse of his recommending was dismissed from her situation at a moment’s notice. Was Mr. Frankland presuming upon his position as a gentleman of fortune? The power of wealth may do much with impunity, but it is not privileged to offer any practical con- tradictions to a man’s good opinion of himself. Never had the doctor thought more disrespect- fully of rank and riches ; never had he been con- scious of reflecting on republican principles with such absolute impartiality, as when he now fol- lowed the waiter in sullen silence to Mr. Frank land’s room. 44 Who is that?” asked Leonard, when he heard the door open. 4 4 Mr. Orridge, sir,” said the waiter. 4 4 Good-morning,” said Mr. Orridge, with self, asserting abruptness and familiarity. Mr. Frankland was sitting in an arm-chair, THE DEAD SECRET* 193 with his legs crossed. Mr. Orridge carefully selected another arm-chair, and crossed his legs on the model of Mr. Frankland’s the moment he sat down. Mr. Frankland’s hands were in the pockets of his dressing-gown. Mr. Orridge had no pockets, except in his coat-tails, which he could not conveniently get at; but he put his thumbs into the arm-holes of his waistcoat, and asserted himself against the easy insolence of wealth in that way. It made no difference to him — so curiously narrow is the range of a man’s perceptions when he is insisting on his own importance — that Mr. Frankland was blind, and consequently incapable of being impressed by the independence of his bearing. Mr. Or- ridge’s own dignity was vindicated in Mr. Or- ridge’s own presence, and that was enough. “I am glad you have come so early, doctor,” said Mr. Frankland. “ A very unpleasant thing happened here last night. I was obliged to send the new nurse away at a moment’s notice.” 4 ‘Were you, indeed?” said Mr. Orridge, de- fensively matching Mr. Frankland’s composure by an assumption of the completest indifference. “Aha! were you, indeed?” “If there had been time to send and consult you, of course I should have been only too glad to have done so,” continued Leonard; “but it was impossible to hesitate. We were all alarmed by a loud ringing of my wife’s bell ; I was taken up to her room, and found her in a condition of the most violent agitation and alarm. She told me she had been dreadfully frightened by the G— Vol. 16 194 WORKS OF WILKIE COLLINS. new nurse; declared her conviction that the wo- man was not in her right senses; and entreated that I would get her out of the house with as lit- tle delay and as little harshness as possible. Un- der these circumstances, what could I do? I may seem to have been wanting in consideration toward you, in proceeding on my own sole re- sponsibility ; but Mrs. Frankland was in such a state of excitement that I could not tell what might be the consequence of opposing her, or of venturing on any delays; and after the difficulty had been got over, she would not hear of your being disturbed by a summons to the inn. I am sure you will understand this explanation, doc- tor, in the spirit in which I offer it.” Mr. Orridge began to look a little confused. His solid substructure of independence was soft- ening and sinking from under him. He sudden- ly found himself thinking of the cultivated man- ners of the wealthy classes; his thumbs slipped mechanically out of the arm-holes of his waist- coat; and, before he well knew what he was about, he was stammering his way through all the choicest intricacies of a complimentary and respectful reply. “You will naturally be anxious to know what the new nurse said or did to frighten my wife so,” pursued Mr. Frankland, “I can tell you nothing in detail; for Mrs. Frankland was in such a state of nervous dread last night that I was really afraid of asking for any explanations; and I have purposely waited to make inquiries this morning until you could come here and ac- THE* DEAD SECRETo 195 company me upstairs. You kindly took so much trouble to secure this unlucky woman’s attend- ance, that you have a right to hear all that can be alleged against her, now she has been sent away. Considering all things, Mrs. Frankland is not so ill this morning as I was afraid she would be. She expects to see you with me; and, if you will kindly give me your arm, we will go up to her immediately.” On entering Mrs. Frankland’s room, the doc- tor saw at a glance that she had been altered for the worse by the events of the past evening. He remarked that the smile with which she greeted her husband was the faintest and saddest he had seen on her face. Her eyes looked dim and weary, her skin was dry, her pulse was irregu- lar. It was plain that she had passed a wakeful night, and that her mind was not at ease. She dismissed the inquiries of her medical attendant as briefly as possible, and led the conversation immediately, of her own accord, to the subject of Mrs. Jazeph. “I suppose you have heard what has hap- pened,” she said, addressing Mr. Orridge. “I can’t tell you how grieved I am about it. My conduct must look in your eyes, as well as in the eyes of the poor unfortunate nurse, the conduct of a capricious, unfeeling woman. I am ready to cry with sorrow and vexation when I remem- ber how thoughtless I was, and how little cour- age I showed. * Oh, Lenny, it is dreadful to hurt the feelings of anybody, but to have pained that unhappy, helpless woman as we pained her, to 196 WORKS OF WILKIE* COLLINS. have made her cry so bitter^, to have caused her such humiliation and wretchedness — ” “My dear Rosamond,” interposed Mr. Frank- land, “you are lamenting effects, and forgetting causes altogether. Remember what a state of terror I found you in — there must have been some reason for that. Remember, too, how strong your conviction was that the nurse was out of her senses. Surely you have not altered your opinion on that point already?” “It is that very opinion, love, that has been perplexing and worrying me all night. I can’t alter it ; I feel more certain than ever that there must be something wrong with the poor creat- ure’s intellect — and yet, when I remember how good-naturedly she came here to help me, and how anxious she seemed to make herself useful, I can’t help feeling ashamed of my suspicions; I can’t help reproaching myself for having been the cause of her dismissal last night. Mr. Or- ridge, did you notice anything in Mrs. Jazeph’s face or manner which might lead you to doubt whether her intellects were quite as sound as they ought to be?” “Certainly not, Mrs. Frankland, or I should never have brought her here. I should not have been astonished to hear that she was suddenly taken ill, or that she had been seized with a fit, or that some slight accident, which would have frightened nobody else, had seriously frightened her; but to be told that there is anything ap- proaching to derangement in her faculties, does, 1 own, fairly surprise me.” THE DEAD SECRET. 197 “Can I have been mistaken!” exclaimed Rosa- mond, looking confusedly and self -distrustfully from Mr. Orridge to her husband. “Lenny! Lenny! if I have been mistaken, I shall never forgive myself.’ ’ “Suppose you tell us, my dear, what led you to suspect that she was mad?” suggested Mr. Frankland. Rosamond hesitated. “Things that are great in one’s own mind,” she said, “seem to get so little when they are put into words. I almost despair of making you understand what good reason I had to be frightened — and then, I am afraid, in trying to do justice to myself, that I may not do justice to the nurse.” “Tell your own story, my love, in your own way, and you will be sure to tell it properly,” said Mr. Frankland. “And pray remember,” added Mr. Orridge, “that I attach no real importance to my opinion of Mrs. Jazeph. I have not had time enough to form it. Your opportunities of observing her have been far more numerous than mine.” Thus encouraged, Rosamond plainly and sim- ply related all that had happened in her room on the previous evening, up to the time when she had closed her eyes and had heard the nurse ap- proaching her bedside. Before repeating the extraordinary words that Mrs. Jazeph had whispered in her ear, she made a pause, and looked earnestly in her husband’s face. “Why do you stop?” asked Mr. Frankland. “I feel nervous and flurried still, Lenny, when 198 WORKS OF WILKIE COLLINS. I think of the words the nurse said to me, just before I rang the bell.” 6 4 What did she say? Was it something you would rather not repeat?” “No! no! I am most anxious to repeat it, and to hear what you think it means. As I have just told you, Lenny, we had been talking of Porthgenna, and of my project of exploring the north rooms as soon as I got there ; and she had been asking many questions about the old house; appearing, I must say, to be unaccountably in- terested in it, considering she was a stranger.” “Yes?” 4 4 Well, when she came to the bedside, she knelt down close at my ear, and whispered all on a sudden — 4 When you go to Porthgenna, keep out of the Myrtle Room!’ ” Mr. Frankland started. “Is there such a room at Porthgenna?” he asked, eagerly. 44 1 never heard of it,” said Rosamond. “Are you sure of that?” inquired Mr. Or ridge, tip to this moment the doctor had pri- vately suspected that Mrs. Frankland must have fallen asleep soon after he left her the evening before; and that the narrative which sbe was now relating, with ihe sincerest conviction of its reality, was actually derived from nothing but a series of vivid impressions produced by a dream. 44 1 am certain 1 never heard of such a room,” said Rosamond. 44 1 left Porthgenna at five years old ; and I had never heard of it then. My father often talked of the house in after years; but I THE DEAD SECRET. 199 am certain that he never spoke of any of the rooms by any particular names; and I can say the same of your father, Lenny, whenever I was in his company after he had bought the place. Besides, don’t you remember, when the builder we sent down to survey the house wrote you that letter, he complained that there were no names of the rooms on the different keys to guide him in opening the doors, and that he could get no information from anybody at Porthgenna on the subject? How could I ever have heard of the Myrtle Room? Who was there to tell me?” Mr. Orridge began to look perplexed ; it seemed by no means so certain that Mrs. Frankland had been dreaming, after all. “I have thought of nothing else,” said Rosa- mond to her husband, in low, whispering tones. “I can’t get those mysterious words off my mind. Feel my heart, Lenny — it is beating quicker than usual only with saying them over to you. They are such very strange, startling words. What do you think they mean?” “ Who is the woman who spoke them? — that is the most important question,” said Mr. Frank- land. “But why did she say the words to me? That is what 1 want to know — that is what I must know, if I am ever to feel easy in my mind again!” “Gently, Mrs. Franldand, gently!” said Mr. Orridge. “For your child’s sake, as well as for your own, pray try to be calm, and to look at this very mysterious event as composedly as you 200 WORKS OF WILKIE COLLINS. can. If any exertions of mine can throw light upon this strange woman and her still stranger conduct, I will not spare them. I am going to- day to her mistress’s house to see one of the chil- dren; and, depend upon it, I will manage in some way to make Mrs. Jazeph explain herself. Her mistress shall hear every word that you have told me; and I can assure you she is just the sort of downright, resolute woman who will insist on having the whole mystery instantly cleared up.” Rosamond’s weary eyes brightened at the doctor’s proposal. “Oh, go at once, Mr. Or- ridge!” she exclaimed — “go at once!” “I have a great deal of medical work to do in the town first,” said the doctor, smiling at Mrs Frank! and’s impatience. “Begin it, then, without losing another in- stant,” said Rosamond. “The baby is quite well, and I am quite well — we need not detain you a moment, And, Mr. Orridge, pray be as gentle and considerate as possible with the poor woman ; and tell her that I never should have thought of sending her away if I had not been too frightened to know what I was about. And say how sorry I am this morning, and say — ” “My dear, if Mrs. Jazeph is really not in her right senses, what would be the use of over- whelming her with all these excuses?” inter- posed Mr. Frankland. “It will be more to the purpose if Mr. Orridge will kindly explain and apologize for us to her mistress.” “Go! Don’t stop to talk — pray go at once!” THE BEAD SECRET. 201 cried Rosamond, as the doctor attempted to reply to Mr. Frankland. ‘‘Don’t be afraid; no time shall be lost,” said Mr. Orridge, opening the door. “But remember, Mrs. Frankland, I shall expect you to reward your embassador, when he returns from his mis- sion, by showing him that you are a little more quiet and composed than I find you this morn- ing.” With that parting hint, the doctor took his leave. “ ‘When you go to Porthgenna, keep out of the Myrtle Room,’ ” repeated Mr. Frankland, thoughtfully. “Those are very strange words, Rosamond. Who can this woman really be? She is a perfect stranger to both of us; we are brought into contact with her by the merest ac- cident ; and we find that she knows something about our own house of which we were both per- fectly ignorant until she chose to speak.” “But the warning, Lenny — the warning, so pointedly and mysteriously addressed to me? Oh, if I could only go to sleep at once, and not wake again till the doctor comes back!” “My love, try not to count too certainly on our being enlightened, even then. The woman may refuse to explain herself to anybody.” “Don’t even hint at such a disappointment as that, Lenny — or I shall be wanting to get up, and go and question her myself! ” “Even if you could get up and question her, Rosamond, you might find it impossible to make her answer. She may be afraid of certain con- sequences which we cannot foresee ; and, in that 202 WORKS OF WILKIE COLLINS. case, I can only repeat that it is more than prob- able she will explain nothing — or, perhaps, still more likely that she will coolly deny her own words altogether.” 4 ‘Then, Lenny, we will put them to the proof for ourselves.” “And how can we do that?” “By continuing our journey to Porthgenna the moment I am allowed to travel, and by leav- ing no stone unturned when we get there until we have discovered whether there is or is not any room in the old house that ever was known, at any time of its existence, by the name of the Myrtle Room.” “And suppose it should turn out that there is such a room?” asked Mr. Frankland, beginning to feel the influence of his wife’s enthusiasm. “If it does turn out so,” said Rosamond, her voice rising, and her face lighting up with its accustomed vivacity, “how can you doubt what will happen next? Am I not a woman? And have I not been forbidden to enter the Myrtle Room? Lenny! Lenny! Do you know so little of my half of humanity as to doubt what I should do the moment the room was discovered? My darling, as a matter of course, I should walk into it immediately.” THE DEAD SECRET. 203 CHAPTER VI. ANOTHER SURPRISE. With all the haste he could make, it was one o’clock in the afternoon before Mr. Orridge’s professional avocations allowed him to set forth in his gig for Mrs. Norbury’s house. He drove there with such good-will that he accomplished the half-hour’s journey in twenty minutes. The footman having heard the rapid approach of the gig, opened the hall door the instant the horse was pulled up before it, and confronted the doc- tor with a smile of malicious satisfaction. “Well,” said Mr. Orridge, bustling into the hall, “you were all rather surprised last nighv when the housekeeper came back, I suppose?” “Yes, sir, we certainly were surprised when she came back last night, ” answered the foot' man; “but we were still more surprised when she went away again this morning.” “Went away! You don’t mean to say she is gone?” “Yes, I do, sir — she has lost her place, and gone for good.” The footman smiled again, as he made that reply; and the housemaid, who happened to be on her way downstairs while he was speaking, and to hear what he said, smiled too. Mrs. Jazeph had evidently been no favorite in the servants’ hall. 204 WORKS OF WILKIE COLLINS. Amazement prevented Mr. Orridge from utter- ing another word. Hearing no more questions asked, the footman threw open the door of the breakfast-parlor and the doctor followed him into the room. Mrs. Norbury was sitting near the window in a rigidly upright attitude, in- flexibly watching the proceedings of her invalid child over a basin of beef-tea. “I know what you are going to talk about be- fore you open your lips,” said the outspoken lady. “But just look to the child first, and say what you have to say on that subject, if you please, before you enter on any other.” The child was examined, was pronounced to be improving rapidly, and was carried away by the nurse to lie down and rest a little. As soon as the door of the room had closed, Mrs. Norbury abruptly addressed the doctor, interrupting him, for the second time, just as he was about to speak. “Now, Mr. Orridge,” she said, “I want to tell you something at the outset. I am a remarkably just woman, and I have no quarrel with you. You are the cause of my having been treated with the most audacious insolence by three peo- ple — but you are the innocent cause, and, there- fore, I don’t blame you.” “I am really at a loss,” Mr. Orridge began — “quite at a loss, I assure you — ” “To know what I mean?” said Mrs. Norbury. “I will soon tell you. Were you not the origi- nal cause of my sending my housekeeper to nurse Mrs. Frankland?” THE DEAD SECRET. 205 “Yes.” Mr. Orridge could not hesitate to acknowledge that. “Well,” pursued Mrs. Norbury, “and the con- sequence of my sending her is, as I said before, that I am treated with unparalleled insolence by no less than three people. Mrs. Frankland takes an insolent whim into her head, and affects to be frightened by my housekeeper. Mr. Frank- land shows an insolent readiness to humor that whim, and hands me back my housekeeper as if she was a bad shilling; and last, and worst of all, my housekeeper herself insults me to my face as soon as she comes back — insults me, Mr. Orridge, to that degree that I give her twelve hours’ notice to leave the place. Don’t begin to defend yourself! I know all about it; I know you had nothing to do with sending her back; I never said you had. All the mischief you have done is innocent mischief. I don’t blame you, remember that — whatever you do, Mr. Orridge, remember that! ” “I had no idea of defending myself,” said the doctor, “for I have no reason to do so. But you surprise me beyond all powder of expression when you tell me that Mrs. Jazeph treated you with incivility.” “Incivility !” exclaimed Mrs. Norbury. “Don’t talk about incivility — it’s not the word. Impu- dence is the word — brazen impudence. The onty charitable thing to say of Mrs. Jazeph is that she is not right in her head. I never noticed any- thing odd about her myself; but the servants used to laugh at her for being as timid in the 206 WORKS OF WILKIE COLLINS. dark as a child, and for often running away to her candle in her own room when they declined to light the lamps before the night had fairly set in. I never troubled my head about this before; but I thought of it last night, I can tell you, when I found her looking me fiercely in the face, and contradicting me flatly the moment I spoke to her.” “I should have thought she was the very last woman in the world to misbehave herself in that way,” answered the doctor. “Very well. Now hear what happened when she came back last night,” said Mrs. Norbury. “She got here just as we were going upstairs to bed. Of course, I was astonished; and, of course, I called her into the drawing-room for an explana- tion. There was nothing very unnatural in that course of proceeding, I suppose.' Well, I noticed that her eyes were swollen and red, and that her looks were remarkably wild and queer; but I said nothing, and waited for the explanation. All that she had to tell me was that something she had unintentionally said or done had fright- ened Mrs. Frankland, and that Mrs. Frankland’s husband had sent her away on the spot. I dis- believed this at first — and very naturally, I think —but she persisted in the story, and answered all my questions by declaring that she could tell me nothing more. ‘So then,’ I said, ‘I am to believe that, after I have inconvenienced myself by spar- ing you, and after you have inconvenienced your- self by undertaking the business of nurse, I am to be insulted, and you are to be insulted, by THE DEAD SECRET. 207 your being sent away from Mrs. Frankland on the very day when you get to her, because she chooses to take a whim into her head?’ ‘I never accused Mrs. Frankland of taking a whim into her head,’ said Mrs. Jazeph, and stares me straight in the face, with such a look as I never saw in her eyes before, after all my five years’ experience of her. 4 What do you mean?’ I asked, giving her back her look, I can promise you. ‘Are you base enough to take the treat- ment you have received in the light of a favor?’ ‘I am just enough,’ said Mrs. Jazeph, as sharp as lightning, and still with that same stare straight at me — ‘I am just enough not to blame Mrs. Frankland.’ ‘Oh, you are, are you?’ I said. ‘Then all I can tell you is, that I feel this insult, if you don’t; and that I consider Mrs. Frankland ’s conduct to be the conduct of an ill-bred, impudent, capricious, unfeeling woman.’ Mrs. Jazeph takes a step up to me —takes a step, I give you my word of honor — and says distinctly, in so many words: ‘Mrs. Frankland is neither ill-bred, impudent, capri- cious, nor unfeeling.’ ‘Do you mean to contra- dict me, Mrs. Jazeph?’ I asked. ‘I mean to de- fend Mrs. Frankland from unjust imputations,’ says she. Those were her words, Mr. Orridge — on my honor, as a gentlewoman, those were exactly her words.” The doctor’s face expressed the blankest as- tonishment. Mrs. ISTorbury went on : “I was in a towering passion — I don’t mind confessing that, Mr. Orridge — but I kept it 208 WORKS OF WILKIF COLLINS. down. ‘Mrs. Jazeph,’ I said, ‘this is language that I am not accustomed to, and that I certainly never expected to hear from your lips. Why you should take it on yourself tc defend Mrs. Frankland for treating us both with contempt, and to contradict me for resenting it, I neither know nor care to know. But I must tell you, in plain words, that I will be spoken to by every person in my employment, from my housekeeper to my scullery - maid, with respect. I would have given warning on the spot to any other servant in this house who had behaved to me as you have behaved.’ She tried to interrupt mo there, but I would not allow her. ‘No,’ I said, ‘you are not to speak to me just yet; you are to hear me out. Any other servant, I tell you again, should have left this place to-morrow morning; but I will be more than just to you. I will give you the benefit of your five years’ good conduct in my service. I will leave you the rest of the night to get cool, and to reflect on what has passed between us; and I will not ex- pect you to make the proper apologies to me until the morning.’ You see, Mr. Orridge, I was de- termined to act justly and kindly; I was ready to make allowances — and what do you think she said in return? ‘I am willing to make any apolo- gies, ma’am, for offending you,’ she said, ‘with- out the delay of a single minute; but, whether it / is to-night, or whether it is to-morrow morning, I cannot stand by silent when I hear Mrs. Frank- land charged with acting unkindly, uncivilly, or improperly toward me or toward any one.’ ‘Do THE DEAD SECRET. 209 you tell me that deliberately, Mrs. Jazeph?’ I asked. ‘I tell it you sincerely, ma’am,’ she an- swered; ‘and I am very sorry to be obliged to do so.’ ‘Pray don’t trouble yourself to be sorry,’ I said, ‘for you may consider yourself no longer in my service. I will order the steward to pay you the usual month’s wages instead of the month’s warning the first thing to-morrow; and I beg that you will leave the house as soon as you conven- iently can afterward.’ ‘I will leave to-morrow, ma’am,’ says she, ‘but without troubling the steward. I beg respectfully, and with many thanks for your past kindness, to decline taking a month’s money which I have not earned by a month’s service.’ And thereupon she courtesies and goes out. That is, word for word, what passed between us, Mr. Orridge. Explain the woman’s conduct in your own way, if you can. I say that it is utterly incomprehensible, unless you agree with me that she was not in her right senses when she came back to this house last night.” The doctor began to think, after what he had just heard, that Mrs. Frankland’s suspicions in relation to the new nurse were not quite so un- founded as he had been at first disposed to con- sider them. He wisely ref rained, however, from complicating matters by giving utterance to what he thought; and, after answering Mrs. Norbury in a few vaguely polite words, endeavored to soothe her irritation against Mr. and Mrs. Frank- land by assuring her that he came as the bearer of apologies from both husband and wife, for the 210 WORKS OF WILKIE COLLINS. apparent want of courtesy and consideration in their conduct which circumstances had made inevitable. The offended lady, however, abso- lutely refused to be propitiated. She rose up and waved her hand with an air of great dig- nity. “I cannot hear a word more from you, Mr. Orridge,” she said; “ 1 cannot receive any apolo- gies which are made indirectly. If Mr. Frank- land chooses to call and if Mrs, Frankland conde- scends to write to me, I am willing to think no more of the matter. Under any other circum- stances, I must be allowed to keep my present opinions both of the lady and the gentleman. Don’t say another word, and be so kind as to excuse me if I leave you, and go up to the nursery to see how the child is getting on. I am de- lighted to hear that you think her so much bet- ter. Pray call again to-morrow or next day, if you conveniently can. Good-morning!” Half amused at Mrs. Horbury, half displeased at the curt tone she adopted toward him, Mr. Orridge remained for a minute or two alone in the breakfast - parlor, feeling rather undecided about what he should do next. He was, by this time, almost as much interested in solving the mystery of Mrs, Jazeph’s extraordinary conduct as Mrs. Frankland herself; and he felt unwill- ing, on all accounts, to go back to the Tiger’s Head, and merely repeat what Mrs. ISTorbury had told him, without being able to complete the nar- rative by informing Mr. and Mrs. Frankland of the direction that the housekeeper had taken on THE DEAD SECRET, 211 leaving her situation. After some pondering, he determined to question the footman, under the pretense of desiring to know if his gig was at the door. The man having answered the bell, and having reported the gig to be ready, Mr. Orridge, while crossing the hall, asked him carelessly if he knew at what time in the morning Mrs. Jazeph had left the place. “ About ten o’clock, sir,” answered the foot- man. “ When the carrier came by from the vil- lage, on his way to the station for the eleven o’clock train.” “Oh! I suppose he took her boxes?” said Mr. Orridge. “And he took her, too, sir,” said the man, with a grin. “She had to ride, for once in her life, at any rate, in a carrier’s cart.” On getting back to West Winston, the doctor stopped at the station to collect further particu- lars, before he returned to the Tiger’s Head. No trains, either up or down, happened to be due just at that time. The station-master was reading the newspaper, and the porter was gar- dening on the slope of the embankment. “Is the train at eleven in the morning an up- train or a down-train?” asked Mr. Orridge, ad- dressing the porter. “A down-train.” “Did many people go by it?” The porter repeated the names of some of the inhabitants of West Winston. “Were there no passengers but passengers from the town?” inquired the doctor. 212 WORKS OP WILKIE COLLINS. “Yes, sir. I think there was one stranger — a lady.” “Did the station-master issue the tickets for that train?” “Yes, sir.” Mr. Orridge went on to the station-master. “Do you remember giving a ticket this morn- ing, by the eleven o’clock down -train, to a lady traveling alone?” The station-master pondered. “I have issued tickets, up and down, to lialf-a-dozen ladies to- day,” he answered, doubtfully. “Yes, but I am speaking only of the eleven o’clock train,” said Mr. Orridge. “Try if you can’t remember?” “Remember? Stop! I do remember; I know who you mean. A lady who seemed rather flur- ried, and who put a question to me that I am not often asked at this station. She had her veil down, I recollect, and she got here for the eleven o’clock train. Crouch, the carrier, brought her trunk into the office.” “That is the woman. Where did she take her ticket for?” “For Exeter.” “You said she asked you a question?” “Yes: a question about what coaches met the rail at Exeter to take travelers into Cornwall. I told her we were rather too far off here to have the correct time-table, and recommended her to apply for information to the Devonshire people when she got to the end of her journey. She seemed a timid, helpless kind of woman to travel THE DEAD SECRET. 213 alone. Anything wrong in connection with her, sir?” “Oh, no! nothing,” said Mr. Orridge, leaving the station-master and hastening back to his gig again. When he drew up, a few minutes afterward, at the door of the Tiger’s Head, he jumped out of his vehicle with the confident air of a man who has done all that could be expected of him. It was easy to face Mrs. Frankland with the un- satisfactory news of Mrs. Jazeph’s departure, now that he could add, on the best authority, the important supplementary information that she had gone to Cornwall. BOOK IV. CHAPTER I. A PLOT AGAINST THE SECRET. Toward the close of the evening, on the day after Mr. Orridge’s interview with Mrs. Nor- bury, the Druid fast coach, running through Cornwall as far as Truro, set down three inside passengers at the door of the booking-office on arriving at its destination. Two of these pas- sengers were an old gentleman and his daughter 3 the third was Mrs. Jazepli. The father and daughter collected their lug- 214 WORKS OF WILKIE COLLINS. gage and entered the hotel; the outside passen- gers branched off in different directions with as little delay as possible; Mrs. Jazeph alone stood irresolute on the pavement, and seemed uncertain what she should do next. When the coachman good-naturedly endeavored to assist her in arriv- ing at a decision of some kind, by asking whether he could do anything to help her, she started, and looked at him suspiciously; then, appearing to recollect herself, thanked him for his kindness, and inquired, with a confusion of words and a hesitation of manner which appeared very ex- traordinary in the coachman’s eyes, whether she might be allowed to leave her trunk at the booking-office for a little while, until she could return and call for it again. Receiving permission to leave her trunk as long as she pleased, she crossed over the princi- pal street of the town, ascended the pavement on the opposite side, and walked down the first turn- ing she came to. On entering the by-street to which the turning led, she glanced back, satis- fied herself that nobody was following or watch- ing her, hastened on a few yards, and stopped again at a small shop devoted to the sale of book- cases, cabinets, work-boxes, and writing-desks. After first looking up at the letters painted over the door— Buschmann, Cabinet-maker, &c.— she peered in at the shop window. A middle- aged man, with a cheerful face, sat behind the counter, polishing a rosewood bracket, and nod- ding briskly at regular intervals, as if he were humming a tune and keeping time to it with his THE DEAD SECRET. 215 head. Seeing no customers in the shop, Mrs. Jazeph opened the door and walked in. As soon as she was inside, she became aware that the cheerful man behind the counter was keeping time, not to a tune of his own hum- ming, but to a tune played by a musical box. The clear ringing notes came from a parlor be- hind the shop, and the air the box was playing was the lovely “Batti, Batti,” of Mozart. “Is Mr, Buschmann at home?” asked Mrs. Jazeph. “Yes, ma’am,” said the cheerful man, point- ing with a smile toward the door that led into the parlor. “The music answers for him. When- ever Mr. Buschmann’s box is playing, Mr. Busch- mann himself is not far off from it. Did you wish to see him, ma’am?” “If there is nobody with him.” “Oh, no, he is quite alone. Shall I give any name?” Mrs. Jazeph opened her lips to answer, hesi- tated, and said nothing. The shopman, with a quicker delicacy of perception than might have been expected from him, judging by outward appearances, did not repeat the question, but opened the door at once and admitted the visitor to the presence of Mr. Buschmann. The shop parlor was a very small room, with an old three-cornered look about it, with a bright green paper on the walls, with a large dried fish in a glass case over the fireplace, with two meer- schaum pipes hanging together on the wall op- posite, and a neat round table placed as accu- 216 WORKS OF WILKIE COLLINS. rately as possible in the middle of the floor. On the table were tea-things, bread, butter, a pot of jam, and a musical box in a quaint, old-fash- ioned case; and by the side of the table sat a little, rosy-faced, white-haired, simple-looking old man, who started up, when the door was opened, with an appearance of extreme confu- sion, and touched the top of the musical box so that it might cease playing when it came to the end of the air. “A lady to speak with you, sir,” said the cheerful shopman. “That is Mr. Buschmann, ma’am,” he added, in a lower tone, seeing Mrs. Jazeph stop in apparent uncertainty on entering the parlor. “Will you please to take a seat, ma’am?” said Mr. Buschmann, when the shopman had closed the door and gone back to his counter. “Excuse the music; it will stop directly.” He spoke these words in a foreign accent, but with perfect fluency. Mrs. Jazeph looked at him earnestly while he was addressing her, and advanced a step or two before she said anything. “Am I so changed?” she asked softly. “So sadly, sadly changed, Uncle Joseph?” “Gott im Himmel! it’s her voice — it’s Sarah Leeson!” cried the old man, running up to his visitor as nimbly as if he was a boy again, tak- ing both her hands, and kissing her with an odd, brisk tenderness on the cheek. Although his niece was not at all above the average height of women, Uncle Joseph was so short that he had THE DEAD SECRET. 217 to raise himself on tiptoe to perform the cere- mony of embracing her. ‘ 4 To think of Sarah coming at last!” he said, pressing her into a chair. “After all these years and years, to think of Sarah Leeson coming to see Uncle Joseph again!” “Sarah still, but not Sarah Leeson,” said Mrs. Jazeph, pressing her thin, trembling hands firm- ly together, and looking down on the floor while she spoke. “Ah! married?” said Mr. Buschmann, gayly. “Married, of course. Tell me all about your husband, Sarah.” “He is dead. Dead and forgiven.” She mur- mured the last three words in a whisper to her- self. “Ah ! I am so sorry for you ! I spoke too sud- denly, did I not, my child?” said the old man. “Never mind! No, no; I don’t mean that — I mean let us talk of something else. You will have a bit of bread and jam, won’t you, Sarah? — ravishing raspberry jam that melts in your mouth. Some tea, then? So, so, she will have some tea, to be sure. And we won’t talk of our troubles — at least, not just yet. You look very pale, Sarah— very much older than you ought to look — no, I don’t mean that either; I don’t mean to be rude. It was your voice I knew you by, my child — your voice .that your poor Uncle Max always said would have made your fortune if you would only have learned to sing. Here’s his pretty music box going still. Don’t look so downhearted — don’t, pray. Do listen a little to 218 WORKS OF WILKIE COLLINS. the music: you remember the box? — my brother Max’s box? Why, how you look! Have you forgotten the box that the divine Mozart gave to my brother with his own hand, when Max was a boy in the music school at Vienna? Listen! I have set it going again. It’s a song they call ‘Batti, Batti’ ; it’s a song in an opera of Mo- zart’s. Ah! beautiful! beautiful! Your Uncle Max said that all music was comprehended in that one song. I know nothing about music, but I have my heart and my ears, and they tell me that Max was right.” Speaking these words with abundant gesticu- lation and amazing volubility, Mr. Buschmann poured out a cup of tea for his niece, stirred it carefully, and, patting her on the shoulder, begged that she would make him happy by drinking it all up directly. As he came close to her to press this request, he discovered that the tears were in her eyes, and that she was try- ing to take her handkerchief from her pocket without being observed. “ Don’t mind me,” she said, seeing the old man’s face sadden as he looked at her; “and don’t think me forgetful or ungrateful, Uncle Joseph. I remember the box — I remember every- thing that you used to take an interest in, when I was younger and happier than I am now. When I last saw you, I came to you in trouble; and I come to you in trouble once more. It seems neglectful in me never to have written to you for so many years past; but my life has been a very sad one, and I thought I had no THE DEAD SECRET, 219 right to lay the burden of my sorrow on other shoulders than my own.” Uncle Joseph shook his head at these last words, and touched the stop of the musical box. ‘ 4 Mozart shall wait a little,” he said, gravely “till I have told you something. Sarah, hear what I say, and drink your tea, and own to me whether I speak the truth or not. What did I, Joseph Buschmann, tell you, when you first came to me in trouble, fourteen, fifteen, ah more! sixteen years ago, in this town, and in this same house? I said then, what I say again now: ‘Sarah’s sorrow is my sorrow, and Sarah’s joy is my joy;’ and if any man asks me reasons for that, I have three to give him.” He stopped to stir up his niece’s tea for the second time, and to draw her attention to it by tapping with the spoon on the edge of the cup. “Three reasons,” he resumed. “First, you are my sister’s child — some of her flesh and blood, and some of mine, therefore, also. Second, my sister, my brother, and lastly me myself, we owe to your good English father — all. A little word that means much, and may be said again and again — all. Your father’s friends cry, Fie! Agatha Buschmann is poor! Agatha Busch- mann is foreign! But your father loves the poor German girl, and he marries her in spite of their Fie, Fie. Your father’s friends cry Fie! again; Agatha Buschmann has a musician brother, who gabbles to us about Mozart, and who cannot make to his porridge salt. Your father says, Good! I like his gabble; I like his 220 WORKS OF WILKIE COLLINS. playing; I shall get him people to teach; and while I have pinches of salt in my kitchen, he to his porridge shall have pinches of salt too. Your father’s friends cry Fie! for the third time. Agatha Buschmann has another brother, a little Stupid-Head, who to the other’s gabble can only listen and say Amen. Send him trotting; for the love of Heaven, shut up all the doors and send Stupid-Head trotting, at least. Your fa- ther says, No! Stupid-Head has his wits in his hands; he can cut and carve and polish; help him a little at the starting, and after he shall help himself. They are all gone now but me. Your father, your mother, and Uncle Max — they are all gone. Stupid-Head alone remains to re- member and to be grateful — to take Sarah’s sor- row for his sorrow, and Sarah’s joy for his joy.” He stopped again to blow a speck of dust off the musical box. His niece endeavored to speak, but he held up his hand, and shook his forefinger at her warningly. “No,” he said. “It is yet my business to talk, and your business to drink tea. Have I not my third reason still? Ah! you look away from me; you know my third reason before I say a word. When I, in my turn, marry, and my wife dies, and leaves me alone with little Joseph, and when the boy falls sick, who comes then, so quiet, so pretty, so neat, with the bright young eyes, and the hands so tender and light? Who helps me with little Joseph by night and by day? Who makes a pil- low for him on her arm when his head is weary? Who holds this, box patiently at his ear? — yes! THE DEAD SECRET. 221 this box, that the hand of Mozart has touched — who holds it closer, closer always, when little Joseph’s sense grows dull, and he moans for the friendly music that he has known from a baby, the friendly music that he can now so hardly, hardly hear? Who kneels down by Uncle Joseph when his heart is breaking, and says, ‘Oh! hush! hush! The boy is gone where the better music plays, where the sickness shall never waste or the sorrow touch him more’? Who? Ah, Sarah! you cannot forget those days; you cannot forget the Long Ago! When the trouble is bitter, and the burden is heavy, it is cruelty to Uncle Joseph to keep away; it is kind- ness to him to come here. ” The recollections that the old man had called up found their way tenderly to Sarah’s heart. She could not answer him; she could only hold out her hand. Uncle Joseph bent down, with a quaint, affectionate gallantry, and kissed it; then stepped back again to his place by the mu- sical box. “Come!” he said, patting it cheer- fully, “we will say no more for a while. Mo- zart’s box, Max’s box, little Joseph’s box, you shall talk to us again!” Having put the tiny machinery in motion, he sat down by the table, and remained silent until the air had been played over twice. Then observ- ing that his niece seemed calmer, he spoke to her once more. “You are in trouble, Sarah,” he said, quietly. “You tell me that, and I see it is true in your face. Are you grieving for your husband?” 222 WORKS OF WILKIE COLLINS. “I grieve that I ever met him,” she answered. “I grieve that I ever married him. Now that he is dead, I cannot grieve — I can only forgive him.” 4 6 Forgive him? How you look, Sarah, when you say that! Tell me — ” “Uncle Joseph! I have told you that my hus- band is dead, and that I have forgiven him.” “You have forgiven him? He was hard and cruel with you, then? I see; I see. That is the end, Sarah— but the beginning? Is the begin- ning that you loved him?” Her pale cheeks flushed; and she turned her head aside. “It is hard and humbling to con- fess it,” she murmured, without raising her eyes; “but you force the truth from me, uncle. I had no love to give to my husband — no love to give to any man.” “And yet you married him! Wait! it is not for me to blame. It is for me to find out, not the bad, but the good. Yes, yes; I shall say to myself, she married him when she was poor and helpless; she married him when she should have come to Uncle Joseph instead. I shall say that to myself, and I shall pity, but I shall ask no more.” Sarah half reached her hand out to the old man again— then suddenly pushed her chair back, and changed the position in which she was sitting. “It is true that I was poor,” she said, looking about her in confusion, and speaking with difficulty. “But you are so kind and so good, I cannot accept the excuse that your for- THE DEAD SECRET. 223 bearance makes ror me. I did not marry him because I was poor, but — ” She stopped, clasped her hands together, and pushed her chair back still further from the table. “So! so!” said the old man, noticing her con- fusion. “We will talk about it no more.” “I had no excuse of love; I had no excuse of poverty,” she said, with a sudden burst of bit- terness and despair. “Uncle Joseph, I married him because I was too weak to persist in saying No! The curse of weakness and fear has fol- lowed me all the days of my life! I said No to him once. I said No to him twice. Oh, uncle, if I could only have said it for the third time! But he followed me, he frightened me, he took away from me all the little will of my own that I had. He made me speak as he wished me to speak, and go where he wished me to go. No, no, no — don’t come to me, uncle; don’t say any- thing. He is gone; he is dead — I have got my release; I have given my pardon! Oh, if I could only go away and hide somewhere ! All people’s eyes seem to look through me; all peo- ple’s words seem to threaten me. My heart has been weary ever since I was a young woman ; and all these long, long years it has never got any rest. Hush! the man in the shop — I forgot the man in the shop. He will hear us; let us talk in a whisper. What made me break out so? I’m always wrong. Oh me! I’m wrong when I speak; I’m wrong when I say nothing; wherever I go and whatever I do, I’m not like other people. I seem never to have grown up in 224 WORKS OF WILKIE COLLINS. my mind since I was a little child. Hark! the man in the shop is moving — has he heard me? Oh, Uncle Joseph! do you think he has heard me?” Looking hardly less startled than his niece, Uncle Joseph assured her that the door was solid, that the man’s place in the shop was at some distance from it, and that ib was impossible, even if he heard voices in the parlor, that he could also distinguish any words that were spoken in it. “You are sure of that?” she whispered, hur- riedly. “Yes, yes, you are sure of that, or you would not have told me so, would you? We may go on talking now. Not about my married life; that is buried and past. Say that I had some years of sorrow and suffering, which I de- served — say that I had other years of quiet, when I was living in service with masters and mis- tresses who were often kind to me when my fel- low-servants were not — say just that much about my life, and it is saying enough. The trouble that I am in now, the trouble that brings me to you, goes back further than the years we have been talking about — goes back, back, back, Uncle Joseph, to the distant day when we last met.” “Goes back all through the sixteen years!” exclaimed the* old man, incredulously. “Goes back, Sarah, even to the Long Ago!” “Even to that time. Uncle, you remember where I was living, and what had happened to me, when — ” “When you came here in secret? When you THE DEAD SECRET. 225 asked me to hide you? That was the same week, Sarah, when your mistress died; your mistress who lived away west in the old house. You were frightened, then — pale and frightened as I see you now.” “As every one sees me! People are always staring at me; always thinking that I am nerv- ous, always pitying me for being ill.” Saying these words with a sudden fretfulness, she lifted the tea-cup by her side to her lips, drained it of its contents at a draught, and pushed it across the table to be filled again. “I have come all over thirsty and hot,” she whis- pered. “More tea, Uncle Joseph — more tea.” “It is cold,” said the old man. “Wait till I ask for hot water.” “No!” she exclaimed, stopping him as he was about to rise. % “Give it me cold; I like it cold. Let nobody else come in — I can’t speak, if any- body else comes in.” She drew her chair close to her uncle’s, and went on: “You have not for- gotten how frightened I was in that by-gone time — do you remember why I was frightened?” “You were afraid of being followed — that was it, Sarah. I grow old, but my memory keeps young. You were afraid of your master, afraid of his sending servants after you. You had run away; you had spoken no word to anybody; and you spoke little — ah, very, very little — even to Uncle Joseph — even to me.” “I told you,” said Sarah, dropping her voice to so faint a whisper that the old man could barely hear her — “I told you that my mistress H— Vol. 16 226 WORKS OF WILKIE COLLINS. had left me a Secret on her death- bed — a Secret in a letter, which I was to give to my master. I told you I had hidden the letter, because I could not bring myself to deliver it, because I would rather die a thousand times over than be ques- tioned about what I knew of it. I told you so much, I know. Did I tell you no more? Did I not say that my mistress made me take an oath on the Bible? — Uncle! are there candles in the room? Are there candles we can light without disturbing anybody, without calling anybody in here?” 6 4 There are candles and a match-box in my cupboard,” answered Uncle Joseph. “But look out of window, Sarah. It is only twilight — it is not dark yet.” “Not outside; but it is dark here.” “Where?” “In that corner. Let us have candles. I don’t like the darkness when it gathers in cor- ners and creeps along walls.” Uncle Joseph looked all round the room in- quiringly; and smiled to himself as he took two candles from the cupboard and lighted them. “You are like the children,” he said, playfully, while he pulled down the window-blind. “You are afraid of the dark.” Sarah did not appear to hear him. Her eyes were fixed on the corner of the room which she had pointed out the moment before. When he resumed his place by her side, she never looked round, but laid her hand on his arm, and said to him suddenly — THE DEAD SECRET. 227 4 ‘ Uncle! Do you believe that the dead can come back to this world, and follow the living everywhere, and see what they do in it?” The old man started. “Sarah !” he said, “why do you talk so? Why do you ask me such a question?” “Are there lonely hours,” she went on, still never looking away from the corner, still not seeming to hear him, “when you are sometimes frightened without knowing why — frightened all over in an instant, from head to foot? Tell me, uncle, have you ever felt the cold steal round and round the roots of your hair, and crawl bit by bit down your back? I have felt that even in the summer. I have been out of doors, alone on a wide heath, in the heat and brightness of noon, and have felt as if chilly fingers were touching me — chilly, damp, softly creeping fingers. It says in the New Testament that the dead came once out of their graves, and went into the holy city. The dead ! Have they rested, rested al- ways, rested forever, since that time?” Uncle Joseph’s simple nature recoiled in be- wilderment from the dark and daring specula- tions to which his niece’s questions led. With- out saying a word, he tried to draw away the arm which she still held; but the only result of the effort was to make her tighten her grasp, and bend forward in her chair so as to look closer still into the corner of the room. “My mistress was dying,” she said — “my mis- tress was very near her grave, when she made me take my oath on the Bible. She made me 228 WORKS OF WILKIE COLLINS. swear never to destroy the letter; and I did not destroy it. She made me swear not to take it away with me, if I left the house; and I did not take it away. She would have made me swear, for the third time, to give it to my master, but death was too quick for her — death stopped her from fastening that third oath on my conscience. But she threatened me, uncle, with the dead dampness on her forehead, and the dead white- ness on her cheeks — she threatened to come to me from the other world if I thwarted her — and I have thwarted her!” She stopped, suddenly removed her hand from the old man’s arm, and made a strange gesture with it toward the part of the room on which her eyes remained fixed. “Rest, mistress, rest,” she whispered under her breath. “Is my master alive now? Rest, till the drowned rise. Tell him the Secret when the sea gives up her dead.” “Sarah! Sarah! you are changed — you are ill — you frighten me!” cried Uncle Joseph, start- ing to his feet. She turned round slowly, and looked at him with eyes void of all expression, with eyes that seemed to be staring through him vacantly at something beyond. “Gott im Himmel! what does she see?” He looked round as the exclamation escaped him. “Sarah! what is it? Are you faint? Are you ill? Are you dreaming with your eyes open?” He took her by both arms and shook her. At the instant when she felt the touch of his hands, she started violently and trembled all over. Their THE DEAD SECRET. 229 natural expression flew back into her eyes with the rapidity of a flash of light. Without saying a word, she hastily resumed her seat and began stirring the cold tea round and round in her cup, round and round so fast that the liquid overflowed into the saucer. “Come! she gets more like herself,” said Uncle Joseph, watching her. “More like myself?” she repeated, vacantly. “So! so!” said the old man, trying to soothe her. “ Fou are ill — what the English call out of sort. They are good doctors here. Wait till to- morrow, you shall have the best.” “I want no doctors. Don’t speak of doctors* I can’t bear them; they look at me with such curious eyes; they are always prying into me, as if they wanted to find out something. What have we been stopping for? I had so much to say; and we seem to have been stopping just when we ought to have been going on. I am in grief and terror, Uncle Joseph; in grief and ter- ror again about the Secret — ” “No more of that!” pleaded the old man. “No more to-night at least!” “Why not?” “Because you will be ill again with talking about it. You will be looking into that corner and dreaming with your eyes open. You are too ill — yes, yes, Sarah; you are too ill.” “I’m not ill! Oh, why does everybody keep telling me that I am ill? Let me talk about it, uncle. I have come to talk about it; I can’t rest till I have told you.” 230 WORKS OP WILKIE COLLINS. She spoke with a changing color and an em- barrassed manner, now apparently conscious for the first time that she had allowed words and actions to escape her which it would have been more prudent to have restrained. 4 4 Don’t notice me again,” she said, with her soft voice, and her gentle, pleading manner. 4 4 Don’t notice me if I talk or look as I ought not. I lose myself sometimes, without knowing it; and I suppose 1 lost myself just now. It means nothing, Uncle Joseph — nothing, indeed.” Endeavoring thus to re-assure the old man, she again altered the position of her chair, so as to place her back toward the part of the room to which her face had been hitherto turned. 4 4 Well, well, it is good to hear that,” said Uncle Joseph; 44 but speak no more about the past time, for fear you should lose yourself again. Let us hear about what is now. Yes, yes, give me my way. Leave the Long Ago to me, and take you the present time. I can go back through the sixteen years as well as you. Ah ! you doubt it? Hear me tell you what happened when we last met — hear me prove myself in three words: You leave your place at the old house — you run away here — you stop in hiding with me, while your master and his servants are hunting after you — you start off, when your road is clear, to work for your living, as far away from Cornwall as you can get — I beg and pray you to stop with me, but you are afraid of your master, and away you go. There! that is the whole story of your trouble the last time you came to this house. THE DEAD SECRET. 231 Leave it so; and tell me what is the cause of your trouble now.” “The past cause of my trouble, Uncle Joseph, and the present cause of my trouble are the same. The Secret — ” “What! you will go back to that!” “I must go back to it.” “And why?” “Because the Secret is written in a letter — ” “Yes; and what of that?” “And the letter is in danger of being discov- ered. It is, uncle — it is ! Sixteen years, it has lain hidden — and now, after all that long time, the dreadful chance of its being dragged to light has come like a judgment. The one person in all the world who ought nSver to set eyes on that let- ter is the very person who is most likely to find it!” “So! so! Are you very certain, Sarah? How do you know it?” “I know it from her own lips. Chance brought us together — ” “Us? us? What do you mean by us?” “I mean — uncle, you remember that Captain Treverton was my master when I lived at Porth- genna Tower?” “I had forgotten his name. But no matter- go on.” “When I left myplace, Miss Treverton was a little girl of five years old. She is a married wo- man now — so beautiful, so clever, such a sweet, youthful, happy face ! And she has a child as lovely as herself. Oh, uncle, if you could see 232 WORKS OF WILKIE COLLINS. her! I would give so much if you could only see her!” Uncle Joseph kissed his hand and shrugged his shoulders; expressing by the first action hom- age to the lady’s beauty, and by the second res- ignation under the misfortune of not being able to see her. “ Well, well,” he said, philosophi- cally, “put this shining woman by, and let us go on.” “Her name is Frankland now,” said Sarah. “A prettier name than Treverton — a much pret- tier name, I think. Her husband is fond of her — I am sure he is. How can he have any heart at all, and not be fond of her?” “So! so!” exclaimed Uncle Joseph, looking very much perplexed. fc Good, if he is fond of her — very good. But what labyrinth are we getting into now? Wherefore all this about a husband and a wife? My word of honor, Sarah, but your explanation explains nothing — it only softens my brains.” “I must speak of her and of Mr. Frankland, uncle. Porthgenna Tower belongs to her hus- band now, and they are both going to live there.” “Ah! we are getting back into the straight road at last.” “They are going to live in the very house that holds the Secret; they are going to repair that very part of it where the letter is hidden. She will go into the old rooms — I heard her say so; she will search about in them to amuse her curi- osity ; workman will clear them out, and she will stand by in her idle hours, looking on.” THE HEAD SECRET. 233 “But she suspects nothing of the Secret?” “God forbid she ever should!” “And there are many rooms in the house? And the. letter in which the Secret is Written is hidden in one of the many ? Why should she hit on that one?” “Because I always say the wrong thing! be- cause I always get frightened and lose myself at the wrong time! The letter is hidden in a room called the Myrtle Boom, and I was foolish enough, weak enough, crazed enough, to warn her against going into it.” “Ah, Sarah! Sarah! that was a mistake, in- deed.” “I can’t tell what possessed me — I seemed to lose my senses when I heard her talking so in- nocently of amusing herself by searching through the old rooms, and when I thought of what she might find there. It was getting on toward night, too; the horrible twilight was gathering in the corners and creeping along the walls. I longed to light the candles, and yet I did not dare, for fear she should see the truth in my face. And when I did light them it was worse. Oh, I don’t know how I did it! I don’t know why I did it! I could have torn my tongue out for saying the words, and still I said them. Other people can think for the best ; other people can act for the best; other people have had a heavy weight laid on their minds, and have not dropped under it as I have. Help me, uncle, for the sake of old times when we were happy — help me with a word of advice.” 234 WORKS OF WILKIE COLLINS. “I will help you; I live to help you, Sarah! No, no, no — you must not look so forlorn ; you must not look at me with those crying eyes. Come! I will advise this minute — but say in what; only say in what.” 4 4 Have I not told you?” 4 4 No; you have not told me a word yet.” 44 1 will tell you now.” She paused, looked away distrustfully toward the door leading into the shop, listened a little, and resumed 44 1 am not at the end of my jour- ney yet, Uncle Joseph — I am here on my way to Porthgenna Tower — on my way to the Myrtle Room — on my way, step by step, to the place where the letter lies hid. I dare not destroy it; I dare not remove it; but run what risk I may, 1 must take it out of the Myrtle Room.” Uncle Joseph said nothing, but he shook his head despondingly. 44 1 must,” she repeated; 4 4 before Mrs. Prank- land gets to Porthgenna, I must take that letter out of the Mrytle Room. There are places in the old house where I may hide it again — places that she would never think of — places that she would never notice. Only let me get it out of the one room that she is sure to search in, and I know where to hide it from her and from every one forever.” Uncle Joseph reflected, and shook his head again — then said: 44 Oneword, Sarah; does Mrs. Frankland know which is the Myrtle Room?” 44 I did my best to destroy all tra’ce of that name when I hid the letter; I hope and believe THE DEAD SECRET. 235 she does not. But she may find out — remember the words I was crazed enough to speak; they will set her seeking for the Myrtle Room ; they are sure to do that.” “ And if she finds it? And if she finds the letter?” “It will cause misery to innocent people; it will bring death to me> Don’t push your chair from me, uncle! It is not shameful death 1 speak of. The worst injury I have done is in- jury to myself; the worst death I have to fear is the death that releases a worn-out spirit and cures a broken heart.” “Enough — enough so,” said the old man. “I ask for no secret, Sarah, that is not yours to give. It is all dark to me — very dark, very confused. I look away from it; I look only toward you. Not with doubt, my child, but with pity, and with sorrow, too— sorrow that ever you went near that house of Porthgenna — sorrow that you are now going to it again.” “I have no choice, uncle, but to go. If every step on the road to Porthgenna took me nearer and nearer to my death, I must still tread it. Knowing what I know, I can’t rest, I can’t sleep — my very breath won’t come freely — till I have got that letter out of the Myrtle Room. How to do it — oh, Uncle Joseph, how to do it, without being suspected, without being discovered by anybody — that is what I would almost give my life to know! You are a man; you are older and wiser than I am; no living creature ever asked you for help in vain — help me now! my 236 WORKS OF WILKIE COLLINS. only friend in all the world, help me a little with a word of advice!” Uncle Joseph rose from his chair, and folded his arms resolutely, and looked his niece full in the face. “You will go?” he said. “Cost what it may, you will go? Say, for the last time, Sarah, is it yes or no?” “Yes! For the last time, I say Yes.” “Good. And you will go soon?” “I must go to-morrow. I dare not waste a single day; hours even may be precious for any- thing I can tell.” “You promise me, my child, that the hiding of this Secret does good, and that the finding of it will do harm?” “If it was the last word I had to speak in this world, I would say Yes!” “You promise me, also, that you want noth- ing but to take the letter out of the Myrtle Room, and put it away somewhere else?” “Nothing but that.” “And it is yours to take and yours to put? No person has a better right to touch it than you?” “Now that my master is dead, no person.” “Good. You have given me my resolution. I have done. Sit you there, Sarah; and won- der, if you like, but say nothing.” With these words, Uncle Joseph stepped lightly to the door leading into the shop, opened it, and called to the man behind the counter. “Samuel, my friend,” he said. “To-morrow I go a little ways into the country with my niece, THE HEAD SECRET. 237 who is this lady here. You keep shop and take orders, and be just as careful as you always are, till I get back. If anybody comes and asks for Mr. Buschmann, say he has gone a little ways into the country, and will be back in a few days. That is all. Shut up the shop, Samuel, my friend, for the night ; and go to your supper. I wish you good appetite, nice victuals, and sound sleep.” Before Samuel could thank his master the door was shut again. Before Sarah could say a word, Uncle Joseph’s hand was on her lips, and Uncle J oseph’s handkerchief was wiping away the tears that were now falling fast from her eyes. “I will have no more talking, and no more crying,” said the old man. “I am a German, and I glory in the obstinacy of six Englishmen, all rolled into one. To-night you sleep here, to- morrow we talk again of all this. You want me to help you with a word of advice. I will help you with myself, which is better than ad- vice, and I say no more till I fetch my pipe down from the wall there, and ask him to make me think. I smoke and think to-night — I talk and do to-morrow. And you, you go up to bed ; you take Uncle Max’s music-box in your hand, and you let Mozart sing the cradle song before you go to sleep. Yes, yes, my child, there is al- ways comfort in Mozart — better comfort than in crying. What is there to cry about, or to thank about? Is it so great a wonder that I will not let my sister’s child go alone to make a venture in the dark? I said Sarah’s sorrow was my sor- 238 WORKS OF WILKIE COLLINS. row, and Sarah’s joy my joy; and now, if there is no way of escape — if it must indeed be done — I also say: Sarah’s risk to-morrow is Uncle Joseph’s risk to-morrow, too! Good-night, my child — good-night.” CHAPTER II. OUTSIDE THE HOUSE. The next morning wrought no change in the resolution at which Uncle Joseph had arrived overnight. Out of the amazement and confu- sion produced in his mind by his niece’s avowal of the object that had brought her to Cornwall, he had contrived to extract one clear and definite conclusion — that she was obstinately bent on placing herself in a situation of uncertainty, if not of absolute peril. Once persuaded of this, his kindly instincts all sprang into action, his natural firmness on the side of self-sacrifice as- serted itself, and his determination not to let Sarah proceed on her journey alone, followed as a matter of course. Strong in the self-denying generosity of his purpose — though strong in nothing else — when he and his niece met in the morning, and when Sarah spoke self-reproachfully of the sacrifice that he was making, of the serious hazards to which he was exposing himself for her sake, he refused to listen to her just as obstinately as he had refused the previous night. There was no THE DEAD SECRET. 239 need, he said, to speak another word on that subject. If she had abandoned her intention of going to Porthgenna, she had only to say so. If she had not, it was mere waste of breath to talk any more, for he was deaf in both ears to every- thing in the shape of a remonstrance that she could possibly address to him. Having expressed himself in these uncompromising terms, Uncle Joseph abruptly dismissed the subject, and tried to turn the conversation to a cheerful every-day topic by asking his niece how she had passed the night. “I was too anxious to sleep,” she answered. “I can’t fight with my fears and misgivings as some people can. All night long they keep me waking and thinking as if it was day.” “Thinking about what?” asked Uncle Joseph. “About the letter that is hidden? about the house of Porthgenna? about the Myrtle Room?” “About howto get into the Myrtle Room,” she said. “The more I try to plan and ponder, and settle beforehand what I shall do, the more confused and helpless I seem to be. All last night, uncle, I was trying to think of some ex- cuse for getting inside the doors of Porthgenna Tower — and yet, if I was standing on the house- step at this moment, I should not know what to say when the servant and I first came face to face. How are we to persuade them to let us in? How am I to slip out of sight, even if we do get in? Can’t you tell me? — you will try. Uncle Joseph — I am sure you will try. Only help me so far, and I think I can answer for the 240 WORKS OF WILKIE COLLINS. rest. If they keep the keys where they used to keep them in my time, ten minutes to myself is all I should want — ten minutes, only ten short minutes, to make the end of my life easier to me than the beginning has been ; to help me to grow old quietly and resignedly, if it is God’s will that I should live out my years. Oh, how happy people must be who have all the courage they want; who are quick and clever, and have their wits about them! You are readier than I am, uncle; you said last night that you would think about how to advise me for the best — what did your thoughts end in? You will make me so much easier if you will only tell me that.” Uncle Joseph nodded assentingly, assumed a look of the profoundest gravity, and slowly laid his forefinger along the side of his nose. 44 What did I promise you last night?” he said. 4 4 Was it not to take my pipe, and ask him to make me think? Good, 1 smoke three pipes, and think three thoughts. My first thought is — Wait! My second thought is, again — Wait! My third thought is yet once more — Wait ! You say you will be easy, Sarah, if I tell you the end of all my thoughts. Good, I have told you. There is the end — you are easy — if is all right.” 44 Wait?” repeated Sarah, with a look of be- wilderment which suggested anything rather than a mind at ease. 44 I am afraid, uncle, I don’t quite understand. Wait for what? Wait till when?” 44 Wait till we arrive at the house, to be sure! Wait till we are got outside the door; then is THE DEAD SECRET. 241 time enough to think how we are to get in,” said Uncle Joseph, with an air of conviction. “You understand now?” “Yes — at least I understand better than I did. But there is still another difficulty left. Uncle! I must tell you more than I intended ever to tell anybody — I must tell you that the letter is locked up.” “Locked up in a room?” “Worse than that — locked up in something inside the room. The key that opens the door — even if I get it — the key that opens the door of the room is not all I want. There is another key besides that, a little key — ” She stopped, with a confused, startled look. “A little key that you have lost?” asked Uncle Joseph. “I threw it down the well in the village on the morning when I made my escape from Porthgenna. Oh, if I had only kept it about me! If it had only crossed my mind that I might want it again!” “Well, well; there is no help for that now. Tell me, Sarah, what the something is which the letter is hidden in.” “I am afraid of the very walls hearing me.” “What nonsense! Come! whisper it to me.” She looked all round her distrustfully, and then whispered into the old man’s ear. He listened eagerly, and laughed when she was silent again. “Bah!” he cried. “If that is all, make yourself happy. As you wicked English people say, it is 242 WORKS OF WILKIE COLLINS. as easy as lying. Why, my child, you can burst him open for yourself.” ‘ 4 Burst it open? How?” Uncle Joseph went to the window-seat, which was made on the old-fashioned plan, to serve the purpose of a chest as well as a seat. He opened the lid, searched among some tools which lay in the receptacle beneath, and took out a chisel. “See,” he said, demonstrating on the top of the window-seat the use to which the tool was to be put. “You push him in so — crick ! Then you pull him up so — crack ! It is the business of one lit- tle moment — crick ! crack ! — and the lock is done for. Take the chisel yourself, wrap him up in a bit of that stout paper there, and put him in your pocket. What are you waiting for? Do you want me to show you again, or do you think you can do it now for yourself?” “I should like you to show me again, Uncle Joseph, but not now — not till we have got to the end of our journey.” “Good. Then I may finish my packing up, and go ask about the coach. First and foremost, Mozart must put on his great coat, and travel with us.” He took up the musical box, and placed it carefully in a leather case, which he slung by a strap over one shoulder. “Next, there is my pipe, the tobacco to feed him with, and the matches to set him alight. Last, here is my old German knapsack, which I pack last night. See! here is shirt, night - cap, comb, pocket-handkerchief, sock. Say I am an em- peror, and what do I want more than that? THE BEAD SECRET, 243 Good. I have Mozart, I have the pipe, I have the knapsack. I have — stop! stop! there is the old leather purse; he must not be forgotten. Look! here he is. Listen! Ting, ting, ting! He jingles; he has in his inside money. Aha, my friend, my good Leather, you shall be lighter and leaner before you come home again. So, so —it is all complete; we are ready for the march now, from our tops to our toes. Good-by, Sarah, my child, for a little half-hour; you shall wait here and amuse yourself while I go ask for the coach.” When Uncle Joseph came back, he brought his niece information that a coach would pass through Truro in an hour’s time, which would set them down at a stage not more than five or six miles distant from the regular post-town of Porthgenna. The only direct conveyance to the post-town was a night-coach which carried the letter-bags, and which stopped to change horses at Truro at the very inconvenient hour of two o’clock in the morning. Being of opinion that to travel at bed-time was to make a toil of a pleasure, Uncle Joseph recommended taking places in the day- coach, and hiring any conveyance that could be afterward obtained to carry his niece and himself on to the post-town. By this arrangement they would not only secure their own comfort, but gain the additional advantage of losing as little time as possible at Truro before proceeding on their journey to Porthgenna. The plan thus proposed was the plan followed. When the coach stopped to change horses, Uncle 244 WORKS OF WILKIE COLLINS. Joseph and his niece were waiting to take their places by it. They found all the inside seats but one disengaged, were set down two hours after- ward at the stage that was nearest to the destina- tion for which they were bound, hired a pony- chaise there, and reached the post-town between one and two o’clock in the afternoon. Dismissing their conveyance at the inn, from motives of caution which were urged by Sarah, they set forth to walk across the moor to Porth- genna. On their way out of the town they met the postman returning from his morning’s de- livery of letters in the surrounding district. His bag had been much heavier and his walk much longer that morning than usual. Among the extra letters that had taken him out of his ordi- nary course was one addressed to the housekeeper at Porthgenna Tower, which he had delivered early in the morning, when he first started on his rounds. Throughout the whole journey, Uncle Joseph had not made a single reference to the object for which it had been undertaken. Possessing a child’s simplicity of nature, he was also endowed with a child’s elasticity of disposition. The doubts and forebodings which troubled his niece’s spirit, and kept her silent and thoughtful and sad, cast no darkening shadow over the natural sunshine of his mind. If he had really been traveling for pleasure alone, he could not have enjoyed more thoroughly than he did the differ- ent sights and events of the journey. All the happiness which the passing minute had to give THE DEAD SECRET. 245 him he took as readily and gratefully as if there was no uncertainty in the future, no doubt, diffi- culty, or danger lying in wait for him at the jour- ney’s end. Before he had been half an hour in the coach he had begun to tell the third inside passenger — a rigid old lady, who stared at him in speechless amazement— the whole history of the musical box, ending the narrative by setting it playing, in defiance of all the noise that the rolling wheels could make. When they left the coach, he was just as sociable afterward with the driver of the chaise, vaunting the superiority of German beer over Cornish cider, and making his remarks upon the objects which they passed on the road with the pleasantest familiarity and the heartiest enjoyment of his own jokes. It was not till he and Sarah were well out of the little town, and away by themselves on the great moor which stretched beyond it, that his manner altered, and his talk ceased altogether. After walking on in silence for some little time, with his niece’s arm in his, he suddenly stopped, looked her earnestly and kindly in the face, and laid his hand on hers. “ There is yet one thing more I want to ask you, my child,” he said. “ The journey has put it out of my head, but it has been in my heart all the time. When we leave this place of Porth- genna, and get back to my house, you will not goaway? you will not leave Uucle Joseph again? Are you in service still, Sarah. Are you not your own master yet?” “I was in service a few days since,” she an- 246 WORKS OF WILKIE COLLINS. swered; “but I am free now. I have lost my place.” “Aha! You have lost your place; and why?” “Because I would not hear an innocent person unjustly blamed. Because—” She checked herself. But the few words she had said were spoken with such a suddenly heightened color, and with such an extraordi- nary emphasis and resolution of tone, that the old man opened his eyes as widely as possible, and looked at his niece in undisguised astonish- ment. “So! so! so!” he exclaimed. “What! You have had a quarrel, Sarah! ” “Hush! Don’t ask me any more questions now!” she pleaded, earnestly. “I am too anx- ious and too frightened to answer. Uncle! this is Porthgenna Moor — this is the road I passed over, sixteen years ago, when I ran away to you. Oh! let us get on, pray let us get on! I can’t think of anything now but the house we are so near, and the risk we are going to run.” They went on quickly, in silence. Half an hour’s rapid walking brought them to the high- est elevation on the moor, and gave the whole western prospect grandly to their view. There, below them, was the dark, lonesome, spacious structure of Porthgenna Tower, with the sunlight already stealing round toward the windows of the west front ! There was the path winding away to it gracefully over the brown moor, in curves of dazzling white! There, lower down, was the solitary old church, with the THE DEAD SECRET. 247 peaceful burial-ground nestling by its side! There, lower still, were the little scattered roofs of the fishermen’s cottages! And there, beyond all, was the changeless glory of the sea, with its old seething lines of white foam, with the old winding margin of its yellow shores! Sixteen long years — such years of sorrow, such years of suffering, such years of change, counted by the pulses of the living heart! — had passed over the dead tranquillity of Porthgenna, and had altered it as little as if they had all been contained within the lapse of a single day! The moments when the spirit within us is most deeply stirred are almost invariably the moments also when its outward manifestations are hardest to detect. Our own thoughts rise above us; our own feelings lie deeper than we can reach. How seldom words can help us, when their help is most wanted! How often our tears are dried up when we most long for them to relieve us! Was there ever a strong emotion in this world that could adequately ex- press its own strength? What third person, brought face to face with the old man and his niece, as they now stood together on the moor, would have suspected, to look at them, that the one was contemplating the landscape with noth- ing more than a stranger’s curiosity, and that the other was viewing it through the recollec- tions of half a lifetime? The eyes of both were dry, the tongues of both were silent, the faces of both were set with equal attention toward the prospect. Even between themselves there was 248 WORKS OF WILKIE COLLTNS. no real sympathy, no intelligible appeal from one spirit to the other. The old man’s quiet ad- miration of the view was not more briefly and readily expressed, when they moved forward and spoke to each other, than the customary phrases of assent by which his niece replied to the little that he said. How many moments there are in this mortal life, when, with all our boasted powers of speech, the words of our vo- cabulary treacherously fade out, and the page presents nothing to us but the sight of a perfect blank ! Slowly descending the slope of the moor, the uncle and niece drew nearer and nearer to Porth- genna Tower. They were within a quarter of an hour’s walk of the house when Sarah stopped at a place where a second path intersected the main foot-track which they had hitherto been following. On the left hand, as they now stood, the cross-path ran on until it was lost to the eye in the expanse of the moor. On the right hand it led straight to the church. “What do we stop for now?” asked Uncle Joseph, looking first in one direction and then in the other. “Would you mind waiting for me here a little while, uncle? I can’t pass the church path — ” (she paused, in some trouble how to express her- self) — “without wishing (as I don’t know what may happen after we get to the house), without wishing* to see — to look at something — ” She stopped again, and turned her face wistfully to- ward the church. The tears, which had never THE DEAD SECRET, 249 wetted her eyes at the first view of Porthgenna, were beginning to rise in them now. Uncle Joseph’s natural delicacy warned him that it would be best to abstain from asking her for any explanations. “Go you where you like, to see what you like, ” he said, patting her on the shoulder. “I shall stop here to make myself happy with my pipe ; and Mozart shall come out of his cage, and sing a little in this fine fresh air.” He unslung the leather case from his shoulder while he spoke, took out the musical box, and set it ringing its tiny peal to the second of the two airs which it was constructed to play — the minuet in Don Giovanni. Sarah left him looking about; care- fully, not for a seat for himself, but for a smooth bit of rock to place the box upon. When he had found this, he lit his pipe, and sat down to his music and his smoking, like an epicure to a good dinner. “Aha!” he exclaimed to himself, look- ing round as composedly at the wild prospect on all sides of him as if he was still in his own lit- tle parlor at Truro — “Aha! Here is a fine big music-room, my friend Mozart, for you to sing in ! Ouf ! there is wind enough in this place to blow your pretty dance-tune out to sea, and give the sailor-people a taste of it as they roll about in their ships.” Meanwhile Sarah walked on rapidly toward the church, and entered the inclosure of the lit- tle burial-ground. Toward that same part of it to which she had directed her steps on the morn- ing of her mistress’s death, she now turned her 250 WORKS OF WILKIE COLLINS. face again, after a lapse of sixteen years. Here, at least, the march of time had left its palpable track — its footprints whose marks were graves. How many a little spot of ground, empty when she last saw it, had its mound and its headstone now ! The one grave that she had come to see — the grave which had stood apart in the by-gone days, had companion graves on the right hand and on the left. She could not have singled it out but for the weather stains on the head-stone, which told of storm and rain over it, that had not passed over the rest. The mound was still kept in shape; but the grass grew long, and waved a dreary welcome to her as the wind swept through it. She knelt down by the stone and tried to read the inscription. The black paint which had once made the carved words distinct was all flayed off from them now. To any other eyes but hers the very name of the dead man would have been hard to trace. She sighed heavily as she followed the letters of the inscription mechanically, one by one, with her finger : SACRED TO THE MEMORY OF $ugt) J) 0 l H) I) e a 1 f AGED 26 YEARS. HE MET WITH HIS DEATH THROUGH THE FALL OF A ROCK IN . PORTIIGENNA MINE, DECEMBER 1?TH, 1823. THE DEAD SECRET. 251 Her hand lingered over the letters after it had followed them to the last line, and she bent for- ward and pressed her lips on the stone. 6 ‘Better so!” she said to herself, as she rose from her knees and looked down at the inscrip- tion for the last time. “Better it should fade out so ! Fewer strangers’ eyes will see it ; fewer strangers’ feet will follow where mine have been — he will lie all the quieter in the place of his rest!” She brushed the tears from her eyes and gath- ered a few blades of grass from the grave — then left the churchyard. Outside the hedge that surrounded the inclosure she stopped for a mo- ment, and drew from the bosom of her dress the little book of Wesley’s Hymns which she had taken with her from the desk in her bedroom on the morning of her flight from Porthgenna. The withered remains of the grass that she had plucked from the grave sixteen years ago lay between the pages still. She added to them the fresh fragments that she had just gathered, re- placed the book in the bosom of her dress, and hastened back over the moor to the spot where the old man was waiting for her. She found him packing up the musical box again in its leather case. “A good wind,” he said, holding up the palm of his hand to the fresh breeze that was sweeping over the moor — “A very good wind, indeed, if you take him by himself — but a bitter bad wind if you take him with Mozart. He blows off the tune as if it was the hat on my head. You come back, my child, 252 WORKS OF WILKIE COLLINS. just at the nick of time — just when my pipe is done, and Mozart is ready to travel along the road once more. Ah, have you got the crying look in your eyes again, Sarah? What have you met with to make you cry? So! so! I see — the fewer questions I ask just now, the better you will like me. Good. I have done. No! I have a last question yet. What are we stand- ing here for? why do we not go on?” “Yes, yes; you are right, Uncle Joseph; let us go on at once. I shall lose all the little cour- age I have if we stay here much longer looking at the house.” They proceeded down the path without an- other moment of delay. When they had reached the end of it, they stood opposite the eastern boundary wall of Porthgenna Tower. The prin- cipal entrance to the house, which had been very rarely used of late years, was in the west front, and was approached by a terrace road that over- looked the sea. The smaller entrance, which was generally used, was situated on the south side of the building, and led through the serv- ants’ offices to the great hall and the west stair- case. Sarah’s old experience of Porthgenna guided her instinctively toward this part of the house. She led her companion on until they gained the southern angle of the east wall — then stopped and looked about her. Since they had passed the postman and had entered on tho moor, they had not set eyes on a living creature; and still, though they were now under the very walls of Porthgenna, neither man, woman, nor child THE DEAD SECRET. 253 — not even a domestic animal — appeared in view. 6 ‘It is very lonely here,” said Sarah, looking round her distrustfully; “much lonelier than it used to be.” “Is it only to tell me what I can see for myself that you are stopping now?” asked Uncle Joseph, whose inveterate cheerfulness would have been proof against the solitude of Sahara itself. “No, no!” she answered, in a quick, anxious whisper. “But the bell we must ring at is so close — only round there — I should like to know what we are to say when we come face to face with the servant. You told me it was time enough to think about that when we were at the door. Uncle! we are all but at the door now. What shall we do?” “The first thing to do,” said Uncle Joseph, shrugging his shoulders, “is surely to ring.” “Yes — but when the servant comes, what are we to say?” “Say?” repeated Uncle Joseph, knitting his eyebrows quite fiercely with the effort of think- ing, and rapping his forehead with his forefinger just under his hat — “Say? Stop, stop, stop, stop! Ah, I have got it ! I know! Make your- self quite easy, Sarah. The moment the door is opened, all the speaking to the servant shall be done by me.” “Oh, how you relieve me ! What shall you say?” “Say? This — ‘How do you do? We have come to see the house.’ ” When he had disclosed that remarkable expe- 254 WORKS OF WILKIE COLLINS. dient for effecting an entrance into Porthgenna Tower, he spread out both his hands interroga- tively, drew back several paces from his niece, and looked at her with the serenely self-satisfied air of a man who has leaped, at one mental bound, from a doubt to a discovery. Sarah gazed at him in astonishment. The expression of absolute conviction on his face staggered her. The poorest of all the poor excuses for gaining admission into the house which she herself had thought of, and had rejected, during the previ- ous night, seemed like the very perfection of arti- fice by comparison with such a childishly simple expedient as that suggested by Uncle Joseph. And yet there he stood, apparently quite con- vinced that he had hit on the means of smooth- ing away all obstacles at once. Not knowing what to say, not believing sufficiently in the validity of her own doubts to venture on openly expressing an opinion either one way or the other, she took the last refuge that was now left open to her — she endeavored to gain time. ‘ 6 It is very, very 'good of you, uncle, to take all the difficulty of speaking to the servant on your own shoulders,” she said; the hidden despond- ency at her heart expressing itself, in spite of her, in the faintness of her voice and the forlorn perplexity of her eyes. “But would you mind waiting a little before we ring at the door, and walking up and down for a few minutes by the side of this wall, where nobody is likely to see us? I want to get a little more time to prepare myself for the trial that I have to go through; THE DEAD SECRETc 255 and — and in case the servant makes any diffi- culties about letting us in — I mean difficulties that we cannot just now anticipate— would it not be as well to think of something else to say at the door? Perhaps, if you were to consider again — ” “There is not the least need,” interposed Uncle Joseph. “I have only to speak to the servant, and — crick! crack!— you will see that we shall get in. But I will walk up and down as long as you please. There is no reason, because I have done all my thinking in one moment, that you should have done all your thinking in one mo- ment too. No, no, no — no reason at all.” Say- ing those words with a patronizing air and a self-satisfied smile, which would have been irre- sistibly comical under any less critical circum- stances, the old man again offered his arm to his niece, and led her back over the broken ground that lay under the eastern wall of Porthgenna Tower. While Sarah was waiting in doubt outside the walls, it hapened, by a curious coincidence, that another person, vested with the highest domestic authority, was also waiting in doubt inside the walls. This person was no other than the house- keeper of Porthgenna Tower; and the cause of her perplexity was nothing less than the letter which had been delivered by the postman that very morning. It was a letter from Mrs. Frankland, which had been written after she had held a long con- 256 WORKS OF WILKIE COLLINS. versation with her husband and Mr. Orridge, on receiving the last fragments of information which the doctor was able to communicate in reference to Mrs. Jazeph. The housekeeper had read the letter through over and over again, and was more puzzled and astonished by it at every fresh reading. She was now waiting for the return of the steward, Mr. Munder, from his occupations out of doors, with the intention of taking his opinion on the singular communication which she had received from her mistress. While Sarah and her uncle were still walking up and down outside the eastern wall, Mr. Mun- der entered the housekeeper’s room. He was one of those tall, grave, benevolent-looking men, with a conical head, a deep voice, a slow step, and a heavy manner, who passively contrive to get a great reputation for wisdom without the trouble of saying or doing anything to deserve it. All round the Porthgenna neighborhood the steward was popularly spoken of as a remarka- bly sound, sensible man; and the housekeeper, although a sharp woman in other matters, in this one respect shared to a large extent in the general delusion. “ Good-morning, Mrs. Pentreath,” said Mr. Munder. “Any news to-day?” What a weight and importance his deep voice and his impres- sively slow method of using it, gave to those two insignificant sentences ! “News, Mr. Munder, that will astonish you,” replied the housekeeper. “I have received a let- the dead secret. 257 ter this morning from Mrs. Frankland, which is, without any exception, the most mystifying thing of the sort I ever met with. I am told to com* municate the letter to you ; and I have been wait- ing the whole morning to hear your opinion of it. Pray sit down, and give me all your attention— for I do positively assure you that the letter re- quires it.” Mr. Munder sat down, and became the picture of attention immediately — not of ordinary atten- tion, which can be wearied, but of judicial atten- tion, which knows no fatigue, and is superior alike to the power of dullness and the power of time. The housekeeper, without wasting the precious minutes — Mr. Munder’s minutes, which ranked next on the scale of importance to a prime minister’s! — opened her mistress’s letter, and, resisting the natural temptation to make a few more prefatory remarks on it, immediately fa- vored the steward with the first paragraph, in the following terms: “Mrs. Pentreath — You must be tired of re- ceiving letters from me, fixing a day for the ar- rival of Mr. Frankland and myself. On this, the third occasion of my writing to you about our plans, it will be best, I think, to make no third appointment, .but merely to say that we shall leave West Winston for Porthgenna the moment I can get the doctor’s permission to travel.” “So far,” remarked Mrs. Pentreath, placing the letter on her lap, and smoothing it out rather I — Vol. 16 258 WORKS OF WILKIE COLLINS. irritably while she spoke — “so far, there is noth- ing of much consequence. The letter certainly seems to me (between ourselves) to be written in rather poor language — too much like common talking to come up to my idea of what a lady’s style of composition ought to be — but that is a matter of opinion. I can’t say, and I should be the last person to wish to say, that the beginning of Mrs. Frankland’s letter is not, upon the whole, perfectly clear. It is the middle and the end that I wish to consult you about, Mr. Munder.” “Just so,” said Mr. Munder. Only two words, but more meaning in them than two hundred in the mouth of an ordinary man ! The housekeeper cleared her throat with extraordinary loudness and elaboration, and read on thus: “My principal object in writing these lines is to request, by Mr. Frankland’s desire, that you and Mr. Munder will endeavor to ascertain, as privately as possible, whether a person now traveling in Cornwall — in whom we happen to be much interested— has been yet seen in the neighborhood of Porthgenna. The person in question is know to us by the name of Mrs. Ja- zeph. She is an elderly woman, of quiet, lady- like manners, looking nervous and in delicate health. She dresses, according to our experience of her, with extreme propriety and neatness, and in dark colors. Her eyes have a singular ex- pression of timidity, her voice is particularly soft and low, and her manner is frequently marked by extreme hesitation. I am thus particular in THE DEAD SECRET. 259 describing her, in case she should not be travel- ing under the name by which we know her. 4 4 For reasons which it is not necessary to state, both my husband and myself think it probable that, at some former period of her life, Mrs. Ja- zeph may have been connected with the Porth- genna neighborhood. Whether this be the fact or no, it is indisputably certain that she is famil- iar with the interior of Porthgenna Tower, and that she has an interest of some kind, quite in- comprehensible to us, in the house. Coupling these facts with the knowledge we have of her being now in Cornwall, we think it just within the range of possibility that you or Mr. Munder, or some other person in our employment, may meet with her; and we are particularly anxious, if she should by any chance ask to see the house, not only that you should show her over it with perfect readiness and civility, but also that you should take private and particular notice of her conduct from the time when she enters the build- ing to the time when she leaves it. Do not let her out of your sight for a moment; and, if pos- sible, pray get some trustworthy person to follow her unperceived, and ascertain where she goes to after she has quitted the house. It is of the most vital importance that these instructions (strange as they may seem to you) should be implicitly obeyed to the very letter. 44 1 have only room and time to add that we know nothing to the discredit of this person, and that we particularly desire you will manage mat- ters with sufficient discretion (in case you meet 260 WORKS OF WILKIE COLLINS. with her) to prevent her from having any sus- picion that you are acting under orders, or that you have any especial interest in watching her movements. You will be good enough to com- municate this letter to the steward, and you are at liberty to repeat the instructions in it to any other trustworthy person, if necessary. “ Yours truly, Rosamond Frankland. “PS. — I have left my room, and the baby is getting on charmingly.” 4 4 There!” said the housekeeper. 6 4 Who is to make head or tail of that, I should like to know! Did you ever, in all your experience, Mr. Mun- der, meet with such a letter before? Here is a very heavy responsibility laid on our shoulders, without one word of explanation. I have been puzzling my brains about what their interest in this mysterious woman can be the whole morn- ing; and the more I think, the less comes of it. What is your opinion, Mr. Munder? We ought to do something immediately. Is there any course in particular which you feel disposed to point oat?” Mr. Munder coughed dubiously, crossed his right leg over his left, put his head critically on one side, coughed for the second time, and looked at the housekeeper. If it had belonged to any other man in the world, Mrs. Pentreath would have considered that the face which now con- fronted hers expressed nothing but the most pro- found and vacant bewilderment. But it was Mr. Munder’s face, and it was only to be THE DEAD SECRET. 261 looked at with sentiments of respectful expec- tation. “I rather think — ” began Mr. Munder. “ Yes?” said the housekeeper, eagerly. Before another word could be spoken, the maid- servant entered the room to lay the cloth for Mrs. Pentreath’s dinner. “ There, there! never mind now, Betsey,” said the housekeeper, impatiently. “Don’t lay the cloth till I ring for you. Mr. Munder and I have something very important to talk about, and we can’t be interrupted just yet.” She had hardly said the word, before an inter- ruption of the most unexpected kind happened. The door-bell rang. This was a very unusual occurrence at Porthgenna Tower. The few per- sons who had any occasion to come to the house on domestic business always entered by a small side gate, which was left on the latch in the day- time. “Who in the world can that be!” exclaimed Mrs. Pentreath, hastening to the window, which commanded a side view of the lower doorsteps. The first object that met her eye when she looked out was a lady standing on the lowest step — a lady dressed very neatly in quiet, dark colors* “Good Heavens, Mr. Munder!” cried the housekeeper, hurrying back to the table, and snatching up Mrs. Frankland’s letter, which she had left on it. “There is a stranger wait- ing at the door at this very moment ! a lady ! or, at least, a woman— and dressed neatly, dressed in dark colors! You might knock me down, 262 WORKS OF WILKIE COLLINS. Mr. Munder, with a feather! Stop, Betsey — stop where you are!” “I was only going, ma’am, to answer the door,” said Betsey, in amazement. “Stop where you are,” reiterated Mrs, Pen- treath, composing herself by a great effort, “I happen to have certain reasons, on this particular occasion, for descending out of my own place and putting myself into yours. Stand out of the way, you staring fool! I am going upstairs to answer that ring at the door myself.” CHAPTER III. INSIDE THE HOUSE. Mrs. Pentreath’s surprise at seeing a lady through the window, was doubled by her amaze- ment at seeing a gentleman when she opened the door. Waiting close to the bell-handle, after he had rung, instead of rejoining his niece on the step, Uncle Joseph stood near enough to the house to be out of the range of view from Mrs. Pentreath’s window. To the housekeeper’s ex- cited imagination, he appeared on the threshold with the suddenness of an apparition-— tbe appa- rition of a little rosy-faced old gentleman, smil- ing, bowing, and taking off his hat with a superb flourish of politeness, which had something quite superhuman in the sweep and the dexterity of it. “How do you do? We have come to see the house,” said Uncle Joseph, trying his infallible THE DEAD SECRET. 263 expedient for gaining admission the instant the door was open. Mrs. Pentreath was struck speechless. Who was this familiar old gentleman with the for- eign accent and the fantastic bow? and what did he mean by talking to her as if she was his inti- mate friend? Mrs. Frankland’s letter said not so much, from beginning to end, as one word about him. 4 4 How do you do? We have come to see the house,” repeated Uncle Joseph, giving his irre- sistible form of salutation the benefit of a second trial. 4 4 So you said just now, sir,” remarked Mrs. Pentreath, recovering self-possession enough to use her tongue in her own defense. “Does the lady,” she continued, looking down over the old man’s shoulder at the step on which his niece was standing — 44 does the lady wish to see the house, too?” Sarah’s gently spoken reply in the affirmative, short as it was, convinced the housekeeper that the woman described in Mrs. Frankland’s letter really and truly stood before her. Besides the neat, quiet dress, there was now the softly toned voice, and, when she looked up for a moment, there were the timid eyes also to identify her by! In relation to this one of the two strangers, Mrs. Pentreath, however agitated and surprised she might be, could no longer feel any uncertainty about the course she ought to adopt. But in re- lation to the other visitor, the incomprehensible old foreigner, she was beset by the most bewil- 264 WORKS OF WILKIE COLLINS. dering doubts. Would it be safest to hold to the letter of Mrs. Frankland’s instructions, and ask him to wait outside while the lady was being shown over the house? or would it be best to act on her own responsibility, and to risk giving him admission as well as his companion? This was a difficult point to decide, and therefore one which it was necessary to submit to the superior sagacity of Mr. Munder. “Will you step in for a moment, and wait here while I speak to the steward?” said Mrs. Pentreath, pointedly neglecting to notice the familiar old foreigner, and addressing herself straight through him to the lady on the steps below. “Thank you very much,” said Uncle Joseph, smiling and bowing, impervious to rebuke. “What did I tell you?” he whispered triumph- antly to his niece, as she passed him on her way into the house. Mrs. Pentreath’s first impulse was to go down- stairs at once, and speak to Mr. Munder. But a timely recollection of that part of Mrs. Frank- land’s letter which enjoined her not to lose sight of the lady in the quiet dress, brought her to a stand-still the next moment. She was the more easily recalled to a remembrance of this particu- lar injunction by a curious alteration in the con- duct of the lady herself, who seemed to lose all her diffidence, and to become surprisingly impatient to lead the way into the interior of the house, the moment she had stepped across the threshold. “Betsey 1” cried Mrs. Pentreath, cautiously THE DEAD SECRET. 265 calling to the servant after she had only retired a few paces from the visitors — “ Betsey! ask Mr. Munder to be so kind as to step this way.” Mr. Mander presented himself with great de- liberation, and with a certain lowering dignity in his face. He had been accustomed to be treated with deference, and he was not pleased with the housekeeper for unceremoniously leav- ing him the moment she heard the ring at the bell, without giving him time to pronounce an opinion on Mrs. Frankland’s letter. Accord- ingly when Mrs. Pentreath, in a high state of excitement, drew him aside out of hearing, and confided to him, in a whisper, the astounding intelligence that the lady in whom Mr. and Mrs. Frankland were so mysteriouly interested was, at that moment, actually standing before him in the house, he received her communication with an air of the most provoking indifference. It was worse still when she proceeded to state her difficulties — warily keeping her eye on the two strangers all the while. Appeal as respectfully as she might to Mr. Munder’s superior wisdom for guidance, he persisted in listening with a disparaging frown, and ended by irritably con- tradicting her when she ventured to add, in con- clusion, that her own ideas inclined her to as- sume no responsibility, and to beg the foreign gentleman to wait outside while the lady, in conformity with Mrs. Frankland’s instructions, was being shown over the house. 4 ‘Such may be your opinion, ma’am,” said Mr. Munder, severely. “It is not mine.” 266 WORKS OF WILKIE COLLINS. The housekeeper looked aghast. “Perhaps,” she suggested, deferentially, “you think that the foreign old gentleman would be likely to insist on going over the house with the lady?” “Of course I think so,” said Mr. Munder. (He had thought nothing of the sort; his only idea just then being the idea of asserting his own supremacy by setting himself steadily in opposi- tion to any preconceived arrangements of Mrs. Pentreath.) 4 4 Then you would take the respon- sibility of showing them both over the house, seeing that they have both come to the door to- gether?” asked the housekeeper. 4 4 Of course I would,” answered the steward, with the promptitude of resolution which distin- guishes all superior men. 4 4 Well, Mr. Munder, I am always glad to be guided by your opinion, and I will be guided by it now,” said Mrs. Pentreath. 44 But, as there will be two people to look after — for I would not trust the foreigner out of my sight on any con- sideration whatever — I must really beg you to share the trouble of showing them over the house along with me. I am so excited and nervous that I don’t feel as if I had all my wits about me — I never was placed in such a position as this before — I am in the midst of mysteries that I don’t understand — and, in short, if I can’t count on your assistance, I won’t answer for it that I shall not make some mistake. I should be very sorry to make a mistake, not only on my own account, but — ” Here the housekeeper stopped, and looked hard at Mr. Munder. THE DEAD SECRET. 267 “Go on, ma’am,” said Mr. Munder, with cruol composure. “Not only on my own account,” resumed Mrs. Pentreath, demurely, “but on yours; for Mrs. Frankland’s letter certainly casts the responsi- bility of conducting this delicate business on your shoulders as well as on mine.” Mr. Munder recoiled a few steps, turned red, opened his lips indignantly, hesitated, and closed them again. He was fairly caught in a trap of his own setting. He could not retreat from the responsibility of directing the housekeeper’s con- duct, the moment after he had voluntarily as- sumed it; and he could not deny that Mrs. Frankland’s letter positively and repeatedly re- ferred to him by name. There was only one way of getting out of the difficulty with dignity, and Mr. Munder unblushingly took that way the moment he had recovered self-possession enough to collect himself for the effort. “I am perfectly amazed, Mrs. Pentreath, ” he began, with the gravest dignity. “Yes, I re- peat, I am perfectly amazed that you should think me capable of leaving you to go over the house alone, under such remarkable circum- stances as those we are now placed in. No, ma’am! whatever my other faults may be, shrinking from my share of responsibility is not one of them. I don’t require to be reminded of Mrs. Frankland’s letter; and — no! — I don’t re- quire any apologies. I am quite ready, ma’am — quite ready to show the way upstairs when- ever you are.” 268 WORKS OF WILKIE COLLINS. “The sooner the better, Mr. Munder — for there is that audacious old foreigner actually chatter- ing to Betsey now, as if he had known her all bis life!” The asserton was quite true. Uncle Joseph was exercising his gift of familiarity on the maid-servant (who had lingered to stare at the strangers, instead of going back to the kitchen), just as he had already exercised it on the old lady passenger in the stage-coach, and on the driver of the pony-chaise which took his niece and himself to the post-town of Porthgenna. While the housekeeper and the steward were holding their private conference, he was keep- ing Betsey in ecstasies of suppressed giggling by the odd questions that he asked about the house, and about how she got on with her work in it. His inquiries had naturally led from the south side of the building, by which he and his com- panion had entered, to the west side, which they were shortly to explore ; and thence round to the north side, which was forbidden ground to every- body in the house. When Mrs. Pentreath came forward with the steward, she overheard this ex- change of question and answer passing between the foreigner and the maid : “But tell me, Betzee, my dear,” said Uncle Joseph. “Why does nobody ever go into these mouldy old rooms?” “Because there’s a ghost in them,” answered Betsey, with a burst of laughter, as if a series of haunted rooms and a series of excellent jokes meant precisely the same thing. THE DEAD SECRET. 269 “Hold your tongue directly, and go back to the kitchen,” cried Mrs. Pentreath, indignantly. “The ignorant people about here,” she contin- ued, still pointedly overlooking Uncle Joseph, and addressing herself only to Sarah, “tell ab- surd stories about some old rooms on the unre- paired side of the house, which have not been inhabited for more than half a century past — absurd stories about a ghost; and my servant is foolish enough to believe them.” “No, I’m not,” said Betsey, retiring, under protest, to the lower regions. “I don’t believe a word about the ghost — at least not in the day- time.” Adding that important saving clause in a whisper, Betsey unwillingly withdrew from the scene. Mrs. Pentreath observed, with some surprise, that the mysterious lady in the quiet dress turned very pale at the mention of the ghost story, and made no remark on it whatever. While she was still wondering what this meant, Mr. Munder emerged into dignified prominence, and loftily addressed himself, not to Uncle Joseph, and not to Sarah, but to the empty air between them. “If you wish to see the house,” he said, “you will have the goodness to follow me.” With those words, Mr. Munder turned sol- emnly into the passage that led to the foot of the west staircase, walking with that peculiar, slow strut in which all serious-minded English people indulge when they go out to take a little exercise on Sunday. The housekeeper, adapting her pace with feminine pliancy to the pace of the steward, 270 WOBKS OF WILKIE COLLINS. walked the national Sabbatarian Polonaise by his side, as if she was out with him for a mouthful of fresh air between the services. “As I am a living sinner, this going over the house is like going to a funeral!” whispered Uncle Joseph to his niece. He drew her arm into his, and felt, as he did so, that she was trembling. “What is the matter?” he asked, under his breath. “Uncle! there is something unnatural about the readiness of these people to show us over the house,” was the faintly whispered answer. “What were they talking about just now, out of our hearing? Why did that woman keep her eyes fixed so constantly on me?” Before the old man could answer, the house- keeper looked round, and begged, with the sever- est emphasis, that they would be good enough to follow. In less than another minute they were all standing at the foot of the west staircase. “Aha!” cried Uncle Joseph, as easy and talk- ative as ever, even in presence of Mr. Munder himself. “A fine big house, and a very good staircase.” “We are not accustomed to hear either the house or the staircase spoken of in these terms, sir,” said Mr. Munder, resolving to nip the for- eigner’s familiarity in the bud. “The Guide to West Cornwall, which you would have done well to make yourself acquainted with before you came here, describes Porthgenna Tower as a Mansion, and uses the word Spacious in speaking THE DEAD SECRET. 271 of the west staircase. I regret to find, sir, that you have not consulted the Guide-book to West Cornwall. ” “And why?” rejoined the unabashed German. “What do I want with a book, when I have got you for my guide? Ah, dear sir, but you are not just to yourself! Is not a living guide like you, who talks and walks about, better for me than dead leaves of print and paper? Ah, no, no! I shall not hear another word —I shall not hear you do any more injustice to yourself.” Here Uncle Joseph made another fantastic bow, looked up smiling into the steward’s face, and shook his head several times with an air of friendly reproach. Mr. Munder felt paralyzed. He could not have been treated with more ease and indifferent familiarity if this obscure foreign stranger had been an English duke. He had often heard of the climax of audacity; and here it was visibly embodied in one small, elderly individual, who did not rise quite five feet from the ground he stood on ! While the steward was swelling with a sense of injury too large for utterance, the housekeeper, followed by Sarah, was slowly ascending the stairs. Uncle Joseph, seeing them go up, hast- ened to join his niece, and Mr Munder, after waiting a little while on the mat to recover him- self, followed the audacious foreigner with the intention of watching his conduct narrowly, and chastising his insolence at the first opportunity with stinging words of rebuke, 272 WORKS OF WILKIE COLLINS. The procession up the stairs thus formed was not, however, closed by the steward; it was fur- ther adorned and completed by Betsey, the serv- ant-maid, who stole out of the kitchen to follow the strange visitors over the house, as closely as she could without attracting the notice of Mrs. Pentreath. Betsey had her share of natural human curiosity and love of change. No such event as the arrival of strangers had ever before enlivened the dreary monotony of Porthgenna Tower within her experience; and she was re- solved not to stay alone in the kitchen while there was a chance of hearing a stray word of the conversation, or catching a chance glimpse of the proceedings among the company upstairs. In the meantime, the housekeeper had led the way as far as the first-floor landing, on either side of which the principal rooms in the west front were situated. Sharpened by fear and sus- picion, Sarah’s eyes immediately detected the re- pairs which had been effected in the banisters and stairs of the second flight. “You have had workmen in the house?” she said quickly to Mrs. Pentreath. “You mean on the stairs?” returned the house- keeper. “Yes, we have had workmen there.” “And nowhere else?” “No. But they are wanted in other places badly enough. Even here, on the best side of the house, half the bedrooms upstairs are hardly fit to sleep in. They were anything but com- fortable, as I have heard, even in the late Mrs. Treverton’s time; and since she died — ” THE DEAD SECRET. 273 The housekeeper stopped with a frown and a look of surprise. The lady in the quiet dress, instead of sustaining the reputation for good manners which had been conferred on her in Mrs. Frankland’s letter, was guilty of the un- pardonable discourtesy of turning away from Mrs. Pentreath before she had done speaking. Determined not to allow herself to be imperti- nently silenced in that way, she coldly and dis- tinctly repeated her last words: “ And since Mrs. Treverton died—” She was interrupted for the second time. The strange lady, turning quickly round again, con- fronted her with a very pale face and a very eager look, and asked, in the most abrupt man- ner, an utterly irrelevant question : 4 4 Tell me about that ghost story,” she said, “Do they say it is the ghost of a man or of a woman?” “I was speaking of the late Mrs. Treverton,” said the housekeeper, in her severest tones of re- proof, “and not of the ghost story about the north rooms. You would have known that, if you had done me the favor to listen to what I said.” “I beg your pardon; I beg your pardon a thou- sand times for seeming inattentive! It struck me just then — or, at least, I wanted to know — -” “If you care to know about anything so ab- surd,” said Mrs. Pentreath, mollified by the evi- dent sincerity of the apology that had been offered to her, “the ghost, according to the story, is the ghost of a woman.” The strange lady’s face grew whiter than ever; 274 WORKS OF WILKIE COLLINS. and she turned away once more to the open win- dow on the landing. “How hot it is!” she said, putting her head out into the air. “Hot, with a northeast wind!” exclaimed Mrs. Pentreath, in amazement. Here Uncle J\ seph came forward with a polite request to know when they were going to look over the rooms. For the last few minutes he had been asking all sorls of questions of Mr. Munder; and, having received no answers which were not of the shortest and most ungracious kind, had given up talking to the steward in despair. Mrs. Pentreath prepared to lead the way into the breakfast-room, library, and drawing-room. All three communicated with each other, and each room had a second door opening on a long passage, the entrance to which was on the right- hand side of the first-floor landing. Before lead- ing the way into these rooms, the housekeeper touched Sarah on the shoulder to intimate that it was time to be moving ou. “As for the ghost story,” resumed Mrs. Pen- treath, while she opened the breakfast - room door, “you must apply to the ignorant people who believe in it, if you want to hear it all told. Whether the ghost is an old ghost or a new ghost, and why she is supposed to walk, is more than I can tell you.” In spite of the housekeeper’s affectation of indifference toward the popular superstition, she had heard enough of the ghost- story to frighten her, though she would not con- fess it. Inside the house, or outside the house, THE DEAD SECRET. 275 nobody much less willing to venture into the north rooms alone could in real truth have been fouud than Mrs. Pentreath herself. While the housekeeper was drawing up the blinds in the breakfast- parlor, and while Mr. Munder was opening the door that led out of it into the library, Uncle Joseph stole to his niece’s side and spoke a few words of encouragement to her in his quaint, kindly way. “ Courage 1” he whispered. “Keep your wits about you, Sarah, and catch your little opportu- nity whenever you can.” “My thoughts! My thoughts!” she answered in the same low key. “This house rouses them all against me. Oh, why did I ever venture into it again!” “You had better look at the view from the window now,” said Mrs. Pentreath, after she had drawn up the blind. “It is very much admired.” While affairs were in this stage of progress on the first floor of the house, Betsey, who had been hitherto stealing up by a stair at a time from the .hall, and listening with all her ears in the intervals of the ascent, finding that no sound of voices now reached her, bethought herself of returning to the kitchen again, and of looking after the housekeeper’s dinner, which was being kept warm by the fire. She descended to the lower regions, wondering what part of the house the strangers would want to see next, and puz- zling her brains to find out some excuse for at- taching herself to the exploring party. 276 WORKS OF WILKIE COLLINS. After the view from the breakfast-room win- dow had been duly contemplated, the library was next entered. In this room, Mrs. Pentreath, having some leisure to look about her, and em- ploying that leisure in observing the conduct of the steward, arrived at the unpleasant conviction that Mr. Munder was by no means to be depended on to assist her in the important business of watching the proceedings of the two strangers. Doubly stimulated to assert his own dignity by the disrespectfully easy manner in which he had been treated by Uncle Joseph, the sole object of Mr. Munder’s ambition seemed to be to divest himself as completely as possible of the char- acter of guide, which the unscrupulous foreigner sought to confer on him. He sauntered heavily about the rooms, with the air of a casual visitor, staring out of window, peeping into books on tables, frowning at himself in the chimney- glasses — looking, in short, anywhere but where he ought to look. The housekeeper, exasperated by this affectation of indifference, whispered to him irritably to keep his eye on the foreigner, as it was quite as much as she could do to look after the lady in the quiet dress. “Very good; very good,” said Mr. Munder, with sulky carelessness. “And where are you going to next, ma’am, after we have been into the drawing-room? Back again, through the library, into the breakfast-room? or out at once into the passage? Be good enough to settle which, as you seem to be in the way of settling everything.” THE DEAD SECRET. 277 “Into the passage, to be sure,” answered Mrs. Pentreath, “to show the next three rooms beyond these.” Mr. Munder sauntered out of the library, through the doorway of communication, into the drawing-room, unlocked the door leading into the passage — then, to the great disgust of the housekeeper, strolled to the fireplace and looked at himself in the glass over it, just as attentively as he had looked at himself in the library mirror hardly a minute before. “This is the west drawing-room,” said Mrs. Pentreath, calling to the visitors. “The carving of the stone chimney-piece,” she added, with the mischievous intention of bringing them into the closest proximity to the steward, “is considered the finest thing in the whole apartment.” Driven from the looking-glass by this maneu- ver, Mr. Munder provokingly sauntered to the window and looked out. Sarah, still pale and silent— but with a certain unwonted resolution just gathering, as it were, in the lines about her lips — stopped thoughtfully by the chimney-piece when the housekeeper pointed it out to her. Uncle Joseph, looking all round the room in his discur- sive manner, spied, in the furthest corner of it from the door that led into the passage, a beauti- ful maple- wood table and cabinet of a very pecul- iar pattern. His workmanlike enthusiasm was instantly aroused, and he darted across the room to examine the make of the cabinet closely. The table beneath projected a little way in front of it, and, of all the objects in the world, what 278 WORKS OF WILKIE COLLINS. should he see reposing on the flat space cf the projection but a magnificent musical box at least three times the size of his own! “Aie! Ai e ! ! Aie!!!” cried Uncle Joseph, in an ascending scale cf admiration, which ended at the very top of his voice. 4 ‘Open him! set him going! let me hear what he plays!” He stopped for want of words to express bis impa- tience, and drummed with both hands on the lid of the musical box in a burst of uncontrollable enthusiasm. “Mr. Munder!” exclaimed the housekeeper, hurrying across the room in great indignation. “Why don’t you look? why don’t you stop him? He’s breaking open the musical box. Be quiet, sir! How dare you touch me?” “Set him going! set him going!” reiterated Uncle Joseph, dropping Mrs. Fentreath’s arm, which he had seized in his agitation. “Look here ! this by my side is a music box, too ! Set him going! Does he play Mozart? He is three times bigger than ever I saw! See! see! this box of mine — this tiny bit of box that looks noth- ing by the side of yours — it was given to my own brother by the king of all music-composers that ever lived, by the divine Mozart himself. Set the big box going, and you shall hear the little baby-box pipe after ! Ah, dear and good madam, if you love me — ” “Sir!!!” exclaimed the housekeeper, redden- ing with virtuous indignation to the very roots of her hair. “What do you mean, sir, by addressing such THE HEAD SECRET. 279 outrageous language as that to a respectable female?” inquired Mr. Munder, approaching to the rescue. “Do you think we want your for- eign noises, and your foreign morals, and your foreign profanity here? Yes, sir! profanity. Any man who calls any human individual, whether musical or otherwise, ‘divine/ is a pro- fane man. Who are you, you extremely auda- cious person? Are you an infidel?” Before Uncle Joseph could say a word in vin- dication of his principles, before Mr. Munder could relieve himself of any more indignation, they were both startled into momentary silence by an exclamation of alarm from the housekeeper. “Where is she?” cried Mrs. Pentreath, stand- ing in the middle of the drawing-room, and look- ing with bewildered eyes all around her. The lady in the quiet dress had vanished. She was not in the library, not in the break- fast-room, not in the passage outside. After searching in those three places, the housekeeper came back to Mr. Munder with a look of down- right terror in her face, and stood staring at him for a moment perfectly helpless and perfectly si- lent. As soon as she recovered herself she turned fiercely on Uncle Joseph. “Where is she? I insist on knowing what has become of her! You cunning, wicked, im- pudent old man! where is* she?” cried Mrs. Pentreath, with no color in her cheeks and no mercy in her eyes. “1 suppose she is looking about the house by herself,” said Uncle Joseph. “We shall find 280 WORKS OF WILKIE COLLINS. her surely as we take our walks through the other rooms.” Simple as he was, the old man had, nevertheless, acuteness enough to perceive that he had accidentally rendered the very service to his niece of which she stood in need. If he had been the most artful of mankind, he could have devised no better means of diverting Mrs. Pentreath’s attention from Sarah to himself than the very means which he had just used in per- fect innocence, at the very moment when his thoughts were furthest away from the real ob- ject with which he and his niece had entered the house. “So! so!” thought Uncle Joseph to himself, “while these two angry people were scolding me for nothing, Sarah has slipped away to the room where the letter is. Good ! I have only to wait till she comes back, and to let the two angry people go on scolding me as long as they please.” “What are we to do? Mr. Munder! what on earth are we to do?” asked the housekeeper. “We can’t waste the precious minutes staring at each other here. This woman must be found. Stop! she asked questions about the stairs — she looked up at the second floor the moment we got on the landing. Mr. Munder! wait here, and don’t let that foreigner out of your sight for a moment. Wait here while I run up and look into the second-floor passage. All the bedroom doors are locked — 1 defy her to hide herself if she has gone up there.” With those words, the housekeeper ran out of the drawing-room, and breathlessly ascended the second flight of stairs. THE BEAD SECRET. 281 While Mrs. Pentreath was searching on the west side of the house Sarah was hurrying, at the top of her speed, along the lonely passages that led to the north rooms. Terrified into decisive action by the desperate nature of the situation, she had slipped out of the drawing-room into the passage the instant she saw Mrs. Pentreath's back turned on her. Without stopping to think, without attempting to compose herself, she ran down the stairs of the first floor, and made straight for the house- keeper’s room. She had no excuses ready, if she had found anybody there, or if she had met anybody on the way. She had formed no plan where to seek for them next, if the keys of the north rooms were not hanging in the place where she still expected to find them. Her mind was lost in confusion, her temples throbbed as if they would burst with the heat at her brain. The one blind, wild, headlong purpose of getting into the Myrtle Room drove her on, gave unnatural swiftness to her trembling feet, unnatural strength to her shaking hands, unnatural courage to her sinking heart. She ran into the housekeeper’s room, without even the ordinary caution of waiting for a mo- ment to listen outside the door. No one was there. One glance at the well-remembered nail in the wall showed her the keys still hanging to it in a bunch, as they had hung in the long- past time. She had them in her possession in a moment; aud was away again, along the soli- tary passages that led to the north rooms, thread- 282 WORKS OF WILKIE COLLINS. ing their turnings and windings as if she had left them but the day before; never pausing to listen or to look behind her, never slackening her speed till she was at the top of the back staircase, and had her hand on the locked door that led into the north hall. As she turned over the bunch to find the first key that was required, she discovered — what her hurry had hitherto prevented her from noticing — the numbered labels which the builder had methodically attached to all the keys when he had been sent to Porthgenna by Mr. Frankland to survey the house. At the first sight of them, her searching hands paused in their work instan- taneously, and she shivered all over, as if a sud- den chill had struck her. If she had been less violently agitated, the discovery of the new labels and the suspicions to which the sight of them instantly gave rise would, in all probability, have checked her further progress. But the confusion of her mind was now too great to allow her to piece together even the veriest fragments of thoughts. Vaguely con- scious of a new terror, of a sharpened distrust that doubled and trebled the headlong impatience which had driven her on thus far, she desperately resumed her search through the bunch of keys. One of them had no label; it was larger than the rest — it was the key that fitted the door of communication before which she stood. She turned it in the rusty lock with a strength which, at any other time, she would have been utterly incapable of exerting; she opened the THE DEAD SECRET. 283 door with a blow of her hand, which burst it away at one stroke from the jambs to which it stuck. Panting for breath, she flew across the forsaken north hall, without stopping for one second to push the door to behind her. The creep- ing creatures, the noisome house- reptiles that possessed the place, crawled away, shadow-like, on either side of her toward the walls. She never noticed them, never turned away for them. Across the hall, and up the stairs at the end of it, she ran, till she gained the open landing at the top — and there she suddenly checked herself in front of the first door. The first door of the long range of rooms that opened on the landing; the door that fronted the topmost of the flight of stairs, She stopped; she looked at it — it was not the door she had come to open; and yet she could not tear herself away from it. Scrawled on the panel in white chalk was the figure — “I.” And when she looked down at the bunch of keys in her hands, there was the figure “I.” on a label, answering to it. She tried to think, to follow out any one of all the thronging suspicions that beset her to the conclusion at which it might point. The effort was useless; her mind was gone; her bodily senses of seeing and hearing — senses which had now become painfully and incomprehensibly sharpened— seemed to be the sole relics of in- telligence that she had left to guide her. She put her hand over her eyes, and waited a little so, and then went on slowly along the landing, looking at the doors. 284 WORKS OF WILKIE COLLINS. No. “II.,” No. “III.,” No. “IV.,” traced on the panels in the same white chalk, and answer- ing to the numbered labels on the keys, the fig- ures on which were written in ink. No. “IV.” the middle room of the first floor range of eight. She stopped there again, trembling from head to foot. It was the door of the Myrtle Room. Did the chalked numbers stop there? She looked on down the landing. No. The four doors remaining were regularly numbered on to “VIII.” She came back again to the door of the Myrtle Room, sought out the key labeled with the fig- ure “IV.” — hesitated— and looked back distrust- fully over the deserted hall. The canvases of the old family pictures, which she had seen bulging out of their frames in the past time when she hid the letter, had, for the most part, rotted away from them now, and lay in great black ragged strips on the floor of the hall. Islands and continents of damp spread like the map of some strange region over the lofty vaulted ceiling. Cobwebs, heavy with dust, hung down in festoons from broken cor- nices. Dirt stains lay on the stone pavement, like gross reflections of the damp stains on the ceiling. The broad flight of stairs leading up to the open landing before the rooms of the first floor had sunk down bodily toward one side. The banisters which protected the outer edge of the landing were broken away into ragged gaps. The light of day was stained, the air of heaven THE DEAD SECRET. 285 was stilled, the sounds of earth were silenced in the north hall. Silenced? Were all sounds silenced? Or was there something stirring that just touched the sense of hearing, that just deepened the dismal stillness, and no more? Sarah listened, keeping her face still set to- ward the hall — listened, and heard a faint sound behind her. Was it outside the door on which her back was turned? Or was it inside — in the Myrtle Room. Inside. With the first conviction of that, all thought, all sensation left her. She forgot the suspicious numbering of the doors; she became insensible to the lapse of time, unconscious of the risk of discovery. All exercise of her other faculties was now merged in the exercise of the one faculty of listening. It was a still, faint, stealthily rustling sound ; and it moved to and fro at intervals, to and fro softly, now at one end, now at the other of the Myrtle Room. There were moments when it grew suddenly distinct — * other moments when it died away in gradations too light to fellow. Sometimes it seemed to sweep over 1 he floor at a bound — sometimes it crept with slow, continu- ous rustlings that just wavered on the verge of absolute silence. Her feet still rooted to the spot on which she stood, Sarah turned her head slowly, inch by inch, toward the door of the Myrtle Room. A moment before, while she was as yet unconscious of the faint sound moving to and fro within it, 286 WORKS OF WILKIE COLLINS. she had been drawing her breath heavily and quickly. She might have been dead now, her bosom was so still, her breathing so noiseless. The same mysterious change came over her face which had altered it when the darkness began to gather in the little parlor at Truro. The same fearful look of inquiry which she had then fixed on the vacant corner of the room was in her eyes now, as they slowly turned on the door. “Mistress!” she whispered. “Am I- too late? Are you there before me?” The stealthily rustling sound inside paused — renewed itself — died away again faintly; away at the lower end of the room. Her eyes still remained fixed on the Myrtle Room, strained, and opened wider and wider — opened as if they would look through the very door itself — opened as if they were watching for the opaque wood to turn transparent and show what was behind it. “Over the lonesome floor, over the lonesome floor — how light it moves!” she whispered again. “Mistress! does the black dress I made for you rustle no louder than that?” The sound stopped again — then suddenly ad- vanced at one stealthy sweep close to the inside of the door. If she could have moved at that moment; if she could have looked down to the line of open space between the bottom of the door and the flooring below, when the faintly rustling sound came nearest to her, she might have seen the insignificant cause that produced it lying self- THE DEAD SECRET. 287 betrayed under the door, partly outside, partly inside, in the shape of a fragment of faded red paper from the wall of the Myrtle Room. Time and damp had loosened the paper all round the apartment. Two or three yards of it had been torn off by the builder while he was examining the walls— sometimes in large pieces, sometimes in small pieces, just as it happened to come away — and had been thrown down by him on the bare, boarded floor, to become the sport of the wind, whenever it happened to blow through the bro- ken panes of glass in the window. If she had only moved! If she had only looked down for one little second of time! She was past moving and past looking: the paroxysm of superstitious horror that possessed her held her still in every limb and every feature. She never started, she uttered no cry, when the rustling noise came nearest. The one outward sign which showed how the terror of its approach shook her to the very soul expressed itself only in the changed action of her right hand, in which she still held the keys. At the instant when the wind wafted the fragment of paper closest to the door, her fingers lost their power of contraction, and became as nerveless and helpless as if she had fainted. The heavy bunch of keys slipped from her suddenly loosened grasp, dropped at her side cn the outer edge of the landing, rolled off through a gap in the broken banister, and fell on the stone pavement below, with a crash which made the sleeping echoes shriek again, as if they were sentient beings writhing under the torture of sound. 288 WORKS OF WILKIE COLLINS. The crash of the falling keys, ringing and ringing again through the stillness, woke her, as it were, to instant consciousness of present events and present perils. She started, staggered back- ward, and raised both her hands wildly to her head — paused so for a few seconds — then made for the top of the stairs with the purpose of de- scending into the hall to recover the keys. Before she had advanced three paces the shrill sound of a woman’s scream came from the door of communication at the opposite end of the hall. The scream was twice repeated at a greater dis- tance off, and was followed by a confused noise of rapidly advancing voices and footsteps. She staggered desperately a few paces further, and reached the first of the row of doors that opened on the landing. There nature sank ex- hausted; her knees gave way under her— her breath, her sight, her hearing all seemed to fail her together at the same instant — and she dropped down senseless on the floor at the head of the stairs. CHAPTER IY. MR. MUNDER ON THE SEAT OF JUDGMENT. The murmuring voices and the hurrying foot steps came nearer and nearer, then stopped alto- gether. After an interval of silence, one voice called out loudly, “Sarah! Sarah! where are you?” and the next instant Uncle Joseph ap- THE DEAD SECRET. 289 peared alone in the doorway that led into the north hall, looking eagerly all round him. At first the prostrate figure on the landing at the head of the stairs escaped his view. But the second time he looked in that direction the dark dress, and the arm that lay just over the edge of the top stair, caught his eye. With a loud cry of terror and recognition, he flew across the hall and ascended the stairs. Just as he was kneel- ing by Sarah’s side, and raising her head on his arm, the steward, the housekeeper, and the maid, all three crowded together after him into the doorway. “Water!” shouted the old man, gesticulating at them wildly with his disengaged hand. “She is here — she has fallen down — she is in a faint ! Water! water!” Mr. Munder looked at Mrs. Pentreath, Mrs. Pentreath looked at Betsey, Betsey looked at the ground. All three stood stock-still; all three seemed equally incapable of walking across the ball. If the science of physiognomy be not an entire delusion, the cause of this amazing una- nimity was legibly written in their faces; in other words, they all three looked equally afraid of the ghost. “Water, I say! Water!” reiterated Uncle Joseph, shaking his fist at them. “She is in a faint! Are you three at the door there, and not one heart of mercy among you? Water! water! water! Must I scream myself into fits before I can make you hear?” “I’ll get the water, ma’am,” said Betsey, “if J — Vol. 16 290 WORKS OF WILKIE COLLINS. you or Mr. Munder will please to take it from here to the top of the stairs.” She ran to the kitchen, and came back with a glass of water, which she offered, with a respect- ful courtesy, first to the housekeeper, and then to the steward. “How dare you ask us to carry things for you?” said Mrs. Pentreath, backing out of the doorway. 4 ‘Yes! how dare you ask us?” added Mr. Munder, backing after Mrs. Pentreath. “Water!” shouted the old man for the third time. He drew his niece backward a little, so that she could be supported against the wall be- hind her. 44 Water! or I trample down this dun- geon of a place about your ears!” he shouted, stamping with impatience and rage. 44 If you please, sir, are you sure it’s really the lady who is up there?” asked Betsey, advancing a few paces tremulously with the glass of water. 44 Am I sure?” exclaimed Uncle Joseph, de- scending the stairs to meet her. 44 What fool’s question is this? Who should it be?” “The ghost, sir,” said Betsey, advancing more and more slowly. “The ghost of the north rooms,” Uncle Joseph met her a few yards in advance of the foot of the stairs, took the glass of water frrm her with a gesture of contempt, and has- tened back to his niece. As Betsey turned to effect her retreat, the bunch of keys lying on the pavement below the landing caught her eye. After a little hesitation she mustered courage THE DEAD SECRET. 291 enough to pick them lip, and then ran with them out of the hall as fast as her feet could carry her. Meanwhile Uncle Joseph was moistening his niece’s lips with the water, and sprinkling it over her forehead. After a while her breath began to come and go slowly, in faint sighs, the muscles of her face moved a little, and she feebly opened her eyes. They fixed affrightedly on the old man, without any expression of recognition. He made her drink a little water, and spoke to her gently, and so brought her back at last to herself. Her first words were, “Don’t leave me.” Her first action, when she was able to move, was the action of crouching closer to him. “ No fear, my child,” he said, soothingly; “I will keep by you. Tell me, Sarah, what has made you faint? What has frightened you so?” “Oh, don’t- ask me! For God’s sake, don’t ask me!” “There, there! I shall say nothing, then. Another mouthful of water? A little mouth- ful more?” “Help me up, uncle; help me to try if I can stand.” “Not yet — not quite yet; patience for a little longer.” “Oh, help me! help me! 1 want to get away from the sight of those doors. If I can only go as far as the bottom of the stairs I shall be better.” “So, so,” said Uncle Joseph, assisting her to rise. “Wait now, and feel your feet on the ground. Lean on me, lean hard, lean heavy. 292 WORKS OF WILKIE COLLINS. Though I am only a light and a little man, I am solid as a rock. Have you been into the room?” he added, in a whisper. “Have you got the letter?” She sighed bitterly, and laid her head on his shoulder with a weary despair. “ Why, Sarah! Sarah!” heexclaimed. “Have you been all this time away and not got into the room yet?” She raised her head as suddenly as she had laid it down, shuddered, and tried feebly to draw him toward the stairs. “I shall never see the Myrtle Room again — never, never, never more!” she said. “Let us go; I can walk; I am strong now. Uncle Joseph, if you love me, take me away from this house; away anywhere, so long as we are in the free air and the daylight again; anywhere, so long as we are out of sight of Porthgenna Tower.” Elevating his eyebrows in astonishment, but considerately refraining from asking any more questions, Uncle Joseph assisted his niece to de- scend the stairs. She was still so weak that she was obliged to pause on gaining the bottom of them to recover her strength. Seeing this, and feeling, as he led her afterward across the hall, that she leaned more and more heavily on his arm at every fresh step, the old man, on arriving within speaking distance of Mr. Munder and Mrs. Pentreath, asked the housekeeper if she possessed any restorative drops which she would allow him to administer to his niece. Mrs. Pentreath’s reply in the affirmative, THE DEAD SECRET. 293 though not very graciously spoken, was accom- panied by an alacrity of action which showed that she was heartily rejoiced to take the first fair excuse for returning to the inhabited quarter of the house. Muttering something about show- ing the way to the place where the medicine- chest was kept, she immediately retraced her steps along the passage to her own room; while Uncle Joseph, disregarding all Sarah’s whis- pered assurances that she was well enough to depart without another moment of delay, fol- lowed her silently, leading his niece. Mr. Munder, shaking his head, and looking wofully disconcerted, waited behind to lock the door of communication. When he had done this, and had given the keys to Betsey to carry back to their appointed place, he,, in his turn, retired from the scene at a pace indecorously ap- proaching to something like a run. On getting well away from the north hall, however, he re- gained his self-possession wonderfully. He ab- ruptly slackened his pace, collected his scattered wits, and reflected a little, apparently with per- fect satisfaction to himself; for when he entered the housekeeper’s room he had quite recovered his usual complacent solemnity of look and manner. Like the vast majority of densely stupid men, he felt intense pleasure in hearing himself talk, and he now discerned such an opportunity of in- dulging in that luxury, after the events that had just happened in the house, as he seldom en- joyed. There is only one kind of speaker who is quite certain never to break down under any 294 WORKS OF WILKIE COLLINS. stress of circumstances — the man whose capabil- ity of talking does ’not include any dangerous underlying capacity for knowing what he means. Among this favored order of natural orators, Mr. Munder occupied a prominent rank — and he was now vindictively resolved to exercise his abilities on the two strangers, under pretense of asking for an explanation of their conduct, be- fore he could suffer them to quit the house. On entering the room, he found TJncle Joseph seated with his niece at the lower end of it, en- gaged in dropping some sal volatile into a glass of water. At the upper end stood the house- keeper with an open medicine-chest on the table before her. To this part of the room. Mr. Mun- der slowly advanced, with a portentous counte- nance; drew. an arm-chair up to the table; sat himself down in it, with extreme deliberation and care in the matter of settling his coat-tails; and immediately became, to all outward appear- ance, the model of a Lord Chief Justice in plain clothes. Mrs. Pentreath, conscious from these prepara- tions that something extraordinary was about to happen, seated herself a little behind the stew- ard. Betsey restored the keys to their place on the nail in the wall, and was about to retiro modestly to her proper kitchen sphere, when she was stopped by Mr. Munder. “Wait, if you please,” said the steward; “I shall have occasion to call on you presently, young woman, to make a plain statement.” Obedient Betsey waited near the door, terrified THE DEAD SECRET. 295 by the idea that she must have done something wrong, and that the steward was armed with in- scrutable legal power to try, sentence, and pun- ish her for the offense on the spot. “Now, sir,” said Mr. Munder, addressing Uncle Joseph as if he was the Speaker of the House of Commons, “if you have done with that sal volatile, and if the person by your side has sufficiently recovered her senses to listen, I should wish to say a word or two to both of you.” At this exordium, Sarah tried affrightedly to rise from her chair; but her uncle caught her by the hand, and pressed her back in it. “Wait and rest,” he whispered. “I shall take all the scolding on my own shoulder, and do all the talking with my own t ngue. As soon as you are fit to walk again, I promise you this: whether the big man has said his word or two, or has not said it, we will quietly get up and go our ways out of the house.” “Up to the present moment,” said Mr. Mun- der, “I have refrained from expressing an opin- ion. The time has now come when, holding a position of trust as I do in this establishment, and being accountable, and indeed responsible, as I am, for what takes place in it, and feeling, as I must, that things cannot be allowed or even permitted to rest as they are— it is my duty to say that I think your conduct is very extraordi- nary.” Directing this forcible conclusi n to his sentence straight at Sarah, Mr. Munder leaned back in his chair, quite full of words, and quite 296 WORKS OF WILKIE COLLINS. empty of meaning, to collect himself comfortably for his next effort. “My only desire,” he resumed, with a plaintive impartiality, “is to act fairly by all parties. I don’t wish to frighten anybody, or to startle anybody, or even to terrify anybody. I wish to unravel, or, if you please, to make out, what I may term, with perfect propriety — events. And when I have done that, I should wish to put it to you, ma’am, and to you, sir, whether — I say, I should wish to put it to you both, calmly, and im- partially, and politely, and plainly, and smoothly — and when I say smoothly, I mean quietly — whether you are not both of you bound to ex- plain yourselves.” Mr. Munder paused, to let that last irresistible appeal work its way to the consciences of the per- sons whom he addressed. The housekeeper took advantage of the silence to cough, as congrega- tions cough just before the sermon, apparently on the principle of getting rid of bodily infirmi- ties beforehand, in order to give the mind free play for undisturbed intellectual enjoyment. Betsey, following Mrs. Pentreath’s lead, in- dulged in a cough on her own account — of the faint, distrustful sort. Uncle Joseph sat per- fectly easy and undismayed, still holding his niece’s hand in his, and giving it a little squeeze, from time to time, when the steward’s oratory became particularly involved and impressive. Sarah never moved, never looked up, never lost the expression of terrified restraint which had taken possession of her face from the first THE DEAD SECRET. 297 moment when she entered the housekeeper’s room. “Now, what are the facts, and circumstances, and events?” proceeded Mr. Munder, leaning- back in his chair, in calm enjoyment of the sound of his own voice. “You, ma’am, and you, sir, ring at the bell of the door of this Mansion” (here he looked hard at Uncle Joseph, as much as to say, “I don’t give up that point about the house being a Mansion, you see, even on the judgment-seat”)— “you are let in, or, rather, admitted. You, sir, assert that you wish to inspect the Mansion (you say ‘see the house,’ but, being a foreigner, we are not sur- prised at your making a little mistake of that sort); you, ma’am, coincide, and even agree, in that request. What follows? You are shown over the Mansion. It is not usual to show stran- gers over it, but we happen to have certain reasons — ” Sarah started. “What reasons?” she asked, looking up quickly. Uncle Joseph felt her hand turn cold, and tremble in his. “Hush! hush!” he said, “leave the talking to me.” At the same moment, Mrs. Pentreath pulled Mr. Munder warily by the coat-tail, and whis- pered to him to be careful. “Mrs. Frankland’s letter,” she said in his ear, '‘tells us particularly not to let it be suspected that we are acting under orders.” “Don’t you fancy, Mrs. Pentreath, that I for- get what I ought to remember,” rejoined Mr. 298 WORKS OF WILKIE COLLINS. Munder — who had forgotten, nevertheless. “ And don’t you imagine that I was going to commit myself” (the very thing which he had just been on the point of doing). “Leave this business in my hands, if you will be so good. — What reasons did you say, ma’am?” he added aloud, address- ing himself to Sarah. “Never you mind about reasons; we have not got to do with them now; we have got to do with facts, and circumstances, and events. I was observing, or remarking, that you, sir, and you, ma’am, were shown, over this Mansion. You were conducted, and indeed led, up the west staircase — the Spacious west stair- case, sir! You were shown with politeness, and even with courtesy, through the breakfast-room, the library, and the drawing-room. In that drawing-room, you, sir, indulge in outrageous, and, 1 will add, in violent language. In that drawing-room, you, ma’am, disappear, or, rather, go altogether out of sight. Such conduct as this, so highly unparalleled, so entirely unprecedented, and so very unusual, causes Mrs. Pentreath and myself to feel — ” Here Mr. Munder stopped, at a loss for a word for the first time. “Astonished,” suggested Mrs. Pentreath after a long interval of silence. “No, ma’am!” retorted Mr. Munder. “Noth- ing of the sort. We were not at all astonished; we were — surprised. And what followed and succeeded that: What did you and I hear, sir, on the first floor?” (looking sternly at Uncle Joseph). “And what did you hear, Mrs. Pen- treath, while you were searching for the miss- THE HEAD SECRET. 299 in g and absent party on the second floor? What?” Thus personally appealed to, the housekeeper answered briefly — “A scream.” “No! no! no!” said Mr. Munder, fretfully tapping his hand on the table. “A screech, Mrs. Pentreath — a screech. And what is the meaning, purport, and upshot of that screech? — Young woman!” (here Mr. Munder turned sud- denly on Betsey) “we have now traced these ex- traordinary facts and circumstances as far as you. Have the goodness to step forward, and tell us, in the presence of these two parties, how you came to utter, or give, what Mrs. Pentreath calls a scream, but what I call a screech. A plain statement will do, my good girl — quite a plain statement, if you please. And, young woman, one word more — speak up. You un- derstand me? Speak up!” Covered with confusion by the public and sol- emn nature of this appeal, Betsey, on starting with her statement, unconsciously followed the oratorical example of no less a person than Mr. Munder himself; that is to say, she spoke on the principle of drowning the smallest possible infu- sion of ideas in the largest possible dilution of words. Extricated from the mesh of verbal en- tanglement in which she contrived to involve it, her statement may be not unfairly represented as simply consisting of the following facts: First, Betsey had to relate that she happened to be just taking the lid off a saucepan, on the kitchen fire, when she heard, in the neighbor- 800 WORKS OF WILKIE COLLINS. hood of the housekeeper’s room, a sound of hurried footsteps (vernacularly termed by the witness a “scurrying of somebody’s feet”). Secondly, Betsey, on leaving the kitchen to as- certain what the sound meant, heard the foot- steps retreating rapidly along the passage which led to the north side of the house, and, stimu- lated by curiosity, followed the sound of them for a certain distance. Thirdly, at a sharp turn in the passage, Betsey stopped short, despairing of overtaking the person whose footsteps she heard, and feeling also a sense of dread (termed by the witness, “creeping of the flesh”) at the idea of venturing alone, even in broad daylight, into the ghostly quarter of the house. Fourthly, while still hesitating at the turn in the passage, Betsey heard “the lock of a door go,” and, stimulated afresh by curiosity, advanced a few steps further — then stopped again, debating within herself the difficult and dreadful question, whether it is the usual custom of ghosts, when passing from one place to another, to unlock any closed door which may happen to be in their way, or to save trouble by simply passing through it. Fifthly, after long deliberation, and many false starts — forward toward the north hall and backward toward the kitchen — Betsey decided that it was the immemorial custom of all ghosts to pass through doors, and not unlock them. Sixthly, fortified by this conviction, Betsey went on boldly close to the door, when she suddenly heard a loud report, as of some heavy body fall- ing (graphically termed by the witness a “bang- THE DEAD SECRET, 301 ing scrash”). Seventhly, the noise frightened Betsey out of her wits, brought her heart up into her mouth, and took away her breath. Eightly, and lastly, on recovering breath enough to scream (or screech), Betsey did, with might and main, scream (or screech), running back to- ward the kitchen as fast as her legs would carry her, with all her hair “standing up on end,” and all her flesh “in a crawl” from the crown of her head to the soles of her feet. “Just so! just so!” said Mr. Munder, when the statement came to a close — as if the sight of a young woman with all her hair standing on end and all her flesh in a crawl were an ordinary result of his experience of female humanity— “Just so! You may stand back, my good girl — you may stand back. — There is nothing to smile at, sir,” he continued, sternly addressing Uncle Joseph, who had been excessively amused by Betsey’s manner of delivering her evidence. “You would be doing better to carry, or rather transport, your mind back to what followed and succeeded the young woman’s screech. What did we all do, sir? We rushed to the spot, and we ran to the place. And what did we all see, sir? — We saw you , ma’am, lying horizontally prostrate, on the top of the landing of the first of the flight of the north stairs; and we saw those keys, now hanging up yonder, abstracted and purloined, and, as it were, snatched from their place in this room, and lying horizontally pros- trate likewise on the floor of the hall. — There are the facts, the circumstances, and the events, laid, 302 WORKS OF WILKIE COLLINS. or rather placed, before you. What have you got to say to them? I call upon you both sol- emnly, and, I will add, seriously ! In my own name, in the name of Mrs. Pentreath, in the name of our employers, in the name of decency, in the name of wonder — what do you mean by it?” With that conclusion, Mr. Munder struck his fist on the table, and waited, with a glare of merciless expectation, for anything in the shape of an answer, an explanation, or a defense which the culprits at the bottom of the room might be disposed to offer. “Tell him anything,” whispered Sarah to the old man. “Anything to keep him quiet; any- thing to make him let us go! After what I have suffered, these people will drive me mad!” Never very quick at inventing an excuse, and perfectly ignorant besides of what had really happened to his niece while she was alone in the north hall, Uncle Joseph, with the best will in the world to prove himself equal to the emer- gency, felt considerable difficulty in deciding what he should say or do. Determined, how- ever, at all hazards, to spare Sarah any useless suffering, and to remove her from the house as speedily as possible, he rose to take the responsi- bility of speaking on himself, looking hard, be- fore he opened his lips, at Mr. Munder, who im- mediately leaned forward on the table with his hand to his ear. Uncle Joseph acknowledged this polite act of attention with one of his fan- tastic bows; and then replied to the whole of the THE DEAD SECRET. 303 stewards long harangue in these six unanswer- able words : “1 wish you good-day, sir!” “How dare you wish me anything of the sort!” cried Mr. Muuder, jumping out of his chair in violent indignation. “How dare you trifle with a serious subject and a serious question in that way? Wish me good-day, indeed ! Do you sup- pose I am going to let you out of this house with- out hearing some explanation of the abstracting and purloining and snatching of the keys of the north rooms?” “Ah! it is that you want to know?” said Uncle Joseph, stimulated to plunge headlong into an excuse by the increasing agitation and terror of his niece. “See, now! I shall explain. What was it, dear and good sir, that we said w~hen we were first let in? This — 4 We have come to see the house.’ Now there is a north side to the house, and a west side to the house. Good! That is two sides; and I and my niece are two people; and we divide ourselves in two, to see the two sides 1 am the half that goes west, with you and the dear and good lady be- hind there. My niece here is the other half that goes north, all by herself, and drops the keys, and falls into a faint, because in that old part of the house it is what you call musty-fusty, and there is smells of tombs and spiders — and that is all the explanation, and quite enough, too. I wish you good-day, sir.” “Damme! if ever I met with the like of you before!” roared Mr. Munder, entirely forgetting 304 WORKS OF WILKIE COLLINS. his dignity, his respectability, and his long words in the exasperation of the moment. “You are going to have it all your own way, are you, Mr. Foreigner? You will walk out of this place when you please, will you, Mr. For- eigner? We will see what the justice of the peace for this district has to say to that,” cried Mr. Munder, recovering his solemn manner and his lofty phraseology. “Property in this house is confided to my care; and unless I hear some satisfactory explanation of the purloining of those keys hanging up there, sir, on that wall, sir, be- fore your eyes, sir— I shall consider it my duty to detain you, and the person with you, until I can get legal advice, and lawful advice, and magisterial advice. Do you hear that, sir?” Uncle Joseph’s ruddy cheeks suddenly deep- ened in color, and his face assumed an expression which made the housekeeper rather uneasy, and which had an irresistibly cooling effect on the heat of Mr. Munder’s anger. “You will keep us here? You?” said the old man, speaking very quietly, and looking very steadily at the steward. “Now, see. I take this lady (courage, my child, courage ! there is noth- ing to tremble for) —I take this lady with me; I throw that door open, so ! I stand and wait before it; and 1 say to you, ‘Shut that door against us, if you dare.’ ” At this defiance, Mr. Munder advanced a few steps, and then stopped. If Uncle Joseph’s steady look at him had wavered for an instant, he would have closed the door. THE DEAD SECRET. 305 “I say again,” repeated the oldjnan, “shut it against us, if you dare. The laws and customs of your country, sir, have made me an English- man. If you can talk into one ear of a magis- trate, I can talk into the other. If he must listen to you, a citizen of this country, he must listen to me, a citizen of this country also. Say the word, if you please. Do you accuse? or do you threaten? or do you shut the door?” Before Mr. Munder could reply to any one of these three direct questions, the housekeeper begged him to return to his chair and to speak to her. As he resumed his place, she whispered to him in warning tones, “Remember Mrs. Frankland’s letter!” At the same time, Uncle Joseph, considering that he had waited long enough, took a step for- ward to the door. He was prevented from ad- vancing further by his niece, who caught him suddenly by the arm, and said in his ear, “Look! they are whispering about us again!” “Well!” said Mr. Munder, replying to the housekeeper. “1 do remember Mrs. Frankland’s letter, ma’am; and what then?” “Hush! not so loud,” whispered Mrs. Pen- treath. “1 don’t presume, Mr. Munder, to differ in opinion with you; but I want to ask one or two questions. Do you think we have any charge that a magistrate would listen to, to bring against these people?” Mr. Munder looked puzzled, and seemed, for once in a way, to bo at a loss for an answer. “Does what you remember of Mrs. Frankland’s 306 WORKS OF WILKIE COLLINS letter,” pursued the housekeeper, “incline you to think that she would be pleased at a public ex- posure of what has happened in the house? She tells us to take private notice of that woman’s conduct, and to follow her unperceived when she goes away. I don’t venture on the liberty of advising you, Mr. Munder, but, as far as re- gards myself, 1 wash my hands of all responsi- bility, if we do anything but follow Mrs. Frank- land’s instructions (as she herself tells us) to the letter.” Mr. Munder hesitated. Uncle Joseph, who had paused for a minute when Sarah directed his attention to the whispering at the upper end of the room, now drew her on slowly with him to the door. “Betzee, my dear,” he said, address- ing the maid, with perfect coolness and compos- ure, “we are strangers here; will you be so kind to us as to show the way out?” Betsey locked at the housekeeper, who mo- tioned to her to appeal for orders to the steward. Mr. Munder was sorely tempted, for the sake of his own importance, to insist on instantly carry- ing out the violent measures to which he had threatened to have recouise; but Mrs. Pentreath’s objections made him pause in spite of himself. “Betzee, my dear,” repeated Uncle Joseph, “has all this talking been too much for your ears? has it made you deaf?” “Wait!” cried Mr. Munder, impatiently. “I insist on your waiting, sir!” “You insist? Well, well, because you are an uncivil man is no reason why I should be an un- THE DEAD SECRET. 307 civil man too. We will wait a little, sir, if you have anything more to say.” Making that con- cession to the claims of politeness, Uncle Joseph Walked gently backward and forward with his niece in the passage outside the door. 4 4 Sarah, my child, I have frightened the man of the big words,” he whispered. “Try not to tremble so much; we shall soon be out in the fresh air again.” In the meantime, Mr. Munder continued his whispered conversation with the housekeeper, making a desperate effort, in the midst of his perplexities, to maintain his customary air of patronage and his customary assumption of su- periority. “There is a great deal of truth, ma’am,” he softly began — “a great deal of truth, certainly, in what you say. But you are talking of the woman, while 1 am talking of the man. Do you mean to tell me that I am to let him go, after what has happened, without at least insisting on his giving me his name and address?” “Do you put trust enough in the foreigner to believe that he would give you his right name and address if you asked him?” inquired Mrs. Pentreath. “With submission to your better judgment, I must confess that I don’t. But sup- posing you were to detain him and charge him before the magistrate — and how you are to do that, the magistrate’s house being, I suppose, about a couple of hours’ walk from here, is more than I can tell— you must surely risk offending Mrs. Frankland by detaining the woman and charging the woman as well ; for after all, Mr. 308 WORKS OF WILKIE COLLINS. Munder, though I believe the foreigner to be capable of anything, it was the woman that took the keys, was it not?” “Quite so! quite so!” said Mr. Munder, whose sleepy eyes were now opened to this plain and straightforward view of the case for the first time. “I was, oddly enough, putting that point to my- self, Mrs. Pentreath, just before you happened to speak of it. Just so! just so!” “I can’t help thinking,” continued the house- keeper, in a mysterious whisper, “that the best plan, and the plan most in accordance with our instructions, is to let them both go, as if we did not care to demean ourselves by any more quar- reling or arguing with them, and to have them followed to the next place they stop at, The gardener’s boy, Jacob, is weeding the broad walk in the west garden this afternoon. These people have not seen him about the premises, and need not see him, if they are let out again by the south door. Jacob is a sharp lad, as you know: and, if he was properly instructed, I really don’t see — ” “It is a most singular circumstance, Mrs. Pentreath,” interposed Mr. Munder, with the gravity of consummate assurance; “but when I first sat down to this table, that idea about Jacob occurred to me. What with the effort of speak- ing, and the heat of argument, I got led away from it in the most unaccountable manner — ” Here Uncle Joseph, whose stock of patience and politeness was getting exhausted, put his head into the room again. THE DEAD SECRET. 309 “X shall have one last word to address to you, sir, in a moment,” said Mr. Munder, before the old man could speak. 6 ‘Don’t you suppose that your blustering and your bullying has had any effect on me. It may do with foreigners, sir; but it won’t do with Englishmen, X can tell you.” Uncle Joseph shrugged his shoulders, smiled, and rejoined his niece in the passage outside. While the housekeeper and the steward had been conferring together, Sarah had been trying hard to persuade her uncle to profit by her knowledge of the passages that led to the south door, and to slip away unpercieved. But the old man steadily refused to be guided by her advice. “X will not go out of a place guiltily,” he said, “when I have done no harm. Nothing shall persuade me to put myself, or to put you, in the wrong. I am not a man of much wits; but let my con- science guide me, and so long X shall go right. They let us in here, Sarah, of their own accord ; and they shall let us out of their own accord also. ” “Mr. Munder! Mr. Munder!” whispered the housekeeper, interfering to stop a fresh explosion of the steward’s indignation, which threatened to break out at the contempt implied by the shrugging of Uncle Joseph’s shoulders, “while you are speaking to that audacious man, shall I slip into the garden and give Jacob his instruc- tions?” Mr. Munder paused before answering — tried hard to see a more dignified way out of the di- lemma in which he had placed himself than the way suggested by the housekeeper-failed an- 310 WORKS OF WILKIE COLLINS. tirely to discern anything of the sort — swallowed his indignation at one heroic gulp — and replied emphatically in two words: “Go, ma’am.” “What does that mean? what has she gone that way for?” said Sarah to her uncle, in a quick, suspicious whisper, as the housekeeper brushed hastily by them on her way to the west garden. Before there was time to answer the question, it was followed by another, put by Mr. Munder. “Now, sir!” said the steward, standing in the doorway, with his hands under his coat-tails and his head very high in the air. “Now, sir, and now, ma’am, for my last words. Am 1 to have a proper explanation of the abstracting and purloining of those keys, or am 1 not?” “Certainly, sir, you are to have the expla- nation,” replied Uncle Joseph. “It is, if you please, the same explanation that I had the honor of giving to you a little while ago. Do you wish to hear it again? It is all the explanation we have got about us.” “Oh! it is, is it?” said Mr. Munder. “Then all 1 have to say to both of you is — leave the house directly! Directly!” he added, in his most coarsely offensive tones, taking refuge in the insolence of authority, from the dim con- sciousness of the absurdity of his own position, which would force itself on him even while he spoke. “Yes, sir!” he continued, growing more and more angry at the composure with which Uncle Joseph listened to him — “Yes, sir! you may bow and scrape, and jabber your broken THE DEAD SECRET. 311 English somewhere else. I won’t put up with you here. I have reflected with myself, and reasoned with myself, and asked myself calmly — as Englishmen always do — if it is any use making you of importance, and I have come to a conclusion, and that conculsion is — no, it isn’t! Don’t you go away with a notion that your blus- terings and bullyings have had any effect on me. (Show them out, Betsey!) I consider you be- neath — aye, and below! — my notice. Language fails, sir, to express my contempt. Leave the bouse!” “And I, sir,” returned the object of all this withering derision, with the most exasperating politeness, “I shall say, for having your con- tempt, what I could by no means have said for having your respect, which is, briefly— thank you. I, the small foreigner, take the contempt of you, the big Englishman, as the greatest com- pliment that can be paid from a man of your composition to a man of mine.” With that, Uncle Joseph made a last fantastic bow, took his niece’s arm and f flowed Betsey along the pass- ages that led to the south door, leaving Mr. Mun- der to compose a fit retort at his leisure. Ten minutes later the housekeeper returned breathless to her room, and found the steward walking backward and forward in a high state of irritation. “Pray make your mind easy, Mr. Munder,” she said. “They are both clear of the house at last, and Jacob has got them well in view on the path over the moor.” 312 WORKS OF WILKIE COLLINS. . CHAPTER Y. MOZART PLAYS FAREWELL. Excepting that he took leave of Betsey, the servant-maid, with great cordiality, Uncle Jo- seph spoke not another word, after his parting reply to Mr. Munder, until he and his niece were alone again under the east wall of Porthgenna Tower. There he paused, looked up at the house, then at his companion, then back at the house once more, and at last opened his lips to speak. “I am sorry, my child,’' he said— -“I am sorry from my heart. This has been what you call in England a bad job.” Thinking that he referred to the scene which had just passed in the housekeeper’s room, Sarah asked his pardon for having been the innocent means of bringing him into angry collision with such a person as Mr. Munder, “No! no! noP’hecried. “1 was not thinking of the man of the big body and the big words. He made me angry, it is not to be denied; but that is all over and gone now. I put him and his big words away from mo, as 1 kick this stone, here, from the pathway into the road. It is not of your Munders, or your housekeepers, or your Betzees, that 1 now speak —it is of something that is nearer to you and nearer to me also, be- cause I make of your interest my own interest too. I shall tell you what it is while we walk THE BEAD SECRET. 313 on— for I see in your face, Sarah, that you are restless and in fear so long as we stop in the neigh- borhood of this dungeon-house. Come! I am ready for the march. There is the path. Let us go back by it, and pick up our little bag- gages at the inn where we left them, on the other side of this windy wilderness of a place.” “Yes, yes, uncle! Let us lose no time; let us walk fast. Don’t be afraid of tiring me; I am much stronger now.” They turned into the same path by which they had approached Porthgenna Tower in the after- noon. By the time they had walked over a little more than the first hundred yards of their jour- ney, Jacob, the gardener’s boy, stole out from behind the ruinous inclosure at the north side of the house with his hoe in his hand. The sun had just set, but there was a fine light still over the wide, open surface of the moor; and Jacob paused to let the old man and his niece get fur- ther away from the building before he followed them. The housekeeper’s instructions had di- rected him just to keep them in sight, and no more ; and, if he happened to observe that they stopped and turned round to look behind them, he was to stop, too, and pretend to be digging with his hoe, as if he was at work on the moor- land. Stimulated by the promise of a sixpence, if he was careful to do exactly as he had been told, Jacob kept his instructions in his memory, and kept his eye on the two strangers, and promised as fairly to earn the reward in prospect for him as a boy could. 314 WORKS OF WILKIE COLLINS. “ And now, my child, I shall tell you what it is I am sorry for,” resumed Uncle Joseph, as they proceeded along the path. “X am sorry that we have come out upon this journey, and run our little risk, and had our little scolding, and gained nothing. The word you said in my ear, Sarah, when I was getting you out of the faint (and you should have come out of it sooner, if the muddle- headed people of the dungeon-house had been quicker with the water) — the word you said in my ear was not much, but it was enough to tell me that we have taken this journey in vain. I may hold my tongue, I may make my best face at it, 1 may be content to walk blindfolded with a mystery that lets no peep of daylight into my eyes— but it is not the less true that the one thing your heart was most set on doing, when we started on this journey, is the one thing also that you have not done. 1 know that, if I know noth- ing else; and I say again, it is a bad job — yes, yes, upon my life and faith, there is no disguise to put upon it; it is, in your plainest English, a very bad job.” As he concluded the expression of his sympathy in these quaint terms, the dread and distrust, the watchful terror, that marred the natural softness of Sarah’s eyes, disappeared in an expression of sorrowful tenderness, which seemed to give back to them all their beauty. “Don’t be sorry forme, uncle,” she said, stop- ping, and gently brushing away with her hand some specks of dust that lay on the collar of his coat. “I have suffered so much and suffered THE HEAD SECRET. 315 so long, that the heaviest disappointments pass lightly over me now.” “I won’t hear you say it !” cried Uncle Joseph. “You give me shocks 1 can’t bear when you talk to me in this way. You shall have no more disap- pointments — no, you shall not! I, Joseph Busch- mann, the Obstinate, the Pig-headed, I say it !” “The day when 1 shall have no more disappoint- ments, uncle, is not far off now. Let me wait a little longer, and endure a little longer: I have learned to be patient, and to hope for nothing. Fearing and failing, fearing and failing — that has been my life erer since 1 was a young wo- man — the life I have become used to by this time. If you are surprised, as 1 know you must be, at my not possessing myself of the letter, when I had the keys of the Myrtle Boom in my hand, and when no one was near to stop me, re- member the history of my life, and take that as an explanation. Fearing and failing, fearing and failing — if I told you all the truth, I could tell no more than that. Let us walk on, uncle.” The resignation in her voice and manner while she spoke was the resignation of despair. It gave her an unnatural self-possession, which altered her, in the eyes of Uncle Joseph, almost past recognition. He looked at her in undis- guised alarm. “No!” he said,