LITTLE BLUE BOOK NO. Edited by £. Haldeman-Julius 351 Memories of Lincoln Walt Whitman LINCOLN ROOM UNIVERSITY OF ILLINOIS LIBRARY MEMORIAL the Class of 1901 founded by HARLAN HOYT HORNER and HENRIETTA CALHOUN HORNER TEN CENT POCKET SERIES NO. 351 Edited by E. Ualdeman-Julius Memories of Lincoln Walt Whitman HALDEMAN-JULIUS COMPANY GIRARD, KANSAS I'KINTKI) IN THE UNITED STATES OF AMERICA MEMORIES OF LINCOLN. He knew to bide his time, And can his fame abide, Still patient in his simple faith sublime, Till the wise years decide. Great captains, with their guns and drums. Disturb our judgment for the hour, But at last silence comes; These all are gone, and, standing like a tower, Our children shall behold his fame. The kindly-earnest, brave, foreseeing man, Sagacious, patient, dreading praise, not blame, New birth of our new soil, the first American. James Russell Lowell. MEMORIES OF LINCOLN FOREWORD. Whitman did not subject Lincoln to the lit- erary but to the human motive. Lincoln does not become a literary figure by his touch. Does not become a man in a book. After Whitman is done with him Lincoln still remains Lincoln. No way reduced. No way aggrandized. Only toetter understood. His background does not become a book. His background remains what it was. Remains life. Generic life. As life is where life finds life at the root. I may let Whitman put in a word for himself. Whitman said to me of Lincoln: "Lincoln is particularly my man — particu- larly belongs to me; yes, and by the same taken I am Lincoln's man: I guess I parti- cularly belong to him: we are afloat in the same stream — we are rooted in the same ground. " To know the Lincoln of Whitman you want t3 know the Whitman of Whitman. Whitman was literary. But he was not first of all lit- erary. Or last of all literary. First of all he was human. He was not the leaves of a book. He was the bone and flesh of a man. Yes, he was that something or other not bone or flesh which is also of a man — which finally is the rnan. Simply literary analysis can make little out of Whitman. He does not yield to the scalpel. He is not to be resurrected from an iikpot. His voice falls in with the p v ophet voices. He was not unlettered. He knew rhe 6 MHJMUKJ&S OK MNCOL.N alphabet. But he kept all alphabetical ar- rogance well in hand. The letter was kept in hand. The spirit was left free. You cannot buy a ticket for Athens or Weimar or Paris or London or Boston and reach Whitman. He is never reached in that circle. The literary cen- ters do not lead to him. You have got to travel to him by another route. You go East and find the Buddhistic canticles. You con- sult the Zoroastrian avatars. And you take the word of Jesus for a great deal. And you may hit Socrates on the way. And you keep on with your journey, touchng here and there in European history certain men, certain in- fluences. Going into port now and then. Never going where men compete for literary judgment. Never where men set out to acquit themselves immortally as artists. Keeping forever close to the careless rhythms of ori- ginal causes. So you go on. And go on. And by and by you arrive at Whitman. Not by way of the university. Not by way of Shakespeare. Not by way of the literary experts and adepts. But by human ways. To try to find Whit- man by way of Shakespeare or Moliere would be hopeless. I do not disparage the other routes to other men. I am only describing this route to Whitman. This route, which is the only route. Whitman chants and prays and soars. He is not pretty. He is only beauti- ful. He is not beautiful with the beauty of beauty. He is beautiful with the beauty of truth. The pen can easily miss Whitman. But the heart reaches him direct. Whitman is therefore the best route to Lincoln. The same MEMORIES OF LINCOLN T process which provides Whitman for you pro- vided Lincoln for Whitman. Whitman said to me again about Lincoln: "There was no reason why Lincoln should not have been a prophet rather than a politician; he was in fact a divine prophet-politician; in him for almost the first time prophecy had something to say in politics. I shouldn't won- der but that in another age of the world Lin- coln would have been a chosen man to lead in some rebellion against ecclesiastical institu- tions and religious form and ceremony." Horace Traubel. MEMORIES OF LINCOLN The main effect of this poem is of strong solemn, and varied music; and it involves in its construction a principle after which perhaps the great composers most work — namely, spiri- tual auricular analogy. At first it would seem to defy analysis, so rapt is it, and so indirect. No reference whatever is made to the mere fact of Lincoln's death; the poet does not even dwell upon its unprovoked atrocity, and only occasion- ally is the tone that of lamentation; but, with the intuitions of the grand art, which is the most complex when it seems most simple, he seizes upon three beautiful facts of nature, which he weaves into a wreath for the dead President's tomb. The central thought is of death, but around this he curiously twines, first, the early- blooming lilacs which the poet may have plucked the day the dark shadow came; next the song of the hermit thrush, the most sweet and solemn of all our songsters, heard at twilight in the dusky cedars; and with these the evening star, which, as many may remember, night after night in the early part of that eventful spring", hung- low in •the west with unusual and tender brightness. These are the premises whence he starts his solemn chant. The attitude, therefore, is not that of being bowed down and weeping hopeless tears, but of singing- a commemorative hymn, in which the voices of nature join, and fits that exalted con- dition of the soul which serious events and the presence of death induce. JOTTN BURROUGHS. MEMOR] ::s OF LINCOLN WHEN LILACS LAST IN THE DOORYARD BLOOM'D. When lilacs last in the dooryard bloom'd, And the great star early droop'd in the western sky in the night, I mourn'd, and yet shall mourn with ever-returning spring. Ever-returning spring, trinity sure to me you bring, Lilac blooming perennial and drooping star in the west, And thought of him I love. 2 powerful western fallen star! shades of night — O moody, tearful night ! 10 MEMORIES OF LINCOLN great star disappear'd — the black murk that hides the star! cruel hands that hold me powerless — helpless soul of me ! harsh surrounding cloud that will not free my soul. In the dooryard fronting an old farm- house near the white-wash'd palings, Stands the lilac-bush tall-growing with heart-shaped leaves of rich green, With many a pointed blossom rising delicate, with the perfume strong I love, With every leaf a miracle — and from this bush in the dooryard, With delicate-color'd blossoms and heart-shaped leaves of rich green, A sprig with its flower I break. MEMORIES OF LINCOLN 11 In the swamp in secluded recesses, A shy and hidden bird is warbling a song. Solitary the thrush, The hermit withdrawn to himself, avoid- ing the settlements, Sings by himself a song. Song of the bleeding throat, Death's outlet song of life, (for well dear brother I know\ If thou wast not granted to sing thou would'st surely die.) Over the breast of the spring, the land, amid cities, Amid lanes and through old woods, where lately the violets peep'd from the ground, spotting the gray debris, 12 MEMORT.BR OF LINCOLN Amid the grass in the fields each side of the lanes, passing the endless grass, Passing the yellow-spear'd wheat, every grain from its shroud in the dark-brown fields uprisen, Passing the apple-tree blows of white and pink in the orchards, Carrying a corpse to where it shall rest in the grave, Night and day journeys a coffin. 6 Coffin that passes through lanes and streets, Through day and night with the gre&t cloud darkening the land, With the pomp of the inloop'd flags with the cities draped in black, With the show of the States themselves as of crape-veiPd women stand- ing, With processions long and winding and the flambeaus of the night, MEMORIES OF LINCOLN II With the countless torches lit, with the silent sea of faces and the un- bared heads, With the waiting depot, the arriving coffin, and the sombre faces, With dirges through the night, with the thousand voices rising strong and solemn, With all the mournful voices of the dirges pour'd around the coffin, The dim-lit churches and the shuddering organs — where amid these you journey, With the tolling, tolling bell's perpetual clang, Here, coffin that slowly passes, I give you my sprig of lilac. 7 (Nor for you, for one alone, Blossoms and branches green to coffins all I bring, For fresh as the morning, thus would I chant a song for you sane and sacred death. 11 M EMOTUES OF LINCOLN All over bouquets of roses, death, I cover you over with roses and early lilies, But mostly and now the lilac that blooms the first, Copious I break, I break the sprigs from the bushes, With loaded arms I come, pouring for you, For you and the coffins all of you death.) 8 western orb sailing the heaven, Now I know what you must have meant as a month since I walk'd, As I walk'd in silence the transparent shadowy night, As I saw you had something to tell as you bent to me night after night, As you droop'd from the sky low down as if to my side, (while the other stars all look'd on,) MEMORIES OF LINCOLN 15 As we wander'd together the solemn night, (for something I know not what kept me from sleep,) As the night advanced, and I saw on the rim of the west how full you were of woe, As I stood on the rising ground in the breeze in the cool transparent night, As I watch'd where you pass'd and was lost in the netherward black of the night, As my soUl in its trouble dissatisfied sank, as where you sad orb. Concluded, clropt in the night, and was: gone. 9 Sing on there in, the swamp, singer bashful and tender, I hear your notes, I hear your call, 1 hear, I come presently, I understand you, 16 MEMORJ ES OF LINCOLN But a moment I linger, for the lustrous star has detain'd me, The star my departing comrade holds and detains me. 10 how shall I warble myself for the dead one there I loved? And how shall I deck my song for the large sweet soul that has gone? And what shall my perfume be for the grave of him I love ? Sea-winds blown from east and west, Blown from the Eastern sea and blown from the Western sea, till there on the prairies meeting, These and with these and the breath of my chant, I'll perfume the grave of him I love. 11 what shall I hang on the chamber walls? MEMORIES OF LINCOLN 17 And what shall the pictures be that I hang on the walls, To adorn the burial-house of him I love? Pictures of growing spring and farms and homes, With the Fourth-month eve at sundown, and the gray smoke lucid and bright, With floods of the yellow gold of the gorgeous, indolent, sinking sun, burning, expanding the air, With the fresh sweet herbage under foot, and the pale green leaves of the trees prolific, In the distance the flowing glaze, the breast of the river, with a wind- dapple here and there, With ranging hills on the banks, with many a line against the sky, and shadows, And the city at hand with dwellings so dense, and stacks of chimneys, i8 MICMoUlKS OF LINCOLN And all the scenes of life and the work- shops, and the workmen home- ward returning. Lo, body and soul — this land, My own Manhattan with spires, and the sparkling and hurrying tides, and the ships, The varied and ample land, the South and the North in the light, Ohio's shores and flashing Missouri, And ever the far-spreading prairies covered with grass and corn. Lo, the most excellent sun so calm and haughty. The violet and purple morn with just- felt breezes, The gentle soft-born measureless light. The miracle spreading bathing all, the fulfiird noon, The coming eve delicious, the welcome night and the stars, Over my cities shining all, enveloping man and land. MEMORIES OF LINCOLN- 19 13 Song on, sing on you gray-brown bird, Sing from the swamps, the recesses, pour your chant from the bushes, Limitless out of the dusk, out of the cedars and pines. Sing on dearest brother, warble your reedy song, Loud human song, with voice of utter- most woe. liquid and free and tender! wild and loose to my soul — won- drous singer ! You only I hear — yet the star holds me, (but will soon depart,) Yet the lilac with mastering odor holds me. 14 Now while I sat in the day and look'd forth, 20 MEMORIES OF LINCOLN In the close of the day with its light and the fields of spring, and the farmers preparing their crops, In the large unconscious scenery of my land with its lakes and forests, In the heavenly aerial beauty, (after the perturb'd winds and the storms,) Under the arching heavens of the after- noon swift passing, and the voices of children and women, The many-moving sea-tides, and I saw the ships how they sail'd, And the summer approaching with richness, and the fields all busy with labor, And the infinite separate houses, how they all went on, each with its meals and minutia of daily usages, And the streets how their throbbings throbb'd, and the cities pent — lo, then and there, MEMORIES OF LINCOLN 21 Falling upon them all and among them all, enveloping me with the rest, Appeared the cloud, appear'd the long black trail, And I knew death, its thought, and the sacred knowledge of death. Then with the knowledge of death as walking one side of me, And the thought of death close-walking the other side of me, And I in the middle as with companions, and as holding the hands of com- panions, I fled forth to the hiding receiving night that talks not, Down to the shores of the water, the path by the swamp in the- dim- ness, To the solemn shadowy cedars and ghostly pines so still. And the singer so shy to the rest receiv'd me, 22 MEMORIES OP LINCOLN The gray-brown bird I know receiv'd us comrades three, And he sang the carol of death, and a verse for him I love. From deep secluded recesses, From the fragrant cedars and the ghostly pines so still, Came the carol of the bird. And the charm of the carol rapt me, As I held as if by their hands my com- rades in the night, And the voice of my spirit tallied the song of the bird. Come lovely and soothing death, Undulate round the world, serenely ar- riving, arriving, In the day, in the night, to all, to each, Sooner or later delicate death. Prats' d be the fathomless universe, For life and joy, and for objects and knoivledge curious, MEMORIES of i/rxroT.x & And for love, sweet love — but prt)tt&&! praise! praise! For the sure-enwinding arms of cool- enfolding death. Bark mother always gliding near with soft feet, Have none chanted for thee a chant tff f idlest ivelcome 4 ! Then I chant it for thee, I glorify thee above all, \ I bring thee a song that when thou must indeed come, come unfalter- ingly. Approach strong deliveress, When it is so, when thou hast taken them I joyously sing the dead, Lost in the loving floating ocean of thee, Laved in the flood of thy bliss death. From me to thee glad serenades, Dances for thee I propose saluting thee, adornments and feastings for thee, 24 MEMORIES OP LINCOLN And the sights of the open landscape and the high-spread sky are fit- And life and the fields, and the huge and thoughtful night. The night in silence under many a star, The ocean shore and the husky tvhisper- ing wave lohose voice I know, And the soul turning to thee vast and well-veiVd death, And the body gratefully nestling close to thee. Over the tree-tops I float thee a song, Over the rising and sinking waves, over the myriad fields and the prairies wide, Over the dense-pack'd cities all and the teeming tvharves and ways, I float this carol with joy, with joy to thee death. 15 To the tally of my soul, MH.VIORIBS OF LINCOLN 25 Loud and strong- kept up the gray-brown bird, With pure deliberate notes spreading filling the night. Loud in the pines and cedars dim, Clear in the freshness moist and the swamp-perfume, And I with my comrades there in the night. While my sight that was bound in my eyes unclosed, As to long panoramas of visions. And I saw askant the armies, I saw as in noiseless dreams hundreds of battle-flags, Borne through the smoke of the battles and pierc'd with missiles I saw them, And carried hither and yon through the smoke, and torn and bloody, And at last but a few shreds left on the staffs, (and all in silence), And the staffs all splinter' d and broken. SJ6 MEMORIES OF LINCOLN I saw battle-corpses, myriads of them, And the white skeletons of young men, I saw them, I saw the debris and debris of all the slain soldiers of the war, But I saw they were not as was thought, They themselves were fully at rest, they suffer'cl not, The living remain'd and suffer'd, the mother suffer'd, And the wife and the child and the mus- ing comrade suffer'd, And the armies that remain'd suffer'd. 16 Passing the visions, passing the night, Passing, unloosing the hold of my com- rades' hands, Passing the song of the hermit bird and the tallying song of my soul, Victorious song, death's outlet song, yet varying ever-altering song, Ml^.iOKiES OF JLlNCOLrN 2Y As low and wailing, yet clear the notes, rising and falling, flooding the night, Sadly sinking and fainting, as warning and warning, and yet again bursting with joy, Covering the earth and filling the spread of the heaven, As that powerful psalm in the night I heard from recesses, Passing, I leave thee lilac with heart- shaped leaves, I leave thee there in the dooryard, blooming, returning with spring. I cease from my song for thee, From my gaze on thee in the west, front- ing the west, communing with thee, comrade lustrous with silver face in the night. Yet each to keep and all, retrievements out of the night, 28 MEMORIES OF LINCOLN The song, the wondrous chant of the gray-brown bird, And the tallying chant, the echo arous'd in my soul, With the lustrous and drooping star with the countenance full of woe, With the holders holding my hand near- ing the call of the bird, Comrades mine and I in the midst, and their memory ever to keep, for the dead I loved so well, For the sweetest, wisest soul of all my days and lands — and this for his dear sake, Lilac and star and bird twined with the chant of my soul, There in the fragrant pines and the cedars dusk and dim. CAPTAIN! MY CAPTAIN! O Captain ! my Captain ! our fearful trip is done, MEMORIES OF LINCOLN 29 The ship has weather'd every rack, the prize we sought is won, The port is near, the bells I hear, the people all exulting, While follow eyes the steady keel, the vessel grim and daring; But heart ! heart ! heart ! the bleeding drops of red, Where on the deck my Captain lies, Fallen cold and dead. Captain! My Captain! rise up and hear the bells ; Ri se up— for you the flag is flung— for you the bugle trills, For you bouquets and ribbon'd wreaths — for you the shores a-crowding, For you they call, the swaying mass, their eager faces turning ; Here Captain! dear father! This arm beneath your head ! It is some dream that on the deck, You've fallen cold and dead. :,,i MEMORIES OF LINCOLN JMy Captain does not answer, his lips are pale and still, My father does not feel my arm, he has no pulse nor will, The ship is anchor'd safe and sound, its voyage closed and done, From fearful trip the victor ship comes in with object won ; Exult shores, and ring bells ! But I with mournful tread, Walk the deck my Captain lies, Fallen cold and dead. in. HUSH'D BE THE CAMPS TODAY. (May 4, 1865) Hush'd be the camps to-day, And soldiers let us drape our war-worn weapons, And each with musing soul retire to celebrate, Our dear commander's death. No more for him ^fe's stormy conflicts, MEMORIES OF LINCOLN 31 Nor victory, nor defeat — no more time's dark events, Charging like ceaseless clouds across the sky. But sing poet in our name, Sing of the love we bore him — because you, dweller in camps, know it truly. As they invault the coffin there, Sing — as they close the doors of earth upon him — one verse, For the heavy hearts of soldiers. IV. THIS DUST WAS ONCE THE MAN. This dust was once the man, Gentle, plain, just and resolute, under whose cautious hand, Against the foulest crime in history known in any land or age, Was saved t^p Union of these States. 32 MEMORIES OF JJNCOI^N LYRICS OF THE WAR. BEAT! BEAT! DRUMS! Beat! beat! drums! — blow! bugles! blow! Through the windows — through doors — burst like a ruthless force. Into the solemn church, and scatter the congregation, Into the school where tfie scholar is studying ; Leave not the bridegroom quiet — no happiness must he have now with his bride, Nor the peaceful farmer any peace, ploughing his field or gathering his grain, So fierce you whirr and pound you drums — so shrill you bugles blow. Beat! beat! drums! — blow! bugles! blow! MEMORIES OF LINCOLN 33 Over the traffic of cities — over the rum- ble of wheels in the streets; Are beds prepared for sleepers at night in the houses? no sleepers must sleep in those beds, No bargainers' bargains by day — no brokers or speculators — would they continue? Would the talkers be talking? would the singer attempt to sing? Would the lawyer rise in the court to state his case before the judge? Then rattle quicker, heavier drums — you bugles wilder blow. Beat! beat! drums! — blow! bugles! blow! Make no parley — stop for no expostu- lation, Mind not the timid — mind not the weep- er or prayer, Mind not the old man beseeching the young man, Let not the child's voice be heard, nor the mother's entreaties, 34 MEMORIES OF LINCOLN Make even the trestles to shake the dead where they lie awaiting the hearses, So strong you thump terrible drums — so loud you bugles blow. COME UP FROM THE FIELDS FATHER. Come up from the fields father, here's a letter from our Pete, And come to the front door mother, here's a letter from thy dear son. Lo, 't is autumn, Lo, where the trees, deeper green, yel- lower and redder, Cool and sweeten Ohio's villages with leaves fluttering in the moderate wind, Where apples ripe in the orchards hang and grapes on the trellis'd vines, (Smell you the smell of the grapes on the vines? MEMORIES OF LINCOLN 35 Smell you the buckwheat where the bees were lately buzzing?) Above all, lo, the sky so calm, so trans- parent after the rain, and with wondrous clouds, Below too, all calm, all vital and beau- tiful, and the farm prospers well. Down in the fields all prospers well, But now from the fields come father, come at the daughter's call, And come to the entry mother, to the front door come right away. Fast as she can she hurries, something ominous, her steps trembling, She does not tarry to smooth her hair nor adjust her cap. Open the envelope quickly, this is not our son's writing, yet his name is sign'd, a strange hand writes for our dear son, stricken mother's soul ! 36 MEMORIES OF LINCOLN All swims before her eyes, flashes with black, she catches the main words only, Sentences broken, gunshot wound in the breast, cavalry skirmish, taken to hospital, At present low, but will soon be better'. Ah now the single figure to me, Amid all teeming and wealthy Ohio with all its cities and farms, Sickly white in the face and dull in the head, very faint, By the jamb of a door leans. Grieve not so, dear mother, (the just- grown daughter speaks through her sobs, The little sisters huddle around speech- less and dismay'd,) See. dearest mother, the letter says Pete will soon be better. Alas poor boy, he will never be better, (nor may-be needs to be better, chat brave and simple soul,) MEMORIES OF LINCOLN 37 While they stand at home at the door he is dead already, The only son is dead. But the mother needs to be better, She with thin form presently drest in black, By day her meals untouch'd, t then at night fitfully sleeping, often wak- ing, In the midnight waking, weeping, long- ing with one deep longing, that she might withdraw unnoticed, silent from life escape and with- draw, To follow, to seek, to be with her dear dead son. THE WOUND-DRESSER. 1 An old man bending I come among new faces, Years looking backward resuming in answer to children, 3S MEMORIES OP LINCOLN Come tell us old man, as from young men and maidens that lova me, (Arous'd and angry, I 'd thought to beat the alarum, and urge relentless war, But soon my fingers faiPd me, my face droop'd and I resign'd myself, To sit by the wounded and soothe them, or silently watch the dead;) Years hence of these scenes, of these furious passions, these chances, Of unsurpass'd heroes, (was one side so brave? the other was equally brave;) Now be witness again, paint the mighti- est armies of earth, Of those armies so rapid so wondrous what saw you to tell us? What stays with you latest and deepest ? of curious panics, Of hard-fought engagements or sieges tremendous what deepest re- mains ? MEMORIES OF LINCOLN 39 2 maidens and young men I love and that love me, What you ask of my days those the strangest and sudden your talk- ing recalls, Soldier alert I arrive after a long march cover'd with sweat and dust, In the nick of time I come, plunge in the fight, loudly shout in the rush of successful charge, Enter the captur'd works — yet lo, like a swift-running river they fade, Pass and are gone they fade — I dwell not. on soldiers' perils or soldiers' joys, (Both I remember well — many the hard- ships, few the joys, yet I was content.) But in silence, in dreams' projections, While the world of gain and appearance and mirth goes on. 40 MEMORIES OF LINCOLN So soon what is over forgotten, and waves wash the imprints off the sand, With hinged knees returning I enter the doors, (while for you up there, Whoever you are, follow without noise and be of strong heart.) Bearing the bandages, water and sponge, Straight and swift to my wounded I go, Where they lie on the ground after the battle brought in, Where their priceless blood reddens the grass the ground, Or to the rows of the hospital tent, or under the roof'd hospital, To the long rows of cots up and down each side I return, To each and all one after another I draw near, not one do I miss, An attendant follows holding a tray, he carries a refuse pail, Soon to be fill'd with clotted rags and blood, emptied, and fill'd again. MEMORIES OF LINCOLN 41 I onward go, I stop, With hinged knees and steady hand to dress wounds, I am firm with each, the pangs are sharp yet unavoidable, One turns to me his appealing eyes — poor boy ! I never knew you, Yet I think I could not refuse this moment to die for you, if that would save you. On, on I go, (open doors of time! open hospital doors!) The crushed head I dress, (poor crazed hand tear not the bandage away,) The neck of the cavalry-man with the bullet through and through I ex- amine, Hard the breathing rattles, quite glazed already the eye, yet life struggles hard, 4!> MEMORIES OK l.TXCOlvN (Come sweet death! be persuaded beautiful death! In mercy come quickly.) From the stump of the arm, the ampu- tated hand, I undo the clotted lint, remove the slough, wash off the matter and blood, Back on his pillow the soldier bends with curv'd neck and side-falling head, His eyes are closed, his face is pale, he dares not look on the bloody stump, And has not yet look'd on it. I dress a wound in the side, deep, deep, But a day or two more, for see the frame all wasted and sinking, And the yellow-blue countenance see. I dress the perforated shoulder, the foot with the bullet-wound, Cleanse the one with a gnawing and putrid gangrene, so sickening, so offensive, MEMORIES OF LINCOLN 4 3 While the attendant stands behind aside me holding the tray and pail. I am faithful, I do not give out, The fractured thigh, the knee, the wound in the abdomen, These and more I dress with impassive hand, (yet deep in my breast a fire, a burning flame.) Thus in silence in dreams' projections, Returning, resuming, I thread my way through the hospitals, The hurt and wounded I pacify with soothing hand, I sit by the restless all the dark night, some are so young, Some suffer so much, I recall the experi- ence sweet and sad, (Many a soldier's loving arms about this neck have cross'd and rested, Many a soldier's kiss dwells on these bearded lips.) 44 MEMORIES OF LINCOLN SPIRIT WHOSE WORK IS DONE. (Washington City, 1865) Spirit whose work is done — spirit of dreadful hours! Ere departing fade from my eyes your forests of bayonets ; Spirit of gloomiest fears and doubts, (yet onward ever unfaltering pressing,) Spirit of many a solemn day and many a savage scene — electric spirit, That with muttering voice through the war now closed, like a tireless phantom flitted, Rousing the land with breath of flame, while you beat and beat the drum, Now as the sound of the drum, hollow and harsh to the last, reverbe- rates round me, MEMORIES OF LINCOLN 45 As your ranks, your immortal ranks, re- turn, return from the battles, As the muskets of the young men yet lean over their shoulders, \s I look on the bayonets bristling over their shoulders, As those slanted bayonets, whole forests of them appearing in the dis- tance, approach and pass on, re- turning homeward, Moving with steady motion, swaying to and fro to the right and left, Evenly lightly rising and falling while the steps keep time; Spirit of hours I knew, all hectic red one day, but pale as death next day, Touch my mouth ere you depart, press my lips close, Leave me your pulses of rage — bequeath them to me — fill me with cur- rents convulsive, Let them scorch and blister out of my chants when you are gone, Let them identify you to the future in these songs. MEM< >RIES OF LIN< '< >LN ASHES OF SOLDIERS. Ashes of soldiers South or North, As I muse retrospective murmuring a chant in thought, The war resumes, again to my sense your shapes, And again the advance of the armies. Noiseless as mists and vapors, Prom their graves in the trenches as- cending, From cemeteries all through Virginia and Tennessee, From every point of the compass out of the countless graves, In wafted clouds, in myriads large, or squads of twos or threes or single ones they come, And silently gather round me. Now sound no note trumpeters, MEMORIES OF LINCOLN 47 Not at the head of my cavalry parading on spirited horses, With sabres drawn and glistening, and carbines by their thighs, (ah my brave horsemen ! My handsome tan-faced horsemen ! what life, what joy and pride, With all the perils were yours.) Nor you drummers, neither at reveille at dawn, Nor the long roll alarming the camp, nor even the muffled beat for a burial, Nothing from you this time drum- mers bearing my warlike drums. But aside from these and the marts of wealth and the crowded prom- enade, Admitting around me comrades close unseen by the rest and voiceless, The slain elate and alive again, the dust and debris alive, 4S MEMORIES OF LINCOLN I chant this chant of my silent soul in the name of all dead soldiers. Faces so pale with wondrous eyes, very dear, gather closer yet, Draw close, but speak not. Phantoms of countless lost, Invisible to the rest henceforth become my companions, Follow me ever — desert me not while I live. Sweet are the blooming cheeks of the living — sweet are the musical voices sounding, But sweet, ah sweet, are the dead with their silent eyes. Dearest comrades, all is over and long gone, But love is not over — and what love, comrades ! Perfume from battle-fields rising, up from the fcetor arising. MEMORIES OF LINCOLN 49 Perfume therefore my chant, love, immortal love, Give me to bathe the memories of all dead soldiers, Shroud them, embalm them, cover their all over with tender pride. Perfume all — make all wholesome, Make these ashes to nourish and blos- som, love, solve all, fructify all with the last chemistry. Give me exhaustless, make me a foun- tain, That I exhale love from me wherever I go like a moist perennial dew, For the ashes of all dead soldiers South or North. PENSIVE ON HER DEAD GAZING. Pensive on her dead gazing I heard the Mother of All, 50 MEMORIES OF LINCOLN Desperate on the torn bodies, on the forms covering the battle-fields gazing, (As the last gun ceased, but the scent of the powder-smoke linger 'd,) As she caird to her earth with mourn* ful voice while she stalk'd, Absorb them well my earth, she cried, I charge you lose not my sons, lose not an atom, And you streams absorb them well, tak- ing their dear blood, And you local spots, and you airs that swim above lightly impalpable, And all you essences of soil and growth, and you my rivers' depths, And you mountain sides, and the woods where my dear children's blood trickling redden'd, And you trees down in your roots to be- queath to all future trees. My dead absorb or South or North — my young men's bodies absorb, and their precious, precious blood, . MEMORIES OF LINCOLN 51 Which holding in trust for me faith- fully back again give me many a year hence, In unseen essence and odor of surface and grass, centuries hence, In blowing airs from the fields back again give me my darlings, give my immortal heroes, Exhale me them centuries hence, breathe me their breath, let not an atom be lost, O years and graves ! air and soil ! my dead, an aroma sweet! Exhale them perennial sweet death, years, centuries hence. CAMPS OF GREEN. Not alone those camps of white, old com- rades of the wars, When as order'd forward, after a long march, Footsore and weary, soon as the light lessens we halt for the night, 52 MEMORIES OF LINCOLN Some of us so fatigued carrying the gun and knapsack, dropping asleep in our tracks, Othtrs pitching the little tents, and the fires lit up begin to sparkle, Outposts of pickets posted surrounding alert through the dark, And a word provided for countersign, careful for safety, Till to the call of the drummers at day- break loudly beating the drums, We rise up ref resh'd, the night and sleep pass'd over, and resume our jour- ney, Or proceed to battle. Lo, the camps of the tents of green, Which the days of peace keep filling, and the days of war keep filling, With a mystic army, (is it too order'd forward? is it too only halting awhile, Till night and sleep pass over?) MEMORIES OF LINCOLN 58 Now in those camps of green, in their tents dotting the world, In the parents, children, husbands, wives in them, in the old and young, Sleeping under the sunlight, sleeping under the moonlight, content and silent there at last, Behold the mighty bivouac-field and waiting camp of all, Of the corps and generals all, and the President over the corps and gen- erals all, And of each of us soldiers, and of each and all in the ranks we fought, (There without hatred we all, all meet.) For presently soldiers, we too camp in our place in the bivouac-camps of green, But w r e need not provide for outposts, nor word for the countersign, Nor drummer to beat the morning drum. :, I TEN CENT POCKET SEKIES Other Titles in Pocket Series Drama 245 Measure for Measure. 246 Hamlet. 316 Prometheus Bound. 247 Macbeth. Aeschylos. 248 King Henry V. 90 The Mikado. Gilbert. 251 Midsummer Night's 295 Master Builder. Ibsen. Dream. 308 She Stoops to Conquer. 252 Othello, The Moor Oliver Goldsmith. Venice. 134 The Misanthrope. Moliere. 2 53 King Henry VIII. 16 Ghosts. Henrik Ibsen. a 1 1 The Taming of the 80 Pillars of Society. Shrew. Ibsen. 255 King Lear. 46 Salome. Oscar Wilde. 2 56 Venus and Adonis. 54 Importance of Being 257 King Henry IV. Earnest. 0. Wilde. Part I. 8 Lady Windermere's 258 King Henry IV. Fan. Oscar Wilde. Part II. 131 Redemption. Tolstoi. 249 Julius Ciicsar. 99 Tartuffe. Moliere 2 5 Ilomeo and Juliet. 31 Pelleas and Melisande. 2 59 King Henry VI. Maeterlinck. Part I. 226 Prof. Bernhardt Schnitzler. 260 King Henry VJ. Part II. Shakespeare's Plays 261 King Henry VI. 240 The Tempest. Part III. 2 41 Merry Wives of Wind- 262 Comedy of Errors. sor. 263 King John. 242 As You Like It. 264 King Richard in. 2 43 Twelfth Night. 2 6 5 King Richard II. 244 Much Ado About 267 Pericles. Nothing. Merchant of Venice. TEN CENT POCKET SERIES Fiction the 143 In the Time of Terror. Balzac. 280 Happy Prince and Other Tales. Wilde. 182 Daisy Miller. Henry Jam fs. 162 The Murders in The Rue Morgue and Other Tales. Edgar Allan Poe. 3 45 Clarimonde. Gautier. 292 Mademoiselle Fifi. De Maupassant. 199 The Tallow Ball. De Maupassant. 6 De Maupassant's Stories. 15 Balzac's Stories. 344 Don Juan and Other Stories. Balzac. 318 Christ in Flanders and Other Stones. Balzac. 230 The Fleece of Gold. Theophile Gautier. 178 One of Cleopatra's Nights. Gautier. 314 Short Stories. Daudet. 58 Boccaccio's Stories. 45 Tolstoi's Short Stories. 12 Poe's Tales of Mystery. 290 The Gold Bug. Edgar Allan Poe 14 5 Great Ghost Stories. 21 Carmen. Merimee. 23 Great Stories of the Sea. 319 Comtesse de Saint- Gerane. Dumas. 38 Dr. Jekyll and Mr. Hyde. Stevenson. 2 79 Will o' the Mill; Markheim. Stevenson. 311 A Lodging for the Night. Stevenson. 27 Last Days of a Con- demned Man. Hugo. 151 Man Who Would Be King. Kipling. 148 Strength of the Strong. London. 41 Christmas Carol. Dickens. 57 Rip Van Winkle. Irving. 100 Red Laugh. Andreyev. 105 Seven That Were Hanged. Andreyev. 102 Sherlock Holmes Tales. Conan Doyle. 161 Country of the Blind. H. G.. Wells. 85 Attack on the Mill. Zola. 156 Andersen's Fairy Tales. 158 Alice in Wonderland. 37 Dream of John Ball. William Morris. H6 TEX TENT POCKET SkRlES 40 House and the Brain. Bulwer Lytton. 72 Color of Life. E. Haldeman-Julius. 198 Majesty of Justice. Anatole France. 215 The Miraculous Re- venge. Bernard Shaw. 24 The Kiss and Other Stories. Chekhov. 285 Euphorian in Texas. George Moore. 219 The Human Tragedy. Anatole France. 196 The Marquise. George Sand. 239 Twenty-Six Men and a Girl. Gorki. 29 Dreams. Olive Schreiner. 232 The Three Strangers. Thomas Hardy. 277 The Man Without a Country. E. E. Hale. History, Biography 324 Life of Lincoln. Bowers. 312 Life and Works of Lau- rence Sterne. Gunn. 328 Addison and His Times. Finger. 323 The Life of Joan of Arc. 339 Thoreau — The Man Who Escaped from the Herd. Finger. 126 History of Rome. A. F. Giles. 128 Julius Caesar: Who He Was. 185 History of Printing. 149 Historic Crimes and Criminals. Finger. 175 Science of History. Froude. 104 Battle of Waterloo. Victor Hugo. 52 Voltaire. Victor Hugo. 125 War Speeches of Woodrow Wilson. 22 Tolstoy: His Life and Works. 142 Bismarck and the German Empire. 2 86 When the Puritans Were in Power. 3 43 Life of Columbus. 66 Crimes of the Borgias. Dumas. 2 87 Whistler: The Man and His Work. 51 Bruno: His Life and Martyrdom. 147 Cromwell and His Times. 236 State and Heart Affairs of Henry MIL 50 Paine's Common Sense. TEN CENT PCX 223 fc8 Vindication of Paine. In^ersoll. 33 Brann: Smasher of Shams. L63 Sex Life in Greece and Rome. 214 Speeches of Lincoln. 276 Speeches and Letters of Geo. Washington. 144 Was Poe Immoral? Whitman. Essay on Swinburne. Keats, The Man and His Work. 150 Lost Civilizations. Finger. 170 Constantine and the Beginnings of Christi- anity. 201 Satan and the Saints. 67 Church History. H. M. Tichenor. 169 Voices from the Past. 266 Life of Shakespeare and Analysis of His Plays. 123 Life of Madame Du Barry. 139 Life of Dante. 09 Life of Mary, Queen of Scots. Dumas. 5 Life of Samuel Johnson. Macaulay. 174 Trial of William Penn. :KET series 57 Humor 291 Jumping /rog and Other Humorous Tales. Mark Twain. 18 Idle Thoughts of an Idle Fellow. Jerome. 166 English as She Is Spoke. Mark Twain. 231 Eight Humorous Sketches. Mark Twain. 205 Artemus Ward. His Book. 187 Whistler's Humor. 216 Wit of Heinrich Heine. George Eliot. 20 Let's Laugh. Nasby. Literature 278 Friendship and Othel Essays. Thoreau. 195 Thoughts on Nature. Thoreau. 194 Lord Chesterfield's Letters. 63 A Defense of Poetry. Shelley. 97 Love Letters of King Henry VIII. 3 Eighteen Essays. Voltaire. 2 8 Toleration. Voltaire. 89 Love Letters of Men and Women of Genius. 58 TEN CENT POCKET SERIES 186 How I Wrote "The Haven." Poe. 87 Love, an Essay. Montaigne. 48 Bacon's Essays. 60 Emerson's Essays. SI Love Letters of a Portuguese Nun. 26 On Going to Church. G. B. Shaw. 135 Socialism for Million- aires. G. B. Shaw. 61 Tolstoi's Essays. 176 Four Essays. Haveloek Ellis. 160 Lecture on Shakes- peare. Ingersoll. 75 Choice of Books. Carlyle. 2 88 Essays on Chesterfield and Rabelais. Sainte-Beuve. 76 The Prince of Peace. W. J. Bryan. 86 On Reading. Brandes. 95 Confessions of An Opium Eater. 213 Lecture on Lincoln. Ingersoll. 177 Subjection of Women. John Stuart Mill. 17 On Walking. Thoreau. 70 Charles Lamb's Essays. 285 Essays. Gilbert K. Chesterton. 7 A Liberal Education* Thomas Huxley. 233 Thoughts on Literature and Art. Goethe. 2 25 Condescension in Foreigners. Lowell. 221 Women, and Other Essays; Maeterlinck. 10 Shelley. Francis Thompson. 2 89 Pepys' Diary. 299 Prose Nature Notes. Walt Whitman. .; 1 r> Pen, Pencil and Poison. Oscar Wilde. 313 The Decay of Lying. Oscar Wilde. 3G Soul of Man Under Socialism. O. Wilde. 293 Francois Villon: Student, Poet and Housebreaker. R. L. Stevenson. Maxims and Epigrams 179 Gems from Emerson. 7 7 What Great Men Have Said About Women. 3 4 What Great Women Have Said About Men. 310 The Wisdom of Thackeray. 193 Wit and W 7 isdom of Charles Lamb. 56 Wisdom of Ingerjoll. TEN CENT POCKET SERIES 106 Aphorisms. George Sand. 168 Epigrams. Oscar Wilde. 59 Epigrams of Wit and Wisdom. 35 Maxims. Rochefoucauld. •154 Epigrams of Ibsen. 19 7 Witticisms and Re- flections. De Sevigne. 180 Epigrams of George Bernard Shaw. 155 Maxims. Napoleon. 181 Epigrams. Thoreau. 22 8 Aphorisms. Huxley. 113 Proverbs of England. 114 Proverbs of France. 115 Proverbs of Japan. 1 1 G Proverbs of China. 117 Proverbs of Italy. 118 Proverbs of Russia. 119 Proverbs of Ireland. 120 Proverbs of Spain. 121 Proverbs of Arabia. Philosophy, Religion 159 A Guide to Plato. Du- rant. 322 The Buddhist Philoso- phy of Life. 347 A Guide to Stoicism. 124 Theory of Reincarna- tion Explained. 157 Plato's Republic. 62 Schopenhauer's Essp;s. 94 Trial and Death of Socrates. 65 Meditations of Marcus Aurelius. 64 Rudolf Eucken: His Life and Philosophy. 4 Age of Reason. Thomas Paine. 55 Herbert Spencer: Hi? Life and Works. 44 Aesop's Fables. 165 Discovery of the Fu- ture. H. G. Wells. 96 Dialogues of Plato. 3 25 Essence of Buddhism. 103 Pocket Theology. Voltaire. 13 2 Foundations of Re- ligion. 138 Studies in Pessimism. Schopenhauer. 211 Idea of God in Na- ture. John Stuart MilS. 212 Life and Character. Goethe. 200 Ignorant Philosopher. Voltaire. 101 Thoughts of Pascal. 210 The Stoic Philosophy. Prof. G. Murray. 2 24 God: Known nnd Unl now ii. H>jt icr. 60 TEN CENT POCKET SERIES 19 Nietzsche: Who He Was and What He Stood For. 204 Sun Worship and Later Beliefs. Tichenor. 207 Olympian Gods. H. M. Tichenor. 184 Primitive Beliefs. 153 Chinese Philosophy of Life. -SO What Life Means to Me. Jack London. Poetry 152 The Kasidah. Burton. 317 L 'Allegro and Other Poems. Milton. 283 Courtship of Miles Standish. Longfellow. 282 Rime of Ancient Mar- iner. Coleridge. 297 Poems. Robert Southey. 329 Dante's Inferno, Volume I. 330 Dante's Inferno, Volume II. 306 A Shropshire Lad. Housman. Poems of Robert Burns. Rubaiyat of Omar Khayyam. Walt Whitman's Poems. 284 73 2 Wilde's Ballad of Reading Jail. 32 Poe's Poems. 164 Michael Angelo's Sonnets. 71 Poems of Evolution. 146 Snow-Bound. Pied Piper. 9 Great English Poems. 79 Enoch Arden. Tennyson. 68 Shakespeare's Sonnets. 281 Lays of Ancient Rome. Macaulay. 173 Vision of Sir Launfal. Lowell. 22 2 The Vampire and Other Poems. Kipling. 237 Prose Poems. Baudelaire. Science 3 21 A History of Evolution. Fenton. 327 The Ice Age. Finger. 217 The Puzzle of Person- ality; a Study in Psycho-Analysis. Fielding. 190 Psycho-Analysis — The Key to Human Be- havior. Fielding. 140 Biology and Spiritual Philosophy. 2 75 The Building of the Earth. C. L. Fenton. TEN CENT POCKET SERIES 61 49 Three Lectures on Evolution. Haeckel. 42 Origin of the Human Race. 238 Reflections on Modern Science. Huxley. 202 Survival of the Fittest. H. M. Tiehenor. 191 Evolution vs. Religion. Balmforth. 133 Electricity Made Plain. 92 Hypnotism Made Piain. 53 Inserts and Men: Jn^tict and Reason. 189 Eugenics. Havelock Ellis. Series of Debates 11 Debate on Religion. 39 Did Jesus Ever Live? 130 Controversy on Chris- tianity. Ingersoll and Gladstone. 43 Marriage and Divorce. Horace Greeley and Robert Owen. 208 Debate on Birth Con- trol. Mrs. Sanger and Winter Russell. 129 Rome or Reason. Ingersoll and Manning. 122 Spiritualism. Conan Doyle and McCabe. 171 Has Life Any Meaning? Frank Harris and Percy Ward. 200 Capitalism vs. Social- ism. Seligman and Searing. 13 Is Free Will a Fact or a Fallacy? 234 McNeal-Sinclair De- bate on Socialism. 141 Would Practice of Christ's Teachings Make for Social Progress? Nearing. and Ward. Miscellaneouc 326 Hints on Writing Short Stories. Finger. 192 Book of Synonyms. 25 Rhyming Dictionary. 78 How to Be an Orator. 82 Common Faults in Writing English. 127 What Expectant Mothers Should Know. 81 Care of the Baby. 136 Child Training. 137 Home Nursing. , 14 What Every Girl Should Know. Mrs. Sanger. 34 Case for Birth Control 91 Manhood: Facts of Life Presented to Men. 83 Marriage: Past, Present and Future. Besant. 74 On Threshold of Sex. 98 How to Love. 172 Evolution of Love. Ellen Key. 203 Rights of Women. Havelock Ellis. 209 Aspects of Birth Con- trol. Medical, Moral, Sociological. 93 How to Live 100 Years. 167 Plutarch's Rules of Health. 320 The Prince. Machiavelli.