II B R.AFLY OF THE UNIVERSITY Of ILLINOIS .... ,, i; V 831 E8h.il Classics The person charging this material is re- sponsible for its return on or before the Latest Date stamped below. Theft, mutilation, and underlining of books are reasons for disciplinary action and may result in dismissal from the University. UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN 0CT ! * 1972 bEC 2 o \%iJt OCT 2 1 l# APR 2 2 109:? Wt**&E** M - ■ ■■ w / JAN i2 1973 JUL 2 7 ?#4 FEB 1 19T» ^ cgp2 8 1974 -Mw 8 MAR H 137? ifiCT - 8 19^9 DEC i 2 190 :i; 6 • APR t 4 199B m w 1 4 2009 L161— O-1096 Digitized by the Internet Archive in 2012 with funding from University of Illinois Urbana-Champaign http://archive.org/details/homerichymnsnewpOOhome HOMERIC HYMNS ^Jttfvm Forming a vas PellissieT & Allen, sc. BUST OF ATHENE found at Athens _now in the British Museum. (Fifth Century B.C.) THE HOMERIC HYMNS A NEW PROSE TRANSLATION AND ESSAYS, LITERARY AND MYTHOLOGICAL, BY ANDREW LANG WITH ILLUSTRATIONS NEW YORK LONGMANS, GREEN, AND CO. LONDON AND BOMBAY 1900 3 s; TO HENRY BUTCHER A LITTLE TOKEN OF A LONG FRIENDSHIP 50912 7^0 o ~ 7 PREFACE ' I O translate the Hymns usually called " Homeric " had long been my wish, and, at the Publisher's suggestion, I under- took the work. Though not in partnership, on this occasion, with my friend, Mr. Henry Butcher (Professor of Greek in the University of Edinburgh), I have been fortunate in re- ceiving his kind assistance in correcting the proofs of the longer and most of the minor Hymns. Mr. Burnet, Professor of Greek in the University of St. Andrews, has also most generously read the proofs of the translation. It is, of course, to be understood that these scholars are not responsible for the slips which may have wandered into my version, viii PREFACE the work of one whose Greek has long " rusted in disuse." Indeed I must confess that the rendering " Etin " for ireXcop is retained in spite of Mr. Butcher, who is also not wholly satis- fied with "gledes of light," and with " shiel- ing" for a pastoral summer station in the hills. But I know no word for it in English south of Tweed. Mr. A. S. Murray, the Head of the Classi- cal Department in the British Museum, has also been good enough to read, and suggest corrections in the preliminary Essays ; while Mr. Cecil Smith, of the British Museum, has obligingly aided in selecting the works of art here reproduced. The text of the Hymns is well known to be corrupt, in places impossible, and much mended by conjecture. I have usually followed Gemoll (Die Homerischen Hymnen y Leipzig, 1886), but have sometimes preferred a MS. reading, or emendations by Mr. PREFACE ix Tyrrell, by Mr. Verral, or the admirable suggestions of Mr. Allen. My chief object has been to find, in cases of doubt, the phrases least unworthy of the poets. Too often it is impossible to be certain as to what they really wrote. I have had beside me the excellent prose translation by Mr. John Edgar (Thin, Edin- burgh, 1 891). As is inevitable, we do not always agree in the sense of certain phrases, but I am far from claiming superiority for my own attempts. The method employed in the Essays, the anthropological method of interpreting be- liefs and rites, is still, of course, on its trial. What can best be said as to its infirmities, and the dangers of its abuse, and of system- making in the present state of the evidence, will be found in Sir Alfred LyalFs "Asiatic Studies/' vol. ii. chaps, iii. and iv. Readers inclined to pursue the subject should read x PREFACE Mr. L. R. Farnell's " Cults of the Greek States" (Clarendon Press, 1896), Mr. J. G. Frazer's " Golden Bough," his " Pausanias," and Mr. Hartland's work on "The Myth of Perseus." These books, it must be observed, are by no means always in agreement with my own provisional theories. CONTENTS PREFACE PAGE vii ESSAYS INTRODUCTORY- THE SO-CALLED HOMERIC HYMNS THE HYMN TO APOLLO . THE HYMN TO HERMES THE HYMN TO APHRODITE THE HYMN TO DEMETER THEORIES OF DEMETER . CONCLUSION . 3 12 35 40 53 81 96 HOMERIC HYMNS- I. TO APOLLO I03 II. TO HERMES 134 III. TO APHRODITE 166 IV. TO DEMETER 183 V. TO APHRODITE 211 VI. TO DIONYSUS 213 VII. TO ARES 218 ^III. TO ARTEMIS 220 IX. TO APHRODITE 221 Xll CONTENTS X. TO ATHENE .... XI. TO HERA .... XII. TO DEMETER .... XIII. TO THE MOTHER OF THE GODS XIV. TO HERACLES THE LION-HEART XV. TO ASCLEPIUS .... XVI. TO THE DIOSCOURI . , XVII. TO HERMES .... XVIII. TO PAN XIX. TO HEPH^STUS XX. TO APOLLO .... XXI. TO POSEIDON .... XXII. TO HIGHEST ZEUS XXIII. TO HESTIA .... XXIV. TO THE MUSES AND APOLLO . XXV. TO DIONYSUS .... XXVI. TO ARTEMIS . XXVII. TO ATHENE .... XXVIII. TO HESTIA .... XXIX. TO EARTH, THE MOTHER OF ALL XXX. TO HELIOS .... XXXI. TO THE MOON . . . XXXII. TO THE DIOSCOURI . XXXIII. TO DIONYSUS .... LIST OF ILLUSTRATIONS BUST OF ATHENE Frontispiece Forming a vase, found at Athens ; now in the British Museum Hermes with the Boy Dionysos . facing page 35 Statue by Praxiteles, found at Olympia Mourning Demeter .... facing page 54 Marble statue from Cnidos. In the British Museum Silver Denarius of C. Vibius Pansa [about 90 B.C.) page 56 Obv. Head of Apollo. Rev. Demeter searching for Persephone Demeter and Persephone sending Tripto- LEMOS ON HIS MISSION . . facing page 92 Marble relief found at Eleusis, now in Athens Silver Stater of Croton {about 400 b.c.) page 103 Obv. Hercules, the Founder. Rev. Apollo shooting the Python by the Delphic Tripod Leto with her Infants, Apollo and Artemis facing page 104 From a vase in the British Museum {Sixth Century B.C.) Hermes making the Lyre . . facing page 136 Bronze relief in the British Museum {Fourth Century b.c.) Aphrodite facing page 166 Marble statue in the Louvre xiv LIST OF ILLUSTRATIONS Syracusan Medallion by Euainetos . page 183 Obv. Head of Persephone. Rev. Victorious Chariot Dionysus Sailing in his Sacred Ship . „ 213 Interior Design on a Kylix by Exekias in Munich Pan, with Goat and Shepherd's Crook facing page 230 Terra-cotta statuette from Tanagra. In the British Museum Apollo, Artemis, and Leto in Proces- sion ...... facing page 24 1 Marble relief in the Louvre The Dioscuri coming to the Feast of the THEOXENIA facing page 252 From a vase in the British Museum {Sixth Century B.C.) ESSAYS INTRODUCTORY TO THE HOMERIC HYMNS THE SO-CALLED HOMERIC HYMNS " ' I k HE existing collection of the Hymns is * of unknown editorship, unknown date, and unknown purpose/' says Baumeister. Why any man should have collected the little preludes of five or six lines in length, and of purely conventional character, while he did not copy out the longer poems to which they probably served as preludes, is a mystery. The celebrated Wolf, who opened the path which leads modern Homerologists to such an extraordinary number of divergent theories, thought rightly that the great Alexandrian critics before the Christian Era, did not re- cognise the Hymns as " Homeric." They did not employ the Hymns as illustrations of Homeric problems ; though it is certain that they knew the Hymns, for one collection did HOMERIC HYMNS exist in the third century B.C. 1 Diodorus and Pausanias, later, also cite " the poet in the Hymns/' "Homer in the Hymns"; and the pseudo - Herodotus ascribes the Hymns to Homer in his Life of that author. Thucydides, in the Periclean age, regards Homer as the blind Chian minstrel who composed the Hymn to the Delian Apollo : a good proof of the relative antiquity of that piece, but not evidence, of course, that our whole collection was then regarded as Homeric. Baumeister agrees with Wolf that the brief Hymns were recited by rhapsodists as preludes to the recitation of Homeric or other cantos. Thus, in Hymn xxxi. 18, the poet says that he is going on to chant "the renowns of men half divine." Other pre- ludes end with a prayer to the God for luck in the competition of reciters. This, then, is the plausible explanation of most of the brief Hymns — they were 1 Baumeister, p. 94, and note on Hymn to Hermes, 51, citing Antigonus Carystius. See, too, Gemoll, Die Homerischen Hymnen, p. 105. THE LONGER HYMNS preludes to epic recitations — but the question as to the long narrative Hymns with which the collection opens is different. These were themselves rhapsodies recited at Delphi, at Delos, perhaps in Cyprus (the long Hymn to Aphrodite), in Athens (as the Hymn to Pan, who was friendly in the Persian in- vasion), and so forth. That the Pisistratidae organised Homeric recitations at Athens is certain enough, and Baumeister suspects, in xiv., xxiii., xxx., xxxi., xxxii., the hand of Onomacritus, the forger of Oracles, that strange accomplice of the Pisistratidae. The Hymn to Aphrodite is just such a lay as the Phaeacian minstrel sang at the feast of Alcinous, in the hearing of Odysseus. Finally Baumeister supposes our collection not to have been made by learned editors, like Aristarchus and Zenodotus, but com- mitted confusedly from memory to papyrus by some amateur. The conventional attri- bution of the Hymns to Homer, in spite of linguistic objections, and of many allusions to things unknown or unfamiliar in the HOMERIC HYMNS Epics, is merely the result of the tendency to set down " masterless " compositions to a well-known name. Anything of epic charac- teristics was allotted to the master of Epic. In the same way an unfathered joke of Lockhart's was attributed to Sydney Smith, and the process is constantly illustrated in daily conversation. The word vjmvog, hymn, had not originally a religious sense : it merely meant a lay. Nobody calls the Theocritean idylls on Heracles and the Dioscuri "hymns," but they are quite as much " hymns " (in our sense) as the " hymn " on Aphrodite, or on Hermes. To the English reader familiar with the Iliad and Odyssey the Hymns must appear disappointing, if he come to them with an expectation of discovering merits like those of the immortal epics. He will not find that they stand to the Iliad as Milton's " Ode to the Nativity" stands to a Paradise Lost." There is in the Hymns, in fact, no scope for the epic knowledge of human nature in every mood and aspect. We are not so GODS AND MEN much interested in the Homeric Gods as in the Homeric mortals, yet the Hymns are chiefly concerned not with men, but with Gods and their mythical adventures. How- ever, the interest of the Hymn to Demeter is perfectly human, for the Goddess is in sorrow, and is mingling with men. The Hymn to Aphrodite, too, is Homeric in its grace, and charm, and divine sense of human limitations, of old age that comes on the fairest, as Tithonus and Anchises ; of death and disease that wait for all. The life of the Gods is one long holiday ; the end of our holiday is always near at hand. The Hymn to Dionysus, representing him as a youth in the fulness of beauty, is of a charm which was not attainable, while early art repre- sented the God as a mature man ; but literary art, in the Homeric age, was in advance of sculpture and painting. The chief merit of the Delian Hymn is in the concluding description of the assembled Ionians, happy seafarers like the Phaea- cians in the morning of the world. The HOMERIC HYMNS confusions of the Pythian Hymn to Apollo make it less agreeable ; and the humour of the Hymn to Hermes is archaic. All those pieces, however, have delightfully fresh descriptions of sea and land, of shadowy dells, flowering meadows, dusky, fragrant caves ; of the mountain glades where the wild beasts fawn in the train of the winsome Goddess ; and the high still peaks where Pan wanders among the nymphs, and the glens where Artemis drives the deer, and the spacious halls and airy palaces of the Im- mortals. The Hymns are fragments of the work of a school which had a great Master and great traditions : they also illustrate many aspects of Greek religion. In the essays which follow, the religious aspect of the Hymns is chiefly dwelt upon : I endeavour to bring out what Greek religion had of human and sacred, while I try to explain its less majestic features as no less human : as derived from the earliest attempts at speculation and at mastering the secrets of the world. In these chapters regions are GREEKS AND SAVAGES visited which scholars have usually neglected or ignored. It may seem strange to seek the origins of Apollo, and of the renowned Eleusinian Mysteries, in the tales and rites of the Bora and the Nanga ; in the beliefs and practices of Pawnees and Larrakeah, Yao and Khond. But these tribes, too, are human, and what they now or lately were, the remote ancestors of the Greeks must once have been. All races have sought explanations of their own ritual in the adventures of the Dream Time, the Alcheringa } when beings of a more potent race, Gods or Heroes, were on earth, and achieved and endured such things as the rites commemorate. And the things thus endured and achieved, as I try to show, are everywhere of much the same nature ; whether they are now commemorated by painted savages in the Bora or the Medicine Dance, or whether they were exhibited and proclaimed by the Eumolpidae in a splendid hall, to the pious of Hellas and of Rome. My attempt may seem audacious, and to many scholars may even be repugnant ; but io HOMERIC HYMNS it is on these lines, I venture to think, that the darker problems of Greek religion and rite must be approached. They are all survivals, however fairly draped and adorned by the unique genius of the most divinely gifted race of mankind. The method of translation is that adopted by Professor Butcher and myself in the Odyssey, and by me in a version of Theo- critus, as well as by Mr. Ernest Myers, who preceded us, in his Pindar. That method has lately been censured and, like all methods, is open to objection. But I confess that neither criticism nor example has converted me to the use of modern colloquial English, and I trust that my persistence in using poetical English words in the translation of Greek poetry will not greatly offend. I cannot render a speech of Anchises thus : — u If you really are merely a mortal, and if a woman of the normal kind was your mother, while your father (as you lay it down) was the well-known Otreus, and if you QUESTION OF STYLE n come here all through an undying person, Hermes ; and if you are to be known hence- forward as my wife, — why, then nobody, mortal or immortal, shall interfere with my intention to take instant advantage of the situation/' That kind of speech, though certainly long- winded, may be the manner in which a con- temporary pastoralist would address a Goddess " in a coming on humour/' But the situation does not occur in the prose of our existence, and I must prefer to translate the poet in a manner more congenial, if less up to date. For one rare word " Etin " (ireXcop) I must apologise : it seems to me to express the vagueness of the unfamiliar monster, and is old Scots, as in the tale of "The Red Etin of Ireland/' THE HYMN TO APOLLO HpHE Hymn to Apollo presents innumerable ' difficulties, both of text, which is very cor- rupt, and as to the whole nature and aim of the composition. In this version it is divided into two portions, the first dealing with the birth of Apollo, and the foundation of his shrine in the isle of Delos ; the second con- cerned with the establishment of his Oracle and fane at Delphi. The division is made merely to lighten the considerable strain on the attention of the English reader. I have no pretensions to decide whether the second portion was by the author of the first, or is an imitation by another hand, or is con- temporary, or a later addition, or a mere compilation from several sources. The first part seems to find a natural conclusion, about lines 1 76-181. The blind singer (who is MR. VERR ALL'S THEORY 13 quoted here by Thucydides) appears at that point to say farewell to his cherished Ionian audience. What follows, in our second part, appeals to hearers interested in the Apollo of Crisa, and of the Delphian temple : the Pythian Apollo. According to a highly ingenious, but scarcely persuasive theory of Mr. Verrall's, this interest is unfriendly. 1 Our second part is no hymn at all, but a sequel tacked on for political purposes only : and valuable for these purposes becayse so tacked on. From line 207 to the end we have this sequel, the story of Apollo's dealings as Delphinian, and as Pythian ; all this following on detached fragments of enigmatic character, and containing also (305-355) the interca- lated myth about the birth of Typhaon from Hera's anger. In the politically inspired sequel there is, according to Mr. Verrall, no living zeal for the honour of Pytho (Delphi). The threat of the God to his Cretan ministers, 1 Journal of Hellenic Society, vol. xiv. pp. 1-29. Mr. Verrall's whole paper ought to be read, as a summary cannot be adequate. 14 HOMERIC HYMNS — " Beware of arrogance, or . . ." — must be a prophecy after the event. Now such an event occurred, early in the sixth century, when the Crisaeans were supplanted by the people of the town that had grown up round the Oracle at Delphi. In them, and in the Oracle under their management, the poet shows no interest (Mr. Verrall thinks), none in the many mystic peculiarities of the shrine. It is quite in contradiction with Delphian tradition to represent, as the Hymn does, Trophonius and Agamedes as the original builders. Many other points are noted — such as the derivation of " Pytho " from a word meaning roty — to show that the hymnist was rather disparaging than celebrating the Delphian sanctuary. Taking the Hymn as a whole, more is done for Delos in three lines, says Mr. Verrall, than for Pytho or Delphi in three hundred. As a whole, the spirit of the piece is much more Delian (Ionian) than Delphic. So Mr. Verrall regards the Cento as "a re- ligious pasquinade against the sanctuary on MR, VERR ALL'S THEORY 15 Parnassus/' a pasquinade emanating from Athens, under the Pisistratidae, who, being Ionian leaders, had a grudge against " the Dorian Delphi/' " a comparatively modern, unlucky, and from the first unsatisfactory " institution. Athenians are interested in the u far-seen " altar of the seaman's Dolphin God on the shore, rather than in his inland Pythian habitation. All this, with much more, is decidedly ingenious. If accepted it might lead the way to a general attack on the epics, as tendenz pieces, works with a political purpose, or doctored for a political purpose. But how are we to understand the uses of the pasqui- nade Hymn ? Was it published, so to speak, to amuse and aid the Pisistratidae ? Does such remote antiquity show us any examples of such handling of sacred things in poetry ? Might we not argue that Apollo's threat to the Crisaeans was meant by the poet as a friendly warning, and is prior to the fall of Crisa ? One is reminded of the futile in- genuity with which German critics, following 1 6 HOMERIC HYMNS their favourite method, have analysed the fatal Casket Letters of Mary Stuart into letters to her husband, Darnley ; or to Murray ; or by Darnley to Mary, with scraps of her diary, and false interpolations. The enemies of the Queen, coming into possession of her papers after the affair of Carberry Hill, falsified the Casket Letters into their present appearance of unity. Of course historical facts make this ingenuity unavailing. We regret the circum- stance in the interest of the Queen's reputa- tion, but welcome these illustrative examples of what can be done in Germany. 1 Fortunately all Teutons are not so ingeni- ous. Baumeister has fallen on those who, in place of two hymns, Delian and Pythian, to Apollo, offer us half-a-dozen fragments. By presenting an array of discordant conjec- tures as to the number and nature of these scraps, he demonstrates the purely wilful and arbitrary nature of the critical method employed. 2 Thus one learned person believes 1 Henderson, " The Casket Letters," p. 67. 2 Baumeister, " Hymni Homerici," i860, p. 108 et seq. BAUMEISTER'S THEORY 17 in (1) two perfect little poems ; (2) two larger hymns ; (3) three lacerated fragments of hymns, one lacking its beginning, the other wofully deprived of its end. Another savant detects no less than eight fragments, with in- terpolations ; though perhaps no biblical critic ejusdem farince has yet detected eight Isaiahs. There are about ten other theories of similar plausibility and value. Meanwhile Baumeister argues that the Pythian Hymn (our second part) is an imitation of the Delian ; by a follower, not of Homer, but of Hesiod. Thus, the Hesiodic school was closely connected with Delphi ; the Homeric with Ionia, so that Delphi rarely occurs in the Epics ; in fact only thrice (I. 405, 6. 80, A. 581). The local knowledge is accurate (Pythian Hymn, 103 sqq.). These are local legends, and knowledge of the curious chariot ritual of Onchestus. The Muses are united w 7 ith the Graces as in a work of art in the Delphian temple. The poet chooses the Hesiodic and un-Homeric myth of Heaven and Earth, and their progeny : a myth current also in HOMERIC HYMNS Polynesia, Australia, and New Zealand. The poet is full of inquiry as to origins, even ety- mological, as is Hesiod. Like Hesiod (and Mr. Max Muller), origines rerum ex nominibus explicat. Finally, the second poet (and here every one must agree) is a much worse poet than the first. As for the prophetic word of warning to the Crisaeans and its fulfilment, Baumeister urges that the people of Cirrha, the seaport, not of Crisa, were punished, in Olympiad 47 (Grote, ii. 374). Turning to Gemoll, we find him maintain- ing that the two parts were in ancient times regarded as one hymn in the age of Aristo- phanes. 1 If so, we can only reply, if we agree with Baumeister, that in the age of Aristophanes, or earlier, there was a plentiful lack of critical discrimination. As to Bau- meister's theory that the second part is Hesiodic, Gemoll finds a Hesiodic reminis- cence in the first part (line 121), while there are Homeric reminiscences in the second part. 1 Die Homerischen Hymnen 9 p. 116 (1886). HYMN AND EPIC 19 Thus do the learned differ among them- selves, and an ordinary reader feels tempted to rely on his own literary taste. According to that criterion, I think we pro- bably have in the Hymn the work of a good poet, in the early part ; and in the latter part, or second Hymn, the work of a bad poet, selecting unmanageable passages of myth, and handling them pedantically and ill. At all events we have here work visibly third rate, which cannot be said, in my poor opinion, about the immense mass of the Iliad and Odyssey. The great Alexandrian critics did not use the Hymns as illustrative material in their discussion of Homer. Their instinct was correct, and we must not start the con- sideration of the Homeric question from these much neglected pieces. We must not study obscurum per obscurius. The genius of the Epic soars high above such myths as those about Pytho, Typhaon, and the Apollo who is alternately a dolphin and a meteor : soars high above pedantry and bad etymology. In the Epics we breathe a purer air. 20 HOMERIC HYMNS Descending, as it did, from the myth- ology of savages, the mythic store of Greece was rich in legends such as we find among the lowest races. Homer usually ignores them : Hesiod and the authors of the Hymns are less noble in their selec- tions. For this reason and for many others, we regard the Hymns, on the whole, as post- Homeric, while their collector, by inserting the Hymn to Ares, shows little proof of dis- crimination. Only the methods of modern German scholars, such as Wilamowitz Mollen- dorf, and of Englishmen like Mr. Walter Leaf, can find in the Epics marks of such confusion, dislocation, and interpolations as confront us in the Hymn to Apollo. (I may refer to my work, il Homer and the Epic," for a defence of the unity of Iliad and Odyssey.) For example, Mr. Verrall certainly makes it highly probable that the Pythian Hymn, at least in its concluding words of the God, is not earlier than the sixth century. But no proof of anything RELIGION 21 like this force is brought against the anti- quity of the Iliad or Odyssey. As to the myths in the Hymns, I would naturally study them from the standpoint of anthropology, and in the light of compari- son of the legends of much more backward peoples than the Greeks. But that light at present is for me broken and confused. I have been led to conclusions varying from those of such students as Mr. Tylor and Mr. Spencer, and these conclusions should be stated, before they are applied to the Myth of Apollo. I am not inclined, like them, to accept " Animism/' or " The Ghost Theory/' as the master-key to the origin of religion, though Animism is a great tributary stream. To myself it now appears that among the lowest known races we find present a fluid mass of beliefs both high and low, from the belief in a moral creative being, a judge of men, to the pettiest fable which envisages him as a medicine- man, or even as a beast or bird. In my opinion the higher belief may very well be 22 HOMERIC HYMNS the earlier. While I can discern the processes by which the lower myths were evolved, and were attached to a worthier pre-existing creed, I cannot see how, if the lower faiths came first, the higher faith was ever evolved out of them by very backward savages. On the other side, in the case of Australia, Mr. Tylor writes : " For a long time after Captain Cook's visit, the information as to native religious ideas is of the scantiest/' This was inevitable, for our information has only been obtained with the utmost diffi- culty, and under promises of secrecy, by later inquirers who had entirely won the confidence of the natives, and had been initi- ated into their Mysteries. Mr. Tylor goes on in the same sentence : " But, since the period of European colonists and mission- aries, a crowd of alleged native names for the Supreme Deity and a great Evil Deity have been recorded, which, if really of native origin, would show the despised black fellow as in possession of theological generalisations as to the formation and conservation of the BORROWED BELIEFS 23 universe, and the nature of good and evil, comparable with those of his white supplanter in the land/' 1 Mr. Tylor then proceeds to argue that these ideas have been borrowed from missionaries. I have tried to reply to this argument by proving, for example, that the name of Baiame, one of these deities, could not have been borrowed (as Mr. Tylor seems inclined to hold) from a missionary tract published sixteen years after we first hear of Baiame, who, again, was certainly dominant before the arrival of missionaries. I have adduced other arguments of the same tendency, and I will add that the earliest English explorers and missionaries in Virginia and New England (1586-162 2) report from America beliefs absolutely parallel in many ways to the creeds now reported from Australia. Among these notions are H ideas of moral judgment and retribution after death/' which in Australia Mr. Tylor marks as " imported." 2 In my opinion the 1 Journal Anthrop. Inst., Feb. 1892, p. 290. 2 {Op. cit., p. 296.) See "Are Savage Gods Borrowed from Missionaries?" {Nineteenth Century* January 1899). 24 HOMERIC HYMNS certainty that the beliefs in America were not imported, is another strong argument for their native character, when they are found with such striking resemblances among the very undeveloped savages of Australia. Savages, Mr. Hartland says in a censure of my theory, are " guiltless " of Christian teaching. 1 If Mr. Hartland is right, Mr. Tylor is wrong ; the ideas, whatever else they are, are unimported, yet, teste Mr. Tylor, the ideas are comparable with those of the black man's white supplanters. I would scarcely go so far. If we take, how- ever, the best ideas attributed to the blacks, and hold them disengaged from the accre- tion of puerile fables with which they are overrun, then there are discovered notions of high religious value, undeniably ana- logous to some Christian dogmas. But the sanction of the Australian gods is as power- fully lent to silly, or cruel, or needless ritual, as to some moral ideas of weight and merit. In brief, as far as I am able 1 Hartland, "Folk-Lore," ix. 4,312; x. 1, p. 51. APOLLO 25 to see, all sorts of ideas, the lowest and the highest, are held at once confusedly by savages, and the same confusion survives in ancient Greek belief. As far back as we can trace him, man had a wealth of religious and mythical conceptions to choose from, and different peoples, as they advanced in civilisation, gave special prominence to dif- ferent elements in the primal stock of beliefs. The choice of Israel was unique : Greece retained far more of the lower ancient ideas, but gave to them a beauty of grace and form which is found among no other race. If this view be admitted for the moment, and for the argument's sake, we may ask how it applies to the myths of Apollo. Among the ideas which even now prevail among the backward peoples still in the neolithic stage of culture, we may select a few conceptions. There is the conception of a great primal anthropomorphic Being, who was in the be- ginning, or, at least, about whose beginning legend is silent. He made all things, he 26 HOMERIC HYMNS existed on earth (in some cases), teaching men the arts of life and rules of conduct, social and moral. In those instances he retired from earth, and now dwells on high, still concerned with the behaviour of the tribes. This is a lofty conception, but it is en- tangled with a different set of legends. This primal Being is mixed up with strange per- sons of a race earlier than man, half human, half bestial. Many things, in some cases al- most all things, are mythically regarded, not as created, but as the results of adventures and metamorphoses among the members of this original race. Now in New Zealand, Polynesia, Greece, and elsewhere, but not, to my knowledge, in the very most backward peoples, the place of this original race, " Old, old Ones," is filled by great natural objects, Earth, Sky, Sea, Forests, regarded as beings of human parts and passions. The present universe is mythically arranged in regard to their early adventures : the separation of sky and earth, and so forth. BARBARIC MYTHS 27 Where this belief prevails we find little or no trace of the primal maker and master, though we do find strange early metaphysics of curiously abstract quality (Maoris, Zunis, Polynesians). As far as our knowledge goes, Greek mythology springs partly from this stratum of barbaric as opposed to strictly savage thought. Ouranos and Gaea, Cronos, and the Titans represent the primal beings who have their counterpart in Maori and Wintu legend. But these, in the Greece of the Epics and Hesiod, have long been subor- dinated to Zeus and the Olympians, who are envisaged as triumphant gods of a younger generation. There is no Creator ; but Zeus — how, we do not know — has come to be regarded as a Being relatively Supreme, and as, on occasion, the guardian of morality. Of course his conduct, in myth, is represented as a constant violation of the very rules of life which he expects mankind to observe. I am disposed to look on this essential con- tradiction as the result of a series of mythical accretions on an original conception of Zeus 28 HOMERIC HYMNS in his higher capacity. We can see how the accretions arose. Man never lived consist- ently on the level of his best original ideas : savages also have endless myths of Baiame or Daramulun, or Bunjil, in which these personages, though interested in human be- haviour, are puerile, cruel, absurd, lustful, and so on. Man will sport thus with his noblest intuitions. In the same way, in Christian Europe, we may contrast Dunbar's pious " Ballat of Our Lady '■ with his " Kynd Kittok," in which God has his eye on the soul of an intemperate ale-wife who has crept into Paradise. " God lukit, and saw her lattin in, and leugh His heart sair." Examples of this kind of sportive irreverence are common enough ; their root is in human nature : and they could not be absent in the mythology of savage or of ancient peoples. To Zeus the myths of this kind would come to be attached in several ways. As a nature-god of the Heaven he marries the Earth. The tendency of men being to ZEUS 29 claim descent from a God, for each family with this claim a myth of a separate divine amour was needed. Where there had ex- isted Totemism, or belief in kinship with beasts, the myth of the amour of a wolf, bull, serpent, swan, and so forth, was attached to the legend of Zeus. Zeus had been that swan, serpent, wolf, or bull. Once more, ritual arose, in great part, from the rites of sympathetic magic. This or that mummery was enacted by men for a magical purpose, to secure success in the chase, agriculture, or war. When the performers asked, "Why do we do thus and thus ? " the answer was, " Zeus first did so/' or Demeter, or Apollo did so, on a certain occasion. About that occasion a myth was framed, and finally there was no profligacy, cruelty, or absurdity of which the God was not guilty. Yet, all the time, he punished adultery, inhospitality, perjury, incest, cannibalism, and other excesses, of which, in legend, he was always setting the example. We know from Xenophanes, Plato, 30 HOMERIC HYMNS and St. Augustine how men's consciences were tormented by this unceasing contradic- tion : this overgrowth of myth on the stock of an idea originally noble. It is thus that I would attempt to account for the contra- dictory conceptions of Zeus, for example. As to Apollo, I do not think that myc- ologists determined to find, in Apollo, some deified aspect of Nature, have laid stress enough on his counterparts in savage myth. We constantly find, in America, in the Andaman Isles, and in Australia, that, sub- ordinate to the primal Being, there exists another who enters into much closer relations with mankind. He is often concerned with healing and with prophecy, or with the inspiration of conjurers or shamans. Some- times he is merely an underling, as in the case of the Massachusetts Kiehtan, and his more familiar subordinate, Hobamoc. ] But frequently this go-between of God and Man is (like Apollo) the Son of the primal Being (often an unbegotten Son) or his Messenger 1 Winslow, 1622. THE SON OF GOD 31 (Andaman, Noongaburrah, Kurnai, Kamilaroi, and other Australian tribes). He reports to the somewhat otiose primal Being about men's conduct, and he sometimes super- intends the Mysteries. I am disposed to regard the prophetic and oracular Apollo (who, as the Hymn to Hermes tells us, alone knows the will of Father Zeus) as the Greek modification of this personage in savage theology. Where this Son is found in Australia, I by no means regard him as a savage refraction from Christian teaching about a mediator, for Christian teaching, in fact, has not been accepted, least of all by the highly conservative sorcerers, or shamans, or wirreenuns of the tribes. European ob- servers, of course, have been struck by (and have probably exaggerated in some instances) the Christian analogy. But if they had been as well acquainted with ancient Greek as with Christian theology they would have remarked that the Andaman, American, and Australian " mediators " are infinitely more akin to Apollo, in his relations with Zeus 32 HOMERIC HYMNS and with men, than to any Person about whom missionaries can preach. But the most devoted believer in borrowing will not say that, when the Australian mediator, Tundun, son of Mungun-gnaur, turns into a porpoise, the Kurnai have borrowed from i. our Hymn of the Dolphin Apollo. It is absurd to maintain that the Son of the God, the go-between of God and men, in savage theology, is borrowed from missionaries, while this being has so much more in common with Apollo (from whom he cannot conceivably be borrowed) than with Christ. The Tundun-porpoise story seems to have arisen in gratitude to the porpoise, which drives fishes inshore, for the natives to catch. Neither Tharamulun nor Hobamoc (Australian and American Gods of healing and sooth- saying), who appear to men as serpents, are borrowed from Asclepius, or from the Python of Apollo. The processes have been quite different, and in Apollo, the oracular son of Zeus, who declares his counsel to men, I am apt to see a beautiful Greek modification of i APOLLO 33 the type of the mediating Son of the primal Being of savage belief, adorned with many of the attributes of the Sun God, from whom, however, he is fundamentally distinct. Apollo, I think, is an adorned survival of the Son of the God of savage theology. He was not, at first, a Nature God, solar or not. This opinion, if it seems valid, helps to account, in part, for the animal metamorphoses of Apollo, a survival from the mental confusion of savagery. Such a confusion, in Greece, makes it necessary for the wise son of Zeus to seek information, as in the Hymn to Hermes, from an old clown. This medley of ideas, in the mind of a civilised poet, who believes that Apollo is all-knowing in the counsels of eternity, is as truly mythological as Dunbar's God who laughs his heart sore at an ale-house jest. Dunbar, and the author of the Hymn, and the savage with his tale of Tundun or Daramulun, have all quite contra- dictory sets of ideas alternately present to their minds ; the mediaeval poet, of course, being conscious of the contradiction, which 34 HOMERIC HYMNS makes the essence of his humour, such as it is. To Greece, in its loftier moods, Apollo was, despite his myth, a noble source of inspiration, of art, and of conduct. But the contradiction in the low myth and high doctrine of Apollo, could never be eradicated under any influence less potent than that of Christianity. 1 If this theory of Apollo's origin be correct, many pages of learned works on Mythology need to be rewritten. 1 For authorities, see Mr. Howitt in the Journal of the Anthro- pological Institute, and my " Making of Religion." Also Folk Lore, December-March, 1898-99. "WVfflSfV" 6 ' LIBRARY THE £*-*> Pellissier & Allen, HERMES "WITH THE BOYDIOEYSOS. Statue "by Praxiteles, found at Olympia. THE HYMN TO HERMES THE Hymn to Hermes is remarkable for the corruption of the text, which appears even to present lacunce. The English reader will naturally prefer the lively and charming version of Shelley to any other. The poet can tell and adorn the story without visibly floundering in the pitfalls of a dislocated text. If we may judge by line 51, and if Greek musical tradition be correct, the date of the Hymn cannot be earlier than the fortieth Olympiad. About that period Terpander is said to have given the lyre seven strings (as Mercury does in the poem), in place of the previous four strings. The date of Terpander is dubious, but probably the seven-stringed lyre had long been in common use before the poet attributed the invention to Hermes. The same argument applies to the antiquity 36 HOMERIC HYMNS of writing, assigned by poets as the invention of various mythical and prehistoric heroes. But the poets were not careful archaeologists, and regarded anachronisms as genially as did Shakespeare or Scott. Moreover, the fact that Terpander did invent the seven chords is not beyond dispute historically, while, mythically, Apollo and Amphion are credited with the idea. That Hermes invented fire- sticks seems a fable which robs Prometheus of the honour. We must not look for any kind of consistency in myth. The learned differ as to the precise purpose of the Hymn, and some even exclude the invention of the cithara. To myself it seems that the poet chiefly revels in a very familiar subject of savage humour (notably among the Zulus), the extraordinary feats and tricks of a tiny and apparently feeble and helpless person or animal, such as Brer Rabbit. The triumph of astuteness over strength (a triumph here assigned to the infancy of a God) is the theme. Hermes is here a rustic doublure of Apollo, as he was, in fact, mainly a rural HERMES 37 deity, though he became the Messenger of the Gods, and the Guide of Souls outworn. In these respects he answers to the Australian Grogoragally, in his double relation to the Father, Boyma, and to men living and dead. 1 As a go-between of Gods and men, Hermes may be a doublure of Apollo, but, as the Hymn shows, he aspired in vain to Apollo's oracular function. In one respect his be- haviour has a singular savage parallel. His shoes woven of twigs, so as not to show the direction in which he is proceeding, answer to the equally shapeless feather sandals of the blacks who "go Kurdaitcha" that is, as avengers of blood. I have nowhere else found this practice as to the shoes, which, after all, cannot conceal the direction of the spoor from a native tracker. 2 The trick of driving the cattle backwards answers to the old legend that Bruce reversed the shoes of 1 Manning, "Notes on the Aborigines of New Holland." Read before Royal Society of New South Wales, 1882. Notes taken down in 1845, Compare Mrs. Langloh Parker, More Australian Legendary Tales , "The Legend of the Flowers." 2 Spencer and Gillen, "Natives of Central Australia," p. 651, s.v. 38 HOMERIC HYMNS his horse when he fled from the court of Edward I. The humour of the Hymn is rather rustic : cattle theft is the chief joke, cattle theft by a baby. The God, divine as he is, feels his mouth water for roast beef, a primitive con- ception. In fact, throughout this Hymn we are far from the solemn regard paid to Apollo, from the wistful beauty of the Hymn to Demeter, and from the gladness and melancholy of the Hymn to Aphrodite. Sportive myths are treated sportively, as in the story of Ares and Aphrodite in the Odyssey. Myths contained all conceivable elements, among others that of humour, to which the poet here abandons himself. The statues and symbols of Hermes were inviolably sacred : as Guide of Souls he played the part of comforter and friend : he brought men all things lucky and fortunate : he made the cattle bring forth abundantly : he had the golden wand of wealth. But he was also tricksy as a Brownie or as Puck ; and that fairy aspect of his character and legend, he HUMOUR 39 being the midnight thief whose maraudings account for the unexplained disappearances of things, is the chief topic of the gay and reckless hymn. Even the Gods, even angry Apollo, are moved to laughter, for over sport and playfulness, too, Greek religion throws her sanction. At the dishonesties of com- merce (clearly regarded as a form of theft) Hermes winks his laughing eyes (line 516). This is not an early Socialistic protest against " Commercialism." The early traders, like the Vikings, were alternately pirates and hucksters, as opportunity served. Every occupation must have its heavenly patron, its departmental deity, and Hermes protects thieves and raiders, " minions of the moon," "clerks of St. Nicholas/' His very birth is a stolen thing, the darkling fruit of a divine amour in a dusky cavern. // chasse de race} 1 For the use of Hermes's tortoise-shell as a musical instru- ment without strings, in early Anahuac, see Prof. Morse, in Appleton's Popular Science Monthly, March 1899. THE HYMN TO APHRODITE HpHE Hymn to Aphrodite is, in a literary * sense, one of the most beautiful and quite the most Homeric in the collection. By " Homeric " I mean that if we found the adventure of Anchises occurring at length in the Iliad, by way of an episode, perhaps in a speech of ^Eneas, it would not strike us as inconsistent in tone, though occasionally in phrase. Indeed the germ of the Hymn occurs in Iliad, B. 820: " ^Eneas, whom holy Aphrodite bore to the embraces of Anchises on the knowes of Ida, a Goddess couching with a mortal/' Again, in E. 313, ^Eneas is spoken of as the son of Aphrodite and the neat-herd, Anchises. The celebrated prophecy of the future rule of the children of - 9 2 - CONCLUSION " \ A / HAT has all this farrago about savages * * to do with Dionysus ? " I conceive some scholar, or literary critic asking, if such an one looks into this book. Certainly it would have been easier for me to abound in aesthetic criticism of the Hymns, and on the aspect of Greek literary art which they illustrate. But the Hymns, if read even through the pale medium of a translation, speak for themselves. Their beauties and defects as poetry are patent : patent, too, are the charm and geniality of the national character which they express. The glad Ionian gatherings ; the archaic humour ; the delight in life, and love, and nature ; the pious domesticities of the sacred Hearth ; the peopling of woods, hills, and streams with exquisite fairy forms ; all these make the poetic delight of the Hymns. But all these need no 9 6 UNIVERSALITY 97 pointing out to any reader. The poets can speak for themselves. On the other hand the confusions of sacred and profane ; the origins of the Mysteries ; the beginnings of the Gods in a mental condition long left behind by Greece when the Hymns were composed ; all these matters need eluci- dation. I have tried to elucidate them as results of evolution from the remote prehistoric past of Greece, which, as it seems, must in many points have been identical with the his- toric present of the lowest contemporary races. In the same way, if dealing with ornament, I would derive the spirals, volutes, and concen- tric circles of Mycenaean gold work, from the identical motives, on the oldest incised rocks and kists of our Islands, of North and South America, and of the tribes of Central Australia, recently described by Messrs. Spencer and Gillen, and Mr. Carnegie. The material of the Mycenaean artist may be gold, his work may be elegant and firm, but he traces the selfsame ornament as the naked Arunta, with feebler hand, paints on sacred rocks or on the bodies G 98 HOMERIC HYMNS of his tribesmen. What is true of ornament is true of myth, rite, and belief. Greece only offers a gracious modification of the beliefs, rites, and myths of the races who now are " nearest the beginning/' however remote from that unknown beginning they may be. To understand this is to come closer to a true conception of the evolution of Greek faith and art than we can reach by any other path. Yet to insist on this is not to ignore the unmeasured advance of the Greeks in deve- lopment of society and art. On that head the Hymns, like all Greek poetry, bear their own free testimony. But, none the less, Greek religion and myth present features repellent to us, which derive their origin, not from savagery, but from the more crude horrors of the lower and higher barbarisms. Greek religion, Greek myth, are vast con- glomerates. We find a savage origin for Apollo, and savage origins for many of the Mysteries. But the cruelty of savage initiations has been purified away. On the WHAT COULD NOT LAST 99 other hand, we find a barbaric origin for departmental gods, such as Aphrodite, and for Greek human sacrifices, unknown to the lowest savagery. From savagery Zeus is probably derived ; from savagery come the germs of the legends of divine amours in animal forms. But from barbarism arises the sympathetic magic of agriculture, which the lowest races do not practise. From the barbaric condition, not from savagery, comes Greek hero-worship, for the lowest races do not worship ancestral spirits. Such is the medley of prehistoric ideas in Greece, while the charm and poetry of the Hymns are due mainly to the unique genius of the fully deve- loped Hellenic race. The combination of good and bad, of ancestral rites and ideas, of native taste, of philosophical refinement on inherited theology, could not last ; the elements were too discordant. And yet it could not pass naturally away. The Greece of A.D. 300 " Wandered between two worlds, one dead, The other powerless to be born," ioo HOMERIC HYMNS without external assistance. That help was brought by the Christian creed, and, officially, Gods, rites, and myths vanished, while, un- officially, they partially endure, even to this day, in Romaic folk-lore. HOMERIC HYMNS SILVER STATER OF CROTON (ABOUT 4OO B.C.). Obv. Hercules, the Founder. Rev. Apollo shooting the Python by the Delphic Tripod. I HYMN TO APOLLO IVyriNDFUL, ever mindful, will I be of * * * Apollo the Far-darter. Before him, as he fares through the hall of Zeus, the Gods tremble, yea, rise up all from their thrones as he draws near with his shining bended bow. But Leto alone abides by Zeus, the Lord of Lightning, till Apollo hath slackened his bow and closed his quiver. Then, taking with her hands from his mighty shoulders 103 104 HOMERIC HYMNS 6-22 the bow and quiver, she hangs them against the pillar beside his father's seat from a pin of gold, and leads him to his place and seats him there, while the father welcomes his dear son, giving him nectar in a golden cup ; then do the other Gods welcome him ; then they make him sit, and Lady Leto rejoices, in that she bore the Lord of the Bow, her mighty son. [Hail! O blessed Leto; mother of glorious children, Prince Apollo and Artemis the Archer ; her in Ortygia, him in rocky Delos didst thou bear, couching against the long sweep of the Cynthian Hill, beside a palm tree, by the streams of Inopus.] How shall I hymn thee aright, howbeit thou art, in sooth, not hard to hymn ? l for to thee, Phoebus, everywhere have fallen all the ranges of song, both on the mainland, nurse of young kine, and among the isles ; to thee all the cliffs are dear, and the steep mountain 1 Callim., H. Apoll. 30. o£5' 6 x°P° s T0V Qoipov e0' iv jjlSpov ^jfiap aeiaei can yap evv/ULvos' tls av ov pea Qoifiov deidot ; •\ / LETO With her infants, Apollo and Artemis From a Vase iw the British Museum (Sixt-' Century B.C.) LIBRARY OF THE UNIVERSITY tflLUHOlS. 23-42 HYMN TO APOLLO 105 crests and rivers running onward to the salt sea, and beaches sloping to the foam, and havens of the deep ? Shall I tell how Leto bore thee first, a delight of men, couched by the Cynthian Hill in the rocky island, in sea- girt Delos — on either hand the black wave drives landward at the word of the shrill winds — whence arising thou art Lord over all mortals ? Among them that dwell in Crete, and the people of Athens, and isle -^gina, and Euboea famed for fleets, and ^Egae and Peiresiae, and Peparethus by the sea-strand, and Thracian Athos, and the tall crests of Pelion, and Thracian Samos, and the shadowy mountains of Ida, Scyros, and Phocaea, and the mountain wall of Aigocane, and stab- lished Imbros, and inhospitable Lemnos, and goodly Lesbos, the seat of Makar son of -^Eolus, and Chios, brightest of all islands of the deep, and craggy Mimas, and the steep crests of Mykale, and gleaming Claros, and the high hills of ^Esagee, and watery Samos, and tall ridges of Mycale, and Miletus, and 106 HOMERIC HYMNS 42-61 Cos, a city of Meropian men, and steep Cnidos, and windy Carpathus, Naxos and Paros, and rocky Rheneia — so far in travail with the Archer God went Leto, seeking if perchance any land would build a house for her son. But the lands trembled sore, and were adread, and none, nay not the richest, dared to welcome Phoebus, not till Lady Leto set foot on Delos, and speaking winged words besought her : " Delos, would that thou wert minded to be the seat of my Son, Phoebus Apollo, and to let build him therein a rich temple ! No other God will touch thee, nor none will honour thee, for methinks thou art not to be well seen in cattle or in sheep, in fruit or grain, nor wilt thou grow plants unnumbered. But wert thou to possess a temple of Apollo the Far-darter ; then would all men bring thee hecatombs, gathering to thee, and ever wilt thou have savour of sacrifice . . . from others' hands, albeit thy soil is poor." Thus spoke she, and Delos was glad and answered her saying : 62-8o HYMN TO APOLLO 107 " Leto, daughter most renowned of mighty Cceus, right gladly would I welcome the birth of the Archer Prince, for verily of me there goes an evil report among men, and thus would I wax mightiest of renown. But at this Word, Leto, I tremble, nor will I hide it from thee, for the saying is that Apollo will be mighty of mood, and mightily will lord it over mortals and immortals far and wide over the earth, the grain-giver. Therefore, I deeply dread in heart and soul lest, when first he looks upon the sunlight, he disdain my island, for rocky of soil am I, and spurn me with his feet and drive me down in the gulfs of the salt sea. Then should a great sea-wave wash mightily above my head for ever, but he will fare to another land, which so pleases him, to fashion him a temple and groves of trees. But in me would many-footed sea-beasts and black seals make their chambers securely, no men dwelling by me. Nay, still, if thou hast the heart, God- dess, to swear a great oath that here first he will build a beautiful temple, to be the shrine io8 HOMERIC HYMNS 81-99 oracular of men — thereafter among all men let him raise him shrines, since his renown shall be the widest/' So spake she, but Leto swore the great oath of the Gods : " Bear witness, Earth, and the wide heaven above, and dropping water of Styx — the greatest oath and the most dread among the blessed Gods— that verily here shall ever be the fragrant altar and the portion of Apollo, and thee will he honour above all." When she had sworn and done that oath, then Delos was glad in the birth of the Archer Prince. But Leto, for nine days and nine nights continually was pierced with pangs of child-birth beyond all hope. With her were all the Goddesses, the good- liest, Dione and Rheia, and Ichnaean Themis, and Amphitrite of the moaning sea, and the other deathless ones — save white-armed Hera. Alone she wotted not of it, Eilithyia, the helper in difficult travail. For she sat on the crest of Olympus beneath the golden clouds, by the wile of white-armed Hera, IOO-H7 HYMN TO APOLLO 109 who held her afar in jealous grudge, because even then fair-tressed Leto was about bearing her strong and noble son. But the Goddesses sent forth Iris from the fair-stablished isle, to bring Eilithyia, promising her a great necklet, golden with amber studs, nine cubits long. Iris they bade to call Eilithyia apart from white- armed Hera, lest even then the words of Hera might turn her from her going. But wind-footed swift Iris heard, and fleeted forth, and swiftly she devoured the space between. So soon as she came to steep Olympus, the dwelling of the Gods, she called forth Eilithyia from hall to door, and spake winged words, even all that the Goddesses of Olympian mansions had bidden her. Thereby she won the heart in Eili- thyia's breast, and forth they fared, like timid wild doves in their going. Even when Eilithyia, the helper in sore travailing, set foot in Delos, then labour took hold on Leto, and a passion to bring to the birth. Around a palm tree she cast no HOMERIC HYMNS 117-134 her arms, and set her knees on the soft meadow, while earth beneath smiled, and forth leaped the babe to light, and all the Goddesses raised a cry. Then, great Phoe- bus, the Goddesses washed thee in fair water, holy and purely, and wound thee in white swaddling bands, delicate, new woven, with a golden girdle round thee. Nor did his mother suckle Apollo the golden- sworded, but Themis with immortal hands first touched his lips with nectar and sweet ambrosia, while Leto rejoiced, in that she had borne her strong son, the bearer of the bow. Then Phoebus, as soon as thou hadst tasted the food of Paradise, the golden bands were not proof against thy pantings, nor bonds could bind thee, but all their ends were loosened. Straightway among the Goddesses spoke Phoebus Apollo : " Mine be the dear lyre and bended bow, and I will utter to men the unerring counsel of Zeus/' So speaking, he began to fare over the wide ways of earth, Phoebus of the locks 135-153 HYMN TO APOLLO in unshorn, Phoebus the Far-darter. Thereon all the Goddesses were in amaze, and all Delos blossomed with gold, as when a hill- top is heavy with woodland flowers, behold- ing the child of Zeus and Leto, and glad because the God had chosen her wherein to set his home, beyond mainland and isles, and loved her most at heart. But thyself, O Prince of the Silver Bow 7 , far-darting Apollo, didst now pass over rocky Cynthus, now wander among temples and men. Many are thy fanes and groves, and dear are all the headlands, and high peaks of lofty hills, and rivers flowing onward to the sea ; but with Delos, Phoebus, art thou most delighted at heart, where the long- robed Ionians gather in thine honour, with children and shame-fast wives. Mindful of thee they delight thee with boxing, and dances, and minstrelsy in their games. Who so then encountered them at the gathering of the Ionians, would say that they are exempt from eld and death, beholding them so gracious, and would be glad at heart, looking on the 1 1 2 HOMERIC HYMNS 154-172 men and fair-girdled women, and their much wealth, and their swift galleys. Moreover, there is this great marvel of renown im- perishable, the Delian damsels, hand-maidens of the Far-darter. They, when first they have hymned Apollo, and next Leto and Artemis the Archer, then sing in memory of the men and women of old time, enchanting the tribes of mortals. And they are skilled to mimic the notes and dance music of all men, so that each would say himself were singing, so well woven is their fair chant. But now come, be gracious, Apollo, be gracious, Artemis ; and ye maidens all, fare- well, but remember me even in time to come, when any of earthly men, yea, any stranger that much hath seen and much endured, comes hither and asks : " Maidens, who is the sweetest to you of singers here conversant, and in whose song are ye most glad ? " Then do you all with one voice make answ T er : " A blind man is he, and he dwells in 173-189 HYMN TO APOLLO 113 rocky Chios ; his songs will ever have the mastery, ay, in all time to come." But I shall bear my renown of you as far as I wander over earth to the fairest cities of men, and they will believe my report, for my word is true. But, for me, never shall I cease singing of Apollo of the Silver Bow, th^e Far-darter, whom fair-tressed Leto bore. O Prince, Lycia is thine, and pleasant Maeonia, and Miletus, a winsome city by the sea, and thou, too, art the mighty lord of sea-washed Delos. THE FOUNDING OF DELPHI The son of glorious Leto fares harping on his hollow harp to rocky Pytho, clad in his fragrant raiment that waxes not old, and beneath the golden plectrum winsomely sounds his lyre. Thence from earth to Olympus, fleet as thought, he goes to the House of Zeus, into the Consistory of the other Gods, and anon the Immortals bethink them of harp and minstrelsy. And all the H H4 HOMERIC HYMNS 189-207 Muses together with sweet voice in antiphonal chant replying, sing of the imperishable gifts of the Gods, and the sufferings of men, all that they endure from the hands of the un- dying Gods, lives witless and helpless, men unavailing to find remede for death or buck- ler against old age. Then the fair-tressed Graces and boon Hours, and Harmonia, and Hebe, and Aphrodite, daughter of Zeus, dance, holding each by the wrist the other's hand, while among them sings one neither unlovely, nor of body contemptible, but divinely tall and fair, Artemis the Archer, nur- tured with Apollo. Among them sport Ares, and the keen-eyed Bane of Argos, while Phoebus Apollo steps high and disposedly, playing the lyre, and the light issues round him from twinkling feet and fair-woven rai- ment. But all they are glad, seeing him so high of heart, Leto of the golden tresses, and Zeus the Counsellor, beholding their dear son as he takes his pastime among the deathless Gods. How shall I hymn thee aright, howbeit 208-226 HYMN TO APOLLO 115 thou art, in sboth, not hard to hymn ? Shall I sing of thee in love and dalliance ; how thou wentest forth to woo the maiden Azanian, with Ischys, peer of Gods, and Elation's son of the goodly steeds, or with Phorbas, son of Triopes, or Amarynthus, or how with Leucippus and Leucippus' wife, thyself on foot, he in the chariot . . . ? l Or how first, seeking a place of oracle for men, thou earnest down to earth, far-darting Apollo ? On Pieria first didst thou descend from Olympus, and pass by Lacmus, and Emathia, and Enienae, and through Perrhaebia, and speedily earnest to Iolcus, and alight on Cenaeum in Eubcea, renowned for galleys. On the Lelantian plain thou stoodest, but it pleased thee not there to stablish a temple and a grove. Thence thou didst cross Euri- pus, far-darting Apollo, and fare up the green hill divine, and thence earnest speedily to Mycalessus and Teumesos of the bedded meadow grass, and thence to the place of woodclad Thebe, for as yet no mortals dwelt 1 The Greek is corrupt, especially in line 213. n6 HOMERIC HYMNS 226-244 in Holy Thebe, nor yet were paths nor ways along Thebe's wheat-bearing plain, but all was wild wood. Thence forward journeying, Apollo, thou earnest to Onchestus, the bright grove of Poseidon. There the new-broken colt takes breath again, weary though he be with dragging the goodly chariot ; and to earth, skilled though he be, leaps down the charioteer, and fares on foot, while the horses for a while rattle along the empty car, with the reins on their necks, and if the car be broken in the grove of trees, their masters tend them there, and tilt the car and let it lie. Such is the rite from of old, and they pray to the King Poseidon, while the chariot is the God's portion to keep. Thence faring forward, far-darting Apollo, thou didst win to Cephisus of the fair streams, that from Lilaea pours down his beautiful waters, which crossing, Far-darter, and passing Ocalea of the towers, thou earnest thereafter to grassy Haliartus. Then didst thou set foot on Telphusa, and to thee the land seemed 245-263 HYMN TO APOLLO 117 exceeding good wherein to stablish a temple and a grove. Beside Telphusa didst thou stand, and spake to her : " Telphusa, here methinketh to stablish a fair temple, an oracle for men, who, ever seeking for the word of sooth, will bring me hither perfect hecatombs, even they that dwell in the rich isle of Pelops, and all they of the mainland and sea- girt islands. To them all shall I speak the decree unerring, rendering oracles within my rich temple." So spake Phoebus, and thoroughly marked out the foundations, right long and wide. But at the sight the heart of Telphusa waxed wroth, and she spake her word : " Phoebus, far-darting Prince, a word shall I set in thy heart. Here thinkest thou to stablish a goodly temple, to be a place of oracle for men, that ever will bring thee hither perfect hecatombs — nay, but this will I tell thee, and do thou lay it up in thine heart. The never-ending din of swift steeds will be a weariness to thee, and the 1 1 8 HOMERIC HYMNS 264-28 1 watering of mules from my sacred springs. There men will choose rather to regard the well-wrought chariots, and the stamping of the swift-footed steeds, than thy great temple and much wealth therein. But an if thou — that art greater and better than I, O Prince, and thy strength is most of might— if thou wilt listen to me, in Crisa build thy fane beneath a glade of Parnassus. There neither will goodly chariots ring, nor wilt thou be vexed with stamping of swift steeds about thy well- builded altar, but none the less shall the renowned tribes of men bring their gifts to Iepaeon, and delighted shalt thou gather the sacrifices of them who dwell around." Therewith she won over the heart of the Far-darter, even that to Telphusa herself should be honour in that land, and not to the Far-darter. Thenceforward didst thou fare, far-darting Apollo, and earnest to the city of the over- weening Phlegyae, that reckless of Zeus dwelt there in a goodly glade by the Cephisian mere. Thence fleetly didst thou speed to 282-301 HYMN TO APOLLO 119 the ridge of the hills, and earnest to Crisa beneath snowy Parnassus, to a knoll that faced westward, but above it hangs a cliff, and a hollow dell runs under, rough with wood, and even there Prince Phoebus Apollo deemed well to build a goodly temple, and spake, saying : li Here methinketh to stablish a right fair temple, to be a place oracular to men, that shall ever bring me hither goodly hecatombs, both they that dwell in rich Peloponnesus, and they of the mainland and sea-girt isles, seeking here the word of sooth ; to them all shall I speak the decree unerring, rendering oracles within my wealthy shrine." So speaking, Phoebus Apollo marked out the foundations, right long and wide, and thereon Trophonius and Agamedes laid the threshold of stone, the sons of Erginus, dear to the deathless Gods. But round all the countless tribes of men built a temple with wrought stones to be famous for ever in song. Hard by is a fair-flowing stream, and there, with an arrow from his strong bow, 120 HOMERIC HYMNS 302-319 did the Prince, the son of Zeus, slay the Dragoness, mighty and huge, a wild Etin, that was wont to wreak many woes on earthly men, on themselves, and their straight- stepping flocks, so dread a bane was she. [This Dragoness it was that took from golden-throned Hera and reared the dread Typhaon, not to be dealt with, a bane to mortals. Him did Hera bear, upon a time, in wrath with father Zeus, whenas Cronides brought forth from his head renowned Athene. Straightway lady Hera was angered, and spake among the assembled Gods : " Listen to me, ye Gods, and Goddesses all, how cloud-collecting Zeus is first to begin the dishonouring of me, though he made me his wife in honour. And now, apart from me, he has brought forth grey-eyed Athene who excels among all the blessed Immortals. But he was feeble from the birth, among all the Gods, my son Hephaestos, lame and withered of foot, whom I myself lifted in my hands, and cast into the wide sea. But the daughter of Nereus, Thetis of the silver feet, 320-333 HYMN TO APOLLO 121 received him and nurtured him among her sisters. Would that she had done other grace to the blessed Immortals ! "Thou evil one of many wiles, what other wile devisest thou ? How hadst thou the heart now alone to bear grey-eyed Athene ? Could I not have borne her ? But none the less would she have been called thine among the Immortals, who hold the wide heaven. Take heed now, that I devise not for thee some evil to come. Yea, now shall I use arts whereby a child of mine shall be born, excelling among the immortal Gods, without dishonouring thy sacred bed or mine, for verily to thy bed I will not come, but far from thee will nurse my grudge against the Immortal Gods/' So spake she, and withdrew from among the Gods with angered heart. Right so she made her prayer, the ox-eyed lady Hera, striking the earth with her hand flatlings, 1 and spake her word : 1 This action was practised by the Zulus in divination, and, curiously, by a Highlander of the last century, appealing to the dead Lovat not to see him wronged. 122 HOMERIC HYMNS 334-352 " Listen to me now, Earth, and wide Heavens above, and ye Gods called Titans, dwelling beneath earth in great Tartarus, ye from whom spring Gods and men ! List to me now, all of you, and give me a child apart from Zeus, yet nothing inferior to him in might, nay, stronger than he, as much as far-seeing Zeus is mightier than Cronus ! " So spake she, and smote the ground with her firm hand. Then Earth, the nurse of life, was stirred, and Hera, beholding it, was glad at heart, for she deemed that her prayer would be accomplished. From that hour for a full year she never came to the bed of wise Zeus, nor to her throne adorned, whereon she was wont to sit, planning deep counsel, but dwelling in her temples, the homes of Prayers, she took joy in her sacrifices, the ox-eyed lady Hera. Now when her months and days were fulfilled, the year revolving, and the seasons in their course coming round, she bare a birth like neither Gods nor mortals, the dread Typhaon, not to be dealt with, a bane of men. 353-37o HYMN TO APOLLO 123 Him now she took, the ox-eyed lady Hera, and carried and gave to the Dragoness, to bitter nurse a bitter fosterling, who received him, that ever wrought many wrongs among the renowned tribes of men.] Whosoever met the Dragoness, on him would she bring the day of destiny, before the Prince, far-darting Apollo, loosed at her the destroying shaft ; then writhing in strong anguish, and mightily panting she lay, roll- ing about the land. Dread and dire was the din, as she writhed hither and thither through the wood, and gave up the ghost, and Phoebus spoke his malison : " There do thou rot upon the fruitful earth ; no longer shalt thou, at least, live to be the evil bane of mortals that eat the fruit of the fertile soil, and hither shall bring per- fect hecatombs. Surely from thee neither shall Typhoeus, nay, nor Chimaera of the evil name, shield death that layeth low, but here shall black earth and bright Hyperion make thee waste away." So he spake in malison, and darkness 124 HOMERIC HYMNS 370-388 veiled her eyes, and there the sacred strength of the sun did waste her quite away. Whence now the place is named Pytho, and men call the Prince " Pythian " for that deed, for even there the might of the swift sun made corrupt the monster. 1 Then Phoebus Apollo was ware in his heart that the fair-flowing spring, Telphusa, had beguiled him, and in wrath he went to her, and swiftly came, and standing close by her, spoke his word : " Telphusa, thou wert not destined to be- guile my mind, nor keep the winsome lands and pour forth thy fair waters. Nay, here shall my honour also dwell, not thine alone." So he spoke, and overset a rock, with a shower of stones, and hid her streams, the Prince, far-darting Apollo. And he made an altar in a grove of trees, hard by the fair-flowing stream, where all men name him in prayer, "the Prince Telphusian," for that he shamed the streams of sacred Telphusa. Then Phoebus Apollo considered in his 1 A folk-etymology from irv6€iv = to rot. 389-408 HYMN TO APOLLO 125 heart what men he should bring in to be his ministers, and to serve him in rocky Pytho. While he was pondering on this, he beheld a swift ship on the wine-dark sea, and aboard her many men and good, Cretans from Minoan Cnossus, such as do sacrifice to the God, and speak the doom of Phoebus Apollo of the Golden Sword, what word so- ever he utters of sooth from the daphne in the dells of Parnassus. For barter and wealth they were sailing in the black ship to sandy Pylos, and the Pylian men. Anon Phoebus Apollo set forth to meet them, leap- ing into the sea upon the swift ship in the guise of a dolphin, and there he lay, a portent great and terrible. [Of the crew, whosoever sought in heart to comprehend what he was . . . On all sides he kept swaying to and fro, and shaking the timbers of the galley.] But all they sat silent and in fear aboard the ship, nor loosed the sheets, nor tlic &an of the black-prowed galley ; nay, even as they had first set the sails so they voyaged onward, the strong 126 HOMERIC HYMNS 409-428 south-wind speeding on the vessel from behind. First they rounded Malea, and passed the Laconian land and came to Helos, a citadel by the sea, and Taenarus, the land of Helios, that is the joy of mortals, where ever feed the deep-fleeced flocks of Prince Helios, and there hath he his glad demesne. There the crew thought to stay the galley, and land and consider of the marvel, and see whether that strange thing will abide on the deck of the hollow ship or leap again into the swell of the fishes' home. But the well-wrought ship did not obey the rudder, but kept ever on her way beyond rich Peloponnesus, Prince Apollo lightly guiding it by the gale. So accomplishing her course she came to Arene, and pleasant Arguphea, and Thryon, the ford of Alpheius, and well-builded Aepu, and sandy Pylos, and the Pylian men, and ran by Crounoi, and Chalcis, and Dyme, and holy Elis, where the Epeians bear sway. Then rejoicing in the breeze of Zeus, she was making for Pherae, when to them out of the clouds showed 428-445 ' HYMN TO APOLLO 127 forth the steep ridge of Ithaca, and Duli- chium, and Same, and wooded Zacynthus. Anon when she had passed beyond all Peloponnesus, there straightway, off Crisa, appeared the wide sound, that bounds rich Peloponnesus. Then came on the west wind, clear and strong, by the counsel of Zeus, blowing hard out of heaven, that the running ship might swiftest accomplish her course over the salt water of the sea. Backward then they sailed towards the Dawn and the sun, and the Prince was their guide, Apollo, son of Zeus. Then came they to far-seen Crisa, the land of vines, into the haven, while the sea-faring ship beached her- self on the shingle. Then from the ship leaped the Prince, far-darting Apollo, like a star at high noon, while the gledes of fire flew from him, and the splendour flashed to the heavens. Into his inmost Holy Place he went through the precious tripods, and in the midst he kindled a flame showering forth his shafts, and the splendour filled all Crisa, 1 and the 1 A similar portent is of recent belief in Maori tradition. 128 HOMERIC HYMNS 445-464 wives of the Crisaeans, and their fair-girdled daughters raised a wail at the rushing flight of Phoebus, for great fear fell upon all. Thence again to the galley he set forth and flew, fleet as a thought, in shape a man lusty and strong, in his first youth, his locks swathing his wide shoulders. Anon he spake to the seamen winged words : " Strangers, who are ye, whence sail ye the wet ways ? Is it after merchandise, or do ye wander at adventure, over the salt sea, as sea-robbers use, that roam staking their own lives, and bearing bane to men of strange speech ? Why sit ye thus adread, not faring forth on the land, nor slackening the gear of your black ship ? Sure this is the wont of toilsome mariners, when they come from the deep to the land in their black ship, foredone with labour, and anon a long- ing for sweet food seizes their hearts/' So spake he, and put courage in their breasts, and the leader of the Cretans an- swered him, saying : " Stranger, behold thou art no whit like 465-482 HYMN TO APOLLO 129 unto mortal men in shape or growth, but art a peer of the Immortals, wherefore all hail, and grace be thine, and all good things at the hands of the Gods. Tell me then truly that I may know indeed, what people is this, what land, what mortals dwell here ? Surely with our thoughts set on another goal we sailed the great sea to Pylos from Crete, whence we boast our lineage ; but now it is hither that we have come, maugre our wills, with our galley — another path and other ways — we longing to return, but some God has led us all unwilling to this place." Then the far -darting Apollo answered them : " Strangers, who dwelt aforetime round wooded Cnossus, never again shall ye return each to his pleasant city and his own house, and his wife, but here shall ye hold my rich temple, honoured by multitudes of men. Lo ! I am the son of Zeus, and name myself Apollo, and hither have I brought you over the great gulf of the sea, with no evil intent. Nay, here shall ye possess my rich temple, 130 HOMERIC HYMNS 483-502 held highest in honour among all men, and ye shall know the counsels of the Immortals, by whose will ye shall ever be held in renown. But now come, and instantly obey my word. First lower the sails, and loose the sheets, and then beach the black ship on the land, taking forth the wares and gear of the trim galley, and build ye an altar on the strand of the sea. Thereon kindle fire, and sprinkle above in sacrifice the white barley-flour, and thereafter pray, standing around the altar. And whereas I first, in the misty sea, sprang aboard the swift ship in the guise of a dolphin, therefore pray to me as Apollo Delphinius, while mine shall ever be the Delphian altar seen from afar. Then take ye supper beside the swift black ship, and pour libations to the blessed Gods who hold Olympus. But when ye have dis- missed the desire of sweet food then with me do ye come, singing the Paean, till ye win that place where ye shall possess the rich temple." So spake he, while they heard and obeyed 503-520 HYMN TO APOLLO 131 eagerly. First they lowered the sails, loosing the sheets, and lowering the mast by the forestays, they laid it in the mast-stead, and themselves went forth on the strand of the sea. Then forth from the salt sea to the mainland they dragged the fleet ship high up on the sands, laying long sleepers there- under, and they builded an altar on the sea- strand, and lit fire thereon, scattering above white barley-flour in sacrifice, and, standing around the altar, they prayed as the God commanded. Anon they took supper beside the fleet black ship, and poured forth libations to the blessed Gods who hold Olympus. But when they had dismissed the desire of meat and drink they set forth on their way, and the Prince Apollo guided them, harp in hand, and sweetly he harped, faring with high and goodly strides. Dancing in his train the Cretans followed to Pytho, and the Paean they were chanting, the paeans of the Cretans in whose breasts the Muse hath put honey-sweet song. All unwearied they strode to the hill, and swiftly were got to 132 HOMERIC HYMNS 521-537 Parnassus and a winsome land, where they were to dwell, honoured of many among men. Apollo guided them, and showed his holy shrine and rich temple, and the spirit was moved in their breasts, and the captain of the Cretans spake, and asked the God, saying : " Prince, since thou hast led us far from friends and our own country, for so it pleases thee, how now shall we live, we pray thee tell us. This fair land bears not vines, nor is rich in meadows, wherefrom we might live well, and minister to men." Then, smiling, Apollo, the son of Zeus, spoke to them : " Foolish ones, enduring hearts, who desire cares, and sore toil, and all straits ! A light word will I speak to you, do ye consider it. Let each one of you, knife in right hand, be ever slaughtering sheep that in abundance shall ever be yours, all the flocks that the renowned tribes of men bring hither to me. Yours it is to guard my temple, and receive 538-546 HYMN TO APOLLO 133 the tribes of men that gather hither, doing, above all, as my will enjoins. But if any vain word be spoken, or vain deed wrought, or violence after the manner of mortal men, then shall others be your masters, and hold you in thraldom for ever. 1 I have spoken all, do thou keep it in thy heart/' Even so, fare thou well, son of Zeus and Leto, but I shall remember both thee and another song. 1 See Essay on this Hymn. II HERMES /^VF Hermes sing, O Muse, the son of ^^ Zeus and Maia, Lord of Cyllene, and Arcadia rich in sheep, the fortune-bearing Herald of the Gods, him whom Maia bore, the fair-tressed nymph, that lay in the arms of Zeus ; a shamefaced nymph was she, shunning the assembly of the blessed Gods, dwelling within a shadowy cave. Therein was Cronion wont to embrace the fair-tressed nymph in the deep of night, when sweet sleep held white-armed Hera, the immortal Gods knowing it not, nor mortal men. But when the mind of great Zeus was fulfilled, and over her the tenth moon stood in the sky, the babe was born to light, and all was made manifest ; yea, then she bore a child of many a wile and cunning counsel, a robber, a driver 13-33 HERMES 135 of the kine, a captain of raiders, a watcher of the night, a thief of the gates, who soon should show forth deeds renowned among the death- less Gods. Born in the dawn, by midday well he harped, and in the evening stole the cattle of Apollo the Far-darter, on that fourth day of the month wherein lady Maia bore him. Who, when he leaped from the im- mortal knees of his mother, lay not long in the sacred cradle, but sped forth to seek the cattle of Apollo, crossing the threshold of the high-roofed cave. There found he a tortoise, and won endless delight, for lo, it was Hermes that first made of the tortoise a minstrel. The creature met him at the outer door, as she fed on the rich grass in front of the dwelling, waddling along, at sight whereof the luck-bringing son of Zeus laughed, and straightway spoke, saying : " Lo, a lucky omen for me, not by me to be mocked ! Hail, darling and dancer, friend of the feast, welcome art thou ! whence gatst thou the gay garment, a speckled shell, thou, a mountain-dwelling tortoise ? Nay, I will 136 HOMERIC HYMNS 33-52 carry thee within, and a boon shalt thou be to me, not by me to be scorned, nay, thou shalt first serve my turn. Best it is to bide at home, since danger is abroad. Living shalt thou be a spell against ill witchery, and dead, then a right sweet music-maker." So spake he, and raising in both hands the tortoise, went back within the dwelling, bear- ing the glad treasure. Then he choked the creature, and with a gouge of grey iron he scooped out the marrow of the hill tortoise. And as a swift thought wings through the breast of one that crowding cares are haunt- ing, or as bright glances fleet from the eyes, so swiftly devised renowned Hermes both deed and word. He cut to measure stalks of reed, and fixed them in through holes bored in the stony shell of the tortoise, and cunningly stretched round it the hide of an ox, and put in the horns of the lyre, ana to both he fitted the bridge, and stretched seven harmonious chords of sheep-gut. 1 1 In our illustration both the lyre with a tortoise-shell for sounding-board, and the cithara, with no such sounding-board, are represented. Is it possible tfcat "the tuneful shell" was 52-66 HERMES 137 Then took he his treasure, when he had fashioned it, and touched the strings in turn with the plectrum, and wondrously it sounded under his hand, and fair sang the God to the notes, improvising his chant as he played, like lads exchanging taunts at festivals. Of Zeus Cronides and fair-sandalled Maia he sang how they had lived in loving dalliance, and he told out the tale of his begetting, and sang the handmaids and the goodly halls of the Nymph, and the tripods in the house, and the store of cauldrons. So then he sang, but dreamed of other deeds ; then bore he the hollow lyre and laid it in the sacred cradle, then, in longing for flesh of kine he sped from the fragrant hall to a place of outlook, with such a design in his heart primarily used without chords, as an instrument for drumming upon? The drum, variously made, is the primitive musical instrument, and it is doubted whether any stringed instrument existed among native American races. But drawings in ancient Aztec MSS. (as Mr. Morse has recently observed) show the musician using a kind of drum made of a tortoise-shell, and some students have (probably with too much fancy) recognised a figure with a tortoise-shell fitted with chords, in Aztec MSS. It is possible enough that the early Greeks used the shell as a sort of drum, before some inventor (Hermes, in the Hymn) added chords and developed a stringed instrument. Cf. p. 39. 138 HOMERIC HYMNS 67-83 as reiving men pursue in the dark of night. The sun had sunk down beneath earth into ocean, with horses and chariot, when Hermes came running to the shadowy hills of Pieria, where the deathless kine of the blessed Gods had ever their haunt ; there fed they on the fair unshorn meadows. From their number did the keen-sighted Argei- phontes, son of Maia, cut off fifty loud- lowing kine, and drove them hither and thither over the sandy land, reversing their tracks, and, mindful of his cunning, confused the hoof-marks, the front behind, the hind in front, and himself fared down again. Straightway he wove sandals on the sea- sand (things undreamed he wrought, works wonderful, unspeakable) mingling myrtle twigs and tamarisk, then binding together a bundle of the fresh young wood, he shrewdly fastened it for light sandals beneath his feet, leaves and all, 1 — brushwood that the v 1 Such sandals are used to hide their tracks by Avengers of Blood among the tribes of Central Australia. 84-101 HERMES 139 renowned slayer of Argos had plucked on his way from Pieria [being, as he was, in haste, down the long way]. Then an old man that was labouring a fruitful vineyard, marked the God faring down to the plain through grassy Onchestus, and to him spoke first the son of renowned Maia: " Old man that bowest thy shoulders over thy hoeing, verily thou shalt have wine enough when all these vines are bearing. . . . See thou, and see not ; hear thou, and hear not ; be silent, so long as naught of thine is harmed." Therewith he drave on together the sturdy heads of cattle. And over many a sha- dowy hill, and through echoing corries and flowering plains drave renowned Hermes. Then stayed for the more part his darkling ally, the sacred Night, and swiftly came morning when men can work, and sacred Selene, daughter of Pallas, mighty prince, clomb to a new place of outlook, and then the strong son of Zeus drave the broad- 140 HOMERIC HYMNS 1 02-1 1 8 browed kine of Phoebus Apollo to the river Alpheius. Unwearied they came to the high- roofed stall and the watering-places in front of the fair meadow. There, when he had foddered the deep-voiced kine, he herded them huddled together into the byre, munch- ing lotus and dewy marsh marigold ; next brought he much wood, and set himself to the craft of fire-kindling. Taking a goodly shoot of the daphne, he peeled it with the knife, fitting it to his hand, 1 and the hot vapour of smoke arose. [Lo, it was Hermes first w T ho gave fire, and the fire-sticks.] Then took he many dry faggots, great plenty, and piled them in the trench, and flame began to break, sending far the breath of burning fire. And when the force of renowned Hephaestus kept the fire aflame, then downward dragged he, so mighty his strength, two bellowing kine of twisted horn : close up to the fire he dragged them, and cast them both panting upon their backs to the ground. [Then 1 This piece of wood is that in which the other is twirled to make fire by friction. ii8-i37 HERMES 141 bending over them he turned them upwards and cut their throats]. . . task upon task, and sliced off the fat meat, pierced it with spits of wood, and broiled it, — flesh, and chine, the joint of honour, and blood in the bowels, all together ; — then laid all there in its place. The hides he stretched out on a broken rock, as even now they are used, such as are to be enduring : long, and long after that ancient day. 1 Anon glad Hermes dragged the fat portions on to a smooth ledge, and cut twelve messes sorted out by lot, to each its due meed he gave. Then a longing for the rite of the sacrifice of flesh came on renowned Hermes : for the sweet savour irked him, immortal as he was, but not even so did his strong heart yield. 2 . . . The fat and flesh he placed in the high-roofed stall, the rest he swiftly raised aloft, a trophy of his reiving, and, gathering dry faggots, he burned heads and feet entire with the vapour of flame. Anon 1 Otherwise written and interpreted, " as even now the skins are there," that is, are exhibited as relics. 2 " Der Zweite Halbvers is mir absolut unverstandlich ! " — Gemoll. 142 HOMERIC HYMNS 137-156 when the God had duly finished all, he cast his sandals into the deep swirling pool of Alpheius, quenched the embers, and all night long spread smooth the black dust : Selene lighting him with her lovely light. Back to the crests of Cyllene came the God at dawn, nor blessed God, on that long way, nor mortal man encountered him ; nay, and no dog barked. Then Hermes, son of Zeus, bearer of boon, bowed his head, and entered the hall through the hole of the bolt, like mist on the breath of autumn. Then, stand- ing erect, he sped to the rich inmost chamber of the cave, lightly treading noiseless on the floor. Quickly to his cradle came glorious Hermes and wrapped the swaddling bands about his shoulders, like a witless babe, playing with the wrapper about his knees. So lay he, guarding his dear lyre at his left hand. - But his Goddess mother the God did not deceive ; she spake, saying : " Wherefore, thou cunning one, and whence comest thou in the night, thou clad in shamelessness ? Anon, methinks, thou 1 56-177 HERMES 143 wilt go forth at Apollo's hands with bonds about thy sides that may not be broken, sooner than be a robber in the glens. Go to, wretch, thy Father begat thee for a trouble to deathless Gods and mortal men." But Hermes answered her with words of guile: " Mother mine, why wouldst thou scare me so, as though I were a redeless child, with little craft in his heart, a trembling babe that dreads his mother's chidings ? Nay, but I will essay the wiliest craft to feed thee and me for ever. We twain are not to endure to abide here, of all the death- less Gods alone unapproached with sacrifice, and prayer, as thou commandest. Better it is eternally to be conversant with Im- mortals, richly, nobly, well seen in wealth of grain, than to be homekeepers in a darkling cave. And for honour, I too will have my dues of sacrifice, even as Apollo. Even if my Father give it me not I will endeavour, for I am of avail, to be a captain of reivers. And if the son of renowned Leto make inquest for me, methinks some i 4 4 HOMERIC HYMNS 177-194 worse thing will befall him. For to Pytho I will go, to break into his great house, whence I shall sack goodly tripods and cauldrons enough, and gold, and gleaming iron, and much raiment. Thyself, if thou hast a mind, shalt see it." So held they converse one with another, the son of Zeus of the ^Egis, and Lady Maia. Then Morning the Daughter of Dawn was arising from the deep stream of Oceanus, bearing light to mortals, what time Apollo came to Onchestus in his journeying, the gracious grove, a holy place of the loud Girdler of the Earth : there he found an old man grazing his ox, the stay of his vine- yard, on the roadside. 1 Him first bespoke the son of renowned Leto. " Old man, hedger of grassy Onchestus ; hither am I come seeking cattle from Pieria, all the crook-horned kine out of my herd : my black bull was wont to graze apart from the rest, and my four bright-eyed 1 This is not likely to be the sense, but sense the text gives none. Allen, Journal of Hellenic Studies, xvii. II. 195-213 HERMES 145 hounds followed, four of them, wise as men and all of one -mind. These were left, the hounds and the bull, a marvel ; but the kine wandered away from their soft meadow and sweet pasture, at the going down of the sun. Tell me, thou old man of ancient days, if thou hast seen any man faring after these cattle ? " Then to him the old man spake and answered : " My friend, hard it were to tell all that a man may see : for many wayfarers go by, some full of ill intent, and some of good : and it is difficult to be certain regarding each. Nevertheless, the whole day long till sunset I was digging about my vineyard plot, and methought I marked — but I know not surely — a child that went after the horned kine ; right young he was, and held a staff, and kept going from side to side, and backwards he drove the kine, their faces fronting him." So spake the old man, but Apollo heard, and went fleeter on his path. Then marked he a bird long of wing, and anon he knew 146 HOMERIC HYMNS 213-232 that the thief had been the son of Zeus Cronion. Swiftly sped the *Prince, Apollo, son of Zeus ; to goodly Pylos, seeking the shambling kine, while his broad shoulders were swathed in purple cloud. Then the Far - darter marked the tracks,- and spake : " Verily, a great marvel mine eyes behold ! These be the tracks of high-horned kine, but all are turned back to the meadow of asphodel. But these are not the footsteps of a man, nay, nor of a woman, nor of grey wolves, nor bears, nor lions, nor, methinks, of a shaggy-maned Centaur, whosoever with fleet feet makes such mighty strides ! Dread to see they are that backwards go, more dread they that go forwards/' So speaking, the Prince sped on, Apollo, son of Zeus. To the Cyllenian hill he came, that is clad in forests, to fhe deep shadow of the hollow rock, where the deathless nymph brought forth the child of Zeus Cronion. A fragrance sweet was spread about the goodly hill, and many tall sheep were grazing the 233-252 HERMES 147 grass. Thence he went fleetly over the stone .threshold into the dusky cave, even Apollo, the Far-darter. Now when the son of Zeus and Maia beheld Apollo thus in wrath for his kine, he sank down within his fragrant swaddling bands, being covered as piled embers of burnt tree-roots are covered by thick ashes, so Hermes coiled himself up, when he saw the Far - darter ; and curled himself, feet, head, and hands, into small space [sum- moning sweet sleep], though of a verity wide awake, and his tortoise-shell he kept beneath his armpit. But the son of Zeus and Leto marked them well, the lovely mountain nymph and her dear son, a little babe, all wrapped in cunning wiles. Gazing round all the chamber of the vasty dwell- ing,- Apollo opened three aumbries with the shining key ; full were they of nectar and glad ambrosia, and much gold and silver lay within, and much raiment of the Nymph, purple and glistering, such as are within the dwellings of the mighty Gods. Anon, when 148 HOMERIC HYMNS 252-270 he had searched out the chambers of the great hall, the son of Leto spake to renowned Hermes : " Child, in the cradle lying, tell me straight- way of my kine : or speedily between us twain will be unseemly strife. For I will seize thee and cast thee into murky Tartarus, into the darkness of doom where none is of avail. Nor shall thy father or mother redeem thee to the light : nay, under earth shalt thou roam, a reiver among folk fordone/' Then Hermes answered with words of craft : " Apollo, what ungentle word hast thou spoken ? And is it thy cattle of the home- stead thou comest here to seek ? I saw them not, heard not of them, gave ear to no word of them : of them I can tell no tidings, nor win the fee of him who tells. Not like a lifter of cattle, a stalwart man, am I : no task is this of mine : hitherto I have other cares ; sleep, and mother's milk, and about my shoulders swaddling bands, and warmed baths. Let none know whence this feud arose ! And verily great marvel among the 270-289 HERMES 149 Immortals it would be, that a new-born child should cross the threshold after kine of the homestead ; a silly rede of thine. Yesterday was I born, my feet are tender, and rough is the earth below. But if thou wilt I shall swear the great oath by my father's head, that neither I myself am to blame, nor have I seen any other thief of thy kine : be kine what they may, for I know but by hearsay/' So spake he with twinkling eyes, and twisted brows, glancing hither and thither, with long-drawn whistling breath, hearing Apollo's word as a vain thing. Then lightly laughing spake Apollo the Far-darter : " Oh, thou rogue, thou crafty one ; verily methinks that many a time thou wilt break into stablished homes, and by night leave many a man bare, silently pilling through his house, such is thy speech to-day ! And many herdsmen of the steadings wilt thou vex in the mountain glens, when in lust for flesh thou comest j,on the herds and sheep thick of fleece. Nay come, lest thou sleep 150 HOMERIC HYMNS 289-308 the last and longest slumber, come forth from thy cradle, thou companion of black night ! For surely this honour hereafter thou shalt have among the Immortals, to be called for ever the captain of reivers/' So spake Phoebus Apollo, and lifted the child, but even then strong Argus-bane had his device, and, in the hands of the God, let forth an Omen, an evil belly-tenant, with tidings of worse, and a speedy sneeze there- after. Apollo heard, and dropped renowned Hermes on the ground, then sat down before him, eager as he was to be gone, chiding Hermes, and thus he spoke : "Take heart, swaddling one, child of Zeus and Maia. By these thine Omens shall I find anon the sturdy kine, and thou shalt lead the way." So spake he, but swiftly arose Cyllenian Hermes, and swiftly fared, pulling about his ears his swaddling bands that were his shoulder wrapping. Then spake he : "Whither bearest thou me, Far-darter, of Gods most vehement ? Is it for wrath about Pellissier <3c Allen, sc. HERMES MAKING THE LYRE. Bronze -{relief in the British Museum. (' Fourth Century B.C.) LIBRARY OF THE UNIVERSITY rf ILLINOIS. 308-328 HERMES 151 thy kine that thou thus provokest me ? Would that the race of kine might perish, for thy cattle have I not stolen, nor seen another steal, whatsoever kine may be ; I know but by hearsay, I ! But let our suit be judged before Zeus Cronion." Now were lone Hermes and the splendid son of Leto point by point disputing their pleas, Apollo with sure knowledge was right- eously seeking to convict renowned Hermes for the sake of his kine, but he with craft and cunning words sought to beguile, — the Cyllenian to beguile the God of the Silver Bow. But when the wily one found one as wily, then speedily he strode forward through the sand in front, while behind came the son of Zeus and Leto. Swiftly they came to the crests of fragrant Olympus, to father Cro- nion they came, these goodly sons of Zeus, for there were set for them the balances of doom. Quiet was snowy Olympus, but they who know not decay or death were gather- ing after gold-thrbned Dawn. Then stood Hermes and Apollo of the Silver Bow before 152 HOMERIC HYMNS 329-348 the knees of Zeus, the Thunderer, who in- quired of his glorious Son, saying : " Phoebus, whence drivest thou such mighty spoil, a new-born babe like a Herald ? A mighty matter this, to come before the gather- ing of the Gods ! " Then answered him the Prince, Apollo the Far-darter : " Father, anon shalt thou hear no empty tale ; tauntest thou me, as though I were the only lover of booty ? This boy have I found, a finished reiver, in the hills of Cyllene, a long way to wander ; so fine a knave as I know not among Gods or men, of all robbers on earth. My kine he stole from the meadows, and went driving them at eventide along the loud sea shores, straight to Pylos. Wondrous were the tracks, a thing to marvel on, work of a glorious god. For the black dust showed the tracks of the kine making backward to the mead of asphodel ; but this child intractable fared neither on hands nor feet, through the sandy land, but this other strange craft had he, 349-368 HERMES 153 to tread the paths as if shod on with oaken shoots. 1 While he drove the kine through a land of sand, right plain to discern were all the tracks in the dust, but when he had crossed the great tract of sand, straightway on hard ground his traces and those of the kine were ill to discern. But a mortal man beheld him, driving straight to Pylos the cattle broad of brow. Now when he had stalled the kine in quiet, and confused his tracks on either side the way, he lay dark as night in his cradle, in the dusk of a shadowy cave. The keenest eagle could not have spied him, and much he rubbed his eyes, with crafty purpose, and bluntly spake his word : " I saw not, I heard not aught, nor learned another's tale ; nor tidings could I give, nor win reward of tidings." Therewith Phoebus Apollo sat him down, but another tale did Hermes tell, among the Immortals, addressing Cronion, the master of all Gods : " Father Zeus, verily the truth will I tell 1 " As if one walked with trees instead of feet." — Allen. 154 HOMERIC HYMNS 369-388 thee : for true am I, nor know the way of falsehood. To-day at sunrise came Apollo to our house, seeking his shambling kine. No witnesses of the Gods brought he, nor no Gods who had seen the fact. But he bade me declare the thing under duress, threaten- ing oft to cast me into wide Tartarus, for he wears the tender flower of glorious youth, but I was born but yesterday, as well him- self doth know, and in naught am I like a stalwart lifter of kine. Believe, for thou givest thyself out to be my father, that may I never be well if I drove home the kine, nay, or crossed the threshold. This I say for sooth ! The Sun I greatly revere, and other gods, and Thee I love, and htm I dread. Nay, thyself knowest that I am not to blame ; and thereto I will add a great oath : by these fair-wrought porches of the Gods I am guilt- less, and one day yet I shall avenge me on him for this pitiless accusation, mighty as he is ; but do thou aid the younger ! " So spake Cyllenian Argus -bane, and winked, with his wrapping on his arm : he 389-407 HERMES 155 did not cast it down. But Zeus laughed aloud at the sight of his evil-witted child, so well and wittily he pled denial about the kine. Then bade he them both be of one mind, and so seek the cattle, with Hermes as guide to lead the way, and show without guile where he had hidden the sturdy kine. The Son of Cronos nodded, and glorious Hermes obeyed, for lightly persuadeth the counsel of Zeus of the ^Egis. Then sped both of them, the fair children of Zeus, to sandy Pylos, at the ford of Alpheius, and to the fields they came, and the stall of lofty roof, where the booty was tended in the season of darkness. There anon Hermes went to the side of the rocky cave, and began driving the sturdy cattle into the light. But the son of Leto, glancing aside, saw the flayed skins on the high rock, and quickly asked renowned Hermes : " How wert thou of avail, oh crafty one, to flay two kine ; new-born and childish as thou art ? For time to come I dread thy 156 HOMERIC HYMNS 407-427 might : no need for thee to be growing long, thou son of Maia ! " * [So spake he, and round his hands twisted strong bands of withes, but they at his feet were soon intertwined, each with other, and lightly were they woven over all the kine of the field, by the counsel of thievish Hermes, but Apollo marvelled at that he saw.] Then the strong Argus-bane with twinkling glances looked down at the ground, wishful to hide his purpose. But that harsh son of renowned Leto, the Far-darter, did he lightly soothe to his will ; taking his lyre in his left hand he tuned it with the plectrum : and wondrously it rang beneath his hand. Thereat Phoebus Apollo laughed and was glad, and the winsome note passed through to his very soul as he heard. Then Maia's son took courage, and sweetly harping with his harp he stood at Apollo's left side, playing his pre- lude, and thereon followed his winsome voice. 1 The passage which follows (409-414) is too corrupt to admit of any but conjectural rendering. Probably Apollo twisted bands, which fell off Hermes, turned to growing willows, and made a bower over the kine. See Mr. Allen, op. cit. 427-443 HERMES 157 He sang the renowns of the deathless Gods, and the dark Earth, how all things were at the first, and how each God gat his portion. To Mnemosyne first of Gods he gave the meed of minstrelsy, to the Mother of the Muses, for the Muse came upon the Son of Maia. Then all the rest of the Immortals, in order of rank and birth, did he honour, the splendid son of Zeus, telling duly all the tale, as he struck the lyre on his arm. But on Apollo's heart in his breast came the stress of desire, who spake to him winged words : "Thou crafty slayer of kine, thou com-, rade of the feast ; thy song is worth the price of fifty oxen ! Henceforth, methinks, shall we be peacefully made at one. But, come now, tell me this, thou wily Son of Maia, have these marvels been with thee even since thy birth, or is it that some immortal, or some mortal man, has given thee the glorious gift and shown thee song divine? For marvellous is this new song in mine ears, 158 HOMERIC HYMNS 444-464 such as, methinks, none hath known, either of men, or of Immortals who have mansions in Olympus, save thyself, thou reiver, thou Son of Zeus and Maia ! What art is this, what charm against the stress of cares ? What a path of song ! for verily here is choice of all three things, joy, and love, and sweet sleep. For truly though I be conversant with the Olympian Muses, to whom dances are a charge, and the bright minstrel hymn, and rich song, and the lovesome sound of flutes, yet never yet hath aught else been so dear to my heart, dear as the skill in the festivals of the Gods. I marvel, Son of Zeus, at this, the music of thy minstrelsy. But now since, despite thy youth, thou hast such glorious skill, to thee and to thy Mother I speak this word of sooth : verily, by this shaft of cor- nel wood, I shall lead thee renowned and for- tunate among the Immortals, and give thee glorious gifts, nor in the end deceive thee." Then Hermes answered him with cunning words : "Shrewdly thou questionest me, Far-darter, 465-484 HERMES 159 nor do I grudge thee to enter upon mine art. This day shalt thou know it : and to thee would I fain be kind in word and will : but within thyself thou wdl knowest all things, for first among the Immortals, Son of Zeus, is thy place. Mighty art thou and strong, and Zeus of wise counsels loves thee well with reverence due, and hath given thee honour and goodly gifts. Nay, they tell that thou knowest soothsaying, Far-darter, by the voice of Zeus : for from Zeus are all oracles, wherein I myself now know thee to be all- wise. Thy province it is to know what so thou wilt. Since, then, thy heart bids thee play the lyre, harp thou and sing, and let joys be thy care, taking this gift from me ; and to me, friend, gain glory. Sweetly sing with my shrill comrade in thy hands, that knoweth speech good and fair and in order due. Freely do thou bear it hereafter into the glad feast, and the winsome dance, and the glorious revel, a joy by night and day. Whatsoever skilled hand shall inquire of it artfully and wisely, surely its voice shall teach 160 HOMERIC HYMNS 488-503 him all things joyous, being easily played by gentle practice, fleeing dull toil. But if an unskilled hand first impetuously inquires of it, vain and discordant shall the false notes sound. But thine it is of nature to know what things thou wilt : so to thee will I give this lyre, thou glorious son of Zeus. But we for our part will let graze thy cattle of the field on the pastures of hill and plain, thou Far-darter. So shall the kine, consorting with the bulls, bring forth calves male and female, great store, and no need there is that thou, wise as thou art, should be vehement in anger." So spake he, and held forth the lyre that Phoebus Apollo took, and pledged his shining whip in the hands of Hermes, and set him over the herds. Gladly the son of Maia received it ; while the glorious son of Leto, Apollo, the Prince, the Far-darter, held the lyre in his left hand, and tuned it orderly with the plectrum. Sweetly it sounded to his hand, and fair thereto was the song of the God. Thence anon the twain turned the kine to 503-522 HERMES 161 the rich meadow, but themselves, the glorious children of Zeus, hastened back to snow-clad Olympus, rejoicing in the lyre : ay, and Zeus, the counsellor, was glad of it. [Both did he make one in love, and Hermes loved Leto's son constantly, even as now, since when in knowledge of his love he pledged to the Far- darter the winsome lyre, who held it on his arm and played thereon.] But Hermes withal invented the skill of a new art, the far-heard music of the reed pipes. Then spake the son of Leto to Hermes thus : " I fear me, Son of Maia, thou leader, thou crafty one, lest thou steal from me both my lyre and my bent bow. For this meed thou hast from Zeus, to establish the ways of barter among men on the fruitful earth. Where- fore would that thou shouldst endure to swear me the great oath of the Gods, with a nod of the head or by the showering waters of Styx, that thy doings shall ever to my heart be kind and dear/' Then, with a nod of his head, did Maia's 1 62 HOMERIC HYMNS 522-534 son vow that never would he steal the posses- sions of the Far-darter, nor draw nigh his strong dwelling. And Leto's son made vow and band of love and alliance, that none other among the Gods should be dearer of Gods or men the seed of Zeus. [And I shall make, with thee, a perfect token oKa Cove- nant of all Gods and all men, loyal to my heart and honoured.] l " Thereafter shall I give thee a fair wand of wealth and fortune, a golden wand, three-pointed, which shall guard thee harmless, accomplishing all things good of word and deed that it is mine to learn from the voice of Zeus. 2 But as touching the art prophetic, oh best of fos- terlings of Zeus, concerning which thou in- quirest, for thee it is not fit to learn that 1 This passage is a playing field of conjecture ; some taking Gvfxfiokov = Mediator, or Go - between : some as = pactum, " covenant." 2 There seems to be a reference to the caduceus of Hermes, which some have compared to the forked Divining Rod. The whole is corrupt and obscure. To myself it seems that, when he gave the lyre (463-495), Hermes was hinting at his wish to receive in exchange the gift of prophecy. " If so, these passages are all disjointed, and 521, with what follows, should come after 495, where Hermes makes the gift of the lyre. 535-554 HERMES 163 art, nay, nor for any other Immortal. That lies in the mind of Zeus alone. Myself did make pledge, and promise, and strong oath, that, save me, nona other of the eternal Gods should know the secret counsel .of Zeus. And thou, my brother ot the Golden Wand, bid me not tell thee what awful pur- poses is planning the far-seeing Zeus. " One mortal shall I harm, and another shall I bless, with many a turn of fortune among hapless men. Of mine oracle shall he have profit whosoever comes in the wake of wings and voice of birds of omen : he shall have profit of mine oracle : him I will not deceive. But whoso, trusting birds not ominous, ap- proaches mine oracle, to inquire beyond my will, and know more than the eternal Gods, shall come, I say, on a bootless journey, yet his gifts shall I receive. Yet another thing will I tell thee, thou Son of renowned Maia and of Zeus of the ^Egis, thou bringer of boon ; there be certain Thrice, sisters born, three maidens rejoicing in swift wings. Their heads are sprinkled with white barley flour, 164 HOMERIC HYMNS 556-569 and they dwell beneath a glade of Parnassus, apart they dwell, teachers of soothsaying. This art I learned while yet a boy I tended the kine, and my Father heeded not. Thence they flit continually hither and thither, feed- ing on honeycombs and bringing all things to fulfilment. They, when they are full of the spirit of soothsaying, having, eaten of the wan honey, delight to speak forth the truth. But if they be bereft of the sweet food divine, then lie they all confusedly. These I bestow on thee, and do thou, in- quiring clearly, delight thine own heart, and if thou instruct any man, he will often hearken to thine oracle, if he have the good fortune. 1 These be thine, O Son of Maia, and the cattle of the field with twisted horn do thou tend, and horses, and toilsome mules. . . . And be lord over the burning eyes of lions, and white-toothed swine, and dogs, and sheep 1 It appears from Philochorus that the prophetic lots were called thrice. They are then personified, as the prophetic Sisters, the Thria?. The white flour on their locks may be the grey hair of old age : we know, however, a practice of divining with grain among an early agricultural people, the Hurons. 570-580 HERMES 165 that wide earth nourishes, and over all flocks be glorious Hermes lord. And let him alone be herald appointed to Hades, who, though he be giftless, will give him highest gift of honour/ 1 With such love, in all kindness, did Apollo pledge the Son of Maia, and thereto Cronion added grace. With all mortals and immortals he consorts. Somewhat doth he bless, but ever through the dark night he beguiles the tribes of mortal men. Hail to thee thus, Son of Zeus and Maia, of thee shall I be mindful and of another lay. Ill APHRODITE PELL me, Muse, of the deeds of golden * Aphrodite, the Cyprian, who rouses sweet desire among the Immortals, and vanquishes the tribes of deathly men, and birds that wanton in the air, and all beasts, even all the clans that earth nurtures, and all in the sea. To all are dear the deeds of the garlanded Cyprian. Yet three hearts there be that she cannot persuade or beguile : the daughter of Zeus of the -^Egis, grey-eyed Athene : not to her are dear the deeds of golden Aphrodite, but war and the work of Ares, battle and broil, and the mastery of noble arts. First was she to teach earthly men the fashioning of war chariots and cars fair - wrought with 166 ^ Pellissier & Allen, sc APHRODITE . Marble statue in the Louvre . LiBttAHY »N'V£fisiT/ o n LLIN0|s< i 4 - 3 i APHRODITE 167 bronze. And she teaches to tender maidens in the halls all goodly arts, breathing skill into their minds. Nor ever doth laughter- loving Aphrodite conquej in desire Artemis of the Golden Distaff, rejoicing in the sound of the chase, for the bow and arrow are her delight, and slaughter of the wild beasts on the hills : the lyre, the dance, the clear hunting halloo, and shadowy glens, and cities of righteous men. Nor to the revered maiden Hestia are the feats of Aphrodite a joy, eldest daughter of crooked - counselled Cronos [youngest, too, by the design of Zeus of the -^Egis], that lady whom both Poseidon and Apollo sought to win. But she would not, nay stubbornly she refused ; and she swore a great oath fulfilled, with her hand on the head of Father Zeus of the -^Egis, to be a maiden for ever, that lady Goddess. And to her Father Zeus gave a goodly meed of honour, in lieu of wedlock ; and in mid- hall she sat her down choosing the best portion : and in all temples of the Gods is 1 68 HOMERIC HYMNS 31-45 shQ honoured, and among all mortals is chief of Gods. 1 Of these she cannot win or beguile the hearts. But of all others there is none, of blessed Gods or mortal men, that hath escaped Aphrodite. Yea, even the heart of Zeus the Thunderer she led astray ; of him that is greatest of all, and hath the highest lot of honour. Even his wise wit she hath beguiled at her will, and lightly laid him in the arms of mortal women ; Hera not wotting of it, his sister and his wife, the fairest in goodliness of beauty among the deathless Goddesses. To highest honour did they beget her, crooked-counselled Cronos and Mother Rheia ; and Zeus of imperishable counsel made her his chaste and duteous wife. But into Aphrodite herself Zeus sent sweet 1 Hestia, deity of the sacred hearth, is, in a sense, the Cinderella of the Gods, the youngest daughter, tending the holy fire. The legend of her being youngest yet eldest daughter of Cronos may have some reference to this position. :; The hearth-place shall belong to tne youngest son or daughter, in Kent. See " Costumal of the Thirteentn Century," with much learning on the subject, in Mr. Elton's "Origins of English History," especially p. 190. 45-64 APHRODITE 169 desire, to lie in the arms of a mortal man. This wrought he so that anon not even she might be unconversa,nt with a mortal bed, and might not some day with sweet laughter make her boast among all the Gods, the smiling Aphrodite, that she had given the Gods to mortal paramours, and they for deathless Gods bare deathly sons, and that she mingled Goddesses in love with mortal men. Therefore Zeus sent into her heart sweet desire of Anchises, who as then was pasturing his kine on the steep hills of many- fountained Ida, a man in semblance like the Immortals. Him thereafter did smiling Aphrodite see and love, and measureless desire took hold on her heart. To Cyprus wended she, within her fragrant shrine : even to Paphos, where is her sacred garth and odorous altar. Thither went she in, and shut the shining doors, and there the Graces laved and anointed her with oil ambrosial, such as is on the bodies of the eternal Gods, sweet fragrant oil that she had by her. Then clad she her body in goodly raiment, and 170 HOMERIC HYMNS 65-81 prinked herself with gold, the smiling Aphro- dite ; then sped to Troy, leaving fragrant Cyprus, and high among the clouds she swiftly accomplished her way. To many-fountained Ida she came, mother of wild beasts, and made straight for the steading through the mountain, while behind her came fawning the beasts, grey wolves, and lions fiery-eyeH ; and bears, and swift pards, insatiate pursuers of the roe-deer. Glad was she at the sight of them, and sent desire into their breasts, and they went coupling two by two in the shadowy dells. But she came to the well-builded shielings, 1 and him she found left alone in the shielings with no company, the hero Anchises, graced with beauty from the Gods. All the rest were faring after the kine through the grassy pastures, but he, left lonely at the shielings, walked up and down, harping sweet and shrill. In front of him stood the daughter of Zeus, Aphrodite, in semblance and stature like an unwedded maid, lest he should be 1 Shielings are places of summer abode in pastoral regions. 8i-ioi APHRODITE 171 adread when he beheld the Goddess. And Anchises marvelled when he beheld her, her height, and beauty, and glistering raiment. For she was clad in vesture more shining than the flame of fire, and with twisted armlets and glistering ear-rings of flower- fashion. About her delicate neck were lovely jewels, fair and golden : and like the moon's was the light on her fair breasts, and love came upon Anchises, and he spake unto her : u Hail, Queen, whosoever of the Immortals thou art that comest to this house ; whether Artemis, or Leto, or golden Aphrodite, or high-born Themis, or grey-eyed Athene. Or perchance thou art one of the Graces come hither, who dwell friendly with the Gods, and have a name to be immortal ; or of the nymphs that dwell in this fair glade, or in this fair mountain, and in the well-heads of rivers, and in grassy dells. But to thee on some point of outlook, in a place far seen, will I make an altar, and offer to thee goodly victims in every season. But for thy part 172 HOMERIC HYMNS 101-117 be kindly, and grant me to be a man pre- eminent among the Trojans, and give goodly seed of children to follow me ; but for me, let me live long, and see the sunlight, and come to the limit of old age, being ever in all things fortunate among men." Then Aphrodite the daughter of Zeus answered him : " Anchises, most renowned of men on earth, behold no Goddess am I, — why liken- est thou me to the Immortals ? — Nay, mortal am I, and a mortal mother bare me, and my father is famous Otreus, if thou perchance hast heard of him, who reigns over strong- warded Phrygia. Now I well know both your tongue and our own, for a Trojan nurse reared me in the hall, and nurtured me ever, from the day when she took me at my mother's hands, and while I was but a little child. Thus it is, thou seest, that I well know thy tongue as well as my own. But even now the Argus-slayer of the Golden Wand hath ravished me away from the choir of Artemis, the Goddess of the Golden 1 1 7-i 36 APHRODITE 173 Distaff, who loves the noise of the chase. Many nymphs, and ijiaids beloved of many wooers, were we there at play, and a great circle of people was about us withal. But thence did he bear me away, the Argus-slayer, he of the Golden Wand, and bore me over much tilled land of mortal men, and many wastes untilled and uninhabited, where wild beasts roam through the shadowy dells. So fleet we passed that I seemed not to touch the fertile earth with my feet. Now Hermes said that I was bidden to be the bride of Anchises, and mother of thy goodly children. But when he had spoken and shown the thing, lo, instantly he went back among the immortal Gods, — the renowned Slayer of Argus. But I come to thee, strong necessity being laid upon me, and by Zeus I beseech thee and thy good parents, — for none ill folk may get such a son as thee, — by them I implore thee to take me, a maiden as I am and untried in love, and show me to thy father and thy discreet mother, and to thy brothers of one lineage with thee. No 174 HOMERIC HYMNS 136-155 unseemly daughter to these, and sister to those will I be, but well worthy ; and do thou send a messenger swiftly to the Phrygians of the dappled steeds, to tell my father of my fortunes, and my sorrowing mother: gold enough and woven raiment will they send, and many and goodly gifts shall be thy meed. Do thou all this, and then busk the winsome wedding-feast, that is honourable among both men and immortal Gods." So speaking, the Goddess brought sweet desire into his heart, and love came upon Anchises, and he spake, and said : il If indeed thou art mortal and a mortal mother bore thee, and if renowned Ocreus is thy father, and if thou art come hither by the will of Hermes, the immortal Guide, and art to be called my wife for ever, then neither mortal man nor immortal God shall hold me from my desire before I lie with thee in love, now and anon ; nay, not even if Apollo the Far-darter himself were to send the shafts of sorrow from the silver bow ! Nay, thou lady like the Goddesses, willing 156-172 APHRODITE 175 were I to go down within the house of Hades, if but first I had climbed into thy bed." So spake he and took her hand ; while laughter-loving Aphrodite turned, and crept with fair downcast eyes towards the bed. It was strewn for the Prince, as was of wont, with soft garments : and above it lay skins of bears and deep-voiced lions that he had slain in the lofty hills. When then they twain had gone up into the well-wrought bed, first Anchises took from her body her shining jewels, brooches, and twisted armlets, earrings and chains : and he loosed her girdle, and unclad her of her glistering raiment, that he laid on a silver-studded chair. Then through the Gods' will and design, by the immortal Goddess lay the mortal man, not wotting what he did. Now in the hour when herdsmen drive back the kine and sturdy sheep to the stead- ing from the flowery pastures, even then the Goddess poured sweet sleep into Anchises, and clad herself in her goodly raiment. 176 HOMERIC HYMNS 1 73-191 Now when she was wholly clad, the lady Goddess, her head touched the beam of the lofty roof : and from her cheeks shone forth immortal beauty, — even the beauty of fair- garlanded Cytherea. Then she aroused him from sleep, and spake, and said : " Rise, son of Dardanus, why now slum- berest thou so deeply ? Consider, am I even in aspect such as I was when first thine eyes beheld me ? " So spake she, and straightway he started up out of • slumber and was adread, and turned his eyes away when he beheld the neck and the fair eyes of Aphrodite. His goodly face he veiled again in a cloak, and imploring her, he spake winged words : " Even so soon as mine eyes first be- held thee, Goddess, I knew thee for divine : but not sooth didst thou speak to me. But by Zeus of the Mg\s I implore thee, suffer me not to live a strengthless shadow among men, but pity me : for no man lives in strength that has couched with immortal Goddesses." 192-208 APHRODITE 177 Then answered him Aphrodite, daughter of Zeus : "Anchises, most renowned of mortal men, take courage, nor fear overmuch. For no fear is there that thou shalt suffer scathe from me, nor from others of the blessed Gods, for dear to the Gods art thou. And to thee shall a dear son be born, and bear sway among the Trojans, and children's chil- dren shall arise after him continually. Lo, ^Eneas shall his name be called, since dread sorrow held me when I came into the bed of a mortal man. And of all mortal men these who spring from thy race are always nearest to the immortal Gods in beauty and stature ; witness how wise-counselling Zeus carried away golden-haired Ganymedes, for his beauty's sake, that he might abide with the Immortals and be the cup-bearer of the Gods in the house of Zeus, a marvellous thing to behold, a mortal honoured among all the Immortals, as he draws the red nectar from the golden mixing-bowl. But grief incur- able possessed the heart of Tros, nor knew * M 178 HOMERIC HYMNS 208-225 he whither the wild wind had blown his dear son away, therefore day by day he lamented him continually till Zeus took pity upon him, and gave him as a ransom of his son high- stepping horses that bear the immortal Gods. These he gave him for a gift, and the Guide, the Slayer of Argus, told all these things by the command of Zeus, even how Ganymedes should be for ever exempt from old age and death, even as are the Gods. Now when his father heard this message of Zeus he rejoiced in his heart and lamented no longer, but was gladly charioted by the wind-fleet horses. " So too did Dawn of the Golden Throne carry off Tithonus, a man of your lineage, one like unto the Immortals. Then went she to pray to Cronion, who hath dark clouds for his tabernacle, that her lover might be immortal and exempt from death for ever. Thereto Zeus consented and granted her desire, but foolish of heart was the Lady Dawn, nor did she deem it good to ask for eternal youth for her lover, and to keep him unwrinkled by grievous old age. 226-245 APHRODITE 179 Now so long as winsome youth was his, in joy did he dwell with the Golden-throned Dawn, the daughter of Morning, at the world's end beside the streams of Oceanus, but so soon as grey hairs began to flow from his fair head and goodly chin, the Lady Dawn held aloof from his bed, but kept and cherished him in her halls, giving him food and ambrosia and beautiful raiment. But when hateful old age had utterly overcome him, and he could not move or lift his limbs, to her this seemed the wisest counsel ; she laid him in a chamber, and shut the shining doors, and his voice flows on endlessly, and no strength now is his such as once there was in his limbs. Therefore I would not have thee to be immortal and live for ever in such fashion among the deathless Gods, but if, being such as thou art in beauty and form, thou couldst live on, and be called my lord, then this grief would not over- shadow my heart. " But it may not be, for swiftly will piti- less old age come upon thee, old age that 180 HOMERIC HYMNS 245-263 standeth close by mortal men ; wretched and weary, and detested by the Gods : but among the immortal Gods shall great blame be mine for ever, and all for love of thee. For the Gods were wont to dread my words and wiles wherewith I had subdued all the Immortals to mortal women in love, my purpose overcoming them all ; for now, lo you, my mouth will no longer suffice to speak forth this boast among the Im- mortals, 1 for deep and sore hath been my folly, wretched and not to be named ; and distraught have I been who carry a child beneath my girdle, the child of a mortal. Now so soon as he sees the light of the sun the deep-bosomed mountain nymphs will rear him for me ; the nymphs who haunt this great and holy mountain, being of the clan neither of mortals nor of immortal Gods. Long is their life, and immortal food do they eat, and they join in the goodly dance with the immortal Gods. With them the 1 Reading x el '< rercu > Mr. Edgar renders " no longer will my mouth ope to tell," &c. 263-282 APHRODITE 181 Sileni and the keen-sighted Slayer of Argus live in dalliance in the recesses of the darkling caves. At their birth there sprang up pine trees or tall-crested oaks on the fruitful earth, flourishing and fair, and on the lofty mountain they stand, and are called the groves of the immortal Gods, which in no wise doth man cut down with the steel. But when the fate of death approaches, first do the fair trees wither on the ground, and the bark about them moulders, and the twigs fall down, and even as the tree perishes so the soul of the nymph leaves the light of the sun. "Th^se nymphs will keep my child with them and rear him ; and him when first he enters on lovely youth shall these Goddesses bring hither to thee, and show thee. But to thee, that I may tell thee all my mind, will I come in the fifth year bringing my son. At the sight of him thou wilt be glad when thou beholdest him with thine eyes, for he will be divinely fair, and thou wilt lead him straight- way to windy Ilios. But if any mortal 1 82 HOMERIC HYMNS 282-294 man asketh of thee what mother bare this thy dear son, be mindful to answer him as I command : say that he is thy son by one of the flower-faced nymphs who dwell in this forest-clad mountain, but if in thy folly thou speakest out, and boastest to have been the lover of fair-garlanded Cytherea, then Zeus in his wrath will smite thee with the smouldering thunderbolt. Now all is told to thee : do thou be wise, and keep thy counsel, and speak not my name, but revere the wrath of the Gods." So spake she, and soared up into the windy heaven. Goddess, Queen of well-stablished Cyprus, having given thee honour due, I shall pass on to another hymn. SYRACUSAN MEDALLION BY EUAINETOS Obv. Head of Persephone. Rev. Victorious Chariot. IV HYMN TO DEMETER (~\p fair-tressed Demeter, Demeter holy ^^ Goddess, I begin to sing : of her and her slim-ankled daughter whom Hades snatched away, the gift of wide-beholding Zeus, but Demeter knew it not, she that bears the Seasons, the giver of goodly crops. For her daughter was playing with the deep- bosomed maidens of Oceanus, and was gather- ing flowers — roses, and crocuses, and fair 183 1 84 HOMERIC HYMNS 6-24 violets in the soft meadow, and lilies, and hyacinths, and the narcissus which the earth brought forth as a snare to the fair-faced maiden, by the counsel of Zeus and to pleasure the Lord with many guests. Won- drously bloomed the flower, a marvel for all to see, whether deathless gods or deathly men. From its root grew forth a hundred blossoms, and with its fragrant odour the wide heaven above and the whole earth laughed, and the salt wave of the sea. Then the maiden marvelled, and stretched forth both her hands to seize the fair plaything, but the wide-wayed earth gaped in the Nysian plain, and up rushed the Prince, the host of many guests, the many-named son of Cronos, with his immortal horses. Maugre her will he seized her, and drave her off weeping in his golden chariot, but she shrilled aloud, calling on Father Cronides, the highest of gods and the best. But no immortal god or deathly man heard the voice of her, save the daughter of Persaeus Hecate of the 24-42 HYMN TO DEMETER 185 shining head-tire, as she was thinking deli- cate thoughts, who heard the cry from her cave [and Prince Helios, the glorious son of Hyperion], the maiden calling on Father Cronides. But he far off sat apart from the gods in his temple haunted by prayers, receiving goodly victims from mortal men. By the design of Zeus did the brother of Zeus lead the maiden away, the lord of many, the host of many guests, with his deathless horses ; right sore against her will, even he of many names the son of Cronos. Now, so long as the Goddess beheld the earth, and the starry heaven, and the tide of the teeming sea, and the rays of the sun, and still hoped to behold her mother dear, and the tribes of the eternal gods ; even so long, despite her sorrow, hope warmed her high heart ; then rang the moun- tain peaks, and the depths of the sea to her immortal voice, and her lady mother heard her. Then sharp pain caught at her heart, and with her hands she tore the wimple about her ambrosial hair, and cast a dark veil about her shoulders, and then sped she 1 86 HOMERIC HYMNS 43-62 like a bird over land and sea in her great yearning ; but to her there was none that would tell the truth, none, either of Gods, or deathly men, nor even a bird came nigh her, a soothsaying messenger. Thereafter for nine days did Lady Deo roam the earth, with torches burning in her hands, nor ever in her sorrow tasted she of ambrosia and sweet nectar, nor laved her body in the baths. But when at last the tenth morn came to her with the light, Hecate met her, a torch in her hands, and spake a word of tidings, and said : " Lady Demeter, thou that bringest the Seasons, thou giver of glad gifts, which of the heavenly gods or deathly men hath ravished away Persephone, and brought thee sorrow : for I heard a voice but I saw not who the ravisher might be ? All this I say to thee for sooth/' So spake Hecate, and the daughter of fair-tressed Rheie answered her not, but swiftly rushed on with her, bearing torches burning in her hands. So came they to 62-79 HYMN TO DEMETER 187 Helios that watches both for gods and men, and stood before his car, and the lady Goddess questioned him : " Helios, be pitiful on me that am a goddess, if ever by word or deed I gladdened thy heart. My daughter, whom I bore, a sweet plant and fair to see ; it was her shrill voice I heard through the air unharvested, even as of one violently entreated, but I saw her not with my eyes. But do thou that lookest down with thy rays from the holy air upon all the land and sea, do thou tell me truly concerning my dear child, if thou didst behold her ; who it is that hath gone off and ravished her away from me against her will, who is it of gods or mortal men ? " So spake she, and Hyperionides answered her : " Daughter of fair-tressed Rheia, Queen Demeter, thou shalt know it ; for greatly do I pity and revere thee in thy sorrow for thy slim-ankled child. There is none other guilty of the Immortals but Zeus himself that gathereth the clouds, who gave thy daughter 1 88 HOMERIC HYMNS 80-96 to Hades, his own brother, to be called his lovely wife ; and Hades has ravished her away in his chariot, loudly shrilling, beneath the dusky gloom. But, Goddess, do thou cease from thy long lamenting. It behoves not thee thus vainly to cherish anger unassuaged. No unseemly lord for thy daughter among the Immortals is Aidoneus, the lord of many, thine own brother and of one seed with thee, and for his honour he won, since when was made the threefold division, to be lord among those with whom he dwells." So spake he, and called upon his horses, and at his call they swiftly bore the fleet chariot on like long-winged birds. But grief more dread and bitter fell upon her, and wroth thereafter was she with Cronion that hath dark clouds for his dwelling. She held apart from the gathering of the Gods and from tall Olympus, and disfiguring her form for many days she went among the cities and rich fields of men. Now no man knew her that looked on her, nor no deep-bosomed woman, till she came to the dwelling of 9 6-ii3 HYMN TO DEMETER 189 Celeus, who then was Prince of fragrant Eleusis. There sat she at the wayside in sorrow of heart, by the Maiden Well whence the townsfolk were wont to draw water. In the shade she sat ; above her grew a thick olive-tree ; and in fashion she was like an ancient crone who knows no more of child-bearing and the gifts of Aphro- dite, the lover of garlands. Such she was as are the nurses of the children of doom- pronouncing kings. Such are the house- keepers in their echoing halls. Now the daughters of Celeus beheld her as they came to fetch the fair-flowing water, to carry thereof in bronze vessels to their father's home. Four were they, like unto goddesses, all in the bloom of youth, Calli- dice, and Cleisidice, and winsome Demo, and Callithoe the eldest of them all, nor did they know her, for the Gods are hard to be known by mortals, but they stood near her and spake winged words : "Who art thou and whence, old woman, of ancient folk, and why wert thou wandering 190 HOMERIC HYMNS 1 13-132 apart from the town, nor dost draw nigh to the houses where are women of thine own age, in the shadowy halls, even such as thou, and younger women, too, who may kindly entreat thee in word and deed ? " So spake they, and the lady Goddess answered : " Dear children, whoever ye be, of woman- kind I bid you hail, and I will tell you my story. Seemly it is to answer your ques- tions truly. Deo is my name that my lady mother gave me ; but now, look you, from Crete am I come hither over the wide ridges of the sea, by no will of my own, nay, by violence have sea-rovers brought me hither under duress, who thereafter touched with their swift ship at Thoricos where the women and they themselves embarked on land. Then were they busy about supper beside the hawsers of the ship, but my heart heeded not delight of supper ; no, stealthily setting forth through the dark land I fled from these overweening masters, that they might not sell me whom they had never bought 133-152 HYMN TO DEMETER 191 and gain my price. Thus hither have I come in my wandering, nor know I at all what land is this, nor who they be that dwell therein. But to you may all they that hold mansions in Olympus give husbands and lords, and such children to bear as parents desire ; but me do ye maidens pity in your kindness, till I come to the house of woman or of man, that there I may work zealously r for them in such tasks as fit a woman of my years. I could carry in mine arms a new- born babe, and nurse it well, and keep the hous£, and strew my master's bed within the well-builded chambers, and teach the maids their tasks." So spake the Goddess, and straightway answ r ered her the maid unwed, Callidice, the fairest of the daughters of Celeus : " Mother, what things soever the Gods do give must men, though sorrowing, endure, for the Gods are far stronger than we ; but this will I tell thee clearly and soothly, namely, what men they are who here have most honour, and who lead the people, and by 192 HOMERIC HYMNS 152-171 their counsels and just dooms do safeguard the bulwarks of the city. Such are wise Triptolemus, Diodes, Polyxenus, and noble Eumolpus, and Dolichus, and our lordly father. All their wives keep their houses, and not one of them would at first sight contemn thee and thrust thee from their halls, but gladly they will receive thee : for thine aspect is divine. So, if thou wilt, abide here, that we may go to the house of my father, and tell out all this tale to my mother, the deep- bosomed Metaneira, if perchance she will bid thee come to our house and not seek the homes of others. A dear son born in her later years is nurtured in the well-builded hall, a child of many prayers and a welcome. If thou wouldst nurse him till he comes to the measure of youth, then whatsoever woman saw thee should envy thee ; such gifts of fosterage would my mother give thee." So spake she and the Goddess nodded assent. So rejoicing they filled their shining pitchers with water and bore them away. Swiftly they came to the high hall of their 171-198 HYMN TO DEMETER 193 father, and quickly they told their mother what they had heard and seen, and speedily she bade them run and call the strange woman, offering goodly hire. Then as deer or calves in the season of Spring leap along the meadow, when they have had their fill of pasture, so lightly they kilted up the folds of their lovely kirtles, and ran along the hollow chariot-way, while their hair danced on their shoulders, in colour like the crocus flower. They found the glorious Goddess at the wayside, even where they had left her, and anon they led her to their father's house. But she paced be- hind in heaviness of heart, her head veiled, and the dark robe floating about her slender feet divine. Speedily they came to the house of Celeus, the fosterling of Zeus, and they went through the corridor where their lady mother was sitting by the door- post of the well-wrought hall, with her child in her lap, a young blossom, and the girls ran up to her, but the Goddess stood on the threshold,^ her head touching the 194 HOMERIC HYMNS 198-209 roof-beam, and she filled the doorway with the light divine. Then wonder, and awe, and pale fear seized the mother, and she gave place from her high seat, and bade the Goddess be seated. But Demeter the bearer of the Seasons, the Giver of goodly gifts, would not sit down upon the shining high seat. Nay, in silence she waited, casting down her lovely eyes, till the wise Iambe set for her a well-made stool, and cast over it a glistering fleece. 1 Then sat she down and held the veil before her face ; long in sorrow and silence sat she so, and spake to no man nor made any sign, but smileless she sat, nor tasted meat nor drink, wasting with long desire for her deep-bosomed daughter. So abode she till wise Iambe with jests and many mockeries beguiled the lady, the holy one, to smile and laugh and hold a happier heart, and pleased her moods even thereafter. Then Metaneira filled a cup of sweet wine and offered it to her, but she refused it, saying, that it was not permitted for her to 1 k\htjul6s seems to answer to fauteuzl, 8i