<79 Z . ( 9 JR , f Courses in Drama Study Prepared by The Drama League of America ~ 73 ' 7 ^ 3 ^ HoO . A, Course A Revised July, 1911 Some Significant Modern Dramas This course was prepared by the follow- ing Committee: Miss Elizabeth Wallace, Chairman, Uni- versity of Chicago. Prof. Robert M. Lovett, University of Chicago. Prof. S. H. Clark, University of Chicago. — 1910 - Committee on Revision. Prof. S. H. Clark, The University of Chicago. Prof. C. H. Page, Northwestern Uni- versity. Mr. W. N. C. Carlton, The Newberry Library. Thanks are due to Prof. Paul Shorey, Prof. S. W. Cutting, and Prof. Myra Rey- nolds for valuable suggestions. Books herein mentioned for sale by The Dramatic Pub. Co., 542 So. Dearborn St., Chicago Add Wo for postage 2 13 x V\n A The following outline has been prepared for the use of clubs and individuals affili- ated with the Drama League of America. Copies of the leaflet may be purchased for 10c each. Every member of the League is entitled to one copy without charge. The names and addresses of readers and lecturers will be kept on file, together with their programs and terms. Individuals or clubs desiring such information may com- municate with the chairman of the Lecture Bureau Department of the Educational Committee, Mrs. Nathan B. Lewis, 5435 Magnolia Avenue, Chicago. COURSE A. SOME SIGNIFICANT MODERN DRAMAS. This course is designed to awaken an in- terest in the reading and seeing of plays. Books for Reading and Reference. Archer, William. The Theatrical World, 1894-1898. Walter Scott, Ltd., London. Note: Very helpful, not only for its criticism of contemporary plays, but also for its acute and illuminating comment on the arts of play-writing and acting. Hale, E. E., Jr. Dramatists of to-day. Holt, N. Y $1.50 Books herein mentioned for sale by The Dramatic Pub. Co., 542 So. Dearborn St., Chicago Add 10# for postage 3 Hamilton, Clayton. The Theory of the Theatre, and other principles of dramatic criticism. Holt, N. Y $1.50 Huneker, James. Iconoclasts: a book of dramatists. Scribners, N. Y $1.50 Matthews, Brander. The Development of the Drama. Scribners, N. Y $1.25 Shaw, Geo. Bernard. Dramatic Opinions and Essays. 2 vols. Brentano, N. Y. . . .$2.50 Woodbridge, E. The Drama, its Law and Technique. Allyn & Bacon, Bos- ton $0.80 PLAYS. Note: The arrangement is alphabetical by names of authors. Echegaray, Jose. 1. The Great Galeoto. John Lane Co., N. Y $2.00 Galdos, Perez. 2. The Grandfather. R. G. Badger, Bos- ton $1.25 Galsworthy, John. 3. Strife. 4. The Silver Box. In Plays: The Silver Box, Joy, Strife. Putnams, N. Y $1.35 Hauptmann, Gerhardt. 5. The Weavers. B. W. Huebsch, N. Y $1.00 Books herein mentioned for sale by The Dramatic Pub. Co., 542 So. Dearborn St., Chicago Add 1Q% for postage 4 6. The Sunken Bell: a fairy play in five acts. Doubleday, Page & Co., N. Y $1.00 Ibsen, Henrik. 7. A Doll's House. 8. An Enemy of the People. W. H. Baker & Co., Boston, 25 cents each; or, Scribners, N. Y., $1.00 each, with very useful intro- ductions by William Archer. Jones, Henry Arthur. 9. The Liars. Samuel French, N. Y $0.50 Maeterlinck, Maurice. 10. The Blind. 11. The Intruder. In Plays: Princess Maleine, The Intruder, The Blind, The Seven Princesses. Duffield & Co., N. Y $1.25 12. The Blue Bird. A fairy play in five acts. Dodd, Mead & Co., N. Y $1.20 Moody, William Vaughan. 13. The Great Divide. The Macmillan Co., N. Y t $1.25 Peabody, Josephine Preston. 14. The Piper. Houghton, Mifflin Co. Boston $1.10 Phillips, Stephen. 15. Ulysses. The Macmillan Co., N. Y. $1.25 Books herein mentioned for sale by The Dramatic Pub. Co., 542 So. Dearborn St., Chicago Add 10 % for postage 5 Pinero, Sir Arthur Wing. 16. The Second Mrs. Tanqueray. W. H. Baker & Co., Boston $0.50 Rostand, Edmond. 17. Cyrano de Bergerac. T. Y. Crowell & Co., N. Y $0.35 Shaw, George Bernard. 18. Arms and the Man. 19. Candida. In Plays, pleasant and unpleasant, v. 2. 2 vols. Brentano, N. Y..$2.50 Sudermann, Hermann. 20. Magda. Samuel French, N. Y..$0.50 Thomas, Augustus. 21. The Witching Hour. Harper & Bros., N. Y $1.50 Wilde, Oscar. 22. Lady Windermere's Fan. W. H. Baker & Co., Boston $0.50 Books herein mentioned for sale by The Dramatic Pub. Co., 542 So. Dearborn St., Chicago Add 10 % for postage 6 DRAMA LEAGUE OF AMERICA. President — Mrs. A. Starr Best, 1936 Orrington Ave., Evanston, 111. Secretary— -Mrs. H. P. Jones, 5529 Cor- nell Ave., Chicago. Treasurer — Wm. T. Abbott, Central Trust Co. of Illinois, 125 W. Monroe St., Chicago. EDUCATIONAL COMMITTEE 1911-1912 Executive Secretary — Mary Gray Peck, 4581 Oakenwald Ave., Chicago. Drama Study Department — Chairman, Di. George P. Baker, Harvard University. Junior Department — Chairman, Cora Mel Patten, 4858 Champlain Ave., Chicago. Teachers’ Department — Chairman, Lucy M. Johnston, 1455 E. 54th St., Chicago. Lecture Bureau — Chairman, Mrs. Nathan B. Lewis, 5435 Magnolia Ave., Chicago. Library Department — Chairman, Mr. W. N. C. Carlton, Librarian, Newberry Library, Chi- cago. Plays for Amateur Acting — Chairman, Elvira D. Cabell, 5630 Monroe Ave., Chi- cago. Publication Department — Chairman, Bar- rett Clark, Chicago University, Chicago. 7 umo or \r Individual IN a me a Q « o w CJ — : bJD s 73 c T3 jd *3 a o u 2 ** S 2 b* .g-S^ 6 •« « « c * S w 2 — T O . ^ .y <3 G '■o •a < 6 — u fc. ° ^ r 2 a ^ § ’S O 2 G 2 « fll G +-» § * s £ *o co S c «* JS * =3 c w 3 .£ £ ^ ’ ao & £ .2 * Q £ c T 3 a> •G _G *G G O -O £ QJ £ JG 3 ”o a a ta v £ a Return with dues to Secretary , Mrs. H. P. Jones , 5529 Cornell Ave., Chicago, III. S 4'/ 5 JSt $- Courses in Drama Study Prepared by The Drama League of America 9 ^ Recommended by the General Federation of Women’s Clubs * 33 for Club use .3 Course B Revised July, 1911 Types of Drama: Tragedy — Melodrama — Comedy — Farce This course was originally prepared for the Drama League by the following com- mittee of the Drama Club of Evanston: Mrs. J. W. Meaker, Jr., Chairman. Mrs. Benjamin E. Page. Mrs. Guy S. McCabe. Mrs. Frederick W. Harnwell. Mrs. William E. Nichols. —1910- Committee on Revision. Prof. S. H. Clark, The University of Chicago. Prof. C. H. Page, Northwestern Uni- versity. Mr. W. N. C. Carlton, The Newberry Library. — 1911 — The following course has been prepared for the use of clubs and individuals affili- ated with the Drama League of America. It makes no pretence whatever to being exhaustive or widely comprehensive. The choice of books and plays here mentioned has been subject at every point to the limi- tations of price, availability of translations, whether in print or not, etc. Copies of this leaflet may be purchased for 25 cents each. Every member of the League is entitled to one copy without charge. The names and addresses of readers and lecturers upon drama will be kept on file, together with their programs and terms. Individuals or clubs desiring information may communicate with Mrs. Nathan B. Lewis, 5435 Magnolia Ave., Chicago. Books herein mentioned for sale by The Dramatic Pub. Co., 542 So. Dearborn St., Chicago Add 10# for postage 2 COURSE B. “1 9 * 2 . 3TV33c_ Vvo . ft) TYPES OF DRAMA. TRAGEDY, MELODRAMA, COMEDY, FARCE. REPRESENTATIVE CLASSICAL TRAGEDIES. Aeschylus. The House of Atreus. Trans- lated by E. D. A. Morshead. The Mac- millan Co., N. Y $1.00 Note: This work contains three trag- edies. Euripides. Euripides; translated into English rhyming verse, by Gilbert Murray. Longmans, N. Y $2.00 Note: Contains translations of “Hip- polytus” and “Bacchae.” Sophocles. Antigone; translated with in- troduction and notes by G. H. Palmer. Houghton, Mifflin Co., Boston $0.75 In studying the Greek drama the student will derive much help and assistance from the following works: Campbell, Lewis. Guide to Greek Tragedy for English Readers. Putnam, N. Y...$1.50 Haigh, A. E. The Tragic Drama of the Greeks. Oxford University Press, N. Y. $3.40 Moulton, R. G. Ancient Classical Drama. Oxford University Press, N. Y $2.25 Symonds, J. A. Studies of the Greek Poets. 3d ed. A. & C. Black, London. 25 shillings. Books herein mentioned for sale by The Dramatic Pub. Co., 542 So. Dearborn St., Chicago Add 10 % for postage 3 FOUR REPRESENTATIVE SHAKES- PEAREAN TRAGEDIES. OTHELLO. MACBETH. KING LEAR. HAMLET. There are innumerable editions of Shakespeare’s works both collected and in the form of single plays. Excellent com- plete one volume editions are: Shakespeare, W. Works; ed. by W. G. Clark and W. A. Wright. (Globe edition.) The Macmillan Co., N. Y $1.75 Shakespeare, W. Works; ed. by W. A. Neilson. (Cambridge edition.) Houghton, Mifflin Co., Boston $3.00 Shakespeare, W. Complete Works; edited with a glossary by W. J. Craig. Clarendon Press, Oxford $1.25 Oxford India paper, $2.50 In studying the tragedies of Shakespeare the following works will be found both useful and informing: Bradley, A. C. Shakespearean Tragedy. The Macmillan Co., N. Y., $3.25 Brandes, G. William Shakespeare. The Macmillan Co., N. Y $2.60 Dowden, E. Mind and Art of Shakes- peare. Harpers, N. Y $1.75 Moulton, R. G. Shakespeare as a Dram- atic Artist. Oxford Univ. Press, N. Y.$1.90 Books herein mentioned for sale by The Dramatic Pub. Co., 542 So. Dearborn St., Chicago Add 10 % for postage 4 FOUR MODERN TRAGEDIES Annunzio, G. d\ Francesca da Rimini; translated by Arthur Symons. F. A. Stokes Co., N. Y $1.00 Echegaray, Jose. Mariana; translated by James Graham. Little, Brown & Co., Bos- ton $1.00 Galsworthy, J. Justice; a tragedy in four acts. Scribners, N. Y $0.60 Ibsen, H. Ghosts. Translated by Wm. Archer. Scribners, N. Y $1.00 FIVE GREAT COMEDIES. Aristophanes. The Birds; translated by J. H. Frere. Published in: Aristophanes. The Achar- nians, The Knights, and The Birds, (Every- man’s Library, No. 344). Dutton, N. Y. .$0.35 Shakespeare, W. As You Like It. Moliere, J. B. P. The Learned Ladies. (“Les Femmes Savantes.”) Published in: (1) Moliere’s Dramatic Works; translated into English prose by C. H. Wall. 3 vols. (Bohn’s Standard Library.) The Macmillan Co., N. Y., $3.00. (2) French Classics for English Readers: Moliere; translated by Curtis Hidden Page. 2 vols. Putnams, N. Y $5.00 Goldsmith, O. She Stoops to Conquer. Published in: O. Goldsmith. Poems and Plays. (Everyman’s Library, No. 415.) Dut- ton, N. Y $0.35 Sheridan, R. B. School for Scandal. Published in: R. B. Sheridan. Plays. (Everyman’s Library, No. 95.) Dutton, N. Y $0.35 Books herein mentioned for sale by The Dramatic Pub. Co., 542 So. Dearborn St., Chicago Add 10 % for postage 5 MODERN COMEDY Barker, H. Granville. The Voysey In- heritance. Published in: H. G. Barker. Three Plays. Brentano, N. Y $1.50 Ibsen, H. Peer Gynt. Translated by Wm. Archer. Scribners, N. Y $1.00 Jones, H. A. Mrs. Dane's Defense: a comedy in four acts. S. French, N. Y. Paper, $0.50; cloth, $0.75 Mackaye, Percy. The Scarecrow. The Macmillan Co., N. Y $1.25 Shaw, G. B. You Never Can Tell; a comedy in four acts. Published in: G. B. Shaw. Plays: Pleas- ant and Unpleasant. 2 vols. Brentano, N. Y $2.50 MELODRAMA Jones, H. A. The Silver King; a drama in five acts. S. French, N. Y. Paper,. $0.50; cloth, $0.75 Shaw, G. B. The Devil’s Disciple. Published in: G. B. Shaw. Three Plays for Puritans. Brentano, N. Y $1.50 Thomas, Augustus. Arizona: a drama in four acts. Chicago, Dramatic Publishing Co. (C. H. Sergei.) FARCE Pinero, Sir A. W. The Magistrate. W. H. Baker, Boston $0.50 Wilde, O. The Importance of Being Earnest. W. H. Baker, Boston $0.50 Books herein mentioned for sale by The Dramatic Pub. Co., 542 So. Dearborn St., Chicago Add 10 % for postage 6 EDUCATIONAL COMMITTEE Executive Secretary — Mary Gray Peck, Madison Ave., Chicago. Drama Study Department — Chairman, Dr. George P. Baker, Harvard University. Junior Department — Chairman, Cora Mel Patten, 4558 Champlain Ave., Chicago. Teachers’ Department — Chairman, Lucy M. Johnston, 1455 E. 54th St., Chicago. Lecture Bureau — Chairman, Mrs. Nathan B. Lewis, 5435 Magnolia Ave., Chicago. Library Department — Chairman, Mr. W. N. C. Carlton, Librarian, Newberry Library, Chi- cago. Plays for Amateur Acting — Chairman, Elvira D. Cabell, 5630 Monroe Ave., Chi- cago. Publication Department — Chairman, Bar- rett Clark, Chicago University, Chicago. 7 o E oj 2 fef os co d co V ~ W 3 3 G ** ja m z CX O a; a ~ a £ b£ _S-S^ s -s « « c * S " « cs a .H < 5 G B < ~ G bx Oj OJ J OS a *7d Td < ^ e v 3 3 O O -3 3 * m o> 3d a w & c G •— * • — q a c bx G ~3 G u 03 cu 4-> 4-» CJ co J3 g on 03 E CO G .£ c IS 4-1 G 03 .£ 03 Q, G co Q. *-r\ 1 jD J3 73 ■e w i— i »*§ - ►©•$ CO 0*5 **3 a bx > per. Publisher, Houghton, Mifflin & Co. Price, $ 1 . 10 . Note. For studies of recent phases of the drama and the art of acting in America, see Walter P. Eaton's “The American These books for sale by A. C. McClurg & Co., Chicago 14 Stage of Today.” Publisher, Small & Maynard Co. Price, $1.50. Percy Mack- aye’s “The Playhouse and the Play.” Mac- millan Co. Price, $1.25. Norman Hap- good’s “The Stage in America.” See above. Caffin’s “Appreciation of the Drama.” Publisher, Baker & Taylor Co. Price, $1.50. LECTURE BUREAU., The Drama League of America takes pleas- ure in endorsing the following: Lecturers, Anspacher, Dr. Louis K., Tuckahoe, N. Y. Baker, Dr. George P. Baker, Harvard Uni- versity, Cambridge, Mass. Frown, Dr. Alfred H., 687 Boylston St., Bos- ton, Mass. Clark, S. H., University of Chicago, Chicago. Guthrie, Dr. William Norman, University of the South, Sewanee Tenn. MacKaye, Percy, The Players’ Club, New York, N. Y. Matthews, Brander, New York, N. Y. Moulton, Dr. Richard G., University of Chi- cago, Chicago. Peattie, Mrs. Elia W., The Chicago Tribune, Chicago. Potter, Mrs. Frances Squires, 5728 Madison Ave., Chicago. Wallace, Elizabeth, University of Chicago, Chicago. Interpretative Readers. Baker, Bertha Kunz, New York City, Clark, S. H., University of Chicago, Chicago. Evertz, Katherine Jewell. These books for sale by A. C. McClurg & Co., Chicago 15 La Follette, Fola, Maple Bluff Farm, Madi- son, Wis. Marks, Josephine Preston Peabody, Cam- bridge, Mass. Wentworth, Marion Craig, Boston, Mass. Conductors of Drama Study Courses. Burrill, Edgar W., Northwestern University. Hunt, Elizabeth R., 1566 Oak Ave., Evans- ton, 111. Lovett, R. M., University of Chicago, Chicago. Warren, Maude Radford, University of Chi- cago. Out-Door Entertainers. The League commends the purpose of the management and the repertoire of plays pre- sented by the following: Ben Greet Players. Coburn Players. Raymond Duncan’s Players. Sylvan Players. 16 7f 2. ^5 JJRPt ®fje ®rama^ league of America 75 2 - ZD7^^ Vvo • & Courses recommended by the National Committee on Drama Study THE NEW IRISH DRAMA YEATS, SYNGE, LADY GREGORY And Others COURSE E Headquarters Nos. 80—234 South La Salle Street Chicago, 111 . The Poetical and Prose Works of WILLIAM BUTLER YEATS Have Been Issued in America in These Volumes The Poetical Works of W. B. Yeats In two vols.y each $1.75 net The first volume contains his lyrics up to the time of its publication. The second includes all of his five dramas in verse : The Countess Kathleen, The Land of Heart’s Desire, The King’s Threshold, On Baile’s Strand, and The Shadowy Waters. Where There Is Nothing Vol. I of “ Plays for an Irish Theatre ” Out of print The Hour Glass and Other Plays Vol. II of “ Plays for an Irish Theatre ” $1*25 net In The Seven Woods Poems chiefly of the Irish Heroic Age $1.00 net Also to be found in the two-volume edition named above In Collaboration with Lady Gregory The Unicorn From the Stars Containing also “ Kathleen Ni Houlihan” and €€ The Hour Glass ” $ 1 . 5° net PROSE The Celtic Twilight $1.50 net Ideas of Good and Evil $1.50 net THE MACMILLAN COMPANY Publishers, 64-66 Fifth Avenue, New York ' i^HIS outline is planned for the guidance of those who would acquaint themselves with the achievements to date of the new Irish dramatic movement, led by W. B. Yeats and centred in the Abbey Theatre of Dublin. It does not include the plays of the Gaelic League or the Belfast Literary Society. Additional copies, at fifteen cents each, may be had from the Secretary, H. J. Savage, 26 Irving Street, Cambridge, Mass. Copyright, 1911, by Katharine Lee Bates THE IRISH NATIONAL THEATRE SOCIETY This Society is the outcome of The Irish Literary Theatre, which, founded by Mr. Yeats in 1898, soon gave rise to The Irish National Dramatic Company. Under its present name. The Irish National Theatre Society has been established, since 1904, in the Abbey Theatre, Dublin. “ For years Mr. Yeats’s dream had been to set going a the- atre for the presentation of literary plays that should appeal not merely to a cult but to the popular heart. The organization called the Irish Literary Theatre, in whose institution [united] Mr. Yeats, Lady Gregory and Mr. Martyn, joined later by Mr. George Moore, whose knowledge of the stage was well nigh indispensable to the success of the adventure, has at last made this dream something like a reality. The dramatic activity, beginning in 1899, at a moment when there was a lull in the literary revival, gave the whole movement a new impulse. The performances of the Literary Theatre, and its successor, the Irish National Theatre Society, have been a practical illustration of the ideas for which Mr. Yeats and his associates stand.” William Butler Teats and the Irish Literary Revival , H. S. Krans, 1904. “We must make a theatre for ourselves and our friends, and for a few simple people who understand from sheer simplicity what we understand from scholarship and thought. We have planned the Irish Literary Theatre with this hospitable emo- tion, and, that the right people may find out about us, we hope to act a play or two in the spring of every year ; and that the right people may escape the stupefying memory of the the- atre of commerce which clings even to them, our plays will be 4 for the most part remote, spiritual, and ideal.’ ’ The Theatre in Ideas of Good and Evil , W. B. Yeats, May, [899. “Yeats’s original idea of a theatre was a little mist, some fairies and a psaltery, and his achievements are realistic plays and an admirable company of actors and actresses.” George Moore, in the Boston Transcript , Sept. 23, 1911. “ In the express desire for ‘ something better than the ordi- nary play of commerce,’ the Irish Literary Theatre was founded in 1898. ... Its concern was with ‘plays that are literature.’ In the beginning, English actors were brought over to play in them. . . . In 1901 performances were given by Mr. W. G. Fay’s little company of Irish amateurs, calling themselves the Irish National Dramatic Company, and then the Irish National Theatre Society. It was this company which brought to St. George’s Hall, London, in May, 1903, The Hour Glass and Kathleen Ni Houlihan of Mr. Yeats, and Lady Gregory ’s Twenty-five. The refreshing quality of their simple and sincere art came as something of a revelation of what might be done in the theatre with a limited expenditure by a company intent upon doing good work. Miss Horniman acquired the lease of the Abbey Theatre, rebuilt it, and gave the Irish National Theatre Society its free use. From 1904 to 1910 Miss Horniman in addition gave the society a small annual subsidy.” The Repertory Theatre , P. P. Howe. “ Once, when in later years, anxious about the educational effect of our movement, I proposed adding to the Abbey Com- pany a second company to play international drama, Synge, who had not hitherto opposed me, thought the matter so im- portant that he did so in a formal letter. I had spoken of a German municipal theatre as my model, and he said that the municipal theatres all over Europe gave fine performances of old classics, but did not create, (he disliked modern drama for its sterility of speech, and perhaps ignored it), and that we would create nothing if we did not give all our thoughts to Ireland.” Synge and the Ireland of his Time , W. B. Yeats, 191 1. “ I have chosen all of my themes from Irish legend or Irish history, and my friends have made joyous, extravagant, and, as I am certain, distinguished comedy out of the common life of the villages, or out of a phantasy trained by the contemplation of that life and of the tales told by its firesides. This theatre cannot but be the more interesting to people of other races 5 because it is Irish, and, therefore, to some extent, stirred by emotions and thoughts not hitherto expressed in dramatic form, for the arts have always gained by their limitations, and I look for- ward to a day when a company will carry its plays into other lands, — above all, where there are Irish people, — and when I close my eyes I can see all plainly. It will play principally comedy, for the day of tragedy will return slowly, but of an extravagant, abounding kind that is half poetry.*” W. B. Yeats, Preface to his Poetical Works , Vol. II; Macmillan, December, 1906. BIBLIOGRAPHICAL NOTE For the inception, development, and achievements of this dramatic movement, Mr. Yeats is our best informant. See the article on “ The Theatre ” in his “ Ideas of Good and Evil his editorial contributions to Beltaine , the organ of the Irish Lit- erary Theatre (Dublin and London, 1899-1900) ; his editorial contributions to Samhain , the organ of the National Irish Theatre Society (Dublin and London, 1901-1906, 1908); his prefaces and appendices, especially in the second volume of his “ Poetical Works” (Macmillan); and the press reports of his addresses in Boston and New York, Sept. 23 — Oct. 20, 1911. Poole’s “ Index ” and other library indices will be sufficient guide to the magazine discussion of the movement in general, but it may be noted that special value attaches to Stephen Gwynne’s contribu- tions to the Fortnightly Review ; in December, 1901, “The Irish Literary Theatre and its Affinities 9 9 ; in December, 1902, “ An Uncommercial Theatre.” Fresh material is given in George Moore’s “ Ave,” just published by the Appletons. WILLIAM BUTLER YEATS. 1866— “ The future will look back to Mr. Yeats as to a landmark in the literary history of Ireland, both because of his artistic achievement and because he has been a leader in a remarkable movement. Through his poetry the Celtic spirit moves like a fresh wind.” William Butler Teats , H. S. Krans, 1904. PLAYS BY W. B. YEATS (With places and dates of first production.) The Land of Heart’s Desire, Avenue Theatre , London , April, 1894. The Countess Cathleen, Antient Concert Rooms , Dublin , May 8, 1899. Diarmuid and Grania (with George Moore), The Gaiety Theatre , Dublin , October 21, 1901. 6 Cathleen Ni Houlihan, St. Teresa s Hall , Dublin , April 2, 1902. A Pot of Broth, Antient Concert Rooms , Dublin , October 30, 1902. The Hour-Glass, Moles'ivorth Hall , Dublin , March 14, 1903. The King’s Threshold, Moles'ivorth Hall , Dublin , October 8, 1903. Where There Is Nothing, Stag-*? Society , London , 1903. The Shadowy Waters, Moles'ivorth Hall , Dublin , January 14, 1904. On Baile’s Strand, at the opening of Abbey Theatre , (with Lady Gregory’s Spreading the News), December 27, 1904. Deirdre, Abbey Theatre , November 24, 1906. The Unicorn from the Stars (with Lady Gregory), Abbey Theatre , November 21, 1907. The Golden Helmet, Abbey Theatre , March 19, 1908. The Green Helmet, Abbey Theatre , February 10, 1910. BIBLIOGRAPHICAL NOTE Horatio Sheafe Krans, at the end of his volume, “William Butler Yeats and the Irish Literary Revival ’ ’ — contributed to the “ Contemporary Men of Letters Series,” (McClure, Phillips & Co., New York,) in 1 904 — gives a bibliography of Mr. Yeats’ work (except for a few periodical items) to that date. A later and fuller bibliography, by Alan Wade, is appended to Mr. Bullen’s edition (1908) of “ The Collected Works in Verse and Prose of William Butler Yeats,” 8 vols., Shakespeare Head Press, Stratford-on-Avon. In America the plays are more con- veniently procured in the Macmillan editions than in those carried by Maunsel & Co. of Dublin. In the magazines and reviews of the past twenty years may be found many notices of Mr. Yeats, with discussions of his successive books. A comprehensive study of “ The Writings of Mr. W. B. Yeats ” appeared in The Fortnightly Review for February, 1909. JOHN MILLINGTON SYNGE.* 1871 — 1909 “ He loves all that has edge, all that is salt in the mouth, all that is rough to the hand, all that heightens the emotions by contest, all that stings into life the sense of tragedy. . . . The food of the spiritual-minded is sweet, an Indian scripture says, but passionate minds love bitter food.” Synge and the Ireland of his Time , W. B. Yeats, 1911. PLAYS BY J. M. SYNGE The Shadow of the Glen, Moles'ivorth Hall , Dublin , October 8, 1903. Riders to the Sea, Moles'ivorth Hall , Dublin , February 25, 1904. The Well of the Saints, Abbey Theatre , February 4, 1905. * Pronounced Sing. 7 The Playboy of the Western World, Abbey Theatre , January 26, 1907. Deirdre of the Sorrows, Abbey Theatre, January 13, 1910. The Tinker’s Wedding, His Majesty' s Theatre , London , 1910. (Out of respect to Roman Catholic feeling, not acted in Dublin. ) BIBLIOGRAPHICAL NOTE Maunsel & Co., Dublin, and Luce & Co., Boston, issue “A Collected Edition of the Works of J. M. Synge 9 ’ in four volumes, and also the separate plays. The Shadow of the Glen and Riders to the Sea are issued together by Elkin Mathews in his Vigo Cabinet Series, and another London publisher, A. H. Bullen, brought out in 1 905 The Well of the Saints. Deirdre of the Sorrows was published by J. Quinn, New York, 1910. Synge’s “ Poems and Translations” were beautifully printed at the Cuala Press, the private press of Miss Elizabeth Yeats, the poet’s sister, in 1909, and Deirdre of the Sorrows in 1910. From the Cuala press, too, comes Mr. Yeats’ latest volume : “ Synge and the Ireland of His Time.” The Cuala Press publi- cations are imported by Mr. Mitchell Kennerley. In the maga- zine discussions of Synge and his work, attention is especially called to Miss Vida D. Scudder’s prefatory address to Riders to the Sea, published with the play in Poet Lore , spring of 1905, after an amateur performance of the tragedy in Boston ; to Mr. Francis Bickley’s article, “Synge and the Drama,” in the 'New Quarterly , February, 1910 ; to Lord Dunsany’s criticism of the Court Theatre performances of Deirdre of the Sor- rows, Synge’s last drama, in the Saturday Review, June 4, 1910 ; to Mr. Warren Barton Blake’s summary of Synge’s achievements, under title of “John Synge and His Plays,” in the Chicago Dial, January 16, 1911, and to Mr. John Mansfield’s personal account of “John M. Synge” in the Contemporary Review, April, 1911. Synge’s volume, “The Aran Islands,” a diary of his sojourn among the Irish peasants of the western isles, is indispensable to a full understanding of his plays. ISABELLA AUGUSTA (PERSSE), LADY GREGORY. 1859— “There is no bitterness in her laughter. . . . Some of her plays, those that touch upon some patriotic emotion, are so well loved that men passing the Abbey Theatre door and seeing some favorite name upon the bill, will pay their sixpence, and 8 having seen, say. The Rising of the Moon, for perhaps the fortieth time, will come out after twenty minutes of emotion and go upon their way.” — W. B. Yeats, in his address before the Drama League of Boston, September 28, 1911, as reported in the Boston Transcript of September 29. Twenty-Five, Moles