§1 m Mi m 11$ il IB IH Siflla H TAT/ON £#. & . x^I/^. I IJ/ SH^ jf * T L/y . > ^» I lAr %^ ^* 11// • 'h^i* 1 L dm The Desire of the Moth Digitized by the Internet Archive in 2010 with funding from University of Illinois Urbana-Champaign http://www.archive.org/details/desireofmoth01vane The Desire BY Of CAPEL VANE. The Moth. " The desire of the moth for the star, Of the night for the morrow" Shelley. In Two Volumes. Vol. I. LONDON RICHARD BENTLEY & SOX PUBLISHERS in ORDINARY to HER MAJESTY jgQ - (All rights reserved. ) 0tS Vz8ZJL gcbiratcb MY FRIEND LETTIE PHILLIMORE, IN REMEMBRANCE OF THE MANY AFTERNOONS WE SPENT TOGETHER WITH "LUIGIA" AT NANCY S FIRESIDE. CONTENTS OF VOL. I CHAPTER PAGE I. The Picture in the Garret ... ... i II. Luigia's Father ... ... ... 19 III. The Dawning of Genius ... ... 30 IV. Lady Adelaide ... ... k ... 43 V. The Italian Singing-master ... ... 55 VI. The Squire of Rodney ... ... 71 VII. Luigia's Debut ... ... ... 85 VII I. An Artistic Temperament ... 101 IX. The Squire's Mania ... ... ... 115 X. Luigia's Worldly Wisdom ... 127 XI. Jean Ingram's Warning ... ... 143 XII. Three Years After ... ... 167 XIII. The Spirit of the Woods ... ... 183 XIV. Ingram's Impressions ... ... 214 XV. Trespassing ... ... ... ••• 246 XVI. Mrs. Harburton's Dance ... 264 XVII. Afternoon Calls ... ... ••• 290 The Desire of the Moth. CHAPTER I. THE PICTURE IN THE GARRET. HE wind was roaring in the chimneys and the leafless branches of the trees were rattling against the walls of the house with a wild rush as the gusts swept by. Luigia, at the nursery window, had looked out into the dreary solitude of the park, and watched the dead leaves whirling on the lawn so long, that something of the melancholy of that wet, tempestuous, winter's day had entered into her heart, and she felt vaguely unhappy. She turned and looked around her. Her nurse, Fanny, had gone into the inner room to chat with Mrs. Dawes, the old woman who sometimes came up from the village to make VOL. I. I 2 The Desire of the Moth. Luigia's frocks. She was alone, and there was nothing particular to do. In a moment she had taken her resolution and run away — up to that mysterious region of garrets at the top of the house, where all was dust and cob- webs, and solitude, and dim light. That dozen or so of garrets were a never- failing source of interest and delight to Luigia. The miscellaneous lumber that had collected there during years was a mine of untold wealth to the solitary child. It was charming to lift the lid of some box and grope among its contents, bringing to light many a for- gotten remnant of brocade and quaintly cut garment ; a broken, old-fashioned toy that had belonged to some child years ago ; a mildewed photograph album full of faded, dead faces of people who had once perhaps lived in that very house, trodden those very rooms. Then the books — how many there were of them ! — books of every sort and description, both old and new, both English and foreign. But the pictures were open stories to all beholding eyes, and over these she would pore in the dusky light, weaving tales around them of happy people and sunny gardens such as she loved. And she thought about them again The Picture in the Garret. 3 when she went to bed at night, peopling the solitary house with creatures of her imagination, and living a second inner life that was both richer and fuller than the realities of her existence. Truly Luigia in her loneliness was better off for companionship than many a less imaginative child who belongs to a large family of brothers and sisters. It was very cold in the garrets, but there was an old tablecloth that did duty as a shawl, and wrapped in this, with her feet tucked under her frock to keep them warm, she could spend many an hour by herself in a mood of mysterious happiness. The tablecloth was now dusty and tattered, but it had once been gorgeous, and Luigia liked it because it was scarlet and had a gold thread running through it. It had come from some foreign land originally, and years ago she remembered it on a table in the drawing-room, where as a child she had sat on the floor beside it and regarded its golden birds of Paradise with respectful awe. Now it was banished to the garret, and she no longer worshipped it at a distance, but wrapped it round her and made it serve her as a familiar friend. The beautiful gleaming thing was but a rag, the birds of Paradise were tarnished, the wonder of it 4 The Desire of the Moth. was gone, and she used it or threw it aside without respect. Wrapped in this gorgeous Eastern rag, she defied the cold, and enjoyed herself thoroughly after a strange, solitary fashion of her own. After gazing at a picture in a lengthy and absolute abstraction she would toss back her hair as though seeking freedom from restraint, and, looking up into the wintry sky, give free vent to her imagination. Every shade of feeling through which she passed was ex- pressed in those great, dark, un-English eyes of hers, and perhaps also in the mouth, which was large too. But there was no one to see or even to guess at the hopes and longings that filled her heart, and she was never either disturbed or interfered with when up there. If all other sources of interest failed her there were still the fairies to watch for. How many hours had she not spent in crouching behind some box or peeping through a half- open door in the hope of catching a fairy at its gambols ! What old, fantastic creatures might not come skipping out of the dim corners into the half light in the centre of the room ! What frolics might they not have chasing one another round and about the old furniture ! But in all the ten years of her life there was The Picture in the Garret. 5 only one solitary instance of good luck with regard to fairies, and that was one day when on entering a room suddenly a little creature sprang down from the top of a chest and disappeared behind a screen. She had told Fanny, her nurse, about it, and Fanny had said it was a mouse, but of course Luigia did not choose to believe this, and many a day after that she had waited, cramped and motionless, in some dark corner for a glimpse of the fairy creature that never came again. To-day, however, it was to what she called the " Book Room " that she went. It was dark and gloomy, for ivy straggled over its window-panes, and dust lay thickly on the floor and on everything she touched. In one corner a number of books were lying in a neglected heap, and it was here that she sat herself to poke, and push, and gaze, and dream — dream over the glimpses of far-away worlds that came to her from their pages. They had evidently been flung there by a careless and irreverent hand, and had lain in neglect for years. The covers were bent, the pages loosened, dog's-eared, torn. And yet many of them were of handsome binding, with gilt-edeed leaves. She had seen books far less new and pretty in her fathers library, and she 6 The Desire of the Moth. wondered why these were abandoned to neglect. They were mostly written in a language she did not understand, but they all bore the same name in the fly-leaf, " Francesco, Litigia Daubigny" Luigia speculated over this name. Her own was Luigia Daubigny, but she had never heard of any one called Francesca before. She turned over the pages curiously. In one there was a dead rose staining the page with a yellow mark, and where it lay there was a sentence underlined in pencil. In another there was a harebell and a poor crushed gnat — a voiceless testimony to some summer-day's reading in the far-away past when the book had been hastily closed — why ? Luigia won- dered about it, who had been reading at that page, who had picked the harebell, and what the story was about ? But there was no answer to these questions, and she laid it aside for something that could tell her more. What was this, shining among the books deep down ? Something bright and glittering, something she had never noticed before. She dug for the treasure, and brought it to light. It proved to be a picture, an oil painting in a gilt frame. She dragged it to the window, and knelt down before it. It was dim and dusty, and she wiped it with her frock ; the The Picture in the Garret. 7 frame was tarnished and broken in places, as though it had been roughly knocked about. But the face that smiled out at her from the canvas — was it not beautiful ? It was the portrait of a lady in a pale satin £Own, with blood-red roses at her breast and in her hair. There was a guitar in her hands, and her lips were just parting with song. Her eyes were uplifted — soft, beautiful, melancholy. Her hair was black and her face pale, but her lips were red — red as the roses she wore at her breast. Luigia was fascinated, and almost held her breath as she looked at it. Where had she seen a lovely face like that ? Long- ago when she was quite a baby, perhaps, or perhaps only in. dreams. Yes, it must have been in dreams, for she had never had a mother, and no lady visitor at her father's house was ever half so beautiful. She fell into a reverie, wrapping the shawl more closely round her, and leaning back against the wall with her wild black hair tossed in confusion around her. As four o'clock clanged from the stable clock, she remembered the nursery tea in wait- ing for her, and, scrambling to her feet, she lugged the picture into some safe hiding-place for the night. In doing this something scrawled 8 The Desire of the Moth. in red paint on its canvas back caught her eye. She stooped, and, with her little dusky fore- finger pointing to each letter in turn, spelt out the name — " Francesca Luigia DaubignyT Then it was this beautiful lady to whom ail those books had belonged ! it was she who had picked the harebell and pressed the rose ! Who was she ? — with the name that was partly her own. Could it — could it be her dead mother, whom no one ever mentioned ? Luigia went down to tea full of excited hopes and doubts. Tea was in full swing when she entered the nursery, and Fanny and old Mrs. Dawes, with their toes on the fender, were gossiping to- gether over their hot buttered toast. They both turned their heads as she entered. " So there you are at last, Miss Luigia ! " cried Fanny. " Come and sit down at once and have your tea. We've pretty nigh done ours. Whatever have you been about ? " Luigia did not choose to say. She closed her lips with a determined air, and sat herself down on the stool that was placed for her. A slice of bread and butter was given her, while her companions went on with their hot buttered toast, and conversed without further noticing her. Mrs. Dawes was a hook-nosed old lady with The Picture in the Garret. 9 horn-rimmed spectacles, and a pair of noiseless list slippers, in which she had a habit of coming upon one unawares. Luigia did not like her ; partly perhaps because she was chiefly con- nected in her mind with " trying on " stiff new garments bristling with pins exactly at the moment when she longed to be doing some- thing else. But she was not averse to gossip, and enjoyed listening to tales of any sort — even when they were about the model children Mrs. Dawes had known when she was young. But, if the truth were told, she preferred a tale of a more tragic cast, and was never tired of hearing Mrs. Parsons, the housekeeper, dis- course about the young man who drowned himself in the eel-pond for her sake, and of how Fanny's baker threw up the bakery and took to housebreaking when she refused him, going headlong to the gallows in a false beard and wax nose. Many were the bits of foolish gossip and vulgar scandal that had been dis- cussed over Luigia's unregarded head, and long before she was ten years old she was deep in servants' lore, and viewed the ways of the world through their eyes. No one put a stop to this state of things, for the master of the house was often absent, and, even when living at home, seemed scarcely aware of the io The Desire of the Moth. existence of his neglected child. There was no mistress at the Hall, and under Mr. Daubigny's rule, which was a very lax one, every kind of extravagance had become habitual, and bad ways were continued without inter- ference from any one. The nurse and the old workwoman were revelling in strong tea and details of the death-bed agonies of all their friends and relations, when at the first pause in the con- versation Luigia interrupted with an abrupt question. " Who was Francesca Luigia Daubigny ? " she inquired, looking earnestly from one face to the other. Mrs. Dawes stared at her with a blaze of amazement in her spectacles ; Fanny set down her cup with a jerk. They exchanged sig- nificant glances and an ominous silence ensued. " Who was she ? " persisted Luigia. "Who was she?" repeated Fanny; "why, isn't that your own name ? You never heard of nobody else called that, did you ? " " I don't mean me," returned Luigia, shaking her head ; " I mean somebody quite grown up — a lady, a beautiful lady, with roses and red lips, smiling." " Somebody's been a-talking to the child in The Picture in the Garret. 1 1 a way they oughtn't," said Mrs. Dawes, " that's evident." "Well, anyways it isn't me," cried Fanny. " I haven't breathed a word, I declare ! " " Who was she ?" Luigia broke in again. " Little gells shouldn't ask questions," said Mrs. Dawes, severely. " Master Frankie and Miss Carry never asked no questions — never ! " " What's put it into the child's head ? " ex- claimed Fanny aside, but in a tone distinctly audible to Luigia's ears. " It isn't likely as any one would go and tell her about her mamma." "Was she my mamma?" demanded Luigia. Mrs. Dawes' spectacles blazed afresh at this audacious questioning ; Fanny turned upon her with a sudden solemnity. " Don't you never speak about your mamma," she said. " She's not to be spoke about — least- ways by little gells. " 4 "Why?" " Don't you ask me no more questions. If you do, the Black Man will come down the chimbley and carry you off and keep you in a cage till you're fit to eat." This threat was pronounced in a suitable manner by sinking the voice to an awful 12 The Desire of the Moth. whisper, but Luigia felt no thrill of horror. She had heard it many a time before, and defied it, and no Black Man had ever come to seize her. But she asked no more questions concerning the beautiful lady ; she was too proud to do that, and she finished her tea in silence. But she knew well enough by the ominous signs and whispers that had passed between the two that there was some mystery in connection with the mother whom no one ever mentioned to her. That ni^ht after she had eone to bed she lay awake watching the firelight flickering through the open door from the room beyond. Over that fire Fanny and Mrs. Dawes were sitting gossiping as they had gossiped more or less all day. Fragments of the conversation came to her ears at intervals, but at others their voices sank into whispers or were drowned by the roaring of the wind in the chimney tops. It was a wild night. The window was closely shuttered and the room was warm and cosy, but she could hear the storm raging outside. The wind as it came moaning through the trees and crept round the house seemed to her like the sobbing of some lost child, and once or twice she started up in The Picture in the Garret. 13 bed and listened with dilated eyes to these cries of desolation. But it died away again, and she lay down once more, comforted by the silence that followed. Then came the whispering voices from the other room, rising and falling as the flickering firelight rose and fell on the wall at her bedside. What was that they were saying ? Was it not her own name ? She lay motionless and listened. "Strange as Miss Luigia should ask them questions about her mamma ! " Fanny's voice was saying. " I wonder who's been a-talking to her." "She don't remember her, I suppose?" came in Mrs. Dawes' voice. " Not she. Why, she weren't three year old when it happened." " Ah, that was before ever I came to the place. I never saw Mrs. Daubigny. Was she as handsome as they make out ? " " My word ! wasn't she, though ! And yet it wasn't only her looks, but a way with her as sent people silly — leastways gentlemen. The master he just worshipped the ground she stepped on, and it fairly broke his heart, it did." " And him — the other one ? What was he like?" 14 The Desire of the Moth. 11 Oh, he was a thin dark gentleman, with great black eyes as seemed to draw the soul out of your body like. He was Italian, too, like the mistress, and he made love to her before ever she was married. It was pretty clear how things was going long before the master seemed to see anythink, but of course no one didn't like to warn him." " Was there much carryings on, then ? " " I should just think there was — though they was pretty careful considering. But I've seen her turn back on the staircase and give him such a look — as he was a-waiting in the hall below and the master not two paces off in the smoking-room — a look as made him go up after her with some pretence, and then there was more carryings on, on the landing. And another time when I was out in the shrubbery I saw them leaning together in the drawing-room window, and she'd got a rose in her hand, and he was asking her for it, as I could make out by the way they was talking, and at last she gave it to him, and he went mad with kissing it, and in the very middle she turns round with a smile as cool as you please to the master, who was coming through the room behind them. Oh, she knew how to hoodwink him, she did ! " The Picture in the Garret. 15 " How did he take it when she went off ? " " My word ! that was a night ! We was all distracted ; but the master, he seemed to know without being told somehow. When he came home — for he'd been away two days — we was all in a state of mind, not knowing what to do. We didn't speak, and he went into the dining-room, where dinner was laid, and then he went upstairs to her room. It was empty, but her things was all lying about as she'd left them in her hurry. In ten minutes or so down he came again and went in to dinner, and the men said as he went through all the courses and drank his wine as usual. He seemed so calm and unconcerned like, that we all thought as he couldn't possibly know what had really happened, so after dinner Mrs. Parsons took Miss Luigia by the hand, dressed in her best frock, and went into the dining-room. There he was a-sitting over the fire, with his head buried in his hands ; but directly he heard her he got up and stood with his back to the fire, and held up his head as proud as ever and asked her what she wanted. Mrs. Parsons told him as she'd got bad news for him, but before she could get out the words, ' I know it,' says he, very haughty-like ; 'you can save yourself the trouble.' 1 6 The Desire of the Moth. Then Mrs. Parsons began to say somethink else, but he stopped her. 'You can go,' says he, 'and take the child with you. Let me never see her again ; ' and he strode over to the door and opened it for her, and afterwards shut it and locked it, and sat there alone all the rest of the evening, with the desert and nothink cleared away." Luigia listened intently. She did not grasp the full significance of the story, but she under- stood enough. It was her mother they were talking about — that unknown mother whom she had always believed dead — and she had run away in the night with a man, whose big black eyes drew the souls out of people's bodies against their will. Her mother had done a wicked, cruel thing, and broken her father's heart. So much she understood. But hush ! the voices are whispering together again. " It's not likely as Miss Luigia will turn out well, considering what her mother was," Fanny was saying, with an inflection of dark prophecy in her tones. "No, to be sure!" sighed Mrs. Dawes; and Luigia saw the shadow of her on the wall shake its head ominously. "That's true enough ! " The Picture in the Garret. 17 " She's got the same way with her some- times — as I could fancy it was the mistress over again. And her eyes ! they're as like as like can be — swimming in tears one minute, and that mischievous the next, you feel you can scarce keep your hands off boxing her ears." " She's not what you'd call a pretty child — not like Miss Mabel at the Vicarage, all a mask o' golden curls. " "That's true. She's too dark and furrin- looking to be a pretty child. She's not to my taste, either. And as for furriners — there's no trusting them ; they're always up to somethink as you don't suspeck. It wouldn't surprise me — not one bit, if she goes the way her mother did. She's got it in her blood, and it'll come out in the bone, you mark my words and see if it don't!" " I shouldn't wonder — I shouldn't wonder ! " muttered Mrs. Dawes, and the shadow on the wall wagged its head more ominously than ever. Luigia listened and wondered. What was this wicked thing she was going to do when she grew up ? What did the dark prophecy mean ? She did not know, but her little heart beat fast with a vague fear. The firelight rose and fell, and the whisper- ings and the mutterings went on, and the vol 1, 2 1 8 The Desire of the Moth. shadow heads on the wall nodded darkly, warn- ingly, prophetically as Luigia watched them with dilated, frightened eyes. And the wind went sobbing round the house, sobbing and wailing with anguish ; and louder and louder it rose, till suddenly, wildly, with a shriek like the cry of a lost soul, it rushed through the barren trees and away into outer darkness, where it sank with a piteous moan into silence. Luigia lay shuddering and stopping her ears. cS5 CHAPTER II luigia's father. JIG I A regarded her father with a childish sort of hero-worship, though she never remembered to have had a kind word from him. On the occasions when they met by accident in the grounds or on the stairs, he often passed her as though he had not seen her, but for all that her interest in him grew and strengthened day by day. Neglected weeds often flourish more luxuriantly than the carefully tended hothouse flowers, and so it was with her love for her father. He had always been an object of deep interest to her, partly because he belonged so closely to her, and yet seemed scarcely to own her, and partly because he was in himself the kind of man who would naturally attract a child's admiration. He was handsome and generous and carelessly good-natured — to all but Luigia. She had 2o The Desire of the Moth. seen him lift the little girl at the lodge into the saddle before him, and laugh when she screamed with delight. She had seen him pat the head of the boy who held his horse, and give him half a crown for his trifling- service. She had seen his dog receive the caresses that were denied to her, who had far more right to them. She had always, as long as she could remember, watched and admired him in secret, but now that she had been told the story of her mother's desertion, she dedicated herself to him with an even more absolute devotion. The picture in the lumber-room was kept with its face to the wall in disgrace, and she denied herself the pleasure of looking at it again. " I hate you ! " she cried, standing in the middle of the room and addressing the picture with a scowl of disapproval. " I hate you for leaving papa. I shall not turn you round. I shall not look at you. I shall not call you pretty any more." A new hope and a new project entered into her mind — she was bent upon making her father care for her. She did not know how she was to do it, but it had to be done some- how. She watched him more closely than ever, and waited her opportunity. On the great staircase there were niches at Luigia's Father. 2 1 intervals in the wall, in which marble statues were placed on pedestals. Around the base of these pedestals ferns and flowering shrubs were arranged in luxuriant profusion. It was behind one of these figures, the figure of Psyche, that Luigia generally hid herself when watching for her father to go down to dinner. She could see him come along the gallery above, watch him down the whole sweep of stairs, and across the hall, till he disappeared through the dining- room door. This was a treat, the extent of which can hardly be realized. It delighted her to see how proudly he walked, and how hand- some he looked, and to know that he was her own father and belonged to her more than to any one else in the world. She would peep round the pedestal, and through the delicate leaves of the ferns with a breathless awe and delight, that it is certain very few children feel even for the father who spends himself in their service, and from whom they are sure of having love and caresses. One evening Luigia noticed that her father wore a white camelia in his coat, and this fact suggested an idea to her. She would present him with a flower every day as he passed down to dinner, so that he should not have the trouble of picking one for himself. 22 The Desire of the Moth. The next morning she slipped into the con- servatories, and hovered among the flowers, anxious and undecided as to which to choose. Perhaps he did not like geraniums and roses and lilies, and no doubt he was tired of camelias. It was a difficult matter to decide. While peering about on tip-toe, and gently bendinof down first one blossom and then another, she saw a gardener enter with a watering-can. She went up to him. " Which is my father's favourite flower ? " she demanded. " Don't know," replied the man. " I 'specks they're all alike to him ; he doesn't come nigh 'em once in a month. If I let half on 'em die he wouldn't be any the wiser." " Oh, but he does like flowers. He wore one in his button-hole last ni^ht at dinner. I want to give him one to-night — one that smells nice." " You can't pick any o' these," said the man, gruffly, showing little respect for his master's neglected child. " You be off, and let the things alone. I can't have 'em interfered with." " They are father's flowers, not yours," said little Miss Daubigny, very proudly. " I know that, and that's why I won't have 'em picked. You be off afore you're caught, Luigia's Father. 23 Miss Luigia, or you'll get a fine scolding. The nursery's the place for you." She walked away with an air of offended dignity, without vouchsafing a reply. If Robert was so disagreeable, she must find a flower for herself in the garden. Accordingly she spent the morning in the Beech Wood, where she managed to gather a handful of early violets after prolonged search. Unfortunately they were dog-violets, and had no scent. This was a drawback, but they were the best to be had, and with them she was obliged to be content. On coming home she put them in water in a white-and-gold mug the cook had once given her, and awaited the evening with impatience. It came at last. Seven o'clock struck, the gong sounded, and Luigia, in her concealment behind the statue, felt her heart beat loud and fast. She craned her neck over the top of a tall fern, and peeped through the thick blossoms of a white azalea. She heard steps and voices approaching, and on the gallery above appeared her father and another gentleman in conversa- tion together. Here was a dilemma ! She had not expected any witness to her interview. Her resolution was put to flight ; her heart beat faster than ever, and she drew still further back into the 24 The Desire of the Moth. shadow of the statue. Should she not let him pass without giving him the flowers ? Would it not be better than risking his anger in the presence of a stranger ? She hesitated, and again peeped through the azalea leaves. He was coming down the stairs ; there was a smile on his lips, and no flower in his button-hole. The gentleman at his side did not look par- ticularly alarming ; in fact, quite the reverse. In a moment she had taken her resolution, and, as the two gentlemen passed the place of her concealment, she came forth and stood mutely before them, holding out the bunch of violets with a trembling hand and downcast eyes. They stopped, and the stranger, who was elderly, catching the other by the arm, ex- claimed — " What's this apparition, Daubigny ? Who is this little creature, this sprite of the woods, with her black elf locks and wild flowers ? " " What do you want ? " said Daubigny to Luigia, without replying to his friend's re- mark. " I got these for you," she said shyly, holding out the flowers. ''They don't smell, but camelias don't smell either." A dark flush had swept into Daubigny's Luigia's Father. 25 proud face at first sight of the child, and he now appeared both confused and undecided what to do. He, who was celebrated for his ease of manner and courtly grace, and who had many a time received elegant tokens of favour from high-born and beautiful women, now ac- cepted, with evident embarrassment, a bunch of wild violets from the hand of his little daughter. He took them awkwardly, dropping some upon the stairs as he did so, and passed on without a word. She never knew whether he put them into his coat or not, for she was in bed long before he left the dining-room, and on questioning the servants next day could gather no satisfactory information. However, she did not consider the attempt had been altogether a failure, and determined to proceed with her plot. This time she promised herself the flower should be really worth accepting, and accordingly summoned up all her wiles wherewith to storm the hard heart of Robert, the gardener. He was at his usual morning's work in the conservatories when she went to look for him. She went straight up to him, and slipped her hand into his. " Robert," she said, laying her cheek against the hard, horny hand caressingly, " I want 26 The Desire of the Moth. you to pick me that rose — that yellow one hanging down." " Hey !" said the gardener, with a reluctant smile stealing over his face, " you're a-trying to coax me over. / know your artful ways." But he did not shake her off. " If you do," said Luigia, still caressing his hand softly, " I will fill your watercans and carry your basket all the morning." " And a fine state o' muck you'd be in at the end o' it ! There ! there ! let go my hand, Miss Luigia. Which one was it as you said you wanted ? " She led him to a rose tree which clambered up the wall of the conservatory, and pointed to a beautiful, half-open, yellow bud. He broke it off and gave it to her. She put up her arms suddenly as he bent down, held him by the neck, and gave him a fluttering, butterfly kiss ; then she danced away, and he stooped again over his work. " Just like her mother over again ! " he muttered to himself — " the same way o' getting round you in spite of yourself. Ah, what a pretty creature she was, to be sure ! and so fond o' flowers ! It was worth lookin' after the conservatories in her day, while the master never comes nigh 'em except to smoke. Luigia's Father. 27 What a pretty creature she was, poor thing ! I'll never believe as she was to blame. It was all along o' that rascally furriner with his big moustaches." That evening Luima again concealed herself behind the statue of Psyche, and awaited the sounding of the gong. She was not so timid on this occasion, having suffered no repulse the day before. It gave her pleasure to think he had even carried t her flowers into dinner with him. Soon after the ringing of the gong, Daubigny and the gentleman she had seen with him before began to descend the stairs. She came out of her hiding-place and held up her offering. 11 Here is a rose," she said. Her father was about to pass her without noticing her, but his companion seized her by the wrist and held her tightly, looking down on her with a smile of amusement. " Why, here's the same little flower-maiden, I declare! What a lucky fellow you are, Daubigny, to be waylaid in this manner ! I vow I should be vastly flattered ! " Her father had passed them by a step or two, and was waiting with a frown of impatience. "Come," he said coldly, "we have no time to lose if we mean to keep our appointment." 28 The Desire of the Moth. " Let her come in to dinner with us," said the other gentleman — "as a favour to me. I've quite fallen in love with her eyes." " Do not ask me," said Daubigny, in a low voice, turning away with sudden agitation ; "it would be excessively painful to me. I — I cannot explain " He moved on as he spoke, and reached the bottom of the stairs without looking back. His friend hurried after him, and linked his arm in his. She heard him saying, " I beg your pardon — I had no idea " and she saw her father waive aside the subject with a movement of his hand. Then they both dis- appeared, and the dining-room door was shut behind them. She was left with the rose dan^line in her hand by its thorny stem. She gazed at the closed door as though she could scarcely realize what had befallen her, but the next instant she had torn the petals from the rose and flung them from her with passionate violence, stamp- ing on their soft, scented leaves as though they were living- things that had done her some mortal injury. Leaving them scattered and crushed on the staircase, she rushed off to her own room, where it was dark, and threw herself down on the floor in an agony of tears. Luigia's Father. 29 "He hates me! he hates me!" she moaned again and again. " What shall I do ? oh, what- ever shall I do ?" Benumbed, shivering, and worn out with excitement, she was found there an hour later by Fanny, the nurse. She refused to give the slightest reason for her unhappiness, and re- pressed her sobs with an effort as long as the girl was in the room. But, after she had left her for the night, she lay quiet and still in the dark room, hugging her rag doll closely to her and gazing up at the moon in the cold, night sky. There were no more sobs, no more passionate exclamations, but every now and then a large tear welled up from the bottom of her heart, so it seemed, and ran down on to the ugly face of the rag doll. The wound had gone very deep, and she was beyond all power of consolation. No more flowers were offered to Daubigny on his way down to dinner after that cruel rejection, and he sat at the head of his table, cold and proud, with no decoration in his button-hole and no little daughter at his side. CHAPTER III. THE DAWNING OF GENIUS. L §'g|||UIGIA worshipped her father as a hero, and surrounded him with an atmosphere of romance, but there was yet another passion that held almost as strone a hold over her. This was music. She inherited her love of it from her mother, who had been the daughter of a famous opera-singer in Italy, and who was herself in training for the stage when Daubigny fell in love with and married her. With Luigia everything combined to suppress the art, but it was born in her and was so entirely a part of her nature that no difficulties and neglect had power to kill it. It first stirred within her when, as a young child, she listened outside the drawing-room to some one playing and singing within. She scarcely knew whether the feeling the music The Dawning of Genius. 3 1 woke in her made her happy or miserable, but it certainly filled her with indefinite longings that she would have found it impossible to express in words. The next day every moment was an hour till she could escape to the drawing-room and pick out for herself the air she had heard. She liked to be there alone ; she liked the big piano ; she liked to shut and lock the door and feel herself mistress of the place and hour. It was a large room, with windows leading into a conservatory, and furniture swathed in holland by the careful housemaids. Near one of the windows stood the piano, and before it Luioqa would seat herself. The air had first o to be picked out with one finger, then a bass put to it, then chords attempted, and a struggle after harmony. But it often ended in dismal failure, and she would stamp her feet and clench her hands and rush away in an agony of rage and despair. She was a strange child and seemed to carry her history — a tragic one, full of passionate feeling, desolation, and neglect — in her face. She was excessively pale, and there were great black shadows under her eyes — shadows that spoke of sleepless nights spent in vain imagin- ings that gave her mind no rest. Her mouth 32 The Desire of the Moth. was large, soft, tremulous, and drooped pitifully at the corners ; her long, silky black hair twined and clung like waterweeds floating in a stream. She was incomprehensible to the servants, who had no understanding of her silent ways, sudden fits of passion, and strange sayings. " I don't care," she used to say when she was punished for some childish misdemeanour — " I don't care. I live in Fairyland. You think I'm standing in the corner, but I'm not. I'm in Fairyland all the time.'' Then they would look at her strangely and whisper together, and call her " odd " and prophesy a dark future for her, shaking their heads with mysterious references to her mother. And she would listen and shake her own little head, and defy them and their punishments, and go on living in Fairyland, the land of her imagination, where all things happened after the desire of her heart, and she was loved and cherished as other and happier children were. Once a lady, who sang beautifully, came to stay in the house with her father. Every evening after dinner, and long after Luigia had been put to bed, the refrain of her song came floating up through the darkness of the The Dawning of Genius. 33 house to her listening ears. Then she would creep downstairs with bare feet, run through the boudoir, and crouch in the dark near the door into the drawing-room, which was often ajar. There she could hear the words of the song, " Knowest thou the land where the citron- flower blooms ? " Again and again, in high, ringing notes came the question, but there was never any answer. Outside, in the darkness, she listened breathless. It spoke to her of far-off lands, where wonderful things such as she had never seen grew, a land radiant with light and warmth and brilliant birds and flowers. The thought delighted her ; she went about in a day-dream, full of imaginings. When she was sure of not being observed, she stole into the drawing-room, and picked out the air for herself. It was the high, ringing notes that had specially fascinated her, but on the piano they would not come. There was a poverty, a feebleness, a flatness about it all that filled her with despair, and she ended by creeping under the piano and bedewing the carpet with fruitless tears. " What is citron ? " she asked her nurse one evening as she was being undressed. " Citron, Miss Luigia ? why, it's the peel stuff a-top o' the cakes as gives you toothache." VOL. I. 3 34 The Desire of the Moth. " I don't believe it," said Luigia, flatly. " You're a bad, disbelieving child, then ! " returned the nurse. " You're always a-askin' questions and never a-believin' of the answers. But there now ! if I don't know candy-peel, I shall be a-wonderin' what my own nose is next. You get into bed, and don't go askin' so many questions." And with a shake, not unkindly meant, she thrust her charge between the sheets, and took away the light. This was a great blow to the brilliance of Luigia's imagination. That the lovely song should be all about the stuff on the top of cakes was sadly unromantic ! But, then, she did not believe it. She had found out long ago that servants scarcely ever understand things, and she still chose to imagine the citron-flower as larger, sweeter, whiter than any she had yet seen, and the land where it orrew a Paradise of sunshine. There was a concert to be given in aid of the hospital, and Luigia heard that the lady staying in her father's house was going to sing at it. One of the servants had a pro- gramme of the entertainment, and Luigia saw that, " Knowest thou the land," was put down against the name of the lady. From that moment she was wild to go. But, how to The Dawning of Genius. 35 manage it ? She dared not ask her father, and none of the servants would take her. She worried herself over this problem day and night for half a week, and at last, on the day of the concert, carried out a bold resolve. She hung about the landing and staircase all the morning, hoping to meet the lady with the lovely voice. At last she was rewarded by seeing her come upstairs, and alone. Luigia, hang- ing over the banisters and swinging her feet through the posts, waited till she was actually passing her, and then she turned suddenly. " Please, won't you take me to the concert ? " she said, looking up into her face wistfully. M Why, my dear child, do you come to me about it ? " said the lady, stopping in sur- prise. " Who are you ? — Mr. Daubigny's little girl ? " " I am Luigia Daubigny. I want to go and hear you sing this evening — more than anything else. I will hide under the seat of the carriage if you will take me." She did not speak passionately, but ther^. was a restrained force in her voice that had its effect. The lady laughed a little, and looked at her intently. The pale, uplifted 36 The Desire of the Moth. face, with its tremulous mouth and shadowy- eyes, touched the vein of romance in her, and she said gently — " Of course, you may come — at least, I suppose so. I will take you with me. But, why don't you go to your father about it, darling ? " To this she made no reply, but stood there in silence, rubbing her finger backwards and forwards along the rail of the banister with downcast eyes. The lady, half guessing some- thing of the history of neglect, kissed her and went away, promising to take her in the evening if she could. How it w r as all managed Luigia never knew, but a message came to the nurseries that she was to be dressed and sent downstairs. She drove to the town with her father and the lady and her husband, and sat in the first row of the seats at the concert. The lady was very kind to her, and when she went away to sing she whispered a few words to her husband, who, laughing, turned to Luigia and tried to amuse her by saying funny things. But Luigia thought him very tiresome, and wanted only to sit still and listen. Presently the lady came forward, and stood in the front of the platform, with a diamond star in her The Dawning of Genius. 37 hair, and some one began to play the accom- paniment. Luigia looked around her at the audience with a proud consciousness of pro- prietorship in the lady and what was coming, but when it came she could think no more of the people. The beautiful, high notes rang out louder than ever, sometimes joyful, some- times sad, and there was an indescribable pathos about it all that touched her to the quick. She wanted to cry, but pride forbade such an exhibition of feeling, and, after the song was over, her one longing was to go home and to bed, away from the eyes of all beholders. The next morning the lady came into the nursery. " I am going away to-day," she said, " but, if you like, you can come with me to the drawing-room now, and I will sing to you as long as you like, as you seem so fond of music/' Luigia went with her. She drew a chair up to her side, and sat there gravely listening for an hour or more, with her hands in her lap, her feet dangling, and her eyes fixed on the lady. The room echoed with beautiful, soft notes, and Luigia's mind went away on the wings of her fancy into far-off regions. 38 The Desire of the Moth. " What have you been thinking about all the time, you funny little girl ? " said the lady, when she stopped. But no words could tell that, and Luigia did not try. She only put her chair back and ran away, and the lady looked after her won- deringly. Once she found, in one of the disused rooms, an old guitar. Its ribbons were faded, its strings were out of tune, but it was richly inlaid with ivory and silver, and deserved a better fate than that of being stowed away with useless and dilapidated furniture. She did not know that it had belonged to her mother, and that Daubigny had given it to her on the day that she had promised to be his wife, but she recognized it at once as the same that lay in the hands of the beautiful lady in the picture she had found in the garret. She touched the strings delicately with the tips of her fingers, but could make very little of the sounds they uttered till she took it to the blind boy at the lodge, who had a fiddle. Between them they managed to get it into tune, and then Luigia learned to play on it after a fashion of her own. One morning Daubigny, who was pacing the conservatory, cigarette in mouth, was arrested The Dawning of Genius. 39 by sounds that had long been foreign to his ear. They came from the drawing-room ; it was summer time, and the windows were thrown open. He went to one of them and peeped in. The sight that met his eyes was an odd one. The blind boy from the lodge had been decoyed by Luigia into his master's house, and stood near the open window, fiddle in hand, playing some air he had caught from a Savoyard beggar-boy and his concertina. By his side on the floor sat Luigia, accompanying him on the guitar, and singing softly in a childish, treble voice. The words were all make-believe — mere gibberish without mean- ing — but her power of imitation was so great that an involuntary smile stole over Daubigny's face as he listened. The next instant, however, it clouded and he turned away. He loved music, but there was something in the sound of that guitar that grated on his nerves. He began to pace restlessly up and down the con- servatory, and ended by throwing himself on to one of the cane lounges as far from the little musicians as possible. When the performance was over, Luigia led the blind boy carefully through the window, and along the conservatory towards the door into the garden. Daubigny was half hidden 4-0 The Desire of the Moth. behind an orange tree, and she was unconscious of his presence until they reached it. She started as she came upon him, and the hand that held the blind boy's twitched convulsively. She came to a sudden standstill. The boy's thin face flushed uneasily, and, aware that he was in the presence of a superior — probably the master of the house — he began to fumble with trembling fingers for the handle of the door. Daubigny rose from the lounge, and, coming forward, laid his hand kindly on the boy's shoulder. " Don't be afraid of me ; you have done nothing wrong. I will give you a better violin than that if you will come up and play to me sometimes. I am very fond of music, you know." The boy's face flushed a still deeper scarlet, and his lips twitched nervously. " Thank you, sir. You are very kind, but — but I don't play well enough to be listened to. " Nonsense ! " cried Daubigny, laughing re- assuringly. " I am no great critic ; you need not be afraid of me. Come up on Sunday — Sunday afternoon, and I'll give you a new violin, and you shall tell me how you like it." The Dawning of Genius. 41 The boy murmured his thanks again, and Daubigny, seeing that he was embarrassed almost beyond endurance, opened the door for him, and let him escape. When alone with Luigia, he turned to her with a very different look and tone. He pointed to the guitar she held. " Where did you get that ? " " I found it," said Luigia, clutching it tightly, as the idea rose in her mind that it might be taken from her. " Where ? " " In one of the rooms upstairs." " Give it to me." She held it out to him obediently. " You must find something else to play on," he said, and he flung it behind him on to the lounge. She turned slowly and walked away. He watched her in silence, with a frown cratherinor on his brows. As she reached the further end of the conservatory, and a dozen yards of matting-covered pathway stretched between them, he called out — " Luigia." She turned and looked at him hesitat- ingly. " Come here," he said. 42 The Desire of the Moth. She went back. He took up the guitar hurriedly, and held it out to her. " Here, take it — do what you like with it — only never let me see it again." She clasped it in her arms as though it were some living creature she believed she should never see again, and turned away without a word. Daubigny meanwhile watched her nar- rowly. When she had gone, he threw himself back again on the lounge, muttering — " She may as well have it. What is that senseless bit of wood to me ? Why should I hate to see it touched or hear it played ? I do not — I will not care. As for the child, she is part and parcel of it. They were both hers, and can only mean pain to me — more pain !" He lifted his hand, absently plucking a flower from the orange plant, which grew so near where he was sitting that its blossoms almost touched his face. He snapped it from its stalk, and flung it away. " But all that is past now," he muttered, with a shrug of the shoulders. " I care for nothing, and never will again. It is the only true wisdom." And he proceeded at his leisure to roll another cigarette. CHAPTER IV. LADY ADELAIDE. SHORT time after this little incident Luigia's ears caught the rumour of an event which was supposed by the household to be near at hand. It was discussed in her hearing with all the freedom for which servants are remarkable. " I'll not put up with it ! " cried Jane Sharpe, one of the housemaids, bursting into the nursery one afternoon to deliver herself of her wrath in Fanny's sympathetic hearing. " I'll give notice if it goes on like this. There she is again, a-sweepin' thro' the place as tho' it all belonged to her, and a-castin' her heyes into the corners on the look-out fer dust and cob- webs. I'll not stand much more of it. 'Aughty thing!" " There now!" exclaimed Fanny, laying down her work to listen, " it's a clear proof how 44 The Desire of the Moth. she'll carry on when she is mistress. I, for one, won't stop. The day she comes in, that day I go out, as sure as my name's Fanny Parsons." Luigia was sitting reading in the window, but she laid down her book to listen. The maids scarcely lowered their voices in her presence, for their master's neglected child was no more to be feared than one of themselves. One of the footmen passing the open door, and catching the drift of the conversation, came in to add the weight of his opinion to the matter in hand. " There's no denying as she's a fine-lookin' woman," he observed, "one can see with half a eye as she's kerridge-born, and the way she holds her head is quite the lady." " Ah, but then, you never see the first Mrs. Daubigny," said Jane Sharpe, lowering her voice with a glance at Luigia, " you wouldn't think nothink o' Lady Hadelaide if you had. Such elegant ways you never did see, and so easy and haffable in her speech as you'd think we was all ladies-born a-sittin' in our drawing- rooms. It's a sad pity she went as she did ! " " Ah," sighed Fanny, "and I always say as Miss Luigia'll go just the same " — Luigia dropped her eyes on to her book and pretended Lady Adelaide. 45 not to hear what was being said — " for she's got just the same way with her." All three looked at Luigia with deep interest, and a moment's silence intervened. Then the housemaid remarked, in a significant under- tone — " He's not over set on her, to be sure, but he's as proud as lucifers — as proud as a whole box o' matches, if you come to that — and there's no sayin' what he'd do if it happened a second time. The missis sunk terrible deep, it did." " Pr'aps the new missis'll make him forget the old one," suggested Mr. Price. "Not she!" cried Fanny, "bein' a widder, and the other side o' thirty, and that cold she'd freeze a kitchen fire on a summer's day. You'd never see her eyes look as Miss Luigia's ma's used to look. My word ! didn't they shine when she was dressed up for company ! " "No 'aughty Lady Hadelaides for me!" cried Jane, leaving the room with a bounce. " She can get her cobwebs swep' by someone else for all I'll be trodden underfoot and made a black slave of." Luigia listened to this conversation, and many similar ones, with breathless interest. What did it mean ? She knew he did not love 46 The Desire of the Moth. her, but she was quite as jealous where he was concerned as if he did. She could not endure the idea of this marriage. She had often seen Lady Adelaide Carmichael driving through the town or calling at the house with her mother, but she had never taken any interest in her. The little girl, however, who rode the rough Shetland pony, and had such a bright, merry face, she had often envied. She had no pony of her own, and her riding con- sisted of a barebacked mount over a rough field when the groom was out exercising, or a few minutes astride her father's horse after it had been sent round to the stables. She could not frame in words her horror of this rumoured marriage ; she could not even understand why she so hated it, for she had nothing to lose and everything to gain by it. Yet it was a constant nightmare to her. At one moment she was on the point of imploring her father to give it up, but the next she shrank back, with an intense fear of a rebuff. When had he ever listened to her ? What weight would her wishes have in the matter ? She knew only that a frown was sure to cloud his face at sight of her, that he would dismiss her with a few brief, cold words, and that she should have to go away. There was Lady Adelaide. 47 nothing to be gained from her father, and her only hope lay in Lady Adelaide herself. So she formed some sort of childish plan, and awaited her opportunity. It happened in the beginning of September that one afternoon Lady Adelaide, with her mother and little girl, drove over from Friars- gate to call. Five o'clock tea was served on the lawn, and Luigia, who, in company with her rag doll, was playing near, could watch the party through the trees without being seen. She seated herself on the low bough of a tree, and, with the doll lying neglected in her arms, fixed her eyes and thoughts on her father and his guests. It was a very merry party apparently. There was a good deal of talking and laughing, and much of the general attention was centered on Lady Adelaide's little daughter, a showy, handsome child of about thirteen. Daubigny was teasing her, stealing her peaches, waiting on her with exaggerated politeness. The girl seemed used to that sort of treatment, and coquetted with him as readily as if she had been a woman of the world. She was evidently clever and amusing, too, for her remarks were received with much laughter, and once Luigia saw Daubigny take her hand and kiss it with 48 The Desire of the Moth. all the elaborate homage he might pay to royalty. The daughter of the house watched in silence the attentions and flatteries that were lavished on the little visitor, and a feeling of bitter jealousy rose in her heart. Even the dog was allowed to mingle with the party, and lie at Daubigny's feet, while she, his nearest possession, could only watch him from afar. " There's your ma as is to be, Miss Luigia ! " cried Fanny, who, with her work was seated on a bench beneath the tree. " Don't she look proud and pleased at the way your pa goes on with Miss Isabelle ! He'll make a fine lot o' her when they comes to live here, I'll be bound ! " Luigia's eyes moved from her father to Lady Adelaide, who, leaning back beneath the shade of her parasol, watched the playful warfare between Daubigny and her child with an amused smile on her proud lips. But she said nothing, and the maid continued — " Ain't she dressed fine, too ! Look at her pretty white frock, and long feather ! You ain't got a feather like that, for all your pa's so rich ! " Luigia was still silent. " It's to be hoped as your new mail be kind to you," continued Fanny, taking up her work Lady Adelaide. 49 again with an indignant sniff, " tho' it's flyin in the face o' nature to expect it. Stepmothers never is. There was a gell in our village as her stepmother beat her to death — not as her ladyship would do that — but it comes to much the same thing in the end." She rose, folded her work, and went indoors, telling; Luigia to follow in a few minutes for tea. But Luioria forgot her tea, and her doll lay forlornly on the ground. Her eyes were fixed on the group on the lawn, which was now breaking up. Daubigny, with the old lady on his arm, was strolling off in the direction of the lake, and Lady Adelaide with her little girl followed slowly. Luigia kept them within sight, full of her project. Fortune favoured her, for on reaching the lake Lady Adelaide seated herself on a bench, while the child went down to the water's edge to feed the swans. Luigia waited until Daubigny and old Lady Friarsgate had disappeared round a bend in the lake, and then she made her desperate venture. Clutching the ugly doll more tightly than before, she forced her way through the thick bushes behind the bench on which Lady Adelaide sat, and suddenly appeared before her with her petition. "If you marry my father," she began abruptly, VOL. I. 4 50 The Desire of the Moth. looking up into her face with great earnestness, " you can't think how unhappy it will make every one. The servants will all leave, and so will Mrs. Parsons the housekeeper, and it will be dreadful !" Lady Adelaide's face was a cold and some- what haughty one ; she was a woman of the world, and it was probably years since she had blushed or looked confused. But she blushed now : a flood of crimson mounted to her temples, and to the very roots of her hair. She orazed at the little figure before her with unutterable surprise and disdain. " Who are you ? " she exclaimed. " I am Luigia Daubigny." Lady Adelaide probably knew of Luigia's existence, but she had utterly forgotten it, for she was seldom seen by any of Daubigny's o-uests. She could not have looked more aghast if a thunderbolt had fallen at her feet. She sat in silence, staring at her. Luigia came a step nearer, and fixed her dark eyes, full of melancholy, on the stern face that looked down on her. " You have Isabelle and other people. I have only father. If you marry him he will forget me still more." The pathos of this appeal might have touched Lady Adelaide. 5 1 Lady Adelaide if her mind had been free to receive impressions, but it was filled with one absorbing thought — that her private affairs had been made public property and gossiped over. The rumour mi^ht even have reached Daubigny's ears, and at the thought her face took a still deeper hue of shame. She rose to her feet, and confronted Luigia with extreme hauteur. 11 Who put this idea into your head ?" " I think it was Jane, one of the housemaids, or it might have been Price. But afterwards they all said the same, and they won't any of them stay. They've quite made up their minds. '*' Lady Adelaide looked down on her, and said with a curl of her lip — " I suppose you do not mean to be imper- tinent, but you can tell your friends the servants when next they mention the subject, that Lady Adelaide Carmichael has no inten- tion whatever of marrying their master." She turned on her heel to walk off, and, as she did so, came face to face with Daubigny and her mother, who could not have failed to hear the last words she uttered. Indeed, one glance at his face was sufficient to show that he grasped the whole situation. A flush of 52 The Desire of the Moth. deeper embarrassment than any that had coloured Lady Adelaide's cheek rushed into his own, and, out of consideration for her, he bent his eyes upon the ground. He was utterly confused and ashamed, and stood silent in the presence of the woman who had refused him before he had asked her to be his wife. An awkward silence ensued. Luigia, the culprit, stood in their midst in her faded cotton frock, with her long black hair hanging loosely round her. She was ignorant of how she had offended, yet aware that she was in dire disgrace. She saw and felt at once that her father was angry with her. She saw also that he held in his hand the hand of the beautifully dressed little girl, who was caressed and well beloved, while she, his own daughter, stood apart, cared for by none. The awkward silence lasted only one moment, for old Lady Friarsgate came to the rescue, and lifting her gold-headed stick towards the distant woods, remarked upon the exquisite beauty of the autumn tints and the wonderful mildness of the weather. Lady Adelaide re- gained her presence of mind immediately, and spoke and moved with composure. They all walked back towards the house, Daubigny, almost in silence, at Lady Adelaide's Lady Adelaide. 53 side. But he was not thinking of Lady Adelaide, or of the embarrassing position in which they had both been placed ; he was thinking of a beautiful, brilliant face that had vanished for ever from his sight, of soft lips that had once been pressed to his, of a sweet voice that still echoed in his ears. He turned to look back at the child of the woman who had ruined his life, but whose memory was still so passionately loved in the secret depths of his heart. She stood there alone, in dis- grace, gazing after them. He had half a mind to turn back and speak to her — but then, he had nothing to say ! To tell the truth, he was both shy of and afraid of hen He walked back to the house beside Lady Adelaide, but little Belle's hand was no loneer in his. His conversation with her mother was both formal and forced, and she believed him to be still embarrassed by what had occurred. In reality, he was living far more in the past than in the present. As the carriage containing Lady Adelaide and her mother and child drove away, he turned back to the house with a sense of relief. " Have I really been mad enough to think of such a thing ! Should I be satisfied to have 54 The Desire of the Moth. that woman where she used to be ? — a block of ice to warm me where I once had living fire ? " He smiled scornfully ; then, in a moment, changed his tone. " Fire ! Yes, but fire is dangerous ! I will never meddle with it again. Lady Adelaide would not make havoc of a man's heart. Til try my luck with her yet — in spite of this idiotic affair to-day ! " But in two days' time news came to the Hall that Lady Adelaide and Miss Isabella had gone to Paris on a visit, and that they meant to spend the winter abroad. There was re- joicing throughout the household, but none guessed it was to Luigia they owed this happy escape from a threatened calamity. CHAPTER V. THE ITALIAN SINGING-MASTER. ADY ADELAIDE lived abroad for several years, and by degrees all dread of a second marriage passed out of Luigia's mind. She grew from childhood into girlhood apparently without Daubigny being aware of the fact, and they lived as far apart as ever. This was not by design, but from force of habit. He neglected her entirely, and allowed her to live her own life without interference. When her Aunt Grace paid her flying visits to the Hall, she tried to remedy matters as far possible, but her innovations were never long- lived. Arrangements were made for Luigia to share lessons with the children at the vicarage, but when winter came, and she had a cold, she stayed at home for several weeks, and the custom was never resumed. Another time an elderly governess was procured for 56 The Desire of the Moth. her, who spent her day in crocheting counter- panes for some charitable institution, while her charge ran almost as wild as before. When Aunt Grace married and went to India there was no one left in existence who concerned themselves the very least in the matter. By the time she reached the age of fifteen or sixteen, she began to feel her ignorance acutely, and, far too proud to ask her father to trouble himself about her in any way, she set herself to learn what she could unaided. She taught herself, in spite of Miss Green's incompetency, and studied hard to make up for lost time. It was no good going to her governess for help ; Miss Green was one of the o-ood, old-fashioned school, who wrote a lady-like, "running" hand, sketched unnaturally from Nature, played spasmodically on the piano, and insisted upon an upright deportment, a mildness of speech, a neat arrangement of the hair, an absence of ideas, and all other essen- tials in a young lady's education. But she was no use for real study, and Luigia pored over her books alone. She had grown into a tall girl, with a pale, dusky skin and black hair. She was not beautiful like her mother; she was not even pretty, for she had a wide mouth and a childish, The Italian Singing- Master. 57 undeveloped figure. But she still had her beautiful eyes. Daubigny never could bear to look at them, since they reminded him of her mother's. If he met her accidentally, and she looked at him in her direct and fearless way, he experienced an uncomfortable feeling, as though he had done her some sort of injury, and she held herself aloof from him. This was perhaps the case. A new feeling had entered into her love for him ; she was no longer afraid of him, and she could have stood his coldest word and sternest frown without flinching, for she had hardened her heart, and excessive pride had taught her self-control. Although she would have gone without the bare necessities of life rather than have begged them from him, there was one matter in which her desire overcame her pride, and this was her education in music. For years she pinched and saved the chance trifles of money that fell into her hands with the idea of paying a master to teach her, but it was very little, after all, and at last she went to Miss Green about it. The governess had an interview with Daubigny, in which she represented that Miss Daubigny was rapidly reaching an age when it would be desirable for her to receive instruction in the line arts, and that if she might venture to 58 The Desire of the Moth. suggest a few lessons in music and painting from eminent masters Daubigny cut her short, laid a banknote on the table, begged her to make all necessary- arrangements, and to come to him when she needed more money. There it ended, and he never inquired how she carried out her instructions. But Luigia was happy. She went down once a week to Miss Baldwin's famous school in the town, and received piano and singing lessons from the master, who came from London to instruct her pupils. Miss Baldwin was, of course, greatly flattered at having the young lady from the Hall, and imagined that Mr. Daubigny must have been struck by the elegant playing of her young ladies at the Town Hall concert in aid of foreign missions. Her manner to Luigia was always one of deep respect. The singing-master was a strange, impetuous little Italian, who was filled with the soul of music, and a passionate love of his art. He had once possessed a tenor voice, from which he had hoped great things, but asthma had seized him as its victim, and the voice had disappeared. He had then been obliged to exchange the role of performer for that of teacher, for he was The Italian Singing-Master. 59 very poor. His days were spent in trying to dun into commonplace pupils some faint know- ledge of the divine art, which it is impossible to either learn or impart. He was often driven nearly mad, and the young ladies of Crawford House considered him vastly wanting in manners when he flung their music to the other end of the room, and declared it was useless wasting further time and money on them. Luigia came to him as an oasis in the desert. She was a treat to which he looked forward the whole week. He had no other pupil so industrious, so promising. Besides her natural love for, and sympathy with, music, she had a perfect ear, a beautiful voice, and an amount of dramatic talent rarely found in a nature that is entirely English. " You were born for the stage — you should sing in the opera ! " he would cry. " You have the fire — the soul — the spirit of it ! You would make your name ! " She only laughed at the time, but she kept his words in mind, and practised, if possible, more diligently than before. She was entirely satisfactory to the Signor, who delighted in seeing genius developing under his eye and in moulding it according to his ideas. She 60 The Desire of the Moth. was after his own heart. So it came to pass that he often sent her tickets for concerts and special performances in London, which she could not, of course, attend. He knew nothing of her condition in life, whether she were rich or poor — only that she was capable of great things in the art to which he could never be anything but a humble servant. The lessons went on regularly for a year. Wet or fine, Luigia, accompanied by Fanny, never failed to appear at the appointed hour on Wednesday afternoons. She had made great progress, and the Signor was indignant that so much talent should be wasted in a private career. He spoke to Miss Baldwin on the subject one Wednesday afternoon, just before the hour for Luima's lesson. " Miss Daubigny has genius. She ought to make a name. She has a wonderful voice, and emotional capacity. It is a thousand pities they should be wasted. Can she not study for a professional career ? " " Oh dear no ! " cried Miss Baldwin aghast. " She is a young lady of very good family. Her father is a rich man, and she is his only daughter. She lives at the Hall — that sreat place with the park and iron gates. Oh dear no! I should think not, indeed!" The Italian Singing-Master. 61 "It is a sad pity!" he ejaculated. "Many and many a name is made with far less talent. If only she were poor ! " At that moment Luigia entered the room somewhat hurriedly, with her music in her hand. Her face was flushed — perhaps from the quickness of her walk in the hot sun. She went to the open window, and stood there until Miss Baldwin, after a few more words on in- different subjects, had left the room. Then she went at once to the piano, and, without a word, began the exercise he set her. It was recitative ; a most difficult passage — a passage in which every other pupil of his had invariably failed. She sang it faultlessly. The Signor was in raptures. He turned from one to another of the exercises with eager hands, and she sang whatever he demanded of her without hesitation or a single fault. There was in her voice that day an additional force and power which her master felt as well as heard. At the end of the lesson he turned to her, unable to entirely suppress his delight. "You have done well to-day — better than usual." " Yes," said Luigia, " I intended to do so." There was something in her manner that 62 The Desire of the Moth. made him twist round on the music stool and face her critically. She was standing behind him, her usually pale face flushed, and her eyes filled with suppressed excitement. " It is a sinful waste of a fine talent!" said the little music-master impetuously. "You should enter the profession and make a name." " Will you help me to do it ? " she said. " What!" cried the little man, staring at her as though he felt he had not heard aright. " I want to go on the stage," she said deliberately. " I think I could sing — I think I could act. My mother's father did both in the Italian opera, you know." " Indeed ! I did not know. Ah ! that accounts ! But I am delighted to hear this. I feared that your family — your guardians — would dislike the idea." " I shall not ask leave. My father would not o-ive it if I did, I dare say. But it is nothing to him, and everything to me." The Signor looked at her doubtfully. She was very young to speak so decidedly about her affairs, but, with her genius for music, she was mistress of the world. " You intend to leave your home, made- moiselle ? " he said, slowly — " and for the stage ? " The Italian Singing-Master. 63 " If I only could. Anyway, I can run away, I suppose." " Ah, mademoiselle, you are too young, too inexperienced. How can you go out alone into the world to fight your way ? " " It can be done, I suppose. I am not afraid. Anything is better than living at home." She flung back her head, and her eyes flashed. " My father is going to be married again in three months' time. I have only just heard." "Ah, so that is it ! " exclaimed the music- master, jumping off the stool with excitement. "Oh, if you but go on the stage, believe me, your fortune is made, and your name is in every mouth. I speak with certainty." " What do you think of my voice ? " "Your voice is divine, mademoiselle." "And how long a training should I require?" He looked her over from head to foot. " May I take the liberty of enquiring made- moiselle's age ? " " Seventeen." "That is young, but it is better to begin young. You will need years of study before you can come out. You must not strain your voice by singing in public too early." M That training is the drawback. I have no 64 The Desire of the Moth. money of my own, and do not know how to pay for it." " Have you no one who would help you ? " " No one." A little silence fell, during which the Signor lost himself in thought. He was brought to his senses by hearing a clock strike six — half an hour after the usual time for the lesson to be ended, and, starting up in sudden consterna- tion, he took his leave. The following Wednesday he awaited the hour for Luigia's lesson with both dread and impatience. He had decided to take an im- portant step, the wisdom of which he could not help doubting. But he felt he must make the plunge, whatever the result might be. He was alternately lavish of his praise, and irritably critical throughout the lesson, but Luigia bore his changes of mood with a quiet dignity that made him even more nervous. He was glad when the lesson was over, and he was at liberty to speak what was on his mind. " Have you decided for the opera, made- moiselle ? " he began abruptly. " I have thought about it a great deal," she answered, " but I do not see how to manage it. What do you suggest ? " " Have you really made up your mind ? " The Italian Singing- Master. 65 " Quite." " Then listen to me," cried the little man, suddenly jumping up, and speaking excitedly. " You will think what I am going to say very strange, but you must give it consideration. There is one way in which this thing can be done." " What is it ? " she asked, with a sudden light flashing into her eyes. "You must marry me. As my wife it would be easy." Her lips parted with something like a gasp, but she spoke steadily enough. " Tell me how." The Signor leaned heavily on the keys of the piano, eliciting from them a heavy muffled clang, which, however, neither of them heard. He spoke rapidly. " I am an elderly man, a bachelor and poor. But my name is well known, and I am acquainted, more or less, with all the greatest singers and musicians of the day. Any protdgde of mine could be introduced into their world with the greatest ease, and she could get a thorough training for nothing, or next to nothing. You wish to enter that circle, and have that train- ing — it is your natural atmosphere. As my wife it would be easy." VOL. i. 5 66 The Desire of the Moth. She turned away to the window with a dramatic little gesture expressive of suppressed excitement, but she did not speak, and he went on. " It is true that I am old and you are young, but that is the case in many marriages. I hear that you are rich, and I — I am poor. But what of that ? Youth and wealth are nothing to those who have art. Art is everything. I do not want your money ; I would not accept it if it were flung at my feet, but I do want you. Think well, mademoiselle, before you throw away the offer of what I can give you — better, perhaps, than any one you are ever likely to meet." He spoke vehemently, bent upon carrying all before him, and she looked at him fully, steadily, calmly. Could she do this thing ? Was it possible to marry the man before her ? She would do a great deal for her art, but would she do that ? For an instant the doubt lay in her ; then she threw it away. This little man, with his odd, wrinkled, yellow face, his thin hair, his ugly hands, and funny clothes ! No, the thing was impossible ! " " We do not love each other," she said slowly. " No, but, believe me, love would come in The Italian Singing-Master. 67 time," he cried, eagerly advancing a few steps towards the window where she still stood, with her back turned to him again. " Besides, I should be content with a quiet affection, and a wife who cared for the things I cared for. My joy would be in watching your genius develop, and in clearing your path before you. I am past the age, perhaps, for any very romantic feelings." " But, I am not ! " she cried, turning to him with such a sudden flash in her beautiful eyes that he began to doubt if he were really as secure as he imagined. " Your offer is very tempting, but I do not think I will accept it." The Signor caught her hand in his. " Consider again before you refuse. It is your best — your only chance." " I know, but I dare not take it." He looked at her in silence for a moment, then, as she turned her eyes on him in mute appeal against the manner in which he was still holding her hand, he dropped it. " I daresay you are right. Heaven knows I have made many mistakes in my life, and this might have been my greatest. It is, perhaps, too great a risk to join together the old and the young." 68 The Desire of the Moth. " Yes," said Luigia, looking at him fully and reflectively with great calm eyes. " It is better so — it is better so," he said, turning towards the door. " And yet — and yet I would have risked it. If ever you change your mind, mademoiselle, do not be afraid to let me know." " Thank you," said Luigia. He made her a profound bow, and left the room. He was not broken-hearted, but he felt more lonely and disappointed than he had done for years. The vision of a young wife at his fireside had haunted him for a whole week, and it was hard to give it up. "She would have been a great pleasure to me," he murmured to himself on his homeward journey, "and I should not have been afraid to trust her. She has a very quiet manner, and a straightforward way of saying exactly what she means. She is not of the giddy kind. And then her voice ! " And Luigia, how did she spend the hour after receiving this, her first offer of marriage ? The hot June day had ended in a thunder- storm, and Fanny was late in coming to fetch her. She waited in the deserted schoolroom, and sat down on the window-seat, where many a girl had scratched her name in ink or cut it The Italian Singing-Master. 69 with a penknife on the wood. Her hands were folded in her lap, her eyes fixed absently on the laurels outside, from which the heavy rain was washing the dust of weeks. " I suppose he would have been glad to be rid of me," she was thinking. " I have made a mistake — I ought to have said yes." She walked home through the rain without waiting for Fanny, who had no intention of fetching her young mistress in a thunderstorm, and was much more agreeably engaged in stopping up her ears behind the kitchen door while Daubigny's French valet protected her from the lightning with his person. In passing through the hall, wet and draggled, Luigia heard the unusual clatter of teacups in the drawing-room, and through the half-open door she caught a glimpse of Lady Adelaide and Lady Friarsgate seated there, with Dau- bigny in attendance. A pile of wraps, silk cloaks, and umbrellas lay on the hall table, with their cards, and a little toy terrier ran out into the hall and snapped at her skirts as she passed. She went upstairs and locked herself in her room violently. Her black brows were drawn together in a frown. " I will say ' yes ' next time, whoever it may 7